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Speaker 1: Who do who?

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Speaker 2: This is George and I am here to say that

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Speaker 2: guess what. I Am taking my stand up show on

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Speaker 2: the road this summer, and I'm going on a little

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Speaker 2: tour in July and August, and my first show will

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Speaker 2: be in none other than Chicago on July twelfth. You

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Speaker 2: can find tickets in my Instagram bio at linktree dot

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Speaker 2: com slash George Severs. That is link l I NK Tree,

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Speaker 2: t R e e dot com slash George Severs. And

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Speaker 2: if you live in Pittsburgh, Philly, Boston, DC, Seattle, Portland,

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Speaker 2: or San Francisco, all of those tickets will become available

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Speaker 2: very soon, so check back in at linktree dot com

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Speaker 2: slash George Severs in the coming days. But for now,

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Speaker 2: if you live in Chicago, please buy tickets to my

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Speaker 2: show on July twelfth. It's going to be at the

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Speaker 2: Den Theater, which is where we did our Stradio live show.

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Speaker 2: I'm so excited. It is my first time ever headlining

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Speaker 2: in Chicago. I can't wait. Can't wait to see everyone,

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Speaker 2: So please please buy tickets and bring your friends. All right,

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Speaker 2: enjoy the episode.

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Speaker 3: Bye.

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Speaker 1: Podcast starts now and let me just say happy by

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Speaker 1: Pride it's officially June. It's just Pride Month.

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Speaker 2: Yeah, you know, more than ever, Yes, June, more than ever.

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Speaker 1: This time comes but once.

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Speaker 2: A year, June usually once a year, George.

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Speaker 1: How are you celebrating?

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Speaker 2: You know this is tough because you know, to give

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Speaker 2: everyone a peek behind the curtain. It's currently May thirty first. Oh,

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Speaker 2: so I don't feel proud yet.

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Speaker 1: I hate when you give it.

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Speaker 4: And I have to.

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Speaker 2: It is so difficult to think twenty four hours from now,

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Speaker 2: not even you know, twelve hours from now, even I

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Speaker 2: will feel so proud. I'm gonna wake up fully, erect,

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Speaker 2: ready to take on the day, Ready to buy some products,

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Speaker 2: Ready to r s VP to some Facebook events, potentially

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Speaker 2: activations launches, what have you? Ready to join apollicule, Ready

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Speaker 2: to welcome a third person into my uh polyamorous relationship?

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Speaker 2: Ready to book a trip to Fire Island mikonos Ebitha,

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Speaker 2: you know, yes, and I know Abtha is sort of

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Speaker 2: actually kind of straight coded. But when I go, it's

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Speaker 2: gonna be Pride Month theme and you won't let the

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Speaker 2: straight coded Abetha stop your phone.

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Speaker 1: Living on is your true authentic sell.

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Speaker 2: It's gonna be me at various parties. Pit Bull is

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Speaker 2: going to be DJing and it's gonna be all Instagram models,

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Speaker 2: and then I'm gonna walk in and say, who here

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Speaker 2: has seen.

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Speaker 1: Weekend?

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Speaker 2: That film the Andre Haye Film Weekend, And all of

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Speaker 2: them are gonna be like what Yeah, And I'm gonna

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Speaker 2: be like, That's what I thought, bitch. And then I'm

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Speaker 2: gonna introduce them to queer cinema. You're gonna be like,

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Speaker 2: DJ put this on, DJ put this on, and it's

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Speaker 2: gonna be the film week It's gonna be a dv

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Speaker 2: be of the film Weekend, and they're gonna screen it

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Speaker 2: for a variety of Instagram influencers, models, et cetera.

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Speaker 1: Wow, that would be so exciting.

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Speaker 2: So that's called grassroots organizing. And I do a drink

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Speaker 2: Pride month and at no other time.

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Speaker 1: Yeah, yeah, yeah, that's really helpful.

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Speaker 2: How are you celebrating Pride?

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Speaker 1: I just don't know, if I am really completely honest,

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Speaker 1: this is a tough year. I can't celebrate anything this year. Yeah,

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Speaker 1: I can't celebrate I feel because you have a desk job,

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Speaker 1: because essentially, essentially I feel like, you know, I'm a

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Speaker 1: man at sea. I'm completely lost, you know, celebrating pride.

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Speaker 1: It's sort of like, what how about I have a

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Speaker 1: home first?

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Speaker 2: You know, I see what you're saying, But do you

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Speaker 2: think do you think you can't be prideful unless you have,

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Speaker 2: you know, a nuclear family and home ownership, because that actually,

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Speaker 2: to me goes against the whole premise of pride.

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Speaker 1: No, I don't need a nuclear family. I just don't know,

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Speaker 1: Like I think what I'm missing actually is that pride

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Speaker 1: to something where you're like, Okay, normally on my let's say,

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Speaker 1: in the month of May, this is what I do.

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Speaker 1: This is normal. So June, I'm not doing that because

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Speaker 1: I'm being abnormal this year.

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Speaker 2: I'm having You're having a difficult time being like, how

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Speaker 2: can I change my habit?

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Speaker 1: Yeah, it's like I don't have habits right now? Oh

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Speaker 1: you don't have habits raining? Yeah, I'm completely at sea. Well,

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Speaker 1: I mean I have a job, sure, I go to

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Speaker 1: every day, but outside of the job, what are my habits? Yeah?

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Speaker 1: It's so interesting.

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Speaker 2: You actually have the most stable, maybe the most stable

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Speaker 2: schedule you've ever had since I've known you. No, but

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Speaker 2: for you, that is being at sea.

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Speaker 1: I'm actually more reckless than ever before. I'm completely lost I, yes,

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Speaker 1: I have. I know where I am Monday through Friday. Yeah,

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Speaker 1: between the hours that one works.

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Speaker 2: But other than that, you're having dinner walking your dog.

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Speaker 1: I'm completely at sea, George, I can't believe this, okay.

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Speaker 1: And also, like, I think also the commit meant of

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Speaker 1: like when people celebrate Pride, part of me is like,

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Speaker 1: what are you talking? What do you mean? Like would

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Speaker 1: define that for me? And a lot of the definition

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Speaker 1: for a lot of people is like, well, I buy

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Speaker 1: fourteen tickets to events and go to it. Yeah, And

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Speaker 1: to me, I'm like, I don't like committing like that. No.

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Speaker 1: I actually.

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Speaker 2: I felt like we had reached a very nice balance

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Speaker 2: at some point where everyone decided like, Okay, we're too

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Speaker 2: you know, fill in the blank, old sophisticated, intellectual, well

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Speaker 2: read for Pride, And so I would say, you know,

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Speaker 2: for the for let's say, twenty fifteen through twenty eighteen,

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Speaker 2: I was like, I don't care. I would never imagine

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Speaker 2: going to a Pride party. And then suddenly people got

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Speaker 2: back into it and fully blown thirty eight year old

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Speaker 2: men were like, what are you doing for Pride? And

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Speaker 2: I was like, we're not in college. I kept to say,

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Speaker 2: you grow up.

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Speaker 1: Too fast. Oh my god, you grow up too fast.

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Speaker 1: Using twenty fifteen, you think you're over it. Twenty fifteen

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Speaker 1: you were what twenty six, that's like the normal age

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Speaker 1: to be like going.

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Speaker 2: I guess what I mean is like, we are so

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Speaker 2: lucky that we live in these urban, cosmopolitan centers with

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Speaker 2: a variety of LGBTQ plus people. Pride is every day

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Speaker 2: for me. What is different about June? I just it

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Speaker 2: literally is just that you're over paid. Now I understand

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Speaker 2: that this is a very sort of basic first order

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Speaker 2: critique that I'm making. I don't think I'm reinventing the

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Speaker 2: wheel here, but like, what is the point of a

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Speaker 2: party being different in the month of June?

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Speaker 1: Tell me? Just like you know, what it is is

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Speaker 1: that everyone's committed to having a little more fun. Like,

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Speaker 1: I think it gives people an excuse to be like, Okay,

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Speaker 1: you know what, I'm going be bad because I think

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Speaker 1: so often, you know, Let's say in the month of April,

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Speaker 1: I keep going back a month They're like, oh, I'm out,

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Speaker 1: but it's it's one am. I should go home. Now

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Speaker 1: you're out. It's one am. People are like, You're like,

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Speaker 1: I should go You know what actually no, it's fucking Pride.

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Speaker 1: And I'm staying out till four because you know what

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Speaker 1: this means something and I'm here with all my sisters

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Speaker 1: and we did it.

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Speaker 2: You know what you're describing actually is how I felt

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Speaker 2: when booking this episode is I said, this isn't just

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Speaker 2: any normal episode.

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Speaker 1: What No? I agree? I just wanted to make a face,

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Speaker 1: to be honest, and I think our guest wanted to

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Speaker 1: make a face as well, because it was great face. Well,

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Speaker 1: it was like a fun transition that added it. I

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Speaker 1: think what was funny to me about it was that

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Speaker 1: it added a lot of weight to this.

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Speaker 2: I agree, well, I also it is true that like

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Speaker 2: and in fact, actually I have to say, our dear

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Speaker 2: producer Olivia at some point emailed us and was like,

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Speaker 2: do you have anything special planned for Pride? And literally

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Speaker 2: my first reaction was like, no, shut up, I'm an adult.

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Speaker 2: And then I had to reach inside myself and say,

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Speaker 2: why are you rejecting your sense of childlike wonder? Why

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Speaker 2: are you rejecting Pride, something our four mothers fought so

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Speaker 2: hard for.

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Speaker 1: You have such an urge grow up?

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Speaker 2: I do. It's true. Well, we've talked about this, you know,

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Speaker 2: for so long for all my twenties, I wanted to

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Speaker 2: grow up. Now that I am a grown up, I'm like,

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Speaker 2: I need to enter middle school.

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Speaker 1: Yeah, you want to go back. I want to go back.

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Speaker 1: I mean, you're about to be the thirty eight year

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Speaker 1: old gig guy being like, what are you doing for pros?

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Speaker 2: Okay, well I have a few more years left, thank you.

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Speaker 1: I just not literally you know what I mean.

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Speaker 2: So anyway, we said, we decided, we remembered. You know,

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Speaker 2: last year we started a new tradition, which is that

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Speaker 2: for Pride we do an episode called Gaytio Lab. We

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Speaker 2: are rather than talking about a straight topic, we talk

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Speaker 2: about a gay topic and we do it with basically

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Speaker 2: a Streeter lab all star one could say, Okay, someone

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Speaker 2: who's been there from the beginning, someone who's done multiple episodes,

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Speaker 2: live shows, someone who I would say helped helped define

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Speaker 2: the spirit of the podcast and associated brand, wow under

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Speaker 2: the iHeartRadio umbroa.

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Speaker 1: So do you want to do the honors? Please give

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Speaker 1: it up for Celestium? Wow? Thank you?

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Speaker 2: What's up?

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Speaker 4: You guys?

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Speaker 1: Really good? We are so good actually.

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Speaker 4: With you and Pride, Yeah, with me and Pride Yeah.

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Speaker 5: And Sam, Well it does seem like we both have

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Speaker 5: a torture relationship with Pride this year.

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Speaker 1: Well, I just here's what I go ahead, Well, I'm

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Speaker 1: just I can't live with abandon. I see what you're saying.

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Speaker 1: Here's here's my issue with Pride.

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Speaker 4: Okay, well that's both your issues kind of.

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Speaker 2: We can't live with abandon. Oh please, I haven't lived

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Speaker 2: with abandon since I was in the womb, since I

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Speaker 2: was in the moom being like splash, flash slash. As

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Speaker 2: soon as I got out, I was like, where's.

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Speaker 4: My dad's you get me a button?

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Speaker 1: Up to now?

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Speaker 2: So here's the thing with Pride this year, and I'm

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Speaker 2: going to try to work through this in real time.

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Speaker 2: For so long, the joke with Pride was it's overly corporate.

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Speaker 2: I'll meet you at the Chase Bank flow. Everyone is

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Speaker 2: marching wearing their corporate teas whatever. Last year this thing

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Speaker 2: happened where because there was so much backlash with anti

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Speaker 2: trans legislation and with like people protesting you know, Target's

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Speaker 2: Pride collection or whatever. Suddenly even the corporate pride felt

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Speaker 2: like important. Somehow do you relate to this at all?

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Speaker 4: I hear what you're saying, but.

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Speaker 2: Like there's something where I was like, wait a minute,

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Speaker 2: this thing that I've been making fun of for so

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Speaker 2: long actually is like it literally is dangerous for Target

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Speaker 2: to put out a Pride collection. Guess people are gonna

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Speaker 2: come with a gun and protest suddenly, and so that,

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Speaker 2: and on top of that, what happened last year and

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Speaker 2: people may not remember, is the sort of like lgbt

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Speaker 2: Q plus creators and influencers didn't get gigs and work

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Speaker 2: because people were doing fewer Pride campaigns. And suddenly I

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Speaker 2: was like, wait a minute again, all these people that

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Speaker 2: I've been making fun of, are they now being marginalized?

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Speaker 2: And should I be on the front lines advocating for

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Speaker 2: Instagram influencers and Instagram creators to get that Brooklyn and

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Speaker 2: campaign now that Brooklyn is terrified of being seen as pro.

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Speaker 1: LGBT totally, and so where are we? So where are

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Speaker 1: we now?

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Speaker 2: Is what I'm saying.

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Speaker 4: Yes, it's really smart, George, good.

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Speaker 1: Job, good job.

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Speaker 4: I didn't think of that. And the last year I

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Speaker 4: like actually kind of completely forgot that that happened.

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Speaker 2: But do you remember what I'm saying? It was kind

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Speaker 2: of shocking because you're used.

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Speaker 6: To every backlash, backlash, backlash, You're used to.

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Speaker 2: Every year, suddenly you open Instagram and every random person

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Speaker 2: you follow for some reason is partnering with the brand.

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Speaker 1: Yeah, and suddenly that didn't happen last year.

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Speaker 6: Yes, Yeah, it's hard because it's like we're gonna have

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Speaker 6: to see, We're gonna have to see.

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Speaker 1: I think maybe this is a rebuilding year. Maybe this

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Speaker 1: is like maybe last year we were it's a transitional period.

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Speaker 1: It's a transitional period. This year we can build some

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Speaker 1: new traditions.

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Speaker 4: Yeatside of brands, outside of brands. It will be hard.

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Speaker 1: It will be hard.

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Speaker 2: I'm not seeing any a lot of you know, communal

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Speaker 2: pot lucks happening.

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Speaker 1: Yeah, how well, celest we haven't dug into your feelings. Yeah,

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Speaker 1: how do you feel about Pride?

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Speaker 2: Where are you at with Pride as a concept this year?

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Speaker 6: I missed Pride last year because I was traveling m

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Speaker 6: Okay Brag with my girlfriend.

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Speaker 4: Oh who I have one?

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Speaker 6: So I kind of feel excited to be here this year,

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Speaker 6: But it's not feeling as like both like intents about

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Speaker 6: like the parties, and it's not feeling as like.

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Speaker 4: I would do some panels or whatever.

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Speaker 6: Yeah, So I don't really know, like I think we're

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Speaker 6: gonna have to see.

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Speaker 4: Yeah, I love Pride, you do, I do?

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Speaker 2: Yeah, what do you like about it?

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Speaker 4: I like that it's like everyone has to play.

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Speaker 1: Yeah.

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Speaker 4: Yeah, oh that's a good point. Like it's like can't

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Speaker 4: out exactly. It's actually a lot like birthday. It's like

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Speaker 4: it's my birthday. I'm going to stay out. Yeah, you know,

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Speaker 4: it's like we.

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Speaker 6: All have to gather because it only happens once a

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Speaker 6: year and involves us all because we love you.

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Speaker 1: I think also what's it also has a thing? I

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Speaker 1: love a communal day like in general, and like like

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Speaker 1: for example, like I think the comparison is my parents

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Speaker 1: are not like religious, but like Easter comes and they're like,

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Speaker 1: well we're celebrating what we're doing something. Yeah, and that's

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Speaker 1: sort of my like religship. I think.

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Speaker 6: I also think, like, Okay, how do I put this.

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Speaker 6: I think it's like what made Pride so like delicious

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Speaker 6: in the past few years, like.

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Speaker 4: Maybe before.

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Speaker 6: Yeah, I think before this year was that it was

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Speaker 6: like it hearkened to the time of like a mono

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Speaker 6: cultural celebration point which was so rare, and now monoculture

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Speaker 6: is a little bit back, and I think it's making

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Speaker 6: it less like there's less of a craving its past

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Speaker 6: something we're all doing.

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Speaker 4: Do you know what I mean?

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Speaker 2: Well, I actually, you know, the study of whether or

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Speaker 2: not monoculture is back is approximately ninety percent of what

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Speaker 2: both of us think about. So I do need you

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Speaker 2: to make your argument about why you think monocultures.

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Speaker 4: You guys have different opinions about this.

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Speaker 2: I think we have relatively relatively similar opinions about it.

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Speaker 6: I think there have been a few moments within the past,

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Speaker 6: like Barbinheimer nine.

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Speaker 4: To twelve months.

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Speaker 6: Yes, starting maybe with Barbenheimer, but Taylor Swift, Taylor Swift,

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Speaker 6: even Espresso, even the eclipse, even the Olympics coming.

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Speaker 2: This is interesting because we were saying that is actually

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Speaker 2: an example of how monoculture is not back.

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Speaker 1: Because can you believe I.

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Speaker 6: Didn't like the feeling of me saying something and you

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Speaker 6: guys both saying.

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Speaker 2: Episode I'm sorry, and I really and by the way,

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Speaker 2: I want to be on your side because no one

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Speaker 2: is a bigger Olympics stand than me. I mean it

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Speaker 2: is literally my culture, of course.

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Speaker 1: And I we were at.

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Speaker 2: We did our live show in Los Angeles last week's

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Speaker 2: shout out to the two awesome.

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Speaker 1: Yeah, it was really awesome.

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Speaker 4: That's cool.

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Speaker 2: One of the things we did for our famous segment

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Speaker 2: based on your copy, based on your trademark copyright issue

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Speaker 2: there yet was the Olympics, and every single person in

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Speaker 2: the room was like wait what.

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Speaker 1: They were like, it's in Paris, this year's wait this.

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Speaker 2: Summer, and we were like I was, I in fact,

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Speaker 2: was like yeah, it's starting in like a couple of

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Speaker 2: weeks and people were like, no, I don't.

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Speaker 4: And I know what that's true, Like you are not

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Speaker 4: hearing about the Olympics, and people keeping like.

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Speaker 1: He had no idea, like the.

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Speaker 2: Oscars, like you know how the Oscars is fully and

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Speaker 2: by the way, the mechalo this year also did not

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Speaker 2: feel monocultural, right.

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Speaker 6: It literally felt like but that's I guess what I'm

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Speaker 6: saying about pride.

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Speaker 7: Like you're I'm allowing this, but you're switching hear me,

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Speaker 7: hear me.

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Speaker 6: No, no, no, hear me, because it's like, because there

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Speaker 6: are other things that are satiating us to all talk to,

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Speaker 6: like our parents and our friends and i'll teachers features

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Speaker 6: about the regular things aren't feeling oh like they're making

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Speaker 6: a big splash.

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Speaker 2: So you're saying because of the monocultural impact of espresso,

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Speaker 2: Barbenheimer and the eclipse, the met Gala and the Olympics

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Speaker 2: are less pride, and Pride are less monocultural rented.

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Speaker 4: What else?

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Speaker 1: So you're I think this is genius.

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Speaker 4: You're making a lot of You're saying, we are.

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Speaker 1: Being well fed monoculture wise, exactly, so we don't need

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Speaker 1: to eat. So there is.

