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Speaker 1: All right, Scott Are you ready, Kurty b I'm so

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Speaker 1: ready to just laugh and laugh and laugh. Mom loses

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Speaker 1: eight hundred and twenty thousand dollars injury claim after she

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Speaker 1: was pictured tossing a Christmas tree.

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Speaker 2: Oh boy, Oh it's a wild one.

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Speaker 1: It's a wild one.

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Speaker 2: That is well, if you're a fan of getting caught

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Speaker 2: barking up the wrong tree, sit back, relax. It's gonna

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Speaker 2: be a beautiful episode of the Bananas Podcast.

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Speaker 3: Your world, would you? It's your live noillion pieces? Would you?

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Speaker 1: Guys, gals, non binary pals, Welcome to Bananas. I'm sitting

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Speaker 1: across from Scottyland is Banana Boy number two.

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Speaker 2: There is my guy, Kurt Brown Oler. Thanks for listening

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Speaker 2: to the silliest little podcast there ever was. Yes, we're

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Speaker 2: known as the most dangerous men in podcasting, but don't

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Speaker 2: be afraid. Don't be afraid. Don't be afraid. We're the

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Speaker 2: bad boys of comedy. You know this, But we're just

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Speaker 2: gonna help you glide into this week and put all

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Speaker 2: your fears behind you. Just enjoy yourselves.

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Speaker 1: Scottie, I have some news for you. What you got

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Speaker 1: It's not good news, I tell you that much.

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Speaker 2: What the hell does that mean?

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Speaker 1: So, you know, bananas is my number one love. You

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Speaker 1: know that, But I do love it. I had a

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Speaker 1: podcast called I Love My Kid But and it was

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Speaker 1: a It was a very good podcast with Chris Garcia

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Speaker 1: and Megan Gan and we talked about parenting and how

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Speaker 1: hard it is and it was fire. It was good.

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Speaker 1: And Wondery canceled it this week. Dude, dude, we have

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Speaker 1: not even been we haven't even been on for a year.

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Speaker 1: We started in May, they canceled it in March. We

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Speaker 1: already here and it's a good podcast. So if anyone's

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Speaker 1: listening out there and you were a fan of I

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Speaker 1: Love my Kid, But, this is what I want you

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Speaker 1: to do.

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Speaker 2: Oh I see.

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Speaker 1: I want you to go on give the show five

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Speaker 1: star rate and review right now. Yeah, and then just

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Speaker 1: write something along lines of Wondery fucked up.

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Speaker 2: That sounds good.

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Speaker 1: Yeah, So like, let's just get a whole bunch of

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Speaker 1: five star reviews saying Wondery is dumb for canceling this podcast. Yeah,

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Speaker 1: that's because they are dumb, Like they put so much

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Speaker 1: time and effort into forming this thing. We had a

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Speaker 1: five camera shoot and everything and then just pulled the plug.

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Speaker 1: On it before it had a year to find its audience.

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Speaker 1: It's so it's such a bad business model. It makes

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Speaker 1: me insane. This whole industry sucks.

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Speaker 2: I love all three of you, guys. I think you

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Speaker 2: should find another podcast to do with those two. I

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Speaker 2: listened to that podcast quite often because I like how

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Speaker 2: you alternated who kind of led the main story at

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Speaker 2: the beginning. And I say, they're loss, They're gonna feel it,

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Speaker 2: They're gonna feel it. I'm shopping on Ali Baba only

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Speaker 2: from here on out.

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Speaker 1: It's only Ali Baba for us. Oh man, Well, let's

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Speaker 1: get to our guests. I'm so excited.

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Speaker 2: Scottie our guest today, curdieb was ranked the greatest thing

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Speaker 2: I ever made in God Almighty magazine. Actors Weekly said

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Speaker 2: she's better than five male streeps combined. And you can

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Speaker 2: currently hear her on Call of Duty Modern Warfare is

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Speaker 2: Fairrah kareem. And then you can also watch her playing

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Speaker 2: the villainous role of Victoria Newman on the most popular

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Speaker 2: show in the history of TV ever, The Boys, Ladies

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Speaker 2: and Gentlemen, Guys, gals and non binary pals. Welcome our friend,

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Speaker 2: Claudia Dument.

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Speaker 4: How are you what a weak intro.

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Speaker 1: That's one of our hallmarks is a real weak, limp

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Speaker 1: wristed intro.

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Speaker 4: Yeah, that was great. That was I feel the pressure

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Speaker 4: I'm doing fantastic. I also love that you got do

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Speaker 4: a podcast at three pm on a weekday. It's such

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Speaker 4: a it's such a it's easy, right, horrifically beautiful thing.

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Speaker 1: Yeah, as opposed to like, what time would you imagine

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Speaker 1: the podcast to be?

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Speaker 4: I don't know. I mean like at a maybe, because

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Speaker 4: my brain doesn't function at three pm. I'm like, I'm

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Speaker 4: I'm holding on very tightly to a coffee right now.

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Speaker 1: So you know, Yeah, we do do it. We do

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Speaker 1: it like after we get all our work other work

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Speaker 1: done for the day and then this is the real

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Speaker 1: the hangout and then.

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Speaker 2: Before happy hour. It's a real sweet spot for us.

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Speaker 1: Oh yes, got he's drinking again. He did dry sixty nine.

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Speaker 4: Wow. How that is that? Sixty nine days?

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Speaker 2: Sixty nine days of no alcohol consecutive. It was great.

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Speaker 2: I also had a physical today which was like perfectly time,

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Speaker 2: so I started drinking in last Sunday went to a

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Speaker 2: bar with Mikey and Strawberry and drank seven margaritas.

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Speaker 4: Just where did you end up where'd you go to

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Speaker 4: do you end up at the end of the night you.

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Speaker 1: Got los compadres.

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Speaker 2: I went to Lava Lida in Franklid, right near the UCB,

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Speaker 2: and then walked home. I thought the smart choice would

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Speaker 2: be I'm going to stretch it out, air and out,

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Speaker 2: so welcome to hang over feeling good.

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Speaker 1: Oh that's you, wonderful, so happy for.

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Speaker 2: You and Claudia. We invited our listeners to do it. Also,

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Speaker 2: Kurt I had to reorder thirty more bumper stickers. I

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Speaker 2: think we've had seventy people do it dry sixty nine.

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Speaker 2: Unfortunately not sixty nine.

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Speaker 1: I wish it would have been sixty nine doing sixty nine, but.

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Speaker 2: A congratulations everybody. It sobered up.

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Speaker 4: Yeah, and testing Do you feel better? Do you feel

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Speaker 4: like a better human being?

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Speaker 2: I feel like a better I feel better than other people.

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Speaker 4: That's great.

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Speaker 2: I feel elevated above others.

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Speaker 1: No, I slept, That's the main thing.

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Speaker 2: I slept like a rock.

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Speaker 4: That's the most important thing. According to all the podcasts

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Speaker 4: out there that talk about that.

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Speaker 1: Yeah, that and no processed food. I was just trying

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Speaker 1: to think about all of the rules about being healthy

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Speaker 1: and how almost like half of them contray Dick the

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Speaker 1: other half, and I can't and I just can't because

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Speaker 1: it's so stressful to think about your food in like relationship,

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Speaker 1: to like it being some sort of medicine or poison.

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Speaker 1: I hate it.

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Speaker 4: Absolutely, It's all UK, But there's no other option. It's

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Speaker 4: like it's it's bananas are killing you, Coffee is killing you.

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Speaker 4: You should have more coffee. Why aren't you having any tea?

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Speaker 4: Tea has plastics in it, Like, there's no you can't.

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Speaker 1: I know, it's well, it's there's Friday, this Friday afternoon

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Speaker 1: for everybody.

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Speaker 2: Baday afternoon, purty b. Do you want to give us

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Speaker 2: a strange news story that we can just laugh at

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Speaker 2: and have the best time listening to?

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Speaker 1: Klaudia? Would you like to hear Chris strange news story?

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Speaker 4: Always?

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Speaker 1: Okay? Here it is this one On the surface, I

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Speaker 1: do feel doesn't sound super crazy. The details of it

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Speaker 1: are more and more bonkers. Here it is mom loses

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Speaker 1: eight hundred and twenty thousand dollars injuries claim after she

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Speaker 1: was picked tossing a Christmas tree. So this was on

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Speaker 1: NBC News. We actually posted this a while back, and

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Speaker 1: I've been holding on to it because I just think

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Speaker 1: the story is so crazy. It was written by Julia Talmaza.

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Speaker 1: Oh oh so leah, thank.

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Speaker 4: You Pastics in the business past.

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Speaker 1: Here it is her case was felled by a Christmas

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Speaker 1: tree throwing competition.

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Speaker 2: Good writing, Yeah yeah.

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Speaker 1: A court in Ireland dismissed a mother's eight hundred and

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Speaker 1: twenty thousand dollars insurance claim after a picture emerged of

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Speaker 1: her winning a contest to see who could toss a

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Speaker 1: tree the farthest. The photo is amazing. She's she's like

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Speaker 1: in her twenties. It looks like and she is. It's

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Speaker 1: a big Christmas tree. I would say it's a seven

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Speaker 1: foot Christmas tree and she is heaving it. It is

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Speaker 1: above her head and she is. She's like a petit woman.

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Speaker 1: Is very funny photograph so. Camilla Grabska thirty six, had

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Speaker 1: claimed that a car accident in twenty seventeen left her

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Speaker 1: with debilitating pain, leaving her unable to lift heavy bags

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Speaker 1: and keeping her in bed on bad days. According to

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Speaker 1: disclosures made in Ireland's High Court and reported by the

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Speaker 1: Irish Independent newspaper, the constant paint in her back, neck

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Speaker 1: and thracic spine left her unable to lift groceries, du

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Speaker 1: chores or play with her two child.

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Speaker 2: Oh boy.

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Speaker 1: The newspaper report the disclosures made the court sitting in

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Speaker 1: the court sitting in Limerick as saying she sued our

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Speaker 1: essay insurance on the basis that she could not work

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Speaker 1: for over five years, claiming past in future loss of

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Speaker 1: earnings amounting to five hundred and forty two thousand dollars

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Speaker 1: of her total claim. My god, her case came on

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Speaker 1: stuck Quin. A photo published in the newspaper almost a

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Speaker 1: year after her accident showed Grabs winning. The fact that

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Speaker 1: she won is the best part, like like, of course

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Speaker 1: she shouldn't have competed at all, but to actually, even

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Speaker 1: if she had just placed second, she probably wouldn't be photographed.

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Speaker 4: No, no photo, no photo.

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Speaker 1: The picture, taken in January twenty eighteen, shows grabs Goa

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Speaker 1: wearing a yellow jacket, forcefully throwing the tree in the

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Speaker 1: town of Venison, Western Ireland, where the championship, based on

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Speaker 1: an old lumberjack competition, takes place. The winner is the

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Speaker 1: person who throws at the farthest. A second picture published

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Speaker 1: the day showing her smiling as she holds a mounted

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Speaker 1: certificate declaring her the champion when she was cross examining

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Speaker 1: Courk Grabs the station she still felt pain when she

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Speaker 1: felt when.

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Speaker 4: She threw the Christmas tree and.

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Speaker 1: Was smiling and photos were trying to live a normal life.

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Speaker 1: But Judge Carmel Stewart, who presided over the case, said

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Speaker 1: she had no choice but to dismiss the claim because of.

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Speaker 2: The very graphic picture of grabs Go throwing a gigantic

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Speaker 2: Christmas tree, and so that is I mean, like that's amazing,

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Speaker 2: it's amazing.

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Speaker 4: This is just like that filming out of me of

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Speaker 4: a folm.

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Speaker 1: Yes, who did it? Who threw it?

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Speaker 4: It's the same thing, except the husband is a tree.

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Speaker 4: You know, it's the exact same premise of the movie.

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Speaker 2: It is so nearsighted though, Like even just enter the

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Speaker 2: contest with a fake name. If you're so desperate to

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Speaker 2: throw a Christmas tree, just say you're Jan Smith and

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Speaker 2: that you love trees. But like she's just painted herself

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Speaker 2: into the worst corner and lost so much money.

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Speaker 4: Don't wear yellow as well, you know, just be incognito.

