1 00:00:05,160 --> 00:00:07,520 Speaker 1: Hey, this is Annie and Samantha. I want your stuff. 2 00:00:07,560 --> 00:00:20,400 Speaker 2: Never Told You Protection by her radio. Today we are 3 00:00:20,480 --> 00:00:25,079 Speaker 2: bringing back a classic in the midst of our discussion 4 00:00:25,160 --> 00:00:29,000 Speaker 2: of religious Horror, which if you're listening to this as 5 00:00:29,000 --> 00:00:32,280 Speaker 2: it comes out, we have two parts of I thought 6 00:00:32,280 --> 00:00:35,960 Speaker 2: we should bring back Sister Act, you know, as a 7 00:00:36,040 --> 00:00:41,000 Speaker 2: classic feminist movie Friday we did. I honestly think that 8 00:00:42,000 --> 00:00:44,960 Speaker 2: the Religious Horror episode we didn't even get into, Like 9 00:00:45,479 --> 00:00:48,040 Speaker 2: we kind of touched on it, but we didn't really 10 00:00:48,040 --> 00:00:53,280 Speaker 2: get into kind of the popular culture view on nuns 11 00:00:53,760 --> 00:00:58,960 Speaker 2: and priest and perhaps the sexualization of them are the 12 00:00:59,600 --> 00:01:02,640 Speaker 2: con twist of like I want to get the priest 13 00:01:02,760 --> 00:01:04,080 Speaker 2: to break his. 14 00:01:04,080 --> 00:01:06,160 Speaker 1: Vows or whatever. That's not what's going on here. 15 00:01:06,200 --> 00:01:10,000 Speaker 2: But I just I was thinking about what it did 16 00:01:10,040 --> 00:01:13,720 Speaker 2: come up in several articles I was researching for that 17 00:01:13,760 --> 00:01:15,840 Speaker 2: episode where people would talk about Sister Act, and I 18 00:01:15,880 --> 00:01:17,320 Speaker 2: just thought it was so funny because we were talking 19 00:01:17,319 --> 00:01:21,440 Speaker 2: about such dark material around this and they would bring 20 00:01:21,520 --> 00:01:22,360 Speaker 2: up Sister Act. 21 00:01:23,200 --> 00:01:23,639 Speaker 3: Was funny. 22 00:01:24,080 --> 00:01:29,119 Speaker 2: Yeah, So here you go, listeners, here's a lighter a 23 00:01:29,280 --> 00:01:31,680 Speaker 2: lighter movie. 24 00:01:32,440 --> 00:01:33,520 Speaker 1: Yes, please enjoy. 25 00:01:39,120 --> 00:01:41,600 Speaker 2: Hey, this is Annie and Samantha and welcome to Stefan 26 00:01:41,680 --> 00:01:43,840 Speaker 2: Never Told you a protection of iHeartRadio. 27 00:01:52,600 --> 00:01:58,000 Speaker 3: And for this feminist movie Friday, once again, Annie is 28 00:01:58,080 --> 00:02:01,640 Speaker 3: letting me well, letting my tea age itself live in 29 00:02:01,720 --> 00:02:05,320 Speaker 3: the wonderful memories of some of my favorite movies. So 30 00:02:05,400 --> 00:02:09,000 Speaker 3: excited and much like my love for Brandy and Whitney 31 00:02:09,040 --> 00:02:14,800 Speaker 3: Houston's Cinderella, these movies made my heart sore and it 32 00:02:14,919 --> 00:02:17,320 Speaker 3: still does. I rewatched it. I was like, it's so bad, 33 00:02:17,360 --> 00:02:19,760 Speaker 3: but it's so good. Yes, it's so bad, it's so good, 34 00:02:20,520 --> 00:02:22,800 Speaker 3: so we're gonna jump into it. And today we are 35 00:02:22,840 --> 00:02:28,000 Speaker 3: talking about the amazing performances by Oscar winner Whoopi Goldberg 36 00:02:28,440 --> 00:02:31,919 Speaker 3: in the smash Hits. I say both of them, sister 37 00:02:32,040 --> 00:02:35,480 Speaker 3: act and sister Act two back in the habit? You 38 00:02:35,480 --> 00:02:36,920 Speaker 3: get it? Annie, do you get it? 39 00:02:37,160 --> 00:02:39,760 Speaker 2: And we've used this pun before in one of our 40 00:02:39,880 --> 00:02:43,160 Speaker 2: titles about women in their habits. 41 00:02:43,360 --> 00:02:46,800 Speaker 3: Here we go. I love it. And yes, even though 42 00:02:46,840 --> 00:02:49,320 Speaker 3: the second one scored like I think of nineteen percent 43 00:02:49,400 --> 00:02:52,239 Speaker 3: and rotten tomatoes at this point, how dare they be 44 00:02:52,400 --> 00:02:56,240 Speaker 3: smirch such an amazing movie? Would I? Cause, like Lauren 45 00:02:56,360 --> 00:02:58,720 Speaker 3: Hill and Jennifer love Hewitt being a part of it, 46 00:02:58,800 --> 00:03:04,000 Speaker 3: how dare you digress? And as per usual, we come 47 00:03:04,040 --> 00:03:07,280 Speaker 3: on the hills of the anniversary of these films, the 48 00:03:07,320 --> 00:03:11,440 Speaker 3: thirtieth anniversary. That is. So the first one was made 49 00:03:11,440 --> 00:03:14,119 Speaker 3: in nineteen ninety two and the second one was made 50 00:03:14,120 --> 00:03:17,000 Speaker 3: in nineteen ninety three. So yes, every time we do this, 51 00:03:17,040 --> 00:03:18,600 Speaker 3: I don't know how we get it done, but we 52 00:03:18,639 --> 00:03:21,000 Speaker 3: do so I'd like to think that we are more 53 00:03:21,040 --> 00:03:26,080 Speaker 3: relevant than we know. That's a nice thought. But also, 54 00:03:26,240 --> 00:03:28,560 Speaker 3: there is a third one in the works, and this 55 00:03:28,600 --> 00:03:30,640 Speaker 3: is all done with Disney. If you want to watch it, 56 00:03:30,760 --> 00:03:33,360 Speaker 3: you can go watch it on Disney. Plus, it began 57 00:03:33,400 --> 00:03:34,960 Speaker 3: with Disney. I didn't realize that. I thought it was 58 00:03:35,000 --> 00:03:37,560 Speaker 3: touch snown but they actually was a Disney film to 59 00:03:37,560 --> 00:03:43,560 Speaker 3: begin with. And yeah, there's a third one coming coming soon. Actually, 60 00:03:43,640 --> 00:03:46,640 Speaker 3: I think Tyler Perry has signed on to be a producer. 61 00:03:46,880 --> 00:03:50,400 Speaker 3: Will Be Goldberg is very excited. Apparently, Harvey Kayitel was like, 62 00:03:50,520 --> 00:03:52,120 Speaker 3: I wanted to be in the second one. Put me 63 00:03:52,160 --> 00:03:54,720 Speaker 3: in the third one. So you probably really loved this movie. 64 00:03:54,800 --> 00:03:59,080 Speaker 3: The gangster dude really loved this movie, So we'll see 65 00:03:59,080 --> 00:04:03,120 Speaker 3: what happens. Also on Broadway, it was anyways, and was 66 00:04:03,200 --> 00:04:06,200 Speaker 3: made into a musical, as it should be. I feel 67 00:04:06,200 --> 00:04:09,560 Speaker 3: like that's only natural. But yeah, so let's get into it. 68 00:04:10,080 --> 00:04:11,800 Speaker 1: Yes, let's so. 69 00:04:12,520 --> 00:04:15,760 Speaker 2: Sister Act was released in nineteen ninety two, and though 70 00:04:15,760 --> 00:04:19,240 Speaker 2: it ran into several barriers, including going through several writers, 71 00:04:19,800 --> 00:04:22,120 Speaker 2: it was a success as in fact, it hit the 72 00:04:22,200 --> 00:04:25,960 Speaker 2: eighth highest grossing film worldwide that year, and it sat 73 00:04:26,000 --> 00:04:29,280 Speaker 2: in the number two spot for four straight weeks, behind 74 00:04:29,480 --> 00:04:36,680 Speaker 2: Lethal Weapon Three, Patriot Games, and Batman Returns. That's right, which, yes, 75 00:04:36,960 --> 00:04:41,240 Speaker 2: was one of our other feminist movie Friday double features. 76 00:04:41,240 --> 00:04:43,440 Speaker 2: I think that one was actually technically a triple feature. 77 00:04:43,480 --> 00:04:45,360 Speaker 2: But yeah, that was a fun one. Oh yeah, because 78 00:04:45,360 --> 00:04:47,000 Speaker 2: I threw in Spider Verse at the end. 79 00:04:47,120 --> 00:04:50,200 Speaker 3: That's right, Annie, Annie, you always got to add. 80 00:04:49,960 --> 00:04:52,279 Speaker 2: The extra I've al Yeah, we might be talking about 81 00:04:52,320 --> 00:04:53,560 Speaker 2: Spider Verse at the end of this one. 82 00:04:53,560 --> 00:04:55,480 Speaker 1: Who knows. Anytime I can take it. 83 00:04:55,839 --> 00:04:58,920 Speaker 2: And with its thirty one million dollar budget, it grossed 84 00:04:58,960 --> 00:05:03,440 Speaker 2: two hundred and thirty one million dollars worldwide, which was yeah, 85 00:05:03,520 --> 00:05:06,120 Speaker 2: not so bad for a comedy film that was led 86 00:05:06,160 --> 00:05:11,719 Speaker 2: by a mostly women cast. So yeah, we're excited to 87 00:05:11,760 --> 00:05:13,280 Speaker 2: talk about it. I did love this movie when I 88 00:05:13,360 --> 00:05:14,520 Speaker 2: was a kid. I think I was a little bit 89 00:05:14,560 --> 00:05:17,240 Speaker 2: young for it, you were, I was a little young, 90 00:05:17,279 --> 00:05:20,200 Speaker 2: but I did love it, as we said. The movie 91 00:05:20,240 --> 00:05:24,280 Speaker 2: starred Oscar winner Whoopi Goldberg, playing Dolores fan Cartier, who 92 00:05:24,360 --> 00:05:27,960 Speaker 2: had just won that award for her role in Ghost. 93 00:05:28,760 --> 00:05:30,800 Speaker 1: Which have I told you my story about Ghost? 