1 00:00:00,640 --> 00:00:08,000 Speaker 1: Even so I'm in the waiting room. It's me, it's 2 00:00:08,039 --> 00:00:16,400 Speaker 1: Bobon Marianovitch, Yeah, it's Dennie via nuh uh. And we're 3 00:00:16,480 --> 00:00:18,880 Speaker 1: sort of making chit chat and the nurse comes in 4 00:00:19,800 --> 00:00:23,640 Speaker 1: and he yes, men could be nurses too, says uh, 5 00:00:25,440 --> 00:00:27,639 Speaker 1: she's changed her mind, you know, she doesn't want to 6 00:00:27,640 --> 00:00:30,360 Speaker 1: do the sort of Russian roulette thing. She only wants 7 00:00:30,560 --> 00:00:36,000 Speaker 1: one of you to be the donor. And he's looking 8 00:00:36,080 --> 00:00:38,680 Speaker 1: right at me, and it's obvious I've been chosen. And 9 00:00:38,840 --> 00:00:44,440 Speaker 1: I just am in a panic because I know, I 10 00:00:44,479 --> 00:00:48,560 Speaker 1: know Denie can handle it, but if Bobon starts crying, 11 00:00:49,200 --> 00:00:52,239 Speaker 1: I'm going to start crying, you know what I mean. 12 00:00:52,320 --> 00:00:53,120 Speaker 2: I totally know you. 13 00:00:53,320 --> 00:00:58,120 Speaker 3: Yeah, I wonder what the simple because m m you, 14 00:00:58,400 --> 00:01:02,600 Speaker 3: I know you guys had mixed it already at home. 15 00:01:02,800 --> 00:01:07,240 Speaker 2: Yeah, but I could go again. Okay, so maybe that 16 00:01:07,360 --> 00:01:09,679 Speaker 2: was why you were chosen. I was ready to go again. 17 00:01:09,800 --> 00:01:14,520 Speaker 1: Yeah, yeah, I was already primed. 18 00:01:14,560 --> 00:01:19,199 Speaker 3: Because the process of separating it is hard. It's very true, 19 00:01:19,360 --> 00:01:20,360 Speaker 3: but yes, it's hard. 20 00:01:20,400 --> 00:01:25,679 Speaker 1: You have to know your own really well, which I 21 00:01:25,800 --> 00:01:28,560 Speaker 1: did and again Dani did. But Boban, I feel like 22 00:01:28,680 --> 00:01:31,520 Speaker 1: was going to get so frustrated, right, and if he 23 00:01:31,600 --> 00:01:33,759 Speaker 1: starts crying, I'm going to lose it. 24 00:01:34,120 --> 00:01:37,800 Speaker 3: Hey, welcome to I gutting the kicking button, dropping names 25 00:01:37,800 --> 00:01:40,080 Speaker 3: in the red carpet lineback hallways of this industry we 26 00:01:40,160 --> 00:01:41,000 Speaker 3: call showbiz. 27 00:01:42,640 --> 00:01:49,600 Speaker 2: If you like to kiss at hog? What an exciting weekend? Yeah? You? Yes? 28 00:01:49,680 --> 00:01:50,480 Speaker 2: Did I say what up? 29 00:01:50,480 --> 00:01:50,880 Speaker 4: What up? 30 00:01:52,400 --> 00:01:54,600 Speaker 2: Just now? Or do you want me to say it? Yes? 31 00:01:54,840 --> 00:01:57,760 Speaker 1: You do want me to not say it? And then 32 00:01:57,800 --> 00:02:01,200 Speaker 1: when I say both, you want to do the whole thing? I? Well, 33 00:02:01,360 --> 00:02:03,200 Speaker 1: do you want me to go get in my car? 34 00:02:03,600 --> 00:02:06,480 Speaker 3: I I this is what I know. This is not 35 00:02:06,600 --> 00:02:08,440 Speaker 3: what is best for the show, but that is what 36 00:02:08,520 --> 00:02:11,480 Speaker 3: I want, you know, because I think in order to 37 00:02:11,560 --> 00:02:15,919 Speaker 3: do this, you have to think you're the best. Yeah, 38 00:02:15,960 --> 00:02:18,200 Speaker 3: it's true, and I don't think there's any shame in that. 39 00:02:18,560 --> 00:02:20,200 Speaker 2: Well, you know, when I was. 40 00:02:21,880 --> 00:02:26,080 Speaker 1: Playing professional basketball and people would say, you know, I 41 00:02:26,200 --> 00:02:27,880 Speaker 1: was thought of as sort of a sixth man because 42 00:02:27,919 --> 00:02:31,560 Speaker 1: I'm just a natural scorer. Yes, And people would say, 43 00:02:32,120 --> 00:02:35,080 Speaker 1: do you think you should be starting? And what would 44 00:02:35,120 --> 00:02:35,480 Speaker 1: I say? 45 00:02:35,680 --> 00:02:37,440 Speaker 2: Best player? I'm the best player one and the best. 46 00:02:37,280 --> 00:02:38,960 Speaker 1: Player on the team. I'm best player in the world. Yes, 47 00:02:39,000 --> 00:02:40,920 Speaker 1: I should be starting. And then all of a sudden, 48 00:02:40,919 --> 00:02:44,040 Speaker 1: I'm a troublemaker. I'm causing discord with the team. Yeah, 49 00:02:44,080 --> 00:02:47,240 Speaker 1: because I'm not embracing my role coming in off the bench. 50 00:02:47,360 --> 00:02:49,239 Speaker 2: I never said that. I never complained about coming in 51 00:02:49,280 --> 00:02:51,080 Speaker 2: off the But if you ask me, point Blake, do 52 00:02:51,160 --> 00:02:53,280 Speaker 2: I deserve to start? Yeah? 53 00:02:53,400 --> 00:02:56,200 Speaker 1: I fill it up. The hardest thing to do in 54 00:02:56,240 --> 00:02:58,560 Speaker 1: the NBA, Hayes. And this is why they keep score 55 00:02:59,600 --> 00:03:02,960 Speaker 1: is get buckets. Yes, So when you got a guy 56 00:03:03,000 --> 00:03:04,400 Speaker 1: that fills it up, yeah, you might want to put 57 00:03:04,440 --> 00:03:07,040 Speaker 1: him on the floor. But if they want me to 58 00:03:07,040 --> 00:03:08,280 Speaker 1: come with the bench, that's how I can help the team. 59 00:03:08,280 --> 00:03:08,920 Speaker 2: That's what I'm gonna do. 60 00:03:09,000 --> 00:03:12,160 Speaker 3: And you were very slow to as a runner, Yeah, 61 00:03:12,200 --> 00:03:13,800 Speaker 3: to get to the other side of the court. 62 00:03:13,919 --> 00:03:15,840 Speaker 2: Oh for all of it defense? 63 00:03:16,320 --> 00:03:18,919 Speaker 1: Oh god, Well, I'm not going to wear myself out 64 00:03:18,919 --> 00:03:20,760 Speaker 1: playing defense when the hardest thing to do in the 65 00:03:20,840 --> 00:03:23,240 Speaker 1: NBA is get buckets, and if you just stay down 66 00:03:23,240 --> 00:03:25,400 Speaker 1: on the other end, it's way easier. 67 00:03:25,600 --> 00:03:28,120 Speaker 2: Yeah. And then when they get the ball, you yelled, yeah, 68 00:03:28,120 --> 00:03:29,920 Speaker 2: if you get a rebound over here. 69 00:03:32,160 --> 00:03:35,640 Speaker 1: Anyway, So to answer your question, do you think you 70 00:03:35,640 --> 00:03:36,480 Speaker 1: should be saying it all? 71 00:03:36,560 --> 00:03:38,480 Speaker 2: I think I should be saying everything and that's. 72 00:03:38,320 --> 00:03:40,000 Speaker 1: The only way to succeed in this business is to 73 00:03:40,000 --> 00:03:41,600 Speaker 1: believe that you're the best and that other people are 74 00:03:41,600 --> 00:03:42,960 Speaker 1: actually bad compared to you. 75 00:03:43,000 --> 00:03:49,280 Speaker 2: We've had a long string of boys. Yeah, it's been 76 00:03:49,320 --> 00:03:53,000 Speaker 2: a boys club on the show, Boys Night in people 77 00:03:53,160 --> 00:03:53,480 Speaker 2: like that. 78 00:03:54,720 --> 00:03:58,280 Speaker 3: But we also thought it would be nice, especially for 79 00:03:58,360 --> 00:04:01,840 Speaker 3: a holiday that is about kissing in love and all this. 80 00:04:02,160 --> 00:04:07,160 Speaker 3: Uh huh, to have a female presence on the show. 81 00:04:07,600 --> 00:04:11,400 Speaker 3: To have a guy in here for a discussion of 82 00:04:11,760 --> 00:04:16,640 Speaker 3: that kind of stuff, to you, is weird? 83 00:04:16,920 --> 00:04:19,680 Speaker 1: Well, it could be strange, especially since we've already got 84 00:04:19,720 --> 00:04:26,200 Speaker 1: the guy's perspective. Brett's bringing that to the table, right Brett, yep, Hey, 85 00:04:26,560 --> 00:04:27,000 Speaker 1: that's it. 86 00:04:28,720 --> 00:04:32,200 Speaker 2: So then, so we've got the. 87 00:04:31,839 --> 00:04:35,599 Speaker 3: Brett's hair these days is like he shaved the sides, 88 00:04:35,760 --> 00:04:41,800 Speaker 3: sort of like Macamore, but it's it's a continuation of 89 00:04:42,080 --> 00:04:45,120 Speaker 3: his beard now all the way up until it's so 90 00:04:45,279 --> 00:04:48,000 Speaker 3: difficult to picture, but his beard now goes all the 91 00:04:48,000 --> 00:04:49,559 Speaker 3: way up to the top of his head. 92 00:04:50,279 --> 00:04:52,240 Speaker 5: It's symmetrical like vertically. 93 00:04:53,320 --> 00:04:56,360 Speaker 2: So yeah, oh, his head would be the same upside down. 94 00:04:56,480 --> 00:04:58,880 Speaker 5: Yeah, if you look, if you turn your head upside down, 95 00:04:59,640 --> 00:05:00,480 Speaker 5: that's the goals. 96 00:05:00,640 --> 00:05:03,799 Speaker 2: You can symmetry is supposed to be beautiful. 97 00:05:04,000 --> 00:05:06,880 Speaker 1: Yeah, and so it's sort of you know that picture 98 00:05:06,880 --> 00:05:08,920 Speaker 1: where it's an old woman or a young lady, depending 99 00:05:08,920 --> 00:05:09,720 Speaker 1: on how you look at it. 100 00:05:09,800 --> 00:05:11,320 Speaker 2: Yeah, Brat's kind of like that. 101 00:05:11,440 --> 00:05:14,800 Speaker 5: Yeah, Or it's a rabbit if you look at it 102 00:05:14,880 --> 00:05:15,599 Speaker 5: from the other way. 103 00:05:17,520 --> 00:05:20,320 Speaker 1: What I wanted us to get to is Brett's bringing 104 00:05:20,360 --> 00:05:22,560 Speaker 1: the man perspective. Hayes and I are neutral, We don't 105 00:05:22,600 --> 00:05:26,320 Speaker 1: take sides. And then of course we have Marithayer. Yes, 106 00:05:26,560 --> 00:05:29,320 Speaker 1: Maria Thayer's here and now time to speak. 