WEBVTT - Erica Jong and Molly Jong-Fast

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<v Speaker 1>I'm Alec Baldwin, and here's the thing. The impact of

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<v Speaker 1>divorce on children is something I think about a lot.

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<v Speaker 1>I'm divorced and have a daughter. Erica Jong knows a

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<v Speaker 1>lot about divorce. She's been married four times. That's why

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<v Speaker 1>I wanted to sit down with Erica and her daughter,

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<v Speaker 1>Molly Joan Fast. Both mother and daughter are writers. Erica

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<v Speaker 1>is best known for her nineteen seventy three book Fear

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<v Speaker 1>of Flying, of feminist classic about liberation in many forms. Molly,

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<v Speaker 1>a mother of three kids herself, published her second novel,

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<v Speaker 1>The Social Climber's Handbook earlier this year. Molly's father is

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<v Speaker 1>Jonathan Fast, Erica's third husband. I lived with Jonathan for

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<v Speaker 1>two years before we got married. But how long between John,

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<v Speaker 1>Allan John and Jonathan About two years between them? You

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<v Speaker 1>were there, You were with Allan John, when you met

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<v Speaker 1>my dad. When these two good going, you step back

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<v Speaker 1>and get out of their way. What did you learn

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<v Speaker 1>about marriage from your parents? Mom? Can I answer the

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<v Speaker 1>question honestly? Honestly is the only way? Well? I would say,

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<v Speaker 1>have you seen Kramer versus Kramer? That was my general

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<v Speaker 1>impression of marriage for my upbringing. But you know my

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<v Speaker 1>mom had some good, useful suggestions, but ultimately I sort

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<v Speaker 1>of had to find my own way, though she did

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<v Speaker 1>eventually marry a really great guy and they've been married

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<v Speaker 1>for twenty one years, and he's a divorce lawyer. He's

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<v Speaker 1>a practicing divorce Yeah, he is. And Molly used to say,

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<v Speaker 1>when I married him and then she married the one,

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<v Speaker 1>you can never divorce the divorce is he a good guy.

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<v Speaker 1>He's a really good guy. He's a totally menchi person

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<v Speaker 1>and I like him better than when I married him,

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<v Speaker 1>which was easier for you to write about sex or divorce.

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<v Speaker 1>Sex divorce was the hardest thing I ever went through.

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<v Speaker 1>I have a friend who said to me once when

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<v Speaker 1>he was getting divorced from his wife, who could believe

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<v Speaker 1>that after we were in the delivering room together, after

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<v Speaker 1>I watched that baby come out, who could believe we'd

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<v Speaker 1>ever be apart? Divorce is terrible. Divorce is difficult. We

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<v Speaker 1>have it's a chaos, we have no rules for it.

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<v Speaker 1>It's so incredibly painful. What was it like for you

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<v Speaker 1>to deal with your parents divorce? Your parents divorce as

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<v Speaker 1>an only child? Who did you talk to? Who did

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<v Speaker 1>you do? Obese nanny from Trumbull, Connecticut, and she was

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<v Speaker 1>my confidie. Like crumpets, those tasty cake everything. Um, I

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<v Speaker 1>think I mean Cramer Versus Kramer was a great movie

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<v Speaker 1>because that was my story, and it was a lot

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<v Speaker 1>of kids stories. It was just a really gruesome seventies

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<v Speaker 1>divorce and that's what they had. During that time. Divorce

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<v Speaker 1>wasn't set up the way it is now now. If

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<v Speaker 1>you have a divorce, there's no way that a mother

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<v Speaker 1>is going to lose custody. Certain things are known. Back then,

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<v Speaker 1>it was a totally unknown world of divorce. Let me

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<v Speaker 1>just I don't want to get carried away by divorce

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<v Speaker 1>being different in different decades, because I'm not sure that's true.

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<v Speaker 1>I think it may look that way to you, Molly,

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<v Speaker 1>but I think divorce is a catastrophic event for children,

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<v Speaker 1>for women from men. It's very, very difficult to go through.

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<v Speaker 1>It is traumatic. When you come to the other side

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<v Speaker 1>of it, you say, I will never do that again,

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<v Speaker 1>which is why I was single for nearly a decade

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<v Speaker 1>between Molly's dad and Ken, because I wanted to make

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<v Speaker 1>sure I would never make that miss. But after you

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<v Speaker 1>have three divorces, Yeah, you were divorced, Yes, what made

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<v Speaker 1>you believe success was awaiting you with your current husband?

