WEBVTT - Listener Mail: The Power of Names

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from how Stuff

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<v Speaker 1>Works dot com. Hey, welcome to Stuff to Blow your Mind.

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<v Speaker 1>My name is Robert Lamb and Julie Douglas. And this

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<v Speaker 1>is a special listener mail edition, so we better call

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<v Speaker 1>the robot over here added fanfare for the robot night. Yeah,

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<v Speaker 1>but we've been neglecting him recently. We have been running

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<v Speaker 1>the habit of of just focusing on the episodes, and

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<v Speaker 1>we continue to get all this great listener mail in

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<v Speaker 1>and we we read it. We we really appreciate it.

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<v Speaker 1>We respond where we can during our busy days. But

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<v Speaker 1>eventually we build up enough. We have to get to it.

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<v Speaker 1>We have to let the robot out of his way,

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<v Speaker 1>and and then this is what happens. We devote a

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<v Speaker 1>whole episode, especially your your feedback about names. We received

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<v Speaker 1>so many about nomini determinism, about how the name that

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<v Speaker 1>we were given, how it affects our ultimate outcome in life,

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<v Speaker 1>our opportunities in life, and how we see ourselves, how

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<v Speaker 1>other people see us and treat us. And uh, obviously

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<v Speaker 1>everyone out there has a name. Everyone out there has

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<v Speaker 1>has some sort of an opinion on to what extent

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<v Speaker 1>their name is affecting who they are so we we

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<v Speaker 1>received a lot of cool content. We cannot go through

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<v Speaker 1>all of it. Yeah, at some point I feel like

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<v Speaker 1>we had something like six a day just on nominative determinism.

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<v Speaker 1>So yeah, let him all right? Uh. We heard from

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<v Speaker 1>Polly who wrote in and mentioned that her name was

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<v Speaker 1>supposed to be Apollonia, which, of course uh is the

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<v Speaker 1>god of music, poetry, art oracles, archery, plague, medicine, sun light,

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<v Speaker 1>and knowledge. But she says her parents chickened out and

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<v Speaker 1>named her Pauline instead, but she went back around and

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<v Speaker 1>reclaimed Apollonia, and so she writes to us as Polly okay,

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<v Speaker 1>and also the Muse of Prince you forgot Apollonia? The

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<v Speaker 1>Muse of Princes and Prince Prince singer up. I believe

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<v Speaker 1>like there's a character Apollonia. Oh, I could be wrong.

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<v Speaker 1>I remember there was a character in the movie over

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<v Speaker 1>Drawn at the Memory Bank named Papolonia. But that's that's

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<v Speaker 1>my main uh in for that name, all right. We

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<v Speaker 1>also heard from our listener Jasper. Jasper was actually given

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<v Speaker 1>the birth name Luke. He says he grew up in

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<v Speaker 1>a very strict with a very strict Christian dad, and

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<v Speaker 1>he was getting into the trouble trouble all the time.

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<v Speaker 1>So he associated that name of getting caught and Luke

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<v Speaker 1>of course means light and an enlightened one and has

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<v Speaker 1>the same route as the as the name Lucifer. And

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<v Speaker 1>so he ended up eventually rebelling against his former identity

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<v Speaker 1>and choosing Jasper as his new identity, which which I

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<v Speaker 1>think this is. You know, this is an important aspect

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<v Speaker 1>in a lot of people's history with their names. You're

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<v Speaker 1>either you're given one version of your name and you

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<v Speaker 1>ended up sort of shifting it into into your own

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<v Speaker 1>personal identity, or many people just straight up abandon it.

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<v Speaker 1>Sometimes they're abandoning the simple name for the stranger name,

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<v Speaker 1>or it seems like just as often it's the it's

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<v Speaker 1>the the opposite of that, they end up taking the

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<v Speaker 1>strange name and exchanging it for the normal one. It's

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<v Speaker 1>kind of like the star Bellied speeches and the star machine, right. Yeah,

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<v Speaker 1>I think I took the E off of my name

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<v Speaker 1>at one point, as as a tiny youth a youth, yeah,

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<v Speaker 1>And then another point I think I wanted to put

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<v Speaker 1>some boom lots over the you. But what's the point

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<v Speaker 1>of that? Yeah, pretty Julie that's true. Yeah, yeah, I

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<v Speaker 1>just shifted around from various boring versions of my boring name.

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<v Speaker 1>I mean, it's basically just varying levels of masculine and feminine.

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<v Speaker 1>You have Robert, you have Rob, you have Robbie, you

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<v Speaker 1>have Bob, Bob, and it seems like Robin was name.

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<v Speaker 1>You know, people would refer to me as all of those,

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<v Speaker 1>depending on where they were in my family. Didn't you

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<v Speaker 1>post something once that it was like the lifespan of

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<v Speaker 1>the name Robert, Like as a young kid, the boys

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<v Speaker 1>called Robbie. Yeah, you know, I can't take credit for

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<v Speaker 1>creating it, but someone on the internet created this kind

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<v Speaker 1>of timeline. Yeah, where it's it's like the cycle of life.

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<v Speaker 1>In the in the morning, in the dawn of your years,

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<v Speaker 1>I guess you're a Robbie, you Robert, and then in

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<v Speaker 1>the sunset years your Bob. Yeah. All right, Now here's

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<v Speaker 1>an interesting, uh a bit of feedback on the same topic,

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<v Speaker 1>and this comes to us from page page right soon

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<v Speaker 1>and says, I'm surprised you didn't discuss or at least

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<v Speaker 1>mentioned changing one's name and adulthead, or or for that matter,

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<v Speaker 1>in infancy. A friend of mine had to rename her

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<v Speaker 1>child because no one could pronounce the original name. I

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<v Speaker 1>was born with a name which stereotypically did not match

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<v Speaker 1>my gender. There were several boys all through primary school

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<v Speaker 1>with the same name, and perhaps that influence my departure

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<v Speaker 1>from the feminine. Apparently, at as young as five or six,

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<v Speaker 1>I was introducing myself by different names, and at fifteen

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<v Speaker 1>started going by a nickname completely disconnected from my birth name.

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<v Speaker 1>Nicknames changed, and eventually, when I was eighteen, I worked

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<v Speaker 1>out what would be a good new name for myself,

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<v Speaker 1>then went down to the Office of Births, Deaths, and

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<v Speaker 1>Marriages and changed it. I've been Paige ever since, and

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<v Speaker 1>just hearing my birth name makes me I'm comfortable. Did

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<v Speaker 1>I've perhaps change my destiny by changing my name? How

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<v Speaker 1>does hating one's name and refusing to use it whenever

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<v Speaker 1>possible affect things? How are babies or children affected when

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<v Speaker 1>their name is changed? And how do children who cannot

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<v Speaker 1>pronounce their names fair? My daughter has a speech impediment

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<v Speaker 1>and cannot pronounce her shortened name uh Meiwi versus neely

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<v Speaker 1>let alone her first long name. Thanks for the podcast.

