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Speaker 1: I was talking to all the women. I told him,

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Speaker 1: you know what, fuck it, I'm gonna go to rehab.

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Speaker 1: And then I called top Dog and tndack lamartin. He said,

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Speaker 1: that's the most gangster ship you ever said. Yeah, yeah,

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Speaker 1: what up y'all? This is Joe Crack the Dawn.

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Speaker 2: Your boy Jada know what it is.

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Speaker 1: They just came with the outfit change.

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Speaker 2: Ain't tell me.

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Speaker 1: No, I'm telling you like cool. Tell what side.

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Speaker 3: He's lost out twenty twenty six, No mighty pop out never, No,

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Speaker 3: you know what I mean. It's the Joe and Jadas show,

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Speaker 3: every show legendary, every show iconic. And you think of

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Speaker 3: today's guests, you think it's some he was able to

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Speaker 3: overcome adversity. Somebody's about changing their life, you know what

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Speaker 3: I mean, getting to the bag, getting the mental health together,

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Speaker 3: doing the right.

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Speaker 4: Thing, getting the music, popping brand me winner. You off

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Speaker 4: been nominated, but not. It's hard to win one of

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Speaker 4: them things.

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Speaker 5: Ye ladies and gentlemen make some noise for a lefty

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Speaker 5: gun play.

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Speaker 2: Ain't having me? So my brother brother is the honor

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Speaker 2: to have you.

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Speaker 1: Man.

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Speaker 2: We're in LA and we said they don't get no

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Speaker 2: more LA.

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Speaker 6: The gun play Lefty right now at this moment, and

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Speaker 6: my brother game and so we touched saw you. We know,

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Speaker 6: you know this is the Joe and Jadas show. We

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Speaker 6: about the culture, and we said, let's bring our brother on.

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Speaker 6: What's crazy is I didn't see the Grammys. My wife

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Speaker 6: saw it that She called me.

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Speaker 1: She was like, Yo, you know guy screaming latino on

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Speaker 1: the Grammy? Yeah he want is my wife calling me

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Speaker 1: telling me that you won the Grammy. So you win

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Speaker 1: the Grammy?

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Speaker 6: What's so important about you saying yo, ken joke put

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Speaker 6: a latito on.

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Speaker 2: I just want the homies understanding.

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Speaker 1: He gave me a platform, and it's been something that's

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Speaker 1: so hard to do in Los Angeles too, you know,

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Speaker 1: break into the rap game as a Latino. And you

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Speaker 1: know Kendrick Reid, you know Black and Brown Unit, he

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Speaker 1: had his finance right there. It don't get no bigger

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Speaker 1: than that. And I appreciate him for giving me that platform.

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Speaker 1: I got the barn.

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Speaker 2: I'm running with it. I ain't looking back, right, you know,

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Speaker 2: one of the living legends.

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Speaker 1: So many kids it look like me in the hood,

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Speaker 1: you know, and just I'm glad to represent the people

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Speaker 1: in the right way.

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Speaker 6: There's one of the Latino legends from out here one time.

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Speaker 6: I don't want to say his name because he's beyond

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Speaker 6: a legend. But he come and I take him to

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Speaker 6: the Bronx to hang out with me. You know, we

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Speaker 6: in the Bronx so very different. This is what I

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Speaker 6: want to talk to you about. Some people can visualize

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Speaker 6: and understand what's going on. Very different in the West Coast, unfortunately,

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Speaker 6: between the Latinos and blacks, like in New York, everybody's

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Speaker 6: a mixed baby. Everybody's black and Puerto Rican. And so

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Speaker 6: he comes with us and I'm just showing him a

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Speaker 6: good time. We had Jimmy's Ross Cafe, and he asks me, Yo,

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Speaker 6: you fuck with the black people? And I looked at him, like,

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Speaker 6: because I might as well be black. I don't know

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Speaker 6: how to explain it to you any other way. So

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Speaker 6: I looked at him and say, Yo, what you mean?

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Speaker 6: He said, out West, we don't fuck with the black dude.

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Speaker 6: I said, well, I can't fuck with you no more, man,

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Speaker 6: because that's not what we on here, right And I

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Speaker 6: didn't even understand that's Fowjoe Tom or some shit like that.

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Speaker 2: I think I know who ain't talking about.

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Speaker 1: Whoa, it don't matter. Yeah, he's a legend. But he

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Speaker 1: told me, yo, we don't fuck with the black dudes.

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Speaker 1: I said, well, I can't fuck with you. That was

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Speaker 1: the last time I ever rocked with him, even though

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Speaker 1: he is a legend and he's a pioneer somebody who

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Speaker 1: started it. But that's when I started to realize that

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Speaker 1: there's parts of the country that Latinos and blacks and

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Speaker 1: connected like that.

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Speaker 2: Yeah, you know.

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Speaker 6: And so that's what you meant when you went up there.

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Speaker 6: You said, Yo, this brother gave me a chance. Let's unify, Yeah.

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Speaker 1: Stronger together, and you ain't gonna get nowhere and rap

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Speaker 1: if you ain't cool and on blacks, you know, it's

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Speaker 1: it's their culture, you know. And they allow me to,

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Speaker 1: you know, make money off this. And more homies are

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Speaker 1: following in my footsteps, you know, And I appreciate everything

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Speaker 1: changing with more did for me and changed my life.

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Speaker 1: You know.

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Speaker 6: I always said that the biggest rap on Earth, it's

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Speaker 6: gonna be a Mexican rapper if he finds a way

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Speaker 6: to let I always tell you that Steve, Steve lobels here,

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Speaker 6: the biggest rap on Earth, It's gonna be a Mexican

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Speaker 6: American rapper the fucks with black people, fucks with everybody

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Speaker 6: and just makes music for everybody.

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Speaker 1: It's gonna have the whole world.

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Speaker 6: Yeah, in the sense you leading that in the in

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Speaker 6: the in the footsteps, and you know we already got that.

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Speaker 6: The point of it so on was body more than that.

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Speaker 6: I mean, Latinos and blacks together. So I've always been

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Speaker 6: about that. You pay the way, good looking brother. Tell

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Speaker 6: me about the Mexican experience in La bomb Park, A

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Speaker 6: lot of ganggang you know.

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Speaker 1: I got jumped into my neighborhood when I was thirteen

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Speaker 1: years old, juvenile hall prison, live a real life, you know,

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Speaker 1: really about that life. And I was sitting in Pelican

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Speaker 1: Bay and I'm like, man, you know, just a moving

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Speaker 1: cycle was in Quirking Shoe, Pelican basedow and I've seen

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Speaker 1: oh jeez, he's a rapper out here. I said I

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Speaker 1: could do that. And I said, man, I'm gonna break

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Speaker 1: the cycle. I'm gonna be a rapper, fuck it, you know,

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Speaker 1: and then the rest is history. I manifested everything. I've

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Speaker 1: seen it in my head. I ran with it, you know,

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Speaker 1: but just you know, real Latino neighborhood, like point the

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Speaker 1: bomb Park, West Camina, the Wante you know, just ain't

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Speaker 1: nothing coming out of there, just gang bang, you know,

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Speaker 1: try to make a change.

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Speaker 6: Do you see that you're influencing the young Mexicans to

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Speaker 6: start rapping and start trying to definitely change and be positive.

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Speaker 1: Yeah, definitely, man, follow your dreams, anythings possible. That's real talk.

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Speaker 2: Not only did you want to grant me if you

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Speaker 2: want it, have to get released from prison?