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Speaker 2: Less pressure on pride to be monoculture that's what you're saying.

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Speaker 2: And we can make it our own.

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Speaker 4: Is that not that there's less pressure, So there's less

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Speaker 4: like we don't need it as bad.

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Speaker 1: It's like when you have a lot of vacation time. Yeah,

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Speaker 1: like you don't like if you're like on vacation for

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Speaker 1: a month, you don't need to like party every night. Well,

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Speaker 1: I've got enough time.

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Speaker 4: Exactly. You should talk more about vacation in this shirt.

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Speaker 2: Oh my god, you are so.

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Speaker 4: And actually kind of white shirt is kind of vacation.

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Speaker 1: That's true. Oh my god.

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Speaker 4: Really, me, I'm in midtown with my shirt.

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Speaker 2: I feel like this is all I feel like.

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Speaker 1: You're brilliant.

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Speaker 2: Okay, Well you know, my dream, of course is to

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Speaker 2: be able to be one of those fashionable gay man

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Speaker 2: that is wearing the simplest possible outfit and yet you

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Speaker 2: look like you're in head to toe.

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Speaker 1: You're pretty close to that.

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Speaker 2: I do think I think I maybe need different shoes,

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Speaker 2: but I think, like a Crisp Oxford shirt, I think.

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Speaker 4: You're like a basic legend.

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Speaker 1: Yeah, I would agree with that.

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Speaker 4: Like that, No, I think you're a basic legend.

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Speaker 1: You're pretty much a basically.

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Speaker 4: Like a splash of water in the face to me

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Speaker 4: from me like, hello, you, I.

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Speaker 2: Mean you do have you take fashion risks, but when

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Speaker 2: you're at your most blazer, you are basic legends exactly. Yeah.

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Speaker 4: I feel really understood right now, not like before.

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Speaker 2: I mean, how many blazers do you own?

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Speaker 1: You can't just ask someone that.

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Speaker 4: Allow it? Yeah, five or six?

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Speaker 2: Okay, Because I've always wondered, is it that you have

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00:18:29,760 --> 00:18:31,920
Speaker 2: one and it's your signature, or is it that there

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00:18:31,920 --> 00:18:33,359
Speaker 2: are a few and there there's very subtle.

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Speaker 4: I like to vary it up, but I like to

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Speaker 4: look the same time.

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Speaker 6: I don't want someone to see me and saying, oh,

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Speaker 6: you know, when you're wearing something that you don't normally

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Speaker 6: wear and then people like are complimenting it.

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Speaker 1: And you're like you're you're offending me.

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Speaker 4: Well, you, I know that what you're feeling is that

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Speaker 4: I'm looking different, And so you're saying I like your

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Speaker 4: sweater exactly. I don't like that. No.

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Speaker 2: I actually have reached a point where I think all

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00:18:57,440 --> 00:18:59,000
Speaker 2: compliments are insults.

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Speaker 4: They're just notices. It should be you should be able

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Speaker 4: to notice something more easily in our culture.

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Speaker 1: But how much would it hurt for someone to be like, hey,

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Speaker 1: are noticing your sweater? No, exactly, that would be miserable, Like.

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Speaker 4: You're wearing a shirt that I'm seeing. It's crazy.

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Speaker 1: I see. I have a different approach obviously to what

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00:19:21,119 --> 00:19:23,359
Speaker 1: clothes if you want to be a basic legend. I

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Speaker 1: feel like I want to always be like, oh, you

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Speaker 1: think I can't do that. I can do that. Oh

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Speaker 1: you think I can't. Oh I can do that.

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Speaker 4: I really love to be like, don't say to me

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Speaker 4: that I can't do that, because.

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Speaker 1: I'm doing it right now.

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Speaker 2: Well, but you, I mean your entire fashion Uh oh,

400
00:19:41,840 --> 00:19:45,720
Speaker 2: you could hurt your entire fashion. Outlook is basically reclaiming

401
00:19:45,840 --> 00:19:50,320
Speaker 2: various elements of Americana that can be anything from cowboys

402
00:19:50,920 --> 00:19:53,480
Speaker 2: true cowboy. It can be school boy, it can be

403
00:19:53,520 --> 00:19:58,719
Speaker 2: midwestern dad, it can be like, you know, construction worker,

404
00:19:59,119 --> 00:20:02,040
Speaker 2: but it is very different forms of American masculinity. And

405
00:20:02,040 --> 00:20:03,600
Speaker 2: you're waking up every day and you're saying, which of

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Speaker 2: them am I going to interrogate?

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00:20:05,400 --> 00:20:07,560
Speaker 4: No, that's you're our American boy.

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00:20:07,840 --> 00:20:08,840
Speaker 2: I do love to do that.

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00:20:09,160 --> 00:20:11,159
Speaker 1: I can't help it. I've gotten so addicted to Western

410
00:20:11,280 --> 00:20:12,040
Speaker 1: stuff since.

411
00:20:12,040 --> 00:20:15,000
Speaker 2: I mean, Sam was wearing these cowboy boots and he

412
00:20:15,080 --> 00:20:16,879
Speaker 2: told me I bought cowboy boots. I said, all right,

413
00:20:16,920 --> 00:20:19,520
Speaker 2: I believe it when I see it. These are like

414
00:20:19,560 --> 00:20:22,399
Speaker 2: some of the best cowboy boots I've ever seen. I mean, I.

415
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Speaker 4: Would love to see that. I would love to see

416
00:20:25,280 --> 00:20:25,880
Speaker 4: you wearing those.

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00:20:26,080 --> 00:20:28,560
Speaker 1: I almost wore them to New York, but I said,

418
00:20:29,320 --> 00:20:30,639
Speaker 1: that's going to take up so much space.

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00:20:30,680 --> 00:20:32,480
Speaker 2: Yeah, you have to. At that point, you would have

420
00:20:32,520 --> 00:20:34,199
Speaker 2: to wear them on the plane. They suddenly you're the

421
00:20:34,200 --> 00:20:37,080
Speaker 2: person taking off cowboy boots. But you're the thing. They're like,

422
00:20:37,200 --> 00:20:37,760
Speaker 2: is he right.

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00:20:37,680 --> 00:20:41,560
Speaker 1: Wing when you take whenever you take off cowboy boots? Yeah,

424
00:20:41,840 --> 00:20:45,120
Speaker 1: it implies so much because it's really like like I

425
00:20:45,160 --> 00:20:49,200
Speaker 1: was at these like my parents' friend's house, and I

426
00:20:49,280 --> 00:20:52,840
Speaker 1: like took off my cowboy boots and I was immediately like, oh,

427
00:20:52,840 --> 00:20:55,200
Speaker 1: I'm a little boy. Like they think I'm a little boy.

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00:20:55,240 --> 00:20:56,840
Speaker 1: They think I like got bunked on the head, and

429
00:20:56,880 --> 00:20:57,200
Speaker 1: I think.

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Speaker 4: I'm all in the motion.

431
00:20:58,320 --> 00:21:01,680
Speaker 2: There's like they're just take them off very like, Yeah,

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00:21:01,960 --> 00:21:04,600
Speaker 2: a cartoon of like short man wearing boots and then

433
00:21:04,640 --> 00:21:06,919
Speaker 2: he takes him off and he's cartoonishly shorter. He's like

434
00:21:06,920 --> 00:21:08,840
Speaker 2: a foot shorter boots.

435
00:21:08,920 --> 00:21:11,520
Speaker 4: Of course, like it really changes who you are.

436
00:21:11,680 --> 00:21:13,280
Speaker 1: Can I say something about cowboy boots?

437
00:21:14,040 --> 00:21:18,720
Speaker 2: I actually think I do not feel safe enough to

438
00:21:19,200 --> 00:21:21,479
Speaker 2: reclaim cowboy boots in any way, Like to me, they

439
00:21:21,480 --> 00:21:24,080
Speaker 2: are still a symbol of like the George W.

440
00:21:24,119 --> 00:21:24,720
Speaker 1: Bush ep finish.

441
00:21:24,800 --> 00:21:27,000
Speaker 4: Well, that's exactly what Sam's fashion like.

442
00:21:27,240 --> 00:21:30,959
Speaker 1: M O. Yes, because you were saying I can't do that.

443
00:21:31,040 --> 00:21:32,280
Speaker 2: Oh I can do that.

444
00:21:32,640 --> 00:21:35,960
Speaker 1: Yeah, yeah, that's sometimes at backfires. But every once in

445
00:21:36,000 --> 00:21:37,840
Speaker 1: a while you.

446
00:21:37,760 --> 00:21:40,880
Speaker 4: Think I can't do that, I can do that.

447
00:21:40,880 --> 00:21:43,080
Speaker 1: That should be the title of your memoir. Do you

448
00:21:43,119 --> 00:21:43,800
Speaker 1: think I can't do that?

449
00:21:43,880 --> 00:21:45,560
Speaker 2: Question? Mark, I can do that. Period.

450
00:21:47,119 --> 00:21:50,240
Speaker 4: The feeling that I'm having saying those words is like

451
00:21:50,600 --> 00:21:51,680
Speaker 4: eating a candy.

452
00:21:51,760 --> 00:21:53,080
Speaker 2: Yeah, I can't do that.

453
00:21:53,119 --> 00:21:53,639
Speaker 4: I can do that.

454
00:21:54,240 --> 00:21:57,040
Speaker 1: I had a thing recently that I didn't think was

455
00:21:57,080 --> 00:22:02,600
Speaker 1: weird I was eating with Claria recently and I was like,

456
00:22:02,680 --> 00:22:06,080
Speaker 1: I'll have a cold brew and Claire was like, oh,

457
00:22:06,160 --> 00:22:08,040
Speaker 1: I don't see cold brew on the menu, and I

458
00:22:08,080 --> 00:22:14,959
Speaker 1: was like, I didn't see it anyway, I just said it.

459
00:22:15,280 --> 00:22:17,479
Speaker 1: She was like, that's so crazy, and I was like,

460
00:22:17,480 --> 00:22:20,359
Speaker 1: that's not crazy. It's a restaurant. I'm sure they'll have it.

461
00:22:21,080 --> 00:22:22,919
Speaker 4: Did they they did? Of course.

462
00:22:23,600 --> 00:22:26,200
Speaker 1: Do you ever order off menu at restaurants? Go?

463
00:22:26,680 --> 00:22:27,359
Speaker 4: Of course not.

464
00:22:27,720 --> 00:22:27,880
Speaker 2: No.

465
00:22:28,000 --> 00:22:28,399
Speaker 4: I would.

466
00:22:28,720 --> 00:22:32,320
Speaker 2: I would rather literally like rip out my shirt and

467
00:22:32,400 --> 00:22:35,560
Speaker 2: perform a Satanic ritual in the middle of La Cirque

468
00:22:35,880 --> 00:22:38,640
Speaker 2: than order then be like, can I just have two

469
00:22:38,800 --> 00:22:41,200
Speaker 2: sliced tomatoes with some ev o O on top?

470
00:22:41,359 --> 00:22:44,200
Speaker 1: Oh? No, for food, I would never ever For drinks,

471
00:22:44,240 --> 00:22:45,320
Speaker 1: and there are people that do.

472
00:22:45,520 --> 00:22:49,560
Speaker 4: Don't try to be with us. If you're with us,

473
00:22:49,600 --> 00:22:51,680
Speaker 4: you're with us. But if you're not, it's okay.

474
00:22:52,600 --> 00:22:55,000
Speaker 2: But but I do agree that for drinks, I'm like,

475
00:22:55,080 --> 00:22:56,720
Speaker 2: if there's a bar, you should be able to make

476
00:22:56,760 --> 00:22:59,680
Speaker 2: anything I asked for. I am not looking at To me,

477
00:22:59,760 --> 00:23:05,920
Speaker 2: there is no there's no bigger defeat than looking at

478
00:23:05,920 --> 00:23:09,639
Speaker 2: a cocktail menu. Like, have a sense of self and

479
00:23:10,080 --> 00:23:12,720
Speaker 2: know what you want and trust your gut. Yeah, do

480
00:23:12,880 --> 00:23:13,680
Speaker 2: not order.

481
00:23:13,640 --> 00:23:17,600
Speaker 1: The you know red hot fire emoji. You know what

482
00:23:17,640 --> 00:23:19,320
Speaker 1: I wish? Actually, I wish they would hand you the

483
00:23:19,680 --> 00:23:21,080
Speaker 1: be like and here's our cocktail menu and have some

484
00:23:21,119 --> 00:23:23,280
Speaker 1: amazing options. You open it and just as like lauram

485
00:23:23,320 --> 00:23:27,200
Speaker 1: if some Laura la like. I get that they want

486
00:23:27,200 --> 00:23:29,000
Speaker 1: to hand you something, but it's sort of like your

487
00:23:29,040 --> 00:23:29,800
Speaker 1: best Yeah.

488
00:23:30,400 --> 00:23:31,000
Speaker 2: No they should.

489
00:23:31,600 --> 00:23:32,680
Speaker 1: Next time they hand me one, I'm.

490
00:23:32,560 --> 00:23:35,760
Speaker 2: Gonna rip rip it into tiny faces of throwing out.

491
00:23:35,960 --> 00:23:36,760
Speaker 4: And that's a polite thing.

492
00:23:36,800 --> 00:23:38,560
Speaker 2: That's a polite thing to do. That's what they do

493
00:23:38,600 --> 00:23:39,040
Speaker 2: in friends.

494
00:23:39,200 --> 00:23:43,040
Speaker 4: Yes, Oh my god, what is it again? I didn't

495
00:23:43,040 --> 00:23:43,320
Speaker 4: see it.

496
00:23:43,320 --> 00:23:44,080
Speaker 2: I just didn't see it.

497
00:23:44,119 --> 00:23:47,000
Speaker 4: I just that's amazing, Sam, that's another great title.

498
00:23:47,359 --> 00:23:50,879
Speaker 1: Yeah that one. Really. I was like, and sometimes you know,

499
00:23:50,880 --> 00:23:54,000
Speaker 1: when you're reflected back, you're like, whoa, I didn't realize.

500
00:23:54,040 --> 00:23:55,960
Speaker 4: It's kind of the origin of you think I can't

501
00:23:56,000 --> 00:23:56,280
Speaker 4: do that.

502
00:23:56,640 --> 00:23:57,240
Speaker 2: I can do that.

503
00:23:59,800 --> 00:24:02,320
Speaker 1: Just wow.

504
00:24:05,600 --> 00:24:07,480
Speaker 2: We do our first segment. I almost want to just

505
00:24:07,480 --> 00:24:08,680
Speaker 2: get it out of the way so we can get

506
00:24:08,680 --> 00:24:09,160
Speaker 2: into the meet.

507
00:24:09,920 --> 00:24:10,960
Speaker 4: What are the segments again?

508
00:24:11,000 --> 00:24:14,120
Speaker 1: I wonder you're about to find out. Well, this one,

509
00:24:14,240 --> 00:24:16,560
Speaker 1: since we're doing this is a very special pride episode.

510
00:24:16,600 --> 00:24:21,440
Speaker 1: So Jadio Lab. So we're gonna do our famous Gata

511
00:24:21,520 --> 00:24:26,399
Speaker 1: Lab segment Gay Shooters. Oh yes, oh right, yeah, so

512
00:24:26,440 --> 00:24:28,040
Speaker 1: it's a little bit different. It's a twist on the

513
00:24:28,040 --> 00:24:31,240
Speaker 1: famous segment straight Shooters of course. Yeah.

514
00:24:31,240 --> 00:24:34,200
Speaker 2: By the way, I I knew that the entire time

515
00:24:34,240 --> 00:24:36,400
Speaker 2: and wrote those. I wrote mine with that in mind.

516
00:24:36,400 --> 00:24:38,840
Speaker 2: Of course, of course I knew that as well.

517
00:24:39,920 --> 00:24:42,680
Speaker 4: I'm so proud of you guys. I've done so many episodes.

518
00:24:42,840 --> 00:24:46,560
Speaker 2: We actually have done Infinity episodes. We just were the

519
00:24:46,560 --> 00:24:48,240
Speaker 2: first podcast to do Infinity episode.

520
00:24:48,320 --> 00:24:51,120
Speaker 1: Yeah. It actually is kind of crazy because in my mind,

521
00:24:51,160 --> 00:24:54,080
Speaker 1: I'm still like we're just getting started. It's like we've

522
00:24:54,160 --> 00:24:56,560
Speaker 1: done this since it's been like four years.

523
00:24:56,600 --> 00:24:58,240
Speaker 4: Yes, I was on in twenty.

524
00:25:00,119 --> 00:25:03,400
Speaker 1: On pre Pandemic. Yes, yeah, you were on pre Pandemic,

525
00:25:03,560 --> 00:25:03,800
Speaker 1: And I.

526
00:25:03,760 --> 00:25:06,480
Speaker 6: Was thinking on my commute over here that I remember

527
00:25:06,520 --> 00:25:10,119
Speaker 6: the commute to the first episode being very long. It

528
00:25:10,200 --> 00:25:14,240
Speaker 6: was and once again took me kind of a bit

529
00:25:14,320 --> 00:25:14,800
Speaker 6: to get here.

530
00:25:15,320 --> 00:25:15,800
Speaker 4: Respect.

531
00:25:16,600 --> 00:25:19,159
Speaker 2: I mean, to go from Bushwick to Midtown is the

532
00:25:19,240 --> 00:25:20,840
Speaker 2: ultimate hero's journey.

533
00:25:21,040 --> 00:25:25,199
Speaker 4: Well well I mean that was there. There's lights in

534
00:25:25,240 --> 00:25:26,040
Speaker 4: this room.

535
00:25:26,840 --> 00:25:35,320
Speaker 6: Yeah, well yes, well, so many episodes and I just

536
00:25:35,359 --> 00:25:36,560
Speaker 6: am proud like legit.

537
00:25:37,080 --> 00:25:38,679
Speaker 4: I was looking at the episodes and I was like,

538
00:25:38,720 --> 00:25:39,080
Speaker 4: they have.

539
00:25:39,920 --> 00:25:45,000
Speaker 6: Truly done so many since I was here, so.

540
00:25:44,720 --> 00:25:46,960
Speaker 4: So many, and even trying to come up with a topic.

541
00:25:47,400 --> 00:25:50,280
Speaker 4: One could say it was impossible, which kind of brought

542
00:25:50,280 --> 00:25:50,640
Speaker 4: me to.

543
00:25:50,560 --> 00:25:53,560
Speaker 2: My Well, I will say, you're I respect that it

544
00:25:53,600 --> 00:25:56,360
Speaker 2: was impossible. Course, I respect it was impossible, But you are,

545
00:25:56,400 --> 00:25:58,399
Speaker 2: in fact, only the second guest to ever do a

546
00:25:58,440 --> 00:25:59,919
Speaker 2: gay topic. Right, So there's not that.

547
00:26:00,240 --> 00:26:04,000
Speaker 4: I wasn't really thinking that. I was more going, what

548
00:26:04,320 --> 00:26:08,040
Speaker 4: should I talk about? Even one thing? Yeah, totally, that's

549
00:26:08,040 --> 00:26:09,400
Speaker 4: actually we'll get into it.

550
00:26:09,560 --> 00:26:11,400
Speaker 1: Well. I also do want to say a little bit.

551
00:26:12,119 --> 00:26:14,680
Speaker 1: You know, I appreciate you saying you're proud of us.

552
00:26:14,720 --> 00:26:17,600
Speaker 1: There's something it's about saying for doing so many episodes

553
00:26:17,600 --> 00:26:19,480
Speaker 1: that sounds a little bit like I'm noticing your shirt.

554
00:26:20,280 --> 00:26:23,880
Speaker 2: Yeah, I do think it's sort of there. There's been

555
00:26:23,960 --> 00:26:25,600
Speaker 2: no value judgment whatever.

