1 00:00:02,120 --> 00:00:05,000 Speaker 1: What's up its lip service? I'm Angela Yee, I'm Gigi MacGuire, 2 00:00:05,160 --> 00:00:10,399 Speaker 1: I'm Jazzline brand. I'm Laura Mura is here on tour 3 00:00:10,560 --> 00:00:13,280 Speaker 1: right now. Thank you for making time for us. Appreciate 4 00:00:13,760 --> 00:00:16,239 Speaker 1: and you had yes and gig. Tell them how you 5 00:00:16,239 --> 00:00:18,079 Speaker 1: got here today? Oh my god, y'all. I had to 6 00:00:18,120 --> 00:00:20,480 Speaker 1: fly from Atlanta to Trenton. Did y'all even know trent 7 00:00:20,560 --> 00:00:22,440 Speaker 1: had airport? I didn't know. The only airline that goes 8 00:00:22,480 --> 00:00:24,599 Speaker 1: there is Frontier. So I was in the big front 9 00:00:24,640 --> 00:00:27,640 Speaker 1: seat in Frontier. Okay, laid out, No, I wasn't. I was, 10 00:00:28,880 --> 00:00:31,440 Speaker 1: And then I took an Amtrak train. I waited an 11 00:00:31,440 --> 00:00:34,639 Speaker 1: hour in the train station for my train, and took 12 00:00:34,640 --> 00:00:36,680 Speaker 1: an Amtrak train from trent in New Jersey to New 13 00:00:36,760 --> 00:00:39,440 Speaker 1: York City and then Ubert from the train station to here. Okay, 14 00:00:39,520 --> 00:00:42,519 Speaker 1: guess what. Usually I'll stay right, but the flights are 15 00:00:42,560 --> 00:00:44,080 Speaker 1: so crazy. I don't know what's going on with these flights. 16 00:00:44,080 --> 00:00:46,319 Speaker 1: But flights are so crazy right now that it made 17 00:00:46,400 --> 00:00:48,280 Speaker 1: better sense for me to fly back out tonight. So 18 00:00:48,479 --> 00:00:51,920 Speaker 1: she really came here just for four hours and then 19 00:00:52,120 --> 00:00:53,760 Speaker 1: back to Atlanta. I got that's why he brought a 20 00:00:53,800 --> 00:00:59,480 Speaker 1: flower courtesy got flowers. Yeah, you know what I want 21 00:00:59,480 --> 00:01:02,040 Speaker 1: to ask you this, say, go so um buying flowers 22 00:01:02,040 --> 00:01:05,280 Speaker 1: for women sometimes, right, I've seen women get mad because 23 00:01:05,280 --> 00:01:07,400 Speaker 1: they think a man buys some flowers because he messed up. 24 00:01:07,560 --> 00:01:11,840 Speaker 1: But yeah, we've seen that happened before. So yeah, when 25 00:01:11,880 --> 00:01:14,640 Speaker 1: you mess up. But a woman like me, I love flowers. Yeah, 26 00:01:14,640 --> 00:01:16,720 Speaker 1: I buy myself flower I keep flowers in my house, Like, 27 00:01:16,760 --> 00:01:18,760 Speaker 1: I buy flowers like weekly, by weekly if I know 28 00:01:18,840 --> 00:01:20,280 Speaker 1: I'm gonna be home for a few days and I'll 29 00:01:20,319 --> 00:01:23,000 Speaker 1: be able to actually enjoy them. I have flowers all 30 00:01:23,040 --> 00:01:25,399 Speaker 1: around my house all the time, and I love women 31 00:01:25,440 --> 00:01:27,760 Speaker 1: send me flowers or buy me flowers. Like, I've had 32 00:01:27,880 --> 00:01:30,680 Speaker 1: flowers on first dates multiple times, and I think that's 33 00:01:30,680 --> 00:01:34,559 Speaker 1: a good Like, you know, it's a nice gesture. Okay, 34 00:01:35,000 --> 00:01:37,240 Speaker 1: like a small little plan you can keep it longer. 35 00:01:37,800 --> 00:01:39,800 Speaker 1: What do we give guys like on a you know what, 36 00:01:39,760 --> 00:01:43,600 Speaker 1: I'm sorry, no, first date? First day? Yeah, on the 37 00:01:43,680 --> 00:01:46,760 Speaker 1: first date, gig. Sorry, Like I get a girl ever 38 00:01:46,840 --> 00:01:48,560 Speaker 1: given you a present like on a first date or 39 00:01:48,560 --> 00:01:51,480 Speaker 1: early on a present? Yeah? Like you know, like flowers 40 00:01:51,520 --> 00:01:53,080 Speaker 1: are a great gesture, but like, what do we give 41 00:01:53,120 --> 00:01:56,200 Speaker 1: a guy? Nah, I haven't been on a first date 42 00:01:56,240 --> 00:01:57,640 Speaker 1: in a long time. You know what I'm saying, Like 43 00:01:57,680 --> 00:02:00,000 Speaker 1: what y'all are saying sounds like a dinner we dress. 44 00:02:01,480 --> 00:02:03,840 Speaker 1: I haven't done that forever. But the flowers thing, like, 45 00:02:04,040 --> 00:02:06,040 Speaker 1: that's a cool move. I think. So no one's ever 46 00:02:06,080 --> 00:02:08,000 Speaker 1: been like the first time you go out, because I 47 00:02:08,080 --> 00:02:09,920 Speaker 1: just felt like, that's not fair. We don't given me 48 00:02:09,960 --> 00:02:12,359 Speaker 1: a gift. Yeah, like the first day. Now, I don't 49 00:02:12,480 --> 00:02:14,880 Speaker 1: think I've ever given a man women men give women. 50 00:02:15,840 --> 00:02:18,640 Speaker 1: We don't do anything given him a gift on the 51 00:02:18,680 --> 00:02:21,080 Speaker 1: first date. But like, if there's something we spoke about, 52 00:02:21,160 --> 00:02:23,960 Speaker 1: like on the first date that you know, and we 53 00:02:24,080 --> 00:02:27,200 Speaker 1: have a second date, like I've a small gesture, like 54 00:02:27,200 --> 00:02:30,200 Speaker 1: a small gesture, you know, something something said made me 55 00:02:30,240 --> 00:02:32,400 Speaker 1: think of something more. If I saw something that has 56 00:02:32,400 --> 00:02:34,800 Speaker 1: to do with something they spoke about, Oh this is cute. 57 00:02:34,880 --> 00:02:36,640 Speaker 1: Let me grab this real quick. Yeah, that's not on 58 00:02:36,639 --> 00:02:38,000 Speaker 1: the first date. But not the first but not the 59 00:02:38,040 --> 00:02:41,520 Speaker 1: first date. No, I am the present because sometimes people 60 00:02:41,520 --> 00:02:43,320 Speaker 1: are press Like let's just say, because there's a lot 61 00:02:43,320 --> 00:02:46,080 Speaker 1: of people that are meaning like online or online dating, 62 00:02:46,120 --> 00:02:47,760 Speaker 1: and so they might know each other a little bit 63 00:02:47,800 --> 00:02:51,600 Speaker 1: before they actually go that's different. Yeah, on a date. 64 00:02:51,639 --> 00:02:53,280 Speaker 1: If you've been talking on the phone for a little bit, 65 00:02:53,639 --> 00:02:56,320 Speaker 1: you know, have you guys have an online dated. My 66 00:02:56,400 --> 00:02:58,200 Speaker 1: friend said, let me not say what she's gonna do, 67 00:02:58,200 --> 00:03:00,079 Speaker 1: because she's gonna do it. But I tried it. I 68 00:03:00,200 --> 00:03:03,799 Speaker 1: download apps, like two or three apps. The second third day, 69 00:03:03,880 --> 00:03:08,519 Speaker 1: I erased it because I just couldn't it wasp sipepe. 70 00:03:08,560 --> 00:03:11,440 Speaker 1: I can't with guys doing selfies of themselves and they 71 00:03:11,520 --> 00:03:16,120 Speaker 1: always post selfies of themselves are like pictures with no 72 00:03:16,240 --> 00:03:22,160 Speaker 1: shirt on them. But my friends said, I definitely should 73 00:03:22,160 --> 00:03:26,040 Speaker 1: try it. Okay again, go back there, go back out there. Well, Misa, 74 00:03:26,240 --> 00:03:27,560 Speaker 1: why haven't you been on that first day in a 75 00:03:27,600 --> 00:03:32,079 Speaker 1: long time in a relationship. I've been getting money. That's 76 00:03:32,080 --> 00:03:35,520 Speaker 1: all I've been trying to do, because I think I 77 00:03:35,560 --> 00:03:40,400 Speaker 1: think relationships are expensive, like really functional ones for people 78 00:03:40,440 --> 00:03:42,760 Speaker 1: like me. People see me and it's like the R 79 00:03:42,800 --> 00:03:46,480 Speaker 1: and B guy. Then you're thinking trips and balconies, and 80 00:03:48,280 --> 00:03:50,880 Speaker 1: I'm saying, so it's like, no, before I do all 81 00:03:50,920 --> 00:03:53,200 Speaker 1: that and the assumption of expectations, let me get my 82 00:03:53,280 --> 00:03:57,880 Speaker 1: net worth a little bit and we listen, no judgment. 83 00:03:57,920 --> 00:04:01,280 Speaker 1: But you have these sold out shows, you know, Grammy 84 00:04:01,360 --> 00:04:07,040 Speaker 1: dominated say to accolades. I feel like you can do 85 00:04:07,120 --> 00:04:14,120 Speaker 1: the balconies. Oh not yet. Have you been on any dates? 86 00:04:14,280 --> 00:04:16,680 Speaker 1: You haven't been on any dates. I feel like you 87 00:04:16,680 --> 00:04:22,960 Speaker 1: miss your X or something. X recently got pregnant. Yeah, 88 00:04:23,160 --> 00:04:26,279 Speaker 1: I'm not missing her. Still dealing with that one. He 89 00:04:26,320 --> 00:04:30,680 Speaker 1: doesn't feel about this. How long have y'all been broken up? Like? 90 00:04:31,120 --> 00:04:35,520 Speaker 1: For you, okay, she got pregnant, you still think? Okay, well, 91 00:04:35,839 --> 00:04:38,040 Speaker 1: you know what, I'm a sensitive He was trying to 92 00:04:38,080 --> 00:04:40,320 Speaker 1: leave that door open, and you know it a little 93 00:04:40,320 --> 00:04:41,839 Speaker 1: too long. I look back at the text, They're like, 94 00:04:41,880 --> 00:04:45,440 Speaker 1: what's the last thing we talked about? Okay, let just 95 00:04:45,440 --> 00:04:48,840 Speaker 1: see where I How did you find out? A friend 96 00:04:48,839 --> 00:04:50,320 Speaker 1: of mine called me. It was like you see this? 97 00:04:51,560 --> 00:04:53,080 Speaker 1: I was like, no, I didn't see this. It was 98 00:04:53,080 --> 00:04:57,000 Speaker 1: on Instagram? What was Did you hit her and say congratulations? 99 00:04:57,000 --> 00:05:00,479 Speaker 1: Are you ignored it? She's gonna see this interview? All good? 100 00:05:01,160 --> 00:05:06,400 Speaker 1: Why did you guys break up? Um? I feel like 101 00:05:07,440 --> 00:05:11,000 Speaker 1: my emotional intelligence wasn't high at the time. Okay, it 102 00:05:11,080 --> 00:05:13,039 Speaker 1: was your fault. Yeah, it was totally my fault. She 103 00:05:13,160 --> 00:05:16,720 Speaker 1: was real like she had all the things. I just 104 00:05:16,760 --> 00:05:19,120 Speaker 1: feelt like I was too, like just it wasn't ready 105 00:05:19,160 --> 00:05:21,440 Speaker 1: you know what I mean, just nigga time, just the life. 106 00:05:21,480 --> 00:05:24,720 Speaker 1: Feel like she's the one that got away, nah, because 107 00:05:24,720 --> 00:05:26,159 Speaker 1: I'd do with her, you know what I'm saying, Like 108 00:05:26,200 --> 00:05:28,520 Speaker 1: I feel that, but at the same time, just like 109 00:05:28,560 --> 00:05:33,480 Speaker 1: my ego, it's just it feels away down in the dumps. 110 00:05:34,080 --> 00:05:41,840 Speaker 1: I like this, he plugged my music. See just you know, 111 00:05:42,080 --> 00:05:44,640 Speaker 1: I feel away about things for no reason. Okay, now 112 00:05:44,680 --> 00:05:47,280 Speaker 1: I think that's fair though. Yeah. Sometimes you see your 113 00:05:47,320 --> 00:05:49,479 Speaker 1: ax and you could be over and then you see 114 00:05:49,520 --> 00:05:52,440 Speaker 1: something you're like, oh, word, like that's what you do? Check, Like, 115 00:05:52,440 --> 00:05:54,599 Speaker 1: am I over? And not that you have this situation 116 00:05:55,760 --> 00:05:58,479 Speaker 1: Like I did an April Fool's joke. I like posted 117 00:05:58,560 --> 00:06:01,080 Speaker 1: that I was I proposed to young lady and my 118 00:06:01,160 --> 00:06:05,039 Speaker 1: phone was like filled with death threats. Wow. It was 119 00:06:05,080 --> 00:06:06,960 Speaker 1: just like if you I will kill you in the 120 00:06:07,000 --> 00:06:11,360 Speaker 1: wedding and I was like, oh are you carry carrying? 121 00:06:11,960 --> 00:06:18,760 Speaker 1: They were access dance right, no phone? Yea. I thought 122 00:06:18,839 --> 00:06:22,040 Speaker 1: were just kind of hanging out. But it seems like, oh, 123 00:06:22,320 --> 00:06:26,760 Speaker 1: this is this is a button for you. Let's get 124 00:06:26,800 --> 00:06:28,960 Speaker 1: into this. Because you are John I I am like 125 00:06:29,120 --> 00:06:32,560 Speaker 1: the good Yard eighth Gemini, You're Sam. This is a 126 00:06:32,640 --> 00:06:36,920 Speaker 1: well research podcast. Twenty third Gemini come on with it, 127 00:06:37,400 --> 00:06:40,719 Speaker 1: and and I've had a lot of Gemini men cross 128 00:06:40,800 --> 00:06:45,240 Speaker 1: paths within my lifespan. Yeah, I think this is crazy. 