107 00:05:29,960 --> 00:05:32,320 Speaker 2: Yes, hang on, Hey, what do you think? 108 00:05:36,240 --> 00:05:38,040 Speaker 6: Hey, that's not my personality. 109 00:05:38,160 --> 00:05:40,360 Speaker 2: No, but I like that you were bold enough. I 110 00:05:40,400 --> 00:05:41,400 Speaker 2: agree it doesn't fit. 111 00:05:41,600 --> 00:05:43,360 Speaker 6: Yeah, I was trying. 112 00:05:43,120 --> 00:05:45,560 Speaker 7: Out a new personality just for this podcast, and it's 113 00:05:45,800 --> 00:05:47,120 Speaker 7: not working already. 114 00:05:47,520 --> 00:05:49,480 Speaker 2: But she felt like she could pull off a what up? 115 00:05:49,480 --> 00:05:52,159 Speaker 2: What up? And that's the kind of confidence. 116 00:05:51,520 --> 00:05:58,920 Speaker 1: That books you. Big acting work on those who can Niptok, 117 00:05:58,960 --> 00:06:01,640 Speaker 1: we're big fans, big fans. 118 00:06:01,640 --> 00:06:06,760 Speaker 3: A deep cut, A deep cut in that fair catalog, 119 00:06:06,880 --> 00:06:11,560 Speaker 3: and let's talk about your career accepted. 120 00:06:12,680 --> 00:06:14,039 Speaker 2: What about it? Well? 121 00:06:14,160 --> 00:06:14,680 Speaker 6: Was a movie? 122 00:06:15,560 --> 00:06:17,039 Speaker 2: Who's your character name in that? 123 00:06:17,880 --> 00:06:18,040 Speaker 1: Oh? 124 00:06:18,080 --> 00:06:18,480 Speaker 2: You know what? 125 00:06:18,520 --> 00:06:18,760 Speaker 5: It was? 126 00:06:18,880 --> 00:06:24,480 Speaker 6: Rory Fayer. They were too lazy to give me a 127 00:06:24,520 --> 00:06:28,560 Speaker 6: different name. Wow, they used my own name, my old 128 00:06:28,640 --> 00:06:29,080 Speaker 6: last name. 129 00:06:29,160 --> 00:06:32,640 Speaker 2: Well, if it ain't broke mm hmm. And was that 130 00:06:33,800 --> 00:06:40,719 Speaker 2: based on anyone you knew Rory Fayir? Yeah? Or just 131 00:06:40,760 --> 00:06:41,320 Speaker 2: that character? 132 00:06:41,400 --> 00:06:45,120 Speaker 3: Did you draw from your friend my friend? 133 00:06:46,520 --> 00:06:47,040 Speaker 6: I don't. 134 00:06:47,720 --> 00:06:52,120 Speaker 4: I'm sure that there was someone like that, but I 135 00:06:51,560 --> 00:06:56,480 Speaker 4: I don't know them. It was completely from my imagination 136 00:06:57,320 --> 00:06:57,960 Speaker 4: Rory Thayer. 137 00:06:58,920 --> 00:06:59,480 Speaker 6: Yeah. 138 00:06:59,680 --> 00:07:04,360 Speaker 3: And continuing with your story, you're forgetting Sarah Marshall after that? 139 00:07:04,720 --> 00:07:05,080 Speaker 6: Sure? 140 00:07:05,320 --> 00:07:07,520 Speaker 2: Is that supposed to be Rory as well? Yes? 141 00:07:07,640 --> 00:07:11,400 Speaker 4: Is that when you do movies a lot of times 142 00:07:11,440 --> 00:07:13,240 Speaker 4: you have different characters in different. 143 00:07:12,960 --> 00:07:17,520 Speaker 3: Movies, like you know sometimes, but this one looks exactly. 144 00:07:18,000 --> 00:07:21,040 Speaker 1: She appeared identical. And I remember watching and I was 145 00:07:21,040 --> 00:07:25,520 Speaker 1: so distracted that someone from accepted Sure, which was kind 146 00:07:25,520 --> 00:07:30,640 Speaker 1: of my college experience in a way, was showing up 147 00:07:30,640 --> 00:07:31,720 Speaker 1: and forgetting Sarah Marshall. 148 00:07:31,720 --> 00:07:33,520 Speaker 2: Where I went? Is it spring break or something? How'd 149 00:07:33,520 --> 00:07:34,280 Speaker 2: you get to Hawaii? 150 00:07:34,960 --> 00:07:37,680 Speaker 4: Because see, most people think like, oh, it's Maria say 151 00:07:37,760 --> 00:07:40,000 Speaker 4: or the actor is doing all these things, but you 152 00:07:40,040 --> 00:07:44,600 Speaker 4: think it's I just met you there that the person 153 00:07:44,600 --> 00:07:47,600 Speaker 4: we didn't know you, I just met you today, But 154 00:07:47,720 --> 00:07:51,040 Speaker 4: I met but I met Rory in a theater a 155 00:07:51,080 --> 00:07:52,120 Speaker 4: few years back. 156 00:07:53,440 --> 00:07:54,760 Speaker 2: And that made a big impression. 157 00:07:54,960 --> 00:07:59,760 Speaker 6: Uh huh yeah, yeah, yeah. 158 00:07:58,440 --> 00:07:58,760 Speaker 3: What up? 159 00:07:58,800 --> 00:08:02,480 Speaker 2: What up? Hey, that's starting to work for. 160 00:08:02,480 --> 00:08:03,679 Speaker 6: You, you think. 161 00:08:03,520 --> 00:08:07,880 Speaker 1: So, Yeah, that's starting to feel pretty natural. It's maybe 162 00:08:07,920 --> 00:08:10,120 Speaker 1: better than having me do it, or it is a 163 00:08:10,120 --> 00:08:10,840 Speaker 1: good compromise. 164 00:08:10,880 --> 00:08:12,040 Speaker 2: We have the guest do it. 165 00:08:14,160 --> 00:08:18,480 Speaker 3: We wanted to discuss, like we said, the story of 166 00:08:18,600 --> 00:08:23,360 Speaker 3: Valentine's Day, uh, and what it means to people and 167 00:08:23,560 --> 00:08:25,280 Speaker 3: do a special episode about that. 168 00:08:25,920 --> 00:08:26,160 Speaker 2: Uh. 169 00:08:26,280 --> 00:08:29,600 Speaker 3: Some people are very like nasty about it and say 170 00:08:29,640 --> 00:08:33,599 Speaker 3: that it's like a big like joke and. 171 00:08:33,480 --> 00:08:37,959 Speaker 1: Oh yes, that it's invented by Cardu card stores. 172 00:08:38,480 --> 00:08:41,360 Speaker 6: Yeah, is it invented from by card stores? 173 00:08:41,960 --> 00:08:42,240 Speaker 3: Yeah? 174 00:08:42,320 --> 00:08:46,440 Speaker 1: Who cares? I mean, it's love. Does the do we 175 00:08:46,440 --> 00:08:49,160 Speaker 1: need an excuse really to show each other romance and love? 176 00:08:49,480 --> 00:08:51,400 Speaker 6: It's true. I mean I'm confusing. 177 00:08:51,520 --> 00:08:55,600 Speaker 4: You're in your introduction you said that that guys don't 178 00:08:55,640 --> 00:08:56,480 Speaker 4: like to hug and kiss. 179 00:08:56,520 --> 00:08:58,040 Speaker 6: It's girls that like to hug and kiss. 180 00:08:58,640 --> 00:09:00,880 Speaker 2: No, it's no, it's not that we don't like to 181 00:09:00,960 --> 00:09:02,679 Speaker 2: hugg and kiss. Uh. 182 00:09:02,880 --> 00:09:05,920 Speaker 3: It's that to like talk about hugging and kissing with 183 00:09:05,960 --> 00:09:10,280 Speaker 3: an with another guy is like people might listen to 184 00:09:10,280 --> 00:09:14,719 Speaker 3: that and be like, what what's happening? Like, you guys 185 00:09:14,760 --> 00:09:17,040 Speaker 3: are talking about hugging and kissing with each other, and 186 00:09:17,080 --> 00:09:20,679 Speaker 3: it's like, that is great. 187 00:09:20,040 --> 00:09:22,920 Speaker 2: Great, But we think that's great. 188 00:09:23,160 --> 00:09:24,040 Speaker 6: Sure, but. 189 00:09:25,600 --> 00:09:32,000 Speaker 1: It would be disgusting for us to do that only 190 00:09:32,040 --> 00:09:35,280 Speaker 1: because we listen we love it and we think it's great. Sure, 191 00:09:35,440 --> 00:09:37,920 Speaker 1: but it would be so bad but to be but 192 00:09:38,040 --> 00:09:40,240 Speaker 1: also and to be grossed out by it. 193 00:09:40,240 --> 00:09:47,040 Speaker 2: It's funny. Now, what what I wanted to say to 194 00:09:47,520 --> 00:09:49,800 Speaker 2: first before we get anything else out of the ways, 195 00:09:50,160 --> 00:09:52,400 Speaker 2: Thank you for coming on the podcast. And you've been 196 00:09:52,440 --> 00:09:55,200 Speaker 2: on some big podcasts. You did spoged, huh? 197 00:09:55,240 --> 00:09:59,600 Speaker 4: I did spogged spawn spot oh spot yeap. 198 00:10:00,040 --> 00:10:02,720 Speaker 6: I didn't know that was a did you. I don't 199 00:10:02,800 --> 00:10:06,600 Speaker 6: know if there was one called spog I would like 200 00:10:06,640 --> 00:10:07,000 Speaker 6: to do it. 201 00:10:07,120 --> 00:10:09,480 Speaker 2: No, I did spot sug baby gabbe. 202 00:10:09,880 --> 00:10:12,600 Speaker 4: I didn't know that that you could. You could shorten 203 00:10:12,640 --> 00:10:13,040 Speaker 4: it like that? 204 00:10:13,200 --> 00:10:14,840 Speaker 2: Yeah you did? You actually have to? 205 00:10:15,280 --> 00:10:19,080 Speaker 1: Yeah, No one is comfortable saying the whole name. 206 00:10:19,040 --> 00:10:19,880 Speaker 6: Life is finite. 207 00:10:19,960 --> 00:10:20,360 Speaker 2: You have to. 208 00:10:20,720 --> 00:10:22,560 Speaker 6: It's best to just shorten anything that long. 209 00:10:22,679 --> 00:10:24,400 Speaker 1: You got to save time. And I'll only read the 210 00:10:24,400 --> 00:10:26,480 Speaker 1: first page of a book now. And if it hasn't 211 00:10:26,520 --> 00:10:28,360 Speaker 1: grabbed me, I throw it in the trash because I 212 00:10:28,400 --> 00:10:31,800 Speaker 1: can't commit to a whole book. I'm too old at 213 00:10:31,800 --> 00:10:35,760 Speaker 1: a certain point. Sure, when I was nineteen twenty thirty five, 214 00:10:35,920 --> 00:10:39,679 Speaker 1: I could read twenty pages of a book and go, mmmm, okay, 215 00:10:39,720 --> 00:10:40,720 Speaker 1: I'll stick with it a little. 