1 00:00:00,080 --> 00:00:04,280 Speaker 1: Hello the Internet, and welcome to this year end Year 2 00:00:04,360 --> 00:00:10,320 Speaker 1: in Music. The episode of Day it's a production of 3 00:00:10,320 --> 00:00:15,040 Speaker 1: My Heart Radio tom Jack. That's Miles and we're for 4 00:00:15,160 --> 00:00:18,960 Speaker 1: a little to be joined for all of our year ends, 5 00:00:19,079 --> 00:00:26,160 Speaker 1: specially Epps by super producer on as No no no, 6 00:00:26,160 --> 00:00:32,560 Speaker 1: no no no. Uh cool, Yeah, good to see you too. 7 00:00:34,200 --> 00:00:37,240 Speaker 1: I thought we were singing this episode. Uh you thought 8 00:00:37,240 --> 00:00:40,600 Speaker 1: it was a musical episode where everyone we're talking about 9 00:00:40,640 --> 00:00:45,559 Speaker 1: the best music that doesn't work for me? Actually that alright? 10 00:00:45,680 --> 00:00:50,400 Speaker 1: So gang, what a year in music it was? So 11 00:00:50,520 --> 00:00:53,199 Speaker 1: I was I was going to just do this one 12 00:00:53,240 --> 00:00:56,000 Speaker 1: and pretend like I knew what you guys were talking about. 13 00:00:56,120 --> 00:00:58,640 Speaker 1: But I think you you convinced me to just be 14 00:00:58,760 --> 00:01:03,160 Speaker 1: honest about the that I recognized like two of the 15 00:01:03,360 --> 00:01:07,560 Speaker 1: ten most popular songs of the year. Um, and everything 16 00:01:07,560 --> 00:01:11,200 Speaker 1: else is like songs my kids really like. So we're 17 00:01:11,240 --> 00:01:14,680 Speaker 1: going to be going through the top pop songs that's 18 00:01:14,760 --> 00:01:18,560 Speaker 1: still hit with three and five year olds on my end, 19 00:01:20,280 --> 00:01:23,039 Speaker 1: my most played songs, and then uh, you know, we're 20 00:01:23,080 --> 00:01:25,120 Speaker 1: gonna talk about you guys are in charge of reviewing 21 00:01:25,160 --> 00:01:27,480 Speaker 1: what actually happened to music this year. I got a 22 00:01:27,640 --> 00:01:31,040 Speaker 1: couple thoughts on that but basically, I mean, I think 23 00:01:31,080 --> 00:01:33,960 Speaker 1: I'll mine will be pretty narrow in the sense of 24 00:01:34,040 --> 00:01:37,080 Speaker 1: I'm definitely gonna be talking about the albums I really 25 00:01:37,120 --> 00:01:39,360 Speaker 1: liked this year, and I've noticed that not many of them. 26 00:01:39,360 --> 00:01:41,560 Speaker 1: I mean some of them are on many of these lists, 27 00:01:41,560 --> 00:01:44,880 Speaker 1: but not everything is on these like sort of traditionally 28 00:01:45,319 --> 00:01:50,440 Speaker 1: looked at lists from this like you know, Spin or whatever. Okay, 29 00:01:50,480 --> 00:01:53,920 Speaker 1: so you're looking at the critical consents. Yeah, I'm looking 30 00:01:53,920 --> 00:01:56,720 Speaker 1: at like the top So Apple dropped their top Songs 31 00:01:56,760 --> 00:02:00,480 Speaker 1: of one USA, like where they just like count up 32 00:02:00,520 --> 00:02:03,040 Speaker 1: the songs that got the most place this year. So 33 00:02:03,080 --> 00:02:05,000 Speaker 1: I'll be looking at that, and then I'll also be 34 00:02:05,040 --> 00:02:07,360 Speaker 1: looking at my songs that got the most place because 35 00:02:08,240 --> 00:02:12,919 Speaker 1: I use Apple Music because Spotify trying to come for us. 36 00:02:13,120 --> 00:02:17,000 Speaker 1: So I'm I'm not a fan. I don't want to 37 00:02:17,040 --> 00:02:20,040 Speaker 1: support anyone who's supporting you. Well, I've just heard people 38 00:02:20,080 --> 00:02:23,160 Speaker 1: like mentioned Joe Rogan as like one of the top 39 00:02:23,200 --> 00:02:27,120 Speaker 1: podcasters like alongside us, and I just don't feel like 40 00:02:27,160 --> 00:02:34,360 Speaker 1: he he deserves that alongside. Yeah, I mean that's true. Anna, 41 00:02:34,440 --> 00:02:40,440 Speaker 1: How are you coming at this year in music in Review? Wait? Sorry, 42 00:02:40,440 --> 00:02:43,560 Speaker 1: what was the question? How am I coming at this yeah, like, 43 00:02:43,680 --> 00:02:45,760 Speaker 1: or are you going to tell us your favorite songs 44 00:02:45,800 --> 00:02:48,120 Speaker 1: of the year, like what what? Like? What what was 45 00:02:48,160 --> 00:02:51,760 Speaker 1: your year of music? I mostly only really listened to 46 00:02:51,840 --> 00:02:56,960 Speaker 1: James Blank. I'm really looking at this. It's just it's 47 00:02:57,000 --> 00:02:59,520 Speaker 1: mostly it's just James Blake. That's all I listened to. 48 00:03:00,360 --> 00:03:03,800 Speaker 1: You're looking at like you're most listened to tracks. Yeah, 49 00:03:03,840 --> 00:03:07,079 Speaker 1: it's just like all of James Blake's new album Friends 50 00:03:07,600 --> 00:03:09,760 Speaker 1: this year didn't Yeah, I did it, just keep it 51 00:03:09,800 --> 00:03:13,119 Speaker 1: out recently, Yes, I mean I got some tasty little 52 00:03:13,200 --> 00:03:16,760 Speaker 1: nuggets that people probably haven't heard of top Like, I 53 00:03:16,800 --> 00:03:19,639 Speaker 1: don't know if you've heard of Blinding Lights by the Weekend, 54 00:03:19,960 --> 00:03:22,880 Speaker 1: But that's a it's a little track that my kids 55 00:03:22,960 --> 00:03:27,600 Speaker 1: kind of enjoy um. So just but that's why I 56 00:03:27,720 --> 00:03:30,280 Speaker 1: look it up. That's just one that was burning up 57 00:03:30,320 --> 00:03:33,239 Speaker 1: your your sort of monthly chart, weekly chart from the 58 00:03:33,600 --> 00:03:36,960 Speaker 1: kids respect or requesting it. Yeah. Yeah, it's in their 59 00:03:36,960 --> 00:03:39,120 Speaker 1: playlist and it is one of the songs in their 60 00:03:39,160 --> 00:03:44,560 Speaker 1: playlist that no, no, no, no, almost none of mine 61 00:03:44,560 --> 00:03:51,160 Speaker 1: are going to be from this year. Rightly, the Plastic 62 00:03:51,160 --> 00:03:54,840 Speaker 1: Bertrand band song from like A hundred and twenty seven 63 00:03:54,840 --> 00:03:58,760 Speaker 1: hours or whatever number of hours that was my number one, 64 00:03:59,280 --> 00:04:03,520 Speaker 1: and that is from I think decades and decades ago, 65 00:04:03,800 --> 00:04:06,000 Speaker 1: and of course the kids like that. Huh, the kids 66 00:04:06,240 --> 00:04:12,000 Speaker 1: love it originally from the Olsen Twin hit movie Passport 67 00:04:12,040 --> 00:04:15,240 Speaker 1: to Paris. Let's be right, that's how everyone actually knows it. 68 00:04:15,640 --> 00:04:19,400 Speaker 1: I mean, the music supervisor on those was incredibly talented, 69 00:04:19,560 --> 00:04:24,920 Speaker 1: their brother Trey Olson. I got some Playboy Cardi, a 70 00:04:24,960 --> 00:04:27,599 Speaker 1: whole lot of Red in the top ten, and though 71 00:04:27,720 --> 00:04:30,640 Speaker 1: my kids weren't that into that, they didn't want to 72 00:04:30,720 --> 00:04:34,080 Speaker 1: die lit. Yeah, I tried to try to get them, 73 00:04:34,120 --> 00:04:37,119 Speaker 1: you know, into Playboy Cardi a little bit more, even 74 00:04:37,120 --> 00:04:40,479 Speaker 1: with his like baby voice that like like when he's 75 00:04:40,520 --> 00:04:44,719 Speaker 1: doing that that doesn't have appeal. Metamorphosis with Kid Cutty 76 00:04:44,800 --> 00:04:47,040 Speaker 1: was my favorite or my most played track, and probably 77 00:04:47,080 --> 00:04:52,960 Speaker 1: my favorite from They say kid rock because my brand 78 00:04:53,240 --> 00:04:58,120 