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Speaker 1: Do we want to discuss real briefly, how I have

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Speaker 1: actual tapanga hair right now?

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Speaker 2: Yes?

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Speaker 3: Please?

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Speaker 1: Why So? Yesterday was our day off and we're in Buffalo,

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Speaker 1: and I had to wash my own hair like some

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Speaker 1: kind of peasant. I know, I this is not the

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Speaker 1: life I'm accustomed to. I bring my beefree by Daniel

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Speaker 1: Official hair products into a dry bar every seven days

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Speaker 1: like clockwork, and they wash my hair. And there's no

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Speaker 1: dry bar in Buffalo.

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Speaker 3: Wait that you were say stuff? That doesn't I don't

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Speaker 3: even know what a dry bar is. Literally, so you

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Speaker 3: don't take a shower at.

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Speaker 1: Home and wash your own hair in your I take

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Speaker 1: a shower every day, sometimes twice a day. Okay, I

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Speaker 1: just don't wash my own hair.

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Speaker 3: Why it's just too much of a thing.

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Speaker 1: Listen. I at a certain point, at around twoenty eighteen,

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Speaker 1: I decided I don't want to ever do that again.

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Speaker 1: I just don't. It's been at that point. Let's see

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Speaker 1: what seven years ago it had been thirty seven years

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Speaker 1: of washing my hair. I was done. My right arm

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Speaker 1: is significantly bigger than my left for moving to blow

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Speaker 1: dry my hair all those years. I just decided years ago,

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Speaker 1: I don't want to do that ever again, it's so

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Speaker 1: it takes so long. Like the joke women make sometimes

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Speaker 1: about not being able to go on a date with

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Speaker 1: someone because like they have to wash their hair is

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Speaker 1: actually real. Like to fully do a hair wash and

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Speaker 1: for me to blow dry my hair is a minimum

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Speaker 1: of a two hour process, not including doing anything else.

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Speaker 2: My gosh.

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Speaker 1: So I'm like, I just don't want to do that anymore.

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Speaker 1: If I go to dry bar, if I shower myself,

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Speaker 1: get myself ready, and then go to dry bar, I

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Speaker 1: have my hair washed and blown dry and styled, all

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Speaker 1: within about an hour and fifteen minutes.

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Speaker 3: Wow.

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Speaker 1: And I'm like this this is the life. So I

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Speaker 1: bring my own hair products and I go once a week.

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Speaker 1: So when I've been on the road, I was able.

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Speaker 1: On our last day off was in Boston. Guess what,

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Speaker 1: there was a dry bar in Boston. On my day off,

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Speaker 1: I walked in the blizzard of twenty twenty six to

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Speaker 1: a dry bar and had my hair done. And now

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Speaker 1: a week later it's our other day off and we're

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Speaker 1: in Buffalo. You girl did a search. There's no dry

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Speaker 1: bar in Buffalo, and the closest similar like dry bar

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Speaker 1: adjacent place is twenty five minutes away and that's not

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Speaker 1: that far. But I just didn't want to do it.

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Speaker 1: I was like, you know what, I'll just wash my

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Speaker 1: own hair.

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Speaker 4: Oh god.

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Speaker 1: So I washed and dried my own hair, and then decided,

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Speaker 1: what if I did about twenty little braids while I

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Speaker 1: slept so that I could take it out and have

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Speaker 1: heat free waves? And this is this is.

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Speaker 3: You didn't fly your mom ount to stay up all

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Speaker 3: night braiding your hair.

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Speaker 1: I didn't. I know, I what a waste? You know? Wow?

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Speaker 2: So then the place you thought about going was the

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Speaker 2: Elle Air blow dry bar.

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Speaker 1: Will found it.

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Speaker 4: That's exactly in Harris Hill, New York. That's inherit got.

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Speaker 1: Yeah, okay, yeah, that I did think about going there,

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Speaker 1: but it's it was just far for me to venture

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Speaker 1: out alone, you know.

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Speaker 4: Sure.

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Speaker 2: Well it's also that's in the not just the Buffalo,

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Speaker 2: but the Williamsville area, which.

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Speaker 1: Is exactly in the Williamsville which you know.

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Speaker 2: Now, did you in Buffalo? Did you go and get

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Speaker 2: Buffalo wings? Like the real the good style wings that

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Speaker 2: there were they invented everything, and that they're.

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Speaker 3: Called Buffalo because they're from Buffalo. They come from Buffalo.

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Speaker 1: Oh my god, I'm so glad you just told me this. Yesterday,

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Speaker 1: somebody was like, I got Buffalo Wings and I was like, cool,

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Speaker 1: I had absolutely no idea why they were city.

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Speaker 3: You're in here, We're in Buffalo.

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Speaker 4: Yes.

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Speaker 1: I was like, hello, Cleveland, right clean, good, good for you.

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Speaker 4: There's a favorite place there.

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Speaker 2: I guess that does like thirty different flavors, and one

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Speaker 2: of them they do with like peanut butter that's apparently

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Speaker 2: really amazing and all this kind of stuff.

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Speaker 3: Yeah.

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Speaker 1: So yeah, I should have known to talk to you

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Speaker 1: before my day off to figure out what I should do.

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Speaker 4: I'm still not talking to you. Food after Panatoni, so

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Speaker 4: Panatoni Gate.

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Speaker 1: So sorry, Okay, you're done with me. There's a casino

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Speaker 1: I within walking distance from my hotel. I'm looking at

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Speaker 1: it and I didn't go.

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Speaker 2: I was gonna say, you're the only person that's going

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Speaker 2: to come back from a national tour in the hole.

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Speaker 2: It's like, somehow it cost me twelve thousand dollars to

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Speaker 2: go on tour with Dancing with the Stars.

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Speaker 4: Never bring Dan Yell on a casino tour. You're paying

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Speaker 4: her in chips.

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Speaker 1: I'll have you know. I'm up two hundred dollars.

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Speaker 4: Nice.

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Speaker 1: Nice, Yeah, how have you guys been. I miss you.

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Speaker 3: We missed you too.

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Speaker 2: Good rider and I are getting ready to go to

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Speaker 2: Nashville this weekend. Yep, I'm missing the super Bowl because

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Speaker 2: I did not know what was super Bowl weekend. And

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Speaker 2: the Patriots are in the super Bowl, so I get

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Speaker 2: to not see my team play the super Bowl.

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Speaker 3: Your team, you.

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Speaker 2: Play for the Patriots of sixteen years now, seventeen years now,

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Speaker 2: I've been one of the Patriots.

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Speaker 4: I taught Tom Brady everything he knows.

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Speaker 3: Yeah, so he got the most baskets because of you.

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Speaker 4: He made the most widgets. Because of his widgets.

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Speaker 3: You're gonna be experiencing the Super Bowl like Ryder Strong

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Speaker 3: does every year. It's like knowing a super Bowl. So

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Speaker 3: I said, no, no, that's the thing. And then maybe

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Speaker 3: you go somewhere and there's good yeah dips and chips.

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Speaker 1: And I love that.

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Speaker 3: And then I do the commercials. I'll step in and

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Speaker 3: watch the commercials.

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Speaker 4: Well there you go.

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Speaker 2: Yeah, So it's it's the whole thing is very interesting.

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Speaker 2: But at the same time, Danielle, were you got. We

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Speaker 2: were ready for you to come back.

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Speaker 1: Now you can come back only a couple more, only

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Speaker 1: two more weeks.

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Speaker 4: Okay, there you go, which is good.

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Speaker 2: And writer, I still have your Christmas present, believe it

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Speaker 2: or not, but I'm not bringing it to Nashville.

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Speaker 1: Is it another panetone?

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Speaker 4: No?

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Speaker 2: No, I you, neither of you are worthy of it anymore.

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Speaker 3: I couldn't eat the whole thing. I had a couple

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Speaker 3: of bites and was.

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Speaker 2: I never said that sentence in my life. I couldn't

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Speaker 2: eat the whole thing. It's not something I've ever said

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Speaker 2: once in my life. No, it's Danielle. It's the thing

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Speaker 2: I gave you when I saw you, and I have

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Speaker 2: one for Rider as well.

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Speaker 1: So very cute, very very cute. I won't ruin it

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Speaker 1: the surprise.

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Speaker 4: Okay, good, which is good.

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Speaker 1: Welcome to Pod Meets World. I'm Daniel Fishal, I'm right strong,

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Speaker 1: and I'm Wilfordell. So today we are recapping season seven,

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Speaker 1: episode five, You Light Up My Union. It originally aired

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Speaker 1: October twenty second, ninety nine. The synopsis Rachel gets mad

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Speaker 1: when Corey and Sean invade her privacy while Jack and

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Speaker 1: Eric take over as managers of the student union. It

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Speaker 1: was directed by Kevin Tracy, his second episode as director.

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Speaker 1: He had one in season six. He was an assistant

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Speaker 1: director for the show, who also worked on All That

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Speaker 1: Family Matters and Smart Guy. Kevin unfortunately passed in two

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Speaker 1: thousand and three at the young age of forty eight.

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Speaker 1: This episode was written by Alison M. Gibson, her third

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Speaker 1: of four Boy Meets World episodes. She wrote two in

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Speaker 1: season six and had worked on Home Improvement, Sister Sister,

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Speaker 1: and Two Guys, A Girl in a Pizza Place, But

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Speaker 1: most notably, she created the TV show Reba. So, before

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Speaker 1: I jump into our guest stars, we have four, would

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Speaker 1: you guys like to share your overall thoughts?

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Speaker 3: Well and I were already shaking our heads. We were

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Speaker 3: a real quote like this, why just listening to what

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Speaker 3: the episodes about, We're like, oh.

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Speaker 1: Holy yeah, okay, this is a worse episode than one

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Speaker 1: right before.

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Speaker 3: We just wanted yes, here here's I was thinking about

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Speaker 3: how to put this. This is the worst episode for

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Speaker 3: me ever of Boy Meets World.

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Speaker 1: That acting or just just.

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Speaker 3: Just my feelings about this episode. I agree there may

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Speaker 3: be worst episodes, but like what and the way I

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Speaker 3: was thinking about it is like if before the Pod

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Speaker 3: Meats World journey and you before we started this and

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Speaker 3: you said right this one episode, I would have been like, Oh,

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Speaker 3: that's it. This is what I was the biggest piece

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Speaker 3: of crap. This is I am so embarrassed that I

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Speaker 3: was ever a part of it. And I would have

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Speaker 3: like never watched another episode of Boy Meets World because

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Speaker 3: you know, like this is after doing Pod Meats World.

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Speaker 3: Of course, like all the things we've said about how

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Speaker 3: wonderful our show was and it has so many great

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Speaker 3: qualities and like I'm so proud of it in so

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Speaker 3: many ways. But when I watched this, it put me

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Speaker 3: right back into this like insecure, Oh my god, what

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Speaker 3: are we Yeah, and it just really made met me

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Speaker 3: and I felt I felt ugly. I felt like the

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Speaker 3: way I looked was weird, the way my wardrobe was

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Speaker 3: weird in a way that I haven't felt for a

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Speaker 3: long time, and like it was very insecure about my

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Speaker 3: face and like the acting itself. And then of course

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Speaker 3: the storyline that I'm in is awful, Like it's truly

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Speaker 3: like bad and like every way, like it's just dumb.

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Speaker 3: But then it's also like ethically just gross and like

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Speaker 3: and it just throws all the characters out the window,

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Speaker 3: like yeah, like all the relationships that we've spent four

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Speaker 3: episodes making such a big freaking deal out of like,

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Speaker 3: way too much of a deal, and then we're just

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Speaker 3: gonna toss that. Oh my god, I'm so pissed off.

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Speaker 1: I know, couldn't couldn't agree more. And I feel exactly

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Speaker 1: the same way about myself. Hate my hair, Hate my hair.

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Speaker 1: This season, I've not liked my hair once in any episode.

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Speaker 1: This wardrobe is just so what despicable.

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Speaker 3: My wardrobe is completely different this episode, and it doesn't

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Speaker 3: feel right, like, no, no.

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Speaker 1: Will, You're gorgeous, Yeah, what gorgeous?

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Speaker 3: Yeah? When Will was talking about Will was talking about

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Speaker 3: having gained all this weight, and then I was looking

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Speaker 3: at this episode in the last episode, I was like, yeah,

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Speaker 3: I was like, what Will.

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Speaker 4: That necklace is holding on for dear life. It's I'm amazed.

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Speaker 3: Lawrence, Who's like, you know, like he's just like yeah,

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Speaker 3: But I mean that's if you're comparing it. But you

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Speaker 3: look totally fine, dude. You're definitely slightly chubbier than you

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Speaker 3: were the season before, but you were always scared.

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Speaker 4: Husky Will.

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Speaker 2: To me, dude, when when Eric with a monkey is

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Speaker 2: the best part of the episode.

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Speaker 1: This episode, I actually really like the bee storyline. Actually,

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Speaker 1: the b storyline storyline.

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Speaker 3: I think technically it is.

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Speaker 2: Technically it's way more screen time communion it's supposed to

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Speaker 2: be about it.

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Speaker 3: I have the idea of of of Jack and Pennie

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Speaker 3: having some I.

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Speaker 4: Was guessed, but it was this is the first time.

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Speaker 4: It was so heavy handed.

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Speaker 1: I know, could we call it out anymore?

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Speaker 2: Sitting there right at the exact time, like you know,

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Speaker 2: it was this episode. What I said about all the

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Speaker 2: other episodes that were bad were like, hey, it was

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Speaker 2: funny bits, and the stories not great, and we're not great,

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Speaker 2: but we're making each other laugh in funny bit.

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Speaker 4: This had none of that.

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Speaker 2: This was just it was this is arguably the worst

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Speaker 2: episode of our series that I've seen in seven years.

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Speaker 1: Well that way about the way writer, I feel the

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Speaker 1: way writer felt there may be worse episodes of TV

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Speaker 1: because I think than if we're going to say, for me,

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Speaker 1: it felt like the which is I apparently the B story,

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Speaker 1: our stupid making out story, and the horrible invasion of

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Speaker 1: ethics and morals and just human decency that takes place

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Speaker 1: in what I thought was the A storyline. Because I'm

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Speaker 1: it's so unbearable to me. It was it was all

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Speaker 1: of it was wrong.

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Speaker 2: How is that.

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Speaker 4: How is that to Panga?

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Speaker 3: Now, I mean Angel, I mean Corey, We're all everybody's awful,

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Speaker 3: and they're like awful for what joke? What for the

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Speaker 3: sake of it?

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Speaker 4: It wasn't a joke.

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Speaker 2: It's to get Maitland into underwear dress, That's the whole point.

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Speaker 3: It's disgusting. It was like it just like the worst

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Speaker 3: of like.

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Speaker 1: Well you know, I know it was. It's truly just

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Speaker 1: you think.

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Speaker 4: There's worst episodes of our show than this one?

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Speaker 1: I mean yes, because what I'll say is the a storyline,

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Speaker 1: the storyline between you and Jack. I love the idea

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Speaker 1: that everyone thinks like, oh, Jack's got it all together.

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Speaker 1: His family comes from money, he's smart, he's this We've

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Speaker 1: seen multiple episodes of him just looking around at other people,

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Speaker 1: going what this dummy, And then to have an episode where, actually,

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Speaker 1: you know what, Jack, you could afford to learn a

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Speaker 1: lot from your friend, and for you to then have

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Speaker 1: this this redeeming storyline where oh, stupid Eric trusts somebody

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Speaker 1: who clearly is just out to scam him. Only then

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Speaker 1: it wasn't a scam at all. He always did intend

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Speaker 1: to give you back your money, and you, like I like.

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Speaker 3: You just gave was I love like, but actually watching it,

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Speaker 3: I didn't think it was very well executed. But writing wise,

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Speaker 3: I agree, like that storyline, the idea, great idea, Yeah,

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Speaker 3: and involving Feenie and Jack, all of that was cool.

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Speaker 3: It's a little like I don't know, when I'm thinking

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Speaker 3: about the bank scene with like suddenly all these guest

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Speaker 3: stars talking and oh god, it was like it just

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Speaker 3: falls so flat, like it's just so interesting, and like, yeah,

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Speaker 3: it's it's bad, but I agree, like the storyline I

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Speaker 3: can handle, whereas the storyline the other the beast story

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Speaker 3: is just like this should have just been thrown out.

