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Speaker 1: Good morning us yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo chalom the cod

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Speaker 1: piece to the plane. It's Thursday. Yes, it's Thursday. And

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Speaker 1: we got our guest host with us. Miss Jess allot

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Speaker 1: me us. What's going on? Why are you yelling? Ivy

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Speaker 1: or am I yelling? I don't know. Settle down brow here. Yeah,

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Speaker 1: it's hard to hear you guys have some folk this

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Speaker 1: morning or something? Did you have some boke this morning? No? Man,

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Speaker 1: you know it's crazy. I'm tired. Actually, I just got

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Speaker 1: in because I was I had to I flew to

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Speaker 1: Pitchburg yesterday, um to go speak at Slippery Rock University,

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Speaker 1: and I guess, you know, there's no late flights out

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Speaker 1: of Pitchburg, so I drove back. Why I didn't drive,

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Speaker 1: but you know, I rode back for like five hours.

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Speaker 1: So I got in like two in the morning, and

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Speaker 1: I got I got rid by it. I got rote.

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Speaker 1: I don't know what to say, rid or rolled, but

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Speaker 1: I got rolled by the hag last night. Well yeah,

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Speaker 1: they can't move. Yeah, White people call it sleep paralysis

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Speaker 1: and I get some black people call it sleeper analysis too,

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Speaker 1: but you know, while I'm from in South Carolina, we

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Speaker 1: call it the hag ridfinitely scary. That stuff is scary.

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Speaker 1: That stuff is scary. She meant to say stuff, but

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Speaker 1: she said the other word. But not. The hag rolled

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Speaker 1: me last night. I heard the foot I heard you.

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Speaker 1: I don't think you had to dump that you had

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Speaker 1: to dump? Was ready? All right? We don't got no

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Speaker 1: more dumps now, all dumped up? Okay. I heard the

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Speaker 1: footsteps and then I saw like the male figure at

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Speaker 1: the door. And then when I had my eyes open,

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Speaker 1: that's when I realized, oh, hags on top of me.

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Speaker 1: You know, you're yelling and screaming. But was he buff?

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Speaker 1: I actually cut like kind of like a straight figure. Yeah, okay,

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Speaker 1: so I was yelling and screaming, but nobody heard me.

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Speaker 1: What he looked like. It was just a shadowy figure.

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Speaker 1: You don't you can't break out the details of your

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Speaker 1: facing everything. I'm just to ask him, just ask him.

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Speaker 1: I can't wait to the hag Rid both of the

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Speaker 1: I'm actually hoping that the hag come get over, had

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Speaker 1: come get just on her party the Sunday, the Saturday

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Speaker 1: night before a party. Yeah, whatever the party, make sure

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Speaker 1: you get your tickets for a Sunday weekend. Charlemagne Envy

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Speaker 1: gonna be there and Angela Charlotte mcgaye. Well, tyler Leplie

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Speaker 1: will be joining us this morning. You know Tyler Lepley,

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Speaker 1: he's uh in a host of films. He was in

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Speaker 1: a film with Charlemagne that nobody seen. That's a lot

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Speaker 1: back in the day. That was a big That was

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Speaker 1: a big film for TV one. What are you talking

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Speaker 1: about now? I guess I don't know. I ain't TV

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Speaker 1: It don't even matter. It was a Rush Park film

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Speaker 1: called Ringside, okay, like eight nine years ago. All right,

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Speaker 1: all right, well, let's get the show cracking. Front Page

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Speaker 1: News will tell you about a new drug that's strong

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Speaker 1: and inn fent. Though it's hitting different neighborhoods. It's pretty

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Speaker 1: bad out there. We'll tell you about it, so don't move.

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Speaker 1: It's the Breakfast Club come morning, wanting. Everybody is stej

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Speaker 1: n V Charlomagne the guy. We are to Breakfast Club.

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Speaker 1: We got our guest host Jess Hilarious joining us. Of course,

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Speaker 1: our co host Christening Jeff and let's get in some

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Speaker 1: Front page news now telling you guys, is a new

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Speaker 1: drug that's stronger than fitting out right now. It is

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Speaker 1: hitting at Los Angeles and Baltimore, Baltimore, Baltimore, and it's

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Speaker 1: affecting people worse than fitting up. I didn't even realize

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Speaker 1: people did finton all as a drugs separately. I thought

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Speaker 1: finton doll was something that was mixed in. You just

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Speaker 1: make a mistake and end up dying from Let's go

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Speaker 1: to the report right. Zylazine is a veterinary tranquilizer not

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Speaker 1: approved for human use. Katrone says that it has shown

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Speaker 1: up in illegal drugs and prescription medications alike. According to

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Speaker 1: our media partners at the Cincinnati Enquirer, the Hamilton County

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Speaker 1: Crime Laboratory analyzed around two thousand dosages of drugs or

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Speaker 1: residue that contains zylazine in the last year. Katron says,

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Speaker 1: though it's more difficult to test foreign to trace, the drug,

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Speaker 1: also known as I think funtional and trank dope, has

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Speaker 1: distinct side effects and that is like the open source,

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Speaker 1: very very big wounds that get extremely infected. Our street

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Speaker 1: outreach people are doing a lot of wound care and

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Speaker 1: things like that. Damn, it was a xilozine. Yeah, like

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Speaker 1: that's not like her last name Jenkins, I know from Baltimore.

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Speaker 1: But can I ask a real question? Right with all

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Speaker 1: the things, that's how it drugs are affecting people, right,

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Speaker 1: and you hear about the zombie look, and you hear

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Speaker 1: about how it's killing people. What would make somebody say,

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Speaker 1: you know what, I could beat the odds, Let me

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Speaker 1: try that trauma scress trying to escape something, but to

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Speaker 1: try a drug that is killing people, you know, it's like,

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Speaker 1: let me jump off the roof. Let me see if

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Speaker 1: I if I really make it like it's that is

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Speaker 1: literally the point. Yeah, clearly just want to get out

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Speaker 1: of here before the nukes man trying trying to jump

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Speaker 1: But no, just got a point, like clearly they don't

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Speaker 1: want to be here no more. You know, you don't

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Speaker 1: want to live anymore. You know, just say that, like,

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Speaker 1: you know, stop playing with it. But my thing is

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Speaker 1: like go either seek help, get help, real help. But

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Speaker 1: the people that clearly don't want help, they got an issue,

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Speaker 1: they got a problem, they got a trauma, but they're

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Speaker 1: trying to run from right. Yeah, now Nipsey hustles kill

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Speaker 1: arresting Peace Nipsey hustle. Eric hold Up gets sixty years

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Speaker 1: to life in prison for second degree murder. That's great, right,

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Speaker 1: I think it's a fantastic that's amazing. I think it's fantastic.

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Speaker 1: I saw people saying yesterday that you know, they feel

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Speaker 1: like it wasn't enough time. But I think that people

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Speaker 1: are forgetting the sixty years to life, you know what

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Speaker 1: I mean, He's probably not gonna ever get parole, and

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Speaker 1: he probably won't see see getting even get in front

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Speaker 1: of a parole board for forty fifty years. He'll be

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Speaker 1: dead by that, not dimension. You know what I'm saying.

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Speaker 1: People in there that nobody did and all that type

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Speaker 1: of stuff. You know what I'm saying, ain't even getting

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Speaker 1: like beat up. Since, yeah, he's going to be in PC.

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Speaker 1: They're gonna have to keep him in PC because, like

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Speaker 1: you said, they will probably kill him in that jails.

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Speaker 1: He ain't gonna make it to sixty. Like I mean,

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Speaker 1: not pushing that, but yeah, all right. As a reporter

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Speaker 1: of all the charges in the Securior Court of California,

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Speaker 1: County of Los Angeles, Department one hundred and four, the

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Speaker 1: People of the State of California versus Eric Ronald Holder Junior.

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Speaker 1: We the jury in the above entitled action find the defendant,

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Speaker 1: Eric Ronald Holder, Junior, guilty of the crime of first

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Speaker 1: degree murder of ermiest Ashkadoon in violation of Penal Code

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Speaker 1: Section one hundred and eighty seven Subsection A, a felony

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Speaker 1: as charged in count one of the indictment. So travisy

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Speaker 1: because y'all took a beautiful black man from this planet

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Speaker 1: for no damn reason, and he deserves every year. And

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Speaker 1: I know we live in an era that doesn't understand numbers.

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Speaker 1: So when you see sixty, you may think to yourself,

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Speaker 1: that's not a lot of time. That's sixty years, bro Right,

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Speaker 1: there's three hundred and sixty five days and the years.

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Speaker 1: He's never coming home, all right, And Nymp Cheeks is

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Speaker 1: definitely gonna get collapped. What are we talking about? What crazy? Yeah,

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Speaker 1: I'm I'm just hoping that he never gets released because

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Speaker 1: I think the brother is what thirty years somewhere an

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Speaker 1: answer that that means he were sixty seventy eighty ninety

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Speaker 1: years old. And I just hope there's no good behavior.

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Speaker 1: I hope there's no time release or you know, time

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Speaker 1: taking off for good behavior. I just hope that he's

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Speaker 1: there for the rest of his life. Eric o'dou will

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Speaker 1: die in prison. All right, that is your front page news.

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Speaker 1: Now get it off your chest. Eight hundred five eight

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Speaker 1: five one oh five one. If you need to vent

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Speaker 1: phone lines to wide open again eight hundred five eight

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Speaker 1: five one oh five one to hit us up now.

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Speaker 1: It's the Breakfast Club, Good morning, the Breakfast Club. To

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Speaker 1: be true. Okay, got you, got you, got you? Oh

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Speaker 1: you know how it's from from what I heard. You

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Speaker 1: know that was the situation, and you know if that

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Speaker 1: was the case, you know, be in the street due

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Speaker 1: then you know, I disagree. You ain't got no hands

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Speaker 1: your name. I'm man, listen, every man. I agree with you, man,

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Speaker 1: but you know this is listen man, this every man

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Speaker 1: is different. Man. Ain't nobody nobody know how to fight

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Speaker 1: no more man. Yeah, but I disagree with you, my brother.

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Speaker 1: That's something I mean, I'm not sitting. I know people

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Speaker 1: in the hood don't have the best conflict resolution skills.

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Speaker 1: Were you're really gonna throw your life away, you know,

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Speaker 1: because somebody called you out your name if if that

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Speaker 1: was the case, I mean, even though we know that

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Speaker 1: wasn't the case. But you're gonna show your life from

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Speaker 1: called you out your name. But just to take it

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Speaker 1: away from Nipsey and then take away from this situation

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Speaker 1: what the brothers saying. If you call me a snitch

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Speaker 1: in in the street, it's the truth, my my in

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Speaker 1: you in the street and you're doing street activity that

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Speaker 1: hurts your street activity. That's that's the truth. That's the

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Speaker 1: positive that that's the truth of it. What the story

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Speaker 1: about the story of Nipsey was. They said that Nipsey

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Speaker 1: was telling him this is what people are saying about you. Correct,

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Speaker 1: So you probably you know, don't need to come around

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Speaker 1: here unless you can show your paperwork, because I don't

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Speaker 1: want something to happen to you. That's what this that's

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Speaker 1: what the story. I was always Yeah, that's what that's

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Speaker 1: what we're saying. Caught absolutely. Hello, who's this Hi? Hi?

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Speaker 1: Come on and get it off your chest, mama. So

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Speaker 1: I just want to say, I'm having a good day.

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Speaker 1: I just got to the gym, I go to work,

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Speaker 1: get my work out in. Okay, Um you sorry? She

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Speaker 1: wanted to talk to me. She big. I love sifty pounds,

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Speaker 1: but eating good, working out a woman. I never had

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Speaker 1: a train up. I never used on YouTube, I didn't

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Speaker 1: use on Instagram influences. It was all me congratulating, all right,

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Speaker 1: but just how Jess warning, Hi baby, are you that's what? Well?

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Speaker 1: I know how you're doing. Yes, I'm good. I just

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Speaker 1: want to say that I think you other than rage

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Speaker 1: it Richard Terry entertaining, but I thought you was the

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Speaker 1: best guest it has so far, like because like to me, Angela,

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Speaker 1: I was amazing because she's my sister in my head. Yeah,

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Speaker 1: but like happy you up there. I didn't know how

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Speaker 1: I felt about you before, but right now I'm like

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Speaker 1: not just dope, like you're really dope. I really really

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Speaker 1: wouldn't say that you dope like like like like like

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Speaker 1: that ass like yo, thank you, like yo, you mad

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Speaker 1: supportively thank you baby. I appreciate you for real. Don't

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Speaker 1: maybe don't make me do it, don't let me do it,

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Speaker 1: but yet I love you and I appreciate you. Guys.

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Speaker 1: I do. I like to I like the guest hole

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Speaker 1: that y'all doing, feb it's amazing. I do, Miss Angela

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Speaker 1: about the guest host thing is really dull. I'm feeling

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Speaker 1: it and keep doing y'all thing. So you don't want

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Speaker 1: to say you don't want it to ever get a

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Speaker 1: permanent host. I like this, No, I like to aroout

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Speaker 1: y'all gonna lie. I like this about y'all going doctor

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Speaker 1: hard because y'all has some real, real goods. Like y'all

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Speaker 1: had something like Ray was amazing. It would be hard

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Speaker 1: to choose a permanently. Now you're talking crazy. Now you're

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Speaker 1: talking crazy. No, go ahead, finish your work out. You

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Speaker 1: why by I let the record show though, you know,

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Speaker 1: Jess was number one on my list, Thank you, I said,

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Speaker 1: I she know that. I love Jess. Where everybody gets

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Speaker 1: so quiet, Jess was like an n V. Yeah, and

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Speaker 1: now now you you were you know, you were actually

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Speaker 1: number one on All out Less. You know what I mean.

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Speaker 1: But the thing is three no, no, no, no, we did.

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Speaker 1: But the only thing with Jesse is, like I told Charlottagne,

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Speaker 1: Jess is just moving so much out there between the

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Speaker 1: Moneys and the shows. Is just it's a lot for

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Speaker 1: every day. I don't know if Jess could do it

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Speaker 1: every day. But Jesse's getting too that bag. And I

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Speaker 1: can't be mad at that. I told just that months ago.

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Speaker 1: I'm like, you know, damn well, you're getting too much

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Speaker 1: money to be up here every morning, but maybe maybe

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Speaker 1: maybe let's see you never never know what God got playing.

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Speaker 1: We gotta see. Get it off your chest eight hundred

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Speaker 1: five eight five one oh five one. If you need

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Speaker 1: to vent, hit us up now. It's the breakfast Club.

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Speaker 1: Good morning, the breakfast Club. Old are you brother? I'm

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Speaker 1: a good young thirty month born in the nineteen ninety

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Speaker 1: hundreds man. So he was he thirtieths on and just

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Speaker 1: learned how to properly wipe his last two week breakfast club.

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Speaker 1: And if you got bedbugs, bro, this is a serious problem.

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Speaker 1: You gotta do something. Yeah, yeah, but I appreciate that

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Speaker 1: we are doing nothing cleaning this house. Yeah, niggas get

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Speaker 1: every day. See, that's the when you're a child, that's

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Speaker 1: the one that your parents they stay away from them

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Speaker 1: because that family dirty over there. That's that, that's that

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Speaker 1: dirty family over word mercy. Hello, who's this Kimberly? Hey Kimberly,

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Speaker 1: get it off your chest? Mama? Hey, how's everybody? Um?

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Speaker 1: A topic I want to talk about is the LGBT community. Um,

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Speaker 1: A lot of people not really talking about this topic.

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Speaker 1: I mean, yes they're talking about it, but I feel

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Speaker 1: like they leave this stuff back stuff out that should

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Speaker 1: be important with d Are you part of that community?

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Speaker 1: Are you a plus? Are you one of the mind.

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Speaker 1: I feel like the LGBT community has like a mental issue,

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Speaker 1: and I feel like not too many people are talking

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Speaker 1: about that part. I feel like sho see a therapist

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Speaker 1: because it's just crazy how that community get stuff every day,

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Speaker 1: like transgender for an example, they get up and they'd

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Speaker 1: be like, Okay, I'm want to be a woman or

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Speaker 1: I want to be I'm not playing this game with

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Speaker 1: you this morning. I think you should listen to Jesse

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Speaker 1: Liars and be part of the nydbing community here. She

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Speaker 1: should call up Laverne. Remember Laverne saying you know you

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Speaker 1: can call me for some questions. That's right, call up

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Speaker 1: Laverne and see what she's telling. Jesus, get it off

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Speaker 1: your chest eight hundred five A five one on five

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Speaker 1: one now when we come back, just you got some

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Speaker 1: rooms for the people you already know. Listen real quick, master,

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Speaker 1: if you respond to Jess hilarious, he's coming at you.

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Speaker 1: He's saying it's cap He's saying, you capping me. It's

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Speaker 1: a spreading fake news. Man. We gonna get it to

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Speaker 1: that next So don't move. It's the Breakfast Local, the

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Speaker 1: Breakfast Club wanting everybody in. DJ Envy Charlomagne, the guy.

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Speaker 1: We are to Breakfast Club. We got our co host

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Speaker 1: Jesse Hilarius here with us today. What now. Cardy was

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Speaker 1: performing last night. Grilla was in town and Cardy pulled

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Speaker 1: up and they did that live. She killed it. I

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Speaker 1: don't know if you've seen the footage, but they killed

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Speaker 1: it by that. She didn't even had to wrap her verse.

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Speaker 1: They was wrapping the words for Yeah. That's like one

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Speaker 1: of the hottest songs. Now shout the Bardy. Now, Bardy,

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Speaker 1: you said you coming up here. I think you said

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Speaker 1: in April, So we're waiting for you. Well, if her

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Speaker 1: if her second album drops in April, she gonna come

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Speaker 1: host for the week. Okay, if she puts it out,

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Speaker 1: it'll be five year to be five year anniversary of

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Speaker 1: invading the Prophecy. So maybe all right, Well, let's get

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Speaker 1: to the rumors. Let's find out if Jesse Hilarius is captain.

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Speaker 1: It's just the ghetto. This is the rumor report on

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Speaker 1: the Breakfast Club. Honey is ghetto up in here, Yes, ghetto, ghetto,

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Speaker 1: nothing but the ghetto. Masterpeak response to Jess, Hilarius says

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Speaker 1: she's spreading fake news. Jess, are you lying on masterpeak

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Speaker 1: the nah, I don't know not today. I don't have

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Speaker 1: a play with me like that, listen. Fat Trow responded,

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Speaker 1: but this is what Masterpy said about Fat Trouv. I

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Speaker 1: didn't even see where this nigga came back at even

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Speaker 1: one of us. I'm telling you, I didn't even see that.

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Speaker 1: But anyway, that's that old nigga stuff. Man. How you

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Speaker 1: can respond to us on my Space and we didn't

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Speaker 1: even How you can't do that. That's what Facebook gets

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Speaker 1: to me. It's like my Space. I don't even run

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Speaker 1: my own Facebook account. I don't see what you're saying, man. Anyway. Look,

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Speaker 1: so he says about Fat Travel, I wish Fat Travel

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Speaker 1: the best, but he is old. Nothing from me or

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Speaker 1: my company. The only business we ever did was put

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Speaker 1: out a free mixtape on live mixtapes dot Com back

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Speaker 1: in twenty thirteen. Now, Fat Trow had a problem with

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Speaker 1: that because he said free free niggas can't get music

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Speaker 1: for free in prison. And the reason why he know

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Speaker 1: that is because he stay in prison. Me. Actually, he's

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Speaker 1: that's what he said. He just left prison, and he's

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Speaker 1: seen on tablets his music and you cannot get that

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Speaker 1: music for free. So you're in fact getting paid from

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Speaker 1: music that you said that you never made nothing. You know,

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Speaker 1: you never made no money from him or nothing like that.

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Speaker 1: Or now. In master P's defense and in any other

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Speaker 1: labels defense, they do put a lot of money into

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Speaker 1: these artists. I'm not what I'm saying, uma, but that's

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Speaker 1: what the executives do. They invest a lot in these artists.

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Speaker 1: They more than the money back, right, No, no, no,

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Speaker 1: for sure, for sure. Um So I do understand that

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Speaker 1: I don't really know everything in their contract. But in

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Speaker 1: jeffs hilarious contract, let's get to that. Look he said,

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Speaker 1: for the cowards hiding behind their computers enforcing fake news.

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Speaker 1: I do have Jeff hilarious contract from five years ago

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Speaker 1: for I got the hook up to. In the copy

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Speaker 1: of the check that was cashed and paid, she was

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Speaker 1: joking about not I was joking. Hey, yeah, I read

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Speaker 1: this part, yo. She was joking about a second check

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Speaker 1: that was never in her contract. That's the narrative they

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Speaker 1: ran with for clickbait and fake headlines. Thank god for receipts.

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Speaker 1: You think out of everybody out there right now, I'm

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Speaker 1: gonna come after you for clickbait and fake headlines. I

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Speaker 1: don't have to do that, sir. Now he playing around

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Speaker 1: with me because I never said it was. It wasn't

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Speaker 1: ever like a second check. It was money paid up

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Speaker 1: front and then it was supposed to be in another

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Speaker 1: fifteen thousand. Oh he didn't get the other half of

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Speaker 1: your money. Yeah, I didn't get the other half of

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Speaker 1: my money. Stopped playing with me like this was check

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Speaker 1: one check too. No, could it be a problem with accounting,

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Speaker 1: a doubt, you know, a doubt masterpieces doing the accounting.

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00:17:36,320 --> 00:17:38,159
Speaker 1: Could it be that has to sign off on it though,

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00:17:38,240 --> 00:17:40,320
Speaker 1: it's like anything, you gotta sign off, like you, Charlomagne,

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Speaker 1: When you pay people, you gotta sign off on it.

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Speaker 1: But could it be a mix up? You know, maybe

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Speaker 1: m ain't no mix up, and you're gonna stop playing

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Speaker 1: around even for I got the hook up to you

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Speaker 1: didn't even pay your son for his role. Yeah, you

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Speaker 1: didn't even pay his son for his role. I'm just

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Speaker 1: what the mass manus is real, Charlomagne, don't play why

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Speaker 1: I'm up here. You can't question like you didn't pay

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Speaker 1: your son he worked already put his money into the

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Speaker 1: You took my man's money, you will say allegedly, We'll

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Speaker 1: say allegedly just in case. Yeah, that's their family business. Yeah,

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Speaker 1: like I said, so yeah, we're not doing it. The

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Speaker 1: news is real. Like I said, so stop stop playing

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Speaker 1: with me, sir, really stop Percy. We're not gonna do this.

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Speaker 1: But I will say, and yeah, I also will say, Yo,

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Speaker 1: I've heard so many good things about you. People have

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Speaker 1: said things that I've just said good things about you, like, yeah,

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Speaker 1: stop trying to act like this is just the I

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Speaker 1: hate Percy train. I hate masterp train. Like no, if

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Speaker 1: you do a great amount a great amount of good,

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Speaker 1: but you still do sneaky stuff too, like you not

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Speaker 1: you know what I'm saying. I would have said a

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Speaker 1: sneaky issue, but you know, we can't cust thank that.

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Speaker 1: But like, don't don't don't do that. I don't like that.

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Speaker 1: I do not like that. You do good things, but

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Speaker 1: you do, got some skeletons up in your close and

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Speaker 1: start pay these people and pay me too. Yeah, I

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00:18:53,680 --> 00:18:55,520
Speaker 1: mean everybody does, but people, you know, I think some

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Speaker 1: things might fall fall through the cracks in business sometimes. Yeah,

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Speaker 1: and then and then also I'm the type and believe this,

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Speaker 1: and believe this if you want or not. Like, even

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Speaker 1: though I'm just with the mess, I still don't put

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Speaker 1: everything out there because for one these days people will

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Speaker 1: use it that they'll sit on information and they'll use

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Speaker 1: it at the right time or whatever. Whatever. That ain't

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Speaker 1: even me Yo. I felt like, yeah, he eventually paid me.

