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Speaker 1: It's Friday. Hello, Friday, half Friday show, right, see Chevelet,

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Speaker 1: how you're going over to one? Chevelet? You're do a Medicans?

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Speaker 1: I tell you every day to Patty, he's a Friday.

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Speaker 1: We have a six avny day. But you Americans, you

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Speaker 1: you wait up for it today and do weeken just

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Speaker 1: to have a sex. Anyway, there you go have another six,

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Speaker 1: enjoy it for days to rain in the morning show. Well,

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Speaker 1: thank you, chev Lett. There's nothing better than having a

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Speaker 1: world class chef kick off your Friday show. He wants

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Speaker 1: to have less sex with you. Welcome to day. It

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Speaker 1: is Friday, May five. Oh, it's sinko to my scary.

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Speaker 1: Don't you think we should have an appropriate song for

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Speaker 1: single on my own to start today? I think so happy?

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Speaker 1: Why don't you find this one? Hello there, Danielle, how

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Speaker 1: are you? Good morning? They're bets in a morning. Hello,

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Speaker 1: they're froggy. Good morning. Hello cruel world. You can call

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Speaker 1: us if you want one eight hundred two two one hundred.

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Speaker 1: Don't forget today. It's all about the chips in guacamala

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Speaker 1: and the tequila. So I can't think of anything more. Apropos.

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Speaker 1: How to say apropos in Spanish apropos. You're gonna do

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Speaker 1: some shots, all right? Then? Shots it is? You know,

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Speaker 1: can I do like a Swiss cheese and ham omelet

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Speaker 1: with a head, wouldn't it be great? Like? How about

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Speaker 1: a Denver omelet? Now I've done for omelet. I do

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Speaker 1: believe that is peppers? Peppers in ham, right, isn't a

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Speaker 1: Denver alond? I think the onions in their onions. I

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Speaker 1: know there's peppers in a Denver omelet. Yeah, green peppers,

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Speaker 1: but typical, but red, yellow, orange are just as good.

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Speaker 1: They add color, according to Taste of home dot com.

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Speaker 1: All right, thank you, Taste of home dot com. So

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Speaker 1: we need tequila shots and a Denver all so good?

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Speaker 1: I want tequila shots and chips and kua okay and

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Speaker 1: chips and ga. You know what I love to do.

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Speaker 1: I like to do megas. Do you ever do vegas?

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Speaker 1: Scramble your eggs with some tortilla chips on him and

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Speaker 1: some peppers and yeah, I do some pretty good vegas. Yeah,

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Speaker 1: all right, we'll welcome to the day. Halsey is coming

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Speaker 1: into just just a little bit. She's performing for us.

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Speaker 1: We're gonna talk music with Halsey. We have several first

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Speaker 1: callers of the day. Is just my buddy from South Florida. Oh, guys,

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Speaker 1: good more, good morning, Tell everyone, Tell everyone what your

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Speaker 1: name is. State your name, sir. This is yeah. We

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Speaker 1: met Johan one night. He had the unfortunate luck to

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Speaker 1: drive us around Miami one night when we were out

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Speaker 1: on a crazy free for all. And I don't know

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Speaker 1: after that ride, John, I don't think. I don't think

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Speaker 1: you really you really should be calling us after what

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Speaker 1: we put you actually not. It changed my teens in

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Speaker 1: my life completely because the plessure helping you guys will

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Speaker 1: plessure being with you guys. I loved it. I had

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Speaker 1: a great time. You guys are a great crowd, you

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Speaker 1: know people, And I cannot complain anything about you guys.

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Speaker 1: Well you know what happened in the back of What

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Speaker 1: happened in the back of the back of your car

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Speaker 1: stays in the back of your card part. Did you

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Speaker 1: have to clean anything up afterwards? Nothing at all? Very

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Speaker 1: very very clean. Guys. We'll listen to John, We'll never ever,

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Speaker 1: we'll never forget the kindness that you gave us. We

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Speaker 1: can't wait to come back down and we and wreck

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Speaker 1: your next race car. But keep in mind. No matter

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Speaker 1: what you're going through in life, today you have a

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Speaker 1: fantastic weekend. Everything always gets better and we're so happy

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Speaker 1: to hear from you today. Okay, thank you, guys. I

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Speaker 1: appreciate that. All right, Johann, may I send you a shirt.

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Speaker 1: I don't know if you need more shirts, but we're

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Speaker 1: gonna send your shirt anyway. Absolutely, thank you very much.

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Speaker 1: We're coming back down in a few weeks, by the way,

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Speaker 1: so get ready here, Hurricane. Yeah, right there, John Froggy,

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Speaker 1: we'll we'll be down there for the summer Bash. When

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Speaker 1: is that? It's coming up very soon in the month

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Speaker 1: of I think it's hold on one second, day's hold

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Speaker 1: on one second. Johan, take care of Johan. He was great.

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Speaker 1: God knows what he saw in the back of that

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Speaker 1: car or heard our other first caller of the day.

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Speaker 1: We have co first callers. Hi, Brittany, Hello, good morning everybody,

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Speaker 1: and tell everyone what you're doing this weekend. I am

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Speaker 1: currently in North Carolina driving to South Carolina from Ohio

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Speaker 1: for my best friends UM's best friends weddings. Alright, that's okay,

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Speaker 1: you're going. You're going across state lines, which could break

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Speaker 1: some some laws, but that's Okay, it's so good. Now,

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Speaker 1: we're good. We're good. Now. Do you enjoy going to

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Speaker 1: weddings or weddings to you? Just another god? Really? Uh,

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Speaker 1: there's plenty of this year, so I'm trying to be

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Speaker 1: cheerful and mine is this year. So just trying to

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Speaker 1: get things done here. I know it's expensive, especially if

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Speaker 1: you have like five in a row. It's crazy in

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Speaker 1: the same year you're having your own. Yeah, especially then

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Speaker 1: we'll look have a wonderful time. At the very least.

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Speaker 1: I hope there's an open bar, have a good time

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Speaker 1: there is, and again, there's never it's never too early,

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Speaker 1: first shots. Okay, okay, sister, we'll listen. Brittany, you guys

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Speaker 1: have a wonderful wedding weekend in South Carolina, and thank

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Speaker 1: you for listening. We'll send you a shirt too. Okay,

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Speaker 1: thank you, you guys, have a great weekend. Thank you.

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Speaker 1: Hold on one second, there you go. So everyone's doing something.

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Speaker 1: Johan is driving people around and keeping them safe in

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Speaker 1: South Florida. Brittany is on our way to a wedding

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Speaker 1: in South Carolina. What are you doing this weekend? I

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Speaker 1: hope you have some great plans. Think about it and

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Speaker 1: even if you have nothing planned, that is something. Yeah,

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Speaker 1: sometimes that is the best plan. Doing nothing is definitely

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Speaker 1: doing something. Always keep that in mind. All right, Le's

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Speaker 1: get into your Friday horoscopes. You're at first day. Happy

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Speaker 1: birthday to Adel, We love you, Cavicorn. Open your social

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Speaker 1: circle to new people. They may offer and new an

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Speaker 1: exciting perspective on life. Your days of ten aquari Is,

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Speaker 1: it's crucial that you establish her priorities and cherish all opportunities.

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Speaker 1: Remember energy flows where attention goes. Your day is a seven.

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Speaker 1: Explore your wild side, go on an adventure. You might

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Speaker 1: be surprised by what the trip brings you. Your days

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Speaker 1: and eight areas. Take any upcoming changes at your own pace.

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Speaker 1: Embrace whatever comes your way. Enjoy the ride. Your days

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Speaker 1: of nine towards your romantic nature could get the best

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Speaker 1: of you. Try to maintain your distance to avoid appearing

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Speaker 1: to night. Your days seven Gemini, your mind is all

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Speaker 1: over the place and your imagination might fail you a

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Speaker 1: little bit. Take it easy, avoid any complicated tasks. Your

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Speaker 1: days of nine Cancer. Your creative side shines in your workplace.

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Speaker 1: It makes it easy for you to stand out in

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Speaker 1: a group setting. Have fun with it. Your days of

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Speaker 1: ten Leo, spend your money carefully. It's hard not to

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Speaker 1: splurge on things you enjoy, but try to control yourself

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Speaker 1: as best you can. Your days and eight Virgo, you're

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Speaker 1: surrounded by supportive people. Don't be afraid to share your thoughts,

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Speaker 1: your dreams with them. It'll set you for your days

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Speaker 1: and nine Libra. Don't sell yourself short. Nothing in life

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Speaker 1: comes easily, so don't give up when things get hard.

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Speaker 1: It'll be worth it in the end. Your days and

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Speaker 1: eight Scorpio, your hard work at the gym is taking

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Speaker 1: a toll in your body, but don't let it break

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Speaker 1: your motivation. No pain, no gain. Your days of seven

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Speaker 1: and Sagittarius, great news is coming your way. Prepare for

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Speaker 1: the best. To be proud of your achievement. Your day

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Speaker 1: is a ten and those are your Friday morning coroscopes.

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Speaker 1: All right, thank you so much. Let's go around the room.

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Speaker 1: We'll start with you scary. What's on your mind today?

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Speaker 1: So every year my friends and I my longtime friends

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Speaker 1: that I have grown up with, we do a Brooklyn

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Speaker 1: Boys baseball trip to a different stadium around the country

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Speaker 1: and then we're going We're going to Chicago this year.

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Speaker 1: Here's the thing. That's the time where you get to

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Speaker 1: come back to where we all began for you. If

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Speaker 1: you have a chance to get to your closest group

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Speaker 1: of friends that you haven't seen in a while, and

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Speaker 1: I haven't seen some of these guys in a year,

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Speaker 1: you should definitely do it because it literally will hit

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Speaker 1: the reset button and you It brings you back to

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Speaker 1: where it was. Those are the kind of friends you

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Speaker 1: can go back to after not seeing them for a

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Speaker 1: while and no one guilt you for being away or

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Speaker 1: not calling. You just pick up where your left. Highly

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Speaker 1: recommend everyone if they can take trips like that with

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Speaker 1: those core group of old school friends. We'll have front

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Speaker 1: fund in Chicago. We loves your what's that smirk on

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Speaker 1: your face, Bethany? It makes me happy? I know. Have

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Speaker 1: you thought of your core group of friends? Yeah? I have.

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Speaker 1: I have a couple of but one it's named Janna,

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Speaker 1: And every time I see her, she's never mad at

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Speaker 1: me that it's taken too long. She's getting mad at

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Speaker 1: me that I don't text enough. She's not one of

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Speaker 1: those guilt no, she's just amazing. So what's on your

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Speaker 1: mind today? I have to give a big shout out

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Speaker 1: to My head just completely stopped, now blanked out. I

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Speaker 1: was just started thinking about Janna. No problem, let's make

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Speaker 1: your around the room about Janne. Can't we just give

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Speaker 1: it a shout out to Janna, give a shout out

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Speaker 1: to the friends who never guilt you. What you just

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Speaker 1: said about her is just the best tribute to someone

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Speaker 1: you can give someone who doesn't guilt you. Friends that

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Speaker 1: guilt you are are they're They're not good. They're hanging

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Speaker 1: their crap on you. Yeah, and she's an incredible person.

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Speaker 1: So surround yourself with incredible people. And let's here for Channa.

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Speaker 1: Janna Banana. Hey, what's up with you? Daniel? So you

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Speaker 1: know what, I love my Disney movies, but I just

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Speaker 1: saw Mowanna for the first time last night, which I'm shocked,

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Speaker 1: but the kids we sat down, we watched it. It

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Speaker 1: is so good. If you I love all Disney movies,

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Speaker 1: but if you have not seen mo Wanna and the

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Speaker 1: rock is so funny and it his character even does

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Speaker 1: the eyebrow thing during the movie, so it's very cool.

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Speaker 1: So if you haven't seen one and you want to

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Speaker 1: smile on your face and a little tear in your

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Speaker 1: eye at times, go and see it this weekend, or

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Speaker 1: you know it's on demand now. So I don't think

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Speaker 1: there's anything wrong with seeing a Disney movie. It's all right,

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Speaker 1: it's it's on my list, Momana, it was awesome. Let's

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Speaker 1: get into your headlines. Bethany's in the headline room giving headlines. Yes,

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Speaker 1: I mean yes, what's going on? Okay, So, as you know,

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Speaker 1: by now, President Trump and the House Republicans passed the

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Speaker 1: revised House Healthcare bill, so the bill now heads to

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Speaker 1: the Senate. President Trump he says he is confident that

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Speaker 1: it will pass the Senate. Another family has been kicked

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Speaker 1: off a plane. This time it's Delta. Delta is apologizing

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Speaker 1: today after they removed a family of four from a

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Speaker 1: plane last month. Brian Shear says that he and his

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Speaker 1: family bought a ticket on a different flight for their

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Speaker 1: older son so that their toddler could use the older

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Speaker 1: son's seat in a car seat. The flight attendant wouldn't allow,

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Speaker 1: with those saying the seat belonged to the older son,

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Speaker 1: so the toddler could not use it. Sheer said employees

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Speaker 1: told them they would be thrown in jail and that

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Speaker 1: the children would be put in foster care if they

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Speaker 1: didn't get off the plane. Basically the video he said,

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Speaker 1: and the guy was he was a nice guy. He

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Speaker 1: didn't lose it like I would have lost it. No,

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Speaker 1: Delta has now officially issued an apology, promised to give

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Speaker 1: the family a full refund and in additional compensation. And

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Speaker 1: I'd be flying for free. It seems like they know

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Speaker 1: what's going on, and they would they would have taken

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Speaker 1: care of the business anyway. What else you got going

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Speaker 1: on today? Sinco de Mayo, it's the day that commemorates

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Speaker 1: the Mexican armies unlikely victory over the French at the

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Speaker 1: Battle of Puebla, May fifth of eighteen sixty two. It

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Speaker 1: is not Mexican Independence Day. That is September sixteen. Here's

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Speaker 1: your hourly reminder to take a deep breath. People get

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Speaker 1: those confused all the time. Yeah. Absolutely. And a woman

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Speaker 1: swallowed seven thousand dollars during a fight with her husband.

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Speaker 1: The couple is in columb She had saved this money

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Speaker 1: for a vacation with her husband, but then they got

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Speaker 1: into a fight. She didn't want her husband to know

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Speaker 1: that she'd saved all this money, so she swallowed it.

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Speaker 1: In Nichols, she did it and it looks like hundred

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Speaker 1: dollar bills. Surgeants have removed fifty seven of the hundreds

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Speaker 1: from her stomach and intestines. The rest will have to pass.

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Speaker 1: Being so mad at someone that you eat money, you

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Speaker 1: gotta be wow. All right, well, thank you you guys,

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Speaker 1: Ready for your Friday. This is Elvis Durand in the

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Speaker 1: Morning show. Catch the Fox News Specialists every week night

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Speaker 1: at five. Opinions are everywhere and everyone has them. Eric Bowling,

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Speaker 1: Katherine Timp and Ebony Kay Williams put a new spin

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Speaker 1: on the day stories. The Fox News Specialist Tonight at

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Speaker 1: five pm only on Fox News Channel Elvis, Elvis Duran

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Speaker 1: The Elvis Durand Phone Tap, Daniel, phone Tap, What do

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Speaker 1: you have? So Alison is one dogwalker right and he

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Speaker 1: loves his dog Boots so much. But Alison can't be

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Speaker 1: there today to walk Boots, so she called in backup.

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Speaker 1: So I'm calling Sean as the backup saying, oh, I

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Speaker 1: lost your dog. Okay, let's listen in to Daniel's phone

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Speaker 1: here you hello, hiak to Sean. Please Sean listen. I

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Speaker 1: spoke to Allison. She gave me your number and just

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Speaker 1: in case I had an emergency and I can't get

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Speaker 1: Boots back, and I don't know what to do because

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Speaker 1: I sho treats? What wait? Who is who is this is?

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Speaker 1: This is the dog walker Lisa. Where's Allison? She she's

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Speaker 1: my dog walks you I forgot? Okay, Alison had an

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Speaker 1: appointment today and so she called me and said, can

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Speaker 1: I take Boots aut for his walk? I said yes?

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Speaker 1: And then when I took Boots out for his well,

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Speaker 1: we didn't talk about this before. Okay, okay, okay, that's

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Speaker 1: not important. Now listen to me. I went to the

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Speaker 1: store and I got the treat and I was going

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Speaker 1: Boots Bootsie. I got the treat and then he's not

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Speaker 1: coming back. What do you mean he's not coming? Where

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Speaker 1: is he? I want to get a hot dog? And

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Speaker 1: I tied him up to the pole and unlucky, that's

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Speaker 1: about who are you in the glas that you want mustard?

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Speaker 1: I said yes, I turned around and he was gone.

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Speaker 1: I tied him to a pole and I can't find him.

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Speaker 1: Where are you? And the park? Wooddale Park Park? Yeah,

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Speaker 1: the one with all the trees. Yeah, I know, I

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Speaker 1: don't know if I didn't leave him. I tied him

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Speaker 1: right next to me. I didn't. I only needed a

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Speaker 1: hot dog. I only one for one minute. Listen, listen,

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Speaker 1: I know. But I went to the store and I

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Speaker 1: asked the store for the treats that I go boots, boots.

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Speaker 1: He doesn't come. He's not hungry. I don't know what

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Speaker 1: to do. It's like two, he don't even know what

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Speaker 1: it sounds like. I know because dogs like bread. So

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Speaker 1: I was like, boo, let me try it again. Food day.

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Speaker 1: I got treats boots in foods. What kind of treats

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Speaker 1: are see like, I'll go back to the story and

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Speaker 1: get whatever I want to treat you like the dog bro.

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Speaker 1: He cares, but it's not like because you can't find

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Speaker 1: him and he can't even hear your boys right now.

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Speaker 1: He can't even know who you are. I'm not Allison,

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Speaker 1: and you want a stranger. I don't. It was the

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Speaker 1: last minute thing she got, like some interview or something

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Speaker 1: last minute, and she called me, you are and Alison

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Speaker 1: did anyway, I'm vely walk right now. I will be

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Speaker 1: there in twenty minutes. Oh my god. He's definitely not happy.

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Speaker 1: Oh my god, I'm sure you terrified. I didn't even

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Speaker 1: know that bad. We're gonna call him back right now,

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Speaker 1: and you just say that you got a phone call

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Speaker 1: from your friend Lisa. Okay, okay, here we go. Hello Allison,

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Speaker 1: where the hell are you and why aren't you with

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Speaker 1: Boots right now? I had an appointment. I had to

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Speaker 1: go to it, and so I asked Lisa to walk him.

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Speaker 1: I don't even know who she is, and she locked

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Speaker 1: my dog. I know. I just got a call from Lisa.

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Speaker 1: I I am so sorry. It sounds like who is

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Speaker 1: this Lisa woman. Listen, she's a really old friend of mine.

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Speaker 1: I met her. She's not about funds Martin and she

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Speaker 1: lost him. But listen, you know what the There was

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Speaker 1: this one time when Boots ran away with me and

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Speaker 1: I was like freaking out, but then I do want

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Speaker 1: back to your house because I didn't know what to

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Speaker 1: do and he was sitting there so he knows how

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Speaker 1: to get home. Like, are you rushing back? Because because

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Speaker 1: he got wrong and he was fine, and he still

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Speaker 1: lost him and now he's lost. Okay, I found him.

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Speaker 1: What Sean, This is Danielle Manaro from Just a rand

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Speaker 1: in the Morning show, and you just STI phone tap,

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Speaker 1: Boots is fine right now, phone tap, have an idea

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00:15:51,760 --> 00:15:53,880
Speaker 1: for a phone tab. Go to allast ran dot com,

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Speaker 1: click on the phone tab tab, tell us what you

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Speaker 1: want to do. This phone table was pre recorded with

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Speaker 1: permission granted by all parties. Stand in the Morning show,

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00:16:06,400 --> 00:16:09,760
Speaker 1: catch the Fox News Specialists every week night at five.

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00:16:09,920 --> 00:16:14,400
Speaker 1: Opinions are everywhere and everyone has them. Eric Bowling, Katherine

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00:16:14,480 --> 00:16:17,040
Speaker 1: Timp and Ebony Kay Williams put a new spin on

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00:16:17,120 --> 00:16:20,000
Speaker 1: the day's stories the Fox News Specialists tonight at five

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Speaker 1: pm only on Fox News Channel. Hey, you hear me

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Speaker 1: talking a lot about Sherry's Berries Mother's Days on the way,

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Speaker 1: Sherry's Berry is a wonderful gift for your mother for

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Speaker 1: some free cake truffles. They're so delicious. It's like a

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Speaker 1: or your money back again. Go to berries dot com,

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Speaker 1: click on the microphone, type in Elvis for Mother's Day

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Speaker 1: I just quadrupled your gift Sherry's Berries. Click on the

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Speaker 1: microphone and type in Elvis and do it right now. Hi,

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Speaker 1: this is Lady Gaga, and you're listening to my friend

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Speaker 1: Elvis Durand so do you have like this one person

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Speaker 1: you've met in your life that is so fascinating your

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Speaker 1: you wish you, you wish you you could walk in

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Speaker 1: their shoes for like a day. There's this guy, his

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Speaker 1: name is Peter Tunney. He uh is an artist from

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Speaker 1: way back, a world traveler. He's done every drune, he's

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Speaker 1: he's dated every model, he's hung out with every artist.

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Speaker 1: I mean, he lives in that life that we we

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Speaker 1: we hear stories about and read books about, but you know,

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Speaker 1: in reality, we would never do that. He seems like

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Speaker 1: the kind of guy were like if the Rolling Stones

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Speaker 1: had a best friend exactly. He's that guy, Like he

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Speaker 1: partied in the seventies and the eighties and the nineties

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Speaker 1: and still is going yeah. I mean so, Peter has

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Speaker 1: this incredible gallery and he's an artist as well and

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Speaker 1: a photographer from back when down in Winwood in uh

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Speaker 1: in South Florida in Miami, and it's one of my

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Speaker 1: favorite parts is called Winwood Walls. And what he did

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Speaker 1: is he bought these buildings that have these outdoor yards

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Speaker 1: and huge walls, and he invites graffiti artists from around

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Speaker 1: the world to bring their incredible art to these walls

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Speaker 1: and he exhibits them just like you would go to

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Speaker 1: an art gallery or art museum. It's that, but it's

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Speaker 1: halls of graffiti, which is so yeah, mind blowing, mind

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Speaker 1: blowing graffiti artists. It's so fun to go down there

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Speaker 1: on like a Saturday afternoon and just walk down and

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Speaker 1: look at all the graffiti artists and then some are

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Speaker 1: still doing them during the middle of the day. You

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Speaker 1: can watch the whole wall come to life right in

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Speaker 1: front of you, right, I mean, it's just incredible. So

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Speaker 1: that's when we first met him. We went to an

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Speaker 1: after jingle Ball party at Winwood Walls. We were there

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Speaker 1: with Nick Jonas and Joe Jonas and you know, Hailee

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Speaker 1: Steinfeld was there. D Yeah, it was just it was

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Speaker 1: the craziest party, Charlie Pooth. So we were there drinking

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Speaker 1: and dancing, like we were dancing and drinking and you know,

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Speaker 1: it's this big walled garden basically. And so Peter, who

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Speaker 1: owns the gallery, has a has a vespa. He was

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Speaker 1: zooming it around in the party and I didn't it

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Speaker 1: one time? You go for a ride with him? Well, no,

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Speaker 1: this is what I talked about. How I tried to

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Speaker 1: steal this vespa with one of the guys from five

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Speaker 1: Sauce and one of the guys from d n C.

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Speaker 1: This was the vespa we were trying to steal, but

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Speaker 1: we couldn't figure out how to turn it on. And

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Speaker 1: then Peter comes out and starts giving rides on it.

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Speaker 1: He gave rides at his party, and I think he

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Speaker 1: ran over my foot a couple of times. But anyway,

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Speaker 1: so back to this guy, Such an interesting guy. I

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Speaker 1: think we should all strive to be more interesting like

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Speaker 1: the Peter Tunnies of the world. Where back in the

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Speaker 1: seventies and eight especially the eighties, he traveled with other

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Speaker 1: artists and musicians to South Africa and they like two

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Speaker 1: crazy drugs in the middle of the of the Rwanda

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Speaker 1: jungle while he painted people and then they sat in

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Speaker 1: trees and he took pictures of them. Yeah, there are

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Speaker 1: these two models that were traveling with them, and they

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Speaker 1: were all smoking pot and like just riding in their

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Speaker 1: journals all day in the jungle, you know, gorilla is

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Speaker 1: running around and rhinos and stuff. And then he said

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Speaker 1: he talked. He told these girls that he worked for

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Speaker 1: a magazine that didn't exist, and they would paint their

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Speaker 1: nude bodies and get up in the trees and he

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Speaker 1: would take pictures of I mean, just an interesting, interesting guy. Well, anyway,

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Speaker 1: he has the studio here in Tribeca, New York, so

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Speaker 1: I drawed by to see him yesterday. Max and I

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Speaker 1: went over and we we hung out. We looked at

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Speaker 1: his new studio and it's beautiful. We just sat down

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Speaker 1: and talked about his days, and he showed me pictures

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Speaker 1: he said, here, take them all. I mean, I'm not

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Speaker 1: gonna take you. He have a book, he needs a book.

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Speaker 1: He is not the guy who's organized to have a book.

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Speaker 1: Have somebody else do it for you. I guess my

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Speaker 1: point of the story is I could go on and

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Speaker 1: on and I won't, but every we should all strive

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Speaker 1: to be a little more like Peter Tunney. Yeah, just

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Speaker 1: a little just a free spirit, not afraid to try

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Speaker 1: new things and hop on a plane and even though

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Speaker 1: you're flying into a dangerous world, who cares? The danger?

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Speaker 1: Makes it more exciting, And you're gonna have so many

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Speaker 1: stories and you're going to be the person that everyone's like,

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Speaker 1: have you met Judy Duty is amazing? So can we

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Speaker 1: all be a little more like Peter Tunny? If you

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Speaker 1: want to do a Google on him, it's t u

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Speaker 1: n n e y Peter Tunney. T u n n

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Speaker 1: e y. Fascinating guy. What's scary? Is it possible to

422
00:21:50,640 --> 00:21:54,040
Speaker 1: do it? Sober? Like? Yeah? Yeah, yeah, Because I'm thinking

423
00:21:54,080 --> 00:21:57,600
Speaker 1: about it, he's totally sober. Wow, I don't know if

424
00:21:57,600 --> 00:21:59,200
Speaker 1: I could do it. So he said, you want to

425
00:21:59,240 --> 00:22:01,200
Speaker 1: come see my co bathroom? I said, I don't know.

426
00:22:01,440 --> 00:22:03,920
Speaker 1: He said, we just redid it. It's my coke bathroom

427
00:22:04,280 --> 00:22:06,600
Speaker 1: and you open the door and it's a big, huge

428
00:22:06,640 --> 00:22:10,560
Speaker 1: piece of artwork with a Coca Cola cannon. He did coke.

429
00:22:11,040 --> 00:22:12,480
Speaker 1: I was like, don't go in there. He said, it's

430
00:22:12,520 --> 00:22:16,320
Speaker 1: a new age, a new kind of coke. So anyway,

431
00:22:16,400 --> 00:22:18,600
Speaker 1: so just a great guy. So if you can, if

432
00:22:18,720 --> 00:22:20,760
Speaker 1: we can all be a little more daring, a little more,

433
00:22:21,520 --> 00:22:26,200
Speaker 1: let's not be afraid to be a little less provincial.

