WEBVTT - #26 Beverley and Van

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<v Speaker 1>Is it today? Is it today?

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<v Speaker 2>Happy birthday?

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<v Speaker 3>It is really humbling for me to have to call

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<v Speaker 3>you up on my own birthday.

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<v Speaker 2>First of all, shut your mouth.

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<v Speaker 4>Do you want to wish me a belated happy birthday?

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<v Speaker 4>Because my birthday came and went no.

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<v Speaker 1>No.

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<v Speaker 3>But do you remember I left you. I left you

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<v Speaker 3>a really heartfelt belated birthday wish? Oh, it was really

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<v Speaker 3>something I want you.

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<v Speaker 2>To know about, something about me and my birthday. Yeah,

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<v Speaker 2>my birthday is my birthday. It's not my birth week,

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<v Speaker 2>it's not my birth month.

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<v Speaker 5>It's my birthday.

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<v Speaker 6>If you don't get me on the day, don't bother.

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<v Speaker 2>I don't bother.

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<v Speaker 4>Not interested?

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<v Speaker 3>Hey, can I ask you?

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<v Speaker 7>So?

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<v Speaker 3>Since it's my birthday, can I ask you a question?

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<v Speaker 3>Do you do any celebrity impressions?

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<v Speaker 2>I already regret calling you to wish you a happy birthday?

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<v Speaker 3>Not to nitpick, but I'm the one who called you

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<v Speaker 3>From Gimblet Media. I'm Jonathan Goldstein and this is Heavyweight.

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<v Speaker 3>Today's episode, Beverly and Van Ashley comes to me with

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<v Speaker 3>a love story. It begins like something straight out of

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<v Speaker 3>the movies. A young woman meets a young man. They

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<v Speaker 3>share a first kiss, They pledge their love, but then

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<v Speaker 3>they marry other people and live out their days apart.

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<v Speaker 3>Then they die and the credits roll. Ashley has never

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<v Speaker 3>stopped wondering about this couple and why they never receive

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<v Speaker 3>their happily ever after ending. And this is because the

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<v Speaker 3>young woman in the story was Beverly Colom and she

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<v Speaker 3>was Ashley's grandmother. Ashley and her grandmother were close. Ashley

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<v Speaker 3>called her by an affectionate nickname.

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<v Speaker 8>So she was a mamma.

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<v Speaker 3>Mamma's her name, mamma. You called her your mammon, Mammon.

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<v Speaker 8>We called her our mamma, like with a W at

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<v Speaker 8>the end.

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<v Speaker 3>In the evenings, Mammon and Ashley watched Jeopardy together, shouting

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<v Speaker 3>their guesses at the TV. During commercials, they pressed mute

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<v Speaker 3>and quietly read. For Ashley, everything her grandmother did was

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<v Speaker 3>imbued with a certain glamor.

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<v Speaker 8>She would roll her hair every evening, and I woke

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<v Speaker 8>up really early as a kid, and I would help

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<v Speaker 8>her take her pins out of her hair.

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<v Speaker 3>She was so cool.

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<v Speaker 8>I just wanted to know everything about.

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<v Speaker 3>Her, So they'd spend a lot of time talking about movies,

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<v Speaker 3>the family, and boys. For Ashley, this meant sharing stories

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<v Speaker 3>about her different crushes, but for Beverly it only ever

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<v Speaker 3>meant talking about one person.

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<v Speaker 8>This man named Van. She would call him Van or

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<v Speaker 8>my Van.

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<v Speaker 3>Beverly life had been a hard one. Ashley knew her

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<v Speaker 3>as a widow, but before then she'd been trapped in

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<v Speaker 3>an unhappy marriage, raising five kids essentially on her own.

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<v Speaker 3>She was a serious woman, not given to sentimentality, but

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<v Speaker 3>when she spoke Van's name, her face would light up.

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<v Speaker 3>She met Van in New Orleans in the late nineteen thirties.

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<v Speaker 3>The two worked at the local newspaper. Van was a salesman,

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<v Speaker 3>Beverly and entertainment reporter. But when she talked about those days,

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<v Speaker 3>no matter how big the stars and the stories she told,

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<v Speaker 3>it was always Van who took center stage.

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<v Speaker 8>And it was clear that she had kind of set

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<v Speaker 8>up the stories so that we would ask about him.

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<v Speaker 8>Because you know when someone tells you a story and

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<v Speaker 8>you know that they're really into it and they wanted

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<v Speaker 8>to tell it more.

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<v Speaker 3>Yeah, she wanted to talk about him.

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<v Speaker 8>Yeah.

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<v Speaker 3>Sometimes the stories were nothing more than a choice. Dale

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<v Speaker 3>barely an anecdote. Van had blue eyes. Van favored vests,

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<v Speaker 3>the kind of non stories one tells when one is

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<v Speaker 3>in love. But Beverly always insisted that she and Van

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<v Speaker 3>wererent in love. She said they were just friends.

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<v Speaker 8>I mean, so, I like, I think when there's just

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<v Speaker 8>such a there's such a disconnect, right, there's a disconnect

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<v Speaker 8>with like how much she mentions him and then how

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<v Speaker 8>much she protests that like they're just friends.

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<v Speaker 3>Ashley never bought the whole just friend's thing, and she's

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<v Speaker 3>always wanted to prove that it was more that Beverly

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<v Speaker 3>and Van's relationship was a great, untold romance. Ashley says

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<v Speaker 3>that in Beverly's old age, her musings about the past

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<v Speaker 3>became increasingly frequent. The family began to record these recollections

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<v Speaker 3>so they'd have a record of Beverly's life, and in

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<v Speaker 3>these recordings, the name Van pops up over and over again.

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<v Speaker 3>I asked Ashley to play me the recordings so I

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<v Speaker 3>can hear what she heard, the southern accent, to delight

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<v Speaker 3>in Beverly's voice, the romantic tenderness as she speaks of

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<v Speaker 3>her Van. As the tape begins, I'm amazed by the

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<v Speaker 3>voice reaching out from the past.

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<v Speaker 2>It just did.

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<v Speaker 9>A book time.

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<v Speaker 3>Amazed, that is, and offended as an audio producer by

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<v Speaker 3>how crappy, the sound quality is. Ashley tells me the

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<v Speaker 3>family employed the questionable interview Watergate bugging technique of hiding

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<v Speaker 3>a dictaphone under a couch cushion. They believe that in

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<v Speaker 3>this way, Beverly wouldn't know she was being recorded and

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<v Speaker 3>grow self conscious. Ashley then had the tape transcribed, and

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<v Speaker 3>then you told your grandmother. You're like, hey, surprise, Yeah,

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<v Speaker 3>we were recording you, and we transcribed this and she

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<v Speaker 3>wasn't upset. She was touched.

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<v Speaker 8>No, she hated it. Oh that we hadn't spell checked it.

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<v Speaker 8>There were like a lot of typos.

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<v Speaker 3>Oh, that's what she took exception to with the fact

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<v Speaker 3>that there was bad spelling. It wasn't that you had

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<v Speaker 3>actually like wiretapped her personal history or anything.

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<v Speaker 8>Yeah. I remember her even fixing them, like circling them

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<v Speaker 8>in like red pen.

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<v Speaker 3>Because the recording sounds like David Sedaris stuck in a

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<v Speaker 3>gym locker. I asked Ashley to read the role of

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<v Speaker 3>Beverly from her poorly spellcheck transcriptions.

