WEBVTT - Paula Pell

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<v Speaker 1>Hello, it's Alec Baldwin. We're going to rebroadcast an episode

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<v Speaker 1>from our archives. This week. You'll hear my conversation with

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<v Speaker 1>Paula Pell, who I met when she was a writer

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<v Speaker 1>on Saturday Night Live. We'll have new episodes of Here's

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<v Speaker 1>the Thing beginning March fifteenth. Until then, enjoy my talk

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<v Speaker 1>with one of the funniest people I've ever met, Paula Pell.

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<v Speaker 1>This is Alec Baldwin and you're listening to Here's the

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<v Speaker 1>Thing from my Heart Radio. Not long ago, there used

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<v Speaker 1>to be two types of comedians, comedians and female comedians.

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<v Speaker 1>Today there are so many women making us laugh that

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<v Speaker 1>the qualifier has been rendered obsolete. Saturday Night Live deserves

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<v Speaker 1>a lot of the credit for this development. The show

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<v Speaker 1>has introduced us to Gilda Radner, Jan Hooks, Maya Rudolph,

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<v Speaker 1>Teina Faye, and Kristen Wigg, to name just a few.

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<v Speaker 1>But there's been another woman at SNL, a woman who

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<v Speaker 1>has been quietly working day after day for seventeen years,

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<v Speaker 1>often without sleeping. To usher in this reality seventeen years,

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<v Speaker 1>I've been there yet. Paula Pell was working at a

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<v Speaker 1>Florida theme park when she got her dream job as

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<v Speaker 1>a writer at Saturday Night Live. Because the show has

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<v Speaker 1>such a wide comedic range, it's the perfect challenge for Paula.

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<v Speaker 1>You've got the hard hitting news parodies and then on

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<v Speaker 1>the other end, you know, it's got fart jokes. It's

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<v Speaker 1>got everything in it of the low parts of comedy,

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<v Speaker 1>mostly me being responsible for Thailand albm of Eli Baldwin

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<v Speaker 1>taking a taking a ship in a bed while he's sleeping.

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<v Speaker 1>Tell Albim releases a gentle sleep aid into your system

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<v Speaker 1>that allows deep, restless sleep for up to ten hours,

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<v Speaker 1>so deep it turns off your brains need to control

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<v Speaker 1>the bodily functions most likely to wake you. Rachel was like,

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<v Speaker 1>did you yourself, I've slept like a baby? Done me?

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<v Speaker 1>Tell me? You tell me, you tell me. In her

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<v Speaker 1>memoir Bossy Pants, Tina Fey writes that her proudest moment

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<v Speaker 1>as head writer at SNL was fighting for one of

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<v Speaker 1>Pell's sketches introducing co Text. Classic Classic co Text is

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<v Speaker 1>a commercial for the feminine protection of Yesteryear, featuring the

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<v Speaker 1>sexy women proudly encumbered with bulky pads connected to belts

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<v Speaker 1>peeking out of your clothes. I always know it's there.

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<v Speaker 1>You can't take the original room Girls, old school. Paula

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<v Speaker 1>pel In person is genuine, charming and easy, the kind

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<v Speaker 1>of person you might actually talk to if you sat

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<v Speaker 1>next to her on a plane, which, for those of

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<v Speaker 1>you not in the industry, is not a description of

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<v Speaker 1>the typical comedy writer. I was always a bit of

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<v Speaker 1>a class clown. I was. I was a good Catholic girl,

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<v Speaker 1>so I always wanted to be I never wanted to

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<v Speaker 1>get in trouble. But I really pushed the envelope because

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<v Speaker 1>I would be funny in class and I do things

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<v Speaker 1>like one of my teachers. I would um do a

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<v Speaker 1>bit where I would go by him and drag my

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<v Speaker 1>hand along the chalk line, you know, the chuck shelf,

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<v Speaker 1>And then I'd come over and I'd say, you know,

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<v Speaker 1>Mr Gracier, just a really great teacher, and I pat

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<v Speaker 1>him on the back and I'd leave like a handprint.

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<v Speaker 1>He'd let me make him a little bit the fool

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<v Speaker 1>for a moment, and then he'd do you know, he

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<v Speaker 1>looked like Rob Briner and all in the family at

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<v Speaker 1>the big bushy mustache and along there, and he just

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<v Speaker 1>kind of looked a camera three, you know, non existent,

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<v Speaker 1>and the audience. Would you know, the audience the class

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<v Speaker 1>would would crack up, or I'd pass notes and say

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<v Speaker 1>when I sneeze, because I have a really good fake sneeze,

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<v Speaker 1>and I would say when I sneeze, everybody fall up

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<v Speaker 1>their chairs, and you know, I'd always be doing something.

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<v Speaker 1>But I grew up with an extremely funny dad, and

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<v Speaker 1>my mom is he worked for Ellinois Bell. We grew

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<v Speaker 1>up in Illinois and then moved to Orlando when I

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<v Speaker 1>was a teenager. But my entire childhood, my grandpa was

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<v Speaker 1>a watchmaker for West Clark's. So my dad always learned

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<v Speaker 1>that from my grandpa. And then when he came to Florida,

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<v Speaker 1>he worked for a T and T for many years,

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<v Speaker 1>and then when he retired, he became a teacher of

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<v Speaker 1>watch repair, watch making, all all of it. So how

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<v Speaker 1>does the guy who works for the phone company and

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<v Speaker 1>how does he and he becomes watch tinkerer? How was

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<v Speaker 1>the funny in his life at home? He's just ungodly witty,

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<v Speaker 1>he's really but never wanted to be in the business himself.

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<v Speaker 1>Where did he express? Probably did, But you know, I

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<v Speaker 1>look at all the people in my family and all

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<v Speaker 1>the relatives of different generations, and they all had their things.

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<v Speaker 1>You know, my mom has a beautiful singing voice. They

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<v Speaker 1>all had something that they wanted to do. But the

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<v Speaker 1>way they grew up was you just you know, you

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<v Speaker 1>have kids early, and you you kind of figure out

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<v Speaker 1>what you need to do to pay for that. And

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<v Speaker 1>and so they, you know, a lot of times didn't

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<v Speaker 1>have the luxury that kids have now. Even though it's

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<v Speaker 1>hard to get a job to say, you know I'm

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<v Speaker 1>doing this, that you didn't sign on to that program,

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<v Speaker 1>what was wrong with you? Well, I they wouldn't just

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<v Speaker 1>do what you were supposed to do. They knew that

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<v Speaker 1>I was pretty hopeless. I mean at my confirmation where

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<v Speaker 1>you get the Holy Spirit, I came down the stairs

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<v Speaker 1>at my party and had torn like eight holes in

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<v Speaker 1>my pantios and said I had the Holy Spirit and

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<v Speaker 1>just would do things like that all the time, you know.

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<v Speaker 1>And this was before I drank or smoked anything. I

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<v Speaker 1>was always a total hand. But my dad really taught

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<v Speaker 1>me that he's the king of like. I will tell

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<v Speaker 1>you that. One of the hardest times I laughed at

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<v Speaker 1>him is my mom and I were watching die Hard

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<v Speaker 1>on television. My Dad's cut in the yard and he's

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<v Speaker 1>outside cutting the yard. He's got his little jean shorts

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<v Speaker 1>on and his tank top and he keeps coming in

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<v Speaker 1>and walking by and kind of half listening. He's a

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<v Speaker 1>really good quiet half listener. But then he'll do something

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<v Speaker 1>based on what he's been listening to. I you know,

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<v Speaker 1>I was listening to my mom and the terrorist had

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<v Speaker 1>the long blond hair, you know, the big like kind

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<v Speaker 1>of Nordic guy at the beginning. Yeah, And my mom says,

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<v Speaker 1>you know, I don't know, but I don't like long hair,

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<v Speaker 1>but that is pretty foxy, and she's like commenting on

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<v Speaker 1>so we're laughing about it and everything, and then I'm

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<v Speaker 1>not kidding. Like an hour later, my dad just walked through.

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<v Speaker 1>He had gone in my room and gotten a wig

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<v Speaker 1>that I had of all my ship in my room,

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<v Speaker 1>put a long wig on with just his grass cutting stuff,

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<v Speaker 1>and just walked through. He didn't stop, he didn't do

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<v Speaker 1>a bit. He just walked through. They also knew that

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<v Speaker 1>rule like that you keep the ball in the air

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<v Speaker 1>and play along. They were good, Yes, without the training,

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<v Speaker 1>they were good improv people. King of like a prop

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<v Speaker 1>he'll just And what I love about it is my

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<v Speaker 1>parents are in their seventies now, and you know, and

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<v Speaker 1>my mom was always like you'd say, you know, you go,

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<v Speaker 1>oh god, Dad is so funny to you, Thank god,

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<v Speaker 1>thank god he's funny. We had so much laughter in

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<v Speaker 1>our house, you know, despite any any dysfunction, as any family,

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<v Speaker 1>we always laugh. Where did you go to college? I

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<v Speaker 1>went to college at University of Tennessee. I first went

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<v Speaker 1>to a local college in Orlando, a community college for

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<v Speaker 1>two years. So you moved to Florida. I moved to Florida.

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<v Speaker 1>My dad went down for a T and T for

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<v Speaker 1>at antitrust suit that they had. Um. Yeah, it was

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<v Speaker 1>like seven at late seventies. You know. We had gone

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<v Speaker 1>a few times down to Disney World with our little

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<v Speaker 1>pop up camper and like that was a vacation place.

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<v Speaker 1>That wasn't a place you move. And my parents sent

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<v Speaker 1>us a little brought back a little polaroid of the

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<v Speaker 1>house they bought, and it was, you know, about seventy dollars.

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<v Speaker 1>But it had this gigantic pool because in Orlando so

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<v Speaker 1>many people have pools, even with you know, inexpensive houses.

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<v Speaker 1>And we just thought we won the lottery. You know.

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<v Speaker 1>It was just insane. But we got there and it

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<v Speaker 1>was really hard the first year too. I just never

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<v Speaker 1>liked to be I mean, I think being new is

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<v Speaker 1>a very important thing to do for growth. I think

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<v Speaker 1>it really galvanizes a lot of stuff inside you, of

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<v Speaker 1>who you are and everything. And I'm glad in hindsight,

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<v Speaker 1>but I used to just wake up in the morning

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<v Speaker 1>and just cry, and you know, just because I had

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<v Speaker 1>so much familiarity and comfort with all the kids that

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<v Speaker 1>I went to school. It's just I was always quiet

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<v Speaker 1>at first, you know, and then by my senior year,

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<v Speaker 1>I got really involved in well in the girls you know,

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<v Speaker 1>would go because I remember when you'd come in, you know,

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<v Speaker 1>you came in your junior year and I'd say, oh,

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<v Speaker 1>really really because I came in my sophomore year and

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<v Speaker 1>sat next to you for an entire class and you were,

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<v Speaker 1>you know, cold, little ass wipe to me. But you

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<v Speaker 1>know that's right now we're friends. And what was the

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<v Speaker 1>difference for you in terms of the people if you can,

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<v Speaker 1>if you can caracter from Illinois to Florida, I mean Florida.

