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Speaker 1: And it's drink Chats, motherfucking podcast. He's a legendary queen's rapper.

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Speaker 1: He's agree, it's your boy in the r He's a

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Speaker 1: Miami hippop pioneer. Up his dj e FN. Together they

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Speaker 1: drink it up with some of the biggest players in

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Speaker 1: the most professional unprofessional podcast. And your number one sorts

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Speaker 1: for drunk fat drink chas, motherfucking every day is New year' z.

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Speaker 1: That's for drink Champs, drink up mother Hey, heys agree, ups,

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Speaker 1: it's your boy. What up is dj e F and

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Speaker 1: it's drink Chats, motherfucker happy. I will make some fun

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Speaker 1: right now he is in the building. We have a pioneer.

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Speaker 1: We also have a component here. I want a big

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Speaker 1: a components the other guest host that we have tonight,

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Speaker 1: I wanted him to be the guest host, but now

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Speaker 1: we're switching it up so that component is gonna be

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Speaker 1: the guest Holsers. Right now, we have a hip hop pioneer, legendary.

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Speaker 1: We would think of goldfathers, and there's certain goldfathers, but

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Speaker 1: he's not a golfather. He is a fall up hip

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Speaker 1: hop and this is busy motherfucker. Also who we have

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Speaker 1: in the building. I want to be clear. We have

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Speaker 1: a person who has four and a half micx, who

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Speaker 1: has platinum and gold albums. He's part of the best

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Speaker 1: group ever. His partner is the best man. We got

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Speaker 1: compone and we love both, y'all. Yeah, y'all listening that?

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Speaker 1: Oh yeah, I like, I don't want them to share

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Speaker 1: the like, can they can get another one? You got it?

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Speaker 1: You got? I want you to talk whatever? Yeah, y'all.

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Speaker 1: So you're not a legend like Busy Be tonight betting

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Speaker 1: for people like Busy Be. What's happening. Let's take it

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Speaker 1: from the beginning of the hip hop All right, let's

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Speaker 1: do that because you're want the Bronx. Correct, Yeah, we're

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Speaker 1: I'm from the boogie down Bronx where the only ship

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Speaker 1: really started from. You know what I'm saying. Bull Street,

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Speaker 1: Boston Road, Prospect Avenue to the Avenue Union Avenue, you know,

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Speaker 1: stuff like that with the Grand Master Flash was doing

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Speaker 1: this thing Melly Mail did or She Dealer was a

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Speaker 1: little kid at this time, you know what I'm saying. So, yeah,

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Speaker 1: I think Grand Wizard did or what he was a

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Speaker 1: little kid at this time when Grand Master Flash and

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Speaker 1: Mean Jene was rocking and they had only three m

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Speaker 1: c s at this time. They had Mellie Mayle, Kick

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Speaker 1: Creole and Keith Cowboys. So it was just a handful

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Speaker 1: of m c s. It wasn't an old bunch of

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Speaker 1: m cs, you know what I'm saying. It wasn't old solo.

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Speaker 1: It was a lot of DJ. Dcs were for the

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Speaker 1: DJs at then. It was it was it was it

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Speaker 1: was more classier, that more fashionable to be a DJ

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Speaker 1: because promoting the DJ right because today there's no more

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Speaker 1: m C You know, the m C has came with

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Speaker 1: the DJ. You know, I'm m C that and this

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Speaker 1: DJ bloom. You know, the DJ came with the MC.

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Speaker 1: Today you just got the m C or you got

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Speaker 1: the rapper. Now put the CD in, make the music

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Speaker 1: and here going. He eliminated the DJ so you don't

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Speaker 1: have to pay him, you know what I'm saying. And

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Speaker 1: I'm on my own. But see so the MC's is dead.

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Speaker 1: You know, you have the m c s and the DJs,

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Speaker 1: and you got rappers. So you know, I go with

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Speaker 1: hip hop, I tweet and the rapper or the m

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Speaker 1: C came with the DJ. You know what I'm saying,

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Speaker 1: I'm m c blocks and this is DJ because the

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Speaker 1: DJ wasn't talking on him, so he needed someone to

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Speaker 1: rep him, right, And I'll give you a few MCS

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Speaker 1: that's you know that's still wrecked today. You've got LLL

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Speaker 1: cool J with the Creator, you got DJ Polo and

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Speaker 1: uh coolg rap You know you got me with did

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Speaker 1: or you got um um. Let me see all the

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Speaker 1: MCS with with DJ you you got being rock him,

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Speaker 1: you know right, So so you know you have that

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Speaker 1: right now you have the new MCS and the new

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Speaker 1: generation coming out. They just got music and they're just

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Speaker 1: rapper us. Well, what happened to the DJ, right that

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Speaker 1: made the music? Ain't nobody business? That's DJ. That's my partner, right.

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Speaker 1: He hates rapp up goes on there. Thanks everybody, right,

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Speaker 1: all the guys that we're not even we're not saying

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Speaker 1: look at us, we do the backbone, that's right. But

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Speaker 1: and I agree. So you know at the very day,

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Speaker 1: you know, we need our DJ to help the rapper,

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Speaker 1: and the rapper need the DJ to do his thing too,

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Speaker 1: because you got to promote that this DJ helped me

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Speaker 1: make this beat to make y'all right, you know it's

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Speaker 1: the crazy I'm so sorry everybody. I got two of

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Speaker 1: my partners here, see an ye DJ, you have to

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Speaker 1: describe the situation earlier. Today, I see busy Bee busy

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Speaker 1: Be seat me and said he looked at me because

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Speaker 1: we both champagne people, right bottle, Yeah, crack, be careful

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Speaker 1: with us. Very hot this today? You talk about today today? Yeah? Yeah, yeah, listen,

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Speaker 1: don't have to add the auto wrap that auto wrap,

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Speaker 1: Iced tea big up Mickey Bixon? Right Ali, who else

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Speaker 1: we got a big up once? That didn't We did it?

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Speaker 1: We did it Iced Tea Iced team. And I seen

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Speaker 1: busy Be walking to the crowd and you had that

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Speaker 1: V booklicko and you got and you filled me up.

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Speaker 1: That's what I'm doing. I gotta fill you up right now,

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Speaker 1: my whole bottom take that problem. But I how to

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Speaker 1: do this ship? So we all right, all right about listen,

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Speaker 1: Mike Booth, Mike Boom is a champagne nigger. We all

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Speaker 1: Jake baking champagne nigger, champage niggs. We got the call.

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Speaker 1: He killed that, okay, So busy me, let me ask

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Speaker 1: you a question right right right now. These brothers, the

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Speaker 1: new generation, it's out and they don't want to do

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Speaker 1: their history. They don't want to know who you are.

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Speaker 1: I don't want to know who I don't want to create.

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Speaker 1: They don't want to know who is. How you feel

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Speaker 1: about that, well, I don't feel about it, but I

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Speaker 1: tell you what they do. All they're doing, they just

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Speaker 1: it's just a green thing. It's just about a greed thing.

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Speaker 1: And everybody is happy that they being recognized at this

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Speaker 1: period of time in our culture. So at the end

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Speaker 1: of the day, like you said, I might be the father,

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Speaker 1: but then you're an icon, and then they got to

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Speaker 1: respect that because of who you are and when you

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Speaker 1: do what you do, you still do what you do.

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Speaker 1: And then they and at the end of the day,

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Speaker 1: they fans, They actually fans of what you do because

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Speaker 1: some of them is made up. We was born to

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Speaker 1: do this. Our fans created what we do to give

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Speaker 1: us the energy to do what we do. So those people,

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Speaker 1: some of the new generation, it's actually being made you know,

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Speaker 1: because you look like a Noriego, I'm gonna make you

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Speaker 1: do that. You just say these couple of rhymes and

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Speaker 1: then that's what it is. But then the real m

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Speaker 1: c s stand out. I've been doing what I've been

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Speaker 1: doing three long not too long. So I go back

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Speaker 1: nineteen seventy seven, before records before to yell, it's more

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Speaker 1: busy be We're gonna do it two no I was born.

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Speaker 1: You know, all I do is just reinvent myself every

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Speaker 1: two or three years. You know what I'm saying, to

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Speaker 1: keep it rolling until we're right now today, I'll still

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Speaker 1: roll with the snoop dogs to wish Khalifa was you.

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Speaker 1: You understand what I'm saying. Smoking good and drinking champagne.

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Speaker 1: That's what I did. Let me just tell you something

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Speaker 1: about dude. Two o'clock in the morning I landed. After that,

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Speaker 1: you already know what I'm gonna two o'clock in the morning.

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Speaker 1: I landed answer that. The only thing I didn't do

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Speaker 1: was think about how I'm going to smoke the weed.

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Speaker 1: So I brought all the weed in the world. I

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Speaker 1: went to every every week. I had all of it.

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Speaker 1: Busy Beak. I'm descending there and I said, holy ship,

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Speaker 1: busy something, noise something that how you're doing? I said,

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Speaker 1: I got all the weed in the world. He goes,

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Speaker 1: you ain't got hit to smoke of that? Right? Yeah?

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Speaker 1: Why did I'm not thinking that? He goes, follow me

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Speaker 1: and we an incident we walked through. I'm following, busy Bee.

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Speaker 1: And not only did he show me when against the guards,

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Speaker 1: I also got Marlborough Greens for people who smoke. If

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Speaker 1: you're smoking, New Boys, Marlborough Green's and Europe is the

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Speaker 1: same exact ship as Boys. And this nigger grabbed me.

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Speaker 1: I felt like in my mind he smacked me in

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Speaker 1: the back of my head and say, just follow me.

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Speaker 1: But that's that's experience. Here's the deal. Here's the deal,

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Speaker 1: busy Bee, right, what it is is that experience. I

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Speaker 1: was proud to follow you. I was proud to ask

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Speaker 1: you for help. I was proud. Do you think this

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Speaker 1: new generation isn't proudly because I am supposed to be

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Speaker 1: the busy beast to of the Asad Rockets, to the

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Speaker 1: little boozy verts. Do you think that that that they

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Speaker 1: would do the same thing that I did with you,

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Speaker 1: because I know they don't. I know they won't because

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Speaker 1: I mean, they still think that they came into this game.

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Speaker 1: And that's why you know, I put together my own

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Speaker 1: you know, like you know, I followed the Melly Males

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Speaker 1: and stuff like that in the hip hop and I say,

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Speaker 1: and I always wear black and I always will because

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Speaker 1: I dress up for their fender rules and now heads

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Speaker 1: will roll when rappers will die. And whoever won the battle,

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Speaker 1: I would give him a trial because I know I'm fresher.

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Speaker 1: I was born to never but be lesser more than

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Speaker 1: the record in the show to me, I came here

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Speaker 1: to said the world free from around the ways. Back

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Speaker 1: in the days, I got beat so you can get paid.

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Speaker 1: I made this a job YouTube bit slobs, and now

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Speaker 1: you the world learned. Still all robs. You got a

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Speaker 1: little bit of fame and wealth. Now you think you

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Speaker 1: did that all by yourself. I am you, but you

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Speaker 1: ain't me because started rapping to two thousand three. I

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Speaker 1: just tried to stay together. You know. I let them know.

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Speaker 1: You know I've been doing this for a little while.

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Speaker 1: Respect the culture, just like when you're smoking weed now,

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Speaker 1: you know, because for a new generation of smoking weed,

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Speaker 1: you have people that sixty seventy years old been smoking

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Speaker 1: we call it pot marijuana before y'all start calling it

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Speaker 1: loud and all that. Respect those people that smoked that weed,

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Speaker 1: because they was doing this before you even got to

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Speaker 1: the legalizations came into this planet. And this is the

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Speaker 1: reason why I'm sorry to cut you off. This is

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Speaker 1: the reason why I love when we're doing today, because

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Speaker 1: it was a brother that walked in here. And now,

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Speaker 1: earlier today, I was doing a show and a brother

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Speaker 1: walked in here and said, so, when you're gonna have

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Speaker 1: more pioneers on your show? And I said, do you

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Speaker 1: watch my show? And he said yeah, And I said,

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Speaker 1: it's Caress, not a pioneer. And I started naming names,

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Speaker 1: and he assisted that you know, you don't what you're right, Nolor,

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Speaker 1: but at the same time you're wrong because I want

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Speaker 1: the people that came before wants the herbs. He wants

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Speaker 1: the herb wants the busy will be considered the icons,

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Speaker 1: you know. But I appreciate it, like I appreciated what

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Speaker 1: he said. I appreciate because he wasn't hating. He was

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Speaker 1: just like, yo, look, GLORI like you guys basically because

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Speaker 1: we don't interview with anybody on the third. If you're

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Speaker 1: on the thirty, you gotta I'm a double nickel. I

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Speaker 1: ain't afraid of my show. I look good. It's a

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Speaker 1: double nickel, that's and you're looking good out here. What

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Speaker 1: I'm saying, goddamn again, I see busy be not only

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Speaker 1: in Amsterdam, but we've seen them in l A in

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Speaker 1: l A and he and Roscoe's and you're still looking good,

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Speaker 1: still smoking with many I drink grapes and I smoke good.

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Speaker 1: Got that, sir, rock You know how many stuffing hard drugs.

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Speaker 1: I never did in my in my culture, so I

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Speaker 1: always did to find the grapes, you know, because I

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Speaker 1: always stood around the people that said this is the

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Speaker 1: rich stuff. I wanted the rich stuff that's that's exclusive balls.

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Speaker 1: Right yeah, yeah, this is in case you want to

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Speaker 1: some flash it right here, right now. You're doing some

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Speaker 1: flysh it right now, right now, now, right you as

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Speaker 1: a person that was there in the eighties, you as

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Speaker 1: a person that was dead from the inception from the

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Speaker 1: I don't even know what that word was, in the

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Speaker 1: beginning of the very beginning, right, it's like that. So

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Speaker 1: I got you you as being there from the beginning

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Speaker 1: right when you listen to the music. Now, are you

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Speaker 1: just appointed or do you understand? Well, I'm not too

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Speaker 1: much of disappointed because some of the guys I do

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Speaker 1: understand that I do have some of the New generation.

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Speaker 1: I mean, if you call like ludicrous new generation to

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Speaker 1: where he's coming from, you know to I listened to

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Speaker 1: some of those. If you're making sense to the Kendrick Lamars,

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Speaker 1: you know, I can understand that he's when you're just

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Speaker 1: doing that what they call in Atlanta, that that that

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Speaker 1: crump all. I don't even know. You know, it's just

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Speaker 1: good music. Music speak for itself. So if you're putting

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Speaker 1: something behind it, then then you got an exclusive. You

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Speaker 1: wind up having a class if you take music the

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Speaker 1: day I used to. I'm sorry, I don't know if

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Speaker 1: I'm letting you down right, no, no, no no, But

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Speaker 1: for years that the end of the day, it's about

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Speaker 1: the DJ and the producer. The music is right, then

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Speaker 1: it speaks for itself because the DJ knows and then

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Speaker 1: the DJ helps the producer to tell the people, hey,

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Speaker 1: this is what they But now the consumer became the DJ.

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Speaker 1: But we can change what. We can change that because

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Speaker 1: we're speaking on it now. You know, the DJ is

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Speaker 1: demand period period in hip hop. But I feel like

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Speaker 1: DJ became castrated. But I'm saying in hip hop, please

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Speaker 1: talk in hip hop, don't. The DJ is still the

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Speaker 1: god that should be now a rap rap he killed

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Speaker 1: that he did he now wrap is a different scenario. So,

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Speaker 1: like you say, when you're driving, you stay in your lane.

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Speaker 1: You're in hip hop, stay in your lane because you're

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Speaker 1: the god. As long as you got an m C

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Speaker 1: that will follow your rules, you still to god and rap.

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Speaker 1: It's a different scenario because you've got so many industries

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Speaker 1: now that this is a billion dollar industry. Hip hop

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Speaker 1: took over planet Earth. If you're not doing nothing in

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Speaker 1: hip hop, you're not even making no money. You either

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Speaker 1: a fast food worker, a janitor, Wendy, or doing something

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Speaker 1: that illegal because hip hop took over the planet. If

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Speaker 1: you're not working in the industry of hip hop taking

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Speaker 1: care of a person like me or Noriega or an

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Speaker 1: MC that's worth that money, you ain't getting a dime.

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Speaker 1: And I'm sorry to say that. But the hip hoppers

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Speaker 1: and the hip hop ats, how y'all saying we killed it?

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Speaker 1: You know what I'm saying. So that's what it is

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Speaker 1: to hold your hip hop man. That's all I can say.

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Speaker 1: It's peace, love, unity and having fun. And we took

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Speaker 1: over the planet. There's no place on planet Earth that

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Speaker 1: there's not a B boy, a break SI based on

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Speaker 1: graffiti artists something we don't took over. So busy for me,

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Speaker 1: let me ask you, like, as a person that I

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Speaker 1: would have to call you a pioneer even more than

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Speaker 1: Caress because we have cararasts on here, we have Big

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Speaker 1: Daddy came on here, but the can is coming out soon.

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Speaker 1: But was there ever a moment in this music industry

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Speaker 1: where you was disappointed when you were just like, no,

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Speaker 1: because okay, I never hate it. I'm not a hater. No,

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Speaker 1: I ain't say if you disappointed about something in hipop,

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Speaker 1: then okay, yeah you could be a hater. You might

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Speaker 1: not call it that, but then a guy like me,

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Speaker 1: somebody that they're call it that because you guys are older.

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Speaker 1: Somebody look at at the end of this day. I'm

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Speaker 1: not that I look at some people get lucky breaks.

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Speaker 1: Like I said, again, you don't even have to be

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Speaker 1: a rapper. You could just look like one if somebody

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Speaker 1: can put that money in you and make you say

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Speaker 1: two or three rounds that you've ben't been in. And

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Speaker 1: it happened. It happened with Grand Master Cash in Big

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Speaker 1: Bang Hank. Let me stop you right there. Um. Jermaine

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Speaker 1: the pri got on our show and said he looked

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Speaker 1: at Criss Cross and he wrote he said, he wrote

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Speaker 1: every lyric old criss Cross Hole for problem just because

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Speaker 1: he looked at the alright, but hold up, but Rappers

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Speaker 1: the Light one of the biggest the records that at

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Speaker 1: the end of the day, even Rappers the Light, it

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Speaker 1: only lasts six months. If you ain't real, I'm good, okay.

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Speaker 1: If it ain't real, it ain't gonna last. You understand

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Speaker 1: what I'm saying now, you can be made up Milly

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Speaker 1: for Lily. If you' that record is skip, y'all be

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Speaker 1: fucked up to day. You don't think you understand what

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Speaker 1: I'm my feelings when I was like, I'll be a

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Speaker 1: perfect example of the realness because I go back that

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Speaker 1: far and it's two thousand seventeen, right, I'm still standing

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Speaker 1: still to speak only and I probably think this is

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Speaker 1: the best question, and you're probably the best person to

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Speaker 1: answer this because real hip hop living Europe more than

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Speaker 1: living they would they respect. He's gonna says at out

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Speaker 1: love so much, man, I mean, dressed by myself, I

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Speaker 1: can go pack the house at eighteen hundred by myself

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Speaker 1: to where I didn't know that until I got there

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Speaker 1: and thought I looked in the crowd, I would like

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Speaker 1: the Blues Brothers and Ship and saw all the people

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Speaker 1: and said said, yeah, who who else on the card?

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Speaker 1: He said you nobody? I said, what? Just me? They

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Speaker 1: said yeah. I said, oh ship. So you know you

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Speaker 1: can't get that right here in the US. Right now.

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Speaker 1: You know, I'll get y'all my homies, friends, they girls,

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Speaker 1: and then we got a pack house. You know what

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Speaker 1: I'm saying. But as far as the people that paid

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Speaker 1: that money and came to see and appreciate that respect,

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Speaker 1: they're not going to come into America. But in Europe

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Speaker 1: they spending euros. They got four months saying when he

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Speaker 1: was and now couple on to me ask you the

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Speaker 1: same question. I apologize, um, because you know this we

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Speaker 1: got we got busy beat. But I want to ask

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Speaker 1: you the same question. Does hip hop actually exist more

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Speaker 1: in Europe than in America? I would have to probably agree.

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Speaker 1: But do you what do you mean fans or the culture, coach,

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Speaker 1: because it might be a different No, I think is

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Speaker 1: a culture you no? No No, no, you corrected with you

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Speaker 1: how you applied that, because when you said fans on

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Speaker 1: the culture. But let me take the fans await, let

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Speaker 1: me just just just deal with the culture. Do you

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Speaker 1: remember we went we was in Germany and the promoter.

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Speaker 1: We just we couldn't see him for thirty minutes because

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Speaker 1: he went and put up with CNN the bait, and

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Speaker 1: then went and did good Feed you. He did a

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Speaker 1: whole piece piece big we win, and we're worried about

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Speaker 1: our money. We're not. We're not. We're understanding when the

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Speaker 1: brand is that there like it's coming, and he wanted

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Speaker 1: to show us. So he went out there and did

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Speaker 1: a whole piece. All right, I thought, I'm Puerto Rican.

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Speaker 1: A thrope is when you just a piece, is when

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Speaker 1: you letters box letters. Right, he did a piece for

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Speaker 1: piece that's me and me and this nigger is like,

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Speaker 1: that's why he like, right, you can never get that right.

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Speaker 1: You never get that in America. You don't. You don't.

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Speaker 1: You don't you get fans that are drawing you and

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Speaker 1: and spend time on doing something for you and to

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Speaker 1: come to give it to you, to show you what

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Speaker 1: they do. In America. I mean, guys come to the show,

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Speaker 1: they're looking for the girl to go home with. They

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Speaker 1: heard you, and they're gone. You know what I'm saying.

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Speaker 1: In the beginning, it wasn't like that the commercialize and

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Speaker 1: the and the industry took over That's what I say.

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Speaker 1: Now to to this day, you can push your button down.

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Speaker 1: We could be millionaire. It's no more discrimination in hip hop.

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Speaker 1: You could be green, black, purple, whatever, and then say

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Speaker 1: I'm a millionaire. Because you could press a button. You

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00:22:08,760 --> 00:22:10,240
Speaker 1: can go on the internet. You can just be on

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Speaker 1: TV YouTube right now and DJ and make ten thousand dollars.

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Speaker 1: So I'm saying, the hip hop culture took over. We

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Speaker 1: are the world right now. Yah, it took over so much.

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Speaker 1: And sometimes you don't even know, right because it's just

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Speaker 1: like and they're talking hip hop lingle right, So that's

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Speaker 1: all I'm saying. It's over. We took over the planet.

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Speaker 1: I remember thirty years ago, you had to wear that

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Speaker 1: suit tip for CNN and you couldn't talk like that.

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Speaker 1: They would talk with us down like these people here

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Speaker 1: is doing that. Oprah Winfrey is a perfect example. She

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Speaker 1: was she was fat with the AFRO and then Baltimore.

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Speaker 1: They talked about her. She's a billionaire, you know, and

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Speaker 1: at one time she didn't like hip hop. Donald Trump

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Speaker 1: didn't like hip hop at one time. Yeah he's now

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Speaker 1: he old little Kim, He know us, he knows who

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Speaker 1: we are. And now all of a sudden. He don't

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Speaker 1: know nobody. Now you understand what I'm saying. So, I mean,

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Speaker 1: you know our culture is strong man. So when you

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Speaker 1: being from the beginning, right, did you ever think that

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Speaker 1: we would lose control the way we lost control? Now,

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Speaker 1: let me explain what I mean, because what I mean is, um,

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Speaker 1: when we were doing hip hop, when Marv Deeper doing

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Speaker 1: hip hop, NOAs doing hip hop, it was untraditional. It

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Speaker 1: wasn't just the way hip hop and all that, right,

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Speaker 1: But now we us, we're supposed to be who you

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Speaker 1: guys were or who you guys is still to this day.

385
00:23:40,880 --> 00:23:44,720
Speaker 1: And we can't control these these new guys. But but

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00:23:44,880 --> 00:23:48,560
Speaker 1: you are controlling because we look where we're at right

387
00:23:48,560 --> 00:23:50,320
Speaker 1: now and some of them new guys can't do this.

