1 00:00:00,080 --> 00:00:06,360 Speaker 1: Heart radio station. Everybody coming to breakfast club. I called 2 00:00:06,400 --> 00:00:13,000 Speaker 1: this the hot seat. You are control. I'm not even 3 00:00:13,039 --> 00:00:16,680 Speaker 1: doing you so bad? Yo are yo so bad? The 4 00:00:16,680 --> 00:00:21,079 Speaker 1: world's most danctious morning Jos d j N Pitch Angela. 5 00:00:21,120 --> 00:00:23,520 Speaker 1: I stay in everybody's business, but in a good way. Charlomagne, 6 00:00:23,560 --> 00:00:26,079 Speaker 1: the gout, the ruler rubbing you the wrong way. The 7 00:00:26,200 --> 00:00:41,120 Speaker 1: breakfast clubs ain't for everybody. Good morning Usca yo yo 8 00:00:41,159 --> 00:00:42,760 Speaker 1: yo yo yo yo yo yo yo yo yo yo 9 00:00:42,840 --> 00:00:44,479 Speaker 1: yo yo yo yo yo yo yo yo yo yo 10 00:00:44,600 --> 00:00:46,400 Speaker 1: yo yo yo yo yo yo yo yo yo yo 11 00:00:46,479 --> 00:00:49,239 Speaker 1: yo yo yo yo yo yo. Good morning Angela, Ye, 12 00:00:49,520 --> 00:00:52,559 Speaker 1: good morning jam V. Cholomagne. The gout is late. I 13 00:00:52,560 --> 00:00:54,560 Speaker 1: thought he was here, you saying yo yo yo. That 14 00:00:54,640 --> 00:00:57,200 Speaker 1: was the record of Yo yo yost give you yo. 15 00:00:57,320 --> 00:01:00,200 Speaker 1: Fooled me an excited night. No, I'm just kidding. I 16 00:01:00,200 --> 00:01:02,800 Speaker 1: wasn't fool well, good morning. It sounded a little jankie. 17 00:01:03,160 --> 00:01:05,399 Speaker 1: You gotta make it a little more clear or something. Yeah, 18 00:01:05,480 --> 00:01:11,440 Speaker 1: all right, Well it's Thursday. I mean the weekend is 19 00:01:11,440 --> 00:01:15,479 Speaker 1: almost here. Ooh, Thursday, the weekend is almost here. Well, 20 00:01:15,920 --> 00:01:17,840 Speaker 1: I know this weekend I'll be in Atlanta for our 21 00:01:17,880 --> 00:01:21,839 Speaker 1: Mary J. Blige's Strength of a Woman weekend that she's 22 00:01:21,880 --> 00:01:25,400 Speaker 1: doing there. Yeah, shout Pepsi. Pepsi sponsoring that, right, yeah, 23 00:01:25,400 --> 00:01:30,039 Speaker 1: and Pepsi sponsoring. I'll be there doing something with Pepsi tomorrow. Okay, Well, 24 00:01:30,080 --> 00:01:31,840 Speaker 1: shout to Mary J. Blige and the whole team of 25 00:01:31,880 --> 00:01:35,480 Speaker 1: Sean over there. That show sold out in like hours, 26 00:01:35,560 --> 00:01:38,360 Speaker 1: So that's amazing what she's doing. I'm excited. I wish 27 00:01:38,360 --> 00:01:39,880 Speaker 1: I could make it. I'm being North Carolina, but I 28 00:01:39,920 --> 00:01:42,160 Speaker 1: would love to see the brunches and the performances and 29 00:01:42,160 --> 00:01:44,520 Speaker 1: everything that she has on on the panels. It's gonna 30 00:01:44,520 --> 00:01:46,319 Speaker 1: be a great weekend. So if you're out in Atlanta, 31 00:01:46,400 --> 00:01:49,640 Speaker 1: if you got tickets, you're gonna enjoy. Now. Today we 32 00:01:49,680 --> 00:01:52,320 Speaker 1: got a special guest joining us. How album comes out tomorrow, 33 00:01:52,440 --> 00:01:57,520 Speaker 1: Lma will be joining us. Okay, nice, Yeah, Okay, she 34 00:01:57,560 --> 00:01:59,040 Speaker 1: has a new project, so we'll kick it with her 35 00:01:59,080 --> 00:02:01,920 Speaker 1: about all of the acts. And we got Frontage News 36 00:02:01,920 --> 00:02:05,080 Speaker 1: coming up. What we're talking about in front page News, Oh, cryptocurrency. 37 00:02:05,240 --> 00:02:08,720 Speaker 1: We'll tell you which state actually has moved to embrace 38 00:02:08,800 --> 00:02:14,200 Speaker 1: cryptocurrency and so, um, this is actually really a big deal. Okay, 39 00:02:14,440 --> 00:02:16,320 Speaker 1: we'll get into all that and We're keep it locked, 40 00:02:16,560 --> 00:02:23,280 Speaker 1: Breakfast Club, Good Morning, sit By Morning. Everybody is DJ Envy, 41 00:02:23,440 --> 00:02:27,400 Speaker 1: Angela Yee, Charlemagne the guy we are the let's get 42 00:02:27,400 --> 00:02:31,600 Speaker 1: into front page news. Last night, NBA eighty heat beat 43 00:02:31,760 --> 00:02:33,639 Speaker 1: seventy six is one nineteen one oh three and the 44 00:02:33,720 --> 00:02:36,799 Speaker 1: Suns beat the Mavericks one twenty nine one o nine. 45 00:02:36,840 --> 00:02:39,320 Speaker 1: Both of those guys lead the series to nothing. Yeah, 46 00:02:39,320 --> 00:02:41,320 Speaker 1: it's a wrap for the six is pretty much Joel 47 00:02:41,400 --> 00:02:44,440 Speaker 1: mb should be back game three though, No, what else 48 00:02:44,440 --> 00:02:46,919 Speaker 1: we got? Easy? All right? Well, the California Governor, Gavin 49 00:02:47,000 --> 00:02:49,280 Speaker 1: Newsom has signed an executive order, and that is for 50 00:02:49,360 --> 00:02:52,440 Speaker 1: state agencies to move in tandem with the federal government. 51 00:02:52,440 --> 00:02:56,280 Speaker 1: They're gonna be crafting regulations for digital currencies. California, by 52 00:02:56,320 --> 00:02:59,080 Speaker 1: the way, has an economy larger than all but four countries, 53 00:02:59,400 --> 00:03:02,520 Speaker 1: and that's where much of the world's technological innovation is born. 54 00:03:02,520 --> 00:03:05,480 Speaker 1: In the first state to formally begin examining how to 55 00:03:05,680 --> 00:03:10,320 Speaker 1: broadly adapt to cryptocurrency and all related innovations. So now 56 00:03:10,360 --> 00:03:13,399 Speaker 1: it's going to be calling for officials to explore incorporating 57 00:03:13,480 --> 00:03:17,239 Speaker 1: broader blockchain computer coding into the government operations. There's a 58 00:03:17,240 --> 00:03:20,240 Speaker 1: lot of opportunities there. There's a lot of unknowns in 59 00:03:20,280 --> 00:03:22,240 Speaker 1: the industry also, and that's another reason they want to 60 00:03:22,240 --> 00:03:26,040 Speaker 1: start engaging early. Obviously, Silicon valleys in California and that's 61 00:03:26,080 --> 00:03:29,280 Speaker 1: where a lot of financial innovators like Paypalin Square are there, 62 00:03:29,320 --> 00:03:31,720 Speaker 1: so they should be out front and figuring out how 63 00:03:31,720 --> 00:03:35,600 Speaker 1: to adapt to new technologies. According to reports, about sixteen 64 00:03:35,600 --> 00:03:39,720 Speaker 1: percent of US adults have invested in, traded, or use cryptocurrencies, 65 00:03:39,920 --> 00:03:43,400 Speaker 1: and the percentage is much higher among younger men. California 66 00:03:43,440 --> 00:03:45,800 Speaker 1: has about thirty nine million residents and their economy is 67 00:03:45,800 --> 00:03:48,800 Speaker 1: about three point one trillion dollars. That's a Snapple fact. 68 00:03:48,800 --> 00:03:51,280 Speaker 1: I didn't know. I didn't know California had was your 69 00:03:51,280 --> 00:03:55,200 Speaker 1: fourth largest economy and economy larger than all but four countries. Wow. 70 00:03:56,240 --> 00:03:58,480 Speaker 1: So that's I mean, think about Casilicon Valley is there, 71 00:03:59,160 --> 00:04:02,240 Speaker 1: so when you think about that alone, right, So I'm 72 00:04:02,280 --> 00:04:05,120 Speaker 1: just saying cryptocurrency is not going anywhere. I saw Rick 73 00:04:05,200 --> 00:04:07,200 Speaker 1: Russ did this live where he was trying to say, 74 00:04:07,200 --> 00:04:10,240 Speaker 1: show me how somebody who's made money from this, But 75 00:04:10,480 --> 00:04:12,440 Speaker 1: I think he was talking more about the NFTs and stuff. 76 00:04:12,480 --> 00:04:14,280 Speaker 1: He was asking for people that really made money on 77 00:04:14,320 --> 00:04:15,920 Speaker 1: it to show it. I don't think you're talking with crypto, 78 00:04:15,960 --> 00:04:17,760 Speaker 1: because I mean we could see crypto clearly, right. But 79 00:04:17,800 --> 00:04:19,960 Speaker 1: there's definitely people have made money. There's people who were 80 00:04:20,279 --> 00:04:22,080 Speaker 1: I was reading a lot of different stories. The one 81 00:04:22,120 --> 00:04:24,960 Speaker 1: person who was homeless and then they started selling NFTs 82 00:04:25,040 --> 00:04:27,240 Speaker 1: and bought a home and now has a lot of money. 83 00:04:27,279 --> 00:04:30,479 Speaker 1: It's just if you know properly. I agree, if you 84 00:04:30,520 --> 00:04:32,240 Speaker 1: know how to use it properly. But I mean there's 85 00:04:32,240 --> 00:04:33,520 Speaker 1: a lot of people. A lot of these things aren't 86 00:04:33,520 --> 00:04:35,400 Speaker 1: going to appreciate with value. That's that's the whole thing. 87 00:04:35,400 --> 00:04:36,880 Speaker 1: You just don't know what's going to appreciate with value 88 00:04:36,920 --> 00:04:38,599 Speaker 1: and what's not. So yes, people that sell it, I 89 00:04:38,640 --> 00:04:40,320 Speaker 1: can sell you this is an NFT and you buy 90 00:04:40,320 --> 00:04:42,000 Speaker 1: it for five hundred dollars, that don't mean it's worth 91 00:04:42,000 --> 00:04:45,040 Speaker 1: I like the guy that bought the first tweet, Oh yes, 92 00:04:45,240 --> 00:04:48,880 Speaker 1: how much what two point eight million? And they said 93 00:04:48,880 --> 00:04:51,120 Speaker 1: it was worth No, but you said you would have 94 00:04:51,200 --> 00:04:53,120 Speaker 1: never done that. But if somebody sells you, sells you 95 00:04:53,160 --> 00:04:54,400 Speaker 1: on it, and it's like, oh, this is NFTs and 96 00:04:54,400 --> 00:04:56,200 Speaker 1: they're gonna appreciate with value and you're gonna make money, 97 00:04:56,200 --> 00:04:58,480 Speaker 1: and it's now it was a big thing at first 98 00:04:58,480 --> 00:05:00,800 Speaker 1: it's the first tweet, the first tweet ever sent. But 99 00:05:00,880 --> 00:05:02,680 Speaker 1: you know, everything is a risk if you invest in 100 00:05:02,680 --> 00:05:05,320 Speaker 1: the stock market, even real estate is a risk. You know, 101 00:05:05,520 --> 00:05:07,479 Speaker 1: prices could go down. You don't know what can happen. 102 00:05:07,600 --> 00:05:11,080 Speaker 1: So everything is calculated risk and you should never invest 103 00:05:11,200 --> 00:05:13,800 Speaker 1: more than you can afford to lose. It's hard. I 104 00:05:13,839 --> 00:05:17,120 Speaker 1: would not compare NFTs to realists now that sweet went 105 00:05:17,160 --> 00:05:20,760 Speaker 1: down to what, yeah, one hundred dollars, one hundred dollars 106 00:05:20,839 --> 00:05:22,360 Speaker 1: or something like that. In the real estate, ain't gonna 107 00:05:22,360 --> 00:05:24,320 Speaker 1: do that. I mean, I know people who have had 108 00:05:24,320 --> 00:05:26,680 Speaker 1: their homes for clothes done because remember when everything was 109 00:05:26,680 --> 00:05:29,200 Speaker 1: super expensive in real estate and then the price is 110 00:05:29,279 --> 00:05:31,640 Speaker 1: leveled out, it was a housing bubble, and then first 111 00:05:31,680 --> 00:05:33,440 Speaker 1: you still got to make small decision with REALI that's 112 00:05:33,440 --> 00:05:35,280 Speaker 1: what I'm saying, the same thing. You know, you try 113 00:05:35,320 --> 00:05:37,680 Speaker 1: to make a smart decision, but nothing is guaranteed. But 114 00:05:37,920 --> 00:05:40,640 Speaker 1: when it comes to investing, nothing is still be worth. 115 00:05:40,680 --> 00:05:43,400 Speaker 1: Something different, still be worth something that NFT don't have 116 00:05:43,400 --> 00:05:45,080 Speaker 1: to be worth. It could be worth. The problem with 117 00:05:45,960 --> 00:05:47,919 Speaker 1: it's the value that I put on it, on the 118 00:05:48,000 --> 00:05:49,920 Speaker 1: value that you put on something right, You know what 119 00:05:49,960 --> 00:05:51,800 Speaker 1: I mean that the state is based on a comp 120 00:05:51,839 --> 00:05:55,720 Speaker 1: stets in the in the area. Okay, so anyway, Live 121 00:05:55,800 --> 00:05:59,040 Speaker 1: Nation is offering twenty five dollars tickets for over seventy 122 00:05:59,040 --> 00:06:02,640 Speaker 1: five content and there's celebrating National Concert Week, so guys, 123 00:06:02,680 --> 00:06:04,560 Speaker 1: you should look at that up. And that includes all 124 00:06:04,600 --> 00:06:07,160 Speaker 1: fees too. By the way, so the giving fantasy opportunity 125 00:06:07,240 --> 00:06:10,320 Speaker 1: to attend over thirty seven hundred concerts in North America 126 00:06:10,440 --> 00:06:13,000 Speaker 1: and it'll be all genres. So there's a lot of 127 00:06:13,080 --> 00:06:16,480 Speaker 1: artists participating in this deal, like the Backstreet Boys, Machine Gun, 128 00:06:16,600 --> 00:06:21,039 Speaker 1: Kelly with Khalifa, John Legend, Earthwind, and Fire. Um. There's 129 00:06:21,080 --> 00:06:23,800 Speaker 1: a lot of different artists and that pre sale actually 130 00:06:24,400 --> 00:06:28,040 Speaker 1: started yesterday. So if you can get your hands on 131 00:06:28,080 --> 00:06:33,760 Speaker 1: tickets and off fees, that's great. All right, Well that 132 00:06:33,960 --> 00:06:36,760 Speaker 1: is your front page news. Wow. No, that's amazing because 133 00:06:36,800 --> 00:06:39,360 Speaker 1: you said some artists that people will really love to see. Yeah, 134 00:06:39,360 --> 00:06:41,640 Speaker 1: it's actually seventy five concerts you have to choose from, 135 00:06:41,640 --> 00:06:43,520 Speaker 1: and those are some of the concerts, just a few 136 00:06:43,520 --> 00:06:46,159 Speaker 1: of them. Cool, all right, get it off your chess 137 00:06:46,160 --> 00:06:48,680 Speaker 1: eight eight five one oh five one. If you need 138 00:06:48,720 --> 00:06:51,760 Speaker 1: to vent phone line to wide open again eight five 139 00:06:51,839 --> 00:06:54,040 Speaker 1: eight five one on five one, get it off your 140 00:06:54,120 --> 00:06:56,920 Speaker 1: chests and don't forget Lma will be joining us next hour. 141 00:06:57,000 --> 00:07:05,120 Speaker 1: It's the breakfast Club. Good morning, good breakfast club. Did 142 00:07:05,120 --> 00:07:06,960 Speaker 1: your time to get it off your chest? Whether you're 143 00:07:07,000 --> 00:07:09,440 Speaker 1: man or blast, so we better have the same intry 144 00:07:09,560 --> 00:07:12,320 Speaker 1: we want to hear from you on the breakfast Club. Hello, 145 00:07:12,360 --> 00:07:21,840 Speaker 1: Who's hey? I'm hey boy. Chas especialis how you and 146 00:07:21,960 --> 00:07:24,800 Speaker 1: I want to talk about? Why did it assume that 147 00:07:24,800 --> 00:07:29,080 Speaker 1: that man that that attack um Dave Chappelle was Dave. 148 00:07:29,480 --> 00:07:33,400 Speaker 1: I don't know he assumed that I am Yeah, he 149 00:07:33,520 --> 00:07:36,320 Speaker 1: posted on depend tore him beat up and stuff on 150 00:07:37,240 --> 00:07:40,680 Speaker 1: his Instagram and was like, I wonder what the LGBT 151 00:07:40,840 --> 00:07:44,120 Speaker 1: community got to say about this and why did he 152 00:07:44,240 --> 00:07:48,760 Speaker 1: assume that man was game? Why you or Dave? Dave 153 00:07:48,800 --> 00:07:54,280 Speaker 1: assumed he was trans because it's a trans man him. 154 00:07:54,600 --> 00:07:56,280 Speaker 1: I'm like, I'm like, man, I'm like, that's like me 155 00:07:56,480 --> 00:07:59,200 Speaker 1: watching a straight man raise somebody or beat a woman 156 00:07:59,280 --> 00:08:01,800 Speaker 1: uping in me to asking what does the stre think 157 00:08:01,840 --> 00:08:04,360 Speaker 1: about now? I think, yeah, he said that was a 158 00:08:04,400 --> 00:08:06,600 Speaker 1: trans man. Yeah, And it's not the same if you 159 00:08:06,720 --> 00:08:08,720 Speaker 1: if you had to think when you this, police officers 160 00:08:08,760 --> 00:08:10,600 Speaker 1: do the first thing they want to know is the motive? Right? 161 00:08:10,920 --> 00:08:12,760 Speaker 1: So when you look at a situation like that, you 162 00:08:12,800 --> 00:08:14,640 Speaker 1: see the crime, what would be the motive? Who would 163 00:08:14,680 --> 00:08:17,560 Speaker 1: have motive to do this to Dave Chappelle, people would 164 00:08:17,560 --> 00:08:21,160 Speaker 1: think the LGBTQ community because of his comments. I don't 165 00:08:21,200 --> 00:08:23,640 Speaker 1: be asking the whole community what we think about that, 166 00:08:25,480 --> 00:08:28,120 Speaker 1: the whole stret community think about something. I don't care. 167 00:08:28,800 --> 00:08:31,520 Speaker 1: Well if you guys remember, well, all right, chav, we'll 168 00:08:31,560 --> 00:08:34,920 Speaker 1: let you vent get it off your chest. I didn't 169 00:08:34,920 --> 00:08:37,240 Speaker 1: even know that. I didn't know fifty and fifty might 170 00:08:37,280 --> 00:08:39,679 Speaker 1: have asked about that because remember yesterday there was a 171 00:08:39,760 --> 00:08:42,360 Speaker 1: rumor going around that the guy was a member of 172 00:08:42,360 --> 00:08:45,760 Speaker 1: the LGBTQ community. Remember they posted somebody's Twitter and they 173 00:08:45,800 --> 00:08:48,240 Speaker 1: said this was him. Yeah, well her, But Dave made 174 00:08:48,240 --> 00:08:50,040 Speaker 1: the joke, and I think people, you know, with that joke, 175 00:08:50,120 --> 00:08:51,960 Speaker 1: they thought it was real. But yeah, do you remember 176 00:08:51,920 --> 00:08:54,640 Speaker 1: that the trans community was protesting against a chapel because 177 00:08:54,679 --> 00:08:56,960 Speaker 1: of his last special And there's the guy y. I 178 00:08:56,960 --> 00:08:59,440 Speaker 1: don't know exactly he might fifty might know something we 179 00:08:59,480 --> 00:09:00,800 Speaker 1: don't know. I don't know, but I know he had 180 00:09:00,840 --> 00:09:07,000 Speaker 1: a song called Dave Chappelle, Hello, who's this big Chalcolate's 181 00:09:07,640 --> 00:09:09,640 Speaker 1: two quick things and be good luck with your book. 182 00:09:10,280 --> 00:09:12,120 Speaker 1: I checked out a little of it, and I'm proud 183 00:09:12,120 --> 00:09:14,319 Speaker 1: of you. You weren't wearing you played out, mister t 184 00:09:14,520 --> 00:09:18,080 Speaker 1: gold Change, So good luck with that. Number one all right, okay? 185 00:09:18,120 --> 00:09:21,400 Speaker 1: And number two the crazy guy that the tact, Dave 186 00:09:21,480 --> 00:09:25,079 Speaker 1: Chappelle was wow right there at like. I don't think 187 00:09:25,080 --> 00:09:27,120 Speaker 1: he was trying to act like a will Will Smith 188 00:09:27,160 --> 00:09:30,120 Speaker 1: do with a pistol. So now Charlomagne could visited him 189 00:09:30,120 --> 00:09:32,040 Speaker 1: in jail and played dropped the soap in the shower. 190 00:09:32,160 --> 00:09:37,080 Speaker 1: What do you think? Oh my God, Jesus Christ, he 191 00:09:37,120 --> 00:09:39,600 Speaker 1: wokeome to this morning and thought about that horrible He said, Yo, 192 00:09:39,640 --> 00:09:41,920 Speaker 1: I'm gonna call breakfast club and say that this morning 193 00:09:42,000 --> 00:09:46,400 Speaker 1: you put thought into that and then dropped the night. Wow. Hello, 194 00:09:46,440 --> 00:09:52,480 Speaker 1: who's this from New Orleans Flat? Two things of my 195 00:09:52,559 --> 00:09:57,280 Speaker 1: chest one happy mother's dig my wife and my mother 196 00:09:57,559 --> 00:10:02,400 Speaker 1: my wife, Chris, my mother. And next thing, I just 197 00:10:02,400 --> 00:10:05,080 Speaker 1: did a music video with my wife and so on. 198 00:10:05,360 --> 00:10:10,319 Speaker 1: Uh my Instagram it's called s instagrams l I C 199 00:10:10,520 --> 00:10:14,160 Speaker 1: E b A TV. The single it's called Tai Tis 200 00:10:14,640 --> 00:10:18,880 Speaker 1: give you My Bayo. It's real dope. I'm a producer. 201 00:10:19,320 --> 00:10:22,200 Speaker 1: I'm just really intervity. I'm about the best rapper, but 202 00:10:22,240 --> 00:10:24,920 Speaker 1: I'm just seeing what it's gonna say. What's the song about? 203 00:10:25,240 --> 00:10:29,880 Speaker 1: He said, It's called Ta Ties, It's called Yes. What 204 00:10:29,880 --> 00:10:32,040 Speaker 1: it's about you? Yeah? Can you? Can you sing the hook? 205 00:10:32,800 --> 00:10:34,520 Speaker 1: It's then you just gotta go check it. I'm up 206 00:10:34,559 --> 00:10:40,520 Speaker 1: to Doc's visuals. I'm sure. I'm sure. Celebrate single jamayo, 207 00:10:40,679 --> 00:10:45,319 Speaker 1: you're all right. Happy single day, Happy birthday, Natina, Natina, 208 00:10:45,720 --> 00:10:50,600 Speaker 1: Happy birthday there, Yes, single day, Happy born Nina. Get 209 00:10:50,640 --> 00:10:53,120 Speaker 1: it off your chest eight drew five A five one 210 00:10:53,160 --> 00:10:55,280 Speaker 1: on five one. If you need to hit us up now, 211 00:10:55,360 --> 00:11:02,080 Speaker 1: it's the Breakfast Club. Good morning, the Breakfast Club. I'm 212 00:11:03,679 --> 00:11:08,000 Speaker 1: what's doing? This is your time to get it off 213 00:11:08,040 --> 00:11:12,320 Speaker 1: your chest, whether you're mad or blessed. Eight one five one. 214 00:11:12,440 --> 00:11:16,040 Speaker 1: We want to hear from you on the breakfast Club. Hello. 215 00:11:16,160 --> 00:11:19,440 Speaker 1: Who's this? Hey? Good morning, Envy, How you're doing? How 216 00:11:19,480 --> 00:11:23,520 Speaker 1: you doing? Good morning, brother? Get it off your chest? Warning, dude, 217 00:11:23,559 --> 00:11:26,319 Speaker 1: I gotta shout you. You think Ian Casey on Real 218 00:11:26,360 --> 00:11:29,200 Speaker 1: Life for Real Love an amazing book. Everybody is talking 219 00:11:29,240 --> 00:11:32,199 Speaker 1: about it like you two are an actual inspiration for 220 00:11:32,360 --> 00:11:35,040 Speaker 1: what idea relationships should be and I'm just happy that 221 00:11:35,120 --> 00:11:37,760 Speaker 1: y'all are together. Thank you, brother, I mean, I mean 222 00:11:37,800 --> 00:11:40,240 Speaker 1: the supporting an amount of feedback and love that we 223 00:11:40,360 --> 00:11:42,880 Speaker 1: got for the bucket is amazing. You know, this is 224 00:11:42,960 --> 00:11:44,880 Speaker 1: my first book, so I don't know really know some 225 00:11:44,920 --> 00:11:46,800 Speaker 1: of the lists, but the publishing company tell me we 226 00:11:46,840 --> 00:11:48,640 Speaker 1: made another list yesterday. I don't know a list it 227 00:11:48,800 --> 00:11:53,439 Speaker 1: was published. I have no idea, but it wasn't you know, 228 00:11:53,720 --> 00:11:56,360 Speaker 1: nobody can say anything from no one. Y'all a top 229 00:11:56,480 --> 00:11:58,960 Speaker 1: chan did it? Yeah, now we did, But we didn't 230 00:11:58,960 --> 00:12:00,440 Speaker 1: do it for that. Like I said, we actually did 231 00:12:00,480 --> 00:12:02,439 Speaker 1: it to help people. And if I tell you the 232 00:12:02,480 --> 00:12:05,280 Speaker 1: amount of emails and dms of people that you know 233 00:12:05,600 --> 00:12:08,040 Speaker 1: have open conversations in their relationships, that that was the 234 00:12:08,280 --> 00:12:09,800 Speaker 1: reason why we did it. So I want to say 235 00:12:09,960 --> 00:12:11,719 Speaker 1: thank you to everybody that went out and purchased the 236 00:12:11,720 --> 00:12:14,480 Speaker 1: book or got the audible, or that still ordered the book. 237 00:12:14,559 --> 00:12:17,280 Speaker 1: It's it's really just just humbling and thank you. If 238 00:12:17,320 --> 00:12:19,920 Speaker 1: you haven't got the book, definitely picking up Barns and Nobles, 239 00:12:19,960 --> 00:12:22,480 Speaker 1: Amazon or whether you buy your books. Just real life, 240 00:12:22,520 --> 00:12:25,200 Speaker 1: real love and hopefully to help you in your relationship 241 00:12:25,320 --> 00:12:27,480 Speaker 1: do things that that I shouldn't have did or maybe 242 00:12:27,600 --> 00:12:29,079 Speaker 1: you know, guide you the things that we did. You know, 243 00:12:29,800 --> 00:12:31,280 Speaker 1: what was the best chapter for you? What? What what 244 00:12:31,400 --> 00:12:33,760 Speaker 1: chapter resonated with you to the best. Oh, I'm still 245 00:12:34,080 --> 00:12:38,160 Speaker 1: reading Unapologetic Guys to Blackmister, help that charlom sing me 246 00:12:38,520 --> 00:12:43,480 Speaker 1: Doctor readA Walker, Doctor read to Walker My apologies. Yes, oh, 247 00:12:43,559 --> 00:12:45,440 Speaker 1: thank you so much Charlomann for sending me the book 248 00:12:45,720 --> 00:12:48,800 Speaker 1: that that really changed my life. Um, my name is 249 00:12:48,880 --> 00:12:50,800 Speaker 1: me Day. By the way, y'all keep getting my name 250 00:12:50,840 --> 00:13:01,160 Speaker 1: wrong Me Day, Yes, thank you at me Dat? Hello? 