434
00:22:26,440 --> 00:22:29,560
Speaker 1: Let's not be afraid to be Let's let's not be

435
00:22:29,680 --> 00:22:31,760
Speaker 1: afraid to be ourselves and do the things we want

436
00:22:31,800 --> 00:22:33,879
Speaker 1: to do. You actually brought this up yesterday, didn't you, Bethany.

437
00:22:34,680 --> 00:22:36,159
Speaker 1: It's like, you know, go out in the park into

438
00:22:36,200 --> 00:22:38,280
Speaker 1: a cart wheel, do something. Oh yeah. When my friend

439
00:22:38,320 --> 00:22:40,160
Speaker 1: and I were sitting eating ice cream cones and singing

440
00:22:40,200 --> 00:22:43,520
Speaker 1: along to a stranger's boom box, people were staring at us, like,

441
00:22:43,560 --> 00:22:50,640
Speaker 1: are you an art installation? Exactly? See when we laugh

442
00:22:50,680 --> 00:22:52,400
Speaker 1: at the Shila Buffs of the world, who gets thrown

443
00:22:52,400 --> 00:22:56,840
Speaker 1: in jail because they you know, they take they whip

444
00:22:56,880 --> 00:22:58,719
Speaker 1: it out and they pee on a piece of art

445
00:22:59,440 --> 00:23:02,840
Speaker 1: because they say that is art, and we laugh at him,

446
00:23:02,880 --> 00:23:04,800
Speaker 1: But he's actually having He's living his life. I saw

447
00:23:04,840 --> 00:23:07,359
Speaker 1: some making art on the wall this morning. There you go,

448
00:23:09,119 --> 00:23:10,800
Speaker 1: remember that day. Then you told us to mix it

449
00:23:10,840 --> 00:23:13,320
Speaker 1: all up and just to challenge us to skip all day,

450
00:23:13,520 --> 00:23:16,760
Speaker 1: you know, instead of walking, let's skip. Let's skip. If

451
00:23:16,800 --> 00:23:20,000
Speaker 1: you walked on the sidewalk and you see a little kids, Um,

452
00:23:20,280 --> 00:23:23,560
Speaker 1: what are they called? Do you do the hop scotch? Yes?

453
00:23:23,920 --> 00:23:26,440
Speaker 1: Every time I do the hop scotch? You have well?

454
00:23:26,480 --> 00:23:30,720
Speaker 1: I always ask in case the parents get creeped out. Mommy, Mommy,

455
00:23:30,800 --> 00:23:32,320
Speaker 1: that old man wants to play hop scots with me.

456
00:23:33,359 --> 00:23:38,560
Speaker 1: It's okay, little little Sarah that he wouldn't hurt you.

457
00:23:39,760 --> 00:23:43,240
Speaker 1: By the way, does he still have the crazy blonde hair, Peter,

458
00:23:44,119 --> 00:23:47,680
Speaker 1: He's fabulous. Anyway, let's get into daniel Report. Danielle, what's

459
00:23:47,720 --> 00:23:50,680
Speaker 1: going on? So HBO is looking into doing a Game

460
00:23:50,760 --> 00:23:54,440
Speaker 1: of Thrown spinoff. They have four projects in development with

461
00:23:54,680 --> 00:23:57,440
Speaker 1: four different writers, and it looks like what they're gonna

462
00:23:57,440 --> 00:23:59,119
Speaker 1: do is just kind of go through everything, pick the

463
00:23:59,200 --> 00:24:01,359
Speaker 1: best one and go with that, unless they go with

464
00:24:01,440 --> 00:24:03,920
Speaker 1: more than one. But I'll keep you posted. My gift

465
00:24:04,000 --> 00:24:06,080
Speaker 1: to you today is going up at Elvis Durrand dot com.

466
00:24:06,600 --> 00:24:11,080
Speaker 1: Chris Hemsworth staying in shave and working his biceps. Welcome

467
00:24:12,119 --> 00:24:16,280
Speaker 1: of someone staying in shape. Don't there, don't don't say

468
00:24:16,280 --> 00:24:19,760
Speaker 1: I never gave you anything. So cute. NBC has canceled

469
00:24:19,760 --> 00:24:23,960
Speaker 1: Emerald City after one season. Go ahead say it, Emerald.

470
00:24:24,320 --> 00:24:27,600
Speaker 1: Well with Emerald City, I don't even remember they canceled.

471
00:24:27,760 --> 00:24:32,000
Speaker 1: They canceled to watch it. I teased this yesterday, but

472
00:24:32,080 --> 00:24:35,840
Speaker 1: a Broadway musical based on Brittney Spears might actually happen.

473
00:24:36,359 --> 00:24:39,000
Speaker 1: It would not be autobiographical. It actually would be more

474
00:24:39,040 --> 00:24:42,520
Speaker 1: of Britney's songs that string together a fictional storyline. They

475
00:24:42,720 --> 00:24:45,359
Speaker 1: kind of did this with the Broadway show All Shook Up,

476
00:24:45,640 --> 00:24:48,479
Speaker 1: which they took Elvis Presley songs and our friend Cheyenne

477
00:24:48,560 --> 00:24:50,240
Speaker 1: Jackson was the lead. It was such a great show

478
00:24:50,480 --> 00:24:52,600
Speaker 1: and they kind of did a storyline based on Elvis

479
00:24:52,680 --> 00:24:55,040
Speaker 1: Presley song. So that's what they're looking at doing right now.

480
00:24:55,840 --> 00:25:00,480
Speaker 1: Chris Pratt had to apologize to the hearing compared Hearing

481
00:25:01,359 --> 00:25:05,040
Speaker 1: Hearing impaired community book My Mouth Doesn't Work. He posted

482
00:25:05,080 --> 00:25:07,440
Speaker 1: a video and he said in the video, I want

483
00:25:07,480 --> 00:25:09,600
Speaker 1: you to listen to this with the volume up instead

484
00:25:09,640 --> 00:25:12,840
Speaker 1: of reading subtitles, and he upset a lot of people

485
00:25:12,880 --> 00:25:14,560
Speaker 1: who are hearing in pair. You know what we were

486
00:25:14,560 --> 00:25:17,159
Speaker 1: talking about this yesterday, Danielle. Sometimes we say things and

487
00:25:17,240 --> 00:25:19,520
Speaker 1: it does not come from a hateful place, but it

488
00:25:19,560 --> 00:25:22,000
Speaker 1: offends people. Yeah, and you know you feel awful you

489
00:25:22,040 --> 00:25:25,960
Speaker 1: offend people. Just understand that just because you're offended doesn't

490
00:25:26,000 --> 00:25:28,719
Speaker 1: mean they meant They just maybe didn't think it all

491
00:25:28,720 --> 00:25:30,760
Speaker 1: the way through. Well that's the thing. He didn't. He

492
00:25:30,800 --> 00:25:32,600
Speaker 1: didn't think it all the way through. He did make

493
00:25:32,640 --> 00:25:35,879
Speaker 1: a video where he said he was sorry using sign language,

494
00:25:36,280 --> 00:25:38,800
Speaker 1: so that was pretty cool. Um. I don't know if

495
00:25:38,800 --> 00:25:40,480
Speaker 1: you've gone to Elvis Duran dot com, but I know

496
00:25:40,640 --> 00:25:42,840
Speaker 1: Nate and I love the song Galaway Girl from the

497
00:25:43,000 --> 00:25:45,640
Speaker 1: Edge Hearing album and if you have not sing Galway Girl,

498
00:25:45,920 --> 00:25:47,840
Speaker 1: check it out his new videos out for the song

499
00:25:47,920 --> 00:25:50,600
Speaker 1: and it's very cool. Um. So, yesterday we know was

500
00:25:50,680 --> 00:25:52,399
Speaker 1: May fourth. May the fourth be with you. So my

501
00:25:52,520 --> 00:25:55,000
Speaker 1: high school or in Wisconsin decided, Hey, I'm gonna go

502
00:25:55,080 --> 00:25:58,119
Speaker 1: to school dressed up as somebody from Star Wars, and

503
00:25:58,200 --> 00:26:00,320
Speaker 1: he walked in and scared the crap out of some

504
00:26:00,359 --> 00:26:02,560
Speaker 1: of the parents, so they had to call and the

505
00:26:02,640 --> 00:26:04,840
Speaker 1: school had to be evacuated. It was a false alarm.

506
00:26:04,960 --> 00:26:07,359
Speaker 1: But when you just show up dressed a like Darth Vader,

507
00:26:07,800 --> 00:26:10,920
Speaker 1: that's when things happen. Lightsabers make people know they really do,

508
00:26:11,160 --> 00:26:14,080
Speaker 1: So just be careful about that. Tonight you've got the

509
00:26:14,200 --> 00:26:17,000
Speaker 1: seventh season finale of Blue Bloods. Also, don't forget the

510
00:26:17,040 --> 00:26:19,919
Speaker 1: two thousand seventeen MTV Movie and TV Awards are going

511
00:26:20,000 --> 00:26:22,760
Speaker 1: down this weekend. This is cool. On free Form, there's

512
00:26:22,760 --> 00:26:26,720
Speaker 1: a ninety minute special called Disney's Fairytale Weddings. If you

513
00:26:26,840 --> 00:26:29,600
Speaker 1: love Disney Weddings, My sisters obsessed with stuff like that.

514
00:26:29,720 --> 00:26:31,680
Speaker 1: Check it out. And what's out in your movie is

515
00:26:31,720 --> 00:26:34,679
Speaker 1: Guardians of the Galaxy two is out today and also

516
00:26:34,920 --> 00:26:37,560
Speaker 1: Three Generations is out in limited edition. That looks like

517
00:26:37,560 --> 00:26:41,040
Speaker 1: a pretty cool movie too. And next hour, Sophia Vergara,

518
00:26:41,320 --> 00:26:43,720
Speaker 1: she is piste off at Store magazine and I'll tell

519
00:26:43,760 --> 00:26:48,320
Speaker 1: you why girl, Hey, speaking of Guardians of the Galaxy

520
00:26:48,400 --> 00:26:51,040
Speaker 1: to I'm not giving you anything away. I haven't seen it,

521
00:26:51,119 --> 00:26:54,200
Speaker 1: so who am I? But I know Garrett saw it,

522
00:26:54,359 --> 00:26:56,880
Speaker 1: loved it. But they're saying when the movie is over,

523
00:26:57,160 --> 00:27:02,680
Speaker 1: stay in your seat. Audience too actually has five post

524
00:27:02,800 --> 00:27:06,200
Speaker 1: credit scenes. I mean there are five scenes that roll

525
00:27:06,359 --> 00:27:11,439
Speaker 1: after the credits. Five scenes. Wow, there's a cameo on there.

526
00:27:11,440 --> 00:27:13,399
Speaker 1: I'm not going to tell you who it is. A

527
00:27:13,480 --> 00:27:15,600
Speaker 1: look at Groot in a very special situation. I'm not

528
00:27:15,600 --> 00:27:16,760
Speaker 1: going to tell you what. I'm not going to tell

529
00:27:16,760 --> 00:27:19,679
Speaker 1: you in some jokes, some funny stuff. So five scenes,

530
00:27:19,760 --> 00:27:24,560
Speaker 1: So stay in your seats on a right. So okay? Nothing?

531
00:27:25,200 --> 00:27:30,560
Speaker 1: Uh what Nate's walking around pushing buttons, Froggy. We're trying

532
00:27:30,600 --> 00:27:33,359
Speaker 1: to get your attention. Yes, yes, what you need, Froggy,

533
00:27:33,880 --> 00:27:38,520
Speaker 1: I'll connect you. Please hold for Senior executive producer straight Nate. Okay,

534
00:27:38,800 --> 00:27:40,760
Speaker 1: what do you want to tell you? Look at your phone?

535
00:27:40,960 --> 00:27:43,840
Speaker 1: What are you What are you texting him? I can't

536
00:27:43,960 --> 00:27:47,639
Speaker 1: tell you because it's supposed to sound like it's just happening. No, no, no,

537
00:27:47,680 --> 00:27:51,720
Speaker 1: I'd rather you tell us. You can't say those words

538
00:27:51,760 --> 00:27:57,520
Speaker 1: on the air. Good lord, right? Loving your okay? Anyway,

539
00:27:59,480 --> 00:28:00,879
Speaker 1: don't joke. Don't you hate it when you're you're in

540
00:28:00,920 --> 00:28:02,760
Speaker 1: a room full of friends and two of them are

541
00:28:02,880 --> 00:28:05,360
Speaker 1: texting with each other right in front of you. Yes,

542
00:28:05,680 --> 00:28:07,560
Speaker 1: that is what they're defening. I do that all the time.

543
00:28:07,640 --> 00:28:10,000
Speaker 1: Nobody knows. Danielle, I was sorry, what are you talking about?

544
00:28:10,040 --> 00:28:13,000
Speaker 1: What's nothing? Nothing? At all, I never do that to you.

545
00:28:13,520 --> 00:28:15,800
Speaker 1: Then again, I'm too busy to do it. I never

546
00:28:16,000 --> 00:28:19,399
Speaker 1: tex not in the room. But if I want to

547
00:28:19,400 --> 00:28:20,639
Speaker 1: say something to some one of the room, I have

548
00:28:20,680 --> 00:28:22,720
Speaker 1: the guts to say it. Get me out of here,

549
00:28:23,960 --> 00:28:28,000
Speaker 1: save me. Danielle is hateful to take. No. We just

550
00:28:28,080 --> 00:28:30,800
Speaker 1: like we'll talk about It's not like girls stuff what

551
00:28:30,960 --> 00:28:33,280
Speaker 1: we want to know. We talk about outfits and stuff.

552
00:28:33,320 --> 00:28:36,119
Speaker 1: Sometimes she goes, oh, check out this on what's trending.

553
00:28:36,160 --> 00:28:38,360
Speaker 1: I'm going to be doing it next. Make sure you're

554
00:28:38,440 --> 00:28:40,320
Speaker 1: right there. How can you just can't tell her? Right?

555
00:28:40,320 --> 00:28:42,800
Speaker 1: Because sometimes when that we're talking or we don't want

556
00:28:42,800 --> 00:28:44,400
Speaker 1: to interrupt the flow of the show and stuff. But

557
00:28:44,480 --> 00:28:47,960
Speaker 1: you don't ever make fun of somebody in the room. Okay,

558
00:28:48,000 --> 00:28:50,000
Speaker 1: so who do you make fun of most in the room?

559
00:28:52,280 --> 00:28:54,280
Speaker 1: You know what this happened to me yesterday? I get

560
00:28:54,320 --> 00:28:56,760
Speaker 1: it to my elevator and two women start talking to

561
00:28:56,760 --> 00:28:58,920
Speaker 1: another language, and all of a sudden, you talk about

562
00:28:58,960 --> 00:29:01,560
Speaker 1: back and forth, and then they start laughing and looking

563
00:29:01,600 --> 00:29:04,560
Speaker 1: at me and a second in the room and you're

564
00:29:04,600 --> 00:29:07,240
Speaker 1: talking about me behind my back. But I know you're

565
00:29:07,240 --> 00:29:10,480
Speaker 1: talking about But you don't always know they're talking about you.

566
00:29:11,320 --> 00:29:16,560
Speaker 1: Do it because we know you. I will tell you.

567
00:29:16,720 --> 00:29:18,520
Speaker 1: A friend of mine once was on an elevator and

568
00:29:18,600 --> 00:29:20,880
Speaker 1: two people where he said, without a doubt, they were

569
00:29:20,920 --> 00:29:23,360
Speaker 1: talking about him in in h I think French. He

570
00:29:23,400 --> 00:29:25,800
Speaker 1: did not speak French. And at the end of the elevator,

571
00:29:25,880 --> 00:29:27,320
Speaker 1: right he's about to get off, he said, you know,

572
00:29:27,600 --> 00:29:30,840
Speaker 1: I speak fluent sprint French. And then he got off

573
00:29:30,840 --> 00:29:33,560
Speaker 1: the elevator and they had this look of fright on

574
00:29:33,600 --> 00:29:35,920
Speaker 1: their face. But he still doesn't know what they say.

575
00:29:37,280 --> 00:29:39,120
Speaker 1: He just knew by the sound of the language it

576
00:29:39,200 --> 00:29:42,400
Speaker 1: was definitely friend. So sometimes you can roll the dice

577
00:29:42,440 --> 00:29:43,640
Speaker 1: and take a chance to go. You know, I know

578
00:29:43,760 --> 00:29:45,280
Speaker 1: exactly what you talked about. But you have to be

579
00:29:45,320 --> 00:29:47,080
Speaker 1: ready to make your exit. Yeah, you have to run away.

580
00:29:47,080 --> 00:29:49,520
Speaker 1: So you don't ask. You don't ask. What did we say?

581
00:29:51,040 --> 00:29:54,520
Speaker 1: So who knows? So Kevin Spacey love him? How did

582
00:29:54,640 --> 00:29:57,360
Speaker 1: we get Kevin Spacey? I don't. We don't have him yet.

583
00:29:57,400 --> 00:29:58,760
Speaker 1: We have to call l A and wake him up.

584
00:29:58,840 --> 00:30:05,360
Speaker 1: Let's call Kevin Spacey call us zero one. Elvis Durand

585
00:30:05,400 --> 00:30:08,400
Speaker 1: In the morning show, watch the MTV Movie and TV

586
00:30:08,440 --> 00:30:12,080
Speaker 1: Awards with host Adam Divine featuring Zac Efron Hayley Steinfeld,

587
00:30:12,200 --> 00:30:16,160
Speaker 1: and more, with performances by Big Sean, Camila Cabello, and Pitbull.

588
00:30:16,240 --> 00:30:19,000
Speaker 1: The MTV Movie and TV Awards Live this Sunday at

589
00:30:19,040 --> 00:30:22,479
Speaker 1: eight on MTV. It's almost syear since the last time

590
00:30:22,520 --> 00:30:27,080
Speaker 1: I threw up in a sombrero land in the morning show.

591
00:30:28,600 --> 00:30:32,000
Speaker 1: So I'm thinking, let's call the West Coast and wake

592
00:30:32,120 --> 00:30:35,520
Speaker 1: up Kevin Spacey and let's see if he's a good

593
00:30:35,640 --> 00:30:42,560
Speaker 1: enough actor to make us believe he's awake. Don't. Good morning, Kevin. Hello,

594
00:30:43,080 --> 00:30:50,000
Speaker 1: Hello Jeff Kevin. You know you know how it is

595
00:30:50,160 --> 00:30:52,200
Speaker 1: you can actually hear how bad? So I went to

596
00:30:52,240 --> 00:30:59,040
Speaker 1: breath smells Good morning, Kevin, Good morning. I'm gonna talk

597
00:30:59,160 --> 00:31:03,200
Speaker 1: like Michael Kaine in taw to do this. Let me

598
00:31:03,280 --> 00:31:06,920
Speaker 1: take a bong hit before you do that. Hey, good morning, Kevin.

599
00:31:07,120 --> 00:31:08,480
Speaker 1: What are you gonna take a bung hit? Maybe I

600
00:31:08,480 --> 00:31:12,920
Speaker 1: should do to Sam Jackson instead. Let's start with Clarence Darrow.

601
00:31:13,200 --> 00:31:16,000
Speaker 1: Oh my goodness, who, by the way, what a cool guy.

602
00:31:16,080 --> 00:31:19,200
Speaker 1: I wish yours close to Clarence Darrell being alive today

603
00:31:19,240 --> 00:31:23,120
Speaker 1: as well. We'll get to experience an It's true, It's true.

604
00:31:23,400 --> 00:31:26,600
Speaker 1: He was primarily known for many, many, many years, I

605
00:31:26,640 --> 00:31:29,120
Speaker 1: mean more than twenty years as one of the single

606
00:31:29,200 --> 00:31:32,080
Speaker 1: most influential labor lawyers in the United States. In fact,

607
00:31:32,200 --> 00:31:34,880
Speaker 1: he is the man who won the eight hour day

608
00:31:35,480 --> 00:31:39,640
Speaker 1: for American workers in a very famous Pennsylvania mining case. Um.

609
00:31:39,920 --> 00:31:42,240
Speaker 1: And he fought for causes and for ideas that I

610
00:31:42,280 --> 00:31:45,600
Speaker 1: think we're still fighting for today. And probably his single

611
00:31:45,680 --> 00:31:48,440
Speaker 1: most remarkable accomplishment is that, in the course of his

612
00:31:48,640 --> 00:31:52,480
Speaker 1: career he defended a hundred and two men against the

613
00:31:52,520 --> 00:31:55,440
Speaker 1: death penalty and not one of them ever hanged. I

614
00:31:55,520 --> 00:31:59,640
Speaker 1: know you did your Clarence Darrow play in London, right, Yes,

615
00:31:59,720 --> 00:32:02,520
Speaker 1: it was the very last play that I did at

616
00:32:02,600 --> 00:32:04,600
Speaker 1: the Old vic Theater in London, which was a theater

617
00:32:04,680 --> 00:32:08,040
Speaker 1: that I was running as the artistic director for eleven

618
00:32:08,200 --> 00:32:12,440
Speaker 1: seasons from two thousand and four and so um. It

619
00:32:12,640 --> 00:32:14,880
Speaker 1: was a kind of remarkable experience I had. I had

620
00:32:14,960 --> 00:32:19,080
Speaker 1: never done a one person show because that there's nobody

621
00:32:19,120 --> 00:32:22,840
Speaker 1: else but me, so it's a little lonely up there. Um.

622
00:32:23,080 --> 00:32:24,600
Speaker 1: But the great thing is that we did it in

623
00:32:24,680 --> 00:32:26,920
Speaker 1: the round, and that was the first time I've done

624
00:32:27,360 --> 00:32:29,080
Speaker 1: a one person show, but also the very first time

625
00:32:29,080 --> 00:32:31,640
Speaker 1: I've done a play in the round, and and it's

626
00:32:31,680 --> 00:32:35,400
Speaker 1: really kind of remarkable. Um. First of all, there's nowhere

627
00:32:35,400 --> 00:32:39,640
Speaker 1: to hide if you screw up, and I undoubtedly did,

628
00:32:40,320 --> 00:32:43,560
Speaker 1: because it's a lot of material to remember, Um, for

629
00:32:43,800 --> 00:32:47,080
Speaker 1: ninety minutes with an intermission, Um, there's no there's you

630
00:32:47,160 --> 00:32:51,720
Speaker 1: can't like turn and say a line. So I came

631
00:32:51,800 --> 00:32:54,120
Speaker 1: up with what I call actor helper way of being

632
00:32:54,120 --> 00:32:56,040
Speaker 1: able to get myself to the play every night. Um.

633
00:32:56,240 --> 00:32:59,280
Speaker 1: But I kind of also found that there is something

634
00:32:59,360 --> 00:33:02,000
Speaker 1: that happens when an audience is watching an audience watching

635
00:33:02,040 --> 00:33:04,719
Speaker 1: a play, Because when you're actually sitting and you can

636
00:33:04,840 --> 00:33:06,680
Speaker 1: look across or look to your right, you're left and

637
00:33:06,760 --> 00:33:10,720
Speaker 1: see people watching a play, it there's something, um, incredibly

638
00:33:10,760 --> 00:33:14,080
Speaker 1: intimate about it and also weirdly like people are in

639
00:33:14,160 --> 00:33:16,360
Speaker 1: the play right from the very beginning, rather than sort

640
00:33:16,360 --> 00:33:18,200
Speaker 1: of taking about twenty minutes where people start to go

641
00:33:18,360 --> 00:33:20,120
Speaker 1: huh so in the round, I mean they're on the

642
00:33:20,160 --> 00:33:21,800
Speaker 1: stage with you basically. I mean they are a part

643
00:33:21,880 --> 00:33:24,560
Speaker 1: of your production and your basically. And when as as

644
00:33:24,600 --> 00:33:28,920
Speaker 1: we're about to now restage this play at Arthur ash Stadium, um,

645
00:33:29,200 --> 00:33:32,680
Speaker 1: we're bringing in about six hundred additional seats onto the

646
00:33:32,800 --> 00:33:34,840
Speaker 1: floor of the court because I won't use the entire

647
00:33:35,440 --> 00:33:38,160
Speaker 1: court as a stage. And what's really great about that

648
00:33:38,320 --> 00:33:40,280
Speaker 1: is that not only again does it does it become

649
00:33:40,280 --> 00:33:43,120
Speaker 1: a really intimate thing and they're really all around me,

650
00:33:43,240 --> 00:33:46,480
Speaker 1: but also three hundred of those seats on the floor

651
00:33:46,600 --> 00:33:49,960
Speaker 1: will be for students I know, and tell them how

652
00:33:50,040 --> 00:33:52,680
Speaker 1: much you're charging for for the for the three students.

653
00:33:52,760 --> 00:33:54,960
Speaker 1: This is the best part. Well, the student seats are

654
00:33:55,160 --> 00:33:59,160
Speaker 1: are ten dollars um for teenagers and and they're going

655
00:33:59,280 --> 00:34:02,840
Speaker 1: to be for kids between eighteen and twenty five. They're

656
00:34:02,840 --> 00:34:06,720
Speaker 1: going to be absolutely free. Wow, that's that's there's a

657
00:34:06,840 --> 00:34:09,759
Speaker 1: hundred of the seats for the year olds, and then

658
00:34:09,800 --> 00:34:13,319
Speaker 1: there's two hundreds of the additional seats and and we're

659
00:34:13,760 --> 00:34:19,240
Speaker 1: basically today Today's Friday, Happy Friday, by the way, Friday Today.

660
00:34:19,600 --> 00:34:22,279
Speaker 1: Those people want information about the student seats, they should

661
00:34:22,280 --> 00:34:23,759
Speaker 1: go to Kevin Space dot com, which is where the

662
00:34:23,800 --> 00:34:25,400
Speaker 1: information about how you can about doing that, because you

663
00:34:25,400 --> 00:34:27,719
Speaker 1: don't get those on Ticketmaster, although the other seats which

664
00:34:27,760 --> 00:34:30,120
Speaker 1: gone sale today for the public, you do go to

665
00:34:30,160 --> 00:34:32,759
Speaker 1: ticketmaster dot com. Now, Mr Space, going back to something

666
00:34:32,840 --> 00:34:35,680
Speaker 1: you said, um, what is the actor trick that you

667
00:34:35,760 --> 00:34:37,759
Speaker 1: developed to get yourself through that tough time. If you

668
00:34:38,120 --> 00:34:39,719
Speaker 1: forget what you're going to say, are you screw up?