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<v Speaker 8>So when she first introduces him, she says, Van was

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<v Speaker 8>a salesman at the time in the display advertising department

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<v Speaker 8>of the paper, and we've gradually became friends through encounters

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<v Speaker 8>in the elevator halls and his frequent visits to the newsroom.

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<v Speaker 3>So that's how she talked. This was not written language.

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<v Speaker 8>No, that's how she talked.

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<v Speaker 3>People talked like that back then. A little copy editor

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<v Speaker 3>in the mouth, red pan circling jibber, crossing out the jabber.

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<v Speaker 3>Van and Beverly developed an office flirtation, and eventually Van

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<v Speaker 3>declared his true feelings about Charlie Wicker, a sportswriter in

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<v Speaker 3>the newsroom.

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<v Speaker 8>Van stopped by my desk and abruptly asked, do you

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<v Speaker 8>date Charlie Wicker? No, why, I replied, to which he explained,

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<v Speaker 8>I've been wanting to ask you for a date for

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<v Speaker 8>a long time, and I couldn't bring myself to date

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<v Speaker 8>anyone who would go out with Wicker.

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<v Speaker 3>With Wicker out of the picker, Beverly and Van began

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<v Speaker 3>to date, which led to their first kiss. For Beverly

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<v Speaker 3>all of nineteen, it was her first kiss ever. When

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<v Speaker 3>Beverly shared the story of the kiss with Ashley, her granddaughter,

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<v Speaker 3>took it as proof positive of their romance, but Beverly

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<v Speaker 3>corrected her, claiming that it wasn't a romantic kiss. She

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<v Speaker 3>only kissed Van because she was so comfortable with him,

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<v Speaker 3>and she wanted to see what kissing was like. According

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<v Speaker 3>to Ashley, Van was something between a dance partner and

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<v Speaker 3>a partner in crime. The fred to Beverly's ginger, he

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<v Speaker 3>escorted her all over town. He nicknamed her Duck. When

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<v Speaker 3>the US entered World War Two, Van enlisted in the

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<v Speaker 3>Air Force and was stationed in North Africa. While overseas,

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<v Speaker 3>he wrote to Beverly back home in New Orleans, and

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<v Speaker 3>after her death, Ashley discovered the correspondence. Beverly had kept

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<v Speaker 3>the letters her whole life.

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<v Speaker 8>So June eighteenth, nineteen forty four, Dearest Duck, It's about

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<v Speaker 8>five pm here now, and I was thinking how nice

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<v Speaker 8>it would be if I were inn for the weekend.

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<v Speaker 8>I would be just getting up in order to get

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<v Speaker 8>dressed and pick you up for eleven thirty Mass. We

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<v Speaker 8>would have a whole wonderful day in front of us.

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<v Speaker 8>Of course, the highlight of the whole affair would be

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<v Speaker 8>just being with you. You are so close to my thoughts

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<v Speaker 8>that it's sometimes difficult for me to realize that there

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<v Speaker 8>are so many thousands of miles separating us. I would

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<v Speaker 8>gladly spend one thousand dollars just to see you for

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<v Speaker 8>ten minutes, or even just to talk to you on

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<v Speaker 8>the telephone. I'm thinking of you every minute of the

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<v Speaker 8>day and night. Love you with all my heart.

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<v Speaker 3>Vam Well, that really, I mean, that really sounds like

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<v Speaker 3>a love letter.

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<v Speaker 8>That's a love letter.

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<v Speaker 3>Yeah, it's a love letter. Ashley pulls out more letters.

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<v Speaker 8>I might add, too, Duck that now, almost three years later,

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<v Speaker 8>you look even prettier and I thrill as much or

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<v Speaker 8>more every time I see. If I were there now,

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<v Speaker 8>i'd know that soon from around the corner it would

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<v Speaker 8>come a terribly welcome sight you and a brown or pink.

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<v Speaker 8>It'd be too long that I'll be home again and

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<v Speaker 8>have a toast for us forever, because I love you

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<v Speaker 8>with all my heart as always Van.

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<v Speaker 3>Evidently Ashley's not the only one who didn't buy the

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<v Speaker 3>whole platonic routine. Here she is reading from the transcripts again.

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<v Speaker 8>None of my friends or family could understand how two

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<v Speaker 8>people could see so much of each other and not

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<v Speaker 8>be a hot romance.

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<v Speaker 3>Everyone in the newsroom teased them constantly. Van's own mother

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<v Speaker 3>was so eager for her son to propose to Beverly

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<v Speaker 3>that she gave him an heirloom diamond ring to present

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<v Speaker 3>to her, but Van never did present the ring to Beverly.

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<v Speaker 3>He proposed to someone else. After the engagement was announced.

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<v Speaker 3>One of Van's close friends, Dick, approached Beverly conspiratorially.

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<v Speaker 8>When Van became engaged to his first wife, Frances, Dick

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<v Speaker 8>cornered me one night and told me that all I

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<v Speaker 8>had to do was quote say the word, and the

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<v Speaker 8>engagement would be off.

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<v Speaker 3>But Beverly never did say the word. Poor Dick, Beverly said,

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<v Speaker 3>he never could understand Mayan Van's relationship. Not long afterwards,

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<v Speaker 3>Beverly also became engaged, so.

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<v Speaker 8>She got a proposal from from.

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<v Speaker 3>Ashley struggles to remember the name, and I'm taking aback

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<v Speaker 3>because the name is in fact that of her own grandfather, a.

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<v Speaker 8>Man named Llewellyn Brickin. It's funny that that's hard for

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<v Speaker 8>me to remember. But he was from like a fancy

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<v Speaker 8>family in Alabama. And she said, yes, growing up, I

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<v Speaker 8>never heard stories of this guy, of my grandfather, like

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<v Speaker 8>from my grandmother. Nothing nothing good, nothing bad, just like

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<v Speaker 8>he was a ghost.

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<v Speaker 3>The grandkids grew up knowing nothing about their grandfather. But

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<v Speaker 3>everything about Van, a man who had no role in

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<v Speaker 3>the family. Ashley's older brother, Lloyd, remembers finding it all

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<v Speaker 3>very confusing as a kid.

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<v Speaker 7>I remember her talking about Van and being like confused

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<v Speaker 7>about whether Van was Gams my grandfather, like as if

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<v Speaker 7>Van was Gams at a younger age, his name had

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<v Speaker 7>been Van earlier.

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<v Speaker 3>It wasn't until age five that Lloyd discovered he even

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<v Speaker 3>had a grandfather. The family never saw Llewellyn, he was

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<v Speaker 3>always in his room. On a visit to Beverly's house,

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<v Speaker 3>Lloyd and his younger brother spotted a figure shuffling through

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<v Speaker 3>a dimly lid hallway, so the like, who is that man? Terrified,

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<v Speaker 3>Lloyd tried to tell his mother what he'd seen.

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<v Speaker 4>My mother sat down like somberly, and she was like,

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<v Speaker 4>that's your grandfather, Huh. Would you like to go and

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<v Speaker 4>meet him?

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<v Speaker 3>Lloyd did not want to go meet him. Still, their

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<v Speaker 3>mother ushered him and his baby brother into the bedroom

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<v Speaker 3>where the man sat dozing in a chair. Lloyd's mother

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<v Speaker 3>nudged Lloyd forward until he was almost up against his

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<v Speaker 3>grandfather's knees, and she.

