WEBVTT - Nocturne w/ Wilson Jermaine Heredia

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<v Speaker 1>Of the Law and Order franchises. SVU is considered especially watchable.

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<v Speaker 1>We are the amateur detectives who kind of investigate the

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<v Speaker 1>vicious felonies. These episodes are based on.

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<v Speaker 2>These are our stories done done.

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<v Speaker 1>Yay, that's messed up an SVU podcast. I'm Liza Traeger.

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<v Speaker 3>And I'm Kara Klank and every week on this podcast

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<v Speaker 3>it's sv episodes, true crimes and guests. But first we

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<v Speaker 3>just like to chit chat for a little bit, catch up,

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<v Speaker 3>and eventually get to a place where we talk about

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<v Speaker 3>how sad the world is.

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<v Speaker 1>But I don't try not to. We try not to.

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<v Speaker 1>Yeah it was hard.

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<v Speaker 3>Yeah, okay, Wait, So one thing I was going to

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<v Speaker 3>tell you about was we've been talking about AI obviously

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<v Speaker 3>a lot on this podcast. So today we're like, I'm

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<v Speaker 3>driving my kids to camp and we see this car

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<v Speaker 3>and it's not a WAYM, but it's a car that

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<v Speaker 3>has like big cameras and shit on top of it,

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<v Speaker 3>like a way Mo, but there's a guy driving it.

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<v Speaker 4>So I'm like explaining Waymos to my kids.

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<v Speaker 3>I'm like, okay, so it's like a it's a car

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<v Speaker 3>that drives itself and it has all these cameras you

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<v Speaker 3>can't so that it knows if someone's gonna hate you

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<v Speaker 3>blah blah blah.

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<v Speaker 4>And then they're like.

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<v Speaker 3>Well, I would not want to go on a waymo

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<v Speaker 3>of an airplane and I was like, yes, no, I

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<v Speaker 3>hope we are nowhere near WEIMO airplanes.

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<v Speaker 4>I really do.

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<v Speaker 3>And I was just like explaining, it's like a robot

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<v Speaker 3>that can do this and that, and then somehow I

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<v Speaker 3>get into telling them about AI and what it is.

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<v Speaker 3>I'm basically like, it's robots that learn how to do

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<v Speaker 3>things that humans can do. So it's really important that

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<v Speaker 3>you guys get jobs that are creative and rely on

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<v Speaker 3>your brains and things that only humans can do.

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<v Speaker 4>And they were like, uh, we lost they lost the thread.

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<v Speaker 1>But because that's not it, people are saying people should

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<v Speaker 1>do trades because no one cares about creativity. They just

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<v Speaker 1>want shows that you could scroll your phone while you watch.

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<v Speaker 4>You're right, I'm fucking them up. I was just telling them.

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<v Speaker 3>I was like, you got to do something where you

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<v Speaker 3>can be with people, and that it has to be

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<v Speaker 3>in person. And like Rosie was like, well, a robot

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<v Speaker 3>can't be a park ranger, but I was like I can't.

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<v Speaker 3>But we're getting rid of the park in this administration,

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<v Speaker 3>but not when she's older, you know. So she's like,

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<v Speaker 3>now she wants to be a park ranger. And I

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<v Speaker 3>was telling her she'd be a great park ranger.

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<v Speaker 4>Yeah.

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<v Speaker 3>Yeah, So she wants to be a pet park ranger

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<v Speaker 3>because she just she wants to get a lot of pets.

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<v Speaker 3>But her little Bessie from preschool, who you've heard of,

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<v Speaker 3>who moved to New Jersey last year, came this weekend for.

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<v Speaker 1>A surprise visit, and I took a.

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<v Speaker 4>Video and stuff of them, of them seeing each other

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<v Speaker 4>for the first time. It was crazy.

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<v Speaker 3>I thought they were going to scream. Like I thought

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<v Speaker 3>they were going to scream. They were both like stun silent,

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<v Speaker 3>like they Rosie like could not comprehend it. She was

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<v Speaker 3>like standing in the doorway like, and then she just

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<v Speaker 3>like slowly.

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<v Speaker 4>Went and gave her a hug.

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<v Speaker 3>And then when they came in the house and I

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<v Speaker 3>was like, Rosie, are you surprised, she was like yeah,

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<v Speaker 3>And I was like, yeah, Isabelle's going to sleep here tonight.

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<v Speaker 1>She that's when she flipped her fucking lid. Like they

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<v Speaker 1>both started screaming and like jumping up and down.

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<v Speaker 5>It was so cute.

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<v Speaker 1>They're like such little like I'm glad they gold made. Wait,

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<v Speaker 1>but you knew obviously that they were coming.

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<v Speaker 3>I knew, Yeah, I knew, I knew, but it was

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<v Speaker 3>like it was only planned a couple of days in

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<v Speaker 3>advance that the dad just had some meetings out here,

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<v Speaker 3>so he was coming out and uh like that's yeah cut.

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<v Speaker 1>Well, yeah, of course, because that friend is the one

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<v Speaker 1>who inherited my stuffed rainbow poop emoji unicorns stuffed animal. Yes,

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<v Speaker 1>I hope it made it to New Jersey. It sure

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<v Speaker 1>did it. Sure did that baby travel across country.

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<v Speaker 4>Yeah.

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<v Speaker 3>So and now they're at camp today together they're having

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<v Speaker 3>like a cute little reunion. What camp is rosy? And now, oh,

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<v Speaker 3>I'll do a little shout out for this camp. If

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<v Speaker 3>you live in the Los Angeles area, they're doing this

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<v Speaker 3>camp called Hawks.

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<v Speaker 4>It's awesome.

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<v Speaker 3>It's all over the LA area, so there are different

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<v Speaker 3>like locations and they go to different parks every day.

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<v Speaker 4>They hike.

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<v Speaker 3>They like are in nature. They're outside all day. It's

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<v Speaker 3>basically hike based. They own hikes. They stop, they play games,

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<v Speaker 3>they stop and have little luncheon brakes and stuff, and

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<v Speaker 3>they love it.

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<v Speaker 4>They're both doing it.

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<v Speaker 1>Hawk's la everybody that's a free shout out my niece.

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<v Speaker 1>So where she's staying in Mexico, there's all these hummingbirds

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<v Speaker 1>and she's setting up feeders for them and buying special

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<v Speaker 1>like nectary, you know, special juices for them. On the

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<v Speaker 1>ceiling outside it's there's stained glass and it looks like

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<v Speaker 1>red flowers. So these hummingbirds get up there, but then

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<v Speaker 1>they don't have the energy to sustain themselves. And when

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<v Speaker 1>hummingbirds don't have energy, they like go into this like coma.

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<v Speaker 4>And she's been reviving hummingbirds.

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<v Speaker 1>I have photos of her with like little straws, and

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<v Speaker 1>because I saw one that was like laying near the stairs,

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<v Speaker 1>I go, the humming bird needs you. And then she

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<v Speaker 1>like brought the hummingbird back to life. And then out

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<v Speaker 1>of my window there was like black hummingbirds which I've

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<v Speaker 1>never seen and like, yeah, just really, And then my

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<v Speaker 1>mom put out a line because of course she needs

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<v Speaker 1>to air dry her clothes, and so the bird go

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<v Speaker 1>out on the line. So it's like it was a

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<v Speaker 1>whole like hummingbird rehab. I also we went to a

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<v Speaker 1>cafe where a cat's like hang out.

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<v Speaker 4>There's two cats it's their cafe.

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<v Speaker 1>And oh my god, they were like all I mean,

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<v Speaker 1>we were desperate for them, and they knew, they knew.

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<v Speaker 3>It was like, so that's so cute. But Rosie's obsessed

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<v Speaker 3>with hummingbirds.

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<v Speaker 1>I'll send the photos I took because I also walked

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<v Speaker 1>upon like a giant like a colony of giant wooden

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<v Speaker 1>nests like sticks, like obviously normal looking nests, like domes

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<v Speaker 1>filled with green like parrots, whole colony of them, whoa

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<v Speaker 1>in nature. But also I saw a bird that makes

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<v Speaker 1>its nest from bucks a rock nest, which was like incredible,

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<v Speaker 1>so sturdy, so sturdy.

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<v Speaker 3>I don't know, you must have to work really hard

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<v Speaker 3>to like grab that little rock and get an airborne

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<v Speaker 3>with you.

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<v Speaker 4>Damn.

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<v Speaker 5>Yeah.

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<v Speaker 4>I just really love the animals.

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<v Speaker 1>I don't want to become a bird person, but I

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<v Speaker 1>have one friend who's a bird person, so I've been

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<v Speaker 1>sending her all the birds, and I don't I think.

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<v Speaker 4>She's like why, It's like I barely know this woman.

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<v Speaker 3>But I just showed the kids a picture of a

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<v Speaker 3>hummingbird nest that I saw at my friend's house the

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<v Speaker 3>other day. It was like, look at this, it's so tiny.

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<v Speaker 3>It's like so little, these little ummings.

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<v Speaker 1>They defy science, but they just need so much energy

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<v Speaker 1>because they're stop trying to.

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<v Speaker 4>Suck the nectar out of the stained glass.

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<v Speaker 1>Little birds, they're just I don't know why they can't

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<v Speaker 1>tell it's not a flower.

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<v Speaker 4>Oh my god, I also have to tell you this. Okay.

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<v Speaker 3>I went to my friend's birthday party last week and

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<v Speaker 3>it was roller skating.

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<v Speaker 4>Oh fun. So I don't think I've ever roller.

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<v Speaker 3>Skated, Like I literally have a tiny memory of roller

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<v Speaker 3>skating maybe when I was like ten or eleven. But

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<v Speaker 3>it could be a dream, you know what I mean,

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<v Speaker 3>Like it could be something I dreamt like I have.

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<v Speaker 3>No that was not like there was no roller rink

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<v Speaker 3>around where I lived, Like we were more ice skating.

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<v Speaker 4>So I got there and I was like, oh, I.

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<v Speaker 3>Can probably I could probably be okay because I know

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<v Speaker 3>how to ice skate, like the balance of it all

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<v Speaker 3>and like the break on the front and stuff.

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<v Speaker 4>Like I think I'll get it. And I was doing.

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<v Speaker 3>Okay, and I was like going around the rink, and

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<v Speaker 3>then this girl skated into me who knew how to skate.

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<v Speaker 4>I saw her skating later and I was like, you're good.

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<v Speaker 4>Why were you anywhere near me, get away from me.

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<v Speaker 3>I'm just like trying to make my way around the

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<v Speaker 3>rink and I full legs out from under me landed

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<v Speaker 3>on my tailbone. My cocksix is bruised.

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<v Speaker 1>And I'm very uncomfortable really, but I did get back

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<v Speaker 1>up and get back on the horse.

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<v Speaker 4>I went. I kept going. I went back around and

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<v Speaker 4>I skated with my old friend Trixie Mattel. She was there.

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<v Speaker 1>I skated up to her, but he was in boy

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<v Speaker 1>drag so, like I'll say, he I skate up to him.

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<v Speaker 1>He was like, uh, he was like laughing. He goes,

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<v Speaker 1>you know, I still have you on my phone. I

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<v Speaker 1>think about you sometimes, and I was like, I think

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<v Speaker 1>about you all the time. I listen to your podcast

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<v Speaker 1>every week. And then we just skated around for a

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<v Speaker 1>while together and we just talked about RuPaul and we

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<v Speaker 1>talked about all kinds of stuff and it was really cute.

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<v Speaker 1>I just watched how they won't ask Alaska to do

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<v Speaker 1>any drag race stuff because she has a podcast with Willem,

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<v Speaker 1>and that's that.

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<v Speaker 3>Yeah, Willim is kind of off limits. I feel like

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<v Speaker 3>for them over there.

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<v Speaker 1>I know, but I would have loved to see Alaska

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<v Speaker 1>on like all Winners, all Stars, like that would have

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<v Speaker 1>been cool.

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<v Speaker 3>Yeah, it sucks too because it is like a little

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<v Speaker 3>bit like drag is all about reading people and being

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<v Speaker 3>fucking sassy and saying maybe what people don't want to

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<v Speaker 3>hear and shit. But I understand also that you're like

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<v Speaker 3>a business and when you view somebody as a liability,

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<v Speaker 3>you know, like.

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<v Speaker 1>But William's the liability, you know what I mean. I

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<v Speaker 1>like Alaska, but it makes me love Alaska even more

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<v Speaker 1>knowing she's sticking by her good Judy. Yeah, yeah, I

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<v Speaker 1>think also Alaska works. I think Alaska's That's fine. I'm

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<v Speaker 1>being selfish because I would have loved to see her

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<v Speaker 1>with the group. You know, and you saw the New

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<v Speaker 1>Trader's monet exchange. Okay, so I did. I saw the

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<v Speaker 1>New Traders whatever. There's a comic on there, and I'm pissed.

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<v Speaker 1>There's no way it should be him and not me,

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<v Speaker 1>And I don't care. I'm saying it right now. We're

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<v Speaker 1>at war round functions. How dare you? How dare you? What?

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<v Speaker 1>Because your in trolls, because your controls you get to

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<v Speaker 1>go to Scotland.

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<v Speaker 4>I'm like, so mad. He is an interesting pick.

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<v Speaker 1>Yeah, I bet he's gonna make it far because he's

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<v Speaker 1>like has the sweet little voice, and but maybe he'll

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<v Speaker 1>be cut through. I mean, who fucking knows. But is

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<v Speaker 1>funny because.

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<v Speaker 3>It's like not his real voice, like a good voice,

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<v Speaker 3>but I saw. Okay, wait, let's talk housewives that are on.

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<v Speaker 3>Though we've got Rina Candy a Candy as I call her, Candace.

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<v Speaker 4>Fresh off the Baby, Dorinda is back.

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<v Speaker 3>I just think Dirinda being back, and maybe I'm too

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<v Speaker 3>simple minded, you can tell me, because I've only watched

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<v Speaker 3>one season of Traders, the most recent one. Isn't everybody

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<v Speaker 3>just gonna assume at this time they make her a

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<v Speaker 3>Trader like and then they voter off like pretty soon.

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<v Speaker 4>I don't know.

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<v Speaker 1>I feel like my brain didn't even go there, so

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<v Speaker 1>I don't know you're being even maybe I shouldn't be

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<v Speaker 1>on this show.

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<v Speaker 4>I was not thinking that at all.

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<v Speaker 3>I thought they'd be like, oh, well they brought Dirinda back,

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<v Speaker 3>and I'm excited I would be faithful again.

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<v Speaker 4>Well I'm excited to see Donna Kelsey.

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<v Speaker 1>It's like, why this mom's person at like, you know,

0:10:35.679 --> 0:10:37.600
<v Speaker 1>we've seen her be like, these are my cookies and

0:10:37.679 --> 0:10:40.280
<v Speaker 1>my sons. But I wonder what she's gonna be like

0:10:40.320 --> 0:10:42.920
<v Speaker 1>when Lisa Rena is like popping off.

0:10:43.160 --> 0:10:45.120
<v Speaker 4>I've honestly seen her in still photos.

0:10:45.160 --> 0:10:49.520
<v Speaker 3>I've never seen her talk, so like, I don't know

0:10:49.559 --> 0:10:51.920
<v Speaker 3>what she's like at all.

0:10:52.679 --> 0:10:55.360
<v Speaker 1>Yeah, I'm excited. Oh Johnny Weir, Yeah, I'm like into it.

0:10:55.440 --> 0:10:58.960
<v Speaker 1>I'm excited to talk Johnny Wear's cool, He's in it. Yeah, yeah,

0:10:59.000 --> 0:11:01.319
<v Speaker 1>that'll be really fun because we need someone bringing the fashion,

0:11:01.480 --> 0:11:03.079
<v Speaker 1>you know what I mean. We can't have all these

0:11:03.120 --> 0:11:06.920
<v Speaker 1>survivor sociopaths. We need like a couple, We need another

0:11:06.960 --> 0:11:08.240
<v Speaker 1>gab but you know, like we need some.

0:11:08.240 --> 0:11:11.440
<v Speaker 3>Out Yeah money, money, well will be turning looks, of course,

0:11:11.440 --> 0:11:11.960
<v Speaker 3>I'm sure.

0:11:12.000 --> 0:11:15.960
<v Speaker 4>But yeah, oh poorsha, my face porsia. That's right.

0:11:16.240 --> 0:11:18.760
<v Speaker 1>So oh Tara Lipinski and they're actually best friends, so

0:11:18.800 --> 0:11:20.680
<v Speaker 1>they might be that might fuck them up.

0:11:20.920 --> 0:11:24.520
<v Speaker 4>Who's best friends? Tara Lipinski and Johnny Whir? Oh they are?

0:11:24.720 --> 0:11:25.920
<v Speaker 4>Are they? Okay?

0:11:26.280 --> 0:11:30.080
<v Speaker 3>Yeah? Interesting? I need like a list. They just keep

0:11:30.200 --> 0:11:32.640
<v Speaker 3>showing me their faces and I'm on the holiday.

0:11:32.679 --> 0:11:34.720
<v Speaker 1>Well that's so funny because I only want the faces,

0:11:34.720 --> 0:11:36.680
<v Speaker 1>and I'm on the Hollywood Reporter looking at the names

0:11:36.720 --> 0:11:39.240
<v Speaker 1>being like what the fuck, Like, I don't know who

0:11:39.280 --> 0:11:42.760
<v Speaker 1>this singer songwriter is like, oh my god, Kristen Kish

0:11:42.880 --> 0:11:44.680
<v Speaker 1>the hottest person ever time I know.

0:11:44.760 --> 0:11:46.360
<v Speaker 3>I knew you were going to be so excited when

0:11:46.400 --> 0:11:48.400
<v Speaker 3>I saw her name, I was like, Liza's gonna die

0:11:48.440 --> 0:11:50.160
<v Speaker 3>because I knew you were a big kish head.

0:11:50.480 --> 0:11:52.320
<v Speaker 1>I'm a kish head, but also so like I was

0:11:52.320 --> 0:11:54.760
<v Speaker 1>in Mexico for eight days, so I didn't watch anything.

0:11:54.760 --> 0:11:55.800
<v Speaker 4>So yesterday I got back to.

0:11:55.760 --> 0:12:00.600
<v Speaker 1>The hotel and I ordered food and I watched finale

0:12:00.679 --> 0:12:06.320
<v Speaker 1>of Top Chef, premiere of Miami, I watch Next Gen NYC,

0:12:06.720 --> 0:12:09.520
<v Speaker 1>I finished Love hotel, and I was up till five

0:12:09.559 --> 0:12:11.520
<v Speaker 1>in the morning. It's sick, like I need to I

0:12:11.600 --> 0:12:14.520
<v Speaker 1>need help. He got back to your region and you

0:12:14.559 --> 0:12:18.079
<v Speaker 1>were like, give it to me, you give me my shows.

0:12:21.600 --> 0:12:23.560
<v Speaker 1>And I watched drag Race as well, but I was

0:12:23.559 --> 0:12:25.520
<v Speaker 1>so desperate in Mexico. I actually watched the Pit Stop

0:12:25.559 --> 0:12:27.520
<v Speaker 1>before I even watched drag Race because I was like,

0:12:27.559 --> 0:12:29.400
<v Speaker 1>I need to know what is happening.

0:12:29.880 --> 0:12:33.400
<v Speaker 4>I'm like, this is killing me. But okay.

0:12:33.559 --> 0:12:37.720
<v Speaker 3>So also them putting on Stephen Colletti from a Laguna beach.

0:12:37.880 --> 0:12:39.960
<v Speaker 4>I love that. I feel like they're trying to make

0:12:40.040 --> 0:12:40.840
<v Speaker 4>him the new Dylan.

0:12:40.920 --> 0:12:43.760
<v Speaker 3>But I think he's he's going to be a Dylan

0:12:44.120 --> 0:12:46.480
<v Speaker 3>Sandoval hybrid, because I do kind of think Stephen Collett's

0:12:46.480 --> 0:12:46.760
<v Speaker 3>a bit of a.

0:12:46.760 --> 0:12:48.960
<v Speaker 1>Dumb dumb No, but you know he's an actor too,

0:12:49.760 --> 0:12:52.400
<v Speaker 1>is he you watched No, like in the Hollywood Reporter

0:12:52.400 --> 0:12:54.080
<v Speaker 1>doesn't say, look gonna be just as one Tree Hill.

0:12:54.360 --> 0:12:57.680
<v Speaker 4>He had like a fastful career. Yeah, yeah, yeah, yeah.

0:12:57.679 --> 0:12:59.360
<v Speaker 1>No, I think he's grown up. I don't think he's

0:12:59.360 --> 0:13:01.280
<v Speaker 1>a sand of all. I don't think. Oh and I

0:13:01.280 --> 0:13:03.160
<v Speaker 1>watched The Valley, which is a dark show, and I'd

0:13:03.160 --> 0:13:05.960
<v Speaker 1>like to comment on The Valley really quickly. I've seen

0:13:06.000 --> 0:13:09.160
<v Speaker 1>some people online be like, you know, like we gave

0:13:09.240 --> 0:13:12.560
<v Speaker 1>so much shit to Sandoval, and Jaxon is doing so

0:13:12.679 --> 0:13:16.640
<v Speaker 1>much worse to Brittany. I mean full abuse, like spying

0:13:16.679 --> 0:13:20.040
<v Speaker 1>on her, like putting her house in folk foreclosures, stealing

0:13:20.080 --> 0:13:23.640
<v Speaker 1>money from the pod like truly like he's a psychopath, cokehead.

0:13:24.120 --> 0:13:26.199
<v Speaker 1>Why people are like why aren't we more nice to bet?

0:13:26.280 --> 0:13:27.839
<v Speaker 1>Like why are we not giving him hate? And it's

0:13:27.840 --> 0:13:30.400
<v Speaker 1>like cause we're not surprised by Jack's behavior. The whole

0:13:30.400 --> 0:13:34.280
<v Speaker 1>point about Scandival was the shock and surprise and what

0:13:34.320 --> 0:13:37.080
<v Speaker 1>the fuck is going on? Jacks has been a horrible,

0:13:37.160 --> 0:13:38.640
<v Speaker 1>terrible person since day one.

0:13:39.000 --> 0:13:40.959
<v Speaker 4>We saw him cheat on Brittany, We.

0:13:40.920 --> 0:13:44.800
<v Speaker 3>Saw him brittanyel sunglasses on a cast trip. We saw

0:13:44.840 --> 0:13:47.960
<v Speaker 3>Brittany have a listen to a voice recording of him

0:13:47.960 --> 0:13:50.480
<v Speaker 3>like sucking Faith's toes, you know what I mean? Like,

0:13:51.080 --> 0:13:54.200
<v Speaker 3>what are we doing here that We're like, why aren't

0:13:54.240 --> 0:13:55.640
<v Speaker 3>we giving Britney more support?

0:13:55.679 --> 0:13:58.760
<v Speaker 1>And it's like because she married the devil. Yeah, she

0:13:58.800 --> 0:14:01.400
<v Speaker 1>didn't marry me. I think Sandoval is the devil as well.

0:14:01.400 --> 0:14:03.439
<v Speaker 1>I'm just saying like it was shocking, and we were

0:14:03.480 --> 0:14:05.560
<v Speaker 1>on this journey with them for nine years and it

0:14:05.640 --> 0:14:08.120
<v Speaker 1>was like, what the fuck. The reason we're not is

0:14:08.160 --> 0:14:12.079
<v Speaker 1>because this is Yeah, it's Jack's pretending he's in rehabby

0:14:12.200 --> 0:14:15.959
<v Speaker 1>is not. He's threatening the secretary, the receptionist at this

0:14:16.120 --> 0:14:19.760
<v Speaker 1>place to lie for him. It's like, yeah, it's bonkers.

0:14:19.800 --> 0:14:23.320
<v Speaker 1>There's a child. This isn't like ooh revenge dress and

0:14:23.360 --> 0:14:27.560
<v Speaker 1>obviously Ariana went through trauma. This is like full on abuse,

0:14:27.680 --> 0:14:30.120
<v Speaker 1>but like, this is who he is. No one is

0:14:30.160 --> 0:14:33.000
<v Speaker 1>surprised by this. The surprising thing is she's let it

0:14:33.040 --> 0:14:36.080
<v Speaker 1>go this far, and I don't want to diminish that

0:14:36.160 --> 0:14:38.840
<v Speaker 1>she is abused by this manipulative man.

0:14:38.920 --> 0:14:41.440
<v Speaker 4>It's not like her quote like fault.

0:14:41.680 --> 0:14:43.840
<v Speaker 1>But I think that's why if you're someone that's like,

0:14:43.840 --> 0:14:46.320
<v Speaker 1>why is Jack's not getting the same hate as Sandoval?

0:14:46.440 --> 0:14:47.240
<v Speaker 4>That is my theory.

0:14:47.640 --> 0:14:50.320
<v Speaker 3>Yes, it's not as surprising in any way. We all

0:14:50.400 --> 0:14:52.760
<v Speaker 3>knew he was gonna do this kind of shit. And

0:14:53.680 --> 0:14:55.360
<v Speaker 3>I mean I in one of my in one of

0:14:55.360 --> 0:14:58.200
<v Speaker 3>my Bravo groups, like I saw somebody posts like Jack's

0:14:58.240 --> 0:15:00.800
<v Speaker 3>on watch what Happens Live tonight? Don't watch, like everybody

0:15:00.880 --> 0:15:02.880
<v Speaker 3>unset it from your DVRs, like, don't watch it.

0:15:03.160 --> 0:15:05.040
<v Speaker 4>Let's show the network that we don't want Jacks on

0:15:05.040 --> 0:15:06.200
<v Speaker 4>our screens anymore.

0:15:06.720 --> 0:15:08.800
<v Speaker 3>Like I'm being it's like a tiny act of protest

0:15:08.840 --> 0:15:10.720
<v Speaker 3>and I don't know if it'll work, but like you know,

0:15:11.760 --> 0:15:14.800
<v Speaker 3>it's not is horrible. I mean it's crazy to me too,

0:15:14.800 --> 0:15:17.080
<v Speaker 3>because it's like I always think that Bravo gives people

0:15:17.160 --> 0:15:20.360
<v Speaker 3>like puts people on pause or a break when they

0:15:20.400 --> 0:15:24.640
<v Speaker 3>are actually getting to an abusive place, when it's women,

0:15:25.240 --> 0:15:27.240
<v Speaker 3>when it's a woman, like when it's like Derinda and

0:15:27.280 --> 0:15:28.760
<v Speaker 3>we're like, okay, we feel like the drinking's may be

0:15:28.840 --> 0:15:31.240
<v Speaker 3>gone a little bit too far or it's like Vicky

0:15:31.400 --> 0:15:33.840
<v Speaker 3>being a little bit too kooky anti vax or whatever.

0:15:33.880 --> 0:15:37.600
<v Speaker 3>They'll like take her off, but someone like Jax can

0:15:37.680 --> 0:15:40.920
<v Speaker 3>just like roam free on reality television forever. Back to

0:15:40.960 --> 0:15:46.000
<v Speaker 3>the back to the casting though a little bit of traders.

0:15:46.520 --> 0:15:48.520
<v Speaker 3>I do kind of like that they're going a little

0:15:48.600 --> 0:15:52.920
<v Speaker 3>lighter on the competitive people, like the competition show people. Yes,

0:15:53.040 --> 0:15:54.960
<v Speaker 3>you know, because I never watch Big Brother and I

0:15:54.960 --> 0:15:57.240
<v Speaker 3>don't watch Survivor and stuff like that. So when they

0:15:57.280 --> 0:15:59.920
<v Speaker 3>have all this like politics and they kind of talk

0:16:00.040 --> 0:16:03.800
<v Speaker 3>about gameplay more like I'm sort of more like there

0:16:03.840 --> 0:16:05.840
<v Speaker 3>for the personalities.

0:16:05.480 --> 0:16:07.000
<v Speaker 4>You know, like and we need that.

0:16:07.120 --> 0:16:09.080
<v Speaker 1>The thing is, we need some of the game players

0:16:09.080 --> 0:16:11.480
<v Speaker 1>to keep it going and fuck around and have the traders.

0:16:11.520 --> 0:16:15.040
<v Speaker 1>But it's like I don't want to watch Sociopaths win.

0:16:15.280 --> 0:16:19.000
<v Speaker 1>I want Derinda on my screen. Yeah, like Derinda was

0:16:19.040 --> 0:16:21.560
<v Speaker 1>never a threat. But they're just thinking numbers and like

0:16:21.600 --> 0:16:24.000
<v Speaker 1>we can use this later and we can't. Like four

0:16:24.040 --> 0:16:26.720
<v Speaker 1>of them is enough. There's probably there still are like

0:16:26.760 --> 0:16:29.200
<v Speaker 1>four or five. There's like a couple, a couple survived.

0:16:29.240 --> 0:16:31.880
<v Speaker 1>There's some that this one girl is amazing race Survivor

0:16:31.960 --> 0:16:36.760
<v Speaker 1>and the challenge. It's like and Thenalie Island people. Natalie

0:16:36.880 --> 0:16:39.320
<v Speaker 1>is one of my favorite Survivor players ever.

0:16:39.520 --> 0:16:40.400
<v Speaker 4>Yeah she's the one.

0:16:40.560 --> 0:16:42.800
<v Speaker 3>Yeah, I really really love her, so I am happy

0:16:42.840 --> 0:16:44.560
<v Speaker 3>she's there. But I don't think they have like a

0:16:44.600 --> 0:16:46.920
<v Speaker 3>Boston Rob. They don't have like a hated guy. I

0:16:46.960 --> 0:16:49.280
<v Speaker 3>don't think from one of those, Like there's the first

0:16:49.280 --> 0:16:53.600
<v Speaker 3>openly gay guy to win Survivor is Yum Yum a Rocho, Aroco.

0:16:53.400 --> 0:16:55.920
<v Speaker 1>Rob Sistina. I don't know, Like you're right, it's not

0:16:56.040 --> 0:16:57.160
<v Speaker 1>the big names.

0:16:57.520 --> 0:17:01.840
<v Speaker 3>Yeah, I know, Boston Rob was not even watching those shows,

0:17:01.880 --> 0:17:02.080
<v Speaker 3>you know.

0:17:02.560 --> 0:17:05.800
<v Speaker 1>Yeah, he posted a cute, cute Father's Day. He has

0:17:05.840 --> 0:17:07.639
<v Speaker 1>four daughters, he loves his wife.

0:17:07.680 --> 0:17:08.040
<v Speaker 4>I don't know.

0:17:08.080 --> 0:17:11.239
<v Speaker 3>I'm just like I don't know anybody from Love Island though,

0:17:11.240 --> 0:17:11.959
<v Speaker 3>because I don't watch Love.

0:17:12.000 --> 0:17:14.840
<v Speaker 1>I well, Laura, I know, because she's so beautiful, so

0:17:14.880 --> 0:17:16.480
<v Speaker 1>like I remember her because.

0:17:16.240 --> 0:17:19.600
<v Speaker 3>I used to to She is gorgeous. So yeah, it's

0:17:19.600 --> 0:17:22.520
<v Speaker 3>gonna be a good one. It's gonna be a good

0:17:22.720 --> 0:17:22.919
<v Speaker 3>I know.

0:17:23.000 --> 0:17:25.399
<v Speaker 1>I was talking to my niece and I was like, wait, Littas,

0:17:25.440 --> 0:17:26.040
<v Speaker 1>you gotta make it.

0:17:26.080 --> 0:17:26.199
<v Speaker 5>You know.

0:17:26.200 --> 0:17:27.720
<v Speaker 1>I gave her my Max Pastor. I'm like, you gotta

0:17:27.720 --> 0:17:29.640
<v Speaker 1>watch it. You would love it you love Thailand. Oh

0:17:29.640 --> 0:17:31.320
<v Speaker 1>my god, you have to watch girls and like girls

0:17:31.320 --> 0:17:33.240
<v Speaker 1>would be cool, like you're of the age, like watch

0:17:33.359 --> 0:17:35.480
<v Speaker 1>and she goes, yeah, I don't really watch that much TV.

0:17:35.720 --> 0:17:38.280
<v Speaker 4>Like back off. She's like, I ain't read books.