669
00:34:40,719 --> 00:34:44,279
Speaker 1: I basically have the script on stage, and so you

670
00:34:44,360 --> 00:34:46,239
Speaker 1: go over and you look like you're just taking up

671
00:34:46,280 --> 00:34:48,680
Speaker 1: some documents and go over and I kind of pretend

672
00:34:48,760 --> 00:34:53,800
Speaker 1: like I'm writing in a diary, but in fact what

673
00:34:53,880 --> 00:34:55,960
Speaker 1: I'm doing is I'm looking for what my next freaking

674
00:34:56,040 --> 00:34:58,759
Speaker 1: line is. So so it's not like today's at the

675
00:34:58,800 --> 00:35:02,200
Speaker 1: Old Vic Theater. We're as long as maybe you did

676
00:35:02,280 --> 00:35:04,480
Speaker 1: it there too, But the fact that you're doing this

677
00:35:04,560 --> 00:35:08,200
Speaker 1: at Arthur ash Tennis Stadium, I mean, I guess if

678
00:35:08,239 --> 00:35:11,120
Speaker 1: you mess up a line, someone screams fault. I don't

679
00:35:11,120 --> 00:35:13,000
Speaker 1: know how this works, I mean, but that's gotta be

680
00:35:14,040 --> 00:35:16,640
Speaker 1: I love And maybe you don't like hearing this, retired

681
00:35:16,640 --> 00:35:18,160
Speaker 1: of hearing it, But I like how that the project

682
00:35:18,280 --> 00:35:22,120
Speaker 1: you choose are always different than those others are doing.

683
00:35:22,280 --> 00:35:24,560
Speaker 1: Is that a conscious decision or is this something you

684
00:35:24,640 --> 00:35:27,239
Speaker 1: just fall into? These come your way. Well, in this case,

685
00:35:27,680 --> 00:35:30,800
Speaker 1: it was really a strangely practical. I had done this

686
00:35:30,920 --> 00:35:32,759
Speaker 1: play in London. I love doing it. I wanted to

687
00:35:32,760 --> 00:35:34,839
Speaker 1: do it in the United States, but I didn't want

688
00:35:34,840 --> 00:35:37,480
Speaker 1: to then suddenly start doing it in a prestinium theater

689
00:35:37,600 --> 00:35:39,880
Speaker 1: where the audience I would be facing an audience in

690
00:35:40,160 --> 00:35:43,719
Speaker 1: one direction. So I was thinking a lot about this

691
00:35:44,040 --> 00:35:46,600
Speaker 1: from the time that we finished it in and then

692
00:35:46,640 --> 00:35:50,000
Speaker 1: I found myself, as I do almost every year, I'm

693
00:35:50,120 --> 00:35:53,680
Speaker 1: very fortunate to be included and invited to come and

694
00:35:53,840 --> 00:35:57,759
Speaker 1: to watch tennis because I'm a tennis nut to the

695
00:35:57,880 --> 00:35:59,479
Speaker 1: U s Open. I went to the US Open because

696
00:35:59,480 --> 00:36:02,719
Speaker 1: I support the charitable organization. They haven't always that night.

697
00:36:02,800 --> 00:36:05,520
Speaker 1: It's not a tennis match, but it's a concert and

698
00:36:05,600 --> 00:36:09,360
Speaker 1: a charity for their benefit, and so the stadium on

699
00:36:09,480 --> 00:36:11,720
Speaker 1: that night is not lit like it is for tennis.

700
00:36:11,760 --> 00:36:14,080
Speaker 1: It's lit like a for concert stage. And I think

701
00:36:14,120 --> 00:36:17,040
Speaker 1: it was Phil Collins who was doing a performance that night,

702
00:36:17,120 --> 00:36:19,920
Speaker 1: and I was I was sitting there watching this performance

703
00:36:19,960 --> 00:36:22,480
Speaker 1: and his lighting was great and the music was great,

704
00:36:22,520 --> 00:36:26,040
Speaker 1: and I suddenly thought, wait a minute, drama happens on

705
00:36:26,320 --> 00:36:29,080
Speaker 1: this court all the time, and if you didn't sell

706
00:36:29,120 --> 00:36:32,719
Speaker 1: the entire stadium, it would be possible to tell maybe

707
00:36:32,880 --> 00:36:35,320
Speaker 1: maybe ten thousand, maybe fifteen thousand people. We'd use the

708
00:36:35,360 --> 00:36:38,799
Speaker 1: big TV screens for close ups. And I suddenly thought,

709
00:36:39,360 --> 00:36:41,120
Speaker 1: this is in the round, and this is kind of perfect.

710
00:36:41,160 --> 00:36:43,480
Speaker 1: And also there's something kind of fun about being able

711
00:36:43,520 --> 00:36:45,760
Speaker 1: to say that I'm going to be playing Clarence Darrow

712
00:36:45,960 --> 00:36:51,160
Speaker 1: on court of Arthur ash And I also then thought, well,

713
00:36:51,640 --> 00:36:54,920
Speaker 1: even the worst seat in the house, people pay good

714
00:36:54,960 --> 00:36:57,040
Speaker 1: money to watch a little yellow ball fly at a

715
00:36:57,120 --> 00:37:00,360
Speaker 1: hundred miles an hour across the court. I'm much taller

716
00:37:00,400 --> 00:37:03,840
Speaker 1: than a little yellow ball, and I don't move nearly

717
00:37:03,880 --> 00:37:06,640
Speaker 1: as fast. I think you should add a ball boy

718
00:37:06,800 --> 00:37:12,080
Speaker 1: to the production your scriptling don't even don't even recognize

719
00:37:12,120 --> 00:37:13,759
Speaker 1: as they walk as they run by. By the way,

720
00:37:13,960 --> 00:37:15,960
Speaker 1: I look forward to the moment where I'm just I'm

721
00:37:16,040 --> 00:37:18,480
Speaker 1: backstage and I'm waiting to go on, and then we

722
00:37:18,600 --> 00:37:23,360
Speaker 1: just hear time you're there, if you're just turning us on,

723
00:37:23,719 --> 00:37:27,160
Speaker 1: Kevin spaces On. Tickets go on sale today for Clarence Darrow.

724
00:37:27,280 --> 00:37:29,760
Speaker 1: It's only two nights at the Arthur ashe A Tennis

725
00:37:29,760 --> 00:37:32,520
Speaker 1: Center June fifteenth and sixteen. Go to ticketmaster dot com

726
00:37:32,600 --> 00:37:35,000
Speaker 1: to purchase. If you're a student, right, students, all right,

727
00:37:35,040 --> 00:37:37,239
Speaker 1: what are the what are the rules for getting ten

728
00:37:37,280 --> 00:37:38,920
Speaker 1: dollar tickets for students? That you have to show an ID?

729
00:37:40,760 --> 00:37:43,200
Speaker 1: And then we're working with a couple of organizations that

730
00:37:43,239 --> 00:37:46,200
Speaker 1: are helping shrew My foundation, the Kevin Spacey Foundation, to

731
00:37:46,280 --> 00:37:49,080
Speaker 1: be able to provide these seats. So, um, you know

732
00:37:49,200 --> 00:37:51,480
Speaker 1: that you just have to prove it. Basically, what will

733
00:37:51,480 --> 00:37:52,719
Speaker 1: we try to do when I've done it a couple

734
00:37:52,719 --> 00:37:55,040
Speaker 1: of times when I've I've done plays on Broadway as

735
00:37:55,080 --> 00:37:58,120
Speaker 1: well as we try to protect the student seats so

736
00:37:58,280 --> 00:38:02,439
Speaker 1: that someone doesn't purchase who is not of the sort

737
00:38:02,440 --> 00:38:05,040
Speaker 1: of nothing against age, but these these are particularly for

738
00:38:05,120 --> 00:38:07,800
Speaker 1: young people who don't get an opportunity to see theater

739
00:38:08,040 --> 00:38:10,319
Speaker 1: because it's so expensive. We just want to make sure

740
00:38:10,360 --> 00:38:12,239
Speaker 1: that you know, I'd suddenly turned around and there's not

741
00:38:12,280 --> 00:38:17,960
Speaker 1: a row of fifty year olds asleep. By the way,

742
00:38:18,080 --> 00:38:20,720
Speaker 1: those tickets available at Kevin space dot com. Yes, Daniel,

743
00:38:20,800 --> 00:38:24,319
Speaker 1: so this is happening, and they just announce your hosting

744
00:38:24,360 --> 00:38:26,400
Speaker 1: the Tony's on June eleven. Now, did you say yes

745
00:38:26,440 --> 00:38:31,879
Speaker 1: to that just because I'll be in town? Might well? Well,

746
00:38:32,200 --> 00:38:35,360
Speaker 1: first of all, I said yes because I love theater

747
00:38:35,680 --> 00:38:39,759
Speaker 1: and I love Broadway, and I have, you know, had

748
00:38:40,160 --> 00:38:43,080
Speaker 1: so much incredible experiences and good fortune to being able

749
00:38:43,120 --> 00:38:45,360
Speaker 1: to do theater in New York, in Manhattan, and I

750
00:38:45,440 --> 00:38:47,640
Speaker 1: thought it was kind of fun that at the same

751
00:38:47,719 --> 00:38:50,359
Speaker 1: time that I'm doing this new thing that's never been done,

752
00:38:50,440 --> 00:38:56,279
Speaker 1: of of bringing theater to Queens in Flushing at Arthur

753
00:38:56,360 --> 00:38:58,920
Speaker 1: Ash at the same time that I could host the

754
00:38:58,960 --> 00:39:01,359
Speaker 1: Tony Awards and really sell right what Broadway is all about.

755
00:39:02,320 --> 00:39:04,520
Speaker 1: And I'm looking forward to it's It's one of those

756
00:39:04,840 --> 00:39:06,800
Speaker 1: gigs that I've always thought would be would be a

757
00:39:06,840 --> 00:39:09,359
Speaker 1: lot of fun. So we're we're going to work very

758
00:39:09,440 --> 00:39:12,120
Speaker 1: hard on on giving people really fun and entertaining night.

759
00:39:12,640 --> 00:39:16,240
Speaker 1: Now House of Cards, of course, we have season five,

760
00:39:16,560 --> 00:39:19,480
Speaker 1: I do believe, debuting later this month. And you know

761
00:39:19,680 --> 00:39:22,200
Speaker 1: you act this role, you do it so well. I

762
00:39:22,239 --> 00:39:26,920
Speaker 1: mean I become physically ill when I think, with no offense,

763
00:39:27,840 --> 00:39:30,719
Speaker 1: you don't like guys looking at you're going, I'm not

764
00:39:30,800 --> 00:39:32,880
Speaker 1: so sure that's the best review I've ever heard. But

765
00:39:33,480 --> 00:39:36,800
Speaker 1: I get physically ill sometimes from how great these characters

766
00:39:37,320 --> 00:39:41,400
Speaker 1: so like like James Comen, you get mildly nauseous. Yes,

767
00:39:41,840 --> 00:39:43,560
Speaker 1: if you want to keep it in that realm. This good.

768
00:39:43,760 --> 00:39:45,359
Speaker 1: But my favorite I know you get tired of people

769
00:39:45,400 --> 00:39:47,000
Speaker 1: coming up with you. Maybe you don't people say, you know,

770
00:39:47,120 --> 00:39:49,800
Speaker 1: my favorite character you have ever done. Swimming with Sharks

771
00:39:49,880 --> 00:39:51,640
Speaker 1: is one of my all time favorites because I tried

772
00:39:51,680 --> 00:39:54,800
Speaker 1: to emulate him as much as possible. A total a

773
00:39:54,960 --> 00:39:58,120
Speaker 1: Hall in the office, um and user and mean guy,

774
00:39:58,320 --> 00:40:00,600
Speaker 1: and I love that was a that day. I I

775
00:40:01,800 --> 00:40:03,680
Speaker 1: talked to a few people who have done your show before,

776
00:40:03,760 --> 00:40:09,680
Speaker 1: so I was fully prepared for you being a complete jerky. Anyway,

777
00:40:09,719 --> 00:40:11,920
Speaker 1: how some cards the Tony's and of course Clarence Darrow

778
00:40:12,560 --> 00:40:15,840
Speaker 1: at Arthur Ashe Stadium and Flushing Queen's June fifteen and

779
00:40:15,840 --> 00:40:18,279
Speaker 1: sixte tickets available today at to get master dot com.

780
00:40:18,680 --> 00:40:22,200
Speaker 1: Special student pricing at ten dollars at Kevin Spacey dot com.

781
00:40:22,400 --> 00:40:24,640
Speaker 1: And thank you so much for your waking up so early. Kevin,

782
00:40:24,680 --> 00:40:26,480
Speaker 1: it was. It's remarkable to speak with you and thank

783
00:40:26,520 --> 00:40:27,920
Speaker 1: you for all the great work you do. It's a

784
00:40:28,360 --> 00:40:30,040
Speaker 1: joy to speak to you, and I look forward to

785
00:40:30,040 --> 00:40:35,320
Speaker 1: seeing you guys out in Queen's. I'm a jerk, you

786
00:40:35,400 --> 00:40:39,080
Speaker 1: tell Evan, I'm gonna kick his ass. Yes, but you're

787
00:40:39,200 --> 00:40:43,279
Speaker 1: but you're strangely, oddly a sort of welcoming jerky. Now,

788
00:40:44,800 --> 00:40:46,400
Speaker 1: all right, Kevin, thank you so much. We'll see you

789
00:40:46,400 --> 00:40:48,200
Speaker 1: in New York City. Thanks for God waking up for us.

790
00:40:48,320 --> 00:40:56,920
Speaker 1: Thank you guys. Hello, he just hung up slam. Mr

791
00:40:57,040 --> 00:40:58,759
Speaker 1: spalle how you called it Mr Space And there are

792
00:40:58,840 --> 00:41:01,680
Speaker 1: some people you just have to call them not to

793
00:41:01,760 --> 00:41:05,359
Speaker 1: be confused with Mr Space Lee. All right, Hey, by

794
00:41:05,400 --> 00:41:07,239
Speaker 1: the way, I loved what we didn't tell you is

795
00:41:07,320 --> 00:41:09,600
Speaker 1: right before we called him, we kind of called him

796
00:41:09,640 --> 00:41:13,680
Speaker 1: a second before. And Nate when he called him mrss

797
00:41:15,360 --> 00:41:20,560
Speaker 1: Kevin Spacey, you called him Mr. I would never ever

798
00:41:20,800 --> 00:41:23,120
Speaker 1: refer to him by the name Kevin, and you called

799
00:41:23,160 --> 00:41:24,880
Speaker 1: him Mr. Space. You have to earn the right to

800
00:41:24,920 --> 00:41:27,759
Speaker 1: call him Kevin? What point we do we call people

801
00:41:27,840 --> 00:41:30,279
Speaker 1: by the real first name. I mean, there's a certain

802
00:41:30,320 --> 00:41:32,839
Speaker 1: people that I hold in such a high esteem. He's

803
00:41:32,880 --> 00:41:35,279
Speaker 1: like your royal highness. But he didn't correct you. He

804
00:41:35,440 --> 00:41:39,080
Speaker 1: let you call him Mr. Spaces. That's fascinating. All right,

805
00:41:39,120 --> 00:41:40,560
Speaker 1: Well there you go. And by the way, I said,

806
00:41:40,560 --> 00:41:43,440
Speaker 1: I'm gonna kick Evans asked at the end of the

807
00:41:43,480 --> 00:41:46,680
Speaker 1: conversation we just had. That's Evan as An, Evan and Jarren.

808
00:41:46,800 --> 00:41:48,720
Speaker 1: Remember they used to have hits back in the nineties.

809
00:41:49,640 --> 00:41:51,879
Speaker 1: What are they doing? Very successful? You know? Evan runs

810
00:41:51,920 --> 00:41:55,440
Speaker 1: a communications company. He manages and helps manage Kevin Spacey

811
00:41:56,360 --> 00:41:59,640
Speaker 1: like crazy for this girl. Right, No, I don't anyway.

812
00:42:00,200 --> 00:42:03,680
Speaker 1: I love Hey, you know it is single de Mayo.

813
00:42:04,280 --> 00:42:08,800
Speaker 1: I have my Samsung G S eight. Here can I

814
00:42:08,840 --> 00:42:11,920
Speaker 1: plug it in? Because look what's playing on my I

815
00:42:12,080 --> 00:42:17,000
Speaker 1: Heeart radio app. On my Samsung G S a. It's

816
00:42:17,040 --> 00:42:23,120
Speaker 1: the I Heart Radio single de Mayo channel. I love this.

817
00:42:23,239 --> 00:42:30,640
Speaker 1: Here we go. This awesome. We have an entire playlist

818
00:42:30,800 --> 00:42:33,640
Speaker 1: just for us who are celebrating single Demyo today on

819
00:42:33,760 --> 00:42:44,439
Speaker 1: the I Heart Radio app. This is uh conci sounds good? Yeah?

820
00:42:44,680 --> 00:42:48,520
Speaker 1: You know the playlists are NonStop on your iHeart Radio app.

821
00:42:48,560 --> 00:42:52,759
Speaker 1: I love this. Listen how great my Samsung G s

822
00:42:52,800 --> 00:42:59,200
Speaker 1: a sounds to froggy? Did you get the one that

823
00:42:59,600 --> 00:43:02,359
Speaker 1: Sam's sent you? I do, I have it. I'll tell

824
00:43:02,400 --> 00:43:03,640
Speaker 1: you one of the things I really like about it

825
00:43:03,640 --> 00:43:06,040
Speaker 1: when you plug it in, when you plug it into

826
00:43:06,120 --> 00:43:08,279
Speaker 1: charge it, it tells you how long it's going to

827
00:43:08,360 --> 00:43:10,200
Speaker 1: be before the battery is fully charged. And it's not

828
00:43:10,400 --> 00:43:12,759
Speaker 1: very long. It's usually from like he can go from

829
00:43:12,840 --> 00:43:14,480
Speaker 1: zero to a hundred and like an hour and ten

830
00:43:14,560 --> 00:43:18,360
Speaker 1: minutes and charge it up ready to go forever. And

831
00:43:18,400 --> 00:43:19,840
Speaker 1: they also have a function on there. And I know

832
00:43:19,920 --> 00:43:21,360
Speaker 1: a lot of phones have this, but they have the

833
00:43:21,640 --> 00:43:25,160
Speaker 1: super intelligent one where if you're so out of power

834
00:43:26,080 --> 00:43:28,360
Speaker 1: you you put it into the low power mode and

835
00:43:28,480 --> 00:43:30,560
Speaker 1: it turns off everything except for the things. I mean,

836
00:43:30,640 --> 00:43:32,920
Speaker 1: turns off the color. It turns off everything by just

837
00:43:33,040 --> 00:43:35,279
Speaker 1: except what you need to keep your phone going. It'll

838
00:43:35,320 --> 00:43:41,000
Speaker 1: it'll last forever on that. Wait, hold on, this music

839
00:43:41,200 --> 00:43:45,920
Speaker 1: is so fabulous. Let's just play this all day. So

840
00:43:46,000 --> 00:43:48,640
Speaker 1: this is the I Heart Radio single the Mayo Playlist.

841
00:43:49,120 --> 00:43:53,000
Speaker 1: Make sure you download your iHeart radiol Amp today. Uncle Johnny,

842
00:43:53,040 --> 00:43:55,600
Speaker 1: how are you over there? Happy single the Mayo Happy

843
00:43:55,680 --> 00:44:00,520
Speaker 1: Sick of the Mayo? Well yeah and okay, yeah, very nice.

844
00:44:00,719 --> 00:44:03,520
Speaker 1: So what cocktail are you making today for us? Single?

845
00:44:03,560 --> 00:44:05,400
Speaker 1: De Mayo? Let's see how he makes this sound? Oh,

846
00:44:05,600 --> 00:44:12,440
Speaker 1: today we're making Teo Johnny's Senora peanut peanut creama de

847
00:44:12,600 --> 00:44:17,319
Speaker 1: meo a cream a peanut? Can we say that? Don't ask?

848
00:44:17,520 --> 00:44:21,400
Speaker 1: Let'st it? Okay? Good? Wait? Wait wait has oreos in it?

849
00:44:22,200 --> 00:44:25,000
Speaker 1: It's I went to the store and I saw I

850
00:44:25,120 --> 00:44:28,200
Speaker 1: saw the chocolate. It was peanut butter stuffed oreos. And

851
00:44:28,880 --> 00:44:30,600
Speaker 1: I picked him up by mistake, and I went, oh,

852
00:44:30,960 --> 00:44:33,640
Speaker 1: I said, maybe this is babulous room because she couldn't

853
00:44:33,640 --> 00:44:38,520
Speaker 1: have chocolate. So after went she being Danielle Danielle, and

854
00:44:38,760 --> 00:44:41,480
Speaker 1: then I figured, so I didn't do anything chocolate while

855
00:44:41,520 --> 00:44:44,160
Speaker 1: she was not doing that, I think, and she likes

856
00:44:44,200 --> 00:44:48,080
Speaker 1: peanut butter. So this is a Danielle inspired cocktail for

857
00:44:48,160 --> 00:44:53,759
Speaker 1: single de Mayo with including oreos and penis peanuts. It's

858
00:44:53,800 --> 00:44:57,279
Speaker 1: peanut butter, but they say peanut peanut. Okay, thank you.

859
00:44:58,320 --> 00:45:00,680
Speaker 1: I can't wait to drink this. There's no better way

860
00:45:00,680 --> 00:45:02,279
Speaker 1: to cell therate single the Myo than with a great

861
00:45:02,320 --> 00:45:06,600
Speaker 1: Oreo cocktail. Yes. Oreos are the national food of Mexico.

862
00:45:07,360 --> 00:45:11,759
Speaker 1: Absolutely yes, So anyway, well, thank you, Uncle Johnny. We're

863
00:45:11,800 --> 00:45:14,640
Speaker 1: looking forward to it. And do we have a single

864
00:45:14,719 --> 00:45:17,279
Speaker 1: the MYO themed phone tap on Noise scary, Yes, we do,

865
00:45:17,600 --> 00:45:19,680
Speaker 1: all right. And as we listen to the I Heart

866
00:45:19,760 --> 00:45:24,759
Speaker 1: Radio single the Mao Playlist, Palsy is on her way.

867
00:45:24,960 --> 00:45:27,399
Speaker 1: She's performing for us live in about forty five minutes.

868
00:45:28,160 --> 00:45:32,000
Speaker 1: Elvis Duran I've done Elvis before. In the morning show,

869
00:45:33,560 --> 00:45:36,920
Speaker 1: Fox News has the Story every weeknight at seven. In

870
00:45:37,000 --> 00:45:39,800
Speaker 1: these complicated times, you deserve to see the stories that

871
00:45:39,920 --> 00:45:42,640
Speaker 1: matter to you presented through a fair and critical lens.

872
00:45:43,080 --> 00:45:46,720
Speaker 1: Martha McCallum goes deeper than ever before. With unique reporting

873
00:45:46,800 --> 00:45:49,920
Speaker 1: and guests. The story tonight at seven pm only on

874
00:45:50,040 --> 00:45:55,959
Speaker 1: Fox News Channel Elvis Elvis Duran The Elvis Durant phone Tap,

875
00:45:56,080 --> 00:45:58,000
Speaker 1: All right, scary? What's your phone tap? All about? Today?

876
00:45:58,360 --> 00:46:01,640
Speaker 1: Crisso wants a phone tap her um, Maria. Maria made

877
00:46:01,680 --> 00:46:04,399
Speaker 1: plans with a banquet hall to have her youngest daughter,

878
00:46:04,560 --> 00:46:07,600
Speaker 1: Marrabel's King sanerat the fifteen year old birthday, and her

879
00:46:07,600 --> 00:46:09,640
Speaker 1: older daughter Carriissa, thought it would be funny if somehow

880
00:46:09,719 --> 00:46:12,440
Speaker 1: the plans got messed up. So Carissa starts to call

881
00:46:12,520 --> 00:46:14,960
Speaker 1: to her mom, and then I come in pretending to

882
00:46:15,080 --> 00:46:19,279
Speaker 1: be a replacement banquet hall manager. You're gonna screw with

883
00:46:19,360 --> 00:46:22,720
Speaker 1: their party plans? Just a little not good? All right? Perfect?

884
00:46:23,280 --> 00:46:30,800
Speaker 1: Here comes Scary with today's Hello Matt. Yes, we have

885
00:46:30,880 --> 00:46:35,120
Speaker 1: a problem. What happened? Um? I was calling to check

886
00:46:35,160 --> 00:46:37,080
Speaker 1: on the catering company because they wanted to add a

887
00:46:37,120 --> 00:46:39,719
Speaker 1: dessert and they said that they they fired Julio and

888
00:46:39,840 --> 00:46:42,880
Speaker 1: that they're they're changing all the menu. What do you

889
00:46:42,920 --> 00:46:44,640
Speaker 1: mean to change in the whole menu? The kiss? And

890
00:46:44,719 --> 00:46:46,879
Speaker 1: that is on Saturday? What do you mean we're paying

891
00:46:46,920 --> 00:46:51,480
Speaker 1: for this? I'm on the other line with him, so

892
00:46:51,520 --> 00:46:54,200
Speaker 1: I'm going to patch him through. Okay, okay, Oh my goodness,

893
00:46:54,280 --> 00:46:58,800
Speaker 1: this is the last thing I need. Yes, this is

894
00:46:58,840 --> 00:47:03,640
Speaker 1: Chris from here. You can help you. No, I don't

895
00:47:03,760 --> 00:47:06,480
Speaker 1: in Italian. What's happened with Julio? Where is he? Oh?

896
00:47:06,960 --> 00:47:08,719
Speaker 1: We had to send him away? What do you mean

897
00:47:08,760 --> 00:47:11,560
Speaker 1: sending him away? He did bad things? Okay? Listen, I

898
00:47:11,960 --> 00:47:14,440
Speaker 1: was dealing with Julia for for more than two weeks.

899
00:47:14,520 --> 00:47:17,799
Speaker 1: I mean, what's the problem right now? To the daughter

900
00:47:17,880 --> 00:47:20,840
Speaker 1: off here, and she's talking about some Spanish food, but

901
00:47:20,960 --> 00:47:24,520
Speaker 1: certain dishes aren't matching up. So I guess I'm matching up.

902
00:47:24,560 --> 00:47:27,200
Speaker 1: You have other Latin people working there, that's what I

903
00:47:27,320 --> 00:47:31,520
Speaker 1: choose your catering. So you ordered chimmy chongas, right, No,

904
00:47:31,719 --> 00:47:38,239
Speaker 1: I did not order chimi chengas orders. It's not least

905
00:47:38,280 --> 00:47:40,960
Speaker 1: for a kid food. That's a problem right there. Yes,

906
00:47:41,200 --> 00:47:43,320
Speaker 1: I mean it's a problem. I got some case of

907
00:47:43,440 --> 00:47:46,000
Speaker 1: these why, I don't know what. I doesn't know what

908
00:47:46,120 --> 00:47:49,879
Speaker 1: I ordered? Okay, I got carnitas, faquitas, gorditas. What else

909
00:47:49,920 --> 00:47:51,960
Speaker 1: did you want? To Listen? You don't understand it's not

910
00:47:52,080 --> 00:47:54,879
Speaker 1: a Mexican menu. I pay for these three weeks ago.

911
00:47:55,000 --> 00:47:59,200
Speaker 1: What is wrong with you? You wanted Spanish freezing, right,

912
00:47:59,600 --> 00:48:02,320
Speaker 1: I want p a Rican food. I have barbacola for you.