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Speaker 4: Just get in there, wear a wig. Yeah, yeah, I'm

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Speaker 4: curious as to who handed the photo in them. That's

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Speaker 4: the gossiper in May is just thinking who's it's a rival,

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Speaker 4: it's whoever was second. It's something like that. Yeah, I'm curious, Yeah,

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Speaker 4: I mean neighbor.

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Speaker 1: I mean if this is probably her first Google hit?

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Speaker 1: Do you know what I mean? Like you win a

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Speaker 1: Christmas tree throwing competition, you pop her name in Google,

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Speaker 1: that's a first photo? Is her throwing this Christmas tree?

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Speaker 2: My goodness. I had a friend that this happened to.

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Speaker 2: He was a beer delivery guy. He worked for like

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Speaker 2: a big distributor, and he hurt his ankle on the

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Speaker 2: job and part of the workers' comp is his company

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Speaker 2: hired a private eye that followed him for like a year.

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Speaker 2: So every time we would go out to you know,

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Speaker 2: a movie or whatever, if he wasn't like limping basically,

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Speaker 2: if he did anything that seemed athletic, went up the

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Speaker 2: stairs too fast, but he would come out and be

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Speaker 2: like there he is right there. Like you would be like,

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Speaker 2: that guy's following me And they just were trying to

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Speaker 2: prove his workers comp yep, nightmare, nightmare.

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Speaker 4: You know what. I have a relationship with that too.

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Speaker 4: I can't say who, but someone close to me in

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Speaker 4: my life played that game for about ten years.

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Speaker 1: Really ten years and it was successful.

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Speaker 4: Because sure, but did they really win in the end,

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Speaker 4: you know? I mean for ten years they were like,

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Speaker 4: I can't do this. I can't do that because what

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Speaker 4: if they get a foot? What if they catch me?

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Speaker 4: And then I don't get my workers comp? Oh, ten

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Speaker 4: years to the point where we had we would have

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Speaker 4: phone calls together and we discuss it, and I'd say,

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Speaker 4: why don't you just get a job here or why

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Speaker 4: don't you just do that? And they'd say, let's just

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Speaker 4: let's not let's because we'd be on FaceTime and they

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Speaker 4: wouldn't want me saying anything that would incriminate them, what like.

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Speaker 1: They had tapped their face time.

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Speaker 4: The government had tapped the FaceTime.

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Speaker 2: Call this.

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Speaker 1: You know it anyway?

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Speaker 4: Really?

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Speaker 1: You know not really, I think we could air on

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Speaker 1: the side of giving more workers comp. I think that

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Speaker 1: that's fine.

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Speaker 4: I think so too. I think that's fine. I don't

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Speaker 4: care that honestly, she should get the money.

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Speaker 2: Pretty fun. I'm trying to think if I've ever even

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Speaker 2: thrown any type of tree before.

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Speaker 1: I so, I I take my tree. Now we have

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Speaker 1: a fake tree. But this was the first year of

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Speaker 1: fake tree. But every year before this, I would take

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Speaker 1: the tree out. And our tree is like seven feet

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Speaker 1: tall and it is very heavy. It is incredibly heavy

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Speaker 1: and and it hurts to hold it a little bit.

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Speaker 2: You have to have like gloves on and stuff. So

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Speaker 2: she's strong, full commitment. I got served papers in twenty thirteen.

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Speaker 2: I was at my house. Somebody knocked at the door

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Speaker 2: and I just went to answer the door and they're like,

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Speaker 2: are you Scottlandis? I go yeah, and they go here,

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Speaker 2: and I was like, what the hell it was? I

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Speaker 2: had somebody subletting in my place in New York for

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Speaker 2: two and a half years and they figured it out.

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Speaker 2: And even though you're you're allowed to sublet, they basically

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Speaker 2: they served me paper saying they knew I was subletting

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Speaker 2: and that if I didn't like have them go out

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Speaker 2: at the end of that next lease year, that I

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Speaker 2: would have to go back to New York and go

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Speaker 2: to court and like fight for it. So I had

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Speaker 2: to call our friend Chris and another cheesemonger that moved

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Speaker 2: into my room and be like did and they were,

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Speaker 2: and the cheesemonger was like, no, I also got served,

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Speaker 2: and so they but they somebody in californ and you

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Speaker 2: walked oup my door, and I was like, I felt

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Speaker 2: very special. I hoped it was publisher's clearing house, but

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Speaker 2: it wasn't. It was just a nerdy pi and it

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Speaker 2: felt like a gotcha moment. I really got got oh

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Speaker 2: And so wait, you just had to kick everybody out. Yeah,

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Speaker 2: but at the end of the lease, which was like

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Speaker 2: three months away, I had to fly back and make

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Speaker 2: sure it was empty and uh, and it was. But

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Speaker 2: they were like, yeah, really weird. I think we're allowed

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Speaker 2: to stay here. Should we like claim squatters rights or something?

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Speaker 2: And I was like, if you want to, And then

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Speaker 2: they found a place and so it just was a

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Speaker 2: total inconvenience. Basically, the story ends with me being wildly inconvenienced,

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Speaker 2: having to move out one closet full of stuff that

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Speaker 2: I didn't remember I had, which is always horrible. It's

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Speaker 2: basically like a storage unit. So teachable moment for me.

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Speaker 4: Teachable. Does it reminds me of the lady who was

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Speaker 4: the squadro in that huge place in La Yes, I

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Speaker 4: am I telling a half baked story. No where she

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Speaker 4: like she was just like squatting there, but I don't know.

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Speaker 4: It had been over a year and it's this huge

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Speaker 4: Airbnb and she just claimed squats rocks there.

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Speaker 2: We had a year long rave in one in Beverly

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Speaker 2: Hills from like Lebron James Street, and they could not

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Speaker 2: get them out.

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Speaker 1: That's fascinating.

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Speaker 2: It's so fascinating.

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Speaker 1: There was a guy we just did a story about

300
00:15:15,760 --> 00:15:19,360
Speaker 1: who tried to he got he essentially would not be

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Speaker 1: evicted from the New Yorker Hotel in New York, and

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Speaker 1: then went further and claimed that he actually owned the

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Speaker 1: New Yorker Hotel and then started to try and take

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Speaker 1: a rent from other people who lived at the hotel.

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Speaker 4: I just, I honestly, I have some kind of admiration

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Speaker 4: for these people boats because I don't have the balls

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Speaker 4: or the deliveryon what do you call it? Like, I

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Speaker 4: don't have it, and I wish I did, because I'd

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Speaker 4: get a place rent free for a year maybe.

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Speaker 2: Yeah, or own a building or on a building. Well,

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Speaker 2: I guess I'm just glad this woman won. Ultimately, I'm

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Speaker 2: glad she did win, even though it cost her five

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Speaker 2: hundred thousand dollars or whatever. You know, what if you're

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Speaker 2: going to blow it, blow it, blow it out so big,

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Speaker 2: they don't forget you. Yeah, No, I mean she definitely

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Speaker 2: lost this over a delightful photograph. The photograph is work worth.

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Speaker 1: It also her her pants, this is I just noticed

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Speaker 1: this her pants. She's wearing like athleisure and her pants

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Speaker 1: are like skin tight. And then just down the side,

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Speaker 1: it says I just can't, Like in the in the

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Speaker 1: just do it logo, it says, I just can't with

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Speaker 1: it's with this severed for Christmas tree like a foot

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Speaker 1: over her head.

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Speaker 4: Beautiful, God, she's it's like a Renaissance painting.

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Speaker 1: Yeah, it really is.

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Speaker 4: It's really, it's really beautiful.

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Speaker 2: It is, Claudia, I have one for you. So in

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Speaker 2: your in Australia and they called what we call drunk

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Speaker 2: driving drink driving, right, it's what drink drive. Isn't that interesting.

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Speaker 1: Because because most people are like actually drinking in the

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Speaker 1: car while they do it.

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Speaker 4: Drink driving. Yeah, oh yeah, I guess yeah, you call

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Speaker 4: it drunk you call it drunk driving drink driving. I

334
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Speaker 4: don't know. Maybe something about the present tense does something.

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Speaker 4: Maybe it has some kind of psychological effect on us.

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Speaker 4: Drink driving feels it feels a little bit more uh.

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Speaker 1: Illegal active current? Ye oh yeah, are you are.

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Speaker 4: You drink driving? Yeah? It's very it's very intense. We're

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00:17:19,880 --> 00:17:23,120
Speaker 4: very intense when it comes to that in generals. Yeah, yeah, yeah,

340
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Speaker 4: we don't fuck around. Can I swim?

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Speaker 2: Yeah? Other words, fantastic.

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Speaker 1: We were staying in we were going to visit. I

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Speaker 1: had Australian grup from from Melbourne and we were in Tasmania.

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Speaker 4: And I love that you said Melbourne correctly, thank you.

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Speaker 1: And we were driving from what law lawn sestin Lonnie

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Speaker 1: down to like the Tasmanian coast and she was like,

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Speaker 1: we stopped at a bar to have a drink and

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Speaker 1: then she was just like, and then this is where

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Speaker 1: we get the roady for the last hour of the

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Speaker 1: car ride. Then we put drinks and I was like,

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Speaker 1: this is how you do it.

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Speaker 4: You can't. You better not have anything. You better, you

353
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Speaker 4: better be below that limit.

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Speaker 2: Here's a good one. Page sent this in page. I

355
00:18:12,680 --> 00:18:15,280
Speaker 2: didn't know your last name, so we're just going with Page,

356
00:18:15,320 --> 00:18:18,920
Speaker 2: which is a lovely name. This was in Globalnews dot CA.

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00:18:19,359 --> 00:18:23,959
Speaker 2: That's Canada. Written by best in the drunk business, Ryan Raka.

358
00:18:24,520 --> 00:18:29,120
Speaker 1: Oh thank you Ryan name, Ryan Rock. I know love it.

359
00:18:29,640 --> 00:18:34,040
Speaker 2: Impaired man re arrested after driving to police station to

360
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Speaker 2: drive about his first arrest, What to to? What about

361
00:18:39,119 --> 00:18:42,720
Speaker 2: his first complain? He drove back to the police station

362
00:18:42,840 --> 00:18:45,360
Speaker 2: to complain about his first arrest. I just thought we'd

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00:18:45,400 --> 00:18:50,240
Speaker 2: double on the smart criminal. He's rearrested, Yes, and it's

364
00:18:50,280 --> 00:18:52,879
Speaker 2: as good as you think. And I'll let you guess

365
00:18:52,920 --> 00:18:55,520
Speaker 2: his age before I reveal it at the very end.

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Speaker 1: Okay.

367
00:18:56,480 --> 00:18:59,520
Speaker 2: A drunk man drove to a police station to complain

368
00:18:59,560 --> 00:19:02,800
Speaker 2: about an early arrest, only to be arrested again for

369
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Speaker 2: impaired driving. A police in Durham Region say Durham Regional

370
00:19:07,119 --> 00:19:10,760
Speaker 2: Police said that early Tuesday, officers responded to a call

371
00:19:10,800 --> 00:19:13,600
Speaker 2: about an intoxicated man who was causing a disturbance and

372
00:19:13,640 --> 00:19:16,639
Speaker 2: refusing to leave a restaurant in the Brock and Roslind

373
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Speaker 2: Roads area of Pickering. The man was arrested for being

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Speaker 2: intoxic publicly and failing to leave this restaurant. He was

375
00:19:24,160 --> 00:19:30,600
Speaker 2: given a provincial offense notice sounds delightful. I'd like one

376
00:19:30,600 --> 00:19:33,680
Speaker 2: of those police and taken to his family home nearby,

377
00:19:33,760 --> 00:19:37,800
Speaker 2: where he was left with his mother. A short time later,

378
00:19:37,880 --> 00:19:41,280
Speaker 2: the man apparently arrived at Durham Regional Police station. He

379
00:19:41,400 --> 00:19:43,520
Speaker 2: went into the lobby to speak with a supervisor and

380
00:19:43,560 --> 00:19:47,040
Speaker 2: complain about his arrest. While speaking to the officers, signs

381
00:19:47,080 --> 00:19:50,800
Speaker 2: of alcohol impairment could still be detected. It was confirmed

382
00:19:50,840 --> 00:19:54,800
Speaker 2: the male had driven himself to the police station and

383
00:19:54,920 --> 00:19:57,520
Speaker 2: he was given a breath test. The man failed the

384
00:19:57,520 --> 00:20:01,160
Speaker 2: breath test and was arrested again. Okay, I have my guess.