0:17:38.359 --> 0:17:40.520
<v Speaker 1>Oh god, but I mean she's gonna be like when

0:17:40.520 --> 0:17:43.199
<v Speaker 1>you showed her, uh Devil wears Prada and she was like,

0:17:43.240 --> 0:17:47.199
<v Speaker 1>why is he not stopping? No, but I exaggerated that.

0:17:47.320 --> 0:17:49.040
<v Speaker 1>She's like, we had a great time. I mean we

0:17:49.080 --> 0:17:51.800
<v Speaker 1>had so much fun. I missed the food in Mexico already,

0:17:52.520 --> 0:17:54.360
<v Speaker 1>Like the food was so fresh, so good.

0:17:54.400 --> 0:17:56.359
<v Speaker 4>I actually didn't even neat that much Mexican food.

0:17:56.400 --> 0:17:58.560
<v Speaker 1>Like the best tuna salad I've ever had in my

0:17:58.600 --> 0:18:02.080
<v Speaker 1>fucking life was in Mexico. Damn, I feel like we're

0:18:02.119 --> 0:18:03.680
<v Speaker 1>losing you. You're gonna head down there?

0:18:04.200 --> 0:18:04.600
<v Speaker 4>I am.

0:18:04.800 --> 0:18:07.160
<v Speaker 1>I mean honestly, I could probably like if I never

0:18:07.359 --> 0:18:08.760
<v Speaker 1>I mean, I just love comedy so much in New

0:18:08.840 --> 0:18:12.080
<v Speaker 1>York and I love my life. But yeah, but like, yeah,

0:18:12.119 --> 0:18:15.280
<v Speaker 1>it is. It's weird. Yeah, things are more affordable. They're

0:18:15.280 --> 0:18:18.359
<v Speaker 1>obviously the exchange rate, and so you are living like

0:18:18.720 --> 0:18:23.199
<v Speaker 1>at a Toma Hawk's steak for meal, Like yeah, on

0:18:23.240 --> 0:18:25.840
<v Speaker 1>the water I had Margarita's the size of my head.

0:18:26.160 --> 0:18:29.639
<v Speaker 1>I mean, yeah, it was it was just nice to

0:18:29.640 --> 0:18:31.720
<v Speaker 1>get away, be with my family, chill.

0:18:32.520 --> 0:18:34.320
<v Speaker 3>I don't know, it was really nice. I don't really

0:18:34.320 --> 0:18:37.199
<v Speaker 3>take vacations. That's really nice. I'm glad you got some

0:18:37.240 --> 0:18:38.320
<v Speaker 3>time to recharge.

0:18:38.359 --> 0:18:38.639
<v Speaker 5>Well.

0:18:38.720 --> 0:18:40.040
<v Speaker 4>At first, I was like, I was like, what are

0:18:40.040 --> 0:18:40.919
<v Speaker 4>we gonna do? What are we gonna do?

0:18:40.920 --> 0:18:43.600
<v Speaker 1>And then I was like, oh, just just you could

0:18:43.640 --> 0:18:48.359
<v Speaker 1>just sit down and yeah, hang out and gossip and

0:18:48.560 --> 0:18:54.080
<v Speaker 1>you know, chat with my niece. But yeah, please come

0:18:54.160 --> 0:18:57.600
<v Speaker 1>see me. Oh yeah, this isn't it. Yeah, come see me, guys.

0:18:58.200 --> 0:19:01.280
<v Speaker 1>This comes out the twenty fourth. So what's coming Australia.

0:19:02.400 --> 0:19:04.560
<v Speaker 1>Oh yeah, in the fall. I have dates like I'm

0:19:04.600 --> 0:19:07.200
<v Speaker 1>going to Texas and Missouri and I'm gonna like book

0:19:07.240 --> 0:19:08.120
<v Speaker 1>some more stuff out.

0:19:08.240 --> 0:19:11.600
<v Speaker 3>But but all of our ausy listeners get down there.

0:19:11.880 --> 0:19:13.080
<v Speaker 4>You're already down there.

0:19:13.080 --> 0:19:16.239
<v Speaker 1>Get out there and get tickets, Cosey Lisa. Yeah, I'm

0:19:16.280 --> 0:19:18.640
<v Speaker 1>excited to be in Australia. It's gonna be a wild schedule,

0:19:19.320 --> 0:19:23.399
<v Speaker 1>so many fights. Yeah, and I also it's also so funny.

0:19:23.400 --> 0:19:25.560
<v Speaker 1>It's like I obviously live my life. I like, am

0:19:25.600 --> 0:19:28.159
<v Speaker 1>so mature. And then I get back to my family,

0:19:28.200 --> 0:19:30.520
<v Speaker 1>and I'm like, wait, leave the name of the coffee shop.

0:19:30.520 --> 0:19:32.760
<v Speaker 1>I don't know if I can find it. And it's like, what.

0:19:32.800 --> 0:19:35.440
<v Speaker 4>Are you doing? No, I regress.

0:19:35.720 --> 0:19:37.359
<v Speaker 3>My friend was telling me so much about how she

0:19:37.400 --> 0:19:39.919
<v Speaker 3>regresses whenever she goes home to her family. She's an

0:19:39.960 --> 0:19:42.200
<v Speaker 3>only child, and she's just like, when I go home,

0:19:42.320 --> 0:19:42.800
<v Speaker 3>I'm like.

0:19:44.040 --> 0:19:45.480
<v Speaker 4>A guys making me anything to eat.

0:19:45.560 --> 0:19:47.760
<v Speaker 1>Like she's just like such a bit, like she says,

0:19:47.800 --> 0:19:49.639
<v Speaker 1>she does the exact same thing, like I'm like.

0:19:49.640 --> 0:19:50.679
<v Speaker 4>Wait, which one do I do?

0:19:50.760 --> 0:19:50.960
<v Speaker 5>Wait?

0:19:51.000 --> 0:19:52.600
<v Speaker 4>Which button for the laundry?

0:19:52.720 --> 0:19:55.480
<v Speaker 1>And it's like I've lived a full life, Like what

0:19:55.520 --> 0:19:57.639
<v Speaker 1>the fuck is going I travel the world?

0:19:57.880 --> 0:19:59.600
<v Speaker 4>And then I'm like what terminal?

0:20:00.240 --> 0:20:02.440
<v Speaker 1>I know? But at the same time, I bet your

0:20:02.480 --> 0:20:03.720
<v Speaker 1>parents like it a little bit.

0:20:03.880 --> 0:20:06.160
<v Speaker 3>I like bet, I bet they like a little bit going.

0:20:06.280 --> 0:20:08.680
<v Speaker 3>She still needs us, she still needs mom and dad.

0:20:08.800 --> 0:20:09.560
<v Speaker 3>I bet they like it.

0:20:10.320 --> 0:20:14.520
<v Speaker 1>Yeah, it was. It was a nice hanging out. I mean, yeah,

0:20:14.560 --> 0:20:15.480
<v Speaker 1>it's fucking cute.

0:20:15.520 --> 0:20:18.800
<v Speaker 3>Well really quick though. But from the pre regression conversation.

0:20:19.040 --> 0:20:20.760
<v Speaker 3>Go to That's Messed Up live dot com. You can

0:20:20.840 --> 0:20:23.320
<v Speaker 3>scroll down towards as Liza's websites. She has all of

0:20:23.320 --> 0:20:26.840
<v Speaker 3>her Australia and New Zealand dates are there like separately,

0:20:27.119 --> 0:20:30.040
<v Speaker 3>and that's the correct stuff. Sometimes don't google shit because

0:20:30.080 --> 0:20:32.639
<v Speaker 3>it comes up like fake ticket sites or whatever. I

0:20:32.640 --> 0:20:34.240
<v Speaker 3>don't know if Australia is as bad as here, but

0:20:34.640 --> 0:20:37.000
<v Speaker 3>go there, get all of the info, get your tics,

0:20:37.040 --> 0:20:37.720
<v Speaker 3>spread the word.

0:20:38.840 --> 0:20:40.760
<v Speaker 1>I swear I had real life to talk about too.

0:20:40.840 --> 0:20:43.160
<v Speaker 1>I feel so boring, like Mexico is nice. I had

0:20:43.160 --> 0:20:45.879
<v Speaker 1>tuna salad and then I watched six episodes of television.

0:20:45.880 --> 0:20:49.679
<v Speaker 1>When I get back to America, what that's okay?

0:20:49.800 --> 0:20:51.560
<v Speaker 3>I fell and broke my ass bhone. I don't have

0:20:51.600 --> 0:20:52.560
<v Speaker 3>that much more to report.

0:20:52.720 --> 0:20:56.200
<v Speaker 1>Oh, I will say this. I can't wait to see

0:20:56.200 --> 0:21:01.679
<v Speaker 1>the footage of ice in Philly. Philly, do your fucking thing. Yeah, Philly,

0:21:02.160 --> 0:21:02.720
<v Speaker 1>do your thing.

0:21:02.800 --> 0:21:06.800
<v Speaker 3>We're talking about a fucking city that greases the lamppost

0:21:06.880 --> 0:21:07.959
<v Speaker 3>so that people can't climb them.

0:21:08.000 --> 0:21:10.760
<v Speaker 1>After the Super Bowl. No, they didn't want you guys alive.

0:21:10.840 --> 0:21:14.879
<v Speaker 1>It's like the mayor every two months. Please please don't

0:21:14.880 --> 0:21:17.680
<v Speaker 1>climb anything. But I had so much fun in Philly.

0:21:17.680 --> 0:21:19.920
<v Speaker 1>Everyone is, oh my god, wait, so I was performing

0:21:19.920 --> 0:21:21.600
<v Speaker 1>in Philly. This has never happened to me ever in

0:21:21.640 --> 0:21:24.399
<v Speaker 1>my life. I forgot truly where I was, and I

0:21:24.400 --> 0:21:26.240
<v Speaker 1>thought I was in Boston, and I started talking about

0:21:26.240 --> 0:21:29.200
<v Speaker 1>the Celtics, and then everyone booed because obviously I'm talking

0:21:29.200 --> 0:21:29.840
<v Speaker 1>about the Celtics.

0:21:29.840 --> 0:21:32.280
<v Speaker 4>And then I go where am I?

0:21:32.320 --> 0:21:34.639
<v Speaker 1>And I had to look around, and I swear it

0:21:34.680 --> 0:21:37.440
<v Speaker 1>took me like ten fifteen seconds to realize I was

0:21:37.480 --> 0:21:37.919
<v Speaker 1>in Balley.

0:21:38.200 --> 0:21:40.640
<v Speaker 4>So funny. I could see that happening. You're all over

0:21:40.680 --> 0:21:41.040
<v Speaker 4>the place.

0:21:41.119 --> 0:21:42.919
<v Speaker 1>And then I talked for a few more minutes and

0:21:42.960 --> 0:21:44.280
<v Speaker 1>like did call and then I went, oh my god,

0:21:44.280 --> 0:21:48.040
<v Speaker 1>you're the seventy six ers of course, Allen Iverson. And

0:21:48.080 --> 0:21:50.159
<v Speaker 1>then you know, I mentioned to kem Bain Matumbo and

0:21:50.160 --> 0:21:52.240
<v Speaker 1>I got them back. But like it was this thing

0:21:52.320 --> 0:21:57.520
<v Speaker 1>where I truly forgot where I was. I could not

0:21:57.600 --> 0:21:58.520
<v Speaker 1>believe it. So funny.

0:21:58.600 --> 0:22:01.720
<v Speaker 3>You're like, am I in New York's little brother to

0:22:01.760 --> 0:22:03.520
<v Speaker 3>the North or New York's little brother to the South,

0:22:03.680 --> 0:22:06.880
<v Speaker 3>Like where am i? And you know our favorite woman

0:22:06.920 --> 0:22:09.600
<v Speaker 3>that works at the Philly punchline yes cue.

0:22:09.920 --> 0:22:13.119
<v Speaker 1>So she makes them like fans, like you know, like

0:22:13.200 --> 0:22:16.040
<v Speaker 1>drag Race, Oh yeah, fans, And so she gifted me

0:22:16.280 --> 0:22:19.760
<v Speaker 1>and the other Opener Comics fans that she made, but

0:22:19.880 --> 0:22:23.520
<v Speaker 1>the fan that she made me says, not like us. Okay,

0:22:24.040 --> 0:22:26.959
<v Speaker 1>I can't take that into poppeah. Yeah yeah.

0:22:27.000 --> 0:22:28.640
<v Speaker 4>So I was like, thank you so much and thanks

0:22:28.680 --> 0:22:31.320
<v Speaker 4>for your artistry. But I can't. I think I have

0:22:31.359 --> 0:22:35.080
<v Speaker 4>to give this to somebody. Yeah, yeah, I have them,

0:22:35.119 --> 0:22:35.919
<v Speaker 4>not like us.

0:22:36.480 --> 0:22:39.000
<v Speaker 1>Fan Have I said this already because I was, I

0:22:39.119 --> 0:22:40.439
<v Speaker 1>was talking to you after Philly?

0:22:40.600 --> 0:22:43.159
<v Speaker 4>Whatever? No, I mean, who knows? You don't even know

0:22:43.160 --> 0:22:45.200
<v Speaker 4>what city you Ryan? Who? Who knows?

0:22:45.359 --> 0:22:47.280
<v Speaker 3>I mean again, I don't want to get in trouble

0:22:47.320 --> 0:22:49.720
<v Speaker 3>for forgetting something like the trading cards.

0:22:49.720 --> 0:22:51.359
<v Speaker 4>But I don't think you've told me this before.

0:22:53.960 --> 0:22:55.720
<v Speaker 3>Also, I did talk about my broken ass on a

0:22:55.720 --> 0:22:57.600
<v Speaker 3>different podcast, if you guys want to, If you guys

0:22:57.680 --> 0:22:59.880
<v Speaker 3>want Oh, actually, can I do give a little shout

0:22:59.880 --> 0:23:02.199
<v Speaker 3>out my other podcast that I do that's like an

0:23:02.200 --> 0:23:05.560
<v Speaker 3>advice podcast with Jackie Zebrowski called Who's the Bitch. We're

0:23:05.640 --> 0:23:09.840
<v Speaker 3>actually in two days, the twenty sixth of June, having

0:23:09.880 --> 0:23:14.600
<v Speaker 3>a big three hour live call in show where we

0:23:14.800 --> 0:23:18.240
<v Speaker 3>are going to talk to guests and we're gonna answer

0:23:18.280 --> 0:23:20.800
<v Speaker 3>a ton of call in questions and it's all gonna

0:23:20.800 --> 0:23:23.520
<v Speaker 3>be on our YouTube channel, which is YouTube dot com.

0:23:23.560 --> 0:23:27.520
<v Speaker 3>Forward Slash the at symbol. Who's the bee? So check

0:23:27.560 --> 0:23:29.280
<v Speaker 3>that out. That's the thing I'm got going on. I

0:23:29.280 --> 0:23:32.000
<v Speaker 3>can't believe you've become a YouTuber. This is kind of thrilling,

0:23:32.080 --> 0:23:34.920
<v Speaker 3>isn't that crazy? Yeah, they're like, we used to do

0:23:34.960 --> 0:23:36.679
<v Speaker 3>all this shit on Twitch and now we're moving it

0:23:36.720 --> 0:23:38.439
<v Speaker 3>all over to YouTube because they have a lot of

0:23:38.440 --> 0:23:40.800
<v Speaker 3>the same functionality and everything's got to be on YouTube.

0:23:40.920 --> 0:23:43.200
<v Speaker 3>People are listening to podcasts on YouTube. We should actually

0:23:43.240 --> 0:23:45.520
<v Speaker 3>put our episodes on YouTube. I guess they might be there.

0:23:45.560 --> 0:23:49.520
<v Speaker 3>Who knows, anyone, Casey, if you have a second, could

0:23:49.520 --> 0:23:51.919
<v Speaker 3>you just upload two hundred and forty episodes to YouTube

0:23:51.920 --> 0:23:52.560
<v Speaker 3>when you have a chance.

0:23:52.600 --> 0:23:58.520
<v Speaker 1>Thanks, thank you, thank you so much. But yeah, let's

0:23:58.640 --> 0:24:00.520
<v Speaker 1>kick off. We've got this. We're going back.

0:24:00.560 --> 0:24:02.639
<v Speaker 3>We're going back to the beginning, back to basics for

0:24:02.680 --> 0:24:03.320
<v Speaker 3>this episode.

0:24:03.480 --> 0:24:11.959
<v Speaker 1>So don't go anywhere, all right. We are doing a nocturn.

0:24:12.440 --> 0:24:14.040
<v Speaker 1>Is that a word or not? What is this?

0:24:14.320 --> 0:24:15.800
<v Speaker 4>It isn nock turn.

0:24:15.880 --> 0:24:18.880
<v Speaker 3>I mean a nocturn is like probably French or natural

0:24:19.040 --> 0:24:20.080
<v Speaker 3>thing for nocturnal.

0:24:21.000 --> 0:24:25.920
<v Speaker 4>But I also think that it's they're being really artsy

0:24:26.000 --> 0:24:27.800
<v Speaker 4>season one, real artsy with this.

0:24:28.040 --> 0:24:33.520
<v Speaker 3>Through my googling, nocturn is actually a Chopin piece, and

0:24:33.560 --> 0:24:37.000
<v Speaker 3>that makes sense with the piano themes of the is it?

0:24:37.040 --> 0:24:41.359
<v Speaker 1>What's the Chopin about? I wonder, I don't. Is it

0:24:41.400 --> 0:24:46.240
<v Speaker 1>about sex crimes? Well, it's called the Nocturns Op. Nine

0:24:46.320 --> 0:24:49.240
<v Speaker 1>and they are a set of three nocturns for piano.

0:24:49.760 --> 0:24:52.439
<v Speaker 1>So what is a nocturn pio? It is a musical

0:24:52.480 --> 0:24:58.080
<v Speaker 1>composition that is inspired by or evocative of the night. Okay,

0:24:58.240 --> 0:25:01.920
<v Speaker 1>any kind of not turn that is the kind of piece.

0:25:01.920 --> 0:25:05.040
<v Speaker 1>And then there's a famous one by Chopin were wolf vibes,

0:25:05.880 --> 0:25:11.040
<v Speaker 1>Yes of the night, the music of the note. So

0:25:11.640 --> 0:25:14.720
<v Speaker 1>I'm staying, you know, here in Mexico, and I swear

0:25:14.880 --> 0:25:16.560
<v Speaker 1>it was haunted. And I kept telling my family, I'm like,

0:25:16.640 --> 0:25:19.080
<v Speaker 1>there's ghosts. There's ghosts. I hear them, I feel them.

0:25:19.080 --> 0:25:23.560
<v Speaker 1>There's ghosts. It's just lizards. It's just the lizards communicating

0:25:23.640 --> 0:25:24.520
<v Speaker 1>to each other at night.

0:25:24.680 --> 0:25:27.000
<v Speaker 4>But no one gave me a headset of little lizards.

0:25:27.080 --> 0:25:29.280
<v Speaker 1>Oh my god, that's so funny. Yeah, they just started.

0:25:29.720 --> 0:25:33.560
<v Speaker 1>They're like, it's the lizards, So no ghosts here? All right,

0:25:33.600 --> 0:25:37.439
<v Speaker 1>Well we'll begin this piano of it all. And you

0:25:37.480 --> 0:25:39.439
<v Speaker 1>did not play or you did play piano I know

0:25:39.480 --> 0:25:41.520
<v Speaker 1>I did play piano my entire family.

0:25:41.680 --> 0:25:44.439
<v Speaker 3>Basically, my mom's a huge pianist and her family plays,

0:25:44.480 --> 0:25:46.800
<v Speaker 3>and she wanted all of us kids to play. And

0:25:46.920 --> 0:25:49.240
<v Speaker 3>I took lessons for a few years and then begged

0:25:49.280 --> 0:25:50.919
<v Speaker 3>to quit. And now I really regret it, Like I

0:25:50.920 --> 0:25:52.880
<v Speaker 3>really wish I knew how to play, and I thought

0:25:52.880 --> 0:25:55.320
<v Speaker 3>about taking lessons as an adult, but I just would

0:25:55.359 --> 0:25:57.520
<v Speaker 3>have to get a keyboard to practice and this and that.

0:25:57.640 --> 0:26:00.119
<v Speaker 3>But my brother is an excellent pianist, his husband and

0:26:00.200 --> 0:26:03.960
<v Speaker 3>plays piano. My sister, like everybody played for a while.

0:26:04.720 --> 0:26:05.080
<v Speaker 4>Damn.

0:26:05.480 --> 0:26:07.960
<v Speaker 1>All right, Yeah, it's a cool one, all right. So

0:26:08.080 --> 0:26:10.560
<v Speaker 1>photos are being printed at a store. Okay, so we

0:26:10.560 --> 0:26:15.200
<v Speaker 1>could tell this very season one, Very two thousand's we're

0:26:15.240 --> 0:26:16.840
<v Speaker 1>at a fucking Kodak stand.

0:26:17.040 --> 0:26:19.320
<v Speaker 3>So this is like where my friends worked in high school.

0:26:19.320 --> 0:26:21.720
<v Speaker 3>My friends worked at the photo place in our town,

0:26:21.760 --> 0:26:23.159
<v Speaker 3>and all my breaks, I would go see them and

0:26:23.200 --> 0:26:25.360
<v Speaker 3>they'd make me doubles of all of our photos from

0:26:25.359 --> 0:26:26.920
<v Speaker 3>the weekend for free.

0:26:27.000 --> 0:26:30.439
<v Speaker 1>That's a cool time to have. And it's like gone

0:26:30.960 --> 0:26:32.679
<v Speaker 1>that whole thing, like no one prints photos.

0:26:32.720 --> 0:26:33.120
<v Speaker 4>It was fun.

0:26:33.119 --> 0:26:36.240
<v Speaker 1>I also like the smell of the film canisters, Like

0:26:36.720 --> 0:26:40.680
<v Speaker 1>I just enjoyed the whole process of it. But anyways, look, yeah,

0:26:40.720 --> 0:26:42.800
<v Speaker 1>the photos they're of a young boy. He's in a

0:26:42.800 --> 0:26:45.280
<v Speaker 1>white tank top. We don't love it. His shirt's off

0:26:45.320 --> 0:26:47.640
<v Speaker 1>and then uh oh, his pants are off. So we're

0:26:47.640 --> 0:26:50.480
<v Speaker 1>flipping through these photos of this young boy as less

0:26:50.480 --> 0:26:53.320
<v Speaker 1>and less clothes are on him. Benson and Stabler, they're

0:26:53.359 --> 0:26:56.119
<v Speaker 1>their stat The clerk says, the guy dropped them off

0:26:56.160 --> 0:26:58.960
<v Speaker 1>about forty five minutes ago. So someone's springing for one

0:26:58.960 --> 0:27:01.360
<v Speaker 1>hour photo, which is a crazier thing to do because

0:27:01.359 --> 0:27:02.920
<v Speaker 1>they have to do it in store, so everyone's gonna

0:27:02.960 --> 0:27:04.200
<v Speaker 1>see your perverted stuff.

0:27:04.280 --> 0:27:06.439
<v Speaker 4>You know what I mean, insane.

0:27:05.680 --> 0:27:08.399
<v Speaker 3>If you're gonna take photos of something perverted, I'm sorry,

0:27:08.400 --> 0:27:10.720
<v Speaker 3>but you have to like have a friend that works

0:27:10.720 --> 0:27:13.840
<v Speaker 3>at the photomart or you need to get your own dorkroom.

0:27:14.080 --> 0:27:16.560
<v Speaker 1>Well, if they ship them out to the photo center,

0:27:16.600 --> 0:27:19.040
<v Speaker 1>it's a little different, but here it's like they're printing

0:27:19.119 --> 0:27:20.919
<v Speaker 1>right in like we know you, like, what are you?

0:27:21.080 --> 0:27:24.159
<v Speaker 4>I don't not to like help you help out.

0:27:24.160 --> 0:27:25.920
<v Speaker 3>If they ship out to the photo center, that's also

0:27:25.960 --> 0:27:28.439
<v Speaker 3>pornography across the state lines and stuff like that. You know,

0:27:28.600 --> 0:27:30.200
<v Speaker 3>Like I don't know, I think that this guy was

0:27:30.200 --> 0:27:32.480
<v Speaker 3>trying to get it done as quick as possible and

0:27:32.560 --> 0:27:33.879
<v Speaker 3>in his area.

0:27:34.000 --> 0:27:34.399
<v Speaker 4>I don't know.

0:27:34.480 --> 0:27:36.840
<v Speaker 1>Yeah, so his name's Larry Holt. He had a coupon

0:27:37.160 --> 0:27:42.840
<v Speaker 1>humiliating and the dude whatever the photo guys like, I

0:27:42.880 --> 0:27:43.399
<v Speaker 1>didn't like it.

0:27:43.440 --> 0:27:45.000
<v Speaker 4>I knew to call it in like I knew.

0:27:45.080 --> 0:27:48.400
<v Speaker 1>Immediately, Sailor agrees and goes, yeah, these poses are fucked.

0:27:48.440 --> 0:27:51.159
<v Speaker 1>Someone is posing this boy And Benson sees a bottle

0:27:51.160 --> 0:27:53.240
<v Speaker 1>of booze in the picture too, and she goes, uh, oh,

0:27:53.359 --> 0:27:55.720
<v Speaker 1>not booze. And then it's gonna be hard to prove

0:27:55.800 --> 0:27:58.399
<v Speaker 1>child's porn. But this could also be the tip of

0:27:58.400 --> 0:28:01.480
<v Speaker 1>the iceberg. And but also if this guy gets a

0:28:01.520 --> 0:28:03.600
<v Speaker 1>wind that the detectives are onto him, he might clean

0:28:03.640 --> 0:28:06.520
<v Speaker 1>everything up. So they're gonna tail him for a few weeks,

0:28:06.560 --> 0:28:09.480
<v Speaker 1>see what's up. But then he walks in just then,

0:28:10.200 --> 0:28:13.560
<v Speaker 1>and you know, we can't expect the photo work guy

0:28:13.600 --> 0:28:16.080
<v Speaker 1>to be an incredible actor and act like nothing's wrong.

0:28:16.200 --> 0:28:19.639
<v Speaker 1>So he knows what's up. He's like, what's up. There's

0:28:19.640 --> 0:28:22.040
<v Speaker 1>a badge, there's an arrest. We are in a press

0:28:22.720 --> 0:28:24.960
<v Speaker 1>and this guy looks like a puppet of an old man,

0:28:25.440 --> 0:28:27.919
<v Speaker 1>like he would be in mister Rogers little Castle like,

0:28:28.000 --> 0:28:31.359
<v Speaker 1>he's not a pulse man, so he's in holding. And

0:28:31.400 --> 0:28:34.320
<v Speaker 1>then his lawyer is the like editor and she like

0:28:34.400 --> 0:28:37.119
<v Speaker 1>above and a wind tour in the Devil Wars Prada.

0:28:37.280 --> 0:28:39.520
<v Speaker 1>Oh so if you guys remember the owner of their

0:28:39.600 --> 0:28:42.880
<v Speaker 1>like version of Condonast, it's him, right, and he's been

0:28:42.920 --> 0:28:45.280
<v Speaker 1>in a few episodes. And then behind the spy victim

0:28:45.840 --> 0:28:50.760
<v Speaker 1>the victim okay, new blurb. So behind the spy window

0:28:50.920 --> 0:28:54.800
<v Speaker 1>is our detectives and Cragan, who knows there's not enough evidence,

0:28:55.200 --> 0:28:57.200
<v Speaker 1>and the detectives go, yeah, no, we know, but we

0:28:57.200 --> 0:28:59.400
<v Speaker 1>didn't have a choice. The motherfucker walked in like we

0:28:59.520 --> 0:29:02.240
<v Speaker 1>what are we gonna do? Stabler keeps pleading with Craigan,

0:29:02.360 --> 0:29:04.160
<v Speaker 1>like we need to do something, and then Craigan has

0:29:04.280 --> 0:29:08.160
<v Speaker 1>wild excuses why they can't. So Stabler goes, hello, who

0:29:08.200 --> 0:29:11.080
<v Speaker 1>wears hotpants in the winter, and then Craigan goes, maybe

0:29:11.120 --> 0:29:12.400
<v Speaker 1>the kid had a growth spurt?

0:29:13.640 --> 0:29:15.200
<v Speaker 4>What are you talking about?

0:29:16.800 --> 0:29:20.120
<v Speaker 1>And so it's back and forth and they're like, you know,

0:29:20.200 --> 0:29:23.320
<v Speaker 1>these poses are taught. And then there's some other man

0:29:23.360 --> 0:29:25.840
<v Speaker 1>in a suit that arrives. I'll get into him later.

0:29:26.280 --> 0:29:27.760
<v Speaker 1>Right now, I'm like, I'm not learning it. I go,

0:29:27.800 --> 0:29:30.440
<v Speaker 1>who are you, sir? But they explained to him that

0:29:30.480 --> 0:29:32.840
<v Speaker 1>Holts is a piano teacher and this is his student,

0:29:33.600 --> 0:29:35.800
<v Speaker 1>which is not good, and that means there's a lot

0:29:35.800 --> 0:29:38.280
<v Speaker 1>of other students that probably take lessons from this man.

0:29:38.760 --> 0:29:42.360
<v Speaker 1>And also like if there's photos, that means there's more photos,

0:29:42.440 --> 0:29:45.240
<v Speaker 1>YadA YadA. We know how this fucking works. And he

0:29:45.280 --> 0:29:47.280
<v Speaker 1>looks like a pervert, and so we need a warrant

0:29:47.320 --> 0:29:49.840
<v Speaker 1>to get in there and find them. So then the

0:29:49.880 --> 0:29:51.479
<v Speaker 1>man in the suit, like I said, I'll get to him.

0:29:51.680 --> 0:29:54.680
<v Speaker 1>It's eighty A Mark Hickey and the actor's name is

0:29:54.760 --> 0:29:58.800
<v Speaker 1>John Benjamin Hickey. So that's insane, and he's very famous.

0:29:58.880 --> 0:30:01.040
<v Speaker 1>You know him, you've seen his He was also in

0:30:01.120 --> 0:30:04.520
<v Speaker 1>season fifteen Wednesday's Child, and.

0:30:04.440 --> 0:30:06.240
<v Speaker 4>Then he's in Sex in the City.

0:30:06.560 --> 0:30:10.400
<v Speaker 1>He's in season one and it's when Miranda's having sex

0:30:10.400 --> 0:30:13.560
<v Speaker 1>with a guy who has to shower. He's like a Catholic, right,

0:30:13.560 --> 0:30:18.160
<v Speaker 1>he can't stop showering. I remember that guy, So it's him,

0:30:18.720 --> 0:30:20.880
<v Speaker 1>and he knows that a judge is gonna throw this

0:30:21.000 --> 0:30:23.440
<v Speaker 1>case out. And then the Devil wears Prada marches up

0:30:23.960 --> 0:30:26.600
<v Speaker 1>and he's like, I'm taking my Oh. He goes, you

0:30:26.680 --> 0:30:29.920
<v Speaker 1>took my clients wallet and keys, and Craigan goes, oh,

0:30:30.040 --> 0:30:32.840
<v Speaker 1>that's totally normal though, and the Devil Wars product goes,

0:30:32.880 --> 0:30:35.480
<v Speaker 1>I want him back, and he wants to go back home.

0:30:35.520 --> 0:30:37.800
<v Speaker 1>He needs to feed his dog. They're trying to fight. Well,

0:30:37.800 --> 0:30:40.880
<v Speaker 1>he can't go he might destroy evidence. Like it's a

0:30:40.920 --> 0:30:43.000
<v Speaker 1>real tug of war of what we're gonna do. And

0:30:43.040 --> 0:30:45.680
<v Speaker 1>then they send the Devil Wears prod on a goose chase.