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<v Speaker 1>I mean, one thing that really helped me was I

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<v Speaker 1>was always I always sang. So I went in immediately

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<v Speaker 1>into a concert choir, and so that was wonderful because

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<v Speaker 1>then I had a social group pretty quickly. But the

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<v Speaker 1>one thing about Florida that was so different that freaked

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<v Speaker 1>me out was that, you know, I never thought I

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<v Speaker 1>was growing up in Illinois and necessarily I mean a

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<v Speaker 1>cold sort of atmosphere. It was emotionally warm. I had

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<v Speaker 1>great friends, you know, my family warm. But when I

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<v Speaker 1>got to Florida, everybody hugged constantly. Everyone was so affectionate

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<v Speaker 1>in such a crazy way that I remember sing it's

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<v Speaker 1>I remember coming home and going stop cupping my nipples

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<v Speaker 1>tenor I don't know you in the choir no, but

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<v Speaker 1>people would um. I kept thinking it was our director's

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<v Speaker 1>birthday or something. I was like, what the hell is

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<v Speaker 1>going on in here? Everyone is hugging our teacher, hugging

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<v Speaker 1>each other. I realized it was just that was just

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<v Speaker 1>the way everyone did, you know. And then my girl,

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<v Speaker 1>my um, who eventually became my girlfriend of many years,

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<v Speaker 1>was my best friend in high school, and we were

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<v Speaker 1>very huggy, and that all worked out because that was

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<v Speaker 1>the right person, not the teacher, not until after we

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<v Speaker 1>graduated exactly. Then then you went to the college down there.

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<v Speaker 1>I went to the college for two years down there,

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<v Speaker 1>and I was, um, well, their theater department was amazing,

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<v Speaker 1>their art department was incredible, and I was also an

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<v Speaker 1>artist Seminole Community College. But I mean the heads of

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<v Speaker 1>those departments and the music department were so incredible that

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<v Speaker 1>today they still are some of my favorite people that

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<v Speaker 1>have gotten taught Because is my art professor, Grady Kimsey,

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<v Speaker 1>who I'm a really good friend with. Still he had

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<v Speaker 1>gone to UT years and years ago, just kept saying,

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<v Speaker 1>you gotta go check out UT. And then my girlfriend

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<v Speaker 1>was going to North Carolina, so it kind of you know,

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<v Speaker 1>I'd go up and visit, and I'd never been up

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<v Speaker 1>in those mountains, and I just fell in love with

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<v Speaker 1>us there because I'm such a nature freaking Yeah, I

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<v Speaker 1>went crazy for it. And when you left there, what happened?

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<v Speaker 1>And then I finished college and I came home and

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<v Speaker 1>I worked at the theme parks. What's that? Like? How

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<v Speaker 1>do you get the job at Disney? Like? Who's is

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<v Speaker 1>there somebody who's like a casting person? Well, yeah, there's

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<v Speaker 1>talent people. And you know, I had worked with an

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<v Speaker 1>improv group called sac Theater in Orlando. They at the

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<v Speaker 1>time contracted out to Disney, so they did all the

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<v Speaker 1>like in Apcott in Italy, the comedian doll Art too.

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<v Speaker 1>You know. They would do all the comedy that's kind

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<v Speaker 1>of the roaming, atmospheric comedy. And then they built Pleasure Island,

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<v Speaker 1>which was the nighttime Disney. You know, all the nightclubs

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<v Speaker 1>Pleasure Island, Pleasure Island, Welcome Come, Mickey has no Pants

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<v Speaker 1>on an entire island they built that had all these clubs.

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<v Speaker 1>They had like a big discotheque. They had a country

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<v Speaker 1>Western sort of music club. It was just kind of

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<v Speaker 1>like a strip of nighttime establishments, but all in Disney.

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<v Speaker 1>But it was late night and it kind of a

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<v Speaker 1>downtown feel, like a cluster. And they would have like

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<v Speaker 1>New Year's Eve every night, so they'd have dancers come

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<v Speaker 1>out and they dance. And it was really a fabulous

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<v Speaker 1>place to work as a young actor because it felt

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<v Speaker 1>cool and I could and I did a lot of improvisation.

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<v Speaker 1>But then we also did like radio shows and singing.

0:11:40.080 --> 0:11:43.040
<v Speaker 1>We could be kind of dirty. I mean, it wasn't filthy.

0:11:43.160 --> 0:11:46.240
<v Speaker 1>I didn't I didn't go full till my typical filth

0:11:46.320 --> 0:11:51.320
<v Speaker 1>that you know of. I didn't pell out, but you

0:11:51.320 --> 0:11:53.480
<v Speaker 1>would interact with the guests, so there, you know, you'd

0:11:53.520 --> 0:11:56.040
<v Speaker 1>be sitting there with some old British dude who's getting

0:11:56.160 --> 0:11:58.400
<v Speaker 1>drunk and just get into a conversation. And I played

0:11:58.440 --> 0:12:01.719
<v Speaker 1>Pamelia Perkins, the president of the Adventurous Club, and it

0:12:01.760 --> 0:12:03.760
<v Speaker 1>was kind of a Teddy Roosevelt era sort of place.

0:12:03.760 --> 0:12:06.960
<v Speaker 1>And I had this big buffont and I could just

0:12:07.280 --> 0:12:09.240
<v Speaker 1>be as body as hell. I mean I would get

0:12:09.280 --> 0:12:11.200
<v Speaker 1>on guy's laps and you know, have my legs up

0:12:11.240 --> 0:12:12.960
<v Speaker 1>in the air because I was like a matron sort

0:12:12.960 --> 0:12:15.520
<v Speaker 1>of character. And we used to have such a blast.

0:12:15.640 --> 0:12:19.720
<v Speaker 1>But then also during that time I went down Penis

0:12:19.760 --> 0:12:22.640
<v Speaker 1>Avenue for about two years. I was dating men for

0:12:22.640 --> 0:12:24.800
<v Speaker 1>a little while, and I would hook up with people,

0:12:24.840 --> 0:12:28.400
<v Speaker 1>I mean just meeting like different people I meet, well,

0:12:28.600 --> 0:12:32.520
<v Speaker 1>just guests, and you know, you'd meet some super super charismatic,

0:12:32.559 --> 0:12:34.599
<v Speaker 1>handsome person. You'd be sitting there laughing and you be

0:12:34.720 --> 0:12:37.200
<v Speaker 1>in costume, and then they'd be like, what are you

0:12:37.200 --> 0:12:39.600
<v Speaker 1>guys doing after you know the characters, what do these

0:12:39.679 --> 0:12:42.319
<v Speaker 1>characters do next? And there was a restaurant and there

0:12:42.320 --> 0:12:44.439
<v Speaker 1>were bars down the street that they would let us

0:12:44.480 --> 0:12:46.800
<v Speaker 1>after work go to. So you just take change all

0:12:46.840 --> 0:12:48.560
<v Speaker 1>your clothes and you know, blow drive the ship out

0:12:48.600 --> 0:12:50.840
<v Speaker 1>of your hair and go now I'm twenty five again.

0:12:50.880 --> 0:12:53.760
<v Speaker 1>And I'd walk down there and and it was New

0:12:53.840 --> 0:12:57.200
<v Speaker 1>Year's Eve. Every day it was New Year's but you

0:12:57.360 --> 0:13:02.200
<v Speaker 1>vomited every day and lost your virginity every day. What Pamelion,

0:13:02.400 --> 0:13:06.400
<v Speaker 1>Pamelia Perkins, Pamelia, Pamelia Perkins. Of course he's banging the

0:13:06.480 --> 0:13:09.280
<v Speaker 1>guests two at a time. I mean for an actor.

0:13:09.320 --> 0:13:12.560
<v Speaker 1>At that time, I was making really good money and

0:13:12.640 --> 0:13:15.560
<v Speaker 1>had full insurance everything, had a car, rented a little house.

0:13:15.600 --> 0:13:18.600
<v Speaker 1>You know. It was kind, it was. It was a beautiful.

0:13:19.720 --> 0:13:21.920
<v Speaker 1>It was a beautiful life. And then I got started

0:13:21.920 --> 0:13:25.080
<v Speaker 1>crazy with it and that was just about when happened.

0:13:25.080 --> 0:13:27.080
<v Speaker 1>But how does how does that happen? How did they

0:13:27.200 --> 0:13:31.920
<v Speaker 1>find you? It was? It was a beautifully random, amazing thing.

0:13:34.720 --> 0:13:50.440
<v Speaker 1>We'll be back in a minute. I had worked with

0:13:50.520 --> 0:13:53.840
<v Speaker 1>Sick Theater. They had a theater downtown. They would call

0:13:53.920 --> 0:13:55.800
<v Speaker 1>me every so often and I go do a set

0:13:55.840 --> 0:13:58.360
<v Speaker 1>with them where I do a character that I had written.

0:13:59.080 --> 0:14:00.600
<v Speaker 1>And so they said, you know, we're going to do

0:14:00.679 --> 0:14:04.120
<v Speaker 1>this sketch comedy pilot called chuckle Head. And they said

0:14:04.120 --> 0:14:05.920
<v Speaker 1>will you be in it and do those characters? And

0:14:05.960 --> 0:14:07.920
<v Speaker 1>I said sure, I mean I was doing, like I

0:14:07.960 --> 0:14:09.920
<v Speaker 1>got beat up in America's most wanted, you know, all

0:14:09.960 --> 0:14:12.559
<v Speaker 1>the local all the things that we're shooting in Orlando.

0:14:12.600 --> 0:14:14.800
<v Speaker 1>I would do, you know. And I did this lottery

0:14:14.880 --> 0:14:18.560
<v Speaker 1>character for years in about three states that was played

0:14:18.600 --> 0:14:21.880
<v Speaker 1>the Worlitz Organ. You know, sexy characters, ale, you know,

0:14:22.760 --> 0:14:26.720
<v Speaker 1>but all from the Matron Handbook. I was born at

0:14:26.720 --> 0:14:30.440
<v Speaker 1>fifty Alec. But um they called me. My agent called

0:14:30.440 --> 0:14:32.200
<v Speaker 1>me one day and she said, are you sitting down?