129 00:06:45,279 --> 00:06:47,840 Speaker 1: I'm gonna see that you are the reason why they 130 00:06:47,920 --> 00:06:52,800 Speaker 1: say we are crazy. It's y'all, and it's you. I agree, 131 00:06:52,920 --> 00:06:56,280 Speaker 1: So you right here, sir. I'm not fighting you at 132 00:06:56,279 --> 00:06:59,000 Speaker 1: all about that. I think I channeled my crazy into 133 00:06:59,160 --> 00:07:02,360 Speaker 1: my art. Great on the stage, I get to be regular. 134 00:07:02,480 --> 00:07:04,440 Speaker 1: What's the craziest thing that you would say you've done 135 00:07:04,440 --> 00:07:07,960 Speaker 1: in a relationship? Did you look back and be like, man, 136 00:07:08,480 --> 00:07:12,720 Speaker 1: why did I do that? Was I thinking? I try 137 00:07:12,760 --> 00:07:17,520 Speaker 1: to do like mafia things like shop her head off. No, 138 00:07:17,840 --> 00:07:21,560 Speaker 1: like uh in the sense of like I bought my 139 00:07:22,080 --> 00:07:27,160 Speaker 1: lady x's uh barbershop and just turned it into something else. 140 00:07:28,000 --> 00:07:33,040 Speaker 1: Wait wait wait you bought her ex Wait trying to 141 00:07:33,080 --> 00:07:34,840 Speaker 1: tell you, like I'm trying to go for the juggular. 142 00:07:36,480 --> 00:07:38,680 Speaker 1: We have women right here. We have her men who 143 00:07:38,880 --> 00:07:41,480 Speaker 1: is a barber and he was succeeding. Then he owned 144 00:07:41,520 --> 00:07:45,080 Speaker 1: a barbershop. Then they broke up, and then her and 145 00:07:45,160 --> 00:07:47,040 Speaker 1: I got together. But then at that time I was 146 00:07:47,080 --> 00:07:51,120 Speaker 1: still in my like crazy Gemini. She can only be 147 00:07:51,200 --> 00:07:53,640 Speaker 1: with me, And so at the time, I'm trying to 148 00:07:53,720 --> 00:07:55,760 Speaker 1: be like, you get my investments up, you know, maybe 149 00:07:55,800 --> 00:07:59,000 Speaker 1: turn into a cafe or something. And so I copped 150 00:07:59,040 --> 00:08:01,360 Speaker 1: this little real estate and I was like, we could 151 00:08:01,440 --> 00:08:03,920 Speaker 1: keep it a barbershop, but then he would still have 152 00:08:04,080 --> 00:08:08,080 Speaker 1: his job. So he's just gonna take a the barbershop away. Gosh, 153 00:08:08,520 --> 00:08:12,760 Speaker 1: that crazy, pretty crazy. And what did she think about that? 154 00:08:13,440 --> 00:08:18,280 Speaker 1: That was crazy? Yeah? That it was much So where 155 00:08:18,360 --> 00:08:22,760 Speaker 1: is this property still? The same question driving it? And 156 00:08:23,200 --> 00:08:29,680 Speaker 1: is it still this over details about this man's barbershop. 157 00:08:29,760 --> 00:08:38,000 Speaker 1: You can get a balcony, for sure. I'm saying, I 158 00:08:38,080 --> 00:08:40,120 Speaker 1: feel like you need first class bot, but you're buying 159 00:08:40,160 --> 00:08:46,240 Speaker 1: barbershops right super ready in the black community. Um. He 160 00:08:46,360 --> 00:08:47,920 Speaker 1: said it was a He said it was a little 161 00:08:48,000 --> 00:08:52,200 Speaker 1: real estate situation. Yeah, but like I was just trying 162 00:08:52,240 --> 00:08:54,000 Speaker 1: to be a I was just trying to like think 163 00:08:54,080 --> 00:08:58,200 Speaker 1: too hard on how to like that's old okay years ago. 164 00:08:58,440 --> 00:09:01,439 Speaker 1: I can imagine you And because I know you and 165 00:09:01,559 --> 00:09:05,040 Speaker 1: sir cool dumb music together, right, a smoking young man. 166 00:09:06,240 --> 00:09:08,480 Speaker 1: I can imagine these types of conversations because he's a 167 00:09:09,360 --> 00:09:12,800 Speaker 1: he's a pretty fun person as well. Yeah, have talked, Yes, 168 00:09:12,840 --> 00:09:16,360 Speaker 1: he had what was that like we got to watch that, Yeah, 169 00:09:16,480 --> 00:09:18,760 Speaker 1: you do, because he's a few years But then we 170 00:09:18,800 --> 00:09:20,880 Speaker 1: spoke to him at B T Words as well. Oh 171 00:09:20,960 --> 00:09:24,120 Speaker 1: yeah we did. Interesting. Yeah he's cool. Yeah, he is 172 00:09:24,240 --> 00:09:26,160 Speaker 1: very cool, super talented. Tell me what it was like 173 00:09:26,280 --> 00:09:29,280 Speaker 1: for you guys working together. Surgis has a lot of 174 00:09:30,679 --> 00:09:34,320 Speaker 1: deep conversations about like love and life, and he had 175 00:09:34,400 --> 00:09:38,640 Speaker 1: this like trash can bag full of weed and then 176 00:09:39,440 --> 00:09:43,280 Speaker 1: I mean he's from Collie, yes, you know, yes, I 177 00:09:43,280 --> 00:09:49,120 Speaker 1: mean you're from like listen, all of these things are true. Yeah, 178 00:09:49,240 --> 00:09:51,000 Speaker 1: just I don't know. Serge is really smart, you know 179 00:09:51,040 --> 00:09:52,600 Speaker 1: what I mean. And I love the way he stacks 180 00:09:52,720 --> 00:09:55,040 Speaker 1: his harmonies and we're just always just having jam sessions. 181 00:09:55,320 --> 00:09:57,720 Speaker 1: And I would always like play keys while he's telling 182 00:09:57,760 --> 00:09:59,760 Speaker 1: a story and then that would be the song. That's 183 00:09:59,760 --> 00:10:03,240 Speaker 1: how we made Nanna and some other joints, just like 184 00:10:03,360 --> 00:10:07,199 Speaker 1: talking sitting around like this. You're smoking per usual and 185 00:10:07,280 --> 00:10:10,920 Speaker 1: I'm just playing keys per usual. So you like older women? Damn, 186 00:10:10,960 --> 00:10:13,480 Speaker 1: we're just getting straight into it, okay. I mean we 187 00:10:13,840 --> 00:10:19,760 Speaker 1: have a whole song about here. I feel like older 188 00:10:19,840 --> 00:10:22,880 Speaker 1: women usually have food in their fridge and at the 189 00:10:23,000 --> 00:10:26,800 Speaker 1: time that was my love language. Eating. Yes, you know 190 00:10:26,840 --> 00:10:32,000 Speaker 1: what I'm saying. So my fridge is there. Okay, are 191 00:10:32,040 --> 00:10:38,760 Speaker 1: you an old woman? Are you? Yeah? I think so? Yeah, Okay, 192 00:10:38,760 --> 00:10:41,320 Speaker 1: because you're very young. How old you think? I am 193 00:10:42,240 --> 00:10:47,240 Speaker 1: thirty twenty seven? Aren't you like thirty born than ninety three? 194 00:10:48,720 --> 00:10:50,800 Speaker 1: Were you older than that? I'm twenty nine, But I 195 00:10:50,840 --> 00:10:59,199 Speaker 1: just seeing what the research dealt with, probably ten years apart, 196 00:10:59,840 --> 00:11:03,880 Speaker 1: that's my limit. Yeah, I think a little. I'm gonna 197 00:11:03,880 --> 00:11:05,520 Speaker 1: go up to eighty. Yeah. She said, I'm gonna go 198 00:11:05,600 --> 00:11:09,120 Speaker 1: take right, but hello, I would take Granda. I'm gonna 199 00:11:09,120 --> 00:11:11,320 Speaker 1: take grand Fay on a spin on his on his wheelchair. 200 00:11:11,800 --> 00:11:14,199 Speaker 1: But but younger than me. I can only go down 201 00:11:14,440 --> 00:11:16,960 Speaker 1: ten years. Yeah, because the maturity is just gonna get 202 00:11:16,960 --> 00:11:18,640 Speaker 1: a little out of here. Yeah. I feel like, if 203 00:11:18,760 --> 00:11:21,959 Speaker 1: not only that, I have a daughter who is twenty six, so, 204 00:11:22,559 --> 00:11:25,120 Speaker 1: and my nieces they're all like between like twenty four 205 00:11:25,520 --> 00:11:27,880 Speaker 1: and twenty two and like thirty three. But you are 206 00:11:27,880 --> 00:11:30,439 Speaker 1: a young mom. I am. I was. I'm forty three. 207 00:11:30,520 --> 00:11:33,240 Speaker 1: I had her when I was seventeen. But I just 208 00:11:33,400 --> 00:11:36,360 Speaker 1: feel like, and more recently, about maybe three years ago, 209 00:11:36,440 --> 00:11:38,040 Speaker 1: one of my nieces, the one that's a year younger 210 00:11:38,080 --> 00:11:40,079 Speaker 1: than my daughter, she moved to Atlanta. So now I 211 00:11:40,160 --> 00:11:42,000 Speaker 1: have three nieces that live in Atlanta and they're all 212 00:11:42,040 --> 00:11:45,000 Speaker 1: within that age range. And my one niece is running 213 00:11:45,000 --> 00:11:46,920 Speaker 1: into guys that I dealt with back in the day 214 00:11:47,000 --> 00:11:50,280 Speaker 1: and she's now meeting them. So it's like, it's kind 215 00:11:50,320 --> 00:11:53,000 Speaker 1: of weird. So I don't it gets kind of weird. 216 00:11:53,280 --> 00:11:55,520 Speaker 1: So it's like when it comes to like a younger guy, like, 217 00:11:55,520 --> 00:11:57,439 Speaker 1: I don't feel like I can see myself being with 218 00:11:57,559 --> 00:12:00,079 Speaker 1: somebody that my daughter could possibly be with, right, But 219 00:12:00,160 --> 00:12:04,480 Speaker 1: these guys definitely could see them definitely. What I'm saying, 220 00:12:04,800 --> 00:12:06,880 Speaker 1: I don't know. It's just it's a morality thing with me. 221 00:12:07,200 --> 00:12:08,800 Speaker 1: If you had a choice between a younger woman and 222 00:12:08,840 --> 00:12:11,280 Speaker 1: an older woman, what would you pick. I'm gonna older woman. 223 00:12:12,000 --> 00:12:17,320 Speaker 1: I'm still taking in what you just said. That is wild, Okay. Yeah, 224 00:12:17,360 --> 00:12:19,240 Speaker 1: so I'll be like, oh, yeah I know him. Yeah. 225 00:12:19,320 --> 00:12:21,280 Speaker 1: She'll be like, oh, um, I just met this guy. 226 00:12:21,320 --> 00:12:22,760 Speaker 1: He said he know you, and I'm like, yeah, he 227 00:12:22,880 --> 00:12:26,120 Speaker 1: knows me, all right? Do you tell him? Like, tell 228 00:12:26,160 --> 00:12:29,520 Speaker 1: who how do you know? Nie Hurt? Yeah? You just 229 00:12:29,640 --> 00:12:33,880 Speaker 1: to give her head all the way. There's only been um, 230 00:12:34,520 --> 00:12:38,880 Speaker 1: there's only been one guy that um that she like 231 00:12:39,280 --> 00:12:41,959 Speaker 1: kinda was really into but I had never slept with 232 00:12:42,040 --> 00:12:43,640 Speaker 1: him before. I just knew him in that way. So 233 00:12:43,840 --> 00:12:47,360 Speaker 1: it's just like and what is that way? Like we 234 00:12:48,000 --> 00:12:50,600 Speaker 1: were like talking, but it never meted to the bedroom. 235 00:12:51,000 --> 00:12:52,839 Speaker 1: So we like went on a couple beats and you know, 236 00:12:54,000 --> 00:12:57,920 Speaker 1: and what happened. Um, I just wasn't interested. Okay, Yeah, 237 00:12:58,160 --> 00:12:59,880 Speaker 1: what would make you not like what would make you 238 00:13:00,040 --> 00:13:01,240 Speaker 1: go out with some man a couple of times? Like? 239 00:13:01,320 --> 00:13:03,199 Speaker 1: What are some things that would make you not interested 240 00:13:03,240 --> 00:13:06,560 Speaker 1: in somebody? Oh, I'm gonna start with the way they smell. 241 00:13:07,840 --> 00:13:10,600 Speaker 1: You know, people have a smell, Like everybody has their 242 00:13:10,640 --> 00:13:12,800 Speaker 1: own smell. And if if your smell isn't something that 243 00:13:12,840 --> 00:13:15,480 Speaker 1: I'm attracted to, like your pheromones, you know what I'm saying, Like, 244 00:13:15,559 --> 00:13:20,360 Speaker 1: if that don't get me like this, then that's one personality? 245 00:13:20,480 --> 00:13:23,079 Speaker 1: Is another like waiting board that happened to you, Like 246 00:13:23,120 --> 00:13:25,360 Speaker 1: while I was talking to somebody on the Internet and 247 00:13:25,440 --> 00:13:27,320 Speaker 1: then we meet up and I'm like, I'm so man 248 00:13:27,360 --> 00:13:32,920 Speaker 1: he said on the internet? Yea, on the internet social media, 249 00:13:34,080 --> 00:13:38,079 Speaker 1: but like the pheromones on the WWW, like the pheromones 250 00:13:38,080 --> 00:13:40,480 Speaker 1: weren't working with me. It was like, Noah, that he 251 00:13:40,600 --> 00:13:41,880 Speaker 1: was talking for man long and I was like, I 252 00:13:42,040 --> 00:13:46,320 Speaker 1: can't that's crazy. It was just her, she looked at 253 00:13:46,360 --> 00:13:48,000 Speaker 1: she got a good personality all that. But it's like, 254 00:13:48,600 --> 00:13:50,439 Speaker 1: I don't know if y'all see my nostrils are like 255 00:13:51,320 --> 00:13:53,600 Speaker 1: I pray the sacks. You know what I meant breath 256 00:13:54,679 --> 00:13:57,800 Speaker 1: And so I'm like it gotta it, gotta align with 257 00:13:57,880 --> 00:14:00,320 Speaker 1: the nostrils. You know what I'm talking about me is breath, 258 00:14:00,720 --> 00:14:03,040 Speaker 1: especially when the breast smells like they just took some 259 00:14:03,200 --> 00:14:05,920 Speaker 1: listerine right before seeing you and you still smell the breath. 