251 00:13:01,280 --> 00:13:05,800 Speaker 1: Who's this Mark? Mark is? Good morning? Good morning, good 252 00:13:05,880 --> 00:13:13,400 Speaker 1: morning on Angela. Ye, I got a problem. My friend 253 00:13:13,720 --> 00:13:16,079 Speaker 1: he owned my best friend. He owns the flower shop 254 00:13:16,559 --> 00:13:20,199 Speaker 1: in Houston did in Louisiana, and he get me flowers 255 00:13:20,280 --> 00:13:22,719 Speaker 1: for free. But when I sitting flowers the women and 256 00:13:22,800 --> 00:13:24,559 Speaker 1: they finally get to know me and find out I 257 00:13:24,640 --> 00:13:27,000 Speaker 1: get them for free, they don't really appreciate it because 258 00:13:27,000 --> 00:13:29,920 Speaker 1: I'm getting it for free? Is that cool? How did 259 00:13:29,960 --> 00:13:31,280 Speaker 1: they know you're getting them for free? Why are you 260 00:13:31,320 --> 00:13:33,400 Speaker 1: telling them getting it for free? I know? But because 261 00:13:33,440 --> 00:13:35,400 Speaker 1: they find out he's my best friend, later on they'd 262 00:13:35,400 --> 00:13:38,160 Speaker 1: be like you said, I still pay for him exactly. 263 00:13:38,200 --> 00:13:40,559 Speaker 1: You still pay for him. You don't pay your friends. No, 264 00:13:40,840 --> 00:13:42,880 Speaker 1: it's my best friend. I've been helping them. You know 265 00:13:43,840 --> 00:13:46,319 Speaker 1: his name Eddie. He does he does flowers like he 266 00:13:46,440 --> 00:13:48,840 Speaker 1: done deep Bandoor, the Houston Flowers. He's done a little 267 00:13:48,880 --> 00:13:54,679 Speaker 1: snoop funeral band funeral. His name is flowers by Pilsen. Yeah. 268 00:13:54,720 --> 00:13:56,520 Speaker 1: My point is you don't have to tell people you're 269 00:13:56,520 --> 00:13:59,360 Speaker 1: not paying for the flowers. Nobody even know. I don't 270 00:13:59,400 --> 00:14:01,640 Speaker 1: really tell him. It's just like when they they I 271 00:14:01,720 --> 00:14:03,720 Speaker 1: don't know, man, it's like they put two and two together, 272 00:14:03,800 --> 00:14:05,760 Speaker 1: and I don't believe that. I think you just think 273 00:14:05,800 --> 00:14:09,040 Speaker 1: that from the heart. We'll start paying from the heart, 274 00:14:09,240 --> 00:14:11,600 Speaker 1: start paying your friend and just because, start giving him 275 00:14:11,640 --> 00:14:14,760 Speaker 1: some money every time you get flowers, just because absolutely. Yeah, 276 00:14:14,960 --> 00:14:19,080 Speaker 1: I know right, I'm serious, And it shouldn't even matter. 277 00:14:19,120 --> 00:14:20,840 Speaker 1: It's from the heart. It don't matter if I play 278 00:14:20,960 --> 00:14:22,920 Speaker 1: or not. Well, clearly it matters to you because you're 279 00:14:22,920 --> 00:14:24,520 Speaker 1: calling us this morning to vent about and you don't 280 00:14:24,520 --> 00:14:26,120 Speaker 1: have to tell nobody. And there's no reason that you 281 00:14:26,240 --> 00:14:27,840 Speaker 1: even have a conversation if they ask you, did you 282 00:14:27,840 --> 00:14:29,800 Speaker 1: get him from free? From your man? No, I pay 283 00:14:29,840 --> 00:14:32,640 Speaker 1: for him. I support my friends. It's crazy man, you 284 00:14:32,720 --> 00:14:35,520 Speaker 1: got other things come out, man like I say his 285 00:14:35,640 --> 00:14:41,280 Speaker 1: own Facebook flowers by Philson, all right, book, all right man, Yes, sir, 286 00:14:41,400 --> 00:14:42,760 Speaker 1: I feel like I feel like he just got a 287 00:14:42,800 --> 00:14:45,200 Speaker 1: bunch of more free flowers with that shout up. Absolutely 288 00:14:45,520 --> 00:14:47,880 Speaker 1: get it off your chest. Eight hundred five eight five 289 00:14:47,960 --> 00:14:50,200 Speaker 1: one on five one that we got ruts on the way. Yes, 290 00:14:50,400 --> 00:14:53,400 Speaker 1: and let's talk about Drake. I'll tell you about how 291 00:14:53,480 --> 00:14:57,320 Speaker 1: he slid in this man's wife's DMS and why he 292 00:14:57,440 --> 00:14:59,480 Speaker 1: plays a dirty game. All right, we'll get into that next. 293 00:14:59,520 --> 00:15:06,240 Speaker 1: It's the break this Club. Good morning, the breakfast Club Morning. 294 00:15:06,280 --> 00:15:10,120 Speaker 1: Everybody is DJ MVY, Angela Yee, Charlomagne, the guy. We 295 00:15:10,200 --> 00:15:11,920 Speaker 1: are to Breakfast Club. Let's get to the room is 296 00:15:12,000 --> 00:15:21,280 Speaker 1: let's talk greg. This is the rumor report with Angela 297 00:15:21,400 --> 00:15:26,880 Speaker 1: Yee on the Breakfast Club. All right, Well, Drake clapped 298 00:15:26,880 --> 00:15:30,000 Speaker 1: back at a troll and this was on social media, 299 00:15:30,280 --> 00:15:34,040 Speaker 1: and that's because this person said something about his child. Now, 300 00:15:34,520 --> 00:15:36,920 Speaker 1: it was a post Team rant is approaching LaVar Ball 301 00:15:37,040 --> 00:15:40,520 Speaker 1: levels of annoyance, and somebody said, these dudes are annoying. 302 00:15:40,600 --> 00:15:42,640 Speaker 1: Some of the comments I've been seeing on multiple posts 303 00:15:42,680 --> 00:15:45,560 Speaker 1: talking down on Lavarte and Carltown senior. I don't think 304 00:15:45,600 --> 00:15:47,920 Speaker 1: it's really up to the world to criticize how a 305 00:15:48,000 --> 00:15:51,880 Speaker 1: positive father shows up in his son's life. Now, Jam commented, 306 00:15:51,920 --> 00:15:54,000 Speaker 1: imagine your son makes the league and he's job or 307 00:15:54,080 --> 00:15:56,840 Speaker 1: Mellow Orlonzo. All you can do is be elevating, competitive 308 00:15:57,080 --> 00:15:59,240 Speaker 1: and oversupportive. And it's a write of passage to that. 309 00:15:59,400 --> 00:16:01,680 Speaker 1: The ogs talk ish, I know I'm gonna be this 310 00:16:01,760 --> 00:16:04,440 Speaker 1: way even if my son is in the Rubik's Cube competition. 311 00:16:05,120 --> 00:16:08,640 Speaker 1: And then somebody on Instagram commented to Drake, your son 312 00:16:08,760 --> 00:16:12,400 Speaker 1: probably played with ghostwriters, and then Drake responded, I just 313 00:16:12,480 --> 00:16:14,720 Speaker 1: followed your girl because she's probably miserable and needs some 314 00:16:14,880 --> 00:16:17,680 Speaker 1: excitement in her life, and he really did follow her. 315 00:16:17,920 --> 00:16:22,080 Speaker 1: And then the woman Tony posted, my husband decides to 316 00:16:22,160 --> 00:16:24,800 Speaker 1: be a troll, and now Drake thinking I need excitement 317 00:16:24,840 --> 00:16:28,280 Speaker 1: in my life, and then he posted the husband oh nah, 318 00:16:28,400 --> 00:16:31,160 Speaker 1: fool really DM my wife um, and then he put 319 00:16:31,200 --> 00:16:33,880 Speaker 1: the laughing crying emoji, and Drake had written to her, 320 00:16:33,920 --> 00:16:37,760 Speaker 1: I'm here for you, ma her. It's justified. You don't 321 00:16:37,800 --> 00:16:39,960 Speaker 1: talk about people's kids like you get what you earned. 322 00:16:40,160 --> 00:16:44,320 Speaker 1: You earned it, Yeah, he did, Drake, you played with 323 00:16:44,360 --> 00:16:46,160 Speaker 1: my heart. I'm gonna play with Jels. Yeah, and I'm not. 324 00:16:47,000 --> 00:16:49,440 Speaker 1: What Drake said is absolutely positively right if you got 325 00:16:49,600 --> 00:16:51,760 Speaker 1: kids that that do anything. That's why me and Chris 326 00:16:51,880 --> 00:16:53,960 Speaker 1: Rock got into that time when my daughter was playing basketball, 327 00:16:54,000 --> 00:16:57,000 Speaker 1: like we're a competitive as parents. You ain't slapped Crystal. No, 328 00:16:57,080 --> 00:17:00,480 Speaker 1: I'm not gonna go that fall. He's gonna Ellen goes 329 00:17:02,640 --> 00:17:04,639 Speaker 1: and we will clapped back at you on social media. 330 00:17:04,680 --> 00:17:07,919 Speaker 1: Tell us nobody. But yeah, it is kind of when 331 00:17:07,920 --> 00:17:09,920 Speaker 1: he plays football. I'm out there with the parents arguing 332 00:17:09,920 --> 00:17:11,800 Speaker 1: with the parents too. Yeah, it is strange to tell 333 00:17:11,840 --> 00:17:14,000 Speaker 1: a parent not to be excited for their child, because 334 00:17:14,000 --> 00:17:16,240 Speaker 1: that's essentially what you're saying, Like why you gotta be 335 00:17:16,320 --> 00:17:19,399 Speaker 1: so overully excited for your child? Like, shut up? Then 336 00:17:19,480 --> 00:17:21,280 Speaker 1: do you have kids? I'd like to know. Probably not, 337 00:17:21,320 --> 00:17:24,639 Speaker 1: because if you did, you would understand. Oh yeah, all right. Now. 338 00:17:24,760 --> 00:17:28,000 Speaker 1: Kat Williams is returning to Netflix with a new comedy special, 339 00:17:28,480 --> 00:17:32,480 Speaker 1: World War Three, and that will be dropping May seventeenth. 340 00:17:32,560 --> 00:17:35,080 Speaker 1: That's really soon. So it'll be the second special to 341 00:17:35,160 --> 00:17:37,560 Speaker 1: repair from him on that streaming service, after he dropped 342 00:17:37,560 --> 00:17:41,160 Speaker 1: his Great American Special back in twenty eighteen. UM he's 343 00:17:41,200 --> 00:17:44,280 Speaker 1: also the executive producer and the director for it, So 344 00:17:44,440 --> 00:17:48,200 Speaker 1: congratulations to him on that. Okay, definitely tuning into that. Man, 345 00:17:48,440 --> 00:17:50,200 Speaker 1: I wish I went to the Netflix as a joke 346 00:17:50,680 --> 00:17:54,000 Speaker 1: festival that actually ends May eighth, that's been going on 347 00:17:54,160 --> 00:17:56,240 Speaker 1: since April twenty eighth. That's where we just saw Dave 348 00:17:56,320 --> 00:17:59,919 Speaker 1: Chappelle get attacked on stage. All right. Keisha Cole had 349 00:18:00,040 --> 00:18:02,960 Speaker 1: to go to the er after suffering anxiety attacks. She said, 350 00:18:03,359 --> 00:18:05,359 Speaker 1: I'm so proud of getting a few hours sleep. Literally 351 00:18:05,400 --> 00:18:07,760 Speaker 1: have been getting none, so not okay smh, and have 352 00:18:07,840 --> 00:18:10,480 Speaker 1: been having the worst anxiety attacks where I can literally 353 00:18:10,600 --> 00:18:13,200 Speaker 1: feel my heart hurting. Had to take my ass to 354 00:18:13,240 --> 00:18:15,960 Speaker 1: the emergency room. They gave me dann medicine for anxiety. 355 00:18:16,080 --> 00:18:18,680 Speaker 1: I don't know what the f was happening to me. 356 00:18:19,119 --> 00:18:23,480 Speaker 1: Salukisha Cole sending her healing energy that she loves her mom, 357 00:18:23,560 --> 00:18:26,640 Speaker 1: her father, and her dog. You know. Her mother died 358 00:18:26,680 --> 00:18:29,679 Speaker 1: of an accidental overdose on her birthday on July eighteen, 359 00:18:29,760 --> 00:18:33,080 Speaker 1: twenty twenty one. Then after that, her adopted father, Leon Cole, 360 00:18:33,160 --> 00:18:36,639 Speaker 1: passed away due to COVID complications, and then her dog Lola, 361 00:18:36,640 --> 00:18:38,440 Speaker 1: who was fourteen years old, was her best friend for 362 00:18:38,480 --> 00:18:41,280 Speaker 1: the past fourteen years. Passed away last year as well, 363 00:18:41,320 --> 00:18:43,080 Speaker 1: on December first. Well, yeah, I mean, that's the worst 364 00:18:43,080 --> 00:18:45,000 Speaker 1: feeling in the world when you're having that anxiety attack 365 00:18:45,040 --> 00:18:46,399 Speaker 1: and you feel like you're having a heart attack and 366 00:18:46,480 --> 00:18:48,159 Speaker 1: it just comes out of nowhere. And when you go 367 00:18:48,200 --> 00:18:49,680 Speaker 1: to the doctor and they tell you that your heart 368 00:18:49,760 --> 00:18:52,800 Speaker 1: is fine, you're like, what how that's the that's the 369 00:18:52,960 --> 00:18:56,120 Speaker 1: terrible feeling. So Saluda Kishia Cole definitely sending her healing energy. 370 00:18:56,240 --> 00:18:59,080 Speaker 1: All right. Teneyako has been named the mental health is 371 00:18:59,200 --> 00:19:01,960 Speaker 1: Health Month and acid in Los Angeles, you know, it's 372 00:19:02,280 --> 00:19:05,280 Speaker 1: Mental health Awareness Month. And here is what she had 373 00:19:05,320 --> 00:19:08,960 Speaker 1: to say. I didn't know about therapy. I didn't know 374 00:19:09,080 --> 00:19:14,320 Speaker 1: about a lot about mental illness, or depression or anxiety. 375 00:19:14,960 --> 00:19:18,000 Speaker 1: And I just found that turning my pain and suffering 376 00:19:18,200 --> 00:19:22,200 Speaker 1: into some form of art, transform and get into art 377 00:19:23,000 --> 00:19:26,639 Speaker 1: really helped me get through it. And so when I 378 00:19:26,720 --> 00:19:30,520 Speaker 1: started to share that music and poetry with others and 379 00:19:30,960 --> 00:19:35,840 Speaker 1: saw the response, the reason why I do what I 380 00:19:35,960 --> 00:19:39,160 Speaker 1: do is to help others get through what they're going through. 381 00:19:39,920 --> 00:19:42,320 Speaker 1: So her writing and doing music is her personal therapy 382 00:19:42,400 --> 00:19:44,520 Speaker 1: to help her get through things. Best investments you could 383 00:19:44,520 --> 00:19:47,200 Speaker 1: have been making yourself is investing in your mental wealth therapy, 384 00:19:47,720 --> 00:19:50,520 Speaker 1: you know, sacred purpose coaches. Just going on a journey 385 00:19:50,560 --> 00:19:52,720 Speaker 1: of healing is absolutely the best investment you can make. 386 00:19:52,880 --> 00:19:55,159 Speaker 1: All right now, Sissa in the meantime, has deleted her 387 00:19:55,200 --> 00:19:58,960 Speaker 1: TikTok for Mental Health Awareness Month. She announced, I deleted 388 00:19:58,960 --> 00:20:01,240 Speaker 1: my TikTok for mental Health the Awareness month. I encourage 389 00:20:01,280 --> 00:20:04,480 Speaker 1: everyone to delete anything, anyone and everything that doesn't serve you. 390 00:20:04,680 --> 00:20:08,880 Speaker 1: Bless just that simple m We all be in verbally 391 00:20:08,920 --> 00:20:11,320 Speaker 1: abusive relationships with a small phones for no damn reason. 392 00:20:11,720 --> 00:20:14,479 Speaker 1: All right, and the Island Boys it may have an 393 00:20:14,520 --> 00:20:18,240 Speaker 1: opportunity to fight on a boxing reality show called Ultimate 394 00:20:18,359 --> 00:20:21,960 Speaker 1: Social Boxing. They'll pit thirty two social media stars against 395 00:20:22,000 --> 00:20:23,720 Speaker 1: one another as they attempt to fight their way to 396 00:20:23,800 --> 00:20:27,240 Speaker 1: the top, and the winner will get one million dollars. 397 00:20:27,280 --> 00:20:29,320 Speaker 1: Of course, they blew up after we heard this song 398 00:20:29,440 --> 00:20:33,040 Speaker 1: I'm an island boy because I'm an island boy and 399 00:20:33,240 --> 00:20:36,560 Speaker 1: I've been trying to me. Oh, I'm an island bo. 400 00:20:37,880 --> 00:20:41,560 Speaker 1: I'm a just island boy. I'm a just island boy. 401 00:20:43,920 --> 00:20:48,280 Speaker 1: You're keep that gun. And you know they've been boxing. 402 00:20:48,359 --> 00:20:50,439 Speaker 1: If you see what they've been up to, they've been 403 00:20:50,440 --> 00:20:52,760 Speaker 1: boxing a ladder over the past year and showing off 404 00:20:52,800 --> 00:20:56,160 Speaker 1: their skills on social media doing all of that, soil 405 00:20:56,280 --> 00:20:58,040 Speaker 1: one n have to fight each other then, right, because 406 00:20:58,320 --> 00:21:00,719 Speaker 1: I don't know about that, because because if they get 407 00:21:00,760 --> 00:21:03,520 Speaker 1: to the top together, but they probably split them up. Hey, 408 00:21:03,640 --> 00:21:05,879 Speaker 1: I'm not a gambling man, but if I was, I 409 00:21:05,920 --> 00:21:11,240 Speaker 1: would absolutely, positively, one hundred percent bet against them loose 410 00:21:11,359 --> 00:21:16,920 Speaker 1: in the first first couple of fights. Okay, absolutely the fighting. Nope, 411 00:21:16,960 --> 00:21:20,280 Speaker 1: it does not bet against them. I would bet against them. 412 00:21:21,440 --> 00:21:23,320 Speaker 1: Some of the people like, is it, Oh, we don't 413 00:21:23,359 --> 00:21:25,240 Speaker 1: know yet. They haven't locked in their names yet, but 414 00:21:25,880 --> 00:21:28,560 Speaker 1: you know, um, it's actually Robed Ellen, the brother of 415 00:21:28,800 --> 00:21:32,480 Speaker 1: Entourage creator Doug Ellen, that is the founder of Live 416 00:21:32,640 --> 00:21:34,800 Speaker 1: One that's going to be doing these boxing events. So 417 00:21:34,880 --> 00:21:39,080 Speaker 1: it's like a town island boys a town. He just 418 00:21:39,160 --> 00:21:45,520 Speaker 1: made that up. They just started stars star is heard 419 00:21:45,600 --> 00:21:51,360 Speaker 1: from social media social media star. Okay, so I think 420 00:21:51,359 --> 00:21:55,560 Speaker 1: who else will be remember a time was on a treadmill? Yeah, yeah, 421 00:21:55,760 --> 00:21:57,959 Speaker 1: you're working out all right, Well that is your room 422 00:21:58,040 --> 00:22:00,600 Speaker 1: of report. Who else would be in in that category? 423 00:22:00,640 --> 00:22:02,280 Speaker 1: And there's a lot of social media stars. Now what 424 00:22:02,320 --> 00:22:05,760 Speaker 1: about what's his name? Jj oh y'all? Social media stars 425 00:22:05,800 --> 00:22:08,520 Speaker 1: have definitely it's way more than the ice JJ fishes 426 00:22:08,560 --> 00:22:10,040 Speaker 1: in the Eight Times of the World. I'm just saying, 427 00:22:10,080 --> 00:22:12,000 Speaker 1: but that would be good to watch. I would watch that. 428 00:22:12,800 --> 00:22:16,439 Speaker 1: I would definitely watch that. All right, Front Days News 429 00:22:16,480 --> 00:22:19,200 Speaker 1: next will be talking about all right, well, the owner 430 00:22:19,240 --> 00:22:21,280 Speaker 1: of Turbo tax into it has to pay one hundred 431 00:22:21,320 --> 00:22:25,359 Speaker 1: and forty one million dollars to customers who they unfairly charged. 432 00:22:25,359 --> 00:22:27,240 Speaker 1: We'll tell you about that, all right, we'll get into that. Next. 433 00:22:27,240 --> 00:22:30,119 Speaker 1: It's the Breakfast Club co Morning. So Breakfast Club, your 434 00:22:30,200 --> 00:22:34,000 Speaker 1: morning's will never be the same. Angela year here from 435 00:22:34,040 --> 00:22:36,719 Speaker 1: my friends at the General Insurance. Switch to the General 436 00:22:36,800 --> 00:22:39,120 Speaker 1: and you could save over five hundred dollars on your 437 00:22:39,160 --> 00:22:41,800 Speaker 1: car insurance. Call eight hundred General or visit the General 438 00:22:41,880 --> 00:22:45,080 Speaker 1: dot com to find out more. The General Auto Insurance Services, Inc. 439 00:22:45,160 --> 00:22:49,280 Speaker 1: An insurance agency in Nashville, Tennessee. Some restrictions apply. Morning. 440 00:22:49,320 --> 00:22:53,200 Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy we 441 00:22:53,320 --> 00:22:55,919 Speaker 1: are the Breakfast Club. Let's getting some front page news. 442 00:22:57,680 --> 00:23:00,879 Speaker 1: The Last Night Heat Meet the seventy six one nineteen 443 00:23:00,920 --> 00:23:03,000 Speaker 1: one oh three, The Suns beat the Mavericks one twenty 444 00:23:03,080 --> 00:23:06,439 Speaker 1: nine one oh nine, Look like James Harden gonna make 445 00:23:06,440 --> 00:23:08,480 Speaker 1: that little baby Chris Brown to when the first date 446 00:23:08,600 --> 00:23:11,840 Speaker 1: is up? What's the first date? Shut up, man, James 447 00:23:11,880 --> 00:23:14,960 Speaker 1: gonna beat there all right? Into it. They're the company 448 00:23:15,040 --> 00:23:16,800 Speaker 1: that owns Turbo Tax. They have agreed to pay one 449 00:23:16,840 --> 00:23:19,960 Speaker 1: hundred and forty one million dollars in restitution to four 450 00:23:20,040 --> 00:23:23,119 Speaker 1: point four million low income customers they were charged for 451 00:23:23,280 --> 00:23:26,280 Speaker 1: using the Turbo Tax Free Addition. According to an announcement 452 00:23:26,320 --> 00:23:29,359 Speaker 1: on Wednesdays. On Wednesday, these customers should have gotten the 453 00:23:29,400 --> 00:23:33,119 Speaker 1: tax filing services for free, and so people will be 454 00:23:33,200 --> 00:23:36,840 Speaker 1: getting about thirty dollars each year that they used the software. 455 00:23:37,240 --> 00:23:39,440 Speaker 1: So they had two free versions of Turbo Tax. One 456 00:23:39,560 --> 00:23:42,560 Speaker 1: was through the IRS Free File Program that lets low 457 00:23:42,640 --> 00:23:46,280 Speaker 1: income Americans file their taxes for free. And then they 458 00:23:46,359 --> 00:23:49,280 Speaker 1: had another version, the Turbo Tax Free Addition that they 459 00:23:49,880 --> 00:23:53,119 Speaker 1: marketed as free. But it's only free for taxpayers with 460 00:23:53,280 --> 00:23:56,560 Speaker 1: simple returns as defined by into It. According to the announcement, 461 00:23:57,080 --> 00:23:58,720 Speaker 1: if you don't have a simple return, you had to 462 00:23:58,840 --> 00:24:00,879 Speaker 1: upgrade to a paid version and of the tax service. 463 00:24:01,240 --> 00:24:04,119 Speaker 1: But those individuals, however, may have been eligible for the 464 00:24:04,200 --> 00:24:07,800 Speaker 1: IRS Free File Program, So that's why before how do 465 00:24:07,840 --> 00:24:10,520 Speaker 1: they break that down it's going to be thirty dollars 466 00:24:10,560 --> 00:24:14,760 Speaker 1: per year per person that actually deserves restitution for having 467 00:24:14,800 --> 00:24:16,800 Speaker 1: to pay for services that should have been free. Thirty 468 00:24:16,800 --> 00:24:20,440 Speaker 1: dollars per year per person. Yeah, so a lot of 469 00:24:20,480 --> 00:24:22,879 Speaker 1: people use it, clearly. So it's about four point four 470 00:24:22,920 --> 00:24:26,119 Speaker 1: million customers that actually use the free edition during the 471 00:24:26,280 --> 00:24:29,600 Speaker 1: tax chairs of twenty sixteen through twenty eighteen, so they 472 00:24:29,680 --> 00:24:32,200 Speaker 1: were eligible for it to be free to file for free, 473 00:24:32,280 --> 00:24:35,120 Speaker 1: but instead they were charged. All right, Now, a four 474 00:24:35,240 --> 00:24:40,240 Speaker 1: day controversial event that offers unlimited sex and alcohol is back, 475 00:24:40,960 --> 00:24:43,640 Speaker 1: and it's been almost a year since it returned following 476 00:24:43,680 --> 00:24:46,359 Speaker 1: the COVID lockdown. It's organized by the Good Girl Company. 477 00:24:46,440 --> 00:24:49,000 Speaker 1: So basically it's at a Las Vegas resort and you 478 00:24:49,119 --> 00:24:53,600 Speaker 1: get unlimited sex without a condom and all kinds of 479 00:24:53,680 --> 00:24:57,080 Speaker 1: sexual activities including strip, black jack, horseback riding, and a 480 00:24:57,160 --> 00:25:01,640 Speaker 1: holographic concert. And according to the event company, they said, 481 00:25:01,680 --> 00:25:04,720 Speaker 1: we're a company dedicated exclusively to entertainment for men, but 482 00:25:04,840 --> 00:25:06,800 Speaker 1: it is a couple friendly and you can definitely come 483 00:25:06,840 --> 00:25:09,760 Speaker 1: with your husband, boyfriend, or a partner. So the way 484 00:25:09,800 --> 00:25:11,960 Speaker 1: that they do this erotic show, they sell fifty tickets 485 00:25:12,000 --> 00:25:15,200 Speaker 1: for fifty guests each ticket includes an unlimited amount of 486 00:25:15,240 --> 00:25:17,240 Speaker 1: sex during the four day trip. You have to pay 487 00:25:17,280 --> 00:25:19,880 Speaker 1: five thousand dollars. They said, all the girls are STD free, 488 00:25:19,960 --> 00:25:22,840 Speaker 1: they offer on site and immediate HIV and STD testing 489 00:25:22,920 --> 00:25:26,640 Speaker 1: if required, and so some people said that they've done 490 00:25:26,680 --> 00:25:29,680 Speaker 1: it previously and they thought it was an amazing experience. 