WEBVTT - Blxst

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<v Speaker 1>R &amp; B money. We are.

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<v Speaker 2>Thanks.

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<v Speaker 1>Jake Valentine.

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<v Speaker 3>We are the authorities on all things.

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<v Speaker 4>R &amp; B.

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<v Speaker 3>Ladies and gentlemen, I'm Jay Valentine and this is the

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<v Speaker 3>R &amp; B Money Podcast. And if you see me

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<v Speaker 3>doing like this, you're going to try to figure out

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<v Speaker 3>what the X is about. And if you hear me yelling,

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<v Speaker 3>you might know who is in the building. Man, I

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<v Speaker 3>got a brother in the building today that has built

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<v Speaker 3>his own empire independently in this R &amp; B thing.

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<v Speaker 4>It is not easy to do that. and that is

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<v Speaker 4>to be respected.

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<v Speaker 3>I ain't going to talk too much because this young

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<v Speaker 3>brother is the truth, and we about to get into it.

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<v Speaker 3>When you see us now, you might say blixed, but

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<v Speaker 3>it's blast. Man, welcome to the R &amp; B Money Podcast, brother.

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<v Speaker 3>I appreciate you pulling up on me, man.

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<v Speaker 1>Man, this is dope. This is dope, man. How you doing?

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<v Speaker 1>I'm good, man. Shout out to the R &amp; B

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<v Speaker 1>money community out there. Big fan of the show, so

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<v Speaker 1>I'm glad to be here.

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<v Speaker 3>I'm going to ask you a question that, you know,

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<v Speaker 3>I don't think I've asked anyone as the first question.

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<v Speaker 4>What kind of artist do you consider yourself to be?

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<v Speaker 1>Man, I say I'm right on the fence of hip-hop

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<v Speaker 1>and R &amp; B. Okay. Because I look at myself

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<v Speaker 1>as a rapper first. You do? Yeah. Okay. In terms

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<v Speaker 1>of cadence and delivery and bars, punchlines that I use. Yeah.

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<v Speaker 1>But obviously I'm being melodic with it too. Absolutely. And

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<v Speaker 1>then my subject matter is always about... Love, relationship, even

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<v Speaker 1>if it's just with self, with God, with my partner,

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<v Speaker 1>with my kids. So, you know, the love is the

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<v Speaker 1>key word that I attribute to R &amp; B as well.

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<v Speaker 3>Yeah.

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<v Speaker 1>It's right in between both of those. And that's why

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<v Speaker 1>I asked that.

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<v Speaker 2>Yeah.

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<v Speaker 4>Because I think some people get confused. I'm like, well,

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<v Speaker 4>and your name, right? It's kind of how like with Tank.

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<v Speaker 1>Yeah.

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<v Speaker 3>They didn't know when he first came out, if he

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<v Speaker 3>was an R &amp; B singer or not, when they

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<v Speaker 3>just saw his name on things. Cause it's like, yeah, Hank,

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<v Speaker 3>you gotta be a rapper. He looked like 50 cents.

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<v Speaker 1>Right.

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<v Speaker 3>So for you, when they see blast, what they may

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<v Speaker 3>consider to be bliss or blix star, I'm sure you've

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<v Speaker 3>heard every.

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<v Speaker 1>Heard everything in a dictionary when they, they butchered my

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<v Speaker 1>name for so long. I just let him run with

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<v Speaker 1>it at this. It's just a talking point at this point.

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<v Speaker 1>How did you get to Blast? So it's funny because

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<v Speaker 1>I just made it up when I was 16. I

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<v Speaker 1>wasn't thinking of anything that had to do with me

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<v Speaker 1>in terms of like the artist that I wanted to.

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<v Speaker 1>I was just trying to create a cool name. OK.

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<v Speaker 1>I was a part of a like a group called

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<v Speaker 1>Members Only. It was like a hip hop group. It

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<v Speaker 1>was also jerking. Like the dance? Oh, yeah, yeah, yeah, yeah. Yeah,

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<v Speaker 1>we was all like 15, 16. Yeah, man, take me

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<v Speaker 1>back to South Central, man. Take, come on. Oh, yeah, yeah, yeah, man.

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<v Speaker 1>This actually started in Carson. Okay. My nephews, they stayed

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<v Speaker 1>in Carson, and I would go out there, and they

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<v Speaker 1>had like the group. It was called Members Only. And

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<v Speaker 1>some rappers, some people was jerking, but we would throw

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<v Speaker 1>parties and stuff, too. So everybody had nicknames and stuff.

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<v Speaker 1>And I was late to the party. I'm like, I

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<v Speaker 1>need a name. I had to come with it on

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<v Speaker 1>the spot. I'm like, blast. It had no meaning before.

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<v Speaker 1>So as I got older, I'm like, let me change

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<v Speaker 1>the name because this ain't got nothing to do with me.

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<v Speaker 1>Started seeing artists like Kendrick Lamar coming out. And I'm like,

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<v Speaker 1>my name is Matthew. Like, that don't sound cool. At

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<v Speaker 1>least to me, it didn't sound cool. So I was like,

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<v Speaker 1>you know, let me figure it out. What'd you say?

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<v Speaker 3>It could be the book of Matthew or something. You

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<v Speaker 3>know what I mean? Take it to the Bible, man.

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<v Speaker 1>But no, later down the line, I had kids and

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<v Speaker 1>I'm like, you know, blast sound like a superhero name.

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<v Speaker 1>So I'm going to just run with it. I'm a

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<v Speaker 1>superhero now. Yeah. Yeah. Yeah. All right.

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<v Speaker 4>So you said your nephews.

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<v Speaker 1>Mm-hmm.

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<v Speaker 3>Is it the hood where it's like you and your

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<v Speaker 3>nephews are the same age? Yeah, we're the same age. Yeah,

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<v Speaker 3>because you're like, I'm going to see my nephews. They

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<v Speaker 3>already got a group.

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<v Speaker 1>I'm like, hold on.

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<v Speaker 3>Yeah, that's why I ain't even had to explain because

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<v Speaker 3>if you know, you know. If you come from that cloth,

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<v Speaker 3>your nephews is the same age.

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<v Speaker 4>Listen, what we call them in our family, we got

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<v Speaker 4>little uncles. Because my brother definitely got kids. That's younger

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<v Speaker 4>than his grandkids.

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<v Speaker 1>I'm like, hey, man. Yeah, that's me. I'm for sure

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<v Speaker 1>a little uncle. You're a little uncle?

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<v Speaker 4>Hey, man, everywhere you go, this is the Bay, the LA,

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<v Speaker 4>New York, it don't matter.

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<v Speaker 1>The hood is the hood. Man, that's the realest shit.

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<v Speaker 1>That's funny.

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<v Speaker 4>So you in the group with your nephews.

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<v Speaker 3>Y'all got members only y'all got a more of a

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<v Speaker 3>jerking crew or y'all making records too yeah we doing

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<v Speaker 3>both okay it's like a party crew so it's y'all

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<v Speaker 3>going around we going around throwing parties everybody got different

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<v Speaker 3>talents and gifts and we just all came together and

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<v Speaker 3>just called ourselves members only you know and um i

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<v Speaker 3>was one of the the few that was an artist

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<v Speaker 3>as well so that's that's how i got my starting

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<v Speaker 3>into making music so was there a plan like get

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<v Speaker 3>a deal y'all obviously from L.A., really one of the

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<v Speaker 3>meccas of the music business. Did you know anybody in

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<v Speaker 3>the music business? Did you know anybody that labels any

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<v Speaker 3>of those things?

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<v Speaker 1>Not at all. I had no family in the industry.

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<v Speaker 1>The people that we was looking up to was YG

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<v Speaker 1>and the Pushas.

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<v Speaker 3>So that's when all the clicks was going around.

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<v Speaker 1>And we was like a, you know, a mimic of that.

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<v Speaker 1>We was the little homies. Yeah. You know, they had

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<v Speaker 1>the Pushas. Those was like the big homies and stuff.

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<v Speaker 1>And they would throw parties and they would be artists

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<v Speaker 1>and stuff like that. So we was trying to mimic them.

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<v Speaker 1>It had no intention of being bigger than what it was.

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<v Speaker 1>We was just having fun being kids. We wasn't thinking

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<v Speaker 1>about the future, being signed to a label or nothing

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<v Speaker 1>like that. It was just having fun in the moment.

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<v Speaker 3>Did you have those same aspirations before you got in

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<v Speaker 3>Members Only? Like at a younger age in music at all?

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<v Speaker 1>Not at all. Not until I seen my nephews make

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<v Speaker 1>a song. I'm like, I can do that. It felt

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<v Speaker 1>like it was effortless. Yeah. You know, when I was younger,

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<v Speaker 1>I remember like making songs with my mom and my sisters,

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<v Speaker 1>just like little nursery rhymes and stuff like that. We

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<v Speaker 1>would write lyrics and remix songs, but it never felt

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<v Speaker 1>like something I wanted to pursue until I saw my

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<v Speaker 1>nephews actually make a song and they made it on

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<v Speaker 1>a laptop. I'm like, I feel like I can do that. Yeah.

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<v Speaker 1>And then once I recorded and heard myself on the mic,

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<v Speaker 1>it just felt like This was it.

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<v Speaker 4>It was natural to you?

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<v Speaker 1>It felt natural. Are you the youngest? Yeah, I'm the

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<v Speaker 1>youngest sibling. I got three older sisters. Okay.

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<v Speaker 4>Yeah.

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<v Speaker 1>Yeah.

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<v Speaker 3>So, what was it like for young Blash, young Matthew?

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<v Speaker 3>Were you into sports? Were you into other things? Like,

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<v Speaker 3>what was your childhood like before you jumped into music?

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<v Speaker 1>I played basketball, of course. One thing I was heavy

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<v Speaker 1>into was skateboarding. Okay. Yeah. So, that was like the heavy....

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<v Speaker 4>On some Terry Kennedy?

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<v Speaker 1>Exactly. Terry Kennedy. He sparked everything. The whole era with

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<v Speaker 1>Pharrell and the Ice Cream Team, Terry Kennedy, Antoine Dixon.

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<v Speaker 1>It was like me first seeing black skaters. Right. So

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<v Speaker 1>that piqued my interest because they was into fashion.

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<v Speaker 4>Music, skateboarding.

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<v Speaker 1>Yeah, heavy. If you know about Long Beach, that's like

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<v Speaker 1>a heavy influence as far as the skate community and

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<v Speaker 1>stuff like that. So that was my thing, skateboarding and

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<v Speaker 1>stuff before the music came about.

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<v Speaker 4>You thought about being like a pro skateboarder?

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<v Speaker 1>For sure. How do you even go about that?

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<v Speaker 2>Yeah.

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<v Speaker 4>Turning pro as a skateboarder though.

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<v Speaker 1>Well, you try to get, they got a thing, it's

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<v Speaker 1>called amateur first and then it's pro, but you try

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<v Speaker 1>to get sponsored first. So like the companies like Baker

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<v Speaker 1>or Nike SB or Chocolate, it's different companies that sponsor

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<v Speaker 1>you or just, you know, give you free skateboards and clothes.

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<v Speaker 1>And then a level up is being professional where they

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<v Speaker 1>actually pay you. To make skate videos and do campaigns

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<v Speaker 1>and stuff like that. Oh, you was in it. Yeah,

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<v Speaker 1>I was knee deep in it, man. I was jumping downstairs,

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<v Speaker 1>hitting rails, all kind of stuff.

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<v Speaker 4>Shit.

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<v Speaker 1>Do you still skate? Nah, man. I broke my ankle.

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<v Speaker 1>It was a wrap after that.

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<v Speaker 4>It was like, I'm cool.

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<v Speaker 1>Yeah, it was over with. Off one injury? Because usually, like, Catsby.

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<v Speaker 2>Yeah.

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<v Speaker 1>I kept skating a little bit after. But it just wasn't,

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<v Speaker 1>my ankles just wasn't the same. Yeah.

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<v Speaker 2>Yeah.

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<v Speaker 1>It was God telling you. Yeah. It had to go

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<v Speaker 1>to the next chapter. Something else was, yes. Yeah. And

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<v Speaker 1>it was simultaneously as like I was, you know, falling

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<v Speaker 1>in love with music at the same time. So it

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<v Speaker 1>was like pick a side, you know.

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<v Speaker 3>And are you singing at first? Or on his first record,

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<v Speaker 3>are you just purely rapping? Was the melody always there?

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<v Speaker 1>The melody was always there. It was heavy rapping as well.

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<v Speaker 4>And the subject matter was probably different.

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<v Speaker 1>Yeah. Because you're younger. Exactly. Yeah. Yeah. So it was

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<v Speaker 1>a lot of, you know. Thinking I'm tough and stuff

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<v Speaker 1>like that. I get it.

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<v Speaker 3>Had to find my way in the process.

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<v Speaker 1>I've always been a lover boy too. So it was

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<v Speaker 1>always like me speaking about relationships, even if I didn't

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<v Speaker 1>know what I was talking about. Yeah. I was just,

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<v Speaker 1>you know, always speaking, you know, upon love and stuff

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<v Speaker 1>like that. So naturally I just found my way in

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<v Speaker 1>my pocket, in my lane as I grew as an artist.

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<v Speaker 4>What was the breakthrough for you?

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<v Speaker 3>The breakthrough that you felt like was the breakthrough where

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<v Speaker 3>it's like, okay, I can really do this at a

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<v Speaker 3>high level.

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<v Speaker 4>Like I can have some success in music.

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<v Speaker 2>Hmm.

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<v Speaker 1>I would say the next chapter right after members only

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<v Speaker 1>is when I start locking in with a group called T.I.U.

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<v Speaker 1>And it was like 10 different artists.

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<v Speaker 4>Is that Turn It Up or what is that?

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<v Speaker 1>Yeah, Turn It Up Music. I don't know how I

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<v Speaker 1>know that.

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<v Speaker 4>Just off the rip, I'm just like, that sounds like

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<v Speaker 4>that's probably Turn It Up.

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<v Speaker 1>Okay, okay. So T.I.U. Yeah, one of my best friends

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<v Speaker 1>from high school, his sister was like the CEO of

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<v Speaker 1>the whole T.I.U. thing. So she brought us all in.

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<v Speaker 1>We was all kids and we all would stay at

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<v Speaker 1>this house and just record music and produce ourselves, engineer ourselves.

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<v Speaker 1>I look at it now. It's like, you know, my

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<v Speaker 1>college days of becoming who I am today. Absolutely. We

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<v Speaker 1>would go out and sell CDs and print merch up,

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<v Speaker 1>you know, and it just taught me how to be

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<v Speaker 1>an independent artist way before I knew what it actually

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<v Speaker 1>took to be an independent artist. So I would say,

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<v Speaker 1>Then is when I started taking it serious and seeing

0:10:48.220 --> 0:10:52.579
<v Speaker 1>it was actually, like, obtainable to make it a career.

0:10:52.780 --> 0:10:53.160
<v Speaker 1>You feel me?

0:10:53.360 --> 0:10:57.400
<v Speaker 4>Yeah. How long does it take to make any money

0:10:58.320 --> 0:10:58.719
<v Speaker 4>doing it?

0:10:59.220 --> 0:11:00.540
<v Speaker 1>Money, money or money, money?

0:11:00.620 --> 0:11:03.559
<v Speaker 4>I mean, obviously, you're an adult now, so money is different.

0:11:03.660 --> 0:11:03.880
<v Speaker 1>Yeah.

0:11:03.960 --> 0:11:04.200
<v Speaker 3>Right?

0:11:04.220 --> 0:11:05.709
<v Speaker 4>You got more responsibilities. You got kids.

0:11:05.750 --> 0:11:08.610
<v Speaker 3>You got, you know, you got real bills to take

0:11:08.650 --> 0:11:10.450
<v Speaker 3>care of. So, obviously, money is different now. But I'm

0:11:10.470 --> 0:11:14.079
<v Speaker 3>talking about money to the point of just being, like, Oh,

0:11:14.260 --> 0:11:15.660
<v Speaker 3>I made a couple dollars doing this.

0:11:16.580 --> 0:11:18.340
<v Speaker 1>Yeah, I would say when I dropped the sixth tape

0:11:18.360 --> 0:11:23.540
<v Speaker 1>with Bino. So that was, what, 2019? Me and Bino Rodeau,

0:11:24.410 --> 0:11:26.510
<v Speaker 1>another artist from LA. Yeah, of course I know Bino Rodeau.

0:11:26.530 --> 0:11:28.050
<v Speaker 1>He just dropped the tape with Nipsey as well. Yeah,

0:11:28.070 --> 0:11:31.470
<v Speaker 1>he's prolific. Exactly. Absolutely. So we had dropped the collab

0:11:31.490 --> 0:11:36.270
<v Speaker 1>tape of six songs, and I remember uploading it on DistroKid, just,

0:11:36.290 --> 0:11:38.950
<v Speaker 1>you know, time going. And I stayed in an apartment

0:11:38.990 --> 0:11:42.790
<v Speaker 1>with my sister at this time. So my sister, she was...

0:11:43.580 --> 0:11:46.500
<v Speaker 1>She had got pregnant and, you know, she had moved

0:11:46.540 --> 0:11:48.700
<v Speaker 1>out the apartment. So now I got to take care

0:11:48.720 --> 0:11:50.300
<v Speaker 1>of this apartment on my own. I'm like, I don't

0:11:50.320 --> 0:11:53.569
<v Speaker 1>know what I'm finna do. That last month that I

0:11:53.610 --> 0:11:56.250
<v Speaker 1>had to stay at the apartment, the distro kid check

0:11:56.290 --> 0:12:00.680
<v Speaker 1>had came in for ten thousand dollars. I'm like, oh, yeah,

0:12:00.720 --> 0:12:04.100
<v Speaker 1>this is it. This little kid saved my life. Yeah, yeah.

0:12:04.400 --> 0:12:07.680
<v Speaker 1>That was the moment where I knew that's the first money,

0:12:07.740 --> 0:12:09.540
<v Speaker 1>money I had. So you didn't do nothing crazy. You

0:12:09.559 --> 0:12:11.380
<v Speaker 1>had to pay rent. I had to pay rent, yeah.

0:12:11.720 --> 0:12:12.870
<v Speaker 1>You had some leftover bread.

0:12:12.920 --> 0:12:15.550
<v Speaker 4>Did you do anything that was just like, no?

0:12:16.390 --> 0:12:17.430
<v Speaker 1>I had to get an apartment.

0:12:17.490 --> 0:12:18.190
<v Speaker 4>Responsibility.

