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Speaker 1: He sees me, puts his guitar down, b lines through

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Speaker 1: the crowd straight to me. It comes on to me

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Speaker 1: and says, labor Skill is a good album. Don't let

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Speaker 1: nobody take you different and walked on. And from that

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Speaker 1: moment I was like, you know what, I don't give

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Speaker 1: a damn what the critics say. I don't care what

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Speaker 1: nobody say. Prince Daida's good, It's good. I'm good, Yo.

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Speaker 1: What up y artist is Joe Crack the Dawn?

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Speaker 2: It's your boy, Jada. You know what it is? Did

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Speaker 2: Joe and.

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Speaker 3: Jadas show every show legendary, every show iconic.

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Speaker 2: It's so forth is so on, ladies and gentlemen.

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Speaker 3: Today we want you to give it up for our brother,

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Speaker 3: Triple Threat artists, great human being. I can keep going

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Speaker 3: a little all five hours of the good characteristics of

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Speaker 3: this brother.

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Speaker 2: It makes some noise for my man.

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Speaker 4: Neo.

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Speaker 2: Love and respect, love and respect. So you're first country artist.

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Speaker 4: Because it's out of your country, and do I country inspired?

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Speaker 2: I do that. I feel like it's disrespectful for me

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Speaker 2: to call it a country album. There's some burrow on

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Speaker 2: right now. What are you talking about? Everything's connected.

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Speaker 4: But that's why I'm trying to like, but you know,

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Speaker 4: he ain't you know what they know what they do,

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Speaker 4: got a platinum pin yo. It's like I didn't even

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Speaker 4: want to look up the stats right because it's just

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Speaker 4: too much. But uh, if I looked into the neo bag,

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Speaker 4: it would definitely end up at Beyonce.

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Speaker 2: Yeah, you know what's that like?

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Speaker 4: Working with the queen and penning something up for her

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Speaker 4: and not only that, something iconic.

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Speaker 2: Yeah, man, that was that was That's That's one of

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Speaker 2: the ones.

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Speaker 1: I'll say this the dis session tell them with the

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Speaker 1: song is talking about Beyonce is irreplaceable.

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Speaker 2: That's uh. Yeah, I'm still eating set and I still

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Speaker 2: ain't spent all that.

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Speaker 4: Still ain't to different, But I'm used to going in

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Speaker 4: the studio and having to kind of kind of hold

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Speaker 4: artist's hands, so to speak. You know what I'm saying,

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Speaker 4: Like I hear the next note, I hear's the next part?

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Speaker 2: Do this that part? Man, I ain't never felt so

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Speaker 2: useless in my damn life. Work gonna be. She ain't

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Speaker 2: need me for nothing. I'm like, all right, I'm gonna

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Speaker 2: get coffee.

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Speaker 1: You got it. She got it? She did not that song.

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Speaker 1: I didn't about an hour by myself like I wasn't needed.

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Speaker 1: I wasn't needed, but but I was mad at got.

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Speaker 2: Country vibes to it it. Dude.

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Speaker 4: I kind of wrote it like like a country song

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Speaker 4: because when I first wrote it, there was no drums on.

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Speaker 1: It was just the guitar part. So I kind of

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Speaker 1: wrote it like kind of like a country song because

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Speaker 1: I've always I've always appreciated country music because it's like

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Speaker 1: it's storytelling, you know what I'm saying.

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Speaker 2: It's like you.

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Speaker 1: Got to be clever with the lyric and country music.

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Speaker 1: So I always always had an appreciation for that. That's

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Speaker 1: that's kind of why I'm doing the album that I'm doing,

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Speaker 1: uh country again, country inspired. I don't feel like I

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Speaker 1: can call it a country album in that I'm not

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Speaker 1: a full fledged country artist, Like I feel like that's disrespectful.

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Speaker 1: The cast has been doing that for years and then

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Speaker 1: here I come on some Yeah I'm doing the country.

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Speaker 1: I'm like, nah, it's inspired by all the things that

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Speaker 1: I love about country music. Yeah, coming soon, coming from

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Speaker 1: real quick, real quick. I don't I don't walk to

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Speaker 1: nobody house without a gift.

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Speaker 2: Damn, we ain't gotten to do that. Me being here,

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Speaker 2: me being here, y'all having me here is the gift.

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Speaker 2: I appreciate that, shouts to my man Vaughn Smith. The

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Speaker 2: name of the headline is circle. We just got so

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Speaker 2: we got some burrows because you got no no guys,

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Speaker 2: Oh that's all right.

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Speaker 1: Yeah, man as Circa is the name of the liance.

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Speaker 1: My man, my man Vaughn and this part of the

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Speaker 1: put that thing together. So yeah, just appreciation for having

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Speaker 1: me on.

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Speaker 2: Appreciate you. Oh you see the mixed way the color,

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Speaker 2: that's what that's.

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Speaker 4: For fans who think we're really gonna win like that,

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Speaker 4: like you if you think the Knick's gonna win this

84
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Speaker 4: ship like ya.

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Speaker 2: A little wave, you know. I appreciated that a fire

86
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Speaker 2: appreciate y'all.

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Speaker 4: Don't get nothing, really, and we don't get nothing nothing

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Speaker 4: for Father's Day.

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Speaker 2: We don't get shipped for the not even the firs socks.

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Speaker 4: What does a guy who has four wives four girls

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Speaker 4: do you receive a gift on Father's Day or birthday?

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Speaker 2: You know what?

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Speaker 1: I get gifts from my kids on Father's Day and

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Speaker 1: that's enough.

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Speaker 4: I don't necessarily today, we just don't. I don't need

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Speaker 4: nothing we get birking bags.

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Speaker 2: Or type of ship. We get socks. I don't even

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Speaker 2: get that. But I don't see. I'm also I don't need.

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Speaker 2: I don't need a gift and socks, not even a

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Speaker 2: good tube shock.

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Speaker 4: My father man loud across the floor. My father last say,

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Speaker 4: eighty nine years, he had the same complaint every year, Yo,

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Speaker 4: I don't get ship. I gotta buy flowers chocolates. This

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Speaker 4: my father like, yo, I ain't getting shipped. Why we

105
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Speaker 4: can't get shipped.

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Speaker 1: But but see in my household, I don't have to

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Speaker 1: lift a finger. I don't gotta cook, I don't gotta clean.

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Speaker 2: I don't got it.

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Speaker 4: I don't gotta do much of nothing in my house

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Speaker 4: because from between my kids and.

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Speaker 2: My women, and I don't. I don't like, I don't need.

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Speaker 4: I'll say, like they said, throw like ice cream on

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Speaker 4: the floor. You can eat that ship off the floor

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Speaker 4: for spotless. That shit is like a drift through. Drive

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Speaker 4: through that ship like the ship. You know, to sit

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Speaker 4: there all they be marbalizing the offices and sit that

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Speaker 4: shit gotta be.

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Speaker 1: Crystal clear now absolutely Now, I'm good. I need I

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Speaker 1: don't need gifts every day.

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Speaker 4: It's gifts in my I get it now me I'm

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Speaker 4: not gonna lie to you like these hats, I swear

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Speaker 4: to you, I'm gonna wear it, and I truly appreciate

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Speaker 4: it because I don't get shipped. I'm being honest with you.

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Speaker 4: I don't get shipped. I don't fat Joe, don't get ship.

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Speaker 2: I'm being that you gotta get money. Yeah, yeah, I'm

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Speaker 2: just chilling. Man.

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Speaker 3: We having having a nice conversation. Man, Man, it's my god.

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Speaker 3: He's a the bag. You talking about the bag. He's

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Speaker 3: a very given person. I shot a video on the

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Speaker 3: level he had these Louise on him, like yo, I

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Speaker 3: like them. He send somebody and brought him with the

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Speaker 3: old I like them trick.

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Speaker 2: Huh No, I wasn't. He did fool trick. Huh. I

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Speaker 2: didn't even know him. Rick did the old I like

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Speaker 2: him trick? He was?

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Speaker 4: He was really with this guy, right, I had dinner

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Speaker 4: with this guy. Man, he's a gambling expert. What the fuck?

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Speaker 2: You hit him with the old? I like he just did.

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Speaker 2: Now he hit me with the OOFTI wati.

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Speaker 4: I had these newis glass and shipping like five thousand

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Speaker 4: some fly ship.

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Speaker 2: Every bide of the dinner.

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Speaker 4: He was like, man, the class really every bike and

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Speaker 4: it just kept and I'm from the thing like, if

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Speaker 4: you compliment too much now, it's almost like the mirror's

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Speaker 4: gonna crack.

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Speaker 2: Like I'm like, yo, give it to it's gonna be

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Speaker 2: that blood.

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Speaker 4: I said, these glasses, you get like ten fucking time

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Speaker 4: to say, Yo, here go brother, take him man and

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Speaker 4: enjoy the glasses. It's not a problem this. I never

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Speaker 4: found them glasses again. Vegas Dave hustled me for my ship, Yo,

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Speaker 4: Vegas Dave sending the glasses back. Vegas Daves might send

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Speaker 4: him back.

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Speaker 2: It works sometime. Thank you. Being the generous god.

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Speaker 1: I'm always be that, always be there. I feel like

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Speaker 1: you gotta be a blessing to receive a blessing.

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Speaker 4: By the way, call is funning me when we did

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Speaker 4: the caller joining and I kept saying, can I get

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Speaker 4: a loan? That motherfucker never hands James Brown, Peter King

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Speaker 4: of the Spin I just watched that episode said this

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Speaker 4: said a whole lot of nothing. Now, motherfucker like the

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Speaker 4: dragon from Grain of Thrones without the fire coming out

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Speaker 4: of his mind. I'm like, huh, I'm looking at that

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Speaker 4: shit because I got drunk. I fucked up. I got

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Speaker 4: drunk with him, and I don't drink, and so it

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Speaker 4: took me to see the ship to notice that I

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Speaker 4: got fun like, I'm fucking I'm like one of them

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Speaker 4: lot new dolls.

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Speaker 2: What's upthing, loop fellow ship. I was a little I'm

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Speaker 2: fucking out it. I was feeling a little nice.

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Speaker 3: But when you asked him that, he took us all

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Speaker 3: the way around Roward.

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Speaker 2: He took us.

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Speaker 4: He was trying to get the man on record to say, Yo, Joe,

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Speaker 4: I don't need a long I just try to get

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Speaker 4: him on record. He ain't go for it. He spun

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Speaker 4: me to death. But yo, neo man, you got a

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Speaker 4: country album. You know, everything you do is incredible. You

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Speaker 4: know everything last show I had with you, we was

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Speaker 4: in uh what the Kyman Knowledge? And I felt like,

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Speaker 4: you know what I'm saying. I was I was watching perform.

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Speaker 4: I was like, and you're also my wife's favorite singer,

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Speaker 4: respect right. You know, my mom's and pops had just

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Speaker 4: passed away around the time we were supposed to do

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Speaker 4: our birthday. You said you would do it. Jesz's her

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Speaker 4: favorite rapper. He was coming to but and that she

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Speaker 4: just went to see Jez but he ain't the.

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Speaker 2: Song with me, y'all. She was pissed the joint y'all

190
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Speaker 2: got together. She was like, yo, he ain't doing my song.

191
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Speaker 3: He said, yeah, that ship like that.

192
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Speaker 2: How many times you do a show and they say

193
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Speaker 2: you ain't do their song?

194
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Speaker 3: Man, everybody's all with every kid, every reason here, somebody

195
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Speaker 3: why he didn't do this song that you never do?

196
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Speaker 2: Mind you? It wasn't a single. The fourth album cut

197
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Speaker 2: like this is my favorite joint white wait man. Listen,

198
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Speaker 2: did you enjoy the show? All right? Leave me alone? Man,

199
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Speaker 2: go on, it's a lot, It's a whole lot.

200
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Speaker 3: One of last show with him, he was in Jamaica.

201
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Speaker 3: Remember something after you. I had to save the day

202
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Speaker 3: for you. He as much DJ. We was out there

203
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Speaker 3: for some It was one of the fesces with a

204
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Speaker 3: bunch of Jamaican and all this and that, Me and

205
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Speaker 3: you and Buster was supposed to be there. Let me

206
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Speaker 3: catch he was in that my Tigo Bay or somewhere

207
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Speaker 3: the cakes. He was somewhere and they like, yo, he

208
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Speaker 3: is being Something happened? Could he say, yeah, he can

209
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Speaker 3: rock with me. That's how we got the technician Jamaicing technician.

210
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Speaker 2: Yeah, he used tech. You know when I double tipped

211
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Speaker 2: them on tech. He wont his fucking fist.

212
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Speaker 3: He said, hey, you know what when you went to

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Speaker 3: pay him listen text Jamaican.

214
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Speaker 2: So he was living a life out there. He had

215
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Speaker 2: the chefs, the maids, he was eating seven millis in

216
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Speaker 2: the Motherland. He was chilling.

217
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Speaker 4: I just went I just came back from Puerto Rico.

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Speaker 4: I went to the Bad Bunny concert. Did you feel

219
00:10:39,120 --> 00:10:41,040
Speaker 4: like Colt like what?

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Speaker 2: No? No, No, it was it was fino. You know

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Speaker 2: what I'm saying, I don't see I needed you. I

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Speaker 2: need the same.

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Speaker 4: No, it was what you want me to say. I'm

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Speaker 4: not gonna do what callous say. It was an incredible show,

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Speaker 4: super talented. The fucking aesthetics was crazy, the vibe and

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Speaker 4: when we landed on the plane, it no, the party

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Speaker 4: was like welcome to Bad Buddy, and the whole plane

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Speaker 4: went crazy. Man, I never like that whole island. I

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Speaker 4: heard he generated like seven hundred million for the island

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Speaker 4: and the whole theme of the show is based on

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Speaker 4: like gentrification of Puerto Rico, that grandmothers are selling their

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Speaker 4: cribs and you know, and so he he brought all

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Speaker 4: that money back to the economy. It was really incredible. Well,

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Speaker 4: you know, I've been drinking a lot, Lady, I drinking

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Speaker 4: that motherfucker too.

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Speaker 2: I was saucy. I technically was s time. It's nice.

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Speaker 4: All yeah, I want to ship, you know, I got

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Speaker 4: to like y'all get that water. You already know you

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Speaker 4: got it. But incredible, phenomenal show. One of the greatest

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Speaker 4: shows I've ever seen in my life. And then the

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Speaker 4: next day I snuck into that biann mcnight. When's the

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Speaker 4: last time you've seen bim Night before? Seeing that man

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Speaker 4: in a wild He was in Puerto Rico. Nah, I

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Speaker 4: was in Jersey. You see, I snuck into Inglewood Theater

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Speaker 4: on the low. Well you shot back right at the

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Speaker 4: right back seeing Brian McKnight, he was like any time

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Speaker 4: reaching now for me, I would have loved this, see it, yo,

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Speaker 4: This guy like, wait, kowit's been at it.