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Speaker 1: Yeah?

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Speaker 2: How does that feel?

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Speaker 1: What kind of space did it make me want to?

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Speaker 2: Man?

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Speaker 1: It said, it's a dream come true. It's a trick.

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Speaker 1: It still hasn't really hit me yet. Now it's amazing.

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Speaker 1: You look great that night too. Boy you do that

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Speaker 1: ship on? Do that ship on, boyl. Yeah, I appreciate

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Speaker 1: you all. Man. Yeah, I've been in the last six months.

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Speaker 1: I've been in rehab, sat up to the hey in

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Speaker 1: Detar's Frank sitting Korell. I've been right there getting my

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Speaker 1: mind right. You know how hard is that? Right?

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Speaker 2: Like how long you was on drugs?

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Speaker 6: And it's I'm glad you're not ashamed of that because

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Speaker 6: that's how.

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Speaker 1: You really inspire it. Yeah, as fuck music, fuck all that,

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Speaker 1: that's your real purpose to turn that ship around somebody

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Speaker 1: like Jelly Ro.

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Speaker 6: You see how he is scared to say, yo, I

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Speaker 6: was fucked up. I was using drugs and he inspired

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Speaker 6: so many people. And now you're the biggest in the game.

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Speaker 6: You gotta realize more people relate to that. Like I

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Speaker 6: lost the brother the drugs. He wouldn't get off drugs.

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Speaker 6: When did you start? How did that come about? And

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Speaker 6: when did you finally say, yo, I'm I gotta stop

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Speaker 6: doing this.

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Speaker 1: Man. I've been doing drugs and it's like I was thirteen,

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Speaker 1: just in that gang culture. It's just something that that's

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Speaker 1: always around in county and prison, and I became depending

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Speaker 1: on it. And you know, ever since I got sober.

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Speaker 1: But I was blowing everything. I was blowing all this opportunity.

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Speaker 1: I got in a car crash, got into a lot

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Speaker 1: of trouble. What kind of drugs were everything? Everything? Christ O, heroin,

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Speaker 1: cod what's more addictive? Crystal heroin, heroine not liquor balanced

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Speaker 1: it out. I was just blowing on my opportunity. Everybody's

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Speaker 1: all like, man, you gotta once in a lifetime opportunity

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Speaker 1: and you.

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Speaker 2: Throwing it away.

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Speaker 1: I was at a Chiney concert. It was a chiny

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Speaker 1: Eve dar Rule concert and I was talking to all

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Speaker 1: of the women. I told him, you know what, fucking

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Speaker 1: I'm gonna go to rehab. And then I called top

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Speaker 1: Dog and Tndic Lamartin. He said, that's the most gangster

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Speaker 1: ship you ever said. You know.

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Speaker 2: So I'm rehabing Miami. You know, stop cold turkey.

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Speaker 1: Knowing that I was Grammy nominated, popped up like the

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Speaker 1: boogey Man, everybody tripped out. Nobody thought I could change

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Speaker 1: my ways, but I did a day at a time. Brother,

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Speaker 1: I'm bailing you much for that. The hardest thing about

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Speaker 1: it is trying to write now sober. I'm very trying to.

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Speaker 1: I made all my hits sober, all the lean backs,

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Speaker 1: make your reins all the way ups, any fucking eat

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Speaker 1: you ever heard in your life? Sober letting Nobody tell

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Speaker 1: you you gotta be hoigh to write not true. If

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Speaker 1: you can do it, I can do it. Yes, you

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Speaker 1: got it. That's what I'm saying. That's exactly what I'm saying.

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Speaker 2: It's gonna take a minute, but then once you get it, Yeah.

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Speaker 1: It's the truth. Sitting here with you, guys, I was

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Speaker 1: just bunking in New York last night. Yeah, I love

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Speaker 1: right there. I told you on West Side Terrace, bar

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Speaker 1: Man Western Terry squar.

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Speaker 6: And motherfucking if you saying that, and you bought that

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Speaker 6: life nigga, because we bought that light. Shout out, Steven Tay,

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Speaker 6: shout out. I think of you because you Mexican. I

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Speaker 6: think of hip hop.

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Speaker 1: You know.

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Speaker 6: Of course, Cipher Steels inspired me and Punt. Yeah, they're

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Speaker 6: the first ones to inspires us on all saying all

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Speaker 6: of them. Mister cartoon.

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Speaker 1: Yeah. Do you know mister Carr legendary yup, yup, shut out?

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Speaker 1: What a fucking legend, mister Carch Hell yeah, west Hard.

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Speaker 6: You know me personally, every time I came to l A,

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Speaker 6: you know, I was more towards Inglewood shout out. You know,

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Speaker 6: mac Ten, I do believe, and this is something that

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Speaker 6: everybody could argue with me. But we had something to

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Speaker 6: do with the East coast West coast connecting because it

199
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Speaker 6: was at the time Big Ee Pok died. There was

200
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Speaker 6: a couple of more New York and West Coast beefs

201
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Speaker 6: going on and being mac Ten met each other and

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Speaker 6: we became brothers. I came out here and shot a

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Speaker 6: movie with him called Thinke of the Water in Inglewood, okay,

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Speaker 6: and they ain't came to my hood. And what's crazy

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Speaker 6: is I never knew there was bloods in New York

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Speaker 6: when I grew up. It wasn't bloods, it wasn't crips,

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Speaker 6: it wasn't none of that.

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Speaker 1: He came to my projects and when I say you,

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Speaker 1: all them kids started running outside with the red suits

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Speaker 1: on and hats, and it was like, yo, g oh

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Speaker 1: j That's.

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Speaker 6: When I knew we had bloods in New York. I

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Speaker 6: didn't even know it, and I was in the street.

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Speaker 6: So I brought him a lot of projects and everybody

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Speaker 6: running out the building like yo o g o g og.

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Speaker 6: I was like, oh shit, we got bloods New York.

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Speaker 1: Yeah, been in New York. Just a trick. The tensions

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Speaker 1: out there, just projects. They tell him, whatever you do now.

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Speaker 1: Difference between that, don't walk in LA and here man

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Speaker 1: out here. Every every blocks of gang, you know, pretty

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Speaker 1: much every blocks of game. You'd be somewhere nice right here.

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Speaker 1: You make it right, you know, you beating some cribs,

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Speaker 1: some blood, some essays. You know, I'm a slang so

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Speaker 1: I'm the South Sider out here. I reprexentple.

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Speaker 2: Yeah, New York.

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Speaker 1: They drove me around the projects and ship towers. Don't

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Speaker 1: walk up in here at midnight left me. I said,

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Speaker 1: for sure, you looking out.

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Speaker 6: What's so fucked up that if you was on drugs

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Speaker 6: you would walk up in there at any time to

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Speaker 6: get the drugs. So when you're on drugs, you in

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Speaker 6: the most dangerous neighborhood, you don't give a fuck. You

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Speaker 6: gotta get the ship.

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Speaker 2: You're right.

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Speaker 6: It's the same thing with places like oh, Miami too, Miami,

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Speaker 6: you could be a southeat.

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Speaker 1: You make a left turn, you and fucking pomp pomp,

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Speaker 1: you and pompa No, but that's with you in Liberty City,

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Speaker 1: all that ship over town. Yeah, Liberty City, man, Yeah.