0:12:18.210 --> 0:12:21.430
<v Speaker 1>I had my first son around this time. Okay. And

0:12:21.470 --> 0:12:24.710
<v Speaker 1>I've never been the type to really like splurge. You

0:12:24.750 --> 0:12:25.150
<v Speaker 1>ain't on that.

0:12:25.290 --> 0:12:25.550
<v Speaker 2>Yeah.

0:12:25.570 --> 0:12:27.850
<v Speaker 4>You ain't never bought nothing crazy.

0:12:28.559 --> 0:12:31.459
<v Speaker 1>You got a couple things crazy later down the line,

0:12:31.500 --> 0:12:34.579
<v Speaker 1>but you know, but it's not crazy, crazy. Like I

0:12:34.900 --> 0:12:38.140
<v Speaker 1>bought a house. It was, it was a crazy spin,

0:12:38.160 --> 0:12:40.620
<v Speaker 1>but it was like, in hindsight, it's like something I'm

0:12:40.640 --> 0:12:43.400
<v Speaker 1>proud of. Absolutely. As you should be proud of for sure. Yeah.

0:12:43.940 --> 0:12:44.660
<v Speaker 1>That's dope, bro.

0:12:45.120 --> 0:12:46.260
<v Speaker 4>And congratulations on that.

0:12:46.710 --> 0:12:50.670
<v Speaker 3>Because sometimes these are the things that, even if the

0:12:50.710 --> 0:12:53.990
<v Speaker 3>necessities of them, right. Of, I think we get caught

0:12:54.050 --> 0:12:57.890
<v Speaker 3>up in the floss. Everybody gets caught up in that, but,

0:12:58.429 --> 0:13:01.929
<v Speaker 3>Nobody has the real conversations about this thing.

0:13:02.010 --> 0:13:05.670
<v Speaker 4>Don't buy people houses, man. It don't bro.

0:13:05.929 --> 0:13:11.910
<v Speaker 3>Yeah. Sometimes this thing that we do doesn't buy groceries, man.

0:13:12.550 --> 0:13:15.070
<v Speaker 3>Like niggas is really out here trying to figure out

0:13:15.110 --> 0:13:18.410
<v Speaker 3>how to make a living doing music. So that's why

0:13:18.450 --> 0:13:21.170
<v Speaker 3>the people that I talk to and the people that

0:13:21.220 --> 0:13:24.240
<v Speaker 3>sit down with us, I always say, man, congratulations, bro.

0:13:24.500 --> 0:13:25.960
<v Speaker 1>And be proud of that. Yeah.

0:13:26.720 --> 0:13:30.359
<v Speaker 3>Because it's not, just a given that it's, you know,

0:13:30.780 --> 0:13:34.620
<v Speaker 3>no matter how talented you are, very talented people.

0:13:34.900 --> 0:13:37.000
<v Speaker 1>That have worked.

0:13:38.420 --> 0:13:42.260
<v Speaker 3>Their whole life and whatever career it was, come home,

0:13:42.950 --> 0:13:48.130
<v Speaker 3>turn their computer on, make beats, sing demos, make songs,

0:13:49.070 --> 0:13:50.730
<v Speaker 3>and have never made a dollar off music.

0:13:51.490 --> 0:13:54.010
<v Speaker 4>Just purely off the love they just doing this thing

0:13:54.030 --> 0:13:54.590
<v Speaker 4>that we love.

0:13:54.610 --> 0:13:55.370
<v Speaker 2>Man.

0:13:56.370 --> 0:13:58.500
<v Speaker 1>You got to think about that. It's a fact, bro.

0:13:58.520 --> 0:14:01.980
<v Speaker 1>That's why I thank God every day because the fact

0:14:02.100 --> 0:14:06.579
<v Speaker 1>that I'm able to provide for my family off something

0:14:06.600 --> 0:14:10.360
<v Speaker 1>that I love, as simple as that may sound, it's

0:14:10.400 --> 0:14:13.680
<v Speaker 1>like I already won. Everything else from here on is

0:14:13.750 --> 0:14:14.500
<v Speaker 1>a cherry on top.

0:14:14.660 --> 0:14:15.420
<v Speaker 4>Yeah.

0:14:15.660 --> 0:14:18.630
<v Speaker 1>And I've had experiences where it was like, okay, I

0:14:18.670 --> 0:14:20.489
<v Speaker 1>got the house, but I still got to maintain it.

0:14:20.610 --> 0:14:23.010
<v Speaker 1>And I had them ups and downs with that as well.

0:14:23.070 --> 0:14:25.810
<v Speaker 4>Property tax, mortgage, you know.

0:14:26.680 --> 0:14:27.340
<v Speaker 1>It get real.

0:14:27.720 --> 0:14:30.640
<v Speaker 4>Man, you be out there mowing your own lawn.

0:14:31.000 --> 0:14:34.400
<v Speaker 1>Exactly. And especially when you own your house, you got

0:14:34.440 --> 0:14:37.320
<v Speaker 1>to take care of everything that goes wrong. Can't call nobody.

0:14:37.620 --> 0:14:39.840
<v Speaker 1>Can't call nobody. Sometimes I be like, I want to

0:14:39.880 --> 0:14:42.970
<v Speaker 1>go back to renting, man. Yeah. But yeah, it come

0:14:42.990 --> 0:14:44.570
<v Speaker 1>with it, I guess. That's dope, bro.

0:14:44.830 --> 0:14:45.900
<v Speaker 4>That's super, super dope.

0:14:46.380 --> 0:14:46.780
<v Speaker 1>So, okay.

0:14:46.800 --> 0:14:50.530
<v Speaker 3>So you get your first distro kid. Got 10 bands.

0:14:51.030 --> 0:14:57.810
<v Speaker 3>Get your apartment. It sets you up. Are you immediately... thinking, oh,

0:14:57.850 --> 0:14:58.190
<v Speaker 3>I got.

0:14:58.110 --> 0:14:58.890
<v Speaker 1>To do more of this?

0:14:59.270 --> 0:15:01.430
<v Speaker 3>Or are you thinking, I just got to promote this

0:15:01.470 --> 0:15:03.790
<v Speaker 3>and I kind of got to do some shows, you know?

0:15:04.570 --> 0:15:06.470
<v Speaker 4>Do you have a plan at all? Or you just

0:15:06.510 --> 0:15:07.150
<v Speaker 4>had this tape out?

0:15:07.470 --> 0:15:09.570
<v Speaker 1>As soon as I dropped the tape, I mean, I

0:15:09.610 --> 0:15:11.890
<v Speaker 1>was on the radar of a lot of labels. Okay.

0:15:12.210 --> 0:15:15.480
<v Speaker 1>I was taking meetings back to back. You know, when

0:15:15.510 --> 0:15:18.150
<v Speaker 1>you're fresh on the scene, you got something successful. It

0:15:18.200 --> 0:15:21.340
<v Speaker 1>was culturally successful. It was big on the West Coast.

0:15:22.130 --> 0:15:25.170
<v Speaker 1>but a lot of labels was paying attention. So I

0:15:25.190 --> 0:15:28.830
<v Speaker 1>was having meetings immediately after the six tape. And I think, uh,

0:15:28.950 --> 0:15:31.980
<v Speaker 1>at the time I felt the sense of confidence because

0:15:32.000 --> 0:15:34.600
<v Speaker 1>I already had money coming in monthly off this tape

0:15:34.640 --> 0:15:37.380
<v Speaker 1>and it was growing as the months was going by.

0:15:38.260 --> 0:15:41.340
<v Speaker 1>So the plan was always to, you know, take it

0:15:41.360 --> 0:15:44.359
<v Speaker 1>to the highest level, which I felt was cool to

0:15:44.400 --> 0:15:48.090
<v Speaker 1>have a partner, but already had a system in place

0:15:48.230 --> 0:15:53.400
<v Speaker 1>in terms of management and attorney and road management creative

0:15:53.440 --> 0:15:55.360
<v Speaker 1>direction maybe for a label you.

0:15:55.300 --> 0:15:57.360
<v Speaker 4>Start really putting together a team fast.

0:15:57.180 --> 0:15:59.780
<v Speaker 1>Yeah that was the plan to build a team yeah

0:15:59.800 --> 0:16:03.790
<v Speaker 1>internally because just doing my research in terms of like

0:16:04.390 --> 0:16:08.490
<v Speaker 1>other artists downfalls and stuff like that one thing that

0:16:08.510 --> 0:16:11.550
<v Speaker 1>stood out was having a team no matter what building

0:16:11.590 --> 0:16:14.840
<v Speaker 1>you enter in the importance of having a circle around

0:16:14.860 --> 0:16:18.900
<v Speaker 1>you that believe in protects the vision before anything you

0:16:18.920 --> 0:16:21.760
<v Speaker 1>know so that was the plan building a team internally.

0:16:30.380 --> 0:16:35.110
<v Speaker 4>I'll use this term lightly, randomly. How do you get

0:16:35.130 --> 0:16:36.150
<v Speaker 4>to Red Bull?

0:16:36.810 --> 0:16:41.090
<v Speaker 1>Man, my dog CB. So the A &amp; R that

0:16:41.150 --> 0:16:46.210
<v Speaker 1>signed me at Red Bull actually was a close friend.

0:16:46.310 --> 0:16:49.430
<v Speaker 1>We had a mutual friend in common. But yeah, I

0:16:49.450 --> 0:16:51.330
<v Speaker 1>was just I was on the radar. I think that's

0:16:51.370 --> 0:16:56.380
<v Speaker 1>how our relationship initially started. But they was just talking

0:16:56.420 --> 0:16:59.750
<v Speaker 1>the language that I that I. appreciate it as far

0:16:59.810 --> 0:17:04.469
<v Speaker 1>as like long-term partnership yeah anybody that i want to

0:17:04.590 --> 0:17:07.810
<v Speaker 1>enter into a relationship and with i think about it

0:17:07.869 --> 0:17:10.570
<v Speaker 1>long term not just how i can and i don't

0:17:10.590 --> 0:17:14.250
<v Speaker 1>know where i got this mindset from but red bull

0:17:14.550 --> 0:17:16.410
<v Speaker 1>you know they just made an offer just like everybody

0:17:16.540 --> 0:17:18.650
<v Speaker 1>else i don't know how they came about i never

0:17:18.690 --> 0:17:20.420
<v Speaker 1>heard of red bull before they you know i've been

0:17:20.460 --> 0:17:22.900
<v Speaker 1>in music business a long time bro yeah i knew

0:17:22.920 --> 0:17:25.980
<v Speaker 1>they had the studios we had red bull studios because

0:17:26.020 --> 0:17:28.800
<v Speaker 1>i had I went there for, they were having events

0:17:28.859 --> 0:17:29.340
<v Speaker 1>at one point.

0:17:29.359 --> 0:17:31.679
<v Speaker 3>They used to have like, you know, listening things. And

0:17:31.700 --> 0:17:34.119
<v Speaker 3>they'd be like, oh, go to Red Bull. I'm like, nigga,

0:17:34.900 --> 0:17:35.760
<v Speaker 3>they give you wings?

0:17:35.920 --> 0:17:36.600
<v Speaker 1>Red Bull?

0:17:36.660 --> 0:17:39.760
<v Speaker 3>Like, what are you talking about? No, no, Red Bull Music.

0:17:39.780 --> 0:17:42.480
<v Speaker 3>They got some shit going on. But they didn't have

0:17:42.550 --> 0:17:44.729
<v Speaker 3>any artists that I knew of at the time. This

0:17:44.770 --> 0:17:47.169
<v Speaker 3>was years back. You might have still probably, you might

0:17:47.190 --> 0:17:48.889
<v Speaker 3>have been in like, I'm an old nigga, bro. You

0:17:48.910 --> 0:17:51.270
<v Speaker 3>might have been in like middle school, elementary school without

0:17:51.290 --> 0:17:52.050
<v Speaker 3>pulling up over there.

0:17:52.150 --> 0:17:54.690
<v Speaker 4>But, I think they might've had like a couple of

0:17:54.750 --> 0:17:55.810
<v Speaker 4>rock groups or something.

0:17:56.330 --> 0:17:58.210
<v Speaker 3>I think they were doing maybe some X game stuff

0:17:58.250 --> 0:18:00.770
<v Speaker 3>or something they were doing in that space, but they

0:18:00.790 --> 0:18:02.290
<v Speaker 3>had this really nice studio.

0:18:02.510 --> 0:18:03.389
<v Speaker 4>Was it in Santa Monica?

0:18:03.470 --> 0:18:05.629
<v Speaker 1>Yeah. Yeah. And still got it.

0:18:06.430 --> 0:18:07.810
<v Speaker 3>I used to, you know, I went to a couple

0:18:07.850 --> 0:18:10.990
<v Speaker 3>of events there, but I had never heard of like

0:18:11.280 --> 0:18:13.970
<v Speaker 3>artists that I knew about or artists that were in

0:18:13.990 --> 0:18:15.119
<v Speaker 3>the space that.

0:18:16.720 --> 0:18:17.720
<v Speaker 4>I was locked into.

0:18:18.680 --> 0:18:22.540
<v Speaker 3>And I remember having a conversation with someone early on

0:18:22.580 --> 0:18:25.500
<v Speaker 3>about you, Cause I was like, yo, I really, I

0:18:25.869 --> 0:18:28.370
<v Speaker 3>really fuck with this blast dude, man. And his music

0:18:28.430 --> 0:18:30.510
<v Speaker 3>and the six tape and the shit y'all was on.

0:18:30.570 --> 0:18:32.670
<v Speaker 3>I'm like, this shit is hard.

0:18:32.970 --> 0:18:33.210
<v Speaker 1>Yeah.

0:18:33.990 --> 0:18:37.510
<v Speaker 4>And they're like, yeah, he did this like dope deal.

0:18:37.790 --> 0:18:38.790
<v Speaker 4>That's how it was presented.

0:18:38.970 --> 0:18:39.190
<v Speaker 1>Yeah.

0:18:39.530 --> 0:18:41.810
<v Speaker 4>He did this really dope deal with Red Bull.

0:18:42.109 --> 0:18:42.810
<v Speaker 1>Yeah.

0:18:43.230 --> 0:18:45.429
<v Speaker 3>He got his own sports drink or something. It's just

0:18:45.470 --> 0:18:47.030
<v Speaker 3>how your mind works, right? I'm like, you got an

0:18:47.090 --> 0:18:50.369
<v Speaker 3>energy drink? They're like, nah, Red Bull music. They signing

0:18:50.450 --> 0:18:51.850
<v Speaker 3>artists and doing partnerships.

0:18:51.950 --> 0:18:52.130
<v Speaker 1>Yeah.

0:18:52.670 --> 0:18:57.590
<v Speaker 3>And I'm like, oh, that's dope. So did you know

0:18:57.690 --> 0:18:59.910
<v Speaker 3>anything about them at the time? Or did they just,

0:18:59.950 --> 0:19:01.630
<v Speaker 3>like you said, they made an offer like everybody else.

0:19:01.990 --> 0:19:05.359
<v Speaker 1>They made an offer like everybody else. But CB, who

0:19:05.440 --> 0:19:09.460
<v Speaker 1>I'm talking about, he was real pivotal as far as

0:19:09.480 --> 0:19:12.680
<v Speaker 1>like making a personal relationship with me. You know, like

0:19:12.760 --> 0:19:15.119
<v Speaker 1>meeting me where I was at the time. And I

0:19:15.140 --> 0:19:17.850
<v Speaker 1>felt like everybody else felt more corporate and just, you know,

0:19:17.869 --> 0:19:21.030
<v Speaker 1>trying to capitalize on something that was hot in the moment.

0:19:21.680 --> 0:19:23.340
<v Speaker 1>CB kind of spoke to me on a, like a

0:19:23.380 --> 0:19:28.050
<v Speaker 1>personal longevity type relationship. And that kind of sparked my

0:19:28.150 --> 0:19:31.909
<v Speaker 1>interest there as a company, just as far as the

0:19:32.170 --> 0:19:35.189
<v Speaker 1>first thing. Then as far as the leverage that I

0:19:35.230 --> 0:19:36.970
<v Speaker 1>felt that I had there, the fact that they didn't

0:19:37.010 --> 0:19:39.689
<v Speaker 1>have any flagship artists and I would be the first,

0:19:40.430 --> 0:19:43.110
<v Speaker 1>I felt like, okay, this can be something beneficial where

0:19:43.190 --> 0:19:46.990
<v Speaker 1>I can have creative control, have a voice early on

0:19:47.010 --> 0:19:51.180
<v Speaker 1>in my career before it get too, you know, like

0:19:51.240 --> 0:19:53.840
<v Speaker 1>I can actually build a relationship with the people in

0:19:53.859 --> 0:19:56.290
<v Speaker 1>the building. It's a small staff. It's not too many

0:19:56.380 --> 0:19:59.110
<v Speaker 1>artists where I'm getting clouded and my voice is not

0:19:59.150 --> 0:19:59.710
<v Speaker 1>being heard.

0:19:59.810 --> 0:20:00.050
<v Speaker 4>Yeah.

0:20:00.150 --> 0:20:01.430
<v Speaker 1>It's very direct. Exactly.

0:20:01.869 --> 0:20:04.510
<v Speaker 3>So in doing a deal with a company like that,

0:20:05.230 --> 0:20:10.070
<v Speaker 3>were there also branding opportunities for you with The energy drink?

0:20:10.890 --> 0:20:14.290
<v Speaker 1>Yeah, not exactly the energy drink, but, you know, the

0:20:14.310 --> 0:20:17.490
<v Speaker 1>different departments that they had, they're into like extreme sports.

0:20:17.530 --> 0:20:20.530
<v Speaker 1>So I'll be over here with the skateboarders. Which was

0:20:20.570 --> 0:20:24.090
<v Speaker 1>right up your alley. Exactly. And then the BMX riders

0:20:24.130 --> 0:20:26.510
<v Speaker 1>and the dirt bikers. And so they had so many,

0:20:27.310 --> 0:20:31.520
<v Speaker 1>so much like culture in different spaces that I felt

0:20:31.540 --> 0:20:34.500
<v Speaker 1>like it was beyond just being an artist there. Yeah.

0:20:34.520 --> 0:20:34.660
<v Speaker 3>Yeah.

0:20:35.810 --> 0:20:37.690
<v Speaker 1>Pollinate in different realms, you know?

0:20:37.950 --> 0:20:38.230
<v Speaker 2>Right.

0:20:38.390 --> 0:20:39.790
<v Speaker 1>Which I felt was a benefit, too.

0:20:40.210 --> 0:20:42.050
<v Speaker 3>Like I said, when I first heard it, a light

0:20:42.070 --> 0:20:46.070
<v Speaker 3>bulb went off. I'm like, oh, this guy's smart. First

0:20:46.090 --> 0:20:49.449
<v Speaker 3>thing I thought, bro, didn't know you, nothing. I'm just like, oh,

0:20:49.990 --> 0:20:52.810
<v Speaker 3>he's going at this a different way. He sees something different.