260 00:14:06,920 --> 00:14:09,559 Speaker 1: Oh my god, that is the worst. Sometimes a chip 261 00:14:09,640 --> 00:14:12,000 Speaker 1: to the dentist could fix that. Is it worth? But 262 00:14:12,080 --> 00:14:16,680 Speaker 1: if you bet old and you're still onto that stink 263 00:14:16,760 --> 00:14:20,600 Speaker 1: breath is definitely turn off. Let's go back to this plane, 264 00:14:20,640 --> 00:14:25,760 Speaker 1: the saxophone thing. Your transitions are stellar. Let's go back 265 00:14:25,760 --> 00:14:28,640 Speaker 1: to this saxophone situation. How do you think that plays 266 00:14:28,640 --> 00:14:31,280 Speaker 1: a role with you in the bedroom, like breath control 267 00:14:31,360 --> 00:14:33,440 Speaker 1: and all of that. Oh my god, I'm just curious 268 00:14:33,520 --> 00:14:35,480 Speaker 1: about you, say, do I play sax in the bedroom? 269 00:14:35,680 --> 00:14:38,000 Speaker 1: I was gonna ask, you know what, do you sing? 270 00:14:38,600 --> 00:14:41,600 Speaker 1: Yeah in the bedroom? Yeah, that's sexy. I want a 271 00:14:41,640 --> 00:14:43,600 Speaker 1: man this thing to me, have you ever had sex 272 00:14:43,640 --> 00:14:50,480 Speaker 1: with a sinker, like a like a real singer? Her 273 00:14:50,560 --> 00:14:56,680 Speaker 1: eyes answered back, I'm just had a little one before 274 00:14:56,720 --> 00:15:00,440 Speaker 1: y'all came up on these couches about some things. So, 275 00:15:00,680 --> 00:15:02,960 Speaker 1: um yeah, back to the saxophone thing, do you think 276 00:15:03,000 --> 00:15:05,000 Speaker 1: that that plays a role, like as far as you, 277 00:15:05,440 --> 00:15:09,560 Speaker 1: you know, being able to do certain things. That breath 278 00:15:09,760 --> 00:15:17,080 Speaker 1: was wild to hold your breath girl a long time, 279 00:15:17,320 --> 00:15:19,920 Speaker 1: or you know, I feel like there's something I noticed 280 00:15:19,960 --> 00:15:22,600 Speaker 1: that I was at a blue note last night and 281 00:15:22,720 --> 00:15:25,240 Speaker 1: I never watched other saxophone players perform, but that that's 282 00:15:25,320 --> 00:15:28,240 Speaker 1: not I did. And I'm like learning how sexual that 283 00:15:28,360 --> 00:15:31,000 Speaker 1: instrument is. It is like he's moving his hands mad 284 00:15:31,120 --> 00:15:33,160 Speaker 1: faster instrument. The girls are going wild like oh d 285 00:15:33,320 --> 00:15:36,200 Speaker 1: that to me, I was like they were not saying 286 00:15:36,240 --> 00:15:41,080 Speaker 1: that no one in the morning, they're gonna start being 287 00:15:41,120 --> 00:15:43,760 Speaker 1: real honest in the blue note. So you just realize 288 00:15:43,800 --> 00:15:45,920 Speaker 1: how sexual that is. Yeah, I'm real innocent, Like I 289 00:15:45,960 --> 00:15:49,240 Speaker 1: didn't know that the saxophone was seen that way, the saxophone, 290 00:15:49,440 --> 00:15:53,040 Speaker 1: the saxophone. Yeah, but you used like how you started 291 00:15:53,040 --> 00:15:56,480 Speaker 1: playing a saxophone? Was it to like, yeah, okay, we've 292 00:15:56,520 --> 00:16:00,840 Speaker 1: all read up on me and okay, So there was 293 00:16:00,880 --> 00:16:03,280 Speaker 1: an older woman that I had a crush on as 294 00:16:03,320 --> 00:16:06,280 Speaker 1: a youngster, and the only information I had on her 295 00:16:06,400 --> 00:16:09,200 Speaker 1: was she had a picture of Nagi Davis, a saxophone player, 296 00:16:09,560 --> 00:16:12,320 Speaker 1: on her binder. So I have a little power my boys. 297 00:16:12,320 --> 00:16:13,960 Speaker 1: I'm like, right, how do I back shorty? You know 298 00:16:13,960 --> 00:16:16,000 Speaker 1: what I'm saying. And it was like, we don't know. 299 00:16:16,520 --> 00:16:18,960 Speaker 1: But she got a picture of the saxophone a binder. 300 00:16:19,280 --> 00:16:21,680 Speaker 1: When I just ran with that and I started playing 301 00:16:21,760 --> 00:16:25,480 Speaker 1: sax in attempt to woo her, and it was cool. 302 00:16:25,480 --> 00:16:28,880 Speaker 1: I felt a little instrument the world. I was like thirteen, 303 00:16:30,640 --> 00:16:32,920 Speaker 1: and I really like this crush kind of changed your life. 304 00:16:33,000 --> 00:16:36,440 Speaker 1: That's a productive crush. Yeah, I think like men try 305 00:16:36,480 --> 00:16:39,000 Speaker 1: to excel when a woman's involved. Like we're playing just 306 00:16:39,040 --> 00:16:41,440 Speaker 1: pick up basketball then a girl walking. Were all trying 307 00:16:41,440 --> 00:16:43,440 Speaker 1: to dunk so they could get the older lady by 308 00:16:43,480 --> 00:16:47,320 Speaker 1: playing a sax. At thirteen, I got her. She probably 309 00:16:47,360 --> 00:16:57,040 Speaker 1: like thirty four, But you woo the world the world, Yes, 310 00:16:57,680 --> 00:16:59,760 Speaker 1: you really do like older women. He was thirty right, 311 00:17:00,200 --> 00:17:03,160 Speaker 1: like what was this action to you doing that? She 312 00:17:03,320 --> 00:17:05,800 Speaker 1: definitely was blushing because I was like, I'm Jamaican, so 313 00:17:05,880 --> 00:17:08,280 Speaker 1: I'm trying to be extra confident, like I think I 314 00:17:08,359 --> 00:17:10,480 Speaker 1: can marry you, like I'm going all out. I think 315 00:17:12,000 --> 00:17:13,720 Speaker 1: she just kind of strugged it off. She was like 316 00:17:14,280 --> 00:17:17,960 Speaker 1: a little boy. Oh yeah, I would have been on 317 00:17:18,000 --> 00:17:20,000 Speaker 1: the newspaper. Did she know who you are? Now? Like? 318 00:17:20,119 --> 00:17:22,159 Speaker 1: Do you have you seen her since you've been an adult? 319 00:17:22,480 --> 00:17:24,639 Speaker 1: People asked me that a lot. N I got to 320 00:17:24,680 --> 00:17:27,200 Speaker 1: figure out her first name. Oh my gosh, she was 321 00:17:27,240 --> 00:17:35,240 Speaker 1: a teacher. Okay, she was teacher. Yeah, she was my teacher. Yeah, 322 00:17:35,280 --> 00:17:37,159 Speaker 1: I was a kid in class. She came through and 323 00:17:37,200 --> 00:17:39,679 Speaker 1: I was just like, who shure are you right now? 324 00:17:39,840 --> 00:17:43,080 Speaker 1: Trying to see so our substitute teacher? I was, Now, 325 00:17:43,119 --> 00:17:45,800 Speaker 1: what made you decide to him? Do this album self titled? 326 00:17:46,680 --> 00:17:50,439 Speaker 1: I think usually I'm making my album with the company 327 00:17:50,480 --> 00:17:53,240 Speaker 1: of a lot of women, right, and it's discussions conversations. 328 00:17:53,720 --> 00:17:55,960 Speaker 1: This album was around a bunch of men, and we 329 00:17:56,040 --> 00:17:59,879 Speaker 1: were having different types of conversations and like vulnerability and men, 330 00:18:00,000 --> 00:18:03,280 Speaker 1: so health and femininity versus masculinity and all these different 331 00:18:03,400 --> 00:18:07,080 Speaker 1: conversations I don't usually have, and so they just kind 332 00:18:07,119 --> 00:18:10,680 Speaker 1: of challenged me to be vulnerable versus putting all these 333 00:18:10,760 --> 00:18:13,960 Speaker 1: like barriers against me and my music. Like my music 334 00:18:14,040 --> 00:18:16,640 Speaker 1: feels good, it's cool, but it's really ambiguous. It could 335 00:18:16,640 --> 00:18:19,040 Speaker 1: be about whoever, whatever, But I think this album is 336 00:18:19,080 --> 00:18:21,640 Speaker 1: a lot more vulnerable and personal. So I haven't done 337 00:18:21,680 --> 00:18:24,880 Speaker 1: that before, and they felt that it was necessary. That's 338 00:18:24,880 --> 00:18:27,720 Speaker 1: interesting because I don't look at like sometimes I feel 339 00:18:27,760 --> 00:18:29,920 Speaker 1: like it's harder for guys to have those conversations with 340 00:18:30,000 --> 00:18:32,399 Speaker 1: each other, and I don't know necessarily that they do. 341 00:18:33,119 --> 00:18:35,560 Speaker 1: It's just the company I keep. Like I'm around like 342 00:18:35,640 --> 00:18:39,000 Speaker 1: some really good guys. Like we talk about all of 343 00:18:39,080 --> 00:18:42,000 Speaker 1: the things we have of this. We're in the studio 344 00:18:42,160 --> 00:18:45,680 Speaker 1: doing this, discussing things dates all at and just trying 345 00:18:45,680 --> 00:18:49,280 Speaker 1: to figure out how to best maneuver it because everybody 346 00:18:49,400 --> 00:18:51,760 Speaker 1: kind of fighting the high value man versus the broken 347 00:18:51,840 --> 00:18:57,000 Speaker 1: bag women versus the broke men versus. Yeah, it's just 348 00:18:57,480 --> 00:18:59,840 Speaker 1: hard we arguing, but like, does anybody have a solution 349 00:19:00,080 --> 00:19:02,480 Speaker 1: or a pathway? Who's happy? You know what I'm talking about. 350 00:19:02,520 --> 00:19:04,560 Speaker 1: So it's like we just try to figure out what's 351 00:19:04,600 --> 00:19:08,880 Speaker 1: the actual game plan for love since everybody just out 352 00:19:08,960 --> 00:19:11,159 Speaker 1: here trying to get bread or whatever. Did you like 353 00:19:11,520 --> 00:19:16,680 Speaker 1: getting more personal and vulnerable? Yes? And no, Like I like, 354 00:19:16,840 --> 00:19:19,080 Speaker 1: I like getting it out, but I don't like performing 355 00:19:19,119 --> 00:19:20,680 Speaker 1: it every night because it's like I gotta look y'all 356 00:19:20,720 --> 00:19:24,000 Speaker 1: in the eyes, and it's like it's not a comfortable 357 00:19:24,080 --> 00:19:26,960 Speaker 1: feeling to be vulnerable. It's cool to perform and entertain people, 358 00:19:26,960 --> 00:19:28,600 Speaker 1: but when you're talking about your real life, it's like 359 00:19:28,680 --> 00:19:33,200 Speaker 1: a different like I don't enjoy it the same. That's interesting, yeah, 360 00:19:33,200 --> 00:19:35,000 Speaker 1: because I mean it's like when you're just having fun, 361 00:19:35,080 --> 00:19:37,000 Speaker 1: you're doing almost like a cover song, you're just kind 362 00:19:37,000 --> 00:19:39,440 Speaker 1: of being like wild and everything, But when you're talking 363 00:19:39,480 --> 00:19:43,320 Speaker 1: about your life, it's just like when you're performing. Do 364 00:19:43,400 --> 00:19:47,600 Speaker 1: you ever lock eyes with one woman in the crowd 365 00:19:47,680 --> 00:19:53,600 Speaker 1: in the audience recently? Yes? It was crazy a homeboil. 366 00:19:53,680 --> 00:19:56,440 Speaker 1: My name Jesse Boykin's a third told me I should 367 00:19:56,480 --> 00:19:58,560 Speaker 1: try that, and I was like, yo, this no, this 368 00:19:58,720 --> 00:20:01,480 Speaker 1: is a terrible idea. And you tried it dead for 369 00:20:01,520 --> 00:20:04,040 Speaker 1: one night and how to go crazy? Like everybody was 370 00:20:04,080 --> 00:20:08,879 Speaker 1: like why not me? She squirming in her seat like 371 00:20:08,920 --> 00:20:13,800 Speaker 1: when the five heart beats? Was she laughing? Yes? It 372 00:20:14,080 --> 00:20:18,960 Speaker 1: was that. That's all I saw when you when you 373 00:20:19,119 --> 00:20:20,520 Speaker 1: when you said that, that was the vision I had 374 00:20:20,560 --> 00:20:24,000 Speaker 1: in my head. Will you do it again? Maybe? It's 375 00:20:24,080 --> 00:20:26,399 Speaker 1: really intense. It's got to be and it's cause a 376 00:20:26,440 --> 00:20:32,240 Speaker 1: break up to right, have you ever dated a fan? 377 00:20:32,359 --> 00:20:34,920 Speaker 1: Hooked up with a fan with a fan back in 378 00:20:35,000 --> 00:20:38,240 Speaker 1: the day, but like, it's just not the way that 379 00:20:38,720 --> 00:20:41,840 Speaker 1: did you meet her at the show? Just a random 380 00:20:41,960 --> 00:20:43,879 Speaker 1: fan at the show. It's the thing that you expect 381 00:20:43,920 --> 00:20:48,240 Speaker 1: as a rock star. Happened shorty giving you a vibe 382 00:20:48,280 --> 00:20:53,600 Speaker 1: you like security, It's just foolishness. I just haven't see that. 383 00:20:53,720 --> 00:20:56,560 Speaker 1: Like dating, I see that happen, but like dating a fan, 384 00:20:57,240 --> 00:21:01,280 Speaker 1: you guys, because I mean I don't I don't want 385 00:21:01,320 --> 00:21:03,800 Speaker 1: to be that much to someone. You know what I'm saying. 