913
00:48:03,080 --> 00:48:06,080
Speaker 1: I don't want barbacoa. Not only Spanni foot is Mexican

914
00:48:06,200 --> 00:48:12,160
Speaker 1: for some of the foods. Hold on, hold on, my

915
00:48:12,200 --> 00:48:17,160
Speaker 1: tiny brain can't handle all this. You know what? What

916
00:48:17,719 --> 00:48:20,279
Speaker 1: was that a dish? Tomorrow? You don't know even the

917
00:48:20,320 --> 00:48:22,640
Speaker 1: difference between a coustboard and a vision in Spanish. I

918
00:48:22,719 --> 00:48:26,279
Speaker 1: have nice orders for you. We're serving polio fingers. I

919
00:48:26,400 --> 00:48:29,480
Speaker 1: don't want your fingers. I'm gonna offer you lupus. How

920
00:48:29,480 --> 00:48:34,360
Speaker 1: about that? I don't want Why not live moss I

921
00:48:34,560 --> 00:48:37,200
Speaker 1: or them for ricing food? Do you know what a

922
00:48:37,360 --> 00:48:41,560
Speaker 1: cap is? What exactly how you're going to make this

923
00:48:41,719 --> 00:48:43,879
Speaker 1: for my daughter's say what? You don't know what I'm

924
00:48:43,920 --> 00:48:48,120
Speaker 1: asking for? Boyahy? Nothing? Hold on a second. Let me

925
00:48:48,160 --> 00:48:53,439
Speaker 1: see if I can go get somebody. Are you listen?

926
00:48:55,400 --> 00:49:07,640
Speaker 1: I don't know what trumpet? Can you see? Hello? They're

927
00:49:07,719 --> 00:49:10,240
Speaker 1: kind of rude. How do a couple of burrito balls

928
00:49:10,520 --> 00:49:14,440
Speaker 1: ruined your party? I do, Lauren? If you say that

929
00:49:14,560 --> 00:49:16,319
Speaker 1: one more time, I swarry that I'm going to your

930
00:49:16,360 --> 00:49:19,160
Speaker 1: place and shove it up your all the Mexican food

931
00:49:19,200 --> 00:49:22,279
Speaker 1: you have there. Don't you to mention another Mexican food

932
00:49:22,640 --> 00:49:27,839
Speaker 1: because I have ran rooms. Because this is serious. Look

933
00:49:27,880 --> 00:49:31,640
Speaker 1: at the ninemen we are right now. How the why

934
00:49:31,680 --> 00:49:34,040
Speaker 1: is she laughing while you're laughing Atisa? You better to

935
00:49:34,120 --> 00:49:36,760
Speaker 1: hang up because now one too. This is not funny.

936
00:49:36,800 --> 00:49:38,640
Speaker 1: I'm about to cancel this whole party on you and

937
00:49:38,719 --> 00:49:40,440
Speaker 1: not giving your money back. What if I turn this

938
00:49:40,520 --> 00:49:43,680
Speaker 1: into a cancel Erra? Shut up, mon I'm coming into

939
00:49:43,800 --> 00:49:46,359
Speaker 1: your business right now, and you're giving the money back.

940
00:49:46,480 --> 00:49:49,200
Speaker 1: I have a contract right here? Does the contract say

941
00:49:49,440 --> 00:49:55,080
Speaker 1: you've been phone tapt? What you talking about? Now? I

942
00:49:55,200 --> 00:49:58,480
Speaker 1: got you so good? Mom? You're talking about Maria? This

943
00:49:58,520 --> 00:50:00,960
Speaker 1: is scary. Jones Rand in the Morning Show at chrismas

944
00:50:01,000 --> 00:50:13,319
Speaker 1: phone tapping at least have an idea for a phone tab.

945
00:50:13,400 --> 00:50:15,520
Speaker 1: Go to ellist ran dot com, click on the phone

946
00:50:15,560 --> 00:50:17,719
Speaker 1: tap tab, tell us what you want to do. The

947
00:50:18,080 --> 00:50:22,800
Speaker 1: tablets prerecorded permission granted by all parties. The ellist Duran

948
00:50:22,920 --> 00:50:26,640
Speaker 1: phone tab on Ellis durand in the Morning Show one

949
00:50:26,680 --> 00:50:31,359
Speaker 1: week in two days from now is Mommy's day. That's right,

950
00:50:31,960 --> 00:50:34,120
Speaker 1: And of course pro flowers to the rescue, as they

951
00:50:34,120 --> 00:50:37,239
Speaker 1: are every year. Pro flowers dot Com go now, make

952
00:50:37,280 --> 00:50:40,560
Speaker 1: it happen. One hundred blooms for Mom bouquet. This is

953
00:50:40,600 --> 00:50:43,520
Speaker 1: the one I'm pushing. I gotta sell these. It's like

954
00:50:43,600 --> 00:50:46,360
Speaker 1: I get a percentage of every flower. I don't. I

955
00:50:46,440 --> 00:50:48,640
Speaker 1: don't I have I have no skin in the game,

956
00:50:49,040 --> 00:50:51,800
Speaker 1: but I love pro flowers dot Com, especially these flowers.

957
00:50:52,000 --> 00:50:55,400
Speaker 1: They only come from the best growers and if something happens,

958
00:50:55,600 --> 00:50:58,919
Speaker 1: they have these seven day freshness guarantee just in case

959
00:50:58,960 --> 00:51:01,440
Speaker 1: that one little flower gets a funky bug. You know

960
00:51:02,400 --> 00:51:06,360
Speaker 1: they do a funky bug. One blooms from beautiful bouquet

961
00:51:06,400 --> 00:51:10,279
Speaker 1: from pro Flowers this Mother's Day. For just you get

962
00:51:10,320 --> 00:51:13,400
Speaker 1: a free glass vase which is made a real glass

963
00:51:14,600 --> 00:51:18,080
Speaker 1: and these beautiful beautiful blooms for Mom, plus shipping and handling.

964
00:51:19,160 --> 00:51:21,600
Speaker 1: A shipping handling to that. But if you use my

965
00:51:21,760 --> 00:51:23,960
Speaker 1: name when you click on the microphone type in Elvis

966
00:51:24,600 --> 00:51:26,800
Speaker 1: for just ten dollars more, we'll give you a premium

967
00:51:27,120 --> 00:51:31,560
Speaker 1: vase guaranteed not to leak and will include gourmet chocolates

968
00:51:31,600 --> 00:51:35,040
Speaker 1: to These chocolates, by the way, are so fantastic. Go

969
00:51:35,160 --> 00:51:37,120
Speaker 1: to pro flowers dot com order now you have time

970
00:51:37,120 --> 00:51:38,640
Speaker 1: to get them there by Mother's Day. Order did they

971
00:51:38,680 --> 00:51:40,719
Speaker 1: get it out of the way pro flowers dot com.

972
00:51:40,800 --> 00:51:42,960
Speaker 1: Click on the microphone and type in Elvis and for

973
00:51:43,160 --> 00:51:49,440
Speaker 1: just ten dollars, more will upgrade its sinco. In the

974
00:51:49,520 --> 00:52:01,520
Speaker 1: morning show, Uncle Johnny's in the house. Halsey and her

975
00:52:01,760 --> 00:52:05,400
Speaker 1: incredible crew and band. They're all getting ready for her performance.

976
00:52:05,400 --> 00:52:08,799
Speaker 1: She's performing live. She's doing a couple of songs. She's

977
00:52:08,880 --> 00:52:10,640
Speaker 1: on the way in like fifteen or twenty minutes. Can't

978
00:52:10,680 --> 00:52:13,080
Speaker 1: wait to have Halsey on. That's a very special way

979
00:52:13,120 --> 00:52:16,480
Speaker 1: to celebrate single to Mayo. People are wondering out there,

980
00:52:16,719 --> 00:52:18,839
Speaker 1: they're wondering where the Mexican food is. We don't have any.

981
00:52:18,960 --> 00:52:23,160
Speaker 1: I cannot believe that we screwed that up. My apologies.

982
00:52:23,200 --> 00:52:24,759
Speaker 1: We had something lined up, something that happened, and so

983
00:52:24,960 --> 00:52:28,719
Speaker 1: it's okay, well we'll get something later, no problem. Uncle

984
00:52:28,840 --> 00:52:32,160
Speaker 1: Johnny is here are where's this microphone? That's this one

985
00:52:32,200 --> 00:52:36,560
Speaker 1: right here? High, Uncle Johnny, how a happy think of

986
00:52:36,640 --> 00:52:44,439
Speaker 1: the Mao. Mayo is short for mayonnaise, and mayonnaise makes

987
00:52:44,520 --> 00:52:50,440
Speaker 1: Danielle vomit. May So, what is this drink you're making today?

988
00:52:51,160 --> 00:52:58,680
Speaker 1: It's called t Johnny's Senora Peanut Krema de Mayo de Mayo. Yes, okay,

989
00:52:59,000 --> 00:53:02,960
Speaker 1: so it has Rio's in it. Yes, it's fabulous. It's

990
00:53:03,280 --> 00:53:06,759
Speaker 1: made with vanilla vodka, the dark Cream to Coco and

991
00:53:07,280 --> 00:53:10,480
Speaker 1: Irish cream. And wait, wait, wait wait, you're putting Irish

992
00:53:10,600 --> 00:53:13,360
Speaker 1: cream in a single to Mayo cocktail. Yeah? What I

993
00:53:13,480 --> 00:53:18,160
Speaker 1: got this Irish cream from Mexico? All right? Do you

994
00:53:18,239 --> 00:53:20,719
Speaker 1: bought it back from the duty free store at the

995
00:53:20,760 --> 00:53:23,560
Speaker 1: airport in Camcoon? Alright, that's right, all right, well it

996
00:53:23,640 --> 00:53:25,880
Speaker 1: this sounds like a fantastic little I don't know if

997
00:53:25,880 --> 00:53:28,600
Speaker 1: it's a breakfast cocktail or a dessert cocktail, but it's

998
00:53:28,640 --> 00:53:31,360
Speaker 1: got booze in it. I'm ready for it. Any cocktail

999
00:53:31,400 --> 00:53:33,080
Speaker 1: can be a breakfast cocktail, just depends on when you

1000
00:53:33,160 --> 00:53:37,000
Speaker 1: drink it. Yeah. Absolutely, yeah, breakfast shots if you want him. Yeah,

1001
00:53:37,120 --> 00:53:38,719
Speaker 1: all right, Well he's loading up the blender now as

1002
00:53:38,760 --> 00:53:40,440
Speaker 1: we get into the Daniel Report, I'll try to keep

1003
00:53:40,480 --> 00:53:42,719
Speaker 1: it down. All right, Daniel, I'll just do your best.

1004
00:53:43,440 --> 00:53:46,960
Speaker 1: He's making his special cocktails. Okay. It's always good to

1005
00:53:46,960 --> 00:53:52,960
Speaker 1: see you, Uncle Johnny. Thank you. Okay, Kevin Kanye are

1006
00:53:53,000 --> 00:53:55,839
Speaker 1: getting ready. It's ready to launch a kid's clothing line.

1007
00:53:55,880 --> 00:53:59,200
Speaker 1: It's called The Kids Supply. The Kids suppli dot com

1008
00:53:59,320 --> 00:54:01,520
Speaker 1: is where you can go and see it today twelve

1009
00:54:01,640 --> 00:54:03,880
Speaker 1: noon Pacific time. Uh. And if you go to the

1010
00:54:03,920 --> 00:54:07,279
Speaker 1: website right now, it's basically just this says kids, and

1011
00:54:07,440 --> 00:54:10,200
Speaker 1: we're just waiting for yeah, so check it out later

1012
00:54:10,280 --> 00:54:13,320
Speaker 1: on today. Um, Chris Ham's worth Staying in shape is

1013
00:54:13,360 --> 00:54:16,080
Speaker 1: my gift to you today. He's pumping iron and you

1014
00:54:16,160 --> 00:54:19,680
Speaker 1: see his massive biceps. Elvistairan dot com look at you.

1015
00:54:19,760 --> 00:54:21,960
Speaker 1: He's so beautiful. I love him. How you lost your

1016
00:54:22,000 --> 00:54:29,120
Speaker 1: breath telling he's so wonderful? Twin peaks? You guys ready

1017
00:54:29,200 --> 00:54:31,759
Speaker 1: for the reboot of May One is when it comes out.

1018
00:54:32,000 --> 00:54:34,640
Speaker 1: It's twenty five years later after the first show took place,

1019
00:54:35,040 --> 00:54:36,600
Speaker 1: and wrap things up and if you want to see

1020
00:54:36,600 --> 00:54:38,240
Speaker 1: a trailer, we're putting it up for you at elvistran

1021
00:54:38,320 --> 00:54:41,120
Speaker 1: dot com. Go check it out. Sophia Vergara and her

1022
00:54:41,200 --> 00:54:45,319
Speaker 1: husband who not happy with Star Magazine. What did they say? Okay? Well,

1023
00:54:45,360 --> 00:54:47,640
Speaker 1: first of all, they posted a picture of her and

1024
00:54:47,880 --> 00:54:52,719
Speaker 1: they digitally edited out her wedding band, saying that there

1025
00:54:52,840 --> 00:54:56,359
Speaker 1: was trouble in paradise, saying that she cheated on her husband, Joe,

1026
00:54:56,840 --> 00:54:59,480
Speaker 1: and that they were getting a divorce so both of them,

1027
00:54:59,640 --> 00:55:05,160
Speaker 1: Joe and Sophia both posted the Star magazine article and said,

1028
00:55:05,560 --> 00:55:09,440
Speaker 1: this is basically malicious trash. They're not happy she's I mean,

1029
00:55:09,480 --> 00:55:12,320
Speaker 1: can you imagine they took her ring and they digitally

1030
00:55:12,680 --> 00:55:15,279
Speaker 1: took it out of the picture. What the hell? By

1031
00:55:15,280 --> 00:55:19,640
Speaker 1: the way, a great drag name, Uncle Johnny. Malicious trash her?

1032
00:55:20,239 --> 00:55:23,239
Speaker 1: Love her, Miley Cyrus. You know that she is with

1033
00:55:23,320 --> 00:55:25,480
Speaker 1: Lilliam Hemsworth. I love We talked about all the Hemsworth's

1034
00:55:25,520 --> 00:55:29,080
Speaker 1: and this report. Anyway, she have you seen her lately?

1035
00:55:29,440 --> 00:55:32,160
Speaker 1: She's dressed down a little bit more. She's wearing less

1036
00:55:32,200 --> 00:55:35,360
Speaker 1: provocative clothing. She also says that she has not smoked

1037
00:55:35,440 --> 00:55:38,120
Speaker 1: weed in like over three weeks, and she was talking

1038
00:55:38,160 --> 00:55:41,000
Speaker 1: to Billboard about it, and I think Liam basically said, look,

1039
00:55:41,200 --> 00:55:43,560
Speaker 1: if this gets bad again, I'm not coming back. I'm

1040
00:55:43,600 --> 00:55:46,000
Speaker 1: walking this time, and she was honest about it. Sometimes

1041
00:55:46,040 --> 00:55:48,560
Speaker 1: we need these things in life to help show us

1042
00:55:48,600 --> 00:55:50,480
Speaker 1: the way. So I think I think Miley is gonna

1043
00:55:50,520 --> 00:55:53,520
Speaker 1: be on with us very soon, Nate, Miley's on with us, yea,

1044
00:55:55,520 --> 00:55:57,400
Speaker 1: if Chris Hemsworth or Liam, which one does she with?

1045
00:55:57,719 --> 00:56:00,359
Speaker 1: She's with Liam? If Liam Hemsworth told me this you've

1046
00:56:00,360 --> 00:56:02,520
Speaker 1: got to stop smoking, Potter, I'm leaving. I would put

1047
00:56:02,920 --> 00:56:05,200
Speaker 1: down I think so, I would actually say, can I

1048
00:56:05,280 --> 00:56:07,600
Speaker 1: go over and see your brother Chris? But okay, Guardians

1049
00:56:07,680 --> 00:56:10,960
Speaker 1: of the Galaxy Volume to Today, we told you this before.

1050
00:56:11,160 --> 00:56:15,000
Speaker 1: Don't leave after the credits the credits role apparently there's

1051
00:56:15,040 --> 00:56:17,239
Speaker 1: like five extra scenes or something right and jokes and

1052
00:56:17,280 --> 00:56:20,000
Speaker 1: all sorts of stuff, So don't leave. Don't leave. Morning

1053
00:56:20,160 --> 00:56:23,000
Speaker 1: three Generations is also out and limited release. Don't forget

1054
00:56:23,080 --> 00:56:25,920
Speaker 1: the seventh season finale of Blue Bloods. You've got MTVS

1055
00:56:25,920 --> 00:56:29,160
Speaker 1: two thousand, seventeen Movie Awards and TV Awards tonight and

1056
00:56:29,600 --> 00:56:32,279
Speaker 1: the nine Not tonight, sorry, that's Sunday night, and also

1057
00:56:32,360 --> 00:56:35,920
Speaker 1: Sunday Night, the ninety minutes special Disney's fairy Tale Weddings,

1058
00:56:36,000 --> 00:56:38,400
Speaker 1: which looks like it's gonna be really cool over on.

1059
00:56:39,000 --> 00:56:45,799
Speaker 1: Um uh, we've got great stuff, Thank you, Daniellow. Hey,

1060
00:56:45,880 --> 00:56:47,759
Speaker 1: I don't forget. We're getting ready for the I Heart

1061
00:56:47,920 --> 00:56:51,240
Speaker 1: Radio Music Festival in Las Vegas coming up in September.

1062
00:56:52,000 --> 00:56:53,719
Speaker 1: It's a long ways away. You would think that you

1063
00:56:53,760 --> 00:56:56,520
Speaker 1: need to start planning now by buying tickets and stuff. Um,

1064
00:56:57,080 --> 00:56:59,680
Speaker 1: during the middle of this incredible festival, with the best

1065
00:56:59,760 --> 00:57:01,800
Speaker 1: music Issians this year. Wait till you see the lineup.

1066
00:57:02,200 --> 00:57:04,680
Speaker 1: We have our I Heart Radio Daytime Village with our

1067
00:57:04,719 --> 00:57:07,080
Speaker 1: Elvis durand Sweet, the air Conditioned Sweet. We'd love for

1068
00:57:07,120 --> 00:57:09,919
Speaker 1: you to join us, the air conditioned Elvis Duran Swite,

1069
00:57:10,000 --> 00:57:13,600
Speaker 1: it's hot, it's Las Vegas. And included on the bill.

1070
00:57:13,880 --> 00:57:16,720
Speaker 1: On the bill will be Halsey. We're so excited. She's

1071
00:57:16,720 --> 00:57:19,280
Speaker 1: a part of part of it. Flume. We'll be performing

1072
00:57:19,280 --> 00:57:22,960
Speaker 1: a little mixed French, Montana, Nile Horn Bleachers, I love them,

1073
00:57:23,080 --> 00:57:27,240
Speaker 1: Kelsey Ballerina Ballerini. I'm sorry, Kelsey Ballerini. She'll put a

1074
00:57:27,240 --> 00:57:30,240
Speaker 1: little country in there. Uh. Bet Rex is gonna be there.

1075
00:57:30,240 --> 00:57:33,640
Speaker 1: Hey Violet, Noah Cirius, All Time Low. We want you there,

1076
00:57:33,800 --> 00:57:36,040
Speaker 1: but we want you in our Elvis durand Sweet. If

1077
00:57:36,080 --> 00:57:39,200
Speaker 1: you want to give in, it's gonna cost you. We're

1078
00:57:39,200 --> 00:57:42,280
Speaker 1: gonna charge you. Yeah, but it's worth it. It's so

1079
00:57:42,560 --> 00:57:45,120
Speaker 1: worth it. You get such a great view first of all,

1080
00:57:45,600 --> 00:57:48,640
Speaker 1: and it has a c access to a bar. It's great.

1081
00:57:48,960 --> 00:57:51,040
Speaker 1: V I P entrance to the v I P s used.

1082
00:57:51,440 --> 00:57:52,960
Speaker 1: Don't make us use the front door. You can come

1083
00:57:52,960 --> 00:57:55,760
Speaker 1: in the VIP entrance, So go to ticketmaster dot com,

1084
00:57:56,000 --> 00:57:58,240
Speaker 1: select the Elvis Duran Morning Show from the pull down

1085
00:57:58,280 --> 00:58:00,400
Speaker 1: menu and buy your v I P package on six

1086
00:58:00,520 --> 00:58:03,920
Speaker 1: left six. Well, we talked about this four days ago.

1087
00:58:03,960 --> 00:58:07,080
Speaker 1: We only had six that day, so we sold go

1088
00:58:07,240 --> 00:58:10,120
Speaker 1: oh my gosh, we sold five. Like hot cakes? Alright,

1089
00:58:10,280 --> 00:58:12,240
Speaker 1: I love hot cakes. I've never had a hot cake.

1090
00:58:12,280 --> 00:58:15,080
Speaker 1: I don't know what it is. Pancakes? Is it the

1091
00:58:15,120 --> 00:58:19,120
Speaker 1: same as a Johnny cake? How about? How about a

1092
00:58:19,120 --> 00:58:22,760
Speaker 1: flapjack old silver dollars? Alright, this is a small ones.

1093
00:58:23,480 --> 00:58:27,800
Speaker 1: That's what your nipples look like. Scary has hairy silver

1094
00:58:27,920 --> 00:58:31,440
Speaker 1: dollar nipples. Sometimes we text about it. Anyway, to ticketmaster

1095
00:58:31,520 --> 00:58:33,960
Speaker 1: dot com, Elvis Drand Morning Show a v I P experience,

1096
00:58:34,040 --> 00:58:35,520
Speaker 1: do the pull down and buy your ticket. We'll see

1097
00:58:35,520 --> 00:58:38,720
Speaker 1: you there. Uh is it time for Uncle Johnny? Is

1098
00:58:38,960 --> 00:58:47,240
Speaker 1: Uncle Johnny? Alright? Uncle Johnny? You got the blender loaded

1099
00:58:47,240 --> 00:58:49,960
Speaker 1: with Yeah, we're ready to peanut butter. Oreos were the

1100
00:58:50,000 --> 00:58:52,360
Speaker 1: ones that are remaining. We ate. Oh look at that

1101
00:58:52,480 --> 00:58:59,400
Speaker 1: creamy goodness. Oh now, I would think with oreos it

1102
00:58:59,440 --> 00:59:02,600
Speaker 1: would be different. Cult Hello, I love that sucking sound

1103
00:59:03,120 --> 00:59:08,840
Speaker 1: that looks already do you hear that sucking sound? Fumble Johnny?

1104
00:59:08,960 --> 00:59:14,040
Speaker 1: I dated him for like so anyway, you would think

1105
00:59:14,120 --> 00:59:15,760
Speaker 1: with all those oreos and there, it would be hard

1106
00:59:15,760 --> 00:59:18,200
Speaker 1: to suck this through a straw, Johnny, mine, are you

1107
00:59:18,440 --> 00:59:22,600
Speaker 1: all right? All right? It's our special single to myo Coxhail,

1108
00:59:23,720 --> 00:59:30,440
Speaker 1: including peanut butter oreos with Absolute Vanilla vodka and Irish

1109
00:59:30,560 --> 00:59:33,600
Speaker 1: cream cream that he bought at the duty free store

1110
00:59:33,640 --> 00:59:35,360
Speaker 1: in Mexico. I can't think of a better way to

1111
00:59:35,440 --> 00:59:41,200
Speaker 1: celebrate the defeat of the French in Mexico two years ago,

1112
00:59:41,320 --> 00:59:44,080
Speaker 1: or however many years ago, by sucking down some Irish cream.

1113
00:59:46,160 --> 00:59:50,320
Speaker 1: All right, how smells really good, I'll be honest with you. Yes,

1114
00:59:51,760 --> 00:59:55,320
Speaker 1: so wait, we're putting Irish cream and peanut butter now.

1115
00:59:55,440 --> 00:59:58,120
Speaker 1: It's at South of the Border cream, Okay, thank you.

1116
00:59:58,320 --> 01:00:00,400
Speaker 1: He bought it at the duty free shop in can Kop.

1117
01:00:00,440 --> 01:00:03,680
Speaker 1: I bought stuff there too. I bought jalapenos to bring

1118
01:00:03,760 --> 01:00:09,360
Speaker 1: home plipinos last year. I think we did the halapino margarita.

1119
01:00:09,560 --> 01:00:13,280
Speaker 1: We did. How's that coming along? It's coming? His girlfriend

1120
01:00:13,360 --> 01:00:16,800
Speaker 1: sober over here? What's wrong? Are you spilling crap everywhere?

1121
01:00:16,880 --> 01:00:20,280
Speaker 1: Uncle Johnny? Yes, you are? This is You can always

1122
01:00:20,320 --> 01:00:22,160
Speaker 1: tell her Uncle Johnny's been. It looks like a bird's

1123
01:00:22,200 --> 01:00:25,360
Speaker 1: been perched there for like a year, crapping on the carpet.

1124
01:00:26,880 --> 01:00:28,640
Speaker 1: Do you have some single to myo jokes for us,

1125
01:00:28,680 --> 01:00:31,360
Speaker 1: Uncle Johnny, Yes, I do, but a kid do it right? Okay,

1126
01:00:31,400 --> 01:00:34,160
Speaker 1: Well you pour those cocktails. It is single to mio.

1127
01:00:34,280 --> 01:00:35,640
Speaker 1: Make sure you go out with your friends and have

1128
01:00:35,760 --> 01:00:40,000
Speaker 1: a nice bunch, including you know, the appropriate food. How

1129
01:00:40,120 --> 01:00:42,640
Speaker 1: much is he spilled? Uncle Johnny? Why can't you do

1130
01:00:42,800 --> 01:00:44,840
Speaker 1: two things at once? You used to run thirty three

1131
01:00:44,920 --> 01:00:48,560
Speaker 1: blenders at the same time, and yours didn't leak. A

1132
01:00:48,640 --> 01:00:52,880
Speaker 1: leaky blender. That's a great drive name Leaky Blender? That check?

1133
01:00:54,160 --> 01:00:58,760
Speaker 1: Is it? Leaky Blender? A great show on Netflix? It's

1134
01:00:58,800 --> 01:01:03,800
Speaker 1: called Leaky Blender? Right, Oh, Peaky Blinders. I'm sorry alright

1135
01:01:04,120 --> 01:01:09,240
Speaker 1: the cocktails board. By the way, our friends Lost five

1136
01:01:09,320 --> 01:01:13,520
Speaker 1: who are celebrated our Mexico trip with us and perform

1137
01:01:13,640 --> 01:01:16,640
Speaker 1: live on our show. Their new song Satisfaction is officially

1138
01:01:16,720 --> 01:01:20,360
Speaker 1: out today. You can buy it on iTunes. Do We Play?

1139
01:01:21,360 --> 01:01:26,480
Speaker 1: Do Have Time? This is available on iTunes. Lost five

1140
01:01:26,600 --> 01:01:29,640
Speaker 1: and Satisfaction. We love the guys. This is so incredible.

1141
01:01:29,920 --> 01:01:37,640
Speaker 1: Happy to go down nothing shark like wolves, We go

1142
01:01:40,240 --> 01:01:45,040
Speaker 1: excellent sac That is a Loose five and Satisfaction available

1143
01:01:45,080 --> 01:01:47,920
Speaker 1: on iTunes right now. Please support our guys that are

1144
01:01:47,960 --> 01:01:53,240
Speaker 1: the nicest guys, so talented, great things to happen for them.

1145
01:01:54,840 --> 01:01:58,520
Speaker 1: This is a fader. Oh my god, this is a fader. Listen, listen, listen.

