1 00:00:00,520 --> 00:00:06,880 Speaker 1: Andrew Martinez in Real Life podcast. This episode and conversation 2 00:00:07,040 --> 00:00:09,640 Speaker 1: is powered by I Do Say What's up? Guys? We 3 00:00:09,680 --> 00:00:12,880 Speaker 1: are back. This is Agie Martinez IRL Takeaways where we 4 00:00:12,960 --> 00:00:18,160 Speaker 1: discuss the brilliant moments or just the moments that after 5 00:00:18,200 --> 00:00:22,079 Speaker 1: the podcast or after the conversation stay with us. The 6 00:00:22,160 --> 00:00:25,200 Speaker 1: takeaways the things that when you were in the shower 7 00:00:25,239 --> 00:00:30,080 Speaker 1: were like, damn well he said that, he hit hit. 8 00:00:30,280 --> 00:00:33,120 Speaker 1: I felt that, or just sometimes I don't know, even me, 9 00:00:33,240 --> 00:00:36,199 Speaker 1: sometimes when I'm interviewing people, even throughout like all the 10 00:00:36,280 --> 00:00:39,320 Speaker 1: years of my career, there's just certain things that stay 11 00:00:39,360 --> 00:00:41,760 Speaker 1: with me. This person said this, This person said this 12 00:00:42,159 --> 00:00:44,479 Speaker 1: random story that just comes to me right now. I 13 00:00:44,520 --> 00:00:48,760 Speaker 1: was interviewing Beyonce around her her birthday album B Day, 14 00:00:49,800 --> 00:00:51,680 Speaker 1: and I guess they did. Is that's the album right 15 00:00:51,720 --> 00:00:55,560 Speaker 1: that Your life flex is Crazy. I'm just sorry that 16 00:00:56,600 --> 00:00:59,080 Speaker 1: that's what just came up for me. What's that? Is 17 00:00:59,080 --> 00:01:01,760 Speaker 1: that the album where she has Upgrade You? Yes? Yes, 18 00:01:01,920 --> 00:01:05,119 Speaker 1: so we're talking about Upgrade You and I we were 19 00:01:05,160 --> 00:01:07,360 Speaker 1: talking about, you know, Jay being on that song, and 20 00:01:07,360 --> 00:01:09,440 Speaker 1: I remember her saying to me, yeah, Jay was not 21 00:01:09,480 --> 00:01:11,120 Speaker 1: having it. He wanted to be on that song. He 22 00:01:11,240 --> 00:01:13,959 Speaker 1: was like, what you're not gonna do is nigga song 23 00:01:14,319 --> 00:01:17,160 Speaker 1: upgrade you and I'm not on it. I'm paraphrasing what 24 00:01:17,200 --> 00:01:20,319 Speaker 1: Beyonce said, But to meybe for a couple that rarely 25 00:01:20,400 --> 00:01:25,320 Speaker 1: shares any insight to their relationship, I always remembered that, like, yeah, 26 00:01:25,319 --> 00:01:26,960 Speaker 1: you're not gonna be out here upgrading me for the 27 00:01:27,000 --> 00:01:29,399 Speaker 1: rest of our relationship, because you would know a song 28 00:01:29,480 --> 00:01:33,200 Speaker 1: like that could stick. It sticks in a headline. Think 29 00:01:33,240 --> 00:01:35,960 Speaker 1: about the term like boo delicious, right, You don't how 30 00:01:36,000 --> 00:01:40,119 Speaker 1: many headlines she had to deal with. Where the boot delicious? Beyonce. 31 00:01:40,760 --> 00:01:42,520 Speaker 1: It's just what you put out in the world. It 32 00:01:43,400 --> 00:01:46,880 Speaker 1: stays with you sometimes. So a song like upgrade you 33 00:01:46,959 --> 00:01:51,000 Speaker 1: in a relationship, it would have forever been Beyonce upgrades 34 00:01:51,200 --> 00:01:54,280 Speaker 1: jay Z. This the mentality of that, I wouldn't have 35 00:01:54,360 --> 00:01:56,760 Speaker 1: mine that. But his verse on that song is hard. Oh, 36 00:01:56,760 --> 00:02:00,000 Speaker 1: his verses fire. And also it just levels them out. 37 00:02:00,240 --> 00:02:02,720 Speaker 1: It puts them like we're both upgrading each other yea. 38 00:02:02,960 --> 00:02:05,080 Speaker 1: And it just was like a little insight to that, 39 00:02:05,200 --> 00:02:08,960 Speaker 1: the thoughtfulness of how their relationship could be perceived. I 40 00:02:09,040 --> 00:02:11,600 Speaker 1: might be reading too much into it, but every time 41 00:02:11,639 --> 00:02:13,799 Speaker 1: I hear the song now I remember that story. It 42 00:02:13,960 --> 00:02:17,040 Speaker 1: just is like a stuck with you it was. It 43 00:02:17,120 --> 00:02:20,079 Speaker 1: was a takeaway of that conversation, like how they navigate 44 00:02:20,960 --> 00:02:23,440 Speaker 1: their music making and the messages they put out and 45 00:02:23,480 --> 00:02:25,720 Speaker 1: then what's their relationship anyway. It was a takeaway from 46 00:02:25,720 --> 00:02:28,320 Speaker 1: that episode, not necessarily a takeaway I use in my 47 00:02:28,360 --> 00:02:31,840 Speaker 1: own life, but just a takeaway of like how they 48 00:02:32,000 --> 00:02:36,520 Speaker 1: navigate anyway. I say all that to say, every episode 49 00:02:36,560 --> 00:02:38,639 Speaker 1: we discussed some of the takeaways and some of the episodes. 