0:14:32.280 --> 0:14:35.760
<v Speaker 1>I said yes. She said, Saturday Night Live saw that

0:14:36.040 --> 0:14:41.280
<v Speaker 1>pilot Lauren wants to meet you. And I'm like, okay,

0:14:41.760 --> 0:14:45.560
<v Speaker 1>for what And she goes, now, it is not an audition,

0:14:46.000 --> 0:14:47.840
<v Speaker 1>but he wants to fly you up and talk to you.

0:14:47.840 --> 0:14:50.840
<v Speaker 1>And I'm like, well, what is it? An orgy? Am

0:14:50.840 --> 0:14:57.119
<v Speaker 1>I being summoned? What in the f And I said okay,

0:14:57.160 --> 0:15:00.520
<v Speaker 1>And so I flew up there. You know, talk about vacating.

0:15:00.600 --> 0:15:03.800
<v Speaker 1>I mean it was like emmodium city the entire two

0:15:03.920 --> 0:15:06.240
<v Speaker 1>days of getting there. He was two hours, you know,

0:15:06.360 --> 0:15:09.840
<v Speaker 1>or three hours late for the meeting, but he was

0:15:10.400 --> 0:15:14.240
<v Speaker 1>super nice. And I sat with Marcy Klein and Ayala

0:15:14.360 --> 0:15:17.040
<v Speaker 1>in the talent room and I was so nervous that

0:15:17.160 --> 0:15:21.120
<v Speaker 1>they ordered food and they said, um, we're ordering zen palette.

0:15:21.120 --> 0:15:23.960
<v Speaker 1>You know, vegetarian, We're ordering zen palette. Do you want anything?

0:15:23.960 --> 0:15:27.160
<v Speaker 1>And I said, just just like a couple of white

0:15:27.240 --> 0:15:29.480
<v Speaker 1>rice would be good, just like rice. And I just

0:15:29.520 --> 0:15:31.840
<v Speaker 1>got a dry cup of white rice and set and

0:15:32.040 --> 0:15:35.000
<v Speaker 1>ate it. I went in and he said, we have

0:15:35.160 --> 0:15:37.640
<v Speaker 1>just cleaned house. It was it was when well Ferrell

0:15:37.640 --> 0:15:41.120
<v Speaker 1>and everybody ken. He said, we've cleaned house. We're starting over.

0:15:41.360 --> 0:15:44.720
<v Speaker 1>You know, it's gonna rise again. We're hoping, and we're

0:15:44.760 --> 0:15:47.520
<v Speaker 1>gonna try to infuse it with new talent, and we

0:15:47.560 --> 0:15:50.240
<v Speaker 1>would like to hire you to be a writer. When

0:15:50.280 --> 0:15:52.120
<v Speaker 1>I was like, oh, well, I've never done that. I

0:15:52.280 --> 0:15:53.800
<v Speaker 1>you know, I don't even I mean I didn't even

0:15:54.040 --> 0:15:56.160
<v Speaker 1>use a computer at that point. And I said I can't,

0:15:56.200 --> 0:15:58.480
<v Speaker 1>you know. And if you tell them you can't, then

0:15:58.520 --> 0:16:01.200
<v Speaker 1>they will. He will keep saying well, and he said,

0:16:01.200 --> 0:16:04.120
<v Speaker 1>well we'll show you, you know. But it was so

0:16:04.200 --> 0:16:07.320
<v Speaker 1>quick that it made me worry that there was something wrong,

0:16:07.440 --> 0:16:09.600
<v Speaker 1>like there was a scam or something like this was

0:16:09.720 --> 0:16:12.320
<v Speaker 1>all some kind of freaking joke, because I was like,

0:16:12.360 --> 0:16:15.040
<v Speaker 1>this can't be. And how soon after that were you

0:16:15.080 --> 0:16:17.640
<v Speaker 1>moving to New York? Um? I had five days to move,

0:16:18.440 --> 0:16:20.600
<v Speaker 1>packed up my whole life, gave my animals to my mom,

0:16:20.640 --> 0:16:25.480
<v Speaker 1>temporarily went up to New York City, and you know,

0:16:25.600 --> 0:16:32.040
<v Speaker 1>just was just ungodly miserable and I mean with fear.

0:16:32.560 --> 0:16:35.920
<v Speaker 1>But Mike Shoemaker called me right before I left because

0:16:35.960 --> 0:16:38.520
<v Speaker 1>I was starting to freak out to the point of going,

0:16:38.720 --> 0:16:41.440
<v Speaker 1>I'm going to my dream place. I mean, I was

0:16:41.480 --> 0:16:43.320
<v Speaker 1>obsessed with us. Now. When I was little, I used

0:16:43.320 --> 0:16:46.520
<v Speaker 1>to audiotape it. I used to perform Rosanna, Rosanna Dana

0:16:46.560 --> 0:16:49.440
<v Speaker 1>for my high school in the auditorium, and I thought,

0:16:49.440 --> 0:16:52.000
<v Speaker 1>I'm just going to be sitting around with like, you know,

0:16:52.080 --> 0:16:54.560
<v Speaker 1>ten Harvard dudes looking at me, going who the fund is?

0:16:55.360 --> 0:16:59.480
<v Speaker 1>Who hired Kathy Bates Light and you know, and why

0:16:59.600 --> 0:17:01.920
<v Speaker 1>is she? And I adore Kathy Bathed by the way,

0:17:01.920 --> 0:17:03.640
<v Speaker 1>but they were just you know, I thought that I

0:17:03.640 --> 0:17:06.480
<v Speaker 1>would be so not of their world, of these writer

0:17:06.480 --> 0:17:09.480
<v Speaker 1>early sort of people, and I didn't realize how many

0:17:09.520 --> 0:17:14.080
<v Speaker 1>writers there are performers. And so Shoemaker called me, and

0:17:14.119 --> 0:17:16.520
<v Speaker 1>I still thank him for this because he really is

0:17:16.560 --> 0:17:18.720
<v Speaker 1>the reason that I ended up getting the balls to

0:17:18.720 --> 0:17:21.520
<v Speaker 1>get there. But he called and he said, some people

0:17:21.560 --> 0:17:23.320
<v Speaker 1>want to say hi, and it was you know, Cindy

0:17:23.359 --> 0:17:26.240
<v Speaker 1>Capanair and Lorina So and all these people that were

0:17:26.320 --> 0:17:28.560
<v Speaker 1>new that were terrified, and they all got on the

0:17:28.600 --> 0:17:31.000
<v Speaker 1>phone going, we can't wait to meet you. And I

0:17:31.080 --> 0:17:33.080
<v Speaker 1>hung up the phone and I just burst into tears.

0:17:33.119 --> 0:17:34.800
<v Speaker 1>I said, it's all gonna be okay. No matter what,

0:17:34.880 --> 0:17:37.080
<v Speaker 1>it's gonna be okay. It's just a group of people.

0:17:37.080 --> 0:17:39.280
<v Speaker 1>It's almost like of all the years of doing plays,

0:17:39.320 --> 0:17:42.320
<v Speaker 1>it's like it's a new cast getting in a cast

0:17:42.359 --> 0:17:47.439
<v Speaker 1>seventeen years. I've been there yet seventeen And well, I

0:17:47.480 --> 0:17:50.520
<v Speaker 1>think in general, comedy has gotten a little, you know,

0:17:50.720 --> 0:17:53.360
<v Speaker 1>it's gone through its ebbs and flows in terms of

0:17:54.440 --> 0:17:58.040
<v Speaker 1>things being more character driven or or you know, more conceptual.

0:17:58.119 --> 0:18:00.840
<v Speaker 1>I mean, I think that show always has great amount

0:18:00.840 --> 0:18:03.560
<v Speaker 1>of both. And I always loved the fact that that

0:18:03.600 --> 0:18:05.600
<v Speaker 1>show had something for everybody. You know, I'd sit with

0:18:05.640 --> 0:18:09.199
<v Speaker 1>a group of people that I'd love certain things and

0:18:09.200 --> 0:18:13.160
<v Speaker 1>they'd love certain things, and so I, yeah, I love

0:18:13.200 --> 0:18:15.000
<v Speaker 1>the band. I love the balance, you know, I love

0:18:15.040 --> 0:18:18.000
<v Speaker 1>the balance of it. Um. But one of the biggest

0:18:18.000 --> 0:18:20.680
<v Speaker 1>things that's changed in general to me is the Internet.

0:18:20.760 --> 0:18:24.480
<v Speaker 1>Because when I was growing up and you were an actor,

0:18:24.720 --> 0:18:27.320
<v Speaker 1>you had to create a body of work by really

0:18:27.400 --> 0:18:30.280
<v Speaker 1>doing it and getting hired, and then they would give

0:18:30.320 --> 0:18:33.520
<v Speaker 1>you access to tape of it. You know, you couldn't

0:18:33.920 --> 0:18:38.399
<v Speaker 1>just go on machines and videotape yourself and make a

0:18:38.520 --> 0:18:42.159
<v Speaker 1>beautifully edited, great comedy piece and put that on the internet.

0:18:42.200 --> 0:18:44.639
<v Speaker 1>I mean, you just can't do it. I mean, my

0:18:44.640 --> 0:18:46.760
<v Speaker 1>my real I just remember, you know, I do a

0:18:46.800 --> 0:18:50.159
<v Speaker 1>tiny role in something and just love that. I was

0:18:50.200 --> 0:18:52.240
<v Speaker 1>adding that to my real and you'd have to go

0:18:52.320 --> 0:18:54.240
<v Speaker 1>to like a video place and pay the guy to

0:18:54.640 --> 0:18:57.639
<v Speaker 1>sit there and do it on the gigantic machine. The

0:18:57.680 --> 0:19:00.280
<v Speaker 1>Internet has changed things profound Yeah, it just and I

0:19:00.320 --> 0:19:03.320
<v Speaker 1>think in a bad way. It gave people a sense

0:19:03.359 --> 0:19:06.520
<v Speaker 1>of entitlement of there isn't as much awe of all

0:19:06.520 --> 0:19:09.560
<v Speaker 1>of it because they do it themselves. So it's like, oh, yeah,

0:19:09.560 --> 0:19:12.280
<v Speaker 1>I have you know this, I've done, I've done my show.

0:19:12.359 --> 0:19:15.360
<v Speaker 1>You know, they created themselves, which is very empowering and wonderful.