94 00:05:31,120 --> 00:05:36,279 Speaker 2: No, I've never seen it, but randomly one day the 95 00:05:36,400 --> 00:05:39,360 Speaker 2: DVD just showed up outside of my door. 96 00:05:39,760 --> 00:05:41,800 Speaker 1: Oh, and I haven't watched it yet. 97 00:05:41,720 --> 00:05:45,240 Speaker 2: But as adult, yes, like within, like the past. It 98 00:05:45,320 --> 00:05:47,919 Speaker 2: was before the pandemic, but maybe the year before the pandemic. 99 00:05:48,120 --> 00:05:51,240 Speaker 3: Someone really wants to do the pottery scene with you. 100 00:05:52,920 --> 00:05:55,000 Speaker 1: I think it was a ghost obviously. 101 00:05:58,600 --> 00:06:03,120 Speaker 2: Also starring in this film was Dave Maggie Smith playing 102 00:06:03,160 --> 00:06:07,960 Speaker 2: the reverend Mother Kathyen and Jimmy as the sunshine Sister Mary, Patrick, 103 00:06:08,320 --> 00:06:13,720 Speaker 2: Wendy mckinna as shy Sister Mary, Robert Harvey Kaitel as 104 00:06:13,800 --> 00:06:17,560 Speaker 2: the gangster boyfriend Vince Larocca, and Bill Nunn as Lieutenant 105 00:06:17,680 --> 00:06:20,880 Speaker 2: Eddie Southern. The original script and screenplay was completed by 106 00:06:20,880 --> 00:06:23,560 Speaker 2: Paul Rudnick, but due to some disagreement with the studio 107 00:06:23,600 --> 00:06:26,839 Speaker 2: in studio execs, he backed off and other writers stepped in, 108 00:06:26,839 --> 00:06:32,599 Speaker 2: including The Loved Carrie Fisher and Nancy Meyers, of nineties 109 00:06:32,680 --> 00:06:33,360 Speaker 2: rom com fame. 110 00:06:34,000 --> 00:06:36,760 Speaker 3: Right, so there's a lot and apparently like they had 111 00:06:36,800 --> 00:06:40,520 Speaker 3: Bett Middler as the original star, but she thought that 112 00:06:40,600 --> 00:06:43,760 Speaker 3: her audience wouldn't like her as a nun and would 113 00:06:43,760 --> 00:06:46,680 Speaker 3: be Goldberg stepped in, which was kind of controversial at 114 00:06:46,680 --> 00:06:50,039 Speaker 3: the time because a black woman being a lead like 115 00:06:50,120 --> 00:06:54,960 Speaker 3: this for a big comedy was unheard of, especially that 116 00:06:55,080 --> 00:07:00,880 Speaker 3: it kind of crossed over into worldwide fame. Also, there 117 00:07:00,920 --> 00:07:03,120 Speaker 3: was a complication in that there was a debate whether 118 00:07:03,200 --> 00:07:06,640 Speaker 3: or not the lieutenant should have been black or white. Well, 119 00:07:06,880 --> 00:07:10,400 Speaker 3: but race being a huge issue, finally settled in having 120 00:07:10,680 --> 00:07:14,200 Speaker 3: Bill Nunn, who had come off of several other big films, 121 00:07:14,480 --> 00:07:18,840 Speaker 3: finally being cast, and for some reason, the romance part 122 00:07:18,880 --> 00:07:20,320 Speaker 3: between the two of them, even though you see a 123 00:07:20,320 --> 00:07:24,200 Speaker 3: little chemistry, it's really played down, so you know, who 124 00:07:24,200 --> 00:07:27,720 Speaker 3: knows how that went down. But okay, so Annie, I'm 125 00:07:27,760 --> 00:07:29,720 Speaker 3: going to just go into this because I'm gonna get 126 00:07:29,760 --> 00:07:32,360 Speaker 3: really excited, you know this, because I love these movies 127 00:07:32,400 --> 00:07:34,640 Speaker 3: so much. I'm just going to go world win through 128 00:07:35,160 --> 00:07:38,600 Speaker 3: for you listeners as well as Franny. So we first 129 00:07:38,600 --> 00:07:41,960 Speaker 3: meet Dolores as a child at Catholic school, acting out 130 00:07:42,000 --> 00:07:46,040 Speaker 3: and making jokes being admonished by the nun for her silliness, 131 00:07:46,520 --> 00:07:49,200 Speaker 3: but then we jumped to present day nineteen ninety two. 132 00:07:49,360 --> 00:07:51,320 Speaker 3: I know that's not present day, don't start with me. 133 00:07:52,000 --> 00:07:55,480 Speaker 3: We see Dolores performing with her girl group a montage 134 00:07:55,520 --> 00:07:59,920 Speaker 3: of different sixties, fifties, seventies classics for gamblers barely pay 135 00:08:00,120 --> 00:08:03,240 Speaker 3: attention at the Las Vegas casino. We soon find now 136 00:08:03,280 --> 00:08:06,320 Speaker 3: that she's having an affair with a married gangster, Vince Larroca, 137 00:08:06,600 --> 00:08:08,920 Speaker 3: who she is not happy with, and after receiving a 138 00:08:08,920 --> 00:08:12,400 Speaker 3: purple mink coat that was formerly Loroca's wife, Dolores goes 139 00:08:12,440 --> 00:08:14,680 Speaker 3: to confront him and break up with him, but as 140 00:08:14,720 --> 00:08:17,120 Speaker 3: she walks in, she witnesses him and his boys are 141 00:08:17,200 --> 00:08:22,080 Speaker 3: murdering his driver for snitching. Oh no, so she quickly leaves, 142 00:08:22,120 --> 00:08:24,120 Speaker 3: but it's being chased by her boyfriend and his men, 143 00:08:24,320 --> 00:08:27,120 Speaker 3: and she rushes the police station to report what has happened, 144 00:08:27,320 --> 00:08:30,520 Speaker 3: which brings us to this hilarious hygiens of our time 145 00:08:30,560 --> 00:08:32,240 Speaker 3: with the nuns, which yes, this is very very dark, 146 00:08:32,280 --> 00:08:34,480 Speaker 3: by the way, very very dark beginning. You're like, oh god, 147 00:08:34,600 --> 00:08:39,040 Speaker 3: someone immediately gets murdered. Okay, and I saw this at twelve, 148 00:08:39,080 --> 00:08:41,800 Speaker 3: like I love this movie Wow. But anyway, so she 149 00:08:41,920 --> 00:08:44,560 Speaker 3: is soon placed in protective custody and is hidden with 150 00:08:44,880 --> 00:08:47,880 Speaker 3: nuns at the Saint Catharine's Catholic Church, and due to 151 00:08:47,920 --> 00:08:50,520 Speaker 3: the nature of the case, Lieutenant Eddie Southern is the 152 00:08:50,520 --> 00:08:53,680 Speaker 3: only one who knows of the location. And to say 153 00:08:53,720 --> 00:08:57,880 Speaker 3: the least, Dolores is unhappy with the arrangement that gives 154 00:08:57,880 --> 00:09:00,880 Speaker 3: in so she dons her habit and meets the other 155 00:09:00,960 --> 00:09:03,840 Speaker 3: women of the convent. Here we meet Sister Mary Robert, 156 00:09:04,200 --> 00:09:08,120 Speaker 3: Sister Mary Patrick, and several others, including the Reverend Mother, 157 00:09:08,400 --> 00:09:11,760 Speaker 3: who is not thrilled because Dolores tells of all these 158 00:09:11,760 --> 00:09:14,240 Speaker 3: things that she had done previously, trying to pretend like 159 00:09:14,320 --> 00:09:16,960 Speaker 3: she was a nun in Las Vegas with all the sinners. 160 00:09:18,360 --> 00:09:21,760 Speaker 3: But of course whatever, and now we know Dolores as 161 00:09:22,040 --> 00:09:24,680 Speaker 3: Sister Mary Clarence. And at this point, while she's telling 162 00:09:24,720 --> 00:09:29,080 Speaker 3: these stories and complaining about the food, the Reverend mothers 163 00:09:29,240 --> 00:09:31,840 Speaker 3: suggests that maybe she needs to fast and stop talking 164 00:09:32,000 --> 00:09:35,560 Speaker 3: all those things. Kind of cool. So the next day, 165 00:09:36,679 --> 00:09:39,080 Speaker 3: Sister Clarence has woken up bright and early, I mean 166 00:09:39,120 --> 00:09:42,200 Speaker 3: bright and early to attend church. There we see the 167 00:09:42,320 --> 00:09:46,079 Speaker 3: sad choir of the ladies with an almost empty church, 168 00:09:46,400 --> 00:09:49,319 Speaker 3: and though she tries to fit in, Sister married Clarence 169 00:09:49,520 --> 00:09:51,760 Speaker 3: decides to go to a local biker bar because you know, 170 00:09:51,800 --> 00:09:54,320 Speaker 3: she needs to get out, who was followed by a 171 00:09:54,400 --> 00:09:58,240 Speaker 3: Sister Mary Patrick and Sister Mary Robert, both thinking she's 172 00:09:58,280 --> 00:10:00,680 Speaker 3: going out to preach to the communities they want to join. 173 00:10:01,000 --> 00:10:04,079 Speaker 3: They all rush back home after listening to some delightful 174 00:10:04,160 --> 00:10:06,520 Speaker 3: music and dancing, but are caught by the reverend Mother 175 00:10:06,600 --> 00:10:10,640 Speaker 3: once again. And the following day, the Reverend Mother puts 176 00:10:10,760 --> 00:10:13,600 Speaker 3: Sister Clarence in the choir because she's like, you need 177 00:10:13,600 --> 00:10:16,360 Speaker 3: something new here, you go do this. Sister Clarence quickly 178 00:10:16,400 --> 00:10:19,480 Speaker 3: assesses the situation and the talents of the different women. 