50 00:02:38,639 --> 00:02:41,040 Speaker 1: And now this is the in real life podcast, so 51 00:02:41,080 --> 00:02:43,160 Speaker 1: our hope is that our takeaways are ones that we 52 00:02:43,160 --> 00:02:47,840 Speaker 1: could actually use in our real life. And Ryan Coogler 53 00:02:48,040 --> 00:02:51,960 Speaker 1: absolutely gave us some takeaways I know for me and Brittany, 54 00:02:52,040 --> 00:02:55,600 Speaker 1: I know, you know this work addiction conversation that we 55 00:02:55,639 --> 00:02:57,880 Speaker 1: had with Ryan. First of all, how dope is he? 56 00:02:57,880 --> 00:03:01,720 Speaker 1: He came in, He's so like, what's up, everybody? What's up? 57 00:03:01,720 --> 00:03:04,880 Speaker 1: Everybody said, talks to the whole room. He is in 58 00:03:04,919 --> 00:03:08,400 Speaker 1: a weird way, like an introvert, but also very gracious 59 00:03:08,560 --> 00:03:13,160 Speaker 1: and thoughtful and just a nice guy. Right. So sure 60 00:03:13,240 --> 00:03:15,680 Speaker 1: he's not he's not walking in like hey, everybody, look 61 00:03:15,720 --> 00:03:19,320 Speaker 1: at me, but he's definitely like walking in looking at 62 00:03:19,360 --> 00:03:22,800 Speaker 1: the room being thoughtful, and you know he's a filmmaker, 63 00:03:22,840 --> 00:03:24,799 Speaker 1: so our crew is like looking at him. 64 00:03:25,280 --> 00:03:28,320 Speaker 2: You know, everybody wants to like impress him. 65 00:03:28,360 --> 00:03:30,440 Speaker 1: They want to do right. Yeah, and you could tell 66 00:03:30,440 --> 00:03:33,320 Speaker 1: that he's aware of that to an extent. But anyway, 67 00:03:33,320 --> 00:03:34,800 Speaker 1: we just loved him. He was super dope. 68 00:03:35,600 --> 00:03:38,080 Speaker 2: This was really a pick for us, like, yeah, yes, 69 00:03:38,160 --> 00:03:41,280 Speaker 2: we know people love Ryan Coogler, and and he's done 70 00:03:41,320 --> 00:03:46,040 Speaker 2: great movies Black Panther, Fruit Filled Station, like he's done 71 00:03:46,040 --> 00:03:49,200 Speaker 2: great work. But really this was just like Angie and 72 00:03:49,240 --> 00:03:52,600 Speaker 2: Brittany and our internal war wanting to get a peek 73 00:03:52,640 --> 00:03:55,920 Speaker 2: inside of the mind of a director of not just 74 00:03:56,000 --> 00:03:57,440 Speaker 2: a director, a producer. 75 00:03:57,600 --> 00:04:00,880 Speaker 1: Ryan Coogler. Yeah, I love the way he infuses his 76 00:04:01,200 --> 00:04:04,480 Speaker 1: gift as a filmmaker, but also that we feel, I 77 00:04:04,480 --> 00:04:07,080 Speaker 1: don't know, just his connection to the culture in such 78 00:04:07,080 --> 00:04:10,040 Speaker 1: an authentic way, you know, to somebody to make big 79 00:04:11,160 --> 00:04:15,320 Speaker 1: gazillion dollar movies like that and know to put to 80 00:04:15,320 --> 00:04:18,479 Speaker 1: have Kendrick make the soundtrack to Black Panther, to know 81 00:04:18,600 --> 00:04:21,240 Speaker 1: what Meek Mills songs to put in when you're doing 82 00:04:21,320 --> 00:04:25,240 Speaker 1: Creed shot in Philly. I don't know, It's just something culturally, 83 00:04:25,839 --> 00:04:28,720 Speaker 1: even when you look watch when I watch Creed, and 84 00:04:28,760 --> 00:04:34,240 Speaker 1: I see the relationship between that couple Michael Beach, oh yeah, 85 00:04:33,520 --> 00:04:37,920 Speaker 1: and uh Tessa. I don't know, it just seems authentic. 86 00:04:37,960 --> 00:04:39,360 Speaker 1: Now that could be a credit to the actors, but 87 00:04:39,400 --> 00:04:43,160 Speaker 1: it also like the director, like he just gets I 88 00:04:43,200 --> 00:04:45,440 Speaker 1: don't know how to this is clear what I'm saying, 89 00:04:45,480 --> 00:04:49,159 Speaker 1: Like he gets honesty and he gets like those little 90 00:04:49,240 --> 00:04:51,760 Speaker 1: nuances that if you from the culture, like oh yeah, 91 00:04:51,760 --> 00:04:53,520 Speaker 1: like when they were talking about the roots and oh 92 00:04:53,640 --> 00:04:58,320 Speaker 1: yeah and Philly and Jawn's and you know that matters 93 00:04:58,480 --> 00:05:01,159 Speaker 1: in a big production like that to see authentic culture 94 00:05:01,240 --> 00:05:02,760 Speaker 1: being showcase. 95 00:05:02,960 --> 00:05:06,680 Speaker 2: He obviously cares so deeply about everything, even in the 96 00:05:06,720 --> 00:05:10,920 Speaker 2: conversation with you, Like Ryan Kueer is not a typical 97 00:05:11,000 --> 00:05:13,680 Speaker 2: celebrity facing person. He doesn't always talk all the time, 98 00:05:13,800 --> 00:05:16,440 Speaker 2: do interviews like this. We filmed it during the strike, 99 00:05:16,920 --> 00:05:20,599 Speaker 2: and he like it was a lot of him you 100 00:05:20,760 --> 00:05:24,400 Speaker 2: asking a question and him waiting and thinking thoroughly, And 101 00:05:24,440 --> 00:05:27,520 Speaker 2: I think he moves like that throughout everything that he does. 102 00:05:27,600 --> 00:05:29,440 Speaker 1: He's so thoughtful. I saw that in some of the 103 00:05:29,440 --> 00:05:31,919 Speaker 1: you guys's