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<v Speaker 1>What gave you the We stamped on our wedding invitation

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<v Speaker 1>a triumph of hope over experience, which came as the

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<v Speaker 1>result of what how did you triumph? Ken have been

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<v Speaker 1>married three times? I had been married three times. We

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<v Speaker 1>were very cautious about tying the non You were not

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<v Speaker 1>that cautious because you've only been together for three months.

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<v Speaker 1>When you go both, that's right? Am I right? Is

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<v Speaker 1>she right? We married after we knew each other three months.

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<v Speaker 1>But this isn't an amazing and it's been most successful

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<v Speaker 1>with him. Yeah, but there are certain things about me

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<v Speaker 1>and Ken. We grew up in similar circumstances. Our parents

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<v Speaker 1>were depression era people. We knew that you couldn't be

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<v Speaker 1>married and fool around. You couldn't be married. Two secrets

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<v Speaker 1>to their marriage. They have different bathrooms right there, each

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<v Speaker 1>of their own bath and they're tired. They're too tired

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<v Speaker 1>to do new curtains and bookshelves. The reason why we

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<v Speaker 1>got married rather than lived together was because he said

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<v Speaker 1>to me, if we just lived together, one day, we'll

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<v Speaker 1>have a fight and you'll say I'm leaving, or I

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<v Speaker 1>will We have a bad record. If we get married,

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<v Speaker 1>we know we're going to make it work. Marvin Worth,

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<v Speaker 1>Marvin Great, Marvin Worth. He was Lenny Bruce's manager, then

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<v Speaker 1>went on to become a famous movie producer. Produced Malcolm X,

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<v Speaker 1>the movie with Spike Lee, famous movie producer. He was

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<v Speaker 1>from Brooklyn. He had the heaviest New York accent of

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<v Speaker 1>any man I've ever heard him. And I said to him,

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<v Speaker 1>how did you and Joan do it? How have you

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<v Speaker 1>and John been married for for forty years? Like it

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<v Speaker 1>was that you don't fight? And he said to me,

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<v Speaker 1>uh do Joan? Then I fight? We fight every day,

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<v Speaker 1>We fight all day. What we do is fight, he said,

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<v Speaker 1>But then we after we're done fighting. I say, Joan,

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<v Speaker 1>I'm not going anywhere, and you're not going anywhere, So

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<v Speaker 1>what are we gonna do about this problem? I'm not

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<v Speaker 1>going anywhere. That's what Kennan I wanted, like leaving is

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<v Speaker 1>not an option. And actually this is very funny because

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<v Speaker 1>he says I'm not going anywhere, just what Marvin said,

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<v Speaker 1>and I say, I couldn't stand anyone else. And part

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<v Speaker 1>of it is we really make each other laugh all

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<v Speaker 1>the time. When we have a disagreement, we always get

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<v Speaker 1>it out there. We don't hold it in. Now that

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<v Speaker 1>I have kids, I feel like what they don't tell

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<v Speaker 1>you about marriage is that marriage? I mean, what don't

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<v Speaker 1>they tell you? The marriage is incredibly hard work. Molly

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<v Speaker 1>got married at but Molly's hole childhood and upbringing had

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<v Speaker 1>been different from mine. I married my first lover, my

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<v Speaker 1>college sweetheart. I had no experience with anybody else when

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<v Speaker 1>I married him. That was very much my generation. Molly

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<v Speaker 1>sewed her wild though it's during college and when she

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<v Speaker 1>met Matt, she knew this was the man she wanted

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<v Speaker 1>to be with. It was a totally different pattern. But

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<v Speaker 1>I think much wild. Did you travel with the stones?

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<v Speaker 1>I think I um, I really grew up because I

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<v Speaker 1>got sober when I was nineteen. So I went to

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<v Speaker 1>rehab when I was a teenager, so that I was

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<v Speaker 1>until I went to we have very crazy. But then

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<v Speaker 1>once that happened, I then started to focus on, you know,

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<v Speaker 1>what was important. So by the time I got married,

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<v Speaker 1>I was already, you know, sober a long time. My

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<v Speaker 1>grandmother was very Bohemian, and my mother was very bohemian. Yeah,

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<v Speaker 1>and they all my grandparents had open marriages, you know.