179 00:10:19,520 --> 00:10:22,400 Speaker 3: We discover that the church mouse can sing very loudly, 180 00:10:23,200 --> 00:10:26,719 Speaker 3: that they can harmonize, and maybe sister Patrick is a 181 00:10:26,760 --> 00:10:29,319 Speaker 3: little too loud, just just a little too loud, Yeah, okay. 182 00:10:29,920 --> 00:10:31,880 Speaker 3: And by the way, that's how she auditioned for that roles, 183 00:10:31,880 --> 00:10:34,040 Speaker 3: by doing the operatic voice. And they loved it so 184 00:10:34,160 --> 00:10:37,800 Speaker 3: much they're like, don't do anything else. And so soon 185 00:10:38,040 --> 00:10:41,000 Speaker 3: we come to the following church service where we see 186 00:10:41,000 --> 00:10:44,000 Speaker 3: a whole different type of choir. Sister Mary Clarence has 187 00:10:44,320 --> 00:10:46,480 Speaker 3: shaken the choir up a bed and it brings in 188 00:10:46,559 --> 00:10:50,080 Speaker 3: some new church attendees. Oh but the reverend mother is 189 00:10:50,120 --> 00:10:53,880 Speaker 3: not happy. However, the Monseignor is delighted and encourages Sister 190 00:10:53,960 --> 00:10:56,640 Speaker 3: Merrick Clarance to continue to work with a choir and 191 00:10:56,720 --> 00:10:59,480 Speaker 3: even to go out into the community to minister to 192 00:10:59,520 --> 00:11:03,520 Speaker 3: the neighbor. Of course, this gets them a lot of attention, 193 00:11:03,679 --> 00:11:06,319 Speaker 3: including a news report on how the nuns are out 194 00:11:06,320 --> 00:11:08,720 Speaker 3: in the streets connecting with the community, which is of course, 195 00:11:08,800 --> 00:11:10,440 Speaker 3: is a no no, and Lieutenant has to be like, 196 00:11:10,440 --> 00:11:11,959 Speaker 3: don't do that anymore. You can't be. 197 00:11:11,960 --> 00:11:12,480 Speaker 1: Out like that. 198 00:11:12,559 --> 00:11:13,880 Speaker 3: How why are you? Why? 199 00:11:14,080 --> 00:11:14,480 Speaker 1: Just why? 200 00:11:15,960 --> 00:11:18,480 Speaker 3: And as everything seems to be going okay, we see 201 00:11:18,480 --> 00:11:20,760 Speaker 3: that there is a leak in the precinct and they 202 00:11:20,800 --> 00:11:24,600 Speaker 3: have discovered they being the gangsters that where Dolores is 203 00:11:24,720 --> 00:11:27,160 Speaker 3: and reports it to Vince, who's been on the hunt 204 00:11:27,160 --> 00:11:29,360 Speaker 3: for her the entire time, with a big hit out 205 00:11:29,400 --> 00:11:32,480 Speaker 3: on her. And though the legit comes to warn Dolores 206 00:11:32,480 --> 00:11:34,719 Speaker 3: because he figures it out, she tries to go back 207 00:11:34,760 --> 00:11:37,840 Speaker 3: to save the nuns from Vince because they're coming, and 208 00:11:37,920 --> 00:11:40,120 Speaker 3: only to be caught and taken back to the casinos 209 00:11:40,160 --> 00:11:42,600 Speaker 3: where he commands his men to shoot her, but they 210 00:11:42,600 --> 00:11:44,240 Speaker 3: can't because she's dressed like a nun. They're like, but 211 00:11:44,240 --> 00:11:45,640 Speaker 3: she's a nun, you can't, you can't kill on Lord. 212 00:11:45,720 --> 00:11:48,040 Speaker 3: Maybe she really converted and because of that, she's able 213 00:11:48,080 --> 00:11:50,280 Speaker 3: to get away. And at the same time, the nuns, 214 00:11:50,280 --> 00:11:52,800 Speaker 3: the actual nuns, have come to save her. And as 215 00:11:52,800 --> 00:11:55,440 Speaker 3: they catch up and they try to you know, trick them, 216 00:11:55,480 --> 00:11:58,240 Speaker 3: but no, the gangsters find them and catch up with 217 00:11:58,240 --> 00:12:01,240 Speaker 3: the nuns and Dolores and Vince's and his boys are 218 00:12:01,480 --> 00:12:05,480 Speaker 3: debating who's going to shoot home because again nuns, but 219 00:12:05,960 --> 00:12:09,160 Speaker 3: so that they get caught and arrested and everybody lives 220 00:12:09,200 --> 00:12:10,439 Speaker 3: happily ever after the. 221 00:12:10,480 --> 00:12:12,280 Speaker 1: End, also, the Pope shows up. 222 00:12:12,320 --> 00:12:14,320 Speaker 3: I should just oh, yes, because they have the big 223 00:12:14,320 --> 00:12:15,000 Speaker 3: show at the end. 224 00:12:15,400 --> 00:12:17,760 Speaker 2: Yeah, that was my biggest So I can't believe I 225 00:12:17,840 --> 00:12:19,760 Speaker 2: forgot the Pope show again. 226 00:12:19,800 --> 00:12:21,920 Speaker 3: I probably forgot again even though I watched it again. 227 00:12:21,920 --> 00:12:23,520 Speaker 3: I was like, oh, yeah, you don't see the Pope. 228 00:12:23,520 --> 00:12:24,120 Speaker 3: You just see the back. 229 00:12:24,200 --> 00:12:25,360 Speaker 1: Yeah, you just see the bag. 230 00:12:25,360 --> 00:12:27,720 Speaker 3: Because they've gotten so much attention. He shows up and 231 00:12:27,760 --> 00:12:30,760 Speaker 3: of course they do the final performance, and yes, then 232 00:12:30,880 --> 00:12:34,160 Speaker 3: the nuns discover her true identity. But everybody loves her. 233 00:12:34,200 --> 00:12:37,120 Speaker 1: Nonetheless, Yes, more on that to come. 234 00:12:51,040 --> 00:12:55,600 Speaker 2: We need to talk about the amazing sequel, very predictable 235 00:12:55,600 --> 00:12:58,560 Speaker 2: in hokey, but I know it's one of your faves. 236 00:12:58,720 --> 00:12:59,880 Speaker 3: I still love it so much. 237 00:13:00,120 --> 00:13:03,080 Speaker 1: This is my first I it's my first time seeing it. 238 00:13:03,120 --> 00:13:06,839 Speaker 1: I loved it too. It's fun. Sister Act two back 239 00:13:06,960 --> 00:13:09,240 Speaker 1: in the habit absolutely so. 240 00:13:10,160 --> 00:13:15,040 Speaker 3: And we have once again the incomparable Whoopy Goldberg, Dame 241 00:13:15,200 --> 00:13:18,959 Speaker 3: Maggie Smith, Kathy and Jimmy, Wendy mckinna, and a majority 242 00:13:19,000 --> 00:13:22,280 Speaker 3: of the previous nuns, joined this time by the amazing 243 00:13:22,360 --> 00:13:25,400 Speaker 3: talents of Lauren Hill in her breakout role as Rita 244 00:13:25,480 --> 00:13:27,760 Speaker 3: Louise Watson and yes you do hear her full name. 245 00:13:27,920 --> 00:13:30,760 Speaker 3: Oh I forgot to mention. Did you notice that Bobby 246 00:13:30,920 --> 00:13:33,760 Speaker 3: from Supernatural was in the first one? He was one 247 00:13:33,760 --> 00:13:38,560 Speaker 3: of the cops. No, a young, a young Jim Bieber 248 00:13:39,080 --> 00:13:40,720 Speaker 3: is in it, just so you know. But back to 249 00:13:40,760 --> 00:13:44,800 Speaker 3: the second onek my bed I just needed so. Yes, 250 00:13:44,840 --> 00:13:47,720 Speaker 3: we have Emmy Award winner Sheryl Lee Ralph as the 251 00:13:47,920 --> 00:13:52,199 Speaker 3: mother of Florence Wilson, Rita's mother, Ryan Toby as Wesley 252 00:13:52,240 --> 00:13:55,400 Speaker 3: Glenn Amal James who by the Way wrote Miami for 253 00:13:55,480 --> 00:13:57,880 Speaker 3: Will Smith, so he's a songwriters a piece of tribute 254 00:13:57,920 --> 00:14:00,360 Speaker 3: for you. And of course there's more fathers than in 255 00:14:00,400 --> 00:14:02,320 Speaker 3: this one. I think they call them friars in this one, 256 00:14:02,800 --> 00:14:05,400 Speaker 3: which I was like, huh, interesting, and we add that 257 00:14:05,440 --> 00:14:07,800 Speaker 3: to the mix, and a mister Crisp who is the 258 00:14:07,840 --> 00:14:12,520 Speaker 3: antagonist played by James Coburn. Oh, I know, of course, 259 00:14:12,559 --> 00:14:15,680 Speaker 3: we can't forget Jennifer Love Hewitt, who is a part 260 00:14:15,720 --> 00:14:18,000 Speaker 3: of this one, very slight part, but she's still there 261 00:14:18,040 --> 00:14:20,040 Speaker 3: with all her makeup and glory. Yeah. 262 00:14:20,120 --> 00:14:21,720 Speaker 2: I think I got to the end and I saw 263 00:14:21,760 --> 00:14:24,320 Speaker 2: her name show up and I was like, I knew it, 264 00:14:24,400 --> 00:14:25,880 Speaker 2: but the whole time it was kind of at the 265 00:14:25,880 --> 00:14:28,160 Speaker 2: back of my brain, like I know her from somewhere 266 00:14:29,360 --> 00:14:31,600 Speaker 2: you go, there you go, there you go. 267 00:14:32,320 --> 00:14:33,600 Speaker 1: So, yes, let's get into it. 268 00:14:34,240 --> 00:14:36,920 Speaker 2: So the second one starts and we discover that Dolores 269 00:14:37,120 --> 00:14:39,760 Speaker 2: is thriving as a headlighter in a new Las Vegas 270 00:14:39,800 --> 00:14:42,320 Speaker 2: show which highlights her adventures. 