WEBVTT - Episode 278 w/ Grandmaster Caz

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<v Speaker 1>Welcome to Drink Champs, the production of The Black Effect

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<v Speaker 1>and I Heart Radio and his drinks as motherfucking Podcast Mazon.

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<v Speaker 1>He's a legendary queen's rapper. He's agree, it's your boy

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<v Speaker 1>in o R. He's a Miami hip hop pioneer up

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<v Speaker 1>his dj e FN. Together they drink it up with

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<v Speaker 1>some of the biggest players in the most professional, unprofessional

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<v Speaker 1>podcast and yet number one source for drunk fast drinks

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<v Speaker 1>motherfucking is New year' z. That's time for Drink Champs.

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<v Speaker 1>Drink up mother Mother. Would it could be? Hopefully? Would

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<v Speaker 1>it should be? This is your point in a what

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<v Speaker 1>up is d j e F and his drinks mother amazing?

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<v Speaker 1>And I'm gonna tell you like this. When me and

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<v Speaker 1>this man said the right and we started this show,

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<v Speaker 1>we said, there's other outlets for the new artists. There's

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<v Speaker 1>other ways this radio, there's other ways for the new artists.

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<v Speaker 1>We wanted to show love and respect to people that

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<v Speaker 1>came before us, some people that came on the side

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<v Speaker 1>of us, and some people that came behind us. But

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<v Speaker 1>today's episode Liz super super super special. We've had legends,

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<v Speaker 1>but we we this is this is uh a new

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<v Speaker 1>word that I've made up yesterday. It's a more legend.

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<v Speaker 1>He's like an immortal legend that from the first hip

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<v Speaker 1>hop record that was a commercially released bit off of him,

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<v Speaker 1>they stole his boss. This man has been around relentless.

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<v Speaker 1>He's been there when hip hop has what was there

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<v Speaker 1>and he had control over he had a pulse in

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<v Speaker 1>the game. It wasn't just like he was around just

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<v Speaker 1>just just being there. No, he had his own. This

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<v Speaker 1>man is a legend. He's still here. He deserves his flowers,

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<v Speaker 1>he deserves some kanyak, and we're gonna have fun if

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<v Speaker 1>you're gonna get into his business. This is what I

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<v Speaker 1>like to call a super legend. In case you don't

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<v Speaker 1>understand or don't know what the fun is going on

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<v Speaker 1>right now, we have Grandmaster motherfucker cast now now me

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<v Speaker 1>doing my research right to tell you the truth. I've

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<v Speaker 1>been doing this with almost six years. Year we're going

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<v Speaker 1>on our six years. I'm not trying to gas you up.

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<v Speaker 1>This was the funniest research I've ever done because everything

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<v Speaker 1>that I researched from you and led me to something

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<v Speaker 1>else and then let me just and this is the

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<v Speaker 1>reason why I like I would if I ever got

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<v Speaker 1>a chance to like speak to you on the artist,

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<v Speaker 1>I would tell them it's good to look go pay

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<v Speaker 1>the way, it's good to go look at that. You know.

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<v Speaker 1>So what you yo? Your history is so rich, it's

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<v Speaker 1>so like. But one of the one of the illest

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<v Speaker 1>things that I did not know was Sugar Hills rapping.

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<v Speaker 1>What is it raping? He out right sold your lyrics? Yeah,

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<v Speaker 1>pretty much, he said his name in So can you

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<v Speaker 1>describe for the for the people who was not listening

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<v Speaker 1>the first hip hop not not especially the first hip

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<v Speaker 1>hop record, but the first hip hop records was released commercially,

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<v Speaker 1>the first commercial commercial Yeah, the first commercial hip hop Okay, so,

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<v Speaker 1>so what what happens? Because when this record comes out,

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<v Speaker 1>which I did not know, the community, Hey this record,

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<v Speaker 1>yeah pretty much like the early hip hop community. You

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<v Speaker 1>know what I mean that, like who is this? Like

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<v Speaker 1>who these because I was back then would come to

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<v Speaker 1>the Bronx or come downtown pretty pretty much all knew

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<v Speaker 1>each other exactly exactly. And for somebody to come out

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<v Speaker 1>of nowhere with three people like nobody knows, like who

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<v Speaker 1>the fund is they? You know what I'm saying that,

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<v Speaker 1>I mean, we wasn't out in New Jersey. But then

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<v Speaker 1>no cats was out there doing things out there in Jersey.

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<v Speaker 1>Apparently they were, but I attitude here was like who

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<v Speaker 1>the fund is? That kind of kind of put together,

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<v Speaker 1>like yo, can your wrapped come here? Come over here, Hey,

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<v Speaker 1>you you too come in here, come with me, that

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<v Speaker 1>type of thing. But I mean, how you got the

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<v Speaker 1>lyrics in the first place? Hank was, he was down

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<v Speaker 1>with me. He was managing my group, which was called

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<v Speaker 1>the Mighty Force back then, and he uh, he had

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<v Speaker 1>to get a job in New Jersey to pay back

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<v Speaker 1>the loan he took out to to like refurbish our

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<v Speaker 1>sound system when he started managing us. He took out

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<v Speaker 1>a loan from his parents for like two stacks, which

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<v Speaker 1>was bread back then, and we got bigger speakers, better amplifiers,

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<v Speaker 1>all that so we could go out and bust nigga's

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<v Speaker 1>ask when we go out to play um. And in

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<v Speaker 1>order to pay back alone, he got your job in

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<v Speaker 1>a piece of shop in Jersey where Sylvia Robinson happened

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<v Speaker 1>to be looking for people you know, and somebody seeing

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<v Speaker 1>him in the pizza shop with a boom box record

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<v Speaker 1>for people that don't know sugar records. Sylvia Robson, head

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<v Speaker 1>of Sugar Records. Um, he used to take a boom

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<v Speaker 1>box to work with him anything and be playing my

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<v Speaker 1>tapes in the boom box, my practice tapes or tapes

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<v Speaker 1>I record for my parties. So he's in there flipping

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<v Speaker 1>dough and ship, you know what I mean, making pieces

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<v Speaker 1>and just rhyming along with the tape. People coming in

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<v Speaker 1>and out of the joint, like figure, Hey, the Skuy

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<v Speaker 1>is a rapper. Hey Sky a rapper. When Sylvia started

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<v Speaker 1>looking for people, you know, somebody let her that way

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<v Speaker 1>and he came out. You know, it was like, yo,

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<v Speaker 1>could you come out? We want you to and instead

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<v Speaker 1>of this nigga like well now I don't rap, but

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<v Speaker 1>I manage Casting Ova Fly. He just took your ship.

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<v Speaker 1>That was that was what he was supposed to do

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<v Speaker 1>because I don't rap. Now I don't wrap, but I

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<v Speaker 1>managed Casting Ova Fly. He was the manager. But he didn't.

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<v Speaker 1>He just got in the car repeated all the stuff

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<v Speaker 1>that was on the tape. They loved it, and it

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<v Speaker 1>was like you in and so they put him down

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<v Speaker 1>with you. But the other two was rappers. G and

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<v Speaker 1>Mike was part of like a DJ group, you know

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<v Speaker 1>what I mean. Sound on sound Um Sound on Side

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<v Speaker 1>Studio on sound Sound on sound out in Jersey, you

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<v Speaker 1>know what I mean. So, yeah, they were I'm not

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<v Speaker 1>gonna say Bronx caliber seeds, but they was rappers, you

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<v Speaker 1>know what I'm saying. And then the podcast and they

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<v Speaker 1>acknowledged what had happened. They said, you all are cool now.

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<v Speaker 1>Oh yeah, we're cool now. I mean we were cool

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<v Speaker 1>as far as that. No, I mean we as cool

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<v Speaker 1>as we could beat They can't. They can't. You give

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<v Speaker 1>me no back money. I mean it ain't on up.

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<v Speaker 1>So I mean we're cool. They didn't even know what

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<v Speaker 1>they was making money. No, they didn't know that Hank

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<v Speaker 1>was hugged. They was amazed at this nigger. He was like,

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<v Speaker 1>this motherfucker is the truth. He's saying, Ship that none

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<v Speaker 1>of us, you know what I mean. And if you

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<v Speaker 1>look at we're listening to rappers the light because like

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<v Speaker 1>hip to the Hippy, and Hank is like, I'm not

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<v Speaker 1>that's me, nigger. I'm saying. He said his name in

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<v Speaker 1>that's the craziest ship. Like when you hear that, what

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<v Speaker 1>are you thinking? I'm thinking, when do you hear that's

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<v Speaker 1>the first one last verse? He was the last Verson.

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<v Speaker 1>He was, he was the second, the second come on

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<v Speaker 1>Hank singing that song. Check it out. I'm the C

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<v Speaker 1>A S and the O B A and the rest.

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<v Speaker 1>That's name his name in the bus, the name back

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<v Speaker 1>in the day when you like, like I think love

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<v Speaker 1>Bugg was one of the first people I heard spell

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<v Speaker 1>out their name. And when Cats first start rapping, love

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<v Speaker 1>Buck Starsky rest in peace. Okay, when and when Cats

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<v Speaker 1>first started rapping, they were just using whatever cadence was

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<v Speaker 1>out whatever, you know what I mean. So actually people

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<v Speaker 1>are saying I'm the l O V E B, not

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<v Speaker 1>realizing nigger. You saying that you somebody else let me included.

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<v Speaker 1>And I was mortified when I found out I was

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<v Speaker 1>saying that I'm somebody else's name. So from then on,

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<v Speaker 1>I mean, I fact checked my ship before I say anything.

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<v Speaker 1>I'm Nigga, I'm me, I'm not him, I'm not this,

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<v Speaker 1>I'm not that. So that's when I came up with

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<v Speaker 1>I'm the C A S, N O V A and

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<v Speaker 1>the rest of fl y. I spell out my name Nigga.

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<v Speaker 1>So for there cannot be another rhyme like that. There

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<v Speaker 1>is no other casting over flies. So let me ask

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<v Speaker 1>you something well, you more mad at the record the

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<v Speaker 1>records perceived to be whack, or were you mad that

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<v Speaker 1>this guy is actually biting my liberals? Or was it evenly?

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<v Speaker 1>I wasn't mad that the record was perceived to be whacked,

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<v Speaker 1>because it wasn't perceived to be whacked. The ship was

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<v Speaker 1>a hit. It was a hit. Now when he gave

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<v Speaker 1>it to me, I had to like the first copies.

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<v Speaker 1>When he first got him and brought him to my house,

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<v Speaker 1>it was like, yo, check it out. And I put

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<v Speaker 1>Ship on the turntable. I let him play. I'm like, yeah,

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<v Speaker 1>I oh, ship all right? After a while, like falling asleep.

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<v Speaker 1>That ship was like twenty minutes long. Yeah, I mean,

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<v Speaker 1>and the flying shipped on it and and and hey

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<v Speaker 1>the ship. I was saying, you know what I mean?

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<v Speaker 1>So I wait to hear my rhymes and to be

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<v Speaker 1>like all right. But nobody thought it was The hip

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<v Speaker 1>hop community thought it was whacked. Us us niggas, who

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<v Speaker 1>I think everybody is whacked, but us, you know what

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<v Speaker 1>I mean, type of ship we didn't have. We wasn't

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<v Speaker 1>open minded like we are the day everybody was whacked

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<v Speaker 1>to us. So you know, these niggas was way off

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<v Speaker 1>the chark. So when the song came out, the song

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<v Speaker 1>was trashed to us, but we knew at large this

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<v Speaker 1>ship was the fucking hit. And this is what set

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<v Speaker 1>the stage for wrapping hip hop music and mainstream America.

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<v Speaker 1>I mean, was I was I bit about it? You

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<v Speaker 1>fucking right, I'm supposed to be in the sugar Hill game.

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<v Speaker 1>Not that I wanted to be in the sugar Hill okay,

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<v Speaker 1>but but had had had that went the way it

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<v Speaker 1>was supposed to be, I mean, my life would have

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<v Speaker 1>been different. You don't know what the funk would have been.

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<v Speaker 1>I'll tell you what. The sugar game would have been

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<v Speaker 1>a whole lot fucking dope. Because because back then, I

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<v Speaker 1>thought it was interesting to see that you guys really

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<v Speaker 1>wasn't recording music. Guys were just making music live facts.

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<v Speaker 1>So so like, how did that transition from from that?

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<v Speaker 1>It was after rappers late, Well, well, we was recording.

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<v Speaker 1>We were recording our parties. So that was the first

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<v Speaker 1>recordings of hip hop, those tapes, those cassette tapes. That's

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<v Speaker 1>the way hip hop started to spread, first locally, you know, domestically,

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<v Speaker 1>and then overseas because Cats was going in the army,

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<v Speaker 1>Casts was going in the service some stuff and taking

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<v Speaker 1>their music with them, taking them because that's take. So

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<v Speaker 1>they'll be in Germany, they'll be in call unquer whenever

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<v Speaker 1>they stationed that And that's what exposed that music to

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<v Speaker 1>other people, like what's that you're listening to? Yo? This

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<v Speaker 1>is hip hop from back home? This and this and that.

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<v Speaker 1>So that was one of the first vehicles that helped

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<v Speaker 1>to spread. And then when the rap music came out,

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<v Speaker 1>that the records came out, that changed the whole motherfucking

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<v Speaker 1>you know, the paradigm of what it was. It was like,

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<v Speaker 1>now you gotta do this to be successful. I think

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<v Speaker 1>we were the last group that that performed. Yeah, the

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<v Speaker 1>Cold Crush Brothers was the last hip hop group from

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<v Speaker 1>the first group that that could survive without a record,

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<v Speaker 1>without a hit record, because once that record thing came

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<v Speaker 1>into play, you had to have it to change everything,

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<v Speaker 1>what I mean. So we we had we had a

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<v Speaker 1>little longer run than most without a hit record. Now,

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<v Speaker 1>back in the day, that was dressing weird. Yeah, flame

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<v Speaker 1>that ship on the furious. They always want to say

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<v Speaker 1>everybody copied our status and everybody, yeah, we did so

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<v Speaker 1>because I'm looking I'm looking something like I said, I'm

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<v Speaker 1>doing my research. And that was a part of the

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<v Speaker 1>time in hip hop where everyone always says that, like, yo,

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<v Speaker 1>the original hip hop is dressed like rock stars. And

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<v Speaker 1>now like since Little Wayne kind of like took on

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<v Speaker 1>that rock star pasana, I kind of see it coming back.

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<v Speaker 1>But it's a it's a different pasana. It's you know

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<v Speaker 1>what I mean, Well, it's a different era. You know,

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<v Speaker 1>So what a rock star looked like back then, it's

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<v Speaker 1>different for what a rock star looks like today. And

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<v Speaker 1>it was really punk rock, right what what? What? What?

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<v Speaker 1>What kind of mixed the thing was how it started

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<v Speaker 1>For the Furious Five, I want to speak for nobody,

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<v Speaker 1>but with me and my relationship with Malie Matt we

0:12:48.480 --> 0:12:51.480
<v Speaker 1>talked all the time and pretty much the whole group. Yeah,

0:12:51.520 --> 0:12:55.200
<v Speaker 1>I know the history. And so they once they saw

0:12:55.280 --> 0:12:57.240
<v Speaker 1>making records with sugar Hill, they went on the road

0:12:57.640 --> 0:13:00.679
<v Speaker 1>with groups like Cameo and the Barcade and you know

0:13:00.720 --> 0:13:03.720
<v Speaker 1>what I mean, they were at so they started they

0:13:03.760 --> 0:13:08.839
<v Speaker 1>started emulating the look of stars, you know what I mean,

0:13:09.080 --> 0:13:11.440
<v Speaker 1>Rick James, and you know what I mean, we we

0:13:11.480 --> 0:13:14.080
<v Speaker 1>want to separate ourselves from the way the audience looks.

0:13:14.720 --> 0:13:16.920
<v Speaker 1>And I'm believing that wholeheartedly. You know what I mean.

0:13:16.920 --> 0:13:18.200
<v Speaker 1>You go to the show, I don't want to see

0:13:18.200 --> 0:13:23.840
<v Speaker 1>a nigga looked like me. So they they kind of

0:13:23.880 --> 0:13:26.199
<v Speaker 1>initiated that as far as hip hop's can serve. When

0:13:26.200 --> 0:13:29.160
<v Speaker 1>they came off the road, they had niggas making leather

0:13:29.280 --> 0:13:32.440
<v Speaker 1>outfits with furs and and tassels hanging off them and

0:13:32.679 --> 0:13:34.640
<v Speaker 1>all kind of ship and it was like us, we

0:13:34.720 --> 0:13:37.440
<v Speaker 1>had an excuse for it. We had the record punk

0:13:37.520 --> 0:13:42.560
<v Speaker 1>rock rap, so we were trying to merge the two energies.

0:13:42.800 --> 0:13:53.160
<v Speaker 1>The Hi keep kicking on. We need I need to

0:13:53.240 --> 0:13:57.640
<v Speaker 1>drink something we got to do. Say, let's get it,

0:13:57.720 --> 0:14:01.079
<v Speaker 1>Let's get it. They take a shot a man, I

0:14:01.200 --> 0:14:07.480
<v Speaker 1>got my Japanese minky baby. Listen, and we're gonna set

0:14:07.480 --> 0:14:09.400
<v Speaker 1>it off. Were donna set it off right, all right?

0:14:09.880 --> 0:14:11.440
<v Speaker 1>Graham As a cast, we don't know if you know.

0:14:11.480 --> 0:14:13.640
<v Speaker 1>Our show is about giving the legends they flowers when

0:14:13.679 --> 0:14:16.120
<v Speaker 1>they alive. We started that. We didn't make up the slogan,

0:14:16.120 --> 0:14:18.240
<v Speaker 1>but we started to spread that slogan. And let me

0:14:18.240 --> 0:14:20.000
<v Speaker 1>just tell you something in case you don't know, you

0:14:20.040 --> 0:14:24.080
<v Speaker 1>are appreciated. You are legend. I went and search your history.

0:14:24.360 --> 0:14:26.680
<v Speaker 1>I damn their chairs came out of my eyes when

0:14:26.680 --> 0:14:28.960
<v Speaker 1>I was walking, because I was like, damn, I thought

0:14:29.000 --> 0:14:31.480
<v Speaker 1>I knew everything about you, and then I just kept

0:14:31.520 --> 0:14:33.280
<v Speaker 1>going and I didn't know the rappers the like ship.

0:14:33.360 --> 0:14:36.400
<v Speaker 1>I definitely that's that's I didn't know that ship I did.

0:14:36.480 --> 0:14:39.600
<v Speaker 1>That's the only thing that I do. Everything up. So

0:14:39.640 --> 0:14:43.120
<v Speaker 1>we're gonna we're gonna motherfucker's salute you while your motherfucking here.

0:14:44.720 --> 0:14:47.320
<v Speaker 1>Let's where you at, cam. Yeah, this is the first time.

0:14:47.360 --> 0:14:49.680
<v Speaker 1>We actually was a second time, Scarfie is the first time.

0:14:51.160 --> 0:14:53.880
<v Speaker 1>But look this is actually flowers, real flowers, and this

0:14:54.040 --> 0:14:55.920
<v Speaker 1>is for you. That's right, that's where you got. Damn it,

0:14:57.160 --> 0:15:04.480
<v Speaker 1>that's what that's what's from other North. We again, we

0:15:04.560 --> 0:15:06.880
<v Speaker 1>all full ours got that damn je man, it's a

0:15:06.880 --> 0:15:10.400
<v Speaker 1>hard open up. Come on, come on, pizza, get your

0:15:10.400 --> 0:15:13.840
<v Speaker 1>ass here, come on, come on, let me smoking too. Goddamn,

0:15:13.920 --> 0:15:19.280
<v Speaker 1>let's go and talk about Let's go baby. Yeah told

0:15:19.320 --> 0:15:22.480
<v Speaker 1>him about that. So, um, what are you talking about? Okay,

0:15:23.120 --> 0:15:25.680
<v Speaker 1>the no, I'm gonna switch it up a little bit

0:15:26.240 --> 0:15:28.120
<v Speaker 1>because I barely want to know your opinion on this.

0:15:28.760 --> 0:15:31.360
<v Speaker 1>Did you watch versus the other not? Yes? I did. Yes,

0:15:31.480 --> 0:15:37.000
<v Speaker 1>I'm so glad that she broke that up. Okay. That

0:15:37.120 --> 0:15:41.760
<v Speaker 1>was the first verses I've ever watched. Okay, Okay, I

0:15:41.760 --> 0:15:43.840
<v Speaker 1>don't know what you want to say. What did you

0:15:43.920 --> 0:15:50.040
<v Speaker 1>think of it? Listen this nigga Jada kiss put hands

0:15:50.240 --> 0:15:56.800
<v Speaker 1>and see he showed you what a real m C.

0:15:57.600 --> 0:16:01.960
<v Speaker 1>Yeah it's supposed to do. He did with a real

0:16:02.320 --> 0:16:05.760
<v Speaker 1>m C. Any nigger who considered himself a real m C.

0:16:07.520 --> 0:16:09.960
<v Speaker 1>That's what he was supposed to do. And that's what

0:16:10.000 --> 0:16:14.320
<v Speaker 1>he did. And j DJ, the DJ, yes, he you

0:16:14.360 --> 0:16:16.280
<v Speaker 1>know he if he wasn't on point, that would have

0:16:16.320 --> 0:16:19.840
<v Speaker 1>sucked it up. But I mean, Jada just demanded that ship.

0:16:19.880 --> 0:16:22.440
<v Speaker 1>And with all that angst going back and forth, all

0:16:22.480 --> 0:16:25.560
<v Speaker 1>that get you could anybody could have lost their poise

0:16:25.600 --> 0:16:30.520
<v Speaker 1>out there. Jada kept his poise throughout that ship. Okay.

0:16:30.640 --> 0:16:35.320
<v Speaker 1>And and they paled in comparison as far as entertainers

0:16:35.920 --> 0:16:41.920
<v Speaker 1>and m c s. Take a shot you Okay. Now

0:16:41.920 --> 0:16:45.640
<v Speaker 1>we're gonna keep going with that because I want to cousin.

0:16:46.120 --> 0:16:48.080
<v Speaker 1>You know, I got to ask, how did you feel

0:16:48.080 --> 0:16:52.000
<v Speaker 1>when you heard them whining off the vocals? So take

0:16:52.000 --> 0:17:00.880
<v Speaker 1>your shoppers. I'll do a pop up okay with these cats.

0:17:01.000 --> 0:17:07.080
<v Speaker 1>Um it's called bugs and bars. You know, we got vendors,

0:17:07.119 --> 0:17:11.720
<v Speaker 1>we said we and we have like a rap contest.

0:17:13.280 --> 0:17:16.960
<v Speaker 1>The first thing I tell all these young niggas, what's

0:17:17.000 --> 0:17:24.280
<v Speaker 1>that noise like a rabbit? The first thing I tell

0:17:24.320 --> 0:17:29.359
<v Speaker 1>these niggas, don't run over your motherfucking music. Every last

0:17:29.520 --> 0:17:32.760
<v Speaker 1>one of them that come up do the same thing

0:17:32.800 --> 0:17:35.199
<v Speaker 1>over put their vocal track on and wrap over it.

0:17:36.119 --> 0:17:40.280
<v Speaker 1>That's the most unprofessional ship that you can do, even

0:17:40.280 --> 0:17:43.359
<v Speaker 1>when you ain't a professional. So when you are a professional,

0:17:43.480 --> 0:17:45.719
<v Speaker 1>you know better than that ship, especially if you got

0:17:45.840 --> 0:17:48.879
<v Speaker 1>hit songs. Motherfucker ain't like nobody know your music and

0:17:48.920 --> 0:17:51.159
<v Speaker 1>you gotta throw the vocals on the kind of you

0:17:51.200 --> 0:17:54.879
<v Speaker 1>know you got hits already. You gotta be able to

0:17:54.960 --> 0:17:56.960
<v Speaker 1>rock your ship. And that was the main point that

0:17:56.960 --> 0:17:59.879
<v Speaker 1>that killed him because like me, me um, I've been

0:18:00.000 --> 0:18:02.080
<v Speaker 1>the game twenty four years now, right, But I do

0:18:02.160 --> 0:18:04.840
<v Speaker 1>have records where I've never collected the instrumental. I only

0:18:04.880 --> 0:18:07.800
<v Speaker 1>got two I got sometimes and I don't have the

0:18:07.800 --> 0:18:10.359
<v Speaker 1>instrumental to that, and I don't have the instruments until

0:18:10.480 --> 0:18:14.440
<v Speaker 1>I'm leaving. But so when I perform them, the beat play,

0:18:14.480 --> 0:18:16.000
<v Speaker 1>but when it comes from my vocals, I put the

0:18:16.040 --> 0:18:18.320
<v Speaker 1>vocals all the way down, so everyone knows that I'm

0:18:18.400 --> 0:18:21.920
<v Speaker 1>rhumbling above this ship, and they noticed I'm you either

0:18:22.000 --> 0:18:24.680
<v Speaker 1>put the vocals down or you bring your vocals up.

0:18:25.040 --> 0:18:26.920
<v Speaker 1>You know what I mean. If you're rhyming over your track,

0:18:27.000 --> 0:18:30.359
<v Speaker 1>you rhyme over you. You understand what I'm saying that

0:18:30.520 --> 0:18:33.280
<v Speaker 1>because everybody got a joints where they ain't got no

0:18:33.960 --> 0:18:36.760
<v Speaker 1>instrumental to ye. It happens to me all the time.

0:18:36.800 --> 0:18:39.879
<v Speaker 1>But that's how I learned how to emote and you know,

0:18:40.000 --> 0:18:45.520
<v Speaker 1>go over my ship exactly like two niggers and you

0:18:45.600 --> 0:18:47.919
<v Speaker 1>know what I mean. So, yeah, that was important. That

0:18:48.000 --> 0:18:50.080
<v Speaker 1>was important, and that was a dope point that he made.

0:18:50.280 --> 0:18:52.280
<v Speaker 1>And that was a big, you know, a big reason

0:18:52.320 --> 0:18:54.320
<v Speaker 1>for the l I mean, if you would have just

0:18:54.400 --> 0:18:58.280
<v Speaker 1>played each other's records and nobody got on to perform,

0:18:58.640 --> 0:19:00.800
<v Speaker 1>it would have been a little closer because but the

0:19:00.840 --> 0:19:03.439
<v Speaker 1>performance part of it is what took him over the

0:19:03.480 --> 0:19:05.760
<v Speaker 1>top because it was funny because it reminded me of

0:19:05.880 --> 0:19:11.480
<v Speaker 1>you guys. Uh again, what was the first five you guys?

0:19:11.600 --> 0:19:14.480
<v Speaker 1>And it reminded me of what you said. You said

0:19:14.720 --> 0:19:17.720
<v Speaker 1>you thought you lost that night, but you went back

0:19:17.720 --> 0:19:20.199
<v Speaker 1>and listened to the tape and he said corner to

0:19:20.200 --> 0:19:23.719
<v Speaker 1>the tapes, it was it was different. It wasn't me

0:19:23.840 --> 0:19:26.080
<v Speaker 1>that thought we lost. It was it was, you know,

0:19:26.160 --> 0:19:29.040
<v Speaker 1>we we lost to the crowd. You know, in the

0:19:29.080 --> 0:19:31.640
<v Speaker 1>crowd they said who one day they cheered for them,

0:19:31.680 --> 0:19:33.720
<v Speaker 1>they cheered for but they cheered louder for the for

0:19:33.840 --> 0:19:36.760
<v Speaker 1>the Fantastic five, you know mostly I mean, you know,

0:19:37.160 --> 0:19:42.480
<v Speaker 1>females and but but because it was the visual it

0:19:42.600 --> 0:19:44.639
<v Speaker 1>was the excitement of the moment. They was the last

0:19:44.680 --> 0:19:46.960
<v Speaker 1>ones on and all that. But when you went home

0:19:47.000 --> 0:19:49.919
<v Speaker 1>and took that tape home and you just listen without

0:19:50.000 --> 0:19:53.040
<v Speaker 1>all the visuals, without all that, just listen, you was like, wait,

0:19:53.320 --> 0:19:55.919
<v Speaker 1>funk out here, nigga bus staying and I'm thinking that

0:19:56.040 --> 0:19:58.360
<v Speaker 1>they don't sound better than there, you know what I mean.

0:19:58.800 --> 0:20:02.560
<v Speaker 1>So that was on us get our visuals up. So

0:20:03.119 --> 0:20:07.560
<v Speaker 1>and they had Eyeline on too and three and for

0:20:07.800 --> 0:20:10.439
<v Speaker 1>them is light skinned. They say, we didn't have a chance,

0:20:11.280 --> 0:20:18.520
<v Speaker 1>we didn't have a shot. We're talking all right, let's

0:20:18.520 --> 0:20:21.760
<v Speaker 1>go whatever the hell you want. But that's a super

0:20:21.840 --> 0:20:26.480
<v Speaker 1>dug like the two got them and got them. So

0:20:26.480 --> 0:20:30.400
<v Speaker 1>so back then this record comes out rappers a light right,

0:20:31.359 --> 0:20:34.080
<v Speaker 1>Everybody saying, is that now what what people are saying,

0:20:34.119 --> 0:20:36.720
<v Speaker 1>because at first it was important to have your tape

0:20:36.720 --> 0:20:39.280
<v Speaker 1>circulate in throughout the city and things like that. So

0:20:39.359 --> 0:20:42.119
<v Speaker 1>it does that shift that everyone wants to be on

0:20:42.200 --> 0:20:45.119
<v Speaker 1>records now, yeah, okay, it was. It was a shift

0:20:45.160 --> 0:20:47.520
<v Speaker 1>that made people okay, oh we can make records, we

0:20:47.520 --> 0:20:50.680
<v Speaker 1>can put and think that was something that was possible. Exactly.

0:20:50.880 --> 0:20:53.480
<v Speaker 1>Nobody was thinking that way. The closer we got to it,

0:20:54.280 --> 0:20:57.439
<v Speaker 1>Me and my my first DJ partner, disco with all

0:20:57.520 --> 0:21:01.400
<v Speaker 1>Right on the first suspend, next in in hip hop

0:21:01.720 --> 0:21:03.919
<v Speaker 1>and most of the first hispanics in hip hop was

0:21:03.960 --> 0:21:10.040
<v Speaker 1>down with me trying to whip a whip, Charlie Chase,

0:21:11.080 --> 0:21:22.760
<v Speaker 1>Joe Conzo, I'm gonna focus Fox with my morties. That

0:21:23.280 --> 0:21:30.360
<v Speaker 1>so um, just just that association, you know, just I mean,

0:21:30.440 --> 0:21:35.159
<v Speaker 1>just differentiated you know, me from because because I imagine

0:21:35.160 --> 0:21:37.560
<v Speaker 1>I'm sorry to cut you off, because I imagine at first,

0:21:39.520 --> 0:21:43.200
<v Speaker 1>especially were rappers are light and especially even my day

0:21:43.400 --> 0:21:45.000
<v Speaker 1>like at first used to be whacked to be on

0:21:45.040 --> 0:21:48.000
<v Speaker 1>the radio. At first, It's like yo, like you was

0:21:48.040 --> 0:21:51.240
<v Speaker 1>still want to be commercial, underground, that was us, But

0:21:51.400 --> 0:21:54.720
<v Speaker 1>I've dumb masked. We didn't want to make a record.

0:21:55.160 --> 0:21:56.480
<v Speaker 1>We don't want to we didn't want to go to

0:21:56.520 --> 0:22:01.800
<v Speaker 1>a label when rappers the light came out, Uh, it

0:22:01.920 --> 0:22:06.000
<v Speaker 1>was labeled. The labels that was out was Enjoy, Enjoy,

0:22:06.040 --> 0:22:10.359
<v Speaker 1>Bobby Robinson, but he rested peace? Whose son is Ronnie

0:22:10.440 --> 0:22:16.680
<v Speaker 1>d from the Disco four? May he rest in peace? Okay? Well,

0:22:16.720 --> 0:22:19.960
<v Speaker 1>Bobby had the whole roster of early hip hop artists.

0:22:20.200 --> 0:22:24.440
<v Speaker 1>He had a Furious five, the Treacherous three, the Fielders four,

0:22:24.880 --> 0:22:28.000
<v Speaker 1>talking in the all Stars, I mean, and and all

0:22:28.040 --> 0:22:31.960
<v Speaker 1>the and the band that he had had. All the

0:22:32.119 --> 0:22:34.880
<v Speaker 1>music sounded tight. We didn't want to do We didn't

0:22:34.920 --> 0:22:37.520
<v Speaker 1>want to go run the Enjoy because they had signed

0:22:37.560 --> 0:22:39.680
<v Speaker 1>all these other people before them. So it's like we

0:22:39.720 --> 0:22:42.160
<v Speaker 1>ain't gonna go get on the back of nobody line.

0:22:42.200 --> 0:22:44.040
<v Speaker 1>We all of things out in the street and Russell

0:22:44.080 --> 0:22:46.680
<v Speaker 1>was not involved. No, Russell not involved at this time.

0:22:46.920 --> 0:22:50.760
<v Speaker 1>Russell's like like on the f with Curtis blow right,

0:22:50.840 --> 0:22:52.800
<v Speaker 1>you know what I mean? And when when run was

0:22:52.920 --> 0:22:58.440
<v Speaker 1>Curtis blows d j Um damn, I lost my thought.

0:22:58.680 --> 0:23:00.879
<v Speaker 1>Um um, we we're talking. You're saying you didn't want

0:23:00.880 --> 0:23:02.320
<v Speaker 1>to sign. Some didn't want to we didn't want to

0:23:02.359 --> 0:23:05.280
<v Speaker 1>sign to the label. We was like, yeah, that's Porty records.

0:23:05.600 --> 0:23:08.760
<v Speaker 1>I mean, we were playing in Harlem world, were playing

0:23:08.800 --> 0:23:11.359
<v Speaker 1>the Bridgeport, playing and this and this and that. But

0:23:11.400 --> 0:23:17.879
<v Speaker 1>a little by little, you know what, the the recorium

0:23:17.960 --> 0:23:22.240
<v Speaker 1>or whatever you wanna call it changed for you being hot.

0:23:22.920 --> 0:23:24.199
<v Speaker 1>You could be hot in the street, but if you

0:23:24.200 --> 0:23:27.880
<v Speaker 1>don't have no record. We was headlining when New Edition

0:23:28.000 --> 0:23:33.040
<v Speaker 1>came out. Well Vonnie, Bobby Wicky and Mike Yeah, yeah,

0:23:33.520 --> 0:23:39.800
<v Speaker 1>they opened up for us. Run DMC opened up for us.

0:23:39.840 --> 0:23:47.000
<v Speaker 1>So for us, for us that was more important because

0:23:47.040 --> 0:23:50.320
<v Speaker 1>we didn't see that the future was just gonna be records.

0:23:50.600 --> 0:23:53.080
<v Speaker 1>And then after you got hit records, then you do

0:23:53.119 --> 0:23:55.359
<v Speaker 1>the performance. There's not a lot of people who don't

0:23:55.359 --> 0:23:58.120
<v Speaker 1>make records out here doing shows and ship that's viable

0:23:59.000 --> 0:24:04.040
<v Speaker 1>coming second. So but in hindsight, you know what I mean,

0:24:04.720 --> 0:24:08.040
<v Speaker 1>we could have gotten the back of anybody's bandwagon or

0:24:08.080 --> 0:24:10.199
<v Speaker 1>whatever and made our way to the front of it,

0:24:10.800 --> 0:24:15.800
<v Speaker 1>you know. But because we went another route, our commercial

0:24:15.960 --> 0:24:22.680
<v Speaker 1>success didn't uh compare with our ground level success, right

0:24:22.760 --> 0:24:25.360
<v Speaker 1>and our show, which was the best show in hip

0:24:25.400 --> 0:24:30.040
<v Speaker 1>hop at the time, didn't translate to vinyl. We weren't

0:24:30.040 --> 0:24:32.479
<v Speaker 1>able to translate that energy that we brought to the

0:24:32.560 --> 0:24:36.040
<v Speaker 1>stage and that, you know to Vinyl. So what was

0:24:36.080 --> 0:24:38.000
<v Speaker 1>the second hit, because I think it was Rapper said, like,

0:24:38.200 --> 0:24:40.800
<v Speaker 1>then it was another record and then it was the Message, right,

0:24:40.800 --> 0:24:43.119
<v Speaker 1>it was pre it was two records before rapping the Light.

0:24:43.240 --> 0:24:48.480
<v Speaker 1>The intros pretty much was uh Um King Tim the

0:24:48.560 --> 0:24:54.080
<v Speaker 1>three Okay Okay, and then Jocko Rhythm Talk by Jocko.