0:19:15.480 --> 0:19:17.560
<v Speaker 1>And it's also getting a lot more comedy out there

0:19:17.560 --> 0:19:20.520
<v Speaker 1>of hilarious people that would never usually walk into a

0:19:20.640 --> 0:19:24.840
<v Speaker 1>room in an audition, right right right. That seems to

0:19:24.880 --> 0:19:26.679
<v Speaker 1>me to have been the condition for me, which is

0:19:27.520 --> 0:19:31.520
<v Speaker 1>I've come to us and now and um, the signals

0:19:31.520 --> 0:19:34.480
<v Speaker 1>that I picked up in Hooks and all that crowd

0:19:34.480 --> 0:19:41.240
<v Speaker 1>back then was you know, my career wasn't that iconic

0:19:41.720 --> 0:19:45.160
<v Speaker 1>to send up me and my career. And so it's

0:19:45.200 --> 0:19:47.440
<v Speaker 1>not like I'm Stallone or Schwartz and neggrassing like that

0:19:47.480 --> 0:19:50.120
<v Speaker 1>where we do that. So you come in and right

0:19:50.119 --> 0:19:52.120
<v Speaker 1>away you pick up I've got to become like everybody

0:19:52.160 --> 0:19:54.520
<v Speaker 1>else and become a member of the company. And as

0:19:54.520 --> 0:19:56.000
<v Speaker 1>soon as I got that, as soon as I kind

0:19:56.040 --> 0:19:58.439
<v Speaker 1>of picked up that vibe from them, I was, you know,

0:19:58.720 --> 0:20:00.400
<v Speaker 1>asked to come back and come back and come back.

0:20:01.080 --> 0:20:03.200
<v Speaker 1>And what it does is it for me as a performer,

0:20:03.359 --> 0:20:06.760
<v Speaker 1>it's killed everything else that's supposed to be funny. Well,

0:20:06.800 --> 0:20:08.480
<v Speaker 1>and I wonder what that's like for you where you're

0:20:08.520 --> 0:20:11.160
<v Speaker 1>in the world, where you work with the funniest people.

0:20:11.200 --> 0:20:13.160
<v Speaker 1>No matter what people say about SNL, you know, it's

0:20:13.200 --> 0:20:14.960
<v Speaker 1>not always gonna work, but when it works, it's I

0:20:15.160 --> 0:20:17.680
<v Speaker 1>think it's the best. What's it been like for you, Well,

0:20:17.720 --> 0:20:21.000
<v Speaker 1>you get so you get so you know, isolated there

0:20:21.080 --> 0:20:25.639
<v Speaker 1>in great ways and weird ways, because it's there's nothing

0:20:25.680 --> 0:20:28.480
<v Speaker 1>like it. You cannot compare that experience with anything but

0:20:28.600 --> 0:20:31.080
<v Speaker 1>it really is so intense. And you you know, I

0:20:31.119 --> 0:20:35.000
<v Speaker 1>started writing movies two years ago and working into that,

0:20:35.119 --> 0:20:37.960
<v Speaker 1>I realized how stretched out the time is, to the

0:20:38.000 --> 0:20:41.240
<v Speaker 1>point where, you know, I mean, we'll go between dress

0:20:41.240 --> 0:20:42.879
<v Speaker 1>and air, and Lauren will say, I don't like the

0:20:42.920 --> 0:20:45.440
<v Speaker 1>whole top of that, like add you know, a couple

0:20:45.440 --> 0:20:47.639
<v Speaker 1>of new jokes, So you're you're coming up with new

0:20:47.720 --> 0:20:50.679
<v Speaker 1>jokes at eleven fifteen. And let me just put a

0:20:50.720 --> 0:20:54.120
<v Speaker 1>finer point on that for our radio audience, our podcast audience,

0:20:54.160 --> 0:20:58.680
<v Speaker 1>because um that SNL does a full dress rehearsal at

0:20:58.720 --> 0:21:01.439
<v Speaker 1>eight o'clock on Saturday night with an audience with a

0:21:01.560 --> 0:21:04.960
<v Speaker 1>lengthier show. And let's say normally they have seven sketches

0:21:04.960 --> 0:21:07.280
<v Speaker 1>in the air show, they do like eleven sketches at eight,

0:21:07.640 --> 0:21:09.640
<v Speaker 1>and they're gonna pick what worked best and then they're

0:21:09.640 --> 0:21:12.280
<v Speaker 1>going to be right. So when that finishes at ten,

0:21:13.240 --> 0:21:16.080
<v Speaker 1>maybe ten fifteen, maybe ten thirty, who knows. It's a

0:21:16.080 --> 0:21:18.800
<v Speaker 1>long show show, and then you've got an hour where

0:21:18.840 --> 0:21:21.359
<v Speaker 1>you're sitting in a room and in that hour between shows,

0:21:21.720 --> 0:21:24.520
<v Speaker 1>that's when Lauren and the producers and their VIDs edit

0:21:24.600 --> 0:21:25.960
<v Speaker 1>that show and choose what they're going to do and

0:21:26.000 --> 0:21:28.040
<v Speaker 1>ask for rewrites, and they're getting rid of that audience.

0:21:28.080 --> 0:21:30.640
<v Speaker 1>They're bringing in a new one. The band is warming

0:21:30.720 --> 0:21:33.719
<v Speaker 1>up the new audience, and you'll walk through and have

0:21:33.760 --> 0:21:36.040
<v Speaker 1>a task to change something, and you're walking by these

0:21:36.040 --> 0:21:39.040
<v Speaker 1>people that are walking in to their seats looking like

0:21:39.160 --> 0:21:40.920
<v Speaker 1>I'm so excited I'm here, and you're like, I don't

0:21:40.920 --> 0:21:43.200
<v Speaker 1>know what we're gonna have for you, but we're gonna

0:21:43.200 --> 0:21:45.240
<v Speaker 1>do it right now. You know. I did a Bobby

0:21:45.280 --> 0:21:49.160
<v Speaker 1>and Marty one time with Will and Anna, and they

0:21:49.640 --> 0:21:53.040
<v Speaker 1>found out that we were losing time quickly, and so

0:21:53.080 --> 0:21:54.920
<v Speaker 1>they said, you have to take like two minutes out

0:21:54.920 --> 0:21:57.200
<v Speaker 1>of this. I mean it just and it was between

0:21:57.920 --> 0:22:00.800
<v Speaker 1>the commercial break. So I went downstairs and I was

0:22:01.000 --> 0:22:05.320
<v Speaker 1>kneeling down with the que card people. They were just

0:22:05.440 --> 0:22:09.159
<v Speaker 1>putting tape over sections and we're like, okay, does that

0:22:09.200 --> 0:22:12.399
<v Speaker 1>make sense? Does it does? And go with children And

0:22:12.440 --> 0:22:15.240
<v Speaker 1>I'm pretty sure that if like Dr Oz did my

0:22:15.359 --> 0:22:17.320
<v Speaker 1>actual age, you know how they test you and you're

0:22:17.320 --> 0:22:19.639
<v Speaker 1>actually I'm probably a hundred and eighty now because the

0:22:19.640 --> 0:22:23.199
<v Speaker 1>stress of that. It's just such adrenaline and you know,

0:22:23.440 --> 0:22:26.040
<v Speaker 1>but I mean the beautiful thing about S and L

0:22:26.280 --> 0:22:29.040
<v Speaker 1>is hosts will come in and and you know, never

0:22:29.160 --> 0:22:32.280
<v Speaker 1>you because you were always very approachable. Whenever anyone asked

0:22:32.280 --> 0:22:34.879
<v Speaker 1>me about hosts, I always tell them that, you know,

0:22:34.920 --> 0:22:37.119
<v Speaker 1>you are always one of my favorite hosts. I'm not

0:22:37.400 --> 0:22:43.119
<v Speaker 1>blowing air up here, coolo, I'm going to lose that.

0:22:43.520 --> 0:22:47.720
<v Speaker 1>What is coolo? And yeah, well yeah, if you're blowing smoke.

0:22:47.880 --> 0:22:52.119
<v Speaker 1>But obviously could you have men do have other holes.

0:22:53.520 --> 0:22:55.040
<v Speaker 1>But like you know, host will come in with their

0:22:55.040 --> 0:22:59.040
<v Speaker 1>people and they're very nice and very scared, but they

0:22:59.160 --> 0:23:02.080
<v Speaker 1>have a little bit of that sometimes because they're fearful

0:23:02.080 --> 0:23:04.719
<v Speaker 1>and they have people protecting them. And by the end

0:23:04.760 --> 0:23:07.040
<v Speaker 1>of the week, they just always at that after party,

0:23:07.080 --> 0:23:09.840
<v Speaker 1>you know, they're sitting with everybody and laying across everybody

0:23:09.840 --> 0:23:12.760
<v Speaker 1>because it feels like theater. It feels like I'm I'm

0:23:12.800 --> 0:23:16.040
<v Speaker 1>in theater camp and this is what I miss doing.

0:23:21.400 --> 0:23:24.200
<v Speaker 1>More from Paul Appell in a moment, This is Alec

0:23:24.240 --> 0:23:34.080
<v Speaker 1>Baldwin and you're listening to here's the thing. Paul Appell

0:23:34.160 --> 0:23:38.199
<v Speaker 1>has been writing sketches at SNL for seventeen years, but

0:23:38.440 --> 0:23:41.800
<v Speaker 1>like any of us, sometimes she just gets tired of comedy.

0:23:42.000 --> 0:23:44.840
<v Speaker 1>Oh my god, yeah, you don't want to watch in

0:23:44.840 --> 0:23:48.360
<v Speaker 1>the pity now? My my gal of fourteen years. She

0:23:49.040 --> 0:23:51.760
<v Speaker 1>watches a lot of TV, and she watches shows that

0:23:51.800 --> 0:23:55.600
<v Speaker 1>I wouldn't generally watch, like Castle or you know, like

0:23:55.800 --> 0:23:58.840
<v Speaker 1>Kawai Fibo or like Murder Show and I mean, you

0:23:58.880 --> 0:24:01.800
<v Speaker 1>know murder shows, C S I and CIS. She'll watch

0:24:01.840 --> 0:24:04.800
<v Speaker 1>all She'll take She'll tape all these shows and like Elementary,

0:24:04.840 --> 0:24:07.919
<v Speaker 1>all these new shows, and I'll get totally hooked on

0:24:08.000 --> 0:24:11.840
<v Speaker 1>things and realize that I just love I always loved

0:24:11.880 --> 0:24:14.320
<v Speaker 1>having drama and comedy together. I mean, that's the fun

0:24:14.320 --> 0:24:16.359
<v Speaker 1>thing about writing movies now is you can have a

0:24:16.400 --> 0:24:19.760
<v Speaker 1>moment that's just a heart wrenching moment in a comedy

0:24:19.800 --> 0:24:22.880
<v Speaker 1>that's that's real. You know, that feels more three dimensional,

0:24:22.920 --> 0:24:25.560
<v Speaker 1>because after seventeen years of sketches, you do get a

0:24:25.600 --> 0:24:28.760
<v Speaker 1>little stir crazy with feeling like you're just writing something

0:24:28.800 --> 0:24:31.480
<v Speaker 1>on the surface. I mean, it's great to make people laugh,

0:24:31.560 --> 0:24:35.080
<v Speaker 1>but when I go home, I love to watch dramas

0:24:35.280 --> 0:24:38.400
<v Speaker 1>or some reality things. I love to just not think

0:24:38.440 --> 0:24:41.280
<v Speaker 1>about comedy. I do the show and I go out

0:24:41.280 --> 0:24:44.440
<v Speaker 1>there and it's really um and I'll say, I'm never

0:24:44.480 --> 0:24:47.600
<v Speaker 1>doing this, this is ridiculous. I can't be bothered with

0:24:47.640 --> 0:24:51.439
<v Speaker 1>this toastyiness people to these people are all young and

0:24:51.440 --> 0:24:54.480
<v Speaker 1>they're all crazy and the little puerile and all they

0:24:54.520 --> 0:24:59.439
<v Speaker 1>talk about his thoughts and brazils and so forth. And

0:24:57.960 --> 0:25:01.280
<v Speaker 1>then I'm gonna go do as you like it in

0:25:01.280 --> 0:25:04.119
<v Speaker 1>the park. Then of course, you know, Lauren calls me.