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Speaker 2: I don't know.

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Speaker 4: But the only art that I've seen, the only artist

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Speaker 4: I've seen vocally sing like that in years, was like

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Speaker 4: Luther Vandews. This guy really scary. Sneaking the h next

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Speaker 4: time you he's in the city, you were just sneaking,

254
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Speaker 4: sitting in the back, You're gonna be like, yo, this

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Speaker 4: guy is fucking he caught a body on Broadway. This

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Speaker 4: guy Brian mcno Rightman, I grew up on Brian mknight,

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Speaker 4: Brian m knight, Boys and Man, that was that was

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Speaker 4: kind of the era of music that I like, really

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Speaker 4: started taking music series.

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Speaker 1: I wanted to be Wayanney Morris. I want to be

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Speaker 1: in the group. You know, it's crazy. I'm watching Brian

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Speaker 1: McKnight the whole time.

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Speaker 4: I'm saying, Yo, this guy could have been in fucking

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Speaker 4: Boys Cement. The whole show I'm watching, I'm thinking, you know,

265
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Speaker 4: my music or whatever, you know, how we it's tapping

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Speaker 4: my brain. I'm like, Yo, this guy could have been

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Speaker 4: a fucking fourth member of Boys Samanda easily.

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Speaker 2: Like I said, the era when it was a little

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Speaker 2: bit older than Boys.

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Speaker 4: Yeah, but what I'm saying is vocally, vocally and aesthetically,

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Speaker 4: this guy could have been in Boys to Men.

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Speaker 2: They did.

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Speaker 1: They did one joint together. It was a Christmas joint.

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Speaker 1: Let us know whatever. Let yeah, that's gu's the only.

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Speaker 2: Joint they ever did together. But that was a joint. Still,

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Speaker 2: that's crazy. Who do you think you line up with?

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Speaker 4: Like if I just went to Neo radio, who whatever

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Speaker 4: artist would they play on a radio?

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Speaker 2: That's a good question. Well, I don't know.

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Speaker 1: I don't know, not saying that I'm on some level

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Speaker 1: that's above anybody else. They gonna play some Michael Jackson

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Speaker 1: on there.

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Speaker 4: I mean definitely, so I definitely play my inspirations absolutely.

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Speaker 1: Yeah, Mike Prince, you know what I'm saying. I grew

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Speaker 1: up in Vegas, so like the rat Pack was a major,

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Speaker 1: major thing for me. So like you might hear, you

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Speaker 1: might hear some old Sainty Davis Jr. And that thing

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Speaker 1: something like that. But he had an era where I

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Speaker 1: like really started taking music. Series was Voyeman, Brian McKnight,

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Speaker 1: uh Joasy before you know, Drew Hill, and I was

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Speaker 1: like that whole I really started, uh like really started

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Speaker 1: looking at like I.

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Speaker 2: Could do this for a living. It was able to

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Speaker 2: meet m J.

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Speaker 1: Yeah, man, Mike, it was. It was weird. It was cool,

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Speaker 1: but it was weird because it's like, so mind you

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Speaker 1: when I first, when I when I first, when they

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Speaker 1: first set up the meeting, my assistant was supposed to

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Speaker 1: call me before Mike called me to let me know

300
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Speaker 1: the Mike that he that somebody gave Mike my number

301
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Speaker 1: he was gonna call me, but Mike actually called me first.

302
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Speaker 2: So when I picked up the phone, we're doing that

303
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Speaker 2: and it's Michael Jackson.

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Speaker 4: I hung up immediately because I thought somebody happened to

305
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Speaker 4: me four times today.

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Speaker 2: The bank kept calling from a five to five. I'm like, yo,

307
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Speaker 2: I'm next to my wife the bits key saying.

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Speaker 4: Hi, this is Johnna. I'm like, yo, are we calling

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Speaker 4: this off to the phone right now? I don't even

310
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Speaker 4: know mishaps. It's me from TD Bank. I'm like, well,

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Speaker 4: why you ain't say that? Ship you call it from

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Speaker 4: a five five? Lead you with your first name? Hold

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Speaker 4: on mom?

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Speaker 2: No, no, no, not doing that. Who's that? Don't know

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Speaker 2: what happened?

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Speaker 1: So I hung up and then my assistant called me like, yo,

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Speaker 1: are you sitting down young now? Michael Jackson about to

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Speaker 1: call you in ten minutes.

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Speaker 2: I'm like, nigga.

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Speaker 4: Michael Jackson called me ten minutes ago, and I hung

321
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Speaker 4: him in his face. You almost fired? You almost fired.

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Speaker 4: You wanted to die that you hung up on Michael Jackson.

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Speaker 4: Oh my god, that's that's so anyway, So we got

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Speaker 4: back on the phone, did you Johnson?

325
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Speaker 2: No? I lied right away. I lied.

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Speaker 1: I'm like, yeah, it was. It was a bad reception, bro.

327
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Speaker 1: I was dropping under the bridge and the joint just dropped.

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Speaker 1: He sounded like Michael Jackson.

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Speaker 2: He sounded like, Hey, how you doing, I'm good. Who

330
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Speaker 2: was this? It's Michael, Michael, Michael Jackson. A cool click nah.

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Speaker 2: And then when you spoke, have Michael Jackson got my

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Speaker 2: phone on Michael Jackson? Yeah? Yeah.

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Speaker 4: So first I didn't know Michael was tall. Michael was

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Speaker 4: like six two sixty three.

335
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Speaker 2: I didn't know that either. Maybe maybe he was tall

336
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Speaker 2: in my head. I don't know.

337
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Speaker 4: When he walked in the room, the nigga was ten

338
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Speaker 4: feet tall. When he walked, he had on a black suit.

339
00:16:11,200 --> 00:16:13,400
Speaker 4: He had av the sunglasses that was mirrored that he

340
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Speaker 4: didn't take off the whole time.

341
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Speaker 2: He was there for like an hour.

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Speaker 1: He did not take the glasses off the whole time.

343
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Speaker 1: And we sat we talked about music. When he first

344
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Speaker 1: walked in the room, he said, Oh my god, you

345
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Speaker 1: know what my favorite song of yours is? And I'm like,

346
00:16:23,360 --> 00:16:26,600
Speaker 1: favorite song of mine? You know that that's my favorite

347
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Speaker 1: song of mine?

348
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Speaker 2: That's nuts. It was nuts. It was nuts. But what

349
00:16:30,160 --> 00:16:33,440
Speaker 2: was his favorite song? With your go on girl? He's

350
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Speaker 2: on where every about me?

351
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Speaker 1: I'm fine that joint and he sang it and I

352
00:16:37,760 --> 00:16:39,680
Speaker 1: turned into a twelve year old girl instantly.

353
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Speaker 4: I kept it in though I kept it gene like.

354
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Speaker 4: That's that's the no, no, no crab man. You know Michael Jackson.

355
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Speaker 4: I probably he's one of the rugs. Michael Jackson walked

356
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Speaker 4: in there. I was gonna ask him, did he dropped

357
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Speaker 4: his flat? You're I say they say Michael was an

358
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Speaker 4: m was a gang member. I don't know if he

359
00:16:58,560 --> 00:17:00,520
Speaker 4: dropped his flag before he met you or not.

360
00:17:02,800 --> 00:17:06,240
Speaker 2: He kept right. You know, some people.

361
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Speaker 4: Say I've heard that Michael Jackson was say Michael from

362
00:17:12,800 --> 00:17:15,159
Speaker 4: the sixties, right, you want to say it was a

363
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Speaker 4: gang member? No another flag?

364
00:17:20,160 --> 00:17:24,560
Speaker 2: I need proof. It's a picture floating around him doing something. Yes,

365
00:17:24,720 --> 00:17:26,600
Speaker 2: I've seen it. I said, let me tell you something.

366
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Speaker 4: I would have cried if I would have met Michael Jackson.

367
00:17:28,840 --> 00:17:31,080
Speaker 4: He's the one guy would have cried like I just

368
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Speaker 4: I ain't gonna lie to you.

369
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Speaker 2: It's like he was.

370
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Speaker 4: From out of an another world. He was other like people.

371
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Speaker 4: That's my favorite rapper fact. Joe Mother is different. You

372
00:17:42,080 --> 00:17:45,159
Speaker 4: see Michael Jackson. Man, listen, you want to die? You

373
00:17:45,200 --> 00:17:48,359
Speaker 4: said crying from Michael Jackson and can't Nobody even make

374
00:17:48,400 --> 00:17:48,760
Speaker 4: fun of you.

375
00:17:48,880 --> 00:17:51,720
Speaker 2: It's like, it's Michael Jackson. How you don't like I

376
00:17:51,800 --> 00:17:54,360
Speaker 2: kept I can't change your life? You crying for the mic?

377
00:17:55,000 --> 00:17:57,439
Speaker 1: The only reason I did because I felt like, all right,

378
00:17:57,480 --> 00:17:58,960
Speaker 1: he probably get this all the time.

379
00:17:59,040 --> 00:18:01,600
Speaker 2: Let me let me try to try to ship my composure.

380
00:18:02,160 --> 00:18:03,919
Speaker 2: But it was cool. We sat, talked about music.

381
00:18:04,200 --> 00:18:06,639
Speaker 1: We we actually started working on some stuff that he

382
00:18:06,680 --> 00:18:08,920
Speaker 1: was supposed to record after the the This is It

383
00:18:08,960 --> 00:18:11,280
Speaker 1: tour was o but you know, he passed before we

384
00:18:11,320 --> 00:18:14,200
Speaker 1: got a chance to do it. So talk about Prince

385
00:18:15,000 --> 00:18:19,800
Speaker 1: Prince Man. So Prince saved my life and he.

386
00:18:19,800 --> 00:18:21,320
Speaker 2: Don't really he don't realize wow.

387
00:18:21,480 --> 00:18:24,399
Speaker 1: But uh so after You're the Gentleman was like my

388
00:18:24,440 --> 00:18:26,960
Speaker 1: best my best selling album. One Grammys for that album,

389
00:18:27,160 --> 00:18:29,520
Speaker 1: and then right after that we did Leaver Scale Right,

390
00:18:29,960 --> 00:18:32,560
Speaker 1: Lever Scale. I just got off of I did like

391
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Speaker 1: two movies, so I kind of had the movie bug.

392
00:18:35,040 --> 00:18:36,399
Speaker 1: So I went to the label like, yo, so I

393
00:18:36,440 --> 00:18:39,280
Speaker 1: want to do like a thirty minute mini movie and

394
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Speaker 1: like let the album be the soundtrack to the movie.

395
00:18:41,119 --> 00:18:42,760
Speaker 2: They was like, oh, yeah, that's dope. That's dope. Who's

396
00:18:42,760 --> 00:18:44,359
Speaker 2: gonna write the script? I got it. I take care

397
00:18:44,400 --> 00:18:46,200
Speaker 2: of it. I don't know about writing scripts. I'm not

398
00:18:46,280 --> 00:18:48,320
Speaker 2: to write a song on all right, script, So they

399
00:18:48,440 --> 00:18:50,560
Speaker 2: like I had thirty minutes. Sorry, cool, So I bring

400
00:18:50,640 --> 00:18:51,240
Speaker 2: in the script.

401
00:18:51,840 --> 00:18:53,600
Speaker 1: So in the world of writing scripts, a page it

402
00:18:53,680 --> 00:18:56,560
Speaker 1: craze to a minute, So thirty pages is thirty minutes.

403
00:18:56,840 --> 00:18:58,880
Speaker 1: My script had one hundred and forty five pages, yes,

404
00:18:59,040 --> 00:19:01,480
Speaker 1: and it was like nothing many about him. Nah, this

405
00:19:01,520 --> 00:19:03,280
Speaker 1: ain't gonna work, so I had to bust it down

406
00:19:03,320 --> 00:19:07,520
Speaker 1: to thirty right. Basically, long story short, the album came out,

407
00:19:07,880 --> 00:19:09,800
Speaker 1: it was kind of all over the place. The story

408
00:19:09,920 --> 00:19:11,960
Speaker 1: was weird, like people didn't get it. The album didn't

409
00:19:11,960 --> 00:19:13,800
Speaker 1: do well at all, right, So I was kind of

410
00:19:13,840 --> 00:19:15,879
Speaker 1: down because like we had just came off the high

411
00:19:16,359 --> 00:19:19,879
Speaker 1: of Year the Gentleman, and then it was like like

412
00:19:19,960 --> 00:19:23,359
Speaker 1: the shit we went double Glass. Anyway, so that year

413
00:19:23,720 --> 00:19:25,600
Speaker 1: we got invited to Princes's Grammy party.

414
00:19:25,640 --> 00:19:26,440
Speaker 2: He was store a Grammy party.

415
00:19:27,240 --> 00:19:29,640
Speaker 1: So we go to the party and mind you, I'm

416
00:19:29,640 --> 00:19:31,480
Speaker 1: in there and I'm excited because we had Princess joining,

417
00:19:31,520 --> 00:19:34,240
Speaker 1: but at the saint time, I'm like bummed out because.

418
00:19:34,080 --> 00:19:36,639
Speaker 4: Like, man, I'm not doing well. It recently had just

419
00:19:36,720 --> 00:19:37,560
Speaker 4: dropped the album.

420
00:19:37,640 --> 00:19:39,800
Speaker 1: We had just dropped the album. The album came out,

421
00:19:40,000 --> 00:19:42,120
Speaker 1: didn't do didn't do the numbers, you know what I'm saying.

422
00:19:42,160 --> 00:19:44,760
Speaker 1: The singles was kind of moving, but not really like

423
00:19:44,800 --> 00:19:44,960
Speaker 1: it was.

424
00:19:45,040 --> 00:19:46,639
Speaker 2: It was. It was. It was a bad way. It's

425
00:19:46,640 --> 00:19:47,160
Speaker 2: a bad way.

426
00:19:47,560 --> 00:19:50,200
Speaker 1: So we go to the party and we're standing there

427
00:19:50,240 --> 00:19:52,520
Speaker 1: and like, I'm there, but I'm not there, Prince. It's

428
00:19:52,560 --> 00:19:54,880
Speaker 1: in a pool house at Princess House, so like everybody's

429
00:19:54,880 --> 00:19:56,280
Speaker 1: standing on top of the pool. It was like a

430
00:19:56,280 --> 00:19:59,320
Speaker 1: plexiglass ship on top of the pool and everybody's partying

431
00:19:59,359 --> 00:20:01,840
Speaker 1: on the pool. He's in the corner with his band's jamming, right,

432
00:20:01,880 --> 00:20:06,120
Speaker 1: they just playing whatever. He sees me, puts his guitar down,

433
00:20:06,760 --> 00:20:08,679
Speaker 1: b lines through the crowd straight to me. It comes

434
00:20:08,720 --> 00:20:10,800
Speaker 1: on to me and says, labor Skill is a good album.

