1 00:00:00,240 --> 00:00:02,680 Speaker 1: Hello, and welcome back to movie Mike's movie podcast. I 2 00:00:02,720 --> 00:00:04,440 Speaker 1: am your host Movie Mike. Today I want to share 3 00:00:04,440 --> 00:00:07,040 Speaker 1: with you five new movies you can stream at home, 4 00:00:07,080 --> 00:00:11,600 Speaker 1: because my favorite movie of twenty twenty three, after six months, 5 00:00:11,960 --> 00:00:14,480 Speaker 1: is now available to watch you at home, and I 6 00:00:14,560 --> 00:00:17,479 Speaker 1: was so inspired and so excited. I want to share 7 00:00:17,480 --> 00:00:20,080 Speaker 1: with you more movies that maybe you missed in theaters, 8 00:00:20,360 --> 00:00:22,280 Speaker 1: but now you have a chance to either watch them 9 00:00:22,280 --> 00:00:26,159 Speaker 1: at home for free or for pretty cheap anyway, So 10 00:00:26,360 --> 00:00:28,920 Speaker 1: we'll do that. In the movie review, we'll be talking 11 00:00:28,960 --> 00:00:31,800 Speaker 1: about Young Woman in the Seas starring Daisy Ridley, the 12 00:00:31,840 --> 00:00:34,640 Speaker 1: true story about Trudy Etterly, who was the first woman 13 00:00:34,720 --> 00:00:37,479 Speaker 1: to ever swim the English Channel back in the twenties, 14 00:00:37,640 --> 00:00:39,760 Speaker 1: not the twenty twenties, but the nineteen twenties. And in 15 00:00:39,800 --> 00:00:43,240 Speaker 1: the trailer park we'll talk about the final installment of Venom. 16 00:00:43,360 --> 00:00:46,000 Speaker 1: The Last Dance is coming out in theaters in October. 17 00:00:46,320 --> 00:00:48,919 Speaker 1: It looks like it could be a beautiful disaster. So 18 00:00:48,960 --> 00:00:51,280 Speaker 1: thank you for being here, thank you for being subscribed. 19 00:00:51,280 --> 00:00:54,040 Speaker 1: Shout out to the Monday Morning Movie crew. And now 20 00:00:54,320 --> 00:00:55,959 Speaker 1: let's talk movies in a. 21 00:00:55,960 --> 00:00:59,560 Speaker 2: World where everyone and their mother has a podcast. One 22 00:00:59,640 --> 00:01:03,240 Speaker 2: man it stands to infiltrate the ears of listeners like 23 00:01:03,320 --> 00:01:07,280 Speaker 2: never before in a movie podcast. A man with so 24 00:01:07,400 --> 00:01:12,800 Speaker 2: much movie knowledge, he's basically like a walking IMTB with glasses. 25 00:01:13,240 --> 00:01:17,839 Speaker 1: From the Nashville Podcast Network. This is Movie Mike. Movie 26 00:01:17,920 --> 00:01:22,280 Speaker 1: Podcast Today has finally come. My favorite movie in the 27 00:01:22,400 --> 00:01:25,679 Speaker 1: last year. Godzilla minus one is now available to watch 28 00:01:25,800 --> 00:01:29,680 Speaker 1: on Netflix, and I am ecstatic. I've been waiting to 29 00:01:29,880 --> 00:01:32,080 Speaker 1: tell you guys when this movie was going to be 30 00:01:32,160 --> 00:01:35,679 Speaker 1: available since I saw it in theaters last December, which 31 00:01:35,959 --> 00:01:38,160 Speaker 1: anytime I watch a movie towards the end of the year, 32 00:01:38,200 --> 00:01:40,640 Speaker 1: I always fear I have recency biased because I just 33 00:01:40,760 --> 00:01:42,560 Speaker 1: watched it. I'm doing my end of the gear list 34 00:01:42,600 --> 00:01:43,920 Speaker 1: and I think, oh, I have to put this on 35 00:01:43,959 --> 00:01:46,640 Speaker 1: my list, but it's putting it at number one, over 36 00:01:46,720 --> 00:01:50,000 Speaker 1: hyping it. But I didn't have any other movie that 37 00:01:50,080 --> 00:01:52,840 Speaker 1: came close to the theater experience that I had for 38 00:01:52,880 --> 00:01:55,560 Speaker 1: Godzilla minus one, so I kept it there and I 39 00:01:55,600 --> 00:01:58,400 Speaker 1: am proud of it, and I have now rewatched it 40 00:01:58,640 --> 00:02:01,240 Speaker 1: on Netflix since it came out, and I still stand 41 00:02:01,280 --> 00:02:03,120 Speaker 1: by it. It is so good. I'll get into more 42 00:02:03,160 --> 00:02:05,720 Speaker 1: about why I love this movie, but I wanted to 43 00:02:05,760 --> 00:02:08,440 Speaker 1: share with you a total of five movies you can 44 00:02:08,480 --> 00:02:11,320 Speaker 1: now stream at home. All of these came out in 45 00:02:11,400 --> 00:02:14,880 Speaker 1: theaters within the last year, except for one. I decided 46 00:02:14,919 --> 00:02:18,959 Speaker 1: to include a documentary that I just watched. It's movie related, 47 00:02:19,280 --> 00:02:21,600 Speaker 1: and I don't really get a whole lot of chances 48 00:02:21,680 --> 00:02:24,679 Speaker 1: to talk about documentaries on this podcast, So that is 49 00:02:24,720 --> 00:02:27,440 Speaker 1: the only movie on this list that didn't actually come 50 00:02:27,440 --> 00:02:29,560 Speaker 1: out in theaters. But let's kick it off now with 51 00:02:29,720 --> 00:02:33,200 Speaker 1: number five. I'm going with American Fiction. This is another 52 00:02:33,280 --> 00:02:35,679 Speaker 1: movie that kind of slided through the cracks, coming out 53 00:02:35,720 --> 00:02:38,840 Speaker 1: in December of last year, but it stars Jeffrey Wright. 54 00:02:38,960 --> 00:02:43,080 Speaker 1: He plays this frustrated writer who has had a little 55 00:02:43,120 --> 00:02:46,560 Speaker 1: bit of success. He put out one book, became a 56 00:02:46,639 --> 00:02:51,799 Speaker 1: little bit famous in the book world, but has been 57 00:02:51,840 --> 00:02:55,000 Speaker 1: trying to find his next big hit. He is a 58 00:02:55,040 --> 00:02:58,080 Speaker 1: black author, and what he's struggling with is all the 59 00:02:58,120 --> 00:03:02,120 Speaker 1: publishers are looking for quote unquot black books by black authors, 60 00:03:02,480 --> 00:03:06,360 Speaker 1: looking for a very specific style, and he hates that 61 00:03:06,480 --> 00:03:10,080 Speaker 1: because he thinks anything that I write is a black book, 62 00:03:10,080 --> 00:03:11,959 Speaker 1: because that is who I get him, that is who 63 00:03:12,040 --> 00:03:15,640 Speaker 1: is making it. But they want more of the influence 64 00:03:15,680 --> 00:03:17,920 Speaker 1: and the identity to be put in the books that 65 00:03:18,040 --> 00:03:21,040 Speaker 1: are now kind of seeing success. They want more of that, 66 00:03:21,200 --> 00:03:24,880 Speaker 1: so he decides to write a book that is almost 67 00:03:24,919 --> 00:03:27,280 Speaker 1: a slap in the face to them. It kind of 68 00:03:27,320 --> 00:03:30,440 Speaker 1: reminds me of the Sarah Barrella song love Song, which 69 00:03:30,480 --> 00:03:34,040 Speaker 1: you hear that and you think it is telling somebody 70 00:03:34,200 --> 00:03:37,840 Speaker 1: that they either have a relationship with or was trying 71 00:03:37,840 --> 00:03:39,240 Speaker 1: to hook up with them, that I'm not going to 72 00:03:39,280 --> 00:03:42,280 Speaker 1: write you a love song, But that is actually her 73 00:03:42,360 --> 00:03:45,880 Speaker 1: telling her record label who wanted another love song from her, 74 00:03:45,920 --> 00:03:47,600 Speaker 1: that hey, I'm not going to write you a love song. 75 00:03:48,040 --> 00:03:50,040 Speaker 1: That is kind of what I feel like Jeffrey Wright's 76 00:03:50,120 --> 00:03:53,920 Speaker 1: character did in this movie, because he went and said, Okay, 77 00:03:53,960 --> 00:03:56,560 Speaker 1: this is what you want. You want a black book 78 00:03:56,560 --> 00:03:58,600 Speaker 1: by a black author. I'll give you that. I'm going 79 00:03:58,680 --> 00:04:01,000 Speaker 1: to turn everything up to a liv and make it 80 00:04:01,040 --> 00:04:03,920 Speaker 1: such a hyperbole and make it feel like it is 81 00:04:03,960 --> 00:04:08,000 Speaker 1: such a blatant joke and essentially spitting in your face. 82 00:04:08,480 --> 00:04:11,360 Speaker 1: This is gonna be terrible. Nobody's ever going to read it, 83 00:04:11,520 --> 00:04:14,800 Speaker 1: and it ends up being that book that they want 84 00:04:14,880 --> 00:04:17,599 Speaker 1: and turns him into the star that he has been 85 00:04:17,680 --> 00:04:21,440 Speaker 1: trying to be for his entire career. So that is 86 00:04:21,520 --> 00:04:24,520 Speaker 1: really what I thought was going to be the a story, 87 00:04:24,640 --> 00:04:29,239 Speaker 1: the main plotline of this entire movie, but underneath it 88 00:04:29,320 --> 00:04:32,880 Speaker 1: is really just the story about family and all of 89 00:04:32,920 --> 00:04:36,359 Speaker 1: the hardships that his family is going through, his sister, 90 00:04:37,000 --> 00:04:40,000 Speaker 1: his brother played by Sterling K. Brown, and his mom 91 00:04:40,040 --> 00:04:42,760 Speaker 1: who is suffering from dementia. And it was just this 92 00:04:42,880 --> 00:04:46,080 Speaker 1: really unexpected slice of life movie that had a lot 93 00:04:46,080 --> 00:04:49,760 Speaker 1: of humor, a lot of dark humor rooted in things 94 00:04:49,800 --> 00:04:53,719 Speaker 1: that are essentially just sad, and you have to laugh 95 00:04:53,839 --> 00:04:57,320 Speaker 1: at these situations otherwise you're going to cry. A lot 96 00:04:57,320 --> 00:05:00,719 Speaker 1: of raw emotion and really great performances and the style 97 00:05:00,800 --> 00:05:03,479 Speaker 1: in which this story was told, going back and forth 98 00:05:03,560 --> 00:05:06,920 Speaker 1: between the plot point of his book being successful and 99 00:05:07,040 --> 00:05:11,240 Speaker 1: him having to fake being this author that wrote this 100 00:05:11,360 --> 00:05:15,160 Speaker 1: book and changing his entire persona, to going back to 101 00:05:15,279 --> 00:05:18,400 Speaker 1: his family life and him trying to keep things normal 102 00:05:18,640 --> 00:05:21,680 Speaker 1: and running smoothly at home when that's just as chaotic 103 00:05:21,720 --> 00:05:24,640 Speaker 1: as his professional life. You also have Adam Brody in 104 00:05:24,720 --> 00:05:28,280 Speaker 1: this movie playing a ridiculous character, and it's a really 105 00:05:28,279 --> 00:05:34,800 Speaker 1: big commentary on hypocrisy and overall artist integrity of how 106 00:05:34,920 --> 00:05:38,039 Speaker 1: you can struggle to even hate the work you end 107 00:05:38,120 --> 00:05:41,320 Speaker 1: up producing, and sometimes it is the thing that you 108 00:05:41,400 --> 00:05:43,839 Speaker 1: are the least proud of that the most people grasp 109 00:05:43,920 --> 00:05:46,160 Speaker 1: onto and I feel like a lot of artists struggle 110 00:05:46,200 --> 00:05:48,560 Speaker 1: with that. So this is a movie I felt when 111 00:05:49,000 --> 00:05:51,240 Speaker 1: really under the radar. At the end of the year. 112 00:05:51,400 --> 00:05:55,840 Speaker 1: It was an OSCAR nominated film. Jeffrey Wright was nominated 113 00:05:55,880 --> 00:05:58,080 Speaker 1: for Best Actor. He didn't win, although I thought he 114 00:05:58,080 --> 00:06:00,839 Speaker 1: had a fantastic performance. That is why I put it 115 00:06:00,839 --> 00:06:03,039 Speaker 1: at number five on the list. Check it out on 116 00:06:03,200 --> 00:06:06,320 Speaker 1: Prime Video at number four. Is a movie you have 117 00:06:06,400 --> 00:06:08,799 Speaker 1: to rent, but I think if you love horror movies, 118 00:06:09,200 --> 00:06:11,599 Speaker 1: you're gonna enjoy. It's worth the money. It's six bucks 119 00:06:11,680 --> 00:06:14,800 Speaker 1: on Amazon, or if you have AMC Plus, which I 120 00:06:14,880 --> 00:06:17,680 Speaker 1: don't know anybody who has AMC Plus. Maybe if you 121 00:06:17,720 --> 00:06:20,640 Speaker 1: have Cable and you have the AMC channel, they give 122 00:06:20,680 --> 00:06:23,480 Speaker 1: you AMC Plus. Also, if you have Shutter, which is 123 00:06:23,520 --> 00:06:26,520 Speaker 1: a horror movie streaming service, you can watch it on 124 00:06:26,600 --> 00:06:29,280 Speaker 1: there too. It came out in theaters earlier this year. 125 00:06:29,400 --> 00:06:31,640 Speaker 1: It's called Late Night with the Devil. I actually tried 126 00:06:31,680 --> 00:06:33,800 Speaker 1: to go watch it in theaters, but they only had 127 00:06:34,000 --> 00:06:37,479 Speaker 1: really late night showings at the theaters here, so I 128 00:06:37,680 --> 00:06:39,760 Speaker 1: missed it in theaters, but I rented it at home, 129 00:06:40,040 --> 00:06:41,720 Speaker 1: and that is why I'm saying it is worth the 130 00:06:41,760 --> 00:06:44,200 Speaker 1: six dollars. What this movie is about. I just love 131 00:06:44,240 --> 00:06:46,400 Speaker 1: the format of the movie because it takes place in 132 00:06:46,480 --> 00:06:50,440 Speaker 1: nineteen seventy seven and it is a fictional late night 133 00:06:50,560 --> 00:06:54,720 Speaker 1: talk show and which you are watching. It's not a 134 00:06:54,760 --> 00:06:58,040 Speaker 1: full on found footage movie, but it goes back and 135 00:06:58,080 --> 00:07:01,719 Speaker 1: forth between the live TV broadcast and the behind the 136 00:07:01,760 --> 00:07:05,000 Speaker 1: scenes of what is happening throughout the show where all 137 00:07:05,080 --> 00:07:09,240 Speaker 1: these really evil events occur. You have people being possessed. 