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Speaker 1: It could happen, and you know, probably probably won't. Probably

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Speaker 1: he still ain't. That's why he's gonna keep doing them.

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Speaker 1: Seminar Us. You know what I'm saying, getting money, taking

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Speaker 1: money from people, acting like that's gonna get them rich. No, No,

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Speaker 1: it's not like that's why you like that. Yeah, we're

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Speaker 1: gonna get it alone. Did you just call grand Absolutely?

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Speaker 1: Just the black Jesus Christ is a great black man,

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Speaker 1: will say that. You know, if y'all do have some

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Speaker 1: business discripancies, I hope y'all work that up. Absolutely, I

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Speaker 1: will say that. But that is part of the practice.

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Speaker 1: I see when when when people getting new artists and

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Speaker 1: new comedians and new producers, that is part of the

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00:19:57,080 --> 00:19:58,359
Speaker 1: game where they feel like they can give you the

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00:19:58,440 --> 00:19:59,760
Speaker 1: front half and I give you the back end and

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00:19:59,800 --> 00:20:02,120
Speaker 1: keep the movie. It happens all the time. The time.

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00:20:02,960 --> 00:20:04,160
Speaker 1: Who God, he did it to me? So I didn't

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Speaker 1: even gonna sit there a live produce a record. Money

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00:20:07,080 --> 00:20:09,200
Speaker 1: definitely owe me ten grand man, what is going on?

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00:20:12,000 --> 00:20:14,280
Speaker 1: But what old g executive old me some money? I

392
00:20:14,400 --> 00:20:16,800
Speaker 1: need to call somebody. I remember shout the Mono. Me

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Speaker 1: and Mono produced a record for Murder Ink back in

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Speaker 1: the day, and I got my front end and I

395
00:20:21,600 --> 00:20:23,239
Speaker 1: never got it back in and they just like, keep

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00:20:23,280 --> 00:20:25,399
Speaker 1: it moving. So I kept it moving. But I just remember,

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00:20:25,480 --> 00:20:26,639
Speaker 1: that's just one of the things. You just keep it,

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Speaker 1: keep it in your pocket and remote. There are three

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Speaker 1: sides to every story. It's yours, Jess's masterps, Romeos and

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00:20:33,920 --> 00:20:42,960
Speaker 1: Earth got playing y'all man. So I just camet home

401
00:20:43,000 --> 00:20:45,200
Speaker 1: for Jaim and I'm going back this weekend and I'm

402
00:20:45,240 --> 00:20:49,240
Speaker 1: gonna see if Yo stay in jail. That's I know

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00:20:49,600 --> 00:20:54,639
Speaker 1: that they're not that they're not getting bad. Moving on.

404
00:20:55,000 --> 00:20:58,600
Speaker 1: Kanye West fine's new legal team to defend y'all. See

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Speaker 1: how I said new Yeah, bring up bottom. While Kanye

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00:21:01,200 --> 00:21:04,760
Speaker 1: West finds new legal team to defend him in seven thousand,

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00:21:05,280 --> 00:21:09,400
Speaker 1: I mean seven million dollars legal battle after previous attorney

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Speaker 1: dropped him over his anti sematic remarks, Kanye West me

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00:21:14,119 --> 00:21:22,960
Speaker 1: ten thousand dollars from come so after his former lawyer,

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00:21:23,200 --> 00:21:25,680
Speaker 1: you know she quit, he got a new one now,

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Speaker 1: the lawyer that he got. His new lawyers defending him

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Speaker 1: in the new seven million dollar lawsuit boiled on by

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Speaker 1: Phantom Labs. All right, so this is so interesting. Phantom

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Speaker 1: Labs claimed that they worked on projects with Kanye West

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Speaker 1: between June twenty twenty one and March of twenty twenty two.

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Speaker 1: The performance deals included his Sunday services, four of them,

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Speaker 1: his listening event for Donda, two Free Larry who Will

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00:21:45,640 --> 00:21:48,119
Speaker 1: an event, and the pre production for US canceled twenty

419
00:21:48,200 --> 00:21:52,400
Speaker 1: twenty two Coachella performance. Now, Kanye, you know you are wrong, sir,

420
00:21:52,600 --> 00:21:57,040
Speaker 1: because he denied all allegations, accused fanom performing so poorly

421
00:21:57,400 --> 00:22:00,000
Speaker 1: that it would be unreasonable and unfair to continue paying,

422
00:22:00,240 --> 00:22:05,280
Speaker 1: so he paid them. That's the choir. Ye listen, Kanye

423
00:22:05,320 --> 00:22:07,719
Speaker 1: ain't paid the Quoiet, y'all. It's like he started paying them,

424
00:22:07,800 --> 00:22:09,640
Speaker 1: but he still owed them like over six million dollars.

425
00:22:09,680 --> 00:22:11,480
Speaker 1: So he did start, but then he stopped. He said

426
00:22:11,480 --> 00:22:13,639
Speaker 1: they performed so poorly, he don't see why he need

427
00:22:13,680 --> 00:22:15,880
Speaker 1: to pay them. The rest. Now, I feel like technically

428
00:22:15,920 --> 00:22:17,720
Speaker 1: a quiet you only get ten percent because you got

429
00:22:17,800 --> 00:22:21,680
Speaker 1: to get you see where he gets his logic from

430
00:22:22,040 --> 00:22:24,960
Speaker 1: master ped and you gotta pay. You're gonna pay here,

431
00:22:25,119 --> 00:22:28,520
Speaker 1: and then I'm gonna stop paying something something I didn't

432
00:22:28,520 --> 00:22:30,320
Speaker 1: like the second scene, Jazz, I'm not paying you for that.

433
00:22:30,480 --> 00:22:34,320
Speaker 1: You got to stop salute the masterp man. All right,

434
00:22:34,400 --> 00:22:38,120
Speaker 1: well that was the best Jesus nah, But they really,

435
00:22:38,200 --> 00:22:40,760
Speaker 1: you know, And the problem with when you owe somebody money,

436
00:22:40,800 --> 00:22:42,640
Speaker 1: it's usually when they starting their career, so you really

437
00:22:42,720 --> 00:22:45,040
Speaker 1: need that money the most. Like I was looking forward

438
00:22:45,080 --> 00:22:46,680
Speaker 1: to that money, you know, and I had to split

439
00:22:46,720 --> 00:22:48,640
Speaker 1: it with Mono, so was we were splitting the money.

440
00:22:48,640 --> 00:22:50,040
Speaker 1: We just never got it. Now, I don't know if

441
00:22:50,119 --> 00:22:55,080
Speaker 1: Envy news is real no minus minus factual factual factor.

442
00:22:55,680 --> 00:22:57,359
Speaker 1: This is bage to the rage and my news is

443
00:22:57,400 --> 00:23:01,239
Speaker 1: really you know. Up when we come back, we got

444
00:23:01,320 --> 00:23:03,720
Speaker 1: front page news. We gotta tell you about Joe Biden.

445
00:23:03,800 --> 00:23:05,479
Speaker 1: He did it again and we'll talk about it when

446
00:23:05,520 --> 00:23:10,040
Speaker 1: we come back. It's the Breakfast Club. Good Morning, WRF

447
00:23:10,119 --> 00:23:13,399
Speaker 1: MHD one new Yard and I heard radio station Morning.

448
00:23:13,440 --> 00:23:16,600
Speaker 1: Everybody is DJ Envy Charlemagne the guy we are to

449
00:23:16,640 --> 00:23:19,320
Speaker 1: breakfast club. We got our guest host, Jess Hilarius joining us.

450
00:23:19,320 --> 00:23:21,320
Speaker 1: She said, she said, we last Danner. He was like,

451
00:23:21,359 --> 00:23:24,760
Speaker 1: I guess the water. Yeah, I ain't laugh. I didn't

452
00:23:24,760 --> 00:23:26,399
Speaker 1: even get the egg shot for nothing to drink. The

453
00:23:26,440 --> 00:23:29,000
Speaker 1: first two days I came in envy night air. Ain't

454
00:23:29,040 --> 00:23:32,800
Speaker 1: no water, ain't no shot nothing. I'm like, dang part

455
00:23:32,800 --> 00:23:35,040
Speaker 1: of the family. Now, whatever you need, you need, you know,

456
00:23:35,119 --> 00:23:37,280
Speaker 1: anything for you. I want to shot and up blame

457
00:23:37,480 --> 00:23:42,320
Speaker 1: anything for you. You want to shine already, let's get

458
00:23:42,359 --> 00:23:46,760
Speaker 1: in some front page news. Well Joe Biden does it again,

459
00:23:47,000 --> 00:23:49,879
Speaker 1: which is very strange. So you know, he had his

460
00:23:49,960 --> 00:23:52,159
Speaker 1: doctor's appointment up at what three weeks ago, and they

461
00:23:52,200 --> 00:23:55,119
Speaker 1: said everything was perfectly fine. It was great, there was

462
00:23:55,160 --> 00:23:58,359
Speaker 1: no problem. Yesterday as he was walking up Air Force one,

463
00:23:58,440 --> 00:24:01,320
Speaker 1: he tripped and stumbled and felt again, I've never done that.

464
00:24:01,640 --> 00:24:04,120
Speaker 1: Now I'm stumbled coming down. I've never stumbled going Yeah,

465
00:24:04,160 --> 00:24:06,000
Speaker 1: that's what I was saying coming down to the fall,

466
00:24:06,080 --> 00:24:08,120
Speaker 1: but going up it's kind of no. No what I'm saying.

467
00:24:08,119 --> 00:24:11,199
Speaker 1: He fell up. No, you can stumble up because your

468
00:24:11,200 --> 00:24:13,159
Speaker 1: foot can catch like a catch one of the steps.

469
00:24:13,640 --> 00:24:15,240
Speaker 1: I'd be feeling bad for him. Though I don't like

470
00:24:15,320 --> 00:24:17,119
Speaker 1: to see him fall. I feel like he has no

471
00:24:17,240 --> 00:24:20,720
Speaker 1: more falls in him. Every time he fall, he get dumber.

472
00:24:20,840 --> 00:24:22,600
Speaker 1: I'm telling you. It's like it's like it's like a

473
00:24:22,680 --> 00:24:24,920
Speaker 1: shake up in his head. Like yeah, I just but

474
00:24:24,960 --> 00:24:27,280
Speaker 1: I'd be feeling so bad, Like I don't off people

475
00:24:27,280 --> 00:24:29,040
Speaker 1: will be I mean, old people be off limits for me.

476
00:24:29,080 --> 00:24:30,320
Speaker 1: I don't care if he is a president, he just

477
00:24:30,400 --> 00:24:32,880
Speaker 1: off limits. He's elderly, right, Like you feel bad even

478
00:24:32,920 --> 00:24:36,240
Speaker 1: critiquing him, Yes, no bad. If he wasn't the president,

479
00:24:36,280 --> 00:24:38,040
Speaker 1: you'd have nothing to say about him. But being he's

480
00:24:38,040 --> 00:24:40,480
Speaker 1: the president, you got to critique him. But man, he'd

481
00:24:40,520 --> 00:24:44,840
Speaker 1: beyond granddaddy age, grand grandmother. Granddaddy's like fifties and sixties.

482
00:24:44,880 --> 00:24:48,080
Speaker 1: Now he's ninety seven. Oh my god, he's like great granddaddy.

483
00:24:48,080 --> 00:24:50,639
Speaker 1: Then he should be on the front of something like

484
00:24:50,760 --> 00:24:53,320
Speaker 1: you know, I like front. It's a product like if

485
00:24:53,359 --> 00:24:56,280
Speaker 1: you don't fall, if he can stand up long enough.

486
00:24:56,359 --> 00:24:57,920
Speaker 1: But you know what this is. I'm just gonna sound

487
00:24:57,960 --> 00:25:00,119
Speaker 1: like a joke, but you know that that machine when

488
00:25:00,160 --> 00:25:03,080
Speaker 1: you sit and it takes you up the stairs. Oh yeah,

489
00:25:03,800 --> 00:25:05,760
Speaker 1: it should be one of those on air Force ones

490
00:25:05,800 --> 00:25:08,159
Speaker 1: to just just to make sure he's good. Definitely give

491
00:25:08,200 --> 00:25:10,960
Speaker 1: the appearance of being weak then and people would wouldn't

492
00:25:10,960 --> 00:25:14,239
Speaker 1: appropriate him falling. That's why he looks strong. But that's

493
00:25:14,240 --> 00:25:16,000
Speaker 1: why they try to cover those things up, like they

494
00:25:16,000 --> 00:25:17,920
Speaker 1: don't want us to see that. Like, yeah, he always

495
00:25:17,960 --> 00:25:20,480
Speaker 1: has to look like he's strong, because come twenty twenty four,

496
00:25:20,640 --> 00:25:22,800
Speaker 1: when he's ninety nine years old, like, you're not gonna

497
00:25:22,800 --> 00:25:25,640
Speaker 1: want to vote for somebody that you perceive his week. Yeah,

498
00:25:25,880 --> 00:25:27,159
Speaker 1: that's why they lied to us and tell us that

499
00:25:27,200 --> 00:25:28,879
Speaker 1: his bill of health is good, how his bill of

500
00:25:28,920 --> 00:25:30,639
Speaker 1: health goood for Michael left were all a little bit

501
00:25:30,720 --> 00:25:33,240
Speaker 1: high at forty four years old. I don't even gonna

502
00:25:33,280 --> 00:25:36,040
Speaker 1: damn sense, I don't know, all right. Also, if you

503
00:25:36,080 --> 00:25:39,160
Speaker 1: haven't heard Nipsey Hustles Kill Arrest in Peace. Nipsey Hustle.

504
00:25:39,560 --> 00:25:42,480
Speaker 1: Eric Holder was sentenced to sixty years in prison. Go

505
00:25:42,560 --> 00:25:46,680
Speaker 1: to the audio in the Superior Court of California, County

506
00:25:46,800 --> 00:25:51,160
Speaker 1: of Los Angeles, Department one hundred and four. The People

507
00:25:51,280 --> 00:25:56,000
Speaker 1: of the State of California versus Eric Ronald Older, Junior,

508
00:25:56,760 --> 00:26:01,280
Speaker 1: We the jury in the above entitled action find the defendant,

509
00:26:01,920 --> 00:26:06,000
Speaker 1: Eric Ronald Holder, Junior, guilty of the crime of first

510
00:26:06,040 --> 00:26:11,520
Speaker 1: degree murder of Ermius Ashkadong in violation of Peanut coad

511
00:26:11,560 --> 00:26:16,040
Speaker 1: Section one hundred and eighty seven Subsection A, a felony

512
00:26:16,280 --> 00:26:21,600
Speaker 1: as charged in count one of the indictment. Nobody wins

513
00:26:21,640 --> 00:26:24,600
Speaker 1: in these situations. Man, one black man going to prison forever.

514
00:26:25,000 --> 00:26:28,600
Speaker 1: Another black man gone forever for absolutely nothing other than

515
00:26:28,720 --> 00:26:32,399
Speaker 1: ego and unhealed Trump. Yeah, rest in peace again to

516
00:26:32,520 --> 00:26:37,440
Speaker 1: Nipsey Hustling, always loved his family. And lastly, a fifth

517
00:26:37,560 --> 00:26:42,720
Speaker 1: person is cured of HIV after stem cell transplant. That's

518
00:26:42,760 --> 00:26:45,320
Speaker 1: what research research is to say, and we have audio

519
00:26:45,320 --> 00:26:48,119
Speaker 1: as they break it down. Researchers say, a fifth person

520
00:26:48,240 --> 00:26:51,000
Speaker 1: has been cured of HIV after a high risk stem

521
00:26:51,080 --> 00:26:54,639
Speaker 1: cell transplant. The findings were published in the journal Nature

522
00:26:54,960 --> 00:26:57,280
Speaker 1: after a fifty three year old man in Germany showed

523
00:26:57,320 --> 00:27:01,399
Speaker 1: no detectable virus in his body after his HIV medications

524
00:27:01,440 --> 00:27:03,879
Speaker 1: for more than four years. In this particular case, this

525
00:27:04,000 --> 00:27:05,919
Speaker 1: was a fifty three year old male who had been

526
00:27:05,960 --> 00:27:09,359
Speaker 1: previously diagnosed with HIV In two and eleven, he was

527
00:27:09,440 --> 00:27:13,119
Speaker 1: unfortunately diagnosed with leukemia for which he was given chemotherapy

528
00:27:13,400 --> 00:27:15,960
Speaker 1: and a stem cell transplant. Now, what's important about this

529
00:27:16,119 --> 00:27:18,520
Speaker 1: case is that his stem cell transplant came from a

530
00:27:18,600 --> 00:27:22,520
Speaker 1: donor who was naturally resistant against HIV, and as you said,

531
00:27:22,560 --> 00:27:26,000
Speaker 1: since twenty eighteen, he has not needed any HIV medication

532
00:27:26,119 --> 00:27:28,800
Speaker 1: or treatment and has been continuously tested and there have

533
00:27:28,920 --> 00:27:31,679
Speaker 1: been no detectable signs of the HIV virus. We'll drop

534
00:27:31,800 --> 00:27:36,119
Speaker 1: on a clues box with Magic Johnson finally sharing the secret. Yeah. No,

535
00:27:37,840 --> 00:27:40,439
Speaker 1: I was very agree. I can't disagree on what I think.

536
00:27:41,400 --> 00:27:47,760
Speaker 1: He definitely can't what you mean he set up? Yo, No, God,

537
00:27:48,240 --> 00:27:50,520
Speaker 1: but I'm glad that there is some type of treatment

538
00:27:50,560 --> 00:27:52,359
Speaker 1: that is actually working in that could cure a lot

539
00:27:52,400 --> 00:27:54,240
Speaker 1: of people, because you know, they say that the rates

540
00:27:54,280 --> 00:27:57,240
Speaker 1: are getting increasedly hired in a lot of our areas,

541
00:27:57,280 --> 00:27:59,200
Speaker 1: a lot of black areas. So the fact that it's

542
00:27:59,280 --> 00:28:02,080
Speaker 1: always been that yeah, but continues to grow. The thing

543
00:28:02,280 --> 00:28:05,200
Speaker 1: is the high risk thing is like yo, like could

544
00:28:05,240 --> 00:28:08,040
Speaker 1: you almost die getting that? You know what I'm saying,

545
00:28:09,480 --> 00:28:11,880
Speaker 1: the treatment, I mean the high Yeah, because she said

546
00:28:12,040 --> 00:28:15,119
Speaker 1: a high risk and she said Hi, Like Hi, like

547
00:28:15,320 --> 00:28:17,440
Speaker 1: real bad. You know what I'm saying, Like because you

548
00:28:17,560 --> 00:28:20,800
Speaker 1: can live with HIV, yes you can. Correct, you got

549
00:28:20,880 --> 00:28:23,399
Speaker 1: medications for it, like right, see the commercials on TV

550
00:28:23,480 --> 00:28:26,720
Speaker 1: all the time, right, But I don't want to die

551
00:28:26,960 --> 00:28:29,720
Speaker 1: trying to cure it. I get what you're saying, rather

552
00:28:29,800 --> 00:28:32,720
Speaker 1: than being okay, you know with you know what I'm saying.

553
00:28:32,920 --> 00:28:34,359
Speaker 1: So I just I don't know. I'd be back and

554
00:28:34,400 --> 00:28:35,840
Speaker 1: forth in my mind about things like that. If you

555
00:28:35,960 --> 00:28:37,719
Speaker 1: have a disease you can actually live with. I mean,

556
00:28:37,760 --> 00:28:40,080
Speaker 1: I know, in two until you have it. If you

557
00:28:40,120 --> 00:28:41,640
Speaker 1: don't have, you got to mind the business or whatever.

558
00:28:41,680 --> 00:28:44,040
Speaker 1: You can't release me too much on it. But I don't,

559
00:28:44,320 --> 00:28:47,280
Speaker 1: you know, I just the conspiracy theorists in high risk.

560
00:28:47,480 --> 00:28:50,320
Speaker 1: The conspiracy theorists in me feels like they've always had

561
00:28:50,320 --> 00:28:52,920
Speaker 1: a cure. Why why they are giving it to us now?

562
00:28:53,040 --> 00:28:55,680
Speaker 1: I don't. I don't know. Maybe they don't need HIV

563
00:28:55,760 --> 00:28:57,920
Speaker 1: anymore because they've got a bunch of other things they

564
00:28:57,920 --> 00:29:01,680
Speaker 1: can kill us with, like a nuke. You go, man,

565
00:29:05,160 --> 00:29:07,280
Speaker 1: it's been on my mind. Man. All right, All right,

566
00:29:07,840 --> 00:29:11,120
Speaker 1: that is front page news. Now when we come back, Tyler,

567
00:29:11,760 --> 00:29:16,720
Speaker 1: what is the last name left? All the men's last names?

568
00:29:16,760 --> 00:29:19,560
Speaker 1: I don't know nothing, but I do no Tyler, that's

569
00:29:19,600 --> 00:29:23,080
Speaker 1: my guide. Oh yeah, y'all movie together eight years ago

570
00:29:23,160 --> 00:29:26,560
Speaker 1: called had a couple of words in the movie, y'a

571
00:29:26,560 --> 00:29:30,360
Speaker 1: don't even remember three words, that's what they say. It is, okay,

572
00:29:31,920 --> 00:29:33,560
Speaker 1: I feel like I had more than three words, but

573
00:29:33,560 --> 00:29:35,760
Speaker 1: I just don't remember the scenes. But he definitely was

574
00:29:35,840 --> 00:29:38,920
Speaker 1: called ringside. It was a rush Park film, TV one

575
00:29:39,000 --> 00:29:41,960
Speaker 1: original Baby All well, we're gonna kick it with Tyler left,

576
00:29:43,400 --> 00:29:46,080
Speaker 1: don't move. It's the Breakfast Club in the morning, the

577
00:29:46,320 --> 00:29:51,720
Speaker 1: breakfast Club for this role. This this different TV show

578
00:29:51,840 --> 00:29:54,080
Speaker 1: And you know, maybe like three or four auditions into it,

579
00:29:54,280 --> 00:29:56,560
Speaker 1: we had like some type of callbacks that brought us

580
00:29:56,600 --> 00:29:58,280
Speaker 1: to Atlanta, and um, he was in the middle of

581
00:29:58,320 --> 00:30:00,600
Speaker 1: shooting something while he was coming down to look at auditions,

582
00:30:01,040 --> 00:30:02,760
Speaker 1: and anybody that knows him like, he don't got no

583
00:30:02,840 --> 00:30:04,960
Speaker 1: time for nothing. He's doing twelve things that once you

584
00:30:05,000 --> 00:30:07,640
Speaker 1: think he's Jamaican, he got fifty different jobs. So you know,

585
00:30:07,760 --> 00:30:09,840
Speaker 1: on his lunch break from shooting something with MC did

586
00:30:09,960 --> 00:30:16,200
Speaker 1: he came in to check out what was going on perspective,

587
00:30:16,240 --> 00:30:19,160
Speaker 1: how hard he worked, right, and how much tunnel vision

588
00:30:19,200 --> 00:30:21,000
Speaker 1: you need to really get done what you're trying to

589
00:30:21,080 --> 00:30:22,960
Speaker 1: do in this business. And that's what happen to have

590
00:30:23,160 --> 00:30:26,000
Speaker 1: not right. Yeah, yeah, And so when did you get

591
00:30:26,040 --> 00:30:28,360
Speaker 1: p Valley. P Valley was probably like we did nine

592
00:30:28,400 --> 00:30:29,880
Speaker 1: seasons that The Have and Have Knots. I think we

593
00:30:29,920 --> 00:30:32,000
Speaker 1: went off the air maybe in like twenty twenty. We

594
00:30:32,080 --> 00:30:35,280
Speaker 1: probably stopped filming maybe twenty eighteen, twenty nineteen, and I

595
00:30:35,360 --> 00:30:37,640
Speaker 1: had booked it maybe like twenty nineteen, so for the

596
00:30:37,720 --> 00:30:39,520
Speaker 1: last season of The Ha and Have Knots. In the

597
00:30:39,560 --> 00:30:41,360
Speaker 1: first season to Pe Valley, we were shooting him at

598
00:30:41,360 --> 00:30:43,720
Speaker 1: the same time. We're just crazy because back then in

599
00:30:43,800 --> 00:30:46,320
Speaker 1: the first season, we shot on Tyler Perry Studios. So

600
00:30:46,440 --> 00:30:48,360
Speaker 1: like I was having a couple of days that were crazy.