0:24:54.200 --> 0:24:58.080
<v Speaker 1>The fifties radio DJ had a joint with the Fat

0:24:58.119 --> 0:25:00.240
<v Speaker 1>back Man and then after rapping, said like was that

0:25:00.800 --> 0:25:04.040
<v Speaker 1>after Robbins of Life, Oh, a sequence came out with

0:25:04.200 --> 0:25:11.280
<v Speaker 1>funk up Um. They started, uh, they started to sign everybody,

0:25:11.280 --> 0:25:15.640
<v Speaker 1>the Crash Crew, the Treacherous three, Busy Be was over

0:25:15.640 --> 0:25:18.040
<v Speaker 1>there at one time, you know, so everything for a

0:25:18.040 --> 0:25:20.520
<v Speaker 1>while with Sugar Hills, Sugar Hills, sugar Hill, they had

0:25:20.520 --> 0:25:24.960
<v Speaker 1>it unlocked it before Death Jam. Sugar Hill was we're

0:25:24.960 --> 0:25:28.600
<v Speaker 1>talking from seventy nine to like eighty two, eighty three,

0:25:29.560 --> 0:25:31.800
<v Speaker 1>eight four, Yeah, into the early eighties, you know what

0:25:31.840 --> 0:25:34.639
<v Speaker 1>I mean, until like eighty four when when Death Jam

0:25:34.760 --> 0:25:38.159
<v Speaker 1>started and Run d M seeing them just that was

0:25:38.240 --> 0:25:40.960
<v Speaker 1>like from run DMC on, it was just different from

0:25:40.960 --> 0:25:44.720
<v Speaker 1>there they was. They was the dividing line between our

0:25:45.440 --> 0:25:48.480
<v Speaker 1>era and the next era, not recently. We just saw

0:25:48.520 --> 0:25:52.480
<v Speaker 1>that daylast Soul. God bless them brothers. They finally got

0:25:52.520 --> 0:25:59.600
<v Speaker 1>their masters back. How do you feel about that? Is

0:25:59.840 --> 0:26:02.480
<v Speaker 1>that a struggle that you go through? Yeah? Yeah, my

0:26:02.520 --> 0:26:06.160
<v Speaker 1>group went through, but we don't got as many masters,

0:26:04.840 --> 0:26:09.400
<v Speaker 1>say what I'm saying, But yeah, we had to struggle

0:26:09.440 --> 0:26:11.639
<v Speaker 1>with the record company and ship like that because they

0:26:11.680 --> 0:26:14.800
<v Speaker 1>were you know, like doing license and deals with our

0:26:14.880 --> 0:26:17.000
<v Speaker 1>music and stuff like that, with us not knowing shit

0:26:17.119 --> 0:26:19.359
<v Speaker 1>about it and all kind of will ship. And like

0:26:19.400 --> 0:26:21.720
<v Speaker 1>I said, we don't got the biggest and the longest catalog,

0:26:21.800 --> 0:26:23.400
<v Speaker 1>but I don't give a funk if it's one thing.

0:26:23.680 --> 0:26:27.160
<v Speaker 1>If it's three dollars, that's my three dollars. You understand

0:26:27.200 --> 0:26:31.640
<v Speaker 1>what I'm saying. And I wanted so um yeah, yeah,

0:26:31.680 --> 0:26:33.480
<v Speaker 1>we went through the lawyer thing and did what we

0:26:33.480 --> 0:26:35.040
<v Speaker 1>had to do, you know, to get our ship to

0:26:35.119 --> 0:26:37.480
<v Speaker 1>return to us. That now we are in control. We

0:26:37.520 --> 0:26:40.560
<v Speaker 1>don't own it out right yet, but we own. You

0:26:40.600 --> 0:26:44.880
<v Speaker 1>can't do nothing with it without space type ship. Um.

0:26:45.240 --> 0:26:48.440
<v Speaker 1>We did a joint for Apple not too long ago

0:26:48.520 --> 0:26:51.600
<v Speaker 1>for the iPhone and eleven and they used our saw him. Yeah,

0:26:51.640 --> 0:26:54.520
<v Speaker 1>I mean and boom. You got to break Boom. So

0:26:54.960 --> 0:26:57.600
<v Speaker 1>that was a good look back they would have got

0:26:57.640 --> 0:27:00.879
<v Speaker 1>all that money, they got all that money, no better not.

0:27:00.720 --> 0:27:03.840
<v Speaker 1>I'm not really understanding how you couldn't get a piece

0:27:03.880 --> 0:27:06.359
<v Speaker 1>of rappers delight? What was the business model that doesn't

0:27:06.359 --> 0:27:08.479
<v Speaker 1>allow you to do that? When he's clearly saying your

0:27:08.520 --> 0:27:11.399
<v Speaker 1>name in the verse. The business model is the crook model.

0:27:11.520 --> 0:27:13.800
<v Speaker 1>That's that, that's the model. But what I'm saying, like,

0:27:13.840 --> 0:27:19.520
<v Speaker 1>how can someone not say that these niggas don't don't,

0:27:19.600 --> 0:27:26.359
<v Speaker 1>don't know no better Robert model meaning them all you then, Okay,

0:27:26.480 --> 0:27:29.159
<v Speaker 1>that whole record industry, I mean, that's part of the

0:27:29.200 --> 0:27:31.840
<v Speaker 1>record business, especially back then. Yeah, you know what I

0:27:31.840 --> 0:27:33.840
<v Speaker 1>mean that because none of us knew nothing, No, none

0:27:33.880 --> 0:27:35.959
<v Speaker 1>of us knew ship. Were just happy to be on

0:27:36.000 --> 0:27:38.199
<v Speaker 1>the record. And that ship goes back to all the

0:27:38.240 --> 0:27:41.520
<v Speaker 1>way back to you know what I mean, the artists

0:27:41.520 --> 0:27:45.439
<v Speaker 1>from back in the day. Okay, we're just happy to

0:27:45.520 --> 0:27:47.159
<v Speaker 1>do what we do and be on the record and

0:27:47.200 --> 0:27:50.040
<v Speaker 1>get famous from it. We don't learn later on, you

0:27:50.080 --> 0:27:53.240
<v Speaker 1>know how fun over we we've been, you know, until

0:27:53.560 --> 0:27:55.959
<v Speaker 1>you know, it's sets in, sets in on all of us.

0:27:55.960 --> 0:27:58.080
<v Speaker 1>At some point when you think about I heard that

0:27:58.160 --> 0:28:01.120
<v Speaker 1>back then, that Sam Cook was the only black man

0:28:01.520 --> 0:28:03.879
<v Speaker 1>who owns his master, and then all of a sudden,

0:28:03.920 --> 0:28:06.520
<v Speaker 1>no one can tell you how he died. Fact like

0:28:06.600 --> 0:28:11.719
<v Speaker 1>no one can should they say about Prince? Yeah yeah

0:28:11.800 --> 0:28:14.480
<v Speaker 1>yeah yeah. As soon as you start talking that independent

0:28:14.840 --> 0:28:19.560
<v Speaker 1>from the system ship. Yeah, you're talking and anything in anything,

0:28:19.960 --> 0:28:22.119
<v Speaker 1>you're gonna do another shop. I'm doing the show that

0:28:22.160 --> 0:28:24.199
<v Speaker 1>should drink, do a shot to do a shot out?

0:28:24.480 --> 0:28:26.959
<v Speaker 1>Yeah yeah yeah. You want you want you don't want

0:28:26.960 --> 0:28:29.200
<v Speaker 1>to whiskey? Do you don't? You don't want to mix

0:28:29.200 --> 0:28:31.119
<v Speaker 1>it up, don't want miss it up. Let me know

0:28:31.119 --> 0:28:37.719
<v Speaker 1>if he wants to a little ice ship yeah yeah yeah, yah,

0:28:37.760 --> 0:28:44.280
<v Speaker 1>yeah yeah yeah yeah. I'm putting in this carp now,

0:28:44.320 --> 0:28:46.520
<v Speaker 1>that's that Japanese whiskey right there, all right. If he

0:28:46.560 --> 0:28:47.960
<v Speaker 1>wants some ice in there, that takes Mike, I don't

0:28:47.960 --> 0:28:53.160
<v Speaker 1>want to touch it myself. Thank you, brother, Yo, motherfucking

0:28:53.200 --> 0:28:57.520
<v Speaker 1>grand master Cat. I'm mad. I'm mad, happy, bro, I'm

0:28:57.560 --> 0:28:59.680
<v Speaker 1>like a kid in the candy machine right now. It

0:29:00.040 --> 0:29:15.360
<v Speaker 1>is right there, soottle my brother. So that's a question

0:29:15.400 --> 0:29:18.880
<v Speaker 1>I asked everybody who comes here. But you can actually

0:29:19.040 --> 0:29:23.080
<v Speaker 1>really really answer this question. Did you ever think hip

0:29:23.080 --> 0:29:27.000
<v Speaker 1>hop and make it this fun? No, but I always

0:29:27.240 --> 0:29:31.480
<v Speaker 1>hope that it would oc could you had the potential? Yeah,

0:29:32.160 --> 0:29:37.800
<v Speaker 1>I'm stopping you for a second because why why because

0:29:37.880 --> 0:29:40.040
<v Speaker 1>it was it just like a basement party type of

0:29:40.040 --> 0:29:42.720
<v Speaker 1>thing when it first invented. Or I'm curious to say,

0:29:42.840 --> 0:29:48.160
<v Speaker 1>I'm here. You you you, you gotta understand. When we

0:29:48.200 --> 0:29:51.440
<v Speaker 1>first started doing hip hop, people looking at us like,

0:29:51.520 --> 0:29:54.360
<v Speaker 1>what the fund is wrong with you? Like what the

0:29:54.360 --> 0:29:57.160
<v Speaker 1>fun is? Imagine you know from the from the dancing,

0:29:57.640 --> 0:30:00.440
<v Speaker 1>you know what I mean, from the break dancing especially, Yeah,

0:30:00.520 --> 0:30:02.720
<v Speaker 1>mean the funk y'all rolling around on the floor for

0:30:03.280 --> 0:30:07.880
<v Speaker 1>sucking up your clothes. That was the attitude. And then

0:30:07.880 --> 0:30:09.840
<v Speaker 1>if you and you can't go you can't be in

0:30:09.920 --> 0:30:12.440
<v Speaker 1>a party and ask a girl and dann yo, who's

0:30:12.480 --> 0:30:15.080
<v Speaker 1>up short? Do you want dance? And then bring it

0:30:15.160 --> 0:30:17.560
<v Speaker 1>out to the dance floors and start spinning on the

0:30:17.640 --> 0:30:26.040
<v Speaker 1>fucking floor. All right. It's just like me. So if

0:30:26.080 --> 0:30:28.040
<v Speaker 1>we was on our own with the ship for a

0:30:28.040 --> 0:30:32.760
<v Speaker 1>while before it got cooler. Other people, my parents are friends,

0:30:32.960 --> 0:30:35.400
<v Speaker 1>y'all ain't gonna never get nowhere doing that hivity. How

0:30:35.560 --> 0:30:40.760
<v Speaker 1>they ship ain't even take the name of this ship serious? Everything?

0:30:41.480 --> 0:30:45.480
<v Speaker 1>This ship alright, motherfucker drug dealers. Oh you're gonna working

0:30:45.520 --> 0:30:49.040
<v Speaker 1>with them hip hop niggas. Tell a biture, Oh yo,

0:30:49.120 --> 0:30:52.719
<v Speaker 1>you're with them hip hop niggas over there. Hur So

0:30:52.760 --> 0:30:55.080
<v Speaker 1>it wasn't. It wasn't a positive thing for a while.

0:30:56.800 --> 0:30:59.600
<v Speaker 1>It's the fucking biggest genre of music and the fucking

0:31:00.480 --> 0:31:03.360
<v Speaker 1>had I know, I would be a real thick head

0:31:03.360 --> 0:31:05.520
<v Speaker 1>if I sit here and tell you, yeah, I knew

0:31:05.520 --> 0:31:07.600
<v Speaker 1>it would be this big, and I ain't got this

0:31:07.760 --> 0:31:11.200
<v Speaker 1>much percenter this ship. If I knew I had an

0:31:11.200 --> 0:31:21.200
<v Speaker 1>eight in this ship, I would this ship would have

0:31:21.280 --> 0:31:26.479
<v Speaker 1>to go through me, or at least me and my peers.

0:31:27.360 --> 0:31:30.880
<v Speaker 1>I mean me, cool, hurt, you know what I mean, Flash,

0:31:31.000 --> 0:31:33.040
<v Speaker 1>you know what I mean. Mel You I mean like

0:31:33.120 --> 0:31:35.240
<v Speaker 1>a counsel, you know what I mean, and have a

0:31:35.440 --> 0:31:37.480
<v Speaker 1>union of this ship that we would have had a

0:31:37.520 --> 0:31:40.720
<v Speaker 1>hole on hip hop. Whereas that can't be a hip

0:31:40.720 --> 0:31:47.080
<v Speaker 1>hop chicken store in Baltimore. Hip hop motherfucking fried chicken,

0:31:47.160 --> 0:31:53.240
<v Speaker 1>my nigger. I got the box in my house, So

0:31:53.440 --> 0:31:56.800
<v Speaker 1>I mean, what other entity you know that anybody can

0:31:56.880 --> 0:31:58.560
<v Speaker 1>just take it and just run with it and do

0:31:58.600 --> 0:32:03.440
<v Speaker 1>what the funk they want with talk hip hop. I

0:32:03.520 --> 0:32:08.280
<v Speaker 1>can't do that ship with nothing else. So because there

0:32:08.360 --> 0:32:12.680
<v Speaker 1>was no there was no organized you know union, No

0:32:12.680 --> 0:32:16.320
<v Speaker 1>nobody sat down, set no rules by laws or whatever. Nobody,

0:32:18.160 --> 0:32:22.520
<v Speaker 1>uh like trademark this ship. There's no ownership of hip hop.

0:32:25.440 --> 0:32:28.560
<v Speaker 1>So now it could be a hip hop any fucking thing,

0:32:28.720 --> 0:32:31.120
<v Speaker 1>you know what I mean, And that's that's nasty. But

0:32:31.320 --> 0:32:33.320
<v Speaker 1>wasn't zo Nation trying to do some stuff like that?

0:32:33.720 --> 0:32:36.920
<v Speaker 1>Nation has always trying to organize hip hop. I mean first,

0:32:37.680 --> 0:32:39.960
<v Speaker 1>you know, through the family, you know, first making it

0:32:40.000 --> 0:32:44.880
<v Speaker 1>an organization, you know, based on the principles of peace, unity,

0:32:44.960 --> 0:32:47.440
<v Speaker 1>love and having fun, you know what I mean. As

0:32:47.480 --> 0:32:50.120
<v Speaker 1>far as a business model, you know, that was based

0:32:50.160 --> 0:32:54.680
<v Speaker 1>around Bambada and his you know, musical endeavors and stuff

0:32:54.720 --> 0:32:57.560
<v Speaker 1>like that and other things they got into. But they

0:32:57.640 --> 0:33:00.719
<v Speaker 1>did what what what they did early on on was

0:33:01.240 --> 0:33:05.280
<v Speaker 1>unite us under one umbrella call hip hop. Hip Hop

0:33:05.320 --> 0:33:09.040
<v Speaker 1>didn't have a name when we started. We just started out,

0:33:09.080 --> 0:33:12.320
<v Speaker 1>let's do the hip hop thing. Nah. The name hip

0:33:12.360 --> 0:33:18.680
<v Speaker 1>hop came from a cadence in Marching. M hmm, yeah,

0:33:18.680 --> 0:33:24.640
<v Speaker 1>I don't. Grandmaster Flash was playing at a party all right,

0:33:25.920 --> 0:33:28.760
<v Speaker 1>and one a cowboy, Keith Cowboy, one of his the

0:33:28.920 --> 0:33:32.360
<v Speaker 1>mcs may he rest in peace. What's going into the

0:33:32.520 --> 0:33:36.480
<v Speaker 1>army next day? So he's working with him on the

0:33:36.560 --> 0:33:39.280
<v Speaker 1>Mikey like, yeah, so it's I forgot to do name somebody, No,

0:33:39.440 --> 0:33:41.600
<v Speaker 1>but I forgot his name. He was like, yeah someone

0:33:41.720 --> 0:33:43.640
<v Speaker 1>so this and that. Yeah, you're having a good time.

0:33:43.720 --> 0:33:46.160
<v Speaker 1>Now you party and now with the mar Yeah, it's

0:33:46.160 --> 0:33:47.960
<v Speaker 1>gonna be getting up at the crack of dawn like

0:33:48.160 --> 0:33:52.800
<v Speaker 1>here here here, you know that Caden's when they walk.

0:33:54.840 --> 0:34:00.200
<v Speaker 1>That's where hip hop came from. All right, now it's crazy.

0:34:00.560 --> 0:34:04.040
<v Speaker 1>And then that that that cadence became repeated so much

0:34:04.080 --> 0:34:08.760
<v Speaker 1>it became like the signature thing ahead until hip hop

0:34:08.880 --> 0:34:11.719
<v Speaker 1>the words hip hop form and then love buck Star

0:34:11.800 --> 0:34:14.520
<v Speaker 1>Sky was the one who really kind of took it

0:34:14.640 --> 0:34:17.280
<v Speaker 1>over the top with the head to hop, the head

0:34:17.120 --> 0:34:19.640
<v Speaker 1>the hop to hop, the hop him and been hip

0:34:19.680 --> 0:34:24.840
<v Speaker 1>hip hip hop was the most repeated phrase throughout our conversation.

0:34:25.360 --> 0:34:28.399
<v Speaker 1>So hip hop became the name of our culture. Got

0:34:28.440 --> 0:34:34.240
<v Speaker 1>there makes a noise, moving around a little bit, were

0:34:34.239 --> 0:34:39.759
<v Speaker 1>bouncing around something that I didn't know, Um, DJ Hollywood, right,

0:34:40.120 --> 0:34:43.960
<v Speaker 1>I didn't know DJ Hollywood was consider disco because why

0:34:43.960 --> 0:34:46.400
<v Speaker 1>didn't you know that? Because what was the song that

0:34:46.400 --> 0:34:49.200
<v Speaker 1>he had at one point, tang Wu tang, I don't

0:34:49.200 --> 0:34:53.279
<v Speaker 1>want to know my honey bun and Henty's over that.

0:34:53.400 --> 0:34:58.040
<v Speaker 1>You young, youll befit, no doubt, I know that that one.

0:34:58.600 --> 0:35:03.400
<v Speaker 1>Hip hop, Well, Hollywood precedes hip hop, you know what

0:35:03.440 --> 0:35:05.520
<v Speaker 1>I mean, And and Hollywood just kind of in a

0:35:05.600 --> 0:35:08.960
<v Speaker 1>difficult place. But you know, between hip hop and what

0:35:09.160 --> 0:35:11.600
<v Speaker 1>happened before hip hop, you know what I mean, he

0:35:11.640 --> 0:35:16.360
<v Speaker 1>was a direct influence on what came next. The next

0:35:17.000 --> 0:35:20.440
<v Speaker 1>generation of DJ's you know what I mean, got whatever

0:35:20.480 --> 0:35:24.480
<v Speaker 1>they got from DJ Hollywood because like t paying Future,

0:35:24.920 --> 0:35:28.200
<v Speaker 1>all of them, people who use melodic music gotta kind

0:35:28.200 --> 0:35:30.759
<v Speaker 1>of give it to Hollywood. Well, I mean, yeah, he

0:35:30.880 --> 0:35:34.520
<v Speaker 1>was that you know, crowd rocker, that calling response King.

0:35:35.320 --> 0:35:38.239
<v Speaker 1>He had a report with the audience. He was funny

0:35:38.360 --> 0:35:42.879
<v Speaker 1>and he was like that. But m c s as

0:35:42.920 --> 0:35:45.680
<v Speaker 1>we know mcs today, you know what I mean, you

0:35:45.760 --> 0:35:48.319
<v Speaker 1>thought a beat on and these niggers getting in that

0:35:48.400 --> 0:35:53.960
<v Speaker 1>didn't come until our generation. And there was a time

0:35:54.000 --> 0:35:56.799
<v Speaker 1>if he went to a club that Hollywood was playing in,

0:35:57.239 --> 0:35:59.600
<v Speaker 1>you couldn't get in with sneakers. First of all, he

0:35:59.680 --> 0:36:03.239
<v Speaker 1>had to dress up. If they caught your ass breakdancing,

0:36:03.280 --> 0:36:08.880
<v Speaker 1>and that they broke your security. But I found that out.

0:36:08.960 --> 0:36:11.319
<v Speaker 1>That's it hurt me. Yeah. Yeah, So that's part of

0:36:11.360 --> 0:36:14.920
<v Speaker 1>the mystique why people say Hollywood is not, you know,

0:36:15.080 --> 0:36:18.120
<v Speaker 1>it's hip hop. He because he precedes hip hop, but

0:36:18.200 --> 0:36:22.239
<v Speaker 1>he definitely influenced hip hop. I can see that. I

0:36:22.239 --> 0:36:25.000
<v Speaker 1>can see that. So, um, what's your favorite part of

0:36:25.080 --> 0:36:27.600
<v Speaker 1>hip hop? Isn't making it the record? Performing the record?

0:36:28.160 --> 0:36:38.520
<v Speaker 1>Um Records is not really my my forte so to speak.

0:36:38.640 --> 0:36:44.120
<v Speaker 1>I haven't had. I just haven't had that constant studio

0:36:44.360 --> 0:36:47.520
<v Speaker 1>environment that you know a lot of artists have, uh

0:36:47.560 --> 0:36:50.319
<v Speaker 1>for like Park for example, when Pot came home, Park

0:36:50.440 --> 0:36:54.360
<v Speaker 1>lived in the studio for two weeks or months or whatever,

0:36:54.440 --> 0:36:56.320
<v Speaker 1>you know what I mean. He went from studio to

0:36:56.440 --> 0:36:59.640
<v Speaker 1>studio to studio, and you know what I mean. And

0:37:00.000 --> 0:37:02.799
<v Speaker 1>in order to become that prolific, you have to be

0:37:02.840 --> 0:37:08.120
<v Speaker 1>a demand like that. Uh LLL cool J eleven albums?

0:37:08.520 --> 0:37:11.879
<v Speaker 1>Who the fuck makes eleven albums? Who gets to make

0:37:11.960 --> 0:37:15.600
<v Speaker 1>eleven albums? And hip hop? Maybe now because independently you

0:37:15.600 --> 0:37:18.520
<v Speaker 1>can make a hunted But who gets signed to a

0:37:18.600 --> 0:37:22.840
<v Speaker 1>label to eleven fucking album deal successful albums to exactly

0:37:22.880 --> 0:37:28.800
<v Speaker 1>most of them? So I'm gonna keep it on it.

0:37:30.920 --> 0:37:33.040
<v Speaker 1>But but I mean, but that's the thing. So the

0:37:33.120 --> 0:37:36.080
<v Speaker 1>opportunities that you have, you know, have a lot to

0:37:36.120 --> 0:37:39.400
<v Speaker 1>do with how productive you are. You know what I mean.

0:37:39.560 --> 0:37:42.759
<v Speaker 1>Today you can make a record in your house. I

0:37:42.760 --> 0:37:47.200
<v Speaker 1>mean it sounds just as good as you know. I

0:37:47.200 --> 0:37:51.000
<v Speaker 1>ain't say all of them because you could, you could,

0:37:51.480 --> 0:37:58.480
<v Speaker 1>because like, yeah, that's just sound like about your I'm

0:37:58.480 --> 0:38:02.640
<v Speaker 1>my engineer. You need let me bragging about me at

0:38:02.680 --> 0:38:06.960
<v Speaker 1>your own But so this is famous jay Z line, right,

0:38:07.800 --> 0:38:10.680
<v Speaker 1>he said, I'm over charging niggas for what they did

0:38:10.719 --> 0:38:16.120
<v Speaker 1>to the cold cork. Where are you at when you

0:38:16.239 --> 0:38:20.120
<v Speaker 1>hear this? And as you say, yeah, what are you saying?

0:38:20.160 --> 0:38:22.040
<v Speaker 1>What you're talking about? Well, I'm gonna tell you what happens,

0:38:23.560 --> 0:38:26.800
<v Speaker 1>you know, is you know came out. Listen listen that.

0:38:27.320 --> 0:38:30.759
<v Speaker 1>So now my phone started ringing off the hood. Yo, Yo,

0:38:30.800 --> 0:38:34.279
<v Speaker 1>you heard jay Z said, yeah, yeah, yeah, I heard it.

0:38:34.280 --> 0:38:37.160
<v Speaker 1>I heard, yo, jay Z hood like like like all day,

0:38:37.200 --> 0:38:40.920
<v Speaker 1>one of them type. So like somebody I was sitting

0:38:40.920 --> 0:38:42.560
<v Speaker 1>and somebody asked me, yo, what you think about that?

0:38:42.640 --> 0:38:46.799
<v Speaker 1>Jay Z? You know, I said, I think you know,

0:38:47.320 --> 0:38:50.680
<v Speaker 1>he's robbing from the rich in the name of the poor.

0:38:54.960 --> 0:39:01.319
<v Speaker 1>Love that now, Robin hood robbed from the rich and

0:39:01.520 --> 0:39:06.479
<v Speaker 1>gave it to the poor. He arrived from the rich

0:39:06.880 --> 0:39:10.160
<v Speaker 1>in the name of the poor, Like I'm a tax

0:39:10.400 --> 0:39:14.799
<v Speaker 1>all you motherfucker's out there extra okay for what? You

0:39:14.840 --> 0:39:19.760
<v Speaker 1>didn't give these niggers right here? H but he didn't

0:39:19.800 --> 0:39:25.160
<v Speaker 1>give these niggs right? It wasn't right? So what what?

0:39:25.320 --> 0:39:27.360
<v Speaker 1>What are my mothers think of it? I think it

0:39:27.440 --> 0:39:29.440
<v Speaker 1>was a statement. What I mean it was. You know,

0:39:29.600 --> 0:39:32.719
<v Speaker 1>Jay's a clever motherfucker. Yeah if a rhyme when he

0:39:32.760 --> 0:39:35.160
<v Speaker 1>when he comes to it, it's like okay, all right, yeah,

0:39:35.200 --> 0:39:37.799
<v Speaker 1>I'm gonna throw that there. But I mean we didn't

0:39:37.800 --> 0:39:40.040
<v Speaker 1>get a call from Jay. You know, no non bank

0:39:40.080 --> 0:39:42.680
<v Speaker 1>accounts went up and none of that ship. So it

0:39:42.800 --> 0:39:46.920
<v Speaker 1>was just you know, another clever jay Z line. No,

0:39:47.040 --> 0:39:49.400
<v Speaker 1>but honestly what he was saying. But my point is this,

0:39:49.560 --> 0:39:52.319
<v Speaker 1>let me ask you what's there? Were you going through

0:39:52.360 --> 0:39:57.840
<v Speaker 1>something with the lady at that time? Or I would

0:39:58.200 --> 0:40:00.200
<v Speaker 1>I would first of all, I would like to talk

0:40:00.239 --> 0:40:03.239
<v Speaker 1>to Jay and be like, what did they do to

0:40:03.280 --> 0:40:06.680
<v Speaker 1>the code crush? Right? What you know that you don't know?

0:40:07.640 --> 0:40:11.440
<v Speaker 1>I know they did something. I know they get something,

0:40:12.719 --> 0:40:18.960
<v Speaker 1>you know, and I know that they did something so

0:40:20.480 --> 0:40:22.400
<v Speaker 1>I'm like, you know what I mean. So, I mean,

0:40:22.440 --> 0:40:25.279
<v Speaker 1>there's a lot of industry secrets and ship like that

0:40:25.280 --> 0:40:27.359
<v Speaker 1>that went on back in the days. Niggas got black

0:40:27.400 --> 0:40:29.000
<v Speaker 1>Ball for the for the sof you could have been

0:40:29.000 --> 0:40:32.319
<v Speaker 1>sucking one of these niggas joints, you know what I mean,

0:40:32.440 --> 0:40:34.759
<v Speaker 1>And for that reason, you don't get signed to a

0:40:34.800 --> 0:40:37.520
<v Speaker 1>record label or some ship like that. So people of

0:40:37.680 --> 0:40:41.200
<v Speaker 1>people wherever you go. So there's a lot of reasons

0:40:41.280 --> 0:40:44.279
<v Speaker 1>for people being where they are and people not being

0:40:44.320 --> 0:40:48.200
<v Speaker 1>where they are, right and you do you believe in

0:40:48.239 --> 0:40:51.320
<v Speaker 1>that like black ball and ship in the industry? Hell yeah,

0:40:51.480 --> 0:40:58.560
<v Speaker 1>you know. I mean, man, listen, I'm gonna be honest.

0:41:00.080 --> 0:41:02.879
<v Speaker 1>It might not be as organized as you think. It's

0:41:02.880 --> 0:41:05.600
<v Speaker 1>not as organized it is. It's a thing where people

0:41:05.640 --> 0:41:09.240
<v Speaker 1>tell people look at it. It me me, in my opinion,

0:41:10.680 --> 0:41:13.319
<v Speaker 1>there's something that exists. But in this certain ship that's

0:41:13.360 --> 0:41:17.759
<v Speaker 1>just common sense. It's like, just give an example, a

0:41:17.760 --> 0:41:22.160
<v Speaker 1>little oozy verse says fun Grandmaster cats right, and then

0:41:22.239 --> 0:41:24.440
<v Speaker 1>wants to do drink Champs that week, and we say, no,

0:41:25.480 --> 0:41:29.279
<v Speaker 1>we were cats. People might take that as that's being

0:41:29.360 --> 0:41:32.239
<v Speaker 1>black ball, but that's just standing with my homie. But

0:41:32.360 --> 0:41:35.200
<v Speaker 1>that is being black ball too. No, No, everybody stopped

0:41:35.239 --> 0:41:37.839
<v Speaker 1>working with you. But it's the beginning that if you

0:41:37.880 --> 0:41:40.239
<v Speaker 1>can't get signed to a record deal no more. If

0:41:40.280 --> 0:41:43.360
<v Speaker 1>you ain't getting shows niggas, ain't your whole ship stop,

0:41:43.600 --> 0:41:46.000
<v Speaker 1>that's getting black Yeah. I mean if you you might

0:41:46.040 --> 0:41:48.479
<v Speaker 1>get black ball from normally show, but it ain't gonna

0:41:48.480 --> 0:41:52.239
<v Speaker 1>stop your whole motherfucking machine, like the even though this

0:41:52.360 --> 0:41:54.359
<v Speaker 1>is a that's a bad thing to get black ball from,

0:41:54.400 --> 0:42:04.000
<v Speaker 1>drink might like. For instance, me and OS had a

0:42:04.040 --> 0:42:07.799
<v Speaker 1>little dispute back in the days, right, I didn't think

0:42:07.800 --> 0:42:09.239
<v Speaker 1>he was black balling me. I don't think he's sent

0:42:09.360 --> 0:42:11.680
<v Speaker 1>out the message black ball. But at the same token,

0:42:11.920 --> 0:42:14.000
<v Speaker 1>a lot of people did not want to stand next

0:42:14.040 --> 0:42:17.799
<v Speaker 1>to me. You beat people with eyes. I think that's

0:42:17.800 --> 0:42:21.200
<v Speaker 1>a form of black I don't think I think I

0:42:21.200 --> 0:42:23.400
<v Speaker 1>think it is. I think don't. And people want to

0:42:23.400 --> 0:42:25.600
<v Speaker 1>do business with you, and then they stopped working with

0:42:25.680 --> 0:42:28.120
<v Speaker 1>a person because they want to do business with you

0:42:28.200 --> 0:42:30.080
<v Speaker 1>and they don't want to run for those feathers. To me,

0:42:30.120 --> 0:42:32.040
<v Speaker 1>that's black black balling as well. You know what black

0:42:32.080 --> 0:42:35.640
<v Speaker 1>balling is. Black balling is when an executive telling motherfucker

0:42:35.719 --> 0:42:39.720
<v Speaker 1>other executives listen, this nigger here right here or whatever,

0:42:39.800 --> 0:42:42.640
<v Speaker 1>such the such that's and that who don't work with him?

0:42:42.640 --> 0:42:44.840
<v Speaker 1>Mind just as a favor of me, don't work with right,

0:42:44.880 --> 0:42:49.160
<v Speaker 1>that's official blacks. That's black. Now, maybe do you go

0:42:49.280 --> 0:42:51.239
<v Speaker 1>to get shut in your motherfucking face and you don't

0:42:51.320 --> 0:42:53.920
<v Speaker 1>understand why you're honest that something nigger you picked some

0:42:54.040 --> 0:42:58.719
<v Speaker 1>nigga off some nigga influence of man. Yeah, understand that

0:42:58.840 --> 0:43:00.840
<v Speaker 1>that I Honestand and you don't that exists. No, I

0:43:00.880 --> 0:43:04.160
<v Speaker 1>believe that exists, but not to the level like I said,

0:43:04.160 --> 0:43:07.120
<v Speaker 1>like to the level of that like that we think,

0:43:07.160 --> 0:43:09.520
<v Speaker 1>like we just think like you make a disrecord towards

0:43:09.520 --> 0:43:12.040
<v Speaker 1>somebody and then you're just you're just black ball. It's

0:43:12.040 --> 0:43:16.960
<v Speaker 1>not everybody doesn't happened magically because everyone's really not that powerful.

0:43:17.000 --> 0:43:19.640
<v Speaker 1>Like the further you get, the further you get, like

0:43:19.640 --> 0:43:22.040
<v Speaker 1>you've been realizing that some of these dudes Frank's they

0:43:22.080 --> 0:43:24.000
<v Speaker 1>just act like that, you know, saying, somebod these dudes

0:43:24.080 --> 0:43:26.360
<v Speaker 1>straight bozos. You're like, this is who I looked up to,

0:43:26.800 --> 0:43:28.239
<v Speaker 1>Like you know what I'm saying. Like the and the

0:43:28.280 --> 0:43:31.000
<v Speaker 1>further you get kind of you make your own rules,

0:43:31.360 --> 0:43:32.880
<v Speaker 1>you know what I'm saying, you can get to a

0:43:32.920 --> 0:43:35.080
<v Speaker 1>point where, like I swear to guard, don't, I'm not.

0:43:35.120 --> 0:43:39.000
<v Speaker 1>I'm not bringing this up. I watched Dave Chappelle three

0:43:39.080 --> 0:43:42.680
<v Speaker 1>days in the row go on stage and say the

0:43:42.719 --> 0:43:49.440
<v Speaker 1>most craziest ship about transgender, about homosexual people, about just

0:43:49.760 --> 0:43:51.879
<v Speaker 1>whatever the funk he wanted to talk about. He talked

0:43:51.880 --> 0:43:53.840
<v Speaker 1>about having a fight with a bitch that was a

0:43:53.880 --> 0:43:57.399
<v Speaker 1>transgender and he said, no, I didn't want to stop

0:43:57.440 --> 0:44:03.040
<v Speaker 1>because I was winning. What I'm saying is David's at

0:44:03.080 --> 0:44:08.080
<v Speaker 1>the level where he doesn't you can't cancel him. Yeah, Yeah,

0:44:08.840 --> 0:44:11.879
<v Speaker 1>I at that level life, nigger. I could ship on

0:44:11.920 --> 0:44:14.200
<v Speaker 1>your on your on your on your on your car,

0:44:15.440 --> 0:44:18.120
<v Speaker 1>ship him and where this was saying. I was looking

0:44:18.160 --> 0:44:20.480
<v Speaker 1>like they're gonna cancel. But then I thought about it.

0:44:20.520 --> 0:44:24.600
<v Speaker 1>I said, this guy got forty minutes and cancel. Like,

0:44:25.040 --> 0:44:27.120
<v Speaker 1>so that's what I'm saying, Like certain people make it

0:44:27.120 --> 0:44:29.399
<v Speaker 1>to a certain and he's he just one of them.

0:44:29.440 --> 0:44:31.480
<v Speaker 1>Like he talked about ship like I felt like I

0:44:31.520 --> 0:44:33.480
<v Speaker 1>was in the eighties joking concert you know what I mean?

0:44:33.560 --> 0:44:36.240
<v Speaker 1>Remember back and didn't no one knew the proper words

0:44:36.239 --> 0:44:38.239
<v Speaker 1>to say, No one knew not to say this don't

0:44:38.239 --> 0:44:40.440
<v Speaker 1>say this like he was just just just going crazy.

0:44:40.480 --> 0:44:44.560
<v Speaker 1>So I said to say that I'm I'm doing another shot.

0:44:44.360 --> 0:44:49.320
<v Speaker 1>You got damn doing another shot. So cast Run DMC

0:44:49.520 --> 0:44:54.239
<v Speaker 1>comes out I did not notice as the drug dealer

0:44:54.280 --> 0:44:59.440
<v Speaker 1>attire outfit because because but then you guys, you guys

0:44:59.440 --> 0:45:08.440
<v Speaker 1>got I pad first come out right friend ship, you

0:45:08.520 --> 0:45:12.279
<v Speaker 1>know what I mean? So y'all looking at mother not

0:45:12.600 --> 0:45:18.760
<v Speaker 1>what happened was Russell pattern Run DMC sound behind people

0:45:18.840 --> 0:45:21.560
<v Speaker 1>like my group Cold Crush Brothers, d m C and

0:45:21.680 --> 0:45:23.839
<v Speaker 1>Run will tell you theirself. They you know what I mean,

0:45:23.840 --> 0:45:27.120
<v Speaker 1>they strive to be you know, like the Cold Crush Brothers.

0:45:27.560 --> 0:45:31.480
<v Speaker 1>And but Jay was the street dude. Jay was the

0:45:31.480 --> 0:45:33.640
<v Speaker 1>one who messed out, you know what I mean. He

0:45:33.719 --> 0:45:37.399
<v Speaker 1>had the look of this, so so they adopted his look.

0:45:37.600 --> 0:45:39.920
<v Speaker 1>If you look at them in early days, they had

0:45:40.120 --> 0:45:44.799
<v Speaker 1>Sue Jackison and Mark Nexs all right, and so Jay

0:45:44.880 --> 0:45:51.319
<v Speaker 1>kind of set up there. Look yeah, so Jake kind

0:45:51.320 --> 0:45:53.920
<v Speaker 1>of crafted their their their look. And then from then on,

0:45:54.000 --> 0:45:55.960
<v Speaker 1>you know, the didas thing. They just went through the

0:45:56.040 --> 0:45:58.680
<v Speaker 1>roof with that. That must have been the first time

0:45:58.760 --> 0:46:03.239
<v Speaker 1>hip hop had a right yeah. Yeah, like the course

0:46:03.320 --> 0:46:05.759
<v Speaker 1>like we was we was working with their products. This

0:46:05.880 --> 0:46:08.239
<v Speaker 1>is the first time. But they wasn't working with us, right,

0:46:08.280 --> 0:46:10.800
<v Speaker 1>nobody was then. We wasn't getting no free sneakers nowhere.