0:25:04.119 --> 0:25:06.400
<v Speaker 1>I'm like, okay, yeah, he'll call me like I get

0:25:06.440 --> 0:25:09.080
<v Speaker 1>thrown off the plane on American Airlines for for playing

0:25:09.080 --> 0:25:12.239
<v Speaker 1>words with friends. The phone rings like three or four

0:25:12.280 --> 0:25:15.119
<v Speaker 1>days there it's Lauren and he literally he literally he

0:25:15.240 --> 0:25:22.919
<v Speaker 1>literally goes, so perhaps we should do something. And I

0:25:22.960 --> 0:25:25.200
<v Speaker 1>was like, oh my god, I can't believe you people

0:25:25.240 --> 0:25:29.199
<v Speaker 1>are insane. This would be the week, this would be

0:25:29.280 --> 0:25:31.520
<v Speaker 1>which would be the week, you know, which like that

0:25:31.640 --> 0:25:35.080
<v Speaker 1>thing where we have to do it now, But you

0:25:35.160 --> 0:25:37.520
<v Speaker 1>can't say no to them. You feel like your family.

0:25:37.560 --> 0:25:41.080
<v Speaker 1>You just forget how immediate it is. You know. Years

0:25:41.119 --> 0:25:44.520
<v Speaker 1>ago I did a sketch with UM, with a little young,

0:25:45.200 --> 0:25:48.480
<v Speaker 1>little sweet faced justin timber Lake when he was in

0:25:48.480 --> 0:25:51.359
<v Speaker 1>in Sync. I used to write a sketch called UM

0:25:51.600 --> 0:25:54.040
<v Speaker 1>six Degrees Celsius and it was like a boy group

0:25:54.880 --> 0:25:58.200
<v Speaker 1>and Will Ferrell was their manager and he had to

0:25:58.240 --> 0:26:01.400
<v Speaker 1>stay three feet away from them because clearly had done

0:26:01.400 --> 0:26:04.359
<v Speaker 1>some inappropriate things. He had tinted glasses. Of course, you know.

0:26:04.400 --> 0:26:07.199
<v Speaker 1>It was Jimmy Fallon and Chris Catan and Horatio and

0:26:07.240 --> 0:26:10.000
<v Speaker 1>they were and they were and Chris Chris Parnell and

0:26:10.040 --> 0:26:12.040
<v Speaker 1>they were a boy group and then we'd have the

0:26:12.040 --> 0:26:15.040
<v Speaker 1>host in it. Well, that week in Sync was there.

0:26:15.160 --> 0:26:17.399
<v Speaker 1>We asked and Sync to be another boy group in

0:26:17.400 --> 0:26:21.399
<v Speaker 1>this competition on the show, playing a fake boy group.

0:26:21.480 --> 0:26:23.560
<v Speaker 1>And so I wrote a song called hold the Pickle,

0:26:23.720 --> 0:26:27.440
<v Speaker 1>and they were like McDonald's employees, and so in Syn

0:26:27.560 --> 0:26:30.320
<v Speaker 1>came out with like McDonald's outfits on and saying hold

0:26:30.320 --> 0:26:33.760
<v Speaker 1>the pit gull and they're so they were so crazy talented,

0:26:33.760 --> 0:26:35.400
<v Speaker 1>Like they got there and looked at it for ten

0:26:35.440 --> 0:26:38.440
<v Speaker 1>minutes and had full harmonies and full choreography. I mean

0:26:38.440 --> 0:26:41.480
<v Speaker 1>they threw that ship together. I was just amazed they

0:26:41.520 --> 0:26:44.560
<v Speaker 1>came on. And then remember what was the MTV thing

0:26:44.800 --> 0:26:47.520
<v Speaker 1>every Sunday, like the Big I can't think of the

0:26:47.600 --> 0:26:51.359
<v Speaker 1>name of it, but the show the like show that

0:26:51.400 --> 0:26:53.520
<v Speaker 1>they show all the videos and everything at that time.

0:26:53.560 --> 0:26:56.080
<v Speaker 1>Do you remember what that? Okay, Well, anyway, it was

0:26:56.240 --> 0:27:00.600
<v Speaker 1>it was a very you know, the big show that

0:27:00.600 --> 0:27:03.919
<v Speaker 1>the kids used to dance to um. But the next morning,

0:27:03.920 --> 0:27:06.720
<v Speaker 1>I'm in my little apartment and you know, I probably

0:27:06.800 --> 0:27:10.160
<v Speaker 1>ordered four entrees from some to go things to eat

0:27:10.200 --> 0:27:13.000
<v Speaker 1>my pain, because you always did. On Sunday and I

0:27:13.040 --> 0:27:15.879
<v Speaker 1>turned on the TV and Justin Timberlake was on TV

0:27:16.160 --> 0:27:20.440
<v Speaker 1>on the show at noon in Times Square, and there

0:27:20.480 --> 0:27:23.119
<v Speaker 1>were just hundreds of girls down there waving to him,

0:27:23.160 --> 0:27:25.199
<v Speaker 1>and they had a banner with the words to the

0:27:25.280 --> 0:27:29.120
<v Speaker 1>song hold the Pickle on the banner that they had painted.

0:27:29.840 --> 0:27:32.240
<v Speaker 1>And I was looking at it, going that cannot be

0:27:32.240 --> 0:27:35.320
<v Speaker 1>because we just did this, like I just woke up

0:27:35.359 --> 0:27:37.800
<v Speaker 1>and we just and then I just remembered like I

0:27:37.880 --> 0:27:39.960
<v Speaker 1>used to get obsessed. You know, I didn't have the Internet,

0:27:40.000 --> 0:27:43.360
<v Speaker 1>I didn't have videos, but back at the day, I mean,

0:27:43.400 --> 0:27:45.119
<v Speaker 1>my god, if I would have grown up in the

0:27:45.160 --> 0:27:48.120
<v Speaker 1>Internet era, I would have been the queen of like,

0:27:48.600 --> 0:27:52.159
<v Speaker 1>you know, just having my own fans site. Yeah, because

0:27:52.200 --> 0:27:54.840
<v Speaker 1>I just loved it and I wanted And we were

0:27:54.920 --> 0:27:58.560
<v Speaker 1>having a funny conversation the other day. In my journals.

0:27:58.560 --> 0:28:01.240
<v Speaker 1>When I was young, I would talk about Rocky because

0:28:01.240 --> 0:28:04.640
<v Speaker 1>I was obsessed with Rocky, Syvester Stallone and the very

0:28:04.640 --> 0:28:08.959
<v Speaker 1>first Rocky movie, and I would talk about like in

0:28:09.000 --> 0:28:11.160
<v Speaker 1>two weeks people magazine is going to have an article

0:28:11.200 --> 0:28:14.080
<v Speaker 1>about him, and I would wait until we got that

0:28:14.200 --> 0:28:15.840
<v Speaker 1>magazine and then I would take it home and I

0:28:15.960 --> 0:28:18.080
<v Speaker 1>cut it out and put it in a script. You know,

0:28:18.400 --> 0:28:21.439
<v Speaker 1>you you had to wait to get information or a

0:28:21.440 --> 0:28:23.720
<v Speaker 1>photo of someone, or if you really loved a singer,

0:28:23.800 --> 0:28:26.360
<v Speaker 1>you had to wait for their album to come out.

0:28:26.560 --> 0:28:29.399
<v Speaker 1>And now you just you just four years older than

0:28:29.440 --> 0:28:31.879
<v Speaker 1>you remember. When I was a kid, there was no cable,

0:28:31.960 --> 0:28:35.399
<v Speaker 1>there was no DVD. The trailers for movies and and

0:28:35.480 --> 0:28:37.840
<v Speaker 1>the build up, the ramp up of a campaign to

0:28:38.000 --> 0:28:40.960
<v Speaker 1>advertise a film was or at least it seemed so

0:28:41.040 --> 0:28:43.560
<v Speaker 1>far reaching back then. I'll never forget. We went to

0:28:43.600 --> 0:28:46.720
<v Speaker 1>The Godfather and I was underage and we we snuck in.

0:28:47.200 --> 0:28:49.280
<v Speaker 1>I forget how now we stood in line and it

0:28:49.400 --> 0:28:52.400
<v Speaker 1>was like three screening, you know, like one o'clock, four o'clock,

0:28:52.440 --> 0:28:54.320
<v Speaker 1>seven o'clock, and you go to the top of the

0:28:54.360 --> 0:28:57.080
<v Speaker 1>line and didn't get in, so you waited another three hours,

0:28:57.800 --> 0:29:00.800
<v Speaker 1>you know, reading Mad magazine or some crap we read

0:29:00.840 --> 0:29:03.280
<v Speaker 1>back then. And I always say, now people wait to

0:29:03.360 --> 0:29:05.640
<v Speaker 1>stream a movie and it's like, you know, four minutes

0:29:05.680 --> 0:29:07.200
<v Speaker 1>to stream it in their tip and their foot and

0:29:07.240 --> 0:29:10.360
<v Speaker 1>going come on exactly. And the other thing is that

0:29:10.360 --> 0:29:12.120
<v Speaker 1>they'll watch twenty minutes of it, then they'll pause and

0:29:12.120 --> 0:29:14.320
<v Speaker 1>they'll go talk on the phone and play they lose

0:29:14.360 --> 0:29:18.320
<v Speaker 1>interest in it. Yeah, now you are you left to

0:29:18.400 --> 0:29:21.440
<v Speaker 1>do a television show? I left. I left about six

0:29:21.520 --> 0:29:24.240
<v Speaker 1>years ago to do I wrote a pilot called Thick

0:29:24.280 --> 0:29:28.000
<v Speaker 1>and Thin that was about too fat sisters that grew

0:29:28.080 --> 0:29:34.040
<v Speaker 1>up fat and one gets really hot and thin and beautiful. Yeah,

0:29:34.240 --> 0:29:36.960
<v Speaker 1>we shot the pilot. It got picked up for like thirteen,

0:29:37.200 --> 0:29:41.520
<v Speaker 1>but it was a bad year for multi camera sitcoms.