601
00:30:48,400 --> 00:30:50,080
Speaker 1: We're like, you know, we would I would shoot a

602
00:30:50,320 --> 00:30:52,920
Speaker 1: ten hour, eleven hour day over here, you know, six

603
00:30:53,040 --> 00:30:55,720
Speaker 1: to seven over here, go take a shower and clock

604
00:30:55,800 --> 00:30:58,240
Speaker 1: in eight to six am for Pee Valley. But it

605
00:30:58,400 --> 00:31:00,680
Speaker 1: was just like and that's two different roles and two

606
00:31:01,040 --> 00:31:04,360
Speaker 1: scripts and two different whoa. Yeah, it was it was definitely, um,

607
00:31:04,600 --> 00:31:06,680
Speaker 1: you know it definitely it was difficult, you know, for

608
00:31:06,720 --> 00:31:08,520
Speaker 1: those few days. But this is these are the problems

609
00:31:08,560 --> 00:31:10,080
Speaker 1: that we that we asked for, you know what I'm

610
00:31:10,080 --> 00:31:18,080
Speaker 1: saying in between sets, you know, yeah, yeah, now I

611
00:31:18,120 --> 00:31:20,240
Speaker 1: ask you know, you say you were playing football and

612
00:31:20,320 --> 00:31:22,360
Speaker 1: this is a question that I ask every football player

613
00:31:22,400 --> 00:31:24,800
Speaker 1: or anybody that's played football, would you allow your child

614
00:31:24,840 --> 00:31:28,240
Speaker 1: to play football, especially because you had a bad back surgery,

615
00:31:28,320 --> 00:31:31,800
Speaker 1: So yeah, for sure, Yeah, knee surgeries like plenty concussions.

616
00:31:31,800 --> 00:31:34,080
Speaker 1: It's man, it's it's different nowadays, you know, with all

617
00:31:34,080 --> 00:31:36,080
Speaker 1: the signs and everything that we know. So I would

618
00:31:36,120 --> 00:31:37,560
Speaker 1: probably say, I mean, I don't want to I want

619
00:31:37,560 --> 00:31:39,480
Speaker 1: to be a dream coller. I play, you know, I

620
00:31:39,480 --> 00:31:40,680
Speaker 1: don't want to be tough and one and I got

621
00:31:40,720 --> 00:31:45,000
Speaker 1: two boys now graduated. But I do think that, like

622
00:31:45,120 --> 00:31:46,720
Speaker 1: you know, I would be a fool and not apply

623
00:31:46,840 --> 00:31:48,680
Speaker 1: some of the things that we know now. I wouldn't

624
00:31:48,680 --> 00:31:50,360
Speaker 1: want them to play my position. I was running back.

625
00:31:50,400 --> 00:31:54,200
Speaker 1: It's just constant contact. Maybe a little wide receiver, quarterback something. Yeah.

626
00:31:54,240 --> 00:31:56,440
Speaker 1: You know, we got mold with Tyler Leplie when we

627
00:31:56,600 --> 00:31:58,760
Speaker 1: come back, so don't move. It's the Breakfast Club. Good morning.

628
00:31:58,760 --> 00:32:01,920
Speaker 1: I think everybody is d j Envy, Charlemagne the guy.

629
00:32:02,040 --> 00:32:04,080
Speaker 1: We are the Breakfast Club. We got our co host,

630
00:32:04,160 --> 00:32:06,760
Speaker 1: Jesse Hilarry is joining us and we have Tyler Lepley

631
00:32:06,840 --> 00:32:16,960
Speaker 1: in the building. Charlemagne Valley were getting season three? Yeah, yeah,

632
00:32:17,040 --> 00:32:20,120
Speaker 1: season Season three got green let shout out to Tory Hall. Yeah,

633
00:32:20,280 --> 00:32:23,480
Speaker 1: and matter of fact, so look I heard when they

634
00:32:23,600 --> 00:32:25,960
Speaker 1: was auditioning, when they were doing the screen test with

635
00:32:26,000 --> 00:32:30,440
Speaker 1: the chemistry or who's gonna be Big Bone? That your name? Yeah? Man, yeah,

636
00:32:30,760 --> 00:32:38,320
Speaker 1: your girls stole that friend my bones? Ain't that big Man?

637
00:32:39,600 --> 00:32:47,680
Speaker 1: Always take the spher that call? I know somebody, man,

638
00:32:48,960 --> 00:32:57,840
Speaker 1: kat who you want just some miracles? Miracles miracle though,

639
00:32:57,880 --> 00:33:02,200
Speaker 1: So yeah, I met her before that. They already know. Damn.

640
00:33:02,600 --> 00:33:08,440
Speaker 1: I auditioned for that four times, four times the first season,

641
00:33:08,520 --> 00:33:11,160
Speaker 1: the second season. Yo, what's up? Coutry, what's up with you?

642
00:33:11,680 --> 00:33:14,040
Speaker 1: He's saying, I can't. I don't got the accent. They

643
00:33:14,480 --> 00:33:19,000
Speaker 1: saying that I that you you gotta be from Mississippi,

644
00:33:19,160 --> 00:33:23,640
Speaker 1: a place ain't even real. Like no, Lisa, that ain't

645
00:33:23,640 --> 00:33:25,800
Speaker 1: et real. What you say? You know what I'm saying.

646
00:33:27,400 --> 00:33:30,000
Speaker 1: That's like me auditioning for Black Panther, Like, oh, you

647
00:33:30,040 --> 00:33:32,640
Speaker 1: gotta talk like they're doing with Conna what I said. Yeah,

648
00:33:33,480 --> 00:33:36,480
Speaker 1: So but I get it because I can't be country.

649
00:33:36,840 --> 00:33:40,520
Speaker 1: That's like I can't like she can't continue to go

650
00:33:40,600 --> 00:33:43,720
Speaker 1: back you been four times? Yeah, yeah, yeah, they're gonna

651
00:33:43,760 --> 00:33:46,520
Speaker 1: keep bringing you back, absolutely absolutely, But yeah, I just

652
00:33:46,640 --> 00:33:48,320
Speaker 1: I had heard. I had heard that because Miracles the

653
00:33:48,360 --> 00:33:51,160
Speaker 1: only one that actually did the chemistry. Yeah, I had asked,

654
00:33:51,240 --> 00:33:53,040
Speaker 1: like who else, because a lot of times with chemistry

655
00:33:53,120 --> 00:33:55,920
Speaker 1: they have a few people, so we can, right right, Um,

656
00:33:56,040 --> 00:33:57,800
Speaker 1: but I think the only one, the only other person

657
00:33:57,840 --> 00:33:59,920
Speaker 1: they brought up was you. Yeah. Yeah, this is before

658
00:34:00,120 --> 00:34:01,880
Speaker 1: y'all was a couple and all of that. Yeah. Yeah,

659
00:34:01,920 --> 00:34:03,520
Speaker 1: So I remember I was shooting the first season of

660
00:34:03,560 --> 00:34:07,200
Speaker 1: Harlem and appreciate appreciate it. Yeah, we got the new

661
00:34:07,240 --> 00:34:09,719
Speaker 1: season all right now on Amazon Prime, you know, and

662
00:34:09,840 --> 00:34:11,960
Speaker 1: to stop that. But yeah, I remember we were shooting

663
00:34:11,960 --> 00:34:13,600
Speaker 1: the first season and I had had a day off

664
00:34:13,640 --> 00:34:15,120
Speaker 1: and Country hit me and she was like, yeah, do

665
00:34:15,160 --> 00:34:17,800
Speaker 1: you mind, um, do you mind just just doing some

666
00:34:17,920 --> 00:34:20,640
Speaker 1: chemistry reads with us so we can see the chemistry

667
00:34:20,719 --> 00:34:23,719
Speaker 1: between Diamond and you know, his potential love interest. We

668
00:34:23,719 --> 00:34:25,080
Speaker 1: didn't know her name is gonna be big one at

669
00:34:25,120 --> 00:34:27,080
Speaker 1: the time. I think it was maybe like maybe like

670
00:34:27,320 --> 00:34:30,320
Speaker 1: March or whatever year that was twenty twenty, and so

671
00:34:30,400 --> 00:34:33,000
Speaker 1: I had met her on FaceTime. And then I remember

672
00:34:33,000 --> 00:34:35,040
Speaker 1: a couple of months later, I had showed up to

673
00:34:35,160 --> 00:34:39,319
Speaker 1: my friends dinner party or he was having a birthday party.

674
00:34:39,320 --> 00:34:41,000
Speaker 1: He was having at dinner underknown to me, we had

675
00:34:41,040 --> 00:34:42,960
Speaker 1: a mutual We had a mutual friend. She was there

676
00:34:43,280 --> 00:34:45,440
Speaker 1: and between the time I had met her on FaceTime

677
00:34:45,520 --> 00:34:47,360
Speaker 1: and that point she had booked it. So now I

678
00:34:47,480 --> 00:34:49,680
Speaker 1: knew she was about to be, you know, working with me.

679
00:34:50,160 --> 00:34:51,920
Speaker 1: I know what it's like to transition into this business.

680
00:34:51,960 --> 00:34:53,680
Speaker 1: You know, it can be a lot, you know, coming

681
00:34:53,680 --> 00:34:56,200
Speaker 1: from where she's coming from into something like this, especially

682
00:34:56,280 --> 00:34:58,399
Speaker 1: something like pe Valley had accent and so many things.

683
00:34:58,400 --> 00:34:59,680
Speaker 1: You did have her with here. You know, she was

684
00:34:59,719 --> 00:35:01,759
Speaker 1: just my she was my friend at first, and really

685
00:35:01,800 --> 00:35:03,520
Speaker 1: that's how I was going into it. Let me just

686
00:35:03,600 --> 00:35:05,200
Speaker 1: kind of be like, you know, big bro and kind

687
00:35:05,239 --> 00:35:16,279
Speaker 1: of just you know what I'm saying, Big bros was big.

688
00:35:16,640 --> 00:35:24,400
Speaker 1: It was big Bro talking about like that. I just

689
00:35:24,440 --> 00:35:25,840
Speaker 1: kind of went to school or a little bit or

690
00:35:25,920 --> 00:35:27,800
Speaker 1: just just be um, you know, be any help that

691
00:35:28,080 --> 00:35:30,200
Speaker 1: that she may need. Because you know, ninety five percent

692
00:35:30,239 --> 00:35:31,880
Speaker 1: of her scenes are with me. It's kind of like

693
00:35:32,320 --> 00:35:34,239
Speaker 1: everything I go through on Harlem with Megan, all my

694
00:35:34,280 --> 00:35:36,400
Speaker 1: stuff was with her. So you know, it behooves us

695
00:35:36,440 --> 00:35:40,399
Speaker 1: to have a cool relationship. You don't like, but yeah,

696
00:35:40,440 --> 00:35:42,279
Speaker 1: we just man, we hit it off and we were

697
00:35:42,320 --> 00:35:44,560
Speaker 1: just we just clicked so hard that it just it

698
00:35:44,680 --> 00:35:46,000
Speaker 1: just was what it was. So by the time we

699
00:35:46,040 --> 00:35:48,320
Speaker 1: started shooting on set, it already was was what it was.

700
00:35:48,520 --> 00:35:49,880
Speaker 1: How did that work in this area? Because to me,

701
00:35:49,920 --> 00:35:51,680
Speaker 1: that sound perfectly normal, But then you see all of

702
00:35:51,719 --> 00:35:54,840
Speaker 1: these situations where like an employee hooked up with an employee,

703
00:35:54,840 --> 00:35:56,600
Speaker 1: you know, it's a stand like like what is that?

704
00:35:57,080 --> 00:35:58,719
Speaker 1: Y'all got to disclose that to the production of the

705
00:35:58,760 --> 00:36:01,920
Speaker 1: studio or yeah, um, you know it's it's about It's

706
00:36:01,920 --> 00:36:04,880
Speaker 1: about like communication, I think is your best friend and

707
00:36:04,960 --> 00:36:06,800
Speaker 1: just kind of knowing what's going on and also and

708
00:36:06,880 --> 00:36:10,040
Speaker 1: also like compartmentalizing what's going on. It's like, yeah, that's

709
00:36:10,080 --> 00:36:11,640
Speaker 1: my girl. But when we show up on set, we're

710
00:36:11,680 --> 00:36:14,319
Speaker 1: here to do work. But that what happens when when

711
00:36:14,400 --> 00:36:16,520
Speaker 1: when you a miracle at home arguing about something right,

712
00:36:16,600 --> 00:36:18,960
Speaker 1: could be something y'all arguing because every couple gets to

713
00:36:19,040 --> 00:36:20,640
Speaker 1: it and you gotta go to work the next day,

714
00:36:20,880 --> 00:36:23,160
Speaker 1: y'are not really talking. Now y'all got to turn it on.

715
00:36:23,680 --> 00:36:26,440
Speaker 1: How is that? I know how to do that, but

716
00:36:28,400 --> 00:36:32,520
Speaker 1: against me it's on. Yeah, all jokes aside, Yeah, like, um,

717
00:36:32,680 --> 00:36:40,880
Speaker 1: has that happened? Yeah? Sure, maybe a big bro to that. Now,

718
00:36:41,680 --> 00:36:43,480
Speaker 1: you know, we got the type of connection where like

719
00:36:43,560 --> 00:36:45,719
Speaker 1: you know, like this on the service always rolls off

720
00:36:45,719 --> 00:36:47,360
Speaker 1: the sleeve, you know what I mean. So it's like

721
00:36:47,400 --> 00:36:48,880
Speaker 1: we ain't never been nothing crazy like that. I mean,

722
00:36:48,920 --> 00:36:54,320
Speaker 1: you know, we get there always what you say. I

723
00:36:54,320 --> 00:36:59,480
Speaker 1: don't know, man, it comes to me. You know, whatever

724
00:37:00,000 --> 00:37:06,879
Speaker 1: showed their rooms off to sleep like that. I don't

725
00:37:06,880 --> 00:37:08,279
Speaker 1: know if he said it with y'all or a big

726
00:37:08,360 --> 00:37:10,920
Speaker 1: boy he said that. He said, sometimes you got to

727
00:37:10,920 --> 00:37:12,520
Speaker 1: think about things how you don't want to think about things?

728
00:37:12,680 --> 00:37:14,160
Speaker 1: He say, what that means he's saying? And I don't know,

729
00:37:14,200 --> 00:37:17,640
Speaker 1: it just sounds it makes sense, though. How does she

730
00:37:17,680 --> 00:37:19,600
Speaker 1: feel when you got to do scenes with Miss Megan Good?

731
00:37:20,760 --> 00:37:23,520
Speaker 1: You know, she's um, she's a she's a professional too, man.

732
00:37:23,560 --> 00:37:26,000
Speaker 1: She understands that, you know, as much as she's a professional,

733
00:37:26,080 --> 00:37:28,520
Speaker 1: she understands that I'm a professional, you know what I'm saying.

734
00:37:28,560 --> 00:37:31,040
Speaker 1: And it's like it's and she and it's it's also

735
00:37:31,120 --> 00:37:32,719
Speaker 1: great that she's been in some of those you know,

736
00:37:32,840 --> 00:37:34,560
Speaker 1: she's she's been in the scene like that with man,

737
00:37:34,600 --> 00:37:36,520
Speaker 1: she's been on set. She sees how it is and

738
00:37:36,600 --> 00:37:38,320
Speaker 1: she kind of understands that you know, it's it's a

739
00:37:38,360 --> 00:37:40,400
Speaker 1: it's a muscle that you turn on the turn off. Yea.

740
00:37:40,600 --> 00:37:43,080
Speaker 1: So it's not even you know, you got all type

741
00:37:43,080 --> 00:37:45,359
Speaker 1: of all type of sound people on cameras and it's

742
00:37:45,400 --> 00:37:48,520
Speaker 1: like it's way more awkward than you than it looked, right,

743
00:37:48,960 --> 00:37:51,120
Speaker 1: even if it's a girl or not, it's still Yeah,

744
00:37:51,400 --> 00:37:53,279
Speaker 1: for sure, I was. I was the first time you

745
00:37:53,360 --> 00:37:56,200
Speaker 1: had to do that though, the first sexy or the

746
00:37:56,239 --> 00:37:59,320
Speaker 1: first love seaton like say period in life not me

747
00:38:01,120 --> 00:38:06,719
Speaker 1: know what I'm saying that because I mean the first time,

748
00:38:06,760 --> 00:38:10,520
Speaker 1: it's just weird. Yeah, yeah, it got hard. What you

749
00:38:10,560 --> 00:38:13,719
Speaker 1: want to ask, what about your scene in that movie?

750
00:38:13,800 --> 00:38:15,839
Speaker 1: Did you have time to even get hard in the scene,

751
00:38:20,960 --> 00:38:22,920
Speaker 1: because I've been I've been you know, I've been doing it,

752
00:38:23,000 --> 00:38:25,960
Speaker 1: you know, uh with the Lord's Blessing Man, I've been

753
00:38:26,000 --> 00:38:27,919
Speaker 1: doing it for a while. So it's probably like, yeah,

754
00:38:27,960 --> 00:38:29,839
Speaker 1: even a decade ago, probably one of the first couple

755
00:38:29,840 --> 00:38:31,880
Speaker 1: of seasons to have to have not and it was.

756
00:38:31,960 --> 00:38:34,359
Speaker 1: It was definitely very awkward. You know, as as an actor,

757
00:38:34,440 --> 00:38:36,880
Speaker 1: you kind of got to figure out, um, you know,

758
00:38:36,960 --> 00:38:38,920
Speaker 1: what your process is and how you break into things

759
00:38:38,960 --> 00:38:40,400
Speaker 1: and break out of it, you know, to do it

760
00:38:40,520 --> 00:38:42,800
Speaker 1: without like you know, drinking in the bag, you know

761
00:38:42,840 --> 00:38:44,400
Speaker 1: what I mean for real. So it's like, you know,

762
00:38:44,480 --> 00:38:46,840
Speaker 1: figuring all that out was was a learning process, but

763
00:38:47,000 --> 00:38:48,640
Speaker 1: it was it was cool. You know, I was on

764
00:38:49,360 --> 00:38:51,560
Speaker 1: set with professionals, and you know, I kind of learned

765
00:38:51,600 --> 00:38:54,759
Speaker 1: how to be um. You know when you when you're

766
00:38:54,760 --> 00:38:57,160
Speaker 1: having new people come on set. You know, I supposed

767
00:38:57,160 --> 00:38:59,520
Speaker 1: to welcome with open arms, have open communications. Is this

768
00:38:59,719 --> 00:39:02,120
Speaker 1: just it's okay? It's not okay, And that's how you

769
00:39:02,239 --> 00:39:03,759
Speaker 1: kind of get through it until you figure out how

770
00:39:03,760 --> 00:39:05,760
Speaker 1: to do it and be comfortable in it. It's social

771
00:39:05,800 --> 00:39:07,640
Speaker 1: media a gift and a curse because you are like

772
00:39:07,719 --> 00:39:09,920
Speaker 1: a you like an Internet dling. But then it's just

773
00:39:10,040 --> 00:39:12,480
Speaker 1: like you see everything that that that that y'all got

774
00:39:12,520 --> 00:39:15,719
Speaker 1: going on. Yeah, you know, was that new for you? Yeah?

775
00:39:15,800 --> 00:39:17,920
Speaker 1: For sure, you know, because I had never I've always

776
00:39:17,960 --> 00:39:21,520
Speaker 1: been like a private person, and you know, that's definitely

777
00:39:21,560 --> 00:39:23,520
Speaker 1: one of the one of the downsides with being with

778
00:39:23,719 --> 00:39:26,160
Speaker 1: being in the open about anything. It doesn't matter if

779
00:39:26,200 --> 00:39:29,360
Speaker 1: it's my girl or my kids, my parents, you know

780
00:39:29,400 --> 00:39:32,160
Speaker 1: what I'm saying. You you open things up to the

781
00:39:32,280 --> 00:39:34,600
Speaker 1: trolls in this world, and it's like the one the

782
00:39:34,719 --> 00:39:38,040
Speaker 1: one reason I feel like I've always been um private.

783
00:39:38,160 --> 00:39:41,320
Speaker 1: You know, people think it's secret, that's secrecy. It's privacy.

784
00:39:41,880 --> 00:39:43,960
Speaker 1: And the one reason I've always been um, you know

785
00:39:44,080 --> 00:39:46,359
Speaker 1: private with my private life is is, you know, I'm

786
00:39:46,400 --> 00:39:48,399
Speaker 1: just conscious of the fact that this is the life

787
00:39:48,440 --> 00:39:50,359
Speaker 1: that I chose and everything that comes with it. I'm

788
00:39:50,440 --> 00:39:52,200
Speaker 1: cool with, you know what I'm saying. My family didn't

789
00:39:52,239 --> 00:39:54,520
Speaker 1: choose this, right, you know, So like I've always been

790
00:39:54,600 --> 00:39:58,200
Speaker 1: conscious of, I've always been conscious of, you know, just

791
00:39:58,360 --> 00:40:00,320
Speaker 1: just that aspect of it. So you know, back to

792
00:40:00,360 --> 00:40:02,560
Speaker 1: your question, you know that that is that is part

793
00:40:02,600 --> 00:40:04,160
Speaker 1: of the downside with it. It's like, you know, it's

794
00:40:04,200 --> 00:40:05,960
Speaker 1: it's great to win in front of everybody, but if

795
00:40:05,960 --> 00:40:08,200
Speaker 1: you're in front of everybody and you lose, he was

796
00:40:08,239 --> 00:40:10,440
Speaker 1: gonna talk about that too, So it's like it's just

797
00:40:10,480 --> 00:40:12,640
Speaker 1: one of these things that all we got mored with

798
00:40:12,680 --> 00:40:14,799
Speaker 1: Tyler Leplie when we come back, so don't move. It's

799
00:40:14,800 --> 00:40:18,960
Speaker 1: to Breakfast Club. Good morning. Well, everybody's DJ V Charlemagne

800
00:40:19,000 --> 00:40:20,920
Speaker 1: the guy. We are the Breakfast Club. We got our

801
00:40:20,960 --> 00:40:23,279
Speaker 1: co host Jesse Hilarry is joining us, and we have

802
00:40:23,400 --> 00:40:25,760
Speaker 1: Tyler Lepley in the building. How do you stay focused

803
00:40:25,800 --> 00:40:28,239
Speaker 1: because you know, ladies love you. So I'm sure that

804
00:40:28,360 --> 00:40:30,040
Speaker 1: in the DMS, I'm sure that that holler and at you.

805
00:40:30,120 --> 00:40:31,839
Speaker 1: So how do you stay focused from the beginning when

806
00:40:31,840 --> 00:40:34,239
Speaker 1: you were training? When you think about Lightskin brothers, it's

807
00:40:34,360 --> 00:40:38,239
Speaker 1: usually me, you what else you get? What? They ain't

808
00:40:38,239 --> 00:40:50,320
Speaker 1: nobody asking about you? They ain't. So back to you, say, so,

809
00:40:50,400 --> 00:40:54,320
Speaker 1: how do you stay focused? B Yeah? Again, like internally,

810
00:40:54,400 --> 00:40:56,440
Speaker 1: I'm just never too far away from the beginning. Man,

811
00:40:56,440 --> 00:40:58,880
Speaker 1: I just he was never out there whiling he was

812
00:41:01,280 --> 00:41:05,759
Speaker 1: getting into the ruts. Yeah, yeah, yeah, but I think that, um,

813
00:41:05,920 --> 00:41:07,600
Speaker 1: you know, I'm just still close to like, you know,

814
00:41:07,719 --> 00:41:10,160
Speaker 1: where I started, and I just remember some of those roadblocks,

815
00:41:10,239 --> 00:41:12,320
Speaker 1: like I couldn't figure it out. I didn't have a passion.

