1 00:00:03,600 --> 00:00:06,760 Speaker 1: Reality with the King is hosted by me, Carlos King. 2 00:00:07,080 --> 00:00:10,239 Speaker 1: I'm an executive producer who have produced some of your 3 00:00:10,240 --> 00:00:13,560 Speaker 1: favorite shows from the Real Housewives in Atlanta, New Jersey 4 00:00:13,920 --> 00:00:17,360 Speaker 1: and my own creation, The Love and Marriage Franchise and 5 00:00:17,520 --> 00:00:23,040 Speaker 1: Bell Collective. Every episode we recap reality television from the 6 00:00:23,079 --> 00:00:27,680 Speaker 1: Real Housewives Franchise to The Bachelor or Selling Sunset, in 7 00:00:27,720 --> 00:00:31,680 Speaker 1: addition to celebrity guests, whether in the unscripted space or 8 00:00:31,720 --> 00:00:38,080 Speaker 1: scripted as well. All right, so, Rain drobs, we are 9 00:00:38,120 --> 00:00:41,800 Speaker 1: now getting into being the latest episode of the Real 10 00:00:41,840 --> 00:00:49,600 Speaker 1: Housewives of Potomac. Claudia already starting it off with Angel 11 00:00:50,720 --> 00:00:54,720 Speaker 1: feeling uncomfortable. So let's just listen. Let's get into the episode. 12 00:00:54,800 --> 00:00:58,160 Speaker 1: Let's get right into it. Before we get to Angel 13 00:00:58,440 --> 00:01:02,880 Speaker 1: in disguise, I do want to get Hi Branda. 14 00:01:03,560 --> 00:01:05,200 Speaker 2: My favorite album. 15 00:01:05,600 --> 00:01:09,920 Speaker 1: I want to get into the admission that Stacy said 16 00:01:10,000 --> 00:01:15,240 Speaker 1: off camera from a producer camera about the fact that listen, 17 00:01:15,280 --> 00:01:18,320 Speaker 1: she admits that she was hanging out with Chris Samuels, 18 00:01:18,360 --> 00:01:24,560 Speaker 1: who is the current ex husband of Monique Samuels. Stacey said, look, 19 00:01:25,120 --> 00:01:28,039 Speaker 1: I was going through something. I'm single, he's single. He 20 00:01:28,240 --> 00:01:32,040 Speaker 1: is super cool and respectful, but said that she did 21 00:01:32,080 --> 00:01:36,160 Speaker 1: not sleep with him, Dustin, do you buy it? And 22 00:01:36,200 --> 00:01:40,959 Speaker 1: why do you think Stacey lied on camera about it? 23 00:01:41,360 --> 00:01:43,679 Speaker 3: Could Stacy be lyon? We are and we know that 24 00:01:43,760 --> 00:01:46,200 Speaker 3: about her now, it's part of her charm. At this point, 25 00:01:46,280 --> 00:01:50,000 Speaker 3: Shank told no malicious lies that have ruined nobody's damn 26 00:01:50,040 --> 00:01:52,440 Speaker 3: life yet so we've been able to enjoy her lion ass. 27 00:01:52,480 --> 00:01:56,040 Speaker 3: You know what I'm saying. I'm thoroughly enjoying her lion ass. 28 00:01:55,800 --> 00:01:57,520 Speaker 4: On this show. And she did lie. 29 00:01:57,560 --> 00:01:59,560 Speaker 3: Ain't no telling what her and Chris Samuels did, but 30 00:02:00,080 --> 00:02:02,160 Speaker 3: I like the way she told it. You know, she 31 00:02:02,320 --> 00:02:04,560 Speaker 3: set it up right. If you want to deliver some information, 32 00:02:05,160 --> 00:02:07,960 Speaker 3: add context, you know what I'm saying, paint the picture. 33 00:02:07,640 --> 00:02:09,200 Speaker 4: And that's exactly what Stacy did. 34 00:02:09,600 --> 00:02:12,600 Speaker 3: I also want to give a nod and also talk 35 00:02:12,639 --> 00:02:16,919 Speaker 3: about the producer cam for a second, right, because whoever 36 00:02:17,240 --> 00:02:20,639 Speaker 3: that producer was that was camming in that moment, You're 37 00:02:20,720 --> 00:02:23,399 Speaker 3: messy and I love you for it. First of all, 38 00:02:23,560 --> 00:02:27,440 Speaker 3: the angle was from upstairs. Somebody was upstairs leaning over 39 00:02:27,480 --> 00:02:32,000 Speaker 3: a rail with a cell phone here hustling and recording that. 40 00:02:32,000 --> 00:02:34,400 Speaker 4: That's what that was. That's why the angle was shot 41 00:02:34,440 --> 00:02:35,160 Speaker 4: the way it was. 42 00:02:35,560 --> 00:02:38,320 Speaker 3: That was somebody turning around the corner and leaning with 43 00:02:38,360 --> 00:02:40,920 Speaker 3: a phone out, and that is hilarious to me. 44 00:02:41,200 --> 00:02:42,440 Speaker 4: I want to know who it was. 45 00:02:44,160 --> 00:02:46,400 Speaker 1: I will find out for you. But shot up to 46 00:02:46,400 --> 00:02:49,880 Speaker 1: the producer made that moment happen. Claudia, what are your 47 00:02:49,880 --> 00:02:53,200 Speaker 1: thoughts on this? Because listen, a lot of people do 48 00:02:53,280 --> 00:02:58,840 Speaker 1: get on reality stars for not being real, not being honest. 49 00:02:57,560 --> 00:02:59,960 Speaker 2: It does seem to. 50 00:02:59,919 --> 00:03:05,680 Speaker 1: Be this trope that people nowadays do get on reality 51 00:03:05,760 --> 00:03:11,040 Speaker 1: television and want to be able to select which truth 52 00:03:11,680 --> 00:03:15,480 Speaker 1: that they want to talk about on these shows. Some 53 00:03:15,520 --> 00:03:17,560 Speaker 1: people have gone away with it for a very long time. 54 00:03:17,720 --> 00:03:20,440 Speaker 1: It seems to be this new trend. You obviously have 55 00:03:20,480 --> 00:03:23,200 Speaker 1: been on reality television on several shows. What are your 56 00:03:23,240 --> 00:03:26,760 Speaker 1: thoughts on that? And why do you think Stacy does 57 00:03:26,800 --> 00:03:29,000 Speaker 1: it to begin with? And why do you think the 58 00:03:29,040 --> 00:03:30,600 Speaker 1: audience forgives her for doing it? 59 00:03:31,520 --> 00:03:34,440 Speaker 5: They forgive her because she's not being like fake about 60 00:03:34,440 --> 00:03:35,120 Speaker 5: her fakeness? 61 00:03:35,720 --> 00:03:36,960 Speaker 2: Mm hmm, you know what I mean? 62 00:03:37,080 --> 00:03:39,520 Speaker 5: Like, I know that sounds like wait what, but she's like, 63 00:03:39,800 --> 00:03:42,640 Speaker 5: she's in on it as well. She's not oblivious. She 64 00:03:42,720 --> 00:03:46,120 Speaker 5: knows what she's doing. And it's funny like if she 65 00:03:46,280 --> 00:03:49,640 Speaker 5: was just a little bit delusional, it'd be like Yawan boring. 66 00:03:49,720 --> 00:03:54,080 Speaker 5: Oh she's annoying, but she leans in all the way 67 00:03:54,200 --> 00:03:56,720 Speaker 5: and that's what makes her fun to watch. Do I 68 00:03:56,760 --> 00:03:59,360 Speaker 5: think her and Chris Samuels did something, Yes, I do, 69 00:03:59,400 --> 00:04:02,000 Speaker 5: just because the her face lights up when she was 70 00:04:02,040 --> 00:04:06,240 Speaker 5: talking about him. When you pay attention to body language 71 00:04:06,480 --> 00:04:10,760 Speaker 5: like I do, I look at people's body language and 72 00:04:10,800 --> 00:04:12,760 Speaker 5: the look and their eye when they say things, not 73 00:04:12,880 --> 00:04:16,880 Speaker 5: their words. Words can be whatever. You can't hide when 74 00:04:16,920 --> 00:04:19,480 Speaker 5: someone's lip turns up on the corner, when they get 75 00:04:19,480 --> 00:04:22,240 Speaker 5: a glimmer in their eye, when they look like they're blushing, 76 00:04:22,279 --> 00:04:24,279 Speaker 5: they look like a schoolgirl and they talk about someone, 77 00:04:24,680 --> 00:04:26,840 Speaker 5: just like how Giselle gave it all away in her 78 00:04:26,880 --> 00:04:29,479 Speaker 5: face about her man. It is so obvious if you 79 00:04:29,560 --> 00:04:32,960 Speaker 5: look at people's actions and there's things that they can't 80 00:04:33,000 --> 00:04:35,359 Speaker 5: control and they think they are and don't listen to 81 00:04:35,400 --> 00:04:37,440 Speaker 5: the words. That's why I be not people lying or 82 00:04:37,480 --> 00:04:39,480 Speaker 5: telling the truth. I just be looking at like other stuff. 83 00:04:39,520 --> 00:04:41,320 Speaker 5: Don't look. Look look how they look up into the 84 00:04:41,400 --> 00:04:45,159 Speaker 5: left when they're talking. Look how they're well. No, like 85 00:04:45,920 --> 00:04:49,000 Speaker 5: words mean nothing. But I do think it's I don't 86 00:04:49,000 --> 00:04:50,800 Speaker 5: think it's as big of a scandal as people want 87 00:04:50,839 --> 00:04:54,600 Speaker 5: it to be. Monique and Chris Samuels are divorced, yea 88 00:04:55,040 --> 00:04:57,800 Speaker 5: if they If Facy and Monique were friends, that'd be 89 00:04:57,839 --> 00:04:59,960 Speaker 5: something different. Were they friends, I don't think so, right, 90 00:05:00,160 --> 00:05:02,440 Speaker 5: they don't know any she owes her that they owe 91 00:05:02,480 --> 00:05:06,760 Speaker 5: each other nothing. Monique can go date Stacy's ex husband 92 00:05:06,839 --> 00:05:09,279 Speaker 5: she wants to because there's no connection there. I think 93 00:05:09,320 --> 00:05:11,640 Speaker 5: it sounds good because we know Monique's coming back, so 94 00:05:11,680 --> 00:05:14,960 Speaker 5: it's like ooh. But clearly, if Monique still want to 95 00:05:14,960 --> 00:05:17,240 Speaker 5: be with Chris, I'm sure she could be as she 96 00:05:17,279 --> 00:05:20,920 Speaker 5: wanted to. Okay, but she's whatever that that chapter is close. 