271 00:14:41,680 --> 00:14:44,000 Speaker 1: From the first sister Act. 272 00:14:44,040 --> 00:14:45,800 Speaker 2: It kind of reminds me of what happens in Chicago 273 00:14:45,800 --> 00:14:48,120 Speaker 2: where the end they have their like whole musical number 274 00:14:48,120 --> 00:14:51,000 Speaker 2: of Yes, what just happened in the movie sort of 275 00:14:51,080 --> 00:14:54,720 Speaker 2: like that. During the performance, her old friends Sister Mary 276 00:14:54,760 --> 00:14:57,960 Speaker 2: Patrick and Sister Mary Robert come to not just watch 277 00:14:58,000 --> 00:15:02,280 Speaker 2: the amazing performance, but to elicit her help. The sisters 278 00:15:02,320 --> 00:15:05,400 Speaker 2: had been sent by the Reverend Mother to help revive 279 00:15:05,520 --> 00:15:07,480 Speaker 2: the school that the teachers have started teaching at in 280 00:15:07,520 --> 00:15:11,720 Speaker 2: San Francisco. And so begins the new adventure of Sister 281 00:15:11,840 --> 00:15:12,680 Speaker 2: Mary Clarence. 282 00:15:13,080 --> 00:15:16,800 Speaker 3: Yes, so back in the habit I said it. Sister 283 00:15:16,840 --> 00:15:20,440 Speaker 3: Mary Clarence arrives at Saint Francis Academy, a school that 284 00:15:20,520 --> 00:15:23,680 Speaker 3: has not been doing well, as in fact, the school 285 00:15:23,720 --> 00:15:25,960 Speaker 3: was on the verge of being shut down, to the 286 00:15:26,000 --> 00:15:29,480 Speaker 3: dismay of the sisters, but to the delight of the administrator, 287 00:15:29,640 --> 00:15:33,680 Speaker 3: mister Crisp, who was seeking in an early retirement. And 288 00:15:33,880 --> 00:15:37,480 Speaker 3: during this time, Sister Clarence is assigned to the music class, 289 00:15:37,680 --> 00:15:40,680 Speaker 3: which is labeled the Bird Class as students quote, fly 290 00:15:41,360 --> 00:15:45,840 Speaker 3: right through it and the rambunctious crew does not disappoint 291 00:15:46,000 --> 00:15:49,600 Speaker 3: with a wonderful rendition of Io Mama Jokes and introduction 292 00:15:49,680 --> 00:15:54,360 Speaker 3: to the class, including the wonderful Rita Luise Watson right. 293 00:15:55,120 --> 00:15:58,760 Speaker 2: And Sister Mary Clarence's relationship with the class does have 294 00:15:58,800 --> 00:16:03,920 Speaker 2: a rough start, yeah, but she soon gets them together 295 00:16:04,080 --> 00:16:07,920 Speaker 2: by laying down the law and though some protest aka 296 00:16:07,960 --> 00:16:11,880 Speaker 2: some Rita, mostly the class comes together and we soon 297 00:16:11,880 --> 00:16:16,720 Speaker 2: discovered the classes full of talented singers and rappers. 298 00:16:15,680 --> 00:16:20,120 Speaker 1: And piano players some of them. Yeah. 299 00:16:20,160 --> 00:16:25,080 Speaker 2: And here the sister Sister Mary Clarence decides, well, we 300 00:16:25,080 --> 00:16:28,840 Speaker 2: could make a choir. We can make this acchoir, and 301 00:16:28,880 --> 00:16:31,720 Speaker 2: that she does with the first performance, Oh Happy Day, 302 00:16:32,200 --> 00:16:36,200 Speaker 2: with an amazing solo from Wesley Slash a Mall. Soon 303 00:16:36,240 --> 00:16:39,520 Speaker 2: we discovered that school was once a reputable school that 304 00:16:39,640 --> 00:16:43,480 Speaker 2: won singing competitions like every year, and of course that 305 00:16:43,640 --> 00:16:47,600 Speaker 2: means this new choir would be joining this year, competing 306 00:16:47,920 --> 00:16:50,320 Speaker 2: and might even help save the school. 307 00:16:51,120 --> 00:16:56,840 Speaker 3: A very popular trope in the Night and It's here 308 00:16:57,000 --> 00:17:00,000 Speaker 3: we see the return of Rita after Sister may I 309 00:17:00,160 --> 00:17:03,720 Speaker 3: Roberts discovered her talent for singing. It was a beautiful, 310 00:17:03,880 --> 00:17:07,879 Speaker 3: beautiful song by the way. Sister Clarence talks Rita to 311 00:17:07,920 --> 00:17:10,639 Speaker 3: come back and join the competition, but Rita has to 312 00:17:10,680 --> 00:17:13,880 Speaker 3: hide her lover singing from her mother, as the mother 313 00:17:13,960 --> 00:17:16,040 Speaker 3: disapproves of the dreams of being a singer because her 314 00:17:16,040 --> 00:17:19,320 Speaker 3: father kind of wasted away and never fulfilling that dream, 315 00:17:19,400 --> 00:17:22,760 Speaker 3: so she's like get it together, essentially really stern, but 316 00:17:22,800 --> 00:17:26,480 Speaker 3: the secret doesn't stay a secret after her mother discovers 317 00:17:26,520 --> 00:17:29,040 Speaker 3: that she's a part of the choir Florence. The mother 318 00:17:29,200 --> 00:17:32,320 Speaker 3: makes Rita quit to focus on her studies, and even 319 00:17:32,359 --> 00:17:35,439 Speaker 3: a visit from Sister Clarence does nothing to change her mind. 320 00:17:35,680 --> 00:17:38,159 Speaker 3: But Rita's friend reminds her of the importance of the 321 00:17:38,200 --> 00:17:40,679 Speaker 3: competition and being one of the group, and after being 322 00:17:40,760 --> 00:17:44,959 Speaker 3: kind of sneaky sneaky, she joins. After they do a 323 00:17:45,080 --> 00:17:47,840 Speaker 3: huge fundraiser for this trip because they all had to 324 00:17:47,880 --> 00:17:50,040 Speaker 3: raise the money, and we have a great sequence of 325 00:17:50,080 --> 00:17:53,359 Speaker 3: will be gold Burg pretending to be James Brown, wonderful, 326 00:17:53,600 --> 00:17:56,000 Speaker 3: and they all go to the competition together. 327 00:17:56,119 --> 00:17:58,800 Speaker 1: Yes, yes, yes, including Rita. Yeah. 328 00:17:59,440 --> 00:18:02,160 Speaker 2: And at the com we see the many stumbling blocks 329 00:18:02,240 --> 00:18:05,480 Speaker 2: in front of the kids and the school, the disapproving mother, 330 00:18:05,680 --> 00:18:09,360 Speaker 2: the discovery of Sister Mary Clarence's real identity by mister Crisp, 331 00:18:09,720 --> 00:18:13,200 Speaker 2: and other groups who seem so put together, like they 332 00:18:13,240 --> 00:18:15,280 Speaker 2: hear another group sing the same song they're going to sing, 333 00:18:15,720 --> 00:18:20,360 Speaker 2: but of course they overcome with an updated rendition of Joyful, Joyful, 334 00:18:20,600 --> 00:18:21,399 Speaker 2: led by Rita. 335 00:18:22,119 --> 00:18:22,800 Speaker 1: They win the. 336 00:18:22,680 --> 00:18:27,800 Speaker 2: Competition and the approval to keep the school open. Her 337 00:18:27,920 --> 00:18:32,200 Speaker 2: u Rita also gets approval from her stern mother, who's like, wow, 338 00:18:32,240 --> 00:18:32,800 Speaker 2: I didn't know you. 339 00:18:32,720 --> 00:18:33,240 Speaker 1: Were that good. 340 00:18:34,320 --> 00:18:36,560 Speaker 2: And of course we couldn't end the movie without the 341 00:18:36,560 --> 00:18:39,760 Speaker 2: big reveal that sister Mary Clarence was not a sister 342 00:18:40,040 --> 00:18:46,000 Speaker 2: but a headliner of a Las Vegas show and she's like, yeah. 343 00:18:45,400 --> 00:18:48,240 Speaker 3: Show girl, and she's like, I have never been a showgirl. 344 00:18:48,320 --> 00:18:50,359 Speaker 3: I am a headliner. You know, you got to have 345 00:18:50,440 --> 00:18:53,359 Speaker 3: that moment. Of course, we do have to mention the 346 00:18:53,359 --> 00:18:55,960 Speaker 3: fact that they were all in these fancy robes, but 347 00:18:56,000 --> 00:18:58,400 Speaker 3: they were so uncomfortable they wore their street clothes. I'm 348 00:18:58,440 --> 00:19:01,200 Speaker 3: putting quotes here close so they can could be real 349 00:19:01,280 --> 00:19:04,199 Speaker 3: hip hop stars. Yeah, it's very cheesy. It is very cheesy. 350 00:19:04,320 --> 00:19:06,359 Speaker 3: There's a lot of blacking. I would wish for more singing, 351 00:19:07,200 --> 00:19:10,359 Speaker 3: but I still love it. I still love everything about it. 352 00:19:10,400 --> 00:19:14,800 Speaker 3: I remember singing these songs, quoting these quotes like so good, 353 00:19:15,240 --> 00:19:18,240 Speaker 3: m hm, so good. Yeah. 354 00:19:18,280 --> 00:19:23,000 Speaker 2: I mean it's a very uplifting, fun story because I 355 00:19:23,040 --> 00:19:25,760 Speaker 2: remember because this was the first time i'd seen the 356 00:19:25,800 --> 00:19:30,720 Speaker 2: second one, and I like was all twisted up, like 357 00:19:30,760 --> 00:19:33,240 Speaker 2: what if they don't win like they built it up. 358 00:19:33,560 --> 00:19:35,520 Speaker 2: But it was just nice. It was just nice that 359 00:19:35,600 --> 00:19:38,040 Speaker 2: they won. It was nice that the school. 