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Speaker 1: This episode is brought to you by Shopify. Whether you're

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Speaker 1: Slash Special Offer all lowercase. That's shopify dot Com Slash

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Speaker 1: Special Offer. I listened to the Black Guy Who Tips

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Speaker 1: podcast because Rod and Karen are hot?

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Speaker 2: Who shot you? Separate the week from the OPSA linked

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Speaker 2: hard to creep the Brooklyn streets. It's on nigga. All

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Speaker 2: that bicker and beep. I can feel a sweatstricken then

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Speaker 2: down your cheek, your heartbeat sale like says squatch feet

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Speaker 2: fund to break in the concrete, finish it stop because

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Speaker 2: I called the cops. They just call the cops because

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Speaker 2: they heard men shots them. I said, who shot you?

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Speaker 3: Hey, welcome to the Blackouts podcast, your host Rod and

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Speaker 3: we are listen. I only sent him like the first

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Speaker 3: four bars. I'm not gonna lie guys that that was

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Speaker 3: off the dome. That was off the dome. I feel

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Speaker 3: like you know, you guys may be familiar with this voice.

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Speaker 3: You never heard on our podcast before, but it's internationally

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Speaker 3: known well, traveled the globe many times toward everywhere, uh

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Speaker 3: you know, been on been on some podcasts even, but

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Speaker 3: first time on our show. It's my man, Corey Glover

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Speaker 3: from Living Color, the band. They have a new album

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Speaker 3: coming out called Shade. It's coming out September eighth. It's

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Speaker 3: gonna be available on vinyl two. What's going on?

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Speaker 2: Cory? Hey, y'all, what's going on? For real? Man? You

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Speaker 2: have no idea? I am freaking the fun out right now.

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Speaker 3: That's that's that's incredible. That's incredible because I'm freaking the

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Speaker 3: fuck out. That is so dope, man. I Like, it's

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Speaker 3: weird because I've never really been in a rock like that.

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Speaker 3: My dad is like my dad was the one that

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Speaker 3: was always throwing on something like you out here, this boy,

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Speaker 3: and I you know, it's yeah, it's weird because you

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Speaker 3: know how other people go through, Like I think you

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Speaker 3: had this rebellion stage of your teens and a lot

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Speaker 3: of people's rebellion it's like, you know obviousitely your parents

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Speaker 3: like fuck that ship listener. So my teens my rebellion

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Speaker 3: was like, I'm listening to nothing but rap. That's it.

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Speaker 3: I'm listening to rap for the rest of my life.

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Speaker 3: I'm on this ship. And I started blossoming later in

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Speaker 3: life and listening to different types of music, especially in

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Speaker 3: like college and ship like that, and and now now

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Speaker 3: be listening to stuff like damn, my dad was on some.

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Speaker 2: Ship this.

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Speaker 3: So so yeah, man, it's it's it's an honor to

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Speaker 3: have you on the show, man, and yeah, we definitely want.

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Speaker 2: To kick it. Oh Karen, you have no idea. Oh man,

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Speaker 2: for real, this is ridiculous. It's ridiculous right now because

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Speaker 2: I may not speak a lot because I'm really about

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Speaker 2: to go to the bathroom and throw up.

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Speaker 3: Oh nah, man, that's uh not for us, bro. You

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Speaker 3: are now now the other thing too, man, because I've

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Speaker 3: you know, I've been trying to do some research for

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Speaker 3: the interview and stuff so we could talk with you.

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Speaker 3: I didn't want to just because low Ki. I hate

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Speaker 3: when shows do interviews with people and they don't you

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Speaker 3: know what I mean, Like it starts and be like,

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Speaker 3: so what's your name again? You know what I'm saying,

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Speaker 3: Like y'all, y'all do music or something, but yeah, like

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Speaker 3: you how did you get into into rock like that?

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Speaker 3: Because I know you're you're a Brooklyn kid, you know,

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Speaker 3: I know, you know, born in the sixties, Like you know,

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Speaker 3: how did like how did that come about? Because you

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Speaker 3: know a lot of people from that era also, you know,

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Speaker 3: branched out the hip hop and be all kinds of stuff.

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Speaker 3: It's so much talent for that era.

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Speaker 2: You know, I listened to a lot of stuff. I

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Speaker 2: listened to everything. And you know what's deep is like

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Speaker 2: in my house, like you said, your pops enjoying the stuff,

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Speaker 2: like my family like listening to all kinds of stuff

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Speaker 2: out all at the same time, and and we would

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Speaker 2: just you know, just geek out on music. So I

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Speaker 2: had had a wide reference. And you know when I

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Speaker 2: was when I was a kid, like you talked about

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Speaker 2: Cherry Rebelly stage, My rebelly stage was I started listening

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Speaker 2: to like doop music, Like I don't know why, because

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Speaker 2: it was like it was all singers. So it was

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Speaker 2: all this harmonies and all these tight harmonies. And at

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Speaker 2: the same time, I was getting into hip hop at

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Speaker 2: the same time. It's like I can't wrap with a

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Speaker 2: damn and and you know, but I can kind of

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Speaker 2: scream to people. But you know, where am I gonna

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Speaker 2: where am I gonna find that? And then I found like,

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Speaker 2: I found like there was a major sort of like

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Speaker 2: uh punk rock scene in New York. And but what

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Speaker 2: was deep about it was there were a lot it

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Speaker 2: was completely diverse, but there was a huge scene of

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Speaker 2: black folks that were into punk rock music. And I

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Speaker 2: would just and I would get into that. And then

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Speaker 2: I find all these bands and I listen to all

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Speaker 2: this stuff. And then I found there's a band from

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Speaker 2: DC back in the day called Bad Brains. Yeah, most incredible, Yeah,

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Speaker 2: most incredible band I ever heard in my life. And

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Speaker 2: I was like, Okay, so how do I do this?

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Speaker 2: M you know? And I would go hit them out.

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Speaker 2: There's there was a club in New York called CBGB's

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Speaker 2: and they'd have these hardcore matinates. Now I'm coming from

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Speaker 2: Crown Heights right right when I get on the subway

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Speaker 2: and go down to this place, it's got sawdust on

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Speaker 2: the floor and it's dark and it's dank, and catch

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Speaker 2: is losing their fucking mind out there, like Okay, I

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Speaker 2: want I want to be in this. I want to

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Speaker 2: do this definitely. I want to do this. Yeah.

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Speaker 3: I feel like like in a way, man New York

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Speaker 3: has somebody some of everything. So when you hear people

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Speaker 3: like it's always like they could where whereas like in Charlotte,

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Speaker 3: there's not really a place to go, like you know

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Speaker 3: what I'm saying, Like.

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Speaker 2: No, no, Well they used to be they you know,

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Speaker 2: we used to play out in Charlotte every now and then.

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Speaker 2: Funny thing is my brother went to Jay C. Smith,

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Speaker 2: So I was hanging out there all the time. And

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Speaker 2: I spent summers in Charlotte all the time. Like I

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Speaker 2: went back to Charlotte the other day, it was like

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Speaker 2: a year or so ago, and I was like, I

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Speaker 2: don't recognize this motherfucker. I don't know this he did.

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Speaker 2: I went downtown and the whole mechling Bird thing was

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Speaker 2: like where is this? And that was because I was here.

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Speaker 2: I was there when just when the Charlotte Observer was

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Speaker 2: starting to become something and I was and it was

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Speaker 2: still a small town. It was still like the boat

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Speaker 2: there's the biggest thing around. There was like the mall

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Speaker 2: and bow Jangles, Like can you still have all? Right?

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Speaker 2: You know, when when the Charlotte Hornets was still a

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Speaker 2: triple A team, I had like a property of it,

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Speaker 2: Charlotte Hornets T shirt. I come back, I come back

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Speaker 2: to Brooklyn and they're like, who the fuck is the show?

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Speaker 3: Yeah it was, Yeah, it was totally different. It's it's

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Speaker 3: I mean it's changed, you know, like with the banks

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Speaker 3: coming in and then like bringing all those young professionals

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Speaker 3: and they gentrified the funk out of it downtown like

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Speaker 3: it's it's crazy. It's got to be a shock to

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Speaker 3: the system because it was areas of time where it

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Speaker 3: was like nigga, don't go down there, and now you

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Speaker 3: can go down there, and it's down to Disneyland exactly.

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Speaker 2: I remember when Sart Airport was one terminal, it was

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Speaker 2: just one terminal and what time I flew down there

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Speaker 2: by myself and my brother was supposed to come get

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Speaker 2: me and he couldn't find me. It's like, how can

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Speaker 2: you not find me in a spot this small? Like

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Speaker 2: now I go to airport like god I did.

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Speaker 3: Yeah, it's totally it's totally gotten bigger and ship. But yeah,

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Speaker 3: I like, like I said, I just didn't even know

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Speaker 3: about this scene in Charlotte like that, because you know,

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Speaker 3: it's just and like I said, in New York, I'm

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Speaker 3: sure that it's just you know, like it's kind of

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Speaker 3: something of some of everything. So can I always find

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Speaker 3: somebody in it?

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Speaker 2: Hell yeah. You can walk down the street and hear

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Speaker 2: and out the windows of people's houses or cars, you'd

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Speaker 2: hear three different types of music. Like you'd hear hip

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Speaker 2: hop coming out of one car, you hear like heavy

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Speaker 2: metal rock music coming out another car, and out of

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Speaker 2: somebody's windows, some South maringus playing and you hear it

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Speaker 2: all at the same time. It's like, Okay, that sounds

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Speaker 2: like music. Yeah, and that's you know, and that's the

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Speaker 2: kind of thing that you know, Living Colors tried to

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Speaker 2: try to be. It's like we try to take everything

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Speaker 2: that we had. You know. Vernon, a guitar player, you know,

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Speaker 2: came from like this jazz world, but where he started

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Speaker 2: was like in Calypso music, which is bizarre, you know

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Speaker 2: what I mean. And you know, Will Calhoun the drummer

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Speaker 2: is like straight jazz fusion kind of thing, you know.

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Speaker 2: And Doug Doug Wembas the bass player, is one of

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Speaker 2: the one of the people who started hip hop. He

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Speaker 2: was one of the original people worked at sugar Hill,

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Speaker 2: so he's on the message. He's on you know, Funky

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Speaker 2: four plus one. He's on you know all that grand

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Speaker 2: Master Flash stuff. That's Doug Wembitsh playing based on all

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Speaker 2: that stuff.

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Speaker 3: Holy shit that I didn't even know that man. That's yeah,

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Speaker 3: y'all go back, man and right.

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Speaker 2: So we you know, we have we got we have

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Speaker 2: a We dabbled, our we had our fingers in a

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Speaker 2: lot of different kinds of music and different kinds of

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Speaker 2: genres of music. So we just became like they said,

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Speaker 2: that's what we want this music to be. All the

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Speaker 2: stuff that we know in this in this rock idiot,

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Speaker 2: you know what I mean.

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Speaker 3: Yeah, Well that was another thing about your voice too.

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Speaker 3: I noticed that it doesn't feel like it's an imitation

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Speaker 3: of anybody, you know what I mean, Like like it

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Speaker 3: doesn't feel like it's influenced by being like I'm gonna

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Speaker 3: sound like this guy. It just sounds like it sounds

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Speaker 3: so unique and authentic, you know what I mean. And

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Speaker 3: it's also you know, as a black person, sometimes the

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Speaker 3: hurdle for me entering like and the music is like

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Speaker 3: can I understand the person?

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Speaker 2: Like right?

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Speaker 3: You know, like there's certain you know certain and I'm

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Speaker 3: not knocking the genre, like honestly, it's just if I

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Speaker 3: got more into it, I'm sure i'd be able to understand.

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Speaker 3: But like sometimes you listen to rock that's so hard,

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Speaker 3: you just like, I don't even know what just nigs saying.

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Speaker 3: It's just you know, I just know he I just

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Speaker 3: know he's mad.

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Speaker 2: You know what I'm saying, He's angry.

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Speaker 3: Yeah, it could be a hymn, you know what I'm saying.

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Speaker 3: He could be singing a spiritual him.

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Speaker 4: I wouldn't know, and it would be so intense, like

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Speaker 4: he's just mad, he want to burn something down.

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Speaker 3: He could be like I wake up and smile to

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Speaker 3: Jesus every day. But if it's so like Jesus every

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Speaker 3: joy I from, I'll be like Jesus, this nigga's mad.

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Speaker 3: But Nah, I appreciate cause it's like a It's like

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Speaker 3: it's an entry point for somebody like me to be

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Speaker 3: able to immediately be like, Okay, I see what this

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Speaker 3: dude's talking about, and it makes me want to listen more.

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Speaker 4: Yeah, And I think for me and for me being

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Speaker 4: black and not being raised in that type of genre

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Speaker 4: of music, I could hear the blackness in it, and

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Speaker 4: I and for a lot of black.

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Speaker 5: People that matters, like your voice is so unique. I go, oh,

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Speaker 5: I'm not trying to be fun.

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Speaker 4: I know you.

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Speaker 5: Oh that's a nigger.

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Speaker 4: I'm cool with this, you know, and I'm not knocking

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Speaker 4: white people to do it. But I'm like, oh, he

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Speaker 4: looks like me. They're singing about ship that matters to me.

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Speaker 4: You know, I could feel the blackness.

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Speaker 5: You know that they own.

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Speaker 4: They love my people, they love me like and and

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Speaker 4: for I can because me and Roche talked about this yesterday.

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Speaker 4: I know for me, I didn't really dabble in that

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Speaker 4: genre of music because.

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Speaker 2: Oh I listened yesterday. Don't care I heard? Okay, well,

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Speaker 2: I just didn't know you listen to the show.

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Speaker 3: I'm still as we not like we gotta tell him

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Speaker 3: how we feel. Oh wait, you know you know.

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Speaker 2: Dud Duke, I listened. I listened all the time, like

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Speaker 2: your Game of Throne podcast is what I live for.

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Speaker 5: You thank you.

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Speaker 2: You ain't understanding. You know the fact that I get

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Speaker 2: to play.

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Speaker 3: Against the race, that that's so exciting, man.

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Speaker 2: Like I was almosting offer you know, I can sing

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Speaker 2: the jingles for you. Let me tell you something.

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Speaker 3: Y'all sound like yeah we're not yeah, we're not at all,

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Speaker 3: we're not professional singers.

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Speaker 5: Committee is like, yeah, put that out there before.

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Speaker 3: Yeah, I you know, I appreciate the honesty.

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Speaker 2: You know what I'm saying.

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Speaker 5: You ain't hurting our feelings.

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Speaker 3: Yeah. The best part when we did the show live,

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Speaker 3: we got to hear a whole room of people that

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Speaker 3: can't say sing together. So it was all doing it together.

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Speaker 3: It was okay, come to that.

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Speaker 2: So bad. The friend of mine lives in d C.

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Speaker 2: Earlier that she does the she did the artwork for

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Speaker 2: the record, and uh, she wanted to go so bad.

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Speaker 2: We all wanted to go. Was sold out like that.

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Speaker 3: Yeah, it was bad that year. We got to get

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Speaker 3: a bigger room. Man, I want to get everybody in there.

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Speaker 3: I mean, I know we have people we just never

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Speaker 3: know who's listened to the showut and like you know,

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Speaker 3: people are so uh low key with it, you just

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Speaker 3: never you never know. Because I had the same type

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Speaker 3: of thing where like if I feel like my presence

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Speaker 3: would either disrupt something or change, like I'll just be

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Speaker 3: like I'm a fan of this thing, but I'm just

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Speaker 3: keeping it to me.

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Speaker 5: I'm just gonna be a fan in the distance, right.

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Speaker 2: Uh, I played it back all the time. You know,

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Speaker 2: like we was at Afropunk last year. Was it last year?

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Speaker 2: I think it was last year, and all of the

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Speaker 2: guys from the fan Bros was there and I went

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Speaker 2: to the tenth sneaking.

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Speaker 6: Around, was looking around like, yeah, yeah, that's that's dope man,

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Speaker 6: Like I'm sure, yeah, I'm sure the same thing for them, man,

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Speaker 6: they probably you know, mind blown, Like what right?

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Speaker 5: You know what you're looking? You go wow?

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Speaker 4: And I know you was kind of talking about it before,

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Speaker 4: but with the end of the mating the world so

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Speaker 4: small and with you being like internationally, know.

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Speaker 5: How did you find this little podcast?

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Speaker 2: Yo? I was listening to twelve you know, shout out

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Speaker 2: to Elon because you know, I was, you know, he's Brooke,

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Speaker 2: he's from Brooklyn. He's actually from my neighborhood and we

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Speaker 2: tried to hook up a couple of times. It never happened,

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Speaker 2: but I was like, I was listening to them and

285
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Speaker 2: I heard you Rod on his show, and it.

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Speaker 3: Was like, who's this dude?

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Speaker 2: He sounds like somebody I know, Like for real, I

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Speaker 2: know this dude. And then I was like that got

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Speaker 2: your shows, Like don't.

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Speaker 3: Yeah, that's yeah. I used to call in the toilve

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Speaker 3: all the time, man, especially when I was working my

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Speaker 3: jobby job. Right, that was like a little little nice release,

293
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Speaker 3: you know, get that fift team inute and break. I'm like,

294
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Speaker 3: I'm ana call and let them know what I think

295
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Speaker 3: about what they're saying. Make some jokes with him, you know,

296
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Speaker 3: Like that was a big thing for me. I used

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Speaker 3: to look forward to that every day. Same thing with Bomoni.

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Speaker 3: Jones had a radio show called The Morning Jones back

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Speaker 3: in the day.

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Speaker 2: I call into that. Yeah, shout out to him too,

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Speaker 2: and like, I like these kind of people I want

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Speaker 2: to meet, Like, like I want to be so money

303
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Speaker 2: because I want to talk to you about the things

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Speaker 2: he was talking about, particularly when it comes to race

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Speaker 2: and sports and the whole intersection of that based on

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Speaker 2: you that you're a product and all that other stuff.

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Speaker 2: Like man, I'm damn yeah.

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Speaker 3: It's amazing too because you know, we're watching people starting

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Speaker 3: to get on. It's just really authentic like that, Like

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Speaker 3: you know when both first will start you know, talking,

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Speaker 3: you know, openly about race and sports, and you know,

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Speaker 3: and and and he does it from a place of humor.

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Speaker 3: A lot of times, you know, I know, people were like, oh,

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Speaker 3: this nigga will never make it because he's out here

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Speaker 3: just openly. I'm like, nah, that's what people want to hear,

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Speaker 3: whether they admit it or not. Like they want to

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Speaker 3: hear somebody talk about that ship. It from a real

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Speaker 3: respective where they feel authentic, Like not everybody want to

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Speaker 3: hear you blow smoke up their ass and change the topics. Honestly,

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Speaker 3: the only thing that's real when it comes to a

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Speaker 3: lot of this stuff is stuff like that, like a

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Speaker 3: football game not really real, Like it's not a real

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Speaker 3: it's a concept that we came up with to entertain ourselves.

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Speaker 3: But what is real is taking that knee like Cavinick

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Speaker 3: taking the knee is some real shit. Michael sam being

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Speaker 3: gay coming out and being like I'm openly gay, that's

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Speaker 3: actually a real life issue for people, and it just

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Speaker 3: becomes involved in it soap opera that we created college sports.

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Speaker 3: But it's that's the ship. Real talk is always better

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Speaker 3: than the fake shit.

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Speaker 2: And you know this is these people with lives. These

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Speaker 2: are people with you know, they they don't turn on

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Speaker 2: on Saturday on Sunday morning just for your entertainment. They

334
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Speaker 2: got things, they got, they got they got to live

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Speaker 2: their life. You know, that's what people, you know, were

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Speaker 2: saying about living colors like I. You know, for a

337
00:16:53,760 --> 00:16:56,360
Speaker 2: long time I lived in Brooklyn. I lived in my

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Speaker 2: mother's house, you know, like you know, I told all

339
00:16:59,800 --> 00:17:02,760
Speaker 2: time I was I went. We was on uh and

340
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Speaker 2: back in the day we opened for the Rolling Stones

341
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Speaker 2: and not the not the name dropping, but so you know,

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Speaker 2: in the middle of the two and we had a

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Speaker 2: break and I came home and my mother handed me

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Speaker 2: a bucket and and a brush and said, paint the stoop.

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Speaker 2: You know, that's so good, you know, And my friends

346
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Speaker 2: was driving by. It's like, look, look look at the

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Speaker 2: rock star. Yeah, look at the rock star painting stoop.

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Speaker 2: You told my mother not to tell me I can't

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Speaker 2: paint the stoop. See what happened?

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Speaker 5: She was like, I don't care about what you what

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Speaker 5: you did in your little last friends. What I got

352
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Speaker 5: played for you to do?

353
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Speaker 2: What to do? Then, Karen, that's almost exactly what she said.

354
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Speaker 2: My mother had no idea who the Rolling Stones were.

355
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Speaker 2: Didn't fuck upbout hims like you and your little friend

356
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Speaker 2: Mick Jigger whatever his name is, go paint the stoop.

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Speaker 3: That's a black woman for yeah, they yeah, black, my

358
00:18:02,560 --> 00:18:05,920
Speaker 3: lovely Like, uh, you know, put your little grammy down

359
00:18:06,600 --> 00:18:08,719
Speaker 3: and uh pick up this brush.

360
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Speaker 7: Mama motherly what she don't care about your little as friends? Y, yeah,

361
00:18:17,600 --> 00:18:19,960
Speaker 7: that that, But you know what I think Will Smith

362
00:18:20,000 --> 00:18:22,600
Speaker 7: had a similar story to his ship where he was

363
00:18:22,640 --> 00:18:24,679
Speaker 7: like giving his speech about either I think it was

364
00:18:24,720 --> 00:18:26,920
Speaker 7: women in a grammy or some ship and he's like, yeah,

365
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Speaker 7: and I came home to Philly and my mom was like,

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Speaker 7: so here you're yours and get.

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Speaker 3: Your ass back to work like it like it is

368
00:18:33,840 --> 00:18:39,160
Speaker 3: what it is like so our perspective, yeah, I.

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Speaker 2: Mean, it's just like that. And going back to the

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Speaker 2: whole sports things, like these dudes may have lots of

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Speaker 2: money and they may have all this stuff, but you

372
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Speaker 2: know where they came from and how they got there

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Speaker 2: is just as important, you know what I mean.

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Speaker 3: And sports the only like it's crazy how the people's

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Speaker 3: minds have been programmed so hard. Sports is the only

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Speaker 3: thing we expect a rich man to shut the fuck up, right,

377
00:19:03,880 --> 00:19:07,159
Speaker 3: Like I'm like, I'm independently wealthy. Now, guys, if I

378
00:19:07,240 --> 00:19:08,960
Speaker 3: make a million dollars, yes, you have to hear what

379
00:19:09,000 --> 00:19:10,840
Speaker 3: I think about shit, because what you're gonna do, like,

380
00:19:11,280 --> 00:19:13,359
Speaker 3: you know, even with Kaepernick, like part of the reason

381
00:19:13,359 --> 00:19:15,640
Speaker 3: they can't shut him up is that that dude did

382
00:19:15,680 --> 00:19:18,640
Speaker 3: make all that money when he was playing. So even

383
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Speaker 3: if he never makes another dime in the NFL, that

384
00:19:21,680 --> 00:19:24,560
Speaker 3: dude still got that revenue that he made already. Like

385
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Speaker 3: he can take that knee and not word like, yes, okay,

386
00:19:27,880 --> 00:19:30,320
Speaker 3: I can't play your sport anymore. Sure I should be

387
00:19:30,320 --> 00:19:32,400
Speaker 3: able to play your sport. But guess what else, I'm

388
00:19:32,400 --> 00:19:33,280
Speaker 3: not shutting the fuck up?

389
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Speaker 2: So now what right?

390
00:19:34,680 --> 00:19:38,639
Speaker 3: And I cast a check right, check cast Like they

391
00:19:38,640 --> 00:19:40,879
Speaker 3: can't take the money back, you know what I'm saying.

392
00:19:41,200 --> 00:19:46,439
Speaker 2: Like you know he does. He has that the Know

393
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Speaker 2: Your Rights campaign and all that stuff. My kids went

394
00:19:48,800 --> 00:19:50,840
Speaker 2: to go check him out, and he was like keep

395
00:19:50,920 --> 00:19:54,320
Speaker 2: him away, Like he let these kids know, these are

396
00:19:54,400 --> 00:19:57,000
Speaker 2: your rights as a as a human being in this world.

397
00:19:57,040 --> 00:19:59,320
Speaker 2: When the cops come up to you, when the tharty

398
00:19:59,320 --> 00:20:01,280
Speaker 2: figures come up to you, you when you see these

399
00:20:01,320 --> 00:20:02,960
Speaker 2: things going on in the world, these are things that

400
00:20:03,040 --> 00:20:04,920
Speaker 2: you have the right to take care of, and you

401
00:20:04,920 --> 00:20:08,800
Speaker 2: have the right to these things, right and like inspiring

402
00:20:09,040 --> 00:20:13,199
Speaker 2: children like my children, right, it was deep, you know,

403
00:20:13,520 --> 00:20:15,600
Speaker 2: And they walked away with all the stuff that all

404
00:20:15,640 --> 00:20:18,159
Speaker 2: of his endorsement people came and came through, and he

405
00:20:18,280 --> 00:20:22,200
Speaker 2: got and they got these uh they got some Beats

406
00:20:22,240 --> 00:20:25,760
Speaker 2: headphones and backpacks and Nike backpacks and all this sort

407
00:20:25,800 --> 00:20:29,680
Speaker 2: of stuff. Like that's using your power and using your

408
00:20:29,680 --> 00:20:32,520
Speaker 2: money to give back and do something for your people.

409
00:20:32,960 --> 00:20:35,359
Speaker 2: That's nothing wrong with that. It's nothing wrong with that.

410
00:20:35,560 --> 00:20:37,760
Speaker 2: And for him to take a knee just so he could.

411
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Speaker 3: Do that, more power to them, right, Like that says

412
00:20:40,760 --> 00:20:42,920
Speaker 3: so doube to me, man. And like I said, they

413
00:20:43,400 --> 00:20:46,200
Speaker 3: like they rich. Like when the owners come out and

414
00:20:46,200 --> 00:20:49,120
Speaker 3: say something stupid, everybody goes where they rich. What I mean,

415
00:20:49,200 --> 00:20:51,200
Speaker 3: what do you expect them to say? It's like, yeah,

416
00:20:51,240 --> 00:20:55,400
Speaker 3: well that applies relative to you. These other niggas is rich.

417
00:20:55,440 --> 00:20:57,680
Speaker 3: But I'll be like, Lebron, shut up, stop talking about

418
00:20:57,680 --> 00:21:00,159
Speaker 3: this shit. And it's like Lebron rich, don't eat. He

419
00:21:00,160 --> 00:21:01,880
Speaker 3: can talk about whatever he wants to for the rest

420
00:21:01,880 --> 00:21:04,160
Speaker 3: of his life. Nobody can ever stop him, just.

421
00:21:04,080 --> 00:21:07,639
Speaker 2: Because we got a fucking live mouth in the White House.

422
00:21:07,960 --> 00:21:11,840
Speaker 3: Right exactly, just for being rich and outspoken. This motherfucker

423
00:21:12,440 --> 00:21:15,720
Speaker 3: is right, it's running the country like just for that.

424
00:21:15,840 --> 00:21:19,280
Speaker 3: So how the fucking anybody say just shut the fuck

425
00:21:19,359 --> 00:21:22,719
Speaker 3: up to anybody at this point. So you know that's

426
00:21:22,800 --> 00:21:24,800
Speaker 3: wild to me, man, But let me you know, we

427
00:21:24,960 --> 00:21:27,000
Speaker 3: were all off topic. Man, we're just talking right now.

428
00:21:27,040 --> 00:21:32,560
Speaker 3: But let me let me get back. I'm trying to

429
00:21:32,640 --> 00:21:38,840
Speaker 3: tell you. Oh so also this new album man Shade

430
00:21:39,359 --> 00:21:43,520
Speaker 3: is blue. It's blues influence. Like you ain't. You ain't

431
00:21:43,560 --> 00:21:47,040
Speaker 3: do the whole thing. This is the Blackout tips. Oh yeah,

432
00:21:47,119 --> 00:21:48,800
Speaker 3: you know what. I was gonna do it after we

433
00:21:48,800 --> 00:21:51,960
Speaker 3: finished the interview. We can do it right now. Matter

434
00:21:52,000 --> 00:21:53,800
Speaker 3: of fact, we need to need to introduce the show, guys.

435
00:21:53,840 --> 00:21:57,040
Speaker 3: This is, of course the Blackout Piss Podcast. You can

436
00:21:57,040 --> 00:22:00,280
Speaker 3: find us on iTunes and Stitcher, uh and Potlematic search.

437
00:22:00,320 --> 00:22:02,760
Speaker 3: The black Autists leave us five star reviews on iTunes

438
00:22:02,760 --> 00:22:05,440
Speaker 3: and Stitcher and we'll read them on the air when

439
00:22:05,480 --> 00:22:07,320
Speaker 3: we do our feedback show on Saturdays. As long as

440
00:22:07,320 --> 00:22:11,159
Speaker 3: they're nice. Uh, be nice, Okay, we don't need your

441
00:22:11,200 --> 00:22:14,560
Speaker 3: little little SNYD comments, guys. The official weapon of the

442
00:22:14,600 --> 00:22:19,920
Speaker 3: show is and the unofficial sports and bullet ball bullet

443
00:22:20,359 --> 00:22:24,320
Speaker 3: Extreme uh. And today's podcast is brought to you by

444
00:22:24,320 --> 00:22:28,080
Speaker 3: Shadow Doll Productions, UH, the maker of fine audio plays.

445
00:22:28,280 --> 00:22:30,119
Speaker 3: Of course, Karen and I have a couple of audio

446
00:22:30,119 --> 00:22:33,040
Speaker 3: play albums out. You can listen to us make silly

447
00:22:33,119 --> 00:22:35,679
Speaker 3: voices and read scripts and be characters.

448
00:22:36,040 --> 00:22:36,200
Speaker 2: Uh.

449
00:22:36,560 --> 00:22:38,760
Speaker 3: The audio play albums are called the Best of Riding Karen.

450
00:22:38,840 --> 00:22:40,760
Speaker 3: That's an easy one to find. And the other one

451
00:22:40,760 --> 00:22:44,480
Speaker 3: is Sunspot and Other Ratchetness. And both of them are

452
00:22:44,480 --> 00:22:50,160
Speaker 3: on like Spotify and Title and it's also on Amazon's

453
00:22:50,320 --> 00:22:55,360
Speaker 3: uh like their music and Apple iTunes Music. So make

454
00:22:55,359 --> 00:22:57,359
Speaker 3: sure you guys do that. Leave us five star reviews

455
00:22:57,359 --> 00:22:59,680
Speaker 3: on those places, you know, so people go check it out.

456
00:23:00,040 --> 00:23:04,160
Speaker 3: We appreciate everybody takes time out to do that. Now back, Yes,

457
00:23:04,520 --> 00:23:06,400
Speaker 3: and there's a question. We got a question in chat,

458
00:23:06,440 --> 00:23:09,560
Speaker 3: all right, all right? Yeah, so I also say y'all

459
00:23:09,600 --> 00:23:12,200
Speaker 3: can ask questions in the chat if y'all have questions

460
00:23:12,240 --> 00:23:14,879
Speaker 3: for Corey as well, because you know, uh, this is

461
00:23:14,960 --> 00:23:19,840
Speaker 3: all chance to talk to him too. But uh, yeah,

462
00:23:20,119 --> 00:23:22,040
Speaker 3: why can't this question come up? Let me ask one

463
00:23:22,080 --> 00:23:24,600
Speaker 3: of my questions. This album is blues, Like what made

464
00:23:24,640 --> 00:23:26,720
Speaker 3: y'all decide to do a blues album?

465
00:23:27,200 --> 00:23:30,520
Speaker 2: You know, we would we'd gone We had done this

466
00:23:30,600 --> 00:23:33,399
Speaker 2: show at the Apollo. It was like the hundred anniversary

467
00:23:33,480 --> 00:23:39,119
Speaker 2: of Robert Johnson. And at the time we weren't playing together.

468
00:23:39,200 --> 00:23:41,120
Speaker 2: We were just sort of all doing our own thing,

469
00:23:41,320 --> 00:23:43,959
Speaker 2: and we all came together and we put these we

470
00:23:44,000 --> 00:23:47,199
Speaker 2: put a version of Preaching Blues which is on the

471
00:23:47,240 --> 00:23:51,600
Speaker 2: record together and Vernon came with the brilliant ideas like,

472
00:23:51,720 --> 00:23:55,680
Speaker 2: we never really approached what we do through the blue,

473
00:23:55,720 --> 00:23:58,359
Speaker 2: through the lens of the blues. It's like, so let's

474
00:23:58,400 --> 00:24:00,840
Speaker 2: take some of the stuff that we do that we

475
00:24:01,160 --> 00:24:03,720
Speaker 2: do know how to do and try to focus it

476
00:24:03,760 --> 00:24:06,240
Speaker 2: as a blue as a blues sort of thing. Because

477
00:24:06,320 --> 00:24:08,240
Speaker 2: you know, before there was hip hop, before there was

478
00:24:08,320 --> 00:24:11,120
Speaker 2: rock and roll, before any of it, there was the blues,

479
00:24:11,160 --> 00:24:14,800
Speaker 2: and the blues was more informative in some cases than

480
00:24:14,840 --> 00:24:18,680
Speaker 2: the news was for us folks, you know what I mean.

481
00:24:19,760 --> 00:24:23,320
Speaker 2: And it told you more about what was going on

482
00:24:23,560 --> 00:24:27,200
Speaker 2: around you and inside of these people than anything else could.

483
00:24:28,960 --> 00:24:31,280
Speaker 2: Nobody was checking for you internally, and no one was

484
00:24:31,320 --> 00:24:33,040
Speaker 2: checking for the kind of things that you were going

485
00:24:33,080 --> 00:24:36,680
Speaker 2: through being dealing with who you were in this world.

486
00:24:37,760 --> 00:24:40,160
Speaker 2: And the blues was the thing that sort of gave

487
00:24:41,200 --> 00:24:44,119
Speaker 2: these people a chance to express themselves and it was

488
00:24:44,359 --> 00:24:49,840
Speaker 2: an amazing form of expression. So we did we said, okay,

489
00:24:49,880 --> 00:24:51,639
Speaker 2: let's sit down and try to figure out how to

490
00:24:52,080 --> 00:24:54,080
Speaker 2: how to get these kind of thing, these kind of

491
00:24:54,320 --> 00:24:56,840
Speaker 2: things in there, and we went away from the whole way,

492
00:24:57,040 --> 00:24:59,400
Speaker 2: the whole you know. My woman then left me kind

493
00:24:59,440 --> 00:25:03,119
Speaker 2: of blues blues kind of idea and say said, what

494
00:25:03,200 --> 00:25:07,240
Speaker 2: about the feeling some of the emotionals, emotional parts of

495
00:25:07,359 --> 00:25:10,639
Speaker 2: what we do. So you know, when you listen to

496
00:25:10,640 --> 00:25:13,359
Speaker 2: a song like preaching blues, Preaching Blues is about depression

497
00:25:14,280 --> 00:25:16,440
Speaker 2: is really you know they say the blues is about

498
00:25:16,480 --> 00:25:19,760
Speaker 2: being sad, but no, this is about internal you know,

499
00:25:20,040 --> 00:25:23,040
Speaker 2: depression like the world is going to beat me down

500
00:25:23,080 --> 00:25:24,720
Speaker 2: so much. I don't know what to do with myself,

501
00:25:24,840 --> 00:25:28,960
Speaker 2: like like I'm outside of myself. Things are so bad,

502
00:25:29,520 --> 00:25:32,000
Speaker 2: you know. So it was that kind of that kind

503
00:25:32,000 --> 00:25:34,560
Speaker 2: of idea, and then we took other songs and other

504
00:25:34,600 --> 00:25:39,080
Speaker 2: ideas and other topics that were that could be considered

505
00:25:39,119 --> 00:25:43,760
Speaker 2: social or whatever. You know. We did talk about who

506
00:25:43,800 --> 00:25:49,000
Speaker 2: Shatcha and uh, you know, the idea this is the

507
00:25:49,040 --> 00:25:53,720
Speaker 2: idea of the blues in hip hop was like, that's

508
00:25:53,760 --> 00:25:57,080
Speaker 2: that's just just a regular that's a next step, that's

509
00:25:57,119 --> 00:26:00,560
Speaker 2: the that's the logical extension of what the Lose was

510
00:26:00,880 --> 00:26:01,280
Speaker 2: hip hop.

511
00:26:01,840 --> 00:26:07,000
Speaker 3: Yeah, and also like it's still hard, right, Like it's

512
00:26:07,040 --> 00:26:09,040
Speaker 3: not like it's like, you know, like I said, it's

513
00:26:09,080 --> 00:26:12,479
Speaker 3: not there's a it's not an imitation. It's it's like

514
00:26:13,480 --> 00:26:16,920
Speaker 3: it's like bringing it into what was what y'all already doing.

515
00:26:17,960 --> 00:26:20,720
Speaker 3: Like we were listening to you know, obviously you heard

516
00:26:20,760 --> 00:26:22,440
Speaker 3: on the show, but even before that, I was listening

517
00:26:22,480 --> 00:26:24,480
Speaker 3: to it just in the chat and I was like,

518
00:26:24,560 --> 00:26:26,359
Speaker 3: this ship is so hard. I was listening to this

519
00:26:26,359 --> 00:26:29,159
Speaker 3: ship in the shower like this ship is so like

520
00:26:29,240 --> 00:26:30,879
Speaker 3: I was dancing in the shower and ship, like this

521
00:26:30,880 --> 00:26:34,320
Speaker 3: ship is so hard, you know what I'm saying. And

522
00:26:34,359 --> 00:26:36,359
Speaker 3: then like you know, especially the version that has like

523
00:26:36,400 --> 00:26:41,919
Speaker 3: the rap the rappers on it, yeahs Black Thought, Chuck D,

524
00:26:42,160 --> 00:26:45,440
Speaker 3: Pharaomats like it's just like it's just like black ass

525
00:26:45,480 --> 00:26:47,480
Speaker 3: bam bam bam, Like it was.

526
00:26:47,600 --> 00:26:47,719
Speaker 2: Uh.

527
00:26:48,640 --> 00:26:50,560
Speaker 3: I was saying it yesterday like it was crazy. I

528
00:26:50,560 --> 00:26:52,040
Speaker 3: was listening to Black Thought. I was like, Yo, this

529
00:26:52,080 --> 00:26:54,920
Speaker 3: would be crazy if Chuck D came in, right Chuck

530
00:26:55,000 --> 00:26:59,160
Speaker 3: D was on that ship. Yeah, this ship is crazy.

531
00:27:00,359 --> 00:27:04,080
Speaker 3: It was. But but like I think right now, especially

532
00:27:04,640 --> 00:27:08,040
Speaker 3: in twenty seventeen, it's kind of like a time and

533
00:27:08,080 --> 00:27:10,320
Speaker 3: a thing for a lot of black people kind of

534
00:27:10,359 --> 00:27:14,360
Speaker 3: have that blues, Like you know that that, and it

535
00:27:14,400 --> 00:27:16,920
Speaker 3: is that kind of harder, you know, like like it's

536
00:27:16,960 --> 00:27:19,600
Speaker 3: a bit of anger to it, but it's also like

537
00:27:19,680 --> 00:27:24,360
Speaker 3: nobody's listening to us, nobody cares about us, but we're

538
00:27:24,400 --> 00:27:27,040
Speaker 3: still out here, you know, struggling and surviving and fighting.

539
00:27:28,000 --> 00:27:30,200
Speaker 3: And that's like it just spoke to me because it's

540
00:27:30,240 --> 00:27:33,160
Speaker 3: like it's anger there too, and it's not just as

541
00:27:33,200 --> 00:27:37,600
Speaker 3: simple as you know, it's not as simple as just

542
00:27:37,680 --> 00:27:41,679
Speaker 3: like uh oh since my baby left, man, you know,

543
00:27:41,800 --> 00:27:43,800
Speaker 3: like right, you know what I mean? I love it.

544
00:27:43,840 --> 00:27:45,200
Speaker 3: I love I love the sound.

545
00:27:45,359 --> 00:27:49,600
Speaker 4: And what I've realized too, is that nobody can emote

546
00:27:49,720 --> 00:27:51,200
Speaker 4: feelings and emotion.

547
00:27:51,119 --> 00:27:54,560
Speaker 5: And pain like Black people, like other people. Other people

548
00:27:54,640 --> 00:27:56,880
Speaker 5: have their variations of it.

549
00:27:57,400 --> 00:28:01,639
Speaker 4: But because of what the history of America and what

550
00:28:01,720 --> 00:28:05,800
Speaker 4: America's done to Black people, the pain that black people

551
00:28:05,960 --> 00:28:10,439
Speaker 4: feel comes from generations. So a lot of times you

552
00:28:10,520 --> 00:28:13,639
Speaker 4: might hear this one person, but that one person is

553
00:28:13,720 --> 00:28:18,439
Speaker 4: representing hundreds of years of oppression, right, And when people

554
00:28:18,560 --> 00:28:21,600
Speaker 4: sing from the heart, and they sing from hurt and

555
00:28:21,640 --> 00:28:25,719
Speaker 4: they sing from pain, especially if they know their history right,

556
00:28:26,080 --> 00:28:30,760
Speaker 4: you could feel it. It's like when certain people, particularly

557
00:28:30,760 --> 00:28:33,639
Speaker 4: black people, and something I really and I know it's sad.