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<v Speaker 1>I've been listening for over a year now. Uh And

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<v Speaker 1>when I found you. I devoured them all as quickly

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<v Speaker 1>as I could. Page I read this entire email because

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<v Speaker 1>here on the episode, because I think she did raise

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<v Speaker 1>a lot of cool points. It's gonna be, you know,

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<v Speaker 1>chewing over the uh, the issues involved in naming and

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<v Speaker 1>reclaiming a name or abandoning a name. I kind of

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<v Speaker 1>feel like altering your name is a sort of rite

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<v Speaker 1>of passage anyway, and it does seem to happen in

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<v Speaker 1>those teenage years when you're trying to figure out what

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<v Speaker 1>your personality is, who you want to be in the world. Yeah, indeed,

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<v Speaker 1>and uh And as far as the speech issue goes, um,

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<v Speaker 1>my son has some catching up on his speech because

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<v Speaker 1>he had a cliff flip cleft ballot and his name

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<v Speaker 1>is is Sebastian, but he we just call him Bastion

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<v Speaker 1>and the home because you know, you can, you can

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<v Speaker 1>say that easier. And I also think I, like a

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<v Speaker 1>little toddler, seemed to really go for more of the

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<v Speaker 1>one or two syllables anyway, Like that third syllable that's

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<v Speaker 1>just something to trip over, so you might as well

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<v Speaker 1>cut it down. Um. But we also made sure that

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<v Speaker 1>we named the new cat a name that he could

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<v Speaker 1>stay easily because they're like, we want him to be

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<v Speaker 1>able to say the cat's name. We're not gonna give

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<v Speaker 1>it some crazy name like Zartagnan or something. So we

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<v Speaker 1>called the new cat Mochi, and that he can say. Yeah.

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<v Speaker 1>One of my daughter's earliest little snugly toys was named

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<v Speaker 1>as Morelda, and people would get so annoyed with us.

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<v Speaker 1>They like, what she can't pronounce as Morelda? What would

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<v Speaker 1>she she call it? Um? She never really cottoned to it,

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<v Speaker 1>so we never had to worry about it. But shoot high,

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<v Speaker 1>That's what I'm saying, because they seem to come up

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<v Speaker 1>with like if they if they can't or don't want

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<v Speaker 1>to say all the syllables and something. They they're really

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<v Speaker 1>weird about how they choose, pick and choose. For instance,

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<v Speaker 1>my son, for whatever reason, is still calling water ewa,

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<v Speaker 1>Like why, Like, clearly you can say waw and you

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<v Speaker 1>I mean you could, you could, You could hit it

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<v Speaker 1>more on the head, I think, But instead he's calling

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<v Speaker 1>it ewa to the point where I have to stop

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<v Speaker 1>myself from thinking of it as ewa because it does

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<v Speaker 1>it does sound give him that it sounds good. You

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<v Speaker 1>did ask me to give you give you your class

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<v Speaker 1>of EA the other day and I was like, what, yeah,

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<v Speaker 1>all right, here's another but listener mail. This comes to

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<v Speaker 1>us from Nathan in Australia. Nathan says, my grandfather's name

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<v Speaker 1>was Victor. He was a champion rugby league player, lawn

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<v Speaker 1>bowler and golfer. So there's another example of of a

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<v Speaker 1>name that may or may not have have pushed uh

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<v Speaker 1>the individual onto Victory. Uh. And on a similar note,

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<v Speaker 1>here's one from Victoria, also in Australia. We have a

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<v Speaker 1>lot of listeners in Australia. She writes it and says,

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<v Speaker 1>I thought you might be interesting in a story about

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<v Speaker 1>my name. As you can see from my email, it's

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<v Speaker 1>Victoria's strike But here's more to it because, as you see,

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<v Speaker 1>I'm adopted. Five years ago. I found my biological family

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<v Speaker 1>and their surname is Force, so technically i'm Victoria's Strike Force.

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<v Speaker 1>My boyfriend, on the other hand, has been terribly unlucky.

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<v Speaker 1>His name is Ben Ben Laden been Lodden, perhaps eat

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<v Speaker 1>way close enough to conceivably caused some problems. I want

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<v Speaker 1>to think through the podcast it rocks and makes my

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<v Speaker 1>daily train ride to work a joy. Victoria, we had

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<v Speaker 1>Gillian right into us uh and give us some some

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<v Speaker 1>very cool feedback on the episode and on some other

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<v Speaker 1>topics as well. But pointed out that they worked in

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<v Speaker 1>a hospital where there was a doctor doctor the last

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<v Speaker 1>name d O C K T O R so and

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<v Speaker 1>people refer to the doctor as doctor, doctor, doctor doctor. Yes,

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<v Speaker 1>and here's an interesting question. Finally, this has brought up

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<v Speaker 1>to us by our listeners. Zerik Zerrec of course has

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<v Speaker 1>a very cool first name of him, may say so,

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<v Speaker 1>a very creative first name. So he mentioned that he

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<v Speaker 1>even though his parents were very on of the name

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<v Speaker 1>and uh and and and stead, that they made it

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<v Speaker 1>up for him especially, he felt he felt limited, but

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<v Speaker 1>he felt like it wasn't his name. It felt alien

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<v Speaker 1>to him anyway. He asked, do you think you quote

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<v Speaker 1>normals unquote could explain to a person with a weird, foreign,

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<v Speaker 1>meaningless name, what it feels like to have a common name.

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<v Speaker 1>Does it just feel like nothing? Because that's more or

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<v Speaker 1>less how I feel about my name most of the time.

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<v Speaker 1>And that's an interesting question because, like I say, I've

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<v Speaker 1>always felt like my name is boring, and I've always

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<v Speaker 1>felt like my normal name is just it's almost like

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<v Speaker 1>a number I'm given like, I don't feel a particular

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<v Speaker 1>attachment or identity to it. I am just sort of

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<v Speaker 1>I am who I am in spite of having the

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<v Speaker 1>name Robert Lamb. Well, I mean, the thing is is

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<v Speaker 1>that when you have a normal name and you're introducing yourself,

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<v Speaker 1>people often misremember it as another normal name, like Surely

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<v Speaker 1>or Judy, Julie, you know, and so Zak. I would

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<v Speaker 1>say that people probably pay a little bit more attention

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<v Speaker 1>to your name, maybe even more attention to you as

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<v Speaker 1>a person, because they don't automatically have these sort of

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<v Speaker 1>common associations with your name. I think it's kind of awesome,

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<v Speaker 1>although I understand like if you don't, maybe there's a

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<v Speaker 1>sense of otherness with that name that you might feel

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<v Speaker 1>more than the average Joe. Yeah, it's it does seem

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<v Speaker 1>like a situation where you can't really win. You give

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<v Speaker 1>a kid a weird name, they're gonna want a normal one.