556
00:26:25,680 --> 00:26:29,240
Speaker 1: You're like a long time, but there's just a lot

557
00:26:29,280 --> 00:26:32,719
Speaker 1: of episodes and no one's the amount of time that

558
00:26:32,880 --> 00:26:34,359
Speaker 1: has been spent on this.

559
00:26:34,600 --> 00:26:35,800
Speaker 4: Okay, let me try again.

560
00:26:36,200 --> 00:26:38,719
Speaker 2: No, No, I think you said enough, and I think

561
00:26:38,760 --> 00:26:40,520
Speaker 2: it's time to do our first segment gay show.

562
00:26:40,560 --> 00:26:41,360
Speaker 4: I think you should go.

563
00:26:45,720 --> 00:26:48,320
Speaker 2: So so that's in this segment, we test your familiarity

564
00:26:48,359 --> 00:26:51,679
Speaker 2: with in complicity in gay culture by asking you a

565
00:26:51,720 --> 00:26:53,680
Speaker 2: series of rapid fire questions where you have to choose

566
00:26:53,720 --> 00:26:55,919
Speaker 2: this thing or this other thing, Sam take it away.

567
00:26:55,800 --> 00:27:02,880
Speaker 1: Okay, Neil Patrick Harris or Michael Patrick Neil guilty.

568
00:27:02,480 --> 00:27:05,679
Speaker 2: On thirty four counts, or milking an herbivore cow.

569
00:27:07,280 --> 00:27:11,200
Speaker 1: Cow okay, the mark of the beast or the mark

570
00:27:11,240 --> 00:27:13,600
Speaker 1: that you met at the feast, the.

571
00:27:13,480 --> 00:27:15,400
Speaker 4: Mark that you met at the feast.

572
00:27:15,880 --> 00:27:22,920
Speaker 1: Mean girls or bean dip, bean dip obviously, having a

573
00:27:23,000 --> 00:27:25,960
Speaker 1: rich cultural heritage or having a rich father doesn't give

574
00:27:25,960 --> 00:27:26,280
Speaker 1: a shit.

575
00:27:26,480 --> 00:27:29,760
Speaker 4: Oh damn, this segment has changed since I was here.

576
00:27:30,359 --> 00:27:35,399
Speaker 2: No, no, it's I do remember in the beginning we

577
00:27:35,440 --> 00:27:37,879
Speaker 2: would do like maybe one silly one, but then the

578
00:27:37,880 --> 00:27:40,840
Speaker 2: rest would literally be like blue or black, right right,

579
00:27:41,200 --> 00:27:46,800
Speaker 2: whereas now are like gorgeous like wordplay. Well, we've you know,

580
00:27:46,840 --> 00:27:49,199
Speaker 2: we've put a lot of top ten thousand hours.

581
00:27:49,480 --> 00:27:52,760
Speaker 6: Yeah, Malcolm, can I get can I get yours again?

582
00:27:52,840 --> 00:27:53,080
Speaker 4: To him?

583
00:27:53,680 --> 00:27:56,600
Speaker 1: Yeah, it was having a rich cultural heritage or having

584
00:27:56,600 --> 00:27:58,240
Speaker 1: a rich father doesn't give a shit.

585
00:27:58,920 --> 00:28:00,200
Speaker 4: Rich father who doesn't give a shit.

586
00:28:00,400 --> 00:28:00,880
Speaker 1: Totally.

587
00:28:01,040 --> 00:28:04,760
Speaker 2: The Pope is homophobic, or I hope it isn't Covid

588
00:28:05,560 --> 00:28:07,240
Speaker 2: the pope.

589
00:28:07,840 --> 00:28:10,440
Speaker 1: Okay, praying to God or blowing your wad.

590
00:28:11,040 --> 00:28:13,840
Speaker 4: Oh, that's good, praying to God.

591
00:28:14,560 --> 00:28:18,520
Speaker 2: Caviatelli with broccoli, rob and sausage, or Donatella Versacei is

592
00:28:18,520 --> 00:28:19,360
Speaker 2: a boss bitch.

593
00:28:20,640 --> 00:28:23,520
Speaker 4: Is a bass bitch. Wow, it was really good.

594
00:28:23,840 --> 00:28:27,960
Speaker 1: No, that was amazing. What do you think Selest got?

595
00:28:28,720 --> 00:28:31,520
Speaker 2: Well, I'm trying, I was trying to remember, do we,

596
00:28:31,840 --> 00:28:35,800
Speaker 2: for Gatio lab change the meter from zero to one

597
00:28:35,800 --> 00:28:39,120
Speaker 2: thousand doves to something else? Maybe we go zero to

598
00:28:39,800 --> 00:28:48,120
Speaker 2: negative one thousand, you know, buttholes and and and kind

599
00:28:48,120 --> 00:28:50,560
Speaker 2: of go into a more the queer art of failure.

600
00:28:50,680 --> 00:28:54,200
Speaker 2: So the less the less of ah or you have,

601
00:28:54,400 --> 00:28:57,600
Speaker 2: the lower score you have, the better you did, wow,

602
00:28:57,760 --> 00:29:00,680
Speaker 2: or something along those lines. Sure, well in that case,

603
00:29:00,720 --> 00:29:03,480
Speaker 2: in that case, I think you got negative.

604
00:29:04,520 --> 00:29:12,760
Speaker 1: Nine hundred twenty seven but holes out of how many?

605
00:29:12,840 --> 00:29:13,080
Speaker 4: Again?

606
00:29:13,360 --> 00:29:14,280
Speaker 1: Negative one thousand?

607
00:29:14,760 --> 00:29:15,280
Speaker 4: Pretty good?

608
00:29:15,400 --> 00:29:16,680
Speaker 1: Pretty good, pretty deep?

609
00:29:19,560 --> 00:29:22,000
Speaker 4: This podcast has really changed since I was last year.

610
00:29:22,080 --> 00:29:23,520
Speaker 1: What are the changes? Yeah, what are the changes?

611
00:29:23,560 --> 00:29:24,800
Speaker 4: You're not remember a score?

612
00:29:24,840 --> 00:29:28,200
Speaker 2: I mean obviously you don't remember the scoresman, No, no, no,

613
00:29:28,320 --> 00:29:31,080
Speaker 2: first step we came up with the score like sort

614
00:29:31,120 --> 00:29:36,720
Speaker 2: of as we went. Certainly the score was, you know,

615
00:29:37,160 --> 00:29:39,600
Speaker 2: canonized by the time you did your second appearance, but

616
00:29:39,680 --> 00:29:40,400
Speaker 2: not when you.

617
00:29:40,320 --> 00:29:42,680
Speaker 1: Recorded because CHROMATICA hadn't come out yet.

618
00:29:42,680 --> 00:29:45,480
Speaker 2: Exactly, it's it's zero to one thousand doves normally.

619
00:29:46,160 --> 00:29:48,040
Speaker 4: Do you believe I was on post pre.

620
00:29:48,080 --> 00:29:51,520
Speaker 2: Pre chromatic one of the rare pre dramatic agains.

621
00:29:52,640 --> 00:29:55,280
Speaker 1: I mean that is wild actually, and you were.

622
00:29:56,120 --> 00:29:59,520
Speaker 2: Yeah, first live show we ever did issue there yet?

623
00:30:00,200 --> 00:30:05,040
Speaker 1: Right, Wow, how have you changed? Yeah?

624
00:30:05,040 --> 00:30:07,200
Speaker 2: How have you changed? You look really different.

625
00:30:07,560 --> 00:30:09,400
Speaker 1: Yeah, a lot of work done.

626
00:30:09,520 --> 00:30:10,880
Speaker 4: Huh yeah, just my nose.

627
00:30:11,920 --> 00:30:15,240
Speaker 2: I think you got a nose inserted at the back

628
00:30:15,280 --> 00:30:18,680
Speaker 2: of your before your face, before your face was flat.

629
00:30:20,560 --> 00:30:24,680
Speaker 4: I have been on the front of the back. We

630
00:30:24,680 --> 00:30:26,680
Speaker 4: should do more characters, I agree.

631
00:30:27,280 --> 00:30:29,080
Speaker 1: Now, what would your debut character be.

632
00:30:30,680 --> 00:30:33,160
Speaker 3: Mister Gringer.

633
00:30:34,320 --> 00:30:37,400
Speaker 2: That that's one of your classic characters. Yeah, got me on,

634
00:30:38,160 --> 00:30:41,360
Speaker 2: Yeah exactly. They said, great character, we're going to make

635
00:30:41,360 --> 00:30:41,800
Speaker 2: them a writer.

636
00:30:44,080 --> 00:30:47,640
Speaker 4: You've shown that you can do development and premise work

637
00:30:47,880 --> 00:30:48,440
Speaker 4: really well.

638
00:30:48,720 --> 00:30:52,400
Speaker 1: Yeah, that's what matters, matters in this industry, in this town,

639
00:30:52,480 --> 00:30:53,840
Speaker 1: in this town, this town.

640
00:30:54,040 --> 00:30:55,080
Speaker 2: Over the mics.

641
00:30:56,080 --> 00:31:00,360
Speaker 4: So that was a cartoonish that's part of Miss fringer

642
00:31:00,400 --> 00:31:02,520
Speaker 4: Beans into it.

643
00:31:03,640 --> 00:31:05,280
Speaker 1: Bringer Beans is the name.

644
00:31:05,400 --> 00:31:10,200
Speaker 4: Careful making fun of me because recurring segments for the whole,

645
00:31:10,680 --> 00:31:12,800
Speaker 4: for the rest of the time describe.

646
00:31:12,480 --> 00:31:14,960
Speaker 2: What are mister gringer beans qualities.

647
00:31:15,960 --> 00:31:18,320
Speaker 4: I guess the way I came up with it was

648
00:31:18,360 --> 00:31:22,080
Speaker 4: I couldn't think of one single word or last. That's

649
00:31:22,120 --> 00:31:23,080
Speaker 4: part of his story.

650
00:31:23,360 --> 00:31:23,960
Speaker 1: I know.

651
00:31:24,280 --> 00:31:26,400
Speaker 2: Well, for anyone watching it home, you sort of did

652
00:31:26,440 --> 00:31:30,680
Speaker 2: an exaggerated uh scratch, face scratch. So maybe part of

653
00:31:30,760 --> 00:31:34,280
Speaker 2: mister gringer Bean is like little what don't keep going

654
00:31:34,560 --> 00:31:40,080
Speaker 2: these little these little things everyone does, uh little gestures okay, yes,

655
00:31:40,160 --> 00:31:44,640
Speaker 2: little gestures, crossing your legs, clapping, snapping your fingers, rubbing

656
00:31:44,640 --> 00:31:49,680
Speaker 2: your eyes base exactly. It is someone who in all

657
00:31:49,720 --> 00:31:51,760
Speaker 2: other ways is normal, has clipped this.

658
00:31:51,840 --> 00:31:54,080
Speaker 1: By the way, no, this is a clip. This is

659
00:31:54,080 --> 00:31:54,440
Speaker 1: the clip.

660
00:31:55,680 --> 00:31:56,680
Speaker 2: Don't say don't clip this.

661
00:31:56,760 --> 00:31:59,760
Speaker 1: We're in the middle of clipping. This is currently on.

662
00:32:00,720 --> 00:32:03,160
Speaker 4: That's why I'm saying it. I want That's what I'm saying.

663
00:32:04,640 --> 00:32:05,120
Speaker 1: We need.

664
00:32:05,640 --> 00:32:08,160
Speaker 2: I want people to do front facing camera work where

665
00:32:08,160 --> 00:32:10,959
Speaker 2: they do their impression mister gringer Beans, and here it is.

666
00:32:11,120 --> 00:32:13,600
Speaker 2: It is someone living their normal life and then they

667
00:32:13,600 --> 00:32:16,880
Speaker 2: have to make some small gesture and exaggerated cartoonishly to

668
00:32:16,920 --> 00:32:18,680
Speaker 2: the point we're so funny.

669
00:32:18,720 --> 00:32:24,280
Speaker 1: Okay, So this is mister Gringer Beans when he wants

670
00:32:24,320 --> 00:32:26,280
Speaker 1: you to like, uh, you said something but it was

671
00:32:26,320 --> 00:32:27,120
Speaker 1: a little too quiet.

672
00:32:30,080 --> 00:32:33,400
Speaker 2: This is mister Gringer Beans where he's in a panel

673
00:32:33,400 --> 00:32:38,200
Speaker 2: discussion post film screening and he just is going to

674
00:32:38,240 --> 00:32:44,400
Speaker 2: cross his legs and so then I thought, whoa.

675
00:32:46,080 --> 00:32:54,880
Speaker 1: Damn go with that? Beans shows whole Yeah, I had

676
00:32:54,920 --> 00:32:58,920
Speaker 1: no idea. No, I didn't know that makes such an impact.

677
00:32:59,040 --> 00:32:59,680
Speaker 4: It was really good.

678
00:32:59,760 --> 00:33:02,320
Speaker 1: Yeah. Uh, mister well, this is another element of mister

679
00:33:02,360 --> 00:33:04,280
Speaker 1: Gringer Beans. He has a really active sex like.

680
00:33:04,760 --> 00:33:06,880
Speaker 2: Well, yes, can you imagine how yes sex?

681
00:33:06,880 --> 00:33:12,280
Speaker 1: Are you kidding me? Oh? It's wilde? His arms and

682
00:33:12,360 --> 00:33:13,160
Speaker 1: legs are in not.

683
00:33:15,640 --> 00:33:18,840
Speaker 2: Okay, so less it's your turn for clipping this.

684
00:33:18,840 --> 00:33:22,160
Speaker 6: This is mister Gringer Beans when a little bit of

685
00:33:22,200 --> 00:33:24,800
Speaker 6: hair is bothering him on his face.

686
00:33:30,040 --> 00:33:34,400
Speaker 2: That's good, this is good, amazing. Yeah, it's so sad

687
00:33:34,440 --> 00:33:34,640
Speaker 2: that I.

688
00:33:37,680 --> 00:33:40,239
Speaker 4: Trust that you would be seeing mister Beans that day

689
00:33:40,280 --> 00:33:42,040
Speaker 4: played by Bowe and Huge.

690
00:33:44,120 --> 00:33:46,400
Speaker 1: Do you guys remember that show? Was it like the

691
00:33:46,480 --> 00:33:52,480
Speaker 1: Fossy Show with Yes? She did? Mister ginger Beans wait, yes,

692
00:33:52,680 --> 00:33:53,280
Speaker 1: where she goes.

693
00:33:56,960 --> 00:33:58,880
Speaker 2: You know who else is so mister gringer Beans.

694
00:33:58,880 --> 00:33:59,640
Speaker 1: Harry Bradshaw.

695
00:33:59,720 --> 00:34:02,920
Speaker 2: Sometimes I like Carrie brad Ratshaw literally just walking on

696
00:34:02,960 --> 00:34:03,920
Speaker 2: the street and she's like.

697
00:34:09,480 --> 00:34:20,160
Speaker 1: Carrie knocking on the restaurant. You don't like, she's like.

698
00:34:22,000 --> 00:34:26,800
Speaker 4: Full Marionette's literally the first married limb is connected with

699
00:34:26,880 --> 00:34:27,600
Speaker 4: the string.

700
00:34:27,640 --> 00:34:29,880
Speaker 2: Woman Marionette, who's the star up own show.

701
00:34:30,320 --> 00:34:32,759
Speaker 1: This is crazy. What's weird about this is that from

702
00:34:32,840 --> 00:34:35,840
Speaker 1: now on, whenever someone's like being a little overly expressive,

703
00:34:35,880 --> 00:34:39,719
Speaker 1: I'll refer to it as being a little misters.

704
00:34:42,200 --> 00:34:44,680
Speaker 2: And like you know, in theater or in film, like

705
00:34:44,680 --> 00:34:47,840
Speaker 2: when a performance is so mister gringer beans. Yeah, you

706
00:34:47,880 --> 00:34:49,160
Speaker 2: know who's so mister ginger Beans?

707
00:34:49,520 --> 00:34:52,799
Speaker 1: Thurman and you know who else?

708
00:34:52,840 --> 00:34:54,880
Speaker 2: Kerry Washington. Oh, totally.

709
00:34:55,000 --> 00:35:00,600
Speaker 4: I try to think of them.

710
00:35:00,719 --> 00:35:02,520
Speaker 2: I think the most obvious one is Nicholas Cage.

711
00:35:02,520 --> 00:35:05,239
Speaker 4: I think, Nicholas, there's so many coming to you.

712
00:35:05,560 --> 00:35:06,480
Speaker 2: You're really good at this.

713
00:35:09,400 --> 00:35:09,560
Speaker 3: Hmm.

714
00:35:12,600 --> 00:35:23,520
Speaker 7: You think ginger beans beans, because my thing, do not wait,

715
00:35:23,560 --> 00:35:23,959
Speaker 7: I think.

716
00:35:26,239 --> 00:35:28,800
Speaker 2: Is almost could use a little more grainger beans. No offense,

717
00:35:28,840 --> 00:35:30,680
Speaker 2: of course, no. I said that as a fan.

718
00:35:31,000 --> 00:35:31,759
Speaker 1: I'm a huge fan.

719
00:35:31,800 --> 00:35:33,680
Speaker 2: I think if mister ginger Beans gave her a little

720
00:35:33,719 --> 00:35:35,920
Speaker 2: training and said, you know, maybe in moments of real

721
00:35:36,000 --> 00:35:39,480
Speaker 2: dramatic tension, let's go a little more gringer beans.

722
00:35:40,120 --> 00:35:44,240
Speaker 4: Yeah too, scared of a clip to say more about Okay.

723
00:35:44,080 --> 00:35:50,800
Speaker 1: Yeah, okay, but d M met why ginger beans?

724
00:35:53,640 --> 00:35:58,239
Speaker 4: I decide what ginger beans is fair, that's and that's

725
00:35:58,239 --> 00:36:00,719
Speaker 4: the one at It's like there's a different ringer beans.

726
00:36:00,719 --> 00:36:02,440
Speaker 2: But then it's also and also whatever so.

727
00:36:02,440 --> 00:36:06,000
Speaker 1: That yeah, yeah, I can't think of a single actor

728
00:36:06,080 --> 00:36:11,279
Speaker 1: Trump Trump, I can't believe.

729
00:36:11,680 --> 00:36:13,640
Speaker 2: I'm sorry you guys are having a lot of difficulty

730
00:36:13,680 --> 00:36:14,160
Speaker 2: coming up.

731
00:36:14,200 --> 00:36:16,439
Speaker 4: Noans scholar thing.

732
00:36:16,880 --> 00:36:19,359
Speaker 1: The thing is, I'm so this is something I need

733
00:36:19,360 --> 00:36:22,359
Speaker 1: to like work on with a therapist, is trying to

734
00:36:22,400 --> 00:36:25,960
Speaker 1: recall any single actor. Because as soon as someone's like,

735
00:36:26,000 --> 00:36:29,880
Speaker 1: what actor could do this, I'm like, I'm very like

736
00:36:29,920 --> 00:36:32,239
Speaker 1: I didn't do the reading, like I know actors, But

737
00:36:32,360 --> 00:36:34,560
Speaker 1: for some reason, as soon as someone is like, well,

738
00:36:34,640 --> 00:36:38,800
Speaker 1: name one, I'm like, mister Greeners.

739
00:36:40,520 --> 00:36:41,720
Speaker 4: What are you trying to say about?

740
00:36:43,600 --> 00:36:45,840
Speaker 1: I know that you wrote that like over months, like

741
00:36:45,880 --> 00:36:46,480
Speaker 1: I know that that.