Speaker 1: doesn't work, and also I am secretly trying to hide 79 00:04:58,120 --> 00:05:01,159 Speaker 1: the fact that kid rock is my favorite music. Hey, 80 00:05:01,400 --> 00:05:04,360 Speaker 1: at least you're honest. At least you're honest. Um, yeah, 81 00:05:04,360 --> 00:05:06,960 Speaker 1: I don't all A lot of my most listen to 82 00:05:07,080 --> 00:05:09,359 Speaker 1: tracks is like I was just listening like the same 83 00:05:09,560 --> 00:05:12,240 Speaker 1: five things over and over. Um, So I don't know 84 00:05:12,279 --> 00:05:14,760 Speaker 1: how useful it is because like I'll always just listen 85 00:05:14,800 --> 00:05:17,280 Speaker 1: to stuff off blank Face, the blank Face album from 86 00:05:17,360 --> 00:05:21,320 Speaker 1: Schoolboy q UM, but a lot of the stuff like 87 00:05:21,400 --> 00:05:23,360 Speaker 1: from this year. I would definitely listen to a lot 88 00:05:23,400 --> 00:05:26,720 Speaker 1: to the new Hiatus Coyote album Mood Valiant. I am 89 00:05:26,760 --> 00:05:30,320 Speaker 1: a huge Hiatus Kyote fan. I prefer choose your weapon 90 00:05:30,400 --> 00:05:33,080 Speaker 1: to this album, but they offer different things. I know, 91 00:05:33,680 --> 00:05:36,720 Speaker 1: and speaking with like Brian and other producer who we've 92 00:05:36,720 --> 00:05:39,640 Speaker 1: played in a band together before, kind of similar tastes 93 00:05:39,680 --> 00:05:41,640 Speaker 1: and we kind of diverged on what we liked about 94 00:05:41,680 --> 00:05:44,120 Speaker 1: each album. I think, Um, this one though, was just 95 00:05:44,160 --> 00:05:46,320 Speaker 1: like a really great album, and if if you're new 96 00:05:46,360 --> 00:05:48,359 Speaker 1: to Hiatus Kyote, I think is a good way to 97 00:05:48,400 --> 00:05:51,880 Speaker 1: listen to them because they're phenomenal musicians and Napalm She's 98 00:05:52,200 --> 00:05:56,680 Speaker 1: just ridiculously talented vocalist and songwriter and performer. So that's 99 00:05:56,680 --> 00:06:00,360 Speaker 1: when I'll give up. What about you, Anna h Yeah? No, 100 00:06:00,400 --> 00:06:03,839 Speaker 1: I listened to a lot of James Blake. His new 101 00:06:03,839 --> 00:06:06,920 Speaker 1: album Friends that Break Your Heart is really good, really recommend, 102 00:06:07,480 --> 00:06:10,440 Speaker 1: just really enjoy James Blake. I look, I guess I 103 00:06:10,480 --> 00:06:12,760 Speaker 1: did technically listen to the new Billie Eilish album A 104 00:06:12,760 --> 00:06:17,919 Speaker 1: little as well, um, you know, I that's good. You 105 00:06:17,960 --> 00:06:20,599 Speaker 1: know I would. I don't know, maybe I like the 106 00:06:20,640 --> 00:06:24,440 Speaker 1: other her first official album a little better, but it 107 00:06:24,640 --> 00:06:26,520 Speaker 1: is you know, I enjoy it for what it is. 108 00:06:26,800 --> 00:06:30,719 Speaker 1: Oh oh, actually and open Mike Eagles new album that 109 00:06:30,760 --> 00:06:33,760 Speaker 1: he dropped this year was really good. Okay, what was 110 00:06:33,800 --> 00:06:36,440 Speaker 1: that one called? Anime? Trauma and Divorce? And actually, now 111 00:06:36,440 --> 00:06:38,479 Speaker 1: that I realized that it came out in but in 112 00:06:38,520 --> 00:06:43,600 Speaker 1: my mind are the same years. Yeah, I think we 113 00:06:43,640 --> 00:06:46,320 Speaker 1: can all just like say, forgive each other on the 114 00:06:46,400 --> 00:06:49,080 Speaker 1: blurred lines of time in this because every that's why 115 00:06:49,120 --> 00:06:53,960 Speaker 1: I was in like flashing lights that what is that? Who? Yeah, No, 116 00:06:53,960 --> 00:06:55,480 Speaker 1: none of mine are going to be because this is 117 00:06:55,520 --> 00:06:58,520 Speaker 1: all just you know, it's like a top forty radio 118 00:06:58,600 --> 00:07:02,280 Speaker 1: station that only plays like two songs. Is I'm just 119 00:07:02,720 --> 00:07:06,240 Speaker 1: in a car with my kids taking requests and they 120 00:07:06,320 --> 00:07:09,400 Speaker 1: have very basic taste. I will say, like a general 121 00:07:09,440 --> 00:07:13,240 Speaker 1: theme of this year is like finding out about music 122 00:07:13,360 --> 00:07:17,000 Speaker 1: in weird ways. And so for the night the pop 123 00:07:17,040 --> 00:07:20,680 Speaker 1: smoke song featuring a little Baby and and dub Baby 124 00:07:21,040 --> 00:07:24,239 Speaker 1: both babies, but which is the number two most played 125 00:07:24,560 --> 00:07:28,280 Speaker 1: song on Apple in the US this year, And you 126 00:07:28,320 --> 00:07:31,320 Speaker 1: know in my top ten and my kids liked it, 127 00:07:31,360 --> 00:07:33,640 Speaker 1: but the way that that kind of I had that 128 00:07:33,800 --> 00:07:37,160 Speaker 1: in my like on a playlist, and then I heard 129 00:07:37,240 --> 00:07:41,280 Speaker 1: Janice and his brother singing it in there like celebration 130 00:07:41,440 --> 00:07:44,400 Speaker 1: video and like they're singing it badly, but like they 131 00:07:44,480 --> 00:07:47,280 Speaker 1: kind of hit that like one part where it's like 132 00:07:47,320 --> 00:07:50,840 Speaker 1: I tell you want like they're they're failing to sing that, 133 00:07:50,880 --> 00:07:53,520 Speaker 1: but you get what they're trying to, hopefully like you 134 00:07:53,640 --> 00:07:57,080 Speaker 1: just did with me, probably not. And that made me 135 00:07:57,120 --> 00:07:58,960 Speaker 1: be like, oh, I kind of really like that song 136 00:07:59,000 --> 00:08:00,680 Speaker 1: and go back to it. So it was like a 137 00:08:00,840 --> 00:08:05,200 Speaker 1: Janice Championship celebration viral video of him doing a bad 138 00:08:05,280 --> 00:08:08,600 Speaker 1: job singing that made me like that song again enough 139 00:08:08,640 --> 00:08:10,600 Speaker 1: to like put it back in the rotation and now 140 00:08:10,640 --> 00:08:15,000 Speaker 1: it's in my top ten right. Yeah. Also the Yaska 141 00:08:15,120 --> 00:08:17,920 Speaker 1: soundtrack by Flying Lotus that he did for the anime, 142 00:08:18,280 --> 00:08:20,200 Speaker 1: I thought that was really good too. That was an 143 00:08:20,240 --> 00:08:23,240 Speaker 1: album I didn't expect to keep listening to because there's 144 00:08:23,240 --> 00:08:25,200 Speaker 1: a lot of you know, to score, so there's some 145 00:08:25,240 --> 00:08:26,760 Speaker 1: things that are a little more low key, and then 146 00:08:26,760 --> 00:08:29,720 Speaker 1: you have some tracks are just so like musical and 147 00:08:30,160 --> 00:08:32,959 Speaker 1: like visually stimulating when you listen to it. I was 148 00:08:33,000 --> 00:08:35,280 Speaker 1: getting into it, and so yes, I would put that 149 00:08:35,360 --> 00:08:38,200 Speaker 1: as an inadvertent suggestion of music. I think the biggest 150 00:08:38,200 --> 00:08:40,120 Speaker 1: thing for me of like listening to new stuff has 151 00:08:40,160 --> 00:08:43,800 Speaker 1: been fucking TikTok to be honest, because at the time 152 00:08:43,840 --> 00:08:46,200 Speaker 1: I'm like, what the funk is this track, and there's 153 00:08:46,280 --> 00:08:48,720 Speaker 1: I don't know what it is. I think videos themselves 154 00:08:48,840 --> 00:08:51,319 Speaker 1: might be making songs sound better to me because like 155 00:08:51,360 --> 00:08:54,559 Speaker 1: I'm associating it with something I think is funny. Because 156 00:08:54,600 --> 00:08:56,920 Speaker 1: sometimes I'll go and like save ship on the playlist 157 00:08:56,960 --> 00:08:58,520 Speaker 1: and then listen back, I'm like, yo, this is not 158 00:08:59,360 --> 00:09:01,640 Speaker 1: But on the other your side. It got me really 159 00:09:01,640 --> 00:09:04,520 Speaker 1: into this genre called funk p h O n K 160 00:09:05,200 --> 00:09:07,360 Speaker 1: that's just like these beats that are like made with 161 00:09:07,400 --> 00:09:10,320 Speaker 1: like a D tuned cow bell sound from like the 162 00:09:10,360 --> 00:09:13,760 Speaker 1: eight oh eight drum Kit funk beats that Elon Musk 163 00:09:13,760 --> 00:09:17,680 Speaker 1: has endorsed. Yeah, yeah, exactly. Um, But like it started 164 00:09:17,720 --> 00:09:19,600 Speaker 1: off as like being just weird stuff I was seeing 165 00:09:19,640 --> 00:09:22,720 Speaker 1: like drifting videos on TikTok and then being in like 166 00:09:22,800 --> 00:09:25,640 Speaker 1: all these other kinds of videos. So I will I 167 00:09:25,880 --> 00:09:28,800 Speaker 1: will give shouts to to the youth of TikTok for 168 00:09:28,920 --> 00:09:31,440 Speaker 1: also expanding my palette, you know, I have a bit 169 00:09:31,480 --> 00:09:34,720 Speaker 1: of a TikTok album reference as well, but real quick, 170 00:09:34,760 --> 00:09:37,079 Speaker 1: I do want to give a shout out to Zach 171 00:09:37,200 --> 00:09:40,760 Speaker 1: Fox's album Shut the Funk Up Talking to Me, which 172 00:09:40,800 --> 00:09:42,880 Speaker 1: dropped this year, which I listened to actually a lot 173 00:09:43,000 --> 00:09:46,360 Speaker 1: the second it dropped the album. Enjoyed that album. But 174 00:09:46,600 --> 00:09:50,000 Speaker 1: in regards to TikTok, I actually when I went to 175 00:09:50,000 --> 00:09:53,360 Speaker 1: go see James Blake in Seattle, I know, sorry, I 176 00:09:53,440 --> 00:09:57,080 Speaker 1: only listened to one artist because I'm sad, but well, 177 00:09:57,120 --> 00:09:59,640 Speaker 1: also that Mariah Carry song to You like that one too? 178 00:09:59,720 --> 00:10:04,280 Speaker 1: Which one the like that one year before? Yeah, my 179 00:10:04,360 --> 00:10:07,280 Speaker 1: kids actually like I introduced them to that and they're 180 00:10:07,320 --> 00:10:11,160 Speaker 1: like that, you're not depending on the order of the 181 00:10:11,200 --> 00:10:15,720 Speaker 1: episodes that might land. It's pretty obscure. Sorry, sorry, just 182 00:10:15,880 --> 00:10:18,120 Speaker 1: um oh the one that's the oh, the one that 183 00:10:18,160 --> 00:10:20,920 Speaker 1: I think, uh, that's the one that we were like 184 00:10:21,000 --> 00:10:24,440 Speaker 1: really hoping to pop off with this special Yeah, hopefully 185 00:10:24,480 --> 00:10:26,040 Speaker 1: we can get some ears on this track with you 186 00:10:26,120 --> 00:10:28,319 Speaker 1: saying one of the best tracks of you. I think 187 00:10:28,320 --> 00:10:30,480 Speaker 1: that's also interesting that I couldn't even remember it, Like 188 00:10:30,520 --> 00:10:32,800 Speaker 1: that's part of the problem is, like no one knows 189 00:10:32,880 --> 00:10:35,960 Speaker 1: that song. So what went down to Seattle. Okay, So 190 00:10:36,000 --> 00:10:39,000 Speaker 1: I went to go see James Blake in Seattle, and um, 191 00:10:39,080 --> 00:10:43,880 Speaker 1: he had this artist open for him. Her name is Fuchet. Yeah. 192 00:10:44,080 --> 00:10:47,640 Speaker 1: I didn't realize it, but as she basically blew up 193 00:10:47,640 --> 00:10:50,920 Speaker 1: on TikTok, her songs went viral on tiptok. I believe 194 00:10:50,920 --> 00:10:55,720 Speaker 1: the song is called deep End and make Up. Yeah exactly. 195 00:10:56,400 --> 00:10:59,000 Speaker 1: So I like heard that song, and you know, at 196 00:10:59,000 --> 00:11:00,520 Speaker 1: the time, I had him made the actual until I 197 00:11:00,600 --> 00:11:02,839 Speaker 1: was at the concert and she started playing that song 198 00:11:02,960 --> 00:11:05,280 Speaker 1: and she literally was like I wrote this song in 199 00:11:05,320 --> 00:11:07,679 Speaker 1: my room and now it's like platinum go or whatever. 200 00:11:07,760 --> 00:11:10,040 Speaker 1: And I was like, I've never heard of you. And 201 00:11:10,040 --> 00:11:11,880 Speaker 1: then she started saying that song and I was like, oh, 202 00:11:11,920 --> 00:11:15,920 Speaker 1: that's her, right, Damn. I wish she had more notoriety. 203 00:11:15,920 --> 00:11:17,360 Speaker 1: But I mean, I guess it's cool she was opening 204 00:11:17,360 --> 00:11:20,640 Speaker 1: for James Blake. But yeah, I think that's what's wild too, 205 00:11:20,640 --> 00:11:25,080 Speaker 1: because James Blake is like a very great musician, and 206 00:11:25,120 --> 00:11:28,240 Speaker 1: I can't imagine he would just be like, oh that's 207 00:11:28,280 --> 00:11:30,960 Speaker 1: popping put them as the opener more than being like, 208 00:11:31,000 --> 00:11:33,800 Speaker 1: oh this is I really like this person's work, and 209 00:11:33,840 --> 00:11:37,120 Speaker 1: that feels like a fit for my show, because yeah, 210 00:11:37,120 --> 00:11:38,840 Speaker 1: I was the same way. I remember when I first 211 00:11:38,840 --> 00:11:40,320 Speaker 1: heard that one, I was like, Oh, this kind of 212 00:11:40,360 --> 00:11:43,080 Speaker 1: goes what the fun is this? And I'm like Dr Fauchi, 213 00:11:43,280 --> 00:11:45,040 Speaker 1: I don't know how to say that until I heard 214 00:11:45,040 --> 00:11:48,360 Speaker 1: it on the radio. Um, so you know, but they 215 00:11:48,360 --> 00:11:51,520 Speaker 1: actually just give him a shout out. They had a 216 00:11:51,520 --> 00:11:53,719 Speaker 1: new album drop this year called Time Machines, so go 217 00:11:53,880 --> 00:11:56,880 Speaker 1: check out fuche. I got another one for a weird 218 00:11:57,280 --> 00:12:01,240 Speaker 1: discovery method for a song that is now heavy rotation 219 00:12:01,559 --> 00:12:04,920 Speaker 1: that is not from this year. There's a song It's 220 00:12:04,920 --> 00:12:07,480 Speaker 1: Gonna Rain from I May Destroy You, which is a 221 00:12:07,520 --> 00:12:10,080 Speaker 1: show that came out in but that I watched this year, 222 00:12:10,320 --> 00:12:14,400 Speaker 1: and that song fucking rules. It's like a gospel song 223 00:12:14,720 --> 00:12:19,040 Speaker 1: by Reverend Milton Brunson, and that one is really good. 224 00:12:19,320 --> 00:12:23,040 Speaker 1: And it's it's my latest version of stand on the 225 00:12:23,040 --> 00:12:26,600 Speaker 1: Word from the Jubri Singers, which is one though like 226 00:12:26,720 --> 00:12:30,520 Speaker 1: I had known about before, but the first episode of 227 00:12:30,800 --> 00:12:33,400 Speaker 1: Righteous gem Stones reminded me of that. So there's another 228 00:12:33,400 --> 00:12:36,520 Speaker 1: one where I was just like, oh, and it's still 229 00:12:36,559 --> 00:12:39,520 Speaker 1: it's still like it's not one where like independent of 230 00:12:39,760 --> 00:12:42,199 Speaker 1: the context, I don't I no longer like it. It's 231 00:12:42,240 --> 00:12:45,319 Speaker 1: like the context still last for me, I think when 232 00:12:45,360 --> 00:12:47,240 Speaker 1: it's in a movie more so than when it's in 233 00:12:47,240 --> 00:12:50,840 Speaker 1: a viral video. But yeah, those are two great like 234 00:12:50,920 --> 00:12:54,600 Speaker 1: gospel songs that are always near the top of my 235 