435
00:20:10,840 --> 00:20:14,159
Speaker 1: Don't let nobody take you different and walked on. And

436
00:20:14,200 --> 00:20:15,720
Speaker 1: from that moment I was like, you know what, I

437
00:20:15,760 --> 00:20:17,480
Speaker 1: don't give a damn what the critics say. I don't

438
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Speaker 1: care what nobody say. Prince said is good. It's good.

439
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Speaker 1: I'm good and I and like it restored my desire.

440
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441
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Speaker 2: Now I say I cut people off, so I let

487
00:23:10,880 --> 00:23:11,800
Speaker 2: you get the Prince story.

488
00:23:11,840 --> 00:23:14,199
Speaker 4: You off, But how did the label act with you

489
00:23:14,280 --> 00:23:15,840
Speaker 4: when it went double blacks?

490
00:23:17,840 --> 00:23:19,880
Speaker 2: You know how that thing goes? I'm asking dog.

491
00:23:20,600 --> 00:23:23,120
Speaker 1: They there for all the celebration when things go well

492
00:23:23,160 --> 00:23:23,920
Speaker 1: and when things go.

493
00:23:23,960 --> 00:23:26,080
Speaker 2: Bad, as your fuck. Let me tell you something.

494
00:23:26,080 --> 00:23:29,240
Speaker 4: You know. I had the album win double platinum, tell

495
00:23:29,320 --> 00:23:33,159
Speaker 4: us one still with. They had a fucking picture of

496
00:23:33,240 --> 00:23:37,359
Speaker 4: me six stories high in Atlantic Rects. The fucking picture

497
00:23:37,400 --> 00:23:42,600
Speaker 4: was six stories hot. I'm cutting They swapped it out

498
00:23:42,640 --> 00:23:43,240
Speaker 4: for TI.

499
00:23:43,440 --> 00:23:44,320
Speaker 2: I'm not going there.

500
00:23:44,600 --> 00:23:48,760
Speaker 4: What I'm going is they gassed me to put out

501
00:23:48,800 --> 00:23:53,080
Speaker 4: an album and Christmas time when Mariah carried jay Z,

502
00:23:53,400 --> 00:23:54,680
Speaker 4: miss Elliot at this.

503
00:23:54,480 --> 00:23:56,399
Speaker 3: This, but it's doing you in the traffic with or

504
00:23:56,520 --> 00:23:59,800
Speaker 3: Lamb McGee. You forgast me and I'm over here.

505
00:24:01,720 --> 00:24:05,280
Speaker 4: I'm over here telling them, yo, this is a bad idea.

506
00:24:05,960 --> 00:24:07,560
Speaker 2: This is at this. I don't think you think we're

507
00:24:07,560 --> 00:24:08,600
Speaker 2: gonna sell like Missy.

508
00:24:08,720 --> 00:24:11,680
Speaker 4: We're gonna sell like Jayson you're the big guy fourth

509
00:24:11,760 --> 00:24:14,520
Speaker 4: quarter this that I didn't know that back then they

510
00:24:14,520 --> 00:24:17,240
Speaker 4: were getting paid on the ship. So if your last

511
00:24:17,240 --> 00:24:19,960
Speaker 4: album sold two million, they shipped two million, they get

512
00:24:19,960 --> 00:24:24,320
Speaker 4: paid the ready. So whether you sell ten records or twenty,

513
00:24:24,359 --> 00:24:26,920
Speaker 4: like that album that went Double Glass, they made their money.

514
00:24:27,000 --> 00:24:29,960
Speaker 2: Yeah, they shipped that a million dollars. They always make

515
00:24:30,000 --> 00:24:31,800
Speaker 2: their money. They always make their money.

516
00:24:31,800 --> 00:24:36,919
Speaker 4: So my point is when the ship flopped, maybe like

517
00:24:37,000 --> 00:24:40,280
Speaker 4: a month later, the guy who insisted and gassed me,

518
00:24:40,359 --> 00:24:42,720
Speaker 4: I'll say it, Craig content gasped me.

519
00:24:45,119 --> 00:24:47,120
Speaker 2: Guy dropped that album.

520
00:24:47,520 --> 00:24:51,520
Speaker 4: I saw him at like the MTV Music Awards, and

521
00:24:51,560 --> 00:24:51,880
Speaker 4: I was.

522
00:24:51,840 --> 00:24:56,400
Speaker 2: Like, yo, hey, Craig, and the man in real life got.

523
00:24:56,240 --> 00:24:59,080
Speaker 4: Up, looked at me, and ran away from me like

524
00:24:59,119 --> 00:25:00,520
Speaker 4: I had as a he tried.

525
00:25:00,400 --> 00:25:01,440
Speaker 2: V I was like, yo, Breg.

526
00:25:01,520 --> 00:25:06,399
Speaker 4: He was like, motherfucker, got up at it like and

527
00:25:06,480 --> 00:25:08,360
Speaker 4: I realized at that point.

528
00:25:08,720 --> 00:25:11,040
Speaker 2: I see, Yo, these people don't give a fuck.

529
00:25:11,320 --> 00:25:13,600
Speaker 4: Now it's the same guy I'm sitting on his couch

530
00:25:14,200 --> 00:25:17,240
Speaker 4: telling him, Yo, let's not drop, Let's not this.

531
00:25:17,440 --> 00:25:17,639
Speaker 2: You know.

532
00:25:18,280 --> 00:25:20,479
Speaker 4: You know, as soon as that album flopped, t I

533
00:25:20,560 --> 00:25:24,200
Speaker 4: posted went up shit crazy man. So that's why I'm

534
00:25:24,240 --> 00:25:27,280
Speaker 4: asking that's how I go. No, you know what I had,

535
00:25:27,400 --> 00:25:32,000
Speaker 4: that's crazy. I had caught up the bigges come like

536
00:25:32,119 --> 00:25:35,280
Speaker 4: cause like, so Jay's crazy. This is right when Jay

537
00:25:35,359 --> 00:25:38,119
Speaker 4: had became president over there. So it was Jay and Tai.

538
00:25:38,200 --> 00:25:40,040
Speaker 4: That's pretty much. Yet through the whole recording of.

539
00:25:40,080 --> 00:25:43,239
Speaker 1: Pretty much All My Ship, and like Tata is one

540
00:25:43,280 --> 00:25:45,360
Speaker 1: of them niggas that just he can't not keep it real.

541
00:25:45,760 --> 00:25:47,720
Speaker 1: So like he like Tata was a nigga that told me.

542
00:25:47,760 --> 00:25:49,520
Speaker 1: He was like, Yo, I need to understand. Nobody in

543
00:25:49,560 --> 00:25:51,359
Speaker 1: the building believes that you're gonna do anything.

544
00:25:51,480 --> 00:25:52,680
Speaker 2: I just need you to know that. I need you

545
00:25:52,800 --> 00:25:53,960
Speaker 2: understand that with that album.

546
00:25:54,320 --> 00:25:57,359
Speaker 1: Now we're our first album before the first album came out,

547
00:25:57,480 --> 00:26:00,960
Speaker 1: like they signed me and I I want to believe

548
00:26:01,000 --> 00:26:02,920
Speaker 1: they signed me as a tax right off, because they didn't.

549
00:26:02,920 --> 00:26:04,880
Speaker 1: They didn't think because he came to he was like, listen,

550
00:26:04,880 --> 00:26:07,160
Speaker 1: I'm gonna let you know now. You know, sitting around

551
00:26:07,200 --> 00:26:10,400
Speaker 1: with all the A and rs, nobody really you ain't

552
00:26:10,400 --> 00:26:11,480
Speaker 1: got too many people in your corn.

553
00:26:11,520 --> 00:26:12,359
Speaker 2: I'm just let you know that.

554
00:26:12,480 --> 00:26:14,480
Speaker 4: And I'm like, I couldn't do nothing but appreciate the

555
00:26:14,520 --> 00:26:16,520
Speaker 4: fact that he kept that rid shut up the time.

556
00:26:17,119 --> 00:26:19,959
Speaker 2: Well who are the rs. So my thing, I got

557
00:26:20,040 --> 00:26:23,280
Speaker 2: a different type of like you let him finish, he

558
00:26:23,600 --> 00:26:29,080
Speaker 2: just finished. It was this thort that was you finished.

559
00:26:29,520 --> 00:26:32,719
Speaker 2: Yeah I did, I did, I did get he finished

560
00:26:32,760 --> 00:26:33,440
Speaker 2: that there.

561
00:26:33,720 --> 00:26:41,160
Speaker 4: I've been very patient, Yo, patiently, I've been very patient.

562
00:26:44,400 --> 00:26:44,440
Speaker 2: No.

563
00:26:44,640 --> 00:26:47,320
Speaker 1: I What I was saying was I have I had

564
00:26:47,720 --> 00:26:49,840
Speaker 1: one or two folks in the building that was actually

565
00:26:49,960 --> 00:26:52,000
Speaker 1: ryding for me, whether we won or lost.

566
00:26:51,880 --> 00:26:54,760
Speaker 2: Like like Tie and Jay, they was they was. They

567
00:26:54,840 --> 00:26:55,320
Speaker 2: was good to me.

568
00:26:55,640 --> 00:26:57,119
Speaker 1: You know what I'm saying, even if it was a

569
00:26:57,160 --> 00:26:59,480
Speaker 1: winner or lose, even to the deliver scas situation, that

570
00:26:59,600 --> 00:27:00,800
Speaker 1: was like, we'll get them next time.

571
00:27:00,800 --> 00:27:06,560
Speaker 4: They like they was, they was damn sure, damn straight exactly,

572
00:27:06,600 --> 00:27:09,399
Speaker 4: it was good. My thing is who the fuck is

573
00:27:09,440 --> 00:27:10,639
Speaker 4: the A and R guys?

574
00:27:11,440 --> 00:27:13,760
Speaker 2: Right? You know them? Who? I don't know them?

575
00:27:14,960 --> 00:27:17,119
Speaker 4: So you come in there, you create, you tell your

576
00:27:17,160 --> 00:27:19,680
Speaker 4: life story, you make hit records, and they get credit.

577
00:27:19,800 --> 00:27:24,000
Speaker 4: I never liked that ship, man, I mean, I fucking

578
00:27:24,280 --> 00:27:28,840
Speaker 4: never like that ship. Every time a fucking artist comes

579
00:27:28,880 --> 00:27:34,080
Speaker 4: out saying Lizo or somebody Cardi B or whoever's a sensation,

580
00:27:35,320 --> 00:27:37,560
Speaker 4: some guy comes stand next to them and takes the

581
00:27:37,640 --> 00:27:40,320
Speaker 4: credit with them at the Grammys that they don't even

582
00:27:40,359 --> 00:27:42,320
Speaker 4: fucking know it. They never even talk to they never

583
00:27:42,359 --> 00:27:47,080
Speaker 4: even sawt them. They never nothing, no recommendation, nothing staying

584
00:27:47,160 --> 00:27:50,480
Speaker 4: up there like they did some ship. I never like

585
00:27:51,160 --> 00:27:56,440
Speaker 4: that ship. Ever, somebody else taking credit beat up a knowledge. No,

586
00:27:56,600 --> 00:27:59,239
Speaker 4: I don't want to beat up nobody. I don't want

587
00:27:59,280 --> 00:28:00,920
Speaker 4: to beat up nobody, right, But what I'm trying to

588
00:28:00,960 --> 00:28:03,199
Speaker 4: tell you is I really want to know when they

589
00:28:03,359 --> 00:28:06,879
Speaker 4: and R Baby briefed two big beats.

590
00:28:07,480 --> 00:28:10,920
Speaker 3: Well, how you're gonna start finding? No, no, no, no, wait,

591
00:28:11,000 --> 00:28:13,040
Speaker 3: A lot of good for the gate. A lot of

592
00:28:13,080 --> 00:28:14,960
Speaker 3: them is fucked up, but it's some good ones.

593
00:28:15,119 --> 00:28:17,159
Speaker 2: I never had it. Hell, it's you.

594
00:28:18,520 --> 00:28:21,600
Speaker 4: I was my an r my first four albums. If

595
00:28:21,640 --> 00:28:23,600
Speaker 4: somebody came and says she was a model for the

596
00:28:23,720 --> 00:28:24,920
Speaker 4: year they bought.

597
00:28:24,760 --> 00:28:29,120
Speaker 3: That beat, No, I mean did bring me the Virginia

598
00:28:29,320 --> 00:28:32,520
Speaker 3: the for real? He didn't write that's my fucking word.

599
00:28:33,080 --> 00:28:36,560
Speaker 3: But he took me to meet for real. So that's

600
00:28:36,640 --> 00:28:40,400
Speaker 3: the get the wrong he introduced you to. I tell

601
00:28:40,440 --> 00:28:42,880
Speaker 3: you like this, The Beyonce record might not have happened

602
00:28:43,160 --> 00:28:46,720
Speaker 3: if not for Tati. It might not have happened because

603
00:28:46,720 --> 00:28:49,560
Speaker 3: I didn't write that record originally for Beyonce. There's a

604
00:28:49,600 --> 00:28:51,760
Speaker 3: bunch of record that went on Rihanna's album that I

605
00:28:51,800 --> 00:28:53,120
Speaker 3: didn't write for Rihanna.

606
00:28:52,880 --> 00:28:55,080
Speaker 2: But because Tata was always there, Like every time I

607
00:28:55,120 --> 00:28:56,520
Speaker 2: was in the studio, he was it.

608
00:28:57,080 --> 00:28:59,920
Speaker 1: I mean with they set up like like four days

609
00:29:00,000 --> 00:29:02,760
Speaker 1: for Britney Spearsualan, Right, yeah, she's gonna come in and

610
00:29:02,840 --> 00:29:05,840
Speaker 1: whatever whatever. She never showed four they she never showed.

611
00:29:06,080 --> 00:29:08,239
Speaker 1: But every song that I wrote for her, I was there.

612
00:29:08,280 --> 00:29:09,360
Speaker 1: He's like, yo, let me get a copy of that.

613
00:29:09,880 --> 00:29:11,480
Speaker 1: And then two weeks later he's like, oh, yeah, we

614
00:29:11,480 --> 00:29:13,440
Speaker 1: gave that to Rihanna. Yeah, we get it to Beyonce. Yeah,

615
00:29:13,440 --> 00:29:15,040
Speaker 1: we get that to this one whatever. So like he

616
00:29:15,240 --> 00:29:16,120
Speaker 1: was like, that was great.

617
00:29:16,160 --> 00:29:18,360
Speaker 2: I'm not I'm not people about Tata specifically.

618
00:29:18,360 --> 00:29:20,360
Speaker 4: I'm talking about the world of A and R's a

619
00:29:20,440 --> 00:29:23,800
Speaker 4: lot of these guys don't do shit, and they got

620
00:29:23,880 --> 00:29:26,080
Speaker 4: too much to say about what the single is.