491 00:25:29,720 --> 00:25:31,680 Speaker 1: One person said he did it for his private bachelor 492 00:25:31,760 --> 00:25:35,160 Speaker 1: party for him and his friends. Another person said visiting 493 00:25:35,240 --> 00:25:37,520 Speaker 1: Sex Island has brought back that sparked me and my 494 00:25:37,600 --> 00:25:40,919 Speaker 1: wife were missing in our relationship. Another person said everyone 495 00:25:41,040 --> 00:25:42,760 Speaker 1: was so sweet, but clearly a lot of people are 496 00:25:42,840 --> 00:25:45,680 Speaker 1: disgusted by it and call it creepy and disgusting. It's 497 00:25:45,760 --> 00:25:48,639 Speaker 1: STD free, but what if it's by OSTD. What if 498 00:25:48,640 --> 00:25:50,760 Speaker 1: people bring their own STD to the function? Let's the 499 00:25:50,800 --> 00:25:52,639 Speaker 1: test everybody for they get there? Yeah, they said, the 500 00:25:52,680 --> 00:25:54,560 Speaker 1: girls are all tested and they also have testing on 501 00:25:54,640 --> 00:25:56,879 Speaker 1: some of the people that are coming to Yeah, you 502 00:25:56,920 --> 00:26:01,720 Speaker 1: get testing tested. Yeah, and trust. That sounds nasty to me. 503 00:26:02,520 --> 00:26:05,200 Speaker 1: I mean, that's definitely not something I'm into. The people 504 00:26:05,600 --> 00:26:07,280 Speaker 1: I'm sure they are. I mean, I mean it's a great, 505 00:26:07,600 --> 00:26:11,680 Speaker 1: great promotional too, free sex. We'd un then an alcohol 506 00:26:11,880 --> 00:26:15,080 Speaker 1: and sex without a condom. I just cannot believe that 507 00:26:15,160 --> 00:26:18,120 Speaker 1: there are no STDs in the building whatsoever, not one. 508 00:26:18,359 --> 00:26:20,159 Speaker 1: I refuse to believe it. If one person gets it, 509 00:26:20,200 --> 00:26:23,080 Speaker 1: they might all get it. Well, hopefully they have COVID 510 00:26:23,119 --> 00:26:27,159 Speaker 1: testing as well. All right, well, Alicia was function like 511 00:26:27,280 --> 00:26:32,560 Speaker 1: that walk away sneezing and coffin. That's that's that's cool 512 00:26:32,640 --> 00:26:36,639 Speaker 1: A one. Oh my goodness. When we come back, Lama 513 00:26:36,680 --> 00:26:38,760 Speaker 1: will be joining us. She has an album that's out tomorrow, 514 00:26:38,760 --> 00:26:40,520 Speaker 1: so we're gonna kick it with Elma when we come back. 515 00:26:40,560 --> 00:26:47,520 Speaker 1: It's the Breakfast Club. Come Morning, The Breakfast Club one 516 00:26:47,560 --> 00:26:51,560 Speaker 1: O five one, The Breakfast Club. Your mornings will never 517 00:26:51,800 --> 00:26:56,640 Speaker 1: be the same morning. Everybody is DJ Envy, Angela Yee, 518 00:26:56,800 --> 00:26:58,879 Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got 519 00:26:58,960 --> 00:27:02,560 Speaker 1: a special guest in the build. Yes, indeed, welcome back. 520 00:27:03,200 --> 00:27:04,760 Speaker 1: Thank you for having me. A good morning. How are you? 521 00:27:04,920 --> 00:27:07,000 Speaker 1: I'm great? How are you? I am blessed, black and Hilly. 522 00:27:07,680 --> 00:27:09,680 Speaker 1: I want to I want the real answer, though, you know, 523 00:27:09,760 --> 00:27:11,520 Speaker 1: I want after the pandemic, I see it when I 524 00:27:11,560 --> 00:27:13,119 Speaker 1: ask somebody how are they? I want to know how 525 00:27:13,160 --> 00:27:16,160 Speaker 1: they really feel? Your energy? Like I'm really great? Okay, 526 00:27:16,240 --> 00:27:19,159 Speaker 1: like dead serious, I'm actually really great. It's early, so 527 00:27:19,960 --> 00:27:22,240 Speaker 1: I'm as great as can be in this hour of 528 00:27:22,320 --> 00:27:24,800 Speaker 1: the morning. But yeah, I'm really great. How are you, 529 00:27:25,040 --> 00:27:30,359 Speaker 1: I'm saying, Blessed Black and Hilly Favor. You recorded this 530 00:27:30,440 --> 00:27:32,200 Speaker 1: new album? Did you recorded here in the States or 531 00:27:32,240 --> 00:27:34,159 Speaker 1: did you record it in London? I did? I recorded 532 00:27:34,160 --> 00:27:36,120 Speaker 1: it in the States. The two years of the pandemic, 533 00:27:36,320 --> 00:27:38,399 Speaker 1: I wasn't able to go home. I wasn't able to 534 00:27:38,480 --> 00:27:41,320 Speaker 1: go back to London. Yeah, yeah, because I was in 535 00:27:41,359 --> 00:27:43,240 Speaker 1: the process of getting my green card, so if I 536 00:27:43,280 --> 00:27:45,360 Speaker 1: would have left, I wouldn't have been able to get 537 00:27:45,400 --> 00:27:49,040 Speaker 1: back in. So I didn't see my family for two years. Wow. Um, 538 00:27:49,119 --> 00:27:51,720 Speaker 1: and I was recording the album. Yeah. But it helped 539 00:27:51,760 --> 00:27:55,240 Speaker 1: me really focused because I couldn't move obviously, so um yeah. 540 00:27:55,560 --> 00:27:57,680 Speaker 1: Psychologically How it was that though, because I mean, you 541 00:27:57,720 --> 00:27:59,800 Speaker 1: know that time, that was the time with none of 542 00:27:59,840 --> 00:28:01,760 Speaker 1: them knew what they expect. We never had experienced that, 543 00:28:01,840 --> 00:28:04,000 Speaker 1: So you want to be around your circle. How was 544 00:28:04,080 --> 00:28:06,520 Speaker 1: that to be able to go home? Um? To be fair, 545 00:28:06,960 --> 00:28:09,359 Speaker 1: it wasn't as hard as I think it seems for 546 00:28:09,720 --> 00:28:12,760 Speaker 1: me personally, Like I've I've been away from my family 547 00:28:12,840 --> 00:28:16,480 Speaker 1: for quite a while, but I'm used to going home normally. Um, 548 00:28:16,920 --> 00:28:19,000 Speaker 1: but I feel like with the team that I have 549 00:28:19,080 --> 00:28:21,080 Speaker 1: around me, they feel like my family. So it wasn't 550 00:28:21,160 --> 00:28:23,439 Speaker 1: as hard as opposed to like me being in LA 551 00:28:23,640 --> 00:28:25,520 Speaker 1: by myself and not having anyone. I feel like that 552 00:28:25,600 --> 00:28:28,159 Speaker 1: would have been super hard. Um, but I had I 553 00:28:28,200 --> 00:28:30,560 Speaker 1: still had great people around me, so and I feel 554 00:28:30,560 --> 00:28:32,760 Speaker 1: like FaceTime mixed everything a lot easier because you don't 555 00:28:32,760 --> 00:28:36,120 Speaker 1: feel as far or disconnected. So it wasn't super super hard. 556 00:28:36,320 --> 00:28:38,440 Speaker 1: I definitely did have moments where I was like, damn, 557 00:28:38,480 --> 00:28:40,000 Speaker 1: I really wish I could like see my mum, see 558 00:28:40,120 --> 00:28:43,080 Speaker 1: my brother, see my grandma, But once we did finally 559 00:28:43,120 --> 00:28:45,520 Speaker 1: see each other, like the reunion was amazing and so 560 00:28:45,680 --> 00:28:48,120 Speaker 1: got all right, Now, let's talk about the evolution. That's 561 00:28:48,160 --> 00:28:50,680 Speaker 1: what they're saying. This project is an evolution, the difference 562 00:28:50,720 --> 00:28:52,840 Speaker 1: between the last project. In this project, you talk about 563 00:28:52,880 --> 00:28:56,200 Speaker 1: that a little bit. Um. When I was recording my 564 00:28:56,360 --> 00:28:58,720 Speaker 1: debut album, I was like twenty one, twenty two, put 565 00:28:58,760 --> 00:29:01,000 Speaker 1: it out when I was twenty three, almost twenty four. 566 00:29:01,200 --> 00:29:04,360 Speaker 1: I'm twenty seven now, so it's been a while. It's 567 00:29:04,400 --> 00:29:08,000 Speaker 1: been four years, and I you know, I toured for 568 00:29:08,040 --> 00:29:11,680 Speaker 1: the whole of twenty nineteen and twenty twenty was supposed 569 00:29:11,680 --> 00:29:13,840 Speaker 1: to be the recording year for me anyway, so that 570 00:29:14,000 --> 00:29:16,840 Speaker 1: didn't really change much. But with the pandemic, everything was 571 00:29:16,840 --> 00:29:18,840 Speaker 1: so stopped. Start, I like really found it hard to 572 00:29:19,120 --> 00:29:22,440 Speaker 1: find a rhythm at first, but once I found it 573 00:29:22,600 --> 00:29:25,680 Speaker 1: and like really kind of like prepared myself for what 574 00:29:25,720 --> 00:29:27,320 Speaker 1: I wanted to say and what I wanted to sound like, 575 00:29:27,480 --> 00:29:29,680 Speaker 1: and just the experiences I think of being, Like the 576 00:29:29,720 --> 00:29:31,680 Speaker 1: difference between being a twenty three year old women and 577 00:29:31,720 --> 00:29:33,480 Speaker 1: being a twenty seven year old woman, if there's like 578 00:29:33,560 --> 00:29:36,880 Speaker 1: a big difference, and everything that I like experienced in 579 00:29:37,000 --> 00:29:39,320 Speaker 1: my career, I feel like just kind of gave me 580 00:29:40,840 --> 00:29:42,840 Speaker 1: a clear review on like who I am as an 581 00:29:42,920 --> 00:29:46,240 Speaker 1: artist as opposed to when I was recording my debut 582 00:29:46,280 --> 00:29:48,000 Speaker 1: album and really kind of like trying to figure it out. 583 00:29:48,280 --> 00:29:49,800 Speaker 1: Would you tap into the name of the album is 584 00:29:49,840 --> 00:29:51,840 Speaker 1: Hard on my Sleep? Yes, So so what did you 585 00:29:51,880 --> 00:29:54,080 Speaker 1: tap into the start Wearing your Heart on your sleep? 586 00:29:54,120 --> 00:29:55,800 Speaker 1: They said you were in a relationship during that time. 587 00:29:55,840 --> 00:29:57,000 Speaker 1: I don't know if you still are, but they said 588 00:29:57,000 --> 00:29:59,320 Speaker 1: you were in a relationship. Yeah, I think it was 589 00:29:59,400 --> 00:30:01,960 Speaker 1: really just my life in real time. I think with 590 00:30:02,120 --> 00:30:03,800 Speaker 1: my debut album, it was a lot of like I said, 591 00:30:03,840 --> 00:30:07,920 Speaker 1: figuring out and like it was personal, but it wasn't 592 00:30:07,920 --> 00:30:10,040 Speaker 1: as personal as this project. Like I was really really 593 00:30:10,160 --> 00:30:14,400 Speaker 1: invested in this project, and I just I'm a Scorpio, 594 00:30:14,520 --> 00:30:17,360 Speaker 1: so we're like we have really hard exteriors, but on 595 00:30:17,440 --> 00:30:20,000 Speaker 1: the inside, we're really passionate. We're really like intense people, 596 00:30:20,200 --> 00:30:22,040 Speaker 1: and when we care, we really care a lot. And 597 00:30:22,120 --> 00:30:24,600 Speaker 1: I felt like in situations that I'm in, I do 598 00:30:24,680 --> 00:30:26,560 Speaker 1: wear my heart on my sleeve. So that was the 599 00:30:26,680 --> 00:30:28,880 Speaker 1: perfect album title for me. Honestly, I was. It's just 600 00:30:29,080 --> 00:30:32,120 Speaker 1: way more honest and emotional. I would say, then my 601 00:30:32,240 --> 00:30:33,960 Speaker 1: debut album. How did you decide what you were going 602 00:30:34,040 --> 00:30:35,640 Speaker 1: to put in there? Like was there something about your 603 00:30:35,640 --> 00:30:37,200 Speaker 1: relationship you said I'm gonna put this in there, but 604 00:30:37,240 --> 00:30:38,640 Speaker 1: I'm not gonna put this in about it? Or did 605 00:30:38,680 --> 00:30:41,040 Speaker 1: you say, you know what, everything's on the table, I'm 606 00:30:41,040 --> 00:30:43,400 Speaker 1: gonna be an open book. How did you decide um? 607 00:30:44,160 --> 00:30:47,160 Speaker 1: I don't think it was a conscious effort to be like, Okay, cool, 608 00:30:47,200 --> 00:30:48,440 Speaker 1: I need to write about this, and I need to 609 00:30:48,480 --> 00:30:50,280 Speaker 1: write about this, and I write about this. It was 610 00:30:50,320 --> 00:30:52,600 Speaker 1: really just like what I was feeling on the day, 611 00:30:52,840 --> 00:30:55,000 Speaker 1: and then whatever came out came out and then I 612 00:30:55,280 --> 00:30:58,600 Speaker 1: made almost eighty songs in this album process and we 613 00:30:59,720 --> 00:31:01,640 Speaker 1: narrow it down to fifteen. So that process was a 614 00:31:01,680 --> 00:31:04,360 Speaker 1: lot harder when like trying to figure out what to 615 00:31:04,440 --> 00:31:06,880 Speaker 1: put in. But like as opposed to recording, I was 616 00:31:06,920 --> 00:31:08,640 Speaker 1: just going in and really saying what was what was 617 00:31:08,680 --> 00:31:10,240 Speaker 1: on my heart. And I don't think there was anything 618 00:31:10,360 --> 00:31:13,760 Speaker 1: that I was trying to hide. Um, I wasn't. It 619 00:31:13,840 --> 00:31:15,880 Speaker 1: wasn't like a bad situation. I'm super grateful for it. 620 00:31:16,000 --> 00:31:18,120 Speaker 1: So like it was just I was just recording whatever 621 00:31:18,160 --> 00:31:19,680 Speaker 1: I felt, what was on my heart. Yeah, but you're 622 00:31:19,680 --> 00:31:21,400 Speaker 1: saying a lot by putting out the first single car 623 00:31:21,480 --> 00:31:25,960 Speaker 1: don't me up? So either clearly somebody are you just 624 00:31:26,400 --> 00:31:30,600 Speaker 1: giving them before you telling this new person don't? Yeah, 625 00:31:30,840 --> 00:31:33,360 Speaker 1: I think I think it's Uh. I think it's more 626 00:31:33,440 --> 00:31:36,800 Speaker 1: so just like being in a situation where you understand 627 00:31:37,200 --> 00:31:39,800 Speaker 1: how like how deep and how invested you are and 628 00:31:40,040 --> 00:31:43,160 Speaker 1: if it does go left, because anything can happen, you 629 00:31:43,240 --> 00:31:46,600 Speaker 1: never know. Um, it's like that's that's a scary feeling. 630 00:31:46,640 --> 00:31:49,720 Speaker 1: So it's really me saying like, don't don't let me down, 631 00:31:49,920 --> 00:31:52,320 Speaker 1: Like we we know where we are, we know where 632 00:31:52,320 --> 00:31:54,840 Speaker 1: it can go on both ends of the spectrum positive 633 00:31:54,920 --> 00:31:56,600 Speaker 1: and negative, and I feel like this is what we 634 00:31:56,640 --> 00:31:58,800 Speaker 1: spoke about last time I was here too, like taking 635 00:31:58,840 --> 00:32:01,400 Speaker 1: the good with the bad um. So yeah, it's really 636 00:32:01,440 --> 00:32:04,120 Speaker 1: just more of like, ah no, I wouldn't even say 637 00:32:04,120 --> 00:32:05,840 Speaker 1: a warning because people are gonna do what they want 638 00:32:05,840 --> 00:32:08,120 Speaker 1: to do regardless, but more so just me saying like, Okay, 639 00:32:08,120 --> 00:32:10,160 Speaker 1: I'm here, I'm invested, and I just don't want you 640 00:32:10,200 --> 00:32:12,000 Speaker 1: to let me down. So you have that conversation when 641 00:32:12,000 --> 00:32:13,840 Speaker 1: you're dating somebody, like when you first start off and 642 00:32:13,960 --> 00:32:17,960 Speaker 1: be like, look me up immediately. I wouldn't. I don't 643 00:32:17,960 --> 00:32:19,120 Speaker 1: know if I would say I don't know how I 644 00:32:19,120 --> 00:32:22,320 Speaker 1: would say. I don't know if I would say, like, 645 00:32:22,640 --> 00:32:24,880 Speaker 1: don't poke me up. But I would definitely be like, look, 646 00:32:25,040 --> 00:32:27,840 Speaker 1: this is what it is like. I'm I'm very open, 647 00:32:27,880 --> 00:32:29,720 Speaker 1: I feel like in relationships, so I would just be like, 648 00:32:29,960 --> 00:32:33,120 Speaker 1: I have obviously certain expectations for the person that i'm 649 00:32:33,160 --> 00:32:35,080 Speaker 1: with it as as they should have the same for me, 650 00:32:35,240 --> 00:32:38,720 Speaker 1: you know, like it's reciprocated, and I'm just kind of like, look, 651 00:32:38,760 --> 00:32:41,240 Speaker 1: i'm here, so don't let me expectations. What are the 652 00:32:41,360 --> 00:32:46,120 Speaker 1: expectations that Lamy has? Just I think emotional intelligence, these 653 00:32:46,200 --> 00:32:48,880 Speaker 1: days is not at an all time higher. I said that. 654 00:32:49,080 --> 00:32:51,360 Speaker 1: I literally said that this war really, I said, emotional 655 00:32:51,400 --> 00:32:54,680 Speaker 1: intelligence is an all time long. I said that verbatim. Yeah, 656 00:32:54,760 --> 00:32:58,160 Speaker 1: it's not, it's it's we're in a weird space. I 657 00:32:58,280 --> 00:33:01,320 Speaker 1: feel like, um, and I like to think of myself 658 00:33:01,360 --> 00:33:05,080 Speaker 1: as someone who is emotionally intelligent. Still working on it, obviously, 659 00:33:05,240 --> 00:33:08,040 Speaker 1: but so I think I'm very in tune with my 660 00:33:08,080 --> 00:33:11,000 Speaker 1: emotions and not a lot of people that have come 661 00:33:11,000 --> 00:33:15,520 Speaker 1: across are, so I think really just kind of I 662 00:33:15,560 --> 00:33:19,480 Speaker 1: don't know, it's tricky. Definitely reciprocate energy, like I need 663 00:33:19,760 --> 00:33:21,920 Speaker 1: back what I'm giving to you one hundred percent, and 664 00:33:22,040 --> 00:33:24,560 Speaker 1: I'm not really trying to force any situation at this 665 00:33:24,680 --> 00:33:26,240 Speaker 1: point in my life. I feel like when I was younger, 666 00:33:26,320 --> 00:33:27,760 Speaker 1: I was saying to my friends the other day, actually, 667 00:33:27,800 --> 00:33:29,320 Speaker 1: like when you're younger, there's a lot of stuff that 668 00:33:29,360 --> 00:33:31,000 Speaker 1: you don't actually care about. It's just like, oh, I'm 669 00:33:31,000 --> 00:33:32,920 Speaker 1: in this relationship and I'm selling love and blah blah blah, 670 00:33:32,960 --> 00:33:35,600 Speaker 1: and like all of the other stuff is just minimal 671 00:33:36,000 --> 00:33:37,320 Speaker 1: and you don't pay attention to it. But when you 672 00:33:37,400 --> 00:33:38,800 Speaker 1: get a little bit older and you realize, like what 673 00:33:38,880 --> 00:33:40,840 Speaker 1: you will and won't put up with things start to 674 00:33:40,920 --> 00:33:42,760 Speaker 1: get like a little bit more serious. So I think 675 00:33:42,840 --> 00:33:48,200 Speaker 1: definitely reciprocate energy would be one communication communication, but also 676 00:33:48,280 --> 00:33:51,840 Speaker 1: understanding because communication everyone says like communication is key, but 677 00:33:52,000 --> 00:33:54,560 Speaker 1: like if we're communicating but we're not, Like we can 678 00:33:54,640 --> 00:33:56,320 Speaker 1: communicate and we can have a conversation, but it doesn't 679 00:33:56,320 --> 00:33:58,280 Speaker 1: mean we're understanding each other, you know what I mean. 680 00:33:58,360 --> 00:34:00,880 Speaker 1: So like if I had to pick two of the top, 681 00:34:00,920 --> 00:34:03,960 Speaker 1: I'd say reciprocate energy and communication. I don't understanding. I 682 00:34:04,000 --> 00:34:06,080 Speaker 1: don't even know this generation. And when I say generation, 683 00:34:06,080 --> 00:34:07,440 Speaker 1: I don't even mean an aged thing. I just don't 684 00:34:07,480 --> 00:34:11,040 Speaker 1: know if this generation of laptops and smartphones even knows 685 00:34:11,040 --> 00:34:13,160 Speaker 1: how to really communicate, because you know, you got to 686 00:34:13,200 --> 00:34:15,399 Speaker 1: be able to look somebody in the eye, talk, read 687 00:34:15,440 --> 00:34:18,680 Speaker 1: body language, knowing somebody's being sarcastic, knowing somebody's joking. Like 688 00:34:19,160 --> 00:34:21,439 Speaker 1: I don't know people really not to communicate no more. Yeah, 689 00:34:21,480 --> 00:34:23,200 Speaker 1: And I think, to be honest, I feel like the 690 00:34:23,280 --> 00:34:25,080 Speaker 1: pandemic made it a little bit worse, but obviously no 691 00:34:25,160 --> 00:34:27,360 Speaker 1: one's fault. But because everyone was in the house for 692 00:34:27,480 --> 00:34:30,320 Speaker 1: so long, like behind your phone or behind your computer, 693 00:34:30,480 --> 00:34:32,920 Speaker 1: or even like being able to work remotely, like not 694 00:34:33,080 --> 00:34:37,239 Speaker 1: having to actually physically interact with people. It like when 695 00:34:37,360 --> 00:34:39,080 Speaker 1: when it was time to go back outside, it was 696 00:34:39,120 --> 00:34:42,240 Speaker 1: almost like a little bit uncomfortable. And I'm not socially 697 00:34:42,239 --> 00:34:44,719 Speaker 1: awkward that or I'm quite an outgoing person, but even 698 00:34:44,760 --> 00:34:46,759 Speaker 1: I felt myself like, oh, like, I haven't done this 699 00:34:46,840 --> 00:34:49,719 Speaker 1: in a while. Let me like kind of readjust like humans. Yeah, 700 00:34:49,800 --> 00:34:51,600 Speaker 1: I know, it's so weird that we've done this our 701 00:34:51,640 --> 00:34:53,880 Speaker 1: whole life. Yeah, and then two years go by of 702 00:34:53,960 --> 00:34:55,759 Speaker 1: it not happening, and then it's like, oh, this is 703 00:34:55,840 --> 00:34:58,759 Speaker 1: this is kind of weird U. So yeah, I just 704 00:34:59,200 --> 00:35:03,000 Speaker 1: want to be able to communicate with understanding and have 705 00:35:03,160 --> 00:35:05,480 Speaker 1: reciprocated energy. All Right, we got more with Lama when 706 00:35:05,520 --> 00:35:08,080 Speaker 1: we come back. Let's get into a single d from you. 707 00:35:08,440 --> 00:35:13,319 Speaker 1: It's the Breakfast Club, Good Morning. That was Dulma. Her 708 00:35:13,400 --> 00:35:17,920 Speaker 1: album comes out tomorrow morning. Everybody is DJ Envy, Angela Yee. Charlomagne, 709 00:35:17,920 --> 00:35:20,279 Speaker 1: the guy we are the Breakfast Club was still kicking 710 00:35:20,320 --> 00:35:23,719 Speaker 1: it with Lama. Charlie, do you feel pressured, uh to 711 00:35:23,960 --> 00:35:27,000 Speaker 1: to to get another boot up? You know what I 712 00:35:27,040 --> 00:35:29,160 Speaker 1: knew he wasna, I knew he was gonna ask me 713 00:35:29,200 --> 00:35:31,920 Speaker 1: this question. They were they were. I don't feel pressure 714 00:35:31,960 --> 00:35:33,880 Speaker 1: and I'm sort of labels like we want another boot Up. 715 00:35:33,960 --> 00:35:35,840 Speaker 1: I mean, I'm sure I would. I would love to 716 00:35:35,920 --> 00:35:38,759 Speaker 1: have another boot Up, I guess in the in terms 717 00:35:38,840 --> 00:35:42,440 Speaker 1: of what it did. Yeah, but like, and I think 718 00:35:42,719 --> 00:35:45,280 Speaker 1: I think this is another thing that we spoke about 719 00:35:45,360 --> 00:35:48,279 Speaker 1: last time too, Like I understand what I'm capable of. Um, 720 00:35:48,520 --> 00:35:51,359 Speaker 1: and I'm not putting pressure on myself to say if 721 00:35:51,440 --> 00:35:53,239 Speaker 1: i don't have a boot Up on this album, then 722 00:35:53,320 --> 00:35:57,440 Speaker 1: I'm not successful. Like boot Up was quite an anomaly honestly, Um, 723 00:35:57,520 --> 00:36:00,640 Speaker 1: and Trip obviously being the follow up, was was amazing. 