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<v Speaker 1>And I asked my dad about that, and my dad said, actually,

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<v Speaker 1>was just that your grandfather cheated on your grandmother, and

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<v Speaker 1>that was what they called it in the fifties. I

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<v Speaker 1>also wanted a bourgeois life, Like I didn't want to

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<v Speaker 1>be bohemian. I don't want to be single and have

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<v Speaker 1>a boyfriend who had a motorcycle and cowboy But it's

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<v Speaker 1>none of that appealed to me. What effect, if any,

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<v Speaker 1>didn't have on you that your mother was viewed as

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<v Speaker 1>and I'll let you put in the words, you know,

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<v Speaker 1>your mother's expertise and female sexuality. What impact did that

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<v Speaker 1>have on you when you were growing up? Um? I

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<v Speaker 1>think more having a mother who was very successful in

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<v Speaker 1>working a lot at more of an effect on growing

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<v Speaker 1>up because she just traveled a lot and worked a

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<v Speaker 1>lot and felt very stressed a lot. I think that

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<v Speaker 1>had more of an effect on me. Then. I didn't

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<v Speaker 1>particularly know what she did until when I was in

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<v Speaker 1>sixth grade. I went to this very progressive school and

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<v Speaker 1>a little boy was like, your mom writes dirty books.

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<v Speaker 1>I went to science sure, and I was like, he's

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<v Speaker 1>not allowed to say that to me, and she was like,

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<v Speaker 1>but she does. And I was like, oh my god.

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<v Speaker 1>She does. But the fact that we grew up in

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<v Speaker 1>a townhouse with a hot pink door and then it

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<v Speaker 1>was purple. It was right. We had paintings of naked

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<v Speaker 1>lesbians having sex on the walls. Yes, why because no,

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<v Speaker 1>they're not famous ladder Slader. I have a schlatterer and

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<v Speaker 1>I keep it under my bed. When I want to

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<v Speaker 1>get things going, I want to I want to pick

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<v Speaker 1>it up. Relating to the erotic art I had lived

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<v Speaker 1>in house guests. They had lived with Shirley McClain. Shirley

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<v Speaker 1>finally threw them out. I've met them on the beach

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<v Speaker 1>at now. They were about a hundred years old at

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<v Speaker 1>that point when Shirley threw them out. They came to

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<v Speaker 1>live with me and they gave me erotic artists. Thank

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<v Speaker 1>you can't imagine that they were really old fashioned bohemians

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<v Speaker 1>like Henry Miller. In the sixties, they had lived in

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<v Speaker 1>Paris on the Boulevard rest Spy and had orgies that

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<v Speaker 1>was all over. In the seventies, they went to India

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<v Speaker 1>with Shirley and wrote about past life regression. In the

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<v Speaker 1>eighties they got into antioxidants before anybody knew about it.

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<v Speaker 1>They were at the head of every curve. They were

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<v Speaker 1>not just about and they invented the iPad. They did not.

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<v Speaker 1>I admire them because they were true bohemian. This is

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<v Speaker 1>Alec Baldwin and you're listening to Here's the Thing. More

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<v Speaker 1>from my conversation with Erica Jong and Molly Young Fast

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<v Speaker 1>coming up in a minute. I'm Alec Baldwin and you're

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<v Speaker 1>listening to Here's the Thing. I'm talking with writer Erica

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<v Speaker 1>Jong and her daughter Molly Young Fast. Do me if

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<v Speaker 1>I ever, don't comment on this until she finishes. Describe

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<v Speaker 1>your relationship with your mother, don't snicker. Pleasant. She's very supportive,

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<v Speaker 1>are you? What are you talking about? She's very supportive.

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<v Speaker 1>She's talking about you like like she's your husband's ex pat.

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<v Speaker 1>Julie and I have a very pleasant relationship, affable chart. No,

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<v Speaker 1>my mother has always been phenomenal with me, so supportive.

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<v Speaker 1>I don't give her things to read because she says

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<v Speaker 1>to me, she calls me if it says, how much

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<v Speaker 1>of a genius are you? She's very supportive. How would

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<v Speaker 1>you describe your relationship with Molly? I absolutely adore her.

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<v Speaker 1>Beyond that. Beyond that, I think she's I think she's smart.

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<v Speaker 1>I think she's funny. I think she has incredibly good judgment.