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00:23:51,080 --> 00:24:02,840
Speaker 1: We're on the podcast millions right now. You know what

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Speaker 1: I'm saying. So I mean, we're still winning. It's no,

390
00:24:05,920 --> 00:24:09,439
Speaker 1: it's no more losing. We already won and we win it.

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Speaker 1: So now I do it like this. We want to

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Speaker 1: go to the playoffs to get to the championship. Right now,

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Speaker 1: You're always going to be in the playoffs, Norway, because

394
00:24:18,119 --> 00:24:20,920
Speaker 1: you already won the championship a couple of years ago.

395
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Speaker 1: When you when you was at your people, so you

396
00:24:23,560 --> 00:24:32,919
Speaker 1: got your propers. Brother. You know, don't keep rolling. You're

397
00:24:32,960 --> 00:24:35,520
Speaker 1: gonna get money for the rest of your life. To us.

398
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Speaker 1: As long as you keep telling the people what you're doing,

399
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Speaker 1: and you can show that you can still do what

400
00:24:39,920 --> 00:24:42,520
Speaker 1: you do, they're gonna come see you. And this is

401
00:24:42,520 --> 00:24:44,400
Speaker 1: the reason why I funk with you. Because you don't

402
00:24:44,440 --> 00:24:48,320
Speaker 1: know why I funked with you, It's because after you

403
00:24:48,359 --> 00:24:52,680
Speaker 1: have ten years in this game, it's either you're gonna

404
00:24:52,720 --> 00:24:56,440
Speaker 1: get up or you're gonna be better, right, Because the

405
00:24:56,440 --> 00:25:00,480
Speaker 1: thing about it is we them ten years. You can

406
00:25:00,560 --> 00:25:04,720
Speaker 1: never ever judge those ten years of loyalty. But what I

407
00:25:04,680 --> 00:25:07,160
Speaker 1: I mean by that is if you work for Makingdonald's

408
00:25:07,160 --> 00:25:09,560
Speaker 1: and you there for ten years, you can take up

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Speaker 1: your MacDonald's hat and nobody will ever bother you when

410
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Speaker 1: after you leave. But you can do ten years in

411
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Speaker 1: hip hop and you do ten yars in hip hop,

412
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Speaker 1: you can never take your mask, especially if you was

413
00:25:21,080 --> 00:25:23,320
Speaker 1: if good in hip hop when you came out. When

414
00:25:23,320 --> 00:25:25,760
Speaker 1: you came out and the people expect that you then

415
00:25:26,080 --> 00:25:28,600
Speaker 1: then those people growed up just like you rolled up,

416
00:25:28,720 --> 00:25:31,000
Speaker 1: and they're gonna tell late people your ship. My man,

417
00:25:31,119 --> 00:25:34,119
Speaker 1: Noughty was this ship back then. In some cases they

418
00:25:34,160 --> 00:25:37,520
Speaker 1: grow up with you. So there it is. So don't

419
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Speaker 1: never think that you lost nothing, Norvy. And you know

420
00:25:39,680 --> 00:25:41,760
Speaker 1: what I'm saying. You're still the champion of your coachure.

421
00:25:42,040 --> 00:25:45,240
Speaker 1: You're still the champion your people keep still that flash.

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00:25:45,520 --> 00:25:48,399
Speaker 1: You know what I'm saying and what you're doing. So

423
00:25:48,640 --> 00:25:51,119
Speaker 1: you know, you don't know. You ain't composed, you know

424
00:25:51,160 --> 00:25:54,800
Speaker 1: what I'm saying. So I meant everybody and the whole team, right,

425
00:25:54,880 --> 00:25:57,600
Speaker 1: so everybody is happy, you know what I'm saying. So

426
00:25:57,680 --> 00:26:00,800
Speaker 1: you ain't never lost me. No, no, no, I'm thinking

427
00:26:00,800 --> 00:26:02,879
Speaker 1: all week when I think about it, I think I

428
00:26:02,920 --> 00:26:05,000
Speaker 1: think of that. I think that a young generation because

429
00:26:05,280 --> 00:26:09,119
Speaker 1: the thing about it is right, I was fortunate enough

430
00:26:10,160 --> 00:26:14,240
Speaker 1: to come into era where you we had to respect y'all. Right,

431
00:26:14,400 --> 00:26:17,760
Speaker 1: we had to look up to y'all. Now this error

432
00:26:18,320 --> 00:26:21,480
Speaker 1: is it's like fatherless. No, it was like I gotta

433
00:26:21,560 --> 00:26:25,680
Speaker 1: look at the person who came out two months before them,

434
00:26:26,119 --> 00:26:28,840
Speaker 1: but they didn't, you know, look at that saying that's

435
00:26:28,960 --> 00:26:33,920
Speaker 1: my hero. And those guys came out to months. How

436
00:26:34,520 --> 00:26:48,120
Speaker 1: is he the two months came out yesterday? You First off,

437
00:26:48,119 --> 00:26:52,960
Speaker 1: I like that record it. But at the end of

438
00:26:53,000 --> 00:26:54,880
Speaker 1: the day, then you're just going to get the run.

439
00:26:55,040 --> 00:26:56,800
Speaker 1: I've seen the video. I did not as long as

440
00:26:56,840 --> 00:26:58,440
Speaker 1: they're going to get it, and then it's a rap.

441
00:26:59,320 --> 00:27:01,800
Speaker 1: Such a person like you, such a person as I

442
00:27:01,880 --> 00:27:04,320
Speaker 1: twenty years from late career, they're going to talk about

443
00:27:04,720 --> 00:27:07,159
Speaker 1: the same as they're gonna keep talking about me. You

444
00:27:07,160 --> 00:27:09,240
Speaker 1: know what I'm saying. And that's the difference. But do

445
00:27:09,320 --> 00:27:11,240
Speaker 1: you ever try to like reach out to like a

446
00:27:11,280 --> 00:27:14,360
Speaker 1: person from the younger? Yeah? Yeah, like who let's give

447
00:27:14,400 --> 00:27:18,600
Speaker 1: us what's my man? Um? No, no kill? But in

448
00:27:18,720 --> 00:27:22,480
Speaker 1: here from the South he did type of weight make

449
00:27:24,400 --> 00:27:31,480
Speaker 1: is that? I like that ship? I funk and I

450
00:27:31,600 --> 00:27:34,399
Speaker 1: never met him personally, and he's very humble, right, but

451
00:27:34,520 --> 00:27:37,359
Speaker 1: he saw me, his boy said, a busy b I

452
00:27:37,440 --> 00:27:39,600
Speaker 1: left the mess because I mean me, if I like

453
00:27:39,720 --> 00:27:41,840
Speaker 1: your ship, I'm gonna find one of the guys in

454
00:27:41,880 --> 00:27:44,000
Speaker 1: your crew that do know me and tell them, Yo,

455
00:27:44,119 --> 00:27:47,200
Speaker 1: tell them, Hey, okay, tell tell about Let's describe that

456
00:27:47,200 --> 00:27:50,199
Speaker 1: a little more than death. So you've seen him at

457
00:27:51,040 --> 00:27:53,479
Speaker 1: the BT hip hop a war, okay, because I do

458
00:27:53,520 --> 00:27:58,639
Speaker 1: all the hip hop shi and you smoke every right,

459
00:27:59,240 --> 00:28:01,159
Speaker 1: So I go there and then I look for the

460
00:28:01,240 --> 00:28:04,320
Speaker 1: guys like such a squamie and find all the guys

461
00:28:04,359 --> 00:28:07,120
Speaker 1: that I hear on the radio that's that's right for me,

462
00:28:07,760 --> 00:28:10,080
Speaker 1: and go and give them their props to let them know, hey,

463
00:28:10,119 --> 00:28:12,520
Speaker 1: you on the right track. Keep doing what you're doing.

464
00:28:12,960 --> 00:28:15,239
Speaker 1: I love that ship. And if you haven't heard from

465
00:28:15,280 --> 00:28:17,800
Speaker 1: the Icons or the Pioneers, and one of them mentor

466
00:28:17,920 --> 00:28:21,560
Speaker 1: you got my motherfucking blessing and then they say, my nigga,

467
00:28:21,600 --> 00:28:24,520
Speaker 1: busy bee, that's what's up. Man. I appreciate that, and

468
00:28:24,600 --> 00:28:27,040
Speaker 1: that's it, and that's all I asked for. Man. Respect. Now,

469
00:28:27,200 --> 00:28:29,879
Speaker 1: at the end of the day, when I came up again,

470
00:28:30,040 --> 00:28:32,720
Speaker 1: I didn't make a lot of money millions and thousands

471
00:28:32,720 --> 00:28:36,199
Speaker 1: of dollars, but I got two point three billion in

472
00:28:36,320 --> 00:28:47,640
Speaker 1: respect and I'll take that all day. What yo, Let

473
00:28:47,640 --> 00:28:52,680
Speaker 1: me tell you something about you, because I just miss

474
00:28:53,840 --> 00:28:57,520
Speaker 1: But I've seen you everywhere every time, me and Capone,

475
00:28:58,360 --> 00:29:03,440
Speaker 1: and you always smile, You always was happy. You never

476
00:29:03,720 --> 00:29:07,040
Speaker 1: you never was better. Why is that the case? Because

477
00:29:07,040 --> 00:29:09,480
Speaker 1: they always say never let them see you sweat, Now

478
00:29:09,880 --> 00:29:12,960
Speaker 1: see you cry, keep a smile on your face, keep

479
00:29:13,000 --> 00:29:15,680
Speaker 1: it feeling good, and something to always have happened good.

480
00:29:16,040 --> 00:29:17,880
Speaker 1: You know what? I'm saying so, and here I am

481
00:29:18,000 --> 00:29:20,400
Speaker 1: right now. I was at all rap chilling and you

482
00:29:20,440 --> 00:29:22,360
Speaker 1: said your bits. You know, man, I'm want you up,

483
00:29:22,400 --> 00:29:25,239
Speaker 1: my show man. So I'm right here. You pull up

484
00:29:26,040 --> 00:29:29,440
Speaker 1: because you know why. You know why my father's cutting

485
00:29:29,440 --> 00:29:34,080
Speaker 1: you off. But you know why we owe your generations.

486
00:29:37,080 --> 00:29:41,760
Speaker 1: They owe us. But instead of me telling them to

487
00:29:41,840 --> 00:29:45,120
Speaker 1: owe us, I want to show a perfect example. I

488
00:29:45,120 --> 00:29:47,880
Speaker 1: don't want to show love to my forefathers. I want

489
00:29:47,880 --> 00:29:50,920
Speaker 1: to show love like, not just your forefathers, it's hip

490
00:29:50,880 --> 00:29:55,560
Speaker 1: hop's forefathers. Thank you. If it's all of us, is

491
00:29:55,600 --> 00:29:58,200
Speaker 1: it's drink champs or none of the things? None should

492
00:29:58,240 --> 00:30:01,120
Speaker 1: we do if y'all wouldn't pave the way for all

493
00:30:01,120 --> 00:30:03,400
Speaker 1: of us. So we want to show love to the

494
00:30:03,400 --> 00:30:06,440
Speaker 1: people that came before us, the big Daddy Kings, the

495
00:30:06,560 --> 00:30:12,880
Speaker 1: rock camps, the busy beings, the chuck chillouts, Uh who

496
00:30:12,880 --> 00:30:14,760
Speaker 1: else we've seen to that We've seen so many people,

497
00:30:15,520 --> 00:30:19,360
Speaker 1: brucey Bean, we Uh. We want to show love to

498
00:30:19,440 --> 00:30:22,480
Speaker 1: y'all because the thing is, we don't ever mut y'all

499
00:30:22,560 --> 00:30:26,200
Speaker 1: to feel un welcome. Why do it to myself when

500
00:30:26,240 --> 00:30:28,560
Speaker 1: I see y'all, brothers, Even if I don't know, y'all,

501
00:30:28,560 --> 00:30:30,480
Speaker 1: I run up to you, hey, because I'll be a

502
00:30:30,560 --> 00:30:35,280
Speaker 1: fly motherfucker sometimes sometimes my giant ship right now. You

503
00:30:35,320 --> 00:30:38,440
Speaker 1: know you always got some and you always got liquor.

504
00:30:38,920 --> 00:30:41,000
Speaker 1: So I run up on the brothers let them know.

505
00:30:41,520 --> 00:30:43,840
Speaker 1: So they might have seen the Beach DVD or they

506
00:30:43,920 --> 00:30:46,320
Speaker 1: might have seen something. Say oh yeah, that's busy. You

507
00:30:46,320 --> 00:30:47,800
Speaker 1: know what I'm saying, And then I'll let them know, hey,

508
00:30:47,800 --> 00:30:49,719
Speaker 1: though love is love, man, I'm not no no hay

509
00:30:49,800 --> 00:30:52,800
Speaker 1: to ship. Be. I congratulate, I appreciate what you're doing.

510
00:30:52,960 --> 00:30:55,440
Speaker 1: I'm here, come and have a drink with me, smoke something.

511
00:30:55,520 --> 00:30:57,640
Speaker 1: And then they said, yo, be that ship was dope, busy.

512
00:30:57,680 --> 00:31:00,880
Speaker 1: He came here, he smoked champagne. You smoke that good

513
00:31:00,880 --> 00:31:02,640
Speaker 1: ship with us. And it's because some of them they're

514
00:31:02,680 --> 00:31:07,520
Speaker 1: gonna smoke good, but they don't. They be smoking like

515
00:31:07,520 --> 00:31:09,840
Speaker 1: a motherfucker man, but they don't smoke good. Man, I

516
00:31:09,920 --> 00:31:13,880
Speaker 1: smoke good. What I'm saying, I want you to break

517
00:31:13,880 --> 00:31:20,320
Speaker 1: down the difference from rap and hip hop, okay, because

518
00:31:21,000 --> 00:31:24,520
Speaker 1: earlier we alluded to it, right and you said it,

519
00:31:24,920 --> 00:31:28,000
Speaker 1: but I would like you to detail it. Okay, whoever

520
00:31:28,080 --> 00:31:32,160
Speaker 1: speaking back there, I love y'all. But can you coming lick. Okay, Well,

521
00:31:32,240 --> 00:31:37,479
Speaker 1: the difference now because okay, rapping now everybody's just rapping

522
00:31:37,600 --> 00:31:41,840
Speaker 1: about what they got, who they fucking, how much money

523
00:31:41,880 --> 00:31:45,040
Speaker 1: they got and and and what kind of car they're driving.

524
00:31:45,520 --> 00:31:49,320
Speaker 1: When we started, we was telling yall stories about just

525
00:31:49,440 --> 00:31:52,480
Speaker 1: make believe stories, fairy tale that sounded good to the

526
00:31:52,520 --> 00:31:55,040
Speaker 1: beat and made you rock to it, such as the

527
00:31:55,120 --> 00:31:59,760
Speaker 1: Jimmy Spicers to Slick Rick, the Rulers, the heavy Ds,

528
00:32:00,560 --> 00:32:02,240
Speaker 1: you know what I'm saying. People like that would tell

529
00:32:02,240 --> 00:32:06,000
Speaker 1: you all stories to the funky beat, and such as myself,

530
00:32:06,040 --> 00:32:08,360
Speaker 1: I keep you smilling and rocking to the funky beat.

531
00:32:08,600 --> 00:32:10,320
Speaker 1: You know what I'm saying. To right now, they're just

532
00:32:10,360 --> 00:32:12,680
Speaker 1: talking about what they got, who they getting ready to

533
00:32:12,760 --> 00:32:15,680
Speaker 1: have sex with, how many babies they got, and then

534
00:32:15,720 --> 00:32:17,320
Speaker 1: at the end of the day they're going to jail,

535
00:32:17,680 --> 00:32:19,920
Speaker 1: You're going to child support. You know what I'm saying.

536
00:32:19,920 --> 00:32:22,200
Speaker 1: They're making a TV just like that, you know what

537
00:32:22,240 --> 00:32:26,120
Speaker 1: I'm saying. So you know, hip hop then was fun

538
00:32:26,360 --> 00:32:29,760
Speaker 1: with the peace, love, unity and having fun. To now

539
00:32:29,880 --> 00:32:32,600
Speaker 1: rap is just about how much money a person is getting.

540
00:32:33,000 --> 00:32:34,320
Speaker 1: At the end of the day, all you gotta do

541
00:32:34,360 --> 00:32:35,960
Speaker 1: is make a mistakes and then the lawyer you're gonna

542
00:32:35,960 --> 00:32:38,800
Speaker 1: take it away. Producers are gonna take it away, you know,

543
00:32:38,960 --> 00:32:41,080
Speaker 1: so you're gonna lose, you know what I'm saying. So

544
00:32:41,640 --> 00:32:44,480
Speaker 1: me myself again, I just like having fun. I make

545
00:32:44,560 --> 00:32:47,880
Speaker 1: my money, I take care of my family and enjoyed myself. Man.

546
00:32:47,960 --> 00:32:50,400
Speaker 1: That's it, man, That's what it's all about. That's what

547
00:32:50,560 --> 00:32:53,280
Speaker 1: we came in here when we started was peace, love,

548
00:32:53,800 --> 00:32:57,480
Speaker 1: unity and having fun. If you're not doing that and

549
00:32:57,480 --> 00:33:00,000
Speaker 1: then you're not doing it, man, that's not hip hop.

550
00:33:00,040 --> 00:33:04,320
Speaker 1: Do you think you think industry divided the culture? Yeah,

551
00:33:04,440 --> 00:33:07,320
Speaker 1: well the industry Like again, the industry could be anywhere

552
00:33:07,600 --> 00:33:10,840
Speaker 1: and again like right amongst us and say, hey, you

553
00:33:10,880 --> 00:33:14,080
Speaker 1: look like busy bee. Man, I want to do something.

554
00:33:14,120 --> 00:33:15,719
Speaker 1: You think you can talk to me? Yeah, And that

555
00:33:15,760 --> 00:33:18,680
Speaker 1: person is gonna say yeah, because that's an opportunity for that.

556
00:33:19,800 --> 00:33:21,239
Speaker 1: You know what I'm saying. I can be ready to

557
00:33:21,240 --> 00:33:24,200
Speaker 1: feed my family for ten minutes because soon they catch

558
00:33:24,240 --> 00:33:26,840
Speaker 1: on that I ain't really busy be and I can't

559
00:33:26,840 --> 00:33:28,600
Speaker 1: really do that ship busy to be doing because you

560
00:33:28,640 --> 00:33:30,200
Speaker 1: don't know what to be doing because at the end

561
00:33:30,200 --> 00:33:32,720
Speaker 1: of the day, you don't even know busy be you

562
00:33:32,760 --> 00:33:36,400
Speaker 1: know what I'm saying, So, you know, commercialize that money

563
00:33:36,400 --> 00:33:38,200
Speaker 1: as a motherfucker. But at the end of the day,

564
00:33:38,440 --> 00:33:40,400
Speaker 1: I appreciate it all because at the end of the day,

565
00:33:40,400 --> 00:33:45,240
Speaker 1: they're feeding black folks. They're feeding families of the black folks,

566
00:33:45,920 --> 00:33:47,400
Speaker 1: and some of the white folks is getting some of

567
00:33:47,400 --> 00:33:49,719
Speaker 1: the money. You got, eminem you got you got to

568
00:33:49,840 --> 00:33:53,840
Speaker 1: frost you, I mean, you got white mcs. They're making money,

569
00:33:53,880 --> 00:33:59,480
Speaker 1: but it's feeding us, it's helping us. One kind of

570
00:33:59,480 --> 00:34:01,560
Speaker 1: said at the US. I think I'm pretty sure he

571
00:34:01,560 --> 00:34:07,080
Speaker 1: said wrapping something you do right, So you know, we Parkers,

572
00:34:07,280 --> 00:34:10,239
Speaker 1: I'm just David Parkers. That's Chris Parker. He didn't Kenny.

573
00:34:10,400 --> 00:34:13,799
Speaker 1: So we like the Jackson's, we just split up on

574
00:34:13,920 --> 00:34:16,440
Speaker 1: that side. I'm on this shote, you know what I'm

575
00:34:16,480 --> 00:34:18,480
Speaker 1: saying first, So let me just say we're in sting

576
00:34:18,560 --> 00:34:29,000
Speaker 1: Rays right now. What's the advent Stingrays to the best host?

577
00:34:29,200 --> 00:34:33,840
Speaker 1: He got on Spurs on his show, here got on Cowboy.

578
00:34:34,239 --> 00:34:36,919
Speaker 1: I love this this guy, and listen, you gotta come

579
00:34:36,920 --> 00:34:40,359
Speaker 1: out here. You gotta get the whole experience and do it. So, now,

580
00:34:41,239 --> 00:34:44,319
Speaker 1: what's your favorite ever hip hop busy bee? Um, the

581
00:34:44,440 --> 00:34:49,120
Speaker 1: early nineties. You think you would say that. I'm gonna

582
00:34:49,120 --> 00:34:52,160
Speaker 1: be honest, I had this question in my mind as

583
00:34:52,160 --> 00:34:54,400
Speaker 1: soon as I knew he was coming here. So she's

584
00:34:54,440 --> 00:34:57,879
Speaker 1: gonna say eighties. No, man, come on, man, I can't

585
00:34:57,960 --> 00:35:00,560
Speaker 1: keep it no really than what it is. Man, I'm

586
00:35:00,600 --> 00:35:02,879
Speaker 1: not going front. They said the Early Night, So what

587
00:35:03,080 --> 00:35:08,279
Speaker 1: groups to mark that? The EP M D s, you know,

588
00:35:08,600 --> 00:35:12,840
Speaker 1: like try yeah ship That ship was fun. Man. You

589
00:35:12,920 --> 00:35:14,920
Speaker 1: know what I'm saying to Easy and the n W

590
00:35:15,080 --> 00:35:19,879
Speaker 1: They changed the whole ship because before before that you said,

591
00:35:19,920 --> 00:35:22,319
Speaker 1: before that, I've always said, well guess what. I'm sorry,

592
00:35:22,400 --> 00:35:24,520
Speaker 1: Well guess what was it? And when they said NAS

593
00:35:24,560 --> 00:35:28,560
Speaker 1: album and it was and you said, oh, you're not

594
00:35:28,719 --> 00:35:33,959
Speaker 1: telling n W A because for me relaxed, he said

595
00:35:34,000 --> 00:35:38,840
Speaker 1: exactly the same. He didn't finish. They changed it, might change,

596
00:35:38,880 --> 00:35:42,839
Speaker 1: you said, you said it, but I'll tell you how

597
00:35:42,840 --> 00:35:45,720
Speaker 1: they change it because I see from the East Coast.

598
00:35:46,120 --> 00:35:49,439
Speaker 1: We were scared they're not gonna use that worst sime.

599
00:35:50,000 --> 00:35:53,040
Speaker 1: But we were scared to say, hey, bitch, get the

600
00:35:53,320 --> 00:35:58,160
Speaker 1: off the record. We wouldn't say that on the record. Easy,

601
00:35:58,320 --> 00:36:00,399
Speaker 1: You know what I'm saying, Hey, bitch sucking my dick,

602
00:36:00,600 --> 00:36:03,440
Speaker 1: Come onto the pot and people weren't crazy for that ship.