216 00:10:41,000 --> 00:10:43,839 Speaker 4: Do you consider that you've that you've read the book 217 00:10:43,840 --> 00:10:45,440 Speaker 4: after you've read the first page? 218 00:10:45,440 --> 00:10:46,560 Speaker 6: Do you feel like I read that book? 219 00:10:46,679 --> 00:10:46,959 Speaker 2: No? 220 00:10:46,960 --> 00:10:50,880 Speaker 1: No, No, I consider that I've made a decision whether 221 00:10:50,960 --> 00:10:52,560 Speaker 1: this is a book that I need in my life. 222 00:10:53,360 --> 00:10:55,439 Speaker 1: And if page one doesn't get me, if it doesn't 223 00:10:55,440 --> 00:10:59,559 Speaker 1: have a great opening light line, like uh, Howard Rourke. 224 00:10:59,400 --> 00:11:04,080 Speaker 3: Laughed, And his trash can has little eyes drawn on 225 00:11:04,160 --> 00:11:09,480 Speaker 3: the top, and so it's like funny to feed it stuff. Yes, 226 00:11:10,760 --> 00:11:14,920 Speaker 3: it seems like it's a real guy who wants different food. 227 00:11:15,240 --> 00:11:19,800 Speaker 1: Yeah, no, scram noyam books is something that my trash 228 00:11:19,800 --> 00:11:21,520 Speaker 1: can might say. 229 00:11:21,640 --> 00:11:24,920 Speaker 3: And so I think it's even starting a book for you. 230 00:11:24,920 --> 00:11:26,880 Speaker 3: You're sort of hoping you won't like it, So we 231 00:11:27,360 --> 00:11:28,920 Speaker 3: go in the trash can just for. 232 00:11:28,880 --> 00:11:32,040 Speaker 1: The fun of Yeah, I'm looking for any excuse not 233 00:11:32,080 --> 00:11:34,160 Speaker 1: to read the book, which means that I only read 234 00:11:34,160 --> 00:11:35,400 Speaker 1: the greatest books. 235 00:11:36,240 --> 00:11:39,720 Speaker 3: His life finite, because I don't know, it's always getting 236 00:11:39,760 --> 00:11:41,040 Speaker 3: a little bit longer. 237 00:11:41,600 --> 00:11:44,559 Speaker 2: You know, people are getting so old. 238 00:11:44,360 --> 00:11:45,959 Speaker 6: We'll probably all live to one hundred. 239 00:11:46,200 --> 00:11:47,760 Speaker 3: Well, all we have to do is get up to 240 00:11:47,800 --> 00:11:50,800 Speaker 3: the point where they're like, oh no, no, you get 241 00:11:50,800 --> 00:11:53,439 Speaker 3: a little more, or now you get a little more. 242 00:11:53,400 --> 00:11:58,599 Speaker 4: Or they download our our memories into a robot. 243 00:11:58,920 --> 00:12:02,079 Speaker 6: That's the new Yes, that's the newest thing. 244 00:12:02,120 --> 00:12:03,800 Speaker 2: That people better not try that with me. 245 00:12:04,800 --> 00:12:06,040 Speaker 6: Because what would happen. 246 00:12:07,880 --> 00:12:19,080 Speaker 8: As he's really good nuts, I guess psycho, I just 247 00:12:19,679 --> 00:12:21,000 Speaker 8: you know, I just start swinging. 248 00:12:21,559 --> 00:12:23,320 Speaker 2: That's the reason that you don't want to fight with me. 249 00:12:23,679 --> 00:12:30,320 Speaker 2: I'm not the strongest guy, but I just go get crazy. 250 00:12:30,920 --> 00:12:34,360 Speaker 6: They would with the strength of a even. 251 00:12:34,240 --> 00:12:36,719 Speaker 2: Just trying to plug me into something like that. The 252 00:12:36,880 --> 00:12:38,600 Speaker 2: only fear is that you get dizzy. 253 00:12:39,559 --> 00:12:46,960 Speaker 1: Well, yes, because my fighting style is circular and so yeah, 254 00:12:47,080 --> 00:12:49,320 Speaker 1: and so it's very easy for me to sort of 255 00:12:49,480 --> 00:12:54,120 Speaker 1: get dizzy fall down. But let's hope it doesn't come 256 00:12:54,160 --> 00:12:57,920 Speaker 1: to that that any robot stuff that happens to me 257 00:12:57,960 --> 00:13:01,240 Speaker 1: will be my choice from now on. So well, that's 258 00:13:01,240 --> 00:13:03,880 Speaker 1: a perfect segue into some of this romance stuff. 259 00:13:06,880 --> 00:13:12,040 Speaker 3: Another reason we wanted to talk about because yeah, love bots. 260 00:13:11,720 --> 00:13:13,280 Speaker 2: Yes, should they be? 261 00:13:16,200 --> 00:13:16,920 Speaker 6: Are you asking me? 262 00:13:17,120 --> 00:13:17,400 Speaker 2: Yes? 263 00:13:18,280 --> 00:13:20,880 Speaker 3: This is good because we want to do relationship question 264 00:13:21,240 --> 00:13:24,720 Speaker 3: love advice, and that's a good first question, and we 265 00:13:25,200 --> 00:13:27,560 Speaker 3: we like doing that because Anna Faris has a new 266 00:13:28,000 --> 00:13:31,400 Speaker 3: podcast where she does that stuff. She's not even part 267 00:13:31,400 --> 00:13:33,720 Speaker 3: of a network, I don't think, and people are just 268 00:13:34,280 --> 00:13:37,440 Speaker 3: get this. Somebody shows up and just like starts her own, 269 00:13:38,440 --> 00:13:40,120 Speaker 3: just like shows up where like people are actually been 270 00:13:40,160 --> 00:13:40,640 Speaker 3: doing this for. 271 00:13:40,559 --> 00:13:43,440 Speaker 6: A long time and they're not paying their dues and she. 272 00:13:43,440 --> 00:13:45,600 Speaker 2: Shows up and she's just like, oh, now I'm doing it. 273 00:13:45,880 --> 00:13:47,520 Speaker 3: And everyone's like, oh, well, maybe you actually want to 274 00:13:47,559 --> 00:13:49,800 Speaker 3: join like one of these networks, and she's like, no, 275 00:13:49,920 --> 00:13:52,080 Speaker 3: I think I'll just like do it myself. 276 00:13:52,160 --> 00:13:53,600 Speaker 2: And it's like get this. 277 00:13:54,520 --> 00:13:57,400 Speaker 1: Yeah, and then get And then what I would have 278 00:13:57,480 --> 00:13:59,640 Speaker 1: loved to say is that people don't listen and that 279 00:13:59,720 --> 00:14:02,520 Speaker 1: she's punished for that. But instead people are listening, liking, 280 00:14:02,559 --> 00:14:06,200 Speaker 1: and she's making pod masts right away. So for me, 281 00:14:07,320 --> 00:14:12,000 Speaker 1: I just gotta say, we could do that too, and 282 00:14:12,040 --> 00:14:14,200 Speaker 1: maybe we'll give relationship advice on a network and then 283 00:14:14,200 --> 00:14:15,360 Speaker 1: you'll really see who listens. 284 00:14:15,400 --> 00:14:16,680 Speaker 2: And Maria Thayer will be here. 285 00:14:17,320 --> 00:14:20,080 Speaker 6: Sure, I have a lot of a lot of advice. 286 00:14:20,400 --> 00:14:21,520 Speaker 2: Love bops. Should they be? 287 00:14:23,040 --> 00:14:25,600 Speaker 6: A love bot? Is a robot that loves? 288 00:14:25,720 --> 00:14:25,960 Speaker 3: Right? 289 00:14:26,040 --> 00:14:27,080 Speaker 2: Do you see x makin? 290 00:14:27,960 --> 00:14:32,120 Speaker 6: Oh I did? That's a love lot trippy. Yeah, that 291 00:14:32,240 --> 00:14:34,480 Speaker 6: should be. That should definitely be. 292 00:14:35,040 --> 00:14:37,360 Speaker 2: Yeah right, yeah, because Oscar Isaac was good in that. 293 00:14:38,960 --> 00:14:40,240 Speaker 6: I like that love bt too. 294 00:14:40,440 --> 00:14:42,520 Speaker 2: Do you think the hashtag oscars are so white? 295 00:14:43,720 --> 00:14:44,080 Speaker 3: You do? 296 00:14:44,160 --> 00:14:44,600 Speaker 6: I think it? 297 00:14:44,800 --> 00:14:49,000 Speaker 2: Yeah? 298 00:14:49,080 --> 00:14:52,600 Speaker 6: I mean I have thought thought, yeah, read it. 299 00:14:52,920 --> 00:14:54,760 Speaker 2: Yeah, that the hashtag oscars are so white? 300 00:14:54,920 --> 00:14:59,080 Speaker 1: Yeah, because Oscar Isaac was good in that movie. 301 00:15:00,720 --> 00:15:03,840 Speaker 4: Just expand on that a little bit, that oscars are 302 00:15:03,840 --> 00:15:06,200 Speaker 4: so white or that Oscar Isaac was good in that movie, 303 00:15:06,680 --> 00:15:07,160 Speaker 4: which one. 304 00:15:07,280 --> 00:15:10,840 Speaker 6: Yes, I don't know. 305 00:15:11,200 --> 00:15:12,800 Speaker 2: It's an argument, isn't it. 306 00:15:12,800 --> 00:15:14,680 Speaker 6: It's a It's hard. 307 00:15:15,160 --> 00:15:20,920 Speaker 2: It's hard because what we're saying is Oscar is not white. 308 00:15:22,520 --> 00:15:24,840 Speaker 6: Yeah, sure, but the Oscars. 309 00:15:25,000 --> 00:15:27,480 Speaker 2: But the Oscars are too white. It's tough because they 310 00:15:27,560 --> 00:15:34,080 Speaker 2: didn't involve Oscar, who's not white. That's tough. Brett the 311 00:15:34,120 --> 00:15:34,920 Speaker 2: male perspective. 312 00:15:36,360 --> 00:15:38,000 Speaker 5: He was a Poe in Star Wars. 313 00:15:39,320 --> 00:15:44,560 Speaker 2: Oh that's good. Yeap, that's helpful. Real dudes, dude, Maria, 314 00:15:44,600 --> 00:15:45,120 Speaker 2: did you see that? 315 00:15:45,760 --> 00:15:48,080 Speaker 6: I saw? I saw Star Wars Star wars with my family? 316 00:15:48,120 --> 00:15:49,120 Speaker 2: Could you believe Bba? 317 00:15:50,760 --> 00:15:54,680 Speaker 6: Is that the robot? Is that the love? But yeah, 318 00:15:56,400 --> 00:15:59,040 Speaker 6: I could believe him? 319 00:15:59,080 --> 00:15:59,840 Speaker 2: Should he be? 320 00:16:01,240 --> 00:16:02,880 Speaker 6: Of course? Of course he should be. 321 00:16:03,040 --> 00:16:04,680 Speaker 2: Should he be so funny? 