comments also that you noticed that too, and 104 00:05:32,000 --> 00:05:35,160 Speaker 1: like how thoughtful he was in every question. I asked him. 105 00:05:35,200 --> 00:05:37,880 Speaker 1: But then we learned inside the conversation when he's talking 106 00:05:37,960 --> 00:05:41,919 Speaker 1: about Chadwick Boseman and what he learned from Chadwick, and 107 00:05:41,960 --> 00:05:43,599 Speaker 1: he says that one of the things is that chad 108 00:05:43,640 --> 00:05:45,279 Speaker 1: and he doesn't know if it's just that's how the 109 00:05:45,320 --> 00:05:47,680 Speaker 1: nature of how he was, or based on what he 110 00:05:47,720 --> 00:05:50,880 Speaker 1: was quietly dealing with, you know, his cancer at the time, 111 00:05:50,920 --> 00:05:52,680 Speaker 1: and people didn't even know that he was just so 112 00:05:52,800 --> 00:05:56,320 Speaker 1: mindful and so present and that he would think about 113 00:05:56,360 --> 00:05:59,200 Speaker 1: things and he would move at his own time, and 114 00:05:59,400 --> 00:06:02,000 Speaker 1: Chadwick moved and he learned that from him. So I 115 00:06:02,040 --> 00:06:04,880 Speaker 1: wonder how much of Ryan was like that before, or 116 00:06:04,920 --> 00:06:07,920 Speaker 1: maybe it just gave Ryan the freedom to be like, Okay, 117 00:06:08,000 --> 00:06:09,880 Speaker 1: let me just sit here and think about this answer 118 00:06:09,920 --> 00:06:13,719 Speaker 1: before I answer it, you know, watching chad work. But 119 00:06:13,760 --> 00:06:15,919 Speaker 1: he definitely was influenced by that. And I love that 120 00:06:15,960 --> 00:06:19,560 Speaker 1: story that he shared about him. We would play that clip. Yeah, 121 00:06:19,640 --> 00:06:20,120 Speaker 1: let's do that. 122 00:06:21,640 --> 00:06:24,360 Speaker 3: He rarely had his phone with him and we would 123 00:06:24,400 --> 00:06:28,800 Speaker 3: be working. He would, you know, I'll give him direction. 124 00:06:28,880 --> 00:06:31,120 Speaker 3: He would stop. He would look me right in the eye. 125 00:06:31,320 --> 00:06:34,200 Speaker 3: You know what I'm saying. You know, I'm right here, 126 00:06:34,279 --> 00:06:38,119 Speaker 3: right here, and like and like if to think about something, 127 00:06:38,160 --> 00:06:39,919 Speaker 3: he would take a deep he would take deep breaths, 128 00:06:40,320 --> 00:06:46,159 Speaker 3: you know, like he moved at his own pace. I've 129 00:06:46,160 --> 00:06:48,440 Speaker 3: never seen him rush, but he was like all right 130 00:06:48,480 --> 00:06:50,520 Speaker 3: on time. One of them kind of people you know. 131 00:06:50,800 --> 00:06:50,960 Speaker 2: Like. 132 00:06:53,320 --> 00:06:55,120 Speaker 4: And and he can't he couldn't be hurried neither. You 133 00:06:55,120 --> 00:06:59,760 Speaker 4: know what I'm saying, can't be hurried. I mean that 134 00:07:00,120 --> 00:07:01,320 Speaker 4: d war you you know what. 135 00:07:01,320 --> 00:07:04,839 Speaker 3: I'm saying, because like for me, I was like, okay, yeah, 136 00:07:04,839 --> 00:07:06,280 Speaker 3: here king on set. 137 00:07:06,360 --> 00:07:08,440 Speaker 4: So like you know, I get it, you know, you 138 00:07:08,480 --> 00:07:09,039 Speaker 4: know what I'm saying. 139 00:07:09,040 --> 00:07:10,880 Speaker 3: But yeah, like like he was gonna he was gonna 140 00:07:10,880 --> 00:07:13,240 Speaker 3: move on his long pace, and then you realize what 141 00:07:13,280 --> 00:07:16,760 Speaker 3: he was dealing with, you know, and what he was 142 00:07:16,800 --> 00:07:21,440 Speaker 3: doing for you know. You know what I'm saying. It's like, man, 143 00:07:21,480 --> 00:07:23,280 Speaker 3: you know, so you will somebody like that. You go 144 00:07:23,320 --> 00:07:26,840 Speaker 3: back and replay, you know, every everything he realized. Man, 145 00:07:26,840 --> 00:07:28,480 Speaker 3: that was that was I realized me. 146 00:07:28,520 --> 00:07:30,200 Speaker 4: He was showing me. He was shawing me a lot. 147 00:07:30,360 --> 00:07:33,440 Speaker 1: You know, I'm gonna take a page from that. I'm 148 00:07:33,440 --> 00:07:35,960 Speaker 1: going to take a beat more often. I've gotten better 149 00:07:36,000 --> 00:07:37,400 Speaker 1: at that because you know, being on the radio, you 150 00:07:37,400 --> 00:07:38,720 Speaker 1: got to talk fast and you got to get to 151 00:07:38,760 --> 00:07:41,400 Speaker 1: your point real quick. I used to really talk. I 152 00:07:41,440 --> 00:07:44,840 Speaker 1: still talk fast, for sure, I talk fast, but I'm 153 00:07:44,880 --> 00:07:47,760 Speaker 1: not afraid in an interview to have a little silence now, 154 00:07:48,480 --> 00:07:52,240 Speaker 1: And the younger me didn't have that comfort, whereas now 155 00:07:52,320 --> 00:07:55,520 Speaker 1: I I relish in that little moment of silence, of 156 00:07:55,640 --> 00:07:58,400 Speaker 1: quiet of like, what did this person just