558
00:28:33,720 --> 00:28:38,560
Speaker 4: But one good thing about recessions and depressions you get

559
00:28:38,560 --> 00:28:41,280
Speaker 4: some of the mod the best music in the world

560
00:28:41,320 --> 00:28:45,040
Speaker 4: off of it, because you get like anything in the arts,

561
00:28:45,120 --> 00:28:49,920
Speaker 4: be it painting, be it writing, big music, bi ballet,

562
00:28:50,160 --> 00:28:53,520
Speaker 4: I don't care what is, Niggas's into it, and they

563
00:28:53,600 --> 00:28:58,600
Speaker 4: gonna express their pain in various different ways. And when

564
00:28:58,640 --> 00:29:01,440
Speaker 4: we look back on this period of time fifteen to

565
00:29:01,480 --> 00:29:04,280
Speaker 4: twenty years from now, people are gonna be like, well, God,

566
00:29:04,480 --> 00:29:06,480
Speaker 4: damn niggas was doing some shit.

567
00:29:06,400 --> 00:29:09,280
Speaker 5: Back then, you know, And it's gonna be like we.

568
00:29:09,360 --> 00:29:11,200
Speaker 3: We look at music from the sixties and seventies like

569
00:29:11,240 --> 00:29:13,840
Speaker 3: that now, right, God from this niggas ahead his time.

570
00:29:13,880 --> 00:29:17,440
Speaker 3: But it's because all these themes are universal and it'll

571
00:29:17,440 --> 00:29:20,040
Speaker 3: always be relevant how people feel.

572
00:29:19,800 --> 00:29:20,280
Speaker 2: You know. Now.

573
00:29:20,320 --> 00:29:23,320
Speaker 3: But yeah, artists are making some like deeper than just

574
00:29:23,320 --> 00:29:25,920
Speaker 3: the shallow shit. And I think also the deeper artists

575
00:29:25,920 --> 00:29:28,600
Speaker 3: are kind of being lauded a little bit more than

576
00:29:28,600 --> 00:29:31,760
Speaker 3: they used to be, you know, like back during you know,

577
00:29:31,840 --> 00:29:35,000
Speaker 3: probably five to eight years ago, it's a little more like, Yeah,

578
00:29:35,040 --> 00:29:36,880
Speaker 3: but we're still on this mumble wrap shit. Nothing wrong

579
00:29:36,880 --> 00:29:39,640
Speaker 3: with mumble rap. I love that shit right there too. Now,

580
00:29:40,080 --> 00:29:41,960
Speaker 3: it's not a dish, but it was. But now you

581
00:29:42,000 --> 00:29:44,800
Speaker 3: see people being like, let's see what Kendrick talking about.

582
00:29:44,880 --> 00:29:47,000
Speaker 3: Let's elevate that a little bit more. You're like, I

583
00:29:47,040 --> 00:29:49,640
Speaker 3: feel like that's because people they want to hear somebody

584
00:29:49,640 --> 00:29:51,600
Speaker 3: talking about this shit. Jay Z just put his first

585
00:29:51,640 --> 00:29:54,280
Speaker 3: album out where he talking about some shit. No offense

586
00:29:54,320 --> 00:29:57,120
Speaker 3: to Jay. I love j J my faith, but this

587
00:29:57,240 --> 00:30:00,280
Speaker 3: is his first album. I'm like, like, my hand over

588
00:30:00,320 --> 00:30:01,800
Speaker 3: my mouth, like, is he supposed to be telling us

589
00:30:01,800 --> 00:30:05,440
Speaker 3: all his business? Because you know, like, but it's something

590
00:30:05,480 --> 00:30:07,480
Speaker 3: in the zeit guys, just something out there that make

591
00:30:07,800 --> 00:30:10,640
Speaker 3: especially black art, like people want to talk about things.

592
00:30:10,680 --> 00:30:14,200
Speaker 3: And like, like I said, the album you can just

593
00:30:14,360 --> 00:30:17,280
Speaker 3: like because we got you know, no no offence out there, guys.

594
00:30:17,280 --> 00:30:19,760
Speaker 3: We got a little bit an early copy some of y'all,

595
00:30:20,160 --> 00:30:22,000
Speaker 3: some of y'all did, some of y'all did.

596
00:30:23,680 --> 00:30:27,920
Speaker 2: I don't have a copy record over real. Well.

597
00:30:28,000 --> 00:30:30,760
Speaker 3: You know, hey, look, you know, when you're famous, you know,

598
00:30:30,960 --> 00:30:33,760
Speaker 3: sometimes you get these little booths sometimes you know, I'm

599
00:30:33,760 --> 00:30:36,760
Speaker 3: not you know, y'all regular people. You know, y'all get

600
00:30:36,760 --> 00:30:39,560
Speaker 3: it on the ape, y'all get it on. But you know,

601
00:30:39,640 --> 00:30:41,600
Speaker 3: I was listening to it and I was like this

602
00:30:41,600 --> 00:30:46,040
Speaker 3: ship speed order. Yes, you know, maybe you get the vinyl,

603
00:30:46,160 --> 00:30:49,360
Speaker 3: you know, maybe you get the vine seeing Vernon hook yup? Okay,

604
00:30:50,080 --> 00:30:55,680
Speaker 3: shout out to shout to Vernon read. But what the

605
00:30:55,720 --> 00:30:57,360
Speaker 3: other thing I was gonna mention too, well?

606
00:30:57,360 --> 00:30:58,640
Speaker 2: Who shot you? Uh?

607
00:30:58,760 --> 00:31:02,320
Speaker 3: Is something that Kendrick tried to do with Black at

608
00:31:02,360 --> 00:31:05,720
Speaker 3: a Berry where it's really talking about the value of

609
00:31:05,800 --> 00:31:09,560
Speaker 3: black life. Like it's not just of uh, these cops

610
00:31:09,640 --> 00:31:12,920
Speaker 3: is killing us, but it's like all that everybody doesn't

611
00:31:12,960 --> 00:31:16,200
Speaker 3: value our lives. We don't value our own lives. What like,

612
00:31:16,400 --> 00:31:19,240
Speaker 3: what is the worth of a black life? And why

613
00:31:19,280 --> 00:31:22,200
Speaker 3: do we view it as worthless and easy to take?

614
00:31:22,240 --> 00:31:26,280
Speaker 3: And why does violence end up so often occurring in

615
00:31:26,320 --> 00:31:26,920
Speaker 3: our lives?

616
00:31:27,440 --> 00:31:29,880
Speaker 2: That like that ship speaks like that shit speaks to

617
00:31:29,920 --> 00:31:33,440
Speaker 2: me absolutely, you know the whole idea of it. I'm sorry, can,

618
00:31:34,560 --> 00:31:37,520
Speaker 2: but I was just saying, you know, why is the

619
00:31:37,640 --> 00:31:41,560
Speaker 2: logical conclusion to any kind of disagreement with somebody to

620
00:31:41,640 --> 00:31:44,680
Speaker 2: get a gun? You know what I mean? Like, if

621
00:31:44,680 --> 00:31:46,719
Speaker 2: you have you have enough, you throw a fair one

622
00:31:46,760 --> 00:31:49,120
Speaker 2: with somebody. It's like a right, it's done right, right,

623
00:31:49,920 --> 00:31:52,640
Speaker 2: And and somebody goes up bread back and they go

624
00:31:52,680 --> 00:31:54,400
Speaker 2: to the car and they go get they go get

625
00:31:54,400 --> 00:31:59,400
Speaker 2: their ship. Right, what's that for? You're done? You're done? Right?

626
00:31:59,600 --> 00:32:00,200
Speaker 3: Like what is that?

627
00:32:00,800 --> 00:32:01,080
Speaker 2: Like? What?

628
00:32:01,880 --> 00:32:05,520
Speaker 3: Like one? It's something about the worth society places on

629
00:32:05,560 --> 00:32:08,640
Speaker 3: the life right because some people lives are just considered

630
00:32:08,640 --> 00:32:12,200
Speaker 3: easier to take, Like I was thinking that the other day,

631
00:32:12,280 --> 00:32:14,959
Speaker 3: like uh and nothing, This is not inciting anyone to violence,

632
00:32:14,960 --> 00:32:17,520
Speaker 3: but like y'all ever wonder like why is R. Kelly

633
00:32:17,560 --> 00:32:22,800
Speaker 3: still alive? Like why? Like why is you know? Uh nothing?

634
00:32:24,120 --> 00:32:25,880
Speaker 3: Why is some people that say a lot of a

635
00:32:25,920 --> 00:32:29,480
Speaker 3: lot of racist stuff that might be occupying some spaces

636
00:32:29,520 --> 00:32:32,920
Speaker 3: that we all recognize are influential in American policy and

637
00:32:32,960 --> 00:32:35,520
Speaker 3: will lead to people die. Like how they How are

638
00:32:35,520 --> 00:32:37,440
Speaker 3: they still? I'm not gonna say no next? Why are

639
00:32:37,480 --> 00:32:38,240
Speaker 3: they still alive?

640
00:32:38,680 --> 00:32:38,800
Speaker 7: Right?

641
00:32:39,440 --> 00:32:39,680
Speaker 2: You know?

642
00:32:40,040 --> 00:32:44,440
Speaker 3: Like we watch better men be killed, we watch better people,

643
00:32:44,520 --> 00:32:46,680
Speaker 3: But when you look at what those people that get

644
00:32:46,760 --> 00:32:49,560
Speaker 3: killed often are advocating, it's the worth of somebody's lives

645
00:32:49,600 --> 00:32:52,200
Speaker 3: that's not considered valuable and that's why they got to

646
00:32:52,240 --> 00:32:53,920
Speaker 3: get taken out, you know what I mean? It's just

647
00:32:53,960 --> 00:32:56,280
Speaker 3: so wild to think about.

648
00:32:56,480 --> 00:32:59,640
Speaker 2: Exactly your value is only as much as you can

649
00:33:00,040 --> 00:33:02,160
Speaker 2: as I can take from you, not as how much

650
00:33:02,200 --> 00:33:04,920
Speaker 2: I can how much you can give to me. You know,

651
00:33:05,000 --> 00:33:08,520
Speaker 2: it's it's it's deep when you think about how people

652
00:33:09,600 --> 00:33:13,400
Speaker 2: treat each other on a regular basis. How if you

653
00:33:13,440 --> 00:33:16,920
Speaker 2: ain't got if Colin Kaepernan ain't throwing touchdowns, you ain't

654
00:33:16,960 --> 00:33:22,760
Speaker 2: nothing to me. Yep, But I got life, I got,

655
00:33:22,960 --> 00:33:24,680
Speaker 2: I got things I got to say. I got things

656
00:33:24,680 --> 00:33:27,960
Speaker 2: that are happening to me every day that I gotta

657
00:33:28,000 --> 00:33:30,800
Speaker 2: deal with. I got things that are happening to my family,

658
00:33:30,880 --> 00:33:34,760
Speaker 2: to my people every day. It's not worth something to me.

659
00:33:34,920 --> 00:33:35,760
Speaker 2: That's worth something to me.

660
00:33:36,200 --> 00:33:39,240
Speaker 3: And y'all have had political statements. Start to music, like,

661
00:33:39,800 --> 00:33:41,640
Speaker 3: I mean, y'all have been doing music for thirty years.

662
00:33:42,200 --> 00:33:47,160
Speaker 3: Thirty years that that is so wild, Like thirty years,

663
00:33:47,400 --> 00:33:50,520
Speaker 3: y'all have watched the entire world change, Yes, throughout the

664
00:33:50,560 --> 00:33:53,720
Speaker 3: course of the times, right like y'all have watched and

665
00:33:53,800 --> 00:33:56,960
Speaker 3: y'all y'all still here, still standing. That's amazing, you know,

666
00:33:57,200 --> 00:34:00,320
Speaker 3: like not just for a credit to you know, the

667
00:34:00,400 --> 00:34:03,080
Speaker 3: genre obviously in longevity, but I mean y'all went through

668
00:34:03,120 --> 00:34:07,680
Speaker 3: like music parting, y'all made it through to streaming now

669
00:34:07,720 --> 00:34:10,520
Speaker 3: where it's like, oh, how like Billboard didn't even used

670
00:34:10,520 --> 00:34:13,000
Speaker 3: to count streams. You know what I'm saying. Your ship

671
00:34:13,080 --> 00:34:15,680
Speaker 3: gets pirty and everybody in the streets rock yr shit.

672
00:34:15,840 --> 00:34:21,440
Speaker 3: But you're looking at themselves like, uh so, brother, tabulating

673
00:34:21,520 --> 00:34:24,279
Speaker 3: this up, you owe me nine dollars? What the fuck?

674
00:34:24,640 --> 00:34:26,680
Speaker 3: You know what I mean? So like, y'all come through

675
00:34:26,719 --> 00:34:29,160
Speaker 3: all that stuff, man, and watch the world get get

676
00:34:29,239 --> 00:34:32,600
Speaker 3: so much smaller. What's it like the biggest changes over

677
00:34:32,840 --> 00:34:34,160
Speaker 3: this thirty years.

678
00:34:34,640 --> 00:34:38,400
Speaker 2: I just think of access to music. You know that

679
00:34:38,480 --> 00:34:42,720
Speaker 2: you can right now, anything that you're looking at, anything

680
00:34:42,760 --> 00:34:46,360
Speaker 2: that you're touching right now, can get you the latest

681
00:34:46,440 --> 00:34:50,880
Speaker 2: anything from anywhere right now. Anything that you've got, anything,

682
00:34:50,960 --> 00:34:55,680
Speaker 2: any kind of gadget, toy, anything. You know. My kids

683
00:34:56,040 --> 00:34:58,799
Speaker 2: kids got like a Nintendo DS. It's got Wi Fi

684
00:34:59,080 --> 00:35:02,120
Speaker 2: so they can go on line and download new new

685
00:35:02,320 --> 00:35:07,400
Speaker 2: games for their for their toys, so they have access.

686
00:35:07,520 --> 00:35:10,719
Speaker 2: Your whole thing is about access. But the flip side

687
00:35:10,719 --> 00:35:15,480
Speaker 2: of that is that makes certain media just sort of

688
00:35:16,160 --> 00:35:20,520
Speaker 2: exist and not really impact you in a real way

689
00:35:21,239 --> 00:35:24,440
Speaker 2: like you could. Right now, something will be playing in

690
00:35:24,480 --> 00:35:26,520
Speaker 2: the background and I don't even know that it's know

691
00:35:26,560 --> 00:35:29,799
Speaker 2: that it's music, you know, I don't even know that

692
00:35:30,000 --> 00:35:33,520
Speaker 2: it's that it's something that I that that that could

693
00:35:33,600 --> 00:35:36,880
Speaker 2: mean something to me at some point in time. You

694
00:35:36,920 --> 00:35:40,040
Speaker 2: know that it could it could have a sentence or

695
00:35:40,080 --> 00:35:44,440
Speaker 2: a phrase or a riff or something in it that

696
00:35:44,560 --> 00:35:48,719
Speaker 2: could do something positive for my life. And that that

697
00:35:48,760 --> 00:35:51,920
Speaker 2: bothers me a lot. You know that that think about

698
00:35:52,040 --> 00:35:55,359
Speaker 2: all the seminal moments in your life. You know, your

699
00:35:55,400 --> 00:35:58,800
Speaker 2: tenth birthday, What was the music playing that when that happened,

700
00:35:58,920 --> 00:36:01,680
Speaker 2: and you could name that, you could name the first

701
00:36:01,680 --> 00:36:05,640
Speaker 2: time you heard you know, you heard that Kendrick song

702
00:36:06,440 --> 00:36:10,000
Speaker 2: and went, oh ship, that you can name the first

703
00:36:10,000 --> 00:36:13,359
Speaker 2: time you heard you know, Chuck, you heard Public Enemy.

704
00:36:13,560 --> 00:36:15,919
Speaker 2: The first time I heard Public Enemy was like, oh

705
00:36:16,480 --> 00:36:20,160
Speaker 2: ship right there, that's it right there right. You know,

706
00:36:20,520 --> 00:36:22,799
Speaker 2: music has that kind of impact in your life. But

707
00:36:22,840 --> 00:36:25,560
Speaker 2: when it becomes something that you can that's readily accessible

708
00:36:26,000 --> 00:36:30,160
Speaker 2: and it's something something gets lost in translation.

709
00:36:30,320 --> 00:36:35,440
Speaker 3: In Yeah, I think the process to get music you

710
00:36:35,560 --> 00:36:38,959
Speaker 3: used to have to appreciate your ship only but only

711
00:36:39,000 --> 00:36:42,360
Speaker 3: because one you have physical media, so one you like

712
00:36:43,160 --> 00:36:46,000
Speaker 3: I have. Never I don't know if I've ever been

713
00:36:46,040 --> 00:36:49,240
Speaker 3: as angry as like when someone would take like something

714
00:36:49,280 --> 00:36:51,040
Speaker 3: of mine to borrow it and not treat the good

715
00:36:52,120 --> 00:36:54,319
Speaker 3: like you like you get it, like you go in

716
00:36:54,320 --> 00:36:57,560
Speaker 3: the room or whatever you see yr CD laying scratch

717
00:36:57,600 --> 00:37:00,120
Speaker 3: side down or something like what do you do?

718
00:37:00,800 --> 00:37:05,160
Speaker 2: How was that dude? I was that dude that your

719
00:37:05,200 --> 00:37:06,600
Speaker 2: music is? Like, oh that's yours?

720
00:37:06,840 --> 00:37:11,040
Speaker 3: Yeah, dog, they used to like my thing was one.

721
00:37:11,120 --> 00:37:12,839
Speaker 3: I never let anybody I'll make you a copy before

722
00:37:12,840 --> 00:37:15,120
Speaker 3: I'll let you borrow. But but but then, like if

723
00:37:15,120 --> 00:37:16,719
Speaker 3: I did let you borrow it, don't let me walk

724
00:37:16,760 --> 00:37:18,160
Speaker 3: in the room and see a coffee cup sitting on

725
00:37:18,200 --> 00:37:20,759
Speaker 3: my ship. Dog, Like, don't let it happen. Don't cause

726
00:37:21,080 --> 00:37:22,879
Speaker 3: it's gonna be hands. It's gonna be me and you, man,

727
00:37:22,920 --> 00:37:25,120
Speaker 3: because I trusted you, you know what I'm saying. But

728
00:37:25,200 --> 00:37:27,520
Speaker 3: like used to have to value that media. Used to

729
00:37:27,520 --> 00:37:31,200
Speaker 3: have to go to a store or or or you know, uh,

730
00:37:31,600 --> 00:37:33,279
Speaker 3: you know later in life, you know what I'm saying.

731
00:37:33,239 --> 00:37:35,759
Speaker 3: I used to you know, hit Columbia house up and

732
00:37:35,800 --> 00:37:40,479
Speaker 3: maybe you know y'all. Yeah, go check your credit score, guys,

733
00:37:40,520 --> 00:37:42,040
Speaker 3: go check your credit score. It might be on there.

734
00:37:42,080 --> 00:37:44,600
Speaker 3: I don't know, but I'm just saying. You used to

735
00:37:44,600 --> 00:37:46,200
Speaker 3: could do that too. But I used to go to

736
00:37:46,280 --> 00:37:50,279
Speaker 3: a store, put on headphones in the store, listen to

737
00:37:50,320 --> 00:37:52,719
Speaker 3: an album in the store and be like, is this

738
00:37:52,760 --> 00:37:55,800
Speaker 3: ship jamming enough for me to spend my money bring

739
00:37:55,800 --> 00:37:58,759
Speaker 3: it home, you know, and listen to it and that,

740
00:37:59,040 --> 00:38:01,239
Speaker 3: and like it were very few artists that it would

741
00:38:01,239 --> 00:38:03,200
Speaker 3: be like if they put something out, I don't give

742
00:38:03,239 --> 00:38:05,080
Speaker 3: a fuck. I don't gotta listen to it. I just

743
00:38:05,160 --> 00:38:08,640
Speaker 3: need it and I'm gonaree. But like that feeling, Yeah,

744
00:38:08,640 --> 00:38:11,200
Speaker 3: you can't have that back with like digital media, because

745
00:38:11,239 --> 00:38:15,439
Speaker 3: now it's more like, you know, there's a certain there's

746
00:38:15,480 --> 00:38:18,319
Speaker 3: a certain level of value that can't be It just

747
00:38:18,360 --> 00:38:21,680
Speaker 3: can't be captured again because you know, even with Living

748
00:38:21,760 --> 00:38:24,080
Speaker 3: Color yesterday, I'm able to go back through their whole

749
00:38:24,120 --> 00:38:27,040
Speaker 3: discography at a click, you know what I mean. Like

750
00:38:27,040 --> 00:38:28,920
Speaker 3: it used to be at times like Yo, what this

751
00:38:29,040 --> 00:38:29,400
Speaker 3: song is?

752
00:38:29,440 --> 00:38:30,480
Speaker 2: Dope? What is this? Who shot you?

753
00:38:30,800 --> 00:38:33,520
Speaker 3: Okay? Let me go to Manifest Records of Tapes. Let

754
00:38:33,560 --> 00:38:35,799
Speaker 3: me come up to has been about fifty dollars to

755
00:38:35,840 --> 00:38:38,080
Speaker 3: get this shit. I need to hear it all now,

756
00:38:38,080 --> 00:38:39,960
Speaker 3: I need to hear everything. Okay, I can only get

757
00:38:39,960 --> 00:38:44,319
Speaker 3: one album? Which album should I get? Mister Manifest Discantapes?

758
00:38:44,360 --> 00:38:44,560
Speaker 2: God?

759
00:38:44,640 --> 00:38:45,640
Speaker 3: Like, what do you suggest?

760
00:38:45,960 --> 00:38:46,160
Speaker 2: You know?

761
00:38:46,280 --> 00:38:47,759
Speaker 3: Like it used to be like a value to that

762
00:38:47,880 --> 00:38:49,719
Speaker 3: knowledge and stuff. But with the Internet, you can now

763
00:38:49,800 --> 00:38:52,880
Speaker 3: like google what's their best album? You can wiki you

764
00:38:52,920 --> 00:38:55,280
Speaker 3: know what was the one that won that got nominated

765
00:38:55,320 --> 00:38:57,200
Speaker 3: for the Grammy? What's that? You know? You can do

766
00:38:57,280 --> 00:39:01,120
Speaker 3: all that shit now. Where we were growing up, you

767
00:39:01,239 --> 00:39:03,320
Speaker 3: just had to be in it. It was an investment.

768
00:39:03,640 --> 00:39:06,439
Speaker 3: So I think people love things more than they love

769
00:39:06,640 --> 00:39:09,840
Speaker 3: music now. But at the same time, you're probably exposed

770
00:39:09,840 --> 00:39:12,080
Speaker 3: to a lot less music than we get now.

771
00:39:12,200 --> 00:39:16,279
Speaker 4: Right And also in my opinion, what I guess and

772
00:39:16,320 --> 00:39:18,120
Speaker 4: I know for me and Roger, because we are the

773
00:39:18,200 --> 00:39:23,200
Speaker 4: older generation, we still consume music old fashion and when

774
00:39:23,600 --> 00:39:25,440
Speaker 4: the reason why I say this is because me and

775
00:39:25,520 --> 00:39:30,080
Speaker 4: Roger are of the generation when we find something we

776
00:39:30,160 --> 00:39:32,799
Speaker 4: listen to it multiple times. Like the new Kendrick, I'll

777
00:39:32,840 --> 00:39:36,600
Speaker 4: listen to it multiple times, the new Childish Gambino, I'll

778
00:39:36,600 --> 00:39:39,359
Speaker 4: listen to it multiple times, like I will literally take

779
00:39:39,440 --> 00:39:42,359
Speaker 4: a month and that's literally the only thing. And I

780
00:39:42,400 --> 00:39:45,440
Speaker 4: know that's a very old way of listening to music, and.

781
00:39:46,400 --> 00:39:49,080
Speaker 2: Just but it moved you. It moved me to the

782
00:39:49,080 --> 00:39:52,120
Speaker 2: point was like I gotta hear more of this, and

783
00:39:52,160 --> 00:39:54,080
Speaker 2: I got to hear the parts that I didn't hear before.

784
00:39:54,280 --> 00:39:56,400
Speaker 3: Yeah, I want to know the words, you know, I

785
00:39:56,400 --> 00:39:57,920
Speaker 3: want to be about to sing along.

786
00:39:57,640 --> 00:40:00,440
Speaker 4: With this right and I think with me and I

787
00:40:00,480 --> 00:40:02,080
Speaker 4: know it's because of the generation.

788
00:40:02,520 --> 00:40:05,440
Speaker 5: I like music to engulf me. I like music to

789
00:40:05,560 --> 00:40:06,279
Speaker 5: overtake me.

790
00:40:06,640 --> 00:40:10,720
Speaker 4: I like, I want to feel what the artist meant

791
00:40:10,760 --> 00:40:14,200
Speaker 4: for me to hear, you know, I you know I

792
00:40:14,560 --> 00:40:17,719
Speaker 4: want to And I guess because I'm so intimate music.

793
00:40:17,800 --> 00:40:19,239
Speaker 4: I wanted to be to the place where I feel

794
00:40:19,280 --> 00:40:21,279
Speaker 4: like the artist is singing directly to me, even though

795
00:40:21,280 --> 00:40:25,719
Speaker 4: I know they're not. I want that personal interaction, that

796
00:40:25,920 --> 00:40:29,400
Speaker 4: that feeling. I want to listen to music where it

797
00:40:29,440 --> 00:40:30,520
Speaker 4: does bring you to tears.

798
00:40:30,600 --> 00:40:33,000
Speaker 5: I'm talking about real tears where you're sitting and going.

799
00:40:32,760 --> 00:40:36,719
Speaker 4: Through your mind and imagining certain things, or you have

800
00:40:37,000 --> 00:40:40,120
Speaker 4: compassion for certain artists, or that artist is singing to

801
00:40:40,160 --> 00:40:41,840
Speaker 4: be like. That's how I ins to music. And I

802
00:40:42,040 --> 00:40:44,160
Speaker 4: realized because of the Internet.

803
00:40:43,880 --> 00:40:45,200
Speaker 5: People don't listen to music like that.

804
00:40:45,239 --> 00:40:47,680
Speaker 4: No more music will come out and in less than

805
00:40:47,760 --> 00:40:49,759
Speaker 4: thirty minutes, this is an hour and a half CD

806
00:40:50,040 --> 00:40:53,040
Speaker 4: and less than thirty minutes, you gotta recap. I'm like, no,

807
00:40:53,280 --> 00:40:58,080
Speaker 4: no fucking way you listen to this and that the

808
00:40:58,160 --> 00:40:59,000
Speaker 4: song just came out.

809
00:40:59,040 --> 00:41:01,239
Speaker 5: How do you have reviews? I don't understand this. You

810
00:41:01,280 --> 00:41:03,240
Speaker 5: didn't listen to this, and see I'm old.

811
00:41:03,280 --> 00:41:05,360
Speaker 4: I started to get mad because I'm like, you're not

812
00:41:05,480 --> 00:41:07,040
Speaker 4: appreciating the music, like.

813
00:41:07,000 --> 00:41:10,040
Speaker 2: This is stupid. You know, they listened to the first

814
00:41:10,080 --> 00:41:12,080
Speaker 2: thirty seconds and it moved on, and they moved the

815
00:41:12,120 --> 00:41:13,920
Speaker 2: next song, and they moved on the next songs, like, oh,

816
00:41:13,960 --> 00:41:15,480
Speaker 2: I see what this is. I understand what this is.

817
00:41:15,520 --> 00:41:17,520
Speaker 2: You don't understand what this is because it's you don't

818
00:41:17,560 --> 00:41:19,600
Speaker 2: understand how much work some may put into it and

819
00:41:19,640 --> 00:41:23,000
Speaker 2: how much subtleties and depth there is to to certain

820
00:41:23,080 --> 00:41:25,520
Speaker 2: music when you all you're doing is too and the

821
00:41:25,680 --> 00:41:28,600
Speaker 2: like like a glance at it and moved on.

822
00:41:29,120 --> 00:41:31,760
Speaker 3: Yeah, everybody got out of Hot Take like it was classic.

823
00:41:31,840 --> 00:41:34,360
Speaker 3: It was trash. It was this song is three stars?

824
00:41:34,360 --> 00:41:36,359
Speaker 3: This when it's two stars, and it's like this, it's

825
00:41:36,440 --> 00:41:40,239
Speaker 3: not a math formula, dude, like especially like albums and

826
00:41:40,320 --> 00:41:43,200
Speaker 3: uh and I think especially now, like like I said,

827
00:41:43,640 --> 00:41:47,080
Speaker 3: the last probably two years, I'm seeing artists take time

828
00:41:47,120 --> 00:41:50,600
Speaker 3: to put together like a thesis in an album, right

829
00:41:50,719 --> 00:41:52,880
Speaker 3: as opposed to tell me a story. Yeah you know,

830
00:41:53,000 --> 00:41:56,480
Speaker 3: I think you know there was a period of time

831
00:41:56,520 --> 00:42:00,279
Speaker 3: where like it was more like the rain tone type

832
00:42:00,280 --> 00:42:03,759
Speaker 3: eraror where it was like albums start feel like a

833
00:42:03,800 --> 00:42:06,480
Speaker 3: collection of singles or a collection of like you know,

834
00:42:06,719 --> 00:42:09,080
Speaker 3: like we and it was making people money. I'm not

835
00:42:09,120 --> 00:42:12,120
Speaker 3: I mean, get your money all that shit, but doing

836
00:42:12,160 --> 00:42:15,440
Speaker 3: that exactly everybody exactly, Like I.

837
00:42:15,440 --> 00:42:17,759
Speaker 2: Know, I know that this is a singles market. And

838
00:42:17,800 --> 00:42:20,040
Speaker 2: if I have, if I have three songs that I

839
00:42:20,080 --> 00:42:22,200
Speaker 2: know are gonna be singles as opposed to I got

840
00:42:22,239 --> 00:42:24,880
Speaker 2: one song on that record that's basically about my life,

841
00:42:24,920 --> 00:42:27,000
Speaker 2: and I know no one's gonna really listen to it

842
00:42:27,040 --> 00:42:29,120
Speaker 2: and not check for it. But I'm gonna make a

843
00:42:29,160 --> 00:42:31,279
Speaker 2: record full of songs that people can hume along to

844
00:42:31,719 --> 00:42:33,279
Speaker 2: and they're gonna blast it out their.

845
00:42:33,160 --> 00:42:35,880
Speaker 3: Car stereo exactly. And like that was, you know, and

846
00:42:35,920 --> 00:42:38,239
Speaker 3: it was making money in more than one type of way,

847
00:42:38,280 --> 00:42:40,759
Speaker 3: you know, from your videos to your rings, especially the

848
00:42:40,800 --> 00:42:44,120
Speaker 3: ring songs, commercials, stuff like that. So it was coming

849
00:42:44,200 --> 00:42:48,480
Speaker 3: like you know, put out fifteen singles quote unquote, and

850
00:42:48,800 --> 00:42:51,520
Speaker 3: whatever hits, it's like that's gonna be that's gonna make

851
00:42:51,520 --> 00:42:53,960
Speaker 3: you a bunch of money and other revenue streams, especially

852
00:42:54,040 --> 00:42:58,440
Speaker 3: right after you know it was before streaming, but after powereding,

853
00:42:58,560 --> 00:43:00,600
Speaker 3: so it was like motherfuckers, I to find a way

854
00:43:00,600 --> 00:43:04,680
Speaker 3: to monetize that ship. Well, it's interesting watching how it's

855
00:43:04,719 --> 00:43:07,359
Speaker 3: kind of changed, because now it's like, you know, whether

856
00:43:07,400 --> 00:43:11,440
Speaker 3: it's like Solange, whether it's Kendrick, whether it's Beyonce, Like

857
00:43:11,880 --> 00:43:14,279
Speaker 3: these are artists that are big, you know. Beyonce is

858
00:43:14,280 --> 00:43:15,840
Speaker 3: a big enough artist to be like I'm just putting

859
00:43:15,840 --> 00:43:18,080
Speaker 3: out those singles and leaving it at that. She put

860
00:43:18,160 --> 00:43:22,560
Speaker 3: together complete thesis two of them actually now, but like

861
00:43:22,680 --> 00:43:24,880
Speaker 3: this is a big ass story. Jay Z put out

862
00:43:24,920 --> 00:43:26,480
Speaker 3: a big ass story. I don't feel like it's no

863
00:43:26,520 --> 00:43:31,680
Speaker 3: singles on that album, Like, yeah, it's wild. It's just

864
00:43:31,719 --> 00:43:33,880
Speaker 3: wild to watch the genre kind of go back to

865
00:43:33,920 --> 00:43:36,320
Speaker 3: that because I think it kind of got got away

866
00:43:36,360 --> 00:43:37,399
Speaker 3: from it right.

867
00:43:37,360 --> 00:43:41,120
Speaker 2: The concept album. Yeah, I have a concept that I'm

868
00:43:41,400 --> 00:43:43,239
Speaker 2: don't want to talk about, you know.

869
00:43:43,360 --> 00:43:46,360
Speaker 3: Yeah, but rapper like one rapper, one producer type albums

870
00:43:46,440 --> 00:43:49,560
Speaker 3: out like remember those like Kendrick's bringing that ship back.

871
00:43:49,600 --> 00:43:52,479
Speaker 3: Now like we get more like I work with this guy.

872
00:43:53,040 --> 00:43:55,640
Speaker 3: We might have another couple of producers featured on the thing,

873
00:43:55,760 --> 00:43:58,120
Speaker 3: but in John in general, me and this dude win

874
00:43:58,160 --> 00:44:00,839
Speaker 3: the studio sat down for however long, came out with

875
00:44:01,280 --> 00:44:03,879
Speaker 3: eight tracks and then you know, man, we got two

876
00:44:03,880 --> 00:44:06,399
Speaker 3: other tracks from somebody else, and now we put out

877
00:44:06,440 --> 00:44:10,040
Speaker 3: this concept. You know you're seeing it come back, I think, and.

878
00:44:10,520 --> 00:44:12,359
Speaker 5: I appreciate that.

879
00:44:12,520 --> 00:44:15,319
Speaker 4: And when before I was talking about music, I never

880
00:44:15,360 --> 00:44:21,360
Speaker 4: really really I understood, but I think with Kendrick's album,

881
00:44:21,680 --> 00:44:23,080
Speaker 4: I don't know the name of it, but the one

882
00:44:23,080 --> 00:44:25,560
Speaker 4: where he's talking about how I beat your ass.

883
00:44:25,600 --> 00:44:26,919
Speaker 5: If you do this, I beat your ass.

884
00:44:27,120 --> 00:44:28,160
Speaker 3: Oh yeah, fear.

885
00:44:28,239 --> 00:44:31,200
Speaker 4: Right, fear okay, Like I had heard it, but one

886
00:44:31,239 --> 00:44:32,880
Speaker 4: day I was at work and I really started to

887
00:44:32,880 --> 00:44:35,879
Speaker 4: listen to it, and it about put me into at

888
00:44:35,920 --> 00:44:38,880
Speaker 4: my desk because I was that child that constantly heard

889
00:44:38,920 --> 00:44:41,400
Speaker 4: that I beat yours. You don't do your homework, I

890
00:44:41,480 --> 00:44:43,640
Speaker 4: beat your ass. If you come in late, I beat

891
00:44:43,680 --> 00:44:45,400
Speaker 4: your ass. If you don't do what I say, I

892
00:44:45,480 --> 00:44:46,200
Speaker 4: beat your ass.

893
00:44:46,239 --> 00:44:56,520
Speaker 8: If you're doing this right, I beat Because he was

894
00:44:56,960 --> 00:44:58,080
Speaker 8: he was wrapping my life.

895
00:44:58,120 --> 00:45:04,520
Speaker 4: I had a lot of I beat your ass and got.

896
00:45:03,680 --> 00:45:05,160
Speaker 3: He was drown across the wild.

897
00:45:06,920 --> 00:45:09,480
Speaker 2: But think about it, he was he was talking about

898
00:45:09,920 --> 00:45:14,360
Speaker 2: like the PTSD he got from just being mm hmmm,

899
00:45:15,280 --> 00:45:18,560
Speaker 2: like your your mother or your parents or whoever it was,

900
00:45:18,920 --> 00:45:22,960
Speaker 2: was so concerned about you keep keeping it straight that

901
00:45:23,080 --> 00:45:27,279
Speaker 2: I'll kill you for it, right right right.

902
00:45:27,600 --> 00:45:30,320
Speaker 3: And they fucked him up too, because like the whole

903
00:45:30,440 --> 00:45:34,000
Speaker 3: the whole song is about, well, it started with my parents,

904
00:45:34,040 --> 00:45:36,520
Speaker 3: with my mom is still in this fear, but then

905
00:45:37,080 --> 00:45:39,640
Speaker 3: it leads into my life and now I'm scared of

906
00:45:39,719 --> 00:45:42,920
Speaker 3: losing things. I'm scared of getting things. You know, I'm

907
00:45:42,920 --> 00:45:45,680
Speaker 3: scared of you know, I'm a step outside, something's gonna

908
00:45:45,760 --> 00:45:48,160
Speaker 3: kill me. I'm scared of the police. I'm scared. Like,

909
00:45:48,280 --> 00:45:51,600
Speaker 3: I'm just scared. I live a fearful existence. Like one

910
00:45:51,640 --> 00:45:55,520
Speaker 3: of the things I love about Kendrick is that it's Kendrick,

911
00:45:55,840 --> 00:45:59,120
Speaker 3: Chance and Kanye that how they all have like these

912
00:45:59,200 --> 00:46:02,000
Speaker 3: heavy relationships with God, but they're all different, They're all

913
00:46:02,040 --> 00:46:05,440
Speaker 3: completely like Kendrick is Kendrick get scared of God, like

914
00:46:05,719 --> 00:46:10,080
Speaker 3: even scared. Yeah, like he is on some like God

915
00:46:10,160 --> 00:46:12,080
Speaker 3: gonna come down, you gonna find out what y'all been

916
00:46:12,160 --> 00:46:15,959
Speaker 3: up to. He's gonna fuck y'all up. Right, Don't don't

917
00:46:16,000 --> 00:46:18,719
Speaker 3: say I didn't want y'all, uh, you know, even on

918
00:46:18,840 --> 00:46:21,640
Speaker 3: a good kid, Mad City, Like the the arc of

919
00:46:21,680 --> 00:46:24,520
Speaker 3: that whole story is, you know, I wasn't really out

920
00:46:24,520 --> 00:46:26,920
Speaker 3: here in the streets to being a criminal, but I

921
00:46:27,040 --> 00:46:29,440
Speaker 3: was involved in some some some crazy ship. And he

922
00:46:29,560 --> 00:46:33,480
Speaker 3: ends it with I gotta said, right, like that's that's

923
00:46:33,520 --> 00:46:36,440
Speaker 3: the arc of his story. And then you know, he

924
00:46:36,600 --> 00:46:41,359
Speaker 3: starts fucking uh to Pebble Butterfly and he's and the

925
00:46:41,400 --> 00:46:45,440
Speaker 3: first song is already like yeah, so uh, I'm getting

926
00:46:45,520 --> 00:46:47,120
Speaker 3: rich and shit, but the devil is talking to me,

927
00:46:47,200 --> 00:46:48,319
Speaker 3: being like, this is what you need to do with

928
00:46:48,360 --> 00:46:50,960
Speaker 3: your money. And you know, I'm out here doing some

929
00:46:51,040 --> 00:46:53,840
Speaker 3: wild ship that I would I didn't see myself doing before.

930
00:46:53,960 --> 00:46:56,640
Speaker 3: So even though I did get out the hood, I'm

931
00:46:56,640 --> 00:46:59,080
Speaker 3: not living right. And that was his like, you know,

932
00:46:59,160 --> 00:47:02,080
Speaker 3: his arc, and and and then and then this latest album,

933
00:47:02,400 --> 00:47:04,720
Speaker 3: you know, same thing, like he goes through the fear.

934
00:47:04,840 --> 00:47:08,600
Speaker 3: He talks about, you know, being scared of God. Even

935
00:47:08,719 --> 00:47:13,080
Speaker 3: I'm like he's scared Kanye. Kanye is empowered by God

936
00:47:13,120 --> 00:47:15,000
Speaker 3: because he's been told that God is a person that

937
00:47:15,040 --> 00:47:17,080
Speaker 3: has to love you no matter what you do. So

938
00:47:17,200 --> 00:47:20,520
Speaker 3: Kanye out here like, oh, I'm living wow, but listen,

939
00:47:20,600 --> 00:47:23,160
Speaker 3: if God love me, y'all, niggas got to deal, yes, sir,

940
00:47:23,640 --> 00:47:25,279
Speaker 3: but I do whatever the fuck I want. To do

941
00:47:26,560 --> 00:47:28,799
Speaker 3: and and and and that's just that's the rules that

942
00:47:28,840 --> 00:47:31,239
Speaker 3: I've learned. He's like David's relationship with God. He like,

943
00:47:31,239 --> 00:47:35,240
Speaker 3: I'm gonna fuck this woman, but but God said, I'm powerful,

944
00:47:35,280 --> 00:47:35,919
Speaker 3: he got my back.

945
00:47:35,960 --> 00:47:37,239
Speaker 5: I can do anything in the sun.