742
00:36:46,480 --> 00:36:48,880
Speaker 2: Was what you wrote it for everyone, But when you

743
00:36:48,880 --> 00:36:51,160
Speaker 2: did the packete to do this show, that was what

744
00:36:51,280 --> 00:36:57,880
Speaker 2: webliged to bring it up. Yeah, well okay, I got me.

745
00:36:57,920 --> 00:37:00,600
Speaker 2: I would love to get into the gay topic. Yeah,

746
00:37:00,880 --> 00:37:02,200
Speaker 2: celebration of pride.

747
00:37:02,320 --> 00:37:03,560
Speaker 1: Yeah, I think that would be amazing.

748
00:37:03,680 --> 00:37:05,960
Speaker 2: I mean, I hate to there is a part of

749
00:37:05,960 --> 00:37:08,040
Speaker 2: me that wants to keep talking about mister greener Beyens

750
00:37:08,040 --> 00:37:09,319
Speaker 2: because I kind of want him to have like a

751
00:37:09,320 --> 00:37:11,279
Speaker 2: specific look so that people can dresses him for hew.

752
00:37:11,360 --> 00:37:13,360
Speaker 4: We of course, but we come back, we can.

753
00:37:13,200 --> 00:37:14,400
Speaker 1: Come back to it. We can come back to it.

754
00:37:15,040 --> 00:37:18,640
Speaker 2: And actually, maybe his look can't even incorporated topic.

755
00:37:19,480 --> 00:37:20,359
Speaker 4: I bet it will.

756
00:37:21,719 --> 00:37:24,200
Speaker 2: What is your gay topic that you brought today? And

757
00:37:24,320 --> 00:37:27,000
Speaker 2: maybe a little on what makes it gay for you?

758
00:37:27,120 --> 00:37:29,839
Speaker 4: Of course, so I know it's pride at the time

759
00:37:29,840 --> 00:37:30,280
Speaker 4: of listening.

760
00:37:30,360 --> 00:37:33,520
Speaker 2: Needless to say, it's pride.

761
00:37:34,560 --> 00:37:38,279
Speaker 4: And I know that a lot of podcast guests for

762
00:37:38,400 --> 00:37:42,719
Speaker 4: the gay episode of Stradio Lab, they would bring in poppers,

763
00:37:43,600 --> 00:37:51,759
Speaker 4: they would bring in loud music, yeah, sex, sure, dinner parties,

764
00:37:54,680 --> 00:38:01,080
Speaker 4: ex jealousy. Oh yeah, I thought. I'm not going to

765
00:38:01,160 --> 00:38:05,160
Speaker 4: do that. I'm going to dig deep and I'm going

766
00:38:05,239 --> 00:38:07,160
Speaker 4: to definitely not just be trying to think of one

767
00:38:07,200 --> 00:38:09,560
Speaker 4: single topic to talk about.

768
00:38:09,920 --> 00:38:14,200
Speaker 6: I am going to bring in something that I think

769
00:38:14,280 --> 00:38:16,960
Speaker 6: much like many other topics on the podcast, are unexpected

770
00:38:17,680 --> 00:38:18,600
Speaker 6: for the task.

771
00:38:18,960 --> 00:38:24,560
Speaker 1: Sh think it's important to let them cook. Just it

772
00:38:24,560 --> 00:38:25,440
Speaker 1: feels like they're stalling.

773
00:38:25,480 --> 00:38:27,520
Speaker 4: Remember when I brought in mister beans, I.

774
00:38:27,640 --> 00:38:30,279
Speaker 2: Just the mind that brought you, mister greg Been, and

775
00:38:30,320 --> 00:38:32,399
Speaker 2: you're gonna say, oh, they're going wrong.

776
00:38:33,480 --> 00:38:35,879
Speaker 1: It just feels like you're like waiting for like maybe

777
00:38:35,960 --> 00:38:38,239
Speaker 1: to run out the clock, like maybe like.

778
00:38:38,239 --> 00:38:40,239
Speaker 4: If I keep going long enough, I can just leave.

779
00:38:40,320 --> 00:38:42,840
Speaker 1: Yeah, because George has a hard out if I remember correctly.

780
00:38:43,000 --> 00:38:46,120
Speaker 4: So my topic is umbrella.

781
00:38:46,320 --> 00:38:50,600
Speaker 2: Okay, so tell us why you think that's okay.

782
00:38:51,360 --> 00:38:55,320
Speaker 4: Umbrellas are made for when it's writing.

783
00:38:55,880 --> 00:38:57,239
Speaker 2: Well, that is true.

784
00:38:57,000 --> 00:38:58,080
Speaker 4: So they're already special.

785
00:38:59,800 --> 00:39:07,839
Speaker 6: They are made for a type of day. Yeah that

786
00:39:08,440 --> 00:39:14,280
Speaker 6: actually in most cases comes with whens, comes with lightning.

787
00:39:16,040 --> 00:39:19,879
Speaker 6: And these are impossible.

788
00:39:19,080 --> 00:39:22,560
Speaker 4: Circumstances for an umbrella to work within.

789
00:39:23,680 --> 00:39:29,279
Speaker 1: Yes, yes, umbrellas are lying to them failure like so yes.

790
00:39:29,920 --> 00:39:35,520
Speaker 4: It leads me to believe that umbrellas are are not

791
00:39:35,840 --> 00:39:39,279
Speaker 4: here for what they're stated to be here for. Yes,

792
00:39:39,680 --> 00:39:41,880
Speaker 4: and they're actually here to look gorgeous.

793
00:39:44,560 --> 00:39:49,600
Speaker 2: So in the umbrella metaphor, Okay, in the umbrella metaphor,

794
00:39:49,640 --> 00:39:54,480
Speaker 2: what they're here for is like to have a nuclear family,

795
00:39:54,680 --> 00:39:59,400
Speaker 2: to get married, to have procreative sex. But instead they're like, actually,

796
00:39:59,480 --> 00:40:00,000
Speaker 2: watch me to.

797
00:40:00,040 --> 00:40:03,759
Speaker 4: World, Actually you don't think I can do that.

798
00:40:04,680 --> 00:40:07,600
Speaker 1: I can do interesting.

799
00:40:07,960 --> 00:40:11,080
Speaker 2: Is so interesting that like it is really about them

800
00:40:11,160 --> 00:40:14,040
Speaker 2: failing to do the thing, failing to do the thing

801
00:40:14,040 --> 00:40:16,200
Speaker 2: they were put on the strets to do, while also

802
00:40:16,320 --> 00:40:21,200
Speaker 2: being so also the ornamental element of it, like the

803
00:40:21,560 --> 00:40:24,600
Speaker 2: fake you're pretending that this is functional, but it's actually

804
00:40:24,719 --> 00:40:25,400
Speaker 2: just stunning.

805
00:40:25,560 --> 00:40:29,319
Speaker 4: It's completely gorgeous. Yeah, like I totally get why when

806
00:40:29,360 --> 00:40:31,640
Speaker 4: they got to the design they got to they were like,

807
00:40:32,920 --> 00:40:33,239
Speaker 4: it's done.

808
00:40:33,320 --> 00:40:35,440
Speaker 1: Yeah, that's pretty much people by this. You know.

809
00:40:35,560 --> 00:40:38,479
Speaker 2: It's also so you know, by on it it's very

810
00:40:38,560 --> 00:40:40,880
Speaker 2: like Janelle Manet Electric Lady.

811
00:40:41,239 --> 00:40:42,040
Speaker 1: Well, it's dramatic.

812
00:40:42,080 --> 00:40:44,120
Speaker 2: It's dramatic. It is futurist.

813
00:40:45,160 --> 00:40:50,080
Speaker 1: Yeah, it is, like it's honestly a little steampunk, very sure.

814
00:40:50,320 --> 00:40:51,680
Speaker 4: But also like.

815
00:40:55,520 --> 00:40:59,239
Speaker 2: Renaissance, like Beyonce he renaissance.

816
00:40:59,560 --> 00:41:01,480
Speaker 1: Yes, would totally be carrying an umbrella.

817
00:41:02,120 --> 00:41:06,080
Speaker 4: It's it exists across like it can I can picture

818
00:41:06,120 --> 00:41:06,640
Speaker 4: it anywhere?

819
00:41:06,760 --> 00:41:06,920
Speaker 1: Yes?

820
00:41:07,000 --> 00:41:08,720
Speaker 2: Yeah, so you know what else it is speaking about

821
00:41:08,760 --> 00:41:11,800
Speaker 2: foss it's very having an umbrella and doing a little dance.

822
00:41:11,920 --> 00:41:14,280
Speaker 1: I mean, it's made for Corey. It's made for choreo.

823
00:41:14,360 --> 00:41:17,120
Speaker 2: Actually, that's actually what it's made for.

824
00:41:17,880 --> 00:41:19,000
Speaker 1: What was I made for?

825
00:41:19,200 --> 00:41:21,840
Speaker 2: That's the umbrella when she realized that she was choreo

826
00:41:21,960 --> 00:41:22,920
Speaker 2: of course.

827
00:41:23,080 --> 00:41:25,880
Speaker 1: Because it's such a fun extension and it's like a

828
00:41:25,920 --> 00:41:29,000
Speaker 1: little I think the implication that's practical makes it work

829
00:41:29,120 --> 00:41:31,880
Speaker 1: so well in choreo exactly because you're like, oh, I

830
00:41:31,920 --> 00:41:34,399
Speaker 1: didn't well, I thought that was for work, and you're like, nope,

831
00:41:34,440 --> 00:41:34,759
Speaker 1: it's for.

832
00:41:35,160 --> 00:41:37,759
Speaker 2: And also, by the way, it is so impractical, and

833
00:41:37,800 --> 00:41:40,160
Speaker 2: that is what also makes it queer because talk about

834
00:41:40,440 --> 00:41:42,879
Speaker 2: where do you even put it? Like, if you don't

835
00:41:42,880 --> 00:41:44,279
Speaker 2: have a bag, you have to just be carrying it around.

836
00:41:44,320 --> 00:41:45,680
Speaker 2: If you do have a bag, what you're gonna put

837
00:41:45,719 --> 00:41:51,680
Speaker 2: a wet nylon tarp inside your bag? Where your copy

838
00:41:51,719 --> 00:41:54,200
Speaker 2: of you know, Emma Klein's the guest is that you're

839
00:41:54,239 --> 00:41:55,040
Speaker 2: reading for the summer.

840
00:41:55,960 --> 00:41:59,480
Speaker 1: I literally just cls to guess I just picked it up.

841
00:41:59,560 --> 00:42:04,800
Speaker 1: Oh and and now I have it's fucking wet. Great.

842
00:42:05,200 --> 00:42:07,240
Speaker 1: Well this I'm never supporting the bookstore.

843
00:42:06,880 --> 00:42:09,040
Speaker 2: Again, wording a bookstore again, let alone women.

844
00:42:09,120 --> 00:42:14,000
Speaker 6: Right, it's dawn, it's water that never escapes the bag.

845
00:42:14,560 --> 00:42:16,880
Speaker 6: The bag just remains wet if you put an umbrella

846
00:42:16,880 --> 00:42:17,200
Speaker 6: in there.

847
00:42:17,400 --> 00:42:20,279
Speaker 1: I okay. An umbrella to me is like I think

848
00:42:20,280 --> 00:42:23,000
Speaker 1: the lying to itself. It's very like the umbrella is

849
00:42:23,080 --> 00:42:25,759
Speaker 1: like waking up and having like a big to do list.

850
00:42:25,800 --> 00:42:27,360
Speaker 1: I mean, like I'm going to get this done today,

851
00:42:27,600 --> 00:42:29,839
Speaker 1: and then it's like you're gonna get three things done. Oh.

852
00:42:29,880 --> 00:42:32,200
Speaker 1: If you don't think the umbrella has ADHD, you're lying.

853
00:42:34,360 --> 00:42:34,840
Speaker 4: Divergent.

854
00:42:36,160 --> 00:42:44,719
Speaker 1: The umbrella is literally neurodivirgin queen down. Okay, Okay. The

855
00:42:44,760 --> 00:42:47,840
Speaker 1: other thing about it, I do think there's something so

856
00:42:48,840 --> 00:42:51,800
Speaker 1: the way that umbrellas are always lost, Like.

857
00:42:51,920 --> 00:42:53,240
Speaker 4: Right, that's the other thing.

858
00:42:53,280 --> 00:42:56,520
Speaker 1: That's like there's something that it's like every gay movie

859
00:42:56,560 --> 00:43:01,160
Speaker 1: where it's like has this deep sadness. Inevitably it's built in,

860
00:43:01,320 --> 00:43:03,960
Speaker 1: and it's like an umbrella is meant to be you are.

861
00:43:04,160 --> 00:43:05,160
Speaker 1: It will make you sad.

862
00:43:06,120 --> 00:43:10,920
Speaker 4: It's like like a gay friend. You don't know really

863
00:43:10,960 --> 00:43:14,200
Speaker 4: how it got to you, but when you have it,

864
00:43:14,200 --> 00:43:17,480
Speaker 4: it's yours. Yeah, then you can leave it somewhere and

865
00:43:18,080 --> 00:43:18,800
Speaker 4: it's communal.

866
00:43:18,880 --> 00:43:22,839
Speaker 2: It's communit it's communal. It's promiscuous, right, miscuous, yes, Oh,

867
00:43:22,880 --> 00:43:24,760
Speaker 2: it's passed around like the town bicycle.

868
00:43:24,840 --> 00:43:26,279
Speaker 4: It's impossible to keep one.

869
00:43:26,640 --> 00:43:30,799
Speaker 1: Oh, I mean it's pretty anti capitalist. You cannot own

870
00:43:30,800 --> 00:43:31,320
Speaker 1: an umbrella.

871
00:43:31,440 --> 00:43:32,799
Speaker 2: You can't own an umbrella owns.

872
00:43:33,800 --> 00:43:39,520
Speaker 6: You can also range in like value and price, I

873
00:43:39,560 --> 00:43:40,560
Speaker 6: mean like nothing else.

874
00:43:41,600 --> 00:43:45,160
Speaker 1: I will say the range the golf umbrellas though that's

875
00:43:45,480 --> 00:43:46,920
Speaker 1: very republican.

876
00:43:47,040 --> 00:43:50,600
Speaker 2: I agree. Golf umbrellas is like that. They're really big

877
00:43:50,840 --> 00:43:53,000
Speaker 2: and very like well made, right, yes.

878
00:43:52,880 --> 00:43:55,439
Speaker 4: Of course, yeah, I mean we can't afford those.

879
00:43:55,480 --> 00:44:00,880
Speaker 2: That is the that is the like gay ceo, Like

880
00:44:00,880 --> 00:44:03,160
Speaker 2: that is the umbrella that wants to it's pee bootage.

881
00:44:03,320 --> 00:44:07,000
Speaker 2: But I almost think there's something interesting about pee because

882
00:44:07,040 --> 00:44:10,360
Speaker 2: of course he started out as gay CEO, but because

883
00:44:10,360 --> 00:44:12,400
Speaker 2: he was made Secretary of Transportation, which is kind of

884
00:44:12,440 --> 00:44:16,480
Speaker 2: the gayest position you can have. I'm almost like it

885
00:44:16,520 --> 00:44:18,840
Speaker 2: doesn't work anymore to use him as the good to

886
00:44:18,920 --> 00:44:22,520
Speaker 2: example of like neoliberal go guy, because I'm sort of

887
00:44:22,560 --> 00:44:25,520
Speaker 2: like there's something about what he's doing that is actually

888
00:44:26,239 --> 00:44:34,560
Speaker 2: so like perfume genius. Wait, this is like the perfume

889
00:44:34,600 --> 00:44:37,040
Speaker 2: genius of being a gay sel out.

890
00:44:37,640 --> 00:44:39,799
Speaker 1: This is like a brand new I've never heard this

891
00:44:39,880 --> 00:44:40,880
Speaker 1: take in my life.

892
00:44:40,640 --> 00:44:42,440
Speaker 2: Like this is the thing.

893
00:44:42,440 --> 00:44:45,239
Speaker 1: There is really something genius about this, Like if.

894
00:44:45,120 --> 00:44:46,880
Speaker 2: He had succeeded, that would have been a different story.

895
00:44:46,920 --> 00:44:50,319
Speaker 2: But like he's what Biden's little bitch and he has

896
00:44:50,360 --> 00:44:51,600
Speaker 2: to like go fix the trains.

897
00:44:52,280 --> 00:44:54,600
Speaker 4: Wait, I love this amazing right now?

898
00:44:54,760 --> 00:44:56,839
Speaker 1: Yeah, this is I needed to hear this.

899
00:44:58,560 --> 00:45:01,640
Speaker 2: Like, I actually don't think heat is golf umbrella. I

900
00:45:01,719 --> 00:45:05,000
Speaker 2: think Pete is. You know what I think, Pete is

901
00:45:05,280 --> 00:45:09,719
Speaker 2: It's like an umbrella that has the logo of a

902
00:45:09,760 --> 00:45:13,040
Speaker 2: big company hotel or a hotel. Yeah, but that was

903
00:45:13,080 --> 00:45:15,719
Speaker 2: given for free and the quality is actually not very good.

904
00:45:15,920 --> 00:45:18,239
Speaker 4: I think it's like, but you that's your umbrella that

905
00:45:18,280 --> 00:45:18,720
Speaker 4: you have.

906
00:45:18,760 --> 00:45:19,800
Speaker 1: Yes, yeah, exactly.

907
00:45:19,960 --> 00:45:25,239
Speaker 2: It's like Hilton Honors, Hilton Rewards program umbrella that you

908
00:45:25,320 --> 00:45:28,080
Speaker 2: got because you stayed at your fiftieth Hilton and then

909
00:45:28,160 --> 00:45:30,440
Speaker 2: that was sent to you along with the candle.

910
00:45:30,840 --> 00:45:31,080
Speaker 1: Wow.

911
00:45:31,120 --> 00:45:33,840
Speaker 4: Yeah, can I talk about something else?

912
00:45:34,640 --> 00:45:41,720
Speaker 1: Transition by the way.

913
00:45:41,040 --> 00:45:45,759
Speaker 4: It was bean, Yeah, can I talk about something else now?

914
00:45:49,560 --> 00:45:55,080
Speaker 4: Little tiny umbrella that comes in a drink. Also, don't work,

915
00:45:55,160 --> 00:45:59,280
Speaker 4: No good, talk about work, no good, not be working

916
00:45:59,520 --> 00:46:00,640
Speaker 4: at all.

917
00:46:00,480 --> 00:46:04,560
Speaker 1: Don't not be working, but works better than it should exactly.

918
00:46:04,640 --> 00:46:05,920
Speaker 1: Also like a decoration.

919
00:46:06,040 --> 00:46:08,200
Speaker 2: Sorry when it comes to literally its job which is

920
00:46:08,280 --> 00:46:11,040
Speaker 2: being fabulous. It's getting tends across the board.

921
00:46:11,160 --> 00:46:12,800
Speaker 1: I mean the fact that they make them to open

922
00:46:12,800 --> 00:46:13,160
Speaker 1: and close.

923
00:46:13,200 --> 00:46:14,680
Speaker 4: It's amazing.

924
00:46:15,920 --> 00:46:16,799
Speaker 1: Why do they make them?

925
00:46:16,960 --> 00:46:18,640
Speaker 4: But they're immediately broken.

926
00:46:19,280 --> 00:46:21,160
Speaker 1: They come broken.

927
00:46:20,200 --> 00:46:24,440
Speaker 6: They don't stay though, because they have you know, they

928
00:46:24,440 --> 00:46:26,960
Speaker 6: have that tiny elastic that keeps it up.