385
00:20:01,160 --> 00:20:02,960
Speaker 2: I have my age guests already, Claudia.

386
00:20:02,960 --> 00:20:04,040
Speaker 1: Do you have your age guess? Yeah?

387
00:20:04,320 --> 00:20:06,399
Speaker 4: I had mine for a while, and then I switched

388
00:20:06,400 --> 00:20:09,040
Speaker 4: it at the last minute. Okay, do you want to

389
00:20:09,040 --> 00:20:09,760
Speaker 4: say at the same time?

390
00:20:09,840 --> 00:20:13,600
Speaker 1: Yeah, of that three three, two, one.

391
00:20:13,600 --> 00:20:22,280
Speaker 4: One, fifty four two.

392
00:20:19,080 --> 00:20:23,040
Speaker 2: Forty two, Yes, forty two, forty forty two pretty old.

393
00:20:23,920 --> 00:20:26,040
Speaker 1: Damn it's old enough, was my go ahead.

394
00:20:26,080 --> 00:20:27,919
Speaker 4: That was my initial That was my initial guess. I

395
00:20:27,920 --> 00:20:29,600
Speaker 4: was like, he's in his early forties. He is in

396
00:20:29,600 --> 00:20:35,520
Speaker 4: his early forties, because he's old enough, old enough, he's living.

397
00:20:35,920 --> 00:20:38,359
Speaker 1: I feel like he's old enough to complain, is what

398
00:20:38,400 --> 00:20:39,640
Speaker 1: it is, old enough to complain.

399
00:20:39,880 --> 00:20:42,119
Speaker 4: But it's embarrassing because he lived with his mom. That's why.

400
00:20:42,160 --> 00:20:44,080
Speaker 4: I think. Scotty said that, that's why, and then I

401
00:20:44,080 --> 00:20:46,200
Speaker 4: went to fifty two because it was even more embarrassing.

402
00:20:46,320 --> 00:20:50,480
Speaker 2: So forty two year old ajax Man has been charged

403
00:20:50,640 --> 00:20:53,879
Speaker 2: with operation while impaired. The vehicle is impounded for seven days,

404
00:20:53,880 --> 00:20:57,240
Speaker 2: and his license has been suspended for ninety days.

405
00:20:57,320 --> 00:20:59,200
Speaker 1: I think that that is okay.

406
00:20:59,520 --> 00:21:02,520
Speaker 2: I think in fact, guy, I think if you go

407
00:21:02,640 --> 00:21:07,359
Speaker 2: to complain about being drunk to the cops who arrest

408
00:21:07,480 --> 00:21:09,960
Speaker 2: you for being drunk, I feel like, yeah, you shouldn't

409
00:21:10,000 --> 00:21:10,439
Speaker 2: be driving.

410
00:21:11,040 --> 00:21:13,520
Speaker 4: I feel like it's a doctor Jekyl mister Hyde thing,

411
00:21:13,720 --> 00:21:17,080
Speaker 4: Like he only gets that persona when he's intoxicated, so

412
00:21:17,119 --> 00:21:19,119
Speaker 4: he only has the hotspa to go to the police

413
00:21:19,160 --> 00:21:21,840
Speaker 4: station and complain about it in the same state.

414
00:21:22,040 --> 00:21:25,160
Speaker 2: Or he's just wonderful with directions when he's drunk. At

415
00:21:25,200 --> 00:21:27,520
Speaker 2: all other times he just gets lost all the time.

416
00:21:27,560 --> 00:21:29,960
Speaker 2: But then he's like to get shit done. I gotta

417
00:21:30,000 --> 00:21:33,919
Speaker 2: get drunk. I mean hours later, I'm still drunk drunk.

418
00:21:34,760 --> 00:21:38,680
Speaker 4: I was what was the thing provincial? A provincial arrest.

419
00:21:38,840 --> 00:21:41,320
Speaker 2: It was called that's a great question.

420
00:21:41,600 --> 00:21:45,840
Speaker 1: It was provincial provincial offense notification something.

421
00:21:46,520 --> 00:21:53,240
Speaker 2: Yes, he was initially given a provincial offense notice.

422
00:21:53,640 --> 00:21:54,840
Speaker 4: It sounds so delicate.

423
00:21:54,880 --> 00:21:56,480
Speaker 1: It's like a spach rates really nice.

424
00:21:56,480 --> 00:22:01,320
Speaker 2: I love it is your desk. Yeah, ninety and I

425
00:22:01,359 --> 00:22:07,560
Speaker 2: believe eighty. I believe I was in Starkville, Mississippi. Starkville,

426
00:22:07,640 --> 00:22:11,120
Speaker 2: Mississippi once and I was about twenty one years old,

427
00:22:11,400 --> 00:22:14,479
Speaker 2: and we were in this area called the Cotton District,

428
00:22:14,560 --> 00:22:17,520
Speaker 2: and we were doing brunch at this restaurant and we

429
00:22:17,520 --> 00:22:19,200
Speaker 2: were sitting outside and was early. It was like ten

430
00:22:19,240 --> 00:22:22,960
Speaker 2: thirty eleven in the morning, and the drunkest, one of

431
00:22:23,000 --> 00:22:24,879
Speaker 2: the top five drunkest women I've ever seen in my

432
00:22:25,040 --> 00:22:28,919
Speaker 2: entire life, come shuffling up the sidewalk like clearly didn't

433
00:22:28,920 --> 00:22:30,840
Speaker 2: go home that night and didn't go to her home

434
00:22:30,920 --> 00:22:35,160
Speaker 2: that night, but just still just nine sheets to the wind.

435
00:22:35,520 --> 00:22:38,320
Speaker 2: And she walks into this restaurants called Bin six twelve,

436
00:22:38,400 --> 00:22:42,080
Speaker 2: I think, and as soon as she walks in, you

437
00:22:42,280 --> 00:22:46,480
Speaker 2: just hear one of the servers or bartenders go no, nope, get.

438
00:22:46,320 --> 00:22:49,600
Speaker 1: Out, Yeah, I love that. I love that.

439
00:22:49,640 --> 00:22:52,560
Speaker 2: And then we hear her speak and you just hear go,

440
00:22:52,800 --> 00:22:58,360
Speaker 2: fuck you, I left my credit cardier last night. And

441
00:22:58,400 --> 00:23:01,840
Speaker 2: they go, no, you didn't, and she goes, yes, I did.

442
00:23:02,840 --> 00:23:05,399
Speaker 2: And we're laughing, and we're all like the other thing too.

443
00:23:05,480 --> 00:23:07,840
Speaker 2: We are not trying to make eye contact with the person.

444
00:23:07,880 --> 00:23:11,320
Speaker 2: You're just trying to play your our table silent.

445
00:23:11,359 --> 00:23:14,240
Speaker 4: At this point, you're engaged, but silently.

446
00:23:13,840 --> 00:23:16,159
Speaker 2: And she's like, yes, I did, and they go, no,

447
00:23:16,280 --> 00:23:19,879
Speaker 2: you didn't. You check your pockets, and so she starts

448
00:23:19,920 --> 00:23:23,439
Speaker 2: feeling around in her pants and she reaches into her

449
00:23:23,480 --> 00:23:27,080
Speaker 2: back pocket and her credit cards and license were in

450
00:23:27,119 --> 00:23:33,680
Speaker 2: her bar her back pocket. So she starts walking out

451
00:23:33,720 --> 00:23:36,240
Speaker 2: to leave and she's like, god, fuck off, like she's

452
00:23:36,280 --> 00:23:40,000
Speaker 2: still just pissed off, and they go, Sarah, if you

453
00:23:40,119 --> 00:23:46,840
Speaker 2: keep doing this, you can't sing here anymore. She was

454
00:23:47,000 --> 00:23:51,040
Speaker 2: a nightly performer at Old Ben six twelve who just

455
00:23:51,200 --> 00:23:52,240
Speaker 2: got some trump.

456
00:23:53,880 --> 00:23:56,760
Speaker 4: The cor feels like you that's it feels like you

457
00:23:56,880 --> 00:24:00,199
Speaker 4: watched a black box theater performance. Yes, in the in

458
00:24:00,240 --> 00:24:01,160
Speaker 4: the barn.

459
00:24:01,320 --> 00:24:05,159
Speaker 2: Oh god, it would have been Academy Award winning, just

460
00:24:05,440 --> 00:24:09,159
Speaker 2: like the no I I left it here and they're like,

461
00:24:09,400 --> 00:24:12,720
Speaker 2: no you did not, Just like fuck you I did.

462
00:24:13,200 --> 00:24:15,480
Speaker 2: Tarn Dutch is probably singing at the eight PM show.

463
00:24:16,680 --> 00:24:19,320
Speaker 1: Oh I love that idea that that was a black

464
00:24:19,359 --> 00:24:20,760
Speaker 1: box theater performance.

465
00:24:20,960 --> 00:24:21,160
Speaker 4: Yeah.

466
00:24:21,440 --> 00:24:23,919
Speaker 1: Yeah, because we used to do this thing. It's so dorky.

467
00:24:24,040 --> 00:24:26,760
Speaker 1: It's such a theater school thing to do, say it.

468
00:24:27,240 --> 00:24:29,439
Speaker 1: But in New York we would sit on a stoop

469
00:24:29,480 --> 00:24:32,199
Speaker 1: and then just like pick a frame for a space

470
00:24:32,280 --> 00:24:34,960
Speaker 1: across the street, like in the Lower east Side, and

471
00:24:35,080 --> 00:24:37,720
Speaker 1: then just be like, anything that happens like in this

472
00:24:38,040 --> 00:24:40,920
Speaker 1: frame is scripted, and we would just like say it

473
00:24:41,000 --> 00:24:43,119
Speaker 1: to each other and then just sit there and like

474
00:24:43,359 --> 00:24:47,840
Speaker 1: watch things happen. And it is riveting when you assume

475
00:24:48,080 --> 00:24:52,359
Speaker 1: meaning behind random interactions of strangers on the street. It

476
00:24:52,520 --> 00:24:56,600
Speaker 1: becomes like beautiful and amazing because everything is heightened and

477
00:24:56,760 --> 00:24:59,600
Speaker 1: everything seems more important. It was like one of my

478
00:24:59,640 --> 00:25:03,000
Speaker 1: favorite to the point where I had like a show

479
00:25:03,440 --> 00:25:07,880
Speaker 1: in a Montreal and it was it was called Don't

480
00:25:07,880 --> 00:25:09,560
Speaker 1: Trust Me, and it was all this thing about don't

481
00:25:09,560 --> 00:25:10,919
Speaker 1: trust me, don't trust me, and then at the end,

482
00:25:11,000 --> 00:25:13,479
Speaker 1: I say, who was willing to trust me? And if

483
00:25:13,480 --> 00:25:15,159
Speaker 1: you're willing to trust me, you'd like come up on

484
00:25:15,240 --> 00:25:18,560
Speaker 1: stage and get a blindfold and then go back down

485
00:25:18,600 --> 00:25:20,399
Speaker 1: and then I would do like my closing bit, and

486
00:25:20,480 --> 00:25:22,000
Speaker 1: then the show ends, and then I'm like, if you

487
00:25:22,040 --> 00:25:24,720
Speaker 1: have a blindfold, follow me, and we would walk backstage

488
00:25:24,760 --> 00:25:28,159
Speaker 1: and then outside where we had two stage hands holding

489
00:25:28,280 --> 00:25:32,080
Speaker 1: up a big frame and then everybody's blindfolded and they

490
00:25:32,119 --> 00:25:34,399
Speaker 1: would come out and there would be this huge frame

491
00:25:34,480 --> 00:25:36,680
Speaker 1: and then just painted on the frame, says everything in

492
00:25:36,760 --> 00:25:39,440
Speaker 1: this frame is intentional. And then I had like a

493
00:25:39,520 --> 00:25:42,560
Speaker 1: little you know, like little jam box, and I would

494
00:25:42,640 --> 00:25:45,600
Speaker 1: start playing like essentially music that sounded like a soundtrack

495
00:25:45,680 --> 00:25:48,840
Speaker 1: to a movie, So the movie soundtrack would start, and

496
00:25:48,880 --> 00:25:50,800
Speaker 1: then they would all take off their things and then

497
00:25:50,800 --> 00:25:53,119
Speaker 1: we would just sit there for like ten straight minutes

498
00:25:53,160 --> 00:25:57,679
Speaker 1: in silence, and it was so fucket fun and cool.