386 00:21:03,840 --> 00:21:05,520 Speaker 1: There needs to be a better balance because if I 387 00:21:05,600 --> 00:21:09,120 Speaker 1: can't do no wrong, it's like right saying it. Yeah, 388 00:21:09,280 --> 00:21:10,959 Speaker 1: so you feel like when you're dating it you can 389 00:21:11,040 --> 00:21:13,840 Speaker 1: only date one person at a time. Oh, were you 390 00:21:14,160 --> 00:21:16,399 Speaker 1: you clever? No, I'm just trying to understand dating. And 391 00:21:16,400 --> 00:21:18,000 Speaker 1: I'm still trying to figure this out. You're still name 392 00:21:18,080 --> 00:21:21,960 Speaker 1: dropping my songs, puliging me out now studying abroad nominated 393 00:21:22,920 --> 00:21:26,040 Speaker 1: but no, um, I still have discussions about this and 394 00:21:26,119 --> 00:21:28,920 Speaker 1: it gets debunked every now and again because I feel like, 395 00:21:29,240 --> 00:21:33,359 Speaker 1: from a Gemini standpoint and an emotional intelligence I can 396 00:21:33,800 --> 00:21:37,159 Speaker 1: definitely put together a structure where multiple women can be 397 00:21:37,280 --> 00:21:41,080 Speaker 1: happy and fulfilled in one relationship. I'm confident about that. 398 00:21:41,680 --> 00:21:44,959 Speaker 1: But in terms of when things change, like, Okay, if 399 00:21:45,000 --> 00:21:47,359 Speaker 1: it's open, what if you have a child with this woman, 400 00:21:47,680 --> 00:21:49,879 Speaker 1: can she go with some other dude? And then my 401 00:21:50,040 --> 00:21:53,200 Speaker 1: like testosterone activating my ego get back? And I'm just like, 402 00:21:53,760 --> 00:21:56,159 Speaker 1: I don't know if I'm okay with that. So I 403 00:21:56,240 --> 00:21:59,280 Speaker 1: don't have the answer for all of the scenarios, but 404 00:21:59,359 --> 00:22:03,480 Speaker 1: I do know I'm very honest. I'm extremely honest about 405 00:22:03,480 --> 00:22:04,840 Speaker 1: what I do. And I think a lot of women 406 00:22:05,000 --> 00:22:08,879 Speaker 1: speak about disliking that about men when they're dishonest and 407 00:22:09,000 --> 00:22:10,680 Speaker 1: they have to figure things out and do all that. 408 00:22:10,760 --> 00:22:12,960 Speaker 1: But I'm like, this is the setup right now, this 409 00:22:13,119 --> 00:22:16,080 Speaker 1: is what I desire, this is everything. What's up? You 410 00:22:16,160 --> 00:22:17,399 Speaker 1: know what I'm saying? Do you want to be involved 411 00:22:17,400 --> 00:22:19,240 Speaker 1: in this or not? I think that gets me in 412 00:22:19,320 --> 00:22:22,119 Speaker 1: better situations than trying to be this casting over R 413 00:22:22,160 --> 00:22:25,440 Speaker 1: and B. Guy. Have you ever been heartbroken? For sure? Okay, 414 00:22:25,560 --> 00:22:33,400 Speaker 1: that's good. Down in the dump, I ain't been that heartbroke. 415 00:22:35,359 --> 00:22:37,199 Speaker 1: Have you cried in front of a woman like get 416 00:22:37,240 --> 00:22:39,440 Speaker 1: her back to get her back? Like, I'm like holding 417 00:22:39,520 --> 00:22:42,439 Speaker 1: her leg crying. Now guys mess up and then they 418 00:22:42,480 --> 00:22:45,080 Speaker 1: start crying and bring it to hers out. Either it 419 00:22:45,200 --> 00:22:47,080 Speaker 1: depends on how we feel at that moment. Either we 420 00:22:47,240 --> 00:22:49,200 Speaker 1: wanted to when we start crying with you, or we're 421 00:22:49,240 --> 00:22:54,840 Speaker 1: like if you don't start crying. I've never been that guy. 422 00:22:55,119 --> 00:22:57,960 Speaker 1: But I'm like, uh, I'm like dismissed myself, and I 423 00:22:58,080 --> 00:22:59,879 Speaker 1: know that. I'm like, I don't have a chance no more. 424 00:23:00,560 --> 00:23:02,399 Speaker 1: And I like my friends will know, like I'll just 425 00:23:02,520 --> 00:23:04,320 Speaker 1: like not make music for a lot of days and 426 00:23:04,440 --> 00:23:06,720 Speaker 1: like be in a certain mood or whatever like that. 427 00:23:06,880 --> 00:23:11,520 Speaker 1: But no, women have like thoroughly hurt my feelings about 428 00:23:13,560 --> 00:23:21,440 Speaker 1: like tell us some things that have happened. I don't 429 00:23:21,520 --> 00:23:25,960 Speaker 1: always say like women have thoroughly hurt my feelings. I mean, 430 00:23:27,080 --> 00:23:29,640 Speaker 1: it's just what it is. I feel like, let's see, 431 00:23:29,960 --> 00:23:33,280 Speaker 1: back in the days, I was green to the whole 432 00:23:33,920 --> 00:23:37,480 Speaker 1: field of dating. I was very nice guy, very no boundaries. 433 00:23:37,960 --> 00:23:40,320 Speaker 1: So I would do I would do more than flowers 434 00:23:40,359 --> 00:23:41,800 Speaker 1: for the woman. I would just let her walk all 435 00:23:41,880 --> 00:23:45,280 Speaker 1: over me. And I mean the right woman will just 436 00:23:45,359 --> 00:23:47,440 Speaker 1: be like I'm to take this for a ride. You 437 00:23:47,480 --> 00:23:49,040 Speaker 1: know what I'm saying. I got a little money, I 438 00:23:49,119 --> 00:23:51,840 Speaker 1: got travel, I can do things. I got access, and 439 00:23:52,000 --> 00:23:54,879 Speaker 1: she's just like, let me just do that. And then 440 00:23:55,000 --> 00:23:58,800 Speaker 1: once that kind of reveals itself, then you kind of 441 00:23:58,840 --> 00:24:02,560 Speaker 1: really get heartbroken. Okay, you know what I'm saying. He 442 00:24:02,720 --> 00:24:04,639 Speaker 1: was there for which he got. Yeah, but it's like 443 00:24:04,800 --> 00:24:07,000 Speaker 1: I deserve that, you know what I'm saying. If I 444 00:24:07,240 --> 00:24:09,960 Speaker 1: if I couldn't recognize Gemini response, Yeah, it's just like 445 00:24:10,800 --> 00:24:13,360 Speaker 1: we played Devil's Advocate with ourselves a lot for show. Yeah. 446 00:24:13,520 --> 00:24:15,440 Speaker 1: I'm like, I'm saying, I'm not gonna cry to get 447 00:24:15,440 --> 00:24:17,239 Speaker 1: her back, Like I've never been that guy, but I've 448 00:24:17,280 --> 00:24:19,359 Speaker 1: definitely cried after a break. Was like, man, you really 449 00:24:19,760 --> 00:24:22,280 Speaker 1: you really played me. You disrespected me heavily, and we 450 00:24:22,400 --> 00:24:26,080 Speaker 1: just channel that in a song. Anything to do with 451 00:24:26,200 --> 00:24:30,080 Speaker 1: what you want to try, yo, your face expression when 452 00:24:30,080 --> 00:24:32,480 Speaker 1: you do the song thing. So when you said that 453 00:24:32,600 --> 00:24:35,040 Speaker 1: one song what you want to try, no, see, that 454 00:24:35,160 --> 00:24:41,280 Speaker 1: was about Detroit Um all right, which is a real person. 455 00:24:41,400 --> 00:24:44,680 Speaker 1: She was very cool. The thing with Okay that song. 456 00:24:45,000 --> 00:24:48,000 Speaker 1: The narrative of the album is following the journey of 457 00:24:48,040 --> 00:24:51,160 Speaker 1: an artist, right. I started out literally as a street 458 00:24:51,240 --> 00:24:54,120 Speaker 1: musician here in New York on Fifth Avenue, and then 459 00:24:54,280 --> 00:24:57,479 Speaker 1: from there somebody booked me for a show and then 460 00:24:57,520 --> 00:24:59,600 Speaker 1: I got sobs and then I got to this like 461 00:24:59,680 --> 00:25:03,440 Speaker 1: a to Franklin Amphitheater and Detroit and so that's like 462 00:25:03,560 --> 00:25:05,960 Speaker 1: the life. It's like, oh, I'm becoming famous, and so 463 00:25:06,119 --> 00:25:08,800 Speaker 1: Kadesia represented like all of that, the money, the fame, 464 00:25:08,880 --> 00:25:11,440 Speaker 1: and you're just like kind of being like starry eyed 465 00:25:11,480 --> 00:25:14,080 Speaker 1: to the whole thing. And I feel like what you 466 00:25:14,160 --> 00:25:17,439 Speaker 1: want to try is that Jamaican confidence where it's just like, yo, 467 00:25:17,560 --> 00:25:19,480 Speaker 1: what's up? What you need? I'll be whatever, like I'm 468 00:25:19,680 --> 00:25:22,200 Speaker 1: I'm fotis. I want to dive like all the way 469 00:25:22,200 --> 00:25:24,480 Speaker 1: into this life. And I think it's just a fun 470 00:25:24,640 --> 00:25:28,159 Speaker 1: song depicting all those emotions. Let me ask you what 471 00:25:28,240 --> 00:25:30,480 Speaker 1: the street performer, right, like, how much money would you 472 00:25:30,520 --> 00:25:34,560 Speaker 1: make on average? Was it good? That's it? Yeah? On 473 00:25:34,680 --> 00:25:37,480 Speaker 1: a good night? How long did I be out there 474 00:25:38,320 --> 00:25:41,600 Speaker 1: like all day on Fifth? Yeah? Like sun up the sun. 475 00:25:41,840 --> 00:25:44,040 Speaker 1: I would literally be outside of sex Fifth Avenue because 476 00:25:44,040 --> 00:25:45,760 Speaker 1: that's what the rich folk walking along here. I would 477 00:25:45,800 --> 00:25:48,040 Speaker 1: think that would be way more lit. I guess I 478 00:25:48,080 --> 00:25:50,359 Speaker 1: won't playing the right song. No, I don't know, just 479 00:25:50,480 --> 00:25:53,320 Speaker 1: because you're right like in my head, like being outside 480 00:25:53,359 --> 00:25:56,879 Speaker 1: there with so many people walking past and people wow, 481 00:25:57,359 --> 00:25:58,960 Speaker 1: and then the fact that you were good enough that 482 00:25:59,000 --> 00:26:01,920 Speaker 1: they actually booked you. Yeah, you know somewhere I would 483 00:26:01,960 --> 00:26:04,760 Speaker 1: feel like you know me too. I thought it was 484 00:26:04,880 --> 00:26:07,640 Speaker 1: smarter than the game. I used to give out water 485 00:26:08,000 --> 00:26:11,080 Speaker 1: with my like information on it. Yes, I was trying 486 00:26:11,080 --> 00:26:16,119 Speaker 1: to finesse the system like yo stock for me. Wow. 487 00:26:16,359 --> 00:26:18,919 Speaker 1: So where were you living, like while you were doing 488 00:26:18,960 --> 00:26:21,440 Speaker 1: that making fifty dollars a day? I'm just curious what 489 00:26:21,600 --> 00:26:25,879 Speaker 1: this artist is starving? Artist's life was like, um so 490 00:26:26,840 --> 00:26:29,639 Speaker 1: different places, right, I would Uh. I slept in Central 491 00:26:29,720 --> 00:26:33,040 Speaker 1: Park a little bit. I did the car thing for 492 00:26:33,040 --> 00:26:36,160 Speaker 1: a little bit, my old manager's floor for a little bit. Okay, 493 00:26:36,359 --> 00:26:41,080 Speaker 1: that's when things started going right. Yeah you met me 494 00:26:41,160 --> 00:26:42,840 Speaker 1: when I was about to get arrested for not having 495 00:26:42,880 --> 00:26:47,480 Speaker 1: a permit for street musicians. Like it was just doing things. 