97 00:05:21,279 --> 00:05:23,440 Speaker 5: It's not that big of a deal. But yeah, I 98 00:05:23,480 --> 00:05:25,839 Speaker 5: do think they mess around, just from her body language. 99 00:05:25,880 --> 00:05:29,160 Speaker 5: I think she told them herself. And yeah, I think 100 00:05:29,200 --> 00:05:31,800 Speaker 5: there is a lot of pressure on reality shows to provide. 101 00:05:32,400 --> 00:05:34,120 Speaker 5: You have to have something going at all times. And 102 00:05:34,160 --> 00:05:36,360 Speaker 5: the Potomac Women the way they are going so hard 103 00:05:36,400 --> 00:05:39,000 Speaker 5: this season, it almost feels like everybody feels like their 104 00:05:39,040 --> 00:05:41,560 Speaker 5: job is on the line. The way every single episode, 105 00:05:41,680 --> 00:05:44,479 Speaker 5: every single scene, there's no break, No one gets to 106 00:05:44,520 --> 00:05:46,120 Speaker 5: just chill, like you got to have your head on 107 00:05:46,160 --> 00:05:48,599 Speaker 5: a swivel with this cast, because if you don't, you 108 00:05:48,600 --> 00:05:50,640 Speaker 5: will get climbed. And I feel like that's what I know. 109 00:05:50,640 --> 00:05:55,080 Speaker 5: I'm bringing up Angel very early on this conversation. I 110 00:05:55,120 --> 00:05:58,039 Speaker 5: think Angel is uncomfortable because when she watched the show, 111 00:05:58,040 --> 00:06:01,080 Speaker 5: I don't think she realized how difficult was in that pit. 112 00:06:01,640 --> 00:06:04,559 Speaker 5: Like these women are quick, quick, quick, and they clock 113 00:06:04,640 --> 00:06:06,719 Speaker 5: every little thing, and they don't let you rest for 114 00:06:06,760 --> 00:06:09,440 Speaker 5: five seconds. They don't. And I don't think Angel is 115 00:06:09,480 --> 00:06:12,880 Speaker 5: a bad person. I think she's just green. She's just 116 00:06:12,960 --> 00:06:15,599 Speaker 5: green doing reality. She's not green watching, but she's green 117 00:06:15,680 --> 00:06:18,159 Speaker 5: doing it. And I do think that there ain't gonna 118 00:06:18,200 --> 00:06:22,000 Speaker 5: lie this last episode. She does inflict cause a lot 119 00:06:22,000 --> 00:06:24,280 Speaker 5: of stuff on herself, Like she picks the worst time 120 00:06:24,360 --> 00:06:26,080 Speaker 5: to like have a gripe with something like I wish 121 00:06:26,160 --> 00:06:28,200 Speaker 5: she'd like kind of pick and choose when she Okay, 122 00:06:28,200 --> 00:06:30,400 Speaker 5: maybe I'll talk about that later. She kind of ruins 123 00:06:30,400 --> 00:06:34,320 Speaker 5: the moment sometimes. But I will say the other girls 124 00:06:34,400 --> 00:06:37,440 Speaker 5: to me, are very much the type of girls and 125 00:06:37,839 --> 00:06:40,279 Speaker 5: that gang up on one person when they feel weakness, 126 00:06:40,279 --> 00:06:42,880 Speaker 5: like they're like a wolf pack. When they sense any 127 00:06:42,880 --> 00:06:45,039 Speaker 5: weakness amongst the pack, they gonna just go for that 128 00:06:45,080 --> 00:06:48,360 Speaker 5: person's achilles heel achilles tending the whole show, and it's 129 00:06:48,400 --> 00:06:50,640 Speaker 5: almost getting a little old. You know, this woman's insecure 130 00:06:50,720 --> 00:06:52,880 Speaker 5: right now. She's the bigger girl the group. I almost 131 00:06:52,920 --> 00:06:55,080 Speaker 5: gonna go ahead and say it. She's coming off of 132 00:06:55,360 --> 00:06:57,720 Speaker 5: giving birth and these girls are kind of they are 133 00:06:57,800 --> 00:06:59,640 Speaker 5: being a little bit mean girlish to her. They keep 134 00:06:59,680 --> 00:07:02,720 Speaker 5: on want this to her. You know, she's sensitive. She's 135 00:07:02,760 --> 00:07:05,520 Speaker 5: still not comfortable in this group. And I don't really 136 00:07:05,560 --> 00:07:07,880 Speaker 5: know if reality is for her when I see this, 137 00:07:08,520 --> 00:07:12,160 Speaker 5: because when they see you showing weakness, they're gonna keep 138 00:07:12,160 --> 00:07:13,000 Speaker 5: on picking that scap. 139 00:07:14,240 --> 00:07:17,760 Speaker 1: I actually agree with you, and we will get into 140 00:07:17,760 --> 00:07:21,520 Speaker 1: the rest of the episode. I'm gonna start by saying this, 141 00:07:21,520 --> 00:07:24,080 Speaker 1: this is my advice to the Potomac cast. I think 142 00:07:24,120 --> 00:07:26,800 Speaker 1: the production is fine. The producers are doing a great job. 143 00:07:27,120 --> 00:07:30,560 Speaker 1: This is not about the producers. This is the great season. 144 00:07:30,800 --> 00:07:34,360 Speaker 1: It's not about that. But to me, this is my 145 00:07:34,480 --> 00:07:38,400 Speaker 1: fair warning to the Botomac ladies, and this is a 146 00:07:38,400 --> 00:07:41,080 Speaker 1: fair warning to our reality shows, mine included. 147 00:07:41,200 --> 00:07:41,760 Speaker 4: You know, I'm not. 148 00:07:41,760 --> 00:07:44,600 Speaker 1: Gonna sit there and say it's more it's not about 149 00:07:44,600 --> 00:07:47,640 Speaker 1: the production. It's more about the It's more about the cast. 150 00:07:49,440 --> 00:07:52,480 Speaker 1: Everybody can be a force multiplier own b shows. 151 00:07:53,080 --> 00:07:54,880 Speaker 2: Okay, I will. 152 00:07:54,640 --> 00:07:56,600 Speaker 1: Always bring up this show, and I don't care how 153 00:07:56,640 --> 00:07:58,360 Speaker 1: many times I bring it up. I don't care how 154 00:07:58,400 --> 00:08:00,720 Speaker 1: many times I get exhausted about me bringing it up, 155 00:08:01,040 --> 00:08:04,120 Speaker 1: because this cast is the best cast to ever. 156 00:08:04,000 --> 00:08:05,360 Speaker 2: Be on reality television. 157 00:08:05,360 --> 00:08:07,560 Speaker 1: And I will go on record saying that when you 158 00:08:07,600 --> 00:08:15,320 Speaker 1: look at the Real Housewives of Atlanta Season nine on down, Okay, 159 00:08:15,880 --> 00:08:19,880 Speaker 1: the beauty of that cast is everybody played their role, 160 00:08:21,760 --> 00:08:24,520 Speaker 1: and everybody played their position. Is the reason why we 161 00:08:24,560 --> 00:08:28,000 Speaker 1: love Cynthia Bailey. She never wanted to be Nini. Nini 162 00:08:28,040 --> 00:08:31,480 Speaker 1: never wanted to be Phaedra. Phaedra was Phaedra. Porscha was Porsche, 163 00:08:32,679 --> 00:08:36,640 Speaker 1: Claudia was Claudia. You know you you Candy was Candy, 164 00:08:37,720 --> 00:08:41,200 Speaker 1: Liz goes on and off, SHARAE Kim Kim. It was 165 00:08:41,360 --> 00:08:45,199 Speaker 1: never a show as much as activated as Sharik Willfield 166 00:08:45,240 --> 00:08:56,760 Speaker 1: can get. Charai Whfield was was a silent. 167 00:08:53,160 --> 00:08:58,640 Speaker 6: You know that, you know it took her, you know 168 00:08:58,720 --> 00:09:04,320 Speaker 6: it was a solid killing came Bam and Phaedra lean 169 00:09:04,480 --> 00:09:07,000 Speaker 6: in on the justice position of being a church girl, 170 00:09:07,080 --> 00:09:12,040 Speaker 6: a lawyer, and also being somebody who had these sexual overtones, right. 171 00:09:14,160 --> 00:09:16,280 Speaker 2: So they all lean into what they were. 172 00:09:16,320 --> 00:09:19,040 Speaker 1: But I never I never looked at those girls like 173 00:09:19,720 --> 00:09:23,040 Speaker 1: they're all trying to be the Queen Bee. They all 174 00:09:23,080 --> 00:09:26,280 Speaker 1: respected that every girl played their role. When I look 175 00:09:26,320 --> 00:09:30,400 Speaker 1: at this current Catapotomac, I need everybody to stop doing 176 00:09:30,440 --> 00:09:31,280 Speaker 1: Gaselle's job. 177 00:09:32,320 --> 00:09:33,720 Speaker 2: And I'm gonna say it, it's. 178 00:09:36,000 --> 00:09:39,840 Speaker 1: If I if Gaselle Brian is great at being Gazelle 179 00:09:40,520 --> 00:09:42,960 Speaker 1: and let her do her. It was one of those 180 00:09:43,000 --> 00:09:48,640 Speaker 1: things where I remember and and and I regretfully forgot 181 00:09:48,640 --> 00:09:53,040 Speaker 1: to mention bequeen the legend of icon, Kenymore, who is 182 00:09:53,200 --> 00:09:57,319 Speaker 1: everything to me, So blame my memory, not my heart. 