1146
01:01:59,400 --> 01:02:02,440
Speaker 1: Do you hear that? That's the sound of a fader.

1147
01:02:03,120 --> 01:02:05,960
Speaker 1: You know what? Back in the old Dave radio, most

1148
01:02:06,080 --> 01:02:08,520
Speaker 1: songs faded, and they rarely do. Don't you love a

1149
01:02:08,600 --> 01:02:15,480
Speaker 1: good fader? Usually usually they just end with a dune,

1150
01:02:15,840 --> 01:02:19,080
Speaker 1: un done dune. That's the that's the modern way of

1151
01:02:19,160 --> 01:02:24,240
Speaker 1: ending your song. Anyway, Thank you for the Faders five

1152
01:02:24,320 --> 01:02:27,320
Speaker 1: available on iTunes. It's called Satisfaction. Hey, everyone's saying good

1153
01:02:27,320 --> 01:02:33,480
Speaker 1: morning to a crazy Joe Rainey. Crazy Joe Rainey of

1154
01:02:33,600 --> 01:02:38,480
Speaker 1: course representing Capitol Records and uh a very good friend

1155
01:02:38,520 --> 01:02:40,360
Speaker 1: of of our show a video of him at my

1156
01:02:40,480 --> 01:02:44,000
Speaker 1: wedding that I could sell it to you, I think

1157
01:02:44,040 --> 01:02:50,439
Speaker 1: actually today he's not crazy Joe, he's local Jose, Jose local.

1158
01:02:50,840 --> 01:02:53,200
Speaker 1: So you bringing Halsey in today? Thank you for the gift,

1159
01:02:53,200 --> 01:02:56,120
Speaker 1: because you know we love Halsey and what a special

1160
01:02:56,200 --> 01:02:58,040
Speaker 1: special treat to have her here. I mean, she has

1161
01:02:58,120 --> 01:03:00,720
Speaker 1: this arena tour she's about to hit. She's gonna be

1162
01:03:00,840 --> 01:03:04,160
Speaker 1: at our daytime village in Las Vegas. She has all

1163
01:03:04,280 --> 01:03:07,200
Speaker 1: in the album. The album comes out in June yet,

1164
01:03:07,280 --> 01:03:09,200
Speaker 1: but you can pre order now. I've already pre ordered mine.

1165
01:03:09,200 --> 01:03:12,320
Speaker 1: I paid retail for it. Absolutely, I was gonna give

1166
01:03:12,520 --> 01:03:14,240
Speaker 1: I was going to give you vinyl to spen. Today.

1167
01:03:14,600 --> 01:03:17,280
Speaker 1: You have vinyl. Let's take it because I have I

1168
01:03:17,360 --> 01:03:20,439
Speaker 1: used vinyl. Now I bring the vinyl. You bring the needle.

1169
01:03:21,080 --> 01:03:25,120
Speaker 1: Let's make lots of money. I love you. You pay

1170
01:03:25,160 --> 01:03:28,080
Speaker 1: the rent anyway. So you brought Hals. She in a

1171
01:03:28,120 --> 01:03:30,160
Speaker 1: good space and she I think so. She just came

1172
01:03:30,160 --> 01:03:32,840
Speaker 1: off a fallon. Things are looking great. It's not. She's

1173
01:03:32,840 --> 01:03:35,400
Speaker 1: got a big surprise for you, Oh she does. I

1174
01:03:35,520 --> 01:03:39,080
Speaker 1: love a Halsey surprise. Halsey surprise on the way. Have

1175
01:03:39,240 --> 01:03:41,200
Speaker 1: you had a part of Uncle Johnny's cocktail or? Did

1176
01:03:41,200 --> 01:03:43,120
Speaker 1: you give up booze? I can give up? Yeah, just

1177
01:03:43,280 --> 01:03:47,400
Speaker 1: um this morning? Okay. If you're counting days on one

1178
01:03:47,480 --> 01:03:50,920
Speaker 1: day one, it's very good. I'm drinking it quickly. I

1179
01:03:50,960 --> 01:03:52,920
Speaker 1: have a friend of mine. He says he is three

1180
01:03:53,040 --> 01:03:57,920
Speaker 1: hundred days sober. But they weren't in a row over

1181
01:03:57,960 --> 01:04:01,880
Speaker 1: the last don't don't count the days. Make the days count.

1182
01:04:02,080 --> 01:04:06,560
Speaker 1: You're right, Thank you, Thank you so so jose Local,

1183
01:04:06,600 --> 01:04:09,320
Speaker 1: thank you for coming into my pleasure. This one's on right. Yeah.

1184
01:04:09,520 --> 01:04:11,960
Speaker 1: So we had a Halsey schedule for like right now

1185
01:04:12,080 --> 01:04:13,640
Speaker 1: or like in five minutes, but I know she needs

1186
01:04:13,640 --> 01:04:16,720
Speaker 1: a little extra time. So so she's cool. So just

1187
01:04:16,800 --> 01:04:19,320
Speaker 1: go make sure she's good. Go go, go off with you,

1188
01:04:19,360 --> 01:04:25,800
Speaker 1: Off with you, Uncle Johnny. Your cocktail is fabulous, great tea.

1189
01:04:25,840 --> 01:04:27,680
Speaker 1: Did you have a Oh you kidding me? I just

1190
01:04:28,040 --> 01:04:30,560
Speaker 1: finished the whole thing. It's good. This was like the

1191
01:04:30,680 --> 01:04:33,480
Speaker 1: first time I didn't take a sip and go too

1192
01:04:33,600 --> 01:04:36,560
Speaker 1: much alcohol. It was awesome. It really is great. We

1193
01:04:36,600 --> 01:04:39,160
Speaker 1: have a great show ahead. Halsey's on the way. She's

1194
01:04:39,200 --> 01:04:42,720
Speaker 1: coming up live next. The host of the party on

1195
01:04:42,880 --> 01:04:46,640
Speaker 1: his national radio show, Elvis, Your Taste, Your talent have

1196
01:04:46,800 --> 01:04:49,880
Speaker 1: contributed to popular culture, maybe in a way that no

1197
01:04:49,960 --> 01:04:53,440
Speaker 1: one else has. Elvis Durrant in the morning show like

1198
01:04:53,600 --> 01:04:56,160
Speaker 1: the MTV Movie and TV Awards with host Adam Divine

1199
01:04:56,240 --> 01:04:59,960
Speaker 1: featuring zac Efron, Hayley Steinfeld, and more, with performances by

1200
01:05:00,040 --> 01:05:03,440
Speaker 1: Big Seawan, Camila Cabayo, and Pitbull. The MTV Movie and

1201
01:05:03,520 --> 01:05:08,480
Speaker 1: TV Awards Live this Sunday at eight on MTV. It's Friday.

1202
01:05:08,640 --> 01:05:14,320
Speaker 1: Hello Friday, Yeah, Friday show. Right, See Chevelet, how you're

1203
01:05:14,360 --> 01:05:18,640
Speaker 1: doing over one, Chevelt? You're done a Medicans, I tell

1204
01:05:18,720 --> 01:05:24,000
Speaker 1: you every day the patty is a Friday. We have

1205
01:05:24,120 --> 01:05:28,080
Speaker 1: a six avny day, but you have Medicans. You wait

1206
01:05:28,240 --> 01:05:31,320
Speaker 1: up for it today and do weekend just to have

1207
01:05:31,440 --> 01:05:36,200
Speaker 1: a six. Anyway, there you go. He have another six

1208
01:05:36,280 --> 01:05:41,959
Speaker 1: innt endow it for mine day story in the morning show.

1209
01:05:42,560 --> 01:05:45,160
Speaker 1: Well well well, well, well well we are so ready

1210
01:05:45,200 --> 01:05:50,640
Speaker 1: for some love. Halsey is out there, the band is

1211
01:05:50,680 --> 01:05:53,040
Speaker 1: ready to go. By the way, if I may be

1212
01:05:53,160 --> 01:05:55,520
Speaker 1: superficial for just one moment, I'm sorry. One of my

1213
01:05:55,600 --> 01:05:58,840
Speaker 1: many superficial moments of the day. Halsey is wearing these

1214
01:05:58,880 --> 01:06:03,480
Speaker 1: fabulous loose heels shoes. I love loose sight. Isn't loose

1215
01:06:03,480 --> 01:06:06,680
Speaker 1: sight fabric? I think it's loose? Do we turn her ound? Scary?

1216
01:06:06,680 --> 01:06:08,560
Speaker 1: I think she can hear us? Hi calls it are you?

1217
01:06:08,880 --> 01:06:11,360
Speaker 1: Can you hear me? Yes? There you are? I love

1218
01:06:11,440 --> 01:06:14,160
Speaker 1: the loose sight. It's great until you get sweaty, and

1219
01:06:14,200 --> 01:06:16,400
Speaker 1: then it looks like the inside of like a camping tent,

1220
01:06:16,920 --> 01:06:19,520
Speaker 1: you know. But I think camping tents are so hot.

1221
01:06:20,320 --> 01:06:24,280
Speaker 1: I don't know what that means. Alright, no disrespect. They

1222
01:06:24,280 --> 01:06:26,040
Speaker 1: don't have a microphone for me out there, so I'm

1223
01:06:26,080 --> 01:06:28,920
Speaker 1: in this other room. I get it. I know. Sometimes

1224
01:06:28,960 --> 01:06:31,840
Speaker 1: we must be separated, but we're bonded by the universe.

1225
01:06:32,720 --> 01:06:37,120
Speaker 1: I'm contagious anyways, sick right now. No, I'm just awkward.

1226
01:06:39,120 --> 01:06:41,840
Speaker 1: You know what, though, if I catch the case of awkward,

1227
01:06:41,880 --> 01:06:44,520
Speaker 1: I'm kind of I'm kind of proud of that. All right, Look, uh,

1228
01:06:44,720 --> 01:06:48,120
Speaker 1: screw this me talking. Let's just get to you. We

1229
01:06:48,600 --> 01:06:52,080
Speaker 1: have so much to talk about, but you have you

1230
01:06:52,200 --> 01:06:54,120
Speaker 1: have come up here and so graciously offered to perform

1231
01:06:54,200 --> 01:06:55,680
Speaker 1: for us. So I appreciate that very much. And you

1232
01:06:55,760 --> 01:06:58,960
Speaker 1: have an incredible like a full twenty five piece orchestra

1233
01:06:59,160 --> 01:07:03,720
Speaker 1: behind her. It's amazing. Are you ready to go? All right?

1234
01:07:05,160 --> 01:07:07,439
Speaker 1: Halsey always gives me side eye, like Nicki Minaj gives

1235
01:07:07,440 --> 01:07:08,720
Speaker 1: me side eye all the time, like what are you

1236
01:07:08,840 --> 01:07:12,480
Speaker 1: talking about? All right? Please welcome to a wonderful, wonderful

1237
01:07:12,600 --> 01:07:36,880
Speaker 1: day with Halsey. WHOA, Oh, well, you know what, that's

1238
01:07:36,920 --> 01:07:38,520
Speaker 1: kind of I guess we can call that like the

1239
01:07:38,600 --> 01:07:41,800
Speaker 1: stripped down version of a now and ever, that was fabulous.

1240
01:07:42,000 --> 01:07:45,640
Speaker 1: That was incredible, Halsey. You know, and this is one

1241
01:07:45,680 --> 01:07:47,760
Speaker 1: of those times where it sounds so good you can't

1242
01:07:47,800 --> 01:07:50,320
Speaker 1: hear what we hear here. No, but let me tell

1243
01:07:50,320 --> 01:07:52,400
Speaker 1: you something, Halsey, to turn up a little bit. Um.

1244
01:07:53,520 --> 01:07:54,720
Speaker 1: This is where we have to come out and just

1245
01:07:54,840 --> 01:07:56,480
Speaker 1: check to make sure you're not lip syncing because it

1246
01:07:56,560 --> 01:07:59,560
Speaker 1: sounded so perfect. The whole production sounds so great. We'll

1247
01:07:59,560 --> 01:08:02,040
Speaker 1: play back for a little bit. So you were up

1248
01:08:02,080 --> 01:08:04,840
Speaker 1: all night rewriting a song for us, and we don't

1249
01:08:04,880 --> 01:08:07,640
Speaker 1: know what it is. We're about to find out, now what.

1250
01:08:08,040 --> 01:08:09,720
Speaker 1: And I guess after you're done with it, we'll find

1251
01:08:09,760 --> 01:08:12,240
Speaker 1: out why you rewrote it. So we don't know anything yet.

1252
01:08:12,600 --> 01:08:14,200
Speaker 1: Are you ready to do it? I think the reason

1253
01:08:14,280 --> 01:08:18,639
Speaker 1: why I wrote it is blatantly in the title. Okay,

1254
01:08:20,400 --> 01:08:26,400
Speaker 1: she's pointing at her, at her self. Okay, okay, alright, alright.

1255
01:08:26,439 --> 01:08:28,879
Speaker 1: Well I have said I don't know, I don't know myself.

1256
01:08:29,200 --> 01:08:33,600
Speaker 1: She's pointing out myself. Well, oh, I think I know

1257
01:08:33,680 --> 01:08:35,920
Speaker 1: what it could be. Okay, let's see what. Let's see

1258
01:08:35,960 --> 01:08:38,800
Speaker 1: what happens. Let's see what comes out of her. Pull

1259
01:08:38,880 --> 01:08:41,160
Speaker 1: that long string in Halsey's back and Let's see what

1260
01:08:41,280 --> 01:08:45,760
Speaker 1: comes out. No, please mess up. We love live radio.

1261
01:08:45,880 --> 01:08:49,479
Speaker 1: Come on now, don't do that, Okay, Halsey the mystery song,

1262
01:08:49,560 --> 01:08:51,320
Speaker 1: Let's see what happens. Here we go, Here we go.

1263
01:09:03,720 --> 01:09:08,120
Speaker 1: That wasable. That was unreal. Halsey, Get in here, run

1264
01:09:08,200 --> 01:09:12,000
Speaker 1: in here. That was awesome. I'm the one. Oh my gosh,

1265
01:09:12,080 --> 01:09:14,920
Speaker 1: I know Kalid is in Miami listening to us right now.

1266
01:09:15,040 --> 01:09:18,040
Speaker 1: You know he loved that version. You remember the word

1267
01:09:18,040 --> 01:09:21,840
Speaker 1: are you running in those loose sight heels? Girls? Everyone

1268
01:09:21,880 --> 01:09:24,920
Speaker 1: needs a little loose sight. That was awesome. By the way,

1269
01:09:25,960 --> 01:09:28,040
Speaker 1: just a little technical back behind the same thing. If

1270
01:09:28,080 --> 01:09:30,120
Speaker 1: we can get Halsey a copy of what we just

1271
01:09:30,240 --> 01:09:31,920
Speaker 1: heard in the headphones. You need to hear what you

1272
01:09:32,000 --> 01:09:37,240
Speaker 1: just sounded like? Oh is it bad? It was dreadful.

1273
01:09:37,640 --> 01:09:40,000
Speaker 1: He's like, you know what's so disappointed? And you really

1274
01:09:40,040 --> 01:09:44,320
Speaker 1: need to hear this when you do your shows. I mean,

1275
01:09:44,479 --> 01:09:46,960
Speaker 1: do you really know what you know? What it sounds like?

1276
01:09:47,120 --> 01:09:50,519
Speaker 1: I mean you have no clue. I mean that was

1277
01:09:50,640 --> 01:09:55,519
Speaker 1: like studio quality. Well, and the guy's playing your your

1278
01:09:55,600 --> 01:09:59,639
Speaker 1: your band, My band is honestly amazing, Like, my band

1279
01:09:59,720 --> 01:10:01,479
Speaker 1: is the one thing I think that keeps me like

1280
01:10:02,080 --> 01:10:06,000
Speaker 1: really optimistic and just really motivated, like in making music,

1281
01:10:06,000 --> 01:10:07,880
Speaker 1: because sometimes you can get so convoluted, you know what

1282
01:10:07,920 --> 01:10:09,720
Speaker 1: I mean, like when you wake up when you're doing

1283
01:10:09,800 --> 01:10:12,160
Speaker 1: something that's not music, when you're doing an interview or

1284
01:10:12,160 --> 01:10:15,320
Speaker 1: a photo shoot or you know, makeup or something. And

1285
01:10:15,360 --> 01:10:16,680
Speaker 1: when I get in the room with them and we

1286
01:10:16,760 --> 01:10:18,759
Speaker 1: just get to mess around and do like fun covers

1287
01:10:18,840 --> 01:10:21,360
Speaker 1: like that or like reimagine my own songs, it's like,

1288
01:10:21,439 --> 01:10:24,000
Speaker 1: oh yeah, I love music. That's why I do this stuff,

1289
01:10:24,280 --> 01:10:26,280
Speaker 1: you know. So it's like it's cool, you know, Halsey,

1290
01:10:26,400 --> 01:10:29,840
Speaker 1: something we can walk away from, walk away with from

1291
01:10:29,920 --> 01:10:33,760
Speaker 1: this is when you it is when it's Halsey, when

1292
01:10:33,800 --> 01:10:36,479
Speaker 1: it's Halsey's show, but you see all these other people

1293
01:10:37,320 --> 01:10:39,720
Speaker 1: backing her up. You've got lighting, you've got sound, You've

1294
01:10:39,720 --> 01:10:42,200
Speaker 1: got all this stuff going on backstage. I mean, um,

1295
01:10:42,560 --> 01:10:45,920
Speaker 1: we have to learn that these people can lift you

1296
01:10:46,040 --> 01:10:47,760
Speaker 1: up if they see that you maybe you're having a

1297
01:10:47,800 --> 01:10:49,880
Speaker 1: bad day or whatever. We all have bad days. You

1298
01:10:49,960 --> 01:10:52,160
Speaker 1: were surrounding yourself with people that are like, come on,

1299
01:10:52,439 --> 01:10:54,559
Speaker 1: you're good. Yeah, Well, you know, we we should all

1300
01:10:54,680 --> 01:10:57,240
Speaker 1: have we should all have the Halsey, the Halsey Crew

1301
01:10:57,240 --> 01:11:00,720
Speaker 1: in our lives. Absolutely. I mean, it's a only life though.

1302
01:11:00,760 --> 01:11:02,400
Speaker 1: You know what it means. You have to pick the

1303
01:11:02,479 --> 01:11:05,439
Speaker 1: people you surround yourself with really carefully, because the weird

1304
01:11:05,479 --> 01:11:09,120
Speaker 1: thing about being a musician is that you're never alone,

1305
01:11:09,280 --> 01:11:12,360
Speaker 1: but you're always alone. It's like a weird paradox, you

1306
01:11:12,439 --> 01:11:13,599
Speaker 1: know what I mean. It's kind of living in New

1307
01:11:13,680 --> 01:11:16,200
Speaker 1: York City. You're in a city full of million people,

1308
01:11:16,240 --> 01:11:19,120
Speaker 1: but you can be very lonely, very very much like that. Okay,

1309
01:11:19,160 --> 01:11:22,080
Speaker 1: So I want to thank you for taking the word

1310
01:11:22,160 --> 01:11:24,960
Speaker 1: coucie out of that. Oh my gosh, Me and me,

1311
01:11:25,120 --> 01:11:27,360
Speaker 1: me and Nate were just talking about this, were waiting

1312
01:11:27,400 --> 01:11:30,840
Speaker 1: for couci to occur in couci never occurred. That was

1313
01:11:30,880 --> 01:11:33,439
Speaker 1: one of your rewrites. It gives me the hebb. That word.

1314
01:11:34,120 --> 01:11:36,000
Speaker 1: I can't do it, I can't. We all have words

1315
01:11:36,080 --> 01:11:38,840
Speaker 1: we don't want to get me to say these words

1316
01:11:38,840 --> 01:11:45,519
Speaker 1: all the time, like Daniel, watch this, watch Daniel mayonnaise, Hey,

1317
01:11:45,600 --> 01:11:51,160
Speaker 1: froggy okay, froggy moist that one? Okay? So where do

1318
01:11:51,200 --> 01:11:54,880
Speaker 1: you ha? Yes, the ones that I don't like, what

1319
01:11:55,200 --> 01:11:57,479
Speaker 1: I can't even say on the radio. But do you have, halzy,

1320
01:11:57,520 --> 01:11:59,600
Speaker 1: do you have other words you don't like? Yeah, what

1321
01:11:59,720 --> 01:12:02,400
Speaker 1: are they come on? Say them? Well, I can say

1322
01:12:02,400 --> 01:12:05,519
Speaker 1: I think one of them on the radio. I hate um,

1323
01:12:06,560 --> 01:12:10,320
Speaker 1: I hate panties. Look, yes, we just wrote down the

1324
01:12:10,400 --> 01:12:17,680
Speaker 1: word we have a match. Yeah, I don't know. I

1325
01:12:17,960 --> 01:12:20,519
Speaker 1: don't really wear that a whole lot, so I don't

1326
01:12:20,520 --> 01:12:25,800
Speaker 1: need to hear I don't need to hear that when

1327
01:12:25,840 --> 01:12:30,240
Speaker 1: they put the word moist, stop talking froggy. Really, that's

1328
01:12:30,280 --> 01:12:34,120
Speaker 1: even worse. Are you allowed to say that on the radio? Yeah,

1329
01:12:34,400 --> 01:12:36,560
Speaker 1: I know, I know. It really has gone down a

1330
01:12:36,560 --> 01:12:40,960
Speaker 1: slippery slope. I remember, like eminem back in the day

1331
01:12:41,000 --> 01:12:42,920
Speaker 1: wrapping about the f C C and I guess that's

1332
01:12:42,920 --> 01:12:47,040
Speaker 1: just not a thing anymore. Like there's still a thing

1333
01:12:47,120 --> 01:12:48,760
Speaker 1: before you go off on a tire rade with four

1334
01:12:48,840 --> 01:12:51,080
Speaker 1: letter words, it is a thing. But we do have

1335
01:12:51,240 --> 01:12:53,320
Speaker 1: we have the dump button, so if you say the

1336
01:12:53,439 --> 01:12:56,120
Speaker 1: F word, I can go and it's as if it

1337
01:12:56,240 --> 01:12:58,519
Speaker 1: never happened. Don't you wish life had a dump button

1338
01:12:58,760 --> 01:13:04,439
Speaker 1: where you say something you do you're like, okay, wed one,

1339
01:13:04,520 --> 01:13:06,680
Speaker 1: I would honestly probably use it so much that I

1340
01:13:06,720 --> 01:13:12,080
Speaker 1: would go back to before my birth has in nineteen

1341
01:13:12,200 --> 01:13:15,360
Speaker 1: seventy four. All right, well, and by the way, you

1342
01:13:15,479 --> 01:13:17,400
Speaker 1: killed it on fallon last night. Isn't a fun show

1343
01:13:17,479 --> 01:13:20,519
Speaker 1: to do, it really is. Jimmy's the best. He's like

1344
01:13:21,080 --> 01:13:22,640
Speaker 1: I said to him last night, I was like, if

1345
01:13:22,640 --> 01:13:24,479
Speaker 1: I keep doing your show every year, I'm gonna start

1346
01:13:24,560 --> 01:13:27,439
Speaker 1: looking forward to it more than my birthday because they're

1347
01:13:27,439 --> 01:13:29,439
Speaker 1: just such good energy and they want. The thing about

1348
01:13:29,800 --> 01:13:32,800
Speaker 1: um really doing any TV show or any radio shaw

1349
01:13:32,880 --> 01:13:35,000
Speaker 1: that coming in and seeing you guys is like you know,

1350
01:13:35,479 --> 01:13:38,240
Speaker 1: it's like so it's so relieving because you're on my side,

1351
01:13:38,360 --> 01:13:40,280
Speaker 1: you know what I mean, like you, I mean, some

1352
01:13:40,439 --> 01:13:42,960
Speaker 1: people in this world aren't, but like you know, you

1353
01:13:43,000 --> 01:13:44,560
Speaker 1: guys are always on my side and you want me

1354
01:13:44,640 --> 01:13:46,519
Speaker 1: to win. And I came in this morning and I

1355
01:13:46,600 --> 01:13:48,000
Speaker 1: was like, hey, guys, lab I have no makeup on

1356
01:13:48,200 --> 01:13:50,400
Speaker 1: and I'll slap some eyebrows on my face. And you

1357
01:13:50,439 --> 01:13:52,160
Speaker 1: guys were like, oh cool, can we do hear the cover?

1358
01:13:52,280 --> 01:13:54,960
Speaker 1: And it just felt really like friendly and I was like, Hey,

1359
01:13:55,040 --> 01:13:56,880
Speaker 1: these people want me to do a good job today,

1360
01:13:57,240 --> 01:13:59,400
Speaker 1: and like that's what's really awesome about it. Well, and

1361
01:13:59,600 --> 01:14:01,880
Speaker 1: plus know it works two ways because you actually you

1362
01:14:02,000 --> 01:14:04,760
Speaker 1: just dropped a gift, two gifts when you did your

1363
01:14:04,760 --> 01:14:06,599
Speaker 1: songs out there. I mean, it's a gift for all

1364
01:14:06,680 --> 01:14:09,560
Speaker 1: of us. Okay, so let's talk about the power of

1365
01:14:09,680 --> 01:14:13,160
Speaker 1: the arena tour now, you know, I don't I don't

1366
01:14:13,160 --> 01:14:15,280
Speaker 1: know if you prefer sitting on a stool in front

1367
01:14:15,320 --> 01:14:20,400
Speaker 1: of twenty five people versus a full blown production in

1368
01:14:20,560 --> 01:14:22,599
Speaker 1: for in front of thirty thousand. I mean, how many

1369
01:14:22,640 --> 01:14:24,320
Speaker 1: thousands of people are in an arena tour? I mean

1370
01:14:24,400 --> 01:14:26,960
Speaker 1: there were more one million people. I mean, it doesn't

1371
01:14:26,960 --> 01:14:29,519
Speaker 1: matter that a lot of people. So, I mean the

1372
01:14:29,800 --> 01:14:31,960
Speaker 1: energy when you walk out on stage, even though you

1373
01:14:32,040 --> 01:14:35,160
Speaker 1: don't really see individual faces, I'm assuming because the lights

1374
01:14:35,200 --> 01:14:39,479
Speaker 1: are so do you do? What is the energy like

1375
01:14:39,840 --> 01:14:41,439
Speaker 1: when you walk out on that stage? And because I

1376
01:14:41,479 --> 01:14:43,439
Speaker 1: know last time you were here you sold out Madison

1377
01:14:43,479 --> 01:14:46,240
Speaker 1: Square Garden. Oh yeah, I was scary. What is the

1378
01:14:46,439 --> 01:14:49,200
Speaker 1: energy like? Is it like sitting in an electric chair?

1379
01:14:49,280 --> 01:14:52,720
Speaker 1: I mean, what's like Halsey doing? Doing an arena is

1380
01:14:52,800 --> 01:14:56,479
Speaker 1: like such a different different mentality than doing an intimate show,

1381
01:14:56,520 --> 01:14:59,360
Speaker 1: because like in an in an intimate show, you've got

1382
01:14:59,479 --> 01:15:02,040
Speaker 1: like an ow to make eye contact with at least

1383
01:15:02,120 --> 01:15:04,920
Speaker 1: everybody once, and if you make eye contact with that person,

1384
01:15:05,000 --> 01:15:08,479
Speaker 1: they usually feel feel bad about being mean to you. Um,

1385
01:15:08,800 --> 01:15:10,840
Speaker 1: So if you make eye contact with five people in

1386
01:15:10,880 --> 01:15:13,000
Speaker 1: the room, then they've made eye contact with you, Like

1387
01:15:13,280 --> 01:15:17,240
Speaker 1: I have to like her now, darn. But I'm just kidding.