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Speaker 6: I lit My last crib was fifty thousand of the month,

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Speaker 6: a pen house. I went walking two blocks. I was

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Speaker 6: in the overtown nigga. They was out in the middle

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Speaker 6: of the street. It's so crazy how you got places

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Speaker 6: that look like paradise but you make the wrong turn.

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Speaker 1: Help. Yeah, hell yeah, I feel that. Plus somebody, I'm

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Speaker 1: Bellington States right now in Texas and Cali. So I've

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Speaker 1: been doing the right thing, trying to stay focused on

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Speaker 1: finding gun charging fighting some shit in Texas I learned

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Speaker 1: my lesson. I all the restaurant in Texas somewhere. You

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Speaker 1: know what I'm saying.

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Speaker 2: Shout out to my brother baby Bashing, Franky J. You

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Speaker 2: heard of these guys?

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Speaker 1: I know, Baby Bash, I mad person, Sugar. How you

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Speaker 1: get so flying? Sugar?

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Speaker 2: How you get so?

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Speaker 1: Those are my guys.

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Speaker 6: And every time I went to uh, Texas, Man, they

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Speaker 6: showed me the best time in the world.

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Speaker 1: These are beautiful guys. Yeah, and they met a man

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Speaker 1: they put down for the Mexican's legendary those guys. But

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Speaker 1: Texas is weird because you got a gun charge. But

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Speaker 1: I don't think you need a license for a gun charge.

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Speaker 1: So is it because you're a felon? When they said that,

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Speaker 1: you was like, yo, everybody can have a gun. And

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Speaker 1: then they like, not you, my man? You national base.

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Speaker 1: At this point, I don't think you're thinking nine to five, right,

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Speaker 1: you think a wrap?

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Speaker 2: You thinking yeah, entrepreneur, get money.

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Speaker 1: Get this, get that so and fast. Did you think

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Speaker 1: about taking your tattoos off your face at all? Never? Never? Uh?

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Speaker 1: But that's why they stopped you in texts. Here's the

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Speaker 1: story of my life, though, Bro, You.

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Speaker 6: Ever thought about you ever thought about a cop. We

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Speaker 6: so criminal minded. We never think about the other side

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Speaker 6: all the time driving in Texas. He's seeing him.

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Speaker 1: That's how I knew he had the gun. He's seen

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Speaker 1: the tattoos. You say, oh, lod this nigga from the

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Speaker 1: other side of town. Let me pull yo, my man.

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Speaker 1: What you got there? Right? So it's part of your image,

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Speaker 1: is part of everything to do every day.

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Speaker 2: Yeah, legit.

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Speaker 1: You gotta get a real security in a couple of dollars. Yeah,

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Speaker 1: we got real security, the real guys with the real

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Speaker 1: guns and leads. You okay, no, my guy, shoot your

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Speaker 1: face off. Wait with me, sir, Okay, thank you, Steve.

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Speaker 1: Shoot your fun. That's how you gotta move, you know. Yeah, security,

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Speaker 1: you got legit security. Be legit that way, because if

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Speaker 1: you bring the crew, they thinking they're impressing you, they

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Speaker 1: shoot the place up.

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Speaker 6: Don't play lefty on the news. Happened to me one

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00:14:44,960 --> 00:14:48,520
Speaker 6: million times. I've been in jail because of this raft

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Speaker 6: Ship d one. I've been in jail maybe thirty times.

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Speaker 6: And ship I didn't even do. They was just like

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Speaker 6: bringing all the honies.

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Speaker 1: That Joe, he's that Joe.

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Speaker 2: Where you bring the hunt to rise and something happens yeah,

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Speaker 2: it's on left no matter how you how about you

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Speaker 2: don't even bring the on to Roger. You're in the wrong.

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Speaker 1: But you in the soul House and you run out

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Speaker 1: of here, they be like, lucky Lefty beat everybody up

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Speaker 1: in here.

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Speaker 2: Yo, this this You're always gonna get to blame.

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Speaker 1: Guess what we was talking about a story behind the

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Speaker 1: scenes of you know, we we had sham Guard and

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00:15:24,400 --> 00:15:29,320
Speaker 1: Jaylen rose Er also Jalen Roy last night. He's with

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Speaker 1: Jayleen last night here.

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Speaker 6: So I asked, my man, sham Guard, Right, there's a guy,

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Speaker 6: you know, I used to coach basketball in the Rucker,

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Speaker 6: one of the big the best coaches ever, actually the

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Speaker 6: best coach of all time. Yeah, six chips. And I

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00:15:45,400 --> 00:15:47,320
Speaker 6: get to talk to to sham Guard and I bring

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00:15:47,440 --> 00:15:51,040
Speaker 6: up a player. So there was a player who was

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Speaker 6: in high school that was going to the NBA from

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Speaker 6: New York City who I don't know if I should

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Speaker 6: say that right now, because I don't want to.

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Speaker 2: He's in I don't know.

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Speaker 6: I'll say his name, Richie Parker. Rich Parker one of

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Speaker 6: the best basketball players out of New York. She's supposed

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00:16:12,520 --> 00:16:14,800
Speaker 6: to go to the to the NBA. There was no

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00:16:15,120 --> 00:16:20,520
Speaker 6: question no doubt that he was doing. Some girl allegedly

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00:16:20,600 --> 00:16:25,400
Speaker 6: got raped by some guys he knew, and because he

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Speaker 6: was the star of the basketball team, allegedly she had

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Speaker 6: choosed him. It was like some tupah, I can't rape

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Speaker 6: that girl, but some guys they might have did something

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00:16:35,800 --> 00:16:38,480
Speaker 6: too much, and then he caught the blame. So this

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00:16:38,560 --> 00:16:41,120
Speaker 6: is what I mean that you know, people could do shit,

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00:16:41,920 --> 00:16:45,640
Speaker 6: and it's always our fault if we're famous and were

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00:16:45,680 --> 00:16:50,120
Speaker 6: on the forefront, and one day it's crazy because hob

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Speaker 6: I never met a better gentleman in the street basketball

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Speaker 6: league or in the park. To Richie Parker, I never

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Speaker 6: met a nice guy in my life.

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Speaker 2: And his mother was a fan. She come up all

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Speaker 2: the ruck again to that a mound. One day.

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00:17:03,560 --> 00:17:06,800
Speaker 1: I sat next up. I see your mama, I said,

335
00:17:06,840 --> 00:17:08,960
Speaker 1: how you doing this today? I'm still watching the game.

336
00:17:09,000 --> 00:17:11,920
Speaker 1: And she just looked up and she was like, he's

337
00:17:11,960 --> 00:17:15,080
Speaker 1: supposed to be bitch, I said her, mama. She said,

338
00:17:15,119 --> 00:17:19,240
Speaker 1: we're supposed to be bitch. But she didn't do that.

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00:17:20,240 --> 00:17:22,360
Speaker 2: We would have been in that could you imagine we'd

340
00:17:22,400 --> 00:17:24,920
Speaker 2: have been in mansions, we'd have been yo. That shit

341
00:17:25,119 --> 00:17:28,119
Speaker 2: hurt me when that leg Yeah, I thought that, you

342
00:17:28,200 --> 00:17:30,880
Speaker 2: know what I'm saying, and so you know, that's why

343
00:17:30,920 --> 00:17:35,359
Speaker 2: it's so important that we got to move militant life happened.