183 00:09:57,720 --> 00:10:03,080 Speaker 1: I remember producing Season eight Atlanta Housewives and we were 184 00:10:03,120 --> 00:10:06,520 Speaker 1: in Miami and the girls was, you know, nothing was 185 00:10:06,559 --> 00:10:12,319 Speaker 1: happening really, And I've remember somebody saying, where's Kenya. I'm 186 00:10:12,320 --> 00:10:14,480 Speaker 1: not gonna say who said it, And they're like, get 187 00:10:14,520 --> 00:10:18,520 Speaker 1: Keny over here, because when Kenya's around, something happens. I 188 00:10:18,640 --> 00:10:21,960 Speaker 1: bring that up to say, that's when you know you 189 00:10:22,000 --> 00:10:22,600 Speaker 1: have a team. 190 00:10:22,920 --> 00:10:23,120 Speaker 4: Yep. 191 00:10:23,679 --> 00:10:26,640 Speaker 1: And I feel like Potomac is not operating as a team. 192 00:10:27,520 --> 00:10:30,640 Speaker 1: I feel like Potomac's operating as everybody wants to be. 193 00:10:30,679 --> 00:10:36,479 Speaker 1: Tom Brady, the reason why Karen was great. Karen was proverbs. 194 00:10:36,520 --> 00:10:38,880 Speaker 1: Dustin Ross on Twitter Don't Start. 195 00:10:38,679 --> 00:10:39,520 Speaker 2: And noumb on be nine. 196 00:10:40,240 --> 00:10:43,400 Speaker 1: And when I look at this episode, I feel like 197 00:10:43,559 --> 00:10:49,680 Speaker 1: everybody is so messy and everybody's trying to activate one another, 198 00:10:50,400 --> 00:10:54,360 Speaker 1: and we all appreciate that that's Gizille's job. I don't 199 00:10:54,400 --> 00:10:57,920 Speaker 1: want to see Wind throw kk under the bus. 200 00:10:58,640 --> 00:11:01,640 Speaker 2: I don't want to see. 201 00:11:03,600 --> 00:11:08,440 Speaker 1: Ashley, although she's messy and that's who she's always been. 202 00:11:09,720 --> 00:11:12,000 Speaker 1: The beauty of Ashley was actually allowed to Zelle to 203 00:11:12,040 --> 00:11:13,920 Speaker 1: be it, and Ashley wasn't when she had to be. 204 00:11:14,640 --> 00:11:17,200 Speaker 1: When I'm watching this show, I do feel like they're 205 00:11:17,200 --> 00:11:21,000 Speaker 1: ganging up on Angel. I feel like they're ganging up 206 00:11:21,000 --> 00:11:25,800 Speaker 1: on Stacy. Nobody is allowed to breathe, nobody's allowed to 207 00:11:25,960 --> 00:11:28,480 Speaker 1: just have a moment. I love you some, Jazzy. I'm 208 00:11:28,520 --> 00:11:31,240 Speaker 1: with Jazz to be a housewife. Even when Jazz and 209 00:11:31,360 --> 00:11:34,440 Speaker 1: Tia got into it, Jazzy, I love you down Boots. 210 00:11:35,000 --> 00:11:36,800 Speaker 1: We all can admit that Jazzy was trying to have 211 00:11:36,840 --> 00:11:37,240 Speaker 1: a moment. 212 00:11:37,600 --> 00:11:38,160 Speaker 2: The way she. 213 00:11:38,360 --> 00:11:43,079 Speaker 1: Yelled across the table, it was so non necessary. 214 00:11:43,240 --> 00:11:46,600 Speaker 5: It felt like it felt like I didn't get my 215 00:11:46,720 --> 00:11:49,520 Speaker 5: flute peached. Whatever, So guess what I'm gonna make. You'll 216 00:11:49,600 --> 00:11:51,600 Speaker 5: regret that johnna give you one or this is my 217 00:11:51,679 --> 00:11:53,679 Speaker 5: second chance to get one now, and it was like 218 00:11:54,280 --> 00:11:56,840 Speaker 5: less is more like we're not dumb. You don't have 219 00:11:56,920 --> 00:11:59,720 Speaker 5: to shove yourself down our throats because I feel she 220 00:11:59,720 --> 00:12:01,520 Speaker 5: got an motion in her life that she doesn't need 221 00:12:01,559 --> 00:12:04,360 Speaker 5: to do all that. It felt very forced like and 222 00:12:04,400 --> 00:12:07,760 Speaker 5: I think the exhaustion that Angel's feeling is what we're feeling. 223 00:12:08,280 --> 00:12:10,360 Speaker 5: Like Angel's feeling with it, like oh my god, it's 224 00:12:10,360 --> 00:12:12,360 Speaker 5: but I didn't think it'd be from all different directions. 225 00:12:12,520 --> 00:12:15,000 Speaker 5: It's everybody is doing it. It's too much like you, 226 00:12:15,120 --> 00:12:17,520 Speaker 5: Like you made a great point, Carlos, Housewives. You had 227 00:12:17,520 --> 00:12:20,000 Speaker 5: the funny one, the shady one, the classy one, the 228 00:12:20,120 --> 00:12:22,680 Speaker 5: lion one, the one that's gonna work, the one that's 229 00:12:22,679 --> 00:12:25,240 Speaker 5: gonna like pop off over here when this thing gets said, 230 00:12:25,440 --> 00:12:27,920 Speaker 5: the one that's gonna be bring comedy right now. You 231 00:12:28,040 --> 00:12:30,800 Speaker 5: got six wanna be Giselle's or six wanna be Niani's 232 00:12:30,880 --> 00:12:33,360 Speaker 5: or six want to be whatever is. Everyone's trying so 233 00:12:33,440 --> 00:12:36,640 Speaker 5: hard to be that girl and in that you're like 234 00:12:36,760 --> 00:12:40,680 Speaker 5: losing your what made you dope? Like let Giselle be 235 00:12:40,800 --> 00:12:43,080 Speaker 5: have that lane, but like everyone doing it. It's like 236 00:12:43,160 --> 00:12:46,200 Speaker 5: I can't keep up with who's who. Everyone's doing too much, 237 00:12:46,240 --> 00:12:49,400 Speaker 5: and it's like, and I started off, I love this show. 238 00:12:49,600 --> 00:12:51,160 Speaker 5: I'm a new fan of the show. Like I think 239 00:12:51,200 --> 00:12:53,120 Speaker 5: Potomac is dope as hell. I don't think it's over, 240 00:12:53,720 --> 00:12:57,360 Speaker 5: but I think everyone's on ten right now. Everyone's on ten. 241 00:12:58,040 --> 00:13:00,079 Speaker 5: When you need some eights, you need some sixes, he 242 00:13:00,120 --> 00:13:02,640 Speaker 5: needs some fives, need some threes, and that's gonna make 243 00:13:02,679 --> 00:13:06,440 Speaker 5: your show a ten. But when it's everyone's trying to 244 00:13:06,480 --> 00:13:11,520 Speaker 5: be uh the everyone can't be Beyonce. Okay, there's gotta 245 00:13:11,520 --> 00:13:13,680 Speaker 5: be He's gotta be a little bit of low everything. 246 00:13:13,679 --> 00:13:16,640 Speaker 5: And that's what makes it be like fit dope. Imagine 247 00:13:16,640 --> 00:13:19,199 Speaker 5: on this show, if all three of us try to 248 00:13:19,240 --> 00:13:21,280 Speaker 5: do the same thing every single show, what makes the 249 00:13:21,320 --> 00:13:25,400 Speaker 5: show work is we all know I'm gonna say some 250 00:13:25,480 --> 00:13:30,160 Speaker 5: fucking wild fit that's gonna be borderline offensive. We know 251 00:13:30,320 --> 00:13:32,760 Speaker 5: Dustin's gonna cush your ass out when the comments go 252 00:13:32,880 --> 00:13:35,280 Speaker 5: some way, but he's gonna know every single fact. I 253 00:13:35,320 --> 00:13:38,080 Speaker 5: can't be Dustin. I cannot do what Dustin does, and 254 00:13:38,200 --> 00:13:41,800 Speaker 5: Dustin wouldn't be as reckless and unprofessional as I am. 255 00:13:43,800 --> 00:13:47,800 Speaker 5: And then we have Carlos, who blushes when his wild 256 00:13:48,040 --> 00:13:51,480 Speaker 5: friends children go left. But that's what makes it like 257 00:13:51,600 --> 00:13:55,120 Speaker 5: the fans know, we know Carlos. Look at Carl's face. 258 00:13:55,200 --> 00:13:58,280 Speaker 5: When Dustin says this look Claudius Trump had a bit 259 00:13:58,360 --> 00:14:00,840 Speaker 5: to say, song is she hate? And I'm then we 260 00:14:00,960 --> 00:14:03,400 Speaker 5: know Dustin's gonna say you know, we know he's gonna 261 00:14:03,440 --> 00:14:05,240 Speaker 5: come with his stuff. But that's what makes it work. 262 00:14:05,280 --> 00:14:08,199 Speaker 5: We fit together like a puzzle. If every single show 263 00:14:08,679 --> 00:14:10,640 Speaker 5: all three of us was trying to read down like 264 00:14:10,679 --> 00:14:13,160 Speaker 5: how I do every single time, y'all would turn turn 265 00:14:13,200 --> 00:14:15,559 Speaker 5: the shot off. If every single show we all was 266 00:14:15,600 --> 00:14:18,560 Speaker 5: empathetic like how Carlos is to everybody. No, I love 267 00:14:18,600 --> 00:14:19,080 Speaker 5: the girls. 268 00:14:19,160 --> 00:14:20,560 Speaker 7: I can't. 269 00:14:21,280 --> 00:14:24,240 Speaker 5: If every show we Carlos and I tried to out 270 00:14:24,360 --> 00:14:27,320 Speaker 5: Dustin Dustin at what he knows and does and no, 271 00:14:27,480 --> 00:14:33,360 Speaker 5: well in nineteen ninety seven, will y'all would try, y'all 272 00:14:33,360 --> 00:14:35,640 Speaker 5: would turn this shi off so fast. It's just like 273 00:14:35,720 --> 00:14:37,480 Speaker 5: this show, Yeah, go. 274 00:14:37,400 --> 00:14:39,280 Speaker 1: Ahead, Dustin, let's get your thoughts on him, because we're 275 00:14:39,320 --> 00:14:41,640 Speaker 1: talking about what we're seeing when it comes to the 276 00:14:41,680 --> 00:14:44,280 Speaker 1: cast and we where we brought it was even. 277 00:14:44,120 --> 00:14:47,280 Speaker 2: Jazzy and Tia, and we love Jazzy. 