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<v Speaker 4>Touches him on the shoulder and she says, Daddy and

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<v Speaker 4>his eyes open up, and she says, Daddy, I want

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<v Speaker 4>you to meet your grandsons. And he he seems alone, disoriented,

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<v Speaker 4>and he looks at us for like for some seconds,

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<v Speaker 4>and he says, when you get older, you need to

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<v Speaker 4>go to Argentina. The most beautiful women in the world

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<v Speaker 4>are in Argentina. And I swear to you you like

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<v Speaker 4>like just kind of goes back to sleep in the chair,

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<v Speaker 4>and that was that.

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<v Speaker 3>Ashley has always wondered why her grandmother chose Llewellyn, a

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<v Speaker 3>ghost who gave unsolicited travel advice, over Van, the man

0:13:41.960 --> 0:13:45.440
<v Speaker 3>she was meant to be with. So I try to find.

0:13:45.240 --> 0:13:47.680
<v Speaker 5>Out, Hello, Jonathan, you're quite prompt.

0:13:48.400 --> 0:13:51.840
<v Speaker 3>This is Lloyd, and Ashley's mom knocks, and being called

0:13:51.880 --> 0:13:55.040
<v Speaker 3>prompt in that Southern accent of hers makes me happier

0:13:55.080 --> 0:13:58.360
<v Speaker 3>than a dead possum laying in the sunshine. While I

0:13:58.400 --> 0:14:00.959
<v Speaker 3>can't say I've spent much time in the American South,

0:14:01.320 --> 0:14:04.520
<v Speaker 3>I have seen a lot of foghorn leghorn cartoons, and

0:14:04.559 --> 0:14:07.520
<v Speaker 3>so I try my best to respond in kind. Just

0:14:07.559 --> 0:14:08.600
<v Speaker 3>try to be on time, ma'am.

0:14:08.880 --> 0:14:09.640
<v Speaker 2>Just try to be on.

0:14:09.600 --> 0:14:13.200
<v Speaker 5>Time, ma'am. I'll say, whatever this is, Marian.

0:14:13.760 --> 0:14:17.280
<v Speaker 3>I also phone up Ashley's aunt, Marian, Why do you

0:14:17.360 --> 0:14:21.520
<v Speaker 3>think that in the end your mom chose your dad.

0:14:22.960 --> 0:14:25.280
<v Speaker 10>Well, you know, when she would tell us, she said

0:14:25.320 --> 0:14:29.480
<v Speaker 10>he is the smartest, had the cutest personality, the most fond,

0:14:29.680 --> 0:14:33.280
<v Speaker 10>just could wide up a room. You know, who knows

0:14:33.680 --> 0:14:36.640
<v Speaker 10>what makes people really fall in love?

0:14:38.760 --> 0:14:41.080
<v Speaker 3>As a kid? I mean, did it seem as though

0:14:41.080 --> 0:14:43.280
<v Speaker 3>it was a loving marriage.

0:14:44.480 --> 0:14:45.440
<v Speaker 2>At first?

0:14:47.000 --> 0:14:50.600
<v Speaker 3>At first? Llewellyn doated on Beverly hiring a staff of

0:14:50.640 --> 0:14:54.720
<v Speaker 3>people to look after their home. At first, Llewellyn was charming,

0:14:55.160 --> 0:14:57.680
<v Speaker 3>the kind of guy who never drink at parties so

0:14:57.680 --> 0:15:01.160
<v Speaker 3>that he could drive everyone home. At first, it must

0:15:01.200 --> 0:15:03.960
<v Speaker 3>have felt like Beverly was embarking on a wonderful life,

0:15:04.520 --> 0:15:06.880
<v Speaker 3>and it must have felt terrible when it didn't last.

0:15:10.000 --> 0:15:14.200
<v Speaker 5>My father wasn't happy about being wealthy. He wanted to

0:15:14.200 --> 0:15:17.640
<v Speaker 5>be super wealthy, so he did a lot of investing

0:15:18.440 --> 0:15:23.000
<v Speaker 5>in a lot of not very safe companies, and his

0:15:23.200 --> 0:15:27.440
<v Speaker 5>you know, his wealth disappeared very rapidly, and he wasn't

0:15:27.480 --> 0:15:31.760
<v Speaker 5>able to handle that, and so he became an alcoholic

0:15:31.800 --> 0:15:34.640
<v Speaker 5>and stated an alcoholic his whole life.

0:15:34.960 --> 0:15:36.880
<v Speaker 3>Llewellyn went from charming to mean.

0:15:37.560 --> 0:15:42.720
<v Speaker 5>He was exceedingly violent, toward our mother. Never was violent

0:15:42.840 --> 0:15:46.040
<v Speaker 5>toward us, but he would wreck rooms.

0:15:46.120 --> 0:15:52.000
<v Speaker 3>Okay, Llewellyn lost everything, and thus so did Beverly. She

0:15:52.080 --> 0:15:54.880
<v Speaker 3>went tumbling from a life of luxury to one of struggle,

0:15:55.400 --> 0:15:57.760
<v Speaker 3>forced to work two jobs in order to provide for

0:15:57.800 --> 0:16:00.720
<v Speaker 3>five kids and a husband who said in a room

0:16:00.880 --> 0:16:01.800
<v Speaker 3>and drank all day.

0:16:02.360 --> 0:16:05.680
<v Speaker 5>Mother never threw him out. She did not believe in divorce.

0:16:06.520 --> 0:16:06.720
<v Speaker 2>You know.

0:16:06.920 --> 0:16:11.280
<v Speaker 5>She was a very strong, believing Catholic.

0:16:12.520 --> 0:16:13.560
<v Speaker 3>And she never looked back.

0:16:15.040 --> 0:16:17.520
<v Speaker 10>Oh, I don't know. She never would have told us that.

0:16:18.480 --> 0:16:20.640
<v Speaker 10>She just said, you make your bed, you lie in it,

0:16:21.400 --> 0:16:24.160
<v Speaker 10>and just made the best of everything.

0:16:27.000 --> 0:16:31.320
<v Speaker 3>But to quote my podcast brother Alex Baldwin, here's the thing.

0:16:32.200 --> 0:16:35.960
<v Speaker 3>Through it all, Beverly still had Van. Even though they

0:16:36.000 --> 0:16:39.440
<v Speaker 3>married other people and lived hundreds of miles apart. Van

0:16:39.520 --> 0:16:43.920
<v Speaker 3>and Beverly remained close. Though neither Knox nor Marian ever

0:16:44.000 --> 0:16:47.520
<v Speaker 3>met Van, they felt his presence all throughout their childhoods.

0:16:48.200 --> 0:16:51.960
<v Speaker 3>Van's phone calls were frequent. Marian remembers how the spiral

0:16:52.040 --> 0:16:55.040
<v Speaker 3>cord of the hallway phone would snake into Beverly's bedroom

0:16:55.120 --> 0:16:55.800
<v Speaker 3>when he called.

0:16:56.520 --> 0:16:59.640
<v Speaker 10>We knew when Van called not to interrupt her. It

0:16:59.680 --> 0:17:03.120
<v Speaker 10>was so light she was back in the good old days,

0:17:03.280 --> 0:17:05.560
<v Speaker 10>like she was on a I'm not saying on a

0:17:05.640 --> 0:17:07.159
<v Speaker 10>date with him, but maybe like that.

0:17:07.920 --> 0:17:10.520
<v Speaker 5>She normally talked to him at least once a month.

0:17:10.920 --> 0:17:11.600
<v Speaker 2>They would joke.

0:17:11.680 --> 0:17:14.600
<v Speaker 5>They would have conversations for hours if they wanted.