1388
01:15:17,280 --> 01:15:22,519
Speaker 1: I'm totally gidding. I'm like, should we let's do therapy? No,

1389
01:15:22,760 --> 01:15:25,519
Speaker 1: It's um. Arenas are such a different thing because I'm

1390
01:15:25,880 --> 01:15:28,080
Speaker 1: for me as a performer, I'm really into like one

1391
01:15:28,120 --> 01:15:31,600
Speaker 1: on one, like fan engagement. So like since the my

1392
01:15:31,760 --> 01:15:33,920
Speaker 1: very first show, I'm always I climb in the crowd

1393
01:15:34,120 --> 01:15:36,080
Speaker 1: and like even when I was opening up for the

1394
01:15:36,160 --> 01:15:38,479
Speaker 1: weekend on his arena tour, i was running through the

1395
01:15:38,560 --> 01:15:42,120
Speaker 1: arena ex me on the floor and like you know,

1396
01:15:42,240 --> 01:15:44,240
Speaker 1: trying to talk to people and pull people on stage

1397
01:15:44,280 --> 01:15:46,800
Speaker 1: and like, so it's for me. It's about coming up

1398
01:15:46,840 --> 01:15:49,160
Speaker 1: with unique lays and not big of a space to

1399
01:15:49,200 --> 01:15:52,360
Speaker 1: make everybody feel like the show was especially for them.

1400
01:15:52,960 --> 01:15:56,040
Speaker 1: That's a challenge, it is, it really is. But when

1401
01:15:56,120 --> 01:16:00,600
Speaker 1: you nail it, it's really rewarding. Changes a lot of

1402
01:16:00,760 --> 01:16:03,960
Speaker 1: um you know, I'm so extra and I did last year.

1403
01:16:04,400 --> 01:16:06,760
Speaker 1: I did a couple on tour last year, so I'm

1404
01:16:06,880 --> 01:16:11,400
Speaker 1: going to probably be doing a bajillion on this storm.

1405
01:16:11,680 --> 01:16:13,800
Speaker 1: I'm already I'm already thinking about what I'm gonna put

1406
01:16:13,840 --> 01:16:16,439
Speaker 1: in my changing room because like some artists hang photos

1407
01:16:16,479 --> 01:16:18,760
Speaker 1: of stuff that's supposed to inspire them or motivate them

1408
01:16:18,800 --> 01:16:21,439
Speaker 1: doing the show, or make them laugh or like whatever.

1409
01:16:21,800 --> 01:16:23,439
Speaker 1: So I'm just thinking about all the memes I'm going

1410
01:16:23,479 --> 01:16:26,080
Speaker 1: to hang on the wall in my in my quick

1411
01:16:26,160 --> 01:16:27,680
Speaker 1: change is what we call it. You should have a

1412
01:16:27,760 --> 01:16:29,760
Speaker 1: comedian so every time you go back there for like

1413
01:16:29,840 --> 01:16:33,000
Speaker 1: a ten second change, he tells a quick joe and

1414
01:16:33,120 --> 01:16:35,880
Speaker 1: you laugh and then you go back out to the

1415
01:16:35,880 --> 01:16:37,479
Speaker 1: st But then he's going to steal the show, and

1416
01:16:37,520 --> 01:16:40,400
Speaker 1: then you know, he's your private show in your own

1417
01:16:40,439 --> 01:16:42,519
Speaker 1: private room. So what do you think of festivals? So

1418
01:16:42,560 --> 01:16:43,920
Speaker 1: I know that you just went out to coach Olla

1419
01:16:44,000 --> 01:16:46,080
Speaker 1: just hanging out. Yes, did you have flowers in your hair?

1420
01:16:46,200 --> 01:16:48,160
Speaker 1: Did you do the cointidential? I must have flowers in

1421
01:16:48,200 --> 01:16:50,720
Speaker 1: my hair thing? Oh no, no, no, no, okay, um,

1422
01:16:50,800 --> 01:16:52,880
Speaker 1: I know you're you're doing our Daytime Village at the

1423
01:16:53,080 --> 01:16:55,200
Speaker 1: Heart Radio Music Festival in Las Vegas. I thought you

1424
01:16:55,240 --> 01:16:58,200
Speaker 1: weren't supposed to say that. We can't say that, okay, cool,

1425
01:16:58,520 --> 01:17:08,400
Speaker 1: not implying that, not implying that there's another one. Danielle. Danielle,

1426
01:17:08,720 --> 01:17:10,840
Speaker 1: She's from the Bronx you can't stop talking. I love it.

1427
01:17:11,040 --> 01:17:13,479
Speaker 1: It's amazing. That would have only been better if she

1428
01:17:13,600 --> 01:17:16,360
Speaker 1: was like, um, nobody can't Nobody in their cars are

1429
01:17:16,479 --> 01:17:18,000
Speaker 1: in there. I'm listening to the radio. Can see me

1430
01:17:18,120 --> 01:17:20,240
Speaker 1: right now, but I'm putting my hands up, and I

1431
01:17:20,320 --> 01:17:22,240
Speaker 1: was gonna it would only be better if she was like, no,

1432
01:17:22,479 --> 01:17:28,240
Speaker 1: not that one, and then not that one. Yeah, you Bronx.

1433
01:17:32,120 --> 01:17:34,240
Speaker 1: She calls us all stupid. It's almost like you're from

1434
01:17:34,240 --> 01:17:37,080
Speaker 1: the Bronx or something. When you go downstairs again in

1435
01:17:37,120 --> 01:17:40,000
Speaker 1: your SUV, the hubcaps will be called. Why why are

1436
01:17:40,000 --> 01:17:43,639
Speaker 1: you assuming that I'm going to suv Elvis? Because that's

1437
01:17:43,680 --> 01:17:47,040
Speaker 1: like the artist thing, because limos are just so stripper pole.

1438
01:17:48,760 --> 01:17:50,920
Speaker 1: I mean that sounds a little bit more on brand

1439
01:17:51,040 --> 01:17:55,120
Speaker 1: for me. Actually I didn't say that. So, um, so

1440
01:17:55,320 --> 01:17:57,800
Speaker 1: you recently went on a date and didn't know it.

1441
01:17:58,080 --> 01:18:01,240
Speaker 1: Nate told me this, Oh my god, I can't tell

1442
01:18:01,320 --> 01:18:04,040
Speaker 1: you anything, So how do you know when? That's how

1443
01:18:04,080 --> 01:18:06,120
Speaker 1: I know you're straight, Nate, because you can't keep my secrets.

1444
01:18:08,920 --> 01:18:10,559
Speaker 1: We've all been in that situation where we go out

1445
01:18:10,560 --> 01:18:12,200
Speaker 1: to what we think is a meeting or whatever, and

1446
01:18:12,280 --> 01:18:15,519
Speaker 1: then halfway through something you said You're like Oh my god,

1447
01:18:15,600 --> 01:18:17,720
Speaker 1: we're on a date? Oh yeah, how did you find out?

1448
01:18:17,760 --> 01:18:19,720
Speaker 1: This was? Because we've I've been in this situation too.

1449
01:18:19,760 --> 01:18:22,920
Speaker 1: It happened pretty recently. When did you realize? Oh crap?

1450
01:18:23,080 --> 01:18:24,640
Speaker 1: And is it good or bad? When he bought a

1451
01:18:24,720 --> 01:18:29,760
Speaker 1: milkshake and asked for two straws? That is that is

1452
01:18:30,040 --> 01:18:32,040
Speaker 1: kind that's kind of cute, though. No. I looked at

1453
01:18:32,120 --> 01:18:33,439
Speaker 1: him and I was like, not only am I not

1454
01:18:33,600 --> 01:18:35,400
Speaker 1: interested in you, but if I was, what is this?

1455
01:18:38,640 --> 01:18:42,519
Speaker 1: Were you wearing Bobby socks? I mean, I don't know

1456
01:18:42,600 --> 01:18:44,519
Speaker 1: if I mean, I don't we want to talk about

1457
01:18:44,560 --> 01:18:46,160
Speaker 1: what I was wearing, and we don't get into that.

1458
01:18:46,520 --> 01:18:48,200
Speaker 1: Maybe that's why he thought it was a date. Say,

1459
01:18:48,320 --> 01:18:50,720
Speaker 1: I'm sorry, I'm like toast intolerant. You can't do this.

1460
01:18:51,000 --> 01:18:53,680
Speaker 1: You know. Uncle Johnny's he's seventy five years old. He's old,

1461
01:18:53,720 --> 01:18:55,760
Speaker 1: and he's gay and he wears a two pay No,

1462
01:18:55,960 --> 01:18:58,640
Speaker 1: Uncle Johnny, Uncle Johnny, back in the day when you

1463
01:18:58,680 --> 01:19:02,320
Speaker 1: went on dates two straw one shake. Yes, well that

1464
01:19:02,479 --> 01:19:04,679
Speaker 1: was back in the forties, fifties. That's when I was born.

1465
01:19:05,800 --> 01:19:07,679
Speaker 1: Uncle Johnny was gay before they do what gay meant.

1466
01:19:08,240 --> 01:19:11,960
Speaker 1: It's true though, it's true, you're like a You're like

1467
01:19:12,080 --> 01:19:19,599
Speaker 1: the highest Pokemon evolution. It's incredible. Yeah, well, anyway, Uncle Johnny,

1468
01:19:19,800 --> 01:19:22,880
Speaker 1: we can all learn from your past. Uncle Johnny used

1469
01:19:22,880 --> 01:19:25,360
Speaker 1: to watch Lizam and ellydu Cooke at the bar. He's

1470
01:19:25,520 --> 01:19:30,880
Speaker 1: he has stories. He is crazy stories, Griffin, but this

1471
01:19:31,120 --> 01:19:34,200
Speaker 1: is about herman. If you're not as now, I know

1472
01:19:34,360 --> 01:19:38,640
Speaker 1: none of you can keep secrets. Oh my god, what

1473
01:19:38,720 --> 01:19:41,400
Speaker 1: don't you tell us? We tell everyone? Okay, okay, let's

1474
01:19:41,680 --> 01:19:43,320
Speaker 1: let's get back to the music. I know that it

1475
01:19:43,439 --> 01:19:47,840
Speaker 1: was yesterday you dropped a song and it has over

1476
01:19:47,880 --> 01:19:53,040
Speaker 1: a billion views already. It's we counted by hand. Eyes closed.

1477
01:19:53,320 --> 01:19:55,639
Speaker 1: I was reading some of the comments from your fans

1478
01:19:56,920 --> 01:20:00,519
Speaker 1: great stuff, and they were talking about how they were

1479
01:20:00,560 --> 01:20:02,639
Speaker 1: in tears. I haven't even heard this yet, so I'm

1480
01:20:02,640 --> 01:20:05,000
Speaker 1: assuming this is an emotional man. Fake fan, fake fan?

1481
01:20:06,280 --> 01:20:09,400
Speaker 1: What is it? You're a fake fan? I just got

1482
01:20:09,520 --> 01:20:13,320
Speaker 1: here kidding. I'm still I'm still sleeping off yesterday's hangover.

1483
01:20:13,439 --> 01:20:16,000
Speaker 1: Let me not be nice. I'm still I'm I haven't

1484
01:20:16,040 --> 01:20:19,920
Speaker 1: even gotten my hangover yet. I think I'm still drunk.

1485
01:20:20,680 --> 01:20:22,760
Speaker 1: I don't even know. I like it that way. Who

1486
01:20:22,880 --> 01:20:24,360
Speaker 1: came in drunk not too long ago? And he was

1487
01:20:24,439 --> 01:20:28,720
Speaker 1: fantastic right off the street into the chair. He was

1488
01:20:28,720 --> 01:20:32,479
Speaker 1: still wearing his fur from the night before. He was amazing.

1489
01:20:32,520 --> 01:20:34,960
Speaker 1: But he was awesome, you know like in Peanuts where

1490
01:20:35,160 --> 01:20:38,439
Speaker 1: pig Pen has like that that stenched visibly around him.

1491
01:20:38,479 --> 01:20:41,080
Speaker 1: He just had vodka. Let me just say that if

1492
01:20:41,160 --> 01:20:43,799
Speaker 1: me and Jason Druo both rolled up to our Elvis

1493
01:20:43,880 --> 01:20:47,120
Speaker 1: interview still drunk, we were both on the cover of

1494
01:20:47,200 --> 01:20:50,240
Speaker 1: Forbes last year together, so we must be doing something

1495
01:20:50,840 --> 01:20:53,680
Speaker 1: like I mean, that's my partner in crime, right, there

1496
01:20:53,880 --> 01:20:56,240
Speaker 1: are the cover of Forbes and we show up to

1497
01:20:56,280 --> 01:20:58,559
Speaker 1: work drunks. Well, that's why we have Uncle Johnny here,

1498
01:20:58,560 --> 01:21:00,679
Speaker 1: here's our he's our bartender. He has been bar attending

1499
01:21:00,680 --> 01:21:03,960
Speaker 1: for fifty years on Fire Island. And if you need

1500
01:21:04,040 --> 01:21:06,479
Speaker 1: a cocktail, we have everything. When you guess got drinks,

1501
01:21:07,080 --> 01:21:08,679
Speaker 1: if you went to a cocktail, we would have content,

1502
01:21:08,800 --> 01:21:12,960
Speaker 1: the full bar and office morning. What you can that

1503
01:21:13,560 --> 01:21:18,080
Speaker 1: peanut butter oreos she just wants a shot again. But

1504
01:21:18,080 --> 01:21:20,840
Speaker 1: I'm trying to get back to the music. You're right,

1505
01:21:20,840 --> 01:21:22,160
Speaker 1: you're right, you're right, you're right, you're right, you're right,

1506
01:21:22,160 --> 01:21:26,200
Speaker 1: you're right. Okay, so the song dropped yesterday and you're

1507
01:21:26,280 --> 01:21:28,519
Speaker 1: your fans are loving it. I haven't heard it yet.

1508
01:21:28,560 --> 01:21:30,720
Speaker 1: This is I love a surprise. It's like when you're

1509
01:21:30,720 --> 01:21:32,760
Speaker 1: gonna play it on the radio. I'm gonna play pieces

1510
01:21:32,800 --> 01:21:35,559
Speaker 1: I can plays of it. Yeah. Sure. It's like when

1511
01:21:35,560 --> 01:21:38,400
Speaker 1: you're on a date with a guy and he pulls

1512
01:21:38,400 --> 01:21:40,639
Speaker 1: down his pants and you it's like a surprise, like, oh,

1513
01:21:42,040 --> 01:21:45,080
Speaker 1: of all the literal metaphors you could have chosen to use,

1514
01:21:45,160 --> 01:21:49,720
Speaker 1: it was that one, and you're offended. Nor so, No

1515
01:21:49,840 --> 01:21:52,519
Speaker 1: I'm not. It's very much like that. Actually, it really is.

1516
01:21:53,280 --> 01:21:55,240
Speaker 1: Eyes closed. I'm trying to play a clip or I

1517
01:21:55,320 --> 01:21:56,479
Speaker 1: play the whole thing. I don't know what your time.

1518
01:21:56,520 --> 01:21:58,439
Speaker 1: You can play, you can play with a clip whatever.

1519
01:21:58,439 --> 01:22:14,320
Speaker 1: You one clip? Well yeah, okay, okay, listen to this. Wow,

1520
01:22:14,880 --> 01:22:19,160
Speaker 1: very mysterious sounding. So you dropped that yesterday. So that's

1521
01:22:19,200 --> 01:22:22,760
Speaker 1: like a little little piece of the album. Here's here's

1522
01:22:22,760 --> 01:22:26,040
Speaker 1: a moose bush. Yes, that was like, hey, please still

1523
01:22:26,120 --> 01:22:28,920
Speaker 1: like me? That's what that song was. Hello. If you

1524
01:22:29,000 --> 01:22:32,240
Speaker 1: are listening and you don't know I'm putting out an album,

1525
01:22:32,360 --> 01:22:35,760
Speaker 1: well here is a song. All you do you feel

1526
01:22:35,800 --> 01:22:38,120
Speaker 1: that way? Do you feel like you're only as good

1527
01:22:38,160 --> 01:22:39,760
Speaker 1: as your last song or you're only as good as

1528
01:22:39,800 --> 01:22:43,360
Speaker 1: your last album, Like you have to keep re earning people.

1529
01:22:44,080 --> 01:22:45,720
Speaker 1: I think you can't live in the past, you know

1530
01:22:45,800 --> 01:22:47,839
Speaker 1: what I mean, Like I don't want to pride myself

1531
01:22:47,920 --> 01:22:50,360
Speaker 1: on something I did a long time ago. Also because

1532
01:22:50,360 --> 01:22:53,720
Speaker 1: I'm so competitive and not like with other people, Like

1533
01:22:54,160 --> 01:22:56,719
Speaker 1: I don't have like beef with anybody, like I love everybody.

1534
01:22:57,120 --> 01:22:59,840
Speaker 1: I'm like self competitive, so I'm constantly trying to like

1535
01:23:00,040 --> 01:23:02,880
Speaker 1: beat what I just did. Um. So that's just how

1536
01:23:02,920 --> 01:23:05,680
Speaker 1: it is for me. But um, you know, but that

1537
01:23:05,720 --> 01:23:08,960
Speaker 1: doesn't mean that I don't like, like alleviate some of

1538
01:23:09,040 --> 01:23:10,960
Speaker 1: my concerns about stuff by being like, oh yeah, but

1539
01:23:11,040 --> 01:23:13,840
Speaker 1: I also, like, you know, I did that really cool

1540
01:23:13,920 --> 01:23:15,479
Speaker 1: thing a year ago, you know what I mean. Like,

1541
01:23:15,640 --> 01:23:18,000
Speaker 1: so it definitely like calms you down. But if you

1542
01:23:18,040 --> 01:23:20,800
Speaker 1: can't dwell on it, you gotta keep growing and moving

1543
01:23:20,880 --> 01:23:23,040
Speaker 1: past it and evolving. That's like the whole part. That's

1544
01:23:23,080 --> 01:23:25,200
Speaker 1: all the point of making art, you know what I mean,

1545
01:23:25,360 --> 01:23:28,160
Speaker 1: is like art is constantly evolving because it's so timely.

1546
01:23:28,720 --> 01:23:31,040
Speaker 1: It's so about the now and like what's happening right

1547
01:23:31,120 --> 01:23:33,240
Speaker 1: now and who you are right now and how people

1548
01:23:33,240 --> 01:23:35,240
Speaker 1: are feeling right now. So art has to keep evolving

1549
01:23:35,439 --> 01:23:37,720
Speaker 1: because art from five years ago, even though it's still

1550
01:23:37,800 --> 01:23:40,920
Speaker 1: great today, it's not like it's not timely enough, it's

1551
01:23:40,960 --> 01:23:43,120
Speaker 1: not present, you know, but it still hangs in the

1552
01:23:43,160 --> 01:23:45,519
Speaker 1: gallery next to your other art and it still looks

1553
01:23:45,560 --> 01:23:47,960
Speaker 1: great with it. Yeah, so it gives context for your

1554
01:23:48,000 --> 01:23:52,720
Speaker 1: new art. I love I love comparing music too an

1555
01:23:52,800 --> 01:23:57,479
Speaker 1: art gallery because you're your your discography, it's your gallery.

1556
01:23:57,520 --> 01:23:59,960
Speaker 1: We walked through the Halsey gallery. Oh looks she just

1557
01:24:00,240 --> 01:24:04,880
Speaker 1: she just hanged on Halsey halls. I'm looking. I'm looking

1558
01:24:04,920 --> 01:24:09,280
Speaker 1: at sixteen tracks on the Hopeless Fountain Kingdom album, which

1559
01:24:09,280 --> 01:24:12,000
Speaker 1: comes out June two. You can pre order this as

1560
01:24:12,080 --> 01:24:15,000
Speaker 1: we speak. By the way, I'm just saying, it's if

1561
01:24:15,040 --> 01:24:16,720
Speaker 1: you have a couple of extra menutes to do it,

1562
01:24:16,840 --> 01:24:20,320
Speaker 1: do it? Do it? Sixteen tracks? Is that? Is that

1563
01:24:20,520 --> 01:24:22,720
Speaker 1: more than a typical or less than a typical? So

1564
01:24:22,840 --> 01:24:24,680
Speaker 1: much more? There's a lot of music, Like if I

1565
01:24:24,760 --> 01:24:26,679
Speaker 1: pre order it, are you going to drop things before

1566
01:24:26,680 --> 01:24:31,479
Speaker 1: it comes out? Like we've already dropped to Okay, maybe

1567
01:24:31,560 --> 01:24:37,719
Speaker 1: more stuff is coming, who knows, Maybe something special is coming.

1568
01:24:38,080 --> 01:24:40,200
Speaker 1: Who knows. There's gonna be a lot more music videos

1569
01:24:40,240 --> 01:24:42,560
Speaker 1: coming to I've been directing them all myself, which is

1570
01:24:42,600 --> 01:24:46,320
Speaker 1: really awesome because I um am a control freak. Um.

1571
01:24:46,400 --> 01:24:47,720
Speaker 1: But also it means I get to make the best

1572
01:24:47,760 --> 01:24:50,800
Speaker 1: thing possible for everyone, you know what I mean? Um? Yeah,

1573
01:24:50,840 --> 01:24:53,320
Speaker 1: I guess like when I first started writing this album,

1574
01:24:54,439 --> 01:24:55,760
Speaker 1: I told myself, I was like, it's going to be

1575
01:24:55,800 --> 01:24:59,120
Speaker 1: a ten track album. Was around the time. I'm tired,

1576
01:25:00,000 --> 01:25:01,519
Speaker 1: you know, I don't have as much to say as

1577
01:25:01,560 --> 01:25:03,439
Speaker 1: I used to. Look, I don't need to prove myself

1578
01:25:03,560 --> 01:25:05,760
Speaker 1: or whatever. I'm gonna do a tent track album. And

1579
01:25:05,800 --> 01:25:07,599
Speaker 1: then I sat down to write and I couldn't write anything.

1580
01:25:07,920 --> 01:25:10,560
Speaker 1: I couldn't write a word. Um. And what do you

1581
01:25:10,680 --> 01:25:13,240
Speaker 1: do when you're you sit down and you're like, uh,

1582
01:25:13,640 --> 01:25:15,200
Speaker 1: there's nothing coming out. I mean, I think you have

1583
01:25:15,280 --> 01:25:17,479
Speaker 1: to self reflect and you have to realize, like, you know,

1584
01:25:18,160 --> 01:25:21,720
Speaker 1: to be a writer who writes like autobiographical music, like

1585
01:25:21,880 --> 01:25:23,880
Speaker 1: you need to know yourself because you need to know

1586
01:25:23,960 --> 01:25:26,960
Speaker 1: your protagonist. You know who's talking. You're the narrator. If

1587
01:25:26,960 --> 01:25:29,160
Speaker 1: you don't know the narrator, then it doesn't mean anything.

1588
01:25:29,680 --> 01:25:31,559
Speaker 1: And you know, a lot of this album is about

1589
01:25:32,040 --> 01:25:34,160
Speaker 1: about what helped me write the album, which is I

1590
01:25:34,240 --> 01:25:37,040
Speaker 1: was going through this really prolonged break up, and when

1591
01:25:37,040 --> 01:25:38,640
Speaker 1: I sat down to write the album, I realized how

1592
01:25:38,720 --> 01:25:42,120
Speaker 1: much of myself was like catered to the gaze of

1593
01:25:42,200 --> 01:25:46,880
Speaker 1: my partner, Like, you know, I was someone you know

1594
01:25:47,000 --> 01:25:48,880
Speaker 1: that I wanted to be when he was looking at me,

1595
01:25:49,439 --> 01:25:50,840
Speaker 1: or when he was with me, or when he was

1596
01:25:50,920 --> 01:25:53,400
Speaker 1: judging me or what he wanted. Why not dishonesty with

1597
01:25:53,439 --> 01:25:59,360
Speaker 1: yourself is yourself though, I mean, yeah, I mean as

1598
01:25:59,360 --> 01:26:01,920
Speaker 1: soon as I figured it out, I was like, that's why,

1599
01:26:02,120 --> 01:26:03,840
Speaker 1: you know, So the album helps my kingdom. It has

1600
01:26:03,880 --> 01:26:07,360
Speaker 1: this like Romeo and Juliet theme, this this concept um

1601
01:26:07,439 --> 01:26:10,760
Speaker 1: which you can cover right, But I'm looking at the

1602
01:26:10,800 --> 01:26:12,840
Speaker 1: titles of the songs as well. Oh yeah, they're all

1603
01:26:12,920 --> 01:26:14,800
Speaker 1: it's all. It's all conceptual, you know what I mean,

1604
01:26:14,960 --> 01:26:20,800
Speaker 1: like um, Heaven and Hiding Angel on Fire, Um, Hopeless Strangers,

1605
01:26:21,360 --> 01:26:24,080
Speaker 1: Bad at Love, Wallas could talk, eyes closed like they're

1606
01:26:24,080 --> 01:26:26,240
Speaker 1: all like, you know, supposed to create this scene around

1607
01:26:26,320 --> 01:26:28,519
Speaker 1: what's happening when these two lovers and meeting. But the

1608
01:26:28,560 --> 01:26:30,400
Speaker 1: reason I was so obsessed with Romeo and juliett was

1609
01:26:30,439 --> 01:26:33,280
Speaker 1: because I really felt like I killed off a version

1610
01:26:33,320 --> 01:26:35,960
Speaker 1: of myself by being with this. Yeah, and I can

1611
01:26:36,320 --> 01:26:38,599
Speaker 1: talk about it to Okay, okay, hear me out Halsey.

1612
01:26:38,720 --> 01:26:41,080
Speaker 1: So someone's listening. We're all listening to this. Maybe I'm

1613
01:26:41,120 --> 01:26:43,320
Speaker 1: not a musician. Maybe I don't write down my thoughts.

1614
01:26:44,040 --> 01:26:47,720
Speaker 1: How can I find out if I'm How can I

1615
01:26:47,800 --> 01:26:50,200
Speaker 1: figure out that I'm being myself an honest in any

1616
01:26:50,240 --> 01:26:53,559
Speaker 1: relationship I'm having. I mean, if I can't write it album,

1617
01:26:53,680 --> 01:26:55,439
Speaker 1: I need, I need, I need to be able to

1618
01:26:55,520 --> 01:26:58,559
Speaker 1: do this. This is a great exercise for everyone. Are

1619
01:26:58,640 --> 01:27:01,800
Speaker 1: you really being you? Like? What facadey are you putting

1620
01:27:01,840 --> 01:27:03,560
Speaker 1: on when you're with your boyfriend or your girlfriend, or

1621
01:27:03,560 --> 01:27:06,040
Speaker 1: your wife or your husband, Not even intentionally. It's not

1622
01:27:06,120 --> 01:27:08,360
Speaker 1: even about like faking who you are. Sometimes you spend

1623
01:27:08,439 --> 01:27:10,600
Speaker 1: so much time with someone that like you kind of

1624
01:27:10,680 --> 01:27:14,640
Speaker 1: adapt and you compromise about Yeah, but you get to

1625
01:27:14,720 --> 01:27:16,640
Speaker 1: a point, you know, where it becomes toxic. But I

1626
01:27:16,680 --> 01:27:19,360
Speaker 1: think that the biggest piece of advice that I could

1627
01:27:19,360 --> 01:27:21,640
Speaker 1: give to someone, And obviously I know everything about love

1628
01:27:21,640 --> 01:27:26,880
Speaker 1: because I'm a twenty two year old girl. Yeah exactly so.