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Speaker 1: Right away, I mean immediately.

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Speaker 3: But yeah, I for some reason, I have it in

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Speaker 3: my head that we all disliked a lot of other

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Speaker 3: episodes earlier, like that there were clear winners of like

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Speaker 3: the worst episode of Boy World.

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Speaker 1: Talked about the honeymoon.

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Speaker 3: We haven't seem yet. But I don't know, I guess

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Speaker 3: in my mind, Like when I watched this, I was like,

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Speaker 3: I guess it's I don't know if this is the

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Speaker 3: worst episode, but it definitely was the worst to watch,

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Speaker 3: Like it was the hardest to watch for me of

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Speaker 3: all that.

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Speaker 1: Because I think the storyline of now that you are

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Speaker 1: three women living together, two of whom have long term boyfriends,

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Speaker 1: and there being a sense of what are the boundaries?

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Speaker 1: How do we figure this out? Do you get a key?

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Speaker 1: Do not get a key? And even the idea of okay,

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Speaker 1: Topenga gave a key, and that that really makes a

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Speaker 1: Maitland upset because she does walk out in a towel

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Speaker 1: and then what are you doing here? And she runs back,

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Speaker 1: gets dressed, comes back out and goes, okay, how did

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Speaker 1: you get here?

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Speaker 2: Oh?

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Speaker 4: Wait?

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00:14:30,880 --> 00:14:34,160
Speaker 1: Ordering takeout? Takeout arrives, She's like, you're just ordering food

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Speaker 1: to my place, and like all of that, great tons

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Speaker 1: of room for comedy, great things. If they insisted on

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Speaker 1: having the diary moment, maybe because she didn't know that

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Speaker 1: you guys had a key. She left her diary out

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Speaker 1: on the table and it looked like a book, and

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Speaker 1: one of you accidentally picked it up and opened it

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Speaker 1: started reading it and then going wait, what even is this?

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Speaker 1: Oh my gosh, it's her diary and now you've read

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Speaker 1: some and she comes out you're reading it.

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Speaker 3: It's oh so hysterical that Corey and Sean go through

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Speaker 3: her underwear.

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Speaker 1: Just one more time, one more time? Can we go

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Speaker 1: do one more time? Who gets to see the purple number?

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Speaker 1: You're a bad girl, it's.

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Speaker 3: It's and it's like, it's not Corey, it's not Sean.

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Speaker 1: You guys are disgusting.

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Speaker 3: Then you guys, your reaction is so.

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Speaker 1: Like boys they are when they're go too. But then

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Speaker 1: we're jealous. So we turn around after she's gone to

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Speaker 1: tell you don't ever do that again.

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Speaker 2: And thank god, thank god to Pang is not a

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Speaker 2: feminist in any way, shape or form anymore, because it's like, oh,

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Speaker 2: it wasn't until we put Maitland in the sexy lingrye.

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Speaker 2: Now I get why going through your underwear drawer was

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Speaker 2: a personal Wow.

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Speaker 4: They are pigs, And it's like, because.

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Speaker 1: Now I don't let my boyfriend lusting over you, which also,

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Speaker 1: by the way, in any way, shape or form, have

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Speaker 1: Corey or Sean ever had that type of relationship with her.

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Speaker 4: No, And.

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Speaker 3: I mean it's so many the episodes getting back together

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Speaker 3: and talking about how much we want to be with

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Speaker 3: you guys, and we love you, and then it's suddenly

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Speaker 3: okay that we're just like horn dogging it up over

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Speaker 3: some It's so it's.

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Speaker 1: Not the movie you guys want to watch involves booty

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Speaker 1: in the title.

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Speaker 2: I just I just don't want to have a booty night.

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Speaker 2: And it's like, oh, here are your three estrogen movies.

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Speaker 2: No watch it.

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Speaker 4: It's like, what is happening?

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Speaker 2: And again as a company where clearly just trying to

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Speaker 2: make each other laugh the whole if you just watch

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Speaker 2: the whole.

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Speaker 1: Show, trying to make myself not die, I.

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Speaker 4: Know, but it watch it again.

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Speaker 2: It is with the sides that you and Ben are doing,

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Speaker 2: with the voices you and Ben are doing, especially you're

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Speaker 2: you're playing for each other, but the material is just

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Speaker 2: was watching it kind of mouth agape, going I.

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Speaker 4: Can't embarrass I can't believe this episode exists.

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Speaker 2: Yeah, I still say this is my least favorite episode

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Speaker 2: of all time. I could be wrong, there could be

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Speaker 2: it could have been a worse one. But I don't

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Speaker 2: ever remember feeling like this After watching an episode of

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Speaker 2: Boy Yeah and.

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Speaker 1: Enduring, I was just yeah, well, fair warning. I'm just

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Speaker 1: going to try to keep us going through this. There's

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Speaker 1: stuff you want to jump in with, great memories, stories,

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Speaker 1: you have things, whatever.

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Speaker 3: Remember this at all.

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Speaker 2: I don't either truly cool story, but it's going to

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Speaker 2: take an hour and a half to tell.

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Speaker 4: Here we go, I'm kidding.

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Speaker 1: Go ahead, guest starring Jack Axelrod as the organ Grinder.

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00:17:23,680 --> 00:17:26,600
Speaker 1: Axelrod was a longtime character actor who debuted in Woody

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Speaker 1: Allen's movie Bananas A.

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Speaker 4: Great Movie, Great Movie.

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Speaker 1: He appeared on TV shows like Murphy Brown, Frasier, My

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Speaker 1: Name Is Earl, and The Office, and he was in

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Speaker 1: movies such as Super Eight, Hancock, and Transformers Dark of

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Speaker 1: the Moon. He died of natural causes in twenty twenty

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Speaker 1: three at the age of ninety three.

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Speaker 4: Nice, I love that.

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Speaker 2: So he was only sixty three shooting at Sorry, no,

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Speaker 2: but he looked older than sixty three, didn't he. I think,

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Speaker 2: So that's PRITTI thirteen years older than me right now.

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Speaker 3: Yeah, but it's typical to play older, you know, you

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Speaker 3: get if you're supposed to be like an old man.

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Speaker 3: I got one an actual eighty year old. You want

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Speaker 3: a sixty year old who can like play eighty, you know,

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Speaker 3: I get it.

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Speaker 4: But he didn't look sixty three to me.

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Speaker 3: In mind.

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Speaker 4: I'm just saying I would not have I wouldn't have

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Speaker 4: picked that.

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00:18:16,040 --> 00:18:19,280
Speaker 1: Lou Felder is bank manager. This is another working character

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Speaker 1: actor who appeared on alf The Golden Girls and Rules

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Speaker 1: of Engagement. And on the movie side, he appears in

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Speaker 1: the Classic Midnight Run as well as Bruce Almighty and

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Speaker 1: the eighties Eric Stoltz slash Share movie Mask. His last

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Speaker 1: job was in twenty fifteen on the kids show The

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Speaker 1: Thunderman's which I'm very familiar with. And then there's Jennifer

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Speaker 1: Griffin as the woman. Jennifer has been in some pretty

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00:18:45,240 --> 00:18:48,399
Speaker 1: impressive movies over the years, like Boyhood, Vanilla Sky, and

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Speaker 1: Clint Eastwood's A Perfect World. And you've seen her on

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Speaker 1: TV shows like Banshee, Angel and The Messengers and finally

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00:18:56,320 --> 00:18:59,679
Speaker 1: Billy Stevenson as a loan officer. Over the years, he

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Speaker 1: had a lot of roles in memorable projects like the

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Speaker 1: movie Outbreak or TV shows like Fresh Prince, Step by

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Speaker 1: Step and Suddenly Susan. But most of our listeners might

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Speaker 1: recognize him from the show Workaholics, where he appeared in

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Speaker 1: thirty five episodes.

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Speaker 4: Yeah, we had great guest stars. I recognize basically everybody,

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Speaker 4: of course you did.

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Speaker 1: Yeah, yeah, our TV our TV officionado.

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Speaker 4: Yeah, we had some great guest stars this week. And

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Speaker 4: the monkey and you missed the monkey.

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Speaker 1: That was Marcel the monkey.

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Speaker 4: This is Martars friends.

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Speaker 1: Yeah, yeah, we're jumping into our recap. Who the girl's

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Speaker 1: apartment to Banga. Angela and Rachel are getting ready for

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Speaker 1: movie night. I am snacking on crackers and we all

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Speaker 1: gush about how great it's been living together. Rachel has

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00:19:38,480 --> 00:19:42,080
Speaker 1: rented little women terms of endearment, and ever after three

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00:19:42,119 --> 00:19:44,240
Speaker 1: movies she never could have watched when she lived with

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Speaker 1: Eric and Jack, she's glad to see a movie without

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Speaker 1: booty in the title and on cue, Corey and Sean

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00:19:50,200 --> 00:19:52,720
Speaker 1: burst through the door holding a pizza. Corey announces, the

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Speaker 1: boyfriends have arrived. Let the Kissy Kissy begin.

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Speaker 2: Here we go again, right off the back, right, get

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Speaker 2: up where we left with the nasty.

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Speaker 1: In our own place where we have rooms. Rooms again.

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Speaker 1: The boys cram their way onto the couch and in

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Speaker 1: the process they push Rachel right onto the floor. To

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Speaker 1: Panga wonders what they're doing here. She told Corey they

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Speaker 1: were going to hang out at the apartment. Corey explains,

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Speaker 1: with you and Angela here and me and Sean not here,

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00:20:19,440 --> 00:20:22,680
Speaker 1: that's just not right. He points to the side of

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Speaker 1: his head and instruct his girlfriend to do that thing

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00:20:26,760 --> 00:20:30,600
Speaker 1: I like with my ear to Pango leans in and

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00:20:30,720 --> 00:20:34,920
Speaker 1: starts to kiss it, and the inmates really love this,

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00:20:35,080 --> 00:20:40,320
Speaker 1: and Corey grins, that's the one. Meanwhile, Rachel towers over

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00:20:40,359 --> 00:20:43,119
Speaker 1: the couple and looks less than pleased. She sternly tells

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00:20:43,160 --> 00:20:45,840
Speaker 1: Corey we were going to watch a movie. Corey whispers

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00:20:45,880 --> 00:20:49,760
Speaker 1: to Sean. Movie. Sean reminds him dark, and Corey is satisfied.

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Speaker 1: Good movie, good rooms.

444
00:20:55,600 --> 00:20:56,120
Speaker 3: Each other.

445
00:20:56,560 --> 00:21:01,440
Speaker 1: Let's I'm literally I already I fully have chills at

446
00:21:01,480 --> 00:21:02,879
Speaker 1: how you're awful it is.

447
00:21:03,040 --> 00:21:07,600
Speaker 3: You don't want to do that thing? Are you actually

448
00:21:07,760 --> 00:21:10,840
Speaker 3: kissing his ear? Yeah?

449
00:21:12,680 --> 00:21:14,320
Speaker 4: You think that was in his throne? Should have gotten

450
00:21:14,359 --> 00:21:15,840
Speaker 4: us a Kid's Choice Awards?

451
00:21:16,720 --> 00:21:18,880
Speaker 1: Oh gosh, I.

452
00:21:18,800 --> 00:21:21,439
Speaker 3: Did we got Yeah? Snub by the m he's again,

453
00:21:22,760 --> 00:21:24,640
Speaker 3: this episode would have been our entry.

454
00:21:25,600 --> 00:21:29,240
Speaker 1: He reads the titles aloud. Estrogen on Parade, put down

455
00:21:29,359 --> 00:21:32,680
Speaker 1: the seat, and these shoes are these shoes?

456
00:21:32,960 --> 00:21:34,800
Speaker 3: Get it? Because those are things? Are women?

457
00:21:34,960 --> 00:21:37,439
Speaker 1: Women are?

458
00:21:37,840 --> 00:21:40,640
Speaker 3: It's so ridiculous. Real movies are made by men for men.

459
00:21:41,200 --> 00:21:47,159
Speaker 3: Real movies are made about real things, not chums up.

460
00:21:47,320 --> 00:21:53,679
Speaker 1: Dear man, However, you cancer movie, Sean adds, perhaps perhaps

461
00:21:53,680 --> 00:21:58,840
Speaker 1: the ladies are unaware of Jennifer Lopez versus Carmen Electra

462
00:21:59,160 --> 00:22:00,840
Speaker 1: on Celebrity Death Match.

463
00:22:00,960 --> 00:22:02,399
Speaker 4: It's a good episode.

464
00:22:01,960 --> 00:22:07,720
Speaker 1: In Putting on Ponies yep. Rachel reminds him this is

465
00:22:07,840 --> 00:22:11,919
Speaker 1: ladies night, but Corey interrupts her, No, Ladies tonight is

466
00:22:12,160 --> 00:22:17,240
Speaker 1: booty night. Moving on, seemingly happy with Corey's declaration to

467
00:22:17,320 --> 00:22:19,920
Speaker 1: Panga and Angela cuddle up to their boyfriend's in response,

468
00:22:20,400 --> 00:22:24,119
Speaker 1: leaving Rachel sad alone and sighing. Then we're in the

469
00:22:24,160 --> 00:22:27,200
Speaker 1: student union. Phoene is slipping through some magazines when Jack

470
00:22:27,240 --> 00:22:29,560
Speaker 1: inter Reup's dressed in the store's uniform in a name tag.

471
00:22:29,800 --> 00:22:32,560
Speaker 1: He thinks Phoenie for the job recommendation. He's the manager.

472
00:22:32,880 --> 00:22:35,040
Speaker 1: Phoene explains, this is your last year of college. I

473
00:22:35,040 --> 00:22:37,440
Speaker 1: thought the job experience would be good for you. Jack

474
00:22:37,480 --> 00:22:39,600
Speaker 1: admits it's weird to think that this time next year,

475
00:22:39,640 --> 00:22:41,639
Speaker 1: I'll be out in the cold, cruel world, trying to

476
00:22:41,680 --> 00:22:44,040
Speaker 1: make it on my own. Phoene asks if he's ready

477
00:22:44,040 --> 00:22:46,040
Speaker 1: for it, and Jack says yes. Then he points off

478
00:22:46,040 --> 00:22:48,360
Speaker 1: in the distance. It's him, I'm worried about hold on.

479
00:22:48,320 --> 00:22:50,320
Speaker 3: Sha Wait, did you think it's the senior year?

480
00:22:50,680 --> 00:22:54,560
Speaker 1: Yeah? Yeah, Does that make sense with we've been in

481
00:22:54,600 --> 00:22:57,359
Speaker 1: college now for two years and Eric is two years

482
00:22:57,400 --> 00:23:01,000
Speaker 1: older than we are. Right, this is our second year

483
00:23:01,040 --> 00:23:01,960
Speaker 1: and at Prember.

484
00:23:02,000 --> 00:23:04,160
Speaker 3: Eric was only one year older. But maybe he doesn't

485
00:23:04,160 --> 00:23:04,800
Speaker 3: make sense.

486
00:23:04,640 --> 00:23:07,080
Speaker 2: Eric, I, Well, remember Eric took a year off because

487
00:23:07,080 --> 00:23:08,159
Speaker 2: he couldn't get into college.

488
00:23:08,840 --> 00:23:11,640
Speaker 3: Oh so right, if Jack's the same age as Eric,

489
00:23:11,840 --> 00:23:14,399
Speaker 3: it would actually be Eric's junior year and Jack's senior right.