0:17:14.280 --> 0:17:17.159
<v Speaker 3>To, over a course of How long was this was

0:17:17.200 --> 0:17:17.800
<v Speaker 3>this the case?

0:17:19.440 --> 0:17:21.520
<v Speaker 5>Probably forty fifty years?

0:17:21.600 --> 0:17:23.240
<v Speaker 4>Oh my goodness, many many years.

0:17:23.400 --> 0:17:29.720
<v Speaker 3>Yeah.

0:17:29.960 --> 0:17:33.399
<v Speaker 5>Mother had gone through Francis's cancer and her death and

0:17:33.520 --> 0:17:34.320
<v Speaker 5>supported him.

0:17:34.720 --> 0:17:40.160
<v Speaker 3>That was his first wife. Yeah, and after when Van's

0:17:40.280 --> 0:17:44.320
<v Speaker 3>wife died and your dad died, Why do you think

0:17:44.960 --> 0:17:47.439
<v Speaker 3>Van and your mother didn't marry at that point?

0:17:47.600 --> 0:17:50.600
<v Speaker 5>Oh well, okay, these things did not happen at the

0:17:50.600 --> 0:17:51.160
<v Speaker 5>same time.

0:17:51.400 --> 0:17:53.159
<v Speaker 2>Okay, my father didn't die.

0:17:53.040 --> 0:17:57.119
<v Speaker 5>Till mother was in her sixties. Fan had already remarried.

0:17:58.320 --> 0:18:03.360
<v Speaker 3>By the time Llewellyn died. Van had been remarried six years. Beverly,

0:18:03.440 --> 0:18:08.680
<v Speaker 3>for her part, never remarried, remaining stubbornly alone. To Ashley,

0:18:09.040 --> 0:18:11.240
<v Speaker 3>it seemed the couple that was meant to be had

0:18:11.240 --> 0:18:23.600
<v Speaker 3>missed their moment, and after that the timing was never right.

0:18:25.200 --> 0:18:28.680
<v Speaker 3>Ashley visited Beverly a few months before she died because

0:18:28.680 --> 0:18:31.720
<v Speaker 3>she knew it always lifted her grandmother's spirits. She asked

0:18:31.760 --> 0:18:32.280
<v Speaker 3>after Van.

0:18:33.560 --> 0:18:35.440
<v Speaker 8>She said that she hadn't heard from him in a while,

0:18:36.240 --> 0:18:40.159
<v Speaker 8>and I told her that she should call him, and

0:18:40.200 --> 0:18:44.880
<v Speaker 8>she refused. And her explaination to me at the time

0:18:45.080 --> 0:18:47.080
<v Speaker 8>was that women don't call men.

0:18:47.280 --> 0:18:47.600
<v Speaker 3>Hmmm.

0:18:47.960 --> 0:18:51.680
<v Speaker 8>And I thought it was a joke, but she was serious. Yeah,

0:18:51.720 --> 0:18:52.640
<v Speaker 8>And she never called him.

0:18:53.800 --> 0:18:57.160
<v Speaker 3>Beverly and Van never spoke again, and later that year

0:18:57.520 --> 0:19:01.000
<v Speaker 3>Beverly died. So Ashley is left with the burden of

0:19:01.000 --> 0:19:05.119
<v Speaker 3>her grandmother's tale of what never was, and now she

0:19:05.200 --> 0:19:07.720
<v Speaker 3>wants to know if somewhere out there there were people

0:19:07.760 --> 0:19:10.280
<v Speaker 3>who share that sense of loss over a thing that

0:19:10.359 --> 0:19:13.520
<v Speaker 3>never existed. She wants to find out if the same

0:19:13.520 --> 0:19:17.760
<v Speaker 3>way Beverly's family had a Van, Van's family had a Beverly.

0:19:18.200 --> 0:19:20.080
<v Speaker 8>I just think, like, did they hear about us? Do

0:19:20.160 --> 0:19:21.800
<v Speaker 8>you know what I mean? Like, were we as important

0:19:21.840 --> 0:19:26.480
<v Speaker 8>it was? Was my grandmother as important in like Van's

0:19:26.520 --> 0:19:31.159
<v Speaker 8>stories or not?

0:19:33.200 --> 0:19:34.879
<v Speaker 3>What would that? What would that bring?

0:19:38.440 --> 0:19:43.320
<v Speaker 8>I think I think it would mean that that that

0:19:43.320 --> 0:19:47.160
<v Speaker 8>that she meant something, you know, that her life wasn't

0:19:47.160 --> 0:19:52.440
<v Speaker 8>this kind of sad struggle, but that she had had

0:19:52.520 --> 0:19:54.840
<v Speaker 8>like a bigger life than the life that I saw

0:19:56.119 --> 0:19:57.679
<v Speaker 8>that she was, like, really loved.

0:20:24.480 --> 0:20:28.480
<v Speaker 3>I get to work researching Van's family tree. Maybe, like Beverly,

0:20:28.640 --> 0:20:31.560
<v Speaker 3>Van had a special relationship with one of his grandkids,

0:20:31.800 --> 0:20:34.280
<v Speaker 3>someone he might have shared his heart with. So I

0:20:34.320 --> 0:20:37.000
<v Speaker 3>phone up his grandson, but in the way of romantic

0:20:37.040 --> 0:20:41.359
<v Speaker 3>Beverly stories, he doesn't have much to offer. Next, I

0:20:41.440 --> 0:20:45.359
<v Speaker 3>email his granddaughter, who writes back, my interactions with my

0:20:45.440 --> 0:20:49.399
<v Speaker 3>grandfather were sparse and perfunctory. I love and respect him dearly,

0:20:49.840 --> 0:20:52.760
<v Speaker 3>but that's just how it was. I actually have some

0:20:52.840 --> 0:20:55.320
<v Speaker 3>regret about this now that he is gone and I

0:20:55.359 --> 0:20:55.879
<v Speaker 3>am older.

0:21:02.480 --> 0:21:02.760
<v Speaker 2>Hello.

0:21:03.440 --> 0:21:04.399
<v Speaker 3>Hi, is this Webby?

0:21:04.840 --> 0:21:05.720
<v Speaker 2>Yes?

0:21:05.359 --> 0:21:06.280
<v Speaker 7>Hello?

0:21:06.440 --> 0:21:07.120
<v Speaker 3>Is this Debbie?

0:21:07.400 --> 0:21:07.720
<v Speaker 9>Yes?

0:21:08.359 --> 0:21:11.800
<v Speaker 3>I decided to move up the family tree to Van's daughters,

0:21:11.800 --> 0:21:14.919
<v Speaker 3>Debbie and Webby. Debbie owns her own store.

0:21:15.400 --> 0:21:16.960
<v Speaker 2>I'm in the middle of whale and then d.

0:21:17.800 --> 0:21:20.760
<v Speaker 3>And Webby works in design. Is it web design?

0:21:22.680 --> 0:21:23.680
<v Speaker 2>Interior design?

0:21:24.040 --> 0:21:26.040
<v Speaker 3>Oh? Because I thought it would be fun if you're

0:21:27.280 --> 0:21:29.360
<v Speaker 3>because you do web design and your name is well, yeah.

0:21:31.040 --> 0:21:33.600
<v Speaker 3>I want to know if Beverly Colomb was a presence

0:21:33.600 --> 0:21:36.080
<v Speaker 3>in their lives, and so I put the question to

0:21:36.119 --> 0:21:37.879
<v Speaker 3>them with an elegant economy.