1629
01:27:27,360 --> 01:27:29,600
Speaker 1: But but if I can give advice, just you know,

1630
01:27:29,800 --> 01:27:31,840
Speaker 1: to anyone who maybe was in my position, it's like

1631
01:27:32,160 --> 01:27:34,600
Speaker 1: spend time alone. That was my big thing was I

1632
01:27:34,720 --> 01:27:37,240
Speaker 1: was never apart from him. Well, I mean I was

1633
01:27:37,320 --> 01:27:39,160
Speaker 1: on tour all the time, so I was apart from him.

1634
01:27:39,160 --> 01:27:41,880
Speaker 1: But when I you know, I was never apart from someone.

1635
01:27:42,200 --> 01:27:45,919
Speaker 1: There was always someone around me. Um from a professional standpoint,

1636
01:27:45,960 --> 01:27:48,519
Speaker 1: where there was like my assistant, my manager, like whoever,

1637
01:27:48,600 --> 01:27:50,479
Speaker 1: and then from my personal life, you know where it

1638
01:27:50,560 --> 01:27:53,960
Speaker 1: was it was my boyfriend. And and when we broke up,

1639
01:27:54,280 --> 01:27:57,000
Speaker 1: I realized how terrible I was spending time by myself.

1640
01:27:58,000 --> 01:28:00,120
Speaker 1: And I realized that if I spent more time by

1641
01:28:00,240 --> 01:28:03,320
Speaker 1: myself and spend more time kind of nurturing my relationship

1642
01:28:03,439 --> 01:28:06,920
Speaker 1: with myself, I probably wouldn't have lost myself along the

1643
01:28:07,000 --> 01:28:08,280
Speaker 1: way of being with him because I was paying more

1644
01:28:08,320 --> 01:28:10,960
Speaker 1: attention to him than me. And like, obviously there's a compromise,

1645
01:28:11,000 --> 01:28:15,040
Speaker 1: but like you can't you can't know someone else, and

1646
01:28:15,120 --> 01:28:18,360
Speaker 1: you can't learn how someone else affects you, and you

1647
01:28:18,439 --> 01:28:20,960
Speaker 1: know the context of a relationship. If you don't know you,

1648
01:28:21,520 --> 01:28:23,400
Speaker 1: you know what I mean, because then you know fifty

1649
01:28:23,439 --> 01:28:24,960
Speaker 1: percent of it, but you know the wrong fifty percent.

1650
01:28:25,040 --> 01:28:27,000
Speaker 1: You know him, you know everything about him all the time,

1651
01:28:27,439 --> 01:28:28,680
Speaker 1: but like you need to you need to get to

1652
01:28:28,720 --> 01:28:30,280
Speaker 1: know you. Because when that when I had that breakup.

1653
01:28:30,600 --> 01:28:32,600
Speaker 1: I was spending time by myself, and like I was

1654
01:28:32,600 --> 01:28:35,760
Speaker 1: sitting in the house thinking like, oh, well I could

1655
01:28:35,800 --> 01:28:38,000
Speaker 1: really I could really eat some dinner, but like I

1656
01:28:38,080 --> 01:28:39,680
Speaker 1: had no one to go out and get dinner with,

1657
01:28:39,800 --> 01:28:41,479
Speaker 1: so I just wouldn't eat, you know what I mean?

1658
01:28:41,640 --> 01:28:43,760
Speaker 1: Or like, um, you know, I would wake up in

1659
01:28:43,800 --> 01:28:45,479
Speaker 1: the morning and like stare at my closet and be

1660
01:28:45,560 --> 01:28:48,840
Speaker 1: like what do I wear? You know, without him sitting

1661
01:28:48,880 --> 01:28:50,000
Speaker 1: on the edge of my bed and being like, so,

1662
01:28:50,040 --> 01:28:51,320
Speaker 1: what are you gonna wear? That? I know? But then

1663
01:28:51,320 --> 01:28:54,040
Speaker 1: you learned that you are with you. You can make

1664
01:28:54,120 --> 01:28:56,720
Speaker 1: yourself a dinner, you can choose your own outfit. There's

1665
01:28:56,760 --> 01:28:59,080
Speaker 1: nothing better than in Taking care of yourself is the

1666
01:28:59,120 --> 01:29:00,760
Speaker 1: best thing to do. And it's not always in the

1667
01:29:00,840 --> 01:29:02,880
Speaker 1: form of exercise or eating well. Taking care of yourself

1668
01:29:02,960 --> 01:29:06,080
Speaker 1: is make yourself a great dinner, turn on TV, put

1669
01:29:06,160 --> 01:29:08,240
Speaker 1: a fine the fireplace, drink a glass of wine. That's

1670
01:29:08,320 --> 01:29:10,160
Speaker 1: taking care of yourself because you're spending time with you.

1671
01:29:10,479 --> 01:29:12,559
Speaker 1: You know what. This is what we learned from things

1672
01:29:12,640 --> 01:29:14,840
Speaker 1: like this, and it's all part of growing up. You know,

1673
01:29:15,920 --> 01:29:18,400
Speaker 1: we never fully grow up, do we, I hope not.

1674
01:29:18,600 --> 01:29:20,920
Speaker 1: I think it's alert it's definitely a learning process. But

1675
01:29:21,000 --> 01:29:22,720
Speaker 1: that's probably the best piece of advice I could give

1676
01:29:22,720 --> 01:29:25,680
Speaker 1: any human being. It's just like know yourself. Let's talk

1677
01:29:25,720 --> 01:29:29,800
Speaker 1: about Halsey's Hopeless Fountain Kingdom World Tour Installment one, kicking

1678
01:29:29,840 --> 01:29:33,120
Speaker 1: off in beautiful Mohican Son Not there, and then you

1679
01:29:33,280 --> 01:29:36,960
Speaker 1: are all over the planet. Girl. Congratulations. Make sure you

1680
01:29:37,240 --> 01:29:40,639
Speaker 1: go online find out when Halsey's coming to your town

1681
01:29:40,720 --> 01:29:44,280
Speaker 1: so you will be part of this incredible experience. And uh,

1682
01:29:44,400 --> 01:29:46,160
Speaker 1: I thank you so much for coming up here today.

1683
01:29:47,439 --> 01:29:50,240
Speaker 1: You guys are kicking me out, already kicking up you

1684
01:29:50,320 --> 01:29:52,040
Speaker 1: know what. We're doing it for you. I didn't even

1685
01:29:52,080 --> 01:29:54,439
Speaker 1: get that drink, you know. Okay, well we do have

1686
01:29:54,600 --> 01:29:58,880
Speaker 1: cocktails backstage. No, seriously, thank you for not only for

1687
01:29:58,920 --> 01:30:01,439
Speaker 1: an incredible perform but just coming in and talking to us.

1688
01:30:01,560 --> 01:30:05,160
Speaker 1: Of course, you guys are the best pleasure. Halsey Eyes

1689
01:30:05,240 --> 01:30:08,679
Speaker 1: Closed is out now. Her second studio album, Hopeless Fountain Kingdom,

1690
01:30:08,680 --> 01:30:15,280
Speaker 1: available for pre order as we speak. Called yea zero

1691
01:30:17,200 --> 01:30:22,880
Speaker 1: good a sparkling lemonade with real lemon juice and a

1692
01:30:22,960 --> 01:30:26,439
Speaker 1: touch of sweetness. Lemon lemon is real lemon goodness in

1693
01:30:26,520 --> 01:30:30,280
Speaker 1: every sip, no artificial flavors. And no artificial sweeteners. Grab

1694
01:30:30,360 --> 01:30:33,360
Speaker 1: a lemon. Lemon today in original BlackBerry and peach flavors.

1695
01:30:39,720 --> 01:30:42,719
Speaker 1: We have Uncle Johnny here, Uncle Johnny, you're single to Mario.

1696
01:30:42,800 --> 01:30:46,840
Speaker 1: Cocktail was fabulous, Thank you very much. Everybody drank out everything.

1697
01:30:46,880 --> 01:30:52,559
Speaker 1: I didn't have any nooks like an old room temperature

1698
01:30:52,600 --> 01:30:57,559
Speaker 1: cocktail feeling. Let's get into sound where Garrett Garrett is here,

1699
01:30:58,000 --> 01:30:59,840
Speaker 1: I should go around. Let's go around the room. First

1700
01:31:00,360 --> 01:31:02,559
Speaker 1: round the room and then Garrett's sound is standing by

1701
01:31:02,640 --> 01:31:05,320
Speaker 1: Froggy and beautiful South Florida. What's on your mind as

1702
01:31:05,360 --> 01:31:08,120
Speaker 1: we kick off the weekend? Alvis Duran? Last night, you know,

1703
01:31:08,280 --> 01:31:10,519
Speaker 1: sometimes you just decide you don't really want dinner, you

1704
01:31:10,680 --> 01:31:14,280
Speaker 1: just want dessert. Are so last night I had no dinner.

1705
01:31:14,320 --> 01:31:17,200
Speaker 1: I skipped the dinner portion and just went to cold

1706
01:31:17,240 --> 01:31:20,639
Speaker 1: Stone And that was the night you had ice cream

1707
01:31:20,680 --> 01:31:22,720
Speaker 1: for dinner. Yeah? It's so good, right, and it just

1708
01:31:22,800 --> 01:31:25,960
Speaker 1: makes you feel happy? My birthday cake Renix giant size.

1709
01:31:27,840 --> 01:31:29,800
Speaker 1: Sign me up do it every night? If I could.

1710
01:31:29,920 --> 01:31:35,000
Speaker 1: Tonight after dinner for dessert, I'm a spaghetti. What's up

1711
01:31:35,040 --> 01:31:37,040
Speaker 1: with you today, Danielle? So I have an ice cream?

1712
01:31:37,080 --> 01:31:40,479
Speaker 1: Why is it always food with us? So? I have

1713
01:31:40,520 --> 01:31:42,599
Speaker 1: an ice cream cone in the fridge right now. It's

1714
01:31:42,640 --> 01:31:45,680
Speaker 1: a you know those King cones, old school with the

1715
01:31:45,760 --> 01:31:48,720
Speaker 1: peanuts on the top. So I went to the convenience

1716
01:31:48,720 --> 01:31:50,519
Speaker 1: store and I bought it and it's in the fridge,

1717
01:31:50,720 --> 01:31:52,960
Speaker 1: and every night I've been opening up the fridge. I'm

1718
01:31:53,000 --> 01:31:55,360
Speaker 1: looking at it but not eating again because I feel

1719
01:31:55,400 --> 01:31:58,320
Speaker 1: like I'm saving it for a special occasion because it's

1720
01:31:58,360 --> 01:32:00,960
Speaker 1: like a one of a kind old school What would

1721
01:32:01,000 --> 01:32:02,880
Speaker 1: that special occasion be that would allow you to eat

1722
01:32:02,880 --> 01:32:04,600
Speaker 1: your eyes creeper? I don't know, but I feel like

1723
01:32:04,680 --> 01:32:06,840
Speaker 1: once I eat it, it's gone and I have to

1724
01:32:06,880 --> 01:32:08,800
Speaker 1: go get another one. So I'm like, I'm waiting. I'm

1725
01:32:08,840 --> 01:32:10,640
Speaker 1: waiting for the perfect moment to have it. I'm so

1726
01:32:10,800 --> 01:32:14,479
Speaker 1: excited about it, though, but you'll know when to try. Hey,

1727
01:32:14,520 --> 01:32:19,040
Speaker 1: what's up, Bethany. Listen to your body because it knows

1728
01:32:19,240 --> 01:32:23,599
Speaker 1: what's right. I just started. I've been trying to really

1729
01:32:23,640 --> 01:32:26,160
Speaker 1: be good about working out, and my body is telling

1730
01:32:26,200 --> 01:32:29,120
Speaker 1: me to slow down. And for a while, I was like,

1731
01:32:29,160 --> 01:32:30,400
Speaker 1: you know what, I'm just gonna push through it. I'm

1732
01:32:30,400 --> 01:32:32,920
Speaker 1: gonna push through it. And I almost really hurt myself.

1733
01:32:33,080 --> 01:32:36,120
Speaker 1: And so if your body is saying, hey, take it slower,

1734
01:32:37,000 --> 01:32:40,679
Speaker 1: listen to it, and also like, if you're exhausted sleep.

1735
01:32:41,040 --> 01:32:42,760
Speaker 1: I know that it's easier said than done, but there

1736
01:32:42,800 --> 01:32:45,479
Speaker 1: are things that you can cancel that. It's not the

1737
01:32:45,600 --> 01:32:47,479
Speaker 1: end of the world. If you choose yourself first, you

1738
01:32:47,600 --> 01:32:50,439
Speaker 1: don't cancel sleep. No, just go ahead sleep. Listen to

1739
01:32:50,479 --> 01:32:53,160
Speaker 1: your body. We're hearing dead air right now, Froggy, what

1740
01:32:53,200 --> 01:32:56,920
Speaker 1: are you doing down there? Froggy, He's gone. He's fixing.

1741
01:32:56,960 --> 01:33:00,479
Speaker 1: He's fixing the dead air. Alright, let's get into sound

1742
01:33:00,520 --> 01:33:02,760
Speaker 1: with Garrett, and we have a special singer of the

1743
01:33:02,800 --> 01:33:04,960
Speaker 1: Mayo jokes with Uncle Johnny on the way. We'll start

1744
01:33:04,960 --> 01:33:07,560
Speaker 1: with you, Garrett. What's going on? Yes? All right, So

1745
01:33:07,680 --> 01:33:09,880
Speaker 1: this video is up at Elvis rand dot com. I'm

1746
01:33:09,880 --> 01:33:11,960
Speaker 1: gonna give Daniel a little bit of warning. She might

1747
01:33:12,080 --> 01:33:14,600
Speaker 1: gag a little bit. But a couple up on the

1748
01:33:14,680 --> 01:33:17,960
Speaker 1: altar saying their vows, the bride was saying her part

1749
01:33:18,000 --> 01:33:21,840
Speaker 1: of the vows to her husband. The person overseeing the wedding,

1750
01:33:21,960 --> 01:33:27,320
Speaker 1: the minister officiant pukes, pus, she pukes, she does. Well,

1751
01:33:27,400 --> 01:33:29,519
Speaker 1: let's listen to that. Do we want to hear this

1752
01:33:29,640 --> 01:33:31,719
Speaker 1: and empower you to do the things that you dream.

1753
01:33:32,800 --> 01:33:36,000
Speaker 1: I promised to be your biggest advocate and your best friend.

1754
01:33:37,080 --> 01:33:39,480
Speaker 1: I commit to sharing with you in seasons of attendus

1755
01:33:41,520 --> 01:33:49,600
Speaker 1: and I gave you fair warning. Oh my god, that

1756
01:33:49,800 --> 01:33:57,240
Speaker 1: was Kentucky Derby Entucky Derby weekend. All right, so let's

1757
01:33:57,280 --> 01:34:00,680
Speaker 1: revisit some of our favorite horse races, because some of

1758
01:34:00,760 --> 01:34:03,519
Speaker 1: the horses have these great names, like this one right here,

1759
01:34:03,640 --> 01:34:06,160
Speaker 1: My wife knows everything and the wife doesn't know. Are

1760
01:34:06,240 --> 01:34:09,000
Speaker 1: moving together on the fire turn and they're coming after

1761
01:34:09,040 --> 01:34:12,280
Speaker 1: a Lady Mutada coming to the quarter pole. Lady Mutada

1762
01:34:12,439 --> 01:34:15,600
Speaker 1: in front here come. My wife knows everything, and the

1763
01:34:15,720 --> 01:34:18,799
Speaker 1: wife doesn't know. On the far outside into the final

1764
01:34:18,920 --> 01:34:22,240
Speaker 1: for long. My wife knows everything. The wife doesn't know.

1765
01:34:22,439 --> 01:34:25,000
Speaker 1: They're one too, of course they are. My wife knows

1766
01:34:25,080 --> 01:34:27,560
Speaker 1: everything in front to the outside. The wife doesn't know.

1767
01:34:28,040 --> 01:34:31,719
Speaker 1: My wife knows everything. The wife doesn't know. My wife

1768
01:34:31,800 --> 01:34:37,679
Speaker 1: knows everything more than the wife doesn't know. Froggy talking

1769
01:34:37,720 --> 01:34:40,080
Speaker 1: to himself. Yes, let's go to this horse race from

1770
01:34:40,120 --> 01:34:43,160
Speaker 1: Jimmy Kimmel. He played and it is Sharlea and Harass.

1771
01:34:43,360 --> 01:34:45,760
Speaker 1: Out of the gate quickly, Sharivan will take the lead.

1772
01:34:45,800 --> 01:34:49,040
Speaker 1: Harass we'll sit back running in second Mark John, the leaders,

1773
01:34:49,040 --> 01:34:52,400
Speaker 1: Shanni Wa running in second, harass right behind them in third,

1774
01:34:52,760 --> 01:34:55,840
Speaker 1: and now Julian Laperou gets harass going on the arm

1775
01:34:55,920 --> 01:35:00,200
Speaker 1: side and one front harass on the outside is to

1776
01:35:00,280 --> 01:35:03,240
Speaker 1: close the gap, temperature is down toward the rail. Loucks

1777
01:35:03,360 --> 01:35:06,080
Speaker 1: is there. And on the far outside season ticket it

1778
01:35:06,280 --> 01:35:10,320
Speaker 1: is Charlotte Wan front. Here comes harass and Peason ticket

1779
01:35:10,560 --> 01:35:14,559
Speaker 1: on the far outside, and season ticket goes by harass

1780
01:35:14,720 --> 01:35:18,000
Speaker 1: late to wear, And who can forget our favorite one

1781
01:35:18,040 --> 01:35:21,160
Speaker 1: of them all? Who farted on the extreme oat side?

1782
01:35:21,200 --> 01:35:29,160
Speaker 1: It's hoof hearted hearted? Who are hearted? It's not who farted?

1783
01:35:29,280 --> 01:35:34,680
Speaker 1: It's like whof hearted? Who farted on the extreme outside?

1784
01:35:35,080 --> 01:35:38,360
Speaker 1: Colorado coed toasted? Does it on the inside? Questers? Yet?

1785
01:35:38,520 --> 01:35:42,000
Speaker 1: Who farted farted on the outside of close? Who farted

1786
01:35:42,080 --> 01:35:46,360
Speaker 1: in the winter circle? Look at the floor and I

1787
01:35:46,439 --> 01:35:48,840
Speaker 1: am not. Of course they do. It's fabulous and that's

1788
01:35:48,920 --> 01:35:54,360
Speaker 1: fun to it. You're a great Americans. I've been sleeping

1789
01:35:54,400 --> 01:36:01,599
Speaker 1: with my hand down my pants to top four Dan

1790
01:36:01,880 --> 01:36:05,360
Speaker 1: in the Morning Show. Sherry's berries. Yeah, yeah, yeah, I

1791
01:36:05,560 --> 01:36:07,200
Speaker 1: wish I had one. Now I'm not even a mother,

1792
01:36:07,520 --> 01:36:10,080
Speaker 1: but please pretend I'm your mother and send me Sherry's

1793
01:36:10,120 --> 01:36:12,720
Speaker 1: Berries for Mother's Day. Mother's Day is a week and

1794
01:36:12,800 --> 01:36:14,519
Speaker 1: two days away, and you have plenty of time to

1795
01:36:14,560 --> 01:36:17,680
Speaker 1: get onto berries dot com B E R R I

1796
01:36:17,800 --> 01:36:21,280
Speaker 1: E S dot com, click on that microphone and type

1797
01:36:21,320 --> 01:36:27,519
Speaker 1: in Elvis. Here's what happens. Beautiful juicy, plump strawberries dipped

1798
01:36:27,560 --> 01:36:32,080
Speaker 1: in this incredible chocolate goodness and also nuts and stuff

1799
01:36:32,120 --> 01:36:35,680
Speaker 1: on top, and they're beautiful chocolate chips. But since you

1800
01:36:35,720 --> 01:36:38,000
Speaker 1: click the microphone at berries dot com and typed in Elvis,

1801
01:36:38,200 --> 01:36:42,000
Speaker 1: for just nine plus shipping, they're on the way. Your

1802
01:36:42,000 --> 01:36:45,080
Speaker 1: mom's gonna love him. And for ten dollars more, we'll

1803
01:36:45,200 --> 01:36:48,160
Speaker 1: double the berries and we'll give your mom some free

1804
01:36:48,280 --> 01:36:52,000
Speaker 1: cake truffles. Hello, why would you not do this today?

1805
01:36:52,040 --> 01:36:54,799
Speaker 1: Get it over with, I mean, get it done, plan ahead.

1806
01:36:55,600 --> 01:36:58,640
Speaker 1: Sherry's Berries guarantees these will arrive fresh and delicious or

1807
01:36:58,640 --> 01:37:00,920
Speaker 1: your money back. They always do that. Your mother will

1808
01:37:01,000 --> 01:37:03,680
Speaker 1: love these gourmet dip strawberries and these cake truffles, and

1809
01:37:03,680 --> 01:37:05,599
Speaker 1: we're gonna double the berries for just ten dollars more.

1810
01:37:05,840 --> 01:37:08,760
Speaker 1: Go to berries dot com, click on the microphone and

1811
01:37:08,920 --> 01:37:14,280
Speaker 1: type in. This is Elvis Durrand in the Morning Show.

1812
01:37:16,200 --> 01:37:18,240
Speaker 1: All right, we have no idea. What's gonna are you? Okay?

1813
01:37:19,080 --> 01:37:24,479
Speaker 1: What are you doing? Danielle? Did that? Another two SIPs?

1814
01:37:24,520 --> 01:37:27,559
Speaker 1: Your moron? Okay, So what did you say? I said,

1815
01:37:27,760 --> 01:37:30,120
Speaker 1: I'm I'm anticipating what's about to come out of Uncle

1816
01:37:30,240 --> 01:37:33,240
Speaker 1: Johnny's mouth, and I'm trying to crack of Okay, here

1817
01:37:33,280 --> 01:37:37,400
Speaker 1: we go, because he just rehearsed and I didn't hear rehearsal.

1818
01:37:37,479 --> 01:37:40,200
Speaker 1: I don't know what's gonna happen. Well, hold on, you

1819
01:37:40,280 --> 01:37:43,320
Speaker 1: heard Uncle Johnny's joke rehearsal. I'm trying to figure it out.

1820
01:37:43,400 --> 01:37:46,000
Speaker 1: Should we not do it? We should do it? Beauty,

1821
01:37:46,080 --> 01:37:48,200
Speaker 1: Uncle Johnny. The beauty of your joke telling is that

1822
01:37:48,360 --> 01:37:52,240
Speaker 1: we don't always know what's going to happen. Okay, exactly,

1823
01:37:52,640 --> 01:37:55,720
Speaker 1: You're a loose cannon. You're like Jim Carrey. Al Right,

1824
01:37:55,840 --> 01:37:57,560
Speaker 1: here me Carrey of the Morning Show. So we have

1825
01:37:57,640 --> 01:38:00,400
Speaker 1: two things to celebrate, single to Mayo in the next

1826
01:38:00,439 --> 01:38:02,800
Speaker 1: week his Mother's Day. So you're here since since this

1827
01:38:02,920 --> 01:38:05,280
Speaker 1: is the last time we're gonna see you. Yes, I'll

1828
01:38:05,280 --> 01:38:07,360
Speaker 1: be going out to Fire Island. We're gonna see you

1829
01:38:07,400 --> 01:38:10,559
Speaker 1: until Midsummer. So I'll be at Cherry's Friday Sadday Sunday

1830
01:38:10,600 --> 01:38:13,519
Speaker 1: and Monday. Come and see me. Everybody out there and

1831
01:38:13,680 --> 01:38:22,639
Speaker 1: have a cocktail. That's right, yeah, uncle Johnny, Okay, okay,

1832
01:38:22,680 --> 01:38:24,679
Speaker 1: here we go. Singer to Mario, jokes to Mao jokes?

1833
01:38:25,040 --> 01:38:28,280
Speaker 1: Why do Why did I throw you off the clip

1834
01:38:28,360 --> 01:38:31,679
Speaker 1: on Sinco de Mayo? Why did you throw me off

1835
01:38:31,760 --> 01:38:36,880
Speaker 1: the cliff on Sinco de Mayo? Tequila to kill you? Okay?

1836
01:38:38,040 --> 01:38:41,400
Speaker 1: You alright, alright, yeah, that's not bad, all right, all right.

1837
01:38:42,920 --> 01:38:47,400
Speaker 1: Why couldn't Elvis celebrate Sinco de Mayo? Why couldn't Elvis

1838
01:38:47,560 --> 01:38:52,160
Speaker 1: celebrate single Mao? Because he was still drunk from dose trays?

1839
01:38:52,400 --> 01:38:58,879
Speaker 1: Contro to Mayo? What dose? Phrays? One to three? Quatro

1840
01:38:59,160 --> 01:39:04,960
Speaker 1: quatro from the first second and third before? Alright, second?

1841
01:39:05,720 --> 01:39:08,840
Speaker 1: Why doing well? Why do you get? What do you

1842
01:39:09,000 --> 01:39:12,840
Speaker 1: get when you cross Speedy Gonzalez with a country singer?

1843
01:39:13,439 --> 01:39:17,320
Speaker 1: What do you get when you crossed with the country

1844
01:39:17,520 --> 01:39:26,680
Speaker 1: singer A Reba McIntyre. Rubba McIntyre was right, Johnny, you look,

1845
01:39:27,040 --> 01:39:28,600
Speaker 1: it was so silent. I didn't know what to do.

1846
01:39:28,760 --> 01:39:30,639
Speaker 1: I don't know, Okay, So let's move on to mother's days.

1847
01:39:30,880 --> 01:39:33,760
Speaker 1: Mother's day is better, Okay. What do you call a

1848
01:39:33,960 --> 01:39:37,200
Speaker 1: mother who can't draw. What do you call a mother

1849
01:39:37,280 --> 01:39:44,519
Speaker 1: who can't draw? Tracy? Alright, this is that kids, good

1850
01:39:45,560 --> 01:39:50,280
Speaker 1: Mother's Day joke. Why do dads have dried mouths on

1851
01:39:50,479 --> 01:39:55,439
Speaker 1: Mother's Day? Why dads have dry mouths on Mother's Day?