499
00:25:59,040 --> 00:26:01,199
Speaker 2: I live up to the hype. Did anybody start juggling

500
00:26:01,400 --> 00:26:02,879
Speaker 2: or doing cartwheels or anything.

501
00:26:03,160 --> 00:26:05,040
Speaker 1: There was definitely a couple of nights where it was

502
00:26:05,119 --> 00:26:07,000
Speaker 1: like just a kind of a perfect frame on a

503
00:26:07,080 --> 00:26:11,080
Speaker 1: corner in Montreal that was like very populated, and like

504
00:26:11,200 --> 00:26:13,440
Speaker 1: a lot of stuff would start happening, but I don't

505
00:26:13,480 --> 00:26:16,520
Speaker 1: remember any like specific thing, but people would be sitting

506
00:26:16,560 --> 00:26:18,560
Speaker 1: there and then start laughing at something that happened and

507
00:26:18,600 --> 00:26:22,560
Speaker 1: stuff like that, and people didn't know if like that

508
00:26:22,880 --> 00:26:24,960
Speaker 1: was real, Like they didn't know if I had like

509
00:26:25,160 --> 00:26:26,000
Speaker 1: hired people to.

510
00:26:26,160 --> 00:26:28,800
Speaker 2: Go do something. You know that.

511
00:26:30,320 --> 00:26:34,000
Speaker 4: That reminds me speaking of it, just like weird theater school,

512
00:26:34,240 --> 00:26:37,280
Speaker 4: love it, the experimental experiences, things that like they would

513
00:26:37,640 --> 00:26:41,560
Speaker 4: tell you to do yours sounds beautiful and magical and lovely.

514
00:26:42,359 --> 00:26:46,760
Speaker 4: But we had a class where like one week, the

515
00:26:46,840 --> 00:26:49,639
Speaker 4: exercise with the homework would be try to live in

516
00:26:49,760 --> 00:26:52,440
Speaker 4: the world without one of your senses, like go out

517
00:26:52,480 --> 00:26:58,800
Speaker 4: into the world and pretend to be damp to instructor

518
00:26:59,680 --> 00:27:03,359
Speaker 4: tend to I'm doing it, I'm living it, and and

519
00:27:03,560 --> 00:27:04,639
Speaker 4: interact with people.

520
00:27:06,560 --> 00:27:09,160
Speaker 1: Yes, So it wasn't like you would tape your mouth

521
00:27:09,200 --> 00:27:11,960
Speaker 1: shut or something. You would just like pretend to be deaf.

522
00:27:12,680 --> 00:27:17,920
Speaker 4: You're going out and interacting with the world. And and

523
00:27:18,040 --> 00:27:20,440
Speaker 4: it's the first term of classes, so a lot of

524
00:27:20,560 --> 00:27:25,000
Speaker 4: us we want to get the homework done. And there's

525
00:27:25,040 --> 00:27:28,520
Speaker 4: a there was a Starbucks right on the corner next

526
00:27:28,560 --> 00:27:32,720
Speaker 4: to our school, and so a lot of us would

527
00:27:32,760 --> 00:27:36,080
Speaker 4: do our ex our exercises at the Starbucks because we

528
00:27:36,160 --> 00:27:37,880
Speaker 4: get our morning coffee and then go to the morning

529
00:27:38,800 --> 00:27:40,320
Speaker 4: So you'd so.

530
00:27:40,440 --> 00:27:47,760
Speaker 5: You'd go into the Starbucks and it's horrible. You'd get

531
00:27:47,800 --> 00:27:50,840
Speaker 5: these boor baristas. You'd go into the Starbucks and so

532
00:27:51,200 --> 00:27:55,920
Speaker 5: you're pretending you're death. And so you'd have a notepad

533
00:27:56,040 --> 00:27:59,879
Speaker 5: and you'd go one tall lat please with oat milk,

534
00:28:00,640 --> 00:28:03,400
Speaker 5: and you'd show it to the cashier and they go, okay, great,

535
00:28:03,440 --> 00:28:06,920
Speaker 5: and they'd go and do it. But in retrospect, looking

536
00:28:07,040 --> 00:28:12,280
Speaker 5: back at it. We're the same people coming in every ailment. Yeah,

537
00:28:12,480 --> 00:28:16,240
Speaker 5: so one day, mind, and the.

538
00:28:16,320 --> 00:28:18,919
Speaker 4: Next day I'm coming in and I have an Irish.

539
00:28:18,600 --> 00:28:21,200
Speaker 1: Accent, and the next day I'm coming in.

540
00:28:21,920 --> 00:28:28,120
Speaker 4: I'm like, it was hilarious when we all thought about it, Yeah,

541
00:28:28,280 --> 00:28:36,080
Speaker 4: that smells great. And these cashiers must have just been

542
00:28:36,160 --> 00:28:40,280
Speaker 4: like these fucking drama kids, these drama school kids just coming.

543
00:28:41,480 --> 00:28:44,440
Speaker 2: Drama kids do have an eagerness to please that maybe

544
00:28:44,520 --> 00:28:47,239
Speaker 2: supersedes anything else in the world. I don't know if

545
00:28:47,320 --> 00:28:52,360
Speaker 2: any other type of like first year acting students are

546
00:28:52,720 --> 00:28:56,320
Speaker 2: like I need the spotlight. I need to show everybody

547
00:28:56,480 --> 00:28:59,360
Speaker 2: I am number one at this skill. And then you

548
00:28:59,440 --> 00:29:01,480
Speaker 2: look back and like, oh, I was terrible.

549
00:29:02,600 --> 00:29:04,840
Speaker 4: Horrible, but I didn't know it at the time, so

550
00:29:04,960 --> 00:29:06,200
Speaker 4: the confidence was through the roof.

551
00:29:06,440 --> 00:29:09,040
Speaker 2: Yes, I think when you and I were first talking

552
00:29:09,120 --> 00:29:12,000
Speaker 2: about how you started out and stuff, I'm pretty sure

553
00:29:12,000 --> 00:29:14,880
Speaker 2: you told me that you tried to get into acting

554
00:29:14,920 --> 00:29:17,520
Speaker 2: school or film school and didn't get in. Right, your

555
00:29:17,600 --> 00:29:19,960
Speaker 2: first attempts to get into an acting school, they were like, no,

556
00:29:20,160 --> 00:29:20,520
Speaker 2: thank you.

557
00:29:21,440 --> 00:29:24,680
Speaker 4: Yeah, they would know. It was a very lovely breakup

558
00:29:24,760 --> 00:29:28,080
Speaker 4: and I was heart broken. Well, they're like, you're not right.

559
00:29:28,320 --> 00:29:31,520
Speaker 4: For the no there Australian. They're like, you're not right

560
00:29:31,600 --> 00:29:34,960
Speaker 4: for this. You're not right for this. Go out into

561
00:29:35,000 --> 00:29:38,920
Speaker 4: the world and get some experience and come back. And

562
00:29:39,000 --> 00:29:40,040
Speaker 4: then I left the country.

563
00:29:41,760 --> 00:29:43,840
Speaker 2: You won, and you came to Hollywood and have been

564
00:29:43,920 --> 00:29:44,760
Speaker 2: on many.

565
00:29:44,680 --> 00:29:47,760
Speaker 4: Shows and they I won and I went back home.

566
00:29:48,640 --> 00:29:51,200
Speaker 1: I love that so much. Kristin Shaw has a similar

567
00:29:51,240 --> 00:29:55,200
Speaker 1: story where one of her acting teachers from Northwestern told

568
00:29:55,280 --> 00:29:58,800
Speaker 1: her she said, look, you're not good at this and

569
00:29:59,000 --> 00:30:05,680
Speaker 1: you should quit, and then she saw her like years

570
00:30:05,760 --> 00:30:07,440
Speaker 1: later on the street and was just like, I just

571
00:30:07,520 --> 00:30:10,600
Speaker 1: want you to know, like I didn't quit and I'm

572
00:30:10,760 --> 00:30:12,480
Speaker 1: successful as an actor.

573
00:30:13,480 --> 00:30:16,360
Speaker 4: It's the bush you need. Though weirdly enough, like it

574
00:30:16,480 --> 00:30:20,000
Speaker 4: was very helpful. It was a helpful, bad thing that

575
00:30:20,120 --> 00:30:22,960
Speaker 4: happened when I was seventeen and just sad about it.

576
00:30:23,080 --> 00:30:24,120
Speaker 2: They weren't ready for you.

577
00:30:25,080 --> 00:30:27,640
Speaker 4: But but even like the people, even like my mentors

578
00:30:27,680 --> 00:30:29,280
Speaker 4: and teachers that I looked up to, were like, you

579
00:30:29,360 --> 00:30:32,880
Speaker 4: should leave the country. They were like, you're not going

580
00:30:32,960 --> 00:30:33,560
Speaker 4: to work here.

581
00:30:33,640 --> 00:30:35,960
Speaker 1: And I was like, okay, Like it was just such

582
00:30:36,000 --> 00:30:39,280
Speaker 1: a It's so crazy because no one knows. That's the

583
00:30:39,400 --> 00:30:41,760
Speaker 1: craziest part. It's such a subjective industry.

584
00:30:41,920 --> 00:30:45,800
Speaker 2: No one knows at all for people to be like,

585
00:30:45,920 --> 00:30:48,480
Speaker 2: this is how it is to tell people, young people

586
00:30:48,600 --> 00:30:49,280
Speaker 2: how it is.

587
00:30:49,800 --> 00:30:51,040
Speaker 1: It's such, it's bullshit.

588
00:30:51,280 --> 00:30:55,600
Speaker 4: It makes me mad, it's but it's it just prepares

589
00:30:55,680 --> 00:30:58,280
Speaker 4: you for the onslaught of rejection that you're going to find,

590
00:30:58,560 --> 00:31:01,000
Speaker 4: because it's inevitable, Like you'll get to be rejected a

591
00:31:01,120 --> 00:31:03,360
Speaker 4: whole bunch and it never stops.

592
00:31:03,560 --> 00:31:07,640
Speaker 2: And no matter how successful you are, they find new

593
00:31:07,760 --> 00:31:09,800
Speaker 2: ways to make you feel like a loser.

594
00:31:10,200 --> 00:31:13,240
Speaker 1: It really say not you. Yeah, yeah, it's so crazy.

595
00:31:13,320 --> 00:31:16,240
Speaker 1: It's the main reason I really hope both my children

596
00:31:16,320 --> 00:31:20,760
Speaker 1: do not choose anything. It's anything in the arts. I

597
00:31:20,960 --> 00:31:23,480
Speaker 1: just don't. I just that that that life of rejection,

598
00:31:23,920 --> 00:31:28,560
Speaker 1: constant rejection is so it's just I hate it so much.

599
00:31:29,680 --> 00:31:31,800
Speaker 4: I know it is not but like you get used

600
00:31:31,840 --> 00:31:35,080
Speaker 4: to it, you get I'm just like yeah, cool, next.

601
00:31:34,960 --> 00:31:37,880
Speaker 1: One, Yeah, next one, fine, Like it's just yeah, you just.

602
00:31:37,920 --> 00:31:41,360
Speaker 4: Become not numb to it, but you just I don't know,

603
00:31:41,520 --> 00:31:43,720
Speaker 4: you move through it, yes, to get.

604
00:31:43,680 --> 00:31:46,840
Speaker 1: Yeah, you swim in a sea of rejection. Yeah, like

605
00:31:46,920 --> 00:31:49,160
Speaker 1: a little fish, a little sad fish anymore.

606
00:31:49,240 --> 00:31:53,000
Speaker 2: I just am like, all right, Okay, we'll see Yeah.

607
00:31:53,080 --> 00:31:54,960
Speaker 1: The only thing I hate is the waiting. That's the

608
00:31:55,000 --> 00:31:57,040
Speaker 1: only part to like, the waiting to be rejected. I'm

609
00:31:57,080 --> 00:31:59,440
Speaker 1: just like, look, look I find if you want to reject,

610
00:31:59,520 --> 00:32:01,440
Speaker 1: just I just gonna move on. Just like, do it now,

611
00:32:01,680 --> 00:32:02,760
Speaker 1: Just tell them, just do it now.