0:21:39.840 --> 0:21:44.440
<v Speaker 9>Beverly, Oh, Beverly that he used to date way back then.

0:21:44.760 --> 0:21:49.359
<v Speaker 2>Yeah, yeah, well, I mean, I mean he referred to her. Also,

0:21:49.720 --> 0:21:52.159
<v Speaker 2>he was crazy about Beverly, and I just know that

0:21:52.240 --> 0:21:54.760
<v Speaker 2>it really really liked her. As soon as you hear

0:21:54.800 --> 0:21:57.000
<v Speaker 2>the name, it just brings back, you know, a warmth.

0:22:01.840 --> 0:22:04.760
<v Speaker 3>I'm hoping to find some proof of an abiding romance

0:22:04.840 --> 0:22:09.080
<v Speaker 3>that I can share with Ashley. But Webby and Debbie

0:22:09.080 --> 0:22:12.520
<v Speaker 3>don't have many Beverly anecdotes. So I asked who else

0:22:12.600 --> 0:22:15.200
<v Speaker 3>might be able to illuminate what Van and Beverly meant

0:22:15.240 --> 0:22:15.760
<v Speaker 3>to each other?

0:22:16.960 --> 0:22:22.000
<v Speaker 2>Who is alive that would still remember that they're all gone?

0:22:23.280 --> 0:22:26.040
<v Speaker 3>Webby tells me that if Van were still alive, he'd

0:22:26.040 --> 0:22:29.000
<v Speaker 3>be more than one hundred years old. His brothers, his

0:22:29.119 --> 0:22:32.880
<v Speaker 3>war buddies are all gone. His youngest daughter, who he

0:22:32.920 --> 0:22:36.640
<v Speaker 3>was closest with, died young. I talked to a couple

0:22:36.640 --> 0:22:41.080
<v Speaker 3>of Van's sons in law, no dice, but it occurs

0:22:41.119 --> 0:22:43.879
<v Speaker 3>to me that Van has one last family relation who

0:22:44.000 --> 0:22:47.440
<v Speaker 3>might remember Beverly, someone in fact, who might have been

0:22:47.440 --> 0:22:50.720
<v Speaker 3>in the house huttering around in the background during those

0:22:50.760 --> 0:22:54.359
<v Speaker 3>marathon telephone calls. What about your stepmother?

0:22:56.760 --> 0:22:59.199
<v Speaker 2>Oh, I haven't talked to her since I split up.

0:22:59.240 --> 0:23:02.800
<v Speaker 2>That ended best we don't even talk about the stepmother.

0:23:03.440 --> 0:23:05.280
<v Speaker 2>Oh God, I wish it had been Beverly.

0:23:08.560 --> 0:23:11.080
<v Speaker 3>Van was married to his second wife, Barbara, for twenty

0:23:11.119 --> 0:23:14.960
<v Speaker 3>five years. Towards the end of Van's life, Debbie remembers

0:23:15.000 --> 0:23:17.480
<v Speaker 3>showing up one day to their home in New Orleans.

0:23:18.040 --> 0:23:20.240
<v Speaker 2>I walked in the house and she had him walking

0:23:20.280 --> 0:23:25.359
<v Speaker 2>around with a diaper on with a robe open, while

0:23:25.400 --> 0:23:30.000
<v Speaker 2>she had three other people playing cards, playing bridge. And

0:23:30.040 --> 0:23:32.600
<v Speaker 2>that's it. That's the end, you know, I just started

0:23:32.600 --> 0:23:33.120
<v Speaker 2>taking over.

0:23:34.840 --> 0:23:35.840
<v Speaker 9>I was horrified.

0:23:35.880 --> 0:23:38.200
<v Speaker 2>I mean, I quit my job, everything, I mean, because

0:23:38.240 --> 0:23:41.160
<v Speaker 2>I was one of Anyway.

0:23:44.000 --> 0:23:46.760
<v Speaker 3>Van was showing signs of dementia and his health was

0:23:46.800 --> 0:23:51.600
<v Speaker 3>deteriorating rapidly. After that visit, Debbie decided to move in.

0:23:52.760 --> 0:23:55.040
<v Speaker 3>He was around this time, a time when Van might

0:23:55.080 --> 0:23:58.480
<v Speaker 3>have most wanted to hear Beverly's voice. That he'd stopped phoning,

0:23:59.560 --> 0:24:02.680
<v Speaker 3>and so for the first time in fifty years, Beverly

0:24:02.720 --> 0:24:06.080
<v Speaker 3>and Van were going at life without each other, all

0:24:06.240 --> 0:24:17.800
<v Speaker 3>possibly because Van had forgotten her phone number. And then

0:24:18.240 --> 0:24:19.560
<v Speaker 3>came Hurricane Katrina.

0:24:20.760 --> 0:24:25.359
<v Speaker 2>Those the last months of his life worked really very tough, yeah,

0:24:25.640 --> 0:24:29.440
<v Speaker 2>very very tough from Katrina. Because he died in October.

0:24:29.920 --> 0:24:33.359
<v Speaker 2>The storm, of course, was in August. His wife, she

0:24:33.520 --> 0:24:34.800
<v Speaker 2>moved out when he was dying.

0:24:36.800 --> 0:24:40.000
<v Speaker 3>That had to be very hard for your dad.

0:24:41.359 --> 0:24:44.080
<v Speaker 2>Very hard. She left him malone at his worst time

0:24:44.119 --> 0:24:47.600
<v Speaker 2>of need. So we all gathered around him and we

0:24:47.680 --> 0:24:50.879
<v Speaker 2>had three had his three girls, and he was happy enough.

0:24:51.560 --> 0:25:00.960
<v Speaker 2>But you know, yeah, I say, where's my wife?

0:25:04.880 --> 0:25:05.160
<v Speaker 9>Hello?

0:25:06.119 --> 0:25:09.040
<v Speaker 3>Hi, this is Jonathan Goldstein speaking.

0:25:09.160 --> 0:25:12.120
<v Speaker 2>Oh yes, Jonathan, hold on, I'm gonna hand the fund

0:25:12.119 --> 0:25:12.640
<v Speaker 2>to my mother.

0:25:13.880 --> 0:25:15.600
<v Speaker 9>It's joh Okay.

0:25:15.280 --> 0:25:17.120
<v Speaker 3>Hello, Hi, missus Bailey.

0:25:18.000 --> 0:25:20.560
<v Speaker 9>Fine, fine. I hope I can be some help, but

0:25:20.640 --> 0:25:21.840
<v Speaker 9>I don't know if I can.

0:25:23.359 --> 0:25:26.320
<v Speaker 3>Van's second wife, Barbara, is now ninety three, and she

0:25:26.400 --> 0:25:29.360
<v Speaker 3>experienced the end of Van's life differently than his daughter's.

0:25:30.240 --> 0:25:33.879
<v Speaker 3>Around the time of Katrina, Barbara was almost eighty. She

0:25:34.000 --> 0:25:37.240
<v Speaker 3>was scared and wanted to leave New Orleans, but couldn't

0:25:37.240 --> 0:25:38.360
<v Speaker 3>get Van to leave with her.

0:25:39.000 --> 0:25:45.439
<v Speaker 9>Katrina was just terrible. I couldn't handle Van. He was

0:25:45.560 --> 0:25:47.280
<v Speaker 9>ill and had to be helped in and out of

0:25:47.359 --> 0:25:50.120
<v Speaker 9>bed and everything, and Debbie was they of doing that,

0:25:50.760 --> 0:25:53.640
<v Speaker 9>and so I couldn't take him. I wanted to leave.