00:12:54,760 --> 00:12:58,200 Speaker 1: like most playlist, and uh, the only gospel songs that 236 00:12:58,280 --> 00:13:00,120 Speaker 1: I have, So maybe I need to get into or 237 00:13:00,200 --> 00:13:03,440 Speaker 1: gospel music. Shout out ze geang. Hit me with some 238 00:13:03,480 --> 00:13:08,400 Speaker 1: gospel recommendation, get him the gospel goods. And yet, honestly, 239 00:13:08,440 --> 00:13:10,880 Speaker 1: the more to think about TikTok, I'm like, oh my god, 240 00:13:11,120 --> 00:13:13,440 Speaker 1: I think so much of the ship. I was even 241 00:13:13,480 --> 00:13:16,439 Speaker 1: like going down like sort of rabbit holes and music 242 00:13:16,520 --> 00:13:18,480 Speaker 1: was because of that. Like even when I did you 243 00:13:18,640 --> 00:13:21,400 Speaker 1: that Willow Smith song, the one that was blown, I 244 00:13:21,480 --> 00:13:25,000 Speaker 1: was like a cut of void. Maybe you can Sloyd 245 00:13:25,480 --> 00:13:27,120 Speaker 1: you know that song? I don't know. Anyway, there was 246 00:13:27,160 --> 00:13:29,920 Speaker 1: a track that she put out and I remember being like, Yo, 247 00:13:29,960 --> 00:13:33,000 Speaker 1: this track fucking goes And then I listened to so 248 00:13:33,040 --> 00:13:35,040 Speaker 1: there's a clip of her performing it live with this 249 00:13:35,080 --> 00:13:39,920 Speaker 1: other vocalist and she was hitting that emo style heavy. 250 00:13:39,960 --> 00:13:42,080 Speaker 1: But then if you go to the album cut, she 251 00:13:42,160 --> 00:13:44,840 Speaker 1: doesn't have the same affect at all, and I'm like, yeah, 252 00:13:44,880 --> 00:13:46,280 Speaker 1: what the funk is this? And part of me. I 253 00:13:46,280 --> 00:13:49,160 Speaker 1: think what happened was the internet was even like, yo, dude, 254 00:13:49,240 --> 00:13:52,440 Speaker 1: the album cut is trash, Like this live version sounds 255 00:13:52,480 --> 00:13:54,880 Speaker 1: way better, even though like I think at first to 256 00:13:54,960 --> 00:13:57,240 Speaker 1: kind of caught people off because like you're not thinking 257 00:13:57,240 --> 00:14:00,600 Speaker 1: of Willow Smith is like a emo vocalist. But you know, 258 00:14:00,720 --> 00:14:03,400 Speaker 1: I think someone who grew up in the odds knows 259 00:14:03,480 --> 00:14:05,440 Speaker 1: that sound very well, and to see that kind of 260 00:14:05,440 --> 00:14:07,240 Speaker 1: come around, Like that's also another thing I've been seeing 261 00:14:07,320 --> 00:14:11,600 Speaker 1: is more of the blending of emo vocal affect coming 262 00:14:11,600 --> 00:14:14,760 Speaker 1: back into pop music, even like from black artists. You know, actually, 263 00:14:14,760 --> 00:14:20,000 Speaker 1: that's a good point. I think Willow Smith deeply underrated performer. Yeah, 264 00:14:20,000 --> 00:14:23,280 Speaker 1: when I watched a video of her covering a song 265 00:14:24,640 --> 00:14:27,680 Speaker 1: her you know how what's her mom's name, Jada Pinkett 266 00:14:27,680 --> 00:14:32,280 Speaker 1: SMI Jada Pinkett Smith's Sorry it's one of those days 267 00:14:32,840 --> 00:14:35,800 Speaker 1: for a while and which sorry I can't remember the 268 00:14:35,880 --> 00:14:40,600 Speaker 1: name of that band, But for Jada's birthday, Willow covered 269 00:14:40,600 --> 00:14:45,600 Speaker 1: a song with her former band for her mom, and 270 00:14:45,680 --> 00:14:49,280 Speaker 1: I was like, oh, she's one of the most talented people. 271 00:14:52,400 --> 00:14:56,440 Speaker 1: She like nailed her mom's song with her mom's former band, 272 00:14:56,920 --> 00:15:01,760 Speaker 1: Like it was just like what Yeah, just casually, just 273 00:15:01,920 --> 00:15:05,560 Speaker 1: as a surprise to her mother, she went away learned 274 00:15:05,560 --> 00:15:09,760 Speaker 1: the song. Is also a great guitar player, like just incredible, 275 00:15:09,960 --> 00:15:12,760 Speaker 1: incredible artists. We don't give her enough credit. I know 276 00:15:12,840 --> 00:15:17,000 Speaker 1: her brother, what's her brother's name? Come on now, come on, 277 00:15:18,160 --> 00:15:23,360 Speaker 1: come on, Jaden. Sorry, it's the most You can't forget 278 00:15:23,400 --> 00:15:27,880 Speaker 1: that if you're a parent, because that popular and Jade then, like, 279 00:15:29,000 --> 00:15:32,040 Speaker 1: Jade got attention for a long time. Because I've never 280 00:15:32,280 --> 00:15:38,640 Speaker 1: realized that ship I didn't either Jaden and Willows. I 281 00:15:38,680 --> 00:15:40,320 Speaker 1: am going to be silent for the rest of this 282 00:15:40,360 --> 00:15:43,280 Speaker 1: episode try and wrap my head around that. I feel 283 00:15:43,320 --> 00:15:48,440 Speaker 1: like I just watched the end of Usual Suspect sh um. Yeah, 284 00:15:48,600 --> 00:15:50,920 Speaker 1: so I didn't realize that. But yeah, I think Jaden 285 00:15:51,000 --> 00:15:53,080 Speaker 1: got a lot of the attention for his you know, 286 00:15:53,360 --> 00:15:56,640 Speaker 1: rap albums, and to think that Willow, I mean, I 287 00:15:56,640 --> 00:15:58,720 Speaker 1: guess she had with my hair back forth, but like 288 00:16:00,000 --> 00:16:03,200 Speaker 1: I feel like her music and work has really like 289 00:16:03,440 --> 00:16:06,560 Speaker 1: it's blown me away. I think they're both really interesting. 290 00:16:06,560 --> 00:16:09,840 Speaker 1: I think they're both really good performers. Jaden is definitely 291 00:16:10,680 --> 00:16:12,920 Speaker 1: you can see his like live shows and like, okay, 292 00:16:12,920 --> 00:16:15,640 Speaker 1: he has it. They're all have that level of showmanship, 293 00:16:15,800 --> 00:16:19,120 Speaker 1: But deep down, I really think like whatever trajectory Willows on, 294 00:16:19,400 --> 00:16:21,160 Speaker 1: just based on even that song and just kind of 295 00:16:21,160 --> 00:16:23,120 Speaker 1: the other things I heard this year, I'm like, this 296 00:16:23,200 --> 00:16:26,640 Speaker 1: person is very talented and with the right you know, 297 00:16:26,800 --> 00:16:29,880 Speaker 1: encouragement and producers or whatever, or just you know, freedom 298 00:16:29,960 --> 00:16:33,800 Speaker 1: to express herself. I think that's Willow. Willow Smith. If 299 00:16:33,800 --> 00:16:36,600 Speaker 1: you need to make some connections in the industry, reach 300 00:16:36,680 --> 00:16:41,400 Speaker 1: out to us. We can point you in the right direction. Um, 301 00:16:41,440 --> 00:16:46,120 Speaker 1: that's a hilarious bit. Yeah, I can tell by the 302 00:16:46,120 --> 00:16:51,240 Speaker 1: way you're shaking your head, do you. You know what's 303 00:16:51,280 --> 00:16:54,360 Speaker 1: also impressive about those kids is that, like all the 304 00:16:54,480 --> 00:16:57,160 Speaker 1: second life that will Smith has had online, like that 305 00:16:57,200 --> 00:17:02,360 Speaker 1: ship is all written by comedy writers, probably at the 306 00:17:02,400 --> 00:17:05,960 Speaker 1: direction of his kids, because other celebrities are not doing 307 00:17:06,000 --> 00:17:08,359 Speaker 1: it as well as he is. I get the sense 308 00:17:08,400 --> 00:17:11,160 Speaker 1: that he trusts his kids more than like other celebrities would, 309 00:17:11,640 --> 00:17:15,119 Speaker 1: and also like, I think his kids are fucking really 310 00:17:15,160 --> 00:17:19,840 Speaker 1: smart and like help him stay relevant. You