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00:17:36,800 --> 00:17:40,760
Speaker 1: I wasn't signing with otr oh Man. I sung with

345
00:17:40,880 --> 00:17:44,199
Speaker 1: him my first week out of prison. You know, they

346
00:17:44,280 --> 00:17:47,160
Speaker 1: gave me the money, and in the beginning, I thought

347
00:17:47,160 --> 00:17:49,680
Speaker 1: they were stupid giving me that money because you ain't

348
00:17:49,720 --> 00:17:52,600
Speaker 1: the only one. Yeah, we all thought like that. Yeah,

349
00:17:52,800 --> 00:17:54,600
Speaker 1: like shit, I'm about to go back to the pen.

350
00:17:55,520 --> 00:17:58,080
Speaker 1: And then I took that money in next thing. You know,

351
00:17:58,119 --> 00:17:59,960
Speaker 1: I'm right here, grant Me nominated one of grant Me

352
00:18:00,800 --> 00:18:04,800
Speaker 1: blowing up, you know, through the roof. So I'm getting

353
00:18:04,840 --> 00:18:09,240
Speaker 1: my contract situated right now. But yeah, it's bigger things ahead.

354
00:18:10,119 --> 00:18:12,439
Speaker 6: You know what happened, went out outside the terror squad

355
00:18:12,520 --> 00:18:15,080
Speaker 6: deal with that fanic record I turned. It was ten

356
00:18:15,119 --> 00:18:18,920
Speaker 6: million dollars. We negotiated all night. Yo, See why you

357
00:18:19,080 --> 00:18:23,239
Speaker 6: lie laughing because we negotiating all night. They wouldn't let

358
00:18:23,320 --> 00:18:26,720
Speaker 6: me leave. It was like, you can't leave Leon Cohen's outside.

359
00:18:27,119 --> 00:18:27,560
Speaker 1: Have you ever?

360
00:18:27,680 --> 00:18:31,600
Speaker 6: Record label were exactly dying for Fact Joe to come

361
00:18:31,640 --> 00:18:34,800
Speaker 6: outside cause I just put our big bun. He's going

362
00:18:34,880 --> 00:18:38,400
Speaker 6: double platinum. They're like, Yo, this nigga got the Latino explosion.

363
00:18:38,880 --> 00:18:41,800
Speaker 1: Yeah, we gotta sign whatever stand it's got, Like it

364
00:18:41,920 --> 00:18:43,680
Speaker 1: was like that, so they wouldn't let me leave.

365
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Speaker 2: We wind up getting ten million dollars.

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Speaker 1: Shoot it. I felt like I stuck that nigga up,

367
00:18:50,760 --> 00:18:52,600
Speaker 1: like you ain't never see your life. I was like,

368
00:18:52,760 --> 00:18:55,320
Speaker 1: yoll being while we was up in there. I thought

369
00:18:55,359 --> 00:18:58,160
Speaker 1: we stuck him up. The man gave us that money

370
00:18:58,400 --> 00:19:02,560
Speaker 1: and jumped on the subway like nothing. He walked in

371
00:19:02,640 --> 00:19:05,159
Speaker 1: the subway up like yo, this didn't give us this

372
00:19:05,400 --> 00:19:08,680
Speaker 1: paper walked on the subway twelve midnight.

373
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Speaker 6: But I know the feeling because you've been doing shit

374
00:19:11,680 --> 00:19:15,640
Speaker 6: so much for a dollar, yeah or two dollars, motherfucker,

375
00:19:15,720 --> 00:19:15,960
Speaker 6: give you.

376
00:19:16,000 --> 00:19:20,000
Speaker 1: A real check. You feel like, who did we want?

377
00:19:20,359 --> 00:19:23,080
Speaker 1: Like that, what did we gotta do? What's going on?

378
00:19:23,200 --> 00:19:26,880
Speaker 1: Because ain't nobody giving us no ship for nothing? Legitly

379
00:19:27,000 --> 00:19:28,800
Speaker 1: in the hood, I was running around the hood with

380
00:19:28,880 --> 00:19:31,680
Speaker 1: like two hundred bands in a in a double bag

381
00:19:32,440 --> 00:19:35,320
Speaker 1: straight fifty seven moment went to the car place looking

382
00:19:35,359 --> 00:19:39,800
Speaker 1: in the may bag cash first week out, pushing the

383
00:19:39,840 --> 00:19:43,200
Speaker 1: maybag in the hood straight out the trailer park. You

384
00:19:43,520 --> 00:19:49,320
Speaker 1: that's case, Yeah, clapping it up for that. You know.

385
00:19:49,400 --> 00:19:53,240
Speaker 6: That's what we're all about. Big life. We're all about

386
00:19:53,359 --> 00:19:55,119
Speaker 6: celebrating life. Were all about.

387
00:19:55,760 --> 00:19:58,159
Speaker 1: Let me tell you something, ain't nothing like that feeling

388
00:19:58,200 --> 00:20:00,119
Speaker 1: when you get that first wad from rapping and on

389
00:20:00,240 --> 00:20:03,280
Speaker 1: the freeway and just buy yourself like, man, it's my

390
00:20:03,480 --> 00:20:07,240
Speaker 1: shat like it's not that you know for you know,

391
00:20:07,359 --> 00:20:09,520
Speaker 1: for me, that was like when I caught that vaccine

392
00:20:09,600 --> 00:20:13,080
Speaker 1: for COVID. I was stuck in the house for a

393
00:20:13,240 --> 00:20:16,520
Speaker 1: year and a half and when they gave me that vaccine,

394
00:20:16,560 --> 00:20:22,560
Speaker 1: I was like, looks like we made it. I thought

395
00:20:22,640 --> 00:20:25,080
Speaker 1: I was going die niggas was dying in the hoods

396
00:20:25,200 --> 00:20:27,400
Speaker 1: so much, and they gave me that vaccine. I ran

397
00:20:27,560 --> 00:20:30,399
Speaker 1: over there so fast. I have my hand out the

398
00:20:30,520 --> 00:20:34,240
Speaker 1: something roof like, looks like we made it. But I

399
00:20:34,680 --> 00:20:39,320
Speaker 1: know the feeling and there's nothing like doing something legit. Yeah,

400
00:20:39,840 --> 00:20:43,040
Speaker 1: there's nothing that we all made money, you know, literally,

401
00:20:43,160 --> 00:20:47,560
Speaker 1: but legit, it's nothing like it feels good and you

402
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Speaker 1: in your car and you feel like damn.

403
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Speaker 2: And that's what life's about.

404
00:20:51,720 --> 00:20:55,720
Speaker 1: You all the moll and my grandma. You want breaking

405
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Speaker 1: on my mom? First time I do is buy her car.

406
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Speaker 1: You know, let me tell you the next thing, you're

407
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Speaker 1: gonna buy your mother a house. Yeah, that's coming.

408
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Speaker 2: That's where it's at.

409
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438
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439
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440
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441
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442
00:22:56,960 --> 00:23:03,360
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443
00:23:03,720 --> 00:23:07,840
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444
00:23:07,920 --> 00:23:12,040
Speaker 5: gambling in Florida called one eight a admitted in Indiana.

445
00:23:12,280 --> 00:23:15,400
Speaker 5: If someone you know has a gambling problem and once held,

446
00:23:15,480 --> 00:23:18,840
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447
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Speaker 5: called one eight hundred gambling that's in Arizona, Colorado, Illinois,

448
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Speaker 5: New Jersey, Ohio, Tennessee, and Virginia.