621
00:29:26,640 --> 00:29:27,320
Speaker 2: How they know this.

622
00:29:27,720 --> 00:29:29,680
Speaker 4: You know how many times we've seen the artists come

623
00:29:29,720 --> 00:29:32,760
Speaker 4: out pure talent and blow up and then all of

624
00:29:32,840 --> 00:29:35,600
Speaker 4: a sudden, the A and R try to start telling

625
00:29:35,680 --> 00:29:38,479
Speaker 4: them what to do, what should they shoot or how

626
00:29:38,560 --> 00:29:41,680
Speaker 4: they should look cause this throw away, this this ship

627
00:29:42,480 --> 00:29:44,480
Speaker 4: My first deal is when I when I had my

628
00:29:44,600 --> 00:29:48,400
Speaker 4: experience with kind of crappy A and RS like, so

629
00:29:48,480 --> 00:29:49,400
Speaker 4: I got signed to Columbia.

630
00:29:49,440 --> 00:29:52,040
Speaker 2: That was my first my first record. God like you right,

631
00:29:54,800 --> 00:29:57,600
Speaker 2: you're so fucking talent. Imagine now we know the story.

632
00:29:58,240 --> 00:30:01,560
Speaker 4: Now twenty years in your fucking super producer, super mega

633
00:30:01,640 --> 00:30:04,840
Speaker 4: start this this that you starting the game. You got

634
00:30:04,920 --> 00:30:07,640
Speaker 4: all this fucking talent. You know, God gave you all

635
00:30:07,680 --> 00:30:10,760
Speaker 4: this talent. There's somebody trying to direct you and tell

636
00:30:10,840 --> 00:30:13,360
Speaker 4: you what it is with and you sitting here looking

637
00:30:13,440 --> 00:30:16,600
Speaker 4: at him like is this shit crazy? But I was

638
00:30:16,720 --> 00:30:18,560
Speaker 4: dreen though I ain't know no better. I was just

639
00:30:18,600 --> 00:30:20,400
Speaker 4: happy to have a deal. So like whatever they was

640
00:30:20,440 --> 00:30:22,120
Speaker 4: telling me to do, who I did it?

641
00:30:22,280 --> 00:30:24,120
Speaker 1: Like, nah, I don't write through thieves cats right with

642
00:30:24,200 --> 00:30:25,640
Speaker 1: these cats now, I don't wear that where it is

643
00:30:25,760 --> 00:30:28,880
Speaker 1: type shit. So like we finished the album for Columbia

644
00:30:29,840 --> 00:30:31,200
Speaker 1: and I'm looking at the shit and I'm like, I

645
00:30:31,200 --> 00:30:33,120
Speaker 1: don't I don't recognize the nigg on the cover, I

646
00:30:33,160 --> 00:30:35,360
Speaker 1: don't recognize the music, Like this ain't me. This is

647
00:30:35,800 --> 00:30:37,520
Speaker 1: this is who they wanted to Like they try to

648
00:30:37,520 --> 00:30:40,840
Speaker 1: turn me into like baby Tyresha somebody, right, So I

649
00:30:40,920 --> 00:30:42,959
Speaker 1: went back into the label, like, yo, is it coolest?

650
00:30:43,000 --> 00:30:44,560
Speaker 1: Maybe I go in and you know, cut one or

651
00:30:44,600 --> 00:30:46,560
Speaker 1: two more records that kind of kind of fit who

652
00:30:46,640 --> 00:30:48,760
Speaker 1: I am. And they was like, well, I mean we

653
00:30:48,840 --> 00:30:51,440
Speaker 1: would let you, but your budget is depleted. And I'm like,

654
00:30:52,400 --> 00:30:54,640
Speaker 1: at the moment, at that time, that was the most

655
00:30:54,680 --> 00:30:56,920
Speaker 1: money I ever had in life, so I knew where

656
00:30:56,960 --> 00:30:59,480
Speaker 1: the money was going. I'm like, nah, this much studio

657
00:30:59,520 --> 00:31:01,960
Speaker 1: time costs this, this costs that we should have at

658
00:31:02,040 --> 00:31:03,440
Speaker 1: least this left.

659
00:31:03,680 --> 00:31:03,800
Speaker 4: Right.

660
00:31:04,600 --> 00:31:06,760
Speaker 1: That's when I learned that every time they cast the

661
00:31:06,840 --> 00:31:08,920
Speaker 1: flies to New York and take us to mister Childs

662
00:31:09,240 --> 00:31:09,720
Speaker 1: and throw.

663
00:31:09,640 --> 00:31:14,560
Speaker 2: That credit card down, yeah, how about you flying him? Yeah?

664
00:31:14,800 --> 00:31:17,560
Speaker 1: Yeah, how you trying them whenever they swiped that card.

665
00:31:17,640 --> 00:31:19,920
Speaker 1: That's that's that was my budget and I didn't know,

666
00:31:20,200 --> 00:31:22,200
Speaker 1: and of course they're not gonna tell you. So yeah,

667
00:31:22,440 --> 00:31:24,360
Speaker 1: that was That was my first experience with A and R.

668
00:31:24,520 --> 00:31:27,760
Speaker 1: It just was on the take listen when you from

669
00:31:27,840 --> 00:31:32,440
Speaker 1: listening to you, he ain't listen for me listening to you,

670
00:31:32,560 --> 00:31:34,520
Speaker 1: it sounds like a lot of the songs you wrote

671
00:31:34,560 --> 00:31:36,960
Speaker 1: for people, you didn't write for people.

672
00:31:37,480 --> 00:31:39,800
Speaker 2: They happened to you know what I mean? Yeah, yeah,

673
00:31:40,280 --> 00:31:41,520
Speaker 2: it happens like that a lot.

674
00:31:41,640 --> 00:31:44,440
Speaker 1: Donestly, like you know, it's it's you give somebody first

675
00:31:44,440 --> 00:31:46,360
Speaker 1: write a refusal and if they don't, if they don't

676
00:31:46,360 --> 00:31:47,600
Speaker 1: see it, they don't see it all right, But that

677
00:31:47,600 --> 00:31:48,720
Speaker 1: don't mean the song is whack.

678
00:31:48,800 --> 00:31:51,160
Speaker 2: I don't mean you can't use it. So it'll go somewhere,

679
00:31:51,360 --> 00:31:53,480
Speaker 2: see now. But they fucking j Lo wrote that.

680
00:31:53,680 --> 00:31:56,520
Speaker 4: Uh well, at least half, that's what Faith said on

681
00:31:56,600 --> 00:31:59,720
Speaker 4: the interview, and uh you it was j Loo's song.

682
00:32:00,440 --> 00:32:03,880
Speaker 4: She passed on it and Faith kept it and that

683
00:32:04,000 --> 00:32:05,600
Speaker 4: ship turned into a funck there. It was one of

684
00:32:05,680 --> 00:32:09,320
Speaker 4: my favorite fi is hitting the world that ship. I mean,

685
00:32:09,400 --> 00:32:14,280
Speaker 4: that's that's how that ship goes, especially for songwriting. You know,

686
00:32:14,480 --> 00:32:16,640
Speaker 4: you don't know what the good thing that Tata did.

687
00:32:16,720 --> 00:32:19,040
Speaker 4: He had your best interest because you need somebody.

688
00:32:18,800 --> 00:32:19,280
Speaker 3: In there.

689
00:32:20,680 --> 00:32:25,360
Speaker 5: Passing it off, like Yo, this is mad. You know

690
00:32:25,440 --> 00:32:29,360
Speaker 5: I did that, right, yo, yo, yo yo, you already

691
00:32:29,440 --> 00:32:34,200
Speaker 5: said I did that. The album did Usher.

692
00:32:34,240 --> 00:32:37,760
Speaker 4: I'm gonna give you two the album that Usher did

693
00:32:37,840 --> 00:32:41,520
Speaker 4: with Rico Love a lot of and Rico super producer

694
00:32:42,040 --> 00:32:44,240
Speaker 4: a lot of them songs I was in the studio

695
00:32:44,360 --> 00:32:47,800
Speaker 4: with and Usher wasn't sure. He was like, yo, I

696
00:32:47,840 --> 00:32:50,960
Speaker 4: don't know this this and I'm like, yo, bro, this

697
00:32:51,000 --> 00:32:53,480
Speaker 4: guy's the hottest guy in the game. I did the

698
00:32:53,520 --> 00:32:55,680
Speaker 4: same thing with Kelly Rowland with the Joint that we

699
00:32:55,800 --> 00:32:58,320
Speaker 4: co wrote for, because at the time she had like

700
00:32:58,400 --> 00:33:01,120
Speaker 4: an ed M so on that she was about to

701
00:33:01,200 --> 00:33:01,720
Speaker 4: go all the.

702
00:33:01,720 --> 00:33:02,360
Speaker 2: Way over there.

703
00:33:02,720 --> 00:33:06,680
Speaker 4: She was like, I'm going eatim like, and I'm like, yo,

704
00:33:06,840 --> 00:33:10,800
Speaker 4: you know, you know you that's this child like you know,

705
00:33:11,520 --> 00:33:13,800
Speaker 4: the hit was right, it was so much of a hit.

706
00:33:14,480 --> 00:33:16,800
Speaker 2: I was like, Yo, this you crazy if you're not

707
00:33:16,920 --> 00:33:20,440
Speaker 2: cutting this this this is a smash hit, you know.

708
00:33:20,600 --> 00:33:23,360
Speaker 4: And sometimes people want to get a little outside voice

709
00:33:23,400 --> 00:33:25,560
Speaker 4: to say, all right, man, maybe I should fuck with it,

710
00:33:26,480 --> 00:33:27,360
Speaker 4: and they fuck with it.

711
00:33:27,520 --> 00:33:27,880
Speaker 2: You know this.

712
00:33:28,360 --> 00:33:28,560
Speaker 6: You know.

713
00:33:28,800 --> 00:33:31,640
Speaker 4: It's certain hits that I did that I ain't like

714
00:33:31,800 --> 00:33:35,320
Speaker 4: because to me, they were like sell out hits, Like

715
00:33:35,400 --> 00:33:37,480
Speaker 4: I just knew it was going to be a hit

716
00:33:37,640 --> 00:33:41,200
Speaker 4: like that. You know, when you manufactory hit. There's a

717
00:33:41,280 --> 00:33:44,680
Speaker 4: way to manufacture a hit, to be like a formula.

718
00:33:44,800 --> 00:33:47,960
Speaker 4: This is the sound, This is the formula. Get the

719
00:33:48,080 --> 00:33:51,480
Speaker 4: homie on the hook, get this and it's a hit.

720
00:33:51,760 --> 00:33:54,280
Speaker 4: And I never liked it because like I was cheating

721
00:33:54,360 --> 00:33:57,320
Speaker 4: the system label way. I never forget the game to

722
00:33:57,320 --> 00:34:00,200
Speaker 4: see me. They was like, yo, you need Americans. Then

723
00:34:00,280 --> 00:34:04,240
Speaker 4: the instructions of it byther do it pretty much step one,

724
00:34:04,520 --> 00:34:07,400
Speaker 4: step two. But you feel you feel like you cheated

725
00:34:07,520 --> 00:34:09,640
Speaker 4: the game. I mean me, I mean thank god I

726
00:34:09,760 --> 00:34:11,440
Speaker 4: still make money to this day off of it. But

727
00:34:11,920 --> 00:34:14,480
Speaker 4: I felt like I cheated the game when when when

728
00:34:14,520 --> 00:34:17,359
Speaker 4: I did, when I did something, that ship wasn't number

729
00:34:17,400 --> 00:34:19,320
Speaker 4: one too. So you have an here billboard.

730
00:34:19,520 --> 00:34:19,840
Speaker 2: You have it.

731
00:34:20,040 --> 00:34:22,759
Speaker 4: You can hear when something is going to be like

732
00:34:23,200 --> 00:34:27,800
Speaker 4: the one. Now let's go back to Craig count. The

733
00:34:28,000 --> 00:34:32,200
Speaker 4: only real shit he ever said to me was he said,

734
00:34:32,360 --> 00:34:37,080
Speaker 4: you're not beyoncet. We said, if you put out The

735
00:34:37,200 --> 00:34:39,160
Speaker 4: only real shit he ever said to me was you

736
00:34:39,320 --> 00:34:43,480
Speaker 4: not Beyonce. If your song doesn't do good is in

737
00:34:43,560 --> 00:34:47,520
Speaker 4: the next song. It's crazy because you got that fucking

738
00:34:47,640 --> 00:34:49,800
Speaker 4: hat off. I remember I walked in that land. I

739
00:34:49,840 --> 00:34:52,600
Speaker 4: told Atlantic, I fucking up the whole office. I walked

740
00:34:52,640 --> 00:34:55,760
Speaker 4: in there, all five thousand employees was out the building.

741
00:34:55,840 --> 00:34:59,880
Speaker 2: That shit was like some boiez this.

742
00:35:00,080 --> 00:35:01,680
Speaker 4: I said, I'm going in there because they didn't want

743
00:35:01,680 --> 00:35:03,360
Speaker 4: to shoot that video. And then I got up to

744
00:35:03,480 --> 00:35:06,520
Speaker 4: that terror squad. Fact I'm beating everybody up in the

745
00:35:06,600 --> 00:35:09,680
Speaker 4: office five o'clock. I'm walking in That shit was a

746
00:35:09,920 --> 00:35:14,560
Speaker 4: ghost OUMP. Only one guy stood there. Man recipe is

747
00:35:14,640 --> 00:35:17,359
Speaker 4: Rodney Johnson. Man he's tried to explain it to me, said, Joe,

748
00:35:18,040 --> 00:35:20,120
Speaker 4: we told you that if the record don't do good,

749
00:35:20,200 --> 00:35:23,120
Speaker 4: you can't do it ying. So basically they were like, yo,

750
00:35:23,200 --> 00:35:26,160
Speaker 4: look you got one shot. If it hits, you get

751
00:35:26,200 --> 00:35:29,400
Speaker 4: another one. So I had to almost train my ears

752
00:35:29,520 --> 00:35:32,799
Speaker 4: like I was a programmed director to know what they

753
00:35:32,840 --> 00:35:35,360
Speaker 4: would play on a Sunday in South Carolina.

754
00:35:36,080 --> 00:35:37,800
Speaker 2: And I knew I would play.

755
00:35:37,680 --> 00:35:40,120
Speaker 4: These songs and be like Joe, they'll play this shit

756
00:35:40,200 --> 00:35:43,880
Speaker 4: in South Carolina or Arizona. So I had to train myself,

757
00:35:43,920 --> 00:35:45,920
Speaker 4: and I knew if I didn't, if it wasn't a hit,

758
00:35:46,760 --> 00:35:47,360
Speaker 4: I'm fucked.