0:30:45.720 --> 0:30:49.760
<v Speaker 1>They go, oh, yeah, they sent his stuff to like,

0:30:50.200 --> 0:30:52.400
<v Speaker 1>I don't know, a holding place. And then when he

0:30:52.440 --> 0:30:56.360
<v Speaker 1>goes to like to find the items in the holding place,

0:30:56.600 --> 0:30:59.160
<v Speaker 1>Benson shows that the envelope of all his stuff is

0:30:59.200 --> 0:31:01.600
<v Speaker 1>in her desk and I guess things are just gonna

0:31:01.640 --> 0:31:04.920
<v Speaker 1>move slower than they have to. So that's kind of exciting.

0:31:05.840 --> 0:31:07.840
<v Speaker 1>But yeah, they don't want him to go home. He's

0:31:07.880 --> 0:31:10.200
<v Speaker 1>going to destroy evidence. So now there's a unique cop

0:31:11.040 --> 0:31:13.360
<v Speaker 1>until they get a warrant. But to get a warrant,

0:31:13.400 --> 0:31:16.280
<v Speaker 1>they need more evidence. It's like, we know how those works.

0:31:16.600 --> 0:31:19.040
<v Speaker 1>And there's a unique cop stopping a man from entering

0:31:19.040 --> 0:31:21.080
<v Speaker 1>his home and Benson and Stabler approach and he goes,

0:31:21.120 --> 0:31:24.680
<v Speaker 1>this is my father's house what's going on. But they

0:31:24.680 --> 0:31:26.840
<v Speaker 1>don't have a warrant and so they can't get in,

0:31:26.920 --> 0:31:29.120
<v Speaker 1>but they want to keep people out, so they're like, okay,

0:31:29.120 --> 0:31:31.800
<v Speaker 1>we're locking down the house whether you like it or not,

0:31:32.240 --> 0:31:34.080
<v Speaker 1>which I didn't know the cops can do. But now

0:31:34.120 --> 0:31:36.800
<v Speaker 1>we're living in a world where people can do anything

0:31:36.880 --> 0:31:41.160
<v Speaker 1>they want. Badge, no badge, honestly whatever needs to happen.

0:31:44.480 --> 0:31:47.000
<v Speaker 1>So then the soun's like, all right, bye, I'll walk away,

0:31:47.080 --> 0:31:50.520
<v Speaker 1>and so the sun kind of leaves. This is all

0:31:50.600 --> 0:31:53.200
<v Speaker 1>kind of strange to me, but I'll take it. And

0:31:53.400 --> 0:31:57.160
<v Speaker 1>it's a very big, nice place, and I can't believe

0:31:57.160 --> 0:31:59.440
<v Speaker 1>this piano teacher is such a big house. But we

0:31:59.520 --> 0:32:02.880
<v Speaker 1>realize it's not a fancy neighborhood. So this old white

0:32:02.960 --> 0:32:08.680
<v Speaker 1>guy moved into like a neighborhood that the other population

0:32:08.840 --> 0:32:11.880
<v Speaker 1>is not like him, and so but he can afford

0:32:11.880 --> 0:32:12.480
<v Speaker 1>a bigger house.

0:32:12.480 --> 0:32:12.920
<v Speaker 4>Who knows.

0:32:13.200 --> 0:32:14.920
<v Speaker 1>So they keep chatting about it, and then they go, well,

0:32:14.920 --> 0:32:17.160
<v Speaker 1>it's also not a fucking accident. This giant ass house

0:32:17.200 --> 0:32:19.840
<v Speaker 1>is across the street from an elementary school. So he

0:32:19.880 --> 0:32:23.360
<v Speaker 1>has like a mansion of brownstone across the street from

0:32:23.360 --> 0:32:26.040
<v Speaker 1>an elementary school. And at that moment, a little boy

0:32:26.040 --> 0:32:28.080
<v Speaker 1>comes running to the house. They stop him and he goes,

0:32:28.120 --> 0:32:30.880
<v Speaker 1>I have piano lessons, and guess what, it's the fucking

0:32:30.920 --> 0:32:31.760
<v Speaker 1>boy from the photo.

0:32:31.880 --> 0:32:34.760
<v Speaker 4>So they're holding like how what what luck? What luck?

0:32:35.240 --> 0:32:35.760
<v Speaker 4>What luck?

0:32:36.440 --> 0:32:38.720
<v Speaker 1>And for the whole episode, I want you guys to

0:32:38.760 --> 0:32:41.680
<v Speaker 1>know that it's winter and anytime they walk outside you

0:32:41.720 --> 0:32:46.680
<v Speaker 1>can hear the crispy snow and it's awesome. You really

0:32:46.720 --> 0:32:49.120
<v Speaker 1>don't hear or see snow as much, I would say

0:32:49.160 --> 0:32:50.640
<v Speaker 1>in SVU anymore.

0:32:50.760 --> 0:32:52.840
<v Speaker 4>And it was exciting. It was exciting.

0:32:53.080 --> 0:32:55.280
<v Speaker 1>Oh, probably global warming because I'm like, there is, yeah, winter,

0:32:55.440 --> 0:32:57.920
<v Speaker 1>but yeah, there's less snow on the ground. And so

0:32:59.320 --> 0:33:01.240
<v Speaker 1>you know, we got a ask the dad for questions.

0:33:01.240 --> 0:33:04.480
<v Speaker 1>We got to figure things out. The little boy did

0:33:04.520 --> 0:33:06.880
<v Speaker 1>find the photos once, that's what they learned, and the

0:33:06.960 --> 0:33:11.840
<v Speaker 1>man called them snappies. He basically went into the music

0:33:11.880 --> 0:33:14.640
<v Speaker 1>books the music stand and a bunch of the photos

0:33:14.760 --> 0:33:16.600
<v Speaker 1>fell out and it was kids with no clothing on,

0:33:17.080 --> 0:33:18.640
<v Speaker 1>and it's late at night. But they have to get

0:33:18.680 --> 0:33:21.160
<v Speaker 1>in there tonight or something happens. They have two more

0:33:21.200 --> 0:33:23.360
<v Speaker 1>hours to get in there or they can never get

0:33:23.360 --> 0:33:27.360
<v Speaker 1>in there again. Whatever funky little rules they're coming up with,

0:33:27.440 --> 0:33:30.200
<v Speaker 1>and breaking, and so Benson, Munch and Jeffreys are like

0:33:30.280 --> 0:33:33.320
<v Speaker 1>so ready to go in and finally they're like, we

0:33:33.360 --> 0:33:35.800
<v Speaker 1>got it, so they get to get in there. It's

0:33:35.800 --> 0:33:40.200
<v Speaker 1>painted for children, it's big plastic creans old vintage furniture,

0:33:40.640 --> 0:33:43.280
<v Speaker 1>a giant box of musical books, which does make sense,

0:33:43.360 --> 0:33:45.960
<v Speaker 1>and then oh, an album of shirtless boys what does

0:33:46.040 --> 0:33:49.040
<v Speaker 1>not belong? And Munch is looking and opens a door

0:33:49.160 --> 0:33:52.920
<v Speaker 1>and there are so many tapes like and a TV

0:33:53.240 --> 0:33:57.360
<v Speaker 1>is glowing blue. They press play and we hear a

0:33:57.400 --> 0:33:59.920
<v Speaker 1>boy saying please, don't it hurts, and the man goes

0:34:00.120 --> 0:34:03.280
<v Speaker 1>it's okay, and it's his photo room, tons and tapes

0:34:03.320 --> 0:34:06.000
<v Speaker 1>like I would say, hundreds hundreds. Benson is so upset,

0:34:06.080 --> 0:34:08.640
<v Speaker 1>she's so grossed out. And now we're in court and

0:34:08.680 --> 0:34:11.600
<v Speaker 1>we have forty three photos that are obscene and he

0:34:11.640 --> 0:34:14.080
<v Speaker 1>gets charged with the endangering the welfare of a child,

0:34:14.320 --> 0:34:17.040
<v Speaker 1>the use of a child in sexual performance, and then

0:34:17.080 --> 0:34:20.960
<v Speaker 1>promoting an an obscene sexual performance by a child. And

0:34:21.000 --> 0:34:23.400
<v Speaker 1>then it's one hundred and fifty seven tapes and the

0:34:23.520 --> 0:34:28.160
<v Speaker 1>judge is gobsmacked, bail denied, go to jail, pervert. So

0:34:28.200 --> 0:34:29.600
<v Speaker 1>now they have to watch all the tapes. So we

0:34:29.640 --> 0:34:32.479
<v Speaker 1>have Munch, Benson Craigan and Jeffries and this goes back

0:34:32.600 --> 0:34:36.479
<v Speaker 1>thirteen years, so they have to go through thirteen years

0:34:36.520 --> 0:34:39.839
<v Speaker 1>of video and he's holding little boy's shoulders, sitting next

0:34:39.920 --> 0:34:43.400
<v Speaker 1>to them. He's playing. The boy's saying no. And then

0:34:43.840 --> 0:34:46.400
<v Speaker 1>we watch a few videos and it's the same boy

0:34:46.840 --> 0:34:49.520
<v Speaker 1>growing like in all of these videos, so we see

0:34:49.600 --> 0:34:52.080
<v Speaker 1>him as like a tiny child, a bigger child, and

0:34:52.120 --> 0:34:54.400
<v Speaker 1>then like truly a teen. And so now he's a

0:34:54.440 --> 0:34:58.520
<v Speaker 1>grown teen and we hear the man go please don't

0:34:58.960 --> 0:35:03.160
<v Speaker 1>and the tea talking about discipline and technique because nothing

0:35:03.200 --> 0:35:06.120
<v Speaker 1>gets you to play the piano better than assault. Like

0:35:06.200 --> 0:35:10.360
<v Speaker 1>what is happening? I mean, I guess Joe Jackson. But anyways,

0:35:10.680 --> 0:35:14.080
<v Speaker 1>the guy is fully grown. He's playing incredible piano. It's

0:35:14.120 --> 0:35:18.360
<v Speaker 1>really good piano, and he looks weird. Sorry he's in

0:35:18.440 --> 0:35:20.960
<v Speaker 1>a bow, but he acts like he's also been abused

0:35:20.960 --> 0:35:22.400
<v Speaker 1>for a long time, so I guess.

0:35:22.160 --> 0:35:23.240
<v Speaker 4>Weird is a rude word.

0:35:23.320 --> 0:35:27.279
<v Speaker 1>But like he's strange, and they're really upset that they

0:35:27.360 --> 0:35:29.759
<v Speaker 1>have to watch it all and they have so much

0:35:29.800 --> 0:35:32.320
<v Speaker 1>more to do, and Belzer's like, you know what, I'll stay,

0:35:32.520 --> 0:35:35.320
<v Speaker 1>I'll do it, and they're chatting about all the charges,

0:35:35.400 --> 0:35:38.680
<v Speaker 1>but stablers like, no, I want a charge of abuse,

0:35:39.080 --> 0:35:42.120
<v Speaker 1>but they can't do that without a complainant, and Craigan goes,

0:35:42.160 --> 0:35:44.920
<v Speaker 1>we need to get that kid. So we pause it

0:35:45.000 --> 0:35:46.799
<v Speaker 1>and it's the boy that we just watched grow up

0:35:46.880 --> 0:35:49.080
<v Speaker 1>and we need to go find him. They have his

0:35:49.120 --> 0:35:51.640
<v Speaker 1>photos and they're going to scan the neighborhood and ask around.

0:35:52.000 --> 0:35:54.719
<v Speaker 1>And everyone in the neighborhood loves Larry. They think he's

0:35:54.760 --> 0:35:57.759
<v Speaker 1>a little fruity, but hey, and Jeffries is with a

0:35:57.840 --> 0:36:00.120
<v Speaker 1>video clerk and he's like, Larry is the best guy

0:36:00.200 --> 0:36:02.360
<v Speaker 1>I know. And it's like, what do you what do

0:36:02.360 --> 0:36:04.320
<v Speaker 1>you know ten guys that come to the video store,

0:36:04.400 --> 0:36:06.520
<v Speaker 1>Like this man is a creep from the moment you

0:36:06.560 --> 0:36:09.560
<v Speaker 1>watch his little eyes. The video clerks kids take lessons

0:36:09.560 --> 0:36:11.799
<v Speaker 1>from Larry. He's like, you know, he's strict, but the

0:36:11.880 --> 0:36:14.439
<v Speaker 1>kids love him. Everyone loves Larry. And then they bring

0:36:14.520 --> 0:36:17.560
<v Speaker 1>up Ray Guzamando and we're gonna hear a lot about

0:36:17.600 --> 0:36:22.839
<v Speaker 1>Ray Guzamandoo. And basically there's a post ter him at

0:36:22.880 --> 0:36:25.200
<v Speaker 1>the store and he's like a local hero. He's a

0:36:25.239 --> 0:36:29.040
<v Speaker 1>hot shot piano player. He's wearing a suit. It's or

0:36:29.080 --> 0:36:30.799
<v Speaker 1>not a suit of text, like a bow tie, like

0:36:30.840 --> 0:36:35.879
<v Speaker 1>a real classical pianist, and so he's like Larry sees

0:36:35.960 --> 0:36:38.200
<v Speaker 1>the best in kids and brings the most out in them.

0:36:38.560 --> 0:36:41.080
<v Speaker 1>The video clerk says he makes a difference in people's

0:36:41.120 --> 0:36:44.640
<v Speaker 1>lives and does more for them than you ever will,

0:36:44.680 --> 0:36:47.040
<v Speaker 1>and like for most cops, I would say that, but

0:36:47.400 --> 0:36:50.680
<v Speaker 1>definitely not our detectives. Yeah, they're gonna make a lot

0:36:50.719 --> 0:36:55.120
<v Speaker 1>of difference for actually doing a lot. Yeah sorry, one

0:36:55.120 --> 0:36:58.279
<v Speaker 1>guy made it a professional piano player. But even in

0:36:58.360 --> 0:37:01.280
<v Speaker 1>season one, I think they've put a few criminals behind

0:37:01.280 --> 0:37:06.239
<v Speaker 1>bars that deserved it. So Jeffrees, Benson and Stabler are

0:37:06.280 --> 0:37:09.879
<v Speaker 1>walking and you know, I've wrote about the snow crunch here,

0:37:10.040 --> 0:37:13.279
<v Speaker 1>like I truly, I wrote about it so much. And

0:37:13.360 --> 0:37:16.000
<v Speaker 1>they think people knew. They're like they think people knew.

0:37:16.000 --> 0:37:19.040
<v Speaker 1>They're just pretending that they don't, because like then they

0:37:19.040 --> 0:37:21.360
<v Speaker 1>would have to question their own parenting and what they're

0:37:21.360 --> 0:37:24.279
<v Speaker 1>doing to protect their children or not. Benson goes, why

0:37:24.280 --> 0:37:26.800
<v Speaker 1>would anyone even want to have kids? Like it's crazy,

0:37:26.880 --> 0:37:29.040
<v Speaker 1>and then Stabler says, because you want to do that

0:37:29.160 --> 0:37:31.920
<v Speaker 1>more than anything in the world. And I really like

0:37:32.040 --> 0:37:34.879
<v Speaker 1>that where it's like, yeah, if you want it more

0:37:34.920 --> 0:37:36.960
<v Speaker 1>than anything in the world, you should have a kid.

0:37:37.480 --> 0:37:40.839
<v Speaker 1>And if it's not that feeling, I don't think you should. Yeah,

0:37:41.000 --> 0:37:43.759
<v Speaker 1>if you're on the fence, don't do it. And we've

0:37:43.760 --> 0:37:47.239
<v Speaker 1>never seen Stabler this measured and understanding of parenthood where

0:37:47.280 --> 0:37:49.400
<v Speaker 1>it's like he wanted to be a father more than

0:37:49.440 --> 0:37:51.480
<v Speaker 1>anything in the world, and he made that happen for

0:37:51.560 --> 0:37:54.319
<v Speaker 1>himself with you know, Kathy, who he keeps trapped in

0:37:54.440 --> 0:37:58.319
<v Speaker 1>his home. But and it's also the thing of like,

0:37:58.440 --> 0:38:00.560
<v Speaker 1>why don't you want to have kids because I don't

0:38:00.560 --> 0:38:02.400
<v Speaker 1>want you more than anything in the world. It's like,

0:38:03.600 --> 0:38:05.520
<v Speaker 1>and you wouldn't want me to have one, you know,

0:38:05.600 --> 0:38:07.759
<v Speaker 1>running around It's just I like it. First, this is

0:38:07.800 --> 0:38:09.960
<v Speaker 1>the first time Stablers like, well, yeah, it's like the

0:38:09.960 --> 0:38:12.400
<v Speaker 1>first time he's he hasn't just said like, oh, because

0:38:12.400 --> 0:38:14.839
<v Speaker 1>God says this is what we're supposed to do. And like,

0:38:14.960 --> 0:38:17.160
<v Speaker 1>you know, I just don't want to wear a condom,

0:38:17.320 --> 0:38:21.080
<v Speaker 1>you know, basically yeah, because the virgin Mary wouldn't like condoms. Yeah,

0:38:21.120 --> 0:38:24.200
<v Speaker 1>something like that. But I just I liked this little moment.

0:38:24.280 --> 0:38:26.279
<v Speaker 1>And then they hear classical music being played on a

0:38:26.320 --> 0:38:28.560
<v Speaker 1>piano and they run into Larry's home and it's the

0:38:28.600 --> 0:38:31.080
<v Speaker 1>boy we've seen in the tape. He has shelled back

0:38:31.120 --> 0:38:36.200
<v Speaker 1>hair and it's Angel from Rent, so's huge. And then

0:38:36.520 --> 0:38:39.680
<v Speaker 1>there's the Ray poster and on the fireplace behind him,

0:38:39.760 --> 0:38:43.320
<v Speaker 1>so you know Ray Guzamondo everywhere.

0:38:43.360 --> 0:38:45.280
<v Speaker 4>So then they they meet Evan.

0:38:45.760 --> 0:38:48.600
<v Speaker 1>Evan's the abused man, and they show him a photo

0:38:49.040 --> 0:38:51.560
<v Speaker 1>and they're like, we're looking for this guy. And now

0:38:51.640 --> 0:38:55.240
<v Speaker 1>we're in a separate we're in a new room, marble room, blinds,

0:38:55.640 --> 0:39:00.360
<v Speaker 1>so oh that's okaying, And the door opens, there's Ams

0:39:00.400 --> 0:39:04.120
<v Speaker 1>files and you know, he loves he loves holtzt he

0:39:04.239 --> 0:39:07.160
<v Speaker 1>loves him. He's trying to get and he's helping him

0:39:07.200 --> 0:39:08.839
<v Speaker 1>try to get into a three year program. He wants

0:39:08.840 --> 0:39:11.160
<v Speaker 1>to go to Juilliard, you know, lots of practice and

0:39:11.760 --> 0:39:14.680
<v Speaker 1>this teacher taught him for free the whole time. And

0:39:14.680 --> 0:39:16.880
<v Speaker 1>then there's a lot of general chats and then Benson

0:39:16.960 --> 0:39:19.480
<v Speaker 1>is like, we know what he did and you need

0:39:19.520 --> 0:39:21.960
<v Speaker 1>to tell us, but he said nothing happened to him.

0:39:22.600 --> 0:39:24.879
<v Speaker 1>Benson is like, how old were you the first time

0:39:24.920 --> 0:39:26.879
<v Speaker 1>you had sex? And he goes, oh, I haven't had

0:39:26.920 --> 0:39:29.359
<v Speaker 1>sex yet, And they keep trying to convince him that,

0:39:29.560 --> 0:39:32.279
<v Speaker 1>like Quoltz has hurt him. He goes, no, I was

0:39:32.360 --> 0:39:34.560
<v Speaker 1>just like pushed really hard. But I've met the bar

0:39:34.800 --> 0:39:37.239
<v Speaker 1>and nothing bad has happened. I'm like amazing, and I'm

0:39:37.280 --> 0:39:40.239
<v Speaker 1>going to be like Ray too. So Craigan is deep

0:39:40.239 --> 0:39:42.319
<v Speaker 1>in thought trying to figure it out, and suggests maybe

0:39:42.360 --> 0:39:45.000
<v Speaker 1>showing him the tape, but Staylor's like, well if he

0:39:45.040 --> 0:39:47.879
<v Speaker 1>doesn't remember something, like, why are we going to traumatize

0:39:47.880 --> 0:39:50.920
<v Speaker 1>this guy into like being like here, you were abused

0:39:50.920 --> 0:39:51.759
<v Speaker 1>but you never know it.

0:39:51.800 --> 0:39:52.120
<v Speaker 4>Whatever.

0:39:52.160 --> 0:39:54.279
<v Speaker 1>So they're like debating is it worth ruining his life

0:39:54.480 --> 0:39:57.960
<v Speaker 1>and full future or not to show the tapes or

0:39:58.040 --> 0:40:01.040
<v Speaker 1>like showman court or let him just live. No, he

0:40:01.160 --> 0:40:03.319
<v Speaker 1>was abused, I don't know. So Kragan is with Evan

0:40:03.360 --> 0:40:05.719
<v Speaker 1>and they're hitting play on the tape. Obviously we got

0:40:05.760 --> 0:40:07.760
<v Speaker 1>to keep the story moving. We can't be like, honestly,

0:40:07.800 --> 0:40:09.600
<v Speaker 1>we do care about your mental health. You should go home.

0:40:09.640 --> 0:40:10.800
<v Speaker 1>Nothing happened wrong.

0:40:10.840 --> 0:40:11.200
<v Speaker 4>Person.

0:40:12.120 --> 0:40:14.120
<v Speaker 1>They're gonna say, we're gonna watch You're gonna watch a

0:40:14.120 --> 0:40:16.880
<v Speaker 1>tape of you being abused. He warns him this is

0:40:16.920 --> 0:40:19.160
<v Speaker 1>gonna be hard to watch and what happened was wrong

0:40:19.560 --> 0:40:21.799
<v Speaker 1>and that we need help from you, Evan, And then

0:40:21.840 --> 0:40:24.480
<v Speaker 1>Evan is realizing what's happening? And he's like, what is this?

0:40:24.760 --> 0:40:27.319
<v Speaker 1>And it is ruining him. He's begging for it to

0:40:27.360 --> 0:40:30.040
<v Speaker 1>be turned off. He stands in the corner, slides down

0:40:30.040 --> 0:40:32.960
<v Speaker 1>the wall to the ground and he is repeating, no, no,

0:40:33.080 --> 0:40:36.520
<v Speaker 1>this went and this one bad, this went bad. So

0:40:36.680 --> 0:40:39.560
<v Speaker 1>now we're back on the snow and Benson and Stabler

0:40:39.640 --> 0:40:42.040
<v Speaker 1>go talk to his mother and she's smoking and drinking

0:40:42.080 --> 0:40:45.600
<v Speaker 1>and it's Newport, so you know what that means. She

0:40:45.840 --> 0:40:48.280
<v Speaker 1>said they're mental. She doesn't care about her health. Okay,

0:40:48.360 --> 0:40:57.320
<v Speaker 1>so there's a bottle obviously, there's also an open bottle

0:40:57.360 --> 0:40:57.920
<v Speaker 1>of aspirin.

0:40:58.000 --> 0:41:00.520
<v Speaker 4>I mean, she's got a lot of substance go in.

0:41:01.000 --> 0:41:03.160
<v Speaker 1>Oh and then they're also talking to Evan, and Evan

0:41:03.200 --> 0:41:06.120
<v Speaker 1>had his fucking Juilliard audition the next day, so it's like,

0:41:06.239 --> 0:41:09.000
<v Speaker 1>now you've traumatized him before his big audition.

0:41:09.120 --> 0:41:10.240
<v Speaker 4>You couldn't wait till.

0:41:10.080 --> 0:41:12.439
<v Speaker 1>The fun way today.

0:41:12.520 --> 0:41:13.120
<v Speaker 4>Oh my god.

0:41:13.200 --> 0:41:14.960
<v Speaker 1>So now they're going through the album and all the

0:41:14.960 --> 0:41:18.479
<v Speaker 1>photos and he is not giving the detectives what they want.

0:41:18.600 --> 0:41:21.440
<v Speaker 1>He loves Larry, he cares about him, you know, he

0:41:21.480 --> 0:41:24.200
<v Speaker 1>bought him a coat one year. And they keep leading

0:41:24.239 --> 0:41:26.759
<v Speaker 1>for help and like the convo always goes back at

0:41:26.800 --> 0:41:31.080
<v Speaker 1>this Gray Guzamano again, he was a prodigy at seventeen.

0:41:31.560 --> 0:41:33.600
<v Speaker 4>And then Evan goes, and I'm twenty one. No one's

0:41:33.640 --> 0:41:34.360
<v Speaker 4>caring about me.

0:41:34.800 --> 0:41:37.560
<v Speaker 1>And then Benson, with a fun fact, comes in and goes, well,

0:41:37.640 --> 0:41:40.160
<v Speaker 1>you know, Juliard just accepted a forty two year old

0:41:40.160 --> 0:41:43.440
<v Speaker 1>flute player. And then Evan goes, yeah, that guy was

0:41:43.480 --> 0:41:46.520
<v Speaker 1>a monk, and Benson goes, no, it's not too late,

0:41:46.840 --> 0:41:50.040
<v Speaker 1>and Evan smirks and goes, really bitch, and then opens

0:41:50.040 --> 0:41:53.360
<v Speaker 1>the album and starts going through the photos and he goes,

0:41:53.480 --> 0:41:58.360
<v Speaker 1>that's Caesar. He's in jail. That's Ricky. He's a junkie Tony.

0:41:58.480 --> 0:42:00.600
<v Speaker 1>No one knows where the fuck he is. And he

0:42:00.640 --> 0:42:03.480
<v Speaker 1>goes and me, I live with my mom. And so

0:42:03.600 --> 0:42:06.200
<v Speaker 1>now we're back at the precinct and all hands on debt.

0:42:06.400 --> 0:42:09.600
<v Speaker 1>Larry did not have a computer, no set schedule, and

0:42:09.680 --> 0:42:13.080
<v Speaker 1>nobody is talking about and the case is being fast tracked.

0:42:13.120 --> 0:42:15.560
<v Speaker 1>So you know, it's only on two counts because that's

0:42:15.600 --> 0:42:18.680
<v Speaker 1>all they have evidence for, and it's really fucked up

0:42:18.719 --> 0:42:21.680
<v Speaker 1>with everything because of the timing and statue of limitations,

0:42:21.760 --> 0:42:25.120
<v Speaker 1>and you know, this is early seasons. There's been changes

0:42:25.239 --> 0:42:29.240
<v Speaker 1>in legislation with sex crimes involving children. But for Evan,

0:42:29.520 --> 0:42:33.920
<v Speaker 1>anything before sixteen is out because of the years, like

0:42:34.040 --> 0:42:36.920
<v Speaker 1>how long ago it happened, but anything after seventeen can

0:42:36.960 --> 0:42:41.160
<v Speaker 1>be deemed consensual. So they have to prove that in

0:42:41.160 --> 0:42:44.080
<v Speaker 1>that one year what happened. And so they only have

0:42:44.120 --> 0:42:49.439
<v Speaker 1>two counts. It's very complicated, very annoying, and we'll see.

0:42:49.480 --> 0:42:51.120
<v Speaker 1>And he just doesn't want to betray whole, like he

0:42:51.400 --> 0:42:55.680
<v Speaker 1>he doesn't want to betray him. So so now we're

0:42:55.680 --> 0:42:58.120
<v Speaker 1>going to go talk to this junkie and jail friend.

0:42:58.480 --> 0:43:01.040
<v Speaker 1>So they talk to Ricky who's like squatted on the ground.

0:43:01.040 --> 0:43:04.960
<v Speaker 1>It's so fucking freezing. They do not help him. Oh god,

0:43:05.000 --> 0:43:06.759
<v Speaker 1>it's so sad to be on the street when it's cold.

0:43:07.400 --> 0:43:10.560
<v Speaker 1>He's fucked up. He goes, No, Larry's place was always warm,

0:43:11.239 --> 0:43:14.400
<v Speaker 1>it was never locked. I could always go whenever I wanted, like,

0:43:15.000 --> 0:43:17.399
<v Speaker 1>that's the place for me. And then he runs off.

0:43:17.760 --> 0:43:19.719
<v Speaker 1>And so now we're going to talk to Ray the

0:43:19.920 --> 0:43:23.720
<v Speaker 1>piano you know, master from the neighborhood. And he's living amazing.

0:43:23.800 --> 0:43:27.399
<v Speaker 1>He has like a nice ass Brownstone, a really nice car,

0:43:27.440 --> 0:43:29.200
<v Speaker 1>and you know, they rented that street out because only

0:43:29.360 --> 0:43:32.439
<v Speaker 1>one parked car on that side of the street. He says,

0:43:32.480 --> 0:43:34.920
<v Speaker 1>he owes a lot to Larry, and he owes the

0:43:34.960 --> 0:43:40.000
<v Speaker 1>community nothing cool. He says, Larry was the only person

0:43:40.040 --> 0:43:43.160
<v Speaker 1>that ever told him he could be somebody, and only

0:43:43.200 --> 0:43:45.479
<v Speaker 1>three ways to get out of that neighborhood. You gotta

0:43:45.520 --> 0:43:48.439
<v Speaker 1>be smart enough, or you die there, or you can

0:43:48.560 --> 0:43:52.040
<v Speaker 1>do something a ball or a piano. And he doesn't

0:43:52.080 --> 0:43:54.319
<v Speaker 1>want anyone to take that away from him. And they

0:43:54.360 --> 0:43:57.279
<v Speaker 1>go to try to talk to Larry's son, and he

0:43:57.360 --> 0:44:00.000
<v Speaker 1>also will not speak to the police. And Craigan goes

0:44:00.120 --> 0:44:02.239
<v Speaker 1>to the office and munch as they're watching tapes. He's

0:44:02.280 --> 0:44:05.080
<v Speaker 1>watched so many tapes. He can't sleep. He only sees tapes.

0:44:05.120 --> 0:44:07.440
<v Speaker 1>He is fucked. And then it's you know, one of

0:44:07.480 --> 0:44:10.680
<v Speaker 1>the classic like I miss homicide, you know, I miss

0:44:10.760 --> 0:44:14.320
<v Speaker 1>victims that don't talk. And then Craigan and him are sighing,

0:44:14.360 --> 0:44:18.560
<v Speaker 1>they're shaking heads, they're chatting. Stabler's reading to his children

0:44:18.600 --> 0:44:22.600
<v Speaker 1>and they're so little and cute. I love watching him

0:44:22.600 --> 0:44:25.600
<v Speaker 1>with the little ones. But it's Dickie and who's the

0:44:25.640 --> 0:44:28.040
<v Speaker 1>other who's the twin and it's Elizabeth. It's a rare

0:44:28.080 --> 0:44:31.120
<v Speaker 1>look at Elizabeth. We barely get any scream time from Elizabeth.

0:44:31.160 --> 0:44:35.759
<v Speaker 1>She's not very commonly seen now. No, So then he's

0:44:35.800 --> 0:44:37.360
<v Speaker 1>reading to the kids. But then he gets up. He

0:44:37.400 --> 0:44:40.520
<v Speaker 1>has a beeper, so it's very season one. He has

0:44:40.560 --> 0:44:43.520
<v Speaker 1>a page and oh no, and then this is like

0:44:43.640 --> 0:44:46.480
<v Speaker 1>this is my life. He grabs a white cordless phone,

0:44:46.920 --> 0:44:48.919
<v Speaker 1>and I just remember when we first got our first

0:44:48.960 --> 0:44:52.160
<v Speaker 1>chordless and what that meant to our family. And I

0:44:52.200 --> 0:44:56.279
<v Speaker 1>also really miss the memories of as a family recording

0:44:56.640 --> 0:45:01.879
<v Speaker 1>the voice like the message machine voice muss I liked it,

0:45:01.920 --> 0:45:03.239
<v Speaker 1>and like who is gonna do it?

0:45:03.320 --> 0:45:05.359
<v Speaker 4>And what like were we like? I don't know.

0:45:05.440 --> 0:45:08.400
<v Speaker 1>I really miss those times of like one communal phone

0:45:08.480 --> 0:45:12.600
<v Speaker 1>and everyone coming together for a voicemail. So that's just cute.