490
00:23:14,640 --> 00:23:17,880
Speaker 1: Okay, yeah, wow, we see Eric also in the employee

491
00:23:17,880 --> 00:23:20,320
Speaker 1: get up. He strolls past a student and asks, hey, Melissa,

492
00:23:20,400 --> 00:23:23,199
Speaker 1: classical civilization course. Gotch you blue? Huh? You know what

493
00:23:23,240 --> 00:23:25,640
Speaker 1: you need? Then he pulls out a bottle of whip cream. Bam,

494
00:23:25,720 --> 00:23:28,480
Speaker 1: A little more whip cream makes everything better, baby. He

495
00:23:28,600 --> 00:23:31,439
Speaker 1: proceeds to douse her coffee with it. Then he spots

496
00:23:31,480 --> 00:23:33,800
Speaker 1: two other students sitting across from each other. Will you

497
00:23:33,840 --> 00:23:36,919
Speaker 1: please to stop dancing around each other? He's noticed them

498
00:23:36,960 --> 00:23:39,119
Speaker 1: all week staring at each other, but they never make

499
00:23:39,160 --> 00:23:41,679
Speaker 1: an actual move, so he's taken it upon himself to

500
00:23:41,680 --> 00:23:44,080
Speaker 1: bring them together. They follow his lead and decide to

501
00:23:44,119 --> 00:23:45,000
Speaker 1: sit at the same table.

502
00:23:45,400 --> 00:23:48,919
Speaker 3: Probably just background. Actors are so good with you and

503
00:23:49,040 --> 00:23:51,320
Speaker 3: you yeah, it felt natural, it didn't, you know, like

504
00:23:51,400 --> 00:23:54,679
Speaker 3: oftentimes when you're engaged like when you're interacting with background

505
00:23:54,680 --> 00:23:57,120
Speaker 3: actors and they're not allowed to speak, there's this sense

506
00:23:57,160 --> 00:24:00,879
Speaker 3: of like, yeah, exactly, like you know there's yeah, it

507
00:24:00,880 --> 00:24:02,880
Speaker 3: gives you a stiff performance. Yeah, But in this case

508
00:24:02,880 --> 00:24:05,080
Speaker 3: it felt totally fun and they were like smiling, and

509
00:24:05,160 --> 00:24:05,880
Speaker 3: I don't know it was cool.

510
00:24:05,880 --> 00:24:08,400
Speaker 4: I also think most of the week I was doing whippits.

511
00:24:10,920 --> 00:24:11,119
Speaker 1: You are?

512
00:24:12,040 --> 00:24:12,840
Speaker 4: You have shared?

513
00:24:13,359 --> 00:24:19,520
Speaker 1: Why couldn't you share? A proud Eric tells them to

514
00:24:19,560 --> 00:24:21,639
Speaker 1: invite him to the wedding, then sprays a little mountain

515
00:24:21,680 --> 00:24:24,600
Speaker 1: of whipped cream onto the boy's textbook. Do something with that,

516
00:24:24,640 --> 00:24:27,680
Speaker 1: all right? Jack watches on in concern and tells Foene,

517
00:24:27,680 --> 00:24:29,760
Speaker 1: I don't want to overstep my bounds, but why would

518
00:24:29,800 --> 00:24:33,480
Speaker 1: you recommend him as my assistant manager. Phoene reminds Jack

519
00:24:33,520 --> 00:24:36,000
Speaker 1: of this cold, cruel world and he figured this could

520
00:24:36,000 --> 00:24:39,359
Speaker 1: give him some practice. Jack assumes that Phoene's intention was

521
00:24:39,400 --> 00:24:42,399
Speaker 1: for Eric to learn from him, but Feoene reveals I

522
00:24:42,440 --> 00:24:44,400
Speaker 1: was hoping it'd be good for both of you. As

523
00:24:44,480 --> 00:24:47,400
Speaker 1: Jack walks away, Eric spots his favorite teacher and decides

524
00:24:47,480 --> 00:24:50,000
Speaker 1: to not do the Phoenie call. Here, he says, while

525
00:24:50,040 --> 00:24:54,199
Speaker 1: showing off his uniform, mister Feenie, Eric Matthews, businessman, What

526
00:24:54,240 --> 00:24:57,320
Speaker 1: do you think? Phoene admits it's very impressive, then holds

527
00:24:57,359 --> 00:25:00,040
Speaker 1: up a Penbrook sweatshirt with an embroidered penguin mascot on

528
00:25:00,119 --> 00:25:03,240
Speaker 1: it and asks Eric what he thinks. Eric gushes, that

529
00:25:03,440 --> 00:25:05,920
Speaker 1: is you. When the new missus Phoene gets a look

530
00:25:05,960 --> 00:25:08,240
Speaker 1: at you in that sweatshirt, they're gonna have to hoseer down,

531
00:25:08,320 --> 00:25:12,159
Speaker 1: my friend. And it's here I remembered, Oh right, Phoenie

532
00:25:12,160 --> 00:25:12,920
Speaker 1: and the Deaner married.

533
00:25:13,160 --> 00:25:15,800
Speaker 4: Yes, just yep, forgot all about that.

534
00:25:15,960 --> 00:25:16,160
Speaker 3: Yep.

535
00:25:16,800 --> 00:25:19,200
Speaker 1: Phoene's on the fence, but admits the benguin does look

536
00:25:19,280 --> 00:25:22,640
Speaker 1: quite masculine and for the right occasion, it would fit

537
00:25:22,680 --> 00:25:25,480
Speaker 1: the bill. Eric sweetens the deal by telling him it's

538
00:25:25,480 --> 00:25:28,439
Speaker 1: just nineteen ninety nine plus tax. Phoene asks what the

539
00:25:28,480 --> 00:25:31,080
Speaker 1: tax is and Eric responds it's a percentage of something,

540
00:25:31,080 --> 00:25:34,879
Speaker 1: but I'm not really sure. Then Jack interrupts the sales

541
00:25:34,920 --> 00:25:37,480
Speaker 1: pitch for a quick word with Eric. Now outside the store,

542
00:25:37,640 --> 00:25:39,880
Speaker 1: Eric beams, this work thing is going great. I think

543
00:25:39,920 --> 00:25:43,360
Speaker 1: I'm really a people person, you know, Half listening, Jack responds,

544
00:25:43,359 --> 00:25:45,240
Speaker 1: good for you, listen, I don't want to bust up

545
00:25:45,280 --> 00:25:47,240
Speaker 1: your people parade, but take this to the bank and

546
00:25:47,280 --> 00:25:50,120
Speaker 1: deposit it. He hands his assistant manager and envelope filled

547
00:25:50,160 --> 00:25:52,679
Speaker 1: with cash. Eric's eyes widened at the money, and he

548
00:25:52,720 --> 00:25:55,879
Speaker 1: assures his roommate slash supervisor, that he can totally trust

549
00:25:55,920 --> 00:25:58,119
Speaker 1: him with all of it. After letting that sink in,

550
00:25:58,600 --> 00:26:00,720
Speaker 1: Jack tries to take the cash back, but Eric doesn't

551
00:26:00,760 --> 00:26:02,760
Speaker 1: let him. I need that bank crap on my resume,

552
00:26:03,119 --> 00:26:05,600
Speaker 1: so Jack slowly walks him through each step like he's

553
00:26:05,640 --> 00:26:08,320
Speaker 1: in kindergarten. You're gonna take the money to the bank,

554
00:26:08,680 --> 00:26:11,840
Speaker 1: deposit it, and then come right back. He forces Eric

555
00:26:11,880 --> 00:26:14,200
Speaker 1: to repeat the steps back, and Eric manages to do it.

556
00:26:14,440 --> 00:26:17,199
Speaker 1: Jack encourages him to continue repeating the words allowed so

557
00:26:17,240 --> 00:26:20,560
Speaker 1: he doesn't forget anything ready for the world. Eric happily

558
00:26:20,560 --> 00:26:22,959
Speaker 1: makes his way out of the building, repeating everything allowed,

559
00:26:23,000 --> 00:26:27,280
Speaker 1: with Jack encouraging him to keep saying it until he's

560
00:26:27,320 --> 00:26:29,840
Speaker 1: now arrived at the bank. He's now repeating a new

561
00:26:29,920 --> 00:26:33,240
Speaker 1: set of instructions, take my mom to see Frank, clean

562
00:26:33,280 --> 00:26:34,359
Speaker 1: my closet, and take.

563
00:26:34,280 --> 00:26:39,520
Speaker 2: Ant That's that's funny, funny, funny, yeah, bunny, and like.

564
00:26:39,560 --> 00:26:44,400
Speaker 3: You know, yeah, I'm happy with this. The storyline, it's

565
00:26:44,600 --> 00:26:47,320
Speaker 3: storyline yeah, but I mean you with the whip cream

566
00:26:47,359 --> 00:26:47,760
Speaker 3: is funny.

567
00:26:48,400 --> 00:26:51,960
Speaker 4: Do you guys have a job you need to involve monkeys?

568
00:26:52,359 --> 00:26:54,760
Speaker 1: Yeah, I guess it's wrong with the monkeys.

569
00:26:55,160 --> 00:26:57,520
Speaker 3: Why, well, because why the monkey? Why couldn't it have

570
00:26:57,560 --> 00:27:01,160
Speaker 3: been with the monkey? I mean it's like, where does

571
00:27:01,200 --> 00:27:01,679
Speaker 3: this happen?

572
00:27:02,960 --> 00:27:06,520
Speaker 2: And they also why is the organ grinder specifically playing

573
00:27:06,560 --> 00:27:07,600
Speaker 2: it like it is a scam?

574
00:27:08,040 --> 00:27:09,840
Speaker 3: Yes, that's what I was wondering.

575
00:27:09,920 --> 00:27:11,919
Speaker 2: He looks at the name tag and he names the

576
00:27:11,960 --> 00:27:14,800
Speaker 2: thing Eric, like why not just make it a real thing?

577
00:27:15,440 --> 00:27:19,280
Speaker 1: No, hold on, guys, I thought that is what happened,

578
00:27:19,760 --> 00:27:23,280
Speaker 1: that he saw your name tag. He does turn and

579
00:27:23,320 --> 00:27:25,719
Speaker 1: look at you, and then turn and look at the monkey.

580
00:27:26,440 --> 00:27:28,440
Speaker 1: I don't know now in hindsight that we know it's

581
00:27:28,480 --> 00:27:31,000
Speaker 1: not a scam. I think the monkey's name is little Eric.

582
00:27:31,840 --> 00:27:34,000
Speaker 2: Well, no, he clearly looks down at the name tag

583
00:27:34,200 --> 00:27:36,160
Speaker 2: and then he gets this look on his face and his.

584
00:27:36,080 --> 00:27:36,720
Speaker 4: Eyes pop up.

585
00:27:36,720 --> 00:27:38,880
Speaker 3: Said, he goes, oh, little Eric, and then he also

586
00:27:39,000 --> 00:27:41,679
Speaker 3: waits to hear how much money Eric has. Right then

587
00:27:41,720 --> 00:27:43,040
Speaker 3: he says seventeen hundred dollars.

588
00:27:43,240 --> 00:27:47,200
Speaker 1: I think all of that is that it's just a coincidence. Writer,

589
00:27:47,480 --> 00:27:52,800
Speaker 1: mister coincidence, there's no Yes, this man has a monkey

590
00:27:52,920 --> 00:27:56,480
Speaker 1: named little Eric, and he realizes, oh my god, this

591
00:27:56,560 --> 00:27:59,960
Speaker 1: man here also has the name Eric.

592
00:28:01,160 --> 00:28:03,120
Speaker 3: Do you think that look is supposed to imply that?

593
00:28:03,359 --> 00:28:05,520
Speaker 3: But his look is supposed to be like you.

594
00:28:05,560 --> 00:28:07,719
Speaker 1: They want it to play both ways, set it up

595
00:28:07,760 --> 00:28:12,440
Speaker 1: like obviously they wanted to.

596
00:28:11,880 --> 00:28:14,679
Speaker 2: Because I just why couldn't have just have been This

597
00:28:14,720 --> 00:28:17,000
Speaker 2: is where it's like it gets the absurdity with Eric

598
00:28:17,080 --> 00:28:19,560
Speaker 2: dancing with the monkey. Why can't have just been something

599
00:28:19,600 --> 00:28:21,760
Speaker 2: that like Jack did, where he walks in and somebody's

600
00:28:22,280 --> 00:28:24,960
Speaker 2: legitimately having a problem, so they're going to lose their house,

601
00:28:25,000 --> 00:28:25,680
Speaker 2: They're gonna.

602
00:28:25,440 --> 00:28:28,199
Speaker 1: Do something like they want to set up. This is

603
00:28:28,280 --> 00:28:32,000
Speaker 1: something only Eric would fall for. None of the other

604
00:28:32,119 --> 00:28:35,719
Speaker 1: characters on the show would ever give over their money

605
00:28:35,760 --> 00:28:37,840
Speaker 1: to a guy who needs to bring a monkey over,

606
00:28:37,960 --> 00:28:43,200
Speaker 1: but Eric would. And the idea is that that alone

607
00:28:43,520 --> 00:28:48,440
Speaker 1: makes Eric dumb, And then the idea that being an

608
00:28:48,520 --> 00:28:55,240
Speaker 1: empathetic person who feels for everyone in every situation sometimes

609
00:28:55,520 --> 00:28:58,280
Speaker 1: might bite you in. It might have ended up being

610
00:28:58,280 --> 00:29:01,080
Speaker 1: a scam. And still, at the end of the day,

611
00:29:01,960 --> 00:29:05,280
Speaker 1: there are pros to being the type of person who's

612
00:29:05,320 --> 00:29:09,400
Speaker 1: so giving that even when it likely is a scam

613
00:29:09,640 --> 00:29:11,480
Speaker 1: is willing to put himself out there.

614
00:29:11,520 --> 00:29:12,280
Speaker 4: That I get it.

615
00:29:12,360 --> 00:29:14,600
Speaker 2: I feel like it was written like they had a

616
00:29:14,600 --> 00:29:16,440
Speaker 2: monkey in the budget and this is the best way

617
00:29:16,480 --> 00:29:19,400
Speaker 2: to throw it in there, where it was just like

618
00:29:19,440 --> 00:29:21,440
Speaker 2: do we need do we need a monkey? Did we

619
00:29:21,480 --> 00:29:23,920
Speaker 2: need Eric Dancy with the monkey to get the storyline through?

620
00:29:24,160 --> 00:29:25,840
Speaker 2: And this is where it goes to me for people

621
00:29:25,840 --> 00:29:28,240
Speaker 2: are like Eric becomes absurd in the seventh season. It's

622
00:29:28,280 --> 00:29:30,200
Speaker 2: moments like this where it's like, did we need the

623
00:29:30,320 --> 00:29:31,880
Speaker 2: organ grinder in the monk?

624
00:29:32,040 --> 00:29:33,000
Speaker 4: Yeah, in the bank.

625
00:29:33,440 --> 00:29:35,560
Speaker 1: It's a little though, like what Matt Johnson was saying

626
00:29:35,600 --> 00:29:38,840
Speaker 1: about your character is like, yes, he's an idiot, but

627
00:29:38,880 --> 00:29:41,880
Speaker 1: he's always on the right side. He's always doing it

628
00:29:41,920 --> 00:29:42,600
Speaker 1: for the right reason.

629
00:29:43,280 --> 00:29:44,960
Speaker 3: And so I think it has to be something sort

630
00:29:45,000 --> 00:29:47,600
Speaker 3: of cute and ridiculous that Eric falls from.

631
00:29:48,040 --> 00:29:49,280
Speaker 1: It was just a SOB story.

632
00:29:49,280 --> 00:29:52,040
Speaker 3: It was just a SOB story the way that Jack does,

633
00:29:52,160 --> 00:29:54,240
Speaker 3: it's not the same. The point needs to be that

634
00:29:54,320 --> 00:29:56,840
Speaker 3: his heart is always in the right place, even when

635
00:29:56,840 --> 00:29:58,440
Speaker 3: it's so obviously absurd.

636
00:29:58,960 --> 00:30:01,920
Speaker 1: Correct, And where any other character would have been like

637
00:30:02,320 --> 00:30:06,200
Speaker 1: oh no, no, no, only Eric would be like the monkey,

638
00:30:06,440 --> 00:30:10,280
Speaker 1: sad sad. He looks around and wonders where am I.