think that 311 00:17:19,920 --> 00:17:23,080 Speaker 1: his kids were like, let's bring dad on Red table 312 00:17:23,160 --> 00:17:27,359 Speaker 1: Talk and make him look sad as hell. Awkwardly tries 313 00:17:27,400 --> 00:17:29,600 Speaker 1: to avoid that. I'm talking more like people who are 314 00:17:29,680 --> 00:17:33,160 Speaker 1: like will Smith is fucking hilarious on Instagram, you guys. 315 00:17:33,200 --> 00:17:35,960 Speaker 1: And it's like, no, like he was smart enough to 316 00:17:36,040 --> 00:17:38,840 Speaker 1: hire a team of comedy writers and pay them extremely 317 00:17:38,880 --> 00:17:41,680 Speaker 1: well to make him look very funny on Instagram. Like that, 318 00:17:42,080 --> 00:17:44,280 Speaker 1: did he really? Yeah? One of my old co workers 319 00:17:44,320 --> 00:17:47,200 Speaker 1: at Conde, who's an editor, edits all of those videos 320 00:17:47,400 --> 00:17:49,520 Speaker 1: and like, and he's a comedian too, And I know, 321 00:17:49,680 --> 00:17:51,840 Speaker 1: like when I saw the videos and I'm like, wait, oh, 322 00:17:52,000 --> 00:17:55,080 Speaker 1: Mike's working on this, Like you could tell from yeah, 323 00:17:55,160 --> 00:17:57,120 Speaker 1: you know, I just know, like he's a hilarious guy 324 00:17:57,160 --> 00:17:59,200 Speaker 1: and he's really good with video and likes to think 325 00:17:59,200 --> 00:18:01,480 Speaker 1: outside the box. So when he started like doing much 326 00:18:01,480 --> 00:18:04,960 Speaker 1: more sort of high concept video posts on on like 327 00:18:05,080 --> 00:18:08,000 Speaker 1: you know, Instagram and stuff, you can definitely see that 328 00:18:08,080 --> 00:18:10,320 Speaker 1: touch on there. But anyway, this has turned into the 329 00:18:10,400 --> 00:18:14,480 Speaker 1: Family Smith podcast. Hey man, it's better than them listening 330 00:18:14,520 --> 00:18:18,120 Speaker 1: to me talk about the floors Lava song, which one 331 00:18:18,200 --> 00:18:24,119 Speaker 1: is that the floor is lava. That one counts down 332 00:18:24,400 --> 00:18:26,520 Speaker 1: so you have a chance to get off the ground 333 00:18:26,520 --> 00:18:36,640 Speaker 1: five four? Uh maybe again, Yeah, I think it's actually 334 00:18:36,680 --> 00:18:40,480 Speaker 1: like that's why I was so say the party Freeze 335 00:18:40,560 --> 00:18:44,600 Speaker 1: Dance song, the two thousand fourteen version by the kaboomers. Oh, 336 00:18:44,680 --> 00:18:49,200 Speaker 1: the Kaboomers, of course, kaboomers. Yeah, I think that's also 337 00:18:49,280 --> 00:18:52,199 Speaker 1: who the Floor's Lava is. By their biggest hit, according 338 00:18:52,200 --> 00:18:55,400 Speaker 1: to Spotify, is the Party Freeze song. So these people 339 00:18:55,440 --> 00:18:58,840 Speaker 1: sound like they do like uh, I guess like the 340 00:18:59,720 --> 00:19:02,359 Speaker 1: Chi Josh slide for kids. But so a lot of 341 00:19:02,359 --> 00:19:04,960 Speaker 1: people know the Party free song. But that the reason 342 00:19:05,040 --> 00:19:07,320 Speaker 1: that you come to us for our cultural takes is 343 00:19:07,359 --> 00:19:09,600 Speaker 1: you probably don't know the Party Freeze dance song two 344 00:19:09,600 --> 00:19:13,200 Speaker 1: thousand fourteen version, which is actually far superior. So people 345 00:19:13,240 --> 00:19:16,280 Speaker 1: people are to check that out. All right, let's take 346 00:19:16,359 --> 00:19:30,159 Speaker 1: a quick break and we'll be right back. And we're back, 347 00:19:30,880 --> 00:19:33,880 Speaker 1: and I feel like no other albums came out this year, 348 00:19:34,200 --> 00:19:38,960 Speaker 1: so we could probably just right. I don't know, I'm 349 00:19:38,960 --> 00:19:45,280 Speaker 1: not familiar. Oh Adele? What? I don't know the name ape? 350 00:19:45,400 --> 00:19:50,200 Speaker 1: You've heard of her? Is it good? Was that? Isn't 351 00:19:50,200 --> 00:19:53,679 Speaker 1: Adele album at age thirty? Now that she's lived and 352 00:19:53,760 --> 00:19:56,760 Speaker 1: gone through a divorce and had a child and dated 353 00:19:56,840 --> 00:20:06,359 Speaker 1: a basketball agent Google? Is it? It's incredible. I'm not 354 00:20:06,440 --> 00:20:08,520 Speaker 1: the biggest adel fan, but I always whenever I hear 355 00:20:08,560 --> 00:20:10,840 Speaker 1: I'm I'm very always impressed that no, no, no, if 356 00:20:10,840 --> 00:20:13,000 Speaker 1: you're a human being, you're in a Dell fan, that's 357 00:20:13,080 --> 00:20:14,880 Speaker 1: such a wild thing to say. I'll tell you why 358 00:20:14,960 --> 00:20:17,640 Speaker 1: she supports Tottenham and I can't get over that. Here 359 00:20:17,760 --> 00:20:21,359 Speaker 1: we go, there's that. But again, I don't let that. 360 00:20:21,480 --> 00:20:22,840 Speaker 1: I don't let that get in the way of me 361 00:20:22,880 --> 00:20:25,440 Speaker 1: acknowledging the whiz. I mean, I guess in general, I'm 362 00:20:25,480 --> 00:20:27,320 Speaker 1: not and I don't listen to a lot of like 363 00:20:27,680 --> 00:20:32,400 Speaker 1: singer songwriter, like ballad type people. But I know I'm 364 00:20:32,400 --> 00:20:34,199 Speaker 1: not hating on her at all. I just you know, 365 00:20:34,240 --> 00:20:37,040 Speaker 1: different strokes. Let's just say I tried to get tickets 366 00:20:37,160 --> 00:20:44,439 Speaker 1: to her um Vegas residency and Ticketmaster just laughed at me. Yeah, like, 367 00:20:44,520 --> 00:20:46,679 Speaker 1: I signed up, I did the whole process to like 368 00:20:46,800 --> 00:20:52,000 Speaker 1: get into the pre sales, and it was like, yeah, okay, honey, 369 00:20:52,280 --> 00:20:54,520 Speaker 1: they're like, but but this was the place I came 370 00:20:54,560 --> 00:20:56,680 Speaker 1: to do the pre sale. Why why are you laughing 371 00:20:56,680 --> 00:20:59,480 Speaker 1: at me? But you because you thought this would even work. 372 00:21:00,160 --> 00:21:02,440 Speaker 1: You're freaking lame. No, no, no, no, no, no, You're 373 00:21:02,480 --> 00:21:05,119 Speaker 1: not getting in. No one's getting in except for the 374 00:21:05,160 --> 00:21:08,600 Speaker 1: people who we decided at random as her verified fan 375 00:21:08,720 --> 00:21:11,119 Speaker 1: group can get in. What's the best track on that 376 00:21:11,160 --> 00:21:13,760 Speaker 1: album that I should listen to. Okay, I'm I'm not 377 00:21:13,760 --> 00:21:15,040 Speaker 1: going to do that. I think it needs to listen 378 00:21:15,040 --> 00:21:17,280 Speaker 1: to the entire albums. Okay, what's one of your favorites 379 00:21:17,359 --> 00:21:19,480 Speaker 1: without putting the tension of what you need to be 380 00:21:19,520 --> 00:21:23,560 Speaker 1: responsible to transition me into a life of adelf fandom. 381 00:21:23,720 --> 00:21:26,640 Speaker 1: What's what's the track that you've been vibing with off thirty. 382 00:21:26,760 --> 00:21:28,880 Speaker 1: I'm telling you I will not answer that. I want 383 00:21:28,880 --> 00:21:33,000 Speaker 1: you to sound like the whole albums, to the entire album. 