0:45:12.600 --> 0:45:15.479
<v Speaker 1>But it's Evan. So Evan beeped him. He calls Evan

0:45:15.560 --> 0:45:18.440
<v Speaker 1>back and as his kids climb him and they want

0:45:18.520 --> 0:45:20.200
<v Speaker 1>Christmas again, but it's February.

0:45:20.239 --> 0:45:21.400
<v Speaker 4>They can't have Christmas.

0:45:21.680 --> 0:45:24.120
<v Speaker 1>Staylor seems panicked and is like, I will be there

0:45:24.160 --> 0:45:27.040
<v Speaker 1>as soon as I can. So he runs to Polly's diner.

0:45:27.280 --> 0:45:32.600
<v Speaker 1>His mom threw him out. God she didn't want f

0:45:32.680 --> 0:45:36.920
<v Speaker 1>Sler staying at his place. So now he's homeless, so

0:45:37.120 --> 0:45:42.880
<v Speaker 1>again the cops, I hope you've ruined this man's life.

0:45:43.600 --> 0:45:47.239
<v Speaker 1>He offers emergency housing and stuff like that, but I

0:45:47.239 --> 0:45:50.400
<v Speaker 1>don't know. And then you know, Evan's hands hurt from dishwashing,

0:45:50.760 --> 0:45:53.480
<v Speaker 1>so he got fired from dishwashing, now, you know. So

0:45:53.520 --> 0:45:56.480
<v Speaker 1>he's like, fine, I'll fucking testify. So Stabler got what

0:45:56.480 --> 0:45:59.640
<v Speaker 1>he wanted. You got the victim to testify. He lost

0:45:59.640 --> 0:46:01.640
<v Speaker 1>his job, his way to live, and you fucked up

0:46:01.680 --> 0:46:05.600
<v Speaker 1>his Juilliard audition. But he's testifying, yes, Stabler if he

0:46:05.600 --> 0:46:08.719
<v Speaker 1>thinks he's gay, and Staylor goes, well, I don't really know.

0:46:08.800 --> 0:46:11.600
<v Speaker 1>It's not for me to say. But he's really confused

0:46:11.640 --> 0:46:15.279
<v Speaker 1>because he's never had a girlfriend. And Stabler tells him

0:46:15.280 --> 0:46:18.279
<v Speaker 1>like there's a big difference between gay and pedophile, and

0:46:18.360 --> 0:46:21.160
<v Speaker 1>that really confuses Evan. And he goes, well, listen, like

0:46:21.239 --> 0:46:23.960
<v Speaker 1>being gay is not my business, but what was done

0:46:24.040 --> 0:46:27.240
<v Speaker 1>to you? And Evan goes, you're saying I was forced.

0:46:27.320 --> 0:46:30.120
<v Speaker 1>So then Stabler goes, yeah, you were, and why didn't

0:46:30.160 --> 0:46:31.640
<v Speaker 1>you stop taking those lessons?

0:46:31.800 --> 0:46:32.040
<v Speaker 4>You know?

0:46:32.200 --> 0:46:34.320
<v Speaker 1>And he's like, I didn't think I had a choice.

0:46:35.360 --> 0:46:39.200
<v Speaker 1>So Stabler nods an understanding. Stabler then responds, whatever person

0:46:39.280 --> 0:46:41.839
<v Speaker 1>you choose, it should be your choice, and when you're

0:46:41.880 --> 0:46:44.960
<v Speaker 1>ready to see someone that way, you will. So we're

0:46:45.000 --> 0:46:47.920
<v Speaker 1>back at the Stabler household and they have a piano. Okay,

0:46:47.960 --> 0:46:51.440
<v Speaker 1>how did you afford that? I think Kathy comes from money?

0:46:52.200 --> 0:46:52.520
<v Speaker 4>Really?

0:46:53.080 --> 0:46:55.120
<v Speaker 1>Well, they met in private school, they live in a

0:46:55.160 --> 0:46:57.840
<v Speaker 1>giant house. They can afford to have all those kids

0:46:57.840 --> 0:47:00.759
<v Speaker 1>in the city on a police salary, and now they

0:47:00.760 --> 0:47:04.719
<v Speaker 1>have a piano and they're still going downtown for Manicotti Night.

0:47:04.840 --> 0:47:11.120
<v Speaker 1>Like I'm sorry, Yeah, maybe cavy comes for money is

0:47:11.160 --> 0:47:11.880
<v Speaker 1>a good theory.

0:47:12.480 --> 0:47:14.720
<v Speaker 4>That's my new theory. Tell us what you guys think.

0:47:15.080 --> 0:47:18.080
<v Speaker 1>So then Kathy asks if he is all right, you know,

0:47:18.120 --> 0:47:19.680
<v Speaker 1>because he's lurking by their piano.

0:47:19.880 --> 0:47:20.719
<v Speaker 4>She's creeped out.

0:47:21.160 --> 0:47:23.080
<v Speaker 1>And then they sit on the couch and he sighs

0:47:23.080 --> 0:47:25.239
<v Speaker 1>and leans back and a lot of you know, shirt

0:47:25.280 --> 0:47:29.239
<v Speaker 1>buttons are un buttoned, so that's hot, and he's having

0:47:29.320 --> 0:47:31.719
<v Speaker 1>a beer and he doesn't want to really talk to her.

0:47:32.120 --> 0:47:34.879
<v Speaker 1>So Kathy says, did you talk to Olivia about it?

0:47:35.800 --> 0:47:36.719
<v Speaker 4>Okay? Season one?

0:47:37.080 --> 0:47:39.759
<v Speaker 1>And he says, she's my partner, and Kathy nods and

0:47:39.800 --> 0:47:42.960
<v Speaker 1>then more like, you know, sighing a lot of sighing.

0:47:43.320 --> 0:47:45.520
<v Speaker 1>And now we're back to work. There's that was really

0:47:45.560 --> 0:47:50.680
<v Speaker 1>not finished. That convo is left. But because we just

0:47:50.719 --> 0:47:54.200
<v Speaker 1>had that work wife comment, yeah, from like an episode

0:47:54.280 --> 0:47:57.680
<v Speaker 1>we just did. I guess I'm just realizing these little moments. So, oh,

0:47:57.719 --> 0:48:00.400
<v Speaker 1>do you tell Olivia? Did you tell Olivia? Yeah? And

0:48:00.440 --> 0:48:02.680
<v Speaker 1>it's like, I don't know, Kathy, do you really want

0:48:02.680 --> 0:48:05.040
<v Speaker 1>to hear about like molested children? Right?

0:48:05.320 --> 0:48:05.480
<v Speaker 5>Right?

0:48:05.600 --> 0:48:07.399
<v Speaker 4>Keep it at keep it at work, keep it at work.

0:48:07.480 --> 0:48:09.480
<v Speaker 1>Right? People are upset when I talk about the curri

0:48:09.840 --> 0:48:12.560
<v Speaker 1>I'm bringing up friends that stop and people are not

0:48:12.719 --> 0:48:13.480
<v Speaker 1>happy about it.

0:48:13.719 --> 0:48:16.799
<v Speaker 4>So I don't know why she's so gung. Oh.

0:48:16.960 --> 0:48:20.040
<v Speaker 1>Stabler and the man eightya are talking about Evan and

0:48:20.080 --> 0:48:23.560
<v Speaker 1>how we get him ready and comfortable in court. And

0:48:23.600 --> 0:48:25.719
<v Speaker 1>even though he's older, he is frozen as an eight

0:48:25.760 --> 0:48:28.440
<v Speaker 1>year old from when he was molested. So the man

0:48:28.520 --> 0:48:32.480
<v Speaker 1>lawyer is like, oh, okay, when I get kids, I

0:48:32.520 --> 0:48:33.720
<v Speaker 1>give them a courtroom prep.

0:48:33.760 --> 0:48:35.319
<v Speaker 4>So we go to the courtroom to prep him.

0:48:35.360 --> 0:48:38.240
<v Speaker 1>He's spinning in the judges chair, he's playing with the gavel,

0:48:38.760 --> 0:48:41.160
<v Speaker 1>he touches the witness box, he sits in it, and

0:48:41.160 --> 0:48:43.400
<v Speaker 1>they're just really planning to help him, like do the

0:48:43.440 --> 0:48:45.800
<v Speaker 1>best he can on the stand, and he can't be

0:48:46.040 --> 0:48:49.480
<v Speaker 1>in court during the whole trial because then there'd be

0:48:49.640 --> 0:48:52.960
<v Speaker 1>might be contamination. So when it's his turn, you know

0:48:53.040 --> 0:48:55.560
<v Speaker 1>that you just come on in, talk loud clear, and

0:48:55.760 --> 0:48:59.960
<v Speaker 1>only look at the lawyer, ignore everything else but the question,

0:49:00.280 --> 0:49:02.960
<v Speaker 1>and he smiles. Stabler has a sandwich and a soda

0:49:03.000 --> 0:49:05.520
<v Speaker 1>with a straw, which she doesn't.

0:49:06.080 --> 0:49:09.120
<v Speaker 4>He doesn't seem like the straw type to me? Is

0:49:09.160 --> 0:49:10.120
<v Speaker 4>that rude? Is that.

0:49:11.640 --> 0:49:14.040
<v Speaker 1>I don't know, Like I just can't imagine. I feel

0:49:14.080 --> 0:49:16.040
<v Speaker 1>like Stabler is someone that would think using a straw

0:49:16.239 --> 0:49:18.480
<v Speaker 1>is gay. Like I know he's being really progressive and

0:49:18.520 --> 0:49:21.000
<v Speaker 1>cool in this episode, but I feel like he'd be

0:49:21.040 --> 0:49:24.400
<v Speaker 1>anti straw until they said that it sucked with the turtles,

0:49:24.400 --> 0:49:29.640
<v Speaker 1>and then he'd be like, oh, come on, I don't know. Well,

0:49:29.840 --> 0:49:32.480
<v Speaker 1>I'm sick of asking for three paper straws because they

0:49:32.480 --> 0:49:34.320
<v Speaker 1>get so soggy and gross.

0:49:34.520 --> 0:49:36.880
<v Speaker 3>Yeah, there has to be another way. Why can't we

0:49:37.040 --> 0:49:39.319
<v Speaker 3>just not put the trash in the oceans. I don't

0:49:39.400 --> 0:49:42.800
<v Speaker 3>understand why we have to get away from plastic straws.

0:49:42.400 --> 0:49:47.000
<v Speaker 1>Because I would also be down for Like I like

0:49:47.080 --> 0:49:49.760
<v Speaker 1>the glass and metal straws. I like the permanent straws.

0:49:49.840 --> 0:49:52.239
<v Speaker 1>I'm not cleaning them. Yeah, I don't do dish. I'm

0:49:52.239 --> 0:49:54.279
<v Speaker 1>gonna clean a straw with a straw thing.

0:49:54.280 --> 0:49:56.359
<v Speaker 3>I gonna carry one around in a little case and

0:49:56.360 --> 0:49:57.719
<v Speaker 3>have that be your straw wherever you go.

0:49:57.800 --> 0:50:00.400
<v Speaker 1>I don't think so now, I just don't think so.

0:50:00.640 --> 0:50:02.960
<v Speaker 1>And I want to be that girl. I love the

0:50:03.000 --> 0:50:06.120
<v Speaker 1>feeling of a metal straw because it cools it even more,

0:50:06.239 --> 0:50:10.360
<v Speaker 1>you know, it's like exciting. So Belser is sitting pondering

0:50:10.400 --> 0:50:12.520
<v Speaker 1>at his desk and he's like, what makes a purp

0:50:12.560 --> 0:50:16.719
<v Speaker 1>a purp? And Stabler goes, I don't care, and I

0:50:16.840 --> 0:50:20.719
<v Speaker 1>love that and I love that. Yeah, Belzer's like, you know,

0:50:20.719 --> 0:50:23.319
<v Speaker 1>bringing up frontal lobes and maybe he was abused, and

0:50:23.320 --> 0:50:25.480
<v Speaker 1>Stabler again goes, I don't care.

0:50:26.040 --> 0:50:26.839
<v Speaker 4>Like I don't care.

0:50:26.920 --> 0:50:28.680
<v Speaker 1>He heard a lot of kids, and that's all I

0:50:28.719 --> 0:50:31.239
<v Speaker 1>care about, no matter what your lobe is looking like.

0:50:31.760 --> 0:50:33.920
<v Speaker 1>And Belzer goes, well, I have something to show you.

0:50:34.560 --> 0:50:37.920
<v Speaker 1>And it's a tape and it's a tape of Evan

0:50:38.600 --> 0:50:41.080
<v Speaker 1>and he is with a young child and we hear

0:50:41.160 --> 0:50:43.960
<v Speaker 1>Larry's voice off camera, and then he moves into camera

0:50:44.520 --> 0:50:47.440
<v Speaker 1>and then like he says, the little boy is ready

0:50:47.440 --> 0:50:50.799
<v Speaker 1>to start learning. And now finally, Stabler is sitting and

0:50:50.800 --> 0:50:54.360
<v Speaker 1>Belzer is like Blair Witch in a corner and leaning

0:50:54.360 --> 0:50:56.600
<v Speaker 1>on file cabinets, and the little boy goes, what are

0:50:56.640 --> 0:50:59.720
<v Speaker 1>you doing? And Evan goes, uh is the one abusing.

0:51:00.080 --> 0:51:04.080
<v Speaker 1>Evan is doing the abusing. Evan is now abusing the

0:51:04.160 --> 0:51:06.560
<v Speaker 1>children in front of Larry, and Stabler is so pained

0:51:06.600 --> 0:51:10.239
<v Speaker 1>by this he's gritting his teeth and fuck. Jeffries is like, man,

0:51:10.280 --> 0:51:12.080
<v Speaker 1>I feel bad for this guy. What at? Like?

0:51:12.160 --> 0:51:13.480
<v Speaker 4>What else? What are we gonna do?

0:51:13.880 --> 0:51:15.879
<v Speaker 1>And Benson's screams that are like, what do you mean

0:51:16.160 --> 0:51:18.440
<v Speaker 1>we were ready to kill Holts when we saw the video.

0:51:18.960 --> 0:51:21.319
<v Speaker 1>And it's Jeffries, Benson, Craigan, and Munch and they're all

0:51:21.360 --> 0:51:24.800
<v Speaker 1>in Craigan's office debating like, yeah, he's both a victim

0:51:24.840 --> 0:51:27.839
<v Speaker 1>and an abuser. Now what And if Evan hurts another kid,

0:51:27.880 --> 0:51:29.960
<v Speaker 1>then that's going to be on us, And Craigan says,

0:51:30.000 --> 0:51:33.759
<v Speaker 1>the law that binds Holts also binds Evan. It's the

0:51:33.840 --> 0:51:36.640
<v Speaker 1>same laws. And I really like the way I like

0:51:36.680 --> 0:51:39.000
<v Speaker 1>a lot of the ways these people are speaking in

0:51:39.040 --> 0:51:41.080
<v Speaker 1>this episode, So yeah.

0:51:41.280 --> 0:51:46.480
<v Speaker 3>But I also feel like there is a coercive element

0:51:46.600 --> 0:51:49.280
<v Speaker 3>to what's happening to Evan. Even when he is committing

0:51:49.360 --> 0:51:52.600
<v Speaker 3>the crime, he is being coerced by a lifelong a

0:51:52.640 --> 0:51:58.480
<v Speaker 3>person who abused him for years, So it seems to

0:51:58.520 --> 0:52:01.760
<v Speaker 3>me like he's not fully responsible.

0:52:02.640 --> 0:52:04.440
<v Speaker 1>No, but I'm like I forgot how the what was

0:52:04.480 --> 0:52:06.120
<v Speaker 1>the case with the van where it's like this boy

0:52:06.239 --> 0:52:07.880
<v Speaker 1>was sold to this guy and was lessed in the

0:52:07.920 --> 0:52:10.799
<v Speaker 1>van and then they would kidnap kids together. He's still

0:52:10.800 --> 0:52:14.239
<v Speaker 1>got like the prison sentence even if your court, like

0:52:14.280 --> 0:52:16.640
<v Speaker 1>I you know what I mean, I don't know, like.

0:52:16.600 --> 0:52:17.680
<v Speaker 4>I think he needs help.

0:52:18.400 --> 0:52:21.399
<v Speaker 3>I just think it's like it's like when you are

0:52:21.440 --> 0:52:25.880
<v Speaker 3>in an abusive household and like and someone hurts a

0:52:25.960 --> 0:52:28.120
<v Speaker 3>child and like they they they're like mad at the

0:52:28.160 --> 0:52:30.960
<v Speaker 3>mother and the mother gets a more horrible sentence for

0:52:31.120 --> 0:52:34.359
<v Speaker 3>not doing anything to help, and it's like she's living

0:52:34.440 --> 0:52:36.480
<v Speaker 3>as a prisoner in an abusive household though in a

0:52:36.520 --> 0:52:39.239
<v Speaker 3>lot of ways like and like and has been traumatized

0:52:39.239 --> 0:52:42.239
<v Speaker 3>beyond belief, you know, like this kid has been traumatized

0:52:42.320 --> 0:52:45.399
<v Speaker 3>so badly that like I do think it's like very

0:52:46.239 --> 0:52:49.840
<v Speaker 3>very prescient of the show as usual to bring something

0:52:49.880 --> 0:52:52.640
<v Speaker 3>like this up in season one of like what does

0:52:52.680 --> 0:52:55.040
<v Speaker 3>make an abuse or look at the cycle of abuse, Like, yes,

0:52:55.280 --> 0:52:57.920
<v Speaker 3>we can't just say it's just guys fucking committing crimes,

0:52:57.960 --> 0:53:00.400
<v Speaker 3>and that can be true, but in this case, it's like,

0:53:00.440 --> 0:53:03.400
<v Speaker 3>this is a guy kid who's been so badly abused

0:53:03.400 --> 0:53:06.040
<v Speaker 3>for years by somebody that he trusted more than anybody,

0:53:06.400 --> 0:53:09.680
<v Speaker 3>and now of course it's the cycle has been perpetuated.

0:53:09.760 --> 0:53:12.400
<v Speaker 1>You know, you're right though, Like him being in the

0:53:12.480 --> 0:53:15.800
<v Speaker 1>room on that video, Yeah, like if he was I guess.

0:53:15.760 --> 0:53:18.400
<v Speaker 4>Evan alone being like this is how you teach.

0:53:18.440 --> 0:53:20.680
<v Speaker 1>It was like the guy said, okay, time to do

0:53:20.719 --> 0:53:23.160
<v Speaker 1>what you were told, And like it might even be

0:53:23.160 --> 0:53:26.279
<v Speaker 1>before he even saw the video that he even knew

0:53:26.320 --> 0:53:28.200
<v Speaker 1>that was like a bad thing to do to someone,

0:53:28.280 --> 0:53:30.160
<v Speaker 1>you know what I mean. It's like when you condition

0:53:30.320 --> 0:53:33.200
<v Speaker 1>someone so young, they're like, oh, this is what learning

0:53:33.200 --> 0:53:36.080
<v Speaker 1>piano lessons is. You know well, yeah, because I haven't

0:53:36.080 --> 0:53:38.880
<v Speaker 1>said he thought he didn't have a choice. Yeah, he

0:53:38.880 --> 0:53:40.360
<v Speaker 1>didn't have a choice to quit the lessons.

0:53:40.400 --> 0:53:42.319
<v Speaker 3>He didn't have a choice to not molest this little

0:53:42.320 --> 0:53:45.160
<v Speaker 3>boy when he was prompted, like I don't know, don't.

0:53:45.040 --> 0:53:47.080
<v Speaker 1>You didn't even know he was abused really until the

0:53:47.120 --> 0:53:48.560
<v Speaker 1>detectives showed him that tape.

0:53:48.640 --> 0:53:51.440
<v Speaker 3>Yes, that's what I'm saying, like it awakened this whole thing.

0:53:51.520 --> 0:53:54.399
<v Speaker 3>Like so I don't know in less and again they're right,

0:53:54.400 --> 0:53:56.160
<v Speaker 3>if he does go on to abuse other people, he

0:53:56.200 --> 0:53:59.120
<v Speaker 3>doesn't need help. I just don't know that, Like jail

0:53:59.200 --> 0:54:00.640
<v Speaker 3>time is necess Sarah know.

0:54:01.239 --> 0:54:03.880
<v Speaker 1>But the trauma to the children he did do it on,

0:54:04.000 --> 0:54:06.399
<v Speaker 1>or that one child on the tape, It's like if

0:54:06.440 --> 0:54:08.560
<v Speaker 1>I were that kid's parents, I don't care what happened

0:54:08.560 --> 0:54:10.200
<v Speaker 1>to Evan or not, or who was in the room.

0:54:10.280 --> 0:54:14.440
<v Speaker 1>It's like, you molested my kid, right, Yeah, the trauma's

0:54:14.520 --> 0:54:18.600
<v Speaker 1>been done. Yeah, even if we feel bad for him,

0:54:18.640 --> 0:54:23.240
<v Speaker 1>I mean it really being poor sucks, like we should

0:54:23.239 --> 0:54:24.600
<v Speaker 1>help everyone.

0:54:24.719 --> 0:54:26.520
<v Speaker 4>We should help people to not be poor.

0:54:27.480 --> 0:54:28.040
<v Speaker 1>And then.

0:54:29.880 --> 0:54:32.200
<v Speaker 3>I don't know, well, just to not repeat cycles of

0:54:32.200 --> 0:54:35.759
<v Speaker 3>abuse as well, you know, just like this kid, if

0:54:35.800 --> 0:54:37.879
<v Speaker 3>he even knew what had happened to him, or had

0:54:37.880 --> 0:54:40.640
<v Speaker 3>had any resources or a mother that wasn't just like

0:54:40.680 --> 0:54:43.080
<v Speaker 3>smoking newports and being like, oh, my kid just plays

0:54:43.080 --> 0:54:43.799
<v Speaker 3>piano all day.

0:54:43.840 --> 0:54:48.320
<v Speaker 4>Like if he had kicks him out, he kicks him out. Yeah.

0:54:48.719 --> 0:54:52.480
<v Speaker 3>Yeah, So like if he had any support, he would

0:54:52.520 --> 0:54:54.640
<v Speaker 3>have eventually he would have probably at some point figured

0:54:54.680 --> 0:54:56.719
<v Speaker 3>out that what was happening to him was criminal, and

0:54:56.760 --> 0:54:58.880
<v Speaker 3>he would and maybe he wouldn't have kept doing he

0:54:58.960 --> 0:55:01.240
<v Speaker 3>wouldn't have gone on to do it himself.

0:55:01.400 --> 0:55:03.560
<v Speaker 4>But yeah, and depending on the quality of the school.

0:55:03.600 --> 0:55:07.440
<v Speaker 1>It's like, did any teacher notice anything right, like change

0:55:07.480 --> 0:55:09.160
<v Speaker 1>in his behavior or demeanor?

0:55:09.280 --> 0:55:12.520
<v Speaker 4>And you know, like you need smaller classes.

0:55:12.520 --> 0:55:15.440
<v Speaker 1>It's all just so interconnected, and I feel like we're

0:55:15.480 --> 0:55:19.080
<v Speaker 1>always just looking at everything on its own when it's

0:55:19.120 --> 0:55:25.160
<v Speaker 1>this huge, connected, fucking thing. I actually had a conversation

0:55:25.239 --> 0:55:28.480
<v Speaker 1>with my father, who's you know, eighty seven, but he

0:55:28.640 --> 0:55:31.800
<v Speaker 1>was like, we were talking about job Corp and it ending,

0:55:31.920 --> 0:55:36.200
<v Speaker 1>and like how it's so fucked up because you know,

0:55:36.239 --> 0:55:38.480
<v Speaker 1>it's like kids in the foster care system they get

0:55:38.520 --> 0:55:40.160
<v Speaker 1>to join job Core and they have a place to

0:55:40.200 --> 0:55:42.480
<v Speaker 1>live and a school and they can learn a trade

0:55:42.480 --> 0:55:45.960
<v Speaker 1>and then they like have resources, and this administration just

0:55:46.080 --> 0:55:49.160
<v Speaker 1>ended it abruptly, so all these kids have nowhere to go,

0:55:49.680 --> 0:55:51.920
<v Speaker 1>they have no resources, they have no training. And then

0:55:51.960 --> 0:55:53.160
<v Speaker 1>I was like, and then they're on the street, and

0:55:53.200 --> 0:55:55.520
<v Speaker 1>I'm like, and then they make homelessness illegal. And then

0:55:55.600 --> 0:55:57.560
<v Speaker 1>my dad before and this is where I was going,

0:55:57.600 --> 0:55:59.960
<v Speaker 1>But my dad goes but what is it about, Jane,

0:56:00.320 --> 0:56:02.400
<v Speaker 1>Why do they want to keep putting people in jail?

0:56:02.440 --> 0:56:03.920
<v Speaker 4>And I go, well, Dad, that's a great question.

0:56:04.280 --> 0:56:06.920
<v Speaker 1>I go, well, it's a private prison and people make money,

0:56:06.960 --> 0:56:09.359
<v Speaker 1>and then these people can't vote, and then they're doing

0:56:09.520 --> 0:56:13.240
<v Speaker 1>you know, labor in it, and it's like slave labor

0:56:13.280 --> 0:56:15.560
<v Speaker 1>in these jails, and like, so they're getting like labor

0:56:15.560 --> 0:56:17.680
<v Speaker 1>out of these people. They're getting them to stop voting,

0:56:17.719 --> 0:56:20.319
<v Speaker 1>and I'm like, and they're making money off and prisoning them.

0:56:20.760 --> 0:56:23.040
<v Speaker 1>And then but so you just think about like, oh,

0:56:23.080 --> 0:56:26.560
<v Speaker 1>these free loading kids, right or whatever evil people think.

0:56:27.360 --> 0:56:29.880
<v Speaker 1>But how it's all just so connected. Yeah, if these

0:56:29.960 --> 0:56:33.360
<v Speaker 1>kids had a better school, better resources, had food to eat, whatever,

0:56:34.040 --> 0:56:36.520
<v Speaker 1>if their parents had more resources, like all of these things,

0:56:36.560 --> 0:56:39.880
<v Speaker 1>and I don't, I just can. It is just so

0:56:40.040 --> 0:56:43.359
<v Speaker 1>connected and having resources and kids being edgy, all of it.

0:56:43.360 --> 0:56:47.279
<v Speaker 1>It's just like so upsetting that it's all deemed in

0:56:47.360 --> 0:56:50.640
<v Speaker 1>these separate little Yeah. I just feel like having the

0:56:50.680 --> 0:56:53.160
<v Speaker 1>guy on the video, like he would have had a

0:56:53.200 --> 0:56:55.200
<v Speaker 1>case for like coercion or something.

0:56:55.960 --> 0:57:00.160
<v Speaker 3>But you know, I'm not writing the episode, so it's

0:57:00.200 --> 0:57:03.239
<v Speaker 3>my degree from the Law and Order sv University, and

0:57:03.320 --> 0:57:06.759
<v Speaker 3>so now he's unfortunately demoted from the marble room to

0:57:06.760 --> 0:57:10.919
<v Speaker 3>the cement room bars and Evan's talking and Larry said,

0:57:10.960 --> 0:57:14.160
<v Speaker 3>Jonathan didn't feel the music. Oh, can you play a

0:57:14.160 --> 0:57:16.720
<v Speaker 3>piece of music about longing if you've never felt that?

0:57:17.200 --> 0:57:19.640
<v Speaker 1>And it's how Evan learned how to play. So that's that.

0:57:19.880 --> 0:57:22.040
<v Speaker 1>And Sabler's like, so what are you going to do

0:57:22.080 --> 0:57:25.320
<v Speaker 1>with your talent now? It's like, okay, things are bad enough.

0:57:25.360 --> 0:57:29.080
<v Speaker 1>Stabler like, you don't have to fucking remind him he's

0:57:29.080 --> 0:57:31.360
<v Speaker 1>not going to be able to play piano. And then

0:57:31.360 --> 0:57:33.760
<v Speaker 1>Stabler asked how many times did it happen? And Evan goes,

0:57:33.840 --> 0:57:37.880
<v Speaker 1>only once, that's the truth, and I deserve to be punished.

0:57:38.520 --> 0:57:41.000
<v Speaker 1>And he's like, I will test the fight tomorrow. You

0:57:41.040 --> 0:57:43.720
<v Speaker 1>can arraign me. They're like, no, we're willing to make

0:57:43.760 --> 0:57:45.840
<v Speaker 1>a deal. We can make a deal. And Stabler and

0:57:45.880 --> 0:57:48.400
<v Speaker 1>Craigan are in a walk and talk and they're kind

0:57:48.400 --> 0:57:50.080
<v Speaker 1>of like stuck in the middle of all this and

0:57:50.120 --> 0:57:52.480
<v Speaker 1>none of it is clear, and Stabler says Evan had

0:57:52.520 --> 0:57:55.680
<v Speaker 1>a choice and he committed a crime, and Craigan goes, sure,

0:57:55.840 --> 0:57:59.000
<v Speaker 1>and we're cops and we will deal with it, and like,

0:57:59.080 --> 0:58:01.880
<v Speaker 1>what's eating? What eating at you, you know, and it's

0:58:01.920 --> 0:58:04.920
<v Speaker 1>little Evan, Like what choice did little Evan.

0:58:04.720 --> 0:58:08.560
<v Speaker 4>Have in all of this? And it's like.

0:58:08.720 --> 0:58:10.680
<v Speaker 1>You're thinking about that kid, but what about the kid

0:58:10.720 --> 0:58:13.640
<v Speaker 1>that was abused? You know, It's like they're all little kids.

0:58:14.240 --> 0:58:16.280
<v Speaker 1>So now we're in court, we're talking about bail. They

0:58:16.360 --> 0:58:18.480
<v Speaker 1>choose not to put him in prison overnight because the

0:58:18.520 --> 0:58:22.280
<v Speaker 1>stress of that might fuck up with him testifying. So

0:58:22.560 --> 0:58:25.360
<v Speaker 1>the judge puts him in a motel. Stabler's with him,

0:58:25.360 --> 0:58:27.560
<v Speaker 1>and Evan goes, do you hate me? And Sablor says,

0:58:27.600 --> 0:58:30.080
<v Speaker 1>I don't hate you. Sablor says, what happened to you

0:58:30.120 --> 0:58:33.720
<v Speaker 1>is terrible, and I tries seeing that little child being abused,

0:58:33.840 --> 0:58:36.480
<v Speaker 1>only Evan cuts him off and now you see me

0:58:36.520 --> 0:58:40.480
<v Speaker 1>as an abuser, and you know, And then Sailor's going

0:58:40.480 --> 0:58:41.880
<v Speaker 1>through his bag because he's going to be in the

0:58:41.880 --> 0:58:44.480
<v Speaker 1>motel with Evan, and like the kids snuck Christmas book

0:58:44.560 --> 0:58:48.120
<v Speaker 1>into the bag because you know, they want Christmas, and

0:58:48.200 --> 0:58:50.640
<v Speaker 1>Evan touches it and tries to read from it, and

0:58:50.680 --> 0:58:54.440
<v Speaker 1>Stabler snatches that book away from him, and Evan lowers

0:58:54.480 --> 0:58:56.560
<v Speaker 1>his head in shame. And now Evan is on the

0:58:56.600 --> 0:59:00.000
<v Speaker 1>stand hole is crying like damn the betrayal of you.

0:59:00.120 --> 0:59:01.520
<v Speaker 4>It's like, you're a criminal. I hate you.

0:59:01.960 --> 0:59:03.760
<v Speaker 1>And then finally at the end, the judge is like, well,

0:59:03.760 --> 0:59:06.320
<v Speaker 1>we've heard from everybody, dude, do you want to say something,

0:59:06.320 --> 0:59:08.280
<v Speaker 1>And the lawyer goes no, no, no, no, no, he does not.