0:46:11.200 --> 0:46:13.920
<v Speaker 1>That we had to go to you man on Southern

0:46:13.960 --> 0:46:16.080
<v Speaker 1>Boulevard and I'll be like, come on, man, I need

0:46:16.080 --> 0:46:18.640
<v Speaker 1>those in thirteen. I need to I need to go

0:46:18.760 --> 0:46:23.200
<v Speaker 1>on the back. On the back. You're taking a shot.

0:46:23.920 --> 0:46:33.320
<v Speaker 1>Stottle got damn Stlettlettle. Let's start a little bit about Wallstall.

0:46:33.440 --> 0:46:37.080
<v Speaker 1>How was that while style for me was like a

0:46:37.800 --> 0:46:43.960
<v Speaker 1>stamp of approval that yeah, we wasn't wrong. This ship

0:46:44.160 --> 0:46:47.160
<v Speaker 1>is real. It is important people, do you know want

0:46:47.160 --> 0:46:49.920
<v Speaker 1>to funk with this? Um? When this guy when Charlie

0:46:49.960 --> 0:46:54.200
<v Speaker 1>Ahearn came to our neighborhood and start scouting around and

0:46:54.239 --> 0:46:57.440
<v Speaker 1>shipped to see what was the Bronx. This is you know,

0:46:57.480 --> 0:47:00.680
<v Speaker 1>a guy from Soho you know what I mean, down

0:47:00.719 --> 0:47:03.959
<v Speaker 1>in the Lower east Side, you know, artsy kind of dude.

0:47:04.000 --> 0:47:07.319
<v Speaker 1>This is the business boogie down Bronx at this time.

0:47:07.440 --> 0:47:10.359
<v Speaker 1>This is where every house is on fire. All those

0:47:10.400 --> 0:47:12.640
<v Speaker 1>all those visuals that you see in the Bronze during

0:47:12.680 --> 0:47:15.760
<v Speaker 1>that time, that's during the time that we felt mildstar

0:47:15.880 --> 0:47:20.440
<v Speaker 1>early eighties. So um, but but that was kind of

0:47:20.480 --> 0:47:23.520
<v Speaker 1>like a stamp, you know, for us, that a stamp

0:47:23.560 --> 0:47:26.759
<v Speaker 1>of validation in a sense that the outside world thinks

0:47:26.760 --> 0:47:29.879
<v Speaker 1>this ship is cool too, not just us. They want

0:47:29.880 --> 0:47:32.040
<v Speaker 1>to document this ship. Somebody wants to make a movie

0:47:32.080 --> 0:47:34.920
<v Speaker 1>about this ship. Oh yeah, so that was the first

0:47:34.960 --> 0:47:39.319
<v Speaker 1>of right, well, yeah, there was a documentary about hip hop,

0:47:39.600 --> 0:47:43.319
<v Speaker 1>but about mainly graffiti and breakdancing. That was the name

0:47:43.360 --> 0:47:46.080
<v Speaker 1>of Style Wars. But this was like a movie with

0:47:46.280 --> 0:47:48.799
<v Speaker 1>this was a movie. This was more of a document

0:47:48.800 --> 0:47:51.799
<v Speaker 1>movie documentary. Now watching it looks it feels like a

0:47:51.800 --> 0:47:54.399
<v Speaker 1>reality show documentary because it was like following you guys

0:47:54.480 --> 0:47:56.359
<v Speaker 1>doing what you really do. Well, it's it's all the

0:47:56.360 --> 0:47:59.040
<v Speaker 1>people that was really doing it, the actors except for

0:47:59.080 --> 0:48:01.800
<v Speaker 1>the people, the non hip hop people in the movie. Everybody,

0:48:01.800 --> 0:48:05.359
<v Speaker 1>every graffiti artists, every breakdance to, every DJ, every MC

0:48:05.600 --> 0:48:10.480
<v Speaker 1>was actually themselves in a movie. Wow, you watched to

0:48:10.520 --> 0:48:12.160
<v Speaker 1>go O Style today? You said, right, I got I

0:48:12.200 --> 0:48:15.320
<v Speaker 1>got the VHS right here, I'm having vs. Let me

0:48:15.360 --> 0:48:24.160
<v Speaker 1>see the goddamn vah see the motherfucking VHS. Buddy, goddamn,

0:48:24.200 --> 0:48:27.080
<v Speaker 1>this is this is legendary right here. This is the

0:48:27.080 --> 0:48:33.399
<v Speaker 1>original one that Wow, that's the original right there, man, Jesus,

0:48:34.400 --> 0:48:39.279
<v Speaker 1>Fat five Freddie always had white girls. Every time you

0:48:39.320 --> 0:48:41.759
<v Speaker 1>bring up fat five Freddie, it's a white girl around here.

0:48:41.840 --> 0:48:50.320
<v Speaker 1>Freddie part of that artsy community. Yeah, Freddy facts I wrote.

0:48:50.360 --> 0:48:55.520
<v Speaker 1>I wrote one of his first rhymes, get out of here, man, Jesus,

0:48:55.760 --> 0:49:02.319
<v Speaker 1>I'm taking this ship out of here. I'm shop here. Yeah.

0:49:02.560 --> 0:49:05.640
<v Speaker 1>So yeah, wild Style really really kind of validated the

0:49:05.640 --> 0:49:09.319
<v Speaker 1>whole movement. And the first time we went on tour,

0:49:10.440 --> 0:49:12.480
<v Speaker 1>first time we all got on a plane together and

0:49:12.480 --> 0:49:15.160
<v Speaker 1>it was like twenty five of us went to Japan.

0:49:18.440 --> 0:49:24.000
<v Speaker 1>Oh yeah, yeah, a lot of motherfucking episodes, a lot

0:49:24.040 --> 0:49:26.279
<v Speaker 1>of you know, a lot of fun. I mean the

0:49:26.360 --> 0:49:28.240
<v Speaker 1>first time we was in front of that kind of press,

0:49:28.600 --> 0:49:31.400
<v Speaker 1>it was like everywhere we went, it was a cameras

0:49:31.400 --> 0:49:34.520
<v Speaker 1>following us, you know what I mean. I'm doing for

0:49:34.600 --> 0:49:38.000
<v Speaker 1>like overseas love us more, much more, much more. I

0:49:38.040 --> 0:49:42.040
<v Speaker 1>think it's because they got a greater appreciation our art

0:49:42.080 --> 0:49:44.840
<v Speaker 1>form because they're not connected to it, you know what

0:49:44.880 --> 0:49:47.120
<v Speaker 1>I mean. It doesn't come from them, and they're like

0:49:47.160 --> 0:49:49.879
<v Speaker 1>outsiders looking in. So when they when we come there,

0:49:49.960 --> 0:49:54.359
<v Speaker 1>it's like, ah, those are the people in history. I'll

0:49:54.360 --> 0:49:59.279
<v Speaker 1>give you a perfect example when we went to Japan Okinawa.

0:50:00.040 --> 0:50:04.160
<v Speaker 1>You know, we went to Tokyo and UH department store

0:50:04.239 --> 0:50:09.680
<v Speaker 1>called that sponsive tour, So we went to UH. We

0:50:09.680 --> 0:50:12.480
<v Speaker 1>were just hitting different places. We were doing outdoor venues.

0:50:12.520 --> 0:50:15.480
<v Speaker 1>They would build like a stage in like an hour

0:50:15.680 --> 0:50:17.920
<v Speaker 1>and it's like a big stage of sound system and

0:50:17.960 --> 0:50:20.400
<v Speaker 1>we would go on and break dance and wrap and

0:50:20.520 --> 0:50:24.000
<v Speaker 1>DJ and then they take the whole ship down before

0:50:24.040 --> 0:50:26.520
<v Speaker 1>we left, like the whole ship being gone. That's how

0:50:26.560 --> 0:50:33.200
<v Speaker 1>efficient they were back back then. And we would when

0:50:33.239 --> 0:50:35.239
<v Speaker 1>they showed the movie in the theater, we would come

0:50:35.239 --> 0:50:37.600
<v Speaker 1>out on the on the stage out of the movie

0:50:37.600 --> 0:50:42.120
<v Speaker 1>and the whole yeah, the whole the whole movie. Theater

0:50:42.200 --> 0:50:45.440
<v Speaker 1>just went bananas. So we was like the Talk of

0:50:45.560 --> 0:50:50.600
<v Speaker 1>Tokyo and we introduced hip hop to Japan personally, just

0:50:50.680 --> 0:50:53.600
<v Speaker 1>from that movie and that tour. We went to clubs.

0:50:54.239 --> 0:50:56.880
<v Speaker 1>DJ still had the big thick rubber matt on the

0:50:56.920 --> 0:50:59.840
<v Speaker 1>motherfucker turntable and we would get on church and be like,

0:51:00.520 --> 0:51:05.880
<v Speaker 1>could we you know, because you can't cut that. You

0:51:05.920 --> 0:51:14.239
<v Speaker 1>gotta h these niggs looking in amazement like what the

0:51:14.280 --> 0:51:17.200
<v Speaker 1>fund is y'all doing. But by the time we left Japan,

0:51:17.840 --> 0:51:21.960
<v Speaker 1>but we revisited those clubs. They was doing that too.

0:51:22.280 --> 0:51:25.319
<v Speaker 1>Little kids was breakdancing in the street because they saw

0:51:25.440 --> 0:51:28.520
<v Speaker 1>crazy legs and them do exhibition in the streets. So

0:51:28.600 --> 0:51:33.359
<v Speaker 1>we actually were the first impression on Tokyo for hip hop.

0:51:33.640 --> 0:51:36.000
<v Speaker 1>That movie While Style and that tour that took us

0:51:36.000 --> 0:51:43.000
<v Speaker 1>out there. Wow, that's amazing. You think While Style, like

0:51:43.080 --> 0:51:46.320
<v Speaker 1>before While Style, how much do you think the culture

0:51:46.360 --> 0:51:49.080
<v Speaker 1>really felt that it was all these elements were the culture.

0:51:49.480 --> 0:51:52.040
<v Speaker 1>Because there's people who argue like these elements were put

0:51:52.080 --> 0:51:54.719
<v Speaker 1>together to be hip hop. I think I think they were.

0:51:54.880 --> 0:51:59.719
<v Speaker 1>They were gathered together because of their their um, their continuity.

0:51:59.800 --> 0:52:03.360
<v Speaker 1>But between each other, a lot of DJs and graffiti

0:52:03.400 --> 0:52:06.760
<v Speaker 1>writers or b boys or m c s or such

0:52:06.760 --> 0:52:10.080
<v Speaker 1>and such and so into you know, those those elements

0:52:10.120 --> 0:52:13.680
<v Speaker 1>are interwoven within the hip hop. And they say that

0:52:14.040 --> 0:52:16.880
<v Speaker 1>graffiti is not an element of hip hop because graffiti

0:52:16.920 --> 0:52:19.920
<v Speaker 1>has been going on since the beginning of time. Okay, yes,

0:52:20.000 --> 0:52:22.520
<v Speaker 1>we do understand that. But like I said over and

0:52:22.560 --> 0:52:26.640
<v Speaker 1>over again my quote, hip hop didn't invent anything. Hip

0:52:26.640 --> 0:52:31.879
<v Speaker 1>hop reinvented everything. Okay, there's nothing new under the sun.

0:52:31.960 --> 0:52:35.080
<v Speaker 1>We didn't do nothing new. People people play music before us.

0:52:35.120 --> 0:52:38.680
<v Speaker 1>People dance before us, people talk and rap before us

0:52:39.040 --> 0:52:42.480
<v Speaker 1>just like we do. Did it way before we did. Okay,

0:52:42.520 --> 0:52:46.920
<v Speaker 1>but this is our generations reinvention of those elements, and

0:52:47.000 --> 0:52:55.799
<v Speaker 1>that is what hip hop is. I gotta ask, how

0:52:55.920 --> 0:52:59.920
<v Speaker 1>did you come up with the name grand mastercast because

0:53:00.080 --> 0:53:02.680
<v Speaker 1>like you can, everybody can't call youself a Grandmaster. No,

0:53:03.200 --> 0:53:07.560
<v Speaker 1>I mean you can, you can try, you know, But

0:53:08.280 --> 0:53:11.520
<v Speaker 1>the origin of Grandmaster, as far as hip hop is concerned,

0:53:11.760 --> 0:53:15.799
<v Speaker 1>the first hip hop the first DJ named Grandmaster was

0:53:15.840 --> 0:53:24.360
<v Speaker 1>Grandmaster Flowers and Grandmaster Flowers inspired Grandmaster Flash. Um Flash

0:53:24.440 --> 0:53:27.200
<v Speaker 1>was taught by Pete d J Jones, who was also

0:53:27.280 --> 0:53:33.480
<v Speaker 1>a legendary DJ and hip hop Flowers. Um Flash adopted

0:53:33.520 --> 0:53:39.840
<v Speaker 1>Flowers Uh Monica, Grandmaster Flash. How I became Grandmaster? My

0:53:39.880 --> 0:53:44.440
<v Speaker 1>original name in hip hop was casting over dj m

0:53:44.480 --> 0:53:47.680
<v Speaker 1>C casting over Fly. Now one night I'm playing in

0:53:47.719 --> 0:53:50.480
<v Speaker 1>my spot the Blue Lagoon and the Bronx website Avenue

0:53:50.520 --> 0:53:54.440
<v Speaker 1>Honey for me and my man just go with and

0:53:54.480 --> 0:53:57.000
<v Speaker 1>I got some um. By the way, everyone had the

0:53:57.040 --> 0:54:01.319
<v Speaker 1>dopest names back in the day. This is sm SR

0:54:02.920 --> 0:54:09.400
<v Speaker 1>Brand Wizard. Everybody they now baby, big Baby, regular Baby.

0:54:09.800 --> 0:54:14.040
<v Speaker 1>So so I'm cutting up a record now back then

0:54:14.480 --> 0:54:20.160
<v Speaker 1>Flash was the fastest DJ you know, known throughout hip.

0:54:20.400 --> 0:54:23.600
<v Speaker 1>That's when everybody and their grandmother was in the DJ. Alright,

0:54:24.000 --> 0:54:28.839
<v Speaker 1>hippopemunity is small, grand Master Flash, fastest man on two turntables. Right.

0:54:29.320 --> 0:54:31.480
<v Speaker 1>So one night I'm cutting up a record I think

0:54:31.480 --> 0:54:34.680
<v Speaker 1>it was I can't stop and I'm cutting it back

0:54:34.719 --> 0:54:40.000
<v Speaker 1>and forth because that do could do that Dom Cay

0:54:40.680 --> 0:54:50.799
<v Speaker 1>that food, that man, that man, man, man man. I

0:54:50.880 --> 0:54:56.000
<v Speaker 1>just kept catching it. My man was like, Yo, faster, faster, faster, faster.

0:54:56.239 --> 0:55:00.520
<v Speaker 1>The crowd was going faster, faster, faster than started going

0:55:00.560 --> 0:55:04.960
<v Speaker 1>grand master, grand Master. The crowd start going grand master,

0:55:05.320 --> 0:55:14.160
<v Speaker 1>grand master. That's when I became grand master. Oh my god,

0:55:14.239 --> 0:55:27.759
<v Speaker 1>that was mad. I'm saying, go on, I'm gonna tell

0:55:27.760 --> 0:55:31.000
<v Speaker 1>you something. Then moved us out to you. You must

0:55:31.000 --> 0:55:34.440
<v Speaker 1>have made the easiest Netflix money ever. What do you

0:55:34.480 --> 0:55:37.200
<v Speaker 1>mean I watched listen. I don't know if you ever

0:55:37.239 --> 0:55:39.839
<v Speaker 1>saw a State Property too. Anybody who knows me, when

0:55:39.840 --> 0:55:43.400
<v Speaker 1>they watched State Property Too, they say, Nori, you cheated.

0:55:44.320 --> 0:55:46.320
<v Speaker 1>And then I'll say, why did I cheat? Because I

0:55:46.360 --> 0:55:49.239
<v Speaker 1>didn't act at all. I was just I was just

0:55:50.440 --> 0:55:54.200
<v Speaker 1>When I watched the Indian Detective, I said this this guy.

0:55:54.320 --> 0:55:56.200
<v Speaker 1>I know it's true. It's got a real chuckle and

0:55:56.320 --> 0:55:58.440
<v Speaker 1>its fucking phenomenal. I just told it. I watched the

0:55:58.440 --> 0:56:02.239
<v Speaker 1>whole season. I said, this guy's just being him. You

0:56:02.360 --> 0:56:07.239
<v Speaker 1>just check out here. You gotta do it. You gotta

0:56:07.239 --> 0:56:09.360
<v Speaker 1>see your Indian fall. That's very cliche. He goes to

0:56:09.440 --> 0:56:12.080
<v Speaker 1>your Indian ball and he's sick. They don't want to

0:56:12.080 --> 0:56:15.080
<v Speaker 1>tell you he's sick. He was, he was fai. It

0:56:15.200 --> 0:56:17.239
<v Speaker 1>was crazy. I loved it. Come on to make so

0:56:17.320 --> 0:56:23.719
<v Speaker 1>much in the Detective, it's it sounds very racial, but

0:56:23.760 --> 0:56:28.040
<v Speaker 1>it's not ironically because he's actually an Indian detective. Well

0:56:28.080 --> 0:56:31.760
<v Speaker 1>I'm it's calling a detective because I I'm an actual

0:56:31.800 --> 0:56:34.239
<v Speaker 1>detective in Toronto and then I end up becoming a

0:56:34.280 --> 0:56:36.920
<v Speaker 1>detective in India and India. That's why it's not like

0:56:36.920 --> 0:56:40.640
<v Speaker 1>I'm walking to go I am. It's not that at

0:56:40.640 --> 0:56:52.480
<v Speaker 1>all too. That's the holy how do you how do

0:56:52.520 --> 0:56:55.920
<v Speaker 1>you know? How do you know? Cast? Cast? Some cast

0:56:56.000 --> 0:56:59.000
<v Speaker 1>I met from Mel Meli. Mel and I have been

0:56:59.040 --> 0:57:03.080
<v Speaker 1>friends for about six seventeen years. Then then he brought cast.

0:57:03.120 --> 0:57:05.320
<v Speaker 1>He goes, hey man and he was like, yo, Russ,

0:57:06.280 --> 0:57:09.399
<v Speaker 1>I'm gonna bring up we're gonna go out and yeah,

0:57:10.080 --> 0:57:12.760
<v Speaker 1>bring casts with me. I like, fuck, yeah, you crazy?

0:57:12.800 --> 0:57:16.920
<v Speaker 1>How yeah? I just made him say it's for no reason.

0:57:18.000 --> 0:57:26.800
<v Speaker 1>How's your throat? Fel my prison dog? So you met him,

0:57:27.240 --> 0:57:28.760
<v Speaker 1>met him through mal and then we you know, we

0:57:28.880 --> 0:57:30.960
<v Speaker 1>had dinner. We all had a great time. And then

0:57:31.440 --> 0:57:36.240
<v Speaker 1>it just it stayed from there, goddamnit. And now you

0:57:36.280 --> 0:57:39.440
<v Speaker 1>know Cas, Cas and I have very close and you know,

0:57:39.480 --> 0:57:41.440
<v Speaker 1>I know, I said, know his whole family, but he

0:57:41.560 --> 0:57:43.400
<v Speaker 1>got too many kids to know the whole family. But

0:57:43.840 --> 0:57:46.640
<v Speaker 1>he's working on it, working well. It's not like he

0:57:46.640 --> 0:57:48.320
<v Speaker 1>got some kids in Japan. You don't know. He might

0:57:48.480 --> 0:57:52.920
<v Speaker 1>he might have somebody. You see a space and he

0:57:53.000 --> 0:57:55.120
<v Speaker 1>described Japan. I said you have to look at look,

0:57:55.240 --> 0:58:04.160
<v Speaker 1>he said, snake on the I gotta relax, Russell. Would

0:58:04.160 --> 0:58:08.400
<v Speaker 1>you like we gotta get talking about some Yeah, talk

0:58:08.400 --> 0:58:10.920
<v Speaker 1>about you as we talk about Japan. That's a great transition.

0:58:11.120 --> 0:58:13.480
<v Speaker 1>Has some Japanese motherfucker. It's like the shot form. We

0:58:13.520 --> 0:58:15.440
<v Speaker 1>wanted to drinks that I would like to start with

0:58:15.520 --> 0:58:18.600
<v Speaker 1>a beverage. Okay, I don't know what that means. With

0:58:19.440 --> 0:58:21.919
<v Speaker 1>a rock or two. This man the cup? Please yeah,

0:58:21.920 --> 0:58:26.160
<v Speaker 1>thank you, so please. Congratulations smoke chance. Please smoke it up.

0:58:26.800 --> 0:58:29.320
<v Speaker 1>That's you, guys. Smoke it up. Smoke up, smoke it up.

0:58:29.360 --> 0:58:32.160
<v Speaker 1>God damn you know what I'm saying, Grandmaster cast Yeah,

0:58:32.200 --> 0:58:36.760
<v Speaker 1>I need about forty of these. Yeah, we got you. Man,

0:58:36.760 --> 0:58:39.840
<v Speaker 1>throw a couple of rocks. Ice. And yet I don't

0:58:39.840 --> 0:58:43.440
<v Speaker 1>give a ship. I don't. I don't like to touch

0:58:43.440 --> 0:58:49.760
<v Speaker 1>another man. I appreciate you for you a goddamnit. Yes,

0:58:49.800 --> 0:58:52.360
<v Speaker 1>please don't read this for you. I know you would appreciate. Yes,

0:58:52.360 --> 0:58:55.840
<v Speaker 1>I don't appreciate. This is my thumb for me. Queen's

0:58:55.880 --> 0:58:58.280
<v Speaker 1>only only. I'm not matching everything. I'm put it on.

0:58:58.360 --> 0:59:03.240
<v Speaker 1>Wait now, so on right now. During during the plandemic,

0:59:03.600 --> 0:59:07.160
<v Speaker 1>I got very I got very creative, and I started

0:59:07.200 --> 0:59:11.120
<v Speaker 1>coming up with different things that you know, I'm sorry

0:59:11.240 --> 0:59:15.040
<v Speaker 1>that goes with the thing, you know what I mean,

0:59:15.040 --> 0:59:17.600
<v Speaker 1>you know, I get down. But one of the things

0:59:17.600 --> 0:59:20.000
<v Speaker 1>with the clothing, you know company, and I started making

0:59:20.040 --> 0:59:22.400
<v Speaker 1>up T shirt designs and stuff like that that was

0:59:22.480 --> 0:59:27.240
<v Speaker 1>relevant to our era that people don't really do. And uh,

0:59:27.400 --> 0:59:30.000
<v Speaker 1>I partnered with this guy and he started, you know,

0:59:30.400 --> 0:59:33.600
<v Speaker 1>we started collaborating. So those are just part of the

0:59:33.680 --> 0:59:37.000
<v Speaker 1>hat collection and we made that especially for you because

0:59:37.080 --> 0:59:39.720
<v Speaker 1>we gotta we gotta join that. That says Bronx keeps

0:59:39.760 --> 0:59:42.240
<v Speaker 1>creating it and you know how to ship nor me.

0:59:43.920 --> 0:59:52.960
<v Speaker 1>Let's let's let's talk about that because when I when

0:59:52.960 --> 0:59:58.400
<v Speaker 1>I'm doing my research, it almost seemed like, I don't

0:59:58.400 --> 1:00:02.320
<v Speaker 1>want to say cool Hurt create hip hop. It seems

1:00:02.400 --> 1:00:07.480
<v Speaker 1>like Cool Herd had these parties that was famous that

1:00:07.520 --> 1:00:10.360
<v Speaker 1>people started to go to where he was playing these music.

1:00:11.000 --> 1:00:13.800
<v Speaker 1>But then there was you guys who came after that,

1:00:13.840 --> 1:00:17.000
<v Speaker 1>and you guys had your own parties. Is that somewhat accurate?

1:00:17.080 --> 1:00:19.520
<v Speaker 1>Let get the later ahead. When Cool Hirk was DJ

1:00:19.680 --> 1:00:21.840
<v Speaker 1>and he was kind of the big guy, was it?

1:00:21.880 --> 1:00:26.040
<v Speaker 1>Was it like August nineteen, which is the anniversary of

1:00:26.120 --> 1:00:27.920
<v Speaker 1>hip hop is coming up in a few days. Okay,

1:00:27.920 --> 1:00:32.640
<v Speaker 1>so he was doing the brand you hit the anniversary

1:00:32.640 --> 1:00:36.560
<v Speaker 1>of hip hop and hip hop months now supposedly in

1:00:36.560 --> 1:00:46.400
<v Speaker 1>the government. August month supposed to be the first hip

1:00:46.440 --> 1:00:50.160
<v Speaker 1>hop party ever, right, the first documented hip hop hip Now,

1:00:50.240 --> 1:00:52.520
<v Speaker 1>let me ask you where you did? I was, Okay,

1:00:52.840 --> 1:00:56.080
<v Speaker 1>I will never claim to be a lot of people

1:00:56.560 --> 1:01:01.880
<v Speaker 1>doing that. Yeah, didn't like the fucking room was wasn't

1:01:01.920 --> 1:01:06.120
<v Speaker 1>as big as space. Okay, it ain't it's not as big.

1:01:06.200 --> 1:01:10.800
<v Speaker 1>It fit about sixties seventy people if they if they

1:01:10.960 --> 1:01:13.640
<v Speaker 1>danced real close together, you know what I mean. And

1:01:14.680 --> 1:01:17.160
<v Speaker 1>it was more of a family thing, like everybody knew

1:01:17.400 --> 1:01:20.320
<v Speaker 1>everybody that was there. Twenty five cents for girls, fifty

1:01:20.360 --> 1:01:23.480
<v Speaker 1>cents for guys to get in, all right. This is

1:01:23.480 --> 1:01:30.400
<v Speaker 1>back when the exactly pillows. But the thing is not

1:01:30.560 --> 1:01:35.040
<v Speaker 1>that Her convented hip hop, her conspired hip hop for

1:01:35.280 --> 1:01:39.720
<v Speaker 1>the people that eventually became the hip hop like Hercan

1:01:39.720 --> 1:01:45.680
<v Speaker 1>inspired me, hercuspired flash, Hercus fired belly, mel Pam Potta,

1:01:46.080 --> 1:01:47.600
<v Speaker 1>you know what I mean. Every you know what I mean.

1:01:47.640 --> 1:01:50.960
<v Speaker 1>There was only one rival like DJ to hurt back then.

1:01:51.080 --> 1:01:54.800
<v Speaker 1>His name was Smokey, and people don't talk about Smokey

1:01:54.840 --> 1:01:57.200
<v Speaker 1>a lot smoking of her and the smoke of trons,

1:01:57.800 --> 1:02:00.840
<v Speaker 1>all right, and they used to battle her in the po.

1:02:00.960 --> 1:02:03.000
<v Speaker 1>Smokey could funk with him because he had the records

1:02:03.120 --> 1:02:06.600
<v Speaker 1>and he had the sound system of trying to tell

1:02:06.600 --> 1:02:11.000
<v Speaker 1>you it was another DJ Ja Mario, Okay, from from

1:02:11.400 --> 1:02:14.880
<v Speaker 1>Brons there. Disco King Mario was a force over there,

1:02:15.640 --> 1:02:17.480
<v Speaker 1>you know what I mean. So these guys in their

1:02:17.560 --> 1:02:21.240
<v Speaker 1>prospective areas held it down. But if you had to

1:02:21.280 --> 1:02:25.600
<v Speaker 1>put them all together. They couldn't sunk with Hurt Sound System, right, right,

1:02:26.200 --> 1:02:28.280
<v Speaker 1>So let me let me ask you, right, because me

1:02:28.400 --> 1:02:32.120
<v Speaker 1>being from Queens, is this only happening in the Bronx

1:02:32.200 --> 1:02:35.360
<v Speaker 1>at this time? Well, here's the thing went downtown at

1:02:35.400 --> 1:02:37.920
<v Speaker 1>some point, Yeah, at some point. But but I want

1:02:37.960 --> 1:02:40.720
<v Speaker 1>to be the first to say that I am the

1:02:40.880 --> 1:02:43.920
<v Speaker 1>last motherfucker to try to say that hip hop was

1:02:44.040 --> 1:02:48.280
<v Speaker 1>only going on in the Bronx. Okay, but if this

1:02:48.440 --> 1:02:54.200
<v Speaker 1>kind of energy exists within us as a people and

1:02:54.280 --> 1:02:56.960
<v Speaker 1>there's nothing that we're doing that somebody ain't over there

1:02:57.080 --> 1:03:00.240
<v Speaker 1>doing at the same motherfucking time. Okay. So you I

1:03:00.360 --> 1:03:03.120
<v Speaker 1>know that there was DJ's in Brooklyn, Okay, I know

1:03:03.280 --> 1:03:06.680
<v Speaker 1>that there was djson Queens. I know there was DJs

1:03:06.720 --> 1:03:09.920
<v Speaker 1>in Manhattan. So she wasn't wrong when he thought that

1:03:10.080 --> 1:03:12.960
<v Speaker 1>hip hop. No, Shan didn't start him to say hip

1:03:13.000 --> 1:03:17.919
<v Speaker 1>hop started for Shad. Hip hop started out in the park,

1:03:18.360 --> 1:03:21.560
<v Speaker 1>and you can't dispute that for nobody. You know, for Russell,

1:03:21.760 --> 1:03:24.520
<v Speaker 1>hip hop started somewhere you know different. He's done his

1:03:24.680 --> 1:03:27.640
<v Speaker 1>research to know beyond that, but he can only tune

1:03:27.680 --> 1:03:30.680
<v Speaker 1>in from a certain perspective, especially back then, whether you

1:03:30.760 --> 1:03:33.480
<v Speaker 1>can't really communicate the way we can use from Canada

1:03:33.520 --> 1:03:45.440
<v Speaker 1>to golds. He'sive, but so okay um now, but I

1:03:45.680 --> 1:03:47.560
<v Speaker 1>want to go back to the question. Who was the

1:03:47.600 --> 1:03:51.800
<v Speaker 1>first one that was cutting the brakes, bringing the brakes

1:03:51.840 --> 1:03:55.000
<v Speaker 1>back to create that that breakbeat, that long breakbeat for

1:03:55.000 --> 1:03:58.160
<v Speaker 1>the B Boys and be Girls Dance too. Hurt played

1:03:58.200 --> 1:04:02.040
<v Speaker 1>him first, Yeah, and then the other DJs like Flash

1:04:02.600 --> 1:04:07.840
<v Speaker 1>and Theodore and break Out perfected how to play them

1:04:08.040 --> 1:04:10.640
<v Speaker 1>because her could player record and then when the break

1:04:10.720 --> 1:04:13.800
<v Speaker 1>of off, lifting needle up and put it back to

1:04:13.880 --> 1:04:17.760
<v Speaker 1>where it started, or just mixing a whole another record

1:04:17.880 --> 1:04:20.880
<v Speaker 1>that sounds totally different. Hert wasn't cool, didn't have those

1:04:20.920 --> 1:04:25.040
<v Speaker 1>smooth blends. He didn't have the you know, turntable um

1:04:25.640 --> 1:04:30.200
<v Speaker 1>mechanics that DJs that followed him did. So now, uh,

1:04:30.520 --> 1:04:33.600
<v Speaker 1>Grandmaster Flash looks at the playlist that HERK is playing

1:04:33.640 --> 1:04:35.640
<v Speaker 1>and saying, Okay, I'm gonna get all those records, but

1:04:35.680 --> 1:04:37.880
<v Speaker 1>I'm gonna play him and do it and do this

1:04:38.040 --> 1:04:41.280
<v Speaker 1>to him, you know, I mean, Graham was the Theatore says, oh, ship, Flash,

1:04:41.320 --> 1:04:44.600
<v Speaker 1>you're gonna leave your equipment in my brother house. Unguarded.

1:04:47.120 --> 1:04:51.600
<v Speaker 1>He gets up on the turn table and advanced scratching. Okay,

1:04:52.160 --> 1:04:55.960
<v Speaker 1>so everybody kind of added to this thing that eventually

1:04:56.120 --> 1:05:01.840
<v Speaker 1>became the culture itself. But our uh, the person we

1:05:02.000 --> 1:05:05.640
<v Speaker 1>looked looked up to was cool, hurt and even later

1:05:05.800 --> 1:05:09.000
<v Speaker 1>on he could be an asshole, okay, but he is

1:05:09.080 --> 1:05:12.200
<v Speaker 1>the father of hip hop as far as everybody that

1:05:12.320 --> 1:05:15.880
<v Speaker 1>you respect in hip hop is concerned. Okay, So you

1:05:15.960 --> 1:05:19.560
<v Speaker 1>can create another narrative and you can take us somewhere else,

1:05:20.040 --> 1:05:22.560
<v Speaker 1>because like I said, nothing, nothing happens in no place

1:05:23.000 --> 1:05:26.480
<v Speaker 1>want you know, by itself. But when they started to

1:05:26.680 --> 1:05:30.280
<v Speaker 1>document hip hop, why did they come to the Bronx

1:05:32.200 --> 1:05:34.640
<v Speaker 1>when they started to want to want to know about

1:05:34.720 --> 1:05:36.560
<v Speaker 1>this and start to If you look at the history,

1:05:36.600 --> 1:05:39.200
<v Speaker 1>it is always Why does it always lead back to us?

1:05:40.840 --> 1:05:43.160
<v Speaker 1>Let's let's leave me to my next question. Right, there's

1:05:43.160 --> 1:05:45.720
<v Speaker 1>a couple of books that said that actually started in

1:05:45.760 --> 1:05:48.600
<v Speaker 1>the Harbor. Is there any true to that? I think

1:05:48.680 --> 1:05:51.920
<v Speaker 1>it's simultaneously. There was a movement going on in Harlem

1:05:51.960 --> 1:05:58.200
<v Speaker 1>as well, but Hallam was influenced by Hollywood. Hall DJ

1:05:58.360 --> 1:06:03.040
<v Speaker 1>har Harder. I don't want to go man, my honey,

1:06:03.120 --> 1:06:10.040
<v Speaker 1>bun hear me something of that young lays He's always

1:06:10.080 --> 1:06:17.960
<v Speaker 1>want to um. But but but the personality of the

1:06:18.080 --> 1:06:22.240
<v Speaker 1>Bronx is, you know, we come from burnt down buildings

1:06:22.280 --> 1:06:26.000
<v Speaker 1>and you know, and ship like that. And Harlem's mentality

1:06:26.320 --> 1:06:29.120
<v Speaker 1>is hustle, you know, the drug dealers, the you know,

1:06:29.240 --> 1:06:31.840
<v Speaker 1>the hustle lifestyle to get money, you know, I mean,

1:06:31.960 --> 1:06:35.760
<v Speaker 1>the cars and all that. So Harlom's attitude to the

1:06:35.840 --> 1:06:40.400
<v Speaker 1>Bronx is like the niggas broke up there. And I

1:06:40.560 --> 1:06:43.840
<v Speaker 1>heard Hollywood say that himself. You know, ship niggas in

1:06:43.880 --> 1:06:46.880
<v Speaker 1>the Bronx was broke because it wasn't doing you know

1:06:46.920 --> 1:06:49.680
<v Speaker 1>what I mean, because we we we had a different mentality.

1:06:49.760 --> 1:06:52.720
<v Speaker 1>We were we was the creative mentality, you know what

1:06:52.800 --> 1:06:55.360
<v Speaker 1>I mean, and the hustle mentality was the dope dealers

1:06:55.400 --> 1:06:57.920
<v Speaker 1>and the drug dealers. So we created hip hop so

1:06:58.040 --> 1:07:00.400
<v Speaker 1>we didn't have to be drug dealers and donte dealers.

1:07:00.680 --> 1:07:03.200
<v Speaker 1>So now all the drug dealers are dope dealers. Is

1:07:03.280 --> 1:07:08.960
<v Speaker 1>it hip hop? Yeah? I mean, but yeah, originally hip

1:07:09.000 --> 1:07:10.880
<v Speaker 1>hop was made out of those people that you know,

1:07:10.960 --> 1:07:12.160
<v Speaker 1>we didn't want to we don't want to do that.

1:07:12.240 --> 1:07:14.360
<v Speaker 1>We're gonna do this. And when everybody was saying you

1:07:14.480 --> 1:07:16.680
<v Speaker 1>sunk that ship, sunk that ship, we was a fun y'all,

1:07:16.680 --> 1:07:27.440
<v Speaker 1>we're gonna do it anyway. Let me ask you, in

1:07:27.520 --> 1:07:30.120
<v Speaker 1>these neighborhoods and these parties it was coming out, was

1:07:30.200 --> 1:07:33.120
<v Speaker 1>it only locals or what's their people? What? What's that?