0:20:53.570 --> 0:20:53.770
<v Speaker 1>Right?

0:20:53.810 --> 0:20:58.430
<v Speaker 3>Because I've been in this thing a long time, man.

0:20:59.359 --> 0:21:02.320
<v Speaker 3>And what I've learned over time is there more than

0:21:02.420 --> 0:21:03.820
<v Speaker 3>one way to skin a cat.

0:21:03.840 --> 0:21:04.060
<v Speaker 1>Mm-hmm.

0:21:05.140 --> 0:21:08.640
<v Speaker 3>And everybody thinks you have to go to, you know,

0:21:08.800 --> 0:21:11.440
<v Speaker 3>a certain space. And, you know, what I also understand is, yes,

0:21:12.040 --> 0:21:15.050
<v Speaker 3>these legendary companies have been there and they do have infrastructure.

0:21:15.070 --> 0:21:15.590
<v Speaker 1>Mm-hmm.

0:21:15.750 --> 0:21:20.129
<v Speaker 3>And they have their way of doing things. And I

0:21:20.190 --> 0:21:22.250
<v Speaker 3>also realize that that way doesn't work for everyone.

0:21:22.490 --> 0:21:24.750
<v Speaker 1>Yeah. That's true.

0:21:24.930 --> 0:21:27.210
<v Speaker 3>You know, it's what you want out of it. It's

0:21:27.260 --> 0:21:31.960
<v Speaker 3>what you see in your career. And if you really

0:21:32.000 --> 0:21:33.419
<v Speaker 3>want to benefit from the record side.

0:21:33.880 --> 0:21:34.100
<v Speaker 1>Mm-hmm.

0:21:35.460 --> 0:21:39.240
<v Speaker 3>Obviously, that was something you saw very early with your

0:21:39.260 --> 0:21:40.300
<v Speaker 3>first DistroKid check.

0:21:40.340 --> 0:21:41.960
<v Speaker 4>Like, oh, this a bag.

0:21:42.280 --> 0:21:42.520
<v Speaker 1>Yeah.

0:21:43.119 --> 0:21:44.260
<v Speaker 4>That I don't have to pay back.

0:21:45.030 --> 0:21:50.210
<v Speaker 1>Yeah. That's a super fact. You know what I mean? Yeah.

0:21:50.710 --> 0:21:52.670
<v Speaker 4>Like, the real business of it. I mean, that's why

0:21:52.730 --> 0:21:54.030
<v Speaker 4>we called R &amp; B Money, brother.

0:21:54.050 --> 0:21:54.510
<v Speaker 1>Man.

0:21:54.690 --> 0:21:56.470
<v Speaker 4>Not just because we do R &amp; B music and

0:21:56.490 --> 0:21:57.209
<v Speaker 4>we love R &amp; B.

0:21:57.070 --> 0:22:02.080
<v Speaker 3>Music, because we want to talk about how you can

0:22:02.420 --> 0:22:03.600
<v Speaker 3>make a living in this thing. Mm-hmm.

0:22:04.660 --> 0:22:06.300
<v Speaker 4>In music and entertainment, period.

0:22:06.420 --> 0:22:09.739
<v Speaker 3>And that's why you're so important to the ecosystem, but

0:22:09.780 --> 0:22:13.870
<v Speaker 3>also so important to a show like ours. Because there

0:22:13.970 --> 0:22:17.150
<v Speaker 3>aren't a lot of artists like yourself that have bet

0:22:17.210 --> 0:22:21.670
<v Speaker 3>on themselves and won. And are still winning, you know,

0:22:21.730 --> 0:22:26.149
<v Speaker 3>to the level that you could do a deal if

0:22:26.190 --> 0:22:28.909
<v Speaker 3>you want to. You know what I mean? I got

0:22:28.950 --> 0:22:32.510
<v Speaker 3>a really... Good friend, man. He's actually my nephew's best friend.

0:22:32.710 --> 0:22:35.719
<v Speaker 3>KP that plays over it in Europe. He's, you know,

0:22:35.760 --> 0:22:38.459
<v Speaker 3>the top league in Europe. And the NBA has been

0:22:38.480 --> 0:22:41.060
<v Speaker 3>trying to get him for years. And his situation is

0:22:41.100 --> 0:22:45.400
<v Speaker 3>just different. He's chosen not to play.

0:22:45.240 --> 0:22:49.720
<v Speaker 1>In the NBA. Wow. That's different. Never heard that.

0:22:49.760 --> 0:22:49.960
<v Speaker 2>Right.

0:22:50.020 --> 0:22:52.900
<v Speaker 3>Because there's a certain thing that comes along with playing

0:22:52.920 --> 0:22:56.070
<v Speaker 3>in the NBA. The major label is the NBA for us.

0:22:56.270 --> 0:23:00.190
<v Speaker 3>Let's just be real. And I think the way he

0:23:00.230 --> 0:23:02.850
<v Speaker 3>looked at his career was very smart. Cause I've had

0:23:02.910 --> 0:23:06.190
<v Speaker 3>conversations with him and he's like, I remember he went

0:23:06.230 --> 0:23:08.370
<v Speaker 3>viral a couple of years ago. Cause he had went

0:23:08.450 --> 0:23:11.730
<v Speaker 3>to like the Rico runs where all the NBA guys were.

0:23:11.750 --> 0:23:16.800
<v Speaker 3>And he torched everybody. I'm talking about old nigga. He

0:23:16.859 --> 0:23:20.220
<v Speaker 3>let niggas have it. So of course the NBA teams

0:23:20.280 --> 0:23:24.859
<v Speaker 3>came calling with better offers. But when I sat and

0:23:24.880 --> 0:23:27.680
<v Speaker 3>talked with him, he was like, he like, Oh gee, like,

0:23:28.910 --> 0:23:31.350
<v Speaker 3>If I play in the league, maybe I play 10

0:23:31.350 --> 0:23:34.850
<v Speaker 3>minutes a game, maybe 15.

0:23:34.850 --> 0:23:37.870
<v Speaker 4>I'm tax different. He start breaking down the business.

0:23:38.310 --> 0:23:40.520
<v Speaker 1>I'm like, oh, shit. He like, I go over here.

0:23:40.560 --> 0:23:40.959
<v Speaker 1>I get my bag.

0:23:40.980 --> 0:23:43.379
<v Speaker 3>I don't want to talk too much of his business.

0:23:43.460 --> 0:23:45.120
<v Speaker 3>And I'm sure he won't trip. That's my guy. But

0:23:46.440 --> 0:23:50.040
<v Speaker 3>I get my bag. I'm the guy in this whole country.

0:23:51.840 --> 0:23:56.010
<v Speaker 3>You know what I'm saying? I make more money or equivalent.

0:23:57.470 --> 0:23:58.190
<v Speaker 4>And I get to hoop.

0:23:58.590 --> 0:23:59.150
<v Speaker 1>That's what's up.

0:24:00.430 --> 0:24:04.270
<v Speaker 3>I don't just get put in the corner, as my

0:24:04.330 --> 0:24:06.190
<v Speaker 3>guy Swaggy P likes to say.

0:24:06.210 --> 0:24:08.950
<v Speaker 1>Yeah. You be a corner, nigga. You know what I'm saying?

0:24:08.990 --> 0:24:09.899
<v Speaker 1>That nigga, man.

0:24:10.740 --> 0:24:13.640
<v Speaker 3>Hey, Swag, stop telling everybody to retire, too, bro, because

0:24:13.660 --> 0:24:14.639
<v Speaker 3>your ass retired.

0:24:15.100 --> 0:24:17.780
<v Speaker 1>You want everybody to retire. I see you, nigga.

0:24:17.820 --> 0:24:20.600
<v Speaker 4>You're coming over here with me in the podcast.

0:24:20.640 --> 0:24:21.880
<v Speaker 1>Like, chill.

0:24:22.140 --> 0:24:26.340
<v Speaker 3>But the business of it, and I look at you

0:24:26.380 --> 0:24:30.530
<v Speaker 3>in that same place, right? Where you, you go get

0:24:30.570 --> 0:24:31.530
<v Speaker 3>a major label deal tomorrow.

0:24:31.890 --> 0:24:32.090
<v Speaker 1>Mm-hmm.

0:24:32.210 --> 0:24:33.830
<v Speaker 4>I know that for a fact. I've had conversations with

0:24:33.869 --> 0:24:34.669
<v Speaker 4>executives about you.

0:24:34.690 --> 0:24:39.490
<v Speaker 1>Mm-hmm. They're like, I've been trying to sign Blass. I said,

0:24:39.510 --> 0:24:43.020
<v Speaker 1>I bet you have. That's funny. I bet you have.

0:24:43.040 --> 0:24:43.600
<v Speaker 1>That's funny.

0:24:43.960 --> 0:24:45.420
<v Speaker 4>Because you are a proven business.

0:24:45.560 --> 0:24:45.800
<v Speaker 1>Yeah.

0:24:47.320 --> 0:24:50.100
<v Speaker 4>But will that label work for you?

0:24:50.780 --> 0:24:51.000
<v Speaker 2>Right.

0:24:52.440 --> 0:24:55.200
<v Speaker 4>The way it's worked for you in the independent space?

0:24:55.359 --> 0:24:55.580
<v Speaker 1>Mm-hmm.

0:24:55.920 --> 0:24:57.840
<v Speaker 4>And will you benefit in a way that you've been

0:24:57.880 --> 0:24:58.720
<v Speaker 4>benefiting from it?

0:25:00.240 --> 0:25:00.680
<v Speaker 1>Who knows?

0:25:01.520 --> 0:25:01.740
<v Speaker 2>Yeah.

0:25:02.060 --> 0:25:04.600
<v Speaker 3>How do you deal with that? That kind of, in

0:25:04.640 --> 0:25:08.790
<v Speaker 3>a sense, hanging over your head of like, if I

0:25:08.810 --> 0:25:10.100
<v Speaker 3>take this deal, I could.

0:25:11.390 --> 0:25:13.830
<v Speaker 4>Maybe take it to another level, but I'm going to

0:25:13.850 --> 0:25:16.570
<v Speaker 4>have to give up this, this, that, and the other.

0:25:16.750 --> 0:25:20.040
<v Speaker 1>Yeah. I don't know, man. I've just always been a

0:25:20.100 --> 0:25:22.700
<v Speaker 1>fan of taking the stairs versus the elevator.

0:25:22.920 --> 0:25:24.480
<v Speaker 4>You'll be more in shape when you get to the top.

0:25:24.940 --> 0:25:27.570
<v Speaker 1>Yeah. And I like to learn as I go and

0:25:28.140 --> 0:25:31.670
<v Speaker 1>I try to be as present as possible with every

0:25:31.750 --> 0:25:37.270
<v Speaker 1>mistake and every quote unquote failure. Because I don't know.

0:25:37.990 --> 0:25:41.620
<v Speaker 1>One thing is, like I said earlier, I never had

0:25:41.780 --> 0:25:45.600
<v Speaker 1>any family in the industry or nothing. So I knew

0:25:45.760 --> 0:25:49.210
<v Speaker 1>every bump and bruise was going to be awful. learned experience.

0:25:49.710 --> 0:25:51.350
<v Speaker 1>And I don't want to be in position where I'm

0:25:51.450 --> 0:25:54.310
<v Speaker 1>pointing a finger at, you know, you the reason why

0:25:54.350 --> 0:25:56.260
<v Speaker 1>I want to, I want to be in a partnership

0:25:56.760 --> 0:25:59.359
<v Speaker 1>and learn from my mistakes. And I, one thing I

0:25:59.400 --> 0:26:02.840
<v Speaker 1>always realized, so these labels, it's always people coming in

0:26:02.900 --> 0:26:05.440
<v Speaker 1>and out as far as like the staff there or

0:26:05.460 --> 0:26:08.399
<v Speaker 1>the people that signed you or, you know, once they leave,

0:26:09.180 --> 0:26:12.060
<v Speaker 1>it's like you just regime. Exactly. So it's like, I

0:26:12.100 --> 0:26:15.310
<v Speaker 1>never wanted to be in position to where I'm depending

0:26:15.950 --> 0:26:18.450
<v Speaker 1>on somebody. I want to be in position to where

0:26:18.470 --> 0:26:20.909
<v Speaker 1>it's like, if we work together, it's just going to

0:26:20.930 --> 0:26:23.409
<v Speaker 1>be better, but I shouldn't have to depend on you.

0:26:24.350 --> 0:26:28.230
<v Speaker 4>So the way you've structured your deals, have you just

0:26:28.270 --> 0:26:32.610
<v Speaker 4>kind of done one-offs with each, with each partner every

0:26:32.650 --> 0:26:34.890
<v Speaker 4>time our distribution company or, you know.

0:26:35.810 --> 0:26:39.100
<v Speaker 1>So the first deal I did with Red Bull was

0:26:39.150 --> 0:26:43.180
<v Speaker 1>a one-off then, and that was no love loss. So

0:26:43.200 --> 0:26:44.280
<v Speaker 1>that was chosen.

0:26:44.780 --> 0:26:45.020
<v Speaker 2>Yeah.

0:26:45.280 --> 0:26:48.480
<v Speaker 1>Overrated, Be Alone, which was all, you know, Chosen was

0:26:48.560 --> 0:26:51.520
<v Speaker 1>one of my biggest. Got cracking. Yeah. So after that,

0:26:52.060 --> 0:26:55.730
<v Speaker 1>I did a 30 master deal. So I didn't do

0:26:55.770 --> 0:26:58.430
<v Speaker 1>it by albums. I did it by masters. Okay.

0:26:58.890 --> 0:27:02.129
<v Speaker 3>And I ask this, bro, because there are people watching

0:27:02.170 --> 0:27:06.889
<v Speaker 3>this show who may be in your position, looking at

0:27:06.930 --> 0:27:07.560
<v Speaker 3>your position.

0:27:07.580 --> 0:27:07.659
<v Speaker 2>Yeah.

0:27:07.820 --> 0:27:09.280
<v Speaker 4>You know what I mean?

0:27:09.300 --> 0:27:09.440
<v Speaker 2>Like.

0:27:10.420 --> 0:27:12.020
<v Speaker 1>I brought you here to teach, bro. Yeah.

0:27:12.220 --> 0:27:14.720
<v Speaker 4>I know I didn't tell you that, but I'm telling

0:27:14.740 --> 0:27:16.530
<v Speaker 4>you now. I brought you here to teach, bro.

0:27:16.869 --> 0:27:20.130
<v Speaker 1>That's funny. You shouldn't have told me that, though. Now

0:27:20.150 --> 0:27:24.040
<v Speaker 1>I feel the pressure. Nah, man. I'm still a student, man.

0:27:24.070 --> 0:27:25.130
<v Speaker 1>I'm trying to learn myself.

0:27:25.570 --> 0:27:26.910
<v Speaker 4>But it's each one teach one, man.

0:27:27.150 --> 0:27:29.129
<v Speaker 1>Nah, that's a fact. So the second deal, it was

0:27:29.170 --> 0:27:31.330
<v Speaker 1>a licensing deal, the 30 master deal. It was a

0:27:31.330 --> 0:27:33.550
<v Speaker 1>five-year license. Yeah. So, you know.

0:27:35.130 --> 0:27:38.790
<v Speaker 3>If you look at the clock, five years has passed.

0:27:38.990 --> 0:27:42.580
<v Speaker 1>Yeah. Give me that. I need that back. That's where

0:27:42.600 --> 0:27:45.119
<v Speaker 1>I'm at. And then I did my last project, did

0:27:45.160 --> 0:27:47.940
<v Speaker 1>a partnership with Red Bull, another licensing deal as well.

0:27:48.060 --> 0:27:50.359
<v Speaker 1>So that's where I'm at right now. Yeah.

0:27:51.000 --> 0:27:52.820
<v Speaker 4>Is that the way you like your deal set up?

0:27:54.140 --> 0:27:58.650
<v Speaker 1>Yeah. I definitely want to be in control of the

0:27:58.710 --> 0:28:02.270
<v Speaker 1>success of my masters. You know, just being in position

0:28:02.310 --> 0:28:06.560
<v Speaker 1>to sell my catalog if I want to, you know,

0:28:06.660 --> 0:28:09.109
<v Speaker 1>or just reap the benefits of having liquidity from it,

0:28:09.340 --> 0:28:14.070
<v Speaker 1>you know, in real time. That's how I look at, uh, at,

0:28:14.290 --> 0:28:16.470
<v Speaker 1>at business in general. Like, you know, when I look

0:28:16.510 --> 0:28:20.750
<v Speaker 1>at other companies or in, in different industries, right. Build

0:28:20.810 --> 0:28:23.250
<v Speaker 1>businesses and then they sell them, you know? So I

0:28:23.290 --> 0:28:25.550
<v Speaker 1>just wanted to have ownership so I can be in

0:28:25.609 --> 0:28:29.080
<v Speaker 1>position to create leverage from my intellectual property.

0:28:29.880 --> 0:28:30.720
<v Speaker 4>You've done great, bro.

0:28:31.080 --> 0:28:31.480
<v Speaker 1>Thank you.

0:28:31.580 --> 0:28:36.590
<v Speaker 3>Let's talk about the records. You mentioned chosen. Most people

0:28:36.609 --> 0:28:42.530
<v Speaker 3>don't know you're a producer. Were you producing out of

0:28:42.590 --> 0:28:45.950
<v Speaker 3>necessity in the beginning? Or was it just like a

0:28:45.990 --> 0:28:47.950
<v Speaker 3>passion for you? Cause you know, a lot of producers

0:28:48.490 --> 0:28:50.890
<v Speaker 3>got into it. Artists who produce got into it. It

0:28:50.910 --> 0:28:52.410
<v Speaker 3>was like, yo, I can't give me nobody to give

0:28:52.430 --> 0:28:54.690
<v Speaker 3>me the right, the beats I want or give me

0:28:54.730 --> 0:28:56.930
<v Speaker 3>the sound I want. Did it start off from there

0:28:56.990 --> 0:29:00.600
<v Speaker 3>for you? Cause, or do you, do you produce records

0:29:00.620 --> 0:29:01.440
<v Speaker 3>for outside people?