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<v Speaker 1>I've watched her grow and emotionally, and she has bearded

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<v Speaker 1>some dragons that were very hard. What do you disagree

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<v Speaker 1>about everything? Everything? Something? Give me something primary consistent. I

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<v Speaker 1>think of her is very reactionary liberal, and I'm much

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<v Speaker 1>more conservative in certain ways. I go more towards the

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<v Speaker 1>libertarian side politically. Yeah, do you think that some of

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<v Speaker 1>your conservatism and this is a long shot, maybe, but

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<v Speaker 1>do you think some of your you know, even mild

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<v Speaker 1>case of of being more conservative in your stems from

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<v Speaker 1>your reaction to her kind of the kind of sexual

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<v Speaker 1>drums she was beating throughout her I was not beating

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<v Speaker 1>a sexual what were you doing. I was trying to

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<v Speaker 1>write honestly about the way a young woman thinks and feels.

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<v Speaker 1>And because our society is so curiously puritanical, people took

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<v Speaker 1>that honest book, which got inside a woman's fantasy life,

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<v Speaker 1>her marital life, and so and they took it as

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<v Speaker 1>a horny book. And I am truly disappointed that the

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<v Speaker 1>closest person in the world to me has bought into

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<v Speaker 1>that view. I was trying to write honestly about how

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<v Speaker 1>a young woman thinks and feels. Because of our puritanism,

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<v Speaker 1>it was construed as a horny book. I it devastates

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<v Speaker 1>me that my daughter buys that image. But okay, she

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<v Speaker 1>doesn't have to be my literary critic. She's my daughter

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<v Speaker 1>and I love her and she can do no wrong.

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<v Speaker 1>I hope that someday she will read my work and

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<v Speaker 1>see that that was not what I was doing. Daughters

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<v Speaker 1>do torture you in a way that I mean that

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<v Speaker 1>sons are not capable of, in my opinion. But I

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<v Speaker 1>also think that my mom's legacy to me was about

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<v Speaker 1>being honest and how important it is to be honest.

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<v Speaker 1>And I do really hate you know, that kind of

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<v Speaker 1>pretension or falseness, and that is something that really has

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<v Speaker 1>been your legacy. Um, this is obviously an important subject

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<v Speaker 1>for me because I have a daughter, and that is

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<v Speaker 1>What do you think of the state of female sexuality

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<v Speaker 1>in the culture today. I think they're overwhelmed with a

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<v Speaker 1>false image of sexuality before before they're emotionally ready to

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<v Speaker 1>deal with it. I think they um they're told that

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<v Speaker 1>giving blow jobs in class is not sex, which is

0:13:57.280 --> 0:14:01.439
<v Speaker 1>not true. They use their manipulation and of boy's sexuality

0:14:01.520 --> 0:14:04.320
<v Speaker 1>as a power trip to get even with men for

0:14:04.400 --> 0:14:07.360
<v Speaker 1>the other power men have. But I think to be

0:14:07.440 --> 0:14:10.440
<v Speaker 1>a young woman today of the of your daughter's age

0:14:11.080 --> 0:14:15.920
<v Speaker 1>is a very sticky wicket, and I think that you

0:14:16.040 --> 0:14:21.040
<v Speaker 1>really need a parent who can guide you. How would

0:14:21.080 --> 0:14:23.160
<v Speaker 1>they guide them to tell them that what they see

0:14:23.200 --> 0:14:25.880
<v Speaker 1>around them in the media is not true, because I

0:14:25.920 --> 0:14:28.520
<v Speaker 1>try to do that. If I were dealing with your daughter,

0:14:29.160 --> 0:14:31.760
<v Speaker 1>I would try to reassure her that this is a

0:14:31.880 --> 0:14:34.920
<v Speaker 1>very confusing time of life. I don't and that what

0:14:35.120 --> 0:14:39.200
<v Speaker 1>she sees around her as incredibly confusing. Most of the women,

0:14:39.560 --> 0:14:43.040
<v Speaker 1>the young women are as confused as she and are

0:14:43.120 --> 0:14:47.640
<v Speaker 1>showing off by pretending to not be confused. And I

0:14:47.680 --> 0:14:51.200
<v Speaker 1>would try to convey to her how difficult adolescence is,

0:14:51.560 --> 0:14:55.080
<v Speaker 1>how many messages are coming at her at once, and

0:14:55.120 --> 0:14:58.560
<v Speaker 1>how hard it is to make sense of it. That's

0:14:58.600 --> 0:15:00.600
<v Speaker 1>what I would do. I planned to do that with

0:15:00.640 --> 0:15:04.880
<v Speaker 1>my granddaughter, who I'm sure we'll say something cynical to me.