322 00:16:06,760 --> 00:16:08,000 Speaker 5: Right? Should he be be? A? 323 00:16:09,400 --> 00:16:17,440 Speaker 2: Hey? Fucking that ruled Brad. So we want to take 324 00:16:17,440 --> 00:16:19,640 Speaker 2: some questions from the guys. Let's get in there, because 325 00:16:19,640 --> 00:16:21,320 Speaker 2: I think our question got answered and. 326 00:16:21,520 --> 00:16:23,920 Speaker 6: Did we did we? Okay? That do we answer that 327 00:16:24,240 --> 00:16:25,080 Speaker 6: love box question? 328 00:16:25,960 --> 00:16:27,240 Speaker 2: That was really helpful to me? 329 00:16:27,560 --> 00:16:29,400 Speaker 3: Yeah? Or do we have or do we also want 330 00:16:29,400 --> 00:16:32,560 Speaker 3: to ask questions from our personal experience. 331 00:16:32,720 --> 00:16:35,080 Speaker 2: With let's why don't we do some people like it 332 00:16:35,200 --> 00:16:35,760 Speaker 2: in the audience? 333 00:16:35,880 --> 00:16:37,640 Speaker 1: You want to do something from the audience, okay, because 334 00:16:37,640 --> 00:16:39,920 Speaker 1: we can always ask stuff about ourselves. 335 00:16:40,160 --> 00:16:42,600 Speaker 2: I know where I am. 336 00:16:43,160 --> 00:16:46,040 Speaker 3: Okay, Let's let's find a good one. And if we 337 00:16:46,080 --> 00:16:47,640 Speaker 3: don't find any good ones, that's okay. 338 00:16:48,480 --> 00:16:56,400 Speaker 2: Yeah, that's fine too. Here's one from Jackal. 339 00:16:57,920 --> 00:16:58,360 Speaker 6: Jackal? 340 00:16:58,640 --> 00:17:00,560 Speaker 2: Yes, like like that Jackal? 341 00:17:00,680 --> 00:17:09,120 Speaker 3: Oh wow jack Hole mm hmmm. Maria, Yeah, what songs 342 00:17:09,400 --> 00:17:10,120 Speaker 3: do you like to make? 343 00:17:10,160 --> 00:17:11,600 Speaker 2: Wooby too? And now? 344 00:17:12,200 --> 00:17:15,159 Speaker 3: And I should say I said I introduced it as 345 00:17:15,200 --> 00:17:18,719 Speaker 3: being from Maria to Maria, but he didn't know that 346 00:17:18,760 --> 00:17:20,600 Speaker 3: you were going to be the guest when he asked this, 347 00:17:20,760 --> 00:17:23,760 Speaker 3: So he is just looking for I think, songs in 348 00:17:23,920 --> 00:17:27,639 Speaker 3: general to make wooby too. He's not curious like for 349 00:17:27,800 --> 00:17:29,919 Speaker 3: you specifically or anything. 350 00:17:30,320 --> 00:17:32,359 Speaker 4: You said the way that you said it was creepy, 351 00:17:32,400 --> 00:17:34,400 Speaker 4: but now it was just a. 352 00:17:34,400 --> 00:17:36,840 Speaker 2: General trying to personalize it for you. 353 00:17:37,119 --> 00:17:41,720 Speaker 4: Also, someone named Jackal, it's already on the line of like. 354 00:17:42,920 --> 00:17:49,040 Speaker 3: Being very intense, like a devious personality with with with 355 00:17:49,160 --> 00:17:49,840 Speaker 3: other plans. 356 00:17:49,880 --> 00:17:51,760 Speaker 1: Well, oh, are you thinking that it's from the Bruce 357 00:17:51,800 --> 00:17:52,919 Speaker 1: Willis movie The Jackal. 358 00:17:53,720 --> 00:17:54,879 Speaker 6: I wasn't thinking that. 359 00:17:55,240 --> 00:18:00,479 Speaker 2: Where he has all those big guns and the Jackals terrorist. 360 00:18:00,840 --> 00:18:01,080 Speaker 4: Sure. 361 00:18:01,160 --> 00:18:03,359 Speaker 6: I mean the Jackal is always up to no good. 362 00:18:03,880 --> 00:18:04,480 Speaker 2: Yeah. 363 00:18:04,560 --> 00:18:08,160 Speaker 4: Also, but it's confusing because the Jackal says making whoopee, 364 00:18:08,160 --> 00:18:10,680 Speaker 4: which is sort of a sweet way of It's like 365 00:18:10,760 --> 00:18:11,879 Speaker 4: old fat It's like it's. 366 00:18:11,760 --> 00:18:15,040 Speaker 3: One of the sweetest ways to describe the act of love. 367 00:18:15,720 --> 00:18:17,320 Speaker 2: Yeah, making whoopie. 368 00:18:17,480 --> 00:18:21,040 Speaker 1: I remember a MAO commercial with the that making whoopie song. 369 00:18:21,080 --> 00:18:22,280 Speaker 2: Does anyone else remember that? 370 00:18:23,000 --> 00:18:26,679 Speaker 6: No? No, no, how how did that? How was that in? 371 00:18:26,960 --> 00:18:29,840 Speaker 1: It was like a fridge and I think it was 372 00:18:29,880 --> 00:18:35,440 Speaker 1: like two condiments combining, you know, and it was like 373 00:18:35,520 --> 00:18:41,000 Speaker 1: another season another reason for making Whoopie and uh maybe 374 00:18:41,000 --> 00:18:44,840 Speaker 1: it was like the mayo was becoming light fluffier by. 375 00:18:44,800 --> 00:18:47,800 Speaker 3: Male commercial No no, no, no male because I thought 376 00:18:47,800 --> 00:18:49,080 Speaker 3: it was male of the fridge. 377 00:18:49,160 --> 00:18:51,600 Speaker 2: It was like mayonnaise and something else. 378 00:18:54,440 --> 00:18:57,720 Speaker 4: Anyway, anyway, songs to make Whoopee too? 379 00:18:57,920 --> 00:18:59,200 Speaker 2: Yeah? Is it that song? 380 00:18:59,760 --> 00:19:02,560 Speaker 6: I'm that wouldn't be be a little on the nose, 381 00:19:02,760 --> 00:19:05,600 Speaker 6: but it will do on a pitch. 382 00:19:05,840 --> 00:19:08,120 Speaker 2: You want some something more subversive, I. 383 00:19:07,960 --> 00:19:11,679 Speaker 4: Guess so, like yeah, rock or something do. 384 00:19:15,320 --> 00:19:18,720 Speaker 2: The Bart Man? Yeah, most a pitch. 385 00:19:18,880 --> 00:19:20,720 Speaker 3: I don't like the part when Lisa comes in on 386 00:19:20,760 --> 00:19:28,560 Speaker 3: her saxophone. No, and then Bart's like Lisa stop though, 387 00:19:28,640 --> 00:19:32,439 Speaker 3: like Bart's on my side. Bart wants me to be 388 00:19:32,480 --> 00:19:35,440 Speaker 3: able to like continue uninterrupted, so he's like. 389 00:19:35,480 --> 00:19:39,199 Speaker 2: Lisa stop blowing on that hard for me. 390 00:19:39,359 --> 00:19:43,120 Speaker 1: That's part of it, but it is, yeah, just the 391 00:19:43,160 --> 00:19:46,159 Speaker 1: fact that there's sort of it's a phase change. 392 00:19:46,400 --> 00:19:52,360 Speaker 2: Yes, yeah, it allows me to try new moves. 393 00:19:52,640 --> 00:19:59,600 Speaker 1: Sure, Sure, what other songs do you make whoopee to Maria? 394 00:20:03,400 --> 00:20:04,880 Speaker 6: What are the particular songs? 395 00:20:04,880 --> 00:20:07,480 Speaker 3: What are the songs are the particular Okay, let's think 396 00:20:07,480 --> 00:20:08,320 Speaker 3: what are the songs? 397 00:20:08,920 --> 00:20:10,760 Speaker 4: What about the theme to Rocky do you think that 398 00:20:10,760 --> 00:20:14,880 Speaker 4: that would be would be exciting or would like put 399 00:20:14,920 --> 00:20:17,320 Speaker 4: you in your head you feel like you have to 400 00:20:17,320 --> 00:20:18,120 Speaker 4: be better than. 401 00:20:18,000 --> 00:20:20,520 Speaker 2: Maybe that's better for when I'm training to make love. 402 00:20:21,920 --> 00:20:24,720 Speaker 2: M m, you know what I mean? Eating a lot 403 00:20:24,720 --> 00:20:27,960 Speaker 2: of eggs? Yeah, shadow boxing? 404 00:20:30,200 --> 00:20:35,320 Speaker 6: Huh, that makes a question how how you make whoop bee? 405 00:20:35,400 --> 00:20:39,240 Speaker 2: Does that make a question? Does that make a question 406 00:20:39,320 --> 00:20:41,480 Speaker 2: how I make? Well? 407 00:20:41,520 --> 00:20:45,159 Speaker 1: Maybe that's a question that the viewer listeners would like 408 00:20:45,200 --> 00:20:47,080 Speaker 1: to have sort of dancing in their minds. 409 00:20:49,000 --> 00:20:52,879 Speaker 2: But it's like a full pine glass of eggs. Yes, 410 00:20:53,800 --> 00:21:01,040 Speaker 2: half a dozen eggs cooked? Oh yes, scrambled eggs yeah, 411 00:21:02,320 --> 00:21:05,600 Speaker 2: raws gross, it's really unsafe. They're testing they should be 412 00:21:06,280 --> 00:21:10,320 Speaker 2: cooked well. Parsley Aerosmith aero. 413 00:21:11,000 --> 00:21:13,560 Speaker 1: Okay, now we're getting somewhere. And then is that the 414 00:21:13,680 --> 00:21:15,119 Speaker 1: song or is that just a band? 415 00:21:16,240 --> 00:21:20,880 Speaker 5: That's a band? They have a lot of songs living 416 00:21:20,960 --> 00:21:21,560 Speaker 5: on the edge? 417 00:21:22,240 --> 00:21:24,040 Speaker 2: Am I making wop to that? What about the one 418 00:21:24,040 --> 00:21:25,119 Speaker 2: where She's got gum? 419 00:21:26,600 --> 00:21:27,480 Speaker 5: Janey's Got gum? 420 00:21:27,640 --> 00:21:27,880 Speaker 2: Yes? 421 00:21:29,480 --> 00:21:34,320 Speaker 5: Yeah, you could, especially the bang sound in it. Remember 422 00:21:34,440 --> 00:21:36,720 Speaker 5: the that's the gum popping. 423 00:21:36,640 --> 00:21:39,720 Speaker 2: That one song about just the color pink that they did, Yes. 424 00:21:41,600 --> 00:21:42,840 Speaker 6: What about just with the news on? 425 00:21:43,920 --> 00:21:52,560 Speaker 9: Oh, that's interesting and infusing the news with your moves 426 00:21:53,119 --> 00:21:54,080 Speaker 9: in certain ways. 427 00:21:54,160 --> 00:21:57,520 Speaker 1: And if there's some good news on, you know that 428 00:21:58,040 --> 00:21:59,200 Speaker 1: you're having a good time. 429 00:21:59,560 --> 00:22:02,359 Speaker 2: But if they start to give some bad news, yeah, 430 00:22:02,760 --> 00:22:08,719 Speaker 2: like thunderstorm, thunderstorm, incorporate some of that. I have I 431 00:22:08,760 --> 00:22:09,439 Speaker 2: have a question. 