138 00:07:09,640 --> 00:07:13,080 Speaker 1: And the main character in this movie is a late 139 00:07:13,160 --> 00:07:16,440 Speaker 1: night TV host who is trying to get to number one, 140 00:07:16,520 --> 00:07:19,080 Speaker 1: but he just can't quite get there. But where you 141 00:07:19,120 --> 00:07:21,200 Speaker 1: find him at the start of this movie is he 142 00:07:21,360 --> 00:07:24,600 Speaker 1: just lost his wife and he is going through some 143 00:07:24,640 --> 00:07:28,120 Speaker 1: really hard times. His show has also tanked, so he 144 00:07:28,280 --> 00:07:31,720 Speaker 1: is way down there in the ratings, and he decides 145 00:07:31,760 --> 00:07:35,440 Speaker 1: to come back after losing his wife pretty soon after 146 00:07:35,480 --> 00:07:40,480 Speaker 1: that and do a Halloween broadcast. And what he wants 147 00:07:40,520 --> 00:07:44,160 Speaker 1: to do is how the most epic Halloween show ever 148 00:07:44,560 --> 00:07:48,080 Speaker 1: in order to boost ratings because it's happening during sweeps week, 149 00:07:48,440 --> 00:07:51,760 Speaker 1: which is so important for a TV show to crush 150 00:07:51,960 --> 00:07:54,640 Speaker 1: and to be able to keep their advertisers and to 151 00:07:54,640 --> 00:07:59,240 Speaker 1: get all those ratings and hopefully propel him into number one. 152 00:07:59,400 --> 00:08:04,480 Speaker 1: But hes a lot of unorthodox things to really captivate 153 00:08:04,520 --> 00:08:07,320 Speaker 1: people watching at home and also people in the audience. 154 00:08:07,440 --> 00:08:10,760 Speaker 1: So he brings a lot of people who can talk 155 00:08:10,840 --> 00:08:14,960 Speaker 1: to the dead, he brings somebody who claims to be possessed, 156 00:08:15,560 --> 00:08:19,840 Speaker 1: and underneath the entire story there's this really sinister vibe. 157 00:08:20,360 --> 00:08:23,440 Speaker 1: And I think the fact that it takes place in 158 00:08:23,560 --> 00:08:26,680 Speaker 1: the seventies and it has that old school feel to it. 159 00:08:26,840 --> 00:08:29,840 Speaker 1: They did a really good job making it feel like 160 00:08:29,920 --> 00:08:33,079 Speaker 1: that time period, and for some reason, Exorcism or any 161 00:08:33,160 --> 00:08:36,640 Speaker 1: kind of possession movie to me, probably because of the Exorcist, 162 00:08:37,120 --> 00:08:39,680 Speaker 1: just feels so much more sinister to me. But overall 163 00:08:39,720 --> 00:08:42,400 Speaker 1: of the movie is just really simple and well done. 164 00:08:42,760 --> 00:08:45,800 Speaker 1: The movie was made for a relatively low budget and 165 00:08:45,880 --> 00:08:48,720 Speaker 1: did pretty well at the box office, so has the 166 00:08:48,800 --> 00:08:51,960 Speaker 1: recipe for a really great horror movie. That is why 167 00:08:51,960 --> 00:08:53,880 Speaker 1: I put it at number four. Again. You can rent 168 00:08:53,920 --> 00:08:57,240 Speaker 1: that on Amazon for six bucks, which really isn't that bad. 169 00:08:57,320 --> 00:08:59,760 Speaker 1: I know a lot of the stream at home movies 170 00:08:59,760 --> 00:09:02,480 Speaker 1: tend to be twenty bucks. Whenever something just leaves theaters 171 00:09:02,600 --> 00:09:04,520 Speaker 1: so I felt really good about paying six bucks for 172 00:09:04,559 --> 00:09:08,720 Speaker 1: that one at number three on Max. This is the 173 00:09:09,040 --> 00:09:12,199 Speaker 1: non movie on the list, but I just watched it 174 00:09:12,520 --> 00:09:16,000 Speaker 1: and found it really fascinating. It is called Movie Pass 175 00:09:16,120 --> 00:09:20,240 Speaker 1: Movie Crash. It is a documentary on movie Pass, which, 176 00:09:20,320 --> 00:09:24,120 Speaker 1: if you remember, back in twenty sixteen, movie Pass took 177 00:09:24,160 --> 00:09:28,920 Speaker 1: the world by storm because you could go watch any movie, anytime, 178 00:09:29,240 --> 00:09:31,920 Speaker 1: any theater for the low price of nine to ninety 179 00:09:32,040 --> 00:09:37,280 Speaker 1: nine and for about maybe a year, people just went wild, 180 00:09:37,720 --> 00:09:42,200 Speaker 1: and myself, I did not get a movie Pass card. 181 00:09:42,240 --> 00:09:45,600 Speaker 1: And I will tell you why. I knew back in 182 00:09:45,640 --> 00:09:49,080 Speaker 1: twenty sixteen that this card was going to fail. It 183 00:09:49,200 --> 00:09:52,240 Speaker 1: did not seem sustainable to me because at that time 184 00:09:52,320 --> 00:09:55,000 Speaker 1: I already knew how the box office worked, how movies 185 00:09:55,040 --> 00:09:58,880 Speaker 1: make money, and for a company to be covering the 186 00:09:59,080 --> 00:10:04,920 Speaker 1: charge of a movie ticket losing money every single time 187 00:10:05,000 --> 00:10:08,000 Speaker 1: somebody used that because they're only paying ten bucks a month, 188 00:10:08,760 --> 00:10:12,200 Speaker 1: but that's even less than what a ticket costs. So 189 00:10:12,280 --> 00:10:16,560 Speaker 1: if you go watch just one movie a week, you're 190 00:10:16,640 --> 00:10:20,840 Speaker 1: losing like forty dollars thirty dollars on one person. And 191 00:10:20,880 --> 00:10:23,680 Speaker 1: that is not even what people were doing. People were 192 00:10:23,720 --> 00:10:29,079 Speaker 1: going to multiple movies in a day. In this documentary, 193 00:10:29,120 --> 00:10:32,080 Speaker 1: they talk all about how this company was created by 194 00:10:32,720 --> 00:10:35,559 Speaker 1: two entirely different people who ended up running it into 195 00:10:35,640 --> 00:10:38,720 Speaker 1: the ground, which is the part I had no idea 196 00:10:38,760 --> 00:10:41,160 Speaker 1: about Movie Past. It was created by these two people 197 00:10:41,880 --> 00:10:43,679 Speaker 1: who were just trying to keep it small. When it 198 00:10:43,720 --> 00:10:46,400 Speaker 1: first came out it was forty bucks. But then you 199 00:10:46,480 --> 00:10:49,200 Speaker 1: have these two other dudes who are essentially scam artists, 200 00:10:49,240 --> 00:10:52,280 Speaker 1: take over the company and run everything they built in 201 00:10:52,320 --> 00:10:54,760 Speaker 1: ten years and to the ground. And that's really all 202 00:10:54,800 --> 00:10:58,479 Speaker 1: I'll say, because I learned a lot by watching this documentary, 203 00:10:58,760 --> 00:11:01,480 Speaker 1: But it's all the shady things that these two guys 204 00:11:01,520 --> 00:11:05,120 Speaker 1: who took over the company did. And I'll just speak 205 00:11:05,280 --> 00:11:09,240 Speaker 1: on the effects of Movie Pass and how many movies 206 00:11:09,280 --> 00:11:12,440 Speaker 1: were affected by more people being able to see them, 207 00:11:12,679 --> 00:11:15,920 Speaker 1: because when you give people that price of ten dollars 208 00:11:16,320 --> 00:11:18,920 Speaker 1: to watch as many movies as you want, I think 209 00:11:18,920 --> 00:11:21,320 Speaker 1: it was so great for movies then because you had 210 00:11:21,360 --> 00:11:24,400 Speaker 1: people going to see things that they never would have 211 00:11:24,520 --> 00:11:29,080 Speaker 1: watched otherwise. You had people saying in this documentary that 212 00:11:29,160 --> 00:11:32,679 Speaker 1: they would go watch The Avengers, watch half of it, 213 00:11:32,840 --> 00:11:35,360 Speaker 1: leave and try to just come back the next day 214 00:11:35,480 --> 00:11:38,360 Speaker 1: or later in the day and pick it up halfway through. 215 00:11:38,520 --> 00:11:41,760 Speaker 1: I have never thought about doing that. For the theater 216 00:11:41,920 --> 00:11:44,959 Speaker 1: experience to be that cheap where you could just make 217 00:11:45,040 --> 00:11:47,199 Speaker 1: your own schedule on how you want to start and 218 00:11:47,240 --> 00:11:49,760 Speaker 1: finish your movie. That would be great for me if 219 00:11:49,760 --> 00:11:51,600 Speaker 1: I could just go in the week to watch forty 220 00:11:51,640 --> 00:11:53,600 Speaker 1: five minutes of a movie, and then later go watch 221 00:11:53,640 --> 00:11:56,640 Speaker 1: another forty five minutes and then go wrap it up later. 222 00:11:56,880 --> 00:12:00,280 Speaker 1: It is essentially your own personal theater at that point. 223 00:12:00,440 --> 00:12:03,720 Speaker 1: But I knew back when everybody was talking about Movie 224 00:12:03,720 --> 00:12:06,680 Speaker 1: Pass that there's no way it was going to last. 225 00:12:07,240 --> 00:12:11,079 Speaker 1: And if I had a ten dollars a month movie subscription, 226 00:12:11,559 --> 00:12:13,400 Speaker 1: then had it taken away from me to go back 227 00:12:13,440 --> 00:12:16,440 Speaker 1: and paying full price, I feel like that would have 228 00:12:16,559 --> 00:12:19,800 Speaker 1: hurt my feelings on movies because I hate going from 229 00:12:19,800 --> 00:12:21,800 Speaker 1: getting a great deal to going back and having to 230 00:12:21,800 --> 00:12:24,160 Speaker 1: pay full price. So that's why I never did it. 231 00:12:24,440 --> 00:12:26,880 Speaker 1: And since then you've maybe seen some stories here and 232 00:12:26,880 --> 00:12:30,480 Speaker 1: there a movie past returning. I don't think that model 233 00:12:31,000 --> 00:12:34,640 Speaker 1: for ten dollars a month will ever happen. It's just 234 00:12:34,679 --> 00:12:38,959 Speaker 1: not sustainable for anybody. I think we're better off the 235 00:12:38,960 --> 00:12:42,280 Speaker 1: theaters themselves having their own subscription planes like I have 236 00:12:42,400 --> 00:12:45,160 Speaker 1: Regal Unlimited. I love that, and it is a much 237 00:12:45,200 --> 00:12:50,800 Speaker 1: more fair price, and it's also not as crazy as 238 00:12:51,040 --> 00:12:54,040 Speaker 1: you basically being able to run wild in the theater 239 00:12:54,240 --> 00:12:56,920 Speaker 1: like Movie Pass allowed you to be. But I do 240 00:12:56,960 --> 00:12:59,960 Speaker 1: think it's kind of interesting to go back and look 241 00:13:00,120 --> 00:13:03,000 Speaker 1: get all the movies that benefited from that time. But 242 00:13:03,360 --> 00:13:05,880 Speaker 1: if you want to have your mind blown and you 243 00:13:05,960 --> 00:13:09,120 Speaker 1: love movies, which obviously because you listen to this podcast, 244 00:13:09,200 --> 00:13:12,880 Speaker 1: you do, check out Movie Past Movie Crash on Max. 245 00:13:12,920 --> 00:13:15,839 Speaker 1: I have that one at number three, also on Max 246 00:13:16,000 --> 00:13:18,440 Speaker 1: at number two. I know I've talked about it a 247 00:13:18,480 --> 00:13:21,800 Speaker 1: fair amount on the podcast, but for anybody new here 248 00:13:22,440 --> 00:13:24,400 Speaker 1: or anybody who hasn't heard me go on and on 249 00:13:24,480 --> 00:13:26,920 Speaker 1: about The Iron Claw, this is the movie that I 250 00:13:27,000 --> 00:13:29,960 Speaker 1: recommend to anybody. The number one question I get when 251 00:13:30,040 --> 00:13:32,560 Speaker 1: I either see people I haven't seen in a while, 252 00:13:32,840 --> 00:13:35,640 Speaker 1: or I just meet somebody who doesn't know what I 253 00:13:35,720 --> 00:13:37,960 Speaker 1: do and I tell them I have a movie podcast. 