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<v Speaker 1>You give them get a normal name, they're gonna a

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<v Speaker 1>weird one. Maybe that solution is you have to give

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<v Speaker 1>them both and then they can sort of pick and

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<v Speaker 1>choose which one they want to go with. Well, isn't

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<v Speaker 1>there already that that idea that this generation um will

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<v Speaker 1>need to change their name by age eighteen anyway because

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<v Speaker 1>of security issues and oversharing on the internet. It is

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<v Speaker 1>just true. So and I wonder to what extent the

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<v Speaker 1>the normal abnormal name shift will feature into that. Do

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<v Speaker 1>you tend to have a crazier name during this rebellious

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<v Speaker 1>wild stage? Or is that when you have a normal

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<v Speaker 1>name and you're rebelling against it. And if we're going

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<v Speaker 1>to live to be five undred years old, as Albredy

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<v Speaker 1>de Gray that bio gerontologists says, maybe just keep changing

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<v Speaker 1>your name like every century. Right, Yeah, just keep reinventing

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<v Speaker 1>yourself because you're going to forget most of it, everything

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<v Speaker 1>that's happened to you anyway, right, yeah, alright. We got

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<v Speaker 1>a couple of emails about pro pri exception, this idea

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<v Speaker 1>of figuring out where your body is and space and time,

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<v Speaker 1>and uh, here is one from Brenna. She says, I

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<v Speaker 1>enjoyed your recent podcast. I am a therapist who works

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<v Speaker 1>with infants and toddlers with special needs ages zero at five.

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<v Speaker 1>Many of my kids have challenges with appropriate exception, and

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<v Speaker 1>children delays ippropriate exception often present its difficulty interacting with

0:11:36.240 --> 0:11:40.319
<v Speaker 1>objects in themselves. For example, the children's song Wheels on

0:11:40.360 --> 0:11:42.760
<v Speaker 1>the Bus encourages children to rotate their arms in a

0:11:42.840 --> 0:11:45.679
<v Speaker 1>circular pattern around each other. Robert narrating this right now,

0:11:47.480 --> 0:11:50.400
<v Speaker 1>It is a good song. Children need motor planning appropriate

0:11:50.400 --> 0:11:53.520
<v Speaker 1>exception to carry out this action. However, because they don't

0:11:53.640 --> 0:11:56.720
<v Speaker 1>yet understand where their body is in space and time

0:11:56.800 --> 0:11:59.760
<v Speaker 1>in relation to itself, they often have greater difficulty with

0:11:59.840 --> 0:12:04.280
<v Speaker 1>this complex action. And she goes on to say that, um,

0:12:04.320 --> 0:12:07.120
<v Speaker 1>if they have delays appropriate reception, it's not uncommon that

0:12:07.160 --> 0:12:11.880
<v Speaker 1>their vestibular sense is affected as well, and when that's affected,

0:12:12.000 --> 0:12:15.040
<v Speaker 1>it can be really difficult to manage properceptive needs. So

0:12:15.040 --> 0:12:17.840
<v Speaker 1>you're talking about balance and coordination, and she says that

0:12:18.200 --> 0:12:21.480
<v Speaker 1>in adults you can kind of adapt, but in kids,

0:12:21.520 --> 0:12:24.360
<v Speaker 1>it's really hard on paraphrasing, by the way, she says,

0:12:24.400 --> 0:12:26.960
<v Speaker 1>because they never learn the skill to begin with. And

0:12:27.000 --> 0:12:29.720
<v Speaker 1>so she says, if there are any listeners with kids

0:12:29.760 --> 0:12:34.200
<v Speaker 1>who have difficulty with propriate reception or vestibular development, she

0:12:34.280 --> 0:12:37.240
<v Speaker 1>wanted to share a couple of at home activities that

0:12:37.360 --> 0:12:40.040
<v Speaker 1>parents can do with her kids. Um. She says that

0:12:40.280 --> 0:12:43.520
<v Speaker 1>activities that involve heavy pushing and pulling, which in turn

0:12:43.600 --> 0:12:47.320
<v Speaker 1>provide greater sensory feedback. You can fill a wagon with

0:12:47.400 --> 0:12:50.480
<v Speaker 1>toys to pull, pushing a toy grocery cart or rolling

0:12:50.520 --> 0:12:53.080
<v Speaker 1>weighted balls. She said. That's a great start, but no

0:12:53.160 --> 0:12:55.280
<v Speaker 1>more than temperation or their body weight for the pushing

0:12:55.280 --> 0:12:57.480
<v Speaker 1>and pulling. You can buy a pop up tennel or

0:12:57.520 --> 0:13:00.720
<v Speaker 1>a tent to give them practice traveling through different spaces. Again,

0:13:00.800 --> 0:13:03.560
<v Speaker 1>we take all of this for granted, right, um, she said,

0:13:03.559 --> 0:13:06.400
<v Speaker 1>A good old fashioned pillow forward is great too, and

0:13:06.760 --> 0:13:10.040
<v Speaker 1>songs like head, shoulders, knees and toes if you know

0:13:10.120 --> 0:13:13.200
<v Speaker 1>that one, if you're happy and you know it, ladybug.

0:13:13.720 --> 0:13:16.560
<v Speaker 1>These are all good for coordination with body parts. And finally,

0:13:16.600 --> 0:13:18.600
<v Speaker 1>she says that you could kind of create a swing

0:13:18.679 --> 0:13:21.520
<v Speaker 1>with a blanket or a towel. Says she used as

0:13:21.559 --> 0:13:24.040
<v Speaker 1>a toy parachute, and she twists the ends together with

0:13:24.040 --> 0:13:26.080
<v Speaker 1>the child inside. She gently lifts the child a couple

0:13:26.120 --> 0:13:28.880
<v Speaker 1>inches off the floor and let some swing from side

0:13:28.880 --> 0:13:30.880
<v Speaker 1>to side, and that the kids love this and they

0:13:30.920 --> 0:13:34.400
<v Speaker 1>pop their head out to see what's going on. Um. Again,

0:13:34.880 --> 0:13:37.320
<v Speaker 1>things that we take for granted, this idea that you're

0:13:37.360 --> 0:13:41.000
<v Speaker 1>moving through space and time, and always I've always wondered

0:13:41.040 --> 0:13:44.520
<v Speaker 1>about this because I've noticed that as my daughter develops.

0:13:44.559 --> 0:13:47.480
<v Speaker 1>She's five years old now, um, but she seems to

0:13:47.520 --> 0:13:49.800
<v Speaker 1>be going through a growth spurt. She seems to be

0:13:49.840 --> 0:13:52.320
<v Speaker 1>falling a lot more. And I wonder if it's because

0:13:52.320 --> 0:13:55.880
<v Speaker 1>the borders of your body are rapidly changing and you

0:13:55.960 --> 0:13:59.760
<v Speaker 1>don't You're not as um as familiar with how your

0:13:59.760 --> 0:14:01.400
<v Speaker 1>body he is moving through space and time. It's like

0:14:01.480 --> 0:14:05.600
<v Speaker 1>having iTunes or Adobe on your machine. It constantly needs

0:14:05.600 --> 0:14:08.760
<v Speaker 1>the updates. And yes, there you can't keep up with

0:14:08.760 --> 0:14:12.280
<v Speaker 1>a number of updates that are required to properly orient

0:14:12.360 --> 0:14:14.600
<v Speaker 1>yourself in time and space. Perhaps, Yeah, And I also

0:14:14.640 --> 0:14:17.000
<v Speaker 1>remember too that when I was pregnant, particularly in the

0:14:17.040 --> 0:14:19.680
<v Speaker 1>third trimester, I really did not know where I was.

