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Speaker 1: I am all in. All it's you.

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Speaker 2: I am all in with Scott Patterson an iHeartRadio podcast.

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Speaker 1: Everybody, Scott Patterson, I am all in podcasts, and I

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Speaker 1: do not have a charger, so we better talk fast.

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Speaker 1: We better get this all. Uh Scott, You.

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Speaker 2: Guys, Scott is working on his TV show, and so

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Speaker 2: we said bring this.

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Speaker 1: Bring this, and he just said, bring the laptop, bring

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Speaker 1: the laptop, bring the laptop charger. We will send you.

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Speaker 1: You didn't say bring the charger, you said bring the lot.

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Speaker 1: Just all you need to do is bring the laptop.

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Speaker 2: We're all in a panic because you're.

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Speaker 1: A literal minded person.

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Speaker 2: Everybody listen close because we only have thirty power.

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Speaker 1: The fast this episode ever, Episode one, Know and Improved

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Speaker 1: Lorelei one Aline Production's iHeart Radio. I am enjoined by

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Speaker 1: my intrepid crew Amy Sugarman, Tara Sued and about to

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Speaker 1: take maternity leave. Danielle Romo.

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Speaker 3: Uh, Danielle, I'm three days away from popping hopefully.

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Speaker 2: How does it feel that this is your last appearance

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Speaker 2: for a few months on the IM all in podcast.

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Speaker 3: You know, I'm definitely gonna miss you guys, but I'm

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Speaker 3: kind of excited to watch it. On my own and

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Speaker 3: listen to the podcast. You know, like to be on

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Speaker 3: the reverse side and then to get mad at you

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Speaker 3: guys for like you logan to get mad at you

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Speaker 3: guys are liking Lorelei in certain parts or you know whatever.

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Speaker 3: I'm excited for it to be on the on the

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Speaker 3: other side of it for a few months.

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Speaker 2: There is something enjoyable about watching TV and not having

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Speaker 2: to have a note pad and taking notes, like I

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Speaker 2: kind of get that.

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Speaker 1: Mm hmm. But we would like and drum roll please

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Speaker 1: and blaring trumpets and I know that's all. Here we go, ready,

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Speaker 1: ladies and gentlemen. You know her, you love her, you

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Speaker 1: wanted her, and we're giving her to you. Okay, here

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Speaker 1: she is, ladies and gentlemen, the inivitable, the inevitable. Susanne

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Speaker 1: is joining the Intrepid Crew. Hello, thank you for having

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Speaker 1: with Susanne. Thanks for joining us.

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Speaker 2: Do you feel nervous, Susan, I do.

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Speaker 4: I feel. Yeah, it's a little overwhelming to kind of,

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Speaker 4: you know, join an existing team and you know, try

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Speaker 4: to fit myself in. And you know, Danielle obviously has

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Speaker 4: some big shoes to fill, so I'll do my best.

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Speaker 2: We'll see how that goes.

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Speaker 3: Susanne. I am officially passed off the crown.

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Speaker 2: Make sure you hold it high.

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Speaker 4: I will try my best to be worthy of it.

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Speaker 2: Wait, Danielle, in all seriousness, have a great baby.

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Speaker 5: That little a fun little tidbit.

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Speaker 2: One.

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Speaker 5: We're in between like three names right now, so this

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Speaker 5: when I come back, This very much might not be

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Speaker 5: a good tease. But one of the names is a

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Speaker 5: Gomar girl's name Logan.

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Speaker 2: Is it Logan?

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Speaker 6: Yeah, Amy, I'm gonna name my kid Logan.

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Speaker 1: I think you're gonna You're got to name them Lucas.

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Speaker 5: Wait, it's gonna have to find out that's it main cast.

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Speaker 2: Oh, good question.

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Speaker 6: Nothing else, nothing else. I'll tell you guys eventually when

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Speaker 6: I come back.

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Speaker 5: What Christopher, If I don't choose the name, what the

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Speaker 5: name is that I was between?

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Speaker 1: Okay, so listen, everybody listening, chime in. Let us know

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Speaker 1: how you feel about the name of let's name Danielle's baby.

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Speaker 1: What do you should Should it be Logan?

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Speaker 7: Luke?

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Speaker 2: It could be Luke.

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Speaker 1: Could I'm going to wager that it's not going to

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Speaker 1: be Taylor.

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Speaker 2: Could be Jackson.

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Speaker 1: Became a wager is not going to be Jackson.

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Speaker 3: Michelle Lauren, you're not giving you, guys, anything else about

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Speaker 3: the ranch that it's not.

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Speaker 2: What about Dune enough?

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Speaker 1: Listen, we would be remiss if we didn't ask you

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Speaker 1: if you could please carve out some time right now

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Speaker 1: to do your final pre baby synopsisizations God, what.

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Speaker 5: A good way to send me out. But after this, Suzanne,

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Speaker 5: this is all you. Okay, Okay, guys. This is season six,

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Speaker 5: Episode one, New and Improved Lorelei.

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Speaker 6: Air date September thirteenth, two thousand and five. Luke says

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Speaker 6: yes to Lorelai's marriage proposal and buys a ring from Kirk.

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Speaker 6: Rory goes to court for stealing the boat and is

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Speaker 6: disappointed when Lorelai doesn't show up. Emily can't wait to

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Speaker 6: start redecorating the poolhouse for Rory and goes to Lareles

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Speaker 6: to pick up the rest of Rory's belongings, and Paris

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Speaker 6: freaks out when she finds out that Rory's not going

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Speaker 6: back to Yil.

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Speaker 1: And that's going to do it. Ladies and gentlemen. Miss

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Speaker 1: Danielle Romo, Missus.

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Speaker 2: Danielle Romo, She's leaving this. She's leaving the zoom by

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Speaker 2: Danielle Love you, guys.

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Speaker 5: I'll text you guys when I'm watching these episodes, yes,

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Speaker 5: and comment on all the Instagram posts and everything.

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Speaker 2: So it will be.

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Speaker 1: The dow date is three days from now.

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Speaker 4: Yep, September twenty seventh.

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Speaker 1: All right, all the best and uh we look forward

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Speaker 1: to seeing me.

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Speaker 2: Can't wait to meet Logan.

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Speaker 1: We can't make to meet little Luke, Little Luke, my god.

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Speaker 1: All right, much love, all the best, Love.

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Speaker 6: You guys, peace out, Love you guys.

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Speaker 2: She's really left the zoom.

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Speaker 1: She's just it's like it's like gone. It's a it's

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Speaker 1: like a like a sucking sound. It's a vacuum. It's

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Speaker 1: like how we how are we going to fill this?

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Speaker 1: And we have Okay, Susanne, you're on the hot seat.

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Speaker 1: You ready. You are going to also do the synopsisisations

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Speaker 1: right now. We want to compare and contrast. We will

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Speaker 1: see what kind of game you got?

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Speaker 4: Okay, sorry to reread the synopsis.

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Speaker 1: You got it? Yes, all right, okay, see how you

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Speaker 1: handle it?

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Speaker 4: Okay, No, I have not rehearsed this, but here I go.

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Speaker 4: So we have season six, episode one, New and Improved Lorelei,

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Speaker 4: which aired on September thirteenth, two thousand and five. And

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Speaker 4: I need to put on my reading glasses. Apparently all right.

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Speaker 2: Luke says, a great start. So then.

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Speaker 4: Luke says yes to Laurel's marriage proposal and buys a

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Speaker 4: ring from Kirk. Rory goes to Cork for stealing the

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Speaker 4: boat and is disappointed when Loreli doesn't show up. Emily

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Speaker 4: can't start, can't wait to start redecorating the poolhouse for

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Speaker 4: Rory and goes to Laurels to pick up the rest

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Speaker 4: of Rory's belongings, and Paris freaks out when she finds

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Speaker 4: out that Rory is not going back to Yale.

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Speaker 2: You fit in perfectly already at all that I got

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Speaker 2: at all with a slight perfection. We love it. That's okay.

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Speaker 4: I did have a little stumble there, but next time

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Speaker 4: a little finger snapping.

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Speaker 1: That's pretty cool stuff. That's pretty smooth, pretty cool man.

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Speaker 2: Nice Scott, Yes, right out the gate. Yes, how did

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Speaker 2: you feel about Season six, Episode one?

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Speaker 1: Well? I always had an issue with her propose to me,

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Speaker 1: but they really did get into it and they addressed it.

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Speaker 1: I you know, I thought about this and I surmised

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Speaker 1: that this is probably how it happened between Amy Sherman

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Speaker 1: and Dan Palladino. I bet you she just blurted it

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Speaker 1: out because they I think they like to write a

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Speaker 1: lot about their own lives and they put it into

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Speaker 1: the character. So I think it's probably how it happened,

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Speaker 1: and so that's how they could best write it, you

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Speaker 1: know what I'm saying.

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Speaker 2: Yeah, I actually quite like it. It's very loreli esque.

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Speaker 1: And she said I don't like it. I'm never gonna

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Speaker 1: like it. I'm just saying I understand where it came.

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Speaker 1: I think I understand where it came from. Could be wrong,

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Speaker 1: but I think that's how it went down.

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Speaker 2: But it opens up for so much good comedy too,

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Speaker 2: because everybody giving you all those subtle jabs, uh huh.

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Speaker 2: If it was the reverse, we wouldn't be able to

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Speaker 2: enjoy all that.

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Speaker 1: Why can't I be the butt of the joke? You know?

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Speaker 1: Why not? Sure? I agree? Yeah, there you go.

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Speaker 2: It's pretty great. So you know, I wasn't mad at it.

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Speaker 2: I kind of liked it. It was totally it was surprising.

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Speaker 1: Did you find it empowering?

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Speaker 2: M It's not about that. To me. It wasn't about

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Speaker 2: that whole like masculine feminine thing. To me, it was

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Speaker 2: like she was super sad, she felt like her relationship

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Speaker 2: with Rory was falling apart. She's at her lowest with

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Speaker 2: her parents and she comes in. And the reason she

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Speaker 2: did it was because she sees you being this hero

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Speaker 2: and if you want to say masculine hero, fine, you

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Speaker 2: were like, we're gonna do this, We're gonna do this,

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Speaker 2: We're gonna fix this, we're gonna solve this. And so

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Speaker 2: I don't think she had it planned. I think she's like,

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Speaker 2: you know what, this guy loves me, this guy's here

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Speaker 2: for me, this guy's not leaving me. Even in this coopstorm.

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Speaker 2: I'm in, will you marry me?

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Speaker 1: Don't.

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Speaker 8: I don't think she had it planned either.

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Speaker 7: But what bothered me is when she's like, I just

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Speaker 7: want to be happy right now, and I'm like, okay,

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Speaker 7: well give it, like like what happens if like would

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Speaker 7: she have asked Luke tomorrow? You know, I think that

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Speaker 7: line bothered me, where she said I want to be

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Speaker 7: happy right now.

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Speaker 4: Yeah, I agree with that. I felt like it was

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Speaker 4: it was very abrupt. It was almost kind of like

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Speaker 4: a knee jerk reaction. It wasn't like, oh, I really

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Speaker 4: love Luke and I want to spend the rest of

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Speaker 4: my life with him. It was like, I just need

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Speaker 4: something to distract me from the chaos of Rory and

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Speaker 4: it just felt a little bit like a knee jerk

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Speaker 4: reaction to me.

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Speaker 1: Yeah. Yeah, that's what bugged me about it so much

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Speaker 1: because I just you think of what you could have

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Speaker 1: done with those scenes, Luke planning for it, buying the ring.

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Speaker 1: You know, it's like everybody was coming at him with

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Speaker 1: he wasn't driving his own narrative. He's not He's not

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Speaker 1: the captain of his own ship.

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Speaker 2: She's always going to be the captain. Why because it's

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Speaker 2: called the Gilmore Girl.

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Speaker 1: No, No, that's exactly why. Exactly why?

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Speaker 2: Yeah, Like it's.

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Speaker 1: I wonder how the fans felt. You know, let's take

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Speaker 1: a poll of audience again. Here's another chime in on this.

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Speaker 1: You know, we want to know how you feel about it.

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Speaker 1: Did you feel like it was a missed opportunity to

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Speaker 1: really do some incredibly romantic things in a traditional way

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Speaker 1: or do you like the modern way? As Miss Patty stated.

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Speaker 2: I know that the modern thing is sort of becomes

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Speaker 2: a subtext of the episode a little bit. To me,

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Speaker 2: it was just very lare lie ish, and that's what

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Speaker 2: I love about it. So I agree with Tar and

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Speaker 2: Suzanne in that I see why that line bothered them.

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Speaker 1: But for me, she.

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Speaker 2: Does everything like that, so it tracked and I love her.

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Speaker 2: So for me, it was like, yeah, that's how you

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Speaker 2: do it, girl, Do it like go lore Lie, because

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Speaker 2: I relate to her and I want to sort of

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Speaker 2: live my life in that same manner. So I was like,

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Speaker 2: I'm in cool.

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Speaker 1: Yeah, like, yeah, don't give me take in to take

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Speaker 1: the ball away from him when he's got a layup,

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Speaker 1: you know, and nobody's garden him is I don't know.

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Speaker 2: Except that he was also at his moment where he

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Speaker 2: had just said I don't want the Twickham house. He

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Speaker 2: had done the kid things, so he was sort of

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Speaker 2: freaking out and kind of backpedaling. So for me, it's

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Speaker 2: also like she just did it. She's saying to him, yeah,

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Speaker 2: I am all in two right, because he had that

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Speaker 2: doubt in his mind because he thought, oh, she's going

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Speaker 2: to sell.

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Speaker 4: The end and she's gonna, you know, move on, and

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Speaker 4: maybe she doesn't want to be with me, and so

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Speaker 4: he may not have been at a place that he

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Speaker 4: would have made that taken that step at that point.

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Speaker 1: You know, it would have been great if he'd have

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Speaker 1: just said, you know what, let me do it.

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Speaker 2: Correct. But they did that on Friends? Oh they did

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Speaker 2: did that just a few years earlier, Am I right?

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Speaker 1: Or maybe somebody me if he just said, give me

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Speaker 1: a twenty four hour window, let me do this the

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Speaker 1: way I want to do it.

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Speaker 2: So keep me honest. But when did Monica.

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Speaker 1: Jesus the guys for for us?

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Speaker 2: Oh yeah, somebody look up, because what happens on Friends

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Speaker 2: is Monica. There's this whole sort of like misunderstanding. So

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Speaker 2: it was May eighteenth, two thousand, so there's no way

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Speaker 2: Amy and Dan are going to copy what Friends did.

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Speaker 2: So what Friends did is Monica proposes to Chandler and

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Speaker 2: she kind of flubs it, and then she says there's

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Speaker 2: a reason girls don't do this, and then they switch

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Speaker 2: in that scene and Chandler does it, and I just

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Speaker 2: think they're not going to repeat that exactly. I think

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Speaker 2: they it's close.

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Speaker 7: It was a season finale too, so it would have

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Speaker 7: been like, really just copying Friends, and.

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Speaker 4: It would have been weird if she did it. And

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Speaker 4: then Luke was the one that basically says, well, wait,

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Speaker 4: you didn't do that, right, let's do it let me like,

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Speaker 4: you just would have been weird, like he was kind

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Speaker 4: of rejecting her proposal because she didn't do it the

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Speaker 4: right way.

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Speaker 2: So wait, Scott, let me ask you this. You're You're Luke, right,

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Speaker 2: You're Luke, and you know how much you love Laura

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Speaker 2: Lai and how much you've always loved her and how

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Speaker 2: finally your dreams are coming true with her. You're telling

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Speaker 2: me that Luke wasn't stoked that she just said, I

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Speaker 2: want to spend the rest of my life with you

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Speaker 2: and marry you. He's thrilled.

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Speaker 1: Now, I'm not saying, you know, everything has to be

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Speaker 1: super traditional, but for the love of you know what,

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Speaker 1: for the love of Pete, for the love of John,

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Speaker 1: for the love of Luke. Well, the guy proposed to

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Speaker 1: the woman to give him a wedding. They couldn't even

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Speaker 1: give these two a wedding they.

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Speaker 2: Gave Getting ahead of that, you're getting a hit.

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Speaker 1: The point is is how they see the character, you know,

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Speaker 1: and to me playing the character, it's a little bit challenging,

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Speaker 1: you know, to not be able to propose because those

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Speaker 1: are big moments, and but I wanted to act it.

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Speaker 1: I wanted to be in those scenes and act it,

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Speaker 1: don't you get it. I didn't get to act it,

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Speaker 1: and then I didn't get to have the wedding, and

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Speaker 1: we didn't get to act any of that stuff. And

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Speaker 1: it was just like a you know, we elope and

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Speaker 1: it was like kind of all about her, and which

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Speaker 1: is fine. It's her show. Fine, that's really the point

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Speaker 1: of all of this. It's like, hey, it's her show,

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Speaker 1: and that's the way it is.

