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Speaker 1: What are we even doing? Hi, I'm Kyle McLachlin and

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Speaker 1: you're joining us on what are we even Doing? Where

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Speaker 1: we talk with creatives, wonderful creatives in the world of film, art, television,

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Speaker 1: the Internet, and we talk about what they're up to,

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Speaker 1: listening about their creativity, trying to figure out what is

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Speaker 1: going on. And today we have a very special guest.

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Speaker 1: This is Geraldine, this one nothing film actress, Dalmatian Lover

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Speaker 1: Internet Star. We're going to talk about Australia too, if

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Speaker 1: that's okay, because I spent some time there. Oh okay,

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Speaker 1: I did recently. But I want to start off by

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Speaker 1: asking you about the moment where you were like, ah,

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Speaker 1: kind of your aha, this is going to be this

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Speaker 1: is what I should do, This is what I need

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Speaker 1: to do. Did you have one of those or was

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Speaker 1: it a series or tell me a little bit about

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Speaker 1: that first spark that when I caught the bug.

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Speaker 2: The bug, I remember it very clearly.

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Speaker 1: Okay.

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Speaker 2: I was, you know, in fifth grade, and there was

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Speaker 2: there was a play it was what was it? I

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Speaker 2: don't know. I just remember those like penguins in it

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Speaker 2: and I auditioned to be like the lead girl. I

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Speaker 2: didn't get it. And I was like totally cool, awesome,

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Speaker 2: and then they like they're like, okay, you can say

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Speaker 2: like one joke, you can have like one funny line, okay.

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Speaker 2: And I just remember very vividly, like being on stage

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Speaker 2: and it was a joke about how kids watched so

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Speaker 2: much TV. They're always watching TV, and it crushed and

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Speaker 2: I yeah, I was just like okay, I'm addicted to

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Speaker 2: this feeling now. Oopsie.

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Speaker 1: Yeah, yeah, I get that vibe. Like I started on

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Speaker 1: stage as well. So if you have the audience feedback,

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Speaker 1: that immediate feedback, it is such a powerful kind of

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Speaker 1: like wow, you start you're writing this this energy, you

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Speaker 1: know what I mean, and you're like, this is really cool,

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Speaker 1: this is really fun. I want to do that again.

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Speaker 1: So I imagine that. But you were was this when

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Speaker 1: you were you were in school and I was in Australia,

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Speaker 1: Australia at Newcastle, right, yes, yes.

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Speaker 2: Yes, And I think, yeah, you know, also when you're

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Speaker 2: a kid, like I was like the only person of

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Speaker 2: color at the school, and like I think when you're

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Speaker 2: just kind of like what is my place? What is

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Speaker 2: my thing? And then it just sort of like all

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Speaker 2: became really clear in that moment and I was like, Oh,

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Speaker 2: I think this is like my way into communicating with.

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Speaker 1: The Yeah, I want to go back to Australia for

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Speaker 1: just a second, because I was there not too long

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Speaker 1: ago during COVID Actually, oh and did I did a

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Speaker 1: series in Brisbane, but I was in New South Wales,

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Speaker 1: which is where Newcastle is. We quarantined in Sydney there

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Speaker 1: for a couple of weeks in Sydney, hanging out of

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Speaker 1: my hotel room.

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Speaker 2: Okay, which hotel that's a good question because.

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Speaker 1: I can't remember, Okay, but it was it was nice.

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Speaker 1: I had a window, very like not the case for

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Speaker 1: everyone who was.

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Speaker 2: I had a window when I did hotel quarantine, and

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Speaker 2: it was a window looking onto a brick wall.

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Speaker 1: Nice. Create Why did you quarantine? What happened? Were you?

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Speaker 1: What was happening?

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Speaker 2: Well? I also went back, did you at the end

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Speaker 2: of twenty twenty? Okay, I gotta gotta go.

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Speaker 1: Back, Yeah to see family.

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Speaker 2: Yeah.

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Speaker 1: Yeah.

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Speaker 2: And then it was like once you're through the quarantine,

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Speaker 2: it was like perfect heaven.

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Speaker 1: Well, this was the thing because I don't know if

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Speaker 1: Newcastle was the same as Brisbane, but we left Sydney

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Speaker 1: where it was like lockdown, serious. We got to Brisbane.

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Speaker 1: Nobody cared. Yeah, we're like, you're fine, don't worry. Go,

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Speaker 1: you know, go have a drink at a coffee. Nobody there

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Speaker 1: was masks maybe maybe not whatever I said, I said,

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Speaker 1: I love this. This is perfect. Anyway, Brisbane was a

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Speaker 1: lot of fun. So you got a new film this

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Speaker 1: oh oh hi, right, oh hi. And there's some terminology

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Speaker 1: in there that I need a little help with. Okay,

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Speaker 1: there's this soft boy, right, and then there's the f

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Speaker 1: boy fuck boy, right, Like I said, it's okay, it's fine,

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Speaker 1: you're crazy, that's right. I know, that's all right, we're streaming.

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Speaker 1: It's fine. So can you explain a little bit about

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Speaker 1: the the definitions of those two just so I can

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Speaker 1: figure out kind of where I fit in, where you

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Speaker 1: fit in? Yeah, I have a feeling I know where

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Speaker 1: I fit I.

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Speaker 2: Think so too, okay, but absolutely so. I mean the

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Speaker 2: fuck boy we all know, pretty self explained to her. Yeah,

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Speaker 2: he's kind of he's a classic. He's been around for centuries.

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Speaker 1: And then I think, is that someone that you want

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Speaker 1: to be with or someone that you I mean for

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Speaker 1: a period of time?

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Speaker 2: No, okay, I mean it's it's like a ride of passage.

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Speaker 2: It's it's an experience. It's something that you need to

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Speaker 2: be able to understand and locate in the wild for

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Speaker 2: your safety.

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Speaker 1: So you recognize the spots or the stripes or the

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Speaker 1: particular hair.

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Speaker 2: Pattern that's right, exactly right.

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Speaker 1: Is it a warning? Is it like stay away or

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Speaker 1: approach with caution?

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Speaker 2: Approach with Yeah? Is this the experience that you're seeking. No,

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Speaker 2: you're just like adjust your expectations.

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Speaker 1: Okay, okay, yes, so he was so when you go

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Speaker 1: into the forest, yeah, you have to check the map

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Speaker 1: before you watch out for these venomous snakes. Yeah. Well,

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Speaker 1: Australia just pretty much everything is.

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Speaker 2: An animal exactly. It's true in Australia, you're looking out

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Speaker 2: for snakes, spiders, and fuck boys.

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Speaker 1: Right. I was gonna say that's so that's a common concern.

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Speaker 2: Yeah, No, it's they're rampage right, Okay, very good.

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Speaker 1: And then the other one, Softboy, I'm sort of imagining

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Speaker 1: actually describe for me because maybe there's more to it

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Speaker 1: than I think.

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Speaker 2: Yeah. Right, So the Softboy is kind of a more

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Speaker 2: it's a it's a modern kind of it's a branch

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Speaker 2: off of that tree where it's like, you know, you

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Speaker 2: can learn the speak. You can learn therapy talk. You

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Speaker 2: can like wear an earring, you can like, you know,

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Speaker 2: be like I'm sensitive, I'm different. You can listen to

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Speaker 2: the right music, you're kind of it's it's wolf in

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Speaker 2: sheep's clothing basically.

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Speaker 1: Okay and okay, so it's still you still have to have.

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Speaker 2: A watchful that's right, And that's even more insidious because

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Speaker 2: you're kind of you know, we've been trained to you know,

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Speaker 2: you search for certain things when you're in the forest.

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Speaker 2: But now it's like, well, is it is it? Yeah?

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Speaker 2: Friendly animal? Like can I approach It's it's hard to say,

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Speaker 2: and it's kind of you know, and then you're kind

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Speaker 2: of six months in and you're like.

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Speaker 1: Whoa, yeah, suddenly that yeah, they reveal the big reveal, the.

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Speaker 2: Reveal of their true self, and it's kind of like, oh,

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Speaker 2: I wish you were just up front, Like I wish

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Speaker 2: I had just known from the stop that you were

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Speaker 2: a venms snake.