0:25:53.760 --> 0:25:58.240
<v Speaker 9>I wanted to evacuate, and they didn't want to evacuate,

0:26:00.200 --> 0:26:02.639
<v Speaker 9>and I couldn't. I couldn't take they They wouldn't go

0:26:02.720 --> 0:26:05.080
<v Speaker 9>with me to my brothers, and they were just going

0:26:05.160 --> 0:26:09.280
<v Speaker 9>to stay there. And of course then they got caught.

0:26:13.680 --> 0:26:17.040
<v Speaker 3>In the end, Van couldn't even be buried. All the

0:26:17.080 --> 0:26:19.240
<v Speaker 3>cemeteries in New Orleans were flooded.

0:26:21.119 --> 0:26:25.120
<v Speaker 9>It was a myth, you know. There was a lot

0:26:25.160 --> 0:26:28.159
<v Speaker 9>of Katrina that we wished didn't happen.

0:26:32.960 --> 0:26:36.040
<v Speaker 3>Most of Van's keepsakes were destroyed in the hurricane. So

0:26:36.119 --> 0:26:40.280
<v Speaker 3>while Beverly's family has letters and photographs, Van's family has nothing.

0:26:40.960 --> 0:26:45.000
<v Speaker 3>The record of his inner life is rapidly disappearing. I

0:26:45.040 --> 0:26:48.240
<v Speaker 3>asked Barbara if the name Beverly means anything to her.

0:26:48.960 --> 0:26:52.520
<v Speaker 9>I remember the name, the name was very familiar, but

0:26:52.640 --> 0:26:58.159
<v Speaker 9>I don't remember anything else really, And in fact, i'm

0:26:58.160 --> 0:27:02.000
<v Speaker 9>thinking about it, I don't remember hearing a lot about

0:27:02.640 --> 0:27:04.680
<v Speaker 9>Van's life with the paper.

0:27:06.160 --> 0:27:09.920
<v Speaker 3>Barbara married Van in nineteen eighty. Van was sixty years old.

0:27:10.240 --> 0:27:12.040
<v Speaker 3>His newspaper day is far behind him.

0:27:12.720 --> 0:27:16.639
<v Speaker 9>Being a second wife, you don't talk about the old

0:27:16.640 --> 0:27:18.720
<v Speaker 9>time with the other wife, you know what I'm trying

0:27:18.760 --> 0:27:19.240
<v Speaker 9>to say.

0:27:19.680 --> 0:27:23.440
<v Speaker 3>Yeah, I can imagine that that would make sense. Was

0:27:24.080 --> 0:27:28.440
<v Speaker 3>this a second marriage for you as well? Yes, yes,

0:27:28.960 --> 0:27:30.040
<v Speaker 3>how did you guys meet?

0:27:30.600 --> 0:27:37.160
<v Speaker 9>Well, we met. My daughter Becca and his daughter Debbie

0:27:37.280 --> 0:27:38.120
<v Speaker 9>were friends.

0:27:38.480 --> 0:27:38.960
<v Speaker 3>Okay.

0:27:39.560 --> 0:27:43.560
<v Speaker 9>Now I was having a party and Debbie said, would

0:27:43.600 --> 0:27:47.800
<v Speaker 9>I invite her daddy? And so I did. This is

0:27:47.840 --> 0:27:52.320
<v Speaker 9>my favorite story. And then at the end of the

0:27:52.359 --> 0:27:57.119
<v Speaker 9>evening she said, why don't you ask miss Rutledge to dinner?

0:27:58.280 --> 0:28:02.959
<v Speaker 9>And he said, which one is she? And I had

0:28:03.000 --> 0:28:07.200
<v Speaker 9>been his hostess he was he was at my house

0:28:07.720 --> 0:28:09.200
<v Speaker 9>and he says, which one is she?

0:28:11.560 --> 0:28:13.200
<v Speaker 3>How would you describe the courtship?

0:28:14.200 --> 0:28:27.439
<v Speaker 9>I guess you'd say low key, you know. Yeah, I

0:28:27.440 --> 0:28:30.360
<v Speaker 9>don't know if your second husband is ever the great love.

0:28:30.560 --> 0:28:30.760
<v Speaker 2>You know.

0:28:30.800 --> 0:28:33.040
<v Speaker 3>What I'm trying to say, is there is there someone

0:28:33.080 --> 0:28:35.040
<v Speaker 3>when when I do say like the you know, great

0:28:35.080 --> 0:28:37.439
<v Speaker 3>love of your life, is there someone that comes to mind?

0:28:38.840 --> 0:28:43.160
<v Speaker 9>Well? I was in love with my first husband. Yeah,

0:28:43.240 --> 0:28:46.040
<v Speaker 9>and I won't say that I didn't love Vane, but

0:28:46.160 --> 0:28:48.320
<v Speaker 9>it wasn't you know, it wasn't like young love.

0:28:49.040 --> 0:28:56.400
<v Speaker 2>Yeah, he liked her a lot, but he didn't love

0:28:56.400 --> 0:28:57.720
<v Speaker 2>her in the way he loved my mother.

0:28:58.600 --> 0:29:02.120
<v Speaker 3>This is Webby again. She says that like Barbara, Van's

0:29:02.120 --> 0:29:04.920
<v Speaker 3>feelings for a second spouse couldn't compare with the kind

0:29:04.960 --> 0:29:06.560
<v Speaker 3>of love you can feel when you're young.

0:29:07.000 --> 0:29:10.000
<v Speaker 2>It wasn't the romance of a lifetime, but he was

0:29:10.040 --> 0:29:11.720
<v Speaker 2>a man and he loved her and he didn't want

0:29:11.720 --> 0:29:13.280
<v Speaker 2>to be alone.

0:29:13.520 --> 0:29:16.320
<v Speaker 3>On the subject of young love and romance of a lifetime,

0:29:16.600 --> 0:29:20.120
<v Speaker 3>I bring up Beverly again, presenting a theory that Van

0:29:20.160 --> 0:29:22.760
<v Speaker 3>and Beverly were in love and meant to be, but

0:29:22.800 --> 0:29:26.120
<v Speaker 3>that Beverly had chosen the wrong suitor. She'd refused Van

0:29:26.280 --> 0:29:27.280
<v Speaker 3>until it was too late.

0:29:28.040 --> 0:29:32.520
<v Speaker 2>He was not shot down by Beverly that I know, Uh.

0:29:32.440 --> 0:29:36.360
<v Speaker 3>Huh, I mean the sense that I get from He.

0:29:36.520 --> 0:29:39.080
<v Speaker 2>Never imitated that he was in love with Beverly Cola.

0:29:47.720 --> 0:29:51.880
<v Speaker 2>There was something deep between them, but it wasn't love

0:29:51.920 --> 0:29:53.320
<v Speaker 2>and marriage and baby carriage.

0:29:54.480 --> 0:29:56.560
<v Speaker 3>Do you have any sense of why that was? Why

0:29:56.600 --> 0:29:58.320
<v Speaker 3>they didn't end up going in that direction?

0:29:59.160 --> 0:29:59.360
<v Speaker 10>Wow?

0:30:00.040 --> 0:30:01.600
<v Speaker 2>I meant you had a friend that you're a door,

0:30:01.640 --> 0:30:02.560
<v Speaker 2>but you're not in love with.

0:30:04.040 --> 0:30:04.400
<v Speaker 3>Sure.