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Speaker 2: It is her show, and I get that part of it.

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Speaker 1: But I think it's a better show. I think it's

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Speaker 1: a better show if I propose and we get a

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Speaker 1: big wedding. Sorry, that's just how I feel.

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Speaker 2: You the wedding.

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Speaker 1: Call me sexist? Do you want to call me traditional? Fine,

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Speaker 1: I'll take it. But that's just how I feel about it.

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Speaker 2: Well, also, we because you don't exactly know what's coming,

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Speaker 2: so so hang tight. But also it tracks with Lorelai,

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Speaker 2: Like this move was a very Lorelai move. Also, we're

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Speaker 2: making a TV show, so I love the cliffhanger of it.

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Speaker 2: It was great.

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Speaker 1: Listen, you can like it all you want. I will

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Speaker 1: never like it. You can't talk me into liking it. Okay,

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Speaker 1: we care. That's really free to disagree. Okay, let's let's

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Speaker 1: see how fans chime in. Okay, let's see what they say.

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Speaker 1: Some are going to agree with you, some are going

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Speaker 1: to agree Ruth me. Let's let's see, let's see what happened.

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Speaker 2: The only criticism I have of the scene, and I

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Speaker 2: do have a little bit, and I see what you

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Speaker 2: guys think. So now move into season one, because we

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Speaker 2: kind of were backpedaling a little bit on the end

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Speaker 2: of season five. But the only part that I think

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Speaker 2: got awkward is actually the moment after the proposal when

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Speaker 2: they're all awkward. He says yes, and then she's like, oh, we.

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Speaker 8: Should do so they go try to get alcohol.

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Speaker 4: Yeah, yeah, I agree. I think it was the whole

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Speaker 4: awkward was awkward. You know, Luke always has beer up

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Speaker 4: in his apartment, so why are they running around trying

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Speaker 4: to find something to toast with? That? That was odd,

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Speaker 4: although I did have to laugh at the when they

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Speaker 4: were outside the diner and Taylor tells Laura like, if

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Speaker 4: you think you have to be drunk to be with Luke?

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Speaker 4: That did crack me up. But in general, it was

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Speaker 4: a little odd that they were kind of just stumbling around,

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Speaker 4: like we don't know what to do next. I mean,

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Speaker 4: you celebrate.

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Speaker 8: I mean that's also had to google what Zema is.

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Speaker 2: I actually did not know.

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Speaker 8: I was like, what is that?

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Speaker 2: Okay, so everybody can weigh in on their thoughts on

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Speaker 2: that scene. We now go to the new opening credits,

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Speaker 2: which again keep me honest, but Sean Gun's in there

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Speaker 2: and Zukrie. I can't remember if Sean was in there before,

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Speaker 2: but Zukrie's definitely been added to the opening credits.

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Speaker 8: Yeah, he's no longer this. I think he was like

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Speaker 8: featuring your special guest.

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Speaker 2: Yeah, so that was sort of something thing mm hmm.

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Speaker 2: All right, So the next scene, you guys are in

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Speaker 2: bed and it is a little bit of a I'm

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Speaker 2: interested to hear your thoughts because this is where you

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Speaker 2: finally reveal the house. She doesn't even know that you

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Speaker 2: had bought the house and canceled the house. She's sort

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Speaker 2: of asleep and you are opening up to her about that.

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Speaker 2: You know, she kind of wakes up. You bought a house.

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Speaker 1: I thought the way he was acting was out of character.

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Speaker 1: I didn't understand it when I was watching it. I

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Speaker 1: kept saying, why is Luke acting that way? That's not Luke?

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Speaker 1: Who is that that's that was That's my whole commentary

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Speaker 1: on that scene.

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Speaker 2: What do you think he what do you would have?

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Speaker 1: I didn't understand it. I did not understand uh why

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Speaker 1: he was behaving in that way.

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Speaker 2: See, I got the vibe. Okay, so they're in bed.

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Speaker 2: Obviously they're like happy. She's falling asleep. He even says,

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Speaker 2: is this really happening? So I think he's happy. I

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Speaker 2: think he's ecstatic that the love of his life they're engaged.

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Speaker 2: But then he sort of is, uh, what's the word conflicted?

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Speaker 2: So you guys are in bed, and this is where

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Speaker 2: you finally open up to her right that you bought

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Speaker 2: the house, and she sort of says, just include me

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Speaker 2: in these big decisions. I don't even think she was

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Speaker 2: like she wants kids. This is where she tells you

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Speaker 2: kids would be good.

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Speaker 1: Yep.

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Speaker 4: Yeah. I thought it was refreshing to finally see Luke

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Speaker 4: open up about what he was feeling, because Luke is

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Speaker 4: so stoic and he's hard to read. And the first

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Speaker 4: time I watched it, I remember being like really excited, like,

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Speaker 4: oh my gosh, we're finally getting to see like the

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Speaker 4: soft Luke that's underneath the hard shell and So I

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Speaker 4: liked that scene because it was a side of Luke

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Speaker 4: that she had not seen in the previous five seasons.

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Speaker 2: Yeah, I mean I did too. I also like that

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Speaker 2: we don't have this like thing she doesn't know now

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Speaker 2: she knows about the house and they've addressed the kid thing,

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Speaker 2: and she flat out says like, yeah, kids would be good.

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Speaker 2: So I was sort of like, Okay, we're good. We're

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Speaker 2: doing good here.

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Speaker 7: I think she's warming up the idea of like, like

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Speaker 7: you know, like when when she goes and gets the

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Speaker 7: pamphlet or whatever from the house and they're like, oh,

378
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Speaker 7: mentioned of kids again. Like it's kind of like she's

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Speaker 7: starting to think about it a little bit more. I

380
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Speaker 7: mean it may not be like exactly what she wants,

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Speaker 7: but she's thinking about it.

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Speaker 2: Can I also ask you something, Scott that's probably gonna

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Speaker 2: irritate you, but I want to ask it.

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Speaker 1: Go ahead, take a deep breath.

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Speaker 2: I am a huge I'm gonna say this and be

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Speaker 2: appropriate to me. Luke is so handsome, right, Why did

387
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Speaker 2: they do that to your hair?

388
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Speaker 1: I know it did?

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Speaker 4: It look just so strange, so dumb.

390
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Speaker 1: It's like so it looks like so I don't know

391
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Speaker 1: what was that like eighties hair.

392
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Speaker 2: It was so dumb.

393
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Speaker 1: I'm like, seventies hair, eighties hair. It was like also floppy,

394
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Speaker 1: and they looked like so much of it and so

395
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Speaker 1: long and shining. It was like a different person. It

396
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Speaker 1: was not Luke and his disco shirt and his disco

397
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Speaker 1: and his floppy hair. I just want to spear. It

398
00:21:33,280 --> 00:21:34,000
Speaker 1: looked like one.

399
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Speaker 2: That's Scott, You're right nice Fever. I'm like, why are

400
00:21:43,119 --> 00:21:46,520
Speaker 2: they doing this like Luke? It's so handsome, Like Luke's

401
00:21:46,520 --> 00:21:50,800
Speaker 2: a total babe. Yell, why are they giving doing that?

402
00:21:51,080 --> 00:21:55,080
Speaker 2: It's so dumb. So I will throw the biggest flag

403
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Speaker 2: on the play ever there. I'm like, heye, hair person,

404
00:21:58,520 --> 00:22:01,840
Speaker 2: what in the heck let this guy look look like

405
00:22:02,080 --> 00:22:02,840
Speaker 2: it was so.

406
00:22:03,040 --> 00:22:05,560
Speaker 1: It looked like an older guy trying to look like

407
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Speaker 1: he was twenty. He was like, so.

408
00:22:08,080 --> 00:22:13,879
Speaker 2: Weird, I'm so unnecessary, Like you looked great. Why do

409
00:22:13,920 --> 00:22:15,119
Speaker 2: you I don't get that.

410
00:22:15,320 --> 00:22:17,800
Speaker 1: It was very Saturday night, Fever, wasn't. It was like,

411
00:22:17,880 --> 00:22:21,800
Speaker 1: don't touch my hair. My hair. Daddy hit my hair,

412
00:22:24,000 --> 00:22:28,040
Speaker 1: and you hit it.

413
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Speaker 2: So his seventies begs. It did make me think that

414
00:22:31,359 --> 00:22:32,840
Speaker 2: in bed you were just going to start doing this.

415
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Speaker 1: You know what I would have preferred it. I would

416
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Speaker 1: have preferred it to the way he was acting in

417
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Speaker 1: bed I have broken out.

418
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Speaker 2: And I think one of the reasons you hate these

419
00:22:45,640 --> 00:22:50,360
Speaker 2: scenes ist that hair. Sorry, I just had to say,

420
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Speaker 2: I don't want to kick the man while he's down, but.

421
00:22:53,680 --> 00:22:56,920
Speaker 1: Hairy, it doesn't matter. There's nothing left to kick that.

422
00:22:56,680 --> 00:22:58,080
Speaker 1: That part is gone.

423
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Speaker 2: Let's say we can turn it around. So anyway, So

424
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Speaker 2: then we go to the diner and you're so happy,

425
00:23:04,400 --> 00:23:10,640
Speaker 2: you are so happy, you're boring coffe, basically dancing around,

426
00:23:11,720 --> 00:23:14,840
Speaker 2: and then here comes Miss Patty and Babbett and they know,

427
00:23:15,560 --> 00:23:19,439
Speaker 2: they know, I know you don't like it because they

428
00:23:19,480 --> 00:23:24,840
Speaker 2: know everything. Yeah, yeah, someone strikes.

429
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Speaker 1: You know, those two had the appropriate reaction. By the way,

430
00:23:29,359 --> 00:23:31,800
Speaker 1: how glorious is it when those two come on the screen.

431
00:23:32,760 --> 00:23:35,960
Speaker 1: How great are they at acting? How great are these

432
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Speaker 1: two together?

433
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Speaker 2: This was a great Sally Struthers episode. I don't want

434
00:23:39,520 --> 00:23:41,760
Speaker 2: to jump ahead, but when she's running.

435
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Speaker 1: And do you know, when I was watching the episode

436
00:23:44,800 --> 00:23:51,800
Speaker 1: last night, I thought to myself, I'm standing there acting

437
00:23:51,920 --> 00:23:55,600
Speaker 1: with Sally Struthers. Yeah, yeah, from Gloria, from All in

438
00:23:55,600 --> 00:23:57,520
Speaker 1: the Family. And I grew up watching that show, and

439
00:23:57,560 --> 00:23:59,920
Speaker 1: I grew up watching her. This is one of the

440
00:24:00,119 --> 00:24:02,560
Speaker 1: great actresses in our business.

441
00:24:03,000 --> 00:24:05,040
Speaker 2: Right, let me just say that.

442
00:24:05,160 --> 00:24:07,919
Speaker 1: And I'm sitting there doing comedy scenes with her. It

443
00:24:08,040 --> 00:24:11,000
Speaker 1: was thrilling to watch. That was the thrilling part for me.

444
00:24:11,440 --> 00:24:14,119
Speaker 2: I actually agree. I had a moment, I think, because

445
00:24:14,160 --> 00:24:17,880
Speaker 2: this really let Bibet have some great moments. I had

446
00:24:17,920 --> 00:24:19,919
Speaker 2: the same thing last night where I was like, you

447
00:24:19,960 --> 00:24:24,600
Speaker 2: know what, Sally Struthers rocks like. She's awesome.

448
00:24:25,000 --> 00:24:28,480
Speaker 1: She's the best actress alive. Yeah, there's not a better

449
00:24:28,520 --> 00:24:31,560
Speaker 1: comedy actress than her. There is. She is it. She's

450
00:24:31,560 --> 00:24:35,720
Speaker 1: a gem. She should have her own show. It's just unbelievable.

451
00:24:35,760 --> 00:24:38,360
Speaker 2: I wonder did she think of holding the boobs while

452
00:24:38,359 --> 00:24:40,800
Speaker 2: she's running or did they direct that, because to me,

453
00:24:40,880 --> 00:24:41,760
Speaker 2: it felt like she thought it.

454
00:24:42,240 --> 00:24:43,320
Speaker 8: I feel like it's a her thing.

455
00:24:43,440 --> 00:24:44,480
Speaker 2: It's a her thing to me.

456
00:24:44,760 --> 00:24:48,359
Speaker 1: God, and again here I I'm going to harp on

457
00:24:48,440 --> 00:24:53,600
Speaker 1: what you know. Imagine Liz Torres and Sally Struthers in

458
00:24:53,640 --> 00:24:55,160
Speaker 1: their own comedy series.

459
00:24:56,040 --> 00:24:57,960
Speaker 2: Oh, I mean that's Laverne and Shirley to.

460
00:24:59,280 --> 00:25:01,840
Speaker 1: They did Laverne, and surely they did The Golden Girls.

461
00:25:01,880 --> 00:25:04,920
Speaker 1: They did all kinds of things. Yeah, tell me because

462
00:25:04,920 --> 00:25:07,720
Speaker 1: of their age or whatever that it couldn't be done.

463
00:25:07,760 --> 00:25:09,320
Speaker 1: They've done it before one hundred times.

464
00:25:09,359 --> 00:25:11,879
Speaker 2: It totally could have. Yeah, I would have watched that

465
00:25:11,960 --> 00:25:13,320
Speaker 2: spin off. That would have been awesome.

466
00:25:13,840 --> 00:25:15,679
Speaker 1: I would have watched that too. I would have watched

467
00:25:15,680 --> 00:25:18,720
Speaker 1: that right after the uh Huntsburger's spin off.

468
00:25:20,520 --> 00:25:23,040
Speaker 2: I actually would have preferred that. I love me some lot.

469
00:25:23,119 --> 00:25:24,600
Speaker 8: What about the Jets spinoff?

470
00:25:27,680 --> 00:25:29,359
Speaker 2: Sure, I think it's kind of a bummer that the

471
00:25:29,440 --> 00:25:32,400
Speaker 2: Jet spin off didn't work, But I get it.

472
00:25:32,480 --> 00:25:33,040
Speaker 8: I get it.

473
00:25:33,119 --> 00:25:37,359
Speaker 2: Yeah, Look, Scott, I think you're bothered because you're Luke, right,

474
00:25:37,720 --> 00:25:41,439
Speaker 2: and the whole episode is basically people giving you grief

475
00:25:41,600 --> 00:25:44,479
Speaker 2: for not proposing, So there's no way that's not going

476
00:25:44,560 --> 00:25:45,920
Speaker 2: to sink into you.

477
00:25:45,920 --> 00:25:47,159
Speaker 1: As well they should.

478
00:25:48,640 --> 00:25:52,719
Speaker 2: Well, I mean to me, it's just hilarious, like and

479
00:25:52,840 --> 00:25:56,600
Speaker 2: I actually think Luke was fine with it until everyone

480
00:25:56,680 --> 00:25:59,880
Speaker 2: started making it such a thing, and that's why he'd

481
00:25:59,880 --> 00:26:01,400
Speaker 2: be came less fine with it.

482
00:26:02,320 --> 00:26:06,160
Speaker 1: Well, he lives in a world of lowered expectations, especially

483
00:26:06,160 --> 00:26:09,639
Speaker 1: when it comes to Laurelai, and uh, you know, at

484
00:26:09,680 --> 00:26:12,200
Speaker 1: this point it's just just take what he can get,

485
00:26:12,680 --> 00:26:14,760
Speaker 1: you know, m.

486
00:26:16,320 --> 00:26:17,760
Speaker 2: That is true.

487
00:26:18,200 --> 00:26:20,600
Speaker 1: Well, he'll say yes anything at this point, you know you've.

488
00:26:20,480 --> 00:26:22,479
Speaker 2: Got like the love of your life.

489
00:26:22,720 --> 00:26:26,359
Speaker 1: But yeah, but he's acting a little desperate. Yeah, I

490
00:26:26,359 --> 00:26:26,560
Speaker 1: mean it.

491
00:26:28,000 --> 00:26:31,080
Speaker 2: No, he's not. He's just like, No, I don't think

492
00:26:31,119 --> 00:26:35,080
Speaker 2: it's desperate at all. I think it's like, this is

493
00:26:35,119 --> 00:26:38,680
Speaker 2: the course of the relationship. You obviously were thinking about

494
00:26:38,720 --> 00:26:41,239
Speaker 2: it too, because you bought the Twickham house. You were

495
00:26:41,280 --> 00:26:44,639
Speaker 2: ready to take the next step. You didn't think she was.