0:29:41.560 --> 0:29:43.320
<v Speaker 1>It was kind of when they were getting phased out.

0:29:43.440 --> 0:29:46.080
<v Speaker 1>And it was also about a subject that was a

0:29:46.120 --> 0:29:49.959
<v Speaker 1>little weird still back in that era of you know,

0:29:50.040 --> 0:29:52.600
<v Speaker 1>there wasn't a whole bunch of stuff with weight stuff,

0:29:52.640 --> 0:29:57.080
<v Speaker 1>and I really wanted like real people that look fat,

0:29:57.120 --> 0:29:58.880
<v Speaker 1>you know, that look fat because I had struggled with

0:29:58.920 --> 0:30:00.880
<v Speaker 1>my weight all my life and huge amounts of way

0:30:00.880 --> 0:30:03.600
<v Speaker 1>a couple of times in my life. Sharon Glass and

0:30:03.720 --> 0:30:06.400
<v Speaker 1>Martin Maull played the parents, and they played my parents,

0:30:06.520 --> 0:30:08.960
<v Speaker 1>so it was their names. They did all of my

0:30:09.040 --> 0:30:12.240
<v Speaker 1>dead stick. I mean, it was really a special thing.

0:30:12.320 --> 0:30:14.440
<v Speaker 1>My parents came to the pilot, and you know, it

0:30:14.560 --> 0:30:16.920
<v Speaker 1>was it was very emotional and wonderful and fun. But

0:30:17.560 --> 0:30:20.520
<v Speaker 1>the process of developing a network show like that is

0:30:20.720 --> 0:30:24.280
<v Speaker 1>so hard, and I really, in hindsight learned so, you know,

0:30:24.400 --> 0:30:27.320
<v Speaker 1>learned so many things after the fact. You know which

0:30:27.360 --> 0:30:31.040
<v Speaker 1>one thing you learned that you can say, um, well,

0:30:31.080 --> 0:30:35.400
<v Speaker 1>the biggest thing I learned was I'm I'm a people pleaser,

0:30:35.480 --> 0:30:37.920
<v Speaker 1>and I always like to get to know people and

0:30:38.040 --> 0:30:39.840
<v Speaker 1>see the good sides of them, and I wanted to

0:30:39.880 --> 0:30:42.360
<v Speaker 1>have a lot of positive energy with with them because

0:30:42.360 --> 0:30:44.320
<v Speaker 1>I had known so many people that developed stuff that

0:30:44.320 --> 0:30:47.400
<v Speaker 1>we're like welcome to hell. You know, everyone just gets

0:30:47.400 --> 0:30:49.040
<v Speaker 1>so negative about it. I thought, you know what, I'm

0:30:49.080 --> 0:30:51.680
<v Speaker 1>gonna go into this. I'm so lucky to be doing this.

0:30:51.760 --> 0:30:56.640
<v Speaker 1>I'm so thrilled. But I befriended everyone so intensely, you know,

0:30:56.800 --> 0:31:00.080
<v Speaker 1>especially like network people and everything. I befriended everyone, So

0:31:00.120 --> 0:31:03.120
<v Speaker 1>then there was this sort of discomfort at telling them

0:31:03.160 --> 0:31:05.240
<v Speaker 1>things they didn't want to hear, or me pushing back

0:31:05.720 --> 0:31:08.960
<v Speaker 1>in bigger ways. And because I had already established that

0:31:09.000 --> 0:31:10.800
<v Speaker 1>we're all just friends and we're all having fun and

0:31:10.840 --> 0:31:13.960
<v Speaker 1>we're laughing, then they would suggest things that were just

0:31:14.440 --> 0:31:17.600
<v Speaker 1>show ruining, and I would just be like, okay, well,

0:31:17.640 --> 0:31:19.640
<v Speaker 1>you know, and I just at the time didn't really

0:31:19.640 --> 0:31:23.000
<v Speaker 1>have my voice as a as a creative person to

0:31:23.160 --> 0:31:26.000
<v Speaker 1>lead something like that, you know, So I I regret that,

0:31:26.040 --> 0:31:29.200
<v Speaker 1>and I regret not um pushing more. I mean, casting

0:31:29.280 --> 0:31:32.080
<v Speaker 1>was you know, a little brutal just because of the

0:31:32.080 --> 0:31:34.560
<v Speaker 1>weight thing is they would they would bring people in

0:31:34.640 --> 0:31:37.680
<v Speaker 1>that were I wanted real people that were you know,

0:31:37.720 --> 0:31:39.920
<v Speaker 1>I wanted the other sister to be to be a

0:31:39.960 --> 0:31:43.640
<v Speaker 1>real heavy person. And and when they'd audition heavy people

0:31:43.680 --> 0:31:46.440
<v Speaker 1>sometimes i'd watch their faces when they're auditioning them, and

0:31:46.440 --> 0:31:48.400
<v Speaker 1>they're kind of like looking at their bodies, and I'm going,

0:31:48.440 --> 0:31:50.400
<v Speaker 1>this is not good that they don't get it. That

0:31:50.520 --> 0:31:53.760
<v Speaker 1>like the you know, Roseanne was freaking huge hit show.

0:31:53.800 --> 0:31:56.040
<v Speaker 1>It's like, come on. I don't even remember who said

0:31:56.120 --> 0:31:58.600
<v Speaker 1>this to me, but one of the network people pulled

0:31:58.600 --> 0:32:00.400
<v Speaker 1>me aside during one of the castings and she said,

0:32:00.440 --> 0:32:02.720
<v Speaker 1>did you audition this other girl for that part for

0:32:02.760 --> 0:32:05.560
<v Speaker 1>the heavy sister? And I said, no, I auditioned her

0:32:05.600 --> 0:32:07.800
<v Speaker 1>for the thin sister. And she said you couldn't pad her,

0:32:07.920 --> 0:32:10.600
<v Speaker 1>could you. And I just remember walking away going, this

0:32:10.680 --> 0:32:13.880
<v Speaker 1>is so dead in the water. You know, now movies,

0:32:13.960 --> 0:32:16.520
<v Speaker 1>you're doing a movie, now, yeah, I did. I worked

0:32:16.640 --> 0:32:19.320
<v Speaker 1>a little bit on Bridesmaids. I just came a couple

0:32:19.400 --> 0:32:21.720
<v Speaker 1>of different times and just you know, pitch jokes on

0:32:21.720 --> 0:32:23.480
<v Speaker 1>the set, did that kind of thing. Had never done

0:32:23.520 --> 0:32:26.880
<v Speaker 1>anything movie wise ever, and I really really had fun

0:32:26.920 --> 0:32:29.800
<v Speaker 1>doing it. I really enjoyed it. And then I Judd

0:32:29.800 --> 0:32:32.600
<v Speaker 1>started hiring me to do some rewrites on different movies

0:32:32.640 --> 0:32:36.040
<v Speaker 1>and punch ups and stuff, and I started to see,

0:32:36.600 --> 0:32:38.040
<v Speaker 1>you know, because I had tried to get into it

0:32:38.120 --> 0:32:41.320
<v Speaker 1>before in other eras of my life. Um. But at

0:32:41.400 --> 0:32:44.120
<v Speaker 1>the same time, I had had an idea for a

0:32:44.200 --> 0:32:48.600
<v Speaker 1>while about my journal, my childhood journal, of doing something

0:32:48.600 --> 0:32:50.680
<v Speaker 1>with it. I wanted to do a little play based

0:32:50.720 --> 0:32:53.480
<v Speaker 1>on it. I wanted to do something with it, and

0:32:53.760 --> 0:32:55.880
<v Speaker 1>Tina had, you know, I'd read it to her many

0:32:55.880 --> 0:32:57.360
<v Speaker 1>times in an s and L. I'd read it to

0:32:57.400 --> 0:33:00.440
<v Speaker 1>people before I came up with an idea for a

0:33:00.480 --> 0:33:03.640
<v Speaker 1>movie to do to pitch and I pitched it to

0:33:03.720 --> 0:33:06.520
<v Speaker 1>Universal and they bought it with Tina attached to it

0:33:06.560 --> 0:33:10.120
<v Speaker 1>as a producer and potentially to be in it. And

0:33:10.320 --> 0:33:12.480
<v Speaker 1>so I wrote that that's in the work that we're

0:33:12.480 --> 0:33:14.800
<v Speaker 1>waiting to find out all the finals on you know,

0:33:14.880 --> 0:33:17.600
<v Speaker 1>on that, what's happening with that? It's it's um, it's

0:33:17.640 --> 0:33:19.720
<v Speaker 1>been you know, gone through its three rites and all that.

0:33:19.760 --> 0:33:23.520
<v Speaker 1>So I'm excited about that about two sisters, and then

0:33:23.880 --> 0:33:27.000
<v Speaker 1>jud and I just wrote a movie, and then last

0:33:27.000 --> 0:33:29.480
<v Speaker 1>summer I worked on my first full movie experience with

0:33:29.520 --> 0:33:31.840
<v Speaker 1>This is forty. I was then executive producer on that.

0:33:32.120 --> 0:33:34.200
<v Speaker 1>It sounds horrible, but do you ever wonder what it

0:33:34.240 --> 0:33:36.560
<v Speaker 1>would be like if you and your wife were separated

0:33:36.560 --> 0:33:40.880
<v Speaker 1>by something bigger, deaf like her death? I have given

0:33:40.880 --> 0:33:43.280
<v Speaker 1>it a fair amount of thought, not any painful way,

0:33:43.320 --> 0:33:46.720
<v Speaker 1>but just like a gentle floating off. It's got to

0:33:46.760 --> 0:33:49.160
<v Speaker 1>be peaceful. I mean, this is the mother of your children.

0:33:49.200 --> 0:33:51.200
<v Speaker 1>And then the new wife would be great. God, I

0:33:51.240 --> 0:33:54.280
<v Speaker 1>can't wait to meet my second wife. I hope she

0:33:54.320 --> 0:33:56.880
<v Speaker 1>likes me better than this one. I've finally kind of

0:33:56.920 --> 0:34:00.560
<v Speaker 1>gotten my foothold in the movie thing now and really fun.