929
00:46:27,760 --> 00:46:29,839
Speaker 4: And then all of a sudden, like you're like four

930
00:46:29,880 --> 00:46:32,279
Speaker 4: cips in, you're like where the elastic go? Yeah, now

931
00:46:32,320 --> 00:46:37,359
Speaker 4: doesn't stay up. It's crazy. Even the esthetic like, oh

932
00:46:37,440 --> 00:46:42,399
Speaker 4: my god, I'm even the aesthetic replication of the real

933
00:46:42,520 --> 00:46:50,120
Speaker 4: umbrella rot like matches. Yes, the original like function and intent,

934
00:46:50,560 --> 00:46:53,760
Speaker 4: which is that it doesn't work. It looks gorgeous. Period.

935
00:46:54,960 --> 00:46:57,759
Speaker 1: When those things stop being able to open and close,

936
00:46:57,800 --> 00:47:00,320
Speaker 1: the little drink umbrellas, that's when you know society has fallen.

937
00:47:01,280 --> 00:47:04,440
Speaker 1: Like there will be in our lives like stupid plastic

938
00:47:04,480 --> 00:47:07,480
Speaker 1: ones that just are fake and stay open open, No,

939
00:47:07,719 --> 00:47:11,120
Speaker 1: and that will that's like when I'll go republican. That

940
00:47:11,239 --> 00:47:13,280
Speaker 1: was like this country used to mean something.

941
00:47:13,400 --> 00:47:14,719
Speaker 4: You're bringing up Republican.

942
00:47:15,200 --> 00:47:17,439
Speaker 1: I do bring it up a lot. We both bring

943
00:47:17,480 --> 00:47:18,640
Speaker 1: it up a lot. Yeah, thank you.

944
00:47:18,800 --> 00:47:20,520
Speaker 4: Yeah, it's a worry of yours.

945
00:47:21,560 --> 00:47:24,280
Speaker 2: I think that it's sort of like it's just something

946
00:47:24,280 --> 00:47:26,440
Speaker 2: that it's like, it's a respectable way to be, Like,

947
00:47:27,280 --> 00:47:29,200
Speaker 2: we don't want to make jokes about like suicide. It's

948
00:47:29,239 --> 00:47:30,719
Speaker 2: like you would be like, oh, I'm going to kill

949
00:47:30,719 --> 00:47:32,279
Speaker 2: myself if that happens, but like our.

950
00:47:32,280 --> 00:47:33,680
Speaker 1: Version of that hit being like I'm going to become

951
00:47:33,719 --> 00:47:38,920
Speaker 1: a Republican? Do you think that's such? That's really funny.

952
00:47:39,200 --> 00:47:41,560
Speaker 4: It's kind of kind has turned on I'm going to

953
00:47:41,640 --> 00:47:42,280
Speaker 4: kill myself?

954
00:47:43,600 --> 00:47:45,160
Speaker 2: You mean, like now that it's okay to say it.

955
00:47:45,360 --> 00:47:47,480
Speaker 4: Now it's okay, No I'm saying it's like now it's

956
00:47:47,520 --> 00:47:51,120
Speaker 4: not okay, it's not okay. Now I'm saying it's like

957
00:47:51,320 --> 00:47:53,120
Speaker 4: way way way over used.

958
00:47:53,400 --> 00:47:54,160
Speaker 1: I see, I see.

959
00:47:54,480 --> 00:47:57,399
Speaker 6: It used to be kind of like an inflammatory thing

960
00:47:57,440 --> 00:48:01,120
Speaker 6: to say and edgything to say that would like be

961
00:48:01,160 --> 00:48:04,000
Speaker 6: a guaranteed laugh, you know what I mean. And now

962
00:48:04,040 --> 00:48:05,560
Speaker 6: it's a bit like why are you saying that?

963
00:48:05,960 --> 00:48:07,239
Speaker 1: Yeah, yeah, I.

964
00:48:07,120 --> 00:48:11,200
Speaker 2: Know there is something about specificity. For a while I

965
00:48:11,239 --> 00:48:13,680
Speaker 2: thought maybe the way around that would was being like

966
00:48:14,080 --> 00:48:17,400
Speaker 2: walk into the ocean, jump off, jump.

967
00:48:17,160 --> 00:48:20,399
Speaker 1: Off a cliff, still off a cliff, but it does

968
00:48:20,760 --> 00:48:21,960
Speaker 1: it gets over.

969
00:48:22,120 --> 00:48:26,760
Speaker 2: It's over. People do'll do that so much already?

970
00:48:27,120 --> 00:48:28,560
Speaker 1: Well they jump off a cliff for.

971
00:48:29,600 --> 00:48:33,919
Speaker 4: It's over for me. It's all respect. My new thing

972
00:48:34,120 --> 00:48:36,600
Speaker 4: that I've been saying that could be maybe a segment

973
00:48:36,640 --> 00:48:43,800
Speaker 4: if you guys please, is all respect everyone who's ever lived. Oh,

974
00:48:43,840 --> 00:48:46,440
Speaker 4: it's mostly when I'm about to say something mean that.

975
00:48:46,760 --> 00:48:51,400
Speaker 2: I always all respect, always everyone who ever lived, everyone, everyone.

976
00:48:50,800 --> 00:48:56,960
Speaker 4: Who has ever lived, will live respectful of that person's

977
00:48:56,960 --> 00:48:57,600
Speaker 4: being a bitch.

978
00:48:58,080 --> 00:48:58,480
Speaker 3: Yeah.

979
00:48:58,640 --> 00:49:02,640
Speaker 2: Yeah, I always say I say this with love. I

980
00:49:02,640 --> 00:49:04,680
Speaker 2: would say that's one of my signature of phrases.

981
00:49:04,520 --> 00:49:08,279
Speaker 4: Is love love. But well, I guess like I want

982
00:49:08,719 --> 00:49:13,719
Speaker 4: my respect to be true. It's like, listen, everyone's on

983
00:49:13,760 --> 00:49:17,640
Speaker 4: their own yeah yeah, life path.

984
00:49:17,880 --> 00:49:19,319
Speaker 1: But I also think I say it with love.

985
00:49:20,120 --> 00:49:22,960
Speaker 2: I mean it semi earnestly because it's like sometimes pointing

986
00:49:22,960 --> 00:49:25,880
Speaker 2: out someone's flaw is the purest expression of love because

987
00:49:25,880 --> 00:49:27,200
Speaker 2: it means you see them for who they are.

988
00:49:27,239 --> 00:49:29,799
Speaker 1: I was thinking today, I was bringing myself to tears

989
00:49:29,800 --> 00:49:30,719
Speaker 1: thinking about how much I like.

990
00:49:30,680 --> 00:49:39,279
Speaker 4: Critique myself, getting yourself there.

991
00:49:39,520 --> 00:49:41,759
Speaker 1: I was getting Yeah, well, I was just like, what

992
00:49:41,920 --> 00:49:45,560
Speaker 1: is critique? Like We're all watching and consuming things, and

993
00:49:45,600 --> 00:49:47,879
Speaker 1: it's like but you experience it in your own head

994
00:49:48,239 --> 00:49:50,920
Speaker 1: and you're like, okay, I felt this way about it.

995
00:49:50,960 --> 00:49:53,359
Speaker 1: I wonder if there's anyone who feels similarly, you can

996
00:49:53,360 --> 00:49:57,160
Speaker 1: put that into words. I love consuming critiques that are

997
00:49:57,280 --> 00:50:02,279
Speaker 1: like nuanced and like but accurate, like when they hit

998
00:50:02,320 --> 00:50:04,440
Speaker 1: something that is like, oh, that's it. I wish I

999
00:50:04,440 --> 00:50:06,879
Speaker 1: could have put that into words. I'm like, I love

1000
00:50:06,920 --> 00:50:07,560
Speaker 1: a good critique.

1001
00:50:07,560 --> 00:50:10,840
Speaker 2: I mean, of course, that's why it's so like intellectually

1002
00:50:10,840 --> 00:50:14,400
Speaker 2: dishonest to be like, oh, critics, Like, why don't you

1003
00:50:14,440 --> 00:50:16,799
Speaker 2: make something if you're if you're such a critic, It's like, well,

1004
00:50:16,880 --> 00:50:21,200
Speaker 2: maybe criticism is making something it completely literally making ideas,

1005
00:50:21,239 --> 00:50:22,400
Speaker 2: which is harder than.

1006
00:50:22,280 --> 00:50:27,120
Speaker 4: Making an umbrella, like trying to measure how close or

1007
00:50:27,239 --> 00:50:29,400
Speaker 4: far you are to something else.

1008
00:50:29,480 --> 00:50:32,600
Speaker 1: Yes, yeah, and obviously there are as. There are bad artists,

1009
00:50:32,640 --> 00:50:34,200
Speaker 1: there are bad critics.

1010
00:50:34,520 --> 00:50:37,000
Speaker 2: That's I think the issue is we need to be

1011
00:50:37,040 --> 00:50:39,040
Speaker 2: more honest about the fact that there are good critics

1012
00:50:39,040 --> 00:50:40,959
Speaker 2: and bad critics, because I think what ends up happening

1013
00:50:41,040 --> 00:50:42,319
Speaker 2: is you put all of them in one box. It's

1014
00:50:42,360 --> 00:50:44,520
Speaker 2: like me waking up and being like, all filmmakers are

1015
00:50:44,560 --> 00:50:46,640
Speaker 2: bad because I just saw the idea.

1016
00:50:46,400 --> 00:50:50,280
Speaker 1: Of you, right right, that's not fair.

1017
00:50:51,560 --> 00:50:55,160
Speaker 4: I'm still stuck on bringing myself to that's mister.

1018
00:50:56,440 --> 00:51:01,160
Speaker 2: That is actually mister Gregor Beans. Is you having like

1019
00:51:01,480 --> 00:51:04,919
Speaker 2: sort of like a normal thought and crying.

1020
00:51:04,960 --> 00:51:08,960
Speaker 4: Because I was really like, forgetting yourself to cry about something.

1021
00:51:09,840 --> 00:51:10,359
Speaker 2: I love that.

1022
00:51:10,480 --> 00:51:13,640
Speaker 1: Very emotional, but I know, yeah, I'm going.

1023
00:51:13,600 --> 00:51:15,320
Speaker 4: To do an act out of putting yourself to tears.

1024
00:51:15,360 --> 00:51:17,160
Speaker 1: Oh, I think I was literally in the Chipotle at

1025
00:51:17,160 --> 00:51:18,040
Speaker 1: eleven fifteen am.

1026
00:51:19,280 --> 00:51:21,719
Speaker 2: Sometimes I yeah, sometimes I bring myself to tears. When

1027
00:51:21,719 --> 00:51:24,000
Speaker 2: I think about my relationship with Sam, I'm like, We've

1028
00:51:24,000 --> 00:51:27,480
Speaker 2: been through so much together it still is only getting deeper,

1029
00:51:27,600 --> 00:51:30,839
Speaker 2: and I'm still excited to talk and critique with him

1030
00:51:30,880 --> 00:51:31,879
Speaker 2: every single time we see.

1031
00:51:31,960 --> 00:51:34,160
Speaker 4: True, it's the sweetest thing I've ever heard.

1032
00:51:35,040 --> 00:51:37,960
Speaker 2: Do you have a special tough We've learned, though, to

1033
00:51:38,520 --> 00:51:40,880
Speaker 2: occasionally text each other. I miss you, which is huge

1034
00:51:40,880 --> 00:51:41,080
Speaker 2: for me.

1035
00:51:41,200 --> 00:51:44,600
Speaker 1: Yeah, because we used to be about it checking in difficult.

1036
00:51:44,960 --> 00:51:47,080
Speaker 2: Well not just that, but also I think both of

1037
00:51:47,120 --> 00:51:50,000
Speaker 2: us struggle with being earnest and with like straightforwardly being

1038
00:51:50,040 --> 00:51:50,839
Speaker 2: like I miss you.

1039
00:51:51,280 --> 00:51:54,480
Speaker 4: It's really yeah, I feel that you too, like are

1040
00:51:54,520 --> 00:51:58,680
Speaker 4: like my special guys for that, like I'm not relating

1041
00:51:58,719 --> 00:52:00,759
Speaker 4: to you guys, not being able to do that because

1042
00:52:00,760 --> 00:52:03,200
Speaker 4: every time I see you both it's like, okay, sweetee, I.

1043
00:52:03,200 --> 00:52:07,319
Speaker 2: See, well yeah, yeah, but don't you think there's a

1044
00:52:07,360 --> 00:52:08,960
Speaker 2: sort of Okay, how do I phrase this?

1045
00:52:10,120 --> 00:52:12,759
Speaker 1: I like, you've been doing some expert throat clearing today,

1046
00:52:12,800 --> 00:52:14,759
Speaker 1: and I know it's for like a practical reason, but

1047
00:52:14,920 --> 00:52:20,840
Speaker 1: I find you Grainger Beans. It's my throat clearing. It

1048
00:52:20,920 --> 00:52:21,879
Speaker 1: might be beans.

1049
00:52:21,920 --> 00:52:23,040
Speaker 2: I'm sorry, it really no.

1050
00:52:23,160 --> 00:52:26,840
Speaker 1: I like Gringer Beans is a beloved of character.

1051
00:52:27,960 --> 00:52:32,600
Speaker 4: It's a compliment that if someone says it's Granger Beans,

1052
00:52:32,600 --> 00:52:33,080
Speaker 4: it's good.

1053
00:52:34,400 --> 00:52:37,560
Speaker 2: Okay, Oh, I know what I was about saying. There's

1054
00:52:37,680 --> 00:52:41,759
Speaker 2: a sort of uh, counterintuitive things that happens when you're

1055
00:52:42,120 --> 00:52:47,239
Speaker 2: so close to someone it becomes more difficult to express. Yeah,

1056
00:52:47,360 --> 00:52:50,920
Speaker 2: that intimacy because it's a given, because the given, and

1057
00:52:50,960 --> 00:52:54,480
Speaker 2: because when you express it it feels forced or it

1058
00:52:54,600 --> 00:53:00,000
Speaker 2: feels contrived. It's almost like imagine you know what it is.

1059
00:53:00,120 --> 00:53:04,600
Speaker 2: It's like imagine watching Casablanca and and then having to

1060
00:53:04,719 --> 00:53:08,279
Speaker 2: rate it on letterboxed. Do you know what I'm trying

1061
00:53:08,320 --> 00:53:13,239
Speaker 2: to say? Yes, it's so self evidently a masterpiece that

1062
00:53:13,800 --> 00:53:16,400
Speaker 2: it is so beside the point to be like, hmmm,

1063
00:53:16,800 --> 00:53:21,719
Speaker 2: five stars. I found the characters interesting exactly, and so

1064
00:53:21,840 --> 00:53:23,480
Speaker 2: in the same way when someone is, you know, like

1065
00:53:23,520 --> 00:53:26,680
Speaker 2: a sister to you, and then you and then you're.

1066
00:53:26,520 --> 00:53:28,839
Speaker 1: Like, hey, by the way, don't forget I love you.

1067
00:53:29,480 --> 00:53:32,800
Speaker 2: It's like, okay, well, celest, you're good at.

1068
00:53:32,640 --> 00:53:33,799
Speaker 1: Expressing your emotions.

1069
00:53:34,280 --> 00:53:34,759
Speaker 4: Thank you.

1070
00:53:36,080 --> 00:53:37,160
Speaker 1: And that's all I have to say about that.

1071
00:53:37,280 --> 00:53:45,080
Speaker 4: Okay, I think I agree with what you're saying practically,

1072
00:53:45,719 --> 00:53:47,080
Speaker 4: but I always think it's nice.

1073
00:53:47,360 --> 00:53:50,320
Speaker 2: I agree, I ultimately agree, and I ultimately always appreciate

1074
00:53:50,320 --> 00:53:50,880
Speaker 2: when someone.

1075
00:53:50,680 --> 00:53:58,680
Speaker 4: Does express their love you.

1076
00:53:57,440 --> 00:54:02,000
Speaker 6: You know what else about gregor being yes and thank

1077
00:54:02,000 --> 00:54:04,719
Speaker 6: you for bringing it back? It is the perfect It's

1078
00:54:04,760 --> 00:54:08,719
Speaker 6: it's actually so. Gringer beans being a good thing is

1079
00:54:08,960 --> 00:54:14,560
Speaker 6: the solution to their not being a nice way to

1080
00:54:14,840 --> 00:54:21,680
Speaker 6: say noticing your shirt. Yes, it's like someone's doing something big,

1081
00:54:22,239 --> 00:54:23,400
Speaker 6: like someone's using.

1082
00:54:23,200 --> 00:54:27,560
Speaker 4: More steps than they have to being ginger beans.

1083
00:54:27,560 --> 00:54:29,200
Speaker 1: But that's what I say.

1084
00:54:29,760 --> 00:54:30,680
Speaker 2: I say this with love.

1085
00:54:30,840 --> 00:54:32,000
Speaker 1: You're being gringer beans.

1086
00:54:32,160 --> 00:54:36,960
Speaker 4: Gringer beans is all respect to everyone because it's.

1087
00:54:36,800 --> 00:54:37,680
Speaker 2: Not good or bad.

1088
00:54:38,000 --> 00:54:39,920
Speaker 1: No, it's I would argue, it's good. It is good.

1089
00:54:39,920 --> 00:54:40,520
Speaker 4: That's what I'm saying.

1090
00:54:40,600 --> 00:54:42,640
Speaker 1: Gringer beans is synonymous with good.

1091
00:54:42,680 --> 00:54:43,120
Speaker 2: It's good.

1092
00:54:43,320 --> 00:54:47,719
Speaker 1: Yeah, it's a type of good. It's a big good. Yeah,

1093
00:54:47,760 --> 00:54:49,640
Speaker 1: Like you can still notice someone's shirt if you don't

1094
00:54:49,640 --> 00:54:51,080
Speaker 1: like it, you can still say I'm noticing your shirt.

1095
00:54:51,440 --> 00:54:53,040
Speaker 1: But if you are noticing it and it's big and

1096
00:54:53,080 --> 00:54:54,000
Speaker 1: you like it, you say.

1097
00:54:53,960 --> 00:54:55,400
Speaker 4: That sir exactly.

1098
00:54:55,600 --> 00:54:59,319
Speaker 2: Oh, I see, I see because I'm thinking I can

1099
00:54:59,400 --> 00:55:03,640
Speaker 2: feel though, Okay, I hesitate to complicate this because I

1100
00:55:03,640 --> 00:55:06,240
Speaker 2: think we're having such an amazing it's such an amazing moment.

1101
00:55:06,320 --> 00:55:06,480
Speaker 1: Do it.

1102
00:55:06,520 --> 00:55:09,359
Speaker 4: I feel pretty like secure, Yeah, of.

1103
00:55:09,280 --> 00:55:11,680
Speaker 2: Course, but I'm just thinking, like, okay, let's go back

1104
00:55:11,719 --> 00:55:13,799
Speaker 2: to my throat clearing. What if I I understand that

1105
00:55:14,440 --> 00:55:16,239
Speaker 2: at the level that I was doing it, it was adorable,

1106
00:55:16,280 --> 00:55:19,480
Speaker 2: it was incredible. I I I seemed so and I

1107
00:55:19,560 --> 00:55:21,839
Speaker 2: love you. But what if what if it really reached

1108
00:55:21,840 --> 00:55:23,360
Speaker 2: a point where it was so gringer Beans that it

1109
00:55:23,400 --> 00:55:25,960
Speaker 2: was like disrupting the podcast, or what if, for instance,

1110
00:55:26,239 --> 00:55:28,880
Speaker 2: going back to you know, Uma Thurman, Cary Washington, sometimes

1111
00:55:28,920 --> 00:55:32,120
Speaker 2: there gringer Beans is actually negatively effected.