449
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Speaker 1: Yeah, let me tell you something. I did a lot

450
00:23:32,440 --> 00:23:35,719
Speaker 1: of things. I just told you, and I'm not bragging

451
00:23:35,760 --> 00:23:38,720
Speaker 1: about a ten million dollar check. I used to fly

452
00:23:39,040 --> 00:23:42,960
Speaker 1: private planes like it was a tax. Like I used

453
00:23:42,960 --> 00:23:45,080
Speaker 1: to be like, we want Puerto Rican food, Let's go

454
00:23:45,240 --> 00:23:47,040
Speaker 1: to Puerto Rico, like it was a joke.

455
00:23:47,240 --> 00:23:51,359
Speaker 6: I'm just spending all kinds of money, forty niggas with me,

456
00:23:51,560 --> 00:23:55,200
Speaker 6: lobsters and stakes, buying thirty niggas, trucks, cats, this, this.

457
00:23:55,720 --> 00:23:58,480
Speaker 6: I did all that shit when I caught the tax

458
00:23:58,600 --> 00:24:02,359
Speaker 6: problem and I had to sell every day, and I

459
00:24:02,480 --> 00:24:04,159
Speaker 6: had to do whatever I had to do. I had

460
00:24:04,240 --> 00:24:06,640
Speaker 6: to give the government back millions of dollars and pay

461
00:24:06,720 --> 00:24:11,000
Speaker 6: my lawyer. It was one thing untouchable. It was called

462
00:24:11,040 --> 00:24:11,920
Speaker 6: my mother's house.

463
00:24:13,640 --> 00:24:16,480
Speaker 1: I would have sold every piece of jewelry, every art,

464
00:24:16,640 --> 00:24:20,679
Speaker 1: every house, every sneak, everything you ever seen, a fucking

465
00:24:20,760 --> 00:24:25,440
Speaker 1: toothpaste to pay them back. Don't talk about my mother's house.

466
00:24:25,760 --> 00:24:28,879
Speaker 1: And my mother's house wasn't even that special, guys. It

467
00:24:29,000 --> 00:24:31,240
Speaker 1: was a nice, little regular house that I bought for

468
00:24:31,359 --> 00:24:34,600
Speaker 1: my mother and my father. But I remember every single

469
00:24:34,680 --> 00:24:37,720
Speaker 1: time I pull up to my mother's house, I felt like,

470
00:24:38,560 --> 00:24:42,000
Speaker 1: even to this day, my house is that bitch, right.

471
00:24:42,800 --> 00:24:45,400
Speaker 1: And I used to pull up to my mother's house

472
00:24:45,520 --> 00:24:48,359
Speaker 1: just last year because she passed away and I felt

473
00:24:48,440 --> 00:24:51,440
Speaker 1: like that was the biggest house, the biggest shit.

474
00:24:51,800 --> 00:24:54,040
Speaker 6: I ever did it in my life. I was sit

475
00:24:54,119 --> 00:24:56,920
Speaker 6: in front of the house and be like, Wow, my

476
00:24:57,040 --> 00:25:04,160
Speaker 6: mom got a house. You know what I'm saying, that's

477
00:25:04,240 --> 00:25:07,480
Speaker 6: the biggest ship. Praise God. You put your mother and

478
00:25:07,560 --> 00:25:11,680
Speaker 6: father some ship condo. He screamed that you for buying

479
00:25:11,720 --> 00:25:16,240
Speaker 6: it for this is accounting this father, Fuck you for

480
00:25:16,359 --> 00:25:18,760
Speaker 6: buying it. But okay, thanks for the key. Son, your

481
00:25:18,800 --> 00:25:19,639
Speaker 6: eyes all up.

482
00:25:20,200 --> 00:25:20,920
Speaker 1: You know what I'm saying.

483
00:25:21,560 --> 00:25:21,960
Speaker 2: Left to you.

484
00:25:21,960 --> 00:25:25,320
Speaker 1: I see you in the studio, crazy Bone. I was

485
00:25:25,400 --> 00:25:28,680
Speaker 1: just with Game last night, no doubt. What's your process

486
00:25:28,840 --> 00:25:31,320
Speaker 1: like in the students. I like to write from Scraps.

487
00:25:31,600 --> 00:25:34,600
Speaker 1: I like to hear the beat, write from scraps. I've

488
00:25:34,600 --> 00:25:37,040
Speaker 1: been in the studio with Mike and Cheese Breast, Scott

489
00:25:37,119 --> 00:25:43,960
Speaker 1: Storage probably yeah, this is right from Scraps, right my

490
00:25:44,000 --> 00:25:49,000
Speaker 1: story and can we expect? So man, I'm dropping soon.

491
00:25:49,359 --> 00:25:52,040
Speaker 1: I got enough songs for an album. We're gonna go

492
00:25:52,040 --> 00:25:52,480
Speaker 1: to New York.

493
00:25:52,720 --> 00:25:54,720
Speaker 6: Fore you right now, nobody's gonna give you that ship,

494
00:25:54,800 --> 00:25:57,600
Speaker 6: like Scott Storch, Nobody now for what you want, not

495
00:25:57,720 --> 00:25:59,520
Speaker 6: for that la that's.

496
00:25:59,320 --> 00:26:04,280
Speaker 1: Still Drew Remain. This is how we do fuck Scott

497
00:26:04,400 --> 00:26:06,920
Speaker 1: Stork did that. Yeah, he remained at beat.

498
00:26:07,040 --> 00:26:07,639
Speaker 2: He did all that.

499
00:26:07,880 --> 00:26:14,000
Speaker 1: Huh A genius. N gave you that ship. If you

500
00:26:14,160 --> 00:26:17,639
Speaker 1: got that, Scott's gonna be right in the pocket for you.

501
00:26:17,760 --> 00:26:21,639
Speaker 1: I'm telling you that's that's We got studio timing him tomorrow.

502
00:26:22,080 --> 00:26:23,280
Speaker 2: Oh that's a no brainer.

503
00:26:23,520 --> 00:26:24,560
Speaker 1: That's that's right there.

504
00:26:24,640 --> 00:26:25,440
Speaker 2: He's gonna give you that.

505
00:26:26,280 --> 00:26:28,000
Speaker 1: Yeah. They just hear me from the studio. Is all

506
00:26:28,080 --> 00:26:33,080
Speaker 1: Roddy Rigs and Scott Storage. Roddy Rich is a motherfucking beast. Yeah,

507
00:26:33,160 --> 00:26:34,840
Speaker 1: Roddy called me. He's all like, name's doing it for

508
00:26:34,920 --> 00:26:37,119
Speaker 1: the culture. Bro, Like we gotta link up. I'm like

509
00:26:37,200 --> 00:26:42,760
Speaker 1: for sure, right, Rich, don't do that out of the park. Yeah, Yeah,

510
00:26:42,880 --> 00:26:46,400
Speaker 1: Roddy Rich, he's he's he's a fucking incredible guy.

511
00:26:46,480 --> 00:26:47,240
Speaker 2: He's a genius.

512
00:26:47,400 --> 00:26:50,560
Speaker 1: Man. You know that should be great you and him

513
00:26:50,600 --> 00:26:53,359
Speaker 1: and Scott stort I said, you put Stortch with with

514
00:26:53,560 --> 00:26:55,560
Speaker 1: Roddy Rich. I've seen him in the studio with him

515
00:26:55,560 --> 00:26:58,160
Speaker 1: the other day. That's great, man.

516
00:26:58,359 --> 00:27:02,680
Speaker 4: Yeah, that ship is gonna banks the Niggasias.