603
00:36:05,160 --> 00:36:08,920
Speaker 1: That changed you easy. I want to you too, and

604
00:36:08,920 --> 00:36:14,040
Speaker 1: I changed everything now now now East Coast wrapping now

605
00:36:14,120 --> 00:36:17,840
Speaker 1: oh yeah we're okay, bitch, yeah, and now we started

606
00:36:17,880 --> 00:36:24,000
Speaker 1: that that changed everything. So so I apologize because these

607
00:36:24,000 --> 00:36:26,719
Speaker 1: people hate me when I cut people off. I needed

608
00:36:26,719 --> 00:36:32,240
Speaker 1: a cigarette. That's something yourself off right now. But you know,

609
00:36:32,680 --> 00:36:38,480
Speaker 1: in your opinion, gangster rap was invented where on the

610
00:36:38,520 --> 00:36:44,279
Speaker 1: West explaining that brother, because Iced Tea was from the

611
00:36:44,800 --> 00:36:47,080
Speaker 1: Iced Tea was first. What's one nigga from the Bronx

612
00:36:47,200 --> 00:36:58,360
Speaker 1: name just Tim Dog, Just Tim Dog, Tim Dog do

613
00:36:58,400 --> 00:37:03,120
Speaker 1: it before Tim him Dog went to l A back then. Hey,

614
00:37:03,200 --> 00:37:12,360
Speaker 1: y'all talking to the icon, I was tea in New York,

615
00:37:13,719 --> 00:37:17,280
Speaker 1: in New York back in the day. Okay, oh, everybody,

616
00:37:17,280 --> 00:37:22,600
Speaker 1: everybody be quiet, please so busy busy listen to your

617
00:37:22,680 --> 00:37:27,640
Speaker 1: pioneer Busy be your icon. Right. We've been debating this

618
00:37:28,000 --> 00:37:32,120
Speaker 1: on the podcast for so long, okay, And you're saying

619
00:37:32,320 --> 00:37:36,440
Speaker 1: that the gangster when it comes to gangster rat one

620
00:37:36,600 --> 00:37:42,439
Speaker 1: hundred percent, the first top you witnessed gangster rat came

621
00:37:42,480 --> 00:37:44,200
Speaker 1: from the West Coast, came from the West and they

622
00:37:44,239 --> 00:37:47,960
Speaker 1: came to ice Tea with six in the morning, so

623
00:37:48,080 --> 00:37:50,759
Speaker 1: he was on this show We Love Iced Tea. One

624
00:37:50,800 --> 00:37:53,960
Speaker 1: of the favorite story bro came with ice Tea was

625
00:37:54,000 --> 00:37:55,880
Speaker 1: because he was from the West, but he recorded a

626
00:37:55,920 --> 00:37:58,319
Speaker 1: ship over here on the east because that's where the

627
00:37:58,400 --> 00:38:01,799
Speaker 1: vibe was. That okay, okay, so I'm sorry, So can

628
00:38:01,840 --> 00:38:04,200
Speaker 1: you tell us what we were recording at that time

629
00:38:04,239 --> 00:38:09,440
Speaker 1: on the East coast because we were still recording party flavors. Um,

630
00:38:09,600 --> 00:38:11,520
Speaker 1: we was talking on reality because you had to drive

631
00:38:11,600 --> 00:38:14,160
Speaker 1: called quest. You had every you had rock Kim, Rock

632
00:38:14,239 --> 00:38:16,560
Speaker 1: Kim was talking to the guards pieces of what I'm

633
00:38:16,600 --> 00:38:19,040
Speaker 1: saying and then so so now we was cool right there.

634
00:38:19,080 --> 00:38:20,719
Speaker 1: So now you had the guards had a little something

635
00:38:20,760 --> 00:38:23,040
Speaker 1: to talk about. Then you had the regular people that

636
00:38:23,200 --> 00:38:25,279
Speaker 1: have something to talk about. And then when you mixed

637
00:38:25,320 --> 00:38:29,680
Speaker 1: the daylight, souls in it and uh holes in their lawns,

638
00:38:29,840 --> 00:38:31,640
Speaker 1: right you know. So so now we have a whole

639
00:38:31,719 --> 00:38:36,080
Speaker 1: rainbow of culture. You have everybody now so far in

640
00:38:36,120 --> 00:38:40,280
Speaker 1: this movement. It'll be now now on the West coast,

641
00:38:40,280 --> 00:38:45,640
Speaker 1: you had iced Tea, that was it. Then give it

642
00:38:45,640 --> 00:38:49,239
Speaker 1: about four years because this is like eighty three. Then

643
00:38:49,280 --> 00:38:56,160
Speaker 1: you got eighty nine. Easy too short, you know, my bad,

644
00:38:56,600 --> 00:39:00,880
Speaker 1: bad brother. But describe the first gangster rap rap you

645
00:39:01,000 --> 00:39:05,880
Speaker 1: heard in w A so nice was six in the morning.

646
00:39:06,080 --> 00:39:09,319
Speaker 1: So it wasn't it wasn't actually against the song. It

647
00:39:09,400 --> 00:39:11,800
Speaker 1: was just a real story because we knew about Larry

648
00:39:11,880 --> 00:39:16,480
Speaker 1: Davis in New York from SCHOOLI dans right. We knew

649
00:39:16,520 --> 00:39:19,240
Speaker 1: about when when I said six in the morning, police

650
00:39:19,280 --> 00:39:22,359
Speaker 1: at my door right away. Everybody in New York knew

651
00:39:22,400 --> 00:39:25,640
Speaker 1: about Larry Davis because that's when it happened. So we

652
00:39:25,640 --> 00:39:29,719
Speaker 1: we threw that in. It was something about Larry Davis. Yeah, yeah,

653
00:39:30,080 --> 00:39:35,439
Speaker 1: I never knew that, Okay, So you know that little

654
00:39:35,440 --> 00:39:37,839
Speaker 1: story right there went for Larry Day who made him

655
00:39:37,920 --> 00:39:41,399
Speaker 1: famous and known and made Iced T famous. No and nice.

656
00:39:41,400 --> 00:39:43,319
Speaker 1: He had the kind of voice now and hip hop.

657
00:39:43,440 --> 00:39:46,080
Speaker 1: The difference between the rappers. When somebody asked me that

658
00:39:46,239 --> 00:39:50,520
Speaker 1: the difference is voices in hip hop, you have strange voice.

659
00:39:50,560 --> 00:39:53,440
Speaker 1: You have to the day your favorite rapper has a

660
00:39:53,520 --> 00:39:57,680
Speaker 1: distinct voice. Facts, so every day everybody want to sound

661
00:39:57,680 --> 00:39:59,640
Speaker 1: the same. You're only gonna last six months, get your

662
00:39:59,640 --> 00:40:02,919
Speaker 1: money for asked, so let me ask you. They say

663
00:40:03,360 --> 00:40:08,080
Speaker 1: someone that's reality rap or gangsters, when they really mel

664
00:40:08,120 --> 00:40:11,319
Speaker 1: did the reality rap first? What came first reality rap

665
00:40:11,360 --> 00:40:17,680
Speaker 1: for gangster rap reality? And who was the first reality

666
00:40:17,760 --> 00:40:20,160
Speaker 1: rapper because you said the first gangster rapper had to

667
00:40:20,200 --> 00:40:23,200
Speaker 1: be Iced Tea. I would say Slick Rick because he

668
00:40:23,280 --> 00:40:26,120
Speaker 1: had the story with Lotti Dotty. We want the party.

669
00:40:26,360 --> 00:40:29,480
Speaker 1: We don't trouble, we don't, we don't bother. Nobody know,

670
00:40:29,600 --> 00:40:35,399
Speaker 1: just that when we get up on the message. My line,

671
00:40:35,760 --> 00:40:38,520
Speaker 1: the message to me, real wouldn't be real reality rap,

672
00:40:38,600 --> 00:40:42,719
Speaker 1: but message wouldn't It wouldn't be reality rap for the

673
00:40:42,760 --> 00:40:48,600
Speaker 1: elder cocaine cocaine nis doing cold back then. You know

674
00:40:48,640 --> 00:40:57,239
Speaker 1: what when agree with everybody could call that. You can

675
00:40:57,320 --> 00:40:59,719
Speaker 1: say that, but Lotti Dotty would agree because it's for

676
00:40:59,800 --> 00:41:04,040
Speaker 1: ever your body, you know. And then you had a

677
00:41:04,080 --> 00:41:10,080
Speaker 1: London person rapping and you never had nobody talk like that,

678
00:41:10,480 --> 00:41:14,440
Speaker 1: and you had a different it's the voice of pronunciations,

679
00:41:14,719 --> 00:41:19,040
Speaker 1: that one, not one. I love to interview people like you,

680
00:41:19,160 --> 00:41:22,880
Speaker 1: the people who came prior to it, because it doesn't

681
00:41:22,920 --> 00:41:24,320
Speaker 1: sound like me, don't. They ain't gonna tell you the

682
00:41:24,320 --> 00:41:26,319
Speaker 1: truth because they don't know. I'm not gonna tell you what.

683
00:41:26,360 --> 00:41:28,400
Speaker 1: They got to relax. You gott you know what. You

684
00:41:28,440 --> 00:41:31,879
Speaker 1: gotta relax because we love you busy be and this

685
00:41:31,920 --> 00:41:34,400
Speaker 1: is your format and this is this is where you

686
00:41:34,440 --> 00:41:37,880
Speaker 1: gotta do. But this is a thing. This is the

687
00:41:37,960 --> 00:41:43,239
Speaker 1: reason why I love the You're our first pioneer. Right

688
00:41:43,480 --> 00:41:48,680
Speaker 1: we had Careress, he's like you know, damn there, yeah,

689
00:41:48,800 --> 00:41:55,399
Speaker 1: but Caresses but he's a paroneer. But he's your little brother.

690
00:41:55,520 --> 00:42:01,320
Speaker 1: But I one love pick to people like you, because

691
00:42:03,440 --> 00:42:07,520
Speaker 1: back then, going to l A was a totally different experience,

692
00:42:07,640 --> 00:42:12,200
Speaker 1: right Like, they enjoyed you motherfucker's coming out there. They said,

693
00:42:12,239 --> 00:42:16,800
Speaker 1: you know what New York motherfucker's. They embraced nobody shot

694
00:42:16,880 --> 00:42:21,560
Speaker 1: nobody back then switched. I would love, I would love.

695
00:42:23,520 --> 00:42:26,759
Speaker 1: What do you mean? Ship was going down, yeah, but

696
00:42:26,760 --> 00:42:31,960
Speaker 1: but it was love but killed. You're talking about the

697
00:42:32,000 --> 00:42:36,040
Speaker 1: music because we're talking just like he said before before

698
00:42:36,120 --> 00:42:39,000
Speaker 1: that we can go to l A and were it

699
00:42:39,080 --> 00:42:42,480
Speaker 1: was still known for you, I get robbed whatever. But

700
00:42:42,520 --> 00:42:45,560
Speaker 1: if a MC came from the East Coast and went

701
00:42:45,600 --> 00:42:48,040
Speaker 1: to l A, you was like the guard that day.

702
00:42:48,360 --> 00:42:50,920
Speaker 1: Or that we appreciated hip hop, they appreciate kind of

703
00:42:50,920 --> 00:42:52,920
Speaker 1: like the European thing y'all talk about. The West Coast

704
00:42:52,960 --> 00:42:56,640
Speaker 1: was appreciated hip right right now. Now, after that you

705
00:42:56,680 --> 00:43:00,160
Speaker 1: know what, Pop and big started the feud because it

706
00:43:00,320 --> 00:43:02,759
Speaker 1: wasn't none of that ship. It was just like you said,

707
00:43:02,800 --> 00:43:04,520
Speaker 1: you we can go to l A and have a

708
00:43:04,600 --> 00:43:07,640
Speaker 1: ball because it was a different mix. Now we bought

709
00:43:07,640 --> 00:43:10,960
Speaker 1: some East Coast girls. That's West Coast girls. Now you know,

710
00:43:11,040 --> 00:43:15,040
Speaker 1: we all partying together. But then when Pocket Pop started

711
00:43:15,120 --> 00:43:18,720
Speaker 1: that West Coast and East Coast and Biggie fed into

712
00:43:18,760 --> 00:43:21,799
Speaker 1: it again, it sucked it all up because then when

713
00:43:21,800 --> 00:43:26,000
Speaker 1: somebody died, it was like East Coast guys was like targets.

714
00:43:26,320 --> 00:43:28,399
Speaker 1: If you go over there and you somebody and you're

715
00:43:28,440 --> 00:43:31,839
Speaker 1: talking at gangster ship, they talking if you got out

716
00:43:31,880 --> 00:43:35,360
Speaker 1: of there safety, okay, good, But you didn't have a

717
00:43:35,400 --> 00:43:38,080
Speaker 1: good time. And before then we had a good time

718
00:43:38,120 --> 00:43:42,040
Speaker 1: in that Like you know what I'm saying, we had

719
00:43:42,040 --> 00:43:52,040
Speaker 1: a good time was exactly the way when so Sore was.

720
00:43:52,280 --> 00:43:57,319
Speaker 1: Now I love you, just just a little bit more

721
00:43:57,440 --> 00:44:03,920
Speaker 1: details to describe how much La was loved because prior

722
00:44:04,120 --> 00:44:07,160
Speaker 1: to us, we used to hear like New York was

723
00:44:07,200 --> 00:44:13,960
Speaker 1: just they loved us, right, And I never got to

724
00:44:14,000 --> 00:44:17,480
Speaker 1: experience that. I never got the serious somewhere, So you

725
00:44:17,560 --> 00:44:24,560
Speaker 1: got the part where you was a target age, know

726
00:44:24,560 --> 00:44:26,520
Speaker 1: what I'm just saying. But I never I never got

727
00:44:26,520 --> 00:44:29,879
Speaker 1: this apperience where he just described what he means is

728
00:44:30,360 --> 00:44:33,080
Speaker 1: when I went to hoods, I went to was the birthplace.

729
00:44:33,719 --> 00:44:37,720
Speaker 1: And Andy appreciated that, appreciated that I went to hoods

730
00:44:37,800 --> 00:44:40,880
Speaker 1: and went to the neighborhoods you know where describe some people.

731
00:44:40,920 --> 00:44:43,080
Speaker 1: I guess, like you said, I can't go now because

732
00:44:43,320 --> 00:44:46,279
Speaker 1: it's not good. But back then, I went where people

733
00:44:46,280 --> 00:44:48,839
Speaker 1: were selling the crack, at where the hoods was at.

734
00:44:49,239 --> 00:44:51,800
Speaker 1: Brothers was on the corners and stuff like that. You

735
00:44:51,840 --> 00:44:53,560
Speaker 1: know what I'm saying. I was in hoods where they

736
00:44:53,560 --> 00:44:56,200
Speaker 1: had the cars that jump up and down and stuff

737
00:44:56,239 --> 00:44:58,399
Speaker 1: like that. I hung around with two dogs, the pit

738
00:44:58,520 --> 00:45:02,200
Speaker 1: bulls and ships like that. But they shooting dice and

739
00:45:02,280 --> 00:45:04,319
Speaker 1: I was doing all that. You know what I'm saying.

740
00:45:05,080 --> 00:45:07,000
Speaker 1: It was good. It was love because they say my

741
00:45:07,080 --> 00:45:09,480
Speaker 1: bills in town. So everybody put out the grills. It

742
00:45:09,520 --> 00:45:13,040
Speaker 1: was like a block party. It's like Monty Gros East

743
00:45:13,080 --> 00:45:15,640
Speaker 1: Coast rapper with no really little respect, and you come

744
00:45:15,640 --> 00:45:19,960
Speaker 1: in their persons hood ship whoever ran that hood were like, yo,

745
00:45:20,719 --> 00:45:24,080
Speaker 1: we put out you're good for that. That day it

746
00:45:24,160 --> 00:45:27,680
Speaker 1: was just love. But then after that, you know, even

747
00:45:27,719 --> 00:45:29,719
Speaker 1: some of those guys, you know, they either went to

748
00:45:29,800 --> 00:45:34,080
Speaker 1: jail or died or they don't run the hoods no more.

749
00:45:34,440 --> 00:45:37,400
Speaker 1: You know what I'm saying, Things change, you know, so me,

750
00:45:37,640 --> 00:45:41,160
Speaker 1: I rolled with it. Man, I try to reinvent myself again.

751
00:45:41,680 --> 00:45:43,719
Speaker 1: Do what I gotta do. You know who is who

752
00:45:44,040 --> 00:45:46,759
Speaker 1: respect that? Because me, I'm not the one thing to

753
00:45:46,760 --> 00:45:49,560
Speaker 1: go around trying to I'm a boss. I'm just a person.

754
00:45:50,080 --> 00:45:51,480
Speaker 1: At the end of the day, the boss to say

755
00:45:51,719 --> 00:45:54,480
Speaker 1: that person is all right with all of us, and

756
00:45:54,480 --> 00:45:56,879
Speaker 1: then I'll get loved from everybody. You know what I'm saying,

757
00:45:56,960 --> 00:45:58,719
Speaker 1: And that's that's That's me. That's all I ask for.

758
00:45:58,840 --> 00:46:01,000
Speaker 1: You know what I'm saying, Some must busy be You

759
00:46:01,080 --> 00:46:09,200
Speaker 1: got that you're busy be your Bronx legend, right, But

760
00:46:09,320 --> 00:46:14,680
Speaker 1: let me just actually like why it's hip hop so

761
00:46:14,760 --> 00:46:20,200
Speaker 1: different from every five years? Why do we change hip hop? Well,

762
00:46:20,640 --> 00:46:24,480
Speaker 1: hip hop don't change, it's just the industry change. You know, say,

763
00:46:24,560 --> 00:46:28,480
Speaker 1: the industry took over some of us rappers and m

764
00:46:28,560 --> 00:46:31,279
Speaker 1: c s, which like, I don't have a contract with

765
00:46:31,440 --> 00:46:34,640
Speaker 1: a record company today because the record company can't tell

766
00:46:34,680 --> 00:46:38,080
Speaker 1: me what my culture due. I'm telling you you can

767
00:46:38,160 --> 00:46:41,160
Speaker 1: follow me and still pay me, But you can't tell

768
00:46:41,200 --> 00:46:43,120
Speaker 1: me to get up at six in the morning, because

769
00:46:43,160 --> 00:46:45,320
Speaker 1: my people not up at six and old goddamn morning.

770
00:46:45,719 --> 00:46:48,040
Speaker 1: My people up at five in the afternoon, party and

771
00:46:48,040 --> 00:46:51,320
Speaker 1: the chilling. So you know, they don't know, they assume

772
00:46:51,440 --> 00:46:54,840
Speaker 1: they know. And then for people who's not real or

773
00:46:55,080 --> 00:46:58,399
Speaker 1: who's been made up, they gotta follow that because they

774
00:46:58,400 --> 00:47:01,200
Speaker 1: don't know, so they think that what it is. And

775
00:47:01,239 --> 00:47:04,399
Speaker 1: then they get and they getting paid, so they think

776
00:47:04,440 --> 00:47:07,879
Speaker 1: that's what it really is till they tell a crew members, Hey,

777
00:47:08,000 --> 00:47:09,600
Speaker 1: this is what it is. This is how we get

778
00:47:09,640 --> 00:47:12,000
Speaker 1: down to when you find out the real ship is

779
00:47:12,040 --> 00:47:15,480
Speaker 1: too late, you're too far in, you don't talk the

780
00:47:15,520 --> 00:47:19,719
Speaker 1: wrong stuff, you made people mad, and you didn't even

781
00:47:19,760 --> 00:47:22,799
Speaker 1: give a fuck, you know what I'm saying. So then

782
00:47:23,160 --> 00:47:26,319
Speaker 1: you got one hit wonders that don't last. You have

783
00:47:26,400 --> 00:47:35,560
Speaker 1: a few guys I'll be seeing in the way spot

784
00:47:35,640 --> 00:47:40,000
Speaker 1: buying juice. Right. So you people of the culture are

785
00:47:40,080 --> 00:47:45,239
Speaker 1: running the industry, are running industry right, and they care

786
00:47:45,320 --> 00:47:48,479
Speaker 1: less about cultivating the culture. That's the bottom line. Because

787
00:47:48,520 --> 00:47:50,160
Speaker 1: at the end of the day, the person that's giving

788
00:47:50,200 --> 00:47:52,640
Speaker 1: you that big check, they're telling you, hey, listen, I'm

789
00:47:52,680 --> 00:47:55,040
Speaker 1: giving you this money. Make sure you don't give you

790
00:47:55,400 --> 00:47:57,960
Speaker 1: If you give that to your Tony, that's not going

791
00:47:58,000 --> 00:48:00,120
Speaker 1: to be good. You know what I'm thinking. They know

792
00:48:00,200 --> 00:48:03,440
Speaker 1: Tony gonna do the right ship with that money. You're

793
00:48:03,480 --> 00:48:06,759
Speaker 1: just getting paid and you're happy. Tony gonna take that

794
00:48:06,800 --> 00:48:08,399
Speaker 1: money and turn it over and do the right ship.

795
00:48:08,719 --> 00:48:11,839
Speaker 1: And we ain't gonna need us, you know what I'm saying.

796
00:48:11,840 --> 00:48:14,000
Speaker 1: So don't funk with Tony. But go ahead and pay

797
00:48:14,000 --> 00:48:16,719
Speaker 1: your family, make sure everybody good, make sure the kids

798
00:48:16,840 --> 00:48:19,840
Speaker 1: is good. And you're happy with that at that moment

799
00:48:19,840 --> 00:48:22,799
Speaker 1: because he right, I ain't had no money. I make

800
00:48:22,840 --> 00:48:26,040
Speaker 1: your family right, have a few extra dollars too. That's

801
00:48:26,080 --> 00:48:29,319
Speaker 1: the American dream to pay the bills and have a

802
00:48:29,320 --> 00:48:32,319
Speaker 1: coup of extra dollars. But I mean, you know, it

803
00:48:32,400 --> 00:48:38,160
Speaker 1: is what it is. I don't hate. Once again, I congratulate. Yeah,

804
00:48:38,440 --> 00:48:42,800
Speaker 1: but listen, we actually the best error to the nineties,

805
00:48:43,040 --> 00:48:48,560
Speaker 1: the nineties, nineties, the early nineties as a pioneer, right,

806
00:48:49,320 --> 00:48:51,839
Speaker 1: I wouldn't be a guy doing a good job if

807
00:48:51,880 --> 00:48:54,600
Speaker 1: I didn't ask you this. We'll come on. What is

808
00:48:54,640 --> 00:48:58,759
Speaker 1: the worst ever? Right now? You who you're going to

809
00:48:58,840 --> 00:49:07,400
Speaker 1: say that, Let's make some noise for him? Saying that,

810
00:49:07,840 --> 00:49:11,080
Speaker 1: why is it the worst ever? Because nobody, nobody following

811
00:49:11,160 --> 00:49:15,319
Speaker 1: now no money, they're just following the money right now,

812
00:49:15,440 --> 00:49:17,360
Speaker 1: you know what I'm saying. They're not even thinking about

813
00:49:17,440 --> 00:49:20,479
Speaker 1: what's really real. But you know, they said it sound

814
00:49:20,520 --> 00:49:23,480
Speaker 1: good to put it out It's a melody. You look good.

815
00:49:23,520 --> 00:49:26,040
Speaker 1: Put it out here. Even some pictures. Put them with

816
00:49:26,040 --> 00:49:30,319
Speaker 1: one of them and you got a good melody right now?

817
00:49:30,840 --> 00:49:34,200
Speaker 1: Is that it could be social media, but at the

818
00:49:34,320 --> 00:49:35,719
Speaker 1: end of the day, it's still the person that got

819
00:49:35,719 --> 00:49:39,920
Speaker 1: that money. So it is that? Is that? It? Is it? Nowadays?

820
00:49:40,000 --> 00:49:43,920
Speaker 1: It's just like a melody in luck. Yeah, yeah, because

821
00:49:43,920 --> 00:49:47,120
Speaker 1: the real ship is underground. We're the ones that's looking

822
00:49:47,160 --> 00:49:49,360
Speaker 1: for the real people underground. We're looking for that diamond

823
00:49:49,400 --> 00:49:51,240
Speaker 1: in the row. And then it's not even the diamond

824
00:49:51,280 --> 00:49:53,520
Speaker 1: because they're coming right at us. We just have to

825
00:49:53,600 --> 00:49:56,560
Speaker 1: have time. And then you're still so busy, you see.

826
00:49:56,680 --> 00:49:59,359
Speaker 1: That's how busy you still is. You can't even see

827
00:49:59,360 --> 00:50:01,880
Speaker 1: the diamond in the rough at times. That's why they

828
00:50:01,880 --> 00:50:06,560
Speaker 1: call him the diamond and the rough because they're hard

829
00:50:06,600 --> 00:50:12,440
Speaker 1: to find, and when you're looking for one to three,

830
00:50:15,000 --> 00:50:18,520
Speaker 1: you're busy being man. Let me tell you something you're pioneering.