432 00:22:09,760 --> 00:22:18,560 Speaker 3: Oh uh, in general, what do you do if your 433 00:22:18,680 --> 00:22:27,880 Speaker 3: girlfriend kicks your ass regularly mm hmm. 434 00:22:29,880 --> 00:22:32,280 Speaker 6: Like beats you up, or kicks your ass at like monopoly. 435 00:22:32,840 --> 00:22:36,760 Speaker 2: No, she like she like really beats my ass. 436 00:22:39,760 --> 00:22:42,959 Speaker 6: Is this is this happening to you? Is this are 437 00:22:43,000 --> 00:22:43,640 Speaker 6: you trying. 438 00:22:43,400 --> 00:22:46,040 Speaker 2: To start thinking? This is just? 439 00:22:46,359 --> 00:22:50,199 Speaker 3: This is just in general? Some people date people who 440 00:22:50,280 --> 00:22:51,640 Speaker 3: were in the Matrix. 441 00:22:53,000 --> 00:22:55,119 Speaker 2: And you want to And that's an example. Carry An 442 00:22:55,160 --> 00:22:56,280 Speaker 2: Moss was in the Matrix. 443 00:22:56,640 --> 00:23:00,000 Speaker 3: That's actually my my girl, that's just want to kill up. 444 00:23:00,080 --> 00:23:04,200 Speaker 3: So that's a great example for me. And sometimes she. 445 00:23:04,200 --> 00:23:11,800 Speaker 2: Played Trinity, who was pretty strong. Yes, and sometimes she will. 446 00:23:13,680 --> 00:23:16,399 Speaker 3: Like will be mean and sort of like try to 447 00:23:16,720 --> 00:23:21,560 Speaker 3: dominate you with her words, and so then you get 448 00:23:21,600 --> 00:23:25,479 Speaker 3: really bad and you try to just like kick her 449 00:23:25,480 --> 00:23:29,960 Speaker 3: a little bit, but then she she like wants you 450 00:23:30,280 --> 00:23:36,960 Speaker 3: to do something first, so then she canes and. 451 00:23:38,280 --> 00:23:42,720 Speaker 1: Yeah, and what I've seen is that Hayes when he's 452 00:23:42,760 --> 00:23:45,919 Speaker 1: losing an argument will try and step on somebody's foot. 453 00:23:46,200 --> 00:23:48,720 Speaker 3: That's what, Yes, that's sort of what's that's sort of 454 00:23:48,760 --> 00:23:50,800 Speaker 3: what the kicking motion is. And or it'll just be 455 00:23:50,880 --> 00:23:52,920 Speaker 3: like a little kick in the shit because you just 456 00:23:52,960 --> 00:23:55,000 Speaker 3: get so mad, or like you're really just trying to 457 00:23:55,600 --> 00:23:56,960 Speaker 3: sweep her legs out. 458 00:23:57,200 --> 00:23:58,679 Speaker 6: You try to trip her and make her fall on 459 00:23:58,680 --> 00:24:00,639 Speaker 6: the ground. And then what does she do? 460 00:24:00,760 --> 00:24:04,960 Speaker 3: She just starts She dodged, first of all, she dodges 461 00:24:04,960 --> 00:24:08,879 Speaker 3: the kick uses my momentum against me, so I swept 462 00:24:08,920 --> 00:24:10,720 Speaker 3: almost upside down. 463 00:24:11,040 --> 00:24:13,639 Speaker 1: Well, what I've seen again is he goes to and 464 00:24:13,680 --> 00:24:16,040 Speaker 1: I thought he was trying to step on her foot, 465 00:24:16,040 --> 00:24:19,280 Speaker 1: but she is able to catch his foot and spin him. 466 00:24:19,280 --> 00:24:21,639 Speaker 1: So he does a full backflip, lands on his feet, 467 00:24:21,680 --> 00:24:22,320 Speaker 1: and it's just like. 468 00:24:22,320 --> 00:24:26,639 Speaker 4: Whoa, oh wow, yeah, yeah, I don't see what the 469 00:24:26,680 --> 00:24:27,360 Speaker 4: problem is. 470 00:24:27,400 --> 00:24:29,560 Speaker 6: Then it sounds exciting. 471 00:24:29,680 --> 00:24:31,120 Speaker 2: Well, he didn't choose to do that bad. 472 00:24:31,240 --> 00:24:33,760 Speaker 6: It is exciting, I know, But that's even the best 473 00:24:33,760 --> 00:24:35,720 Speaker 6: part of it. What music do you listen to when 474 00:24:35,720 --> 00:24:36,320 Speaker 6: that happens. 475 00:24:39,600 --> 00:24:44,919 Speaker 3: She will sometimes give me the option of what to 476 00:24:45,000 --> 00:24:49,640 Speaker 3: listen to before like it really begins. Yeah, she'll ask 477 00:24:49,680 --> 00:24:50,639 Speaker 3: me what I want to play. 478 00:24:51,960 --> 00:24:54,600 Speaker 1: Just from what I've seen, it's usually Aerosmith, and a 479 00:24:54,640 --> 00:24:56,520 Speaker 1: lot of times it is that song about the color 480 00:24:56,640 --> 00:24:57,480 Speaker 1: pink that they did. 481 00:24:57,800 --> 00:25:01,560 Speaker 2: Yeah, there's that one. I guess. 482 00:25:01,640 --> 00:25:04,520 Speaker 3: Dude looks like a lady sometimes, although in retrospect, I 483 00:25:04,520 --> 00:25:06,879 Speaker 3: guess now I feel like that could be about me, 484 00:25:07,800 --> 00:25:13,600 Speaker 3: you know, yeah. 485 00:25:11,119 --> 00:25:11,879 Speaker 2: Because she is. 486 00:25:12,400 --> 00:25:13,919 Speaker 3: I guess what made me think of it is that 487 00:25:13,960 --> 00:25:19,919 Speaker 3: she is sometimes having me put like a broad before, 488 00:25:20,280 --> 00:25:20,520 Speaker 3: you know. 489 00:25:20,840 --> 00:25:24,200 Speaker 1: And then also that raised your glass song that pink did. 490 00:25:25,800 --> 00:25:27,600 Speaker 1: I feel like you're listening to that one a lot. 491 00:25:27,760 --> 00:25:29,520 Speaker 1: That just happens to be on I guess in your 492 00:25:29,520 --> 00:25:30,800 Speaker 1: house mostly when I come over. 493 00:25:31,000 --> 00:25:37,680 Speaker 2: Yes, sometimes yes, because we have it on vinyl. Great show. 494 00:25:38,520 --> 00:25:44,359 Speaker 1: Now, So I have a question, So what if you 495 00:25:45,440 --> 00:25:47,639 Speaker 1: and this is sort of just a general relationship thing 496 00:25:47,680 --> 00:25:52,120 Speaker 1: I came up with, but what if you have a 497 00:25:52,119 --> 00:25:56,919 Speaker 1: best friend and maybe you even work with him in 498 00:25:56,960 --> 00:25:57,640 Speaker 1: some capacity. 499 00:25:57,720 --> 00:25:59,280 Speaker 2: It's kind of work. You don't get paid for it, 500 00:25:59,359 --> 00:26:01,480 Speaker 2: but it's like some people do get paid for what 501 00:26:01,520 --> 00:26:01,800 Speaker 2: you do. 502 00:26:01,880 --> 00:26:06,320 Speaker 1: Uh, And you're wondering if there's something more there? 503 00:26:07,280 --> 00:26:11,840 Speaker 6: Sure? Uh huh hm, And how do you how would 504 00:26:11,920 --> 00:26:13,320 Speaker 6: one tell their. 505 00:26:14,560 --> 00:26:16,040 Speaker 2: As a hypothetical or. 506 00:26:16,080 --> 00:26:22,560 Speaker 4: Yeah, yeah, I think you should uh definitely bring that up. 507 00:26:25,520 --> 00:26:27,000 Speaker 2: And can I add something? Sure? 508 00:26:27,119 --> 00:26:31,960 Speaker 1: What if one night you guys were eating spaghetti and 509 00:26:32,480 --> 00:26:37,639 Speaker 1: you went to like wipe he had something on his 510 00:26:37,800 --> 00:26:39,840 Speaker 1: chin and you went to wipe it, and you got 511 00:26:39,960 --> 00:26:43,439 Speaker 1: very close to him and it felt like there was 512 00:26:43,480 --> 00:26:44,040 Speaker 1: something there. 513 00:26:44,359 --> 00:26:44,720 Speaker 6: Uh huh. 514 00:26:46,280 --> 00:26:48,439 Speaker 2: I have sort of a follow up question of that. 515 00:26:48,720 --> 00:26:53,640 Speaker 3: Say you have like a best friend and you're sort 516 00:26:53,640 --> 00:26:55,119 Speaker 3: of gotting signals from that. 517 00:26:56,400 --> 00:26:57,560 Speaker 2: You're and you're like. 518 00:26:57,640 --> 00:27:05,400 Speaker 4: Down, You're down, You're all at it, you want it, yeah. 519 00:27:04,000 --> 00:27:12,320 Speaker 3: But you are scared of reprisal from somebody who is 520 00:27:12,400 --> 00:27:19,560 Speaker 3: in the matrix and was like a big not she 521 00:27:19,880 --> 00:27:25,640 Speaker 3: was actually not in the matrix. She knew about why 522 00:27:25,680 --> 00:27:31,080 Speaker 3: the matrix was fake, and she could like, oh, go ahead, 523 00:27:31,119 --> 00:27:31,840 Speaker 3: control it. 524 00:27:32,800 --> 00:27:33,560 Speaker 2: I have a question. 525 00:27:33,680 --> 00:27:35,720 Speaker 3: It can almost seem to be able to do that 526 00:27:36,320 --> 00:27:39,679 Speaker 3: in real life as well, Like not really, but like 527 00:27:40,840 --> 00:27:45,240 Speaker 3: it's so powerful, could seem to you know, manipulate the 528 00:27:45,359 --> 00:27:51,120 Speaker 3: fabric sure of reality her will in the sense of 529 00:27:51,200 --> 00:27:52,159 Speaker 3: like a beatdown. 530 00:27:52,320 --> 00:27:54,920 Speaker 1: And before you answer that, let me ask just a 531 00:27:55,040 --> 00:27:59,600 Speaker 1: quick and so your friend you're getting the sense, okay, 532 00:27:59,640 --> 00:28:03,640 Speaker 1: now you're thinking, all right, some good news bad news situation. 