816
00:41:12,480 --> 00:41:14,800
Speaker 1: I wasn't I wasn't really good at something, you know

817
00:41:14,800 --> 00:41:16,720
Speaker 1: what I'm saying. I was kind of just like aimless.

818
00:41:16,800 --> 00:41:18,440
Speaker 1: I was kind of lost in a sense. So to

819
00:41:18,719 --> 00:41:21,440
Speaker 1: you know, fast forward twelve years and be so locked in,

820
00:41:21,760 --> 00:41:24,080
Speaker 1: like be so passionate about something to the point where

821
00:41:24,320 --> 00:41:26,000
Speaker 1: I would do it for free, but I get paid

822
00:41:26,080 --> 00:41:28,279
Speaker 1: handsomely for it, and you know, want to put the

823
00:41:28,320 --> 00:41:30,400
Speaker 1: work in. I'm just I'm just in such a blessed position,

824
00:41:30,600 --> 00:41:32,520
Speaker 1: you know. And I also always think about that analogy

825
00:41:32,600 --> 00:41:34,200
Speaker 1: the man in the arena. None of the problems of

826
00:41:34,280 --> 00:41:36,160
Speaker 1: being in that arena really affect me because at the

827
00:41:36,239 --> 00:41:38,160
Speaker 1: end of the day, I'm in I'm I'm in the arena.

828
00:41:38,280 --> 00:41:40,680
Speaker 1: It's easy for me to focus and lock in renascent

829
00:41:40,840 --> 00:41:43,480
Speaker 1: me a song I didn't know you wrap yeah, yeah, yeah,

830
00:41:43,560 --> 00:41:45,279
Speaker 1: just dropped something last week. Yeah. I mean, I've been

831
00:41:45,320 --> 00:41:47,200
Speaker 1: doing music as long as I've been as long as

832
00:41:47,239 --> 00:41:48,840
Speaker 1: i've been acting. But um, you know, it's just that

833
00:41:49,040 --> 00:41:51,200
Speaker 1: it's acting popped off first, you know what I'm saying.

834
00:41:51,239 --> 00:41:54,040
Speaker 1: I've been an artist as far back as I can remember. Um,

835
00:41:54,080 --> 00:41:56,279
Speaker 1: they but they both their own separate beasts. They're gonna

836
00:41:56,280 --> 00:41:59,359
Speaker 1: come out down time. But it's like, if something doesn't happen,

837
00:41:59,400 --> 00:42:01,400
Speaker 1: it ain't never gonna be for the you know, the

838
00:42:01,480 --> 00:42:03,360
Speaker 1: lack of me not giving one hundred percent. So you know,

839
00:42:03,400 --> 00:42:05,279
Speaker 1: I've been dripping. We're just gonna We're gonna keep pushing

840
00:42:05,320 --> 00:42:07,480
Speaker 1: into the problem. So Michael B. Jordan got to move

841
00:42:07,520 --> 00:42:12,440
Speaker 1: over and Rake now, yea, but this plenty of room

842
00:42:12,480 --> 00:42:16,040
Speaker 1: at the table, you know. So I'm just saying that,

843
00:42:16,239 --> 00:42:17,600
Speaker 1: all right, Well, I got to ask you this to

844
00:42:17,840 --> 00:42:22,839
Speaker 1: your ex fiance my girlfriend. Yeah it was Mike's girlfriend, y'all.

845
00:42:22,920 --> 00:42:26,359
Speaker 1: Never Okay, thank you for cleaning up. So yeah, ex girl,

846
00:42:26,640 --> 00:42:30,120
Speaker 1: I remember it was something you know, going know each other, right, Yeah,

847
00:42:30,120 --> 00:42:33,160
Speaker 1: I definitely know each other. Um. Miracle Watt's head said

848
00:42:33,239 --> 00:42:35,359
Speaker 1: something about, you know, like she takes on your kids

849
00:42:35,400 --> 00:42:37,600
Speaker 1: and some kids, like, how is that situation now? Because

850
00:42:37,600 --> 00:42:39,200
Speaker 1: I know that April got mad at that, she got

851
00:42:39,440 --> 00:42:41,880
Speaker 1: at that. How is that now? Though? Um, you know

852
00:42:42,040 --> 00:42:44,359
Speaker 1: it's it's it's a process. You know, it's like it's

853
00:42:44,400 --> 00:42:46,719
Speaker 1: definitely better than it was. Still got a little way

854
00:42:46,760 --> 00:42:48,600
Speaker 1: to go. As much as I would not like it

855
00:42:48,680 --> 00:42:50,600
Speaker 1: to be like that, you know, I can't rush anything

856
00:42:50,680 --> 00:42:52,840
Speaker 1: because this is you know, again the problems of the

857
00:42:52,880 --> 00:42:54,800
Speaker 1: man here, and it just it kind of happens like this.

858
00:42:54,920 --> 00:42:56,920
Speaker 1: The one thing I will say is that again, that's

859
00:42:57,000 --> 00:42:58,680
Speaker 1: that's a mother to my children. You know what. I'm

860
00:42:58,680 --> 00:43:01,000
Speaker 1: trying to have nothing but loving respect for us. So

861
00:43:01,160 --> 00:43:02,840
Speaker 1: you know, I give her grace and patience as she

862
00:43:03,040 --> 00:43:05,520
Speaker 1: as she figures out what she got to feel herself through. Right,

863
00:43:05,719 --> 00:43:07,640
Speaker 1: And you know, it doesn't help that everything's like you

864
00:43:07,719 --> 00:43:10,560
Speaker 1: talked about it doesn't help that everything's in the public eye,

865
00:43:10,800 --> 00:43:11,960
Speaker 1: you know what I mean, So like I kind of

866
00:43:12,000 --> 00:43:13,880
Speaker 1: understand where it's coming from. You know what I would

867
00:43:13,920 --> 00:43:17,719
Speaker 1: want for somebody to treat my kid like that, like

868
00:43:17,840 --> 00:43:19,880
Speaker 1: my kid is there, you know what I Yeah, And

869
00:43:20,040 --> 00:43:21,680
Speaker 1: you know, to get back to that part, it's like,

870
00:43:21,840 --> 00:43:23,840
Speaker 1: you know, Miracle does such a great job of just

871
00:43:24,000 --> 00:43:27,080
Speaker 1: loving me for everything, and yeah, just just just the

872
00:43:27,200 --> 00:43:29,520
Speaker 1: fullness of who I am and everything that comes with it. Sure,

873
00:43:29,719 --> 00:43:31,399
Speaker 1: you know, it brings me back to that. I don't

874
00:43:31,400 --> 00:43:33,279
Speaker 1: know if it was a meaning something viral on on

875
00:43:33,440 --> 00:43:35,319
Speaker 1: Instagram and it was about like, you know, the dad

876
00:43:35,400 --> 00:43:37,200
Speaker 1: came home, I only got McDonalds for his kid? You

877
00:43:39,560 --> 00:43:41,919
Speaker 1: want that? Or like, don want someone who really loves

878
00:43:41,960 --> 00:43:44,319
Speaker 1: all three? Like it's exactly so I want my kids

879
00:43:44,360 --> 00:43:52,960
Speaker 1: eating healthier than McDonald But yeah, yeah, that's one thing

880
00:43:53,000 --> 00:43:54,759
Speaker 1: I didn't know about her. People may not know that

881
00:43:54,840 --> 00:43:56,800
Speaker 1: from the outside looking in because the package looks like

882
00:43:56,840 --> 00:43:59,080
Speaker 1: what it looks like. Yeah, she is just man, She

883
00:43:59,200 --> 00:44:00,600
Speaker 1: got she got the big it is hard and she

884
00:44:00,719 --> 00:44:03,600
Speaker 1: really just like a down South home grown girl at

885
00:44:03,640 --> 00:44:05,760
Speaker 1: the end of the day. So she really has everything

886
00:44:05,840 --> 00:44:07,799
Speaker 1: that I need as a man, for sure. You love.

887
00:44:08,960 --> 00:44:11,080
Speaker 1: Is it hard to love out loud? I guess when

888
00:44:11,080 --> 00:44:12,320
Speaker 1: you have a next like you, like, you know, you

889
00:44:12,400 --> 00:44:14,560
Speaker 1: bought we saw her you bought a bins for from

890
00:44:14,600 --> 00:44:27,120
Speaker 1: miracle on Instagram? Yeah, out the man? Are you Are

891
00:44:27,160 --> 00:44:29,000
Speaker 1: you afraid to put stuff like that out there because

892
00:44:29,120 --> 00:44:31,000
Speaker 1: it might piss off the act? Yeah, I mean, you know,

893
00:44:31,000 --> 00:44:32,600
Speaker 1: I don't really, I don't really think about it like that.

894
00:44:32,760 --> 00:44:34,320
Speaker 1: You know, she's got to push gifts to It just

895
00:44:34,480 --> 00:44:36,040
Speaker 1: wasn't you know, it wasn't in front of everybody, and

896
00:44:36,080 --> 00:44:37,640
Speaker 1: it was at a different you know place in my

897
00:44:37,760 --> 00:44:42,200
Speaker 1: in my career and stuff and the job money at

898
00:44:42,239 --> 00:44:44,359
Speaker 1: the time. You know, she I gave her. I gave

899
00:44:44,360 --> 00:44:46,120
Speaker 1: her equity in the house that we had before. So

900
00:44:46,200 --> 00:44:47,959
Speaker 1: when I sold it, she you know, she had some money.

901
00:44:48,000 --> 00:44:50,560
Speaker 1: And that's dope. You know, she taking care of everything

902
00:44:50,640 --> 00:44:52,360
Speaker 1: when we were together, and even when we weren't, she

903
00:44:52,440 --> 00:44:54,239
Speaker 1: still had a full time nanny because she's got a

904
00:44:54,320 --> 00:44:56,320
Speaker 1: job that requires her to be away for like twelve

905
00:44:56,320 --> 00:44:58,160
Speaker 1: hours a day. So like, even if it's not what

906
00:44:58,239 --> 00:44:59,960
Speaker 1: you see on Instagram, you know, I provide for all

907
00:45:00,120 --> 00:45:02,040
Speaker 1: my family, you know what I'm saying. But yeah, it

908
00:45:02,080 --> 00:45:05,480
Speaker 1: can be you know, social media can make things scared

909
00:45:05,760 --> 00:45:08,919
Speaker 1: to not scared, but like can't feel away so much

910
00:45:09,120 --> 00:45:11,439
Speaker 1: like of watching what you do in this relationship because

911
00:45:11,480 --> 00:45:14,480
Speaker 1: of his past relationship, he's still if you want to

912
00:45:14,520 --> 00:45:16,640
Speaker 1: love loud, you know, because maybe this girl is different.

913
00:45:16,719 --> 00:45:21,000
Speaker 1: Maybe you know Abril was was private, you know, Miracles different,

914
00:45:21,080 --> 00:45:23,279
Speaker 1: So it's like you were just I don't. I don't

915
00:45:23,400 --> 00:45:25,359
Speaker 1: not that you asked me that, but I'm just saying

916
00:45:25,440 --> 00:45:31,000
Speaker 1: I don't think that we should because woman, you know,

917
00:45:31,080 --> 00:45:33,360
Speaker 1: what was then was then this is now? Yeah, and

918
00:45:33,480 --> 00:45:35,280
Speaker 1: there was love and there was love in both scenarios.

919
00:45:35,360 --> 00:45:37,960
Speaker 1: Most just you know, I'm in love with Miracle. Now

920
00:45:38,040 --> 00:45:39,480
Speaker 1: we have we have a family, and this is this

921
00:45:39,600 --> 00:45:42,399
Speaker 1: is how I'm moving Birthdays and Valentine If you don't

922
00:45:42,440 --> 00:45:44,759
Speaker 1: do the g wagon just for a push. Oh my god, man,

923
00:45:44,800 --> 00:45:47,960
Speaker 1: I was making that. I was making a joke my

924
00:45:48,000 --> 00:45:51,120
Speaker 1: family recently, Like the last five months is like loaded up,

925
00:45:51,239 --> 00:45:56,279
Speaker 1: like everybody's birthday, Valentine's Day, Christmas, like it's all compounded

926
00:45:56,320 --> 00:45:58,160
Speaker 1: into like this five months run. So I was like,

927
00:45:59,000 --> 00:46:03,240
Speaker 1: I'm gonna need them three y'all said he just dropped

928
00:46:03,280 --> 00:46:08,320
Speaker 1: the mixtape, but yeah, I don't. I don't you know

929
00:46:08,719 --> 00:46:10,279
Speaker 1: what I give. I give out of the goodness of

930
00:46:10,320 --> 00:46:12,160
Speaker 1: my heart. I don't really take tabs of it. You know,

931
00:46:12,200 --> 00:46:13,880
Speaker 1: it's nice. You may get you may get a g

932
00:46:14,040 --> 00:46:16,799
Speaker 1: wagon one day, you may get a conversation, another two

933
00:46:16,840 --> 00:46:18,800
Speaker 1: flowers or something like. I don't really pay attention to it.

934
00:46:19,320 --> 00:46:21,240
Speaker 1: But I'm not coming to damn conversation for a birthday,

935
00:46:21,400 --> 00:46:27,680
Speaker 1: university or Christmas. You know, let's have a talk. I

936
00:46:27,760 --> 00:46:29,439
Speaker 1: love how the game has changed for y'all though, because

937
00:46:29,480 --> 00:46:31,520
Speaker 1: back in the day, I say about fifteen years ago,

938
00:46:31,560 --> 00:46:33,440
Speaker 1: they'd have told you, Tyler, don't tell nobody you in

939
00:46:33,520 --> 00:46:35,680
Speaker 1: a relationship, you know what I mean. These women have

940
00:46:35,760 --> 00:46:38,919
Speaker 1: to feel like they can have you. Yeah, yeah, yeah,

941
00:46:39,200 --> 00:46:41,360
Speaker 1: I have. But you know, I've never I've never lived

942
00:46:41,600 --> 00:46:43,880
Speaker 1: I've never lived for for anybody else. So you know,

943
00:46:43,920 --> 00:46:46,480
Speaker 1: I think it's some one thing I love about Harlem that, like,

944
00:46:46,560 --> 00:46:48,680
Speaker 1: I see this through line of people chasing the life

945
00:46:48,760 --> 00:46:51,160
Speaker 1: that that they see for themselves as opposed to life

946
00:46:51,160 --> 00:46:52,799
Speaker 1: to others see for them, you know what I'm saying.

947
00:46:52,840 --> 00:46:54,880
Speaker 1: And I connect with that because I've always been like that.

948
00:46:54,960 --> 00:46:57,120
Speaker 1: So I don't really listen to that too much because

949
00:46:57,120 --> 00:46:59,440
Speaker 1: it can't be difficult. I just last question for me,

950
00:46:59,480 --> 00:47:02,359
Speaker 1: how do you put your son's name zi Zi? Yeah,

951
00:47:02,480 --> 00:47:06,560
Speaker 1: Zi spelled x l I oh yeah, Zal's his middle name.

952
00:47:07,920 --> 00:47:10,920
Speaker 1: In her family, everybody got the middle name Lee, and

953
00:47:11,000 --> 00:47:13,480
Speaker 1: she wanted to do something different, so Zale and I

954
00:47:13,600 --> 00:47:15,560
Speaker 1: kind of like how I played off a leple zale leple?

955
00:47:15,960 --> 00:47:21,279
Speaker 1: Sound like you want to do next? Like? What what

956
00:47:21,360 --> 00:47:22,840
Speaker 1: do you want to do next? Ultimately, I mean you

957
00:47:22,880 --> 00:47:24,719
Speaker 1: said you want to you want to knock Michael B.

958
00:47:24,840 --> 00:47:30,040
Speaker 1: Jordan up, you want to put drink? No, I'm just trying.

959
00:47:30,040 --> 00:47:31,560
Speaker 1: I'm I'm just trying to get to where they are.

960
00:47:31,640 --> 00:47:34,000
Speaker 1: That's all, um. Now, I think for me, it's like, man,

961
00:47:34,080 --> 00:47:36,120
Speaker 1: I just gotta I gotta, I gotta check off everything

962
00:47:36,200 --> 00:47:37,640
Speaker 1: that I'm feeling, you know what I'm saying, and not

963
00:47:37,800 --> 00:47:39,440
Speaker 1: let the obstacles get in the way. You know. I

964
00:47:39,480 --> 00:47:41,719
Speaker 1: feel like in the tug of war between like the

965
00:47:41,840 --> 00:47:44,400
Speaker 1: heart and the mind, sometimes we overthink things that we

966
00:47:44,600 --> 00:47:46,560
Speaker 1: were get in our own way, you know. So I

967
00:47:46,600 --> 00:47:49,359
Speaker 1: don't The short answer is right now, I'm um, I'm

968
00:47:49,400 --> 00:47:52,000
Speaker 1: producing the movie. I got you know, the music dropping,

969
00:47:52,040 --> 00:47:54,960
Speaker 1: we got p Valley and Harlem seasons three coming up,

970
00:47:55,000 --> 00:47:56,480
Speaker 1: So it's like, you know that's gonna take up most

971
00:47:56,480 --> 00:47:57,839
Speaker 1: of the twelve months. But it's like, you know, as

972
00:47:57,880 --> 00:47:59,680
Speaker 1: I look into the crystal ball, you know, the sky

973
00:47:59,800 --> 00:48:00,880
Speaker 1: is the limit, and I don't want to put a

974
00:48:00,920 --> 00:48:02,520
Speaker 1: limit on myself, you know, because I would have never

975
00:48:02,640 --> 00:48:05,040
Speaker 1: thought in a million years when I was going through

976
00:48:05,080 --> 00:48:07,120
Speaker 1: that rut that I would be sitting right here with y'all.

977
00:48:07,560 --> 00:48:10,840
Speaker 1: I'm saying never. Ye, I couldn't. I couldn't. Bro Like

978
00:48:11,080 --> 00:48:13,399
Speaker 1: right before I came out, man, I was, I went

979
00:48:13,480 --> 00:48:15,719
Speaker 1: around the room, grab a little jewelry here, and I

980
00:48:15,880 --> 00:48:17,359
Speaker 1: was at the pawn shot. You know what I'm saying,

981
00:48:17,360 --> 00:48:18,960
Speaker 1: Like I didn't have I didn't have fifty dollars to

982
00:48:19,320 --> 00:48:22,520
Speaker 1: my name. So it's like to see where it went

983
00:48:22,640 --> 00:48:25,239
Speaker 1: if you just follow what you're feeling, That's what I'm on.

984
00:48:25,360 --> 00:48:27,200
Speaker 1: I'm trying to I'm trying to just get to to,

985
00:48:27,800 --> 00:48:30,320
Speaker 1: you know, where where my destiny is taking in. You know,

986
00:48:30,920 --> 00:48:33,279
Speaker 1: you were running back, running backs, always see the whole. Yeah,

987
00:48:33,480 --> 00:48:36,160
Speaker 1: I mean it's a crazy analga. Yeah. Absolutely, So you're

988
00:48:36,200 --> 00:48:39,719
Speaker 1: producing the film, you are like holding auditions. No, no,

989
00:48:39,840 --> 00:48:42,719
Speaker 1: I'm I'm doing it with with um. He said, no,

990
00:48:43,080 --> 00:49:01,720
Speaker 1: jes right, and that I mean not yet, Ladies and gentlemen,

991
00:49:02,080 --> 00:49:07,680
Speaker 1: appreciate you for joining us. Brother oh man, the miracle

992
00:49:07,800 --> 00:49:13,919
Speaker 1: got the role Jess again. Okay, it's the breakfast club

993
00:49:16,520 --> 00:49:20,000
Speaker 1: wanting everybody's DJ MV Charlemagne the guy. We are the

994
00:49:20,040 --> 00:49:22,480
Speaker 1: breakfast club. I got our guests, holds Jess hilarious in

995
00:49:22,560 --> 00:49:25,120
Speaker 1: the building, Big Jess. At the time they get to

996
00:49:25,160 --> 00:49:28,440
Speaker 1: the room, is Jess, what we're talking about? What's your

997
00:49:28,520 --> 00:49:30,479
Speaker 1: damn headphones on? You go outside and do one little

998
00:49:30,520 --> 00:49:34,040
Speaker 1: smoke break? Do we go? I don't know where I

999
00:49:34,120 --> 00:49:36,680
Speaker 1: didn't even smoke. That's the problem. You got, my goodness,

1000
00:49:36,719 --> 00:49:39,040
Speaker 1: did you dump? Did he dump? I don't know if

1001
00:49:39,040 --> 00:49:43,240
Speaker 1: you heard it? You're on the head yes, oh my goodness.

1002
00:49:43,880 --> 00:49:47,480
Speaker 1: She don't got her headphones on, so she phones here?

1003
00:49:47,520 --> 00:49:49,480
Speaker 1: You got them? You got him on? Now? Yeah, I

1004
00:49:49,520 --> 00:49:52,600
Speaker 1: still can't hand nobody. You can't hand the vine. That's

1005
00:49:52,600 --> 00:49:55,799
Speaker 1: because I said, all you're here playing me today? Turn

1006
00:49:55,880 --> 00:49:59,680
Speaker 1: her volume of D was my headphone? What he did?

1007
00:50:00,040 --> 00:50:04,040
Speaker 1: You hear? You? Now? Go back, go back. It's okay,

1008
00:50:04,120 --> 00:50:05,960
Speaker 1: let's see, let me see not hit you. There you go.

1009
00:50:06,320 --> 00:50:08,880
Speaker 1: This is the thing about live radio. We alive. We

1010
00:50:09,000 --> 00:50:13,200
Speaker 1: got to assist studio, and things happen sometimes what happened

1011
00:50:13,200 --> 00:50:15,880
Speaker 1: to the heaphones? You was using? Just the ray Jason,

1012
00:50:17,280 --> 00:50:23,160
Speaker 1: You've been using them all week talking to them. Mike,

1013
00:50:23,239 --> 00:50:25,759
Speaker 1: How you don't forgot how to do everything? Oh my god,

1014
00:50:25,960 --> 00:50:28,480
Speaker 1: you're with a microphone right there you go. There you go.

1015
00:50:28,640 --> 00:50:30,719
Speaker 1: Now we're working there you go. Damn you go. Now

1016
00:50:30,800 --> 00:50:36,600
Speaker 1: think something? All right? Right, sorry, guys, all right, hit

1017
00:50:36,680 --> 00:50:38,680
Speaker 1: the rumor report intro right now. We can't. Right, it's

1018
00:50:38,680 --> 00:50:39,840
Speaker 1: on the other side. He can't hit it, didn't he

1019
00:50:39,920 --> 00:50:43,160
Speaker 1: gotta run over their reds running to the side. All right,

1020
00:50:43,200 --> 00:50:56,000
Speaker 1: all right, let's get to the remote on the breakfast club. Honey,

1021
00:50:59,200 --> 00:51:04,120
Speaker 1: I right are Kodak Black gives Charlemagne his flowers. I

1022
00:51:04,160 --> 00:51:07,480
Speaker 1: don't know why I were for acting. That's acting, that's

1023
00:51:07,680 --> 00:51:09,840
Speaker 1: it wasn't for acting. He just he was just saluting us.

1024
00:51:09,880 --> 00:51:11,640
Speaker 1: He was just bigging us up that I was gonna say.

1025
00:51:11,640 --> 00:51:13,080
Speaker 1: I know, that's not what he did. I mean, he

1026
00:51:13,200 --> 00:51:16,239
Speaker 1: was in one little movie like come on now. All right.