278 00:14:47,160 --> 00:14:49,560 Speaker 1: And listen every girl's gonna get it once, Jazzy, I 279 00:14:49,600 --> 00:14:50,720 Speaker 1: love you baby, it is her turn. 280 00:14:50,880 --> 00:14:52,040 Speaker 2: It's okay, it's okay. 281 00:14:52,880 --> 00:14:56,440 Speaker 1: I felt like Jazzy overly acted with Herbert spots up 282 00:14:56,480 --> 00:14:58,920 Speaker 1: with the fork and saying you get to watch, and 283 00:14:58,960 --> 00:15:02,320 Speaker 1: I was like, your. 284 00:15:02,240 --> 00:15:05,040 Speaker 3: Thoughts, it's real simple, y'all. Something we don't even have 285 00:15:05,080 --> 00:15:08,320 Speaker 3: to try to reinvent the wheel, right, Somebody being mad 286 00:15:08,360 --> 00:15:10,960 Speaker 3: in the argument is only entertaining when they're actually mad 287 00:15:11,000 --> 00:15:14,160 Speaker 3: and upset, right when the motherfucker is really pissed off. 288 00:15:14,200 --> 00:15:15,800 Speaker 4: That's when that's interesting to watch. 289 00:15:16,720 --> 00:15:20,120 Speaker 3: Heightening your your your the tone of your voice and 290 00:15:20,560 --> 00:15:24,000 Speaker 3: pointing people's face and stuff. When it's no real context 291 00:15:24,000 --> 00:15:27,120 Speaker 3: that warrants that behind it, it doesn't land well with 292 00:15:27,160 --> 00:15:30,360 Speaker 3: the audience. And that's just what happened. Rookie mistake. You know, 293 00:15:31,160 --> 00:15:33,640 Speaker 3: Jazzy is this is her second season on the show. 294 00:15:33,680 --> 00:15:37,200 Speaker 3: She's contributed a lot to the franchise, honestly as a 295 00:15:37,200 --> 00:15:40,400 Speaker 3: friend of the show, and so it'll be interesting to 296 00:15:40,440 --> 00:15:41,400 Speaker 3: see her move forward. 297 00:15:41,480 --> 00:15:44,080 Speaker 4: But what we don't need are some you. 298 00:15:44,040 --> 00:15:50,320 Speaker 3: Know, feigned, uh made up ass arguments over Tia saying 299 00:15:50,360 --> 00:15:53,840 Speaker 3: that the guy that Jazzi said or who's who was 300 00:15:53,880 --> 00:15:57,000 Speaker 3: it or Keana said he had two teeth and two dreads, right, 301 00:15:57,400 --> 00:15:59,080 Speaker 3: we don't need the guys who work. 302 00:15:59,000 --> 00:16:02,400 Speaker 2: At the Yeah. 303 00:16:01,280 --> 00:16:03,520 Speaker 3: Okay, and so she said one of the dreads was 304 00:16:03,520 --> 00:16:07,320 Speaker 3: in his pocket. But I you know, we don't need 305 00:16:07,360 --> 00:16:09,000 Speaker 3: to see a made up argument about that. 306 00:16:09,120 --> 00:16:10,960 Speaker 4: We just don't. And it fell flat. 307 00:16:11,080 --> 00:16:14,640 Speaker 3: That's a lesson, though, I guarantee you this Jazzy strikes 308 00:16:14,640 --> 00:16:16,520 Speaker 3: me as the type of woman that will pay attention 309 00:16:16,600 --> 00:16:19,440 Speaker 3: to that. She'll see she's gonna edit herself and give 310 00:16:19,480 --> 00:16:22,880 Speaker 3: herself notes so she'll see that. She'll watch it herself 311 00:16:22,920 --> 00:16:25,080 Speaker 3: and see that it did not land well, and she 312 00:16:25,160 --> 00:16:26,280 Speaker 3: won't do that anymore. 313 00:16:26,800 --> 00:16:29,200 Speaker 5: You're mad because one of your girl's like, ooh, girl, 314 00:16:29,240 --> 00:16:31,120 Speaker 5: the way is flat with your girl. Oh your man 315 00:16:31,160 --> 00:16:33,280 Speaker 5: better look out. That is like something you would laugh 316 00:16:33,320 --> 00:16:35,000 Speaker 5: at for two seconds with your friends and move on. 317 00:16:35,080 --> 00:16:35,120 Speaker 8: You. 318 00:16:35,360 --> 00:16:38,840 Speaker 5: You would never in real life bring that over to 319 00:16:38,920 --> 00:16:41,640 Speaker 5: the next day and be you said that fourteen days 320 00:16:41,640 --> 00:16:48,120 Speaker 5: before my wedding. I'd be like, I'd be like, girl, 321 00:16:48,160 --> 00:16:50,920 Speaker 5: are you okay? 322 00:16:50,960 --> 00:16:53,760 Speaker 1: This is reality with the King and I'm Carlos King. 323 00:16:54,240 --> 00:16:58,520 Speaker 1: Let's get back into the show. Claudia's right, and you're 324 00:16:58,560 --> 00:17:00,800 Speaker 1: right to, don't it was it was way too much. 325 00:17:00,880 --> 00:17:02,560 Speaker 2: I do agree it's a rooky mistake. 326 00:17:03,800 --> 00:17:07,080 Speaker 1: I still want Jazz to get her flute, but it 327 00:17:07,200 --> 00:17:11,240 Speaker 1: was a rookie mistake. But again, I think we're all saying, ladies, 328 00:17:11,680 --> 00:17:15,000 Speaker 1: we all love y'all individually, but let y'all play y'all 329 00:17:15,080 --> 00:17:17,680 Speaker 1: role when it comes to this ensemble team. 330 00:17:18,040 --> 00:17:19,959 Speaker 7: And Claudia clock mean she talking about three of us. 331 00:17:19,960 --> 00:17:22,640 Speaker 2: The three of us work well together because we're all individuals. 332 00:17:22,920 --> 00:17:26,920 Speaker 1: I do want to get into Gizell versus KK and 333 00:17:27,000 --> 00:17:30,840 Speaker 1: this whole Wendy thing. So Keyanner said that she was 334 00:17:31,000 --> 00:17:33,240 Speaker 1: upset that she did not hear from Gazelle when the 335 00:17:33,240 --> 00:17:36,679 Speaker 1: altercation happened, and how Giselle said that she was the 336 00:17:36,760 --> 00:17:41,600 Speaker 1: aggressor in the situation Giselle got Vernon Bona said that 337 00:17:41,680 --> 00:17:44,440 Speaker 1: happened around the time my father had to bring cancer 338 00:17:44,520 --> 00:17:47,119 Speaker 1: tumor and she was dealing with the fact that he, 339 00:17:47,520 --> 00:17:51,840 Speaker 1: you know, did pass away because Wendy did spill the 340 00:17:51,880 --> 00:17:52,800 Speaker 1: beans that. 341 00:17:54,280 --> 00:17:56,840 Speaker 2: KK hated Giselle. 342 00:17:57,400 --> 00:18:03,520 Speaker 1: Although I love you, doctor Wendy, However, uh Keanna never 343 00:18:03,560 --> 00:18:06,480 Speaker 1: said the word hated and even when Wendy said it 344 00:18:06,520 --> 00:18:09,639 Speaker 1: in person and her professionals should have say hey, but 345 00:18:09,840 --> 00:18:14,400 Speaker 1: it's how I took it again. The game of telephone 346 00:18:16,160 --> 00:18:19,360 Speaker 1: really got the best from them that situation. But Dustin, 347 00:18:19,880 --> 00:18:22,960 Speaker 1: what are your thoughts on that whole Giselle and Keana 348 00:18:23,080 --> 00:18:23,600 Speaker 1: and Wendy. 349 00:18:24,680 --> 00:18:26,440 Speaker 4: I'm going with Keana with this one. 350 00:18:27,040 --> 00:18:29,119 Speaker 3: I thought that that was horrible what happened to her 351 00:18:29,200 --> 00:18:32,879 Speaker 3: when the girl that Deborah, that's the lady's name started 352 00:18:32,880 --> 00:18:34,879 Speaker 3: all that shit in the first place. Deborah came on 353 00:18:34,920 --> 00:18:39,520 Speaker 3: that cast hanging around begging for scraps, trying to film, 354 00:18:39,840 --> 00:18:42,120 Speaker 3: and she came on that cast started all that shit, 355 00:18:42,520 --> 00:18:44,920 Speaker 3: and that was a brawl. And I know that Keana 356 00:18:45,800 --> 00:18:48,439 Speaker 3: watching Keana on this shut when she appeared as a 357 00:18:48,480 --> 00:18:53,359 Speaker 3: guest previously. What we've seen thus far, although feisty, although 358 00:18:53,560 --> 00:18:55,480 Speaker 3: you know, a little hot tempered at time, she's not 359 00:18:55,560 --> 00:18:58,320 Speaker 3: a violent person and she was not the aggressor in 360 00:18:58,359 --> 00:19:01,720 Speaker 3: that fight. We all saw that phone footage, we all 361 00:19:01,760 --> 00:19:04,760 Speaker 3: saw the whole situation, and Keana was not the aggressor. 