384 00:21:33,119 --> 00:21:36,040 Speaker 1: For some reason, to producer, Brian just decided to let 385 00:21:36,119 --> 00:21:40,640 Speaker 1: us know he likes wine and the chat. He just said, yeah, 386 00:21:40,760 --> 00:21:43,040 Speaker 1: nice track, Brian, but we're still talking about it, talking 387 00:21:43,040 --> 00:21:48,160 Speaker 1: about Adele on the album thirty. What's a good song? Oh? 388 00:21:48,160 --> 00:21:51,199 Speaker 1: He said, Nah, the Adel song? Okay cool? Yeah, No, 389 00:21:51,320 --> 00:21:54,440 Speaker 1: that's what we're asking this song. Come on, we we 390 00:21:54,440 --> 00:21:58,000 Speaker 1: should stretch this out into a whole who's on first thing? Yes, 391 00:21:58,080 --> 00:22:00,560 Speaker 1: the Adel song, that's what we're asking for. And we 392 00:22:00,640 --> 00:22:03,879 Speaker 1: know you drink wine, Brian, God, I think you're drinking 393 00:22:03,920 --> 00:22:07,359 Speaker 1: a bit too much of it right now. It's not 394 00:22:07,440 --> 00:22:12,000 Speaker 1: I like wine, it's I drink wine. Yeah, he corrected him. Okay, good, yeah, 395 00:22:12,040 --> 00:22:13,920 Speaker 1: he don't want to get fully banished from the earth. 396 00:22:14,240 --> 00:22:16,119 Speaker 1: And there's an album like what because I mean, I 397 00:22:16,119 --> 00:22:18,400 Speaker 1: guess for Adele, right, I feel like her strengths are 398 00:22:18,560 --> 00:22:23,200 Speaker 1: just how just amazingly powerful and how her voice can 399 00:22:23,240 --> 00:22:26,720 Speaker 1: convey so much emotion and her range. But also she's 400 00:22:26,760 --> 00:22:28,760 Speaker 1: like a great lyricist as well. I know that I've 401 00:22:28,800 --> 00:22:31,560 Speaker 1: always find myself, you know, being really into that. I 402 00:22:31,600 --> 00:22:33,320 Speaker 1: did watch a special where she talked about how she 403 00:22:33,400 --> 00:22:35,760 Speaker 1: was really into English literature or something. Then her teacher 404 00:22:35,840 --> 00:22:38,880 Speaker 1: surprised her on stage. Yeah, saw that that touched me. 405 00:22:38,320 --> 00:22:45,200 Speaker 1: She's like, you were bad at this. Listen to your pronunciation, Adele. 406 00:22:45,840 --> 00:22:47,920 Speaker 1: But yeah, I mean as an album, and what makes 407 00:22:47,920 --> 00:22:49,399 Speaker 1: a good album like it's going to take you on 408 00:22:49,440 --> 00:22:52,480 Speaker 1: a journey, like by listening to it sequentially that you 409 00:22:52,480 --> 00:22:54,840 Speaker 1: get like this whole sort of thing, or that it's 410 00:22:54,880 --> 00:22:58,800 Speaker 1: just just a really good collection of good work. Well, 411 00:22:58,840 --> 00:23:01,800 Speaker 1: I mean, I think in Adele case an album that 412 00:23:01,840 --> 00:23:04,760 Speaker 1: makes you feel like you're having all these emotions you 413 00:23:04,800 --> 00:23:07,280 Speaker 1: don't actually have any reason to have, Like you're like 414 00:23:07,440 --> 00:23:09,960 Speaker 1: I am going through a breakup while you're sitting with 415 00:23:10,000 --> 00:23:13,240 Speaker 1: your partner. You're just a completely fine relationship. But You're like, you, 416 00:23:14,080 --> 00:23:18,280 Speaker 1: why would you do this to me? Right arrow through 417 00:23:18,320 --> 00:23:21,520 Speaker 1: your heart? All these feelings that you don't really have 418 00:23:21,560 --> 00:23:24,239 Speaker 1: any business to have. But because Adele is Adele, she 419 00:23:24,280 --> 00:23:26,320 Speaker 1: can like talk to your soul in a way that 420 00:23:26,359 --> 00:23:36,040 Speaker 1: you're almost, um fantasizing about having pains, suffering phantom heartache 421 00:23:36,119 --> 00:23:38,800 Speaker 1: is what I like it. Uh, it almost sounds the 422 00:23:38,800 --> 00:23:41,040 Speaker 1: way you're saying it. It's like for the same reason 423 00:23:41,119 --> 00:23:44,640 Speaker 1: Sour by Olivia Rodrigo like didn't quite connect to me, 424 00:23:44,720 --> 00:23:47,280 Speaker 1: but younger people did. I feel like, were you saying 425 00:23:47,520 --> 00:23:50,920 Speaker 1: what thirty did to you might might touch me more 426 00:23:51,000 --> 00:23:53,920 Speaker 1: as being like, I know Adele and exactly what you're 427 00:23:54,000 --> 00:23:57,480 Speaker 1: talking about, because strawberry ice cream and Malibu didn't quite 428 00:23:57,520 --> 00:23:59,720 Speaker 1: get me, but it's catchy. As I was looking through 429 00:23:59,720 --> 00:24:05,440 Speaker 1: the end lists, Sour and Driver's License were like the 430 00:24:05,520 --> 00:24:07,480 Speaker 1: songs on that list that I was like, oh, I 431 00:24:07,560 --> 00:24:10,159 Speaker 1: know I have those, those are listen to those a 432 00:24:10,160 --> 00:24:13,080 Speaker 1: lot too. I know about that. I know about that. Yeah, yeah, no, 433 00:24:13,160 --> 00:24:16,800 Speaker 1: of course, yeah, great stuff. That one. Um, although I 434 00:24:16,840 --> 00:24:19,320 Speaker 1: do have to cough really loud every time she says 435 00:24:19,359 --> 00:24:21,680 Speaker 1: I still fucking love you with my kids in the car. 436 00:24:22,800 --> 00:24:26,879 Speaker 1: That's my one note, Olivia, clean it up, sister. Wait, 437 00:24:26,920 --> 00:24:28,760 Speaker 1: so when it's coming up, are you really going to? 438 00:24:32,119 --> 00:24:35,399 Speaker 1: I usually just ask them a question. Wait, what's the 439 00:24:35,400 --> 00:24:38,119 Speaker 1: part you don't want them to hear? Because I still 440 00:24:38,119 --> 00:24:43,080 Speaker 1: fucking love you? Oh, because they they have been known to, 441 00:24:43,840 --> 00:24:47,960 Speaker 1: you know, drop the occasional damn and you know, bad 442 00:24:48,080 --> 00:24:51,360 Speaker 1: bad words because they can't drive the places we used 443 00:24:51,359 --> 00:24:56,600 Speaker 1: to go. Wait, your kids are into a dell, into 444 00:24:56,600 --> 00:24:59,440 Speaker 1: a doubt. Now we're talking about Olivia. But are they sorry? 445 00:24:59,520 --> 00:25:01,920 Speaker 1: I can you don't want to tell? You think? I 446 00:25:01,960 --> 00:25:04,439 Speaker 1: feel like that might be a little bit. I don't know. 447 00:25:04,480 --> 00:25:06,560 Speaker 1: I you know what, that's a good experiment. I'm gonna 448 00:25:06,640 --> 00:25:10,080 Speaker 1: add a couple of Deel tracks to their playlist, and 449 00:25:10,119 --> 00:25:12,320 Speaker 1: not just like Rolling in the Deep, which would be 450 00:25:12,359 --> 00:25:14,440 Speaker 1: easy sell for them. I feel like they would be 451 00:25:14,480 --> 00:25:16,959 Speaker 1: into that because it's fun. Let's see how much they 452 00:25:16,960 --> 00:25:23,240 Speaker 1: could really feel, how deep the depths of their emotions go. No, 453 00:25:23,359 --> 00:25:28,000 Speaker 1: but I think Adele's pretty family friendly in that regard. Yeah, yeah, 454 00:25:28,040 --> 00:25:34,160 Speaker 1: I bet you're like, dad, what is a heart wrenching breakup? Right? 455 00:25:39,480 --> 00:25:41,560 Speaker 1: When will you and mommy get to force so I can? 456 00:25:41,640 --> 00:25:46,000 Speaker 1: Will you start drinking wine again? Um? Another kind of 457 00:25:46,040 --> 00:25:50,479 Speaker 1: weird circuitous one is that there was this cover of 458 00:25:50,640 --> 00:25:53,760 Speaker 1: the Gwence Fanny song Cool by Maggie Rodgers. Did you 459 00:25:53,760 --> 00:25:56,480 Speaker 1: guys see that her like covering it backstage before she 460 00:25:56,560 --> 00:25:58,879 Speaker 1: was about to go on like Fallon or one of 461 00:25:58,880 --> 00:26:01,520 Speaker 1: those shows and once Funny was one of the guests, 462 00:26:01,800 --> 00:26:05,800 Speaker 1: and it's like a fifteen second snippet, but I couldn't 463 00:26:05,960 --> 00:26:08,440 Speaker 1: find it anywhere, like they didn't release it as a track. 