1027
00:51:16,440 --> 00:51:19,120
Speaker 1: But Kodak also says that he won't collab with Drake

1028
00:51:19,239 --> 00:51:22,600
Speaker 1: because he released her loss with twenty one Savage. Now

1029
00:51:22,840 --> 00:51:25,440
Speaker 1: he didn't actually say the name, but people can kind

1030
00:51:25,520 --> 00:51:27,440
Speaker 1: of figure out what he's talking about. Over the years,

1031
00:51:27,480 --> 00:51:30,040
Speaker 1: Drake and Kodak have collaborated and given each other their flowers,

1032
00:51:30,320 --> 00:51:33,640
Speaker 1: but was already out might be all we have for

1033
00:51:33,719 --> 00:51:36,399
Speaker 1: a while. Kodak recently appeared on a live stream saying

1034
00:51:36,440 --> 00:51:39,080
Speaker 1: that he won't be collabing with Drake anytime soon, seemingly

1035
00:51:39,120 --> 00:51:42,719
Speaker 1: because his her loss collab with wants to go to

1036
00:51:42,760 --> 00:51:48,279
Speaker 1: the audio. Ya always it's coming up, yalla on that

1037
00:51:48,440 --> 00:51:52,439
Speaker 1: Drake feature. Yeah, I add to a Drake. I ain't

1038
00:51:52,480 --> 00:51:56,919
Speaker 1: want to do no collab, no songs. Another album Kode

1039
00:51:57,000 --> 00:51:59,680
Speaker 1: posted didn't get a whole album killer but for him

1040
00:51:59,719 --> 00:52:04,640
Speaker 1: and play, I had told him, I'm wanting to wait

1041
00:52:04,760 --> 00:52:10,279
Speaker 1: like twenty twenty three, like after February. Little Buddy is

1042
00:52:10,320 --> 00:52:12,160
Speaker 1: twenty one savage by the way, and I want I

1043
00:52:12,239 --> 00:52:13,800
Speaker 1: want the record to show that I knew that. I

1044
00:52:13,880 --> 00:52:15,759
Speaker 1: felt it in my spirit. When Kodak zoomed into the

1045
00:52:15,800 --> 00:52:18,360
Speaker 1: Breakfast Club last year, I said that to him and

1046
00:52:18,400 --> 00:52:21,719
Speaker 1: he hinted at it. Can we play that clip? Yeah?

1047
00:52:21,800 --> 00:52:24,600
Speaker 1: I mean everybody saw when he posted when Drake said,

1048
00:52:24,640 --> 00:52:26,799
Speaker 1: you really all that for this generation in the next book,

1049
00:52:26,840 --> 00:52:28,200
Speaker 1: I think that you're about to do some type of

1050
00:52:28,239 --> 00:52:31,160
Speaker 1: partnership with over your Kodak. That's what I think. That's crazy.

1051
00:52:32,040 --> 00:52:34,040
Speaker 1: Say it's gonna be a moment in the rap game

1052
00:52:34,239 --> 00:52:36,319
Speaker 1: with Kodak is gonna be the biggest artist in the world.

1053
00:52:36,480 --> 00:52:38,640
Speaker 1: And I think it's gonna be because he's gonna partner

1054
00:52:38,680 --> 00:52:40,719
Speaker 1: with Drake on something, and then that's when everybody gonna

1055
00:52:40,719 --> 00:52:47,280
Speaker 1: really start realizing what what Kodak can do Manea and whatever.

1056
00:52:48,120 --> 00:52:51,160
Speaker 1: I wonder if Drake decided he didn't want to do

1057
00:52:51,280 --> 00:52:53,880
Speaker 1: that project again because Kodak was all over Kendrick album,

1058
00:52:54,920 --> 00:52:58,000
Speaker 1: I wonder, is it like really baby beefs like that

1059
00:52:58,200 --> 00:53:00,799
Speaker 1: going on, or like little bad You wouldn't do it again?

1060
00:53:00,880 --> 00:53:04,320
Speaker 1: But I feel probably wouldn't. Yeah, yeah, I wouldn't do it.

1061
00:53:04,800 --> 00:53:07,799
Speaker 1: You're right, But no, no, I'm not even gonna say

1062
00:53:07,800 --> 00:53:09,640
Speaker 1: that because I could do it better. I always had

1063
00:53:09,640 --> 00:53:11,480
Speaker 1: it in my mind. I gotta do about it. And

1064
00:53:11,560 --> 00:53:14,240
Speaker 1: it's a hundred different ways that you can do something nowadays,

1065
00:53:14,320 --> 00:53:18,440
Speaker 1: there's no way today. Well, it's harder to be original

1066
00:53:18,560 --> 00:53:20,920
Speaker 1: these days because everybody thinking the same thing, everybody, you

1067
00:53:20,960 --> 00:53:22,440
Speaker 1: know what I'm saying. With everything being put out there,

1068
00:53:22,440 --> 00:53:24,880
Speaker 1: everybody's receiving it, so they can kind of get the

1069
00:53:25,120 --> 00:53:27,440
Speaker 1: content off that. But you're right, you're right, But then

1070
00:53:27,440 --> 00:53:29,080
Speaker 1: you're wrong because I could do I believe I can

1071
00:53:29,160 --> 00:53:31,000
Speaker 1: do everything. But if you Kodak, you think about it

1072
00:53:31,080 --> 00:53:32,719
Speaker 1: like this, You did an album with Future, you did

1073
00:53:32,719 --> 00:53:34,480
Speaker 1: an album with twenty one Savage. I don't want to

1074
00:53:34,480 --> 00:53:36,360
Speaker 1: be the third one. I move on to it. I

1075
00:53:36,360 --> 00:53:39,000
Speaker 1: want somebody else, you know. Yeah, yeah, it's like used up,

1076
00:53:39,040 --> 00:53:43,120
Speaker 1: like you passed around, you got the train ran on Jesus. Okay, basically,

1077
00:53:43,280 --> 00:53:45,719
Speaker 1: I mean, you know, in in in dumber terms, no

1078
00:53:45,920 --> 00:53:48,759
Speaker 1: gue what you're saying. Yeah, I ain't trying to hit

1079
00:53:48,800 --> 00:53:50,640
Speaker 1: that at though. It's all it's been all ran through.

1080
00:53:51,080 --> 00:53:52,480
Speaker 1: Oh you don't want to be the last person in

1081
00:53:52,520 --> 00:53:54,080
Speaker 1: the train. Yeah, you don't want to be the last person.

1082
00:53:54,120 --> 00:53:55,959
Speaker 1: Shouldn't nobody to be the last person in the train,

1083
00:53:56,280 --> 00:53:59,000
Speaker 1: Luther Kodak. Kodak didn't give a did give a breakfast Club?

1084
00:53:59,760 --> 00:54:03,000
Speaker 1: Did give us? All? Flowers said that you and kinder

1085
00:54:03,120 --> 00:54:07,960
Speaker 1: Lamar got a lot of comparisons and similarities together. Chotte

1086
00:54:08,360 --> 00:54:12,640
Speaker 1: Man shout out Charlotte Man, Charlotte Magne, the whole Breakfast

1087
00:54:12,719 --> 00:54:15,000
Speaker 1: Club family. You know, if Charlotte Man, he don't really

1088
00:54:15,080 --> 00:54:18,839
Speaker 1: like nobody, Nobody and so so so so for Charlottavagne

1089
00:54:19,120 --> 00:54:23,400
Speaker 1: always like, you know, they give me my due. I

1090
00:54:23,520 --> 00:54:26,480
Speaker 1: appreciate that. I gotta, you know, give him. And it's

1091
00:54:26,520 --> 00:54:31,120
Speaker 1: flowers too, It's Roses Slow to the Sniper Cifle podcasts.

1092
00:54:31,520 --> 00:54:34,359
Speaker 1: I love him. I like Jack too, I really really

1093
00:54:34,440 --> 00:54:36,040
Speaker 1: love him. I like people. I don't know why people

1094
00:54:36,080 --> 00:54:38,800
Speaker 1: think I don't like people. Sir, please no, I'm surprised

1095
00:54:38,880 --> 00:54:40,880
Speaker 1: you like me. I was like, oh wow, it to

1096
00:54:40,880 --> 00:54:43,200
Speaker 1: people you don't like it is not dropping. Stop making

1097
00:54:43,239 --> 00:54:45,840
Speaker 1: things up. You not like people. Your headline looks stupid

1098
00:54:45,840 --> 00:54:48,680
Speaker 1: on zoom too, look like the Late Front like but

1099
00:54:48,920 --> 00:54:50,920
Speaker 1: but it looked good at us on TV. It's my

1100
00:54:51,080 --> 00:54:54,160
Speaker 1: head actually looks it actually looks crispal on television. In person,

1101
00:54:54,239 --> 00:54:55,840
Speaker 1: it looks way stupider. It's like when you see a

1102
00:54:55,920 --> 00:55:02,399
Speaker 1: Late Front. Was it like Tory Lane stupider Year Orleans Daddy. Okay, yeah,

1103
00:55:03,360 --> 00:55:07,040
Speaker 1: look we're gonna move on. Be Hive attacks Stephanie Miles.

1104
00:55:07,239 --> 00:55:09,000
Speaker 1: I think we gotta go to you, gotta go to

1105
00:55:09,280 --> 00:55:14,480
Speaker 1: Oh my bad. If I could hear the big dang

1106
00:55:14,800 --> 00:55:19,080
Speaker 1: y'all sabotage. Never since that girl called up and was like, Josh,

1107
00:55:19,239 --> 00:55:22,400
Speaker 1: I don't know that's not true. What's y'all? Man, We're

1108
00:55:22,440 --> 00:55:24,359
Speaker 1: given a donkey to rough four after the hour. Man,

1109
00:55:24,480 --> 00:55:27,839
Speaker 1: let's talk big penises. Okay, as Carnival is happening all

1110
00:55:27,880 --> 00:55:29,760
Speaker 1: over the world, and we're gonna talk to you about

1111
00:55:29,800 --> 00:55:32,480
Speaker 1: why big penises might be ruining Carnival. Why you sit

1112
00:55:32,600 --> 00:55:34,359
Speaker 1: back like that? Just as soon as he said big people,

1113
00:55:34,480 --> 00:55:36,480
Speaker 1: I'm because I'm wondering how I ran out of the

1114
00:55:36,600 --> 00:55:39,880
Speaker 1: inn words. But but he we're talking be for preenness

1115
00:55:40,040 --> 00:55:44,920
Speaker 1: is a clinical term. Say big, like when a man

1116
00:55:45,080 --> 00:55:51,399
Speaker 1: was like, we got cocks in here. We interview cocks today. Man,

1117
00:55:54,080 --> 00:55:57,360
Speaker 1: Oh my god, we'll be back. We're talking and the donkey.

1118
00:55:57,400 --> 00:56:00,520
Speaker 1: It's the breakfast club. Come morning, the breakfast Club. Your

1119
00:56:00,600 --> 00:56:04,719
Speaker 1: mornings will never be the same. Your company has gold

1120
00:56:04,800 --> 00:56:07,160
Speaker 1: this year. Find the right people to help you achieved him.

1121
00:56:07,200 --> 00:56:09,400
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1122
00:56:09,400 --> 00:56:12,200
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1123
00:56:12,239 --> 00:56:15,200
Speaker 1: jip recruiter dot com. Slash breakfast at zip recruiter dot com.

1124
00:56:15,320 --> 00:56:17,800
Speaker 1: Slash breakfast. Don't be a dusting because right now you

1125
00:56:17,880 --> 00:56:22,399
Speaker 1: want some real It's time for donkey of the day.

1126
00:56:22,640 --> 00:56:24,000
Speaker 1: So if we ever feel I need to be a

1127
00:56:24,080 --> 00:56:29,160
Speaker 1: dok man with the hero. Did she get lease? I

1128
00:56:29,280 --> 00:56:33,160
Speaker 1: had become Donkey of the day the breakfast Club bitch,

1129
00:56:34,880 --> 00:56:37,759
Speaker 1: Yes Donkey Today for Thursday, February twenty third goes to

1130
00:56:37,880 --> 00:56:40,839
Speaker 1: a twenty year old man who was in Brazil at

1131
00:56:40,960 --> 00:56:46,200
Speaker 1: Carnival having big fun. Okay, show to everyone who has

1132
00:56:46,239 --> 00:56:48,200
Speaker 1: been having big fun at carnivals all around the world.

1133
00:56:48,280 --> 00:56:50,520
Speaker 1: Dropping a clus bombs for everybody at Carnival all around

1134
00:56:50,520 --> 00:56:53,320
Speaker 1: the world. I'm talking like I know what I'm speaking on,

1135
00:56:53,480 --> 00:56:56,280
Speaker 1: but I don't. I just saw Nicki Minaj and Trinidad

1136
00:56:56,320 --> 00:56:59,399
Speaker 1: for Carnival, and Ashanti I saw her on Instagram saying

1137
00:56:59,440 --> 00:57:01,320
Speaker 1: she was upset she was missing Carnival. And now I

1138
00:57:01,400 --> 00:57:04,560
Speaker 1: read this story about this young man this morning at Carnival.

1139
00:57:04,600 --> 00:57:07,280
Speaker 1: So I'm just assuming it's Carnival season. I'm just assuming

1140
00:57:07,320 --> 00:57:09,480
Speaker 1: that now Carnival looks like a lot of fun for

1141
00:57:09,560 --> 00:57:11,279
Speaker 1: those of you who like going out in public and

1142
00:57:11,360 --> 00:57:13,160
Speaker 1: having a lot of the public there, it's a very

1143
00:57:13,280 --> 00:57:15,840
Speaker 1: public thing. And one reason I try to avoid so

1144
00:57:16,040 --> 00:57:18,120
Speaker 1: much of the public is because it's hard to control

1145
00:57:18,240 --> 00:57:20,960
Speaker 1: that much crazy when it's that much public. Okay, the

1146
00:57:21,080 --> 00:57:24,760
Speaker 1: more public there is out, the more chances of you

1147
00:57:24,920 --> 00:57:28,920
Speaker 1: encountering crazy. And today's donkey is absolutely crazy. See this man,

1148
00:57:29,680 --> 00:57:32,280
Speaker 1: this twenty year old was arrested for harassing women. I

1149
00:57:32,320 --> 00:57:35,320
Speaker 1: would think women being harassed at carnivals are very common

1150
00:57:35,400 --> 00:57:37,560
Speaker 1: because the women be out there looking amazing, you know,

1151
00:57:37,680 --> 00:57:40,080
Speaker 1: dressing their carnival garb, which to me is usually a

1152
00:57:40,160 --> 00:57:41,920
Speaker 1: two piece swimsuit and a lot of feathers. And you

1153
00:57:42,000 --> 00:57:43,880
Speaker 1: have a lot of men who can't handle being around

1154
00:57:43,920 --> 00:57:45,600
Speaker 1: all that. Okay, they just grayed up perverts, all right,

1155
00:57:45,640 --> 00:57:48,040
Speaker 1: Shame on those types of dudes. But this man took

1156
00:57:48,080 --> 00:57:50,600
Speaker 1: harassment to a whole nother level. Okay, But I have

1157
00:57:50,680 --> 00:57:52,760
Speaker 1: to commit the police for being on top of the situation,

1158
00:57:52,840 --> 00:57:55,640
Speaker 1: because when a person looks suspicious are as acting as

1159
00:57:55,800 --> 00:57:58,760
Speaker 1: especially as this man was, he should be seized immediately.

1160
00:57:58,840 --> 00:58:01,439
Speaker 1: And I know, you can't look at a person and tell, hey,

1161
00:58:01,960 --> 00:58:04,560
Speaker 1: this person is gonna be someone who sexually harasses women.

1162
00:58:04,760 --> 00:58:07,160
Speaker 1: But this man wasn't hard to identify at all. See

1163
00:58:07,440 --> 00:58:10,600
Speaker 1: the reason this human is getting donkey in the days

1164
00:58:10,640 --> 00:58:14,600
Speaker 1: because he decided to go to carnival in Brazil dressed

1165
00:58:15,280 --> 00:58:18,760
Speaker 1: in a seven foot penis costume. Oh you want to

1166
00:58:18,800 --> 00:58:20,880
Speaker 1: see the pictures? Let show you the picture. Nope, don't

1167
00:58:20,880 --> 00:58:23,120
Speaker 1: want to see that picture. Look at the picturepe get

1168
00:58:23,160 --> 00:58:31,160
Speaker 1: a picture. Oh, I mean it's a black one. Thats

1169
00:58:31,200 --> 00:58:33,480
Speaker 1: me of this. This is a black penis. But it's

1170
00:58:33,520 --> 00:58:36,360
Speaker 1: this a black man. No, that's right. He's either white

1171
00:58:36,440 --> 00:58:38,560
Speaker 1: or Latino, he's some type of other. Listen. If you

1172
00:58:38,720 --> 00:58:42,800
Speaker 1: can't beat him, you join him. I'm not gonna happening that.

1173
00:58:43,000 --> 00:58:44,920
Speaker 1: I don't like that. I don't like this white or

1174
00:58:45,080 --> 00:58:49,040
Speaker 1: Latino or other deciding to dress in a shock size

1175
00:58:49,160 --> 00:58:54,240
Speaker 1: slong suit. Okay, a shock size his size? Ain't that size?

1176
00:58:54,280 --> 00:58:56,320
Speaker 1: He that size? Why would you say that? I mean

1177
00:58:56,560 --> 00:58:59,800
Speaker 1: shock sized. Ain't talking about his penis. I'm not talking

1178
00:58:59,800 --> 00:59:02,680
Speaker 1: about somebody. Okay, good, we got We're on a straight

1179
00:59:02,720 --> 00:59:12,480
Speaker 1: path today. That's nice with you, y'all. I mean I

1180
00:59:12,520 --> 00:59:22,560
Speaker 1: don't love him, but relationship boy like Listen. I don't

1181
00:59:22,560 --> 00:59:24,840
Speaker 1: know what makes one want to wake up and dresses

1182
00:59:24,880 --> 00:59:27,320
Speaker 1: Indiana bones. But we live in an error where people

1183
00:59:27,360 --> 00:59:29,360
Speaker 1: can wake up and identify with whatever they want to

1184
00:59:29,400 --> 00:59:31,479
Speaker 1: identify as. And this man dressed up as a seven

1185
00:59:31,520 --> 00:59:34,280
Speaker 1: foot skin flute to harass women at carnival. Let me

1186
00:59:34,320 --> 00:59:37,080
Speaker 1: tell you something. There's so much wrong with this number one.

1187
00:59:37,080 --> 00:59:40,360
Speaker 1: It's the harassment number two. Why you gotta be a

1188
00:59:40,440 --> 00:59:43,520
Speaker 1: colored chuck dickens. Okay, y'all be knowing what y'all doing

1189
00:59:43,560 --> 00:59:46,080
Speaker 1: when you decide to present as a black anything, because

1190
00:59:46,120 --> 00:59:48,960
Speaker 1: you know how people perceive black skin all around the world,

1191
00:59:49,200 --> 00:59:53,560
Speaker 1: even when it's black foreskin. Okay, Now you really gotta

1192
00:59:53,600 --> 00:59:55,520
Speaker 1: go see the pictures for yourself, because not only is

1193
00:59:55,520 --> 00:59:58,520
Speaker 1: he presenting as a seven foot meat puppet, this man,

1194
00:59:59,720 --> 01:00:02,640
Speaker 1: this man, this man dressed as a Wu tang wang

1195
01:00:02,680 --> 01:00:06,840
Speaker 1: got on flip flops. You can't see that lax on

1196
01:00:07,000 --> 01:00:10,280
Speaker 1: flip flops man, yo, right, a third leg with all

1197
01:00:10,320 --> 01:00:13,080
Speaker 1: these toes out. Yo, listen, I don't care what you say.

1198
01:00:13,160 --> 01:00:17,880
Speaker 1: They may hate us, but everybody loves the black. Yeah.

1199
01:00:17,920 --> 01:00:24,800
Speaker 1: I'm saying yes, wow wow on than ice. So yeah, well,

1200
01:00:24,880 --> 01:00:26,840
Speaker 1: bothers me. The most about this situation is this man

1201
01:00:26,960 --> 01:00:29,480
Speaker 1: really woke up and chose sexual violence. He literally woke

1202
01:00:29,560 --> 01:00:31,760
Speaker 1: up and said, I'm going to harass and chase women

1203
01:00:31,880 --> 01:00:34,200
Speaker 1: dressed as a seven foot dark dingle ling. Okay. I

1204
01:00:34,280 --> 01:00:37,840
Speaker 1: think the only suitable punishment is for him to be

1205
01:00:37,920 --> 01:00:41,160
Speaker 1: in prison in a cell one on one with the

1206
01:00:41,360 --> 01:00:44,320
Speaker 1: largest pianis in the penitentiary. I think he'd love that,

1207
01:00:44,760 --> 01:00:47,800
Speaker 1: you think, I think. I don't know. It wouldn't be prison,

1208
01:00:47,880 --> 01:00:49,360
Speaker 1: or it would be jail. You know. Go find the

1209
01:00:49,400 --> 01:00:52,400
Speaker 1: biggest Johnson in the joint. I'm talking. Go find someone

1210
01:00:52,480 --> 01:00:54,520
Speaker 1: who got something that's the size of those little women

1211
01:00:54,560 --> 01:00:57,120
Speaker 1: from Atlanta. Okay, and let that man get chased around

1212
01:00:57,160 --> 01:00:59,360
Speaker 1: a jail cell with it, all right, Peter, Missmni, find

1213
01:00:59,480 --> 01:01:01,280
Speaker 1: someone who got the p diddy her size and let

1214
01:01:01,400 --> 01:01:03,600
Speaker 1: him go to work. Okay, ain't no fun when the

1215
01:01:03,680 --> 01:01:06,760
Speaker 1: rabbit got the custod launches it. Now you about to

1216
01:01:06,800 --> 01:01:10,000
Speaker 1: meet a seven foot spank aaron batter up young man. Okay,

1217
01:01:10,080 --> 01:01:12,160
Speaker 1: that's twenty year old should have to experience the same

1218
01:01:12,240 --> 01:01:14,640
Speaker 1: trauma that all old women at Carnival had to experience.

1219
01:01:14,800 --> 01:01:16,720
Speaker 1: Because he wants to dress up like a seven foot

1220
01:01:16,920 --> 01:01:20,000
Speaker 1: we need to poop, all right, Please give this twenty

1221
01:01:20,080 --> 01:01:22,520
Speaker 1: year old from Rio de Jannaro the sweet times and

1222
01:01:22,560 --> 01:01:28,640
Speaker 1: the Hamletones. Oh no you are do gee, Oh the

1223
01:01:29,040 --> 01:01:39,720
Speaker 1: day we do gee, oh the day ye all right?

1224
01:01:40,960 --> 01:01:43,600
Speaker 1: Tell him just being chased and harassed is not fun. Yeah,

1225
01:01:45,920 --> 01:01:48,960
Speaker 1: all right, being chased harass is not fun. I mean

1226
01:01:49,920 --> 01:01:53,360
Speaker 1: being chased by a big black you know what I'm saying.

1227
01:01:59,760 --> 01:02:01,720
Speaker 1: Half usually act like this din't just happened to you.

1228
01:02:02,400 --> 01:02:05,680
Speaker 1: I'm just saying like, I'm just saying, those people want

1229
01:02:05,920 --> 01:02:08,000
Speaker 1: if you want somebody to do it, yeah, if you

1230
01:02:08,080 --> 01:02:11,480
Speaker 1: want somebody to cool cool. All right. Well, now, I

1231
01:02:11,480 --> 01:02:12,800
Speaker 1: don't think he woke up and was like, you know what,

1232
01:02:13,440 --> 01:02:16,040
Speaker 1: I'm gonna go and harass people with this. I think

1233
01:02:16,120 --> 01:02:18,560
Speaker 1: he's thinking like, they don't like what I got, so

1234
01:02:18,720 --> 01:02:21,160
Speaker 1: let me give them what I don't got, hoping and

1235
01:02:21,280 --> 01:02:27,120
Speaker 1: I can get something. You know what I'm saying, that's interesting, Okay,

1236
01:02:27,760 --> 01:02:31,120
Speaker 1: they ain't still like na. Thank you for that dunkey today, Charlemagne. Yes,

1237
01:02:31,640 --> 01:02:33,240
Speaker 1: Now when we come back, let's open up the phone

1238
01:02:33,240 --> 01:02:35,760
Speaker 1: lines eight hundred five eighty five, one oh five one. Now.