0:14:20.040 --> 0:14:21.920
<v Speaker 1>I mean like I would go through I would bump

0:14:21.920 --> 0:14:23.840
<v Speaker 1>into things all the time because I didn't really have

0:14:23.840 --> 0:14:25.440
<v Speaker 1>a sense of the borders of my body. And I

0:14:25.520 --> 0:14:29.880
<v Speaker 1>wonder if any other women experienced that. So proprioception continues

0:14:29.920 --> 0:14:33.080
<v Speaker 1>to be this really fascinating topic. Yeah, I had we

0:14:33.120 --> 0:14:37.200
<v Speaker 1>receiving another email on the topic from Michael. Michael wrote

0:14:37.200 --> 0:14:41.040
<v Speaker 1>in with an email titled propri exception Glitches. He says,

0:14:41.360 --> 0:14:43.840
<v Speaker 1>several years ago, I had a table saw accident. The

0:14:43.960 --> 0:14:46.720
<v Speaker 1>resulted in my left index finger spending a couple of

0:14:46.720 --> 0:14:49.520
<v Speaker 1>months wrapped in bandages. When the bandages came out, my

0:14:49.600 --> 0:14:52.120
<v Speaker 1>doctor told me to touch as many different textures as

0:14:52.160 --> 0:14:54.920
<v Speaker 1>possible and to look at my finger as I did it,

0:14:55.000 --> 0:14:57.080
<v Speaker 1>so that my brain would know how to interpret the

0:14:57.120 --> 0:15:00.400
<v Speaker 1>signals it was receiving. The damage to my finger, followed

0:15:00.400 --> 0:15:04.920
<v Speaker 1>by a long swaddling, essentially rebooted my brain's relationship with

0:15:04.960 --> 0:15:07.560
<v Speaker 1>my finger, and I had to retrain it. During this

0:15:07.720 --> 0:15:10.880
<v Speaker 1>reboot process, I developed a habit of rubbing my index

0:15:10.960 --> 0:15:14.560
<v Speaker 1>finger and thumb together. Several years later, I injured my

0:15:14.640 --> 0:15:17.520
<v Speaker 1>thumb and was surprised to find that my index finger

0:15:17.600 --> 0:15:20.840
<v Speaker 1>was also feeling the pain of the injury. Apparently a

0:15:20.840 --> 0:15:23.560
<v Speaker 1>few wires end up getting crossed thanks to my little

0:15:23.640 --> 0:15:28.520
<v Speaker 1>nervous tick. Huh okay um. Here's another one about appropriate exception.

0:15:28.680 --> 0:15:31.960
<v Speaker 1>This is from J in Tilsonburg, Ontario, Canada, and he

0:15:32.000 --> 0:15:34.280
<v Speaker 1>says that when I was younger, I raised a bit

0:15:34.320 --> 0:15:37.240
<v Speaker 1>of motocross and rode for fun since I was eight

0:15:37.320 --> 0:15:40.560
<v Speaker 1>years old. On a few rare occasions, when racing as

0:15:40.560 --> 0:15:42.840
<v Speaker 1>hard as I could, I would get into an almost

0:15:42.960 --> 0:15:46.400
<v Speaker 1>meditative mind state where I would swear the bike felt

0:15:46.400 --> 0:15:48.600
<v Speaker 1>like a part of me. I could almost feel the

0:15:48.640 --> 0:15:51.600
<v Speaker 1>ground under my front tire as if an extension of

0:15:51.640 --> 0:15:55.080
<v Speaker 1>my arms, uh, and the field attraction left in the

0:15:55.160 --> 0:15:58.200
<v Speaker 1>soil through the soles of my feet while either in

0:15:58.240 --> 0:16:00.200
<v Speaker 1>the air on the throttle where I end it and

0:16:00.240 --> 0:16:03.880
<v Speaker 1>the bike began felt blurred. This was also when I

0:16:03.920 --> 0:16:07.440
<v Speaker 1>felt the fastest and most confident on the bike. Now,

0:16:07.480 --> 0:16:09.840
<v Speaker 1>I was no superstar racers, so I wonder whether the

0:16:09.920 --> 0:16:13.560
<v Speaker 1>pros or other bikers have had the sensation. Thanks again, Jay,

0:16:13.600 --> 0:16:17.640
<v Speaker 1>our boss are sort of not boss anymore. Um connell

0:16:17.760 --> 0:16:21.680
<v Speaker 1>actually uses a motorcycle, and he had said, he had

0:16:21.680 --> 0:16:24.359
<v Speaker 1>mentioned before uses that as his main form of transportation,

0:16:24.840 --> 0:16:28.720
<v Speaker 1>that when he's in traffic and he's on the highway,

0:16:28.800 --> 0:16:31.240
<v Speaker 1>that he gets into this meditative state with the bike

0:16:31.400 --> 0:16:36.320
<v Speaker 1>because it's uh such a trepidacious ride that he really

0:16:36.360 --> 0:16:40.800
<v Speaker 1>has to focus all of his energy into what he's

0:16:40.880 --> 0:16:42.760
<v Speaker 1>doing on that bike. And I thought, well, that's kind

0:16:42.760 --> 0:16:44.480
<v Speaker 1>of interesting. That sort of lines up with what Jay

0:16:44.520 --> 0:16:49.560
<v Speaker 1>is saying. All right. We also recently did a rerun

0:16:49.560 --> 0:16:51.640
<v Speaker 1>of our episode on the Science of Beards, which is

0:16:51.680 --> 0:16:53.760
<v Speaker 1>a popular episode, and to no one's surprise, it was

0:16:53.800 --> 0:16:57.400
<v Speaker 1>popular again the second time. Uh So we received this

0:16:57.440 --> 0:17:01.360
<v Speaker 1>one from Renee. Renee writes, and I'm sending this on

0:17:01.400 --> 0:17:03.680
<v Speaker 1>account of the Signs of Beards episode, which I listened

0:17:03.680 --> 0:17:06.040
<v Speaker 1>to today while running. The topic of facial hair has

0:17:06.040 --> 0:17:09.560
<v Speaker 1>always interested me. Why certain people prefer certain styles, different reasons,

0:17:09.560 --> 0:17:11.919
<v Speaker 1>why people have it, etcetera. I enjoyed your episode and

0:17:11.920 --> 0:17:13.679
<v Speaker 1>thought you would like to hear some things. I know,

0:17:14.080 --> 0:17:16.320
<v Speaker 1>when you talked about Abraham Lincoln liking to wrestle and

0:17:16.359 --> 0:17:18.439
<v Speaker 1>having a beard, I was surprised you did not mention

0:17:18.480 --> 0:17:21.280
<v Speaker 1>the story of why he grew his beard. You might

0:17:21.320 --> 0:17:23.400
<v Speaker 1>already know it, but here is some of the letter

0:17:23.480 --> 0:17:27.240
<v Speaker 1>written to Lincoln while he was running for office. I'm

0:17:27.280 --> 0:17:31.120
<v Speaker 1>going to summon my Laura Ingles Wilder here. Okay, dear sir,

0:17:31.400 --> 0:17:33.560
<v Speaker 1>my father has just come home from the fair and

0:17:33.640 --> 0:17:36.760
<v Speaker 1>brought home your picture and Mr Hamlin's. I am a

0:17:36.760 --> 0:17:39.359
<v Speaker 1>little girl, only eleven years old, but want you to

0:17:39.400 --> 0:17:41.720
<v Speaker 1>be President of the United States very much, so I

0:17:41.760 --> 0:17:44.399
<v Speaker 1>hope you won't think me very bold to write to

0:17:44.560 --> 0:17:47.080
<v Speaker 1>such a great man as you are. I have got

0:17:47.080 --> 0:17:49.879
<v Speaker 1>four brothers and part of them will vote for you anyway,

0:17:49.960 --> 0:17:52.639
<v Speaker 1>And if you let your whiskers grow. I will try

0:17:52.720 --> 0:17:55.400
<v Speaker 1>and get the rest of them to vote for you.