say to me? 157 00:07:59,360 --> 00:08:00,000 Speaker 1: Let me think about it. 158 00:08:00,280 --> 00:08:02,000 Speaker 2: So before you might have wanted to fill in the 159 00:08:02,080 --> 00:08:03,560 Speaker 2: fill in space, and I feel like a lot of 160 00:08:03,560 --> 00:08:05,679 Speaker 2: people do what I do. It's like this nervous energy, 161 00:08:05,720 --> 00:08:09,480 Speaker 2: so you want to fill in every space conversation where 162 00:08:09,520 --> 00:08:11,520 Speaker 2: it's like it's okay if somebody asks you a question 163 00:08:11,640 --> 00:08:13,480 Speaker 2: or somebody says a statement to you to just be 164 00:08:13,560 --> 00:08:18,840 Speaker 2: like hmm, let me think about that and have that 165 00:08:18,920 --> 00:08:21,280 Speaker 2: quiet right there. You know what I mean, It's okay. 166 00:08:21,360 --> 00:08:24,360 Speaker 2: It actually, to me is more interesting because at least 167 00:08:24,400 --> 00:08:28,040 Speaker 2: you're being thoughtful and mindful. So I love that about 168 00:08:28,040 --> 00:08:31,440 Speaker 2: our conversation. How thoughtful he was. I also, Brittany and 169 00:08:31,480 --> 00:08:35,640 Speaker 2: I both also very much resonated to the work addiction conversation. 170 00:08:36,080 --> 00:08:38,880 Speaker 1: Raise your hand if you've been a victim work addiction, 171 00:08:38,960 --> 00:08:42,600 Speaker 1: if you are currently battling you know, we joke because 172 00:08:42,640 --> 00:08:44,280 Speaker 1: it's light. But one of the things that he said 173 00:08:44,280 --> 00:08:47,800 Speaker 1: about his work addiction is it is like work addiction 174 00:08:48,120 --> 00:08:52,200 Speaker 1: is like a food addiction in a sense that like, look, 175 00:08:52,240 --> 00:08:55,640 Speaker 1: if you're addicted to heroin, the goal is to just 176 00:08:55,720 --> 00:09:01,040 Speaker 1: stop doing heroin. If you're addicted to cocaine, Okay, I 177 00:09:01,160 --> 00:09:03,960 Speaker 1: just got to stop doing cocaine. Now that's not to 178 00:09:03,960 --> 00:09:06,360 Speaker 1: say either one of those things are easy, but you 179 00:09:06,559 --> 00:09:11,280 Speaker 1: quit quitting your addiction is one thing. Living with your 180 00:09:11,320 --> 00:09:14,560 Speaker 1: addiction is something else. He compared it to having an 181 00:09:14,600 --> 00:09:16,760 Speaker 1: eating disorder. Right, So, if you have an eating disorder, 182 00:09:17,040 --> 00:09:20,040 Speaker 1: you can't quit food. You have to learn how to 183 00:09:20,080 --> 00:09:22,880 Speaker 1: live with food. And so it's the same thing with 184 00:09:22,960 --> 00:09:25,199 Speaker 1: like a work addiction. You have to work to live, 185 00:09:25,720 --> 00:09:30,199 Speaker 1: so you have to learn to navigate your work addiction. 186 00:09:30,720 --> 00:09:33,200 Speaker 1: You can't just quit work. Oh I got a work addiction, 187 00:09:33,320 --> 00:09:35,240 Speaker 1: So I'm just gonna quit working. I mean, I guess 188 00:09:35,240 --> 00:09:36,720 Speaker 1: some people are blessed to be able to do that. 189 00:09:36,800 --> 00:09:38,880 Speaker 1: I have never been in my life. Most of us 190 00:09:38,880 --> 00:09:42,000 Speaker 1: aren't same. So it's like, Okay, so I can't quit 191 00:09:42,080 --> 00:09:45,760 Speaker 1: quit my work addiction, but I can change my relationship 192 00:09:45,880 --> 00:09:48,280 Speaker 1: with it, I think, is what he was saying. Because 193 00:09:48,280 --> 00:09:49,920 Speaker 1: if you don't, you can lose the things that are 194 00:09:49,920 --> 00:09:51,800 Speaker 1: important to you. We know a lot of people who 195 00:09:51,800 --> 00:09:55,520 Speaker 1: if you know, you lose friendships, you lose relationships, you 196 00:09:55,559 --> 00:09:59,640 Speaker 1: could lose yourself even honestly, in your work addiction, you 197 00:09:59,640 --> 00:10:03,880 Speaker 1: could lose loose your purpose. So you're so busy grinding 198 00:10:03,920 --> 00:10:07,200 Speaker 1: on this one thing that you get lost in that. 199 00:10:08,960 --> 00:10:11,520 Speaker 1: And that's not a good life. Even if you love 200 00:10:11,559 --> 00:10:14,040 Speaker 1: what you do, it's still not a balanced, healthy life. 201 00:10:14,520 --> 00:10:17,800 Speaker 1: It's like and then you will find if you bury 202 00:10:17,840 --> 00:10:21,120 Speaker 1: yourself in your work, where does the inspiration come from? 203 00:10:21,520 --> 00:10:23,359 Speaker 1: You got to go and live life to be inspired 204 00:10:23,400 --> 00:10:28,240 Speaker 1: somewhat to somewhat bar you do, whether especially if you're 205 00:10:28,280 --> 00:10:29,839 Speaker 1: in the arts in any way, or a creative in 206 00:10:29,880 --> 00:10:32,600 Speaker 1: any in any way. You know how many creatives I 207 00:10:32,679 --> 00:10:34,880 Speaker 1: know that, like whether you're a writer or you're a 208 00:10:35,000 --> 00:10:39,760 Speaker 1: producer or an artist. Like creatives get anybody who's a 209 00:10:39,800 --> 00:10:44,880 Speaker 1: successful creative, they get burnt out, people just pulling at 210 00:10:44,920 --> 00:10:46,920 Speaker 1: them all the time and work, work, work, work, work, work, work, 211 00:10:46,920 --> 00:10:48,439 Speaker 1: and then all of a sudden they got nothing left. 212 00:10:49,640 --> 00:10:51,400 Speaker 1: And if you if you make a living, or if 213 00:10:51,440 --> 00:10:53,440 Speaker 1: your purpose is to be a creative and you don't 214 00:10:53,440 --> 00:10:56,800 Speaker 1: give yourself enough time to rest and to find inspiration. 