946
00:47:37,239 --> 00:47:40,759
Speaker 3: I'm still good, right, And then Chances whole relationship is like,

947
00:47:41,000 --> 00:47:43,560
Speaker 3: I want to spread the love of God that I

948
00:47:43,719 --> 00:47:48,919
Speaker 3: got to people and it's been through his service. Right,

949
00:47:49,040 --> 00:47:51,719
Speaker 3: I'm on live a life that shows people this is

950
00:47:51,760 --> 00:47:54,600
Speaker 3: the love I felt through God, and I'm gonna spread

951
00:47:54,640 --> 00:47:57,560
Speaker 3: that love to everybody else. Three same God for all

952
00:47:57,560 --> 00:48:00,680
Speaker 3: three people. I'm assuming and they all got three completely

953
00:48:00,719 --> 00:48:04,000
Speaker 3: different relationships. But the point is they put out concept

954
00:48:04,080 --> 00:48:08,080
Speaker 3: albums around that. All three. You know, Kendricks has like

955
00:48:08,120 --> 00:48:11,760
Speaker 3: three albums like that. But you know, Kanye, Kendrick, and Chance,

956
00:48:12,160 --> 00:48:14,799
Speaker 3: all three of them put out a concept album. I mean,

957
00:48:14,840 --> 00:48:18,000
Speaker 3: it's damn there gospel, you know what I mean. It's amazing,

958
00:48:19,120 --> 00:48:22,319
Speaker 3: It's amazing. How did y'all, how y'all, how did y'all

959
00:48:22,360 --> 00:48:25,400
Speaker 3: come into contact with w Kamala bell Man, Because y'all

960
00:48:25,920 --> 00:48:29,000
Speaker 3: you've been on podcast w CA Ma bell Vernon's done

961
00:48:29,280 --> 00:48:31,600
Speaker 3: the Phil Negro podcast, Like.

962
00:48:31,880 --> 00:48:35,160
Speaker 2: How y'all arts and culture. Yeah, I love that name.

963
00:48:35,640 --> 00:48:38,600
Speaker 3: It's so good. They need to bring they need to

964
00:48:38,600 --> 00:48:39,120
Speaker 3: bring it back.

965
00:48:39,160 --> 00:48:42,160
Speaker 2: Man, they do they do you know, you know, come out.

966
00:48:42,320 --> 00:48:44,680
Speaker 2: You can't can't touch him out right now. So yeah,

967
00:48:45,440 --> 00:48:47,120
Speaker 2: you know he's he's big time now.

968
00:48:47,320 --> 00:48:50,040
Speaker 3: He is a big time bro. He is like he ya,

969
00:48:50,239 --> 00:48:52,440
Speaker 3: come o way and talked to the Klan dog. I said,

970
00:48:53,000 --> 00:48:56,680
Speaker 3: that's it's so amazing because like the thing everybody forgets

971
00:48:56,680 --> 00:48:58,759
Speaker 3: because I think, you know, on the internet, it's almost

972
00:48:58,800 --> 00:49:01,719
Speaker 3: like when you talk about sports stars. Shit, w my

973
00:49:01,800 --> 00:49:05,240
Speaker 3: bell is like big ass negg He's tall. So people

974
00:49:05,440 --> 00:49:07,000
Speaker 3: people were like, I can't believe he talked to him.

975
00:49:07,000 --> 00:49:09,200
Speaker 3: I'm like, have you seen the footage though, because they

976
00:49:09,320 --> 00:49:11,480
Speaker 3: all looking up at him, like I'm not swinging on

977
00:49:11,520 --> 00:49:14,640
Speaker 3: this one, you know what I'm saying, Like he might

978
00:49:14,680 --> 00:49:17,600
Speaker 3: be affable, but they ain't. Nobody trying to test him

979
00:49:17,680 --> 00:49:21,399
Speaker 3: like that, you know. But how dy'all even meet him, man, Like,

980
00:49:21,440 --> 00:49:22,640
Speaker 3: what's the story there?

981
00:49:23,400 --> 00:49:27,800
Speaker 2: He is a fan, okay, which freaks us out. This

982
00:49:27,960 --> 00:49:31,279
Speaker 2: freaks me out personally, you know, because he's like like

983
00:49:31,480 --> 00:49:33,640
Speaker 2: he he talk he talks about shows. He's you know,

984
00:49:33,640 --> 00:49:35,560
Speaker 2: he's from the Bay It's like I remember when y'all

985
00:49:35,560 --> 00:49:39,279
Speaker 2: played at the I Beam in nineteen nxts, like you

986
00:49:39,440 --> 00:49:44,839
Speaker 2: was there, there were six black people. We didn't see you.

987
00:49:49,480 --> 00:49:50,480
Speaker 3: What's that like.

988
00:49:50,480 --> 00:49:51,160
Speaker 2: Too, man like?

989
00:49:52,160 --> 00:49:54,320
Speaker 3: Cause you I would. I can only imagine.

990
00:49:54,320 --> 00:49:54,480
Speaker 2: Man.

991
00:49:54,520 --> 00:49:57,000
Speaker 3: You guys have been around the globe to places that

992
00:49:57,120 --> 00:49:59,319
Speaker 3: I'm sure like, like, what's the place you went where

993
00:49:59,320 --> 00:50:02,160
Speaker 3: you were like with us out here right?

994
00:50:04,800 --> 00:50:07,960
Speaker 2: You know, it's some places we haven't even been to yet.

995
00:50:08,080 --> 00:50:10,640
Speaker 2: Like we get we get like emails we get. We

996
00:50:10,719 --> 00:50:14,440
Speaker 2: used to get fan mail from the Philippines. Uh. You know,

997
00:50:14,480 --> 00:50:16,239
Speaker 2: we went to Japan a couple of times and it

998
00:50:16,320 --> 00:50:24,680
Speaker 2: was like y'all really talking to me. Uh, so we

999
00:50:24,760 --> 00:50:27,400
Speaker 2: had you know, it's it's deep like when you go

1000
00:50:27,560 --> 00:50:31,800
Speaker 2: into like like we went into former like Eastern Bloc

1001
00:50:31,920 --> 00:50:37,000
Speaker 2: like straight communist countries, they're like, oh yeah, living color,

1002
00:50:37,680 --> 00:50:39,840
Speaker 2: you know. And you know some of these folks have

1003
00:50:39,920 --> 00:50:44,080
Speaker 2: no idea that they see us as American music. They

1004
00:50:44,120 --> 00:50:46,480
Speaker 2: don't see us, they don't see us as black, they

1005
00:50:46,480 --> 00:50:48,239
Speaker 2: don't see us as this, they don't see that they

1006
00:50:48,239 --> 00:50:52,400
Speaker 2: see it as American music. So you can find some

1007
00:50:52,440 --> 00:50:56,960
Speaker 2: people like y'all, I love you, and I love uh

1008
00:50:57,760 --> 00:51:00,279
Speaker 2: and I love some you know, some dark metal man

1009
00:51:01,000 --> 00:51:05,840
Speaker 2: and I like Tupac, Like like they don't see they

1010
00:51:05,880 --> 00:51:09,000
Speaker 2: don't see a difference between those three things, like it's

1011
00:51:09,040 --> 00:51:10,000
Speaker 2: all from America.

1012
00:51:10,120 --> 00:51:16,440
Speaker 3: Yeah, that's wild man, you know. And then like like

1013
00:51:16,880 --> 00:51:20,440
Speaker 3: does does it add to your perspective? Like getting to

1014
00:51:20,520 --> 00:51:23,680
Speaker 3: travel and see other places? I know we like we

1015
00:51:23,680 --> 00:51:25,680
Speaker 3: we weren't. We didn't get to travel much as kids

1016
00:51:25,719 --> 00:51:28,320
Speaker 3: and stuff, and we're starting in those places now because

1017
00:51:28,440 --> 00:51:31,480
Speaker 3: mostly because of the podcast. But right, you know, see

1018
00:51:31,520 --> 00:51:33,560
Speaker 3: some places and ship and I know it definitely adds

1019
00:51:33,600 --> 00:51:36,440
Speaker 3: to the way I view like, not just life, but

1020
00:51:36,560 --> 00:51:40,920
Speaker 3: kind of people in general. Like does it, like has

1021
00:51:40,960 --> 00:51:43,279
Speaker 3: it added to your perspective over these years watching you

1022
00:51:43,320 --> 00:51:46,120
Speaker 3: know how you know, you know, watching different people in

1023
00:51:46,160 --> 00:51:48,120
Speaker 3: different places and seeing different cultures and stuff.

1024
00:51:48,560 --> 00:51:50,759
Speaker 2: What is it? What's deep? Is like you know, I

1025
00:51:50,800 --> 00:51:53,640
Speaker 2: have I have a particular perspective, and it's hard to

1026
00:51:53,640 --> 00:51:56,960
Speaker 2: be objective in those places. Sometimes in those places because

1027
00:51:57,120 --> 00:51:59,839
Speaker 2: you know you've got so many you know, staring you down.

1028
00:51:59,880 --> 00:52:03,520
Speaker 2: You though, I ain't stealing nothing, I'm just walking. What

1029
00:52:03,520 --> 00:52:06,080
Speaker 2: do you want? And they're like, oh, you know who

1030
00:52:06,160 --> 00:52:10,520
Speaker 2: I am.

1031
00:52:10,719 --> 00:52:12,040
Speaker 5: They're like, can I have autograph?

1032
00:52:12,360 --> 00:52:12,880
Speaker 3: Right?

1033
00:52:16,120 --> 00:52:18,640
Speaker 2: I've had I've had those experiences, like I'm walking through

1034
00:52:18,640 --> 00:52:21,360
Speaker 2: a store and like some dudes keep staring at me

1035
00:52:21,560 --> 00:52:24,520
Speaker 2: like yo, you like five, Oh, what's the deal, what's

1036
00:52:24,560 --> 00:52:25,040
Speaker 2: going on?

1037
00:52:25,560 --> 00:52:30,640
Speaker 3: It's like Corey, yeah, yeah, yeah, yeah, you're saying I'm

1038
00:52:30,640 --> 00:52:31,680
Speaker 3: about to get wrong.

1039
00:52:34,600 --> 00:52:38,279
Speaker 2: If they're beef? What's right? Oh?

1040
00:52:38,400 --> 00:52:40,480
Speaker 3: That's that's dope, man? And how do you how do

1041
00:52:40,560 --> 00:52:42,439
Speaker 3: y'all stay friends over thirty years?

1042
00:52:42,560 --> 00:52:43,000
Speaker 2: Dog? Like?

1043
00:52:43,600 --> 00:52:44,279
Speaker 3: What's the key?

1044
00:52:45,120 --> 00:52:52,080
Speaker 2: How do you stay friends with these mother? How friends? How?

1045
00:52:52,480 --> 00:53:00,239
Speaker 2: It's like, you know, imagine having to live with your

1046
00:53:00,360 --> 00:53:08,960
Speaker 2: family forever? All right? You know?

1047
00:53:09,239 --> 00:53:09,719
Speaker 9: Okay?

1048
00:53:09,880 --> 00:53:12,759
Speaker 2: So you know, and you know it falls along those

1049
00:53:12,840 --> 00:53:16,239
Speaker 2: lines too, because you know, we all like we all

1050
00:53:16,280 --> 00:53:19,360
Speaker 2: play that because like it's like four brothers and we

1051
00:53:19,480 --> 00:53:24,640
Speaker 2: all play that role. You know, like Doug is the oldest,

1052
00:53:24,960 --> 00:53:28,239
Speaker 2: so he plays, you know, like I'm gonna run things.

1053
00:53:28,440 --> 00:53:32,040
Speaker 2: Burn is the middle child, but he's not in life,

1054
00:53:32,080 --> 00:53:34,000
Speaker 2: he's not the middle child. He's the oldest. So there's

1055
00:53:34,120 --> 00:53:36,400
Speaker 2: there's always that kind of conflict. You know, me and

1056
00:53:36,440 --> 00:53:40,960
Speaker 2: Will are the youngest children in our family, so so

1057
00:53:41,480 --> 00:53:44,960
Speaker 2: there's always this there's always this push and pull, and

1058
00:53:45,000 --> 00:53:47,799
Speaker 2: there's no parents around to take sides, so we just

1059
00:53:48,680 --> 00:53:50,560
Speaker 2: we're just going at each other and you know, it's

1060
00:53:50,640 --> 00:53:53,960
Speaker 2: we got you know, we can we have moments of

1061
00:53:54,239 --> 00:53:59,080
Speaker 2: real sort of bonding and brotherhood and solidarity, and we're

1062
00:53:59,120 --> 00:54:01,880
Speaker 2: always doing that. But when we are thrown, when we're fighting,

1063
00:54:02,680 --> 00:54:05,759
Speaker 2: it's like it's like like it's like I never left

1064
00:54:05,880 --> 00:54:08,920
Speaker 2: my mother's house, Like I'm still fighting with you, like

1065
00:54:10,640 --> 00:54:12,640
Speaker 2: you know, but but these are kind of casts that

1066
00:54:12,680 --> 00:54:16,279
Speaker 2: you can go you know what, you're fuck you really right? No? No, no,

1067
00:54:16,520 --> 00:54:20,160
Speaker 2: really seriously fuck you no, fuck you.

1068
00:54:21,239 --> 00:54:23,360
Speaker 3: Yeah, you kind of need that, you know what I'm saying.

1069
00:54:23,400 --> 00:54:25,480
Speaker 3: In order to really stay family and friends, you need

1070
00:54:25,520 --> 00:54:27,960
Speaker 3: to be had at moment. And how do y'all do

1071
00:54:28,040 --> 00:54:30,080
Speaker 3: y'all get how do you get space from each other?

1072
00:54:30,239 --> 00:54:32,839
Speaker 3: Like you know, between projects, between tours, like.

1073
00:54:32,880 --> 00:54:36,200
Speaker 2: Do y'all we all go out and do other ship Okay,

1074
00:54:36,480 --> 00:54:39,520
Speaker 2: we like play with other bands. We start our own bands.

1075
00:54:40,080 --> 00:54:42,880
Speaker 2: You know, we put out our own records, you know,

1076
00:54:43,520 --> 00:54:46,120
Speaker 2: and you know we play on other people's records. But

1077
00:54:46,280 --> 00:54:49,160
Speaker 2: you know, when we get together and when we start playing,

1078
00:54:49,200 --> 00:54:52,239
Speaker 2: it's like, oh, yeah, that's right, that's why we do this.

1079
00:54:52,480 --> 00:54:56,279
Speaker 3: Yeah, and y'all and then like it's weird because like

1080
00:54:56,360 --> 00:54:58,640
Speaker 3: y'all haven't done a record since two thousand and nine,

1081
00:54:58,719 --> 00:55:02,200
Speaker 3: right as far as right, So now you know, putting

1082
00:55:02,200 --> 00:55:05,160
Speaker 3: out this album now it is back to touring, is

1083
00:55:05,200 --> 00:55:08,239
Speaker 3: back to you know, performing live and all that stuff too.

1084
00:55:09,000 --> 00:55:12,520
Speaker 2: Right, Well, we never stopped touring. We take we take

1085
00:55:12,560 --> 00:55:15,080
Speaker 2: a long time to make records. That's the problem, you know,

1086
00:55:15,760 --> 00:55:18,400
Speaker 2: is that we go into the studio and then we

1087
00:55:18,520 --> 00:55:23,319
Speaker 2: get real, real particular about our ship. It's like, oh,

1088
00:55:23,400 --> 00:55:26,960
Speaker 2: I didn't like that stare sound. Oh you know I

1089
00:55:27,239 --> 00:55:29,160
Speaker 2: need to I need to use a six string bass

1090
00:55:29,239 --> 00:55:31,600
Speaker 2: instead of the five string base for this one. And

1091
00:55:31,960 --> 00:55:35,239
Speaker 2: you know I don't like the lyrics is kind of

1092
00:55:35,239 --> 00:55:37,680
Speaker 2: off here. Let me go, let me go change some ship.

1093
00:55:38,640 --> 00:55:41,880
Speaker 2: And you know, the process on making this record was

1094
00:55:41,920 --> 00:55:45,000
Speaker 2: so different than we'd ever done before. Like we go

1095
00:55:45,040 --> 00:55:49,200
Speaker 2: in the studio, we record live all together, and then

1096
00:55:49,440 --> 00:55:53,279
Speaker 2: Andre Betts, the producer, would come along and then edit

1097
00:55:53,320 --> 00:55:55,399
Speaker 2: it like he did. He played, he did the whole

1098
00:55:55,440 --> 00:55:57,840
Speaker 2: hip hop things like Okay, I got the raw material,

1099
00:55:57,840 --> 00:55:59,960
Speaker 2: I'm gonna i'm gonna change it around. I'm gonna editing.

1100
00:56:00,000 --> 00:56:02,239
Speaker 2: I'm gonna make it sound like something else. And so

1101
00:56:02,320 --> 00:56:05,920
Speaker 2: we come back and go, where's the song? You know,

1102
00:56:06,080 --> 00:56:08,160
Speaker 2: this is it's a whole new this is a whole

1103
00:56:08,200 --> 00:56:11,080
Speaker 2: new animal. Now, you know that we have to now

1104
00:56:11,160 --> 00:56:14,239
Speaker 2: deal with right, we got now, we gotta now, we

1105
00:56:14,280 --> 00:56:17,279
Speaker 2: gotta put that now, we gotta change our mindset to

1106
00:56:17,320 --> 00:56:21,160
Speaker 2: a certain degree and make what we do fit into

1107
00:56:21,200 --> 00:56:24,080
Speaker 2: that framework. Right, And then he and sometimes he'd go

1108
00:56:24,120 --> 00:56:26,000
Speaker 2: back again and go all right, I'm gonna change it

1109
00:56:26,040 --> 00:56:27,960
Speaker 2: up a little bit again and see what happened. So

1110
00:56:28,480 --> 00:56:30,759
Speaker 2: we would have this, we would have these things. And

1111
00:56:30,800 --> 00:56:33,080
Speaker 2: this is like one of the first times in a while,

1112
00:56:33,160 --> 00:56:35,760
Speaker 2: in a long time where we didn't have the songs

1113
00:56:35,800 --> 00:56:38,279
Speaker 2: written before we got in the studio. We were in

1114
00:56:38,320 --> 00:56:41,520
Speaker 2: the studio writing these songs. So it took so it

1115
00:56:41,520 --> 00:56:43,440
Speaker 2: took some process. It took a while.

1116
00:56:43,800 --> 00:56:46,200
Speaker 3: Yeah, I can imagine, especially with the songs being like,

1117
00:56:47,280 --> 00:56:50,000
Speaker 3: you know, like they're they're speaking to issues, so you

1118
00:56:50,080 --> 00:56:52,480
Speaker 3: kind of have to field the room and people probably

1119
00:56:52,520 --> 00:56:55,080
Speaker 3: got shit to add people, you know, like it's it

1120
00:56:55,080 --> 00:56:59,880
Speaker 3: becomes more of a conversation to make a song, absolutely.

1121
00:57:00,080 --> 00:57:03,480
Speaker 2: Know, and you know you have to you have to

1122
00:57:03,480 --> 00:57:06,760
Speaker 2: find perspective and all that. You have to find how

1123
00:57:07,239 --> 00:57:10,080
Speaker 2: how do I circumnavigate that that kind of thing, you know,

1124
00:57:10,719 --> 00:57:14,480
Speaker 2: like with program or you know, we had a song.

1125
00:57:14,520 --> 00:57:17,480
Speaker 2: We have a song on there called Freedom of Expression

1126
00:57:18,120 --> 00:57:21,120
Speaker 2: and we spelled it out f o X because you

1127
00:57:21,120 --> 00:57:28,600
Speaker 2: can tell who were talking about and and you know,

1128
00:57:29,120 --> 00:57:31,400
Speaker 2: sometimes it got changed up a little bit, so I

1129
00:57:31,440 --> 00:57:34,200
Speaker 2: had to had to move things around and change lyrics

1130
00:57:34,200 --> 00:57:36,680
Speaker 2: here and there to make to make it work and

1131
00:57:36,720 --> 00:57:41,120
Speaker 2: make the the the initial idea stay true to itself.

1132
00:57:41,560 --> 00:57:43,360
Speaker 2: And that was always that was that was a big

1133
00:57:43,440 --> 00:57:47,240
Speaker 2: challenge for for for a while, and then making the

1134
00:57:47,280 --> 00:57:50,000
Speaker 2: record and going okay, is it done, No, it's not done,

1135
00:57:50,280 --> 00:57:54,640
Speaker 2: and then finishing the record again and going is it done, Nah,

1136
00:57:54,720 --> 00:57:57,360
Speaker 2: it's not done yet. Let's keep let's keep, let's keep going.

1137
00:57:57,560 --> 00:58:00,200
Speaker 2: So it took it took us like three to four

1138
00:58:00,280 --> 00:58:04,720
Speaker 2: years to make the record. Actually wow. So yeah, so

1139
00:58:05,680 --> 00:58:08,120
Speaker 2: it was and in between we go out on the

1140
00:58:08,200 --> 00:58:10,040
Speaker 2: road and we go play for a little while and

1141
00:58:10,080 --> 00:58:11,960
Speaker 2: then we think about the songs that we that we

1142
00:58:12,080 --> 00:58:14,760
Speaker 2: had and try to and then come back to the

1143
00:58:14,760 --> 00:58:17,880
Speaker 2: studio and then go and fix things again and then

1144
00:58:17,920 --> 00:58:19,640
Speaker 2: go back out on the road or go out and

1145
00:58:19,680 --> 00:58:21,600
Speaker 2: do our own thing and then come back to come

1146
00:58:21,640 --> 00:58:25,200
Speaker 2: back to it. But you know, big up to Dre Betts.

1147
00:58:25,360 --> 00:58:26,320
Speaker 2: He did his thing on this.

1148
00:58:26,320 --> 00:58:28,080
Speaker 3: Record for right, and when y'all are going out on

1149
00:58:28,080 --> 00:58:30,160
Speaker 3: the road while y'all are working on the songs, are

1150
00:58:30,200 --> 00:58:32,280
Speaker 3: y'all performing the songs as well in the state that

1151
00:58:32,320 --> 00:58:36,240
Speaker 3: they were in or y'all just like we try we try.

1152
00:58:36,080 --> 00:58:38,640
Speaker 2: To like it, like we try to do it at

1153
00:58:38,680 --> 00:58:40,560
Speaker 2: sound check and see if it if it if it's

1154
00:58:40,640 --> 00:58:42,520
Speaker 2: up to snuff yet, and it's like, now it's still

1155
00:58:42,560 --> 00:58:44,640
Speaker 2: not there yet. It's not it's not even ready for

1156
00:58:44,720 --> 00:58:48,200
Speaker 2: us to play it live, let alone record it. So okay,

1157
00:58:48,280 --> 00:58:50,760
Speaker 2: you know, we you know, we try to. We try

1158
00:58:50,800 --> 00:58:53,080
Speaker 2: to get it out there and see how how it

1159
00:58:53,160 --> 00:58:55,800
Speaker 2: works and that and with that information that we got

1160
00:58:55,840 --> 00:58:59,560
Speaker 2: from playing it in the in in space that wasn't

1161
00:58:59,560 --> 00:59:03,720
Speaker 2: the studio, we could come back and fix things well.

1162
00:59:03,560 --> 00:59:06,440
Speaker 3: You know, as wild as that, the album feels so current,

1163
00:59:07,360 --> 00:59:09,120
Speaker 3: you know what I mean, Like it took y'all, like

1164
00:59:09,200 --> 00:59:11,520
Speaker 3: y'all worked on it for eight years, y'all. You know,

1165
00:59:11,560 --> 00:59:13,160
Speaker 3: like I said, it took four years is to make

1166
00:59:13,280 --> 00:59:16,680
Speaker 3: like to get certain songs right. But the themes are

1167
00:59:17,160 --> 00:59:19,040
Speaker 3: I mean in a way that almost pressing it, you

1168
00:59:19,040 --> 00:59:22,000
Speaker 3: know what I mean, Like because it's like that's happening

1169
00:59:22,120 --> 00:59:23,240
Speaker 3: now you know what I'm saying.

1170
00:59:24,480 --> 00:59:27,600
Speaker 2: It don't ever change, right, you know what I mean,

1171
00:59:27,920 --> 00:59:32,160
Speaker 2: It's always gonna be there's always some ship going on

1172
00:59:32,800 --> 00:59:37,440
Speaker 2: in this world. That's that's always that's constantly going on.

1173
00:59:37,920 --> 00:59:40,000
Speaker 2: You know when you when you listen to something like

1174
00:59:40,160 --> 00:59:44,720
Speaker 2: two Sides like the Whole It, you know, forever you

1175
00:59:44,760 --> 00:59:48,080
Speaker 2: watch the news, you look at television, everybody got an opinion,

1176
00:59:48,080 --> 00:59:50,640
Speaker 2: everybody got a hot take, everybody got something to say.

1177
00:59:51,360 --> 00:59:53,320
Speaker 2: There's only two sides that the truth and don't lie.

1178
00:59:53,480 --> 00:59:56,960
Speaker 2: It's all there is, right, Yeah, two sides. You can't

1179
00:59:57,040 --> 00:59:58,560
Speaker 2: It's not left or right, it's not none of that

1180
00:59:58,600 --> 01:00:03,160
Speaker 2: ship is that. If somebody's saying something about how they feel,

1181
01:00:03,760 --> 01:00:05,600
Speaker 2: then it's the truth. If it's some of it, if

1182
01:00:05,600 --> 01:00:07,800
Speaker 2: it's your opinion on how they feel, it's a lot

1183
01:00:08,040 --> 01:00:10,120
Speaker 2: right straight up yep, you know what I mean.

1184
01:00:10,560 --> 01:00:12,800
Speaker 3: Yeah? Yeah, Like I said, man, I can't wait for

1185
01:00:12,800 --> 01:00:14,560
Speaker 3: everybody else to hear this album because I know people

1186
01:00:14,560 --> 01:00:16,760
Speaker 3: gonna be righting there for weeks like, oh I heard

1187
01:00:16,760 --> 01:00:18,720
Speaker 3: the album Dog. You know what I'm saying, Like, let

1188
01:00:18,800 --> 01:00:20,360
Speaker 3: me tell you what I think, cause it's that kind

1189
01:00:20,360 --> 01:00:22,360
Speaker 3: of album, like it's gonna make people think and make

1190
01:00:22,400 --> 01:00:26,280
Speaker 3: people want to give their opinion, and that's that's dope.

1191
01:00:26,280 --> 01:00:26,440
Speaker 2: Man.

1192
01:00:26,480 --> 01:00:28,800
Speaker 3: Also, like, like I said, I was talking about yesterday,

1193
01:00:28,800 --> 01:00:31,600
Speaker 3: but it's almost embarrassing and a shame to look back

1194
01:00:31,640 --> 01:00:33,920
Speaker 3: and be like, Damn, I didn't know how black these

1195
01:00:34,000 --> 01:00:37,200
Speaker 3: niggas were and how black they work. Was like it's

1196
01:00:37,240 --> 01:00:38,920
Speaker 3: almost a shame, you know what I'm saying. Like, I

1197
01:00:38,960 --> 01:00:41,920
Speaker 3: know other people probably have experienced it as well. I

1198
01:00:41,960 --> 01:00:45,760
Speaker 3: know y'all probably get it a lot over y'all's lifetimes.

1199
01:00:45,760 --> 01:00:47,600
Speaker 3: At this point of people being like I didn't know

1200
01:00:47,640 --> 01:00:50,400
Speaker 3: y'all niggas was like this infinite nigga.

1201
01:00:50,200 --> 01:00:56,800
Speaker 10: Dapt you know what I'm saying, Like like for a

1202
01:00:56,840 --> 01:01:00,440
Speaker 10: while long time, it's like where you guys from Brooklyn?

1203
01:01:01,440 --> 01:01:06,280
Speaker 2: Seriously where you from? I'm from Brooklyn, Nigga? Where you

1204
01:01:06,360 --> 01:01:07,040
Speaker 2: think I'm from?

1205
01:01:07,680 --> 01:01:11,800
Speaker 3: Yeah, Like I hear I shotcha. I was like, yeah,

1206
01:01:11,800 --> 01:01:14,040
Speaker 3: I'm gonna just do my research. I hear shotya. Like

1207
01:01:14,240 --> 01:01:17,160
Speaker 3: within the first woe, I'm like, that's biggie, hold up,

1208
01:01:17,800 --> 01:01:21,360
Speaker 3: hold up, what's happening right now? If I'm becoming a fan,

1209
01:01:21,520 --> 01:01:24,400
Speaker 3: like it was like that shit, I was like, oh okay,

1210
01:01:24,520 --> 01:01:26,120
Speaker 3: But then you go back and like, oh, they've been

1211
01:01:26,160 --> 01:01:28,680
Speaker 3: on this like, so it's kind of interesting because, like

1212
01:01:28,680 --> 01:01:33,400
Speaker 3: I said, I think one of the tricks of kind

1213
01:01:33,440 --> 01:01:36,040
Speaker 3: of white supremacy and anti blackness is you end up

1214
01:01:36,440 --> 01:01:39,480
Speaker 3: quote unquote separating out yourself to be like, well, it

1215
01:01:40,000 --> 01:01:42,200
Speaker 3: must be this experience, It must be that experience. This

1216
01:01:42,280 --> 01:01:44,160
Speaker 3: must be what you get defensive before you even have

1217
01:01:44,200 --> 01:01:46,280
Speaker 3: a reason to be defensive. This must be what they

1218
01:01:46,280 --> 01:01:48,480
Speaker 3: think about me, This must be what you think about me.

1219
01:01:48,520 --> 01:01:50,480
Speaker 3: And I'm like, damn, it's fucked up because a lot

1220
01:01:50,480 --> 01:01:52,720
Speaker 3: of us are on the same page. But if we

1221
01:01:52,760 --> 01:01:55,520
Speaker 3: don't communicate, we don't give each other a chance, and

1222
01:01:55,560 --> 01:01:57,680
Speaker 3: we're not listening to each other. That how we're supposed

1223
01:01:57,720 --> 01:01:59,120
Speaker 3: to get on the same page, you know, how we're

1224
01:01:59,120 --> 01:01:59,800
Speaker 3: supposed to learn.

1225
01:01:59,720 --> 01:02:01,840
Speaker 2: That shit exactly. You know, for a long time, it

1226
01:02:01,920 --> 01:02:04,919
Speaker 2: was like when I first started out in this band.

1227
01:02:04,960 --> 01:02:07,840
Speaker 2: You know, I was in a series of like, uh,

1228
01:02:07,880 --> 01:02:11,160
Speaker 2: these vocal groups, these R and B vocal groups, and

1229
01:02:11,160 --> 01:02:14,600
Speaker 2: and you know, singing in choirs, and you know, I

1230
01:02:14,720 --> 01:02:17,000
Speaker 2: was doing my thing. I remember one time I was

1231
01:02:17,120 --> 01:02:18,960
Speaker 2: I was coming, I was going somewhere and I saw

1232
01:02:19,000 --> 01:02:22,440
Speaker 2: some dude that I used to sing with, and he

1233
01:02:22,560 --> 01:02:25,520
Speaker 2: said to me, so when you're gonna when you're gonna

1234
01:02:25,520 --> 01:02:27,600
Speaker 2: stop doing this foolishness and sing some real music.

1235
01:02:27,840 --> 01:02:32,880
Speaker 5: Oh what? Oh hell no, wow baby.

1236
01:02:33,520 --> 01:02:36,600
Speaker 2: Okay, put that in perspective. Jump cut like six months

1237
01:02:36,680 --> 01:02:40,880
Speaker 2: later and we're playing at the Apollo and he's and

1238
01:02:40,920 --> 01:02:47,400
Speaker 2: he's sitting in the audience right right. You know, it's

1239
01:02:47,480 --> 01:02:50,240
Speaker 2: like this that that that fake shit you said I

1240
01:02:50,280 --> 01:02:53,480
Speaker 2: was doing. Right there is that fake shit you said

1241
01:02:53,480 --> 01:02:56,280
Speaker 2: I was doing. It's taken me to around the world

1242
01:02:57,000 --> 01:03:02,640
Speaker 2: and and it's no less relevant and no less pressing

1243
01:03:02,640 --> 01:03:05,640
Speaker 2: it like you were saying, yeah, and no less real

1244
01:03:06,400 --> 01:03:09,120
Speaker 2: than anything that you're doing, anything anybody else is doing,

1245
01:03:09,400 --> 01:03:11,880
Speaker 2: because I come from them same streets, you know what

1246
01:03:11,880 --> 01:03:16,560
Speaker 2: I mean exactly Like I'm you know, I lived near

1247
01:03:16,600 --> 01:03:20,440
Speaker 2: where Biggie grew up for a while. I had Biggie

1248
01:03:20,440 --> 01:03:24,120
Speaker 2: screw face me as I'm walking past his house, you know,

1249
01:03:24,320 --> 01:03:26,480
Speaker 2: Like I don't want no beef, but you you too

1250
01:03:26,480 --> 01:03:28,720
Speaker 2: big for me. I can't diet, I can't. I'm not

1251
01:03:28,760 --> 01:03:29,680
Speaker 2: fucking with you. Yeah.

1252
01:03:30,200 --> 01:03:33,480
Speaker 3: Also, like I always I always think people forget like

1253
01:03:34,920 --> 01:03:37,280
Speaker 3: if you black and you're in the public eye, you've

1254
01:03:37,400 --> 01:03:40,760
Speaker 3: experienced some real shit. So it's like, you know, it's

1255
01:03:40,840 --> 01:03:44,520
Speaker 3: just like the the experience is kind of universal, whether

1256
01:03:44,520 --> 01:03:46,080
Speaker 3: we want it to be or not. It's the same

1257
01:03:46,120 --> 01:03:48,960
Speaker 3: way people people will tell people like, oh, you're a

1258
01:03:49,080 --> 01:03:51,280
Speaker 3: rich athlete, why the fuck you talking about racism? It's like,

1259
01:03:51,280 --> 01:03:52,640
Speaker 3: because I'm still black.

1260
01:03:52,440 --> 01:03:56,680
Speaker 2: You know what I mean? Like, yeah, and before I

1261
01:03:56,720 --> 01:03:59,800
Speaker 2: got all this money, I was still somebody's.

1262
01:03:59,480 --> 01:04:03,120
Speaker 3: Niggas, right, you know, right right, Like I can't opt

1263
01:04:03,120 --> 01:04:05,560
Speaker 3: out of this ship. And I think that's a huge

1264
01:04:05,560 --> 01:04:08,080
Speaker 3: part of it. Uh, it's one of the reasons, you know,

1265
01:04:08,120 --> 01:04:10,160
Speaker 3: Like I said, I try to give people a chance

1266
01:04:10,160 --> 01:04:12,880
Speaker 3: because you just never know. But yeah, sometimes I just

1267
01:04:13,040 --> 01:04:14,920
Speaker 3: I mean, I'm thirty eight and I still look back

1268
01:04:14,920 --> 01:04:17,040
Speaker 3: on certain shit and I'm like, fuck, what's up? What

1269
01:04:17,200 --> 01:04:17,880
Speaker 3: was I even thinking?

1270
01:04:18,040 --> 01:04:19,040
Speaker 2: Like what was like?

1271
01:04:19,080 --> 01:04:20,760
Speaker 3: Why would I ever think that, you know what I mean?

1272
01:04:20,760 --> 01:04:24,720
Speaker 3: While I make that assumption. But yeah, like I said, uh, y'all,

1273
01:04:24,800 --> 01:04:26,840
Speaker 3: y'all got a fan of us now, because I know

1274
01:04:26,880 --> 01:04:28,880
Speaker 3: I'll be i'ma be listening period.

1275
01:04:29,640 --> 01:04:31,800
Speaker 2: I appreciate that because you got a fan of me

1276
01:04:31,960 --> 01:04:32,880
Speaker 2: for real, for real.

1277
01:04:33,320 --> 01:04:38,280
Speaker 3: That's the crazy part, right, that's like me being a fan.

1278
01:04:38,360 --> 01:04:40,880
Speaker 3: Somebody's been doing something for thirty years. It's not really

1279
01:04:40,880 --> 01:04:43,680
Speaker 3: that big a deal because it's like, obviously you're a professional.

1280
01:04:43,720 --> 01:04:46,600
Speaker 3: You make a limit. You're good enough to fucking be

1281
01:04:46,720 --> 01:04:49,280
Speaker 3: the man for thirty years, y'all are good enough to

1282
01:04:49,280 --> 01:04:51,800
Speaker 3: tour the world and do shit for thirty years. We've

1283
01:04:51,800 --> 01:04:52,640
Speaker 3: been doing a seven.

1284
01:04:53,000 --> 01:04:58,600
Speaker 5: So you know, we ain't world renowned yet, not yet.

1285
01:04:58,640 --> 01:05:00,920
Speaker 2: You know what I'm saying. Don't get it twisted. You

1286
01:05:00,960 --> 01:05:04,200
Speaker 2: were well renowned. I listened to listen, I know, calling

1287
01:05:04,240 --> 01:05:12,200
Speaker 2: you from where now? You got Catcher write you from

1288
01:05:12,240 --> 01:05:16,080
Speaker 2: Australia and from Japan and blah blah blah. Come on,

1289
01:05:16,200 --> 01:05:19,160
Speaker 2: do you you got you got people's you know you

1290
01:05:19,200 --> 01:05:19,440
Speaker 2: know what?

1291
01:05:19,680 --> 01:05:21,280
Speaker 3: Yeah, you know what? We need to step into that

1292
01:05:21,360 --> 01:05:23,200
Speaker 3: can we gotta we gotta embrace that. We got to

1293
01:05:23,240 --> 01:05:28,240
Speaker 3: step into that internationally known on the microphone. That also,

1294
01:05:28,960 --> 01:05:31,240
Speaker 3: like what have y'all ever had to deal with ship?

1295
01:05:31,560 --> 01:05:36,760
Speaker 3: Like as the Black band and rock? Like you know, like,

1296
01:05:36,880 --> 01:05:38,440
Speaker 3: so what kind of what kind of ship you have

1297
01:05:38,520 --> 01:05:40,920
Speaker 3: to deal with? Like is it from other bands? Is

1298
01:05:40,960 --> 01:05:43,560
Speaker 3: it from fans? Is it from venues? And ship?

1299
01:05:43,720 --> 01:05:43,880
Speaker 2: Like?

1300
01:05:44,280 --> 01:05:44,800
Speaker 3: What's it?

1301
01:05:44,920 --> 01:05:47,960
Speaker 2: Like? It depends on where you are. You know, some bands,

1302
01:05:48,360 --> 01:05:51,800
Speaker 2: some folks like to think that, you know, you were

1303
01:05:51,840 --> 01:05:58,200
Speaker 2: the Affirmative Action hot. Wow. Yeah that ship. Yeah, you

1304
01:05:58,240 --> 01:06:01,200
Speaker 2: know that you would have got You know, they had

1305
01:06:01,240 --> 01:06:05,080
Speaker 2: to clean up their image, so they picked some band

1306
01:06:05,120 --> 01:06:09,720
Speaker 2: out of nowhere to do with it to fill their quota.

1307
01:06:09,880 --> 01:06:13,640
Speaker 2: It's like nah, nah, because we slogged it out too.

1308
01:06:13,680 --> 01:06:17,480
Speaker 2: We got into it, into those those gospel choir vans

1309
01:06:17,560 --> 01:06:20,200
Speaker 2: and rode around the country for a couple of years,

1310
01:06:21,280 --> 01:06:24,439
Speaker 2: just slogging it out and playing in places that we

1311
01:06:24,720 --> 01:06:26,920
Speaker 2: know we shouldn't have been in, you know what I mean,

1312
01:06:27,200 --> 01:06:31,480
Speaker 2: Like like, dude, let's play for fifteen minutes and go right.

1313
01:06:33,080 --> 01:06:36,120
Speaker 4: They're like, when it's this over, no break the ship

1314
01:06:36,200 --> 01:06:39,240
Speaker 4: down and let's get the upt.

1315
01:06:38,960 --> 01:06:40,080
Speaker 3: You walk in the bar and they.

1316
01:06:41,520 --> 01:06:43,480
Speaker 5: You know, yeah you look.

1317
01:06:43,520 --> 01:06:45,760
Speaker 4: You look at them, and all you hear is them going, boy,

1318
01:06:46,160 --> 01:06:47,040
Speaker 4: what you doing up in here?

1319
01:06:47,120 --> 01:06:51,040
Speaker 2: Boy? Me One time we was in some we was

1320
01:06:51,080 --> 01:06:54,280
Speaker 2: in playing in some club and me and Will were

1321
01:06:54,320 --> 01:06:58,160
Speaker 2: at the ball watching the watching like the NBA finals

1322
01:06:58,200 --> 01:07:01,200
Speaker 2: or something. And this is when uh Troit was killing

1323
01:07:01,200 --> 01:07:05,160
Speaker 2: it back then, and we was playing in somewhere in

1324
01:07:05,200 --> 01:07:09,959
Speaker 2: New England and Will's got a mouth on him. It's like, fuck,

1325
01:07:10,080 --> 01:07:15,880
Speaker 2: New England, can't stand them ass motherfuckers us. And we're

1326
01:07:15,920 --> 01:07:20,080
Speaker 2: in the bar and I'm like, yo, we'll shut up

1327
01:07:20,160 --> 01:07:21,560
Speaker 2: or we're gonna have to fight our way out.