0:15:05.280 --> 0:15:07.080
<v Speaker 1>But I also think some of it is you just

0:15:07.160 --> 0:15:09.120
<v Speaker 1>as you can't hear that kind of thing from a

0:15:09.160 --> 0:15:12.040
<v Speaker 1>parent at I mean, maybe there are some kids who can.

0:15:12.760 --> 0:15:17.400
<v Speaker 1>I never could, you know, I'm not entirely sure. I

0:15:17.440 --> 0:15:20.720
<v Speaker 1>had a beloved child psychiatrist growing up, who I really

0:15:21.120 --> 0:15:25.280
<v Speaker 1>liked a lot, and I think maybe that's possible, or

0:15:25.320 --> 0:15:28.560
<v Speaker 1>a teacher or a school, so maybe the parent can't

0:15:28.960 --> 0:15:31.200
<v Speaker 1>really say those things. I think it's right, and I

0:15:31.240 --> 0:15:35.160
<v Speaker 1>also think we don't automatically know how to behave. It's

0:15:35.200 --> 0:15:38.280
<v Speaker 1>primarily different from when you wrote your earlier books. What's

0:15:38.400 --> 0:15:41.920
<v Speaker 1>changed for the media is more all pervasive, and the

0:15:42.120 --> 0:15:46.360
<v Speaker 1>image of women is even more confusing than it's ever been.

0:15:47.640 --> 0:15:50.640
<v Speaker 1>And on the one hand, you're supposed to look like

0:15:50.680 --> 0:15:55.360
<v Speaker 1>a fashion model retouched, and on the other hand, you're

0:15:55.400 --> 0:15:59.920
<v Speaker 1>supposed to claim to a sophistication you don't and count

0:16:00.000 --> 0:16:02.600
<v Speaker 1>i'd have at that age. And I think that women

0:16:02.640 --> 0:16:07.040
<v Speaker 1>who are fourteen fifteen are in the most difficult position

0:16:07.120 --> 0:16:09.920
<v Speaker 1>they have ever been in modern society. What do you

0:16:09.960 --> 0:16:12.280
<v Speaker 1>think about that? I mean, I agree, I think there's

0:16:12.280 --> 0:16:15.440
<v Speaker 1>a lot of sexuality. I think it's not explained to

0:16:15.680 --> 0:16:19.440
<v Speaker 1>young girls in a way, very confusing, Molly. But I

0:16:19.440 --> 0:16:21.960
<v Speaker 1>think that's a legacy of the feminist movement. I mean,

0:16:22.000 --> 0:16:25.360
<v Speaker 1>we said we want a legacy of the feminist movement.

0:16:25.720 --> 0:16:28.240
<v Speaker 1>It is a legacy, and here I really feel fierce.

0:16:28.640 --> 0:16:33.040
<v Speaker 1>It is the legacy of a distortion of women's desire

0:16:33.200 --> 0:16:37.800
<v Speaker 1>for equal rights. Equal rights are not platform shoes and

0:16:37.920 --> 0:16:41.680
<v Speaker 1>naked clothes. But you can't blow up an atom bomb

0:16:41.760 --> 0:16:44.120
<v Speaker 1>and then choose how it's going to go. But just

0:16:44.240 --> 0:16:47.760
<v Speaker 1>saying we did not blow up that atom bomb. The

0:16:47.880 --> 0:16:52.720
<v Speaker 1>media took our legitimate desire for equality and turned it

0:16:52.800 --> 0:16:55.840
<v Speaker 1>into garbage. But they turned it into what the people wanted.

0:16:55.880 --> 0:16:57.880
<v Speaker 1>First of all, I don't think they wouldn't exist. It

0:16:57.920 --> 0:17:02.600
<v Speaker 1>wouldn't exist. People don't buy the media the people want.

0:17:02.840 --> 0:17:05.880
<v Speaker 1>We'll be back in a moment. After word from sponsored

0:17:05.960 --> 0:17:10.000
<v Speaker 1>Victoria's secret. I disagree. I also think, first of all,

0:17:10.040 --> 0:17:12.560
<v Speaker 1>this is what the people want. People buy Britney spears

0:17:12.880 --> 0:17:15.080
<v Speaker 1>because they want them. No, no, no, no, did he?