0:29:01.880 --> 0:29:04.900
<v Speaker 1>Yeah, I do. You do. But initially, it started off

0:29:04.960 --> 0:29:07.760
<v Speaker 1>as a necessity. But also, I was so ignorant to

0:29:07.800 --> 0:29:12.300
<v Speaker 1>the industry, I thought every artist produced they self. My

0:29:12.380 --> 0:29:15.900
<v Speaker 1>entry point was seeing people like Ryan Leslie and Rel,

0:29:16.020 --> 0:29:18.520
<v Speaker 1>the YouTube videos where they in the studio. So you're like,

0:29:18.560 --> 0:29:20.760
<v Speaker 1>everybody do this. Yeah, everybody do this. So that was

0:29:20.780 --> 0:29:23.400
<v Speaker 1>my approach to it. But then it just felt like

0:29:24.140 --> 0:29:26.700
<v Speaker 1>playing a video game, producing. It felt like I'm playing

0:29:26.740 --> 0:29:29.610
<v Speaker 1>a video game. What do you produce on? FL Studio. FL, okay.

0:29:29.770 --> 0:29:29.900
<v Speaker 4>Yeah.

0:29:29.900 --> 0:29:33.500
<v Speaker 1>Obviously, it's the digital era, but even if you open

0:29:33.500 --> 0:29:36.550
<v Speaker 1>up FL, it feel like a video game. Right. So

0:29:36.590 --> 0:29:39.470
<v Speaker 1>I just fell in love with the process of building

0:29:39.490 --> 0:29:42.969
<v Speaker 1>the song. Once the song come out, it's like the

0:29:43.030 --> 0:29:45.590
<v Speaker 1>fun is over. The love is over. Yeah. I just

0:29:45.630 --> 0:29:49.690
<v Speaker 1>enjoy the process of building a song, creating the vocals

0:29:49.810 --> 0:29:52.870
<v Speaker 1>and writing the lyrics. Just the process of being a

0:29:53.210 --> 0:29:56.270
<v Speaker 1>creative in general. I think it's been something in my

0:29:56.330 --> 0:29:58.470
<v Speaker 1>past life that I just enjoy. Yeah.

0:29:58.790 --> 0:29:59.030
<v Speaker 2>Yeah.

0:29:59.570 --> 0:30:02.880
<v Speaker 1>You produce shows, huh? I didn't fully produce Chose.

0:30:03.120 --> 0:30:04.560
<v Speaker 4>Okay, who'd you do it with?

0:30:04.580 --> 0:30:08.860
<v Speaker 1>The Eastie Boys. Okay. It's a group from L.A., two

0:30:08.920 --> 0:30:12.020
<v Speaker 1>boys from east side of L.A., man, the Eastie Boys.

0:30:12.060 --> 0:30:14.140
<v Speaker 4>The Eastie Boys, yeah.

0:30:14.580 --> 0:30:17.540
<v Speaker 3>Man, I love that record, bro. Did you already know

0:30:17.600 --> 0:30:23.980
<v Speaker 3>Ty and Tyga? I had a relationship with Ty early on. Oh, yeah,

0:30:24.000 --> 0:30:26.220
<v Speaker 3>because you said Pusha's and, yeah, yeah.

0:30:26.580 --> 0:30:32.080
<v Speaker 1>Yeah, but even outside of that, my homegirl Jizzle, Yeah. Yeah,

0:30:32.100 --> 0:30:35.020
<v Speaker 1>that's the home. Hell yeah, I know Jizzle. Yeah, so

0:30:35.160 --> 0:30:39.330
<v Speaker 1>that's like my big sis right there. Yeah, that's my folks, man. Yeah.

0:30:39.380 --> 0:30:41.850
<v Speaker 1>Great people. I met Ty through Jizzle. I didn't have

0:30:41.890 --> 0:30:46.530
<v Speaker 1>no relationship with Tyga, but Chosen was on a deluxe

0:30:46.570 --> 0:30:48.890
<v Speaker 1>of No Love Lost, and I just struck while I

0:30:48.910 --> 0:30:50.850
<v Speaker 1>was hot. I was just reaching out to people like, yo,

0:30:50.870 --> 0:30:52.950
<v Speaker 1>I got a song. You want to jump on it? Yeah, yeah.

0:30:53.040 --> 0:30:54.700
<v Speaker 1>He was like, yeah. He did it off the strength.

0:30:54.980 --> 0:30:55.780
<v Speaker 4>That's dope, bro.

0:30:55.900 --> 0:30:56.160
<v Speaker 1>Yeah.

0:30:56.860 --> 0:31:00.850
<v Speaker 3>Because even that, it kind of goes back to... what

0:31:00.890 --> 0:31:03.790
<v Speaker 3>you knew or didn't know about the business. You just like, man,

0:31:03.810 --> 0:31:04.950
<v Speaker 3>I'm just gonna reach out to people.

0:31:05.110 --> 0:31:05.310
<v Speaker 1>Yeah.

0:31:05.810 --> 0:31:10.270
<v Speaker 3>Because I think the other side of even the label side,

0:31:10.490 --> 0:31:13.260
<v Speaker 3>and especially with the major label side, it's sometimes it

0:31:13.280 --> 0:31:16.660
<v Speaker 3>gets muddy. Oh man, I gotta get this clear with

0:31:16.700 --> 0:31:18.780
<v Speaker 3>such and such in the indie world.

0:31:18.800 --> 0:31:20.459
<v Speaker 4>He's just like, Hey man, I'm doing this indie. I'm

0:31:20.480 --> 0:31:24.820
<v Speaker 4>doing this myself. You rocking with me. And sometimes it's

0:31:24.860 --> 0:31:25.540
<v Speaker 4>a lot easier.

0:31:25.900 --> 0:31:26.100
<v Speaker 1>Yeah.

0:31:26.140 --> 0:31:28.700
<v Speaker 4>You know, I'm from the base. So I, that's how

0:31:28.720 --> 0:31:29.640
<v Speaker 4>we made our bread, bro.

0:31:30.190 --> 0:31:30.710
<v Speaker 1>Man, yeah.

0:31:30.810 --> 0:31:32.130
<v Speaker 4>We out the trunk to begin with.

0:31:32.270 --> 0:31:35.490
<v Speaker 1>That's a fact. I think that's a testament to this

0:31:35.730 --> 0:31:38.890
<v Speaker 1>age in general now. You damn near don't. It's like

0:31:38.910 --> 0:31:42.200
<v Speaker 1>word of mouth for your personal relationships these days. You

0:31:42.220 --> 0:31:45.980
<v Speaker 1>can't really go through managers. Like you said, it can

0:31:46.020 --> 0:31:49.340
<v Speaker 1>get muddy. One thing I'm big on now is building

0:31:49.360 --> 0:31:51.780
<v Speaker 1>my own relationships personally.

0:31:52.060 --> 0:31:52.320
<v Speaker 3>Yeah.

0:31:52.540 --> 0:31:55.420
<v Speaker 1>That goes way further than your label reaching out or

0:31:55.460 --> 0:31:57.290
<v Speaker 1>your PR reaching out or management.

0:31:57.490 --> 0:31:57.670
<v Speaker 2>Right.

0:31:58.680 --> 0:32:02.600
<v Speaker 3>When you first did Chosen, did you feel like, oh,

0:32:02.620 --> 0:32:03.820
<v Speaker 3>this one could be special for me?

0:32:04.340 --> 0:32:07.520
<v Speaker 1>I had no idea. No. It was just another song

0:32:07.640 --> 0:32:10.330
<v Speaker 1>to me. It felt good as far as the energy.

0:32:10.830 --> 0:32:14.550
<v Speaker 1>Everything that I feel I put out, you kind of

0:32:14.570 --> 0:32:16.010
<v Speaker 1>feel the same way about it, like this is going

0:32:16.030 --> 0:32:19.090
<v Speaker 1>to be the one, but something about that one was

0:32:19.130 --> 0:32:21.970
<v Speaker 1>just contagious, I guess. I really owe it to TikTok.

0:32:22.610 --> 0:32:23.430
<v Speaker 4>Oh, that's where it got cracking?

0:32:23.690 --> 0:32:25.970
<v Speaker 1>Yeah, when they started putting a dance to it and

0:32:26.920 --> 0:32:31.240
<v Speaker 1>Doing all that, it caught a different wind that I

0:32:31.310 --> 0:32:34.850
<v Speaker 1>didn't have behind the song. Because the song, I think

0:32:34.910 --> 0:32:38.230
<v Speaker 1>it'd been out maybe like six months before it started

0:32:38.250 --> 0:32:41.870
<v Speaker 1>going even crazier. So yeah, I think TikTok gave it

0:32:41.890 --> 0:32:42.590
<v Speaker 1>that second wind.

0:32:42.630 --> 0:32:42.850
<v Speaker 2>Yeah.

0:32:42.870 --> 0:32:46.370
<v Speaker 3>I always have certain things about records, man, that just

0:32:46.390 --> 0:32:48.230
<v Speaker 3>stand out to me. And I just felt like as

0:32:48.250 --> 0:32:51.650
<v Speaker 3>soon as you said, when they come to you, it's like, oh.

0:32:52.770 --> 0:32:54.590
<v Speaker 1>And then, shee! Where is that?

0:32:54.630 --> 0:32:55.250
<v Speaker 4>Where'd that come from?

0:32:56.030 --> 0:32:57.990
<v Speaker 1>I don't know. It was just an expression, I guess.

0:32:58.610 --> 0:33:01.090
<v Speaker 1>But I look at it as like, it's like putting

0:33:01.150 --> 0:33:04.530
<v Speaker 1>my bar in bold font. Huh. You know, like when

0:33:04.550 --> 0:33:06.310
<v Speaker 1>you say something cool or something hilarious. Yeah, yeah, yeah.

0:33:06.330 --> 0:33:07.330
<v Speaker 4>It's the exclamation point.

0:33:07.370 --> 0:33:12.280
<v Speaker 1>Yeah, exactly. Yeah, yeah, yeah. Putting my bar. Yeah, yeah, yeah.

0:33:12.340 --> 0:33:14.980
<v Speaker 1>In bold font. I like that. Yeah. I like that.

0:33:15.280 --> 0:33:17.340
<v Speaker 4>So has that become kind of like a call out

0:33:17.380 --> 0:33:17.680
<v Speaker 4>for you?

0:33:18.020 --> 0:33:20.140
<v Speaker 1>Yeah, it's like a signature. Yeah. And when you think

0:33:20.180 --> 0:33:23.460
<v Speaker 1>of Rick Ross. Yeah. Or you think of Tyga. Like,

0:33:23.500 --> 0:33:23.880
<v Speaker 1>you know.

0:33:23.940 --> 0:33:24.040
<v Speaker 3>Yeah.

0:33:24.200 --> 0:33:25.820
<v Speaker 1>She is just one of my signatures.

0:33:26.550 --> 0:33:30.709
<v Speaker 3>So when this record takes off for you, do you

0:33:30.760 --> 0:33:35.840
<v Speaker 3>feel the shift? Do you feel like, okay, I'm really

0:33:36.020 --> 0:33:39.400
<v Speaker 3>onto something. I'm really doing something special. Are you just

0:33:39.460 --> 0:33:39.650
<v Speaker 3>in it?

0:33:40.000 --> 0:33:42.740
<v Speaker 1>I'm just in it. I think, um, yeah, I was

0:33:42.760 --> 0:33:45.800
<v Speaker 1>just in my first tape that I put out officially

0:33:45.820 --> 0:33:49.420
<v Speaker 1>as a solo artist, aside from members only in TIU

0:33:49.440 --> 0:33:50.100
<v Speaker 1>was six tape.

0:33:50.660 --> 0:33:50.880
<v Speaker 2>Okay.

0:33:51.040 --> 0:33:54.920
<v Speaker 1>So six tape caught success. Right. no love lost, cause success.

0:33:54.940 --> 0:33:57.180
<v Speaker 1>So I'm feeling like I'm just in it. It didn't

0:33:57.200 --> 0:33:59.920
<v Speaker 1>feel like, okay, this is the moment. It felt like,

0:34:00.480 --> 0:34:03.180
<v Speaker 1>and I'm thinking in hindsight, when I say this, it

0:34:03.220 --> 0:34:06.180
<v Speaker 1>felt like this is what I've been working for all this,

0:34:07.100 --> 0:34:09.830
<v Speaker 1>all this time, like all these moments. And it didn't

0:34:09.850 --> 0:34:13.430
<v Speaker 1>feel like one moment made everything crack off. It felt

0:34:13.450 --> 0:34:16.670
<v Speaker 1>like everything led up to it. You know, if that

0:34:16.710 --> 0:34:17.989
<v Speaker 1>makes sense. No, absolutely.

0:34:18.370 --> 0:34:19.370
<v Speaker 4>Are you on the road now?

0:34:19.670 --> 0:34:22.569
<v Speaker 3>Once these records start really connecting, are you going, because obviously,

0:34:22.590 --> 0:34:26.730
<v Speaker 3>like I said, We from the same state. We Cali niggas, man.

0:34:26.770 --> 0:34:29.669
<v Speaker 3>So we understand that, oh, you run up and down

0:34:29.690 --> 0:34:34.360
<v Speaker 3>the coast. You do Fresno, Bakersfield. You do some, you know.

0:34:34.380 --> 0:34:41.319
<v Speaker 4>Sebastopol out there. Sacramento to the Bay. Everything close to L.A. Phoenix,

0:34:41.860 --> 0:34:47.810
<v Speaker 4>San Diego, maybe Seattle. Are you now growing beyond that

0:34:47.969 --> 0:34:48.930
<v Speaker 4>once you get chosen?

0:34:49.570 --> 0:34:53.570
<v Speaker 1>For sure. As soon as I drop No Love Lost, Chosen...

0:34:54.310 --> 0:34:57.150
<v Speaker 1>I went on tour, US tour, like all the way

0:34:57.190 --> 0:35:01.410
<v Speaker 1>from LA, New York, Houston, Atlanta. And then we also

0:35:01.469 --> 0:35:03.710
<v Speaker 1>had a London date on there as well. I had

0:35:03.770 --> 0:35:04.549
<v Speaker 1>two dates in London.

0:35:04.590 --> 0:35:04.910
<v Speaker 4>Yeah.

0:35:05.690 --> 0:35:09.020
<v Speaker 1>So we did London before I did the US tour actually.

0:35:09.739 --> 0:35:12.839
<v Speaker 1>So that was like, okay, I'm here now. That was

0:35:12.860 --> 0:35:15.899
<v Speaker 1>the moment. What was that experience? Coming from LA, like

0:35:16.440 --> 0:35:21.020
<v Speaker 1>the biggest goal was selling out the Roxy for me, 500.

0:35:21.020 --> 0:35:23.770
<v Speaker 1>So when I went to London- I did two nights,

0:35:24.090 --> 0:35:28.840
<v Speaker 1>a thousand cap venue. Bro, I thought I was Barack Obama.

0:35:29.280 --> 0:35:34.359
<v Speaker 4>You didn't even name an artist. Hey, bro, you didn't

0:35:34.380 --> 0:35:37.480
<v Speaker 4>even name an artist. I thought I was Barack Obama.

0:35:39.050 --> 0:35:41.290
<v Speaker 4>Did you even have a passport before this?

0:35:41.850 --> 0:35:43.540
<v Speaker 1>No, not at all.

0:35:43.550 --> 0:35:46.730
<v Speaker 4>You had to get the passport to just go do it.

0:35:47.370 --> 0:35:50.029
<v Speaker 1>It was a crazy. This is great. I love that, bro.

0:35:50.660 --> 0:35:54.540
<v Speaker 1>word for word. I don't know. I pray people feel

0:35:54.560 --> 0:35:57.500
<v Speaker 1>this feeling as artists. But when you see that audience

0:35:57.520 --> 0:35:59.420
<v Speaker 1>just singing your song, as soon as you come out,

0:35:59.460 --> 0:36:02.520
<v Speaker 1>it's like a... They go crazy. They go crazy. It's

0:36:02.580 --> 0:36:06.710
<v Speaker 1>a certain high that you just can't duplicate. You know,

0:36:06.850 --> 0:36:09.570
<v Speaker 1>but try not to get too high on the highs.

0:36:09.790 --> 0:36:12.630
<v Speaker 1>Why not, man? I don't know. I just, I always

0:36:12.670 --> 0:36:14.990
<v Speaker 1>just try to like keep it neutral so the highs

0:36:15.030 --> 0:36:17.950
<v Speaker 1>can feel special and the lows can be appreciated and

0:36:17.969 --> 0:36:21.520
<v Speaker 1>not dwelled upon. So I feel like that in between

0:36:21.640 --> 0:36:25.879
<v Speaker 1>just kind of keep you neutral, keep you like, you know.

0:36:26.120 --> 0:36:28.939
<v Speaker 4>Do you feel like you celebrate your wins enough?

0:36:30.340 --> 0:36:33.339
<v Speaker 1>Nah, I don't. I definitely don't. I think that comes

0:36:33.360 --> 0:36:35.860
<v Speaker 1>from my childhood, though. My family was Jehovah Witness.

0:36:36.360 --> 0:36:36.620
<v Speaker 2>Okay.

0:36:36.980 --> 0:36:40.260
<v Speaker 1>Yeah. That's no celebrations at all. You don't even celebrate

0:36:40.280 --> 0:36:40.900
<v Speaker 1>your birthday.

0:36:41.100 --> 0:36:45.319
<v Speaker 3>I met Prince before, before he passed. And there was

0:36:45.340 --> 0:36:47.989
<v Speaker 3>a birthday conversation in meeting him.

0:36:48.010 --> 0:36:51.950
<v Speaker 1>And I was like, oh, okay. All right. Yeah. My girl,

0:36:51.989 --> 0:36:55.009
<v Speaker 1>she always say like, you don't know how to celebrate. Like,

0:36:55.030 --> 0:36:57.570
<v Speaker 1>you know, I'm always just like, anytime she want to

0:36:57.590 --> 0:37:01.029
<v Speaker 1>throw a party or something, I'm just like, naturally, I

0:37:01.050 --> 0:37:03.839
<v Speaker 1>look down upon it. But in hindsight, I appreciate the

0:37:03.860 --> 0:37:05.259
<v Speaker 1>celebrations as I'm getting older.

0:37:05.440 --> 0:37:05.640
<v Speaker 3>Right.

0:37:05.800 --> 0:37:06.000
<v Speaker 1>Right.

0:37:06.320 --> 0:37:07.980
<v Speaker 4>What about your kids? They get to celebrate everything?

0:37:08.239 --> 0:37:10.660
<v Speaker 1>Yeah. Okay. Okay. Got to do that.

0:37:10.940 --> 0:37:11.620
<v Speaker 2>Yeah. Yeah.

0:37:12.280 --> 0:37:13.460
<v Speaker 1>Now, it's funny, man.

0:37:13.480 --> 0:37:17.400
<v Speaker 3>I remember one of my homies growing up, him and

0:37:17.420 --> 0:37:18.800
<v Speaker 3>his family were Jehovah's Witnesses.