831
00:50:18,760 --> 00:50:21,320
Speaker 1: I'm trying to roll up and roll up, hold on

832
00:50:22,440 --> 00:50:23,880
Speaker 1: and let me just tell you something. Let me just

833
00:50:23,920 --> 00:50:28,840
Speaker 1: tell you something. When we started hold On, everybody relaxed

834
00:50:29,080 --> 00:50:32,480
Speaker 1: when we started this podcast. We started this and we

835
00:50:32,520 --> 00:50:36,680
Speaker 1: wanted to do something for our pioneers, for our kings,

836
00:50:36,680 --> 00:50:39,319
Speaker 1: for our legends. When you do something for me, I'm

837
00:50:39,360 --> 00:50:44,440
Speaker 1: happy for it. You know we needed you, well, we

838
00:50:44,480 --> 00:50:46,960
Speaker 1: didn't want you, We needed you. The spirit brought me

839
00:50:47,080 --> 00:50:51,600
Speaker 1: right here. Yeah, because you're a great person. This is

840
00:50:51,640 --> 00:50:53,880
Speaker 1: how we always bumping each other always. We don't have

841
00:50:53,920 --> 00:50:56,640
Speaker 1: to call each other nothing always whatever had your number,

842
00:50:56,640 --> 00:51:04,440
Speaker 1: but I hear you for thirty Yeah. Right, you know

843
00:51:04,440 --> 00:51:09,319
Speaker 1: what I say. You're a great guy. And why don't

844
00:51:09,400 --> 00:51:15,280
Speaker 1: people salute all legends the rock and Rolled. I really

845
00:51:15,320 --> 00:51:17,920
Speaker 1: can't answer that one question because I'm still trying to

846
00:51:17,960 --> 00:51:23,000
Speaker 1: figure that out myself, because you know, you know, I've

847
00:51:23,040 --> 00:51:25,960
Speaker 1: been inducted to the Hall of Fame, so they say,

848
00:51:26,000 --> 00:51:30,439
Speaker 1: but then it's not recognized as I am the Hip

849
00:51:30,440 --> 00:51:34,960
Speaker 1: Hops first solo m C. You know that when I

850
00:51:35,000 --> 00:51:38,120
Speaker 1: came in this game, it was no solo, it was

851
00:51:38,200 --> 00:51:41,720
Speaker 1: three m c s. You had Grandmaster Flash with Mellie

852
00:51:41,719 --> 00:51:46,200
Speaker 1: Male t. Creole and Keith Cowboy. Then you had if

853
00:51:46,200 --> 00:51:49,520
Speaker 1: you want to use bandbody, he had Mr Biggs and

854
00:51:50,080 --> 00:51:54,960
Speaker 1: mc globe in power. There was no solo MC and

855
00:51:55,120 --> 00:51:58,840
Speaker 1: for me to be that, I didn't have a friend

856
00:51:59,560 --> 00:52:02,240
Speaker 1: to say, come on you, me and you Tom and Jerry,

857
00:52:02,360 --> 00:52:04,880
Speaker 1: or me and you saw Skin and Hutch. You know

858
00:52:04,880 --> 00:52:07,359
Speaker 1: what I'm saying, Let's do something together. So I didn't

859
00:52:07,400 --> 00:52:10,239
Speaker 1: have that, but I liked it what they was doing

860
00:52:10,280 --> 00:52:12,680
Speaker 1: on the microphone, so I know I can do that.

861
00:52:13,400 --> 00:52:18,360
Speaker 1: And then again I have that distinctive voice that people

862
00:52:18,440 --> 00:52:21,880
Speaker 1: remember because I mean, you know, at the end of

863
00:52:21,960 --> 00:52:24,879
Speaker 1: the day, they still remember that ball with the Ball

864
00:52:25,200 --> 00:52:28,960
Speaker 1: Danger dangg get do the bang bang bo, get the

865
00:52:29,040 --> 00:52:32,319
Speaker 1: ball with the Ball and the day, So that that

866
00:52:32,400 --> 00:52:36,880
Speaker 1: went from seventy seven it's two thousand and seventeen. You

867
00:52:36,960 --> 00:52:45,480
Speaker 1: understand what I'm saying, and right now good yeah. See.

868
00:52:45,480 --> 00:52:48,920
Speaker 1: And this is where I got my props from when

869
00:52:48,960 --> 00:52:51,160
Speaker 1: I made the record. The original record was called making

870
00:52:51,160 --> 00:52:54,560
Speaker 1: Cash Money on sugar Hill label. But then Kid Rock

871
00:52:55,239 --> 00:52:58,000
Speaker 1: re and did the song and he used my Ball

872
00:52:58,080 --> 00:53:02,160
Speaker 1: with the Ball and we sold eleven million copies. You

873
00:53:02,200 --> 00:53:04,879
Speaker 1: gotta say that again, so I gotta say you gotta

874
00:53:05,880 --> 00:53:08,880
Speaker 1: say it again. So I made kids trumps Trump's hold me.

875
00:53:08,960 --> 00:53:12,920
Speaker 1: Ki made kids got a household word, make something. So

876
00:53:12,960 --> 00:53:19,080
Speaker 1: I got that busy because kid Rock had two albums

877
00:53:19,200 --> 00:53:23,120
Speaker 1: before on Warner Brothers. He had two albums. It's sold

878
00:53:23,160 --> 00:53:25,279
Speaker 1: sixty units. You know, he made an a noise. But

879
00:53:25,320 --> 00:53:27,759
Speaker 1: when he did the Devil without the Cause and then

880
00:53:27,920 --> 00:53:33,040
Speaker 1: my song Ball, what's the main song? I mean, it

881
00:53:33,120 --> 00:53:35,920
Speaker 1: proves in the pointy certified. I gotta I gotta diamond

882
00:53:35,920 --> 00:53:41,000
Speaker 1: out that out. I never went down. Just I'm diamond,

883
00:53:41,200 --> 00:53:50,399
Speaker 1: the only thing I ever ever did. So kit Rock

884
00:53:50,520 --> 00:53:54,200
Speaker 1: became a household word off of some black ghetto hip

885
00:53:54,200 --> 00:53:57,040
Speaker 1: hop ship. Don that lets you know that even if

886
00:53:57,120 --> 00:53:59,719
Speaker 1: he had to sample that, he has a doll about.

887
00:54:00,280 --> 00:54:05,120
Speaker 1: But he came to me. He came to me. I

888
00:54:05,160 --> 00:54:07,239
Speaker 1: was in the l a doing the Wild Style, this

889
00:54:07,360 --> 00:54:09,360
Speaker 1: movie called The Wild Style, and we was doing the

890
00:54:09,400 --> 00:54:12,920
Speaker 1: reunion and Kid Rock was there and and me, I

891
00:54:12,960 --> 00:54:15,279
Speaker 1: was on my starship and White Boy came up to me.

892
00:54:15,320 --> 00:54:16,719
Speaker 1: You know, busy be you know, I want to use

893
00:54:16,760 --> 00:54:18,000
Speaker 1: the ball with the ball, I want to put it

894
00:54:18,040 --> 00:54:20,800
Speaker 1: on the record, and I'm on my starship. I'm paying

895
00:54:20,840 --> 00:54:23,120
Speaker 1: it no mind. Yeah, go ahead, put you on. He said, no,

896
00:54:23,360 --> 00:54:24,840
Speaker 1: be I need you to come. I want you to

897
00:54:24,840 --> 00:54:26,879
Speaker 1: sign so there don't be in no trouble. I said,

898
00:54:26,880 --> 00:54:29,520
Speaker 1: my hat fucking If I make some money, then you

899
00:54:29,680 --> 00:54:32,640
Speaker 1: fucking you. You came to me. I want some guddamn money.

900
00:54:32,719 --> 00:54:34,719
Speaker 1: He said, hey, be okay, I'm gonna treat you right,

901
00:54:34,719 --> 00:54:38,920
Speaker 1: man if And then all of a sudden, I heard

902
00:54:38,960 --> 00:54:41,080
Speaker 1: the song. I was in the cab doing the ready

903
00:54:41,080 --> 00:54:44,279
Speaker 1: I would get ready to a podcast ship. I never

904
00:54:44,320 --> 00:54:57,359
Speaker 1: signed right. He did me right, I'm rich, shout right,

905
00:54:58,080 --> 00:55:00,640
Speaker 1: shout off the kid rock because he definitely kept a

906
00:55:00,680 --> 00:55:09,040
Speaker 1: hip hop He's the most import he kept his world

907
00:55:09,640 --> 00:55:12,240
Speaker 1: when he definitely kept his word. Because he's told his word.

908
00:55:12,320 --> 00:55:14,520
Speaker 1: I said, yo, just go ahead and do this ship. Man,

909
00:55:14,520 --> 00:55:16,920
Speaker 1: if we make some money, I called you, motherfucking you

910
00:55:17,040 --> 00:55:18,640
Speaker 1: hit me off. He said, be okay, no doubt, no

911
00:55:18,760 --> 00:55:20,799
Speaker 1: that work. Because I was in my starship. I was

912
00:55:20,800 --> 00:55:23,120
Speaker 1: doing what hout style, you know, and I was on

913
00:55:23,200 --> 00:55:25,439
Speaker 1: my show I'm smoking and drinking. He got the funk

914
00:55:25,440 --> 00:55:30,600
Speaker 1: out of here. But the ship blew up and then

915
00:55:30,680 --> 00:55:32,680
Speaker 1: and then I was doing the podcast. I was going

916
00:55:32,719 --> 00:55:35,160
Speaker 1: to eight eight point nine in New York with me

917
00:55:35,320 --> 00:55:37,040
Speaker 1: day I saw he was going to do the same ship.

918
00:55:37,280 --> 00:55:40,239
Speaker 1: And I was in the camp and the song was

919
00:55:40,280 --> 00:55:42,359
Speaker 1: on the radio, and all of a sudden, I kept here,

920
00:55:42,719 --> 00:55:46,520
Speaker 1: ball with the ball, but I'm singing along, right, Wait

921
00:55:46,600 --> 00:55:53,360
Speaker 1: a minute, and then you know, so I called Mon

922
00:55:53,440 --> 00:55:55,160
Speaker 1: and he said, be I told you the white boy

923
00:55:55,239 --> 00:55:58,840
Speaker 1: kid Rob. I said, oh, ship yo, but I didn't know.

924
00:55:59,080 --> 00:56:01,440
Speaker 1: I didn't know what. So you know, it's many copies.

925
00:56:01,560 --> 00:56:03,880
Speaker 1: So at that point of time, it was already a

926
00:56:03,960 --> 00:56:06,799
Speaker 1: million copies with million point five and I was like,

927
00:56:06,840 --> 00:56:11,560
Speaker 1: oh ship wow. And then ship time went on. When

928
00:56:11,560 --> 00:56:14,160
Speaker 1: I got the plaque, it was three point five, so

929
00:56:14,200 --> 00:56:18,000
Speaker 1: I'm like, oh ship. And then I finally gotta check.

930
00:56:18,760 --> 00:56:23,800
Speaker 1: I gotta check for the first check to keep it on.

931
00:56:24,600 --> 00:56:28,840
Speaker 1: My first check was seventy five thousand dollars. I never

932
00:56:29,120 --> 00:56:31,919
Speaker 1: I never throw hip hop. I've never received a check

933
00:56:32,000 --> 00:56:36,200
Speaker 1: over ten thousand dollars. So when I saw that, I

934
00:56:36,760 --> 00:56:39,200
Speaker 1: fell to pieces because I know I don't have a

935
00:56:39,200 --> 00:56:41,200
Speaker 1: bunch of kids, and I know nobody gonna get learned

936
00:56:41,239 --> 00:56:46,040
Speaker 1: this money but from me, my wife and you know

937
00:56:46,080 --> 00:56:49,640
Speaker 1: what I'm saying, and my friends like that. Right. So

938
00:56:49,840 --> 00:56:51,960
Speaker 1: I didn't have no kids. I had two daughters and

939
00:56:51,960 --> 00:56:55,160
Speaker 1: I was, so I was cool with that, and I

940
00:56:55,200 --> 00:56:57,279
Speaker 1: went on with that, and then after that time went

941
00:56:57,280 --> 00:56:59,880
Speaker 1: on and they said, b well, it's still climbing and

942
00:57:00,040 --> 00:57:03,360
Speaker 1: this is like two thousand two. I'm like, still climbing.

943
00:57:04,880 --> 00:57:07,160
Speaker 1: That's not damn what the fun? And then kid Rock

944
00:57:07,320 --> 00:57:09,160
Speaker 1: was blowing up, you know if he was on TV

945
00:57:09,440 --> 00:57:14,759
Speaker 1: every fucking where and every time, and I'm being mine,

946
00:57:14,840 --> 00:57:21,640
Speaker 1: so my ship is real like today you so, so

947
00:57:21,800 --> 00:57:24,800
Speaker 1: then when he did that, like after a while, I

948
00:57:24,920 --> 00:57:26,960
Speaker 1: just forgot about the ship for a while because you know,

949
00:57:26,960 --> 00:57:28,760
Speaker 1: it wasn't my ship. I've seen him on TV. I

950
00:57:28,800 --> 00:57:32,960
Speaker 1: was happy. And then they hit me with seventy five million,

951
00:57:33,400 --> 00:57:37,680
Speaker 1: I said, they said, I said, that's more than three platinum.

952
00:57:37,720 --> 00:57:41,040
Speaker 1: They said, be y'all on the almost a diamond And

953
00:57:41,080 --> 00:57:48,240
Speaker 1: I didn't know where the diamond was, Well, diamonds millions.

954
00:57:48,840 --> 00:57:52,240
Speaker 1: So the only person that was ten million was hammer Shaggy.

955
00:57:53,000 --> 00:57:57,040
Speaker 1: Shaggy did what uh was that ship? Um? It wasn't me.

956
00:57:57,600 --> 00:58:04,520
Speaker 1: It wasn't me, and that at that time, at that time,

957
00:58:04,560 --> 00:58:08,600
Speaker 1: that was the only people that was dying. I'm like, wow,

958
00:58:08,640 --> 00:58:11,800
Speaker 1: we're almost that. So that's cool. And out of that,

959
00:58:12,080 --> 00:58:14,880
Speaker 1: I'm gonna see damn near half a million dollars. I

960
00:58:15,040 --> 00:58:18,120
Speaker 1: said what, and I just went, you know, it's just

961
00:58:18,200 --> 00:58:21,680
Speaker 1: time went on. Then we let record. That's that's the

962
00:58:22,360 --> 00:58:26,200
Speaker 1: point of the story. And that kid Rockings a real motherfucker.

963
00:58:28,240 --> 00:58:30,360
Speaker 1: We can't say kid Rockers a real motherfucker. I'm just

964
00:58:30,400 --> 00:58:33,120
Speaker 1: not saying not ba trying to run for seeing some

965
00:58:34,240 --> 00:58:41,120
Speaker 1: crazy right now, That's what the thing is. He did represent.

966
00:58:41,760 --> 00:58:46,160
Speaker 1: But at the same token, it was like Viz didn't know,

967
00:58:46,720 --> 00:58:49,960
Speaker 1: he didn't know how far it was gonna go, right,

968
00:58:50,360 --> 00:58:53,000
Speaker 1: but he did keep it real. And this is what

969
00:58:53,080 --> 00:58:55,040
Speaker 1: I say about to Komo D. I go back to

970
00:58:55,080 --> 00:58:59,960
Speaker 1: Kumo D started. Yeah, because Kumo D started that bullshit.

971
00:59:02,160 --> 00:59:05,200
Speaker 1: Yo bj B put the bob to the ball bullshit

972
00:59:05,320 --> 00:59:07,680
Speaker 1: on hold. I put it on hold. I put it

973
00:59:07,720 --> 00:59:11,640
Speaker 1: on hold, and then I bought it back out and

974
00:59:11,680 --> 00:59:19,160
Speaker 1: I saw leven million. I hit Kumo D back with

975
00:59:19,240 --> 00:59:23,320
Speaker 1: his ship because Coumo D, alright, look like me now right, okay,

976
00:59:24,720 --> 00:59:27,880
Speaker 1: because you gave me the alley. Okay, you gave me

977
00:59:27,920 --> 00:59:32,320
Speaker 1: the alley. How did you start with you? He was

978
00:59:32,440 --> 00:59:35,000
Speaker 1: jealous because I was getting money. I was a flying motherfucker.

979
00:59:35,160 --> 00:59:37,600
Speaker 1: He was he he was with the Treacherous Three. He

980
00:59:38,160 --> 00:59:40,600
Speaker 1: wanted to be a solo mc SO in order to

981
00:59:40,640 --> 00:59:43,320
Speaker 1: do that. Wait, wait, because y'all was down together at first,

982
00:59:43,720 --> 00:59:47,640
Speaker 1: he wanted to be sold from his group right because

983
00:59:47,640 --> 00:59:49,960
Speaker 1: they had to split that money. Man they made five

984
00:59:50,040 --> 00:59:57,920
Speaker 1: hundred dollars. Man three, motherfucker's man was back then. I

985
00:59:57,960 --> 01:00:00,880
Speaker 1: was the highest paid couple the solo mc SO. If

986
01:00:00,880 --> 01:00:03,760
Speaker 1: I made five hundred, I made five hundred dollars. You

987
01:00:03,760 --> 01:00:06,400
Speaker 1: gotta remember, you got the Cold Crush, the Cold Crust

988
01:00:06,480 --> 01:00:15,680
Speaker 1: four they made five dars advantage. You have to funk

989
01:00:15,720 --> 01:00:21,280
Speaker 1: you four plus one more before they made it. I'm saying.

990
01:00:22,120 --> 01:00:25,520
Speaker 1: So I'm with these groups while they're getting checks and

991
01:00:25,600 --> 01:00:28,320
Speaker 1: they see me get my check. They're going to White Castle.

992
01:00:29,000 --> 01:00:36,600
Speaker 1: I'm going to be stay Charlie Steak. You know we

993
01:00:36,640 --> 01:00:40,200
Speaker 1: have the Sizzlers And then it went on the Apple

994
01:00:40,240 --> 01:00:42,479
Speaker 1: Bees and all that other ship. You know what I'm saying.

995
01:00:42,480 --> 01:00:46,320
Speaker 1: But I would I was doing it like that all

996
01:00:46,360 --> 01:00:48,560
Speaker 1: on one second, Busy Be, you're all love. You live

997
01:00:48,640 --> 01:00:54,440
Speaker 1: on the podcast Happy Birthday. You live on the podcast

998
01:00:54,520 --> 01:00:58,080
Speaker 1: where you're at all off. That's where I love def jam.

999
01:00:58,120 --> 01:01:01,800
Speaker 1: Oh that's my dog, That's why you're on house. Then

1000
01:01:03,760 --> 01:01:07,440
Speaker 1: I have no idea why you you gotta come uptown

1001
01:01:08,080 --> 01:01:13,080
Speaker 1: Sting Rays. We over here with Busy Beat Niggles, I said,

1002
01:01:13,200 --> 01:01:15,320
Speaker 1: I went here with Rob Love. You know what Busy

1003
01:01:15,360 --> 01:01:17,960
Speaker 1: Beat said. He said, robbed up from death Jam. You

1004
01:01:18,040 --> 01:01:20,120
Speaker 1: gotta come up here with your fake death jam card.

1005
01:01:24,240 --> 01:01:26,920
Speaker 1: Sting Rays come through. Happy birthday, Rob Love, you love you,

1006
01:01:27,920 --> 01:01:30,720
Speaker 1: Robt Scorpio like Busy Beat on your way. Let's go

1007
01:01:31,080 --> 01:01:35,360
Speaker 1: alright one love Lil you know him and pop was

1008
01:01:35,400 --> 01:01:36,880
Speaker 1: the only thing is that they had the great ship

1009
01:01:37,080 --> 01:01:42,880
Speaker 1: right there, the great sho the great part to go.

1010
01:01:43,240 --> 01:01:50,400
Speaker 1: I feel like I went to so busy be hip

1011
01:01:50,400 --> 01:01:56,440
Speaker 1: hop has grown so much. You've seen that from this

1012
01:01:56,760 --> 01:02:02,640
Speaker 1: infant stage. Is there anything that you could say? You

1013
01:02:02,680 --> 01:02:05,080
Speaker 1: know what if I, if I could do it over again,

1014
01:02:05,600 --> 01:02:09,200
Speaker 1: I would help change this part of hip hop. Yeah.

1015
01:02:09,280 --> 01:02:12,800
Speaker 1: I would try to keep the the corporate people out

1016
01:02:12,840 --> 01:02:16,400
Speaker 1: of our business. They jumped into our business and then

1017
01:02:16,440 --> 01:02:19,480
Speaker 1: they did that for their sake, for their agreed to

1018
01:02:19,600 --> 01:02:23,200
Speaker 1: save their companies, to save their jobs. Because the producer

1019
01:02:23,280 --> 01:02:26,200
Speaker 1: that found that guy saved his job because he was

1020
01:02:26,200 --> 01:02:29,320
Speaker 1: about to lose it because he wasn't creative enough to

1021
01:02:29,360 --> 01:02:33,400
Speaker 1: find out something commercialized to make us some money. So

1022
01:02:33,440 --> 01:02:35,760
Speaker 1: he found the fake rapper, or he found the real

1023
01:02:35,840 --> 01:02:38,880
Speaker 1: rapper and put him on TV and made him some money.

1024
01:02:38,880 --> 01:02:43,160
Speaker 1: Now again, I'm not mad at that, but real is

1025
01:02:43,200 --> 01:02:46,520
Speaker 1: real and and that other stuff is what y'all want

1026
01:02:46,560 --> 01:02:50,960
Speaker 1: to call it, So separate that too. Here here is

1027
01:02:51,000 --> 01:02:55,920
Speaker 1: a real m c for hip hop celebrating Coca Cola

1028
01:02:56,320 --> 01:03:00,840
Speaker 1: or Sprite or or Sony, whatever the case. Maybe well

1029
01:03:00,960 --> 01:03:07,120
Speaker 1: here is uh God we found that look good? Blis bliss.

1030
01:03:08,640 --> 01:03:11,880
Speaker 1: Separate that. Let us know because hip hop is strong man,

1031
01:03:12,400 --> 01:03:14,800
Speaker 1: you come to us for everything. Y'all need our help.

1032
01:03:15,120 --> 01:03:17,360
Speaker 1: We got the black people, we got the white people

1033
01:03:17,600 --> 01:03:19,520
Speaker 1: that are do anything we tell them to do on

1034
01:03:19,560 --> 01:03:22,800
Speaker 1: the record if we if they agree, But if y'all

1035
01:03:22,840 --> 01:03:25,240
Speaker 1: do it the wrong way, y'all use us at the

1036
01:03:25,320 --> 01:03:27,840
Speaker 1: end of the day to blame us for your fault.

1037
01:03:29,120 --> 01:03:32,680
Speaker 1: And that ain't our fault. Wrapp is something we do.

1038
01:03:33,040 --> 01:03:36,040
Speaker 1: Hip Hop is something we live. That's what it is.

1039
01:03:37,640 --> 01:03:41,240
Speaker 1: So if you could change anything and the ship, what

1040
01:03:41,320 --> 01:03:45,640
Speaker 1: would it be Again, the corporations tell them to come

1041
01:03:45,760 --> 01:03:50,320
Speaker 1: come see the real roots of what y'all are producing

1042
01:03:50,440 --> 01:03:54,360
Speaker 1: on the street that's not real. You can help the

1043
01:03:54,400 --> 01:03:57,400
Speaker 1: real people because the real people need that help. With

1044
01:03:57,520 --> 01:03:59,880
Speaker 1: that same thing that you have, that same idea you have.