0:34:00.680 --> 0:34:02.160
<v Speaker 1>I really love it. I mean it's a lot of

0:34:02.360 --> 0:34:05.240
<v Speaker 1>it's a lot of waiting around for news on things.

0:34:05.240 --> 0:34:07.200
<v Speaker 1>It's a lot of you know, I can't plan anything

0:34:07.240 --> 0:34:08.880
<v Speaker 1>because you don't know what your next year is going

0:34:08.920 --> 0:34:11.880
<v Speaker 1>to be. A find out, but so beautiful to be

0:34:11.960 --> 0:34:14.759
<v Speaker 1>able to work at home with my animals and d

0:34:15.120 --> 0:34:19.000
<v Speaker 1>and just like to be aren't you Well, you always

0:34:19.040 --> 0:34:20.600
<v Speaker 1>come back to the same thing when I've spoken to you.

0:34:21.160 --> 0:34:23.520
<v Speaker 1>I was despondent when you left because you know, you

0:34:23.560 --> 0:34:25.880
<v Speaker 1>were such a great You're such a great writer, one

0:34:25.880 --> 0:34:29.200
<v Speaker 1>of my favorite, so funny, but everything mean that and

0:34:29.520 --> 0:34:32.080
<v Speaker 1>you And then when you left and you said the

0:34:32.080 --> 0:34:33.480
<v Speaker 1>same thing, You're like, I always want to go home

0:34:33.480 --> 0:34:37.120
<v Speaker 1>to d and my animals, animal animals, go live the

0:34:37.239 --> 0:34:40.360
<v Speaker 1>lesbian life. I want to be on a lesbian fire.

0:34:40.560 --> 0:34:43.560
<v Speaker 1>I want to wear my dance got clogs. I want

0:34:43.600 --> 0:34:46.280
<v Speaker 1>to get a mag light and go under a dumpster

0:34:46.360 --> 0:34:51.040
<v Speaker 1>and get some feral cats out of there. I have

0:34:51.080 --> 0:34:53.560
<v Speaker 1>a horse up there, I have, you know, just it's

0:34:53.600 --> 0:34:56.520
<v Speaker 1>so beautiful and inexpensive up there in the Hudson Valley.

0:34:56.520 --> 0:35:00.239
<v Speaker 1>It's like the amazing place. But also, um, just I'm

0:35:00.320 --> 0:35:03.200
<v Speaker 1>realizing to just the finite amount of time, you know,

0:35:03.239 --> 0:35:05.440
<v Speaker 1>I've I've spent more time since I've been doing the

0:35:05.440 --> 0:35:08.200
<v Speaker 1>movie stuff the last two years, I've spent more time

0:35:08.280 --> 0:35:10.439
<v Speaker 1>with my family. I've been down in Florida a lot

0:35:10.440 --> 0:35:14.520
<v Speaker 1>to visit them. It's just feeling so much better for me.

0:35:14.640 --> 0:35:17.560
<v Speaker 1>And also I love like Lauren whenever I'm there, I

0:35:17.600 --> 0:35:19.960
<v Speaker 1>did the Louis c. K Show, and I'm doing this

0:35:20.480 --> 0:35:23.239
<v Speaker 1>next to here and um, and you know, Lauren will

0:35:23.239 --> 0:35:25.719
<v Speaker 1>say to me, it's still fun, right, it's fun. You

0:35:25.840 --> 0:35:28.239
<v Speaker 1>had fun, and I go, oh my god, it's amazing.

0:35:28.560 --> 0:35:30.600
<v Speaker 1>But if I did it all the time now, I

0:35:30.600 --> 0:35:33.040
<v Speaker 1>would be like a you know, a bitter hag because

0:35:33.120 --> 0:35:36.720
<v Speaker 1>I just feel like I wasn't having time or energy

0:35:36.840 --> 0:35:39.399
<v Speaker 1>to do other things. And also everyone is is very young.

0:35:39.480 --> 0:35:42.359
<v Speaker 1>I mean my nieces and nephews I saw delivered out

0:35:42.360 --> 0:35:46.719
<v Speaker 1>of my sisters, uh the gene and they're in their

0:35:46.719 --> 0:35:49.719
<v Speaker 1>mid twenties. And ones of physician's assistant ones. I mean,

0:35:49.880 --> 0:35:52.200
<v Speaker 1>I've named myself at S and L nanny sn L

0:35:52.200 --> 0:35:54.200
<v Speaker 1>because I'll sit at the real rate table, like what

0:35:54.400 --> 0:35:57.840
<v Speaker 1>isn't the name of that hore's that detective on television.

0:35:57.880 --> 0:36:01.160
<v Speaker 1>I'm like Grandpa, Oh my god, gonna Grandpa. They'll kno

0:36:01.160 --> 0:36:02.720
<v Speaker 1>going to do and SEP we're ready and like Grandpa

0:36:02.760 --> 0:36:06.560
<v Speaker 1>will be right there. It'll be right there. God damn it.

0:36:07.000 --> 0:36:08.680
<v Speaker 1>But if you have a good night there, you feel

0:36:08.680 --> 0:36:10.560
<v Speaker 1>like you're twenty again. I mean, you know, if you

0:36:10.600 --> 0:36:13.719
<v Speaker 1>have a night where you feel like I mean, last week,

0:36:13.760 --> 0:36:16.399
<v Speaker 1>I had a really fun Scotch I wrote with Kate

0:36:16.480 --> 0:36:18.759
<v Speaker 1>McKinnon for her and Louis c. K and it was

0:36:19.719 --> 0:36:22.440
<v Speaker 1>funny and dirty and where they were at last call

0:36:22.520 --> 0:36:25.000
<v Speaker 1>at a bar and they're just trying to find common

0:36:25.000 --> 0:36:27.040
<v Speaker 1>ground because they know they're the only two people left.

0:36:27.040 --> 0:36:28.960
<v Speaker 1>So they're like, wait, you're from Arizona. Oh my god,

0:36:28.960 --> 0:36:33.360
<v Speaker 1>I'm from northern California. That's crazy, and they were They

0:36:33.400 --> 0:36:36.360
<v Speaker 1>made out in the most disgusting, face eating way you

0:36:36.400 --> 0:36:39.920
<v Speaker 1>could ever imagine. And uh, I just went home on

0:36:39.960 --> 0:36:43.520
<v Speaker 1>that old school SNL high, just a whole high, you know,

0:36:43.600 --> 0:36:46.239
<v Speaker 1>like the whole weekend, just bouncing off the walls. And

0:36:46.280 --> 0:36:47.839
<v Speaker 1>then you start going maybe I could do this all

0:36:47.840 --> 0:36:49.759
<v Speaker 1>the time. I got like, no, I'm gonna do it.

0:36:49.840 --> 0:36:51.800
<v Speaker 1>I would leave there on after a good show, I

0:36:51.840 --> 0:36:54.640
<v Speaker 1>leave there's I'm gonna be a cast. Addition, I'll do

0:36:54.760 --> 0:36:58.800
<v Speaker 1>even even odd shows like the Gas Right. No, Twitter,

0:36:59.080 --> 0:37:01.520
<v Speaker 1>you're on Twitter on Twitter, You're you kill me on Twitter?

0:37:01.600 --> 0:37:03.200
<v Speaker 1>Thank you. I talked about like I was laying on

0:37:03.200 --> 0:37:04.600
<v Speaker 1>a bed and I was having a great time and

0:37:04.640 --> 0:37:06.080
<v Speaker 1>I was eating sacks and I was really cozy and

0:37:06.120 --> 0:37:08.600
<v Speaker 1>everything was just I felt so great, and then security

0:37:08.600 --> 0:37:12.480
<v Speaker 1>guard came up you ting his clothes. Man, it's like

0:37:12.520 --> 0:37:15.080
<v Speaker 1>the Tony that routine. People always really respond to my

0:37:15.120 --> 0:37:17.880
<v Speaker 1>target tweets. Twitter is just another form for you. Twitter

0:37:18.000 --> 0:37:20.520
<v Speaker 1>is really I got very addicted to it just because

0:37:20.520 --> 0:37:22.560
<v Speaker 1>it's so simple and it's like a video game for

0:37:22.600 --> 0:37:25.520
<v Speaker 1>comedy writers to just do a one liner about something.

0:37:25.560 --> 0:37:29.960
<v Speaker 1>And I started doing these hey young girl tweets and

0:37:30.120 --> 0:37:32.880
<v Speaker 1>I might do a little book of them, maybe um

0:37:32.920 --> 0:37:36.160
<v Speaker 1>an illustrated. You know, my nieces, I just used to

0:37:36.280 --> 0:37:38.560
<v Speaker 1>drive them insane when they were growing up because I

0:37:38.600 --> 0:37:43.080
<v Speaker 1>was you said that girls, Remember, hey young girls, keep

0:37:43.080 --> 0:37:45.719
<v Speaker 1>your boobs in your shirt, you're button your pants, your

0:37:45.719 --> 0:37:48.120
<v Speaker 1>eyes on your dreams, your head in the cloud. You know,

0:37:48.200 --> 0:37:49.640
<v Speaker 1>like I can also say the thing about you know

0:37:49.800 --> 0:37:53.719
<v Speaker 1>if the guy does this. Yeah, but remember the hey

0:37:53.760 --> 0:37:56.080
<v Speaker 1>young girl stuff just came out of my nieces because

0:37:56.120 --> 0:37:58.160
<v Speaker 1>I would bring them tests and l and they were

0:37:58.200 --> 0:38:01.240
<v Speaker 1>just these dropped gorgeous girls and they would have people

0:38:01.239 --> 0:38:03.200
<v Speaker 1>I'm not talking about people just checking them out, but

0:38:03.239 --> 0:38:05.959
<v Speaker 1>like at the if I brought them backstage or whatever,

0:38:06.000 --> 0:38:08.759
<v Speaker 1>there'd be some some dude that would just end up

0:38:08.760 --> 0:38:11.960
<v Speaker 1>coming up and saying, you know, really aggressive checking them out,

0:38:12.080 --> 0:38:14.640
<v Speaker 1>And so they still imitate me how I would grab

0:38:14.719 --> 0:38:19.480
<v Speaker 1>them with my meaty, polish firm wife arm and she's fourteen.