1239
01:02:35,880 --> 01:02:37,840
Speaker 1: Tyler Lepley was joining us this morning and he was

1240
01:02:37,880 --> 01:02:41,680
Speaker 1: talking about parenting, co parenting, is his baby mom and

1241
01:02:41,760 --> 01:02:44,240
Speaker 1: his new girlfriend and uh, some of the things that

1242
01:02:44,320 --> 01:02:46,680
Speaker 1: he had to deal with. We have audio. Miracle Wat's

1243
01:02:46,720 --> 01:02:49,320
Speaker 1: head said something about, you know, like she takes on

1244
01:02:49,400 --> 01:02:51,680
Speaker 1: your kids or some kids, like, how is that situation now?

1245
01:02:51,680 --> 01:02:53,160
Speaker 1: Because I know that April got mad at that she

1246
01:02:53,760 --> 01:02:56,200
Speaker 1: at that, how is that now? Though? Um? You know,

1247
01:02:56,360 --> 01:02:58,680
Speaker 1: it's it's it's a process. You know, it's like it's

1248
01:02:58,720 --> 01:03:00,680
Speaker 1: definitely better than it was. Yeah, you still got a

1249
01:03:00,680 --> 01:03:02,560
Speaker 1: little way to go. As much as I would not

1250
01:03:02,720 --> 01:03:04,280
Speaker 1: like it to be like that, you know, I can't

1251
01:03:04,360 --> 01:03:07,000
Speaker 1: rush anything because this is you know, again the problems

1252
01:03:07,000 --> 01:03:08,560
Speaker 1: of the man you're in. It just it kind of

1253
01:03:08,600 --> 01:03:10,360
Speaker 1: happens like this. The one thing I will say is

1254
01:03:10,400 --> 01:03:12,600
Speaker 1: that again, that's that's the mother two of my children.

1255
01:03:12,640 --> 01:03:14,120
Speaker 1: You know what, I'm trying to have nothing but love

1256
01:03:14,200 --> 01:03:16,080
Speaker 1: and respect for us. So you know, I give her

1257
01:03:16,160 --> 01:03:18,200
Speaker 1: grace and patience as she as she figures out what

1258
01:03:18,280 --> 01:03:19,920
Speaker 1: she got to feel herself through. You know what, I

1259
01:03:19,960 --> 01:03:23,680
Speaker 1: will want for somebody to treat my kid like that,

1260
01:03:24,000 --> 01:03:26,000
Speaker 1: like my kid is there, you know what I'm Yeah,

1261
01:03:26,640 --> 01:03:28,320
Speaker 1: all right, So let's open up the phone lines eight

1262
01:03:28,440 --> 01:03:30,680
Speaker 1: hundred five eight five, one oh five one. What are

1263
01:03:30,680 --> 01:03:32,360
Speaker 1: we asking? Do you treat your baby moms like your

1264
01:03:32,400 --> 01:03:33,800
Speaker 1: new girl or how do you treat your baby mom?

1265
01:03:34,120 --> 01:03:35,440
Speaker 1: I like what Jes said at the end, like, do

1266
01:03:35,520 --> 01:03:38,240
Speaker 1: you want, you know, your your new significant other to

1267
01:03:38,360 --> 01:03:41,760
Speaker 1: treat your kids like yeah, their own? Yeah, because I

1268
01:03:41,800 --> 01:03:44,040
Speaker 1: would it could be somebody who don't like your kids

1269
01:03:44,120 --> 01:03:46,480
Speaker 1: now you've gotta wonder like should I send him over there?

1270
01:03:46,520 --> 01:03:47,800
Speaker 1: And I gotta keep him from his dad? You know

1271
01:03:47,840 --> 01:03:49,760
Speaker 1: what I'm saying. So all right, but let's open up

1272
01:03:49,760 --> 01:03:51,720
Speaker 1: the phone line. We'll discuss when we come back. Don't move.

1273
01:03:51,760 --> 01:03:58,120
Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. It's

1274
01:03:58,240 --> 01:04:05,160
Speaker 1: topic time because the phone called eight hundred five eight

1275
01:04:05,240 --> 01:04:06,720
Speaker 1: five one oh five wanted to join it to the

1276
01:04:06,760 --> 01:04:10,560
Speaker 1: discussion with the Breakfast Club. Talk about it morning. Everybody

1277
01:04:10,720 --> 01:04:14,120
Speaker 1: is Djane Envy, Charlomge the guy. We are the Breakfast Club.

1278
01:04:14,160 --> 01:04:17,960
Speaker 1: We got our special guest hosts. We have Jess Hilarious here. Yes,

1279
01:04:18,080 --> 01:04:19,840
Speaker 1: we do all right now if you're just joining us,

1280
01:04:19,880 --> 01:04:22,880
Speaker 1: we're talking about Tyler Leppli. Tyler Lepili excuse me. He

1281
01:04:23,000 --> 01:04:24,840
Speaker 1: was here this morning and he was talking about his

1282
01:04:24,960 --> 01:04:27,480
Speaker 1: relationship with his baby moms and their kids and his

1283
01:04:27,600 --> 01:04:30,160
Speaker 1: new girl or his new fiance, I should say, and

1284
01:04:30,600 --> 01:04:33,400
Speaker 1: their kids. Let's listen to the audio. Miracle Watt's head

1285
01:04:33,760 --> 01:04:35,960
Speaker 1: said something about, you know, like she takes on your

1286
01:04:36,000 --> 01:04:38,160
Speaker 1: kids as her kids. He's like, how is that situation now?

1287
01:04:38,160 --> 01:04:39,640
Speaker 1: Because I know that April got mad at that she

1288
01:04:40,560 --> 01:04:43,280
Speaker 1: How is that now? Though? Um, you know it's it's

1289
01:04:43,360 --> 01:04:45,800
Speaker 1: it's a process. You know. It's like it's definitely better

1290
01:04:45,840 --> 01:04:47,680
Speaker 1: than it was. You still got a little way to go.

1291
01:04:47,880 --> 01:04:49,640
Speaker 1: As much as I would not like it to be

1292
01:04:49,840 --> 01:04:51,920
Speaker 1: like that, you know, I can't rush anything because this

1293
01:04:52,320 --> 01:04:53,880
Speaker 1: is you know, again the problems of the man in

1294
01:04:53,920 --> 01:04:55,600
Speaker 1: ire and it just it kind of happens like this.

1295
01:04:55,760 --> 01:04:57,760
Speaker 1: The one thing I will say is that again, that's

1296
01:04:57,840 --> 01:04:59,480
Speaker 1: that's some other to my children, you know what I'm

1297
01:04:59,480 --> 01:05:01,800
Speaker 1: trying to have, but love my respect for us, so

1298
01:05:01,960 --> 01:05:03,680
Speaker 1: you know, I give her grace and patience as she

1299
01:05:03,840 --> 01:05:05,920
Speaker 1: as she figures out what she gotta feel herself through.

1300
01:05:06,040 --> 01:05:08,800
Speaker 1: You know what I will want for somebody to treat

1301
01:05:09,040 --> 01:05:11,360
Speaker 1: my kid like that, like my kid is there, you

1302
01:05:11,400 --> 01:05:14,440
Speaker 1: know what I mean. Yeah, it's an interesting conversation, you

1303
01:05:14,480 --> 01:05:16,760
Speaker 1: know what I mean, because you know you gotta ask

1304
01:05:16,800 --> 01:05:18,439
Speaker 1: do you want someone to treat your kids like they're

1305
01:05:18,480 --> 01:05:20,800
Speaker 1: their own? But also something else he said in there,

1306
01:05:20,880 --> 01:05:23,520
Speaker 1: like do you treat your ex? You know, like you

1307
01:05:23,680 --> 01:05:26,280
Speaker 1: do your your new girl? Just to just to keep

1308
01:05:26,320 --> 01:05:28,880
Speaker 1: the peace. Now, Jess, you gotta this is this is

1309
01:05:28,920 --> 01:05:30,280
Speaker 1: your lane. You know what I mean because I listened

1310
01:05:30,280 --> 01:05:32,000
Speaker 1: to you know, of course you got carefully reckless on

1311
01:05:32,000 --> 01:05:35,200
Speaker 1: the black effect. But you have a carefully reckless discussions, yeah,

1312
01:05:35,320 --> 01:05:37,240
Speaker 1: with your family, and you do a lot of conversations

1313
01:05:37,280 --> 01:05:39,640
Speaker 1: with your baby daddy. So do you feel like you

1314
01:05:39,760 --> 01:05:44,240
Speaker 1: want his new girl to treat your son like, well, listen,

1315
01:05:44,760 --> 01:05:48,840
Speaker 1: all of my baby fathers baby mothers, because that's a

1316
01:05:48,880 --> 01:05:51,440
Speaker 1: lot if you will, Um, they all treat my son amazing.

1317
01:05:51,520 --> 01:05:54,280
Speaker 1: I treat all of his kids is amazing. Um every

1318
01:05:54,360 --> 01:05:56,080
Speaker 1: relationship he's been in, and it's been a lot of

1319
01:05:56,160 --> 01:05:59,480
Speaker 1: them after me, nobody has ever mistreated my son. I've

1320
01:05:59,520 --> 01:06:02,800
Speaker 1: never had an issue with any of Rome's girlfriends, a

1321
01:06:03,040 --> 01:06:05,760
Speaker 1: none of that like other baby mothers just one but

1322
01:06:06,400 --> 01:06:09,040
Speaker 1: but even but she's never treated my child crazy. That

1323
01:06:09,200 --> 01:06:11,560
Speaker 1: was just something you know that as mothers, as women

1324
01:06:11,680 --> 01:06:15,520
Speaker 1: or whatever. But nah, it's been So do you want

1325
01:06:15,760 --> 01:06:17,720
Speaker 1: them to take a mother type role or you just

1326
01:06:17,800 --> 01:06:19,560
Speaker 1: want them just to be cool? You don't gotta take

1327
01:06:19,600 --> 01:06:21,440
Speaker 1: a mother that's what they end up doing anyway, But

1328
01:06:21,800 --> 01:06:24,240
Speaker 1: you don't have to take that. You don't have to

1329
01:06:24,320 --> 01:06:26,200
Speaker 1: be over nurtured like you know what I'm saying, where

1330
01:06:26,200 --> 01:06:28,360
Speaker 1: it seems forcel if it's something that you just because

1331
01:06:28,960 --> 01:06:31,120
Speaker 1: he needed. My son's dad has been with a lot

1332
01:06:31,160 --> 01:06:32,920
Speaker 1: of girls who didn't have kids, so they didn't really

1333
01:06:32,960 --> 01:06:36,400
Speaker 1: even have experience and being around kids. But they tried that.

1334
01:06:36,480 --> 01:06:38,360
Speaker 1: It was just like, you don't really gotta try to

1335
01:06:38,440 --> 01:06:41,880
Speaker 1: be as mother, but you have to. You have to

1336
01:06:42,280 --> 01:06:44,480
Speaker 1: like my child. My child gotta like you too. Like.

1337
01:06:44,920 --> 01:06:46,600
Speaker 1: But let me ask you, Jesse, So yeah, you know

1338
01:06:46,640 --> 01:06:49,080
Speaker 1: when it's a younger child, they have to be motherly, right,

1339
01:06:49,680 --> 01:06:54,360
Speaker 1: But what is it like mom too? Is it liked?

1340
01:06:54,440 --> 01:06:57,800
Speaker 1: It never happened? And that never happened. He better not

1341
01:06:57,920 --> 01:07:04,240
Speaker 1: ever called nobody else? No mom, not not mom too? Okay, okay,

1342
01:07:07,240 --> 01:07:10,160
Speaker 1: I don't get mom two three whatever, no e is

1343
01:07:10,600 --> 01:07:12,960
Speaker 1: I'm the first and only mom. He can call them

1344
01:07:13,040 --> 01:07:14,840
Speaker 1: miss whatever because you gotta put a handle on it.

1345
01:07:14,920 --> 01:07:17,800
Speaker 1: I don't care how young the girl, whatever, it's gonna

1346
01:07:17,800 --> 01:07:20,520
Speaker 1: be miss whatever her name is. Now, what about you

1347
01:07:20,560 --> 01:07:23,840
Speaker 1: know Tyler bart his miracle or g wagon right? And

1348
01:07:23,960 --> 01:07:26,680
Speaker 1: I asked him, like, you know, just to keep the piece.

1349
01:07:26,720 --> 01:07:29,320
Speaker 1: Do you do stuff like that for your other baby moms?

1350
01:07:29,760 --> 01:07:32,360
Speaker 1: Is that expected? Man? Because you think about when people

1351
01:07:32,360 --> 01:07:34,880
Speaker 1: get divorced, you know, they got to make sure that

1352
01:07:34,960 --> 01:07:37,160
Speaker 1: they're they're exits set up the same way that set

1353
01:07:37,200 --> 01:07:39,120
Speaker 1: up I think they should. You know, I'm gonna tell

1354
01:07:39,160 --> 01:07:41,240
Speaker 1: you why. Because you don't want your one kid to

1355
01:07:41,320 --> 01:07:43,560
Speaker 1: be driving in the G sixty three g wagon and

1356
01:07:43,640 --> 01:07:45,360
Speaker 1: that's one hundred and eighty thousand dollars and the other

1357
01:07:45,480 --> 01:07:48,440
Speaker 1: kid to be driving in a Ford escort. What's wrong

1358
01:07:48,520 --> 01:07:52,440
Speaker 1: for Look? Yo, that's that's listen man. Why would you

1359
01:07:52,480 --> 01:07:55,440
Speaker 1: say that word up? What about nothing for escorts? Say

1360
01:07:55,440 --> 01:08:01,200
Speaker 1: a press okay, ye nah? Not not if my brother

1361
01:08:01,280 --> 01:08:03,240
Speaker 1: got a G sixty three, That's what I'm saying. I'm

1362
01:08:03,280 --> 01:08:06,600
Speaker 1: pulling up. Yeah, I'm pulling up in that you have.

1363
01:08:07,040 --> 01:08:08,280
Speaker 1: You're saying you have to do that. If you got

1364
01:08:08,360 --> 01:08:11,240
Speaker 1: if I gotta X and she got kids of mind,

1365
01:08:11,520 --> 01:08:12,840
Speaker 1: she got to be riding the same way in my

1366
01:08:12,920 --> 01:08:14,840
Speaker 1: new woman riding. I don't agree with that. I don't

1367
01:08:14,840 --> 01:08:17,639
Speaker 1: know what envy is saying over there, but I don't.

1368
01:08:18,280 --> 01:08:20,400
Speaker 1: I don't think that. I don't think that. I think

1369
01:08:20,840 --> 01:08:23,320
Speaker 1: whatever I do for my kids, all right, cool, I don't.

1370
01:08:23,360 --> 01:08:25,519
Speaker 1: I shouldn't have to be responsible for what you got

1371
01:08:25,640 --> 01:08:28,600
Speaker 1: going on after me. Like I'm in a new relationship.

1372
01:08:28,800 --> 01:08:32,200
Speaker 1: My responsibility is my kids and me protecting the kid's

1373
01:08:32,240 --> 01:08:34,000
Speaker 1: gonna still be in the Yeah, that's what I'm saying.

1374
01:08:34,000 --> 01:08:36,640
Speaker 1: The kids going your kids, as long as they not

1375
01:08:36,760 --> 01:08:39,679
Speaker 1: dropped in the back. It's about you in the back.

1376
01:08:39,760 --> 01:08:41,240
Speaker 1: So you good. You don't got no bills, You ain't

1377
01:08:41,240 --> 01:08:43,000
Speaker 1: got nothing to worry about. You still want four wheels. No,

1378
01:08:43,040 --> 01:08:45,800
Speaker 1: I'm not saying you gotta have another Mercedes, but give

1379
01:08:45,840 --> 01:08:47,640
Speaker 1: me something that the kids feel cold and they're not

1380
01:08:47,760 --> 01:08:51,040
Speaker 1: making fun of. Listen, we grew up different whatever. But

1381
01:08:51,760 --> 01:08:53,599
Speaker 1: he didn't buy the kids at GI Wagon. He bought

1382
01:08:53,720 --> 01:08:57,040
Speaker 1: Miracle or G Wagon. Yeah, the baby baby gonna be

1383
01:08:57,080 --> 01:09:00,360
Speaker 1: in the wagonbe don't know number. I no G wagons. True,

1384
01:09:00,520 --> 01:09:03,000
Speaker 1: it ain't that kids know it. Like your son is

1385
01:09:03,040 --> 01:09:04,760
Speaker 1: in fifth grade. He knows the difference between the G

1386
01:09:04,880 --> 01:09:07,400
Speaker 1: Wagon and the priest. I'm telling you my kids, and

1387
01:09:08,120 --> 01:09:10,240
Speaker 1: all right, y'all listen, I don't care I said what

1388
01:09:10,360 --> 01:09:13,320
Speaker 1: I say. That's say. All right, let's go to the phone. Jest.

1389
01:09:13,400 --> 01:09:15,960
Speaker 1: Son definitely know the different between the wagon. At the

1390
01:09:16,000 --> 01:09:18,760
Speaker 1: point I get that man three hundred dollars birthday, he

1391
01:09:18,760 --> 01:09:23,040
Speaker 1: didn't want that. I have a G Wagon and I

1392
01:09:23,240 --> 01:09:26,800
Speaker 1: also have I forgot the name of whatever my other

1393
01:09:26,840 --> 01:09:31,439
Speaker 1: bens is. I got both of them right, shugn up

1394
01:09:31,560 --> 01:09:35,200
Speaker 1: with my baby father. He got a nice little accorrom'

1395
01:09:35,920 --> 01:09:38,800
Speaker 1: showing my son the best of both words. You know

1396
01:09:38,800 --> 01:09:41,000
Speaker 1: what I'm saying, Tyler, little kids that they're gonna know

1397
01:09:41,040 --> 01:09:49,880
Speaker 1: the best of I say, he's so stupid. Hello this Hey,

1398
01:09:50,080 --> 01:09:56,080
Speaker 1: good morning. I love you too, baby. What's your thoughts? Mama?

1399
01:09:56,120 --> 01:10:00,800
Speaker 1: What do you think? I'm mother? So I feel I

1400
01:10:00,840 --> 01:10:04,120
Speaker 1: feel very important or whoever my daughter's father was to

1401
01:10:04,280 --> 01:10:06,320
Speaker 1: treat her exactly how I would treat her. You know,

1402
01:10:06,479 --> 01:10:08,479
Speaker 1: I want her to feel like she got two moms.

1403
01:10:08,840 --> 01:10:12,600
Speaker 1: You know it's important. However, that is not an experience.

1404
01:10:12,920 --> 01:10:16,760
Speaker 1: Is that's not your experience? No, the woman, it's just

1405
01:10:17,240 --> 01:10:22,519
Speaker 1: so jealous of my child. I don't understand it. She

1406
01:10:22,800 --> 01:10:25,519
Speaker 1: started dating my daughter's father when I was pregnant, and

1407
01:10:25,640 --> 01:10:28,400
Speaker 1: I came to her when the basis was born, like, girl,

1408
01:10:29,240 --> 01:10:31,719
Speaker 1: I'm my mother, you and her man, let's come together,

1409
01:10:31,840 --> 01:10:34,840
Speaker 1: bring it in like a fan. And it's definitely been

1410
01:10:34,880 --> 01:10:36,400
Speaker 1: in jos on that way. And my daughter is now

1411
01:10:36,479 --> 01:10:38,599
Speaker 1: seven and we're still build that. This is a good

1412
01:10:38,600 --> 01:10:40,880
Speaker 1: example of maybe you should treat both like the Maybe

1413
01:10:40,920 --> 01:10:42,760
Speaker 1: dad should probably treat both of them the same, like

1414
01:10:42,840 --> 01:10:47,600
Speaker 1: you buy one of three, and like he started to

1415
01:10:47,800 --> 01:10:50,080
Speaker 1: realize that, like, you have to be there for your

1416
01:10:50,160 --> 01:10:52,560
Speaker 1: gaming mother no matter what, because at the end of

1417
01:10:52,560 --> 01:10:58,080
Speaker 1: the baby have a comment everything you are still he

1418
01:10:58,160 --> 01:11:01,720
Speaker 1: had a new girlfriend that, Yeah, I don't know that's

1419
01:11:01,760 --> 01:11:03,720
Speaker 1: how things happened like that because my baby has been

1420
01:11:03,720 --> 01:11:06,240
Speaker 1: in that situation too, But it's different. It short, he

1421
01:11:06,280 --> 01:11:07,960
Speaker 1: felt the way because he was having a desk one

1422
01:11:08,040 --> 01:11:10,400
Speaker 1: heard though she she was having a baby. The baby

1423
01:11:10,479 --> 01:11:13,439
Speaker 1: wasn't even here yet and then, and so she probably

1424
01:11:13,479 --> 01:11:16,840
Speaker 1: felt the way because honestly, breaking news, we never heard

1425
01:11:17,760 --> 01:11:20,680
Speaker 1: she talking about. Yeah the girl you hung up on

1426
01:11:20,920 --> 01:11:24,920
Speaker 1: the um, Yeah, like it is. Yeah, that's different. The

1427
01:11:25,080 --> 01:11:27,439
Speaker 1: girl she met the guy and his baby mouble was

1428
01:11:27,479 --> 01:11:30,160
Speaker 1: still pregnant. Yeah, broke up while she was pregnant. So

1429
01:11:30,360 --> 01:11:33,240
Speaker 1: she probably still was like he could go back with

1430
01:11:33,320 --> 01:11:35,760
Speaker 1: her anytime. That baby is so fresh and so new. Yeah,

1431
01:11:35,920 --> 01:11:38,280
Speaker 1: you know, so that's different, all right. Eight hundred five

1432
01:11:38,360 --> 01:11:40,240
Speaker 1: eighty five one on five one. What are your thoughts

1433
01:11:40,280 --> 01:11:43,120
Speaker 1: if if you buy your baby but your new baby

1434
01:11:43,240 --> 01:11:46,240
Speaker 1: mom or your new fiance a g wagon Let's say,

1435
01:11:47,040 --> 01:11:48,679
Speaker 1: you know, is it you're right? You are you supposed

1436
01:11:48,680 --> 01:11:51,880
Speaker 1: to buy the old baby mom. Something comparable could be

1437
01:11:52,000 --> 01:11:55,800
Speaker 1: driving in a comparable type of lifestyle. Yes, and do

1438
01:11:55,920 --> 01:11:57,760
Speaker 1: you want someone to treat your kids like they're their

1439
01:11:57,800 --> 01:12:00,160
Speaker 1: own as well? All right, let's talk about it. It's

1440
01:12:00,160 --> 01:12:11,920
Speaker 1: the Breakfast Club the morning, call me the Breakfast Club

1441
01:12:12,520 --> 01:12:21,240
Speaker 1: one Morning. Everybody's DJ Envy Charlotte guy. We are the

1442
01:12:21,320 --> 01:12:25,040
Speaker 1: Breakfast Club. We have uh, what's wrong with you? Oh?

1443
01:12:25,120 --> 01:12:29,360
Speaker 1: I was singing justin Steffie, He's singing, Stephanie jes hilarious.