759
00:35:48,200 --> 00:35:50,880
Speaker 1: So that's a skill in itself, Like I don't have that,

760
00:35:51,640 --> 00:35:53,880
Speaker 1: Like I'll be so close to the music that I

761
00:35:53,960 --> 00:35:56,880
Speaker 1: can't hear the one shot to my man, Tango Tango

762
00:35:57,640 --> 00:35:59,560
Speaker 1: is my manager, been my manager for twenty years. When

763
00:35:59,560 --> 00:36:01,080
Speaker 1: I first met this nigga, he ain't have a radio

764
00:36:01,160 --> 00:36:03,120
Speaker 1: in his car talking about I'm gon manage your music career.

765
00:36:03,760 --> 00:36:05,800
Speaker 2: Niggy, don't even listen to music. He's like, no, no, no, no, no,

766
00:36:06,120 --> 00:36:07,400
Speaker 2: I don't know music. I don't know.

767
00:36:07,480 --> 00:36:10,160
Speaker 4: He broudut us and I know people, and I'm like

768
00:36:10,400 --> 00:36:13,799
Speaker 4: I and to this day, every single that I've had

769
00:36:13,920 --> 00:36:16,759
Speaker 4: that went tangle was like, it's this one and mind

770
00:36:16,840 --> 00:36:18,080
Speaker 4: it'll be shipped like like nigg.

771
00:36:18,120 --> 00:36:19,960
Speaker 1: I spent five days on this record. This one I

772
00:36:20,000 --> 00:36:22,520
Speaker 1: did in like twenty minutes. He was like, bruh, it's

773
00:36:22,640 --> 00:36:26,840
Speaker 1: that one, and sure Closer. I did not believe in Closer.

774
00:36:27,400 --> 00:36:27,759
Speaker 2: I didn't.

775
00:36:27,800 --> 00:36:29,840
Speaker 1: I didn't think the Closer was for me. I literally

776
00:36:29,880 --> 00:36:32,520
Speaker 1: wrote it, sell it. It was Tango and jay Z

777
00:36:32,640 --> 00:36:35,400
Speaker 1: that was like, YO, keep that ship, trust me, keep it.

778
00:36:35,760 --> 00:36:37,919
Speaker 1: We put the joint out for the first three months nothing.

779
00:36:38,080 --> 00:36:40,920
Speaker 1: Nobody gave a fuck it. They didn't get it to

780
00:36:41,040 --> 00:36:42,400
Speaker 1: the point where we went to the lake. We went

781
00:36:42,400 --> 00:36:43,600
Speaker 1: to the lab where La re called.

782
00:36:43,480 --> 00:36:45,279
Speaker 2: Us saying on some YO, I think it's time to

783
00:36:45,280 --> 00:36:45,960
Speaker 2: switch singles.

784
00:36:46,320 --> 00:36:48,600
Speaker 1: Before I walked into LA office, Jay was like, yo,

785
00:36:49,280 --> 00:36:50,760
Speaker 1: Elli about to tell you get off that record.

786
00:36:51,160 --> 00:36:52,800
Speaker 2: Do not get off that record.

787
00:36:53,320 --> 00:36:55,719
Speaker 1: But even I was like, br this it ain't working man,

788
00:36:56,000 --> 00:36:58,080
Speaker 1: Why would we eat? Like YO, trust me, stay on

789
00:36:58,160 --> 00:37:00,560
Speaker 1: that record, all right? So we still on the record.

790
00:37:00,600 --> 00:37:03,080
Speaker 2: We did the BT Awards that year after that performance.

791
00:37:04,760 --> 00:37:08,520
Speaker 4: Man, we never looked back. I don't but I don't

792
00:37:08,560 --> 00:37:11,359
Speaker 4: have everybody what's the what's the recipe for a hit?

793
00:37:11,480 --> 00:37:12,120
Speaker 4: I couldn't tell you.

794
00:37:12,239 --> 00:37:13,839
Speaker 1: I'm gonna get in the studio and do it feel

795
00:37:13,880 --> 00:37:15,759
Speaker 1: good to me and then hand it off to the

796
00:37:15,800 --> 00:37:17,560
Speaker 1: folks that had that ear like that, because I don't

797
00:37:17,600 --> 00:37:21,000
Speaker 1: got that, Like, don't let me pick the thing's crazy reasy,

798
00:37:22,560 --> 00:37:25,600
Speaker 1: you can't you got I don't know what. I can't

799
00:37:25,680 --> 00:37:27,680
Speaker 1: pick the it's what feels. I go off of what

800
00:37:27,800 --> 00:37:29,480
Speaker 1: feels good to me, you know what I'm saying. That's

801
00:37:29,560 --> 00:37:31,239
Speaker 1: that's as far as I can take it. I don't

802
00:37:31,320 --> 00:37:34,000
Speaker 1: know this audience is gonna do this and that on that.

803
00:37:34,239 --> 00:37:36,160
Speaker 1: That's that's a whole other skill set that I just

804
00:37:37,160 --> 00:37:37,879
Speaker 1: I don't do that part.

805
00:37:38,000 --> 00:37:38,600
Speaker 2: Don't do that part.

806
00:37:38,600 --> 00:37:40,719
Speaker 1: I'm gonna go in, I'm gonna cut the record, and

807
00:37:40,760 --> 00:37:42,360
Speaker 1: then I'm gonna pass it off to the person and

808
00:37:42,440 --> 00:37:44,280
Speaker 1: goes a yeah, this is for this market.

809
00:37:44,360 --> 00:37:47,279
Speaker 2: That's for that market. Like, realize, my job make to

810
00:37:47,320 --> 00:37:48,759
Speaker 2: sell records. My job is to make music.

811
00:37:49,160 --> 00:37:50,840
Speaker 1: So I'm gonna make the music and then give it

812
00:37:50,880 --> 00:37:53,680
Speaker 1: to the person whose job at it record. That's that's

813
00:37:53,760 --> 00:37:54,359
Speaker 1: that's how I work.

814
00:37:54,520 --> 00:37:59,880
Speaker 3: Fifteen Grammy nominations, three Grammy wins that.

815
00:38:00,160 --> 00:38:04,040
Speaker 2: Feel it feels good, but at the same time state

816
00:38:05,040 --> 00:38:05,800
Speaker 2: digit Grammys.

817
00:38:05,880 --> 00:38:06,440
Speaker 3: You know what I mean.

818
00:38:06,560 --> 00:38:08,840
Speaker 4: So it's like I got more work. Also, you know

819
00:38:09,040 --> 00:38:14,239
Speaker 4: Stevie you brought up with that Teve Wonder. Stevie Wonder

820
00:38:14,320 --> 00:38:16,160
Speaker 4: is the last American they.

821
00:38:16,200 --> 00:38:19,480
Speaker 2: Got no Grammy's dude, there's a lot of people with no,

822
00:38:19,880 --> 00:38:22,239
Speaker 2: I ain't got no Grammys trying to get that's it.

823
00:38:22,400 --> 00:38:26,719
Speaker 2: That's the ship. You your mass your man pou like

824
00:38:26,840 --> 00:38:30,640
Speaker 2: on it. Yeah, I ain't got ship. But what you

825
00:38:30,680 --> 00:38:33,879
Speaker 2: should say? He said he's mad at three.

826
00:38:34,239 --> 00:38:37,960
Speaker 4: I said, I ain't mad at I got mixed feelings

827
00:38:38,000 --> 00:38:43,879
Speaker 4: at that. I got mixed feelings about the Grammys. Yeah,

828
00:38:44,000 --> 00:38:45,680
Speaker 4: it would be great to have a Grammy.

829
00:38:46,600 --> 00:38:48,160
Speaker 2: Uh, I don't like that.

830
00:38:48,280 --> 00:38:52,840
Speaker 4: When someone dies, they immediately Grammy nominated a Grammy. What

831
00:38:53,040 --> 00:38:54,200
Speaker 4: what makes Grammy?

832
00:38:54,320 --> 00:38:55,600
Speaker 2: Holy? Your thanou?

833
00:38:55,920 --> 00:38:55,960
Speaker 6: Like?

834
00:38:56,080 --> 00:38:58,040
Speaker 2: What makes that word Grammy?

835
00:38:58,600 --> 00:39:02,400
Speaker 4: Like any artist dies from any genre to go Grammy

836
00:39:02,800 --> 00:39:03,720
Speaker 4: winner Grammy?

837
00:39:03,800 --> 00:39:05,000
Speaker 2: That what what is it? What?

838
00:39:05,320 --> 00:39:05,360
Speaker 4: Like?

839
00:39:06,000 --> 00:39:10,520
Speaker 2: Who are they? Because they get it wrong all the time,

840
00:39:11,440 --> 00:39:13,759
Speaker 2: Like you think, what what song you you had.

841
00:39:13,840 --> 00:39:16,360
Speaker 4: I can tell you mins what song you had that

842
00:39:17,080 --> 00:39:19,880
Speaker 4: that you lost, That you lost the Grammy that you

843
00:39:19,960 --> 00:39:21,000
Speaker 4: knew for a fact you.

844
00:39:21,000 --> 00:39:21,520
Speaker 2: Should have want.

845
00:39:21,560 --> 00:39:24,000
Speaker 1: Oh, come on me and Pitt Bull Time of our life. No, no, no,

846
00:39:24,400 --> 00:39:27,400
Speaker 1: not that time Allied Give me everything, Give me Everything

847
00:39:27,920 --> 00:39:30,319
Speaker 1: was the song of six Summers. And because we didn't

848
00:39:30,360 --> 00:39:32,719
Speaker 1: turn it in on time, we didn't get we wasn't

849
00:39:32,719 --> 00:39:33,600
Speaker 1: eligible for the grammar.

850
00:39:33,719 --> 00:39:35,080
Speaker 2: How crazy is that? Shit isn't that?

851
00:39:35,200 --> 00:39:37,600
Speaker 4: I just did a song show with Pitt two days

852
00:39:37,600 --> 00:39:40,440
Speaker 4: ago and they had people with board heads in the

853
00:39:40,520 --> 00:39:41,280
Speaker 4: fucking crowd.

854
00:39:41,840 --> 00:39:43,800
Speaker 2: I thought it was attack of the Aliens. That's like

855
00:39:43,920 --> 00:39:48,359
Speaker 2: his merchandise. Oh yeah, year you buy some shit right

856
00:39:48,440 --> 00:39:49,960
Speaker 2: and they look like fucking aliens.

857
00:39:50,000 --> 00:39:52,400
Speaker 4: I say, y'all too far from home for the aliens

858
00:39:52,440 --> 00:39:55,560
Speaker 4: to attack Presno, California. I gotta be in the Bronze

859
00:39:55,560 --> 00:39:58,359
Speaker 4: shooting ship up. I can't beat out there. They're gonna

860
00:39:58,400 --> 00:40:02,200
Speaker 4: turn me into the Vota Loco ship. I was like, Yo,

861
00:40:02,239 --> 00:40:05,400
Speaker 4: I'm too far from all for all these alien motherfuckers

862
00:40:05,440 --> 00:40:07,279
Speaker 4: in the crowd like that ship.

863
00:40:07,400 --> 00:40:10,839
Speaker 2: But merchants bull heads bad that you put over your

864
00:40:10,880 --> 00:40:13,480
Speaker 2: head like the skull, like the scull. You're like the

865
00:40:13,560 --> 00:40:16,120
Speaker 2: sleek stats and ship like that, your ship all the

866
00:40:16,200 --> 00:40:21,680
Speaker 2: way like it's weird you made yo.

867
00:40:21,760 --> 00:40:24,080
Speaker 4: When you become a Halloween costume, that's when you know

868
00:40:24,160 --> 00:40:29,520
Speaker 4: you made it. Man, every Halloween I'm Mozepic. I don't know,

869
00:40:29,600 --> 00:40:33,720
Speaker 4: but the crowd ain't Halloween. I'm Oh Zeppich every Halloween.

870
00:40:33,840 --> 00:40:36,040
Speaker 2: Oh you put the box on, you put you got

871
00:40:36,080 --> 00:40:36,640
Speaker 2: the soul.

872
00:40:38,840 --> 00:40:43,920
Speaker 4: Zippy. Every year, I'm Joe Zeppek. I'm battling fuck you

873
00:40:44,000 --> 00:40:46,680
Speaker 4: know you're you're talking about country. I'm battling your jelly

874
00:40:46,800 --> 00:40:47,719
Speaker 4: row skinny.

875
00:40:47,480 --> 00:40:48,319
Speaker 2: Like a motherfucker.

876
00:40:48,480 --> 00:40:48,719
Speaker 6: Man.

877
00:40:48,960 --> 00:40:53,520
Speaker 4: Look you seen jelly bro lately, fucking sex symbol. He

878
00:40:53,680 --> 00:40:55,640
Speaker 4: up there, he's taking my slot right now.

879
00:40:56,239 --> 00:41:06,760
Speaker 2: Paus pause. Oh shit, he was just recently on Constant

880
00:41:06,840 --> 00:41:10,800
Speaker 2: nots my field. Yeah, man, what was that experience? Like

881
00:41:11,600 --> 00:41:14,520
Speaker 2: the young jeez? I mean, I felt like the old nigga.

882
00:41:14,880 --> 00:41:17,640
Speaker 2: I really did. It was. It was catching that it

883
00:41:18,000 --> 00:41:19,320
Speaker 2: literally did not know who I was.

884
00:41:19,400 --> 00:41:21,200
Speaker 4: I had I had a T shirt on with with

885
00:41:21,480 --> 00:41:23,640
Speaker 4: Neo on the T shirt, not me but Neo from

886
00:41:23,640 --> 00:41:25,800
Speaker 4: the movie that Makes Nature, and the nigga didn't know

887
00:41:25,840 --> 00:41:26,440
Speaker 4: who that was.

888
00:41:26,520 --> 00:41:31,400
Speaker 2: I'm like, yo, onld you what was in there? He

889
00:41:31,600 --> 00:41:34,120
Speaker 2: was like he was like fifteen sixteen, I'm like, god,

890
00:41:34,560 --> 00:41:36,359
Speaker 2: he all right, But it was cool.

891
00:41:36,440 --> 00:41:38,800
Speaker 1: It was cool because Kai is like, uh, like you

892
00:41:38,840 --> 00:41:41,320
Speaker 1: could you could tell he got like, dude got a

893
00:41:41,600 --> 00:41:45,520
Speaker 1: marketing and business mind, real like he's serious with that.

894
00:41:45,960 --> 00:41:48,200
Speaker 1: But it was a cool situation like I've done, you know,

895
00:41:48,560 --> 00:41:50,960
Speaker 1: to sit down on the couch in the studio audience

896
00:41:51,040 --> 00:41:53,879
Speaker 1: and all of that, and you know it's all organizing ship.