360 00:19:39,280 --> 00:19:41,240 Speaker 3: Of course, but I love that when they were announcing 361 00:19:41,280 --> 00:19:44,000 Speaker 3: the winner, the announcer was like so excited for them, 362 00:19:44,200 --> 00:19:49,320 Speaker 3: like over the top acting. It's like, of course saying Francis, yeah, 363 00:19:49,440 --> 00:19:53,400 Speaker 3: you're especially biased here, what's happening there. I did find 364 00:19:53,400 --> 00:19:56,639 Speaker 3: it interesting that you had the split between the school 365 00:19:56,680 --> 00:19:58,920 Speaker 3: that usually won, the one that sang the same song 366 00:19:59,359 --> 00:20:03,000 Speaker 3: was all right and very put together, as in like 367 00:20:03,080 --> 00:20:07,120 Speaker 3: they were polished, probably very rich school versus this school, 368 00:20:07,560 --> 00:20:10,399 Speaker 3: which was apparently the only one in that district, and 369 00:20:10,440 --> 00:20:12,960 Speaker 3: the because would have to have been pushed to other 370 00:20:13,000 --> 00:20:14,880 Speaker 3: districts and would have been separated and may not even 371 00:20:14,880 --> 00:20:18,359 Speaker 3: be able to go to those schools because of not 372 00:20:18,400 --> 00:20:20,720 Speaker 3: being able to get there. So a lot of things 373 00:20:20,760 --> 00:20:24,720 Speaker 3: that happened, but like, of course, it was an interesting 374 00:20:24,800 --> 00:20:29,879 Speaker 3: like opposite of each other. We love we love the underdogs, 375 00:20:29,960 --> 00:20:33,879 Speaker 3: we love an underdog. The nineties were all about the underdog, 376 00:20:34,160 --> 00:20:36,560 Speaker 3: and of course I think things have flipped on its 377 00:20:36,560 --> 00:20:39,879 Speaker 3: head more recently where they don't oftentimes win anymore, but 378 00:20:39,920 --> 00:20:41,520 Speaker 3: they get a good lesson instead. 379 00:20:42,280 --> 00:20:45,320 Speaker 1: I don't like that, well, I said it was nice. 380 00:20:45,400 --> 00:20:47,080 Speaker 1: It was one of those things where I was just like, 381 00:20:47,200 --> 00:20:51,080 Speaker 1: oh hey, I. 382 00:20:51,040 --> 00:20:53,840 Speaker 3: Also loved about the second one. There was no romance, 383 00:20:53,880 --> 00:20:58,440 Speaker 3: There was no like couple coupling. It was just literally 384 00:20:58,880 --> 00:21:03,119 Speaker 3: a coming of age story about dreams. Speaking of which 385 00:21:03,720 --> 00:21:05,800 Speaker 3: we'll get into some of the themes. I don't know. 386 00:21:06,080 --> 00:21:08,479 Speaker 3: Of course, all movies have themes. I don't know if 387 00:21:08,480 --> 00:21:10,239 Speaker 3: this one has a lot of themes. This is not 388 00:21:10,600 --> 00:21:15,040 Speaker 3: so much feminist as much as really new and different 389 00:21:15,040 --> 00:21:18,880 Speaker 3: in its perspective on how they did comedy and who 390 00:21:19,000 --> 00:21:22,120 Speaker 3: led these comedies and why it was so significant. It's 391 00:21:22,119 --> 00:21:26,160 Speaker 3: interesting to me because when this happened and Whoopi Goldberg 392 00:21:26,240 --> 00:21:30,480 Speaker 3: took the role over Bet Milder, I didn't see a 393 00:21:30,520 --> 00:21:33,920 Speaker 3: lot of articles where people were upset that a black 394 00:21:33,960 --> 00:21:36,480 Speaker 3: actress had taken over for a white actress, which I 395 00:21:36,480 --> 00:21:39,640 Speaker 3: think too often happens today when it doesn't even make sense. 396 00:21:39,680 --> 00:21:42,720 Speaker 3: Even if you have no investment in these characters, people 397 00:21:42,960 --> 00:21:47,280 Speaker 3: automatically have this conversation about what's woke, what's correct, what's 398 00:21:47,320 --> 00:21:50,040 Speaker 3: not correct, instead of just letting it be, which is 399 00:21:50,119 --> 00:21:52,520 Speaker 3: kind of that conversation we had about Brandy. There was 400 00:21:52,560 --> 00:21:57,240 Speaker 3: a lot of controversy with Cinderella, because the idea of Cinderella, 401 00:21:57,359 --> 00:22:00,919 Speaker 3: a very fictional character, was of one race, which is 402 00:22:00,960 --> 00:22:02,760 Speaker 3: that it was superior of a race, which is a 403 00:22:02,800 --> 00:22:06,600 Speaker 3: whole different conversation, but in this role it was not 404 00:22:06,760 --> 00:22:11,720 Speaker 3: that way. There was a conversation about not seeing many 405 00:22:11,800 --> 00:22:15,440 Speaker 3: black women being nuns and whether or not that's a thing, 406 00:22:16,200 --> 00:22:19,200 Speaker 3: very minute conversation. I will say. There were a couple 407 00:22:19,240 --> 00:22:23,000 Speaker 3: of lawsuits here. I don't know if you know this one. 408 00:22:23,280 --> 00:22:27,240 Speaker 3: There was a black nun, I think a named de 409 00:22:27,320 --> 00:22:30,959 Speaker 3: Luis or like. It was similar to Dolores who had 410 00:22:30,960 --> 00:22:34,640 Speaker 3: written a book in the eighties seventies that was similar 411 00:22:34,680 --> 00:22:38,520 Speaker 3: to this, how she got together the choir, revamped a city, 412 00:22:38,960 --> 00:22:41,320 Speaker 3: all these things, and that she really and she tried 413 00:22:41,359 --> 00:22:43,520 Speaker 3: to make it into a screenplay. No one took it, 414 00:22:43,680 --> 00:22:46,320 Speaker 3: but she felt like that Disney and these screenwriters had 415 00:22:46,359 --> 00:22:48,919 Speaker 3: taken their idea which was kind of similar. So they 416 00:22:48,920 --> 00:22:52,960 Speaker 3: were like, maybe she lost that lawsuit because she tried 417 00:22:53,240 --> 00:22:56,440 Speaker 3: for a billion dollars and that movie did not make 418 00:22:56,480 --> 00:22:59,080 Speaker 3: a billion dollars, but so that kind of went to 419 00:22:59,160 --> 00:23:03,680 Speaker 3: the wayside. It was another one with some fairly famous 420 00:23:03,920 --> 00:23:07,239 Speaker 3: writers who said that they had that idea in the 421 00:23:07,280 --> 00:23:11,520 Speaker 3: early eighties of a closeted nun so like a fake 422 00:23:11,600 --> 00:23:17,080 Speaker 3: nun coming out and being a comedy. But they also lost. 423 00:23:17,320 --> 00:23:20,399 Speaker 3: Even though Disney was willing to settle for a million dollars, 424 00:23:20,440 --> 00:23:24,119 Speaker 3: they were trying to super multimillion dollars. They lost completely 425 00:23:24,600 --> 00:23:27,280 Speaker 3: because they said there was not enough of the similarities. 426 00:23:27,359 --> 00:23:29,480 Speaker 3: But a lot of the similarities were that it was 427 00:23:29,520 --> 00:23:33,000 Speaker 3: a black nun. So I thought that was interesting in itself, 428 00:23:34,000 --> 00:23:37,880 Speaker 3: that that's such a novel idea, that it became something 429 00:23:37,880 --> 00:23:40,800 Speaker 3: that was like about copyright and infringement and all that. 430 00:23:41,240 --> 00:23:45,960 Speaker 3: I love that today we still talk about it as 431 00:23:46,520 --> 00:23:49,560 Speaker 3: just wholesome entertainment, even though again we talked about the 432 00:23:49,560 --> 00:23:53,160 Speaker 3: gangster and an affair thing that happened. It's like, oh, 433 00:23:53,200 --> 00:23:55,480 Speaker 3: but the fact that it happened, like she moved on 434 00:23:55,520 --> 00:24:00,800 Speaker 3: to the nunnery the convent, made it more wholesome perhaps. 435 00:24:00,800 --> 00:24:03,000 Speaker 3: And I think the only curse word I remember hearing 436 00:24:03,119 --> 00:24:06,520 Speaker 3: is hell and damn the entire time. 437 00:24:07,080 --> 00:24:11,159 Speaker 2: Yeah, I really liked about it that, which is not 438 00:24:11,200 --> 00:24:13,120 Speaker 2: what I was anticipating, because again I saw this movie 439 00:24:13,160 --> 00:24:14,399 Speaker 2: and everything liked it when I was a kid, but 440 00:24:14,440 --> 00:24:16,520 Speaker 2: I was young, so I didn't remember a lot of it, 441 00:24:16,560 --> 00:24:17,160 Speaker 2: but I. 442 00:24:17,119 --> 00:24:17,679 Speaker 1: Really liked that. 443 00:24:18,960 --> 00:24:23,520 Speaker 2: You know, they're kind of like painting Dolores as you know, 444 00:24:23,560 --> 00:24:27,480 Speaker 2: the antithesis of a nun, Like, oh, yeah, she smokes, 445 00:24:27,520 --> 00:24:32,520 Speaker 2: she drinks, she curses, she's like lived a life, as 446 00:24:32,560 --> 00:24:35,600 Speaker 2: they say. But in the end, like they don't really 447 00:24:35,680 --> 00:24:38,520 Speaker 2: judge her for that, and they also don't like throw 448 00:24:38,560 --> 00:24:41,400 Speaker 2: her out when they realize she's not sister Mary Clarence. 