639
00:30:10,600 --> 00:30:12,920
Speaker 1: He pulls out the cash and giggles, Oh yeah. He

640
00:30:12,960 --> 00:30:15,120
Speaker 1: flashes the wad without a care in the world, catching

641
00:30:15,120 --> 00:30:17,400
Speaker 1: the attention of an old organ grinder with a monkey

642
00:30:17,440 --> 00:30:22,760
Speaker 1: wearing a jumpsuit on his shoulder, the aforementioned Marcel. He

643
00:30:22,800 --> 00:30:25,320
Speaker 1: glances at Eric's badge and thinks on his toes by

644
00:30:25,360 --> 00:30:28,320
Speaker 1: turning to his little animal co worker and apologizing loudly

645
00:30:28,400 --> 00:30:31,880
Speaker 1: in an Italian accent. Sorry, Eric, I just don't have enough.

646
00:30:32,400 --> 00:30:35,160
Speaker 1: Eric perks up. Huh. The man clarifies, Oh, I was

647
00:30:35,200 --> 00:30:38,680
Speaker 1: talking to my friend here, little Eric. Eric's aghast that

648
00:30:38,840 --> 00:30:41,560
Speaker 1: monkey's got the same name as me. The man pretends

649
00:30:41,600 --> 00:30:43,920
Speaker 1: to be shocked as Eric flashes his badge as proof,

650
00:30:44,000 --> 00:30:47,120
Speaker 1: boasting he's assistant manager of the student union and is

651
00:30:47,160 --> 00:30:51,880
Speaker 1: there depositing seventeen hundred smack a renos. The man is impressed.

652
00:30:52,040 --> 00:30:54,200
Speaker 1: That's a lot of money. He looks at his monkey

653
00:30:54,200 --> 00:30:56,680
Speaker 1: and says, that's the kind of money we don't have.

654
00:30:57,160 --> 00:30:59,480
Speaker 1: Eric wonders, what do you need the money for, mister

655
00:30:59,640 --> 00:31:04,880
Speaker 1: organ grin, The obvious con man explains for the monkey's girlfriend, Isabella.

656
00:31:05,520 --> 00:31:08,240
Speaker 1: Eric's intrigued by this monkey, babe, and the man continues,

657
00:31:08,400 --> 00:31:10,680
Speaker 1: she's still in Milwaukee. I don't have enough money to

658
00:31:10,720 --> 00:31:13,280
Speaker 1: send for her. Eric won't do his happy dance without her.

659
00:31:13,760 --> 00:31:16,880
Speaker 1: Nobody wants to pay to see a depressed monkey. Eric

660
00:31:16,920 --> 00:31:19,240
Speaker 1: wonders how much money he'd need, and the man calculates

661
00:31:19,280 --> 00:31:25,200
Speaker 1: the cost, eventually landing on seventeen hundred. Smackerinos. Eric gasps,

662
00:31:25,560 --> 00:31:28,400
Speaker 1: that's exactly how much I have. The old man mimics

663
00:31:28,440 --> 00:31:30,480
Speaker 1: the shock and the monkey holds his head in distress.

664
00:31:30,920 --> 00:31:33,680
Speaker 1: Eric is clearly affected. I think you should take this,

665
00:31:34,160 --> 00:31:36,360
Speaker 1: the audience groans as he hands the money to the

666
00:31:36,400 --> 00:31:38,720
Speaker 1: old man. I can't let money stand in the way

667
00:31:38,760 --> 00:31:43,160
Speaker 1: of monkey love. The man can't believe it. He accepts

668
00:31:43,200 --> 00:31:45,479
Speaker 1: the money and tells Eric what a good person he is.

669
00:31:45,800 --> 00:31:49,040
Speaker 1: He claims that now Eric, the monkey won't be depressed anymore.

670
00:31:49,320 --> 00:31:51,600
Speaker 1: The grinder asks Eric where he can find him, you know,

671
00:31:51,880 --> 00:31:55,760
Speaker 1: to pay him back. Eric tells him Penbrook University Student Union.

672
00:31:56,080 --> 00:31:59,240
Speaker 1: The man can't thank Eric enough. He encourages little Eric

673
00:31:59,280 --> 00:32:01,680
Speaker 1: to show him his happy dance, and with that, the

674
00:32:01,680 --> 00:32:04,120
Speaker 1: monkey springs off his shoulder and onto the counter. As

675
00:32:04,120 --> 00:32:07,400
Speaker 1: circus music plays, he does some impressive kicks. And spins

676
00:32:07,440 --> 00:32:11,640
Speaker 1: and human Eric gasps, that's the same as my happy dance.

677
00:32:12,600 --> 00:32:15,680
Speaker 1: He copies the monkey's moves perfectly and they dance together,

678
00:32:16,200 --> 00:32:22,000
Speaker 1: a true Wilfredell moment. Everyone cute. What do you remember

679
00:32:22,000 --> 00:32:23,000
Speaker 1: about working with the monkey?

680
00:32:24,160 --> 00:32:24,640
Speaker 4: I don't.

681
00:32:25,240 --> 00:32:28,000
Speaker 2: I remember being excited that it was Marcel from Friends

682
00:32:28,040 --> 00:32:29,320
Speaker 2: because I was a big fan of Friends.

683
00:32:30,280 --> 00:32:33,880
Speaker 4: Other than that, I don't. Okay, I don't remember anything

684
00:32:33,880 --> 00:32:34,160
Speaker 4: about it.

685
00:32:34,160 --> 00:32:36,560
Speaker 2: I'm sure we got you know, safety instructors, like it's cute,

686
00:32:36,560 --> 00:32:37,120
Speaker 2: don't look at.

687
00:32:37,000 --> 00:32:37,560
Speaker 4: It, don't touch it.

688
00:32:37,640 --> 00:32:39,120
Speaker 1: Yeah, jump away from it.

689
00:32:39,280 --> 00:32:41,320
Speaker 2: Jump away from it exactly. It goes for the eyes

690
00:32:41,360 --> 00:32:41,959
Speaker 2: and stuff like that.

691
00:32:54,840 --> 00:32:56,880
Speaker 1: We're in the girl's apartment. Sean and Corey sit with

692
00:32:56,920 --> 00:32:59,760
Speaker 1: an array of various cooked meats, half a pizza, and

693
00:32:59,760 --> 00:33:02,400
Speaker 1: some Chinese food, and they are going to town.

694
00:33:02,720 --> 00:33:07,040
Speaker 2: So Rachel just sits at home and cooks full turkeys. Yep,

695
00:33:07,280 --> 00:33:11,200
Speaker 2: that's just her thing, a giant rib roast full turkey.

696
00:33:11,320 --> 00:33:12,719
Speaker 2: She's got hundreds of dollars.

697
00:33:12,760 --> 00:33:17,240
Speaker 1: She was on the carnivore diet apparently. Okay, Sean asks,

698
00:33:17,280 --> 00:33:20,240
Speaker 1: you know what's great about girls? Corey warns him not yet,

699
00:33:23,120 --> 00:33:25,000
Speaker 1: get it because he's never had sex. So I can't

700
00:33:25,000 --> 00:33:25,880
Speaker 1: think of one.

701
00:33:25,760 --> 00:33:29,080
Speaker 2: Positive good thing about girls is the sex part.

702
00:33:29,320 --> 00:33:31,960
Speaker 1: But Seawn elaborates anyway, they can never finish a meal

703
00:33:32,000 --> 00:33:34,960
Speaker 1: in public. They always bring it home to their refrigerators

704
00:33:36,240 --> 00:33:42,440
Speaker 1: like spiders. As they're devouring a rib roast and a

705
00:33:42,440 --> 00:33:45,160
Speaker 1: turkey leg Rachel walks out in a towel. She's surprised

706
00:33:45,160 --> 00:33:48,000
Speaker 1: to see the boys and screams Corey grins hey, Hey, hey,

707
00:33:48,320 --> 00:33:51,320
Speaker 1: to what do we owe this? Free? Looky?

708
00:33:52,240 --> 00:33:52,800
Speaker 3: Free? Looky?

709
00:33:53,000 --> 00:33:55,440
Speaker 4: Do you now? This episode, we have to point out

710
00:33:55,480 --> 00:33:56,360
Speaker 4: was written by a woman.

711
00:33:56,960 --> 00:33:57,920
Speaker 1: I have to point that out.

712
00:33:58,160 --> 00:33:59,760
Speaker 4: How much of.

713
00:33:59,600 --> 00:34:02,480
Speaker 2: The episode, Like if you saw and again this is

714
00:34:02,720 --> 00:34:07,680
Speaker 2: pure speculation, if you saw her original script and you

715
00:34:07,720 --> 00:34:10,960
Speaker 2: saw the final script, how many of these jokes in

716
00:34:10,960 --> 00:34:12,800
Speaker 2: this storyline you think would be the same.

717
00:34:13,280 --> 00:34:15,839
Speaker 3: With this storyline, there's no way to avoid I mean,

718
00:34:15,880 --> 00:34:19,359
Speaker 3: based on the outline of this storyline, Like, I don't

719
00:34:19,400 --> 00:34:21,359
Speaker 3: know how you avoid all this.

720
00:34:21,920 --> 00:34:24,520
Speaker 1: Maybe you're a little bit in the beginning, very easy

721
00:34:24,560 --> 00:34:29,839
Speaker 1: for it to not be around Horner and her gimes sexuality, right,

722
00:34:29,880 --> 00:34:31,880
Speaker 1: and it was just a boundary for right or.

723
00:34:31,920 --> 00:34:34,000
Speaker 3: Yeah, I'm eating the food is a good example of that, right,

724
00:34:34,000 --> 00:34:36,280
Speaker 3: Like this could be just like you're eating all the food.

725
00:34:36,400 --> 00:34:38,640
Speaker 1: Yeah, you're eating all the food here. And even then,

726
00:34:38,640 --> 00:34:40,879
Speaker 1: if we stick with the idea of like, okay, we're

727
00:34:40,920 --> 00:34:43,520
Speaker 1: all going to be one big, happy family, okay, sure,

728
00:34:44,000 --> 00:34:46,680
Speaker 1: then next thing you know, she has a party. She

729
00:34:46,719 --> 00:34:49,360
Speaker 1: invites a bunch of people over and Angela and Topanga

730
00:34:49,400 --> 00:34:51,440
Speaker 1: are trying to sleep and at seven am there's a

731
00:34:51,440 --> 00:34:53,879
Speaker 1: party and she's like, come on, come join us. Family.

732
00:34:53,960 --> 00:34:55,960
Speaker 1: You know, there's some there's a million other ways to

733
00:34:56,040 --> 00:34:58,640
Speaker 1: do boundary crossing when you share common space.

734
00:35:00,360 --> 00:35:03,160
Speaker 3: Guy's pigs, But that's so fun to call guy. I mean,

735
00:35:03,200 --> 00:35:04,319
Speaker 3: how many times do we do it?

736
00:35:04,320 --> 00:35:05,879
Speaker 4: It's the misogyny. But that's the thing.

737
00:35:05,920 --> 00:35:08,400
Speaker 2: I mean, they did this episode on Seinfeld where literally

738
00:35:08,480 --> 00:35:11,040
Speaker 2: Kramer has a key to Jerry's apartment and it's like

739
00:35:11,160 --> 00:35:12,880
Speaker 2: Jerry has used the bathroom, so he runs in and

740
00:35:12,920 --> 00:35:14,600
Speaker 2: Kramer's in the bathtub and he's like, what the hell.

741
00:35:14,440 --> 00:35:16,080
Speaker 4: Are you doing to my bathtub? I mean, it's like,

742
00:35:16,120 --> 00:35:18,000
Speaker 4: there's ways to do it. That's funny.

743
00:35:18,239 --> 00:35:20,440
Speaker 3: Yeah, but you didn't get lingerie.

744
00:35:21,120 --> 00:35:23,919
Speaker 4: That's all it came down you, right, is launch?

745
00:35:24,320 --> 00:35:26,759
Speaker 1: What do you think the original outline? Yes, what do

746
00:35:26,760 --> 00:35:28,640
Speaker 1: you think of what do you think it became good question.

747
00:35:28,760 --> 00:35:33,839
Speaker 1: Maybe we can Alison on the show. Rachel asks how

748
00:35:33,880 --> 00:35:36,040
Speaker 1: they got in, and Corey reveals the key to Pega

749
00:35:36,080 --> 00:35:38,320
Speaker 1: gave him. Rachel huffs, I wish to Pega would have

750
00:35:38,360 --> 00:35:41,040
Speaker 1: told me about it first. Corey is shocked she didn't

751
00:35:41,080 --> 00:35:44,480
Speaker 1: tell you. Sean realizes that's just wrong. Corey admits it

752
00:35:44,480 --> 00:35:47,680
Speaker 1: feels uncomfortable now, and Sean agrees this is extremely awkward.

753
00:35:48,000 --> 00:35:49,880
Speaker 1: They quickly start to put away the food, as Corey

754
00:35:49,880 --> 00:35:53,160
Speaker 1: tells Rachel, you must think we're barbarians or something. Rachel

755
00:35:53,160 --> 00:35:55,360
Speaker 1: shakes her head. No, I'm sorry. I was just a

756
00:35:55,400 --> 00:35:58,120
Speaker 1: little surprised to see you here eating my food, which

757
00:35:58,719 --> 00:36:00,960
Speaker 1: is mine. But I'm not going to keep you from

758
00:36:01,000 --> 00:36:04,160
Speaker 1: your girlfriends. The guys are shocked. Sean clarifies, so you

759
00:36:04,160 --> 00:36:07,640
Speaker 1: want us to stay? Rachel hesitantly says yeah. I guess

760
00:36:07,960 --> 00:36:10,560
Speaker 1: the boys have heard enough. Corey slams the fridge door

761
00:36:10,560 --> 00:36:13,640
Speaker 1: shut and shouts, then we need horse radish. Sean clarifies,

762
00:36:13,719 --> 00:36:16,040
Speaker 1: red not white, and ads. We're gonna need some macaroni

763
00:36:16,080 --> 00:36:20,880
Speaker 1: and cheese. Corey agrees, rugrats sewn ads not dinosaurs. Sean

764
00:36:20,920 --> 00:36:23,000
Speaker 1: turns to Rachel, we have some other things for you

765
00:36:23,080 --> 00:36:28,160
Speaker 1: to a list of the shapes of will and I

766
00:36:28,200 --> 00:36:30,800
Speaker 1: know this well. Yeah, of course, of course, Corey explains,

767
00:36:30,800 --> 00:36:32,560
Speaker 1: with a mouthful of turkey. We put it in your

768
00:36:32,640 --> 00:36:36,200
Speaker 1: underwear drawer so you wouldn't miss it. Rachel's disgusted. Sean

769
00:36:36,280 --> 00:36:39,400
Speaker 1: Creeplie smirks. Who gets to see that little purple number?

770
00:36:39,800 --> 00:36:40,440
Speaker 4: Who does this?

771
00:36:41,120 --> 00:36:44,439
Speaker 2: Who just walks into somebody's house unless they're a sociopath

772
00:36:45,040 --> 00:36:47,920
Speaker 2: or a sex offender, and walks in and just starts

773
00:36:47,960 --> 00:36:50,600
Speaker 2: going through a random person's underwear drawer.

774
00:36:51,200 --> 00:36:53,719
Speaker 1: When do we think they did this while she was

775
00:36:53,719 --> 00:36:56,320
Speaker 1: in the shower? Like since they've been here this time

776
00:36:56,480 --> 00:36:59,319
Speaker 1: or days ago? Like, what do you think? When do

777
00:36:59,360 --> 00:37:01,440
Speaker 1: you think they did this? Who knows? Who cares?

778
00:37:01,600 --> 00:37:03,920
Speaker 4: What pitch did they reject? Right?

779
00:37:04,360 --> 00:37:09,839
Speaker 1: None? Anything? Yeah, Rachel can't believe this. They went into

780
00:37:09,880 --> 00:37:12,840
Speaker 1: her diary and read it. Sean nods, Yeah, you're a

781
00:37:12,960 --> 00:37:16,200
Speaker 1: very bad girl. Corey wonders, you think if we saw

782
00:37:16,239 --> 00:37:18,880
Speaker 1: you in the purple underwear that we'd scream, oh mama.

783
00:37:19,600 --> 00:37:21,959
Speaker 1: Rachel shrieks in horror and tells them to get out.