496
00:26:44,960 --> 00:26:48,760
Speaker 2: So she came and said, I am ready marry me.

497
00:26:49,440 --> 00:26:52,480
Speaker 2: And then she goes by the Twickham House and talks

498
00:26:52,520 --> 00:26:55,840
Speaker 2: to the the realtor, and you can see.

499
00:26:55,600 --> 00:26:58,199
Speaker 1: In her eyes like he should have just bought the

500
00:26:58,280 --> 00:27:02,600
Speaker 1: damn house. Proposed to were taking her over the threshold.

501
00:27:03,480 --> 00:27:05,679
Speaker 2: I don't disagree. That would have been cool, and.

502
00:27:06,400 --> 00:27:08,560
Speaker 1: They could make babies and that's it. You know, if

503
00:27:08,600 --> 00:27:11,040
Speaker 1: you can't get comedy out of that, I can't help you.

504
00:27:11,240 --> 00:27:14,520
Speaker 1: I'm sorry. We tell a story, right, you know what

505
00:27:14,600 --> 00:27:20,480
Speaker 1: I mean, tell it right, respect the character, respected characters.

506
00:27:20,680 --> 00:27:23,640
Speaker 2: I mean, look, your version isn't wrong, but I don't

507
00:27:23,640 --> 00:27:27,920
Speaker 2: think their versions wrong either. It's just different versions and

508
00:27:27,960 --> 00:27:32,159
Speaker 2: different perspectives and different ideas. Because as a Lorel I

509
00:27:32,359 --> 00:27:35,720
Speaker 2: like I love her, I like how this is going.

510
00:27:35,840 --> 00:27:37,680
Speaker 2: I even like where it.

511
00:27:37,600 --> 00:27:39,760
Speaker 1: Goes and where does it go?

512
00:27:40,160 --> 00:27:46,920
Speaker 2: I'm not telling you episodes, yeah, meaning this season anyway.

513
00:27:47,400 --> 00:27:50,400
Speaker 1: Well, I'm reacting, sy see, I don't have the benefit

514
00:27:50,480 --> 00:27:54,680
Speaker 1: of foresight, you do, correct, So I'm reacting in real time.

515
00:27:55,080 --> 00:27:58,080
Speaker 1: Yep uh. And I would have to say I'm a

516
00:27:58,359 --> 00:28:05,000
Speaker 1: little more invested in this that most people. Definitely forgive

517
00:28:05,160 --> 00:28:11,639
Speaker 1: my my edgy responses, but I you know, I'm It

518
00:28:11,720 --> 00:28:14,560
Speaker 1: took a lot of effort and a lot of painstaking

519
00:28:14,600 --> 00:28:18,639
Speaker 1: effort to create this character, and I'm very proud of it,

520
00:28:18,720 --> 00:28:21,159
Speaker 1: and in certain moments, I'm not And I'm just going

521
00:28:21,240 --> 00:28:26,399
Speaker 1: to state that openly, and if it riles the the fans,

522
00:28:26,440 --> 00:28:29,120
Speaker 1: then then it riles the fans. The reason I got

523
00:28:29,200 --> 00:28:33,240
Speaker 1: Luke is because I'm not a bullshitter, okay, And that's

524
00:28:33,280 --> 00:28:35,840
Speaker 1: why that's why I got the job is because I

525
00:28:35,880 --> 00:28:39,120
Speaker 1: was straightforward in the audition. I was who I am,

526
00:28:39,640 --> 00:28:41,960
Speaker 1: and I'm being who I am now. That's why I

527
00:28:42,040 --> 00:28:44,959
Speaker 1: played the character. So when I see it go off course,

528
00:28:45,080 --> 00:28:47,040
Speaker 1: I'm going to say something, Well.

529
00:28:46,840 --> 00:28:50,960
Speaker 2: And I think you because you're you are the character, right,

530
00:28:51,160 --> 00:28:55,080
Speaker 2: It's it's one and the same. These people poking you

531
00:28:55,880 --> 00:28:58,440
Speaker 2: was funny until it was the straw that broke the

532
00:28:58,440 --> 00:29:01,640
Speaker 2: camel's back. So I think you're or Look, I don't

533
00:29:01,640 --> 00:29:04,160
Speaker 2: want to psycho analyze a little triggered by the fact

534
00:29:04,160 --> 00:29:08,840
Speaker 2: that all ba Bett, you know, uh Kirk, all these

535
00:29:08,840 --> 00:29:12,680
Speaker 2: people are giving you even a little maybe others are

536
00:29:12,720 --> 00:29:19,320
Speaker 2: giving you a little grief for not proposing within this episode, and.

537
00:29:19,360 --> 00:29:24,920
Speaker 1: They should because that's the only when you when you

538
00:29:25,000 --> 00:29:28,480
Speaker 1: do this to the characters and there's only one path

539
00:29:28,520 --> 00:29:31,800
Speaker 1: that that can go, then the other characters have to respond,

540
00:29:31,880 --> 00:29:36,400
Speaker 1: and that's how they respond. That's how anybody respond because

541
00:29:36,400 --> 00:29:39,880
Speaker 1: they're anticipating the fans are going to respond in this way.

542
00:29:40,240 --> 00:29:41,160
Speaker 1: I think you're right.

543
00:29:42,040 --> 00:29:43,600
Speaker 2: I think I think you make a great point there.

544
00:29:43,600 --> 00:29:46,440
Speaker 2: There is obviously they knew the fans would have feelings,

545
00:29:46,480 --> 00:29:48,240
Speaker 2: and that's why they write this in. I mean, it's

546
00:29:48,280 --> 00:29:53,320
Speaker 2: a major storyline, people giving Luke grief for not being

547
00:29:53,320 --> 00:29:55,600
Speaker 2: the one to propose. So you're not wrong.

548
00:29:56,320 --> 00:29:59,200
Speaker 1: If if, if, if we ever get those two on

549
00:29:59,280 --> 00:30:03,320
Speaker 1: the show, then we can ask them point blank, what

550
00:30:03,400 --> 00:30:06,680
Speaker 1: was the thought process behind us? Was this your real

551
00:30:06,720 --> 00:30:10,440
Speaker 1: life experience? You know, and you wanted to write it,

552
00:30:10,480 --> 00:30:12,120
Speaker 1: You thought you could write it really well. Because you

553
00:30:12,240 --> 00:30:14,520
Speaker 1: lived it, you know what you know.

554
00:30:15,240 --> 00:30:16,920
Speaker 2: So what do you think? What do you all think

555
00:30:16,920 --> 00:30:19,240
Speaker 2: about Lorelai going by the Twickham house and sort of

556
00:30:19,280 --> 00:30:22,160
Speaker 2: looking at it longingly and talking to the agent.

557
00:30:23,040 --> 00:30:25,960
Speaker 7: I think I think she's thinking about it, Like you know,

558
00:30:26,000 --> 00:30:28,520
Speaker 7: at this point in her life, Rory's not there. I mean,

559
00:30:28,560 --> 00:30:30,560
Speaker 7: whether they're in a fight or not. Rory doesn't live

560
00:30:30,600 --> 00:30:35,080
Speaker 7: at that house anymore. She is alone, and I think

561
00:30:35,200 --> 00:30:40,640
Speaker 7: that she's thinking about her future with Luke and maybe

562
00:30:40,680 --> 00:30:44,640
Speaker 7: a new house, in a new home is the start

563
00:30:44,680 --> 00:30:46,400
Speaker 7: of a new life. So I think I think she

564
00:30:46,480 --> 00:30:47,920
Speaker 7: really took that into perspective.

565
00:30:48,960 --> 00:30:52,760
Speaker 4: Yeah, she's thinking about all the possibilities that she hadn't

566
00:30:52,760 --> 00:30:53,840
Speaker 4: really considered before.

567
00:30:56,280 --> 00:30:59,720
Speaker 2: Yeah, it's it's pretty major that scene. Even though it's small,

568
00:31:00,560 --> 00:31:02,920
Speaker 2: I think there's more, you know, it's important. So then

569
00:31:03,000 --> 00:31:07,960
Speaker 2: Richard calls to talk about Charlie Davenport, the attorney, and

570
00:31:08,000 --> 00:31:10,480
Speaker 2: then we kind of get into the Rory storyline. So

571
00:31:10,840 --> 00:31:12,280
Speaker 2: I do want to talk about that because I have

572
00:31:12,320 --> 00:31:14,320
Speaker 2: a lot of questions for you guys about that. Yeah,

573
00:31:14,400 --> 00:31:16,960
Speaker 2: so Rory's in the beach house or I'm sorry, the

574
00:31:16,960 --> 00:31:19,800
Speaker 2: beach house, the pool house. Rory's in the pool house

575
00:31:19,800 --> 00:31:22,480
Speaker 2: and Emily comes in at eight thirty and redecorating in

576
00:31:22,560 --> 00:31:25,280
Speaker 2: coffee and the breakfast spread that looked like I was

577
00:31:25,280 --> 00:31:29,160
Speaker 2: at the Four Seasons? So what do y'all think of that?

578
00:31:31,880 --> 00:31:35,800
Speaker 1: It's definitely I thought the bed the bed stuff was

579
00:31:35,840 --> 00:31:38,200
Speaker 1: funny and then made pulling the pillow out from under

580
00:31:38,240 --> 00:31:40,840
Speaker 1: her head. I mean, it was all very well choreographed

581
00:31:40,840 --> 00:31:46,120
Speaker 1: and well acted. And I think Alexis again is just

582
00:31:46,720 --> 00:31:49,800
Speaker 1: she's so smooth and so good and so effortless in

583
00:31:49,840 --> 00:31:55,760
Speaker 1: her comedy that it's always relaxing to watch her. You

584
00:31:55,800 --> 00:32:00,440
Speaker 1: can relax and laugh. Yeah, she's never sawing the air

585
00:32:00,640 --> 00:32:04,560
Speaker 1: too much with her hand. Thus, as Hamlet instructs the

586
00:32:04,600 --> 00:32:09,120
Speaker 1: players to not be too histrionic. And I think, you know,

587
00:32:09,360 --> 00:32:12,240
Speaker 1: any actor worth her AsSalt could take a look at

588
00:32:12,280 --> 00:32:17,120
Speaker 1: Alexis's performance and in this show and learn something about

589
00:32:17,160 --> 00:32:20,200
Speaker 1: how to just really relax and ease into a role

590
00:32:20,600 --> 00:32:23,960
Speaker 1: and ease into dialogue because she's very, very smooth and

591
00:32:24,000 --> 00:32:27,120
Speaker 1: self assured and and you know, there's no rough edges,

592
00:32:27,240 --> 00:32:31,400
Speaker 1: and that's hard to accomplish, you know, it's it's it's effortless,

593
00:32:31,400 --> 00:32:34,520
Speaker 1: fluid acting, and it's that's acting at its best. So

594
00:32:34,720 --> 00:32:37,120
Speaker 1: I think she she didn't get a lot of credit

595
00:32:37,400 --> 00:32:42,320
Speaker 1: for this, But I'm I'm very impressed with what I'm saying.

596
00:32:42,360 --> 00:32:44,360
Speaker 1: I'm very very impressed with what I'm seeing from her.

597
00:32:44,360 --> 00:32:47,840
Speaker 1: I'm I'm believing everything she says. I'm following her through

598
00:32:47,840 --> 00:32:51,040
Speaker 1: all these stories, and I just it's hard to find

599
00:32:51,080 --> 00:32:54,360
Speaker 1: a false moment with her. She's she's very genuine and

600
00:32:54,440 --> 00:32:56,760
Speaker 1: very real, and it's and it's just all it's very

601
00:32:56,800 --> 00:32:57,920
Speaker 1: effortless and that's what you look.

602
00:32:58,120 --> 00:33:00,560
Speaker 2: Yeah, I agree. I don't have any critique of the performance.

603
00:33:00,600 --> 00:33:03,320
Speaker 2: I have the storyline. I have a critique that we'll

604
00:33:03,360 --> 00:33:07,400
Speaker 2: get to of. We'll get to it. But I have

605
00:33:07,440 --> 00:33:11,360
Speaker 2: a controversial question for Suzanne. Oh god, Suzanne, have you

606
00:33:11,440 --> 00:33:16,360
Speaker 2: seen on Hiktok how people talk about Rory's voice from

607
00:33:16,400 --> 00:33:20,520
Speaker 2: season one versus the voice in the later seasons.

608
00:33:21,000 --> 00:33:22,120
Speaker 4: What is the deal with that?

609
00:33:22,560 --> 00:33:22,640
Speaker 2: So?

610
00:33:22,840 --> 00:33:26,560
Speaker 4: Okay, I'm not on TikTok, but I've seen it mentioned

611
00:33:26,640 --> 00:33:28,880
Speaker 4: in the past, like in Facebook groups and stuff, And

612
00:33:29,000 --> 00:33:34,320
Speaker 4: I don't know she does. Her voice does seem to change,

613
00:33:34,360 --> 00:33:37,880
Speaker 4: and I've also noticed that it changes in different situations too,

614
00:33:37,960 --> 00:33:41,560
Speaker 4: like she speaks to her grandparents in a different tone

615
00:33:41,880 --> 00:33:46,680
Speaker 4: than she Morali and I don't know if that was

616
00:33:47,080 --> 00:33:51,479
Speaker 4: a conscious choice or not, but you definitely there are

617
00:33:51,560 --> 00:33:53,800
Speaker 4: changes in her voice over over time.

618
00:33:53,920 --> 00:33:56,360
Speaker 8: I did not know that. I need to look this up.

619
00:33:56,800 --> 00:33:59,600
Speaker 2: Yeah, you definitely need to look up Rory's voice in

620
00:33:59,640 --> 00:34:04,520
Speaker 2: season because it's significantly deeper and what I'm assuming is

621
00:34:04,680 --> 00:34:07,720
Speaker 2: deeper because and this is just me throwing an idea

622
00:34:07,760 --> 00:34:10,920
Speaker 2: out and you guys, Suzanne, Tara Scott, you all can

623
00:34:11,080 --> 00:34:14,520
Speaker 2: weigh in or the fans. I think she wasn't as

624
00:34:14,560 --> 00:34:17,560
Speaker 2: comfortable in season one because it's her first acting job ever, right,

625
00:34:17,920 --> 00:34:20,719
Speaker 2: so she might have really been like working on the

626
00:34:20,800 --> 00:34:26,640
Speaker 2: voice and intentionally whatever you do to your voice, and

627
00:34:26,680 --> 00:34:29,279
Speaker 2: then as she becomes more comfortable in the character, she

628
00:34:29,560 --> 00:34:34,240
Speaker 2: relaxes into what is her actual, more natural voice. That's

629
00:34:34,320 --> 00:34:35,960
Speaker 2: just my thought on it.

630
00:34:36,600 --> 00:34:39,560
Speaker 4: Yeah, the opposite of you would normally think it would

631
00:34:39,560 --> 00:34:42,160
Speaker 4: be the opposite, right, Like when you're younger, your voice

632
00:34:42,239 --> 00:34:44,120
Speaker 4: is higher, and so you would think it would have

633
00:34:44,120 --> 00:34:47,200
Speaker 4: gotten deeper as she got older. But I don't know

634
00:34:47,280 --> 00:34:49,520
Speaker 4: the explanation. So your theory.

635
00:34:49,239 --> 00:34:52,280
Speaker 2: Makes as much sense as I go with the Elizabeth

636
00:34:52,280 --> 00:34:56,120
Speaker 2: Holmes theory. You know that that bad blood lady, so

637
00:34:56,239 --> 00:35:01,000
Speaker 2: she has her normal voice right, but then too convey

638
00:35:01,160 --> 00:35:03,440
Speaker 2: sort of authority when she was in the business, she

639
00:35:03,640 --> 00:35:06,160
Speaker 2: lowered her voice. So to me, maybe Alexis made the

640
00:35:06,200 --> 00:35:08,279
Speaker 2: choice like, oh I really want to sound right.

641
00:35:09,360 --> 00:35:09,719
Speaker 4: I don't know.

642
00:35:09,760 --> 00:35:13,600
Speaker 2: I'm just this is completely made up, alleged guessing here.

643
00:35:13,960 --> 00:35:16,120
Speaker 2: But then she became so comfortable in the character that

644
00:35:16,160 --> 00:35:18,200
Speaker 2: she's able to be a little bit more her own

645
00:35:18,880 --> 00:35:20,799
Speaker 2: self and not act so much.

646
00:35:20,840 --> 00:35:22,160
Speaker 8: I could see that that makes sense.