1112
00:55:32,239 --> 00:55:34,520
Speaker 4: I knew that that's that's what the calculus was in

1113
00:55:34,560 --> 00:55:36,840
Speaker 4: your head. But I think also those are like girls

1114
00:55:36,840 --> 00:55:39,839
Speaker 4: you love you love them because you know what I mean,

1115
00:55:41,840 --> 00:55:44,320
Speaker 4: Because I saw you doing the math, like what I

1116
00:55:44,360 --> 00:55:46,000
Speaker 4: had said all those people are gregor bean.

1117
00:55:46,120 --> 00:55:48,919
Speaker 2: Yes, but that was like legit with I also literally

1118
00:55:48,960 --> 00:55:50,799
Speaker 2: said Trump was greger beans. So you know it is

1119
00:55:50,840 --> 00:55:53,960
Speaker 2: tough stuff. Maybe I do love it. I mean he's

1120
00:55:54,040 --> 00:55:56,560
Speaker 2: using ginger beans for me, He's using graingermans for evil.

1121
00:55:56,560 --> 00:55:58,239
Speaker 2: Of course you're can use ginger beans for evil. I

1122
00:55:58,239 --> 00:55:59,480
Speaker 2: mean you can use anything for evil.

1123
00:55:59,640 --> 00:56:04,560
Speaker 4: Yeah, that's like charm, that's so deep. Well, you can

1124
00:56:04,680 --> 00:56:06,839
Speaker 4: use anything you can.

1125
00:56:07,600 --> 00:56:09,120
Speaker 2: What can you not use for you? Well, I guess

1126
00:56:09,160 --> 00:56:12,120
Speaker 2: you can't for instance, a very obvious point. But it's

1127
00:56:12,160 --> 00:56:13,680
Speaker 2: like you can use philanthropy for evil.

1128
00:56:14,400 --> 00:56:17,960
Speaker 6: Yeah, but y'all already know there's one thing you can't

1129
00:56:18,040 --> 00:56:18,800
Speaker 6: use for evil.

1130
00:56:18,960 --> 00:56:19,200
Speaker 1: Love.

1131
00:56:20,239 --> 00:56:24,080
Speaker 4: Yeah, do you think let's think, let's think, well.

1132
00:56:23,920 --> 00:56:26,880
Speaker 2: I think definitely manipulate love and use it for evil,

1133
00:56:26,920 --> 00:56:27,680
Speaker 2: like if you are.

1134
00:56:27,920 --> 00:56:29,160
Speaker 4: But that's not love.

1135
00:56:30,840 --> 00:56:39,720
Speaker 2: Girl love that's your book title. But that dot dot girl.

1136
00:56:42,160 --> 00:56:43,000
Speaker 1: Ol l.

1137
00:56:44,480 --> 00:56:46,279
Speaker 2: Okay, I mean this is I don't even think we

1138
00:56:46,320 --> 00:56:48,840
Speaker 2: have enough time right now. But like, is it true

1139
00:56:48,880 --> 00:56:51,319
Speaker 2: that when you use love for evil it stops becoming love?

1140
00:56:53,480 --> 00:56:55,319
Speaker 1: Yes, you think so? I don't think so.

1141
00:56:55,400 --> 00:56:56,880
Speaker 2: I think Like, let's say you're a mother and you

1142
00:56:56,920 --> 00:57:06,759
Speaker 2: love your daughter and separately you're committing crimes.

1143
00:57:05,040 --> 00:57:06,120
Speaker 4: And then you blame it on her.

1144
00:57:06,480 --> 00:57:08,360
Speaker 1: No, let's say like Gypsy Rose.

1145
00:57:08,719 --> 00:57:11,799
Speaker 2: Yeah, well, okay, hold on that. But I do think

1146
00:57:11,840 --> 00:57:14,279
Speaker 2: that's not love. Maybe you think did you think mother

1147
00:57:14,480 --> 00:57:16,200
Speaker 2: Gypsy loved daughter Gypsy?

1148
00:57:17,040 --> 00:57:18,080
Speaker 1: They're both named Gypsy.

1149
00:57:18,160 --> 00:57:20,480
Speaker 2: No, I just I just don't.

1150
00:57:20,320 --> 00:57:20,920
Speaker 1: Know their names.

1151
00:57:21,080 --> 00:57:23,800
Speaker 4: Don't bring up. Don't confuse him already lost.

1152
00:57:27,560 --> 00:57:31,520
Speaker 2: I don't know, you know what, I think that's maybe

1153
00:57:31,560 --> 00:57:33,280
Speaker 2: something we have to throw out to the listeners.

1154
00:57:33,280 --> 00:57:35,000
Speaker 4: I feel really confident.

1155
00:57:34,720 --> 00:57:37,360
Speaker 2: You really I get it. You know what I actually

1156
00:57:37,400 --> 00:57:41,960
Speaker 2: appreciated about you. You have very clearly defined morality.

1157
00:57:42,920 --> 00:57:45,640
Speaker 4: People say that to me a lot. Yeah, well, I

1158
00:57:45,720 --> 00:57:47,840
Speaker 4: wonder what that's coming from, because I don't know if

1159
00:57:47,880 --> 00:57:48,360
Speaker 4: that's true.

1160
00:57:48,640 --> 00:57:49,600
Speaker 1: You don't think that's true.

1161
00:57:49,600 --> 00:57:52,720
Speaker 4: I think I have like a regular sense of what

1162
00:57:52,800 --> 00:57:55,840
Speaker 4: I think is right and wrong. Well, I think it's

1163
00:57:55,840 --> 00:57:59,120
Speaker 4: because I'm like being like randomly like two opinionated sometimes

1164
00:57:59,200 --> 00:58:01,080
Speaker 4: or something that people think that.

1165
00:58:01,680 --> 00:58:02,520
Speaker 1: You're vocal about it.

1166
00:58:02,680 --> 00:58:06,400
Speaker 2: Yeah, but I also think because they're you thinking it's regular,

1167
00:58:07,000 --> 00:58:09,640
Speaker 2: it is like part of it not being regular, Like

1168
00:58:09,680 --> 00:58:11,800
Speaker 2: you have such a strong sense of morality that you

1169
00:58:11,840 --> 00:58:15,880
Speaker 2: can't imagine anyone not having that strong sense of morality, right,

1170
00:58:16,000 --> 00:58:17,800
Speaker 2: So you're like, well I'm.

1171
00:58:17,640 --> 00:58:21,080
Speaker 4: Regular, right, Like I've kind of been feeling like that's

1172
00:58:21,120 --> 00:58:24,520
Speaker 4: coming from like me being stubborn or something. But maybe

1173
00:58:24,560 --> 00:58:26,000
Speaker 4: I have to like be practicing more love.

1174
00:58:26,160 --> 00:58:28,440
Speaker 2: But don't you think being stubborn you can be stubborn

1175
00:58:28,480 --> 00:58:29,480
Speaker 2: and have bad morality.

1176
00:58:30,280 --> 00:58:30,480
Speaker 1: I know.

1177
00:58:30,560 --> 00:58:33,040
Speaker 6: I'm just saying like maybe, like I just always wonder

1178
00:58:33,080 --> 00:58:35,200
Speaker 6: what that's what's being picked up on from me.

1179
00:58:35,520 --> 00:58:38,160
Speaker 4: I see that people think that I see but love

1180
00:58:38,200 --> 00:58:39,320
Speaker 4: you respect.

1181
00:58:39,040 --> 00:58:41,440
Speaker 2: And so many people have your exact morality, but they're

1182
00:58:41,480 --> 00:58:42,920
Speaker 2: not as like in your face about it, is what

1183
00:58:42,920 --> 00:58:43,400
Speaker 2: you're saying.

1184
00:58:43,560 --> 00:58:45,520
Speaker 4: Yeah, Like I just am like, you're.

1185
00:58:45,480 --> 00:58:50,720
Speaker 2: Grainger beans in morality? Hello, don't you think I mean

1186
00:58:50,720 --> 00:58:55,520
Speaker 2: going back to going back to morality being good. It's

1187
00:58:55,560 --> 00:58:59,160
Speaker 2: like going to a protest is Gringer beansing morality. It's

1188
00:58:59,160 --> 00:59:01,320
Speaker 2: like it's like God forbid, you have a private thought.

1189
00:59:01,360 --> 00:59:05,080
Speaker 2: You're going out and you're holding a sign. It's like, oh,

1190
00:59:05,120 --> 00:59:07,000
Speaker 2: I woke up saying I was like, I believe in equality.

1191
00:59:07,040 --> 00:59:09,000
Speaker 2: I have to be as loud about it as possible.

1192
00:59:09,120 --> 00:59:13,200
Speaker 1: Well, this is why would you say Jan six protesters.

1193
00:59:12,680 --> 00:59:16,360
Speaker 2: Were they were using Grainger beans? Yes, that was classic

1194
00:59:16,480 --> 00:59:17,000
Speaker 2: Ringer beats.

1195
00:59:17,160 --> 00:59:19,640
Speaker 4: Did you guys pass the rat today on the way?

1196
00:59:20,040 --> 00:59:23,640
Speaker 2: Oh no, no, no, no, no, no, I didn't see I

1197
00:59:23,640 --> 00:59:24,160
Speaker 2: didn't see her.

1198
00:59:24,160 --> 00:59:28,240
Speaker 4: That rat should be named springer Beans. Love her by

1199
00:59:28,280 --> 00:59:29,000
Speaker 4: the way I love her.

1200
00:59:29,040 --> 00:59:30,200
Speaker 1: Of course, she's a legend.

1201
00:59:30,520 --> 00:59:31,040
Speaker 2: It's Gabby.

1202
00:59:31,080 --> 00:59:31,800
Speaker 1: It's can't be the rat.

1203
00:59:31,840 --> 00:59:35,720
Speaker 4: It's gonna be the rap. Hey.

1204
00:59:36,600 --> 00:59:38,160
Speaker 1: That would have been an amazing time to have a thought,

1205
00:59:38,200 --> 00:59:40,400
Speaker 1: but it just didn't have to do it all on

1206
00:59:40,480 --> 00:59:41,360
Speaker 1: post to go on?

1207
00:59:41,560 --> 00:59:44,720
Speaker 2: Yeah, ever sent post? This is going to sound like,

1208
00:59:44,760 --> 00:59:46,000
Speaker 2: you know, all in with Chris Hayes.

1209
00:59:47,880 --> 00:59:49,959
Speaker 1: I have one an umbrella based question.

1210
00:59:50,040 --> 00:59:52,360
Speaker 2: Oh yes, oh yeah, actually, yeah, me too.

1211
00:59:52,560 --> 00:59:55,840
Speaker 1: How do you to treat your umbrellas?

1212
00:59:58,200 --> 01:00:09,760
Speaker 6: I treat them like it's it's like a conversation or something.

1213
01:00:10,320 --> 01:00:15,440
Speaker 6: It's like it's not I don't own one, but I

1214
01:00:15,480 --> 01:00:19,200
Speaker 6: can have one when I'm with someone else. It's like

1215
01:00:19,240 --> 01:00:23,960
Speaker 6: so intangible to me. Yeah, Like it's not like I

1216
01:00:24,120 --> 01:00:28,000
Speaker 6: like don't ever know where one is. Yeah, don't ever

1217
01:00:28,400 --> 01:00:32,120
Speaker 6: remember like if I brought one, but if I need one,

1218
01:00:32,400 --> 01:00:33,800
Speaker 6: it's like it's there.

1219
01:00:34,160 --> 01:00:34,320
Speaker 1: You know.

1220
01:00:34,360 --> 01:00:40,560
Speaker 2: What I think is essentially identical in form, function, and

1221
01:00:40,600 --> 01:00:45,720
Speaker 2: spirit to an umbrella chapstick. It is something that does

1222
01:00:45,760 --> 01:00:47,800
Speaker 2: not do what it's meant to do very well. It

1223
01:00:47,880 --> 01:00:50,120
Speaker 2: is something that you literally always lose. No one has

1224
01:00:50,120 --> 01:00:53,000
Speaker 2: ever finished a tube of chapstick. It is something that

1225
01:00:53,040 --> 01:00:55,800
Speaker 2: you always have with you somehow, except for the one

1226
01:00:55,840 --> 01:00:56,520
Speaker 2: time you need it.

1227
01:00:56,600 --> 01:00:57,040
Speaker 6: Mm hmm.

1228
01:00:59,560 --> 01:01:02,400
Speaker 2: It is some think that's like cheap enough where it's

1229
01:01:02,680 --> 01:01:05,200
Speaker 2: sort of like don't care. No one's ever like, oh god,

1230
01:01:05,240 --> 01:01:07,160
Speaker 2: I lost my chapstick ause I'll have to save up

1231
01:01:07,640 --> 01:01:08,200
Speaker 2: next month.

1232
01:01:08,880 --> 01:01:11,160
Speaker 4: And you're calling in something queer.

1233
01:01:11,160 --> 01:01:13,840
Speaker 2: And exactly it's something I mean, the idea of chapstick

1234
01:01:13,920 --> 01:01:16,120
Speaker 2: is literally the definition of camcaus you're putting lipstick on

1235
01:01:16,160 --> 01:01:17,080
Speaker 2: but it's not adding color.

1236
01:01:17,240 --> 01:01:20,680
Speaker 6: Yes, and the chapstick lesbian of course. Of course, what

1237
01:01:20,800 --> 01:01:22,080
Speaker 6: would an umbrella gay be?

1238
01:01:23,120 --> 01:01:26,600
Speaker 2: An umbrella gay? An umbrella like if someone if you're like,

1239
01:01:26,600 --> 01:01:27,600
Speaker 2: oh he's such an umbrella.

1240
01:01:27,680 --> 01:01:30,120
Speaker 1: Yeah, this could be a couple of things. Okay, Yeah,

1241
01:01:30,280 --> 01:01:32,720
Speaker 1: I could see it being like almost like a dapper

1242
01:01:32,800 --> 01:01:35,880
Speaker 1: gay exactly, Like it's sort of like I wear wool

1243
01:01:35,960 --> 01:01:42,320
Speaker 1: pants and like fetishize London. What's the word, see it

1244
01:01:42,400 --> 01:01:45,000
Speaker 1: kind of being tech gay where it's like I have

1245
01:01:45,160 --> 01:01:48,000
Speaker 1: like my pants are moisture wicking.

1246
01:01:48,160 --> 01:01:49,920
Speaker 4: And I could also see it being like lost my

1247
01:01:49,960 --> 01:01:53,280
Speaker 4: phone and wallet gay, Yeah, like where's my phone? Where's

1248
01:01:53,320 --> 01:01:53,760
Speaker 4: my wallet?

1249
01:01:53,920 --> 01:01:55,959
Speaker 1: And a girl yeah, totally yeah.

1250
01:01:56,080 --> 01:01:59,520
Speaker 2: And his umbrella is like decrepit. It's like half of

1251
01:01:59,560 --> 01:02:01,640
Speaker 2: it is full gone. One of the things is like

1252
01:02:01,640 --> 01:02:03,440
Speaker 2: poking a woman in the eye as he's walking.

1253
01:02:03,800 --> 01:02:06,880
Speaker 1: I mean, I never feel more like star of a

1254
01:02:06,920 --> 01:02:08,880
Speaker 1: movie than when I have a cheap umbrella and it's

1255
01:02:08,960 --> 01:02:11,480
Speaker 1: fully busted and flying in the wind and I'm like, oh,

1256
01:02:11,600 --> 01:02:14,240
Speaker 1: I'm this is the beginning of my movie, like down

1257
01:02:14,240 --> 01:02:14,600
Speaker 1: on my luck.

1258
01:02:14,680 --> 01:02:18,080
Speaker 4: But what's amazing about an umbrella is like even the cheapest,

1259
01:02:18,200 --> 01:02:24,760
Speaker 4: most broken one and like and the most expensive good one,

1260
01:02:26,000 --> 01:02:29,680
Speaker 4: like give you this. They give you the same experience. Yes,

1261
01:02:30,040 --> 01:02:32,520
Speaker 4: like you're getting wet, you're getting at you're holding a

1262
01:02:32,520 --> 01:02:32,919
Speaker 4: big thing.

1263
01:02:32,920 --> 01:02:37,840
Speaker 1: You're getting some wet an umbrella gay, an umbrella gay?

1264
01:02:38,720 --> 01:02:42,080
Speaker 1: It also okay, this is maybe I can't tell this

1265
01:02:42,080 --> 01:02:44,680
Speaker 1: is gay or straight about it actually, but walking with

1266
01:02:44,720 --> 01:02:47,800
Speaker 1: a friend starts pouring rain, there's one umbrella. Suddenly you're

1267
01:02:47,800 --> 01:02:51,080
Speaker 1: a couple. This doesn't matter a couple.

1268
01:02:51,240 --> 01:02:54,760
Speaker 2: It's actually something I would love to talk about, which

1269
01:02:54,800 --> 01:02:57,080
Speaker 2: is and I think it relates to what you're saying

1270
01:02:57,160 --> 01:03:01,200
Speaker 2: the use of umbrella as a metaphor meaning under the umbrella.

1271
01:03:01,440 --> 01:03:05,240
Speaker 2: Now here's the issue with that. Definitionally, if two people

1272
01:03:05,240 --> 01:03:08,120
Speaker 2: are under if multiple people are under an umbrella, it

1273
01:03:08,120 --> 01:03:11,320
Speaker 2: does not actually cover them, and it sort of fucks

1274
01:03:11,320 --> 01:03:14,400
Speaker 2: everyone over. So to say such and such as under

1275
01:03:14,440 --> 01:03:18,720
Speaker 2: the LGBTQ plus umbrella is almost being like watch out

1276
01:03:18,920 --> 01:03:22,080
Speaker 2: your right surrender attack, Like the umbrella is not going

1277
01:03:22,160 --> 01:03:24,160
Speaker 2: to protect your bits, all your shoulders getting wet, all

1278
01:03:24,200 --> 01:03:25,400
Speaker 2: your shoulders are you're in.

1279
01:03:25,280 --> 01:03:27,600
Speaker 4: The place that the umbrella puts the water.

1280
01:03:28,000 --> 01:03:31,760
Speaker 2: Yeah, right, exactly.

1281
01:03:31,880 --> 01:03:32,600
Speaker 4: It's crazy.

1282
01:03:33,000 --> 01:03:36,600
Speaker 2: There's a sense of at first glance, saying you are

1283
01:03:36,680 --> 01:03:40,120
Speaker 2: under an umbrella gives you a form of safety under

1284
01:03:40,160 --> 01:03:42,080
Speaker 2: your but it's like who's in the center of the

1285
01:03:42,160 --> 01:03:44,360
Speaker 2: umbrella and who's that the edge is getting more wet

1286
01:03:44,400 --> 01:03:46,000
Speaker 2: than if they didn't have an umbrella to begin with.

1287
01:03:46,560 --> 01:03:48,440
Speaker 1: Oh my god, beautiful metaphor.

1288
01:03:49,200 --> 01:03:50,120
Speaker 4: That's crazy.

1289
01:03:51,080 --> 01:03:51,680
Speaker 1: That's crazy.

1290
01:03:51,720 --> 01:03:52,960
Speaker 4: So what kind of gi guy.

1291
01:03:52,840 --> 01:03:56,160
Speaker 1: Is that party promoter?

1292
01:03:57,880 --> 01:04:02,959
Speaker 4: Well, Well, that's sting because they're just like only because

1293
01:04:02,960 --> 01:04:06,560
Speaker 4: it's like like, yes, everyone's like it's a queer party.

1294
01:04:06,560 --> 01:04:10,000
Speaker 1: Everyone come. But it's like somebody, Yeah, who do you

1295
01:04:10,040 --> 01:04:14,840
Speaker 1: know that umbrella is exclusive? Yeah, it's a little like

1296
01:04:14,880 --> 01:04:16,000
Speaker 1: some of you are gonna be outside.