496 00:26:48,359 --> 00:26:50,639 Speaker 1: But that's a real some real shit, Like when you 497 00:26:50,800 --> 00:26:54,879 Speaker 1: love something so much then you're me outside and then 498 00:26:55,240 --> 00:26:57,119 Speaker 1: you know, not have a place to stay. But no, 499 00:26:57,640 --> 00:26:59,359 Speaker 1: did you always know in your heart like this is 500 00:26:59,400 --> 00:27:01,920 Speaker 1: going to happen to me one day? Yeah, I'm like 501 00:27:02,119 --> 00:27:05,920 Speaker 1: that cocky confident manifest Whatever you want to call it, 502 00:27:05,960 --> 00:27:07,920 Speaker 1: but it's like, and that's kind of the pressure my 503 00:27:08,040 --> 00:27:09,520 Speaker 1: father put on me. It's kind of like, if you're 504 00:27:09,560 --> 00:27:12,480 Speaker 1: not making money in a year, then you're about to 505 00:27:12,480 --> 00:27:14,479 Speaker 1: be in the military, right, you know what I mean. 506 00:27:14,640 --> 00:27:17,119 Speaker 1: So it's kind of that pressure of I have to 507 00:27:17,240 --> 00:27:18,879 Speaker 1: make this work. I've got to figure it out. And 508 00:27:18,960 --> 00:27:20,840 Speaker 1: my mother's on the like makesure your heart is cool. 509 00:27:20,880 --> 00:27:22,520 Speaker 1: They're like, you know, she there was a balance, but 510 00:27:22,600 --> 00:27:29,359 Speaker 1: Pops is like, we can't be broke. Get job, Like 511 00:27:30,040 --> 00:27:31,800 Speaker 1: he gave you an option, because I was thinking that 512 00:27:31,880 --> 00:27:33,400 Speaker 1: too when I saw that he was in an Air force, 513 00:27:33,480 --> 00:27:35,040 Speaker 1: Like normally, you know, they want you to follow in 514 00:27:35,080 --> 00:27:37,920 Speaker 1: those footsteps and they try to set you up. I said, Okay, 515 00:27:38,040 --> 00:27:40,359 Speaker 1: try this and if it don't happen, you're gonna He 516 00:27:40,480 --> 00:27:42,439 Speaker 1: gave you option. They kicked me up out the Air 517 00:27:42,480 --> 00:27:47,080 Speaker 1: Force too. Well, there you have it. Yeah, I've done 518 00:27:47,080 --> 00:27:48,960 Speaker 1: a good year. Then they got me about it. Why 519 00:27:48,960 --> 00:27:51,640 Speaker 1: did you get kicked out? Yeah, I'm just mischievous back 520 00:27:51,680 --> 00:27:53,719 Speaker 1: in them days, I gotta say back in the bays, 521 00:27:53,760 --> 00:27:57,760 Speaker 1: like I'm different now. But were you okay? Like did 522 00:27:57,840 --> 00:28:00,199 Speaker 1: you tell your parents when things weren't going well? Did 523 00:28:00,240 --> 00:28:02,080 Speaker 1: you try to keep up a front at first front 524 00:28:02,480 --> 00:28:10,159 Speaker 1: facade for sure. Yeah, everything straight going amazing. Yeah, no, 525 00:28:10,359 --> 00:28:13,440 Speaker 1: I am hiding the tears for sure. But I wanted that. 526 00:28:13,760 --> 00:28:15,959 Speaker 1: Could you meet any women during that time? It was like, come, 527 00:28:16,040 --> 00:28:21,680 Speaker 1: you can stay with me. That is hilarious. Yes, I 528 00:28:21,920 --> 00:28:25,760 Speaker 1: know it. We know that hobo sexual that's too close, 529 00:28:30,080 --> 00:28:35,720 Speaker 1: that's funny a monk. Yeah, you know, so women could 530 00:28:35,760 --> 00:28:37,480 Speaker 1: come up to you like that. Did happen a few 531 00:28:37,520 --> 00:28:39,760 Speaker 1: times to you while you were performing? Or I just 532 00:28:39,960 --> 00:28:42,360 Speaker 1: I was the character type? Why was the musician? Guy? 533 00:28:42,520 --> 00:28:44,160 Speaker 1: I got a guitar in the car, Like I'm just 534 00:28:44,320 --> 00:28:47,360 Speaker 1: like I'm the dreamer. So it's just like story, you 535 00:28:47,400 --> 00:28:49,719 Speaker 1: know what I mean. She's like, yeah, do you ever 536 00:28:49,760 --> 00:28:51,480 Speaker 1: feel like you owe them like they looked out for 537 00:28:51,560 --> 00:28:53,560 Speaker 1: you back then you're trying to get me to pay 538 00:28:53,600 --> 00:28:56,040 Speaker 1: some money with not money, but just like you know, yes, 539 00:28:56,440 --> 00:29:01,600 Speaker 1: keeping somebody, you know, some flowers, something you keep in 540 00:29:01,680 --> 00:29:04,440 Speaker 1: touch with, any of them that that looked out early on, 541 00:29:05,200 --> 00:29:07,960 Speaker 1: that looked out that let them calling. Now it's actually 542 00:29:08,240 --> 00:29:13,360 Speaker 1: like trying to come on answer for them to say, 543 00:29:13,400 --> 00:29:15,640 Speaker 1: go James crazy. You don't never know what you don't 544 00:29:15,680 --> 00:29:18,959 Speaker 1: get right. You might be in a crisis. Hey, I'm 545 00:29:19,000 --> 00:29:29,200 Speaker 1: doing lip service. Okay, Hi, say hi everybody. Hey friend, 546 00:29:29,360 --> 00:29:34,240 Speaker 1: all right, I'm gonna call you back. The fame, the fame. 547 00:29:35,080 --> 00:29:43,800 Speaker 1: You what you're talking about? You you're famous, Grammy nominating. Okay, alright, 548 00:29:43,840 --> 00:29:45,400 Speaker 1: so go on, So let's talk. See you feel like 549 00:29:45,640 --> 00:29:47,840 Speaker 1: we were talking about these women. Let you shot up 550 00:29:47,880 --> 00:29:50,080 Speaker 1: when you were, and you're not doing nothing for them 551 00:29:50,160 --> 00:29:53,680 Speaker 1: now that you are. Any of them used to keep 552 00:29:53,680 --> 00:29:56,480 Speaker 1: in contact with? Um, who do I keep in contact with? 553 00:29:56,560 --> 00:29:58,240 Speaker 1: It didn't matter what they look like, because you know, 554 00:29:58,360 --> 00:30:01,080 Speaker 1: sometimes when you're just trying to get like a shot, right, 555 00:30:01,280 --> 00:30:05,120 Speaker 1: I was never that down there? Okay, I'm still showering. 556 00:30:07,080 --> 00:30:10,360 Speaker 1: I still look good, right? Who do I keep in 557 00:30:10,480 --> 00:30:12,720 Speaker 1: contact from back of the day. I think I'm just 558 00:30:12,800 --> 00:30:15,080 Speaker 1: a different person. Really, I don't know if we Yeah, 559 00:30:15,160 --> 00:30:17,040 Speaker 1: I really I keep on saying that. Maybe it's false. 560 00:30:17,080 --> 00:30:20,400 Speaker 1: I've said it too much. But like even trying to 561 00:30:20,440 --> 00:30:22,160 Speaker 1: like talk to people that have known me from high 562 00:30:22,200 --> 00:30:24,640 Speaker 1: school or like saw me at the Talent show, that 563 00:30:24,800 --> 00:30:27,000 Speaker 1: conversation is the same. It's like, so what's it like 564 00:30:27,160 --> 00:30:29,480 Speaker 1: to me on the show with Angel Again, It's like, 565 00:30:29,560 --> 00:30:32,600 Speaker 1: yo's with the people from mister I'm like I don't 566 00:30:32,640 --> 00:30:35,720 Speaker 1: feel like doing that every conversation, right, And then I 567 00:30:35,840 --> 00:30:38,120 Speaker 1: have survivals guild a lot, so I'll try to like 568 00:30:38,680 --> 00:30:40,640 Speaker 1: do the little Creed movie thing and try to help 569 00:30:40,720 --> 00:30:43,120 Speaker 1: my band man as I was in jail, and I 570 00:30:43,240 --> 00:30:45,160 Speaker 1: just feel like there's not a real way to help 571 00:30:45,440 --> 00:30:48,800 Speaker 1: grown men, you know what I'm saying, that just decided 572 00:30:48,840 --> 00:30:51,360 Speaker 1: to move the way they're moving. And so I try 573 00:30:51,400 --> 00:30:53,600 Speaker 1: to like help the people that reach out to me 574 00:30:53,760 --> 00:30:56,840 Speaker 1: that I know are in the same like headspace as me. 575 00:30:57,200 --> 00:30:58,800 Speaker 1: For sure, I'm gonna giver. I'm a lover all that, 576 00:30:58,960 --> 00:31:00,880 Speaker 1: but it's like trying to touch somebody from the past. 577 00:31:01,800 --> 00:31:05,120 Speaker 1: It just hasn't worked. Okay, I fear enough. Sometimes you 578 00:31:05,160 --> 00:31:08,360 Speaker 1: do something and then people expect more and more. I'm 579 00:31:08,400 --> 00:31:11,640 Speaker 1: given people bred and opportunities and open up for me 580 00:31:11,720 --> 00:31:13,640 Speaker 1: and come on tour and work for me. But it's 581 00:31:13,680 --> 00:31:15,880 Speaker 1: like if you don't got the right mentality, you just 582 00:31:15,960 --> 00:31:17,840 Speaker 1: hurt in your business ahead and hand and you like, 583 00:31:18,000 --> 00:31:21,080 Speaker 1: I'm doing what I'm trying to do, Like I'm trying 584 00:31:21,080 --> 00:31:22,880 Speaker 1: to get up and over here. Yeah, I'm trying to 585 00:31:22,920 --> 00:31:27,120 Speaker 1: get tired in it. And this album also kind of 586 00:31:27,160 --> 00:31:30,960 Speaker 1: feels like a little bit of I know it's a 587 00:31:31,040 --> 00:31:33,520 Speaker 1: vulnerable situation, but it does feel like are you talking 588 00:31:33,520 --> 00:31:36,680 Speaker 1: about any person in particular or is it just all 589 00:31:36,760 --> 00:31:39,640 Speaker 1: of I'm trying to fill out you? What did you 590 00:31:39,760 --> 00:31:42,520 Speaker 1: hear I'm talking about like some of these songs, you know, 591 00:31:42,640 --> 00:31:45,800 Speaker 1: like the Bye Bye My Love and you know all 592 00:31:45,880 --> 00:31:49,120 Speaker 1: of that got you. Okay, okay, we can go there. 593 00:31:49,200 --> 00:31:52,160 Speaker 1: So saying with my heart down in the dumps, I mean, 594 00:31:52,200 --> 00:31:53,800 Speaker 1: you want me to continue, She's trying to say to 595 00:31:54,000 --> 00:31:56,120 Speaker 1: hurt you. Is it Is it anybody in particular? Or 596 00:31:56,200 --> 00:31:59,080 Speaker 1: is it just different situations that you're reflecting on. Because 597 00:31:59,240 --> 00:32:03,280 Speaker 1: it's not pregnant, that's hull. I just found that out. 598 00:32:03,600 --> 00:32:06,520 Speaker 1: She couldn't know. It's life, right, but it's just yeah, 599 00:32:06,560 --> 00:32:09,040 Speaker 1: it's life. There's various situations that I like reflected on. 600 00:32:09,240 --> 00:32:12,240 Speaker 1: I think the Sydney referencing by by my Love. I 601 00:32:12,400 --> 00:32:14,600 Speaker 1: was thinking about like my first crush in life for 602 00:32:14,600 --> 00:32:17,240 Speaker 1: one day, and it was this young lady named Sydney. 603 00:32:17,280 --> 00:32:19,120 Speaker 1: And I was like in the fifth grade and like 604 00:32:19,800 --> 00:32:22,360 Speaker 1: she was a musician. I was a musician. Everybody was like, oh, 605 00:32:22,440 --> 00:32:26,160 Speaker 1: y'all could be like such and such. Yeah, I was 606 00:32:26,240 --> 00:32:28,160 Speaker 1: doing all that, and so I was just thinking in 607 00:32:28,240 --> 00:32:30,120 Speaker 1: the studio that day, Like, what would it have been 608 00:32:30,280 --> 00:32:31,960 Speaker 1: if I like kept in contact with her and just 609 00:32:32,080 --> 00:32:35,720 Speaker 1: made a song with that inspiration. But yeah, I don't 610 00:32:35,720 --> 00:32:37,280 Speaker 1: really think about her after that. It was like she 611 00:32:37,400 --> 00:32:39,520 Speaker 1: probably got her own life. Yeah. Does she pop up 612 00:32:39,560 --> 00:32:41,720 Speaker 1: and say, well, I still do music, Let's do something together, 613 00:32:42,600 --> 00:32:45,280 Speaker 1: I mean chords, right, I'll be there, said, if it's right, 614 00:32:46,600 --> 00:32:49,360 Speaker 1: I like music. When did you realize that this was 615 00:32:49,480 --> 00:32:53,080 Speaker 1: like a turning point we were getting lit. I feel 616 00:32:53,280 --> 00:32:58,960 Speaker 1: like when I was viral in college based off a 617 00:32:59,040 --> 00:33:01,640 Speaker 1: song on SoundCloud. Okay, so it was like one hundred 618 00:33:01,720 --> 00:33:04,760 Speaker 1: thousand listens and I was like, I'm up, I'm dropping out, 619 00:33:05,520 --> 00:33:08,280 Speaker 1: I'm the one, and it was like a song. I 620 00:33:08,440 --> 00:33:11,320 Speaker 1: was just playing saxophone over like a Drake remix or 621 00:33:11,360 --> 00:33:14,000 Speaker 1: something like that. But like everybody was reposting it. Ladies 622 00:33:14,080 --> 00:33:15,520 Speaker 1: was on me. It was just like, oh, I'm the one. 623 00:33:16,360 --> 00:33:18,200 Speaker 1: That's all. After that, it just kind of gets you 624 00:33:18,320 --> 00:33:19,760 Speaker 1: kind of getting numbed to it. You're like, is this 625 00:33:20,120 --> 00:33:25,440 Speaker 1: do you like me? Do you like when women? Um? 626 00:33:26,240 --> 00:33:28,520 Speaker 1: Would you like them to not know who you are? 627 00:33:28,720 --> 00:33:31,200 Speaker 1: Or do you prefer if they're familiar with you? It's 628 00:33:31,240 --> 00:33:35,960 Speaker 1: a good question, Um, see my ego comes into play 629 00:33:36,000 --> 00:33:38,920 Speaker 1: here because it's like you should know how that's how 630 00:33:38,960 --> 00:33:40,880 Speaker 1: I'll be feeling. I'm just like, I think I have 631 00:33:40,920 --> 00:33:43,600 Speaker 1: a good taste of music. It's just like so part 632 00:33:43,640 --> 00:33:46,320 Speaker 1: of me feels that. But I like when a woman 633 00:33:46,680 --> 00:33:50,239 Speaker 1: is so in another world that she doesn't know who 634 00:33:50,240 --> 00:33:53,800 Speaker 1: I am, that's kind of cool too, Okay, So it's 635 00:33:53,840 --> 00:33:56,000 Speaker 1: just the vibe. It doesn't matter though, what about what 636 00:33:56,240 --> 00:33:58,680 Speaker 1: about women in the industry? Have you ever kind of 637 00:33:59,760 --> 00:34:02,080 Speaker 1: I'm be working for me? Yeah, it doesn't work because 638 00:34:02,080 --> 00:34:05,240 Speaker 1: I feel like it's just it's too much not to 639 00:34:05,360 --> 00:34:07,920 Speaker 1: be this guy, but like it's too much hustle mentalities 640 00:34:07,960 --> 00:34:10,520 Speaker 1: like you're getting money, I'm getting money, You're in a 641 00:34:10,600 --> 00:34:12,439 Speaker 1: man a world with all these men that you're trying 642 00:34:12,480 --> 00:34:14,279 Speaker 1: to like prove that you belong in, and I'm just 643 00:34:14,800 --> 00:34:17,800 Speaker 1: I feel like it's usually too much of that energy 644 00:34:17,880 --> 00:34:21,399 Speaker 1: in the household. Just to me in my experience, it's 645 00:34:21,480 --> 00:34:25,279 Speaker 1: like I feel like, not the how do I say this? 646 00:34:26,040 --> 00:34:28,120 Speaker 1: I feel like just the paper chasing kind of consumes 647 00:34:28,120 --> 00:34:31,200 Speaker 1: a relationship in my experience, Like I just feel like 648 00:34:31,840 --> 00:34:36,200 Speaker 1: what I'm doing leaves room for a relationship to thrive. 