215 00:10:58,360 --> 00:11:00,640 Speaker 1: You know, a work addiction will burn you ass out 216 00:11:01,080 --> 00:11:02,960 Speaker 1: and you will lose that gift that you're given, that 217 00:11:03,000 --> 00:11:05,520 Speaker 1: creative gift, which is a gift. If you're creative, you 218 00:11:05,559 --> 00:11:08,280 Speaker 1: get that's a gift, and you've got to treat it 219 00:11:08,280 --> 00:11:10,679 Speaker 1: as such. Did I get to a preachy just now? 220 00:11:10,800 --> 00:11:13,920 Speaker 1: On your Brittany, You definitely took us to school. But 221 00:11:14,280 --> 00:11:16,160 Speaker 1: I went to a place just now because you know, 222 00:11:16,240 --> 00:11:18,640 Speaker 1: because I've felt it. No, I did, because I've seen it, 223 00:11:18,679 --> 00:11:21,760 Speaker 1: and I've I've seen it firsthand, and so i know 224 00:11:21,800 --> 00:11:24,320 Speaker 1: what he's talking about. So a work addiction. We laugh, 225 00:11:24,440 --> 00:11:27,000 Speaker 1: Oh yeah, we're addicted to work. But honestly, there is 226 00:11:27,040 --> 00:11:29,160 Speaker 1: something serious to be taken about that if it is 227 00:11:29,160 --> 00:11:31,680 Speaker 1: something you're doing, if you're using it as avoidance, if 228 00:11:31,720 --> 00:11:34,280 Speaker 1: you're not dealing with your emotional life and your emotional self. 229 00:11:35,360 --> 00:11:37,120 Speaker 1: You know, like he said, he was dealing with some 230 00:11:37,440 --> 00:11:39,559 Speaker 1: time in his life and he realized, oh man, I'm 231 00:11:39,600 --> 00:11:41,840 Speaker 1: still working and I'm this is weird. Like he got 232 00:11:41,840 --> 00:11:44,600 Speaker 1: called out on it. I don't know about who, but 233 00:11:44,600 --> 00:11:47,960 Speaker 1: I'm guessing his wife or somebody very close to him. 234 00:11:48,320 --> 00:11:50,360 Speaker 1: We do the same thing. It's like salone, it's cranes 235 00:11:50,360 --> 00:11:53,320 Speaker 1: in the sky. You want to kiss it away, you 236 00:11:53,360 --> 00:11:55,480 Speaker 1: want to work it away, you want to I don't 237 00:11:55,480 --> 00:11:56,840 Speaker 1: know the words of the song, but you know what 238 00:11:56,880 --> 00:11:57,360 Speaker 1: I'm saying. 239 00:11:57,960 --> 00:12:01,960 Speaker 2: It's just it's just pushing, pushing off the uncomfortableness, whatever 240 00:12:02,040 --> 00:12:03,800 Speaker 2: other uncomfortable feelings are going on in. 241 00:12:03,679 --> 00:12:06,959 Speaker 1: Your life, so that you could emotionally disconnect. Yeah, so 242 00:12:07,000 --> 00:12:08,840 Speaker 1: you don't have to worry about any type of trauma, 243 00:12:08,920 --> 00:12:11,200 Speaker 1: any type of anger, any type of issue you got 244 00:12:11,200 --> 00:12:15,440 Speaker 1: going on. You could just bury it in whatever the 245 00:12:15,480 --> 00:12:17,640 Speaker 1: thing is. And in this case, it'd be work, be 246 00:12:17,720 --> 00:12:20,040 Speaker 1: a work addiction anyway, something for us all to think 247 00:12:20,040 --> 00:12:22,360 Speaker 1: about it. We think Ryan for that anyway. So here's 248 00:12:22,400 --> 00:12:24,400 Speaker 1: a clip of Ryan talking about that a little bit 249 00:12:25,520 --> 00:12:26,680 Speaker 1: and how it shows up for him. 250 00:12:27,880 --> 00:12:30,480 Speaker 3: It's a self diagnosis, right, But like I kind of 251 00:12:30,480 --> 00:12:34,439 Speaker 3: discovered it when I was going through something really emotionally 252 00:12:34,480 --> 00:12:39,720 Speaker 3: intense actively I don't disclose what it was. And I 253 00:12:39,800 --> 00:12:42,920 Speaker 3: realized that I was unconsciously working like I was working 254 00:12:42,960 --> 00:12:44,480 Speaker 3: at a time, and I really shouldn't have been working. 255 00:12:44,480 --> 00:12:46,040 Speaker 4: I should have been dealing with what was happening. 256 00:12:48,040 --> 00:12:50,200 Speaker 3: Yeah, yeah, I should have been dealing with what was happening, 257 00:12:50,440 --> 00:12:53,719 Speaker 3: and I kind of got called out on it, like, Yo, 258 00:12:53,760 --> 00:12:57,360 Speaker 3: why are you should emails and making calls about this thing? 