0:17:15.200 --> 0:17:17.240
<v Speaker 1>This is what I disagree. I blame the media, and

0:17:17.280 --> 0:17:19.440
<v Speaker 1>I blame the entertainment industry, and I blame that whole

0:17:19.480 --> 0:17:21.480
<v Speaker 1>matrix for all of it. I think of the most

0:17:21.520 --> 0:17:26.800
<v Speaker 1>absurd person from the past. If you took content Floss

0:17:26.920 --> 0:17:30.240
<v Speaker 1>and put him on Glee, he'd become a gay icon today.

0:17:30.359 --> 0:17:34.080
<v Speaker 1>You are so right, content Flass. I think it's brilliant.

0:17:34.440 --> 0:17:37.480
<v Speaker 1>If the Internet had existed when content Flass was here,

0:17:37.880 --> 0:17:41.679
<v Speaker 1>everybody would be worshiping Canton Floss. You can't and it

0:17:41.720 --> 0:17:47.200
<v Speaker 1>has nothing to do with fear, I love. You can't

0:17:47.240 --> 0:17:51.520
<v Speaker 1>control what people are going to do, what people want,

0:17:51.960 --> 0:17:54.919
<v Speaker 1>This is what is thrust upon them, and it has

0:17:54.960 --> 0:17:57.919
<v Speaker 1>nothing to do with First of all, you are the media,

0:17:58.119 --> 0:17:59.879
<v Speaker 1>and you are the media, and I am and so

0:18:00.080 --> 0:18:04.280
<v Speaker 1>affected the media. So I disagree with you, and I

0:18:04.280 --> 0:18:06.119
<v Speaker 1>don't want to get off on media. That's subject. I mean,

0:18:06.119 --> 0:18:09.080
<v Speaker 1>I take a paycheck from media companies to do what

0:18:09.119 --> 0:18:10.840
<v Speaker 1>they pay me to do, but I'm not responsible for

0:18:10.880 --> 0:18:14.000
<v Speaker 1>everything else they do. Let's just say this. You take

0:18:14.040 --> 0:18:16.399
<v Speaker 1>the top women in entertainment, and I'm gonna be generous.

0:18:16.440 --> 0:18:19.879
<v Speaker 1>I'll say half one half of them really have talent.

0:18:20.240 --> 0:18:25.360
<v Speaker 1>Mariah Carey really can sing, Beyonce Knowles really can sing.

0:18:25.560 --> 0:18:27.719
<v Speaker 1>But then there's the other half. They have no talent.

0:18:27.800 --> 0:18:31.560
<v Speaker 1>It's all electronically enhanced. It's all about many people who

0:18:31.640 --> 0:18:36.200
<v Speaker 1>are talentlest But I think the interpretation of of our

0:18:36.760 --> 0:18:42.080
<v Speaker 1>of sexuality and our culture is so twisted. Sexuality is

0:18:42.480 --> 0:18:50.520
<v Speaker 1>actually is true intimacy with another person that sometimes results

0:18:50.640 --> 0:18:55.640
<v Speaker 1>and genitals getting together and sometimes does not. Why are

0:18:55.640 --> 0:19:05.439
<v Speaker 1>you so cynical awful? I'm no she doesn't. You're the

0:19:05.480 --> 0:19:10.399
<v Speaker 1>one saying lubricants and dolls and ben wabbles. I don't

0:19:10.400 --> 0:19:12.800
<v Speaker 1>even think that's sex. I think that if you have

0:19:12.920 --> 0:19:16.720
<v Speaker 1>real intimacy with somebody, he can touch you here and

0:19:16.800 --> 0:19:19.480
<v Speaker 1>you get excited. He can touch you on your neck,

0:19:19.960 --> 0:19:22.119
<v Speaker 1>he can hold your hand in the movies. Later on,

0:19:22.160 --> 0:19:26.000
<v Speaker 1>I'll show you the spot I touch. People have no

0:19:26.119 --> 0:19:29.399
<v Speaker 1>idea what sexuality really is. I can talk with you

0:19:29.400 --> 0:19:32.199
<v Speaker 1>about sex for a couple more hours. Well, let's do

0:19:32.240 --> 0:19:45.719
<v Speaker 1>it next time, okay. Erica Young and Molly gen Fast.

0:19:46.280 --> 0:19:48.679
<v Speaker 1>They say they have toyed with the idea of writing

0:19:48.720 --> 0:19:53.200
<v Speaker 1>something together many times, but both agree they probably never will.

0:19:53.800 --> 0:19:59.800
<v Speaker 1>It would be just the end of our relationship. This

0:19:59.880 --> 0:20:02.880
<v Speaker 1>is Alec Baldwin and you're listening to here's the thing.