254 00:13:37,960 --> 00:13:39,960 Speaker 1: They always ask me what do I watch? What do 255 00:13:40,000 --> 00:13:42,640 Speaker 1: you recommend? My go to answer right now is The 256 00:13:42,679 --> 00:13:46,160 Speaker 1: Iron Claw, because I think even though it is a 257 00:13:46,200 --> 00:13:49,680 Speaker 1: sports based movie, it's the story of the Van Eric brothers, 258 00:13:49,960 --> 00:13:54,599 Speaker 1: their tragic story, all about their rise and fall in wrestling. 259 00:13:55,120 --> 00:13:58,240 Speaker 1: I don't think you have to enjoy sports movies. I 260 00:13:58,320 --> 00:14:01,880 Speaker 1: really think the only pre equisite to enjoy the Iron 261 00:14:01,880 --> 00:14:04,800 Speaker 1: Claw is do you like to feel feelings? And for me, 262 00:14:04,880 --> 00:14:07,880 Speaker 1: when I go into a movie, more so than the 263 00:14:07,960 --> 00:14:12,760 Speaker 1: special effects, more so than the actor in it, any 264 00:14:12,800 --> 00:14:16,640 Speaker 1: other bells and whistles, cinematography, that all goes out the window, 265 00:14:16,880 --> 00:14:20,400 Speaker 1: the thing I look for and really movies, music, or 266 00:14:20,440 --> 00:14:24,320 Speaker 1: anything reading something is the emotion. I want to feel 267 00:14:24,320 --> 00:14:29,760 Speaker 1: something while watching a movie, happiness, sadness, and sometimes for me, 268 00:14:30,280 --> 00:14:33,400 Speaker 1: I searched that sadness my music taste, my movie taste. 269 00:14:33,440 --> 00:14:35,920 Speaker 1: I love sad movies just because I think in my 270 00:14:35,960 --> 00:14:38,800 Speaker 1: real life it is hard for me to feel sad. 271 00:14:38,840 --> 00:14:42,680 Speaker 1: Sometimes it's like my body can't process that emotion. Sometimes 272 00:14:42,720 --> 00:14:44,440 Speaker 1: I feel like a robot, like my heart is made 273 00:14:44,480 --> 00:14:47,640 Speaker 1: of stone. But whenever I watch a really good movie 274 00:14:47,720 --> 00:14:49,680 Speaker 1: that hits me right in the fields, that makes me 275 00:14:50,280 --> 00:14:53,920 Speaker 1: like this movie did cry, that is powerful. So that 276 00:14:54,040 --> 00:14:56,800 Speaker 1: is why I'm recommending this movie to everybody, and so 277 00:14:56,920 --> 00:15:00,320 Speaker 1: far everybody that is reported back without knowing a whole 278 00:15:00,360 --> 00:15:03,160 Speaker 1: lot going into it, said, man, that was really sad. 279 00:15:04,040 --> 00:15:08,720 Speaker 1: So I don't do that to inherently recommend something that 280 00:15:08,840 --> 00:15:12,920 Speaker 1: is so sad and a bummer, but because it's based 281 00:15:12,920 --> 00:15:15,680 Speaker 1: on a true story, because you do learn but also 282 00:15:15,760 --> 00:15:18,200 Speaker 1: feel something by the end of this movie. That is 283 00:15:18,240 --> 00:15:21,440 Speaker 1: why it's been That is why, as of late, since 284 00:15:21,440 --> 00:15:23,440 Speaker 1: it was added to MAX, has been my go to 285 00:15:23,600 --> 00:15:26,920 Speaker 1: recommendation for people. It is also a movie I feel 286 00:15:27,040 --> 00:15:30,000 Speaker 1: was really ripped off not being nominated for Best Picture. 287 00:15:30,200 --> 00:15:33,240 Speaker 1: I think it should have won. Zach Effron, not even 288 00:15:33,280 --> 00:15:37,080 Speaker 1: a single nod or anything for this movie, I feel 289 00:15:37,080 --> 00:15:40,400 Speaker 1: like more people need to see it because the reason 290 00:15:40,480 --> 00:15:43,400 Speaker 1: I like movies to win awards is because when people 291 00:15:43,440 --> 00:15:46,680 Speaker 1: go back like I do and look at the history 292 00:15:46,680 --> 00:15:50,680 Speaker 1: of what was nominated and what won over different years, 293 00:15:51,640 --> 00:15:54,920 Speaker 1: this movie isn't going to be on those lists for 294 00:15:54,960 --> 00:15:57,480 Speaker 1: twenty twenty three, and I think it should be. So 295 00:15:58,240 --> 00:16:01,360 Speaker 1: I think you have to the fact that it didn't 296 00:16:01,400 --> 00:16:04,840 Speaker 1: win all the awards, didn't get all the glory, but 297 00:16:04,960 --> 00:16:07,720 Speaker 1: hopefully by people watching it now that it's available to 298 00:16:07,760 --> 00:16:11,720 Speaker 1: stream at home, more people will see it. The legacy 299 00:16:11,720 --> 00:16:14,440 Speaker 1: of the von Eric Brothers will live on and we'll 300 00:16:14,440 --> 00:16:17,240 Speaker 1: all get to see a really ripped up Zach Efron. 301 00:16:17,280 --> 00:16:19,840 Speaker 1: So I have the iron claw at number two. At 302 00:16:20,000 --> 00:16:21,880 Speaker 1: number one, you knew what it was going to be 303 00:16:22,400 --> 00:16:26,680 Speaker 1: now on Netflix Godzilla minus one. When this movie first 304 00:16:26,720 --> 00:16:29,040 Speaker 1: came out in theaters, I knew it was going to 305 00:16:29,080 --> 00:16:33,520 Speaker 1: be good because whenever Godzilla goes back in the hands 306 00:16:33,520 --> 00:16:36,680 Speaker 1: of the people who created the character, if a Japanese 307 00:16:36,680 --> 00:16:39,640 Speaker 1: studio attached to it, that is who is going to 308 00:16:39,760 --> 00:16:43,280 Speaker 1: do Godzilla justice. And I feel like it's also just 309 00:16:43,320 --> 00:16:47,960 Speaker 1: so refreshing to watch a Japanese style of storytelling that 310 00:16:48,040 --> 00:16:51,400 Speaker 1: is different from the American style of storytelling when it 311 00:16:51,400 --> 00:16:54,600 Speaker 1: comes to Godzilla, because there are polar opposites here. You 312 00:16:54,720 --> 00:16:57,360 Speaker 1: have the American version who is teaming up with King 313 00:16:57,440 --> 00:17:01,480 Speaker 1: Kong right now running a muck. It's a cgi mess, 314 00:17:01,960 --> 00:17:06,720 Speaker 1: really big dumb action, which is enjoyable. I like those 315 00:17:06,760 --> 00:17:09,040 Speaker 1: movies for what they are, but again, you're not going 316 00:17:09,080 --> 00:17:12,840 Speaker 1: to go in there and see the most stop provoking, 317 00:17:12,920 --> 00:17:17,000 Speaker 1: the most character driven. It is a popcorn movie, which 318 00:17:17,040 --> 00:17:19,159 Speaker 1: every now and then you just need a movie like that. 319 00:17:19,480 --> 00:17:22,480 Speaker 1: Some people enjoy their Godzilla like that. You also have 320 00:17:22,600 --> 00:17:25,040 Speaker 1: the kind of in between, which would be Monarch, the 321 00:17:25,119 --> 00:17:29,360 Speaker 1: TV show on Apple TV Plus, which is still Americanized 322 00:17:29,520 --> 00:17:32,359 Speaker 1: but has a little bit more of a story. You 323 00:17:32,520 --> 00:17:37,119 Speaker 1: have a little bit more emotional depth, but still a 324 00:17:37,160 --> 00:17:39,920 Speaker 1: lot of the focus is waiting for those big action 325 00:17:40,080 --> 00:17:43,240 Speaker 1: scenes with the big monsters in that On the complete 326 00:17:43,280 --> 00:17:46,680 Speaker 1: opposite end is where I would put Gonzilla minus one, 327 00:17:47,280 --> 00:17:50,800 Speaker 1: which is so much more character and story driven. It 328 00:17:50,880 --> 00:17:57,000 Speaker 1: is about Japan after World War Two. It's in just disarray. 329 00:17:57,320 --> 00:18:00,760 Speaker 1: The city of Tokyo is in shambles. The reason it's 330 00:18:00,800 --> 00:18:05,040 Speaker 1: called Godzilla minus one is because Japan's ground zero after 331 00:18:05,080 --> 00:18:08,840 Speaker 1: World War Two, and then you have Godzilla rearing his 332 00:18:09,160 --> 00:18:12,480 Speaker 1: ugly head and taking them from ground zero to a 333 00:18:12,520 --> 00:18:15,879 Speaker 1: step below that, so it is Godzilla minus one. It 334 00:18:15,920 --> 00:18:18,920 Speaker 1: follows the story of a failed Kama Kazi pilot who 335 00:18:18,920 --> 00:18:21,399 Speaker 1: at the beginning of the movie goes and stops at 336 00:18:21,400 --> 00:18:23,960 Speaker 1: this base where you're supposed to go if you're experiencing 337 00:18:24,000 --> 00:18:26,560 Speaker 1: problems with your plane. They check out his plane and 338 00:18:26,560 --> 00:18:29,840 Speaker 1: they realize, hey, there's nothing wrong with your plane. We 339 00:18:29,960 --> 00:18:31,760 Speaker 1: think you were just trying to get out of the war. 340 00:18:31,800 --> 00:18:34,040 Speaker 1: And right in that moment you see Godzilla make his 341 00:18:34,119 --> 00:18:37,479 Speaker 1: first appearance, and throughout the entire movie it follows this 342 00:18:37,560 --> 00:18:42,399 Speaker 1: fail Kama Kazi pilot who keeps encountering Godzilla, and it 343 00:18:42,480 --> 00:18:46,480 Speaker 1: is his struggle of wanting to fight but also wanting 344 00:18:46,520 --> 00:18:50,840 Speaker 1: to live, but also has PTSD from the war, but 345 00:18:51,000 --> 00:18:54,080 Speaker 1: now he is trying to find a way to redeem himself, 346 00:18:54,400 --> 00:18:57,120 Speaker 1: and that is what the entire story really is about. 347 00:18:57,200 --> 00:19:00,800 Speaker 1: And whenever I popped it on on Netflix, was so excited. 348 00:19:00,880 --> 00:19:04,879 Speaker 1: It's surprise dropped at midnight one Friday night, so I 349 00:19:04,920 --> 00:19:09,000 Speaker 1: watched it Saturday morning, right as I saw hit Click 350 00:19:09,040 --> 00:19:12,200 Speaker 1: on Netflix. So in its original form that I watch 351 00:19:12,280 --> 00:19:16,200 Speaker 1: it in theaters, you have Japanese actors speaking in Japanese. 352 00:19:16,280 --> 00:19:20,679 Speaker 1: When Netflix did on default was switch their dialogue and 353 00:19:20,840 --> 00:19:26,000 Speaker 1: just have somebody speaking an American overdubbed. And I tried 354 00:19:26,040 --> 00:19:27,920 Speaker 1: to watch it for ten minutes just to see the 355 00:19:27,920 --> 00:19:30,480 Speaker 1: difference because I had already seen it in Japanese with subtitles, 356 00:19:30,800 --> 00:19:33,199 Speaker 1: and I found that it took the emotion out of 357 00:19:33,359 --> 00:19:37,680 Speaker 1: all of it because there really wasn't any inflection on 358 00:19:38,440 --> 00:19:41,760 Speaker 1: any of the speaking lines, and it just felt like 359 00:19:41,760 --> 00:19:44,919 Speaker 1: there was somebody in a room with the script reading 360 00:19:44,960 --> 00:19:47,040 Speaker 1: it line for line, just like you would like this, 361 00:19:47,840 --> 00:19:50,200 Speaker 1: So you don't really get that emotion, you don't get 362 00:19:50,200 --> 00:19:55,840 Speaker 1: that inflection, you don't get the real actors interactions and exchanges. 