1852
01:39:55,800 --> 01:39:58,240
Speaker 1: Because it's the one day of the year when mom

1853
01:39:58,400 --> 01:40:09,120
Speaker 1: comes first. Oh my gosh, happy by this day? Alright,

1854
01:40:09,200 --> 01:40:23,920
Speaker 1: Uncle Johnny, I'm sorry, I'm sorry I missed rehearsal I'm

1855
01:40:23,960 --> 01:40:28,479
Speaker 1: glad you made it. Thank you, Uncle john Is there

1856
01:40:28,479 --> 01:40:30,160
Speaker 1: anything I need? Do I need to make some class

1857
01:40:30,160 --> 01:40:32,280
Speaker 1: announcements or anything? Here? Straight, Nate, what are you doing

1858
01:40:32,320 --> 01:40:35,160
Speaker 1: on the floor? You're very low over, Come back up,

1859
01:40:35,320 --> 01:40:37,040
Speaker 1: get off? Why did you fall on the floor down there?

1860
01:40:37,120 --> 01:40:39,439
Speaker 1: That I believe Uncle Johnny's second joke could put me?

1861
01:40:39,720 --> 01:40:45,120
Speaker 1: Put me here because your stool? Is it sinking like

1862
01:40:45,200 --> 01:40:50,560
Speaker 1: our ratings? You have bad stool. Let's let's move on.

1863
01:40:50,640 --> 01:40:53,479
Speaker 1: Let's move on. Let's move on. Uh should we take

1864
01:40:53,520 --> 01:40:59,000
Speaker 1: a break. We could do trending? What's trending? Yes, it's

1865
01:40:59,000 --> 01:41:04,200
Speaker 1: all up to you now, Bethany, I got this. What's trending? Alright?

1866
01:41:04,280 --> 01:41:06,439
Speaker 1: So Sinca Demyo is a great reminder of all of

1867
01:41:06,479 --> 01:41:09,719
Speaker 1: the beautiful artwork and products that come from Mexican artisans.

1868
01:41:09,960 --> 01:41:12,920
Speaker 1: So if you're looking for authentic Mexican arts, check out

1869
01:41:13,160 --> 01:41:18,599
Speaker 1: Zinnia Folk Arts. They sell home decor, clothing, jewelry, Christmas decorations, tons, more.

1870
01:41:19,080 --> 01:41:21,639
Speaker 1: Everything they sell is handmade in Mexico and it's sold

1871
01:41:21,760 --> 01:41:25,600
Speaker 1: from the artisans directly to Zinnia. Plus, if you're in Minneapolis,

1872
01:41:25,680 --> 01:41:27,880
Speaker 1: they have actually a brick and mortar store, so check

1873
01:41:27,960 --> 01:41:31,000
Speaker 1: them out. Go to Elvis Duran dot com keyword trending

1874
01:41:31,080 --> 01:41:33,280
Speaker 1: and I will link you over. And then, of course,

1875
01:41:33,400 --> 01:41:36,320
Speaker 1: Sinco de Mayo commemorates when the Mexican army one an

1876
01:41:36,400 --> 01:41:39,120
Speaker 1: unlikely victory over the French during the Battle of Puebla.

1877
01:41:39,360 --> 01:41:42,280
Speaker 1: But I couldn't find any Battle of Puebla socks, so

1878
01:41:42,520 --> 01:41:47,760
Speaker 1: I found adorable avocado socks. Is said because guacamole is

1879
01:41:47,840 --> 01:41:50,800
Speaker 1: delicious and we eat it. Zinco de Mayo, So here

1880
01:41:50,880 --> 01:41:53,960
Speaker 1: are avocado socks from the Sock Drawer, which is a

1881
01:41:54,000 --> 01:41:58,080
Speaker 1: great website. They have tons of design star wars, unicorns, trolls, avocados.

1882
01:41:58,360 --> 01:42:00,560
Speaker 1: But if they do come out with a bottle of

1883
01:42:00,640 --> 01:42:03,479
Speaker 1: pueblost sock, I will absolutely let you know because that

1884
01:42:03,600 --> 01:42:05,040
Speaker 1: is a sock that I would wear all right, well,

1885
01:42:05,120 --> 01:42:08,280
Speaker 1: thank you, Elvis Durand dot Com keyword trending excellent. So

1886
01:42:08,720 --> 01:42:12,960
Speaker 1: the phone tap of the day on the way something shiny.

1887
01:42:16,160 --> 01:42:19,439
Speaker 1: Elvis Duran in the Morning show, Fox News has the

1888
01:42:19,640 --> 01:42:23,280
Speaker 1: story every weeknight at seven. In these complicated times, you

1889
01:42:23,439 --> 01:42:25,879
Speaker 1: deserve to see the stories that matter to you, presented

1890
01:42:25,920 --> 01:42:29,519
Speaker 1: through a fair and critical lens. Martha McCallum goes deeper

1891
01:42:29,600 --> 01:42:32,880
Speaker 1: than ever before with unique reporting and guests. The story

1892
01:42:33,080 --> 01:42:38,360
Speaker 1: tonight at seven pm only on Fox News Channel Elvis,

1893
01:42:38,400 --> 01:42:41,559
Speaker 1: Elvis Duran, The Elvis Durand phone tap, All right, scary?

1894
01:42:41,600 --> 01:42:44,200
Speaker 1: What's your phone tap all about? Today? Carissa wants a

1895
01:42:44,240 --> 01:42:47,040
Speaker 1: phone tap her mom, Maria. Maria made plans with a

1896
01:42:47,120 --> 01:42:50,760
Speaker 1: banquet hall to have her youngest daughter, Marrabel's Keen sanerat

1897
01:42:50,760 --> 01:42:53,360
Speaker 1: the fifteen year old birthday, and her older daughter Carissa,

1898
01:42:53,360 --> 01:42:55,120
Speaker 1: thought it would be funny if somehow the plans got

1899
01:42:55,240 --> 01:42:57,880
Speaker 1: messed up. So Carissa starts to call to her mom,

1900
01:42:58,040 --> 01:43:01,160
Speaker 1: and then I come in pretending to be a replacement

1901
01:43:01,640 --> 01:43:04,960
Speaker 1: banquet hall manager. You're gonna screw with their party plans?

1902
01:43:05,120 --> 01:43:08,519
Speaker 1: Just a little not good? All right? Perfect, here come

1903
01:43:08,600 --> 01:43:16,280
Speaker 1: scary with today's Hello mad Yes, we have a problem.

1904
01:43:17,040 --> 01:43:20,200
Speaker 1: What happened? Um? I was calling to check on the

1905
01:43:20,280 --> 01:43:22,479
Speaker 1: catering company because they wanted to add a dessert and

1906
01:43:22,560 --> 01:43:24,760
Speaker 1: they said that they can. They fired Julio and that

1907
01:43:24,880 --> 01:43:27,920
Speaker 1: they're they're changing all the menu. What do you mean

1908
01:43:28,000 --> 01:43:29,880
Speaker 1: to change the whole menu the kids? And that is

1909
01:43:29,920 --> 01:43:32,000
Speaker 1: on Saturday? What do you mean we're paying for this.

1910
01:43:32,320 --> 01:43:36,600
Speaker 1: I'm on the other line with him, so I'm going

1911
01:43:36,640 --> 01:43:39,200
Speaker 1: to patch him through. Okay, Okay, Oh my goodness, this

1912
01:43:39,320 --> 01:43:43,960
Speaker 1: is the last thing I need. Yes, this is christ

1913
01:43:44,000 --> 01:43:48,519
Speaker 1: from here. You can help you, Lassan, No, I don't

1914
01:43:48,640 --> 01:43:51,360
Speaker 1: in Italian. What's happened with Julio? Where is he? Oh?

1915
01:43:51,840 --> 01:43:54,040
Speaker 1: We had to send him away? Do you mean him

1916
01:43:54,080 --> 01:43:56,880
Speaker 1: my way? He did bad things? Okay, listen, I was

1917
01:43:56,960 --> 01:43:59,559
Speaker 1: feeling with Julio for for more than two weeks. I mean,

1918
01:43:59,640 --> 01:44:03,240
Speaker 1: what's the problem right now? To your daughter off here

1919
01:44:03,400 --> 01:44:06,439
Speaker 1: and she's talking about some Spanish food, but certain dishes

1920
01:44:06,479 --> 01:44:09,640
Speaker 1: aren't matching up. So I guess I'm up. You have

1921
01:44:09,720 --> 01:44:13,120
Speaker 1: other Latin people working there, that's what I choose. Your catering.

1922
01:44:13,400 --> 01:44:16,920
Speaker 1: So you ordered Chimmy chonggas right, No, I did not

1923
01:44:17,040 --> 01:44:23,120
Speaker 1: order Chimni chengas. I ordered panadas. Order. It's not least

1924
01:44:23,280 --> 01:44:26,120
Speaker 1: a Rican food. That's a problem right there, Yes, I

1925
01:44:26,200 --> 01:44:29,160
Speaker 1: mean it's a problem. I got some case of these. Why,

1926
01:44:29,320 --> 01:44:31,719
Speaker 1: I don't know what. I doesn't know what I ordered? Okay,

1927
01:44:31,760 --> 01:44:35,599
Speaker 1: I got carnitas, faquitas, gorditas. What else did you want? Listen,

1928
01:44:35,800 --> 01:44:38,599
Speaker 1: you don't understand it's not a Mexican menu. I pay

1929
01:44:38,680 --> 01:44:41,160
Speaker 1: for these three weeks ago. What this one with you?

1930
01:44:41,400 --> 01:44:45,760
Speaker 1: You wanted Spanish fleas, right? I want for a Rican food.

1931
01:44:46,000 --> 01:44:49,040
Speaker 1: I have barber Coola for you. I don't want barbacoa.

1932
01:44:49,439 --> 01:44:52,120
Speaker 1: Not only Spanish food is Mexican for some of the foods.

1933
01:44:56,360 --> 01:44:58,080
Speaker 1: Hold on, hold on, my tiny brain can't handle all this.

1934
01:44:58,439 --> 01:45:04,320
Speaker 1: You know what coul and dulus? What was that a dish? Tomorrow?

1935
01:45:04,439 --> 01:45:06,439
Speaker 1: You don't know even the difference between a costboard and

1936
01:45:06,479 --> 01:45:08,760
Speaker 1: a vision the Spanish. I have nice orders for you.

1937
01:45:09,160 --> 01:45:12,720
Speaker 1: We're serving polio fingers. I don't want your fingers. I'm

1938
01:45:12,760 --> 01:45:17,639
Speaker 1: gonna offer you, chelous how that I don't want. Why

1939
01:45:17,680 --> 01:45:21,040
Speaker 1: not live moss I or them for freaking food? Do

1940
01:45:21,200 --> 01:45:25,840
Speaker 1: you know what a cap is? What exactly how you're

1941
01:45:25,880 --> 01:45:28,120
Speaker 1: going to make this for my daughter's sea? What? You

1942
01:45:28,160 --> 01:45:31,719
Speaker 1: don't know what I'm asking for oh boy, oh boy, nothing,

1943
01:45:32,080 --> 01:45:33,519
Speaker 1: Hold on a second, let me see if I can

1944
01:45:33,560 --> 01:45:40,599
Speaker 1: go get somebody. Are you there? You listen? I don't

1945
01:45:40,640 --> 01:45:53,640
Speaker 1: know what the trump Hello, you're kind of rude. How

1946
01:45:53,680 --> 01:45:56,800
Speaker 1: do a couple of burrito balls ruined your party? I

1947
01:45:56,960 --> 01:46:00,040
Speaker 1: do mourn if you say that one more time, I

1948
01:46:00,160 --> 01:46:02,479
Speaker 1: swarry that I'm going to your place and showing up

1949
01:46:02,479 --> 01:46:05,080
Speaker 1: your all the Mexican food you have there. Don't you

1950
01:46:05,600 --> 01:46:10,120
Speaker 1: to mention another Mexican food because I have ran your rooms.

1951
01:46:11,200 --> 01:46:14,280
Speaker 1: Because this is serious. Look at the ninement we are

1952
01:46:14,400 --> 01:46:17,720
Speaker 1: right now. How the why is she laughing? Why you're

1953
01:46:17,800 --> 01:46:20,960
Speaker 1: laughing at Lissa? You better to hang up because this

1954
01:46:21,120 --> 01:46:23,120
Speaker 1: is not funny. I'm about to cancel this whole party

1955
01:46:23,200 --> 01:46:24,920
Speaker 1: on you and not giving your money back. What if

1956
01:46:24,920 --> 01:46:27,400
Speaker 1: I turn this into a cancel y era? Shut up

1957
01:46:27,439 --> 01:46:30,080
Speaker 1: to morrow. I'm coming into your business right now, and

1958
01:46:30,160 --> 01:46:32,599
Speaker 1: you're giving the money back. I have a contract right here?

1959
01:46:32,720 --> 01:46:37,800
Speaker 1: Does the contract say you've been phone tapped talking about now?

1960
01:46:39,920 --> 01:46:43,240
Speaker 1: I got you so good? Mom? You're talking about Maria.

1961
01:46:43,320 --> 01:46:45,160
Speaker 1: This is scary. Jones to rand in the Morning show

1962
01:46:45,320 --> 01:46:51,840
Speaker 1: and Chriss phone tapping you. Lisa. I'm not still, but

1963
01:46:51,960 --> 01:46:57,680
Speaker 1: I'm laughing. Oh my god, have an idea for a

1964
01:46:57,760 --> 01:46:59,880
Speaker 1: phone to have? Got all this ran dot com Like

1965
01:47:00,000 --> 01:47:01,880
Speaker 1: on the phone, tap tab tell us what you want

1966
01:47:01,880 --> 01:47:05,080
Speaker 1: to do. This is all tablets prerecorded. We permission granted

1967
01:47:05,120 --> 01:47:10,479
Speaker 1: by all participates. Stand phone Tabward on Ellis Strand in

1968
01:47:10,520 --> 01:47:12,960
Speaker 1: the Morning Show. The Mother's Day is a little over

1969
01:47:12,960 --> 01:47:14,719
Speaker 1: a week away. You still have time to go online

1970
01:47:14,760 --> 01:47:16,920
Speaker 1: to pro flowers dot com and get these flowers ordered.

1971
01:47:16,960 --> 01:47:18,400
Speaker 1: You know, if you get it done today, then you

1972
01:47:18,479 --> 01:47:20,320
Speaker 1: have nothing to worry about it, and then they arrive

1973
01:47:20,560 --> 01:47:23,160
Speaker 1: on the day you choose and Mom loves you. Everyone's happy.

1974
01:47:24,520 --> 01:47:26,880
Speaker 1: That's the perfect world. You can actually achieve that with

1975
01:47:26,960 --> 01:47:29,599
Speaker 1: pro flowers dot com. Go on to pro flowers dot

1976
01:47:29,640 --> 01:47:32,080
Speaker 1: com or right now click on that microphone in the

1977
01:47:32,160 --> 01:47:34,240
Speaker 1: upper right hand corner and type in Elvis. Here's what's

1978
01:47:34,280 --> 01:47:36,799
Speaker 1: gonna happen for you. You can actually send a beautiful

1979
01:47:36,840 --> 01:47:39,760
Speaker 1: bouquet to your mom. It's the one hundred Blooms for

1980
01:47:39,920 --> 01:47:45,920
Speaker 1: Mom bouquet. One hundred blooms, beautiful, colorful festive flowers. And

1981
01:47:46,120 --> 01:47:48,479
Speaker 1: of course they have the seven day freshness guarantee that

1982
01:47:48,600 --> 01:47:51,040
Speaker 1: pro flowers dot Com is famous for. It all comes

1983
01:47:51,080 --> 01:47:54,599
Speaker 1: in a free glass face for just one hundred blooms

1984
01:47:54,680 --> 01:47:58,519
Speaker 1: for mom, bouquet, plush shipping and handling. If you really

1985
01:47:58,560 --> 01:48:00,200
Speaker 1: want to make a statement, you can upgrade to a

1986
01:48:00,320 --> 01:48:04,000
Speaker 1: premium vase. She can always use the vase and also

1987
01:48:04,280 --> 01:48:06,960
Speaker 1: will include some gourmette chocolates. That's just ten dollars more.

1988
01:48:07,240 --> 01:48:09,479
Speaker 1: It's guaranteed to arrive fresh and beautiful and stay that

1989
01:48:09,479 --> 01:48:11,840
Speaker 1: way for at least seven days, as pro Flowers always does.

1990
01:48:12,000 --> 01:48:14,320
Speaker 1: Here's what you do. Go to pro flowers dot com,

1991
01:48:14,680 --> 01:48:18,240
Speaker 1: click the microphone, type in Elvis do it today pro

1992
01:48:18,400 --> 01:48:20,680
Speaker 1: flowers dot Com. Click on the microphone and type in

1993
01:48:25,840 --> 01:48:29,280
Speaker 1: Did you know that kitty litter was invented in the

1994
01:48:29,560 --> 01:48:33,040
Speaker 1: state of Michigan? And well, I thank you for that.

1995
01:48:33,400 --> 01:48:40,120
Speaker 1: Before that, people just used sand huh. Okay. Did you

1996
01:48:40,240 --> 01:48:41,800
Speaker 1: know if you add up all the numbers on a

1997
01:48:41,880 --> 01:48:46,120
Speaker 1: roulette wheel you get six six, the number of the devil.

1998
01:48:46,760 --> 01:48:48,920
Speaker 1: Did you know if you look on Great teas Head

1999
01:48:48,960 --> 01:48:52,320
Speaker 1: you'll see the numbers six six six. No, no, you

2000
01:48:52,360 --> 01:48:56,439
Speaker 1: will not. It's actually you're just looking upside down. Did

2001
01:48:56,520 --> 01:49:00,679
Speaker 1: you know that pringles are only potato? Well, many people

2002
01:49:00,720 --> 01:49:10,000
Speaker 1: who eat them are what potato. The rest is wheat, starch, flour, oil, salt,

2003
01:49:10,040 --> 01:49:13,000
Speaker 1: and seasoning. That's why they can't call them potato chips,

2004
01:49:13,000 --> 01:49:19,080
Speaker 1: their potato crisps. Did you know that sometimes the host

2005
01:49:19,160 --> 01:49:23,320
Speaker 1: of radio show shows, we'll just say stupid stuff to

2006
01:49:23,560 --> 01:49:27,000
Speaker 1: fill up time. I'm not you, Elvis d not you.

2007
01:49:28,040 --> 01:49:33,320
Speaker 1: No way is that way. Sometimes you'll randomly compliment me

2008
01:49:33,479 --> 01:49:35,240
Speaker 1: and I think it's really nice, and then I realize

2009
01:49:35,240 --> 01:49:37,080
Speaker 1: you're just filling up times. That's because I really don't

2010
01:49:37,120 --> 01:49:41,040
Speaker 1: mean it. What else is going on? What's on your

2011
01:49:41,080 --> 01:49:44,080
Speaker 1: mind today? How would you ever think that? I think

2012
01:49:44,120 --> 01:49:48,280
Speaker 1: you the most beautiful fetching woman I've ever met. Fetching

2013
01:49:48,360 --> 01:49:51,519
Speaker 1: is a good word. Terms like that. It sounds like fetching.

2014
01:49:51,560 --> 01:49:53,360
Speaker 1: It something you say, well the dog, that's what the

2015
01:49:53,400 --> 01:49:56,160
Speaker 1: dogs doing. I'm throwing a stick out into the yard

2016
01:49:56,200 --> 01:49:59,880
Speaker 1: and he's fetching it. But fetching doesn't always mean beautiful.

2017
01:50:00,120 --> 01:50:04,600
Speaker 1: Supposed to like that, like you're ravishing, but ravishing to

2018
01:50:04,680 --> 01:50:08,040
Speaker 1: me means you're real hungry, you need it fast. I'm ravished,

2019
01:50:08,760 --> 01:50:10,760
Speaker 1: But fetching it's like something the dog does to a

2020
01:50:10,800 --> 01:50:13,320
Speaker 1: stick in the yard, or what I do around children

2021
01:50:13,360 --> 01:50:14,840
Speaker 1: because they don't know how to play with them, so

2022
01:50:14,920 --> 01:50:17,559
Speaker 1: I just make them fetch exactly. We're about to get

2023
01:50:17,640 --> 01:50:20,519
Speaker 1: into the last daniel Report of the week. Do it

2024
01:50:20,640 --> 01:50:24,080
Speaker 1: right now, Danielle, you're you're fetching as well. Well, thanks

2025
01:50:24,439 --> 01:50:29,439
Speaker 1: fetching up your ass. Okay, let's talk about Goal Away Girl.

2026
01:50:29,520 --> 01:50:32,240
Speaker 1: That is your new video by Ed Sheeran, one of

2027
01:50:32,280 --> 01:50:34,560
Speaker 1: our favorite songs from the album You haven't seen it

2028
01:50:34,720 --> 01:50:36,720
Speaker 1: Elvis orl or go Home, we have it for you.

2029
01:50:37,040 --> 01:50:39,720
Speaker 1: So I talked about this yesterday, but it could be

2030
01:50:39,800 --> 01:50:43,600
Speaker 1: happening a Broadway musical based on Britney spears. Um. It

2031
01:50:43,640 --> 01:50:46,600
Speaker 1: wouldn't be autobiographically, it would be more Britney songs and

2032
01:50:46,720 --> 01:50:49,720
Speaker 1: they string together for this fictional storyline. If you've ever

2033
01:50:49,760 --> 01:50:52,320
Speaker 1: seen the Broadway show when it was out all shook up,

2034
01:50:52,439 --> 01:50:54,439
Speaker 1: they did this with Elvis Presley songs and our friend

2035
01:50:54,520 --> 01:50:56,599
Speaker 1: Chyenne Jackson was actually and it was a great show.

2036
01:50:57,320 --> 01:51:00,479
Speaker 1: Chris Pratt, he made a little mistake. He did not

2037
01:51:00,760 --> 01:51:03,400
Speaker 1: do it on purpose. He had to apologize to people

2038
01:51:03,479 --> 01:51:07,040
Speaker 1: that are hearing impaired because he posted a video that

2039
01:51:07,200 --> 01:51:10,640
Speaker 1: said listen with the volume up instead of reading subtitles.

2040
01:51:11,000 --> 01:51:14,000
Speaker 1: And he did not mean for it to be insulting.

2041
01:51:14,400 --> 01:51:17,400
Speaker 1: He didn't realize it. He apologized by actually doing his

2042
01:51:17,479 --> 01:51:20,679
Speaker 1: apology using sign language, which was pretty cool on his part.

2043
01:51:20,720 --> 01:51:22,479
Speaker 1: He had to learn that people are so fast to

2044
01:51:22,520 --> 01:51:24,680
Speaker 1: be offended. Yeah yeah, well and he didn't mean it.

2045
01:51:26,400 --> 01:51:29,400
Speaker 1: He was hb always looking into doing a Game of

2046
01:51:29,479 --> 01:51:33,519
Speaker 1: Throne spinoff. They have four projects and development, four different writers.

2047
01:51:33,800 --> 01:51:35,599
Speaker 1: I don't know if they're gonna pick just one. Maybe

2048
01:51:35,600 --> 01:51:37,720
Speaker 1: they'll pick the two best ones. Who knows, but I'll

2049
01:51:37,760 --> 01:51:40,280
Speaker 1: keep you posted. My gift, My gift to you on

2050
01:51:40,360 --> 01:51:43,080
Speaker 1: this Friday once again, is Chris Hemsworth staying in shape

2051
01:51:43,360 --> 01:51:45,800
Speaker 1: at Eli sturan dot com. What is he doing? He's

2052
01:51:45,840 --> 01:51:49,080
Speaker 1: just lifting up a weight, That's all he's doing. And

2053
01:51:49,160 --> 01:51:52,400
Speaker 1: you see his big bis that. He's so cute. I

2054
01:51:52,520 --> 01:51:55,840
Speaker 1: love him. Okay uh. Kim Kim and Kanye their clothing

2055
01:51:55,840 --> 01:51:58,840
Speaker 1: line for kids, the kids Suppli dot Com. Twelve noon

2056
01:51:58,960 --> 01:52:02,240
Speaker 1: Pacific time to day is when they will launch it

2057
01:52:02,360 --> 01:52:04,759
Speaker 1: and explain more so check that out the Kids Supply

2058
01:52:04,960 --> 01:52:11,519
Speaker 1: dot Com. Is it ravenous or ravishing? And ravishing is

2059
01:52:12,000 --> 01:52:13,600
Speaker 1: when you cut up a little vegetable and put on

2060
01:52:13,680 --> 01:52:19,240
Speaker 1: your sald. You know, radishing, I'm not you know. There's

2061
01:52:19,240 --> 01:52:21,240
Speaker 1: a list of country songs in honor of Sinko de

2062
01:52:21,360 --> 01:52:24,479
Speaker 1: Mayo and it's the best songs to listen to for

2063
01:52:24,560 --> 01:52:26,519
Speaker 1: a day like this. And they're saying that number one

2064
01:52:26,680 --> 01:52:29,880
Speaker 1: is Kenny Chesney's beer in Mexico. Sounds like a winner

2065
01:52:29,960 --> 01:52:34,160
Speaker 1: to me. Okay, and what else do I have? Can

2066
01:52:34,200 --> 01:52:35,839
Speaker 1: we talk about how much fun we had in Mexico?

2067
01:52:36,000 --> 01:52:37,880
Speaker 1: We had a lot of and I'll say it again,

2068
01:52:37,960 --> 01:52:40,479
Speaker 1: it was a beautiful property. Unico was gorgeous and the

2069
01:52:40,520 --> 01:52:43,080
Speaker 1: food was great, the drinks were cold. What I love

2070
01:52:43,200 --> 01:52:47,280
Speaker 1: most about it the people, the people that we're working

2071
01:52:47,320 --> 01:52:50,040
Speaker 1: at Unico and surrounding that, everyone we came in contact with.

2072
01:52:50,160 --> 01:52:52,960
Speaker 1: It's just so fantastic. I'm dreaming of going back soon.

2073
01:52:53,400 --> 01:52:55,880
Speaker 1: They were all they were so so patient with all

2074
01:52:56,000 --> 01:52:58,800
Speaker 1: work in Spanish, like trying and they were helping us.

2075
01:52:58,880 --> 01:53:01,559
Speaker 1: It was they were so nice. And just to remind

2076
01:53:01,600 --> 01:53:04,400
Speaker 1: the Guardians of the Galaxy to out today, don't leave

2077
01:53:04,439 --> 01:53:07,280
Speaker 1: after the credits. You need to um stay there and

2078
01:53:07,360 --> 01:53:09,720
Speaker 1: watch because there's hidden scenes and boopers and all kinds

2079
01:53:09,720 --> 01:53:11,680
Speaker 1: of stuff. Beautiful. By the way, Elvis Duran dot com

2080
01:53:11,720 --> 01:53:14,920
Speaker 1: today our interview with Kevin Spacey and Oh Halsey. That

2081
01:53:15,040 --> 01:53:22,479
Speaker 1: was fabulous. That'll be up soon too. Duran in the

2082
01:53:22,560 --> 01:53:26,840
Speaker 1: morning show. Catch the Fox News Specialists every week night

2083
01:53:26,880 --> 01:53:31,240
Speaker 1: at five. Opinions are everywhere and everyone has them. Eric Bowling,

2084
01:53:31,560 --> 01:53:34,439
Speaker 1: Katherine timp and Ebony Kay Williams put a new spin

2085
01:53:34,520 --> 01:53:37,360
Speaker 1: on the day's stories. The Fox News Specialist Tonight at

2086
01:53:37,400 --> 01:53:39,120
Speaker 1: five pm, only on Fox News Channel