1328
01:07:27,000 --> 01:07:30,760
Speaker 3: That's so yeah, I rested peace Joe's crabshack. But I

1329
01:07:30,800 --> 01:07:34,760
Speaker 3: remember one time we watched, uh, because basketball could be

1330
01:07:34,800 --> 01:07:37,360
Speaker 3: the visive dog. We watched the NBA. We watched the

1331
01:07:37,480 --> 01:07:42,040
Speaker 3: NBA Finals and it was Jordan's flu game against the Jazz. Yeah,

1332
01:07:42,080 --> 01:07:44,320
Speaker 3: and you know, you remember how Jordan and them, they

1333
01:07:44,440 --> 01:07:47,960
Speaker 3: was down the first like three quarters and it was

1334
01:07:47,960 --> 01:07:49,840
Speaker 3: looking like they was gonna take that l and Mike was,

1335
01:07:49,880 --> 01:07:51,800
Speaker 3: you know, Scotty was carrying this nigga. I still think

1336
01:07:51,840 --> 01:07:55,200
Speaker 3: he was hungover, but whatever, Scotty was carrying this nigga

1337
01:07:55,240 --> 01:07:58,840
Speaker 3: to the bench. And because of the racial dividing that

1338
01:07:59,000 --> 01:08:01,880
Speaker 3: was so real. It was it was our table was

1339
01:08:01,920 --> 01:08:04,000
Speaker 3: a black table, it was a black family, and there

1340
01:08:04,040 --> 01:08:07,080
Speaker 3: was one other black table like in the restaurant, every

1341
01:08:07,080 --> 01:08:10,120
Speaker 3: other table was white, and every other table was rooting

1342
01:08:10,120 --> 01:08:14,000
Speaker 3: for the Jazz, like only only the three black tables

1343
01:08:14,040 --> 01:08:16,360
Speaker 3: was pulling for the bulls, and we was all doing

1344
01:08:16,400 --> 01:08:19,840
Speaker 3: it like uh, you know, y'all know that joke which

1345
01:08:20,360 --> 01:08:24,040
Speaker 3: Dave Chappelle talks about, uh, the terrorists on the plane

1346
01:08:24,040 --> 01:08:26,920
Speaker 3: and he looks at the other black dudes, and we

1347
01:08:26,960 --> 01:08:30,720
Speaker 3: was all looking at each other with the eyes right

1348
01:08:31,200 --> 01:08:33,360
Speaker 3: like the Silent Fist Punk. When Jordan hit a shot,

1349
01:08:34,200 --> 01:08:36,080
Speaker 3: you know, like it was like that nigga by the

1350
01:08:36,240 --> 01:08:38,479
Speaker 3: end though, because of how furious the comeback was and

1351
01:08:38,600 --> 01:08:41,080
Speaker 3: Jordan hitting the shot and Ship hitting that three, I

1352
01:08:41,200 --> 01:08:44,240
Speaker 3: remember all the black people being like like we was

1353
01:08:44,320 --> 01:08:51,160
Speaker 3: going everybody yes, ruh and that, and it looked it

1354
01:08:51,200 --> 01:08:54,200
Speaker 3: got so it was like check leaves like them white folks.

1355
01:08:54,640 --> 01:08:57,200
Speaker 3: They was tolerating us when they thought they was gonna

1356
01:08:57,200 --> 01:08:59,080
Speaker 3: win as soon as they took that l Like That's

1357
01:08:59,120 --> 01:09:01,160
Speaker 3: how I can imagine. And you know, if you go

1358
01:09:01,160 --> 01:09:03,559
Speaker 3: into a hostile environment, you know it would be But

1359
01:09:03,960 --> 01:09:06,360
Speaker 3: y'all also have you know, the talent and the skills,

1360
01:09:06,360 --> 01:09:08,280
Speaker 3: so I'm sure once y'all start playing, though there's also

1361
01:09:08,320 --> 01:09:11,200
Speaker 3: people that are like, now, hold up, though, yeah, these

1362
01:09:11,240 --> 01:09:13,200
Speaker 3: boys can play, let them play, you know what I mean.

1363
01:09:13,560 --> 01:09:16,920
Speaker 2: And we wasn't, well, some of us wasn't. Wasn't afraid

1364
01:09:16,960 --> 01:09:20,599
Speaker 2: to throw them hands for real, right so right, like, yeah,

1365
01:09:20,840 --> 01:09:22,880
Speaker 2: start the car, but we're gonna find a way out.

1366
01:09:25,400 --> 01:09:26,840
Speaker 5: We're gonna have a goodaway driver.

1367
01:09:27,640 --> 01:09:32,440
Speaker 4: Have y'all had somebody that at first did not respect

1368
01:09:33,160 --> 01:09:35,760
Speaker 4: your genre and what you do being you black, and

1369
01:09:36,280 --> 01:09:37,599
Speaker 4: now they're like.

1370
01:09:37,720 --> 01:09:40,679
Speaker 5: Hey, dog, I didn't realize you was this good.

1371
01:09:40,760 --> 01:09:43,080
Speaker 4: Like it took your talent to actually get them to

1372
01:09:43,120 --> 01:09:45,000
Speaker 4: the point that they believed that you could do it.

1373
01:09:45,560 --> 01:09:48,599
Speaker 2: Oh yeah, oh yeah. It's like you know when you

1374
01:09:48,680 --> 01:09:54,479
Speaker 2: hear black rock band and you know, people go, oh,

1375
01:09:54,840 --> 01:09:58,120
Speaker 2: you're just trying to be a white boy. You know,

1376
01:09:58,439 --> 01:10:02,400
Speaker 2: it's like just it's like you're like, you know, you're

1377
01:10:02,439 --> 01:10:05,599
Speaker 2: just trying you're trying to emulate whiteness. No, no, no, no, no, no,

1378
01:10:05,600 --> 01:10:09,000
Speaker 2: no no no. You know, would you say, did you

1379
01:10:09,000 --> 01:10:13,400
Speaker 2: say that to a little Richard right? No? Would you

1380
01:10:13,479 --> 01:10:17,160
Speaker 2: say that to Jimmy Hendrix? No? Would you say that

1381
01:10:17,200 --> 01:10:20,719
Speaker 2: to to p funk In Paul M. Funker Delic? Nah,

1382
01:10:20,840 --> 01:10:21,839
Speaker 2: that's the blackest shit.

1383
01:10:21,680 --> 01:10:25,240
Speaker 3: Ever, Chuck Berry, you know what I mean, write all

1384
01:10:25,280 --> 01:10:25,519
Speaker 3: of it.

1385
01:10:25,920 --> 01:10:28,720
Speaker 2: You know, even even some of those folks that that

1386
01:10:28,720 --> 01:10:34,560
Speaker 2: that where you know, they took they took it and

1387
01:10:35,439 --> 01:10:39,320
Speaker 2: brought it back to us, you know, and took took

1388
01:10:39,360 --> 01:10:44,000
Speaker 2: an idea that had been co opted like that. That's

1389
01:10:44,040 --> 01:10:47,519
Speaker 2: the ultimate sort of like co opt co op. You

1390
01:10:47,560 --> 01:10:51,160
Speaker 2: just said, you said, Okay, now this is mine. Nah

1391
01:10:51,560 --> 01:10:55,040
Speaker 2: nah no, because I got something to say and and

1392
01:10:55,320 --> 01:10:58,040
Speaker 2: I'm not going to be relegated to to to two

1393
01:10:58,080 --> 01:11:01,479
Speaker 2: stations on a radio dial, right right, you know what

1394
01:11:01,520 --> 01:11:01,800
Speaker 2: I mean?

1395
01:11:02,840 --> 01:11:05,679
Speaker 3: Like rob not the jazz and the blues. Rock, jazz

1396
01:11:05,680 --> 01:11:08,960
Speaker 3: and the blues is all genres. I grew up like before,

1397
01:11:09,080 --> 01:11:11,000
Speaker 3: because I you know, you don't necessarily have a frame

1398
01:11:11,040 --> 01:11:13,680
Speaker 3: of history unless somebody tea to you. I grew up

1399
01:11:13,680 --> 01:11:17,160
Speaker 3: being like, oh, that's white people ship, right, you.

1400
01:11:17,120 --> 01:11:20,000
Speaker 2: Know, And for a long time I had to I

1401
01:11:20,040 --> 01:11:23,599
Speaker 2: had to fight against that with my friends, with people

1402
01:11:23,880 --> 01:11:26,160
Speaker 2: I know all my life, Like why are you playing

1403
01:11:26,160 --> 01:11:28,759
Speaker 2: a white point music? I'm not playing white point music?

1404
01:11:29,120 --> 01:11:32,080
Speaker 2: Get it, don't get it twisted. This is mine and

1405
01:11:32,120 --> 01:11:34,480
Speaker 2: it's been mine since the beginning.

1406
01:11:34,400 --> 01:11:38,160
Speaker 3: Right, and it's yours too. Like it is yours too, nigga.

1407
01:11:38,240 --> 01:11:40,800
Speaker 3: If you do some research, it's all ours. Just our ship.

1408
01:11:40,880 --> 01:11:42,880
Speaker 3: They tried to take it, like come out to a show,

1409
01:11:42,920 --> 01:11:45,240
Speaker 3: let's let's let's take our ship back. Let's have some fun.

1410
01:11:46,200 --> 01:11:49,040
Speaker 3: Right that That ship was so dope, man, Like it's

1411
01:11:49,280 --> 01:11:52,720
Speaker 3: it's like I watched the moonlight. I'm not moving like

1412
01:11:54,479 --> 01:11:58,639
Speaker 3: and I can't. I can't like I care can't watch

1413
01:11:58,640 --> 01:12:01,920
Speaker 3: it either. I had to watch for weeks. Well we do.

1414
01:12:02,040 --> 01:12:05,679
Speaker 3: I'm also a movie cretit Karen. Yeah, Karen is technically

1415
01:12:05,720 --> 01:12:08,839
Speaker 3: a movie credit too, right, But I pick.

1416
01:12:08,680 --> 01:12:10,639
Speaker 4: And choose the movies I want to watch it. Most

1417
01:12:10,680 --> 01:12:11,960
Speaker 4: of them I predominantly black.

1418
01:12:12,120 --> 01:12:14,720
Speaker 3: Yeah, I support Karen's way of viewing it because that's

1419
01:12:14,720 --> 01:12:15,599
Speaker 3: why white people do that.

1420
01:12:15,560 --> 01:12:17,719
Speaker 4: Ship And I'm like, fuck that, I'm not watching that.

1421
01:12:17,720 --> 01:12:20,200
Speaker 4: That is whiteness on top of whiteness with some male

1422
01:12:20,320 --> 01:12:20,880
Speaker 4: I'm good.

1423
01:12:23,200 --> 01:12:24,920
Speaker 5: I don't give a fuck about your problem.

1424
01:12:25,040 --> 01:12:27,519
Speaker 3: So it was. It was one of those things where

1425
01:12:28,040 --> 01:12:31,559
Speaker 3: I was like, let me go watch it, because I

1426
01:12:31,600 --> 01:12:35,639
Speaker 3: was preparing myself preemptively for if they win and I'm

1427
01:12:35,640 --> 01:12:37,720
Speaker 3: gonna be mad, so I can be like, nah, that

1428
01:12:37,800 --> 01:12:40,320
Speaker 3: movie wasn't even that good, or you know, oh, the

1429
01:12:40,360 --> 01:12:43,200
Speaker 3: movie was great. I see what y'all saying, blah blah blah,

1430
01:12:43,240 --> 01:12:44,760
Speaker 3: and I watched it and I was like, it just

1431
01:12:45,640 --> 01:12:49,240
Speaker 3: it just felt so white, Like it just felt it's

1432
01:12:49,280 --> 01:12:52,160
Speaker 3: a movie about jazz that feels super white. I don't

1433
01:12:52,200 --> 01:12:53,639
Speaker 3: know how you make that.

1434
01:12:53,560 --> 01:12:57,560
Speaker 2: Movie, have a movie about jazz and no black coach it.

1435
01:12:57,800 --> 01:13:00,920
Speaker 3: Yeah, how like John Let was in there for about

1436
01:13:00,920 --> 01:13:04,280
Speaker 3: ten minutes and literally, you know, any other black person

1437
01:13:04,360 --> 01:13:07,240
Speaker 3: in the movie doesn't even speaking lines or they're just

1438
01:13:07,280 --> 01:13:09,800
Speaker 3: in the background, and it's this white dude being like

1439
01:13:10,200 --> 01:13:12,320
Speaker 3: I have to save these kids, you know, when it

1440
01:13:12,360 --> 01:13:14,760
Speaker 3: comes to jazz or whatever, and it just it never

1441
01:13:14,880 --> 01:13:19,720
Speaker 3: resonates as authentic to me. So but but that's kind

1442
01:13:19,720 --> 01:13:22,439
Speaker 3: of like also, I think that's the biggest trick in

1443
01:13:22,439 --> 01:13:25,080
Speaker 3: the world, is like a lot of us have kind

1444
01:13:25,080 --> 01:13:26,920
Speaker 3: of fought into like this is what it is. Like

1445
01:13:26,960 --> 01:13:29,320
Speaker 3: sometimes I go on title and I look up these

1446
01:13:29,520 --> 01:13:32,600
Speaker 3: they have legends like the Serial Playlist, and I just

1447
01:13:32,640 --> 01:13:34,759
Speaker 3: look back and be like, oh, I've never heard this, dude.

1448
01:13:35,280 --> 01:13:40,160
Speaker 3: It's music from like nineteen forty five, and like, I'm

1449
01:13:40,160 --> 01:13:41,680
Speaker 3: gonna go listen to this dude. I'm gonna listen to

1450
01:13:41,680 --> 01:13:44,160
Speaker 3: this black man play a banjo and see what it's about.

1451
01:13:44,200 --> 01:13:47,760
Speaker 3: Oh shit, like we made that too, Like you just

1452
01:13:47,760 --> 01:13:52,559
Speaker 3: be listening, like we can do everything. So yeah, it's interesting.

1453
01:13:52,080 --> 01:13:58,200
Speaker 2: Every form of artistic expression that exists in this world

1454
01:13:58,840 --> 01:14:02,320
Speaker 2: started with black folks. Don't get it from marginalized people,

1455
01:14:02,479 --> 01:14:09,080
Speaker 2: right from from salsa to hip hop to whatever you

1456
01:14:09,120 --> 01:14:13,760
Speaker 2: can think of. Even for some classical music has had

1457
01:14:14,400 --> 01:14:16,800
Speaker 2: had influencers that looked like.

1458
01:14:16,840 --> 01:14:21,840
Speaker 3: Us, right, yeah, always, you can never count yourself out, man,

1459
01:14:21,880 --> 01:14:24,640
Speaker 3: because you know, like I said, title looking at my

1460
01:14:24,680 --> 01:14:28,040
Speaker 3: list right now, Dukeree, they got a they got legends.

1461
01:14:28,080 --> 01:14:32,439
Speaker 3: Dukeree he was a Jamaican record producer, DJ label owner

1462
01:14:32,760 --> 01:14:37,439
Speaker 3: in fucking nineteen the nineteen fifties. So like, I'll just

1463
01:14:37,479 --> 01:14:40,080
Speaker 3: do that to edify myself so I can be like, oh, Okay,

1464
01:14:40,200 --> 01:14:41,640
Speaker 3: now I know who that dude is. I know this

1465
01:14:41,840 --> 01:14:45,519
Speaker 3: music sounds like and it's that kind of stuff that

1466
01:14:45,560 --> 01:14:47,880
Speaker 3: I just never did before. It's you know, as much

1467
01:14:47,880 --> 01:14:50,200
Speaker 3: as we kind of quote unquote knock it, but it's

1468
01:14:50,200 --> 01:14:53,040
Speaker 3: one of the good things about having the music at

1469
01:14:53,040 --> 01:14:56,639
Speaker 3: your fingertips. It is something like that you can be like, yo,

1470
01:14:56,960 --> 01:14:59,680
Speaker 3: let me explore this real quick. Okay, cool, got it right.

1471
01:15:01,000 --> 01:15:03,920
Speaker 2: Fortunately, that people were curating certain things and saying that

1472
01:15:04,000 --> 01:15:05,400
Speaker 2: you need to know, you need to be up on

1473
01:15:05,439 --> 01:15:08,479
Speaker 2: this to understand the world that you're living in. Right.

1474
01:15:08,520 --> 01:15:11,759
Speaker 2: You know that the people that with their their whole

1475
01:15:11,760 --> 01:15:15,519
Speaker 2: swass of people who don't know that this belongs to you.

1476
01:15:16,360 --> 01:15:18,639
Speaker 2: This belongs This belongs to you as much as anything

1477
01:15:18,640 --> 01:15:20,800
Speaker 2: else belongs to right, And you.

1478
01:15:20,800 --> 01:15:22,919
Speaker 5: Know what I'm just like a lot of things.

1479
01:15:23,400 --> 01:15:28,720
Speaker 4: It's sad, But I think white supremacy strategically rips that

1480
01:15:28,800 --> 01:15:31,799
Speaker 4: away because in a lot of these genre of music,

1481
01:15:31,920 --> 01:15:35,439
Speaker 4: if brown people knew that this was their music, we

1482
01:15:35,479 --> 01:15:38,880
Speaker 4: would literally come in and the country rap albums would

1483
01:15:38,920 --> 01:15:41,759
Speaker 4: be all niggas like like, they don't want us coming

1484
01:15:41,800 --> 01:15:44,840
Speaker 4: in the remaking revamping.

1485
01:15:45,320 --> 01:15:48,400
Speaker 5: You know, you know, here comes the Dixie Chicks.

1486
01:15:48,120 --> 01:15:51,519
Speaker 4: With a black girl and Kanye rapping on the album,

1487
01:15:51,880 --> 01:15:53,559
Speaker 4: like they don't want them problems, you know.

1488
01:15:54,160 --> 01:15:56,800
Speaker 3: You know, you know, they don't even want to be

1489
01:15:56,760 --> 01:15:59,360
Speaker 3: honest the before in her country song at the Motherfucker

1490
01:15:59,560 --> 01:16:01,960
Speaker 3: because it was you know what I'm saying, that's like,

1491
01:16:02,160 --> 01:16:04,240
Speaker 3: we can't we can't have them on TV bopping to

1492
01:16:04,320 --> 01:16:05,759
Speaker 3: this because this is too fire.

1493
01:16:05,920 --> 01:16:07,880
Speaker 5: So I really think they don't want that.

1494
01:16:07,920 --> 01:16:12,320
Speaker 4: They don't want, you know, the next opera single you know,

1495
01:16:12,439 --> 01:16:14,839
Speaker 4: to come out next thing. You know, you got niggas

1496
01:16:14,880 --> 01:16:17,639
Speaker 4: up there beside the rich white folks up there going girl,

1497
01:16:17,720 --> 01:16:21,360
Speaker 4: you better sign in the opera and the white folks

1498
01:16:21,360 --> 01:16:26,439
Speaker 4: looking like, oh my god, I just came because this

1499
01:16:26,520 --> 01:16:30,000
Speaker 4: is my favorite album, and these niggas is cheering like.

1500
01:16:30,040 --> 01:16:33,240
Speaker 3: We at motherfucking church no, I don't want them problems.

1501
01:16:33,320 --> 01:16:36,240
Speaker 3: I totally want that. Now, that's what I want. I

1502
01:16:36,280 --> 01:16:37,439
Speaker 3: want niggas at the opera.

1503
01:16:37,560 --> 01:16:40,600
Speaker 4: O them white folks scared as hell, and you know

1504
01:16:40,680 --> 01:16:41,720
Speaker 4: niggas will show up in there.

1505
01:16:41,840 --> 01:16:44,040
Speaker 5: They go to the orchestra. You hear the strange, baby,

1506
01:16:44,080 --> 01:16:47,320
Speaker 5: you better play them strange, right? You do know that's

1507
01:16:47,320 --> 01:16:50,240
Speaker 5: a violin, baby, You know that's a violin. I don't

1508
01:16:50,280 --> 01:16:51,200
Speaker 5: care they strained.

1509
01:16:51,320 --> 01:16:53,719
Speaker 3: I need to see somebody's I need to see somebody

1510
01:16:53,720 --> 01:16:57,720
Speaker 3: sneaking popeyes into the orchestra. Now, I need I need

1511
01:16:57,760 --> 01:16:59,080
Speaker 3: that in my life. I didn't know how much I

1512
01:16:59,120 --> 01:17:00,680
Speaker 3: needed in my life to you just write it up.

1513
01:17:00,720 --> 01:17:01,720
Speaker 5: They'll be they'll come out.

1514
01:17:01,760 --> 01:17:04,519
Speaker 4: We'll be having a fish fry cook out up out front,

1515
01:17:04,560 --> 01:17:05,280
Speaker 4: selling plates.

1516
01:17:05,320 --> 01:17:07,559
Speaker 5: Why they'll be going in there. The food gonna be flames.

1517
01:17:07,960 --> 01:17:09,760
Speaker 3: White people are gonna be in the opera. Like, is

1518
01:17:09,760 --> 01:17:11,080
Speaker 3: he white? Smell fried chickens?

1519
01:17:11,200 --> 01:17:11,360
Speaker 2: Nah?

1520
01:17:12,000 --> 01:17:14,400
Speaker 3: How did that woman get a whole three piece up

1521
01:17:14,439 --> 01:17:14,760
Speaker 3: in here?

1522
01:17:15,760 --> 01:17:15,840
Speaker 11: Like?

1523
01:17:15,920 --> 01:17:18,360
Speaker 3: Oh you didn't, I was watching their operas empty stomach.

1524
01:17:18,600 --> 01:17:22,360
Speaker 2: Come on now, is that hot? Yeah?

1525
01:17:23,320 --> 01:17:24,600
Speaker 5: That half something Louisiana?

1526
01:17:25,080 --> 01:17:27,439
Speaker 3: Yes, yeah, I heard Yonna is supposed to be doing.

1527
01:17:27,600 --> 01:17:29,240
Speaker 3: Uh she and talks to do the song for the

1528
01:17:29,240 --> 01:17:32,960
Speaker 3: next James Bond, like James Bond opened the song Gonna

1529
01:17:33,000 --> 01:17:34,759
Speaker 3: be Black as Fuck.

1530
01:17:36,240 --> 01:17:38,439
Speaker 4: Yeah, they don't want they don't want them problems like

1531
01:17:39,000 --> 01:17:40,720
Speaker 4: and I think that's why they stripped it from us,

1532
01:17:40,800 --> 01:17:44,080
Speaker 4: because they know if because you know what, what I realized,

1533
01:17:44,280 --> 01:17:47,360
Speaker 4: anything that's been predominantly white and you let any brown

1534
01:17:47,400 --> 01:17:51,480
Speaker 4: people in there, all of a sudden we start like baseball,

1535
01:17:51,720 --> 01:17:54,120
Speaker 4: all of a sudden, you got let Tino people and

1536
01:17:54,200 --> 01:17:56,519
Speaker 4: black people, particularly Latino people. All of a sudden, this

1537
01:17:56,640 --> 01:17:58,920
Speaker 4: racist will come out of nowhere because they're dominating your sport.

1538
01:17:59,120 --> 01:18:02,800
Speaker 4: Same thing with basketball. Say they were football people wonder

1539
01:18:02,840 --> 01:18:05,080
Speaker 4: why all of a sudden white folks change and say, hay,

1540
01:18:05,160 --> 01:18:09,240
Speaker 4: ain't they spoil no more and flee away because they

1541
01:18:09,280 --> 01:18:10,400
Speaker 4: don't want like brown people.

1542
01:18:10,560 --> 01:18:13,559
Speaker 3: Just listen to the way white critics talk about black

1543
01:18:13,600 --> 01:18:16,559
Speaker 3: movies now at the Moonlight One, like it's a change

1544
01:18:16,560 --> 01:18:19,840
Speaker 3: in tone. Like before the black movies was winning, when

1545
01:18:19,840 --> 01:18:21,840
Speaker 3: it was just like coming up in second place. It

1546
01:18:21,920 --> 01:18:24,160
Speaker 3: was like, oh, it's a great movie, but you know,

1547
01:18:24,680 --> 01:18:26,320
Speaker 3: able to burn. They put out a good movie, but

1548
01:18:26,560 --> 01:18:28,479
Speaker 3: I mean, I don't know if it deserved an our nation,

1549
01:18:28,760 --> 01:18:31,080
Speaker 3: But you know, it didn't win, so it's fine. But

1550
01:18:31,120 --> 01:18:33,760
Speaker 3: then when it's like twelve Years of Slave one then

1551
01:18:33,800 --> 01:18:36,560
Speaker 3: Moonlight one, and Moonlight literally yanked the award out of

1552
01:18:36,600 --> 01:18:39,559
Speaker 3: La La Land's hands. Like now I'm seeing these like

1553
01:18:39,640 --> 01:18:41,920
Speaker 3: it's just a black movie. I don't know what's so

1554
01:18:42,120 --> 01:18:45,280
Speaker 3: great about this movie. I mean, isn't it the same

1555
01:18:45,720 --> 01:18:48,040
Speaker 3: in the hood. I'm like, oh no, no, no, no. Y'all

1556
01:18:48,160 --> 01:18:50,880
Speaker 3: was cool with it till it won, Like it was

1557
01:18:50,920 --> 01:18:53,120
Speaker 3: a great movie until it took the thing that y'all

1558
01:18:53,120 --> 01:18:55,479
Speaker 3: thought white people should have got right, And that's that

1559
01:18:55,600 --> 01:18:58,240
Speaker 3: spreads everywhere, like you said, in all the genres and stuff.

1560
01:18:58,320 --> 01:19:00,559
Speaker 4: Yeah, I can't wait for what I say to come true.

1561
01:19:00,600 --> 01:19:04,240
Speaker 4: I'm trying to. I cannot wait. I would buy front

1562
01:19:04,360 --> 01:19:07,040
Speaker 4: row tickets too.

1563
01:19:07,720 --> 01:19:09,200
Speaker 2: I want to write an aria just for you.

1564
01:19:09,320 --> 01:19:13,400
Speaker 3: Care will be there, We will show up.

1565
01:19:13,840 --> 01:19:16,960
Speaker 4: Yes, I can't wait till we get Tyrone and them

1566
01:19:17,240 --> 01:19:20,400
Speaker 4: selling things musical be there?

1567
01:19:21,160 --> 01:19:21,800
Speaker 3: All right? I got.

1568
01:19:25,280 --> 01:19:29,840
Speaker 4: Yes, and they come out singing I love three pieces.

1569
01:19:31,600 --> 01:19:40,200
Speaker 3: I love three pieces at my local Poppies. Yes, I'm

1570
01:19:40,240 --> 01:19:42,920
Speaker 3: here for you, Oh my god. All right, we got

1571
01:19:42,960 --> 01:19:47,360
Speaker 3: a question from the audience. Yeah, I'm looking at right now. Coffee,

1572
01:19:47,400 --> 01:19:51,479
Speaker 3: light and sweet says, please help me understand the hard

1573
01:19:51,560 --> 01:19:54,280
Speaker 3: rock genre, as I'm not familiar with it, but would

1574
01:19:54,280 --> 01:19:57,479
Speaker 3: like to learn. Looking beyond the volume and vocal intensity,

1575
01:19:57,520 --> 01:19:59,599
Speaker 3: what do I listen for? What can I compare hard

1576
01:19:59,640 --> 01:20:01,840
Speaker 3: rock music to make the connection? I would really like

1577
01:20:01,920 --> 01:20:03,040
Speaker 3: to learn more about this genre.

1578
01:20:03,200 --> 01:20:08,360
Speaker 2: Thank you? All right. Wow, you have to find your

1579
01:20:08,360 --> 01:20:12,439
Speaker 2: emotional center to anything, any music. You know that you

1580
01:20:12,520 --> 01:20:16,639
Speaker 2: have to find where you are in any kind of music.

1581
01:20:17,280 --> 01:20:20,840
Speaker 2: So if it's loud and it's and it's angry, if

1582
01:20:20,840 --> 01:20:23,519
Speaker 2: you're loud and angry, then it works. I happen to

1583
01:20:23,520 --> 01:20:30,240
Speaker 2: be loud and angry if it's if it's something, if

1584
01:20:30,280 --> 01:20:33,599
Speaker 2: it's touches you emotionally, and it touches it says something

1585
01:20:33,920 --> 01:20:36,439
Speaker 2: about your life that you understand, even if it talks

1586
01:20:36,479 --> 01:20:39,400
Speaker 2: about bullshit, like all I want to do is party.

1587
01:20:40,720 --> 01:20:44,080
Speaker 2: If you're if you're at that place, that's what you find,

1588
01:20:44,520 --> 01:20:48,599
Speaker 2: you know, and then you know the history of music

1589
01:20:48,640 --> 01:20:55,120
Speaker 2: and the history of particularly people of color and music it.

1590
01:20:55,479 --> 01:20:58,760
Speaker 2: You know, we seem to be relegated to one emotional

1591
01:20:58,840 --> 01:21:06,320
Speaker 2: state sometimes and you have It's like are you always sad? No?

1592
01:21:07,560 --> 01:21:10,080
Speaker 2: Are you always angry? No? I'm not always angry and

1593
01:21:10,120 --> 01:21:14,080
Speaker 2: the music should reflect that. And with hard rock music particularly,

1594
01:21:15,160 --> 01:21:20,080
Speaker 2: you know, there there bands that that that sort of trafficing.

1595
01:21:20,800 --> 01:21:25,759
Speaker 2: You know, the frustrations of being of not being heard,

1596
01:21:26,560 --> 01:21:30,840
Speaker 2: there's the frustrations of and who better to know about

1597
01:21:30,880 --> 01:21:35,519
Speaker 2: not being heard than us? You know what I mean?

1598
01:21:36,920 --> 01:21:43,640
Speaker 2: Who knows better about feeling frustrated about you, about the

1599
01:21:43,680 --> 01:21:46,719
Speaker 2: world that you live in than us? And there's music

1600
01:21:46,760 --> 01:21:50,599
Speaker 2: that reflects that. There's music everywhere that reflects that. Sometimes.

1601
01:21:51,120 --> 01:21:54,559
Speaker 2: You know, it doesn't have to it doesn't have to

1602
01:21:54,600 --> 01:21:59,439
Speaker 2: be if you if you if you listen for that

1603
01:21:59,520 --> 01:22:03,320
Speaker 2: musical content, and you listen for that musical emotional state,

1604
01:22:04,360 --> 01:22:07,360
Speaker 2: you'll find that any kind of music, hard rock music,

1605
01:22:08,240 --> 01:22:13,320
Speaker 2: you know, R and B music, soul music, you know, reggae, dance,

1606
01:22:13,640 --> 01:22:17,080
Speaker 2: hip hop, you know, punk, rock music, all of it,

1607
01:22:17,240 --> 01:22:21,120
Speaker 2: jazz will take you in a particular state. You know,

1608
01:22:21,240 --> 01:22:23,320
Speaker 2: like when you clean the house, and the music you

1609
01:22:23,360 --> 01:22:25,599
Speaker 2: listen to when you clean the house. You know, a

1610
01:22:25,640 --> 01:22:29,120
Speaker 2: friend of mine talks about you know, you knew exactly

1611
01:22:29,400 --> 01:22:33,800
Speaker 2: where where what her mother was feeling when you heard

1612
01:22:33,840 --> 01:22:38,599
Speaker 2: Billie Holliday start playing. You know, oh she's not She's

1613
01:22:38,600 --> 01:22:42,040
Speaker 2: in one of those moods today or you know, you

1614
01:22:42,080 --> 01:22:44,599
Speaker 2: turn on you listen to Al Green and it's like, oh,

1615
01:22:44,600 --> 01:22:49,320
Speaker 2: it's time to clean the house. You know, the same

1616
01:22:49,360 --> 01:22:53,640
Speaker 2: things like if you listen to you know, something like

1617
01:22:55,000 --> 01:22:59,360
Speaker 2: I don't know Anthrax, He's like, Okay, it's time, it's

1618
01:22:59,400 --> 01:23:02,880
Speaker 2: time why out? Yeah, you know what I mean. It's

1619
01:23:02,960 --> 01:23:05,679
Speaker 2: if it's if it's time. If you listen to Public Enemy,

1620
01:23:05,760 --> 01:23:08,080
Speaker 2: you listen to you listen to Kendrick, you listen to

1621
01:23:08,120 --> 01:23:11,160
Speaker 2: any of that stuff. You know, don't don't let yourself

1622
01:23:11,320 --> 01:23:15,680
Speaker 2: be don't let listen to what other people tell you

1623
01:23:15,720 --> 01:23:19,439
Speaker 2: what you should be feeling. Listen to your own feelings.

1624
01:23:19,439 --> 01:23:21,920
Speaker 2: And they and I guarantee you there's a music that

1625
01:23:21,960 --> 01:23:26,280
Speaker 2: will reflect what you're feeling. And it's not about the

1626
01:23:26,280 --> 01:23:29,200
Speaker 2: hard rock genre. It's not about the hip hop genre.

1627
01:23:30,120 --> 01:23:32,519
Speaker 2: It's not about the R and B genre. It's about

1628
01:23:32,520 --> 01:23:36,240
Speaker 2: how you're feeling. You know, we we in order to

1629
01:23:36,400 --> 01:23:38,840
Speaker 2: in order to sell it, they said, well, this is

1630
01:23:38,880 --> 01:23:40,880
Speaker 2: this music, and this is that music, and this is

1631
01:23:40,920 --> 01:23:44,280
Speaker 2: this music. Right fuck fuck that. Don't even think about that.

1632
01:23:44,360 --> 01:23:49,160
Speaker 2: Think about how you feel and find and hell Spotify

1633
01:23:49,200 --> 01:23:51,320
Speaker 2: and all of it will will definitely give you a

1634
01:23:51,320 --> 01:23:53,360
Speaker 2: playlist that reflects that.

1635
01:23:53,360 --> 01:23:55,559
Speaker 3: That's that's what I do. Like a lot of times,

1636
01:23:55,600 --> 01:23:57,439
Speaker 3: I'm like, I want to explore this thing. I'm look

1637
01:23:57,439 --> 01:23:59,240
Speaker 3: for a playlist because somebody already thought of that ship.

1638
01:23:59,560 --> 01:24:01,800
Speaker 3: And people people always want to spread the word about

1639
01:24:01,840 --> 01:24:04,360
Speaker 3: their music. So it's like, if this is my ship,

1640
01:24:04,479 --> 01:24:06,519
Speaker 3: let me make this playlist, label it so on, and

1641
01:24:06,560 --> 01:24:08,720
Speaker 3: so go out and find it, you know, like, oh,

1642
01:24:08,840 --> 01:24:11,960
Speaker 3: like I wanted to like learn a little bit about jazz,

1643
01:24:12,000 --> 01:24:14,200
Speaker 3: you know. I always hear people, you know, my dad

1644
01:24:14,280 --> 01:24:16,800
Speaker 3: listen to jazz, you know, And so I'll just be like,

1645
01:24:17,400 --> 01:24:21,160
Speaker 3: oh yeah, jazz, like I put literally jazz, uh And

1646
01:24:21,200 --> 01:24:22,760
Speaker 3: then it'll come up like, oh, you want to Duke

1647
01:24:22,760 --> 01:24:27,080
Speaker 3: Ellington like his here's the playlist of the best songs.

1648
01:24:27,080 --> 01:24:29,960
Speaker 3: And it's not just like the quote unquote hits. It's

1649
01:24:30,000 --> 01:24:32,120
Speaker 3: somebody that listened to that's a fan of his, that

1650
01:24:32,200 --> 01:24:34,439
Speaker 3: went like this track right here, this this is the

1651
01:24:34,479 --> 01:24:36,599
Speaker 3: way the world needs to hear this.

1652
01:24:36,600 --> 01:24:39,280
Speaker 2: Is this is a deep cut that would really really

1653
01:24:39,320 --> 01:24:45,799
Speaker 2: say something to you exactly. And and like I said before,

1654
01:24:46,479 --> 01:24:49,639
Speaker 2: don't listen to those two radio stations on your dial

1655
01:24:50,720 --> 01:24:55,439
Speaker 2: go or or or or that one Spotify playlist that

1656
01:24:55,439 --> 01:24:57,160
Speaker 2: that the algorithm said that this is the kind of

1657
01:24:57,200 --> 01:25:00,640
Speaker 2: stuff that you should be listening to, right, you know,

1658
01:25:01,479 --> 01:25:04,040
Speaker 2: because you picked these three songs, so everything else is

1659
01:25:04,040 --> 01:25:08,800
Speaker 2: gonna reflect that. Nah, say put put in put type

1660
01:25:08,800 --> 01:25:10,599
Speaker 2: in the word angry and see what comes up.

1661
01:25:12,240 --> 01:25:13,040
Speaker 3: It's a good idea.

1662
01:25:13,400 --> 01:25:14,559
Speaker 5: I didn't really think about that.

1663
01:25:14,880 --> 01:25:18,200
Speaker 2: Do you put put in frustration and see what comes up?

1664
01:25:19,040 --> 01:25:20,479
Speaker 3: Okay, go ahead and ask you question. I'm going to

1665
01:25:20,520 --> 01:25:22,080
Speaker 3: the next session because we had to break, but we'll

1666
01:25:22,120 --> 01:25:24,280
Speaker 3: keep going. Be right back off straying everybody.

1667
01:25:24,600 --> 01:25:29,439
Speaker 4: Do you think that with all these multiple platforms for

1668
01:25:29,560 --> 01:25:32,240
Speaker 4: downloading music and streaming music, how.

1669
01:25:32,080 --> 01:25:34,439
Speaker 5: Do you think that will affect the future of radio?

1670
01:25:34,560 --> 01:25:36,960
Speaker 4: Because you know, with your with your music being played

1671
01:25:37,000 --> 01:25:39,360
Speaker 4: on the radio in addition to these other platforms, how

1672
01:25:39,400 --> 01:25:41,800
Speaker 4: do you think it will change.

1673
01:25:41,520 --> 01:25:43,479
Speaker 5: And revamp radio?

1674
01:25:43,560 --> 01:25:47,360
Speaker 4: Because my personal opinion, I think as the older generations

1675
01:25:47,320 --> 01:25:49,439
Speaker 4: talking about generations a little older than Roger and us

1676
01:25:49,560 --> 01:25:52,679
Speaker 4: die out, radio will be less and less and less

1677
01:25:52,680 --> 01:25:53,120
Speaker 4: and less.

1678
01:25:53,200 --> 01:25:56,160
Speaker 5: People are into more personalizing.

1679
01:25:55,800 --> 01:25:58,920
Speaker 4: Their music and picking and choosing what they want versus

1680
01:25:58,920 --> 01:25:59,719
Speaker 4: being force fed.

1681
01:26:01,120 --> 01:26:03,679
Speaker 2: Well, you know, you have to find like I said,

1682
01:26:03,720 --> 01:26:07,479
Speaker 2: like I said earlier, when what we have to what

1683
01:26:07,520 --> 01:26:10,760
Speaker 2: we have to say is to anybody that listens to

1684
01:26:10,840 --> 01:26:14,480
Speaker 2: music and anybody who appreciates music, that you'll find subtleties

1685
01:26:14,560 --> 01:26:19,080
Speaker 2: in all of it. You'll find real, real gradations of

1686
01:26:19,280 --> 01:26:24,519
Speaker 2: certain things everywhere anywhere you know it. You know for

1687
01:26:24,560 --> 01:26:28,920
Speaker 2: a minute, you know to you listen to. So there's

1688
01:26:28,960 --> 01:26:34,160
Speaker 2: some African music from from the continent that's from uh

1689
01:26:34,400 --> 01:26:39,559
Speaker 2: Nigeria and it's from parts of South Africa that are

1690
01:26:39,640 --> 01:26:43,479
Speaker 2: hard they're hard rock bands in South Africa. They're you know,

1691
01:26:43,760 --> 01:26:48,160
Speaker 2: all black all you know, with loud guitars and all

1692
01:26:48,160 --> 01:26:50,960
Speaker 2: that kind of stuff, talking about their situation, talking about

1693
01:26:50,960 --> 01:26:54,759
Speaker 2: the feeling where they are from where they are in

1694
01:26:54,920 --> 01:27:00,320
Speaker 2: the world. And if you can if you can open

1695
01:27:00,400 --> 01:27:04,120
Speaker 2: up yourself to say there's there's other stuff out there,

1696
01:27:04,160 --> 01:27:10,760
Speaker 2: I'm gonna go find it, then that's it's easily accessible,

1697
01:27:11,040 --> 01:27:12,160
Speaker 2: So why not go and get it?

1698
01:27:14,120 --> 01:27:17,599
Speaker 3: And what is like the other thing I was gonna

1699
01:27:17,600 --> 01:27:21,879
Speaker 3: ask too, like not you know, people personalize that playlists

1700
01:27:21,880 --> 01:27:24,160
Speaker 3: and shit. You know, you have your suggestions and all

1701
01:27:24,160 --> 01:27:25,720
Speaker 3: that stuff. But one of the things it's hard to

1702
01:27:25,760 --> 01:27:27,760
Speaker 3: duplicate with radio. A lot of times you still have

1703
01:27:27,800 --> 01:27:31,120
Speaker 3: personalities and that's not going anywhere. If anything, those people

1704
01:27:31,160 --> 01:27:34,080
Speaker 3: might be moving to the internet. Yeah, right, but you know,

1705
01:27:34,240 --> 01:27:37,080
Speaker 3: like regardless of what you think about them, it's always

1706
01:27:37,080 --> 01:27:40,280
Speaker 3: gonna be somebody around talking between them songs.

1707
01:27:40,040 --> 01:27:42,360
Speaker 4: Even if it's on YouTube, like they're gonna be somewhere

1708
01:27:42,439 --> 01:27:44,320
Speaker 4: streaming Twitch whatever of the past.

1709
01:27:44,439 --> 01:27:47,920
Speaker 3: I mean what I what iTunes took over from the radio,

1710
01:27:47,960 --> 01:27:52,200
Speaker 3: But then iTunes ask what radio stations like, they hire people,

1711
01:27:52,400 --> 01:27:54,320
Speaker 3: they pay them, they come in and they play the

1712
01:27:54,360 --> 01:27:57,280
Speaker 3: song like, oh look, I'm gonna play my favorite Drake

1713
01:27:57,360 --> 01:28:00,000
Speaker 3: songs today, and that like that's still radio in a way.