784
00:37:22,520 --> 00:37:24,839
Speaker 1: She snatches the turkey leg from Corey and pushes them

785
00:37:24,840 --> 00:37:28,200
Speaker 1: both toward the door. The guys are offended, Cory reminds her,

786
00:37:28,239 --> 00:37:30,319
Speaker 1: you can't kick us out. We've got a key. She

787
00:37:30,400 --> 00:37:32,920
Speaker 1: snatches it from his hand. Not anymore, you don't out.

788
00:37:33,280 --> 00:37:35,600
Speaker 1: Cory throws a random piece of food at her on

789
00:37:35,640 --> 00:37:37,600
Speaker 1: their way out, and she chucks it right back at him,

790
00:37:37,680 --> 00:37:38,600
Speaker 1: nailing him in the head.

791
00:37:38,840 --> 00:37:41,960
Speaker 4: That because you're laughing when you walked.

792
00:37:41,719 --> 00:37:44,000
Speaker 1: In, well, and she looks kind of taken off guard

793
00:37:44,040 --> 00:37:45,360
Speaker 1: by it, and then she throws it back and the

794
00:37:45,400 --> 00:37:47,200
Speaker 1: audience goes nuts, which I feel like is because they

795
00:37:47,200 --> 00:37:51,160
Speaker 1: had seen it a couple times and that never happenctly

796
00:37:51,320 --> 00:37:56,760
Speaker 1: yet now off camera, Corey throws it back inside. Perfectly

797
00:37:56,760 --> 00:37:59,200
Speaker 1: timed to Pang and Angela arrive back home just as

798
00:37:59,200 --> 00:38:01,200
Speaker 1: the guys are leaving. They wonder what's going on, and

799
00:38:01,320 --> 00:38:03,560
Speaker 1: Rachel is not happy. How could you not even ask

800
00:38:03,640 --> 00:38:05,560
Speaker 1: me if they could have a key. It was supposed

801
00:38:05,560 --> 00:38:07,600
Speaker 1: to be just the three girls, like they said on

802
00:38:07,719 --> 00:38:10,680
Speaker 1: movie night, But Angela reminds her, you know we got

803
00:38:10,680 --> 00:38:13,680
Speaker 1: back together. Rachel points out, they ate all my food.

804
00:38:14,040 --> 00:38:16,200
Speaker 1: The boys have re entered the apartment, so the girls

805
00:38:16,200 --> 00:38:17,320
Speaker 1: give them accusing looks.

806
00:38:17,520 --> 00:38:19,280
Speaker 4: Did anybody else find that really weird?

807
00:38:19,440 --> 00:38:19,680
Speaker 3: Yeah?

808
00:38:19,840 --> 00:38:22,600
Speaker 2: We like left the apartment and then you just heard

809
00:38:22,680 --> 00:38:25,120
Speaker 2: doors closing and opening behind, Like if you listen to

810
00:38:25,200 --> 00:38:25,840
Speaker 2: it again.

811
00:38:25,640 --> 00:38:27,120
Speaker 4: You could just hear don't don't, don't don't.

812
00:38:27,160 --> 00:38:29,200
Speaker 2: And then we were like, what what does that sound?

813
00:38:29,280 --> 00:38:31,280
Speaker 2: And then you cut back and there's Henson.

814
00:38:31,280 --> 00:38:33,000
Speaker 3: It's like we needed to get our exit so we

815
00:38:33,040 --> 00:38:36,400
Speaker 3: could have the food throwing. Yeah, but then the reality

816
00:38:36,440 --> 00:38:38,560
Speaker 3: is once we run into our girlfriends, we just turned

817
00:38:38,600 --> 00:38:39,680
Speaker 3: around and come back in with you.

818
00:38:39,800 --> 00:38:42,080
Speaker 4: It's really weird. Blocking Yeah.

819
00:38:42,200 --> 00:38:45,680
Speaker 1: Sean plays dumb, claiming they need carbos for kissing. Rachel

820
00:38:45,719 --> 00:38:48,840
Speaker 1: also points out they read my diary. Corey is offended.

821
00:38:49,000 --> 00:38:53,560
Speaker 1: That's just not true. Just lies, just bold face lies.

822
00:38:53,560 --> 00:38:56,040
Speaker 1: Sean adds, but if we did, you're a bad girl.

823
00:38:56,520 --> 00:38:59,080
Speaker 1: They both give her a devilish grin. Rachel isn't done.

824
00:38:59,160 --> 00:39:02,480
Speaker 1: They went through my underwear drawer. Corey, again lying, claims

825
00:39:02,480 --> 00:39:05,239
Speaker 1: that's just ludicrous to Penga gets right in his face

826
00:39:05,280 --> 00:39:08,160
Speaker 1: and asks if he did. Corey hesitates, then pins all

827
00:39:08,160 --> 00:39:11,680
Speaker 1: the blame on Sean. He made me. Sean nervously announces,

828
00:39:11,840 --> 00:39:14,279
Speaker 1: my name is Sean, and I have a problem to

829
00:39:14,440 --> 00:39:18,919
Speaker 1: Pega and Angela giggle. Look how cute they are when

830
00:39:18,920 --> 00:39:19,799
Speaker 1: they're guilty.

831
00:39:20,400 --> 00:39:23,880
Speaker 3: I mean, can you imagine finding do you think, like honestly,

832
00:39:23,920 --> 00:39:27,840
Speaker 3: like in the nineties at this time, like if you

833
00:39:27,920 --> 00:39:32,200
Speaker 3: found out your boyfriend went into some other girl's underwear drawer,

834
00:39:32,400 --> 00:39:35,080
Speaker 3: is there a world where that was okay? Like do

835
00:39:35,120 --> 00:39:35,839
Speaker 3: you know.

836
00:39:36,360 --> 00:39:40,399
Speaker 4: If you're in a throuple, maybe like you were.

837
00:39:40,880 --> 00:39:44,200
Speaker 3: Like our writers or our team thought that this was

838
00:39:44,239 --> 00:39:47,440
Speaker 3: an acceptable enough reality. I mean, even though it's supposed

839
00:39:47,480 --> 00:39:49,920
Speaker 3: to be extreme, it's supposed to be absurd, but like

840
00:39:51,880 --> 00:39:54,920
Speaker 3: even in just in the and the abstract, you're supposed

841
00:39:54,920 --> 00:39:58,200
Speaker 3: to be like, well, I could see it like that

842
00:39:58,200 --> 00:40:01,560
Speaker 3: that Gus could do that and you'd forgive them. God,

843
00:40:01,960 --> 00:40:03,279
Speaker 3: I don't know. I mean it's hard. I mean we

844
00:40:03,320 --> 00:40:05,080
Speaker 3: all must have thought it was somewhat okay.

845
00:40:05,440 --> 00:40:07,080
Speaker 1: No, I think this is why I died. I think

846
00:40:07,080 --> 00:40:10,080
Speaker 1: this is this is why I remember. This is why

847
00:40:10,160 --> 00:40:16,040
Speaker 1: when the show ended, Good Riddance was literally how I felt,

848
00:40:16,520 --> 00:40:20,920
Speaker 1: because this is, first of all, imagine just for my POV,

849
00:40:21,160 --> 00:40:24,800
Speaker 1: what I've had to play this season, depressed and miserable

850
00:40:24,800 --> 00:40:28,320
Speaker 1: because of my parents, and now this version of Tapanga

851
00:40:28,680 --> 00:40:33,480
Speaker 1: that's just who I don't even know what you call this,

852
00:40:34,360 --> 00:40:37,359
Speaker 1: and so it was just like, Okay, we're good now

853
00:40:38,040 --> 00:40:39,920
Speaker 1: it feels like the feels like we have gone to

854
00:40:40,040 --> 00:40:42,759
Speaker 1: a different a totally different show.

855
00:40:42,920 --> 00:40:44,560
Speaker 4: Yeah, they didn't really make it hard to walk away

856
00:40:44,560 --> 00:40:44,960
Speaker 4: at this point.

857
00:40:45,280 --> 00:40:48,680
Speaker 1: At this point, I'm done. I'm ready. Let's call it.

858
00:40:48,719 --> 00:40:49,800
Speaker 1: I hope it's only thirteen.

859
00:40:50,200 --> 00:40:54,879
Speaker 2: So other than Bill, is there a single character, a

860
00:40:54,920 --> 00:40:57,240
Speaker 2: single character that you can point to in the show

861
00:40:57,640 --> 00:41:00,640
Speaker 2: that isn't completely different than even as season before.

862
00:41:02,360 --> 00:41:04,640
Speaker 1: I don't know how different Eric is. I don't know

863
00:41:04,680 --> 00:41:06,960
Speaker 1: that Eric is from season six to this season is

864
00:41:07,160 --> 00:41:08,240
Speaker 1: drastically bigger.

865
00:41:08,520 --> 00:41:12,560
Speaker 3: I don't know any big Yeah, and Angela's been sort

866
00:41:12,600 --> 00:41:17,839
Speaker 3: of undefined. Yeah, maybe, yeah.

867
00:41:18,160 --> 00:41:21,560
Speaker 4: I mean Jack's kind of the same because they didn't

868
00:41:21,560 --> 00:41:23,719
Speaker 4: really get like, like Angela, they didn't give him a ton.

869
00:41:23,920 --> 00:41:25,960
Speaker 1: I guess we don't know anything really about Maitland either.

870
00:41:26,000 --> 00:41:28,400
Speaker 1: We don't know anything about Rachel Rachel. See, Rachel and

871
00:41:28,480 --> 00:41:34,400
Speaker 1: Jack and Angela are kind of in limbo. They have

872
00:41:34,520 --> 00:41:37,440
Speaker 1: not progressed, nor have they necessarily gone backwards.

873
00:41:37,880 --> 00:41:40,120
Speaker 3: I keep going back to this idea that I forgot

874
00:41:40,160 --> 00:41:42,879
Speaker 3: that we were not picked up for the back nine, right,

875
00:41:42,960 --> 00:41:47,359
Speaker 3: so our writers are in a crunch, like they're and

876
00:41:47,400 --> 00:41:50,440
Speaker 3: they probably are feeling that what we did before was

877
00:41:50,480 --> 00:41:52,400
Speaker 3: not working if we didn't get picked up for a

878
00:41:52,400 --> 00:41:55,920
Speaker 3: full season. So they've been put on notice basically that

879
00:41:56,040 --> 00:41:59,520
Speaker 3: season six was not what they want, so now they're

880
00:41:59,560 --> 00:42:03,480
Speaker 3: trying to do different things. And man, it's just bad,

881
00:42:03,680 --> 00:42:05,840
Speaker 3: Like it's just and I feel like, you know, this

882
00:42:06,040 --> 00:42:10,319
Speaker 3: was probably I bet what happened is Michael was like, hey,

883
00:42:10,360 --> 00:42:13,680
Speaker 3: we're going into season seven. They didn't like season six,

884
00:42:13,760 --> 00:42:15,759
Speaker 3: but we have to wrap up the storylines that we

885
00:42:15,800 --> 00:42:17,680
Speaker 3: set up, which was about Tanga and her parents. Yeah,

886
00:42:17,719 --> 00:42:19,319
Speaker 3: but then we need to get the married right, and

887
00:42:19,320 --> 00:42:20,640
Speaker 3: we have to get the married. So now he's just

888
00:42:20,640 --> 00:42:23,000
Speaker 3: trying to like resolve that as quickly as possible, which

889
00:42:23,000 --> 00:42:25,760
Speaker 3: he did in four episodes, get the couples back together

890
00:42:25,840 --> 00:42:29,320
Speaker 3: because it obviously breaking everybody up didn't work. And then

891
00:42:29,680 --> 00:42:32,120
Speaker 3: let's just have a romp. Let's just have like a fun,

892
00:42:32,200 --> 00:42:36,080
Speaker 3: funny episode, and so you get something like this, but man,

893
00:42:36,800 --> 00:42:38,839
Speaker 3: it just throws all of our characters under the bus,

894
00:42:38,840 --> 00:42:40,759
Speaker 3: and it doesn't you know, it's what a way to

895
00:42:40,880 --> 00:42:43,719
Speaker 3: just not it's it's just too bad that like we

896
00:42:43,760 --> 00:42:46,279
Speaker 3: didn't commit to what made Boy Mean the World great,

897
00:42:46,560 --> 00:42:48,839
Speaker 3: which is like season five, Boy Means World, Like, let's

898
00:42:48,840 --> 00:42:52,920
Speaker 3: go back to like real characters and real arcs and yeah, oh.

899
00:43:05,840 --> 00:43:08,120
Speaker 1: Angela tells her, come on, you cannot be mad at

900
00:43:08,160 --> 00:43:12,480
Speaker 1: these guys. Tapega asks her now poudy pout boys to

901
00:43:12,600 --> 00:43:16,040
Speaker 1: apologize to Rachel, so they do in unison, calling her

902
00:43:16,160 --> 00:43:19,040
Speaker 1: Miss Topega looks for Rachel's approval and asks if they

903
00:43:19,080 --> 00:43:21,800
Speaker 1: can have their keyback. Rachel isn't over it. She argues

904
00:43:21,840 --> 00:43:24,040
Speaker 1: that it's not okay. She feels like she doesn't have

905
00:43:24,040 --> 00:43:27,960
Speaker 1: any privacy in her own apartment. Rightfully, so fair. Yeah.

906
00:43:28,440 --> 00:43:33,320
Speaker 1: Corey tells her that's ridiculous, which okay, sure. Sean adds

907
00:43:33,320 --> 00:43:36,120
Speaker 1: you can go back to being your bad self. Angela

908
00:43:36,120 --> 00:43:39,760
Speaker 1: begs Rachel, come on, it's Corey and Sean. Topega reminds

909
00:43:39,760 --> 00:43:42,200
Speaker 1: her that she and Corey are getting married, so they

910
00:43:42,200 --> 00:43:46,480
Speaker 1: are like family. Yeah, Corey and Topanga are like family.

911
00:43:46,800 --> 00:43:49,319
Speaker 1: How does Rachel have any What is also?

912
00:43:49,640 --> 00:43:52,000
Speaker 3: If family gets to go through each other's underwear?

913
00:43:52,120 --> 00:43:55,719
Speaker 4: D right, so, and your husband goes through your friend's underwear, fine.

914
00:43:55,640 --> 00:43:59,040
Speaker 1: Totally fine, totally fine. By the way, if either one

915
00:43:59,040 --> 00:44:02,000
Speaker 1: of you two by that friends so close we were family,

916
00:44:02,160 --> 00:44:03,680
Speaker 1: known you for thirty years. If either one of you

917
00:44:03,760 --> 00:44:06,160
Speaker 1: two went through my underwear drawer. It would just be like, well,

918
00:44:06,200 --> 00:44:08,399
Speaker 1: of course they were over family or family.

919
00:44:08,480 --> 00:44:11,040
Speaker 2: You imagine walking in and finding either rid or going

920
00:44:11,080 --> 00:44:11,959
Speaker 2: through your underwear drawer.

921
00:44:11,960 --> 00:44:15,719
Speaker 4: We're like, oh, relax, will if he insane first out

922
00:44:16,160 --> 00:44:19,080
Speaker 4: murder he underwear? So I don't give a shit, But

923
00:44:19,480 --> 00:44:22,160
Speaker 4: I mean, can you imagine the conversation? It would be

924
00:44:22,239 --> 00:44:22,960
Speaker 4: like what.

925
00:44:22,640 --> 00:44:23,120
Speaker 3: What are you?

926
00:44:23,160 --> 00:44:24,640
Speaker 1: What are you doing? Bruh?

927
00:44:24,680 --> 00:44:26,719
Speaker 4: What the hell is going on? And how'd you get

928
00:44:26,719 --> 00:44:27,040
Speaker 4: in here?

929
00:44:28,360 --> 00:44:30,640
Speaker 1: So they're like family? Rachel certainly asks is that the

930
00:44:30,680 --> 00:44:32,400
Speaker 1: way you want it? And Angela brings her in for

931
00:44:32,440 --> 00:44:34,080
Speaker 1: a hug. Let's all be like family.

932
00:44:34,200 --> 00:44:34,399
Speaker 4: Huh.

933
00:44:34,880 --> 00:44:37,520
Speaker 1: Jpega again asks for their key back, and Rachel finally

934
00:44:37,520 --> 00:44:39,480
Speaker 1: gives in. She returns it to Corey and says in

935
00:44:39,520 --> 00:44:43,440
Speaker 1: an odd tone, sure, we'll be like one big, happy

936
00:44:43,480 --> 00:44:44,600
Speaker 1: family as to.