0:30:05.960 --> 0:30:09.960
<v Speaker 2>There you have it, because if if it was not

0:30:10.120 --> 0:30:11.680
<v Speaker 2>that way, they would have been married.

0:30:13.200 --> 0:30:15.960
<v Speaker 3>Even the letters Van wrote Beverly during the war are

0:30:16.000 --> 0:30:18.040
<v Speaker 3>taken differently than Ashley had taken them.

0:30:18.480 --> 0:30:21.840
<v Speaker 2>I think this was all pre My mother was Beverly

0:30:21.920 --> 0:30:25.200
<v Speaker 2>and Van, you know they were. That was before he

0:30:25.240 --> 0:30:25.880
<v Speaker 2>met my mother.

0:30:30.040 --> 0:30:31.960
<v Speaker 3>The reason Webby and Debbie don't have much in the

0:30:32.000 --> 0:30:34.920
<v Speaker 3>way of Van and Beverly anecdotes might be because they just

0:30:34.960 --> 0:30:38.680
<v Speaker 3>never needed them. They're not invested in unearthing some great

0:30:38.720 --> 0:30:41.520
<v Speaker 3>love story for Van because they believe he already had

0:30:41.560 --> 0:30:45.760
<v Speaker 3>one with their mother, Whereas Beverly and Llewellyn had a

0:30:45.800 --> 0:30:55.360
<v Speaker 3>bad marriage, Van and Francis had a good one. You've

0:30:55.360 --> 0:30:56.960
<v Speaker 3>had some water, I've had some.

0:30:57.160 --> 0:30:59.080
<v Speaker 8>I've had a lot of I have a lot of coffee,

0:30:59.080 --> 0:31:01.440
<v Speaker 8>and I have had a lot of coffee.

0:31:01.000 --> 0:31:04.480
<v Speaker 3>And you will have coffee should you choose to have them.

0:31:04.960 --> 0:31:07.480
<v Speaker 3>Having talked to everyone, I could I get back in

0:31:07.560 --> 0:31:10.600
<v Speaker 3>touch with Ashley. So we talked with Webby and Debbie,

0:31:10.640 --> 0:31:12.680
<v Speaker 3>and then I spoke with I tell her that while

0:31:12.720 --> 0:31:15.680
<v Speaker 3>I couldn't find anything to support a romance, that didn't

0:31:15.680 --> 0:31:19.160
<v Speaker 3>mean Beverly wasn't important to Van's family. I explain how

0:31:19.160 --> 0:31:23.560
<v Speaker 3>instantly everyone recognized Beverly's name, knew your grandmother's name that

0:31:23.960 --> 0:31:26.520
<v Speaker 3>had resonance for them. Yeah, and there are two other

0:31:26.600 --> 0:31:29.800
<v Speaker 3>things I'd come to learn during my conversations with Van's family.

0:31:30.520 --> 0:31:33.000
<v Speaker 3>The first comes from Webby, Well, she.

0:31:33.160 --> 0:31:36.840
<v Speaker 2>Was my godmother who was Beverly.

0:31:38.200 --> 0:31:41.120
<v Speaker 3>Over the years, Van's wife, Francis, became close friends with

0:31:41.160 --> 0:31:44.560
<v Speaker 3>Beverly too, and Van and Francis wanted Beverly to remain

0:31:44.600 --> 0:31:46.320
<v Speaker 3>connected to their family forever.

0:31:47.320 --> 0:31:50.920
<v Speaker 2>They made her my godmother. You know, that's quite an

0:31:50.960 --> 0:31:54.040
<v Speaker 2>honor to bestow upon a friend, to ask them to

0:31:54.080 --> 0:31:54.600
<v Speaker 2>do that for you.

0:31:54.960 --> 0:32:00.320
<v Speaker 3>So you're first born, Oh my gosh, you didn't to

0:32:00.400 --> 0:32:02.640
<v Speaker 3>know about this, right, this is news.

0:32:02.840 --> 0:32:08.840
<v Speaker 8>Yeah, I didn't know anything. I didn't know no no idea, yeah,

0:32:08.880 --> 0:32:13.720
<v Speaker 8>no idea. And my grandmother was pretty Her faith was

0:32:13.760 --> 0:32:16.240
<v Speaker 8>really important to her. And I am sure that that

0:32:16.400 --> 0:32:19.760
<v Speaker 8>meant the world to her. I'm sure she took that

0:32:19.920 --> 0:32:20.880
<v Speaker 8>really seriously.

0:32:25.200 --> 0:32:27.959
<v Speaker 3>And then there's the second thing. I learned, a small,

0:32:28.080 --> 0:32:30.800
<v Speaker 3>strange thing that I'm not even sure is a thing.

0:32:31.720 --> 0:32:35.400
<v Speaker 3>Throughout my conversations with Van's family, there was one oddly

0:32:35.480 --> 0:32:38.680
<v Speaker 3>specific Beverly and Van's story that everyone seemed to know.

0:32:39.400 --> 0:32:41.960
<v Speaker 3>In fact, it was the only story they all seemed

0:32:41.960 --> 0:32:45.880
<v Speaker 3>to know. No matter who I spoke to, kids, grandkids,

0:32:46.080 --> 0:32:49.480
<v Speaker 3>sons in law, it kept popping up again and again.

0:32:50.400 --> 0:32:53.360
<v Speaker 3>Back in their newspaper days, Van escorted Beverly to the

0:32:53.360 --> 0:32:56.360
<v Speaker 3>showbiz party she reported on, and they met the biggest

0:32:56.360 --> 0:33:04.720
<v Speaker 3>stars of the day, among them Dicky Mickey Rooney, who

0:33:04.760 --> 0:33:07.720
<v Speaker 3>appeared in more than three hundred films over the course

0:33:07.800 --> 0:33:11.080
<v Speaker 3>of an eighty eight year career. Mickey Rooney began as

0:33:11.120 --> 0:33:14.360
<v Speaker 3>a child star, appearing in a half dozen movies opposite

0:33:14.400 --> 0:33:18.600
<v Speaker 3>his friend Judy Garland, but according to Vanity Fair, he

0:33:18.720 --> 0:33:23.360
<v Speaker 3>was also quote the original Hollywood train wreck one who,

0:33:23.400 --> 0:33:26.800
<v Speaker 3>by the accounts of Van's family, train wrecked his way

0:33:27.000 --> 0:33:28.520
<v Speaker 3>into Van and Beverly.

0:33:28.880 --> 0:33:31.120
<v Speaker 2>I just heard one story about Mickey Rooney at one

0:33:31.160 --> 0:33:34.720
<v Speaker 2>of the parties. I know he was disappointed in Mickey Roone.

0:33:34.800 --> 0:33:37.520
<v Speaker 4>You remember him saying something along the line, I hate

0:33:37.680 --> 0:33:39.160
<v Speaker 4>that Mickey Roney.

0:33:40.120 --> 0:33:43.240
<v Speaker 3>Every telling is slightly different, but all of the stories

0:33:43.360 --> 0:33:44.640
<v Speaker 3>have one thing in common.

0:33:45.040 --> 0:33:48.600
<v Speaker 4>Currently, Mickey was a little bit on the crass side

0:33:48.600 --> 0:33:48.960
<v Speaker 4>the thing.

0:33:49.160 --> 0:33:53.320
<v Speaker 2>He said something crude and lude sexually led to a

0:33:53.400 --> 0:33:56.600
<v Speaker 2>woman at the park. He was making crass.