897
00:41:53,960 --> 00:41:56,640
Speaker 1: But in there it's like whatever he thinks he gonna

898
00:41:56,640 --> 00:41:58,640
Speaker 1: say it, whatever the little niggas behind him think they

899
00:41:58,719 --> 00:41:59,279
Speaker 1: gonna just say it.

900
00:41:59,360 --> 00:42:03,520
Speaker 4: And that's just and what That's what people are not understanding.

901
00:42:03,560 --> 00:42:06,520
Speaker 4: People from our era are not understanding.

902
00:42:06,600 --> 00:42:06,759
Speaker 2: Now.

903
00:42:07,560 --> 00:42:09,560
Speaker 4: These young kids don't give a fuck about you and

904
00:42:09,680 --> 00:42:12,120
Speaker 4: ig with your feelter, with your this. They don't want

905
00:42:12,160 --> 00:42:14,160
Speaker 4: the fake shit they want to fuck up in front

906
00:42:14,200 --> 00:42:16,480
Speaker 4: of them all a stream. They want to see if

907
00:42:16,480 --> 00:42:18,440
Speaker 4: it's real or not, if you this and this and that,

908
00:42:18,600 --> 00:42:22,000
Speaker 4: all that fake shit that you could stage ship and

909
00:42:22,080 --> 00:42:22,520
Speaker 4: ship like.

910
00:42:22,560 --> 00:42:23,319
Speaker 2: That, that's no longer.

911
00:42:23,360 --> 00:42:26,799
Speaker 4: The motherfucker took Homeboy, the world's fastest man that nigga had,

912
00:42:27,239 --> 00:42:31,680
Speaker 4: He had movies with him chasing gorillas and fucking shit

913
00:42:31,760 --> 00:42:35,040
Speaker 4: that your meg on what speed blewis fucking ankles off

914
00:42:35,120 --> 00:42:37,719
Speaker 4: in front of every They don't want to face shit,

915
00:42:37,960 --> 00:42:38,680
Speaker 4: no minds.

916
00:42:39,239 --> 00:42:41,960
Speaker 2: They're not going for the fake shit. These young kids,

917
00:42:42,000 --> 00:42:44,759
Speaker 2: they want to all right, you could do it, you

918
00:42:44,840 --> 00:42:47,640
Speaker 2: could do it. Yeah, hey, if you didn't do it,

919
00:42:47,760 --> 00:42:50,120
Speaker 2: nice trip. But we know the real shit. That's what

920
00:42:50,280 --> 00:42:51,439
Speaker 2: the stream ship is all about.

921
00:42:51,440 --> 00:42:55,080
Speaker 4: But I'll tell you one thing about Constant. They all young,

922
00:42:55,760 --> 00:43:00,800
Speaker 4: but they all know to book Leo give a Dashian.

923
00:43:01,920 --> 00:43:04,799
Speaker 4: All the people of our age group is on there,

924
00:43:04,920 --> 00:43:08,719
Speaker 4: Kevin hart snoop. They're not fucking dumb. They know who

925
00:43:08,760 --> 00:43:11,359
Speaker 4: got the real fans that tune in so they could

926
00:43:11,360 --> 00:43:13,680
Speaker 4: play all that young ship. But they all tapping into

927
00:43:13,800 --> 00:43:15,719
Speaker 4: that culture too, you know what I mean.

928
00:43:15,800 --> 00:43:25,880
Speaker 2: So don't think we ain't there there straight up. No,

929
00:43:26,080 --> 00:43:28,839
Speaker 2: it is your boy kids, Joe crack. Check it out.

930
00:43:28,920 --> 00:43:30,040
Speaker 2: We got a Patreon.

931
00:43:30,680 --> 00:43:34,520
Speaker 3: You can get exclusive clips, you can get early access

932
00:43:34,600 --> 00:43:39,120
Speaker 3: to the episodes, a lot of surprises. Owen is subscribed.

933
00:43:45,800 --> 00:43:47,840
Speaker 2: You know that they're right now because it's free.

934
00:43:47,880 --> 00:43:50,920
Speaker 3: You're giving you the first onep of prier that that

935
00:43:51,120 --> 00:43:53,440
Speaker 3: is going to be a little difficult over there right now,

936
00:43:53,800 --> 00:43:55,719
Speaker 3: Joe and Jada Patrion.

937
00:43:55,280 --> 00:44:05,759
Speaker 4: Let's get wild wild Western beauties, Jo Neo, I gotta

938
00:44:05,840 --> 00:44:09,319
Speaker 4: keep it real with you, right because lately being there

939
00:44:09,360 --> 00:44:10,319
Speaker 4: we're podcasters.

940
00:44:10,400 --> 00:44:12,600
Speaker 2: Now it's crazy because.

941
00:44:12,920 --> 00:44:16,520
Speaker 4: All the artists, not you, but all the artists seem

942
00:44:16,600 --> 00:44:18,840
Speaker 4: to come in here and don't want to talk about

943
00:44:18,880 --> 00:44:21,600
Speaker 4: what everybody want to hear them talk about out there.

944
00:44:23,040 --> 00:44:29,920
Speaker 2: You got four wives, what kind of pressure do you buy?

945
00:44:30,160 --> 00:44:32,200
Speaker 2: Is it like Muslim? Do you gotta buy the same

946
00:44:32,400 --> 00:44:36,200
Speaker 2: bag for the same Like you know what mine is mine?

947
00:44:36,280 --> 00:44:39,080
Speaker 2: You definitely gotta have a bag that have four wives

948
00:44:39,160 --> 00:44:39,640
Speaker 2: you have?

949
00:44:39,920 --> 00:44:45,480
Speaker 1: I mean what Okay, it's there's a mindset that the

950
00:44:45,600 --> 00:44:48,560
Speaker 1: woman has to have in order to be able to share. Man,

951
00:44:48,960 --> 00:44:51,160
Speaker 1: you know what I'm saying, Like it's literally gota she

952
00:44:51,320 --> 00:44:54,000
Speaker 1: literally gotta think a different way. If you got four

953
00:44:54,080 --> 00:44:56,800
Speaker 1: women that want breaking bags, you got the wrong for it.

954
00:44:58,560 --> 00:45:02,480
Speaker 1: So they got a different mentality. It's it's it's community's family.

955
00:45:02,560 --> 00:45:05,759
Speaker 1: It's it's like everybody doing something. It's like it's like

956
00:45:05,800 --> 00:45:08,279
Speaker 1: a village where everybody do something. Everybody got a job.

957
00:45:08,400 --> 00:45:08,960
Speaker 2: You know what I mean.

958
00:45:09,360 --> 00:45:11,719
Speaker 1: If you're the only person taking care of everything you do,

959
00:45:12,160 --> 00:45:14,799
Speaker 1: that's not how supposed to go. Everybody's supposed to kind

960
00:45:14,800 --> 00:45:17,239
Speaker 1: of pitch in together, like I have seven kids on

961
00:45:17,320 --> 00:45:19,799
Speaker 1: my own, you know, one of them got a daughter.

962
00:45:20,239 --> 00:45:22,800
Speaker 1: Of them got two kids. And it's like, okay, so

963
00:45:22,840 --> 00:45:24,800
Speaker 1: I don't have seven kids. I got nine kids. And

964
00:45:24,920 --> 00:45:27,959
Speaker 1: that's fine because we all come together like this one's

965
00:45:28,080 --> 00:45:29,920
Speaker 1: washing dishes, this one changing diapers.

966
00:45:29,960 --> 00:45:31,960
Speaker 2: If it need be, this one doing that. Everybody does

967
00:45:32,080 --> 00:45:35,719
Speaker 2: you think it's a traditional way? Yeah, I gotta did

968
00:45:35,800 --> 00:45:38,080
Speaker 2: you have to do how did you? How did you?

969
00:45:38,840 --> 00:45:41,000
Speaker 2: Did you have to do an interview? How the hell

970
00:45:41,080 --> 00:45:45,719
Speaker 2: did you know? How did you do this? I just

971
00:45:46,120 --> 00:45:48,239
Speaker 2: what's you on tour? Just like all right, she could

972
00:45:48,280 --> 00:45:50,719
Speaker 2: be part of the family. She could be like how

973
00:45:50,840 --> 00:45:52,719
Speaker 2: did you do it? And how did you do it?

974
00:45:53,000 --> 00:45:55,880
Speaker 2: Full time? So okay.

975
00:45:56,000 --> 00:45:58,800
Speaker 1: So after my after my divorce you my very public,

976
00:45:58,920 --> 00:46:05,120
Speaker 1: very ugly divorce, I realized that just through being dishonest,

977
00:46:05,160 --> 00:46:06,719
Speaker 1: I heard a lot of people. I heard I heard

978
00:46:06,800 --> 00:46:09,160
Speaker 1: a lot of people, and I decided at that moment,

979
00:46:09,200 --> 00:46:10,840
Speaker 1: I don't never want to be a reason nobody should like.

980
00:46:11,920 --> 00:46:13,600
Speaker 1: So from that moment, I was like, I'm gonna just

981
00:46:13,719 --> 00:46:18,799
Speaker 1: keep it a buck with everybody about everything being good, bad, ugly, whatever,

982
00:46:18,840 --> 00:46:20,960
Speaker 1: I'm gonna keep it a buck. I don't ask me

983
00:46:21,440 --> 00:46:23,359
Speaker 1: if the dress make you look fat, if you don't

984
00:46:23,400 --> 00:46:25,759
Speaker 1: really want to hear the as handles, I'm gonna tell

985
00:46:25,760 --> 00:46:26,680
Speaker 1: you straight up right.

986
00:46:27,000 --> 00:46:28,920
Speaker 2: So one of the ones that I'm been around a

987
00:46:28,960 --> 00:46:30,040
Speaker 2: little longer than the other ones.

988
00:46:30,320 --> 00:46:32,040
Speaker 1: So I basically just set it down, like listen, if

989
00:46:32,040 --> 00:46:33,400
Speaker 1: you know I rock with you, we've been rocking for

990
00:46:33,560 --> 00:46:35,959
Speaker 1: for forever, do this through that we've been rocking.

991
00:46:36,880 --> 00:46:38,840
Speaker 2: I love you, I do, but it ain't just you.

992
00:46:39,719 --> 00:46:41,800
Speaker 2: I'm also rocking with this one and this one. So

993
00:46:42,040 --> 00:46:45,680
Speaker 2: nan could love more than one more than absolutely absolutely.

994
00:46:45,680 --> 00:46:48,560
Speaker 4: I wanted to say your I'm throwing you out this

995
00:46:48,760 --> 00:46:51,720
Speaker 4: motherfucker you'll take Let them said the fucking question.

996
00:46:52,040 --> 00:46:55,200
Speaker 2: I say that full what you ain't got full? Walk?

997
00:46:55,960 --> 00:47:00,840
Speaker 2: I see somebody interrupt and didn't tell you you like

998
00:47:01,840 --> 00:47:04,080
Speaker 2: you can love more than you can love more than

999
00:47:04,120 --> 00:47:07,080
Speaker 2: one woman. This is the ship. Men won't say married.

1000
00:47:07,160 --> 00:47:10,000
Speaker 2: Man won't not say that. This is this ship.

1001
00:47:10,160 --> 00:47:13,000
Speaker 4: Men won't say they can't because because you got more.

1002
00:47:13,120 --> 00:47:15,160
Speaker 4: So that's how it goes. What do we call that

1003
00:47:15,280 --> 00:47:15,880
Speaker 4: in America?

1004
00:47:16,040 --> 00:47:17,480
Speaker 2: Like, it's it's polygamy.

1005
00:47:18,520 --> 00:47:21,319
Speaker 4: It's polyamory is they're not married, it's polygamy if you're married,

1006
00:47:21,640 --> 00:47:24,120
Speaker 4: and polygamy is illegal in a lot of America, so

1007
00:47:24,239 --> 00:47:26,480
Speaker 4: it's poly Yeah, so.

1008
00:47:28,440 --> 00:47:31,239
Speaker 2: A lot of there's a lot of pig horsepower.

1009
00:47:31,320 --> 00:47:38,640
Speaker 4: And listen, first of all, me, I'm abused. I'm appused,

1010
00:47:38,760 --> 00:47:41,000
Speaker 4: like I'm lyrically abused. Some of my friends come to

1011
00:47:41,040 --> 00:47:43,480
Speaker 4: the house. They fucking they gonna light candles for me,

1012
00:47:43,640 --> 00:47:47,680
Speaker 4: like I'm sitting there like our Bundy God, and I'm like,

1013
00:47:49,000 --> 00:47:52,240
Speaker 4: watch the TV. It's very hard to get me upset.

1014
00:47:52,360 --> 00:47:55,040
Speaker 4: But for them doing that ship at the same time.

1015
00:47:55,360 --> 00:47:56,480
Speaker 4: But he don't happen like that.

1016
00:47:56,920 --> 00:47:59,520
Speaker 1: It don't happen like that because I'm I'm very, very

1017
00:47:59,680 --> 00:48:02,399
Speaker 1: very adamant about drawing the line of the saying. It's like, listen,

1018
00:48:02,440 --> 00:48:04,319
Speaker 1: I'm gonna hear you out. I'm gonna let you say

1019
00:48:04,320 --> 00:48:06,120
Speaker 1: what it is you need to say. But once we

1020
00:48:06,239 --> 00:48:08,920
Speaker 1: started going here, you lost me anyway, so you might

1021
00:48:08,960 --> 00:48:09,160
Speaker 1: as well.

1022
00:48:09,239 --> 00:48:11,120
Speaker 4: When I when I was thinking about asking you this question,

1023
00:48:11,160 --> 00:48:13,080
Speaker 4: I'm thinking, so what you got like a giant bed,

1024
00:48:13,320 --> 00:48:15,680
Speaker 4: like a big fucking giant the.

1025
00:48:15,840 --> 00:48:20,800
Speaker 2: Last last king that's I need. That king is like

1026
00:48:21,520 --> 00:48:26,000
Speaker 2: fuck me in the Alaskan King only to double together

1027
00:48:26,320 --> 00:48:33,160
Speaker 2: like double king. I only think I heard of California

1028
00:48:33,200 --> 00:48:36,400
Speaker 2: and something else. I heard it. I never heard of it.

1029
00:48:36,560 --> 00:48:38,719
Speaker 2: Last heard of.

1030
00:48:40,719 --> 00:48:45,759
Speaker 4: Joe fat Joe deserving the Alaskan King. Who fat Joe

1031
00:48:45,920 --> 00:48:47,440
Speaker 4: deserves in the Alaskan King?

1032
00:48:47,600 --> 00:48:51,759
Speaker 2: I guess you number because you can't buy an Alaska king.

1033
00:48:51,760 --> 00:48:53,640
Speaker 1: You gotta get made. You gotta you gotta get somebody

1034
00:48:53,719 --> 00:48:55,480
Speaker 1: to make it. They gotta come in and build yourself.