464 00:26:08,760 --> 00:26:11,440 Speaker 1: So then I just like found the original song and 465 00:26:11,840 --> 00:26:14,880 Speaker 1: that ended up in my you know, top twenty. That's 466 00:26:14,880 --> 00:26:18,320 Speaker 1: a good song. Also not from this year, but another. 467 00:26:18,520 --> 00:26:20,840 Speaker 1: He's the one who went viral right from that n 468 00:26:21,000 --> 00:26:24,679 Speaker 1: y u h like song Class with Farrell and like 469 00:26:24,760 --> 00:26:27,840 Speaker 1: Farrell was like reacting to a track of hers. Oh, 470 00:26:27,880 --> 00:26:30,200 Speaker 1: I don't know, do I have that right? I follow 471 00:26:30,280 --> 00:26:32,919 Speaker 1: her on Twitter, so she might have said something very 472 00:26:32,960 --> 00:26:35,080 Speaker 1: funny at one point and that's why I follow her. 473 00:26:35,119 --> 00:26:38,439 Speaker 1: But she tweeted a video from backstage and I was like, 474 00:26:38,520 --> 00:26:42,720 Speaker 1: this is fucking great, I really really good. I remember. Yeah. 475 00:26:42,760 --> 00:26:45,800 Speaker 1: I got sort of put on to her because of 476 00:26:46,000 --> 00:26:49,400 Speaker 1: this like class because I was, you know, huge Farrell fan, 477 00:26:49,800 --> 00:26:52,160 Speaker 1: uh growing up, and just like whenever, like I see 478 00:26:52,200 --> 00:26:53,399 Speaker 1: things like with him and I'm like, what's going on? 479 00:26:53,520 --> 00:26:55,520 Speaker 1: Was he doing? And I remember the whole thing was 480 00:26:55,520 --> 00:26:58,359 Speaker 1: like it was like sort of her like graduate project 481 00:26:58,359 --> 00:27:02,160 Speaker 1: where she put out this track and was like explaining 482 00:27:02,160 --> 00:27:04,959 Speaker 1: like her like uh, you know, artistic journey to that 483 00:27:05,000 --> 00:27:07,080 Speaker 1: moment and when it's playing, like Farrell is just like 484 00:27:07,200 --> 00:27:10,560 Speaker 1: frozen and being like whoa, Like this is really good 485 00:27:10,560 --> 00:27:12,240 Speaker 1: and she kind of thought he was joking at first, 486 00:27:12,280 --> 00:27:17,359 Speaker 1: and I felt like that and it's joking like the 487 00:27:17,560 --> 00:27:25,680 Speaker 1: eyes over Wow, psych, No, that was trash. I'm gonna 488 00:27:25,680 --> 00:27:30,320 Speaker 1: steal it though, but yeah, I mean also, you know, 489 00:27:30,400 --> 00:27:34,120 Speaker 1: another another testament to that that talent, that it's more 490 00:27:34,160 --> 00:27:36,800 Speaker 1: than just one viral clip. Keeps going, keeps going so 491 00:27:36,880 --> 00:27:39,960 Speaker 1: cool came in right in between d a n C 492 00:27:40,320 --> 00:27:43,320 Speaker 1: By Justice the Do the d A n C E 493 00:27:43,600 --> 00:27:46,720 Speaker 1: One Because the reason that one is so popular with 494 00:27:46,760 --> 00:27:50,760 Speaker 1: my kids is because my five year old thinks that 495 00:27:51,119 --> 00:27:54,040 Speaker 1: seventh graders are singing that. Like he listened enough to 496 00:27:54,080 --> 00:27:56,359 Speaker 1: it was like they sound like they're in seventh grade 497 00:27:56,359 --> 00:27:58,000 Speaker 1: because there is like the part where the kids are 498 00:27:58,040 --> 00:28:00,840 Speaker 1: singing right right right, but it's also a fun track. 499 00:28:01,280 --> 00:28:05,480 Speaker 1: And then Highwayman by the Highwayman, uh so that's a 500 00:28:05,520 --> 00:28:08,320 Speaker 1: good one. Get him into justice. Any of their Roman 501 00:28:08,400 --> 00:28:12,320 Speaker 1: Gabres directed music videos are all family friendly. I would 502 00:28:12,359 --> 00:28:16,200 Speaker 1: love to see how they they respond to those music videos. 503 00:28:16,240 --> 00:28:18,880 Speaker 1: All Right, what else we got? Did you guys get into? 504 00:28:19,480 --> 00:28:22,919 Speaker 1: Like Olivia Rodrigo the album, I feel like that's the 505 00:28:22,960 --> 00:28:25,800 Speaker 1: one thing that I'm hearing both from people and music 506 00:28:25,800 --> 00:28:29,520 Speaker 1: critics as like they're albums of the year. I mean, 507 00:28:29,560 --> 00:28:31,960 Speaker 1: I listened to it as sort of just out of 508 00:28:32,000 --> 00:28:36,239 Speaker 1: general due diligence to culture. Um, but it wasn't. It 509 00:28:36,280 --> 00:28:38,840 Speaker 1: wasn't for me. But I didn't really listened to I 510 00:28:38,920 --> 00:28:41,040 Speaker 1: heard Driver's License a lot, but I never really got 511 00:28:41,080 --> 00:28:43,000 Speaker 1: I didn't sit down and listen to the full album 512 00:28:43,080 --> 00:28:50,200 Speaker 1: because um wow, uh huh. I don't know. I honestly 513 00:28:50,240 --> 00:28:53,520 Speaker 1: have no listen to it. I just yeah, I think 514 00:28:53,640 --> 00:28:55,200 Speaker 1: the reason I even listened to it because I just 515 00:28:55,240 --> 00:28:58,160 Speaker 1: saw how many people around me were having such strong 516 00:28:58,200 --> 00:29:01,080 Speaker 1: reactions to it. But then I I realized, like my 517 00:29:01,400 --> 00:29:05,120 Speaker 1: connection to pop music or like lyrics and pop music 518 00:29:05,280 --> 00:29:08,960 Speaker 1: wasn't quite the same. Like I was like more touched 519 00:29:09,080 --> 00:29:11,560 Speaker 1: by some of the lyrics on the Hiatus Coyote, like 520 00:29:11,640 --> 00:29:15,600 Speaker 1: Mood Valiant album, where like someone's like really kind of 521 00:29:15,600 --> 00:29:18,800 Speaker 1: poetically describing, like how kind of dysfunctional they are in 522 00:29:18,800 --> 00:29:23,000 Speaker 1: a relationship. Then like, I think the much more relatable, 523 00:29:23,000 --> 00:29:25,480 Speaker 1: like sort of pop, you know, aesthetic that was put 524 00:29:25,520 --> 00:29:27,320 Speaker 1: on this hour album. Not to say it doesn't have 525 00:29:27,400 --> 00:29:29,000 Speaker 1: depth or anything, right, prefer one of it, But I 526 00:29:29,040 --> 00:29:31,320 Speaker 1: just I don't know. I didn't didn't take me in, 527 00:29:31,400 --> 00:29:34,080 Speaker 1: didn't take me in. I was about to talk about 528 00:29:34,080 --> 00:29:37,200 Speaker 1: how Drake only has two uh songs from his new 529 00:29:37,240 --> 00:29:41,960 Speaker 1: album on the Apple Music Most Played Songs one. He 530 00:29:42,040 --> 00:29:45,840 Speaker 1: also has the number one song Once and Needs. He 531 00:29:45,880 --> 00:29:48,760 Speaker 1: has like a feature on like ten of the songs 532 00:29:48,920 --> 00:29:51,920 Speaker 1: that were in the top Drake is still doing it. 533 00:29:51,960 --> 00:29:53,440 Speaker 1: I think it was not a bad year for Drake. 