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Speaker 1: That's so interesting. Very sensitive people's you know, feelings and

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Speaker 1: the take for the most part, you know what I mean, Like, yeah,

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Speaker 1: I'm trying to like, hey, I'm trying to vibe with you. Yeah,

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Speaker 1: I think as an actor, I think it's just something

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Speaker 1: that you do. I often talk about how maybe you're

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Speaker 1: the same when you come to a set, right and

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Speaker 1: you're gonna like you're doing a scene, maybe you're working

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Speaker 1: with Will or you're working with Will Ferrell. For people

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Speaker 1: who don't love that, yeah, yeah, because you're working with

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Speaker 1: Julia Luis Dreyfus as well to two people that I

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Speaker 1: admire tremendously, very top of the game. So you come

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Speaker 1: in and you're like, how do you prepare? What do

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Speaker 1: you do you consciously think of, like are you nervous

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Speaker 1: going in? Are you like you know what, I'm just

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Speaker 1: going to go in? What's the feeling and what do

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Speaker 1: you get back from them?

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Speaker 2: The feeling is is fear. Yes, it's full. I mean

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Speaker 2: I'm nervous talking to you. It really is crazy kind

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Speaker 2: of being in a room with your heroes. Yeah, but

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Speaker 2: I learned it's true. But I learned early on a trick,

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Speaker 2: which is that you imagine telling the person you're like

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Speaker 2: a little secret, right, and you visualize it. And I

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Speaker 2: feel like I learned this early on when like I

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Speaker 2: had to do a chemistry with Daniel Radcliffe for this

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Speaker 2: show A Miracle Workers that I was on and I

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Speaker 2: pictured myself telling him that I'm wearing like my most

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Speaker 2: disgusting pair of underwear right and totally helped, like it

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Speaker 2: was good, like and him just being like hah right,

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Speaker 2: like you're crazy girl, let's do the scene. So I

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Speaker 2: think little tricks like that. But then I also think

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Speaker 2: I feel really lucky, like everybody's been so great. I

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Speaker 2: haven't had any like don't meet your heroes, Yeah moments,

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Speaker 2: that's good. So it's they're always, you know, like very

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Speaker 2: disarming and like quickly kind of make you feel at

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Speaker 2: a's and like, yeah, you just go your sweet dad.

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Speaker 1: I think that's I know what you mean though, because

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Speaker 1: I think as an actor, when you step into something

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Speaker 1: like chemistryes are really tough to because there's an expectation

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Speaker 1: there like will it work or will it not work.

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Speaker 1: If you're going in to do a scene with someone,

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Speaker 1: it's like we've already doing this, so we have to

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Speaker 1: find common ground. And I think my experience has been

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Speaker 1: for the most part, like you said that the people

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Speaker 1: actors in particular, we're immediately trying to find common ground. Yeah,

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Speaker 1: trying to find a connection. True, That's why it's we're like, hey,

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Speaker 1: just meeting Hey, hugging, how are you? What's going on?

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Speaker 1: Merely trying to connect as many lines as we can

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Speaker 1: between as little threads, you know, because those are what

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Speaker 1: we're gonna need when we take the next step into

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Speaker 1: the scene and suddenly you're like you're breaking down because

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Speaker 1: of something that's happened, or they're telling you something very personal,

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Speaker 1: or you're sharing a laugh, whatever it is, and you

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Speaker 1: have to be comfortable and at ease to be able

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Speaker 1: to do that. So I think that realax state is

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Speaker 1: so so important. And I think both of them. I

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Speaker 1: don't know, Julie. I mean, I know I've met Will,

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Speaker 1: spend a little bit of time with Will say he's

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Speaker 1: so kind and so available, you know, and I think

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Speaker 1: that's that's kind of what you're talking about. I think

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Speaker 1: is so important. Yeah, to find that common ground.

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Speaker 2: Yeah, no, completely, And I feel like, yeah, they get

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Speaker 2: to it quickly.

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Speaker 1: Yeah, I mean because you had some stuff with Will.

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Speaker 1: I mean, there was a lot of some you knockdown,

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Speaker 1: drag out stuff there that was really great. And to

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Speaker 1: be able to do that, because I think it the

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Speaker 1: same way, like let's say I'm going to go in

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Speaker 1: and I'm going to work with somebody who you know.

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Speaker 1: I'm like, oh my god, yeah, you know, who has

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Speaker 1: that been for you?

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Speaker 2: I'm curious.

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Speaker 1: I did something with Anthony Hopkins that was and he

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Speaker 1: was as you would imagine, as you would hope, huh, kind,

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Speaker 1: gentle available in the scene, no judgment, connecting, you know,

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Speaker 1: And I'm like, oh, you know, it's because it's such

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Speaker 1: a relief because then you can I can't go, I

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Speaker 1: can just do what I need to do, and then

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Speaker 1: he'll do what he does, and then suddenly we're, you know,

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Speaker 1: back and forth, we're ping ponging back and forth, you know.

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Speaker 1: But he was someone that I was really nervous to meet.

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Speaker 1: That's cool, it was good. We spent a couple of

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Speaker 1: days in a little church in outside Prague, in Koot

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Speaker 1: and the Horda doing this scene. At night. The two

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Speaker 1: of us were sitting in this giant sanctuary, was completely

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Speaker 1: black outside, and we had like a little heater and

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Speaker 1: two chairs and we basically just did impersonations back and forth.

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Speaker 1: He did a wonderful David Lynch because of course he

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Speaker 1: was in the Elephant Man, so he would do David.

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Speaker 1: I would do David. Then he did Clark Gable, his

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Speaker 1: Clark Gable was truly amazing. So we were we just

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Speaker 1: doing these crazy things back and forth just to pass

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Speaker 1: the time, you know, And I was like, that's a

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Speaker 1: memory I'll never I'll never forget.

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Speaker 2: Wow.

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Speaker 1: Yeah it was really fun.

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Speaker 2: That's bizarre. Yeah, like a dream.

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Speaker 1: So I would be continuing to work with Julia Louisa

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Speaker 1: because she's so funny. Yeah, she's so fast, but you're

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Speaker 1: fast too, I don't know. I think so thank you're

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Speaker 1: pretty quick.

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Speaker 2: She's she's the queen, she's the best. She's amazing, right, yeah, yeah,

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Speaker 2: she's so smart.

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Speaker 1: Ther thing I like about her that I like about

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Speaker 1: you as a song goes what I like about you

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Speaker 1: is how do I describe it? Like you you jump?

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Speaker 1: You jump in. I can tell because I was thinking,

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Speaker 1: you know, everyone talks to you about that Dalmatian moment

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Speaker 1: on the carpet. Now, yeah that's a jump moment. But

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Speaker 1: I said, I was like, okay, that's fine, Like, tell

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Speaker 1: me what happened. I don't know what happened about it.

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Speaker 1: I want to know about the person that made the

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Speaker 1: decision to do that that you saw the he said

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Speaker 1: this that works, that works, I'm going to do this

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Speaker 1: in a moment that a lot of people would be like,

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Speaker 1: oh my god, I'm on the carpet. I can't you know,

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Speaker 1: I don't want to stress. I don't want to try

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Speaker 1: something that might not work because it might fall on

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Speaker 1: my face. But it seems like you're okay trying stuff

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Speaker 1: even if potentially you fall on your face, because because

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Speaker 1: you have the confidence to be able to take it

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Speaker 1: to the next place.

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Speaker 2: Yeah, I mean yeah. The Dalmatians moment was so we

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Speaker 2: were just like at the AMC at the grove and

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Speaker 2: I was kind of wearing an already insane fit self

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Speaker 2: styled I went, I went to the store, I got

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Speaker 2: the thing. I was like, it's insane. I love it.

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Speaker 2: And then when we got there and then the Dalmatians

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Speaker 2: were there, and yeah, I was with my manager at Priya,

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Speaker 2: who's incredible, and we just kind of looked at the door.

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Speaker 2: You both were like we both were like should we

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Speaker 2: And I was like yeah. It just truly was like

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Speaker 2: a Kismet moment. I also love dogs and just it's important,

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Speaker 2: you know. I was like, they found me. Yeah, it

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Speaker 2: just felt magical, and and then it just sort of

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Speaker 2: became like high drag like kind of was like, you know.