363 00:19:56,240 --> 00:20:00,000 Speaker 1: You really just get somebody in a booth over dubble 364 00:20:00,240 --> 00:20:02,480 Speaker 1: it with English for the sake of you being able 365 00:20:02,520 --> 00:20:06,280 Speaker 1: to understand it. So I highly encourage you when you 366 00:20:06,320 --> 00:20:10,199 Speaker 1: go watch this to watch it with the Japanese audio 367 00:20:10,720 --> 00:20:13,679 Speaker 1: and American English subtitles. I think you will get so 368 00:20:13,800 --> 00:20:15,640 Speaker 1: much out of it. And I get some people have 369 00:20:16,320 --> 00:20:19,760 Speaker 1: problems watching movies in another language. I get it. I 370 00:20:19,800 --> 00:20:23,440 Speaker 1: think I was like that maybe even just ten years ago. 371 00:20:23,720 --> 00:20:28,479 Speaker 1: The movie that really obliterated my entire hesitancy with that 372 00:20:28,680 --> 00:20:31,760 Speaker 1: was Parasite. So now I'm all about it, and I 373 00:20:31,800 --> 00:20:33,840 Speaker 1: think I'm also in a place where I just want 374 00:20:34,160 --> 00:20:36,480 Speaker 1: to watch a movie the way it was intended to 375 00:20:36,560 --> 00:20:40,040 Speaker 1: be seen, and I'll adapt myself so I can learn. 376 00:20:40,320 --> 00:20:43,439 Speaker 1: And I just feel like there's so much more emphasis 377 00:20:43,480 --> 00:20:47,240 Speaker 1: on everything, and the performances are done so well that 378 00:20:47,359 --> 00:20:49,600 Speaker 1: you just pick up on it even though you don't 379 00:20:49,640 --> 00:20:53,280 Speaker 1: know the language. You get it more with their facial 380 00:20:53,320 --> 00:20:57,000 Speaker 1: expressions and the inflections on their voices. So I know 381 00:20:57,080 --> 00:20:59,320 Speaker 1: it may be weird if you're not used to watching 382 00:20:59,359 --> 00:21:02,240 Speaker 1: movies like that, just give it a chance. I think 383 00:21:02,280 --> 00:21:05,320 Speaker 1: this movie is worth it. There is a reason that 384 00:21:05,440 --> 00:21:07,760 Speaker 1: I don't really hand out A whole lot of five 385 00:21:07,760 --> 00:21:11,280 Speaker 1: out of fives has to be that good. That is 386 00:21:11,320 --> 00:21:14,879 Speaker 1: why I put Godzilla minus one at number one. So 387 00:21:15,000 --> 00:21:17,240 Speaker 1: happy that it's now on Netflix. I do have some 388 00:21:17,400 --> 00:21:20,919 Speaker 1: honorable mentions. Again, this entire list was all movies that 389 00:21:21,000 --> 00:21:24,320 Speaker 1: came out in the last year. One movie I wanted 390 00:21:24,359 --> 00:21:28,200 Speaker 1: to mention because I've entered in the dragon Ball phase 391 00:21:28,400 --> 00:21:32,240 Speaker 1: of my recapturing moments of my childhood, which I was 392 00:21:32,280 --> 00:21:34,400 Speaker 1: a really big dragon Ball the fan back in the day. 393 00:21:34,400 --> 00:21:37,200 Speaker 1: I used to watch it with my cousins in Mexico 394 00:21:37,359 --> 00:21:40,360 Speaker 1: in Spanish and have been dipping my toes back into 395 00:21:40,440 --> 00:21:42,840 Speaker 1: the series. But there are so many episodes, so I 396 00:21:42,840 --> 00:21:46,240 Speaker 1: find myself gravitating towards the movies. The one I would 397 00:21:46,240 --> 00:21:49,040 Speaker 1: recommend is one you actually have to pay for, dragon 398 00:21:49,040 --> 00:21:52,080 Speaker 1: Ball Super Superhero, which was the first one I went 399 00:21:52,119 --> 00:21:54,919 Speaker 1: and watched and completely loved it. It's almost a dragon 400 00:21:54,960 --> 00:21:59,680 Speaker 1: Ball z take on a traditional superhero story. I thought 401 00:21:59,680 --> 00:22:01,560 Speaker 1: that would was fantastic, but I think you have to 402 00:22:01,560 --> 00:22:04,240 Speaker 1: pay at least three bucks to rent it. But Hulu 403 00:22:04,400 --> 00:22:07,920 Speaker 1: did just add dragon Ball Super roy which came out 404 00:22:07,960 --> 00:22:10,680 Speaker 1: back in twenty eighteen. This movie is kind of along 405 00:22:10,720 --> 00:22:14,320 Speaker 1: those same lines. I just like the emotion in Dragonball 406 00:22:14,480 --> 00:22:17,080 Speaker 1: Z of just like this feeling of having all this 407 00:22:17,200 --> 00:22:20,280 Speaker 1: pent up anger and then go full super Saiyan, just 408 00:22:20,359 --> 00:22:23,080 Speaker 1: unleashing all your power. I also love the way they 409 00:22:23,119 --> 00:22:28,359 Speaker 1: incorporate comedy so effortlessly, which I remember that as a kid, 410 00:22:28,440 --> 00:22:31,119 Speaker 1: but now watching it as an adult, the comedy in 411 00:22:31,320 --> 00:22:34,920 Speaker 1: Dragon Ball is just next level. Another movie I would recommend, 412 00:22:34,920 --> 00:22:37,120 Speaker 1: which is now on Hulu that we watched in theaters, 413 00:22:37,520 --> 00:22:40,160 Speaker 1: was Ferrari. Because this is a movie that was an 414 00:22:40,240 --> 00:22:42,680 Speaker 1: okay watch in theaters, but I told myself, I want 415 00:22:42,720 --> 00:22:44,879 Speaker 1: to watch this at home, I probably would have enjoyed 416 00:22:44,920 --> 00:22:49,320 Speaker 1: it more. It's about the inventor of the Ferrari and 417 00:22:49,359 --> 00:22:54,320 Speaker 1: how that car was entirely embodied in race culture, and 418 00:22:54,359 --> 00:22:58,160 Speaker 1: really the primary reason that he even had a company 419 00:22:58,240 --> 00:23:01,199 Speaker 1: it was really to be able to to go and 420 00:23:01,320 --> 00:23:05,679 Speaker 1: race cars, win and be able to sell Ferraris to 421 00:23:05,960 --> 00:23:08,520 Speaker 1: the average person, which you're an average person. I don't 422 00:23:08,520 --> 00:23:11,040 Speaker 1: think you're buying a Ferrari, but a pretty good Adam 423 00:23:11,160 --> 00:23:15,040 Speaker 1: Driver performance wasn't one I really recommended to see in theaters, 424 00:23:15,080 --> 00:23:16,960 Speaker 1: But now that it's available at home to check out 425 00:23:16,960 --> 00:23:19,680 Speaker 1: on Hulu if you like. I mean, not a whole 426 00:23:19,680 --> 00:23:21,879 Speaker 1: lot of people really know a whole lot about Ferrari. 427 00:23:22,359 --> 00:23:26,040 Speaker 1: But if you like biographical dramas with a hint of racing, 428 00:23:26,600 --> 00:23:29,320 Speaker 1: that it's a pretty good watch. Also on Hulu. If 429 00:23:29,320 --> 00:23:32,399 Speaker 1: you never saw Poor Things with Emma Stone, it is 430 00:23:32,440 --> 00:23:35,520 Speaker 1: really weird, a lot of nudity, but I find myself 431 00:23:35,560 --> 00:23:39,960 Speaker 1: really gravitating now towards director Yorgos Lantimos. I'm also excited 432 00:23:39,960 --> 00:23:43,760 Speaker 1: to see his new movie later this year. So this 433 00:23:43,840 --> 00:23:46,359 Speaker 1: is a movie. If you don't enjoy after about twenty 434 00:23:46,400 --> 00:23:49,359 Speaker 1: twenty five minutes, you're probably not going to enjoy the 435 00:23:49,400 --> 00:23:51,800 Speaker 1: rest of the movie. So now that it's available to 436 00:23:51,840 --> 00:23:54,800 Speaker 1: watch on Hulu, give it that first twenty minutes, and 437 00:23:54,880 --> 00:23:58,440 Speaker 1: if you're completely repulsed or think it's garbage, just turn 438 00:23:58,480 --> 00:24:02,040 Speaker 1: it off. And there are surprisingly a lot of good 439 00:24:02,080 --> 00:24:05,040 Speaker 1: movies on Prime. The Boys in the Boat, which we'll 440 00:24:05,040 --> 00:24:07,520 Speaker 1: get into a little bit here during the movie review, 441 00:24:08,000 --> 00:24:12,280 Speaker 1: was a really great inspirational sports drama about a sport 442 00:24:12,359 --> 00:24:14,360 Speaker 1: I didn't really know I cared about, or was that 443 00:24:14,400 --> 00:24:18,480 Speaker 1: interesting rowing on Prime, you also have The Holdovers, which 444 00:24:18,640 --> 00:24:23,399 Speaker 1: was really heartwarming and moving movie that I saw last year. 445 00:24:23,960 --> 00:24:27,040 Speaker 1: Even though the movie is rooted in Christmas. It's not 446 00:24:27,080 --> 00:24:29,119 Speaker 1: a Christmas movie, so I think you would be okay 447 00:24:29,200 --> 00:24:31,280 Speaker 1: watching it now if you didn't have a chance to 448 00:24:31,320 --> 00:24:33,720 Speaker 1: watch it in theaters last year. You also had one 449 00:24:33,720 --> 00:24:36,600 Speaker 1: of my favorite comedies that came out in twenty twenty 450 00:24:36,600 --> 00:24:40,000 Speaker 1: three now on Prime bottoms, And i'd also put Asteroid 451 00:24:40,119 --> 00:24:42,760 Speaker 1: City on the list, which was from one of my 452 00:24:42,760 --> 00:24:46,600 Speaker 1: favorite directors, Wes Anderson. Again, I don't think Wes Anderson 453 00:24:46,640 --> 00:24:51,320 Speaker 1: movies are for everybody, and this movie is quintessential Wes Anderson, 454 00:24:51,680 --> 00:24:55,919 Speaker 1: very kooky, very odd, a lot of dead pan comedies, 455 00:24:55,960 --> 00:24:59,080 Speaker 1: so much like I said about Poor Things, if you 456 00:24:59,080 --> 00:25:02,359 Speaker 1: don't enjoy this movie after about twenty minutes, just shut 457 00:25:02,400 --> 00:25:05,479 Speaker 1: it off for you probably wouldn't get any better. And 458 00:25:05,520 --> 00:25:08,360 Speaker 1: that's that type of movie that I really wouldn't recommend 459 00:25:08,400 --> 00:25:10,880 Speaker 1: going to see in theaters unless, like me, you are 460 00:25:10,920 --> 00:25:14,200 Speaker 1: a huge Wes Anderson fan. But if you're just curious 461 00:25:14,400 --> 00:25:16,960 Speaker 1: wanting to dip your toes in it, check out about 462 00:25:16,960 --> 00:25:19,080 Speaker 1: twenty minutes of the movie. If it's still not your thing, 463 00:25:19,240 --> 00:25:22,639 Speaker 1: it's okay. It's also just beautifully shot, so if you 464 00:25:22,800 --> 00:25:26,160 Speaker 1: just like watching scenes that are just so well framed 465 00:25:26,240 --> 00:25:30,439 Speaker 1: and colored, so perfectly. Asteroid City might just be the 466 00:25:30,440 --> 00:25:33,080 Speaker 1: movie for you. So those are my top five movies 467 00:25:33,119 --> 00:25:35,800 Speaker 1: you can stream at home right now with some honorable mentions. 468 00:25:36,080 --> 00:25:38,200 Speaker 1: We'll come back and talk about Young Women in the 469 00:25:38,240 --> 00:25:41,439 Speaker 1: Sea starring Daisy Really Kelsey will hop in for that review. 470 00:25:48,680 --> 00:25:50,560 Speaker 1: I never know what to do with my hand. Let's 471 00:25:50,560 --> 00:25:54,000 Speaker 1: get into a spoiler free movie review of Young Women 472 00:25:54,080 --> 00:25:57,680 Speaker 1: in the Sea. I have not been this inspired by 473 00:25:57,680 --> 00:25:59,359 Speaker 1: a movie that we went to go see in theaters 474 00:25:59,359 --> 00:26:00,440 Speaker 1: and they really like time. 475 00:26:00,600 --> 00:26:01,560 Speaker 3: I should have read the book. 476 00:26:01,960 --> 00:26:04,160 Speaker 1: Oh yeah, it's so unlike you. Not well, I guess 477 00:26:04,560 --> 00:26:06,360 Speaker 1: I really know a whole lot about this story. 