647
00:35:22,400 --> 00:35:30,880
Speaker 4: Yeah, okay, So I wanted to talk about something that

648
00:35:31,040 --> 00:35:37,480
Speaker 4: happened that first morning in the poolhouse. Did you guys

649
00:35:37,560 --> 00:35:44,160
Speaker 4: notice how thrilled Emily was to have Rory there? I

650
00:35:44,160 --> 00:35:47,200
Speaker 4: thought it was interesting because the whole thing was such

651
00:35:47,239 --> 00:35:49,680
Speaker 4: a crisis, you know, Rory's dropping out of college and

652
00:35:49,719 --> 00:35:54,439
Speaker 4: what are we going to do? And Emily's like this, yeah,

653
00:35:54,520 --> 00:35:57,320
Speaker 4: And Emily's like, oh, none of that happened. This is great.

654
00:35:57,440 --> 00:35:59,239
Speaker 4: I've got her right where I want her. I'm going

655
00:35:59,320 --> 00:36:01,799
Speaker 4: to give her all these pastries and make coffee and

656
00:36:01,880 --> 00:36:05,080
Speaker 4: redecorate this house for her. And I just thought it

657
00:36:05,120 --> 00:36:08,319
Speaker 4: was an interesting reaction in light of what happened later

658
00:36:08,320 --> 00:36:10,560
Speaker 4: in the episode when Laurel I shows up and is

659
00:36:10,560 --> 00:36:13,120
Speaker 4: basically like, okay, you got your new and improved Laurele. I,

660
00:36:13,239 --> 00:36:16,200
Speaker 4: you know, well played. I thought that was that was

661
00:36:16,239 --> 00:36:18,480
Speaker 4: an interesting, uh moment for me.

662
00:36:18,840 --> 00:36:22,319
Speaker 7: It's so funny because I saw it the complete opposite way.

663
00:36:22,800 --> 00:36:25,200
Speaker 8: I thought, yeah, and it's.

664
00:36:25,040 --> 00:36:28,200
Speaker 7: So funny because everyone has different perspectives. But I saw

665
00:36:28,200 --> 00:36:31,000
Speaker 7: it as you thought, you were going to come here

666
00:36:31,040 --> 00:36:32,839
Speaker 7: and this is how you're going to be treated with

667
00:36:32,880 --> 00:36:35,919
Speaker 7: me bringing you breakfast and all this. But I think

668
00:36:35,960 --> 00:36:38,200
Speaker 7: it was like the calm before the storm, like this

669
00:36:38,360 --> 00:36:40,279
Speaker 7: is not what you're getting if you're moving in here.

670
00:36:40,640 --> 00:36:42,040
Speaker 2: Oh. I did not see it that way.

671
00:36:42,360 --> 00:36:45,200
Speaker 7: Yeah, I because you know, as the episode went on,

672
00:36:45,239 --> 00:36:47,000
Speaker 7: and I don't mean to jump ahead, but just to

673
00:36:47,040 --> 00:36:51,200
Speaker 7: make this one point, I think that, you know, Richard

674
00:36:51,200 --> 00:36:53,160
Speaker 7: and Emily are like, we're going to fix this. We're

675
00:36:53,160 --> 00:36:54,480
Speaker 7: going to get her back to Yale, because at the

676
00:36:54,560 --> 00:36:56,560
Speaker 7: end of the day, they want her to go to Yale.

677
00:36:56,600 --> 00:36:58,359
Speaker 7: It's not like they want her to live this life.

678
00:36:58,840 --> 00:37:01,680
Speaker 7: So I thought of it as let's butter up a

679
00:37:01,719 --> 00:37:04,359
Speaker 7: little bit, make she's about to go to court, let's

680
00:37:04,360 --> 00:37:06,640
Speaker 7: get that over with, and then she has to work.

681
00:37:06,880 --> 00:37:09,200
Speaker 7: She can't sleep in because the first thing Emily says

682
00:37:09,239 --> 00:37:14,400
Speaker 7: is you're still asleep, So that's why I thought of that, Like.

683
00:37:14,000 --> 00:37:18,680
Speaker 2: Suzanne, I'm with Suzanne. I think Emily is so happy

684
00:37:18,719 --> 00:37:25,319
Speaker 2: about this. She's got her precious grandchild living there, she's redecorating,

685
00:37:25,480 --> 00:37:29,720
Speaker 2: she's the eight thirty thing is because in what world

686
00:37:29,719 --> 00:37:32,080
Speaker 2: does anyone sleep past eight thirty? So that to me

687
00:37:32,160 --> 00:37:35,040
Speaker 2: is just a grandma being a grandma. Yeah, she's got

688
00:37:35,080 --> 00:37:40,000
Speaker 2: the breakfast spread, the decorating, the swatches on the chairs,

689
00:37:40,080 --> 00:37:44,360
Speaker 2: the furniture's out in the blink of an eye, everything's wonderful.

690
00:37:44,920 --> 00:37:48,520
Speaker 2: I think it's later in the episode that you realize, oh,

691
00:37:48,560 --> 00:37:53,080
Speaker 2: this is a disaster. She gets way more community service

692
00:37:53,120 --> 00:37:57,400
Speaker 2: than they ever expected. It's on her record. She's on probation.

693
00:37:58,400 --> 00:38:02,560
Speaker 2: Loralai comes over and it's just so pissed and shows,

694
00:38:02,840 --> 00:38:05,839
Speaker 2: you know, Emily starts to realize when Michelle is there

695
00:38:06,160 --> 00:38:10,040
Speaker 2: and whatever. I'm jumping ahead, but it's whatever where they

696
00:38:10,080 --> 00:38:13,080
Speaker 2: realize like, oh wait, this isn't all unicorns and rainbows.

697
00:38:13,120 --> 00:38:14,560
Speaker 2: This is an e fin disaster.

698
00:38:16,320 --> 00:38:19,360
Speaker 1: You know. I didn't believe that scene. I didn't believe

699
00:38:19,480 --> 00:38:21,680
Speaker 1: the three hundred hours commarities.

700
00:38:21,680 --> 00:38:25,319
Speaker 2: So really, yeah, you thought the judge wouldn't do that.

701
00:38:25,800 --> 00:38:28,760
Speaker 1: No, I don't think in the and maybe it's happened

702
00:38:28,760 --> 00:38:31,120
Speaker 1: in the real world, but I didn't buy it.

703
00:38:31,600 --> 00:38:32,279
Speaker 2: I agree with you.

704
00:38:32,719 --> 00:38:36,480
Speaker 7: The only reason why I did is because she's not like,

705
00:38:36,560 --> 00:38:38,680
Speaker 7: she's over eighteen, she's not a minor.

706
00:38:40,480 --> 00:38:41,840
Speaker 8: That's the only reason why.

707
00:38:42,320 --> 00:38:44,040
Speaker 2: I don't even think they would have wasted the court's

708
00:38:44,080 --> 00:38:47,560
Speaker 2: time with that. I'm not a lawyer. To me, wouldn't

709
00:38:47,680 --> 00:38:50,120
Speaker 2: have all been settled. We're not actually going to court

710
00:38:50,160 --> 00:38:53,040
Speaker 2: for that and wasting some judge's time. Like true, that

711
00:38:53,280 --> 00:38:55,680
Speaker 2: was to me like the lawyers would have hammered it out,

712
00:38:55,840 --> 00:38:58,400
Speaker 2: Like I mean, I guess it is a felon's felony,

713
00:38:58,480 --> 00:38:59,960
Speaker 2: so maybe, but I don't know.

714
00:39:00,320 --> 00:39:03,759
Speaker 7: I was gonna say, it's like if you stole a car. Again,

715
00:39:03,800 --> 00:39:05,600
Speaker 7: I don't know how this stuff works, but like you

716
00:39:05,640 --> 00:39:08,680
Speaker 7: stole a car, would you go and stand in front

717
00:39:08,719 --> 00:39:09,600
Speaker 7: of a lawyer for that?

718
00:39:11,320 --> 00:39:12,120
Speaker 2: In front of a judge?

719
00:39:12,160 --> 00:39:14,320
Speaker 8: You mean, sorry, in front maybe yeah, in front of

720
00:39:14,320 --> 00:39:15,759
Speaker 8: a judge. So like with a.

721
00:39:15,880 --> 00:39:18,600
Speaker 7: Boat, like that's what I was thinking. I think it

722
00:39:18,880 --> 00:39:20,360
Speaker 7: would be the same as like a car.

723
00:39:21,120 --> 00:39:24,800
Speaker 1: No, listen, a car is different because that's somebody's primary

724
00:39:24,800 --> 00:39:27,799
Speaker 1: mode of transportation. You're preventing that person from earning a

725
00:39:27,840 --> 00:39:31,560
Speaker 1: living your disrupting maybe not getting a person to dialysis,

726
00:39:31,560 --> 00:39:34,919
Speaker 1: and maybe that's costing somebody's life if you steal somebody's car.

727
00:39:35,200 --> 00:39:39,400
Speaker 1: But but if you're stealing a boat, a yacht, hang on,

728
00:39:39,520 --> 00:39:42,240
Speaker 1: let me let me finish. If you're stealing a boat

729
00:39:42,480 --> 00:39:45,160
Speaker 1: that's not being used very much, and you're not using

730
00:39:45,200 --> 00:39:47,319
Speaker 1: that as a primary mode of transportation to get to

731
00:39:47,360 --> 00:39:50,480
Speaker 1: work or to get you father to dialysis or whatever

732
00:39:50,520 --> 00:39:53,400
Speaker 1: it is, or your child to chemo or something like that,

733
00:39:53,400 --> 00:39:56,640
Speaker 1: it's a bunch they should.

734
00:39:57,360 --> 00:39:59,840
Speaker 2: I think it's just felony is a certain amount of money,

735
00:40:00,320 --> 00:40:01,239
Speaker 2: and that's that.

736
00:40:01,760 --> 00:40:03,920
Speaker 1: Yeah, I think, I think. I think your point is,

737
00:40:04,840 --> 00:40:11,400
Speaker 1: you know, you know I I I guess this judge

738
00:40:11,400 --> 00:40:13,040
Speaker 1: and they didn't make this clear, was seeing a lot

739
00:40:13,120 --> 00:40:16,279
Speaker 1: of rich kids getting off with these lack sentences, and

740
00:40:16,320 --> 00:40:18,920
Speaker 1: she was tired of it. You know, when she was one,

741
00:40:19,000 --> 00:40:21,200
Speaker 1: other kids that were doing the same kind of things

742
00:40:21,280 --> 00:40:23,680
Speaker 1: were going to jail or they getting three hundred hours,

743
00:40:23,680 --> 00:40:24,799
Speaker 1: and she was just sick of it.

744
00:40:25,239 --> 00:40:26,480
Speaker 2: I think that's probably what it was.

745
00:40:26,520 --> 00:40:28,759
Speaker 1: But three hundred hours for Rory. I could see three

746
00:40:28,800 --> 00:40:34,280
Speaker 1: hundred hours for Logan because it's second offense, right, Well, sure,

747
00:40:34,320 --> 00:40:38,239
Speaker 1: but Rory first offense. Nice kid, like, judge, come on,

748
00:40:38,400 --> 00:40:41,759
Speaker 1: she she you know, she's from a good family, but

749
00:40:41,800 --> 00:40:43,240
Speaker 1: she didn't grow up with money.

750
00:40:43,280 --> 00:40:46,760
Speaker 2: And that's very ghost Scott. Why didn't she she's.

751
00:40:46,680 --> 00:40:50,680
Speaker 1: Like privileged, she's not privileged. Yeah, And that's a bad

752
00:40:50,760 --> 00:40:53,920
Speaker 1: lawyer right there. Not pointing that out to a prosecutor

753
00:40:53,920 --> 00:40:57,360
Speaker 1: in the prosecutor not or or or or or the

754
00:40:57,440 --> 00:41:00,239
Speaker 1: judge would need would surely need to know that the.

755
00:41:00,200 --> 00:41:04,960
Speaker 2: Documents she's not privileged, right, I agree. I think you're right, Scott.

756
00:41:05,000 --> 00:41:07,520
Speaker 2: I think the judge. Look, I'm not a lawyer, but

757
00:41:07,560 --> 00:41:10,799
Speaker 2: a judge can overrule any kind of flea bargain, right, Like,

758
00:41:10,840 --> 00:41:13,520
Speaker 2: whatever the terms they came to, the judge can overrule it,

759
00:41:13,520 --> 00:41:17,080
Speaker 2: which the judge did in this case. Right, But she

760
00:41:17,360 --> 00:41:20,080
Speaker 2: I was wondering why Roy didn't give a speech like

761
00:41:20,600 --> 00:41:22,759
Speaker 2: your honor, like, I'm going to respect you and take

762
00:41:22,800 --> 00:41:26,160
Speaker 2: whatever punishment you give me, but I didn't grow up privileged,

763
00:41:26,680 --> 00:41:29,680
Speaker 2: you know, blah blah blah blah blah. My grandparents paid

764
00:41:29,680 --> 00:41:30,920
Speaker 2: for my schooling. That's it.

765
00:41:31,120 --> 00:41:34,319
Speaker 7: Well, that's where I was gonna say. That is a

766
00:41:34,360 --> 00:41:36,640
Speaker 7: way if you say that to a judge, someone doesn't

767
00:41:36,719 --> 00:41:39,400
Speaker 7: know you. I'm not privileged, but my grandparents paid for

768
00:41:39,480 --> 00:41:42,640
Speaker 7: my schooling and Yale. I think to the average person

769
00:41:42,719 --> 00:41:46,960
Speaker 7: that is privilege. And I think that her fighting that

770
00:41:47,239 --> 00:41:51,040
Speaker 7: wouldn't actually to judge, I don't think that would matter.

771
00:41:51,080 --> 00:41:56,160
Speaker 7: And also, like the lawyer said that, oh, I did

772
00:41:56,160 --> 00:41:59,000
Speaker 7: this as a favor. So it made me think that

773
00:41:59,120 --> 00:42:03,160
Speaker 7: like the hunts Burgers and the Gilmours are on different levels,

774
00:42:03,160 --> 00:42:06,880
Speaker 7: because for Logan they can clear it and it's totally fine,

775
00:42:07,400 --> 00:42:09,720
Speaker 7: and for the Gilmours it's like, I did you a favor.

776
00:42:09,800 --> 00:42:11,160
Speaker 8: This is oz goa is is going.

777
00:42:11,160 --> 00:42:14,960
Speaker 2: To get I want to know what Logan's punishment was

778
00:42:15,000 --> 00:42:19,080
Speaker 2: and if his lawyer was better. Yeah, I should have

779
00:42:19,239 --> 00:42:20,600
Speaker 2: actually gone with that lawyer.

780
00:42:20,840 --> 00:42:22,840
Speaker 1: I just didn't believe. There were too many holes in

781
00:42:22,880 --> 00:42:26,400
Speaker 1: this scene. I just didn't believe it. I don't believe

782
00:42:26,440 --> 00:42:28,440
Speaker 1: that it could happen in real life. I just didn't

783
00:42:28,440 --> 00:42:32,560
Speaker 1: believe the way they with all of the oversights and

784
00:42:32,600 --> 00:42:35,360
Speaker 1: what the judge didn't know, and it just it just

785
00:42:35,400 --> 00:42:36,480
Speaker 1: didn't ring truth to me.

786
00:42:36,719 --> 00:42:39,000
Speaker 2: And Richard's not going to create a scene like that

787
00:42:39,520 --> 00:42:42,319
Speaker 2: in a courtroom. That was a little bit like he's

788
00:42:42,360 --> 00:42:43,080
Speaker 2: not seeing that.

789
00:42:43,239 --> 00:42:45,680
Speaker 1: It's not like she got you know, a year in prison.

790
00:42:46,239 --> 00:42:48,000
Speaker 1: You know she's going to have to go into the

791
00:42:48,040 --> 00:42:48,840
Speaker 1: Who's galfriy?

792
00:42:50,080 --> 00:42:50,880
Speaker 2: Not that much?

793
00:42:51,080 --> 00:42:53,840
Speaker 1: It's a lot, Are you kidding me? That's an hour

794
00:42:53,880 --> 00:42:55,240
Speaker 1: a day for almost a year.

795
00:42:55,680 --> 00:43:02,160
Speaker 2: Yeah, but you just two hours of day for half

796
00:43:02,160 --> 00:43:06,040
Speaker 2: a year. If you did it every Saturday and Sunday.

797
00:43:05,960 --> 00:43:07,960
Speaker 1: It would take it would take you a year.

798
00:43:08,400 --> 00:43:10,759
Speaker 2: No, thirty seven days, so.

799
00:43:12,680 --> 00:43:13,760
Speaker 1: Thirty seven weekends.

800
00:43:13,800 --> 00:43:18,120
Speaker 2: You're giving up six months. She's stolen yacht like she

801
00:43:18,200 --> 00:43:18,960
Speaker 2: should have to do.