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Speaker 1: They were behaving very well.

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Speaker 2: Right, Yeah, I actually found out that they're Hollywood dogs.

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Speaker 1: Hollywood dogs. Well they know, they know they were there

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Speaker 1: and that was their big moment. And now they have

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Speaker 1: their I don't know if they have their own show

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Speaker 1: now it's been off. They do, yeah, yes, so maybe

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Speaker 1: they'll have you, have you back. I'd be really you

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Speaker 1: could be on the.

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Speaker 2: I would love that. I'd be honored.

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Speaker 1: Well, you've met not only a chiropractor, but you've met

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Speaker 1: the Wrizzler.

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Speaker 2: Yes, you got to get him on? Yeah.

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Speaker 1: Yeah, he's an interesting he's an interesting fellow. What's what's

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Speaker 1: the story with that? What's this that I would like

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Speaker 1: the Wrizzler? I think I know of the Wrizzler because

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Speaker 1: again my son, right, but I'm curious as to his

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Speaker 1: whole stick. Did you know him before or did you

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Speaker 1: just meet him, like at the event.

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Speaker 2: They warned me that he would attend because they knew

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Speaker 2: that I would lose my mind.

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Speaker 1: Okay, oh so you're Wristler fan? Yeah, okay, okay, I

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Speaker 1: feel sort of like inadequate. I think I'm going to

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Speaker 1: have to do some Rizzler to research.

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Speaker 2: Well, I mean, I just I love his vibe and

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Speaker 2: I just was like, that is so random, like for

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Speaker 2: this Thunderbolts premiere, but but okay, absolutely, And I made

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Speaker 2: a point. I was like, I need one on one

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Speaker 2: restler time because I knew that they were just going

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Speaker 2: to try and make it a group thing. And I

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Speaker 2: was like, no, no, no, yeah, you knew what you wanted. Yeah,

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Speaker 2: And to watch it, to watch it in person was

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Speaker 2: really something, you know, without the kind of the film

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Speaker 2: of the screen. But my favorite part was watching Julia

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Speaker 2: interact with they both. I don't think who they were.

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Speaker 1: I don't feel so bad. Who's this kid?

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Speaker 2: Yeah?

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Speaker 1: Pressed up because he wasn't he dressed up like David Harber's.

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Speaker 2: Yeah, he was like, I'm the Red Guardian's body double. Yeah,

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Speaker 2: that was his thing. He just kind of yeah sure.

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Speaker 2: He just kept saying, that's.

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Speaker 1: A smaller version version.

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Speaker 2: Yeah, yeah, yeah.

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Speaker 1: David Harvard is a big guy.

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Speaker 2: Yeah yeah, yeah, so but yeah, he I could just

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Speaker 2: put him in my little pocket.

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Speaker 1: Yeah. Oh cute, it's cute. Is he fast? Is he quick?

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Speaker 1: Because he' sharp? Is he funny?

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Speaker 2: He's he's pretty fast.

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Speaker 1: He's got yeah, he's got a brown yeah.

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Speaker 2: Yeah, okay, I mean the way that the way that.

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Speaker 1: He knows the whole thing. He got a whole like thing.

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Speaker 2: Right, Yeah, I mean it's it's seamless, it's really okay, Yeah,

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Speaker 2: he's locked in.

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Speaker 1: Okay, his dance moves are eight number one truly, but

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Speaker 1: you don't stop. So you have this thing that I

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Speaker 1: was reading about where you're possibly doing a plane role

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Speaker 1: that of Merle Oberon, who is fascinating.

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Speaker 2: Yeah.

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Speaker 1: Do you know I know a little bit about her,

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Speaker 1: primarily because of Wuthering Heights.

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Speaker 2: Yeah.

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Speaker 1: She had a very interesting I think she was married

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Speaker 1: for it.

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Speaker 2: Yeah.

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Speaker 1: Yeah, so you know, there's this is a complicated, interesting

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Speaker 1: person that I don't think many people know, and also

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Speaker 1: had a tragedy in the early part of her career.

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Speaker 1: She had a car accident I think and affected her.

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Speaker 1: So are you developing this? Did this come to you?

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Speaker 1: How did yes? Yeah, okay, I am.

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Speaker 2: I got the rights to Mayuksen's book. Yes, and he

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Speaker 2: has sort of yeah, been researching mel has just like

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Speaker 2: really this is like the definitive kind of biography of

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Speaker 2: her life. And he's been talking to her family and

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Speaker 2: it's really incredible and her life is just so insane

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Speaker 2: but triumphant and like she really came from poverty in

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Speaker 2: India and like created this self and became like Hollywood

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Speaker 2: starlet and went to the Oscars with clock Able and like, yeah,

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Speaker 2: just a fascinating person. But then also as we were

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Speaker 2: kind of talking about had like the successive Weathering heights

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Speaker 2: she was at the Oscars, but then it was also know,

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Speaker 2: kind of a letdown from there, and like just so

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Speaker 2: really lucky to be able to kind of consider telling

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Speaker 2: her story. Now, I'm so proud of my heritage and

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Speaker 2: like she couldn't be. It's just like, yeah, a really

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Speaker 2: crazy story.

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Speaker 1: That's a nice Yeah, that's a nice thing. Depending on

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Speaker 1: you were talking about when you started, when you're growing

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Speaker 1: up in a town, in a school where you were

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Speaker 1: you're the only person of color. Yeah, that's got its

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Speaker 1: own challenges and yeah, how do you fit in? And

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Speaker 1: how does that feel? And I think in some ways,

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Speaker 1: I don't know if you did fit in or not

364
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Speaker 1: fit in or you struggle with that, but it not

365
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Speaker 1: fitting in is it really can be a tremendous source

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Speaker 1: of pain, of course, and creativity because you have to fight,

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Speaker 1: you have totally yes, and that demands you to be

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Speaker 1: you know, overcome stuff. And I don't know if you

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Speaker 1: were your parents, did they? How they must have been supportive?

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Speaker 1: But tell me, tell me about that. I love that

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Speaker 1: your mom's a TikTok fan first of all.

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Speaker 2: That.

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Speaker 1: Oh yeah, that's very fun.

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Speaker 2: Have you seen her TikTok?

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Speaker 1: I've seen I've seen her. I saw the video when

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Speaker 1: she's scrolling and she's talking about how she's.

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Speaker 2: A oh yeah, yeah, yeah, yeah, I seen her TikTok.

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Speaker 2: Oh yeah, I got the TikTok followed from you last night.

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Speaker 2: Pretty exciting.

380
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Speaker 1: Yep, yep, and did some research.

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Speaker 2: Oh okay, okay, period. No, your TikTok's unbelievable right here, Okay, you.

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Speaker 1: Guys you can blame them. Yeah, and Ben Ben's not here, well.

383
00:18:26,760 --> 00:18:29,840
Speaker 2: Sure, your son he's outside. Is TikTok manager?

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Speaker 1: He my son?

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Speaker 2: Yeah?

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Speaker 1: Oh he he No.

387
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Speaker 2: No.

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Speaker 1: I check in with him occasionally, though. I just say, oh,

389
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Speaker 1: are you are you is cringing? Are you cringey? It's

390
00:18:40,280 --> 00:18:45,000
Speaker 1: this cringing right cringe, I'm making your life more difficult.

391
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Speaker 1: And he said, no, it's okay, it's all good.

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Speaker 2: Huh.

393
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Speaker 1: So I think his his friends kind of accepted the

394
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Speaker 1: fact that I that I do that, because he's seventeen.

395
00:18:52,560 --> 00:18:55,280
Speaker 1: In that world, you know, right, So it's okay, does

396
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Speaker 1: he ever go no, dad, Oh, but he doesn't say

397
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Speaker 1: it to me. I'm sure he does. I'm sure he does.

398
00:19:01,800 --> 00:19:05,720
Speaker 1: But but he's like whatever. He's pretty easy going, okay,

399
00:19:06,040 --> 00:19:08,840
Speaker 1: which is which is cool. That's yeah, that's pretty cool.

400
00:19:08,920 --> 00:19:09,360
Speaker 2: That's rare.