534 00:29:53,440 --> 00:29:56,560 Speaker 1: It was a bad year for people releasing albums. I 535 00:29:56,600 --> 00:29:59,640 Speaker 1: think I did. His albums wasn't great garbage, Yeah, that's 536 00:29:59,680 --> 00:30:01,720 Speaker 1: I'm like, I don't know that sound like you know 537 00:30:01,840 --> 00:30:04,720 Speaker 1: both you know that his album and Donda, I was like, okay, 538 00:30:04,720 --> 00:30:09,360 Speaker 1: like down, I think Tyler, the Tyler the Creator his 539 00:30:09,440 --> 00:30:13,440 Speaker 1: album was far more enjoyable for me. I found that. 540 00:30:13,480 --> 00:30:16,080 Speaker 1: I found, like, you know, I was at first hesitant, 541 00:30:16,120 --> 00:30:18,240 Speaker 1: and then super producer Brian was like, you should listen 542 00:30:18,280 --> 00:30:20,520 Speaker 1: to it. It's really good. So you know, I love 543 00:30:20,560 --> 00:30:22,680 Speaker 1: Psy called Me. If you get lost Tyler the Creator, 544 00:30:22,960 --> 00:30:28,120 Speaker 1: Oh yeah, that album is good. Yeah yeah, but so 545 00:30:28,280 --> 00:30:33,560 Speaker 1: my artist of the year drum roll please do uh. 546 00:30:33,640 --> 00:30:36,400 Speaker 1: But you know, for the past three years running, it's 547 00:30:36,400 --> 00:30:38,800 Speaker 1: been they Might be Giants, with Beach Boys as a 548 00:30:38,840 --> 00:30:42,040 Speaker 1: close second, the Beatles and third, but we have a 549 00:30:42,040 --> 00:30:45,479 Speaker 1: new champion. My kids found out about the Beastie Boys, 550 00:30:45,720 --> 00:30:48,360 Speaker 1: and they are fun music for children to listen to 551 00:30:48,920 --> 00:30:51,760 Speaker 1: because it sounds like a five year old rapping. Like 552 00:30:51,840 --> 00:30:54,240 Speaker 1: it's really like if a five year old was trying 553 00:30:54,280 --> 00:30:57,280 Speaker 1: to like release a rap album. These are the this 554 00:30:57,360 --> 00:31:01,240 Speaker 1: is the lyrical content and the delivery that would come about. 555 00:31:01,480 --> 00:31:03,760 Speaker 1: It's like people on Sesame Street if they were rappers. 556 00:31:03,800 --> 00:31:07,000 Speaker 1: Like the voices are distinct and like not as like 557 00:31:07,120 --> 00:31:11,000 Speaker 1: normal adults talking. So although sure shot. The reason that 558 00:31:11,160 --> 00:31:13,600 Speaker 1: the thing that put that back into my rotation, which 559 00:31:13,640 --> 00:31:15,040 Speaker 1: I think is how they found out about it, was 560 00:31:15,120 --> 00:31:18,560 Speaker 1: that it was the theme song from A Patriot Season two, 561 00:31:18,720 --> 00:31:20,880 Speaker 1: and I was like, oh, this song is really fucking good, 562 00:31:21,240 --> 00:31:22,960 Speaker 1: which is a show that came out like ten years ago. 563 00:31:23,040 --> 00:31:26,720 Speaker 1: But you know, random random ways that like music kind 564 00:31:26,760 --> 00:31:28,880 Speaker 1: of pops back up. I feel like that has been 565 00:31:28,920 --> 00:31:31,160 Speaker 1: the story of music for me for the past like 566 00:31:31,880 --> 00:31:34,560 Speaker 1: three years. That's BEASTI Boys is very interesting to me 567 00:31:34,640 --> 00:31:37,880 Speaker 1: because for so like happy and like positive in the 568 00:31:37,920 --> 00:31:43,280 Speaker 1: sense like it's so like popping off true darkness laws beneath. 569 00:31:44,960 --> 00:31:47,240 Speaker 1: You recommend that Beasty Boys documentary if you guys haven't 570 00:31:47,240 --> 00:31:50,320 Speaker 1: seen it, very fascinating intel on everything that was going 571 00:31:50,360 --> 00:31:53,080 Speaker 1: on at that time, Are they really? I was just 572 00:31:53,120 --> 00:31:55,320 Speaker 1: a lot going on and just things. It was very 573 00:31:55,400 --> 00:31:57,640 Speaker 1: much like you're working with Rick Rubin. You're in it 574 00:31:57,720 --> 00:32:00,120 Speaker 1: all of a sudden and you're like things are happening, 575 00:32:00,280 --> 00:32:04,160 Speaker 1: Choices are being made, people are getting sucked over it, 576 00:32:04,680 --> 00:32:09,680 Speaker 1: and burnout is happening right. One last album which want 577 00:32:09,680 --> 00:32:13,680 Speaker 1: to shout out before I head out is Little Sims album. Uh, 578 00:32:13,840 --> 00:32:17,080 Speaker 1: sometimes I might be introvert. Little Sims is like an 579 00:32:17,200 --> 00:32:19,600 Speaker 1: artist over the last couple of years, It's just grown 580 00:32:19,600 --> 00:32:21,720 Speaker 1: on me more and more, and every time I see 581 00:32:21,760 --> 00:32:25,280 Speaker 1: her perform or like you know, playing bass or doing whatever, 582 00:32:25,480 --> 00:32:28,680 Speaker 1: I'm just like, this is such a like true. I mean, 583 00:32:29,160 --> 00:32:31,000 Speaker 1: this album is definitely getting a lot of tension, but 584 00:32:31,520 --> 00:32:34,400 Speaker 1: I feel like she she should be at a much 585 00:32:34,840 --> 00:32:38,160 Speaker 1: higher level um of like notoriety, because I mean she's 586 00:32:38,400 --> 00:32:40,320 Speaker 1: right now, she gets spins like you know on like 587 00:32:40,400 --> 00:32:44,440 Speaker 1: your NPR sort of casey r W Vibe type radio stations. 588 00:32:44,440 --> 00:32:48,080 Speaker 1: But like even as a lyricist, man her other like 589 00:32:48,640 --> 00:32:54,080 Speaker 1: man that her track Venom, I think is so fantastically written, 590 00:32:54,240 --> 00:32:57,360 Speaker 1: it's unreal. So I do want to say, yeah, just 591 00:32:57,240 --> 00:33:00,240 Speaker 1: I just one last thing, little sims something like gonna 592 00:33:00,280 --> 00:33:02,600 Speaker 1: come out and say it. I think she should get 593 00:33:02,600 --> 00:33:05,520 Speaker 1: featured on Drake track. And I know that's controversial, but 594 00:33:06,240 --> 00:33:10,080 Speaker 1: I think she's that good. That's what's next. That's what's 595 00:33:10,120 --> 00:33:14,880 Speaker 1: next along the way anything else, and before we leave 596 00:33:15,080 --> 00:33:18,680 Speaker 1: the people to go and look into all these hot 597 00:33:19,000 --> 00:33:23,480 Speaker 1: new tracks that I'm gonna I'm looking into it. Yeah, 598 00:33:23,600 --> 00:33:27,440 Speaker 1: I am actually gonna listen to Adele. Yeah, adelea is so. 599 00:33:27,560 --> 00:33:30,880 Speaker 1: I mean the thing is Adele is a classic. Adele 600 00:33:31,040 --> 00:33:34,920 Speaker 1: is someone you turn on and you just just like 601 00:33:35,080 --> 00:33:40,080 Speaker 1: live your life through the lens of Adele's pain. And um, 602 00:33:40,120 --> 00:33:42,040 Speaker 1: that's all I can really say is like, just like 603 00:33:42,240 --> 00:33:48,160 Speaker 1: feel that pain as if it's realm. Cry You're in 604 00:33:48,280 --> 00:33:51,160 Speaker 1: for that pain, You're in for it. Earn it. I will. 605 00:33:51,560 --> 00:33:54,000 Speaker 1: I think maybe that's what it is too like. Sometimes 606 00:33:54,040 --> 00:33:58,320 Speaker 1: Adele's albums almost feel like like serious movies that are 607 00:33:58,320 --> 00:34:00,400 Speaker 1: going to get too real for me, and I shy 608 00:34:00,440 --> 00:34:02,880 Speaker 1: away and I go to the familiar. So I will 609 00:34:02,960 --> 00:34:06,400 Speaker 1: challenge myself with thirty Savior. Cheers by the Weekend was 610 00:34:06,440 --> 00:34:09,919 Speaker 1: also a good track. And also I meant to say 611 00:34:09,960 --> 00:34:14,040 Speaker 1: that Christie Amagucci Man in writing a KS, has turned 612 00:34:14,080 --> 00:34:16,279 Speaker 1: me onto some good old pop songs like Your Love 613 00:34:16,320 --> 00:34:18,719 Speaker 1: by the Outfield, which I thought was going to be 614 00:34:18,760 --> 00:34:21,960 Speaker 1: like your Love Has Lived, but it's a different one 615 00:34:21,960 --> 00:34:26,239 Speaker 1: and it's good. Um. All right, that's been music in 616 00:34:26,239 --> 00:34:33,319 Speaker 1: the Year and Beyond and beyond. We are back soon 617 00:34:33,800 --> 00:34:37,560 Speaker 1: with more year and review content and we will talk 618 00:34:37,600 --> 00:34:38,239 Speaker 1: to you all then