0:37:18.820 --> 0:37:19.160
<v Speaker 1>Mm-hmm.

0:37:20.140 --> 0:37:22.759
<v Speaker 3>And we wanted him to play on our basketball team.

0:37:24.560 --> 0:37:27.680
<v Speaker 3>His peoples was not going for it, bro. And you

0:37:27.739 --> 0:37:31.510
<v Speaker 3>know me, bro. I'm like, the history of me is wild, right?

0:37:31.810 --> 0:37:35.210
<v Speaker 3>And I come from some wild shit. So I've just

0:37:35.350 --> 0:37:38.630
<v Speaker 3>always been the kid who say wild shit. And I

0:37:38.670 --> 0:37:39.689
<v Speaker 3>just remember being like, it's.

0:37:39.670 --> 0:37:42.030
<v Speaker 1>A sin to hoop. Yeah, that's crazy.

0:37:43.310 --> 0:37:45.350
<v Speaker 4>Not even realizing like I'm being disrespectful.

0:37:45.410 --> 0:37:49.150
<v Speaker 1>Yeah. Like, little nigga, be cool. You being disrespectful. It

0:37:49.170 --> 0:37:52.790
<v Speaker 1>was crazy. As a kid, like, we couldn't watch Scooby-Doo.

0:37:53.770 --> 0:37:55.770
<v Speaker 1>It was just certain crazies. What is Scooby-Doo, dude? I

0:37:55.770 --> 0:37:59.090
<v Speaker 1>didn't know. It was monsters and stuff, so. Oh. Granddad

0:37:59.130 --> 0:38:01.730
<v Speaker 1>be like, this is demonized. We have to turn it

0:38:01.790 --> 0:38:04.130
<v Speaker 1>off and switch up the cartoon. It got to be

0:38:04.170 --> 0:38:05.990
<v Speaker 1>something bubbly like SpongeBob or something.

0:38:06.190 --> 0:38:07.850
<v Speaker 4>No, Scooby-Doo, bro.

0:38:07.890 --> 0:38:08.150
<v Speaker 1>Yeah.

0:38:09.989 --> 0:38:11.410
<v Speaker 4>The homie could not hoop with us.

0:38:11.430 --> 0:38:13.780
<v Speaker 1>That's crazy. That's crazy.

0:38:13.840 --> 0:38:15.239
<v Speaker 4>He couldn't play organized sports.

0:38:15.430 --> 0:38:15.589
<v Speaker 1>Yeah.

0:38:16.170 --> 0:38:18.930
<v Speaker 4>And this nigga could hoop. This nigga could hoop hoop.

0:38:19.489 --> 0:38:21.210
<v Speaker 3>You know, he could go to the park, but for

0:38:21.230 --> 0:38:23.930
<v Speaker 3>some reason they wasn't allowing him to play organized sports.

0:38:24.390 --> 0:38:24.589
<v Speaker 1>Yeah.

0:38:25.010 --> 0:38:26.110
<v Speaker 4>We were kids. So they're like, we ain't got to

0:38:26.150 --> 0:38:27.609
<v Speaker 4>explain nothing to y'all.

0:38:27.630 --> 0:38:27.950
<v Speaker 1>Right.

0:38:28.130 --> 0:38:29.330
<v Speaker 4>You need to get off my porch.

0:38:29.930 --> 0:38:30.390
<v Speaker 1>You know what I mean?

0:38:30.410 --> 0:38:32.089
<v Speaker 4>I'm like, man, let him come outside.

0:38:32.110 --> 0:38:36.529
<v Speaker 1>And that was me. That was my childhood for sure. Damn.

0:38:36.850 --> 0:38:37.150
<v Speaker 4>Okay.

0:38:37.370 --> 0:38:39.270
<v Speaker 1>So I get it then. I get it.

0:38:39.790 --> 0:38:42.200
<v Speaker 3>And I think there's two ways you could have went

0:38:42.219 --> 0:38:45.180
<v Speaker 3>about that. You could have fully turned up.

0:38:45.300 --> 0:38:45.500
<v Speaker 2>Right.

0:38:46.560 --> 0:38:48.680
<v Speaker 4>But instead you just like, okay, I'll take it as

0:38:48.739 --> 0:38:49.280
<v Speaker 4>it comes.

0:38:49.640 --> 0:38:49.980
<v Speaker 2>Yeah.

0:38:50.300 --> 0:38:53.440
<v Speaker 1>Like I said, I was the youngest kid. So it's

0:38:53.480 --> 0:38:55.259
<v Speaker 1>funny when I say this, but I felt like I

0:38:55.300 --> 0:38:57.799
<v Speaker 1>wasn't even a part of my family. I was so

0:38:57.900 --> 0:39:00.880
<v Speaker 1>quiet and always just in the corner being observant. And

0:39:00.900 --> 0:39:02.910
<v Speaker 1>it was always just women around. So I was just

0:39:02.950 --> 0:39:05.950
<v Speaker 1>always just going with the flow of the emotions and

0:39:05.969 --> 0:39:10.110
<v Speaker 1>just being like water. Sometimes it's hot, sometimes it's cold,

0:39:10.150 --> 0:39:12.560
<v Speaker 1>but you just got to. You just got to ride

0:39:12.580 --> 0:39:13.190
<v Speaker 1>your own way.

0:39:13.200 --> 0:39:14.670
<v Speaker 4>You found your space in all of it.

0:39:14.739 --> 0:39:15.020
<v Speaker 2>Yeah.

0:39:15.320 --> 0:39:17.420
<v Speaker 4>Do you think anybody expected this for you?

0:39:18.460 --> 0:39:19.239
<v Speaker 1>Definitely not.

0:39:19.320 --> 0:39:19.440
<v Speaker 2>No.

0:39:19.460 --> 0:39:23.150
<v Speaker 1>Especially for my family. No. I was so quiet. Anytime

0:39:23.890 --> 0:39:27.430
<v Speaker 1>that they see me now on stage, they ask me, like,

0:39:27.770 --> 0:39:30.299
<v Speaker 1>who is the kid that's on stage? i definitely don't

0:39:30.320 --> 0:39:32.780
<v Speaker 1>know who that's not matthew yeah it's definitely not matthew

0:39:32.800 --> 0:39:35.000
<v Speaker 1>so it's it's a trip it's a trip for me

0:39:35.060 --> 0:39:37.410
<v Speaker 1>sometimes because i don't it's like when i when i'm

0:39:37.450 --> 0:39:40.450
<v Speaker 1>in the studio or like when i'm on stage it's

0:39:40.469 --> 0:39:42.630
<v Speaker 1>just like a certain superhero just come up out of

0:39:42.670 --> 0:39:45.730
<v Speaker 1>me yeah yeah you see your kids leaning toward it

0:39:46.210 --> 0:39:50.319
<v Speaker 1>yeah my oldest son true He loved performing. I bring

0:39:50.360 --> 0:39:53.020
<v Speaker 1>him out every time I do a tour. I brought

0:39:53.060 --> 0:39:56.819
<v Speaker 1>him out on Coachella stage. Oh, that's dope. He loved dancing.

0:39:57.360 --> 0:39:58.620
<v Speaker 1>He loved Michael Jackson.

0:39:59.580 --> 0:40:03.069
<v Speaker 3>Ain't that crazy how, man, Michael Jackson. He could be

0:40:03.110 --> 0:40:05.730
<v Speaker 3>born tomorrow. You're going to love Michael Jackson.

0:40:05.890 --> 0:40:06.129
<v Speaker 2>Yeah.

0:40:06.790 --> 0:40:11.489
<v Speaker 1>Especially as a kid. Yeah. I think it's because he

0:40:11.530 --> 0:40:14.310
<v Speaker 1>was a kid too. And we can actually like track

0:40:14.350 --> 0:40:16.770
<v Speaker 1>his grind. Yeah. It's not a lot of people that

0:40:16.810 --> 0:40:19.969
<v Speaker 1>you can track their grind. Yeah. From the beginning.

0:40:20.140 --> 0:40:20.390
<v Speaker 3>Yeah.

0:40:20.410 --> 0:40:30.560
<v Speaker 2>What were your thoughts on Michael?

0:40:32.320 --> 0:40:33.540
<v Speaker 1>You mean Joe Jackson? No.

0:40:34.200 --> 0:40:34.920
<v Speaker 4>You mean that movie?

0:40:35.440 --> 0:40:38.270
<v Speaker 1>That's what it should have been called. Nah, I think

0:40:38.350 --> 0:40:40.569
<v Speaker 1>it was called Joe. Yeah, for sure. It should have

0:40:40.590 --> 0:40:42.830
<v Speaker 1>been called Joe. I think it was a good movie, though,

0:40:43.210 --> 0:40:45.710
<v Speaker 1>simply because I heard they're coming out with another one.

0:40:46.090 --> 0:40:50.810
<v Speaker 1>If that was it, his career was just too incredible

0:40:51.030 --> 0:40:54.140
<v Speaker 1>to be wrapped into one movie or two hours or whatever.

0:40:54.160 --> 0:40:56.300
<v Speaker 4>You know what I mean? It's not even possible.

0:40:57.120 --> 0:41:00.820
<v Speaker 1>Yeah, but I loved it in terms of how they

0:41:01.660 --> 0:41:05.040
<v Speaker 1>displayed the moments. It felt large. It felt like we

0:41:05.080 --> 0:41:09.460
<v Speaker 1>was actually in the movie. Yeah. And the production felt quality,

0:41:09.520 --> 0:41:10.640
<v Speaker 1>you know, I just, yeah.

0:41:10.660 --> 0:41:13.370
<v Speaker 3>Now Antoine Fuqua is different. Like he just, you know,

0:41:13.390 --> 0:41:14.270
<v Speaker 3>he don't make them to me.

0:41:14.290 --> 0:41:17.110
<v Speaker 1>He don't make no bad movies, especially that the, the actor,

0:41:17.190 --> 0:41:18.030
<v Speaker 1>the kid actor.

0:41:18.050 --> 0:41:18.810
<v Speaker 3>Oh yeah.

0:41:19.210 --> 0:41:19.989
<v Speaker 1>They definitely did that.

0:41:20.030 --> 0:41:23.549
<v Speaker 3>I met them young dudes, man. At, um, I took

0:41:23.570 --> 0:41:25.100
<v Speaker 3>my daughter to the BET awards with me.

0:41:25.940 --> 0:41:28.279
<v Speaker 1>We had nominated. Congratulations. Thank you. Thank you.

0:41:28.300 --> 0:41:28.960
<v Speaker 4>Drewski beat me.

0:41:29.630 --> 0:41:29.950
<v Speaker 1>It's cool.

0:41:29.969 --> 0:41:31.549
<v Speaker 3>He was the host of the show. That's why I

0:41:31.590 --> 0:41:33.230
<v Speaker 3>chalk it up to that. I'm like, ah, nigga, he's

0:41:33.270 --> 0:41:36.569
<v Speaker 3>the host. They don't tell me that until later, though,

0:41:36.590 --> 0:41:38.690
<v Speaker 3>that that's who we're up against. I'm like, man, I

0:41:38.710 --> 0:41:42.030
<v Speaker 3>could have saved so much money not buying these clothes

0:41:42.110 --> 0:41:42.550
<v Speaker 3>and shit.

0:41:43.010 --> 0:41:44.109
<v Speaker 1>But no, it was all good.

0:41:44.219 --> 0:41:48.560
<v Speaker 3>But as I'm walking in, I see the kids that

0:41:48.580 --> 0:41:50.620
<v Speaker 3>play Mike and, you know, the brothers.

0:41:51.300 --> 0:41:53.660
<v Speaker 4>And the wild thing is, you know, they young, young.

0:41:53.880 --> 0:41:57.160
<v Speaker 1>They're like, R &amp; B money. That's crazy.

0:41:57.239 --> 0:42:00.319
<v Speaker 4>I'm like, oh, this is wild. Like, these young fellas

0:42:00.380 --> 0:42:00.950
<v Speaker 4>really know.

0:42:00.969 --> 0:42:03.379
<v Speaker 1>Oh, man. They tapped in.

0:42:03.600 --> 0:42:04.140
<v Speaker 4>Yeah.

0:42:04.160 --> 0:42:04.759
<v Speaker 1>Yeah.

0:42:04.880 --> 0:42:06.440
<v Speaker 3>It was just really cool to see them, man. And

0:42:06.480 --> 0:42:08.680
<v Speaker 3>I just told them, man, I said, man, I don't

0:42:08.700 --> 0:42:10.580
<v Speaker 3>know you young fellas, but I'm really proud of y'all.

0:42:11.560 --> 0:42:12.960
<v Speaker 3>Keep doing y'all thing, man.

0:42:13.040 --> 0:42:13.259
<v Speaker 1>Yeah.

0:42:14.480 --> 0:42:16.219
<v Speaker 4>Keep killing it. Y'all were amazing.

0:42:16.340 --> 0:42:16.620
<v Speaker 2>Mm-hmm.

0:42:16.900 --> 0:42:17.980
<v Speaker 4>That movie is incredible.

0:42:18.180 --> 0:42:19.180
<v Speaker 1>Yeah. I love it.

0:42:19.460 --> 0:42:19.700
<v Speaker 2>Yeah.

0:42:20.100 --> 0:42:22.259
<v Speaker 1>The only reason I do love it now, because I

0:42:22.320 --> 0:42:26.040
<v Speaker 1>didn't love it if that was it. Got you. But

0:42:26.100 --> 0:42:29.399
<v Speaker 1>now that there's something else to look forward to, I'm like, okay,

0:42:29.500 --> 0:42:32.719
<v Speaker 1>that was a fire installment to be introduced in the

0:42:32.760 --> 0:42:33.529
<v Speaker 1>world of Michael.

0:42:34.780 --> 0:42:40.290
<v Speaker 3>What are your thoughts, though, on the Joe Jackson way?

0:42:41.469 --> 0:42:43.890
<v Speaker 3>On the Joe Jackson way? You talking about how he

0:42:43.930 --> 0:42:51.070
<v Speaker 3>coached his kids? The pressure he put on them, ultimately,

0:42:52.130 --> 0:42:55.830
<v Speaker 3>to attain greatness. To change the world.

0:42:56.290 --> 0:43:00.370
<v Speaker 1>Man. Because if we didn't have Joe Jackson, we wouldn't

0:43:00.410 --> 0:43:01.510
<v Speaker 1>have Michael Jackson.

0:43:01.870 --> 0:43:03.590
<v Speaker 4>And Janet Jackson. And Tito.

0:43:03.690 --> 0:43:09.890
<v Speaker 1>And Jermaine. And Latoya. And Randy. You know what I mean? Yeah.

0:43:10.210 --> 0:43:13.489
<v Speaker 1>I don't know. Jackie. A gift and a curse. But

0:43:13.550 --> 0:43:16.670
<v Speaker 1>I think. Reevee had centipede, dog.

0:43:16.730 --> 0:43:18.850
<v Speaker 4>Like, everybody got hits, bro.

0:43:19.090 --> 0:43:21.170
<v Speaker 1>Yeah. As an artist.

0:43:21.530 --> 0:43:21.650
<v Speaker 2>Mm-hmm.

0:43:22.110 --> 0:43:25.790
<v Speaker 1>I think, like, the fans, they love pain, you know?

0:43:26.190 --> 0:43:29.390
<v Speaker 1>And us understanding, like, his story kind of brings us

0:43:30.150 --> 0:43:35.739
<v Speaker 1>closer emotionally to the man behind the music. Yeah. Because

0:43:35.780 --> 0:43:37.859
<v Speaker 1>we know, like, what he been through. But, you know,

0:43:37.920 --> 0:43:40.960
<v Speaker 1>as far as, like, a human, a dad, that ain't

0:43:40.980 --> 0:43:42.440
<v Speaker 1>the way. Yeah.

0:43:42.480 --> 0:43:44.760
<v Speaker 4>I will say this, though. And none of the bullshit

0:43:44.780 --> 0:43:46.080
<v Speaker 4>happened when Joe was around.

0:43:47.040 --> 0:43:48.839
<v Speaker 1>Yeah. That's crazy.

0:43:49.420 --> 0:43:50.720
<v Speaker 4>It was a certain level of protection.

0:43:50.940 --> 0:43:52.660
<v Speaker 3>It was a certain level of, nah, we're not letting

0:43:52.680 --> 0:43:54.180
<v Speaker 3>these random shit go around here.

0:43:54.440 --> 0:43:55.640
<v Speaker 1>Yeah. You know what I mean?

0:43:55.700 --> 0:43:59.620
<v Speaker 4>So to me, and you know, I knew Joe.

0:44:00.200 --> 0:44:03.090
<v Speaker 1>Yeah. You know what I mean? Like, wait, you knew Joe? Yeah.

0:44:03.260 --> 0:44:05.529
<v Speaker 1>And Michael. Yeah. That's crazy.

0:44:05.570 --> 0:44:08.650
<v Speaker 3>I'm a child of the music business, bro. And, and

0:44:08.690 --> 0:44:10.609
<v Speaker 3>I asked, that's why I asked that question, right? Because

0:44:10.630 --> 0:44:14.790
<v Speaker 3>obviously we're all human. Everybody has their, their thoughts and

0:44:14.810 --> 0:44:18.770
<v Speaker 3>their emotions about things. And I looked at it as,

0:44:20.030 --> 0:44:22.609
<v Speaker 3>I had a father who had some Joe Jackson in him.

0:44:22.630 --> 0:44:25.649
<v Speaker 3>You know what I mean? And we came from some

0:44:25.750 --> 0:44:29.750
<v Speaker 3>very traumatic times and places.

0:44:30.070 --> 0:44:31.750
<v Speaker 4>You know what I mean? As far as, you know,

0:44:32.170 --> 0:44:33.049
<v Speaker 4>what the hood is.

0:44:33.230 --> 0:44:33.450
<v Speaker 1>Right.

0:44:34.030 --> 0:44:35.310
<v Speaker 4>And he was trying to get us up out of there.

0:44:35.650 --> 0:44:38.110
<v Speaker 3>He was trying to give me and my brothers and

0:44:38.150 --> 0:44:41.890
<v Speaker 3>my sisters a different life. So it took a different

0:44:41.930 --> 0:44:42.670
<v Speaker 3>type of pressure.

0:44:42.910 --> 0:44:45.410
<v Speaker 1>Yeah. To get to that point. You know what I mean?

0:44:45.450 --> 0:44:45.759
<v Speaker 1>And I.

0:44:46.460 --> 0:44:48.670
<v Speaker 3>We'll never say that, you know, I'm a Jackson and I,

0:44:48.700 --> 0:44:52.050
<v Speaker 3>you know, I've attained those levels, but my.