1297
01:04:16,880 --> 01:04:19,880
Speaker 4: That's interesting. Okay, So maybe an umbrella gay is like

1298
01:04:20,960 --> 01:04:25,439
Speaker 4: the guy who like invites like half of a friend

1299
01:04:25,440 --> 01:04:26,680
Speaker 4: group over a gatekeeper.

1300
01:04:27,040 --> 01:04:27,960
Speaker 1: Yeah, gatekeeper.

1301
01:04:28,000 --> 01:04:31,120
Speaker 2: Maybe umbrella is gatekeeper. It's like I'm holding the umbrella

1302
01:04:31,200 --> 01:04:32,600
Speaker 2: and I decide who goes under it.

1303
01:04:32,800 --> 01:04:35,520
Speaker 6: Yeah, but there has to be an element of like

1304
01:04:35,720 --> 01:04:40,520
Speaker 6: the umbrellas doesn't work so good, that's the.

1305
01:04:40,400 --> 01:04:49,160
Speaker 4: Main proud Yeah, should we maybe try to approach it

1306
01:04:49,200 --> 01:04:52,240
Speaker 4: like from the drink, from the umbrella in the drink.

1307
01:04:54,600 --> 01:04:55,720
Speaker 1: Okay, So in terms of.

1308
01:04:57,520 --> 01:05:00,680
Speaker 2: In terms of someone who is basically a gatekeeper, like

1309
01:05:00,720 --> 01:05:03,560
Speaker 2: a flop gatekeeper, someone who thinks they're the head of

1310
01:05:03,560 --> 01:05:06,200
Speaker 2: the group. Yeah, oh no, here's what it is. An

1311
01:05:06,240 --> 01:05:10,520
Speaker 2: umbrella case. Someone who is always host always sending party

1312
01:05:10,600 --> 01:05:14,000
Speaker 2: full links, like always hosting parties, always sending party.

1313
01:05:13,840 --> 01:05:16,720
Speaker 4: Full links, close friends, close friends, everythings.

1314
01:05:16,760 --> 01:05:19,080
Speaker 2: But no one's like that into their events.

1315
01:05:21,160 --> 01:05:23,880
Speaker 4: That's interesting, you know what I mean. Yes, And there

1316
01:05:23,920 --> 01:05:25,240
Speaker 4: are people like that, like.

1317
01:05:25,200 --> 01:05:29,800
Speaker 2: Always having some theme party, always wanting to host the pregame.

1318
01:05:30,520 --> 01:05:32,600
Speaker 2: They have this complex where they think they're the center

1319
01:05:32,640 --> 01:05:34,880
Speaker 2: of the group, but no one else really thinks so.

1320
01:05:35,000 --> 01:05:36,959
Speaker 2: But because someone else is stepping up to be the center.

1321
01:05:37,040 --> 01:05:39,400
Speaker 2: People are like, yeah, I guess we'll go to Jared's place.

1322
01:05:39,800 --> 01:05:43,000
Speaker 1: Yeah, that just is like one of the saddest things,

1323
01:05:43,480 --> 01:05:45,160
Speaker 1: Like that picture is like bumming me out.

1324
01:05:45,480 --> 01:05:47,920
Speaker 2: Yeah, well, welcome to umbrella.

1325
01:05:49,800 --> 01:05:52,640
Speaker 1: It's literally raining outside. It's not supposed to be pleasant.

1326
01:05:52,640 --> 01:05:53,800
Speaker 1: It's not supposed to be pleasant.

1327
01:05:54,080 --> 01:05:55,040
Speaker 4: Welcome to umbrella.

1328
01:05:55,080 --> 01:05:56,280
Speaker 1: Welcome to umbrella.

1329
01:05:56,400 --> 01:05:59,160
Speaker 2: I do think on a more literal level too. You know,

1330
01:05:59,200 --> 01:06:00,360
Speaker 2: it's associated with rain.

1331
01:06:00,640 --> 01:06:00,880
Speaker 1: Rain.

1332
01:06:02,600 --> 01:06:04,880
Speaker 2: This is like very rain is queer in the sense

1333
01:06:04,880 --> 01:06:07,280
Speaker 2: that it's like a different thing that the sky can do,

1334
01:06:09,080 --> 01:06:09,880
Speaker 2: and it's rare.

1335
01:06:10,080 --> 01:06:10,560
Speaker 1: And it's rare.

1336
01:06:10,560 --> 01:06:12,200
Speaker 2: It's literally like if you add up the days and

1337
01:06:12,240 --> 01:06:14,240
Speaker 2: you're like, what percentage of days are raining, it's the

1338
01:06:14,240 --> 01:06:16,320
Speaker 2: same exact percentage of people who are queer it is.

1339
01:06:16,400 --> 01:06:18,520
Speaker 4: It's like it's a lot, but it's not. It's not.

1340
01:06:19,200 --> 01:06:21,000
Speaker 4: It's way last than the most.

1341
01:06:21,160 --> 01:06:23,600
Speaker 2: Minor of some places in some places.

1342
01:06:23,960 --> 01:06:25,600
Speaker 6: But I wish that we could find it like a

1343
01:06:25,640 --> 01:06:27,920
Speaker 6: way of explaining that's like a blase is of.

1344
01:06:27,960 --> 01:06:30,640
Speaker 2: M top you know what I mean for an umbrella

1345
01:06:30,680 --> 01:06:32,840
Speaker 2: gad all of that and you're.

1346
01:06:32,680 --> 01:06:39,880
Speaker 4: Like no, because I'm not going to say that, Oh

1347
01:06:39,920 --> 01:06:40,440
Speaker 4: you want.

1348
01:06:40,280 --> 01:06:49,040
Speaker 1: Sexually well, simple, simple, simple, Okay. An umbrella is okay, okay.

1349
01:06:49,040 --> 01:06:52,920
Speaker 1: An umbrella is someone who like talks about sex a lot,

1350
01:06:52,960 --> 01:06:54,240
Speaker 1: but like doesn't have sex very much.

1351
01:06:54,760 --> 01:06:57,760
Speaker 2: Yes, that's exactly it, no further questions.

1352
01:06:57,840 --> 01:07:02,000
Speaker 1: Q e ed, good job, thank you that came to me.

1353
01:07:02,120 --> 01:07:03,800
Speaker 1: That's in the vision. I love that.

1354
01:07:04,400 --> 01:07:08,240
Speaker 2: It's literally like the entire identity, the entire identity of

1355
01:07:08,320 --> 01:07:10,640
Speaker 2: umbrella is pretend do you want to bring me in

1356
01:07:10,720 --> 01:07:13,240
Speaker 2: my rain? And you're like, okay, I'll bring you, and

1357
01:07:13,240 --> 01:07:14,720
Speaker 2: then it's like, I'm shy.

1358
01:07:15,160 --> 01:07:17,240
Speaker 1: The Umbrella's literally like I'm gonna take every fucking job,

1359
01:07:17,400 --> 01:07:22,400
Speaker 1: but you're not gonna like exactly, exactly exactly, nothing will

1360
01:07:22,440 --> 01:07:22,680
Speaker 1: be love.

1361
01:07:22,960 --> 01:07:25,000
Speaker 4: Yeah, don't worry.

1362
01:07:25,280 --> 01:07:28,480
Speaker 2: Yeah, come on, rain on me, rain on me. And

1363
01:07:28,520 --> 01:07:31,280
Speaker 2: then this guy does rain and the Umbrella's like, oh,

1364
01:07:32,080 --> 01:07:34,520
Speaker 2: I'm like sorry, sorry, sorry, Oh I didn't know windows.

1365
01:07:37,800 --> 01:07:39,480
Speaker 2: Yeah that's good.

1366
01:07:39,840 --> 01:07:43,680
Speaker 4: Great cool bros are gay? Agree?

1367
01:07:44,560 --> 01:07:45,120
Speaker 1: I agree?

1368
01:07:45,240 --> 01:07:47,520
Speaker 2: Yes, I would say I certainly agree.

1369
01:07:49,480 --> 01:07:49,840
Speaker 1: Wow.

1370
01:07:50,120 --> 01:07:53,400
Speaker 4: I was pretty worried about that, you really. I was

1371
01:07:53,480 --> 01:07:57,320
Speaker 4: just like, I'm gonna have to stretch it, and it did. Though.

1372
01:07:58,120 --> 01:08:00,400
Speaker 2: I think I think you pushed us to to some

1373
01:08:00,480 --> 01:08:04,040
Speaker 2: truths because you were I think many people when we

1374
01:08:04,120 --> 01:08:07,400
Speaker 2: start theorizing, are sort of like sure, girl, and then

1375
01:08:07,440 --> 01:08:10,280
Speaker 2: we like move on. You were, but you were being

1376
01:08:10,400 --> 01:08:14,280
Speaker 2: very much like that's not like that. You've shown your

1377
01:08:14,280 --> 01:08:16,760
Speaker 2: work and it doesn't quite add up. Let's keep going. Yeah,

1378
01:08:16,840 --> 01:08:18,759
Speaker 2: And in that sense, you are like the teacher.

1379
01:08:19,280 --> 01:08:20,240
Speaker 1: You're like Robin.

1380
01:08:20,000 --> 01:08:23,280
Speaker 2: Williams and Goodwill Hunting, like you're the the or dead

1381
01:08:23,280 --> 01:08:24,400
Speaker 2: poets Decide or whatever.

1382
01:08:24,160 --> 01:08:29,120
Speaker 1: The fuck both both. I mean I that's always what

1383
01:08:29,160 --> 01:08:31,320
Speaker 1: I struggled with is when they were like, okay, so

1384
01:08:31,479 --> 01:08:33,360
Speaker 1: but like write the conclusion. I was like, you read

1385
01:08:33,360 --> 01:08:34,240
Speaker 1: the whole thing right.

1386
01:08:34,160 --> 01:08:38,040
Speaker 4: That's it right, because it doesn't feel natural, but you have.

1387
01:08:38,040 --> 01:08:39,600
Speaker 1: To in conclusion.

1388
01:08:39,800 --> 01:08:44,960
Speaker 6: But I felt like, like my last topics Christianity, di dicotomies,

1389
01:08:45,640 --> 01:08:46,759
Speaker 6: they were dropped.

1390
01:08:47,920 --> 01:08:50,479
Speaker 2: Oh I see, yeah, well I wanted something.

1391
01:08:50,680 --> 01:08:51,200
Speaker 4: Yeah.

1392
01:08:51,240 --> 01:08:51,639
Speaker 1: Wow.

1393
01:08:51,760 --> 01:08:53,360
Speaker 2: I actually think a lot of people, and I think

1394
01:08:53,360 --> 01:08:54,639
Speaker 2: I would have this instinct to a lot of people

1395
01:08:54,680 --> 01:08:57,479
Speaker 2: come onto the podcast and think the most intellectual thing

1396
01:08:57,520 --> 01:09:00,439
Speaker 2: I can do is pick the broadest possible thing to be. Like,

1397
01:09:00,840 --> 01:09:05,799
Speaker 2: my topic is, you know, climate change, but in fact,

1398
01:09:06,479 --> 01:09:09,679
Speaker 2: the smaller I mean we've talked about this before. Smaller

1399
01:09:09,760 --> 01:09:13,479
Speaker 2: is big, and big est small the smaller topic is

1400
01:09:13,960 --> 01:09:17,719
Speaker 2: the more you can dig deep and do more intellectual work.

1401
01:09:18,400 --> 01:09:23,040
Speaker 4: You've got to get specific, you got to get because

1402
01:09:24,200 --> 01:09:28,280
Speaker 4: like legit, some things are not gay and not straight.

1403
01:09:29,000 --> 01:09:33,040
Speaker 1: Yeah. Yeah, you know. It's really hard when people come

1404
01:09:33,040 --> 01:09:35,559
Speaker 1: on and they say something and I'm like, to be honest,

1405
01:09:35,600 --> 01:09:39,400
Speaker 1: I think that's gay, like the topic, yeah, and I'm like,

1406
01:09:39,439 --> 01:09:42,120
Speaker 1: I'm trying to do, but I like do fundamentally, like

1407
01:09:42,160 --> 01:09:44,719
Speaker 1: I think there's something interesting. When it's like this podcast

1408
01:09:44,760 --> 01:09:50,200
Speaker 1: is completely fake, and then sometimes I'll be like, walls, right.

1409
01:09:50,360 --> 01:09:54,800
Speaker 4: It's not like magic, you know, it's like fake.

1410
01:09:54,880 --> 01:10:00,160
Speaker 2: But it's like, yeah, if we like from the beginning ing,

1411
01:10:02,439 --> 01:10:06,280
Speaker 2: we were not that strict about the rules in a

1412
01:10:06,280 --> 01:10:10,160
Speaker 2: way that sometimes I'm like, well, don't make a mockery

1413
01:10:10,160 --> 01:10:12,600
Speaker 2: of it, Like let's go back and then let's do

1414
01:10:12,680 --> 01:10:15,160
Speaker 2: it again and be like really strict about it, because

1415
01:10:15,439 --> 01:10:18,640
Speaker 2: in fact, when we get into the zone of critique,

1416
01:10:19,240 --> 01:10:23,120
Speaker 2: we're dead serious.

1417
01:10:23,760 --> 01:10:25,880
Speaker 1: Language is literally the most important thing we have.

1418
01:10:26,080 --> 01:10:29,200
Speaker 4: I mean, what you're describing is like legit theater in place.

1419
01:10:30,320 --> 01:10:34,240
Speaker 4: It's like, I know that's a guy, but we have

1420
01:10:34,680 --> 01:10:38,200
Speaker 4: to be playing along and thinking through what is being said,

1421
01:10:40,040 --> 01:10:45,479
Speaker 4: because then it's like I'm actually bored of what I'm saying.

1422
01:10:46,720 --> 01:10:50,479
Speaker 2: Wow wow, talk about like the opposite of greenery instead

1423
01:10:50,520 --> 01:10:51,720
Speaker 2: of giving up halfway through.

1424
01:10:51,720 --> 01:10:55,200
Speaker 4: That's miss drinkle Tack.

1425
01:10:55,840 --> 01:10:58,799
Speaker 1: Oh miss drinkle Trinkle or wrinkle Trinkle.

1426
01:10:58,920 --> 01:11:03,000
Speaker 2: Miss Trinkle is mister Gringer Beans flop wife, because like

1427
01:11:03,120 --> 01:11:05,559
Speaker 2: he's constantly performing at every dinner party.

1428
01:11:05,360 --> 01:11:07,200
Speaker 4: And she's like, oh god too much.

1429
01:11:07,400 --> 01:11:09,639
Speaker 1: Like somebody's like, what did you do today, missus trinkle

1430
01:11:09,720 --> 01:11:22,240
Speaker 1: tech And she's like, I what did I do next?

1431
01:11:22,960 --> 01:11:29,519
Speaker 4: Like she's like, it's like, how are you? She's like,

1432
01:11:29,840 --> 01:11:30,240
Speaker 4: I'm good.

1433
01:11:34,080 --> 01:11:35,439
Speaker 1: I love that she kept her last name.

1434
01:11:35,840 --> 01:11:38,120
Speaker 4: Yeah. Well, well you know you have to draw the

1435
01:11:38,160 --> 01:11:44,519
Speaker 4: line somewhere she's not still not fully it invisible, like yeah,

1436
01:11:44,920 --> 01:11:46,080
Speaker 4: because of family pressure.

1437
01:11:46,240 --> 01:11:49,560
Speaker 2: Yeah, definitely. Well, also, mister Gringer Beans was so wealthy.

1438
01:11:50,040 --> 01:11:52,000
Speaker 1: Of course, of course, hello.

1439
01:11:54,840 --> 01:11:57,560
Speaker 2: Talk about gringer Beans thing. It's having so much money,

1440
01:11:58,640 --> 01:12:01,400
Speaker 2: more than you need, more than you needs, stuff to

1441
01:12:01,439 --> 01:12:04,599
Speaker 2: talk about using grainger Beans for evil is accumulating. Well,

1442
01:12:07,360 --> 01:12:08,799
Speaker 2: all right, I love that couple.

1443
01:12:09,320 --> 01:12:12,000
Speaker 1: I love that. I really like I can see beans,

1444
01:12:12,000 --> 01:12:12,479
Speaker 1: you know what I mean?

1445
01:12:12,960 --> 01:12:15,880
Speaker 4: What do you look like to you?

1446
01:12:15,960 --> 01:12:19,759
Speaker 1: Well, he's got one of those hats that's like rounded

1447
01:12:19,840 --> 01:12:20,360
Speaker 1: at the top of.

1448
01:12:20,640 --> 01:12:23,760
Speaker 2: It's a monopoly man Monopoly.

1449
01:12:23,360 --> 01:12:26,000
Speaker 1: But there's like a yellow tie and he's like a

1450
01:12:26,000 --> 01:12:28,640
Speaker 1: little bit like like I see him walking to every

1451
01:12:28,720 --> 01:12:30,280
Speaker 1: room sort of jokingly being.

1452
01:12:30,240 --> 01:12:34,360
Speaker 2: Right, you know what it is, Yeah, monopoly, yellow tie,

1453
01:12:34,920 --> 01:12:38,320
Speaker 2: but stilettos like bigger like big.

1454
01:12:38,080 --> 01:12:42,559
Speaker 3: Pants and.

1455
01:12:44,479 --> 01:12:49,599
Speaker 4: See why but like when he walks, it jingles jingle, jingle, jingle.

1456
01:12:51,800 --> 01:12:55,000
Speaker 4: He's amazing. Oh my god, I love him.

1457
01:12:55,400 --> 01:12:56,479
Speaker 1: I love him so much.

1458
01:12:56,840 --> 01:12:59,439
Speaker 4: Cute and he watched the cane but he doesn't need it.

1459
01:12:59,720 --> 01:13:00,360
Speaker 4: It's aumbrella.

1460
01:13:00,520 --> 01:13:06,360
Speaker 1: It's an umbrella. Should we do our final segment? I

1461
01:13:06,400 --> 01:13:07,080
Speaker 1: think we have to.

1462
01:13:13,720 --> 01:13:14,519
Speaker 4: Are you stressed?

1463
01:13:14,800 --> 01:13:18,160
Speaker 2: I'm not stressed. Stress independently about other things in my life,

1464
01:13:18,160 --> 01:13:21,600
Speaker 2: as you know I'm doing after this recording, but current No,

1465
01:13:21,800 --> 01:13:24,200
Speaker 2: I'm certainly not in the future.

1466
01:13:24,520 --> 01:13:25,120
Speaker 1: Yeah, I know.

1467
01:13:26,160 --> 01:13:28,040
Speaker 2: One of the most powerful things is to literally be

1468
01:13:28,120 --> 01:13:32,439
Speaker 2: like the future doesn't exist yet, and therefore I can't

1469
01:13:32,439 --> 01:13:33,040
Speaker 2: think about it.

1470
01:13:33,439 --> 01:13:34,840
Speaker 4: I don't have to deal with that now.

1471
01:13:35,960 --> 01:13:38,640
Speaker 1: So let's normally our final segment of shout outs, but

1472
01:13:38,840 --> 01:13:41,840
Speaker 1: because we're doing our Pride episode, of which is Gatio

1473
01:13:41,960 --> 01:13:48,400
Speaker 1: lab Our, final segment is brand partnerships and in the

1474
01:13:48,400 --> 01:13:52,800
Speaker 1: style of your favorite long LGBTQ plus creators. We want

1475
01:13:52,840 --> 01:13:57,759
Speaker 1: you to partner with anything that you're enjoying around the globe. People, places, things, ideas,

1476
01:13:58,680 --> 01:14:01,320
Speaker 1: just you know, be excited to part with them.