724 00:36:01,239 --> 00:36:04,239 Speaker 1: And I think whatever happens with this album or even 725 00:36:04,320 --> 00:36:07,120 Speaker 1: in my career, um, we can never take away what 726 00:36:07,200 --> 00:36:10,080 Speaker 1: boot Up did. And I'm sure I have I'm sure 727 00:36:10,120 --> 00:36:12,920 Speaker 1: I have many more honestly, Um, they just won't look 728 00:36:13,000 --> 00:36:14,759 Speaker 1: like boot Up maybe, But that doesn't mean, you know, 729 00:36:14,840 --> 00:36:17,359 Speaker 1: success is relative, Like, Yeah, I wonder out the label 730 00:36:17,520 --> 00:36:19,439 Speaker 1: reacts to that, because you could make a great body 731 00:36:19,480 --> 00:36:21,560 Speaker 1: of work, which I'm sure it is a great body 732 00:36:21,600 --> 00:36:23,320 Speaker 1: of work. Within it's just like, okay, well where is 733 00:36:23,360 --> 00:36:28,239 Speaker 1: the bull up? You know? That's weird. I feel like 734 00:36:28,680 --> 00:36:32,160 Speaker 1: I feel like with with streaming and with the Internet. Obviously, 735 00:36:32,360 --> 00:36:34,800 Speaker 1: labels want to make their money, so that's like, of course, 736 00:36:34,960 --> 00:36:37,799 Speaker 1: but I feel like it's not as like I feel 737 00:36:37,800 --> 00:36:43,040 Speaker 1: like hit records quote unquote aren't the driving force anymore 738 00:36:43,080 --> 00:36:45,799 Speaker 1: because something can become a hit that like nobody knew about, 739 00:36:45,840 --> 00:36:47,279 Speaker 1: like boot Up. Boot Up was up for a year 740 00:36:47,320 --> 00:36:51,040 Speaker 1: before we before anything happened. Um, I haven't had anyone 741 00:36:51,239 --> 00:36:54,640 Speaker 1: specifically say to me, where's the boot up, where's the trip? 742 00:36:54,719 --> 00:36:56,919 Speaker 1: There's nothing on here whatever. I have like a great 743 00:36:57,040 --> 00:37:00,800 Speaker 1: relationship with my label luckily. Um, and I think everyone's 744 00:37:00,800 --> 00:37:04,080 Speaker 1: just super excited to hear the difference because there's it's 745 00:37:04,080 --> 00:37:05,759 Speaker 1: still me, but it's like, like you said, it's like 746 00:37:05,760 --> 00:37:08,200 Speaker 1: an elevated version and we'll see what comes from it. 747 00:37:08,280 --> 00:37:11,400 Speaker 1: It's like, yeah, how how vulnerable do you want to 748 00:37:11,400 --> 00:37:12,800 Speaker 1: be in music? Because you know, when you listen to 749 00:37:12,920 --> 00:37:14,640 Speaker 1: R and B music, the best R and B music 750 00:37:14,760 --> 00:37:16,560 Speaker 1: most of the times is when people are spilling their 751 00:37:16,600 --> 00:37:21,560 Speaker 1: soul and spilling their guts. Yeah, so leads I dug 752 00:37:21,640 --> 00:37:25,320 Speaker 1: quite deep. I will say in this album it was 753 00:37:25,400 --> 00:37:27,680 Speaker 1: quite hard at times because I was like, like we 754 00:37:27,800 --> 00:37:31,440 Speaker 1: were talking about earlier, I was like, you know, like 755 00:37:31,600 --> 00:37:33,040 Speaker 1: this is this is definitely a different side of me, 756 00:37:33,040 --> 00:37:35,279 Speaker 1: because I'm quite reserved. As everyone knows, people don't really 757 00:37:35,320 --> 00:37:37,239 Speaker 1: know much about me, so I definitely feel like I 758 00:37:37,360 --> 00:37:40,279 Speaker 1: gave way more of myself to this album. But I 759 00:37:40,360 --> 00:37:41,800 Speaker 1: felt like it was right. Like I said, it was 760 00:37:41,880 --> 00:37:43,320 Speaker 1: what was on my heart and it was what I 761 00:37:43,400 --> 00:37:45,320 Speaker 1: wanted to say, And all of the music that I 762 00:37:45,440 --> 00:37:47,839 Speaker 1: grew up listening to was like super honest and super raw, 763 00:37:47,920 --> 00:37:49,960 Speaker 1: and I was just like, like, why wouldn't I This 764 00:37:50,040 --> 00:37:51,279 Speaker 1: is what I'm going through, this is what I want 765 00:37:51,320 --> 00:37:53,319 Speaker 1: to speak about. So was there any record that you said, 766 00:37:53,360 --> 00:37:55,400 Speaker 1: maybe we shouldn't put this one, it's just a little 767 00:37:55,520 --> 00:37:59,120 Speaker 1: too vulnerable. No, there's like a super super vulnerable ballad 768 00:37:59,239 --> 00:38:02,320 Speaker 1: on there um that I definitely thought twice about, but 769 00:38:02,520 --> 00:38:05,480 Speaker 1: not in terms of putting it on. The album is 770 00:38:05,520 --> 00:38:08,120 Speaker 1: called Hide. Um. Just I was just like, Okay, this 771 00:38:08,280 --> 00:38:10,760 Speaker 1: is quite different, and I think people would definitely be surprised. 772 00:38:10,840 --> 00:38:13,520 Speaker 1: But um, I love the song and I love exactly 773 00:38:13,600 --> 00:38:14,880 Speaker 1: how it makes me feel. It takes me back to 774 00:38:14,960 --> 00:38:17,319 Speaker 1: like that time how I felt when I recorded it. Yeah, 775 00:38:17,360 --> 00:38:18,880 Speaker 1: we don't know your dating situation, but do you ever 776 00:38:18,920 --> 00:38:20,160 Speaker 1: have to go back and say, let me call this 777 00:38:20,280 --> 00:38:22,480 Speaker 1: person let them know what I'm singing about, so they 778 00:38:22,520 --> 00:38:25,440 Speaker 1: just won't be surprised when they hit a record. No, No, 779 00:38:25,719 --> 00:38:31,759 Speaker 1: I don't like I'm not on their dragging someone. Um No, 780 00:38:32,239 --> 00:38:35,040 Speaker 1: I don't. I don't feel like uh, I don't feel 781 00:38:35,040 --> 00:38:37,160 Speaker 1: like it was it was necessary. I think all of um, 782 00:38:37,200 --> 00:38:38,880 Speaker 1: you know, I'm a lover girl, and and a lot 783 00:38:38,960 --> 00:38:43,279 Speaker 1: of the album is they are love songs, um and yeah, 784 00:38:43,480 --> 00:38:45,600 Speaker 1: I don't think it will be a surprise at all. 785 00:38:46,440 --> 00:38:48,440 Speaker 1: You have a song called not Another Love Song? Did 786 00:38:49,760 --> 00:38:52,640 Speaker 1: Not Another Love Song? Is really just it's kind of 787 00:38:52,680 --> 00:38:54,719 Speaker 1: a play on the fact that I make love songs, 788 00:38:54,760 --> 00:38:56,920 Speaker 1: and it's just like, okay, cool, it's made another love 789 00:38:56,960 --> 00:38:59,160 Speaker 1: song because it really is another love song. Um. And 790 00:38:59,239 --> 00:39:01,520 Speaker 1: it's really just about like being at the stage of 791 00:39:01,640 --> 00:39:03,200 Speaker 1: like where you're falling in love and you want to 792 00:39:03,239 --> 00:39:05,200 Speaker 1: tell the person, but you don't know if it's too 793 00:39:05,239 --> 00:39:07,080 Speaker 1: soon or if you're going to mess it up, or 794 00:39:07,160 --> 00:39:10,279 Speaker 1: if they feel the same way. Um. And I feel 795 00:39:10,320 --> 00:39:13,160 Speaker 1: like I've been in that situation quite a lot, and 796 00:39:13,239 --> 00:39:15,040 Speaker 1: I just love The beat is produced by Boy Wonder, 797 00:39:15,200 --> 00:39:19,120 Speaker 1: Johann Sweet and the Rascal h Yes it's my guy. Yes. 798 00:39:19,280 --> 00:39:22,120 Speaker 1: So it was just a really fun, fun record to 799 00:39:22,200 --> 00:39:25,120 Speaker 1: make you. Alan of the songs are very direct, especially 800 00:39:25,160 --> 00:39:28,520 Speaker 1: with the titles like break my Heart, Leave You Alone, 801 00:39:29,360 --> 00:39:36,840 Speaker 1: Sink or Swim. Those are very like direct, like what 802 00:39:37,000 --> 00:39:39,160 Speaker 1: what was the meaning behind all of those? You just 803 00:39:39,200 --> 00:39:41,040 Speaker 1: wanted to let let them know, this is exactly what 804 00:39:41,120 --> 00:39:44,720 Speaker 1: I'm feeling. Yeah, And and really like, honestly and truly 805 00:39:44,760 --> 00:39:47,520 Speaker 1: that really is just me. I'm a very like black 806 00:39:47,560 --> 00:39:50,200 Speaker 1: and white person. As I've got older, I've realized that 807 00:39:50,280 --> 00:39:54,279 Speaker 1: there's a lot more gray area in life as I've 808 00:39:54,320 --> 00:39:56,359 Speaker 1: always seen it as very it's this way or it's 809 00:39:56,400 --> 00:39:58,480 Speaker 1: that way, or it's no way. Um. And obviously I 810 00:39:58,680 --> 00:40:01,480 Speaker 1: understand now that is not how life works. But I'm 811 00:40:01,520 --> 00:40:04,799 Speaker 1: quite a direct person, and I think when I'm feeling something, 812 00:40:04,880 --> 00:40:07,560 Speaker 1: like I said earlier, I'm going to tell you how 813 00:40:07,600 --> 00:40:10,160 Speaker 1: I feel, regardless of whether I feel like with not 814 00:40:10,200 --> 00:40:12,920 Speaker 1: another love song, regardless of whether I feel um you 815 00:40:13,000 --> 00:40:15,080 Speaker 1: feel the same way or not. I'm just like, what 816 00:40:15,200 --> 00:40:17,400 Speaker 1: do I have to lose? I mean, you know that 817 00:40:17,520 --> 00:40:19,160 Speaker 1: it was room was that you were a borst in 818 00:40:19,200 --> 00:40:21,960 Speaker 1: Celtics fear. Oh really, yes, they said that to a 819 00:40:22,000 --> 00:40:25,000 Speaker 1: borsting Celtics fan and possibly dating a Boston Celtics. Is that. 820 00:40:26,440 --> 00:40:28,160 Speaker 1: I want to know where you got that from doing Google? 821 00:40:28,239 --> 00:40:34,480 Speaker 1: It's really yes, No, I'm a basketball fan, definitely. I'm 822 00:40:34,560 --> 00:40:36,920 Speaker 1: definitely a basketball fan. But you got a bonus track 823 00:40:36,960 --> 00:40:41,839 Speaker 1: on the album called Celtic Pride. I definitely don't. There's 824 00:40:41,880 --> 00:40:48,520 Speaker 1: fifteen songs, do I have? No, I don't know. You know, 825 00:40:48,560 --> 00:40:50,160 Speaker 1: I'm not one to talk about my date in life, 826 00:40:50,200 --> 00:40:51,800 Speaker 1: but I didn't actually know that. When you type that 827 00:40:51,880 --> 00:40:54,840 Speaker 1: in Google, that comes up. I don't google myself. You know, 828 00:40:55,400 --> 00:40:57,640 Speaker 1: you drive yourself crazy. Yeah, I feel like that's very 829 00:40:57,760 --> 00:41:00,279 Speaker 1: dangerous territory. So I'm like, I'll just I'll just stay 830 00:41:00,320 --> 00:41:02,680 Speaker 1: away from Google. I like what you told complex too. 831 00:41:02,680 --> 00:41:04,640 Speaker 1: You said people get to confuse like a strong woman 832 00:41:04,680 --> 00:41:07,960 Speaker 1: can't be vulnerable, and that narrative doesn't correlate for you 833 00:41:08,480 --> 00:41:11,359 Speaker 1: at all. What made you come into that conclusion? Um 834 00:41:11,960 --> 00:41:15,560 Speaker 1: just life like life lessons. I feel like being emotional 835 00:41:15,800 --> 00:41:19,040 Speaker 1: is I feel like there's a negative connotation to the 836 00:41:19,080 --> 00:41:21,440 Speaker 1: word emotional, and people think that's like a negative thing, 837 00:41:21,719 --> 00:41:23,600 Speaker 1: but I don't necessarily think it's a negative thing. Like 838 00:41:23,680 --> 00:41:25,960 Speaker 1: I feel like like we were saying emotional intelligence, like 839 00:41:26,280 --> 00:41:29,279 Speaker 1: that's quite hard to obtain about. I think you have 840 00:41:29,360 --> 00:41:31,120 Speaker 1: to be a certain kind of person to put your 841 00:41:31,160 --> 00:41:34,080 Speaker 1: feelings on the line or like be emotionally intelligent, especially 842 00:41:34,080 --> 00:41:35,799 Speaker 1: if you're dealing with someone that you feel like isn't 843 00:41:37,520 --> 00:41:41,920 Speaker 1: super emotional. And being a strong woman, I feel like 844 00:41:42,000 --> 00:41:44,279 Speaker 1: you have to come across as this like nothing will 845 00:41:44,320 --> 00:41:47,240 Speaker 1: break me, and that's not necessarily the case. That doesn't. 846 00:41:47,640 --> 00:41:49,759 Speaker 1: Something will break you. We're human, whether you're a man 847 00:41:49,880 --> 00:41:52,719 Speaker 1: or a woman, and I think just kind of really 848 00:41:52,840 --> 00:41:57,080 Speaker 1: just trying to control the narrative and show that they 849 00:41:57,120 --> 00:42:00,239 Speaker 1: are all different sides of a strong woman. It doesn't 850 00:42:00,239 --> 00:42:03,279 Speaker 1: just necessarily mean that it doesn't matter what you throw 851 00:42:03,320 --> 00:42:05,000 Speaker 1: at me, I'm not going to break. I might, but 852 00:42:05,080 --> 00:42:07,400 Speaker 1: I'll pick myself back up. And that's really that's really 853 00:42:07,440 --> 00:42:09,000 Speaker 1: how I feel about it. What's the biggest take of 854 00:42:09,000 --> 00:42:13,240 Speaker 1: where you want people to get from this album? Honesty? Yeah, honesty, 855 00:42:13,440 --> 00:42:15,319 Speaker 1: and like like I said, I feel like I dug 856 00:42:15,320 --> 00:42:17,360 Speaker 1: a little bit deeper and I think people will know 857 00:42:17,560 --> 00:42:19,480 Speaker 1: me a little bit more by listening to this album. 858 00:42:21,080 --> 00:42:23,840 Speaker 1: But yeah, just really really really just honesty and just 859 00:42:23,960 --> 00:42:25,880 Speaker 1: what I've been through in the last four years. I 860 00:42:25,960 --> 00:42:27,560 Speaker 1: know it's been a while. Everyone's like, where have you 861 00:42:27,600 --> 00:42:29,920 Speaker 1: been do you still make music. I'm like, yeah, I've 862 00:42:29,920 --> 00:42:32,080 Speaker 1: been working on the music. But you know me, I'm like, 863 00:42:32,120 --> 00:42:33,680 Speaker 1: I'd rather duck off in my corner and make my 864 00:42:33,800 --> 00:42:35,560 Speaker 1: music and come back when I know it's ready. I'm 865 00:42:35,600 --> 00:42:38,080 Speaker 1: definitely like a quality over quantity type of person. So 866 00:42:38,440 --> 00:42:40,640 Speaker 1: I respect that because we live in this microwavable era, 867 00:42:40,800 --> 00:42:43,200 Speaker 1: Like people get mad at somebody like a Kindrick when 868 00:42:43,200 --> 00:42:45,279 Speaker 1: they go away. It's like, that's what you're supposed to do. 869 00:42:45,400 --> 00:42:46,920 Speaker 1: That's how albums used to be. You put out a 870 00:42:46,960 --> 00:42:49,759 Speaker 1: great body of work and people you make people. Wait, wait, 871 00:42:49,840 --> 00:42:52,160 Speaker 1: so are you talking about me personally? Are you talking 872 00:42:52,160 --> 00:42:54,040 Speaker 1: about anyone in general? Because you said great body of work. 873 00:42:54,160 --> 00:42:56,160 Speaker 1: Last time I was here, you said sounds like a 874 00:42:56,200 --> 00:42:58,120 Speaker 1: playlist to me, and I was like, but the playlist 875 00:42:58,160 --> 00:43:00,440 Speaker 1: is good because that's what you put together. Listen to me. 876 00:43:03,800 --> 00:43:07,239 Speaker 1: But even taking that time, the weight is dope. Yeah, no, 877 00:43:07,440 --> 00:43:10,239 Speaker 1: thank you to go cook something up that really means something. Yeah. 878 00:43:10,320 --> 00:43:12,880 Speaker 1: I feel like, especially like you said, we live in 879 00:43:12,920 --> 00:43:15,560 Speaker 1: a world that's like we're super oversaturated with just everything 880 00:43:15,600 --> 00:43:18,160 Speaker 1: gets thrown at us. There's so much information to take 881 00:43:18,239 --> 00:43:19,960 Speaker 1: in on a daily It's like, how do we even 882 00:43:20,000 --> 00:43:22,400 Speaker 1: actually function when you really think about it. And I 883 00:43:22,560 --> 00:43:24,840 Speaker 1: just remember when I was growing up, I used to 884 00:43:24,920 --> 00:43:28,640 Speaker 1: be like hungry for Beyonce or Destiny's Child to drop 885 00:43:28,680 --> 00:43:31,040 Speaker 1: a new album or you know, like they're especially in 886 00:43:31,160 --> 00:43:33,480 Speaker 1: R and B music, Like it's very different to rap music. 887 00:43:34,160 --> 00:43:36,000 Speaker 1: And I think people kind of forget that because we 888 00:43:36,080 --> 00:43:38,120 Speaker 1: live in a streaming era and we just like our 889 00:43:38,239 --> 00:43:41,359 Speaker 1: attention spans are very very short nowadays, and there's also 890 00:43:41,400 --> 00:43:43,399 Speaker 1: so much to listen to, so I think people feel 891 00:43:43,440 --> 00:43:46,600 Speaker 1: like it will you, like you can get forgotten easily. Um, 892 00:43:47,120 --> 00:43:48,960 Speaker 1: But I think if you if you take your time 893 00:43:49,000 --> 00:43:51,000 Speaker 1: and you work on something that is quality, when you 894 00:43:51,080 --> 00:43:52,719 Speaker 1: come back, it doesn't matter whether you've been gone for 895 00:43:52,760 --> 00:43:55,319 Speaker 1: two years or whether you've been gone for five or six, 896 00:43:55,560 --> 00:43:58,200 Speaker 1: ten whatever. I think the music will speak for itself 897 00:43:58,200 --> 00:44:00,600 Speaker 1: if it's if it's good enough. We got oh Lma, 898 00:44:00,680 --> 00:44:02,680 Speaker 1: when we come back, nont move. It's the Breakfast Club. 899 00:44:02,760 --> 00:44:09,320 Speaker 1: Good Morning Morning. Everybody is DJ Envy Angelo Yee, Charlomagne 900 00:44:09,360 --> 00:44:11,279 Speaker 1: the Guy. We are the Breakfast Club. We're still kicking 901 00:44:11,280 --> 00:44:13,640 Speaker 1: it with lam. You know, when you hear other artists 902 00:44:13,840 --> 00:44:16,080 Speaker 1: that your competitive natures that make you want to put 903 00:44:16,120 --> 00:44:17,279 Speaker 1: out a song like when you hear a new R 904 00:44:17,320 --> 00:44:18,600 Speaker 1: and B song and be like, damn, I want to 905 00:44:18,640 --> 00:44:20,439 Speaker 1: get back out there, or when you hear the songs 906 00:44:20,440 --> 00:44:23,600 Speaker 1: and the Grammys or this music give you that competitive drive, 907 00:44:24,040 --> 00:44:27,279 Speaker 1: I wouldn't necessarily say it as a competitive drive, so 908 00:44:27,360 --> 00:44:32,000 Speaker 1: I feel like that makes it seem negative, almost beative. No, competely, 909 00:44:32,000 --> 00:44:33,520 Speaker 1: I don't think so. I don't know, because you know 910 00:44:33,600 --> 00:44:35,400 Speaker 1: how you know, you know how things can get like 911 00:44:35,520 --> 00:44:39,759 Speaker 1: misconstrued very easily. But I think inspirational, yeah, definitely. But 912 00:44:39,880 --> 00:44:42,279 Speaker 1: I also like I loved I love the place, and 913 00:44:42,360 --> 00:44:44,480 Speaker 1: I know this is probably an unpopular opinion, but I 914 00:44:44,560 --> 00:44:46,440 Speaker 1: love the place that R and B isn't like female 915 00:44:46,480 --> 00:44:49,160 Speaker 1: and male, and no it's not nineties R and B. 916 00:44:49,360 --> 00:44:51,040 Speaker 1: But like I always say, I feel like R and 917 00:44:51,080 --> 00:44:53,720 Speaker 1: B is the one genre that like is. The narrative 918 00:44:53,880 --> 00:44:56,120 Speaker 1: is always like, why can't we go back to ninet's 919 00:44:56,160 --> 00:44:57,400 Speaker 1: R and B? And I don't feel like any other 920 00:44:57,520 --> 00:44:59,920 Speaker 1: genre ever gets that. I don't feel like anyone else 921 00:45:00,080 --> 00:45:02,440 Speaker 1: us to go back to the sixties or the eighties 922 00:45:02,600 --> 00:45:04,880 Speaker 1: or in any other genre. And I think just the 923 00:45:04,960 --> 00:45:06,759 Speaker 1: way R and B music is made these days, even 924 00:45:06,800 --> 00:45:08,920 Speaker 1: just equipment wise, it it's never going to be the same. 925 00:45:09,000 --> 00:45:11,480 Speaker 1: Everything sounds a lot cleaner than it did back then, 926 00:45:11,560 --> 00:45:13,600 Speaker 1: just because of technology, and I think that's something that's 927 00:45:13,640 --> 00:45:16,600 Speaker 1: not even that people aren't even aware of. But yeah, 928 00:45:16,680 --> 00:45:18,400 Speaker 1: I love the space that that R and B is 929 00:45:18,440 --> 00:45:20,600 Speaker 1: in and I was really happy. I'm really happy to watch, 930 00:45:20,719 --> 00:45:23,279 Speaker 1: like you know, award shows and performances or see other 931 00:45:23,400 --> 00:45:26,120 Speaker 1: R and B artists flourishing. It's amazing and I think 932 00:45:26,480 --> 00:45:28,680 Speaker 1: when my time is here, it will be here. I 933 00:45:28,719 --> 00:45:30,400 Speaker 1: don't I don't feel like it's like, oh, I need 934 00:45:30,440 --> 00:45:32,759 Speaker 1: to put something out now because somebody else is taken off. Like, No, 935 00:45:32,840 --> 00:45:35,960 Speaker 1: that's space for all of us. That's unfairly y'all generation too, 936 00:45:36,000 --> 00:45:37,960 Speaker 1: because most of the people that're saying let's go back 937 00:45:38,000 --> 00:45:40,040 Speaker 1: to nineties R and B grew up in that era. 938 00:45:40,520 --> 00:45:44,359 Speaker 1: So it's always experiences attached to music, Right that first 939 00:45:44,360 --> 00:45:46,959 Speaker 1: time you went to prom, that first girl you kids, 940 00:45:47,040 --> 00:45:49,560 Speaker 1: that that dance on the floor in high school? What's 941 00:45:49,560 --> 00:45:51,200 Speaker 1: your what song? Sorry to cut you off? What song 942 00:45:51,239 --> 00:45:53,840 Speaker 1: reminds you of the first girl you kids? Um a 943 00:45:53,960 --> 00:45:58,000 Speaker 1: Leah four page letter because I had that, No, well 944 00:45:58,080 --> 00:45:59,919 Speaker 1: that too, but I had that on a ninety minute 945 00:46:00,000 --> 00:46:01,799 Speaker 1: to set tape. Oh, wow, And I had that one 946 00:46:01,880 --> 00:46:04,160 Speaker 1: song playing for ninety minutes, and like I've been, I've 947 00:46:04,160 --> 00:46:06,400 Speaker 1: been over and over and over, and me and my 948 00:46:06,440 --> 00:46:08,719 Speaker 1: wife's been together for twenty four years. So when we 949 00:46:08,880 --> 00:46:12,040 Speaker 1: was young, that was that song. Yeah, so that's the 950 00:46:12,160 --> 00:46:14,239 Speaker 1: Leah four page letter boy. But I was also gonna 951 00:46:14,239 --> 00:46:16,680 Speaker 1: say though, you know, back in nineties and two thousands, 952 00:46:16,880 --> 00:46:19,040 Speaker 1: R and B played more on the radio. It was 953 00:46:19,160 --> 00:46:22,880 Speaker 1: part of really Yeah, absolutely if it's so they try 954 00:46:22,920 --> 00:46:27,919 Speaker 1: to do urban ac like and all the rappers singing too. Yeah, 955 00:46:28,080 --> 00:46:29,719 Speaker 1: so when you got all the rappers singing, it kind 956 00:46:29,719 --> 00:46:31,800 Speaker 1: of haves up the playlists on the radio. Yeah, for 957 00:46:32,040 --> 00:46:33,960 Speaker 1: the real R and B singer. Yeah, it's definitely. It's 958 00:46:33,960 --> 00:46:37,480 Speaker 1: definitely way way different nowadays. But I do think that 959 00:46:37,920 --> 00:46:39,400 Speaker 1: I try to put you out on the old stations 960 00:46:39,520 --> 00:46:43,000 Speaker 1: go urban act because it's it's dope music. But it's 961 00:46:43,000 --> 00:46:45,920 Speaker 1: still I'm I listen, I'm appreciate. I'm appreciative for anywhere 962 00:46:46,000 --> 00:46:48,280 Speaker 1: that that they put me. No, I could be nowhere, 963 00:46:48,400 --> 00:46:50,879 Speaker 1: so like, I'm appreciative, and I feel like there's still 964 00:46:50,960 --> 00:46:53,719 Speaker 1: an audience regardless. But yeah, I think it's I think 965 00:46:53,719 --> 00:46:55,680 Speaker 1: it's just different. It's just a different time. That we're 966 00:46:55,760 --> 00:46:58,759 Speaker 1: in And I do feel like though that a lot 967 00:46:58,840 --> 00:47:00,600 Speaker 1: of us that make R and B music these days 968 00:47:00,640 --> 00:47:02,680 Speaker 1: are really inspired, like you were saying, or grew up 969 00:47:02,760 --> 00:47:05,360 Speaker 1: on nineties R and B, So I do feel like 970 00:47:05,520 --> 00:47:07,320 Speaker 1: you can hear inspiration in it. It might not be 971 00:47:07,400 --> 00:47:11,960 Speaker 1: exactly the same um, but for the generation that is 972 00:47:11,960 --> 00:47:14,120 Speaker 1: growing up right now and in twenty years, when they 973 00:47:14,200 --> 00:47:16,600 Speaker 1: look back this, you know, our music, not even just 974 00:47:16,760 --> 00:47:19,320 Speaker 1: R and B music, but wrap anything, rock, country, anything, 975 00:47:19,520 --> 00:47:21,239 Speaker 1: this will be the music that feels nostalgic to them 976 00:47:21,239 --> 00:47:22,640 Speaker 1: because this is what they grew up on. So I 977 00:47:22,719 --> 00:47:24,719 Speaker 1: feel like we just have to just let it live. 978 00:47:24,840 --> 00:47:26,560 Speaker 1: Just you don't have to listen, you know, you know 979 00:47:26,600 --> 00:47:28,520 Speaker 1: what I mean? Like I feel like if I've always 980 00:47:28,560 --> 00:47:32,480 Speaker 1: find it weird that like people online, I'm just not 981 00:47:32,520 --> 00:47:35,120 Speaker 1: the type of person, even before I was famous or anything, 982 00:47:35,160 --> 00:47:37,239 Speaker 1: if I don't like something, I'll keeps grolling, Like I'm 983 00:47:37,280 --> 00:47:39,320 Speaker 1: not going to sit there and be like, well, this 984 00:47:39,560 --> 00:47:40,640 Speaker 1: is not what I grew up on, you know what 985 00:47:40,680 --> 00:47:42,600 Speaker 1: I mean? I think I think that's just I think 986 00:47:42,640 --> 00:47:46,320 Speaker 1: that's a weird behavior. But I do understand. I do understand. 