1714
01:28:00,080 --> 01:28:04,200
Speaker 3: It's just moved from your car necessarily your car stereo

1715
01:28:04,360 --> 01:28:06,760
Speaker 3: to now it's you know, every time you log on

1716
01:28:06,760 --> 01:28:10,519
Speaker 3: one of these streaming apps, so it's still there. Even

1717
01:28:10,560 --> 01:28:14,160
Speaker 3: title title has podcast now, So now you're getting your

1718
01:28:14,240 --> 01:28:17,080
Speaker 3: music and you're getting the two part interview with jay

1719
01:28:17,160 --> 01:28:19,479
Speaker 3: Z that everybody wishes they could have got.

1720
01:28:19,680 --> 01:28:23,760
Speaker 2: You know, right, you can't. You can't only gonna get

1721
01:28:23,760 --> 01:28:25,559
Speaker 2: it on the title right Listen.

1722
01:28:26,200 --> 01:28:28,519
Speaker 3: People be mad about I know, people be mad that

1723
01:28:28,560 --> 01:28:30,760
Speaker 3: we that we that we staying for the Carters, But

1724
01:28:31,240 --> 01:28:32,920
Speaker 3: I fuck with them Carters because they be about their

1725
01:28:32,960 --> 01:28:35,960
Speaker 3: paper dog like beyond saying JB, Like yeah, you can

1726
01:28:36,000 --> 01:28:39,280
Speaker 3: listen to it on my app FO nine no nine

1727
01:28:39,280 --> 01:28:39,639
Speaker 3: a month.

1728
01:28:39,920 --> 01:28:43,040
Speaker 5: Ain't that what everybody else do? Everybody else got exclusive deals?

1729
01:28:43,040 --> 01:28:43,760
Speaker 5: Why can't us?

1730
01:28:43,920 --> 01:28:47,360
Speaker 3: I fuck with them? Man, I get your paper man, right.

1731
01:28:47,280 --> 01:28:49,479
Speaker 2: And that's what four forty was about. It's like getting

1732
01:28:49,520 --> 01:28:54,840
Speaker 2: your paper and how I hate to say this, it's

1733
01:28:54,920 --> 01:29:00,719
Speaker 2: like he gave you the blueprint. He really did. He said,

1734
01:29:01,000 --> 01:29:02,639
Speaker 2: you want to make some money, like I made money

1735
01:29:03,600 --> 01:29:04,760
Speaker 2: without having to slink weight.

1736
01:29:05,000 --> 01:29:09,639
Speaker 3: Right, here you go, Here's what I did, right, It's exactly.

1737
01:29:09,840 --> 01:29:11,720
Speaker 2: This is exactly what I did, the good, the bad,

1738
01:29:11,840 --> 01:29:15,000
Speaker 2: and everything else involved with that. When I got When

1739
01:29:15,000 --> 01:29:18,040
Speaker 2: I got all this money, things was happening. Things started

1740
01:29:18,080 --> 01:29:21,920
Speaker 2: happening to me. I got married, and that money still

1741
01:29:21,960 --> 01:29:26,360
Speaker 2: kept coming. I still got problems, right, Yeah, I love that.

1742
01:29:26,400 --> 01:29:28,040
Speaker 3: This is the first album where he looks at his

1743
01:29:28,200 --> 01:29:31,880
Speaker 3: like his own, like the problems he created for himself exactly.

1744
01:29:32,000 --> 01:29:35,519
Speaker 3: I felt like, And I see, I love Washing Throw.

1745
01:29:35,520 --> 01:29:38,120
Speaker 3: I know it's controversial, like some people hate it or whatever.

1746
01:29:38,160 --> 01:29:41,519
Speaker 3: I love Washing Throw, But it's that album was about,

1747
01:29:41,680 --> 01:29:45,360
Speaker 3: like I got all this shit still black, like like

1748
01:29:45,400 --> 01:29:48,400
Speaker 3: it's still fucked up, like you know, yeah, I got

1749
01:29:48,479 --> 01:29:52,080
Speaker 3: the all white cocaine seats and his motherfucking exclusive. They

1750
01:29:52,120 --> 01:29:54,840
Speaker 3: only made five of them rolls Royces, I have to

1751
01:29:54,920 --> 01:29:57,760
Speaker 3: duck when the cops come. That's what life is right now,

1752
01:29:58,320 --> 01:30:02,519
Speaker 3: Like they only the doctors got this ship and me

1753
01:30:03,200 --> 01:30:05,800
Speaker 3: the rapper drug dealer, that's the only people that own this.

1754
01:30:06,720 --> 01:30:08,519
Speaker 5: And Chiropractice like that.

1755
01:30:08,520 --> 01:30:11,640
Speaker 3: That album is so fucking black man that it is

1756
01:30:12,320 --> 01:30:16,080
Speaker 3: from Murder the excellence they talk about basically once again,

1757
01:30:16,120 --> 01:30:18,160
Speaker 3: they talk about black on black crimeon and that ship,

1758
01:30:18,400 --> 01:30:22,599
Speaker 3: like Kanye talked about Chicago, but Kanye from Chicago, So

1759
01:30:22,640 --> 01:30:25,840
Speaker 3: it wasn't like some some some like misdirect like that's

1760
01:30:25,840 --> 01:30:28,080
Speaker 3: a nigga. That's like my I have friends that died

1761
01:30:28,120 --> 01:30:30,120
Speaker 3: in these streets. What the fuck are we supposed to

1762
01:30:30,160 --> 01:30:32,840
Speaker 3: do about this? And then in that same track, it's like,

1763
01:30:33,360 --> 01:30:36,240
Speaker 3: and this is the opulence of what we've achieved. Both

1764
01:30:36,240 --> 01:30:39,559
Speaker 3: of these are connected like that. It's a mind blowing

1765
01:30:39,560 --> 01:30:44,639
Speaker 3: album to me. All right, last question though, somebody my man,

1766
01:30:45,000 --> 01:30:47,040
Speaker 3: the five Starter crew asked me to ask you this

1767
01:30:47,240 --> 01:30:50,559
Speaker 3: on Twitter when they heard that we were gonna be

1768
01:30:50,600 --> 01:30:53,799
Speaker 3: interviewing you. Did y'all ever have beef with guns or roses?

1769
01:30:54,920 --> 01:30:55,240
Speaker 2: Yeah?

1770
01:30:55,320 --> 01:30:56,719
Speaker 9: Yeah?

1771
01:30:56,800 --> 01:30:58,559
Speaker 3: What was the people about? What happened.

1772
01:31:00,040 --> 01:31:01,960
Speaker 2: Get this straight. We didn't have beef for Guns and Roses.

1773
01:31:02,000 --> 01:31:03,240
Speaker 2: We had a beef with Axel.

1774
01:31:04,160 --> 01:31:06,679
Speaker 3: That's what he said. That's what he said. What what's

1775
01:31:06,680 --> 01:31:07,439
Speaker 3: the story, man?

1776
01:31:08,920 --> 01:31:11,160
Speaker 2: They had a song, they put a record out they

1777
01:31:11,240 --> 01:31:16,120
Speaker 2: called one in a Million and where actual had this

1778
01:31:16,240 --> 01:31:18,880
Speaker 2: lyric about niggas and faggots get out of.

1779
01:31:18,800 --> 01:31:23,920
Speaker 3: My way, oh my man, oh nah nah, right right right.

1780
01:31:24,360 --> 01:31:26,760
Speaker 2: So it's this song about him come moving to l

1781
01:31:26,800 --> 01:31:28,400
Speaker 2: A on the coming to la on the bus, on

1782
01:31:28,479 --> 01:31:30,599
Speaker 2: the Greyhound bus and and him being there and this

1783
01:31:30,640 --> 01:31:34,400
Speaker 2: is what was going on. And we took a sex

1784
01:31:35,040 --> 01:31:38,120
Speaker 2: exception to that. He said, you know, that's that's ship.

1785
01:31:38,280 --> 01:31:40,519
Speaker 2: That's not cool. That's not cool. I don't care who

1786
01:31:40,600 --> 01:31:43,280
Speaker 2: you are, I don't care what you do. We're not

1787
01:31:43,320 --> 01:31:45,160
Speaker 2: gonna We're not gonna stand here and let you do that.

1788
01:31:45,400 --> 01:31:48,040
Speaker 2: We we happened to be when this is back in

1789
01:31:48,080 --> 01:31:50,040
Speaker 2: the day. So we was on tour with Guns and

1790
01:31:50,400 --> 01:31:54,280
Speaker 2: with Uh with the Rolling Stones, and they were playing

1791
01:31:54,280 --> 01:31:57,960
Speaker 2: in l A. And we had said in the press,

1792
01:31:58,360 --> 01:32:00,880
Speaker 2: we don't appreciate that song. We don't appreciate what they're

1793
01:32:00,880 --> 01:32:03,799
Speaker 2: trying to say. We don't we don't like it. And

1794
01:32:04,760 --> 01:32:08,280
Speaker 2: you know, actual came up to what came up to us,

1795
01:32:08,439 --> 01:32:11,400
Speaker 2: old bass player Muzzy and said, you got a problem

1796
01:32:11,439 --> 01:32:12,640
Speaker 2: with me, you got a problem with me, It's like,

1797
01:32:13,960 --> 01:32:16,960
Speaker 2: just chill, relaxed, let's talk about it. He got in

1798
01:32:16,960 --> 01:32:18,840
Speaker 2: a huff and walked away, and we got up on

1799
01:32:18,920 --> 01:32:21,599
Speaker 2: stage and said, look, I don't care who you are.

1800
01:32:21,640 --> 01:32:24,479
Speaker 2: I don't care where you come from. I'm gonna be who

1801
01:32:24,560 --> 01:32:29,000
Speaker 2: I am and I'm not and i'm and I'm not

1802
01:32:29,000 --> 01:32:31,720
Speaker 2: gonna let you tell me who I am. And we

1803
01:32:31,840 --> 01:32:35,680
Speaker 2: proceeded to play. And so there was this beat. But

1804
01:32:35,760 --> 01:32:37,479
Speaker 2: we you know, with the rest of the band, which

1805
01:32:37,520 --> 01:32:40,439
Speaker 2: is deep, the rest of the band, it's cool. I

1806
01:32:40,520 --> 01:32:43,280
Speaker 2: know Slash I've had I've hung out with Slash. You know,

1807
01:32:43,560 --> 01:32:44,080
Speaker 2: he's cool.

1808
01:32:44,200 --> 01:32:45,080
Speaker 9: Slash is black.

1809
01:32:46,320 --> 01:32:48,760
Speaker 2: You know. The rest of the guys in the band

1810
01:32:48,760 --> 01:32:51,679
Speaker 2: don't have didn't didn't have those kind of issues to

1811
01:32:51,439 --> 01:32:53,720
Speaker 2: a to a degree. I mean they still you know,

1812
01:32:53,920 --> 01:32:55,880
Speaker 2: I'm sure they had no idea who and what we

1813
01:32:55,880 --> 01:32:59,439
Speaker 2: were and and who what black folks are in general.

1814
01:32:59,800 --> 01:33:03,559
Speaker 2: Then frame of reference was was Slash and Slash Slash

1815
01:33:03,560 --> 01:33:04,599
Speaker 2: don't care about none of that.

1816
01:33:04,880 --> 01:33:06,960
Speaker 3: Right, Yeah, yeah, it's that that my black friend thing

1817
01:33:07,080 --> 01:33:10,080
Speaker 3: were You're like, well, well, well Tony's cool with you. Like,

1818
01:33:10,200 --> 01:33:12,320
Speaker 3: I don't know, Tony, I'll whoop your ass?

1819
01:33:12,960 --> 01:33:15,320
Speaker 2: Right? Did from Brooklyn?

1820
01:33:15,720 --> 01:33:16,240
Speaker 3: Right?

1821
01:33:20,520 --> 01:33:22,360
Speaker 2: Did? I? Did? I? I know you? I know you

1822
01:33:22,439 --> 01:33:26,920
Speaker 2: giggle people from New York City talking that ship? Yeah right?

1823
01:33:27,960 --> 01:33:31,080
Speaker 2: You know, Sally, because you know I had you know,

1824
01:33:31,120 --> 01:33:32,839
Speaker 2: I had to fight my way out of certain spots,

1825
01:33:33,160 --> 01:33:36,000
Speaker 2: right and I and I ain't afraid of whopoping nobody's

1826
01:33:36,000 --> 01:33:39,840
Speaker 2: ass for real. Yeah, I'm fifty three years old. I

1827
01:33:39,920 --> 01:33:41,120
Speaker 2: still whip your Assay.

1828
01:33:42,120 --> 01:33:44,559
Speaker 3: That be hilarious and actually would have cut their hands

1829
01:33:44,560 --> 01:33:47,439
Speaker 3: some living color. That would have been infamous. Dog, that

1830
01:33:47,439 --> 01:33:50,759
Speaker 3: would have been That would have been the most infamous

1831
01:33:50,800 --> 01:33:53,320
Speaker 3: story in rock and roll. Just like Yo, remember when

1832
01:33:53,320 --> 01:33:54,840
Speaker 3: Actual ran up and got done up?

1833
01:33:54,880 --> 01:33:55,000
Speaker 2: Bro?

1834
01:33:55,720 --> 01:33:58,639
Speaker 3: What was he thinking? Take that ship out the album?

1835
01:33:58,840 --> 01:34:01,360
Speaker 3: You know what I'm saying. But yeah, that that that

1836
01:34:01,520 --> 01:34:04,320
Speaker 3: is crazy though, because uh, there's a certain level of

1837
01:34:04,479 --> 01:34:10,000
Speaker 3: uh like almost dismissiveness because they probably just view he

1838
01:34:10,080 --> 01:34:12,400
Speaker 3: tells you what they think. It just essentially the fact

1839
01:34:12,400 --> 01:34:14,040
Speaker 3: that you didn't think about that lyric tells you what

1840
01:34:14,080 --> 01:34:16,080
Speaker 3: you what you that you didn't think anybody should take

1841
01:34:16,080 --> 01:34:18,640
Speaker 3: exception that you could come to a black person and

1842
01:34:18,680 --> 01:34:21,439
Speaker 3: be like, I can't believe you mad Like that, that

1843
01:34:21,479 --> 01:34:23,240
Speaker 3: tells you a lot about what they thought to even

1844
01:34:23,280 --> 01:34:24,880
Speaker 3: put it in there. I don't know what I wonder

1845
01:34:24,920 --> 01:34:27,080
Speaker 3: if Slash was in the room, Like I don't know

1846
01:34:27,080 --> 01:34:29,280
Speaker 3: about that bar go ahead, go ahead? Do you think

1847
01:34:29,760 --> 01:34:30,160
Speaker 3: I don't know?

1848
01:34:30,280 --> 01:34:32,519
Speaker 2: It feels like they were in two different rooms when

1849
01:34:32,520 --> 01:34:35,320
Speaker 2: it when it went Damn's like like they they made

1850
01:34:35,360 --> 01:34:38,720
Speaker 2: the song and actually came along and started started singing, right,

1851
01:34:38,760 --> 01:34:39,920
Speaker 2: And that's what you know.

1852
01:34:40,240 --> 01:34:44,960
Speaker 3: Yeah, I used to say that about the Outcast album

1853
01:34:45,320 --> 01:34:48,519
Speaker 3: Steak on You. I love I love all the Outcast albums.

1854
01:34:48,520 --> 01:34:52,120
Speaker 3: But that's my theory is Big Boy was rapping and

1855
01:34:52,160 --> 01:34:54,360
Speaker 3: then Dre came in. After Big Boy got done, it

1856
01:34:54,439 --> 01:34:56,960
Speaker 3: was like I'm gonna do some singing. Let's let's let's

1857
01:34:57,000 --> 01:34:59,920
Speaker 3: mix this ship up. Dogs like big Boy coming in

1858
01:35:00,080 --> 01:35:02,400
Speaker 3: the next day, Like what happened to the track? Like, oh,

1859
01:35:02,479 --> 01:35:04,320
Speaker 3: Drake came in? You know you added some ship It's

1860
01:35:04,360 --> 01:35:05,920
Speaker 3: I mean it's cool, like you check it out. Some

1861
01:35:06,000 --> 01:35:09,240
Speaker 3: rock and roll riff on it. Now he's singing. You know,

1862
01:35:09,360 --> 01:35:11,519
Speaker 3: you got Eric abad on it like it's it's it's

1863
01:35:11,560 --> 01:35:13,120
Speaker 3: it's a little different. But you I think you can

1864
01:35:13,160 --> 01:35:13,960
Speaker 3: still get into it.

1865
01:35:15,560 --> 01:35:18,280
Speaker 2: And then uh, like he put the shakers over over

1866
01:35:18,360 --> 01:35:19,000
Speaker 2: your last verse.

1867
01:35:19,040 --> 01:35:23,800
Speaker 5: I don't know, ignored the moroccas you hear it.

1868
01:35:24,479 --> 01:35:27,280
Speaker 3: He did so he modulated his voice and then he

1869
01:35:27,280 --> 01:35:30,320
Speaker 3: can put a five minute speech over it. But you know,

1870
01:35:30,400 --> 01:35:32,320
Speaker 3: it's it's still jamming though, let's do it, you know,

1871
01:35:32,600 --> 01:35:33,160
Speaker 3: like is that.

1872
01:35:33,240 --> 01:35:34,679
Speaker 5: His voice underneath the beat?

1873
01:35:34,800 --> 01:35:38,240
Speaker 4: Like is that a beat him? Yeah, he took his

1874
01:35:38,320 --> 01:35:39,599
Speaker 4: voice and created his own beat.

1875
01:35:39,640 --> 01:35:41,040
Speaker 5: But it's still it's still though.

1876
01:35:41,439 --> 01:35:44,360
Speaker 3: Yeah, Like especially I don't know, like the song I

1877
01:35:44,360 --> 01:35:46,479
Speaker 3: imagine that happened to the most is uh the song

1878
01:35:46,600 --> 01:35:52,160
Speaker 3: is like humbles mumble. That's the way the cook comes

1879
01:35:53,200 --> 01:35:56,280
Speaker 3: dunking up my dream that ship because like my man,

1880
01:35:56,760 --> 01:35:58,840
Speaker 3: big boys verse on that ship is so hard, it's

1881
01:35:58,920 --> 01:36:02,040
Speaker 3: like it's not he just wrapped over the drums. And

1882
01:36:02,080 --> 01:36:05,280
Speaker 3: then Drake came in. It was like, all right, my turn,

1883
01:36:08,479 --> 01:36:10,400
Speaker 3: I'm about to kill this ship.

1884
01:36:13,280 --> 01:36:15,719
Speaker 4: It's like two different cooks and they put that ship together.

1885
01:36:15,920 --> 01:36:19,559
Speaker 3: Like Drake came in here at midnight and some uh

1886
01:36:20,080 --> 01:36:24,640
Speaker 3: it's in a football pass, no shirt under knee. He

1887
01:36:24,760 --> 01:36:27,839
Speaker 3: had on some capris and he had on some sandals,

1888
01:36:27,880 --> 01:36:31,400
Speaker 3: and he had on some shades and he fucking killed these.

1889
01:36:31,600 --> 01:36:34,040
Speaker 3: He just sang the funk out of his hook and

1890
01:36:34,080 --> 01:36:34,519
Speaker 3: he had.

1891
01:36:34,360 --> 01:36:36,880
Speaker 2: To put his guitar and.

1892
01:36:36,200 --> 01:36:39,439
Speaker 5: Right, yes, he came in here with a live quad.

1893
01:36:39,520 --> 01:36:42,680
Speaker 4: Nobody knew what was you know, it was horse in

1894
01:36:42,720 --> 01:36:43,480
Speaker 4: the background.

1895
01:36:43,560 --> 01:36:45,200
Speaker 3: We saw it was.

1896
01:36:46,320 --> 01:36:49,559
Speaker 4: But but it's like when he came in, everybody was like, hey,

1897
01:36:49,600 --> 01:36:52,040
Speaker 4: I'm just letting you know up front before before you

1898
01:36:52,120 --> 01:36:52,799
Speaker 4: go in here.

1899
01:36:52,960 --> 01:36:55,160
Speaker 5: Like like this is what's happening. But like it's almost

1900
01:36:55,240 --> 01:36:59,080
Speaker 5: like two shelves cook the meal. I'm I'm a consumer.

1901
01:36:59,280 --> 01:37:02,720
Speaker 5: I just came to able to eat. It's delicious to

1902
01:37:02,800 --> 01:37:03,679
Speaker 5: meat right.

1903
01:37:05,600 --> 01:37:06,000
Speaker 2: Sketch.

1904
01:37:06,680 --> 01:37:11,680
Speaker 3: Oh yes, oh man, so good. Yes, that's how I

1905
01:37:11,680 --> 01:37:16,080
Speaker 3: imagine it happened like, but that was That's another one.

1906
01:37:16,200 --> 01:37:19,080
Speaker 3: That's another one of my favorite groups, man, because they

1907
01:37:19,120 --> 01:37:21,759
Speaker 3: were so innovative and so genius and coming from different

1908
01:37:21,800 --> 01:37:26,080
Speaker 3: angles to make the track, like the cohesionness, it's it's

1909
01:37:26,120 --> 01:37:29,880
Speaker 3: like chaos but beauty sometimes as especially as they get

1910
01:37:30,360 --> 01:37:32,880
Speaker 3: as the progresses, like the first album is like just

1911
01:37:33,520 --> 01:37:36,360
Speaker 3: it felt almost like dre and and Big Boy was

1912
01:37:36,400 --> 01:37:39,760
Speaker 3: just completely on the same like wave Lift, even though

1913
01:37:39,800 --> 01:37:42,240
Speaker 3: you could kind of hear it then like Yo, Drake

1914
01:37:42,320 --> 01:37:45,360
Speaker 3: think Drake think a little out there, like he thinks,

1915
01:37:45,640 --> 01:37:49,840
Speaker 3: he thinks holistically, and like like concept wise, he goes

1916
01:37:49,880 --> 01:37:51,880
Speaker 3: a little deeper. And then by the time you get

1917
01:37:51,920 --> 01:37:54,599
Speaker 3: to like stink on you, by the time you get

1918
01:37:54,640 --> 01:37:59,240
Speaker 3: to the love below and like you know, you're like, okay.

1919
01:37:59,000 --> 01:38:01,480
Speaker 2: Yo, you you heard it in a Criminine.

1920
01:38:01,920 --> 01:38:04,639
Speaker 3: Yes, yes, you get here in the Crimini too, yep.

1921
01:38:05,280 --> 01:38:08,280
Speaker 2: Because when when they were making a Crimini, I was

1922
01:38:08,360 --> 01:38:10,600
Speaker 2: on the Face Records. My solo record came out on

1923
01:38:10,640 --> 01:38:13,120
Speaker 2: the Face Records, So I would hang out with the

1924
01:38:13,160 --> 01:38:18,120
Speaker 2: Dungeon family and all those cats, and and they were like, yeah, man,

1925
01:38:18,160 --> 01:38:20,600
Speaker 2: we want you to sing on some ship just and

1926
01:38:20,840 --> 01:38:25,320
Speaker 2: I never got to sing on ship. Like, but what

1927
01:38:25,479 --> 01:38:28,320
Speaker 2: was deep was like you sit sit down with Dre,

1928
01:38:28,600 --> 01:38:34,640
Speaker 2: with the Dres and they say the same shit, completely

1929
01:38:34,640 --> 01:38:35,719
Speaker 2: different from each other.

1930
01:38:35,880 --> 01:38:37,880
Speaker 5: Right, the same thing, Right.

1931
01:38:37,840 --> 01:38:41,040
Speaker 2: They'd be saying the same they'd be saying it like

1932
01:38:41,040 --> 01:38:44,320
Speaker 2: they're having the same conversation with two with the same

1933
01:38:44,360 --> 01:38:47,400
Speaker 2: person on two sides of the same coin, one side

1934
01:38:47,400 --> 01:38:50,720
Speaker 2: of the same coin. It's like, Okay, he Dre is

1935
01:38:50,760 --> 01:38:54,160
Speaker 2: coming from this way three thousands going. It's taking it

1936
01:38:54,240 --> 01:38:57,599
Speaker 2: real esoteric, right, I get it. That's cool. Let's do it.

1937
01:38:57,680 --> 01:39:00,679
Speaker 3: Yeah, it's like I will never get that again, man,

1938
01:39:00,800 --> 01:39:03,839
Speaker 3: And you know, but it was it was just chaos,

1939
01:39:03,840 --> 01:39:05,960
Speaker 3: but it was beautiful man. And like I said, like

1940
01:39:06,560 --> 01:39:08,600
Speaker 3: my favorite song I imagine it happening to is is

1941
01:39:08,640 --> 01:39:11,320
Speaker 3: Hame alone the moment because like big boys versus you know,

1942
01:39:11,479 --> 01:39:13,720
Speaker 3: back on the microphone though number one controller, I rocked

1943
01:39:13,760 --> 01:39:15,960
Speaker 3: the microphone like a blizzard. I'm a cold trying like

1944
01:39:16,000 --> 01:39:20,000
Speaker 3: it's like it's very straightforward. And then like the intro,

1945
01:39:20,240 --> 01:39:22,599
Speaker 3: like I imagine him dropping the verse right, but then when

1946
01:39:22,600 --> 01:39:25,519
Speaker 3: you listen to the song, like the intro is Andre

1947
01:39:25,880 --> 01:39:28,720
Speaker 3: and he got that like modulated on his voicees like

1948
01:39:28,800 --> 01:39:33,000
Speaker 3: oh i'll spink, I can ill spink, I can Like

1949
01:39:33,600 --> 01:39:35,400
Speaker 3: I'm like he couldn't have done that in front of

1950
01:39:35,439 --> 01:39:37,320
Speaker 3: the poy. He couldn't. He had to do it stuff

1951
01:39:38,160 --> 01:39:39,800
Speaker 3: like they didn't do that at the same time.

1952
01:39:40,000 --> 01:39:42,800
Speaker 2: But with Deep it's like they allow each other to

1953
01:39:42,840 --> 01:39:43,439
Speaker 2: beat each other.

1954
01:39:43,720 --> 01:39:45,200
Speaker 3: Yeah, yeah, in.

1955
01:39:45,200 --> 01:39:47,400
Speaker 2: The same room. They were probably in the same room

1956
01:39:47,439 --> 01:39:50,000
Speaker 2: and Dreson Dre said all right, I got this verse,

1957
01:39:50,040 --> 01:39:51,599
Speaker 2: I got this thing, and he had check this out.

1958
01:39:51,720 --> 01:39:57,960
Speaker 3: It's like oh yeah right, like like that's the beauty

1959
01:39:57,960 --> 01:39:59,320
Speaker 3: of it. They both can look at each other and

1960
01:39:59,360 --> 01:40:01,320
Speaker 3: be like, Yo, that's the Yeah, that's dope. We put

1961
01:40:01,320 --> 01:40:03,439
Speaker 3: that in the song. Yes, we can make that work

1962
01:40:04,120 --> 01:40:06,240
Speaker 3: like anybody else will be like nigga fucking up the song.

1963
01:40:06,360 --> 01:40:12,439
Speaker 2: Come on, man, They very much enjoyed with what the

1964
01:40:12,520 --> 01:40:13,240
Speaker 2: other ones doing.

1965
01:40:13,400 --> 01:40:15,240
Speaker 3: Yeah, I could tell. I could You could tell too,

1966
01:40:15,280 --> 01:40:18,640
Speaker 3: because they had that interlude, uh, with the niggas that

1967
01:40:18,720 --> 01:40:20,720
Speaker 3: was buying the album. That was like, man, first there

1968
01:40:20,880 --> 01:40:24,960
Speaker 3: was some pimps, then there was some genies. Now they

1969
01:40:25,000 --> 01:40:28,360
Speaker 3: don't come on rack righteous face, man, Man, I don't

1970
01:40:28,439 --> 01:40:32,120
Speaker 3: fucked out cast like, yes, that you can tell, all right, man,

1971
01:40:32,160 --> 01:40:34,680
Speaker 3: We we've talked about a lot of stuff. Man, make

1972
01:40:34,680 --> 01:40:38,679
Speaker 3: sure y'all get this album though. September eighth. It's called

1973
01:40:38,720 --> 01:40:42,240
Speaker 3: Shade Living Color with the U in it, okay, Uh,

1974
01:40:42,520 --> 01:40:44,439
Speaker 3: Probably because y'all got tired of the eighties of people

1975
01:40:44,479 --> 01:40:46,799
Speaker 3: being like y'all in Living Color, the right.

1976
01:40:51,120 --> 01:40:52,799
Speaker 2: Living Our Living Color.

1977
01:40:52,680 --> 01:40:55,800
Speaker 3: Was first, Yeah, I know, I'm just jugging. Then the

1978
01:40:55,880 --> 01:40:57,600
Speaker 3: nineties were y'all getting it a lot though. In the

1979
01:40:57,680 --> 01:41:02,120
Speaker 3: nineties like oh yeah.

1980
01:41:00,720 --> 01:41:03,800
Speaker 2: Straight up, we flew into some airport and these folks

1981
01:41:03,800 --> 01:41:06,720
Speaker 2: were coming around us, is like, and somebody was like, so,

1982
01:41:06,760 --> 01:41:14,080
Speaker 2: who's that. That's Living Color? Oh? Living Color? Yeah?

1983
01:41:14,640 --> 01:41:16,920
Speaker 3: Hey, well so what you do for a living Oh

1984
01:41:16,920 --> 01:41:20,880
Speaker 3: I'm in Living Color? Oh for real? Hey man, do

1985
01:41:21,520 --> 01:41:22,960
Speaker 3: the three snaps? Like what?

1986
01:41:23,080 --> 01:41:24,160
Speaker 2: No?

1987
01:41:23,520 --> 01:41:26,640
Speaker 3: No, no, I'm in Living Color. It's a band. We

1988
01:41:26,880 --> 01:41:33,080
Speaker 3: play music. Yeah, I can just imagine that ship. Oh man,

1989
01:41:33,120 --> 01:41:35,120
Speaker 3: but yeah, get it dog. You know it's got the

1990
01:41:35,200 --> 01:41:38,120
Speaker 3: un it okay, all right, because it's universe. Yeah, in

1991
01:41:38,200 --> 01:41:39,160
Speaker 3: Living Color.

1992
01:41:39,280 --> 01:41:41,960
Speaker 2: Because because I need to buy one myself.

1993
01:41:42,040 --> 01:41:45,400
Speaker 3: So yeah, I've heard it. I'm telling you it's slangs. Okay,

1994
01:41:45,479 --> 01:41:48,680
Speaker 3: I'm just saying. And then, of course, we still we

1995
01:41:48,680 --> 01:41:52,800
Speaker 3: got to play the games. You know, we can't have

1996
01:41:52,880 --> 01:41:54,720
Speaker 3: them on the show and not play the games. Well,

1997
01:41:54,920 --> 01:41:56,679
Speaker 3: you know, so we're gonna get it to them games

1998
01:41:57,680 --> 01:42:01,680
Speaker 3: while this uh loads up. Matter of fact, let me

1999
01:42:01,720 --> 01:42:03,559
Speaker 3: see if there's any news I did want to talk

2000
01:42:03,560 --> 01:42:05,160
Speaker 3: about before we get to the games. I don't think

2001
01:42:05,200 --> 01:42:09,240
Speaker 3: nothing important happened to day. Oh nigga, yes, something did that.

2002
01:42:09,360 --> 01:42:13,840
Speaker 3: Goddamn hurricane. It's a hurricane fucking up the United States,

2003
01:42:13,920 --> 01:42:16,120
Speaker 3: y'all in Texas. Have you seen these pictures?

2004
01:42:16,680 --> 01:42:16,960
Speaker 2: No?

2005
01:42:17,320 --> 01:42:19,720
Speaker 3: Yo, it's like five feet of water like it's in

2006
01:42:19,720 --> 01:42:23,160
Speaker 3: people houses. I saw a picture like cause, you know,

2007
01:42:23,439 --> 01:42:24,760
Speaker 3: a lot of happened at night, but I saw a

2008
01:42:24,800 --> 01:42:27,080
Speaker 3: picture in the morning when the sun came up the

2009
01:42:27,120 --> 01:42:29,280
Speaker 3: whole street like a river. Like God.

2010
01:42:29,560 --> 01:42:31,000
Speaker 4: You know, I have seen some of the pictures on

2011
01:42:31,040 --> 01:42:35,080
Speaker 4: social media, and I'm gonna tell you right now. And

2012
01:42:35,120 --> 01:42:37,720
Speaker 4: people forget this. What's even more fucked up. There's no

2013
01:42:37,880 --> 01:42:39,519
Speaker 4: director of FEMA, so.

2014
01:42:39,600 --> 01:42:43,160
Speaker 5: You have this shit happening. And on top on the load,

2015
01:42:43,240 --> 01:42:44,439
Speaker 5: nobody patres, no attension.

2016
01:42:45,120 --> 01:42:49,080
Speaker 4: Trump just signed something right before this storm came to

2017
01:42:49,200 --> 01:42:50,880
Speaker 4: reduce the amount of.

2018
01:42:50,840 --> 01:42:55,080
Speaker 5: Courage for flood insurance. So it's gonna be a lot

2019
01:42:55,080 --> 01:42:56,240
Speaker 5: of people that getting red to be screwed.

2020
01:42:56,280 --> 01:42:57,760
Speaker 4: A lot of those people down there that voted for

2021
01:42:57,800 --> 01:43:02,040
Speaker 4: Trump gonna look at him and be like, rescue us.

2022
01:43:02,080 --> 01:43:04,400
Speaker 5: And he's gonna stick his middle finger up at y'all.

2023
01:43:04,800 --> 01:43:05,080
Speaker 5: You know.

2024
01:43:05,640 --> 01:43:07,759
Speaker 4: And just like here in North Carolina, they had flooding

2025
01:43:07,800 --> 01:43:09,840
Speaker 4: here from a storm not too long ago. A lot

2026
01:43:09,880 --> 01:43:12,320
Speaker 4: of people that voted for him turned around and got

2027
01:43:12,360 --> 01:43:14,920
Speaker 4: mad when they shit was denied. They got lesson They

2028
01:43:15,000 --> 01:43:17,559
Speaker 4: what's gonna do? The States would act some money. They

2029
01:43:17,600 --> 01:43:20,080
Speaker 4: cut that shit in half, because overall, he does not

2030
01:43:20,160 --> 01:43:22,320
Speaker 4: give a fuck about this country and he's showing people

2031
01:43:22,360 --> 01:43:24,599
Speaker 4: in the myriad of different ways.

2032
01:43:24,840 --> 01:43:27,320
Speaker 3: And you can't run the government like a business because

2033
01:43:27,320 --> 01:43:29,320
Speaker 3: the government is not a business, because a business never

2034
01:43:29,320 --> 01:43:32,080
Speaker 3: has to care right right, like a business can be

2035
01:43:32,120 --> 01:43:35,240
Speaker 3: like fuck him, let him drown like a business would do.

2036
01:43:35,720 --> 01:43:37,679
Speaker 3: A government need to go down there and help people.

2037
01:43:37,760 --> 01:43:40,960
Speaker 3: And you do need a female director, like you can't

2038
01:43:41,000 --> 01:43:42,920
Speaker 3: just be like I will cut that. You know, we'll

2039
01:43:42,960 --> 01:43:45,920
Speaker 3: worry about something. If emergency is gonna happen. It happens

2040
01:43:45,960 --> 01:43:48,160
Speaker 3: every year, you know, right and exactly.

2041
01:43:48,360 --> 01:43:51,800
Speaker 4: And one of the things that in my opinion, and

2042
01:43:52,600 --> 01:43:55,519
Speaker 4: this rid of maas Mad was so fucked up, a

2043
01:43:55,560 --> 01:43:57,960
Speaker 4: lot of poor white people fail to realize y'all on

2044
01:43:57,960 --> 01:43:59,920
Speaker 4: the same boats as these brown people in these men

2045
01:44:00,400 --> 01:44:02,280
Speaker 4: of these niggas and chinks or whatever you want to

2046
01:44:02,320 --> 01:44:05,280
Speaker 4: call us, we own the same We're floating down the

2047
01:44:05,320 --> 01:44:07,120
Speaker 4: same uh stream.

2048
01:44:07,400 --> 01:44:07,519
Speaker 2: Right.

2049
01:44:07,920 --> 01:44:11,000
Speaker 5: The white people that have all this money that one day.

2050
01:44:10,920 --> 01:44:13,040
Speaker 4: You aspire to be what you actually never will be,

2051
01:44:14,160 --> 01:44:16,920
Speaker 4: tricked you into vote, tricked you into plunching a hole

2052
01:44:17,000 --> 01:44:17,280
Speaker 4: in the.

2053
01:44:17,240 --> 01:44:20,559
Speaker 5: Boat that we all own. So we all gonna sink.

2054
01:44:20,680 --> 01:44:22,519
Speaker 5: But like you said, you don't care as long as

2055
01:44:22,560 --> 01:44:24,200
Speaker 5: you drowned last, right.

2056
01:44:24,400 --> 01:44:29,000
Speaker 3: Damn, that's deep in the United States Border Patrol is

2057
01:44:30,360 --> 01:44:34,720
Speaker 3: actually trying to find people fleeing the hurricane that are

2058
01:44:34,800 --> 01:44:38,519
Speaker 3: undocumented immigrants. I was hearing that, how is that a

2059
01:44:38,560 --> 01:44:39,599
Speaker 3: priority right now?

2060
01:44:39,920 --> 01:44:40,080
Speaker 2: Why?

2061
01:44:40,960 --> 01:44:44,080
Speaker 3: Why is like couldn't they be like couldn't we get

2062
01:44:44,080 --> 01:44:46,360
Speaker 3: them to like maybe lay some sandbags out like something

2063
01:44:46,400 --> 01:44:48,920
Speaker 3: that helped, Like could like could they maybe set up

2064
01:44:48,920 --> 01:44:51,800
Speaker 3: some facilities for people to stay in where they could

2065
01:44:51,800 --> 01:44:54,280
Speaker 3: be safe. Like it seems like it's I don't know,

2066
01:44:54,720 --> 01:44:56,920
Speaker 3: not the biggest priority right now. That's the way I

2067
01:44:56,920 --> 01:44:59,240
Speaker 3: would view it, you know, right because when you just

2068
01:44:59,280 --> 01:45:02,480
Speaker 3: part in Joe A. Pario Aparo, who is the motherfucking

2069
01:45:02,600 --> 01:45:07,960
Speaker 3: number one unconstitutional bigot that was looking for a documented

2070
01:45:08,120 --> 01:45:11,439
Speaker 3: immigrants and targeting community as of color. When you just

2071
01:45:11,479 --> 01:45:13,800
Speaker 3: parting that dude, I think the message is loud and clear,

2072
01:45:14,120 --> 01:45:14,760
Speaker 3: you know what I mean?

2073
01:45:15,439 --> 01:45:17,400
Speaker 2: Absolutely?

2074
01:45:17,600 --> 01:45:20,200
Speaker 3: But yeah, I saw the ship and I was like, damn, man,

2075
01:45:20,400 --> 01:45:22,800
Speaker 3: if it ain't one thing, it's another. But yeah, I

2076
01:45:22,840 --> 01:45:25,080
Speaker 3: you know, of course they're in our thoughts, man, Like

2077
01:45:25,600 --> 01:45:27,559
Speaker 3: I know, we got listeners in Texas. I know, I

2078
01:45:27,600 --> 01:45:29,599
Speaker 3: got all kinds of people on the internet friends that

2079
01:45:29,640 --> 01:45:33,120
Speaker 3: are in Texas, and shit, you know, a lot of

2080
01:45:33,120 --> 01:45:35,240
Speaker 3: them are checked in. Yeah, a lot of them checked

2081
01:45:35,280 --> 01:45:37,719
Speaker 3: in safe and everything. But you know it's not over

2082
01:45:37,760 --> 01:45:41,040
Speaker 3: really And I heard it went south, which means collecting

2083
01:45:41,080 --> 01:45:44,160
Speaker 3: more moisture, which means it might hit land again. So

2084
01:45:45,080 --> 01:45:48,360
Speaker 3: shit could get real ugly, and there's nobody in charge

2085
01:45:48,400 --> 01:45:50,000
Speaker 3: of helping them, right.

2086
01:45:49,800 --> 01:45:52,720
Speaker 4: And we said this before and with a lot of

2087
01:45:52,760 --> 01:45:57,040
Speaker 4: people who I know a lot of people get drained

2088
01:45:57,080 --> 01:45:59,760
Speaker 4: by all the shit that's happening. You don't have to

2089
01:45:59,760 --> 01:46:02,200
Speaker 4: stay abreast of everything, but there are some things that

2090
01:46:02,280 --> 01:46:04,720
Speaker 4: you do need to be abreast of. There are positions

2091
01:46:04,720 --> 01:46:07,840
Speaker 4: in the federal government that's there's no director. So you

2092
01:46:07,920 --> 01:46:10,080
Speaker 4: have people that are literally coming to work every day

2093
01:46:10,200 --> 01:46:12,040
Speaker 4: and they don't have ship to do because they ain't

2094
01:46:12,080 --> 01:46:13,000
Speaker 4: got no goddamn boss.

2095
01:46:13,280 --> 01:46:14,559
Speaker 5: You know that shit matters.

2096
01:46:14,720 --> 01:46:17,200
Speaker 4: You know, you come to work like, hey, dog, what

2097
01:46:17,240 --> 01:46:19,719
Speaker 4: are we gonna do for this and that? And there's

2098
01:46:19,800 --> 01:46:24,120
Speaker 4: no form of direction and so you cause it's something

2099
01:46:24,160 --> 01:46:25,960
Speaker 4: I didn't realize this until you said the other day.

2100
01:46:26,320 --> 01:46:31,560
Speaker 4: Motherfucking Friday nights, is it's Donald Trump's dump knights, and

2101
01:46:31,800 --> 01:46:35,200
Speaker 4: they fucking thing that they that he did it all

2102
01:46:35,240 --> 01:46:37,640
Speaker 4: get dumped out on a fucking Friday.