1:07:33.200 --> 1:07:35.120
<v Speaker 1>Because we're not looked at a couple of the BEFORETI

1:07:35.240 --> 1:07:37.320
<v Speaker 1>I'm looking at They're saying these early hip hop parties

1:07:37.320 --> 1:07:40.480
<v Speaker 1>and I'm seeing white people. There is these white people

1:07:40.520 --> 1:07:43.440
<v Speaker 1>that lived in the hood. I don't know how early Okay,

1:07:45.120 --> 1:07:49.400
<v Speaker 1>most early early blacks and Porto Rico that's it. I mean,

1:07:50.000 --> 1:07:55.919
<v Speaker 1>makings Caribbeans whatever alternatives and you know, maybe a couple

1:07:55.960 --> 1:08:04.000
<v Speaker 1>of tallis slam but yeah, but yeah, but basically, you know,

1:08:04.160 --> 1:08:06.880
<v Speaker 1>that's what it was. And but it wasn't until like

1:08:08.200 --> 1:08:10.440
<v Speaker 1>not to say it became cool, but when it started

1:08:10.480 --> 1:08:14.680
<v Speaker 1>reaching out past our neighborhoods, you know, white people started

1:08:14.720 --> 1:08:17.400
<v Speaker 1>getting involved as well. There's a couple of white, early

1:08:17.479 --> 1:08:19.880
<v Speaker 1>white dudes in hip hop shot the d j R

1:08:19.960 --> 1:08:22.360
<v Speaker 1>rap or you know what I mean, So that the

1:08:22.760 --> 1:08:26.719
<v Speaker 1>influence is just great. So um. And then also I'm

1:08:26.760 --> 1:08:30.160
<v Speaker 1>watching uh evolution of hip hop and I think it's

1:08:30.200 --> 1:08:33.240
<v Speaker 1>Grandmaster Flash who says, you know what, he's gonna start

1:08:33.400 --> 1:08:37.120
<v Speaker 1>taking it downtown. Was that considered whack for y'all to

1:08:37.160 --> 1:08:39.479
<v Speaker 1>go downtown or was that like, you know what, we're

1:08:39.520 --> 1:08:45.599
<v Speaker 1>gonna gonna gonna follow the bag basically bambada. And when

1:08:45.640 --> 1:08:47.680
<v Speaker 1>we say in downtown, we're not saying hallo, no, no,

1:08:47.760 --> 1:08:52.920
<v Speaker 1>we're talking about downtown, Downtown, the Rocky and and those

1:08:53.000 --> 1:08:55.760
<v Speaker 1>punk rock clubs. The Rocky was Downtown, the rock syn

1:08:55.840 --> 1:09:05.760
<v Speaker 1>was on Hunter eighteen eight, and the punk rock clings

1:09:06.080 --> 1:09:12.040
<v Speaker 1>to that first first started entertaining hip hop as a culture.

1:09:12.400 --> 1:09:15.000
<v Speaker 1>First the dances really opened them up, and then the

1:09:15.120 --> 1:09:18.479
<v Speaker 1>dancing need DJ so the scratching of the DJs. See

1:09:18.520 --> 1:09:21.400
<v Speaker 1>that the punk rock era and the hip hop era

1:09:22.200 --> 1:09:25.439
<v Speaker 1>started rising up at the same time, and both and

1:09:25.560 --> 1:09:29.200
<v Speaker 1>both of them, both of them was the rebellion counterculture

1:09:29.720 --> 1:09:32.880
<v Speaker 1>right to the music that preceded it. So prior to

1:09:33.040 --> 1:09:36.080
<v Speaker 1>hip hop, it was disco. So you know, hip hop

1:09:36.240 --> 1:09:38.960
<v Speaker 1>is like disco, we're gonna do this. Punk rock is

1:09:39.000 --> 1:09:41.800
<v Speaker 1>like funk rock, We're gonna do this. So those same

1:09:41.960 --> 1:09:44.880
<v Speaker 1>energies was was kind of coming together at the same time.

1:09:45.120 --> 1:09:47.040
<v Speaker 1>So that's what opened up the door for hip hop

1:09:47.120 --> 1:09:50.080
<v Speaker 1>to come down into those clubs, into those early punk

1:09:50.200 --> 1:09:54.640
<v Speaker 1>rock clubs and then promoters uh grasp on on to

1:09:54.800 --> 1:09:58.600
<v Speaker 1>the B Boys. The B Boys were captured everybody's imagination

1:09:58.880 --> 1:10:02.200
<v Speaker 1>as far as drawing them in to hip hop music

1:10:02.280 --> 1:10:05.600
<v Speaker 1>to dance. Then the DJs became a main stake, you

1:10:05.640 --> 1:10:08.320
<v Speaker 1>know what I mean. So the rap element was really

1:10:08.400 --> 1:10:11.519
<v Speaker 1>the last element to really chick in as far as

1:10:11.640 --> 1:10:14.080
<v Speaker 1>people really digging his whole ship as a as a

1:10:14.160 --> 1:10:17.600
<v Speaker 1>whole and downtown, the B Boys led the way. So

1:10:17.720 --> 1:10:20.040
<v Speaker 1>what do you think about when, Okay, all this music

1:10:20.200 --> 1:10:22.240
<v Speaker 1>is going now, is this group called the Beastie Boys

1:10:23.000 --> 1:10:26.040
<v Speaker 1>who are deliberately saying they're not from the hood. That's

1:10:26.080 --> 1:10:31.160
<v Speaker 1>the result of what he's talking about. Yeah, pretty much.

1:10:31.720 --> 1:10:35.960
<v Speaker 1>Pretty the beast he started as a punk band. Yeah

1:10:36.000 --> 1:10:39.519
<v Speaker 1>they are. That's where they come from. And and and

1:10:39.760 --> 1:10:42.240
<v Speaker 1>I'm gonna be honest, I mean to be honest, please

1:10:42.360 --> 1:10:45.800
<v Speaker 1>Earlier we all, I mean, from the time these the

1:10:45.920 --> 1:10:50.000
<v Speaker 1>next generation came out, we understood that our our error

1:10:50.120 --> 1:10:55.200
<v Speaker 1>was over. And the more people came out, the worst.

1:10:55.560 --> 1:10:58.760
<v Speaker 1>You know, it's got I'm not the worst, but the

1:10:58.920 --> 1:11:02.639
<v Speaker 1>father away it got from from what we were from

1:11:02.720 --> 1:11:06.800
<v Speaker 1>the source exactly. So the Beastie Boys, for me and

1:11:06.920 --> 1:11:09.479
<v Speaker 1>for some of us, was kind of the defining moment

1:11:09.640 --> 1:11:12.760
<v Speaker 1>like okay, this ship is gone. It's gone. And so

1:11:12.880 --> 1:11:14.880
<v Speaker 1>at first you like, all right, that's cool. Or he

1:11:15.000 --> 1:11:18.519
<v Speaker 1>was like many wilding, there was like college dorm wrap,

1:11:18.800 --> 1:11:22.439
<v Speaker 1>I mean, but who became like okay, you could do anything.

1:11:22.600 --> 1:11:25.799
<v Speaker 1>There's no there's no norm, there's no you know, we weren't.

1:11:25.920 --> 1:11:30.080
<v Speaker 1>We weren't Kumbaya on this ship. Man. Everybody look at

1:11:30.160 --> 1:11:32.760
<v Speaker 1>you know him hub like, oh those guys were and

1:11:32.920 --> 1:11:36.479
<v Speaker 1>the ship was cut thoat man, everybody, for everybody, anybody,

1:11:36.560 --> 1:11:39.519
<v Speaker 1>for thisself. If I'm done with Russ and y'all, y'all

1:11:39.520 --> 1:11:41.560
<v Speaker 1>done with each other, we don't funk with y'all. We

1:11:41.680 --> 1:11:44.120
<v Speaker 1>funk with each other. You might funk with him, but

1:11:44.400 --> 1:11:46.960
<v Speaker 1>we don't funk with you, you know what I mean

1:11:47.080 --> 1:11:50.040
<v Speaker 1>as a whole. And and that's that's how it was,

1:11:50.600 --> 1:11:54.000
<v Speaker 1>you know. And it wasn't until later on. You know,

1:11:54.800 --> 1:12:00.240
<v Speaker 1>now we're all in the same boat. Motherfucker. We Oh

1:12:00.520 --> 1:12:06.800
<v Speaker 1>school girl, ain't you ain't on tour nig right here?

1:12:10.840 --> 1:12:14.640
<v Speaker 1>So could we kind of bonded, you know, you know

1:12:14.720 --> 1:12:17.400
<v Speaker 1>this ship we had in common that our ship then

1:12:17.520 --> 1:12:21.720
<v Speaker 1>fucking sale. So anybody who kind of reached beyond that,

1:12:22.000 --> 1:12:25.320
<v Speaker 1>that that next era. Uh let's like Grand Master Flash

1:12:25.520 --> 1:12:28.679
<v Speaker 1>and the Furious Five for example. Um kind of went

1:12:28.800 --> 1:12:31.760
<v Speaker 1>beyond that first school of hip hop and into the next.

1:12:31.880 --> 1:12:34.680
<v Speaker 1>You know that because because they had commercial success as

1:12:34.760 --> 1:12:40.479
<v Speaker 1>far as records and you know what I mean, but

1:12:41.880 --> 1:12:44.200
<v Speaker 1>they did I mean the next crew. Like I said,

1:12:44.240 --> 1:12:46.439
<v Speaker 1>when the Best Buds came in, it was like a

1:12:46.600 --> 1:12:49.519
<v Speaker 1>more of a signal like this is getting further away

1:12:49.640 --> 1:12:52.599
<v Speaker 1>from us, you know what I mean, because when when

1:12:52.800 --> 1:12:55.040
<v Speaker 1>we don't have no control, one DMC has success, but

1:12:55.360 --> 1:12:58.080
<v Speaker 1>you still identify with one DMC. This was how they

1:12:58.720 --> 1:13:00.920
<v Speaker 1>dressed before you got to the club. BC Boys was

1:13:01.040 --> 1:13:04.559
<v Speaker 1>something that was was different. Well, I think BC Boys

1:13:04.680 --> 1:13:08.240
<v Speaker 1>was a novelty, you know, like to offset in the

1:13:08.320 --> 1:13:12.320
<v Speaker 1>run DMC. Anytime there's a black group that has success

1:13:12.800 --> 1:13:17.240
<v Speaker 1>in business, they created a white counterpart group to rival

1:13:17.320 --> 1:13:20.719
<v Speaker 1>as success or to surpass it, and which the BC

1:13:20.840 --> 1:13:25.000
<v Speaker 1>Boys did surpass the success commercial success a run DMC.

1:13:25.640 --> 1:13:28.200
<v Speaker 1>But if you own both entities, then it's a no

1:13:28.400 --> 1:13:32.120
<v Speaker 1>lose situation for you. Well, running was technically on depth

1:13:32.200 --> 1:13:35.839
<v Speaker 1>jam no no, no, no, I know that it's all Russian,

1:13:35.960 --> 1:13:39.120
<v Speaker 1>you know what I mean? You know? So, uh so

1:13:39.320 --> 1:13:41.000
<v Speaker 1>for us, it was like you know, there it is.

1:13:41.120 --> 1:13:44.120
<v Speaker 1>And then as as everybody started coming in, it was

1:13:44.160 --> 1:13:46.920
<v Speaker 1>like a fucking parade, you know what I mean, And

1:13:47.040 --> 1:13:49.720
<v Speaker 1>the LLL came and then oh it's a rap now,

1:13:51.880 --> 1:13:55.680
<v Speaker 1>it's a rap now. But it started, I mean, for me,

1:13:55.840 --> 1:13:57.840
<v Speaker 1>at some point it started getting cool. It was like,

1:13:57.960 --> 1:14:01.439
<v Speaker 1>you know what, this is the next eggers, man, these

1:14:01.479 --> 1:14:04.040
<v Speaker 1>are the niggas. And I would see things in me

1:14:04.400 --> 1:14:07.880
<v Speaker 1>and I know you might not know, but you got

1:14:08.000 --> 1:14:09.960
<v Speaker 1>that ship from me. I can see me and you

1:14:10.720 --> 1:14:13.160
<v Speaker 1>you know. And that's what kept me attached to this ship.

1:14:14.360 --> 1:14:18.800
<v Speaker 1>Everybody that come out, it's part of me, right, no

1:14:18.920 --> 1:14:26.880
<v Speaker 1>it or not. Everybody traced back to me. Talk that

1:14:27.000 --> 1:14:33.000
<v Speaker 1>to him. Another shot for that. So and then we're

1:14:33.040 --> 1:14:34.600
<v Speaker 1>gonna do something called quick time, my slim. But I

1:14:34.680 --> 1:14:37.519
<v Speaker 1>want to ask you a quick because as I did

1:14:37.560 --> 1:14:40.960
<v Speaker 1>the research, like I said, it boiled down to more

1:14:41.960 --> 1:14:44.960
<v Speaker 1>of not really cool her on records, but cool her

1:14:45.160 --> 1:14:48.080
<v Speaker 1>on parties, like throwing these jams that people were coming to.

1:14:48.479 --> 1:14:50.680
<v Speaker 1>Then I started to realize that it was like you

1:14:51.360 --> 1:14:56.360
<v Speaker 1>African Bambada Grandmaster Flash, but this is these parties. These

1:14:56.400 --> 1:15:01.840
<v Speaker 1>tapes were circulating of these you guys actually party. Is

1:15:01.880 --> 1:15:06.439
<v Speaker 1>that accurate? For what I'm saying, like, there was one

1:15:06.720 --> 1:15:10.560
<v Speaker 1>mix tape that started circling around, uh in the I

1:15:10.640 --> 1:15:13.519
<v Speaker 1>think in the early eighties of the late seventies. That's

1:15:13.560 --> 1:15:15.880
<v Speaker 1>the one that everybody credits has for. That's like, that's

1:15:15.920 --> 1:15:18.559
<v Speaker 1>when if you hear DMC do an interview. He always

1:15:18.600 --> 1:15:20.760
<v Speaker 1>been like, yeah, that's every single time. I was like,

1:15:20.840 --> 1:15:28.880
<v Speaker 1>I had that tape and it changed money. I didn't

1:15:29.120 --> 1:15:34.439
<v Speaker 1>I didn't get what you were doing. Its changed on

1:15:34.520 --> 1:15:43.960
<v Speaker 1>my mind. Salute to DMC. Then he just sent me

1:15:44.120 --> 1:15:47.800
<v Speaker 1>d So. So what I'm saying is, um, it was

1:15:48.439 --> 1:15:51.479
<v Speaker 1>these tapes to tape that circle circling around. Was it

1:15:51.560 --> 1:15:54.280
<v Speaker 1>battle tapes or was it party tapes? It was party

1:15:54.320 --> 1:15:57.960
<v Speaker 1>tapes and battle tapes. Yeah, you know at first, Um,

1:15:59.120 --> 1:16:03.559
<v Speaker 1>I mean, I'll go back to when if you live

1:16:03.640 --> 1:16:05.960
<v Speaker 1>in my hood and you wanted a B boy tape

1:16:06.040 --> 1:16:07.960
<v Speaker 1>like the jams that you're here at the parties, but

1:16:08.080 --> 1:16:13.000
<v Speaker 1>you ain't got kind of my house, Sit on, sit

1:16:13.080 --> 1:16:17.360
<v Speaker 1>on the couch, what's your name? What's your girl name?

1:16:18.000 --> 1:16:21.519
<v Speaker 1>Where you live at school? You go to who's your

1:16:21.600 --> 1:16:25.280
<v Speaker 1>man's in them? All right? Boom, all right, turn around,

1:16:25.360 --> 1:16:28.080
<v Speaker 1>get on the mic, turn my ship on and then

1:16:28.160 --> 1:16:31.120
<v Speaker 1>played great beasts and just talk about the nigger dropped

1:16:31.120 --> 1:16:37.439
<v Speaker 1>the tape. All that. Now, I wasn't until we started

1:16:37.479 --> 1:16:41.040
<v Speaker 1>doing parties and and and recording the entire party. Those

1:16:41.080 --> 1:16:44.200
<v Speaker 1>are the motherfucker's tapes and started spreading. It became kind

1:16:44.240 --> 1:16:47.519
<v Speaker 1>of a like the holy Grail of hip hop. If

1:16:47.520 --> 1:16:49.240
<v Speaker 1>you want to trace the sound, if you want to

1:16:49.600 --> 1:16:53.200
<v Speaker 1>hear live hip hop at its earliest point, you gotta

1:16:53.280 --> 1:16:55.240
<v Speaker 1>have one of those cassette tapes. It goes back to

1:16:55.320 --> 1:16:58.720
<v Speaker 1>those cassettes. It's got sampled all throughout. So now people yeah,

1:16:58.840 --> 1:17:01.880
<v Speaker 1>oh yeah, yeah people? Is it frivolously? And like I said,

1:17:01.920 --> 1:17:04.080
<v Speaker 1>if we would have had a control of that ship,

1:17:04.640 --> 1:17:07.800
<v Speaker 1>people couldn't just people would get paid for that, you

1:17:07.880 --> 1:17:09.920
<v Speaker 1>know what I mean. But I've heard numerous samples from

1:17:09.960 --> 1:17:15.200
<v Speaker 1>most school chaps. I think I'm on one for uh back,

1:17:16.600 --> 1:17:20.840
<v Speaker 1>oh yeah yeah, and what are you sample? It's me

1:17:21.040 --> 1:17:25.599
<v Speaker 1>talking at a party. We need to we granted needs

1:17:25.640 --> 1:17:29.800
<v Speaker 1>to check yeah yeah back get the check back. Yeah.

1:17:29.840 --> 1:17:32.160
<v Speaker 1>So so yeah, I mean those those that was how

1:17:32.240 --> 1:17:35.280
<v Speaker 1>people first heard hip hop live. Let so let me

1:17:35.320 --> 1:17:39.439
<v Speaker 1>ask you, right, um, this controversy thing came out. We

1:17:39.520 --> 1:17:41.840
<v Speaker 1>had care rests one on here and when we asked

1:17:41.880 --> 1:17:44.280
<v Speaker 1>care rests one about this. It this was like three

1:17:44.360 --> 1:17:46.840
<v Speaker 1>days old, you know, care Rest he'd be on boats.

1:17:46.880 --> 1:17:48.920
<v Speaker 1>He didn't know what was going on when we asked

1:17:49.000 --> 1:17:51.720
<v Speaker 1>him this question. But it was a controversiy thing that

1:17:51.760 --> 1:17:54.960
<v Speaker 1>came out about African bat bottom right, just stripped the

1:17:55.040 --> 1:17:57.920
<v Speaker 1>thing off the thing. This is one of our forefathers

1:17:58.240 --> 1:18:02.160
<v Speaker 1>of hip hop. But it wasn't only just one thing.

1:18:02.560 --> 1:18:04.280
<v Speaker 1>It wasn't only just one person. There was a couple

1:18:04.320 --> 1:18:08.320
<v Speaker 1>of people that came out and with these allegations. What

1:18:08.520 --> 1:18:11.040
<v Speaker 1>what did what did you think of that? Um? I

1:18:11.160 --> 1:18:13.760
<v Speaker 1>thought it was crazy. I mean, like everybody else, I know,

1:18:13.920 --> 1:18:17.160
<v Speaker 1>at some point people, you know, it was going around

1:18:17.320 --> 1:18:21.280
<v Speaker 1>that the hip hop community knew about this, and the

1:18:21.400 --> 1:18:29.000
<v Speaker 1>hip hop community didn't know about this. Nobody had no evidence, No, um,

1:18:29.680 --> 1:18:32.280
<v Speaker 1>I don't want to cameras. Everything was pretty much speculation

1:18:32.439 --> 1:18:35.160
<v Speaker 1>because you Bam. You never see Bam with you know,

1:18:35.880 --> 1:18:40.519
<v Speaker 1>females that much, you know what I mean, or a

1:18:40.600 --> 1:18:43.280
<v Speaker 1>lot of young guys used to be around Bam, like

1:18:43.479 --> 1:18:46.280
<v Speaker 1>you know, like he had a little legion of young

1:18:46.400 --> 1:18:50.040
<v Speaker 1>cats around him from from Zulu. But other than that, nobody,

1:18:51.479 --> 1:18:53.760
<v Speaker 1>you know what I mean, nobody knows so for for

1:18:54.000 --> 1:18:56.559
<v Speaker 1>somebody to say that everybody knew it was a well

1:18:56.680 --> 1:18:59.240
<v Speaker 1>known fact. Now it was no ship like that. I

1:18:59.400 --> 1:19:02.719
<v Speaker 1>was just a show actor, surprise as every fucking body else,

1:19:03.560 --> 1:19:06.439
<v Speaker 1>you know what I mean. So we're gonna do this,

1:19:06.840 --> 1:19:10.200
<v Speaker 1>this called quick time with slip. It's so very You

1:19:10.320 --> 1:19:12.320
<v Speaker 1>just answer one or the other, both of you, guys.

1:19:12.320 --> 1:19:13.960
<v Speaker 1>And if you say if you say both, you take

1:19:14.000 --> 1:19:17.639
<v Speaker 1>a shot. If you say nothing, neither, you take a shot.

1:19:19.560 --> 1:19:22.320
<v Speaker 1>But if you you answer, then your shot shot. All right? Cool?

1:19:22.360 --> 1:19:23.880
<v Speaker 1>See you want to you want to get your shots

1:19:23.920 --> 1:19:27.840
<v Speaker 1>lined up? We're joining were joining br my Japanese whiske.

1:19:27.880 --> 1:19:35.800
<v Speaker 1>Let me get the jope. Yeah, you see, every glad

1:19:37.800 --> 1:19:44.360
<v Speaker 1>that's the man. The man is right here, keeping with

1:19:44.479 --> 1:19:47.160
<v Speaker 1>the shot. Knock out the whiskey because I don't know

1:19:47.240 --> 1:19:50.000
<v Speaker 1>whiskey guy. The last time I was on, I don't

1:19:53.280 --> 1:19:56.639
<v Speaker 1>just shot. Yeah, get him a shot last? Please? Anybody

1:19:56.640 --> 1:19:59.920
<v Speaker 1>got the shot last? Well? I think we used them all.

1:20:00.040 --> 1:20:05.719
<v Speaker 1>We need someone? All right, cool, we're ready asking me both.

1:20:06.200 --> 1:20:09.439
<v Speaker 1>You have to wait, okay, mr no oh, you need

1:20:09.479 --> 1:20:13.200
<v Speaker 1>a shot classes okay, no for And by the way,

1:20:13.439 --> 1:20:16.439
<v Speaker 1>go watch the Indian Detective, y'all. It's really good. Yeah, yeah, please, yeah,

1:20:16.600 --> 1:20:25.360
<v Speaker 1>smoke that please. Yeah. We got grandmas a cast Holy moly, berry,

1:20:25.520 --> 1:20:28.040
<v Speaker 1>let me get the lane, got you man, somebody else

1:20:28.040 --> 1:20:30.639
<v Speaker 1>give us a lighting. Man were over held wet sponsor.

1:20:33.960 --> 1:20:38.479
<v Speaker 1>Tell Noriya, we're gonna bust on these. You can be

1:20:38.479 --> 1:20:39.920
<v Speaker 1>a cup. I gonna put you up right now. Baby,

1:20:40.360 --> 1:20:42.240
<v Speaker 1>you gotta keep the coach alive. I've got damn it,

1:20:42.439 --> 1:20:44.040
<v Speaker 1>you know what I mean. We also got black old dude,

1:20:44.040 --> 1:20:45.840
<v Speaker 1>say it's over here too. We got some rock to

1:20:45.960 --> 1:20:51.200
<v Speaker 1>old black wana. Ma wanna what is that? Dominican? Is

1:20:51.240 --> 1:20:57.439
<v Speaker 1>a dominican't well knows what it is? This one has wrong?

1:20:57.760 --> 1:21:02.200
<v Speaker 1>My mama? Ain't that the ship dren three? Yeah? Woman Earth,

1:21:02.680 --> 1:21:05.360
<v Speaker 1>you could do vood with this. Yeah, yeah, you know

1:21:05.439 --> 1:21:07.519
<v Speaker 1>it's crazy. Then the other day I got a little

1:21:07.560 --> 1:21:10.880
<v Speaker 1>fucking bottle of mama wanna myers appeared at your house.

1:21:10.960 --> 1:21:13.639
<v Speaker 1>I don't know a little a little left it did. Yeah,

1:21:13.640 --> 1:21:15.920
<v Speaker 1>I thought somebody. I thought some ship was gone wrong

1:21:15.960 --> 1:21:18.600
<v Speaker 1>with the bottle I had that the fucking bark was

1:21:18.680 --> 1:21:27.400
<v Speaker 1>growing them. Oh yeah, that's why I'm good. Shot Glass

1:21:27.439 --> 1:21:31.559
<v Speaker 1>just take that right. Yeah, but poor shot though, motherfucker. Alright, alright, cool,

1:21:31.800 --> 1:21:35.720
<v Speaker 1>are you ready? This one? Is gonna be very I

1:21:35.840 --> 1:21:38.920
<v Speaker 1>know what, I know what you're gonna say. I don't

1:21:38.960 --> 1:21:44.519
<v Speaker 1>know what you're gonna say. Okay, jay Z ornas jay

1:21:44.640 --> 1:21:48.160
<v Speaker 1>Z because the overcar charging niggas, But what they did

1:21:48.240 --> 1:21:52.960
<v Speaker 1>to the goddamnit jay Z, that's a tough question for me.

1:21:53.320 --> 1:21:59.479
<v Speaker 1>It is, yeah, because again Jay has a longevity, but

1:21:59.600 --> 1:22:03.400
<v Speaker 1>to me has the better voice. So you're taking a

1:22:03.439 --> 1:22:05.160
<v Speaker 1>shot for that, I guess I'm taking a shot. Take

1:22:05.160 --> 1:22:14.479
<v Speaker 1>a shot for that complicated they wish DMX or Tupac.

1:22:16.200 --> 1:22:21.439
<v Speaker 1>We're right, DMX, see him looking over you, right, you'll

1:22:21.439 --> 1:22:24.160
<v Speaker 1>see him looking over you. Yeah, all right, so actually

1:22:25.600 --> 1:22:37.280
<v Speaker 1>but yeah, okay, cool, So that's no shot. Okay, eightlies

1:22:37.400 --> 1:22:46.479
<v Speaker 1>hip hop or nineties hip hop. If I had to pick,

1:22:46.800 --> 1:22:49.280
<v Speaker 1>if I had to pick one over the other and

1:22:49.400 --> 1:22:53.920
<v Speaker 1>I wasn't from either era, nineties hip got me on

1:22:54.000 --> 1:22:58.960
<v Speaker 1>that one. Did not think nineties Golden era? All right,

1:22:59.400 --> 1:23:05.599
<v Speaker 1>run them see out the locks? Locks? Wow, he said

1:23:05.640 --> 1:23:08.880
<v Speaker 1>that quickly, too funny style that I love the locks,

1:23:08.960 --> 1:23:11.160
<v Speaker 1>but I gotta ride with run DMC on this. You

1:23:11.240 --> 1:23:15.000
<v Speaker 1>got the hat the locks. I mean as far as

1:23:15.160 --> 1:23:20.880
<v Speaker 1>like lyrical or whatever whatever your criteria. Alright, podcasts or

1:23:20.960 --> 1:23:28.639
<v Speaker 1>radio podcast, podcast, since I have one culturally canceled. Alright

1:23:29.400 --> 1:23:33.280
<v Speaker 1>out now subscribe a radio, have a podcast, have a podcast.

1:23:33.439 --> 1:23:40.280
<v Speaker 1>Rock Him a big daddy came, m hm, he's tough.

1:23:44.760 --> 1:23:46.000
<v Speaker 1>You do get take a shot. If you don't want

1:23:46.000 --> 1:23:47.840
<v Speaker 1>to answer, it's okay. Well if you say both. You

1:23:47.920 --> 1:23:53.559
<v Speaker 1>know that I like how you stuck by the way.

1:23:53.600 --> 1:23:56.280
<v Speaker 1>I love that. I love that. Maybe you know you

1:23:56.400 --> 1:23:58.360
<v Speaker 1>thinking let me help, let me help with the criteria.

1:23:59.600 --> 1:24:02.120
<v Speaker 1>Live is one thing, and on records another thing. We

1:24:02.640 --> 1:24:07.240
<v Speaker 1>did do another shot. Let's tick to the program with

1:24:08.120 --> 1:24:09.559
<v Speaker 1>the fact that you're thinking about it that much. Let's

1:24:09.560 --> 1:24:13.720
<v Speaker 1>take a shot, brog He came, Yeah, I gotta go

1:24:13.840 --> 1:24:16.080
<v Speaker 1>cane as well. And as you're saying the live aspect,

1:24:16.240 --> 1:24:18.519
<v Speaker 1>I'm speaking based on live as I've seen rock Him

1:24:18.520 --> 1:24:20.679
<v Speaker 1>in a couple of times, and I love rock Him alright.

1:24:20.840 --> 1:24:24.000
<v Speaker 1>Rock Him is a fucking game changer. You know what

1:24:24.120 --> 1:24:27.719
<v Speaker 1>he did. He slowed everything the funk down when everybody

1:24:27.880 --> 1:24:34.439
<v Speaker 1>was screaming and ship, yeah, the microphones in cool ship.

1:24:34.680 --> 1:24:38.639
<v Speaker 1>You know, he made his slamet the puzzle. Comp can't

1:24:38.680 --> 1:24:41.720
<v Speaker 1>be mad at him. But I'm I'm a lyricist and

1:24:42.200 --> 1:24:44.400
<v Speaker 1>and proud to say that one of the people that

1:24:44.560 --> 1:24:48.479
<v Speaker 1>rock him looks up to as a mentor as far

1:24:48.560 --> 1:24:51.000
<v Speaker 1>as lyrically, you know what I mean in being MC

1:24:51.680 --> 1:24:53.920
<v Speaker 1>And same thing for Kane, you know what I mean

1:24:54.040 --> 1:24:56.920
<v Speaker 1>that he's to him, im his father as far as

1:24:57.439 --> 1:25:05.559
<v Speaker 1>you know in this game. Yeah, my, but I got

1:25:05.640 --> 1:25:08.040
<v Speaker 1>a different eye when it comes to you know, and

1:25:08.120 --> 1:25:10.120
<v Speaker 1>I don't know, I don't say judging, but as far

1:25:10.160 --> 1:25:13.800
<v Speaker 1>as my opinion on on artists, I got a different

1:25:13.840 --> 1:25:17.040
<v Speaker 1>eye than most people. Yeah. I mean if he was

1:25:17.120 --> 1:25:22.840
<v Speaker 1>a master fucking lyricist okay and show person and co

1:25:23.120 --> 1:25:27.000
<v Speaker 1>creator of hip hop, then you could have the same

1:25:27.160 --> 1:25:31.679
<v Speaker 1>vision you know what I mean? And am not? Yeah,

1:25:31.960 --> 1:25:39.920
<v Speaker 1>pretty well, so you went with I want we came

1:25:40.080 --> 1:25:45.240
<v Speaker 1>because I mean as if you put two niggas on

1:25:45.320 --> 1:25:49.600
<v Speaker 1>the mic once it gives you each other. Kane, we

1:25:49.640 --> 1:25:54.960
<v Speaker 1>want to see versus we want to live. Yeah, they

1:25:55.000 --> 1:25:57.280
<v Speaker 1>would have to do it live and can got some

1:25:57.360 --> 1:26:00.479
<v Speaker 1>ship that people even heard that well, just so let

1:26:00.880 --> 1:26:05.439
<v Speaker 1>let's let's go to the next Kumo Dulgi Rap. I

1:26:05.479 --> 1:26:08.280
<v Speaker 1>would have to give the edge to Coolgi Rap though

1:26:08.400 --> 1:26:11.320
<v Speaker 1>I am the DJ for Kumo D you know what

1:26:11.360 --> 1:26:18.400
<v Speaker 1>I mean, And Kumo dmon Kumod myself and Malie Malice

1:26:18.479 --> 1:26:23.400
<v Speaker 1>considered the holy trinity of sucking m c's. You know

1:26:23.479 --> 1:26:26.599
<v Speaker 1>what I mean, the first holy trinity at m c's.

1:26:27.320 --> 1:26:34.759
<v Speaker 1>And but commercially, if you're broke, broken, it stopped. Nigger.

1:26:35.840 --> 1:26:38.559
<v Speaker 1>Oh that's whipping whip. Okay, okay, goddamn it, it's going

1:26:39.960 --> 1:26:41.920
<v Speaker 1>tell them to take a shot where we at. You're

1:26:42.000 --> 1:26:58.720
<v Speaker 1>with y'all, say what's up? I'm on drink Champs. Yo,

1:26:58.840 --> 1:27:03.320
<v Speaker 1>I'm on drink Champs. Y'all with Nori and ain'tbody cans

1:27:03.360 --> 1:27:05.280
<v Speaker 1>with mute his phone. But he's sixty one years older.

1:27:06.200 --> 1:27:09.800
<v Speaker 1>Maybe don't mind, you don't mind, he's Grandmaster Bells. You

1:27:09.880 --> 1:27:23.759
<v Speaker 1>went with Cougi Yeah, yeah, Rick or Duggie Fresh flick again.

1:27:24.560 --> 1:27:27.920
<v Speaker 1>I gotta go with the live, the live aspect, Dougie.

1:27:28.479 --> 1:27:31.720
<v Speaker 1>If you're talking lyrically, are we talking lyrics? Whatever that

1:27:31.880 --> 1:27:34.600
<v Speaker 1>is for you want to be it's really what you

1:27:34.680 --> 1:27:38.880
<v Speaker 1>trying to do. These dresses is supposed to be tough.

1:27:39.600 --> 1:27:44.160
<v Speaker 1>Nobody got a show like Douggie Fresh. Nobody Fresh. Yeah,

1:27:44.160 --> 1:27:48.040
<v Speaker 1>but Douggie hosting a show it will sucking. Make your

1:27:48.040 --> 1:27:55.639
<v Speaker 1>party go? Okay, fat fire Freddy or I love who's

1:27:55.640 --> 1:27:59.040
<v Speaker 1>hosting your party? If you got one person to host

1:27:59.120 --> 1:28:03.880
<v Speaker 1>your ship. I think I give that love of the edge.

1:28:04.479 --> 1:28:08.160
<v Speaker 1>I give that love of the edge. I mean what

1:28:08.360 --> 1:28:10.400
<v Speaker 1>era is what I'm talking about now seeing maybe the

1:28:10.680 --> 1:28:14.920
<v Speaker 1>way too complicated to do Overthink who's got a better

1:28:14.960 --> 1:28:19.920
<v Speaker 1>live show? I mean fab five, Freddie's more, he got

1:28:19.960 --> 1:28:22.599
<v Speaker 1>more white bitches. We established that. Yeah, nobody's also Okay,

1:28:22.640 --> 1:28:25.360
<v Speaker 1>he's also a little more friendly to the people. Loves

1:28:25.400 --> 1:28:27.519
<v Speaker 1>not and love is cool with me. But I'm just saying,

1:28:27.720 --> 1:28:29.720
<v Speaker 1>you see him be a dickhead. Nine seeing him be

1:28:29.720 --> 1:28:32.800
<v Speaker 1>a dickhead. But you seen him signed the autograph. Not

1:28:32.880 --> 1:28:34.880
<v Speaker 1>take a picture. Let's just go. I remember one time

1:28:34.960 --> 1:28:39.000
<v Speaker 1>twenty five years ago, he wanted the limo to himself.

1:28:39.080 --> 1:28:41.760
<v Speaker 1>It's all I'm saying. He kicked you out. No, he

1:28:41.800 --> 1:28:44.120
<v Speaker 1>just wouldn't let nobody in. I mean he's making a

1:28:44.400 --> 1:28:52.240
<v Speaker 1>pay for that love. And I love that lover asshole. Okay.

1:28:52.640 --> 1:28:58.400
<v Speaker 1>MTV raps or rap City or rap City Yeah wow,

1:29:03.280 --> 1:29:09.640
<v Speaker 1>MTV rat Yeah yeah, yeah, fact Okay, big yeah, Big

1:29:13.240 --> 1:29:17.200
<v Speaker 1>big El. I'm I'm a diehard Biggie fan and I

1:29:17.320 --> 1:29:20.240
<v Speaker 1>love big El. He's like right there with it. Okay,

1:29:21.280 --> 1:29:27.800
<v Speaker 1>Red Alert Boosey, be alert. Read Uncle Red Okay, I

1:29:27.840 --> 1:29:29.599
<v Speaker 1>don't know why they got this here, but Wild Style

1:29:29.680 --> 1:29:32.880
<v Speaker 1>of B Street Brucy be my dude, though, that's my dude.

1:29:32.920 --> 1:29:35.640
<v Speaker 1>He came up right under me. Man, But read if

1:29:35.680 --> 1:29:38.040
<v Speaker 1>I was gonna hire somebody, and I could only hire

1:29:38.160 --> 1:29:41.679
<v Speaker 1>one person, that'd be read alert Wild Style of B Street.

1:29:41.680 --> 1:29:47.360
<v Speaker 1>You already it wasn't n B Street Wild Style all day.

1:29:47.800 --> 1:29:51.560
<v Speaker 1>And while Style was the first and west authentic of

1:29:51.680 --> 1:29:53.880
<v Speaker 1>all of all of those movies, the first time I

1:29:53.920 --> 1:29:56.040
<v Speaker 1>saw a Wild Style thought was a documentary. That's what

1:29:56.120 --> 1:29:58.960
<v Speaker 1>we're saying. And you know that version of Wild Sty

1:29:59.040 --> 1:30:01.080
<v Speaker 1>that you have right there, it's the bootleg. It's not

1:30:01.160 --> 1:30:06.600
<v Speaker 1>the boots like it's the but you know, but you

1:30:06.680 --> 1:30:11.880
<v Speaker 1>know he was first. I'll tell you what's different on

1:30:11.960 --> 1:30:14.759
<v Speaker 1>that one is when there's a scene of Grandmaster Flashes

1:30:14.760 --> 1:30:17.840
<v Speaker 1>cutting up live on the original, he's cutting up Marty

1:30:17.880 --> 1:30:22.120
<v Speaker 1>Grass and they couldn't clear it. They couldn't clear audio

1:30:22.240 --> 1:30:24.080
<v Speaker 1>for something else, but you don't even know what it is.