1444
01:12:29,400 --> 01:12:31,800
Speaker 1: Is Hew co hosts. We're asking eight hundred five a

1445
01:12:31,960 --> 01:12:34,479
Speaker 1: five one on five one. It's coming from our tyler

1446
01:12:34,600 --> 01:12:41,760
Speaker 1: to play what's his name all the time? Back? Want

1447
01:12:41,800 --> 01:12:44,839
Speaker 1: to fancy update? Name name be Johnson, Reginald val Johnson,

1448
01:12:46,040 --> 01:12:51,320
Speaker 1: Tyler play Tyler left leave us here earlier. This is

1449
01:12:51,360 --> 01:12:54,600
Speaker 1: what he said. Miracle Watt's head said something about, you know,

1450
01:12:54,720 --> 01:12:56,519
Speaker 1: like she takes on your kids and her kids, Like,

1451
01:12:56,840 --> 01:12:58,599
Speaker 1: how is that situation now? Because I know that April

1452
01:12:58,640 --> 01:13:01,840
Speaker 1: got mad at that mad? How is that now? Though? Um,

1453
01:13:02,160 --> 01:13:04,400
Speaker 1: you know it's it's it's a process. You know, it's

1454
01:13:04,439 --> 01:13:06,680
Speaker 1: like it's definitely better than it was. You still got

1455
01:13:06,720 --> 01:13:08,360
Speaker 1: a little way to go. As much as I would

1456
01:13:08,600 --> 01:13:10,120
Speaker 1: not like it to be like that, you know, I

1457
01:13:10,200 --> 01:13:12,720
Speaker 1: can't rush anything, because this is you know, again the

1458
01:13:12,760 --> 01:13:14,599
Speaker 1: problems of the man you're in. It just it kind

1459
01:13:14,640 --> 01:13:16,280
Speaker 1: of happens like this. The one thing I will say

1460
01:13:16,400 --> 01:13:18,679
Speaker 1: is that again, that's that's some other two of my children.

1461
01:13:18,760 --> 01:13:20,240
Speaker 1: You know what. I'm trying to have nothing but love

1462
01:13:20,320 --> 01:13:22,200
Speaker 1: and respect for us. So you know, I give her

1463
01:13:22,280 --> 01:13:24,280
Speaker 1: grace and patience as she as she figures out what

1464
01:13:24,360 --> 01:13:26,320
Speaker 1: she gotta feel herself through. You know what, I would

1465
01:13:26,360 --> 01:13:30,160
Speaker 1: want for somebody to treat my kid like that, like

1466
01:13:30,280 --> 01:13:32,080
Speaker 1: my kid is there, you know what I mean? Yeah,

1467
01:13:32,360 --> 01:13:34,800
Speaker 1: So we're asking eight hundred five ay five one oh

1468
01:13:34,880 --> 01:13:37,720
Speaker 1: five one. You know, if you buy your fiance something,

1469
01:13:37,760 --> 01:13:39,599
Speaker 1: are you supposed to take care of your baby mom's

1470
01:13:39,640 --> 01:13:42,200
Speaker 1: the same way? And also do you want your fiance

1471
01:13:42,320 --> 01:13:44,519
Speaker 1: that you know, look at you your other kids the

1472
01:13:44,560 --> 01:13:45,960
Speaker 1: same way as they look at your kids. That's the

1473
01:13:46,040 --> 01:13:50,760
Speaker 1: question we're asking, GRETTI, who's this? This is Shiquana Hey, Shiuana,

1474
01:13:51,040 --> 01:13:56,280
Speaker 1: Hey guys, good morning. Yes what right? I wouldn't have

1475
01:13:56,360 --> 01:14:09,800
Speaker 1: got so bad? But right it's kat Um. Honestly, I

1476
01:14:09,920 --> 01:14:12,439
Speaker 1: just want the way in and say, um, it depends

1477
01:14:12,479 --> 01:14:14,120
Speaker 1: on how long you've been up the first and because

1478
01:14:14,720 --> 01:14:17,000
Speaker 1: I have an ask, who would take our kids around

1479
01:14:17,040 --> 01:14:19,439
Speaker 1: his girlfriend he just met like a week ago, and

1480
01:14:19,720 --> 01:14:22,000
Speaker 1: I felt that's something you shouldn't do. But if you're

1481
01:14:22,160 --> 01:14:24,640
Speaker 1: serious with the firston and you know you're feel like

1482
01:14:24,680 --> 01:14:26,280
Speaker 1: you got a future with them, I mean, I see

1483
01:14:26,360 --> 01:14:29,080
Speaker 1: nothing wrong with it. But on a stand still, it

1484
01:14:29,240 --> 01:14:30,960
Speaker 1: is a lot of crazy people in the world, and

1485
01:14:31,040 --> 01:14:32,960
Speaker 1: you got to be cautious. A lot of people harming

1486
01:14:33,080 --> 01:14:36,360
Speaker 1: kids and doing put things to kids. So that's where

1487
01:14:36,400 --> 01:14:38,400
Speaker 1: I'm with it. Like it's, um, you think you're gonna

1488
01:14:38,400 --> 01:14:40,519
Speaker 1: be at the first a long term and you're dating

1489
01:14:40,600 --> 01:14:42,040
Speaker 1: for a minute and you get to know each other,

1490
01:14:42,080 --> 01:14:46,080
Speaker 1: you're talking about your kids, okay, but on your first date,

1491
01:14:46,120 --> 01:14:47,880
Speaker 1: you're not taking their kids to check the cheese to

1492
01:14:47,920 --> 01:14:51,120
Speaker 1: play together because y'all woke my kids. I agree, right,

1493
01:14:51,600 --> 01:14:54,519
Speaker 1: I agree. I agree. You can't to be bringing anybody

1494
01:14:54,560 --> 01:14:56,600
Speaker 1: around your Yeah, that's that's what she's saying. That's what

1495
01:14:56,640 --> 01:15:00,920
Speaker 1: she's saying. But I do believe. I do believe that. Um,

1496
01:15:01,360 --> 01:15:03,920
Speaker 1: if I got kids and you got kids, and we

1497
01:15:04,000 --> 01:15:05,680
Speaker 1: ain't got no babysitter, we want to see each other

1498
01:15:05,720 --> 01:15:13,120
Speaker 1: bad enough. Yeah, let's meet up at Hello. Who's this Hello? Hello? Hey?

1499
01:15:13,160 --> 01:15:17,120
Speaker 1: What's your name? Monica? Hey? Monica, Good morning, good morning.

1500
01:15:17,360 --> 01:15:21,479
Speaker 1: What's your thoughts, Mama? My sports. I do not date

1501
01:15:21,560 --> 01:15:25,479
Speaker 1: with me. I don't date kids from at. If I

1502
01:15:25,600 --> 01:15:27,759
Speaker 1: can't let my kids to go over to the other parents,

1503
01:15:27,840 --> 01:15:31,519
Speaker 1: I don't feel comfortable, Like, how am I gonna feel

1504
01:15:31,560 --> 01:15:34,200
Speaker 1: comfortable if my kid going to see his other parent

1505
01:15:34,280 --> 01:15:37,080
Speaker 1: if I don't like or get along with the other person? Now,

1506
01:15:37,360 --> 01:15:39,719
Speaker 1: is that better enough? But let me ask you this, Monica,

1507
01:15:39,920 --> 01:15:42,320
Speaker 1: is that because you better? Or is that because has

1508
01:15:42,320 --> 01:15:44,760
Speaker 1: he ever given you any type of like, Yo, I'm

1509
01:15:44,760 --> 01:15:46,599
Speaker 1: gonna I'm gonna put my son in jeopardy or put

1510
01:15:46,640 --> 01:15:48,920
Speaker 1: my kid in jevity like you see that you got

1511
01:15:49,000 --> 01:15:50,679
Speaker 1: to know the other parents too. Are they ever gonna

1512
01:15:50,760 --> 01:15:53,519
Speaker 1: bring somebody that you don't like around your kid that's

1513
01:15:53,520 --> 01:15:55,120
Speaker 1: gonna do something to your kid? Is that better? Or

1514
01:15:55,240 --> 01:15:57,679
Speaker 1: is that just how you feel that's better? I can't

1515
01:15:57,680 --> 01:16:01,080
Speaker 1: get stop as a mother. I'm gonna spink it for

1516
01:16:01,160 --> 01:16:03,439
Speaker 1: the mother to you. As a mother, you have to

1517
01:16:04,160 --> 01:16:07,360
Speaker 1: feel comfortable. If you're not comfortable with the man, she's

1518
01:16:07,400 --> 01:16:10,040
Speaker 1: gonna write me it's not ever gonna work. So I

1519
01:16:10,120 --> 01:16:12,000
Speaker 1: would think that maybe me and the girl would have

1520
01:16:12,120 --> 01:16:14,519
Speaker 1: to talk. I would be maturial for be like, let

1521
01:16:14,600 --> 01:16:16,920
Speaker 1: me talk to the girl, and that's I'm still on

1522
01:16:17,000 --> 01:16:19,800
Speaker 1: her and I like her. Good. Yeah, you can go

1523
01:16:20,000 --> 01:16:24,360
Speaker 1: for it. But listen, Jeff, yes must and I'm talking

1524
01:16:24,400 --> 01:16:27,760
Speaker 1: about it. You have to stay the permanent co host

1525
01:16:27,880 --> 01:16:31,600
Speaker 1: on the show. I've been crying all week. Yeah, this

1526
01:16:31,800 --> 01:16:34,120
Speaker 1: is the funniest the show ever been. In mind, like,

1527
01:16:34,600 --> 01:16:37,200
Speaker 1: tell the man is at his best with you. Thank

1528
01:16:37,280 --> 01:16:39,640
Speaker 1: you so much, girl. I I agree with everything you

1529
01:16:39,720 --> 01:16:45,280
Speaker 1: say because I had I had you, and I think

1530
01:16:45,280 --> 01:16:49,120
Speaker 1: I dressed the best way out of everybody. Thank you

1531
01:16:49,200 --> 01:16:50,880
Speaker 1: so much. Maybe I already told you she get the

1532
01:16:50,920 --> 01:16:52,680
Speaker 1: permanent role. I'll guarantee you she won't be coming here

1533
01:16:52,720 --> 01:16:55,040
Speaker 1: like she's hosting the award show every day. I guarantee

1534
01:16:55,040 --> 01:17:01,280
Speaker 1: you to be sweatsuits. Right. So what's the moral of

1535
01:17:01,360 --> 01:17:03,080
Speaker 1: the story. What is the moral of the story? Just

1536
01:17:03,200 --> 01:17:05,719
Speaker 1: because you mean cold parenting very well for a pretty

1537
01:17:05,760 --> 01:17:08,840
Speaker 1: long time now, oh man, the moral of the stories already.

1538
01:17:08,840 --> 01:17:11,040
Speaker 1: So look what wish she said, which is also a

1539
01:17:11,160 --> 01:17:15,439
Speaker 1: part of the moral you still cannot say because she said, uh,

1540
01:17:15,760 --> 01:17:18,320
Speaker 1: if you don't, if you don't trust the other parents

1541
01:17:18,360 --> 01:17:21,479
Speaker 1: to date somebody that you you can't. Really that's still

1542
01:17:21,520 --> 01:17:24,360
Speaker 1: in a sense controlling, Like you, you don't know who

1543
01:17:24,439 --> 01:17:26,400
Speaker 1: they're gonna date. They dated you, So if you're going

1544
01:17:26,479 --> 01:17:29,080
Speaker 1: off of that past, then you got to include yourself.

1545
01:17:29,160 --> 01:17:31,920
Speaker 1: Like you can't just say he and not. That's not demonica.

1546
01:17:32,360 --> 01:17:34,920
Speaker 1: But I'm just saying, like it's just period. You can't

1547
01:17:34,960 --> 01:17:37,479
Speaker 1: control who some of you. Who are you to say like, oh,

1548
01:17:37,800 --> 01:17:39,600
Speaker 1: I don't like the way he dates. I don't. You

1549
01:17:39,640 --> 01:17:41,200
Speaker 1: don't until you get to know somebody. But I like

1550
01:17:41,280 --> 01:17:43,240
Speaker 1: how she ended it. If we have a conversation. Look,

1551
01:17:43,240 --> 01:17:44,880
Speaker 1: you're gonna be around my child. This is who I am,

1552
01:17:44,960 --> 01:17:47,160
Speaker 1: this is you know whatever. So the moral, what the

1553
01:17:47,280 --> 01:17:51,000
Speaker 1: story is? You do not? I don't think you have to.

1554
01:17:51,120 --> 01:17:54,160
Speaker 1: You're not responsible for your actual responsible for your kids.

1555
01:17:54,560 --> 01:17:57,639
Speaker 1: I think that's what that is. No, that makes sense.

1556
01:17:57,680 --> 01:18:00,639
Speaker 1: You're not responsible for your act. You're responsible for your kids. Yeah,

1557
01:18:00,720 --> 01:18:02,880
Speaker 1: you're not. You're not responsible like my Like I said,

1558
01:18:03,000 --> 01:18:06,479
Speaker 1: my son's dad has five kids with five different women.

1559
01:18:07,400 --> 01:18:09,640
Speaker 1: As after he moved on, he take care of his

1560
01:18:10,040 --> 01:18:11,960
Speaker 1: bomb father, take care of his kids. I don't try

1561
01:18:12,000 --> 01:18:15,240
Speaker 1: to support no more for none of them, but no more. Yeah,

1562
01:18:15,600 --> 01:18:19,280
Speaker 1: but he is not responsible for their mothers, right, not

1563
01:18:19,479 --> 01:18:21,800
Speaker 1: in that nothing? Yeah, it's different than the marriage because

1564
01:18:21,840 --> 01:18:24,360
Speaker 1: the divorce you gotta settle that, you gotta you get this,

1565
01:18:24,520 --> 01:18:27,160
Speaker 1: I get this whatever. But like girlfriend, boyfriend, yo, if

1566
01:18:27,280 --> 01:18:29,879
Speaker 1: if it's not about my child, yo, I'm in my relationship.

1567
01:18:31,640 --> 01:18:34,160
Speaker 1: Let's say you move on. And now that one child

1568
01:18:34,560 --> 01:18:37,200
Speaker 1: lives a different life than those off those other four kids,

1569
01:18:37,600 --> 01:18:39,400
Speaker 1: how do you think the other four kids will feel like?

1570
01:18:39,439 --> 01:18:41,040
Speaker 1: You know what I mean? Like, yeah, that one kid

1571
01:18:41,160 --> 01:18:43,200
Speaker 1: he gets you know, he gets to to go to

1572
01:18:43,280 --> 01:18:45,160
Speaker 1: the football games, he gets to go to this because

1573
01:18:45,200 --> 01:18:47,479
Speaker 1: he's with the father old day long in the house.

1574
01:18:47,520 --> 01:18:49,360
Speaker 1: Don't you feel like all the kids should have that

1575
01:18:49,520 --> 01:18:52,559
Speaker 1: same love and that same feeling. But that's what I'm saying.

1576
01:18:52,680 --> 01:18:54,240
Speaker 1: What the ex gotta do with that. I'm gonna go

1577
01:18:54,320 --> 01:18:56,519
Speaker 1: pick my kid up and we're gonna I'm gonna take

1578
01:18:56,560 --> 01:18:59,479
Speaker 1: you with the rest of my kids for daddy, it ain't.

1579
01:18:59,479 --> 01:19:01,160
Speaker 1: I'm gonna pick you and the baby mother up and

1580
01:19:01,280 --> 01:19:03,439
Speaker 1: y'all and no, I'm picking my all. I'm gonna get

1581
01:19:03,439 --> 01:19:05,920
Speaker 1: all my kids together, just like Rome do it, Just

1582
01:19:06,040 --> 01:19:08,200
Speaker 1: like my son's dad does it. He don't do nothing

1583
01:19:08,240 --> 01:19:09,560
Speaker 1: with all his other kids. Or if he got his

1584
01:19:09,680 --> 01:19:12,640
Speaker 1: girls his girls day and the boys boys day. Then

1585
01:19:12,720 --> 01:19:14,080
Speaker 1: he got days where he get all of them, so

1586
01:19:14,360 --> 01:19:16,320
Speaker 1: he does. I don't know how Nick can do it,

1587
01:19:16,400 --> 01:19:19,080
Speaker 1: but my baby father thought it. Basically what Jesse saying.

1588
01:19:19,080 --> 01:19:21,200
Speaker 1: She only buying McDonald's for her son. She ain't buying me.

1589
01:19:21,280 --> 01:19:26,519
Speaker 1: Do the kids snack show time. We got rumors on

1590
01:19:26,600 --> 01:19:28,240
Speaker 1: the way where we talk about Jess. Let's get into

1591
01:19:28,280 --> 01:19:31,400
Speaker 1: the rumors right now. We're talking Stephanie Mills. It's just

1592
01:19:34,280 --> 01:19:42,120
Speaker 1: but yeah. This on the breakfast Club. Honey, get a

1593
01:19:42,360 --> 01:19:50,759
Speaker 1: f Jess, Hello, Jess, Jess, Hi, heyse I, Hey, y'all, listen,

1594
01:19:51,120 --> 01:19:53,320
Speaker 1: I can't hear turn your head pulls up. Look at

1595
01:19:53,360 --> 01:19:57,400
Speaker 1: the volume button right there, d yo, rad look back up, y'all.

1596
01:19:57,400 --> 01:19:59,960
Speaker 1: Get away from you. She calls him over and tells

1597
01:20:00,080 --> 01:20:05,040
Speaker 1: the bat turned up. I'm turning god Man, all right, sick, y'all. Look.

1598
01:20:06,600 --> 01:20:10,920
Speaker 1: Quevo dropped his new song Greatness, where he's singing. Quevo

1599
01:20:11,040 --> 01:20:13,800
Speaker 1: dropped his new song Greatness, where he seemingly addresses the

1600
01:20:13,920 --> 01:20:16,519
Speaker 1: future of the Megos. He released a clip to his

1601
01:20:16,640 --> 01:20:19,920
Speaker 1: new song Okay, well we will we ever get used

1602
01:20:19,960 --> 01:20:22,840
Speaker 1: to hearing any of the Megos by themselves? No, and

1603
01:20:23,080 --> 01:20:25,360
Speaker 1: and because you're not the Megos, which just with just

1604
01:20:25,479 --> 01:20:28,720
Speaker 1: two man, you're not that's not fitting him as artists though, right,

1605
01:20:28,720 --> 01:20:30,639
Speaker 1: because even with that record by Quavo, when I hit,

1606
01:20:30,720 --> 01:20:32,920
Speaker 1: I like, I like the record. But people will be like, nah,

1607
01:20:33,000 --> 01:20:38,240
Speaker 1: he need take Off, you know. Yeah, but that's any group.

1608
01:20:38,280 --> 01:20:39,640
Speaker 1: That's what they said, if you want to go back

1609
01:20:39,680 --> 01:20:41,800
Speaker 1: and run DMC, That's what they said about Outcasts, That's

1610
01:20:41,800 --> 01:20:43,400
Speaker 1: what they said about mor Deep And now they say

1611
01:20:43,439 --> 01:20:45,519
Speaker 1: what the Megos people are just used to it. They

1612
01:20:45,720 --> 01:20:49,920
Speaker 1: used to it. But it's like, I think how they

1613
01:20:50,880 --> 01:20:54,160
Speaker 1: not even how they ended. But with Takeoff like dying,

1614
01:20:54,240 --> 01:20:57,519
Speaker 1: it's like Yo's it will not ever even be the same.

1615
01:20:57,880 --> 01:20:59,400
Speaker 1: It would never be the same because to be honest,

1616
01:20:59,640 --> 01:21:01,479
Speaker 1: I this is just my opinion, he was the one

1617
01:21:02,040 --> 01:21:05,240
Speaker 1: holding them musically. Oh he was the best take Off

1618
01:21:05,400 --> 01:21:07,280
Speaker 1: is the best lyrically in the know, and he was

1619
01:21:07,320 --> 01:21:08,800
Speaker 1: the one that played the back the most. But he

1620
01:21:08,920 --> 01:21:12,160
Speaker 1: was definitely the most involved musically. You know what I'm

1621
01:21:12,160 --> 01:21:14,360
Speaker 1: saying that Qui said something like that in that song

1622
01:21:14,439 --> 01:21:16,280
Speaker 1: about you know being that takes gone. They will never

1623
01:21:16,360 --> 01:21:19,280
Speaker 1: be as far as a group again, right and and

1624
01:21:19,640 --> 01:21:21,599
Speaker 1: and there will be fans that's like, oh I need

1625
01:21:21,680 --> 01:21:23,320
Speaker 1: we we we needed music. We needed to just get

1626
01:21:23,360 --> 01:21:24,800
Speaker 1: back together, get back. I don't think they need to

1627
01:21:24,840 --> 01:21:28,240
Speaker 1: get back together. I think we just want to and

1628
01:21:28,439 --> 01:21:33,000
Speaker 1: need to see them be okay again together. I would

1629
01:21:33,000 --> 01:21:34,720
Speaker 1: love to see them. I know right now that they're

1630
01:21:34,720 --> 01:21:36,880
Speaker 1: both probably in a personal spot where they feel the

1631
01:21:36,880 --> 01:21:38,479
Speaker 1: emotions are running. But I would love to see them

1632
01:21:38,520 --> 01:21:40,400
Speaker 1: back together doing some music. And maybe you're a damn

1633
01:21:40,479 --> 01:21:44,679
Speaker 1: lie about that. Outcast like we'd love to get outcasts together,

1634
01:21:44,800 --> 01:21:46,800
Speaker 1: but I can. I can definitely take me some big

1635
01:21:46,880 --> 01:21:48,800
Speaker 1: boy by himself, and I can definitely take me some

1636
01:21:49,600 --> 01:21:55,679
Speaker 1: by himself outcast together. This is not I can definitely

1637
01:21:55,800 --> 01:22:02,360
Speaker 1: take big boys talking about yeah, God like why you

1638
01:22:02,400 --> 01:22:04,720
Speaker 1: gotta definitely take a big boy, like why are you?

1639
01:22:05,880 --> 01:22:11,880
Speaker 1: This is crazy? All right? Three thousand of them you want? Yeah,

1640
01:22:11,960 --> 01:22:15,240
Speaker 1: I could definitely take three three thousand andres y'all come away.

1641
01:22:15,640 --> 01:22:21,880
Speaker 1: It's ridiculous, Jesus. Let's get into your crush though, be

1642
01:22:22,080 --> 01:22:25,320
Speaker 1: have attacks Stephanie Mills after the claiming Diana Ross and

1643
01:22:25,400 --> 01:22:29,040
Speaker 1: Beyonce can't be compared because Diana is classy and b

1644
01:22:29,280 --> 01:22:31,719
Speaker 1: is hip hop. She spoke about this in a recent

1645
01:22:31,840 --> 01:22:34,639
Speaker 1: interview with lad What Stephanie Mills doing over there with black.

1646
01:22:35,560 --> 01:22:37,320
Speaker 1: I mean, I know that I didn't bought the story,

1647
01:22:37,360 --> 01:22:39,200
Speaker 1: but I want to know how you get Stephanie Mills

1648
01:22:39,240 --> 01:22:41,479
Speaker 1: and then lad Blad got some glad as Smokey Robbins

1649
01:22:41,520 --> 01:22:45,320
Speaker 1: in too, what yeah smoking? Don't you talking about that one?

1650
01:22:45,680 --> 01:22:53,599
Speaker 1: What you mean, d H Smokey Robinson rap song? Oh yeah,

1651
01:22:53,800 --> 01:22:55,920
Speaker 1: out of all Smokey Robbinson records, that's the one you

1652
01:22:56,000 --> 01:22:59,880
Speaker 1: picked somebody doing that crime? What's the one that time

1653
01:23:03,680 --> 01:23:05,680
Speaker 1: got a hold on me? Not just to see her?