449 00:24:41,440 --> 00:24:45,159 Speaker 2: They're like, no, she's been somebody who's been there for us, 450 00:24:45,200 --> 00:24:47,399 Speaker 2: you know, has helped does and we're going to go 451 00:24:47,440 --> 00:24:48,760 Speaker 2: and be there for her and help her. 452 00:24:49,280 --> 00:24:52,520 Speaker 1: Yes. I liked that a lot because I was expecting 453 00:24:52,560 --> 00:24:54,400 Speaker 1: a lot more like oh you're a lot. 454 00:24:56,359 --> 00:24:59,240 Speaker 3: The ending with with the kids too, like you deceived us. 455 00:24:59,400 --> 00:25:02,160 Speaker 3: They right, that are more impressive, even say you don't 456 00:25:02,160 --> 00:25:05,840 Speaker 3: act like a nun. I was like, wait, what, okay? 457 00:25:06,040 --> 00:25:08,479 Speaker 3: Right anyway, so let's get into some of these themes. 458 00:25:08,560 --> 00:25:12,280 Speaker 3: Of course, as you're mentioning about them rallying together sisterhood, 459 00:25:12,359 --> 00:25:17,840 Speaker 3: I feel like the literals being sisterhood, but the cammaraderie, 460 00:25:18,119 --> 00:25:21,440 Speaker 3: the love they have for each other, the fondness, and yeah, 461 00:25:21,480 --> 00:25:24,120 Speaker 3: the encouragement to have it for each other instead of judging, 462 00:25:24,440 --> 00:25:26,600 Speaker 3: they automatically are like, oh my god, that's amazing. Let's 463 00:25:26,640 --> 00:25:28,399 Speaker 3: do this together. I want to help you, or this 464 00:25:28,480 --> 00:25:31,119 Speaker 3: is even better, Like it's such a beautiful thing to 465 00:25:31,160 --> 00:25:34,520 Speaker 3: see and you can even see that not necessarily sisterhood, 466 00:25:34,520 --> 00:25:37,560 Speaker 3: but togetherness and the kids that they come together and 467 00:25:37,640 --> 00:25:40,520 Speaker 3: rally together and they really feel like something is important 468 00:25:40,960 --> 00:25:43,400 Speaker 3: and they fight for it and it's beautiful to see that. 469 00:25:44,920 --> 00:25:47,879 Speaker 2: Yeah, yeah, I really liked that too. One of my 470 00:25:47,880 --> 00:25:51,000 Speaker 2: favorite parts of both of them is I feel like Whoope. 471 00:25:51,080 --> 00:25:53,480 Speaker 1: Goldberg's character was such a good teacher. 472 00:25:53,560 --> 00:25:56,640 Speaker 2: She was such a good like she could pick out 473 00:25:56,680 --> 00:26:00,359 Speaker 2: like oh you you could really sing the shy sister, 474 00:26:00,520 --> 00:26:02,760 Speaker 2: like oh you can do this, or you know, you 475 00:26:02,840 --> 00:26:04,359 Speaker 2: need to be a little bit more quiet, but does 476 00:26:04,400 --> 00:26:07,879 Speaker 2: it in a way that's very supportive and like not insulting. 477 00:26:08,480 --> 00:26:11,080 Speaker 2: And then with the kids, like she's never there's never 478 00:26:11,119 --> 00:26:13,480 Speaker 2: a piece of her even though she's confident in her 479 00:26:13,640 --> 00:26:15,919 Speaker 2: like I'm a headliner, there's never a piece of her 480 00:26:15,960 --> 00:26:18,239 Speaker 2: that's like putting down someone else for being better than 481 00:26:18,280 --> 00:26:18,680 Speaker 2: her or anything. 482 00:26:18,800 --> 00:26:20,639 Speaker 1: It's much more about like building. 483 00:26:20,320 --> 00:26:24,880 Speaker 2: Up, yeah, to make the best choir, this group effort 484 00:26:25,520 --> 00:26:27,600 Speaker 2: that she can make and everything like that, like in 485 00:26:27,600 --> 00:26:29,880 Speaker 2: the second when it kind of starts where she's very successful, 486 00:26:30,200 --> 00:26:32,600 Speaker 2: but it doesn't take much for them to convince her, like, hey, 487 00:26:32,600 --> 00:26:34,439 Speaker 2: will you come helpless out with these kids, like this 488 00:26:34,520 --> 00:26:35,480 Speaker 2: is my school. 489 00:26:35,800 --> 00:26:37,160 Speaker 1: She's like okay. 490 00:26:37,320 --> 00:26:40,200 Speaker 3: Immediately she just thinks that the reverend mother is in trouble, 491 00:26:40,240 --> 00:26:43,600 Speaker 3: and she's she drops everything, even the publicist, who, by 492 00:26:43,640 --> 00:26:47,040 Speaker 3: the way, is an actor from Designing Women and so 493 00:26:47,080 --> 00:26:50,520 Speaker 3: he was pretty big back then, Yeah, he was. She's like, no, no, 494 00:26:50,560 --> 00:26:52,560 Speaker 3: these are my friends. No, I'll do what they ask. 495 00:26:53,160 --> 00:26:55,520 Speaker 3: I love that, but you know, apparently she was like 496 00:26:55,560 --> 00:26:58,680 Speaker 3: that in real life as well. So the first sister 497 00:26:58,760 --> 00:27:02,280 Speaker 3: act she'd gotten flew had to take off a couple 498 00:27:02,320 --> 00:27:04,720 Speaker 3: of days. But it was at that time she had 499 00:27:04,760 --> 00:27:07,680 Speaker 3: realized that the rest of the cast, the nuns who 500 00:27:07,720 --> 00:27:10,119 Speaker 3: weren't scripted, who weren't stars, or who may not have 501 00:27:10,160 --> 00:27:13,240 Speaker 3: speaking parts, were possibly paying for their own meals, paying 502 00:27:13,280 --> 00:27:15,639 Speaker 3: for their own hotels, and she was not allowing that. 503 00:27:15,760 --> 00:27:18,280 Speaker 3: So she took that time as to not necessarily protest, 504 00:27:18,400 --> 00:27:21,879 Speaker 3: she said, but put things in line to make sure 505 00:27:21,920 --> 00:27:24,200 Speaker 3: that their knees are being met and they're being taken 506 00:27:24,240 --> 00:27:26,960 Speaker 3: care of. And so apparently like she did that for 507 00:27:27,000 --> 00:27:30,199 Speaker 3: the cast Kathy and Jimmy had actually said that she 508 00:27:30,240 --> 00:27:32,239 Speaker 3: was one of the most wonderful people that she had 509 00:27:32,280 --> 00:27:35,320 Speaker 3: ever worked with, that she really cared about the rest 510 00:27:35,359 --> 00:27:39,119 Speaker 3: of the people on the set and Kathy the Jimmy 511 00:27:39,720 --> 00:27:42,280 Speaker 3: had worked with, and if I am correct, one of 512 00:27:42,320 --> 00:27:45,360 Speaker 3: the either producers or directors or writers was also from 513 00:27:45,359 --> 00:27:48,159 Speaker 3: hocus Pocus. So she really talked about how this was 514 00:27:48,200 --> 00:27:50,639 Speaker 3: a catalyst for her career, which is hilarious because she 515 00:27:50,640 --> 00:27:52,160 Speaker 3: would have met I don't know if she already knew 516 00:27:52,200 --> 00:27:54,520 Speaker 3: Bette Midler, who was supposed to be on this film, 517 00:27:54,560 --> 00:27:57,680 Speaker 3: so you know, you know the connections here. But it's 518 00:27:57,800 --> 00:28:01,000 Speaker 3: lovely to read that that's what happened, even though if 519 00:28:01,040 --> 00:28:03,840 Speaker 3: you read into it, there was a lot of controversy, 520 00:28:03,960 --> 00:28:06,399 Speaker 3: a lot of back and forth and a lot of 521 00:28:06,480 --> 00:28:11,119 Speaker 3: like uh not niceness that happened behind the scenes, not 522 00:28:11,119 --> 00:28:15,120 Speaker 3: necessarily again with the actors, but even just the whole process. 523 00:28:15,400 --> 00:28:18,240 Speaker 3: But yeah, that she stood up for her sisters literally 524 00:28:18,400 --> 00:28:21,240 Speaker 3: and making sure that they are cared for. I was like, oh, 525 00:28:21,400 --> 00:28:23,720 Speaker 3: I love that, and like you were talking about too, 526 00:28:23,800 --> 00:28:26,280 Speaker 3: something that I love to see is that they grow together, 527 00:28:26,440 --> 00:28:28,960 Speaker 3: like they learn from each other as where Willie Goldberg 528 00:28:29,080 --> 00:28:32,080 Speaker 3: is Sister Clarence is teaching them how to sing and 529 00:28:32,119 --> 00:28:35,080 Speaker 3: to be confident and to really come together as a group. 530 00:28:35,640 --> 00:28:38,640 Speaker 3: So do this, kids, She brings them together even if 531 00:28:38,680 --> 00:28:41,040 Speaker 3: they don't like the same thing. And I love the 532 00:28:41,080 --> 00:28:43,760 Speaker 3: same part of the young woman who kid doesn't know 533 00:28:44,120 --> 00:28:46,920 Speaker 3: Mary had a little lamb, so she sings show tunes, 534 00:28:46,920 --> 00:28:52,240 Speaker 3: which we have coorger who loves show tunes loves show tunes. 535 00:28:53,120 --> 00:28:54,440 Speaker 1: Yes, no, I love that. Again. 536 00:28:54,560 --> 00:28:56,280 Speaker 2: That's like such a good example of her being a 537 00:28:56,320 --> 00:28:58,120 Speaker 2: good teacher because she was like, no, we're not gonna 538 00:28:58,120 --> 00:28:58,720 Speaker 2: make fun of her. 539 00:28:59,880 --> 00:29:00,640 Speaker 1: She doesn't know it. 540 00:29:01,040 --> 00:29:03,040 Speaker 2: What do you know, Like we can we can come 541 00:29:03,040 --> 00:29:06,800 Speaker 2: from where you are and get this worked out. So 542 00:29:06,840 --> 00:29:10,840 Speaker 2: I loved that too, and I loved like her relationship 543 00:29:10,880 --> 00:29:14,040 Speaker 2: with the Reverend Mother, which was very kind of, you know, clashy. 