1:30:24.120 --> 1:30:28.160
<v Speaker 1>They put another another beat in there. That's how much

1:30:28.200 --> 1:30:30.600
<v Speaker 1>of a nerd I am for this ship. Okay, And

1:30:32.520 --> 1:30:34.800
<v Speaker 1>two that that's when the movie came out, But that's

1:30:34.800 --> 1:30:36.920
<v Speaker 1>not when that is right, right right. One that came

1:30:36.960 --> 1:30:38.640
<v Speaker 1>out for that was like a yellow copy was just

1:30:38.800 --> 1:30:41.439
<v Speaker 1>it was mad cheap looking. I got it at kmart

1:30:41.479 --> 1:30:49.880
<v Speaker 1>and eighty four. Okay, I'll be sure what he thought

1:30:50.240 --> 1:30:54.280
<v Speaker 1>he was thinking was playing out. I mean you never know, man,

1:30:54.360 --> 1:30:57.920
<v Speaker 1>I'll be sure it was dropping some ship. Just battle

1:30:57.960 --> 1:31:02.320
<v Speaker 1>of the light skin niggers do get got it? I

1:31:02.400 --> 1:31:05.519
<v Speaker 1>gotta give it that else good. Yeah, I mean listen,

1:31:05.560 --> 1:31:07.840
<v Speaker 1>I remember my only compliment that ever got when I

1:31:07.960 --> 1:31:11.400
<v Speaker 1>was like in the early nineties was a girl because

1:31:11.439 --> 1:31:17.680
<v Speaker 1>I had I always wanted to be all, let's pick

1:31:17.760 --> 1:31:25.880
<v Speaker 1>up that girl and the like, I ain't sure, I'll

1:31:25.880 --> 1:31:37.160
<v Speaker 1>be late, I'll be damn orr Fesse, I mean, you

1:31:37.240 --> 1:31:38.800
<v Speaker 1>know the shots like that. Just in case you know

1:31:38.840 --> 1:31:40.920
<v Speaker 1>what I'm saying. You ain't got you ain't got to

1:31:40.960 --> 1:31:44.439
<v Speaker 1>pick anything on jobs. I'll answered before you, just to

1:31:44.479 --> 1:31:50.679
<v Speaker 1>make it easier for you. No, no, I don't need that. Lord.

1:31:50.760 --> 1:31:57.559
<v Speaker 1>Finesse Okay, Finesse is my brother, Like we we lived together.

1:31:57.680 --> 1:31:59.720
<v Speaker 1>So I mean, you know, sounds a little crazy. Not

1:31:59.840 --> 1:32:06.240
<v Speaker 1>like that, okay. That digging in the crate, not digging

1:32:06.280 --> 1:32:10.360
<v Speaker 1>in the crotches. He's no, that is my man. I mean,

1:32:11.280 --> 1:32:20.840
<v Speaker 1>so hey, you look, even Whitey loves Let me just

1:32:20.960 --> 1:32:26.600
<v Speaker 1>say it. We gotta get him on your show. So

1:32:26.680 --> 1:32:29.479
<v Speaker 1>you're going off and I gotta go yeah, And I

1:32:29.560 --> 1:32:33.080
<v Speaker 1>love Guru this one. I really want to dig to

1:32:33.160 --> 1:32:36.719
<v Speaker 1>see what y'all gonna say on this one. DJ Premier

1:32:37.840 --> 1:32:42.880
<v Speaker 1>more Large Professor, DJ, that was very easy, and I

1:32:43.000 --> 1:32:45.680
<v Speaker 1>love I love Large Professor, but Large Pro was like

1:32:46.720 --> 1:32:51.519
<v Speaker 1>in that next conversation, that's why the name is. That's

1:32:51.560 --> 1:32:57.679
<v Speaker 1>why his name is Premier. He's Premier. He's like Large

1:32:57.720 --> 1:33:12.280
<v Speaker 1>Pro was the next Marley m HM Forrell or Kanye creatively,

1:33:17.160 --> 1:33:22.800
<v Speaker 1>who's that shot? My man? My handy blood kaved some

1:33:23.240 --> 1:33:26.360
<v Speaker 1>a bitch. Come on, I'm want you whiskey. I don't

1:33:26.360 --> 1:33:28.760
<v Speaker 1>want you. Come on whiskey. By the way, this is

1:33:28.840 --> 1:33:31.600
<v Speaker 1>no what I'm gonna take a shot. Let's go hold on,

1:33:31.640 --> 1:33:33.400
<v Speaker 1>wait for us. We gotta take my first shot on

1:33:33.680 --> 1:33:38.320
<v Speaker 1>take your shot for my You're taking a shot, Thank you,

1:33:38.520 --> 1:33:42.000
<v Speaker 1>thank you. Take a shot by any of the detective

1:33:42.040 --> 1:33:50.000
<v Speaker 1>brother just go whatever I got ride yeah, okay, do

1:33:52.800 --> 1:34:00.400
<v Speaker 1>your yeah right right, the drink two more drinks? Okay?

1:34:00.479 --> 1:34:07.599
<v Speaker 1>Who is Swiss beat Swiss be? I gotta go with Swizzy,

1:34:08.280 --> 1:34:15.240
<v Speaker 1>Although I love the newness that Tim brought to production,

1:34:15.680 --> 1:34:17.839
<v Speaker 1>you know what I mean? His sound was like unique,

1:34:18.080 --> 1:34:24.160
<v Speaker 1>just like Pharrell's was. But I'm more tuned into Swizzies. Okay.

1:34:26.120 --> 1:34:30.240
<v Speaker 1>I look at Swiss, Pharrell, and Tim as the same era.

1:34:30.560 --> 1:34:33.080
<v Speaker 1>They all three came with three different sounds, and you

1:34:33.160 --> 1:34:36.400
<v Speaker 1>knew exactly who you were listening to each time. Damn.

1:34:36.479 --> 1:34:38.479
<v Speaker 1>That was I was about to getting on you for

1:34:38.560 --> 1:34:41.080
<v Speaker 1>your long breakdown. But that was actually great. But it

1:34:41.160 --> 1:34:47.400
<v Speaker 1>wasn't an answer, and but it was not on a breakdown.

1:34:47.560 --> 1:34:52.800
<v Speaker 1>And it's like all three of them, So which one

1:34:52.800 --> 1:34:57.880
<v Speaker 1>you're going with? All Swiss? I'm gonna go with Swiss, Okay, Okay,

1:34:57.960 --> 1:35:00.400
<v Speaker 1>I didn't expect that the next of the That's it's

1:35:00.439 --> 1:35:02.320
<v Speaker 1>more of a New Yorker question because I know you

1:35:02.400 --> 1:35:10.000
<v Speaker 1>were the Raptors nick fan. I'm a nick fan from

1:35:10.439 --> 1:35:12.599
<v Speaker 1>one of them. When willis Read? When the when willis

1:35:12.680 --> 1:35:15.240
<v Speaker 1>Read limped out on the motherfucking court, nigger, I was

1:35:15.280 --> 1:35:18.679
<v Speaker 1>still in there, like this, who ship willis just coming out?

1:35:19.160 --> 1:35:22.400
<v Speaker 1>All right? I was watching that ship. Kassie Russell used

1:35:22.439 --> 1:35:26.080
<v Speaker 1>to live next door to me I when I was tapping,

1:35:26.360 --> 1:35:28.720
<v Speaker 1>and then they used to come out go jump in

1:35:28.760 --> 1:35:31.080
<v Speaker 1>the cab go to the garden and there I R Kassie,

1:35:31.320 --> 1:35:34.519
<v Speaker 1>just save me, all right, man, little dude, And I

1:35:34.640 --> 1:35:37.280
<v Speaker 1>mean sometimes a lot tell people I name myself cast

1:35:37.360 --> 1:35:41.439
<v Speaker 1>because Cassie Russell. Right now, you have Cassie Russell right here.

1:35:42.080 --> 1:35:51.280
<v Speaker 1>But Cassy Russell. It ain't no accident better, That's what

1:35:51.320 --> 1:35:56.880
<v Speaker 1>I'm saying. Okay, So I didn't like this one, but

1:35:56.920 --> 1:36:08.800
<v Speaker 1>I'm gonna asking it. Fat Boys are the Beastie Boys. Seriously,

1:36:09.080 --> 1:36:12.800
<v Speaker 1>I would have to say, musically and everything, I would

1:36:12.800 --> 1:36:15.640
<v Speaker 1>have to give it to the beast Boys, you know

1:36:15.680 --> 1:36:19.960
<v Speaker 1>what I mean? Boys? I mean, come on, these things

1:36:20.000 --> 1:36:24.240
<v Speaker 1>made classic album, the production behind their their music, the

1:36:24.400 --> 1:36:27.479
<v Speaker 1>themes and all that. I think that that Boys was

1:36:27.600 --> 1:36:32.360
<v Speaker 1>more of a novelty act that it caught on. It

1:36:32.520 --> 1:36:35.439
<v Speaker 1>was like, okay, ship, let's sign them up and you know,

1:36:35.880 --> 1:36:41.000
<v Speaker 1>put out a record. Um. I think the people's longevity

1:36:41.160 --> 1:36:45.680
<v Speaker 1>kind of play out as far as what they originally

1:36:45.800 --> 1:36:51.000
<v Speaker 1>were in this thing in the first place. Um to me,

1:36:51.960 --> 1:36:57.000
<v Speaker 1>if you are this, if you claim to be this,

1:36:59.160 --> 1:37:02.679
<v Speaker 1>then you always that if you are at a certain

1:37:02.800 --> 1:37:05.000
<v Speaker 1>level or whatever this is, and that then that's your

1:37:05.080 --> 1:37:07.920
<v Speaker 1>motherfucking level. Don't you ever come here later on and

1:37:08.040 --> 1:37:10.040
<v Speaker 1>tell me, na, I can't do that no more. What

1:37:10.240 --> 1:37:13.280
<v Speaker 1>the funk? If you was ever great, you're always gonna

1:37:13.280 --> 1:37:17.960
<v Speaker 1>be great. You always want to be great. So if

1:37:18.000 --> 1:37:21.200
<v Speaker 1>you're not great right now, motherfucker. He wasn't great for fun.

1:37:22.840 --> 1:37:25.800
<v Speaker 1>He wasn't great in the first place. You just for

1:37:25.920 --> 1:37:30.000
<v Speaker 1>saying that ship. How many people today I'm sixty one

1:37:30.120 --> 1:37:36.720
<v Speaker 1>years old funk with me. How many people can funk

1:37:36.800 --> 1:37:39.479
<v Speaker 1>with me on the mic right now at sixty one?

1:37:39.880 --> 1:37:42.040
<v Speaker 1>And I'm not just talking about my age. I'm talking

1:37:42.080 --> 1:37:48.160
<v Speaker 1>about period. That's not that's not me bragging. That's the

1:37:48.280 --> 1:37:51.639
<v Speaker 1>fact that I loved this ship. I breathed this ship.

1:37:52.720 --> 1:37:57.599
<v Speaker 1>I am This ship makes a noise for that God. Hello,

1:37:58.680 --> 1:38:00.479
<v Speaker 1>you just feel fasting because like I, I gotta got

1:38:00.560 --> 1:38:04.519
<v Speaker 1>you more questions. Okay, Latifa m c L. I would

1:38:04.560 --> 1:38:09.599
<v Speaker 1>have to give it, damn, damn, damn all the way around.

1:38:10.240 --> 1:38:15.959
<v Speaker 1>Whatever you want. I go like, I like the disagreeing

1:38:16.040 --> 1:38:17.920
<v Speaker 1>now because at first I thought she was just agreeing

1:38:17.960 --> 1:38:22.280
<v Speaker 1>with nine. I'm like, I'm like, like, okay, the one

1:38:22.520 --> 1:38:28.160
<v Speaker 1>ice cube or Scarface, you can take a shot, you

1:38:28.200 --> 1:38:30.639
<v Speaker 1>know what I mean? We got the shots ready, Yeah,

1:38:30.680 --> 1:38:36.400
<v Speaker 1>I got ready? One right now was cute, I go cute.

1:38:36.400 --> 1:38:39.160
<v Speaker 1>I'm friends with Brad Jordan's but I love y'all call

1:38:39.240 --> 1:38:41.920
<v Speaker 1>him Brad. I ain't calling him Brad ever in my life. Listen, Victor,

1:38:43.120 --> 1:38:45.120
<v Speaker 1>I don't like first and we're not calling l Todd.

1:38:45.240 --> 1:38:50.800
<v Speaker 1>I'm not calling. I'm not never doing that. I do

1:38:50.920 --> 1:38:53.200
<v Speaker 1>call him to all. Actually I don't call me and

1:38:53.280 --> 1:38:58.880
<v Speaker 1>Curtis call him to Tudd. I'm taking got No, that's

1:38:58.920 --> 1:39:02.920
<v Speaker 1>not a shot, that's a drink. Take a shot that yeah, yeah?

1:39:02.960 --> 1:39:10.599
<v Speaker 1>Take who? Sorry Kim or Fox? Now we didn't answer

1:39:10.640 --> 1:39:13.160
<v Speaker 1>that one yet. What we took a shot? Oh, he

1:39:13.200 --> 1:39:16.760
<v Speaker 1>took a shot. Took the shot, Kim or Foxy Brown?

1:39:19.120 --> 1:39:24.439
<v Speaker 1>That one was harsh on me. I gotta go with

1:39:24.560 --> 1:39:30.080
<v Speaker 1>Fox Foxes, that's my girl. You know, I was at

1:39:30.120 --> 1:39:32.800
<v Speaker 1>a thing for I was at a thing, a personal thing.

1:39:33.200 --> 1:39:35.439
<v Speaker 1>And as far as I'm spitting bars Is concerned, I'm

1:39:35.439 --> 1:39:37.840
<v Speaker 1>trying to get her. When she first pulled that ship

1:39:37.960 --> 1:39:43.760
<v Speaker 1>off with Jay Nigga, Yeah yeah, I never see her.

1:39:43.840 --> 1:39:46.720
<v Speaker 1>Nobody pull no ship off like that. Since so I

1:39:46.760 --> 1:39:48.960
<v Speaker 1>gotta I gotta go with Kim because wife, he loves

1:39:49.080 --> 1:39:52.560
<v Speaker 1>Kim like my wife is not being an interviewed right, No, no,

1:39:52.680 --> 1:39:55.320
<v Speaker 1>but I'm saying that's all out here in the house

1:39:55.400 --> 1:39:58.280
<v Speaker 1>is Kim. I'm gonna go with Kim, al right, cool,

1:39:58.360 --> 1:40:03.280
<v Speaker 1>I respect that you gotta go home, all right. Uh,

1:40:05.360 --> 1:40:08.320
<v Speaker 1>this is a good one, actually, n w old tag.

1:40:11.640 --> 1:40:23.200
<v Speaker 1>I gotta go. Yeah, I gotta go outcast or MAFTI me,

1:40:23.360 --> 1:40:28.760
<v Speaker 1>that's easy, creatively outcast mob deep all day. For me,

1:40:30.760 --> 1:40:34.800
<v Speaker 1>it's the m O bib from you from your party.

1:40:35.120 --> 1:40:37.559
<v Speaker 1>Come on, come on, I can't quote lyrics for ship.

1:40:37.840 --> 1:40:41.439
<v Speaker 1>All right, all right, I got your stuff and this

1:40:41.600 --> 1:40:42.880
<v Speaker 1>is this is this is this is the last one

1:40:43.040 --> 1:40:50.439
<v Speaker 1>she heard of Official Queen's murder kick shots to ship

1:40:50.640 --> 1:40:53.639
<v Speaker 1>with all those who want to profile, to pose rocky

1:40:53.720 --> 1:40:57.719
<v Speaker 1>in your face, with you alone in the street, because

1:40:57.760 --> 1:41:01.360
<v Speaker 1>itself of this land. We'll be gunning to keeping your

1:41:01.520 --> 1:41:04.599
<v Speaker 1>cruise running. Really supposed to they come around, but they

1:41:04.720 --> 1:41:07.599
<v Speaker 1>never come close to and you can see inside your

1:41:07.640 --> 1:41:11.640
<v Speaker 1>face you wrong place, your whole body lay stuff but

1:41:11.760 --> 1:41:17.800
<v Speaker 1>bullet holes and such. Listen the last one, that's a

1:41:18.040 --> 1:41:21.640
<v Speaker 1>trans Yeah, I love it. Let's get it kicking pri

1:41:21.840 --> 1:41:27.360
<v Speaker 1>or master flex h that's easy. It's easy. Yeah for me,

1:41:28.000 --> 1:41:31.280
<v Speaker 1>I gotta go kick a pre kicking pree come from me. Yeah,

1:41:31.880 --> 1:41:35.960
<v Speaker 1>that's my hood. That's my calling them pooch wow. Okay,

1:41:36.360 --> 1:41:42.240
<v Speaker 1>we don't we don't call you're going you're going to

1:41:43.320 --> 1:41:47.040
<v Speaker 1>three all day. But we're not fronting on Master Flex,

1:41:47.080 --> 1:41:48.920
<v Speaker 1>are we. I'm fronting on from No. No, you're giving

1:41:48.960 --> 1:41:53.360
<v Speaker 1>me a choice between motherfucker's with all cool because let

1:41:53.400 --> 1:41:56.840
<v Speaker 1>me just tell you what you want to do. Can

1:41:57.000 --> 1:42:00.160
<v Speaker 1>preach my brother, But I still don't see people with

1:42:00.320 --> 1:42:07.560
<v Speaker 1>the same passion as Master Flex, like, um, like what

1:42:07.720 --> 1:42:09.439
<v Speaker 1>I mean? What I mean? It was like a time

1:42:09.920 --> 1:42:12.920
<v Speaker 1>where the music just shifted, right, it shifted to get

1:42:13.000 --> 1:42:16.960
<v Speaker 1>into this new generation, and I really see master Flex study.

1:42:17.040 --> 1:42:21.519
<v Speaker 1>The new generation just told him to transition. And to me,

1:42:22.520 --> 1:42:24.200
<v Speaker 1>that's like, you know, there's a lot of DJs that

1:42:24.760 --> 1:42:27.479
<v Speaker 1>they didn't when when it stopped being vinyl. They wouldn't

1:42:27.479 --> 1:42:29.519
<v Speaker 1>go to see these when it stopped being ce these

1:42:29.800 --> 1:42:33.679
<v Speaker 1>they like, there's a lot of people that don't. Yeah,

1:42:33.800 --> 1:42:38.960
<v Speaker 1>you're definitely like this at the final he likes Kring Crates,

1:42:39.680 --> 1:42:46.240
<v Speaker 1>I don't like Karen Crazs. He like all my records

1:42:46.280 --> 1:42:50.200
<v Speaker 1>to the party. Yes, yes, So my my point of

1:42:50.320 --> 1:42:52.439
<v Speaker 1>that is not let's read it. But what I'm saying

1:42:52.520 --> 1:42:57.640
<v Speaker 1>is I've never seen someone's so focused like to to

1:42:57.760 --> 1:43:00.280
<v Speaker 1>not only be a legend here, but then to learned

1:43:00.280 --> 1:43:03.280
<v Speaker 1>the craft of the new way. And I've never seen

1:43:03.360 --> 1:43:07.840
<v Speaker 1>nobody like that, don't you think because commercially that was

1:43:07.920 --> 1:43:11.120
<v Speaker 1>his job. That's differently, if you want to survive on radio,

1:43:11.200 --> 1:43:13.439
<v Speaker 1>if you want to stay where you are up on radio,

1:43:13.560 --> 1:43:16.200
<v Speaker 1>you gotta know who's new. You gotta know what's going on.

1:43:16.360 --> 1:43:19.600
<v Speaker 1>You gotta you chump me up and round up and

1:43:20.360 --> 1:43:23.360
<v Speaker 1>just get with that next generation, because that's that's where

1:43:23.360 --> 1:43:25.800
<v Speaker 1>you're gonna beat. That's where you hopefully you're gonna be

1:43:26.400 --> 1:43:30.439
<v Speaker 1>and if you establish a relationship with him, you're always

1:43:30.479 --> 1:43:32.679
<v Speaker 1>gonna be in again. You ain't old school, you ain't

1:43:32.760 --> 1:43:36.120
<v Speaker 1>old head or whatever. That's like the fucking dreaded. You

1:43:36.200 --> 1:43:39.720
<v Speaker 1>know what I mean, Monica about generate old head? I

1:43:39.760 --> 1:43:43.479
<v Speaker 1>mean old head and old school is different. O G

1:43:43.680 --> 1:43:46.320
<v Speaker 1>too as well. That's that's what I meant to say.

1:43:46.439 --> 1:43:48.479
<v Speaker 1>That when they say o G, they just they'll be

1:43:48.520 --> 1:43:52.240
<v Speaker 1>trying to say you just oh. Sometimes it's not Sometimes

1:43:53.680 --> 1:43:59.360
<v Speaker 1>up man them coming big broke. I'm like, wait a minute, families,

1:43:59.400 --> 1:44:03.160
<v Speaker 1>this but yeahn't one older than you? You big hey,

1:44:03.200 --> 1:44:05.639
<v Speaker 1>big bro How does that happen, and you're more knowledgeable

1:44:05.680 --> 1:44:10.439
<v Speaker 1>than that, apparently the new slang. Yeah, y'all don't like

1:44:10.520 --> 1:44:12.639
<v Speaker 1>being called old g at all, big home. You don't

1:44:12.640 --> 1:44:15.000
<v Speaker 1>like none of that. I'm a white beard. I don't

1:44:15.040 --> 1:44:20.280
<v Speaker 1>take it. Listen, man, I've been I checked out your

1:44:22.400 --> 1:44:26.880
<v Speaker 1>movie Coming Home. You're working on that? Yo? Which one?

1:44:26.920 --> 1:44:30.240
<v Speaker 1>Which one? Did you see? Yeah? Yeah? We released it

1:44:30.280 --> 1:44:33.400
<v Speaker 1>with Rock the Bells right now we're releasing yeah, because

1:44:33.400 --> 1:44:35.519
<v Speaker 1>I've been thinking he's not coming home sometime. I don't

1:44:35.840 --> 1:44:44.680
<v Speaker 1>like that. But this ship is fucking amazing, you know

1:44:44.720 --> 1:44:48.679
<v Speaker 1>what I mean. Congratulations got there. That's the real ship,

1:44:48.800 --> 1:44:54.040
<v Speaker 1>so we don't correct real. And speaking of Rock the Bells,

1:44:54.760 --> 1:44:56.920
<v Speaker 1>I'm about to join the Rock the Bells family. Well

1:44:57.000 --> 1:45:01.680
<v Speaker 1>already have DJM me and I got a Show the

1:45:04.080 --> 1:45:11.559
<v Speaker 1>Bells Radio. Um, and I'm kind of you know, I'm

1:45:11.640 --> 1:45:17.040
<v Speaker 1>kind of pumped about that. That platform, oh definitely, you

1:45:17.080 --> 1:45:19.080
<v Speaker 1>know what I mean. L l is a is a

1:45:19.200 --> 1:45:24.120
<v Speaker 1>visionary and uh, I think he once he saw the

1:45:24.240 --> 1:45:28.559
<v Speaker 1>platform that he could create in the lane that nobody

1:45:28.640 --> 1:45:32.519
<v Speaker 1>really is really addressing right now, which is, uh, you

1:45:32.640 --> 1:45:36.080
<v Speaker 1>know the Pioneers, the legends, you know the game and stuff,

1:45:36.120 --> 1:45:38.920
<v Speaker 1>and you know and I appreciate y'all like that. Like

1:45:39.040 --> 1:45:43.640
<v Speaker 1>I said, it's like when you see artists of the

1:45:43.840 --> 1:45:49.200
<v Speaker 1>magnitude of ecstasy from who comes to specific I mean,

1:45:49.280 --> 1:45:53.880
<v Speaker 1>and uh, just more recently business, you know what I mean,

1:45:54.640 --> 1:46:00.040
<v Speaker 1>Producer Chuck Thompson, you know, Fred the Gods Market and

1:46:00.160 --> 1:46:03.320
<v Speaker 1>Prince Yeah, Markie Den, you know, the list goes on.

1:46:03.600 --> 1:46:10.920
<v Speaker 1>It's like you definitely start to appreciate who's left, you know,

1:46:10.960 --> 1:46:13.080
<v Speaker 1>if you got anything and you know in you and

1:46:13.160 --> 1:46:16.080
<v Speaker 1>there's something that you ever decided to do before, which

1:46:16.120 --> 1:46:19.360
<v Speaker 1>I think you know, you guys have had this in

1:46:19.439 --> 1:46:21.639
<v Speaker 1>your mind and in your hearts for a long time

1:46:21.800 --> 1:46:25.200
<v Speaker 1>before this ever happened. You know, you had it in

1:46:25.280 --> 1:46:28.479
<v Speaker 1>your head that yo niggas. We need to get these

1:46:28.520 --> 1:46:31.800
<v Speaker 1>niggas some kind of recognition anything. It's some kind of

1:46:31.960 --> 1:46:35.559
<v Speaker 1>and and it's contagious. I mean, like you didn't create

1:46:35.640 --> 1:46:38.559
<v Speaker 1>the Turn, but not you. It's like Michael didn't create

1:46:38.640 --> 1:46:42.000
<v Speaker 1>the fucking Moonwalk, but you got everybody in the fucking

1:46:42.040 --> 1:46:45.639
<v Speaker 1>world doing you know what I mean, same thing with Legs.

1:46:45.640 --> 1:46:47.479
<v Speaker 1>He didn't start rock Steady Crew, but he's the face

1:46:47.520 --> 1:46:50.680
<v Speaker 1>of it. Wow, that's what's well, you know for us, man,

1:46:50.800 --> 1:46:54.160
<v Speaker 1>You know. Um, you know, like I said, we met

1:46:54.200 --> 1:46:56.960
<v Speaker 1>each other. You know, he was mixtape DJ and a

1:46:57.040 --> 1:46:59.240
<v Speaker 1>rep for for the label. So I used to come

1:46:59.280 --> 1:47:02.000
<v Speaker 1>out here all the time and me and him, me

1:47:02.160 --> 1:47:04.320
<v Speaker 1>just seeing like his pure hip hop ship, Like he

1:47:04.479 --> 1:47:06.920
<v Speaker 1>don't he just want to spend on vinyl. And I've

1:47:06.960 --> 1:47:09.120
<v Speaker 1>been trying to tell get Sarato or something. I don't

1:47:09.120 --> 1:47:18.840
<v Speaker 1>even got Seratto man at STO, nobody used come on,

1:47:21.560 --> 1:47:24.800
<v Speaker 1>they just because they sponsor, you don't mean to me

1:47:24.880 --> 1:47:28.679
<v Speaker 1>when I got so I'd like to put I really

1:47:29.000 --> 1:47:32.680
<v Speaker 1>like to tell the truth. Our show is about interviewing legends, right,

1:47:33.040 --> 1:47:36.080
<v Speaker 1>and I'm gonna be honest with you. You're a Raal

1:47:36.320 --> 1:47:39.600
<v Speaker 1>rail Rail first legend for real. You know what I'm saying, Like,

1:47:39.920 --> 1:47:42.360
<v Speaker 1>I don't disrespect to anybody that's ever been on this show,

1:47:42.800 --> 1:47:45.760
<v Speaker 1>but when you look at your history and like you said,

1:47:45.800 --> 1:47:49.560
<v Speaker 1>you you are the co creator. You know what I'm saying, like, like,

1:47:50.479 --> 1:47:52.479
<v Speaker 1>there's nothing that can take away from that. And I

1:47:52.600 --> 1:47:54.000
<v Speaker 1>just want to tell you that to your face, how

1:47:54.120 --> 1:47:56.800
<v Speaker 1>much we respect you, how much we love you, how

1:47:56.880 --> 1:47:59.480
<v Speaker 1>much we funk with you, and how much we appreciate

1:47:59.560 --> 1:48:02.800
<v Speaker 1>it because like I said, um, we've been doing this

1:48:02.880 --> 1:48:07.160
<v Speaker 1>almost six years. This is the funnest research you've ever done, because,

1:48:07.200 --> 1:48:09.719
<v Speaker 1>like I said, I every time I was looking at something,

1:48:10.360 --> 1:48:12.559
<v Speaker 1>I was learning something. And this is the reason why

1:48:12.560 --> 1:48:14.640
<v Speaker 1>I wanted to tell these new artists that you know,

1:48:15.840 --> 1:48:18.639
<v Speaker 1>you know you these new artists were reference of Michael Jordan.

1:48:18.680 --> 1:48:21.360
<v Speaker 1>They were like, like Jordan six like nigger, You wasn't

1:48:21.360 --> 1:48:24.200
<v Speaker 1>even born in Jordan. Why you don't know about grand

1:48:24.240 --> 1:48:27.200
<v Speaker 1>Master cast Why you don't know about grammars at Theodore,

1:48:27.320 --> 1:48:29.960
<v Speaker 1>Why you don't know about you know whatever, whatever, whatever?

1:48:30.040 --> 1:48:32.160
<v Speaker 1>And And it's like if you can do that with basketball,

1:48:32.240 --> 1:48:34.679
<v Speaker 1>you don't get paid off a basketball. You're little Dirk.

1:48:36.000 --> 1:48:38.080
<v Speaker 1>You get paid from m C and you get paid

1:48:38.160 --> 1:48:40.840
<v Speaker 1>from So wouldn't it be dope to go learn your

1:48:40.880 --> 1:48:43.120
<v Speaker 1>own fucking craft. One of the problem is the tree

1:48:43.240 --> 1:48:45.760
<v Speaker 1>was there when they came. They didn't care where the

1:48:46.120 --> 1:48:48.400
<v Speaker 1>roots were planted. They didn't want to know about the see,

1:48:48.479 --> 1:48:50.240
<v Speaker 1>they just wanted to know about the new leads. But

1:48:50.360 --> 1:48:53.759
<v Speaker 1>they wore the Michael Jordan's They wore it and then anything.

1:48:53.840 --> 1:48:55.920
<v Speaker 1>They wanted to know why the sixes were sixes, And

1:48:55.960 --> 1:48:58.040
<v Speaker 1>they want to know why the sevens were sevens and

1:48:58.120 --> 1:49:00.600
<v Speaker 1>why are they so famous. Why can't do that with

1:49:00.760 --> 1:49:03.960
<v Speaker 1>hip hop? Why you can't go back there and realize

1:49:04.439 --> 1:49:07.719
<v Speaker 1>that there was people that came before you. You understand

1:49:07.760 --> 1:49:10.080
<v Speaker 1>I'm saying, I'm I'm a I'm one of them. I

1:49:10.200 --> 1:49:11.960
<v Speaker 1>need to know about everything. If I like something, I

1:49:12.000 --> 1:49:14.639
<v Speaker 1>want to know from from the beginning to now. Yeah,

1:49:14.840 --> 1:49:16.880
<v Speaker 1>I'm like that. I love I love doing research. Now.

1:49:17.280 --> 1:49:19.120
<v Speaker 1>When we first started this, you do nothing. But now

1:49:19.200 --> 1:49:21.600
<v Speaker 1>I'm like, this is like, actually good. I know the

1:49:21.640 --> 1:49:25.360
<v Speaker 1>Google Now I didn't know the Google vote. It's knowledge,

1:49:25.439 --> 1:49:28.120
<v Speaker 1>that's the input. That's input, you know what I mean?

1:49:28.439 --> 1:49:36.559
<v Speaker 1>So let me ask you, do you do you feel appreciated? Uh? Yeah,

1:49:36.880 --> 1:49:43.600
<v Speaker 1>yeah I do. I do from from the community of

1:49:43.760 --> 1:49:50.519
<v Speaker 1>hip hop, I feel appreciated, right, Um, Friendships that I

1:49:50.680 --> 1:49:55.280
<v Speaker 1>made because of hip hop and because of people's appreciation

1:49:55.760 --> 1:49:58.640
<v Speaker 1>for for for me and in hip hop are the

1:49:58.760 --> 1:50:03.280
<v Speaker 1>things that you know, you know, our value and those

1:50:03.320 --> 1:50:05.600
<v Speaker 1>are the things that keep me involved and keep me

1:50:05.680 --> 1:50:10.839
<v Speaker 1>going and not just as a participant as an artist himself,

1:50:10.840 --> 1:50:13.519
<v Speaker 1>because right now, you know, I ain't running around still

1:50:13.560 --> 1:50:15.560
<v Speaker 1>trying to get a record deal, and those ships like that,

1:50:15.840 --> 1:50:17.840
<v Speaker 1>you know what I mean. I pick and choose what

1:50:18.000 --> 1:50:21.040
<v Speaker 1>I want to do, and hopefully I built up a

1:50:21.080 --> 1:50:24.040
<v Speaker 1>resume large enough. But you don't not to have to

1:50:24.080 --> 1:50:26.840
<v Speaker 1>prove nothing to anybody. You just look it up like

1:50:27.080 --> 1:50:30.800
<v Speaker 1>like you did, be like, Okay, that's that nigga, let's

1:50:30.800 --> 1:50:36.040
<v Speaker 1>bring him on the show. Oh yeah, yeah yeah, but yeah,

1:50:36.120 --> 1:50:39.320
<v Speaker 1>I definitely feel appreciated. I've made associate with people like

1:50:39.439 --> 1:50:42.680
<v Speaker 1>this brother, and he's connected me and you know, with

1:50:42.840 --> 1:50:46.120
<v Speaker 1>so many things and so many people because that's what

1:50:46.240 --> 1:50:50.880
<v Speaker 1>he does. He's like a fucking networker who you know,

1:50:52.120 --> 1:50:57.400
<v Speaker 1>no really really really one person go you go up

1:50:57.439 --> 1:51:01.559
<v Speaker 1>with one person, go through, and on the other side,

1:51:01.600 --> 1:51:04.000
<v Speaker 1>it's like this bunch like that like some ship over

1:51:04.040 --> 1:51:06.960
<v Speaker 1>there here, like you got two when you come out

1:51:07.000 --> 1:51:09.320
<v Speaker 1>here and you know everybody over there. And he lives

1:51:09.360 --> 1:51:16.519
<v Speaker 1>with yes with him, Yeah, he's downstairs. I'm upstairs in

1:51:16.520 --> 1:51:27.880
<v Speaker 1>the same room we look for Let's reduced on my

1:51:27.960 --> 1:51:37.880
<v Speaker 1>first album, Yes and the warri Point she did. Now,

1:51:38.640 --> 1:51:47.360
<v Speaker 1>I gotta ask you, do you remember a young Fat Joe? Yeah?

1:51:47.960 --> 1:51:50.920
<v Speaker 1>Fat Joe grew up in the neighborhood that I grew

1:51:51.000 --> 1:51:56.640
<v Speaker 1>up in. But you know, years later, okay, um, my

1:51:56.840 --> 1:52:03.920
<v Speaker 1>first knowledge of Fat Joe. He had a crew called

1:52:04.000 --> 1:52:09.360
<v Speaker 1>Full Eclipso okay. And one of the members of full

1:52:09.439 --> 1:52:16.640
<v Speaker 1>Eclips was family too, one of my son's mother. So,

1:52:17.640 --> 1:52:20.720
<v Speaker 1>I mean, this ship is crazy, man, any question you

1:52:20.840 --> 1:52:25.479
<v Speaker 1>asked me, I can connect to myself somewhere. I'm not

1:52:25.560 --> 1:52:28.560
<v Speaker 1>trying to do this ship. You do it perfect. You

1:52:28.640 --> 1:52:31.360
<v Speaker 1>deserve your flowers. Be game to you too. Put on

1:52:31.479 --> 1:52:33.559
<v Speaker 1>that case. Look at that case. That's real real flowers.

1:52:33.680 --> 1:52:38.519
<v Speaker 1>That's real flower last five years and mynas goal just

1:52:39.479 --> 1:52:41.880
<v Speaker 1>but but but that's how that's how I first found

1:52:41.920 --> 1:52:43.600
<v Speaker 1>out about Fat Joe. You know what he told me,

1:52:43.680 --> 1:52:45.280
<v Speaker 1>you know what I mean, this and that this and

1:52:45.320 --> 1:52:47.519
<v Speaker 1>that my nephew is down with you know this guy

1:52:47.600 --> 1:52:49.559
<v Speaker 1>Fat Joe and such and such, And I'm like, okay,

1:52:49.640 --> 1:52:52.360
<v Speaker 1>And then you know the songs I would you know,

1:52:52.479 --> 1:52:55.160
<v Speaker 1>start coming out of this and that other people care arrests,

1:52:55.479 --> 1:52:58.719
<v Speaker 1>start talking about him. So of course you wrapped the bronx.

1:52:58.840 --> 1:53:02.080
<v Speaker 1>I know about you. I'm somewhere near close for watching,

1:53:02.360 --> 1:53:04.800
<v Speaker 1>you know what I mean. So I've been about three

1:53:04.840 --> 1:53:09.479
<v Speaker 1>of Joe's videos. Probably didn't notice whatever, So let me

1:53:09.600 --> 1:53:12.240
<v Speaker 1>let me ask you. And this is probably a generic question.

1:53:13.120 --> 1:53:15.960
<v Speaker 1>This Curtis Blow named Curtis Blow because he was doing

1:53:16.040 --> 1:53:22.120
<v Speaker 1>Curtis blow I mean it's that's a legit question though.

1:53:22.360 --> 1:53:24.439
<v Speaker 1>I mean, that's there's a reason why Superhead is Superhead.

1:53:26.600 --> 1:53:29.600
<v Speaker 1>Maybe she was a superhero. Bro that's not for me

1:53:29.720 --> 1:53:32.200
<v Speaker 1>to say. I mean, it's the rule was. Come on,

1:53:32.880 --> 1:53:35.040
<v Speaker 1>I even got round. I got you know, I funk

1:53:35.080 --> 1:53:37.519
<v Speaker 1>with music when i'm DJ and and I like make

1:53:37.600 --> 1:53:46.040
<v Speaker 1>references to like, yo, you know Curtis Blowy. But no,

1:53:46.240 --> 1:53:48.000
<v Speaker 1>I mean no, I don't. I don't think that's why

1:53:48.080 --> 1:53:50.880
<v Speaker 1>his name is Curtis blow And when you Curtis, Let's

1:53:50.880 --> 1:53:53.800
<v Speaker 1>be clear. Back in the days, cold was considered like

1:53:54.760 --> 1:53:58.960
<v Speaker 1>that was like, oh definitely was Liken the coach started,

1:53:59.080 --> 1:54:03.800
<v Speaker 1>you know, becoming you know, available to like to hip hop.