2103
01:46:37,360 --> 01:46:41,120
Speaker 3: Night, that Friday Night news though it's drainings. It's like a.

2104
01:46:41,160 --> 01:46:43,519
Speaker 5: Stream, and I never realized this was said it.

2105
01:46:43,600 --> 01:46:47,519
Speaker 3: Yeah, it was a transgender band. They actually did pass

2106
01:46:49,120 --> 01:46:52,160
Speaker 3: passed it, not just passed. It's not just a tweet anymore.

2107
01:46:53,120 --> 01:46:55,960
Speaker 3: Apparently people that are still in they can't be kicked out,

2108
01:46:56,000 --> 01:47:00,439
Speaker 3: but nobody can join. That's trans But as always, the

2109
01:47:00,920 --> 01:47:04,080
Speaker 3: messaging is clear. Right if you in, do you think

2110
01:47:04,080 --> 01:47:06,120
Speaker 3: this sea just the other soldiers to respect you? You

2111
01:47:06,160 --> 01:47:08,200
Speaker 3: think you think they supposed to, You think they gonna.

2112
01:47:08,200 --> 01:47:09,960
Speaker 3: You think that it's not for the ones that are

2113
01:47:10,040 --> 01:47:12,360
Speaker 3: big at it. You think they're not feeling some type

2114
01:47:12,360 --> 01:47:15,799
Speaker 3: of emboldenment like okay, okay, so we got a presence

2115
01:47:15,840 --> 01:47:17,479
Speaker 3: is with the ship, you know what I mean? Like

2116
01:47:18,000 --> 01:47:19,920
Speaker 3: that's the way that that's gonna roll out. And then

2117
01:47:19,960 --> 01:47:25,840
Speaker 3: you had you know, him pardoning sheriff a pario or whatever.

2118
01:47:25,920 --> 01:47:29,840
Speaker 3: And then you had he had somebody quit to I

2119
01:47:29,840 --> 01:47:34,559
Speaker 3: forget who was the person that that quit or yeah, yeah,

2120
01:47:34,680 --> 01:47:39,200
Speaker 3: so then I mean the gorse that's it. Yeah, they yeah,

2121
01:47:39,240 --> 01:47:42,120
Speaker 3: they fun like all three things just in Friday night

2122
01:47:42,160 --> 01:47:45,000
Speaker 3: from about five pm about eight pm, just bam, And

2123
01:47:45,720 --> 01:47:47,000
Speaker 3: that's what they do every Friday.

2124
01:47:47,120 --> 01:47:48,160
Speaker 5: Right, it's like an overload.

2125
01:47:48,200 --> 01:47:52,000
Speaker 4: They purposely and strategically overload because they.

2126
01:47:51,840 --> 01:47:54,760
Speaker 3: Know, well, that's when everybody's gone. It's not even that

2127
01:47:54,800 --> 01:47:56,440
Speaker 3: you can't be mad. That's when the media.

2128
01:47:56,200 --> 01:47:56,599
Speaker 2: Goes on.

2129
01:47:58,960 --> 01:48:00,720
Speaker 3: Kids too, you know what I mean. I gotta have

2130
01:48:00,760 --> 01:48:03,360
Speaker 3: a like mama gotta have life too. So they out

2131
01:48:03,439 --> 01:48:06,840
Speaker 3: for the weekend, and now it's left the Joy reads

2132
01:48:06,880 --> 01:48:09,120
Speaker 3: left the Joy read to cover the ship on Saturday

2133
01:48:09,920 --> 01:48:15,400
Speaker 3: and catch you up for all the bush right right anyway. Also,

2134
01:48:15,880 --> 01:48:20,880
Speaker 3: Usher finally responded to the herpes lawsuit. He claims that

2135
01:48:21,280 --> 01:48:24,400
Speaker 3: the woman assumed the risk by having unpertake the sex.

2136
01:48:25,560 --> 01:48:29,200
Speaker 3: Now this is interesting because it's if we follow the

2137
01:48:30,400 --> 01:48:33,599
Speaker 3: defense that he had. The first one was never seen

2138
01:48:33,640 --> 01:48:36,080
Speaker 3: that bitch for in my life. The second one. The

2139
01:48:36,120 --> 01:48:40,599
Speaker 3: second one was because it was like, nah, that that's

2140
01:48:40,680 --> 01:48:42,480
Speaker 3: that wasn't me. I was with my girlfriend.

2141
01:48:43,080 --> 01:48:43,360
Speaker 2: Uh.

2142
01:48:43,400 --> 01:48:45,080
Speaker 3: And then it was like, well, we have a hotel

2143
01:48:45,120 --> 01:48:47,800
Speaker 3: employee that that says they remember you showing up at

2144
01:48:48,240 --> 01:48:49,800
Speaker 3: what was like the best end, like it wasn't a

2145
01:48:49,840 --> 01:48:53,519
Speaker 3: great motel. But and then it was okay, well, look

2146
01:48:53,560 --> 01:48:56,759
Speaker 3: I don't have sex with big girls, so clearly couldn't

2147
01:48:56,760 --> 01:49:01,160
Speaker 3: be me. And now Finally we're at if I fucked her,

2148
01:49:01,320 --> 01:49:05,200
Speaker 3: it's hoe fault. So I feel like he's kind.

2149
01:49:04,960 --> 01:49:08,040
Speaker 5: Of broke the law and you were supposed to tell them.

2150
01:49:08,240 --> 01:49:11,720
Speaker 3: Yeah. Yeah, I think if you know, only had herpes,

2151
01:49:11,800 --> 01:49:15,200
Speaker 3: you still have to like inform them technically. So I

2152
01:49:15,240 --> 01:49:17,280
Speaker 3: don't know that what this defense is gonna do for

2153
01:49:17,320 --> 01:49:21,639
Speaker 3: that argument. We'll see, because it's not like this happened

2154
01:49:21,640 --> 01:49:23,800
Speaker 3: a long time ago, like what this is like this

2155
01:49:23,920 --> 01:49:29,439
Speaker 3: year or some ship and he's married, so it's I

2156
01:49:29,479 --> 01:49:32,160
Speaker 3: don't know he was he was better off just saying

2157
01:49:32,280 --> 01:49:35,720
Speaker 3: wasn't me or some other ship? Because I know his

2158
01:49:35,760 --> 01:49:38,000
Speaker 3: wife ain't like this defense, you know what I mean,

2159
01:49:38,080 --> 01:49:40,720
Speaker 3: even if it is the truth. I know his wife

2160
01:49:40,840 --> 01:49:42,400
Speaker 3: is like, wait a minute, you said you was with

2161
01:49:42,439 --> 01:49:44,160
Speaker 3: me that night and you didn't do nothing?

2162
01:49:44,360 --> 01:49:44,479
Speaker 2: Right?

2163
01:49:45,520 --> 01:49:48,000
Speaker 5: Did he already knew because.

2164
01:49:48,120 --> 01:49:51,920
Speaker 3: There's a lawsuit another thing. He had to admit it

2165
01:49:52,040 --> 01:49:54,680
Speaker 3: years ago, and uh what do you call it?

2166
01:49:54,920 --> 01:49:55,000
Speaker 9: Uh?

2167
01:49:55,800 --> 01:50:00,240
Speaker 3: Whatever it is? Deposition there, Karen, Yeah, thank you. Yeah,

2168
01:50:00,280 --> 01:50:05,599
Speaker 3: So he's got a different defense now. And he said

2169
01:50:05,600 --> 01:50:07,840
Speaker 3: it's your fault, don't be sucking me wrong. Well you

2170
01:50:07,920 --> 01:50:10,800
Speaker 3: knew what it was, so good luck.

2171
01:50:12,479 --> 01:50:15,400
Speaker 4: Then you wonder why women be like men ain't ship.

2172
01:50:15,479 --> 01:50:17,760
Speaker 4: Everybody get in their feelings and get all emotional. But

2173
01:50:17,800 --> 01:50:19,560
Speaker 4: women are the owner ones to get emotional to do

2174
01:50:19,760 --> 01:50:20,680
Speaker 4: not dudes though, But.

2175
01:50:20,720 --> 01:50:23,679
Speaker 3: Go ahead, yeah I don't. I don't know this. Uh,

2176
01:50:23,800 --> 01:50:25,920
Speaker 3: his lawyer needed you do not pay a lawyer to

2177
01:50:25,960 --> 01:50:27,439
Speaker 3: do that. He gotta come up with a better one.

2178
01:50:27,479 --> 01:50:28,120
Speaker 5: Come up, and.

2179
01:50:31,600 --> 01:50:33,519
Speaker 3: Like, I hope he got his money back because if

2180
01:50:33,520 --> 01:50:35,479
Speaker 3: that's what my lawyer come out. If we walk out

2181
01:50:35,520 --> 01:50:38,040
Speaker 3: the room with the lawyer is like his deal, I'm

2182
01:50:38,040 --> 01:50:40,040
Speaker 3: gonna just tell him they shouldn't have fuck you. I'm like,

2183
01:50:40,080 --> 01:50:44,120
Speaker 3: oh no, no, no, no, that that's not gonna say. Bro,

2184
01:50:44,280 --> 01:50:45,240
Speaker 3: come up with another one.

2185
01:50:45,640 --> 01:50:46,479
Speaker 5: You ain't gonna have me.

2186
01:50:46,760 --> 01:50:48,519
Speaker 4: But like this, you ain't gonna have ashy to it

2187
01:50:48,560 --> 01:50:50,559
Speaker 4: to defending me, because that's all it's gonna happen. And

2188
01:50:50,600 --> 01:50:52,760
Speaker 4: that's why women get mad because you have all these

2189
01:50:53,040 --> 01:50:55,800
Speaker 4: ash she ass niggas coming out there flicking ash and

2190
01:50:55,840 --> 01:50:58,679
Speaker 4: the air like Lebron James going yeah here we come,

2191
01:50:58,800 --> 01:50:59,720
Speaker 4: ladies and the like.

2192
01:51:00,720 --> 01:51:05,599
Speaker 3: Yeah. So we'll see, uh you know, see, we'll see

2193
01:51:05,600 --> 01:51:09,559
Speaker 3: what happens with usher dog. All right, now for our games,

2194
01:51:09,560 --> 01:51:12,439
Speaker 3: I got the music up, let's yeah play some fucking

2195
01:51:12,479 --> 01:51:24,799
Speaker 3: with black people. Yeah, we're just fucking with those black people.

2196
01:51:24,920 --> 01:51:28,559
Speaker 3: We're just fucking with those blacks. We're just fucking with

2197
01:51:29,120 --> 01:51:32,519
Speaker 3: fucking with black people. That's right. It's time to play

2198
01:51:32,560 --> 01:51:34,560
Speaker 3: the game. We all hate the play. It's fucking with

2199
01:51:34,680 --> 01:51:37,000
Speaker 3: black people game. We go around to go find different

2200
01:51:37,040 --> 01:51:38,800
Speaker 3: argum make us feel fuck with the black people, and

2201
01:51:38,800 --> 01:51:41,000
Speaker 3: we assigned points scores from Zio tw one hundred and

2202
01:51:41,400 --> 01:51:45,800
Speaker 3: twenty five today's contestants. Everybody, all right, let's see who

2203
01:51:45,880 --> 01:51:53,280
Speaker 3: is fucking with us today. Let's see how about Uh oh,

2204
01:51:53,360 --> 01:51:55,880
Speaker 3: did y'all see the video of the white woman whooping

2205
01:51:55,920 --> 01:51:57,639
Speaker 3: that other white woman ass for being racist?

2206
01:52:00,680 --> 01:52:02,680
Speaker 5: I've seen bench and pieces of it.

2207
01:52:03,400 --> 01:52:07,200
Speaker 3: What happened, Well, I'll try to put it on screen

2208
01:52:07,360 --> 01:52:10,519
Speaker 3: if they if they have it. But a white woman

2209
01:52:10,600 --> 01:52:16,280
Speaker 3: was minding her motherfucking business as she is wont to do,

2210
01:52:17,120 --> 01:52:20,280
Speaker 3: and another white woman got it uh to say some

2211
01:52:20,400 --> 01:52:23,000
Speaker 3: racist ship to her about I believe it's Asians?

2212
01:52:23,760 --> 01:52:24,480
Speaker 2: What?

2213
01:52:25,120 --> 01:52:28,320
Speaker 3: Yeah, she went specific with it, like I don't even know,

2214
01:52:28,360 --> 01:52:33,479
Speaker 3: I mean Haitian or I don't. Well, here's the thing,

2215
01:52:33,560 --> 01:52:36,280
Speaker 3: I don't even know how the racism got specific to

2216
01:52:36,439 --> 01:52:37,600
Speaker 3: just Haitians.

2217
01:52:37,439 --> 01:52:38,240
Speaker 5: It's gonna be something.

2218
01:52:38,520 --> 01:52:40,839
Speaker 3: I always just thought white people was like not white

2219
01:52:41,200 --> 01:52:43,240
Speaker 3: and white when they come to racism. I didn't know

2220
01:52:43,280 --> 01:52:46,120
Speaker 3: they was all on this specific like not just all

2221
01:52:46,160 --> 01:52:52,000
Speaker 3: black people, it's just some Haitians. But yees. Apparently she

2222
01:52:52,080 --> 01:52:55,880
Speaker 3: said she was in a hotel lobby. Another woman came

2223
01:52:55,920 --> 01:53:00,439
Speaker 3: in made a racist comment about Haitians in the hotel lobby,

2224
01:53:00,560 --> 01:53:01,880
Speaker 3: and she uh.

2225
01:53:02,680 --> 01:53:05,800
Speaker 11: I ended up getting into it.

2226
01:53:06,000 --> 01:53:08,000
Speaker 3: Oh, y'all can't see it? Hold on, hold on, hold on, guys,

2227
01:53:08,040 --> 01:53:09,920
Speaker 3: I'm gonna get it on screen. Give me a second.

2228
01:53:11,920 --> 01:53:15,840
Speaker 3: Y'all know how this goes? Showing me sharing it? I

2229
01:53:15,880 --> 01:53:21,519
Speaker 3: don't know why it's not showing on all right, all right, okay,

2230
01:53:21,520 --> 01:53:23,759
Speaker 3: I'll see. I just got to it took two long message,

2231
01:53:23,760 --> 01:53:25,559
Speaker 3: give me one more time. We're gonna try this again,

2232
01:53:25,680 --> 01:53:29,880
Speaker 3: y'allresh Yeah, I'm yeah, I not.

2233
01:53:29,920 --> 01:53:30,559
Speaker 2: I refreshed.

2234
01:53:30,680 --> 01:53:33,920
Speaker 3: But look when I saw this video, I didn't have

2235
01:53:33,960 --> 01:53:36,880
Speaker 3: the context at the time. I just it was just like, yo,

2236
01:53:37,000 --> 01:53:39,200
Speaker 3: white girls could throw them hands or something, and I

2237
01:53:39,240 --> 01:53:42,080
Speaker 3: was like, damn white on white violence. What about the

2238
01:53:42,120 --> 01:53:46,200
Speaker 3: cheese and Wisconsin so sad, so sad to see this.

2239
01:53:46,520 --> 01:53:50,160
Speaker 3: You know, the children and Green Bay are gonna be

2240
01:53:50,160 --> 01:53:53,559
Speaker 3: so hurt. And I didn't know what it was about.

2241
01:53:53,600 --> 01:53:56,719
Speaker 3: But turns out she was fighting for on the side

2242
01:53:56,760 --> 01:53:59,400
Speaker 3: of fighting against racism, and that was a race anti

2243
01:53:59,479 --> 01:54:04,240
Speaker 3: racist hands of justice, and I am always into that. Okay,

2244
01:54:04,240 --> 01:54:05,639
Speaker 3: all right, let me see if I can play.

2245
01:54:05,479 --> 01:54:10,679
Speaker 11: This soccer tournament going on at the hotel. A bunch

2246
01:54:10,680 --> 01:54:14,160
Speaker 11: of little Haitian boys and their mothers were in the lobby.

2247
01:54:14,160 --> 01:54:16,000
Speaker 1: They had a church service.

2248
01:54:15,640 --> 01:54:16,559
Speaker 11: Going on over here.

2249
01:54:16,880 --> 01:54:17,760
Speaker 5: And I'm a white person.

2250
01:54:17,800 --> 01:54:20,760
Speaker 11: I'm walking out of the elevator and I see a

2251
01:54:20,880 --> 01:54:23,679
Speaker 11: white lady standing at the desk talking to the white

2252
01:54:24,040 --> 01:54:28,519
Speaker 11: clerk saying, you know, uh, you guys need to do

2253
01:54:28,560 --> 01:54:31,960
Speaker 11: something about all these wet floors over here. You know

2254
01:54:31,960 --> 01:54:34,160
Speaker 11: how these Haitian people are so to me, she was

2255
01:54:34,200 --> 01:54:37,880
Speaker 11: inferring that, I don't know, Haitian people are more likely

2256
01:54:38,000 --> 01:54:41,000
Speaker 11: to sue somebody than another race, you know what I mean?

2257
01:54:41,160 --> 01:54:44,160
Speaker 11: Just what do they call those stereotypes? You know what

2258
01:54:44,200 --> 01:54:48,440
Speaker 11: I mean? So, and and you know who was she

2259
01:54:48,480 --> 01:54:51,360
Speaker 11: to say that? And And what's the point of even

2260
01:54:51,400 --> 01:54:53,800
Speaker 11: saying that? Why do you have to be nasty? Why

2261
01:54:53,800 --> 01:54:55,160
Speaker 11: do you want to set up and being nasty for

2262
01:54:55,600 --> 01:54:58,680
Speaker 11: I don't get that. So, like I said, I went

2263
01:54:58,720 --> 01:55:00,480
Speaker 11: to her and I made sure what she's that tried

2264
01:55:00,520 --> 01:55:02,600
Speaker 11: to release that she didn't want to hear that, So

2265
01:55:02,680 --> 01:55:04,080
Speaker 11: we don't worry about it because I'm not black.

2266
01:55:05,000 --> 01:55:09,000
Speaker 3: Mm hmmm. So she said some racist shit about Haitian people.

2267
01:55:09,240 --> 01:55:12,480
Speaker 3: Old girl heard it. Then what she confronted her about it,

2268
01:55:12,520 --> 01:55:16,000
Speaker 3: she went, don't worry about it, You're not black, and

2269
01:55:17,160 --> 01:55:19,440
Speaker 3: that's how the altercation started. Now I'm about to find

2270
01:55:19,440 --> 01:55:21,080
Speaker 3: a video video though, because.

2271
01:55:21,600 --> 01:55:23,600
Speaker 2: She got.

2272
01:55:24,960 --> 01:55:29,560
Speaker 3: Yeh, she got, she got molly wopped, and they don't

2273
01:55:29,600 --> 01:55:30,080
Speaker 3: be ready.

2274
01:55:30,200 --> 01:55:30,600
Speaker 2: You know what.

2275
01:55:30,680 --> 01:55:33,400
Speaker 4: I've realized that me and Rochees talked about this and

2276
01:55:33,440 --> 01:55:36,760
Speaker 4: I don't I think it's going to black people that

2277
01:55:36,840 --> 01:55:39,960
Speaker 4: are the loudest don't want none, like like people that

2278
01:55:40,040 --> 01:55:42,000
Speaker 4: put on the spectacle in the show.

2279
01:55:42,680 --> 01:55:44,880
Speaker 5: And just a you don't want none.

2280
01:55:45,280 --> 01:55:47,240
Speaker 3: Yeah, it was total. And the thing is it was

2281
01:55:47,280 --> 01:55:52,120
Speaker 3: totally one of those times too where she could have

2282
01:55:52,560 --> 01:55:55,280
Speaker 3: been fine, you know what I'm saying, Like she like

2283
01:55:55,880 --> 01:55:59,000
Speaker 3: the woman that got beat up, definitely started it and

2284
01:55:59,080 --> 01:56:01,480
Speaker 3: kept instigating it until she got her ass whoop, Like

2285
01:56:02,280 --> 01:56:04,040
Speaker 3: she got in her face in the wall and she

2286
01:56:04,160 --> 01:56:07,640
Speaker 3: was like, now listen, she did the universal I don't

2287
01:56:07,800 --> 01:56:09,560
Speaker 3: I thought this was a black dag. I did not

2288
01:56:09,760 --> 01:56:12,520
Speaker 3: know that white people do this too. She did the

2289
01:56:12,640 --> 01:56:16,160
Speaker 3: universal slowly taking my accessories.

2290
01:56:15,520 --> 01:56:17,800
Speaker 5: Off, while you too busy jacking your lips.

2291
01:56:17,840 --> 01:56:20,720
Speaker 3: And the whole time I was watching, I said, I

2292
01:56:20,760 --> 01:56:21,840
Speaker 3: was like, that woman got hair?

2293
01:56:23,200 --> 01:56:28,320
Speaker 2: What time like three? Three? Yeah, thank you?

2294
01:56:29,560 --> 01:56:32,720
Speaker 3: But look she did the universal slowly taking my ship off.

2295
01:56:32,760 --> 01:56:36,840
Speaker 3: That always means a woman got hands every single time,

2296
01:56:37,080 --> 01:56:39,200
Speaker 3: like I've never seen it the other way.

2297
01:56:40,000 --> 01:56:41,320
Speaker 2: She was sitting down.

2298
01:56:41,680 --> 01:56:46,600
Speaker 3: Yes, she started taking off her shoes. I said, oh, oh,

2299
01:56:46,680 --> 01:56:48,920
Speaker 3: like run, you know what I'm saying.

2300
01:56:49,200 --> 01:56:52,000
Speaker 4: Run You see the ear rings come out, specially you

2301
01:56:52,080 --> 01:56:53,240
Speaker 4: know they got two three holes.

2302
01:56:53,240 --> 01:56:55,960
Speaker 5: They'll take them all off. They start stripping off the necklaces.

2303
01:56:56,200 --> 01:56:57,960
Speaker 3: Oh, don't let them put their hair in upon the tail.

2304
01:56:58,040 --> 01:57:00,280
Speaker 3: Don't let them put their hair upon tail. Like I

2305
01:57:00,600 --> 01:57:03,120
Speaker 3: I'm surprised you giving somebody this much time to do it.

2306
01:57:03,360 --> 01:57:05,839
Speaker 3: I wouldn't fight a person that was doing I wouldn't

2307
01:57:05,840 --> 01:57:08,040
Speaker 3: give it. Was a dude. If we start taking off

2308
01:57:08,080 --> 01:57:09,920
Speaker 3: accessories and putting their hair up, I'm like, oh no,

2309
01:57:10,000 --> 01:57:12,760
Speaker 3: hold up, brother, it's not that serious. It's not even

2310
01:57:12,760 --> 01:57:14,800
Speaker 3: that serious. All right, here here's the video. Okay, let

2311
01:57:14,840 --> 01:57:18,520
Speaker 3: me give you a sound and make it bigger. I'll

2312
01:57:18,520 --> 01:57:19,400
Speaker 3: make this ship bigger.

2313
01:57:20,560 --> 01:57:21,360
Speaker 2: Oh was it? Oh?

2314
01:57:21,440 --> 01:57:22,520
Speaker 3: Because I meet it up here?

2315
01:57:22,680 --> 01:57:23,040
Speaker 2: All right?

2316
01:57:24,960 --> 01:57:26,080
Speaker 3: So all right, here we go.

2317
01:57:26,280 --> 01:57:26,720
Speaker 2: This is a.

2318
01:57:30,160 --> 01:57:34,800
Speaker 3: Oh it's that something shooting on the face.

2319
01:57:35,920 --> 01:57:36,120
Speaker 2: Oh.

2320
01:57:36,200 --> 01:57:41,160
Speaker 3: Also, the woman that got beat up is supposedly pregnant.

2321
01:57:41,960 --> 01:57:44,840
Speaker 3: Come on, she got her ass with for two. That's

2322
01:57:44,840 --> 01:57:46,960
Speaker 3: her fault. Okay, I'm not gonna feel bad.

2323
01:57:47,560 --> 01:57:48,160
Speaker 2: She's pregnant.

2324
01:57:48,160 --> 01:57:58,840
Speaker 9: Like she's pregnant.

2325
01:58:02,320 --> 01:58:04,080
Speaker 2: She got it. It's over.

2326
01:58:12,280 --> 01:58:14,240
Speaker 3: Shout out to the black security guard who waited til

2327
01:58:14,240 --> 01:58:17,080
Speaker 3: the ass was over. I see you, player, I see you,

2328
01:58:17,120 --> 01:58:19,760
Speaker 3: play boy, I see you. He was like, not yet,

2329
01:58:20,240 --> 01:58:24,200
Speaker 3: not yet. Okay, she's studying. Uh yeah, let's break this up, ladies,

2330
01:58:24,640 --> 01:58:26,560
Speaker 3: damn saying, damn thing, what happens just now?

2331
01:58:26,640 --> 01:58:26,720
Speaker 2: Right?

2332
01:58:26,760 --> 01:58:28,760
Speaker 4: Because her thing was like I was cool with you yelling,

2333
01:58:28,800 --> 01:58:30,320
Speaker 4: but you put your hands on me.

2334
01:58:30,640 --> 01:58:32,400
Speaker 5: Yeah, we're gonna have a motherfucking problem.

2335
01:58:32,480 --> 01:58:34,920
Speaker 3: Yeah, you not keep your hands off, feeble.

2336
01:58:34,720 --> 01:58:36,800
Speaker 4: And you being pregnant, ain't got a goddamn thing to

2337
01:58:36,840 --> 01:58:38,400
Speaker 4: do what you put your fucking hands on me?

2338
01:58:38,640 --> 01:58:41,640
Speaker 2: Right? Did she in the face for real? Yeah?

2339
01:58:41,680 --> 01:58:43,560
Speaker 3: She must in the face. She hit her with the

2340
01:58:43,840 --> 01:58:46,480
Speaker 3: man that she hit her with them hands of justice

2341
01:58:46,720 --> 01:58:51,000
Speaker 3: them beats sounded solid that they sound like a drum beat,

2342
01:58:51,120 --> 01:58:54,640
Speaker 3: like hold on, I'm about to play this again. We

2343
01:58:54,680 --> 01:58:56,440
Speaker 3: gotta i gotta show y'all one more time.

2344
01:58:59,120 --> 01:59:02,440
Speaker 2: I'm thinking now.

2345
01:59:02,520 --> 01:59:07,160
Speaker 3: See she warned you there, she gave you intention. This

2346
01:59:07,200 --> 01:59:09,920
Speaker 3: is Florida. It's a stay in your ground stake. She said,

2347
01:59:10,440 --> 01:59:13,200
Speaker 3: I'm taking my ship. Also, if she gets in my face,

2348
01:59:13,280 --> 01:59:16,200
Speaker 3: I can defend myself. And this woman went and said,

2349
01:59:16,480 --> 01:59:18,320
Speaker 3: I'm gonna get in your face so you can defend

2350
01:59:18,360 --> 01:59:22,320
Speaker 3: yourself and was not prepared like in any way. That

2351
01:59:22,360 --> 01:59:25,840
Speaker 3: woman was not prepared for the ruckets. Okay, she didn't

2352
01:59:25,840 --> 01:59:27,440
Speaker 3: even throw a punch. I don't think. She just got

2353
01:59:27,440 --> 01:59:38,680
Speaker 3: in her face like this, do something. Okay, boy, we're

2354
01:59:38,680 --> 01:59:40,480
Speaker 3: not gonna make it the room four on five, honey,

2355
01:59:42,360 --> 01:59:55,480
Speaker 3: m oh yeah, I'm sorry. Couldn't hit the audio. But

2356
01:59:56,400 --> 02:00:00,360
Speaker 3: yet she she basically said, the woman who got beat upset,

2357
02:00:00,400 --> 02:00:02,680
Speaker 3: I mean room four five. You're not making it to

2358
02:00:02,760 --> 02:00:05,800
Speaker 3: room four five, dog, It's happening in the lobby right now.

2359
02:00:05,960 --> 02:00:09,080
Speaker 3: So go lay down in room four five, laid on

2360
02:00:09,840 --> 02:00:11,560
Speaker 3: and put some ice on your head because you don't

2361
02:00:11,600 --> 02:00:14,200
Speaker 3: got Molly wiped out. It was so good. Thank you

2362
02:00:14,240 --> 02:00:17,400
Speaker 3: White lady zero to one hundred Karen Oh on the

2363
02:00:17,520 --> 02:00:22,240
Speaker 3: zero zero for care, Okay, what about you, Cory negative

2364
02:00:22,240 --> 02:00:24,560
Speaker 3: one hundred, negative one hundred, All right, yep, I give

2365
02:00:24,600 --> 02:00:27,680
Speaker 3: this a zero myself. Don't feel fucked with us all

2366
02:00:27,720 --> 02:00:30,640
Speaker 3: at all. Don't write me about how violence is always

2367
02:00:30,640 --> 02:00:33,560
Speaker 3: wrong or it's wrong to hear the pregnant lady. I

2368
02:00:33,560 --> 02:00:35,560
Speaker 3: don't give a fuck. Don't be racist to people you

2369
02:00:35,560 --> 02:00:37,560
Speaker 3: don't know and get your ass whipped in the lobby

2370
02:00:37,600 --> 02:00:39,560
Speaker 3: of a hotel and go viral. That's that's what should

2371
02:00:39,560 --> 02:00:45,160
Speaker 3: not happen. Also shout out to that lady that whipped

2372
02:00:45,160 --> 02:00:49,160
Speaker 3: her ass. She also had put out like either Facebook

2373
02:00:49,200 --> 02:00:52,160
Speaker 3: or Twitter post that was like, listen, I know people

2374
02:00:52,200 --> 02:00:54,920
Speaker 3: just try and give me extrapos because I'm white, but really,

2375
02:00:54,960 --> 02:00:56,440
Speaker 3: I know it would have been different.

2376
02:00:56,120 --> 02:00:56,640
Speaker 2: If I was black.

2377
02:00:56,680 --> 02:00:59,720
Speaker 3: Blah blah blah. And I'm like, yo, is who's educating

2378
02:00:59,720 --> 02:01:02,480
Speaker 3: these white people? Because that's starting to happen more. Where

2379
02:01:02,520 --> 02:01:05,040
Speaker 3: like the family of Heather Hired, they put out a

2380
02:01:05,040 --> 02:01:07,760
Speaker 3: statement like, Hey, look, we know that y'all care because

2381
02:01:07,800 --> 02:01:09,880
Speaker 3: Heather was white, but if she would have been black

2382
02:01:09,960 --> 02:01:12,400
Speaker 3: and been at that protest, y'all should be just as mad.

2383
02:01:14,040 --> 02:01:18,280
Speaker 4: These white folks getting the stafy pan boxes. Nobody tell nobody.

2384
02:01:17,760 --> 02:01:24,080
Speaker 3: On something dog. Uh, deteriorating dust might deteriorating dust might.

2385
02:01:24,440 --> 02:01:28,240
Speaker 3: Sacy Dash calls Anti Maxine Waters ub bufoon. Of course

2386
02:01:28,240 --> 02:01:32,160
Speaker 3: that's headlines brought to you by of course, where I

2387
02:01:32,160 --> 02:01:36,520
Speaker 3: get all my shady headlines. Apparently she tried it. Stacey

2388
02:01:36,600 --> 02:01:42,400
Speaker 3: Dash blast Massine Waters. Uh this article aged applehead. Stacey

2389
02:01:42,480 --> 02:01:51,879
Speaker 3: Dash is still God, it's still it's still making asinine

2390
02:01:51,880 --> 02:01:57,320
Speaker 3: comments from the unemployment line. Ah, you know it's funny.

2391
02:01:57,400 --> 02:02:00,480
Speaker 3: Last week I really did ask what what happened to

2392
02:02:00,520 --> 02:02:03,560
Speaker 3: Stacy Dash because it's like she just disappeared at the

2393
02:02:03,560 --> 02:02:05,280
Speaker 3: Fox got rid of I thought somebody else would have

2394
02:02:05,280 --> 02:02:07,760
Speaker 3: picked up, but uh no, I ain't.

2395
02:02:07,760 --> 02:02:09,280
Speaker 5: No nigga off was why we need you?

2396
02:02:10,320 --> 02:02:14,320
Speaker 3: The defunct and deteriorating Fox News commentator took Tom away

2397
02:02:14,320 --> 02:02:17,040
Speaker 3: from well doing absolutely nothing to come for none other

2398
02:02:17,080 --> 02:02:20,080
Speaker 3: than at Anti Maxine Waters. Stacey retweeted a post about

2399
02:02:20,080 --> 02:02:23,040
Speaker 3: Maxine's Black Girl's Rock acceptance speech where she blasted her

2400
02:02:23,080 --> 02:02:27,480
Speaker 3: all right, ultra conservative haters. Oh I need a refreshing Okay,

2401
02:02:27,520 --> 02:02:31,520
Speaker 3: give me one second, everybody, I'll be right back. Oh okay,

2402
02:02:31,640 --> 02:02:34,320
Speaker 3: Oh maybe that's what happened earlier. All right, all right,

2403
02:02:34,360 --> 02:02:37,320
Speaker 3: refreshing guys, give me a take, like a minute or whatever,

2404
02:02:37,600 --> 02:02:40,960
Speaker 3: and we'll get right back to it. But yeah, Stacey

2405
02:02:41,000 --> 02:02:44,560
Speaker 3: out here in the streets still talking shit, man, like

2406
02:02:44,720 --> 02:02:47,320
Speaker 3: you ain't got no job, just go do what people

2407
02:02:47,360 --> 02:02:48,680
Speaker 3: with our jobs doing. Shut up?

2408
02:02:49,680 --> 02:02:49,920
Speaker 2: You know.

2409
02:02:50,120 --> 02:02:52,000
Speaker 3: She spent all that time telling other black people to

2410
02:02:52,000 --> 02:02:56,760
Speaker 3: shut up, like stop complaining, and then they go on

2411
02:02:56,520 --> 02:02:59,200
Speaker 3: on Twitter and shit, and it's like, ain't you the snowflake?

2412
02:02:59,280 --> 02:03:02,800
Speaker 3: Do you need to say, like Maxine can't go to

2413
02:03:02,840 --> 02:03:05,080
Speaker 3: a Black girl event and have fun, Like that's the

2414
02:03:05,080 --> 02:03:07,200
Speaker 3: only time you bring up anything is to tell black

2415
02:03:07,200 --> 02:03:10,040
Speaker 3: people not to have fun, not to do things for blackness,

2416
02:03:10,080 --> 02:03:12,000
Speaker 3: like get the fuck out of here. And Stacey Dash

2417
02:03:12,080 --> 02:03:14,880
Speaker 3: is legitimately one of those people that wouldn't be famous

2418
02:03:14,920 --> 02:03:17,880
Speaker 3: without black people. Like the beginning of her career is

2419
02:03:17,920 --> 02:03:20,600
Speaker 3: all us being like, oh, Stacy Dash, I know that

2420
02:03:20,760 --> 02:03:23,960
Speaker 3: is like, get the fuck out of here. All right,

2421
02:03:24,160 --> 02:03:29,200
Speaker 3: I'm almost back here, No problem there, I go. All right,

2422
02:03:29,240 --> 02:03:30,480
Speaker 3: so I'll be back in a second. There we go,

2423
02:03:30,640 --> 02:03:34,919
Speaker 3: all right, And she called her a corrupt media buffoon

2424
02:03:35,000 --> 02:03:38,680
Speaker 3: instead of the light in the black community. She is, uh,

2425
02:03:38,800 --> 02:03:41,360
Speaker 3: Stacey Dash tweets this is how you spend a corrupt

2426
02:03:41,400 --> 02:03:44,280
Speaker 3: media buffoon sucking up her late in life fifteen minutes,

2427
02:03:44,760 --> 02:03:47,320
Speaker 3: and it was black girl rocks except the speech Annie

2428
02:03:47,320 --> 02:03:49,919
Speaker 3: Maxine Waters. It was basically a BT dot com link,

2429
02:03:50,680 --> 02:03:53,800
Speaker 3: which who would you be with our bat dot com?

2430
02:03:54,080 --> 02:03:57,680
Speaker 3: Like first place I seen Stacey Dash was probably on

2431
02:03:57,680 --> 02:04:03,120
Speaker 3: some BT shit, So right, but yeah, the nervous crumble

2432
02:04:03,160 --> 02:04:08,760
Speaker 3: cookie face Helfer says, who bossip, don't play man?

2433
02:04:08,800 --> 02:04:11,240
Speaker 5: Whoever wrote this was angerye.

2434
02:04:11,600 --> 02:04:15,120
Speaker 3: People are now rightfully dragging Stacey and claiming antivaxines, reclaim

2435
02:04:15,640 --> 02:04:21,320
Speaker 3: Auntivaxine's time. Fun how representing Maxine at representative Maxine Waters

2436
02:04:21,360 --> 02:04:23,520
Speaker 3: fifteen minutes is lasting long? And then at real State's

2437
02:04:23,560 --> 02:04:28,040
Speaker 3: Dash entire career, someone said, and if anyone knows about

2438
02:04:28,040 --> 02:04:30,760
Speaker 3: corrupt media buffoons sucking up there late in life fifteen minutes,

2439
02:04:30,800 --> 02:04:33,760
Speaker 3: girl have a seat at this prince gift that now,

2440
02:04:33,840 --> 02:04:38,480
Speaker 3: sis have a seat. Yep. So she got drug to

2441
02:04:38,520 --> 02:04:43,400
Speaker 3: hell for Karen, zero to one hundred, a hundred for her. Okay,

2442
02:04:43,680 --> 02:04:44,920
Speaker 3: what about you, Cory?

2443
02:04:46,160 --> 02:04:47,520
Speaker 2: Yeah she get a hundred.

2444
02:04:47,480 --> 02:04:50,600
Speaker 3: Yeah, yeah, one hundred for Stacy a lifetime achievement, one

2445
02:04:50,720 --> 02:04:54,040
Speaker 3: hundred person. Now exactly when is she gonna just pop

2446
02:04:54,120 --> 02:04:56,920
Speaker 3: up and say something normal like what happened? What is

2447
02:04:56,960 --> 02:05:00,000
Speaker 3: the switch that flips in like the coonery or whatever

2448
02:05:00,040 --> 02:05:01,880
Speaker 3: where it's like everything I say for the rest of

2449
02:05:01,920 --> 02:05:04,680
Speaker 3: my life is gonna be fuck black people. Like you

2450
02:05:04,720 --> 02:05:07,080
Speaker 3: can't ever just have a tweet like had a delicious

2451
02:05:07,120 --> 02:05:09,760
Speaker 3: pop tark this morning, Like you really have to wake

2452
02:05:09,840 --> 02:05:13,120
Speaker 3: up and be like black people enjoying pop tars is

2453
02:05:13,160 --> 02:05:16,240
Speaker 3: the problem with America and y'all. The reason that pop

2454
02:05:16,280 --> 02:05:18,160
Speaker 3: toss costs so much, like what happened.

2455
02:05:17,880 --> 02:05:19,160
Speaker 5: Because you gotta keep your job.

2456
02:05:19,280 --> 02:05:22,720
Speaker 4: The second you act normal white folks gonna become uninterested.

2457
02:05:22,880 --> 02:05:25,080
Speaker 3: It's weird because she ain't got a job and she's

2458
02:05:25,080 --> 02:05:25,960
Speaker 3: still talking like this.

2459
02:05:26,120 --> 02:05:28,880
Speaker 5: She's seeking one. She like somebody eventually gonna pick me up.

2460
02:05:29,080 --> 02:05:31,560
Speaker 3: I ain't for the first nigga to be like I

2461
02:05:31,640 --> 02:05:33,920
Speaker 3: was cooling on TV, but then they fired me and

2462
02:05:33,960 --> 02:05:35,960
Speaker 3: now I'm back. You know what I'm saying. I ain't

2463
02:05:36,000 --> 02:05:37,760
Speaker 3: know that dude to be like, look, man, I said

2464
02:05:37,760 --> 02:05:39,440
Speaker 3: what I had to say. Man, Fox was giving out

2465
02:05:39,520 --> 02:05:42,520
Speaker 3: checks for any black person, said, what was I supposed

2466
02:05:42,520 --> 02:05:44,200
Speaker 3: to do? I was broke. I was living out of

2467
02:05:44,200 --> 02:05:46,880
Speaker 3: my car and they had Hey put on a suit

2468
02:05:46,920 --> 02:05:48,480
Speaker 3: and come say, black people ain't shit. They gave me

2469
02:05:48,560 --> 02:05:52,280
Speaker 3: a thousand dollars they stopped paying me. I'm back y'all. Sorry.

2470
02:05:52,360 --> 02:05:53,280
Speaker 3: See you had to cook out.

2471
02:05:53,600 --> 02:05:57,080
Speaker 5: You know there'll be people standing outside locking them out. Nope,

2472
02:05:57,640 --> 02:05:59,480
Speaker 5: we're bringing your plate. But what you ain't gonna do

2473
02:05:59,520 --> 02:06:00,000
Speaker 5: is getting the play.

2474
02:06:00,360 --> 02:06:00,600
Speaker 2: You'll be.

2475
02:06:00,680 --> 02:06:00,960
Speaker 3: You'll be.

2476
02:06:01,200 --> 02:06:03,080
Speaker 5: Here's your to gold plate. Take your ass home.

2477
02:06:03,200 --> 02:06:05,280
Speaker 3: Yeah, that's what it is. It's for your kid. Come

2478
02:06:05,320 --> 02:06:08,240
Speaker 3: to the Yeah, you can't go to the no the area.