259 00:12:57,800 --> 00:13:01,120 Speaker 3: We got this going on, you know, and I I realized, like, 260 00:13:01,160 --> 00:13:05,920 Speaker 3: oh I got a problem, you know, Like, so I navigated, 261 00:13:05,960 --> 00:13:06,560 Speaker 3: you know what I'm saying. 262 00:13:06,600 --> 00:13:07,840 Speaker 4: But it's a lot, Like it's a lot like if 263 00:13:07,840 --> 00:13:08,440 Speaker 4: somebody who. 264 00:13:08,280 --> 00:13:11,000 Speaker 3: Gotta eating dishworder right because you have to work, you 265 00:13:11,000 --> 00:13:12,600 Speaker 3: know what I mean, and live, you know what I mean, Like, 266 00:13:12,600 --> 00:13:16,040 Speaker 3: you gotta eat live. So when you're dealing with things 267 00:13:16,080 --> 00:13:20,679 Speaker 3: that's like necessities, it gets tricky, but you also love 268 00:13:20,720 --> 00:13:24,839 Speaker 3: it too. Yeah, yeah, and it brings good things, you 269 00:13:24,920 --> 00:13:26,880 Speaker 3: know what I'm saying. So it's complicated, you know, Like, 270 00:13:27,679 --> 00:13:29,000 Speaker 3: but it also ruined your life. 271 00:13:30,679 --> 00:13:33,520 Speaker 1: So yes, we should all be mindful of our work addictions. 272 00:13:33,559 --> 00:13:36,760 Speaker 1: We learned that. That is a tremendous takeaway from the 273 00:13:36,800 --> 00:13:38,839 Speaker 1: Ryan Coogler episode, But there was a lot. There was 274 00:13:38,880 --> 00:13:40,840 Speaker 1: a few bars. His bar about the prisoner of your 275 00:13:40,840 --> 00:13:43,360 Speaker 1: own perspective was pretty great too. Did you remember that 276 00:13:43,400 --> 00:13:46,200 Speaker 1: one we were talking about. I was telling him the 277 00:13:46,240 --> 00:13:50,040 Speaker 1: story about me like owning like my little jealous moment 278 00:13:50,040 --> 00:13:53,680 Speaker 1: with ed lover and then letting it go those are 279 00:13:53,679 --> 00:13:54,600 Speaker 1: just say jealous moment. 280 00:13:55,040 --> 00:13:58,600 Speaker 2: I always love when Angie, when you go into your 281 00:13:58,640 --> 00:14:01,320 Speaker 2: own personal stories about it, because on your radio show, 282 00:14:01,320 --> 00:14:04,000 Speaker 2: we don't get that. So it's only for IRA listeners 283 00:14:04,040 --> 00:14:06,320 Speaker 2: that they get to hear like a peek into your 284 00:14:06,320 --> 00:14:10,760 Speaker 2: brain of your personal life, and you tell an amazing 285 00:14:10,800 --> 00:14:14,800 Speaker 2: story about how you wanted this Oprah interview so bad. 286 00:14:15,080 --> 00:14:16,560 Speaker 1: It was like, that's the next thing. You know what 287 00:14:16,640 --> 00:14:18,199 Speaker 1: part of the story I left out and I forgot 288 00:14:18,240 --> 00:14:19,920 Speaker 1: to say and I wish I did. Oh, so I 289 00:14:19,960 --> 00:14:22,720 Speaker 1: tell this story about Ed Lover, who was just recently 290 00:14:22,760 --> 00:14:26,120 Speaker 1: made competition on the radio, he gets this Oprah interview, 291 00:14:26,200 --> 00:14:28,720 Speaker 1: which I always was dying. It was my wish to 292 00:14:28,760 --> 00:14:31,000 Speaker 1: get this Oprah interview. But the thing I didn't tell 293 00:14:31,040 --> 00:14:34,480 Speaker 1: on the podcast in this podcast was that the reason 294 00:14:34,520 --> 00:14:36,800 Speaker 1: I wanted to Oprah interview so bad at that time, 295 00:14:37,120 --> 00:14:39,640 Speaker 1: she had just said some remarks about hip hop, like 296 00:14:39,680 --> 00:14:43,880 Speaker 1: some disappointing things about hip hop culture, and I really 297 00:14:43,920 --> 00:14:45,880 Speaker 1: wanted to be the person to talk to her about that. 298 00:14:46,560 --> 00:14:49,560 Speaker 1: So it wasn't just I wanted an Oprah interview. I 299 00:14:49,720 --> 00:14:53,920 Speaker 1: really wanted to talk about to Oprah about her perspective 300 00:14:54,200 --> 00:14:56,400 Speaker 1: and why she felt like that about hip hop, and 301 00:14:56,440 --> 00:14:58,360 Speaker 1: I wanted to explain to her what I loved about 302 00:14:58,360 --> 00:15:01,360 Speaker 1: it so we could have this amazing, in my mind, 303 00:15:02,360 --> 00:15:07,800 Speaker 1: meaningful conversation. And then she decided to go somewhere else. Whoa, whoa, whoa. 304 00:15:08,160 --> 00:15:11,440 Speaker 2: That helps because it wasn't just about oh, this is 305 00:15:11,480 --> 00:15:13,960 Speaker 2: a tech on my resume or this is I've made 306 00:15:13,960 --> 00:15:16,200 Speaker 2: it purpose. It was with purpose. I really wanted to 307 00:15:16,200 --> 00:15:18,200 Speaker 2: because I love and respect her so much and she 308 00:15:18,280 --> 00:15:19,320 Speaker 2: was always my dream interview. 