0:44:51.950 --> 0:44:53.510
<v Speaker 4>Life is completely different.

0:44:53.550 --> 0:44:53.790
<v Speaker 3>Yeah.

0:44:55.170 --> 0:44:58.569
<v Speaker 4>Completely different from where I come from.

0:44:58.690 --> 0:44:58.970
<v Speaker 1>Right.

0:44:59.810 --> 0:45:02.750
<v Speaker 4>And it does not happen if that's not in place.

0:45:03.090 --> 0:45:03.589
<v Speaker 1>I feel that.

0:45:04.130 --> 0:45:06.640
<v Speaker 3>Obviously as a parent, I look at it like, nah,

0:45:06.820 --> 0:45:08.939
<v Speaker 3>you know, it's certain things that that's too far.

0:45:10.260 --> 0:45:14.029
<v Speaker 1>I think the underlining word is just like, The discipline,

0:45:14.130 --> 0:45:17.850
<v Speaker 1>like understanding how to discipline. It's all discipline in your kids.

0:45:18.150 --> 0:45:20.780
<v Speaker 1>One thing I am is disciplined. Yeah.

0:45:21.160 --> 0:45:25.880
<v Speaker 3>I'm a very disciplined person because I understand what comes

0:45:25.960 --> 0:45:28.480
<v Speaker 3>along with being undisciplined.

0:45:28.620 --> 0:45:28.819
<v Speaker 1>Yeah.

0:45:29.520 --> 0:45:35.759
<v Speaker 3>The opportunities you miss, not understanding time, not understanding how

0:45:35.800 --> 0:45:38.560
<v Speaker 3>much work you should put in, not being prepared. You

0:45:38.580 --> 0:45:39.840
<v Speaker 3>know what I mean? Like I just had one of

0:45:39.860 --> 0:45:41.560
<v Speaker 3>them fathers that was like practice makes perfect.

0:45:41.680 --> 0:45:41.879
<v Speaker 1>Yeah.

0:45:43.090 --> 0:45:43.790
<v Speaker 4>I'm going to figure it out.

0:45:43.969 --> 0:45:44.169
<v Speaker 1>Yeah.

0:45:44.230 --> 0:45:45.509
<v Speaker 4>Because I'm going to keep doing it over and over

0:45:45.530 --> 0:45:47.350
<v Speaker 4>and over and over again until.

0:45:47.030 --> 0:45:48.069
<v Speaker 1>I get it right. Yeah.

0:45:48.870 --> 0:45:51.180
<v Speaker 4>And a lot of people don't strive for that.

0:45:51.320 --> 0:45:57.299
<v Speaker 1>Yeah. It's a lost art, man. Just being disciplined, practicing. Yeah. Rehearsing. Yeah.

0:45:57.340 --> 0:46:00.940
<v Speaker 1>Those simple things just builds confidence. And I think just

0:46:00.980 --> 0:46:03.960
<v Speaker 1>winging it, it's not going to last forever.

0:46:04.520 --> 0:46:08.620
<v Speaker 4>How was your first show? I came from rehearsing.

0:46:08.940 --> 0:46:11.450
<v Speaker 1>Yeah. Yeah. That's why I asked. That's one thing I respect.

0:46:11.550 --> 0:46:14.060
<v Speaker 1>Like even like the TIU days when I was saying LT,

0:46:14.219 --> 0:46:16.960
<v Speaker 1>she used to make us rehearse, like not like to

0:46:16.980 --> 0:46:19.660
<v Speaker 1>the Joe Jackson extent, but like, we would have to

0:46:19.680 --> 0:46:22.259
<v Speaker 1>put in them hours. Like, okay, we, we're going to

0:46:22.280 --> 0:46:24.719
<v Speaker 1>go through a 30 minute set. We're going to do

0:46:24.760 --> 0:46:27.950
<v Speaker 1>it X amount of times repetition. You're going to get

0:46:27.989 --> 0:46:30.190
<v Speaker 1>the ad libs. You're going, you don't sing on the

0:46:30.210 --> 0:46:33.690
<v Speaker 1>same part he's saying, you know? So like those details

0:46:34.550 --> 0:46:37.210
<v Speaker 1>always stuck with me. And I just respect the, the

0:46:37.250 --> 0:46:41.739
<v Speaker 1>craft of being prepared, being professional and then understanding the

0:46:41.760 --> 0:46:44.080
<v Speaker 1>importance that I'm entertaining in a crowd of people. They

0:46:44.120 --> 0:46:46.719
<v Speaker 1>paid their money to be here. Yeah. So my first

0:46:46.760 --> 0:46:50.819
<v Speaker 1>show was amazing. My first show was beyond what I

0:46:50.840 --> 0:46:53.320
<v Speaker 1>could ask for. You felt like you did your thing though. Yeah.

0:46:53.760 --> 0:46:56.359
<v Speaker 1>I felt like I deserved that moment. Yeah. Yeah.

0:46:56.700 --> 0:47:02.189
<v Speaker 3>The other part that artists, creatives, they never take it. Some,

0:47:02.290 --> 0:47:05.390
<v Speaker 3>some of them, some artists, some of us never take

0:47:05.410 --> 0:47:09.029
<v Speaker 3>into account what it takes to get there. From a

0:47:09.130 --> 0:47:21.900
<v Speaker 3>fan point of view, babysitter, hairdo, haircut, weave, nails, new outfit, parking,

0:47:23.800 --> 0:47:24.740
<v Speaker 3>a drink maybe.

0:47:24.980 --> 0:47:25.219
<v Speaker 1>Yeah.

0:47:26.180 --> 0:47:27.319
<v Speaker 4>Maybe go get something to eat.

0:47:27.580 --> 0:47:27.819
<v Speaker 1>Yeah.

0:47:28.400 --> 0:47:30.439
<v Speaker 3>They look up and you be thinking like, oh man,

0:47:30.460 --> 0:47:33.299
<v Speaker 3>you know, my ticket price is only $ 35. They didn't

0:47:33.320 --> 0:47:34.130
<v Speaker 3>spend $ 400.

0:47:33.870 --> 0:47:34.069
<v Speaker 4>Sure.

0:47:34.070 --> 0:47:34.170
<v Speaker 2>$ 500.

0:47:34.110 --> 0:47:41.469
<v Speaker 3>Sure. just to pay $ 35 on top to go see you.

0:47:42.170 --> 0:47:43.009
<v Speaker 3>Because they all didn't think.

0:47:44.190 --> 0:47:48.450
<v Speaker 1>Babysitter. You got to take off work. Man. So you're

0:47:48.510 --> 0:47:49.700
<v Speaker 1>losing money that day too.

0:47:49.900 --> 0:47:51.540
<v Speaker 4>So giving a half-ass show.

0:47:51.780 --> 0:47:52.879
<v Speaker 1>Yeah, that's disrespectful.

0:47:52.920 --> 0:47:57.000
<v Speaker 4>It's disrespectful, bro. And a lot of people have no

0:47:57.100 --> 0:47:58.959
<v Speaker 4>problem giving that half-ass show.

0:48:00.060 --> 0:48:01.420
<v Speaker 1>Oh, man, they fuck with my music.

0:48:02.060 --> 0:48:02.239
<v Speaker 3>No.

0:48:02.680 --> 0:48:03.680
<v Speaker 4>You ain't going to rehearse for them?

0:48:03.980 --> 0:48:04.219
<v Speaker 2>Right.

0:48:06.200 --> 0:48:09.570
<v Speaker 4>You ain't going to put your best forward.

0:48:10.050 --> 0:48:10.270
<v Speaker 1>Yeah.

0:48:10.410 --> 0:48:13.049
<v Speaker 4>But these people that then all these sacrifices.

0:48:13.320 --> 0:48:13.570
<v Speaker 1>Right.

0:48:14.860 --> 0:48:17.879
<v Speaker 3>That's the part to me that I wish that, that

0:48:17.940 --> 0:48:22.080
<v Speaker 3>more artists would really pay attention to and really think about.

0:48:22.100 --> 0:48:24.620
<v Speaker 3>It's like, I'm one of them niggas, man. I don't

0:48:24.680 --> 0:48:28.609
<v Speaker 3>believe in what they call low management with sports, basketball.

0:48:29.210 --> 0:48:32.070
<v Speaker 3>Nigga played 37 games and 82 game season.

0:48:33.440 --> 0:48:34.440
<v Speaker 1>I love that shit.

0:48:34.660 --> 0:48:36.970
<v Speaker 4>Like, bro, these kids ain't going to be able to

0:48:37.030 --> 0:48:38.110
<v Speaker 4>come to every game.

0:48:38.260 --> 0:48:38.510
<v Speaker 1>Right.

0:48:38.770 --> 0:48:40.569
<v Speaker 4>These people, you know what I mean? Spent a lot

0:48:40.590 --> 0:48:41.350
<v Speaker 4>of money to see you.

0:48:41.890 --> 0:48:42.330
<v Speaker 1>That's true.

0:48:42.830 --> 0:48:46.529
<v Speaker 4>And I think a lot of artists are doing load management, man.

0:48:46.650 --> 0:48:47.870
<v Speaker 1>They out there. Mm-hmm.

0:48:49.430 --> 0:48:50.770
<v Speaker 4>But they not giving they all.

0:48:50.890 --> 0:48:51.109
<v Speaker 1>Right.

0:48:51.350 --> 0:48:53.700
<v Speaker 3>We got to really start giving our all, man, and

0:48:53.719 --> 0:48:57.020
<v Speaker 3>really getting to it to the point where people feel

0:48:57.060 --> 0:48:59.160
<v Speaker 3>like this was worth it.

0:48:59.219 --> 0:48:59.439
<v Speaker 2>Right.

0:48:59.960 --> 0:49:00.880
<v Speaker 1>And repeat customers.

0:49:00.900 --> 0:49:01.200
<v Speaker 2>Mm-hmm.

0:49:03.180 --> 0:49:06.759
<v Speaker 3>Because that's the thing I feel like for you, you

0:49:06.840 --> 0:49:09.600
<v Speaker 3>truly understand because it is a business for you and

0:49:09.640 --> 0:49:10.860
<v Speaker 3>it's your business.

0:49:12.200 --> 0:49:14.859
<v Speaker 4>You can't continue.

0:49:14.320 --> 0:49:16.870
<v Speaker 3>To make the money you're making and have the career

0:49:16.890 --> 0:49:18.969
<v Speaker 3>you're having without repeat customers.

0:49:19.150 --> 0:49:22.489
<v Speaker 1>Yeah. Cause this is not about advances for you.

0:49:23.730 --> 0:49:23.990
<v Speaker 2>Right.

0:49:24.250 --> 0:49:27.430
<v Speaker 1>Right. It's a whole nother space. Yeah. It's about the

0:49:27.489 --> 0:49:30.339
<v Speaker 1>fan experience. Yeah. And the word of mouth that they

0:49:30.540 --> 0:49:33.180
<v Speaker 1>use when you put on a good show, you know,

0:49:33.200 --> 0:49:36.339
<v Speaker 1>you got to hold that to a high standard. That's

0:49:36.360 --> 0:49:40.339
<v Speaker 1>why I respect artists like Travis Scott or like You know,

0:49:40.500 --> 0:49:45.100
<v Speaker 1>even down to like Larry June. Yeah. They still uphold

0:49:45.120 --> 0:49:50.430
<v Speaker 1>the production of stage and experiments and experience. And when

0:49:50.469 --> 0:49:52.650
<v Speaker 1>it comes to anything that they drop from product to

0:49:52.710 --> 0:49:55.650
<v Speaker 1>live shows, it's always going to be something outside of

0:49:55.690 --> 0:49:58.049
<v Speaker 1>just the music and me holding the mic. Right. You

0:49:58.090 --> 0:49:59.489
<v Speaker 1>just spending your money. Yeah.

0:49:59.890 --> 0:50:03.060
<v Speaker 4>Full brand activations, man. That shit is special and it makes.

0:50:02.940 --> 0:50:08.520
<v Speaker 3>People really become real fans of what you do and

0:50:08.560 --> 0:50:09.540
<v Speaker 3>be locked in with you.

0:50:09.940 --> 0:50:10.460
<v Speaker 1>You know what I mean?

0:50:10.700 --> 0:50:14.940
<v Speaker 4>How do you get to die hard with Kendrick?

0:50:15.960 --> 0:50:21.220
<v Speaker 1>That came about through his manager, Anthony Saleh. He texts

0:50:21.239 --> 0:50:23.360
<v Speaker 1>me randomly. And I didn't even have his number. I

0:50:23.380 --> 0:50:25.540
<v Speaker 1>didn't know him at the time. He hit me. He

0:50:25.560 --> 0:50:27.969
<v Speaker 1>was just like, yo, Kendrick finna FaceTime you in five minutes.

0:50:28.610 --> 0:50:31.230
<v Speaker 1>I'm like, I didn't even know who he was. How'd

0:50:31.270 --> 0:50:34.109
<v Speaker 1>you get my number? I had my attorney. I'm like,

0:50:34.150 --> 0:50:36.470
<v Speaker 1>you know who Anthony Saleh is? He's like, nah, he official.

0:50:36.510 --> 0:50:37.089
<v Speaker 1>Reply to him.

0:50:37.489 --> 0:50:37.729
<v Speaker 2>Yeah.

0:50:38.230 --> 0:50:40.650
<v Speaker 1>So I had him back. I'm like, okay, for sure.

0:50:40.850 --> 0:50:44.910
<v Speaker 1>Then he actually FaceTimed me in five minutes. So I'm like, okay.

0:50:44.969 --> 0:50:47.250
<v Speaker 1>He on the phone. He like, yo. You had never met?

0:50:47.590 --> 0:50:49.590
<v Speaker 1>Never met. Well, I met him as a fan. I

0:50:49.610 --> 0:50:52.620
<v Speaker 1>remember he did a show at the Key Club at

0:50:52.660 --> 0:50:53.060
<v Speaker 1>the time.

0:50:53.280 --> 0:50:53.560
<v Speaker 2>Yeah.

0:50:54.000 --> 0:50:57.080
<v Speaker 3>Right there on Sunset. Right now, what club is that?

0:50:57.460 --> 0:50:58.960
<v Speaker 3>It's Keys.

0:50:59.200 --> 0:51:01.259
<v Speaker 1>Keys, yes. That's what it's called now. But it was

0:51:01.280 --> 0:51:03.920
<v Speaker 1>the Key Club at the time. So I met him

0:51:03.980 --> 0:51:07.000
<v Speaker 1>as a fan just backstage, shook his hand, but not

0:51:07.060 --> 0:51:08.440
<v Speaker 1>as the blast that I am today.

0:51:08.480 --> 0:51:08.620
<v Speaker 2>Mm-hmm.

0:51:09.440 --> 0:51:12.060
<v Speaker 1>But he had called me. I'm on FaceTime with him.

0:51:12.080 --> 0:51:15.390
<v Speaker 1>He like, yo, I'm working on this album. I'm a

0:51:15.430 --> 0:51:17.330
<v Speaker 1>big fan of what you got going on. I want

0:51:17.350 --> 0:51:19.670
<v Speaker 1>you to be a part of it. But this was

0:51:19.730 --> 0:51:22.330
<v Speaker 1>around the time he ain't dropping like seven years. So

0:51:22.390 --> 0:51:24.670
<v Speaker 1>I'm like, okay, I'm finna get the detox treatment when

0:51:24.690 --> 0:51:28.370
<v Speaker 1>I'm working on an album. Yeah, yeah. But he sent

0:51:28.390 --> 0:51:31.569
<v Speaker 1>me an idea. He sent me a beat, actually. The

0:51:31.640 --> 0:51:35.100
<v Speaker 1>first hook I sent him, because we was working remotely.

0:51:35.880 --> 0:51:37.520
<v Speaker 1>First hook I sent him, he was rocking with it.

0:51:38.270 --> 0:51:41.330
<v Speaker 1>And then he had sent me a voice memo of

0:51:41.370 --> 0:51:43.830
<v Speaker 1>the bridge that he wanted me to sing. Yeah. I

0:51:43.850 --> 0:51:46.270
<v Speaker 1>got a voice memo of Kendrick singing in my phone

0:51:46.290 --> 0:51:49.170
<v Speaker 1>right now. That's dope. That's dope. That's how it came about.

0:51:49.370 --> 0:51:51.609
<v Speaker 1>He just tapped in naturally as a fan, I guess.

0:51:52.250 --> 0:51:56.759
<v Speaker 4>That's hard, bro. Did you ever think, like, I'm going

0:51:56.780 --> 0:51:57.779
<v Speaker 4>to end up on a song with, bro?

0:51:58.260 --> 0:52:01.140
<v Speaker 1>I felt like I manifested it because I'm probably like

0:52:02.280 --> 0:52:05.640
<v Speaker 1>one of the biggest... K-Dot fans, like just seeing his journey,

0:52:06.180 --> 0:52:09.160
<v Speaker 1>similar to how I saw YG journey. Yeah. Like seeing

0:52:09.180 --> 0:52:10.900
<v Speaker 1>his grind. It was up close for you. It was

0:52:10.980 --> 0:52:13.660
<v Speaker 1>up close, you know, so I felt like it was

0:52:13.700 --> 0:52:16.880
<v Speaker 1>inevitable as I grew as an artist that we was

0:52:16.900 --> 0:52:20.279
<v Speaker 1>going to cross paths. Yeah. But as early as that, no,

0:52:20.300 --> 0:52:21.720
<v Speaker 1>I didn't think it was going to happen that fast.

0:52:22.060 --> 0:52:22.879
<v Speaker 4>Throat record, bro.

0:52:23.500 --> 0:52:26.620
<v Speaker 3>Have you ever flirted with taking one of the major

0:52:26.640 --> 0:52:27.819
<v Speaker 3>deals that's been thrown your way?

0:52:28.280 --> 0:52:31.710
<v Speaker 1>Yeah, I considered it, but it just didn't make sense

0:52:31.770 --> 0:52:35.570
<v Speaker 1>at the time. You know, I'm not against like major labels.

0:52:35.890 --> 0:52:38.589
<v Speaker 1>I think, um, at the time it just felt too

0:52:38.710 --> 0:52:41.930
<v Speaker 1>early and I wanted to learn, you know, I didn't

0:52:42.110 --> 0:52:44.950
<v Speaker 1>just want to just jump to the top. Cause there's

0:52:44.969 --> 0:52:47.700
<v Speaker 1>only one way after that, after you add on top,

0:52:47.739 --> 0:52:51.940
<v Speaker 1>you know? So yeah, I've, I've considered it, you know,

0:52:52.719 --> 0:52:54.060
<v Speaker 1>but that's as far as it went.

0:52:54.260 --> 0:52:54.520
<v Speaker 2>Yeah.