612
00:32:03,280 --> 00:32:05,840
Speaker 2: Yeah, for those listening at home, if you ever sent

613
00:32:05,920 --> 00:32:08,760
Speaker 2: a risky text, or if you're a little older, passed

614
00:32:08,800 --> 00:32:12,400
Speaker 2: a note between classes, that time where you waited to

615
00:32:12,520 --> 00:32:15,080
Speaker 2: get a response for them to check your yes box

616
00:32:15,200 --> 00:32:17,760
Speaker 2: or your no box, or to respond to your risky tech.

617
00:32:18,200 --> 00:32:20,720
Speaker 2: We all live that four to five times a day

618
00:32:21,360 --> 00:32:25,600
Speaker 2: for a twenty five year career. So that feeling, that's

619
00:32:25,640 --> 00:32:28,640
Speaker 2: what we're talking about. It is a waking nightmare. But

620
00:32:28,800 --> 00:32:33,440
Speaker 2: when it works, you're like I am, I'm walking on the.

621
00:32:35,480 --> 00:32:35,720
Speaker 3: Good.

622
00:32:37,440 --> 00:32:42,080
Speaker 1: The eyes are high and the lows are constant. All right,

623
00:32:42,200 --> 00:32:45,000
Speaker 1: here's one to break us. Bring us into our shout outs.

624
00:32:46,280 --> 00:32:52,000
Speaker 1: Marijuana munching rats infiltrate police headquarters in New Orleans, Chief warrens.

625
00:32:52,240 --> 00:32:53,040
Speaker 1: They're all high.

626
00:32:54,480 --> 00:32:58,440
Speaker 2: That's fun. I mean drafts that are high. Right, Yeah,

627
00:32:58,520 --> 00:32:59,480
Speaker 2: let's do some thumbs ups.

628
00:33:00,200 --> 00:33:02,320
Speaker 1: You give them to me, thumbs up, thumbs ups.

629
00:33:02,840 --> 00:33:05,680
Speaker 2: Lauren wants to thumbs up her friend Jackie and Mikayla

630
00:33:05,880 --> 00:33:08,600
Speaker 2: for a one year anniversary of their shop. It is

631
00:33:08,680 --> 00:33:12,960
Speaker 2: called Biss b I s S. It is on Front

632
00:33:13,000 --> 00:33:16,720
Speaker 2: Street in Salem, Massachusetts. It's a house plant and curated

633
00:33:16,800 --> 00:33:20,440
Speaker 2: goods shop. Yeah, I mean to keep a business around

634
00:33:20,520 --> 00:33:24,200
Speaker 2: for a year. Good for you, Jackiezala bananimals. If you go,

635
00:33:24,560 --> 00:33:26,160
Speaker 2: you know we have a lot of murder bananas. If

636
00:33:26,200 --> 00:33:28,080
Speaker 2: you go to see witch history, if you want to

637
00:33:28,120 --> 00:33:32,440
Speaker 2: learn about witches in Salem, Massachusetts, take a little detour

638
00:33:32,720 --> 00:33:35,200
Speaker 2: go to Biss. Buy yourself a house plant. Name it

639
00:33:35,320 --> 00:33:38,760
Speaker 2: Bell Tane or something. I don't know, but go check

640
00:33:38,840 --> 00:33:44,480
Speaker 2: out Biss. Congrats gals. Crystal Davis in Australia, I've heard

641
00:33:44,520 --> 00:33:49,240
Speaker 2: of that. Me too is thumbs up and Kurt Kurt

642
00:33:49,920 --> 00:33:53,640
Speaker 2: Crystal says, it's eleven fifty six pm here and it's

643
00:33:53,720 --> 00:33:56,600
Speaker 2: my birthday. I am sick. I just turned forty two.

644
00:33:57,040 --> 00:33:59,720
Speaker 2: I have a three year old. Three year old. Everyone

645
00:33:59,800 --> 00:34:03,760
Speaker 2: else is asleep and I just watched perfectly stupid, you

646
00:34:03,960 --> 00:34:06,360
Speaker 2: son of a bitch. It was spectacular. Thank you you

647
00:34:06,520 --> 00:34:08,960
Speaker 2: made my night. Banana Girl number forty two.

648
00:34:09,480 --> 00:34:13,480
Speaker 1: Thank you, thank you. That's such a kind thing.

649
00:34:13,719 --> 00:34:17,400
Speaker 2: If anybody hasn't watched Kurt's perfectly stupid stand up special.

650
00:34:17,840 --> 00:34:20,719
Speaker 2: You still can, you losers, get out there. It's every

651
00:34:20,760 --> 00:34:23,719
Speaker 2: regular banana girl forty two says, so I'll do two

652
00:34:23,800 --> 00:34:28,480
Speaker 2: more quickies. Kate Cosgrove, Kate good dear, I love it.

653
00:34:28,640 --> 00:34:32,040
Speaker 2: Friend is a children's book illustrator, and she has a

654
00:34:32,360 --> 00:34:37,520
Speaker 2: brand new book today. It's called Just Flowers. It's beautiful.

655
00:34:37,800 --> 00:34:41,719
Speaker 2: Aaron Deeley is the author, and everything Kate does is incredible.

656
00:34:41,800 --> 00:34:45,440
Speaker 2: So spoil your kids, spoil someone else's kids. Go get

657
00:34:45,520 --> 00:34:47,160
Speaker 2: the book Just Flowers.

658
00:34:48,560 --> 00:34:52,480
Speaker 1: I know I will thumbs out O Kate thumbsing up Kate.

659
00:34:52,680 --> 00:34:56,560
Speaker 2: And last but not least, let's see do do do?

660
00:34:57,760 --> 00:34:57,960
Speaker 5: We have?

661
00:34:58,160 --> 00:35:01,720
Speaker 2: So many? Oh? Here's a fun one. This one's really interesting.

662
00:35:02,200 --> 00:35:06,360
Speaker 2: Andrew Bosworth this thumbs uping himself and thumbs uping his colleagues.

663
00:35:07,000 --> 00:35:08,879
Speaker 1: It's really funny to say it's way better.

664
00:35:09,640 --> 00:35:13,759
Speaker 2: I love bordering on dirty but not quite uh on

665
00:35:14,280 --> 00:35:17,840
Speaker 2: Andrew Bosworth his thumbs uping himself and his colleagues. Andre

666
00:35:18,239 --> 00:35:21,320
Speaker 2: in London and VICKI and Athens. I think Athens Greece,

667
00:35:21,719 --> 00:35:26,200
Speaker 2: not Georgia, but maybe Georgia. H Andrew, Andre and Vicky

668
00:35:26,400 --> 00:35:30,880
Speaker 2: were recently certified to teach the Nikolai Demidov method of acting.

669
00:35:31,400 --> 00:35:34,800
Speaker 2: They are the only three people in the world with

670
00:35:34,880 --> 00:35:35,759
Speaker 2: that certification.

671
00:35:36,320 --> 00:35:36,600
Speaker 1: Wow.

672
00:35:37,680 --> 00:35:43,120
Speaker 2: What it is the Nikolai Demidov method of acting? And

673
00:35:43,280 --> 00:35:46,040
Speaker 2: any bananimal actors out there look them up there. It's

674
00:35:46,080 --> 00:35:49,600
Speaker 2: a new approach to acting training. And I guess google

675
00:35:49,680 --> 00:35:54,960
Speaker 2: Andrew Bosworth Nikolai Demidov method acting method of acting. I

676
00:35:55,080 --> 00:35:55,400
Speaker 2: don't know.

677
00:35:56,480 --> 00:35:59,920
Speaker 4: I thumbs up myself for that. Thumbs up.

678
00:36:00,200 --> 00:36:03,400
Speaker 2: Thumbs up, guys, gals and actors.

679
00:36:03,080 --> 00:36:06,800
Speaker 1: Everywhere, thumbs straight up. And of course we're here with

680
00:36:06,880 --> 00:36:09,160
Speaker 1: the wonderful and fantastic Claudia Dumay.

681
00:36:10,200 --> 00:36:11,800
Speaker 2: How you doing so far? You join it?

682
00:36:12,760 --> 00:36:13,040
Speaker 4: Good?

683
00:36:13,239 --> 00:36:15,560
Speaker 2: Great, You're more than halfway done. You can even believe it.

684
00:36:15,640 --> 00:36:17,040
Speaker 2: You're like three fifths done.

685
00:36:18,239 --> 00:36:18,520
Speaker 4: Great?

686
00:36:19,000 --> 00:36:19,320
Speaker 1: Great.

687
00:36:20,040 --> 00:36:22,320
Speaker 4: I feel like I should be saying more things. I

688
00:36:22,400 --> 00:36:26,560
Speaker 4: feel like I should be jumping in. No, I'm having okay,

689
00:36:26,640 --> 00:36:27,640
Speaker 4: I'm having a great time.

690
00:36:27,719 --> 00:36:31,480
Speaker 1: You're doing fantastic, and please jump in more if you

691
00:36:31,560 --> 00:36:33,560
Speaker 1: want to. We are open to your jumping.

692
00:36:33,640 --> 00:36:35,680
Speaker 4: I feel like I'm just gonna speak over you though,

693
00:36:36,520 --> 00:36:39,399
Speaker 4: and everything in my just like Catholic guilt. I don't

694
00:36:39,400 --> 00:36:40,640
Speaker 4: want to do that to you. I just want to

695
00:36:40,680 --> 00:36:42,759
Speaker 4: I just want to respect you. You have to finish

696
00:36:42,800 --> 00:36:44,759
Speaker 4: your sentence and then I'll jump in right off.

697
00:36:45,080 --> 00:36:47,160
Speaker 2: It's zoom zooming. Does that to people?

698
00:36:47,280 --> 00:36:48,799
Speaker 1: It's and now it's the zoom.

699
00:36:50,360 --> 00:36:50,520
Speaker 4: Yeah.

700
00:36:50,719 --> 00:36:52,680
Speaker 2: Uh kurty b. What the heck was that story?

701
00:36:53,200 --> 00:36:56,919
Speaker 1: Marijuana munching rats infiltratce police headquarters and beloved party city

702
00:36:57,040 --> 00:37:01,520
Speaker 1: chief warrens they're all high. This was sent in by

703
00:37:02,040 --> 00:37:08,760
Speaker 1: the delightful and wonderful Corey Corey Krief. Thanks Corey Corey Kreef.

704
00:37:08,880 --> 00:37:10,080
Speaker 2: Thanks Cory Cordy Kreef.

705
00:37:11,480 --> 00:37:16,200
Speaker 1: This one is from ABC News, written by the Associated Press,

706
00:37:16,280 --> 00:37:20,440
Speaker 1: so I guess it's more from the Associated Press. New

707
00:37:20,560 --> 00:37:24,040
Speaker 1: Orleans Police chief says conditions of the department's aging headquarters

708
00:37:24,120 --> 00:37:27,680
Speaker 1: are so deplorable deplorable that rats have munched on marijuana

709
00:37:27,760 --> 00:37:30,919
Speaker 1: contraband in the evidence locker. New Orleans rats have gotten

710
00:37:30,920 --> 00:37:34,040
Speaker 1: into confiscated pot at New Orleans Aging Police Headquarters, munching

711
00:37:34,080 --> 00:37:38,200
Speaker 1: the evidence as the building is taken over by molden cockroaches.

712
00:37:38,239 --> 00:37:41,520
Speaker 1: To the city's police chief, the rats eating our marijuana,

713
00:37:41,719 --> 00:37:45,560
Speaker 1: they're all high. Police superintendent and Kirkpatrick told New Orleans

714
00:37:45,600 --> 00:37:49,400
Speaker 1: City Council members Kirkpatrick described vermin infestation to decay at

715
00:37:49,440 --> 00:37:51,880
Speaker 1: the office that have housed New Orleans police since nineteen

716
00:37:51,960 --> 00:37:54,840
Speaker 1: sixty eight, saying officers have even found rat droppings on

717
00:37:54,960 --> 00:37:57,920
Speaker 1: their desk. The police department did not immediately respond to

718
00:37:57,960 --> 00:38:00,920
Speaker 1: an email request Wednesday, when they did discovered marijuana was

719
00:38:00,960 --> 00:38:03,600
Speaker 1: eaten by rats or weather any cases were impacted. I mean, like,

720
00:38:03,719 --> 00:38:07,080
Speaker 1: that's that's evidence. I love it. Also if it's if

721
00:38:07,120 --> 00:38:11,080
Speaker 1: it's marijuana being held as evidence, like eat away rats, key.