1035
00:48:55,480 --> 00:49:00,400
Speaker 2: They're gonna build its like a giant bed. Yes, what

1036
00:49:01,200 --> 00:49:09,840
Speaker 2: it's about, Comfortbud, You're an inspiration. Neil, I like it.

1037
00:49:10,520 --> 00:49:14,200
Speaker 1: We're gonna live vicarious sneak through you and hope it

1038
00:49:14,320 --> 00:49:17,319
Speaker 1: works out. Everything is good, man, Everything is good again.

1039
00:49:17,360 --> 00:49:20,600
Speaker 1: We we have problems, just like just like monogas relationships.

1040
00:49:20,680 --> 00:49:22,680
Speaker 1: All that ship is real. You're gonna argue over stuff,

1041
00:49:23,080 --> 00:49:25,440
Speaker 1: but again, at the end of the day, as long

1042
00:49:25,480 --> 00:49:27,960
Speaker 1: as you are ahead of household and everybody understands that,

1043
00:49:28,400 --> 00:49:29,600
Speaker 1: then arguments don't last on.

1044
00:49:29,920 --> 00:49:31,879
Speaker 2: Like you know, I'm again, let you get it out

1045
00:49:31,880 --> 00:49:33,200
Speaker 2: and let you say what you gotta say. I'm gonna

1046
00:49:33,200 --> 00:49:35,680
Speaker 2: hear you. But once it's done, it's done. We're not good.

1047
00:49:36,040 --> 00:49:38,120
Speaker 2: You think a broke man can have four women in

1048
00:49:38,200 --> 00:49:39,319
Speaker 2: the alasking Uh?

1049
00:49:40,160 --> 00:49:42,200
Speaker 1: If you do it the right way, because again it's

1050
00:49:42,280 --> 00:49:45,880
Speaker 1: not It's also listen, all women ain't going it's not

1051
00:49:45,960 --> 00:49:49,719
Speaker 1: gonna worry not rocking with that certain behind a woman.

1052
00:49:49,640 --> 00:49:50,040
Speaker 2: She got it.

1053
00:49:50,120 --> 00:49:52,759
Speaker 1: She gotta have a certain mindset if she's gonna do it,

1054
00:49:53,160 --> 00:49:55,279
Speaker 1: because if she do, if she's the kind of woman

1055
00:49:55,320 --> 00:49:57,360
Speaker 1: again that she needs birthday and all this.

1056
00:49:57,760 --> 00:50:02,960
Speaker 2: What's your question? I got questions? How fall apart? Because

1057
00:50:02,960 --> 00:50:04,680
Speaker 2: you know how you said you had one that was

1058
00:50:04,760 --> 00:50:09,160
Speaker 2: with you for a while. How what was the different? No?

1059
00:50:09,360 --> 00:50:11,680
Speaker 4: No, no, How quick did it take to get the

1060
00:50:11,760 --> 00:50:15,480
Speaker 4: other three on board? It wasn't It didn't take a

1061
00:50:15,520 --> 00:50:19,800
Speaker 4: long time. I kind of set up at dinner. I

1062
00:50:19,920 --> 00:50:21,360
Speaker 4: told I told the one that I want you to

1063
00:50:21,440 --> 00:50:23,080
Speaker 4: meet I want you to meet the other ones. Initially

1064
00:50:23,120 --> 00:50:24,719
Speaker 4: it was just three, So I told the one that

1065
00:50:24,760 --> 00:50:26,440
Speaker 4: I wanted her to meet the other two. I set

1066
00:50:26,520 --> 00:50:29,000
Speaker 4: up the door where the last one comes from. One.

1067
00:50:29,200 --> 00:50:30,879
Speaker 2: She she's one of my one of my dances. She's

1068
00:50:31,080 --> 00:50:37,160
Speaker 2: the newest. Yeah, it's one of my dancers. So country inspired. Yes,

1069
00:50:38,640 --> 00:50:40,719
Speaker 2: it's gonna have some country, but it's still gonna have

1070
00:50:40,880 --> 00:50:42,319
Speaker 2: some of that. Yeah.

1071
00:50:42,480 --> 00:50:45,760
Speaker 1: Yeah, I cannot be me, but it's it's like everything

1072
00:50:45,800 --> 00:50:49,200
Speaker 1: that I love about country music mixed with what it

1073
00:50:49,360 --> 00:50:50,160
Speaker 1: is that I normally do.

1074
00:50:51,680 --> 00:50:56,239
Speaker 4: And you've got the tour in the Vegas Residency Comyeah, yeah, man,

1075
00:50:56,440 --> 00:50:59,680
Speaker 4: I'm proud of that. Grew up in Vegas, it's definitely.

1076
00:51:00,040 --> 00:51:02,399
Speaker 4: And that's the high school in Vegas, the All nine.

1077
00:51:02,480 --> 00:51:03,919
Speaker 4: So to be able to go back and do something

1078
00:51:04,000 --> 00:51:05,840
Speaker 4: like that, that's I could live in Vegas.

1079
00:51:06,080 --> 00:51:08,879
Speaker 3: You know, we got songs together. So when it gets

1080
00:51:09,120 --> 00:51:11,600
Speaker 3: you know, she gave me a call, figure, you could

1081
00:51:11,640 --> 00:51:12,920
Speaker 3: give me a call say less.

1082
00:51:14,480 --> 00:51:23,200
Speaker 2: No, come yo, I come with them? You want me

1083
00:51:23,280 --> 00:51:23,440
Speaker 2: to do?

1084
00:51:23,600 --> 00:51:26,200
Speaker 4: I come with I'm attached. They think I bring Jata

1085
00:51:26,280 --> 00:51:29,239
Speaker 4: kiss with me. I'm walking the wild wat seven of them?

1086
00:51:29,320 --> 00:51:31,880
Speaker 4: Yo is Jada like yo, bro look at me like

1087
00:51:33,200 --> 00:51:35,759
Speaker 4: like I'm in the PI. I'm in the win up

1088
00:51:35,760 --> 00:51:39,279
Speaker 4: for something like what the fuck y'all think? He comes here?

1089
00:51:39,560 --> 00:51:40,960
Speaker 4: It's included still.

1090
00:51:41,080 --> 00:51:42,080
Speaker 2: Package steal.

1091
00:51:43,600 --> 00:51:47,440
Speaker 4: On kne y'all man, uh, Five of your favorite artists

1092
00:51:47,480 --> 00:51:49,440
Speaker 4: of all time. And I'm gonna make it even easier

1093
00:51:49,520 --> 00:51:53,160
Speaker 4: for you. I'm a say writers, no, no group groups?

1094
00:51:53,760 --> 00:51:56,359
Speaker 4: Five groups, that's hard R and B. Let's go song

1095
00:51:56,520 --> 00:51:57,839
Speaker 4: right five?

1096
00:51:57,920 --> 00:52:01,000
Speaker 2: Five? What you did you want? Let me get your

1097
00:52:01,120 --> 00:52:04,920
Speaker 2: best five songs right? Just at least you know this

1098
00:52:05,120 --> 00:52:05,919
Speaker 2: is a hard question.

1099
00:52:06,360 --> 00:52:14,080
Speaker 4: So Babyface, Uh, Smokey Robinson mm hmmm uh smoking is

1100
00:52:14,120 --> 00:52:18,440
Speaker 4: writing all that ship? Jontay Austin, My God, je Monster,

1101
00:52:19,320 --> 00:52:22,239
Speaker 4: the Dream Yeah, yeah yeah.

1102
00:52:22,360 --> 00:52:27,480
Speaker 1: And the fifth gotta go with Lina Richie. Yo, niggas

1103
00:52:27,480 --> 00:52:28,200
Speaker 1: don't understand.

1104
00:52:28,600 --> 00:52:33,000
Speaker 4: Well, niggas don't say he's a nigga nigga like before

1105
00:52:33,080 --> 00:52:36,400
Speaker 4: you go with with that, because I love line of Richie.

1106
00:52:36,480 --> 00:52:41,160
Speaker 4: But but I've had this argument with some real street

1107
00:52:41,520 --> 00:52:43,720
Speaker 4: R and B singers that they don't rate him because

1108
00:52:43,760 --> 00:52:45,920
Speaker 4: they feel like he was lollypop or something.

1109
00:52:46,040 --> 00:52:47,279
Speaker 2: Now what do you think? Nah?

1110
00:52:47,400 --> 00:52:50,960
Speaker 4: Nah okay son undeath the Commodorees and then went over

1111
00:52:51,120 --> 00:52:54,279
Speaker 4: into the like Lina Richard took Publisher of the Year

1112
00:52:54,880 --> 00:52:59,160
Speaker 4: two years in a row, not a publishing company, Lionel

1113
00:52:59,360 --> 00:53:02,719
Speaker 4: Richie by hisself, of that's an award that goes to

1114
00:53:02,840 --> 00:53:03,880
Speaker 4: publishing companies.

1115
00:53:04,200 --> 00:53:06,960
Speaker 2: Publisher look it up. Publisher of a Year Lina rich

1116
00:53:07,040 --> 00:53:11,000
Speaker 2: twice twice. I love. I mean that man was putting

1117
00:53:11,080 --> 00:53:11,400
Speaker 2: numbers on.

1118
00:53:11,520 --> 00:53:15,520
Speaker 4: But this argument with like people, you that's because he

1119
00:53:15,520 --> 00:53:17,560
Speaker 4: didn't keep it R and B like he went R

1120
00:53:17,600 --> 00:53:18,839
Speaker 4: and B, then he went pop.

1121
00:53:19,000 --> 00:53:21,960
Speaker 2: Then he went country. He like, hello, if you got that,

1122
00:53:22,040 --> 00:53:24,560
Speaker 2: you're supposed to do that you're looking for No, no, no, no,

1123
00:53:24,719 --> 00:53:27,160
Speaker 2: no no. I love line of rich Man. You can't

1124
00:53:27,200 --> 00:53:31,360
Speaker 2: do that far of the like hello me see you

1125
00:53:31,440 --> 00:53:33,120
Speaker 2: know how this shit go hip hop R and B.

1126
00:53:33,239 --> 00:53:34,879
Speaker 2: It's always a debate, of course.

1127
00:53:35,280 --> 00:53:37,480
Speaker 4: So I'm sitting down with some of the most respected

1128
00:53:37,600 --> 00:53:41,400
Speaker 4: R and B singers of all time, and I'm surprised

1129
00:53:41,480 --> 00:53:44,120
Speaker 4: when line come up they like, yeah, he ain't like

1130
00:53:44,400 --> 00:53:48,480
Speaker 4: you know, I'm like, huh man, no fucking Richie Man.

1131
00:53:48,600 --> 00:53:50,440
Speaker 4: Caps feel like, because you do one thing well, you're

1132
00:53:50,440 --> 00:53:52,560
Speaker 4: supposed to stay there. And it's like, nah, what if

1133
00:53:52,600 --> 00:53:55,680
Speaker 4: you do six things well? Like I'm not If I'm

1134
00:53:55,719 --> 00:53:58,000
Speaker 4: giving the gift, I'm gonna use it. Like Lina, Richie

1135
00:53:58,040 --> 00:54:00,600
Speaker 4: could write R and B, but he could also right pop.

1136
00:54:00,640 --> 00:54:02,600
Speaker 4: You could also right country. He can do all that,

1137
00:54:02,719 --> 00:54:04,920
Speaker 4: so why would he not do it? No, no, no, no,

1138
00:54:05,320 --> 00:54:05,799
Speaker 4: I ain't walk.

1139
00:54:06,000 --> 00:54:07,880
Speaker 2: You can't front one. I know what he's at all.

1140
00:54:08,960 --> 00:54:15,000
Speaker 4: You name some serious ones smoking Robinson tell ship might

1141
00:54:15,080 --> 00:54:19,920
Speaker 4: be my favorite songwriter. You know that's the that's the

1142
00:54:20,000 --> 00:54:22,520
Speaker 4: weirdest one. Like we're cool with a lot of people,

1143
00:54:22,600 --> 00:54:26,160
Speaker 4: but you know, I'm actually cool with Babyface. That that's

1144
00:54:26,880 --> 00:54:30,239
Speaker 4: that's no. Don't throw the ship. He come to my

1145
00:54:30,320 --> 00:54:32,800
Speaker 4: birthday party and singing at my birth Don't do that.

1146
00:54:32,960 --> 00:54:33,600
Speaker 2: You're gonna lie.

1147
00:54:34,000 --> 00:54:37,839
Speaker 4: Don't throw that. Don't throw that. Don't throw that. You're

1148
00:54:37,840 --> 00:54:40,880
Speaker 4: gonna look crazy out here. You look crazy with Joey Badass.

1149
00:54:41,000 --> 00:54:43,720
Speaker 4: Now you say Babyface. I go to dinner with baby

1150
00:54:43,800 --> 00:54:48,120
Speaker 4: Face all the time. He's my friend. This is what

1151
00:54:48,200 --> 00:54:50,880
Speaker 4: I'm trying to tell you. He's one of the weirdest

1152
00:54:50,960 --> 00:54:53,640
Speaker 4: relationships I have in my life. Diddy yet Oh there

1153
00:54:53,800 --> 00:54:57,799
Speaker 4: go fu nigga call cat, I call cap on the cat.

1154
00:54:58,719 --> 00:55:01,759
Speaker 2: Well you was dad? Did he? Yo? That's my guy?

1155
00:55:02,040 --> 00:55:04,920
Speaker 4: Like what do you He's the one? Oh yeah that

1156
00:55:05,160 --> 00:55:09,440
Speaker 4: Joe Crack cannot believe I'm cool through this whole journey.

1157
00:55:10,080 --> 00:55:12,520
Speaker 4: It's like, I sit down and have dinner with Babyface

1158
00:55:12,719 --> 00:55:15,160
Speaker 4: and Babyface want to hear the stories capping.

1159
00:55:15,000 --> 00:55:18,200
Speaker 2: Nah, baby Face is like, Yo, Joe, tell me some ship, Yo,

1160
00:55:18,360 --> 00:55:20,319
Speaker 2: distance that they all do. You know what I'm saying.

1161
00:55:20,360 --> 00:55:23,440
Speaker 2: They want that ship that sauce. Man. You know what

1162
00:55:23,480 --> 00:55:25,960
Speaker 2: I man, Noah, I'm telling you the joy you want

1163
00:55:26,000 --> 00:55:26,320
Speaker 2: me to do?

1164
00:55:26,560 --> 00:55:28,319
Speaker 4: I said, you see a little boosy the other day

1165
00:55:28,360 --> 00:55:31,439
Speaker 4: on the interview. Oh, he said he a big fan

1166
00:55:31,520 --> 00:55:33,360
Speaker 4: of our show. He said, I know Joe about to

1167
00:55:33,400 --> 00:55:35,440
Speaker 4: stay some ship. You need him more, head man, we

1168
00:55:35,640 --> 00:55:37,920
Speaker 4: need call us up man.