0:59:08.760 --> 0:59:10.600
<v Speaker 1>I'm sure he would just get hard on the stand

0:59:10.640 --> 0:59:14.320
<v Speaker 1>with his fucking beady little eyes, so that the judge says, look,

0:59:15.200 --> 0:59:18.080
<v Speaker 1>I've read everything and seen everything. Nothing indicates that you

0:59:18.120 --> 0:59:20.760
<v Speaker 1>feel any remorse, and so I'm not gonna be lenient

0:59:20.800 --> 0:59:24.600
<v Speaker 1>in any way. Note by note, you eroded the hope

0:59:24.600 --> 0:59:28.320
<v Speaker 1>from every child in your charge. You stole from them,

0:59:28.520 --> 0:59:32.520
<v Speaker 1>you stole from this community. Good judge. He gets one

0:59:32.560 --> 0:59:36.000
<v Speaker 1>hundred and fifteen years the max the law allows, and

0:59:36.160 --> 0:59:39.440
<v Speaker 1>uh yeah, bye, bitch. She's being taken away, and Evan's shocked, like,

0:59:39.440 --> 0:59:43.120
<v Speaker 1>oh my god, that long. But he'll be available for

0:59:43.160 --> 0:59:45.680
<v Speaker 1>parol in thirty eight years. And Evan still feels like

0:59:45.840 --> 0:59:49.160
<v Speaker 1>really guilty about this because this guy's really old. And

0:59:49.240 --> 0:59:52.200
<v Speaker 1>Larry smiles at Evan before he's taken to prison, and

0:59:52.240 --> 0:59:54.920
<v Speaker 1>it's a really creepy smile. And we go talk to

0:59:54.960 --> 0:59:57.120
<v Speaker 1>the dad of the boy Evan molested who's like, my

0:59:57.280 --> 1:00:00.000
<v Speaker 1>son is down to testify, and I want Evan punished

1:00:00.120 --> 1:00:03.080
<v Speaker 1>to see. That's what I mean, Like, yeah, if your

1:00:03.160 --> 1:00:05.520
<v Speaker 1>kid was molested, you kind of don't care what someone's

1:00:05.560 --> 1:00:10.200
<v Speaker 1>story is. So then they say he's pleading guilty and

1:00:10.240 --> 1:00:13.640
<v Speaker 1>he'll be on probation heavily supervised. So they explain to

1:00:13.680 --> 1:00:16.400
<v Speaker 1>the dad like, you know, Evan's gonna plead guilty and

1:00:16.440 --> 1:00:19.200
<v Speaker 1>then we'll have him on probation and he'll be heavily supervised.

1:00:19.200 --> 1:00:22.000
<v Speaker 1>And the dad goes, no, my son is the victim,

1:00:22.320 --> 1:00:25.520
<v Speaker 1>and stabler goes, no, I know, but it's you know, Larry.

1:00:25.600 --> 1:00:27.120
<v Speaker 1>It goes back to him, and the dad goes, I

1:00:27.160 --> 1:00:30.280
<v Speaker 1>want justice, not special laws for special people.

1:00:30.400 --> 1:00:31.440
<v Speaker 4>I don't give a fuck.

1:00:32.160 --> 1:00:34.360
<v Speaker 1>And Evan's in a suit and tie, he's in cement

1:00:34.440 --> 1:00:38.840
<v Speaker 1>room bars and he's you know, he got into Juilliard.

1:00:39.640 --> 1:00:43.480
<v Speaker 1>We find out he got into Juilliard, so that stinks,

1:00:43.920 --> 1:00:46.000
<v Speaker 1>and the judge refuses to make a deal with him,

1:00:46.040 --> 1:00:48.200
<v Speaker 1>which I think makes sense. Like I said, but he's

1:00:48.200 --> 1:00:50.320
<v Speaker 1>only going to jail for one to three years, which

1:00:50.360 --> 1:00:53.800
<v Speaker 1>I think like helps with the sadness we feel for

1:00:53.840 --> 1:00:56.920
<v Speaker 1>this character. But it is a bummer that he got

1:00:56.960 --> 1:00:59.240
<v Speaker 1>into Juilliard again, like you fuck up his own and

1:00:59.280 --> 1:01:00.800
<v Speaker 1>then you we wave.

1:01:00.600 --> 1:01:01.720
<v Speaker 4>The envelope in his face.

1:01:01.840 --> 1:01:05.840
<v Speaker 1>Yeah, but anyway, so with trial, like but with trial,

1:01:05.880 --> 1:01:08.680
<v Speaker 1>his lawyer says, we won't get the max, so like,

1:01:09.400 --> 1:01:11.720
<v Speaker 1>we'll just take back our plea deal, you know, like

1:01:11.800 --> 1:01:14.080
<v Speaker 1>I bet in court we'll get enough sympathy to be

1:01:14.080 --> 1:01:16.040
<v Speaker 1>able to get probation and we'll get what we want.

1:01:16.320 --> 1:01:19.240
<v Speaker 1>Why would we agree to this max sentence? And then

1:01:19.320 --> 1:01:23.760
<v Speaker 1>Evan says, no, Jonathan can't go through that, and so

1:01:23.840 --> 1:01:26.000
<v Speaker 1>he goes, whatever, I'll be in jail for you three years.

1:01:26.040 --> 1:01:28.320
<v Speaker 1>I deserve it. Evan says, I don't know what made

1:01:28.360 --> 1:01:30.360
<v Speaker 1>Holt the way he is, but I do know why

1:01:30.400 --> 1:01:31.439
<v Speaker 1>I am the way I am.

1:01:31.560 --> 1:01:33.760
<v Speaker 4>And it stops here now.

1:01:34.280 --> 1:01:38.840
<v Speaker 1>And he looks out the bar windows and that's stickwolf baby. Also,

1:01:38.960 --> 1:01:42.480
<v Speaker 1>do we assume that Holt was not also molesting this

1:01:42.600 --> 1:01:47.080
<v Speaker 1>little boy, the one he's the Yeah, he's the one

1:01:47.080 --> 1:01:51.280
<v Speaker 1>of the pictures, right, m hmm, yeah, like he definitely is.

1:01:51.640 --> 1:01:53.040
<v Speaker 4>So I don't know.

1:01:53.080 --> 1:01:55.800
<v Speaker 3>The dad is like getting justiced for the guy who

1:01:55.880 --> 1:01:58.640
<v Speaker 3>molested his son, probably multiple multiple times, and then he

1:01:58.720 --> 1:02:00.000
<v Speaker 3>really wants the guy who did it one time.

1:02:00.040 --> 1:02:04.360
<v Speaker 1>I'm also to get jail time. It just, uh, who's

1:02:04.400 --> 1:02:05.160
<v Speaker 1>also a victim?

1:02:06.040 --> 1:02:06.440
<v Speaker 4>I don't know.

1:02:07.080 --> 1:02:09.160
<v Speaker 1>I mean, yeah, not to keep bring up my dad,

1:02:09.160 --> 1:02:10.480
<v Speaker 1>but I did just spend a lot of time with

1:02:10.520 --> 1:02:13.640
<v Speaker 1>my family. But we were talking about how like he also,

1:02:13.840 --> 1:02:15.960
<v Speaker 1>we don't know where he gets information, so take this

1:02:16.000 --> 1:02:17.800
<v Speaker 1>with a grain of salt. But he was just saying

1:02:17.840 --> 1:02:21.600
<v Speaker 1>how he read about like a family whose son unfortunately

1:02:21.640 --> 1:02:24.400
<v Speaker 1>died in a drunk driving collision, like a drunk driver

1:02:24.480 --> 1:02:28.440
<v Speaker 1>hit him, and the guy offered them like thirty million

1:02:28.440 --> 1:02:30.440
<v Speaker 1>dollars like he was like a rich guy, and it's

1:02:30.480 --> 1:02:32.480
<v Speaker 1>like it was like, I'll just settle with you. Guys, like,

1:02:32.720 --> 1:02:35.000
<v Speaker 1>let me just settle with you, and the family went,

1:02:35.040 --> 1:02:35.760
<v Speaker 1>we don't want your money.

1:02:35.800 --> 1:02:36.800
<v Speaker 4>We want you to go to jail.

1:02:37.280 --> 1:02:39.920
<v Speaker 1>And my dad was confused about like why they wouldn't

1:02:39.960 --> 1:02:42.400
<v Speaker 1>just take the money, and I go, it's about justice, dad,

1:02:42.440 --> 1:02:44.440
<v Speaker 1>I go, they didn't want the money. They wanted like

1:02:44.480 --> 1:02:47.640
<v Speaker 1>a suffering and he he just didn't get it. But

1:02:48.080 --> 1:02:51.120
<v Speaker 1>I don't know, like your kid's dead, you want the

1:02:51.160 --> 1:02:54.800
<v Speaker 1>person in trouble like you want I don't know, right, yeah,

1:02:55.600 --> 1:02:57.320
<v Speaker 1>because you don't want to be bought off when your

1:02:57.600 --> 1:02:59.920
<v Speaker 1>child's dead, like what are you gonna but thirty million?

1:03:00.120 --> 1:03:00.440
<v Speaker 4>I don't know.

1:03:00.640 --> 1:03:02.560
<v Speaker 1>Again, I don't know where these numbers came from. Who

1:03:02.600 --> 1:03:04.480
<v Speaker 1>this is? Is this real? I'm not sure.

1:03:05.560 --> 1:03:05.920
<v Speaker 4>Yeah.

1:03:06.640 --> 1:03:09.320
<v Speaker 3>I just wonder if like someone came to me and

1:03:09.320 --> 1:03:12.040
<v Speaker 3>they were like, oh, your son's piano teacher has been

1:03:12.120 --> 1:03:14.919
<v Speaker 3>your kids piano teacher has been molesting them, and then

1:03:15.240 --> 1:03:18.240
<v Speaker 3>one of their other students that they molested from your

1:03:18.240 --> 1:03:22.520
<v Speaker 3>son's age to into adulthood one time was also coerced

1:03:22.560 --> 1:03:23.320
<v Speaker 3>into doing it as well.

1:03:23.360 --> 1:03:25.440
<v Speaker 4>I feel like my anger would mostly be towards Holt.

1:03:25.640 --> 1:03:36.600
<v Speaker 1>But again, it's a television show, Okay. So here's what's

1:03:36.600 --> 1:03:39.120
<v Speaker 1>crazy when you Obviously, we have a bunch of different

1:03:39.120 --> 1:03:40.760
<v Speaker 1>places where we find out where crimes are from, but

1:03:40.760 --> 1:03:42.520
<v Speaker 1>a lot of times we use the law and order

1:03:42.600 --> 1:03:47.000
<v Speaker 1>fandom Wikipedia, and they say, based on a reported Brooklyn

1:03:47.040 --> 1:03:49.520
<v Speaker 1>case involving a piano teacher who gave free lessons to

1:03:49.600 --> 1:03:53.000
<v Speaker 1>underprivileged children in order to videotape himself molesting them, that

1:03:53.480 --> 1:03:54.560
<v Speaker 1>word for word.

1:03:54.360 --> 1:03:56.880
<v Speaker 3>Is written multiple times all around the internet. But I

1:03:56.960 --> 1:04:00.000
<v Speaker 3>cannot find a case where that actually happened.

1:04:00.800 --> 1:04:01.200
<v Speaker 4>I can't.

1:04:01.200 --> 1:04:05.280
<v Speaker 3>What I did find are two cases kind of close

1:04:05.320 --> 1:04:08.120
<v Speaker 3>to each other in the late nineties, right as this

1:04:08.160 --> 1:04:10.280
<v Speaker 3>because this is from the first season, right as the

1:04:10.320 --> 1:04:13.439
<v Speaker 3>show was kicking off, and I think it might be

1:04:14.280 --> 1:04:16.960
<v Speaker 3>like a little bit of a maybe a little bit

1:04:16.960 --> 1:04:20.800
<v Speaker 3>of a combo of the cases. So I will start

1:04:20.840 --> 1:04:23.360
<v Speaker 3>with this first one. This is from nineteen ninety seven.

1:04:24.280 --> 1:04:29.160
<v Speaker 3>On April eighteenth of nineteen ninety seven, at Intermediate School

1:04:29.240 --> 1:04:32.320
<v Speaker 3>two four six in two forty six in Flatbush, the

1:04:32.320 --> 1:04:36.200
<v Speaker 3>Flatbush neighborhood of Brooklyn, a janitor said he tried to

1:04:36.240 --> 1:04:39.080
<v Speaker 3>get into the school's music room, but there was a

1:04:39.120 --> 1:04:43.200
<v Speaker 3>desk pushed up against the door. When he finally pushed through,

1:04:43.720 --> 1:04:46.840
<v Speaker 3>he saw a forty one year old music teacher, Michael Williams,

1:04:46.920 --> 1:04:49.520
<v Speaker 3>and a thirteen year old female eighth grader with her

1:04:49.600 --> 1:04:51.240
<v Speaker 3>skirt up over her waist.

1:04:51.840 --> 1:04:52.640
<v Speaker 4>After what he.

1:04:52.560 --> 1:04:56.040
<v Speaker 3>Saw, the janitor went to the principal right away, and

1:04:56.080 --> 1:04:59.520
<v Speaker 3>then that is where the story diverges. The principal, whose

1:04:59.560 --> 1:05:02.360
<v Speaker 3>name was l Winfield, says that the janitor told him

1:05:02.440 --> 1:05:05.080
<v Speaker 3>we've got a problem or something like that, but that

1:05:05.680 --> 1:05:08.280
<v Speaker 3>he never got into details or something. But then the

1:05:08.360 --> 1:05:11.240
<v Speaker 3>janitor goes, no, no, I said, I told the principle

1:05:11.280 --> 1:05:13.360
<v Speaker 3>to misconduct, and the principle told me to put it

1:05:13.400 --> 1:05:15.720
<v Speaker 3>in writing, which the janitor refused to do.

1:05:16.240 --> 1:05:19.760
<v Speaker 4>I don't know why, but who knows.

1:05:19.800 --> 1:05:21.440
<v Speaker 3>The janitor could have had a million reasons why he

1:05:21.480 --> 1:05:25.080
<v Speaker 3>didn't want to write a report, but he said this

1:05:25.240 --> 1:05:28.360
<v Speaker 3>is what I saw to the principle on May ninth.

1:05:28.600 --> 1:05:29.640
<v Speaker 4>That's three weeks later.

1:05:29.800 --> 1:05:32.200
<v Speaker 1>Three weeks have gone by where nothing has happened since

1:05:32.200 --> 1:05:36.320
<v Speaker 1>this janitor has witnessed this. May ninth, the janitor decides

1:05:36.360 --> 1:05:39.440
<v Speaker 1>to call Edward F. Stansick, who is the Special Commissioner

1:05:39.440 --> 1:05:43.160
<v Speaker 1>of Investigation for City Schools in New York. And then

1:05:43.400 --> 1:05:46.200
<v Speaker 1>five days later, on May fourteenth, stansik Is and his

1:05:46.280 --> 1:05:49.840
<v Speaker 1>investigators interviewed the janitor, who reports what he saw and

1:05:49.920 --> 1:05:53.280
<v Speaker 1>he did this with the principal present, and the principle

1:05:53.480 --> 1:05:54.560
<v Speaker 1>was like, that's not what happened.

1:05:54.560 --> 1:05:54.840
<v Speaker 4>Whatever.

1:05:54.920 --> 1:05:58.520
<v Speaker 3>But two days later they asked Winfield to remove Williams

1:05:58.760 --> 1:06:02.760
<v Speaker 3>and re the teacher, reassign him, but the principal refused

1:06:02.880 --> 1:06:06.440
<v Speaker 3>until he got allegations in writing from San Sik's office.

1:06:06.520 --> 1:06:11.360
<v Speaker 3>So super cool, principle definitely not covering for a fucking

1:06:11.640 --> 1:06:15.520
<v Speaker 3>pedophile teacher that's on his staff. So the teacher was

1:06:15.560 --> 1:06:20.600
<v Speaker 3>permitted to stay at the school that Friday, May sixteenth, Monday,

1:06:20.800 --> 1:06:24.000
<v Speaker 3>and Tuesday May nineteenth and twentieth, all after he kind

1:06:24.000 --> 1:06:27.120
<v Speaker 3>of knows he's being investigated. On Tuesday the twentieth, the

1:06:27.160 --> 1:06:31.840
<v Speaker 3>teacher confronts the student. He's pissed and he's under investigation.

1:06:32.120 --> 1:06:34.919
<v Speaker 3>He's he's confronting the student. It's like you were there

1:06:34.960 --> 1:06:37.919
<v Speaker 3>also when you were both there when a janitor walked

1:06:37.920 --> 1:06:40.320
<v Speaker 3>in on what you were doing. So why why you're

1:06:40.320 --> 1:06:43.880
<v Speaker 3>blaming her for somehow being behind It is insane? And

1:06:43.960 --> 1:06:47.520
<v Speaker 3>the teacher takes off on the twenty of the twentieth

1:06:47.520 --> 1:06:50.680
<v Speaker 3>Tuesday the twentieth, to his home in toby Hana, Pennsylvania,

1:06:51.120 --> 1:06:53.880
<v Speaker 3>which is in the Poconos. So if you know anything

1:06:53.880 --> 1:06:57.560
<v Speaker 3>about the geography of this area, that is very far.

1:06:58.080 --> 1:07:00.800
<v Speaker 3>Williams taught music at that school for ten years and

1:07:00.840 --> 1:07:04.000
<v Speaker 3>traveled one hundred miles by bus every day to get there.

1:07:04.360 --> 1:07:07.600
<v Speaker 1>Yeah that's a pedophile. Yeah, he's in it. He's working

1:07:07.640 --> 1:07:10.160
<v Speaker 1>hundred miles by bus. What is that three hours each way?

1:07:10.560 --> 1:07:12.160
<v Speaker 1>That's what I'm trying to hold on. I want to

1:07:12.160 --> 1:07:13.000
<v Speaker 1>know the answer to this.

1:07:13.120 --> 1:07:17.600
<v Speaker 3>Let me go to Okay, there must be some stops Flatbush, Brooklyn.

1:07:17.680 --> 1:07:19.760
<v Speaker 4>Okay, this is insane.

1:07:19.880 --> 1:07:22.680
<v Speaker 1>It's literally over one hundred miles. It's two and a

1:07:22.720 --> 1:07:26.000
<v Speaker 1>half hours each way driving. I can't even imagine if

1:07:26.000 --> 1:07:28.640
<v Speaker 1>you're taking the bus, that has to be four hours

1:07:28.680 --> 1:07:29.920
<v Speaker 1>where you're taking a greyhound.

1:07:30.120 --> 1:07:31.880
<v Speaker 4>Did he stay in the city right.

1:07:31.720 --> 1:07:34.400
<v Speaker 3>In two They said he did this every day, and

1:07:34.400 --> 1:07:37.240
<v Speaker 3>this is one way, Like I don't understand. They said

1:07:37.240 --> 1:07:38.680
<v Speaker 3>he did this every day in the article that I

1:07:38.720 --> 1:07:39.800
<v Speaker 3>read in the New York Times.

1:07:40.040 --> 1:07:44.080
<v Speaker 1>So because we my favorite art teacher ever in elementary school.

1:07:44.120 --> 1:07:46.200
<v Speaker 1>She lived in Indiana, but then during the week she

1:07:46.240 --> 1:07:48.080
<v Speaker 1>stayed at her sister's house in the city and on

1:07:48.120 --> 1:07:50.120
<v Speaker 1>the weekends went back to spend time with her husband.

1:07:50.200 --> 1:07:53.400
<v Speaker 4>Like we asked the questions, Yeah.

1:07:52.800 --> 1:07:55.160
<v Speaker 3>This says I traveled one hundred miles by bus every

1:07:55.240 --> 1:07:57.200
<v Speaker 3>day to get there, and that must be one hundred

1:07:57.240 --> 1:08:00.320
<v Speaker 3>miles home as well. So I have no idea. But

1:08:00.560 --> 1:08:03.200
<v Speaker 3>a lot of students like knew this guy Williams. He

1:08:03.240 --> 1:08:06.480
<v Speaker 3>taught musical instrument lessons as well as voice lessons, and

1:08:06.520 --> 1:08:08.400
<v Speaker 3>a lot of students like couldn't believe that he was

1:08:08.440 --> 1:08:10.920
<v Speaker 3>capable of what he was accused of, you know, But

1:08:11.400 --> 1:08:14.760
<v Speaker 3>they discovered through their investigation that Williams and this student

1:08:14.880 --> 1:08:18.320
<v Speaker 3>had been having quote unquote sexual relations since January of

1:08:18.320 --> 1:08:21.880
<v Speaker 3>that year, which is old nineties journalism. Why of saying

1:08:22.040 --> 1:08:25.320
<v Speaker 3>she was being sexually abused since January? Instead they act

1:08:25.360 --> 1:08:27.320
<v Speaker 3>like an eighth grader is having like a cute, little

1:08:27.320 --> 1:08:28.559
<v Speaker 3>fun affair with her teacher.

1:08:29.520 --> 1:08:32.400
<v Speaker 1>Just reading something and it said the woman was a teenager.

1:08:33.479 --> 1:08:38.120
<v Speaker 4>The teen was teen so yeah, so gross. Yeah.

1:08:38.280 --> 1:08:42.639
<v Speaker 3>And so they also found out that Williams had gotten

1:08:42.640 --> 1:08:46.400
<v Speaker 3>a permission slip from her parents to you know, help

1:08:46.880 --> 1:08:49.519
<v Speaker 3>bolster his crimes. Like he basically was like, oh no,

1:08:49.560 --> 1:08:51.280
<v Speaker 3>I got a permission slip for parents said she's allowed

1:08:51.320 --> 1:08:51.719
<v Speaker 3>to be here.

1:08:52.240 --> 1:08:54.760
<v Speaker 4>So he and he eventually two days.

1:08:54.560 --> 1:08:57.960
<v Speaker 3>Later, after he fled back to his home after he

1:08:58.280 --> 1:09:01.479
<v Speaker 3>you know, verbally assaulted the girl he'd been assaulting for months,

1:09:01.800 --> 1:09:04.400
<v Speaker 3>he turned himself into investigators two days later, on May

1:09:04.400 --> 1:09:07.000
<v Speaker 3>twenty second, ninety seven, and he was charged with second

1:09:07.040 --> 1:09:10.120
<v Speaker 3>degree sodomy, second degree sexual abuse, and endangering the welfare

1:09:10.120 --> 1:09:13.479
<v Speaker 3>of a child. The New York Times writes in this article, quote,

1:09:13.640 --> 1:09:16.599
<v Speaker 3>If convicted of the sodomy charge, the most serious of

1:09:16.640 --> 1:09:19.839
<v Speaker 3>the charges, mister Williams faces up to seven years in prison.

1:09:20.000 --> 1:09:22.479
<v Speaker 4>End quote. Why is that the most serious charge.

1:09:22.800 --> 1:09:26.400
<v Speaker 3>Why is that a stronger charge than second degree sexual abuse,

1:09:27.160 --> 1:09:28.280
<v Speaker 3>like sodomy?

1:09:28.680 --> 1:09:32.040
<v Speaker 1>Like it's just that to me? Is so the puritanical

1:09:32.160 --> 1:09:36.880
<v Speaker 1>old homophobia. Yeah, I was gonna say, like old laws

1:09:36.920 --> 1:09:41.120
<v Speaker 1>of our country. But the principal obviously did come under

1:09:41.120 --> 1:09:44.240
<v Speaker 1>fire for not reassigning the teacher after he heard the allegations,

1:09:44.240 --> 1:09:47.240
<v Speaker 1>which he really should have done immediately, but the principal

1:09:47.240 --> 1:09:49.760
<v Speaker 1>claimed he never heard specific allegations from the janitor, So

1:09:49.800 --> 1:09:53.160
<v Speaker 1>he's like, I didn't do anything wrong, of course, professional dumbass.

1:09:53.439 --> 1:09:56.880
<v Speaker 1>Then New York City Mayor Rudy Giuliani, who, if you'll

1:09:56.920 --> 1:10:00.080
<v Speaker 1>remember Borat got him to take his pants off on

1:10:00.120 --> 1:10:03.520
<v Speaker 1>a fucking in a movie that was released nationwide internationally.

1:10:03.560 --> 1:10:08.280
<v Speaker 1>He's an idiot. Never forget four seasons Cleaners. He tried

1:10:08.320 --> 1:10:10.240
<v Speaker 1>to use this case as.

1:10:10.080 --> 1:10:13.559
<v Speaker 3>An excuse for letting NYPD handle security in New York

1:10:13.600 --> 1:10:16.160
<v Speaker 3>City public schools, which the school chancellor did not want

1:10:16.160 --> 1:10:19.600
<v Speaker 3>to happen. So he was like, you know, this custodial

1:10:19.640 --> 1:10:22.160
<v Speaker 3>worker might have felt much more comfortable reporting that incident

1:10:22.200 --> 1:10:24.400
<v Speaker 3>to a cop than to his boss. And it's like

1:10:24.800 --> 1:10:28.000
<v Speaker 3>why why would like why are you acting like everybody

1:10:28.000 --> 1:10:30.160
<v Speaker 3>feels much more comfortable talking to the cops. You know,

1:10:30.400 --> 1:10:33.479
<v Speaker 3>like this janitor did the right thing, he told his boss,

1:10:33.680 --> 1:10:35.920
<v Speaker 3>and his boss did nothing. This is not a good

1:10:35.960 --> 1:10:41.320
<v Speaker 3>excuse for you to, you know, deputize the NYPD into

1:10:41.320 --> 1:10:42.360
<v Speaker 3>New York City schools.

1:10:43.400 --> 1:10:45.680
<v Speaker 4>He's a fucking idiot, Rudy Giuliani.

1:10:45.800 --> 1:10:50.960
<v Speaker 3>So honestly, I cannot find what happened as the results

1:10:51.000 --> 1:10:51.479
<v Speaker 3>of this case.

1:10:51.520 --> 1:10:52.920
<v Speaker 4>I Cannot'm assuming nothing.

1:10:53.400 --> 1:10:55.600
<v Speaker 1>Yeah, Like I can't find whether Michael I mean, the

1:10:55.680 --> 1:10:59.840
<v Speaker 1>name Michael Williams is like so common, but I also

1:11:00.120 --> 1:11:03.400
<v Speaker 1>just can't find I looked him up in lookups, Like,

1:11:03.479 --> 1:11:07.040
<v Speaker 1>I just cannot find whether he was Like, I'm sorry,

1:11:07.040 --> 1:11:08.800
<v Speaker 1>that's a red flag. You can't get a job in

1:11:08.840 --> 1:11:12.839
<v Speaker 1>the Poconos. You can't move to Flatbush. What's going on here? Yeah,

1:11:13.160 --> 1:11:15.200
<v Speaker 1>what do you mean? You're driving one hundred miles per

1:11:15.240 --> 1:11:17.960
<v Speaker 1>bus back and forth every single day. It's a teach band.

1:11:18.520 --> 1:11:22.240
<v Speaker 1>You're a h h yeah, no, no, no, no no.

1:11:22.439 --> 1:11:25.400
<v Speaker 1>There's just also a lot of guys named Michael Williams

1:11:25.520 --> 1:11:29.720
<v Speaker 1>who have committed crimes and molestation crime specifically, So it's

1:11:29.800 --> 1:11:30.439
<v Speaker 1>really hard.

1:11:30.479 --> 1:11:33.480
<v Speaker 4>There's like Michael L. Williams and Michael W.

1:11:33.479 --> 1:11:36.120
<v Speaker 3>Williams, like there's just so many, so I don't know

1:11:36.400 --> 1:11:40.960
<v Speaker 3>what they're This guy actually got convicted or served time.

1:11:41.080 --> 1:11:44.760
<v Speaker 3>I would imagine he somehow was like the janitor didn't

1:11:44.760 --> 1:11:46.920
<v Speaker 3>see what he saw or something, and maybe he got

1:11:46.960 --> 1:11:50.840
<v Speaker 3>off but very the movie election, yes, and hopefully he

1:11:50.880 --> 1:11:55.559
<v Speaker 3>didn't get his get to teach again, but who knows.

1:11:56.439 --> 1:11:59.800
<v Speaker 3>And then the next crime that I found, which was

1:12:00.160 --> 1:12:04.280
<v Speaker 3>impossible to find stuff about, like impossible, I found a

1:12:04.439 --> 1:12:06.880
<v Speaker 3>blog that had.

1:12:08.280 --> 1:12:12.040
<v Speaker 4>A ton of the credit articles. What could we use blogs?

1:12:12.080 --> 1:12:13.120
<v Speaker 4>Is that a credible source?

1:12:13.280 --> 1:12:13.479
<v Speaker 5>Well?

1:12:13.760 --> 1:12:15.360
<v Speaker 4>Really secret here.

1:12:15.680 --> 1:12:17.880
<v Speaker 3>In this blog post which I'm I'm putting in my

1:12:17.920 --> 1:12:21.479
<v Speaker 3>sources in this blog post, there is they have word

1:12:21.479 --> 1:12:23.840
<v Speaker 3>for word copy and pasted articles that were on the

1:12:23.840 --> 1:12:26.840
<v Speaker 3>internet about this case. And I know that because some

1:12:26.880 --> 1:12:28.320
<v Speaker 3>of them are New York Times, and so I ended

1:12:28.400 --> 1:12:30.120
<v Speaker 3>up being able to find those in like the way

1:12:30.200 --> 1:12:32.720
<v Speaker 3>like way back, but some of them are from like

1:12:32.760 --> 1:12:36.040
<v Speaker 3>the Bergen County Record and newspapers that have now folded

1:12:36.040 --> 1:12:38.400
<v Speaker 3>into other newspapers and are now at newspapers dot Com,

1:12:38.400 --> 1:12:40.519
<v Speaker 3>and I have to get a subscription and then pour

1:12:40.680 --> 1:12:43.600
<v Speaker 3>through like it's not as searchable. So I was like,

1:12:43.760 --> 1:12:46.040
<v Speaker 3>I'm not going to do all that, but I am

1:12:46.040 --> 1:12:49.000
<v Speaker 3>assuming that this blog copy and pasted since they copy

1:12:49.000 --> 1:12:51.680
<v Speaker 3>and pasted correct information from the New York Times, that

1:12:51.720 --> 1:12:55.759
<v Speaker 3>they copy and pasted correct information from the Bergen Record

1:12:56.479 --> 1:12:59.680
<v Speaker 3>that said I could be incorrect, but I'm prefacing it

1:12:59.760 --> 1:13:02.639
<v Speaker 3>right now now. But it seems like everything is correct,

1:13:02.680 --> 1:13:04.519
<v Speaker 3>and you'll see why. It's not like there's a lot

1:13:04.560 --> 1:13:08.920
<v Speaker 3>of wild allegations here. So basically, this is the case

1:13:08.960 --> 1:13:13.400
<v Speaker 3>of Samuel s Astor. In nineteen ninety nine, literally months

1:13:13.400 --> 1:13:17.559
<v Speaker 3>before SVU premiered, a music teacher was held on one

1:13:17.560 --> 1:13:20.520
<v Speaker 3>million dollar bail in Bergen County, New Jersey for allegedly

1:13:20.560 --> 1:13:24.760
<v Speaker 3>assaulting a young girl who was his piano student. He

1:13:24.880 --> 1:13:27.559
<v Speaker 3>was sixty years old Samuel s Astor. He was arrested

1:13:27.560 --> 1:13:29.720
<v Speaker 3>in early June after an eight year old student of

1:13:29.760 --> 1:13:31.720
<v Speaker 3>his told her parents that he had abused her during

1:13:31.760 --> 1:13:34.559
<v Speaker 3>a lesson at his home in t Neck, New Jersey.

1:13:34.920 --> 1:13:37.720
<v Speaker 3>He was charged with aggravated sexual assault and endangering the

1:13:37.720 --> 1:13:41.799
<v Speaker 3>welfare of a minor. He taught music at Manhattan College.

1:13:41.800 --> 1:13:43.840
<v Speaker 3>He had a wife and a grown son at the time,

1:13:43.920 --> 1:13:47.040
<v Speaker 3>like a twenty something year old son. Investigators believed that

1:13:47.080 --> 1:13:51.360
<v Speaker 3>there could be other victims, possibly from the Orthodox Jewish community,

1:13:51.640 --> 1:13:55.880
<v Speaker 3>which Astor was a member, and in searching his home,

1:13:56.320 --> 1:14:01.599
<v Speaker 3>investigators eventually found videotapes of Astra assaulting other students.