2479
02:06:08,280 --> 02:06:12,320
Speaker 3: Three pieces of a rap for you, bro. Sorry. Meek Mill

2480
02:06:12,480 --> 02:06:18,600
Speaker 3: wrongful death lawsuit is laced with racist allegations. So Meek

2481
02:06:18,680 --> 02:06:21,240
Speaker 3: Mill in sins that he did have nothing to do

2482
02:06:21,320 --> 02:06:23,640
Speaker 3: with two people died outside the place he before and

2483
02:06:23,720 --> 02:06:26,000
Speaker 3: the venue, claims that people are sewing, that the people

2484
02:06:26,000 --> 02:06:28,440
Speaker 3: that are sewing are a bunch of racists. The rapper

2485
02:06:28,480 --> 02:06:31,000
Speaker 3: foul New Legal Docks, defending himself in a wrongful death

2486
02:06:31,080 --> 02:06:35,840
Speaker 3: suit fouled against him, alleging his thug fans incited the

2487
02:06:35,920 --> 02:06:40,600
Speaker 3: violence at his December concert outside of Oakdale Theater at Wallingford, Connecticut,

2488
02:06:41,240 --> 02:06:44,200
Speaker 3: and a document of tame by TMZ Meat calls bs

2489
02:06:44,200 --> 02:06:48,600
Speaker 3: on the allegations his murderous lyrics incited the violence. Yet, dude,

2490
02:06:48,600 --> 02:06:52,480
Speaker 3: what listen. I have listened to a lot of rapping

2491
02:06:52,560 --> 02:06:55,360
Speaker 3: my life. I have never killed a nigga because of

2492
02:06:55,360 --> 02:06:59,360
Speaker 3: a raps home, never like we can't like, we can't

2493
02:06:59,360 --> 02:07:01,560
Speaker 3: do that where just like I had to kill him. Man,

2494
02:07:01,600 --> 02:07:03,760
Speaker 3: the song was too jamming, you know what I mean,

2495
02:07:03,880 --> 02:07:05,200
Speaker 3: like too banging.

2496
02:07:05,880 --> 02:07:09,840
Speaker 2: Ever, Right, you can't blame music for something that that

2497
02:07:10,520 --> 02:07:15,360
Speaker 2: that's not that's outside of you, right man, It's not.

2498
02:07:15,480 --> 02:07:16,400
Speaker 2: That's not the way it works.

2499
02:07:16,440 --> 02:07:18,480
Speaker 3: Like what the fuck was the slavery soundtrack?

2500
02:07:18,560 --> 02:07:18,680
Speaker 2: Then?

2501
02:07:18,720 --> 02:07:20,400
Speaker 3: Because I want to know what they was listening to?

2502
02:07:20,680 --> 02:07:21,600
Speaker 3: What was that jamming?

2503
02:07:21,760 --> 02:07:22,320
Speaker 2: You know what I mean?

2504
02:07:22,560 --> 02:07:24,400
Speaker 3: I'm about to own a person today.

2505
02:07:25,400 --> 02:07:25,720
Speaker 2: Uh.

2506
02:07:26,000 --> 02:07:29,680
Speaker 3: Live Nation, which runs Oakdale, is also being sued, claims

2507
02:07:29,720 --> 02:07:32,880
Speaker 3: the victims family has stooped to racial stereotypes by calling

2508
02:07:32,960 --> 02:07:36,600
Speaker 3: the fan thugs. As we reported, a hell of bullets

2509
02:07:36,640 --> 02:07:39,200
Speaker 3: killed two and injured two outside of Oakdale Theater, the

2510
02:07:39,240 --> 02:07:42,560
Speaker 3: plane of Attorney Joe Faxon tell TMC's confident the families

2511
02:07:42,560 --> 02:07:45,120
Speaker 3: of those shot at the concert degree mister mill meets

2512
02:07:45,120 --> 02:07:45,920
Speaker 3: the definition of.

2513
02:07:45,880 --> 02:07:51,320
Speaker 2: A thug was was the victim black? Or was somebody

2514
02:07:51,360 --> 02:07:53,080
Speaker 2: in there was the victim white.

2515
02:07:54,280 --> 02:07:56,480
Speaker 3: Yeah, I don't even see. Yeah, they don't have the

2516
02:07:57,000 --> 02:08:00,839
Speaker 3: pictures of the victims. He also said me those concert

2517
02:08:00,960 --> 02:08:03,800
Speaker 3: goers or duty to provide a safe concert experience and

2518
02:08:03,880 --> 02:08:06,200
Speaker 3: warn them of past violence at his events.

2519
02:08:06,760 --> 02:08:08,840
Speaker 5: What that's the views? What we talk about?

2520
02:08:09,000 --> 02:08:13,000
Speaker 3: Also, what would I Hey, guys, before we perform tonight,

2521
02:08:13,840 --> 02:08:16,320
Speaker 3: I just would like to say, sometimes people get beat

2522
02:08:16,360 --> 02:08:18,720
Speaker 3: up in my shoves. All right, So a lot of.

2523
02:08:18,720 --> 02:08:22,280
Speaker 4: People shows like not not only black people, like across

2524
02:08:22,320 --> 02:08:23,440
Speaker 4: the country, it's a lot of white shows.

2525
02:08:23,440 --> 02:08:25,400
Speaker 5: Gotta be recent and people up to all right.

2526
02:08:25,520 --> 02:08:28,280
Speaker 3: I'm also trying to like so before like is it

2527
02:08:28,360 --> 02:08:30,960
Speaker 3: specific songs like this, Wu Tang had to come out

2528
02:08:30,960 --> 02:08:32,800
Speaker 3: and be like, listen, guys, what are about to perform?

2529
02:08:32,840 --> 02:08:35,720
Speaker 3: Wu tank plan ain't nothing to fuck with and things

2530
02:08:35,760 --> 02:08:37,680
Speaker 3: have been known to get rowdy. So I'm gonna need

2531
02:08:37,760 --> 02:08:41,320
Speaker 3: everybody to understand you will get your ass well coming

2532
02:08:41,360 --> 02:08:43,400
Speaker 3: down the stage. All right, let's get it going, like

2533
02:08:43,560 --> 02:08:44,120
Speaker 3: what the fuck?

2534
02:08:45,000 --> 02:08:45,440
Speaker 2: Uh?

2535
02:08:45,600 --> 02:08:48,440
Speaker 3: But yeah, calling them thugs, come on, guys, we know

2536
02:08:48,480 --> 02:08:53,560
Speaker 3: what that means. Just call them niggas. Uh zeo twe

2537
02:08:53,640 --> 02:08:59,080
Speaker 3: hundred care? Oh all right, what about you, Cory? Yeah,

2538
02:08:59,120 --> 02:09:01,400
Speaker 3: one hundred yeah, I give it one hundred two man

2539
02:09:01,520 --> 02:09:03,800
Speaker 3: and and recipes of them people, Man, nobody should die

2540
02:09:03,840 --> 02:09:06,720
Speaker 3: the concert. I get that, like not saying it's okay,

2541
02:09:06,760 --> 02:09:10,440
Speaker 3: But how you gonna blame the the performer, like did

2542
02:09:10,480 --> 02:09:13,120
Speaker 3: he shoot them? Because if not on did he shoot them?

2543
02:09:13,240 --> 02:09:13,400
Speaker 2: Right?

2544
02:09:13,440 --> 02:09:18,040
Speaker 3: Did he say shoot them? Like I don't know, you know,

2545
02:09:18,320 --> 02:09:20,680
Speaker 3: I don't listen to that much meat meal, but I imagine

2546
02:09:20,560 --> 02:09:22,360
Speaker 3: that it can't be no worse than Little John. The

2547
02:09:22,400 --> 02:09:25,000
Speaker 3: East Side Boys, and they never got sued, and them

2548
02:09:25,040 --> 02:09:30,640
Speaker 3: songs was about fighting, right. They'd be like, what side

2549
02:09:30,640 --> 02:09:32,480
Speaker 3: of the street you live on the left side of

2550
02:09:32,480 --> 02:09:34,920
Speaker 3: the right side? And they be like, the left side

2551
02:09:35,000 --> 02:09:37,560
Speaker 3: stand up, and the right side, y'all stand up? Now,

2552
02:09:37,640 --> 02:09:40,480
Speaker 3: fright that nigga over there. You're like, yes, I'm gonna

2553
02:09:40,480 --> 02:09:41,440
Speaker 3: fuck this nigga up.

2554
02:09:44,040 --> 02:09:47,880
Speaker 2: The hunger Games of right, listen Little John.

2555
02:09:47,920 --> 02:09:50,000
Speaker 3: I stopped going to the club when Little John came on.

2556
02:09:50,240 --> 02:09:53,400
Speaker 3: I was like, I know the rules. It's like it's like, now,

2557
02:09:53,480 --> 02:09:56,640
Speaker 3: east Side Side, you say you' scared, you scared? The

2558
02:09:56,760 --> 02:09:59,120
Speaker 3: South Side and south Side if you scared, say you're scaling.

2559
02:09:59,640 --> 02:10:01,920
Speaker 3: Were like, now look at them and say fuck your cold.

2560
02:10:02,040 --> 02:10:04,080
Speaker 3: I'm like, wait a minute.

2561
02:10:03,920 --> 02:10:07,880
Speaker 4: When I heard beach drop, I was like, that is

2562
02:10:08,080 --> 02:10:08,720
Speaker 4: knock you to go.

2563
02:10:09,000 --> 02:10:12,640
Speaker 3: I'm like this, Simon says, got a little too something

2564
02:10:12,640 --> 02:10:17,000
Speaker 3: about this. Little John says, game got a little too real. Yeah,

2565
02:10:17,160 --> 02:10:19,240
Speaker 3: he told me to tell that dude to shout out

2566
02:10:19,280 --> 02:10:21,480
Speaker 3: his hood and they tell him, fuck your hood. How

2567
02:10:21,480 --> 02:10:23,880
Speaker 3: he not gonna swing on me? You know what I mean?

2568
02:10:24,080 --> 02:10:28,080
Speaker 3: So all right, let's get to uh, let's play some

2569
02:10:28,120 --> 02:10:32,760
Speaker 3: guests the race guys. Oh yes, oh, now that is

2570
02:10:32,840 --> 02:10:36,840
Speaker 3: time for some guests the race. That's right, it's guests

2571
02:10:36,880 --> 02:10:38,720
Speaker 3: the race time.

2572
02:10:39,600 --> 02:10:42,560
Speaker 5: Now, that is time for some guests the race.

2573
02:10:43,400 --> 02:10:45,960
Speaker 3: That's right, it's guest the race time.

2574
02:10:46,560 --> 02:10:47,120
Speaker 2: Did that think?

2575
02:10:48,040 --> 02:10:51,600
Speaker 3: That's right? It's time for the race, the number one

2576
02:10:51,600 --> 02:10:53,240
Speaker 3: game show going across all the podcasts, like we were

2577
02:10:53,240 --> 02:10:54,720
Speaker 3: you to play news artists all over the globe. We

2578
02:10:54,760 --> 02:10:58,040
Speaker 3: asked our contest and today Corey from the Living Color

2579
02:10:58,240 --> 02:11:02,280
Speaker 3: the band to guests the race and the Chapman plays

2580
02:11:02,280 --> 02:11:03,880
Speaker 3: a long and camp plays long and they are racist.

2581
02:11:06,440 --> 02:11:08,160
Speaker 3: Let's see how about.

2582
02:11:07,960 --> 02:11:10,720
Speaker 2: I'm watching I'm watching y'all sing and it's the most

2583
02:11:10,800 --> 02:11:12,760
Speaker 2: hilarious world.

2584
02:11:14,400 --> 02:11:17,120
Speaker 3: You gotta give them a show, man, you know, you

2585
02:11:17,160 --> 02:11:21,160
Speaker 3: gotta give them a show this is what the people want.

2586
02:11:22,720 --> 02:11:24,760
Speaker 5: It's bad singing and hand driving.

2587
02:11:27,640 --> 02:11:33,640
Speaker 3: Oh Man school officials have fired a bus driver accused

2588
02:11:33,680 --> 02:11:36,560
Speaker 3: of driving under the influence with thirty one children on board.

2589
02:11:39,200 --> 02:11:39,480
Speaker 2: LIT.

2590
02:11:41,320 --> 02:11:46,760
Speaker 3: Carol Etherige was arrested in Loganville Middle School grounds on

2591
02:11:46,840 --> 02:11:50,480
Speaker 3: Monday after taking a field sobriety test. According to school leaders,

2592
02:11:50,480 --> 02:11:52,520
Speaker 3: a student on the school bus she was driving noticed

2593
02:11:52,560 --> 02:11:56,840
Speaker 3: something wasn't right. A student on the bus actually notified

2594
02:11:56,840 --> 02:11:59,800
Speaker 3: their parent, and the parent notified the school, said Colleen

2595
02:11:59,840 --> 02:12:03,400
Speaker 3: Moore with Walton County School's investigators said they found a

2596
02:12:03,480 --> 02:12:08,360
Speaker 3: large bottle of tequila, four small bottles of vodka, and

2597
02:12:08,440 --> 02:12:14,000
Speaker 3: four bottles of prescription pills in her purse. Hey, hope, listen, Karen.

2598
02:12:15,120 --> 02:12:17,240
Speaker 3: I feel safe to say this woman felt them kids

2599
02:12:17,320 --> 02:12:18,680
Speaker 3: getting on her motherfucking nerves.

2600
02:12:18,680 --> 02:12:21,960
Speaker 4: Oh she had, you know what she had. She came

2601
02:12:22,000 --> 02:12:24,800
Speaker 4: to work LIT, she had parted all night long.

2602
02:12:25,000 --> 02:12:27,160
Speaker 5: It was like, fuck it. Instead of calling out using

2603
02:12:27,160 --> 02:12:27,680
Speaker 5: your PG.

2604
02:12:27,600 --> 02:12:29,720
Speaker 4: Your time, she was like, I ain't got no more

2605
02:12:29,760 --> 02:12:30,720
Speaker 4: I'm going to work today.

2606
02:12:30,880 --> 02:12:35,560
Speaker 3: I'm not saying I just feel pretty pretty certain that

2607
02:12:35,600 --> 02:12:38,160
Speaker 3: if you had asked this woman about them damn kids,

2608
02:12:38,200 --> 02:12:40,280
Speaker 3: she would have told you they getting on my motherfucking

2609
02:12:40,320 --> 02:12:51,000
Speaker 3: nerves a lot your ass, oh man, Karen guessed the race?

2610
02:12:51,200 --> 02:12:54,160
Speaker 3: What was her first name, Carol Etherich.

2611
02:12:55,200 --> 02:12:57,640
Speaker 4: If you could have said, they found these bottles in

2612
02:12:57,680 --> 02:13:01,680
Speaker 4: the school there, I'm gonna go white.

2613
02:13:02,240 --> 02:13:04,600
Speaker 3: Karen's gone white? What about you, Corey?

2614
02:13:05,360 --> 02:13:09,000
Speaker 2: Mm hmm. You said a student called their parents. M

2615
02:13:09,200 --> 02:13:11,680
Speaker 2: h say that she was drunk. If it was me,

2616
02:13:11,880 --> 02:13:13,760
Speaker 2: I don't wanted to just watch it. I wouldn't turn

2617
02:13:13,800 --> 02:13:15,640
Speaker 2: the phone on. I turned the phone on and film her,

2618
02:13:16,000 --> 02:13:18,560
Speaker 2: not call my parents. So she had to be white.

2619
02:13:18,800 --> 02:13:23,000
Speaker 3: M that's a good point. Uh. If we would have

2620
02:13:23,000 --> 02:13:28,000
Speaker 3: been like a world Star video, catch right, a world

2621
02:13:28,040 --> 02:13:30,800
Speaker 3: Star video with the phone not turned in, landscape catches

2622
02:13:30,840 --> 02:13:34,400
Speaker 3: the school. All right, let me see chat room. Y'all

2623
02:13:34,400 --> 02:13:37,080
Speaker 3: guess the race? White, white, the wheels on the bus,

2624
02:13:37,120 --> 02:13:43,440
Speaker 3: go drink, drink, drink, miss miss miss Kravappo on any Wednesday,

2625
02:13:43,840 --> 02:13:46,880
Speaker 3: white woman, wasted, white woman not ready to catch these hands,

2626
02:13:47,000 --> 02:13:51,560
Speaker 3: Becky with the Molly Tom cocktail. White black kids would

2627
02:13:51,600 --> 02:13:55,480
Speaker 3: have beat her ass. White white woman weaving tis white,

2628
02:13:55,840 --> 02:13:59,840
Speaker 3: tis a white woman a rough night, extra white bo

2629
02:14:00,160 --> 02:14:03,760
Speaker 3: in like the move that movie drunk sorority girl white.

2630
02:14:03,800 --> 02:14:07,680
Speaker 3: The correct answer is she was white, you all got it.

2631
02:14:12,720 --> 02:14:14,680
Speaker 3: Let me put her picture on the screen so y'all

2632
02:14:14,680 --> 02:14:18,280
Speaker 3: can see what she looked like. She just looked like,

2633
02:14:18,480 --> 02:14:21,000
Speaker 3: you know, she needed a pick me up. Guys, you

2634
02:14:21,040 --> 02:14:21,880
Speaker 3: guys know what it's like.

2635
02:14:21,960 --> 02:14:24,760
Speaker 4: I mean, because that was a lot of alcohol that

2636
02:14:24,840 --> 02:14:25,880
Speaker 4: she had in her pocket book.

2637
02:14:25,920 --> 02:14:26,680
Speaker 5: I was a good guard.

2638
02:14:26,840 --> 02:14:29,360
Speaker 3: Yeah, she clearly you know, like I said, she's on

2639
02:14:29,440 --> 02:14:33,200
Speaker 3: her last straw with them little the little badass kids.

2640
02:14:33,680 --> 02:14:36,200
Speaker 2: What's what's the what's the bus lady on the South Park?

2641
02:14:36,560 --> 02:14:40,400
Speaker 3: Yes, the water had like the bird ness in her

2642
02:14:40,400 --> 02:14:46,480
Speaker 3: hair and some ship care let me know what it

2643
02:14:46,480 --> 02:14:48,680
Speaker 3: shows up in the chat if I you know, you

2644
02:14:48,720 --> 02:14:50,600
Speaker 3: know how this thing does some body have to reload

2645
02:14:50,680 --> 02:14:54,280
Speaker 3: or some ship. Okay, all right, give me one most second.

2646
02:14:55,520 --> 02:15:00,240
Speaker 3: Uh let me try bringing it back up. But uh yeah,

2647
02:15:00,280 --> 02:15:01,920
Speaker 3: you know it's funny. She like she could be just

2648
02:15:02,120 --> 02:15:05,919
Speaker 3: somebody's grandma on or some ship. But you know, obviously

2649
02:15:07,960 --> 02:15:11,760
Speaker 3: she couldn't deal with it, man, which is sad because

2650
02:15:11,800 --> 02:15:13,720
Speaker 3: you know, she would have been a teacher. You could

2651
02:15:13,800 --> 02:15:17,200
Speaker 3: teach drunk, but driving drunk, now that's too far. I'm sorry,

2652
02:15:17,240 --> 02:15:24,640
Speaker 3: I can't support it. Uh oh all right, now, let's

2653
02:15:24,720 --> 02:15:27,400
Speaker 3: let me know if it comes up now. There was

2654
02:15:27,440 --> 02:15:29,920
Speaker 3: more information on the story too. Yeah, she was charged

2655
02:15:29,920 --> 02:15:32,880
Speaker 3: with a dui and sixteen council and danger in the child.

2656
02:15:34,160 --> 02:15:34,520
Speaker 5: Charges.

2657
02:15:34,600 --> 02:15:36,880
Speaker 3: Why is it only sixteen councils. There's thirty one kids

2658
02:15:36,920 --> 02:15:37,600
Speaker 3: on the bus.

2659
02:15:38,320 --> 02:15:40,200
Speaker 5: I don't know. Did the charge they bottle.

2660
02:15:40,000 --> 02:15:41,760
Speaker 3: She had was for every seat?

2661
02:15:42,440 --> 02:15:44,840
Speaker 2: No, they charged the white kids charged it.

2662
02:15:45,080 --> 02:15:49,919
Speaker 3: Oh, the black kids like, man, man, it's more dangerous

2663
02:15:49,920 --> 02:15:53,280
Speaker 3: just living, will man, Just the safest thing I did

2664
02:15:53,320 --> 02:15:53,720
Speaker 3: all year?

2665
02:15:53,960 --> 02:15:54,080
Speaker 2: Right?

2666
02:15:54,760 --> 02:15:56,560
Speaker 3: Oh yeah, it's still not coming up. All right, give

2667
02:15:56,560 --> 02:16:00,880
Speaker 3: me one more chance, scaring. I'm refresh and bring it up. Sorry, guys,

2668
02:16:02,440 --> 02:16:05,040
Speaker 3: be right back. Yeah that's what it was. Black kids

2669
02:16:05,040 --> 02:16:09,320
Speaker 3: was like, man, it's Tuesday, right, Yeah, it was probably

2670
02:16:09,320 --> 02:16:11,120
Speaker 3: do this all the time, right, I been there. She

2671
02:16:11,320 --> 02:16:15,880
Speaker 3: was drinking, just don't care, give me to school safe.

2672
02:16:16,280 --> 02:16:18,240
Speaker 3: Plus you know she we would have knowned she was black,

2673
02:16:18,280 --> 02:16:18,960
Speaker 3: depending on what.

2674
02:16:18,960 --> 02:16:21,240
Speaker 2: She was drinking exactly.

2675
02:16:21,400 --> 02:16:23,560
Speaker 3: She had three bags of Crown Royal.

2676
02:16:23,760 --> 02:16:24,640
Speaker 5: She had full.

2677
02:16:27,000 --> 02:16:30,760
Speaker 3: Crown Royal coming bags, not bottles. She had three bags

2678
02:16:30,760 --> 02:16:40,360
Speaker 3: of Crown Royal, uh right. There was some purple. Yeah,

2679
02:16:41,200 --> 02:16:53,000
Speaker 3: she had some malt liquor. Uh right. She also said

2680
02:16:53,160 --> 02:16:56,240
Speaker 3: I ain't got time today to be playing with y'all.

2681
02:16:56,320 --> 02:16:59,280
Speaker 3: So that's how you know she's black? All right, so

2682
02:16:59,320 --> 02:17:02,200
Speaker 3: it should pop up of this time, Karen, give her

2683
02:17:02,240 --> 02:17:05,360
Speaker 3: like ten seconds, but uh yeah, then we'll get to

2684
02:17:05,400 --> 02:17:06,120
Speaker 3: the next story.

2685
02:17:06,200 --> 02:17:08,760
Speaker 5: But yeah, you know, yeah, she's older white lady too.

2686
02:17:09,240 --> 02:17:11,480
Speaker 3: Yeah, she's I mean, she's smiling in the picture. I

2687
02:17:11,480 --> 02:17:13,879
Speaker 3: don't know that's after she was drunk, if that's a mugshot.

2688
02:17:13,920 --> 02:17:16,200
Speaker 3: But she's like, ain't no need for me to be

2689
02:17:16,240 --> 02:17:20,000
Speaker 3: out here sad because you know what, I'm smiling because

2690
02:17:20,000 --> 02:17:22,640
Speaker 3: he's got damn kids, is out of my out of

2691
02:17:22,640 --> 02:17:26,879
Speaker 3: my hair whatever. Uh you know what's not.

2692
02:17:28,680 --> 02:17:28,880
Speaker 2: Right?

2693
02:17:29,520 --> 02:17:32,160
Speaker 3: You know what's not in this jail? Cell them damn kids.

2694
02:17:32,640 --> 02:17:38,120
Speaker 3: I'm smiling. Oh y'all can still see it? Hold on,

2695
02:17:38,120 --> 02:17:41,680
Speaker 3: we can't hold up. We don't need y'all cheating. How

2696
02:17:41,720 --> 02:17:45,840
Speaker 3: do I make this smaller? Did to go away yet? Okay? Cool?

2697
02:17:46,000 --> 02:17:47,480
Speaker 3: All right, now let's go to the next one. I

2698
02:17:47,480 --> 02:17:53,680
Speaker 3: don't need nobody cheating. Police hunt a mother of one

2699
02:17:54,520 --> 02:17:56,800
Speaker 3: who gave all sex to a man in the middle

2700
02:17:56,800 --> 02:17:58,879
Speaker 3: of a McDonald's restaurant in broad daylight.

2701
02:17:59,520 --> 02:18:02,680
Speaker 5: Well, Dan was the big Max, that good.

2702
02:18:03,720 --> 02:18:07,120
Speaker 3: She was one of that special Saul's camp. Everybody know

2703
02:18:07,200 --> 02:18:11,680
Speaker 3: that's the best part. A woman who allegedly before on

2704
02:18:11,840 --> 02:18:14,400
Speaker 3: all sex on a man in a Pennsylvania McDonald's is

2705
02:18:14,400 --> 02:18:18,320
Speaker 3: now being sought by Sharfs deputies after she failed to

2706
02:18:18,320 --> 02:18:21,000
Speaker 3: turn up the court. State police say the mother, one

2707
02:18:21,080 --> 02:18:26,480
Speaker 3: Christine Alana Schaffen, thirty seven, performed the sex act on

2708
02:18:26,600 --> 02:18:32,199
Speaker 3: Conrad Jibebleki, thirty at the restaurant in Shrewsbury, Pennsylvania in March.

2709
02:18:33,680 --> 02:18:36,520
Speaker 3: Schaffin was then arrested and had her arrayment scheduled for

2710
02:18:36,560 --> 02:18:39,800
Speaker 3: July twenty first, while she subsequently skipped out, leading the

2711
02:18:40,200 --> 02:18:45,000
Speaker 3: county issue in a warrant for her arrest. Police would

2712
02:18:45,040 --> 02:18:47,840
Speaker 3: call to McDonald's around one pm on March third after

2713
02:18:48,040 --> 02:18:50,440
Speaker 3: staff said they saw a young woman giving all sex

2714
02:18:50,440 --> 02:18:53,039
Speaker 3: to Jableki and kicked them both out of the restaurant.

2715
02:18:53,280 --> 02:18:55,360
Speaker 3: Jib b Lecky was then arrested in charge of in

2716
02:18:55,400 --> 02:18:58,800
Speaker 3: decent exposure and open lowdiness, but the female suspect wasn't identified.

2717
02:19:00,160 --> 02:19:03,800
Speaker 3: State Trooper Brent Miller said that Shaffin's identity emerged on

2718
02:19:03,879 --> 02:19:06,360
Speaker 3: the course of the investigation. She was then arrested in

2719
02:19:06,440 --> 02:19:09,360
Speaker 3: charge with open lootness under this eordly conduct, but after

2720
02:19:09,400 --> 02:19:11,680
Speaker 3: she failed up here for her core hearing. A warrant

2721
02:19:11,680 --> 02:19:13,640
Speaker 3: for arrest is put out by the county. She remains

2722
02:19:13,640 --> 02:19:16,240
Speaker 3: at large. Shaffin of Maryland is a mother of a

2723
02:19:16,280 --> 02:19:18,840
Speaker 3: young boy and has convictions for driving under the influence

2724
02:19:18,879 --> 02:19:22,080
Speaker 3: of a controlled substance, marijuana possession, and careless driving. According

2725
02:19:22,120 --> 02:19:25,760
Speaker 3: to the Smoking Gun, Jablecki is also from Maryland, although

2726
02:19:25,760 --> 02:19:27,680
Speaker 3: it's unclear whether there are a couple or whether he

2727
02:19:27,760 --> 02:19:30,119
Speaker 3: is the father of her child. He has been released

2728
02:19:30,160 --> 02:19:33,920
Speaker 3: on his own recognizance and as attended his court appearances. Jablecki,

2729
02:19:34,200 --> 02:19:38,120
Speaker 3: who describes himself as the head Hocho at Oasis Landscaping

2730
02:19:38,760 --> 02:19:42,440
Speaker 3: on Facebook, what, has previously been convicted of disorder conduct

2731
02:19:42,440 --> 02:19:45,160
Speaker 3: of public drunkeness. He also has a conviction of exposing

2732
02:19:45,200 --> 02:19:47,160
Speaker 3: himself to a woman and her five year old daughter

2733
02:19:47,200 --> 02:19:49,800
Speaker 3: on a Maryland beach in twenty twelve, for which he

2734
02:19:49,800 --> 02:19:53,520
Speaker 3: spent sixty days in jail. His Facebook account contains repeated

2735
02:19:53,520 --> 02:19:57,760
Speaker 3: posts of photos at texts related to sex. He just

2736
02:19:57,840 --> 02:20:01,400
Speaker 3: mean he didn't get him on the stream. He wrote

2737
02:20:01,440 --> 02:20:04,039
Speaker 3: in twenty sixteen that he been looking for a bad

2738
02:20:04,120 --> 02:20:08,800
Speaker 3: bitch with mean head game. So maybe she finally answered

2739
02:20:08,840 --> 02:20:12,560
Speaker 3: that post. I don't know he said, so hot. When

2740
02:20:12,560 --> 02:20:15,880
Speaker 3: a woman knows how to damn. I sure can't wait

2741
02:20:15,920 --> 02:20:19,360
Speaker 3: to meet a girl who is a super freak. We're

2742
02:20:19,400 --> 02:20:22,600
Speaker 3: not guessing his race, but we are guessing her race white.

2743
02:20:22,640 --> 02:20:24,400
Speaker 3: But I will tell you this, they are bout the

2744
02:20:24,480 --> 02:20:29,360
Speaker 3: same race. White cares going white. All right, Corey M.

2745
02:20:30,000 --> 02:20:35,160
Speaker 2: This is a tough one for real, because you know, Maryland,

2746
02:20:35,200 --> 02:20:36,600
Speaker 2: we don't know, We don't know the father.

2747
02:20:38,400 --> 02:20:41,480
Speaker 3: This does taste. It tests all all your racism awareness

2748
02:20:41,560 --> 02:20:50,840
Speaker 3: right here. So are we that she was got?

2749
02:20:51,040 --> 02:20:51,240
Speaker 2: Hey?

2750
02:20:51,240 --> 02:20:54,080
Speaker 3: You know she got that mcdone, she got that McNuggets

2751
02:20:54,080 --> 02:21:04,840
Speaker 3: love it, she got that mc nugget here, McNuggets on

2752
02:21:05,000 --> 02:21:11,119
Speaker 3: mm hm, that McChicken dog. I'm gonna go a white

2753
02:21:11,200 --> 02:21:13,039
Speaker 3: all right, let's check the chat room see what they

2754
02:21:13,040 --> 02:21:17,080
Speaker 3: believe got egg could afford bell white extra white with

2755
02:21:17,200 --> 02:21:21,520
Speaker 3: male food folks and filatios, white as the jet white,

2756
02:21:21,560 --> 02:21:27,120
Speaker 3: as a as Jablecki that landed on her, the the

2757
02:21:27,120 --> 02:21:30,359
Speaker 3: the rock and roll McDonald's is a fancy date white, trash,

2758
02:21:30,720 --> 02:21:35,400
Speaker 3: nasty ass white. I don't know why that would hurt

2759
02:21:35,480 --> 02:21:37,320
Speaker 3: me so much more than the regular ones, but that's

2760
02:21:37,360 --> 02:21:40,160
Speaker 3: a good one. The mcflury machine was broke, so she

2761
02:21:40,240 --> 02:21:43,480
Speaker 3: took matters into her own hands. White it do be broke, though,

2762
02:21:44,000 --> 02:21:48,720
Speaker 3: and them from dundalk white Sham sham rock shake white, Heywood,

2763
02:21:48,800 --> 02:21:57,760
Speaker 3: you blow me to out, Corney as fucked white. Conrad

2764
02:21:57,840 --> 02:22:00,280
Speaker 3: made me want to go white, he walked. When you

2765
02:22:00,320 --> 02:22:04,240
Speaker 3: want some fries of that, come shake sucking dick for

2766
02:22:04,520 --> 02:22:09,280
Speaker 3: Big Mac black and white. The correct answer is, and

2767
02:22:09,320 --> 02:22:10,640
Speaker 3: you won't be able to hear the side effect, but

2768
02:22:10,720 --> 02:22:13,360
Speaker 3: his applause. You guys both got it right. She was

2769
02:22:13,360 --> 02:22:21,920
Speaker 3: white and they were both, And some of y'all actually

2770
02:22:22,120 --> 02:22:24,200
Speaker 3: said black, like a couple of y'all went black on

2771
02:22:24,240 --> 02:22:25,840
Speaker 3: this one. And I had to play the blue sound

2772
02:22:25,879 --> 02:22:29,480
Speaker 3: effect for y'all once again. Corey won't be out here

2773
02:22:29,560 --> 02:22:31,640
Speaker 3: on the phone, but I'm about to play right now.

2774
02:22:45,280 --> 02:22:47,240
Speaker 3: I don't know how y'all both got got that it

2775
02:22:47,320 --> 02:22:49,400
Speaker 3: was white. That was That was a hord one to me.

2776
02:22:49,680 --> 02:22:52,280
Speaker 2: I think that was hard. That one was difficult. But

2777
02:22:52,520 --> 02:22:57,400
Speaker 2: when you said that both she and the dude were

2778
02:22:57,440 --> 02:22:58,879
Speaker 2: both the same race, and his name.

2779
02:22:58,720 --> 02:23:04,280
Speaker 12: Was yeah, you're blackie, Yeah, that's yes, what ship?

2780
02:23:04,360 --> 02:23:06,360
Speaker 4: Yeah? You said it was in Pennsylvania. That's not a

2781
02:23:06,440 --> 02:23:09,400
Speaker 4: lot of black folks up there. And then you said

2782
02:23:09,440 --> 02:23:11,360
Speaker 4: the name of his job was some oasis.

2783
02:23:11,920 --> 02:23:14,080
Speaker 2: Yeah, he was a landscaper.

2784
02:23:14,240 --> 02:23:16,120
Speaker 5: Yeah, the head hancho.

2785
02:23:17,000 --> 02:23:19,760
Speaker 3: Yeah that was Oh can I make how do I

2786
02:23:19,800 --> 02:23:21,560
Speaker 3: make this bigger? Can I make this bigger? So y'all

2787
02:23:21,560 --> 02:23:25,320
Speaker 3: can see it? There you go? Okay, worked, okay, cool? Yeah,

2788
02:23:25,800 --> 02:23:29,360
Speaker 3: but he he's listen. I hate this word, but it's true.

2789
02:23:29,600 --> 02:23:32,520
Speaker 3: He not just white. He's like wigger white. Where he

2790
02:23:32,720 --> 02:23:35,840
Speaker 3: got that? Like you could tell his Facebook posts and

2791
02:23:35,959 --> 02:23:39,680
Speaker 3: all ebonics and ship like like he said, not that

2792
02:23:39,840 --> 02:23:43,320
Speaker 3: like need me a girl with some head game? Look

2793
02:23:43,320 --> 02:23:45,240
Speaker 3: at this picture of him at the bottom, man, Like,

2794
02:23:45,280 --> 02:23:45,880
Speaker 3: what is this?

2795
02:23:45,959 --> 02:23:46,119
Speaker 2: Bro?

2796
02:23:46,640 --> 02:23:51,240
Speaker 5: I have no idea? Come on, faun like that you had?

2797
02:23:53,720 --> 02:23:57,600
Speaker 3: Oh? Man gets it's funny because getting blown in the

2798
02:23:57,640 --> 02:24:00,360
Speaker 3: midday in the broad daylight of a McDonald is like

2799
02:24:00,400 --> 02:24:04,640
Speaker 3: one of the straight up whitest crimes, Like, like, why

2800
02:24:04,640 --> 02:24:06,480
Speaker 3: would you do that? Why would you think you could

2801
02:24:06,480 --> 02:24:07,200
Speaker 3: get away with that?

2802
02:24:09,320 --> 02:24:10,480
Speaker 5: Everybody walking around?

2803
02:24:10,640 --> 02:24:12,280
Speaker 3: She really read his post and was like, oh he

2804
02:24:12,400 --> 02:24:14,680
Speaker 3: looking for a bitch with a mean head gang. Okay,

2805
02:24:15,920 --> 02:24:18,039
Speaker 3: oh damn, here we go again. All right, hold on,

2806
02:24:18,120 --> 02:24:21,000
Speaker 3: let me fix this on my time, Like you're looking

2807
02:24:21,000 --> 02:24:22,800
Speaker 3: for a bitch with a mean head game, That's what

2808
02:24:22,840 --> 02:24:26,760
Speaker 3: I'm talking about boy she I will apply for that job.

2809
02:24:28,280 --> 02:24:32,600
Speaker 3: All right, Let's see, how about let's go to the

2810
02:24:32,640 --> 02:24:34,199
Speaker 3: bonus round. Where's my bonus round?

2811
02:24:34,240 --> 02:24:34,520
Speaker 2: Music?

2812
02:24:35,080 --> 02:24:47,440
Speaker 13: Here we go, double the points and the race, double

2813
02:24:47,560 --> 02:24:50,359
Speaker 13: up points.

2814
02:24:49,080 --> 02:24:52,000
Speaker 3: And the race. That's right, double the points, double the

2815
02:24:52,080 --> 02:24:55,240
Speaker 3: racism in the bonus round of guess the race? So far,

2816
02:24:55,920 --> 02:24:59,600
Speaker 3: Karen and Corey are both too for two. Y'all right,

2817
02:25:00,200 --> 02:25:03,280
Speaker 3: this the racism is on fleet Apparently were about to

2818
02:25:03,320 --> 02:25:06,200
Speaker 3: fire out in the bonus round, though, if they got

2819
02:25:06,240 --> 02:25:09,840
Speaker 3: what it takes. Here we go, how do we see

2820
02:25:09,840 --> 02:25:13,240
Speaker 3: if we can break this tie? Or Corey becomes in

2821
02:25:13,400 --> 02:25:16,560
Speaker 3: a small group of people that'll come on this show

2822
02:25:16,879 --> 02:25:18,480
Speaker 3: and got all the racism right?

2823
02:25:19,360 --> 02:25:21,119
Speaker 2: All right, I've been dealing with this for a long time.

2824
02:25:26,600 --> 02:25:31,920
Speaker 3: Oh, let's see, how about let's see how about?

2825
02:25:32,800 --> 02:25:33,080
Speaker 2: All right?

2826
02:25:33,120 --> 02:25:37,520
Speaker 3: Here we go. A shocking dash cam video shows a

2827
02:25:37,600 --> 02:25:40,480
Speaker 3: drunk mother thirty one years old being pulled over with

2828
02:25:40,560 --> 02:25:43,320
Speaker 3: an unbuckled baby in the backseat and admitting to officers

2829
02:25:43,360 --> 02:25:49,039
Speaker 3: she was drinking fireball. That fireball is good, y'all, ain't

2830
02:25:49,040 --> 02:25:53,160
Speaker 3: it do? Not good enough to let your kid walk

2831
02:25:53,200 --> 02:25:55,560
Speaker 3: around in the car and then you drive drunk. Not

2832
02:25:55,600 --> 02:25:59,120
Speaker 3: that a shocking jash cam video shows an allegedly and

2833
02:25:59,160 --> 02:26:01,880
Speaker 3: tox kidded mother driving with her toddler unbuckled in the

2834
02:26:01,920 --> 02:26:05,959
Speaker 3: back seat. Brandy Lermer, thirty one, was spotted weaving along

2835
02:26:06,000 --> 02:26:09,199
Speaker 3: the road by toe truck driver last Saturday in West

2836
02:26:09,200 --> 02:26:11,800
Speaker 3: Palm Beach, Florida. When police pulled Larmer out of her car,

2837
02:26:12,040 --> 02:26:14,360
Speaker 3: they said they found her three year old child unbuckled

2838
02:26:14,360 --> 02:26:17,440
Speaker 3: in the back seat, and the astonishing police video, Lurma

2839
02:26:17,560 --> 02:26:20,000
Speaker 3: is seen stumbling about on the side of the road

2840
02:26:20,040 --> 02:26:22,959
Speaker 3: before a minute to the officer she had two cups

2841
02:26:22,959 --> 02:26:27,240
Speaker 3: of fireball, Uh not shots cups?

2842
02:26:27,320 --> 02:26:32,080
Speaker 2: Yeah, yeah, like the red solo cups right like I thought.

2843
02:26:32,440 --> 02:26:37,480
Speaker 3: I thought you drink fireball like like my shots? Okay

2844
02:26:38,480 --> 02:26:41,080
Speaker 3: on some other shit. Dog that's like drinking scope, you

2845
02:26:41,120 --> 02:26:45,080
Speaker 3: know what I'm saying. Yes, The mother tripped over herself

2846
02:26:45,080 --> 02:26:47,840
Speaker 3: in slurred her words. During the field sobriety test, Police

2847
02:26:47,840 --> 02:26:50,400
Speaker 3: said Luma confessed to not only drinking the whiskey, but

2848
02:26:50,480 --> 02:26:55,200
Speaker 3: also to taking purpose at xen X before she got

2849
02:26:55,200 --> 02:26:55,840
Speaker 3: behind the wheel.

2850
02:26:56,040 --> 02:26:59,400
Speaker 5: Now to drugs and your alcohol, yep.

2851
02:27:00,200 --> 02:27:02,720
Speaker 3: Larmer, who has had multiple TRAFFICKS citations, in facing several

2852
02:27:02,760 --> 02:27:04,680
Speaker 3: charges including d U I and child abuse.

2853
02:27:05,200 --> 02:27:05,400
Speaker 2: Uh.