362 00:19:04,840 --> 00:19:06,280 Speaker 4: Gaselle was wrong as hell, they do. 363 00:19:06,720 --> 00:19:09,080 Speaker 3: That was Giselle doing that shit that she always does 364 00:19:09,119 --> 00:19:12,240 Speaker 3: that makes people have issues with her regarding it that 365 00:19:12,480 --> 00:19:16,000 Speaker 3: her and Robin were notorious for doing that, taking other 366 00:19:16,040 --> 00:19:19,920 Speaker 3: people's sides, twists, twisting people's words, looking at shit through 367 00:19:19,920 --> 00:19:22,359 Speaker 3: a fuck doub leans, that's all that was. Keana was 368 00:19:22,400 --> 00:19:25,280 Speaker 3: not the aggressor in that fight. She was defending herself 369 00:19:25,280 --> 00:19:27,159 Speaker 3: against that girl that wanted to be a part of 370 00:19:27,200 --> 00:19:30,400 Speaker 3: that show and set up there and lied on Candas's 371 00:19:30,480 --> 00:19:34,560 Speaker 3: husband saying that he was and lied on Eddie. And 372 00:19:34,600 --> 00:19:37,040 Speaker 3: you know, this is not a trustworthy person. And so 373 00:19:37,480 --> 00:19:39,320 Speaker 3: if I was Keana, that would have pissed me off 374 00:19:39,320 --> 00:19:41,200 Speaker 3: to and I would have told Jazell how I felt 375 00:19:41,200 --> 00:19:44,119 Speaker 3: about it as well. Now I do, have, of course, 376 00:19:44,200 --> 00:19:47,320 Speaker 3: empathy and grace for Gazelle losing her father. And you 377 00:19:47,440 --> 00:19:49,760 Speaker 3: are a person who you're out of your head when 378 00:19:49,800 --> 00:19:51,760 Speaker 3: you're dealing with grief like that, and you might do 379 00:19:51,880 --> 00:19:56,359 Speaker 3: and say things that typically are not normal for you 380 00:19:56,480 --> 00:19:58,959 Speaker 3: to do. But that kind of shit is what Jazelle 381 00:19:59,080 --> 00:20:02,840 Speaker 3: always does. And so the correlation of the two, you know, 382 00:20:02,880 --> 00:20:04,800 Speaker 3: I give her grace for that, but it still was 383 00:20:04,840 --> 00:20:07,480 Speaker 3: not surprising, and it doesn't seem like a result of 384 00:20:07,520 --> 00:20:08,040 Speaker 3: her agrieving. 385 00:20:08,080 --> 00:20:09,680 Speaker 4: It seems like typical Jasel shit. 386 00:20:10,840 --> 00:20:16,600 Speaker 5: Damn. I had a situation like this with a friend 387 00:20:16,600 --> 00:20:20,119 Speaker 5: of mine where it was very very very similar, except 388 00:20:20,119 --> 00:20:22,080 Speaker 5: it wasn't death, but like my friend, I'll say her 389 00:20:22,160 --> 00:20:24,240 Speaker 5: name because it's one of my dear friends, my girl 390 00:20:24,280 --> 00:20:26,640 Speaker 5: Tony that lives here in Dallas. I was going through 391 00:20:26,640 --> 00:20:28,600 Speaker 5: my breakup with the coach and I was very, very 392 00:20:28,600 --> 00:20:31,560 Speaker 5: devastated because it came out of nowhere, right, and my 393 00:20:31,640 --> 00:20:37,000 Speaker 5: friend Tony was going through a divorce. We both felt 394 00:20:37,040 --> 00:20:39,240 Speaker 5: like each other wasn't there for each other because I 395 00:20:39,240 --> 00:20:41,760 Speaker 5: think we're both aries too, so we both I think, 396 00:20:41,880 --> 00:20:44,199 Speaker 5: put on this I'm good, I don't I'm not tripping 397 00:20:45,119 --> 00:20:49,080 Speaker 5: while secretly home devastated. Right. So we didn't talk for 398 00:20:49,119 --> 00:20:52,800 Speaker 5: like six months, and all it took was one conversation 399 00:20:53,200 --> 00:20:56,679 Speaker 5: where she got to hear how I where I was mentally, 400 00:20:56,720 --> 00:20:57,959 Speaker 5: and I got to hear where she was, and we 401 00:20:58,000 --> 00:21:02,760 Speaker 5: both realized, damn, you know, and like it's easy to 402 00:21:03,119 --> 00:21:06,760 Speaker 5: feel like you weren't there for me, but then you 403 00:21:06,920 --> 00:21:10,480 Speaker 5: have to put yourself in other people's shoes. Yes, that 404 00:21:10,600 --> 00:21:13,800 Speaker 5: is a gazul thing from what you hear, right, But 405 00:21:13,840 --> 00:21:15,280 Speaker 5: we got to give her a pass a little bit 406 00:21:15,240 --> 00:21:19,159 Speaker 5: because her dad did pass and particulous one right on 407 00:21:19,280 --> 00:21:21,200 Speaker 5: this one. We can talk about other ones, but on 408 00:21:21,240 --> 00:21:24,040 Speaker 5: this one, yeah, I mean I'm not gonna be as 409 00:21:24,520 --> 00:21:27,000 Speaker 5: receptive or even paying attention to what you got going 410 00:21:27,040 --> 00:21:29,240 Speaker 5: on right now. If my dad's a nice you, my 411 00:21:29,320 --> 00:21:32,800 Speaker 5: dad dies. And then also, for k I'm not even 412 00:21:32,840 --> 00:21:34,760 Speaker 5: probably thinking about what you're going through, because all I'm 413 00:21:34,760 --> 00:21:36,760 Speaker 5: thinking about is this bitch trying to fight fuck me 414 00:21:36,840 --> 00:21:38,720 Speaker 5: to the club, and where were you and why was you 415 00:21:38,760 --> 00:21:42,000 Speaker 5: taking her aside? I get both they both have valid points, 416 00:21:42,280 --> 00:21:45,840 Speaker 5: but I will say, stepping back, you know, it is 417 00:21:45,880 --> 00:21:49,240 Speaker 5: hard to be empathetic for someone else when you're going 418 00:21:49,240 --> 00:21:52,320 Speaker 5: through your ship. And I honestly think that that was 419 00:21:52,520 --> 00:21:55,840 Speaker 5: a conversation that's going to change the trajectory of their friendship. 420 00:21:55,880 --> 00:21:57,679 Speaker 5: If they both were keeping it a buck in that country. 421 00:21:58,080 --> 00:22:00,240 Speaker 5: I do think they were. I think they're gonna I 422 00:22:00,240 --> 00:22:02,320 Speaker 5: think we're going to see a better relationship now moving forward. 423 00:22:02,400 --> 00:22:05,000 Speaker 4: I hope I agree with that. 424 00:22:05,440 --> 00:22:06,920 Speaker 2: Dustin, how many minutes you got? 425 00:22:07,400 --> 00:22:08,760 Speaker 4: I'm good? 426 00:22:08,760 --> 00:22:09,800 Speaker 2: Okay, all right. 427 00:22:10,040 --> 00:22:12,520 Speaker 1: So one of the things that we have to get into, 428 00:22:12,560 --> 00:22:14,040 Speaker 1: and this is where we're gonna bring an angel. 429 00:22:16,960 --> 00:22:18,159 Speaker 2: Okay, we'll get this recod. 430 00:22:18,480 --> 00:22:21,880 Speaker 1: So one of the things that I want to get 431 00:22:21,880 --> 00:22:28,159 Speaker 1: into is the fact that Angel was talking to Jazz Jazz. 432 00:22:28,359 --> 00:22:30,640 Speaker 1: This is where I'm want to give you props Jazzy 433 00:22:31,880 --> 00:22:36,800 Speaker 1: as a human being. Okay, all conversations need to happen 434 00:22:36,800 --> 00:22:40,520 Speaker 1: on camera, but hey, as a human being, I'm with you, sister. 435 00:22:40,920 --> 00:22:44,080 Speaker 1: So with that being said, Jazzy had an off camera 436 00:22:44,119 --> 00:22:48,880 Speaker 1: conversation while the crew was on break where she did 437 00:22:49,040 --> 00:22:54,080 Speaker 1: tell Angel that a woman who is a current wag 438 00:22:54,600 --> 00:22:57,800 Speaker 1: that is, wives and girlfriends of athletes and sports stars 439 00:22:59,119 --> 00:23:02,280 Speaker 1: DMed her to say that Angel is a mean girl 440 00:23:03,200 --> 00:23:04,720 Speaker 1: and to watch. 441 00:23:04,480 --> 00:23:10,200 Speaker 2: Off for her. Did Angel club this woman's snagitude? Yes, 442 00:23:11,520 --> 00:23:16,840 Speaker 2: stringy hair, m we did, Angel, I like you? Off camera? 443 00:23:18,720 --> 00:23:21,480 Speaker 5: If she kept that same energy, she we wouldn't be 444 00:23:21,480 --> 00:23:23,440 Speaker 5: having half the conversation about Angel like. She needs to 445 00:23:23,480 --> 00:23:25,199 Speaker 5: keep that. We like that Angel. 446 00:23:25,560 --> 00:23:27,040 Speaker 2: I like that Angel. Okay. 447 00:23:27,280 --> 00:23:32,360 Speaker 1: So with that being said, Jazz is getting her Bachford 448 00:23:32,400 --> 00:23:38,400 Speaker 1: party on Ashley licks the Adam's Apple off of Jazz. 449 00:23:38,480 --> 00:23:41,640 Speaker 5: Not the Adam's Apple. First of all, Shade women don't 450 00:23:41,680 --> 00:23:42,560 Speaker 5: have Adam's Apples. 451 00:23:43,119 --> 00:23:50,840 Speaker 8: Oh, I'm sorry to throw, no, no, no, no, How 452 00:23:50,920 --> 00:23:53,720 Speaker 8: did pat biology in high school. 453 00:23:53,520 --> 00:23:56,400 Speaker 5: Follow in the community? You know, damn Adams. 454 00:23:57,760 --> 00:24:06,280 Speaker 7: Chemistry? Okay, my bad, you tried throw Okay, shut, I've. 455 00:24:06,160 --> 00:24:07,920 Speaker 2: Learned something today, Thank you. Very much. 456 00:24:07,960 --> 00:24:11,280 Speaker 1: Okay with that being said, all that's happening, and then 457 00:24:11,400 --> 00:24:16,800 Speaker 1: it comes up that Jazzy is being confronted by Angel 458 00:24:17,720 --> 00:24:20,640 Speaker 1: because Giselle and the girls see that Angel's not herself. 459 00:24:20,880 --> 00:24:23,800 Speaker 2: Win's like what happened while y'all were on the golf cart. 460 00:24:24,680 --> 00:24:29,439 Speaker 1: Angel proceeds to tell them what Jazzi said and then Honey, 461 00:24:29,480 --> 00:24:33,119 Speaker 1: Angel said that this woman alleged that she stole what 462 00:24:33,240 --> 00:24:36,560 Speaker 1: thirty thousand dollars or tried to steal thirty thousand dollars 463 00:24:36,640 --> 00:24:37,960 Speaker 1: from her husband. 