1:14:01.640 --> 1:14:03.080
<v Speaker 4>So he did tape these things?

1:14:03.160 --> 1:14:05.960
<v Speaker 1>Well yeah, because then, yeah, it's because I'm thinking like

1:14:06.000 --> 1:14:09.320
<v Speaker 1>with power and property, or like having a piano teacher

1:14:09.439 --> 1:14:11.920
<v Speaker 1>and like authority, all of that, but then to add

1:14:11.960 --> 1:14:16.240
<v Speaker 1>like a close knit religious community, to like an added

1:14:17.320 --> 1:14:19.960
<v Speaker 1>thing of secrecy and trust. And they couldn't even like

1:14:20.040 --> 1:14:22.280
<v Speaker 1>question people because I think the day they brought him

1:14:22.280 --> 1:14:23.920
<v Speaker 1>in was like the Sabbath, and they were like, well,

1:14:23.920 --> 1:14:25.439
<v Speaker 1>we're not even gonna be able to get to some

1:14:25.479 --> 1:14:28.960
<v Speaker 1>of these witnesses until tomorrow, you know, or possible victims.

1:14:29.000 --> 1:14:31.960
<v Speaker 1>So they, like I said, they found all these tapes.

1:14:32.000 --> 1:14:34.519
<v Speaker 1>The tapes were all appeared to have been secretly recorded

1:14:34.520 --> 1:14:36.240
<v Speaker 1>by the teacher, not like hey, I'm gonna tape you

1:14:36.280 --> 1:14:38.240
<v Speaker 1>so we can work on your hand technique or anything

1:14:38.320 --> 1:14:40.519
<v Speaker 1>like that. And of course that led them to question

1:14:40.640 --> 1:14:43.760
<v Speaker 1>several other children. Another eight year old victim was quickly identified,

1:14:44.240 --> 1:14:48.040
<v Speaker 1>and by June of nineteen ninety nine June twenty third

1:14:48.040 --> 1:14:50.960
<v Speaker 1>of nineteen ninety nine, five more victims had been identified,

1:14:51.000 --> 1:14:53.639
<v Speaker 1>totaling seven girls between the ages of eight and thirteen

1:14:53.720 --> 1:14:57.280
<v Speaker 1>years old, and I was looking everywhere for like, what happened,

1:14:57.280 --> 1:14:59.720
<v Speaker 1>what happened to this guy? And the answer is nothing,

1:14:59.760 --> 1:15:02.000
<v Speaker 1>beca because he took his own life on November second

1:15:02.080 --> 1:15:03.080
<v Speaker 1>of nineteen ninety nine.

1:15:03.400 --> 1:15:04.760
<v Speaker 4>He was found hanging in.

1:15:04.720 --> 1:15:08.200
<v Speaker 3>His home with a plastic bag over his head, and

1:15:08.240 --> 1:15:10.200
<v Speaker 3>he left a note, but they did not publicize what

1:15:10.280 --> 1:15:10.840
<v Speaker 3>was in the note.

1:15:11.360 --> 1:15:14.120
<v Speaker 4>And this shot, I want to know.

1:15:14.560 --> 1:15:17.320
<v Speaker 3>I know this got a tiny bit of news attention

1:15:17.479 --> 1:15:20.040
<v Speaker 3>because he was the second teacher in two weeks in

1:15:20.080 --> 1:15:23.799
<v Speaker 3>that county to take their own life after being accused

1:15:23.840 --> 1:15:26.040
<v Speaker 3>of molesting a student. So like in a two week span,

1:15:26.120 --> 1:15:28.160
<v Speaker 3>there was him in this other teacher that was and

1:15:28.200 --> 1:15:32.400
<v Speaker 3>they both took their lives. And so the information about

1:15:32.400 --> 1:15:35.479
<v Speaker 3>the videotapes was in the Bergen County Record, like all

1:15:35.479 --> 1:15:38.479
<v Speaker 3>this stuff, and it's all a lot of it as

1:15:38.520 --> 1:15:40.519
<v Speaker 3>I found some of the original articles, but then some

1:15:40.560 --> 1:15:43.960
<v Speaker 3>of the ones I just couldn't find and that, but

1:15:44.000 --> 1:15:47.439
<v Speaker 3>it all seems kind of like it fits together.

1:15:47.600 --> 1:15:50.040
<v Speaker 1>You know. I wonder if they like changed the app

1:15:50.200 --> 1:15:52.080
<v Speaker 1>or yeah, this is later in the season, like it

1:15:52.080 --> 1:15:54.320
<v Speaker 1>could have happened weeks right before the Yeah, and so

1:15:54.400 --> 1:15:56.760
<v Speaker 1>if somebody like saw that because I wanted to do

1:15:56.840 --> 1:15:57.880
<v Speaker 1>like a New York show.

1:15:57.920 --> 1:16:00.639
<v Speaker 4>I feel like, yeah.

1:16:00.000 --> 1:16:01.880
<v Speaker 3>And this happened in New Jersey, but was featured in

1:16:02.200 --> 1:16:05.479
<v Speaker 3>the Metro section of New York Times, which is happening

1:16:05.479 --> 1:16:08.439
<v Speaker 3>in the Tri state area. So I think they could

1:16:08.439 --> 1:16:12.320
<v Speaker 3>have seen this about the piano teacher and then said, okay,

1:16:12.320 --> 1:16:14.479
<v Speaker 3>but let's change it to this and then like the

1:16:15.120 --> 1:16:19.800
<v Speaker 3>victim becomes the molesterer. Is definitely like a thing, because

1:16:19.840 --> 1:16:21.840
<v Speaker 3>you know, Season one is prenial Bear, so I don't

1:16:21.880 --> 1:16:25.639
<v Speaker 3>know how much medical journaling we're doing. But yeah, So

1:16:25.800 --> 1:16:27.960
<v Speaker 3>those are the two stories I found. I could not

1:16:28.040 --> 1:16:31.680
<v Speaker 3>find anybody like. And again, this is not underprivileged as

1:16:31.720 --> 1:16:33.719
<v Speaker 3>far as I know. I'm hearing that this is the

1:16:33.960 --> 1:16:36.920
<v Speaker 3>Orthodox Jewish community in t Neck, which, as far as

1:16:36.960 --> 1:16:40.920
<v Speaker 3>I know, even in the nineties, was not an underprivileged area.

1:16:41.720 --> 1:16:44.000
<v Speaker 3>That doesn't mean that this guy was not targeting some

1:16:44.080 --> 1:16:46.080
<v Speaker 3>underprivileged people, but I think it's like what you're saying,

1:16:46.120 --> 1:16:49.639
<v Speaker 3>targeting people in an insular community. We've seen that before

1:16:49.680 --> 1:16:56.120
<v Speaker 3>on this show. But if there is a music teacher

1:16:56.400 --> 1:16:59.040
<v Speaker 3>in Brooklyn who was serving underprivileged kids and doing it

1:16:59.080 --> 1:17:01.439
<v Speaker 3>exactly this episode, I could not find it. I found

1:17:01.439 --> 1:17:03.439
<v Speaker 3>a story of another music teacher, but he was not

1:17:03.600 --> 1:17:05.639
<v Speaker 3>arrested until two thousand and three, so it was years

1:17:05.680 --> 1:17:11.000
<v Speaker 3>after the show, so that wasn't about him. So yeah,

1:17:11.160 --> 1:17:14.479
<v Speaker 3>another scary case of sview, just kind of like playing

1:17:14.479 --> 1:17:16.120
<v Speaker 3>out before something happens in real life.

1:17:16.120 --> 1:17:19.400
<v Speaker 1>Also, being a parents insane. You're one day you're like, oh, yeah,

1:17:19.400 --> 1:17:23.640
<v Speaker 1>my kid wants to play piano. The next day, I know, molestation,

1:17:24.680 --> 1:17:29.800
<v Speaker 1>I know. And yeah, so I guess your kids aren't

1:17:29.800 --> 1:17:33.920
<v Speaker 1>playing piano. They're they're not my mom My. Mom's really

1:17:33.960 --> 1:17:41.040
<v Speaker 1>pushing for it. She's really pushing for it. But also, yeah,

1:17:41.120 --> 1:17:41.559
<v Speaker 1>I don't know.

1:17:42.000 --> 1:17:44.719
<v Speaker 4>I don't know. I don't know any I don't know anything.

1:17:44.840 --> 1:17:45.280
<v Speaker 4>I don't know.

1:17:45.439 --> 1:17:47.880
<v Speaker 3>I think I worry about it, but I'm also like,

1:17:48.040 --> 1:17:50.280
<v Speaker 3>I will die if I just worry about this constantly.

1:17:51.560 --> 1:17:55.400
<v Speaker 3>But let's get onto our guests, because we have a

1:17:56.360 --> 1:18:07.880
<v Speaker 3>iconic guest. Our guest today is an actor best known

1:18:07.960 --> 1:18:11.320
<v Speaker 3>for his role as Angel in the original Broadway run

1:18:11.320 --> 1:18:13.640
<v Speaker 3>of Rent, for which he won a Tony Award for

1:18:13.720 --> 1:18:14.640
<v Speaker 3>Best Actor.

1:18:14.560 --> 1:18:15.599
<v Speaker 4>Featured in a Musical.

1:18:15.880 --> 1:18:17.920
<v Speaker 3>But you know him today as the piano prodigy and

1:18:18.040 --> 1:18:21.599
<v Speaker 3>victim turned abuser Evan. Please enjoy our chat with the

1:18:21.720 --> 1:18:23.600
<v Speaker 3>lovely Wilson Jermaine Heredia.

1:18:24.360 --> 1:18:27.240
<v Speaker 4>Oh, I mean, our listeners are gonna go insane.

1:18:27.360 --> 1:18:30.360
<v Speaker 1>This is huge. We're very thrilled you're here.

1:18:30.560 --> 1:18:31.519
<v Speaker 5>Thank you for having me.

1:18:31.600 --> 1:18:33.400
<v Speaker 3>I mean I texted my best friend this morning, who

1:18:33.400 --> 1:18:36.040
<v Speaker 3>has two Rent tattoos on her body, and she was

1:18:36.120 --> 1:18:40.479
<v Speaker 3>like an icon like you. I mean, I have like

1:18:41.160 --> 1:18:44.200
<v Speaker 3>all of Angel's songs on my mixtapes from high school.

1:18:44.240 --> 1:18:47.920
<v Speaker 1>Like it's that's fantastic to be able to talk to you,

1:18:48.400 --> 1:18:51.160
<v Speaker 1>so exciting. Did you watch that so much?

1:18:51.760 --> 1:18:53.400
<v Speaker 4>Yeah? Did you rewatch it?

1:18:53.960 --> 1:18:58.000
<v Speaker 5>No? No, I haven't rewatched it. I because I've for

1:18:58.040 --> 1:19:01.120
<v Speaker 5>a long time I used it. It was still it

1:19:01.160 --> 1:19:03.599
<v Speaker 5>was on my reel until about I don't know, about

1:19:03.640 --> 1:19:07.200
<v Speaker 5>five years ago because it was such a good it

1:19:07.240 --> 1:19:10.800
<v Speaker 5>was it was like it was my first TV episodic ever,

1:19:11.680 --> 1:19:14.200
<v Speaker 5>uh and where I got to cut my teeth on

1:19:14.280 --> 1:19:17.960
<v Speaker 5>it and for a while, and just because I was

1:19:18.000 --> 1:19:21.559
<v Speaker 5>just lazy about about redoing my reel. So I've always

1:19:21.600 --> 1:19:25.640
<v Speaker 5>seen bits of it and friends throughout the years they

1:19:25.680 --> 1:19:28.000
<v Speaker 5>would say like, oh my god, I didn't know you

1:19:28.040 --> 1:19:31.760
<v Speaker 5>went on this. You won on a SVU And I

1:19:31.800 --> 1:19:34.840
<v Speaker 5>was like, yep, the first season and Uh, yeah, so

1:19:34.880 --> 1:19:39.200
<v Speaker 5>I've seen it's it's surprisingly fresh in my mind, like

1:19:39.280 --> 1:19:42.040
<v Speaker 5>not super like I can't give you all the details,

1:19:42.040 --> 1:19:44.080
<v Speaker 5>but it's very very fresh in my mind.

1:19:44.240 --> 1:19:46.320
<v Speaker 3>Yeah, because I was gonna say, I just looked up

1:19:46.360 --> 1:19:50.559
<v Speaker 3>it actually came out May twelve, two thousand, so like

1:19:51.120 --> 1:19:54.000
<v Speaker 3>just over twenty five years to the day pretty much. Yeah,

1:19:54.240 --> 1:19:57.000
<v Speaker 3>And we're talking to you, so we always appreciate when

1:19:57.080 --> 1:19:59.719
<v Speaker 3>somebody from the earlier seasons comes on to talk about

1:20:00.120 --> 1:20:02.720
<v Speaker 3>show they made two decades ago. So we appreciate you,

1:20:03.520 --> 1:20:05.559
<v Speaker 3>and we would love to hear anything you remember. I mean,

1:20:05.640 --> 1:20:08.040
<v Speaker 3>like so you were, like you remember, you were more

1:20:08.080 --> 1:20:10.559
<v Speaker 3>of like a Broadway baby doing all this stuff, winning

1:20:10.560 --> 1:20:14.160
<v Speaker 3>a Tony, and then you got this. I know there's

1:20:14.200 --> 1:20:16.040
<v Speaker 3>a couple other things on your IMDb before this, but

1:20:16.160 --> 1:20:18.200
<v Speaker 3>like you said, your first episode of episodic, how did

1:20:18.240 --> 1:20:19.240
<v Speaker 3>it like all come about?

1:20:19.560 --> 1:20:22.280
<v Speaker 5>Well, you know, just just through the regular channels. I

1:20:22.800 --> 1:20:25.839
<v Speaker 5>auditioned for it. I was auditioning for other stuff before,

1:20:26.080 --> 1:20:28.559
<v Speaker 5>and and I was trying to figure out like what,

1:20:29.680 --> 1:20:33.400
<v Speaker 5>I'm a very strange well even even still now, even

1:20:33.400 --> 1:20:37.080
<v Speaker 5>now that I'm a little bit more burly, I'm a

1:20:37.120 --> 1:20:41.360
<v Speaker 5>strange fit. Uh and and finding the right thing to

1:20:41.800 --> 1:20:44.880
<v Speaker 5>be cast in, and even the thing, even anything that

1:20:44.920 --> 1:20:49.160
<v Speaker 5>I was really truly interested in, because you know, casting

1:20:49.200 --> 1:20:52.000
<v Speaker 5>directors and directors and producers, I mean, they can still

1:20:52.040 --> 1:20:54.920
<v Speaker 5>like if you're not really super super super super into

1:20:54.920 --> 1:20:57.000
<v Speaker 5>it and you're just auditioning to audition, they could just

1:20:57.040 --> 1:21:00.000
<v Speaker 5>read right through it. And so that that reads through

1:21:00.120 --> 1:21:03.240
<v Speaker 5>all that this particular audition when I first read it,

1:21:03.600 --> 1:21:05.439
<v Speaker 5>and this is like back in the day where you

1:21:05.520 --> 1:21:08.400
<v Speaker 5>actually had to go to the agency to pick up

1:21:08.439 --> 1:21:10.640
<v Speaker 5>the sides rather than have the sides that delivered to

1:21:10.680 --> 1:21:14.120
<v Speaker 5>you via email. You had to go. Sometimes they would

1:21:14.120 --> 1:21:16.840
<v Speaker 5>deliver it to you, but you had to go and

1:21:16.960 --> 1:21:18.679
<v Speaker 5>pick it up. And so you have to be really

1:21:18.720 --> 1:21:24.280
<v Speaker 5>really invested. And I read it and I thought, I

1:21:24.320 --> 1:21:28.280
<v Speaker 5>can really like this, I can really do this. This

1:21:28.920 --> 1:21:32.160
<v Speaker 5>is right up my alley and I already had it

1:21:32.200 --> 1:21:35.679
<v Speaker 5>planned in my head, and I live in the Upper

1:21:35.720 --> 1:21:42.120
<v Speaker 5>East Side. And I also have discovered then and even

1:21:42.200 --> 1:21:46.600
<v Speaker 5>now and even as far as the method that I

1:21:47.200 --> 1:21:51.200
<v Speaker 5>used to audition for rent, is that the less you

1:21:51.640 --> 1:21:54.840
<v Speaker 5>really and it sounds kind of messed up, but the

1:21:54.920 --> 1:21:58.000
<v Speaker 5>less you really care about it, meaning as in like

1:21:58.400 --> 1:22:00.519
<v Speaker 5>not not as in like you don't care about it

1:22:00.520 --> 1:22:03.040
<v Speaker 5>at all, meaning that that you just kind of throw

1:22:03.080 --> 1:22:05.360
<v Speaker 5>caution to the wind, you know what I mean, like

1:22:05.479 --> 1:22:08.160
<v Speaker 5>like you just like you know what I'm going to do,

1:22:08.200 --> 1:22:10.760
<v Speaker 5>what I'm going to do. So I guess what I'm

1:22:10.760 --> 1:22:12.720
<v Speaker 5>saying is that you don't overthink it. You just kind

1:22:12.720 --> 1:22:14.920
<v Speaker 5>of go in and just do your thing. So I

1:22:14.960 --> 1:22:19.000
<v Speaker 5>went in there with with my idea of what Evan

1:22:19.280 --> 1:22:23.560
<v Speaker 5>was and how Evan spoke and how and I was

1:22:23.600 --> 1:22:29.439
<v Speaker 5>already in that place, and I remember kind of going like, uh,

1:22:29.520 --> 1:22:31.280
<v Speaker 5>what was I get it? I get it, you know

1:22:31.479 --> 1:22:34.280
<v Speaker 5>not you know, I laid it all out there and

1:22:35.840 --> 1:22:40.040
<v Speaker 5>I had it. Just there was this particular cadence that

1:22:40.080 --> 1:22:42.320
<v Speaker 5>I that I felt that that he had because of

1:22:42.479 --> 1:22:47.439
<v Speaker 5>what has happened to him and what he's like. Uh

1:22:47.479 --> 1:22:50.920
<v Speaker 5>and uh sort of like an arrested development emotionally kind

1:22:50.920 --> 1:22:56.000
<v Speaker 5>of kind of character. Uh. And And I went in

1:22:56.040 --> 1:22:58.280
<v Speaker 5>there and as far as I was concerned, I was,

1:22:58.560 --> 1:23:01.519
<v Speaker 5>I was in the scene, was shooting the scene in there,

1:23:01.640 --> 1:23:04.840
<v Speaker 5>and you know, I went in there and and everybody

1:23:04.960 --> 1:23:09.439
<v Speaker 5>was out there, everybody, the director, producer, writer, everyone's there,

1:23:09.560 --> 1:23:13.360
<v Speaker 5>and it stood my thing and I stood up and uh,

1:23:13.640 --> 1:23:18.400
<v Speaker 5>I was like, yeah, thanks, I walked out. Back then,

1:23:18.400 --> 1:23:20.280
<v Speaker 5>I was a smoker. So the first thing I did

1:23:20.479 --> 1:23:23.080
<v Speaker 5>was like it was like take my smoke out. I

1:23:23.160 --> 1:23:26.840
<v Speaker 5>was walking, I was walking out. I was one of

1:23:26.880 --> 1:23:32.160
<v Speaker 5>those those those people that that had cell phones early on,

1:23:34.040 --> 1:23:37.080
<v Speaker 5>and uh, I kid you not like on my way

1:23:37.800 --> 1:23:42.559
<v Speaker 5>half because it was it was the audition was down

1:23:42.720 --> 1:23:47.040
<v Speaker 5>where like where Chelsea Piers, right around that area where

1:23:47.120 --> 1:23:51.160
<v Speaker 5>where Chelsea Piers is, and and so those so I've

1:23:51.479 --> 1:23:53.040
<v Speaker 5>been down there. I'm pretty sure you have. Is that

1:23:53.120 --> 1:23:57.640
<v Speaker 5>those blocks are super long, right, They're super long. So

1:23:59.560 --> 1:24:03.760
<v Speaker 5>down the very first block halfway through, I got the

1:24:03.800 --> 1:24:06.679
<v Speaker 5>phone call and they said like ooh, and they said,

1:24:06.720 --> 1:24:10.000
<v Speaker 5>like you got it. Yeah. I was like, wow, I.

1:24:10.120 --> 1:24:11.040
<v Speaker 4>Love to hear it.

1:24:11.240 --> 1:24:15.680
<v Speaker 1>Once you booked it, then, what was like the shooting, Like,

1:24:15.760 --> 1:24:17.720
<v Speaker 1>I mean, it was such a it was like Law

1:24:17.720 --> 1:24:19.320
<v Speaker 1>and Order was an established show, but it was the

1:24:19.320 --> 1:24:20.479
<v Speaker 1>first season of SVU.

1:24:20.560 --> 1:24:23.080
<v Speaker 3>I mean, now it's the longest running live action show.

1:24:23.280 --> 1:24:25.640
<v Speaker 3>Season twenty six is wrapping up. But like you were

1:24:25.680 --> 1:24:27.679
<v Speaker 3>in the first inaugural season.

1:24:27.920 --> 1:24:32.240
<v Speaker 5>Yeah, oh it was. It took it was two weeks,

1:24:32.640 --> 1:24:36.680
<v Speaker 5>which I don't know how long episodes take now, but

1:24:37.280 --> 1:24:42.960
<v Speaker 5>it was. Yeah, it was about two weeks and you know,

1:24:43.160 --> 1:24:49.280
<v Speaker 5>days were long, and I remember thinking, I love this process.

1:24:49.560 --> 1:24:53.760
<v Speaker 5>I really do love this process. The one thing that

1:24:53.840 --> 1:24:58.320
<v Speaker 5>I noted immediately was that you had to have endurance.

1:24:58.320 --> 1:25:03.120
<v Speaker 5>It's a different kind of energy and a sort of patience.

1:25:04.800 --> 1:25:10.240
<v Speaker 5>It's it challenging for anyone that has gone from from

1:25:10.360 --> 1:25:14.120
<v Speaker 5>theater to and and where their main thing, and me,

1:25:14.479 --> 1:25:17.080
<v Speaker 5>my main thing has always been I started in theater.

1:25:17.120 --> 1:25:21.840
<v Speaker 5>It was always what I wanted to do and and uh,

1:25:22.000 --> 1:25:26.320
<v Speaker 5>you know, fancied myself doing a lot of indies, but

1:25:26.320 --> 1:25:32.800
<v Speaker 5>but never anything big. But I didn't know the process, like,

1:25:32.880 --> 1:25:35.880
<v Speaker 5>for example, the process of setting up setting up a scene,

1:25:35.880 --> 1:25:39.719
<v Speaker 5>like you shoot something and then you shoot a close

1:25:39.800 --> 1:25:41.920
<v Speaker 5>up on you, and then you have to shoot the

1:25:41.920 --> 1:25:43.960
<v Speaker 5>scene again and then they have to turn it around

1:25:44.080 --> 1:25:48.160
<v Speaker 5>on the other person. But you have to stay behind

1:25:48.160 --> 1:25:53.680
<v Speaker 5>that camera person for uh, just for sightline, and that

1:25:53.800 --> 1:25:57.439
<v Speaker 5>takes like sometimes two hours just to turn the camera

1:25:57.520 --> 1:26:01.120
<v Speaker 5>around because the lighting and everything. Asked me, and so

1:26:02.400 --> 1:26:04.759
<v Speaker 5>I was like, this is something new, this is definitely

1:26:04.760 --> 1:26:08.240
<v Speaker 5>something new. So to maintain I understand. And I guess

1:26:08.240 --> 1:26:12.080
<v Speaker 5>what I'm getting at is is I've now I understand

1:26:13.280 --> 1:26:16.000
<v Speaker 5>rather than I understood like, oh, now I understand like

1:26:16.080 --> 1:26:19.000
<v Speaker 5>method actors like why why why they do that in

1:26:19.080 --> 1:26:23.280
<v Speaker 5>or just to stay in character all day and all

1:26:23.520 --> 1:26:27.080
<v Speaker 5>so that way they can be consistent from shot to

1:26:27.120 --> 1:26:31.519
<v Speaker 5>shot to shot. Luckily, I have this just manic energy

1:26:31.560 --> 1:26:33.120
<v Speaker 5>that he was, like I was on the whole time.

1:26:33.640 --> 1:26:34.479
<v Speaker 5>I was ready to go.

1:26:34.960 --> 1:26:40.280
<v Speaker 1>Well you're probably excited, absolutely absolutely, and and.

1:26:41.200 --> 1:26:45.559
<v Speaker 5>I came away thinking like I can do this. I

1:26:45.600 --> 1:26:48.240
<v Speaker 5>can do this on a regular you know, like, HI,

1:26:48.720 --> 1:26:54.640
<v Speaker 5>definitely hire me as a seasoned regular for anything. And

1:26:54.680 --> 1:26:57.519
<v Speaker 5>I'm and I'm still you know, to this day, I'm

1:26:57.520 --> 1:26:59.920
<v Speaker 5>still I'm still looking to see like what what is

1:27:01.800 --> 1:27:03.559
<v Speaker 5>what is in the cards for me? As far as

1:27:03.600 --> 1:27:08.880
<v Speaker 5>that that that that for me is is like my my, Mecca,

1:27:09.040 --> 1:27:13.240
<v Speaker 5>my my, it's it's it was like the gig that

1:27:13.360 --> 1:27:17.120
<v Speaker 5>I do want. And uh, I mean because you know

1:27:17.160 --> 1:27:19.679
<v Speaker 5>you're off on weekends also mean you don't shoot on weekends.

1:27:19.760 --> 1:27:22.680
<v Speaker 5>It's it's fantastic. It's it's a it's a what I

1:27:22.720 --> 1:27:27.280
<v Speaker 5>call the civilized schedule theater. You you you're performing eight

1:27:27.320 --> 1:27:29.519
<v Speaker 5>shows a week, you only have one day off, you

1:27:29.560 --> 1:27:35.599
<v Speaker 5>have Mondays year, you're working holidays, you're missing everything and

1:27:35.640 --> 1:27:37.960
<v Speaker 5>all you and then your whole life is focused on it.

1:27:38.000 --> 1:27:40.599
<v Speaker 5>I love theater, though I still like I'm not even

1:27:40.880 --> 1:27:44.679
<v Speaker 5>saying that that that I I don't like it, don't

1:27:44.680 --> 1:27:46.880
<v Speaker 5>want to. I'm just saying that that if if I

1:27:46.920 --> 1:27:50.640
<v Speaker 5>can choose, if someone would give me the choice and

1:27:50.680 --> 1:27:55.880
<v Speaker 5>say one for one year, would you rather do a

1:27:55.920 --> 1:27:59.519
<v Speaker 5>TV show and work thirteen fourteen hour days and then

1:27:59.640 --> 1:28:01.559
<v Speaker 5>have like, you know, a couple of months off and

1:28:01.600 --> 1:28:07.120
<v Speaker 5>then go back or worked that whole year through recently

1:28:07.920 --> 1:28:14.920
<v Speaker 5>of Monday and and and and drain yourself completely. I would.

1:28:15.160 --> 1:28:20.400
<v Speaker 5>I would do that, And and I came away just

1:28:21.200 --> 1:28:25.080
<v Speaker 5>super excited about the process. And yeah it was. It

1:28:25.200 --> 1:28:27.240
<v Speaker 5>was a lot a lot of fun, A lot of

1:28:27.240 --> 1:28:29.760
<v Speaker 5>fun it was. And and they were great there too,

1:28:30.040 --> 1:28:33.679
<v Speaker 5>no horror st always, no divas, nothing, it was it was.

1:28:34.000 --> 1:28:37.200
<v Speaker 5>It was a great production. It was a great crew,

1:28:37.320 --> 1:28:40.760
<v Speaker 5>it was great director, it was it was a lot

1:28:40.800 --> 1:28:41.120
<v Speaker 5>of fun.

1:28:41.520 --> 1:28:43.719
<v Speaker 1>Well, because it was season one, I bet they also

1:28:43.840 --> 1:28:47.519
<v Speaker 1>still had the level of excitement too, you know, like

1:28:47.560 --> 1:28:50.760
<v Speaker 1>now everyone says it's a well oiled machine, but I

1:28:50.800 --> 1:28:54.160
<v Speaker 1>bet they were all jazz to to get those jobs

1:28:54.200 --> 1:28:57.400
<v Speaker 1>and like be on set. Yeah, wonderful the extra But

1:28:57.439 --> 1:29:01.599
<v Speaker 1>then the episode so dark yeah, I know, and your

1:29:01.680 --> 1:29:03.559
<v Speaker 1>character is kind of quiet, you know, they really have

1:29:03.600 --> 1:29:05.320
<v Speaker 1>to pull so much out from him.

1:29:05.520 --> 1:29:08.519
<v Speaker 5>Yeah, yeah, yeah, it's there were a lot of there

1:29:08.520 --> 1:29:10.479
<v Speaker 5>were a lot of scenes. I mean there was there

1:29:10.520 --> 1:29:14.120
<v Speaker 5>was there was that excitement, but there was also that

1:29:14.120 --> 1:29:19.519
<v Speaker 5>that energy of of what the subject matter is about,

1:29:19.680 --> 1:29:23.280
<v Speaker 5>and and how disturbing all of it was, and and

1:29:25.000 --> 1:29:28.719
<v Speaker 5>so you know, you had to make sure to lighten

1:29:28.840 --> 1:29:33.799
<v Speaker 5>up when when when the director would say cut, and

1:29:33.800 --> 1:29:39.960
<v Speaker 5>and there was that. Mariska was great. I love love

1:29:40.120 --> 1:29:44.360
<v Speaker 5>Chris's energy as well, Like I I'm just sort of

1:29:44.400 --> 1:29:47.439
<v Speaker 5>in love with with this whole body of work in general,

1:29:47.560 --> 1:29:52.559
<v Speaker 5>and and and how versatile he is and and just

1:29:53.120 --> 1:29:54.040
<v Speaker 5>very very supportive.

1:29:54.680 --> 1:29:57.400
<v Speaker 1>I mean, your Wikipedia does not have a lot of

1:29:57.520 --> 1:30:00.360
<v Speaker 1>information about you in terms of like it says you

1:30:00.360 --> 1:30:01.920
<v Speaker 1>grew up in New York, But then like how did

1:30:01.960 --> 1:30:02.680
<v Speaker 1>you get into that?

1:30:02.720 --> 1:30:04.600
<v Speaker 4>Were you doing that in high school? Were you like

1:30:04.680 --> 1:30:09.360
<v Speaker 4>discover your theater? Like how were you just like a god?

1:30:09.439 --> 1:30:12.840
<v Speaker 5>I wish man? I wanted to. I wanted to. I

1:30:12.840 --> 1:30:15.559
<v Speaker 5>went to actually college not not far away from mcguard

1:30:15.600 --> 1:30:20.720
<v Speaker 5>I went to Hunter. I went about it in I

1:30:21.160 --> 1:30:24.200
<v Speaker 5>got to the theater or to acting in a roundabout way.

1:30:24.200 --> 1:30:26.200
<v Speaker 5>But I was always I was always a performer of

1:30:26.240 --> 1:30:29.799
<v Speaker 5>some sort or I was and I was definitely definitely

1:30:29.840 --> 1:30:35.360
<v Speaker 5>one artist. I was visual artists ever since. You know,

1:30:35.600 --> 1:30:42.120
<v Speaker 5>I remember really seriously taking drawing very very seriously, went

1:30:42.160 --> 1:30:46.280
<v Speaker 5>to art school. Was always the center of attention in

1:30:46.800 --> 1:30:54.200
<v Speaker 5>house parties. Dancing became sort of semi professional dancer, dancing

1:30:54.240 --> 1:30:58.080
<v Speaker 5>for for if you remember freestyle, the music freestyle. I

1:30:58.160 --> 1:31:02.519
<v Speaker 5>was dancing for a couple of freestyle groups. Went to Brazil.