544 00:29:14,880 --> 00:29:18,600 Speaker 2: Here's the antagonist in the first one, but the reverend mother, 545 00:29:19,080 --> 00:29:21,400 Speaker 2: you know, came around and was like, look, I can 546 00:29:21,440 --> 00:29:23,520 Speaker 2: I can appreciate what you've done. I can see what 547 00:29:23,520 --> 00:29:28,400 Speaker 2: you've done for this group and for this church. And 548 00:29:28,440 --> 00:29:30,680 Speaker 2: then in the second one it is that they're good 549 00:29:30,680 --> 00:29:33,000 Speaker 2: friends and protective of each other. So that was very 550 00:29:33,000 --> 00:29:37,239 Speaker 2: sweet to see that. Yeah, it was. I don't know, 551 00:29:37,280 --> 00:29:39,320 Speaker 2: it was very nice to see a character that was 552 00:29:39,360 --> 00:29:43,520 Speaker 2: so like willing to be open. Like when she enters 553 00:29:43,600 --> 00:29:46,000 Speaker 2: that class with the students, I would have like melted 554 00:29:46,040 --> 00:29:50,240 Speaker 2: into a puddle and oh god, but she tried, Like 555 00:29:50,320 --> 00:29:54,240 Speaker 2: she keeps, you know, talking about her favorite music and 556 00:29:54,320 --> 00:29:56,160 Speaker 2: trying to figure out what they like and how she 557 00:29:56,200 --> 00:30:00,680 Speaker 2: can get them to work together in the same the 558 00:30:00,800 --> 00:30:04,200 Speaker 2: sisters at the convents, but just kind of being an 559 00:30:04,240 --> 00:30:07,800 Speaker 2: open lister and open about how difficult things. I remember 560 00:30:07,840 --> 00:30:10,560 Speaker 2: she has that line where she says something like, you know, 561 00:30:11,200 --> 00:30:12,880 Speaker 2: the one thing I hate about this room is there's 562 00:30:12,880 --> 00:30:14,160 Speaker 2: nothing to throw when. 563 00:30:13,960 --> 00:30:15,040 Speaker 1: She's so frustrated. 564 00:30:15,880 --> 00:30:19,080 Speaker 2: So it was nice to see a character like that 565 00:30:19,080 --> 00:30:25,040 Speaker 2: that was so invested in other people growing together, coming 566 00:30:25,080 --> 00:30:29,720 Speaker 2: together while also being like growing herself and getting to 567 00:30:29,720 --> 00:30:30,760 Speaker 2: show off her own talent. 568 00:30:44,840 --> 00:30:46,560 Speaker 3: And I have to say I forgot to add as 569 00:30:46,560 --> 00:30:52,920 Speaker 3: part sister Mary Lazarus was actually played by an iconic actress, 570 00:30:52,960 --> 00:30:56,360 Speaker 3: Mary Wicks, who was in movies like White Christmas that 571 00:30:56,480 --> 00:31:00,000 Speaker 3: start being Crosby as well, like one of the biggest 572 00:31:00,240 --> 00:31:04,240 Speaker 3: iconic Christmas movies Problematic, but you know, it's still there. 573 00:31:05,400 --> 00:31:09,040 Speaker 3: She was also in one of my favorite movies, The 574 00:31:09,120 --> 00:31:12,040 Speaker 3: Music Man, which I loved as well, so like she 575 00:31:12,360 --> 00:31:14,040 Speaker 3: was a big part of that. But she is the 576 00:31:14,640 --> 00:31:18,680 Speaker 3: original lead for the choir who steps down and instead 577 00:31:18,720 --> 00:31:21,880 Speaker 3: of getting mad, which oftentimes happened, she supports her and 578 00:31:21,920 --> 00:31:23,840 Speaker 3: it was like, oh, a great job. And she's also 579 00:31:23,840 --> 00:31:25,520 Speaker 3: the one that does the show tunes of the second one. 580 00:31:25,600 --> 00:31:28,400 Speaker 3: As we talked with these show tunes, but I kind 581 00:31:28,440 --> 00:31:32,080 Speaker 3: of forget that these actors are iconic in themselves and 582 00:31:32,120 --> 00:31:34,040 Speaker 3: even though we may not know their names. She has 583 00:31:34,160 --> 00:31:38,560 Speaker 3: been in acting since nineteen forty two, if not earlier, 584 00:31:38,600 --> 00:31:40,560 Speaker 3: so she's been around for a long time, and her 585 00:31:40,560 --> 00:31:43,400 Speaker 3: face is very familiar. You should probably you'll see her 586 00:31:43,400 --> 00:31:45,520 Speaker 3: and you'll be like, I've seen her in something. She's 587 00:31:45,560 --> 00:31:48,479 Speaker 3: just movies, And yeah, I think another part of the 588 00:31:48,800 --> 00:31:52,920 Speaker 3: growing together getting news believing in themselves. Of course, that's 589 00:31:52,960 --> 00:31:56,200 Speaker 3: the huge part of the nineties, really, like understanding who 590 00:31:56,280 --> 00:31:59,720 Speaker 3: you are, following your dreams. All of these things. The 591 00:31:59,800 --> 00:32:03,560 Speaker 3: first one is believing yourself. We have Mary Roberts who 592 00:32:03,680 --> 00:32:07,000 Speaker 3: doesn't sing loudly because she's so shy and embarrassed. You know, 593 00:32:07,040 --> 00:32:09,760 Speaker 3: she helps her come out of herself. She does the 594 00:32:09,760 --> 00:32:12,320 Speaker 3: same for Mary Patrick. She does the same for even 595 00:32:12,400 --> 00:32:17,040 Speaker 3: a sister. Alma turns off her battery, but then she 596 00:32:16,600 --> 00:32:19,080 Speaker 3: gives her a chance to play away on that piano 597 00:32:19,400 --> 00:32:20,680 Speaker 3: and she really gets into it. 598 00:32:20,960 --> 00:32:26,520 Speaker 2: Mm hmmm, yeah, yeah, and that was nice to see 599 00:32:26,600 --> 00:32:30,720 Speaker 2: because I feel like when the first one starts, you know, 600 00:32:30,800 --> 00:32:33,720 Speaker 2: the church is empty, and you hear kind of several 601 00:32:34,080 --> 00:32:38,000 Speaker 2: versions of you know, I joined to help people and 602 00:32:38,080 --> 00:32:42,080 Speaker 2: we're just kind of sitting here and following rules, and 603 00:32:42,120 --> 00:32:45,920 Speaker 2: then yeah, Dolorus comes in and it's like, no, here, well, 604 00:32:46,120 --> 00:32:48,880 Speaker 2: we can revitalize this choir. I know that you have 605 00:32:48,960 --> 00:32:51,240 Speaker 2: this strong voice. I know that you can do this, 606 00:32:51,320 --> 00:32:52,479 Speaker 2: and I know that you can do this and all 607 00:32:52,520 --> 00:32:54,440 Speaker 2: this stuff. But then that does lead to them going 608 00:32:54,480 --> 00:32:58,120 Speaker 2: out and like getting to know the community and bringing 609 00:32:58,160 --> 00:32:58,880 Speaker 2: other people in. 610 00:33:00,800 --> 00:33:03,000 Speaker 1: And seeing that confidence growing. 611 00:33:02,960 --> 00:33:04,960 Speaker 2: And the second one was the kids, because the kids 612 00:33:05,000 --> 00:33:06,640 Speaker 2: were kind of like, well, this is a bird class, 613 00:33:06,640 --> 00:33:09,520 Speaker 2: as you said, like this is there's no point to this, 614 00:33:10,640 --> 00:33:13,760 Speaker 2: and she Dolores kind of kind of shows them like, 615 00:33:13,800 --> 00:33:17,320 Speaker 2: oh no, they're you have talents. What you choose to 616 00:33:17,360 --> 00:33:20,160 Speaker 2: do with it, it's up to you. But you have talent, 617 00:33:20,200 --> 00:33:22,120 Speaker 2: and you should believe that you have talent. She does 618 00:33:22,120 --> 00:33:25,160 Speaker 2: that with a mall especially and rita especially. Yeah, like 619 00:33:25,600 --> 00:33:28,320 Speaker 2: you can do this and it's beautiful and wonderful and 620 00:33:28,440 --> 00:33:29,280 Speaker 2: like this gifts. 621 00:33:29,800 --> 00:33:31,960 Speaker 1: Yeah, and it's good. It's beautiful and wonderful. To here 622 00:33:32,000 --> 00:33:32,640 Speaker 1: is the audience. 