2854
02:27:05,560 --> 02:27:09,039
Speaker 3: The tow truck driver called Juan Martinez. Oh wait, his

2855
02:27:09,120 --> 02:27:12,240
Speaker 3: name Mark Wan Martinez calling to police to report Larmer's

2856
02:27:12,360 --> 02:27:14,720
Speaker 3: radic driving. I was afraid she was gonna kill someone,

2857
02:27:14,840 --> 02:27:18,600
Speaker 3: Martinez said. In a statement to detectives with Palm Beach

2858
02:27:18,640 --> 02:27:22,240
Speaker 3: County Shriff's Office, Martinez said she hit, she nearly hit

2859
02:27:22,280 --> 02:27:25,000
Speaker 3: four cards and looked drunk or under the influence. The

2860
02:27:25,120 --> 02:27:27,480
Speaker 3: video shows an officer telling them behind her car as

2861
02:27:27,480 --> 02:27:29,200
Speaker 3: she almost swear did it to oncoming traffic.

2862
02:27:29,760 --> 02:27:29,960
Speaker 2: Uh.

2863
02:27:30,080 --> 02:27:31,959
Speaker 3: Lerma was pulled over to one side of the road,

2864
02:27:32,040 --> 02:27:34,560
Speaker 3: and the officer noted that he was greeted with an

2865
02:27:34,560 --> 02:27:38,039
Speaker 3: extremely strong, older odor of an unknown type of alcoholic beverage.

2866
02:27:38,280 --> 02:27:41,280
Speaker 3: The deputy added the odor grew stronger as she spoke.

2867
02:27:41,320 --> 02:27:42,560
Speaker 3: Oh so it's coming from her mouth.

2868
02:27:43,480 --> 02:27:43,760
Speaker 4: Uh.

2869
02:27:43,959 --> 02:27:47,119
Speaker 3: The arresting officer, continuing to report lumber speech was also slurred,

2870
02:27:47,120 --> 02:27:49,200
Speaker 3: and she was initially unable to locate the documents I

2871
02:27:49,200 --> 02:27:51,800
Speaker 3: requested from her, despite the fact that they were plainly

2872
02:27:51,879 --> 02:27:56,920
Speaker 3: visible to me inside her wallet. Oh no, just let

2873
02:27:57,000 --> 02:27:59,680
Speaker 3: me get my just levy, get my license? Is here?

2874
02:27:59,800 --> 02:28:04,080
Speaker 3: Some okay? The video shows officers were moving the child

2875
02:28:04,080 --> 02:28:06,440
Speaker 3: from the backseat of the car and the three year

2876
02:28:06,760 --> 02:28:10,000
Speaker 3: old was unrestrained. Report claims Lumma failed to maintain a

2877
02:28:10,040 --> 02:28:12,680
Speaker 3: single lane while she drove a dui. Team was sent

2878
02:28:12,760 --> 02:28:15,400
Speaker 3: to give her a roadside test. According to the rest report,

2879
02:28:15,480 --> 02:28:18,800
Speaker 3: she failed twice. During the test. Lurma is her in

2880
02:28:18,800 --> 02:28:21,879
Speaker 3: the video offering up explanation how much she drank, saying

2881
02:28:21,920 --> 02:28:25,560
Speaker 3: that she had maybe a little, before mentioning she had

2882
02:28:25,600 --> 02:28:29,320
Speaker 3: two cups of fireball. She then attempts to use her

2883
02:28:29,320 --> 02:28:31,680
Speaker 3: hands to indicate how large the cup of whiskey were.

2884
02:28:32,760 --> 02:28:36,160
Speaker 3: The phil sobriety test lasted nearly twenty minutes, as Lerma

2885
02:28:36,240 --> 02:28:38,840
Speaker 3: is seen at her giggling as she fails to walk

2886
02:28:38,879 --> 02:28:41,320
Speaker 3: in the straight line and stumble over well. She is

2887
02:28:41,360 --> 02:28:42,920
Speaker 3: finally put in the back of the squad car. She

2888
02:28:42,959 --> 02:28:46,120
Speaker 3: apparently realizes the event wasn't so funny. The mother begins

2889
02:28:46,120 --> 02:28:48,120
Speaker 3: screaming and kicking the back of the seats, yelling I

2890
02:28:48,120 --> 02:28:51,600
Speaker 3: will kill you, I will kill you. Lerma took two

2891
02:28:51,600 --> 02:28:55,360
Speaker 3: breath tests. The results were two point two zero and

2892
02:28:55,440 --> 02:28:59,960
Speaker 3: point one eighty seven. That's like almost three times legally

2893
02:29:00,160 --> 02:29:02,400
Speaker 3: this point oh eight and Palm Beach Post reported that

2894
02:29:02,440 --> 02:29:04,680
Speaker 3: Luma was released on three thousand dollars bond and that

2895
02:29:04,800 --> 02:29:07,480
Speaker 3: she had multiple saltations for passengers younger than eighteen years old.

2896
02:29:07,520 --> 02:29:10,440
Speaker 3: Not wearing a seat belt. Karen guessed the race of

2897
02:29:10,680 --> 02:29:17,560
Speaker 3: what is her first name? Uh, Brandy Lurma white.

2898
02:29:17,879 --> 02:29:21,279
Speaker 2: Karen's going white, all right, Corey, how are you spelling

2899
02:29:21,320 --> 02:29:27,800
Speaker 2: brandy b r A n d y m hm m hm.

2900
02:29:30,080 --> 02:29:30,879
Speaker 1: Uh.

2901
02:29:31,120 --> 02:29:34,600
Speaker 2: She she seems sounds like that. That's another tough one

2902
02:29:35,520 --> 02:29:37,920
Speaker 2: because but I don't know, know, I don't know black

2903
02:29:37,959 --> 02:29:39,879
Speaker 2: folks that drink a lot of fireballs. So I'm gonna

2904
02:29:39,879 --> 02:29:40,360
Speaker 2: go with white.

2905
02:29:40,400 --> 02:29:43,360
Speaker 3: All right, let's check you chat room. I like, I

2906
02:29:43,480 --> 02:29:45,840
Speaker 3: like hearing your deduction skills, and you know how you're

2907
02:29:45,879 --> 02:29:49,840
Speaker 3: breaking it down. Nicole says the only spicy food they

2908
02:29:49,840 --> 02:29:53,840
Speaker 3: eat is liquor. White. Oh, this is tough, but I'll

2909
02:29:53,840 --> 02:29:56,240
Speaker 3: go white. The fact that she couldn't find her license

2910
02:29:56,280 --> 02:29:59,200
Speaker 3: because she was so blasted, but the article stated with

2911
02:29:59,280 --> 02:30:03,280
Speaker 3: a started with allegedly drunk, gotta mean white fuck aa white,

2912
02:30:04,600 --> 02:30:08,840
Speaker 3: come on, come on, white dude, to the use of

2913
02:30:09,080 --> 02:30:12,959
Speaker 3: the words shocking and alleged surprise. Surprised in car a

2914
02:30:13,080 --> 02:30:19,640
Speaker 3: supermall still not as fucked up as the hotel beat

2915
02:30:19,720 --> 02:30:23,959
Speaker 3: down woman White gotta go white. Only know only folks

2916
02:30:24,040 --> 02:30:27,800
Speaker 3: I know that drink fireballs. White folks, Happy Sunday, precious

2917
02:30:27,840 --> 02:30:32,440
Speaker 3: white angel slipping the fireball, telling her child, slipping fireball,

2918
02:30:32,480 --> 02:30:36,920
Speaker 3: telling her child to sing Miley percocet white. Uh love

2919
02:30:37,600 --> 02:30:41,280
Speaker 3: love her white white. Yeah, oh yeah, the Queen Bank.

2920
02:30:41,320 --> 02:30:43,960
Speaker 3: We didn't even mention that. Tay you're back. She dropped

2921
02:30:44,000 --> 02:30:50,600
Speaker 3: that single, already getting accused of stealing formation. The jokes

2922
02:30:50,720 --> 02:30:51,040
Speaker 3: was good.

2923
02:30:51,080 --> 02:30:52,280
Speaker 5: We right at tomorrow.

2924
02:30:52,360 --> 02:30:55,200
Speaker 3: The jokes was why there were some good jokes. Dog

2925
02:30:56,240 --> 02:30:59,760
Speaker 3: came out with all the jokes. Mm hmmm, uh all

2926
02:30:59,760 --> 02:31:03,000
Speaker 3: the back. I always got to outdo black folks who

2927
02:31:03,080 --> 02:31:05,879
Speaker 3: drinks two cuss of fireball. But she didn't die after

2928
02:31:06,040 --> 02:31:10,160
Speaker 3: they were patient with her and her saying that she

2929
02:31:10,200 --> 02:31:13,160
Speaker 3: would kill a cop white. Oh yeah, that's right. They

2930
02:31:13,160 --> 02:31:17,840
Speaker 3: didn't even accuse her of a what do you call it,

2931
02:31:17,879 --> 02:31:19,520
Speaker 3: like when you threaten the cop, Like that's a that's

2932
02:31:19,520 --> 02:31:23,560
Speaker 3: a crime. You can't say that anyway. Yeah she white, y'all,

2933
02:31:23,720 --> 02:31:27,000
Speaker 3: you know, like she might be like Latino white passing,

2934
02:31:27,080 --> 02:31:27,680
Speaker 3: but she white.

2935
02:31:27,840 --> 02:31:28,080
Speaker 2: You know.

2936
02:31:28,400 --> 02:31:31,560
Speaker 3: Wait till y'all see this mug shot though, Like I'm

2937
02:31:31,600 --> 02:31:34,440
Speaker 3: just saying you could clearly uh.

2938
02:31:34,959 --> 02:31:36,599
Speaker 5: Yeah, oh is that the same.

2939
02:31:37,160 --> 02:31:41,320
Speaker 3: Yeah, she should have seen it coming, is what I'm saying, Karen, Okay,

2940
02:31:42,320 --> 02:31:45,640
Speaker 3: Like I don't know how she. I don't know how

2941
02:31:45,720 --> 02:31:49,400
Speaker 3: she didn't see all sides of the road because her

2942
02:31:53,160 --> 02:31:59,320
Speaker 3: jam the eyes have it, you know what I'm saying.

2943
02:32:00,160 --> 02:32:01,320
Speaker 5: Eyes won that one.

2944
02:32:03,320 --> 02:32:06,400
Speaker 3: You know, from her view. I feel like she should

2945
02:32:06,400 --> 02:32:08,200
Speaker 3: have seen it, and like I thought it was just

2946
02:32:08,240 --> 02:32:10,560
Speaker 3: a mugshot, but then she got another picture just like

2947
02:32:10,600 --> 02:32:13,440
Speaker 3: on her Facebook and her eyes. She's got crazy eyes.

2948
02:32:13,520 --> 02:32:14,720
Speaker 3: She can't help it, man.

2949
02:32:15,280 --> 02:32:17,240
Speaker 5: Yeah she got you just have her eyes just look

2950
02:32:17,320 --> 02:32:17,960
Speaker 5: like that, y'all.

2951
02:32:18,520 --> 02:32:20,320
Speaker 3: Man, I feel bad for all the people that got

2952
02:32:20,320 --> 02:32:23,800
Speaker 3: crazy eyes. It's not crazy, but right, the correlation is

2953
02:32:23,840 --> 02:32:27,720
Speaker 3: pretty uncanny. It's almost one to one. That motherfucker got

2954
02:32:27,720 --> 02:32:31,920
Speaker 3: crazy eyes. They also crazy, all right. Last thing, God

2955
02:32:32,000 --> 02:32:34,800
Speaker 3: saw ratchetess and we're gonna get out of here. Get

2956
02:32:34,840 --> 02:32:38,000
Speaker 3: my sword sound effect going the longest sound effect in.

2957
02:32:37,920 --> 02:32:39,840
Speaker 4: The world, right, so it might be a few seconds

2958
02:32:39,840 --> 02:32:41,279
Speaker 4: when you're here talking baby.

2959
02:32:41,520 --> 02:33:01,640
Speaker 12: Yeah, okay, and he's dead.

2960
02:33:03,120 --> 02:33:04,240
Speaker 2: Is there a video for that?

2961
02:33:04,720 --> 02:33:08,840
Speaker 3: No? No, I got that on Spotify. The sound effects thing.

2962
02:33:09,440 --> 02:33:11,240
Speaker 3: I was just like sword fight, that would be a

2963
02:33:11,240 --> 02:33:13,400
Speaker 3: good thing to go up the sword Ratchetter segment, and

2964
02:33:13,480 --> 02:33:15,720
Speaker 3: it just turned out to be the longest fucking sword

2965
02:33:15,720 --> 02:33:18,840
Speaker 3: to fight. I mean, at this point, I'm just keeping

2966
02:33:18,840 --> 02:33:20,880
Speaker 3: it because it's funny at this point, but I'm like, damn,

2967
02:33:20,879 --> 02:33:23,600
Speaker 3: this shit took thirty seconds. Y'all don't even want it.

2968
02:33:23,600 --> 02:33:25,840
Speaker 3: One time I went down the rabbit hole of sound

2969
02:33:25,879 --> 02:33:29,160
Speaker 3: effects on Spotify. Guys, if you ever had time to

2970
02:33:29,200 --> 02:33:32,680
Speaker 3: your boy, go do it. It's fun. Uh. And I

2971
02:33:32,720 --> 02:33:34,879
Speaker 3: gotta tell you there are some racist ones on there,

2972
02:33:35,280 --> 02:33:39,240
Speaker 3: oh lord, that are magnifique. Okay, they are like it's

2973
02:33:39,320 --> 02:33:41,600
Speaker 3: it's clearly a white dude who did all the voices

2974
02:33:41,600 --> 02:33:44,720
Speaker 3: and stuff. But it's one that's like people having sex.

2975
02:33:44,760 --> 02:33:46,879
Speaker 3: But then one of them is like black people having sex,

2976
02:33:47,360 --> 02:33:48,720
Speaker 3: an Asian person having sex.

2977
02:33:49,360 --> 02:33:52,039
Speaker 5: They didn't play black Asian voice actors.

2978
02:33:52,600 --> 02:33:56,800
Speaker 3: Listen, it's all. It's as racist as you think it

2979
02:33:56,840 --> 02:34:01,360
Speaker 3: would be. Oh lord, like they didn't want to hear uh, Like,

2980
02:34:01,440 --> 02:34:05,040
Speaker 3: they didn't pay a black man to do the voice.

2981
02:34:05,560 --> 02:34:08,199
Speaker 3: It's what a white person thinks a black man sounds

2982
02:34:08,240 --> 02:34:10,760
Speaker 3: like having sex. If I if I find it again,

2983
02:34:11,240 --> 02:34:13,280
Speaker 3: because right like, it's not it doesn't just say black

2984
02:34:13,320 --> 02:34:15,600
Speaker 3: man having sex. It's name something else, but if I

2985
02:34:15,640 --> 02:34:17,160
Speaker 3: find it again, guys, I had to play it on

2986
02:34:17,200 --> 02:34:19,080
Speaker 3: the show for y'all cause it's like it's like he's

2987
02:34:19,080 --> 02:34:24,880
Speaker 3: doing that voice like all ship god damn. Yeah, it's

2988
02:34:24,920 --> 02:34:26,080
Speaker 3: some good pussy right here.

2989
02:34:26,120 --> 02:34:26,360
Speaker 2: Girl.

2990
02:34:26,640 --> 02:34:29,480
Speaker 3: I'm like, that's not how we talk, Like what did you?

2991
02:34:29,520 --> 02:34:31,160
Speaker 3: Where'd you learn this from? Wesley Pike?

2992
02:34:31,320 --> 02:34:34,400
Speaker 4: I mean, I mean when he did the Asian people,

2993
02:34:34,920 --> 02:34:36,720
Speaker 4: did he do like he.

2994
02:34:36,600 --> 02:34:40,200
Speaker 3: Did the racist Yeah? Yeah, oh this so good pussy

2995
02:34:40,240 --> 02:34:43,200
Speaker 3: he did all that. I was like, this is just

2996
02:34:43,280 --> 02:34:46,400
Speaker 3: it's just racist. It's not even that's good. I'm like,

2997
02:34:46,440 --> 02:34:49,960
Speaker 3: and who would need this sound effect? Like what cause

2998
02:34:49,959 --> 02:34:51,760
Speaker 3: it's like one of them like free to use use

2999
02:34:51,800 --> 02:34:55,040
Speaker 3: this sound effect, you know. I'm like, you can't put

3000
02:34:55,040 --> 02:34:58,240
Speaker 3: this in your movie. Dog, Like, ah, I'm gonna get

3001
02:34:58,280 --> 02:35:02,240
Speaker 3: protested anyway. A pizza fight ends with a knife and

3002
02:35:02,280 --> 02:35:06,200
Speaker 3: sword of salt and Inman in Minds, South Carolina, an

3003
02:35:06,280 --> 02:35:08,640
Speaker 3: argument between two men over a pizza fight into a

3004
02:35:09,200 --> 02:35:11,480
Speaker 3: turn a pizza turned into a fight with a knife

3005
02:35:11,480 --> 02:35:15,160
Speaker 3: and a sword. They say. The incident happened around August

3006
02:35:15,200 --> 02:35:19,320
Speaker 3: twenty second, at nine forty seven pm. When deputies got there,

3007
02:35:19,360 --> 02:35:21,320
Speaker 3: the front door was open and a man was yelling.

3008
02:35:21,600 --> 02:35:24,080
Speaker 3: The man in the home told deputies that another man

3009
02:35:24,160 --> 02:35:27,119
Speaker 3: came to the house and they started arguing over a pizza.

3010
02:35:28,320 --> 02:35:30,960
Speaker 3: He said the other man came to him in an

3011
02:35:30,959 --> 02:35:33,560
Speaker 3: aggressive manner with a knife or sword, so he hit

3012
02:35:33,640 --> 02:35:34,920
Speaker 3: him be in the back of the head with a

3013
02:35:34,920 --> 02:35:38,520
Speaker 3: stick to defend himself. He said. The man then slashed

3014
02:35:38,560 --> 02:35:41,280
Speaker 3: his leg. The man with the knife slashed sword left

3015
02:35:41,280 --> 02:35:43,440
Speaker 3: the scene before devii's got there, and no charges were foul.

3016
02:35:44,840 --> 02:35:47,119
Speaker 3: What was the art like? Can I have a slice?

3017
02:35:47,160 --> 02:35:47,879
Speaker 2: Is that the argument?

3018
02:35:48,760 --> 02:35:51,880
Speaker 3: Maybe he miss interpreted? Can I have a slice a pizza?

3019
02:35:51,959 --> 02:35:53,640
Speaker 3: Nigga a pizza? Damn right?

3020
02:35:55,280 --> 02:35:56,240
Speaker 2: Not a meat bitch?

3021
02:36:00,080 --> 02:36:02,480
Speaker 3: What the fuck kind of confusion was that?

3022
02:36:02,560 --> 02:36:02,760
Speaker 2: Man?

3023
02:36:03,400 --> 02:36:07,760
Speaker 3: Uh? And also this is in uh less ratchet news

3024
02:36:07,760 --> 02:36:11,000
Speaker 3: but still sword news. You can now buy a game

3025
02:36:11,080 --> 02:36:16,800
Speaker 3: of Throne sword shaped sex toy. What yes, stay, I'll

3026
02:36:16,840 --> 02:36:19,920
Speaker 3: taking it there, guys. I don't know how y'all get

3027
02:36:19,920 --> 02:36:21,279
Speaker 3: down in the bedroom.

3028
02:36:21,680 --> 02:36:24,720
Speaker 5: Whether you're h I mean, I mean you trying to

3029
02:36:24,720 --> 02:36:26,359
Speaker 5: be what is happening.

3030
02:36:26,080 --> 02:36:31,680
Speaker 3: Whether you're trying to bang your sister, uh, whether you

3031
02:36:32,640 --> 02:36:36,880
Speaker 3: whether it's your aunt. Maybe you know, look, maybe you're

3032
02:36:36,879 --> 02:36:40,120
Speaker 3: a eunuch and you ain't got nothing down there, but

3033
02:36:40,160 --> 02:36:42,800
Speaker 3: you still want to please massaan be because you can't

3034
02:36:42,879 --> 02:36:44,959
Speaker 3: let that one go un please look at her. You

3035
02:36:45,000 --> 02:36:47,080
Speaker 3: can't have out here walking around unpleased. So you got

3036
02:36:47,080 --> 02:36:48,959
Speaker 3: to buy you a game of thrown sex toy to

3037
02:36:49,000 --> 02:36:51,560
Speaker 3: get up in there. So I'll try to put it

3038
02:36:51,600 --> 02:36:52,760
Speaker 3: on screen for y'all too, so.

3039
02:36:52,879 --> 02:36:54,680
Speaker 2: Y'all can see.

3040
02:36:56,520 --> 02:37:01,280
Speaker 3: Yes, Yeah, it's it's uh long not dragon glass right

3041
02:37:02,040 --> 02:37:02,920
Speaker 3: drag class?

3042
02:37:06,000 --> 02:37:06,240
Speaker 2: Yeah?

3043
02:37:06,400 --> 02:37:09,440
Speaker 5: What is it made out of? What the ice king had?

3044
02:37:09,920 --> 02:37:12,840
Speaker 3: The ice javelin? You better not put that in nobody?

3045
02:37:13,560 --> 02:37:18,240
Speaker 2: Uh? Why is he a spearchucker? Man? Yo?

3046
02:37:19,280 --> 02:37:20,720
Speaker 3: I want to find I hope the twist is that

3047
02:37:20,760 --> 02:37:23,400
Speaker 3: they the black people, they taking just taking ship back

3048
02:37:24,440 --> 02:37:26,160
Speaker 3: like we made of ice now, but we're just taking

3049
02:37:26,200 --> 02:37:26,800
Speaker 3: our ship back.

3050
02:37:26,840 --> 02:37:26,960
Speaker 2: Bro.

3051
02:37:27,120 --> 02:37:30,280
Speaker 3: We don't appreciate y'all. But yeah, he was a spearchucker.

3052
02:37:30,320 --> 02:37:36,120
Speaker 3: I was like that. He was super accurate with it though.

3053
02:37:36,240 --> 02:37:39,599
Speaker 3: But that's is it showing up now, y'all see it? Yeah?

3054
02:37:39,840 --> 02:37:41,640
Speaker 5: Oh so use the handle?

3055
02:37:41,920 --> 02:37:46,400
Speaker 3: Oh okay, Game of Bones dog? Oh no, why's it

3056
02:37:46,440 --> 02:37:49,240
Speaker 3: got the Why is it got John's hilt? You know

3057
02:37:49,280 --> 02:37:53,200
Speaker 3: with the wolf? Won't they do want some John? That's

3058
02:37:53,200 --> 02:37:56,400
Speaker 3: a good point, Lusty. Game of Thrones fans can have

3059
02:37:56,440 --> 02:37:59,560
Speaker 3: a go at ambushing their partner's kings landing with a

3060
02:37:59,600 --> 02:38:02,800
Speaker 3: deal five by the slow, it's gonna be a game

3061
02:38:02,840 --> 02:38:03,440
Speaker 3: of bones.

3062
02:38:04,360 --> 02:38:06,480
Speaker 2: Uh, can I ask you a question? I don't know.

3063
02:38:06,600 --> 02:38:09,720
Speaker 2: Maybe y'all notice how tall is John snow? Because he's

3064
02:38:09,760 --> 02:38:12,240
Speaker 2: looking everybody's looking down on him nowadays.

3065
02:38:12,560 --> 02:38:14,320
Speaker 3: He should have stayed in the north because it seemed

3066
02:38:14,320 --> 02:38:16,320
Speaker 3: like he about five ft eight.

3067
02:38:16,800 --> 02:38:22,560
Speaker 2: You know, I'm five eight. Yeah, everybody got to be tiny.

3068
02:38:22,640 --> 02:38:25,040
Speaker 2: Everybody gotta be giants in that motherfucker. Yeah.

3069
02:38:25,040 --> 02:38:27,280
Speaker 3: It was one thing when it was Briann looking down

3070
02:38:27,320 --> 02:38:29,520
Speaker 3: at him and stuff, but now it's like, I mean,

3071
02:38:29,560 --> 02:38:32,760
Speaker 3: Siza looks down, but Siza sounds all you know.

3072
02:38:33,160 --> 02:38:34,840
Speaker 2: I think was looking down at him.

3073
02:38:34,959 --> 02:38:36,560
Speaker 3: Right, That's the one that got me. I was like,

3074
02:38:36,600 --> 02:38:39,360
Speaker 3: how tall is this nigga? And then when they put

3075
02:38:39,360 --> 02:38:40,680
Speaker 3: it in the script when she was like, yeah, he

3076
02:38:40,760 --> 02:38:44,160
Speaker 3: too little, I was like, oh damn, that hurt short

3077
02:38:44,200 --> 02:38:46,000
Speaker 3: man everywhere, Like, for real, damn, you're not gonna gi

3078
02:38:46,040 --> 02:38:48,160
Speaker 3: him to put it because the little I hate the

3079
02:38:48,240 --> 02:38:51,280
Speaker 3: dragon queen. Now, I was cool. Don't be in the

3080
02:38:51,320 --> 02:38:52,640
Speaker 3: knee for her, don't be in to the knee.

3081
02:38:52,680 --> 02:38:54,959
Speaker 5: I'm there, like Ari, your five two five three.

3082
02:38:55,400 --> 02:38:58,920
Speaker 3: Yeah, Uh, there's no shortage people who find HBO drama

3083
02:38:59,040 --> 02:39:00,600
Speaker 3: real turnoun with plenty of new to these sex and

3084
02:39:00,680 --> 02:39:04,160
Speaker 3: passionate shenanigans on every episode. But for the price tag

3085
02:39:04,200 --> 02:39:10,840
Speaker 3: of one hundred and ten dollars damn? Then is uh

3086
02:39:10,920 --> 02:39:14,360
Speaker 3: that better be some orgasm? Okay, guys, that ship, but

3087
02:39:14,640 --> 02:39:16,119
Speaker 3: you can get a hattache for less than that.

3088
02:39:16,320 --> 02:39:18,520
Speaker 4: Right, that ship better be hard as a rocket, better

3089
02:39:18,600 --> 02:39:22,199
Speaker 4: have different molds, and you know, I bet doing everything.

3090
02:39:22,320 --> 02:39:24,160
Speaker 3: I don't see no switches on this either? Do it

3091
02:39:24,200 --> 02:39:24,760
Speaker 3: even vibrate?

3092
02:39:25,840 --> 02:39:31,440
Speaker 2: Right? Does it raise the dead? Right? Right?

3093
02:39:31,920 --> 02:39:34,080
Speaker 4: I guess it's gonna be raising them dad pusses that

3094
02:39:34,240 --> 02:39:35,160
Speaker 4: died years ago?

3095
02:39:35,560 --> 02:39:37,840
Speaker 3: Could I kill whitewalkers and this ship? Because if not,

3096
02:39:38,680 --> 02:39:40,160
Speaker 3: it's gonna have to come down on that price a

3097
02:39:40,200 --> 02:39:45,000
Speaker 3: little bit then, right, y'all got any dragon glass ones

3098
02:39:45,000 --> 02:39:47,840
Speaker 3: because I'll pay for that. Like this is crazy. The

3099
02:39:47,879 --> 02:39:51,360
Speaker 3: impressive looking sex toys definitely one for serious fans only.

3100
02:39:51,760 --> 02:39:54,640
Speaker 3: The makers of the sword shaped to geek sexy toy

3101
02:39:54,720 --> 02:39:57,280
Speaker 3: Geek sex Toys dot Com claim that they're eleven and

3102
02:39:57,320 --> 02:40:00,000
Speaker 3: a half inch long. Deal, though, is ideal for people

3103
02:40:00,000 --> 02:40:04,160
Speaker 3: who want medieval inspired romps. In the blurb on their website,

3104
02:40:04,160 --> 02:40:06,200
Speaker 3: they even make a reference to Honky john snow one

3105
02:40:06,200 --> 02:40:08,480
Speaker 3: of the shows most lusted at the characters. They right,

3106
02:40:08,560 --> 02:40:11,120
Speaker 3: have you been dreaming of a long fift thick shaft.

3107
02:40:11,520 --> 02:40:14,000
Speaker 3: But in this deal, though, this deal, do sword will

3108
02:40:14,000 --> 02:40:17,400
Speaker 3: fulfill your fantasy. You know nothing until you have experienced

3109
02:40:17,520 --> 02:40:21,320
Speaker 3: orgasmic sensations with this deal, do sword the swords. He'll

3110
02:40:21,360 --> 02:40:25,879
Speaker 3: also allows for maximum penetration and pleasure. Oh, I guess

3111
02:40:25,920 --> 02:40:26,600
Speaker 3: eleven and a half.

3112
02:40:26,720 --> 02:40:28,520
Speaker 5: Yeah, you better make it above average.

3113
02:40:28,680 --> 02:40:33,320
Speaker 4: Yeah, like I'm paying that. I'm not getting no six

3114
02:40:33,360 --> 02:40:34,040
Speaker 4: to eight inches.

3115
02:40:34,120 --> 02:40:37,279
Speaker 2: No, they call it the Patrick.

3116
02:40:40,840 --> 02:40:45,840
Speaker 3: That big Bravos cock dog. Uh the Great Sex Toys.

3117
02:40:46,080 --> 02:40:46,200
Speaker 2: Uh.

3118
02:40:46,440 --> 02:40:48,720
Speaker 3: Swords style handle features a wolf head at the end.

3119
02:40:48,760 --> 02:40:53,600
Speaker 3: Ideal for living out the nights Watch fantasy. Uh yeah,

3120
02:40:53,720 --> 02:40:56,360
Speaker 3: I don't know. That's weird, the nights Watch fantasy because

3121
02:40:56,440 --> 02:40:59,880
Speaker 3: night Watch supposed to be all like rapist and also

3122
02:41:00,560 --> 02:41:02,480
Speaker 3: like criminals and ship and then they supposed to be

3123
02:41:02,520 --> 02:41:06,400
Speaker 3: sworn to uh celibacy. But you know, I don't know

3124
02:41:06,400 --> 02:41:08,320
Speaker 3: if the nice Watch fantasy is the one you want

3125
02:41:08,360 --> 02:41:11,000
Speaker 3: to be reliving. Shout out the cast is key.

3126
02:41:11,360 --> 02:41:14,280
Speaker 2: Uh so when when you get there, you go my.

3127
02:41:14,240 --> 02:41:18,400
Speaker 3: Watches d Yeah, girl, you're done, because now my watch

3128
02:41:18,480 --> 02:41:21,600
Speaker 3: is ended black, I'm out. That would it would be

3129
02:41:21,600 --> 02:41:23,240
Speaker 3: worth it just for that one time, you know what

3130
02:41:23,280 --> 02:41:30,640
Speaker 3: I mean? Uh, she did come up.

3131
02:41:30,680 --> 02:41:32,520
Speaker 5: I'm at the wild time for you to open them gates?

3132
02:41:32,959 --> 02:41:36,800
Speaker 3: H yeah, uh this is what to my need for

3133
02:41:36,879 --> 02:41:37,520
Speaker 3: brand man.

3134
02:41:38,120 --> 02:41:38,560
Speaker 2: Yeah?

3135
02:41:39,000 --> 02:41:41,600
Speaker 3: Uh, all you need to complete the looks I QA

3136
02:41:41,720 --> 02:41:43,959
Speaker 3: rugs slung over your shoulders and it's I guess a

3137
02:41:44,040 --> 02:41:47,400
Speaker 3: link to some type of Ikea rugg that that's.

3138
02:41:47,240 --> 02:41:51,039
Speaker 4: What cause people cause playing that Like no, no, you

3139
02:41:51,440 --> 02:41:54,000
Speaker 4: got the outfits and stuff and just kind of go

3140
02:41:54,040 --> 02:41:55,920
Speaker 4: along because you know some people gods.

3141
02:41:55,640 --> 02:41:56,680
Speaker 5: Play these characters.

3142
02:41:58,000 --> 02:42:00,920
Speaker 3: Yeah, I guess there's a k a rug that looks

3143
02:42:00,959 --> 02:42:06,120
Speaker 3: like Jove snows that that KP wears with the wolf.

3144
02:42:06,240 --> 02:42:11,320
Speaker 3: Yeah all right, man, who this is fun? All right, Corey.

3145
02:42:11,520 --> 02:42:16,040
Speaker 3: We had a great time. Man, this is a dream.

3146
02:42:16,600 --> 02:42:19,480
Speaker 2: Anytime, anytime you want to be on your show, anytime

3147
02:42:19,560 --> 02:42:21,560
Speaker 2: you want to be somewhere, I will be there. Like

3148
02:42:21,560 --> 02:42:23,600
Speaker 2: I said, I will sing your jingles. I will do

3149
02:42:23,680 --> 02:42:26,240
Speaker 2: whatever I need to do for y'all. And that's what

3150
02:42:27,000 --> 02:42:29,680
Speaker 2: look Karen, I'm sorry I haven't made done a five

3151
02:42:29,720 --> 02:42:30,279
Speaker 2: star review.

3152
02:42:30,640 --> 02:42:35,440
Speaker 3: I know. Yeah, we need that fire star iTunes and

3153
02:42:35,879 --> 02:42:38,959
Speaker 3: Corey yeah, we don't look out Okay, and the rest

3154
02:42:39,000 --> 02:42:41,720
Speaker 3: of y'all, the rest of y'all living colored people. The

3155
02:42:41,800 --> 02:42:44,199
Speaker 3: lady who did the artwork for the for the cover,

3156
02:42:44,720 --> 02:42:47,279
Speaker 3: you know, Vernon. I know you heard the show, Vernon. Okay,

3157
02:42:47,400 --> 02:42:50,440
Speaker 3: I heard you. I won't I want Kama bell if

3158
02:42:50,440 --> 02:42:53,280
Speaker 3: by the transit properties of knowing these brothers, I want

3159
02:42:53,320 --> 02:42:56,280
Speaker 3: my five star reviews people. Yeah, we gotta get the

3160
02:42:56,320 --> 02:43:01,080
Speaker 3: rest of the Coron Too'll be a great, big fight

3161
02:43:01,120 --> 02:43:03,680
Speaker 3: if you got all four of us on me. Yeah,

3162
02:43:03,680 --> 02:43:05,240
Speaker 3: I was trying to figure out the logistics on it.

3163
02:43:05,320 --> 02:43:07,240
Speaker 3: I was like, I don't think it's how is that possible?

3164
02:43:07,280 --> 02:43:09,640
Speaker 3: But yeah, I will find a way to get y'all all.

3165
02:43:09,680 --> 02:43:10,080
Speaker 2: Man.

3166
02:43:10,120 --> 02:43:11,640
Speaker 5: We have to get y'all all in the room and

3167
02:43:11,680 --> 02:43:13,320
Speaker 5: we come to y'all well something out there.

3168
02:43:13,360 --> 02:43:15,240
Speaker 3: We appreciate y'all, man, We appreciate you.

3169
02:43:15,360 --> 02:43:18,440
Speaker 2: What comes if we come to Y'allotte Yo, y'all, you'll

3170
02:43:18,440 --> 02:43:22,040
Speaker 2: come anywhere in the Michela Bird, North Carolina, anywhere y'all

3171
02:43:22,160 --> 02:43:24,880
Speaker 2: is fan from from jump right now.

3172
02:43:24,959 --> 02:43:27,760
Speaker 3: That's what's up, man, Yeah, y'all come here. We got

3173
02:43:27,760 --> 02:43:31,000
Speaker 3: to come see y'all too, man, you know what I'm saying. Well,

3174
02:43:31,080 --> 02:43:33,360
Speaker 3: so yeah, make sure y'all get the album Dog like

3175
02:43:33,440 --> 02:43:36,000
Speaker 3: all this stuff that we just said. Also get the

3176
02:43:36,080 --> 02:43:41,039
Speaker 3: album Shade coming out September eighth, y'all Like y'all had

3177
02:43:41,040 --> 02:43:42,640
Speaker 3: me from the name. You know what I'm saying. I

3178
02:43:42,680 --> 02:43:45,560
Speaker 3: was like, Shade, that is what I'm talking about, you know.

3179
02:43:46,000 --> 02:43:48,600
Speaker 2: Yeah, Now I don't have to I don't like I'm

3180
02:43:48,640 --> 02:43:51,120
Speaker 2: waiting for the dawn load. Like every every day I

3181
02:43:51,200 --> 02:43:53,280
Speaker 2: wait for your dawn load to come to my phone

3182
02:43:53,320 --> 02:43:55,200
Speaker 2: so I can listen. I don't have to do that today.

3183
02:43:55,400 --> 02:43:58,959
Speaker 3: Yeah, you know what happened. You was here? I was,

3184
02:44:00,760 --> 02:44:03,280
Speaker 3: Oh yeah, I forgot to mention. Also for premium people

3185
02:44:03,440 --> 02:44:05,920
Speaker 3: in the crowdcast, We're doing a live show at four

3186
02:44:05,959 --> 02:44:11,360
Speaker 3: today for the nerd Off. It's gonna be caring. Yeah,

3187
02:44:11,360 --> 02:44:15,080
Speaker 3: the Doctor from MTYR Network and Shannon from nty'll Network.

3188
02:44:15,120 --> 02:44:17,080
Speaker 3: So it's gonna be all the ladies and they want

3189
02:44:17,080 --> 02:44:19,480
Speaker 3: to come on and talk about Doctor Who because we

3190
02:44:19,520 --> 02:44:22,360
Speaker 3: have been talking shit about Doctor Who without watching it

3191
02:44:22,640 --> 02:44:24,760
Speaker 3: and they love it and they tired of us talking shit.

3192
02:44:24,879 --> 02:44:27,040
Speaker 2: So I tried.

3193
02:44:27,160 --> 02:44:31,920
Speaker 3: I tried, Yeah, I tried watch it. Yeah, I know,

3194
02:44:31,959 --> 02:44:34,360
Speaker 3: they probably gonna be hot listening to this right now.

3195
02:44:35,720 --> 02:44:38,960
Speaker 3: It's too many rules. It's too many rules to watch

3196
02:44:39,240 --> 02:44:40,640
Speaker 3: right Like I listened.

3197
02:44:40,720 --> 02:44:43,440
Speaker 2: I watched some old ones at one time. Netflix had

3198
02:44:43,480 --> 02:44:46,439
Speaker 2: all the like original ones from the first from the sixties.

3199
02:44:46,840 --> 02:44:49,320
Speaker 2: I was like, this is some cheesy ship.

3200
02:44:50,160 --> 02:44:52,879
Speaker 3: I tried. I couldn't watch them when I was a

3201
02:44:53,000 --> 02:44:56,960
Speaker 3: kid and they came on PBS, I was like, this

3202
02:44:57,200 --> 02:45:00,040
Speaker 3: some bullshit and I would just change I tried, I

3203
02:45:00,040 --> 02:45:01,199
Speaker 3: would change it.

3204
02:45:01,280 --> 02:45:03,000
Speaker 2: In New York. It came on the same time as

3205
02:45:03,000 --> 02:45:03,480
Speaker 2: Star Trek.

3206
02:45:03,480 --> 02:45:06,320
Speaker 3: It's like, I'm sorry, yeah, not even a question, not

3207
02:45:06,360 --> 02:45:08,640
Speaker 3: even a question, no offense to Doctor Who. But we're

3208
02:45:08,640 --> 02:45:10,360
Speaker 3: gonna get to the bottom of it, you know, like

3209
02:45:10,400 --> 02:45:14,000
Speaker 3: it's always it's black people into everything. It's black people

3210
02:45:14,000 --> 02:45:16,640
Speaker 3: in the Doctor Who. I have lots of questions for him.

3211
02:45:16,680 --> 02:45:19,000
Speaker 3: And then we can also talk about nerd news, video games,

3212
02:45:19,040 --> 02:45:21,160
Speaker 3: all that ship. So that'll be coming up afore. I'll

3213
02:45:21,200 --> 02:45:24,840
Speaker 3: send out the email after this show. But Yo, thank

3214
02:45:24,920 --> 02:45:26,200
Speaker 3: you so much Corey for coming on.

3215
02:45:27,879 --> 02:45:32,400
Speaker 2: You know, shout out Karen, Yo you straight fan from

3216
02:45:32,400 --> 02:45:32,800
Speaker 2: now on.

3217
02:45:33,040 --> 02:45:36,800
Speaker 3: Yes, sir, same to y'all, Like I always family before

3218
02:45:36,840 --> 02:45:38,520
Speaker 3: that because I didn't know but I didn't know y'all,

3219
02:45:38,520 --> 02:45:43,360
Speaker 3: but now, well now we know. You know what I'm saying. Yeah,

3220
02:45:43,360 --> 02:45:46,000
Speaker 3: we appreciate it, man. And I also wanted to shout

3221
02:45:46,040 --> 02:45:50,760
Speaker 3: out my man who organized uh the interview too, because

3222
02:45:50,920 --> 02:45:52,040
Speaker 3: you know, we had to go back and forth a

3223
02:45:52,080 --> 02:45:55,040
Speaker 3: few times on the email and he looked out too.

3224
02:45:55,120 --> 02:45:58,760
Speaker 3: So Kevin shout out to Kevin Man, appreciate you, bro, uh.

3225
02:45:58,800 --> 02:46:01,119
Speaker 3: And yeah, can't wait for everybody else to hit the album.

3226
02:46:01,160 --> 02:46:03,440
Speaker 3: I'll completely I'll continue to be jamming it guys, so

3227
02:46:03,920 --> 02:46:06,240
Speaker 3: you know, let me know when y'all catch up, you know,

3228
02:46:06,400 --> 02:46:09,400
Speaker 3: when y'all hit a copy. But yeah, I'm gonna be

3229
02:46:09,440 --> 02:46:12,240
Speaker 3: out here jamming man, and we'll be back tomorrow. So

3230
02:46:12,320 --> 02:46:13,360
Speaker 3: until then, love you.

3231
02:46:13,440 --> 02:46:14,080
Speaker 5: I love you too.

3232
02:46:14,280 --> 02:46:14,560
Speaker 2: Wow