533 00:28:05,960 --> 00:28:09,480 Speaker 1: You see that, Wow, he's on the same page you 534 00:28:09,520 --> 00:28:13,360 Speaker 1: were on. But also there's a complication and it has 535 00:28:13,359 --> 00:28:19,720 Speaker 1: to do with the matrix. And as you are witnessing 536 00:28:19,880 --> 00:28:23,440 Speaker 1: what's happening between him and this person from the matrix 537 00:28:23,440 --> 00:28:24,959 Speaker 1: who he tries to step on her foot, she make 538 00:28:25,040 --> 00:28:29,199 Speaker 1: him flip over. You're going, I could step in and 539 00:28:29,200 --> 00:28:34,119 Speaker 1: stop this, but I would straight up go to jail 540 00:28:34,400 --> 00:28:39,960 Speaker 1: because I go so psycho. It's so crazy. You're thinking 541 00:28:39,960 --> 00:28:42,840 Speaker 1: this if you're the guy. I go so crazy when 542 00:28:42,880 --> 00:28:46,320 Speaker 1: I fight and spin around so much that there's really 543 00:28:46,360 --> 00:28:49,760 Speaker 1: no defending against it because I'm attacking all sides unless 544 00:28:49,800 --> 00:28:54,000 Speaker 1: I get dizzy fall down, which has happened once or twice. 545 00:28:54,240 --> 00:28:56,920 Speaker 1: And I don't you know, there's no point in winning 546 00:28:56,920 --> 00:28:58,480 Speaker 1: that fight and then having to be in jail for 547 00:28:58,480 --> 00:28:59,160 Speaker 1: the rest of your life. 548 00:28:59,160 --> 00:29:04,400 Speaker 4: Sure you're still separated from your beloved. Yeah, well, I 549 00:29:04,440 --> 00:29:05,480 Speaker 4: mean love, love is. 550 00:29:05,400 --> 00:29:10,880 Speaker 2: Hard, right, Also sacrifice in this situation, say that the. 551 00:29:10,880 --> 00:29:15,640 Speaker 3: Another the person from the matrix, is maybe training specifically 552 00:29:16,400 --> 00:29:22,080 Speaker 3: you think for this kind of conflict, like a spinning attack. 553 00:29:23,080 --> 00:29:28,080 Speaker 4: So maybe the person from the matrix she suspects something. 554 00:29:28,160 --> 00:29:31,120 Speaker 3: Yeah, she goes to the park and is like sort 555 00:29:31,160 --> 00:29:33,680 Speaker 3: of kicking the horses on a merry go round, huh, 556 00:29:35,040 --> 00:29:35,920 Speaker 3: kicking their heads off. 557 00:29:38,480 --> 00:29:40,720 Speaker 1: And let's say, upon learning that, you almost just want 558 00:29:40,720 --> 00:29:43,280 Speaker 1: to remove yourself from this situation entirely. 559 00:29:43,120 --> 00:29:43,520 Speaker 4: And like. 560 00:29:46,120 --> 00:29:47,720 Speaker 6: You because quit your job. 561 00:29:48,240 --> 00:29:50,880 Speaker 2: Yeah, Like at this point you're scared. 562 00:29:51,160 --> 00:29:57,320 Speaker 1: Sure, sure, sure, because you essentially are a human merry 563 00:29:57,320 --> 00:29:59,280 Speaker 1: go round. 564 00:30:00,240 --> 00:30:03,840 Speaker 2: And you don't want your head kicked off? So what's 565 00:30:03,880 --> 00:30:09,320 Speaker 2: the what's the move there? As somebody who you know 566 00:30:09,480 --> 00:30:12,080 Speaker 2: has dated? What is what would you do? 567 00:30:14,320 --> 00:30:14,520 Speaker 3: Oh? 568 00:30:14,640 --> 00:30:17,400 Speaker 6: God, this is this is not an easy situation at all. 569 00:30:17,440 --> 00:30:22,400 Speaker 6: There's a lot of moving pieces in it, like yes, 570 00:30:22,440 --> 00:30:24,200 Speaker 6: spitting around the spitting around the merry ground. 571 00:30:24,320 --> 00:30:30,840 Speaker 4: Yeah, I guess, you know, I don't know. It's it's 572 00:30:30,920 --> 00:30:32,840 Speaker 4: it seems like, you know, you want to believe that 573 00:30:32,920 --> 00:30:36,320 Speaker 4: love conquers all, and you know maybe if you you 574 00:30:37,200 --> 00:30:41,360 Speaker 4: fight that person, you'll get off in some way, you know, 575 00:30:41,840 --> 00:30:42,600 Speaker 4: and you won't. 576 00:30:42,400 --> 00:30:46,160 Speaker 6: Go to jail or get killed, but you think you will. 577 00:30:47,000 --> 00:30:50,320 Speaker 1: Yeah, And it's possible that the spinning technique is all 578 00:30:51,840 --> 00:30:55,720 Speaker 1: has never been put into practice in an actual person, 579 00:30:57,640 --> 00:30:58,920 Speaker 1: But it's just a confidence. 580 00:30:59,160 --> 00:31:02,360 Speaker 2: Definitely, see like it would work. How could it not? 581 00:31:02,440 --> 00:31:03,600 Speaker 6: It's all theoretical. 582 00:31:04,320 --> 00:31:10,800 Speaker 1: Well, but the spinning paunches that you're sure would just 583 00:31:10,840 --> 00:31:14,920 Speaker 1: be like, how could you defend against that? You've never 584 00:31:14,960 --> 00:31:16,600 Speaker 1: felt them make contact with anything. 585 00:31:16,760 --> 00:31:19,720 Speaker 4: Have you ever had the have you ever even done 586 00:31:19,720 --> 00:31:22,000 Speaker 4: the fall the falling down. 587 00:31:21,800 --> 00:31:25,000 Speaker 6: And dizzy part? Is that even? Is that theoretical? Or 588 00:31:25,320 --> 00:31:26,920 Speaker 6: is that something that has happened? 589 00:31:27,360 --> 00:31:34,200 Speaker 1: Uh, that's happened in that part has happened almost every time. 590 00:31:34,400 --> 00:31:39,960 Speaker 3: But this person, yeah, has walked around the house and 591 00:31:40,600 --> 00:31:44,920 Speaker 3: stepped on his room but a couple of times, which 592 00:31:44,960 --> 00:31:46,800 Speaker 3: then does a couple of surprising moves. 593 00:31:47,920 --> 00:31:52,480 Speaker 7: You and this person can't fight off his rumba well, 594 00:31:53,000 --> 00:31:56,360 Speaker 7: so low to the ground in a versus this person, 595 00:31:57,760 --> 00:32:00,240 Speaker 7: I mean, the roomba is really the original BBA eight. 596 00:32:03,040 --> 00:32:06,280 Speaker 4: Now I'm feeling a little less confident in the idea 597 00:32:06,280 --> 00:32:09,280 Speaker 4: of love bots, in the idea of like love conquering 598 00:32:09,320 --> 00:32:15,480 Speaker 4: all or this person fighting Trinity from. 599 00:32:13,960 --> 00:32:16,600 Speaker 2: Yeah, if that were the yeah, yeah, I feel like 600 00:32:16,680 --> 00:32:20,960 Speaker 2: it could also be Mouse. Yeah, it could be anyone 601 00:32:21,040 --> 00:32:21,640 Speaker 2: could be Cipher. 602 00:32:22,160 --> 00:32:24,520 Speaker 1: It could easily be Cipher, and oh god, it could 603 00:32:24,520 --> 00:32:26,480 Speaker 1: be Cipher. I mean, it couldn't be Morpheus, but it 604 00:32:26,520 --> 00:32:31,840 Speaker 1: could be Cipher. So yeah, all right, so your advice 605 00:32:31,880 --> 00:32:32,720 Speaker 1: would be to I. 606 00:32:32,680 --> 00:32:36,560 Speaker 6: Think just just keep just keep things as as they are. 607 00:32:36,680 --> 00:32:39,960 Speaker 4: I think I think just keep your one should keep 608 00:32:40,000 --> 00:32:41,880 Speaker 4: their love inside and not mention it. 609 00:32:42,040 --> 00:32:46,960 Speaker 2: If what if one did murder Trinity from the matrix? 610 00:32:47,360 --> 00:32:47,520 Speaker 7: Huh? 611 00:32:48,760 --> 00:32:50,200 Speaker 1: And when and when it was the arrested and went 612 00:32:50,200 --> 00:32:54,440 Speaker 1: to jail for it for doing a spinning punch? Would 613 00:32:54,480 --> 00:32:58,600 Speaker 1: the other person involved be almost required to then commit 614 00:32:58,640 --> 00:33:00,800 Speaker 1: an arm robbery or something like that to get it 615 00:33:00,840 --> 00:33:02,240 Speaker 1: in order to be put into prison? 616 00:33:03,280 --> 00:33:07,720 Speaker 4: Can you request what prison you jail and also sell mats? 617 00:33:08,880 --> 00:33:12,120 Speaker 1: Seems only yes, I mean they're putting you in jail. 618 00:33:12,160 --> 00:33:14,240 Speaker 1: It seems like you should have some rights. You're still 619 00:33:14,240 --> 00:33:14,640 Speaker 1: in America. 620 00:33:14,880 --> 00:33:16,560 Speaker 6: There's uh huh. 621 00:33:16,600 --> 00:33:19,200 Speaker 4: Well, then in that case, I get I you know, 622 00:33:19,560 --> 00:33:23,720 Speaker 4: I think that they could. I don't know if committing 623 00:33:23,720 --> 00:33:26,360 Speaker 4: an arm robbery gets you in the same section of 624 00:33:26,400 --> 00:33:31,040 Speaker 4: the prison. Is murdering Trinity, because probably murdering Trinity double jeopardy. 625 00:33:31,120 --> 00:33:35,840 Speaker 3: You can't murder Trinity again, Yeah, no, unless it was 626 00:33:35,840 --> 00:33:37,479 Speaker 3: a bunch of them like I guess you could kill 627 00:33:38,000 --> 00:33:39,600 Speaker 3: unless it was like all the agent Smith. 628 00:33:39,760 --> 00:33:44,000 Speaker 2: Oh gosh, I sort of thought. 629 00:33:44,120 --> 00:33:46,600 Speaker 3: I am a little surprised because I like, because you're 630 00:33:46,640 --> 00:33:48,760 Speaker 3: kind of here to promote those. 631 00:33:48,640 --> 00:33:50,960 Speaker 6: Who can't that I haven't brought it up. 632 00:33:51,120 --> 00:33:55,000 Speaker 3: Well, just as like your advice, Like, probably the best 633 00:33:55,040 --> 00:33:57,920 Speaker 3: thing for the show would be if you were just like, oh, 634 00:33:57,960 --> 00:34:00,880 Speaker 3: you should check out those who like if you like, 635 00:34:01,360 --> 00:34:02,800 Speaker 3: if you want to get a girlfriend. 