1:31:02.840 --> 1:31:06.760
<v Speaker 5>Uh did that so I I I knew that's what

1:31:06.800 --> 1:31:10.800
<v Speaker 5>I wanted to do. But I was studying medicine and

1:31:11.400 --> 1:31:13.760
<v Speaker 5>that that's what my that's what my parents want me

1:31:13.800 --> 1:31:15.800
<v Speaker 5>to do. I mean, they're the Dominican immigrants, and so

1:31:15.920 --> 1:31:20.040
<v Speaker 5>they they like and and it isn't like like they

1:31:20.040 --> 1:31:21.680
<v Speaker 5>didn't have any faith in me. It's like they just

1:31:21.840 --> 1:31:25.080
<v Speaker 5>knew that it was a very hard world and they

1:31:25.080 --> 1:31:29.719
<v Speaker 5>didn't want they they their opinion was that you didn't

1:31:29.720 --> 1:31:32.880
<v Speaker 5>come here to to to bust our humps. So that

1:31:32.960 --> 1:31:37.080
<v Speaker 5>way we can watch our son Uh go into a career.

1:31:37.160 --> 1:31:39.720
<v Speaker 5>And he's particularly a person of color, and and we

1:31:39.760 --> 1:31:43.960
<v Speaker 5>don't see anyone of color get to the higher echelons,

1:31:44.000 --> 1:31:45.920
<v Speaker 5>get to the get to the A list, and so

1:31:47.600 --> 1:31:50.880
<v Speaker 5>go to school, get your get your toma, become a

1:31:50.920 --> 1:31:54.599
<v Speaker 5>doctor all that. So the reason that it all really

1:31:54.600 --> 1:31:56.400
<v Speaker 5>came about was just because I was I was so

1:31:56.680 --> 1:32:00.160
<v Speaker 5>and still am interested in science and biology and and

1:32:00.400 --> 1:32:03.600
<v Speaker 5>how the body worked and so. But then you know,

1:32:03.640 --> 1:32:05.720
<v Speaker 5>you get manipulated by your parents say that's what you

1:32:05.720 --> 1:32:06.880
<v Speaker 5>want to be. You want to be a doctor? Was like,

1:32:06.960 --> 1:32:09.759
<v Speaker 5>and then you do at school, yes, and and that

1:32:09.760 --> 1:32:12.240
<v Speaker 5>that continues on. So I went to a vocational high

1:32:12.240 --> 1:32:15.120
<v Speaker 5>school and became a medical assistant, and so worked in

1:32:15.160 --> 1:32:17.639
<v Speaker 5>several hospitals, clinics and the whole thing. And so I'm

1:32:17.760 --> 1:32:20.360
<v Speaker 5>really good and I'm really good at that job. I

1:32:20.479 --> 1:32:22.559
<v Speaker 5>was really really good. I just but I just knew

1:32:23.040 --> 1:32:25.320
<v Speaker 5>this is not who I am. This is not the

1:32:25.520 --> 1:32:27.680
<v Speaker 5>or rather, this is not the entirety of of who

1:32:27.760 --> 1:32:32.879
<v Speaker 5>I am. It's just like it's like the full opposite. Yeah, yeah,

1:32:32.920 --> 1:32:38.360
<v Speaker 5>And I I remember being asked once what my parents

1:32:38.360 --> 1:32:41.920
<v Speaker 5>felt when they saw me in drag and I'm like,

1:32:42.080 --> 1:32:45.000
<v Speaker 5>that's the wrong question. The question you should be asking

1:32:45.000 --> 1:32:47.559
<v Speaker 5>me is what I said, or rather what what what

1:32:47.600 --> 1:32:51.360
<v Speaker 5>they said when I said I'm not going to be

1:32:51.400 --> 1:32:57.960
<v Speaker 5>a doctor. I'm not going to medical school. That completely

1:32:59.040 --> 1:33:03.479
<v Speaker 5>shattered them. Uh and and they said, uh, you know,

1:33:04.040 --> 1:33:11.200
<v Speaker 5>you're on your own. And I told them this. When

1:33:11.240 --> 1:33:15.000
<v Speaker 5>I graduated high school went to me. They expected me

1:33:16.600 --> 1:33:20.759
<v Speaker 5>to go straight into into you know, headlong into studying

1:33:20.800 --> 1:33:24.439
<v Speaker 5>medicine and start the prep. But I said, like, you know,

1:33:25.080 --> 1:33:28.479
<v Speaker 5>that's that's not who I am. And let's just face it,

1:33:28.479 --> 1:33:31.840
<v Speaker 5>you guys know that's not who I am. Your question

1:33:31.960 --> 1:33:35.400
<v Speaker 5>is how did I start? I had to lie. I

1:33:35.400 --> 1:33:38.080
<v Speaker 5>had to first lie my first like dancing gig and

1:33:38.120 --> 1:33:39.599
<v Speaker 5>all that. I had to lie to my parents say

1:33:39.720 --> 1:33:42.320
<v Speaker 5>like it's I mean, technically it was sort of like

1:33:42.360 --> 1:33:45.280
<v Speaker 5>a half lie. I said, like I'm I'm I'm going

1:33:45.280 --> 1:33:47.559
<v Speaker 5>for a job interview, and it was it was actually

1:33:47.560 --> 1:33:52.320
<v Speaker 5>an audition to dance for this group. And then you know,

1:33:52.439 --> 1:33:55.640
<v Speaker 5>I just my whole life that from that time, like

1:33:56.080 --> 1:33:59.920
<v Speaker 5>even before that, all I was doing is either dancing, drawing, writing,

1:34:01.120 --> 1:34:05.840
<v Speaker 5>That's what I was doing. And and by the time

1:34:07.720 --> 1:34:09.479
<v Speaker 5>that I got to I mean, I went to two

1:34:09.520 --> 1:34:12.479
<v Speaker 5>colleges and I went to to one to New York

1:34:12.520 --> 1:34:16.800
<v Speaker 5>City Tech to for for art and design. I took

1:34:16.840 --> 1:34:19.920
<v Speaker 5>off a semester trying to figure out what I wanted

1:34:19.960 --> 1:34:21.960
<v Speaker 5>to do, what school I wanted to go to, and

1:34:22.240 --> 1:34:26.679
<v Speaker 5>ended up at Hunter College and I started taking dance

1:34:26.720 --> 1:34:31.519
<v Speaker 5>classes there. I felt still at that time, I knew

1:34:31.520 --> 1:34:32.920
<v Speaker 5>that I was again I was going to end up

1:34:32.920 --> 1:34:37.120
<v Speaker 5>on a stage as as a theater performer, but not

1:34:37.240 --> 1:34:41.400
<v Speaker 5>yet I was. I was really really working on on

1:34:41.439 --> 1:34:45.439
<v Speaker 5>my dance career. And I both both my ham shrinks

1:34:47.320 --> 1:34:49.639
<v Speaker 5>in two different occasions because I was a club kid

1:34:50.520 --> 1:34:56.800
<v Speaker 5>and I battled. I battled, and I mean that's what

1:34:56.960 --> 1:34:59.720
<v Speaker 5>clubs were for me. People would go, you know, other

1:34:59.720 --> 1:35:06.040
<v Speaker 5>people maybe have a different perspective or what they had experience,

1:35:08.000 --> 1:35:12.080
<v Speaker 5>whether drinking or dancing or whatever, or rather like socializing.

1:35:12.240 --> 1:35:16.719
<v Speaker 5>For me and my group of people, it was literally

1:35:16.760 --> 1:35:19.880
<v Speaker 5>it was like a movie. It was. It was going

1:35:19.960 --> 1:35:25.280
<v Speaker 5>in seeing the middle of the dance floor open up

1:35:26.200 --> 1:35:32.920
<v Speaker 5>and then battling and making your bones and making your

1:35:33.720 --> 1:35:37.640
<v Speaker 5>that is that is what we did that and that's how.

1:35:37.720 --> 1:35:42.040
<v Speaker 5>I mean, that's how how when when I auditioned for rent,

1:35:42.280 --> 1:35:43.960
<v Speaker 5>the club kid thing, it was like club kit. I

1:35:44.000 --> 1:35:45.720
<v Speaker 5>don't have to pretend that I'm a club kid, like

1:35:45.800 --> 1:35:49.080
<v Speaker 5>I still am. Like that happened like about four years ago,

1:35:49.320 --> 1:35:55.639
<v Speaker 5>you know, so uh that is what I did. And

1:35:55.720 --> 1:35:58.360
<v Speaker 5>when I was working at the clinic, my night life

1:35:58.439 --> 1:36:00.880
<v Speaker 5>was still that I was still forming and I was

1:36:00.920 --> 1:36:07.040
<v Speaker 5>still going to clubs. And so when I pulled my hamstrings,

1:36:07.439 --> 1:36:10.320
<v Speaker 5>the dance teacher said like, and doctor said, like, you

1:36:10.360 --> 1:36:12.040
<v Speaker 5>know for six months, you're not going to be normal

1:36:12.080 --> 1:36:13.680
<v Speaker 5>for a while. You know, you're not gonna be able

1:36:13.720 --> 1:36:17.760
<v Speaker 5>to dance. Really, it's so long. Yeah, yeah, well hamstrings,

1:36:17.800 --> 1:36:21.479
<v Speaker 5>you know, the tendon takes takes a while. And I

1:36:21.560 --> 1:36:23.439
<v Speaker 5>was like, what am I going to do? It's like

1:36:23.560 --> 1:36:26.720
<v Speaker 5>six months to me? And you know, for a twenty

1:36:27.520 --> 1:36:31.559
<v Speaker 5>what twenty twenty year old? Twenty yeah, twenty year old?

1:36:32.760 --> 1:36:35.599
<v Speaker 5>Six months is a long time for a twenty year old,

1:36:36.000 --> 1:36:38.200
<v Speaker 5>it feels it feels like it's years.

1:36:38.960 --> 1:36:39.400
<v Speaker 1>Yeah.

1:36:39.439 --> 1:36:44.479
<v Speaker 5>So a friend of mine said, you know, why don't

1:36:44.520 --> 1:36:47.479
<v Speaker 5>you well, since you can't take the dance classes anymore,

1:36:47.479 --> 1:36:49.400
<v Speaker 5>it's going to be useless for you being in there,

1:36:49.880 --> 1:36:53.000
<v Speaker 5>why don't you just audit the acting one oh one class.

1:36:54.240 --> 1:36:58.880
<v Speaker 5>And that's what I did. I walked into the acting

1:36:58.920 --> 1:37:03.880
<v Speaker 5>one o one class and Heather Alurs was the teacher,

1:37:04.439 --> 1:37:12.320
<v Speaker 5>and within one month, within the month of me being

1:37:12.479 --> 1:37:15.559
<v Speaker 5>in that class, I was already in my first off

1:37:15.600 --> 1:37:21.280
<v Speaker 5>Broadway play Wow, And I had my equity card. And

1:37:22.200 --> 1:37:24.320
<v Speaker 5>because when some and I tell this to everybody, I

1:37:24.360 --> 1:37:29.439
<v Speaker 5>teach master classes and and and to anyone that'll have

1:37:29.560 --> 1:37:34.080
<v Speaker 5>me to both ready to schools and uh, and the

1:37:34.120 --> 1:37:38.160
<v Speaker 5>one thing I always tell everybody is like, when something

1:37:38.240 --> 1:37:42.439
<v Speaker 5>is meant for you, it's meant for you, and you

1:37:42.600 --> 1:37:47.200
<v Speaker 5>know it and there is nothing that's going to stop that.

1:37:48.160 --> 1:37:52.880
<v Speaker 5>And uh, that was that was me from the moment

1:37:52.920 --> 1:37:55.400
<v Speaker 5>that I told my parents, and even before that, it

1:37:55.439 --> 1:37:59.439
<v Speaker 5>was more about the recognizing, uh, the coming out of

1:38:00.080 --> 1:38:03.880
<v Speaker 5>I'm an artist like and and the way it felt

1:38:03.880 --> 1:38:08.759
<v Speaker 5>like was I'm an artist, And then I went, oh,

1:38:09.640 --> 1:38:13.920
<v Speaker 5>I'm an artist? What am I going to do to

1:38:13.960 --> 1:38:15.280
<v Speaker 5>see my life?

1:38:17.240 --> 1:38:20.000
<v Speaker 1>Did your parents end up coming to shows?

1:38:20.040 --> 1:38:25.160
<v Speaker 5>Some? But I think maybe like one two, they thought

1:38:25.200 --> 1:38:28.080
<v Speaker 5>it was a hobby. They thought it was still still

1:38:28.080 --> 1:38:30.479
<v Speaker 5>a hobby, a hobby that I They knew that I

1:38:30.520 --> 1:38:33.439
<v Speaker 5>was talented and that I was hard working at that,

1:38:33.600 --> 1:38:37.679
<v Speaker 5>but they they saw it as a talent. They didn't

1:38:37.680 --> 1:38:39.479
<v Speaker 5>see it as a way of really making a living.

1:38:39.520 --> 1:38:43.080
<v Speaker 5>I mean it's hard, but a way of They didn't

1:38:43.080 --> 1:38:45.519
<v Speaker 5>see it as a lifestyle. They just thought as as

1:38:45.600 --> 1:38:48.839
<v Speaker 5>a hobby for me. It wasn't It's not a lifestyle

1:38:48.840 --> 1:38:51.800
<v Speaker 5>for me. It's it's who I am, It's what I do,

1:38:51.880 --> 1:38:57.760
<v Speaker 5>It's it's how I make a living. It's it's how

1:38:57.800 --> 1:38:58.599
<v Speaker 5>I see the world.

1:38:59.479 --> 1:38:59.599
<v Speaker 1>Uh.

1:39:00.280 --> 1:39:06.160
<v Speaker 5>And so when they saw a rent, they were like wow.

1:39:06.960 --> 1:39:09.240
<v Speaker 5>For a while, I mean my mom even even my

1:39:09.280 --> 1:39:12.400
<v Speaker 5>mom for a while, well that would say like, she's like,

1:39:12.520 --> 1:39:16.000
<v Speaker 5>you can't sing. She's like so she would laugh when

1:39:16.000 --> 1:39:19.400
<v Speaker 5>I would try to sing. And then after that, I

1:39:20.000 --> 1:39:23.640
<v Speaker 5>was still I was still living at home. And but

1:39:23.840 --> 1:39:25.639
<v Speaker 5>it wasn't like I was living at home the whole

1:39:25.680 --> 1:39:29.960
<v Speaker 5>time before I moved out. Then had to come and uh,

1:39:30.240 --> 1:39:34.000
<v Speaker 5>I had to come back for a stint and then

1:39:34.200 --> 1:39:36.040
<v Speaker 5>and then I was like, okay, I'm just saving money

1:39:36.040 --> 1:39:37.640
<v Speaker 5>so that way I can I can leave again. So

1:39:37.840 --> 1:39:42.000
<v Speaker 5>in the so opening night did my thing. You had

1:39:42.000 --> 1:39:45.320
<v Speaker 5>to do that and come home and get and see

1:39:45.360 --> 1:39:48.000
<v Speaker 5>my parents, and my Mom's like, boppy, you can sing.

1:39:48.400 --> 1:39:50.160
<v Speaker 5>I'm like, I've been trying to tell you that. I'm

1:39:50.160 --> 1:39:51.720
<v Speaker 5>We're trying to tell you. I'm trying to tell you

1:39:51.760 --> 1:39:55.680
<v Speaker 5>for for a long time. It's it's I just had to,

1:39:56.040 --> 1:39:59.639
<v Speaker 5>you know, give me the right material. And uh. And

1:39:59.680 --> 1:40:08.160
<v Speaker 5>then the Tonys came and went, and you know, months,

1:40:08.240 --> 1:40:10.799
<v Speaker 5>I think like maybe four or five months after the Tonys.

1:40:11.680 --> 1:40:13.760
<v Speaker 5>My mom goes like, Okay, well, now that you're done

1:40:13.760 --> 1:40:15.600
<v Speaker 5>with your hobby and you got your little award, you

1:40:15.640 --> 1:40:17.240
<v Speaker 5>can go back to be a doctor right.

1:40:19.880 --> 1:40:22.400
<v Speaker 4>Now that you've won a Tony. Oh my god, you.

1:40:22.360 --> 1:40:26.160
<v Speaker 5>Can do both, Like Mom, it's it shows like I

1:40:26.160 --> 1:40:28.559
<v Speaker 5>don't think you understand like how much energy this takes.

1:40:28.600 --> 1:40:36.040
<v Speaker 5>And she she didn't, but uh, but yeah.

1:40:34.880 --> 1:40:37.599
<v Speaker 1>When you join rent, like you guys all have gone

1:40:37.600 --> 1:40:41.040
<v Speaker 1>on to such amazing careers, Like were you close with

1:40:41.160 --> 1:40:43.360
<v Speaker 1>are you close with specific people from that cast?

1:40:43.520 --> 1:40:44.919
<v Speaker 4>I saw you all at Redwood.

1:40:44.920 --> 1:40:47.439
<v Speaker 1>It's not all of you, but it was Oh yeah,

1:40:47.479 --> 1:40:48.879
<v Speaker 1>Adina's new.

1:40:48.880 --> 1:40:50.800
<v Speaker 5>Yeah, well not all of us were able to make it.

1:40:50.840 --> 1:40:53.680
<v Speaker 5>I'm pretty sure, Like, but we we we still have

1:40:53.760 --> 1:40:54.400
<v Speaker 5>a group chat.

1:40:54.640 --> 1:40:56.240
<v Speaker 4>The two that have been on the podcast.

1:40:56.439 --> 1:40:59.120
<v Speaker 5>Oh yeah, yeah.

1:40:58.200 --> 1:41:00.920
<v Speaker 4>Yeah, you guys have a group chat.

1:41:01.000 --> 1:41:05.200
<v Speaker 5>Yeah yeah, all of us still pretty much. Tay changed

1:41:05.240 --> 1:41:08.800
<v Speaker 5>his number, so Tay is the only but he was

1:41:08.880 --> 1:41:12.440
<v Speaker 5>on the group chat for a while. We're genuinely, genuinely

1:41:12.479 --> 1:41:17.240
<v Speaker 5>family and friends and so, you know, and we talked

1:41:17.240 --> 1:41:19.200
<v Speaker 5>to you know, some people talk to each other more

1:41:19.200 --> 1:41:23.599
<v Speaker 5>than others. But but since Jesse started his new show,

1:41:23.680 --> 1:41:27.800
<v Speaker 5>I I I hear from him less, but we but

1:41:27.920 --> 1:41:29.479
<v Speaker 5>we check. We chat quite a bit.

1:41:30.160 --> 1:41:34.240
<v Speaker 3>We do any last minute tidbits that you remember from

1:41:34.280 --> 1:41:36.960
<v Speaker 3>the set, like uh or anything you want to prom

1:41:37.080 --> 1:41:41.799
<v Speaker 3>or Sepher Maloney throwing up piece of pie at someone

1:41:41.840 --> 1:41:43.040
<v Speaker 3>at Craft Services.

1:41:43.360 --> 1:41:45.960
<v Speaker 4>I don't know that was that was bad improv. I

1:41:45.960 --> 1:41:47.240
<v Speaker 4>couldn't think of anything.

1:41:47.479 --> 1:41:52.640
<v Speaker 5>When when they show me the video of of me

1:41:52.760 --> 1:41:57.439
<v Speaker 5>getting raped and and it's just me and my reaction

1:41:57.600 --> 1:42:00.559
<v Speaker 5>shot if you remember, there's a set when I go

1:42:00.640 --> 1:42:04.080
<v Speaker 5>like what's this? What's this? Like no, no, no, and

1:42:04.080 --> 1:42:05.679
<v Speaker 5>that's when I collapse and I go to the corner

1:42:05.760 --> 1:42:08.360
<v Speaker 5>of the room, the floor and I and I go

1:42:08.520 --> 1:42:11.800
<v Speaker 5>like no no. But the director did in order to

1:42:11.840 --> 1:42:15.000
<v Speaker 5>get my reaction. I mean, if he knew, if he

1:42:15.080 --> 1:42:17.000
<v Speaker 5>knew where I came from, he would have gotten something

1:42:17.040 --> 1:42:19.080
<v Speaker 5>else for me, because what he what he showed me

1:42:19.240 --> 1:42:25.720
<v Speaker 5>was like he showed me cow's being slaughtered. Oh but see,

1:42:25.760 --> 1:42:29.120
<v Speaker 5>I grew up in Brooklyn and and I've seen I'm

1:42:29.320 --> 1:42:31.920
<v Speaker 5>I'm not and I'm not kidding about this. Like I've

1:42:31.920 --> 1:42:36.080
<v Speaker 5>seen people freshly shot, I have seen people stabbed, I

1:42:36.120 --> 1:42:39.240
<v Speaker 5>have seen, so blood is nothing new for me. I

1:42:39.280 --> 1:42:41.559
<v Speaker 5>was like, Oh, you need to show me something a

1:42:41.600 --> 1:42:44.200
<v Speaker 5>lot more like a lot more fucked up for me

1:42:44.280 --> 1:42:46.760
<v Speaker 5>to react like that. So I still had to and

1:42:46.840 --> 1:42:49.559
<v Speaker 5>go like, oh that's terrible. Oh Cole's heads being cut

1:42:49.600 --> 1:42:51.720
<v Speaker 5>off not a big deal. Oh my god, I know

1:42:51.880 --> 1:42:53.680
<v Speaker 5>that's so messed up. It shows you, like how I

1:42:53.720 --> 1:42:59.880
<v Speaker 5>grew up. Yeah, and then I played Angel, so but

1:43:00.240 --> 1:43:05.360
<v Speaker 5>uh yeah, man, yeah, yeah it was it was a blast.

1:43:05.840 --> 1:43:09.040
<v Speaker 5>If it was a blast, and and uh yeah, I

1:43:09.080 --> 1:43:13.120
<v Speaker 5>hope that they've read. They decide to write Evan back

1:43:13.160 --> 1:43:15.559
<v Speaker 5>into the show one episode of like you know him

1:43:15.560 --> 1:43:18.559
<v Speaker 5>coming back and what happens, like how he how he

1:43:18.640 --> 1:43:20.519
<v Speaker 5>pays his step to society.

1:43:20.360 --> 1:43:23.440
<v Speaker 4>You know, totally starts helping the department.

1:43:23.640 --> 1:43:26.920
<v Speaker 5>Yeah, becomes a cop and becomes a season regular. That's

1:43:26.920 --> 1:43:32.559
<v Speaker 5>for you because if my man, I see kid can

1:43:32.600 --> 1:43:36.200
<v Speaker 5>be it s for you, right he is he on SVU.

1:43:36.320 --> 1:43:39.719
<v Speaker 3>If he for you, he joined the season after you

1:43:39.720 --> 1:43:42.599
<v Speaker 3>your your part, then.

1:43:42.760 --> 1:43:45.559
<v Speaker 5>Then you know they can they can have me. They

1:43:45.600 --> 1:43:49.599
<v Speaker 5>can definitely like write me in right right Evan and

1:43:49.600 --> 1:43:52.760
<v Speaker 5>go like you know Evan or you know, he paid

1:43:52.800 --> 1:43:55.639
<v Speaker 5>his dues, he went to the Academy.

1:43:55.400 --> 1:43:58.599
<v Speaker 1>This thing, or they can have you back as somebody

1:43:58.640 --> 1:43:59.280
<v Speaker 1>totally different.

1:43:59.280 --> 1:44:00.120
<v Speaker 4>They could have you back.

1:44:01.840 --> 1:44:04.800
<v Speaker 5>Who knows again, I look I look different now I'm

1:44:04.800 --> 1:44:06.120
<v Speaker 5>a different cat. So you know.

1:44:06.520 --> 1:44:12.200
<v Speaker 4>Yeah, oh memoriessh.

1:44:13.040 --> 1:44:15.920
<v Speaker 3>You were on our list of guests from the very

1:44:15.960 --> 1:44:18.639
<v Speaker 3>beginning in this podcast is four years old, all right,

1:44:18.720 --> 1:44:20.880
<v Speaker 3>so we've been really happy to get you.

1:44:25.200 --> 1:44:26.960
<v Speaker 4>That was cool. What a fucking icon.

1:44:27.160 --> 1:44:29.599
<v Speaker 1>But I also love in the intro to call victim

1:44:29.600 --> 1:44:30.280
<v Speaker 1>turned abuser.

1:44:31.280 --> 1:44:33.559
<v Speaker 4>That's such a funny thing to put in it. Someone's

1:44:34.000 --> 1:44:34.639
<v Speaker 4>so many.

1:44:34.439 --> 1:44:36.479
<v Speaker 3>Are so many are We've talked about that in our

1:44:36.840 --> 1:44:39.160
<v Speaker 3>on this pod a lot. But I was jazz to

1:44:39.160 --> 1:44:40.840
<v Speaker 3>get to talk to him, like I have. My best

1:44:40.840 --> 1:44:42.519
<v Speaker 3>friend is such a Rent head. She has like two

1:44:42.560 --> 1:44:45.559
<v Speaker 3>Rent tattoos on her body. She was so excited when

1:44:45.560 --> 1:44:47.360
<v Speaker 3>we talked to Anthony Rapp And then I messaged her

1:44:47.360 --> 1:44:49.040
<v Speaker 3>and was like, we're talking to Angel, Like she used

1:44:49.080 --> 1:44:51.640
<v Speaker 3>to make me mixes that had today for you on

1:44:51.760 --> 1:44:52.200
<v Speaker 3>the mix.

1:44:52.360 --> 1:44:56.120
<v Speaker 4>Like I just Angel was and just loves his fucking craft.

1:44:56.400 --> 1:44:58.960
<v Speaker 1>And I just like like talking to people that are

1:44:59.040 --> 1:45:02.280
<v Speaker 1>in you know, I have some insight and work hard

1:45:02.360 --> 1:45:05.519
<v Speaker 1>and like, have you seen Rent in terms of like

1:45:05.560 --> 1:45:08.080
<v Speaker 1>the movie or like or have you stayed on Broadway?

1:45:08.280 --> 1:45:11.880
<v Speaker 1>I didn't know, Okay, I like, I just saw the

1:45:11.920 --> 1:45:15.519
<v Speaker 1>movie so much. Yeah, the movies not good.

1:45:15.560 --> 1:45:17.639
<v Speaker 4>I don't think. I didn't think the movie was good.

1:45:19.280 --> 1:45:22.919
<v Speaker 1>But I have to see a Dina Menzel Tree Tree musical.

1:45:23.640 --> 1:45:30.200
<v Speaker 3>Oh yeah, but rent on Broadway was so amazing. And

1:45:30.240 --> 1:45:31.680
<v Speaker 3>maybe it's just because like I saw it as like

1:45:31.720 --> 1:45:33.680
<v Speaker 3>a high schooler and was like it was like so

1:45:33.760 --> 1:45:36.880
<v Speaker 3>transformative and awesome and like, but a lot of the

1:45:37.000 --> 1:45:40.400
<v Speaker 3>characters are really like selfish and kind of like crazy

1:45:40.439 --> 1:45:43.240
<v Speaker 3>New Yorkers, like squatting in buildings and making their dreams

1:45:43.240 --> 1:45:44.240
<v Speaker 3>come true and like whatever.

1:45:44.280 --> 1:45:48.000
<v Speaker 4>But Angels just like kind of pure hearted and like.

1:45:47.920 --> 1:45:51.439
<v Speaker 3>So she's she's definitely like a character in the show

1:45:51.479 --> 1:45:53.479
<v Speaker 3>that you're just like everybody loves Angel.

1:45:53.680 --> 1:45:55.400
<v Speaker 4>So anyway, love it.

1:45:55.720 --> 1:45:58.719
<v Speaker 1>Oh wait, have you seen the discourse on Sabrina Carpenter.

1:45:59.439 --> 1:46:01.519
<v Speaker 4>Yeah I I have not, but I spoke about it,

1:46:02.560 --> 1:46:02.960
<v Speaker 4>thank God.

1:46:03.439 --> 1:46:06.080
<v Speaker 1>Yes, So I know about it, and I think it's

1:46:06.160 --> 1:46:08.679
<v Speaker 1>like it's crazy, it's a little bit crazy.

1:46:10.040 --> 1:46:10.720
<v Speaker 4>I saw a meme.

1:46:10.960 --> 1:46:12.760
<v Speaker 3>I saw a meme that was like, well, I don't know.

1:46:12.800 --> 1:46:14.040
<v Speaker 3>I guess I had to hear what you have to think.

1:46:14.360 --> 1:46:16.240
<v Speaker 1>I don't like the picture and I don't like that

1:46:16.320 --> 1:46:20.080
<v Speaker 1>anyone like what because I didn't know the references. I

1:46:20.080 --> 1:46:23.800
<v Speaker 1>didn't know the fifties advertisements, advertisements that it's kind of

1:46:23.880 --> 1:46:28.000
<v Speaker 1>like referring to so at first glance, and I feel

1:46:28.000 --> 1:46:30.920
<v Speaker 1>like I'm pretty media literate, and what bothers me is

1:46:30.960 --> 1:46:33.320
<v Speaker 1>like all the Instagram kind of you know, TikTok, Like

1:46:33.400 --> 1:46:37.559
<v Speaker 1>the opinions of it all are very much like because

1:46:37.600 --> 1:46:40.720
<v Speaker 1>people take things literally and you don't understand, and you

1:46:40.800 --> 1:46:43.479
<v Speaker 1>just don't understand, and she is feminist and you're just

1:46:43.520 --> 1:46:45.320
<v Speaker 1>this and you're that, and it's like, just because I

1:46:45.360 --> 1:46:47.439
<v Speaker 1>don't like something, it doesn't mean I fully don't understand it.

1:46:47.479 --> 1:46:49.439
<v Speaker 1>Like then, I saw the fifties ads and I'm taking

1:46:49.439 --> 1:46:52.240
<v Speaker 1>it all in. And you're also allowed to like something

1:46:52.240 --> 1:46:54.320
<v Speaker 1>and not be into it, even if there's like it's

1:46:54.360 --> 1:46:56.800
<v Speaker 1>supposed to be satire. I don't think she nailed it,

1:46:56.880 --> 1:46:58.559
<v Speaker 1>Like I'm sorry, it was a swing and a miss

1:46:58.560 --> 1:47:00.880
<v Speaker 1>for me. I think it's kind of I don't like it.

1:47:01.280 --> 1:47:04.160
<v Speaker 1>I don't think it's the worst thing ever I interest,

1:47:04.400 --> 1:47:06.439
<v Speaker 1>but I don't like it and I don't but what

1:47:06.560 --> 1:47:07.280
<v Speaker 1>is the satire?

1:47:07.360 --> 1:47:08.960
<v Speaker 4>It's like, what is.

1:47:08.880 --> 1:47:12.519
<v Speaker 3>It well, I didn't know that it was supposed to

1:47:12.520 --> 1:47:13.759
<v Speaker 3>be satire or anything.

1:47:13.880 --> 1:47:15.479
<v Speaker 4>I thought it was just kind of like a kink.

1:47:15.640 --> 1:47:15.920
<v Speaker 4>I thought.

1:47:15.960 --> 1:47:17.640
<v Speaker 3>She was just like yeah, I kind of like to

1:47:17.720 --> 1:47:22.920
<v Speaker 3>play be like do this like BDSM type thing because

1:47:22.920 --> 1:47:29.160
<v Speaker 3>it's it's what's it called again? The album man Man's

1:47:29.200 --> 1:47:30.559
<v Speaker 3>Best Friend, Manchild's a song.

1:47:30.600 --> 1:47:33.679
<v Speaker 4>I think the album's Man's Best Friend. Oh yeah, that's right.

1:47:33.720 --> 1:47:36.080
<v Speaker 3>And people were like immediately going to do I mean,

1:47:36.160 --> 1:47:38.760
<v Speaker 3>I was like I was my first take off of

1:47:38.800 --> 1:47:40.559
<v Speaker 3>hearing it for two seconds and having to talk about

1:47:40.560 --> 1:47:42.800
<v Speaker 3>it on another podcast was just kind of like, well

1:47:42.840 --> 1:47:45.160
<v Speaker 3>that feminism is that you can do that if you want.