722
00:38:12,160 --> 00:38:15,880
Speaker 4: You know, I feel like we're enjoying the splendor of marijuana,

723
00:38:16,000 --> 00:38:17,040
Speaker 4: Like why can't the rats?

724
00:38:17,160 --> 00:38:19,480
Speaker 1: Yeah? Why? I mean, like, why is there so much

725
00:38:19,520 --> 00:38:22,759
Speaker 1: marijuana in lock up? It's Oh it's Louisiana. Is it's

726
00:38:22,800 --> 00:38:24,040
Speaker 1: still illegal in Louisiana?

727
00:38:24,160 --> 00:38:26,760
Speaker 2: Maybe it is in New Orleans. I mean, I guess

728
00:38:27,120 --> 00:38:27,960
Speaker 2: who gives.

729
00:38:27,719 --> 00:38:29,640
Speaker 1: A shit in New Orleans. It seems like marijuana is

730
00:38:29,680 --> 00:38:33,560
Speaker 1: the absolute lea last thing you should worry about it

731
00:38:33,640 --> 00:38:34,240
Speaker 1: New Orleans.

732
00:38:34,920 --> 00:38:38,719
Speaker 2: Yeah, that's really true. But I apparently rats love eating weed.

733
00:38:38,840 --> 00:38:39,640
Speaker 2: I didn't know this.

734
00:38:40,400 --> 00:38:43,239
Speaker 1: Yeah, I guess so. Also, I don't think you get

735
00:38:43,400 --> 00:38:47,920
Speaker 1: high either from eating raw weed, a fact I know

736
00:38:48,120 --> 00:38:50,400
Speaker 1: only because I tried to eat weed when I was

737
00:38:50,920 --> 00:38:53,960
Speaker 1: fifteen by just sticking it in a donut, just a

738
00:38:54,040 --> 00:38:56,640
Speaker 1: big bud in a donut, and it did not work.

739
00:38:57,120 --> 00:38:57,839
Speaker 4: You don't at all.

740
00:38:58,760 --> 00:38:59,920
Speaker 1: You have to eat it up a little bit.

741
00:39:00,320 --> 00:39:03,120
Speaker 2: Is we legal in Australia now? Can you walk into

742
00:39:03,160 --> 00:39:05,160
Speaker 2: a crazy Never?

743
00:39:05,560 --> 00:39:09,399
Speaker 4: No, No, you're a degenerate, you're a criminal. No, really,

744
00:39:09,560 --> 00:39:12,320
Speaker 4: you know, it's it's it's no, it's so intense. No drugs,

745
00:39:12,400 --> 00:39:12,799
Speaker 4: none of them.

746
00:39:12,920 --> 00:39:13,120
Speaker 2: I know.

747
00:39:13,760 --> 00:39:17,360
Speaker 4: It is very very it's it's very it's insane. Whenever

748
00:39:17,360 --> 00:39:18,880
Speaker 4: I come back to l A and I Land and

749
00:39:18,920 --> 00:39:22,200
Speaker 4: I'm like, ah, the smell of smog and sweet in

750
00:39:22,320 --> 00:39:24,120
Speaker 4: the air. And then I'll go to Sydney and it's

751
00:39:24,239 --> 00:39:27,840
Speaker 4: just like that's like crack cocaine.

752
00:39:28,040 --> 00:39:29,000
Speaker 2: That's not to me.

753
00:39:29,480 --> 00:39:30,680
Speaker 1: That's so insane.

754
00:39:31,640 --> 00:39:35,040
Speaker 4: Yeah, no it is. It's a very different world.

755
00:39:35,600 --> 00:39:38,080
Speaker 2: Yeah. So maybe if it doesn't get the rats high,

756
00:39:38,160 --> 00:39:42,080
Speaker 2: maybe it just gets really like it's nutritious nutrition. Maybe

757
00:39:42,160 --> 00:39:44,920
Speaker 2: they're just like really healthy, speedy rats.

758
00:39:45,840 --> 00:39:46,960
Speaker 4: Maybe it's like protein.

759
00:39:48,000 --> 00:39:53,680
Speaker 2: You know, we haven't done it. That's a place we

760
00:39:53,719 --> 00:39:54,160
Speaker 2: haven't done it.

761
00:39:54,320 --> 00:39:57,960
Speaker 1: Begging for you guys, wearing for us. They're begging where

762
00:39:58,040 --> 00:40:04,440
Speaker 1: in Australia from oh nice, beautiful I've.

763
00:40:04,320 --> 00:40:04,920
Speaker 2: Heard of that one.

764
00:40:05,080 --> 00:40:08,400
Speaker 4: I heard of that one. Yeah, great place to grow up.

765
00:40:08,480 --> 00:40:10,520
Speaker 1: Yeah, I loved it. Were you like in the city

766
00:40:10,600 --> 00:40:12,040
Speaker 1: city or were you out in the suburbs.

767
00:40:12,719 --> 00:40:14,200
Speaker 4: I was a bit of both. I was with my

768
00:40:14,320 --> 00:40:15,719
Speaker 4: dad in the city city and then I was with

769
00:40:15,800 --> 00:40:16,680
Speaker 4: my mom in the suburbs.

770
00:40:16,680 --> 00:40:17,000
Speaker 2: Suburbs.

771
00:40:17,040 --> 00:40:18,560
Speaker 1: We're in the city city. I want to see if

772
00:40:18,600 --> 00:40:19,719
Speaker 1: I always remember it.

773
00:40:20,400 --> 00:40:22,439
Speaker 4: I was like, I grew up across from Hyde Park.

774
00:40:22,640 --> 00:40:24,080
Speaker 1: Okay, that's gorgeous.

775
00:40:24,719 --> 00:40:25,600
Speaker 4: It was City City.

776
00:40:25,719 --> 00:40:25,919
Speaker 2: Yeah.

777
00:40:26,239 --> 00:40:29,520
Speaker 4: Yeah, there are rats there too though, so but it's fine.

778
00:40:30,040 --> 00:40:34,040
Speaker 2: I mean, whenever I would like have late night F

779
00:40:34,160 --> 00:40:36,800
Speaker 2: train rides back from Manhattan to Brooklyn, it was like

780
00:40:36,920 --> 00:40:40,200
Speaker 2: inevitable that you'd see let's say five rats, Like just

781
00:40:40,280 --> 00:40:42,480
Speaker 2: you would see five, but then the one on the

782
00:40:42,600 --> 00:40:45,200
Speaker 2: train on the train, on the platform, I mean always on.

783
00:40:45,239 --> 00:40:49,000
Speaker 1: The platform, but okay, on the train, but sometimes you

784
00:40:49,040 --> 00:40:50,080
Speaker 1: would see them on the train.

785
00:40:50,480 --> 00:40:53,640
Speaker 2: The most disturbing. You would sometimes see them like pizza rat,

786
00:40:53,719 --> 00:40:55,760
Speaker 2: very famous. You would see things like that quite often,

787
00:40:55,840 --> 00:40:59,000
Speaker 2: like a rat just dragging something ridiculously big in a direction,

788
00:40:59,120 --> 00:41:01,319
Speaker 2: and you kind of root for and like somebody comes along,

789
00:41:01,400 --> 00:41:03,200
Speaker 2: gives them a little teamwork and You're like, they're just

790
00:41:03,360 --> 00:41:06,920
Speaker 2: like us. They're learning the most disturbing ones when you

791
00:41:06,920 --> 00:41:08,919
Speaker 2: would see a drunk person asleep and you just see

792
00:41:08,920 --> 00:41:10,799
Speaker 2: that rat walk right up their leg and write up

793
00:41:10,840 --> 00:41:14,000
Speaker 2: their coat, and you're like, you don't know what to do.

794
00:41:14,440 --> 00:41:16,960
Speaker 2: You're like, do you wake the person up and startle

795
00:41:17,000 --> 00:41:18,799
Speaker 2: them or does the rat kind of just do its

796
00:41:18,880 --> 00:41:21,400
Speaker 2: thing and then go elsewhere. It's just looking for pizza.

797
00:41:21,960 --> 00:41:23,800
Speaker 2: But I probably saw that.

798
00:41:24,200 --> 00:41:26,200
Speaker 4: What a maral dilemmas this is?

799
00:41:26,880 --> 00:41:29,360
Speaker 2: Yeah, wow, you'd see it. It was pretty bad. And

800
00:41:29,480 --> 00:41:31,759
Speaker 2: then uh yeah when you saw him on the train

801
00:41:32,040 --> 00:41:34,759
Speaker 2: that nothing would clear it out quite the same. It's

802
00:41:34,840 --> 00:41:37,600
Speaker 2: just rat walks onto a subway, even when it's crowded.

803
00:41:37,600 --> 00:41:39,680
Speaker 2: Everybody's like, nah, nope, not doing it.

804
00:41:40,800 --> 00:41:45,359
Speaker 4: I would okay, this is complete Novice Rats Rat Novice here.

805
00:41:47,239 --> 00:41:48,640
Speaker 1: Actor Rat novis forty two.

806
00:41:50,760 --> 00:41:54,000
Speaker 4: I I like when I see a rat in New York,

807
00:41:54,200 --> 00:41:57,160
Speaker 4: it doesn't bump me. But when I see a cockroach

808
00:41:57,800 --> 00:42:03,920
Speaker 4: that terrifies. Man. I'd rather encounter a rat than a cockroach.

809
00:42:04,160 --> 00:42:05,040
Speaker 4: Is that that's right?

810
00:42:05,719 --> 00:42:09,839
Speaker 1: I think I feel the same way upon physically seeing

811
00:42:09,920 --> 00:42:13,160
Speaker 1: them in my presence. I think I can tolerate a

812
00:42:13,239 --> 00:42:14,919
Speaker 1: rat more than a bunch of cockroaches.

813
00:42:15,360 --> 00:42:18,160
Speaker 4: Are they Are they doing anything? Look, unless you're like

814
00:42:18,440 --> 00:42:21,080
Speaker 4: sleeping and they're climbing up your leg, are they doing

815
00:42:21,160 --> 00:42:22,040
Speaker 4: anything else to you?

816
00:42:23,280 --> 00:42:26,640
Speaker 2: Just kind of giving you that once over? Maybe reincarnation

817
00:42:26,840 --> 00:42:29,360
Speaker 2: is real. Maybe that's an old uncle that's just coming

818
00:42:29,400 --> 00:42:30,520
Speaker 2: to see how you're doing.

819
00:42:31,320 --> 00:42:33,120
Speaker 4: Or are they sizing you up? But they're like, is

820
00:42:33,160 --> 00:42:33,720
Speaker 4: it a warning?

821
00:42:33,840 --> 00:42:34,160
Speaker 1: What is it?

822
00:42:34,280 --> 00:42:36,359
Speaker 4: Like? What what is the fear of the rat?

823
00:42:37,280 --> 00:42:39,560
Speaker 2: I think Kurt knows they're seeing if you're alive, because

824
00:42:39,560 --> 00:42:41,000
Speaker 2: they start eating if you're dead.

825
00:42:41,239 --> 00:42:44,560
Speaker 4: So okay, all right, co co co co co.

826
00:42:45,040 --> 00:42:47,480
Speaker 2: I think that's because what's at the base, right?

827
00:42:48,400 --> 00:42:51,279
Speaker 4: I think I can outrun a rat or I can Yeah,

828
00:42:51,800 --> 00:42:52,839
Speaker 4: I can figure it out.

829
00:42:52,960 --> 00:42:53,400
Speaker 2: But with a.

830
00:42:53,440 --> 00:42:58,120
Speaker 4: Cockroach in Australia, especially in the summers, like they fly

831
00:42:58,520 --> 00:43:01,879
Speaker 4: oh yo, So I don't and I don't know where

832
00:43:01,920 --> 00:43:04,160
Speaker 4: it's going. So if it's on the wall across from

833
00:43:04,200 --> 00:43:06,680
Speaker 4: me and I spray it with some mortine, what do

834
00:43:06,719 --> 00:43:07,279
Speaker 4: you call it here?

835
00:43:07,560 --> 00:43:08,400
Speaker 1: Ray combat?

836
00:43:12,320 --> 00:43:14,600
Speaker 4: Yeah, Like I know it's going down. I know it's

837
00:43:14,640 --> 00:43:17,719
Speaker 4: maybe cooling down the wall and then falling eventually. But

838
00:43:17,920 --> 00:43:20,359
Speaker 4: if I do it in Sydney, that thing could come

839
00:43:20,440 --> 00:43:20,759
Speaker 4: right out.