1:54:04.720 --> 1:54:07.240
<v Speaker 1>You've been a studio fifty four? Yeah? Yeah, how was it?

1:54:07.240 --> 1:54:10.000
<v Speaker 1>I never thinkerpop? She was Wow, she was wild. She

1:54:10.040 --> 1:54:12.439
<v Speaker 1>think upop something the studio? Futyore did I or what

1:54:12.640 --> 1:54:17.200
<v Speaker 1>I did? You did? I know? What would you? I

1:54:17.240 --> 1:54:25.880
<v Speaker 1>went up? Yo? What it's been good. I'm a tune

1:54:25.880 --> 1:54:28.120
<v Speaker 1>of baby at you making the studio before I went

1:54:28.280 --> 1:54:29.960
<v Speaker 1>up in a few people in the Lime like that.

1:54:31.439 --> 1:54:32.960
<v Speaker 1>You know the Lime light is open right now. It's

1:54:33.000 --> 1:54:38.200
<v Speaker 1>Jude Long Club. Get the fut it's the church, that's

1:54:38.280 --> 1:54:42.920
<v Speaker 1>that restaurant is that's not like yo. Yeah, by the way,

1:54:42.960 --> 1:54:45.120
<v Speaker 1>New York seen me the city in the world. We

1:54:45.480 --> 1:54:50.400
<v Speaker 1>made a club of church exactly. How how do you

1:54:50.560 --> 1:54:53.960
<v Speaker 1>knowing that? For twenty five years, no one thought like, yo,

1:54:54.080 --> 1:54:57.760
<v Speaker 1>this is yo. That kind of y'all did not ignore it.

1:54:57.840 --> 1:55:00.080
<v Speaker 1>Y'all knew what you're walking into a church. Ignore it.

1:55:00.320 --> 1:55:01.880
<v Speaker 1>Act like I didn't know where I was at. He

1:55:01.960 --> 1:55:08.600
<v Speaker 1>became you know, you have to walk past a lot

1:55:08.720 --> 1:55:13.160
<v Speaker 1>of things that were like that. You don't do in

1:55:13.280 --> 1:55:17.280
<v Speaker 1>that motherfucker there. Well do you think and this is

1:55:17.480 --> 1:55:21.360
<v Speaker 1>a generic question, but at one point, in order to

1:55:21.440 --> 1:55:23.680
<v Speaker 1>be an artist who had to perform in New York City,

1:55:23.960 --> 1:55:27.280
<v Speaker 1>Latin quarters, the couple cabanas, all of this, Oh yeah,

1:55:27.520 --> 1:55:29.560
<v Speaker 1>it was there was like a what do you call it?

1:55:29.680 --> 1:55:33.440
<v Speaker 1>The chicken the chipling circuit. There was a chipling circuit

1:55:33.480 --> 1:55:40.160
<v Speaker 1>in hip hop down South. No, but I'm making reference

1:55:40.280 --> 1:55:42.480
<v Speaker 1>to that, but it was the same kind of mentality.

1:55:42.520 --> 1:55:44.480
<v Speaker 1>It was like, all right, you gotta play here. Now,

1:55:44.600 --> 1:55:46.840
<v Speaker 1>you gotta play You want to expose up here uptown,

1:55:46.880 --> 1:55:49.000
<v Speaker 1>you gotta go play here, all right? You want them

1:55:49.040 --> 1:55:51.000
<v Speaker 1>to know you down and over to such such you

1:55:51.080 --> 1:55:54.200
<v Speaker 1>gotta play here and then you do that until the

1:55:54.480 --> 1:55:57.400
<v Speaker 1>man picks up for you. Now, now people call you

1:55:57.720 --> 1:55:59.600
<v Speaker 1>to where they want you want you to come back

1:55:59.680 --> 1:56:01.960
<v Speaker 1>to over here, But I want you to go back

1:56:02.040 --> 1:56:04.160
<v Speaker 1>to over here. Yeah, I mean, we was one of

1:56:04.240 --> 1:56:07.960
<v Speaker 1>the first caster just start going outside of the city limits,

1:56:08.320 --> 1:56:14.160
<v Speaker 1>you know what I mean. Bronx west Chester, Connecticut, Jersey.

1:56:14.480 --> 1:56:16.560
<v Speaker 1>You know what I mean. We had parties in each

1:56:16.640 --> 1:56:19.040
<v Speaker 1>town every time everybody who had a skating rink, we

1:56:19.200 --> 1:56:23.360
<v Speaker 1>was in that motherfucker perform at Bridgeport, Connecticut, New Haven, Connecticut.

1:56:23.480 --> 1:56:28.800
<v Speaker 1>They're very Connecticut. Or I mean, I got arrested in Chickapee, Massachusetts.

1:56:28.960 --> 1:56:35.200
<v Speaker 1>There's fired for having spikes on, having spikes on you know,

1:56:35.320 --> 1:56:37.280
<v Speaker 1>you know we used to wear that spice. You know

1:56:40.720 --> 1:56:45.080
<v Speaker 1>your money though, because Lubaton took yall spikes ship and

1:56:45.200 --> 1:56:48.000
<v Speaker 1>made a hip hop again. But then they put it

1:56:48.080 --> 1:56:51.560
<v Speaker 1>on shoes, said you liked shoes. No, One of my

1:56:51.600 --> 1:56:54.400
<v Speaker 1>favorite lines is one of yours. What Lubaton sneakers with

1:56:54.480 --> 1:56:58.600
<v Speaker 1>the spikes for the wear those I don't wear tho?

1:57:00.840 --> 1:57:04.520
<v Speaker 1>I think even knowing that, Yeah, yeah, but but damn wrestler,

1:57:04.880 --> 1:57:06.680
<v Speaker 1>you just you just a rich sneaker would running around

1:57:06.680 --> 1:57:08.840
<v Speaker 1>with s Gards. This is I had him, I had

1:57:08.920 --> 1:57:10.320
<v Speaker 1>it brought in. You know what is that kind of

1:57:10.360 --> 1:57:13.400
<v Speaker 1>s Gards? That's Romeo and Juliet Oh. I love Roman,

1:57:13.960 --> 1:57:18.520
<v Speaker 1>Thank you, thank This is this is a Judio and Fulia.

1:57:22.080 --> 1:57:23.960
<v Speaker 1>They wrote from the same people. I threw him in

1:57:24.000 --> 1:57:29.000
<v Speaker 1>from Peru. He's a Peruvian wrestler and he wrote weed

1:57:29.040 --> 1:57:35.480
<v Speaker 1>on the side. You know what I mean, I job,

1:57:35.600 --> 1:57:39.400
<v Speaker 1>what a job? I got a job, like said the

1:57:39.440 --> 1:57:43.200
<v Speaker 1>Peruvian prince, the king of Kaludes. Okay, I didn't catch

1:57:43.280 --> 1:57:45.400
<v Speaker 1>that line back in the days. Now it makes sense

1:57:45.480 --> 1:57:49.920
<v Speaker 1>there you go, now what I mean. So yo, guys,

1:57:50.040 --> 1:57:54.760
<v Speaker 1>because this is this is really truly an honor man

1:57:54.840 --> 1:57:56.400
<v Speaker 1>when I really look like I did, like I said,

1:57:56.400 --> 1:57:59.680
<v Speaker 1>I did the research and I'm seeing that and I'm

1:57:59.720 --> 1:58:03.040
<v Speaker 1>seeing these parties like hip hop got to see m

1:58:09.160 --> 1:58:11.600
<v Speaker 1>I actually don't know how to articulate this, but what

1:58:11.680 --> 1:58:18.240
<v Speaker 1>I'm saying is, but what you gotta what kind of cigars? That? Yeah,

1:58:19.040 --> 1:58:26.280
<v Speaker 1>it's from Puerto Rico, the country makes Yeah, this looks nice. Okay, Okay,

1:58:27.280 --> 1:58:29.440
<v Speaker 1>I spoke to I love the spoken that man wanted

1:58:29.480 --> 1:58:36.480
<v Speaker 1>them that looked like the christwn little so hip hop.

1:58:36.560 --> 1:58:38.320
<v Speaker 1>I actually, did you ever think of hip hop? Make

1:58:38.360 --> 1:58:41.080
<v Speaker 1>it this fall? And you said no, I didn't. I

1:58:41.200 --> 1:58:43.320
<v Speaker 1>didn't like I said. If I would, I would have

1:58:43.400 --> 1:58:47.360
<v Speaker 1>invested in it. You know, the people who couldn't do

1:58:47.440 --> 1:58:52.800
<v Speaker 1>what we did did what we couldn't do. That I'm

1:58:52.800 --> 1:58:55.000
<v Speaker 1>gonna say it one one time. The people who couldn't

1:58:55.040 --> 1:58:58.320
<v Speaker 1>do what we did did what we couldn't do. And

1:59:00.240 --> 1:59:05.240
<v Speaker 1>Russell Simmons can't rap, can't break dance, that's a great transitor.

1:59:05.400 --> 1:59:11.160
<v Speaker 1>Can't dj, you know what I mean. He can't do graffitia,

1:59:12.200 --> 1:59:13.800
<v Speaker 1>So what was your first But he did go to

1:59:13.920 --> 1:59:16.360
<v Speaker 1>college and he did get a degree, and he did

1:59:17.160 --> 1:59:23.200
<v Speaker 1>he understands the business of business, business and so he

1:59:23.320 --> 1:59:29.440
<v Speaker 1>took that and uh, the rest is history. So it

1:59:29.560 --> 1:59:31.720
<v Speaker 1>was your first impression, like when you see in Russell

1:59:31.800 --> 1:59:35.360
<v Speaker 1>coming around, Because there were other than um. When we

1:59:35.400 --> 1:59:37.240
<v Speaker 1>spoke about earlier, the sugar Hill Gang, I think you

1:59:37.320 --> 1:59:41.400
<v Speaker 1>said her name was Sylvia, Sylvia Robbins, Sylvia Robinson. Other

1:59:41.480 --> 1:59:44.360
<v Speaker 1>than that, there wasn't a lot of black executives. I

1:59:44.440 --> 1:59:47.840
<v Speaker 1>was imagine that sugar Hill Gang was probably the first ones. Well,

1:59:48.080 --> 1:59:54.800
<v Speaker 1>I mean, oh yeah, because they were independent labels Okay,

1:59:54.880 --> 1:59:58.800
<v Speaker 1>you gotta understand, um, major labels would not funk with

1:59:59.000 --> 2:00:01.880
<v Speaker 1>hip hop, and earlier days they didn't believe in it.

2:00:02.000 --> 2:00:03.840
<v Speaker 1>They didn't think it would last. They thought it was

2:00:03.960 --> 2:00:06.480
<v Speaker 1>just a fad or a trend or whatever, and they

2:00:06.520 --> 2:00:09.360
<v Speaker 1>didn't want to invest in it. Curtis Blow was the

2:00:09.480 --> 2:00:13.720
<v Speaker 1>first hip hop artist to a sign to a major label.

2:00:14.080 --> 2:00:17.880
<v Speaker 1>Had Christmas Wrap Christmas Trap and didn't come out before

2:00:18.040 --> 2:00:20.720
<v Speaker 1>the break later on. So let me ask y'all. Let

2:00:20.760 --> 2:00:25.440
<v Speaker 1>me ask y'all that you definitely particularly wasn't that kind

2:00:25.480 --> 2:00:28.280
<v Speaker 1>of commercial to make a rap about Christmas. You've got

2:00:28.360 --> 2:00:32.440
<v Speaker 1>them right. But guess what, all right, guess what every

2:00:32.560 --> 2:00:39.200
<v Speaker 1>year after Thanksgiving that record plays from that day on

2:00:39.640 --> 2:00:45.040
<v Speaker 1>motherfucker all the way to Christmas New Year, over and

2:00:45.240 --> 2:00:49.840
<v Speaker 1>over and over. So you tell me we love you.

2:00:49.920 --> 2:00:52.040
<v Speaker 1>Curtis Blow got damn smart, you know what I mean?

2:00:52.160 --> 2:00:56.840
<v Speaker 1>That was smart And that was one of the advantages

2:00:56.960 --> 2:01:01.040
<v Speaker 1>that having a major label behind ain't you. You got

2:01:01.160 --> 2:01:04.320
<v Speaker 1>a team, You got people who know the music business

2:01:04.440 --> 2:01:07.480
<v Speaker 1>behind you. They're gonna hire the people that you need.

2:01:07.800 --> 2:01:10.680
<v Speaker 1>They're gonna hire a fucking band, they're gonna hire producers,

2:01:10.720 --> 2:01:12.920
<v Speaker 1>they're gonna hire if you need this. They're gonna bring

2:01:13.040 --> 2:01:15.280
<v Speaker 1>that in. They're gonna all that. So you got all that.

2:01:15.440 --> 2:01:20.839
<v Speaker 1>How the fun can you miss? As opposed to somebody

2:01:20.880 --> 2:01:23.880
<v Speaker 1>who's doing something independently, even though they're doing better work

2:01:24.200 --> 2:01:27.320
<v Speaker 1>independent artists are doing. I mean, come on, Bobby, the

2:01:27.440 --> 2:01:32.080
<v Speaker 1>ship that the Enjoy Records that they did Pumpkin and

2:01:32.200 --> 2:01:35.280
<v Speaker 1>All Stars, their bandage they did on is fucking incredible,

2:01:36.400 --> 2:01:39.480
<v Speaker 1>and at some point that ship is gonna be I

2:01:39.560 --> 2:01:44.520
<v Speaker 1>mean it's it's legendary, it's legendary. Sugar Hill Band, the

2:01:44.640 --> 2:01:48.920
<v Speaker 1>sugar Hill ban that they did for sugar Hill Records, yeah,

2:01:49.320 --> 2:01:52.760
<v Speaker 1>not sugar Gang, the band that played with the Gang

2:01:52.840 --> 2:01:56.480
<v Speaker 1>that stole by record. And then do Booty, Yeah, do

2:01:56.680 --> 2:02:01.600
<v Speaker 1>Booty who wrote the message? Not not that duke Booty,

2:02:02.160 --> 2:02:07.040
<v Speaker 1>not a dooky booty, but you just hit me with

2:02:07.120 --> 2:02:09.920
<v Speaker 1>two balls. First of all, you name it a dude

2:02:10.000 --> 2:02:13.840
<v Speaker 1>named duke Booty, that's one. But then he's there, he

2:02:14.000 --> 2:02:22.120
<v Speaker 1>wrote the message. Don't push me. I'm close to them,

2:02:22.440 --> 2:02:29.080
<v Speaker 1>Try and not to lose mind right there. Wait wait wait, wait,

2:02:29.560 --> 2:02:32.200
<v Speaker 1>wait wait, you're going too far right now, I'm hearing

2:02:32.480 --> 2:02:42.400
<v Speaker 1>good not trying to cameraman, just got happy to singing reggae.

2:02:45.880 --> 2:02:51.880
<v Speaker 1>Holy Moly, mo, I don't know where you're going with this, kid. Booty,

2:02:53.880 --> 2:02:55.840
<v Speaker 1>by the way, we just gotta say Pauls every time.

2:02:57.800 --> 2:03:01.200
<v Speaker 1>That's rest in peace. Duke Booty Okay was a member

2:03:01.240 --> 2:03:06.600
<v Speaker 1>of sugar Hill Band and he wrote um the message

2:03:07.920 --> 2:03:12.320
<v Speaker 1>and Sylvia Robinson wanted the sugar Hill Gang to do it,

2:03:12.880 --> 2:03:15.320
<v Speaker 1>but they didn't want to do it. She was too slow.

2:03:15.440 --> 2:03:19.000
<v Speaker 1>A matter of fact, nobody wanted to do it, and

2:03:20.520 --> 2:03:24.360
<v Speaker 1>so Duke Booty did it, and they put Mellie melt

2:03:24.600 --> 2:03:28.680
<v Speaker 1>on it to do the rhyme that he did broken Glass,

2:03:29.360 --> 2:03:33.440
<v Speaker 1>So he wrote Melly's no book Glass everywhere that ain't

2:03:34.360 --> 2:03:42.000
<v Speaker 1>do Booty wrote that the whole song did mel right anything,

2:03:42.200 --> 2:03:49.720
<v Speaker 1>don't push me. Duke Booty wrote that the music for

2:03:49.760 --> 2:03:52.560
<v Speaker 1>a Grand Master Ustion figs five. His name was ed

2:03:52.640 --> 2:03:58.680
<v Speaker 1>Fletcher May he rested. That's Duke Booty and know that

2:03:58.840 --> 2:04:01.840
<v Speaker 1>what Mellie. I'm sorry, I'm gonna say. Davy d did

2:04:01.880 --> 2:04:05.280
<v Speaker 1>the music for I Fire Ruled the World, all right.

2:04:05.360 --> 2:04:13.520
<v Speaker 1>That's a whole nother sorry different Dective. So yeah, it was.

2:04:13.640 --> 2:04:17.320
<v Speaker 1>It was his idea and his song, and Sylvia wanted

2:04:17.360 --> 2:04:19.120
<v Speaker 1>to Sugar Gang to do it. They don't want to

2:04:19.200 --> 2:04:21.440
<v Speaker 1>do it. Want the Furious Five do it. They didn't

2:04:21.480 --> 2:04:23.320
<v Speaker 1>want to do it, so she got Mel to do it.

2:04:24.480 --> 2:04:27.840
<v Speaker 1>We do booty. So Meller is reciting do booties. You know,

2:04:27.960 --> 2:04:32.320
<v Speaker 1>broken glass everywhere people pissing up. Mel wrote the last

2:04:32.560 --> 2:04:36.320
<v Speaker 1>verse in the message child is born with no state

2:04:36.400 --> 2:04:39.400
<v Speaker 1>of mind, blind to the way. He's a man God

2:04:40.000 --> 2:04:45.880
<v Speaker 1>that smell And that was taken from super rapping from

2:04:46.000 --> 2:04:50.880
<v Speaker 1>this song with the Furious Five on Enjoy Records. Damn,

2:04:51.680 --> 2:04:58.360
<v Speaker 1>that record was two sides, so super rapping part one.

2:05:00.000 --> 2:05:04.240
<v Speaker 1>It was like twenty minutes each side, just NonStop rapping,

2:05:05.000 --> 2:05:09.160
<v Speaker 1>was super rapping. It was super rapping. So I mean

2:05:09.920 --> 2:05:13.600
<v Speaker 1>you didn't know that, right, yeah? Yeah? So And like

2:05:13.720 --> 2:05:15.960
<v Speaker 1>I said, rest in peace to d Fletcher and his family,

2:05:16.040 --> 2:05:18.600
<v Speaker 1>you know what I mean. He just passed away recently.

2:05:18.800 --> 2:05:20.760
<v Speaker 1>So what's that Like the thing back then is to

2:05:20.840 --> 2:05:27.280
<v Speaker 1>have somebody else because that's like never that was what

2:05:27.400 --> 2:05:30.800
<v Speaker 1>you're saying. That's partly the record ship. Thank you, thank you,

2:05:30.920 --> 2:05:34.280
<v Speaker 1>thank you. If you gotta understand that, prior to the

2:05:34.400 --> 2:05:37.560
<v Speaker 1>record industry being involved in hip hop, there was certain

2:05:37.680 --> 2:05:39.720
<v Speaker 1>ethics and ship, you know what I mean, there was

2:05:40.000 --> 2:05:43.560
<v Speaker 1>like a code you know written or unwritten, you know

2:05:43.600 --> 2:05:45.640
<v Speaker 1>what I mean, you don't bite people ship, you know

2:05:45.640 --> 2:05:47.600
<v Speaker 1>what I mean, You got ridiculed for that ship. There

2:05:47.720 --> 2:05:50.560
<v Speaker 1>was nothing written down that said that. But nigger, you

2:05:50.600 --> 2:05:54.360
<v Speaker 1>don't do ship like that. That's how it was so

2:05:54.520 --> 2:05:56.960
<v Speaker 1>for somebody to say somebody else ship and then I

2:05:57.040 --> 2:06:00.920
<v Speaker 1>mean in a big forum and and and you know

2:06:01.000 --> 2:06:03.760
<v Speaker 1>what I mean, like benefit from that actually was unheard of.

2:06:04.440 --> 2:06:07.200
<v Speaker 1>You get ridiculed for that type ship. But the record

2:06:07.240 --> 2:06:11.520
<v Speaker 1>industry don't have no fucking rules, they don't have no morals.

2:06:11.880 --> 2:06:16.720
<v Speaker 1>And that was considered the first reality rap pretty much

2:06:17.120 --> 2:06:21.200
<v Speaker 1>pretty much. Ye, the message is considered the first one

2:06:21.280 --> 2:06:24.120
<v Speaker 1>that dealt with you know, urban issues and the consitions

2:06:24.240 --> 2:06:27.160
<v Speaker 1>that existed, you know, in our neighborhoods and ship like that.

2:06:27.560 --> 2:06:31.280
<v Speaker 1>It was I mean it fucking Grammy Hall of Fame,

2:06:31.600 --> 2:06:33.800
<v Speaker 1>Rock and Roll Hall of Fame, you know what I mean,

2:06:34.200 --> 2:06:37.120
<v Speaker 1>from that record alone, these guys, you know, not just

2:06:37.320 --> 2:06:39.640
<v Speaker 1>that but and the rest of the thing they've done,

2:06:40.200 --> 2:06:44.200
<v Speaker 1>you know, but that being the pinnacle that that message.

2:06:44.880 --> 2:06:47.360
<v Speaker 1>But and y'all were cool back there because like it

2:06:47.520 --> 2:06:51.240
<v Speaker 1>was like a little drama between the crews. We wasn't cool, No,

2:06:54.440 --> 2:07:00.240
<v Speaker 1>it wasn't cool. It wasn't cool. You gotta understand, you

2:07:00.320 --> 2:07:04.320
<v Speaker 1>gotta understand um when Melling mellan them, and and when

2:07:04.360 --> 2:07:07.080
<v Speaker 1>the Furious Five, I keep saying, that's my brother. But

2:07:07.520 --> 2:07:11.280
<v Speaker 1>when the Furious Five got signed sugar Hill, they left

2:07:11.800 --> 2:07:14.960
<v Speaker 1>the streets. Prior to that, we was all in the streets.

2:07:15.640 --> 2:07:18.360
<v Speaker 1>We was all by info. Who's the best in the Bronx,

2:07:18.400 --> 2:07:20.400
<v Speaker 1>So who's the best in the New York or who

2:07:20.800 --> 2:07:23.040
<v Speaker 1>you know what I mean? Doing these different you know,

2:07:23.680 --> 2:07:26.480
<v Speaker 1>And once they got signed, they left and then once

2:07:26.520 --> 2:07:29.400
<v Speaker 1>they saw going on a tour, there was nobody left.

2:07:30.880 --> 2:07:34.800
<v Speaker 1>So we would like scrambling to to fill that vote. Well,

2:07:34.880 --> 2:07:37.720
<v Speaker 1>were the next niggers after them? That's gonna take the throne?

2:07:37.840 --> 2:07:40.640
<v Speaker 1>Or whoever's the best in New York I mean. So

2:07:40.840 --> 2:07:45.360
<v Speaker 1>that was the Fantastic Five and us the Funky Four

2:07:45.480 --> 2:07:47.480
<v Speaker 1>had got signed the sugar Hill as well, so it

2:07:47.680 --> 2:07:51.320
<v Speaker 1>was off with the Furious Five Jersey label at the time,

2:07:51.640 --> 2:07:54.880
<v Speaker 1>it was a Jersey label, but it was the factory

2:07:55.640 --> 2:07:59.120
<v Speaker 1>that they were recording all this Now and we're still

2:07:59.480 --> 2:08:03.760
<v Speaker 1>doing jam in all the world ship like that. Well

2:08:03.800 --> 2:08:07.400
<v Speaker 1>we're doing shows and getting paid, but we're still doing

2:08:07.440 --> 2:08:13.080
<v Speaker 1>a lot of performances. We're not signed on tour. This

2:08:13.280 --> 2:08:20.080
<v Speaker 1>is amazing, this is then you've got Treacherous three. Yeah.

2:08:20.120 --> 2:08:22.640
<v Speaker 1>I love how you change the subject. What's what I'm

2:08:22.640 --> 2:08:24.960
<v Speaker 1>just saying to keep it moving. I'm saying, you got

2:08:25.520 --> 2:08:27.400
<v Speaker 1>and then got signed who they get signed to? They

2:08:27.480 --> 2:08:29.600
<v Speaker 1>got shign to sugar Hill because most of the most

2:08:29.680 --> 2:08:33.600
<v Speaker 1>of the acts that were first signed to. It's crazy.

2:08:33.680 --> 2:08:37.320
<v Speaker 1>It's like a migration from whatever group you and now

2:08:37.680 --> 2:08:39.600
<v Speaker 1>to the next group that's gonna take you the way

2:08:39.640 --> 2:08:42.480
<v Speaker 1>you want to go, even from history. Yeah, it was

2:08:42.520 --> 2:08:46.000
<v Speaker 1>group popping my first MCS. You know, when they left me,

2:08:46.120 --> 2:08:48.280
<v Speaker 1>they went to d J Charlie Chase. And when they

2:08:48.360 --> 2:08:51.280
<v Speaker 1>left Charlie chasing them, they went to the Fantastic or

2:08:51.360 --> 2:08:53.120
<v Speaker 1>they went to keV Kevin them and they became the

2:08:53.200 --> 2:08:56.440
<v Speaker 1>Fantastic Five. Yeah. I mean, and it's the same with

2:08:56.560 --> 2:08:59.480
<v Speaker 1>this ship right here. It's like you know, you you know,

2:08:59.560 --> 2:09:01.720
<v Speaker 1>group happen to get to where the fun you're trying

2:09:01.720 --> 2:09:05.440
<v Speaker 1>to go. And Sequence was on sugar Hill, and Sequence

2:09:05.480 --> 2:09:08.640
<v Speaker 1>had Angie Stone in the group. Really, Andie Stone was

2:09:08.640 --> 2:09:13.280
<v Speaker 1>part of Sequence. You ain't know that and Stone and Stone,

2:09:13.320 --> 2:09:19.560
<v Speaker 1>Angie Stone and Baby Mama and he's seventy nine. I'm

2:09:19.600 --> 2:09:24.600
<v Speaker 1>going funk you right on the Little fun She says

2:09:24.640 --> 2:09:40.320
<v Speaker 1>in Everything Record, Wow, Stone, I would have never thought. Okay,

2:09:40.520 --> 2:09:44.120
<v Speaker 1>and she smashed the Angelo. Let's be clear. Definitely got

2:09:44.200 --> 2:09:47.240
<v Speaker 1>a baby, Definitely got a But yes, you have to

2:09:47.280 --> 2:09:51.360
<v Speaker 1>be something. That's what Stone on drink ch we do

2:09:51.880 --> 2:09:57.400
<v Speaker 1>we do and Angelo not to get before d' angelo.

2:09:57.920 --> 2:10:00.920
<v Speaker 1>Andre Stone married to a little rod they see from

2:10:00.920 --> 2:10:07.520
<v Speaker 1>the Funky four plus one see it Rodney Stone. Okay,

2:10:07.600 --> 2:10:12.800
<v Speaker 1>that's a lot of people. Hey, listen, you ain't got

2:10:12.840 --> 2:10:19.360
<v Speaker 1>me up here for no fucking reason. No ship, and

2:10:19.400 --> 2:10:26.440
<v Speaker 1>I ain't saying ship people don't already know. But like God,

2:10:26.880 --> 2:10:30.760
<v Speaker 1>why don't mean Google? We got the real got this

2:10:30.880 --> 2:10:37.520
<v Speaker 1>Google right, grand Master Google. Let me ask Google master cast.

2:10:37.880 --> 2:10:39.640
<v Speaker 1>Let me ask you right. If you could put the

2:10:39.760 --> 2:10:43.600
<v Speaker 1>five everyone always asked the top five dead are alive?

2:10:43.760 --> 2:10:47.560
<v Speaker 1>I'm not going to ask you that. What is if

2:10:47.640 --> 2:10:52.760
<v Speaker 1>you could put the top five fathers and hip hop fathers,

2:10:52.880 --> 2:10:58.040
<v Speaker 1>like how the FBI got you know, FBI w Dobie wanted.

2:10:58.680 --> 2:11:02.800
<v Speaker 1>They'll put They'll with Gotti head and help with I'll

2:11:02.880 --> 2:11:07.720
<v Speaker 1>copy down and signillary and all that. If you could

2:11:07.760 --> 2:11:14.920
<v Speaker 1>do yours the top five hop fathers and godfathers. I

2:11:14.960 --> 2:11:19.440
<v Speaker 1>would like to hear it in order. You don't have

2:11:19.480 --> 2:11:21.520
<v Speaker 1>to be in order. It has to be if you're

2:11:21.520 --> 2:11:23.720
<v Speaker 1>putting in that way, that's not the man. You're saying

2:11:23.840 --> 2:11:26.200
<v Speaker 1>godfather and father. There's got to be in some kind

2:11:26.240 --> 2:11:29.640
<v Speaker 1>of order, Okay, But you can't have the godfather before

2:11:29.680 --> 2:11:34.080
<v Speaker 1>the father before the all. It all, it all, it

2:11:34.200 --> 2:11:38.680
<v Speaker 1>all starts with Core. Write for me and for everybody,

2:11:38.840 --> 2:11:41.200
<v Speaker 1>that's where I come from. I'm on the west side

2:11:41.240 --> 2:11:43.120
<v Speaker 1>of the Bronx. I lived up on the next block

2:11:43.240 --> 2:11:47.840
<v Speaker 1>from Core Centwick Avenue, fail in Place. Okay. So when

2:11:47.840 --> 2:11:50.840
<v Speaker 1>I was young and impressionable and the block would clear

2:11:50.920 --> 2:11:53.000
<v Speaker 1>out and go down to fucking block all, you know,

2:11:53.160 --> 2:11:54.680
<v Speaker 1>the whole block of clear out, I'll be like, what

2:11:54.800 --> 2:11:56.880
<v Speaker 1>the funk is going on? But I'm you know, I'm

2:11:57.160 --> 2:12:01.400
<v Speaker 1>thirteen fifteen. You we're going to cool Hirk party. We're

2:12:01.400 --> 2:12:04.400
<v Speaker 1>going to cool Hirk party. So I wasn't able to

2:12:04.480 --> 2:12:07.520
<v Speaker 1>go to cool work party. But you know what I mean,

2:12:07.640 --> 2:12:10.000
<v Speaker 1>I'm like, this must be some ship. And then when

2:12:10.040 --> 2:12:12.800
<v Speaker 1>he started playing outside, I got the opportunity to see him,

2:12:12.840 --> 2:12:17.560
<v Speaker 1>and from that time, you know, I aspired to be

2:12:17.680 --> 2:12:19.880
<v Speaker 1>a DJ like Cool Hurt, you know what I mean,

2:12:20.080 --> 2:12:24.840
<v Speaker 1>and everybody else once they caught the bug that we

2:12:24.960 --> 2:12:29.240
<v Speaker 1>call hip hop. Now, um, we're mainly inspired by by

2:12:29.400 --> 2:12:32.040
<v Speaker 1>Cool Hurt, you know what I mean. Everybody else popped

2:12:32.120 --> 2:12:35.080
<v Speaker 1>up afterwards and popped up, you know, as a result

2:12:35.200 --> 2:12:38.640
<v Speaker 1>of or or c N or being inspired by and like, yo,

2:12:38.720 --> 2:12:42.240
<v Speaker 1>I want to do that. So you know the Blackout

2:12:42.440 --> 2:12:45.040
<v Speaker 1>seventy seven, that's when you got your equipment. You know,

2:12:45.200 --> 2:12:53.720
<v Speaker 1>I have my equipment already, but I got before. You

2:12:53.800 --> 2:12:56.560
<v Speaker 1>know what I'm saying, because it's just a focused So

2:12:56.760 --> 2:13:01.600
<v Speaker 1>we got Cool Hirk. He your father, the father. He

2:13:01.760 --> 2:13:04.960
<v Speaker 1>is the father, or the grandfather, to be even more correct,

2:13:05.080 --> 2:13:08.720
<v Speaker 1>the fall. Let's give him the fall. He's the father. Yeah, now,

2:13:08.880 --> 2:13:13.320
<v Speaker 1>as you go on, grandfather, but but originally father. You

2:13:13.480 --> 2:13:15.680
<v Speaker 1>got this is I ain't talking about the world of

2:13:15.760 --> 2:13:19.560
<v Speaker 1>hip hop to rad maaster cast what was your name? Casting?

2:13:19.600 --> 2:13:23.720
<v Speaker 1>Noble fly A S and the O V A and

2:13:23.880 --> 2:13:26.960
<v Speaker 1>the rest is fl I still think we deserve royalties

2:13:26.960 --> 2:13:29.640
<v Speaker 1>off that. Yeah, listen, we're gonna ship. We need to

2:13:29.680 --> 2:13:34.480
<v Speaker 1>figure that out. I like Leland Robinson, somebody she's gonna

2:13:34.520 --> 2:13:37.760
<v Speaker 1>hear about back Page that's set up with a backpage,

2:13:37.920 --> 2:13:42.200
<v Speaker 1>is that, Paige? No, back page? Yeah, page, don't even

2:13:43.280 --> 2:13:48.200
<v Speaker 1>he's talking about reparations. Yeahpation. He's talking about back page.

2:13:48.240 --> 2:13:49.840
<v Speaker 1>That's the point of ship. That's a point on ship.

2:13:50.440 --> 2:13:52.880
<v Speaker 1>He said, No, I didn't saying that. He said back page.

2:13:53.120 --> 2:14:01.560
<v Speaker 1>He went to back you want to go in right?

2:14:02.880 --> 2:14:08.760
<v Speaker 1>All right? So number one I need to hear two, three, four?

2:14:08.920 --> 2:14:11.160
<v Speaker 1>Who stems from her? Then? No, no, no, I want

2:14:11.240 --> 2:14:14.840
<v Speaker 1>to according to you, I don't give an it's politically correct.

2:14:14.880 --> 2:14:20.640
<v Speaker 1>I think what you your perspective Africa, Vambada too right

2:14:20.720 --> 2:14:28.680
<v Speaker 1>after her or one of like there were a couple

2:14:28.760 --> 2:14:33.240
<v Speaker 1>of people, but they didn't like last long enough in

2:14:33.320 --> 2:14:37.480
<v Speaker 1>the landscape, you know what I mean? Yeah, to make

2:14:37.560 --> 2:14:40.200
<v Speaker 1>the kind of impact maybe to me because I knew,

2:14:40.600 --> 2:14:43.360
<v Speaker 1>but not to enough people, like enough people know the

2:14:43.480 --> 2:14:46.800
<v Speaker 1>DJ that I would talk about, you know what I mean? Um,

2:14:46.960 --> 2:14:51.440
<v Speaker 1>so I would have to say Flash, Um was the next.

2:14:51.480 --> 2:14:53.800
<v Speaker 1>So if there's like an amount of rushmore of hip

2:14:53.840 --> 2:14:58.879
<v Speaker 1>hop DJs and of course cooler, cooler Vamba grand Master Flash,

2:14:59.680 --> 2:15:04.320
<v Speaker 1>if we talking about hip hop period people, Um, I

2:15:04.360 --> 2:15:09.560
<v Speaker 1>would have to add um Melie mel said that and

2:15:09.880 --> 2:15:13.000
<v Speaker 1>probably myself to the other side, Damn you know what

2:15:13.080 --> 2:15:16.400
<v Speaker 1>I mean, and that would be the five. If you

2:15:16.560 --> 2:15:19.880
<v Speaker 1>want to ask them, you can ask them. Oh, I mean,

2:15:19.960 --> 2:15:22.080
<v Speaker 1>of course we can ask. I mean, come on, a

2:15:22.320 --> 2:15:26.560
<v Speaker 1>J d J A J I mean promoter. I mean

2:15:26.920 --> 2:15:29.200
<v Speaker 1>he was more of a promoter than he was a DJ.

2:15:29.920 --> 2:15:36.000
<v Speaker 1>But the nigga wrote, if I rule the world, I'm

2:15:36.040 --> 2:15:41.800
<v Speaker 1>scared to ask. Why the funk? Am I here? What

2:15:41.920 --> 2:15:50.320
<v Speaker 1>I'm saying? Okay, J Curtis world, the whole thing. Yeah,

2:15:51.760 --> 2:15:53.520
<v Speaker 1>a lot of ship right now. We are out of

2:15:54.200 --> 2:15:58.120
<v Speaker 1>my childhood as well. Not a bad thing. I'm just

2:15:58.240 --> 2:16:01.760
<v Speaker 1>saying that for a very long time. Yeah, they was

2:16:01.840 --> 2:16:03.840
<v Speaker 1>daring with each other and goes right. And what once

2:16:03.920 --> 2:16:06.640
<v Speaker 1>you become an artist, man, that that hip hop purist

2:16:06.680 --> 2:16:10.400
<v Speaker 1>ship goes right out the window out of who wrote it?

2:16:10.720 --> 2:16:12.880
<v Speaker 1>I don't give a funk who invented it. Who I

2:16:13.000 --> 2:16:16.240
<v Speaker 1>did was who you stolen from? That's just sound good.