636 00:34:03,480 --> 00:34:05,600 Speaker 2: It's like when you write when what song do you make? 637 00:34:05,640 --> 00:34:07,680 Speaker 2: Whoopy too? Well? The theme song for those who can't 638 00:34:07,720 --> 00:34:11,080 Speaker 2: really get it gets me like really feeling very randy? 639 00:34:12,400 --> 00:34:14,239 Speaker 2: Could be it could be a great strategy. 640 00:34:14,840 --> 00:34:17,799 Speaker 6: This is can we rewind? Can we rewind this? 641 00:34:18,239 --> 00:34:20,719 Speaker 2: Can we rewind? Brett the male can't do that? 642 00:34:22,760 --> 00:34:26,759 Speaker 6: You know those who can't rewind? 643 00:34:27,160 --> 00:34:27,760 Speaker 2: What channel? 644 00:34:29,160 --> 00:34:29,680 Speaker 6: True TV? 645 00:34:30,320 --> 00:34:33,640 Speaker 2: Wow? What an attractive channel it is. 646 00:34:33,680 --> 00:34:37,200 Speaker 6: It's it is a very attractive channel. The hottest. It 647 00:34:37,320 --> 00:34:38,200 Speaker 6: used to be Court TV. 648 00:34:38,400 --> 00:34:41,160 Speaker 2: Probably helped dorks get girlfriends. I thought it was trut 649 00:34:41,239 --> 00:34:45,000 Speaker 2: V because when you read it, it does. 650 00:34:44,800 --> 00:34:49,520 Speaker 5: Look like that. It doesn't It looks like they cut 651 00:34:49,520 --> 00:34:50,480 Speaker 5: off the E at the end. 652 00:34:51,440 --> 00:34:55,000 Speaker 2: Yeah true, Mmm yeah yeah, which made me think that 653 00:34:55,040 --> 00:34:59,239 Speaker 2: it was all just true calling. Remember the Eliza Dishcucco 654 00:34:59,320 --> 00:35:00,440 Speaker 2: true calling? Sure? 655 00:35:00,800 --> 00:35:02,720 Speaker 6: What was what was what was her true calling? 656 00:35:03,440 --> 00:35:03,880 Speaker 3: Uh? 657 00:35:04,400 --> 00:35:07,920 Speaker 1: Well she was able to I guess touch dead people 658 00:35:08,000 --> 00:35:09,759 Speaker 1: and find out who had murdered them, and then she 659 00:35:09,760 --> 00:35:12,640 Speaker 1: could go and find so like she went to work 660 00:35:12,680 --> 00:35:14,640 Speaker 1: in a morgan. Working in the morgue was her true 661 00:35:14,640 --> 00:35:17,000 Speaker 1: calling because then she could avenge the deaths of murder victims. 662 00:35:17,080 --> 00:35:18,760 Speaker 6: God, that's so great? Is that really the show? 663 00:35:19,120 --> 00:35:19,359 Speaker 3: Yeah? 664 00:35:19,360 --> 00:35:19,839 Speaker 6: I can't believe. 665 00:35:19,840 --> 00:35:20,160 Speaker 2: I didn't. 666 00:35:20,480 --> 00:35:22,400 Speaker 1: Galfana is working in the morgue as well, and her 667 00:35:22,480 --> 00:35:24,440 Speaker 1: name was True and her name was true. T are 668 00:35:24,480 --> 00:35:27,560 Speaker 1: you spelled like true TV TV? And it's a TV show? 669 00:35:27,680 --> 00:35:31,600 Speaker 1: So really only like to call your channel that and 670 00:35:31,640 --> 00:35:34,520 Speaker 1: to not tru TV asked. 671 00:35:34,320 --> 00:35:35,879 Speaker 6: Me another question, and I'm going to try to put 672 00:35:35,920 --> 00:35:36,759 Speaker 6: true to great. 673 00:35:36,840 --> 00:35:37,960 Speaker 2: Let's get one of these questions. 674 00:35:38,040 --> 00:35:41,120 Speaker 4: Okay, I'm gonna I'm going to really try to promote 675 00:35:41,160 --> 00:35:41,479 Speaker 4: my show. 676 00:35:42,520 --> 00:35:51,920 Speaker 2: Yeah, enter my password again, Deluge, Who's time to lounge? 677 00:35:53,600 --> 00:35:57,200 Speaker 3: Okay, this one's from Chicken Sandwich, who I think is 678 00:35:57,239 --> 00:36:02,280 Speaker 3: a little boy, So be safe with this one. 679 00:36:02,719 --> 00:36:05,800 Speaker 2: With just how you answer, guest. 680 00:36:07,560 --> 00:36:10,919 Speaker 3: I recently saw Emma Thompson Nanny McFee standing in line 681 00:36:10,960 --> 00:36:13,880 Speaker 3: for a milkshake at a local ice cream parlor. I 682 00:36:13,920 --> 00:36:15,760 Speaker 3: asked for her number, but she just took a slurp 683 00:36:15,800 --> 00:36:17,680 Speaker 3: of her big shake and rolled her eyes at me. 684 00:36:18,200 --> 00:36:20,320 Speaker 2: How do I deal with this rejection? 685 00:36:21,719 --> 00:36:25,799 Speaker 6: H what's this? What's this? Little boys named chicken? 686 00:36:25,880 --> 00:36:27,080 Speaker 2: Chicken chicken sandwich? 687 00:36:27,160 --> 00:36:28,120 Speaker 6: Chicken sandwich. 688 00:36:30,840 --> 00:36:34,359 Speaker 4: That's a very hard situation. But there's a lot of 689 00:36:35,640 --> 00:36:38,080 Speaker 4: fish in the sea, and. 690 00:36:39,840 --> 00:36:41,880 Speaker 6: One way that you could deal with it, sure. 691 00:36:41,719 --> 00:36:47,719 Speaker 3: In the in the fee like Nanny McFee, I don't 692 00:36:47,719 --> 00:36:48,040 Speaker 3: get it. 693 00:36:48,239 --> 00:36:50,279 Speaker 2: One thing that you don't take it if you want. 694 00:36:50,360 --> 00:36:53,000 Speaker 4: One thing that makes me feel better is you know, 695 00:36:53,520 --> 00:36:57,279 Speaker 4: watching Those Who Can't on True TV on Thursdays at 696 00:36:57,400 --> 00:36:59,600 Speaker 4: ten thirty Eastward Standard time. 697 00:37:00,200 --> 00:37:00,759 Speaker 2: Fucking ship. 698 00:37:01,600 --> 00:37:05,120 Speaker 1: So that's how you deal with rejection. Jesus Christ, chicken sandwich, 699 00:37:05,520 --> 00:37:07,600 Speaker 1: get your ass and gear and turn on the fucking show. 700 00:37:07,680 --> 00:37:10,719 Speaker 6: Then is that better? Do you guys think that? 701 00:37:10,760 --> 00:37:14,080 Speaker 2: I think it's great? Was that good? That is good? 702 00:37:14,200 --> 00:37:18,560 Speaker 3: I mean I would say to promise even more than 703 00:37:18,640 --> 00:37:20,120 Speaker 3: like just being able to deal with the. 704 00:37:20,680 --> 00:37:22,640 Speaker 6: Rejection, You're gonna get that leader. 705 00:37:23,719 --> 00:37:27,760 Speaker 3: Nanny McFee is going to give you her number, sure, 706 00:37:27,920 --> 00:37:31,440 Speaker 3: which probably starts with like a you know, yeah, like 707 00:37:31,560 --> 00:37:35,440 Speaker 3: a strange like a plus sign for example. 708 00:37:35,200 --> 00:37:35,879 Speaker 2: You know what I mean? 709 00:37:36,000 --> 00:37:39,320 Speaker 3: And get how some of those numbers, oh god, start 710 00:37:39,360 --> 00:37:40,760 Speaker 3: with a plus sign. 711 00:37:40,960 --> 00:37:46,080 Speaker 2: They're insane. It's out of control, and I and and 712 00:37:46,120 --> 00:37:48,480 Speaker 2: it's a government is worried with a lot of stuff. 713 00:37:48,520 --> 00:37:51,040 Speaker 2: But let's just deal with this. It seems so solvable 714 00:37:51,120 --> 00:37:51,920 Speaker 2: to me. Mm hmm. 715 00:37:53,160 --> 00:37:55,320 Speaker 1: And I almost thought you were gonna say Nanny McPhee 716 00:37:55,320 --> 00:37:57,200 Speaker 1: would give up some like, And I thought you'd say 717 00:37:57,239 --> 00:37:59,319 Speaker 1: like Nanny mcpee or something like that. And I thought 718 00:37:59,320 --> 00:38:01,560 Speaker 1: you were gonna say that, which would have been inappropriate 719 00:38:01,560 --> 00:38:02,879 Speaker 1: because the chicken sandwich. 720 00:38:02,520 --> 00:38:07,840 Speaker 2: Is a little boy or some I guess pooh, Nanny McFee. 721 00:38:08,440 --> 00:38:11,520 Speaker 1: Okay, yeah, well and mind Nanny mcpee. The peace stands 722 00:38:11,520 --> 00:38:18,640 Speaker 1: for punin so like, but this is all for you, like, yeah, 723 00:38:18,880 --> 00:38:20,000 Speaker 1: you should be saying this. 724 00:38:20,160 --> 00:38:24,239 Speaker 6: You should say that I should be talking about uh. 725 00:38:25,920 --> 00:38:28,640 Speaker 2: Yeah, right, And that's you say if you watch. 726 00:38:28,480 --> 00:38:30,560 Speaker 3: And I think abbreciating it is probably because this is 727 00:38:30,560 --> 00:38:31,200 Speaker 3: like a little boy. 728 00:38:32,560 --> 00:38:35,200 Speaker 2: Yeah, if you if you watch those who can't, if you. 729 00:38:35,200 --> 00:38:38,160 Speaker 4: Wish those who can't, then you will you know who 730 00:38:38,200 --> 00:38:39,760 Speaker 4: loves those who can't. 731 00:38:40,000 --> 00:38:41,000 Speaker 6: Nanny mcpee. 732 00:38:41,280 --> 00:38:49,919 Speaker 3: Yeah, well, yeah, well that's not exactly right because she's 733 00:38:50,000 --> 00:38:53,919 Speaker 3: Namey McFee. What she's like giving up for this kid 734 00:38:54,600 --> 00:38:56,680 Speaker 3: is the Nanny mcpee. 735 00:38:56,680 --> 00:38:57,959 Speaker 2: But it's that. 736 00:38:57,880 --> 00:39:01,279 Speaker 1: Doesn't Yeah, if you're not comfortable with it, you're not 737 00:39:01,320 --> 00:39:03,000 Speaker 1: comfortable with it. But I'm just telling you if you 738 00:39:03,040 --> 00:39:08,759 Speaker 1: want people to tune in. Do we have any other questions? 739 00:39:09,800 --> 00:39:14,040 Speaker 2: A bunch? And I wonder if any of these are good? 740 00:39:15,080 --> 00:39:17,279 Speaker 2: Are good? I've got I bet some of them are. 741 00:39:18,280 --> 00:39:24,680 Speaker 1: I like this one, okay from Andrew Guest. Yes, I 742 00:39:24,719 --> 00:39:27,240 Speaker 1: know this HB eight, but I just cannot f close 743 00:39:27,320 --> 00:39:29,160 Speaker 1: no matter how much Kino I established. 