478 00:26:06,680 --> 00:26:08,119 Speaker 3: We just went to see it because it was I 479 00:26:08,160 --> 00:26:09,919 Speaker 3: was like, Oh, a movie we haven't seen on a 480 00:26:09,920 --> 00:26:10,520 Speaker 3: Friday night. 481 00:26:10,720 --> 00:26:14,000 Speaker 1: We love Daisy Ridley. I kind of forgot that it 482 00:26:14,040 --> 00:26:16,320 Speaker 1: was a Disney movie going into it, but right when 483 00:26:16,359 --> 00:26:19,040 Speaker 1: you walked in and you see the Disney logo, you're like, oh, 484 00:26:19,040 --> 00:26:20,639 Speaker 1: we're about to be in for one of those types 485 00:26:20,680 --> 00:26:23,240 Speaker 1: of movies. And it reminded me that when it comes 486 00:26:23,320 --> 00:26:27,040 Speaker 1: to inspirational sports movies, Disney does it the best. They 487 00:26:27,080 --> 00:26:29,600 Speaker 1: really don't make them all that often anymore. 488 00:26:29,760 --> 00:26:32,040 Speaker 3: They didn't do the boys in the Boat. No Clooney 489 00:26:32,119 --> 00:26:34,760 Speaker 3: did that though. Yeah, so Clooney does a good inspirational 490 00:26:34,760 --> 00:26:35,439 Speaker 3: sports movie. 491 00:26:35,480 --> 00:26:38,920 Speaker 1: This movie kind of feels in a way like Boys 492 00:26:38,960 --> 00:26:41,080 Speaker 1: in the Boat was, so I thought a little bit similar, 493 00:26:41,080 --> 00:26:43,399 Speaker 1: maybe because they're both in water the time period. Although 494 00:26:43,440 --> 00:26:45,800 Speaker 1: that one was in World War Two, this one takes 495 00:26:45,840 --> 00:26:49,280 Speaker 1: place in the nineteen twenties, so it just has that 496 00:26:49,359 --> 00:26:51,840 Speaker 1: similar type of vibe. But what this movie is about 497 00:26:52,320 --> 00:26:56,119 Speaker 1: Trudy Itterly or her real name, Gertrude Italy, which you 498 00:26:56,119 --> 00:26:58,560 Speaker 1: don't really hear a lot of people named Gertrude anymore. 499 00:26:58,560 --> 00:27:00,320 Speaker 1: And I was hoping this movie would come out and 500 00:27:00,359 --> 00:27:02,879 Speaker 1: people would be so inspired to name their kids Gertrude. 501 00:27:03,160 --> 00:27:05,840 Speaker 1: Did you imagine a baby now named Gertrude? 502 00:27:05,840 --> 00:27:08,520 Speaker 3: Imagine if you had a kid Gertrude, Rodriguez. 503 00:27:07,920 --> 00:27:11,840 Speaker 1: Gertrude, get over here. Gertrude with the knipepad just doesn't 504 00:27:11,880 --> 00:27:16,119 Speaker 1: really flow together. But her story is I feel like 505 00:27:16,160 --> 00:27:18,199 Speaker 1: it's a little bit of a spoiler because in the 506 00:27:18,280 --> 00:27:19,679 Speaker 1: description of the movies it's. 507 00:27:19,520 --> 00:27:20,960 Speaker 3: Not a spoiler, it's based on a true story. 508 00:27:21,000 --> 00:27:23,040 Speaker 1: Because I feel that if you go watch something that 509 00:27:23,119 --> 00:27:25,359 Speaker 1: you have no idea about, you have to kind of 510 00:27:25,400 --> 00:27:27,679 Speaker 1: present it the same way you would any type of movie. 511 00:27:27,920 --> 00:27:30,520 Speaker 1: But the literal description of this movie is Trudy Utterly 512 00:27:30,920 --> 00:27:34,679 Speaker 1: overcomes adversity and she becomes the first woman to complete 513 00:27:34,720 --> 00:27:37,760 Speaker 1: the twenty mile track from France to England aka the 514 00:27:37,760 --> 00:27:40,720 Speaker 1: English Channel. So in the description of the movie, you 515 00:27:40,800 --> 00:27:43,480 Speaker 1: know what it's about. But here's how I feel about 516 00:27:43,520 --> 00:27:46,600 Speaker 1: these types of spoilers. In particular, if they give it away, 517 00:27:46,760 --> 00:27:47,959 Speaker 1: it's okay to talk about it. 518 00:27:48,240 --> 00:27:50,560 Speaker 3: But also, history isn't a spoiler. 519 00:27:51,400 --> 00:27:53,520 Speaker 1: It's true like some things in history I don't know 520 00:27:53,560 --> 00:27:55,359 Speaker 1: about and I don't want it, got it. 521 00:27:55,560 --> 00:27:57,600 Speaker 3: It can't be a spoiler if it really happened, like 522 00:27:57,640 --> 00:27:59,560 Speaker 3: if you could have learned about it at some point 523 00:27:59,560 --> 00:28:00,880 Speaker 3: in time, whether it be. 524 00:28:00,840 --> 00:28:02,600 Speaker 1: A book, it can still be a spoiler, but you 525 00:28:02,640 --> 00:28:05,120 Speaker 1: can't be upset about it. Much like the way your 526 00:28:05,160 --> 00:28:07,639 Speaker 1: younger brother ruined the end of Ford to be ferrari 527 00:28:07,760 --> 00:28:10,960 Speaker 1: for you. He's like, it's it really happened, but still 528 00:28:11,040 --> 00:28:12,440 Speaker 1: you didn't know how it happened. 529 00:28:12,480 --> 00:28:14,919 Speaker 3: This is true. Okay, I forgot about that, but still. 530 00:28:14,680 --> 00:28:18,280 Speaker 1: This is something like the whole premise of the movie. 531 00:28:18,280 --> 00:28:20,639 Speaker 1: And the reason they made a movie about Trudy Utterly 532 00:28:20,760 --> 00:28:23,760 Speaker 1: is because what she accomplished. So you're watching this movie 533 00:28:23,800 --> 00:28:26,399 Speaker 1: knowing how it's going to and knowing that she's going 534 00:28:26,480 --> 00:28:29,960 Speaker 1: to cross the English Channel and complete it. You don't 535 00:28:30,000 --> 00:28:33,560 Speaker 1: know all the hardships, all the hardships, so you don't 536 00:28:33,600 --> 00:28:36,320 Speaker 1: know all that. So for me, even if somebody spoils 537 00:28:36,359 --> 00:28:39,160 Speaker 1: a movie for me, if it's a good movie, I'm 538 00:28:39,200 --> 00:28:42,200 Speaker 1: going to enjoy the journey. But what this movie is about. 539 00:28:42,680 --> 00:28:45,800 Speaker 1: You have Trudy at a very young age, who is six. 540 00:28:45,840 --> 00:28:48,880 Speaker 1: She has measles. They think she is going to die, 541 00:28:49,000 --> 00:28:50,480 Speaker 1: and she ends up pulling. 542 00:28:50,160 --> 00:28:52,040 Speaker 3: Through, which is one of the funniest scenes. 543 00:28:52,480 --> 00:28:56,040 Speaker 1: And then after she has measles, they tell her that 544 00:28:56,120 --> 00:28:58,400 Speaker 1: she's not gonna be able to swim because if she 545 00:28:58,440 --> 00:29:01,520 Speaker 1: gets in the water she could lose her which measles 546 00:29:01,560 --> 00:29:02,880 Speaker 1: is just a wild disease. 547 00:29:03,280 --> 00:29:04,440 Speaker 3: Measles is coming back. 548 00:29:04,800 --> 00:29:07,160 Speaker 1: That's sad because I won't. 549 00:29:07,000 --> 00:29:09,360 Speaker 3: Get on my public health tangent. But there is a 550 00:29:09,440 --> 00:29:10,680 Speaker 3: vaccine for it, It's all I'll say. 551 00:29:11,080 --> 00:29:14,920 Speaker 1: But then she wants to swim, and even though her 552 00:29:14,960 --> 00:29:18,200 Speaker 1: parents are so scared what would happen if she gets 553 00:29:18,200 --> 00:29:21,200 Speaker 1: sick again or if she loses their hearing, she is 554 00:29:21,240 --> 00:29:24,080 Speaker 1: able to convince her parents, to her mom, her mom. 555 00:29:24,400 --> 00:29:25,440 Speaker 3: Her mom was awesome. 556 00:29:25,480 --> 00:29:27,320 Speaker 1: Her mom was great. Her dad was the one that 557 00:29:27,400 --> 00:29:29,520 Speaker 1: was more hesitant of her swimming, not just because she 558 00:29:29,600 --> 00:29:32,360 Speaker 1: was sick, but also because she's a woman, so classic 559 00:29:32,920 --> 00:29:36,200 Speaker 1: that was the first hardship she had to overcome. And 560 00:29:36,520 --> 00:29:38,880 Speaker 1: what I like about movies like this that are about 561 00:29:38,880 --> 00:29:42,480 Speaker 1: a character who overcomes something, and really the main headline 562 00:29:42,600 --> 00:29:45,480 Speaker 1: is her crossing crossing the English Channel and all the 563 00:29:45,480 --> 00:29:48,160 Speaker 1: training she has to do from not being able to 564 00:29:48,200 --> 00:29:52,000 Speaker 1: swim finding a coach, and the movie is also a 565 00:29:52,040 --> 00:29:54,800 Speaker 1: story about two sisters, so I always like to find 566 00:29:54,800 --> 00:29:57,880 Speaker 1: that underlying story. It kind of reminded me of the 567 00:29:57,880 --> 00:30:00,160 Speaker 1: first time I watched La Bamba, which is the story 568 00:30:00,240 --> 00:30:03,360 Speaker 1: of Richie Vallen's and his rights to fame. And if 569 00:30:03,400 --> 00:30:05,120 Speaker 1: you just look at that trailer of that movie, look 570 00:30:05,120 --> 00:30:06,600 Speaker 1: at the description, you think that's what it's going to 571 00:30:06,640 --> 00:30:09,640 Speaker 1: be about about it, while it is about him, and 572 00:30:09,680 --> 00:30:11,920 Speaker 1: it's a biopic and it gets all into how he 573 00:30:12,000 --> 00:30:15,520 Speaker 1: became famous and how he died. At the core of 574 00:30:15,560 --> 00:30:18,160 Speaker 1: that movie, it's really a story about two brothers. One 575 00:30:18,200 --> 00:30:22,800 Speaker 1: brother who is destined for greatness. His mom is kind 576 00:30:22,800 --> 00:30:25,200 Speaker 1: of pushing his career he's like the star child, he's 577 00:30:25,240 --> 00:30:28,400 Speaker 1: the favorite, and the other brother is kind of the degenerate, 578 00:30:28,840 --> 00:30:30,960 Speaker 1: doesn't really get a whole lot of attention. He's messed 579 00:30:31,040 --> 00:30:34,160 Speaker 1: up a lot. And it's how even though they love 580 00:30:34,200 --> 00:30:36,320 Speaker 1: each other, they butt heads a lot because they are 581 00:30:36,320 --> 00:30:39,080 Speaker 1: so opposite and because one gets more love from the 582 00:30:39,120 --> 00:30:42,080 Speaker 1: mom and the other doesn't. Kind Of in that same 583 00:30:42,160 --> 00:30:45,200 Speaker 1: way is the parallels between Trudy and her sister, of 584 00:30:45,960 --> 00:30:49,440 Speaker 1: Trudy ends up being the one who is the elite swimmer, 585 00:30:49,520 --> 00:30:52,360 Speaker 1: even though her sister was also a swimmer, and her 586 00:30:52,440 --> 00:30:56,600 Speaker 1: sister goes through these other kind of hardships of how 587 00:30:56,640 --> 00:30:59,960 Speaker 1: she is going to find somebody to marry, find a career, 588 00:31:00,480 --> 00:31:03,000 Speaker 1: and it's just really hard for both of them. And 589 00:31:03,080 --> 00:31:06,080 Speaker 1: even though they are kind of on these opposite trajectories 590 00:31:06,080 --> 00:31:08,760 Speaker 1: in life, it is their bond as sisters and how 591 00:31:08,800 --> 00:31:11,320 Speaker 1: close they are, how much they look out for each other, 592 00:31:11,400 --> 00:31:14,000 Speaker 1: and how much they love each other is really almost 593 00:31:14,040 --> 00:31:17,240 Speaker 1: a foundation of this movie. So aside from me being 594 00:31:17,280 --> 00:31:19,560 Speaker 1: inspired to want to go out into the sea and 595 00:31:20,040 --> 00:31:22,440 Speaker 1: learn how to do the long distance swimming did not 596 00:31:22,480 --> 00:31:24,800 Speaker 1: make me want to, uh, there were some parts like 597 00:31:24,840 --> 00:31:27,640 Speaker 1: whenever she swims at night, that's literally one of my 598 00:31:27,680 --> 00:31:30,680 Speaker 1: worst nightmares, being in open water at night. No, thank you, 599 00:31:31,120 --> 00:31:32,800 Speaker 1: that seems terrifying to me. 600 00:31:33,120 --> 00:31:35,480 Speaker 3: Also, just like her sense of and she has a 601 00:31:35,560 --> 00:31:37,520 Speaker 3: kind of not a guide boat but alongside her, but 602 00:31:37,560 --> 00:31:40,000 Speaker 3: her sense of directionality, which I won't give any spoilers, 603 00:31:40,040 --> 00:31:43,280 Speaker 3: there's a part where it's like, oh, no, but I 604 00:31:43,520 --> 00:31:46,880 Speaker 3: just you're really good at directions. I could stand in 605 00:31:46,920 --> 00:31:49,440 Speaker 3: the ocean, you turn me around a couple times, and 606 00:31:49,480 --> 00:31:51,760 Speaker 3: I don't know which way is land it's hot. 607 00:31:51,880 --> 00:31:54,600 Speaker 1: Yeah, I couldn't. I don't even know where to look. 608 00:31:54,680 --> 00:31:56,960 Speaker 1: I don't even know what to look for. And not 609 00:31:57,080 --> 00:31:59,520 Speaker 1: only the part of just like knowing where you are 610 00:31:59,560 --> 00:32:02,120 Speaker 1: and knowing where to go, I think just the level 611 00:32:02,160 --> 00:32:04,560 Speaker 1: of exhaustion. Oh you have the same much experience. 