401
00:19:09,480 --> 00:19:14,640
Speaker 1: But but were your your parents were of that work

402
00:19:15,160 --> 00:19:17,480
Speaker 1: growing up with supportive of what you were doing, of

403
00:19:17,520 --> 00:19:19,920
Speaker 1: your you know, you're like I want to do this.

404
00:19:20,280 --> 00:19:24,359
Speaker 2: Yes, they I'm so lucky. They were very supportive, I

405
00:19:24,400 --> 00:19:28,960
Speaker 2: think because both of them I think really wanted to

406
00:19:29,000 --> 00:19:33,280
Speaker 2: do it and like my yeah, my dad had to

407
00:19:33,280 --> 00:19:36,760
Speaker 2: be a doctor. But or like you know, there's there's

408
00:19:36,760 --> 00:19:41,080
Speaker 2: a couple of paths when you're like, yeah, he moved

409
00:19:41,080 --> 00:19:43,840
Speaker 2: to Australia when he was quite young, when he was

410
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Speaker 2: like six.

411
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Speaker 1: But oh my gosh, so his parents. The expectations from

412
00:19:47,040 --> 00:19:49,719
Speaker 1: his parents gram parents, Yes, you're going to do this.

413
00:19:49,960 --> 00:19:52,360
Speaker 2: Yeah you got the classic pub.

414
00:19:52,320 --> 00:19:54,840
Speaker 1: I got it. That was my dad and his father's

415
00:19:55,160 --> 00:19:57,280
Speaker 1: relationship as well. Oh really yeah he's going to be

416
00:19:57,320 --> 00:20:00,840
Speaker 1: a lawyer. Okay, so but this but with you, he

417
00:20:00,960 --> 00:20:03,639
Speaker 1: was like, well he practiced law for a couple of

418
00:20:03,680 --> 00:20:05,119
Speaker 1: years and he was like, I'm done with this I

419
00:20:05,160 --> 00:20:06,560
Speaker 1: want to be. I want I want to go into business,

420
00:20:06,560 --> 00:20:09,840
Speaker 1: to be a stockbroker. And he'd stopped lawyering and okay,

421
00:20:10,000 --> 00:20:12,040
Speaker 1: and his dad didn't talk to him for a couple

422
00:20:12,040 --> 00:20:14,160
Speaker 1: of years, like a big but I wasn't really aware

423
00:20:14,160 --> 00:20:16,359
Speaker 1: of but a big deal in the family, right, But

424
00:20:16,400 --> 00:20:18,639
Speaker 1: he went off and did what he ultimately what he

425
00:20:18,680 --> 00:20:21,119
Speaker 1: wanted to do. And so when we were coming up

426
00:20:21,119 --> 00:20:23,920
Speaker 1: as kids, he was like, they were like supportive as well.

427
00:20:24,080 --> 00:20:26,240
Speaker 1: I mean they were, they were cautious. You know, it's

428
00:20:26,280 --> 00:20:29,280
Speaker 1: like I think they really were hoping. But but it

429
00:20:29,359 --> 00:20:30,919
Speaker 1: was so obvious when I was a kid that that

430
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Speaker 1: this is what I was supposed to do, not to me,

431
00:20:33,440 --> 00:20:36,320
Speaker 1: to them, especially my moms, like we got an actor

432
00:20:36,320 --> 00:20:40,399
Speaker 1: in the family. Yeah, that they were okay, and you

433
00:20:40,440 --> 00:20:41,080
Speaker 1: felt the same.

434
00:20:41,680 --> 00:20:46,040
Speaker 2: Yeah, Like my my dad is such a rebel. I

435
00:20:46,040 --> 00:20:49,520
Speaker 2: think he you know, loves Steve Jobs and like people

436
00:20:49,560 --> 00:20:51,800
Speaker 2: who dropped out of university and did their own things.

437
00:20:52,000 --> 00:20:53,840
Speaker 2: So he was like, you drop out a school girl,

438
00:20:54,200 --> 00:20:58,960
Speaker 2: you go to la really do it your way, yeah, sweetie.

439
00:20:59,400 --> 00:21:00,000
Speaker 1: Yeah.

440
00:21:00,320 --> 00:21:04,160
Speaker 2: So I was like, Okay, it was really really cool,

441
00:21:04,280 --> 00:21:07,520
Speaker 2: Like I know how lucky it is to have that,

442
00:21:07,840 --> 00:21:10,080
Speaker 2: and it's like one of the best parts of this.

443
00:21:10,200 --> 00:21:13,280
Speaker 2: Like they're so excited about everything, so getting to like

444
00:21:13,800 --> 00:21:18,600
Speaker 2: share that with them is such a treat because yeah,

445
00:21:18,680 --> 00:21:20,520
Speaker 2: now my dad was a doctor his whole life, but

446
00:21:20,600 --> 00:21:24,720
Speaker 2: now he's like semi retired and he's screenwriting. He's like,

447
00:21:24,800 --> 00:21:28,000
Speaker 2: good for him. Yeah, he's written a script. So I'm

448
00:21:28,320 --> 00:21:31,280
Speaker 2: he's like finally got the time space to really do

449
00:21:31,359 --> 00:21:34,359
Speaker 2: what he wants to do, which is really nice.

450
00:21:34,680 --> 00:21:39,160
Speaker 1: Yeah. Yeah, it's contributing to him, you know, expanding him,

451
00:21:39,200 --> 00:21:40,800
Speaker 1: you know what I mean. Yeah, you do something that

452
00:21:40,840 --> 00:21:42,800
Speaker 1: he'd always loved to do. Yes, I wanted to do

453
00:21:42,880 --> 00:21:43,400
Speaker 1: I think.

454
00:21:43,320 --> 00:21:45,520
Speaker 2: Yeah, and he can. It's like giving him tools to

455
00:21:45,600 --> 00:21:48,359
Speaker 2: like look back on his life too. And then my

456
00:21:48,480 --> 00:21:51,159
Speaker 2: mom is just like such a star. And you know,

457
00:21:51,320 --> 00:21:53,760
Speaker 2: my sister and I we make tiktoks for her. She's

458
00:21:53,800 --> 00:21:57,320
Speaker 2: gone very viral. Actually, yeah, she has like ten ten

459
00:21:57,359 --> 00:21:59,400
Speaker 2: million views on Oh my God.

460
00:21:59,520 --> 00:22:03,720
Speaker 1: Yeah, I'm gonna start following follow me. Yeah, but I'll

461
00:22:03,720 --> 00:22:05,240
Speaker 1: follow her and then maybe she'll follow.

462
00:22:05,200 --> 00:22:07,320
Speaker 2: Yeah yeah, yeah, She'll be like who is this?

463
00:22:07,640 --> 00:22:10,800
Speaker 1: Yeah, this guy he's stocking.

464
00:22:10,400 --> 00:22:14,320
Speaker 2: Me, keeps waving at me in the chat. My sister

465
00:22:14,320 --> 00:22:16,000
Speaker 2: and I will just like go through her camera role

466
00:22:16,040 --> 00:22:18,160
Speaker 2: and be like i's gotta go on TikTok.

467
00:22:18,480 --> 00:22:21,480
Speaker 1: So she has an eye like when she she doesn't.

468
00:22:21,880 --> 00:22:25,960
Speaker 2: Yeah, she like kind of doesn't even know how iconic

469
00:22:26,040 --> 00:22:28,440
Speaker 2: she is. So my sister and I have to kind

470
00:22:28,440 --> 00:22:30,159
Speaker 2: of come in and we edit and we put the

471
00:22:30,480 --> 00:22:33,040
Speaker 2: put the song on and the and then it's like

472
00:22:33,119 --> 00:22:33,880
Speaker 2: she's your song.

473
00:22:33,920 --> 00:22:37,399
Speaker 1: Game, by the way, is genius. It's very strong. Wow,

474
00:22:37,480 --> 00:22:40,640
Speaker 1: it really covers a lot of different genres and territory. Yeah,

475
00:22:40,720 --> 00:22:41,439
Speaker 1: so that's one.

476
00:22:41,280 --> 00:22:43,320
Speaker 2: Thing I do know interesting, Oh, thank you. That means

477
00:22:43,359 --> 00:22:43,600
Speaker 2: a lot.