1654
01:23:05,720 --> 01:23:08,640
Speaker 1: You pick up that rap man, that rap that was

1655
01:23:08,760 --> 01:23:11,880
Speaker 1: that was cool. A look, I don't want no smoke

1656
01:23:11,920 --> 01:23:13,639
Speaker 1: with to be half. So I'm not even gonna try

1657
01:23:13,800 --> 01:23:17,759
Speaker 1: to paraphrase, but we have audios. Let Stephanie Mill speak

1658
01:23:17,800 --> 01:23:21,120
Speaker 1: for ourself. I don't think you can compare Beyonce to

1659
01:23:21,880 --> 01:23:27,920
Speaker 1: Diana Loss, I mean starm in terms of stardom. It's

1660
01:23:27,960 --> 01:23:32,160
Speaker 1: still different. It's still I mean, Diana is is glamor,

1661
01:23:32,400 --> 01:23:36,840
Speaker 1: and you know Beyonce is glamor. It's just different. It's

1662
01:23:36,960 --> 01:23:42,040
Speaker 1: hip hop. I consider Beyonce hip hop. I consider Diana

1663
01:23:42,880 --> 01:23:45,960
Speaker 1: R and B and pop and and just I consider

1664
01:23:46,000 --> 01:23:50,160
Speaker 1: her royalty. Diana. I've always wanted to be like Diana

1665
01:23:50,200 --> 01:23:52,840
Speaker 1: and when I saw ladies things of Blues and I

1666
01:23:52,880 --> 01:23:55,240
Speaker 1: would go to her shows in Vegas, they were always

1667
01:23:55,320 --> 01:24:00,120
Speaker 1: so wonderful and and and classy and everything. Diana the

1668
01:24:00,160 --> 01:24:03,160
Speaker 1: Wats has depited me of a beauty and class To me,

1669
01:24:03,600 --> 01:24:06,000
Speaker 1: I think Stephanie Mills is bugging. First of all, watch

1670
01:24:06,040 --> 01:24:11,400
Speaker 1: your mouth, your headline off. Watch While Beyonce is not

1671
01:24:11,520 --> 01:24:16,559
Speaker 1: just hip hop Beyonce, Beyonce is R and being Beyonce. Yes,

1672
01:24:16,720 --> 01:24:19,599
Speaker 1: she is classy as well as elegant, as well as

1673
01:24:19,800 --> 01:24:21,640
Speaker 1: hip hop as well as our culture. You know, I

1674
01:24:21,720 --> 01:24:24,439
Speaker 1: love Steph females, but nah, I think she's seen it

1675
01:24:24,520 --> 01:24:26,479
Speaker 1: from a different lens. What I would say is I

1676
01:24:26,600 --> 01:24:33,160
Speaker 1: love me from Stephanie Mills, and I need more context context. Okay,

1677
01:24:33,800 --> 01:24:37,559
Speaker 1: I agree, Beyonce's absolutely not hip hop though. No, she's

1678
01:24:37,680 --> 01:24:39,599
Speaker 1: arms she's everything. She's arm be she's hip hop, she's

1679
01:24:39,600 --> 01:24:43,080
Speaker 1: class she's everything. But I say that she's not classy

1680
01:24:43,160 --> 01:24:46,040
Speaker 1: and all that now, But you didn't hear her say that.

1681
01:24:46,200 --> 01:24:49,680
Speaker 1: You heard her say Diana's glamorous and Beyonce is glamorous too,

1682
01:24:49,680 --> 01:24:52,120
Speaker 1: and then she stopped herself because listen, that's her time,

1683
01:24:52,200 --> 01:24:54,160
Speaker 1: that was her r of course, she's not gonna go

1684
01:24:54,240 --> 01:24:58,120
Speaker 1: to the Renaissance uh Renaissance, the Renaissance tour and be

1685
01:24:58,200 --> 01:24:59,960
Speaker 1: like I want to be like her? Nah hard time.

1686
01:25:00,000 --> 01:25:01,880
Speaker 1: I'm is already like passed as far as wanting to

1687
01:25:01,960 --> 01:25:04,960
Speaker 1: be damn no, oh no, that's not what I'm saying. No,

1688
01:25:06,800 --> 01:25:09,320
Speaker 1: because she's an old Yes, I'm not gonna look at

1689
01:25:09,360 --> 01:25:10,840
Speaker 1: a young person and be like I want to be

1690
01:25:10,960 --> 01:25:13,479
Speaker 1: like that. Her icon was Diana. It's her time. That's

1691
01:25:13,479 --> 01:25:17,760
Speaker 1: what she looked up to. And I agree with everything

1692
01:25:18,200 --> 01:25:23,639
Speaker 1: that she said is just that. Shoot, she never said

1693
01:25:24,080 --> 01:25:27,240
Speaker 1: be is No, she never said b is not classy.

1694
01:25:27,320 --> 01:25:29,439
Speaker 1: She just said Diana is classy and bas hip hop.

1695
01:25:29,600 --> 01:25:31,080
Speaker 1: She could have went on, went on and on and

1696
01:25:31,160 --> 01:25:32,680
Speaker 1: on with the list would be on. When you say

1697
01:25:32,720 --> 01:25:35,439
Speaker 1: somebody's classes and somebody's hip hop, that's basically saying they're

1698
01:25:35,439 --> 01:25:38,880
Speaker 1: not classy. Why not that that's not hipopped on me?

1699
01:25:38,920 --> 01:25:40,360
Speaker 1: And you're not classy, like I said. That's why I

1700
01:25:40,400 --> 01:25:42,360
Speaker 1: need more context. Ya want me? You'll want me to

1701
01:25:42,400 --> 01:25:45,240
Speaker 1: call the OG up here? Y'all want want? Yes? Yes? Yeah?

1702
01:25:45,280 --> 01:25:48,560
Speaker 1: But I would you gonna ask her about this? If

1703
01:25:48,600 --> 01:25:51,240
Speaker 1: I don't, you can I am I'm asked all right,

1704
01:25:51,680 --> 01:25:55,760
Speaker 1: stephanitelyn't be hit Hi Mark Okay said all right that

1705
01:25:56,360 --> 01:25:58,680
Speaker 1: that was just with the mess and you see what

1706
01:25:58,720 --> 01:26:02,439
Speaker 1: Stephanie doing up here tomorrow? Oh my god? All right,

1707
01:26:02,479 --> 01:26:04,120
Speaker 1: Well up next to the People's Choice Mix, let's go,

1708
01:26:04,120 --> 01:26:06,160
Speaker 1: it's the Breakfast Club of the Morning Horning. Everybody is

1709
01:26:06,240 --> 01:26:09,920
Speaker 1: dj n V Charlemagne the guy. We are the Breakfast Club.

1710
01:26:10,520 --> 01:26:12,840
Speaker 1: Now it's Black History Month. We got our co host

1711
01:26:12,880 --> 01:26:15,160
Speaker 1: Jess Hilarious here what we do with Charlemagne Man. You know,

1712
01:26:15,280 --> 01:26:17,439
Speaker 1: every day during Black History Month, the Black Affect I

1713
01:26:17,520 --> 01:26:20,080
Speaker 1: Heeart Radio podcast Network, we put out a podcast called

1714
01:26:20,120 --> 01:26:22,519
Speaker 1: I Didn't Know Maybe you didn't either, hosted by my

1715
01:26:22,640 --> 01:26:25,920
Speaker 1: guy b Dot, And today b Dot is gonna tell

1716
01:26:26,000 --> 01:26:29,200
Speaker 1: you about sundowntowns Oh, do you know what the sundowntown is?

1717
01:26:29,439 --> 01:26:36,880
Speaker 1: Find out right now? I didn't know? All right. First,

1718
01:26:36,880 --> 01:26:39,320
Speaker 1: you need to know what a sundowntown or a sunset

1719
01:26:39,479 --> 01:26:42,600
Speaker 1: town was, and that was a town, city, or neighborhood

1720
01:26:42,640 --> 01:26:45,679
Speaker 1: in the United States that excluded all black folk after

1721
01:26:45,840 --> 01:26:48,719
Speaker 1: dark and the time sundown came from the signs. They'll

1722
01:26:48,720 --> 01:26:51,439
Speaker 1: be posted all around telling people of color they had

1723
01:26:51,479 --> 01:26:54,080
Speaker 1: to leave the town by sundown, they said many times,

1724
01:26:54,120 --> 01:26:56,599
Speaker 1: the signs were placed at the town's borders, and they

1725
01:26:56,640 --> 01:27:00,519
Speaker 1: would say something like, Negro, don't let the sun unset

1726
01:27:00,760 --> 01:27:05,720
Speaker 1: on you here. And the exclusion was official town policy,

1727
01:27:05,960 --> 01:27:08,719
Speaker 1: and it was in place through restrictive covenants today, agreed

1728
01:27:08,800 --> 01:27:12,080
Speaker 1: on with the real estate agents in the community. Of course,

1729
01:27:12,120 --> 01:27:15,559
Speaker 1: many times the policy was enforced through intimidation. Intimidation could

1730
01:27:15,560 --> 01:27:17,559
Speaker 1: be a different number of ways, though, I mean your

1731
01:27:17,600 --> 01:27:21,040
Speaker 1: typical harassment by law enforcement or neighbors. A lot of

1732
01:27:21,120 --> 01:27:25,120
Speaker 1: times black folks just got lynched. Victor Green here's from Harlem,

1733
01:27:25,439 --> 01:27:29,400
Speaker 1: and he wrote the Negro Motorist Green Book. You should

1734
01:27:29,439 --> 01:27:31,679
Speaker 1: look that up. It was a book that details safe

1735
01:27:31,720 --> 01:27:35,560
Speaker 1: places for black travelers to rest and eat without the

1736
01:27:35,640 --> 01:27:38,559
Speaker 1: fear of being harassed or threatened or even killed by

1737
01:27:38,640 --> 01:27:41,280
Speaker 1: white folk. I also check out the nineteen sixty eight

1738
01:27:41,439 --> 01:27:44,680
Speaker 1: Fair Housing Act. See that's pretty much what made sundowntown's

1739
01:27:44,720 --> 01:27:48,479
Speaker 1: illegal on paper. That is, do some all work. Find

1740
01:27:48,520 --> 01:27:51,840
Speaker 1: out if where you live now was once a sundowntown

1741
01:27:52,120 --> 01:27:56,840
Speaker 1: And contrary to popular belief, sundowntowns were prevalent in the north,

1742
01:27:57,479 --> 01:28:01,760
Speaker 1: not the sauce. And I didn't know maybe you didn't either,

1743
01:28:05,240 --> 01:28:07,360
Speaker 1: Actually 'rew up in the sun. Downtown Mom's corner. South

1744
01:28:07,400 --> 01:28:11,800
Speaker 1: Carolina is a sun downtown. You grew up in the sundowntown.

1745
01:28:11,960 --> 01:28:14,760
Speaker 1: You in Baltimore, you might have Bottomore No, probably not,

1746
01:28:14,920 --> 01:28:17,920
Speaker 1: that was a sundowntown. Listen to what I just said. No,

1747
01:28:18,240 --> 01:28:20,040
Speaker 1: it's a town that when that sun go down, black

1748
01:28:20,080 --> 01:28:25,280
Speaker 1: people that have their ass home. Yeah, that's definitely outside.

1749
01:28:25,439 --> 01:28:31,200
Speaker 1: That's what that. Baltimore, Chicago, Detroit, Atlanta. I don't know

1750
01:28:31,240 --> 01:28:34,519
Speaker 1: about Atlanta. What that sun up and sundowntown. It don't matter.

1751
01:28:34,640 --> 01:28:37,120
Speaker 1: They rubbed you. They rubbed me at the gas station

1752
01:28:37,240 --> 01:28:40,679
Speaker 1: seven o'clock in the morning. The sun at don't care. Yeah,

1753
01:28:40,680 --> 01:28:43,960
Speaker 1: all right, yes, all right, don't make subot you subscribe

1754
01:28:44,200 --> 01:28:45,800
Speaker 1: to the I didn't know. Maybe you didn't need a

1755
01:28:45,880 --> 01:28:48,599
Speaker 1: podcast on the Black Affect Guy Heart Radio podcast network,

1756
01:28:48,600 --> 01:28:51,320
Speaker 1: available everywhere you listen to podcasts. Also, make sure that

1757
01:28:51,439 --> 01:28:57,000
Speaker 1: you subscribed to Carefully Reckless that drops every Wednesday, every Wednesday.

1758
01:28:57,320 --> 01:28:59,519
Speaker 1: Jest Laris, make sure you get that. That's right, that's

1759
01:28:59,560 --> 01:29:02,680
Speaker 1: also on Black Effect I Heart Radio podcast Network. All right,

1760
01:29:02,720 --> 01:29:04,280
Speaker 1: when we come back, we got the positive notice to

1761
01:29:04,320 --> 01:29:08,519
Speaker 1: Breakfast Club, Good morning Borning. Everybody's DJ MV. Charlomagne the guy.

1762
01:29:08,600 --> 01:29:10,479
Speaker 1: We are the Breakfast Club. We got our co host

1763
01:29:10,560 --> 01:29:13,760
Speaker 1: Jess hilarious. Now you got your party this Sunday? Or

1764
01:29:13,880 --> 01:29:15,759
Speaker 1: j yes, I do. I got my party this Sunday.

1765
01:29:16,000 --> 01:29:18,920
Speaker 1: I am, I am, I got it and listen because

1766
01:29:19,040 --> 01:29:22,000
Speaker 1: I've been on Breakfast Club and I keep talking about it.

1767
01:29:22,840 --> 01:29:25,240
Speaker 1: I sold a bunch of tickets. It's it's three left,

1768
01:29:25,280 --> 01:29:26,840
Speaker 1: I heard, and I wanted to know if if y'all

1769
01:29:26,920 --> 01:29:29,599
Speaker 1: was gonna bomb. It's three left. It's only three left.

1770
01:29:29,640 --> 01:29:32,080
Speaker 1: It's only three tickets leup. I was like, wow, So

1771
01:29:32,320 --> 01:29:35,040
Speaker 1: now I was going to give them to other people

1772
01:29:35,120 --> 01:29:38,280
Speaker 1: in the city who are very honestly, I was gonna

1773
01:29:38,320 --> 01:29:42,639
Speaker 1: give them to Willow and Gillian. I want to give

1774
01:29:42,680 --> 01:29:45,040
Speaker 1: them to you and DJ Envy, will and Guilly coming

1775
01:29:45,080 --> 01:29:50,439
Speaker 1: to Yeah, they're gonna slide through. Okay, okay, okay, So

1776
01:29:50,560 --> 01:29:52,800
Speaker 1: what's up? What's I mean? We might pull up? I

1777
01:29:52,840 --> 01:29:54,519
Speaker 1: don't know yet, jes, why are you doing this to me?

1778
01:29:54,640 --> 01:29:57,840
Speaker 1: Tervy Line Envy lied, but he lied the good way.

1779
01:29:57,880 --> 01:29:59,280
Speaker 1: He knew he was gonna be it. He was like, no,

1780
01:29:59,360 --> 01:30:01,559
Speaker 1: I got you. I don't lie. I'm really thinking about coming.

1781
01:30:02,040 --> 01:30:04,599
Speaker 1: I'm not driving down there, you liar. Why would I drive?

1782
01:30:04,880 --> 01:30:07,680
Speaker 1: I fly? But I'm just saying I might wake up

1783
01:30:07,720 --> 01:30:09,360
Speaker 1: on Sunday and I don't know how it might be feeling.

1784
01:30:09,400 --> 01:30:10,960
Speaker 1: So I don't want to make any promises because I

1785
01:30:11,000 --> 01:30:12,639
Speaker 1: do that. I will do that just I'll say I'm

1786
01:30:12,680 --> 01:30:14,320
Speaker 1: coming and then day of I'll be like, na, I

1787
01:30:14,320 --> 01:30:16,800
Speaker 1: ain't coming in too. I don't want to lie to you,

1788
01:30:16,920 --> 01:30:19,240
Speaker 1: you know what I mean? Yeah? When do you? Who?

1789
01:30:19,280 --> 01:30:21,400
Speaker 1: Do you usually do that too? When you say nah,

1790
01:30:21,560 --> 01:30:25,000
Speaker 1: I ain't coming down. Everybody? Am I lying? Many too?

1791
01:30:25,520 --> 01:30:28,200
Speaker 1: Lying body? So you will look at him man and

1792
01:30:28,280 --> 01:30:29,719
Speaker 1: be like, yo, I wanted to come, but I ain't

1793
01:30:29,720 --> 01:30:36,000
Speaker 1: coming to Why? Why you got shows this weekend? And

1794
01:30:36,080 --> 01:30:37,800
Speaker 1: Rocky I got shows this weekend? And Ridley? You know

1795
01:30:37,800 --> 01:30:40,120
Speaker 1: if Carolina, get your tickets on jess Hilarious social dot com.

1796
01:30:40,240 --> 01:30:43,160
Speaker 1: We got two shows every day Friday and Saturday at

1797
01:30:43,160 --> 01:30:46,160
Speaker 1: good Night's Comedy Club. Alright, and make sure you subscribe

1798
01:30:46,200 --> 01:30:49,080
Speaker 1: to the Carefully Reckless podcast hosted by Jesse Hilarius on

1799
01:30:49,120 --> 01:30:52,160
Speaker 1: The Black Effect I Heart Radio podcast network, available everywhere

1800
01:30:52,160 --> 01:30:55,040
Speaker 1: you listen to podcast. I'm really sad this just last

1801
01:30:55,120 --> 01:30:57,080
Speaker 1: day for now, Yeah, for now he could come back,

1802
01:30:57,160 --> 01:30:59,320
Speaker 1: but this week that she going away, she could come back.

1803
01:30:59,360 --> 01:31:01,639
Speaker 1: I know, I work all this weekend, we can I say.

1804
01:31:01,640 --> 01:31:03,760
Speaker 1: That's why I said for now, you know what I feel.

1805
01:31:03,800 --> 01:31:06,320
Speaker 1: It felt good waking up seeing my six every every morning,

1806
01:31:06,360 --> 01:31:08,320
Speaker 1: you know what I mean. You know, we just gotta

1807
01:31:08,360 --> 01:31:10,400
Speaker 1: put a quota on us so she doesn't say too

1808
01:31:10,439 --> 01:31:14,080
Speaker 1: many times. That's you know. Look, he can't even say it. Technically.

1809
01:31:14,120 --> 01:31:15,600
Speaker 1: I said enough for you, me and him, so he

1810
01:31:15,680 --> 01:31:19,040
Speaker 1: can't say. I don't even that. You can say you

1811
01:31:19,080 --> 01:31:24,000
Speaker 1: should say nig bro I'm black. You can't. He can't

1812
01:31:24,040 --> 01:31:30,639
Speaker 1: say you can say nigg black na nah my goodness. Hey,

1813
01:31:30,880 --> 01:31:32,439
Speaker 1: I just want to tell people too before we go,

1814
01:31:32,920 --> 01:31:35,639
Speaker 1: make sure that you go check out eighty eight the movie.

1815
01:31:36,080 --> 01:31:38,280
Speaker 1: I think this is our last week in theaters. It

1816
01:31:38,360 --> 01:31:40,880
Speaker 1: came out last week and we're in theaters through the

1817
01:31:40,960 --> 01:31:43,080
Speaker 1: rest of the week and the weekend. Um. It's a

1818
01:31:43,160 --> 01:31:45,880
Speaker 1: movie that I executive produced, starring Brandon V. Dixon to

1819
01:31:45,960 --> 01:31:49,840
Speaker 1: Torry Norton and Orlando Jones. It's out right now and

1820
01:31:49,880 --> 01:31:51,840
Speaker 1: it's also screaming on Apple TV. So if you can't

1821
01:31:51,880 --> 01:31:53,680
Speaker 1: get to the theaters to see it, watch it on

1822
01:31:53,800 --> 01:31:57,120
Speaker 1: Apple Television. And thank you to everybody who has checked

1823
01:31:57,160 --> 01:32:00,320
Speaker 1: it out. And I appreciate all the reviews. Good adding

1824
01:32:00,400 --> 01:32:03,000
Speaker 1: different you know, um, but yes, or check out eighty

1825
01:32:03,000 --> 01:32:05,760
Speaker 1: eighth to the movie or that I executive produced, and

1826
01:32:06,000 --> 01:32:07,680
Speaker 1: right after that you can check out I Got a

1827
01:32:07,760 --> 01:32:11,240
Speaker 1: Story to Tell beet on on b ET Plus starring

1828
01:32:11,439 --> 01:32:15,840
Speaker 1: Jess Hilariously. I'm not only doing comedy, Yes, I'm doing drama.

1829
01:32:15,960 --> 01:32:18,840
Speaker 1: So you know, is that a shot? That's definitely a shot.

1830
01:32:18,920 --> 01:32:21,040
Speaker 1: I was like, it's not a comedy movie. I do

1831
01:32:21,280 --> 01:32:24,400
Speaker 1: way more than comedy. You can check that out on

1832
01:32:24,640 --> 01:32:29,559
Speaker 1: my b ET plus episode. I got my very own episode. Yes, yes,

1833
01:32:29,680 --> 01:32:31,400
Speaker 1: you know that. There's not too many things I do

1834
01:32:31,520 --> 01:32:32,960
Speaker 1: that I do not think of you top of the

1835
01:32:33,040 --> 01:32:37,160
Speaker 1: mind awareness. You know this right, Okay, all right, I

1836
01:32:37,240 --> 01:32:38,760
Speaker 1: just didn't feel like this was the project for you.

1837
01:32:38,920 --> 01:32:41,320
Speaker 1: I appreciate that's all. But please go check out I

1838
01:32:41,360 --> 01:32:43,679
Speaker 1: Got a Story to tell BT plus because I'm crying

1839
01:32:43,720 --> 01:32:46,880
Speaker 1: and then y'all gonna love it. You cried criming, wow twice.

1840
01:32:47,000 --> 01:32:49,200
Speaker 1: Go watch that on BT plus right now. Thank you.

1841
01:32:49,439 --> 01:32:51,920
Speaker 1: Leave us on a positive note. Listen to positive Notice

1842
01:32:52,000 --> 01:32:54,639
Speaker 1: this man. Have the confidence to walk the f away

1843
01:32:54,960 --> 01:32:57,080
Speaker 1: if you aren't happy. It is it is it is

1844
01:32:57,240 --> 01:32:59,840
Speaker 1: uh the key to your mental and emotional well being.

1845
01:33:00,120 --> 01:33:01,880
Speaker 1: Having the confidence to walk to f away if you

1846
01:33:01,920 --> 01:33:06,880
Speaker 1: aren't happy, Mmm, I got one. I'm sorry, hold on,

1847
01:33:06,960 --> 01:33:11,320
Speaker 1: you gotta poe yet, And it's only this is to you, yo,

1848
01:33:11,439 --> 01:33:15,720
Speaker 1: this is for you, Charlemagne. I'm gonna get you um

1849
01:33:16,280 --> 01:33:19,880
Speaker 1: a laptop because you gotta think pad' y'all have been

1850
01:33:19,880 --> 01:33:21,519
Speaker 1: looking at that all weekend. I just wanted to get

1851
01:33:21,600 --> 01:33:24,320
Speaker 1: that off my chests on air, like you gotta thank Pad.

1852
01:33:24,360 --> 01:33:26,120
Speaker 1: You got a lot of money. You know what I'm saying. Oh,

1853
01:33:26,240 --> 01:33:28,360
Speaker 1: this is why I put my thoughts. It's a think pad. Yeah, no,

1854
01:33:28,560 --> 01:33:31,519
Speaker 1: that's thoughts a long time ago. That's one of the

1855
01:33:31,600 --> 01:33:34,360
Speaker 1: first laptops that I've ever seen in my life. Like

1856
01:33:34,520 --> 01:33:37,160
Speaker 1: I was in the elementary, my teacher had one. So

1857
01:33:37,320 --> 01:33:39,800
Speaker 1: I think I think that you need to update that. Brother.

1858
01:33:40,040 --> 01:33:44,400
Speaker 1: Alight you forty four? You seventy four? Thanks, we're not

1859
01:33:44,520 --> 01:33:47,720
Speaker 1: doing it, so yeah, I love you. Breakfast Club, you

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01:33:47,760 --> 01:33:48,920
Speaker 1: don't finish or y'all dumb