464 00:24:37,600 --> 00:24:41,160 Speaker 2: Bobby while they were dating, and wasn't taking birth control. 465 00:24:41,720 --> 00:24:45,720 Speaker 1: All these wild accusations, and then she left the room 466 00:24:45,800 --> 00:24:47,359 Speaker 1: and called Bobby and started crying. 467 00:24:48,760 --> 00:24:51,960 Speaker 2: I was so confused by that because. 468 00:24:53,119 --> 00:25:01,240 Speaker 1: For me, it bothered Angel so much that she just 469 00:25:01,440 --> 00:25:04,520 Speaker 1: wasn't the same after hearing the information. And I would 470 00:25:04,520 --> 00:25:06,840 Speaker 1: give Jazzy her prospect fact that Jazzy did not mention 471 00:25:06,920 --> 00:25:09,359 Speaker 1: it from the girls. But Claudia, what were your thoughts 472 00:25:09,440 --> 00:25:12,159 Speaker 1: on that entire situation? And do you think like Angel 473 00:25:12,240 --> 00:25:14,960 Speaker 1: is a fit to have these confrontational conversations. 474 00:25:15,040 --> 00:25:19,240 Speaker 5: Don't think she's unfit? Yes she is. She's not healed 475 00:25:19,280 --> 00:25:21,560 Speaker 5: from whatever's going on, like her esteem it seems to 476 00:25:21,560 --> 00:25:24,240 Speaker 5: be in the toilet again. I hope you this doesn't 477 00:25:24,320 --> 00:25:26,440 Speaker 5: hurt your feeling's Angel. I'm not trying to, but I 478 00:25:26,480 --> 00:25:30,359 Speaker 5: think you needed maybe another year after your baby before 479 00:25:30,400 --> 00:25:32,800 Speaker 5: going into doing a show like this. It's too rough 480 00:25:32,840 --> 00:25:35,439 Speaker 5: for you. And every single show we're saying she's not herself. 481 00:25:35,480 --> 00:25:37,679 Speaker 5: Well now I don't know what her self is because 482 00:25:38,160 --> 00:25:41,000 Speaker 5: every show I don't because every show there's a time 483 00:25:41,040 --> 00:25:43,040 Speaker 5: where she's good, then she's not. She's good that she's not, 484 00:25:43,119 --> 00:25:47,880 Speaker 5: and I hate that. That's gotta feeling shit. You can 485 00:25:47,960 --> 00:25:51,840 Speaker 5: say Jazzy did a solid by not saying it on camera, 486 00:25:52,000 --> 00:25:53,679 Speaker 5: but she did tell her on the trip. Girl, if 487 00:25:53,680 --> 00:25:55,160 Speaker 5: you weren't gonna tell her that on camera, you could 488 00:25:55,200 --> 00:25:56,800 Speaker 5: have waited till y'all got home and just called her 489 00:25:56,800 --> 00:26:00,240 Speaker 5: on the phone, because it definitely ruins the vibe of 490 00:25:59,840 --> 00:26:03,320 Speaker 5: the of the trip. You know, we've seen her enough 491 00:26:03,320 --> 00:26:05,080 Speaker 5: time to know once you give her some news like that, 492 00:26:05,119 --> 00:26:07,840 Speaker 5: she's gonna have an attitude. She's gonna retract, she's gonna 493 00:26:07,880 --> 00:26:10,880 Speaker 5: like she's gonna go inside her head. She's not gonna 494 00:26:10,880 --> 00:26:12,880 Speaker 5: be fun anymore like it's gonna be. She's gonna talk 495 00:26:12,880 --> 00:26:15,040 Speaker 5: shit for a minute and then ten minutes later she's 496 00:26:15,040 --> 00:26:15,640 Speaker 5: gonna be sad. 497 00:26:15,960 --> 00:26:16,200 Speaker 1: Right. 498 00:26:16,960 --> 00:26:20,000 Speaker 5: I just think she's just like, she's just very fragile 499 00:26:20,119 --> 00:26:23,280 Speaker 5: right now, and I think she cares so much about 500 00:26:23,280 --> 00:26:27,359 Speaker 5: what these women think of her that everything feels like 501 00:26:28,080 --> 00:26:30,480 Speaker 5: it's on ten for her. And then the girls don't 502 00:26:30,480 --> 00:26:32,400 Speaker 5: help it either, because they do kind of poke fun. 503 00:26:32,520 --> 00:26:35,919 Speaker 5: They see weakness and like a wild pack. Will let 504 00:26:36,000 --> 00:26:42,480 Speaker 5: me not say that, Like how can I can't say 505 00:26:42,480 --> 00:26:45,159 Speaker 5: without being offender, So let me not say it. When 506 00:26:45,200 --> 00:26:49,680 Speaker 5: people are in groups, group think mob mentality, like when 507 00:26:49,720 --> 00:26:52,480 Speaker 5: they feel like one is like kind of like limping behind, 508 00:26:53,840 --> 00:26:57,040 Speaker 5: they're gonna go for you, and you you see like 509 00:26:57,080 --> 00:26:59,320 Speaker 5: they're not really that but that for a minute, are 510 00:26:59,320 --> 00:27:01,520 Speaker 5: you okay? But then they'll go, oh, she's mad again, 511 00:27:02,080 --> 00:27:03,840 Speaker 5: you know what I mean? Like they don't really care 512 00:27:03,960 --> 00:27:05,040 Speaker 5: for her. They don't care. 513 00:27:05,600 --> 00:27:08,560 Speaker 3: That's what she ain't talking about, shit, Claudia. That's why 514 00:27:09,080 --> 00:27:11,800 Speaker 3: it's not like she's talking about When Giselle talked about 515 00:27:11,880 --> 00:27:13,639 Speaker 3: losing her father, we cared about that. 516 00:27:13,680 --> 00:27:15,760 Speaker 4: People cared about that. They were sensitive to that. 517 00:27:16,200 --> 00:27:20,960 Speaker 3: Angel getting mad because somebody called Jazzy talking shit about her. Sorry, 518 00:27:21,080 --> 00:27:23,119 Speaker 3: we got real all the shit going on in the 519 00:27:23,160 --> 00:27:26,919 Speaker 3: world today. Okay, and then we're supposed to feel what 520 00:27:27,440 --> 00:27:28,640 Speaker 3: for her crying about that? 521 00:27:28,760 --> 00:27:29,440 Speaker 4: You know what I'm saying. 522 00:27:29,440 --> 00:27:32,360 Speaker 3: If anything, let's focus on the comedy when she walked out, 523 00:27:32,640 --> 00:27:35,639 Speaker 3: when she left out the bridal shower, which can you 524 00:27:36,000 --> 00:27:39,919 Speaker 3: a bachelorett party? Can you imagine if some niggas had 525 00:27:39,920 --> 00:27:42,000 Speaker 3: a bachelor party and got to licking on each other's 526 00:27:42,080 --> 00:27:44,880 Speaker 3: chests and pouring shots on each other's chests and shit. 527 00:27:44,720 --> 00:27:46,639 Speaker 4: On camera, the world would implode. 528 00:27:46,880 --> 00:27:48,920 Speaker 3: But I thought it was hilarious that they just fell 529 00:27:49,000 --> 00:27:50,679 Speaker 3: right in and all that and it was just fun. 530 00:27:51,080 --> 00:27:55,680 Speaker 3: But anyway, yeah, by the way, mob that moment when yes, 531 00:27:56,160 --> 00:27:56,919 Speaker 3: we love it. 532 00:27:57,000 --> 00:27:59,760 Speaker 4: When she walked out, did y'all see that angel wing? 533 00:27:59,800 --> 00:28:01,600 Speaker 3: You know she had the wings in a halo on 534 00:28:01,720 --> 00:28:05,200 Speaker 3: so when she had been sitting in that chair apparently, Yeah, 535 00:28:05,400 --> 00:28:09,760 Speaker 3: so when she walked out the wrong she walked out 536 00:28:09,800 --> 00:28:13,280 Speaker 3: in a in a huff. That motherfucking wing was bent up. 537 00:28:13,359 --> 00:28:15,400 Speaker 3: It looked like a chicken wing. It was bent up. 538 00:28:15,480 --> 00:28:17,800 Speaker 3: So and all I could think about was Sparkle. Remember 539 00:28:17,800 --> 00:28:22,120 Speaker 3: in the movie Sparkles, sister can't flying on one wing? 540 00:28:20,840 --> 00:28:25,000 Speaker 3: Was you can't fly on one wing? 541 00:28:25,080 --> 00:28:25,320 Speaker 4: Baby? 542 00:28:25,320 --> 00:28:27,200 Speaker 3: You have an agel having a hard time, and if 543 00:28:27,200 --> 00:28:30,359 Speaker 3: she would just lighten the fuck up and have fun 544 00:28:30,440 --> 00:28:34,240 Speaker 3: a little bit, like damn, everything doesn't have to be 545 00:28:34,560 --> 00:28:38,000 Speaker 3: an emotional, damning, fucking moment, like just. 546 00:28:38,480 --> 00:28:40,840 Speaker 5: Everything's the thing, and my thing is this. If you're 547 00:28:40,960 --> 00:28:45,440 Speaker 5: a wife of an athlete, anyone that's ever dated an 548 00:28:45,520 --> 00:28:50,760 Speaker 5: athlete or a celebrity or a reality star, or is 549 00:28:50,960 --> 00:28:55,840 Speaker 5: one yourself, you have got to have bicker skin than that. 550 00:28:55,920 --> 00:28:58,239 Speaker 5: When you first date an athlete, all the girls at 551 00:28:58,280 --> 00:29:00,040 Speaker 5: one Hammo that was in his roster or whatever. I 552 00:29:00,040 --> 00:29:01,160 Speaker 5: don't know if he did have one or not. But 553 00:29:01,280 --> 00:29:02,719 Speaker 5: there's gonna always be a lot of girls that are 554 00:29:02,720 --> 00:29:05,240 Speaker 5: gonna be mad and comfor you. I'm surprised this ain't 555 00:29:05,320 --> 00:29:07,320 Speaker 5: old news to her by now. Like me, I'm used 556 00:29:07,320 --> 00:29:11,480 Speaker 5: to being called They're gonna call me, oh oho, lonely cat, 557 00:29:11,560 --> 00:29:17,040 Speaker 5: lady broke. It does not fail, It don't. It can't 558 00:29:17,040 --> 00:29:19,960 Speaker 5: still bother me at this point, right, it can't still 559 00:29:19,960 --> 00:29:23,120 Speaker 5: bother me, like you gotta just at this point, like girl, 560 00:29:23,240 --> 00:29:25,480 Speaker 5: So what I mean the man married you. I don't 561 00:29:25,480 --> 00:29:28,920 Speaker 5: think he'd marry you if you hef he really thought 562 00:29:28,960 --> 00:29:31,480 Speaker 5: that you sold thirty thousand dollars from him and try 563 00:29:31,520 --> 00:29:33,000 Speaker 5: to trap him into a baby. So at the end 564 00:29:33,000 --> 00:29:35,479 Speaker 5: of the day, Angel, I think you don't realize how 565 00:29:35,560 --> 00:29:39,240 Speaker 5: much you're really winning in real life, and you're so 566 00:29:39,480 --> 00:29:42,000 Speaker 5: worried about what these people think and the Internet and 567 00:29:42,160 --> 00:29:44,600 Speaker 5: things that you're not even like present for your blessings. 568 00:29:44,640 --> 00:29:47,000 Speaker 5: You had a husband that's a good looking man. I'm 569 00:29:47,040 --> 00:29:48,840 Speaker 5: not trying to get at him, that loves you. 570 00:29:49,720 --> 00:29:50,360 Speaker 7: A child. 571 00:29:50,480 --> 00:29:52,320 Speaker 5: You're on a popping reality show. 572 00:29:52,640 --> 00:29:55,560 Speaker 4: She's pretty, she's got a sexy body, and. 573 00:29:56,240 --> 00:29:58,280 Speaker 5: She's so busy worrying about what she don't have, but 574 00:29:58,360 --> 00:30:00,840 Speaker 5: what people are thinking about her that she's enjoying her life. 575 00:30:00,840 --> 00:30:02,640 Speaker 5: You have a very blessed life. Angel, and I hope 576 00:30:02,680 --> 00:30:05,400 Speaker 5: you receive this. You don't worried too much about what 577 00:30:05,480 --> 00:30:08,640 Speaker 5: the popular kids that high school sink, and I think 578 00:30:08,680 --> 00:30:10,760 Speaker 5: that's gonna be your boundfall And I hope you can 579 00:30:10,760 --> 00:30:13,080 Speaker 5: get out of your head and enjoy this. Like I 580 00:30:13,120 --> 00:30:14,680 Speaker 5: wish I could go back to my one season of 581 00:30:14,680 --> 00:30:16,640 Speaker 5: Housewives and maybe, like you know what I mean, like 582 00:30:16,680 --> 00:30:18,760 Speaker 5: it was fun when you look back at it and 583 00:30:18,800 --> 00:30:22,520 Speaker 5: like not everything can't be so serious, my friend, Like 584 00:30:22,920 --> 00:30:24,560 Speaker 5: I feel bad for you. I do. I feel like 585 00:30:24,600 --> 00:30:27,160 Speaker 5: you need a homegirl on there. You need a Claudia Jordan, 586 00:30:27,240 --> 00:30:29,560 Speaker 5: like what Claudia did for Kenya on season seven, to 587 00:30:29,640 --> 00:30:31,040 Speaker 5: come and help you out because you don't have it 588 00:30:31,080 --> 00:30:31,600 Speaker 5: on that shoe. 589 00:30:31,800 --> 00:30:34,880 Speaker 4: And further to your point, you you do. That's fun. 590 00:30:35,120 --> 00:30:37,360 Speaker 3: I remember in season seven we talked on the phone 591 00:30:37,400 --> 00:30:39,640 Speaker 3: when y'all were in Puerto Rico. Yeah, if you had 592 00:30:39,640 --> 00:30:41,960 Speaker 3: Tornini's ass up, we talked on the phone about it, 593 00:30:42,000 --> 00:30:42,880 Speaker 3: and you were laughing. 594 00:30:43,320 --> 00:30:44,520 Speaker 4: I was afterward. 595 00:30:44,920 --> 00:30:48,560 Speaker 3: Claudia was laughing that same damn day, so that she did, 596 00:30:48,640 --> 00:30:50,320 Speaker 3: like you have to a half. 597 00:30:50,080 --> 00:30:53,560 Speaker 5: Bread a slut, bankrupt or horror or clip left my body, 598 00:30:53,600 --> 00:30:55,440 Speaker 5: y'all was coming from my bob, but my hair was 599 00:30:55,440 --> 00:30:58,719 Speaker 5: the only real hair inside. Me and Carlos King were 600 00:30:58,720 --> 00:31:06,800 Speaker 5: the only ones that real hair and rocking cap a swim, yeah, 601 00:31:08,800 --> 00:31:11,360 Speaker 5: they all had that. They all had twenty seven piece 602 00:31:11,440 --> 00:31:14,600 Speaker 5: bus downs y'all had. Y'all had all kinds of ship, 603 00:31:14,680 --> 00:31:16,960 Speaker 5: a lace front of closure. I don't know none of 604 00:31:16,960 --> 00:31:21,000 Speaker 5: that ship. I had my real short hair that was 605 00:31:21,040 --> 00:31:23,880 Speaker 5: shoulder length and it was humid, so I curled that 606 00:31:23,880 --> 00:31:26,520 Speaker 5: ship up because the ms get freezy. Real hair reacts 607 00:31:26,520 --> 00:31:29,080 Speaker 5: differently than fake care fake hair will be smooth and 608 00:31:29,120 --> 00:31:31,680 Speaker 5: silky and the most Amazon of Amazon in the forest. 609 00:31:32,000 --> 00:31:35,440 Speaker 5: But fake real hair is gonna react. It's gonna react, 610 00:31:35,480 --> 00:31:38,480 Speaker 5: it's gonna get So. Yes, I had a bootleg Bob 611 00:31:38,480 --> 00:31:41,000 Speaker 5: and I think that shit was mad funny. Imagine still 612 00:31:41,000 --> 00:31:44,320 Speaker 5: being upset about that. I'm not, but yeah, Colors, Colos 613 00:31:44,680 --> 00:31:46,280 Speaker 5: me the only one with real hair? 614 00:31:46,840 --> 00:31:47,480 Speaker 4: Why why? 615 00:31:47,520 --> 00:31:49,520 Speaker 2: Why it is at the end of the day, I 616 00:31:49,560 --> 00:31:50,120 Speaker 2: will say this. 617 00:31:50,200 --> 00:31:53,680 Speaker 1: I will say this, Actually you had doesn't raise a 618 00:31:53,720 --> 00:31:55,280 Speaker 1: really good point because. 619 00:31:55,840 --> 00:31:58,320 Speaker 5: Oh look it wait wait, wait real quick, let's see 620 00:31:58,320 --> 00:32:00,520 Speaker 5: the shirt. There's no black shit on there now right, 621 00:32:01,720 --> 00:32:02,080 Speaker 5: First of. 622 00:32:02,080 --> 00:32:03,600 Speaker 7: All, girl, it never was. 623 00:32:11,640 --> 00:32:12,040 Speaker 5: Look at you? 624 00:32:12,440 --> 00:32:13,480 Speaker 2: Why who's wind? 625 00:32:13,760 --> 00:32:13,840 Speaker 4: Like? 626 00:32:13,840 --> 00:32:16,200 Speaker 2: How who waved the Whitney touch? And did this too? 627 00:32:16,360 --> 00:32:22,680 Speaker 2: I begot who was did that? So there we go. 628 00:32:22,800 --> 00:32:27,800 Speaker 1: Yeah, yeah, no, okay, So Angel, honestly listen to Claudia. 629 00:32:27,920 --> 00:32:31,280 Speaker 2: We got a run. But I will say this, you're 630 00:32:31,360 --> 00:32:33,720 Speaker 2: really listen. We have fun of this show. 631 00:32:33,760 --> 00:32:36,560 Speaker 1: But I really do hope that because I think you 632 00:32:36,600 --> 00:32:38,880 Speaker 1: guys know that all the girls watch this. 633 00:32:40,840 --> 00:32:44,120 Speaker 5: Hi, don't be mad at us. We're just trying to know. 634 00:32:45,520 --> 00:32:47,560 Speaker 1: What I want to end by saying, is this I 635 00:32:47,600 --> 00:32:50,440 Speaker 1: really believe Claudia's given some great advice and doesn't bringing 636 00:32:50,480 --> 00:32:55,400 Speaker 1: this up. I really think I hope Angel watches and listens, 637 00:32:55,960 --> 00:32:58,240 Speaker 1: and if she is asked back for a second season, 638 00:32:58,720 --> 00:33:02,000 Speaker 1: take heed. I don't know too many women on reality 639 00:33:02,040 --> 00:33:05,600 Speaker 1: television that can be that can set your clip, left 640 00:33:05,600 --> 00:33:10,200 Speaker 1: your body and to be to to have that back 641 00:33:10,240 --> 00:33:14,680 Speaker 1: and forth exchange and to leave that table because mind you, 642 00:33:15,160 --> 00:33:19,160 Speaker 1: me and the producers were back there screaming, laughing, we've 643 00:33:19,200 --> 00:33:21,960 Speaker 1: never seen anything like it, and the girls heard us. 644 00:33:22,160 --> 00:33:25,880 Speaker 7: Portia and Faitha said Carlos, can you shut up? 645 00:33:25,880 --> 00:33:29,760 Speaker 2: We can hear your The audio person said, Carlos, can 646 00:33:29,800 --> 00:33:30,520 Speaker 2: you stop laughing? 