0:17:55.400 --> 0:17:58.160
<v Speaker 1>You would look a great deal better, for your face

0:17:58.320 --> 0:18:02.000
<v Speaker 1>is so thin. All the eies like whiskers, and they

0:18:02.040 --> 0:18:04.680
<v Speaker 1>would tease their husbands to vote for you, and then

0:18:04.720 --> 0:18:07.000
<v Speaker 1>you would be president. My father is going to vote

0:18:07.000 --> 0:18:09.160
<v Speaker 1>for you, and if I was a man, I would

0:18:09.240 --> 0:18:11.880
<v Speaker 1>vote for you too. But I will try to get

0:18:11.920 --> 0:18:14.440
<v Speaker 1>everyone to vote for you that I can. Well, there

0:18:14.480 --> 0:18:16.439
<v Speaker 1>you go from the from the mouths of babes right

0:18:16.920 --> 0:18:20.160
<v Speaker 1>talking about whiskers, how adorable, making his face looked thicker

0:18:20.200 --> 0:18:23.160
<v Speaker 1>and more more capable of taking a punch. I think

0:18:23.160 --> 0:18:26.679
<v Speaker 1>she was like the first focus group. Yeah, accidentally, I

0:18:26.680 --> 0:18:28.960
<v Speaker 1>think she was. All right, here's another one about beards.

0:18:29.040 --> 0:18:31.359
<v Speaker 1>Is it from Martin Howdy from Texas? Y'all, I just

0:18:31.400 --> 0:18:34.159
<v Speaker 1>heard your podcast on beers. As a bearded fellow, I

0:18:34.160 --> 0:18:36.520
<v Speaker 1>thought i'd cheer some of my experience with the general public.

0:18:36.720 --> 0:18:38.600
<v Speaker 1>I have it quite the mixed reaction to my beard.

0:18:38.600 --> 0:18:40.359
<v Speaker 1>But the one thing that really struck me was that

0:18:40.440 --> 0:18:43.560
<v Speaker 1>the larger portion of the younger generation has a positive

0:18:43.600 --> 0:18:45.800
<v Speaker 1>reaction to my beard and is usually impressed, but the

0:18:45.840 --> 0:18:49.360
<v Speaker 1>older thirties and up seemed to have a more negative reaction.

0:18:49.640 --> 0:18:52.159
<v Speaker 1>One seventy is fellow even went so far as to

0:18:52.200 --> 0:18:55.520
<v Speaker 1>tell me that society would fix me and that if

0:18:55.560 --> 0:18:59.480
<v Speaker 1>I didn't shave that bleep off, I'd wind up in

0:18:59.520 --> 0:19:01.840
<v Speaker 1>a loony it. Uh. The older people get, the more

0:19:01.880 --> 0:19:05.640
<v Speaker 1>negative their statements. Besides that, my girlfriend likes my beard

0:19:05.680 --> 0:19:07.240
<v Speaker 1>and most of my friends are in agreement that I

0:19:07.280 --> 0:19:10.359
<v Speaker 1>look better with it than without it. That might be

0:19:10.359 --> 0:19:12.919
<v Speaker 1>because I have a hatchet face. Oh we doubt that.

0:19:13.440 --> 0:19:15.720
<v Speaker 1>The podcast was the first podcast and made me go

0:19:15.800 --> 0:19:18.200
<v Speaker 1>to y'all's website, and speaking of faces, I was surprised

0:19:18.200 --> 0:19:20.640
<v Speaker 1>at how y'all looked. Y'all should do a podcast about

0:19:20.720 --> 0:19:23.359
<v Speaker 1>voices and faces and how we associate them. I thoroughly

0:19:23.400 --> 0:19:27.400
<v Speaker 1>enjoy the show. Keep up the good work, Martin. All right,

0:19:27.440 --> 0:19:30.120
<v Speaker 1>thanks Martin. Yeah. We uh we hear from listeners from

0:19:30.119 --> 0:19:32.240
<v Speaker 1>time to time they're like, oh my god, I saw

0:19:32.800 --> 0:19:35.800
<v Speaker 1>photos of you guys and not at all what I imagined,

0:19:35.920 --> 0:19:39.479
<v Speaker 1>and I'm deeply upset because I imagine something else for you. Well,

0:19:39.520 --> 0:19:41.800
<v Speaker 1>you know, he mentioned you know, uh, Martin here is

0:19:41.840 --> 0:19:45.960
<v Speaker 1>from Texas, and I instantly thought, uh, two MPR there

0:19:46.040 --> 0:19:49.479
<v Speaker 1>is there's one MPR reporter from Texas. This often featured

0:19:49.480 --> 0:19:53.679
<v Speaker 1>you've probably heard him as a real, real Texan voice,

0:19:53.680 --> 0:19:56.439
<v Speaker 1>but a soothing voice almost like there's a little bit

0:19:56.480 --> 0:19:58.919
<v Speaker 1>of Wilford Brimley in there, and a little bit of

0:19:59.240 --> 0:20:02.159
<v Speaker 1>h and Marie Stouffer from the old you know, a

0:20:02.760 --> 0:20:05.919
<v Speaker 1>wildlife show. Very soothing and and so I form in

0:20:05.960 --> 0:20:08.720
<v Speaker 1>my mind this kind of picture of this bearded Wilfred

0:20:08.720 --> 0:20:11.280
<v Speaker 1>Brimley s guy, maybe a little a little bit of

0:20:11.280 --> 0:20:13.920
<v Speaker 1>that character from Parks and rec with a big mustache,

0:20:15.200 --> 0:20:17.520
<v Speaker 1>you know, uh, some of that going on. And then

0:20:17.520 --> 0:20:19.920
<v Speaker 1>I look him up online and he's just a guy,

0:20:20.080 --> 0:20:22.360
<v Speaker 1>like does not look like my mental helt. I thought

0:20:22.359 --> 0:20:24.840
<v Speaker 1>you're gonna say, like he had a faux hawk. No, no,

0:20:24.880 --> 0:20:27.479
<v Speaker 1>he had, he doesn't. You know, he's not on the

0:20:27.480 --> 0:20:29.119
<v Speaker 1>on the other end of the spectrum, but he's very

0:20:29.160 --> 0:20:30.919
<v Speaker 1>much at the middle end of the middle portion of

0:20:30.920 --> 0:20:33.520
<v Speaker 1>the spectrum where I just would not pick him out

0:20:33.520 --> 0:20:36.000
<v Speaker 1>of a lineup. Is that voice any day of the week.

0:20:36.520 --> 0:20:39.240
<v Speaker 1>I know it is interesting psychologically what we do, and

0:20:39.320 --> 0:20:42.320
<v Speaker 1>we make up these ideas of what people should look like.