612 00:32:04,600 --> 00:32:04,800 Speaker 2: Now. 613 00:32:05,360 --> 00:32:07,520 Speaker 1: The only thing I could relate to in that regard 614 00:32:07,760 --> 00:32:10,880 Speaker 1: is I run a lot. I do long distance running. 615 00:32:11,040 --> 00:32:14,760 Speaker 1: But I can't imagine being in a place where you're 616 00:32:14,840 --> 00:32:16,920 Speaker 1: just in the middle of the ocean. It's just like 617 00:32:17,000 --> 00:32:18,800 Speaker 1: you keep pushing yourself. You can't stop, you. 618 00:32:18,800 --> 00:32:20,880 Speaker 3: Can't take a break in the stand. Yeah, you like 619 00:32:20,920 --> 00:32:22,960 Speaker 3: float on your back from if you run. 620 00:32:22,760 --> 00:32:25,240 Speaker 1: For that same amount for twenty one miles you can stop, 621 00:32:25,280 --> 00:32:28,040 Speaker 1: you can take a break, and you don't risk death 622 00:32:28,240 --> 00:32:31,239 Speaker 1: just by slowing down. And it's also the fact that 623 00:32:31,400 --> 00:32:34,680 Speaker 1: you're just in open water and there are no rules. 624 00:32:34,840 --> 00:32:37,400 Speaker 1: The things in the ocean don't know that you're going 625 00:32:37,480 --> 00:32:40,440 Speaker 1: for a record here. They don't care about you. You're 626 00:32:40,480 --> 00:32:42,920 Speaker 1: not in like a controlled environment. You are just in 627 00:32:42,960 --> 00:32:46,320 Speaker 1: the open water. There are no rules. The sea is unforgiving. 628 00:32:46,440 --> 00:32:48,240 Speaker 1: It's gonna do what it wants to you. And that's 629 00:32:48,280 --> 00:32:51,640 Speaker 1: why this was such a dangerous thing to attempt, why 630 00:32:51,720 --> 00:32:56,440 Speaker 1: so many people have failed, and why she was seen 631 00:32:56,520 --> 00:32:59,040 Speaker 1: as like, you're not gonna do this. You're a woman, 632 00:32:59,080 --> 00:33:01,240 Speaker 1: There's no way you could possibly achieve this. 633 00:33:01,920 --> 00:33:04,440 Speaker 3: Also, I love that they use what was it, like 634 00:33:05,120 --> 00:33:08,960 Speaker 3: lard and like porpoise fat. She seems a little unethical. 635 00:33:09,160 --> 00:33:12,840 Speaker 3: Probably to keep me warm, Yeah, And then I guess 636 00:33:12,840 --> 00:33:15,480 Speaker 3: the lard is to be able to move. Is the 637 00:33:15,560 --> 00:33:17,240 Speaker 3: lard also to keep them warm? Yeah, some of it 638 00:33:17,320 --> 00:33:19,320 Speaker 3: to keep move through the water better. 639 00:33:19,360 --> 00:33:21,400 Speaker 1: Maybe that too, But I think what I read is 640 00:33:21,440 --> 00:33:23,360 Speaker 1: they put it on to keep them warm because she's 641 00:33:23,400 --> 00:33:26,280 Speaker 1: in just the swimsuit. Because I'm freezing water. 642 00:33:26,520 --> 00:33:29,520 Speaker 3: I can't even swim underwater without holding my nose that's 643 00:33:29,560 --> 00:33:31,480 Speaker 3: the other day gets embarrassing, diggession. 644 00:33:31,080 --> 00:33:35,000 Speaker 1: Freezing cold, and then all the salt, which I did. 645 00:33:35,240 --> 00:33:36,880 Speaker 1: This is one of those movies you watch and go 646 00:33:36,960 --> 00:33:39,960 Speaker 1: research a little bit about afterwards, and I'm happy to 647 00:33:40,000 --> 00:33:42,560 Speaker 1: report that pretty much everything that happens in the movie 648 00:33:43,000 --> 00:33:45,320 Speaker 1: actually happened in real life. I think they changed some 649 00:33:45,400 --> 00:33:48,360 Speaker 1: of the timeline as far as when things happen, just 650 00:33:48,360 --> 00:33:49,120 Speaker 1: to move it along. 651 00:33:49,280 --> 00:33:51,840 Speaker 3: Also sometimes in movies, because I've listened to a podcast 652 00:33:51,920 --> 00:33:54,840 Speaker 3: recently where an author of fiction was talking about how 653 00:33:54,840 --> 00:33:56,840 Speaker 3: her movies are gonna be made, movies are gonna be 654 00:33:56,840 --> 00:33:59,080 Speaker 3: made from her books, and she was saying, like, audiences 655 00:33:59,080 --> 00:34:00,840 Speaker 3: don't necessarily want to see the exact same thing in 656 00:34:00,880 --> 00:34:03,040 Speaker 3: the movie, like if you wanted the same thing read 657 00:34:03,040 --> 00:34:05,480 Speaker 3: the book. But like a movie, adaptation is meant to 658 00:34:05,560 --> 00:34:07,600 Speaker 3: keep people entertained and keep the story moving, and there's 659 00:34:07,600 --> 00:34:09,880 Speaker 3: a little bit of like creative liberties that come with 660 00:34:09,920 --> 00:34:13,320 Speaker 3: turning a true story or a book into a movie. 661 00:34:13,360 --> 00:34:15,560 Speaker 1: I do like some subtle plot changes. I think of 662 00:34:15,600 --> 00:34:17,759 Speaker 1: whenever I read all the Hunger Game books and then 663 00:34:17,800 --> 00:34:20,400 Speaker 1: went to go watch those movies in theaters. It's a 664 00:34:20,400 --> 00:34:23,040 Speaker 1: little bit less exciting to see it play out exactly 665 00:34:23,040 --> 00:34:25,000 Speaker 1: how it did in the book and take it beat 666 00:34:25,040 --> 00:34:27,399 Speaker 1: from beat because you know what is going to come. 667 00:34:27,480 --> 00:34:29,439 Speaker 1: So it's a little less like oh yeah, that was cool. 668 00:34:29,480 --> 00:34:31,760 Speaker 1: It's like, oh yeah, then this happens. Then this happens. 669 00:34:31,800 --> 00:34:33,600 Speaker 1: I already read all this. It was almost like you've 670 00:34:33,600 --> 00:34:36,479 Speaker 1: already seen the movie before going to see the movie, right, 671 00:34:36,560 --> 00:34:39,680 Speaker 1: So I do like some changes, And obviously they're going 672 00:34:39,760 --> 00:34:42,359 Speaker 1: to hollywood up it a little Did I say that right? 673 00:34:42,560 --> 00:34:44,399 Speaker 1: They're going to hollywood it up a little bit. There 674 00:34:44,400 --> 00:34:48,680 Speaker 1: you go, because to take a movie adaptation, you kind 675 00:34:48,680 --> 00:34:51,279 Speaker 1: of make some more inspiring moments, to change a little 676 00:34:51,320 --> 00:34:54,120 Speaker 1: bit of things, you embellish here and there, and you 677 00:34:54,160 --> 00:34:56,759 Speaker 1: still hold the integrity of the story, but also make 678 00:34:56,800 --> 00:35:01,200 Speaker 1: it a little bit more entertaining, exciting and uplifting. And 679 00:35:01,239 --> 00:35:03,880 Speaker 1: I think Disney has done that pretty well over just 680 00:35:04,800 --> 00:35:07,160 Speaker 1: all the inspirational sports movies that they've done. 681 00:35:07,480 --> 00:35:09,480 Speaker 3: Were you saying something about the salt? Is that what 682 00:35:09,520 --> 00:35:10,480 Speaker 3: we were? What started this? 683 00:35:10,600 --> 00:35:13,560 Speaker 1: Oh yeah, I was researching coming back after. I just 684 00:35:13,600 --> 00:35:16,120 Speaker 1: wanted to see how accurate everything was. And the one 685 00:35:16,120 --> 00:35:19,560 Speaker 1: thing they actually didn't include in the movie is due 686 00:35:19,560 --> 00:35:22,160 Speaker 1: to the fact that she was submerged in salt water 687 00:35:22,239 --> 00:35:25,200 Speaker 1: for so long, her tongue was swollen by the end 688 00:35:25,239 --> 00:35:29,200 Speaker 1: of it. Because just imagine you're just and you're taking 689 00:35:29,239 --> 00:35:31,640 Speaker 1: in all the salt water, just your I mean, I 690 00:35:31,719 --> 00:35:33,680 Speaker 1: just imagine what it does to your skin. But then 691 00:35:33,719 --> 00:35:36,080 Speaker 1: your mouth is open, so your tongue just flowed up. 692 00:35:36,600 --> 00:35:39,840 Speaker 1: Like you probably changed like this, much like people criticize 693 00:35:39,840 --> 00:35:42,960 Speaker 1: my podcast because I have a little lisp because of 694 00:35:43,000 --> 00:35:45,239 Speaker 1: my braces, So that's probably, well, you don't like what 695 00:35:45,320 --> 00:35:46,320 Speaker 1: I make fun of myself. 696 00:35:46,640 --> 00:35:48,879 Speaker 3: It makes me mad. Fun of me, I know right 697 00:35:48,880 --> 00:35:50,680 Speaker 3: here on YouTube, and I don't like that. 698 00:35:50,840 --> 00:35:53,840 Speaker 1: But I'm getting them off soon so people can relax. 699 00:35:54,000 --> 00:35:56,920 Speaker 3: That's okay. Somebody wants on your Instagram ast if I 700 00:35:56,960 --> 00:35:57,960 Speaker 3: was pregnant, so. 701 00:35:58,719 --> 00:36:01,080 Speaker 1: People on the internet can get it. They did ask whatever, 702 00:36:01,280 --> 00:36:03,120 Speaker 1: I just if they have a thought. You know. 703 00:36:03,200 --> 00:36:05,560 Speaker 3: It's like when you think things, maybe don't ask. People 704 00:36:05,600 --> 00:36:07,080 Speaker 3: on the internet are just like, you know what I'm 705 00:36:07,120 --> 00:36:08,359 Speaker 3: gonna ask, And. 706 00:36:08,360 --> 00:36:10,920 Speaker 1: It's a lose lose situation. Like with me with my braces, 707 00:36:10,960 --> 00:36:14,319 Speaker 1: it's either hey, why don't you smile when I do smile? Hey, 708 00:36:14,320 --> 00:36:15,440 Speaker 1: when are you getting those things off? 709 00:36:15,480 --> 00:36:15,680 Speaker 2: Hey? 710 00:36:15,719 --> 00:36:17,839 Speaker 1: You talk like I don't know what to do. 711 00:36:18,520 --> 00:36:20,880 Speaker 3: I did see people asking Taylor Swift if Taylor Shift 712 00:36:20,920 --> 00:36:22,080 Speaker 3: was pregnant, and I was like, the woman does a 713 00:36:22,080 --> 00:36:23,200 Speaker 3: three and a half hour show and is in the 714 00:36:23,239 --> 00:36:26,360 Speaker 3: best shape ever. Like we just we can't win as women. 715 00:36:27,160 --> 00:36:29,279 Speaker 1: But this was a movie that I got more and 716 00:36:29,320 --> 00:36:30,960 Speaker 1: more inspired as it went along. 717 00:36:31,160 --> 00:36:32,000 Speaker 3: It was so good. 718 00:36:32,120 --> 00:36:33,799 Speaker 1: It was just I think it was also that we 719 00:36:33,840 --> 00:36:36,400 Speaker 1: went into it not expecting a whole lot. I'm also 720 00:36:36,520 --> 00:36:38,080 Speaker 1: I think we're both now kind of on a Daisy 721 00:36:38,160 --> 00:36:38,719 Speaker 1: Ridley kick. 722 00:36:38,920 --> 00:36:41,239 Speaker 3: Such a big fan of Daisy Ridley. Her acting, her 723 00:36:41,360 --> 00:36:42,600 Speaker 3: range is incredible. 