647 00:33:30,560 --> 00:33:31,120 Speaker 4: We could hear you. 648 00:33:31,720 --> 00:33:32,719 Speaker 2: That's how funny it was. 649 00:33:32,800 --> 00:33:35,760 Speaker 1: But for the woman on the receiving end to call 650 00:33:35,960 --> 00:33:40,080 Speaker 1: dust afterwards at laugh at being having that exchange, it 651 00:33:40,120 --> 00:33:42,720 Speaker 1: goes to show you that, look, yes, be yourself. But 652 00:33:43,040 --> 00:33:47,320 Speaker 1: I think Angel has to understand that you leaving these 653 00:33:47,400 --> 00:33:50,880 Speaker 1: rooms and the calling Bobby, that's not what's gonna make 654 00:33:50,920 --> 00:33:51,320 Speaker 1: you great. 655 00:33:51,680 --> 00:33:54,040 Speaker 2: It reminds me of you know. 656 00:33:54,000 --> 00:33:57,520 Speaker 1: When Tanya from season eight just wasn't present because she 657 00:33:57,600 --> 00:33:59,200 Speaker 1: was overthinking, and I love Tanya. 658 00:34:00,240 --> 00:34:00,520 Speaker 2: Listen. 659 00:34:00,600 --> 00:34:03,240 Speaker 1: Being a reality starts a hard gig it's not easy, 660 00:34:03,840 --> 00:34:06,360 Speaker 1: but I feel like, Angel, you have everything it takes 661 00:34:06,360 --> 00:34:08,840 Speaker 1: to be a great one, and if you are asked 662 00:34:08,840 --> 00:34:10,080 Speaker 1: back for a second season. 663 00:34:09,800 --> 00:34:11,200 Speaker 2: I really do help you. Take a lot of your 664 00:34:11,200 --> 00:34:12,760 Speaker 2: industin's advice and it's. 665 00:34:12,640 --> 00:34:16,960 Speaker 1: Like, have fun, Just have fun, and just know that 666 00:34:17,000 --> 00:34:18,799 Speaker 1: you are there to be you, and you are there 667 00:34:18,840 --> 00:34:22,000 Speaker 1: to defend yourself in the moment and not walk off 668 00:34:22,000 --> 00:34:22,319 Speaker 1: from it. 669 00:34:22,400 --> 00:34:25,239 Speaker 5: So she shows moments that she has it in her. 670 00:34:25,280 --> 00:34:28,640 Speaker 5: She shows moments of that. But yeah, I think she's too. 671 00:34:29,520 --> 00:34:33,320 Speaker 5: Whoever is emotionally involved invested loses the argument. The reason 672 00:34:33,320 --> 00:34:35,600 Speaker 5: why I was like that with mine was I didn't 673 00:34:35,640 --> 00:34:37,160 Speaker 5: give a fuck. I wasn't a fan of the one. 674 00:34:37,200 --> 00:34:39,479 Speaker 5: I wasn't looking anybody like they were larger in life. 675 00:34:39,520 --> 00:34:41,960 Speaker 5: I think because she was a fan and really watched 676 00:34:41,960 --> 00:34:44,400 Speaker 5: the show from the beginning, she may be a little 677 00:34:44,400 --> 00:34:47,239 Speaker 5: bit intimidated, like, well that's Giselle, Well that's Wendy. So 678 00:34:47,280 --> 00:34:49,839 Speaker 5: she can't like pop up like she's in her head 679 00:34:49,840 --> 00:34:51,480 Speaker 5: too much the. 680 00:34:51,560 --> 00:34:54,239 Speaker 3: End because that ship is not serving her. Wouldn't you 681 00:34:54,280 --> 00:34:56,720 Speaker 3: say it's time to pop your head out of your ass, 682 00:34:56,760 --> 00:34:59,640 Speaker 3: Angel and get in the paint. It's time to listen 683 00:34:59,640 --> 00:35:04,560 Speaker 3: to some and Lamar Yeah, and Trina he played from Trina. 684 00:35:05,120 --> 00:35:09,160 Speaker 4: You know what I'm saying. You know what I'm saying. 685 00:35:09,440 --> 00:35:12,759 Speaker 1: Yeah, I love it. Angel, We love you and we're 686 00:35:12,840 --> 00:35:14,680 Speaker 1: rooting for you. Go ahead, Dunsin. 687 00:35:15,000 --> 00:35:16,960 Speaker 3: Sorry, but before we go, because y'all know, I gotta 688 00:35:17,000 --> 00:35:20,720 Speaker 3: go Reasonable Doubt on Hulu. Yes, yes, yes, yes, yes. 689 00:35:20,760 --> 00:35:23,680 Speaker 3: The sister or the mama did it. Ostly didn't do it. 690 00:35:23,680 --> 00:35:25,759 Speaker 3: It was either that sister or his mama that killed 691 00:35:25,800 --> 00:35:28,600 Speaker 3: that killed the girl. Wendy on there number two. What 692 00:35:28,719 --> 00:35:30,760 Speaker 3: was the other show you brought up? It was Reasonable? 693 00:35:30,719 --> 00:35:32,920 Speaker 3: Another show, All Fair. 694 00:35:32,800 --> 00:35:34,040 Speaker 4: All Fair. Love it. 695 00:35:34,120 --> 00:35:37,400 Speaker 3: First of all, I love Ryan Murphy. Shit anyway, anything 696 00:35:37,480 --> 00:35:39,400 Speaker 3: NC nash is in. You know I'm watching it. 697 00:35:39,440 --> 00:35:42,600 Speaker 4: That's just cold. We watched NC Nash and it's a 698 00:35:42,640 --> 00:35:43,120 Speaker 4: good show. 699 00:35:43,200 --> 00:35:46,239 Speaker 3: Kim Kardashian's acting, of course, I didn't expect to see 700 00:35:46,280 --> 00:35:49,880 Speaker 3: her being Viola Davis or Meryl Streek. You know what 701 00:35:49,920 --> 00:35:52,960 Speaker 3: I'm saying. But the show is good. It shot beautifully, 702 00:35:52,960 --> 00:35:58,600 Speaker 3: it's interesting, it's hilarious, and Sarah Paulson is so they 703 00:35:58,640 --> 00:35:59,160 Speaker 3: were hating on. 704 00:35:59,160 --> 00:36:00,960 Speaker 5: The show because they were try to give it like zero. 705 00:36:01,200 --> 00:36:04,520 Speaker 1: I think it's because look, look, no shade and dustink 706 00:36:04,800 --> 00:36:05,319 Speaker 1: when you have to. 707 00:36:07,320 --> 00:36:11,400 Speaker 3: Thank you, okay bye? 708 00:36:11,840 --> 00:36:16,440 Speaker 1: So no, so Claudia, the thing is this it it's 709 00:36:16,480 --> 00:36:19,040 Speaker 1: what Dustin is saying. Is one of those things where 710 00:36:20,000 --> 00:36:22,640 Speaker 1: the wait is on cam because she's number one the 711 00:36:22,640 --> 00:36:26,120 Speaker 1: call sheet and look, she's not this Academy War winning 712 00:36:26,200 --> 00:36:29,759 Speaker 1: actress and she but she does have going close you 713 00:36:29,880 --> 00:36:33,360 Speaker 1: see nast Sarah Paulson. Naomi watched Tianna Taylor around her 714 00:36:33,960 --> 00:36:37,560 Speaker 1: and it's campy and it's soapy, so I like it. 715 00:36:37,800 --> 00:36:39,839 Speaker 2: But yeah, they're panning the show in her. 716 00:36:40,480 --> 00:36:42,600 Speaker 5: I like, yeah, it's because they put her front set 717 00:36:42,600 --> 00:36:44,400 Speaker 5: and maybe they probably would receive it better if they 718 00:36:44,440 --> 00:36:46,919 Speaker 5: didn't put her front and center and probably put forth 719 00:36:46,960 --> 00:36:48,640 Speaker 5: on the call sheet, because then they'd be like oh, 720 00:36:48,680 --> 00:36:52,160 Speaker 5: and then the fans could be pleasantly surprised like oh, 721 00:36:52,239 --> 00:36:53,760 Speaker 5: she's hanging with them instead of. 722 00:36:53,640 --> 00:36:56,680 Speaker 1: Like American Horror Story, Emma Roberts carried the show. 723 00:36:56,719 --> 00:36:58,879 Speaker 2: She was number on the call She came like number 724 00:36:58,960 --> 00:37:00,200 Speaker 2: three or you. 725 00:37:00,640 --> 00:37:03,560 Speaker 1: But they raised her acting skills in that show because 726 00:37:03,600 --> 00:37:04,959 Speaker 1: she wasn't carrying the show. 727 00:37:05,200 --> 00:37:07,920 Speaker 5: Yeah, yeah, I gotta watch it, check it out. So 728 00:37:08,000 --> 00:37:09,560 Speaker 5: you have to come to New York on Friday. 729 00:37:09,560 --> 00:37:13,480 Speaker 7: Maybe Well, look, we'll see what happens, but I'll call you. 730 00:37:13,480 --> 00:37:15,040 Speaker 5: You know what they're gonna say. I'm begging you to 731 00:37:15,040 --> 00:37:17,040 Speaker 5: hang out. If you don't, you're not begging me. 732 00:37:17,360 --> 00:37:19,040 Speaker 2: No, send me the details. 733 00:37:19,480 --> 00:37:22,080 Speaker 5: You ain't coming. You got something to do. 734 00:37:23,120 --> 00:37:25,960 Speaker 2: Seriously, a man's voice. 735 00:37:25,680 --> 00:37:32,080 Speaker 5: Goes up like that, he's miney next Monday. We'll let 736 00:37:32,400 --> 00:37:34,120 Speaker 5: let you know if we sell y'all. 737 00:37:34,040 --> 00:37:34,800 Speaker 4: To New York. 738 00:37:35,920 --> 00:37:38,440 Speaker 2: I can't wait to gag you. I'm going to see you. 739 00:37:38,480 --> 00:37:40,560 Speaker 5: Oh, I want to be gagged. It's been a long time. 740 00:37:40,400 --> 00:37:42,359 Speaker 7: To on that rag daw. 741 00:37:42,440 --> 00:37:44,120 Speaker 2: I love you, have a great buy and will see 742 00:37:44,200 --> 00:37:46,040 Speaker 2: y'all the next one. 743 00:37:46,320 --> 00:37:50,040 Speaker 7: Bye bye. 744 00:37:50,719 --> 00:37:55,239 Speaker 1: Reality with the King is executive produced by me Carlos King, 745 00:37:55,640 --> 00:37:59,600 Speaker 1: produced by Lizzie Nimitz, and a partnership. 746 00:37:59,000 --> 00:38:01,120 Speaker 4: With the Lack of fac Network. 747 00:38:01,480 --> 00:38:04,160 Speaker 1: You can also find us on my YouTube channel at 748 00:38:04,200 --> 00:38:06,040 Speaker 1: Big Carlos King Underscore.