1169
00:55:39,400 --> 00:55:42,319
Speaker 2: Right, Atlanta. If we're looking from the outside, then right,

1170
00:55:42,440 --> 00:55:44,600
Speaker 2: we need to go to Atlanta? Is what I want

1171
00:55:44,640 --> 00:55:47,520
Speaker 2: to go to? Atlanta? Can we go to Atlanta? Got

1172
00:55:47,600 --> 00:55:50,040
Speaker 2: some new I love Atlanta? You got some new ventures.

1173
00:55:50,040 --> 00:55:51,600
Speaker 2: You started a golf line.

1174
00:55:51,840 --> 00:55:54,759
Speaker 4: Yeah, man, yeah, Olago Sport. So my man is the

1175
00:55:54,800 --> 00:55:57,440
Speaker 4: tango talking about earlier? He been playing golf forever and

1176
00:55:57,520 --> 00:56:00,120
Speaker 4: trying to get me out there. And I never, like,

1177
00:56:00,160 --> 00:56:02,480
Speaker 4: I'm young, I don't play golf, Like the pants is weird,

1178
00:56:02,520 --> 00:56:03,000
Speaker 4: I'm not doing it.

1179
00:56:03,680 --> 00:56:06,560
Speaker 1: But he actually got me out there. One time we

1180
00:56:06,640 --> 00:56:11,719
Speaker 1: went to uh, who is it? Uh Reggie Jackson's uh tournament? Right,

1181
00:56:12,000 --> 00:56:15,000
Speaker 1: and mind REGGI jackson golf tournament is not a regular

1182
00:56:15,080 --> 00:56:18,720
Speaker 1: golf tournament. Like every hole they're giving away, Jordan's fucking

1183
00:56:18,960 --> 00:56:21,239
Speaker 1: like every hole is something different. So like I'm like,

1184
00:56:21,400 --> 00:56:23,640
Speaker 1: is this what he's like? This ain't how golf normally is.

1185
00:56:23,800 --> 00:56:26,560
Speaker 1: But yeah, so I fell in love with the game.

1186
00:56:26,680 --> 00:56:28,000
Speaker 1: So I'm like, all right, listen, if I'm.

1187
00:56:27,840 --> 00:56:28,279
Speaker 2: Gonna do this.

1188
00:56:28,880 --> 00:56:32,120
Speaker 1: I'm not wearing that ship. Bro, Like, these things look nuts.

1189
00:56:32,239 --> 00:56:34,120
Speaker 1: Sorry they look nuts. Not doing so you got to

1190
00:56:34,160 --> 00:56:36,960
Speaker 1: make your own he's He was like, all right, we'll

1191
00:56:36,960 --> 00:56:39,200
Speaker 1: start of lying. So we got bags, we got we

1192
00:56:39,320 --> 00:56:42,560
Speaker 1: got clothes and shoes, a whole nine. It's coming together next.

1193
00:56:42,840 --> 00:56:46,480
Speaker 1: I'm gonna see how some stuff some stuff. Now, my

1194
00:56:46,640 --> 00:56:47,719
Speaker 1: the nes did you know that?

1195
00:56:48,840 --> 00:56:54,480
Speaker 2: What hell is there? Reggie Jackson missed October. This Reggie

1196
00:56:54,560 --> 00:56:58,160
Speaker 2: Jackson was the Spanish who changed his name to Reggie Jackson. Now,

1197
00:56:58,600 --> 00:57:03,320
Speaker 2: my the nest google that ship. I ain't lying to you.

1198
00:57:03,600 --> 00:57:06,080
Speaker 2: At the time, it wasn't cooler well as I was

1199
00:57:06,160 --> 00:57:08,160
Speaker 2: a laugh his name was Reggie Jackson.

1200
00:57:08,239 --> 00:57:11,320
Speaker 4: Would you better go ask Denzel Washington who told me

1201
00:57:11,440 --> 00:57:16,560
Speaker 4: that's that? And now don't my deep ness? Okay, and

1202
00:57:16,680 --> 00:57:20,560
Speaker 4: we got left. Reggie, I'm from the Bronx. That's Jackson.

1203
00:57:20,960 --> 00:57:23,920
Speaker 4: Reggie Jackson did all that work in the Bronx. One

1204
00:57:24,000 --> 00:57:25,919
Speaker 4: day I see him and I go, oh my god,

1205
00:57:26,040 --> 00:57:29,560
Speaker 4: Reggie Jackson. I try to go, I get held back

1206
00:57:30,280 --> 00:57:36,920
Speaker 4: by Denzel Washington. You see your Joe. Denzel Washington is like,

1207
00:57:37,360 --> 00:57:39,680
Speaker 4: I don't think you should be running up to that guy.

1208
00:57:39,800 --> 00:57:42,480
Speaker 2: I said, what do you mean? He said, that's where now,

1209
00:57:43,080 --> 00:57:48,080
Speaker 2: my deep nass. He denounced the Latinos when he was winning.

1210
00:57:48,160 --> 00:57:51,400
Speaker 2: He didn't want to save the Spanish. Wow. Wow, I

1211
00:57:51,480 --> 00:57:57,800
Speaker 2: don't fucking know. I don't know. So is Reggie Jackson is?

1212
00:57:58,160 --> 00:58:03,000
Speaker 4: Oh? So think also think to Reggie Jackson's credit, I

1213
00:58:03,120 --> 00:58:06,360
Speaker 4: also think I was in Houston at the fifty seven

1214
00:58:06,440 --> 00:58:09,920
Speaker 4: weekend that basketball shit I was coaching. He confronted me

1215
00:58:10,080 --> 00:58:12,240
Speaker 4: somehow you heard the story this think the first time

1216
00:58:12,320 --> 00:58:14,440
Speaker 4: I say, somebody came in front of me, Yo, Trouble's up,

1217
00:58:15,040 --> 00:58:16,960
Speaker 4: and I was say, yo's up, man, jack I think

1218
00:58:17,040 --> 00:58:20,480
Speaker 4: he wanted to get into the conversation of that hand.

1219
00:58:20,800 --> 00:58:23,720
Speaker 4: Mike denez we might need Reggie Jackson on this bitch

1220
00:58:23,800 --> 00:58:25,600
Speaker 4: right here so he can explain to us.

1221
00:58:25,920 --> 00:58:33,400
Speaker 2: That the Oven niggas dead. Dak Martine, thats ain't in

1222
00:58:33,600 --> 00:58:35,320
Speaker 2: all Jackson.

1223
00:58:35,440 --> 00:58:37,720
Speaker 4: Reggie Jackson is in the Hall of fair fact and

1224
00:58:37,880 --> 00:58:41,240
Speaker 4: now though ain't in the game right now that shit

1225
00:58:41,480 --> 00:58:46,520
Speaker 4: crazy man, it really is, y'all knee on my brother man.

1226
00:58:46,600 --> 00:58:49,320
Speaker 2: We thank you man for coming man and did inspect

1227
00:58:49,360 --> 00:58:52,680
Speaker 2: the album? Oh we got a little snippet or so,

1228
00:58:53,680 --> 00:58:58,600
Speaker 2: I take that your country take beautiful. Let let's play

1229
00:58:58,640 --> 00:59:01,960
Speaker 2: this song. What's it called? Simple thing? Oh shit?

1230
00:59:16,480 --> 00:59:19,360
Speaker 6: You put on that makeup in an hour, on your hair,

1231
00:59:19,920 --> 00:59:22,440
Speaker 6: our heels in that red just with the slip right

1232
00:59:22,560 --> 00:59:25,960
Speaker 6: up to there, and I don't mind what swetsing pony

1233
00:59:26,080 --> 00:59:28,120
Speaker 6: telling smiles you It just fine.

1234
00:59:28,840 --> 00:59:30,520
Speaker 2: I could do this country right here.

1235
00:59:31,280 --> 00:59:33,600
Speaker 6: You get in the kitchen, make a milk fit for

1236
00:59:33,720 --> 00:59:36,480
Speaker 6: a kid, burn your hands and cut your fingers, just

1237
00:59:36,560 --> 00:59:40,160
Speaker 6: a female girl, and I appreciate it. But how equally

1238
00:59:40,280 --> 00:59:46,480
Speaker 6: breaks a sandwich that you made? You can search your

1239
00:59:46,720 --> 00:59:50,959
Speaker 6: whole life, never to fighting with standing night in front

1240
00:59:51,000 --> 00:59:56,240
Speaker 6: of you. It's always several things. The way you laugh,

1241
00:59:56,680 --> 01:00:00,360
Speaker 6: the way you cry to your favorite song. It is

1242
01:00:00,400 --> 01:00:04,520
Speaker 6: all there in between. The flowers you fight on the up,

1243
01:00:04,720 --> 01:00:09,600
Speaker 6: you clown to keep them moving on, and nothing stop

1244
01:00:09,840 --> 01:00:15,160
Speaker 6: chasing spring. Find out are really amazing. This is a

1245
01:00:15,280 --> 01:00:16,000
Speaker 6: simple thing.

1246
01:00:18,360 --> 01:00:21,400
Speaker 2: It's always a simple crazy.

1247
01:00:28,080 --> 01:00:32,400
Speaker 4: Holy shit, thank you you have made me a country

1248
01:00:32,560 --> 01:00:37,840
Speaker 4: music fan, Neil, you have made me a country music fan.

1249
01:00:39,000 --> 01:00:42,480
Speaker 2: That was fucking amazing any genre right there. That ship

1250
01:00:42,640 --> 01:00:43,040
Speaker 2: was crazy.

1251
01:00:43,040 --> 01:00:47,280
Speaker 3: I appreciate that, Appreciate that, appreciate the love crazy for

1252
01:00:47,440 --> 01:00:47,960
Speaker 3: coming soon.

1253
01:00:48,040 --> 01:00:50,320
Speaker 2: I thought, I think we're dropping this. We dropping this year.

1254
01:00:50,320 --> 01:00:55,440
Speaker 2: I'm waiting a year, this year, next year, unaware there's

1255
01:00:55,440 --> 01:00:57,960
Speaker 2: some railroad for the rest of the year. That's a fact.

1256
01:00:58,560 --> 01:01:01,440
Speaker 1: The win is the tour supposed to that ship. I

1257
01:01:01,520 --> 01:01:04,160
Speaker 1: think the tours top of twenty twenty six. Yeah, I

1258
01:01:04,240 --> 01:01:08,360
Speaker 1: think I meet me and Akon moving on with Akon. Yeah, Man,

1259
01:01:08,680 --> 01:01:12,200
Speaker 1: that's that ship right there. You know I toured Africa

1260
01:01:12,560 --> 01:01:19,400
Speaker 1: with a Kon. Africa with a Kon. All right, when

1261
01:01:19,400 --> 01:01:21,160
Speaker 1: we get Akon it, we're gonna get him here.

1262
01:01:21,680 --> 01:01:23,040
Speaker 2: Kiss. I ain't say nothink.

1263
01:01:23,040 --> 01:01:26,240
Speaker 4: I'm prea no, no, I'm telling you I went on

1264
01:01:26,400 --> 01:01:28,400
Speaker 4: tour in Africa with Akon. That ship was the idly

1265
01:01:28,440 --> 01:01:32,520
Speaker 4: ship I ever seen in my life. No flags, Oh,

1266
01:01:33,880 --> 01:01:38,440
Speaker 4: congratulations on Dallas. I had the whole stadium cursing amount

1267
01:01:38,480 --> 01:01:39,720
Speaker 4: in the fucking rock.

1268
01:01:40,280 --> 01:01:40,480
Speaker 6: Nah.

1269
01:01:40,640 --> 01:01:41,520
Speaker 2: We was in l a.

1270
01:01:43,120 --> 01:01:45,760
Speaker 4: Me pit Bull, Little John and the Yin Yang twins,

1271
01:01:45,800 --> 01:01:47,360
Speaker 4: and I had to he had a Dallas ship.

1272
01:01:47,400 --> 01:01:48,520
Speaker 2: I had him shipping on him.

1273
01:01:48,520 --> 01:01:52,400
Speaker 4: I was like, this is a Dallas. He was a

1274
01:01:52,440 --> 01:01:55,480
Speaker 4: good sport about. I was surprised Rich wasn't cursing the

1275
01:01:55,520 --> 01:01:56,680
Speaker 4: whole fucking crowd.

1276
01:01:56,480 --> 01:02:00,520
Speaker 2: Out your neo man. Uh, you're always with the met

1277
01:02:00,800 --> 01:02:01,200
Speaker 2: over there.

1278
01:02:01,480 --> 01:02:05,240
Speaker 4: Yes, uh cool v man, my brother, man, you know

1279
01:02:05,320 --> 01:02:07,680
Speaker 4: what what does it feel like being Tata's little brother?

1280
01:02:07,840 --> 01:02:17,400
Speaker 2: Right, ladies, hold on, hold on, hold on, hold up here,

1281
01:02:20,800 --> 01:02:24,320
Speaker 2: leave my man. God, so many years I thought he

1282
01:02:24,520 --> 01:02:27,080
Speaker 2: was Tatah. You get that a lot. You know what

1283
01:02:27,120 --> 01:02:29,560
Speaker 2: I'm saying. I got your listen so many years I

1284
01:02:29,680 --> 01:02:33,680
Speaker 2: see then he realized, now I'm not. I'm not all

1285
01:02:33,720 --> 01:02:38,720
Speaker 2: of them look exactly like, exactly like, you're not Twinter.

1286
01:02:40,440 --> 01:02:45,000
Speaker 4: The same. Well, anyway, brother, you got the right one

1287
01:02:45,080 --> 01:02:48,800
Speaker 4: with you, brother, oh Neil, thank you for blessing the couch.

1288
01:02:49,600 --> 01:02:53,520
Speaker 4: Like Kis says, there's always legends, but there's there's different

1289
01:02:54,080 --> 01:02:58,520
Speaker 4: legends I'm noticing, and everybody's a legend. But you definitely

1290
01:02:58,600 --> 01:03:02,480
Speaker 4: what you've brought to the world in terms of happiness,

1291
01:03:02,480 --> 01:03:06,600
Speaker 4: because I gotta that that I'm a movement by myself, sir,

1292
01:03:06,920 --> 01:03:10,240
Speaker 4: but I'm a full swim wad together. I mean, I'm

1293
01:03:10,320 --> 01:03:14,040
Speaker 4: good old by myself or maybe you you make me.

1294
01:03:14,320 --> 01:03:14,920
Speaker 3: Better and you.

1295
01:03:22,640 --> 01:03:27,600
Speaker 2: Love that love? Just ain't that? Ain't this is cracking?

1296
01:03:27,800 --> 01:03:30,120
Speaker 3: Kiss giving up for new Yi think I guessed for

1297
01:03:30,240 --> 01:03:31,760
Speaker 3: today Joe and Shaila.

1298
01:03:32,480 --> 01:03:33,439
Speaker 2: I love you, man,