0:20:42.359 --> 0:20:44.399
<v Speaker 1>And I do that a lot in fiction, you know,

0:20:44.600 --> 0:20:47.400
<v Speaker 1>so I can see how people when they're listening to

0:20:47.520 --> 0:20:50.840
<v Speaker 1>us might be a little bit like what's what you know?

0:20:51.240 --> 0:20:53.280
<v Speaker 1>Like I think I said before, nothing works me more

0:20:53.400 --> 0:20:56.400
<v Speaker 1>than being uh, you know, many pages into a book,

0:20:56.440 --> 0:20:59.520
<v Speaker 1>maybe even halfway through, and then the narrator decides to

0:20:59.520 --> 0:21:04.600
<v Speaker 1>tell me some it as a mustache. Noache, tell me

0:21:04.840 --> 0:21:08.640
<v Speaker 1>like the first sentence. Alright, we have an email from

0:21:08.760 --> 0:21:12.199
<v Speaker 1>Will and he is talking about our episode Heartbeat in

0:21:12.240 --> 0:21:15.000
<v Speaker 1>the Brain. He says, Hey, guys, first time writing in

0:21:15.080 --> 0:21:17.520
<v Speaker 1>long time listener. While listening to Heartbeat in the Brain,

0:21:17.560 --> 0:21:20.120
<v Speaker 1>Hole in the Skull podcast on my way into work

0:21:20.160 --> 0:21:21.919
<v Speaker 1>this morning, I found it very interesting, as I do

0:21:22.000 --> 0:21:24.680
<v Speaker 1>most of the topics. As I was listening, I couldn't

0:21:24.680 --> 0:21:26.840
<v Speaker 1>help but think about a different kind of hole in

0:21:26.840 --> 0:21:31.920
<v Speaker 1>the school for quote unquote medical purposes, allabotomy. I first

0:21:31.960 --> 0:21:33.919
<v Speaker 1>heard of a lot body of procedure while at college.

0:21:33.960 --> 0:21:36.640
<v Speaker 1>I went to college down the road from Weston, West Virginia,

0:21:36.720 --> 0:21:40.639
<v Speaker 1>at West Virginia Wesleyan College, which is home to the

0:21:40.680 --> 0:21:43.960
<v Speaker 1>second largest handstone building in the world, now known as

0:21:44.040 --> 0:21:48.440
<v Speaker 1>trans Alleghanty Lunatic Asylum. When it was first built, though

0:21:48.520 --> 0:21:51.200
<v Speaker 1>it was known as Western State Hospital. As the new

0:21:51.359 --> 0:21:54.159
<v Speaker 1>name implies, the Western State Hospital with Mental Hospital and

0:21:54.200 --> 0:21:57.840
<v Speaker 1>operated from eighteen sixty four to nine and has a

0:21:57.960 --> 0:22:01.119
<v Speaker 1>very dark history over the one in thirty years of

0:22:01.160 --> 0:22:04.159
<v Speaker 1>it being open. I believe that either the history of

0:22:04.280 --> 0:22:07.240
<v Speaker 1>West Instant Hospital or lobotomies would be an awesome follow

0:22:07.320 --> 0:22:10.840
<v Speaker 1>up after the treped Nation podcast always Listening, will Um

0:22:10.840 --> 0:22:13.920
<v Speaker 1>thanks well, and that just reminded me that in one

0:22:14.000 --> 0:22:18.520
<v Speaker 1>of the World Science Festival panels had to do with genetics.

0:22:19.119 --> 0:22:22.880
<v Speaker 1>Eugenics was brought up because eugenics sort of as they

0:22:22.920 --> 0:22:27.280
<v Speaker 1>discussed it, UM proliferated during a time period in which

0:22:27.320 --> 0:22:30.600
<v Speaker 1>a lot of people were being put in mental institutions,

0:22:30.600 --> 0:22:34.240
<v Speaker 1>and they should not have been put into mental institutions.

0:22:34.240 --> 0:22:36.960
<v Speaker 1>A number of these people they might have been UM

0:22:37.119 --> 0:22:40.160
<v Speaker 1>drug or alcohol addicts, or they may have just had

0:22:40.240 --> 0:22:44.480
<v Speaker 1>anxiety problems. In society's um idea here in the late

0:22:44.480 --> 0:22:46.760
<v Speaker 1>eight hundreds was just lock them up. At the same time,

0:22:46.760 --> 0:22:49.359
<v Speaker 1>you've got eugenics happening, and they're saying maybe we could

0:22:49.440 --> 0:22:54.760
<v Speaker 1>root out these sort of unsavory characters and UM along

0:22:54.800 --> 0:23:00.480
<v Speaker 1>those lines, people began to be sterilized in these institutions. Well,

0:23:00.640 --> 0:23:03.600
<v Speaker 1>we also have a number of other things happening, like lobotomies,

0:23:03.760 --> 0:23:05.639
<v Speaker 1>and so I agree. I think this is a really

0:23:05.800 --> 0:23:08.919
<v Speaker 1>ripe area for exploration, so it's not quite on the

0:23:08.960 --> 0:23:12.000
<v Speaker 1>same level. It's the procedure that came up there in

0:23:12.000 --> 0:23:16.280
<v Speaker 1>our Digestion series about the individual who was treating constipation

0:23:16.800 --> 0:23:20.960
<v Speaker 1>chronic constipation by removing the uh, the large intestines and

0:23:21.040 --> 0:23:24.800
<v Speaker 1>just rerouting it. Right. For a second, I thought you

0:23:24.840 --> 0:23:28.240
<v Speaker 1>were talking about that moment in Mary Rich's Gulp in

0:23:28.280 --> 0:23:32.080
<v Speaker 1>which they were talking about which president is it? Um.

0:23:32.160 --> 0:23:34.720
<v Speaker 1>He had got shot in the liver and so he

0:23:34.760 --> 0:23:38.280
<v Speaker 1>couldn't be I think so he had to be fed

0:23:38.280 --> 0:23:42.600
<v Speaker 1>through the anus. Yeah, that read the rectal feeding. Yeah, uh,

0:23:43.000 --> 0:23:45.600
<v Speaker 1>I don't really have anything. I was not talking about

0:23:45.600 --> 0:23:48.359
<v Speaker 1>rectal feeding, but the thank you. That's why I just

0:23:48.400 --> 0:23:49.800
<v Speaker 1>had that moment where I was like, I don't know

0:23:49.840 --> 0:23:52.320
<v Speaker 1>how to get out of this. Robert help, Well, let's

0:23:52.320 --> 0:23:54.000
<v Speaker 1>get out of by grabbing another listener mail from the

0:23:54.080 --> 0:23:57.720
<v Speaker 1>robot here. This one comes to us from You'll You'll

0:23:57.760 --> 0:23:59.680
<v Speaker 1>write to us and says one of my favorite facts

0:23:59.680 --> 0:24:01.760
<v Speaker 1>about the moon, which we recently did an episode on,

0:24:02.160 --> 0:24:03.879
<v Speaker 1>is that it moves away from the Earth at a

0:24:03.960 --> 0:24:06.200
<v Speaker 1>rate of about one point five inches per year over

0:24:06.240 --> 0:24:09.320
<v Speaker 1>an average person's lifetime eighty years or so the moon

0:24:09.600 --> 0:24:11.680
<v Speaker 1>would have moved around ten feet away from the Earth.