987 00:47:46,320 --> 00:47:48,400 Speaker 1: It's the internet, so you twenty seven, So he was 988 00:47:48,440 --> 00:47:51,640 Speaker 1: born in the late nineteen hundreds. Were we were born 989 00:47:51,719 --> 00:47:53,960 Speaker 1: like mid nineteen You were not born in the mid 990 00:47:54,160 --> 00:48:01,279 Speaker 1: nineteen What year that's closer to them that fifty Still 991 00:48:01,320 --> 00:48:04,239 Speaker 1: it feels like midnight y. I guess you're you're right 992 00:48:04,360 --> 00:48:06,080 Speaker 1: in the middle. Yeah, yeah, you're right in the middle 993 00:48:06,120 --> 00:48:08,960 Speaker 1: of the mid nineteen hundreds, and you closed to the two. 994 00:48:10,080 --> 00:48:11,840 Speaker 1: I just want to ninety four? So what what was 995 00:48:12,000 --> 00:48:16,120 Speaker 1: what nineties R and B would you consider like your error? Um? Well, 996 00:48:16,400 --> 00:48:19,520 Speaker 1: The Miseducation of Lauren Hill is my favorite album, okay, um, 997 00:48:19,600 --> 00:48:22,279 Speaker 1: and that actually came out in ninety four. I want 998 00:48:22,280 --> 00:48:24,360 Speaker 1: to say if I'm naughty for if I'm not mistaken 999 00:48:24,920 --> 00:48:28,040 Speaker 1: a little later like ninety eight. It No, I don't know, 1000 00:48:28,320 --> 00:48:30,480 Speaker 1: ye like ninety eight. The only reason I remember that 1001 00:48:30,520 --> 00:48:32,360 Speaker 1: just because, like when my mom was going through a divorce, 1002 00:48:32,400 --> 00:48:35,359 Speaker 1: she used to play Damn X Factor over and over. 1003 00:48:35,520 --> 00:48:37,680 Speaker 1: You know, you're spilling all of your mom's table, right, 1004 00:48:37,960 --> 00:48:39,400 Speaker 1: I mean, I did have rolled the book about it, 1005 00:48:39,400 --> 00:48:41,040 Speaker 1: but you know, I mean, I mean, like we talk 1006 00:48:41,080 --> 00:48:43,120 Speaker 1: about memories connected the songs. I used to think that 1007 00:48:43,200 --> 00:48:44,520 Speaker 1: song was I was like, oh, mom, so cool. She 1008 00:48:44,560 --> 00:48:46,440 Speaker 1: wasn't in Laura Hill, but then I got older, you 1009 00:48:46,520 --> 00:48:48,360 Speaker 1: realized she was going through the things. You know what 1010 00:48:48,440 --> 00:48:51,960 Speaker 1: I mean, what year does it say? Okay, that was 1011 00:48:51,960 --> 00:48:54,320 Speaker 1: a good year for everything. Well, my mom used to 1012 00:48:54,400 --> 00:48:56,640 Speaker 1: listen to The mis Education of Lauren Hill religiously. So 1013 00:48:56,719 --> 00:49:01,480 Speaker 1: I feel like that's a good question. I would love 1014 00:49:01,520 --> 00:49:04,360 Speaker 1: to know. But she she loved the album and she 1015 00:49:04,560 --> 00:49:07,600 Speaker 1: had the tape that went into the car. I remember, Yeah, 1016 00:49:07,680 --> 00:49:11,800 Speaker 1: into the car. I was one to night for a 1017 00:49:11,840 --> 00:49:15,520 Speaker 1: guy used to take tape. Yeah, they had cassette they 1018 00:49:15,560 --> 00:49:17,960 Speaker 1: had and then you could take it. Okay, okay, I 1019 00:49:18,080 --> 00:49:21,840 Speaker 1: was just like you take the radio out so nobody 1020 00:49:21,880 --> 00:49:23,680 Speaker 1: would steal it. Like I still I still have a 1021 00:49:23,760 --> 00:49:25,520 Speaker 1: little bit of I feel like the timing that I 1022 00:49:25,640 --> 00:49:29,680 Speaker 1: grew up in was really like the club that so 1023 00:49:29,840 --> 00:49:32,320 Speaker 1: no one can drive away. Yeah, yeah, I knew that. 1024 00:49:32,520 --> 00:49:34,759 Speaker 1: Yeah that was awful guys like me back then. I 1025 00:49:34,880 --> 00:49:37,080 Speaker 1: feel like I grew up in the time. I feel 1026 00:49:37,120 --> 00:49:38,680 Speaker 1: like I grew up in the time where I understand 1027 00:49:38,760 --> 00:49:40,400 Speaker 1: like dial up internet and like you couldn't be on 1028 00:49:40,440 --> 00:49:42,160 Speaker 1: the phone and the Internet at the same time. Yes, 1029 00:49:42,320 --> 00:49:44,239 Speaker 1: but then I also grew up in this in the 1030 00:49:44,440 --> 00:49:46,399 Speaker 1: social media age, Like I'm right, I feel like I'm 1031 00:49:46,440 --> 00:49:49,799 Speaker 1: right in the middle. Um, so yeah, I forgot, Sorry, 1032 00:49:49,800 --> 00:49:55,240 Speaker 1: I forgot. I was just asking, why do you like music? 1033 00:49:55,320 --> 00:49:57,399 Speaker 1: What music I like? Sorry? What music I like? Yeah? 1034 00:49:57,440 --> 00:49:59,800 Speaker 1: So Miss Education of Lauren Hill is definitely my favorite, 1035 00:49:59,800 --> 00:50:04,520 Speaker 1: but I would say all of Brandy, Mariah, Kerry Desney's child, Beyonce, 1036 00:50:04,760 --> 00:50:06,920 Speaker 1: all of that stuff. At Leash Keys, Mary J. Blige 1037 00:50:07,040 --> 00:50:10,040 Speaker 1: is one of my fave FA faves um and then 1038 00:50:10,120 --> 00:50:12,279 Speaker 1: even early two thousands, R and B like I feel 1039 00:50:12,320 --> 00:50:14,440 Speaker 1: like when B two K were popping and like that 1040 00:50:14,560 --> 00:50:16,640 Speaker 1: type of thing. And that was when I first moved 1041 00:50:16,640 --> 00:50:18,640 Speaker 1: to New York. So I remember going to like Madison 1042 00:50:18,680 --> 00:50:21,960 Speaker 1: Square Garden Scream Tour. Wow, Like yeah it was. I 1043 00:50:22,040 --> 00:50:23,680 Speaker 1: was in my house of derry on jeans, like it was. 1044 00:50:23,760 --> 00:50:26,840 Speaker 1: Definitely it was like that. Those are the that's the 1045 00:50:26,880 --> 00:50:28,880 Speaker 1: stuff that makes me excited when I think about it. 1046 00:50:29,120 --> 00:50:32,080 Speaker 1: Who who was on your amount Rushmore R and B artist, Oh, 1047 00:50:32,719 --> 00:50:35,360 Speaker 1: there's four people on Mount Rushmore, right, So I definitely 1048 00:50:35,400 --> 00:50:36,880 Speaker 1: have to put Lauren Hill there, even though I know 1049 00:50:37,040 --> 00:50:40,640 Speaker 1: she is both she's yeah, she um, but she she 1050 00:50:40,760 --> 00:50:42,960 Speaker 1: has to be there. Mary has to be there. Yes, 1051 00:50:43,480 --> 00:50:45,319 Speaker 1: don't mean actually Lauren Hill over even though she only 1052 00:50:45,320 --> 00:50:50,040 Speaker 1: put out one album. Yeah, okay, yeah, I stick by Uh. 1053 00:50:50,840 --> 00:50:54,359 Speaker 1: I'd put Stevie Wonder there because I know everyone people 1054 00:50:54,440 --> 00:50:57,320 Speaker 1: might not necessarily classify him as just an R and 1055 00:50:57,400 --> 00:50:59,320 Speaker 1: B artist. I feel like there's there's a lot of 1056 00:50:59,360 --> 00:51:01,680 Speaker 1: different drumming is that he tapped into. But I think 1057 00:51:01,719 --> 00:51:05,840 Speaker 1: he definitely has to be there. And can we like 1058 00:51:05,960 --> 00:51:08,040 Speaker 1: split the face so I can have two if they're 1059 00:51:08,080 --> 00:51:12,400 Speaker 1: in a group, if they if they're group, No, can 1060 00:51:12,440 --> 00:51:15,040 Speaker 1: we do that without Casson? For sure? I think she 1061 00:51:15,160 --> 00:51:17,000 Speaker 1: deserves to be there, but I also feel like Maria 1062 00:51:17,080 --> 00:51:20,080 Speaker 1: Kerrey deserves to be there too. I gotta pick one. 1063 00:51:20,160 --> 00:51:22,520 Speaker 1: I don't like that split. I don't like Beyonce and 1064 00:51:22,600 --> 00:51:26,879 Speaker 1: Mariah split together. They both deserve their own individual which 1065 00:51:26,880 --> 00:51:28,200 Speaker 1: is why I asked it. But you told me I 1066 00:51:28,239 --> 00:51:29,879 Speaker 1: could only pick for I could sit here and list 1067 00:51:30,160 --> 00:51:33,160 Speaker 1: one hundred people. Honestly, it's very hard. But now you're 1068 00:51:33,160 --> 00:51:34,840 Speaker 1: gonna make me pick between Maria Kare and Beyonce, and 1069 00:51:35,040 --> 00:51:37,320 Speaker 1: I'm not going to do that. I'm absolutely not gonna do. 1070 00:51:37,440 --> 00:51:40,440 Speaker 1: What does Mariah fall under traditional arm because she makes 1071 00:51:40,480 --> 00:51:45,680 Speaker 1: a lot of pop parties? Yeah, yeah, I think once 1072 00:51:45,719 --> 00:51:47,279 Speaker 1: you get I feel like once you get to a 1073 00:51:47,360 --> 00:51:51,200 Speaker 1: certain like a stage, you're just classified as a pop 1074 00:51:51,280 --> 00:51:54,120 Speaker 1: partist anyway, regardless of even if you tap into a 1075 00:51:54,160 --> 00:51:56,680 Speaker 1: whole bunch of different genres. M Oh, but I didn't 1076 00:51:56,680 --> 00:51:59,880 Speaker 1: even put Brandy there because Brandy's like the vocal Bible. 1077 00:52:00,400 --> 00:52:02,239 Speaker 1: When it comes to R and B, I personally feel 1078 00:52:02,239 --> 00:52:05,560 Speaker 1: like harmonies and just like, I don't know, we're gonna 1079 00:52:05,560 --> 00:52:08,120 Speaker 1: have to We're gonna gonna have to create some more 1080 00:52:08,160 --> 00:52:10,359 Speaker 1: faces on this Mount Rushmore. Stevie Wonder is a great one. 1081 00:52:10,360 --> 00:52:13,799 Speaker 1: People sleep on Stevie Wonder like he's the last I think, 1082 00:52:14,000 --> 00:52:16,720 Speaker 1: the last of a dying breed, like like the last 1083 00:52:16,840 --> 00:52:20,239 Speaker 1: great living musician. Yeah. I got to sing with him 1084 00:52:20,400 --> 00:52:22,919 Speaker 1: in two thousand and I think it was the ending 1085 00:52:22,960 --> 00:52:25,960 Speaker 1: of two thousand and eighteen. He does like this Christmas show. Um, 1086 00:52:26,280 --> 00:52:29,279 Speaker 1: and I got to sing. I sung boot Up and 1087 00:52:29,320 --> 00:52:33,120 Speaker 1: then I also sung Superstitious with him. And Yeah, it 1088 00:52:33,360 --> 00:52:36,800 Speaker 1: was like I just felt like, what, like, what is 1089 00:52:36,840 --> 00:52:38,960 Speaker 1: going on? I was really really happy. Yeah, it was. 1090 00:52:39,120 --> 00:52:41,360 Speaker 1: It was amazing. It was a way. How did that? 1091 00:52:41,520 --> 00:52:44,680 Speaker 1: How did that happen? Did he call you? He did? Yes, 1092 00:52:44,760 --> 00:52:47,800 Speaker 1: he did, he did. He did call me. Um. My 1093 00:52:47,960 --> 00:52:51,720 Speaker 1: manager knows his daughter very well, and his daughter handles 1094 00:52:51,719 --> 00:52:54,759 Speaker 1: a lot of his like relations, so um, they did. Yeah, 1095 00:52:54,800 --> 00:52:56,759 Speaker 1: they called me and I was on the phone with him, 1096 00:52:56,800 --> 00:52:58,719 Speaker 1: and I remember I think I was in rehearsal and 1097 00:52:58,800 --> 00:53:00,520 Speaker 1: I was just like, my man, it was like someone's 1098 00:53:00,520 --> 00:53:02,000 Speaker 1: on the phone for you. So I'm like, because he 1099 00:53:02,200 --> 00:53:04,439 Speaker 1: never would really ever stop my rehearsals, I'm like losing 1100 00:53:04,480 --> 00:53:06,480 Speaker 1: the phone for me. He's like, just pick it up. 1101 00:53:06,480 --> 00:53:09,120 Speaker 1: And I started speaking and I'm like hello, hello, and 1102 00:53:09,280 --> 00:53:11,920 Speaker 1: he's like, hey ella, this is Stevie Wonder and I'm 1103 00:53:11,960 --> 00:53:13,440 Speaker 1: like wait, hold on. I literally had to and I 1104 00:53:13,480 --> 00:53:15,439 Speaker 1: looked at my manager like are you is this a prank? 1105 00:53:15,440 --> 00:53:17,319 Speaker 1: Because I just I didn't believe it. And then yeah, 1106 00:53:17,320 --> 00:53:19,000 Speaker 1: I had a great conversation with him. He told me 1107 00:53:19,280 --> 00:53:21,520 Speaker 1: how much he loved booed up um and that he 1108 00:53:21,600 --> 00:53:23,480 Speaker 1: wanted me to sing, and then I went to rehearse 1109 00:53:23,560 --> 00:53:25,480 Speaker 1: with him for the show and then we did. Yeah, 1110 00:53:25,520 --> 00:53:26,759 Speaker 1: we did it. He brings out like a bunch of 1111 00:53:26,800 --> 00:53:29,080 Speaker 1: different people at the Christmas show. It's like a charity 1112 00:53:29,640 --> 00:53:31,400 Speaker 1: for his foundation. So yeah, you know, he really be 1113 00:53:31,480 --> 00:53:33,960 Speaker 1: facedown with people. I believe it. Yeah, who was a 1114 00:53:34,040 --> 00:53:40,879 Speaker 1: cord A? It was somebody that it was no, yeah, 1115 00:53:40,880 --> 00:53:42,440 Speaker 1: and he jumped up. Yeah. He acted like he was. 1116 00:53:42,800 --> 00:53:44,719 Speaker 1: He acted like he was like I'm ready to work 1117 00:53:44,800 --> 00:53:49,239 Speaker 1: or something. No, I believe it. Yeah, hard on my 1118 00:53:49,320 --> 00:53:51,320 Speaker 1: sleeve out May six. That's right, and thank you for 1119 00:53:51,440 --> 00:53:54,279 Speaker 1: joining it. Thank you for having me. It's the Breakfast Club. 1120 00:53:54,320 --> 00:54:07,160 Speaker 1: Good morning Reports club. Well, now there is more information 1121 00:54:07,480 --> 00:54:09,960 Speaker 1: on the person who attacked Dave Chappelle on stage at 1122 00:54:10,000 --> 00:54:13,200 Speaker 1: the Hollywood Bowl as he performed on Tuesday night. Now 1123 00:54:13,280 --> 00:54:16,680 Speaker 1: the man has been identified as twenty three year old 1124 00:54:16,880 --> 00:54:20,360 Speaker 1: Isaiah Lee, and they said he's an aspiring rapper. He 1125 00:54:20,440 --> 00:54:23,880 Speaker 1: goes by the name of No Name Trapper and he 1126 00:54:23,960 --> 00:54:26,480 Speaker 1: had a song back in twenty twenty that was actually 1127 00:54:26,560 --> 00:54:46,920 Speaker 1: called Dave Chappelle the joke Yo. It's pretty bad. According 1128 00:54:47,000 --> 00:54:49,640 Speaker 1: to reports, he lasted on a charge of assault with 1129 00:54:49,719 --> 00:54:52,200 Speaker 1: a deadly weapon at the time of the attack. He 1130 00:54:52,280 --> 00:54:55,000 Speaker 1: did have a replica gun with a knife hidden inside. 1131 00:54:55,400 --> 00:54:57,160 Speaker 1: And he's still in jail with the bill said at 1132 00:54:57,239 --> 00:55:01,440 Speaker 1: thirty thousand dollars. Fortunately, is not injured in that incident. 1133 00:55:01,960 --> 00:55:07,440 Speaker 1: It was unexpected and according to Dave Chappelle's rep, Carla Sims, 1134 00:55:07,960 --> 00:55:09,920 Speaker 1: they had this to say in a statement. The performances 1135 00:55:09,920 --> 00:55:12,640 Speaker 1: by Chappelle at the Hollywood Bowl were epic and record breaking, 1136 00:55:12,960 --> 00:55:15,880 Speaker 1: and he refuses to allow last night's incident to overshadow 1137 00:55:15,920 --> 00:55:19,000 Speaker 1: the magic of this historic moment. Dave Chappelle celebrated four 1138 00:55:19,120 --> 00:55:22,080 Speaker 1: nights to comedy and music, setting record breaking sales for 1139 00:55:22,160 --> 00:55:25,200 Speaker 1: a comedian at the Hollywood Bowl. This run ties Chappelle 1140 00:55:25,200 --> 00:55:28,399 Speaker 1: with Monty Python for the most headline shows by any 1141 00:55:28,480 --> 00:55:31,759 Speaker 1: comedian at the Hollywood Bowl, reaching seventy thousand fans of 1142 00:55:31,920 --> 00:55:35,160 Speaker 1: diverse backgrounds during the first Netflix as a joke the festival, 1143 00:55:35,480 --> 00:55:38,120 Speaker 1: and he refuses to allow last night's incident to overshadow 1144 00:55:38,160 --> 00:55:41,520 Speaker 1: the magic of this historic moment. Well, I love you 1145 00:55:41,560 --> 00:55:44,759 Speaker 1: call it, but too bad it did. Okay, it just did. 1146 00:55:45,160 --> 00:55:47,479 Speaker 1: It's gonna be way more people talking about that because 1147 00:55:47,520 --> 00:55:49,560 Speaker 1: it actually is a great situation, right, and I'm gonna 1148 00:55:49,560 --> 00:55:51,759 Speaker 1: talk about it more during Donkey Today. But I love 1149 00:55:51,800 --> 00:55:53,960 Speaker 1: seeing people have to deal with the consequences of their actions. 1150 00:55:54,040 --> 00:55:56,080 Speaker 1: Don't you How did his arm get like that? I've 1151 00:55:56,080 --> 00:55:58,759 Speaker 1: never seen somebody with his arm like that, though his 1152 00:55:59,040 --> 00:56:01,280 Speaker 1: arm was like because one of the Dame's security guards 1153 00:56:01,360 --> 00:56:03,960 Speaker 1: is that guy. That security guard will be online showing 1154 00:56:04,040 --> 00:56:06,200 Speaker 1: people on all those moves on how to defend yourself 1155 00:56:06,320 --> 00:56:09,560 Speaker 1: the Detroit dude. Yeah you know that. His arm was like, 1156 00:56:09,960 --> 00:56:12,480 Speaker 1: it looked like, yeah, two left arms the way. I 1157 00:56:12,600 --> 00:56:15,560 Speaker 1: loved it. I love seeing it. I love seeing people 1158 00:56:15,600 --> 00:56:17,239 Speaker 1: have to deal with to consequence their actions too. And 1159 00:56:17,360 --> 00:56:19,240 Speaker 1: he got jail time. His bills too low though, thirty 1160 00:56:19,640 --> 00:56:22,000 Speaker 1: thirty dollars. That's too low, all right, that's too lottle 1161 00:56:22,040 --> 00:56:24,960 Speaker 1: bill Well, they said he was dragged off the stage. 1162 00:56:25,160 --> 00:56:28,840 Speaker 1: He was wearing a backpack and lucky he wasn't shot, 1163 00:56:30,239 --> 00:56:33,680 Speaker 1: would have been justified. I'm with it all right. Now. 1164 00:56:33,840 --> 00:56:36,879 Speaker 1: Ray J is talking about that sex tape of Kim Kardashian, 1165 00:56:37,400 --> 00:56:40,479 Speaker 1: and he did an interview with The Daily Mail where 1166 00:56:40,560 --> 00:56:43,920 Speaker 1: he talks about what really happened. He said, Kim Kardashian 1167 00:56:44,040 --> 00:56:47,640 Speaker 1: kept leaked sex tapes quote unquote leak in a Nike 1168 00:56:47,719 --> 00:56:50,560 Speaker 1: shoebox under her bed. And he says, after fourteen years 1169 00:56:50,600 --> 00:56:53,319 Speaker 1: in the shadows, he is going to finally speak out. 1170 00:56:53,960 --> 00:56:55,600 Speaker 1: So he said, I've sat in the shadows, allowing the 1171 00:56:55,680 --> 00:56:59,000 Speaker 1: Kardashians to use my name, abuse my name, make billions 1172 00:56:59,040 --> 00:57:02,200 Speaker 1: of dollars, talking about a topic I've never really spoken about. 1173 00:57:02,719 --> 00:57:04,880 Speaker 1: He said that she has always been in possession of 1174 00:57:04,920 --> 00:57:06,520 Speaker 1: all the sex tapes that she made with Ray J. 1175 00:57:06,960 --> 00:57:09,359 Speaker 1: He has never owned any copies of them. They were 1176 00:57:09,440 --> 00:57:13,479 Speaker 1: never leaked, he said. It was a business partnership between him, Kim, 1177 00:57:13,680 --> 00:57:17,560 Speaker 1: and Chris Jenner. And this is all because Kim Kardashian 1178 00:57:17,600 --> 00:57:19,960 Speaker 1: on her new Hulu show said that she was worried 1179 00:57:20,120 --> 00:57:22,840 Speaker 1: that he might have a tape, a tape that he 1180 00:57:22,960 --> 00:57:25,280 Speaker 1: would leak. So he said he was outraised that she 1181 00:57:25,360 --> 00:57:26,920 Speaker 1: had claimed on the show that he might have a 1182 00:57:26,960 --> 00:57:30,880 Speaker 1: tape show in him putting a dildo in her. But 1183 00:57:31,440 --> 00:57:34,000 Speaker 1: while she slept, he said, that makes me sound like 1184 00:57:34,160 --> 00:57:37,520 Speaker 1: a rapist. So then he also revealed some text met 1185 00:57:37,640 --> 00:57:40,240 Speaker 1: or some DMS between the two of them where he 1186 00:57:40,320 --> 00:57:42,800 Speaker 1: actually addressed her about that, where she said, if you're 1187 00:57:42,880 --> 00:57:45,680 Speaker 1: upset about the dildo comment, it was clearly a sarcastic joke, 1188 00:57:46,000 --> 00:57:48,320 Speaker 1: and I was laughing when I said it. And by 1189 00:57:48,360 --> 00:57:50,360 Speaker 1: the way, since that tape was released in two thousand 1190 00:57:50,400 --> 00:57:52,600 Speaker 1: and seven, the sales for that have reached and estimated 1191 00:57:52,640 --> 00:57:56,120 Speaker 1: one hundred million dollars worldwide. Well, I do know that 1192 00:57:56,200 --> 00:57:57,880 Speaker 1: if you have a celebrity sex tape and you try 1193 00:57:57,920 --> 00:58:00,280 Speaker 1: to sell it to someone like a Vivid, which without 1194 00:58:00,320 --> 00:58:02,440 Speaker 1: Draj and Kim tape, they have to have consent from 1195 00:58:02,480 --> 00:58:04,720 Speaker 1: everyone that's on the tape that I know, like I've 1196 00:58:04,720 --> 00:58:06,600 Speaker 1: seen a third party try to sell tape Di Vivian, 1197 00:58:06,600 --> 00:58:08,960 Speaker 1: and viv said he couldn't purchase it without consent of 1198 00:58:09,040 --> 00:58:11,360 Speaker 1: the people. All get sued and they have to take 1199 00:58:11,400 --> 00:58:14,680 Speaker 1: it down now. Raj said, you know, he told the 1200 00:58:14,760 --> 00:58:17,640 Speaker 1: Daily Mail and the messages which he also gave to them, 1201 00:58:17,720 --> 00:58:20,360 Speaker 1: which we have as well. Kim did try to smooth 1202 00:58:20,440 --> 00:58:24,120 Speaker 1: things over, suggesting pr strategies to quote make me feel better. 1203 00:58:24,720 --> 00:58:26,480 Speaker 1: He said. I felt like this was her only chance 1204 00:58:26,520 --> 00:58:28,000 Speaker 1: to try and make this right. In the text, I 1205 00:58:28,080 --> 00:58:29,760 Speaker 1: demand her to call me immediately or I'm going to 1206 00:58:29,800 --> 00:58:32,640 Speaker 1: go and tell my story. So she responds immediately with 1207 00:58:32,720 --> 00:58:34,600 Speaker 1: all of these different plans and ideas that will make 1208 00:58:34,640 --> 00:58:36,920 Speaker 1: me feel better. At the same time, you're telling the 1209 00:58:36,960 --> 00:58:39,360 Speaker 1: whole world that I'm a horrible person and I haven't 1210 00:58:39,400 --> 00:58:41,040 Speaker 1: spoken to you, and how could I do this to you. 1211 00:58:41,080 --> 00:58:42,920 Speaker 1: If you look at the DMS, you can see that 1212 00:58:43,000 --> 00:58:45,320 Speaker 1: she's continuing to try to keep me in a box. 1213 00:58:45,760 --> 00:58:47,280 Speaker 1: Only what you can do to make me feel better 1214 00:58:47,360 --> 00:58:49,600 Speaker 1: after they killed my name, only because she knows everything 1215 00:58:49,640 --> 00:58:52,360 Speaker 1: I'm saying is true. She never denied on those DMS 1216 00:58:52,400 --> 00:58:54,880 Speaker 1: anything that I've told her. He asked her, how do 1217 00:58:54,960 --> 00:58:56,880 Speaker 1: I explain my daughter this is a lie. If you're 1218 00:58:56,880 --> 00:58:59,800 Speaker 1: worried about your family, what about my family? And he 1219 00:59:00,040 --> 00:59:02,520 Speaker 1: said he is expecting me percussions for speaking out and 1220 00:59:02,600 --> 00:59:04,040 Speaker 1: telling his side of the story, but he says he 1221 00:59:04,080 --> 00:59:06,959 Speaker 1: feels relieved to have finally given his side. He said, 1222 00:59:06,960 --> 00:59:09,160 Speaker 1: now that I'm a father, it kills my soul to 1223 00:59:09,320 --> 00:59:11,160 Speaker 1: think my daughter would have to go through life thinking 1224 00:59:11,200 --> 00:59:13,440 Speaker 1: her dad was something that he wasn't. You can't give 1225 00:59:13,480 --> 00:59:15,600 Speaker 1: me any money. You can't pay me back for my life. 1226 00:59:15,840 --> 00:59:17,760 Speaker 1: You can't pay me for honesty and truth. You can't 1227 00:59:17,800 --> 00:59:20,360 Speaker 1: pay me any money or apologize to me for any 1228 00:59:20,400 --> 00:59:21,960 Speaker 1: of that. You have to be honest with yourself At 1229 00:59:22,000 --> 00:59:24,560 Speaker 1: this point, I don't need an apology. I have proof. 1230 00:59:24,680 --> 00:59:28,120 Speaker 1: This is wild man, This is Can you imagine mattering 1231 00:59:28,200 --> 00:59:32,040 Speaker 1: what you're selling your daughter's personal porn tape to make 1232 00:59:32,160 --> 00:59:34,600 Speaker 1: some money? Like? Is it that low? Is that family? 1233 00:59:34,760 --> 00:59:39,480 Speaker 1: That evil? And people? There was no way. Oh, you're 1234 00:59:39,480 --> 00:59:41,280 Speaker 1: acting like Kim wasn't grown at the time, act like 1235 00:59:41,360 --> 00:59:44,840 Speaker 1: Kim was a child. So exactly it doesn't matter, but 1236 00:59:44,960 --> 00:59:47,440 Speaker 1: you're still selling your daughter's porn tape. I don't care 1237 00:59:47,440 --> 00:59:49,280 Speaker 1: if my daughter's fifty, but what if she wanted to 1238 00:59:50,040 --> 00:59:53,000 Speaker 1: that's still wild. Now, people with direct knowledge told TMZ 1239 00:59:53,200 --> 00:59:56,920 Speaker 1: that Chris Jenner didn't actually negotiate with Vivid Entertainment. But 1240 00:59:57,080 --> 00:59:59,720 Speaker 1: they're saying that ray J and Kim dealt with Vivid 1241 01:00:00,040 --> 01:00:03,320 Speaker 1: rectally and with their lawyers, So he does still maintain 1242 01:00:03,440 --> 01:00:05,400 Speaker 1: that Chris and Kim did come up with the whole 1243 01:00:05,440 --> 01:00:08,320 Speaker 1: plot to make and sell a sex tape because of 1244 01:00:08,400 --> 01:00:12,080 Speaker 1: the enormous financial success of Paris Hilton sex tape. But 1245 01:00:12,160 --> 01:00:14,600 Speaker 1: they said Chris Jenner was hands off making the actual 1246 01:00:14,720 --> 01:00:17,080 Speaker 1: deal and did not contact Vivid. Once again, if you 1247 01:00:17,160 --> 01:00:18,680 Speaker 1: have a celebrity sex tape, when you try to sell 1248 01:00:18,720 --> 01:00:20,360 Speaker 1: it to someone like Vivid, they have to have consent 1249 01:00:20,480 --> 01:00:22,320 Speaker 1: from everybody that's on the tape. Now it's for money. 