724 00:36:42,680 --> 00:36:44,759 Speaker 1: I also went and saw some of the behind the 725 00:36:44,800 --> 00:36:48,440 Speaker 1: scenes and to see her actually in the water filming 726 00:36:48,480 --> 00:36:50,279 Speaker 1: this movie. Like I don't know if they went to 727 00:36:50,360 --> 00:36:53,520 Speaker 1: the English channel exactly, but they actually went out into 728 00:36:53,600 --> 00:36:56,719 Speaker 1: open water and filmed some of these scenes, and she 729 00:36:56,880 --> 00:37:00,080 Speaker 1: was saying that she became a better swimmer as filming 730 00:37:00,120 --> 00:37:02,360 Speaker 1: went on, so it kind of was like the progression 731 00:37:02,400 --> 00:37:04,440 Speaker 1: of her character in the movie. I think that's a 732 00:37:04,480 --> 00:37:07,200 Speaker 1: pretty big level of commitment because you could easily just 733 00:37:07,520 --> 00:37:09,880 Speaker 1: shoot this all in a tank and not have to 734 00:37:09,920 --> 00:37:11,960 Speaker 1: go out and actually swim, or you could just get 735 00:37:11,960 --> 00:37:13,839 Speaker 1: a stunt double to do it all, and. 736 00:37:13,800 --> 00:37:16,680 Speaker 3: Then they showed pictures at the end of like the Real. 737 00:37:17,160 --> 00:37:19,040 Speaker 1: Pretty part of a True Story movie. 738 00:37:19,080 --> 00:37:23,759 Speaker 3: And again this isn't a spoiler, but she eventually did 739 00:37:23,800 --> 00:37:27,360 Speaker 3: loose her hearing due to swimming and having had measles. 740 00:37:27,520 --> 00:37:29,680 Speaker 3: But then she devoted her life to teaching deaf kids 741 00:37:29,719 --> 00:37:31,920 Speaker 3: how to swim, and it was so sweet and cute, 742 00:37:31,960 --> 00:37:34,640 Speaker 3: and they had like pictures and I'm shocked that they 743 00:37:34,680 --> 00:37:37,000 Speaker 3: had the footage of her like making it like they 744 00:37:37,040 --> 00:37:39,880 Speaker 3: had like video footage of that from the nineteen twenties. 745 00:37:40,120 --> 00:37:42,120 Speaker 1: I don't even have memories of me from like two 746 00:37:42,160 --> 00:37:44,440 Speaker 1: thousand to two thousand and seven, and they have stuff 747 00:37:44,480 --> 00:37:45,440 Speaker 1: from back in the twenties. 748 00:37:45,560 --> 00:37:48,440 Speaker 3: I don't know what I did yesterday, So to have 749 00:37:48,760 --> 00:37:52,200 Speaker 3: footage of I don't even know that I wear any 750 00:37:52,239 --> 00:37:54,799 Speaker 3: of my like VHS videos of me as a child 751 00:37:54,800 --> 00:37:56,400 Speaker 3: are so the fact that they had that, that's like 752 00:37:56,480 --> 00:37:58,880 Speaker 3: seventeen precursors to the VHS. 753 00:37:58,440 --> 00:38:00,920 Speaker 1: Tape, Like that is important. Better roll on us here, 754 00:38:02,200 --> 00:38:05,040 Speaker 1: all right. So overall, for Young Woman in the Sea, 755 00:38:05,160 --> 00:38:06,000 Speaker 1: what would you rate it? 756 00:38:06,440 --> 00:38:09,200 Speaker 3: Doing it five out of five jellyfish. 757 00:38:09,440 --> 00:38:12,960 Speaker 1: I would give it a strong four point five out 758 00:38:12,960 --> 00:38:14,600 Speaker 1: of five pairs. 759 00:38:14,200 --> 00:38:16,560 Speaker 3: Of goggles, but I think I might read the book. Now. 760 00:38:16,719 --> 00:38:18,040 Speaker 1: I like to say I'd go and read the book, 761 00:38:18,080 --> 00:38:19,840 Speaker 1: but I know i'd read like two pages and be like, 762 00:38:20,600 --> 00:38:21,840 Speaker 1: I'm going to read something else. 763 00:38:22,520 --> 00:38:24,399 Speaker 3: I'll read the book for everyone and report back. 764 00:38:24,600 --> 00:38:31,320 Speaker 1: There we go, It's time to head down to movie. 765 00:38:31,360 --> 00:38:32,839 Speaker 3: Mic Treylar Paul. 766 00:38:33,560 --> 00:38:36,920 Speaker 1: The Sony Spider Versus like that ex boyfriend, You've taken 767 00:38:37,000 --> 00:38:39,560 Speaker 1: back time and time again. You've given them a second chance, 768 00:38:39,640 --> 00:38:41,839 Speaker 1: given them a third chance, because every time they've told you, 769 00:38:42,400 --> 00:38:46,000 Speaker 1: I promise I can change, I'll be better. You keep 770 00:38:46,040 --> 00:38:48,799 Speaker 1: going back, But what do they keep doing? Giving you 771 00:38:48,880 --> 00:38:52,200 Speaker 1: the same old thing? I keep going back to the 772 00:38:52,280 --> 00:38:54,959 Speaker 1: Sony Spider Verse. Well, if you're not familiar with how 773 00:38:56,800 --> 00:38:59,600 Speaker 1: Marvel is different, you have the MCU, which is on 774 00:38:59,680 --> 00:39:03,399 Speaker 1: Todasney side, and then you have the Sony side, which 775 00:39:03,440 --> 00:39:06,759 Speaker 1: really they just have all the villains. It's your more biases, 776 00:39:06,840 --> 00:39:10,759 Speaker 1: it's your Madam webs. It is that entire side of 777 00:39:10,800 --> 00:39:15,000 Speaker 1: Sony that, unless it's the animated into the Spider Verse series, 778 00:39:15,360 --> 00:39:19,239 Speaker 1: it is just sub sub par. And I think for 779 00:39:19,480 --> 00:39:23,440 Speaker 1: most people who really don't know or care to know 780 00:39:23,480 --> 00:39:27,400 Speaker 1: the difference between the two, it really diminishes the value 781 00:39:27,480 --> 00:39:29,520 Speaker 1: of Marvel as a whole when you have a movie 782 00:39:29,600 --> 00:39:32,120 Speaker 1: come out last year like Madam Webb and everybody rip 783 00:39:32,120 --> 00:39:35,120 Speaker 1: it to shreds. But when it comes to the Venom 784 00:39:35,239 --> 00:39:39,200 Speaker 1: franchise within this Sony Spider Verse, the reason I keep 785 00:39:39,239 --> 00:39:41,440 Speaker 1: going back to this one so much and expecting something 786 00:39:41,520 --> 00:39:44,000 Speaker 1: so different is because I am such a huge fan 787 00:39:44,480 --> 00:39:47,600 Speaker 1: of the character Venom. Venom was my first favorite villain 788 00:39:47,680 --> 00:39:51,400 Speaker 1: because I was a kid watching Spider Man the animated series, 789 00:39:51,840 --> 00:39:54,840 Speaker 1: and to me, Venom was always the coolest because Spider 790 00:39:54,880 --> 00:39:58,439 Speaker 1: Man is my favorite superhero and rarely do you have 791 00:39:58,719 --> 00:40:03,719 Speaker 1: a villain that that exactly mirrors what the hero is like, 792 00:40:04,200 --> 00:40:06,720 Speaker 1: and that is what Venom is. He is a black 793 00:40:06,760 --> 00:40:09,920 Speaker 1: and white, extra charged up version of Spider Man, even 794 00:40:09,960 --> 00:40:13,640 Speaker 1: though he doesn't really have the Spider capabilities. He is 795 00:40:13,680 --> 00:40:16,759 Speaker 1: a symbiot, so it's this alien creature that in the 796 00:40:16,760 --> 00:40:20,920 Speaker 1: origin story from the comics, he overtook Spider Man's suit, 797 00:40:21,120 --> 00:40:23,960 Speaker 1: so Peter Parker had the black Spider Man suit, and 798 00:40:24,000 --> 00:40:27,080 Speaker 1: then he had his first full appearance later when he 799 00:40:27,200 --> 00:40:32,200 Speaker 1: inhabited Eddie Brock instead of Peter Parker. So because I 800 00:40:32,239 --> 00:40:34,320 Speaker 1: was such a big fan of him, in the comics 801 00:40:34,400 --> 00:40:37,200 Speaker 1: Him and the animated show. I was so hyped up 802 00:40:37,200 --> 00:40:40,160 Speaker 1: for that first Venom movie, and I think it's because 803 00:40:40,160 --> 00:40:43,680 Speaker 1: I had such high expectations for that film that it 804 00:40:43,880 --> 00:40:47,200 Speaker 1: really let me down. Really comes down to the look 805 00:40:47,400 --> 00:40:49,839 Speaker 1: of Venom that I am just not a big fan of, 806 00:40:49,920 --> 00:40:53,080 Speaker 1: and from one to two to now part three, they 807 00:40:53,160 --> 00:40:55,719 Speaker 1: haven't really changed a whole lot about it, and that 808 00:40:55,840 --> 00:40:58,359 Speaker 1: really bums me up, because when it comes down to it, 809 00:40:58,920 --> 00:41:01,080 Speaker 1: I think me as being such a big fan of 810 00:41:01,120 --> 00:41:04,160 Speaker 1: the original character and design in the animated show, I 811 00:41:04,200 --> 00:41:07,520 Speaker 1: want to see a more comic accurate version of Venom, 812 00:41:07,719 --> 00:41:12,040 Speaker 1: and instead what we get is this big, glossy character 813 00:41:12,360 --> 00:41:15,480 Speaker 1: that doesn't really have all those same distinct features that 814 00:41:15,560 --> 00:41:18,799 Speaker 1: I feel made Venom who he is, and I would 815 00:41:18,920 --> 00:41:22,640 Speaker 1: rather him have a matt finish on his skin, a 816 00:41:22,680 --> 00:41:25,960 Speaker 1: bigger emphasis on the muscles, and making the teeth look 817 00:41:25,960 --> 00:41:28,600 Speaker 1: really jinky and a little bit scary, which is really 818 00:41:28,600 --> 00:41:31,600 Speaker 1: what I get from Venom's character in the comic books 819 00:41:31,680 --> 00:41:34,920 Speaker 1: is he had more attitude. There was more of a 820 00:41:34,960 --> 00:41:38,760 Speaker 1: sinister quality to Venom, and in this movie he really 821 00:41:38,800 --> 00:41:41,440 Speaker 1: has more of a comedic tone. They do that for 822 00:41:41,520 --> 00:41:44,879 Speaker 1: Venom in that combined with Tom Hardy's performance, who I 823 00:41:44,920 --> 00:41:47,839 Speaker 1: think does a pretty good job as Eddie Brock. He 824 00:41:47,880 --> 00:41:50,640 Speaker 1: has really committed himself to this role now doing a 825 00:41:50,680 --> 00:41:54,080 Speaker 1: third movie, that is a win within itself. But I 826 00:41:54,160 --> 00:41:56,560 Speaker 1: just feel like overall the tone of the character is 827 00:41:56,719 --> 00:41:58,960 Speaker 1: just a little bit off. So you've talked a lot 828 00:41:59,000 --> 00:42:02,719 Speaker 1: here so far about I feel about Venom overall. Will 829 00:42:02,760 --> 00:42:05,200 Speaker 1: get into exactly what is going on in this final 830 00:42:05,280 --> 00:42:08,560 Speaker 1: chapter of this story, but before we do that, here's 831 00:42:08,680 --> 00:42:10,880 Speaker 1: a little bit of Venom the last Dance that is 832 00:42:10,920 --> 00:42:13,680 Speaker 1: coming out in October. There's an army coming that cannot 833 00:42:13,680 --> 00:42:14,120 Speaker 1: be beaten. 834 00:42:15,480 --> 00:42:22,319 Speaker 3: As long as the Venom last everything, we may not 835 00:42:22,400 --> 00:42:23,480 Speaker 3: make it out of this alive. 836 00:42:23,560 --> 00:42:27,120 Speaker 1: Buddy, your time is come. 837 00:42:27,120 --> 00:42:27,640 Speaker 3: Be honest. 