517
00:27:03,280 --> 00:27:06,320
Speaker 1: Theyre going hot to that ship. Boy, Like he's gonna

518
00:27:06,359 --> 00:27:06,760
Speaker 1: give you that.

519
00:27:08,800 --> 00:27:11,480
Speaker 2: Documentary. Listen said.

520
00:27:12,880 --> 00:27:15,320
Speaker 1: Everywhere. He said, all that nobody's gonna get you, that

521
00:27:18,560 --> 00:27:23,320
Speaker 1: nobody gonna tomorrow. We got here boys, Scott Storage, Fresh Bankogotti,

522
00:27:23,480 --> 00:27:29,120
Speaker 1: all like four producers in one studio. Yeah, lot of expectations.

523
00:27:29,280 --> 00:27:30,040
Speaker 2: You give me that.

524
00:27:35,359 --> 00:27:39,040
Speaker 1: My mom's my tin. Now, my mom's MASI in Watermelin.

525
00:27:39,359 --> 00:27:41,320
Speaker 1: My dad's white. But he left me when I was two.

526
00:27:41,880 --> 00:27:44,000
Speaker 1: He moved to Florida, and we've seen. I was in

527
00:27:44,040 --> 00:27:46,600
Speaker 1: Florida the other day and he came convisioning me and

528
00:27:46,640 --> 00:27:49,879
Speaker 1: I didn't even recognize him, you know. But so you

529
00:27:50,000 --> 00:27:54,000
Speaker 1: think after you got successful he came to visit you. Uh? Yeah,

530
00:27:54,119 --> 00:27:56,840
Speaker 1: because ever since I've been successful, I've been out of jail.

531
00:27:57,880 --> 00:28:00,159
Speaker 1: So I've always been in jail my whole life. Did

532
00:28:00,200 --> 00:28:03,000
Speaker 1: you forgive them for leaving you at two years old? Yeah?

533
00:28:03,520 --> 00:28:04,960
Speaker 2: I passed it up, you know.

534
00:28:09,760 --> 00:28:10,000
Speaker 1: Yeah.

535
00:28:11,000 --> 00:28:15,600
Speaker 6: I feel like every boy, every man leads their dad.

536
00:28:16,320 --> 00:28:20,080
Speaker 6: Like anybody who tells you that you don't need about

537
00:28:20,080 --> 00:28:22,520
Speaker 6: the dad, huh about the girls?

538
00:28:23,119 --> 00:28:23,280
Speaker 1: Yeah?

539
00:28:23,320 --> 00:28:24,040
Speaker 2: The girls too.

540
00:28:24,280 --> 00:28:26,000
Speaker 1: But what I'm saying is.

541
00:28:27,520 --> 00:28:30,480
Speaker 6: You need a father figure, man to straighten you out,

542
00:28:30,560 --> 00:28:32,760
Speaker 6: to make you go the right path, to be there

543
00:28:32,840 --> 00:28:34,680
Speaker 6: for you when you need a man in your life

544
00:28:35,600 --> 00:28:37,200
Speaker 6: that's why I was in the hood, because I didn't

545
00:28:37,240 --> 00:28:40,120
Speaker 6: have one. I looked at the homies for that good job.

546
00:28:40,280 --> 00:28:43,560
Speaker 6: You know, that shit felt good getting in from the homies.

547
00:28:43,600 --> 00:28:45,880
Speaker 1: So that's what I was putting in so much work,

548
00:28:46,000 --> 00:28:48,480
Speaker 1: you know, good job, good job, good job, you know,

549
00:28:49,200 --> 00:28:51,800
Speaker 1: chasing a father figure that's gonna let me in the

550
00:28:51,880 --> 00:28:55,480
Speaker 1: gang bang so much and I realized, you know, I

551
00:28:55,560 --> 00:28:56,600
Speaker 1: gotta do something different.

552
00:28:57,680 --> 00:28:59,760
Speaker 2: Why they happy for you a homies.

553
00:29:00,560 --> 00:29:04,000
Speaker 1: The homies in the beginning of like my second day

554
00:29:04,000 --> 00:29:06,560
Speaker 1: out of prison, gave me a strap boom, you know,

555
00:29:06,920 --> 00:29:09,520
Speaker 1: gave me some money and he's like, come on, let's ride.

556
00:29:09,600 --> 00:29:12,480
Speaker 1: I'm like, I'm gonna stay right here. What I said,

557
00:29:12,480 --> 00:29:14,840
Speaker 1: I'm gonna stay home real quick. I was too embarrassed

558
00:29:14,840 --> 00:29:16,760
Speaker 1: to tell him that I'm gonna be a rapper, you know.

559
00:29:17,160 --> 00:29:20,080
Speaker 1: And then like a week y'all talking about I'm gonna

560
00:29:20,080 --> 00:29:21,600
Speaker 1: be a rapper. He's like, you gonna be a rapper.

561
00:29:21,760 --> 00:29:23,520
Speaker 1: I'm like, yeah, I'm gonna be a rapper. He's like, man,

562
00:29:23,560 --> 00:29:26,720
Speaker 1: you fucking tripping bro. You're a lok in the hood,

563
00:29:26,800 --> 00:29:28,760
Speaker 1: you know, you're one of the ones. And I was

564
00:29:28,840 --> 00:29:32,040
Speaker 1: from my hood, but I followed my dream and then

565
00:29:32,400 --> 00:29:34,440
Speaker 1: once it worked out, they've seen it, you know, and

566
00:29:34,520 --> 00:29:37,040
Speaker 1: now they embraced it. You know. I feel like I'm

567
00:29:37,040 --> 00:29:39,720
Speaker 1: the first Latino. They really opened the door toup for

568
00:29:39,880 --> 00:29:42,200
Speaker 1: Latinos out here in LA to think the rapping is cool.

569
00:29:42,680 --> 00:29:44,800
Speaker 1: And I do it my own way, like I don't

570
00:29:44,880 --> 00:29:47,280
Speaker 1: use the N word like, you know, just out of

571
00:29:47,440 --> 00:29:49,960
Speaker 1: out of respect, you know, for for for the culture.

572
00:29:50,000 --> 00:29:52,640
Speaker 2: And you know, I'm paying my own way.

573
00:29:53,280 --> 00:29:53,400
Speaker 1: You know.

574
00:30:00,120 --> 00:30:03,240
Speaker 2: You know what's crazy is I started rapping.

575
00:30:03,320 --> 00:30:07,000
Speaker 6: I got a favorite album and Soul two Men records

576
00:30:07,040 --> 00:30:10,480
Speaker 6: with It's cause jealous ones still envy, and I was.

577
00:30:10,520 --> 00:30:14,760
Speaker 1: Out here, probably with Steve Lobelt. We started a promo tour.

578
00:30:14,880 --> 00:30:19,239
Speaker 1: This would Flow Joe my first record, and we did

579
00:30:19,320 --> 00:30:23,920
Speaker 1: our Senior Hall. Okay, our Senior Hall was the biggest

580
00:30:24,360 --> 00:30:28,880
Speaker 1: shit in America. Shot up to Stretch your Arms show

581
00:30:28,920 --> 00:30:31,160
Speaker 1: and he invited me there. Sidney Hall was like, yo,

582
00:30:31,280 --> 00:30:33,640
Speaker 1: we got Fat Joe in the house. So I went

583
00:30:33,760 --> 00:30:36,760
Speaker 1: up there and I performed. I quit the whole promo

584
00:30:36,960 --> 00:30:41,160
Speaker 1: tour to get back to my block because I'll see

585
00:30:41,240 --> 00:30:43,200
Speaker 1: me it was the big just to be with my

586
00:30:43,320 --> 00:30:44,880
Speaker 1: boys and be like yo, I did it.