802
00:43:19,680 --> 00:43:24,240
Speaker 1: I'm right here, right here, there's boats right outside my window.

803
00:43:24,200 --> 00:43:25,960
Speaker 1: I'm going to steal a yacht this weekend. See what

804
00:43:26,360 --> 00:43:29,520
Speaker 1: is a hurricane come and be a perfect opportunity to

805
00:43:30,040 --> 00:43:32,280
Speaker 1: I want to see in the provinces what the heck's

806
00:43:32,320 --> 00:43:33,160
Speaker 1: going on with the law?

807
00:43:35,960 --> 00:43:37,040
Speaker 4: You back to the US.

808
00:43:38,360 --> 00:43:42,759
Speaker 2: To me, if you stole a yacht and you have

809
00:43:42,840 --> 00:43:46,080
Speaker 2: to give up six months of weekends to do your

810
00:43:46,080 --> 00:43:48,480
Speaker 2: community service, that sounds reasonable.

811
00:43:49,360 --> 00:43:53,080
Speaker 1: But she wasn't stealing to transport. They weren't. They weren't

812
00:43:53,120 --> 00:43:57,400
Speaker 1: transporting illegal drugs. They weren't stealing a yacht. They didn't

813
00:43:57,400 --> 00:44:01,319
Speaker 1: try to resell it, they didn't wreck it. They it

814
00:44:01,440 --> 00:44:04,520
Speaker 1: was just a prakic was just a thing, a momentary

815
00:44:04,560 --> 00:44:08,400
Speaker 1: lapse in judgment for an emotional couple, young couple.

816
00:44:08,600 --> 00:44:11,719
Speaker 4: But if it was your yacht, wouldn't you want the

817
00:44:11,719 --> 00:44:13,680
Speaker 4: perpetrator to have some punishment.

818
00:44:15,280 --> 00:44:17,640
Speaker 1: Well, I'd sit down and maybe I want to get

819
00:44:17,680 --> 00:44:19,239
Speaker 1: to know him a little bit and talk to him

820
00:44:19,280 --> 00:44:20,279
Speaker 1: see who the heck they were.

821
00:44:20,440 --> 00:44:22,560
Speaker 2: I also think that an.

822
00:44:22,400 --> 00:44:25,200
Speaker 1: Explanation if I if I'm come face to face with

823
00:44:25,320 --> 00:44:27,120
Speaker 1: Rory in her story, I'm like, you know what, I'm

824
00:44:27,120 --> 00:44:28,920
Speaker 1: not gonna I'm not going to prosecute this.

825
00:44:29,440 --> 00:44:32,040
Speaker 2: The book at her because the judge is sick of privilege,

826
00:44:32,200 --> 00:44:34,239
Speaker 2: right and people thinking they can come in there with

827
00:44:34,280 --> 00:44:36,640
Speaker 2: their fancy lawyers and blah blah blah. But I also

828
00:44:36,680 --> 00:44:39,200
Speaker 2: think what they take into account is like she could

829
00:44:39,239 --> 00:44:42,800
Speaker 2: have hurt somebody. She's stealing a yacht. It's a felony.

830
00:44:43,160 --> 00:44:46,759
Speaker 2: She could have taken the yacht and hit some gut

831
00:44:46,920 --> 00:44:54,720
Speaker 2: an act. Yes, you stole a yacht. It's a freaking felony.

832
00:44:54,840 --> 00:44:59,640
Speaker 1: Don't didn't steal a yacht. Logan stole the yacht. She

833
00:45:00,200 --> 00:45:02,520
Speaker 1: I'm not an attorney. I could have gotten her off.

834
00:45:02,600 --> 00:45:05,480
Speaker 1: She was. She was. She was an unwilling accomplice.

835
00:45:05,760 --> 00:45:08,800
Speaker 2: She was the creature. It was her idea.

836
00:45:08,920 --> 00:45:10,359
Speaker 4: She was not an accomplice.

837
00:45:10,880 --> 00:45:13,319
Speaker 2: He was the accomplice. She started at her.

838
00:45:13,400 --> 00:45:17,399
Speaker 1: A good lawyer changes the story. You don't admit to it,

839
00:45:18,920 --> 00:45:22,880
Speaker 1: she said. Let's get come on guys as well, what

840
00:45:22,960 --> 00:45:23,680
Speaker 1: a bad lawyer?

841
00:45:24,640 --> 00:45:26,640
Speaker 2: Well, yeah, I don't think he did a great job.

842
00:45:26,760 --> 00:45:29,719
Speaker 2: She should have come in there without the grandparents, not

843
00:45:29,880 --> 00:45:33,760
Speaker 2: acting like she was made of money. But I digress.

844
00:45:33,920 --> 00:45:36,520
Speaker 1: Let's I didn't even know there was a law against

845
00:45:36,520 --> 00:45:45,279
Speaker 1: stealing a yacht. It's just a yacht. I mean you

846
00:45:45,320 --> 00:45:49,759
Speaker 1: steal a sailboat, or a dinghy or a fishing boat. Yeah,

847
00:45:49,800 --> 00:45:51,680
Speaker 1: there should be a law against that, but a yacht.

848
00:45:52,000 --> 00:45:55,680
Speaker 1: People should be able to use anybody's yacht anytime they want.

849
00:45:56,440 --> 00:46:00,000
Speaker 1: That's how I feel I could kind oflect the office

850
00:46:00,080 --> 00:46:03,000
Speaker 1: in certain places. On that platform, we switched.

851
00:46:03,200 --> 00:46:08,040
Speaker 2: We switched gears to Kirk has literally a suitcase full

852
00:46:08,080 --> 00:46:11,719
Speaker 2: of diamond rings. That made me laugh when he was

853
00:46:11,719 --> 00:46:13,960
Speaker 2: talking about old women need companionship.

854
00:46:14,080 --> 00:46:16,840
Speaker 1: That was a good bit. That was definitely that was

855
00:46:16,880 --> 00:46:18,960
Speaker 1: a really good bit that was That was one of

856
00:46:18,960 --> 00:46:22,800
Speaker 1: the better Kirk bits. You know. It was pretty great

857
00:46:22,920 --> 00:46:25,760
Speaker 1: and also gave gave Luke one of his funniest lines

858
00:46:27,120 --> 00:46:29,400
Speaker 1: when he when he when he came back with the

859
00:46:30,280 --> 00:46:32,560
Speaker 1: you know house, What was the line.

860
00:46:32,680 --> 00:46:35,359
Speaker 2: You're creepy. Friendships with really old women might do the trick.

861
00:46:38,600 --> 00:46:39,799
Speaker 2: That is my favorite line of.

862
00:46:39,719 --> 00:46:44,360
Speaker 8: The whole episode was.

863
00:46:43,120 --> 00:46:46,160
Speaker 2: You know, I can't I'm considering proposing to Lulu, like

864
00:46:46,239 --> 00:46:48,839
Speaker 2: I don't want her to know, Well, you're creepy. Friendships

865
00:46:48,880 --> 00:46:51,840
Speaker 2: with really old women might do the trick. That whole

866
00:46:51,880 --> 00:46:52,400
Speaker 2: scene was.

867
00:46:53,480 --> 00:46:54,360
Speaker 8: It was really good.

868
00:46:55,360 --> 00:46:57,680
Speaker 2: I might venture to say that whole thing was flawless

869
00:46:57,680 --> 00:47:00,880
Speaker 2: because it's like, suddenly Kirk's got another job. But the

870
00:47:00,960 --> 00:47:02,480
Speaker 2: whole thing, I.

871
00:47:02,400 --> 00:47:05,600
Speaker 1: Think that's that's Luke at his best, when he's listening

872
00:47:05,600 --> 00:47:08,560
Speaker 1: to all this craziness and reacting to it. I agree,

873
00:47:08,800 --> 00:47:11,279
Speaker 1: you know, that's that's Luke at its best. I think

874
00:47:11,280 --> 00:47:13,839
Speaker 1: that's funny. Anyway, Sorry Ty, what said?

875
00:47:13,920 --> 00:47:15,320
Speaker 8: Oh no, I was gonna say, it's kind of funny.

876
00:47:15,320 --> 00:47:19,239
Speaker 7: How like when Luke's doing something, Kirk kind of mirrors it,

877
00:47:19,360 --> 00:47:22,960
Speaker 7: Like suddenly Kirk went in the house and now suddenly

878
00:47:23,040 --> 00:47:24,600
Speaker 7: he wants to marry Lulu.

879
00:47:24,640 --> 00:47:25,800
Speaker 8: It's it's funny.

880
00:47:26,040 --> 00:47:27,480
Speaker 2: Oh my god, that's such a good call out. I

881
00:47:27,520 --> 00:47:29,000
Speaker 2: didn't think about that before.

882
00:47:30,000 --> 00:47:32,640
Speaker 1: And what a heartless bastard wranning the ring back because

883
00:47:32,640 --> 00:47:35,120
Speaker 1: he wants to give it to Lulu. Sorry.

884
00:47:35,120 --> 00:47:35,319
Speaker 3: Pal.

885
00:47:35,560 --> 00:47:38,160
Speaker 7: Also, I did I did love the Please Luke, please

886
00:47:38,200 --> 00:47:41,960
Speaker 7: please please? Did you get it call back from the

887
00:47:41,960 --> 00:47:42,720
Speaker 7: first episode?

888
00:47:43,280 --> 00:47:44,520
Speaker 1: You said that? Who said that?

889
00:47:44,600 --> 00:47:45,600
Speaker 8: Kirk Kirk said it?

890
00:47:46,440 --> 00:47:47,560
Speaker 1: What was the call back.

891
00:47:47,640 --> 00:47:51,040
Speaker 7: To the first episode of the PILs the pilot? It's

892
00:47:51,120 --> 00:47:53,320
Speaker 7: lorealized first line of the entire series?

893
00:47:54,120 --> 00:47:55,000
Speaker 8: Please please please?

894
00:47:55,440 --> 00:47:58,240
Speaker 1: Really gosh, that's a good one, good good catch.

895
00:47:58,760 --> 00:48:01,279
Speaker 2: Yeah. So then we see Logan and Rory on the

896
00:48:01,400 --> 00:48:04,600
Speaker 2: date Drink Dinner movie and She's like, huh, this doesn't

897
00:48:04,600 --> 00:48:08,520
Speaker 2: feel right, and then we get the surprise you're a

898
00:48:08,560 --> 00:48:13,040
Speaker 2: felon party thoughts?

899
00:48:13,160 --> 00:48:15,880
Speaker 1: You know, I what was going on in the background

900
00:48:15,960 --> 00:48:17,799
Speaker 1: to the right when they were sitting at the bar

901
00:48:18,480 --> 00:48:20,959
Speaker 1: where there were these three guys that were just like.

902
00:48:22,719 --> 00:48:25,000
Speaker 2: Extras, were a little bit too noticeable.

903
00:48:25,120 --> 00:48:28,239
Speaker 1: It was a little because I kept looking at him like, hey,

904
00:48:28,320 --> 00:48:35,080
Speaker 1: what are they doing at that party? And b it

905
00:48:35,200 --> 00:48:39,040
Speaker 1: looks like three This looked like three gang bangers, like

906
00:48:40,040 --> 00:48:42,960
Speaker 1: got into the party and put on their felon suit.

907
00:48:43,080 --> 00:48:47,400
Speaker 1: Looked like three real felons. Actually, so maybe do you

908
00:48:47,440 --> 00:48:51,200
Speaker 1: think the rich kids brought in three real felons to

909
00:48:51,280 --> 00:48:53,799
Speaker 1: give it like some some reality.

910
00:48:54,280 --> 00:48:57,360
Speaker 2: The backgrounds were a bit distracted, distracting.

911
00:48:57,800 --> 00:49:01,200
Speaker 8: No Amy, I agree, because I noticed that. I was like,

912
00:49:01,640 --> 00:49:04,480
Speaker 8: this doesn't work well.

913
00:49:04,520 --> 00:49:04,960
Speaker 1: I couldn't.

914
00:49:05,440 --> 00:49:10,200
Speaker 2: I couldn't focus on Rory and like it. And that's

915
00:49:10,320 --> 00:49:13,960
Speaker 2: all from Wednesday with one Peanut.

916
00:49:14,480 --> 00:49:16,960
Speaker 1: You know. I like that.

917
00:49:17,200 --> 00:49:20,200
Speaker 2: I like that peanuts. She was the one that clearly

918
00:49:20,280 --> 00:49:21,120
Speaker 2: doesn't remember.

919
00:49:21,160 --> 00:49:23,799
Speaker 1: We didn't mind the scene. I liked the scene. I

920
00:49:23,920 --> 00:49:26,000
Speaker 1: liked everybody in the scene. But it was just like

921
00:49:26,280 --> 00:49:30,360
Speaker 1: my attention get kept getting pulled to the thud background.

922
00:49:30,440 --> 00:49:32,520
Speaker 1: I'm like, what are these guys doing. The one guy's

923
00:49:32,600 --> 00:49:35,279
Speaker 1: jumping and like swinging his arms in the air all

924
00:49:35,320 --> 00:49:38,279
Speaker 1: the time and trying to hit something, and like, if

925
00:49:38,320 --> 00:49:41,800
Speaker 1: I'm directing this episode, I'm like, guys, phone it down,

926
00:49:42,200 --> 00:49:44,239
Speaker 1: phone it down. And you know, I.

927
00:49:44,239 --> 00:49:45,760
Speaker 8: Think it was just a filler scene.

928
00:49:47,160 --> 00:49:47,960
Speaker 1: No.

929
00:49:47,960 --> 00:49:49,520
Speaker 2: No, I thought it was a good scene.

930
00:49:49,800 --> 00:49:50,880
Speaker 1: No, I like the scene.

931
00:49:51,160 --> 00:49:55,440
Speaker 7: I think the I think the conversation was good. I

932
00:49:55,480 --> 00:49:56,719
Speaker 7: mean like the location.

933
00:49:57,400 --> 00:50:00,719
Speaker 2: Like see, I liked it because we get the juxtaposition.

934
00:50:00,760 --> 00:50:02,479
Speaker 2: So I have a couple of questions on this one.

935
00:50:02,560 --> 00:50:07,760
Speaker 2: Is we get the juxtaposition of like her committing this crime,

936
00:50:08,200 --> 00:50:11,040
Speaker 2: and it very much tracks with Logan that instead she's

937
00:50:11,080 --> 00:50:13,680
Speaker 2: got a surprise party. You're a felon and it's a

938
00:50:13,680 --> 00:50:15,800
Speaker 2: big old party at school.

939
00:50:16,480 --> 00:50:19,160
Speaker 1: So it's like that, I mean, to me, that feels

940
00:50:19,200 --> 00:50:23,719
Speaker 1: like she was totally accepted. She's being totally accepted. She's

941
00:50:23,760 --> 00:50:27,400
Speaker 1: got a good group of friends and she's having a

942
00:50:27,600 --> 00:50:32,240
Speaker 1: great life. And you know, I just had a birthday

943
00:50:32,280 --> 00:50:35,239
Speaker 1: on set here and they brought me a cake. And

944
00:50:35,280 --> 00:50:37,279
Speaker 1: the night before it was a big dinner and they

945
00:50:37,320 --> 00:50:40,600
Speaker 1: brought me a cake, and you really feel loved and accepted,

946
00:50:40,840 --> 00:50:44,719
Speaker 1: and it's just kind of a wonderful feeling, right, Yeah,

947
00:50:44,760 --> 00:50:48,160
Speaker 1: that everybody's sort of you know, take made the effort.

948
00:50:48,960 --> 00:50:50,080
Speaker 2: Yeah, she's got good.

949
00:50:50,800 --> 00:50:52,960
Speaker 1: And they got she's got some good friends. I mean,

950
00:50:53,360 --> 00:50:57,640
Speaker 1: like Logan, say what you want. You organized this. He

951
00:50:57,719 --> 00:50:59,480
Speaker 1: got every you know, he probably paid for all the

952
00:50:59,520 --> 00:51:03,640
Speaker 1: costumes and let's make Rory feel special. And he did.

953
00:51:03,880 --> 00:51:06,879
Speaker 1: She felt special and loved and accepted, and she went

954
00:51:06,920 --> 00:51:09,719
Speaker 1: in and danced and started, you know, dancing, and it

955
00:51:09,760 --> 00:51:12,080
Speaker 1: was like, I like seeing Rory like that. You know,

956
00:51:12,120 --> 00:51:13,560
Speaker 1: she's happy.

957
00:51:13,719 --> 00:51:17,359
Speaker 2: She's totally happy. Susanne, you go, because I have a

958
00:51:17,400 --> 00:51:18,759
Speaker 2: weird flag on this.