649 00:34:36,719 --> 00:34:39,200 Speaker 1: But I feel like since women have to do this 650 00:34:39,480 --> 00:34:42,279 Speaker 1: much more work, they don't have as much space to 651 00:34:42,440 --> 00:34:47,520 Speaker 1: be feminine in my experience, That's all I'm gonna say. Like, 652 00:34:47,640 --> 00:34:50,759 Speaker 1: if you had to describe this is a situation and 653 00:34:51,719 --> 00:34:55,759 Speaker 1: ideal for you, um, somebody really passionate about something that 654 00:34:55,880 --> 00:34:58,880 Speaker 1: has nothing to do with music, Like just don't be 655 00:34:58,960 --> 00:35:01,360 Speaker 1: an artist. Let's not do ja. You want a woman? 656 00:35:01,719 --> 00:35:04,719 Speaker 1: Would you want to would you want a woman that 657 00:35:05,320 --> 00:35:08,800 Speaker 1: is like an entrepreneur and doing her own thing, or 658 00:35:08,840 --> 00:35:12,640 Speaker 1: would you want a woman that is just like regular 659 00:35:12,760 --> 00:35:14,880 Speaker 1: nine to five sticking to a schedule, so where the 660 00:35:15,080 --> 00:35:17,440 Speaker 1: entrepreneur can travel with you and can kind of have 661 00:35:17,560 --> 00:35:20,239 Speaker 1: that freedom but still make her own money. Or the 662 00:35:20,600 --> 00:35:22,440 Speaker 1: nine to five girl who's chained to her desk or 663 00:35:22,520 --> 00:35:24,920 Speaker 1: who's working chained to her dad. I mean, not like that, 664 00:35:25,120 --> 00:35:28,360 Speaker 1: but you know, she can't move around and because she 665 00:35:28,480 --> 00:35:30,920 Speaker 1: can't just up and go exactly, she can't up and 666 00:35:31,000 --> 00:35:32,719 Speaker 1: go the way that you have to travel and all 667 00:35:32,719 --> 00:35:35,800 Speaker 1: of that. So y'all wouldn't have that time, if you 668 00:35:35,880 --> 00:35:38,279 Speaker 1: know what I'm saying. Let me see what if she 669 00:35:38,400 --> 00:35:42,680 Speaker 1: was on only fans she just making content, can't do it. 670 00:35:43,560 --> 00:35:46,520 Speaker 1: I'm not I'm not the guy for that picture sticks. Nah, 671 00:35:46,840 --> 00:35:48,720 Speaker 1: It's like you got old creepy men in your line 672 00:35:48,960 --> 00:35:51,040 Speaker 1: making you money, and you got to give him attention. 673 00:35:52,080 --> 00:35:56,560 Speaker 1: Sometimes creepy woman the audience at your shovel. Sometimes he's like, yeah, 674 00:35:56,880 --> 00:36:00,919 Speaker 1: I've got to lock eyes with that, get locking eyes. 675 00:36:01,200 --> 00:36:04,000 Speaker 1: I don't feel this different. I think it's different. Men 676 00:36:04,080 --> 00:36:06,880 Speaker 1: buying feet picks ain't locking eyes. Yeah they lock, they 677 00:36:06,960 --> 00:36:09,680 Speaker 1: lock They locking eyes on them feet picks, but they 678 00:36:09,680 --> 00:36:11,960 Speaker 1: ain't seeing each other. I mean big ups getting money 679 00:36:11,960 --> 00:36:14,400 Speaker 1: for your feet though, right, you know what I mean? 680 00:36:15,080 --> 00:36:19,400 Speaker 1: What your feet look like? Not whizzes. He wrote a 681 00:36:19,440 --> 00:36:26,320 Speaker 1: poem back stop we love with his feet. Though the 682 00:36:26,360 --> 00:36:28,960 Speaker 1: feet was a little ashy homeboy, you know they was 683 00:36:29,000 --> 00:36:31,279 Speaker 1: as the poem was cute. Though I sold the poem. 684 00:36:31,440 --> 00:36:34,160 Speaker 1: I loved the poem. Would do that's that's that was 685 00:36:34,320 --> 00:36:38,080 Speaker 1: a very whiz Khalifa response always very, he a little sensitive, 686 00:36:38,520 --> 00:36:40,960 Speaker 1: very You think you know that that was funny. He's 687 00:36:43,320 --> 00:36:47,839 Speaker 1: about him. He probably also smokes and then responds, that's 688 00:36:47,840 --> 00:36:50,040 Speaker 1: what has to be high, and you'd be like, man, 689 00:36:50,320 --> 00:36:54,560 Speaker 1: this I mean to say, what yea responds, drink or 690 00:36:54,760 --> 00:36:56,960 Speaker 1: get a little high. I'll be like, you know what 691 00:36:58,560 --> 00:37:03,839 Speaker 1: normally have you responded to people like that, Yes, yes, 692 00:37:04,760 --> 00:37:07,520 Speaker 1: all the Yeah. I mean it's a it's a long 693 00:37:07,640 --> 00:37:11,080 Speaker 1: process of me like knowing that Twitter is not my diary, 694 00:37:11,680 --> 00:37:14,439 Speaker 1: you know what I mean. It's like because I came 695 00:37:14,480 --> 00:37:17,480 Speaker 1: out when Twitter was being developed, right, so it's like 696 00:37:17,560 --> 00:37:23,400 Speaker 1: at first you could just put everything. Now it's like 697 00:37:23,440 --> 00:37:25,520 Speaker 1: a public statement. It's like now you're about to like 698 00:37:25,640 --> 00:37:31,480 Speaker 1: take receipts and like I'm out. Don't let them get 699 00:37:31,520 --> 00:37:36,120 Speaker 1: to dig into the archive and find we was anyway. 700 00:37:37,080 --> 00:37:39,080 Speaker 1: But I won't. I won't dodge your question about the women. 701 00:37:39,120 --> 00:37:40,440 Speaker 1: I was about to let it just go by it. 702 00:37:40,520 --> 00:37:43,480 Speaker 1: But she can be an entrepreneur. That's fine with me. 703 00:37:43,880 --> 00:37:46,320 Speaker 1: I feel like it's all about having the bandwidth for 704 00:37:46,640 --> 00:37:50,600 Speaker 1: a relationship, that's all it is. Because I think paperchasing 705 00:37:50,840 --> 00:37:53,200 Speaker 1: is a thing, and I feel like you can get 706 00:37:53,239 --> 00:37:55,680 Speaker 1: so consumed in it that you don't have enough rooms 707 00:37:55,680 --> 00:37:58,160 Speaker 1: to just be in a relationship, just be regular, because 708 00:37:58,160 --> 00:38:00,719 Speaker 1: I think even though I can do the trips and 709 00:38:00,840 --> 00:38:03,279 Speaker 1: the bags and the whatever things that people expect. Yeah, 710 00:38:03,320 --> 00:38:09,719 Speaker 1: the balcony, women love balcony. Accord about the things that 711 00:38:09,840 --> 00:38:12,640 Speaker 1: actually last, Like the couples I talk to that are 712 00:38:12,840 --> 00:38:15,920 Speaker 1: aren't like on the internet to be scrutinized and all that. 713 00:38:16,480 --> 00:38:19,719 Speaker 1: They're just doing real regular things to sustain themselves. And 714 00:38:19,760 --> 00:38:22,200 Speaker 1: I'm trying to like, if I'm being something, I'm trying 715 00:38:22,239 --> 00:38:24,919 Speaker 1: to make it last. Like okay, now listen, you've said 716 00:38:24,920 --> 00:38:28,359 Speaker 1: that relationships usually aren't balanced right where one person likes 717 00:38:28,400 --> 00:38:31,080 Speaker 1: the other person more. I've heard that it works better 718 00:38:31,160 --> 00:38:34,600 Speaker 1: when a man loves a woman more interesting, what do 719 00:38:34,680 --> 00:38:38,560 Speaker 1: you think? I don't know if he likes her more 720 00:38:38,719 --> 00:38:44,319 Speaker 1: than she likes him, loves me, loves all. That's why 721 00:38:44,320 --> 00:38:47,279 Speaker 1: I will say, like the power of a relationship is 722 00:38:47,320 --> 00:38:49,520 Speaker 1: in the man's hand, Like he's the one that has 723 00:38:49,560 --> 00:38:51,440 Speaker 1: to do the structure of that for it to actually 724 00:38:51,480 --> 00:38:53,960 Speaker 1: work when it comes to like the sexualness and all that, 725 00:38:54,080 --> 00:38:56,560 Speaker 1: Like the woman holds the key to that. That's how 726 00:38:56,600 --> 00:38:59,120 Speaker 1: I view it. So it's like, of course there's women 727 00:38:59,160 --> 00:39:01,320 Speaker 1: proposing a man that doesn't count like man are the 728 00:39:01,400 --> 00:39:03,840 Speaker 1: ones that like say, this is a structure. Do you 729 00:39:03,880 --> 00:39:07,680 Speaker 1: want to join this? So I feel like, yeah, that 730 00:39:07,880 --> 00:39:12,840 Speaker 1: is that's my answer. So you don't know. I'm like you, 731 00:39:13,320 --> 00:39:17,719 Speaker 1: I'm waiting for you to really politics political? How would 732 00:39:17,719 --> 00:39:19,600 Speaker 1: you how would you have for a woman proposed to you. 733 00:39:20,040 --> 00:39:23,239 Speaker 1: No I did that. No, Yeah, we're gonna demasculate me 734 00:39:23,280 --> 00:39:25,440 Speaker 1: in front of my friends. You're gonna embarrass me in 735 00:39:25,480 --> 00:39:28,239 Speaker 1: front of my crew. Well, I get embarrassing. That's kind 736 00:39:28,280 --> 00:39:30,920 Speaker 1: of manly for you. No, don't you got that on 737 00:39:31,000 --> 00:39:36,520 Speaker 1: one knee for something else or something else on both knees. 738 00:39:36,560 --> 00:39:38,640 Speaker 1: Then you want to do that, it's a better way 739 00:39:38,680 --> 00:39:42,360 Speaker 1: to do that. But like, would you guys have proposed 740 00:39:42,360 --> 00:39:46,400 Speaker 1: to a man? That's what I'm saying. But I'm just 741 00:39:46,480 --> 00:39:50,839 Speaker 1: saying it. We've seen it happen. I've seen them done. 742 00:39:51,360 --> 00:39:54,719 Speaker 1: I've seen dudes proposed. But like a glass bottle who 743 00:39:54,880 --> 00:39:57,440 Speaker 1: turned into a ring and still gets scrutinizes, I'm like, 744 00:39:57,480 --> 00:40:00,360 Speaker 1: I'm avoid all of that. All right. Then I got 745 00:40:00,440 --> 00:40:01,920 Speaker 1: to read you something from your Twitter, and I want 746 00:40:01,920 --> 00:40:03,400 Speaker 1: to go behind this tweet and see what you have 747 00:40:03,480 --> 00:40:11,040 Speaker 1: to hold on, hold on screenshot at it earlier. All right, 748 00:40:11,520 --> 00:40:14,480 Speaker 1: Someone mentally stimulating you, growing your wealth or feeding you 749 00:40:14,680 --> 00:40:17,839 Speaker 1: beats out looks every time, but you put every time. 750 00:40:17,880 --> 00:40:20,120 Speaker 1: I just want to But I know what you meant, 751 00:40:21,840 --> 00:40:27,200 Speaker 1: and so Fanny tell us, all right, So how important 752 00:40:27,280 --> 00:40:31,080 Speaker 1: are looks or do they matter at all? Looks? Aren't everything, 753 00:40:31,200 --> 00:40:34,239 Speaker 1: but they ain't nothing. Okay, Okay, I feel have you 754 00:40:34,320 --> 00:40:36,279 Speaker 1: ever been with somebody who was like beautiful but you 755 00:40:36,400 --> 00:40:39,840 Speaker 1: just were like I can't for sure? The women of 756 00:40:39,960 --> 00:40:47,319 Speaker 1: Instagram and that was it. It was like it's like, yeah, 757 00:40:47,640 --> 00:40:51,279 Speaker 1: no personality Instagram. The issue was me. I would like 758 00:40:52,000 --> 00:40:56,759 Speaker 1: put place of personality like in and like I think 759 00:40:56,840 --> 00:40:59,479 Speaker 1: she's this, and then the date would be like nah, 760 00:41:00,440 --> 00:41:04,279 Speaker 1: let me go back to liking some pictures. What I 761 00:41:04,480 --> 00:41:09,200 Speaker 1: think turn offs the smell is one thing. I think 762 00:41:09,280 --> 00:41:12,240 Speaker 1: just not having a passion, you know, like what's guiding 763 00:41:12,280 --> 00:41:13,840 Speaker 1: you in life. I don't care what it is like 764 00:41:14,000 --> 00:41:16,680 Speaker 1: be passionate about it. Like I know people that are 765 00:41:16,760 --> 00:41:19,960 Speaker 1: like real thorough about certain topics I have no interest in, 766 00:41:20,040 --> 00:41:22,680 Speaker 1: but I love them being passionate about it. Okay. So 767 00:41:22,800 --> 00:41:27,960 Speaker 1: I think passion is beautiful creativity. I think having a 768 00:41:28,080 --> 00:41:32,280 Speaker 1: good relationship with somebody in your life, family, friends, something, 769 00:41:32,400 --> 00:41:36,280 Speaker 1: just so just to know you're capable of like nurturing something. Okay. 770 00:41:36,760 --> 00:41:39,480 Speaker 1: What about faith? How important is that you should be? 771 00:41:39,560 --> 00:41:41,560 Speaker 1: You should believe in something. You know what I'm saying, 772 00:41:41,560 --> 00:41:43,480 Speaker 1: you should had to defend it. I know, like you know, 773 00:41:43,600 --> 00:41:46,239 Speaker 1: there's a lot of talks you can have about faith 774 00:41:46,320 --> 00:41:50,400 Speaker 1: and all that, but it's just it's too much facade. 