937
00:44:44,520 --> 00:44:46,640
Speaker 2: Love how Corey keeps the key completely separate from all

938
00:44:46,680 --> 00:44:48,399
Speaker 2: other keys in your sure pocket, like you.

939
00:44:48,360 --> 00:44:49,200
Speaker 4: Do, like you do.

940
00:44:49,440 --> 00:44:51,160
Speaker 3: So at this point she's come up with the plan.

941
00:44:52,000 --> 00:44:52,200
Speaker 4: Hmm.

942
00:44:52,280 --> 00:44:53,359
Speaker 3: And the plan is.

943
00:44:54,440 --> 00:44:57,640
Speaker 1: The way I do in front of my daddy show,

944
00:44:58,239 --> 00:45:01,719
Speaker 1: show my friends, my room mate, friends that.

945
00:45:03,440 --> 00:45:06,160
Speaker 3: Like turn on their boyfriends and entice them.

946
00:45:06,560 --> 00:45:10,359
Speaker 1: Oh, family walks around in lingerie in front of each other.

947
00:45:10,600 --> 00:45:11,840
Speaker 1: So I'll do that.

948
00:45:12,239 --> 00:45:15,800
Speaker 5: And knowing that the boys will want to have sex

949
00:45:15,800 --> 00:45:18,359
Speaker 5: with me and that will piss the girls off, which

950
00:45:18,400 --> 00:45:21,560
Speaker 5: we'll finally let them see the invasion of the privacy. Yeah,

951
00:45:21,560 --> 00:45:25,360
Speaker 5: it's the weird layers of like ethical like manipulation to

952
00:45:25,400 --> 00:45:26,160
Speaker 5: get to these scenes.

953
00:45:26,520 --> 00:45:28,880
Speaker 2: In the writer's room though, because they talk about this,

954
00:45:29,520 --> 00:45:32,160
Speaker 2: she says, this what it is in there. The justification

955
00:45:32,400 --> 00:45:35,320
Speaker 2: was it's okay to look at my underwear in the drawer,

956
00:45:35,520 --> 00:45:38,560
Speaker 2: but if I'm wearing it, then it's not okay. That

957
00:45:38,719 --> 00:45:40,839
Speaker 2: was their justification, because she even says that she met

958
00:45:40,880 --> 00:45:42,680
Speaker 2: the character, literally says it's so weird.

959
00:45:42,880 --> 00:45:43,760
Speaker 4: Yeah.

960
00:45:43,840 --> 00:45:46,040
Speaker 1: She turns and struts back to her room, still wearing

961
00:45:46,040 --> 00:45:47,960
Speaker 1: the towel. Once she gets up the stairs to paying at,

962
00:45:48,000 --> 00:45:50,120
Speaker 1: turns to Cory and angrily smacks him on the head.

963
00:45:50,400 --> 00:45:53,480
Speaker 1: Don't you ever go near her underwear drawer? And Angela

964
00:45:53,480 --> 00:45:56,359
Speaker 1: adds ever again, Cory and Shawn are offended by this

965
00:45:56,520 --> 00:46:01,520
Speaker 1: insane request. Wait, never holds up a finger, how about

966
00:46:01,600 --> 00:46:06,960
Speaker 1: just once? This is insane? Insane. Back at the student union,

967
00:46:07,120 --> 00:46:09,120
Speaker 1: Eric returns with a pep in his step. He slams

968
00:46:09,160 --> 00:46:11,840
Speaker 1: the empty envelope right down besides Jack, who now asks

969
00:46:11,840 --> 00:46:14,880
Speaker 1: how the bank went. Eric replies so good. Jack is

970
00:46:14,880 --> 00:46:16,760
Speaker 1: happy to hear it, then asks for the deposit slip.

971
00:46:16,960 --> 00:46:19,800
Speaker 1: Eric admits I don't actually have one. Jack is concerned,

972
00:46:19,800 --> 00:46:22,520
Speaker 1: and Eric reveals he didn't actually deposit the money. Jack

973
00:46:22,600 --> 00:46:25,000
Speaker 1: needs to know why, and Eric announces he did something

974
00:46:25,040 --> 00:46:28,240
Speaker 1: better with it. Jack asks why once again, and Eric grins,

975
00:46:28,560 --> 00:46:30,960
Speaker 1: because I gave it to a monkey. Jack can't believe this.

976
00:46:31,080 --> 00:46:34,000
Speaker 1: You gave it to a monkey. Eric explains, not to

977
00:46:34,239 --> 00:46:36,440
Speaker 1: a monkey, that would be ridiculous. He gave it to

978
00:46:36,480 --> 00:46:39,160
Speaker 1: the organ grinder to send to the monkey's girlfriend. Then

979
00:46:39,200 --> 00:46:43,240
Speaker 1: he demands an apology for the assumption he did something stupid. Instead,

980
00:46:43,360 --> 00:46:46,080
Speaker 1: Jack questions his own actions. How could I ever think

981
00:46:46,120 --> 00:46:48,920
Speaker 1: you could be trusted? Eric insists the money isn't gone.

982
00:46:49,120 --> 00:46:51,680
Speaker 1: The organ grinder promised to pay him back. Eric believes

983
00:46:51,680 --> 00:46:53,759
Speaker 1: he did a good thing. Jack shakes his head. You

984
00:46:53,760 --> 00:46:56,720
Speaker 1: were ripped off, but Eric argues, he gave me his word.

985
00:46:57,120 --> 00:46:59,040
Speaker 1: Jack is angry. When are you going to grow up?

986
00:46:59,200 --> 00:47:02,040
Speaker 1: You're graduating in May. No more me, no more parents,

987
00:47:02,080 --> 00:47:04,200
Speaker 1: no more mister Feenie to clean up your messes. This

988
00:47:04,280 --> 00:47:06,959
Speaker 1: world is gonna crush you. I feel sorry for you, man,

989
00:47:07,080 --> 00:47:09,120
Speaker 1: but I'm not gonna let you drag me down with you.

990
00:47:09,640 --> 00:47:12,240
Speaker 1: He turns away and leaves, while a pained Eric watches

991
00:47:12,320 --> 00:47:15,240
Speaker 1: him go, and Matt's good, great, you guys are that's great?

992
00:47:15,360 --> 00:47:16,960
Speaker 4: Hey, give him something to do. He actually does it,

993
00:47:17,000 --> 00:47:17,399
Speaker 4: He's great.

994
00:47:18,040 --> 00:47:20,000
Speaker 1: Then we go to a tense commercial break. Still in

995
00:47:20,040 --> 00:47:22,439
Speaker 1: the student union, Eric walks past that couple he brought

996
00:47:22,480 --> 00:47:23,600
Speaker 1: together at the beginning of the show.

997
00:47:23,640 --> 00:47:27,560
Speaker 2: Now, instantly different, instantly different. Eric over in stint different

998
00:47:27,640 --> 00:47:30,080
Speaker 2: and it's just right away. And he's a completely different

999
00:47:30,080 --> 00:47:31,880
Speaker 2: person because he got yelled at once, So he's a

1000
00:47:31,880 --> 00:47:33,160
Speaker 2: completely different human being.

1001
00:47:33,320 --> 00:47:33,840
Speaker 4: Yeah.

1002
00:47:33,880 --> 00:47:36,360
Speaker 1: Well, now this couple are passionately making out at a table,

1003
00:47:36,400 --> 00:47:38,960
Speaker 1: but instead of encouraging them again, he shouts, hey, keep

1004
00:47:39,000 --> 00:47:40,600
Speaker 1: those lips where I can see them. We're trying to

1005
00:47:40,640 --> 00:47:42,960
Speaker 1: run a business. Here, go do it in your car.

1006
00:47:43,160 --> 00:47:45,400
Speaker 1: Could you maybe give that message to Corey and Sean

1007
00:47:45,440 --> 00:47:48,040
Speaker 1: and you know, everybody, Yeah, everyone else in the show.

1008
00:47:48,440 --> 00:47:50,680
Speaker 1: He returns to the coffee bar when Sean Corey arrive.

1009
00:47:50,800 --> 00:47:52,719
Speaker 1: Corey asks if he has their hot chocolate's ready, and

1010
00:47:52,840 --> 00:47:55,200
Speaker 1: Eric slides the cups over to the boys. Four dollars.

1011
00:47:55,600 --> 00:47:58,160
Speaker 1: Corey laughs, Ah, I see that's the advertised price, but

1012
00:47:58,520 --> 00:48:03,640
Speaker 1: you haven't figured in the brotherly discount of free scotti.

1013
00:48:03,000 --> 00:48:06,440
Speaker 4: Was only fifty cents delicious. Fifty cents for biscotti.

1014
00:48:06,680 --> 00:48:11,040
Speaker 1: Wow, wow prices these days. Eric yells, pay up, dead beat.

1015
00:48:11,080 --> 00:48:13,080
Speaker 1: It's a cold, cruel world out there. There's not going

1016
00:48:13,120 --> 00:48:15,440
Speaker 1: to be people around to clean up your messes. Corey

1017
00:48:15,520 --> 00:48:18,359
Speaker 1: is hurt. I'm telling mom. Sean throws cash at Eric

1018
00:48:18,400 --> 00:48:21,120
Speaker 1: and they scurry away. Meanwhile, Phoene's over in the corner

1019
00:48:21,120 --> 00:48:23,279
Speaker 1: reading a book. Get to the point, mister Grisham, I'm

1020
00:48:23,320 --> 00:48:26,640
Speaker 1: getting bored. Eric shouts at him too, Hey reader guy,

1021
00:48:26,840 --> 00:48:29,759
Speaker 1: I'm sorry, does no no, Does this look like a

1022
00:48:29,800 --> 00:48:33,319
Speaker 1: library to you? Phoene tries to explain himself, but Eric

1023
00:48:33,320 --> 00:48:35,719
Speaker 1: aggressively interrupts him. You were reading it, you read it,

1024
00:48:35,760 --> 00:48:38,400
Speaker 1: you buy it fourteen oh four. Cough it up. Phoeney

1025
00:48:38,440 --> 00:48:40,799
Speaker 1: reaches into his pocket and is getting frustrated. I don't

1026
00:48:40,840 --> 00:48:43,959
Speaker 1: have any pennies. He reaches into the take a penny dish,

1027
00:48:44,000 --> 00:48:47,680
Speaker 1: and Eric slaps his hand away. Bank is closed. Phoene

1028
00:48:47,800 --> 00:48:50,400
Speaker 1: decides to just use his credit card, so Eric examines

1029
00:48:50,440 --> 00:48:52,440
Speaker 1: the card and asks what is this? You see your

1030
00:48:52,440 --> 00:48:54,960
Speaker 1: card here? He grabs a pair of scissors and cuts

1031
00:48:55,000 --> 00:48:58,760
Speaker 1: it in half. It's bogus. It expired in nineteen sixty seven.

1032
00:48:59,360 --> 00:49:04,080
Speaker 1: Phoene cam'p it that's card member, Since you moron, what

1033
00:49:04,120 --> 00:49:07,359
Speaker 1: the hell's wrong with you? Then Jack shouts at Eric

1034
00:49:07,400 --> 00:49:09,520
Speaker 1: from across the room about some shipping boxes that need

1035
00:49:09,560 --> 00:49:12,200
Speaker 1: to be moved to storage. Eric rushes over, he's on it.

1036
00:49:12,440 --> 00:49:15,040
Speaker 1: But before that he warns Jack about Phoenie. Watch out

1037
00:49:15,080 --> 00:49:17,759
Speaker 1: for that guy. Phoene asks Jack, what did you do

1038
00:49:17,840 --> 00:49:20,440
Speaker 1: to him? And Jack explains, Oh, I told him to

1039
00:49:20,440 --> 00:49:23,000
Speaker 1: be more responsible. I know when you put him together

1040
00:49:23,040 --> 00:49:24,600
Speaker 1: with me you wanted a little bit of meat of

1041
00:49:24,680 --> 00:49:27,520
Speaker 1: rub off on him. Well it did. He's efficient for

1042
00:49:27,560 --> 00:49:29,480
Speaker 1: the first time in his life, and he's better off

1043
00:49:29,520 --> 00:49:32,000
Speaker 1: for it. The whole student union is better off for it,

1044
00:49:32,040 --> 00:49:34,440
Speaker 1: don't you think. Phoene looks out at the crowd of

1045
00:49:34,480 --> 00:49:37,040
Speaker 1: students in the student union and they all look miserable

1046
00:49:37,200 --> 00:49:41,520
Speaker 1: and motionless. Depressing music plays to really paint a bleak picture.

1047
00:49:41,960 --> 00:49:45,400
Speaker 1: Phoene admits, frankly, mister Hunter, this place gives me the willies.

1048
00:49:45,680 --> 00:49:48,520
Speaker 1: And he walks away. And now we're back at the bank,

1049
00:49:48,719 --> 00:49:51,160
Speaker 1: we see a line of professionals all wearing suits and

1050
00:49:51,200 --> 00:49:54,480
Speaker 1: holding briefcases waiting their turn. Is this supposed to be

1051
00:49:54,520 --> 00:49:55,600
Speaker 1: like a dream sequence?

1052
00:49:55,880 --> 00:49:58,920
Speaker 3: That's what I get. So when I was watching all

1053
00:49:58,960 --> 00:50:01,319
Speaker 3: of these characters I don't know who they are have

1054
00:50:01,400 --> 00:50:03,239
Speaker 3: this whole scene play, I was like, what happened to

1055
00:50:03,320 --> 00:50:03,800
Speaker 3: our show?

1056
00:50:03,880 --> 00:50:04,120
Speaker 2: This is?

1057
00:50:04,520 --> 00:50:04,880
Speaker 4: I don't know.

1058
00:50:05,200 --> 00:50:06,920
Speaker 1: It's so weird. And then the music every time it

1059
00:50:07,000 --> 00:50:09,560
Speaker 1: like goes to Jack and there's like a music cue

1060
00:50:09,600 --> 00:50:12,040
Speaker 1: that plays. It's so interesting.

1061
00:50:12,120 --> 00:50:13,680
Speaker 4: I'm sorry. That's why I say, I know you guys

1062
00:50:13,719 --> 00:50:14,160
Speaker 4: like this one.

1063
00:50:14,200 --> 00:50:17,960
Speaker 2: I say that if the Corey Sean to Pangas storyline

1064
00:50:18,080 --> 00:50:20,200
Speaker 2: was really good, you would have hated this.

1065
00:50:20,960 --> 00:50:25,200
Speaker 4: But because that's so bad that it makes this look.

1066
00:50:25,080 --> 00:50:30,319
Speaker 1: Okay, the bare bones of it, that actually Jack has

1067
00:50:30,400 --> 00:50:33,160
Speaker 1: a lot that he could learn from Eric and that

1068
00:50:33,280 --> 00:50:36,360
Speaker 1: Eric can learn a lot from Jack is a great storyline.

1069
00:50:36,360 --> 00:50:38,480
Speaker 1: And having Foene be the one to orchestrate it and

1070
00:50:38,520 --> 00:50:40,560
Speaker 1: put them together in a job situation at the student

1071
00:50:40,640 --> 00:50:43,000
Speaker 1: union wonderful. Having it be that Eric gives away the

1072
00:50:43,000 --> 00:50:44,960
Speaker 1: money to someone beautiful, so.

1073
00:50:46,800 --> 00:50:49,040
Speaker 3: Eric flipping as much as he did, which you know,

1074
00:50:49,960 --> 00:50:53,120
Speaker 3: it did feel extreme and it could have been motivated,

1075
00:50:53,160 --> 00:50:54,600
Speaker 3: but it could have been better motivated. Right right now,

1076
00:50:54,600 --> 00:50:56,839
Speaker 3: it's just Jack yells at him. Yeah, but it could

1077
00:50:56,880 --> 00:50:59,560
Speaker 3: have been something more personal, something about like you know

1078
00:51:00,239 --> 00:51:02,800
Speaker 3: you always I don't know, like it didn't feel Jack.