309 00:15:19,360 --> 00:15:22,480 Speaker 1: But now in this moment, I was like disappointed by her, 310 00:15:23,080 --> 00:15:25,480 Speaker 1: but also I wanted to educate her a little bit 311 00:15:25,600 --> 00:15:28,320 Speaker 1: from my perspective, and I just thought I was the 312 00:15:28,360 --> 00:15:30,880 Speaker 1: person this was going to be my interview. I could 313 00:15:31,000 --> 00:15:33,360 Speaker 1: I could do this. I could bring Oprah to the 314 00:15:33,480 --> 00:15:37,800 Speaker 1: side and show her and then and then I love 315 00:15:37,840 --> 00:15:39,600 Speaker 1: I got the interview and he did a great job, 316 00:15:39,840 --> 00:15:42,600 Speaker 1: and I had to salute him on that, and I 317 00:15:42,640 --> 00:15:44,240 Speaker 1: had to be honest with the fact that I was 318 00:15:44,280 --> 00:15:47,440 Speaker 1: a little jealous, and letting that go was healthy for me. 319 00:15:47,640 --> 00:15:51,240 Speaker 2: Jealousy is like it gets a really bad rep but 320 00:15:51,360 --> 00:15:55,720 Speaker 2: jealousy is is really a super tool, a positive tool, 321 00:15:55,960 --> 00:15:59,080 Speaker 2: because if you make it, yes, yes, jealousy can turn 322 00:15:59,240 --> 00:16:05,680 Speaker 2: very quickly into envy and either use it to motivate 323 00:16:05,720 --> 00:16:07,960 Speaker 2: yourself or then you go the other route and that's 324 00:16:08,000 --> 00:16:08,400 Speaker 2: no good. 325 00:16:08,600 --> 00:16:10,360 Speaker 1: Then you're the one of the funk. 326 00:16:10,720 --> 00:16:10,920 Speaker 4: Yeah. 327 00:16:10,960 --> 00:16:14,960 Speaker 2: But Brian says this good part, and we'll play this 328 00:16:15,000 --> 00:16:17,880 Speaker 2: clip about how he used to be really good at 329 00:16:17,880 --> 00:16:21,960 Speaker 2: football before he got accepted into film school, and he says, like, 330 00:16:22,920 --> 00:16:26,240 Speaker 2: this is how Ryan leans into the fear of jealousy. 331 00:16:27,400 --> 00:16:28,920 Speaker 3: So by the time I was in film school, I 332 00:16:29,040 --> 00:16:32,400 Speaker 3: learned to, like if I got the feeling, like somebody's 333 00:16:33,560 --> 00:16:35,400 Speaker 3: that feeling Mark Sean gave me when I was playing 334 00:16:35,440 --> 00:16:38,840 Speaker 3: against you. But but artistically, like i'll meet another student, 335 00:16:38,880 --> 00:16:40,920 Speaker 3: it's like, all this person is better than me at 336 00:16:40,920 --> 00:16:43,040 Speaker 3: this thing or or further along, and I get that, 337 00:16:43,080 --> 00:16:45,600 Speaker 3: I get that feeling, I'll run towards you. You know, 338 00:16:45,640 --> 00:16:47,760 Speaker 3: I'll try to, you know, try to befriend the person 339 00:16:47,800 --> 00:16:50,520 Speaker 3: and be around him, and she would I can learn, 340 00:16:50,520 --> 00:16:53,400 Speaker 3: you know what I'm saying. We could collaborate as opposed 341 00:16:53,400 --> 00:16:54,600 Speaker 3: to like like being like my. 342 00:16:55,000 --> 00:16:56,600 Speaker 1: But did you have to did you have to learn 343 00:16:56,640 --> 00:16:57,320 Speaker 1: how to do that? 344 00:16:57,680 --> 00:16:59,680 Speaker 3: I think Schwartz taught me, you know, like life's kind 345 00:16:59,720 --> 00:17:01,440 Speaker 3: of taught me before I got to grad school. So 346 00:17:01,480 --> 00:17:05,159 Speaker 3: I was already I was already in the and the 347 00:17:05,320 --> 00:17:05,840 Speaker 3: zone there. 348 00:17:06,080 --> 00:17:07,600 Speaker 1: You know, do you see people do you look at 349 00:17:07,640 --> 00:17:11,680 Speaker 1: other directors or other people now and think have those feelings? 350 00:17:11,680 --> 00:17:12,200 Speaker 4: Like the time? 351 00:17:12,440 --> 00:17:12,760 Speaker 1: Really? 352 00:17:12,880 --> 00:17:16,200 Speaker 4: Yeah, all the time? Man, That's why I know. That's 353 00:17:16,200 --> 00:17:17,280 Speaker 4: why I know something's good. 354 00:17:17,680 --> 00:17:21,119 Speaker 1: I like that part because you really like, why not 355 00:17:21,280 --> 00:17:25,640 Speaker 1: if somebody? If you change the word instead of and beyond. 356 00:17:25,680 --> 00:17:27,119 Speaker 1: You have to be honest with yourself to even know 357 00:17:27,119 --> 00:17:30,000 Speaker 1: you're jealous, right, because sometimes you're not being honest with 358 00:17:30,040 --> 00:17:32,240 Speaker 1: yourself and you're just like, they wasn't all that. I 359 00:17:32,480 --> 00:17:34,000 Speaker 1: did it better. If you're trying to push it aside, 360 00:17:34,080 --> 00:17:36,960 Speaker 1: you push it aside and it becomes and it's ugly 361 00:17:37,000 --> 00:17:38,600 Speaker 1: if you push it aside and try to front like 362 00:17:38,600 --> 00:17:41,480 Speaker 1: it's something else, because then you start comparing or you 363 00:17:41,520 --> 00:17:44,240 Speaker 1: start just being negative towards somebody. So if you can 364 00:17:44,320 --> 00:17:47,480 Speaker 1: be honest with yourself and say, gosh, that makes me 365 00:17:47,520 --> 00:17:51,320 Speaker 1: a little jealous, instead of leaning into the being jealous, 366 00:17:51,560 --> 00:17:55,680 Speaker 1: you could lean into I'm