838 00:42:27,680 --> 00:42:30,120 Speaker 1: I mean, how fast do you think you can get 839 00:42:30,160 --> 00:42:37,080 Speaker 1: that thing you go without killing it on? So I 840 00:42:37,120 --> 00:42:39,799 Speaker 1: think that is the big thing you heard there at 841 00:42:39,800 --> 00:42:42,280 Speaker 1: the end of the trailer that everybody is talking about 842 00:42:42,680 --> 00:42:47,439 Speaker 1: is Venom taking over this horse his body and they 843 00:42:47,560 --> 00:42:51,400 Speaker 1: ride off together on this symbio horse, Which that tells 844 00:42:51,400 --> 00:42:53,560 Speaker 1: you overall what the tone is going to be in 845 00:42:53,600 --> 00:42:56,720 Speaker 1: this movie. It is very campy. It is very fun, 846 00:42:57,000 --> 00:42:59,879 Speaker 1: very comical, and I don't like the direction that came 847 00:43:00,080 --> 00:43:03,839 Speaker 1: book movies tend to go in when they take that route, Hey, 848 00:43:03,840 --> 00:43:06,080 Speaker 1: we're gonna make this fun We're gonna make all these 849 00:43:06,120 --> 00:43:09,360 Speaker 1: little jokes. I don't want my comic book movies to 850 00:43:09,480 --> 00:43:12,640 Speaker 1: be funny anymore. I think that was so much of 851 00:43:12,680 --> 00:43:16,120 Speaker 1: a reflection of the twenty tens that really should have 852 00:43:16,640 --> 00:43:19,160 Speaker 1: ended with Endgame, And I know that was something that 853 00:43:19,200 --> 00:43:22,160 Speaker 1: Marvel became known for. They're funny and action packed at 854 00:43:22,160 --> 00:43:25,560 Speaker 1: the same time, but now it just feels so dated 855 00:43:25,600 --> 00:43:28,280 Speaker 1: to me, and I just want to see a straight 856 00:43:28,320 --> 00:43:31,880 Speaker 1: ahead finally to this movie. You take away all the 857 00:43:32,000 --> 00:43:34,880 Speaker 1: jokes and it comes down to who is going to 858 00:43:34,960 --> 00:43:36,840 Speaker 1: live by the end of this film. Is it gonna 859 00:43:36,840 --> 00:43:39,759 Speaker 1: be Eddie Brock, Is it gonna be Venom? Are they 860 00:43:39,800 --> 00:43:42,160 Speaker 1: gonna go down together? Is one going to survive? Is 861 00:43:42,160 --> 00:43:46,240 Speaker 1: one not? Because in this movie they are both being hunted. 862 00:43:46,680 --> 00:43:49,480 Speaker 1: Venom is being hunted by the symbiotes who live back 863 00:43:49,520 --> 00:43:51,600 Speaker 1: on his planet. It looks like they come down to 864 00:43:51,680 --> 00:43:55,280 Speaker 1: Earth and they are just so overpowered and crazy looking, 865 00:43:55,800 --> 00:43:57,719 Speaker 1: so he is trying to take them on. And then 866 00:43:57,760 --> 00:44:01,480 Speaker 1: you have Eddie Brock being pursued dude by military and 867 00:44:01,640 --> 00:44:04,640 Speaker 1: scientists you have Juno Temple playing one of the scientists. 868 00:44:04,680 --> 00:44:07,920 Speaker 1: You probably know her as Keighley from ted Lasso. You 869 00:44:07,960 --> 00:44:11,319 Speaker 1: also have Danny Rojas from ted Lasso, who, if you 870 00:44:11,400 --> 00:44:15,799 Speaker 1: remember from the No Way Home post credit scene, it 871 00:44:15,880 --> 00:44:18,680 Speaker 1: was a Venom post credit scene for some reason in 872 00:44:18,680 --> 00:44:21,520 Speaker 1: that movie, which is really weird to connect these two. 873 00:44:21,600 --> 00:44:24,719 Speaker 1: And the big rumor is Andrew Garfield going to be 874 00:44:25,360 --> 00:44:28,919 Speaker 1: and have a cameo in this? Before I put those 875 00:44:28,960 --> 00:44:31,719 Speaker 1: two together, I would have said no. And I was 876 00:44:31,800 --> 00:44:35,640 Speaker 1: so hell bent on him or Toby Maguire not being 877 00:44:35,680 --> 00:44:37,680 Speaker 1: in No Way Home, and we all found out they were. 878 00:44:38,040 --> 00:44:40,560 Speaker 1: So do I think Andrew Garfield is going to be 879 00:44:40,600 --> 00:44:43,440 Speaker 1: in this one? I kind of hope so, mainly because 880 00:44:43,480 --> 00:44:46,040 Speaker 1: I need this movie to have something else going for it. 881 00:44:46,440 --> 00:44:48,760 Speaker 1: But at the end of No Way Home, the post 882 00:44:48,800 --> 00:44:51,600 Speaker 1: credit scene was Eddie Brock going to a bar and 883 00:44:51,680 --> 00:44:55,080 Speaker 1: Danny Rojas is his bartender, And pretty much what you 884 00:44:55,160 --> 00:44:57,759 Speaker 1: take away from that is, well, it kind of had 885 00:44:57,760 --> 00:45:00,560 Speaker 1: a confused because they reference all the things in the MCU, 886 00:45:00,600 --> 00:45:04,000 Speaker 1: But you have Eddie Brock there who is not in 887 00:45:04,040 --> 00:45:06,239 Speaker 1: the MCU. He is in the Sony Spider Verse, and 888 00:45:06,280 --> 00:45:09,840 Speaker 1: those characters already don't go together. But then at the 889 00:45:09,840 --> 00:45:13,399 Speaker 1: start of this trailer you see both Daniel Rojas and 890 00:45:13,560 --> 00:45:16,480 Speaker 1: Eddie Brock wearing the exact same outfit that they were 891 00:45:16,480 --> 00:45:19,759 Speaker 1: wearing in that post credit scene, So that leads me 892 00:45:19,840 --> 00:45:24,759 Speaker 1: to believe that the Last Dance is taking place right 893 00:45:24,840 --> 00:45:28,480 Speaker 1: after the events, at least in some weird They had 894 00:45:28,520 --> 00:45:31,320 Speaker 1: to have some kind of plan that these two movies 895 00:45:31,360 --> 00:45:34,000 Speaker 1: were going to bleed into each other. So if it 896 00:45:34,120 --> 00:45:36,880 Speaker 1: wasn't for those details of them wearing the same shirts 897 00:45:37,200 --> 00:45:39,880 Speaker 1: of Andrew Garfield being in No Way Home, I would 898 00:45:39,880 --> 00:45:43,200 Speaker 1: have said, no, probably not a chance. But now I 899 00:45:43,239 --> 00:45:45,560 Speaker 1: think he's open to it. I think he saw all 900 00:45:45,600 --> 00:45:49,279 Speaker 1: the love he got after doing that movie. So I 901 00:45:49,360 --> 00:45:53,040 Speaker 1: lowered my expectations going into two. I really have even 902 00:45:53,120 --> 00:45:56,880 Speaker 1: lower expectations going into three. I'm going to take it 903 00:45:56,920 --> 00:45:58,640 Speaker 1: for what it is. This isn't a movie I'm going 904 00:45:58,719 --> 00:46:01,160 Speaker 1: to go in and want to ripped to shreds for 905 00:46:01,200 --> 00:46:04,319 Speaker 1: the sake of ripping it to shreds. Because I love 906 00:46:04,440 --> 00:46:09,000 Speaker 1: the character. I want it to be better than Part two. 907 00:46:09,080 --> 00:46:11,719 Speaker 1: But by the looks of this trailer kind of feels 908 00:46:11,960 --> 00:46:14,640 Speaker 1: like they're pulling out tricks from the same bag, doing 909 00:46:14,719 --> 00:46:18,279 Speaker 1: all the same gags, The action doesn't really look to 910 00:46:19,040 --> 00:46:22,320 Speaker 1: be advancing much. The sound design is really the same. 911 00:46:22,800 --> 00:46:26,319 Speaker 1: There's nothing really exciting to me about this trailer, and 912 00:46:26,360 --> 00:46:28,800 Speaker 1: the one real moment that I think they were expecting 913 00:46:28,840 --> 00:46:33,120 Speaker 1: people to really grasp onto them riding away on that 914 00:46:33,239 --> 00:46:36,640 Speaker 1: symbiote horse, even that was, oh man, this is really 915 00:46:36,640 --> 00:46:39,160 Speaker 1: what they're going with here. But as long as Eddie 916 00:46:39,160 --> 00:46:41,440 Speaker 1: Brock doesn't say the line he was in the Amazon 917 00:46:41,520 --> 00:46:44,520 Speaker 1: with my mom researching spiders right before he died, I 918 00:46:44,560 --> 00:46:48,040 Speaker 1: think will be okay. Venom the Last Dance is coming 919 00:46:48,040 --> 00:46:51,120 Speaker 1: out in theaters on October twenty fifth. I will be there, 920 00:46:51,360 --> 00:46:54,279 Speaker 1: And again I have to predict that I'm gonna say 921 00:46:54,280 --> 00:46:57,120 Speaker 1: that Eddie Brock is going to die because Tom Hardy 922 00:46:57,239 --> 00:47:00,600 Speaker 1: had that big post saying goodbye to the character, and 923 00:47:00,640 --> 00:47:03,520 Speaker 1: I really don't think he would do that if one 924 00:47:03,960 --> 00:47:06,440 Speaker 1: like you said he is done playing Venom. But also 925 00:47:06,560 --> 00:47:10,080 Speaker 1: that we're going to have a really definite end, So 926 00:47:10,160 --> 00:47:12,279 Speaker 1: I think Eddie Brock will die. But then they'll do 927 00:47:12,360 --> 00:47:14,600 Speaker 1: that thing like they did in the No Way Home 928 00:47:14,600 --> 00:47:17,160 Speaker 1: post credit scene where you just see the little black 929 00:47:17,160 --> 00:47:19,480 Speaker 1: blob start moving at the end of the movie, So 930 00:47:19,600 --> 00:47:23,279 Speaker 1: then that would open it up for the symbiote to 931 00:47:23,320 --> 00:47:26,560 Speaker 1: take over another person and you go into another trilogy 932 00:47:27,080 --> 00:47:30,040 Speaker 1: with another actor. So hey, we have that to look 933 00:47:30,040 --> 00:47:30,400 Speaker 1: forward to. 934 00:47:31,120 --> 00:47:34,920 Speaker 2: If that was this week's edition of Movie lin Framer 935 00:47:35,040 --> 00:47:35,839 Speaker 2: par and. 936 00:47:35,800 --> 00:47:38,080 Speaker 1: That is gonna do it for another episode here of 937 00:47:38,120 --> 00:47:40,319 Speaker 1: the podcast. But before I go, I got to give 938 00:47:40,320 --> 00:47:42,360 Speaker 1: my listener shout out of the week. How do you 939 00:47:42,400 --> 00:47:44,920 Speaker 1: get one of these and comment one of my videos 940 00:47:44,960 --> 00:47:49,560 Speaker 1: on YouTube, on my TikTok, Instagram, Facebook, all those things 941 00:47:49,960 --> 00:47:52,799 Speaker 1: you can find always the links to those in the 942 00:47:52,840 --> 00:47:56,440 Speaker 1: episode notes of this podcast. But this week I'm going 943 00:47:56,520 --> 00:48:00,960 Speaker 1: over to my letterbox, and you're not familiar letterbox. It 944 00:48:01,120 --> 00:48:05,080 Speaker 1: is essentially social media for movie lovers. So much like 945 00:48:05,440 --> 00:48:09,279 Speaker 1: Facebook is for your grandma, TikTok is for gen Z, 946 00:48:10,040 --> 00:48:14,520 Speaker 1: you have Letterbox, which is just a place for film enthusiast, 947 00:48:14,560 --> 00:48:18,759 Speaker 1: film nerds, movie buffs, pretty much anybody who listens to 948 00:48:18,840 --> 00:48:21,799 Speaker 1: this podcast at any level of movie fan that you are, 949 00:48:22,280 --> 00:48:24,920 Speaker 1: and you can go on there and log every single 950 00:48:25,000 --> 00:48:27,960 Speaker 1: movie you watch. So I have been making it a 951 00:48:28,000 --> 00:48:31,880 Speaker 1: point this year to categorize and list all the movies 952 00:48:32,040 --> 00:48:33,920 Speaker 1: that I watch, not only the ones that I review 953 00:48:33,960 --> 00:48:36,480 Speaker 1: on this podcast, but even movies I go back and Rewatch, 954 00:48:36,760 --> 00:48:38,840 Speaker 1: I log it all there, I give my thoughts, I 955 00:48:38,840 --> 00:48:41,600 Speaker 1: give my star rating. So ifever you miss an episode 956 00:48:41,920 --> 00:48:43,880 Speaker 1: and you don't want to watch it on YouTube. Like 957 00:48:43,920 --> 00:48:46,000 Speaker 1: individual movie reviews that I post there, you can go 958 00:48:46,040 --> 00:48:48,280 Speaker 1: over to my letterbox and just see my written reviews. 959 00:48:48,400 --> 00:48:50,640 Speaker 1: And this week I'm going over to the comments there. 960 00:48:50,719 --> 00:48:53,320 Speaker 1: I got a comment on letterbox from Luke Who, who said, 961 00:48:53,560 --> 00:48:56,320 Speaker 1: does this qualify for the listener shout out of the week. 962 00:48:56,520 --> 00:48:59,200 Speaker 1: I really look forward to your episodes every week, Mike, 963 00:48:59,280 --> 00:49:02,080 Speaker 1: so Luke Who, thank you for following me there. Thank 964 00:49:02,120 --> 00:49:04,840 Speaker 1: you for listening every single week. I'm gonna follow you 965 00:49:04,880 --> 00:49:07,120 Speaker 1: back on letterbox and see what you watch the look 966 00:49:07,160 --> 00:49:10,200 Speaker 1: who you are this week's listener of the week. Thank 967 00:49:10,239 --> 00:49:13,560 Speaker 1: you for listening in your car, in your earbuds right now. 968 00:49:13,640 --> 00:49:17,600 Speaker 1: Appreciate you. Until next time, go out and watch good 969 00:49:17,600 --> 00:49:20,040 Speaker 1: movies and I will talk to you later