0:24:11.840 --> 0:24:14.439
<v Speaker 1>There's something comforting and strangely intimate about being able to

0:24:14.480 --> 0:24:17.480
<v Speaker 1>visualize something that's happening on a celestial scale and relate

0:24:17.520 --> 0:24:20.240
<v Speaker 1>it to one's time on this planet. Well, certainly we

0:24:20.320 --> 0:24:24.080
<v Speaker 1>can relate our time on this planet constantly to celestial movements,

0:24:24.119 --> 0:24:26.240
<v Speaker 1>which is kind of which is kind of beautiful in

0:24:26.240 --> 0:24:28.440
<v Speaker 1>a way. Yeah, and I thought that was a beautiful

0:24:28.520 --> 0:24:30.600
<v Speaker 1>email and kind of in the sort of like Nil

0:24:30.600 --> 0:24:34.600
<v Speaker 1>de grass Cosmos column of looking at the universe in

0:24:34.480 --> 0:24:38.520
<v Speaker 1>a in a very big and poetic way. So thank you, you'll. Um,

0:24:38.720 --> 0:24:41.760
<v Speaker 1>we have an email from Alliston on super Stimuli and

0:24:41.800 --> 0:24:46.159
<v Speaker 1>she attached a picture of Conan the Barbarian. By the way, yes, Swartzenegger,

0:24:46.400 --> 0:24:49.640
<v Speaker 1>great film. Actually I think this one is a different

0:24:50.840 --> 0:24:54.040
<v Speaker 1>a different Conan the Barbarian is the one played by

0:24:54.040 --> 0:24:56.440
<v Speaker 1>the guy from Game of Thrones then or the TV

0:24:56.480 --> 0:25:00.359
<v Speaker 1>show maybe even I think so he's got giant pecks. Well,

0:25:00.400 --> 0:25:03.520
<v Speaker 1>I'll just put it that way. That could be an Okay,

0:25:03.640 --> 0:25:05.760
<v Speaker 1>she says, When I think of super Stimuli, my mind

0:25:05.760 --> 0:25:08.520
<v Speaker 1>goes straight to those big, tall and muscular guys and

0:25:08.600 --> 0:25:13.359
<v Speaker 1>action movies who don't really exist outside of bodybuilding and

0:25:13.400 --> 0:25:17.879
<v Speaker 1>pro pro wrestling. It's such an unreal and unrealistic body type.

0:25:17.920 --> 0:25:20.960
<v Speaker 1>But there's something so compelling about the image. I'm sure

0:25:21.000 --> 0:25:24.200
<v Speaker 1>this is my version version of the super feminized women

0:25:24.320 --> 0:25:27.480
<v Speaker 1>in pornography. I can't imagine actually having a dude like

0:25:27.560 --> 0:25:29.800
<v Speaker 1>that over for a pot. Look, I don't think he'd

0:25:29.840 --> 0:25:32.159
<v Speaker 1>fit in the chairs at my table, So why do

0:25:32.240 --> 0:25:34.800
<v Speaker 1>I go all gooey for them in movies? It's pure

0:25:35.160 --> 0:25:38.119
<v Speaker 1>super stimula. Great episode. I love your podcast and I

0:25:38.160 --> 0:25:39.760
<v Speaker 1>hope that you do them for a very long time.

0:25:40.240 --> 0:25:42.760
<v Speaker 1>Thank you, Allison. And that just reminded me too of

0:25:42.920 --> 0:25:45.840
<v Speaker 1>Joe Mangelo. I believe that's his name. He was in

0:25:46.160 --> 0:25:50.919
<v Speaker 1>True Blood. You play the giant wolf. Dude. Yeah, like

0:25:50.960 --> 0:25:53.920
<v Speaker 1>that is super normal stimuli. So I think it's really

0:25:53.960 --> 0:25:56.119
<v Speaker 1>interesting to look at it from the male perspective. We

0:25:56.119 --> 0:26:00.320
<v Speaker 1>always think about the male gaze, thinking about females and corn.

0:26:01.160 --> 0:26:03.440
<v Speaker 1>But yeah, no, he's a handsome man. I'll give it

0:26:03.480 --> 0:26:06.359
<v Speaker 1>to him. I mean, I give I will admit that

0:26:06.400 --> 0:26:08.720
<v Speaker 1>he's a handsome man. That's what I'm trying to her point.

0:26:08.960 --> 0:26:11.800
<v Speaker 1>You know, how how practical is that when you want

0:26:11.800 --> 0:26:13.760
<v Speaker 1>to have someone over for Pollock, you can't have someone

0:26:13.800 --> 0:26:16.080
<v Speaker 1>crushing your chairs. Yeah, and then you don't want them

0:26:16.119 --> 0:26:18.000
<v Speaker 1>to come over to and there and all they eat

0:26:18.160 --> 0:26:19.800
<v Speaker 1>or you know, they have some sort of diet where

0:26:19.840 --> 0:26:21.840
<v Speaker 1>they have to eat two whole chicken breasts and then

0:26:22.119 --> 0:26:25.080
<v Speaker 1>some sort of protein shake every meal because their whole,

0:26:25.520 --> 0:26:29.399
<v Speaker 1>their whole life is about building and maintaining this body. Um.

0:26:29.480 --> 0:26:31.920
<v Speaker 1>And that's what I always remind myself if I'm watching

0:26:31.920 --> 0:26:37.040
<v Speaker 1>a movie and someone is particularly ripped, Um, I remind myself, well,

0:26:37.720 --> 0:26:39.679
<v Speaker 1>what does that person have to do in life but

0:26:39.880 --> 0:26:44.160
<v Speaker 1>remain ridiculously ripped. That's kind of their job roasted chickens. Yeah,

0:26:44.840 --> 0:26:46.720
<v Speaker 1>And actually I find that it tends to get in

0:26:46.760 --> 0:26:50.639
<v Speaker 1>the way of the film narrative if the actor is

0:26:50.720 --> 0:26:53.800
<v Speaker 1>unrealistically in shape. I didn't actually I haven't watched the

0:26:53.840 --> 0:26:56.120
<v Speaker 1>show yet, but my wife watched this The Mr. Self

0:26:56.200 --> 0:26:59.600
<v Speaker 1>Ridge Show, which is the PBS show about self Ridge.