1045
01:04:00,720 --> 01:04:02,760
Speaker 1: There's a real guy that can do that, and if

1046
01:04:02,800 --> 01:04:06,000
Speaker 1: the real people see him do that, then they're believe

1047
01:04:06,080 --> 01:04:09,000
Speaker 1: in what you're saying. But you got a fake guy

1048
01:04:09,120 --> 01:04:11,480
Speaker 1: doing that, then don't you believe him? Because that fake

1049
01:04:11,480 --> 01:04:14,800
Speaker 1: guy was on TVMZ that wasn't on your commercial at

1050
01:04:14,840 --> 01:04:18,400
Speaker 1: this time and told us the real ship we don't

1051
01:04:18,480 --> 01:04:23,520
Speaker 1: want him. Can I ask you a question? Yeah, do

1052
01:04:23,600 --> 01:04:26,440
Speaker 1: you think that without the corporate people coming in the

1053
01:04:26,480 --> 01:04:29,960
Speaker 1: way they came and you think that like rap musicians

1054
01:04:29,960 --> 01:04:33,400
Speaker 1: will make will be as will make as much money

1055
01:04:33,440 --> 01:04:38,320
Speaker 1: as then yeah, because the talent speaks for ourselves. Music

1056
01:04:38,360 --> 01:04:41,800
Speaker 1: speaks for uself. You got Stevie, one of the records,

1057
01:04:41,880 --> 01:04:45,040
Speaker 1: Ray Charles records that y'all still rocking to today, James

1058
01:04:45,040 --> 01:04:48,520
Speaker 1: Brown today. They made them forty years ago, some of

1059
01:04:48,560 --> 01:04:52,080
Speaker 1: them older than y'all, So it speaks for itself. The

1060
01:04:52,160 --> 01:04:55,520
Speaker 1: talent speaks for itself. Authenticity Glass. You know, the fake

1061
01:04:55,600 --> 01:04:58,400
Speaker 1: stuff don't last. It will last two years, three years.

1062
01:04:58,480 --> 01:05:01,080
Speaker 1: If you're lucky, then you get give them something and

1063
01:05:01,080 --> 01:05:08,320
Speaker 1: then it's over right. God damn. From seventy seven, y'all,

1064
01:05:08,840 --> 01:05:17,000
Speaker 1: it's seven seven I'm forty years old. I was born

1065
01:05:17,000 --> 01:05:24,480
Speaker 1: and I was Yeah, let me tell you. I'm gonna

1066
01:05:24,480 --> 01:05:30,240
Speaker 1: tell you something about yourself, busy be. I've seen you everywhere,

1067
01:05:32,160 --> 01:05:36,360
Speaker 1: different countries, different states, different properties, different cities, different or whatever.

1068
01:05:37,080 --> 01:05:40,080
Speaker 1: And you're always happy, and you always got the weed

1069
01:05:40,200 --> 01:05:44,800
Speaker 1: to you always got the weed. You're always happy. And

1070
01:05:44,840 --> 01:05:48,200
Speaker 1: in case you don't understand how important you are to

1071
01:05:48,320 --> 01:05:52,240
Speaker 1: the culture or important you are to hip hop, important

1072
01:05:52,280 --> 01:05:55,240
Speaker 1: you all, we're gonna tell you tonight, and we're gonna

1073
01:05:55,280 --> 01:05:57,800
Speaker 1: tell you in front your face how much we fucking

1074
01:05:57,840 --> 01:06:02,640
Speaker 1: love you, how much that at anywhere I see you,

1075
01:06:02,800 --> 01:06:06,400
Speaker 1: I dropped whatever the funk I'm doing, I'll give you

1076
01:06:06,440 --> 01:06:11,320
Speaker 1: a fucking hug, and I'll let you know I love you.

1077
01:06:11,360 --> 01:06:16,760
Speaker 1: But in case you didn't know that, or you didn't

1078
01:06:17,400 --> 01:06:21,160
Speaker 1: understand how much hip hop has to sit down and

1079
01:06:21,280 --> 01:06:26,760
Speaker 1: bow to you. Literally, everybody that's doing hip hop, from

1080
01:06:26,840 --> 01:06:31,280
Speaker 1: a Boogie to Jim Jones to whatever, when they see you,

1081
01:06:31,320 --> 01:06:38,240
Speaker 1: they should literally like this. And if they don't, I'm

1082
01:06:38,280 --> 01:06:44,760
Speaker 1: gonna do it right now. But that's what it is, man.

1083
01:06:44,840 --> 01:06:46,680
Speaker 1: I mean, at the end of the day, again, that's

1084
01:06:46,720 --> 01:06:50,480
Speaker 1: just respect. I respect that and and and all I

1085
01:06:50,480 --> 01:06:52,520
Speaker 1: can do is just keep going. No but your hip

1086
01:06:52,560 --> 01:06:56,760
Speaker 1: hop royalty. And the thing about it is if we

1087
01:06:56,800 --> 01:07:01,040
Speaker 1: should all bow down to you every single time receive you,

1088
01:07:01,520 --> 01:07:05,000
Speaker 1: because you don't ask for you about that, You don't

1089
01:07:05,080 --> 01:07:07,760
Speaker 1: ask for your respect. You just sit there and you

1090
01:07:07,880 --> 01:07:10,520
Speaker 1: show love to everybody. I see you, I watch you

1091
01:07:10,840 --> 01:07:16,800
Speaker 1: show up to everybody's regardless. But that's not tonight. Tonight

1092
01:07:17,840 --> 01:07:22,000
Speaker 1: is we're showing love to you with Diamond what's up?

1093
01:07:22,520 --> 01:07:29,840
Speaker 1: And he's still getting kid rock money. That's this thing.

1094
01:07:29,920 --> 01:07:34,840
Speaker 1: And listen, man, you gotta be respected, You gotta be saluted.

1095
01:07:35,440 --> 01:07:39,200
Speaker 1: You have to be because in every other genre of music,

1096
01:07:39,280 --> 01:07:42,640
Speaker 1: when a person gets old or a person has a

1097
01:07:42,680 --> 01:07:47,440
Speaker 1: certain amount of years, they salute them. Hip hop is

1098
01:07:47,480 --> 01:07:51,400
Speaker 1: the only jarmer, the only generation where you get older.

1099
01:07:52,040 --> 01:07:57,840
Speaker 1: And the motherfuckers when we got this guy just got

1100
01:07:59,280 --> 01:08:02,560
Speaker 1: want to change that. That's what this podcast is about.

1101
01:08:02,800 --> 01:08:05,720
Speaker 1: That's what this this this ship is about. It like, yo,

1102
01:08:05,840 --> 01:08:09,720
Speaker 1: let us let us a lout us right because we

1103
01:08:09,800 --> 01:08:12,480
Speaker 1: now know that. So they've been conticking us. They've been

1104
01:08:12,480 --> 01:08:16,400
Speaker 1: telling us you don't know me, yoyo, why you don't

1105
01:08:16,439 --> 01:08:19,599
Speaker 1: interview new artists? And I said they got any seven

1106
01:08:21,040 --> 01:08:25,080
Speaker 1: got power want to fire. I choose the interview Motherfucker's

1107
01:08:25,120 --> 01:08:28,280
Speaker 1: thirty and upright because I want to interview legends. You

1108
01:08:28,320 --> 01:08:30,800
Speaker 1: want to hear the real stories, and I want to

1109
01:08:30,840 --> 01:08:36,640
Speaker 1: interview people that innovated me, that motivated me. Right and

1110
01:08:36,760 --> 01:08:38,479
Speaker 1: you know, you know I come to the brown You're

1111
01:08:38,520 --> 01:08:51,720
Speaker 1: brown Motherfucker's but block smoking. But busy be, I don't

1112
01:08:51,760 --> 01:08:56,479
Speaker 1: want you to ever forget or ever loose focus on

1113
01:08:56,560 --> 01:09:02,320
Speaker 1: how much hip hop owes you. That's the only person

1114
01:09:02,360 --> 01:09:04,880
Speaker 1: paid me. It is kid rock. Hip Hop never gave

1115
01:09:04,880 --> 01:09:07,960
Speaker 1: me no you know, I traveled around. They found like that,

1116
01:09:08,439 --> 01:09:11,439
Speaker 1: you know, I never got no what shows and stuff

1117
01:09:11,479 --> 01:09:15,760
Speaker 1: like that regularly on TV show hou We can change that.

1118
01:09:16,120 --> 01:09:18,639
Speaker 1: We're gonna change something like that, you know. But that's

1119
01:09:18,640 --> 01:09:22,519
Speaker 1: what it is. But busy Being, I just want you

1120
01:09:22,520 --> 01:09:28,200
Speaker 1: to be clear. You're a legend, right, capone knows your legend.

1121
01:09:28,720 --> 01:09:31,880
Speaker 1: If it knows your a legend, we all know your

1122
01:09:31,880 --> 01:09:34,200
Speaker 1: a legend. And we're gonna sit here and we're gonna

1123
01:09:34,200 --> 01:09:37,439
Speaker 1: celebrate your life. We're gonna celebrate your accolades. We're gonna

1124
01:09:37,439 --> 01:09:41,400
Speaker 1: celebrate your accomplishments, and we're gonna celebrate you and for

1125
01:09:41,560 --> 01:09:44,240
Speaker 1: you being who you funk you are and giving your

1126
01:09:44,240 --> 01:09:47,519
Speaker 1: fucking whole life to fucking hip hop because that's the

1127
01:09:47,600 --> 01:09:53,840
Speaker 1: history month, right, It's just like perfect, it's my birthday.

1128
01:09:53,880 --> 01:09:59,120
Speaker 1: I'm a scorpio, so my birthday Saturday was Saturday the

1129
01:09:59,160 --> 01:10:02,479
Speaker 1: bottom and we gonna pop out. We didn't. We're doing

1130
01:10:02,520 --> 01:10:05,200
Speaker 1: it like that. You know, well, give me, give me that,

1131
01:10:05,280 --> 01:10:11,400
Speaker 1: give me that time. What does that time's so? Because

1132
01:10:12,040 --> 01:10:15,679
Speaker 1: how how did the battle go with you with? Uh see,

1133
01:10:15,760 --> 01:10:18,760
Speaker 1: that wasn't a battle. It wasn't. It was called it

1134
01:10:18,840 --> 01:10:21,560
Speaker 1: was called a DJ convention. It was an m C

1135
01:10:21,720 --> 01:10:26,439
Speaker 1: and DJ convention was in and that was like when

1136
01:10:26,439 --> 01:10:28,639
Speaker 1: me and a J we we did all of those parties.

1137
01:10:28,680 --> 01:10:31,160
Speaker 1: Back then we was the one hiring everybody, using one

1138
01:10:31,240 --> 01:10:33,839
Speaker 1: paying everybody. And then again it was only a handful

1139
01:10:33,880 --> 01:10:35,960
Speaker 1: of us. We had the Cold Crush had did or

1140
01:10:36,120 --> 01:10:39,679
Speaker 1: the Fantastic fives four d s. It was. It wasn't

1141
01:10:39,680 --> 01:10:43,600
Speaker 1: a lot of hence pioneers, right, so and then you

1142
01:10:43,640 --> 01:10:45,680
Speaker 1: know you didn't have a lot. So we used to

1143
01:10:45,720 --> 01:10:48,920
Speaker 1: always give conventions and MC convention, so everybody that was

1144
01:10:48,960 --> 01:10:52,080
Speaker 1: in m C and the DJ come on that original

1145
01:10:52,200 --> 01:10:55,760
Speaker 1: out conference and show love for everything. And then we

1146
01:10:55,800 --> 01:10:57,800
Speaker 1: have a little contest on the mic and see who

1147
01:10:57,840 --> 01:11:01,240
Speaker 1: do that? And that's what that was. That's that's all that.

1148
01:11:03,400 --> 01:11:06,080
Speaker 1: You know. He came at me because I didn't know

1149
01:11:06,160 --> 01:11:09,880
Speaker 1: nothing about it. It was like a h ambush. I

1150
01:11:09,920 --> 01:11:13,679
Speaker 1: got ambushed it that night by Cool Mo D. Two

1151
01:11:13,680 --> 01:11:16,719
Speaker 1: ways that. After all the thing's over and everybody happy,

1152
01:11:16,720 --> 01:11:18,680
Speaker 1: and we get any party, and then the person get

1153
01:11:18,720 --> 01:11:20,280
Speaker 1: on and I say, ho, hol, y'all, hold up, don't

1154
01:11:20,320 --> 01:11:23,519
Speaker 1: go away, don't go away. We got one more at

1155
01:11:23,560 --> 01:11:27,120
Speaker 1: your event, right, we got one more person. We got

1156
01:11:27,120 --> 01:11:29,880
Speaker 1: cool Mo D from the Treacherous Street. I want to

1157
01:11:29,920 --> 01:11:32,680
Speaker 1: get damn and everybody okay because they know about the

1158
01:11:32,680 --> 01:11:34,920
Speaker 1: treacher Street. And then you know, so cool mo D,

1159
01:11:35,320 --> 01:11:38,800
Speaker 1: so cool more D get on stage. Right, Hey, y'all

1160
01:11:38,840 --> 01:11:40,840
Speaker 1: heard about Busy b rocked the party. I'll give it

1161
01:11:40,880 --> 01:11:42,960
Speaker 1: to him. He's the greatest who doing this this. But

1162
01:11:43,160 --> 01:11:45,200
Speaker 1: I just want to say this about this and this

1163
01:11:45,280 --> 01:11:47,920
Speaker 1: and that. Excuse me bee to beep, and I don't

1164
01:11:47,920 --> 01:11:50,000
Speaker 1: mean to be bold. Put the ball, put the ball

1165
01:11:50,040 --> 01:11:52,800
Speaker 1: bullshit on hold, And everybody just starts back there. You know,

1166
01:11:52,920 --> 01:11:55,360
Speaker 1: when they say laughing, we just say, oh, he's snapping

1167
01:11:55,400 --> 01:11:57,879
Speaker 1: on you. So we said, oh shit, he just snapped

1168
01:11:57,880 --> 01:12:00,880
Speaker 1: on busy, be crazy and everybody crazy, and then he

1169
01:12:00,920 --> 01:12:03,799
Speaker 1: went into his a little rhyme and everybody just went crazy.

1170
01:12:04,000 --> 01:12:07,080
Speaker 1: And I'm downstairs, I'm smoking weed and drinking champagne, doing

1171
01:12:07,080 --> 01:12:10,040
Speaker 1: the same ship right now, and I'm hearing all the

1172
01:12:10,080 --> 01:12:12,639
Speaker 1: ship upstairing. I'm like, what the fu? And they said,

1173
01:12:12,760 --> 01:12:16,800
Speaker 1: yoh ship yo mo D upstairs he going off on you.

1174
01:12:16,960 --> 01:12:20,800
Speaker 1: I'm like, you knew D. Yeah, I knew from okay,

1175
01:12:20,920 --> 01:12:22,840
Speaker 1: you know. But he was no friend of mine, no

1176
01:12:22,920 --> 01:12:30,160
Speaker 1: ship like that you know right now. No, the promoter

1177
01:12:30,240 --> 01:12:32,360
Speaker 1: has something to do with that. No, nope, nope, I'm

1178
01:12:32,400 --> 01:12:36,519
Speaker 1: telling you what. He wanted to leave his group. He

1179
01:12:36,600 --> 01:12:41,639
Speaker 1: got tired of spending that money. Motherfucker. Then you see

1180
01:12:41,680 --> 01:12:46,439
Speaker 1: this mine and doing getting money all the time, right

1181
01:12:46,479 --> 01:12:48,639
Speaker 1: I was the only I was the highest paced solo MC.

1182
01:12:49,080 --> 01:12:51,880
Speaker 1: He said, ship, I gotta try to get some of

1183
01:12:51,920 --> 01:13:04,280
Speaker 1: this ship. Somebody retrospect because he's fat and ugly. Today

1184
01:13:04,360 --> 01:13:10,120
Speaker 1: we didn't get down, but you know the facilities, you know,

1185
01:13:10,640 --> 01:13:13,040
Speaker 1: I didn't even get to hear the whole scenario, and

1186
01:13:13,120 --> 01:13:15,599
Speaker 1: to the tape I had to tape the next day

1187
01:13:15,840 --> 01:13:18,960
Speaker 1: and I'm like, oh wow, So I had to call

1188
01:13:19,080 --> 01:13:21,320
Speaker 1: him back out to come on. You want the battle now,

1189
01:13:21,800 --> 01:13:24,160
Speaker 1: We're going to battle now, motherfucker. We're going to go

1190
01:13:24,200 --> 01:13:26,360
Speaker 1: to the Fever where everybody was at knowing for the

1191
01:13:26,400 --> 01:13:33,519
Speaker 1: disco Fever. Bring your ass on your ome avenue. Yeah,

1192
01:13:33,600 --> 01:13:36,639
Speaker 1: bring your ass to the Motherland and let's you get

1193
01:13:36,640 --> 01:13:42,080
Speaker 1: down right. So and then after that people understood, Okay,

1194
01:13:42,520 --> 01:13:48,400
Speaker 1: she rockets back. It's cool from hem from Haran. Remember

1195
01:13:48,439 --> 01:13:50,200
Speaker 1: what the juice? You better remember where the juice with

1196
01:13:50,800 --> 01:13:55,200
Speaker 1: tupats right right from there? You know what You've made

1197
01:13:55,240 --> 01:13:57,800
Speaker 1: him color the bron right, So you gotta come to right.

1198
01:13:57,800 --> 01:13:59,800
Speaker 1: You gotta come to the Bronx now. But this is

1199
01:13:59,800 --> 01:14:02,840
Speaker 1: what everybody's going to be at, mother and let's do

1200
01:14:02,920 --> 01:14:05,920
Speaker 1: this should start from a scratch, it would happened and

1201
01:14:05,960 --> 01:14:09,760
Speaker 1: then I just did what the funk I do. So,

1202
01:14:09,920 --> 01:14:11,960
Speaker 1: so what was the bass like when you when you came?

1203
01:14:12,000 --> 01:14:15,679
Speaker 1: What was the boss I got? What was the balls

1204
01:14:15,760 --> 01:14:18,120
Speaker 1: like when you went't at? What? What was the first

1205
01:14:18,120 --> 01:14:22,439
Speaker 1: thing you said? The first things? It's deep you wanted.

1206
01:14:23,360 --> 01:14:25,719
Speaker 1: It was still wrong. I think I'll be again telling

1207
01:14:25,800 --> 01:14:28,640
Speaker 1: him from the streets to California to the shore is

1208
01:14:28,680 --> 01:14:31,240
Speaker 1: the main people there like the way I run my

1209
01:14:31,360 --> 01:14:34,280
Speaker 1: game because I got style, and I got class, but

1210
01:14:34,400 --> 01:14:38,000
Speaker 1: I don't pop my ship too fast. Got the pH d,

1211
01:14:38,040 --> 01:14:41,400
Speaker 1: got the master's degree. I'm being talked about over coffee

1212
01:14:41,400 --> 01:14:43,840
Speaker 1: and tea, and I float like the butterfly, sting like

1213
01:14:43,840 --> 01:14:46,639
Speaker 1: a beach. And there is no other than rocks like me.

1214
01:14:46,840 --> 01:14:58,840
Speaker 1: And I think that was about it. It was it wasn't.

1215
01:14:59,360 --> 01:15:04,559
Speaker 1: It wasn't a I don't no, no, no now. But

1216
01:15:04,640 --> 01:15:07,080
Speaker 1: you know you know that. Also, he's involved in one

1217
01:15:07,120 --> 01:15:10,519
Speaker 1: of the first hip hop movies, also Wild Style. We

1218
01:15:10,520 --> 01:15:15,240
Speaker 1: didn't talk that. That said a whole new right as well,

1219
01:15:15,280 --> 01:15:18,160
Speaker 1: because at the end of the day, you got fabulous

1220
01:15:18,600 --> 01:15:24,040
Speaker 1: who is which is crazy? And then so I run

1221
01:15:24,040 --> 01:15:26,880
Speaker 1: into people like fabulous to say, b I watched that

1222
01:15:26,920 --> 01:15:31,559
Speaker 1: movie Wu Style. And see, people don't understand when we

1223
01:15:31,560 --> 01:15:35,240
Speaker 1: was rapping back in the days after the party, people

1224
01:15:35,280 --> 01:15:38,840
Speaker 1: went home and stuff like that. I came to the

1225
01:15:38,840 --> 01:15:42,480
Speaker 1: parties because see, you know, we got over the day.

1226
01:15:42,720 --> 01:15:45,879
Speaker 1: But back then we had old Jays, the gold Fathers.

1227
01:15:46,400 --> 01:15:49,439
Speaker 1: Those was our Oover's. Today, you know what I'm saying,

1228
01:15:49,760 --> 01:15:51,960
Speaker 1: we could pick out a luxury car called Goldfall, the

1229
01:15:52,080 --> 01:15:57,080
Speaker 1: Cold Jack. He's from the Bronx. To get the nicest right,

1230
01:15:57,120 --> 01:16:03,040
Speaker 1: which right. So I when when they called me to

1231
01:16:03,080 --> 01:16:06,400
Speaker 1: do that scene, I came in that and then when

1232
01:16:06,439 --> 01:16:09,760
Speaker 1: I pulled up in that, they said, oh ship, yo,

1233
01:16:09,840 --> 01:16:13,160
Speaker 1: we're gonna keep that right there. Yo, that's the documentary

1234
01:16:13,439 --> 01:16:16,800
Speaker 1: right My My my cab driver made a couple of

1235
01:16:16,800 --> 01:16:18,720
Speaker 1: extra dollars because I say, hey, listen, they're gonna pay

1236
01:16:18,720 --> 01:16:20,639
Speaker 1: you a couple of dollars. Stay with me and back

1237
01:16:20,680 --> 01:16:23,320
Speaker 1: then with this twenty dollars for one hour and I'm

1238
01:16:23,400 --> 01:16:25,840
Speaker 1: riding around in town. Give him forty dollars. I'm riding

1239
01:16:25,840 --> 01:16:29,960
Speaker 1: around the limo looking like Hollywood. Anyway, I'm TV now,

1240
01:16:30,040 --> 01:16:32,120
Speaker 1: I'm just trying to play you know what I'm saying.

1241
01:16:32,600 --> 01:16:34,840
Speaker 1: I'm going to the scene in the limos, and they

1242
01:16:35,000 --> 01:16:37,320
Speaker 1: was fucked up with that, so I said, let's keep

1243
01:16:37,400 --> 01:16:40,559
Speaker 1: that right there. So you know, pull up in that.

1244
01:16:40,800 --> 01:16:42,760
Speaker 1: Then you get in the car, put licaly and all that,

1245
01:16:42,880 --> 01:16:45,120
Speaker 1: y'all drink the champagne, and y'all stay in the car

1246
01:16:45,360 --> 01:16:47,519
Speaker 1: and talk. And that's that's how that scene came in.

1247
01:16:47,560 --> 01:16:50,360
Speaker 1: While staffs like fabulous, and I'm saying, be that was

1248
01:16:50,439 --> 01:16:53,320
Speaker 1: the fly shipped up. The more you get to the hotel,

1249
01:16:53,360 --> 01:16:55,599
Speaker 1: you put the money on the bed so I'm talking

1250
01:16:55,640 --> 01:16:58,960
Speaker 1: to be ship. So they used that as swag back

1251
01:16:58,960 --> 01:17:01,600
Speaker 1: then for me to they say, yeah, that's some flashes

1252
01:17:02,760 --> 01:17:05,599
Speaker 1: because everybody started doing that after the whole after they parted,

1253
01:17:05,600 --> 01:17:08,759
Speaker 1: they go to hotels, get some girls, smoke some weed,

1254
01:17:09,120 --> 01:17:11,439
Speaker 1: get some champagne, and go to the the hotel. Because that's

1255
01:17:11,479 --> 01:17:14,720
Speaker 1: what I did in the scene, and I would throw

1256
01:17:14,720 --> 01:17:20,519
Speaker 1: it out there. My pet was Burgundy. Just now definitely

1257
01:17:20,520 --> 01:17:25,320
Speaker 1: stick in a different way. Go to the clinic. It

1258
01:17:25,439 --> 01:17:28,240
Speaker 1: came out Burgundy. That's it came out looking like that

1259
01:17:31,920 --> 01:17:36,920
Speaker 1: has your stuff back. You gotta last drink. Drink way

1260
01:17:37,000 --> 01:17:39,800
Speaker 1: too loud over there, so you see you through the

1261
01:17:39,840 --> 01:17:44,960
Speaker 1: Hennessy ship. You know what I'm saying. Almost Yampaign got me.

1262
01:17:45,120 --> 01:17:49,000
Speaker 1: That's why we connected. Get that. Don't get that every

1263
01:17:49,000 --> 01:17:55,320
Speaker 1: time you drinking because you're a champagne old school drink.