1079
00:51:02,680 --> 00:51:05,880
Speaker 1: Saying I'm gonna get fired now, and like this is

1080
00:51:05,960 --> 00:51:06,520
Speaker 1: on me.

1081
00:51:06,520 --> 00:51:06,600
Speaker 4: Me.

1082
00:51:06,760 --> 00:51:08,560
Speaker 1: I gave you that responsibility, but at the end of

1083
00:51:08,560 --> 00:51:10,440
Speaker 1: the day, I'm the manager. I'm the one responsible for

1084
00:51:10,480 --> 00:51:13,720
Speaker 1: that money. I'm gonna lose my job, gonna you're ruining

1085
00:51:13,760 --> 00:51:16,800
Speaker 1: my life. Your mistakes are ruining my life. Could really

1086
00:51:16,800 --> 00:51:18,799
Speaker 1: have landed on him.

1087
00:51:19,120 --> 00:51:19,440
Speaker 3: Yes.

1088
00:51:19,800 --> 00:51:21,359
Speaker 1: Jack is at the back of the queue filling out

1089
00:51:21,400 --> 00:51:23,960
Speaker 1: paperwork for the day's deposit, still in his student union

1090
00:51:24,239 --> 00:51:27,440
Speaker 1: uniform and sticking out like a sore thumb. Industrial music

1091
00:51:27,480 --> 00:51:31,480
Speaker 1: pounds while bank employee's eyes deadened robotically repeat and monotone

1092
00:51:31,520 --> 00:51:34,000
Speaker 1: like a factory. May I help the next person in line?

1093
00:51:34,280 --> 00:51:37,040
Speaker 1: Jack mutters to himself, take this week's receipts, go to

1094
00:51:37,080 --> 00:51:39,560
Speaker 1: the bank deposit them. How hard can that possibly be.

1095
00:51:39,960 --> 00:51:42,320
Speaker 1: At a nearby desk, a woman begs a banker please,

1096
00:51:42,600 --> 00:51:45,840
Speaker 1: I'm only two payments behind. The employee explains, I'm sorry,

1097
00:51:45,880 --> 00:51:49,160
Speaker 1: there's nothing I can do. A lady pleads what.

1098
00:51:49,360 --> 00:51:51,360
Speaker 4: I'm sorry, It's just the whole scene, and then the

1099
00:51:51,400 --> 00:51:53,640
Speaker 4: bank manager walking over it in front of the lady

1100
00:51:53,680 --> 00:51:57,480
Speaker 4: being like, it's like, come on.

1101
00:51:57,440 --> 00:51:59,840
Speaker 1: No, it's the lady pleads, but if you take my

1102
00:52:00,400 --> 00:52:02,920
Speaker 1: I can't get to work, I can't make any payments.

1103
00:52:03,040 --> 00:52:04,960
Speaker 1: I'm the sole support of my kids. How can I

1104
00:52:05,000 --> 00:52:07,720
Speaker 1: drive them to school? Jack is interested in what he's hearing.

1105
00:52:07,800 --> 00:52:10,720
Speaker 1: The banker tells the woman, all right, I won't report

1106
00:52:10,760 --> 00:52:12,520
Speaker 1: this just yet, if you give me your word that

1107
00:52:12,560 --> 00:52:15,080
Speaker 1: you can make payment on time this month. The man's

1108
00:52:15,080 --> 00:52:18,200
Speaker 1: boss has now walked up with concerns her word. The

1109
00:52:18,280 --> 00:52:20,560
Speaker 1: music gets creepier. Might I explain to you what the

1110
00:52:20,560 --> 00:52:25,120
Speaker 1: inherent value of her word is? Zilch zippo goosegg. Why

1111
00:52:25,160 --> 00:52:27,919
Speaker 1: did they need this extra character? Why didn't he just say, man,

1112
00:52:28,080 --> 00:52:31,120
Speaker 1: I give you work last month. You said that last month.

1113
00:52:31,360 --> 00:52:35,239
Speaker 2: Jack needed to see himself and so that's future Jack.

1114
00:52:35,320 --> 00:52:38,279
Speaker 2: They even ask the guy who's the good looking older guy, like,

1115
00:52:38,360 --> 00:52:40,759
Speaker 2: that's me in the future. And by the way, no

1116
00:52:40,880 --> 00:52:43,000
Speaker 2: memory of this whatsoever, of us becoming the bank. But

1117
00:52:43,080 --> 00:52:46,319
Speaker 2: it's like what okay. So we go from monkey in

1118
00:52:46,360 --> 00:52:49,720
Speaker 2: the bank, monkey and organ grinder to then the bank

1119
00:52:49,800 --> 00:52:54,600
Speaker 2: manager walking over with music playing going her word means nothing.

1120
00:52:54,719 --> 00:52:57,040
Speaker 4: It's like, what is actually happening here?

1121
00:52:57,480 --> 00:52:58,959
Speaker 3: Cut back to the underwear drag.

1122
00:53:00,239 --> 00:53:02,880
Speaker 2: It's like, yeah, you're a here, oh for forty at

1123
00:53:02,880 --> 00:53:04,719
Speaker 2: this point in this episode, what's going on?

1124
00:53:05,239 --> 00:53:07,839
Speaker 1: The woman asks the manager, why are you so mean?

1125
00:53:08,080 --> 00:53:11,560
Speaker 1: And he smiles because madam, this is corporate America, not

1126
00:53:11,640 --> 00:53:15,320
Speaker 1: a candyland. Things are intense and from Jack's POV, the

1127
00:53:15,360 --> 00:53:18,160
Speaker 1: scary manager and his employee have become Jack and Eric.

1128
00:53:18,480 --> 00:53:20,960
Speaker 1: Jack is the heartless boss while Eric listens to his

1129
00:53:21,000 --> 00:53:24,879
Speaker 1: words in terror. Manager Jack asks Eric you were going

1130
00:53:24,920 --> 00:53:27,560
Speaker 1: to give this woman some sort of charity warrant you.

1131
00:53:28,000 --> 00:53:30,439
Speaker 1: Eric tries to answer, but Jack continues to brate him.

1132
00:53:30,520 --> 00:53:33,840
Speaker 1: He's tired of cleaning up his messes. Eric apologizes and

1133
00:53:33,960 --> 00:53:36,680
Speaker 1: is terrified. I'm sorry. I'll change, I'll be more like

1134
00:53:36,719 --> 00:53:40,040
Speaker 1: you with that student union manager. Jack gets out of

1135
00:53:40,120 --> 00:53:42,719
Speaker 1: line and approaches the banker's desk. Don't be like me,

1136
00:53:43,040 --> 00:53:45,640
Speaker 1: don't be like me at all. He hands the union's

1137
00:53:45,680 --> 00:53:47,239
Speaker 1: wad of cash to the woman and tells her to

1138
00:53:47,320 --> 00:53:49,400
Speaker 1: use it for her payments and drive her kids to school.

1139
00:53:49,719 --> 00:53:51,640
Speaker 3: So they're down like four grand from the student union

1140
00:53:52,400 --> 00:53:57,000
Speaker 3: Where does this come from? Yeah, I literally just stealing

1141
00:53:57,000 --> 00:54:00,600
Speaker 3: money from you. Yeah, from the college. Okay, got great.

1142
00:54:01,200 --> 00:54:03,359
Speaker 1: The woman gasps, I don't know how to thank you.

1143
00:54:03,480 --> 00:54:05,600
Speaker 1: I'll pay you back as soon as I can. Jack

1144
00:54:05,640 --> 00:54:08,839
Speaker 1: tells her not to worry, it's not important. He walks out,

1145
00:54:08,920 --> 00:54:12,480
Speaker 1: most likely guilty of theft by all definitions.

1146
00:54:11,800 --> 00:54:15,000
Speaker 2: Of the word, doesn't even give her contact information, just

1147
00:54:15,239 --> 00:54:16,920
Speaker 2: walks out, here's money, that's.

1148
00:54:16,719 --> 00:54:19,360
Speaker 1: Gonna He's gonna pay it back. The boss turns to

1149
00:54:19,440 --> 00:54:22,120
Speaker 1: his banker and coldly explains, this is all your fault.

1150
00:54:22,160 --> 00:54:25,759
Speaker 1: Fenswegler swig back.

1151
00:54:26,760 --> 00:54:27,759
Speaker 3: It's like the man lives.

1152
00:54:30,440 --> 00:54:32,439
Speaker 1: We're back in the girl's apartment to Panga and Corey

1153
00:54:32,440 --> 00:54:34,439
Speaker 1: and Sean and Angela are also, hey, oh my gosh,

1154
00:54:34,480 --> 00:54:37,359
Speaker 1: next to each other, you know, like kids do. Uh.

1155
00:54:37,719 --> 00:54:40,600
Speaker 1: Corey breaks off from Topanga and asks, are you sure

1156
00:54:40,680 --> 00:54:43,560
Speaker 1: we should be doing this? Sean breaks away from Angela

1157
00:54:43,560 --> 00:54:46,040
Speaker 1: and is also concerned. Rachel's alone in the other room.

1158
00:54:46,400 --> 00:54:50,319
Speaker 1: Remember how ticked off she was about the diary. Now

1159
00:54:50,360 --> 00:54:52,520
Speaker 1: you guys, Now you guys are Now they care.

1160
00:54:52,880 --> 00:54:56,160
Speaker 2: And also it's getting creepy all the making out next

1161
00:54:56,200 --> 00:54:57,920
Speaker 2: to each other. I'm just waiting for one hand to

1162
00:54:57,960 --> 00:55:00,719
Speaker 2: go across, and then it's just a foresome like just

1163
00:55:00,760 --> 00:55:02,040
Speaker 2: get you have bedrooms?

1164
00:55:02,239 --> 00:55:04,960
Speaker 3: Yeah, ten feet away, so much more fun when Corey

1165
00:55:04,960 --> 00:55:06,399
Speaker 3: and Sean can watch each other.

1166
00:55:06,680 --> 00:55:08,680
Speaker 4: That's what it is. That's what I'm convinced of.

1167
00:55:08,680 --> 00:55:10,719
Speaker 3: What it is about guys.

1168
00:55:10,239 --> 00:55:15,360
Speaker 1: Yes, guys of guys. Man like Tapega reminds the boys

1169
00:55:15,440 --> 00:55:18,719
Speaker 1: they apologized, and Rachel understood that they have every right

1170
00:55:18,920 --> 00:55:22,920
Speaker 1: to be here. Angela agrees, Yeah, we're one big, happy family,

1171
00:55:23,080 --> 00:55:25,399
Speaker 1: reminded the audience. So that's some weird deal we need.

1172
00:55:25,880 --> 00:55:28,480
Speaker 1: So they just get back to group kissing, and then

1173
00:55:28,840 --> 00:55:31,800
Speaker 1: Rachel steps out of her room wearing only purple little

1174
00:55:31,800 --> 00:55:34,920
Speaker 1: silk shorts and a matching lingerie style tank top. The

1175
00:55:34,960 --> 00:55:39,160
Speaker 1: inmates express loudly their excitement as she struts down the stairs. Hey, guys.

1176
00:55:39,520 --> 00:55:41,799
Speaker 1: The couples break apart from their makeout sessions, and when

1177
00:55:41,800 --> 00:55:45,480
Speaker 1: Corey and Sewn notice Rachel, they are mesmerized, expressing their

1178
00:55:45,560 --> 00:55:49,960
Speaker 1: newly horned out state in unison. Rachel insists they don't

1179
00:55:49,960 --> 00:55:52,799
Speaker 1: stop making out on her account, considering they're all one

1180
00:55:52,840 --> 00:55:56,000
Speaker 1: big happy family. Both couples are in shock, jaws on

1181
00:55:56,040 --> 00:55:58,279
Speaker 1: the floor. Rachel asks, you don't mind if I play

1182
00:55:58,320 --> 00:56:00,840
Speaker 1: some music, do you? She turns on the radio and

1183
00:56:00,880 --> 00:56:03,520
Speaker 1: starts to bop around in her revealing outfit to Panga

1184
00:56:03,560 --> 00:56:06,520
Speaker 1: and Angela are aghast, while Corey and Sean enjoy the show.

1185
00:56:07,040 --> 00:56:09,440
Speaker 1: Rachel dances over to the saink and starts to drive.

1186
00:56:09,360 --> 00:56:12,200
Speaker 3: Four episodes Fighting to get back with our girlfriends. The

1187
00:56:12,200 --> 00:56:16,120
Speaker 3: whole thing was about love and how meaningful my relationship

1188
00:56:16,120 --> 00:56:18,400
Speaker 3: with Angela was, how important it is, the Cory and

1189
00:56:18,440 --> 00:56:21,520
Speaker 3: Too Banger together, and then we're just gonna throw all

1190
00:56:21,560 --> 00:56:25,560
Speaker 3: of that into a longerous bit. Yeah, it's so, it's

1191
00:56:25,719 --> 00:56:30,160
Speaker 3: just awful, Like it's awful. It cheapens everything, It just

1192
00:56:30,239 --> 00:56:32,040
Speaker 3: cheapens the whole thing. It's so, it's.

1193
00:56:33,719 --> 00:56:37,840
Speaker 1: Well, but Rachel's shaking her butt toward the couch. Topanga snaps,

1194
00:56:37,880 --> 00:56:41,520
Speaker 1: what are you doing? Rachel turns around and smugly response dishes.

1195
00:56:41,920 --> 00:56:44,000
Speaker 1: Googly eyed Corey says to himself.

1196
00:56:43,640 --> 00:56:44,280
Speaker 3: Don't stop.

1197
00:56:44,400 --> 00:56:45,200
Speaker 1: Do the dishes.

1198
00:56:45,440 --> 00:56:46,480
Speaker 4: Scrub a dub dub.

1199
00:56:47,080 --> 00:56:50,680
Speaker 1: Rachel seductively asks, oh, don't you guys love this music,

1200
00:56:51,040 --> 00:56:55,200
Speaker 1: and Sean bites on his finger. I do now, Angela wonders, Rachel,

1201
00:56:55,480 --> 00:56:58,239
Speaker 1: isn't that a little cold? Corey and Sean jump in no,

1202
00:56:58,480 --> 00:57:01,120
Speaker 1: she's not cold. Rachel asks, do you guys have a

1203
00:57:01,120 --> 00:57:03,920
Speaker 1: little room for me on the couch? The boys immediately

1204
00:57:03,960 --> 00:57:07,280
Speaker 1: make room, pushing Topanga and Angela off the couch, entirely

1205
00:57:07,680 --> 00:57:10,520
Speaker 1: a callback to the beginning of the episode from the

1206
00:57:10,560 --> 00:57:13,200
Speaker 1: floor to Panga and Angela smack their boyfriends in demand

1207
00:57:13,280 --> 00:57:15,640
Speaker 1: they stop looking at her, but Rachel doesn't get it.

1208
00:57:15,719 --> 00:57:17,840
Speaker 1: Come on, how can you be mad at these two?

1209
00:57:17,920 --> 00:57:21,560
Speaker 1: They are so cute to Panga disagrees they are not cute.

1210
00:57:21,760 --> 00:57:25,480
Speaker 1: Angela adds they are pigs. Rachel de ducks. But it's

1211
00:57:25,520 --> 00:57:27,360
Speaker 1: cute when they look at my underwear as long as

1212
00:57:27,400 --> 00:57:30,320
Speaker 1: I'm not wearing it. And what about my diary? Tapanga

1213
00:57:30,320 --> 00:57:33,200
Speaker 1: starts to explain, well, we were saying, and I'd love

1214
00:57:33,640 --> 00:57:35,160
Speaker 1: love for that sentence to continue.

1215
00:57:35,240 --> 00:57:36,600
Speaker 4: Yeah, let's finish that, and then.

1216
00:57:36,520 --> 00:57:39,120
Speaker 1: Sewn interrupts, I have a question. He looks at Rachel.