1477
01:14:01,080 --> 01:14:02,880
Speaker 2: And we're thinking of them on the spot just for

1478
01:14:02,880 --> 01:14:03,599
Speaker 2: everyone at home.

1479
01:14:03,720 --> 01:14:06,439
Speaker 1: Yeah, we don't know what we're gonna sew you guys

1480
01:14:06,439 --> 01:14:09,240
Speaker 1: have I think I can whip something up, but it

1481
01:14:09,320 --> 01:14:12,439
Speaker 1: will be right now when my mind is completely blank.

1482
01:14:14,920 --> 01:14:22,719
Speaker 1: So George, if you want to go, sure. Hey, guys,

1483
01:14:23,920 --> 01:14:24,559
Speaker 1: I'm George.

1484
01:14:24,600 --> 01:14:28,759
Speaker 2: I'm a comedian, podcaster and LGBT creator and this June

1485
01:14:28,760 --> 01:14:30,599
Speaker 2: I'm partnering with Oxford Shirts.

1486
01:14:31,080 --> 01:14:32,200
Speaker 1: Oxford shirts are the.

1487
01:14:32,120 --> 01:14:35,559
Speaker 2: Most versatile shirt out there, and they're sort of in

1488
01:14:35,600 --> 01:14:38,599
Speaker 2: this really incredible space between casual and formal.

1489
01:14:38,640 --> 01:14:40,320
Speaker 1: You can dress them up, you can dress them down.

1490
01:14:40,880 --> 01:14:45,920
Speaker 2: And nothing says verse like being a proud LGBTQ American,

1491
01:14:46,360 --> 01:14:50,080
Speaker 2: especially in these times. So next time you're out, whether

1492
01:14:50,120 --> 01:14:54,360
Speaker 2: you're protesting insert issue here or just going to your

1493
01:14:54,400 --> 01:14:58,519
Speaker 2: office job, put on an Oxford shirt. They come in white, blue,

1494
01:14:59,000 --> 01:15:01,360
Speaker 2: sometimes white and blue stripe in a way that can

1495
01:15:01,400 --> 01:15:04,479
Speaker 2: be really really cool, and you can wear them no

1496
01:15:04,560 --> 01:15:08,000
Speaker 2: matter what your gender is. And by the way, all

1497
01:15:08,080 --> 01:15:11,439
Speaker 2: genders are valid, just like all shirts are valid, whether

1498
01:15:11,479 --> 01:15:12,920
Speaker 2: they are Oxford or otherwise.

1499
01:15:13,760 --> 01:15:22,600
Speaker 1: And go out there and use promo code George dot com.

1500
01:15:23,000 --> 01:15:25,000
Speaker 1: I didn't know you were giving is a website.

1501
01:15:25,280 --> 01:15:29,679
Speaker 2: Keep going to buy an Oxford shirt for your next event,

1502
01:15:30,560 --> 01:15:34,759
Speaker 2: and remember you guys, please go out and vote.

1503
01:15:35,560 --> 01:15:36,520
Speaker 4: That's amazing.

1504
01:15:36,800 --> 01:15:46,519
Speaker 1: Wow. Okay, hey everybody, I'm Sam I. You may have

1505
01:15:46,600 --> 01:15:51,920
Speaker 1: seen me on my podcast Stradio Lab, available now on

1506
01:15:52,560 --> 01:15:57,280
Speaker 1: everywhere you get your podcasts and including YouTube, and I

1507
01:15:57,320 --> 01:16:00,960
Speaker 1: am so excited to announce my partnership with running into

1508
01:16:01,000 --> 01:16:04,600
Speaker 1: people at the airport. I think running into people at

1509
01:16:04,640 --> 01:16:07,880
Speaker 1: the airport is one of the most LGBTQ friendly things

1510
01:16:07,960 --> 01:16:10,760
Speaker 1: you can do, because, you know, if you're traveling like me,

1511
01:16:12,000 --> 01:16:14,760
Speaker 1: you feel so lonely and you feel you're carrying your

1512
01:16:14,800 --> 01:16:17,760
Speaker 1: bags and you're you're you're without roots and you say

1513
01:16:17,760 --> 01:16:20,400
Speaker 1: who am I? And then who is that? Oh? Why

1514
01:16:20,439 --> 01:16:23,960
Speaker 1: that's someone you know? Suddenly you're at home, You're feeling

1515
01:16:24,040 --> 01:16:27,920
Speaker 1: chosen family, You're feeling like the airport is your childhood home.

1516
01:16:28,400 --> 01:16:31,120
Speaker 1: And I just find it so fun and creates this

1517
01:16:31,160 --> 01:16:35,559
Speaker 1: interesting dynamic of sort of a you know, before midnight

1518
01:16:35,680 --> 01:16:39,320
Speaker 1: after sunset type vibe where you're like, do we hang

1519
01:16:39,320 --> 01:16:41,680
Speaker 1: out the whole time? Do we just talk for a

1520
01:16:41,760 --> 01:16:44,679
Speaker 1: little bit? Are we Is this the moment we fall

1521
01:16:44,720 --> 01:16:48,360
Speaker 1: in love? And I think I'm so excited to partner

1522
01:16:48,400 --> 01:16:50,960
Speaker 1: with running into people into an airport and I think

1523
01:16:51,040 --> 01:16:56,479
Speaker 1: people should check it out into an airport running into

1524
01:16:56,520 --> 01:16:59,360
Speaker 1: people you know, running into people you know in an

1525
01:16:59,400 --> 01:17:09,479
Speaker 1: airport and used promote code slay Alma checkout, say Sam Sanya, Bye, Wow.

1526
01:17:09,360 --> 01:17:11,280
Speaker 2: That was really good And I actually think that's a

1527
01:17:11,280 --> 01:17:13,320
Speaker 2: beautiful description of what it's like to run into people

1528
01:17:13,320 --> 01:17:13,799
Speaker 2: at the airport.

1529
01:17:13,880 --> 01:17:15,960
Speaker 4: You really got it right. Is it something you've experienced lately?

1530
01:17:16,080 --> 01:17:20,920
Speaker 1: I experienced it? Yeah, I mean into Mercy Goldman yesterday.

1531
01:17:21,120 --> 01:17:22,440
Speaker 1: I came here yesterday.

1532
01:17:22,640 --> 01:17:26,679
Speaker 4: Great and now it's flying off the shelves.

1533
01:17:26,920 --> 01:17:37,400
Speaker 8: Yeah, hey guys, it's the last year writer, influencer, model,

1534
01:17:37,960 --> 01:17:39,640
Speaker 8: and engineer.

1535
01:17:39,800 --> 01:17:44,400
Speaker 4: Oh this pride. I want to talk to you about

1536
01:17:44,400 --> 01:17:45,639
Speaker 4: something that's close to my heart.

1537
01:17:47,439 --> 01:17:52,559
Speaker 6: You know, when you're thirsty and hungry, what I like

1538
01:17:52,600 --> 01:17:56,479
Speaker 6: to do when the feeling strikes is he fruit.

1539
01:17:58,080 --> 01:18:03,639
Speaker 4: This pride fruit is what I'm eating every day. Can

1540
01:18:03,680 --> 01:18:07,400
Speaker 4: you imagine being a caveman and all you've ever eaten

1541
01:18:07,680 --> 01:18:15,200
Speaker 4: is meat and water. Coming across something that looks like

1542
01:18:15,760 --> 01:18:22,920
Speaker 4: completely inedible, almost as a rock, cracking that open and

1543
01:18:23,280 --> 01:18:27,479
Speaker 4: realizing it's a mango, you would be the happiest person

1544
01:18:28,000 --> 01:18:30,519
Speaker 4: who has ever lived. You will probably die from the

1545
01:18:30,600 --> 01:18:38,040
Speaker 4: joy of the feeling. That's why this Pride I'm encouraging

1546
01:18:38,040 --> 01:18:39,320
Speaker 4: you to go buy some fruit.

1547
01:18:39,479 --> 01:18:44,439
Speaker 6: When you go to the grocery store now and get fruit,

1548
01:18:45,360 --> 01:18:50,120
Speaker 6: you can also buy every other kind of food. Use

1549
01:18:50,280 --> 01:18:56,080
Speaker 6: promo code Caveman thirsty Hungry at checkout.

1550
01:18:59,280 --> 01:19:01,280
Speaker 1: Is such a good deal.

1551
01:19:02,800 --> 01:19:11,439
Speaker 4: It is amazing. It's free, and I cannot believe it exists.

1552
01:19:12,560 --> 01:19:14,080
Speaker 4: Check it out and follow.

1553
01:19:14,760 --> 01:19:22,120
Speaker 1: Wow, I mean that's amazing, so fun. Every podcast you

1554
01:19:22,240 --> 01:19:29,080
Speaker 1: get free therapy for line. I love them. Okay, wow,

1555
01:19:30,200 --> 01:19:32,479
Speaker 1: you know, let me just say this. Yeah.

1556
01:19:32,800 --> 01:19:35,280
Speaker 2: I started this episode not being in the mood for pride.

1557
01:19:35,439 --> 01:19:36,840
Speaker 1: I've never felt more pride.

1558
01:19:36,840 --> 01:19:39,160
Speaker 2: Oh my god, I was so ready to go out

1559
01:19:39,200 --> 01:19:44,240
Speaker 2: there and be proudly out George. I'm going to go

1560
01:19:44,280 --> 01:19:47,559
Speaker 2: to parties. I'm gonna be so gringer beans. I'm going

1561
01:19:47,640 --> 01:19:51,439
Speaker 2: to be mixed gringer beans. This pride, of course, and

1562
01:19:52,040 --> 01:19:54,840
Speaker 2: my god, we mixed never came.

1563
01:19:55,840 --> 01:19:56,559
Speaker 4: How are they doing?

1564
01:19:58,280 --> 01:20:01,840
Speaker 2: I actually think that's a great question because mixed Emma.

1565
01:20:02,400 --> 01:20:05,599
Speaker 2: When we invented them, they were a college student.

1566
01:20:05,800 --> 01:20:07,320
Speaker 4: Yes, and that was four years ago.

1567
01:20:08,040 --> 01:20:12,000
Speaker 2: This is what I mean, like literally like out.

1568
01:20:11,840 --> 01:20:13,480
Speaker 4: And about adults.

1569
01:20:13,880 --> 01:20:18,599
Speaker 1: They're an adult. They are you know, probably working at

1570
01:20:18,600 --> 01:20:19,640
Speaker 1: a company.

1571
01:20:19,360 --> 01:20:19,960
Speaker 2: Of some sort.

1572
01:20:20,080 --> 01:20:22,320
Speaker 1: It's an ethical company. I mean, this is what I've been.

1573
01:20:22,479 --> 01:20:24,840
Speaker 2: That's why I'm delaying what I'm about to say, is

1574
01:20:24,920 --> 01:20:27,880
Speaker 2: I don't I'm like, is it well?

1575
01:20:28,000 --> 01:20:30,800
Speaker 6: I think it's the job that they got and maybe

1576
01:20:30,800 --> 01:20:34,800
Speaker 6: that's not exactly what they would like to be doing, but.

1577
01:20:36,840 --> 01:20:38,160
Speaker 4: That's okay for me right now.

1578
01:20:38,800 --> 01:20:42,120
Speaker 1: And do you think they like.

1579
01:20:44,160 --> 01:20:47,360
Speaker 2: I feel like there was still Emma huh oh.

1580
01:20:47,400 --> 01:20:48,400
Speaker 1: Do they still go by Emma?

1581
01:20:48,560 --> 01:20:49,040
Speaker 4: Not sure?

1582
01:20:49,520 --> 01:20:51,639
Speaker 1: Wow? What do you think?

1583
01:20:51,720 --> 01:20:56,799
Speaker 4: I think they probably go by chair now chair Wow.

1584
01:20:58,360 --> 01:21:00,880
Speaker 4: But but it's not like a dead name. But they

1585
01:21:00,920 --> 01:21:01,519
Speaker 4: prefer chair.

1586
01:21:01,720 --> 01:21:04,920
Speaker 2: Oh so it's not it's like okay, like yeah.

1587
01:21:04,760 --> 01:21:06,240
Speaker 4: Yeah, like that's what their friends call them and like

1588
01:21:06,400 --> 01:21:08,720
Speaker 4: they're still cool with like m M that kind of thing.

1589
01:21:09,640 --> 01:21:11,000
Speaker 4: But they do prefer chair.

1590
01:21:11,520 --> 01:21:15,919
Speaker 2: Yeah, okay, but I just shout out to chair. And honestly,

1591
01:21:16,000 --> 01:21:20,320
Speaker 2: like I do think I would say I have faith

1592
01:21:20,520 --> 01:21:22,680
Speaker 2: that they will land on their feet, like yes, this

1593
01:21:22,720 --> 01:21:25,000
Speaker 2: is not an ideal drop for them. But like they's

1594
01:21:25,000 --> 01:21:27,720
Speaker 2: such a beautiful voice, beautiful voice. So they're living with

1595
01:21:27,760 --> 01:21:31,519
Speaker 2: two great roommates. You know, they've gotten really good at cooking,

1596
01:21:31,720 --> 01:21:32,519
Speaker 2: really good at cooking.

1597
01:21:32,600 --> 01:21:34,360
Speaker 1: Yes, I mean they've cooked through.

1598
01:21:34,240 --> 01:21:36,679
Speaker 2: Because you know, when we first met them, they were

1599
01:21:36,680 --> 01:21:41,160
Speaker 2: cooking Alison Roman stew. But I they've moved through the

1600
01:21:41,200 --> 01:21:42,439
Speaker 2: rest of Alice in Roman.

1601
01:21:42,360 --> 01:21:44,639
Speaker 4: Books and they're doing cold carry cake.

1602
01:21:44,960 --> 01:21:47,400
Speaker 2: But you know what is happening now, Actually they are

1603
01:21:47,479 --> 01:21:51,320
Speaker 2: now vegan. They were good, good for.

1604
01:21:51,240 --> 01:21:57,679
Speaker 6: Them, Yeah, and it's because of the they're they're an

1605
01:21:57,720 --> 01:22:03,639
Speaker 6: ethical disagreement having to do with humans, not with animals exactly.

1606
01:22:03,720 --> 01:22:05,000
Speaker 1: They don't give a shit about animals.

1607
01:22:05,160 --> 01:22:07,880
Speaker 4: No, no, but they heard about the kinds of diseases.

1608
01:22:09,240 --> 01:22:12,680
Speaker 2: Yeah, they're a sort of a what's it called when

1609
01:22:12,720 --> 01:22:13,519
Speaker 2: you always think you're sick.

1610
01:22:13,640 --> 01:22:16,200
Speaker 4: They made them really upset, the hypochondria.

1611
01:22:15,680 --> 01:22:20,120
Speaker 2: Hypochondria which actually falls under the LGBTQ plus on brown.

1612
01:22:21,160 --> 01:22:24,080
Speaker 2: But they're on the very very edge costly getting poisoned

1613
01:22:24,080 --> 01:22:24,559
Speaker 2: by acid.

1614
01:22:24,640 --> 01:22:24,800
Speaker 1: Right.

1615
01:22:26,000 --> 01:22:30,840
Speaker 4: Oh, but they're good, they're good, and they're in love.

1616
01:22:31,280 --> 01:22:33,040
Speaker 1: Oh my god, that's right.

1617
01:22:33,880 --> 01:22:35,040
Speaker 2: It's cool with a.

1618
01:22:34,960 --> 01:22:39,000
Speaker 4: Photographer with a photographer a really good for photographer.

1619
01:22:39,120 --> 01:22:41,880
Speaker 2: Oh yeah, they just did have spread for paper.

1620
01:22:41,640 --> 01:22:44,320
Speaker 4: Magazine of em A Chamberlain.

1621
01:22:44,560 --> 01:22:49,040
Speaker 1: Yes, I'm a Chamberlain and it was sort of caveman themed.

1622
01:22:49,160 --> 01:22:53,519
Speaker 2: Yeah, and guess what Emma Chamberlain is. Then you mix

1623
01:22:53,920 --> 01:22:56,280
Speaker 2: Emma now that the old mix Semma is Chair.

1624
01:22:56,439 --> 01:22:57,639
Speaker 4: That's what they related about.

1625
01:22:57,680 --> 01:22:59,439
Speaker 1: That's what they related about because like.

1626
01:23:00,520 --> 01:23:05,120
Speaker 6: Chair doesn't have shame about changing. So they were like,

1627
01:23:06,520 --> 01:23:08,880
Speaker 6: my name was actually for many years.

1628
01:23:09,040 --> 01:23:11,519
Speaker 2: And them A Chamberlain was like, oh my god, that's

1629
01:23:11,640 --> 01:23:14,400
Speaker 2: so crazy. I want a selfie.

1630
01:23:16,160 --> 01:23:20,040
Speaker 1: Oh well, what a beautiful note to end on. That

1631
01:23:20,080 --> 01:23:22,000
Speaker 1: was like catching up with the college from It.

1632
01:23:21,800 --> 01:23:26,040
Speaker 2: Was straight the lab deep lore and I think we're

1633
01:23:26,080 --> 01:23:28,240
Speaker 2: not going to exp if you haven't listened to literally

1634
01:23:28,240 --> 01:23:30,000
Speaker 2: episode if you know or.

1635
01:23:29,920 --> 01:23:32,680
Speaker 4: Something, if you know you know, I do you think

1636
01:23:32,720 --> 01:23:33,559
Speaker 4: you can't do that?

1637
01:23:34,479 --> 01:23:46,439
Speaker 2: I can need that. I didn't need it, I said.

1638
01:23:42,240 --> 01:23:44,559
Speaker 4: I just said it.

1639
01:23:47,160 --> 01:23:50,920
Speaker 2: Happy pride, Happy pride to all, Happy pride to all

1640
01:23:50,960 --> 01:23:53,719
Speaker 2: the glamour girls out there, Happy pride to Chair, Happy

1641
01:23:53,720 --> 01:24:01,720
Speaker 2: pride to Emma Chamberlain and happy mister mister Bringer ringle Bean,

1642
01:24:01,880 --> 01:24:02,759
Speaker 2: sorry mister.

1643
01:24:03,439 --> 01:24:06,320
Speaker 4: And missus Missus.

1644
01:24:07,520 --> 01:24:14,240
Speaker 5: Trinkle Tross Drinker Tech drink Trinkle Tech Shrink, Trinkle Tech Trinkle.

1645
01:24:14,439 --> 01:24:18,160
Speaker 5: I believe yeah, yeah, God, it is so like her

1646
01:24:18,200 --> 01:24:19,320
Speaker 5: to have people forget her name.

1647
01:24:20,160 --> 01:24:22,200
Speaker 4: Well, she could help us a bit.

1648
01:24:22,840 --> 01:24:25,280
Speaker 1: Yeah yeah, and it's sort of not the victim blame,

1649
01:24:25,320 --> 01:24:26,760
Speaker 1: but she can live out loud a little more.

1650
01:24:27,040 --> 01:24:27,559
Speaker 2: I agree.

1651
01:24:29,600 --> 01:24:31,880
Speaker 1: Okay. I love you.

1652
01:24:32,160 --> 01:24:36,400
Speaker 2: Podcast and now want more. Subscribe to our Patreon for

1653
01:24:36,520 --> 01:24:40,200
Speaker 2: two extra episodes a month, discord access and more by

1654
01:24:40,200 --> 01:24:43,439
Speaker 2: heading to patreon dot com. Slash Stradio lab.

1655
01:24:43,479 --> 01:24:46,120
Speaker 1: And for all our visual learners, free full length video

1656
01:24:46,120 --> 01:24:48,880
Speaker 1: episodes are available on our YouTube. Not get back to

1657
01:24:48,960 --> 01:24:49,200
Speaker 1: Work

1658
01:25:00,280 --> 01:25:00,639
Speaker 4: At