587
00:30:45,040 --> 00:30:47,920
Speaker 6: So I remember, I went back to New York. The

588
00:30:48,080 --> 00:30:50,600
Speaker 6: very next day, I pull up to my block in

589
00:30:50,640 --> 00:30:53,080
Speaker 6: the cab and it's five of my best friends that

590
00:30:53,160 --> 00:30:56,800
Speaker 6: I grew up since kindergarten. So I'm looking this way

591
00:30:57,800 --> 00:30:58,920
Speaker 6: and I jump out the car.

592
00:30:59,120 --> 00:31:02,479
Speaker 1: YO end up jumping up and down, and when they

593
00:31:02,600 --> 00:31:06,880
Speaker 1: turned around, three of them had a jealous face. The

594
00:31:07,040 --> 00:31:08,280
Speaker 1: other two were jumping.

595
00:31:08,080 --> 00:31:10,120
Speaker 2: Up and down like me, and three of them was

596
00:31:10,200 --> 00:31:12,000
Speaker 2: looking like fuck got it.

597
00:31:12,840 --> 00:31:18,760
Speaker 6: That's the first time I ever experienced jealous And that's

598
00:31:18,840 --> 00:31:22,120
Speaker 6: where the name of that album jealous Ones, Envy and

599
00:31:22,240 --> 00:31:24,080
Speaker 6: jealous Ones Still and became from.

600
00:31:24,720 --> 00:31:28,280
Speaker 1: Because this game, it comes with a lot of envy

601
00:31:28,520 --> 00:31:31,120
Speaker 1: that hoods she gonna get killed. And I know that,

602
00:31:31,400 --> 00:31:34,800
Speaker 1: you know, I realized that. So you gotta find a

603
00:31:34,840 --> 00:31:37,760
Speaker 1: balance between it. But I see through all the fake love.

604
00:31:37,880 --> 00:31:41,960
Speaker 1: You know, now, since I'm successful, there's there's some of

605
00:31:42,000 --> 00:31:44,600
Speaker 1: them that are happier of me, and there's some of them.

606
00:31:44,640 --> 00:31:47,719
Speaker 1: I know they be talking shit. You know, that's how

607
00:31:47,800 --> 00:31:52,719
Speaker 1: you show them with success. My thing is who cares? Right,

608
00:31:52,960 --> 00:31:57,200
Speaker 1: God shows you the sober you could see, Yeah, the

609
00:31:57,320 --> 00:32:00,320
Speaker 1: fat Joe was to get high, I'd be dead broke

610
00:32:00,440 --> 00:32:02,320
Speaker 1: right now. I'm not kidding you.

611
00:32:03,000 --> 00:32:04,440
Speaker 2: I'm not lying, and.

612
00:32:04,560 --> 00:32:09,960
Speaker 6: The direct correlation between guys who make it and become

613
00:32:10,040 --> 00:32:13,080
Speaker 6: successful and guys who don't.

614
00:32:14,480 --> 00:32:18,120
Speaker 1: It's drugs and that's the difference. So when I look

615
00:32:18,200 --> 00:32:20,840
Speaker 1: at Netflix and I see a new documentary by Eddie

616
00:32:20,920 --> 00:32:26,160
Speaker 1: Murskey and starts in the ninety million dollar mansion, and he's.

617
00:32:26,000 --> 00:32:28,320
Speaker 6: Sitting in there with shipped to the sky and this

618
00:32:28,440 --> 00:32:30,040
Speaker 6: and this and that, you look at him and say, y'ard,

619
00:32:30,600 --> 00:32:31,440
Speaker 6: I never got high.

620
00:32:31,480 --> 00:32:33,200
Speaker 2: It was stiff a coach in front of me. They

621
00:32:33,320 --> 00:32:34,880
Speaker 2: was doing whatever. I ain't do that.

622
00:32:35,040 --> 00:32:38,160
Speaker 6: That's why he's in the ninety million dollar mansion. And

623
00:32:38,240 --> 00:32:40,479
Speaker 6: then when you see motherfuckers, you be like, damn, man,

624
00:32:40,840 --> 00:32:42,000
Speaker 6: this guy was the greatest.

625
00:32:42,040 --> 00:32:42,960
Speaker 1: This guy was the best.

626
00:32:43,040 --> 00:32:46,440
Speaker 2: This guy there, he ain't got shit. Now how you

627
00:32:46,520 --> 00:32:47,840
Speaker 2: start us?

628
00:32:48,720 --> 00:32:51,280
Speaker 1: How you finished? Yop? But what I'm trying to tell

629
00:32:51,280 --> 00:32:53,680
Speaker 1: you is this, we got a guy. We got one

630
00:32:53,760 --> 00:32:56,760
Speaker 1: of my items. Right. In salsa music, I think the

631
00:32:56,840 --> 00:32:58,800
Speaker 1: best sous is singer of all time is called Heck

632
00:32:58,840 --> 00:33:02,000
Speaker 1: the level the Lavota content that they made a movie

633
00:33:02,040 --> 00:33:07,560
Speaker 1: about him, caller content that Jingo and Mark Anton, Mark Anthony, who.

634
00:33:07,520 --> 00:33:11,000
Speaker 6: Probably is the second greatest South I sing ever of history.

635
00:33:11,080 --> 00:33:13,960
Speaker 6: Now I'm going to say the birds. One day I

636
00:33:14,040 --> 00:33:16,680
Speaker 6: happened to bump into him and the man say, yo,

637
00:33:17,160 --> 00:33:19,280
Speaker 6: he was going to he was doing the movie. Heck,

638
00:33:19,360 --> 00:33:21,920
Speaker 6: de Lavau was still alive. So he went to his

639
00:33:22,080 --> 00:33:27,280
Speaker 6: apartment in Spanish Harlem and said that The man was like, yo,

640
00:33:28,720 --> 00:33:29,600
Speaker 6: I had it all.

641
00:33:31,160 --> 00:33:35,920
Speaker 1: Apartments with three floors, gold plaques on the wall, cadillacs, this,

642
00:33:36,160 --> 00:33:37,160
Speaker 1: this that. Look at me.

643
00:33:38,200 --> 00:33:41,960
Speaker 2: I don't have nothing. Mark Anthony was telling me this

644
00:33:42,040 --> 00:33:43,400
Speaker 2: story with tears in his eyes.

645
00:33:45,280 --> 00:33:47,440
Speaker 6: He was like, yo, this was my idol and he

646
00:33:47,640 --> 00:33:50,760
Speaker 6: was fucked up, and he was telling me that he

647
00:33:51,000 --> 00:33:53,640
Speaker 6: used to be that nigga, he used to have that house,

648
00:33:53,720 --> 00:33:56,000
Speaker 6: that he used to have that, but when he got

649
00:33:56,080 --> 00:34:02,840
Speaker 6: on heavy drugs, it was over. So just know that anybody,

650
00:34:03,560 --> 00:34:05,080
Speaker 6: I'm gonna keep it a buck and I could get

651
00:34:05,120 --> 00:34:08,000
Speaker 6: backlash for it all I want. Don't let a woman

652
00:34:08,120 --> 00:34:12,160
Speaker 6: gash you into using drugs again. Just don't, because you're

653
00:34:12,160 --> 00:34:15,440
Speaker 6: some of the greatest god starts. Lost ninety million dollars

654
00:34:15,520 --> 00:34:18,480
Speaker 6: because a girl who's the most famous girl in the

655
00:34:18,560 --> 00:34:19,839
Speaker 6: world he was fucking.