775 00:41:50,440 --> 00:41:52,080 Speaker 1: You can look like you in faith and you will 776 00:41:52,160 --> 00:41:54,400 Speaker 1: believe for or whatever, But like how your life, like 777 00:41:54,480 --> 00:41:58,319 Speaker 1: how how are you living your life? How you live 778 00:41:58,360 --> 00:42:00,439 Speaker 1: your life and how you treat the people around you. Yeah, 779 00:42:00,480 --> 00:42:03,319 Speaker 1: it matters. That's the faith of friends, family and people 780 00:42:03,360 --> 00:42:06,759 Speaker 1: you work with everything. Ye what about your family liking 781 00:42:06,880 --> 00:42:09,800 Speaker 1: somebody who you're dating? Have you how often have you 782 00:42:09,920 --> 00:42:13,399 Speaker 1: introduced a young lady to the family and doesn't matter 783 00:42:13,480 --> 00:42:16,719 Speaker 1: to you what they think? Never? You've never done it ever? 784 00:42:17,280 --> 00:42:19,480 Speaker 1: Oh wow, Oh you ain't been serious about nobody. Yeah, 785 00:42:19,480 --> 00:42:21,680 Speaker 1: I'm scared. I'm not gonna watch. But it's so scary 786 00:42:22,640 --> 00:42:27,880 Speaker 1: scared And you have siblings too, So you've never dated 787 00:42:27,920 --> 00:42:30,879 Speaker 1: a girl? I mean you never wanted you to let 788 00:42:30,920 --> 00:42:32,840 Speaker 1: them meet your parents? And what do you say? He 789 00:42:32,920 --> 00:42:35,000 Speaker 1: said no? Clearly, Yeah I know that, But how do 790 00:42:35,040 --> 00:42:38,120 Speaker 1: you say, how do you say no not yet? Just now? 791 00:42:38,239 --> 00:42:40,400 Speaker 1: I said, no, let's not do that. Have you met 792 00:42:40,440 --> 00:42:47,120 Speaker 1: their families? Yeah? Parents love me. Scared of so you said, 793 00:42:47,160 --> 00:42:49,840 Speaker 1: I'm scared scared of what my mother is approval Like 794 00:42:49,960 --> 00:42:54,560 Speaker 1: she's a boss lady, like she get bags, intelligent pageants, 795 00:42:55,480 --> 00:42:59,200 Speaker 1: Like she's the one I'm having another vision the mom 796 00:42:59,320 --> 00:43:09,719 Speaker 1: from Housepellar got her groove back collection. But like, I'm 797 00:43:09,719 --> 00:43:13,040 Speaker 1: not gonna just like present someone to my mother. I 798 00:43:13,200 --> 00:43:15,879 Speaker 1: know my mother. That's like a lot of pressure. Yeah 799 00:43:16,080 --> 00:43:17,520 Speaker 1: it is. So I'm like, let's not even do it. 800 00:43:17,680 --> 00:43:22,719 Speaker 1: So when are you gonna? No, she's just making sure 801 00:43:22,800 --> 00:43:25,200 Speaker 1: my heart is cool and that I ain't letting the 802 00:43:25,280 --> 00:43:27,840 Speaker 1: people check my birth number and date and time to 803 00:43:28,000 --> 00:43:31,560 Speaker 1: check my co star. She's just doing that. God, So 804 00:43:32,000 --> 00:43:33,960 Speaker 1: she wouldn't would be the ideal woman that you would 805 00:43:34,000 --> 00:43:36,400 Speaker 1: take to your mother introduced, because you have to. At 806 00:43:36,440 --> 00:43:39,080 Speaker 1: one point, you're thirty twenty nine, you said, let me 807 00:43:39,440 --> 00:43:45,839 Speaker 1: still young? Yeah, yeah, still what would be obviously nothing 808 00:43:45,920 --> 00:43:49,879 Speaker 1: that you've met. But I'm still deciding. Yeah, I don't 809 00:43:49,920 --> 00:43:52,320 Speaker 1: think he's had enough experience. You're around him, meet with 810 00:43:52,360 --> 00:43:54,640 Speaker 1: people parents and they ain't even worth them. Yeah, parents 811 00:43:54,719 --> 00:43:58,520 Speaker 1: love me. It's facts, it's facts. What about your dad? 812 00:43:58,640 --> 00:44:06,280 Speaker 1: Is your dad an easier person her? Okay, he probably 813 00:44:06,320 --> 00:44:07,600 Speaker 1: would be the one to tell you. Yeah, I think 814 00:44:07,640 --> 00:44:09,359 Speaker 1: that's the one you should let your mama. Yeah, don't 815 00:44:09,400 --> 00:44:14,080 Speaker 1: do nothing. I mean, mom, I'm just saying, but like it. 816 00:44:14,200 --> 00:44:17,719 Speaker 1: Pops is like he's a man like he's just like 817 00:44:18,040 --> 00:44:22,440 Speaker 1: she's beautiful, she's cool, she's successful. Cool. But in men, 818 00:44:22,640 --> 00:44:25,400 Speaker 1: we're not we don't have as many criteria and then 819 00:44:25,640 --> 00:44:27,640 Speaker 1: we don't see through like y'all can like read a 820 00:44:27,719 --> 00:44:30,600 Speaker 1: woman in the point five seconds. Yeah, we're just like, oh, 821 00:44:30,680 --> 00:44:35,800 Speaker 1: she seems lovely. My mom's just like, when was the 822 00:44:35,840 --> 00:44:37,960 Speaker 1: first time you knew they were proud of you as 823 00:44:37,960 --> 00:44:39,960 Speaker 1: a musician. I think they called me and say I'm 824 00:44:39,960 --> 00:44:43,120 Speaker 1: proud of you and my mom does it a lot though, 825 00:44:43,239 --> 00:44:45,680 Speaker 1: because but like what happened that made them that they 826 00:44:45,719 --> 00:44:49,080 Speaker 1: made them be like was it the SoundCloud? And that 827 00:44:49,239 --> 00:44:52,200 Speaker 1: was for me? Yeah, they probably had no idea. Was 828 00:44:52,239 --> 00:44:56,000 Speaker 1: it your first like real like book show? Was it? 829 00:44:56,280 --> 00:45:01,319 Speaker 1: I feel like it was the plaque for um todal thing. Yeah, 830 00:45:01,480 --> 00:45:04,399 Speaker 1: that's a nice one. I like when like random people 831 00:45:04,480 --> 00:45:07,720 Speaker 1: just know that song, I'm like perfect. No, I definitely 832 00:45:07,760 --> 00:45:10,360 Speaker 1: got some bit ups from them for that. But my 833 00:45:10,440 --> 00:45:12,440 Speaker 1: parents have been proud for a minute, Like yeah, I 834 00:45:12,520 --> 00:45:15,880 Speaker 1: definitely there's no like deficit of like they just because 835 00:45:15,880 --> 00:45:18,000 Speaker 1: I know at first they were like concern, you know 836 00:45:18,040 --> 00:45:25,160 Speaker 1: what I mean, I'm sleeping on rocks, get your son. 837 00:45:26,960 --> 00:45:29,279 Speaker 1: I mean it worked out. Yeah, everything just seemed like 838 00:45:29,320 --> 00:45:32,120 Speaker 1: it's breaking out, sold out tour. Come on, you know 839 00:45:32,280 --> 00:45:39,279 Speaker 1: album Let Drake samples Grammy nominations going up from here. 840 00:45:39,719 --> 00:45:43,080 Speaker 1: This is the beginning. You bring a different older women, 841 00:45:45,640 --> 00:45:49,600 Speaker 1: you know, and I got anybody I do? You know, 842 00:45:49,680 --> 00:45:54,000 Speaker 1: I keep fridge, I'm not there up. I had to 843 00:45:54,360 --> 00:45:56,520 Speaker 1: just left. So when I was preparing to come here, 844 00:45:56,880 --> 00:45:58,840 Speaker 1: like I said, my daughter twenty six and she's a 845 00:45:58,880 --> 00:46:01,279 Speaker 1: fan of yours. So I was preparing to come here. 846 00:46:01,480 --> 00:46:03,800 Speaker 1: I told my daughter that we were interviewing you today, 847 00:46:04,200 --> 00:46:06,400 Speaker 1: and she was really excited, and she kind of gave 848 00:46:06,440 --> 00:46:08,759 Speaker 1: me a little bit of your background that I didn't know, 849 00:46:09,400 --> 00:46:12,960 Speaker 1: and a lot of what she said is coming out 850 00:46:13,000 --> 00:46:15,879 Speaker 1: of you right now. And I'm here for that. Appreciate Yeah, 851 00:46:16,840 --> 00:46:19,920 Speaker 1: I like that. Well, listen, I'm sure that you're already 852 00:46:19,920 --> 00:46:21,920 Speaker 1: planning what you're gonna do next. Have you started actually 853 00:46:22,000 --> 00:46:24,080 Speaker 1: doing therapy, because I know you were talking about like 854 00:46:24,640 --> 00:46:27,439 Speaker 1: perhaps that might be something that you would try. It's 855 00:46:27,520 --> 00:46:29,839 Speaker 1: kind of like a on and off I'm trying out 856 00:46:29,920 --> 00:46:33,280 Speaker 1: therapists and still trying to figure out like the cadence 857 00:46:33,320 --> 00:46:35,040 Speaker 1: and the flow, like how much I want to share. 858 00:46:35,400 --> 00:46:40,680 Speaker 1: That's important. It's important to find who works with you. Yeah, 859 00:46:41,120 --> 00:46:43,360 Speaker 1: so I'm open to it. But okay, so you have 860 00:46:43,520 --> 00:46:47,239 Speaker 1: tried a few different a little bit. Okay, that's gonna 861 00:46:47,280 --> 00:46:50,439 Speaker 1: be interesting in the music, yes, but can't I can't 862 00:46:50,440 --> 00:46:52,399 Speaker 1: wait to hear. I mean, I'm appreciating it, the new 863 00:46:52,440 --> 00:46:54,080 Speaker 1: album and stuff. I can't wait to hear about the 864 00:46:54,120 --> 00:47:04,560 Speaker 1: pregnant right names in child missegod, you said that happen? Yeah, 865 00:47:04,680 --> 00:47:07,680 Speaker 1: somebody did that. No, no, you said your real name 866 00:47:07,920 --> 00:47:14,560 Speaker 1: or stage name. So it's like three right, which name? 867 00:47:15,360 --> 00:47:19,640 Speaker 1: Basically someone that I used to talk to name their child. 868 00:47:20,440 --> 00:47:24,960 Speaker 1: Oh gosh, were you ever intimate with this person? I 869 00:47:25,120 --> 00:47:27,480 Speaker 1: was not intimate with this. It wasn't there's no chance 870 00:47:27,520 --> 00:47:33,000 Speaker 1: you got it. Yeah, no, no, no, you seem to 871 00:47:33,040 --> 00:47:38,920 Speaker 1: be a good but what her man think? Man is there? 872 00:47:39,560 --> 00:47:41,440 Speaker 1: I mean she could say, you know, the artist is 873 00:47:41,480 --> 00:47:50,239 Speaker 1: a great art. They don't got enough. Hey, what we wait? 874 00:47:50,360 --> 00:47:54,680 Speaker 1: Doesn't missego means blessings and prosperity. Prosperity, so she could 875 00:47:54,680 --> 00:47:56,200 Speaker 1: say what, I looked up the name and this is 876 00:47:56,239 --> 00:47:58,720 Speaker 1: what it means, like jam means the breed one breeding, 877 00:47:59,200 --> 00:48:03,920 Speaker 1: or I could say this very popular artist and I like, yeah, 878 00:48:04,440 --> 00:48:06,279 Speaker 1: and I follow him and he's in my phone and 879 00:48:06,800 --> 00:48:10,799 Speaker 1: I wish I wish, I wish I was. And then 880 00:48:10,920 --> 00:48:15,480 Speaker 1: later on in the year half well about the name. Well, like, 881 00:48:15,600 --> 00:48:17,279 Speaker 1: all we're trying to tell you is be careful man, 882 00:48:17,320 --> 00:48:22,480 Speaker 1: make sure you strap up a story, the story. You 883 00:48:22,520 --> 00:48:25,680 Speaker 1: know what I'm saying. Should a man find women that 884 00:48:26,040 --> 00:48:30,160 Speaker 1: are good women? I think referrals are good. I don't 885 00:48:30,200 --> 00:48:33,520 Speaker 1: think there's a specific place I think referrals are good. 886 00:48:33,600 --> 00:48:35,920 Speaker 1: I don't think it should and I don't really think 887 00:48:35,960 --> 00:48:39,880 Speaker 1: it should ever be like uh, pressure situation where here 888 00:48:39,880 --> 00:48:41,640 Speaker 1: I want you to date this person. Let me set 889 00:48:41,680 --> 00:48:43,160 Speaker 1: you guys up. I think it should be like a 890 00:48:43,200 --> 00:48:46,080 Speaker 1: hangout situation and you could feel the vibe first to 891 00:48:46,120 --> 00:48:48,200 Speaker 1: see if you even want to go one on one date. 892 00:48:48,680 --> 00:48:50,840 Speaker 1: I like, yeah, so you can see the vibe. But 893 00:48:50,920 --> 00:48:52,759 Speaker 1: I think if you have really good friends who you trust, 894 00:48:52,840 --> 00:48:54,960 Speaker 1: like the guys that were around during the misego, and 895 00:48:55,120 --> 00:48:59,320 Speaker 1: maybe they're you know, significant others, have some good referrals, 896 00:48:59,600 --> 00:49:01,439 Speaker 1: that's the that's the way for somebody like you, Because 897 00:49:01,480 --> 00:49:03,879 Speaker 1: I don't think, yeah, any other way it's probably gonna work. Yeah, 898 00:49:03,880 --> 00:49:06,160 Speaker 1: I think referrals and like, do you do non industry 899 00:49:06,239 --> 00:49:08,200 Speaker 1: things like do you hang out? What's your regular? Like 900 00:49:08,320 --> 00:49:14,560 Speaker 1: hang out outside of work just doesn't work. He's chasing, Yeah, 901 00:49:14,680 --> 00:49:18,759 Speaker 1: but that's another time for that too. Games and like 902 00:49:19,040 --> 00:49:22,720 Speaker 1: doing just adult I don't even know how to describe 903 00:49:22,760 --> 00:49:24,200 Speaker 1: if it's like I would go on a trip and 904 00:49:24,239 --> 00:49:25,840 Speaker 1: then we would just find something cool to do. The 905 00:49:25,920 --> 00:49:28,680 Speaker 1: ATVs thing is fun. We can be up in the park, 906 00:49:28,920 --> 00:49:32,200 Speaker 1: find a beach thing we can do. I can't even 907 00:49:32,280 --> 00:49:34,480 Speaker 1: name that right now, but like just having fun, you 908 00:49:34,520 --> 00:49:37,200 Speaker 1: know what I'm saying, Like I just be acting twenty 909 00:49:37,280 --> 00:49:43,560 Speaker 1: nine right? Yeah? See, I think, I think, and you're 910 00:49:43,760 --> 00:49:45,879 Speaker 1: you're I feel like more in touch with yourself now. 911 00:49:46,040 --> 00:49:49,239 Speaker 1: So in the meantime, just be careful, stap it up 912 00:49:49,320 --> 00:49:52,319 Speaker 1: and don't bring nobody home to your mom until your shore. 