2:16:16.280 --> 2:16:18.960
<v Speaker 1>You're gonna recording that. Put that's your down, you know,

2:16:19.760 --> 2:16:24.040
<v Speaker 1>so sit but hold up in this mount roachmore that

2:16:24.080 --> 2:16:26.640
<v Speaker 1>you create. We got the five? No, hold on, hold on,

2:16:26.640 --> 2:16:30.040
<v Speaker 1>hold up, where do you place? See? If you're talking

2:16:30.080 --> 2:16:32.800
<v Speaker 1>about you're saying hipop bag the hole. I would have

2:16:32.959 --> 2:16:36.160
<v Speaker 1>to include me and melimail In because you know, first

2:16:36.200 --> 2:16:38.520
<v Speaker 1>of you will usually be cool, y'all just going at

2:16:38.560 --> 2:16:41.959
<v Speaker 1>it at first. I mean that's groups. So we never

2:16:42.040 --> 2:16:46.600
<v Speaker 1>never had no adam. But you're just put You're just adding,

2:16:46.680 --> 2:16:48.280
<v Speaker 1>and this is just me asking a question. You're just

2:16:48.320 --> 2:16:53.320
<v Speaker 1>adding the music side. Where do the b boys, the dances,

2:16:53.400 --> 2:16:56.720
<v Speaker 1>the graffitis if you know that. Listen, if you are

2:16:56.800 --> 2:17:02.640
<v Speaker 1>part of that mount Rushmore, if you relaxed, but hold on,

2:17:04.920 --> 2:17:06.200
<v Speaker 1>we're not talking to you right now. We're talking to

2:17:07.959 --> 2:17:10.640
<v Speaker 1>how many people are a mom Rushmore? Right now? It's

2:17:10.720 --> 2:17:14.760
<v Speaker 1>filed four four, but we and we're stretching it by

2:17:14.800 --> 2:17:18.160
<v Speaker 1>putting five. Do you want to include the elements of

2:17:18.280 --> 2:17:22.760
<v Speaker 1>hip hop and every and every pioneer from that? It'd

2:17:22.800 --> 2:17:26.840
<v Speaker 1>be too much. You need more amounts more mountains than Rushmore,

2:17:29.240 --> 2:17:32.160
<v Speaker 1>So you know what I mean. Each each element would

2:17:32.200 --> 2:17:36.640
<v Speaker 1>need its own um mountain range, or it would have

2:17:36.760 --> 2:17:39.640
<v Speaker 1>to be a big enough mountain range to fit every

2:17:40.320 --> 2:17:43.920
<v Speaker 1>you know, pioneer from that particular. What I'm saying, far

2:17:43.920 --> 2:17:47.680
<v Speaker 1>as the DJ's is concerned, it would be Coolherd Bambata,

2:17:47.959 --> 2:17:52.320
<v Speaker 1>Grandmaster Flash. I would have to include um uh DJ

2:17:52.560 --> 2:17:56.720
<v Speaker 1>Breakout because Breakout was one of the premier DJs back

2:17:56.760 --> 2:17:59.280
<v Speaker 1>in the day, not for skill or nothing like that,

2:17:59.520 --> 2:18:03.360
<v Speaker 1>but he had uptown in the Bronx on lock and

2:18:03.520 --> 2:18:07.320
<v Speaker 1>there's more breakout flyers than you can find pretty much

2:18:08.120 --> 2:18:10.640
<v Speaker 1>most motherfucker's flies out there. And I'm talking about the

2:18:10.680 --> 2:18:14.480
<v Speaker 1>original Brothers, Disco Funky Four and then later the Funky

2:18:14.560 --> 2:18:17.480
<v Speaker 1>four plus one more with my sister shall Rock that

2:18:17.760 --> 2:18:20.760
<v Speaker 1>I will be on Rock the Bell's Radio with the

2:18:22.600 --> 2:18:23.800
<v Speaker 1>But I just want I just want to say because

2:18:24.000 --> 2:18:25.720
<v Speaker 1>the only reason I was saying this because even by you,

2:18:26.080 --> 2:18:28.560
<v Speaker 1>you were saying the B Boys is what led everybody

2:18:28.600 --> 2:18:32.000
<v Speaker 1>to downtown was leaving that B Boys, the B Boys

2:18:32.120 --> 2:18:35.240
<v Speaker 1>along with like Bam Body. I think see Planet Rock

2:18:35.360 --> 2:18:38.160
<v Speaker 1>had come out by eighty two, and Planet Rock was

2:18:38.280 --> 2:18:41.280
<v Speaker 1>that merge between punk rock, that punk rock sound and

2:18:41.400 --> 2:18:45.480
<v Speaker 1>that and and and hip hop. So it was like

2:18:46.400 --> 2:18:48.720
<v Speaker 1>carte blanche down there, you know what I mean that

2:18:48.959 --> 2:18:51.520
<v Speaker 1>that that fucking scene was crazy down there. And then

2:18:52.040 --> 2:18:54.760
<v Speaker 1>Van was one of the first cast to acquire manager

2:18:55.040 --> 2:19:00.360
<v Speaker 1>Lady Blue, and Lady Blue was like the she was

2:19:00.480 --> 2:19:03.760
<v Speaker 1>the way in down there to the to that punk

2:19:03.879 --> 2:19:07.119
<v Speaker 1>rock scene and to the rock sea and all that eventually,

2:19:07.320 --> 2:19:10.959
<v Speaker 1>so you know, playing rock, came from trans Eupe Express

2:19:11.840 --> 2:19:18.120
<v Speaker 1>right right right, Germany, so his impact is indelible, indelible.

2:19:18.160 --> 2:19:20.680
<v Speaker 1>You can't you can't not mention them, you know what

2:19:20.760 --> 2:19:23.840
<v Speaker 1>I mean? Him Grandmaster Flash being hip hop's first turn

2:19:24.000 --> 2:19:28.480
<v Speaker 1>table list. Okay, prior to him, everybody was just playing records,

2:19:29.120 --> 2:19:30.560
<v Speaker 1>you know what I mean. He's the first one to

2:19:30.600 --> 2:19:33.240
<v Speaker 1>start manipulating records you know how I made and changing

2:19:33.320 --> 2:19:37.240
<v Speaker 1>them and but being on beat with it. The Cats

2:19:37.280 --> 2:19:40.000
<v Speaker 1>told me a really dope story about when he was

2:19:40.120 --> 2:19:43.160
<v Speaker 1>DJing and it was supposed to battle somebody and it

2:19:43.320 --> 2:19:47.240
<v Speaker 1>ended up becoming Theodore. He was supposed to battle Theatore

2:19:47.280 --> 2:19:49.760
<v Speaker 1>and he was like, wait, you DJA now because he

2:19:49.840 --> 2:19:51.920
<v Speaker 1>just knew him was Teddy from the block. Because DJ

2:19:52.200 --> 2:19:54.840
<v Speaker 1>was actually bigger than the MC back then, right, it

2:19:54.959 --> 2:19:57.360
<v Speaker 1>was all about at the beginning of the hip hop

2:19:57.480 --> 2:20:01.760
<v Speaker 1>it was DJ, DJ, was you getting pussy let's keep yeah,

2:20:01.800 --> 2:20:04.560
<v Speaker 1>but he's here. MC was shouting out the drug dealers,

2:20:04.840 --> 2:20:07.840
<v Speaker 1>so he was getting little biteah. But prior to the

2:20:07.959 --> 2:20:10.680
<v Speaker 1>prior to that, yeah, the MC was bigging up the DJ,

2:20:10.920 --> 2:20:13.080
<v Speaker 1>and prior to that, the DJ was bicking up his damn.

2:20:13.120 --> 2:20:17.160
<v Speaker 1>So me, that's how I became a dual you know,

2:20:17.560 --> 2:20:24.000
<v Speaker 1>dual role. I DJ and I m C. Um My,

2:20:24.440 --> 2:20:27.680
<v Speaker 1>my DJ would fuck up every time I would go

2:20:27.800 --> 2:20:30.920
<v Speaker 1>to do something like crucial, like I wrote this rhyme

2:20:31.040 --> 2:20:33.400
<v Speaker 1>that's this and this and that, and when I got

2:20:33.440 --> 2:20:36.920
<v Speaker 1>to this point and when I say this, boom, you

2:20:37.160 --> 2:20:41.640
<v Speaker 1>bring in the record, and nine times out of tenn

2:20:41.720 --> 2:20:44.360
<v Speaker 1>niggas would suck me. You know what I mean. I'm

2:20:44.360 --> 2:20:47.359
<v Speaker 1>like your fuck y'all, and I start DJing for myself.

2:20:47.920 --> 2:20:50.959
<v Speaker 1>So that's why they started calling me the first simultaneous

2:20:51.200 --> 2:20:53.560
<v Speaker 1>d J m C. I'm not the first dude to

2:20:53.680 --> 2:20:57.320
<v Speaker 1>DJ and m C, but I'm the first guy that

2:20:58.560 --> 2:21:02.360
<v Speaker 1>documented that could DJ and rap at the same time.

2:21:03.000 --> 2:21:07.280
<v Speaker 1>And I'm cutting my own or like, I give me

2:21:07.360 --> 2:21:08.960
<v Speaker 1>a break beat and I'm cut that ship up and

2:21:09.000 --> 2:21:11.200
<v Speaker 1>I'm rapping and I'm rhyming over like that. It was

2:21:11.280 --> 2:21:16.760
<v Speaker 1>crazy and still gets busy to this day. So you

2:21:16.879 --> 2:21:20.600
<v Speaker 1>put you put your own that bottle, say you found bro, bro.

2:21:21.320 --> 2:21:24.119
<v Speaker 1>I'm just saying your ship. That's the reason why I'm

2:21:24.120 --> 2:21:26.080
<v Speaker 1>glad it's nothing. Maybe I had something in there, but

2:21:26.200 --> 2:21:31.240
<v Speaker 1>now I realized it's not Holy mooning man, So we

2:21:31.320 --> 2:21:33.560
<v Speaker 1>already deport mooted the Indian Detective. What you told you

2:21:33.600 --> 2:21:36.240
<v Speaker 1>about that? Right? We need to promote it is the

2:21:36.480 --> 2:21:40.320
<v Speaker 1>culturally canceled with Russell Peters. Culturally that's your part. That's

2:21:40.360 --> 2:21:42.520
<v Speaker 1>my podcast. One day when you're in l A. I'd

2:21:42.560 --> 2:21:43.720
<v Speaker 1>like to have you on that. You know, you know

2:21:43.760 --> 2:21:45.680
<v Speaker 1>I got your back. Bro' doing that noble and makes

2:21:45.720 --> 2:21:48.880
<v Speaker 1>you happy. They don't make him happy. Yeah, I know,

2:21:49.000 --> 2:21:52.680
<v Speaker 1>I like expensive ship. Let me ask you something. Uh

2:21:53.160 --> 2:21:55.480
<v Speaker 1>do you remember when Swiss Beats made the announcement that

2:21:55.720 --> 2:21:58.360
<v Speaker 1>he wanted to give the old Scoop pioneers a million

2:21:58.440 --> 2:22:05.279
<v Speaker 1>dollars uh uh each each we're going there for like reparations.

2:22:05.600 --> 2:22:10.160
<v Speaker 1>Tell them, yes, I did. What was What was your

2:22:10.240 --> 2:22:15.280
<v Speaker 1>take on that? One of my main dollars as well. No,

2:22:15.560 --> 2:22:21.560
<v Speaker 1>maybe you wanted to do this old school you said,

2:22:28.040 --> 2:22:29.880
<v Speaker 1>you know, to check to tell you the truth, I'm

2:22:29.879 --> 2:22:32.360
<v Speaker 1>gonna be expensive. I'll be honest with you this that

2:22:33.360 --> 2:22:37.000
<v Speaker 1>so it's actually got that idea from us. We actually

2:22:37.280 --> 2:22:40.760
<v Speaker 1>was been promoted. I forget what. Who got sick and

2:22:40.840 --> 2:22:45.320
<v Speaker 1>we was like this is terrible the rap community. Jimmy Spicer.

2:22:46.280 --> 2:22:50.080
<v Speaker 1>Jimmy Spicer got sick when we started talking about it.

2:22:50.240 --> 2:22:52.680
<v Speaker 1>Wasn't him, but it was somebody just got sick. And

2:22:52.760 --> 2:22:58.120
<v Speaker 1>we were just like, you know what, book, I think

2:22:58.160 --> 2:23:01.720
<v Speaker 1>it was hurkouldn't hurt, wouldn't hurt? It might it might

2:23:01.760 --> 2:23:03.680
<v Speaker 1>have been when Curtis had a heart attack. Oh yeah,

2:23:03.800 --> 2:23:05.760
<v Speaker 1>I think that's what it was. Yeah, And the point

2:23:05.840 --> 2:23:08.240
<v Speaker 1>your point so um, and we were just like, you

2:23:08.320 --> 2:23:11.920
<v Speaker 1>know what, it's ill for us to, you know, separately,

2:23:12.720 --> 2:23:14.879
<v Speaker 1>try to do something good for him. But the thing

2:23:14.959 --> 2:23:17.360
<v Speaker 1>about it is, once you put it in a certain

2:23:17.360 --> 2:23:20.360
<v Speaker 1>amount of time in this business, we should have a

2:23:20.520 --> 2:23:26.080
<v Speaker 1>goddamn union. That says foot on the fucking ship. After

2:23:26.160 --> 2:23:28.160
<v Speaker 1>you wake up in the morning and you're going on

2:23:28.320 --> 2:23:30.720
<v Speaker 1>your way to bump your brush your teeth and you

2:23:30.879 --> 2:23:33.840
<v Speaker 1>hit your big toe and your big toe turns purple.

2:23:34.320 --> 2:23:36.640
<v Speaker 1>Hip hop, come in to take care of that ship.

2:23:37.160 --> 2:23:42.400
<v Speaker 1>We put The only entertainment that doesn't have a union

2:23:42.600 --> 2:23:46.400
<v Speaker 1>is boxing. Boxing is a boodoo squad. Just what we're saying.

2:23:46.640 --> 2:23:49.920
<v Speaker 1>Are we saying that we're boxes, But this movie was saying.

2:23:49.959 --> 2:23:52.320
<v Speaker 1>We're saying that we're here the killing each other the

2:23:52.360 --> 2:23:55.760
<v Speaker 1>pugilist sport because everyone is not going to make it

2:23:55.840 --> 2:23:59.080
<v Speaker 1>to the Promised Land, right, Everyone is not but everyone

2:23:59.200 --> 2:24:05.160
<v Speaker 1>deserves to say promised land, especially if you you put

2:24:05.200 --> 2:24:08.000
<v Speaker 1>in a certain time like for us when we So

2:24:08.160 --> 2:24:10.600
<v Speaker 1>I'm trying to get back to your question, because what

2:24:10.680 --> 2:24:12.600
<v Speaker 1>we were saying, me and I was saying, was we

2:24:12.640 --> 2:24:15.440
<v Speaker 1>ship form my hip hop union. Every time you get

2:24:16.040 --> 2:24:19.440
<v Speaker 1>anything and it's hip hop related, five to go to

2:24:19.560 --> 2:24:25.000
<v Speaker 1>that union. Like my saying sag like a sag, but five.

2:24:26.000 --> 2:24:28.960
<v Speaker 1>And I think we got most people that that's down

2:24:29.120 --> 2:24:31.400
<v Speaker 1>with that. But I want to I want you to

2:24:31.440 --> 2:24:34.080
<v Speaker 1>re iterate what did you feel when you when when

2:24:34.120 --> 2:24:37.480
<v Speaker 1>you heard that. I mean, I thought I thought the

2:24:37.560 --> 2:24:41.160
<v Speaker 1>sentiment was good. I just don't think it was well

2:24:41.240 --> 2:24:44.959
<v Speaker 1>thought out. Because if you think about it, who who

2:24:45.160 --> 2:24:48.400
<v Speaker 1>is a pioneer of hip hop? And then you gotta think,

2:24:48.560 --> 2:24:53.480
<v Speaker 1>all right, how do you define a pioneer in hip hop?

2:24:53.600 --> 2:24:56.600
<v Speaker 1>And who can say the five people that you named

2:24:56.959 --> 2:25:00.200
<v Speaker 1>the council You said the council, that's the council Cool Work,

2:25:02.480 --> 2:25:11.400
<v Speaker 1>Grandmaster Flash, Bamboo him and mel Mellie Mail, Grandmaster Cat

2:25:13.080 --> 2:25:16.520
<v Speaker 1>would would would decide who's who? I wouldn't have a problem.

2:25:16.600 --> 2:25:19.240
<v Speaker 1>I feel like if this who knows better? The first

2:25:19.320 --> 2:25:25.840
<v Speaker 1>five millions to go to your five? And we yes,

2:25:26.320 --> 2:25:29.720
<v Speaker 1>that that first five million reparations you called it, I

2:25:29.840 --> 2:25:32.960
<v Speaker 1>call it reparations, and I want you to know I

2:25:33.120 --> 2:25:39.160
<v Speaker 1>they viewed it right here and drink quote reparations. That's real.

2:25:39.520 --> 2:25:43.880
<v Speaker 1>That's just really really, it's as real as it is

2:25:44.000 --> 2:25:50.760
<v Speaker 1>for people, for black people as a whole who deserve reparations. Um,

2:25:51.959 --> 2:25:55.360
<v Speaker 1>any time that you've been exploited over over a period

2:25:55.400 --> 2:25:59.720
<v Speaker 1>of time and people have benefited, and not just benefited,

2:25:59.760 --> 2:26:04.120
<v Speaker 1>but I mean become fucking moguls. I mean they control

2:26:04.200 --> 2:26:07.920
<v Speaker 1>everything at this point and could take the amount of

2:26:08.000 --> 2:26:11.119
<v Speaker 1>money that it takes to give you reparations out there,

2:26:11.200 --> 2:26:16.400
<v Speaker 1>motherfucker pocket and walk. There could be a way that

2:26:16.560 --> 2:26:19.000
<v Speaker 1>you could circumvent someone having to give their own money

2:26:19.160 --> 2:26:21.760
<v Speaker 1>and you siphon it from taxes. If the government got involved.

2:26:21.800 --> 2:26:24.160
<v Speaker 1>I mean that's probably more complicated a little bit, but

2:26:24.280 --> 2:26:27.720
<v Speaker 1>you could create you know, what you give them. It

2:26:27.959 --> 2:26:31.240
<v Speaker 1>was original forty acres in the middle that you promise

2:26:31.360 --> 2:26:35.160
<v Speaker 1>us in the first from the place, Okay, no more,

2:26:35.280 --> 2:26:38.720
<v Speaker 1>no less. It was a fucking forty acres in the

2:26:38.840 --> 2:26:41.000
<v Speaker 1>middle you promised us in the first. But there's enough

2:26:41.160 --> 2:26:44.360
<v Speaker 1>land left out here all right for us to fill up.

2:26:45.040 --> 2:26:47.440
<v Speaker 1>So that's where I'm at with it. God, damn it

2:26:47.520 --> 2:26:54.160
<v Speaker 1>man yo man um. I'd like to see it versus

2:26:54.240 --> 2:26:56.880
<v Speaker 1>with Cod Crush versus Fantastic, just to bring it back.

2:26:58.480 --> 2:27:04.280
<v Speaker 1>See that's a way, that a good way doing give back. Yeah,

2:27:04.320 --> 2:27:06.800
<v Speaker 1>but then we gotta work for that, So that's not reparation.

2:27:07.200 --> 2:27:10.160
<v Speaker 1>That's not reparation that if I got to do more

2:27:10.240 --> 2:27:14.680
<v Speaker 1>work for something for something, You're right, that's not that

2:27:16.120 --> 2:27:19.400
<v Speaker 1>I respect that. Another way for you, another way I'm

2:27:19.400 --> 2:27:24.280
<v Speaker 1>looking at was perform again. Right. Another way of looking

2:27:24.280 --> 2:27:27.120
<v Speaker 1>at it is it's opens up the younger generation to

2:27:27.280 --> 2:27:31.480
<v Speaker 1>actually see it in real life. I heard about it

2:27:31.720 --> 2:27:33.640
<v Speaker 1>and now it is right funny and no going back

2:27:33.680 --> 2:27:35.840
<v Speaker 1>and looking at that footage, I was like, I was

2:27:36.240 --> 2:27:40.360
<v Speaker 1>so amazed because I was just like, damn, this is

2:27:40.480 --> 2:27:43.480
<v Speaker 1>real hip hop. Like after watching Versus and then going

2:27:43.560 --> 2:27:46.520
<v Speaker 1>back and then doing this and watching your battle, I

2:27:46.680 --> 2:27:51.400
<v Speaker 1>was just like, Damn, that is That's the essence of

2:27:51.520 --> 2:27:54.760
<v Speaker 1>hip hop battle and you know what I mean. And

2:27:55.000 --> 2:27:58.120
<v Speaker 1>and people took for granted the DJ like you you

2:27:58.200 --> 2:28:03.840
<v Speaker 1>said earlier, I mean, with him being a point was

2:28:03.920 --> 2:28:07.080
<v Speaker 1>everything was everything we did. It go from me being

2:28:07.080 --> 2:28:09.800
<v Speaker 1>about the DJ to it being about the m C. Well,

2:28:10.040 --> 2:28:12.440
<v Speaker 1>what happened. Who was getting the most pussy? What happened?

2:28:12.480 --> 2:28:16.400
<v Speaker 1>The DJ was getting all the pussy at first, Damn

2:28:16.480 --> 2:28:19.920
<v Speaker 1>C was guys who used to help carry the crates.

2:28:20.240 --> 2:28:31.480
<v Speaker 1>MC was carrying the crates before they were listen. I'll

2:28:31.480 --> 2:28:34.040
<v Speaker 1>go through, I'll go through. You want to get behind

2:28:34.080 --> 2:28:41.400
<v Speaker 1>the rope car? Motherfuck mother speak? Where that carry getting

2:28:42.760 --> 2:28:45.320
<v Speaker 1>even bars carry craze for me? Man, he's still carrying

2:28:45.360 --> 2:28:47.920
<v Speaker 1>crazy in my mind. So I made all the equipment

2:28:48.959 --> 2:28:51.720
<v Speaker 1>right now, what a lot of what a live they

2:28:51.840 --> 2:28:55.120
<v Speaker 1>just take for granted today. You know, everybody wants to

2:28:55.200 --> 2:28:58.160
<v Speaker 1>claim ownership and yeah I did this, and I'm this,

2:28:58.400 --> 2:29:00.440
<v Speaker 1>and I'm so and so if you go back to

2:29:00.520 --> 2:29:03.280
<v Speaker 1>the beginning of this ship, if I didn't bring my

2:29:03.360 --> 2:29:08.360
<v Speaker 1>equipment outside, it wouldn't be no fucking party. Okay. I

2:29:08.520 --> 2:29:11.200
<v Speaker 1>never walked up to no motherfucker set and was like,

2:29:11.360 --> 2:29:14.360
<v Speaker 1>all right, let's go. I had to bring my ship outside,

2:29:14.640 --> 2:29:17.400
<v Speaker 1>my own ship. Okay. If it broke, I had to

2:29:17.480 --> 2:29:20.120
<v Speaker 1>pay for it to transport it. I had to pay

2:29:20.240 --> 2:29:22.720
<v Speaker 1>for it, all right. If it was a nice day outside,

2:29:22.840 --> 2:29:24.920
<v Speaker 1>nig was like, your cas let's bring me set out,

2:29:25.200 --> 2:29:27.600
<v Speaker 1>you know what I mean? All right, fucking come on,

2:29:28.400 --> 2:29:30.800
<v Speaker 1>you know who you got. It's like nine niggers outside

2:29:30.879 --> 2:29:33.360
<v Speaker 1>my door ready to carry everything out. All right, bo,

2:29:33.600 --> 2:29:36.120
<v Speaker 1>let's get it go out, play all day, this and

2:29:36.200 --> 2:29:38.640
<v Speaker 1>that play party, which is this and that such set?

2:29:38.920 --> 2:29:42.960
<v Speaker 1>And then the nights start getting dark. Motherfucker's disappeared. Now

2:29:43.040 --> 2:29:45.840
<v Speaker 1>I'm stounding out on the motherfucking park with a bunch

2:29:45.879 --> 2:29:50.240
<v Speaker 1>of equipment. Yeah, I mean by my fucking sething, I

2:29:50.280 --> 2:29:53.160
<v Speaker 1>gotta get all that ship home. See, those are the

2:29:53.280 --> 2:29:56.040
<v Speaker 1>kind of dudes that people don't understand that you paid

2:29:56.480 --> 2:29:59.760
<v Speaker 1>prior to hip hop being what you see it as

2:30:00.360 --> 2:30:03.720
<v Speaker 1>me being grandmaster. Casts today come from me being that

2:30:03.920 --> 2:30:06.600
<v Speaker 1>nigga that had to carry all of his equipment in

2:30:06.800 --> 2:30:11.360
<v Speaker 1>three fucking taxi cabs, okay, back and forth to different

2:30:11.400 --> 2:30:20.800
<v Speaker 1>events and ship like that. So well, oh my god, man,

2:30:21.600 --> 2:30:24.280
<v Speaker 1>holy man, that's what you can attribute that ship too.

2:30:24.560 --> 2:30:26.840
<v Speaker 1>And we didn't really talk about my crew, my group,

2:30:26.920 --> 2:30:30.280
<v Speaker 1>the Cold Crush Brothers, goddamn, but we over charging niggas

2:30:30.320 --> 2:30:32.080
<v Speaker 1>for what they did to try to have Charlie chase you.

2:30:32.160 --> 2:30:35.119
<v Speaker 1>Today's in Chicago right now. Yeah, well that's a good thing,

2:30:35.600 --> 2:30:40.240
<v Speaker 1>you know what I mean? No, no, no, why are

2:30:40.240 --> 2:30:46.720
<v Speaker 1>you laughing? That's that bullshit. That's my man, chased with

2:30:46.840 --> 2:30:52.240
<v Speaker 1>the fucking base. Um, I'm just laughing up the line,

2:30:54.400 --> 2:30:58.840
<v Speaker 1>like I've seen Chase more than you've seen Chase probably do. No,

2:30:59.040 --> 2:31:02.600
<v Speaker 1>we speak all the time. We come on, you know,

2:31:02.680 --> 2:31:04.320
<v Speaker 1>we're down, but he just down here and you know,

2:31:04.480 --> 2:31:06.680
<v Speaker 1>and we up top. But as far as the group

2:31:06.800 --> 2:31:11.480
<v Speaker 1>is concerned, UM, I've gone through so many different people talking.

2:31:11.800 --> 2:31:15.880
<v Speaker 1>They call it out reinventing yourself, reinventing yourself, and that's

2:31:15.879 --> 2:31:18.880
<v Speaker 1>supposed to be something that you know, you gotta become

2:31:18.920 --> 2:31:22.039
<v Speaker 1>a dept to if you want any longevity in this business.

2:31:22.560 --> 2:31:25.039
<v Speaker 1>But I started out and then ship as a B boy,

2:31:25.840 --> 2:31:32.480
<v Speaker 1>okay the boy breakdance to be boy, Bronx boy original,

2:31:32.680 --> 2:31:36.120
<v Speaker 1>you know, B boy and going to parties dancing And

2:31:36.240 --> 2:31:39.640
<v Speaker 1>one day hercle was playing at a club calling he

2:31:39.720 --> 2:31:43.520
<v Speaker 1>Wilow and a security is to be standing outside and Ship,

2:31:44.120 --> 2:31:48.440
<v Speaker 1>and one day he blinked, and when that nigga eyelid

2:31:48.560 --> 2:31:52.480
<v Speaker 1>went down, I shot up in that motherfucker's club and

2:31:52.680 --> 2:31:55.200
<v Speaker 1>I hid behind the speaker for about I don't know,

2:31:55.240 --> 2:31:59.039
<v Speaker 1>about twenty to thirty minutes, and I just saw everything

2:31:59.120 --> 2:32:00.840
<v Speaker 1>that went on and and I was like Yo, this

2:32:01.000 --> 2:32:02.840
<v Speaker 1>is the fuck it. I didn't say it like that,

2:32:02.959 --> 2:32:05.320
<v Speaker 1>but I was like, Yo, this is it. This is

2:32:05.400 --> 2:32:07.480
<v Speaker 1>what I want to do. See, I don't want to

2:32:07.520 --> 2:32:10.199
<v Speaker 1>be one of the hundreds of people out here dancing.

2:32:11.000 --> 2:32:14.720
<v Speaker 1>I want to be that one person that's making all

2:32:14.800 --> 2:32:18.720
<v Speaker 1>these hundreds of people dansk And that's when I decided

2:32:18.720 --> 2:32:23.360
<v Speaker 1>I want to be a DJ. Yeah. Man, I used

2:32:23.360 --> 2:32:26.160
<v Speaker 1>to stand outside the motherfucker's just listening to the records

2:32:26.200 --> 2:32:28.600
<v Speaker 1>he might play because I was too early to get in,

2:32:29.040 --> 2:32:31.200
<v Speaker 1>and I just see if I could catch up. He

2:32:31.480 --> 2:32:34.840
<v Speaker 1>looked up two besides her, um, all of the early DJs,

2:32:34.879 --> 2:32:40.359
<v Speaker 1>because there were different genres of DJs, so uh, you know, Hollywood,

2:32:40.400 --> 2:32:45.160
<v Speaker 1>of course was the disco, not not so much disco

2:32:45.520 --> 2:32:47.520
<v Speaker 1>when you think in a sense of disco, like this

2:32:47.680 --> 2:32:52.320
<v Speaker 1>kind of disco. Now, he wasn't that kind of He

2:32:52.440 --> 2:32:55.040
<v Speaker 1>was the growing in sexy, the grown is sexy, R

2:32:55.120 --> 2:32:58.199
<v Speaker 1>and B suit tided you know what I mean, flash shoes,

2:32:58.320 --> 2:33:01.640
<v Speaker 1>you know what I mean. I mean our money then

2:33:03.560 --> 2:33:07.640
<v Speaker 1>for well, he sold a lot of nicols. Well exactly

2:33:07.920 --> 2:33:10.440
<v Speaker 1>well for us. Copla Rock was the first hip hop

2:33:10.720 --> 2:33:14.400
<v Speaker 1>m C because he was the first man on the

2:33:14.520 --> 2:33:18.400
<v Speaker 1>microphone to stand next to a DJ playing hip hop music.

2:33:19.120 --> 2:33:22.360
<v Speaker 1>You understand what I'm saying now, hip hop Copla rock

2:33:22.520 --> 2:33:25.520
<v Speaker 1>was more in the in the vein of a like

2:33:25.680 --> 2:33:29.200
<v Speaker 1>a last poets Okay you're not the last poet was

2:33:29.800 --> 2:33:34.240
<v Speaker 1>and and they they they didn't wrap so much as

2:33:34.320 --> 2:33:37.720
<v Speaker 1>they rhyme, or they didn't rhyme so much as they wrapped,

2:33:38.120 --> 2:33:42.440
<v Speaker 1>you know what I mean. Oh okay? And um that

2:33:42.640 --> 2:33:44.880
<v Speaker 1>was that was Copland rocks vibe, you know what I mean.

2:33:45.200 --> 2:33:49.000
<v Speaker 1>But that eventually evolved. See early people on the mic

2:33:49.160 --> 2:33:53.440
<v Speaker 1>was DJ is just making announcements. I'm DJ. I'm like, yo,

2:33:53.720 --> 2:33:55.400
<v Speaker 1>this and this and that next week we're gonna be

2:33:55.480 --> 2:33:58.400
<v Speaker 1>at the p L will we rock? Well, we want

2:33:58.440 --> 2:34:00.720
<v Speaker 1>to see your face in the place, trying to say

2:34:01.600 --> 2:34:03.680
<v Speaker 1>right right right, just just a little even a little

2:34:03.680 --> 2:34:08.560
<v Speaker 1>stick ship. And then police athletically, yes, namely the one

2:34:09.200 --> 2:34:12.320
<v Speaker 1>thirsty and Webster in the Bronx got them. Um. But

2:34:12.760 --> 2:34:18.200
<v Speaker 1>these little, these little quips and these little things eventually

2:34:18.320 --> 2:34:22.640
<v Speaker 1>became versus and they eventually no lines. They became lines,

2:34:22.680 --> 2:34:24.640
<v Speaker 1>and then it became like punch lines, and then it

2:34:24.680 --> 2:34:28.120
<v Speaker 1>became verse bars and they became versus and then they

2:34:28.320 --> 2:34:31.720
<v Speaker 1>evolved into rap. As we know it today, but they

2:34:31.840 --> 2:34:35.280
<v Speaker 1>all come from somebody in the put saying, Yo, my

2:34:35.400 --> 2:34:38.080
<v Speaker 1>man rust is in the house. He cooling out, without

2:34:38.120 --> 2:34:42.720
<v Speaker 1>a doubt, rocked the house. Rap came from ship like that,

2:34:43.720 --> 2:34:47.880
<v Speaker 1>you know, I mean, and TV commercials let me drop

2:34:47.920 --> 2:34:51.080
<v Speaker 1>a real jewel on you, and nobody, nobody that come

2:34:51.160 --> 2:34:56.080
<v Speaker 1>on this fucking show was gonna say this. Okay. The

2:34:56.240 --> 2:35:00.480
<v Speaker 1>early one of the earliest inspirations for rhyming m c

2:35:00.680 --> 2:35:06.720
<v Speaker 1>and came from a car commercial. Okay, a Great Bear commercial.

2:35:07.640 --> 2:35:10.680
<v Speaker 1>Great Bear, you know when you get your car fixed?

2:35:11.520 --> 2:35:14.400
<v Speaker 1>Great Bear? All right, y'all, niggas. It's something different now,

2:35:14.520 --> 2:35:20.600
<v Speaker 1>but back then there was the It was this car

2:35:20.720 --> 2:35:25.720
<v Speaker 1>company called not a car company but repair Fly fix

2:35:25.800 --> 2:35:28.200
<v Speaker 1>your car was called Great Bear, and they had this

2:35:28.360 --> 2:35:32.320
<v Speaker 1>commercial they used to come on right and it used

2:35:32.320 --> 2:35:36.440
<v Speaker 1>to go like this. You're driving down the highway and

2:35:36.520 --> 2:35:40.160
<v Speaker 1>the dead and night, and up ahead there's a terrible site.

2:35:40.320 --> 2:35:43.280
<v Speaker 1>Then you hit the brakes. They're not all there. You

2:35:43.440 --> 2:35:47.040
<v Speaker 1>missed this one, but only ahead to say at the prayer,

2:35:47.360 --> 2:35:50.000
<v Speaker 1>just take your brakes and your turn around, and then

2:35:50.080 --> 2:35:53.240
<v Speaker 1>you look a great Bear. And that was the original

2:35:53.560 --> 2:35:57.920
<v Speaker 1>theme for how nigga starting rapping that Great Bear commercial.

2:35:58.160 --> 2:36:01.480
<v Speaker 1>If you listen to most people wrapping days, they sound

2:36:01.560 --> 2:36:05.960
<v Speaker 1>the same Catus the death, and that, this, this and that.

2:36:06.240 --> 2:36:12.880
<v Speaker 1>I don't know to this day, something ad guy probably,

2:36:13.440 --> 2:36:16.520
<v Speaker 1>But I mean, you can trace rap and and all

2:36:16.600 --> 2:36:18.600
<v Speaker 1>the elements of hip hop, you can trace them all

2:36:18.760 --> 2:36:21.080
<v Speaker 1>back to other things and things that have been done

2:36:21.520 --> 2:36:25.400
<v Speaker 1>long before us, long before us. But you can't say

2:36:25.720 --> 2:36:28.920
<v Speaker 1>I got this dance from the Nicolas Brothers when I

2:36:29.080 --> 2:36:34.320
<v Speaker 1>never seen the motherfucking Nicolas Brothers. This is that energy

2:36:34.440 --> 2:36:39.800
<v Speaker 1>that was transported to me in my generation, just having

2:36:39.879 --> 2:36:43.440
<v Speaker 1>to be the same energy from that generation. Jesus, I'm

2:36:43.480 --> 2:36:50.520
<v Speaker 1>taking sorry you like a shot. Russell Petus, I'm down

2:36:50.600 --> 2:36:56.880
<v Speaker 1>for that, alright, for your boys, we agree for you.

2:36:57.000 --> 2:36:59.760
<v Speaker 1>Grandma as a cat. Holy sh it, I ain't gonna lie.

2:37:01.120 --> 2:37:06.800
<v Speaker 1>I said, I said this earlier. I used to be

2:37:06.959 --> 2:37:10.920
<v Speaker 1>people Google for me, now google for myself. This was

2:37:11.000 --> 2:37:14.879
<v Speaker 1>the most funnest I've ever researched. People rechurch and somebody,

2:37:14.959 --> 2:37:20.080
<v Speaker 1>because that's just your history just kept going, and they

2:37:20.160 --> 2:37:27.480
<v Speaker 1>just kept going. And I look at rap like with superheroes,

2:37:28.120 --> 2:37:31.000
<v Speaker 1>like people who've been through rap. And I'm sorry for

2:37:31.040 --> 2:37:33.480
<v Speaker 1>anybody in the military. I'm sorry for anybody, but I

2:37:33.560 --> 2:37:36.720
<v Speaker 1>look like like that. It's like you've been through the military.