744 00:39:29,520 --> 00:39:32,280 Speaker 2: Do you have any suggestions? Ps? Yes, I have already 745 00:39:32,320 --> 00:39:33,040 Speaker 2: tried negging. 746 00:39:35,719 --> 00:39:38,200 Speaker 6: I understood just only a few words. 747 00:39:37,920 --> 00:39:42,839 Speaker 2: In that it's p u A speak you, Marie. You 748 00:39:42,880 --> 00:39:44,400 Speaker 2: have to know about this stuff. 749 00:39:44,640 --> 00:39:46,480 Speaker 6: I don't know about it because. 750 00:39:46,800 --> 00:39:50,120 Speaker 3: Because I have to, because I promise you it's being 751 00:39:50,280 --> 00:39:56,239 Speaker 3: like exercise on you every day of your wife. And 752 00:39:56,320 --> 00:39:58,680 Speaker 3: you have to know when these things are coming at. 753 00:39:58,920 --> 00:40:04,560 Speaker 2: Executing the You want to see a magic trick, Okay, Brett, 754 00:40:04,640 --> 00:40:07,440 Speaker 2: Now the male perspective is here, and he is going 755 00:40:07,480 --> 00:40:13,000 Speaker 2: to really demonstrate value right now, and do not be seduced. 756 00:40:14,719 --> 00:40:15,080 Speaker 5: Get it. 757 00:40:18,239 --> 00:40:22,360 Speaker 3: And and he managed to sort of get. 758 00:40:22,200 --> 00:40:25,200 Speaker 2: It on his head clumsily got it onto his headphones. 759 00:40:25,960 --> 00:40:28,600 Speaker 2: And so do you feel what's happening to your now. 760 00:40:28,600 --> 00:40:32,040 Speaker 5: My hands, just take my hands. Okay, I will play 761 00:40:32,080 --> 00:40:34,040 Speaker 5: the Patty Cake game. 762 00:40:35,040 --> 00:40:39,920 Speaker 2: Oh wow. And he'sizing her yeah, and she's loving it. 763 00:40:40,080 --> 00:40:40,479 Speaker 6: I do. 764 00:40:40,560 --> 00:40:41,160 Speaker 2: I like it. 765 00:40:41,320 --> 00:40:45,800 Speaker 1: So okay, Maria that what he's doing is he's demonstrating value. 766 00:40:45,880 --> 00:40:49,879 Speaker 6: Put on a Smith. We're gonna Maria. 767 00:40:50,040 --> 00:40:54,160 Speaker 1: Do not let him put Aerosmith on right now. You 768 00:40:54,200 --> 00:40:56,360 Speaker 1: have a responsibility to promote the show. 769 00:40:58,520 --> 00:40:59,400 Speaker 2: You can't. 770 00:41:00,080 --> 00:41:03,040 Speaker 1: Can't let them get to Arrowsmith that easily. And what 771 00:41:03,080 --> 00:41:05,520 Speaker 1: we're finding out is you really should have learned. And 772 00:41:05,760 --> 00:41:08,320 Speaker 1: by playing Patty Cake, he was able to establish keino. 773 00:41:08,880 --> 00:41:09,520 Speaker 6: What is quino? 774 00:41:09,719 --> 00:41:13,680 Speaker 1: That's chame that that's safe touching? Yeah, oh yeah, it's 775 00:41:13,719 --> 00:41:14,759 Speaker 1: it's a casino game. 776 00:41:15,080 --> 00:41:15,760 Speaker 6: Yeah, exactly. 777 00:41:16,280 --> 00:41:20,000 Speaker 2: It's something you play in like a weird restaurant. 778 00:41:20,160 --> 00:41:22,640 Speaker 4: You do it like yeah, in in Montana and like 779 00:41:22,680 --> 00:41:26,000 Speaker 4: every bar. Yes, yeah, but that's. 780 00:41:25,840 --> 00:41:27,080 Speaker 6: Not what he's playing that. 781 00:41:29,400 --> 00:41:29,560 Speaker 2: Esia. 782 00:41:29,719 --> 00:41:33,960 Speaker 4: I see, okay, and then that and that and then 783 00:41:33,760 --> 00:41:36,960 Speaker 4: then and that leads to okay, Aerosmith. 784 00:41:37,200 --> 00:41:39,680 Speaker 5: Right, and that I'm kind of looking at you from 785 00:41:39,680 --> 00:41:42,839 Speaker 5: a side anger. Notice that I got to get out 786 00:41:42,840 --> 00:41:43,840 Speaker 5: of here in a couple of minutes. 787 00:41:43,880 --> 00:41:46,640 Speaker 2: But okay, and now you're there, you're going. 788 00:41:46,480 --> 00:41:51,440 Speaker 1: Oh god, Maria, this is working so well on you. 789 00:41:53,880 --> 00:41:55,879 Speaker 3: And now he's going to start He's going to start 790 00:41:55,920 --> 00:42:05,399 Speaker 3: honking on Bobo pretty way. 791 00:42:06,000 --> 00:42:08,600 Speaker 2: Oh no, oh, I don't want to. 792 00:42:08,600 --> 00:42:20,319 Speaker 10: Watch this, Brett, No, oh god, so disappointing. 793 00:42:20,600 --> 00:42:25,440 Speaker 1: Well please do watch those who can't. I can't believe 794 00:42:25,719 --> 00:42:26,680 Speaker 1: it just happened. 795 00:42:30,160 --> 00:42:32,759 Speaker 2: They formed like a they formed like a perfect sphere. 796 00:42:33,320 --> 00:42:33,719 Speaker 4: It was. 797 00:42:35,840 --> 00:42:39,680 Speaker 2: Beautiful. Bug. It was like a pill. 798 00:42:39,760 --> 00:42:50,640 Speaker 5: Bug that it's just to show how effective it is. 799 00:42:51,920 --> 00:42:56,680 Speaker 3: Yeah, in front of the dog. What's the dog's name, 800 00:42:57,440 --> 00:43:01,760 Speaker 3: Roman Roman. We should get Roman on here a little bit. Yeah, sure, 801 00:43:01,960 --> 00:43:03,800 Speaker 3: that can may be the pro version prize. 802 00:43:05,000 --> 00:43:07,719 Speaker 1: Okay, so the pro version prize, and this is for 803 00:43:08,840 --> 00:43:10,920 Speaker 1: hold on, I gotta remember Montgomery. 804 00:43:11,560 --> 00:43:12,320 Speaker 2: Is that somebody? 805 00:43:13,040 --> 00:43:15,200 Speaker 1: Yeah, that's somebody who the Forbes ganged up on this 806 00:43:15,239 --> 00:43:18,680 Speaker 1: week for posting something mean about me. It's okay, guys, 807 00:43:19,400 --> 00:43:23,880 Speaker 1: and I appreciate it, but it's okay. He that's the 808 00:43:23,920 --> 00:43:28,080 Speaker 1: attention that he wanted. So just forget it, and Montgomery, 809 00:43:28,120 --> 00:43:32,239 Speaker 1: you get the pro version probably it's probably good for me. 810 00:43:32,400 --> 00:43:38,560 Speaker 1: It is nice about you, and that's okay. Montgomery. Anyway, 811 00:43:39,040 --> 00:43:42,880 Speaker 1: listen to the dog and uh, that sort of drooling 812 00:43:43,000 --> 00:43:48,000 Speaker 1: slurpy sound he makes. Uh that's you. 813 00:43:52,800 --> 00:43:54,320 Speaker 2: Yeah, that's nice. It was fine. 814 00:43:54,480 --> 00:43:58,759 Speaker 1: So uh like us on Facebook. If you want to 815 00:43:58,800 --> 00:44:00,960 Speaker 1: ask us a question or anything, communicate with us, you 816 00:44:00,960 --> 00:44:05,280 Speaker 1: could do it on Facebook. There's a Hollywood Handbook page 817 00:44:05,640 --> 00:44:10,520 Speaker 1: and I love seeing our page get attention. It's great. 818 00:44:10,600 --> 00:44:12,440 Speaker 2: And do you have a page? 819 00:44:12,560 --> 00:44:13,239 Speaker 6: I do have a page. 820 00:44:13,320 --> 00:44:16,400 Speaker 2: Yeah. Oh that's so good, Maria. We should just combine 821 00:44:16,440 --> 00:44:17,000 Speaker 2: our pages. 822 00:44:17,200 --> 00:44:19,880 Speaker 1: Yeah, if we get somehow a good idea, well make 823 00:44:19,920 --> 00:44:23,280 Speaker 1: two pages in one. Yeah, you instantly double the pages value. 824 00:44:23,719 --> 00:44:25,000 Speaker 6: Our pages should get married. 825 00:44:25,880 --> 00:44:27,320 Speaker 2: Our pages should get married. 826 00:44:27,600 --> 00:44:30,680 Speaker 3: Yeah, my god, Marie, our pages, our Facebook pages should 827 00:44:30,680 --> 00:44:32,000 Speaker 3: get married for valid tides. 828 00:44:32,040 --> 00:44:35,239 Speaker 6: That's page now. I guess just because we said, because we. 829 00:44:35,160 --> 00:44:37,239 Speaker 2: Said they should get married, can you do it on 830 00:44:37,280 --> 00:44:39,399 Speaker 2: your phone? I'm trying. 831 00:44:41,719 --> 00:44:44,920 Speaker 6: Who in this case? Who asks? Who does the asking? 832 00:44:45,040 --> 00:44:46,000 Speaker 2: Which Facebook page? 833 00:44:46,120 --> 00:44:46,719 Speaker 3: Yeah? Is it? 834 00:44:46,800 --> 00:44:49,319 Speaker 6: Or we old fashioned? Like you have to ask me? 835 00:44:49,840 --> 00:44:50,880 Speaker 6: Or is it? 836 00:44:50,960 --> 00:44:51,200 Speaker 2: You know? 837 00:44:52,160 --> 00:44:54,040 Speaker 6: He'll have Hillary. 838 00:44:54,560 --> 00:44:58,640 Speaker 3: We have to ask your Facebook pages, Dad, which is 839 00:44:58,680 --> 00:45:00,680 Speaker 3: I guess like your remid Space page or something. 840 00:45:00,840 --> 00:45:03,040 Speaker 2: Is that funny? Is that funny? 841 00:45:03,120 --> 00:45:03,680 Speaker 6: It is funny. 842 00:45:03,719 --> 00:45:08,280 Speaker 2: I liked it because it's like old. It's my Space 843 00:45:08,360 --> 00:45:14,280 Speaker 2: is like an old Dad, Sean, Sorry, something sad. 844 00:45:14,520 --> 00:45:18,760 Speaker 6: What's happening? 845 00:45:19,239 --> 00:45:21,840 Speaker 3: Just before the record, I was feeding when I was 846 00:45:21,840 --> 00:45:25,160 Speaker 3: in New York, I was feeding some cats unlike by 847 00:45:25,800 --> 00:45:27,640 Speaker 3: the Pier and I just got NEMO that one of 848 00:45:27,640 --> 00:45:28,160 Speaker 3: them died. 849 00:45:29,800 --> 00:45:38,640 Speaker 2: Byell hand Book is brought to you by Wolf Cool 850 00:45:38,760 --> 00:45:52,560 Speaker 2: Production to subsidiary of Calvin Knobs ow Baby