inspired. You could lean into 367 00:17:55,760 --> 00:18:00,560 Speaker 1: inspiration like damn, what did they what? How did they 368 00:18:00,600 --> 00:18:04,840 Speaker 1: do that? How did they do that? Or yeah, how 369 00:18:04,840 --> 00:18:06,720 Speaker 1: could I emulate? You have to figure out a way 370 00:18:06,840 --> 00:18:08,840 Speaker 1: for it to be positive, and he said, like he said, 371 00:18:08,840 --> 00:18:10,639 Speaker 1: he leans into it. He tries to get to know 372 00:18:10,720 --> 00:18:13,280 Speaker 1: people who might be better than him, which I thought 373 00:18:13,320 --> 00:18:16,280 Speaker 1: was super dope. And also when he was talking about 374 00:18:17,560 --> 00:18:21,160 Speaker 1: when we were talking about competition and how somebody could 375 00:18:21,160 --> 00:18:23,600 Speaker 1: look at something, it was just that one line that 376 00:18:23,680 --> 00:18:25,520 Speaker 1: he said. What he said, you're a prisoner of your 377 00:18:25,520 --> 00:18:30,480 Speaker 1: own perspective, which, man, if that's not a bar, it 378 00:18:30,520 --> 00:18:34,240 Speaker 1: doesn't even need any explanation, like you are a prisoner 379 00:18:34,680 --> 00:18:36,720 Speaker 1: of your own perspective. 380 00:18:36,160 --> 00:18:39,480 Speaker 2: To take a Moment's just that, like just let that 381 00:18:39,560 --> 00:18:44,000 Speaker 2: I might get a tattoo. It says that, because honestly, 382 00:18:44,040 --> 00:18:48,400 Speaker 2: it's so deep and it's so true, you really sometimes 383 00:18:48,400 --> 00:18:51,080 Speaker 2: got to change your perspective because you really could become 384 00:18:51,119 --> 00:18:54,800 Speaker 2: a prisoner of that. Anyway, He's so good on so 385 00:18:54,880 --> 00:18:58,840 Speaker 2: many levels, so we were grateful for him coming by. 386 00:18:58,920 --> 00:19:00,840 Speaker 2: And by the way, if you haven't checked out the episode, 387 00:19:00,920 --> 00:19:03,439 Speaker 2: it is of course live. There are many more gems 388 00:19:03,440 --> 00:19:05,760 Speaker 2: and takeaways that you can get for yourself. And also 389 00:19:05,840 --> 00:19:08,760 Speaker 2: he's just something about him is very compelling to watch. 390 00:19:10,080 --> 00:19:13,680 Speaker 1: It's soothing. Ryan's I saw somebody say that in the comments, 391 00:19:13,680 --> 00:19:17,760 Speaker 1: and she was somebody but I could watch you and 392 00:19:17,840 --> 00:19:20,080 Speaker 1: Ryan just keep talking like I don't know why, it's 393 00:19:20,080 --> 00:19:21,919 Speaker 1: just like relaxing to me. It makes me would and 394 00:19:22,320 --> 00:19:24,600 Speaker 1: I wanted to be like, girl, I get it because 395 00:19:25,000 --> 00:19:27,080 Speaker 1: I Yes, I felt the same way talking to him, 396 00:19:27,080 --> 00:19:30,360 Speaker 1: like I could just keep talking to him. The accents 397 00:19:30,359 --> 00:19:32,760 Speaker 1: helped too. The accent is great. I love the bay 398 00:19:32,800 --> 00:19:35,439 Speaker 1: Area accent. Yes to the Bay Air salute to the 399 00:19:35,440 --> 00:19:38,679 Speaker 1: bay Area. Anyway, So thank you to Ryan Coogler. If 400 00:19:38,680 --> 00:19:40,679 Speaker 1: you haven't seen the episode, it's on episode it's on 401 00:19:40,720 --> 00:19:43,640 Speaker 1: the YouTube page Edge Martinez Irl. Of course, you can 402 00:19:43,680 --> 00:19:46,600 Speaker 1: listen to it here or wherever podcasts are heard. And please, 403 00:19:46,600 --> 00:19:48,600 Speaker 1: guys subscribe so you don't miss any of them. We 404 00:19:48,680 --> 00:19:51,720 Speaker 1: got new episodes coming up. Was there anything else you have, Britt, Nope, 405 00:19:51,760 --> 00:19:52,280 Speaker 1: that was great. 406 00:19:52,320 --> 00:19:53,000 Speaker 2: I love Ryan. 407 00:19:53,200 --> 00:19:56,520 Speaker 1: We love Ryan. Team Ryan. I did see in a 408 00:19:56,560 --> 00:19:58,880 Speaker 1: couple of comments that people were like, did you give 409 00:19:58,920 --> 00:19:59,600 Speaker 1: him your script? 410 00:20:00,320 --> 00:20:01,159 Speaker 2: Oh? 411 00:20:01,280 --> 00:20:03,800 Speaker 1: Yeah, that's right. I r Ralph family. Hold Angie, Dad, 412 00:20:03,880 --> 00:20:06,359 Speaker 1: I love you are accountable Okay, And by the way, 413 00:20:06,520 --> 00:20:08,639 Speaker 1: I love y'all for that thing. Yes, and I do 414 00:20:08,720 --> 00:20:11,720 Speaker 1: read all the comments, so I do appreciate them. Uh, 415 00:20:11,760 --> 00:20:12,879 Speaker 1: and yeah, we're working on it. 416 00:20:13,880 --> 00:20:16,439 Speaker 2: Anyways, tune us into the next one. Make sure you're 417 00:20:16,440 --> 00:20:19,879 Speaker 2: commenting your own takeaways, keep messaging us. Check out the 418 00:20:19,920 --> 00:20:21,640 Speaker 2: episode if you haven't already. 419 00:20:21,680 --> 00:20:26,359 Speaker 1: Word and thank you guys. Catch you on the next one.