0:52:54.620 --> 0:52:57.100
<v Speaker 1>I just treated it like any other offer. Like, does

0:52:57.160 --> 0:53:00.469
<v Speaker 1>it make sense for me in this moment at the

0:53:00.510 --> 0:53:02.330
<v Speaker 1>point of the career that I'm in right now? Yeah.

0:53:03.330 --> 0:53:05.390
<v Speaker 1>Your new album, Labor of Love.

0:53:05.850 --> 0:53:07.910
<v Speaker 4>What was your mindset going into this album?

0:53:09.420 --> 0:53:13.580
<v Speaker 1>The mindset going into Labor of Love was really showing

0:53:13.600 --> 0:53:16.319
<v Speaker 1>the man that I am behind the artist. Me as

0:53:16.380 --> 0:53:21.810
<v Speaker 1>a father, me just as a man, period. The principles

0:53:21.870 --> 0:53:24.890
<v Speaker 1>I stand on, why I do what I do, and

0:53:24.930 --> 0:53:27.170
<v Speaker 1>what's the era that I'm in. Right now, it's the

0:53:27.210 --> 0:53:29.670
<v Speaker 1>Labor of Love. Doing it for the love of the game.

0:53:30.230 --> 0:53:33.660
<v Speaker 1>I love making music. I love the fans that put

0:53:33.680 --> 0:53:36.700
<v Speaker 1>me in position. So it's like, it's like an O

0:53:36.739 --> 0:53:40.720
<v Speaker 1>to them. O to the day ones that help fund

0:53:41.000 --> 0:53:43.149
<v Speaker 1>me being able to take care of my family. Yeah.

0:53:43.850 --> 0:53:47.450
<v Speaker 1>And just putting in a universe, what I felt was missing,

0:53:48.050 --> 0:53:51.469
<v Speaker 1>you know, the love, the, the vision of what a

0:53:51.530 --> 0:53:56.350
<v Speaker 1>man goes through. That's not glitz and glamor showing up

0:53:56.430 --> 0:54:01.799
<v Speaker 1>every day, the sacrifices, um, wrong or right, you know,

0:54:02.540 --> 0:54:08.009
<v Speaker 1>owning your mistakes and taking accountability and embracing not being perfect,

0:54:08.450 --> 0:54:13.330
<v Speaker 1>embracing a journey. Everything under that umbrella is what labor

0:54:13.370 --> 0:54:14.370
<v Speaker 1>of love is. Yeah.

0:54:14.950 --> 0:54:18.410
<v Speaker 4>What's your favorite part of this journey?

0:54:18.790 --> 0:54:22.180
<v Speaker 1>I would say like figuring it out or cracking the code.

0:54:23.620 --> 0:54:25.919
<v Speaker 1>And it usually comes when I, when I think back

0:54:25.960 --> 0:54:28.500
<v Speaker 1>of where I was and where I am now, like

0:54:28.520 --> 0:54:31.970
<v Speaker 1>when I reflect, Like, damn, I'm really in a position

0:54:32.010 --> 0:54:35.129
<v Speaker 1>that I'm in. I'm really who I, I'm really blessed. Like,

0:54:35.390 --> 0:54:38.830
<v Speaker 1>you know what I'm saying? It's just like, it's an appreciation.

0:54:40.210 --> 0:54:44.990
<v Speaker 1>It's a humbleness. But I think to answer your question,

0:54:46.140 --> 0:54:49.799
<v Speaker 1>like when I look back and realize that I got

0:54:49.880 --> 0:54:53.160
<v Speaker 1>past the moments that I thought I couldn't survive, that's

0:54:53.180 --> 0:54:57.480
<v Speaker 1>when I really like, thank God, you know? Yeah. I

0:54:57.520 --> 0:55:00.600
<v Speaker 1>feel like, okay. this is what life is about, you know,

0:55:00.680 --> 0:55:04.790
<v Speaker 1>facing your problems or where you consider a problem, facing

0:55:04.810 --> 0:55:09.109
<v Speaker 1>a hurdle and not being scared to, to face it. Like,

0:55:09.130 --> 0:55:11.710
<v Speaker 1>you know, show up even when it's hard because you're

0:55:11.730 --> 0:55:13.030
<v Speaker 1>going to get past it regardless.

0:55:13.340 --> 0:55:13.590
<v Speaker 2>Yeah.

0:55:14.010 --> 0:55:16.540
<v Speaker 1>As long as you show up. Right. Can't run from it. Right.

0:55:16.780 --> 0:55:18.620
<v Speaker 3>It's funny too because you say that because I feel

0:55:18.640 --> 0:55:21.440
<v Speaker 3>that in your music. Your music feels.

0:55:22.680 --> 0:55:23.379
<v Speaker 1>Aspirational.

0:55:24.560 --> 0:55:26.299
<v Speaker 4>You know what I mean? Like, I feel like we're

0:55:26.320 --> 0:55:28.210
<v Speaker 4>going to get there. You know what I'm saying?

0:55:28.250 --> 0:55:32.180
<v Speaker 1>Like, Don't worry. Yeah. We're going to get there. Everybody's

0:55:32.219 --> 0:55:33.239
<v Speaker 1>music doesn't do this for me.

0:55:33.280 --> 0:55:36.340
<v Speaker 3>Like your music makes me smile.

0:55:36.840 --> 0:55:37.120
<v Speaker 1>Wow.

0:55:37.680 --> 0:55:40.560
<v Speaker 4>You make feel good music, bro. Like you really do.

0:55:41.540 --> 0:55:41.940
<v Speaker 1>Thank you.

0:55:42.280 --> 0:55:46.640
<v Speaker 3>And that is tough to do, especially in a space

0:55:46.800 --> 0:55:55.330
<v Speaker 3>now of, you know, downtrodden things where somebody is making

0:55:55.390 --> 0:55:59.419
<v Speaker 3>music that makes you feel good, you know? Yeah, music

0:55:59.440 --> 0:56:03.020
<v Speaker 3>that can turn you up. Music that can make you mad.

0:56:03.080 --> 0:56:04.860
<v Speaker 3>But it's becoming more and more rare.

0:56:05.260 --> 0:56:09.610
<v Speaker 1>Yeah. I feel you. I feel you. And that's something

0:56:09.620 --> 0:56:12.710
<v Speaker 1>that I appreciate from artists that I've seen coming up,

0:56:12.770 --> 0:56:15.350
<v Speaker 1>like Rafael Sadiq.

0:56:15.570 --> 0:56:16.310
<v Speaker 4>Man, my guy.

0:56:16.469 --> 0:56:17.589
<v Speaker 1>You know what I'm saying?

0:56:17.610 --> 0:56:17.890
<v Speaker 4>Yeah.

0:56:18.290 --> 0:56:23.210
<v Speaker 1>D'Angelo or DJ Quick, like you mentioned before. It's like

0:56:23.250 --> 0:56:27.980
<v Speaker 1>the underlying... Feeling of even beyond the lyrics, just the

0:56:28.040 --> 0:56:31.480
<v Speaker 1>sonics of it. Sonics. Just make you feel good, make

0:56:31.520 --> 0:56:33.720
<v Speaker 1>you feel hopeful, make you feel like, okay.

0:56:34.120 --> 0:56:34.339
<v Speaker 2>Yeah.

0:56:34.400 --> 0:56:35.320
<v Speaker 1>Good. Yeah.

0:56:35.620 --> 0:56:38.520
<v Speaker 4>I feel like it's intentional. You know what I mean?

0:56:38.540 --> 0:56:40.170
<v Speaker 3>And now sitting down with you and talking to you,

0:56:40.180 --> 0:56:42.089
<v Speaker 3>I'm like, oh, I get it. I get it even more.

0:56:42.870 --> 0:56:44.810
<v Speaker 3>You know what I mean? He's, he's after something different.

0:56:45.550 --> 0:56:47.410
<v Speaker 3>You know, I would just want to tell you, man,

0:56:47.430 --> 0:56:51.050
<v Speaker 3>like it's, it's appreciated from a, from a fan's perspective

0:56:51.070 --> 0:56:53.210
<v Speaker 3>for me, because I, I still look at myself as

0:56:53.290 --> 0:56:55.310
<v Speaker 3>a fan of this thing. Like, yeah, I may meet

0:56:55.330 --> 0:56:58.009
<v Speaker 3>people and I may know people, but like, I'm a

0:56:58.050 --> 0:57:00.250
<v Speaker 3>fan of your music, a fan of what you do.

0:57:00.630 --> 0:57:04.130
<v Speaker 3>And it's something that I feel like I've been waiting

0:57:04.170 --> 0:57:09.700
<v Speaker 3>to help put it on more of a platform to me.

0:57:09.840 --> 0:57:11.780
<v Speaker 3>More people should know about blast.

0:57:12.120 --> 0:57:16.700
<v Speaker 1>Yeah. That's dope. I appreciate that too. I don't take

0:57:16.720 --> 0:57:17.540
<v Speaker 1>that lightly, man.

0:57:17.720 --> 0:57:19.960
<v Speaker 4>No, for real, bro. And the fact that you own it,

0:57:21.390 --> 0:57:22.030
<v Speaker 4>You know what I'm saying?

0:57:22.110 --> 0:57:22.270
<v Speaker 1>Yeah.

0:57:22.450 --> 0:57:24.350
<v Speaker 4>I'm also an advocate for black business.

0:57:24.530 --> 0:57:26.650
<v Speaker 1>Mm-hmm. You know what I mean?

0:57:26.910 --> 0:57:29.770
<v Speaker 4>Like, I'm always saying it. I'm like, man, support black business, man.

0:57:29.930 --> 0:57:30.950
<v Speaker 1>Yeah. Support it.

0:57:31.210 --> 0:57:33.450
<v Speaker 4>I don't know if people always look at, you know,

0:57:34.500 --> 0:57:36.440
<v Speaker 4>artists in that way of black business.

0:57:36.460 --> 0:57:39.959
<v Speaker 1>Right. It's weird. Like, this is black business. Right.

0:57:40.640 --> 0:57:42.560
<v Speaker 4>Like, you don't want to support that for me?

0:57:42.680 --> 0:57:46.740
<v Speaker 1>Like... Yeah. It's one of the trickiest businesses to be

0:57:46.820 --> 0:57:49.930
<v Speaker 1>in as a black person in general because.

0:57:51.300 --> 0:57:53.960
<v Speaker 1>Like the in-between is either you're super successful or you

0:57:54.000 --> 0:57:58.180
<v Speaker 1>just like, or just in terms of like the, the

0:57:58.300 --> 0:58:02.030
<v Speaker 1>ignorance to the outside looking in, you're either super successful

0:58:02.050 --> 0:58:04.610
<v Speaker 1>or you just at the bottom on the grind or,

0:58:04.670 --> 0:58:08.590
<v Speaker 1>you know, so yeah, I think it's important to say that,

0:58:08.630 --> 0:58:11.050
<v Speaker 1>like support black business. I'm a black, I'm a black

0:58:11.090 --> 0:58:14.710
<v Speaker 1>business myself. I ain't, I ain't set to where it's

0:58:14.750 --> 0:58:16.810
<v Speaker 1>like my family good for the rest of our lives.

0:58:16.850 --> 0:58:19.710
<v Speaker 1>Like I'm still in it every day. So every ticket,

0:58:19.770 --> 0:58:24.840
<v Speaker 1>every listen, every, you know, comment, every like is, is appreciated.

0:58:24.900 --> 0:58:28.100
<v Speaker 1>And that's supporting, you know, my business.

0:58:28.260 --> 0:58:28.440
<v Speaker 2>Yeah.

0:58:28.780 --> 0:58:33.120
<v Speaker 4>Are you looking to bring on more artists to your company?

0:58:33.660 --> 0:58:33.840
<v Speaker 1>Yeah.

0:58:34.360 --> 0:58:34.560
<v Speaker 4>Yeah.

0:58:34.860 --> 0:58:35.720
<v Speaker 1>Yeah. Okay.

0:58:35.740 --> 0:58:37.920
<v Speaker 4>So, I mean, you know, they, people watch it, basically.

0:58:38.740 --> 0:58:39.570
<v Speaker 4>Business is open.

0:58:39.720 --> 0:58:41.090
<v Speaker 1>Yeah. Business is open. Open for show.

0:58:41.110 --> 0:58:41.270
<v Speaker 3>Yeah.

0:58:41.290 --> 0:58:43.790
<v Speaker 1>Y'all open for business, man. He, you know, he signed

0:58:43.810 --> 0:58:44.910
<v Speaker 1>an artist and the whole thing.

0:58:44.990 --> 0:58:48.310
<v Speaker 3>Yeah. Is there somebody that you can think of, not

0:58:48.350 --> 0:58:49.850
<v Speaker 3>even about you trying to sign them or trying to

0:58:49.890 --> 0:58:52.890
<v Speaker 3>do that, but like, Is there somebody that's caught your

0:58:52.910 --> 0:58:55.430
<v Speaker 3>attention that you would want to say, yo, this person

0:58:55.470 --> 0:58:55.750
<v Speaker 3>is dope.

0:58:55.790 --> 0:58:56.550
<v Speaker 4>They should check them out.

0:58:56.990 --> 0:58:58.030
<v Speaker 1>That's like new on the scene?

0:58:58.050 --> 0:58:58.620
<v Speaker 4>Yeah.

0:58:58.780 --> 0:59:01.520
<v Speaker 1>Or just something that you're just into? Nipa. He from

0:59:01.540 --> 0:59:04.700
<v Speaker 1>the UK. Yeah. Yeah. Yeah. I just did a song

0:59:04.720 --> 0:59:06.790
<v Speaker 1>with him. But even outside of me doing a song,

0:59:06.830 --> 0:59:09.590
<v Speaker 1>I'm a fan of his music and just how he

0:59:09.630 --> 0:59:11.939
<v Speaker 1>approaches music it give me that feeling that I feel

0:59:11.980 --> 0:59:15.180
<v Speaker 1>is missing in R &amp; B and music in general

0:59:15.420 --> 0:59:19.520
<v Speaker 1>yeah so tap in with Nipa he from London yeah

0:59:19.540 --> 0:59:21.360
<v Speaker 1>Nipa go hard yeah he does.

0:59:21.040 --> 0:59:23.820
<v Speaker 3>Alright man so I got you here man I want

0:59:23.840 --> 0:59:26.890
<v Speaker 3>to get into the mind of the things that have

0:59:26.950 --> 0:59:30.490
<v Speaker 3>led you to where we're at in your career have

0:59:30.510 --> 0:59:31.930
<v Speaker 3>been inspirations for you.

0:59:31.950 --> 0:59:34.280
<v Speaker 4>You know what I mean? It's going to get, you know,

0:59:34.340 --> 0:59:35.240
<v Speaker 4>it's going to get a little tough.

0:59:35.580 --> 0:59:35.860
<v Speaker 1>Okay.

0:59:36.060 --> 0:59:38.380
<v Speaker 3>Cause you know, we only give a certain amount of

0:59:38.440 --> 0:59:40.880
<v Speaker 3>number of people that you could put at your top

0:59:40.920 --> 0:59:41.540
<v Speaker 3>of your tops.

0:59:42.000 --> 0:59:43.860
<v Speaker 1>Okay. All right.

0:59:43.880 --> 0:59:44.860
<v Speaker 4>So play something for me, baby.

0:59:44.920 --> 0:59:45.320
<v Speaker 1>Yeah.

0:59:45.440 --> 0:59:49.580
<v Speaker 4>Your top five.

0:59:50.560 --> 1:00:02.110
<v Speaker 1>Your top five. R &amp; B singers.

1:00:02.410 --> 1:00:04.700
<v Speaker 3>R &amp; B songs.

1:00:04.720 --> 1:00:11.390
<v Speaker 1>We've got to know before you go. Here on this show,

1:00:11.650 --> 1:00:23.400
<v Speaker 1>everybody want to know. Here on Top Top. Yes. Ronald.

1:00:23.560 --> 1:00:49.970
<v Speaker 1>Top five. Your top five. Hey. He crazy for that

1:00:50.010 --> 1:00:50.990
<v Speaker 1>last note. It's crazy.

1:00:51.410 --> 1:00:56.830
<v Speaker 3>So, we want to know your top five R &amp;

1:00:56.490 --> 1:01:00.420
<v Speaker 3>B singers first and then your top five R &amp;

1:01:00.140 --> 1:01:00.840
<v Speaker 3>B songs.

1:01:02.080 --> 1:01:06.340
<v Speaker 1>R &amp; B singers. Stevie Wonder. Okay.

1:01:07.380 --> 1:01:08.140
<v Speaker 4>Starting off strong.

1:01:09.320 --> 1:01:19.430
<v Speaker 1>Beyonce. Yeah. D'Angelo. Yes, sir. Michael Jackson. And then I'm

1:01:19.470 --> 1:01:20.300
<v Speaker 1>going to say Usher.

1:01:21.110 --> 1:01:22.760
<v Speaker 4>Cleanest vocals.

1:01:23.300 --> 1:01:23.680
<v Speaker 1>Okay.

1:01:24.460 --> 1:01:27.100
<v Speaker 4>He is what I consider to be pristine.

1:01:27.360 --> 1:01:30.580
<v Speaker 1>Yeah. His vocals are just different. Be like, bro, you

1:01:30.620 --> 1:01:36.470
<v Speaker 1>can sing anything. Yeah. That Tiny Desk performance was... Ah, Masterclass.

1:01:36.470 --> 1:01:38.189
<v Speaker 1>10 out of 10. Masterclass.

1:01:38.230 --> 1:01:38.410
<v Speaker 2>Yeah.

1:01:39.310 --> 1:01:41.130
<v Speaker 1>You doing Tiny Desk? When you going to do Tiny Desk, man? Man,

1:01:41.190 --> 1:01:42.210
<v Speaker 1>I'm trying to get to it.

1:01:42.520 --> 1:01:43.460
<v Speaker 4>Come on, man.

1:01:43.480 --> 1:01:45.280
<v Speaker 1>Maybe the next tour I'll stop in D.C.

1:01:45.300 --> 1:01:47.120
<v Speaker 4>Get my brother on Tiny Desk, man.

1:01:47.220 --> 1:01:50.280
<v Speaker 1>NPR. Come on, man. My guy on there.

1:01:50.300 --> 1:01:51.220
<v Speaker 2>Okay.

1:01:53.070 --> 1:01:54.170
<v Speaker 4>Top five R &amp; B songs.

1:01:55.230 --> 1:02:03.630
<v Speaker 1>R &amp; B songs. Overjoyed. Yeah. Rock With You. Michael Jackson.

1:02:04.690 --> 1:02:05.910
<v Speaker 1>Let It Burn by Usher.