840
00:43:22,000 --> 00:43:22,479
Speaker 2: That's true.

841
00:43:22,920 --> 00:43:23,640
Speaker 4: That's terrible.

842
00:43:23,680 --> 00:43:26,759
Speaker 2: When something you don't know can fly flies, it is.

843
00:43:27,080 --> 00:43:30,080
Speaker 2: It never gets in every horror movie. It'll be like, oh,

844
00:43:30,160 --> 00:43:32,239
Speaker 2: look a demon and then the wings pop out and

845
00:43:32,239 --> 00:43:33,160
Speaker 2: you're like, it has wings.

846
00:43:34,920 --> 00:43:35,600
Speaker 1: What are you gonna do?

847
00:43:35,960 --> 00:43:38,320
Speaker 4: I thought we were a land creature. You don't know

848
00:43:38,360 --> 00:43:41,560
Speaker 4: what you're doing. You're against something way greater than you are.

849
00:43:42,680 --> 00:43:43,200
Speaker 2: You said it.

850
00:43:43,520 --> 00:43:46,759
Speaker 1: Navigate between rats and pigeons? Where do you stand?

851
00:43:47,120 --> 00:43:47,760
Speaker 2: Great question?

852
00:43:48,600 --> 00:43:50,280
Speaker 4: Neutral? I'm neutral on both.

853
00:43:50,400 --> 00:43:50,720
Speaker 2: Neutral.

854
00:43:50,880 --> 00:43:54,920
Speaker 4: Maybe I think I prefer a rat. The pigeon can fly,

855
00:43:56,040 --> 00:43:58,200
Speaker 4: and that's the only Yeah, I think.

856
00:43:58,360 --> 00:44:02,239
Speaker 1: I think I prefer a pigeon only because they seem

857
00:44:02,320 --> 00:44:04,279
Speaker 1: to be having the dumbest thoughts at all times, and

858
00:44:04,360 --> 00:44:05,279
Speaker 1: it's very funny to me.

859
00:44:06,800 --> 00:44:08,520
Speaker 4: So there's no malice. They're just they're just.

860
00:44:08,560 --> 00:44:10,000
Speaker 1: Hanging dumb dump.

861
00:44:10,000 --> 00:44:12,600
Speaker 4: They're just bumping dumb dump, whereas a rat could have

862
00:44:12,680 --> 00:44:13,120
Speaker 4: ill tes.

863
00:44:13,280 --> 00:44:16,560
Speaker 1: Yes, that's how it feels, right. They're probably exactly the

864
00:44:16,600 --> 00:44:18,200
Speaker 1: same animal in their brains.

865
00:44:19,920 --> 00:44:21,880
Speaker 2: Yeah, that's true. I wonder if they see each other

866
00:44:21,960 --> 00:44:23,960
Speaker 2: and they're like, every time the pigeon's wings goes out,

867
00:44:24,000 --> 00:44:27,719
Speaker 2: and it's like, I didn't know you had it? Are

868
00:44:27,760 --> 00:44:29,400
Speaker 2: you a good driver, Claudia.

869
00:44:30,160 --> 00:44:33,279
Speaker 4: I like to think so pretty good. I'm okay. You

870
00:44:33,360 --> 00:44:36,440
Speaker 4: know what's funny, Actually I can't really drive in Australia

871
00:44:36,520 --> 00:44:38,879
Speaker 4: anymore because I've driven here for so long and it's

872
00:44:38,880 --> 00:44:39,560
Speaker 4: the other side of the.

873
00:44:39,920 --> 00:44:44,840
Speaker 2: Side, yeah side as well. Then you're you're you're probably

874
00:44:44,840 --> 00:44:49,200
Speaker 2: doing better off than this. This gent this one is crazy.

875
00:44:50,320 --> 00:44:54,640
Speaker 2: Deanna Canutson sent this in. Or let's go with nuts in.

876
00:44:54,760 --> 00:44:57,640
Speaker 2: But I did know a Billy Knutson at one point.

877
00:44:57,719 --> 00:45:01,520
Speaker 2: But maybe I know a Matt Knutson. Okay, Deanna, We're sorry.

878
00:45:01,840 --> 00:45:07,279
Speaker 2: Deanna Kay sent this in. Man rescued two days after

879
00:45:07,440 --> 00:45:11,279
Speaker 2: driving car over California cliff and falling several hundred feet

880
00:45:12,400 --> 00:45:16,080
Speaker 2: so he drove off the pch on his way to

881
00:45:16,200 --> 00:45:16,640
Speaker 2: Big Sir.

882
00:45:17,200 --> 00:45:21,640
Speaker 1: I lived for two days. God, whoa, whoa. That is

883
00:45:21,760 --> 00:45:24,680
Speaker 1: for those on the cliff down at the bottom.

884
00:45:25,320 --> 00:45:27,320
Speaker 2: He was down in his car. Here we go. This

885
00:45:27,440 --> 00:45:30,000
Speaker 2: was in people. He was in his car. Oh my god,

886
00:45:30,160 --> 00:45:32,560
Speaker 2: he made it. Yeah. He wasn't on a mopet. He

887
00:45:32,920 --> 00:45:36,240
Speaker 2: was on a car. This was written by Becca Wrongway

888
00:45:36,320 --> 00:45:38,839
Speaker 2: long Meyer, who's the best in the biz. A man

889
00:45:38,920 --> 00:45:41,759
Speaker 2: has been rescued two days after accidentally driving his car

890
00:45:41,840 --> 00:45:45,320
Speaker 2: off a cliff side in California On Wednesday, California Highway

891
00:45:45,360 --> 00:45:48,560
Speaker 2: Patrol Coastal Division confirmed they sent a team to search

892
00:45:48,640 --> 00:45:51,440
Speaker 2: the coastline from Post Ranch In and Big Sirr to

893
00:45:51,719 --> 00:45:56,239
Speaker 2: Monastery Beach in Carmel at approximately eight thirty am Local time.

894
00:45:56,640 --> 00:45:59,359
Speaker 2: A man left work on Sunday and failed to make

895
00:45:59,440 --> 00:46:03,160
Speaker 2: it home. The rest they rescued. Oh. The rescued mail

896
00:46:03,239 --> 00:46:06,480
Speaker 2: and his vehicle were located four hundred feet down a cliff.

897
00:46:07,160 --> 00:46:12,800
Speaker 2: Whoa wow wow he They roped down to the victim

898
00:46:12,840 --> 00:46:16,080
Speaker 2: and began to assess his injuries. The CHIPS Coastal Division

899
00:46:16,320 --> 00:46:19,280
Speaker 2: Air Operations confirmed on Facebook and they have a video

900
00:46:19,440 --> 00:46:21,960
Speaker 2: of the rescue that you can watch. It's pretty crazy.

901
00:46:22,239 --> 00:46:25,680
Speaker 2: He was waving frantically waving a makeshift flag, so they

902
00:46:25,719 --> 00:46:27,560
Speaker 2: didn't know where he was. He was like trying to

903
00:46:27,640 --> 00:46:32,719
Speaker 2: get rescued for two days. The rescued man told authorities

904
00:46:32,760 --> 00:46:38,000
Speaker 2: he swerved to miss some dear educational podcast. Don't swerve

905
00:46:38,040 --> 00:46:43,279
Speaker 2: on the PCH. We love animals. Take them out, we

906
00:46:43,440 --> 00:46:49,040
Speaker 2: love them, We love them out. Uh, we love all animals.

907
00:46:50,040 --> 00:46:54,680
Speaker 1: Drive him right into him on the PCH. Welcome him down.

908
00:46:56,000 --> 00:46:59,680
Speaker 2: We love animal. We are obsessed with animals. I would

909
00:46:59,760 --> 00:47:02,719
Speaker 2: give my life for a single deer. But if I'm

910
00:47:02,760 --> 00:47:06,080
Speaker 2: on the pch and what comes out you knock him down,

911
00:47:06,360 --> 00:47:11,480
Speaker 2: I'm abing for its head. The stories at the end

912
00:47:11,520 --> 00:47:15,160
Speaker 2: of the podcast so blah blah blah blah blah.

913
00:47:15,160 --> 00:47:15,279
Speaker 4: Oh.

914
00:47:15,360 --> 00:47:18,239
Speaker 2: So an airplane was already searching on a separate call

915
00:47:18,719 --> 00:47:21,440
Speaker 2: and responded to the area of the cliffs below Highway one.

916
00:47:22,680 --> 00:47:25,840
Speaker 2: It arrived twenty minutes after to request the located vehicle

917
00:47:25,880 --> 00:47:28,120
Speaker 2: that was found four hundred feet over the side near

918
00:47:28,239 --> 00:47:30,279
Speaker 2: the beach below, so it basically made it all the

919
00:47:30,320 --> 00:47:34,440
Speaker 2: way down. The post said that the eight seventy airplane

920
00:47:34,520 --> 00:47:37,480
Speaker 2: responded or whatever that is from Passo Robles and arrived

921
00:47:37,560 --> 00:47:40,880
Speaker 2: forty minutes later. There are no beach access, no trails

922
00:47:40,920 --> 00:47:43,759
Speaker 2: at the collision site, nor was the vehicle visible from

923
00:47:43,800 --> 00:47:45,040
Speaker 2: the roadway at all.

924
00:47:45,400 --> 00:47:46,360
Speaker 1: That's crazy.

925
00:47:46,760 --> 00:47:49,839
Speaker 2: The aircraft hoisted the victim and the big serve fire

926
00:47:49,960 --> 00:47:52,080
Speaker 2: chief from the crash. They lowered a guy down and

927
00:47:52,120 --> 00:47:54,160
Speaker 2: then or a woman down, and then they brought him

928
00:47:54,200 --> 00:47:58,640
Speaker 2: back up and before flying to the a Medical Center

929
00:47:58,719 --> 00:48:02,120
Speaker 2: in Salinas for further treatment and care. The A seventy

930
00:48:02,160 --> 00:48:05,440
Speaker 2: one was instrumental in finding the crash light. Okay, they

931
00:48:05,520 --> 00:48:09,960
Speaker 2: save the guy and he only he's appeared stable and

932
00:48:10,000 --> 00:48:13,240
Speaker 2: suffered moderate injuries. Four hundred feet down a cliff.

933
00:48:14,239 --> 00:48:16,840
Speaker 1: Moderate injuries. That's amazing, I know.

934
00:48:17,040 --> 00:48:19,040
Speaker 2: And also to be hidden, that means it's got to

935
00:48:19,080 --> 00:48:21,240
Speaker 2: be pretty steep if it's hidden, right.

936
00:48:22,400 --> 00:48:24,400
Speaker 4: That terrifies me because you know how they're like, he

937
00:48:24,640 --> 00:48:27,279
Speaker 4: was in the woods, but he was stuck on a

938
00:48:27,400 --> 00:48:30,839
Speaker 4: hike and he was deep in the terrain and that's fine,

939
00:48:30,840 --> 00:48:32,480
Speaker 4: and I'm like, yeah, that makes sense. Of course he's

940
00:48:32,520 --> 00:48:35,160
Speaker 4: lost the risks. I get it, I get it. But

941
00:48:35,360 --> 00:48:39,160
Speaker 4: this guy the highway is just about i mean, four

942
00:48:39,280 --> 00:48:42,239
Speaker 4: hundred feet above him, like he's not. He's not. He's

943
00:48:42,320 --> 00:48:46,600
Speaker 4: still there, but he's not. Yeah, and that terrifies me.

944
00:48:47,080 --> 00:48:50,200
Speaker 2: I wonder that's fears experience wise. You know, the deer

945
00:48:50,440 --> 00:48:53,480
Speaker 2: ce like two lights coming at them and they think

946
00:48:53,560 --> 00:48:56,279
Speaker 2: certain death and then they just the problem goes away

947
00:48:56,520 --> 00:48:59,319
Speaker 2: and they could just continue on their day like they

948
00:48:59,320 --> 00:49:00,919
Speaker 2: didn't go Hell, oh.

949
00:49:00,840 --> 00:49:03,080
Speaker 4: The deg didn't get hit at all, didn't even get clipped.