913 00:49:52,800 --> 00:49:56,160 Speaker 1: Yeah it'll be fine. Yeah, you can always master bate. 914 00:49:57,320 --> 00:50:00,840 Speaker 1: That's another topic. I see. Y'all definitely get into masturbation. 915 00:50:01,160 --> 00:50:03,320 Speaker 1: Who wasn't that said that they don't masturbate before shows 916 00:50:04,680 --> 00:50:07,319 Speaker 1: because it makes them exhausted, your knees get weak. Um, 917 00:50:08,360 --> 00:50:13,040 Speaker 1: somebody did say that everything was it was Joey said 918 00:50:13,040 --> 00:50:15,600 Speaker 1: he doesn't masturbate at all. I wasn't here for that one. Yeah, 919 00:50:15,800 --> 00:50:17,920 Speaker 1: I heard about that. Yeah, And you can't play the 920 00:50:17,960 --> 00:50:19,719 Speaker 1: saxophone on a lot of breath and needs. Could you 921 00:50:19,800 --> 00:50:31,359 Speaker 1: imagine blowing into you? Sit down any salary? How many 922 00:50:31,400 --> 00:50:34,279 Speaker 1: instruments do you play? I usually just say yes, that's 923 00:50:34,320 --> 00:50:36,839 Speaker 1: like my answer. How many instruments you play? Yeah, because 924 00:50:36,840 --> 00:50:42,400 Speaker 1: I'm like, what can you not play? Because press complay instruments? 925 00:50:44,719 --> 00:50:48,880 Speaker 1: See anything cool? I'm trying to play Okay, harmonica, guitar, bass, 926 00:50:49,320 --> 00:50:52,759 Speaker 1: violent violence, cool, cello too? Can you play the violin? 927 00:50:53,719 --> 00:50:56,279 Speaker 1: Play nice? I played harp too? Nice. I tried to 928 00:50:56,360 --> 00:51:01,480 Speaker 1: buy one. But like all these things, you told yourself like, yeah, sure, 929 00:51:01,640 --> 00:51:05,040 Speaker 1: that was crazy that you can some people have us Again, 930 00:51:05,080 --> 00:51:08,040 Speaker 1: I feel like where you don't even have to, like 931 00:51:08,520 --> 00:51:11,080 Speaker 1: is that something you were born with? I think all right. 932 00:51:11,920 --> 00:51:14,400 Speaker 1: I was just had an affinity for instruments, and then 933 00:51:14,520 --> 00:51:17,800 Speaker 1: people like Stevie and Miles and Prints who played a 934 00:51:17,880 --> 00:51:21,080 Speaker 1: lot of instruments. I just looked up to them. I 935 00:51:21,200 --> 00:51:22,640 Speaker 1: was just like, this is cool to me. I just 936 00:51:22,719 --> 00:51:24,520 Speaker 1: want to be this, and so that kind of motivated 937 00:51:24,560 --> 00:51:27,120 Speaker 1: me to just learn all these instruments, and then women 938 00:51:27,200 --> 00:51:29,800 Speaker 1: liking it made me want to continue learning it, and 939 00:51:29,880 --> 00:51:34,239 Speaker 1: I was like cool okay, and here we are here 940 00:51:34,520 --> 00:51:37,759 Speaker 1: on the stage. Well, listen, we appreciate you so much 941 00:51:37,800 --> 00:51:42,759 Speaker 1: for coming through. Learn a lot about the flowers. You know, 942 00:51:42,880 --> 00:51:44,640 Speaker 1: we tried to make sure we didn't go too hard 943 00:51:44,680 --> 00:51:47,960 Speaker 1: on you because listen, I was so scared you didn't 944 00:51:47,960 --> 00:51:55,200 Speaker 1: see Do you seem scared everything? Yeah? Like, what was 945 00:51:55,239 --> 00:51:57,719 Speaker 1: the scariest part of this? I think just when the 946 00:51:57,800 --> 00:52:04,239 Speaker 1: seat started to sink, I got my space. I was like, 947 00:52:04,280 --> 00:52:06,000 Speaker 1: am I gonna be like this the whole show? I 948 00:52:06,160 --> 00:52:09,320 Speaker 1: was like, Yo, I'm gonna tell you what though. M 949 00:52:09,360 --> 00:52:12,160 Speaker 1: d M is about to be lit right? Oh really, 950 00:52:12,239 --> 00:52:15,600 Speaker 1: what am I going to say? Because like, you're available? Okay, 951 00:52:16,400 --> 00:52:20,600 Speaker 1: older women be a while. He see therapy, He plays 952 00:52:20,640 --> 00:52:26,120 Speaker 1: on the instruments, he has good breath control. Everybody home 953 00:52:26,200 --> 00:52:28,120 Speaker 1: to his mom, and you know, everybody want to be 954 00:52:28,160 --> 00:52:31,520 Speaker 1: the first. They want to challenge. Challenge, so everybody with 955 00:52:31,760 --> 00:52:35,440 Speaker 1: a full refrigerator, Come on, passion. What is it that 956 00:52:35,560 --> 00:52:38,000 Speaker 1: you do in life? Yeah, doesn't matter if a woman 957 00:52:38,040 --> 00:52:41,040 Speaker 1: has kids or not, it doesn't. Okay, he's almost willing 958 00:52:41,080 --> 00:53:01,759 Speaker 1: to play daddy. We're good play football with him. Your 959 00:53:01,800 --> 00:53:05,880 Speaker 1: favorite food, oh, rice and chicken. Okay, I'm on my 960 00:53:05,960 --> 00:53:09,319 Speaker 1: little vegan fake thing right now, So like soy chicken 961 00:53:09,440 --> 00:53:11,560 Speaker 1: and rice, don't I'm gonna be honest, I don't think 962 00:53:11,560 --> 00:53:13,879 Speaker 1: that soy chicken is any better for you than real 963 00:53:14,080 --> 00:53:16,440 Speaker 1: real because it's processed. Let's go back the chicken and 964 00:53:16,560 --> 00:53:21,640 Speaker 1: rice stop because you get organic, get organic chicken. But 965 00:53:21,800 --> 00:53:24,360 Speaker 1: I think like processed food sometimes people. And I understand 966 00:53:24,400 --> 00:53:27,120 Speaker 1: if you're like really you know, vegan and stuff like that, 967 00:53:27,280 --> 00:53:30,560 Speaker 1: but a lot of that is just not Yeah. Yeah, 968 00:53:30,800 --> 00:53:32,360 Speaker 1: I'm trying to figure that out. A lot of the 969 00:53:32,400 --> 00:53:35,319 Speaker 1: meat replacement are just really not even that they're full 970 00:53:35,360 --> 00:53:38,200 Speaker 1: of sodium too. Yeah, you better off doing like an 971 00:53:38,239 --> 00:53:41,000 Speaker 1: oyster mushroom and in place of chicken. Oh you know 972 00:53:41,080 --> 00:53:43,920 Speaker 1: about that? No bad? Yeah, the oyster mushroom is my 973 00:53:44,000 --> 00:53:47,000 Speaker 1: new favorite. You find a look at chicken, figure pull 974 00:53:47,040 --> 00:53:53,640 Speaker 1: apart like meat and everything stop. Huh you can you cook? Huh? 975 00:53:54,800 --> 00:53:57,280 Speaker 1: I got? I got six meals that I can do. Okay, 976 00:53:57,640 --> 00:54:00,640 Speaker 1: that's a good one. More to win out. I'm a 977 00:54:00,719 --> 00:54:03,480 Speaker 1: week now, Come on, what are some of them? Megan rice? 978 00:54:04,040 --> 00:54:06,000 Speaker 1: Now we can do that's hilarious. Why are you gonna 979 00:54:06,000 --> 00:54:10,880 Speaker 1: do me like that? Spaghetti? That's what spaghetti meal? No? No, 980 00:54:10,960 --> 00:54:12,879 Speaker 1: we got the We definitely got the chicken and rice. 981 00:54:12,960 --> 00:54:17,239 Speaker 1: We got the the stew, brown stew, chicken, got the 982 00:54:17,280 --> 00:54:19,879 Speaker 1: hockey and saw fish. Okay, that's my face, got face, 983 00:54:20,200 --> 00:54:22,080 Speaker 1: I love. Yeah, we got the don't worry. We got 984 00:54:22,160 --> 00:54:25,600 Speaker 1: the POTSI and the plantings and the probably the chemoa. 985 00:54:25,640 --> 00:54:28,919 Speaker 1: I'm on the side, okay, um, random my banana bread. 986 00:54:30,040 --> 00:54:35,239 Speaker 1: Why where you cooking? Yeah? I'm hungry too. That's why 987 00:54:35,239 --> 00:54:36,719 Speaker 1: I'm like, you can go out fish. Do you use 988 00:54:36,800 --> 00:54:39,279 Speaker 1: the can? No? No, no, no, no, okay, you know 989 00:54:39,360 --> 00:54:42,840 Speaker 1: what's respectful. I'm just that's a good question. He's the 990 00:54:42,880 --> 00:54:45,480 Speaker 1: guy saying he could cook that. We're doing like the 991 00:54:45,800 --> 00:54:47,960 Speaker 1: you know, like the little breakfast tacos. Get down with that. 992 00:54:48,080 --> 00:54:52,800 Speaker 1: I knew it. Everybody first knew. He Ever, he's like, 993 00:54:52,840 --> 00:54:57,440 Speaker 1: come up, I'll cooked you. Yeah, we gotta get you 994 00:54:57,480 --> 00:54:58,960 Speaker 1: a good seven so you can round out a week. 995 00:54:59,000 --> 00:55:00,840 Speaker 1: I know at you. I need to know more. Like 996 00:55:01,120 --> 00:55:03,920 Speaker 1: my oyster mushrooms are like busting for I do that 997 00:55:04,040 --> 00:55:08,480 Speaker 1: with the black rice seven right there? So something like 998 00:55:08,640 --> 00:55:12,680 Speaker 1: all right, ladies, you hear here, Come on, he's therapy. 999 00:55:14,040 --> 00:55:16,320 Speaker 1: I got tattoos on my chest. You got tattoos on 1000 00:55:16,400 --> 00:55:22,000 Speaker 1: a shot ahead? You know what hattall are you? I 1001 00:55:22,080 --> 00:55:24,520 Speaker 1: got a stop lying. I'm like six five okay, he's 1002 00:55:24,520 --> 00:55:27,480 Speaker 1: six five, Like six five six six sound better? So 1003 00:55:27,520 --> 00:55:28,879 Speaker 1: I wanted to say that, but I was like, women, 1004 00:55:28,960 --> 00:55:32,160 Speaker 1: be like, take an inch off five and a half. 1005 00:55:32,560 --> 00:55:34,719 Speaker 1: This is what you do live too, po that pony 1006 00:55:34,760 --> 00:55:36,000 Speaker 1: tail up to the top. And then you got to 1007 00:55:36,040 --> 00:55:41,640 Speaker 1: say six camera man, camera five, cut that six six 1008 00:55:41,800 --> 00:55:47,359 Speaker 1: listen because later they'd be like, oh, could you end 1009 00:55:47,360 --> 00:55:52,800 Speaker 1: out the party? Say six five? Run that up? Well, misseka, 1010 00:55:52,880 --> 00:55:54,680 Speaker 1: thank you so much and really glad that you took 1011 00:55:54,719 --> 00:55:56,320 Speaker 1: the time to comment, sit with us even though you 1012 00:55:56,520 --> 00:55:58,800 Speaker 1: scaring you, and then nice to face your fairs. I 1013 00:55:58,920 --> 00:56:01,239 Speaker 1: love this. This was great. Yeah, I'm gonna call my 1014 00:56:01,320 --> 00:56:05,400 Speaker 1: therapist after this. I did it. I did it, alright, 1015 00:56:05,480 --> 00:56:08,320 Speaker 1: you guys check it out. Michego self titled album is 1016 00:56:08,360 --> 00:56:11,359 Speaker 1: out right now. Catching my tour? Where can people find 1017 00:56:11,400 --> 00:56:15,319 Speaker 1: the tour dates? Black planet dot com? I have lunch. 1018 00:56:16,120 --> 00:56:20,600 Speaker 1: Do you know what I did? I did the launch party? Um, 1019 00:56:21,160 --> 00:56:23,360 Speaker 1: where can you find tour dates? I guess your website? 1020 00:56:23,400 --> 00:56:27,120 Speaker 1: Maybe maybe? Yeah, maybe follow him on Instagram or on Twitter. 1021 00:56:27,360 --> 00:56:32,080 Speaker 1: So it sold out, so you can't come come to 1022 00:56:32,160 --> 00:56:36,000 Speaker 1: the next one. We do bartering, trade massages for tickets. 1023 00:56:39,400 --> 00:56:44,040 Speaker 1: We do like wellness, Yeah, all right, Mischego lift service