1264
01:17:57,360 --> 01:18:07,280
Speaker 1: You do some rocket you drink. You know, Rob Delio Rose,

1265
01:18:07,600 --> 01:18:11,719
Speaker 1: you said, nor me drink flowers. Listen, listen, I gotta relax.

1266
01:18:14,960 --> 01:18:17,800
Speaker 1: The reason why we start on this show is we

1267
01:18:17,840 --> 01:18:20,599
Speaker 1: want to give our legends. They flowers when they could

1268
01:18:20,640 --> 01:18:25,800
Speaker 1: smell them, they they trees and they can hit hell

1269
01:18:25,840 --> 01:18:29,040
Speaker 1: them the trees when they get hell them and drinks,

1270
01:18:29,160 --> 01:18:31,720
Speaker 1: and they thoughts when they can think of them, and

1271
01:18:31,760 --> 01:18:36,800
Speaker 1: they drinks when they can drinking. I'm drinking mine, man better,

1272
01:18:44,240 --> 01:18:47,320
Speaker 1: little weird a sting Rays. Let's stop. Forget where we are.

1273
01:18:50,160 --> 01:18:55,479
Speaker 1: How sting race chances? You know? Look? Do you see

1274
01:18:55,880 --> 01:19:00,479
Speaker 1: the owner? He got spurs that jingle? I think you're

1275
01:19:00,520 --> 01:19:18,920
Speaker 1: walking around like you know, but sperm the only the

1276
01:19:19,040 --> 01:19:25,600
Speaker 1: only country, sting Rays, what's the address? Give us the

1277
01:19:27,320 --> 01:19:32,439
Speaker 1: avenuefty fifth Avenue. If you never had lemon wings, I

1278
01:19:32,520 --> 01:19:36,320
Speaker 1: don't know what kind of wings this is, Rocher. I'm

1279
01:19:36,360 --> 01:19:38,559
Speaker 1: not gonna lie. I think I like to my lakers.

1280
01:19:39,920 --> 01:19:42,080
Speaker 1: I have no idea what I meant, but in so

1281
01:19:42,360 --> 01:19:47,639
Speaker 1: fantastic the winds and this guy is such sting Rays.

1282
01:19:47,720 --> 01:19:52,200
Speaker 1: You gotta come up. You gotta visit stem I'm here

1283
01:19:52,240 --> 01:19:54,720
Speaker 1: in hall of y'all. You this the first time the

1284
01:19:54,760 --> 01:19:57,560
Speaker 1: sting Race, Yes, my first time. Okay, it won't be

1285
01:19:57,640 --> 01:20:00,360
Speaker 1: your last, it won't be the last of many. And

1286
01:20:00,479 --> 01:20:03,200
Speaker 1: you see we got the magnums might move Happy birthday.

1287
01:20:10,240 --> 01:20:13,160
Speaker 1: We love you know. But but I didn't see it

1288
01:20:13,280 --> 01:20:16,479
Speaker 1: that far in the beginning, Okay, I didn't think like that.

1289
01:20:16,880 --> 01:20:20,680
Speaker 1: I just thought it was almost almost something like what

1290
01:20:21,200 --> 01:20:24,000
Speaker 1: our parents were talking about. It's a fade, it's not

1291
01:20:24,120 --> 01:20:27,720
Speaker 1: gonna last you like that. No, I didn't. And then

1292
01:20:27,760 --> 01:20:32,599
Speaker 1: because I saw the Pepsi commercial quick, you know Mr

1293
01:20:32,680 --> 01:20:36,120
Speaker 1: Freeze from the Breakdancers, he did a commercial with Pepsi

1294
01:20:36,840 --> 01:20:39,760
Speaker 1: and they had a movie called flash Dance. And when

1295
01:20:39,760 --> 01:20:43,120
Speaker 1: I saw that, I said it's on. I knew it

1296
01:20:43,200 --> 01:20:45,240
Speaker 1: was on because if they started with the Breakdancers, they're

1297
01:20:45,240 --> 01:20:48,919
Speaker 1: going to get to the mcs. And they did with Sprite.

1298
01:20:49,560 --> 01:20:53,120
Speaker 1: Sprite made us rich, Sprite made us happy, you know,

1299
01:20:53,200 --> 01:20:59,599
Speaker 1: and then it went on from Sony Sponsors and then

1300
01:21:00,000 --> 01:21:02,280
Speaker 1: out you know, they start they start reaching out. Then

1301
01:21:02,400 --> 01:21:05,320
Speaker 1: Gap you got ahold of it. So whoever that was

1302
01:21:05,439 --> 01:21:08,840
Speaker 1: in those industries, that was the corporate person that had

1303
01:21:08,920 --> 01:21:12,880
Speaker 1: to make commercials or to make their person some money,

1304
01:21:13,520 --> 01:21:17,200
Speaker 1: they came to hip hop to save their jobs and

1305
01:21:17,280 --> 01:21:20,160
Speaker 1: to save you know, help us get money, but to

1306
01:21:20,240 --> 01:21:23,880
Speaker 1: save their jobs. So if they was making a hundred

1307
01:21:23,920 --> 01:21:26,439
Speaker 1: thousand a year for what they was doing, when they

1308
01:21:26,560 --> 01:21:29,280
Speaker 1: finally found a wrapper or a breakdancer or an m

1309
01:21:29,360 --> 01:21:32,879
Speaker 1: C to help their people make some more money, they

1310
01:21:33,040 --> 01:21:36,680
Speaker 1: probably presidents now somewhere, you know what I'm saying. Now,

1311
01:21:36,800 --> 01:21:39,559
Speaker 1: most artists. I problized for cutting you over my brother,

1312
01:21:39,960 --> 01:21:43,280
Speaker 1: but most artists that's been down as long as you've

1313
01:21:43,320 --> 01:21:47,240
Speaker 1: been down. People say that they're better, right, They say

1314
01:21:47,280 --> 01:21:50,160
Speaker 1: that most of these guys, some of them are. Some

1315
01:21:50,360 --> 01:21:53,080
Speaker 1: of them are I bumped into my my peers. Yes,

1316
01:21:53,160 --> 01:21:55,760
Speaker 1: stay on, and they have a good reason to be better.

1317
01:21:55,880 --> 01:21:59,280
Speaker 1: Do you think you know? Because again, if I can wait,

1318
01:21:59,560 --> 01:22:04,719
Speaker 1: I'm just like you, I am you be together your period.

1319
01:22:04,920 --> 01:22:07,360
Speaker 1: If you haven't just bumped into the right person at

1320
01:22:07,439 --> 01:22:10,240
Speaker 1: the right time, or if you're not running around to

1321
01:22:10,439 --> 01:22:13,400
Speaker 1: chase what what we invented to let people know who

1322
01:22:13,520 --> 01:22:16,080
Speaker 1: you are, then you're not going to get it because

1323
01:22:16,120 --> 01:22:18,080
Speaker 1: nobody's gonna wake up and say, oh well I thought

1324
01:22:18,080 --> 01:22:21,080
Speaker 1: about blow and call you. But if they see you,

1325
01:22:21,400 --> 01:22:23,200
Speaker 1: you got to create your own look. And if they

1326
01:22:23,280 --> 01:22:25,960
Speaker 1: see you and you look like you're supposed to look,

1327
01:22:26,160 --> 01:22:30,719
Speaker 1: because I mean again, I'm a double nickel, I'm still happy,

1328
01:22:31,600 --> 01:22:35,200
Speaker 1: I'm still drinking champagne, I'm still smoking the same ship.

1329
01:22:35,960 --> 01:22:40,280
Speaker 1: I mean, what what the fuck? But but but why why?

1330
01:22:40,400 --> 01:22:43,840
Speaker 1: Because I mean to be honest with you, your attitude

1331
01:22:43,920 --> 01:22:46,960
Speaker 1: is one of the most beautiful ast pioneers ever, right, Like,

1332
01:22:47,640 --> 01:22:50,559
Speaker 1: so what why are like you you're like to pick up?

1333
01:22:53,280 --> 01:22:56,920
Speaker 1: Why are you pick up? Like Okay, I'll do it

1334
01:22:57,040 --> 01:23:01,840
Speaker 1: like this, Okay, hip hop change when and will be

1335
01:23:01,960 --> 01:23:05,599
Speaker 1: the Negro League, not the major League, not the major league,

1336
01:23:05,600 --> 01:23:09,280
Speaker 1: and you got the Nero League, and then I would

1337
01:23:09,320 --> 01:23:12,080
Speaker 1: be sat you page in the Negro League and I'm

1338
01:23:12,960 --> 01:23:17,280
Speaker 1: he's a famous picture still top grade. He was at

1339
01:23:17,320 --> 01:23:22,719
Speaker 1: the top of his prime when he was forty. Jackie Robinson,

1340
01:23:23,040 --> 01:23:27,920
Speaker 1: Jackie Robinson was twenty. He was younger that would be

1341
01:23:28,040 --> 01:23:33,680
Speaker 1: running in d m C for me. They came out

1342
01:23:33,760 --> 01:23:40,200
Speaker 1: with the sucker I'm sorry to when they said, Okay,

1343
01:23:40,720 --> 01:23:42,920
Speaker 1: we want to make records and put our stuff, but

1344
01:23:43,479 --> 01:23:46,519
Speaker 1: you two because maybe I had face shoes stuff on

1345
01:23:46,640 --> 01:23:52,200
Speaker 1: my face and you cut that. That wouldn't appeal to

1346
01:23:52,439 --> 01:23:56,400
Speaker 1: the people as we put on TV for our stuff.

1347
01:23:56,720 --> 01:23:59,560
Speaker 1: So these young guys can save the sucking MC. And

1348
01:23:59,560 --> 01:24:02,679
Speaker 1: then they after leaders with no strength. Nobody was doing

1349
01:24:02,760 --> 01:24:06,519
Speaker 1: none of these things to people start. We coaches start

1350
01:24:06,640 --> 01:24:10,320
Speaker 1: changing because people started hearing these songs and hearing these

1351
01:24:10,360 --> 01:24:14,479
Speaker 1: people they saw visualizing seeing it. It was a difference.

1352
01:24:14,520 --> 01:24:18,280
Speaker 1: He MTV wasn't showing what we was doing. They got

1353
01:24:18,360 --> 01:24:21,559
Speaker 1: a chance to people start seeing that the Beastie Boys

1354
01:24:21,600 --> 01:24:24,320
Speaker 1: didn't even wasn't on the radio. So they sold a

1355
01:24:24,439 --> 01:24:27,960
Speaker 1: million copies of records how because they was being seen

1356
01:24:28,520 --> 01:24:32,040
Speaker 1: on TV where we couldn't see it. Black folks and

1357
01:24:32,160 --> 01:24:34,519
Speaker 1: have cable. So let me ask you a question. Right,

1358
01:24:35,880 --> 01:24:39,439
Speaker 1: that was y'all hip hop? Right, and in my in

1359
01:24:39,600 --> 01:24:43,800
Speaker 1: my mind, I could be wrong, correct me anytime. But

1360
01:24:43,920 --> 01:24:46,840
Speaker 1: then NAS came out with his outum right, And when

1361
01:24:46,920 --> 01:24:49,120
Speaker 1: Nas came out of his album, in my mind, but

1362
01:24:49,280 --> 01:24:52,800
Speaker 1: we had MTV, we had your MTV rats, we had

1363
01:24:52,920 --> 01:24:59,360
Speaker 1: Ralph McDaniels, we had more rights social to me, it

1364
01:24:59,439 --> 01:25:01,519
Speaker 1: felt like to me and I could be wrong, and

1365
01:25:01,560 --> 01:25:05,120
Speaker 1: you can tell me, Nori you're totally wrong, but I

1366
01:25:05,240 --> 01:25:08,719
Speaker 1: want I would love your opinion. When Nas that album

1367
01:25:08,840 --> 01:25:11,960
Speaker 1: came up, did it change the error like it changed

1368
01:25:12,000 --> 01:25:14,240
Speaker 1: the course of hip hop? You know, it changed the

1369
01:25:14,320 --> 01:25:17,120
Speaker 1: east Side. It came back to it the east side.

1370
01:25:17,840 --> 01:25:20,160
Speaker 1: It helps what you just came back with the east

1371
01:25:20,200 --> 01:25:23,400
Speaker 1: Side to. Yeah. Yeah, Now you gotta talk that fly ship,

1372
01:25:23,720 --> 01:25:27,559
Speaker 1: that real ship, because this kid here is Banannas. If

1373
01:25:27,600 --> 01:25:30,400
Speaker 1: you ain't talking with this motherfucker talking about then you

1374
01:25:30,600 --> 01:25:32,760
Speaker 1: just making records. But if you're trying to be a hit.

1375
01:25:33,360 --> 01:25:37,960
Speaker 1: Follow this motherfucker right hit, and that's what's happened. Yeah,

1376
01:25:38,040 --> 01:25:40,639
Speaker 1: I feel I feel so hip hop right there, because

1377
01:25:40,720 --> 01:25:47,280
Speaker 1: that's exactly the way I would have answered that question. Yeah,

1378
01:25:47,400 --> 01:25:51,920
Speaker 1: now you're here, how are you? How are you doing?

1379
01:25:52,600 --> 01:25:54,760
Speaker 1: How are you doing? Black man? I'm good, you got

1380
01:25:54,800 --> 01:25:59,120
Speaker 1: you and you're looking good. And we made you change

1381
01:25:59,120 --> 01:26:03,320
Speaker 1: your shirt earlier. Keep it read. I didn't change it.

1382
01:26:05,280 --> 01:26:10,759
Speaker 1: Don't say why. I'm not gonna say why we got swamps.

1383
01:26:14,360 --> 01:26:21,880
Speaker 1: I don't so hip hop change my show. So hip hop,

1384
01:26:22,080 --> 01:26:28,120
Speaker 1: so hip hop. Hip hop gave so much to everybody, right,

1385
01:26:30,280 --> 01:26:34,240
Speaker 1: what does hip hop owe anybody? Well? Hip hop and

1386
01:26:34,360 --> 01:26:40,360
Speaker 1: owe me nothing? Really, because I mean hip hop anybody anything? Well,

1387
01:26:40,400 --> 01:26:43,240
Speaker 1: I doubt it because I've been around the planet and

1388
01:26:43,880 --> 01:26:47,559
Speaker 1: I'm not in the Army, never been in the army, Navy, Marines,

1389
01:26:48,200 --> 01:26:51,760
Speaker 1: and I've seen all I've seen. I've been around the planet.

1390
01:26:51,800 --> 01:26:53,479
Speaker 1: The only place I haven't been on this planet Earth

1391
01:26:53,560 --> 01:26:57,080
Speaker 1: is Russia. I've been the Russia. It's not great. It

1392
01:26:57,160 --> 01:26:59,280
Speaker 1: was the worst experience of my life, Okay, And I

1393
01:26:59,320 --> 01:27:01,400
Speaker 1: don't want to go. Don't go, trust me, don't go

1394
01:27:01,479 --> 01:27:04,560
Speaker 1: in Africa. In Africa, I mean, everybody said you gotta go,

1395
01:27:04,920 --> 01:27:06,680
Speaker 1: but I don't want to go because they say you

1396
01:27:06,760 --> 01:27:08,519
Speaker 1: gotta take needs, and I'm scared of it. I'm gonna

1397
01:27:08,520 --> 01:27:11,880
Speaker 1: be you gotta get you to come to the needs.

1398
01:27:15,080 --> 01:27:17,240
Speaker 1: So those are only two places I haven't been. I've

1399
01:27:17,240 --> 01:27:20,160
Speaker 1: been in Australia, I've been Germany. I've been to London.

1400
01:27:20,280 --> 01:27:23,680
Speaker 1: I've been several places there with you right right, So

1401
01:27:25,560 --> 01:27:28,759
Speaker 1: I've been everywhere. But other than that hip hop, donmely

1402
01:27:28,800 --> 01:27:31,040
Speaker 1: not because I saw the I saw the world to

1403
01:27:31,120 --> 01:27:33,680
Speaker 1: where I can come home and tell my friend, I

1404
01:27:33,800 --> 01:27:36,560
Speaker 1: understand why that Chinese person don't want to talk to you,

1405
01:27:37,040 --> 01:27:40,519
Speaker 1: because I understand. I've been to China to where it's

1406
01:27:40,560 --> 01:27:43,840
Speaker 1: like now I understand where I'm in America. Yeah, y'all

1407
01:27:43,920 --> 01:27:47,280
Speaker 1: got me now because I said, hey, you give me

1408
01:27:47,920 --> 01:27:51,360
Speaker 1: French fries and and you don't understand me to where

1409
01:27:51,479 --> 01:27:54,720
Speaker 1: you're in America. You just know shrimp fried rice and

1410
01:27:54,840 --> 01:27:56,560
Speaker 1: that's what you want, and they're gonna serve you that

1411
01:27:56,960 --> 01:27:59,280
Speaker 1: now when you ask for something different. I said, hey,

1412
01:27:59,520 --> 01:28:01,960
Speaker 1: do you know where Tony City at. I gotta go

1413
01:28:02,040 --> 01:28:05,200
Speaker 1: to the and they say shoes Shane change shang. Hey.

1414
01:28:05,640 --> 01:28:08,560
Speaker 1: I said that that way, Hey, that means no motherfucker.

1415
01:28:11,120 --> 01:28:14,800
Speaker 1: I'm going that way. He said, yeah, Hei, Hey, I'm thinking, yeah,

1416
01:28:15,080 --> 01:28:17,920
Speaker 1: that's the right way to go. That's the wrong motherfucker way.

1417
01:28:19,280 --> 01:28:26,160
Speaker 1: So you know, you learn. Yeah, so when you come

1418
01:28:26,200 --> 01:28:29,120
Speaker 1: back there and you go to certain places and say,

1419
01:28:29,160 --> 01:28:31,880
Speaker 1: all right, hold up, I'm respect everything you want me

1420
01:28:31,960 --> 01:28:35,280
Speaker 1: to do, so I get the right ship. You know

1421
01:28:35,320 --> 01:28:37,280
Speaker 1: what I'm saying, because at the end of the day,

1422
01:28:37,640 --> 01:28:39,439
Speaker 1: you ain't trying to listen to what they're saying. They're

1423
01:28:39,479 --> 01:28:42,200
Speaker 1: trying to talk to you decent. You still distance your

1424
01:28:42,400 --> 01:28:45,040
Speaker 1: this and them. They hear that ship, but you don't

1425
01:28:45,080 --> 01:28:47,760
Speaker 1: hear that ship they're telling you. So you know you

1426
01:28:47,920 --> 01:28:51,519
Speaker 1: have the bandage. So he's told us the truth because

1427
01:28:51,600 --> 01:28:56,160
Speaker 1: I kid you not. I know, I said the story earlier.

1428
01:28:56,840 --> 01:29:01,599
Speaker 1: But I went to the bike lane. Does bad bike lanes,

1429
01:29:01,720 --> 01:29:03,720
Speaker 1: So I stopped somebody in the bike lanes and you

1430
01:29:03,760 --> 01:29:10,200
Speaker 1: know what, to get cigars. The busy bee came downstairs

1431
01:29:12,080 --> 01:29:15,599
Speaker 1: and I was stressed. He looked at me, said, what's wrong?

1432
01:29:15,760 --> 01:29:19,720
Speaker 1: Little in my mind, that's what he said. I said,

1433
01:29:20,680 --> 01:29:25,519
Speaker 1: fucking cigars, no one please, And he said you want papers,

1434
01:29:25,560 --> 01:29:28,479
Speaker 1: because you have papers? What papers? I said, I'm a cigar,

1435
01:29:29,600 --> 01:29:32,760
Speaker 1: Come on and then they said follow me, and he

1436
01:29:33,000 --> 01:29:37,799
Speaker 1: and not only gave me right cigars, but he also

1437
01:29:37,920 --> 01:29:42,080
Speaker 1: showed me that Marlborough Greens. It's new points in your

1438
01:29:42,479 --> 01:29:48,960
Speaker 1: right makes some noise to that said the same ship,

1439
01:29:49,240 --> 01:29:54,360
Speaker 1: the same word he said. He started smoking. He said,

1440
01:29:54,880 --> 01:30:01,599
Speaker 1: oh ship, don't give me another pack. I'm just thinking

1441
01:30:01,840 --> 01:30:05,320
Speaker 1: what I'm doing. They don't listen. Man, I can't appreciate

1442
01:30:05,360 --> 01:30:07,160
Speaker 1: you so much because the thing about it is this,

1443
01:30:08,120 --> 01:30:11,400
Speaker 1: But me and my partner, the e F started this podcast.

1444
01:30:11,880 --> 01:30:16,120
Speaker 1: We wanted to honor our legends. It wants to our pioneers.

1445
01:30:16,240 --> 01:30:20,479
Speaker 1: We wanted to honor the people that most people don't

1446
01:30:20,520 --> 01:30:23,320
Speaker 1: really look at and say, salute you and the people

1447
01:30:23,400 --> 01:30:27,320
Speaker 1: inspired us and the people that inspired us. So when

1448
01:30:27,360 --> 01:30:30,519
Speaker 1: we have a person like you in the building, busy

1449
01:30:30,680 --> 01:30:33,840
Speaker 1: want to be we want to salute you. I want

1450
01:30:33,840 --> 01:30:35,880
Speaker 1: to let you know how much you appreciate. I want

1451
01:30:35,920 --> 01:30:43,280
Speaker 1: to thank you all for the block party. I feel

1452
01:30:43,360 --> 01:30:45,400
Speaker 1: right part of you if I have that magnum too,

1453
01:30:45,720 --> 01:30:47,960
Speaker 1: because these two, those two it's going with like both,

1454
01:30:48,439 --> 01:30:53,160
Speaker 1: I feel right part time. No, we can't cop that.

1455
01:30:53,160 --> 01:30:54,800
Speaker 1: I'm gonna take this to the cribs like to keep that.

1456
01:30:56,320 --> 01:31:05,280
Speaker 1: I'm gonna dropping that right, drink that drink that busy Yeah,

1457
01:31:11,920 --> 01:31:16,160
Speaker 1: I gotta gotta give right yeah, justus to me, right yeah,

1458
01:31:16,680 --> 01:31:18,200
Speaker 1: right back to me and the wife. But we don't

1459
01:31:18,200 --> 01:31:20,720
Speaker 1: got no more about us. Yeah, we gotta take a shot.

1460
01:31:20,760 --> 01:31:22,560
Speaker 1: We got take a shot down. Come on, take a

1461
01:31:22,560 --> 01:31:26,000
Speaker 1: shot and take a shot because Leon, come on with

1462
01:31:26,720 --> 01:31:28,880
Speaker 1: the shot glasses. Come on, brother, you've been looking at

1463
01:31:28,920 --> 01:31:30,840
Speaker 1: me the old time to make sure I'm good. And

1464
01:31:31,080 --> 01:31:34,400
Speaker 1: the shot glass part, you're not. You're not involved. He

1465
01:31:34,520 --> 01:31:40,280
Speaker 1: did not kill that, didn't you have a busy beat? Man?

1466
01:31:40,560 --> 01:31:42,599
Speaker 1: Let'm gonna tell yourself again. I thank you all man,

1467
01:31:42,840 --> 01:31:47,000
Speaker 1: and then I in mind like this, let's not get

1468
01:31:47,080 --> 01:31:50,120
Speaker 1: it twisted. I am hip hop and I have always

1469
01:31:50,200 --> 01:31:54,599
Speaker 1: existed throughout these physical forms and these new presents and times.