1250 01:00:22,360 --> 01:00:24,000 Speaker 1: They're saying that Kim and ray J split a one 1251 01:00:24,040 --> 01:00:26,520 Speaker 1: million dollars advance and together they got forty nine percent 1252 01:00:26,560 --> 01:00:29,160 Speaker 1: of the profits from the tape. That translates to around 1253 01:00:29,200 --> 01:00:31,480 Speaker 1: forty nine million dollars because that tape did make a 1254 01:00:31,600 --> 01:00:34,000 Speaker 1: hundred million in sales. I want to they got royal. 1255 01:00:35,400 --> 01:00:38,160 Speaker 1: Do you get royalties from poor? They should? Right? Yeah, 1256 01:00:38,200 --> 01:00:39,960 Speaker 1: I mean I guess one hundred million in sales that 1257 01:00:40,080 --> 01:00:42,720 Speaker 1: is isn't that kind of royalties if they split? You 1258 01:00:42,760 --> 01:00:44,240 Speaker 1: know what I'm saying. I wonder if they got royalties 1259 01:00:44,240 --> 01:00:47,040 Speaker 1: off one hundred million. Yeah, they made forty nine million. Oh, 1260 01:00:47,240 --> 01:00:48,840 Speaker 1: that's what I'm saying. They got forty nine percent of 1261 01:00:48,840 --> 01:00:52,200 Speaker 1: the profits. Kay. In addition to that one million dollar advance, 1262 01:00:52,200 --> 01:00:54,440 Speaker 1: they got forty nine million dollars. That porn tape is 1263 01:00:54,480 --> 01:00:57,160 Speaker 1: on every porn tape. No, I want to notice that 1264 01:00:57,280 --> 01:00:59,400 Speaker 1: change your perspective. Money man, As much money as you 1265 01:00:59,480 --> 01:01:02,400 Speaker 1: like to make, it does forty nine million dollars doesn't matter. 1266 01:01:02,440 --> 01:01:03,960 Speaker 1: That's still your daughter when they get to an age 1267 01:01:03,960 --> 01:01:05,600 Speaker 1: where they have kids. Your kids got to see that 1268 01:01:05,720 --> 01:01:07,520 Speaker 1: later on she was grown though, it's not like she 1269 01:01:07,600 --> 01:01:09,600 Speaker 1: was a kid. Not even just the money from that 1270 01:01:09,720 --> 01:01:12,760 Speaker 1: tape that led to them. Really it's worth the money? 1271 01:01:12,880 --> 01:01:16,000 Speaker 1: Act like it's all right? Is that worth the money? People? 1272 01:01:16,080 --> 01:01:19,640 Speaker 1: It might be what I mean, what happened like what 1273 01:01:19,720 --> 01:01:21,760 Speaker 1: happened with what did they do? What did they do 1274 01:01:21,840 --> 01:01:23,640 Speaker 1: so wrong? Like what happened with their lives? When you 1275 01:01:23,680 --> 01:01:25,480 Speaker 1: say it wasn't worth it. Like what happened, I don't 1276 01:01:25,520 --> 01:01:26,640 Speaker 1: think it was worth it. There was no way I 1277 01:01:26,640 --> 01:01:27,840 Speaker 1: would have put it. I wouldn't want to pour on 1278 01:01:27,840 --> 01:01:29,320 Speaker 1: tape out there that my kids would see when they 1279 01:01:29,320 --> 01:01:32,920 Speaker 1: would get older. It's kind of softcore. It's not like hardcore. No, 1280 01:01:32,960 --> 01:01:36,080 Speaker 1: it was hardcore. I don't know about that. All right, 1281 01:01:36,160 --> 01:01:39,480 Speaker 1: Well that is it was not hardcore. What do you 1282 01:01:39,520 --> 01:01:42,080 Speaker 1: consider the hardcore? It was a penis and might consider 1283 01:01:42,160 --> 01:01:49,880 Speaker 1: that hard That's why nobody else sees why. I mean no, 1284 01:01:49,960 --> 01:01:52,360 Speaker 1: because he was grown she definitely you say child, but 1285 01:01:52,440 --> 01:01:54,320 Speaker 1: now she wasn't a child at all. All right, Well 1286 01:01:54,360 --> 01:01:56,680 Speaker 1: that is your twenty something years old you're doing it'll 1287 01:01:56,680 --> 01:01:59,240 Speaker 1: be twenty five and that guy we got wouldn't do it. 1288 01:01:59,320 --> 01:02:01,120 Speaker 1: But I'm saying she was twenty something years old. She 1289 01:02:01,200 --> 01:02:03,880 Speaker 1: made a decision as a grown woman and donkey of 1290 01:02:03,920 --> 01:02:06,840 Speaker 1: the day coming up next, her mom went along with it. 1291 01:02:06,920 --> 01:02:09,360 Speaker 1: I guess, all right, well, will you give me a 1292 01:02:09,400 --> 01:02:11,480 Speaker 1: donkey too? Isaially need to come to the front of 1293 01:02:11,480 --> 01:02:13,000 Speaker 1: the congregation. We'd like to have a world with him, 1294 01:02:13,600 --> 01:02:15,160 Speaker 1: all right, we'll get to that. Next is to breakfast 1295 01:02:15,160 --> 01:02:18,080 Speaker 1: club for the morning. So breakfast Club your morning's will 1296 01:02:18,240 --> 01:02:22,080 Speaker 1: never be the same. ANGELA Ye here from my friends 1297 01:02:22,080 --> 01:02:24,560 Speaker 1: at the General. Insurance switched to the General and you 1298 01:02:24,640 --> 01:02:27,480 Speaker 1: could save over five hundred dollars on your car insurance. 1299 01:02:27,560 --> 01:02:29,840 Speaker 1: Call eight hundred General or visit the General dot com 1300 01:02:29,920 --> 01:02:32,720 Speaker 1: to find out more. The General Auto Insurance Services, Inc. 1301 01:02:32,800 --> 01:02:37,640 Speaker 1: An insurance agency in Nashville, Tennessee se restrictions Maine say 1302 01:02:37,680 --> 01:02:44,760 Speaker 1: the gang don't get the shape man you are Nay. 1303 01:02:45,480 --> 01:02:48,000 Speaker 1: Donkey to day does not discriminate. I might not have 1304 01:02:48,120 --> 01:02:49,760 Speaker 1: the song of today, but I got to donkey that. 1305 01:02:50,240 --> 01:02:51,600 Speaker 1: So if you ever feel I need to be a 1306 01:02:51,680 --> 01:02:56,840 Speaker 1: donkey man the breakfast club bitch, please don't keep the 1307 01:02:56,920 --> 01:02:59,680 Speaker 1: day today? Yeah, don't here to day for Thursday. May 1308 01:02:59,720 --> 01:03:02,240 Speaker 1: feel goes to twenty three year old Isaiah Lee and 1309 01:03:02,440 --> 01:03:04,520 Speaker 1: the security at the Hollywood Bowl. If you don't know 1310 01:03:04,560 --> 01:03:07,000 Speaker 1: who Isaiah Lee is, he is the man or should 1311 01:03:07,000 --> 01:03:09,440 Speaker 1: I say person, because I don't know what he identifies 1312 01:03:09,480 --> 01:03:12,439 Speaker 1: as who got pummeled Molly wapped got their whole block 1313 01:03:12,520 --> 01:03:14,960 Speaker 1: knocked off at the Hollywood Bowl because he was in 1314 01:03:15,040 --> 01:03:17,440 Speaker 1: the audience at Netflix as a joke and decided to 1315 01:03:17,520 --> 01:03:20,560 Speaker 1: rush the stage armed with a blade firing fate gun 1316 01:03:20,840 --> 01:03:22,640 Speaker 1: never even heard of such thing, and that is the 1317 01:03:22,720 --> 01:03:24,680 Speaker 1: reason the Hollywood Bowl is getting some of as biggest 1318 01:03:24,680 --> 01:03:26,360 Speaker 1: he had, because how did Isaiah Lee get into the 1319 01:03:26,400 --> 01:03:29,440 Speaker 1: venue with a blade firing replica gun? More on that 1320 01:03:29,520 --> 01:03:30,920 Speaker 1: in a moment, but let's go to ABC seven for 1321 01:03:31,040 --> 01:03:41,240 Speaker 1: the report. Please. Her cellphone camera and the audience captures 1322 01:03:41,280 --> 01:03:43,720 Speaker 1: the moment. A man runs on stage at the Hollywood 1323 01:03:43,760 --> 01:03:48,320 Speaker 1: Bowl and tackles comedian Dave Chappelle. Chappelle falls back, but 1324 01:03:48,560 --> 01:03:52,440 Speaker 1: frees himself as security rushes on stage to grab the attacker. 1325 01:03:55,440 --> 01:03:58,560 Speaker 1: Exclusive video from Air seven HD shows twenty three year 1326 01:03:58,600 --> 01:04:01,520 Speaker 1: old Isaiah Lee being rushed to a local hospital after 1327 01:04:01,600 --> 01:04:04,600 Speaker 1: the incident. Police say he was armed with a knife. 1328 01:04:05,000 --> 01:04:09,640 Speaker 1: I am going to kill him. Chappelle was not injured 1329 01:04:09,680 --> 01:04:12,120 Speaker 1: in the attack and later joked with the audience about it. 1330 01:04:15,040 --> 01:04:17,760 Speaker 1: Authorities now charging the twenty three year old with assault 1331 01:04:17,800 --> 01:04:20,640 Speaker 1: with a deadly weapon, and Lee's bow said at thirty 1332 01:04:20,680 --> 01:04:23,479 Speaker 1: thousand dollars. A security guard here at the holly Wood 1333 01:04:23,480 --> 01:04:26,520 Speaker 1: Bowl did tell me the weapon in question was actually 1334 01:04:26,600 --> 01:04:30,040 Speaker 1: made out of plastic. Now police haven't confirmed that information, 1335 01:04:30,120 --> 01:04:32,080 Speaker 1: but it would explain how he was able to get 1336 01:04:32,120 --> 01:04:34,680 Speaker 1: it through the metal detectors. Now, Chris Rock made a 1337 01:04:34,800 --> 01:04:39,240 Speaker 1: joke after this washing happened. He said, was that Will Smith? Well, 1338 01:04:39,280 --> 01:04:41,000 Speaker 1: it wasn't because Will Smith would have been allowed to 1339 01:04:41,040 --> 01:04:42,880 Speaker 1: stay and nobody would have laid a finger on him. 1340 01:04:42,880 --> 01:04:45,560 Speaker 1: But seriously, these are much different circumstances than the Will 1341 01:04:45,600 --> 01:04:49,040 Speaker 1: Smith situation. And if watching Will put hands on Chris 1342 01:04:49,200 --> 01:04:52,440 Speaker 1: Rocket the Oscars was traumatizing to some comedians Amy Schumill 1343 01:04:52,480 --> 01:04:55,160 Speaker 1: wand disikes, then this incident right here might make you 1344 01:04:55,280 --> 01:04:58,560 Speaker 1: consider retirement. Okay, see, we know why Will Smith was, 1345 01:04:58,800 --> 01:05:01,000 Speaker 1: you know, at the Oscars, We've know why Will reacted 1346 01:05:01,000 --> 01:05:02,880 Speaker 1: to way he did. Doesn't make any of it right, 1347 01:05:02,960 --> 01:05:05,720 Speaker 1: but we have some understanding. Okay, it was history between 1348 01:05:05,760 --> 01:05:08,040 Speaker 1: Chris Rock and Will Smith. Will clearly snapped, he had 1349 01:05:08,160 --> 01:05:10,680 Speaker 1: enough of the jokes, and he reacted emotionally, and he 1350 01:05:10,760 --> 01:05:13,600 Speaker 1: made a terrible, terrible, terrible mistake and Chris Rock did 1351 01:05:13,640 --> 01:05:16,400 Speaker 1: not deserve that. But once again, we have an understanding 1352 01:05:16,440 --> 01:05:18,880 Speaker 1: of that situation, and that situation is only going to 1353 01:05:19,000 --> 01:05:21,920 Speaker 1: happen once in a generation. Okay, do you think we 1354 01:05:21,960 --> 01:05:24,360 Speaker 1: will ever see one of the biggest stars in Hollywood 1355 01:05:24,560 --> 01:05:26,280 Speaker 1: on his biggest night when he's going to win an 1356 01:05:26,280 --> 01:05:29,480 Speaker 1: Oscar walk on stage and slap another superstar to oscars? 1357 01:05:29,520 --> 01:05:31,280 Speaker 1: Do you really think we will ever see that again? 1358 01:05:31,600 --> 01:05:34,680 Speaker 1: Probably not? Or what happened at the Hollywood Bowl could 1359 01:05:34,760 --> 01:05:38,479 Speaker 1: literally happen every night. Okay, some human for whatever reason 1360 01:05:38,560 --> 01:05:40,800 Speaker 1: decided to rush the stage and assault you. That could 1361 01:05:40,840 --> 01:05:43,400 Speaker 1: happen every night, Comedians. Trust me when I tell you 1362 01:05:43,600 --> 01:05:46,200 Speaker 1: it's a higher percentage you run into an Isaiah Elie 1363 01:05:46,440 --> 01:05:49,600 Speaker 1: before you run into a Will Smith. And based based 1364 01:05:49,640 --> 01:05:52,840 Speaker 1: off that, my first observation is, how does Isaiah Elige 1365 01:05:52,840 --> 01:05:55,600 Speaker 1: get into that venue with that blade firing knife? You 1366 01:05:55,680 --> 01:05:57,360 Speaker 1: know how? I tell y'all all the time, we as 1367 01:05:57,480 --> 01:06:01,160 Speaker 1: humans are the first line of defense against crazy simply 1368 01:06:01,240 --> 01:06:04,720 Speaker 1: by our behavior. Every day we are trusting other humans 1369 01:06:05,520 --> 01:06:07,200 Speaker 1: to be able to control themselves, to be able to 1370 01:06:07,280 --> 01:06:09,800 Speaker 1: act right, to keep us safe. So when we these venues, 1371 01:06:09,880 --> 01:06:12,600 Speaker 1: when we need establishments, especially as a performer, I am 1372 01:06:12,680 --> 01:06:16,080 Speaker 1: trusting you the venue to keep crazy to a minimum. Okay, 1373 01:06:16,240 --> 01:06:19,280 Speaker 1: everyone should be searched properly. Why because we have to 1374 01:06:19,360 --> 01:06:23,240 Speaker 1: make sure to keep everyone safe. Hollywood Bowl, y'all failed 1375 01:06:23,360 --> 01:06:26,360 Speaker 1: every single person in that venue, not just Dave Chappelle. 1376 01:06:26,560 --> 01:06:28,160 Speaker 1: Because if you can get in with a replica of 1377 01:06:28,200 --> 01:06:30,040 Speaker 1: a gun. You probably can get in with a real one. 1378 01:06:30,400 --> 01:06:32,440 Speaker 1: That man actually tackled Dave. What if he would have 1379 01:06:33,160 --> 01:06:35,680 Speaker 1: charged Dave with the knife drown I know we can 1380 01:06:35,720 --> 01:06:37,840 Speaker 1: all look back and say, I'm glad that didn't in horribly, 1381 01:06:37,920 --> 01:06:40,440 Speaker 1: but it could have all because of the negligence of 1382 01:06:40,560 --> 01:06:42,400 Speaker 1: the security at the venue. What if Dave would have 1383 01:06:42,400 --> 01:06:44,520 Speaker 1: got stabbed in the stomach? But I got what if 1384 01:06:44,840 --> 01:06:46,920 Speaker 1: you'd got stabbed in the neck. If that would have happened, 1385 01:06:46,920 --> 01:06:48,880 Speaker 1: this conversation would have been totally different, and more people 1386 01:06:48,920 --> 01:06:51,240 Speaker 1: would be talking about the failure of the building. Now 1387 01:06:51,320 --> 01:06:53,160 Speaker 1: you heard the security guard at the venue. He did 1388 01:06:53,240 --> 01:06:56,560 Speaker 1: tell ABC seven this listen, the weapon in question was 1389 01:06:56,640 --> 01:07:00,560 Speaker 1: actually made out of plastic. Maybe police haven't confirmed that information, 1390 01:07:00,640 --> 01:07:02,600 Speaker 1: but it would explain how he was able to get 1391 01:07:02,600 --> 01:07:05,480 Speaker 1: it through the metal detectors. Yeah, hasn't been confirmed, but 1392 01:07:05,480 --> 01:07:07,720 Speaker 1: they said it was plastic. I saw the picks knife 1393 01:07:07,760 --> 01:07:10,120 Speaker 1: didn't look plastic to me. But whatever, He's still getting 1394 01:07:10,160 --> 01:07:12,080 Speaker 1: some of this. Heah Hall because clearly security of the 1395 01:07:12,160 --> 01:07:14,560 Speaker 1: venue was lacking, and I noticed for three reasons. One 1396 01:07:15,160 --> 01:07:18,280 Speaker 1: because he got in with this replica gun and knife too. 1397 01:07:18,880 --> 01:07:21,520 Speaker 1: It's way too much cell phone footage from this incident. 1398 01:07:21,560 --> 01:07:23,680 Speaker 1: If you ever been to a Dave Chappelle show, then 1399 01:07:23,760 --> 01:07:25,960 Speaker 1: you know they treat your phone like a weapon. Okay, 1400 01:07:26,000 --> 01:07:28,480 Speaker 1: everybody's phone gets confiscated. So I'm seeing way too many 1401 01:07:28,520 --> 01:07:31,080 Speaker 1: cell phone angles, which lets me know folks weren't doing 1402 01:07:31,160 --> 01:07:32,920 Speaker 1: their job. And the third reason I know they weren't 1403 01:07:32,960 --> 01:07:35,720 Speaker 1: doing their job security is because audience members said so. 1404 01:07:36,080 --> 01:07:41,600 Speaker 1: Audience members said the venue security was nonexistent. Okay. End quote. Now. 1405 01:07:41,680 --> 01:07:44,600 Speaker 1: Isaiah Lee, twenty three years old, of LA Simple Question Brother, 1406 01:07:45,440 --> 01:07:49,880 Speaker 1: why he actually recorded this song called Dave Chappelle that 1407 01:07:49,960 --> 01:07:52,400 Speaker 1: he posted in June and twenty twenty, and according to 1408 01:07:52,480 --> 01:07:55,120 Speaker 1: trusted news outlet Fox News, he says in the song 1409 01:07:55,440 --> 01:07:57,080 Speaker 1: walking straight into the Ball, can we hear some of 1410 01:07:57,160 --> 01:08:02,040 Speaker 1: that ready into the Ball? Oh? Can I hear some 1411 01:08:02,120 --> 01:08:03,560 Speaker 1: of the hook of the Dave Chapelle think we gotta 1412 01:08:03,600 --> 01:08:15,800 Speaker 1: hear that? You don't gotta You're not gonna play that 1413 01:08:15,800 --> 01:08:18,560 Speaker 1: in the mix? Okay, listen. I know we live in 1414 01:08:18,600 --> 01:08:23,880 Speaker 1: an era where folks love clouts, Folks love attention, Folks 1415 01:08:23,960 --> 01:08:26,679 Speaker 1: want to go viral by any means necessary. They don't 1416 01:08:26,720 --> 01:08:29,360 Speaker 1: care how their name shows up in Google searches, as 1417 01:08:29,439 --> 01:08:31,920 Speaker 1: long as it shows up. So this dude, Isaiah Lee 1418 01:08:32,040 --> 01:08:34,639 Speaker 1: is probably loving the attention. Not just loving the attention, 1419 01:08:34,680 --> 01:08:37,920 Speaker 1: but probably thinking about how he can profit off of this. Okay, 1420 01:08:38,200 --> 01:08:41,479 Speaker 1: whether it's a lawsuit or another song, I don't know 1421 01:08:41,600 --> 01:08:43,960 Speaker 1: charging for an interview. Who knows. All I know is 1422 01:08:44,520 --> 01:08:47,880 Speaker 1: dropping the clues box with Dave Chappelle's team for beating 1423 01:08:48,040 --> 01:08:51,760 Speaker 1: his monkey ass. Okay, it brought me great joy to 1424 01:08:51,920 --> 01:08:56,920 Speaker 1: see that human on that gurney, swollen, bleeding, all on backwards, handcuffed. 1425 01:08:57,240 --> 01:08:59,360 Speaker 1: Not because I love violence, not because I want to 1426 01:08:59,400 --> 01:09:02,200 Speaker 1: see him hurt, none of that. I enjoyed it because 1427 01:09:02,400 --> 01:09:05,799 Speaker 1: everyone has to deal with the consequences of their actions. 1428 01:09:06,280 --> 01:09:08,960 Speaker 1: This generation thinks it's no consequences. So when I see 1429 01:09:09,080 --> 01:09:13,800 Speaker 1: people receive consequences like that, okay, getting beat up and 1430 01:09:14,080 --> 01:09:18,360 Speaker 1: jail time, Oh it warms my heart. Okay, his bill 1431 01:09:18,479 --> 01:09:20,479 Speaker 1: is too low, though thirty thousand is too low. In fact, 1432 01:09:20,520 --> 01:09:23,680 Speaker 1: he should have no bell, no bell, and every time 1433 01:09:23,720 --> 01:09:26,400 Speaker 1: he goes to the toilet, they should handcuff his good arm, 1434 01:09:27,040 --> 01:09:29,240 Speaker 1: so when he poops and has to wipe, it has 1435 01:09:29,280 --> 01:09:31,479 Speaker 1: to be with the bad arm. Wouldn't you just love 1436 01:09:31,560 --> 01:09:33,040 Speaker 1: to see that? That's what I want to see. God, 1437 01:09:33,080 --> 01:09:36,320 Speaker 1: viral record that Oh I love it. The moral of 1438 01:09:36,400 --> 01:09:38,960 Speaker 1: the story is this is proof that there are always 1439 01:09:39,040 --> 01:09:42,760 Speaker 1: consequences to your actions. Before you act, make sure you're 1440 01:09:42,760 --> 01:09:45,840 Speaker 1: prepared for him. Please give Isaiah Lee the biggest he hall. 1441 01:09:49,800 --> 01:09:51,760 Speaker 1: Let remy mad give Isaiah Lee the biggest he hall 1442 01:09:52,040 --> 01:09:57,080 Speaker 1: he ha he ha. You stupid. There you go. I 1443 01:09:57,120 --> 01:09:59,400 Speaker 1: ain't mad at it. Anytime he jump gonna stay, you 1444 01:09:59,400 --> 01:10:01,800 Speaker 1: should get your just like that. I just I love 1445 01:10:01,880 --> 01:10:05,800 Speaker 1: seeing like that consequences to people's actions. You jumping down, 1446 01:10:06,400 --> 01:10:09,360 Speaker 1: every comedian, every artistact that that's performing, somebody jump on stage. 1447 01:10:09,360 --> 01:10:10,960 Speaker 1: The're gonna be traumatis because they're gonna think it's a 1448 01:10:10,960 --> 01:10:12,360 Speaker 1: guy with a gun with a knife on it. That 1449 01:10:12,640 --> 01:10:15,479 Speaker 1: should traumatize you. Like I said, the Will Smith situation, 1450 01:10:15,560 --> 01:10:18,640 Speaker 1: that's you're not gonna see that, but maybe once in 1451 01:10:18,720 --> 01:10:22,080 Speaker 1: a generation, depending what multiverse you with. But eaently you 1452 01:10:22,200 --> 01:10:24,479 Speaker 1: more likely to run into that. So I'm good to see. 1453 01:10:24,479 --> 01:10:26,040 Speaker 1: That's good to see him deal with the consequences of 1454 01:10:26,120 --> 01:10:29,960 Speaker 1: his actions. All right, Well up next ask ye eight 1455 01:10:30,080 --> 01:10:32,080 Speaker 1: und five eight five one oh five one. You need 1456 01:10:32,160 --> 01:10:34,360 Speaker 1: relationship advice to any type of advice, call ye now 1457 01:10:34,400 --> 01:10:37,280 Speaker 1: it's the breakfast club. Good morning. What what what? What? 1458 01:10:37,560 --> 01:10:40,679 Speaker 1: What you gonna know? Baby mama issues seeking some words 1459 01:10:40,680 --> 01:10:43,599 Speaker 1: of wisdom? All up now for asking eight hundred five 1460 01:10:43,680 --> 01:10:49,040 Speaker 1: eight five one oh five one the Breakfast Club. Come 1461 01:10:49,120 --> 01:10:54,879 Speaker 1: on these relationship advice, the personal advice, just the real advice. 1462 01:10:55,040 --> 01:11:00,880 Speaker 1: Hall up now for ask ye morning. Everybody is teed Jay, Envy, 1463 01:11:01,120 --> 01:11:04,240 Speaker 1: Angelu yee, Charlomagne the guy we are the Breakfast Club's 1464 01:11:04,280 --> 01:11:07,880 Speaker 1: time for ask ye. Hello. Who's this? Hey? It's William 1465 01:11:07,960 --> 01:11:10,559 Speaker 1: from All Georgia. Hey, William, what's your question for ye? 1466 01:11:11,080 --> 01:11:17,160 Speaker 1: Once again? Good morning, Envy, Charlemagne, yee yee. I have 1467 01:11:17,320 --> 01:11:20,479 Speaker 1: been with a my woman coaches every year, okay, and 1468 01:11:20,920 --> 01:11:24,160 Speaker 1: I want to propose to her. I love her to death. 1469 01:11:24,280 --> 01:11:27,479 Speaker 1: She's a great woman. But one of my issues is 1470 01:11:27,640 --> 01:11:32,840 Speaker 1: is that her children or her child is just so disrespectful, 1471 01:11:33,439 --> 01:11:36,800 Speaker 1: not motivated. Twenty one years old, still lives at home, 1472 01:11:37,200 --> 01:11:40,280 Speaker 1: and I try to motivate her, but she just she's 1473 01:11:40,360 --> 01:11:43,120 Speaker 1: just pretty much, Oh, my mom's gonna take care of everything. 1474 01:11:43,360 --> 01:11:45,400 Speaker 1: I don't want to work in this and that, and 1475 01:11:45,680 --> 01:11:49,439 Speaker 1: that's a big issue with me. What is it, mon? 1476 01:11:49,560 --> 01:11:51,920 Speaker 1: What does your your woman say you're soon to be 1477 01:11:52,040 --> 01:11:54,599 Speaker 1: fiance say when you talk to her about it. Um, 1478 01:11:54,680 --> 01:11:56,280 Speaker 1: when I talked to her about it, she's like, oh, 1479 01:11:56,479 --> 01:11:59,080 Speaker 1: that's my baby, this and that blah blah blah, and 1480 01:11:59,200 --> 01:12:02,559 Speaker 1: then she just ches it at all. Well, first of all, 1481 01:12:02,560 --> 01:12:04,519 Speaker 1: I would think it's twenty one years old that her 1482 01:12:04,560 --> 01:12:06,519 Speaker 1: daughter would want to move out soon at some point. 