950
00:49:04,320 --> 00:49:06,480
Speaker 2: I don't think so, because they would probably if it

951
00:49:06,520 --> 00:49:08,480
Speaker 2: got clipped or hit like it would be on the road,

952
00:49:08,520 --> 00:49:12,360
Speaker 2: they'd be like oh something happened here. Maybe it's a

953
00:49:12,680 --> 00:49:15,600
Speaker 2: crazy thing though that anybody who's ever driven the pch

954
00:49:15,760 --> 00:49:19,640
Speaker 2: up to Big Sirt, it is so harrowing. It's like

955
00:49:19,760 --> 00:49:22,480
Speaker 2: you feel like it would be one mistake death, like

956
00:49:22,600 --> 00:49:25,719
Speaker 2: you pay attention. Yeah, sweat while you drive, is what

957
00:49:25,800 --> 00:49:27,000
Speaker 2: I'm saying. It's a sweaty drive.

958
00:49:27,680 --> 00:49:30,120
Speaker 1: Oh my god. I had to drive back. We had

959
00:49:30,200 --> 00:49:33,640
Speaker 1: our buddies I don't know, fortieth birthday up at a

960
00:49:33,760 --> 00:49:36,279
Speaker 1: place up there, and then I had to go back

961
00:49:36,320 --> 00:49:39,239
Speaker 1: because it was also my wife's birthday as well. And

962
00:49:39,360 --> 00:49:41,880
Speaker 1: so I woke up in the morning after like a

963
00:49:42,200 --> 00:49:44,719
Speaker 1: full night of really going for it, and then like

964
00:49:45,360 --> 00:49:48,920
Speaker 1: hopped into the car and started driving south on that

965
00:49:49,840 --> 00:49:56,000
Speaker 1: just like white knuckling, hungover, sweating, just like like every

966
00:49:56,120 --> 00:49:59,480
Speaker 1: single turd was a nail bitter for me that morning.

967
00:50:00,080 --> 00:50:02,120
Speaker 4: Right, WHA speaking of.

968
00:50:02,120 --> 00:50:03,000
Speaker 2: A harrowing drive.

969
00:50:03,160 --> 00:50:10,560
Speaker 4: Oh no, it's not, actually, but it's it's the it's

970
00:50:10,640 --> 00:50:16,839
Speaker 4: getting your license at the Hollywood DMV. I remember when

971
00:50:16,880 --> 00:50:19,360
Speaker 4: my mum and I moved here, we'd spoken to friends

972
00:50:19,360 --> 00:50:22,920
Speaker 4: of ours who'd also like immigrated over and they were like,

973
00:50:23,360 --> 00:50:25,960
Speaker 4: don't go here, go to the one in Glendale, or

974
00:50:26,000 --> 00:50:27,799
Speaker 4: they were like go to the one in like they

975
00:50:27,840 --> 00:50:31,600
Speaker 4: would tell you the spots that would guarantee that you'd

976
00:50:31,640 --> 00:50:35,320
Speaker 4: get your license, because the Hollywood DMV is like Hunger Games,

977
00:50:35,360 --> 00:50:38,560
Speaker 4: like it's so intense there, and there are apparently like

978
00:50:38,760 --> 00:50:43,160
Speaker 4: one of three driving instructors you'll get. There's I don't

979
00:50:43,160 --> 00:50:44,479
Speaker 4: know if this is the same now, this was twelve

980
00:50:44,520 --> 00:50:47,520
Speaker 4: years ago, but there there was, there was the woman,

981
00:50:47,800 --> 00:50:50,279
Speaker 4: There was the short older man, and then when there

982
00:50:50,360 --> 00:50:52,600
Speaker 4: was the young guy, and the woman was apparently the

983
00:50:52,760 --> 00:50:56,120
Speaker 4: meanest and she doesn't pass anyone. And my mother is

984
00:50:56,200 --> 00:51:00,759
Speaker 4: a very timid driver as it is, and and to

985
00:51:00,880 --> 00:51:03,880
Speaker 4: the point where we had a cat growing up, and

986
00:51:04,080 --> 00:51:06,800
Speaker 4: the third day in to us having the cat, she

987
00:51:06,960 --> 00:51:11,839
Speaker 4: ran it over in the drive. So she's also she's

988
00:51:12,040 --> 00:51:16,560
Speaker 4: also fun, fact not fun. She's been carjacked not once

989
00:51:16,640 --> 00:51:20,520
Speaker 4: but twice in her life, which is very interesting number wise.

990
00:51:20,600 --> 00:51:24,840
Speaker 4: You know, also things happen in threes. So I'm just

991
00:51:24,920 --> 00:51:28,920
Speaker 4: we're all waiting for the further. But she so she

992
00:51:29,000 --> 00:51:31,640
Speaker 4: went for her driver's license at the Hollywood DMV, and

993
00:51:31,760 --> 00:51:36,120
Speaker 4: she got the woman and they were they were driving

994
00:51:36,440 --> 00:51:43,520
Speaker 4: and around Hollywood, which is horrible anyway, and they were

995
00:51:43,640 --> 00:51:47,120
Speaker 4: driving down a side street and a.

996
00:51:48,920 --> 00:51:52,600
Speaker 1: And a cat ran onto the road.

997
00:51:53,880 --> 00:51:56,400
Speaker 4: And she swoves to try and miss.

998
00:51:56,200 --> 00:51:59,360
Speaker 1: It, and she ran over the cat my gosh twice

999
00:52:00,239 --> 00:52:02,759
Speaker 1: and she yeah, and she went and the.

1000
00:52:03,320 --> 00:52:09,839
Speaker 4: Wheel went, I'm sorry. I feel like Peter's gonna hate

1001
00:52:09,880 --> 00:52:13,280
Speaker 4: this episode. And she was like, I think I should

1002
00:52:13,320 --> 00:52:15,520
Speaker 4: pull over, and the lady goes, just keep driving.

1003
00:52:15,880 --> 00:52:18,360
Speaker 2: Oh, my gosh, welcome to Hollywood.

1004
00:52:18,880 --> 00:52:21,360
Speaker 4: He kept driving and the cat was under there for

1005
00:52:21,480 --> 00:52:24,760
Speaker 4: a good another tense and then lived and then lived,

1006
00:52:25,040 --> 00:52:28,640
Speaker 4: and you know what for the kiddos listening, and then lived.

1007
00:52:29,400 --> 00:52:32,120
Speaker 2: So, yes, your mom needs a bike, is what we're saying.

1008
00:52:32,280 --> 00:52:36,840
Speaker 4: Oh, I don't know if she should be driving anyway.

1009
00:52:36,920 --> 00:52:38,920
Speaker 4: She didn't get a license. And then she went to

1010
00:52:38,960 --> 00:52:40,160
Speaker 4: Glendale and she got.

1011
00:52:41,880 --> 00:52:44,520
Speaker 2: If you moved to La, go to Glendale to get

1012
00:52:44,560 --> 00:52:49,120
Speaker 2: your driver's lace. Since you heard it here first, that

1013
00:52:49,680 --> 00:52:51,600
Speaker 2: should be a sitcom though, I mean, I'm sure it's

1014
00:52:51,640 --> 00:52:55,120
Speaker 2: been pitch a thousand times. But Hollywood DMV because when

1015
00:52:55,160 --> 00:52:57,680
Speaker 2: people think what Hollywood is is a lot different than

1016
00:52:57,719 --> 00:52:59,799
Speaker 2: what it is when they show up like bananimals. If

1017
00:52:59,800 --> 00:53:02,120
Speaker 2: you're been to LA and you're coming to Hollywood, uh,

1018
00:53:02,440 --> 00:53:05,280
Speaker 2: come to La. Go to Hollywood for forty five minutes,

1019
00:53:05,440 --> 00:53:07,600
Speaker 2: find the star of your favorite actor on the Walk

1020
00:53:07,640 --> 00:53:08,840
Speaker 2: of Fame and then.

1021
00:53:08,840 --> 00:53:11,560
Speaker 1: Herry smell the smell the piss smell on top of

1022
00:53:11,680 --> 00:53:14,920
Speaker 1: that star, and then get out of there, hurry.

1023
00:53:14,719 --> 00:53:17,600
Speaker 2: Away as fast as you possibly can before one of

1024
00:53:17,719 --> 00:53:21,080
Speaker 2: the four or five Elmos that are falling apart, like

1025
00:53:21,160 --> 00:53:25,840
Speaker 2: the walking did shive or ask you for money for selfie?

1026
00:53:25,920 --> 00:53:26,040
Speaker 4: Well?

1027
00:53:26,080 --> 00:53:26,319
Speaker 2: Both?

1028
00:53:26,840 --> 00:53:30,279
Speaker 1: Yeah, one Almo did shive another Almo. Right, that was

1029
00:53:30,360 --> 00:53:33,040
Speaker 1: the thing that happened recently, shiveled me Elmo.

1030
00:53:33,160 --> 00:53:35,759
Speaker 4: We were just talking and yeah, no.

1031
00:53:35,920 --> 00:53:38,360
Speaker 1: I told sure exactly what the thing was. But it

1032
00:53:38,440 --> 00:53:41,240
Speaker 1: was a violent confrontation between between almos.

1033
00:53:42,719 --> 00:53:45,759
Speaker 2: I like shivel me Almo for a title for this episode.

1034
00:53:46,000 --> 00:53:46,840
Speaker 4: I think that's funny.

1035
00:53:47,120 --> 00:53:50,680
Speaker 2: Yes, Atie, let's make it shivel me Almo, Claudia, where

1036
00:53:50,760 --> 00:53:53,120
Speaker 2: can they find you? Let's plug away? Where can they

1037
00:53:53,160 --> 00:53:57,080
Speaker 2: plug away? Same like them to follow you on social media?

1038
00:53:57,880 --> 00:54:00,480
Speaker 4: Sure, I'm there every now and then pop in and

1039
00:54:00,600 --> 00:54:03,600
Speaker 4: say hello, and then I step away for my mental health.

1040
00:54:03,680 --> 00:54:05,839
Speaker 4: And then I pop in and say hello, and then

1041
00:54:05,920 --> 00:54:08,840
Speaker 4: I scroll and my mental health deteriorates, and then I

1042
00:54:08,920 --> 00:54:12,720
Speaker 4: step away from my mental health. But yeah, I on Instagram,

1043
00:54:12,760 --> 00:54:13,480
Speaker 4: I'm there and.

1044
00:54:13,640 --> 00:54:16,239
Speaker 2: Just Claudia Doom Instagram.

1045
00:54:15,880 --> 00:54:20,319
Speaker 4: Claudia dom Claudia Doom, Well, thank you so much. Oh

1046
00:54:20,400 --> 00:54:22,600
Speaker 4: my god, guys, this was so much fun. I learned

1047
00:54:22,680 --> 00:54:26,320
Speaker 4: so much. It is it's an educational podcast.

1048
00:54:26,400 --> 00:54:28,799
Speaker 2: We all love animals. Let's make it very clear, guys,

1049
00:54:28,840 --> 00:54:35,239
Speaker 2: you really do. We love especially mammals, some fish, very

1050
00:54:35,320 --> 00:54:36,959
Speaker 2: few birds. But that's fine.

1051
00:54:38,120 --> 00:54:42,000
Speaker 4: Yeah, I love rats. If you heard me on this podcast,

1052
00:54:42,120 --> 00:54:43,120
Speaker 4: I'm mutual.

1053
00:54:44,600 --> 00:54:44,880
Speaker 2: Fans.

1054
00:54:44,920 --> 00:54:47,879
Speaker 4: They're fine, They're fine, Okay, they're cool, they're great.

1055
00:54:48,360 --> 00:55:03,560
Speaker 2: Bananas Bananas is an exactly right media production.

1056
00:55:03,760 --> 00:55:05,920
Speaker 1: Our producer and engineer is Katie Levine.

1057
00:55:06,360 --> 00:55:09,600
Speaker 2: The catchy Bananas theme song was composed and performed by Kahon.

1058
00:55:09,840 --> 00:55:13,239
Speaker 1: Artwork for Bananas was designed by Travis Millard and.

1059
00:55:13,280 --> 00:55:16,360
Speaker 2: Our benevolent overlords are the Great Karen Kilgarriff and Georgia

1060
00:55:16,400 --> 00:55:16,880
Speaker 2: Hartstart

1061
00:55:17,000 --> 00:55:19,760
Speaker 1: And Lisa Maggott is our full human, not a robot

1062
00:55:19,880 --> 00:55:20,280
Speaker 1: intern