1470
01:31:55,520 --> 01:31:58,160
Speaker 1: I am still the chief rock a busy beat, and

1471
01:31:58,280 --> 01:32:07,120
Speaker 1: I want to thank y'all for y'all mother time. I

1472
01:32:07,200 --> 01:32:09,160
Speaker 1: want to pick up. I want to pick up my

1473
01:32:09,280 --> 01:32:12,679
Speaker 1: people zero minus, want the big up my people, Mike Booth,

1474
01:32:12,720 --> 01:32:15,560
Speaker 1: I want to pick up Chang Bang because at the

1475
01:32:15,680 --> 01:32:20,160
Speaker 1: end of the day, we didn't know that hip hop

1476
01:32:20,280 --> 01:32:24,719
Speaker 1: started out in the Bronx and Queen's all right because

1477
01:32:25,320 --> 01:32:28,519
Speaker 1: we listened to MC shann reckon right, and he said

1478
01:32:28,600 --> 01:32:33,040
Speaker 1: hip hop started out on the dock, and we thought

1479
01:32:33,360 --> 01:32:37,360
Speaker 1: we really did started there. But then when we did

1480
01:32:37,439 --> 01:32:40,800
Speaker 1: our research and we realized that it didn't start in

1481
01:32:40,840 --> 01:32:44,840
Speaker 1: the bronx. The only thing we can do as human

1482
01:32:44,960 --> 01:32:48,760
Speaker 1: beings is big that up right and sit there and

1483
01:32:48,960 --> 01:32:52,599
Speaker 1: prospect what it is. But let me let me finish.

1484
01:32:52,640 --> 01:32:54,560
Speaker 1: Because you know why I want you to let me

1485
01:32:54,640 --> 01:33:02,080
Speaker 1: finish is because all legends don't be so looting. Are

1486
01:33:02,240 --> 01:33:11,800
Speaker 1: legends never has looked upon as if as if they should.

1487
01:33:12,920 --> 01:33:16,760
Speaker 1: This is the problem with hip hop, busy be is

1488
01:33:17,439 --> 01:33:21,400
Speaker 1: when you get old, when you get whatever, these people

1489
01:33:21,520 --> 01:33:25,280
Speaker 1: wanted to tell you to go home, Let's change that

1490
01:33:25,720 --> 01:33:27,240
Speaker 1: me and you can do this. I tell you what. No,

1491
01:33:27,360 --> 01:33:30,240
Speaker 1: we're changing it right now, changing it right something. This

1492
01:33:30,320 --> 01:33:32,160
Speaker 1: is what we're doing because you can. Let let me finish,

1493
01:33:32,200 --> 01:33:37,679
Speaker 1: busy me because you know why bus because and drink chips.

1494
01:33:38,040 --> 01:33:41,360
Speaker 1: You don't have a fucking age, you don't have a

1495
01:33:41,520 --> 01:33:46,240
Speaker 1: fucking liability. We're sitting here and we fucking respect off

1496
01:33:46,880 --> 01:33:50,080
Speaker 1: legends and we love them. Got on the yellow hat.

1497
01:33:50,200 --> 01:33:56,880
Speaker 1: I have no idea. Why just do that out there right?

1498
01:33:58,600 --> 01:34:07,040
Speaker 1: Ship hard yellow hats all for Busy Meat, You're one

1499
01:34:07,080 --> 01:34:12,120
Speaker 1: of the pioneers I see everywhere, and you always smiling,

1500
01:34:12,680 --> 01:34:16,400
Speaker 1: You're always happy, you always sit there and you show

1501
01:34:16,520 --> 01:34:21,519
Speaker 1: me love. And if I have a platform where I

1502
01:34:22,080 --> 01:34:25,760
Speaker 1: can give love back, efn could give a love back.

1503
01:34:26,080 --> 01:34:31,760
Speaker 1: There's no motherfucking way in the history of niggerdom that

1504
01:34:32,240 --> 01:34:35,960
Speaker 1: I will not have this platform and not show you

1505
01:34:36,080 --> 01:34:40,480
Speaker 1: the love that you fucking respect you deserve. I appreciate

1506
01:34:40,600 --> 01:34:48,880
Speaker 1: that and you fucking honored. We on behalf of all

1507
01:34:48,960 --> 01:34:59,160
Speaker 1: of us because the CN p CN Drink Champs, Murder Unit,

1508
01:34:59,720 --> 01:35:05,280
Speaker 1: so down, malitatement hood, crazy hug one left, Frack City

1509
01:35:05,439 --> 01:35:11,719
Speaker 1: right fifty seven and Vernon Boulevard, Tim Street, Twelfth Street.

1510
01:35:13,040 --> 01:35:18,280
Speaker 1: We all want to collectively come together and say, Busy Beat,

1511
01:35:19,160 --> 01:35:22,600
Speaker 1: we love you. We're going to continue to love you.

1512
01:35:23,760 --> 01:35:26,000
Speaker 1: And tonight I wanted you to be my guest host.

1513
01:35:26,400 --> 01:35:30,760
Speaker 1: I wanted him to help host rock him. But but

1514
01:35:36,520 --> 01:35:40,320
Speaker 1: but guess what that means, That that that that this

1515
01:35:40,720 --> 01:35:43,320
Speaker 1: is not gonna end. We're gonna continue to do it.

1516
01:35:43,439 --> 01:35:51,599
Speaker 1: It's sting race. What's the addressing race? Come over here,

1517
01:35:52,120 --> 01:35:58,920
Speaker 1: Come over here, Eve, We're gonna come here to stay

1518
01:36:00,080 --> 01:36:02,920
Speaker 1: and hall and we're gonna do it because you know why,

1519
01:36:03,520 --> 01:36:06,360
Speaker 1: if the people ain't gonna respect all people, guess what

1520
01:36:07,000 --> 01:36:10,240
Speaker 1: them people, And we're going to continue to respect our

1521
01:36:10,280 --> 01:36:13,120
Speaker 1: own people. And busy Be, we want you to know

1522
01:36:13,360 --> 01:36:15,680
Speaker 1: you could come any time you want to come, right.

1523
01:36:16,320 --> 01:36:19,800
Speaker 1: You can guess host, you can co host, you can

1524
01:36:20,240 --> 01:36:23,240
Speaker 1: bro host. I'm coming, man, you can do whatever you want.

1525
01:36:23,360 --> 01:36:26,680
Speaker 1: That's what I like, because you want to see the

1526
01:36:26,960 --> 01:36:31,400
Speaker 1: impact that this has when you on here. But we

1527
01:36:31,600 --> 01:36:35,679
Speaker 1: love you, busy Be, thank you. We will never ever

1528
01:36:36,080 --> 01:36:41,760
Speaker 1: ever stop loving you. And hip hop has to love

1529
01:36:41,800 --> 01:36:55,439
Speaker 1: you as well. That has one cocaine just so he

1530
01:36:55,479 --> 01:36:59,080
Speaker 1: got his give me my Oh my god, I feel

1531
01:36:59,080 --> 01:37:08,639
Speaker 1: like I got to relax. You're ready, shallow sallow, busy

1532
01:37:08,760 --> 01:37:14,960
Speaker 1: Bee to a great business. He killed that he give

1533
01:37:15,200 --> 01:37:26,280
Speaker 1: that Oh no death dearly y the other stuff this

1534
01:37:26,400 --> 01:37:38,360
Speaker 1: time cheese hang babydad that one. I feel like mug

1535
01:37:38,640 --> 01:37:45,160
Speaker 1: dark day. Hold on, we gotta let meet y'all to

1536
01:37:45,280 --> 01:37:52,360
Speaker 1: my going Swarty Dias where you at Monday. You go

1537
01:37:52,400 --> 01:37:55,720
Speaker 1: over there right right right, you gotta get right right

1538
01:37:57,000 --> 01:38:03,240
Speaker 1: one nig on Swarty Deans st Yeah yeah, big dud

1539
01:38:03,280 --> 01:38:05,519
Speaker 1: s putty thieves, rest in peace, mall and Brando. We

1540
01:38:05,680 --> 01:38:17,360
Speaker 1: love everybody makes him know salute, So what's going on

1541
01:38:17,479 --> 01:38:20,559
Speaker 1: my brother being a part of the legendary You were

1542
01:38:20,600 --> 01:38:25,160
Speaker 1: signed a boltor correct? No, we were signed to initially

1543
01:38:25,800 --> 01:38:31,120
Speaker 1: rough House, rocket Block Columbia initially, and then rough House

1544
01:38:31,280 --> 01:38:34,960
Speaker 1: dropped out and then it was Rocket Block Columbia. So

1545
01:38:35,120 --> 01:38:39,600
Speaker 1: how does it fail? Man'll be because you're still a

1546
01:38:39,680 --> 01:38:42,560
Speaker 1: hip hop legend. People, you gotta respect you asself. I

1547
01:38:42,600 --> 01:38:44,960
Speaker 1: don't know if for your legend, but what one thing

1548
01:38:45,000 --> 01:38:46,800
Speaker 1: that I want to say is rest in peace to

1549
01:38:46,880 --> 01:38:50,519
Speaker 1: my main, Malon Brando. We salute a lot of a

1550
01:38:50,600 --> 01:38:55,040
Speaker 1: lot of our falling heroes. Um my man Brando died

1551
01:38:55,080 --> 01:38:59,479
Speaker 1: a hero. A lot of people playing to that explain that, well,

1552
01:38:59,640 --> 01:39:02,400
Speaker 1: you know, we we should, we should look a lot

1553
01:39:02,479 --> 01:39:09,439
Speaker 1: of um hip hop heroes. Debt got murdered, my man

1554
01:39:09,680 --> 01:39:13,760
Speaker 1: died saving a child, God bless you know what I mean.

1555
01:39:14,520 --> 01:39:16,400
Speaker 1: So he's a hero, you know what I mean? And

1556
01:39:17,320 --> 01:39:21,880
Speaker 1: you want to detail that exactly how that happened. Well, um,

1557
01:39:22,200 --> 01:39:24,519
Speaker 1: so that would be somebody in the hip hop culture

1558
01:39:25,000 --> 01:39:29,200
Speaker 1: that represented we we we we we remember, I remember

1559
01:39:29,439 --> 01:39:34,000
Speaker 1: what what what what? Chris right right right and and

1560
01:39:34,120 --> 01:39:36,600
Speaker 1: be more right so so so so at the end

1561
01:39:36,640 --> 01:39:38,479
Speaker 1: of the day when when you say that that's one

1562
01:39:38,520 --> 01:39:42,679
Speaker 1: of the members of the group, they passed away, Okay,

1563
01:39:43,720 --> 01:39:47,920
Speaker 1: Chris hitting me with that. And so so when you say, um,

1564
01:39:48,640 --> 01:39:50,759
Speaker 1: because he is a member of the hip hop culture,

1565
01:39:51,040 --> 01:39:54,680
Speaker 1: you know, doubt and sporty Thieves are exactly that and

1566
01:39:54,880 --> 01:39:58,040
Speaker 1: and and we shout out that. But then you said

1567
01:39:58,439 --> 01:40:03,080
Speaker 1: that he did something, and my brother, he did a

1568
01:40:03,120 --> 01:40:12,320
Speaker 1: selfless a selfless, selfless act, which is super dope, super dope. Right. Unfortunately,

1569
01:40:12,520 --> 01:40:19,680
Speaker 1: the culture that we live in, right, Um, no, no, no, no,

1570
01:40:19,960 --> 01:40:22,920
Speaker 1: what what I'm saying is for hip hop, right, a

1571
01:40:23,000 --> 01:40:28,000
Speaker 1: lot of people get killed. It's part of it's part

1572
01:40:28,040 --> 01:40:31,840
Speaker 1: of the culture that we live. Right. For someone to

1573
01:40:32,280 --> 01:40:37,400
Speaker 1: to see a car coming, push a little kid out

1574
01:40:37,439 --> 01:40:41,360
Speaker 1: the way and take that head as super dope, that's

1575
01:40:41,680 --> 01:40:47,479
Speaker 1: that's super dope, you know what I mean. We didn't

1576
01:40:47,680 --> 01:40:51,000
Speaker 1: you know, sporty Thieves, chief skate Pigeons or all that.

1577
01:40:51,160 --> 01:40:55,800
Speaker 1: We didn't have a lustraous career whatever. But we have

1578
01:40:55,960 --> 01:40:59,000
Speaker 1: a we have a hero for hip hop, right, And

1579
01:40:59,200 --> 01:41:01,519
Speaker 1: that's what you know, I mean, that's not that's what

1580
01:41:02,160 --> 01:41:11,400
Speaker 1: and that's what k was gonna Happy birthday, King Kurt,

1581
01:41:12,040 --> 01:41:14,320
Speaker 1: you know, And what I gotta say to you because

1582
01:41:14,360 --> 01:41:16,800
Speaker 1: I feel like you need to hear this as well.

1583
01:41:18,640 --> 01:41:21,519
Speaker 1: You shouted us out on the podcast before when he

1584
01:41:21,600 --> 01:41:27,560
Speaker 1: was talking about the whole Um hip Hop Union and

1585
01:41:27,640 --> 01:41:31,280
Speaker 1: all that, which was super dope, which we need, we need,

1586
01:41:31,439 --> 01:41:33,600
Speaker 1: we need. Well, I want to say it to you

1587
01:41:33,760 --> 01:41:38,679
Speaker 1: in your face. Okay, sporty thieves, you, your whole brother,

1588
01:41:38,920 --> 01:41:44,360
Speaker 1: your union, y'all appreciate it, of course. Right. We love yes, right,

1589
01:41:44,520 --> 01:41:47,000
Speaker 1: and we love hip hop's and we love hip hop

1590
01:41:47,080 --> 01:41:50,000
Speaker 1: and we love him, love love my brother. You know

1591
01:41:50,040 --> 01:41:53,120
Speaker 1: what I want to do is gonna make hip hop shoulders.

1592
01:41:53,439 --> 01:42:02,960
Speaker 1: I love you, and we also have wrong. Hold on,

1593
01:42:03,000 --> 01:42:04,960
Speaker 1: hold hold hold on, hold on. You know you know

1594
01:42:05,080 --> 01:42:06,960
Speaker 1: we did shows to give all that, y'all. I just

1595
01:42:07,080 --> 01:42:09,519
Speaker 1: want to say, yo, I'm proud of you, my brother,

1596
01:42:09,880 --> 01:42:14,240
Speaker 1: thank you. So I'm proud of you, my brother. Ya

1597
01:42:14,760 --> 01:42:18,040
Speaker 1: do your thing. Thank you. Someone up. We got robbed,

1598
01:42:19,640 --> 01:42:23,840
Speaker 1: and then I didn't let me tell you something, Cashana,

1599
01:42:25,439 --> 01:42:30,439
Speaker 1: let me tell y'all something. Robbing, busy. We're gonna going

1600
01:42:31,200 --> 01:42:37,519
Speaker 1: rob robber love Puff Daddy and my mother has the

1601
01:42:37,640 --> 01:42:41,920
Speaker 1: same fucking birthday, so I always text you two days

1602
01:42:41,960 --> 01:42:46,080
Speaker 1: before your birthday. I always be like season here. I

1603
01:42:46,160 --> 01:42:50,080
Speaker 1: always hit robbing motherfucking rob Love in the building and

1604
01:42:50,240 --> 01:42:52,760
Speaker 1: rob Love when he when he had it, he had

1605
01:42:52,840 --> 01:42:57,599
Speaker 1: it that he was holding us down. He's the artist,

1606
01:42:57,640 --> 01:43:00,240
Speaker 1: tapped me on the on the promo side, and we

1607
01:43:00,439 --> 01:43:07,160
Speaker 1: love girls a birthday bay like he loved a drink chap,

1608
01:43:07,680 --> 01:43:11,439
Speaker 1: thank you? How are you feeling? Robbingly great? Great? Nineteen

1609
01:43:11,880 --> 01:43:17,400
Speaker 1: nineteen and a half half holders, Let me have somebody

1610
01:43:17,520 --> 01:43:26,559
Speaker 1: rose day? Can we go a birthday shop? Birthday choice? Say?

1611
01:43:26,600 --> 01:43:31,280
Speaker 1: Don't you gotta be on my love? He DeLeon is

1612
01:43:31,320 --> 01:43:38,040
Speaker 1: good with me? Did he did? He don't work? Oh? Yeah,

1613
01:43:38,040 --> 01:43:40,559
Speaker 1: that's that's that's that's how I get it. You gotta

1614
01:43:40,600 --> 01:43:46,080
Speaker 1: take it. You're really good? Yeah, you know? Not a ticket?

1615
01:43:46,479 --> 01:43:50,920
Speaker 1: And I'm waiting. I represent so Did he changed his

1616
01:43:51,040 --> 01:43:53,600
Speaker 1: name the love of money? And probably so? Did he?

1617
01:43:53,840 --> 01:43:56,160
Speaker 1: Did he change his name in love? Did he change

1618
01:43:56,200 --> 01:43:59,480
Speaker 1: his names? I appreciate that. I respect that. I appreciate

1619
01:43:59,560 --> 01:44:05,160
Speaker 1: that well. I respect that is in front of you.

1620
01:44:05,479 --> 01:44:14,160
Speaker 1: And let everybody, everybody yo up. Yet I need some

1621
01:44:14,280 --> 01:44:20,080
Speaker 1: weights and my other trip joints, trip choice to change?

1622
01:44:22,600 --> 01:44:29,720
Speaker 1: You want to chalist another fuck? Chalice shot? Hold me

1623
01:44:30,520 --> 01:44:32,599
Speaker 1: so listen, let me tell you something let me tell

1624
01:44:32,600 --> 01:44:37,439
Speaker 1: you something. I gotta speak. I gotta speak single yea,

1625
01:44:37,520 --> 01:44:42,040
Speaker 1: y'all tell these be black days. They gotta relax. Holdup,

1626
01:44:42,840 --> 01:44:49,240
Speaker 1: got listen, go ahead. The fact is we are representing

1627
01:44:49,360 --> 01:44:54,519
Speaker 1: hip hop every single moment of our fucking show, and

1628
01:44:54,680 --> 01:44:58,639
Speaker 1: hip hop will be represented every single morning. Fucking shut

1629
01:45:00,120 --> 01:45:04,559
Speaker 1: robbing up. If we don't represent you, we ain't hip hop.

1630
01:45:05,760 --> 01:45:08,559
Speaker 1: Rob Love, we love you. I don't know why I'm

1631
01:45:08,600 --> 01:45:21,920
Speaker 1: taking another shot. That's not the business. Thank you? Got

1632
01:45:22,000 --> 01:45:31,160
Speaker 1: her not win. It's not good. At is amazing, but

1633
01:45:31,240 --> 01:45:35,200
Speaker 1: not right now. I'm sorry. That's not good. That's not

1634
01:45:36,120 --> 01:45:38,800
Speaker 1: what you did today. What's going on? What you to fight?

1635
01:45:38,920 --> 01:45:40,559
Speaker 1: You know what I'm saying. It was like the Tyson

1636
01:45:40,680 --> 01:45:44,719
Speaker 1: fight Blyn was real, real ship. You know what I'm saying.

1637
01:45:45,640 --> 01:45:48,240
Speaker 1: It was exciting, you know what I mean? First thing

1638
01:45:48,439 --> 01:45:51,120
Speaker 1: they'd got out let us actually actually, because you know

1639
01:45:51,320 --> 01:45:54,920
Speaker 1: this is industry ship. How did you get in the

1640
01:45:55,400 --> 01:45:59,519
Speaker 1: musically business? Rob Block? However, first and foremost, I wanted

1641
01:45:59,560 --> 01:46:03,519
Speaker 1: to be like y'all, I wanted to rap. You got right,

1642
01:46:03,760 --> 01:46:10,439
Speaker 1: I got bars. So what I'm gonna do it? Come on, brothers,

1643
01:46:12,800 --> 01:46:15,400
Speaker 1: come on the busy being him was doing the thing.

1644
01:46:15,439 --> 01:46:19,720
Speaker 1: I'm hunt the ropes, watching attention, said, sneaking up on

1645
01:46:19,920 --> 01:46:25,920
Speaker 1: the Bronx and all the last few bars. Yeah, but

1646
01:46:26,120 --> 01:46:29,040
Speaker 1: you know there was a better Bars out there, So

1647
01:46:29,160 --> 01:46:33,120
Speaker 1: I said, hey, let me go behind the scenes. You

1648
01:46:33,160 --> 01:46:35,040
Speaker 1: know what I'm saying. I know what the bars will do,

1649
01:46:36,160 --> 01:46:37,800
Speaker 1: But if you do it better than I do it,

1650
01:46:38,120 --> 01:46:40,120
Speaker 1: I'm gonna let you do it. I'm not gonna say no,

1651
01:46:40,280 --> 01:46:41,960
Speaker 1: I'm gonna do it, and I'm just gonna be better

1652
01:46:42,000 --> 01:46:44,560
Speaker 1: than you. I'm gonna say, yo, I'm gonna let you

1653
01:46:44,680 --> 01:46:46,920
Speaker 1: do it, but I'm do it this way or go

1654
01:46:47,280 --> 01:46:48,760
Speaker 1: or put it over here, you know what I'm saying.

1655
01:46:49,600 --> 01:46:51,599
Speaker 1: And that's how I kind of like caught the bug.

1656
01:46:51,640 --> 01:46:53,000
Speaker 1: And I was like, damn, you know what I'm saying.

1657
01:46:53,040 --> 01:46:56,240
Speaker 1: You need promotion, don't killing it, and then you need marketing.

1658
01:46:57,160 --> 01:46:59,240
Speaker 1: Then you need a budget, then you need a platform,

1659
01:46:59,439 --> 01:47:02,439
Speaker 1: then you need to able and you need T shirts.

1660
01:47:02,520 --> 01:47:04,760
Speaker 1: You need you know what I'm saying. You throw your

1661
01:47:04,840 --> 01:47:07,519
Speaker 1: dudes in the hoods and T shirts. That's definitely the

1662
01:47:07,760 --> 01:47:11,479
Speaker 1: greatest market and plan I've ever heard. Just he just

1663
01:47:11,560 --> 01:47:14,960
Speaker 1: broke down the whole market, the greatest marking, the plan ever,

1664
01:47:16,040 --> 01:47:18,439
Speaker 1: most and most most of most of the cats that

1665
01:47:18,560 --> 01:47:23,200
Speaker 1: worked with me a depth chance they were all rappers

1666
01:47:23,479 --> 01:47:27,200
Speaker 1: or producers, you know, kids old because on my team

1667
01:47:27,760 --> 01:47:30,360
Speaker 1: he started producing for the set. You know what I'm saying,

1668
01:47:31,240 --> 01:47:34,639
Speaker 1: you know, shock the zulus on my team. You're trying

1669
01:47:34,640 --> 01:47:37,920
Speaker 1: to say, you know what I'm saying, No, you know

1670
01:47:38,320 --> 01:47:49,400
Speaker 1: I helped it. We're not. You gotta pass. Tell them

1671
01:47:49,400 --> 01:47:54,439
Speaker 1: you made that? Bro to who you said? No, I

1672
01:47:54,520 --> 01:48:00,080
Speaker 1: didn't make that um getting together? No, no, No, that

1673
01:48:00,200 --> 01:48:07,680
Speaker 1: wasn't my doing, not at all. Just the energy, just

1674
01:48:07,800 --> 01:48:10,280
Speaker 1: the energy of the people that was you know, I'm saying,

1675
01:48:10,360 --> 01:48:13,519
Speaker 1: supporting the team. You know, you know went on to

1676
01:48:13,600 --> 01:48:18,800
Speaker 1: do different. What's your favorite hip hop rock? I don't

1677
01:48:18,840 --> 01:48:23,639
Speaker 1: think I reached it yet. He's optimistic now he's dope.