1217
00:57:39,440 --> 00:57:42,240
Speaker 1: Are you gonna do the dishes some more? Angela whacks

1218
00:57:42,280 --> 00:57:45,720
Speaker 1: him again, and Sean refocuses, Okay, we're we're leaving. Corey

1219
00:57:45,760 --> 00:57:49,120
Speaker 1: is disappointed. We are. Sean answers yes, But before they

1220
00:57:49,120 --> 00:57:51,760
Speaker 1: can leave, Tapanga tells Corey to give her keyback. When

1221
00:57:51,760 --> 00:57:54,160
Speaker 1: he refuses, She just pulls it out of his shirt pocket. Anyway,

1222
00:57:54,520 --> 00:57:57,040
Speaker 1: Cory asks Sean what just happened, and Sean sighs as

1223
00:57:57,080 --> 00:57:59,800
Speaker 1: they walk out. We're not part of the family anymore.

1224
00:58:00,440 --> 00:58:03,840
Speaker 1: Rachel is satisfied when Topanga admits she was right. The

1225
00:58:03,880 --> 00:58:07,720
Speaker 1: boys aren't cute. They're pigs. Angela agrees they should have

1226
00:58:07,720 --> 00:58:11,400
Speaker 1: considered Rachel's privacy. Rachel shakes her head. No, I love

1227
00:58:11,440 --> 00:58:11,880
Speaker 1: the guys.

1228
00:58:11,920 --> 00:58:12,280
Speaker 5: I do.

1229
00:58:12,600 --> 00:58:14,560
Speaker 1: I just don't want to be taken advantage of. I

1230
00:58:14,600 --> 00:58:17,919
Speaker 1: think we should set some boundaries. Angela admits they've learned

1231
00:58:17,960 --> 00:58:21,080
Speaker 1: their lesson, and Topanga ads the guys have too. I'm

1232
00:58:21,080 --> 00:58:23,600
Speaker 1: sure they're thinking about it the whole way home. And

1233
00:58:23,640 --> 00:58:27,160
Speaker 1: then we get an optical flip in the apartment hallway.

1234
00:58:27,200 --> 00:58:30,000
Speaker 1: The guys are fighting over the people like savage animals.

1235
00:58:30,280 --> 00:58:32,720
Speaker 1: Corey's pleading come on to Panga, move out of the way.

1236
00:58:32,760 --> 00:58:35,680
Speaker 1: I want to see the underwear, Sean winds, Corey, let

1237
00:58:35,720 --> 00:58:38,520
Speaker 1: me look the Corey complains I haven't seen anything yet,

1238
00:58:38,680 --> 00:58:43,600
Speaker 1: and Sean reminds him you're almost married. Corey emphasizes almost.

1239
00:58:43,800 --> 00:58:47,360
Speaker 1: Then Sean has a realization, you know what, we're big pigs.

1240
00:58:47,480 --> 00:58:49,200
Speaker 1: This is the third time we've said that you guys

1241
00:58:49,200 --> 00:58:50,720
Speaker 1: are pigs in like two minutes.

1242
00:58:50,760 --> 00:58:54,080
Speaker 2: Favorite insult thing I don't Yeah, it's the new Insul

1243
00:58:55,000 --> 00:58:55,840
Speaker 2: season seven insult.

1244
00:58:56,080 --> 00:58:59,240
Speaker 1: Yes, this is wrong. As Sean walks away, Corey snaps

1245
00:58:59,280 --> 00:59:01,680
Speaker 1: back to reality and follows him out, But then it

1246
00:59:01,720 --> 00:59:04,000
Speaker 1: was a fake out. Sean takes the opportunity to finally

1247
00:59:04,040 --> 00:59:06,200
Speaker 1: claim the vacated people and take a look for himself,

1248
00:59:06,360 --> 00:59:09,360
Speaker 1: and now Corey tries his hardest to recover his position.

1249
00:59:11,200 --> 00:59:12,160
Speaker 3: In mister ll.

1250
00:59:13,000 --> 00:59:17,200
Speaker 1: Hysterical Eric is aggressively hounding one of the students, making

1251
00:59:17,240 --> 00:59:19,800
Speaker 1: sure he only uses one stir at the coffee station

1252
00:59:19,880 --> 00:59:22,600
Speaker 1: and escorting him back to his table. Jack sees him

1253
00:59:22,600 --> 00:59:26,080
Speaker 1: stressing and rushes over Eric it's okay, but Eric disagrees.

1254
00:59:26,240 --> 00:59:28,959
Speaker 1: You know something, Jack, it's not okay. He barks another

1255
00:59:29,000 --> 00:59:31,440
Speaker 1: caveat at the student, now joined by a friend. Share

1256
00:59:31,520 --> 00:59:34,600
Speaker 1: the sweet and low, Share it sweet and low.

1257
00:59:35,320 --> 00:59:38,200
Speaker 4: I like this, Eric, it's fun and it's funny. I

1258
00:59:38,240 --> 00:59:39,560
Speaker 4: just wish it was earned. Yeah.

1259
00:59:39,600 --> 00:59:40,920
Speaker 2: Yeah, I would like to have seen this more. And

1260
00:59:40,920 --> 00:59:42,280
Speaker 2: I would like to have seen it Arge, because it's

1261
00:59:42,280 --> 00:59:43,240
Speaker 2: a funny character to play.

1262
00:59:43,360 --> 00:59:46,160
Speaker 3: It is, especially starting the way you did yeah to

1263
00:59:46,200 --> 00:59:48,520
Speaker 3: get here is fun. Like, yeah, I just think a

1264
00:59:48,560 --> 00:59:51,040
Speaker 3: little bit like I think Daniel's solution is perfect. If

1265
00:59:51,160 --> 00:59:53,800
Speaker 3: Jack made it about his relationship with Eric and like

1266
00:59:53,840 --> 00:59:56,680
Speaker 3: made it about like you're hurting me man, Eric would

1267
00:59:56,680 --> 00:59:59,000
Speaker 3: go overboard to try and make his friend feel better.

1268
00:59:59,480 --> 01:00:01,920
Speaker 3: For Eric, just go overboard because he's worried about the

1269
01:00:01,960 --> 01:00:04,680
Speaker 3: crushing real world. But that just doesn't feel enough.

1270
01:00:04,920 --> 01:00:05,320
Speaker 4: Now.

1271
01:00:05,520 --> 01:00:07,480
Speaker 1: Jack tries to calm Eric down. I don't want you

1272
01:00:07,520 --> 01:00:10,480
Speaker 1: to change. Come back, where's my old buddy? Eric responds,

1273
01:00:10,520 --> 01:00:13,520
Speaker 1: he's dead. He's gone. He was inefficient and unprepared for

1274
01:00:13,560 --> 01:00:15,800
Speaker 1: that cold, cruel world. You did him a favor and

1275
01:00:15,840 --> 01:00:18,560
Speaker 1: you killed him. Then he notices the student is again

1276
01:00:18,640 --> 01:00:21,960
Speaker 1: reaching for the coffee cart, same stir. How hard is that?

1277
01:00:22,600 --> 01:00:25,320
Speaker 1: Jack chimes in this world is only cruel and cold

1278
01:00:25,360 --> 01:00:27,600
Speaker 1: because people like me believe you have to be that

1279
01:00:27,640 --> 01:00:31,200
Speaker 1: way to succeed. Eric promises him that he'll succeed, and

1280
01:00:31,240 --> 01:00:33,680
Speaker 1: he isn't done with the free loading student, loudly warning

1281
01:00:33,720 --> 01:00:37,400
Speaker 1: him one napkin. Jack tries to convince him he was wrong,

1282
01:00:37,440 --> 01:00:39,720
Speaker 1: insisting they don't want to be any part of that world,

1283
01:00:39,880 --> 01:00:42,960
Speaker 1: but Eric just returns to cleaning. Jack grins and shakes

1284
01:00:42,960 --> 01:00:45,479
Speaker 1: his head, eventually taking a seat at a nearby table

1285
01:00:45,480 --> 01:00:48,160
Speaker 1: where mister Feeney has been listening the whole time. Jack

1286
01:00:48,200 --> 01:00:52,000
Speaker 1: asks his teacher, you knew that, didn't you. Feeney admits,

1287
01:00:52,120 --> 01:00:54,000
Speaker 1: I've lived in this world a long time now. I

1288
01:00:54,040 --> 01:00:56,720
Speaker 1: think I know it fairly well. Jack puts two and

1289
01:00:56,760 --> 01:00:59,680
Speaker 1: two together. So all this time, you didn't want me

1290
01:00:59,800 --> 01:01:02,080
Speaker 1: to rub off on him, You wanted him to rub

1291
01:01:02,120 --> 01:01:05,000
Speaker 1: off on me. Peenie admits he wanted both. It's not

1292
01:01:05,160 --> 01:01:07,640
Speaker 1: enough to leave school and just desire to succeed in

1293
01:01:07,640 --> 01:01:10,720
Speaker 1: this cold, cruel world, because then you simply become a

1294
01:01:10,760 --> 01:01:13,000
Speaker 1: part of it. You must also have the desire to

1295
01:01:13,080 --> 01:01:15,360
Speaker 1: change it. And to change it you would need Jack's

1296
01:01:15,400 --> 01:01:19,560
Speaker 1: fine mind and Eric's good heart. Then Eric joins them, sarcastically,

1297
01:01:19,560 --> 01:01:22,480
Speaker 1: telling feene he saved the day, Then asking Jack for

1298
01:01:22,520 --> 01:01:24,800
Speaker 1: the day's receipts, Jack admits he doesn't have them, and

1299
01:01:24,880 --> 01:01:27,920
Speaker 1: Eric asks why not. Jack explains, because I gave the

1300
01:01:27,920 --> 01:01:30,880
Speaker 1: money to someone who really needed it. Eric can't believe it.

1301
01:01:30,960 --> 01:01:33,600
Speaker 1: Please tell me you did not fall for somebody's sob story.

1302
01:01:34,040 --> 01:01:37,080
Speaker 1: Jack responds, Yeah, I actually did. I'm going to be

1303
01:01:37,120 --> 01:01:39,160
Speaker 1: working here day and night to pay that back. But

1304
01:01:39,320 --> 01:01:43,520
Speaker 1: it's okay. Somehow I finally found my priorities. And angry

1305
01:01:43,640 --> 01:01:45,680
Speaker 1: Eric has hurt enough. You're never going to see that

1306
01:01:45,720 --> 01:01:47,800
Speaker 1: money again. You're as stupid as I used to be.

1307
01:01:48,200 --> 01:01:51,000
Speaker 1: He walks away, shaking his head in disappointment. But then

1308
01:01:51,840 --> 01:01:55,560
Speaker 1: Eric the monkey comes hopping in, landing right on Eric's shoulder.

1309
01:01:55,800 --> 01:01:58,560
Speaker 1: He's followed by the old Italian grinder, who declares, hey,

1310
01:01:58,680 --> 01:02:02,480
Speaker 1: it's little Eric and big Eric. Human. Eric can't believe it,

1311
01:02:02,680 --> 01:02:05,160
Speaker 1: and the grinder says he has one more surprise for

1312
01:02:05,200 --> 01:02:10,800
Speaker 1: everybody than he melodically calls out. Isabella on cue, another

1313
01:02:10,960 --> 01:02:13,920
Speaker 1: little monkey, this one in a pink tutu, comes running

1314
01:02:13,960 --> 01:02:15,320
Speaker 1: in and onto the organ grinder.

1315
01:02:15,400 --> 01:02:22,560
Speaker 3: Isabella should have been wearing purple lingerie. He actually would

1316
01:02:22,560 --> 01:02:23,480
Speaker 3: have been a good little joke.

1317
01:02:23,600 --> 01:02:24,840
Speaker 1: That would have been funny. That would have been a

1318
01:02:24,840 --> 01:02:27,880
Speaker 1: good bit. The old man explains to her, here's that

1319
01:02:28,000 --> 01:02:31,360
Speaker 1: nice man I told you about Eric Shocked. It's you.

1320
01:02:31,360 --> 01:02:33,920
Speaker 1: You came back. I knew he'd come back, didn't I

1321
01:02:33,960 --> 01:02:34,320
Speaker 1: say that?

1322
01:02:34,440 --> 01:02:34,680
Speaker 4: Jack?

1323
01:02:35,040 --> 01:02:38,240
Speaker 1: Jack nods, yeah, you did, he did. Good man. The

1324
01:02:38,280 --> 01:02:40,560
Speaker 1: man says, of course I came back. I gave you

1325
01:02:40,640 --> 01:02:43,280
Speaker 1: my word. He hands an envelope to Eric, here's the

1326
01:02:43,280 --> 01:02:47,520
Speaker 1: money I borrowed. You made two monkeys very happy. He squeeze,

1327
01:02:47,840 --> 01:02:51,160
Speaker 1: He squeezes Eric's cheek. You're a good boy, don't ever change.

1328
01:02:51,680 --> 01:02:54,440
Speaker 1: Sentimental music plays. As Eric realizes the world might not

1329
01:02:54,560 --> 01:02:57,200
Speaker 1: be as cruel and cold as he thought. Phoeney looks

1330
01:02:57,200 --> 01:03:00,280
Speaker 1: at him and echoes, you're a good boy, don't ever change.

1331
01:03:00,720 --> 01:03:04,080
Speaker 1: Eric smiles and promises, I'll try not to. Then he

1332
01:03:04,120 --> 01:03:08,280
Speaker 1: gives a tiny high five to a monkey. And there's

1333
01:03:08,320 --> 01:03:08,800
Speaker 1: no tag.

1334
01:03:08,960 --> 01:03:10,960
Speaker 4: They were like, let's just get out, let's.

1335
01:03:10,840 --> 01:03:11,440
Speaker 1: Just wrap it up.

1336
01:03:11,800 --> 01:03:14,520
Speaker 3: I didn't have a material like we usually were cutting

1337
01:03:14,560 --> 01:03:17,520
Speaker 3: to make an episode. The fact that they just ran out.

1338
01:03:17,560 --> 01:03:18,280
Speaker 3: I didn't have a tag.

1339
01:03:18,360 --> 01:03:20,520
Speaker 1: That didn't have a tag like we're good, We're good,

1340
01:03:20,520 --> 01:03:22,720
Speaker 1: get out. I don't know. I should have been.

1341
01:03:22,800 --> 01:03:25,200
Speaker 4: Best television show ghost too.

1342
01:03:26,400 --> 01:03:29,080
Speaker 1: Oh. Thank you all for joining us for this episode

1343
01:03:29,120 --> 01:03:31,840
Speaker 1: of Podmeets World. Join us for our next episode recap,

1344
01:03:31,840 --> 01:03:34,600
Speaker 1: which will be season seven, episode six, They're Killing Us

1345
01:03:35,280 --> 01:03:39,560
Speaker 1: properly titled originally here October twenty ninth, nineteen ninety nine.

1346
01:03:40,040 --> 01:03:41,880
Speaker 1: As always, you can follow us on Instagram Pod Meets

1347
01:03:41,880 --> 01:03:43,800
Speaker 1: World Show. You can send us your emails. Pod Meets

1348
01:03:43,800 --> 01:03:47,040
Speaker 1: World show at gmail dot com. And we've got merch.

1349
01:03:47,680 --> 01:03:49,960
Speaker 3: Danielle, do the thing I like with the merch.

1350
01:03:50,400 --> 01:03:59,840
Speaker 1: Ooh, Podmeets Worldshow dot com writer send us out.

1351
01:04:00,120 --> 01:04:04,880
Speaker 3: We love you all, pod disimist. Podmeets World is an

1352
01:04:04,880 --> 01:04:08,440
Speaker 3: iHeart podcast producer hosted by Danielle Fischel, Wilfridell and Ryder

1353
01:04:08,480 --> 01:04:12,160
Speaker 3: Strong executive producers Jensen Karp and Amy Sugarman executive in

1354
01:04:12,240 --> 01:04:16,280
Speaker 3: charge of production, Danielle Romo, producer and editor, Taras Subasch producer,

1355
01:04:16,360 --> 01:04:19,600
Speaker 3: Maddi Moore engineer and boy meets World Superman Easton Allen.

1356
01:04:19,720 --> 01:04:22,880
Speaker 3: Our theme song is by Kyle Morton of Typhoon. Follow

1357
01:04:22,960 --> 01:04:25,760
Speaker 3: us on Instagram at Podmeats World Show or email us

1358
01:04:25,800 --> 01:04:31,720
Speaker 3: at Podmeats World Show at gmail dot com