623 00:33:33,160 --> 00:33:37,360 Speaker 3: Yes, yes, a ma all that that note that hit 624 00:33:37,440 --> 00:33:42,240 Speaker 3: hits you're like what? Yes, love sing and of course 625 00:33:44,400 --> 00:33:47,240 Speaker 3: everything can be fixed with singing. Everything can be fixed 626 00:33:47,800 --> 00:33:51,560 Speaker 3: with singing. And did you know this? I will not lie. 627 00:33:52,080 --> 00:33:55,680 Speaker 3: I love musicals. And when I was explaining to a 628 00:33:55,680 --> 00:33:58,080 Speaker 3: good friend of mine why I love it, I just like, man, 629 00:33:58,120 --> 00:34:01,000 Speaker 3: I just wish a problem could be fixed with the song. Yeah, 630 00:34:01,040 --> 00:34:02,040 Speaker 3: and then you just move on. 631 00:34:03,440 --> 00:34:06,840 Speaker 2: Yeah, people join in. 632 00:34:08,360 --> 00:34:10,040 Speaker 3: And people don't judge you. 633 00:34:10,080 --> 00:34:12,680 Speaker 1: No, it is nice. 634 00:34:12,719 --> 00:34:15,400 Speaker 2: I've told you that musicals make me nervous, but musicals 635 00:34:15,440 --> 00:34:17,840 Speaker 2: like this don't because I can anticipate when the singing is. 636 00:34:18,120 --> 00:34:21,359 Speaker 3: If it's surprise singing, then I'm yeah, the constant, over 637 00:34:21,440 --> 00:34:24,320 Speaker 3: the top singing where everything is a song which I love. 638 00:34:24,480 --> 00:34:28,280 Speaker 3: I love as in fact, went to karaoke this weekend 639 00:34:28,480 --> 00:34:31,400 Speaker 3: and I did my friend and I because we love that, 640 00:34:31,440 --> 00:34:33,800 Speaker 3: did a rendition of on my own from lay Miss 641 00:34:33,960 --> 00:34:34,919 Speaker 3: because I love it. 642 00:34:35,440 --> 00:34:37,239 Speaker 1: Nice Matt did we kill it? 643 00:34:37,360 --> 00:34:40,920 Speaker 3: Yes? Did we sound good? No? She did, she sounded 644 00:34:40,960 --> 00:34:46,560 Speaker 3: really good, screaming into the mike. But yeah, I just 645 00:34:46,719 --> 00:34:49,480 Speaker 3: love all that. And honestly though, that's one of her 646 00:34:49,520 --> 00:34:51,480 Speaker 3: things for Whoopy Goldberg, and I think it's like for 647 00:34:51,520 --> 00:34:54,239 Speaker 3: a lot of people. It's one of those commonalities that 648 00:34:54,280 --> 00:34:58,800 Speaker 3: people really can bond over, is music and songs and 649 00:34:58,880 --> 00:35:01,000 Speaker 3: your interest. Then she talked about that, she talks about 650 00:35:01,040 --> 00:35:05,480 Speaker 3: her love for old school motown music and the girl 651 00:35:05,560 --> 00:35:09,319 Speaker 3: groups and how she found them dynamic and how that 652 00:35:09,400 --> 00:35:12,800 Speaker 3: really really affects her heart. I feel the same way 653 00:35:13,160 --> 00:35:15,360 Speaker 3: right now. I'm really caught up in K pop music 654 00:35:15,560 --> 00:35:17,360 Speaker 3: a lot of it, trying to figure it out, and 655 00:35:17,360 --> 00:35:20,000 Speaker 3: it feels very familiar, and so it's comforting to that, 656 00:35:20,520 --> 00:35:24,719 Speaker 3: even though I have no idea what's happening right now. 657 00:35:24,840 --> 00:35:27,440 Speaker 2: Music is very cathartic, Like you find a good song 658 00:35:27,600 --> 00:35:33,080 Speaker 2: and it can just give you such emotions, such feelings. 659 00:35:33,560 --> 00:35:41,520 Speaker 2: And it was I mean, like, you know, as. 660 00:35:38,800 --> 00:35:39,920 Speaker 1: Hokey as it might be. 661 00:35:40,200 --> 00:35:42,160 Speaker 2: At the end of the second one, all these kids 662 00:35:42,160 --> 00:35:44,360 Speaker 2: are coming together, they're singing this song and it's so 663 00:35:44,480 --> 00:35:50,000 Speaker 2: good and people are so into it, and you're just like, yes, Yeah, 664 00:35:50,440 --> 00:35:51,080 Speaker 2: it's true. 665 00:35:51,239 --> 00:35:57,440 Speaker 3: It's true. We all are I think onto all of that. 666 00:35:57,520 --> 00:36:00,319 Speaker 3: One of the biggest complaints about the second one, and 667 00:36:00,360 --> 00:36:02,080 Speaker 3: people were like, you know, they didn't do this right, 668 00:36:02,600 --> 00:36:05,719 Speaker 3: was literally that there wasn't enough singing, that they cut 669 00:36:05,760 --> 00:36:09,200 Speaker 3: off at the wrong times. So when we have you 670 00:36:09,320 --> 00:36:12,320 Speaker 3: walking in to see Lauren Hill's character and her friend 671 00:36:12,400 --> 00:36:18,719 Speaker 3: and singing I sing because I'm happy together, and then 672 00:36:18,719 --> 00:36:21,239 Speaker 3: you only hear a snippet and you're like, no, why 673 00:36:21,280 --> 00:36:23,719 Speaker 3: didn't you at least let them finish? Right? 674 00:36:23,800 --> 00:36:24,200 Speaker 1: Hear that? 675 00:36:24,800 --> 00:36:27,640 Speaker 3: And then that the only other song is joyful, Joyful 676 00:36:27,680 --> 00:36:32,239 Speaker 3: and oh Happy Day? You want more? Although this is realistic, y'all. 677 00:36:32,239 --> 00:36:34,919 Speaker 3: When you trying to rehearse for a song, it takes 678 00:36:34,960 --> 00:36:38,120 Speaker 3: a whole semester, especially if you're trying to do competition 679 00:36:38,239 --> 00:36:39,280 Speaker 3: to get it perfect. 680 00:36:39,840 --> 00:36:43,520 Speaker 1: Right. Oh yeah, absolutely, I thought they were. 681 00:36:43,560 --> 00:36:46,759 Speaker 2: When they heard the other like more quote polished group 682 00:36:47,320 --> 00:36:49,120 Speaker 2: play the same song, I thought they were going to 683 00:36:49,200 --> 00:36:51,799 Speaker 2: switch it to is it oh happy Day? 684 00:36:52,040 --> 00:36:53,440 Speaker 1: They in the beginning, I thought they were going to 685 00:36:53,480 --> 00:36:53,880 Speaker 1: switch it. 686 00:36:54,760 --> 00:36:56,879 Speaker 2: I like what they did, it was good, but yeah, 687 00:36:56,880 --> 00:36:59,240 Speaker 2: I was also like, I love these singing parts. 688 00:36:59,440 --> 00:37:04,560 Speaker 3: Yeah, I will say my one complaint is the dude, 689 00:37:04,800 --> 00:37:09,719 Speaker 3: the white dude trying to rap. Oh yeah, yeah, it 690 00:37:09,719 --> 00:37:11,359 Speaker 3: made me change a little bit. 691 00:37:11,560 --> 00:37:13,920 Speaker 1: Yeah, yeah, for sure, for sure. 692 00:37:14,640 --> 00:37:16,520 Speaker 3: No, I'm just kidding, but yeah, I love that they 693 00:37:16,560 --> 00:37:18,960 Speaker 3: came together. I love that they try to add rap. 694 00:37:19,000 --> 00:37:22,560 Speaker 3: It really did feel like old people try to figure 695 00:37:22,560 --> 00:37:24,640 Speaker 3: out rap and be like this is what this is? 696 00:37:24,719 --> 00:37:24,959 Speaker 2: Right? 697 00:37:26,239 --> 00:37:30,200 Speaker 1: Yeah, for sure, but. 698 00:37:30,200 --> 00:37:33,240 Speaker 3: You know what they tried, It's okay. I think someone's 699 00:37:33,320 --> 00:37:36,680 Speaker 3: review said the Cassio beat and I was like, oh, oh, 700 00:37:36,800 --> 00:37:41,920 Speaker 3: that dates, that's so dated. Why that hurt my feelings? 701 00:37:44,239 --> 00:37:48,480 Speaker 3: Especially the quit quit hurting my feelings about this movie? 702 00:37:48,640 --> 00:37:51,719 Speaker 3: I love it so much. I watched this one, I 703 00:37:51,800 --> 00:37:53,960 Speaker 3: think way more than I did the first one. Uh. 704 00:37:54,080 --> 00:37:57,239 Speaker 3: It's just something to that soulfulness to it, and it 705 00:37:57,360 --> 00:38:03,160 Speaker 3: just felt so beautiful. My so used to direct our 706 00:38:03,320 --> 00:38:06,200 Speaker 3: little church choir and she would take influences from there. 707 00:38:06,200 --> 00:38:07,759 Speaker 3: Maybe that's why I love as much as I did, 708 00:38:07,760 --> 00:38:09,840 Speaker 3: because she loved these movies, but she would try to 709 00:38:09,880 --> 00:38:12,600 Speaker 3: do things from here. She would do that and then uh, 710 00:38:12,719 --> 00:38:15,040 Speaker 3: oh brother, where art thal? We had different renditions from 711 00:38:15,080 --> 00:38:15,640 Speaker 3: that too. 712 00:38:15,840 --> 00:38:24,400 Speaker 1: Very interesting, that's right? We were cool? Oh not? Why? Well? 713 00:38:25,160 --> 00:38:27,919 Speaker 2: These were certainly fun fun for me to watch I'm 714 00:38:27,920 --> 00:38:32,879 Speaker 2: glad you got to watch them begin welcome. Yes, yes, yes, yes, 715 00:38:33,080 --> 00:38:35,440 Speaker 2: they are available for streaming listeners if you want to 716 00:38:35,520 --> 00:38:39,359 Speaker 2: check them out. And yeah, in the meantime, if you 717 00:38:39,400 --> 00:38:42,319 Speaker 2: have any suggestions for what movies we should talk about next, 718 00:38:42,840 --> 00:38:44,920 Speaker 2: you can send them to us. Our email is Stephanie 719 00:38:45,000 --> 00:38:47,239 Speaker 2: moms Stuff at iHeartMedia dot com. You can find us 720 00:38:47,280 --> 00:38:49,960 Speaker 2: on Twitter at mom Stuff podcast, or on Instagram and 721 00:38:50,080 --> 00:38:52,239 Speaker 2: TikTok at stuff I Never Told You. 722 00:38:52,760 --> 00:38:55,160 Speaker 1: Thanks as always to our super producer Christina. 723 00:38:55,440 --> 00:38:57,359 Speaker 3: Thank you, Christina. I have a feeling she's never seen 724 00:38:57,400 --> 00:38:58,880 Speaker 3: these movies. Have you ever seen these movies? 725 00:39:00,239 --> 00:39:04,080 Speaker 1: Yes, Christina, we must know. And thanks to you for listening. 726 00:39:04,400 --> 00:39:06,360 Speaker 1: Stefan Never Told You the protection of iHeartRadio. 727 00:39:06,400 --> 00:39:07,920 Speaker 2: For more podcast from my Heart Radio, you can check 728 00:39:07,920 --> 00:39:09,959 Speaker 2: out the iHeart Radio app Apple podcast, where regular listen 729 00:39:09,960 --> 00:39:10,840 Speaker 2: to your favorite shows.