1678
01:48:24,080 --> 01:48:26,280
Speaker 1: You want to say that when you wasn't running around

1679
01:48:26,320 --> 01:48:29,880
Speaker 1: with death jam, that wasn't your favorite. I think that

1680
01:48:30,080 --> 01:48:32,599
Speaker 1: was my sleep ever, you know what I'm saying, because

1681
01:48:33,160 --> 01:48:35,800
Speaker 1: you know you were so pulled up, caught up in

1682
01:48:35,880 --> 01:48:38,439
Speaker 1: the passion of it. You know what I'm saying. You know,

1683
01:48:38,840 --> 01:48:41,040
Speaker 1: the light wasn't bright enough for me to be wake

1684
01:48:41,200 --> 01:48:44,559
Speaker 1: to see all the business things that opportunities that could

1685
01:48:44,680 --> 01:48:47,600
Speaker 1: and the other opportunity know we created other opportunities. But

1686
01:48:48,200 --> 01:48:51,280
Speaker 1: you know what I'm saying, Just like, just like hip hop,

1687
01:48:51,520 --> 01:48:56,320
Speaker 1: when people were putting Hennessy and different products into their lyrics,

1688
01:48:56,760 --> 01:48:59,720
Speaker 1: they didn't know that there was a check that they

1689
01:48:59,760 --> 01:49:02,080
Speaker 1: were supposed to get. Even the people that made Hennessey

1690
01:49:02,120 --> 01:49:05,000
Speaker 1: didn't know why they was, you know, selling a whole

1691
01:49:05,040 --> 01:49:07,920
Speaker 1: lot of more Hennessey for something apparent reason. I wasn't

1692
01:49:07,960 --> 01:49:10,759
Speaker 1: in their marketing and playing. That ship came from the streets,

1693
01:49:11,400 --> 01:49:13,720
Speaker 1: you know what I'm saying. So once they started evaluating

1694
01:49:13,760 --> 01:49:18,800
Speaker 1: the street, then they say, hey, the street guys that understanding,

1695
01:49:19,439 --> 01:49:23,080
Speaker 1: we need to for some money into them. And hip

1696
01:49:23,120 --> 01:49:27,080
Speaker 1: hop started eating everything that was. Let me get you,

1697
01:49:27,360 --> 01:49:30,120
Speaker 1: Robbed Love story, after you I got, I want to

1698
01:49:30,160 --> 01:49:33,320
Speaker 1: I have a personal busy beat. Come over here, busy

1699
01:49:33,320 --> 01:49:44,320
Speaker 1: you ain't got you gotta see yo. Look look let

1700
01:49:44,400 --> 01:49:46,200
Speaker 1: me tell you. Let me tell you Rob Love right,

1701
01:49:50,000 --> 01:49:53,200
Speaker 1: I had a record, Little Records. You're not gonna tell

1702
01:49:53,280 --> 01:50:00,960
Speaker 1: us home board. I came to party you had, you know,

1703
01:50:01,040 --> 01:50:03,559
Speaker 1: and I went to everybody and I played it to them.

1704
01:50:04,160 --> 01:50:07,400
Speaker 1: It was like, that's it go. When I went to

1705
01:50:07,560 --> 01:50:13,600
Speaker 1: Rob Love's office and I played it and Rob and

1706
01:50:14,120 --> 01:50:17,560
Speaker 1: you you can stop me anytime, Like, I played it

1707
01:50:17,640 --> 01:50:22,400
Speaker 1: for Rob Love. Now mind you, I'm supposed to play

1708
01:50:22,439 --> 01:50:25,839
Speaker 1: it for le or I'm supposed to play for Kevin Liles.

1709
01:50:26,640 --> 01:50:31,120
Speaker 1: I came to Rob Love's office and Rob Love said,

1710
01:50:32,240 --> 01:50:34,720
Speaker 1: I played it for Rob Love. You tell me from

1711
01:50:34,800 --> 01:50:38,479
Speaker 1: lying at any moment. And Rob Loves said, we're going

1712
01:50:38,520 --> 01:50:45,639
Speaker 1: to flex tonight. You stopped me from lying at any point,

1713
01:50:46,520 --> 01:50:49,360
Speaker 1: and I said, damn, I kind of played for Leo

1714
01:50:50,120 --> 01:50:59,479
Speaker 1: and Kevin lives and Rob said, fuck him. Stop at

1715
01:50:59,520 --> 01:51:03,360
Speaker 1: the point you stopping me, I didn't say the check

1716
01:51:03,479 --> 01:51:09,240
Speaker 1: right now. He didn't say that. You know. I'm like,

1717
01:51:09,439 --> 01:51:13,519
Speaker 1: I'm freaking what happened? What happened was okay, what happened?

1718
01:51:15,520 --> 01:51:20,360
Speaker 1: You know? So you know, we just did came up

1719
01:51:20,400 --> 01:51:24,160
Speaker 1: the Grimy tour and we went all across the country.

1720
01:51:24,720 --> 01:51:26,680
Speaker 1: We should get up, shipped the streets up, you know,

1721
01:51:26,760 --> 01:51:30,280
Speaker 1: it was dark. And then we came back and it

1722
01:51:30,400 --> 01:51:34,439
Speaker 1: was trying to schedule the album. Right nobody stopped. No

1723
01:51:34,640 --> 01:51:39,280
Speaker 1: one was scheduling the album. And it was like, okay,

1724
01:51:40,080 --> 01:51:43,240
Speaker 1: he was no he was concerned. So I'm like, yo,

1725
01:51:43,360 --> 01:51:44,680
Speaker 1: what do you got? What do you got in your

1726
01:51:44,720 --> 01:51:46,280
Speaker 1: back pocket? And he was like, you know, I got this,

1727
01:51:47,360 --> 01:51:51,280
Speaker 1: let me hear it. So I throw it in. Two

1728
01:51:51,400 --> 01:51:55,400
Speaker 1: seconds later, I'm like, so I called flects automatically, just

1729
01:51:55,600 --> 01:52:01,920
Speaker 1: like I said. I was saying, yo, yo, if he

1730
01:52:02,120 --> 01:52:08,680
Speaker 1: got the record, that's ridiculous, let's be clear. He says, Yo,

1731
01:52:08,960 --> 01:52:13,800
Speaker 1: bring it to me. So at the time, now the

1732
01:52:13,920 --> 01:52:21,960
Speaker 1: station was a little off limits. What had happened. Happened

1733
01:52:22,120 --> 01:52:24,679
Speaker 1: was just shut out to happen. I have no idea

1734
01:52:25,040 --> 01:52:28,880
Speaker 1: that happened was but anyway, okay, he wasn't allowed to

1735
01:52:28,960 --> 01:52:38,040
Speaker 1: come into the hot night it was anyway. So we

1736
01:52:38,120 --> 01:52:40,920
Speaker 1: get to the station, We run out the building, you know,

1737
01:52:41,200 --> 01:52:45,599
Speaker 1: fools beat ahead. Get to the station and Flex opens

1738
01:52:45,960 --> 01:52:50,479
Speaker 1: a crap to the door, like a crap, like, YO,

1739
01:52:50,920 --> 01:52:53,040
Speaker 1: give me the record. So we just lit it through

1740
01:52:53,080 --> 01:52:57,280
Speaker 1: the crack of the door and we went back downstairs.

1741
01:52:58,240 --> 01:53:00,439
Speaker 1: So were listening, like you know what I'm saying. Seven

1742
01:53:00,479 --> 01:53:07,920
Speaker 1: o'clock comes, I mean, hunting going on. There's nothing going on,

1743
01:53:08,840 --> 01:53:10,360
Speaker 1: you know, it's like, yo, funk that I'm out in.

1744
01:53:10,760 --> 01:53:13,680
Speaker 1: So he leaves back. I said, I'm gonna get some mice.

1745
01:53:15,040 --> 01:53:18,439
Speaker 1: So and then basking Robbins getting mice, and then and

1746
01:53:18,560 --> 01:53:22,040
Speaker 1: then calls me like yo, you know listening to the radio.

1747
01:53:22,760 --> 01:53:25,160
Speaker 1: Why He's like, Yo, you're gonna turne on the radio.

1748
01:53:26,880 --> 01:53:30,880
Speaker 1: Flex was just talking for about half an hour straight,

1749
01:53:32,000 --> 01:53:34,639
Speaker 1: just telling people. I think this is where he probably

1750
01:53:34,720 --> 01:53:36,839
Speaker 1: got the YO. If you're on the West side, always

1751
01:53:38,080 --> 01:53:40,439
Speaker 1: if you, if you, if you, if you, if you're

1752
01:53:40,479 --> 01:53:45,519
Speaker 1: doing something right now. It was a different it was

1753
01:53:45,640 --> 01:53:50,519
Speaker 1: a different way right to announce this records. It was

1754
01:53:50,600 --> 01:53:54,400
Speaker 1: so disgust. He was telling this pole over so nigers

1755
01:53:54,439 --> 01:53:58,400
Speaker 1: don't deserve to be driving and still listen to this.

1756
01:54:00,080 --> 01:54:04,680
Speaker 1: So he's like, you're not going to commercial so he

1757
01:54:04,760 --> 01:54:07,719
Speaker 1: sucked up hot night. He's having money on the advertisement side.

1758
01:54:07,760 --> 01:54:11,000
Speaker 1: He's like, y'all listen, I was gonna talk about this

1759
01:54:11,200 --> 01:54:16,200
Speaker 1: record right now. And then he goes, Yo, Nori, I

1760
01:54:16,360 --> 01:54:19,960
Speaker 1: need the hold this. So now everybody you know was

1761
01:54:20,080 --> 01:54:22,880
Speaker 1: listening to Flex. Whenever you play there and drop bombs on,

1762
01:54:23,720 --> 01:54:26,760
Speaker 1: They're like, Yo, that ship better be in my inbox.

1763
01:54:31,000 --> 01:54:38,200
Speaker 1: Everybody's calling me yo, something just record because because Flex

1764
01:54:38,360 --> 01:54:40,840
Speaker 1: is playing my record and saying pick up rob Love.

1765
01:54:41,680 --> 01:54:48,240
Speaker 1: So now that's FLEXI, what's it mean? So did he

1766
01:54:49,200 --> 01:54:53,600
Speaker 1: was on me for the record right So when I

1767
01:54:53,760 --> 01:54:55,880
Speaker 1: was like when they pulled me in the office, Yo,

1768
01:54:56,600 --> 01:55:01,680
Speaker 1: what's up? He's just taking records going the radio. You

1769
01:55:01,760 --> 01:55:05,080
Speaker 1: think I can No, I didn't why because the world

1770
01:55:05,120 --> 01:55:07,280
Speaker 1: needed to hear that record. The world needed to hear

1771
01:55:07,360 --> 01:55:09,800
Speaker 1: what the funk I heard, which was nothing. Now that

1772
01:55:09,880 --> 01:55:14,440
Speaker 1: sounds crazy, hearing nothing but dash it. It was the

1773
01:55:14,920 --> 01:55:19,120
Speaker 1: boy listen to me. Rob looked at me and said,

1774
01:55:19,480 --> 01:55:22,560
Speaker 1: we gotta go tonight. This is I went and played

1775
01:55:22,600 --> 01:55:26,680
Speaker 1: the record for a while and then all the CEOs

1776
01:55:26,800 --> 01:55:30,480
Speaker 1: was like, this is this one? And then Rob Loves

1777
01:55:30,640 --> 01:55:34,640
Speaker 1: came to me and said, listen, funk everybody, we're going

1778
01:55:34,680 --> 01:55:40,080
Speaker 1: to flex tonight. I said sure because we had just

1779
01:55:40,200 --> 01:55:44,160
Speaker 1: got the master back, and Rob said, yes, we're going tonight.

1780
01:55:44,960 --> 01:55:49,400
Speaker 1: Fuck them and I could want of the centil Me

1781
01:55:49,520 --> 01:55:53,640
Speaker 1: and you was both in. He was so in trouble

1782
01:55:53,680 --> 01:56:02,120
Speaker 1: with that. I mean sure that there was no technically,

1783
01:56:02,200 --> 01:56:09,720
Speaker 1: you're definitely I'm getting the definitely blamed it on me.

1784
01:56:10,160 --> 01:56:14,640
Speaker 1: It was my idea, but they never ever ever complained

1785
01:56:14,680 --> 01:56:20,720
Speaker 1: about it. Because it worked and love that thou plus

1786
01:56:20,920 --> 01:56:25,440
Speaker 1: plays on commercial radio. It opened up the budget, the

1787
01:56:25,520 --> 01:56:28,520
Speaker 1: album was scheduled, he went on another tour. The money

1788
01:56:28,840 --> 01:56:34,600
Speaker 1: opened up. We just it was nothing, but we love you,

1789
01:56:34,800 --> 01:56:37,120
Speaker 1: We love you. For I want to take it down

1790
01:56:37,160 --> 01:56:41,400
Speaker 1: Twain notes because this personal actually a personal question. No, no,

1791
01:56:42,040 --> 01:56:45,040
Speaker 1: it's not that serious. Maybe maybe Revolt's not gonna probably

1792
01:56:45,040 --> 01:56:54,560
Speaker 1: air this party but online Virgil, But when when, um,

1793
01:56:55,280 --> 01:56:58,680
Speaker 1: when you hired us to be me to be the

1794
01:56:58,680 --> 01:57:03,840
Speaker 1: street team manage in Miami. Let me let me just yeah,

1795
01:57:03,840 --> 01:57:08,040
Speaker 1: because I'm gonna say, my brother, my younger brother, I'm

1796
01:57:08,120 --> 01:57:10,720
Speaker 1: the old man. We're born on the same day and

1797
01:57:11,080 --> 01:57:16,680
Speaker 1: you know, you know, but definitely w I don't even

1798
01:57:16,720 --> 01:57:20,240
Speaker 1: know where he's going with yeah, we just ship. If

1799
01:57:20,280 --> 01:57:25,240
Speaker 1: it wasn't definitely wasn't ship, so that my boy is

1800
01:57:25,280 --> 01:57:27,240
Speaker 1: good too. I ain't gonna you know, But there's my

1801
01:57:27,360 --> 01:57:29,720
Speaker 1: question because this is I've been debating this in my

1802
01:57:29,920 --> 01:57:32,800
Speaker 1: I don't know where this goes. I know when because

1803
01:57:32,800 --> 01:57:36,640
Speaker 1: I was working the Tommy Boy account when when there

1804
01:57:36,720 --> 01:57:40,200
Speaker 1: was a penalty and when he moved over, he told me,

1805
01:57:40,240 --> 01:57:42,320
Speaker 1: I'm gonna bring you over. I want you to work

1806
01:57:42,560 --> 01:57:46,960
Speaker 1: my ship deaf Jam but also my homie rest in peace,

1807
01:57:47,000 --> 01:57:50,000
Speaker 1: Doc Fresh Yes, and a matter of fact, his birthday

1808
01:57:50,120 --> 01:57:54,840
Speaker 1: is today too. That is my brother. And he told

1809
01:57:54,880 --> 01:58:00,720
Speaker 1: me also, e, I'm gonna give you the account. So

1810
01:58:01,080 --> 01:58:03,320
Speaker 1: so I want to know because it's it's like, I

1811
01:58:03,360 --> 01:58:06,920
Speaker 1: don't know how did it happen? Was it a combination

1812
01:58:07,000 --> 01:58:09,800
Speaker 1: of both? I can tell you yeah, absolutely, I'll tell

1813
01:58:09,800 --> 01:58:12,840
Speaker 1: you exactly what happened. But let me just salute Eugene,

1814
01:58:13,200 --> 01:58:18,240
Speaker 1: Doc Fresh, Robinson and fact green Eyes shut out him,

1815
01:58:18,880 --> 01:58:26,839
Speaker 1: DJ will trust Miami. And the interesting thing about Doc Fresher,

1816
01:58:27,880 --> 01:58:30,640
Speaker 1: he told me he had a rapper fat Man Promotions,

1817
01:58:30,840 --> 01:58:33,840
Speaker 1: his fat Fat Man promotion. He told me he had

1818
01:58:33,880 --> 01:58:36,040
Speaker 1: a rapper that he wanted me to look at because

1819
01:58:36,080 --> 01:58:38,160
Speaker 1: he he knew that he'd be a great fit for

1820
01:58:38,240 --> 01:58:41,720
Speaker 1: death tim And before I can go down and sign

1821
01:58:41,800 --> 01:58:46,240
Speaker 1: floor rider, Doc Fresh passed away. So rest in peace

1822
01:58:46,280 --> 01:58:51,720
Speaker 1: to darc Fresh Fat Man Promotions. But to answer your question, yes,

1823
01:58:52,240 --> 01:58:57,840
Speaker 1: he said to me. He said to me, uh, he

1824
01:58:58,000 --> 01:59:02,000
Speaker 1: said to me, if anybody has a car parked on

1825
01:59:02,120 --> 01:59:11,040
Speaker 1: Fifth Avenue goes down, I got a marathon tomorrows, just

1826
01:59:11,160 --> 01:59:13,920
Speaker 1: talk to me. Let me, let me tell you, let

1827
01:59:13,960 --> 01:59:15,840
Speaker 1: me tell you, let me tell you what happens. It

1828
01:59:15,960 --> 01:59:23,760
Speaker 1: was a combination of freshest approval without a doubt, and

1829
01:59:24,040 --> 01:59:29,200
Speaker 1: definitely you know, because me and Norri were so insnct

1830
01:59:29,560 --> 01:59:34,240
Speaker 1: on what was needed to win. If I needed that

1831
01:59:34,320 --> 01:59:35,920
Speaker 1: a you know what I'm saying, like that was a

1832
01:59:35,960 --> 01:59:38,839
Speaker 1: no brainer. You know, if he was cool and comfortable

1833
01:59:38,880 --> 01:59:41,880
Speaker 1: with you, he was cool and comfortable with me, his

1834
01:59:42,040 --> 01:59:46,000
Speaker 1: people with my people. So that's how it was. So whenever,

1835
01:59:46,760 --> 01:59:50,160
Speaker 1: you know what I'm saying, it was like, yo, who

1836
01:59:50,240 --> 01:59:53,480
Speaker 1: you quit? I rock with here, Fenn. But let me

1837
01:59:53,560 --> 01:59:59,080
Speaker 1: describe that moment. Listen that moment I had. I had

1838
01:59:59,160 --> 02:00:03,440
Speaker 1: the record. I knew the record was crazy. I went

1839
02:00:03,520 --> 02:00:09,120
Speaker 1: to Rob Loves office and I said, Rob, and then

1840
02:00:09,240 --> 02:00:12,200
Speaker 1: Lee all and everybody said, I like to other version.

1841
02:00:14,840 --> 02:00:17,600
Speaker 1: I played it, but now Leo doesn't hear this version.

1842
02:00:18,280 --> 02:00:21,440
Speaker 1: Kevin lives is heard the version, the only version horror.

1843
02:00:21,520 --> 02:00:24,840
Speaker 1: The version is just me and Rob blah. So I

1844
02:00:24,960 --> 02:00:28,120
Speaker 1: come and play. Rob says to me. He looks at me.

1845
02:00:28,240 --> 02:00:31,360
Speaker 1: He says, nobody heard this. I said, nobody heard this.

1846
02:00:32,400 --> 02:00:35,440
Speaker 1: He says, are you ready to love? And I knew

1847
02:00:35,520 --> 02:00:39,000
Speaker 1: he meant we could get a dropped if it doesn't work.

1848
02:00:40,560 --> 02:00:44,120
Speaker 1: If it doesn't work, we can all go down the

1849
02:00:44,800 --> 02:00:49,280
Speaker 1: worst river we ever went down. But he looked at me,

1850
02:00:49,360 --> 02:00:52,040
Speaker 1: he said, you sure you love it. I don't even

1851
02:00:52,080 --> 02:00:55,120
Speaker 1: remember if he actually listened to the record. He looked

1852
02:00:55,160 --> 02:00:59,080
Speaker 1: at me and said this is it, Yeah, this is

1853
02:00:59,120 --> 02:01:07,320
Speaker 1: it Flex to Night. I did not agree with him

1854
02:01:07,480 --> 02:01:10,200
Speaker 1: at all, but I wanted to be like yes. I

1855
02:01:10,320 --> 02:01:14,680
Speaker 1: was like yes, Flex to Night, and we went to

1856
02:01:14,800 --> 02:01:20,400
Speaker 1: Flex one but said I never agree with anything that Rob.

1857
02:01:22,720 --> 02:01:26,600
Speaker 1: That's the first time I'm even telling you, And Rob said,

1858
02:01:26,760 --> 02:01:29,680
Speaker 1: funk that if you believe it. I really did believe

1859
02:01:29,720 --> 02:01:33,240
Speaker 1: in the record. I didn't agree with going to Flex

1860
02:01:33,400 --> 02:01:38,320
Speaker 1: at that moment. And then this after This is the

1861
02:01:38,360 --> 02:01:42,040
Speaker 1: beautiful thing about that record is Flex played it three

1862
02:01:42,160 --> 02:01:45,920
Speaker 1: times and you can tell Flex didn't listen to No

1863
02:01:46,480 --> 02:01:49,280
Speaker 1: three times when he played He just played it. He

1864
02:01:49,440 --> 02:01:52,800
Speaker 1: just going like this, and then the third time he goes,

1865
02:01:53,680 --> 02:01:59,840
Speaker 1: hold up, Rob Nor, you motherfucker's really kind of reck

1866
02:02:02,320 --> 02:02:06,920
Speaker 1: and then he played it for three more hours and

1867
02:02:07,080 --> 02:02:09,560
Speaker 1: they all looked at me and Rob Love prior to

1868
02:02:09,720 --> 02:02:12,880
Speaker 1: that and said, you motherfucker's don't ever come back to

1869
02:02:13,000 --> 02:02:16,040
Speaker 1: the belt. Then I got a question for you, you know.

1870
02:02:17,000 --> 02:02:20,880
Speaker 1: And then after Flex played it sixteen times, it said

1871
02:02:21,360 --> 02:02:26,920
Speaker 1: be in the building, first thing in the wall, because

1872
02:02:26,960 --> 02:02:28,680
Speaker 1: you put your job on the life for me, and

1873
02:02:28,800 --> 02:02:31,280
Speaker 1: I did it every fucking day I walked into that building.

1874
02:02:31,400 --> 02:02:34,560
Speaker 1: Man if if I didn't believe in what I was doing,

1875
02:02:34,960 --> 02:02:38,200
Speaker 1: then I would say, fire me if I didn't believe

1876
02:02:38,640 --> 02:02:43,520
Speaker 1: in you know, the Red Man mascot, and fucking fire me.

1877
02:02:44,240 --> 02:02:47,839
Speaker 1: I'm saying, if I ain't believe in Rapping Shine's Phantom,

1878
02:02:48,640 --> 02:02:52,080
Speaker 1: then fire me. So so all this the ship that

1879
02:02:52,720 --> 02:02:54,640
Speaker 1: I did while I was there, I believe, I really

1880
02:02:54,720 --> 02:02:57,200
Speaker 1: believed in it, and you know, and I stood behind it.

1881
02:02:57,800 --> 02:03:01,680
Speaker 1: But I gotta question for you when you, okay, when

1882
02:03:01,760 --> 02:03:05,320
Speaker 1: you was recording that record, right, because this is kind

1883
02:03:05,360 --> 02:03:10,320
Speaker 1: of hey, it's kind of dumble meaning right, hey, it's

1884
02:03:10,360 --> 02:03:13,800
Speaker 1: called nothing, and then your lyrics were it was about

1885
02:03:13,880 --> 02:03:22,520
Speaker 1: nothing exactly, so so I just thought it was genius.

1886
02:03:23,240 --> 02:03:28,080
Speaker 1: Oh god, no I was. I got ain't got on

1887
02:03:28,160 --> 02:03:31,920
Speaker 1: my nerves. So he told me to do something that

1888
02:03:32,040 --> 02:03:37,280
Speaker 1: I did it and that's it. You gotta relax, tell me,

1889
02:03:37,320 --> 02:03:43,720
Speaker 1: I gotta relax. Tell me. I got your new single,

1890
02:03:43,840 --> 02:03:51,640
Speaker 1: Cayenne Baby, what's up? Make it to the baby? Happy birthday,

1891
02:03:52,480 --> 02:03:56,200
Speaker 1: Rob Love, thank you, appreciate it. I love the dream. Cheers. No,

1892
02:03:56,400 --> 02:03:59,600
Speaker 1: we love you. We love you. We're wrapping up family.

1893
02:03:59,720 --> 02:04:02,520
Speaker 1: We I'm not dead while we're still here in seventeen

1894
02:04:02,600 --> 02:04:06,080
Speaker 1: hours later. We've been here since this o'clock. We're doing

1895
02:04:06,120 --> 02:04:10,120
Speaker 1: what we gotta do Tall TV. We love y'all and

1896
02:04:10,240 --> 02:04:13,240
Speaker 1: this is how we gotta do it. Happy Birthday, one love,

1897
02:04:13,440 --> 02:04:15,720
Speaker 1: and y'all want to take another shot, I'm in. I'm

1898
02:04:22,320 --> 02:04:26,720
Speaker 1: kill next shots were building