478
00:22:43,840 --> 00:22:45,760
Speaker 1: I think your mom is one of those people that

479
00:22:45,880 --> 00:22:48,960
Speaker 1: is inadvertently funny. Yes, she's like she doesn't really realize

480
00:22:48,960 --> 00:22:53,359
Speaker 1: she's just funny because timing in a sense of I

481
00:22:53,400 --> 00:22:55,440
Speaker 1: don't know, she's right.

482
00:22:55,680 --> 00:22:58,440
Speaker 2: There's no one else like her like she just it's

483
00:22:58,440 --> 00:22:59,080
Speaker 2: just who she is.

484
00:22:59,320 --> 00:23:00,800
Speaker 1: Yeah, she's just like.

485
00:23:01,640 --> 00:23:02,920
Speaker 2: An alien in the best way.

486
00:23:03,119 --> 00:23:07,000
Speaker 1: Yes, And well you're but I think that you. I

487
00:23:07,000 --> 00:23:08,880
Speaker 1: don't know your parents, but you seem like a great

488
00:23:08,920 --> 00:23:11,880
Speaker 1: combination of your dad's sort of utsbah and out there

489
00:23:12,400 --> 00:23:15,960
Speaker 1: and just your mom's in a sense of comedy, it's

490
00:23:15,960 --> 00:23:18,720
Speaker 1: in there that you follow. So you have a really

491
00:23:18,800 --> 00:23:20,640
Speaker 1: nice that's a nice.

492
00:23:20,720 --> 00:23:22,600
Speaker 2: Mix I think of the two little hybrid.

493
00:23:22,760 --> 00:23:25,960
Speaker 1: You're a hybrid of my parents. Imagine that as it

494
00:23:26,080 --> 00:23:30,560
Speaker 1: should be in an ideal world. Well, that's cool. I'm

495
00:23:30,560 --> 00:23:34,800
Speaker 1: really excited about the merle Oberon. Learn more about her,

496
00:23:35,119 --> 00:23:38,120
Speaker 1: portray her because that's a complex first, that's a that's

497
00:23:38,119 --> 00:23:40,400
Speaker 1: a that's a good story and a period of time,

498
00:23:40,440 --> 00:23:42,560
Speaker 1: and people don't really know her. She's kind of you know,

499
00:23:42,760 --> 00:23:45,680
Speaker 1: like you know of her. And the name Come on,

500
00:23:46,200 --> 00:23:50,960
Speaker 1: ob I mean, that's that's ridiculous, I know it real

501
00:23:51,040 --> 00:23:51,720
Speaker 1: Do you think.

502
00:23:54,400 --> 00:23:55,760
Speaker 2: Her name was Queenie Thompson.

503
00:23:56,359 --> 00:23:59,000
Speaker 1: That's right, yeah, Queenie Thompson.

504
00:23:59,680 --> 00:24:03,960
Speaker 2: Yeah. And get this her she was buried like ten

505
00:24:04,000 --> 00:24:06,879
Speaker 2: minutes from my house in Glendale, So I went and

506
00:24:06,880 --> 00:24:07,160
Speaker 2: had to.

507
00:24:07,119 --> 00:24:12,399
Speaker 1: Look, no kidding, hey girl, did you bring a flower? Yes?

508
00:24:14,840 --> 00:24:16,720
Speaker 1: But that I will got her blessing.

509
00:24:17,320 --> 00:24:22,199
Speaker 2: I I yeah, kind of you know, or I just

510
00:24:22,320 --> 00:24:25,320
Speaker 2: was like I was, Yeah, it was crazy seeing it

511
00:24:25,600 --> 00:24:28,960
Speaker 2: in real life like that, and just being like, God,

512
00:24:29,080 --> 00:24:33,680
Speaker 2: isn't time so weird? Like I'm in I'm in this time.

513
00:24:33,720 --> 00:24:35,040
Speaker 2: She was in that time? You know what I mean?

514
00:24:35,160 --> 00:24:37,119
Speaker 1: I do know what you mean. I sometimes have this

515
00:24:37,200 --> 00:24:42,359
Speaker 1: weird this theory. Well anyway, well it's that. Then it

516
00:24:42,480 --> 00:24:45,879
Speaker 1: used to be like in small towns, you have the

517
00:24:45,960 --> 00:24:47,960
Speaker 1: church right in the middle of the town or close by,

518
00:24:48,000 --> 00:24:50,600
Speaker 1: and that would be the cemetery be right there. So

519
00:24:50,640 --> 00:24:53,000
Speaker 1: if you're living in a small town, you sort of

520
00:24:53,240 --> 00:24:57,359
Speaker 1: interact in some ways with the cemetery. There's a constant

521
00:24:57,400 --> 00:25:03,240
Speaker 1: reminder that this journey has an end right in this life, right,

522
00:25:04,320 --> 00:25:06,760
Speaker 1: And I feel like we've sort of moved all of

523
00:25:06,760 --> 00:25:10,840
Speaker 1: our reminders outside and away, so we don't have that

524
00:25:10,960 --> 00:25:12,160
Speaker 1: reminder anymore.

525
00:25:12,440 --> 00:25:12,840
Speaker 2: Yeah.

526
00:25:12,840 --> 00:25:16,720
Speaker 1: Oh wait, wait, I gotta I gotta get busy, you

527
00:25:16,760 --> 00:25:19,560
Speaker 1: know what I mean, right, because this, this place, this

528
00:25:19,640 --> 00:25:23,679
Speaker 1: does stop, you know, And so whenever I visit, like

529
00:25:24,680 --> 00:25:30,720
Speaker 1: I recently entered my dad with his wife. Finally he

530
00:25:30,880 --> 00:25:33,720
Speaker 1: was floating around in a box for a while, I mean,

531
00:25:33,760 --> 00:25:37,560
Speaker 1: my brother's but he's now laid to rest, and it's like,

532
00:25:38,000 --> 00:25:40,640
Speaker 1: you know, you're like you're in a place where it's

533
00:25:40,680 --> 00:25:42,840
Speaker 1: peaceful and it's lovely and it's wonderful, but it's like

534
00:25:43,840 --> 00:25:46,479
Speaker 1: this is ultimately where we're all going to end up,

535
00:25:46,560 --> 00:25:48,959
Speaker 1: you know. Yeah, And just to keep that in mind,

536
00:25:49,280 --> 00:25:51,680
Speaker 1: I think, because I think we sort of we lose that,

537
00:25:51,920 --> 00:25:54,440
Speaker 1: not not the macabre sense of it, but just like, yes,

538
00:25:54,640 --> 00:25:58,240
Speaker 1: let's let's live a reminder to live while we're here.

539
00:25:58,400 --> 00:26:02,720
Speaker 2: Yes, a lot of spiritual teachers and stuff say like

540
00:26:02,760 --> 00:26:05,200
Speaker 2: that is the first thing that you should think about

541
00:26:05,240 --> 00:26:09,640
Speaker 2: in the morning. It's like you will die and then

542
00:26:09,680 --> 00:26:11,600
Speaker 2: that kind of But to me, that's sort of the

543
00:26:11,720 --> 00:26:13,720
Speaker 2: lightens the load of the rest of the day, where

544
00:26:13,720 --> 00:26:14,160
Speaker 2: you're like.

545
00:26:14,920 --> 00:26:17,200
Speaker 1: Okay, if that's the worst that can happen, what the hell.

546
00:26:18,840 --> 00:26:19,200
Speaker 2: The day?

547
00:26:19,400 --> 00:26:21,720
Speaker 1: I gotta go talk to Kyle. Know how bad can

548
00:26:21,720 --> 00:26:22,000
Speaker 1: it be?

549
00:26:22,119 --> 00:26:26,439
Speaker 2: I can die happy, no problem. I love that. I

550
00:26:26,440 --> 00:26:30,000
Speaker 2: think that's okay. No, I think that that's so, that's

551
00:26:30,040 --> 00:26:30,639
Speaker 2: so true.