0:26:59.640 --> 0:27:02.760
<v Speaker 1>The uh, the the American and went to Britain and

0:27:02.800 --> 0:27:07.600
<v Speaker 1>revolutionized the shopping mall experience over there. But Jeremy Piven

0:27:07.720 --> 0:27:10.199
<v Speaker 1>plays the character. And there's a scene where you know,

0:27:10.240 --> 0:27:13.880
<v Speaker 1>this dude early twentieth century is has a shirt off

0:27:13.880 --> 0:27:15.879
<v Speaker 1>and he's like super ripped in a way that you

0:27:15.960 --> 0:27:18.080
<v Speaker 1>just wouldn't and you just wouldn't expect that kind of

0:27:18.080 --> 0:27:22.000
<v Speaker 1>body on someone, uh, in that position, in that time frame. No,

0:27:22.160 --> 0:27:24.199
<v Speaker 1>that was very unusual, it wasn't it. It's like when

0:27:24.200 --> 0:27:26.560
<v Speaker 1>you see super white teeth on an actor in a

0:27:26.960 --> 0:27:29.359
<v Speaker 1>in a period piece. You know, it's like super white,

0:27:29.400 --> 0:27:31.280
<v Speaker 1>straight teeth, Like, what are you doing that doesn't look

0:27:31.320 --> 0:27:34.159
<v Speaker 1>you're you're just by smiling, You're taking me out of

0:27:34.200 --> 0:27:37.240
<v Speaker 1>the historical immersion of the picture. I know, But there's

0:27:37.280 --> 0:27:40.359
<v Speaker 1>that whole willing suspension of disbelief. You got to meet

0:27:40.440 --> 0:27:44.480
<v Speaker 1>him halfway, Robert, and I will. I'll meet them halfway

0:27:44.480 --> 0:27:47.080
<v Speaker 1>on the fact that all Romans speak with a British accent,

0:27:47.440 --> 0:27:50.800
<v Speaker 1>but all Romans shouldn't have teeth that looked that perfect.

0:27:51.080 --> 0:27:54.119
<v Speaker 1>Fair enough, all right, We've got one more super normal

0:27:54.160 --> 0:27:58.480
<v Speaker 1>stimuli email from Mike, who says, while listening to the episode,

0:27:58.600 --> 0:28:01.240
<v Speaker 1>I couldn't help but think of about decisions I make

0:28:01.280 --> 0:28:04.960
<v Speaker 1>every day to either indulge or deny an instinct we're

0:28:04.960 --> 0:28:08.399
<v Speaker 1>talking about here. The supernormal stimuli is that sort of

0:28:08.440 --> 0:28:10.320
<v Speaker 1>thing where like you need a little bit of sugar, right,

0:28:10.320 --> 0:28:12.080
<v Speaker 1>you need a little bit of energy. But you don't

0:28:12.119 --> 0:28:15.960
<v Speaker 1>need a slice of cheesecake, he says, I would be

0:28:16.000 --> 0:28:19.119
<v Speaker 1>interested in learning how the decision to deny instinct works

0:28:19.200 --> 0:28:22.639
<v Speaker 1>to result in a dose of dopamine. Let's say I

0:28:22.720 --> 0:28:25.080
<v Speaker 1>decline a piece of cheesecake and instead eat a stock

0:28:25.119 --> 0:28:27.800
<v Speaker 1>of celery. Do I feel great because I use my

0:28:27.880 --> 0:28:32.480
<v Speaker 1>imagination to calculate a supernormal positive outcome. Do people who

0:28:32.560 --> 0:28:36.720
<v Speaker 1>make virtuous choices actually do so in order to indulge

0:28:36.720 --> 0:28:41.880
<v Speaker 1>their dopamine habit? Mm? I don't. I mean, I understand

0:28:41.880 --> 0:28:44.080
<v Speaker 1>where you're going here. Um, because we talked about this

0:28:44.120 --> 0:28:46.280
<v Speaker 1>in the last episode where we were talking about the

0:28:46.320 --> 0:28:48.520
<v Speaker 1>future of addiction, is that if you want to replace

0:28:48.760 --> 0:28:50.880
<v Speaker 1>a bad habit, you need to do it with another

0:28:50.920 --> 0:28:53.800
<v Speaker 1>habit because the neural pathway has been established. So if

0:28:53.880 --> 0:28:57.680
<v Speaker 1>you want to avoid drinking glasses of wine, go and

0:28:57.920 --> 0:29:00.240
<v Speaker 1>exercise because you're gonna get a high from a but

0:29:00.320 --> 0:29:04.200
<v Speaker 1>the celery stick. What if you did ants on a

0:29:04.280 --> 0:29:08.520
<v Speaker 1>log instead? Get a little peanut better in there? Yeah? Reasons? Well,

0:29:08.520 --> 0:29:11.200
<v Speaker 1>I guess it brings up the power of psychology, Like

0:29:11.240 --> 0:29:14.080
<v Speaker 1>to what degree can you trick yourself into making it

0:29:14.520 --> 0:29:19.120
<v Speaker 1>a reward? Yeah? I don't know. The salary. I can't

0:29:19.120 --> 0:29:22.560
<v Speaker 1>help but think of the recent skit on Portlandia where

0:29:22.560 --> 0:29:26.120
<v Speaker 1>a Stevie Simmy is on there trying to rebrand Celery

0:29:26.200 --> 0:29:28.840
<v Speaker 1>and make it exciting and sexy again, and all they

0:29:28.880 --> 0:29:30.760
<v Speaker 1>keep they can, they just keep coming back around to

0:29:30.760 --> 0:29:33.720
<v Speaker 1>ants on a log is the only real option to

0:29:33.720 --> 0:29:37.040
<v Speaker 1>to make Selery exciting? Because other than than that and

0:29:37.160 --> 0:29:39.640
<v Speaker 1>sup preparation, you know, what do you do with Celery?

0:29:39.760 --> 0:29:42.880
<v Speaker 1>I would agree you gotta tart that up yea into

0:29:42.880 --> 0:29:46.400
<v Speaker 1>a super normal stimuli. All right, So there you have it.

0:29:46.520 --> 0:29:49.800
<v Speaker 1>We've we've cleared out the listener mail a bit. Again.

0:29:50.040 --> 0:29:52.440
<v Speaker 1>We don't have time to to read or respond to

0:29:52.480 --> 0:29:54.840
<v Speaker 1>everything that that you guys and gals send us, but

0:29:54.880 --> 0:29:58.760
<v Speaker 1>we greatly appreciate it. Your feedback helps us know what's working,

0:29:58.840 --> 0:30:02.120
<v Speaker 1>what's maybe not working. You know what, what topics we

0:30:02.160 --> 0:30:04.480
<v Speaker 1>need to revisit, what topics we need to explore. For

0:30:04.520 --> 0:30:08.000
<v Speaker 1>the first time, we received lots of cool ideas and

0:30:08.280 --> 0:30:10.840
<v Speaker 1>we would love to continue to get those. So hey,

0:30:10.920 --> 0:30:12.200
<v Speaker 1>you want to find us, you want to reach out

0:30:12.200 --> 0:30:14.760
<v Speaker 1>to us, You can find us at stuff to Blow

0:30:14.800 --> 0:30:17.640
<v Speaker 1>your Mind dot com. That is our main side, our mothership,

0:30:17.720 --> 0:30:20.840
<v Speaker 1>our homepage. You will find all of our podcast episodes

0:30:20.880 --> 0:30:24.520
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0:30:24.520 --> 0:30:28.160
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0:30:28.200 --> 0:30:32.120
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0:30:32.200 --> 0:30:34.640
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0:30:34.680 --> 0:30:37.760
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0:30:37.760 --> 0:30:42.200
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0:30:42.760 --> 0:30:44.680
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0:30:44.680 --> 0:30:48.000
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0:30:48.040 --> 0:30:50.320
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0:30:50.360 --> 0:30:52.280
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0:30:52.480 --> 0:30:59.240
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0:30:59.280 --> 0:31:02.080
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0:31:08.040 --> 0:31:08.080
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