0:38:19.560 --> 0:38:21.000
<v Speaker 1>You want to talk about it? I mean I would

0:38:21.000 --> 0:38:24.200
<v Speaker 1>just become this raving crazy woman looking at them like

0:38:24.719 --> 0:38:26.920
<v Speaker 1>you know, and so I always i'd always be like,

0:38:26.960 --> 0:38:29.239
<v Speaker 1>are your sexually active? I would always want to know

0:38:29.360 --> 0:38:31.520
<v Speaker 1>all their details and everything, like a character out of

0:38:31.520 --> 0:38:34.080
<v Speaker 1>a Rock Hutson movie. Yeah, the chaperone, Yeah, and the

0:38:34.120 --> 0:38:37.759
<v Speaker 1>chaperone that's that's uh all sturrying my son away from

0:38:37.800 --> 0:38:42.560
<v Speaker 1>the hoochie girl houchie dancers. You know, Um, you're a woman,

0:38:42.760 --> 0:38:46.280
<v Speaker 1>and you're a woman in comedy, and comedy has changed

0:38:47.160 --> 0:38:49.440
<v Speaker 1>a lot over the last forty years, but I you know,

0:38:49.480 --> 0:38:51.359
<v Speaker 1>I feel like it's changed a lot over the last

0:38:51.400 --> 0:38:54.239
<v Speaker 1>fifteen years. It's even more. You've got people who are

0:38:54.320 --> 0:38:55.719
<v Speaker 1>much more you know, they're just like the guys I

0:38:55.719 --> 0:38:57.759
<v Speaker 1>mean Sarah Silverman and people who are much more in

0:38:57.840 --> 0:39:01.080
<v Speaker 1>living color. If you will, I want to ask you,

0:39:01.080 --> 0:39:03.239
<v Speaker 1>you know, your assessment of that, how that's changed for

0:39:03.239 --> 0:39:06.840
<v Speaker 1>women over your career, and also do you think that

0:39:06.880 --> 0:39:10.480
<v Speaker 1>there's like certain glass ceilings still, like on late night

0:39:10.560 --> 0:39:13.560
<v Speaker 1>comedy shows, like do you think they'll ever replace Letterman?

0:39:13.960 --> 0:39:16.120
<v Speaker 1>Or like can a woman do that job? Because you

0:39:16.160 --> 0:39:18.520
<v Speaker 1>have women hosting daytime shows, right and no one's on

0:39:18.640 --> 0:39:21.080
<v Speaker 1>during the day, but the big three of the networks

0:39:21.080 --> 0:39:22.520
<v Speaker 1>they don't have a woman doing that show. Do you

0:39:22.520 --> 0:39:25.239
<v Speaker 1>think that will ever change? I don't know. I mean,

0:39:25.320 --> 0:39:27.680
<v Speaker 1>it's you know, I remember that era where a couple

0:39:27.719 --> 0:39:30.480
<v Speaker 1>of them were doing it, Joan Rivers and different people

0:39:30.480 --> 0:39:32.080
<v Speaker 1>were trying it, and they were you know, they were

0:39:32.080 --> 0:39:34.560
<v Speaker 1>all stand ups, but they had been around for a

0:39:34.600 --> 0:39:37.520
<v Speaker 1>long time, but not lately. So I feel like now

0:39:38.080 --> 0:39:41.960
<v Speaker 1>a lot of those young funny girls are either getting

0:39:41.960 --> 0:39:45.760
<v Speaker 1>their own show, you know, doing a show, a television show,

0:39:45.880 --> 0:39:48.839
<v Speaker 1>but not a talk show, you know. I mean Jimmy,

0:39:49.040 --> 0:39:51.360
<v Speaker 1>he's such a fan of everyone and so enthusiastic and

0:39:51.480 --> 0:39:53.640
<v Speaker 1>joyful about music and everything that that was like a

0:39:53.680 --> 0:39:57.279
<v Speaker 1>perfect fit for him and hilarious. So he worked out

0:39:57.280 --> 0:40:00.319
<v Speaker 1>so great for that. But I think with women it's

0:40:00.360 --> 0:40:03.000
<v Speaker 1>also sometimes hard at s and l like with auditions

0:40:03.040 --> 0:40:05.680
<v Speaker 1>now where you go, well you see people and you

0:40:05.719 --> 0:40:09.120
<v Speaker 1>go where where are a lot of the super funny

0:40:09.320 --> 0:40:12.120
<v Speaker 1>you know, super funny women and you know they're around,

0:40:12.160 --> 0:40:14.600
<v Speaker 1>you know, they exist, but a lot of them do.

0:40:14.680 --> 0:40:18.640
<v Speaker 1>They they are young, and they they're aggressively getting their

0:40:18.640 --> 0:40:21.400
<v Speaker 1>own shows and stuff like that. The second year I

0:40:21.440 --> 0:40:24.040
<v Speaker 1>was at SNL, second or third, I remember having an

0:40:24.040 --> 0:40:26.239
<v Speaker 1>agent say to me, Um, yeah, we gotta get you,

0:40:26.360 --> 0:40:28.160
<v Speaker 1>uh you know, we gotta get a game plan for

0:40:28.200 --> 0:40:30.160
<v Speaker 1>you and get you know, so you can get get

0:40:30.160 --> 0:40:32.600
<v Speaker 1>out of here and and get a get a show

0:40:32.640 --> 0:40:34.640
<v Speaker 1>going and all that. And I remember thinking, what are

0:40:34.640 --> 0:40:36.799
<v Speaker 1>they talking about? Like, what are you talking about? You know,

0:40:36.840 --> 0:40:39.520
<v Speaker 1>this is like the dream job. So but I think

0:40:39.640 --> 0:40:42.319
<v Speaker 1>I think for women it's just like I've always said

0:40:42.320 --> 0:40:44.640
<v Speaker 1>about U, S and L. It's like the funny rises

0:40:45.080 --> 0:40:47.600
<v Speaker 1>to the top with it. And if somebody's super funny

0:40:47.760 --> 0:40:50.719
<v Speaker 1>and has abandoned and joy and they're not trying, you know,

0:40:50.760 --> 0:40:53.880
<v Speaker 1>I don't like ever with a comedy person them acting

0:40:53.880 --> 0:40:56.800
<v Speaker 1>like someone else or acting dirty just to be funny.

0:40:56.800 --> 0:40:58.600
<v Speaker 1>I'm the filthiest person on earth. But if it's not

0:40:58.640 --> 0:41:02.200
<v Speaker 1>funny dirty, if I'm not being funny, you know, then

0:41:02.360 --> 0:41:04.920
<v Speaker 1>forget it, because there's got to be some class to

0:41:05.000 --> 0:41:09.640
<v Speaker 1>my to my vul A joke does not have a

0:41:09.680 --> 0:41:12.719
<v Speaker 1>class to it to then forget it. But you know,

0:41:12.840 --> 0:41:15.279
<v Speaker 1>for a while, there are some auditions I would watch

0:41:15.360 --> 0:41:18.080
<v Speaker 1>where girls would come out and just try to just

0:41:18.120 --> 0:41:19.960
<v Speaker 1>sex it up and be funny and dirty, you know,

0:41:20.040 --> 0:41:22.760
<v Speaker 1>and it's like that's you feel like, not all of them, certainly,

0:41:22.800 --> 0:41:24.239
<v Speaker 1>but enough of them. They go out in front of

0:41:24.239 --> 0:41:25.919
<v Speaker 1>a camera, a lot of them in the comedy world,

0:41:25.960 --> 0:41:27.319
<v Speaker 1>and they think feel like, well, I don't want to

0:41:27.320 --> 0:41:28.839
<v Speaker 1>go too far over this song because I don't want

0:41:28.840 --> 0:41:30.840
<v Speaker 1>to lose this oven thing. I really would like to

0:41:30.920 --> 0:41:33.359
<v Speaker 1>kiss Leo in a movie, right, I want to be something.

0:41:33.400 --> 0:41:36.000
<v Speaker 1>You don't want to see anyone thinking too hard while

0:41:36.040 --> 0:41:38.400
<v Speaker 1>they're you know, the the greatest auditions at S and

0:41:38.480 --> 0:41:41.759
<v Speaker 1>L were people that came in purely as themselves, came in,

0:41:41.760 --> 0:41:44.319
<v Speaker 1>did a bunch of craziest characters, and you just went,

0:41:44.440 --> 0:41:46.440
<v Speaker 1>this is a force of nature. What is this? What

0:41:46.680 --> 0:41:48.920
<v Speaker 1>is this human? Like? They were making me laugh so

0:41:48.920 --> 0:41:51.160
<v Speaker 1>hard and I don't even know what where they're getting

0:41:51.160 --> 0:41:53.440
<v Speaker 1>it from. When when women have that the condition that

0:41:53.560 --> 0:41:55.520
<v Speaker 1>where it's it's like they sit there and they you know,

0:41:55.520 --> 0:41:58.000
<v Speaker 1>I mean, I've seen women who they would make fun

0:41:58.000 --> 0:42:00.840
<v Speaker 1>of actresses. I mean, I'm took a comedy. They would

0:42:00.960 --> 0:42:05.239
<v Speaker 1>just tear apart. They would laceerate actresses who they thought

0:42:05.239 --> 0:42:08.040
<v Speaker 1>were leaning too much on the sex button. And then

0:42:08.080 --> 0:42:12.399
<v Speaker 1>those comedy actresses became stars and they popped another button

0:42:12.480 --> 0:42:14.719
<v Speaker 1>and they put the makeup on their cleavage and they

0:42:14.719 --> 0:42:17.080
<v Speaker 1>were like and they were just like they were camera ready.

0:42:17.080 --> 0:42:18.919
<v Speaker 1>I mean, they became the thing they made fun of. Yeah,

0:42:19.400 --> 0:42:22.240
<v Speaker 1>and you and you realize for women, that's a tough angle.

0:42:22.640 --> 0:42:25.440
<v Speaker 1>Comedy and comedy girls tended to grow up being the

0:42:25.480 --> 0:42:27.959
<v Speaker 1>goofy looking, you know, the goofy looking ones that weren't

0:42:27.960 --> 0:42:30.800
<v Speaker 1>getting the attention that way. So when they become famous

0:42:30.840 --> 0:42:33.960
<v Speaker 1>and have a lot of money and people putting beautiful

0:42:34.040 --> 0:42:36.160
<v Speaker 1>dresses on them, I think they do go They do

0:42:36.200 --> 0:42:37.920
<v Speaker 1>go that way, you know. I mean, I've got a

0:42:37.920 --> 0:42:40.080
<v Speaker 1>lot of pretty sparkly pants suits I wear to the

0:42:40.080 --> 0:42:43.200
<v Speaker 1>Emmy's now, and I really get up my own ass

0:42:43.200 --> 0:42:51.480
<v Speaker 1>on it. Because Paula Pell will soon be stepping out

0:42:51.520 --> 0:42:54.480
<v Speaker 1>in those pants for the release of This Is forty,

0:42:54.800 --> 0:42:58.160
<v Speaker 1>a film she helped produce set to open December one.

0:42:59.320 --> 0:43:02.320
<v Speaker 1>This is alec Old when Here's the Thing comes from

0:43:02.360 --> 0:43:10.680
<v Speaker 1>w NYC Radio O