552
00:26:30,880 --> 00:26:33,000
Speaker 1: Okay, So we did. We talked about life and death,

553
00:26:33,000 --> 00:26:34,920
Speaker 1: didn't we We did. These are the serious things that

554
00:26:34,960 --> 00:26:36,399
Speaker 1: we need to discuss. But I have a game that

555
00:26:36,400 --> 00:26:39,199
Speaker 1: i'd also like in place not life and death close

556
00:26:39,359 --> 00:26:40,760
Speaker 1: and we're going to get back to that. That's that's

557
00:26:40,760 --> 00:26:42,960
Speaker 1: my That's that's our next statement. That's our next statement.

558
00:26:43,000 --> 00:26:45,600
Speaker 1: I can describe what it is, but I'm looking on

559
00:26:45,640 --> 00:26:49,439
Speaker 1: my I'm looking at my cards, these huge cards. But

560
00:26:49,480 --> 00:26:51,720
Speaker 1: we're gonna get Oh here it is, I know, right,

561
00:26:52,520 --> 00:26:56,760
Speaker 1: are enormous. That's my eyesight. That's the problem. There's only

562
00:26:56,800 --> 00:27:00,320
Speaker 1: six words on each card, so I can really just

563
00:27:00,359 --> 00:27:03,120
Speaker 1: flying through that. But we're gonna talk about but we'll

564
00:27:03,119 --> 00:27:04,480
Speaker 1: come back with us because we're gonna have this fun

565
00:27:04,480 --> 00:27:06,560
Speaker 1: game about horses. Because I know you're a horse person.

566
00:27:06,840 --> 00:27:12,280
Speaker 1: You really love horses. I have questions about horses. Okay,

567
00:27:12,640 --> 00:27:14,640
Speaker 1: ladies and gentlemen, boys and girls, you heard it here,

568
00:27:15,080 --> 00:27:25,159
Speaker 1: come back. We're gonna talk about horses. Segment that we

569
00:27:25,320 --> 00:27:30,040
Speaker 1: created just for you. It's is called horse Girling Around

570
00:27:30,280 --> 00:27:33,960
Speaker 1: because I know that you crazy about horses and you

571
00:27:34,000 --> 00:27:36,320
Speaker 1: are a big movie lover, and so I decided to

572
00:27:36,359 --> 00:27:40,360
Speaker 1: combine these two things together. We're gonna do a quiz. Okay,

573
00:27:42,640 --> 00:27:43,359
Speaker 1: now we're ready.

574
00:27:43,560 --> 00:27:44,160
Speaker 2: Giddy up.

575
00:27:47,840 --> 00:27:52,400
Speaker 1: That was a terrible winny. Can you do that? Can you? Oh?

576
00:27:52,480 --> 00:27:59,000
Speaker 1: That's that's actually very real? This can you do that?

577
00:28:00,720 --> 00:28:01,080
Speaker 2: Whoa?

578
00:28:01,119 --> 00:28:01,960
Speaker 1: I know, I'm serious.

579
00:28:02,280 --> 00:28:03,359
Speaker 2: You go do the slow motion?

580
00:28:05,520 --> 00:28:08,080
Speaker 1: That would be so ugly and terrible, and we're not

581
00:28:08,119 --> 00:28:11,200
Speaker 1: gonna do that. Okay, here's what we're gonna ask you

582
00:28:11,280 --> 00:28:15,080
Speaker 1: questions about from movies. Quotes from horse movies, movies that

583
00:28:15,080 --> 00:28:18,560
Speaker 1: involved horses, not just horse movies movies. These are special quotes. Okay,

584
00:28:18,720 --> 00:28:20,960
Speaker 1: you got three, you got you have choices for each

585
00:28:21,000 --> 00:28:23,439
Speaker 1: one that you get. Right, you have a bowl of

586
00:28:23,440 --> 00:28:27,000
Speaker 1: sugar cubes there, not even sugar cubes really, but sugar pieces.

587
00:28:27,200 --> 00:28:28,880
Speaker 1: And we're gonna try and do a thing where you

588
00:28:28,920 --> 00:28:30,480
Speaker 1: toss one and I'll catch.

589
00:28:30,320 --> 00:28:31,119
Speaker 2: It in your mouth.

590
00:28:31,240 --> 00:28:33,480
Speaker 1: Yeah. Yeah, that's what we're gonna try and do. So

591
00:28:33,520 --> 00:28:35,879
Speaker 1: and and to our listeners out there, because it is

592
00:28:35,920 --> 00:28:38,240
Speaker 1: a podcast. So I've got I've got sort of a

593
00:28:38,360 --> 00:28:42,960
Speaker 1: Dwight Yoakum style hat on, and you're wearing a very

594
00:28:42,960 --> 00:28:44,280
Speaker 1: fetching T shirt.

595
00:28:44,400 --> 00:28:47,240
Speaker 2: I'm wearing a kind of demure shirt. Yes, and it

596
00:28:47,400 --> 00:28:51,400
Speaker 2: states just a girl who loves horses and Kyle was

597
00:28:51,440 --> 00:28:53,880
Speaker 2: so sweet to make this for me personally.

598
00:28:54,280 --> 00:28:58,080
Speaker 1: Yeah, that's that's that's for you to keep enjoy. But

599
00:28:58,160 --> 00:29:00,520
Speaker 1: before we start this, I have one quick question about this.

600
00:29:00,840 --> 00:29:04,040
Speaker 1: What's it called. It's called horse hobby? No oh, the

601
00:29:04,080 --> 00:29:07,360
Speaker 1: hobby horse hobby horses? Yeah, have you done that? Is

602
00:29:07,400 --> 00:29:08,640
Speaker 1: this something that you know?

603
00:29:09,120 --> 00:29:11,800
Speaker 2: I haven't but I want to but you haven't.

604
00:29:11,880 --> 00:29:12,480
Speaker 1: Is appealing?

605
00:29:12,720 --> 00:29:16,000
Speaker 2: It's appealing. I would love to go to one of

606
00:29:16,000 --> 00:29:18,560
Speaker 2: the competitions. Yeah, because it's incredible what they do.

607
00:29:18,680 --> 00:29:21,080
Speaker 1: Pop up on my Instagram, I say, I mean, you

608
00:29:21,200 --> 00:29:24,160
Speaker 1: got to be a pretty good shape because you jump right,

609
00:29:24,280 --> 00:29:26,520
Speaker 1: they jump so high. Yeah, and you're carrying around the

610
00:29:26,520 --> 00:29:27,080
Speaker 1: stick horse.

611
00:29:27,280 --> 00:29:28,320
Speaker 2: Yeah, we should go.

612
00:29:28,960 --> 00:29:31,200
Speaker 1: I'm in, Okay, I'm in. Let's go. We should compete.

613
00:29:31,280 --> 00:29:31,960
Speaker 2: We should compete.

614
00:29:32,160 --> 00:29:35,480
Speaker 1: Do they have teams or like? Yeah, you can compete

615
00:29:35,520 --> 00:29:35,920
Speaker 1: as a team.

616
00:29:36,240 --> 00:29:37,960
Speaker 2: I don't know. Actually we're going to do it, but

617
00:29:38,000 --> 00:29:39,280
Speaker 2: we we should. We'll make it happen.

618
00:29:39,320 --> 00:29:41,160
Speaker 1: We are going to make it happen. Okay, So here

619
00:29:41,200 --> 00:29:45,080
Speaker 1: we go. Are you ready to leap in? Speaking of leaping, okay,

620
00:29:45,760 --> 00:29:47,959
Speaker 1: let's let's jump in. This is good. Okay, these are

621
00:29:48,000 --> 00:29:48,400
Speaker 1: not easy.

622
00:29:48,440 --> 00:29:50,600
Speaker 2: And then okay, you know so if I get this right,

623
00:29:50,640 --> 00:29:51,600
Speaker 2: I throw this in your mouth.

624
00:29:51,720 --> 00:29:53,440
Speaker 1: Yeah? Does that make sense? Or should you throw it?

625
00:29:53,520 --> 00:29:54,840
Speaker 1: If you get it wrong, you throw it at me?

626
00:29:55,200 --> 00:29:55,440
Speaker 2: Yeah?

627
00:29:55,680 --> 00:29:57,520
Speaker 1: As did you prefer to do as a punishment?