959
00:51:19,080 --> 00:51:23,680
Speaker 4: I have a flag on this too. I didn't. I mean,

960
00:51:23,680 --> 00:51:26,320
Speaker 4: I do see your point, Scott, that she's like accepted

961
00:51:26,320 --> 00:51:29,480
Speaker 4: by this crowd, But I thought the whole idea of

962
00:51:29,520 --> 00:51:33,640
Speaker 4: the party was just really crass and this scene we

963
00:51:33,719 --> 00:51:35,560
Speaker 4: kind of went out of order because this scene came

964
00:51:35,640 --> 00:51:38,480
Speaker 4: before the courtroom scene, and so I think this was

965
00:51:38,600 --> 00:51:42,920
Speaker 4: kind of just pointing to the whole thing about what privileged, spoiled,

966
00:51:43,040 --> 00:51:47,120
Speaker 4: rich brats these are. That they're all celebrating that she

967
00:51:47,280 --> 00:51:51,480
Speaker 4: got arrested for a felony, like this is just hilarious

968
00:51:51,520 --> 00:51:52,799
Speaker 4: and it's something that we all need.

969
00:51:52,840 --> 00:51:53,680
Speaker 2: It's very logany.

970
00:51:55,160 --> 00:51:58,520
Speaker 4: Yeah, yeah, I don't know. The whole thing bugged me.

971
00:51:58,680 --> 00:51:58,879
Speaker 2: Yeah.

972
00:51:58,880 --> 00:52:03,000
Speaker 1: I think twan years ago, I think twenty years ago,

973
00:52:03,080 --> 00:52:05,279
Speaker 1: people didn't hate the rich as much as they hate

974
00:52:05,320 --> 00:52:08,440
Speaker 1: the rich now. Well, I just think it's like it's

975
00:52:08,480 --> 00:52:11,279
Speaker 1: a different well, everybody's looking through a different lens now

976
00:52:11,320 --> 00:52:15,480
Speaker 1: where where you know, not to get into politics, but

977
00:52:15,520 --> 00:52:19,200
Speaker 1: the landscape now, the atmosphere now is just so touchy

978
00:52:19,320 --> 00:52:23,080
Speaker 1: and it's and you know, the rich are being vilified

979
00:52:23,120 --> 00:52:26,120
Speaker 1: to a degree that we've really I don't know if

980
00:52:26,160 --> 00:52:29,680
Speaker 1: we've ever seen it in the Western hemisphere. So it's

981
00:52:29,719 --> 00:52:32,319
Speaker 1: a little different, you know, back then it was like

982
00:52:32,880 --> 00:52:35,120
Speaker 1: it was a little different. So here's my question on

983
00:52:35,239 --> 00:52:36,600
Speaker 1: you wrote that and put that in. I'm just going

984
00:52:36,680 --> 00:52:37,719
Speaker 1: to fair note.

985
00:52:37,800 --> 00:52:40,880
Speaker 2: No, no, no, fair note. But here's my actual question. So,

986
00:52:41,080 --> 00:52:44,040
Speaker 2: these kids are all at Yale, right, so I went

987
00:52:44,120 --> 00:52:48,719
Speaker 2: to UC Berkeley. It's fairly prestigious college. Right, Like, it's

988
00:52:49,000 --> 00:52:52,680
Speaker 2: do you think sure really good school. Here's my point, Yes,

989
00:52:53,040 --> 00:52:56,760
Speaker 2: I went to Berkeley. Let's compare it to ye. Dropping

990
00:52:56,800 --> 00:52:59,920
Speaker 2: out of school was not cool. It would not have

991
00:53:00,080 --> 00:53:03,280
Speaker 2: been something considered cool. It would have not been something

992
00:53:03,280 --> 00:53:08,000
Speaker 2: that you bragged about. Frankly, yes, maybe you could take

993
00:53:08,000 --> 00:53:10,040
Speaker 2: a semester off to go abroad, or you take a

994
00:53:10,080 --> 00:53:14,399
Speaker 2: semester off for a you know, intense internship. Dropping out

995
00:53:14,400 --> 00:53:17,440
Speaker 2: of school to live at your grandparents is not cool.

996
00:53:17,800 --> 00:53:20,439
Speaker 2: It's not something you would be bragging about, and it's

997
00:53:20,440 --> 00:53:23,200
Speaker 2: something you would frankly be a bit embarrassed about. So

998
00:53:23,320 --> 00:53:25,640
Speaker 2: that was my flag, is like, these kids are all

999
00:53:25,640 --> 00:53:30,160
Speaker 2: at Yale. They're not thinking if this was real, that

1000
00:53:30,239 --> 00:53:33,600
Speaker 2: this is cool that this girl stole a yacht and

1001
00:53:33,719 --> 00:53:36,560
Speaker 2: is now quitting school, they would be like, maybe they

1002
00:53:36,560 --> 00:53:39,840
Speaker 2: could take a handle a yacht part with her crowd,

1003
00:53:40,360 --> 00:53:42,760
Speaker 2: not the quitting school part these people all go to Yale,

1004
00:53:42,800 --> 00:53:46,240
Speaker 2: they would be like, why are you bragging about living

1005
00:53:46,239 --> 00:53:47,319
Speaker 2: at your grandparents house?

1006
00:53:47,360 --> 00:53:51,360
Speaker 7: Well, and I think that's why paris Is role in

1007
00:53:51,440 --> 00:53:55,080
Speaker 7: this episode is so important because she is that like

1008
00:53:55,560 --> 00:53:56,040
Speaker 7: what are you doing?

1009
00:53:56,120 --> 00:53:56,960
Speaker 8: Are you being stupid?

1010
00:53:57,000 --> 00:54:00,960
Speaker 7: And then right, I think Logan like because he's like,

1011
00:54:01,280 --> 00:54:05,240
Speaker 7: you like school, but he's also trying to like please.

1012
00:54:04,920 --> 00:54:08,840
Speaker 2: Her, right exactly right, Tara, So he's.

1013
00:54:08,719 --> 00:54:13,200
Speaker 7: Kind of playing devil's advocate, like, you know, I know

1014
00:54:13,360 --> 00:54:16,120
Speaker 7: you aren't going to school, but you're also my girlfriend,

1015
00:54:16,120 --> 00:54:18,040
Speaker 7: but you're also making super decision when like then you

1016
00:54:18,120 --> 00:54:20,520
Speaker 7: can have Paris come in and doesn't he say, like

1017
00:54:21,880 --> 00:54:23,640
Speaker 7: correct me if I'm wrong now I'm mixing it up.

1018
00:54:23,640 --> 00:54:26,160
Speaker 2: But like he says, I give it one month. There

1019
00:54:27,600 --> 00:54:31,000
Speaker 2: she brags about it. He says, I give you one month,

1020
00:54:31,040 --> 00:54:33,640
Speaker 2: you'll be back, and she's like no.

1021
00:54:33,760 --> 00:54:34,000
Speaker 1: Like.

1022
00:54:35,480 --> 00:54:38,560
Speaker 4: I was like, what would it?

1023
00:54:38,640 --> 00:54:40,240
Speaker 8: Wouldn't one month be summer?

1024
00:54:40,400 --> 00:54:43,480
Speaker 7: Like remember how in the last episode I said, you know, Amy,

1025
00:54:43,520 --> 00:54:44,960
Speaker 7: you said give her a couple of days to get

1026
00:54:44,960 --> 00:54:47,279
Speaker 7: over it, and I said give her the summer, isn't

1027
00:54:47,280 --> 00:54:50,520
Speaker 7: it Basically what Logan's saying, like just take a summer off,

1028
00:54:50,560 --> 00:54:53,160
Speaker 7: like go on vacation whatever, and then come.

1029
00:54:53,040 --> 00:54:56,759
Speaker 1: Back we can we talk about the eight hundred pound

1030
00:54:56,840 --> 00:55:03,319
Speaker 1: gorilla in the room of course. Okay, we have a

1031
00:55:03,400 --> 00:55:11,799
Speaker 1: situation where the Huntsburgers have pretty much abused Rory in

1032
00:55:11,960 --> 00:55:15,080
Speaker 1: their own home at a dinner. And now we have

1033
00:55:15,320 --> 00:55:22,359
Speaker 1: another situation number two, incident number two, where Mitchen Huntsberger

1034
00:55:22,960 --> 00:55:28,160
Speaker 1: has completely crushed the ego, hopes and dreams of Rory.

1035
00:55:28,880 --> 00:55:33,839
Speaker 1: So that's that's blow number two, knockout blow number two.

1036
00:55:35,280 --> 00:55:38,279
Speaker 1: And this has yet to be addressed in any way,

1037
00:55:38,360 --> 00:55:43,719
Speaker 1: shape or form by Richard or Emily. Where where are

1038
00:55:43,760 --> 00:55:50,279
Speaker 1: those scenes? Because this answer all that you have.

1039
00:55:51,040 --> 00:55:53,880
Speaker 2: Keep watching, Okay, all right, we just haven't had that

1040
00:55:53,960 --> 00:55:54,520
Speaker 2: moment yet.

1041
00:55:54,600 --> 00:55:57,520
Speaker 1: Yeah, right, okay, So but it's it's like, boy, is

1042
00:55:57,520 --> 00:56:01,560
Speaker 1: it taking a long time. And if that's my daughter

1043
00:56:01,840 --> 00:56:06,640
Speaker 1: and somebody crushed her in that way, oh my, I

1044
00:56:06,680 --> 00:56:09,279
Speaker 1: don't care how powerful a person, I'd be on their

1045
00:56:09,280 --> 00:56:14,080
Speaker 1: doorstep or at least be on the phone immediately, like

1046
00:56:14,160 --> 00:56:16,200
Speaker 1: how dare you talk to my dirt that way? And

1047
00:56:16,239 --> 00:56:17,960
Speaker 1: you get and get your daughter and you said you

1048
00:56:18,000 --> 00:56:20,759
Speaker 1: will call my daughter and you will apologize and you

1049
00:56:20,800 --> 00:56:24,600
Speaker 1: will take back everything you said to her. Because we

1050
00:56:24,800 --> 00:56:27,600
Speaker 1: have invested, blood, sweat and tears. We love this girl,

1051
00:56:27,960 --> 00:56:29,839
Speaker 1: and how dare you talk to her like that? Because

1052
00:56:29,880 --> 00:56:33,880
Speaker 1: it's really what he said to her was it's the

1053
00:56:33,960 --> 00:56:36,279
Speaker 1: reason she wants to take a year off of school.

1054
00:56:36,600 --> 00:56:43,319
Speaker 1: She cannot see the forest for the trees anymore. And

1055
00:56:43,360 --> 00:56:48,600
Speaker 1: it's a big life changing event. It's a big moment. Yep.

1056
00:56:48,640 --> 00:56:53,840
Speaker 1: She's confused, she's lost, And I don't blame her because

1057
00:56:53,840 --> 00:56:56,160
Speaker 1: if I don't know, take any one of you at

1058
00:56:56,200 --> 00:56:58,759
Speaker 1: twenty twenty one years old, or she's twenty, No, she's

1059
00:56:58,840 --> 00:57:02,920
Speaker 1: nineteen or twenty at this point point. And somebody and

1060
00:57:03,000 --> 00:57:05,719
Speaker 1: you love, you really have loved something and you go

1061
00:57:05,760 --> 00:57:08,080
Speaker 1: to you going to school for it, and you're doing

1062
00:57:08,760 --> 00:57:12,000
Speaker 1: making really good progress, and somebody that powerful and the

1063
00:57:12,000 --> 00:57:14,920
Speaker 1: business lowers in your in your business that you want

1064
00:57:14,960 --> 00:57:17,400
Speaker 1: to enter, it lowers the boom like that. We'd all

1065
00:57:17,760 --> 00:57:21,959
Speaker 1: react the same way, you know we would. Let's let's

1066
00:57:21,960 --> 00:57:25,160
Speaker 1: face it. You know, nobody can withstand that kind of

1067
00:57:25,200 --> 00:57:27,840
Speaker 1: a of a punch. That's a big punch.

1068
00:57:28,160 --> 00:57:31,919
Speaker 2: I actually think the punch she got at the Huntsburger's

1069
00:57:31,960 --> 00:57:36,520
Speaker 2: house was worse than Mitchem telling her she wasn't she

1070
00:57:36,560 --> 00:57:39,160
Speaker 2: didn't have she wasn't cut out for journalism. I could

1071
00:57:39,200 --> 00:57:41,480
Speaker 2: have ignored that. I think what happened to her at

1072
00:57:41,480 --> 00:57:42,960
Speaker 2: the Huntsburgers.

1073
00:57:42,840 --> 00:57:45,440
Speaker 1: Was very awful.

1074
00:57:45,600 --> 00:57:47,880
Speaker 7: I think it added to it, though, Amy I think

1075
00:57:47,960 --> 00:57:50,200
Speaker 7: I think if that dinner didn't happen, this could have

1076
00:57:50,240 --> 00:57:53,960
Speaker 7: been a different situation. I think the dinner following the

1077
00:57:54,080 --> 00:57:57,360
Speaker 7: letdown was just like a recipe for a disaster.

1078
00:57:58,400 --> 00:58:03,240
Speaker 1: M No wonder she soul yacht good lawyer would have

1079
00:58:03,240 --> 00:58:04,920
Speaker 1: pointed this out. She had a bad dinner at the

1080
00:58:04,960 --> 00:58:07,600
Speaker 1: Huntsburgers and then she got the knockout punch from Mitcham.

1081
00:58:07,880 --> 00:58:11,440
Speaker 1: It's like, you know, but he's Mitcham's. It wasn't but

1082
00:58:11,520 --> 00:58:16,040
Speaker 1: he but this lawyer had no affiliation with the Huntsburgers, right,

1083
00:58:16,080 --> 00:58:17,200
Speaker 1: It was just Richard's guy.

1084
00:58:17,920 --> 00:58:18,160
Speaker 4: Right.

1085
00:58:23,280 --> 00:58:26,320
Speaker 2: So in reverse, we're backing up a little bit. But

1086
00:58:26,360 --> 00:58:28,680
Speaker 2: I think Tar brought it up, and it's super important

1087
00:58:28,680 --> 00:58:33,120
Speaker 2: to talk about the scene with Paris coming over to

1088
00:58:33,120 --> 00:58:35,280
Speaker 2: the house with LAURAAI and Luke. First of all, I

1089
00:58:35,320 --> 00:58:38,680
Speaker 2: love the scene because she's so epic and calls Logan

1090
00:58:38,720 --> 00:58:40,160
Speaker 2: and Christopher Atkins want to be.

1091
00:58:40,440 --> 00:58:42,320
Speaker 1: I mean the scene with Laura l I and uh

1092
00:58:42,880 --> 00:58:44,640
Speaker 1: John Travolta, Yes.

1093
00:58:44,480 --> 00:58:47,400
Speaker 2: You're all. I did want to bring up the wing chair.

1094
00:58:47,760 --> 00:58:50,480
Speaker 2: You're sitting in that wing chair, which we've sort of

1095
00:58:50,560 --> 00:58:52,560
Speaker 2: seen before, but I don't know that we've ever seen

1096
00:58:52,600 --> 00:58:56,040
Speaker 2: it so directly with your feet on the automan and

1097
00:58:56,080 --> 00:58:59,360
Speaker 2: the awkward giant Kleenex box Like I was just like,

1098
00:58:59,520 --> 00:59:04,360
Speaker 2: relieve it that like leopard giant clean xbox and incomes

1099
00:59:04,480 --> 00:59:09,720
Speaker 2: Paris and I love the whole thing, like who were you?

1100
00:59:10,000 --> 00:59:12,240
Speaker 2: Which I thought they'd met, but.

1101
00:59:12,520 --> 00:59:15,640
Speaker 8: I guess they did it just not like the graduation, right.

1102
00:59:15,520 --> 00:59:18,600
Speaker 4: And Chilton, Yeah, she there was that episode where she

1103
00:59:18,800 --> 00:59:21,760
Speaker 4: came to stars Hollow and they were in the diner

1104
00:59:21,840 --> 00:59:24,959
Speaker 4: and she thought was running a prostitution ring or something.

1105
00:59:25,000 --> 00:59:27,960
Speaker 8: I can't remember when she was when she was barefoot

1106
00:59:28,840 --> 00:59:29,400
Speaker 8: in the street.

1107
00:59:29,640 --> 00:59:31,880
Speaker 4: Now, there was a different episode than that, I can't

1108
00:59:31,920 --> 00:59:33,800
Speaker 4: remember which one it was, but she wanted to do

1109
00:59:33,840 --> 00:59:36,320
Speaker 4: a story about small town life and she was really

1110
00:59:36,360 --> 00:59:37,640
Speaker 4: suspicious of everybody.