656
00:34:19,600 --> 00:34:20,840
Speaker 2: With, who.

657
00:34:23,280 --> 00:34:26,880
Speaker 6: Brought a girl with him, another famous girl, and said, Yo,

658
00:34:26,960 --> 00:34:29,120
Speaker 6: we're gonna minage woo.

659
00:34:29,840 --> 00:34:32,239
Speaker 1: But sniff this wo.

660
00:34:34,200 --> 00:34:38,120
Speaker 6: I can't, but God starts said. He took that sniff

661
00:34:38,160 --> 00:34:40,280
Speaker 6: and it fucked this whole life up. He lost ninety

662
00:34:40,320 --> 00:34:41,560
Speaker 6: million dollars fucking with that.

663
00:34:41,680 --> 00:34:46,880
Speaker 1: He got it back, same thing, no thing, same thing with.

664
00:34:46,960 --> 00:34:48,200
Speaker 2: All he got about six.

665
00:34:48,280 --> 00:34:51,080
Speaker 1: What's the ball wing brother that fuck this whole ship up?

666
00:34:51,200 --> 00:34:55,480
Speaker 2: I think he's Heally Beaver's father, Ali Bahm No Alec Bolwood.

667
00:34:55,520 --> 00:34:58,000
Speaker 6: He shot the guy that day. That's another ball way,

668
00:34:58,800 --> 00:35:00,719
Speaker 6: the handsome one. He used to hang out with us

669
00:35:00,800 --> 00:35:04,800
Speaker 6: in the Bronx and Jimmy's. This guy went on CNN.

670
00:35:04,880 --> 00:35:05,640
Speaker 6: You could google it.

671
00:35:06,800 --> 00:35:08,880
Speaker 1: They said he was sucking with Madonna. I'll give you

672
00:35:08,960 --> 00:35:11,920
Speaker 1: that one because he said it. I don't want that, Stephen,

673
00:35:12,400 --> 00:35:13,800
Speaker 1: Stephen Baldwin.

674
00:35:14,920 --> 00:35:15,279
Speaker 2: Seeing that.

675
00:35:15,760 --> 00:35:17,920
Speaker 1: Huh. He used to come to GM Jimmy's with us

676
00:35:17,920 --> 00:35:21,920
Speaker 1: every weeks, fly nigger original Jimmy's Ross Cafe in the

677
00:35:22,040 --> 00:35:26,840
Speaker 1: South Bronx for him, the obvious Steve was high around

678
00:35:26,880 --> 00:35:29,360
Speaker 1: that time. I don't fucking know, but he was. He yes, Steve,

679
00:35:29,920 --> 00:35:33,200
Speaker 1: he got to say his name is. He tells the

680
00:35:33,360 --> 00:35:35,800
Speaker 1: story he was hanging out with Madonna.

681
00:35:35,960 --> 00:35:36,480
Speaker 2: Same thing.

682
00:35:37,239 --> 00:35:40,600
Speaker 6: She told him, you want to fuck take this cocaine

683
00:35:40,880 --> 00:35:43,640
Speaker 6: and to fuck this whole life and that of all

684
00:35:43,719 --> 00:35:45,279
Speaker 6: the Baldwin brothers he supposed to.

685
00:35:47,719 --> 00:35:51,080
Speaker 1: Google. I just gotta protect you. I was with a

686
00:35:51,680 --> 00:35:55,160
Speaker 1: Danny Treyhill yesterday, you know, two days ago, Danny treyholl

687
00:35:55,200 --> 00:35:58,680
Speaker 1: And he's a fucking legend gangster. He was telling me like,

688
00:35:59,360 --> 00:36:01,080
Speaker 1: you got the world in your hands. You know what's

689
00:36:01,080 --> 00:36:03,120
Speaker 1: gonna happen if you go this way, and you know

690
00:36:03,160 --> 00:36:05,320
Speaker 1: what's gonna happen if you go this way. So I

691
00:36:05,320 --> 00:36:07,640
Speaker 1: don't want to be writing in Pelican Bay, you know.

692
00:36:07,800 --> 00:36:10,080
Speaker 1: So I want to recovery meetings with him, you know,

693
00:36:10,200 --> 00:36:14,440
Speaker 1: putting in work for the community, trying to get back beautiful.

694
00:36:14,520 --> 00:36:19,959
Speaker 2: What's the name of your album yet, Founting Blue, Fountain Blue?

695
00:36:20,000 --> 00:36:22,000
Speaker 1: Why? Why? Why fount the Blue? That's the name of

696
00:36:22,040 --> 00:36:25,480
Speaker 1: my trailer, Pard kind of like eight Mile, you know

697
00:36:25,520 --> 00:36:31,000
Speaker 1: what I'm saying, what's the one thing you want people

698
00:36:31,080 --> 00:36:35,279
Speaker 1: to remember and know? That's the gun play for for

699
00:36:35,400 --> 00:36:37,520
Speaker 1: being one of the ones opened the door for the Latinos,

700
00:36:37,560 --> 00:36:40,400
Speaker 1: you know, putting off for the culture black and brown unity.

701
00:36:40,960 --> 00:36:42,799
Speaker 1: Hopefully I get my own grabby in my own name

702
00:36:43,600 --> 00:36:45,759
Speaker 1: and just keep giving back, you know, like nip, you know,

703
00:36:46,080 --> 00:36:47,560
Speaker 1: the way, nip did. I really want to get back

704
00:36:47,600 --> 00:36:49,960
Speaker 1: to the people. You know, I think I don't think

705
00:36:49,960 --> 00:36:51,520
Speaker 1: I'm better than nobody. You know. I want to get

706
00:36:51,520 --> 00:36:55,000
Speaker 1: back to the city and all the kids and make

707
00:36:55,040 --> 00:37:02,239
Speaker 1: a difference. Are here, Make some noise for that. Just

708
00:37:02,480 --> 00:37:08,000
Speaker 1: know this ain't that that, ain't this cracking. Just take

709
00:37:08,080 --> 00:37:09,640
Speaker 1: some noise for Lefty gun play.

710
00:37:09,719 --> 00:37:10,040
Speaker 2: Baby.

711
00:37:12,640 --> 00:37:13,960
Speaker 1: You ship.

712
00:37:15,520 --> 00:37:19,560
Speaker 5: Any new music or all platforms, get it anything he does.

713
00:37:20,080 --> 00:37:23,920
Speaker 2: Make sure you support him breaking boundaries in that space.

714
00:37:24,040 --> 00:37:26,480
Speaker 1: Baby out there doing it right there, and then we

715
00:37:26,640 --> 00:37:32,080
Speaker 1: gotta support him for all of la over the world,

716
00:37:32,400 --> 00:37:33,319
Speaker 1: the world. World.

717
00:37:33,520 --> 00:37:36,040
Speaker 2: It happened, unified, black and brown.

718
00:37:36,080 --> 00:37:39,799
Speaker 6: I've been minching this this day one together with more

719
00:37:39,920 --> 00:37:41,319
Speaker 6: powerful than anybody.

720
00:37:41,480 --> 00:37:42,960
Speaker 2: Now let's get some sneakers, non