628
00:29:59,000 --> 00:30:05,720
Speaker 2: Yeah? Yeah, yeah, yeah. Okay, if I'm mad at the question, I'll.

629
00:30:03,520 --> 00:30:07,000
Speaker 1: Prepare myself if I need goggles or anything. Okay, So

630
00:30:07,160 --> 00:30:10,200
Speaker 1: this is a quote from one of the three movies.

631
00:30:10,280 --> 00:30:14,240
Speaker 1: This is the quote first. Okay, yeah, okay, I can

632
00:30:14,280 --> 00:30:18,080
Speaker 1: do with an accent. Sometimes a horse has got to

633
00:30:18,120 --> 00:30:20,840
Speaker 1: do what a horse has got to do that's terrible,

634
00:30:21,120 --> 00:30:24,760
Speaker 1: And the accent is has nothing to do with anything,

635
00:30:24,920 --> 00:30:29,000
Speaker 1: just me being silly. So here are your three choices.

636
00:30:29,080 --> 00:30:36,160
Speaker 1: I'm gonna give the flicker, spirit stallion of the Cimarron.

637
00:30:36,240 --> 00:30:39,680
Speaker 1: I'm pronouncing. Is that correct? Look at you knowing knowing

638
00:30:39,720 --> 00:30:42,000
Speaker 1: your horse movies or Secretariat?

639
00:30:42,240 --> 00:30:49,160
Speaker 2: Hmmm, flicker because it's obviously that's a person saying that,

640
00:30:49,240 --> 00:30:49,560
Speaker 2: not a.

641
00:30:49,520 --> 00:30:53,920
Speaker 1: Horse unless it's animated, which your spirit.

642
00:30:54,320 --> 00:30:58,320
Speaker 2: But there's no way that it's spirit because I've that's

643
00:30:58,360 --> 00:30:58,880
Speaker 2: not a spirit.

644
00:31:00,120 --> 00:31:03,280
Speaker 1: Sometimes a horse. Maybe it's a voice. Sometimes a horse

645
00:31:03,320 --> 00:31:05,040
Speaker 1: has got to do what a horse has got to do,

646
00:31:05,080 --> 00:31:06,840
Speaker 1: but it sounds sometimes the horse has got to do

647
00:31:06,880 --> 00:31:07,840
Speaker 1: what the horse has got to do.

648
00:31:08,200 --> 00:31:11,320
Speaker 2: There's so many different rates of this, so it's spirit.

649
00:31:12,520 --> 00:31:17,160
Speaker 1: What's your final answer? Now, I'm now I'm worried. The

650
00:31:17,240 --> 00:31:19,680
Speaker 1: answer is you have you have made your answer? Just think, okay,

651
00:31:19,720 --> 00:31:20,200
Speaker 1: think about it.

652
00:31:20,400 --> 00:31:22,200
Speaker 2: Sometimes the horse has got to do what a horse

653
00:31:22,240 --> 00:31:26,200
Speaker 2: has got to do. Maybe it's Secretariat because that's a

654
00:31:26,280 --> 00:31:30,080
Speaker 2: race horse horse and that's makes.

655
00:31:29,920 --> 00:31:34,440
Speaker 1: Sense, or it could be an animated.

656
00:31:34,160 --> 00:31:41,200
Speaker 2: Okay, So it's spirit. You're right, it's spirit. Yeah, you're

657
00:31:41,280 --> 00:31:42,320
Speaker 2: you're safe for now.

658
00:31:42,840 --> 00:31:47,680
Speaker 1: The colonel thinks he has spirit broken. Yeah, yeah, a

659
00:31:47,680 --> 00:31:51,200
Speaker 1: spirit voiceover sounds I don't know, whimsical.

660
00:31:52,240 --> 00:31:55,040
Speaker 2: Oh Like it's like him explaining that you can't break

661
00:31:55,080 --> 00:31:57,560
Speaker 2: the horses, got to horse has got to do and

662
00:31:57,600 --> 00:32:01,080
Speaker 2: then it goes get off of my back, and that's

663
00:32:01,120 --> 00:32:03,880
Speaker 2: the best sequence. You did know it? You don't know this.

664
00:32:04,240 --> 00:32:05,320
Speaker 1: I don't know what. I haven't seen it yet. I

665
00:32:05,320 --> 00:32:06,200
Speaker 1: have something to look forward to.

666
00:32:06,320 --> 00:32:08,080
Speaker 2: Oh my god, tonight, very good.

667
00:32:08,120 --> 00:32:10,280
Speaker 1: This is good. Right now, right when we finish it,

668
00:32:10,320 --> 00:32:13,160
Speaker 1: I'm going to go right down to the theater. Okay,

669
00:32:13,440 --> 00:32:17,000
Speaker 1: all right, next one ready, Okay, Well, maybe I should

670
00:32:17,000 --> 00:32:20,280
Speaker 1: give you the name of the film first, and then

671
00:32:20,320 --> 00:32:21,200
Speaker 1: the quote.

672
00:32:21,280 --> 00:32:23,600
Speaker 2: The multi choice, the multi choice, and then.

673
00:32:23,760 --> 00:32:27,440
Speaker 1: Yeah, multi choice. Okay, these are your choices. Black Beauty,

674
00:32:28,560 --> 00:32:34,240
Speaker 1: war Horse, Wow, Flicker. The stories we hear about how

675
00:32:34,280 --> 00:32:38,440
Speaker 1: the West was one are all lies. That sounds like

676
00:32:38,480 --> 00:32:42,000
Speaker 1: a voiceover for something. And I don't know. I mean,

677
00:32:42,040 --> 00:32:43,560
Speaker 1: I'm could be leading completely astray.

678
00:32:44,080 --> 00:32:46,280
Speaker 2: It's got to be war Horse because it's kind of

679
00:32:46,360 --> 00:32:48,640
Speaker 2: it's it's giving historical.

680
00:32:48,400 --> 00:32:51,480
Speaker 1: When was Flicker written? It's like back in the day.

681
00:32:51,840 --> 00:32:54,600
Speaker 2: Yeah, oh, you're saying that maybe there's a kind of

682
00:32:54,680 --> 00:32:55,920
Speaker 2: historical element of Flicker.

683
00:32:56,800 --> 00:32:58,520
Speaker 1: Correct its flick?

684
00:32:58,720 --> 00:33:01,720
Speaker 2: You did it again? Oh my god, yeah.

685
00:33:01,920 --> 00:33:03,480
Speaker 1: My mother was ready. I was ready to receive it,

686
00:33:03,720 --> 00:33:06,320
Speaker 1: break a tooth or something. Oh my god, you are

687
00:33:06,360 --> 00:33:11,520
Speaker 1: so good. This is a year two for two. It's incredible. Okay, okay, okay,

688
00:33:11,560 --> 00:33:12,080
Speaker 1: here we go.

689
00:33:12,360 --> 00:33:15,760
Speaker 2: I'm being played not at all. I'm now you are

690
00:33:15,800 --> 00:33:16,680
Speaker 2: helping me. Thank you.

691
00:33:16,840 --> 00:33:19,400
Speaker 1: Okay, this is tricky. This is going to be tricky.

692
00:33:19,800 --> 00:33:24,800
Speaker 1: So here's a multiple choice. Ready, Yeah, racing stripes, sea biscuit,

693
00:33:25,120 --> 00:33:29,440
Speaker 1: BoJack Horseman. Ah, here's the quote. Are you ready? Feel

694
00:33:29,440 --> 00:33:33,720
Speaker 1: like we're playing a game show? The password is when

695
00:33:33,720 --> 00:33:36,880
Speaker 1: your father dies, you ask yourself a lot of questions

696
00:33:37,200 --> 00:33:41,040
Speaker 1: like wait did you say he died in a duel?

697
00:33:41,440 --> 00:33:43,600
Speaker 1: And who dies in a duel?

698
00:33:44,200 --> 00:33:45,960
Speaker 2: Your father is dying in a duel?

699
00:33:46,960 --> 00:33:49,520
Speaker 1: Like wait, did you say he died in a duel?

700
00:33:50,240 --> 00:33:51,240
Speaker 1: Who dies in a duel?