2:37:37.200 --> 2:37:38.920
<v Speaker 1>We went through the war, and now we're just gonna

2:37:38.959 --> 2:37:42.680
<v Speaker 1>be regular people, civilians. We've got to be civilians, and

2:37:42.760 --> 2:37:45.520
<v Speaker 1>none of us know how to be a civilian because

2:37:45.560 --> 2:37:54.840
<v Speaker 1>you're right, that's what made you and your first album

2:37:54.840 --> 2:37:59.000
<v Speaker 1>was the World Report Imagine. So he's literally he's not

2:37:59.200 --> 2:38:02.800
<v Speaker 1>just that made you know that that that that puts

2:38:02.840 --> 2:38:08.760
<v Speaker 1>you in that position. But the whole thing, the whole

2:38:08.840 --> 2:38:14.160
<v Speaker 1>culture was built on our need for self expression. You know,

2:38:14.240 --> 2:38:17.280
<v Speaker 1>when hip hop started, the Bronx was fucked up. You know,

2:38:17.400 --> 2:38:19.440
<v Speaker 1>the city at the large was sucked up, but it

2:38:19.520 --> 2:38:23.360
<v Speaker 1>really concentrated because when you know the Cross Bronx Expressway

2:38:23.840 --> 2:38:26.400
<v Speaker 1>was was designed and built, that ship ran right through

2:38:26.440 --> 2:38:29.320
<v Speaker 1>the fucking Bronx and tore a hole through the whole

2:38:29.400 --> 2:38:31.879
<v Speaker 1>Bronx and the whole community that exists the traffic deal

2:38:31.920 --> 2:38:37.560
<v Speaker 1>to this day and and and displaced people all over

2:38:37.640 --> 2:38:42.519
<v Speaker 1>the to make that ship happen. The conditions that existed

2:38:42.680 --> 2:38:45.480
<v Speaker 1>when hip hop started was the reason why I think

2:38:45.600 --> 2:38:49.080
<v Speaker 1>people um come towards the Bronx as far as hip hop,

2:38:49.160 --> 2:38:51.200
<v Speaker 1>because I know, I know a lot of people from

2:38:51.320 --> 2:38:54.320
<v Speaker 1>Queens don't. And I'm talking about cats. I know people

2:38:54.360 --> 2:38:57.160
<v Speaker 1>like to just go twins and the guys that used

2:38:57.160 --> 2:38:59.840
<v Speaker 1>to play out and re speech back in the day,

2:39:00.040 --> 2:39:02.000
<v Speaker 1>just like well Ship we was doing. We was playing

2:39:02.080 --> 2:39:05.320
<v Speaker 1>music way before cool Hurt. Yes you were. I remember

2:39:05.360 --> 2:39:07.760
<v Speaker 1>as a child my sister lived in Queens and she

2:39:07.840 --> 2:39:10.200
<v Speaker 1>used to take me out there to see Plumber and

2:39:10.320 --> 2:39:14.600
<v Speaker 1>my Boya and DJs like that. But nobody wasn't cutting

2:39:14.680 --> 2:39:18.360
<v Speaker 1>up no records. If you're looking at anybody create out there,

2:39:18.440 --> 2:39:20.440
<v Speaker 1>their main record when they play it was love is

2:39:20.520 --> 2:39:25.800
<v Speaker 1>the message that was apache when they called on When

2:39:25.840 --> 2:39:29.120
<v Speaker 1>when hip hop started playing it okay because this wasn't

2:39:29.160 --> 2:39:33.080
<v Speaker 1>records they played on the radio. Hip Hop comes from

2:39:33.160 --> 2:39:35.680
<v Speaker 1>those records that they don't play on the radio, and

2:39:35.840 --> 2:39:38.199
<v Speaker 1>not even the whole record. You just played the beat

2:39:38.840 --> 2:39:42.640
<v Speaker 1>of the record. That's where all the samples from hip

2:39:42.680 --> 2:39:45.200
<v Speaker 1>hop come from. That's where the rhythm of the droll

2:39:46.080 --> 2:39:49.680
<v Speaker 1>drums all that come from those original break beats, you

2:39:49.720 --> 2:39:51.320
<v Speaker 1>know what I mean. And the thing that makes it

2:39:51.480 --> 2:39:55.000
<v Speaker 1>hip hop is we're not playing the whole record throughout,

2:39:55.400 --> 2:39:57.800
<v Speaker 1>like at least two three hours this party, all you

2:39:58.000 --> 2:40:04.560
<v Speaker 1>hearing is sections of records. The beginning records, not even

2:40:04.600 --> 2:40:08.879
<v Speaker 1>the beginning of creating a record, unto itself. The Break.

2:40:09.000 --> 2:40:13.800
<v Speaker 1>The Break itself created new music today. Let people listen

2:40:13.879 --> 2:40:16.440
<v Speaker 1>to today. Let me ask you this question. Right, the

2:40:16.600 --> 2:40:20.920
<v Speaker 1>message right came out men like real street ship. But

2:40:21.000 --> 2:40:30.400
<v Speaker 1>then the message get remaked puff daddy, Uh huh yeah

2:40:31.440 --> 2:40:37.120
<v Speaker 1>that part yeah yourself boy, because it was check itself

2:40:37.440 --> 2:40:40.520
<v Speaker 1>your record. So I mean by that you first of

2:40:40.560 --> 2:40:42.960
<v Speaker 1>all falls ice cub concern. You're talking about the nigger

2:40:43.000 --> 2:40:46.440
<v Speaker 1>who made jacking for beats a right, So he jack,

2:40:47.200 --> 2:40:50.400
<v Speaker 1>He's gonna get what he wants. But I mean rightfully,

2:40:50.480 --> 2:40:52.320
<v Speaker 1>so you know what I mean. His first album was

2:40:52.360 --> 2:40:55.040
<v Speaker 1>done by the bomb Squad here in New York. He's

2:40:55.040 --> 2:40:58.800
<v Speaker 1>a better question, public enemy. This is the question I've

2:40:58.800 --> 2:41:02.960
<v Speaker 1>been wanting to ask all that I'm and made a

2:41:03.040 --> 2:41:07.520
<v Speaker 1>record talking about he used to love I love that ship. Alright,

2:41:07.600 --> 2:41:11.680
<v Speaker 1>So let's just just related to that. Right. Hip hop

2:41:11.879 --> 2:41:16.560
<v Speaker 1>was a girl. How did you recognize that girl when

2:41:16.640 --> 2:41:20.320
<v Speaker 1>she went to the West Coast? Well, well, did you

2:41:20.480 --> 2:41:23.640
<v Speaker 1>even recognize her? Well, you see how pussy mothers saying

2:41:24.440 --> 2:41:27.960
<v Speaker 1>Christmas she got she got fake titties when she went

2:41:28.000 --> 2:41:32.400
<v Speaker 1>to the west on the West Coast, she got gangster

2:41:34.480 --> 2:41:37.440
<v Speaker 1>and I related, I related, I related to that on

2:41:37.640 --> 2:41:41.520
<v Speaker 1>on so many different levels because it was because somebody's

2:41:41.600 --> 2:41:44.760
<v Speaker 1>actu her h was the first West Coast actu her

2:41:45.360 --> 2:41:50.520
<v Speaker 1>first west It was like what there, Uh no, I

2:41:50.640 --> 2:41:53.840
<v Speaker 1>can't say I iced tea over here? How many world

2:41:53.879 --> 2:41:57.360
<v Speaker 1>class recordly No, it was like like Arabian Prince ye

2:41:59.560 --> 2:42:03.240
<v Speaker 1>love from Egyptian Lover. Yeah, those guys that boom eventually

2:42:04.200 --> 2:42:10.480
<v Speaker 1>boom boom boom and the beat go boomooll not no, no, no,

2:42:11.120 --> 2:42:15.280
<v Speaker 1>don't don't put that ship on that they looked. It

2:42:15.480 --> 2:42:18.640
<v Speaker 1>was like ready for the world. It was some funk

2:42:18.720 --> 2:42:24.160
<v Speaker 1>the five ship over We not this in the West

2:42:24.200 --> 2:42:29.280
<v Speaker 1>Coast either. Never that never that never that. That's my

2:42:29.600 --> 2:42:32.720
<v Speaker 1>that's my second home. Okay, that's the only place other

2:42:32.760 --> 2:42:36.760
<v Speaker 1>place I had a residence, Okay. And out there, I

2:42:36.840 --> 2:42:39.000
<v Speaker 1>mean we got mad love. But I learned a lot.

2:42:39.280 --> 2:42:42.000
<v Speaker 1>I learned a lot. And nice T was the first

2:42:42.520 --> 2:42:45.320
<v Speaker 1>m C from the West Coast that I met and

2:42:45.680 --> 2:42:51.200
<v Speaker 1>gravitated towards because they had the club call radio Radio Trial. Yeah,

2:42:51.280 --> 2:42:57.600
<v Speaker 1>out there all this stick you don't play, and in

2:42:57.800 --> 2:43:00.600
<v Speaker 1>here say let's take a research like you do. And

2:43:00.879 --> 2:43:05.640
<v Speaker 1>he's a fucking elephant. He retains all that ship um.

2:43:05.879 --> 2:43:08.000
<v Speaker 1>So yeah, the radio trig. So that's when I first

2:43:08.080 --> 2:43:12.480
<v Speaker 1>met Ice and just took out the same camp. All right,

2:43:12.600 --> 2:43:19.320
<v Speaker 1>that's damn, that's beautiful. Him on it. We gotta go

2:43:19.760 --> 2:43:21.480
<v Speaker 1>come on yeah yeah, come on, sorry, give it some stuff.

2:43:21.920 --> 2:43:26.280
<v Speaker 1>So yeah, yeah, I can't stop these guys. These just

2:43:26.360 --> 2:43:29.080
<v Speaker 1>keep talking. We don't give he was he was in

2:43:29.120 --> 2:43:33.200
<v Speaker 1>a Megatron radio truck. So that's when I first met

2:43:33.400 --> 2:43:37.400
<v Speaker 1>Iced Tea and six in the morning. Islam from from

2:43:37.440 --> 2:43:42.960
<v Speaker 1>the Nation Sunva okay Um had relocated out there to

2:43:43.040 --> 2:43:45.200
<v Speaker 1>the West coast to l A and he became Ice

2:43:45.280 --> 2:43:50.560
<v Speaker 1>teas producer. So I met Ice when I did the

2:43:50.680 --> 2:43:54.200
<v Speaker 1>radio tron out there and we connected and I I

2:43:54.320 --> 2:43:57.560
<v Speaker 1>was talking to him. He was building, and I told

2:43:57.640 --> 2:44:01.280
<v Speaker 1>him in the building, not my brother, how you doing

2:44:04.080 --> 2:44:09.240
<v Speaker 1>you man? He missed it. You brought me the build peters.

2:44:09.520 --> 2:44:11.720
<v Speaker 1>I was like, yea, get continued. You're talking about um,

2:44:12.360 --> 2:44:15.920
<v Speaker 1>it's just the tip, come on, come on. So so

2:44:16.080 --> 2:44:18.080
<v Speaker 1>so me and I was building, so he was like, yo,

2:44:18.160 --> 2:44:20.480
<v Speaker 1>I want to do this hip hop ship man, but

2:44:23.000 --> 2:44:24.840
<v Speaker 1>I need a group. Man, I want to get a group.

2:44:24.920 --> 2:44:27.879
<v Speaker 1>I was like, yo, can you write rhymes? By yourself?

2:44:28.120 --> 2:44:30.080
<v Speaker 1>Can you write your own rhymes? People like yeah, I said,

2:44:30.120 --> 2:44:32.160
<v Speaker 1>and you don't need a group. I mean, I have

2:44:32.280 --> 2:44:34.520
<v Speaker 1>to just stay by yourself. You go solo, do your

2:44:34.560 --> 2:44:37.080
<v Speaker 1>own thing. I said, you had this whole West Coast

2:44:37.080 --> 2:44:41.760
<v Speaker 1>s on a lot by yourself. Ask him to tell

2:44:41.800 --> 2:44:43.360
<v Speaker 1>you to this day. That's why he called me one

2:44:43.400 --> 2:44:45.240
<v Speaker 1>of his mentors. You know what I mean what the

2:44:45.320 --> 2:44:46.680
<v Speaker 1>ill ship is. And I only think a lot of

2:44:46.720 --> 2:44:48.640
<v Speaker 1>people know this is that I iced tea from New Jersey.

2:44:51.080 --> 2:44:54.040
<v Speaker 1>I feel like she stopped. He was born born in

2:44:54.080 --> 2:44:58.640
<v Speaker 1>New Jersey. That because but he was like in his

2:44:58.680 --> 2:45:01.480
<v Speaker 1>twenties when he moved to the West coas post. That's

2:45:01.480 --> 2:45:03.720
<v Speaker 1>a grown ass man. He's a grown ass man. He's

2:45:03.720 --> 2:45:08.840
<v Speaker 1>a New Jersey kid. Originally, I'd just like to blow

2:45:08.879 --> 2:45:13.920
<v Speaker 1>your mind a little bit. He's what he's about. I'm

2:45:13.920 --> 2:45:20.120
<v Speaker 1>about from New Jersey, moved to the West Coast in

2:45:20.160 --> 2:45:23.280
<v Speaker 1>the early eighties and then picked up hip hop from there.

2:45:24.000 --> 2:45:27.640
<v Speaker 1>Yeah after that, that's like saying he's the first Tupac,

2:45:27.920 --> 2:45:32.640
<v Speaker 1>because Tupac was actually really rarely New York from New

2:45:32.760 --> 2:45:35.320
<v Speaker 1>York and then didn't want them all? Did he move

2:45:36.000 --> 2:45:41.280
<v Speaker 1>to Oakland, Oakland and Dennis. She telling me Iced Tea

2:45:41.360 --> 2:45:44.320
<v Speaker 1>is the same thing's my friend. I don't even want

2:45:44.320 --> 2:45:47.560
<v Speaker 1>to hit him right now, they say, iced Tea move

2:45:47.680 --> 2:45:50.400
<v Speaker 1>to West Coast in the early eighties from New Jersey

2:45:50.480 --> 2:45:55.040
<v Speaker 1>and his Yeah, in his twenties, I mean finished the

2:45:55.040 --> 2:45:59.600
<v Speaker 1>summer from Brick City there. Yeah, from New York, right

2:45:59.680 --> 2:46:02.360
<v Speaker 1>from work somewhere around after fourteen. Wherever you grow up out,

2:46:02.360 --> 2:46:06.000
<v Speaker 1>that's where you're fucking fun. Yeah, he didn't. When you reclaiming,

2:46:06.000 --> 2:46:07.280
<v Speaker 1>I used to see right now, he when he went

2:46:07.360 --> 2:46:09.800
<v Speaker 1>to the military, and then he moved to the West Coast. Ship.

2:46:11.959 --> 2:46:14.560
<v Speaker 1>This is his trip, we reclaimed. That's why he could

2:46:14.560 --> 2:46:21.920
<v Speaker 1>do to Jackson. Yes, yes, yes, yes, motherfucking um oh

2:46:22.000 --> 2:46:27.760
<v Speaker 1>my man, Morgan Freeman and his business. But did you

2:46:27.800 --> 2:46:29.879
<v Speaker 1>get one of the good blunts? Yeah, I got one

2:46:29.879 --> 2:46:33.160
<v Speaker 1>of you. Let me take something. Let me let me

2:46:33.200 --> 2:46:35.000
<v Speaker 1>just say. Is that the Fermian moment. Let just say something,

2:46:35.520 --> 2:46:37.120
<v Speaker 1>give it right back to you real quickly. I don't

2:46:37.160 --> 2:46:39.520
<v Speaker 1>out with Dave Chappelle on land On. One day I

2:46:39.600 --> 2:46:43.040
<v Speaker 1>saw you and I fucking had the mid weed on me.

2:46:43.320 --> 2:46:46.520
<v Speaker 1>I was so like, I landed my boy said, I

2:46:46.600 --> 2:46:48.440
<v Speaker 1>got I got some weed. I was like, all right,

2:46:48.480 --> 2:46:50.560
<v Speaker 1>cool funk guys went straight. St Me just brought my

2:46:50.680 --> 2:46:53.000
<v Speaker 1>bags down. Went we went straight mister Me and the

2:46:53.040 --> 2:46:56.240
<v Speaker 1>lead boom. I don't know I'm running the Dave Jappelle

2:46:56.959 --> 2:46:59.320
<v Speaker 1>walks in. I'm like, oh ship, and he's like, oh shoot.

2:46:59.320 --> 2:47:01.560
<v Speaker 1>I was like, you got passed the blood days passed, Blunt,

2:47:01.600 --> 2:47:03.800
<v Speaker 1>the days bro. I'm looking. He walks away into Blow.

2:47:03.840 --> 2:47:07.520
<v Speaker 1>I'm like, shit, if this motherfucker realizes I just handed

2:47:07.560 --> 2:47:11.080
<v Speaker 1>him up men and blunt. Okay, it's been sucking with

2:47:11.160 --> 2:47:15.640
<v Speaker 1>me for Lawrence figured out this. I figured out this

2:47:15.720 --> 2:47:18.520
<v Speaker 1>thing is here. This whole weekend. I had my boy

2:47:18.680 --> 2:47:23.400
<v Speaker 1>Larrence come over. We rove the ships into the bomb skinning. Hey, Dan,

2:47:23.480 --> 2:47:26.520
<v Speaker 1>I made sure ay day the v I p room with.

2:47:29.040 --> 2:47:34.280
<v Speaker 1>I don't let me let me big up to quality.

2:47:34.360 --> 2:47:36.640
<v Speaker 1>The first day and all the other days, my brother

2:47:36.760 --> 2:47:39.400
<v Speaker 1>j Rob we came through and make sure we got through.

2:47:39.440 --> 2:47:42.200
<v Speaker 1>But let me tell you something. I smoked that room out.

2:47:42.320 --> 2:47:44.600
<v Speaker 1>I mean sure, I know you know what. I came

2:47:44.720 --> 2:47:46.440
<v Speaker 1>with the bat and I see now you I mean

2:47:46.480 --> 2:47:48.279
<v Speaker 1>you got the I mean you got the call Blode.

2:47:48.320 --> 2:47:52.600
<v Speaker 1>You can go anywhere you like to goddamnit you want.

2:47:52.720 --> 2:47:54.280
<v Speaker 1>I feel like you're taking another shot. I just feel

2:47:54.280 --> 2:47:59.640
<v Speaker 1>like it. Any boys got me, They're gonna get me.

2:48:00.080 --> 2:48:03.000
<v Speaker 1>Did you just call him the Heney Boys? That god?

2:48:03.240 --> 2:48:13.879
<v Speaker 1>Oh my god. Let people go if you drink. Yeah, yeah,

2:48:13.879 --> 2:48:17.960
<v Speaker 1>my niggas, don't worry. I beat my man Porto Rico,

2:48:18.680 --> 2:48:22.800
<v Speaker 1>Big Game, the Man k Beat, Why black Man and

2:48:22.920 --> 2:48:31.160
<v Speaker 1>my man Big tone noise. You're taking a shot with us. Yeah,

2:48:31.200 --> 2:48:35.520
<v Speaker 1>I'm taking the shot. Okay. You want what you want? Okay, yeah, yeah,

2:48:35.720 --> 2:48:37.640
<v Speaker 1>put yourself a shot first though, hold on, hold on,

2:48:37.680 --> 2:48:40.920
<v Speaker 1>ye don't gonna take the shot of this. You can't

2:48:40.959 --> 2:48:45.440
<v Speaker 1>get ready, baby, I'm gonna try this now. Listen. I

2:48:45.480 --> 2:48:47.640
<v Speaker 1>don't gonna be all right whatever, nigga, how many times

2:48:47.640 --> 2:48:50.560
<v Speaker 1>I'm gonna be on drink? Come on anything you want

2:48:50.560 --> 2:48:52.400
<v Speaker 1>to ask me any time you want? You, bro, come

2:48:52.440 --> 2:48:55.000
<v Speaker 1>on here, get a shot. Got damn man boy, we

2:48:55.200 --> 2:48:56.879
<v Speaker 1>got a chair right now, but come get the shots.

2:48:56.920 --> 2:48:59.640
<v Speaker 1>You help me to let you. That's okay. We love you.

2:49:00.000 --> 2:49:03.320
<v Speaker 1>Come on, come on, come on, came listen. I missed

2:49:03.360 --> 2:49:05.360
<v Speaker 1>the more I miss you, Bro. I think about it

2:49:05.480 --> 2:49:07.800
<v Speaker 1>all the time. I sa you was here. Okay, yeah,

2:49:07.840 --> 2:49:10.840
<v Speaker 1>I can't do I thank you. Come through ready enough? Phil,

2:49:11.520 --> 2:49:13.480
<v Speaker 1>you know. That's a great question. Say your team to

2:49:13.560 --> 2:49:17.640
<v Speaker 1>come in to take the drink over a little heny boys,

2:49:18.160 --> 2:49:22.880
<v Speaker 1>let's go boys, henymen heny min min not me the

2:49:22.920 --> 2:49:30.360
<v Speaker 1>mom trying to amen, drink man. Where's that for? Pollo? Me? Okay, Amen,

2:49:30.800 --> 2:49:35.080
<v Speaker 1>that's that's new name. Haney man, God damn it man,

2:49:36.440 --> 2:49:41.040
<v Speaker 1>love love love love. Come on, come on, brothers, brottle

2:49:41.200 --> 2:49:45.000
<v Speaker 1>little little great to me, everybody, a little fellers, alright

2:49:45.160 --> 2:49:48.160
<v Speaker 1>with the mean bucket on. I'm watching you the mean

2:49:48.200 --> 2:49:51.800
<v Speaker 1>by queen ship though, right did the bucket is us?

2:49:52.320 --> 2:49:56.240
<v Speaker 1>Just be clear? So little man, I don't Master motherfucking

2:49:56.320 --> 2:50:00.120
<v Speaker 1>cast you, thank you for doing what you do. You

2:50:00.280 --> 2:50:03.720
<v Speaker 1>did and continue to do. Were always gonna salute, We're

2:50:03.720 --> 2:50:06.800
<v Speaker 1>always gonna respect you, and we love you. Brother. Thank

2:50:06.840 --> 2:50:14.280
<v Speaker 1>you right here. So I got one more question. We're

2:50:14.280 --> 2:50:16.720
<v Speaker 1>gonna take a picture of the drop. Oh that should

2:50:16.720 --> 2:50:21.880
<v Speaker 1>this smooth? It's not not smooth. I was a little hot,

2:50:22.400 --> 2:50:24.800
<v Speaker 1>my man says. We're trying to get this Japanese whiskey

2:50:24.879 --> 2:50:30.240
<v Speaker 1>for three years, drink spirits. That's got Japanese whiskey, baby,

2:50:31.240 --> 2:50:40.680
<v Speaker 1>all right, I mean bank hank right the ship. So

2:50:40.840 --> 2:50:45.039
<v Speaker 1>what's next, grand master cast So what's next for you man,

2:50:45.360 --> 2:50:48.600
<v Speaker 1>Um what we're doing. I don't know what I did.

2:50:49.080 --> 2:50:51.480
<v Speaker 1>And like I said, we were talking about earlier about reinvention.

2:50:52.000 --> 2:50:54.800
<v Speaker 1>I mean, I started out as DJ Casting over Fly,

2:50:55.800 --> 2:50:59.119
<v Speaker 1>d j MC casting over Fly to Grandmaster Casting over

2:50:59.280 --> 2:51:03.039
<v Speaker 1>Fly to Grandmaster Cass. I shortened my name from Castanova

2:51:03.080 --> 2:51:06.440
<v Speaker 1>Fly because Grandmaster Flash had a security crew called the

2:51:06.560 --> 2:51:11.600
<v Speaker 1>Castanova's who were gangsters, and I didn't like me being

2:51:11.680 --> 2:51:15.879
<v Speaker 1>Castanova Fly, like I was affiliated with them, so anything

2:51:15.959 --> 2:51:18.760
<v Speaker 1>could have happened to me behind some ship they did,

2:51:19.040 --> 2:51:22.400
<v Speaker 1>you know what I mean, And they like not foul,

2:51:22.520 --> 2:51:24.960
<v Speaker 1>but they were security. But there was the niggers in

2:51:25.000 --> 2:51:27.280
<v Speaker 1>the streets, you know, black spades, you know what I mean?

2:51:27.360 --> 2:51:29.280
<v Speaker 1>And all that I mean, I always want to know.

2:51:29.440 --> 2:51:34.320
<v Speaker 1>So I just shortened my name the cast from casting

2:51:34.360 --> 2:51:36.360
<v Speaker 1>over Fly. That's why my name is cast in the

2:51:36.440 --> 2:51:41.040
<v Speaker 1>first place. Um, and then uh from different groups, I

2:51:41.120 --> 2:51:43.720
<v Speaker 1>mean the crews and guys leaving and going to other

2:51:43.800 --> 2:51:46.240
<v Speaker 1>places and me and having to start over. First I

2:51:46.320 --> 2:51:49.080
<v Speaker 1>had the casting over Flying Disco whis and then my

2:51:49.160 --> 2:51:51.360
<v Speaker 1>man Whiz got knocked and went to jail. Then I

2:51:51.440 --> 2:51:54.920
<v Speaker 1>had the recruit of it. Yeah, yeah, Puerto Rican and

2:51:55.040 --> 2:52:05.320
<v Speaker 1>Puerto Rican have Cuman. I told you. I'm I'm telling

2:52:05.360 --> 2:52:12.240
<v Speaker 1>you I have so. I mean from the Mighty Force

2:52:12.320 --> 2:52:15.280
<v Speaker 1>to the Force five to the Notorious two when it

2:52:15.360 --> 2:52:17.960
<v Speaker 1>was just me and J D L. Until they recruited

2:52:18.000 --> 2:52:20.400
<v Speaker 1>me to the Cold Crush, and you know, until after

2:52:20.480 --> 2:52:23.160
<v Speaker 1>the Cold Crush, you know what I mean. I've had

2:52:23.200 --> 2:52:27.440
<v Speaker 1>to keep going and do different things. Now this day, man,

2:52:27.480 --> 2:52:32.440
<v Speaker 1>I'm doing everything from hip hop sight seeing tours. I've

2:52:32.480 --> 2:52:38.000
<v Speaker 1>been doing that for eighteen years. About my Hush Hush

2:52:38.080 --> 2:52:40.440
<v Speaker 1>hip hop site seeing tours. I take people from all

2:52:40.480 --> 2:52:43.240
<v Speaker 1>around the world on the bus in Midtown Manhattan and

2:52:43.440 --> 2:52:49.000
<v Speaker 1>I take him uptown to the wh about that I

2:52:49.120 --> 2:52:52.080
<v Speaker 1>showed hi where hip hop happened, Like like, who do

2:52:52.160 --> 2:53:01.680
<v Speaker 1>you want Mr Lead to do that? I'll take you

2:53:01.760 --> 2:53:18.320
<v Speaker 1>to fift Yeah. I've been doing that for eighteen years. Okay.

2:53:19.040 --> 2:53:23.960
<v Speaker 1>So I also host the UH. It was formerly the

2:53:24.040 --> 2:53:26.880
<v Speaker 1>Tools of War summer Park jams up in Coltona Park,

2:53:27.720 --> 2:53:31.200
<v Speaker 1>all in the parks around u UH New York. UM

2:53:32.200 --> 2:53:34.920
<v Speaker 1>the Tools of War, which was Chris t Z and

2:53:35.040 --> 2:53:40.280
<v Speaker 1>Popmaster Fable UH. They dropped out UM in two thousand

2:53:40.320 --> 2:53:42.760
<v Speaker 1>and eighteen. I took over in two thousand and nineteen.

2:53:43.000 --> 2:53:46.280
<v Speaker 1>So I've been doing that since then. We had a

2:53:46.320 --> 2:53:48.920
<v Speaker 1>break with COVID and now we're back. So every year,

2:53:49.400 --> 2:53:52.119
<v Speaker 1>I got like three to four, well three to five

2:53:52.320 --> 2:53:57.039
<v Speaker 1>thousand people out in the park every every Thursday, Rocket July,

2:53:57.440 --> 2:54:00.640
<v Speaker 1>Rocket exactly. And we got I mean, d scratch, I

2:54:00.720 --> 2:54:02.760
<v Speaker 1>got cash money out there, I got I got real

2:54:02.879 --> 2:54:06.200
<v Speaker 1>figures out there. But we need to go up. And

2:54:06.280 --> 2:54:11.400
<v Speaker 1>that's help started we got. I'm trying. I'm trying to

2:54:11.440 --> 2:54:13.040
<v Speaker 1>fill you in. I'm trying to let you know what's

2:54:13.040 --> 2:54:15.920
<v Speaker 1>going on my organization, Windows of Hip Hop. I mean,

2:54:16.000 --> 2:54:18.560
<v Speaker 1>we're making magic in the community. We are building the

2:54:18.680 --> 2:54:22.680
<v Speaker 1>studio in in in the Bronx Elementary School see US

2:54:22.720 --> 2:54:26.200
<v Speaker 1>fifty five. We adopted the school and they adopted US

2:54:26.720 --> 2:54:29.880
<v Speaker 1>so H with the help of the borough president and

2:54:30.040 --> 2:54:34.400
<v Speaker 1>our councilwoman Vanessa Gibson. You know, we donated funds to

2:54:34.480 --> 2:54:37.840
<v Speaker 1>the school and we're playing active roles and you know,

2:54:37.920 --> 2:54:42.120
<v Speaker 1>and the kids development. We got hip hop curriculums that

2:54:42.240 --> 2:54:47.480
<v Speaker 1>we've written and put forward and implemented in these in

2:54:47.560 --> 2:54:50.920
<v Speaker 1>these projects that we're implemented in the schools, and I'm

2:54:51.160 --> 2:54:53.640
<v Speaker 1>I'm more excited about that than anything else that we're

2:54:53.680 --> 2:54:59.200
<v Speaker 1>doing out there. Right now. Um I, uh, I've just

2:54:59.320 --> 2:55:04.040
<v Speaker 1>been a uh appointed the official DJ for Coolmo d

2:55:05.000 --> 2:55:06.720
<v Speaker 1>now because I've been on tour with him for the

2:55:06.840 --> 2:55:09.240
<v Speaker 1>last few years. You know, we did a joint together

2:55:09.320 --> 2:55:15.160
<v Speaker 1>called Notice and uh so I'm on the row with him.

2:55:15.760 --> 2:55:18.360
<v Speaker 1>Um Me and Shan Rock was gonna start Rock the

2:55:18.400 --> 2:55:22.240
<v Speaker 1>Bell's radio. We're gonna have a show, uh three hours

2:55:22.840 --> 2:55:26.680
<v Speaker 1>Monday through Friday on Rock the Bell. So that's a

2:55:26.760 --> 2:55:32.000
<v Speaker 1>platform that, uh, I think I was made for. I've

2:55:32.000 --> 2:55:34.440
<v Speaker 1>been following you, you know what I mean. And I

2:55:35.200 --> 2:55:36.920
<v Speaker 1>and even though and even though I've been doing this

2:55:37.040 --> 2:55:39.320
<v Speaker 1>for a long time, I haven't been doing it in

2:55:39.440 --> 2:55:44.520
<v Speaker 1>this format. And I understand that there's different dynamics to entertainment.

2:55:45.120 --> 2:55:49.520
<v Speaker 1>And you gotta recognize that, you know this radio nigger,

2:55:49.600 --> 2:55:53.560
<v Speaker 1>this ain't the stage, this ain't the studio. I mean,

2:55:53.600 --> 2:55:56.240
<v Speaker 1>this is something else. So I definitely been checking you

2:55:56.280 --> 2:55:58.880
<v Speaker 1>know you. I mean, how y'all do your things? How

2:55:58.959 --> 2:56:02.199
<v Speaker 1>ship rocket ship like that? So appreciate you and hope,

2:56:02.240 --> 2:56:04.480
<v Speaker 1>you know, hopefully I do half as well. Not listen,

2:56:04.680 --> 2:56:06.840
<v Speaker 1>let me just tell you something, man, you got your back.

2:56:06.920 --> 2:56:09.320
<v Speaker 1>This is your platform, this is your format. Anytime you

2:56:09.360 --> 2:56:11.080
<v Speaker 1>want to come on here, and even if you want

2:56:11.080 --> 2:56:13.720
<v Speaker 1>to pick your toes on here, it's okay. You don't

2:56:14.240 --> 2:56:19.279
<v Speaker 1>want to FaceTime FaceTime you come, you come to Miami.

2:56:19.400 --> 2:56:21.560
<v Speaker 1>Anytime you come to Miami, you want to be here

2:56:22.200 --> 2:56:25.000
<v Speaker 1>just to talk about I don't give a fuck if

2:56:25.000 --> 2:56:27.000
<v Speaker 1>you want to talk about the new gazelles you got.

2:56:28.920 --> 2:56:33.160
<v Speaker 1>And this is what we all. This platform is yours.

2:56:34.040 --> 2:56:36.440
<v Speaker 1>We made it for you, We made it for people

2:56:36.800 --> 2:56:39.480
<v Speaker 1>of your stature. And if you ever want to talk

2:56:39.560 --> 2:56:42.840
<v Speaker 1>to the media, don't go to the media. Gotta go

2:56:43.000 --> 2:56:46.040
<v Speaker 1>to your homies. You go to your homies. Your homies

2:56:46.080 --> 2:56:47.720
<v Speaker 1>got your back. It's gonna let you do what the

2:56:47.840 --> 2:56:50.360
<v Speaker 1>funk you want to do. We love you, we respect you.

2:56:50.640 --> 2:56:53.040
<v Speaker 1>You gotta take a couple of pictures, Let's take some drops,

2:56:53.320 --> 2:56:55.600
<v Speaker 1>and you gotta wrap this to funk up. But listen,

2:56:56.000 --> 2:57:00.200
<v Speaker 1>this was fucking pleasure. Oh we was amused, Mattics. You

2:57:00.240 --> 2:57:03.879
<v Speaker 1>know we we we're real hip hop fans. I mean,

2:57:03.959 --> 2:57:07.080
<v Speaker 1>I don't I know he was excited, but I couldn't

2:57:07.120 --> 2:57:10.760
<v Speaker 1>tell because you know, I didn't see you until just now,

2:57:10.959 --> 2:57:13.880
<v Speaker 1>until we got here, you know what I mean. And

2:57:14.240 --> 2:57:16.879
<v Speaker 1>I don't want to blow you up, but I believe

2:57:17.000 --> 2:57:19.440
<v Speaker 1>that I am in a position that I could do

2:57:19.600 --> 2:57:26.200
<v Speaker 1>this no repercussions. Okay, we Russ hooked us up when

2:57:26.280 --> 2:57:28.520
<v Speaker 1>once Rush did drake shop, Like, yo, I want to

2:57:28.680 --> 2:57:31.080
<v Speaker 1>They've been they've been asking me. You know, you know,

2:57:31.240 --> 2:57:34.280
<v Speaker 1>I been calling me, but I haven't got no feedback.

2:57:34.320 --> 2:57:38.440
<v Speaker 1>And he was like, I said, ef I e F

2:57:38.800 --> 2:57:44.920
<v Speaker 1>e FN. I'm sorry, alright, really nothing really, let's take

2:57:44.920 --> 2:57:47.480
<v Speaker 1>it on this show. Hold on. First of all, First

2:57:47.520 --> 2:57:52.800
<v Speaker 1>of all, I've been calling and then I've been seeing

2:57:52.920 --> 2:57:58.560
<v Speaker 1>things that say, e FN. I tried to together. I

2:57:58.600 --> 2:58:03.440
<v Speaker 1>gotta take Are you gonna do whiskey, let's go, let's

2:58:03.440 --> 2:58:12.760
<v Speaker 1>do mama, let's go to drink an there's enough of you.

2:58:12.800 --> 2:58:15.480
<v Speaker 1>One more hit me like you hit yourself. Mommm. I'm

2:58:15.520 --> 2:58:17.880
<v Speaker 1>gonna light on it because that. Don't worry about it. Bro,

2:58:17.959 --> 2:58:20.600
<v Speaker 1>the spirits aren't here. You need to shake that bottle up.

2:58:20.640 --> 2:58:23.080
<v Speaker 1>It's got sentiment the bottle. That's what at the end,

2:58:23.280 --> 2:58:26.520
<v Speaker 1>I get really into things. So listen, are you familiar?

2:58:26.720 --> 2:58:28.920
<v Speaker 1>You want ice? No white? Now, I'm good. I'm good.

2:58:29.120 --> 2:58:31.000
<v Speaker 1>If you're gonna go straight, I'm gonna straight. I'm gonna straight.

2:58:31.000 --> 2:58:34.640
<v Speaker 1>I'm gonna straight. All right, bo bro, boom boom. All

2:58:34.720 --> 2:58:36.920
<v Speaker 1>your pain be champagne. All right, let me get you

2:58:36.920 --> 2:58:43.840
<v Speaker 1>some champagne. Got that, I got the pin. It's sweeter

2:58:43.920 --> 2:58:45.920
<v Speaker 1>as it gets thicker. You all want to salute by

2:58:45.959 --> 2:58:52.920
<v Speaker 1>any boys that came down and see boy, well gotta

2:58:52.959 --> 2:58:58.920
<v Speaker 1>eat this shot. Not because they literally they literally sell

2:58:59.000 --> 2:59:01.120
<v Speaker 1>us down. But come on, listen, even go, but let's

2:59:01.160 --> 2:59:07.800
<v Speaker 1>take Thanks for joining us for another episode of Drink Champs,

2:59:07.879 --> 2:59:10.240
<v Speaker 1>hosted by Yours truly, d J e f N and

2:59:10.440 --> 2:59:12.480
<v Speaker 1>n O r E. Please make sure to follow us

2:59:12.520 --> 2:59:15.120
<v Speaker 1>on all our socials. Let's add Drink Champs across all

2:59:15.200 --> 2:59:19.760
<v Speaker 1>platforms at the Real Noriegan I g at Noriega on Twitter,

2:59:20.240 --> 2:59:23.160
<v Speaker 1>mine is at Who's Crazy on I g at d

2:59:23.320 --> 2:59:25.920
<v Speaker 1>J e f N on Twitter, and most importantly, stay

2:59:25.959 --> 2:59:28.959
<v Speaker 1>up to date with the latest releases, news and merch

2:59:29.160 --> 2:59:36.480
<v Speaker 1>by going to drink Champs dot com. For more podcasts

2:59:36.520 --> 2:59:40.720
<v Speaker 1>from my Heart Radio, visit the iHeart Radio app, Apple podcast,

2:59:40.959 --> 2:59:42.840
<v Speaker 1>or wherever you listen to your favorite shows.