1:02:06.210 --> 1:02:06.510
<v Speaker 2>Yeah.

1:02:07.590 --> 1:02:07.970
<v Speaker 4>Lady.

1:02:09.250 --> 1:02:09.740
<v Speaker 1>D'Angelo.

1:02:09.780 --> 1:02:10.180
<v Speaker 2>D'Angelo.

1:02:11.130 --> 1:02:12.530
<v Speaker 1>I don't know why this song is on my mind

1:02:12.550 --> 1:02:18.030
<v Speaker 1>right now, but Beyonce, Halo. That song's incredible. I get it. Yeah,

1:02:18.050 --> 1:02:20.530
<v Speaker 1>I'm thinking about that video when she was in the

1:02:20.570 --> 1:02:25.860
<v Speaker 1>hospital singing. That shit was amazing. Yeah. It's a YouTube

1:02:25.880 --> 1:02:26.700
<v Speaker 1>video of her singing.

1:02:26.720 --> 1:02:29.439
<v Speaker 3>She makes movies every time.

1:02:30.520 --> 1:02:32.080
<v Speaker 4>It's never just like, oh, she got a song.

1:02:32.600 --> 1:02:34.800
<v Speaker 1>No, no, no. It's a movie.

1:02:35.040 --> 1:02:35.240
<v Speaker 2>Yeah.

1:02:35.600 --> 1:02:36.780
<v Speaker 1>Beyonce makes movies. Yeah.

1:02:37.070 --> 1:02:37.290
<v Speaker 2>Yeah.

1:02:37.950 --> 1:02:40.490
<v Speaker 1>Okay. I love those top fives.

1:02:41.110 --> 1:02:45.590
<v Speaker 3>Now, I would like for you to build the ultimate

1:02:46.310 --> 1:02:53.560
<v Speaker 3>R &amp; B superhero superstar. You're Voltron of an R &amp;

1:02:53.300 --> 1:03:00.260
<v Speaker 3>B artist. You got the voice. You have the stage performance.

1:03:01.480 --> 1:03:06.990
<v Speaker 3>You have the styling. And you have the passion.

1:03:07.910 --> 1:03:08.250
<v Speaker 1>Okay.

1:03:08.450 --> 1:03:13.600
<v Speaker 3>And since you are producer songwriter who's gonna produce it

1:03:13.620 --> 1:03:15.680
<v Speaker 3>who's gonna write it so we're gonna start with the

1:03:15.720 --> 1:03:18.250
<v Speaker 3>voice who's the voice who's the voice i would say

1:03:18.290 --> 1:03:22.970
<v Speaker 3>right now chris brown can sing anything yeah can sing

1:03:23.010 --> 1:03:26.270
<v Speaker 3>anything here we go again there's another guy yeah sing

1:03:26.310 --> 1:03:29.060
<v Speaker 3>anything i'm gonna ask you this while you're here too though.

1:03:28.910 --> 1:03:34.840
<v Speaker 4>Because it's been topic of conversation would you sing background

1:03:34.880 --> 1:03:37.700
<v Speaker 4>on that tour that's too much pressure.

1:03:38.100 --> 1:03:44.380
<v Speaker 1>That's too much pressure. Them niggas up there singing. Shout

1:03:44.440 --> 1:03:50.550
<v Speaker 1>out Eric Bellinger and Tank and Mario. They doing their thing. Cooking. Yes. Cooking. Cooking.

1:03:50.590 --> 1:03:52.350
<v Speaker 4>That's the perfect three right there. That'd be too much

1:03:52.370 --> 1:03:53.030
<v Speaker 4>pressure for you, though.

1:03:53.050 --> 1:03:57.530
<v Speaker 1>I'm not following that up. I got you.

1:03:57.610 --> 1:03:57.960
<v Speaker 4>I got you.

1:03:58.550 --> 1:03:58.790
<v Speaker 1>Okay.

1:03:59.590 --> 1:04:00.330
<v Speaker 4>Stage performance.

1:04:00.840 --> 1:04:02.820
<v Speaker 1>Stage performance, Michael Jackson. Yeah.

1:04:02.980 --> 1:04:07.650
<v Speaker 4>Chris Voice. Michael Jackson performance. Stylin'. Who gonna put this

1:04:07.670 --> 1:04:08.010
<v Speaker 4>shit on?

1:04:09.110 --> 1:04:13.290
<v Speaker 1>Stylin'. Oh, Pharrell. And he sings.

1:04:13.450 --> 1:04:15.410
<v Speaker 3>Pharrell R &amp; B nigga to me. You know what

1:04:15.430 --> 1:04:18.669
<v Speaker 3>I'm saying? Same way I argue about you. But that's

1:04:19.110 --> 1:04:21.729
<v Speaker 3>an R &amp; B singer. I know you said you

1:04:21.770 --> 1:04:24.070
<v Speaker 3>consider yourself a rapper first. I don't care. You're an

1:04:24.090 --> 1:04:26.450
<v Speaker 3>R &amp; B singer to me. Your melodies and the

1:04:26.490 --> 1:04:30.040
<v Speaker 3>vibe of it and the subject matter, you're.

1:04:29.800 --> 1:04:31.200
<v Speaker 1>An R &amp; B singer in my book. You got

1:04:31.240 --> 1:04:34.120
<v Speaker 1>a stamp right here. You're an R &amp; B singer

1:04:34.140 --> 1:04:37.370
<v Speaker 1>to me. Okay. Who got the most passion? Who going

1:04:37.390 --> 1:04:40.720
<v Speaker 1>to make you believe my Voltron? Who going to make

1:04:40.760 --> 1:04:47.140
<v Speaker 1>me believe Beyonce? Oh my God. She's just in turn.

1:04:47.160 --> 1:04:50.960
<v Speaker 1>I'm thinking about shows that I've been to. Yeah. She's

1:04:51.000 --> 1:04:52.020
<v Speaker 1>just different.

1:04:53.540 --> 1:04:55.460
<v Speaker 3>I'd be wondering like, how do they fit that big

1:04:55.540 --> 1:04:57.690
<v Speaker 3>ass horse? Where does that horse go?

1:04:59.610 --> 1:05:03.210
<v Speaker 4>Is it foldable? Does it break down? Like, how do

1:05:03.250 --> 1:05:04.150
<v Speaker 4>you transport the.

1:05:04.110 --> 1:05:06.840
<v Speaker 1>Horse, man? Yeah. You know what I mean? She's Beyonce.

1:05:06.860 --> 1:05:10.340
<v Speaker 1>She can transport anything. I need a horse right here.

1:05:10.960 --> 1:05:14.600
<v Speaker 1>Now make it disappear. You know what I mean? Okay.

1:05:15.240 --> 1:05:17.160
<v Speaker 4>Who's going to make the songs? Who's going to produce

1:05:17.200 --> 1:05:17.850
<v Speaker 4>or write this.

1:05:19.210 --> 1:05:20.650
<v Speaker 1>For this artist? Raphael Sadiq.

1:05:24.530 --> 1:05:32.870
<v Speaker 3>The most versatile man. The most unexpected. You cannot just say, oh,

1:05:32.970 --> 1:05:34.750
<v Speaker 3>I know Raphael Sadiq did that.

1:05:34.970 --> 1:05:37.130
<v Speaker 1>No, you can't. You're lying. That's a fact.

1:05:37.410 --> 1:05:40.830
<v Speaker 4>Because those songs do not sound the same.

1:05:42.510 --> 1:05:44.530
<v Speaker 1>They don't. He's a unicorn for sure.

1:05:45.720 --> 1:05:50.320
<v Speaker 4>They don't make more than one of a Raphael Sadiq.

1:05:51.660 --> 1:05:52.600
<v Speaker 4>And he can do it all.

1:05:53.520 --> 1:05:58.210
<v Speaker 1>He's been doing it all from then to now. our

1:05:58.270 --> 1:05:59.270
<v Speaker 1>favorite songs.

1:05:58.990 --> 1:06:03.800
<v Speaker 3>That people don't even know collaborate yeah don't matter play

1:06:03.820 --> 1:06:08.100
<v Speaker 3>the instruments not play the instruments like it doesn't matter

1:06:08.120 --> 1:06:09.580
<v Speaker 3>like he's gonna figure out how to get you the

1:06:09.640 --> 1:06:14.580
<v Speaker 3>record you need he can identify yeah like oh okay

1:06:14.620 --> 1:06:19.390
<v Speaker 3>no no no no let me yeah scientists yeah that's

1:06:19.430 --> 1:06:23.130
<v Speaker 3>a great vote trying in an amazing producer writer artist

1:06:23.190 --> 1:06:27.400
<v Speaker 3>all things with rafael okay I got one more segment

1:06:27.420 --> 1:06:28.300
<v Speaker 3>before you leave, brother.

1:06:29.780 --> 1:06:31.800
<v Speaker 1>This is a tough one. Okay. This is a tough one.

1:06:32.100 --> 1:06:34.900
<v Speaker 1>This is a tough one. Come on, man. We got

1:06:34.980 --> 1:06:39.320
<v Speaker 1>some guys. Yes, sir. Yes, sir.

1:06:39.360 --> 1:06:43.000
<v Speaker 3>So you had the very important part of this show.

1:06:43.200 --> 1:06:43.660
<v Speaker 2>Yeah.

1:06:43.700 --> 1:06:48.260
<v Speaker 3>Very special segment.

1:06:48.380 --> 1:07:08.560
<v Speaker 4>It's called I Ain't Say No Name. Will you tell

1:07:08.600 --> 1:07:12.980
<v Speaker 4>us a story? Funny or fucked up? Or funny and

1:07:13.040 --> 1:07:13.580
<v Speaker 4>fucked up?

1:07:14.220 --> 1:07:19.780
<v Speaker 3>The only rule to the game is blast the superhero himself.

1:07:20.840 --> 1:07:24.680
<v Speaker 1>Can't say no now. Okay, well, you know, I'm from LA,

1:07:24.720 --> 1:07:28.910
<v Speaker 1>so it was a situation. Okay, I can't say no now.

1:07:29.610 --> 1:07:31.830
<v Speaker 1>It was a situation a while ago. We was at

1:07:31.850 --> 1:07:36.130
<v Speaker 1>this club. And, you know, this was before the success,

1:07:36.150 --> 1:07:39.540
<v Speaker 1>so I was with my crew at the time. Yeah.

1:07:39.920 --> 1:07:42.400
<v Speaker 1>You know, we used to go to clubs and perform.

1:07:42.440 --> 1:07:46.030
<v Speaker 1>We used to have to sell tickets. Oh, yeah. Yeah, yeah.

1:07:46.130 --> 1:07:48.150
<v Speaker 1>It was that era. So we go to this club

1:07:48.910 --> 1:07:52.970
<v Speaker 1>that we sold the tickets to perform at. And they

1:07:53.030 --> 1:07:56.110
<v Speaker 1>acted funny up there, like we can't perform. After y'all

1:07:56.150 --> 1:07:59.580
<v Speaker 1>sold tickets, though? After we sold tickets. All these people here,

1:07:59.640 --> 1:08:03.700
<v Speaker 1>we feel like we embarrassed at this point. Yeah, yeah.

1:08:03.820 --> 1:08:05.180
<v Speaker 1>So it was a popular DJ.

1:08:06.480 --> 1:08:06.740
<v Speaker 2>Okay.

1:08:06.950 --> 1:08:10.130
<v Speaker 1>But I ain't saying no names. When I tell you,

1:08:11.790 --> 1:08:23.240
<v Speaker 1>we flipped the club upside down. And the DJ? Oh, man. Oh, no, no. So, then, oh,

1:08:23.640 --> 1:08:26.360
<v Speaker 1>we go outside. We was just tripping at this point. Yeah.

1:08:26.380 --> 1:08:29.840
<v Speaker 1>We was just tripping. Y'all feel like y'all got robbed. Yeah. So,

1:08:29.979 --> 1:08:32.979
<v Speaker 1>we go outside. We in the parking lot. He come outside.

1:08:34.680 --> 1:08:37.040
<v Speaker 1>He like, He tripping on us now. He like, where

1:08:37.060 --> 1:08:40.780
<v Speaker 1>y'all from? He couldn't have been from out here.

1:08:41.900 --> 1:08:43.820
<v Speaker 4>Cause y'all feel like he just banged on y'all.

1:08:44.510 --> 1:08:45.650
<v Speaker 1>You know, you know, LA.

1:08:45.970 --> 1:08:48.190
<v Speaker 4>I ain't from here, but I've been here long enough.

1:08:48.210 --> 1:08:51.389
<v Speaker 1>Oh my gosh. He said, where y'all from? Where y'all from?

1:08:52.330 --> 1:08:57.710
<v Speaker 1>It was no reply. We had to get up out

1:08:57.750 --> 1:08:58.330
<v Speaker 1>of there though.

1:08:58.390 --> 1:08:58.650
<v Speaker 2>Yeah.

1:08:59.250 --> 1:09:02.380
<v Speaker 1>Oh man. But, yeah. Funny and fucked up.

1:09:02.479 --> 1:09:06.380
<v Speaker 3>Yeah, yeah, yeah, you know. Have you seen Set DJ?

1:09:07.000 --> 1:09:12.220
<v Speaker 1>Since. I ain't said no nays. All right. We ain't

1:09:12.240 --> 1:09:13.620
<v Speaker 1>said no nays, man.

1:09:13.780 --> 1:09:17.170
<v Speaker 4>You know, hopefully it all got worked out at some point, man, because,

1:09:17.270 --> 1:09:19.190
<v Speaker 4>you know, we make positive music.

1:09:19.310 --> 1:09:22.120
<v Speaker 1>Mm-hmm. You know what I mean? Yeah. We're lovers.

1:09:22.700 --> 1:09:27.810
<v Speaker 4>Yeah, yeah, yeah. But hey, out-of-towners, which I am one,

1:09:28.390 --> 1:09:31.349
<v Speaker 4>don't ask, no, LA people where they from.

1:09:32.270 --> 1:09:34.729
<v Speaker 1>That's a crazy question. Without knowing what come after that. Man,

1:09:34.870 --> 1:09:37.530
<v Speaker 1>out here, I don't know why, but that's the question. Man,

1:09:37.630 --> 1:09:41.429
<v Speaker 1>that's not the question, actually. Right. Unless you on that.

1:09:41.650 --> 1:09:41.889
<v Speaker 2>Right.

1:09:42.610 --> 1:09:45.549
<v Speaker 4>If you ain't on that type of time, do not

1:09:46.050 --> 1:09:46.689
<v Speaker 4>ask that.

1:09:48.520 --> 1:09:48.720
<v Speaker 1>Yeah.

1:09:49.520 --> 1:09:53.280
<v Speaker 4>Yeah. Well, sometimes you got to learn the hard way.

1:09:53.760 --> 1:09:54.960
<v Speaker 4>Sometimes you got to learn the hard way.

1:09:55.500 --> 1:09:58.180
<v Speaker 3>Well, man, listen, I'm thankful for you being here and

1:09:58.200 --> 1:09:59.639
<v Speaker 3>I'm thankful that you made it up out of that.

1:10:00.160 --> 1:10:02.120
<v Speaker 1>Yeah. Because we don't need that. You're an R &amp;

1:10:02.000 --> 1:10:04.520
<v Speaker 1>B guy, man. You're not my character. Yeah.

1:10:04.939 --> 1:10:08.120
<v Speaker 3>And anybody ask, be like, you know, Jason, I'm R &amp; B.

1:10:10.500 --> 1:10:12.860
<v Speaker 3>And I'm standing on that, brother. I'm standing on that.

1:10:13.600 --> 1:10:19.180
<v Speaker 3>But once again, man, congratulations on everything, you know, on

1:10:19.200 --> 1:10:23.160
<v Speaker 3>the success, you know, On being able to feed your

1:10:23.200 --> 1:10:27.479
<v Speaker 3>family with this thing. Doing it your way. I'm proud

1:10:27.500 --> 1:10:30.860
<v Speaker 3>of you just as a brother in music. And I'm

1:10:30.890 --> 1:10:33.150
<v Speaker 3>going to continue to support you. And I thank you

1:10:33.160 --> 1:10:35.330
<v Speaker 3>for pulling up on me today, man. I really appreciate it.

1:10:35.350 --> 1:10:38.450
<v Speaker 1>Thank you for sharing your platform, man. Nothing but love

1:10:38.490 --> 1:10:39.990
<v Speaker 1>and respect for what y'all built.

1:10:40.170 --> 1:10:40.430
<v Speaker 2>Yeah.

1:10:40.770 --> 1:10:42.490
<v Speaker 1>And I feel the love, man. I feel like I'm

1:10:42.530 --> 1:10:43.309
<v Speaker 1>at home, man.

1:10:43.370 --> 1:10:45.350
<v Speaker 4>Come on, dog. Is anything you want to shout out

1:10:45.390 --> 1:10:46.550
<v Speaker 4>before you leave? What's next?

1:10:46.590 --> 1:10:47.010
<v Speaker 1>Anything?

1:10:47.070 --> 1:10:47.920
<v Speaker 4>Or we covered it?

1:10:48.430 --> 1:10:52.059
<v Speaker 1>We covered everything, man. Labor of love. Yeah. Out right now.

1:10:52.140 --> 1:10:56.110
<v Speaker 1>Tune in. 100% produced by me. Oh, the whole project? Yeah.

1:10:56.210 --> 1:10:57.510
<v Speaker 1>Top to bottom. That's dope.

1:10:57.830 --> 1:10:58.660
<v Speaker 4>Tour coming up?

1:10:59.010 --> 1:11:01.490
<v Speaker 1>Tour coming up. I'm doing an international run. I haven't

1:11:01.530 --> 1:11:04.309
<v Speaker 1>announced it yet, but. Well, now they know. Yeah, now

1:11:04.330 --> 1:11:05.790
<v Speaker 1>they know. Come on, man.

1:11:05.850 --> 1:11:06.830
<v Speaker 4>It's the place to do it.

1:11:07.670 --> 1:11:11.230
<v Speaker 1>Oh, man. Spoiled the moment. Hey, man. We announced it here, though. Yeah.

1:11:11.430 --> 1:11:12.790
<v Speaker 4>Yeah, man. Go get them tickets.

1:11:13.229 --> 1:11:17.490
<v Speaker 1>Black-owned business. You know what I mean? Nah, bro.

1:11:18.110 --> 1:11:22.370
<v Speaker 3>Super dope, man. Congratulations again on everything, man. I'm Jay Valentine.

1:11:22.450 --> 1:11:25.639
<v Speaker 3>It's the R &amp; B Money Podcast. It's my brother Blast.

1:11:26.140 --> 1:11:26.939
<v Speaker 3>I'll see y'all next week.