1:47:45.280 --> 1:47:47.519
<v Speaker 3>Like if being treated like a dog is your feminist,

1:47:47.840 --> 1:47:50.000
<v Speaker 3>Like is your kink and something that you actually think

1:47:50.120 --> 1:47:52.240
<v Speaker 3>is hot, and you like you're allowed to have that.

1:47:52.320 --> 1:47:55.120
<v Speaker 3>You're also allowed to God, you're allowed to be a

1:47:55.160 --> 1:47:57.200
<v Speaker 3>trad wife. You're allowed to not be a trad wife.

1:47:57.200 --> 1:47:59.760
<v Speaker 3>You know, like that's that is what feminism is. It's

1:47:59.800 --> 1:48:03.439
<v Speaker 3>not just necessarily like saying that it has to be

1:48:04.080 --> 1:48:07.080
<v Speaker 3>we all everything has to be impowered, like and you know,

1:48:07.080 --> 1:48:10.040
<v Speaker 3>I've been reading people say stuff like everybody knows that

1:48:10.280 --> 1:48:13.799
<v Speaker 3>like a submissive in a BDSM relationship has the power

1:48:13.880 --> 1:48:17.559
<v Speaker 3>anyway in a way like that's this is like a

1:48:17.640 --> 1:48:20.559
<v Speaker 3>land that a landscape I'm not super familiar with. But

1:48:20.640 --> 1:48:22.479
<v Speaker 3>I was like, I mean, damn, if you're if your

1:48:22.520 --> 1:48:25.320
<v Speaker 3>object is just to get people fucking talking and tongues wagon,

1:48:25.600 --> 1:48:26.840
<v Speaker 3>you're doing a genius.

1:48:27.160 --> 1:48:28.559
<v Speaker 4>I know. I just like it.

1:48:28.760 --> 1:48:34.320
<v Speaker 1>The image does make me uncomfortable, and I watch pretty

1:48:34.320 --> 1:48:36.240
<v Speaker 1>fucked up porn, I would say, I don't know for

1:48:36.439 --> 1:48:42.479
<v Speaker 1>I don't because the people that are like saying there's

1:48:42.560 --> 1:48:46.280
<v Speaker 1>more to it, I just that they're like it's satire.

1:48:46.280 --> 1:48:47.800
<v Speaker 1>I don't see the satire, but I didn't think about

1:48:47.800 --> 1:48:51.200
<v Speaker 1>it in the like kink kind of kink via, So

1:48:51.760 --> 1:48:56.240
<v Speaker 1>do you let like like just asking what if it

1:48:56.280 --> 1:48:59.559
<v Speaker 1>was like a girl's leg holding her hair. I don't know,

1:48:59.640 --> 1:49:02.479
<v Speaker 1>just the it does make me uncomfortable because okay, it's

1:49:02.560 --> 1:49:04.360
<v Speaker 1>kind of what we talked about with my special when

1:49:04.400 --> 1:49:07.320
<v Speaker 1>like it was funny because I asked Netflix like, will

1:49:07.360 --> 1:49:10.559
<v Speaker 1>you approve dumb bitch? Yeah, and they go, we love

1:49:10.640 --> 1:49:12.559
<v Speaker 1>dumb bitch. We don't like night owl. And I was like,

1:49:12.600 --> 1:49:15.400
<v Speaker 1>if this was a different era in time, it would

1:49:15.400 --> 1:49:17.400
<v Speaker 1>be really fun to call it dumb bitch. But we're

1:49:17.439 --> 1:49:21.479
<v Speaker 1>past the time of these things, because it's real when

1:49:21.520 --> 1:49:25.080
<v Speaker 1>we're losing rights and we're losing a young generation of

1:49:25.120 --> 1:49:28.280
<v Speaker 1>women that aren't going to college or learning and marrying

1:49:28.560 --> 1:49:31.880
<v Speaker 1>very young and don't want to expand their brains to

1:49:32.000 --> 1:49:34.760
<v Speaker 1>be at home and not knowing the full implications of

1:49:34.760 --> 1:49:36.920
<v Speaker 1>what happens when you're forty five and maybe don't have

1:49:36.960 --> 1:49:40.120
<v Speaker 1>any experience in the workforce or any knowledge all of

1:49:40.160 --> 1:49:42.920
<v Speaker 1>these things. So it's like, and I talked about this

1:49:43.000 --> 1:49:45.800
<v Speaker 1>on Stradio Lab with gay stuff too, where it's like

1:49:46.160 --> 1:49:49.400
<v Speaker 1>it's hard sometimes to make jokes when we're living in

1:49:49.439 --> 1:49:53.120
<v Speaker 1>an era that is that is really happening.

1:49:54.280 --> 1:49:57.120
<v Speaker 3>That's an interesting argument. Now, that's a very interesting argument,

1:49:57.240 --> 1:50:02.320
<v Speaker 3>Like cause to put that album cover coming out at

1:50:02.360 --> 1:50:04.840
<v Speaker 3>the time that it's coming out, like if hairs, that's

1:50:04.880 --> 1:50:05.559
<v Speaker 3>an a statement.

1:50:07.200 --> 1:50:10.200
<v Speaker 4>Yeah, it would everything a statement when you're as famous

1:50:10.240 --> 1:50:10.840
<v Speaker 4>as she is.

1:50:11.280 --> 1:50:14.679
<v Speaker 3>So yeah, it's not just like cutie baby, like ooh,

1:50:14.800 --> 1:50:17.519
<v Speaker 3>isn't this kind of sexy and provocative like you are?

1:50:17.720 --> 1:50:19.880
<v Speaker 3>Like that is an argument I had not thought of

1:50:20.200 --> 1:50:20.599
<v Speaker 3>because I.

1:50:20.560 --> 1:50:22.720
<v Speaker 4>Looked at all the ads and it is fine.

1:50:22.720 --> 1:50:25.720
<v Speaker 1>I don't know, but what people other things online I

1:50:25.760 --> 1:50:28.840
<v Speaker 1>was saying was like, the spin of this would be

1:50:28.880 --> 1:50:31.360
<v Speaker 1>if like she was disrespecting a guy, like if a

1:50:31.400 --> 1:50:35.160
<v Speaker 1>guy was on all fours being grabbed by their hair.

1:50:37.000 --> 1:50:39.439
<v Speaker 1>But then with the kink element, it's like, yeah, she's

1:50:39.479 --> 1:50:40.519
<v Speaker 1>into this, this is great.

1:50:40.560 --> 1:50:40.880
<v Speaker 4>I don't know.

1:50:40.920 --> 1:50:43.800
<v Speaker 1>The pulling of the hair makes me uncomfortable with the

1:50:43.840 --> 1:50:46.880
<v Speaker 1>satire with not whatever she's trying to flip. It's not

1:50:47.000 --> 1:50:50.240
<v Speaker 1>flipping because it's happening right now, you know.

1:50:50.280 --> 1:50:50.679
<v Speaker 4>What I mean.

1:50:50.760 --> 1:50:54.280
<v Speaker 1>Women are being abused and losing their rights. So it's like,

1:50:55.360 --> 1:50:57.840
<v Speaker 1>what is the joke, Like I you know what I mean,

1:50:58.120 --> 1:50:59.760
<v Speaker 1>Like I don't get it, And then people are like,

1:51:00.000 --> 1:51:02.360
<v Speaker 1>why won't anyone leave Sabrina Carboner alone. She's obviously not

1:51:02.400 --> 1:51:04.040
<v Speaker 1>for the male gaze, and we talked about this where

1:51:04.040 --> 1:51:06.360
<v Speaker 1>I go, she is dressing really provocative, but it is

1:51:06.400 --> 1:51:09.599
<v Speaker 1>so girly. She's for the girls, and it's very clear

1:51:09.600 --> 1:51:12.040
<v Speaker 1>and obvious, and the lyrics of her songs say that

1:51:12.200 --> 1:51:15.519
<v Speaker 1>and all of it, And honestly, yeah, I'm into crawling around.

1:51:15.640 --> 1:51:16.160
<v Speaker 4>I get that.

1:51:16.240 --> 1:51:18.240
<v Speaker 1>I just my brain didn't go there because I was

1:51:18.320 --> 1:51:22.160
<v Speaker 1>so uncomfortable with the image and if her goal is

1:51:22.200 --> 1:51:26.160
<v Speaker 1>to make people uncomfortable with the violence against women, then

1:51:26.200 --> 1:51:26.639
<v Speaker 1>I guess.

1:51:26.479 --> 1:51:27.000
<v Speaker 4>She did it.

1:51:28.040 --> 1:51:29.680
<v Speaker 3>Yeah, if that was her goal, You're right, I mean

1:51:29.760 --> 1:51:31.280
<v Speaker 3>you could read, you could read, you could fucking do

1:51:31.360 --> 1:51:33.760
<v Speaker 3>a college course on this, Like this is like the

1:51:34.640 --> 1:51:37.960
<v Speaker 3>semiotics of this image, like what you see, Like when

1:51:38.040 --> 1:51:41.840
<v Speaker 3>you see this image, like shecuse her hair is getting pulled,

1:51:41.840 --> 1:51:43.880
<v Speaker 3>but she doesn't necessarily look like she's in pain.

1:51:44.320 --> 1:51:46.720
<v Speaker 4>She looks like she's having a good time, like yeah,

1:51:46.720 --> 1:51:47.360
<v Speaker 4>you know what I mean.

1:51:47.479 --> 1:51:49.439
<v Speaker 3>Like it's like if she was like even doing a

1:51:49.479 --> 1:51:51.240
<v Speaker 3>little bit of a WinCE, it would be like fuck.

1:51:51.360 --> 1:51:54.080
<v Speaker 4>That makes it a totally different image to me, you know,

1:51:54.360 --> 1:51:55.280
<v Speaker 4>And I do like that.

1:51:55.280 --> 1:51:56.760
<v Speaker 1>The guy, like what they do to women a lot

1:51:56.760 --> 1:51:58.360
<v Speaker 1>where just a body part and you don't know who

1:51:58.360 --> 1:52:02.200
<v Speaker 1>that is, Like yeah, it's pretty cool bodied man. Yeah,

1:52:02.479 --> 1:52:06.800
<v Speaker 1>And I know she's smart and you know cool. I

1:52:07.120 --> 1:52:10.320
<v Speaker 1>just I want to know who the photography, who is

1:52:10.320 --> 1:52:13.200
<v Speaker 1>the creative director? I wonder I would like to know

1:52:13.240 --> 1:52:15.720
<v Speaker 1>if it was a guy or is it Terry Richardson?

1:52:15.800 --> 1:52:16.280
<v Speaker 4>You know what I mean?

1:52:18.200 --> 1:52:20.439
<v Speaker 1>Yeah, Like I hope it's it was all her idea

1:52:20.479 --> 1:52:22.559
<v Speaker 1>with her stylists and all of that, and obviously a

1:52:22.600 --> 1:52:24.759
<v Speaker 1>lot of talk went into it. It's a full album

1:52:24.800 --> 1:52:26.920
<v Speaker 1>cover and a whole new Yeah.

1:52:26.960 --> 1:52:28.880
<v Speaker 3>And I was also talking about this when I was

1:52:28.880 --> 1:52:31.360
<v Speaker 3>talking about this on another podcast, was like, if this

1:52:31.439 --> 1:52:33.320
<v Speaker 3>is like coming this image is coming out in like

1:52:33.840 --> 1:52:36.439
<v Speaker 3>ninety nine and it's Britney Spears, I'm a little bit

1:52:36.520 --> 1:52:38.920
<v Speaker 3>like because like I never got the feeling that Britney

1:52:38.960 --> 1:52:41.200
<v Speaker 3>Spears was in charge of anything in her career. That's

1:52:41.240 --> 1:52:43.840
<v Speaker 3>like part of like the issue with how she was

1:52:44.960 --> 1:52:47.479
<v Speaker 3>how she was being treated. But when I see like

1:52:48.000 --> 1:52:50.880
<v Speaker 3>Taylor Sabrina, I feel like these girls are in charge

1:52:50.880 --> 1:52:53.559
<v Speaker 3>of everything. And maybe that's an image that's incorrect, but

1:52:53.680 --> 1:52:55.760
<v Speaker 3>like I get a feeling that she's in charge in

1:52:55.800 --> 1:52:57.439
<v Speaker 3>that she probably had her hands all over this.

1:52:57.920 --> 1:52:59.120
<v Speaker 4>Yeah, Like I'm looking at it.

1:52:59.080 --> 1:53:01.640
<v Speaker 1>And I also don't like line when it's like like

1:53:01.720 --> 1:53:03.720
<v Speaker 1>we should all have known, you just don't know. It's

1:53:03.720 --> 1:53:06.560
<v Speaker 1>about fifties ads, you fucking idiots, and it's like, yeah, yeah, no,

1:53:06.640 --> 1:53:08.360
<v Speaker 1>I didn't know that. Now I'm looking at them, I'm

1:53:08.360 --> 1:53:10.360
<v Speaker 1>taking it all in. But this idea that like you all.

1:53:10.320 --> 1:53:13.600
<v Speaker 4>Knew immediately like where this was coming from. And if you.

1:53:13.600 --> 1:53:16.040
<v Speaker 3>Don't, every girl I was born in the nineties was

1:53:16.080 --> 1:53:18.080
<v Speaker 3>immediately making fifties out references.

1:53:18.200 --> 1:53:20.200
<v Speaker 1>But if we weren't in the Maga era of going

1:53:20.320 --> 1:53:22.960
<v Speaker 1>back to this. They are actively trying to take us

1:53:23.000 --> 1:53:23.559
<v Speaker 1>back to this.

1:53:24.080 --> 1:53:28.240
<v Speaker 3>That's okay, That's an argument that I think is very interesting. Anyway,

1:53:29.000 --> 1:53:33.200
<v Speaker 3>this episode is obviously so fucked up, but like I said,

1:53:33.200 --> 1:53:36.519
<v Speaker 3>when we were when we were recapping, like it is

1:53:37.200 --> 1:53:39.640
<v Speaker 3>very interesting to me that even as far back as

1:53:39.680 --> 1:53:43.160
<v Speaker 3>season one, this show was kind of like fucking with

1:53:43.240 --> 1:53:46.519
<v Speaker 3>the idea of it's a cycle. Like a lot of

1:53:46.520 --> 1:53:48.200
<v Speaker 3>this stuff is a cycle, and I know it's like

1:53:48.320 --> 1:53:51.920
<v Speaker 3>not an excuse, but like in this specific episode, like

1:53:52.000 --> 1:53:55.519
<v Speaker 3>this feels like a guy who was being absolutely coerced,

1:53:55.560 --> 1:53:59.679
<v Speaker 3>like he's brainwashed by this man, and nobody thought about

1:53:59.720 --> 1:54:02.240
<v Speaker 3>how it was that this white man moved into a

1:54:02.240 --> 1:54:04.759
<v Speaker 3>black neighborhood and just started giving lessons to all the children.

1:54:04.920 --> 1:54:08.200
<v Speaker 3>Like I'm just surprised that like no one caught on

1:54:08.320 --> 1:54:12.520
<v Speaker 3>to this sooner, but I guess they were also focused.

1:54:12.040 --> 1:54:21.880
<v Speaker 1>On Redo guzzamando, but damn it is. And congrats to

1:54:21.920 --> 1:54:24.200
<v Speaker 1>the people who got my Marishka tickets.

1:54:24.200 --> 1:54:24.920
<v Speaker 5>I hope you had fun.

1:54:25.320 --> 1:54:28.599
<v Speaker 1>Oh I got damned people had fun, just two people,

1:54:28.640 --> 1:54:29.360
<v Speaker 1>But yeah, I.

1:54:29.240 --> 1:54:30.840
<v Speaker 4>Want to watch that. Is that out already? On Age

1:54:30.880 --> 1:54:34.800
<v Speaker 4>it'll be out. Yeah, you just premiered. It just premiered, Yeah,

1:54:34.880 --> 1:54:36.760
<v Speaker 4>yeah yeah, And I have a show tonight.

1:54:36.760 --> 1:54:38.920
<v Speaker 1>But I've been having nightmares, like kind of with school

1:54:38.960 --> 1:54:40.960
<v Speaker 1>since I took eight days off. I was on the

1:54:41.040 --> 1:54:43.480
<v Speaker 1>trip that like I forgot all my jokes. Like I've

1:54:43.480 --> 1:54:45.320
<v Speaker 1>been having nightmares where I'm on stage and I don't

1:54:45.360 --> 1:54:46.560
<v Speaker 1>know any of my jokes and none of them are

1:54:46.600 --> 1:54:47.800
<v Speaker 1>working and I can't get them out.

1:54:48.520 --> 1:54:51.360
<v Speaker 4>Oh that's because you never take like long breaks.

1:54:51.520 --> 1:54:51.760
<v Speaker 1>No.

1:54:52.920 --> 1:54:55.960
<v Speaker 3>I actually just did a set on Saturday for the

1:54:56.040 --> 1:54:57.600
<v Speaker 3>Cracked thing that people are doing.

1:54:57.680 --> 1:54:59.360
<v Speaker 4>I saw some comics from I saw Tom.

1:54:59.240 --> 1:55:03.400
<v Speaker 3>Takar I saw, but I wrote a bunch of new

1:55:03.480 --> 1:55:05.040
<v Speaker 3>jokes for it, and I've been like working them out

1:55:05.080 --> 1:55:07.120
<v Speaker 3>around town and was like, wow, I forgot how much

1:55:07.160 --> 1:55:09.120
<v Speaker 3>I love stand up when I have new stuff, Like,

1:55:09.240 --> 1:55:11.600
<v Speaker 3>you know, it's really fun, but.

1:55:11.760 --> 1:55:12.480
<v Speaker 4>Okay, so funny.

1:55:12.560 --> 1:55:14.960
<v Speaker 1>My sister said something like she doesn't understand why Brad

1:55:15.280 --> 1:55:17.720
<v Speaker 1>or like, when you're that rich, why would you continue working?

1:55:17.760 --> 1:55:21.080
<v Speaker 1>And I'm like, they like it, they like to make movies.

1:55:21.720 --> 1:55:23.240
<v Speaker 1>But she she was like, I just I don't know

1:55:23.240 --> 1:55:24.440
<v Speaker 1>they have enough. I'm like, I think it's weird to

1:55:24.440 --> 1:55:26.760
<v Speaker 1>do commercials. But also if someone's giving you fifteen million

1:55:26.760 --> 1:55:28.600
<v Speaker 1>dollars to hear a watch, I don't know why you wouldn't.

1:55:28.680 --> 1:55:30.280
<v Speaker 3>But you always say when somebody is just like a

1:55:30.320 --> 1:55:32.240
<v Speaker 3>NEPO that's super rich, why do they work at all?

1:55:32.480 --> 1:55:34.640
<v Speaker 1>Well, I think they should just be more service oriented.

1:55:34.800 --> 1:55:38.480
<v Speaker 1>I don't understand. Yeah, I don't understand the earth. And

1:55:38.520 --> 1:55:42.120
<v Speaker 1>it's like do photography, do the stuff, but why do

1:55:42.160 --> 1:55:45.920
<v Speaker 1>you have to make Like I don't get it, like

1:55:46.000 --> 1:55:47.920
<v Speaker 1>do the thing, but there's no pressure on you. Like

1:55:47.960 --> 1:55:50.040
<v Speaker 1>I just don't get why people with that much are

1:55:50.040 --> 1:55:53.040
<v Speaker 1>not service minded in any capacity, Cause it's.

1:55:52.880 --> 1:55:54.640
<v Speaker 4>Sudden to be like I need to make my mom

1:55:54.720 --> 1:55:55.200
<v Speaker 4>proud of me.

1:55:55.280 --> 1:55:57.360
<v Speaker 1>And it's like with a fashion line, you're sixty five,

1:55:57.440 --> 1:56:03.240
<v Speaker 1>No one's a press, no one's impressed that you had

1:56:03.280 --> 1:56:05.960
<v Speaker 1>other employees do something for you and put together this

1:56:06.080 --> 1:56:07.160
<v Speaker 1>adult talent show.

1:56:07.200 --> 1:56:09.960
<v Speaker 4>This is humiliating. Oh my god, oh my god. There's

1:56:10.080 --> 1:56:10.880
<v Speaker 4>such a good read.

1:56:11.080 --> 1:56:14.040
<v Speaker 1>I saw online and it was Tricia Pats played Radio

1:56:14.080 --> 1:56:16.520
<v Speaker 1>City Music Hall. Yeah, I saw and so there was

1:56:16.560 --> 1:56:20.800
<v Speaker 1>like a security guard. His face is like the confusion

1:56:20.840 --> 1:56:24.600
<v Speaker 1>of like why is this adult for? Like what is that?

1:56:24.640 --> 1:56:26.760
<v Speaker 4>What's happening? Because Radio City.

1:56:26.960 --> 1:56:28.760
<v Speaker 1>Even if you don't get the PIP or something, there's

1:56:28.800 --> 1:56:31.760
<v Speaker 1>like a level of prestige. I would say, if you

1:56:31.800 --> 1:56:34.320
<v Speaker 1>perform there or like some sort of skill. But it's

1:56:34.360 --> 1:56:38.440
<v Speaker 1>like just a woman singing poorly and the security guard

1:56:38.560 --> 1:56:39.480
<v Speaker 1>is so confused.

1:56:40.120 --> 1:56:41.200
<v Speaker 4>This is what happens when.

1:56:41.040 --> 1:56:42.760
<v Speaker 1>You can eat a full pizza on YouTube and get

1:56:42.760 --> 1:56:45.440
<v Speaker 1>people to be excited about that. I guess, well, but

1:56:45.600 --> 1:56:48.000
<v Speaker 1>I like her, that's the thing. She's so good spirited.

1:56:48.040 --> 1:56:50.320
<v Speaker 1>I also like, I love Brittany Broski. I like that

1:56:50.360 --> 1:56:52.760
<v Speaker 1>the Kombuchi girl has like a whole umpire, Like I

1:56:52.880 --> 1:56:53.240
<v Speaker 1>like her.

1:56:53.280 --> 1:56:57.040
<v Speaker 3>You know, Brittany's so funny. She's like really talented and

1:56:57.080 --> 1:56:59.000
<v Speaker 3>she's a great singer. I'm liking like I think her

1:56:59.040 --> 1:57:02.880
<v Speaker 3>voice is great, but that it is funny when like

1:57:03.080 --> 1:57:05.480
<v Speaker 3>somebody goes from like cause like you could either be

1:57:05.520 --> 1:57:07.880
<v Speaker 3>Komuca girl for ten minutes, but she parlated into something

1:57:07.880 --> 1:57:09.600
<v Speaker 3>more because she has talent, like Tan Mom.

1:57:09.680 --> 1:57:11.760
<v Speaker 4>We don't have Tan Mom anymore. But it's kind of.

1:57:11.680 --> 1:57:15.440
<v Speaker 1>Like Nikki's Glazer's Golden Globe joke too, where it's like

1:57:16.000 --> 1:57:17.880
<v Speaker 1>the whole point of the arts is to become so

1:57:17.920 --> 1:57:20.160
<v Speaker 1>successful that you make a tequila brand and never have

1:57:20.240 --> 1:57:22.920
<v Speaker 1>to make art again. Yeah, you know, And it's all

1:57:22.960 --> 1:57:24.920
<v Speaker 1>these people being like all of you are making money

1:57:24.920 --> 1:57:28.440
<v Speaker 1>off Mexicans and tequila and everything, and you're fucking silent

1:57:28.520 --> 1:57:29.000
<v Speaker 1>and don't how.

1:57:29.080 --> 1:57:31.160
<v Speaker 4>I don't know. It's just I don't know.

1:57:31.200 --> 1:57:32.960
<v Speaker 1>I've never been in a position where people want to

1:57:32.960 --> 1:57:34.800
<v Speaker 1>give me money to do limited work and go into

1:57:34.800 --> 1:57:37.400
<v Speaker 1>business like. I don't know, but I definitely understand. I

1:57:37.440 --> 1:57:38.960
<v Speaker 1>want to work forever. It's like, I don't want to

1:57:38.960 --> 1:57:41.440
<v Speaker 1>go to retire. I hope I like perform. I like it.

1:57:42.200 --> 1:57:43.720
<v Speaker 3>I just got off the phone with my mom, who

1:57:43.720 --> 1:57:45.760
<v Speaker 3>I told you retired a few months ago. She's looking

1:57:45.800 --> 1:57:48.480
<v Speaker 3>for part time work. She's going to get a new

1:57:48.480 --> 1:57:50.360
<v Speaker 3>certification and start to get a new My.

1:57:50.360 --> 1:57:53.400
<v Speaker 4>Dad's back at the pool. Yeah, thirty one. It's good though.

1:57:54.000 --> 1:57:55.040
<v Speaker 4>I think it's good for your mind.

1:57:55.080 --> 1:57:57.360
<v Speaker 3>I think it's good for your spirit to like keep

1:57:57.560 --> 1:58:01.240
<v Speaker 3>at something not like full time gruel, but like you

1:58:01.320 --> 1:58:02.240
<v Speaker 3>know something.

1:58:02.840 --> 1:58:07.160
<v Speaker 1>Yeah, hopefully people can still retire. Yeah, well hopefully we'll see. Well,

1:58:07.160 --> 1:58:08.879
<v Speaker 1>maybe there'll be a special camp for them.

1:58:10.200 --> 1:58:13.200
<v Speaker 3>When we all go to the camps, when we all

1:58:13.240 --> 1:58:14.960
<v Speaker 3>go to the health camps. Our case sending us to

1:58:15.000 --> 1:58:17.480
<v Speaker 3>health camps. It's gonna be great. Okay, let's get into

1:58:17.520 --> 1:58:20.000
<v Speaker 3>what would Sister Peg Do? This is our weekly segment

1:58:20.000 --> 1:58:25.640
<v Speaker 3>where we direct you towards an organization or a book,

1:58:25.760 --> 1:58:28.120
<v Speaker 3>a documentary, something that has to do with today's episode

1:58:28.160 --> 1:58:30.200
<v Speaker 3>that we covered today. We're gonna go move a little

1:58:30.200 --> 1:58:32.920
<v Speaker 3>bit away from this. What we covered in today's episode,

1:58:32.920 --> 1:58:36.120
<v Speaker 3>we have highlighted many, many organizations that deal with child

1:58:36.200 --> 1:58:40.000
<v Speaker 3>abuse and child sexual abuse as well. So go back

1:58:40.000 --> 1:58:44.120
<v Speaker 3>into our WWSPD highlight on our Instagram and you can

1:58:44.400 --> 1:58:47.360
<v Speaker 3>scroll back into where there's three different highlights of all

1:58:47.360 --> 1:58:49.680
<v Speaker 3>of our our what would Sister Peg dos? But today

1:58:49.720 --> 1:58:53.960
<v Speaker 3>I really wanted to focus on an organization that's helping

1:58:54.000 --> 1:58:56.640
<v Speaker 3>the situation here in Los Angeles with these ice raids,

1:58:56.640 --> 1:58:59.920
<v Speaker 3>which I find to be so horrific. I have I'm

1:59:00.000 --> 1:59:02.440
<v Speaker 3>I'm like helping a friend right now who's undocumented, who

1:59:02.480 --> 1:59:04.520
<v Speaker 3>is like scared that she's going to be deported and

1:59:04.560 --> 1:59:06.280
<v Speaker 3>not be able to be with her child. It's like

1:59:06.400 --> 1:59:10.080
<v Speaker 3>so disgusting what they're doing. It's not I don't think.

1:59:10.320 --> 1:59:12.640
<v Speaker 3>I don't think it's what some of these people voted for,

1:59:12.680 --> 1:59:14.080
<v Speaker 3>but I think it's what a lot of them voted for.

1:59:14.520 --> 1:59:18.640
<v Speaker 3>And it's unconstitutional and gross and not who we are

1:59:18.720 --> 1:59:21.120
<v Speaker 3>as a country. So I'd like to point everybody to CHURLA,

1:59:21.200 --> 1:59:25.600
<v Speaker 3>which is the Coalition for Humane Immigrant Rights. The organization

1:59:25.680 --> 1:59:27.800
<v Speaker 3>was founded in nineteen eighty six to advance the human

1:59:27.800 --> 1:59:31.520
<v Speaker 3>and civil rights of immigrants and refugees. It is based

1:59:31.520 --> 1:59:35.320
<v Speaker 3>in Los Angeles. They organize communities to fight harmful policies

1:59:35.320 --> 1:59:38.240
<v Speaker 3>and demand equity and justice from our government. They've been

1:59:38.240 --> 1:59:41.600
<v Speaker 3>doing a lot during these raids and I really support

1:59:41.640 --> 1:59:44.680
<v Speaker 3>their work, and I know my city council person does,

1:59:44.720 --> 1:59:46.080
<v Speaker 3>and sort of a lot of the other city council

1:59:46.120 --> 1:59:49.520
<v Speaker 3>people that I support. So for more information or to donate,

1:59:49.560 --> 1:59:56.440
<v Speaker 3>head over to Cchirla dot org Curla dot org. And that,

1:59:56.520 --> 1:59:58.520
<v Speaker 3>as always, will be in our what would Sister Pegg

1:59:58.560 --> 2:00:00.800
<v Speaker 3>Do highlights on our Instagram page, which is That's Messed

2:00:00.880 --> 2:00:03.480
<v Speaker 3>Up pod, and it's in our show notes, will be

2:00:03.480 --> 2:00:04.560
<v Speaker 3>in our show notes as well.

2:00:04.680 --> 2:00:05.840
<v Speaker 4>Thank you so much for that.

2:00:06.200 --> 2:00:09.760
<v Speaker 1>And next week we'll be doing Manhunt from season two,

2:00:10.040 --> 2:00:15.080
<v Speaker 1>episode eighteen. So yeah, we're really sticking sticking to these

2:00:15.160 --> 2:00:16.720
<v Speaker 1>early seasons.

2:00:16.640 --> 2:00:19.160
<v Speaker 4>And it's a fun one. Oh yeah, it's scary, scary.

2:00:19.880 --> 2:00:23.800
<v Speaker 1>We appreciate all of you Thank you for listening, caring

2:00:23.840 --> 2:00:28.280
<v Speaker 1>about people around you, and messaging us and being supportive.

2:00:28.600 --> 2:00:32.360
<v Speaker 4>We're upsided you guys rock. We'll see you next week. Hie.

2:00:40.720 --> 2:00:43.600
<v Speaker 1>That's Messed Up as an Exactly Right production. If you

2:00:43.600 --> 2:00:46.240
<v Speaker 1>have compliments you'd like to give us or episodes you'd

2:00:46.280 --> 2:00:48.160
<v Speaker 1>like us to cover, shoot us an email it That's

2:00:48.200 --> 2:00:51.640
<v Speaker 1>Messed uppod at gmail dot com. Listen to That's Messed

2:00:51.680 --> 2:00:54.520
<v Speaker 1>Up on the iHeartRadio app, Apple Podcasts, or wherever you

2:00:54.560 --> 2:00:58.040
<v Speaker 1>get your podcasts. Follow the podcast on Instagram at That's

2:00:58.080 --> 2:01:01.440
<v Speaker 1>Messed Up Pod, and follow us personally at Kara Klank

2:01:01.520 --> 2:01:04.640
<v Speaker 1>and at Glitter Cheese. As always, please see our show

2:01:04.680 --> 2:01:07.800
<v Speaker 1>notes for sources and more information. Thank you so much

2:01:07.840 --> 2:01:11.520
<v Speaker 1>to our senior producer Casey O'Brien and our associate producer

2:01:11.680 --> 2:01:14.880
<v Speaker 1>Christina Chamberlain, and to our mixer John Bradley and our

2:01:14.920 --> 2:01:18.200
<v Speaker 1>guest booker Patrick Cottner, and to Henry Kaperski for our

2:01:18.200 --> 2:01:21.440
<v Speaker 1>theme song and Carly Geen Andrews for our artwork. Thank

2:01:21.560 --> 2:01:25.040
<v Speaker 1>you to our executive producers Georgia hard Start, Karen Kilgarriff,

2:01:25.120 --> 2:01:27.720
<v Speaker 1>Daniel Kramer and everybody at Exactly Right Media.

2:01:28.640 --> 2:01:29.520
<v Speaker 5>Dun Dun