1111
00:59:37,760 --> 00:59:42,920
Speaker 2: And right, yeah, so she knows him, so whatever. That

1112
00:59:42,960 --> 00:59:44,680
Speaker 2: was a little weird, but.

1113
00:59:44,160 --> 00:59:49,240
Speaker 1: But she probably didn't recognize and dressed as.

1114
00:59:51,880 --> 00:59:56,320
Speaker 2: It's so true, so true. So they have that scene

1115
00:59:56,400 --> 01:00:00,160
Speaker 2: Lorlai gives her the number, the whole thing. But but

1116
01:00:00,200 --> 01:00:04,040
Speaker 2: the point is Paris is right, She's like, yeah, I

1117
01:00:04,200 --> 01:00:06,920
Speaker 2: is she quitting school? You need to do something about this,

1118
01:00:07,240 --> 01:00:09,560
Speaker 2: and then Luke so then Paris leaves and Luke kind

1119
01:00:09,560 --> 01:00:11,040
Speaker 2: of joins in and says like, yeah, what are we

1120
01:00:11,120 --> 01:00:14,760
Speaker 2: going to do about this? And I kind of agree,

1121
01:00:14,800 --> 01:00:16,400
Speaker 2: like what are we going to do about this?

1122
01:00:17,600 --> 01:00:18,440
Speaker 8: Do you think.

1123
01:00:19,760 --> 01:00:23,920
Speaker 7: Actually a question for everyone, do you think laurelized doing

1124
01:00:24,000 --> 01:00:27,040
Speaker 7: the right thing at least, let's say, not big picture

1125
01:00:27,240 --> 01:00:29,560
Speaker 7: for the first week or two of her living there,

1126
01:00:29,640 --> 01:00:33,080
Speaker 7: to just let her be you? Because I do, because

1127
01:00:33,120 --> 01:00:35,600
Speaker 7: I think that if I were Laureli, I would have

1128
01:00:35,640 --> 01:00:37,439
Speaker 7: been like, I'm not showing up to your court date.

1129
01:00:37,920 --> 01:00:40,400
Speaker 7: You went against what we talked about, that you're going

1130
01:00:40,440 --> 01:00:42,720
Speaker 7: to go to school, and you went against behind my

1131
01:00:42,840 --> 01:00:44,760
Speaker 7: back and went to my parents. Like I wouldn't go

1132
01:00:44,840 --> 01:00:48,080
Speaker 7: support her, But I feel like eventually I would come around,

1133
01:00:48,080 --> 01:00:49,800
Speaker 7: but definitely not in this moment.

1134
01:00:50,400 --> 01:00:52,960
Speaker 4: Yeah, I totally agree. I would just let her stew

1135
01:00:53,080 --> 01:00:55,000
Speaker 4: for a little bit and be like, this is what

1136
01:00:55,040 --> 01:00:57,200
Speaker 4: you chose, so let's see how this works out for you.

1137
01:00:59,000 --> 01:01:01,840
Speaker 2: Yeah, it's also some it's very confusing because I thought

1138
01:01:01,840 --> 01:01:04,480
Speaker 2: it was summer, but now is school back? Because why

1139
01:01:04,480 --> 01:01:07,000
Speaker 2: are they all there for the prison party, Like, it's

1140
01:01:07,040 --> 01:01:10,520
Speaker 2: very confusing the timeline, and then we learn she's about

1141
01:01:10,520 --> 01:01:12,960
Speaker 2: to turn twenty one in October, right, Like, I can't

1142
01:01:12,960 --> 01:01:15,680
Speaker 2: figure out what what month is it.

1143
01:01:16,040 --> 01:01:19,040
Speaker 4: I think it's still summer because Paris is talking about

1144
01:01:19,040 --> 01:01:21,720
Speaker 4: how they got a duplex but they haven't moved into

1145
01:01:21,800 --> 01:01:24,840
Speaker 4: it yet, so I think it's exactly still like midsummer

1146
01:01:24,920 --> 01:01:26,120
Speaker 4: but getting ready for fall.

1147
01:01:26,600 --> 01:01:30,360
Speaker 2: But that even acknowledges that it's summer in that scene

1148
01:01:30,360 --> 01:01:34,800
Speaker 2: where she's like, is it true? There's a problem, you know,

1149
01:01:34,840 --> 01:01:37,440
Speaker 2: and Luke kind of diffuses it. I think there's a

1150
01:01:37,480 --> 01:01:39,840
Speaker 2: mention of it being summer. So my thing is, why

1151
01:01:39,840 --> 01:01:42,120
Speaker 2: are they all Yale? All those kids would be home.

1152
01:01:42,920 --> 01:01:43,640
Speaker 8: Well, I think it's the.

1153
01:01:43,600 --> 01:01:46,200
Speaker 1: People to all those kids would be in Europe with

1154
01:01:46,240 --> 01:01:47,560
Speaker 1: their families.

1155
01:01:47,280 --> 01:01:49,600
Speaker 2: Exactly right, that's right. They're not at Yale.

1156
01:01:50,040 --> 01:01:52,440
Speaker 1: No, they're not even in Connecticut. They're not, they're not,

1157
01:01:52,560 --> 01:01:55,280
Speaker 1: They're in Europe. They're escaping the heat in Europe.

1158
01:01:55,520 --> 01:01:58,640
Speaker 7: Well, that actually is the one thing is that didn't

1159
01:01:58,960 --> 01:02:03,480
Speaker 7: when she stole the wasn't it like finals? So wouldn't

1160
01:02:03,560 --> 01:02:07,320
Speaker 7: this be like And then our new season starts the

1161
01:02:07,360 --> 01:02:10,680
Speaker 7: same time the last season ended. So wouldn't it be

1162
01:02:10,880 --> 01:02:13,680
Speaker 7: like still at the end of June beginning of July.

1163
01:02:14,080 --> 01:02:14,760
Speaker 4: That's true.

1164
01:02:14,920 --> 01:02:16,960
Speaker 2: That's why it makes zero sense that all those kids

1165
01:02:17,000 --> 01:02:19,080
Speaker 2: are at the local Yale bar.

1166
01:02:19,640 --> 01:02:24,000
Speaker 7: I mean there are sometimes stay around even though.

1167
01:02:24,480 --> 01:02:25,320
Speaker 1: But not but.

1168
01:02:27,440 --> 01:02:28,040
Speaker 2: Not everybody.

1169
01:02:28,080 --> 01:02:29,280
Speaker 8: There are some flags for sure.

1170
01:02:30,000 --> 01:02:32,360
Speaker 4: Maybe if school had just gotten out, they hadn't all

1171
01:02:32,440 --> 01:02:33,400
Speaker 4: gone to Europe yet.

1172
01:02:36,680 --> 01:02:39,800
Speaker 1: Yeah. No, we said, if it's August, they're not there,

1173
01:02:40,000 --> 01:02:42,720
Speaker 1: they're not in the United States, or they're in Palm

1174
01:02:42,760 --> 01:02:46,960
Speaker 1: Beach exactly, So okay, but in August.

1175
01:02:47,560 --> 01:02:50,400
Speaker 2: In a bit of a filler scene that I found

1176
01:02:51,080 --> 01:02:56,480
Speaker 2: epically relatable, the sweaty biker at the Dragonfly end.

1177
01:02:56,520 --> 01:03:01,400
Speaker 1: Oh god, oh god. Michelle's never been that funny move

1178
01:03:01,520 --> 01:03:05,760
Speaker 1: could you move you'll? Mally would have done the same

1179
01:03:05,760 --> 01:03:08,920
Speaker 1: thing level funny.

1180
01:03:09,520 --> 01:03:12,320
Speaker 2: I was waiting. I would have waited till the guy left.

1181
01:03:12,320 --> 01:03:16,600
Speaker 2: But Laura I then with the foot on the sweaty

1182
01:03:16,640 --> 01:03:18,920
Speaker 2: magazine and being like Michelle, I would have that too.

1183
01:03:18,960 --> 01:03:22,880
Speaker 2: I'm like, oh God, that sweaty person touching all my

1184
01:03:23,200 --> 01:03:24,080
Speaker 2: beautiful stuff.

1185
01:03:24,600 --> 01:03:27,400
Speaker 1: Michelle at his best. That was that was best.

1186
01:03:27,480 --> 01:03:30,880
Speaker 2: Michelle Also, did anyone do what I didn't zoom in

1187
01:03:31,040 --> 01:03:33,479
Speaker 2: to see that it was Julianne Moore on the cover

1188
01:03:33,560 --> 01:03:39,680
Speaker 2: of that w magazine, but not do that? So then

1189
01:03:39,680 --> 01:03:44,200
Speaker 2: what did you guys think of then? LORELEI having Michelle

1190
01:03:44,240 --> 01:03:46,560
Speaker 2: at the house when Emily came to get the stuff

1191
01:03:46,600 --> 01:03:48,800
Speaker 2: and the stuff is just all a mess, and the

1192
01:03:48,840 --> 01:03:49,320
Speaker 2: whole thing.

1193
01:03:50,840 --> 01:03:51,520
Speaker 8: I thought it was fun.

1194
01:03:53,000 --> 01:03:54,280
Speaker 4: I thought it was I don't want to talk.

1195
01:03:54,280 --> 01:03:57,960
Speaker 8: I wouldn't want to talk to to my mom either.

1196
01:03:58,480 --> 01:04:00,800
Speaker 4: Yeah, I mean it's it's the same thing like we

1197
01:04:00,800 --> 01:04:02,840
Speaker 4: were just talking about with Rory. She's like, Okay, I'm

1198
01:04:02,960 --> 01:04:05,800
Speaker 4: washing my hands of this. You guys major bed now

1199
01:04:05,800 --> 01:04:07,439
Speaker 4: you lie in it. You guys figure it out.

1200
01:04:08,440 --> 01:04:12,640
Speaker 7: I think the issue is that Emily and Richard are

1201
01:04:12,760 --> 01:04:17,400
Speaker 7: acting like it's just a normal day, when for Laura I,

1202
01:04:17,520 --> 01:04:21,720
Speaker 7: it's not. And I think she's Laura is trying to

1203
01:04:21,800 --> 01:04:27,760
Speaker 7: prove her point, like this isn't normal. Yeah.

1204
01:04:28,800 --> 01:04:31,360
Speaker 1: Plus, I think Laura I feels she's lost the battle,

1205
01:04:31,480 --> 01:04:35,280
Speaker 1: she's lost her daughter. Yeah, she's empty, nesting to a

1206
01:04:35,360 --> 01:04:39,520
Speaker 1: degree which she'd never experienced before. And why does the

1207
01:04:39,560 --> 01:04:41,600
Speaker 1: top of that, she has to deal with a gloating,

1208
01:04:42,440 --> 01:04:43,520
Speaker 1: gluing Emily.

1209
01:04:43,720 --> 01:04:45,960
Speaker 2: Yeah, it's tough, and why does Laura I have to

1210
01:04:45,960 --> 01:04:48,680
Speaker 2: clean up her kid's messy crap when the kid is

1211
01:04:48,880 --> 01:04:53,360
Speaker 2: totally I'm doing the wrong things.

1212
01:04:53,480 --> 01:04:58,080
Speaker 7: Yeah, you this up like you get to live in

1213
01:04:58,120 --> 01:05:00,800
Speaker 7: a guest at a poolhouse and now you need someone

1214
01:05:00,840 --> 01:05:06,120
Speaker 7: to come delivery your clothes with servants, right Like what.

1215
01:05:06,640 --> 01:05:09,760
Speaker 2: I did think though the scene when she wakes them

1216
01:05:09,840 --> 01:05:13,640
Speaker 2: up in their bed, which we haven't seen, so we're

1217
01:05:13,640 --> 01:05:17,400
Speaker 2: getting to see something we haven't seen Richer's it's so

1218
01:05:17,640 --> 01:05:20,560
Speaker 2: funny and awesome. I was like, this is amazing. The

1219
01:05:20,640 --> 01:05:23,200
Speaker 2: scorpion and the frog story, which I've weirdly heard like

1220
01:05:23,520 --> 01:05:27,360
Speaker 2: numerous times lately. I have no idea why the whole

1221
01:05:27,400 --> 01:05:28,040
Speaker 2: thing was awesome.

1222
01:05:30,080 --> 01:05:32,720
Speaker 4: I love that scene when Emily said you scared me

1223
01:05:32,760 --> 01:05:35,000
Speaker 4: half to death and Laura I says, oh, follow through

1224
01:05:35,080 --> 01:05:36,560
Speaker 4: is always always.

1225
01:05:36,280 --> 01:05:37,200
Speaker 1: Been my weak.

1226
01:05:42,280 --> 01:05:44,040
Speaker 7: I also was trying to figure out what time they

1227
01:05:44,080 --> 01:05:46,240
Speaker 7: went to bed, because then she goes back and she's

1228
01:05:46,280 --> 01:05:47,080
Speaker 7: like talking to Luke.

1229
01:05:47,120 --> 01:05:49,760
Speaker 8: I'm like, they go to bed at like seven, is it?

1230
01:05:49,960 --> 01:05:50,160
Speaker 1: Yeah?

1231
01:05:50,240 --> 01:05:53,400
Speaker 4: Because it's the same time and bet are talking and

1232
01:05:53,400 --> 01:05:56,280
Speaker 4: there's like people walking around the square and everything is

1233
01:05:56,760 --> 01:05:58,400
Speaker 4: Richard Emily are like out.

1234
01:05:58,280 --> 01:06:00,560
Speaker 8: Cold, and it wouldn't it take your like an hour?

1235
01:06:00,680 --> 01:06:06,520
Speaker 2: Togo she takes it home to cry in Rory's bedroom

1236
01:06:06,800 --> 01:06:08,840
Speaker 2: for Luke to pick her up for dinner. So if

1237
01:06:08,840 --> 01:06:13,240
Speaker 2: they're going to dinner latest, let's say it's eight, No

1238
01:06:14,400 --> 01:06:15,640
Speaker 2: Emily went to bed at six.

1239
01:06:17,960 --> 01:06:21,840
Speaker 7: Well they are older, but it was pitch black and

1240
01:06:21,920 --> 01:06:25,320
Speaker 7: like it still takes an hour to get back from Hartford.

1241
01:06:28,080 --> 01:06:31,360
Speaker 1: I said, it's a little issue there with the timeline.

1242
01:06:33,920 --> 01:06:35,760
Speaker 8: I was like, it's like she was we were down

1243
01:06:35,800 --> 01:06:36,280
Speaker 8: the street.

1244
01:06:37,440 --> 01:06:42,920
Speaker 2: Oh god, I mean, I know Scott's not going to agree.

1245
01:06:42,960 --> 01:06:45,720
Speaker 2: But I liked the episode.

1246
01:06:45,960 --> 01:06:49,400
Speaker 1: I did too. I enjoyed it. I laughed my butt off.

1247
01:06:49,440 --> 01:06:51,600
Speaker 1: I really enjoyed the episode. Don't get me wrong.

1248
01:06:52,120 --> 01:06:53,520
Speaker 2: It was jam packed too.

1249
01:06:53,880 --> 01:06:57,000
Speaker 1: Jam it was. It was a really good episode. And

1250
01:06:57,040 --> 01:06:59,000
Speaker 1: I don't think we stated that at the top, and

1251
01:06:59,160 --> 01:07:01,960
Speaker 1: we usually do, right, but I think it was a

1252
01:07:02,120 --> 01:07:05,480
Speaker 1: very strong episode. I really enjoyed it. Sure I had

1253
01:07:05,520 --> 01:07:07,400
Speaker 1: a bone to pick at the beginning, but you know,

1254
01:07:07,640 --> 01:07:12,880
Speaker 1: nobody cares what I think. Do no what it cares. Uh.

1255
01:07:15,200 --> 01:07:17,960
Speaker 1: But as long as people enjoyed it, you know, that's

1256
01:07:18,000 --> 01:07:18,680
Speaker 1: the main thing.

1257
01:07:18,800 --> 01:07:22,920
Speaker 2: And and I've been nervous about season six, and I

1258
01:07:22,960 --> 01:07:25,720
Speaker 2: actually thought it was off to a good start too.

1259
01:07:25,800 --> 01:07:28,280
Speaker 1: I think it's a good good. Good premiere episode.

1260
01:07:28,400 --> 01:07:30,600
Speaker 8: Good premiere episode, good premiere episode.

1261
01:07:30,720 --> 01:07:32,440
Speaker 1: I'm still very strong.

1262
01:07:32,480 --> 01:07:34,880
Speaker 7: I know fans will agree because I've seen in the comments,

1263
01:07:34,920 --> 01:07:38,480
Speaker 7: But this is personally for me, where like if I'm binging,

1264
01:07:39,160 --> 01:07:41,120
Speaker 7: I fall off on my normal binge.