1483 01:12:07,160 --> 01:12:11,040 Speaker 1: But yeah, but you know when when mom is like, oh, 1484 01:12:11,200 --> 01:12:13,120 Speaker 1: that's my baby and I'll take care of her no 1485 01:12:13,240 --> 01:12:15,679 Speaker 1: matter what. But I grew up a different way. Yeah, 1486 01:12:16,680 --> 01:12:19,200 Speaker 1: you know, hey, look you get to a certain name, 1487 01:12:19,320 --> 01:12:20,920 Speaker 1: you need to either be in school or be in 1488 01:12:20,960 --> 01:12:24,439 Speaker 1: a military. Well, look you and like you said, that's kid. 1489 01:12:24,560 --> 01:12:26,880 Speaker 1: You grew up a different way, and different people raise 1490 01:12:26,960 --> 01:12:28,640 Speaker 1: their kids in different ways. Some people are like, I 1491 01:12:28,720 --> 01:12:30,880 Speaker 1: grew up like this. I want my kids to have, 1492 01:12:31,360 --> 01:12:32,960 Speaker 1: you know, everything, and I want to make sure that 1493 01:12:33,040 --> 01:12:34,760 Speaker 1: I'm there to support them and they don't have to 1494 01:12:35,240 --> 01:12:38,800 Speaker 1: do certain things. It's really hard to tell somebody what 1495 01:12:38,920 --> 01:12:41,040 Speaker 1: to do with their own child. But you guys are 1496 01:12:41,160 --> 01:12:44,600 Speaker 1: trying to be a family, and what you can do 1497 01:12:45,000 --> 01:12:46,840 Speaker 1: is be supportive and what it is that she wants 1498 01:12:46,880 --> 01:12:50,559 Speaker 1: to do, but offer suggestions also in a positive way. Okay, 1499 01:12:51,040 --> 01:12:53,360 Speaker 1: you know you can't tell somebody what you're doing is wrong. 1500 01:12:53,800 --> 01:12:57,400 Speaker 1: But what you can't say is it is affecting our relationship, right, 1501 01:12:58,040 --> 01:12:59,960 Speaker 1: you know. And I had these conversations because I think 1502 01:13:00,200 --> 01:13:02,519 Speaker 1: sometimes we try to tell people what they're doing. This 1503 01:13:02,680 --> 01:13:04,240 Speaker 1: is what I do, so that's what you need to do. 1504 01:13:04,680 --> 01:13:09,760 Speaker 1: That's not necessarily true. Okay, you know, and I do 1505 01:13:09,920 --> 01:13:11,880 Speaker 1: hope that you guys can work through these things. But 1506 01:13:12,000 --> 01:13:14,280 Speaker 1: I think you know, it's an issue with the mom 1507 01:13:14,880 --> 01:13:17,360 Speaker 1: that you have. You can't there's a twenty one year 1508 01:13:17,400 --> 01:13:19,800 Speaker 1: old child who's been raised this way her whole life, 1509 01:13:20,360 --> 01:13:21,800 Speaker 1: you know, and that's what the moms are doing her 1510 01:13:21,800 --> 01:13:24,439 Speaker 1: whole life. It's hard to tell somebody do something different, 1511 01:13:25,080 --> 01:13:26,640 Speaker 1: because what if it was the other way around, and 1512 01:13:26,680 --> 01:13:28,479 Speaker 1: you had a child and she was telling you, oh no, 1513 01:13:28,640 --> 01:13:30,720 Speaker 1: don't do that, don't put your don't tell your child 1514 01:13:30,760 --> 01:13:32,519 Speaker 1: they have to do this, You would be like, no, 1515 01:13:32,680 --> 01:13:37,880 Speaker 1: that's what I'm doing. But I do think that you 1516 01:13:37,960 --> 01:13:41,840 Speaker 1: guys should be open to hearing each other out and 1517 01:13:42,080 --> 01:13:48,040 Speaker 1: just maybe some suggestions, but in a positive, supportive manner. Okay, Okay, 1518 01:13:48,600 --> 01:13:52,720 Speaker 1: I'll try that. Okay, all right, congratulations, how are you 1519 01:13:52,760 --> 01:13:56,880 Speaker 1: going to propose? Oh? I gotta set up in about 1520 01:13:56,960 --> 01:14:00,360 Speaker 1: two weeks. We're gonna go to the beach down at Florida. Okay, 1521 01:14:00,760 --> 01:14:03,120 Speaker 1: you remember, it's not it ain't gonna be you against 1522 01:14:03,160 --> 01:14:05,200 Speaker 1: the daughter. Okay, y'all about to be a family. You 1523 01:14:05,280 --> 01:14:08,519 Speaker 1: got to figure out a way to integrate things, right, right, right, 1524 01:14:08,600 --> 01:14:11,680 Speaker 1: I got you, I got okay, all right, thank you 1525 01:14:11,760 --> 01:14:16,160 Speaker 1: so much for your advice. Y'are welcome. All right, Ask 1526 01:14:16,240 --> 01:14:18,800 Speaker 1: Ye eight hundred five A five one on five one. 1527 01:14:18,840 --> 01:14:21,080 Speaker 1: If you need relationship advice or any type of advice, 1528 01:14:21,200 --> 01:14:25,679 Speaker 1: call ye. Now. It's the breakfast Club. Good morning. I'm 1529 01:14:25,680 --> 01:14:29,360 Speaker 1: gonna keep real's some real advice with Angela ye gets 1530 01:14:29,439 --> 01:14:35,000 Speaker 1: ask Ye morning. Everybody is DJ Envy, Angela Yee, Charlomagne 1531 01:14:35,040 --> 01:14:36,720 Speaker 1: the guy. We are the breakfast Club. But in the 1532 01:14:36,800 --> 01:14:41,200 Speaker 1: middle of ask ye, Hello, who's this? Hey? This so Joe? Hey, 1533 01:14:41,240 --> 01:14:46,000 Speaker 1: what's your question for you? I want you've been with 1534 01:14:46,120 --> 01:14:51,120 Speaker 1: a female for eight years, you have a child together. Everybody, man, 1535 01:14:51,320 --> 01:14:54,760 Speaker 1: I love with a death. But it's too bad. It's 1536 01:14:54,800 --> 01:15:00,600 Speaker 1: like sexually we were not claking, like like she's not 1537 01:15:00,800 --> 01:15:03,640 Speaker 1: doing it for me. Like sometimes I'll be happy, like 1538 01:15:03,880 --> 01:15:06,559 Speaker 1: like one time we all were talking about faking orgasm. 1539 01:15:06,840 --> 01:15:10,040 Speaker 1: Sometimes I'll be having a faking wood just to Rustle, 1540 01:15:10,720 --> 01:15:13,040 Speaker 1: you know what I mean, Get get through the get 1541 01:15:13,160 --> 01:15:17,080 Speaker 1: through the sension. You feel me and another thing. And 1542 01:15:17,240 --> 01:15:22,360 Speaker 1: she she's not motivated to made like I got two jobs. 1543 01:15:22,880 --> 01:15:25,519 Speaker 1: I got two jobs, and I hunting along the side 1544 01:15:25,640 --> 01:15:28,439 Speaker 1: Rustle the thig. She she didn't want to do nothing 1545 01:15:28,560 --> 01:15:30,639 Speaker 1: like she just want to She just want to work. 1546 01:15:31,000 --> 01:15:34,040 Speaker 1: But then I got a little to she she I 1547 01:15:34,360 --> 01:15:39,400 Speaker 1: would have too, but we have explement stational chemistry. And 1548 01:15:39,680 --> 01:15:41,920 Speaker 1: she had hard work and she got two jobs. Everything 1549 01:15:42,160 --> 01:15:46,280 Speaker 1: but my baby mama, she she sweets. She never did 1550 01:15:46,360 --> 01:15:49,679 Speaker 1: mentor to me and I love what a deal? Okay, 1551 01:15:49,920 --> 01:15:51,559 Speaker 1: Like I don't know what to do. So you love 1552 01:15:51,600 --> 01:15:54,439 Speaker 1: her to death, but you physically are not attracted to her. 1553 01:15:54,560 --> 01:15:56,200 Speaker 1: And part of that might be the fact that you 1554 01:15:56,400 --> 01:15:58,919 Speaker 1: feel like she's not motivated enough and you're not attracted 1555 01:15:58,960 --> 01:16:02,960 Speaker 1: to the fact that she like ambition. Yeah yeah. And 1556 01:16:03,040 --> 01:16:05,240 Speaker 1: then on top of that, now you started messing with 1557 01:16:05,320 --> 01:16:07,840 Speaker 1: somebody else, and you're comparing these two women, and you 1558 01:16:07,960 --> 01:16:10,320 Speaker 1: found somebody that you like certain qualities in her better, 1559 01:16:10,320 --> 01:16:12,680 Speaker 1: and you're comparing that to your long term girlfriend and 1560 01:16:12,800 --> 01:16:18,200 Speaker 1: children's mother. Yeah yeah, when did things get worse for you? 1561 01:16:18,479 --> 01:16:22,960 Speaker 1: And and your girlfriend sexually. I can't really get warning. 1562 01:16:23,040 --> 01:16:27,519 Speaker 1: It's probably like maybe like halfway through a little bit 1563 01:16:27,560 --> 01:16:31,360 Speaker 1: halfway do you really like Like it's just it's just 1564 01:16:31,600 --> 01:16:34,200 Speaker 1: like you want to do hers right, Like even when 1565 01:16:34,240 --> 01:16:41,000 Speaker 1: we were like it's like I just talked to the bottom, 1566 01:16:41,040 --> 01:16:42,920 Speaker 1: but he was like and she didn't used to be 1567 01:16:43,080 --> 01:16:48,760 Speaker 1: like that. Things changed at some point exactly. It's the 1568 01:16:48,880 --> 01:16:52,679 Speaker 1: boy and reach you had the childish it's just like, oh, yeah, 1569 01:16:52,800 --> 01:16:56,640 Speaker 1: come on, you're really like that, you know what I mean. 1570 01:16:56,680 --> 01:16:59,760 Speaker 1: I liked it, So it was like I liked it, 1571 01:17:00,280 --> 01:17:02,760 Speaker 1: you know, do differently, you know what I mean. And 1572 01:17:02,880 --> 01:17:05,960 Speaker 1: the other girls she's like, we when it comes theirn today. 1573 01:17:06,080 --> 01:17:08,000 Speaker 1: So it's like and you said, so you said it 1574 01:17:08,120 --> 01:17:10,040 Speaker 1: was kind of after she had the child that things 1575 01:17:10,160 --> 01:17:13,240 Speaker 1: change in the bedroom because you know, a woman's body 1576 01:17:13,280 --> 01:17:17,559 Speaker 1: and her hormones can change after that. Yeah, but I mean, 1577 01:17:18,160 --> 01:17:22,160 Speaker 1: but other man they had choose. Yeah, but it doesn't 1578 01:17:22,200 --> 01:17:25,320 Speaker 1: happen to everybody, but it can happen, you know what 1579 01:17:25,439 --> 01:17:27,840 Speaker 1: I mean. So it could be other things that's on 1580 01:17:28,000 --> 01:17:30,880 Speaker 1: her mind, bothering her. Maybe she's unhappy with her work. Also, 1581 01:17:31,000 --> 01:17:33,200 Speaker 1: like you said, you feel like she's not ambitious, but 1582 01:17:33,280 --> 01:17:35,960 Speaker 1: is she doing what she wants to do. Yeah, yeah, 1583 01:17:36,439 --> 01:17:39,000 Speaker 1: like like she but but that's what I'm saying we 1584 01:17:39,080 --> 01:17:41,200 Speaker 1: did in college, say like I work hard, like I 1585 01:17:41,320 --> 01:17:44,960 Speaker 1: work crazy, like I worked ten hour day old jobs. 1586 01:17:45,080 --> 01:17:49,720 Speaker 1: Sometimes like I go, I go all ri It's like 1587 01:17:49,920 --> 01:17:52,920 Speaker 1: it's like she just like she always played about phone 1588 01:17:53,120 --> 01:17:56,280 Speaker 1: having little girl do who But it's like you like 1589 01:17:58,280 --> 01:18:00,960 Speaker 1: right and and now you like somebody else. I just 1590 01:18:01,040 --> 01:18:03,519 Speaker 1: want to give you this advice because I can't tell you, 1591 01:18:04,000 --> 01:18:06,320 Speaker 1: you know, to leave somebody or stay with somebody, But 1592 01:18:06,439 --> 01:18:09,840 Speaker 1: I will say, don't compare these two women to each other. 1593 01:18:09,920 --> 01:18:14,240 Speaker 1: They're in different situations. Focus on your relationship and whether 1594 01:18:14,360 --> 01:18:16,599 Speaker 1: or not you want to be with that person. Don't 1595 01:18:16,680 --> 01:18:21,200 Speaker 1: leave one person for another. So separate the two situations. Okay, 1596 01:18:21,560 --> 01:18:23,800 Speaker 1: other than what this woman is, you know, who is 1597 01:18:23,840 --> 01:18:26,680 Speaker 1: your side piece is providing for you? Yeah, usually when 1598 01:18:26,720 --> 01:18:29,120 Speaker 1: people have a side piece, that's fun. You're not having 1599 01:18:29,160 --> 01:18:32,360 Speaker 1: the issues of having a relationship that share escape from 1600 01:18:32,360 --> 01:18:35,040 Speaker 1: the problems that you're having with your woman. So you 1601 01:18:35,160 --> 01:18:38,360 Speaker 1: got to separate those two things and just focus on Okay, 1602 01:18:38,479 --> 01:18:40,720 Speaker 1: can I fix this with her? I'm not comparing her 1603 01:18:40,760 --> 01:18:42,439 Speaker 1: to what this other woman is doing. Because we don't 1604 01:18:42,439 --> 01:18:45,400 Speaker 1: have a child together, we haven't been together. We're not comfortable. 1605 01:18:45,760 --> 01:18:47,800 Speaker 1: I don't know what's going on with that. But in 1606 01:18:47,920 --> 01:18:50,880 Speaker 1: your situation, can this be fixed? And if it can't, 1607 01:18:50,920 --> 01:18:53,559 Speaker 1: it's not fair to you to stay with somebody who 1608 01:18:53,640 --> 01:18:55,680 Speaker 1: you say you love her to death, but then you're 1609 01:18:55,760 --> 01:18:57,880 Speaker 1: cheating on her. Imagine how things are going to change 1610 01:18:57,920 --> 01:19:00,599 Speaker 1: if she ever finds that out and that and that's 1611 01:19:00,760 --> 01:19:02,680 Speaker 1: what I'm and that's what I'm kind of afraid. Or 1612 01:19:02,800 --> 01:19:05,519 Speaker 1: it's like it's like because like with the other chicken, 1613 01:19:05,560 --> 01:19:07,439 Speaker 1: it's like, let's just say, let let me get your job. 1614 01:19:07,520 --> 01:19:10,360 Speaker 1: Let's say I won't truckle, right, I'm just I'm just 1615 01:19:10,479 --> 01:19:12,360 Speaker 1: we're just talking. You free man. I'm like, I don't 1616 01:19:12,360 --> 01:19:15,120 Speaker 1: want to pay shoes, you see what mean? Chill? The 1617 01:19:15,200 --> 01:19:17,840 Speaker 1: other girl be like, oh well if I don't have 1618 01:19:17,960 --> 01:19:19,880 Speaker 1: all the money for all, I argue you have for 1619 01:19:19,960 --> 01:19:24,000 Speaker 1: the money opposed to my bad mama was like, oh, 1620 01:19:24,080 --> 01:19:26,479 Speaker 1: well give out if you won't go getting yourself, Like 1621 01:19:26,640 --> 01:19:29,120 Speaker 1: I said, trust me and believe there's other women. First 1622 01:19:29,160 --> 01:19:30,880 Speaker 1: of all, she knows she's a side check, right, she 1623 01:19:31,040 --> 01:19:34,440 Speaker 1: know you got a woman. Yeah, so already she's purposefully 1624 01:19:34,560 --> 01:19:37,800 Speaker 1: doing these things Okay, So let's be clear, she knows 1625 01:19:37,840 --> 01:19:41,120 Speaker 1: you have a woman, and so already she's wrong for that. 1626 01:19:41,800 --> 01:19:44,120 Speaker 1: Trust and believe, as amazing as you think she is, 1627 01:19:44,720 --> 01:19:46,680 Speaker 1: the fact that she's messing with you knowing that you 1628 01:19:46,800 --> 01:19:49,840 Speaker 1: in a relationship makes her not so amazing. Number one. 1629 01:19:50,520 --> 01:19:53,559 Speaker 1: But no, you know what I'm saying, So don't fall 1630 01:19:53,640 --> 01:19:57,000 Speaker 1: into that. But number two, forget about that. Focus on 1631 01:19:57,120 --> 01:19:59,880 Speaker 1: your relationship and what the problems are. Don't cheat on 1632 01:20:00,000 --> 01:20:02,400 Speaker 1: this woman. I would rather you decide not to be 1633 01:20:02,520 --> 01:20:04,360 Speaker 1: with her for now so that you're not doing that, 1634 01:20:04,439 --> 01:20:06,680 Speaker 1: because she will be devastated and I don't know if 1635 01:20:06,720 --> 01:20:10,840 Speaker 1: your relationship can be repaired, you know, so you gotta 1636 01:20:10,880 --> 01:20:12,560 Speaker 1: think like that. You don't want to hurt her. So 1637 01:20:13,000 --> 01:20:14,360 Speaker 1: if you don't want to hurt her and you love 1638 01:20:14,400 --> 01:20:16,760 Speaker 1: her to death, be honest with her. And if you 1639 01:20:16,840 --> 01:20:19,040 Speaker 1: feel like, look, this is not a situation I want 1640 01:20:19,080 --> 01:20:21,040 Speaker 1: to be in, I'm sneaking around, I'm a cheat regardless, 1641 01:20:21,280 --> 01:20:22,880 Speaker 1: then don't be with her. You're not forced to be 1642 01:20:22,960 --> 01:20:26,720 Speaker 1: in a relationship. But I understand she might end up 1643 01:20:26,720 --> 01:20:28,400 Speaker 1: being with somebody else. And if you feel like you 1644 01:20:28,479 --> 01:20:31,479 Speaker 1: can handle that, you know that's on you. But just 1645 01:20:31,640 --> 01:20:34,280 Speaker 1: remember that it's hard because of a child, Like I 1646 01:20:34,400 --> 01:20:36,800 Speaker 1: love my son more than anything in this world, so 1647 01:20:36,920 --> 01:20:39,240 Speaker 1: it's kind of hard. Well, if you love your son, 1648 01:20:39,640 --> 01:20:41,400 Speaker 1: then you gotta be honest with the mom. You can 1649 01:20:41,439 --> 01:20:43,640 Speaker 1: still love your son and have a good relationship and 1650 01:20:43,720 --> 01:20:46,120 Speaker 1: be a great dad. But if you're treating his mom 1651 01:20:46,240 --> 01:20:48,280 Speaker 1: like that and he ever finds that out one day, 1652 01:20:48,600 --> 01:20:51,439 Speaker 1: think about how devastating that is for your family. Yea, 1653 01:20:51,960 --> 01:20:53,880 Speaker 1: you gotta be a good role model for your son. 1654 01:20:54,240 --> 01:20:58,599 Speaker 1: You love your son, do the right thing. All right, 1655 01:20:58,640 --> 01:21:01,280 Speaker 1: You're welcome, all right, ski eight, don't drink five eight 1656 01:21:01,360 --> 01:21:03,400 Speaker 1: five one on five one. We got rooms on the way. Yes, 1657 01:21:03,600 --> 01:21:05,320 Speaker 1: in the Rock and Roll Hall of Fame. Will tell 1658 01:21:05,360 --> 01:21:07,920 Speaker 1: you who will be inducted this year. All right, we'll 1659 01:21:07,920 --> 01:21:09,800 Speaker 1: get into that next. It's the Breakfast Club. Good morning, 1660 01:21:10,400 --> 01:21:17,000 Speaker 1: the Breakfast Club. This is a random room behind the scenes. 1661 01:21:18,320 --> 01:21:23,400 Speaker 1: I mean random, very rand random. I just can't even 1662 01:21:23,439 --> 01:21:27,720 Speaker 1: talk about basketball anymore without just being random. What what's 1663 01:21:27,800 --> 01:21:33,679 Speaker 1: bothering you? It's just random? That's all go ahead? Share, Okay, 1664 01:21:33,840 --> 01:21:36,160 Speaker 1: Yews was wilder though, oh not really. It was all 1665 01:21:36,200 --> 01:21:37,720 Speaker 1: the same. It's all the same level of wild and 1666 01:21:37,760 --> 01:21:40,120 Speaker 1: it's never mind. Yeah, let's just leave it alone. Yeah right, 1667 01:21:40,680 --> 01:21:43,200 Speaker 1: all right, well, let's get to the rooms. What we're 1668 01:21:43,200 --> 01:21:48,479 Speaker 1: talking because you're stupid and I hate y'all. Let's go 1669 01:21:48,720 --> 01:22:01,160 Speaker 1: get the rooms with angels. All right? Well, Vanessa Brian 1670 01:22:01,280 --> 01:22:05,960 Speaker 1: has announced that these Kobe and Gianna Bryant courts will 1671 01:22:06,000 --> 01:22:08,400 Speaker 1: be cropping up at a local park near you. They 1672 01:22:08,520 --> 01:22:11,560 Speaker 1: have plans to renovate basketball courts across the country with 1673 01:22:11,800 --> 01:22:14,560 Speaker 1: Mamba and Mamba Sitza themes. So she posted that on 1674 01:22:14,640 --> 01:22:16,880 Speaker 1: her Instagram page. That is going to be done in 1675 01:22:16,920 --> 01:22:20,879 Speaker 1: collaboration with Body Armor and the Mamba and Mambasita Sports Foundation. 1676 01:22:21,280 --> 01:22:23,840 Speaker 1: Ten courts throughout the United States will be renovated and 1677 01:22:23,920 --> 01:22:26,400 Speaker 1: they'll have nods to Kobe and GG love it. Keep 1678 01:22:26,439 --> 01:22:31,400 Speaker 1: the Legacy Alive, man La, Philly, DC, Atlanta, Chicago, Houston, Dallas, Miami, Phoenix, 1679 01:22:31,439 --> 01:22:34,760 Speaker 1: and Detroits. I was watching this video yesterday like real 1680 01:22:34,880 --> 01:22:38,639 Speaker 1: with Kobe talking about his daughter carrying on his legacy 1681 01:22:38,720 --> 01:22:41,880 Speaker 1: and basketball Lord have mercy, boy, you cannot watch those 1682 01:22:41,960 --> 01:22:44,720 Speaker 1: in that y'ads? No water? All right, And a new 1683 01:22:44,800 --> 01:22:49,160 Speaker 1: reality series is gonna be featuring Jada chiefs Ari Fletcher, 1684 01:22:49,240 --> 01:22:53,439 Speaker 1: and Malibu Mitch the Jasmine brand exclusively reports. It's a 1685 01:22:53,560 --> 01:22:56,639 Speaker 1: new non scripted series that's allegedly in the works at BT. 1686 01:22:56,800 --> 01:22:59,759 Speaker 1: It'll follow the lives of young socialites living in the city, 1687 01:23:01,000 --> 01:23:02,800 Speaker 1: so it could be interesting. I'm sure a lot of 1688 01:23:02,840 --> 01:23:05,360 Speaker 1: people are gonna watch that, so shout out to them. 1689 01:23:05,400 --> 01:23:08,360 Speaker 1: I actually had Malibu, Mitch and Ari Fletcher on Lit 1690 01:23:08,439 --> 01:23:12,360 Speaker 1: Service before. All. Right, now, Anderson Pack is going to 1691 01:23:12,400 --> 01:23:15,720 Speaker 1: be directing a comedy drama called k Pops and he's 1692 01:23:15,720 --> 01:23:19,080 Speaker 1: gonna star in it also alongside his son. It's gonna 1693 01:23:19,600 --> 01:23:21,840 Speaker 1: basically tell the story of a washed up musician who 1694 01:23:21,920 --> 01:23:24,759 Speaker 1: travels to Korea to write for K pop stars, discovering 1695 01:23:24,800 --> 01:23:26,599 Speaker 1: that his long lost son is set to front one 1696 01:23:26,640 --> 01:23:29,200 Speaker 1: of the country's hottest new groups. And you know, his 1697 01:23:29,280 --> 01:23:31,120 Speaker 1: mom is from Korea, but she was adopted, so he 1698 01:23:31,120 --> 01:23:33,920 Speaker 1: said he never knew anything about his Korean heritage until 1699 01:23:34,000 --> 01:23:37,280 Speaker 1: he met his wife. Janelle. Mune is going to be 1700 01:23:37,320 --> 01:23:40,679 Speaker 1: portraying Josephine Baker in a TV series and it's called 1701 01:23:40,760 --> 01:23:44,599 Speaker 1: Dayla Resistance, And so that'd be really dope to see 1702 01:23:44,680 --> 01:23:47,160 Speaker 1: Josephine Baker's role as a spy for the Allies during 1703 01:23:47,160 --> 01:23:50,400 Speaker 1: the French Resistance, helping defeat the Nazis and her experience 1704 01:23:50,439 --> 01:23:54,040 Speaker 1: as one of the world's most iconic, talented and glamorous entertainer. 1705 01:23:54,200 --> 01:23:56,599 Speaker 1: Big role, big role, Janelle dropping a clue box, Janelle 1706 01:23:56,640 --> 01:24:01,040 Speaker 1: Mune Gotta body that one. And you know, Joey Vadass 1707 01:24:01,520 --> 01:24:03,840 Speaker 1: wasn't paid for Two Distant Strangers and he actually had 1708 01:24:03,880 --> 01:24:06,320 Speaker 1: to go to therapy after starring in that Oscar Winnings 1709 01:24:06,320 --> 01:24:09,080 Speaker 1: short film. He said he did it because there was 1710 01:24:09,120 --> 01:24:11,280 Speaker 1: a lot of internalization. He had to go to therapy. 1711 01:24:11,400 --> 01:24:13,080 Speaker 1: He said, I remember the first scene in the movie 1712 01:24:13,080 --> 01:24:15,360 Speaker 1: when I'm coming out of the girls apartment and please 1713 01:24:15,400 --> 01:24:16,840 Speaker 1: see me and they slam me on the floor. I 1714 01:24:16,920 --> 01:24:19,280 Speaker 1: remember shooting that in real time, and it was people 1715 01:24:19,360 --> 01:24:21,160 Speaker 1: driving by. They would stop and they would roll down 1716 01:24:21,160 --> 01:24:22,800 Speaker 1: their windows and be like, Yo, is this real or 1717 01:24:22,880 --> 01:24:24,679 Speaker 1: is this for a movie? What's going on? You good? 1718 01:24:25,160 --> 01:24:27,840 Speaker 1: He said. It's traumatic for those innocent bystanders as well. 1719 01:24:28,600 --> 01:24:30,920 Speaker 1: I can imagine. I'm sure he got something on the 1720 01:24:30,960 --> 01:24:33,040 Speaker 1: back end or yeah, he said, you know, it was 1721 01:24:33,040 --> 01:24:35,920 Speaker 1: supposed to be a feature. Originally he didn't get paid. 1722 01:24:36,400 --> 01:24:38,439 Speaker 1: It was a project and experiment. He said. Once I 1723 01:24:38,479 --> 01:24:40,639 Speaker 1: got involved activated a lot of people. Once they saw 1724 01:24:40,720 --> 01:24:43,080 Speaker 1: my execution everybody wanted to be a part of the 1725 01:24:43,160 --> 01:24:46,479 Speaker 1: production team, and that's what helped get it that push, 1726 01:24:46,640 --> 01:24:48,240 Speaker 1: all right, and the Rock and Roll Hall of Fame 1727 01:24:48,760 --> 01:24:53,439 Speaker 1: for twenty twenty two. The inductees were announced yesterday and 1728 01:24:53,640 --> 01:24:57,200 Speaker 1: some of the inductees include lion Or Richie, Jimmy jam And, 1729 01:24:57,320 --> 01:25:02,360 Speaker 1: Terry Lewis, Eminem, Dolly all Right and Carly Simon, Harry Belafonte, 1730 01:25:02,520 --> 01:25:05,560 Speaker 1: Duran Duran, your Rhythmics, Pat Benatta, and Judas Priest. So 1731 01:25:05,680 --> 01:25:09,280 Speaker 1: congratulations to all of them. All of those individuals deserve 1732 01:25:09,360 --> 01:25:10,920 Speaker 1: to get in. But I really wish they would take 1733 01:25:10,960 --> 01:25:12,519 Speaker 1: the rock and roll off of that and just call 1734 01:25:12,600 --> 01:25:15,720 Speaker 1: it the Music Hall of Fame, right because it's just like, 1735 01:25:15,880 --> 01:25:17,639 Speaker 1: what about all the other genres, I mean, the main't 1736 01:25:17,720 --> 01:25:20,720 Speaker 1: rock and roll, not some other people who some of 1737 01:25:20,760 --> 01:25:22,280 Speaker 1: the people who could have made it, but they didn't 1738 01:25:22,280 --> 01:25:25,280 Speaker 1: this year, and they definitely deserved a tribe call Quest 1739 01:25:25,880 --> 01:25:32,040 Speaker 1: definite all day, Lakuti, Dion Warwick, come on now, ye Devo, 1740 01:25:32,200 --> 01:25:34,040 Speaker 1: Kate Bush, all of them. They didn't get enough votes 1741 01:25:34,080 --> 01:25:36,400 Speaker 1: at this induction, but we gotta make sure they get 1742 01:25:36,439 --> 01:25:38,160 Speaker 1: in the rock and roll Just call it the Music 1743 01:25:38,200 --> 01:25:41,439 Speaker 1: Hall of Fame, all right? Well, that is your rumor reports. 