701
00:33:51,800 --> 00:33:54,240
Speaker 2: Okay, so there's a comedic element, I think. So see

702
00:33:54,280 --> 00:33:55,120
Speaker 2: the way that you read it.

703
00:33:55,160 --> 00:33:58,640
Speaker 1: Really no, it has my answer, bo.

704
00:33:58,720 --> 00:34:01,400
Speaker 2: Jack Horseman, it's jack Yes.

705
00:34:04,360 --> 00:34:09,400
Speaker 1: So I don't think we've ever had anyone unbelievable.

706
00:34:09,400 --> 00:34:10,600
Speaker 2: We've also never played this before.

707
00:34:10,640 --> 00:34:11,040
Speaker 1: That's great.

708
00:34:11,719 --> 00:34:13,279
Speaker 2: I'm the best to ever do this.

709
00:34:13,440 --> 00:34:16,480
Speaker 1: You were the best ever and ever the other one yes,

710
00:34:16,600 --> 00:34:19,680
Speaker 1: but still the best the best, Yes, the best, number one, okay,

711
00:34:19,760 --> 00:34:24,719
Speaker 1: last and final question, okay, multiple choice, are again, Secretariat,

712
00:34:24,760 --> 00:34:26,919
Speaker 1: Sea Biscuits, The Black Stallion. There are very how many

713
00:34:26,920 --> 00:34:30,480
Speaker 1: horse movies are there enough? This is a note to

714
00:34:30,600 --> 00:34:33,680
Speaker 1: this the whole, to Los Angeles, the film community. We

715
00:34:33,719 --> 00:34:37,480
Speaker 1: need more Hello movies about horses, right please? Okay, here

716
00:34:37,560 --> 00:34:42,040
Speaker 1: we go. You know, everybody thinks we found this broken

717
00:34:42,120 --> 00:34:47,440
Speaker 1: down horse and fixed him, but we didn't. He fixed us,

718
00:34:48,320 --> 00:34:53,719
Speaker 1: every one of us. You know, everybody thinks. No, I'm

719
00:34:53,760 --> 00:34:56,920
Speaker 1: not saying that. You know, everybody thinks we found this

720
00:34:57,040 --> 00:35:00,360
Speaker 1: broken down horse and fixed him, but we didn't. He

721
00:35:00,520 --> 00:35:03,640
Speaker 1: fixed us, every one of us. I could say, trying

722
00:35:03,680 --> 00:35:05,160
Speaker 1: to cry, but I don't know if that would work,

723
00:35:05,760 --> 00:35:09,600
Speaker 1: Secretary maybe Secretariat Sea Biscuit, the Black Stallion.

724
00:35:10,000 --> 00:35:12,480
Speaker 2: I think that's from the Black Stallion.

725
00:35:15,719 --> 00:35:21,080
Speaker 1: Well okay, no, if you were thinking about.

726
00:35:20,800 --> 00:35:22,200
Speaker 2: It, so I kind of got that wrong.

727
00:35:25,560 --> 00:35:30,320
Speaker 1: Look at you just pulled the sugar cuban. She's taking

728
00:35:30,320 --> 00:35:33,560
Speaker 1: a knife out of the Okay, read here we go,

729
00:35:33,560 --> 00:35:34,200
Speaker 1: Here we go, and.

730
00:35:38,480 --> 00:35:40,600
Speaker 2: We all want came.

731
00:35:40,840 --> 00:35:47,120
Speaker 1: My body can do? I have to email? Yeah? Okay, amazing.

732
00:35:47,120 --> 00:35:48,080
Speaker 1: We are an amazing team.

733
00:35:48,200 --> 00:35:49,719
Speaker 2: It's unbelievable.

734
00:35:49,719 --> 00:35:51,320
Speaker 1: We have to the hobby horse.

735
00:35:51,880 --> 00:35:55,200
Speaker 2: We have to get the hobby hole thing immediately and

736
00:35:55,320 --> 00:35:56,120
Speaker 2: show them what we can do.

737
00:35:56,200 --> 00:35:58,360
Speaker 1: Just keep giving a sugar cuban and we're gonna win that. Tucker.

738
00:35:58,520 --> 00:35:59,959
Speaker 2: You have to wrap out with that in your mouth.

739
00:36:01,920 --> 00:36:04,680
Speaker 1: Blame gook because I'm doing my fugar cube. Darrel, Dan,

740
00:36:05,280 --> 00:36:08,640
Speaker 1: we're chatting with us. You were amazing. Let me ask you,

741
00:36:08,680 --> 00:36:11,320
Speaker 1: what's next? What's happening? You're having a sugar cube. I

742
00:36:11,440 --> 00:36:14,840
Speaker 1: know they're not using fortunately, I really love sugar.

743
00:36:15,840 --> 00:36:16,560
Speaker 2: I can't believe you.

744
00:36:17,880 --> 00:36:19,480
Speaker 1: I'm good. I'm good now, I'm ready to go, like

745
00:36:19,600 --> 00:36:23,000
Speaker 1: how fast I'm talking? I'm full of sugar. So what's

746
00:36:23,000 --> 00:36:25,080
Speaker 1: happening next? Is there? What's what? What should we do? What

747
00:36:25,080 --> 00:36:26,799
Speaker 1: should look for you? I mean, I'm gonna keep looking

748
00:36:26,800 --> 00:36:29,880
Speaker 1: for you on Instagram? TikTok here, you're you're crazy on Instagram.

749
00:36:29,960 --> 00:36:34,719
Speaker 1: I'm crazy social Yeah, any any place that's the Dalmatians,

750
00:36:34,719 --> 00:36:37,520
Speaker 1: We'll find you. What's happening? What's happening? And you're developing

751
00:36:37,600 --> 00:36:39,440
Speaker 1: merle over on this right? Okay?

752
00:36:39,800 --> 00:36:42,000
Speaker 2: Thunderbolts Disney Plus.

753
00:36:41,680 --> 00:36:44,520
Speaker 1: Yes, excited week, I think Okay, it's been a real pleasure.

754
00:36:44,640 --> 00:36:47,319
Speaker 1: Thank you, truly, thank you so much fun and so

755
00:36:47,640 --> 00:36:51,400
Speaker 1: as you can surmise, that's all the time we have today. Sadly,

756
00:36:52,080 --> 00:36:53,440
Speaker 1: I mean, there's more time in the day, but this

757
00:36:53,520 --> 00:36:56,080
Speaker 1: is the only time we have today talking with the

758
00:36:56,120 --> 00:37:02,960
Speaker 1: wonderful Geraldine. This was nothing. Yeah, okay, it's very challenging.

759
00:37:03,040 --> 00:37:06,440
Speaker 2: I'm so sorry, I say.

760
00:37:06,680 --> 00:37:09,359
Speaker 1: Please come back for more. What are We Even Doing?

761
00:37:10,480 --> 00:37:11,480
Speaker 2: What are We Even doing?

762
00:37:13,120 --> 00:37:15,040
Speaker 1: Thank you, Kyle's great pleasure.

763
00:37:15,120 --> 00:37:17,040
Speaker 2: This was so fun you thank you.

764
00:37:17,040 --> 00:37:17,680
Speaker 1: You're the backround.

765
00:37:18,120 --> 00:37:21,200
Speaker 3: What Are We Even Doing is a production of iHeartMedia

766
00:37:21,360 --> 00:37:25,400
Speaker 3: and the Elvis Duran podcast Network, hosted by me Kyle

767
00:37:25,520 --> 00:37:30,000
Speaker 3: McLachlin and created and produced by Full Picture Productions Yay,

768
00:37:30,960 --> 00:37:34,880
Speaker 3: featuring music by Yata and artwork by Danica Robinson. For

769
00:37:34,960 --> 00:37:38,080
Speaker 3: more information about the podcast, please visit our Instagram and

770
00:37:38,160 --> 00:37:44,560
Speaker 3: TikTok at wa w ed with Kyle. Please rate, review,

771
00:37:44,640 --> 00:37:50,000
Speaker 3: and subscribe to What Are We Even Doing on Apple, Spotify, YouTube,

772
00:37:50,440 --> 00:37:52,400
Speaker 3: or anywhere you get your podcasts.

773
00:37:52,960 --> 00:37:54,160
Speaker 1: Exclamation Pointcasts