1265
01:07:41,240 --> 01:07:43,840
Speaker 1: Is this season oh really?

1266
01:07:44,280 --> 01:07:45,840
Speaker 2: Well yeah, a lot of people don't love it.

1267
01:07:46,280 --> 01:07:47,880
Speaker 8: Yeah, really yeah.

1268
01:07:47,880 --> 01:07:50,040
Speaker 7: This is usually like all, it's so funny because I

1269
01:07:50,040 --> 01:07:52,120
Speaker 7: always start my binge and then we get here and

1270
01:07:52,160 --> 01:07:54,400
Speaker 7: I start season six and a little bit into it

1271
01:07:54,440 --> 01:07:56,200
Speaker 7: is when my binge usually dies out.

1272
01:07:57,200 --> 01:08:01,400
Speaker 1: Well, okay, so let's let's look at it from you know,

1273
01:08:01,480 --> 01:08:05,040
Speaker 1: the diehard fans point of view. I mean, they've really

1274
01:08:05,080 --> 01:08:09,240
Speaker 1: stuck by the show, and now we're getting this sort

1275
01:08:09,280 --> 01:08:13,720
Speaker 1: of crescendoy thing happening where all of these storylines are

1276
01:08:14,160 --> 01:08:16,640
Speaker 1: are sort of not working out in the way that

1277
01:08:16,760 --> 01:08:19,920
Speaker 1: anybody had hoped that they would work out. I mean,

1278
01:08:19,960 --> 01:08:22,680
Speaker 1: what's Rory doing living with Richard and Emily and the

1279
01:08:22,720 --> 01:08:25,400
Speaker 1: bloyofs and not going to yell? It's like the wheels

1280
01:08:25,400 --> 01:08:28,600
Speaker 1: are coming off this thing. You got a Luke and

1281
01:08:28,640 --> 01:08:32,160
Speaker 1: Loreley resolution. They're getting married, but you may or may

1282
01:08:32,200 --> 01:08:35,960
Speaker 1: not just agree with how it was executed. Right, there's

1283
01:08:36,000 --> 01:08:41,360
Speaker 1: all this. I don't know. I mean, I'm really really

1284
01:08:41,400 --> 01:08:45,240
Speaker 1: interested to see how the fans chime in on the

1285
01:08:45,320 --> 01:08:46,360
Speaker 1: Instagram page or.

1286
01:08:46,320 --> 01:08:49,280
Speaker 2: How they there's a part of this season that.

1287
01:08:49,400 --> 01:08:52,880
Speaker 1: Fans really don't like.

1288
01:08:53,000 --> 01:08:55,439
Speaker 2: Huh So, wait.

1289
01:08:55,360 --> 01:09:00,559
Speaker 1: A minute, has has the dynamic changed here? Tara've seen

1290
01:09:01,479 --> 01:09:05,559
Speaker 1: all the episodes, haven't you? Amy? You have to of

1291
01:09:05,600 --> 01:09:08,759
Speaker 1: course many times, and you've seen all the episode.

1292
01:09:09,000 --> 01:09:10,799
Speaker 8: But you're the only one.

1293
01:09:10,880 --> 01:09:14,000
Speaker 1: That's right, I have known ranger out here.

1294
01:09:14,400 --> 01:09:18,680
Speaker 2: That is so true. We don't have the virgin Gilmour anymore.

1295
01:09:19,800 --> 01:09:20,720
Speaker 1: Well do you do with me?

1296
01:09:21,400 --> 01:09:23,840
Speaker 2: Right? But you some things will come back to you

1297
01:09:23,840 --> 01:09:28,280
Speaker 2: because you'll remember working with that person. So like when

1298
01:09:28,280 --> 01:09:30,519
Speaker 2: we get to one of the things that people hate,

1299
01:09:30,720 --> 01:09:33,400
Speaker 2: you will have memories of working with this person.

1300
01:09:34,000 --> 01:09:38,640
Speaker 7: Yeah, but you also haven't but you haven't seen the

1301
01:09:38,680 --> 01:09:40,120
Speaker 7: scenes that you're not really in.

1302
01:09:40,240 --> 01:09:41,920
Speaker 8: So it's kind of like it's brand new.

1303
01:09:43,720 --> 01:09:48,200
Speaker 1: I was, you know, I don't hate Amy. I was

1304
01:09:48,320 --> 01:09:54,639
Speaker 1: so so so glad you brought up the John Travolta

1305
01:09:54,920 --> 01:10:02,280
Speaker 1: lookalike contest. You now that you nailed that because I did.

1306
01:10:02,360 --> 01:10:05,040
Speaker 2: Sorry, it was just weird. It's like, and I say

1307
01:10:05,040 --> 01:10:08,280
Speaker 2: it out of like you're a cute guy. I don't

1308
01:10:08,280 --> 01:10:12,439
Speaker 2: get it separately before we go, and I will say,

1309
01:10:12,439 --> 01:10:15,160
Speaker 2: you're allowed to talk about it. I'm getting kind of

1310
01:10:15,160 --> 01:10:17,720
Speaker 2: pumped for Sullivan's Crossing. I'm not gonna lie. You know,

1311
01:10:17,760 --> 01:10:20,280
Speaker 2: they dropped the trailer. We've now seen the trailer.

1312
01:10:20,439 --> 01:10:25,280
Speaker 1: Yeah, yeah, man, we're Uh. I'm feisty because I'm working

1313
01:10:25,680 --> 01:10:29,360
Speaker 1: a lot and these are big emotional scenes, so my

1314
01:10:29,439 --> 01:10:32,840
Speaker 1: emotions are right on the surface.

1315
01:10:31,520 --> 01:10:35,040
Speaker 2: You're pretty major in the trailer.

1316
01:10:35,680 --> 01:10:40,680
Speaker 1: Like, well, you know, it's it's Sullivant's crossing. That's my campground.

1317
01:10:41,920 --> 01:10:45,439
Speaker 1: Are you Sullivan, I'm Solov Yeah, I'm Sully Sullivan.

1318
01:10:46,000 --> 01:10:49,080
Speaker 2: Well yeah, because in the trailer it's weird. I think

1319
01:10:49,840 --> 01:10:53,000
Speaker 2: either you come first or the I think it goes

1320
01:10:53,040 --> 01:10:55,360
Speaker 2: Scott Patterson. The girl's name.

1321
01:10:55,439 --> 01:10:58,439
Speaker 1: No, no, no, no, no, no, no, it's it's Morgan Cohen.

1322
01:10:58,600 --> 01:11:01,800
Speaker 1: She's she's a girl. She's the lead of the show.

1323
01:11:01,960 --> 01:11:02,720
Speaker 2: Okay, got it.

1324
01:11:02,800 --> 01:11:05,519
Speaker 1: Then, so I mean, I mean there's there's actually three

1325
01:11:05,560 --> 01:11:08,840
Speaker 1: of us that are but it's really like the show

1326
01:11:09,000 --> 01:11:10,360
Speaker 1: is from her point of view.

1327
01:11:10,520 --> 01:11:11,320
Speaker 2: Okay, got it?

1328
01:11:11,640 --> 01:11:14,680
Speaker 1: Yeah, yeah, and then it's like and then it's myself

1329
01:11:14,760 --> 01:11:17,200
Speaker 1: and Chad Michael Murray right.

1330
01:11:18,800 --> 01:11:19,320
Speaker 2: Getting pumped.

1331
01:11:19,760 --> 01:11:21,479
Speaker 1: It's your you're gonna like it.

1332
01:11:21,680 --> 01:11:22,160
Speaker 8: I can't wait.

1333
01:11:22,840 --> 01:11:26,240
Speaker 1: Yeah, it's nothing like Gilmore Girls. It's it's a really

1334
01:11:26,880 --> 01:11:28,599
Speaker 1: it's a it's a it's a rom drom.

1335
01:11:29,080 --> 01:11:29,639
Speaker 8: I can't wait.

1336
01:11:30,240 --> 01:11:31,080
Speaker 1: It's really something.

1337
01:11:31,240 --> 01:11:35,240
Speaker 2: Yeah, and we all need something to watch because, oh.

1338
01:11:35,160 --> 01:11:37,920
Speaker 1: You're gonna like this. And I just wanted to get

1339
01:11:37,920 --> 01:11:40,360
Speaker 1: the season two because we got renewed for a second

1340
01:11:40,439 --> 01:11:43,080
Speaker 1: season by the CW with that they hadn't even seen.

1341
01:11:43,320 --> 01:11:45,479
Speaker 1: You know, I don't even they don't even know if

1342
01:11:45,479 --> 01:11:48,080
Speaker 1: anybody's gonna watch a thing, but they kind of know

1343
01:11:48,160 --> 01:11:50,200
Speaker 1: that a lot of people are gonna watch it. You know,

1344
01:11:50,479 --> 01:11:51,160
Speaker 1: it's okay.

1345
01:11:51,320 --> 01:11:54,439
Speaker 2: So before we get to that, everybody has to give

1346
01:11:54,439 --> 01:11:58,800
Speaker 2: their rating yes on this episode, Season six premiere. I

1347
01:11:58,800 --> 01:12:02,600
Speaker 2: don't think we've blown up enough for amire. What do

1348
01:12:02,680 --> 01:12:06,240
Speaker 2: y'all give it? You go, Las Scott, I give it

1349
01:12:06,280 --> 01:12:12,879
Speaker 2: a nine point four nine point four uh pla uh

1350
01:12:13,280 --> 01:12:16,639
Speaker 2: ladies rings who've sadly passed away that Kirk.

1351
01:12:20,479 --> 01:12:24,559
Speaker 8: I'll give it nine point two.

1352
01:12:25,840 --> 01:12:32,160
Speaker 7: Sofazz the ones that she has to pick from here.

1353
01:12:33,080 --> 01:12:36,799
Speaker 4: I'll give it nine bottles of zeema.

1354
01:12:38,800 --> 01:12:46,559
Speaker 1: Bring it back to Oh my god, I say, I'm

1355
01:12:46,640 --> 01:12:58,080
Speaker 1: going to give it eight point seven five really lousy lawyers.

1356
01:12:59,080 --> 01:13:00,000
Speaker 2: That's actually really good.

1357
01:13:00,280 --> 01:13:02,759
Speaker 1: I'm throwing a big I gotta throw a big flag

1358
01:13:02,800 --> 01:13:06,120
Speaker 1: on the opening scene. I know people love it. I

1359
01:13:06,240 --> 01:13:10,680
Speaker 1: was not enamored of that. I never was, and so

1360
01:13:10,800 --> 01:13:11,799
Speaker 1: that's why the deduction.

1361
01:13:12,000 --> 01:13:16,439
Speaker 2: Sorry, that's fair, fair, yeah, yeah, before we tell the

1362
01:13:16,439 --> 01:13:19,360
Speaker 2: next episode, is there just football on twenty four hours

1363
01:13:19,360 --> 01:13:23,759
Speaker 2: a day at your house? Because it's we're taping this Thursday.

1364
01:13:23,800 --> 01:13:24,280
Speaker 3: What day is it?

1365
01:13:24,280 --> 01:13:28,839
Speaker 2: It's a Thursday? Behind you? It's just football, turn around,

1366
01:13:29,640 --> 01:13:30,320
Speaker 2: turn around.

1367
01:13:30,520 --> 01:13:34,360
Speaker 1: I didn't notice that I don't want watching football. No,

1368
01:13:34,479 --> 01:13:36,719
Speaker 1: I had I had a little I had a spot

1369
01:13:36,760 --> 01:13:40,439
Speaker 1: of lunch, and I was there was a ballgame on,

1370
01:13:40,560 --> 01:13:42,320
Speaker 1: so I was watching a baseball game.

1371
01:13:42,640 --> 01:13:45,759
Speaker 2: Well yeah, And it's like, just so people listening, Scott's

1372
01:13:45,800 --> 01:13:48,799
Speaker 2: like a lot later than us. Now you're four hours difference.

1373
01:13:49,080 --> 01:13:51,599
Speaker 1: Yeah, I'm four hours ahead of you guys. Yeah.

1374
01:13:51,680 --> 01:13:53,960
Speaker 2: Yeah. So it's like, how's the rest of my day

1375
01:13:54,000 --> 01:13:54,360
Speaker 2: going to go?

1376
01:13:54,920 --> 01:13:56,760
Speaker 1: It's like I gotta wait till ten thirty for the

1377
01:13:56,840 --> 01:13:59,080
Speaker 1: stock market? Ope, and I go crazy. It's like, you know,

1378
01:14:01,400 --> 01:14:03,240
Speaker 1: like halfway to lunch and I haven't even traded a

1379
01:14:03,320 --> 01:14:03,920
Speaker 1: stock yet.

1380
01:14:04,880 --> 01:14:08,519
Speaker 2: One's ever in fifty years of life. Paid attention to

1381
01:14:08,600 --> 01:14:11,320
Speaker 2: the when the stock market opened or what was happening

1382
01:14:11,320 --> 01:14:14,519
Speaker 2: on it. I know that's bad to say, but never

1383
01:14:14,560 --> 01:14:16,400
Speaker 2: even occurred to me to check that.

1384
01:14:18,200 --> 01:14:24,879
Speaker 1: Well, you've got bigger fish to fry. What can I say?

1385
01:14:25,160 --> 01:14:28,679
Speaker 1: You know what? Wait a minute? Favorite lines?

1386
01:14:29,640 --> 01:14:33,320
Speaker 2: Oh I gave mine earlier. It's the one about the creepy.

1387
01:14:33,640 --> 01:14:35,920
Speaker 1: Yeah yeah, I'm going to go with the Luke line

1388
01:14:35,960 --> 01:14:39,479
Speaker 1: about the cree Kirk's creepy obsession with.

1389
01:14:39,920 --> 01:14:42,760
Speaker 8: Yeah, I'm gonna have to go with the callback. But

1390
01:14:42,920 --> 01:14:45,599
Speaker 8: because I don't think I've really noticed it every time,

1391
01:14:45,640 --> 01:14:48,400
Speaker 8: this time, please please please, from Kirk, what.

1392
01:14:48,400 --> 01:14:50,719
Speaker 2: About one one one one one.

1393
01:14:53,280 --> 01:14:56,240
Speaker 4: I'm going to go with the in the scene when

1394
01:14:56,360 --> 01:15:00,120
Speaker 4: Paris goes to Laurelized house and she's talking about are

1395
01:15:00,160 --> 01:15:00,840
Speaker 4: you leaving school?

1396
01:15:00,880 --> 01:15:01,720
Speaker 1: And she says.

1397
01:15:03,080 --> 01:15:05,080
Speaker 4: She's the only one that stays in the room until

1398
01:15:05,080 --> 01:15:07,120
Speaker 4: I'm completely done saying something.

1399
01:15:08,320 --> 01:15:11,080
Speaker 1: That was a good lunch, that was so good.

1400
01:15:13,240 --> 01:15:16,799
Speaker 2: I laughed, That whole thing was great. This Christopher Atkins want.

1401
01:15:16,560 --> 01:15:21,200
Speaker 1: To be that's good stuff. Good stuff, Bie, everybody that's

1402
01:15:21,200 --> 01:15:25,960
Speaker 1: going to wrap us up for don improved Loreal I

1403
01:15:26,479 --> 01:15:33,479
Speaker 1: Season six, Bring Me Here, Episode Episode one, Thank You

1404
01:15:33,560 --> 01:15:38,240
Speaker 1: Mine Trepit Crue, Tara Suit, Amy Sugarman. Welcome to the

1405
01:15:38,280 --> 01:15:41,599
Speaker 1: wolf Pack. Here Susanne out of ten for you.

1406
01:15:41,720 --> 01:15:43,160
Speaker 2: Good job, oh thank you.

1407
01:15:43,360 --> 01:15:47,639
Speaker 1: Nice nice debut yourself. It was fine and we're happy

1408
01:15:47,680 --> 01:15:52,240
Speaker 1: to have you anyway. That's going to do it for

1409
01:15:52,320 --> 01:15:56,960
Speaker 1: this this week. Ladies and gentlemen, thanks for downloading. Best

1410
01:15:57,120 --> 01:16:00,519
Speaker 1: fans on the planet. Stay safe, every every body, and

1411
01:16:00,600 --> 01:16:34,280
Speaker 1: remember we I am all at all of us. Hey everybody,

1412
01:16:34,320 --> 01:16:37,639
Speaker 1: and don't forget Follow us on Instagram at I Am

1413
01:16:37,720 --> 01:16:42,680
Speaker 1: All In podcast and email us at Gilmore at iHeartRadio

1414
01:16:43,000 --> 01:16:53,280
Speaker 1: dot com.