1744 01:25:41,520 --> 01:25:43,760 Speaker 1: All right, thank you, missy. The People's Choice mixes up 1745 01:25:43,840 --> 01:25:46,080 Speaker 1: next and again and shout out to Houston. Everybody that's 1746 01:25:46,080 --> 01:25:48,880 Speaker 1: heading out to my car show on Father's Day weekend. 1747 01:25:48,920 --> 01:25:52,720 Speaker 1: It's a perfect Father's Day gift. June nineteenth is Houston Verse, 1748 01:25:52,800 --> 01:25:55,200 Speaker 1: New York City. Get your tickets of talking celebrity calls, 1749 01:25:55,240 --> 01:25:59,320 Speaker 1: exotic cars are carnival rides of amusement rides and games, 1750 01:25:59,439 --> 01:26:01,280 Speaker 1: and it's gonna be a family fund day, so get 1751 01:26:01,280 --> 01:26:02,960 Speaker 1: your tickets. It's gonna be a lot of fund My 1752 01:26:03,000 --> 01:26:06,120 Speaker 1: whole family's heading out there and getting myself would also 1753 01:26:06,160 --> 01:26:09,000 Speaker 1: be signing copies of our book as well, so hopeful 1754 01:26:09,040 --> 01:26:10,840 Speaker 1: to see you there. And it mixes up next to 1755 01:26:10,960 --> 01:26:14,000 Speaker 1: the Breakfast Club Good morning, So Breakfast Club, your mornings 1756 01:26:14,040 --> 01:26:17,200 Speaker 1: will never be the same. Our Audible pick of the 1757 01:26:17,240 --> 01:26:20,519 Speaker 1: day is Finding Tamika from Kevin Hart, Myself, Charlomagne, the 1758 01:26:20,600 --> 01:26:23,760 Speaker 1: God and Queen Erica Alexander, and Color Farm Media. This 1759 01:26:23,920 --> 01:26:26,479 Speaker 1: series focuses on missing black women and the system that 1760 01:26:26,520 --> 01:26:28,840 Speaker 1: ignores them. Sign up for a free thirty day Audible 1761 01:26:28,880 --> 01:26:33,200 Speaker 1: trial at audible dot Com, Slash Breakfast, WWPR FM HD one, 1762 01:26:33,320 --> 01:26:36,080 Speaker 1: New York an i Heeart radio station. Let me put 1763 01:26:36,120 --> 01:26:38,479 Speaker 1: a little bit of a breakfast good friend. They're trying 1764 01:26:38,520 --> 01:26:42,200 Speaker 1: to be out of shape morning. Everybody is DJ Envy 1765 01:26:42,400 --> 01:26:45,479 Speaker 1: and Charlomagne the Dad. We are the Breakfast Club. We 1766 01:26:45,560 --> 01:26:48,840 Speaker 1: got special guests in the building, sharant Dos. Good morning, 1767 01:26:50,479 --> 01:26:53,000 Speaker 1: Hey Shanty. We were talking about this being your fifth 1768 01:26:53,160 --> 01:26:56,800 Speaker 1: year anniversary. Yeah, club, I mean, where's the champagne la. 1769 01:26:59,439 --> 01:27:02,480 Speaker 1: We need a We really do need to get more celebratory. 1770 01:27:06,439 --> 01:27:09,080 Speaker 1: We do have some wine. I'm glad. I do want 1771 01:27:09,120 --> 01:27:11,920 Speaker 1: to say that I've seen a huge difference since you 1772 01:27:12,000 --> 01:27:14,280 Speaker 1: started coming up here up until now, in the past 1773 01:27:14,320 --> 01:27:18,559 Speaker 1: five years, even with people not being ashamed and wanting 1774 01:27:18,600 --> 01:27:21,400 Speaker 1: to talk more about mental health. Oh, I hope that 1775 01:27:21,520 --> 01:27:24,439 Speaker 1: our organization and this stuff I've been saying, I've been 1776 01:27:24,479 --> 01:27:27,760 Speaker 1: able to help normalize that conversation. How are you? First 1777 01:27:27,800 --> 01:27:29,559 Speaker 1: of all, you know, I'm okay. I don't know if 1778 01:27:29,600 --> 01:27:32,360 Speaker 1: y'all know, but I lost my mother late January. I 1779 01:27:32,439 --> 01:27:36,200 Speaker 1: feel like it's always a reoccurring theme with me, healing. Um, 1780 01:27:37,200 --> 01:27:39,160 Speaker 1: I'm good this morning. Let me just say that, and 1781 01:27:39,240 --> 01:27:41,560 Speaker 1: I take that one day at a time. I no 1782 01:27:41,720 --> 01:27:44,519 Speaker 1: longer try to just sugarcoat how I'm feeling, and if 1783 01:27:44,560 --> 01:27:46,360 Speaker 1: I'm having a tough day, I'll say that I was 1784 01:27:46,400 --> 01:27:48,760 Speaker 1: just on a panel on Friday, shout out to doctor 1785 01:27:48,840 --> 01:27:52,439 Speaker 1: Chelsea Clinton at the Clan Foundation, and I wasn't having 1786 01:27:52,479 --> 01:27:55,839 Speaker 1: a good day that morning, and I felt stressed and anxious. 1787 01:27:56,400 --> 01:27:58,160 Speaker 1: But I prayed about it and I just tried to 1788 01:27:58,240 --> 01:28:01,120 Speaker 1: recenter myself and you know, I just, you know, have 1789 01:28:01,280 --> 01:28:04,160 Speaker 1: to figure out ways now to keep myself moving forward. 1790 01:28:04,200 --> 01:28:07,240 Speaker 1: That's why healthy coping mechanisms are important, because we all 1791 01:28:07,360 --> 01:28:10,160 Speaker 1: struggle every day in some form of fashion. But the 1792 01:28:10,280 --> 01:28:11,920 Speaker 1: key is to have ways to cope through it in 1793 01:28:11,960 --> 01:28:14,520 Speaker 1: a healthy way. Yeah, what are some of your coping mechanisms? 1794 01:28:14,640 --> 01:28:16,720 Speaker 1: So like for me, is I mentioned like, you know, 1795 01:28:16,960 --> 01:28:19,680 Speaker 1: I just got up and I prayed that morning and 1796 01:28:19,800 --> 01:28:21,439 Speaker 1: not to impose my faith. So if you believe in 1797 01:28:21,520 --> 01:28:23,400 Speaker 1: the universe or you just want to get outside and 1798 01:28:23,439 --> 01:28:25,800 Speaker 1: get it, immerse yourself in nature. I think nature is 1799 01:28:25,800 --> 01:28:28,639 Speaker 1: a great waiter sending yourself and go outside. I take walks, 1800 01:28:29,080 --> 01:28:32,160 Speaker 1: I drink tea and really because tea is really soothing. 1801 01:28:32,760 --> 01:28:36,080 Speaker 1: I'll exercise. I have a stationary bike. And also I 1802 01:28:36,200 --> 01:28:39,120 Speaker 1: might call a girlfriend and just like reminisced and laugh 1803 01:28:39,360 --> 01:28:41,760 Speaker 1: Can we talk about grief a little bit more? Because yes, 1804 01:28:41,880 --> 01:28:43,720 Speaker 1: you know, people, I think one of the biggest lives 1805 01:28:43,760 --> 01:28:45,920 Speaker 1: you've ever told ourself was time heals all wounds in 1806 01:28:46,040 --> 01:28:48,880 Speaker 1: regards to grief. I don't believe that anymore. Can I 1807 01:28:49,000 --> 01:28:52,880 Speaker 1: just speak candidly, like, please grief up journey? Sometimes for 1808 01:28:53,080 --> 01:28:56,679 Speaker 1: some it's really tough. I'm still getting over the loss 1809 01:28:56,720 --> 01:28:59,640 Speaker 1: of my sister, you know, which last week made three 1810 01:28:59,720 --> 01:29:02,840 Speaker 1: years for her. And I think we all feel like, Okay, 1811 01:29:03,320 --> 01:29:05,320 Speaker 1: we grieve. You know, you got all this influx of 1812 01:29:05,400 --> 01:29:08,599 Speaker 1: calls and messages and post piece be with you, prayers 1813 01:29:08,600 --> 01:29:10,479 Speaker 1: to your family that first week, right, and then you're 1814 01:29:10,479 --> 01:29:13,120 Speaker 1: trying to get everything planned and the services and it's hectic. 1815 01:29:13,760 --> 01:29:16,120 Speaker 1: And then that next week when all the phone calls 1816 01:29:16,160 --> 01:29:19,360 Speaker 1: stop and people learnt calling, and you gotta sit in 1817 01:29:19,479 --> 01:29:22,760 Speaker 1: that grief. It's a lot, and some people internalize it 1818 01:29:22,840 --> 01:29:25,639 Speaker 1: and bury it and act like, Okay, funeral's over, I'm done. 1819 01:29:26,120 --> 01:29:28,320 Speaker 1: Society tells me, I gotta snap back out of it 1820 01:29:28,400 --> 01:29:31,560 Speaker 1: and get back to work. That's some book. We have 1821 01:29:31,760 --> 01:29:34,599 Speaker 1: to process through our grief, and we have to allow 1822 01:29:34,680 --> 01:29:36,479 Speaker 1: ourselves to go through it. That's why you might see 1823 01:29:36,520 --> 01:29:39,160 Speaker 1: an ugly cry on my ig, you know, every now 1824 01:29:39,240 --> 01:29:42,320 Speaker 1: and then, because I feel like being transparent and the 1825 01:29:42,479 --> 01:29:45,280 Speaker 1: thing about grief, it's okay to sit in it. You 1826 01:29:45,400 --> 01:29:48,000 Speaker 1: just can't stay in it, but you gotta be able 1827 01:29:48,120 --> 01:29:50,200 Speaker 1: to sit in the valley and go through it. It's 1828 01:29:50,280 --> 01:29:53,000 Speaker 1: no way around it, and no two people grieve the same. 1829 01:29:53,640 --> 01:29:56,160 Speaker 1: I'm still in therapy, which is I'm so proud of myself. 1830 01:29:56,200 --> 01:29:59,759 Speaker 1: I've been in therapy, you know, NonStop for six months. 1831 01:30:00,040 --> 01:30:02,200 Speaker 1: That's new for me because sometimes I'll start and stop 1832 01:30:02,240 --> 01:30:03,840 Speaker 1: and I think, Okay, I'm doing this work. I know 1833 01:30:03,960 --> 01:30:06,680 Speaker 1: how to cope. But that's a lie too. I have 1834 01:30:06,840 --> 01:30:09,360 Speaker 1: this great book that I read called The Gift of 1835 01:30:09,479 --> 01:30:12,880 Speaker 1: Grief and it's by doctor Jetta Robinson, and it just 1836 01:30:13,040 --> 01:30:16,880 Speaker 1: talks about allowing yourself the grace and space that you need. 1837 01:30:17,320 --> 01:30:19,320 Speaker 1: I just feel like we have to create safe spaces 1838 01:30:19,479 --> 01:30:21,680 Speaker 1: and we have to give more grace to people when 1839 01:30:21,720 --> 01:30:24,960 Speaker 1: they're grieving. We do. You never know what somebody's and 1840 01:30:25,200 --> 01:30:27,120 Speaker 1: it could be ten years later. And I talk to 1841 01:30:27,240 --> 01:30:29,439 Speaker 1: people when I share stuff about my mom, and I 1842 01:30:29,520 --> 01:30:32,599 Speaker 1: got so many people posting or leaving comments saying, Yo, 1843 01:30:32,760 --> 01:30:34,519 Speaker 1: my mom's been dead ten years and my pop's been 1844 01:30:34,600 --> 01:30:37,280 Speaker 1: dead fifteen years and I still find myself I could 1845 01:30:37,320 --> 01:30:38,880 Speaker 1: be able to red light or I hear a song 1846 01:30:39,640 --> 01:30:41,400 Speaker 1: and I just want to cry. And what I'll say 1847 01:30:41,439 --> 01:30:45,400 Speaker 1: to you is cry let it out. Like tears are therapeutic. 1848 01:30:45,640 --> 01:30:47,560 Speaker 1: You know, it's like water to your soul. That's the 1849 01:30:47,560 --> 01:30:50,200 Speaker 1: biggest thing, right because every therapist will tell you feel 1850 01:30:50,240 --> 01:30:53,160 Speaker 1: your feel So it's like get overwhelmed with these emotions 1851 01:30:53,200 --> 01:30:57,000 Speaker 1: and we act like that's wrong, Like no, like you're grieving. 1852 01:30:58,479 --> 01:31:00,920 Speaker 1: You gotta let it out. And a lot of people 1853 01:31:01,080 --> 01:31:03,599 Speaker 1: understand the grief journey and how it equates to our 1854 01:31:03,680 --> 01:31:06,040 Speaker 1: overall mental health and wellness. I was going to say 1855 01:31:06,040 --> 01:31:08,160 Speaker 1: it is Mental Health Awareness Month, and I want to 1856 01:31:08,200 --> 01:31:10,479 Speaker 1: talk about what Silence the Shame is doing because we 1857 01:31:10,560 --> 01:31:12,120 Speaker 1: want to make sure, of course that we're letting people 1858 01:31:12,120 --> 01:31:17,080 Speaker 1: know how they can participate in support. Fifth to day, 1859 01:31:17,120 --> 01:31:20,719 Speaker 1: we're so excited, so we have this wonderful national campaign 1860 01:31:20,800 --> 01:31:23,880 Speaker 1: going on. You can go to our site or go 1861 01:31:24,040 --> 01:31:27,320 Speaker 1: to our Instagram page and we have a link to 1862 01:31:27,520 --> 01:31:29,720 Speaker 1: an actual virtual frame so you can upload your own 1863 01:31:29,760 --> 01:31:32,400 Speaker 1: photo and there's ways to give. You can text the 1864 01:31:32,479 --> 01:31:35,600 Speaker 1: word silence to seven h seven O seven oh, or 1865 01:31:35,680 --> 01:31:37,679 Speaker 1: you can go to our website and donate and we're 1866 01:31:37,720 --> 01:31:39,760 Speaker 1: just celebrating all of this great stuff that we've done. 1867 01:31:39,960 --> 01:31:42,879 Speaker 1: Shout out to Senator Anderson and Deanna Hamilton in Atlanta. 1868 01:31:43,360 --> 01:31:46,519 Speaker 1: Governor Kemp sound a resolution for us designating May First, 1869 01:31:46,560 --> 01:31:49,160 Speaker 1: which was just this past Sunday as Black Children's Mental 1870 01:31:49,200 --> 01:31:51,160 Speaker 1: Health Day in the state of Georgia, and we're trying 1871 01:31:51,200 --> 01:31:53,760 Speaker 1: to take that to other states. Shout out in New York. 1872 01:31:54,120 --> 01:31:56,000 Speaker 1: We want to be able to do that and recognize 1873 01:31:56,040 --> 01:31:57,920 Speaker 1: that we want to take it federal, so maybe our 1874 01:31:58,040 --> 01:32:01,920 Speaker 1: organizations can partner on that. Also, we're doing wellness seminars. 1875 01:32:02,120 --> 01:32:04,760 Speaker 1: You know, we've partnered with Sony Music Publishing and John 1876 01:32:04,840 --> 01:32:07,160 Speaker 1: Platt and so we've created these workplace wellness trainings for 1877 01:32:07,200 --> 01:32:09,880 Speaker 1: anybody that works in radio or the community at large 1878 01:32:09,880 --> 01:32:12,200 Speaker 1: and music industry. You can get those for free. I 1879 01:32:12,400 --> 01:32:18,040 Speaker 1: also partnered with Atlanta Influences Everything to create some special 1880 01:32:18,080 --> 01:32:19,880 Speaker 1: shirts for the month of May. And you know, that's 1881 01:32:19,920 --> 01:32:22,400 Speaker 1: a big cultural brand in Atlanta, so it says Atlanta 1882 01:32:22,400 --> 01:32:25,479 Speaker 1: Influences Mental Health and then our logos on the side, 1883 01:32:25,560 --> 01:32:27,680 Speaker 1: and so a portion of those proceeds will go to us. 1884 01:32:27,760 --> 01:32:29,560 Speaker 1: And then I also this week when I was in 1885 01:32:29,640 --> 01:32:32,400 Speaker 1: New York. I did a talk at the Pinterest office 1886 01:32:32,479 --> 01:32:34,800 Speaker 1: week kenn of Cole and he has the mental health 1887 01:32:34,840 --> 01:32:36,760 Speaker 1: Coalition that we're all a part of, and they're doing 1888 01:32:36,840 --> 01:32:38,920 Speaker 1: great work. We just have so much stuff quanting you, 1889 01:32:39,040 --> 01:32:41,920 Speaker 1: I know, joke. I just wanted to say, like, all 1890 01:32:41,960 --> 01:32:44,080 Speaker 1: the work that you've been doing for all these years, 1891 01:32:44,280 --> 01:32:47,200 Speaker 1: thank you, based off of your own experiences is so important. 1892 01:32:47,320 --> 01:32:50,479 Speaker 1: Being able to help others and to see through, you know, 1893 01:32:50,680 --> 01:32:52,920 Speaker 1: everything that you've been through and are still going through 1894 01:32:53,479 --> 01:32:56,280 Speaker 1: Delhi and just using those experiences and people can relate 1895 01:32:56,320 --> 01:32:58,639 Speaker 1: to you so much. Thank you. That means a lot 1896 01:32:59,040 --> 01:33:01,519 Speaker 1: because I often was telling him the young lady Katie 1897 01:33:01,560 --> 01:33:03,320 Speaker 1: li with me that works for us and shout out 1898 01:33:03,320 --> 01:33:05,479 Speaker 1: to the STS team that you know, sometimes when I 1899 01:33:05,520 --> 01:33:07,639 Speaker 1: see my friends and colleagues from music, I'll be lying 1900 01:33:07,720 --> 01:33:10,120 Speaker 1: if I said, what would life have been like had 1901 01:33:10,160 --> 01:33:12,240 Speaker 1: I stayed you know at the labels and you know 1902 01:33:12,320 --> 01:33:14,360 Speaker 1: all of my friends are like presidents of labels and 1903 01:33:14,479 --> 01:33:17,920 Speaker 1: running their own companies. But I am like so proud 1904 01:33:18,240 --> 01:33:20,000 Speaker 1: of where I am right now and the fact that 1905 01:33:20,080 --> 01:33:22,479 Speaker 1: I can accept, you know, God's will over my life. 1906 01:33:22,560 --> 01:33:24,760 Speaker 1: Like I had to take this charge. It was like 1907 01:33:24,840 --> 01:33:27,160 Speaker 1: an assignment for my life. So like, I feel like 1908 01:33:27,600 --> 01:33:29,280 Speaker 1: He puts you in rooms where you need to be. 1909 01:33:29,560 --> 01:33:32,400 Speaker 1: And I was somebody that could come, I think, into 1910 01:33:32,439 --> 01:33:35,880 Speaker 1: this space, into you know, dealing with athletes and dealing 1911 01:33:35,880 --> 01:33:37,800 Speaker 1: with entertainers and that sort of thing, and they'll be 1912 01:33:37,840 --> 01:33:40,040 Speaker 1: okay with talking about it. Right, you know, even when 1913 01:33:40,040 --> 01:33:41,960 Speaker 1: you talk about not being in the music industry, nonymore like, 1914 01:33:42,000 --> 01:33:44,280 Speaker 1: just think about how God works, Like the music industry 1915 01:33:44,439 --> 01:33:47,120 Speaker 1: needs people like you more than ever. Right, thank you? 1916 01:33:47,479 --> 01:33:49,760 Speaker 1: So who who would reach back to these rappers? Who 1917 01:33:49,800 --> 01:33:52,320 Speaker 1: would reach back to these artists if they weren't somebody 1918 01:33:52,320 --> 01:33:55,000 Speaker 1: who was already in that you know what they're going through? Yeah, Like, 1919 01:33:55,120 --> 01:33:56,800 Speaker 1: thank you for saying that too. We did a talk 1920 01:33:56,920 --> 01:34:00,880 Speaker 1: at TSU in Houston. My girls and set up and 1921 01:34:01,080 --> 01:34:02,960 Speaker 1: I spoke to the artist Mona Leo. I think she's 1922 01:34:03,000 --> 01:34:05,240 Speaker 1: been on the show before. It has Mona Leio been 1923 01:34:05,280 --> 01:34:07,840 Speaker 1: on the show? I don't know anyway, but she's a 1924 01:34:07,880 --> 01:34:10,320 Speaker 1: dope rapper from Houston, and she really opened up and 1925 01:34:10,560 --> 01:34:13,320 Speaker 1: was very transparent. And on a Friday afternoon on a 1926 01:34:13,400 --> 01:34:16,800 Speaker 1: college campus, we had sixty students talking about mental health 1927 01:34:17,080 --> 01:34:19,599 Speaker 1: and opening up in ways that I can't even explain 1928 01:34:19,680 --> 01:34:23,120 Speaker 1: to you. But Mouski has been on the show. Mooski 1929 01:34:23,240 --> 01:34:26,479 Speaker 1: actually is doing something with us on Saturday. We're doing 1930 01:34:26,520 --> 01:34:28,600 Speaker 1: a team wellness clinic. We're gonna one hundred teams in 1931 01:34:28,640 --> 01:34:31,759 Speaker 1: Atlanta together. We're gonna do wellness and yoga and fireside 1932 01:34:31,800 --> 01:34:34,479 Speaker 1: Chats're gonna be talking to him and so yeah, I 1933 01:34:34,640 --> 01:34:37,200 Speaker 1: think I am that person to bridge the gap between 1934 01:34:37,320 --> 01:34:40,080 Speaker 1: culture and mental health and wellness. And I just love 1935 01:34:40,160 --> 01:34:42,400 Speaker 1: what I do. And you know, we honored you last 1936 01:34:42,479 --> 01:34:44,320 Speaker 1: year at our gala. We have our gala coming up 1937 01:34:44,360 --> 01:34:47,439 Speaker 1: on May fourteenth, or Brilliant Man. Gayla Dallas Austin, the 1938 01:34:47,520 --> 01:34:50,280 Speaker 1: music producer, is our co chair, is hosted by Q 1939 01:34:50,439 --> 01:34:53,920 Speaker 1: Parker from one twelve, and we're honoring NFL player Chris 1940 01:34:54,040 --> 01:34:56,599 Speaker 1: Hubbert from the Cleveland Browns, who has his own mental 1941 01:34:56,600 --> 01:34:59,759 Speaker 1: health foundation, and also Marcus Smith, who's a former player. 1942 01:35:00,120 --> 01:35:02,320 Speaker 1: So I love music and sports. So I think it's 1943 01:35:02,360 --> 01:35:03,760 Speaker 1: so dope for me to be able to go back 1944 01:35:03,840 --> 01:35:06,880 Speaker 1: into these spaces and really open up these conversations in 1945 01:35:06,960 --> 01:35:09,960 Speaker 1: an authentic way so people don't feel embarrassed or a 1946 01:35:10,000 --> 01:35:12,880 Speaker 1: shame because, like I said, I'm still healing right And 1947 01:35:13,360 --> 01:35:14,640 Speaker 1: one of the things I just want to say, and 1948 01:35:14,680 --> 01:35:17,000 Speaker 1: I hope you can support us on this too. Silence 1949 01:35:17,040 --> 01:35:19,519 Speaker 1: a Shame just launched an initiative called Healing in Public, 1950 01:35:20,000 --> 01:35:21,719 Speaker 1: and that's really how we should look at it, because 1951 01:35:21,720 --> 01:35:23,040 Speaker 1: we all got to get up and go to work. 1952 01:35:23,640 --> 01:35:26,639 Speaker 1: We got jobs. You gotta show up. But you show 1953 01:35:26,760 --> 01:35:29,600 Speaker 1: up as you're healing in public, and that's okay. So 1954 01:35:29,720 --> 01:35:33,320 Speaker 1: you allow yourself to be unapologetic. You give yourself the 1955 01:35:33,400 --> 01:35:35,599 Speaker 1: grace that you need. And so if I do tell 1956 01:35:35,680 --> 01:35:38,280 Speaker 1: someone I'm not having a bad day, that no one 1957 01:35:38,360 --> 01:35:41,200 Speaker 1: will put shame on me because I am quote unquote 1958 01:35:41,280 --> 01:35:44,880 Speaker 1: healing in public. Always amazing to have you. I know 1959 01:35:45,080 --> 01:35:47,479 Speaker 1: we do this to honor you and to make sure 1960 01:35:47,600 --> 01:35:50,080 Speaker 1: we bring lights to Silence to Shame every single year. 1961 01:35:50,520 --> 01:35:52,599 Speaker 1: But you do that work three hundred and sixty five days. 1962 01:35:53,160 --> 01:35:54,680 Speaker 1: Thank you for that, and I need you for a 1963 01:35:54,720 --> 01:35:57,160 Speaker 1: Mental Effect bowl again. This ship. Let's do it. Let's 1964 01:35:57,160 --> 01:35:59,080 Speaker 1: do it. And we want to do something in Atlanta 1965 01:35:59,120 --> 01:36:02,920 Speaker 1: with you too, especially random kids man like. That's that's 1966 01:36:03,120 --> 01:36:06,360 Speaker 1: that initiative. We have to get the cult clinic. We're 1967 01:36:06,439 --> 01:36:09,280 Speaker 1: trying to take and do an other states and as 1968 01:36:09,360 --> 01:36:12,000 Speaker 1: well as honoring Black children's Mental Health Days. So we're 1969 01:36:12,000 --> 01:36:15,400 Speaker 1: already talking to an organization about California. So brother, let's 1970 01:36:15,479 --> 01:36:18,000 Speaker 1: join forces and let's get all these states to do it. Absolutely, 1971 01:36:18,439 --> 01:36:22,000 Speaker 1: let's do it as shanty Dogs. Silence to shame, National 1972 01:36:22,080 --> 01:36:26,960 Speaker 1: Silence to shame, Days Day, text, tweet, donate today, very 1973 01:36:27,000 --> 01:36:32,559 Speaker 1: important to donate, Yes, Tex silence to seventies seventies seventy. 1974 01:36:32,680 --> 01:36:34,559 Speaker 1: Thank you shanty dogs for joining us. Now you got 1975 01:36:34,600 --> 01:36:36,920 Speaker 1: a positive note. The positive note is simply this man. 1976 01:36:37,040 --> 01:36:40,719 Speaker 1: Be kind to yourself today. Be kind to yourself, especially 1977 01:36:40,760 --> 01:36:43,759 Speaker 1: what you tell yourself. Support yourself instead of finding ways 1978 01:36:44,200 --> 01:36:46,680 Speaker 1: on yourself. It's impossible to win if you're not on 1979 01:36:46,760 --> 01:36:50,439 Speaker 1: your own team. Breakfast Club, y'all done,