0:33:56.520 --> 0:34:00.520
<v Speaker 3>Remarks, crass remarks in the presence of Van Date for

0:34:00.560 --> 0:34:03.280
<v Speaker 3>the evening one, Beverly Colom.

0:34:03.280 --> 0:34:05.240
<v Speaker 2>And my father went over there. I'm kind of pulled

0:34:05.280 --> 0:34:07.480
<v Speaker 2>Hi by the collar and said, you say that again,

0:34:07.520 --> 0:34:08.960
<v Speaker 2>and I'm gonna knock you out.

0:34:09.120 --> 0:34:11.759
<v Speaker 8>I do recall him saying something like I punched that

0:34:11.840 --> 0:34:13.439
<v Speaker 8>guy right in the nose one time.

0:34:13.640 --> 0:34:16.000
<v Speaker 2>You know Cowarde, and my father was six feet so

0:34:16.040 --> 0:34:18.120
<v Speaker 2>he was much bigger. He said he had to be

0:34:18.200 --> 0:34:20.640
<v Speaker 2>restrained not to want to throw him out the window.

0:34:25.280 --> 0:34:26.680
<v Speaker 3>Do you know who Mickey Rooney is?

0:34:27.560 --> 0:34:32.440
<v Speaker 8>Oh? Yeah, my grandmother hated him.

0:34:33.280 --> 0:34:40.640
<v Speaker 3>Hi, what do you know? Why?

0:34:40.800 --> 0:34:41.760
<v Speaker 8>No?

0:34:41.760 --> 0:34:46.280
<v Speaker 3>No, every person that I spoke to, practically from Van's family,

0:34:46.680 --> 0:34:52.560
<v Speaker 3>had a story that involved Van, your grandmother and Mickey Rooney.

0:34:52.600 --> 0:34:53.080
<v Speaker 8>Stop it.

0:34:53.920 --> 0:34:57.080
<v Speaker 3>No, I'm not kidding. Some some variation on it, because

0:34:57.080 --> 0:35:00.040
<v Speaker 3>you know so he he was her escort and and

0:35:00.120 --> 0:35:04.040
<v Speaker 3>there was a Hollywood party. I searched for newspaper coverage

0:35:04.040 --> 0:35:07.080
<v Speaker 3>of this fight between Van and Mickey Rooney, and while

0:35:07.120 --> 0:35:09.880
<v Speaker 3>I didn't find that exactly, I did find an article

0:35:09.960 --> 0:35:13.400
<v Speaker 3>Beverly wrote about a big celebrity party in New Orleans

0:35:13.520 --> 0:35:16.960
<v Speaker 3>in the fall of nineteen forty three, the exact party

0:35:17.040 --> 0:35:19.920
<v Speaker 3>where she and Van would have met Mickey Rooney and

0:35:19.960 --> 0:35:23.479
<v Speaker 3>where Mickey Rooney would have met Van's fist. Found some

0:35:23.800 --> 0:35:28.080
<v Speaker 3>of your grandmother's articles. Oh you did, have you ever

0:35:28.120 --> 0:35:28.759
<v Speaker 3>read any of them?

0:35:28.960 --> 0:35:29.200
<v Speaker 8>Never?

0:35:29.800 --> 0:35:30.080
<v Speaker 2>Here?

0:35:30.120 --> 0:35:35.279
<v Speaker 3>Take a look. Yeah, oh my god. Ashley gazes down

0:35:35.320 --> 0:35:37.920
<v Speaker 3>at the article cool, a big smile on her face.

0:35:38.480 --> 0:35:40.759
<v Speaker 8>Movie stars are all a twinkle as they go out

0:35:40.800 --> 0:35:41.480
<v Speaker 8>to do the town.

0:35:41.920 --> 0:35:43.080
<v Speaker 2>Ooh.

0:35:43.120 --> 0:35:45.760
<v Speaker 8>If you didn't already know the mass of film fans

0:35:45.840 --> 0:35:49.480
<v Speaker 8>jamming the Roosevelts soon made it plain Mickey Rooney and

0:35:49.560 --> 0:35:53.120
<v Speaker 8>Judy Garland were on the scene. I mean, look, at

0:35:53.200 --> 0:35:57.319
<v Speaker 8>least she reserved her personal feelings about Mickey Rooney from

0:35:57.360 --> 0:35:57.880
<v Speaker 8>the paper.

0:35:58.440 --> 0:36:03.480
<v Speaker 3>Right, she was a journalist, and so am I a journalist?

0:36:03.560 --> 0:36:07.839
<v Speaker 3>That is, I am too a journalist, which is why

0:36:07.880 --> 0:36:13.080
<v Speaker 3>I read in its near entirety Mickey Rooney's autobiography Life

0:36:13.200 --> 0:36:16.360
<v Speaker 3>is Too Short, a fun bit of wordplay. As Mickey

0:36:16.480 --> 0:36:19.040
<v Speaker 3>was a scant five foot two in his stockinged feet,

0:36:19.880 --> 0:36:22.520
<v Speaker 3>I search for confirmation of his having scuffled with the

0:36:22.560 --> 0:36:25.560
<v Speaker 3>six foot tall van. And while I learned that Mickey

0:36:25.640 --> 0:36:27.880
<v Speaker 3>was born on a dining room table and that he

0:36:28.000 --> 0:36:30.799
<v Speaker 3>was once visited by an angel while eating breakfast at

0:36:30.840 --> 0:36:33.960
<v Speaker 3>Harris Casino, there's no mention of a party in New

0:36:34.040 --> 0:36:44.480
<v Speaker 3>Orleans in nineteen forty three. Hello Kelly, Kelly Rooney, Hight

0:36:44.600 --> 0:36:49.040
<v Speaker 3>Jonathan and so I phone up Kelly, Mickey Rooney's daughter.

0:36:49.760 --> 0:36:52.160
<v Speaker 3>I explained how her father might be the leading man

0:36:52.400 --> 0:36:56.440
<v Speaker 3>in the most prevalent story anyone has about Van and Beverly,

0:36:56.680 --> 0:37:01.759
<v Speaker 3>and Van got into an, I guess, an altercation with

0:37:01.880 --> 0:37:05.080
<v Speaker 3>your father. Oh oh, and so I guess. I was

0:37:05.120 --> 0:37:08.919
<v Speaker 3>just wondering, like, how likely does that seem to you?

0:37:09.800 --> 0:37:13.799
<v Speaker 6>I hadn't heard of that situation, but I had heard

0:37:13.800 --> 0:37:20.920
<v Speaker 6>of situations where my dad had been in heated discussions.

0:37:19.440 --> 0:37:22.719
<v Speaker 3>Like it wouldn't be so out of the ordinary that

0:37:23.160 --> 0:37:24.400
<v Speaker 3>perhaps your father.

0:37:24.360 --> 0:37:27.920
<v Speaker 6>Exactly exactly, you know, my dad was a force to

0:37:27.920 --> 0:37:31.120
<v Speaker 6>be reckoned with, so I don't doubt that maybe he

0:37:31.120 --> 0:37:34.879
<v Speaker 6>could have gotten into a ruckus with somebody.

0:37:37.239 --> 0:37:40.319
<v Speaker 3>Kelly was born well after the Van incident. Her mother

0:37:40.440 --> 0:37:43.720
<v Speaker 3>was Mickey Rooney's fifth wife. He was married eight times

0:37:43.760 --> 0:37:47.080
<v Speaker 3>in total. He spent his whole life hoping that the

0:37:47.120 --> 0:37:49.720
<v Speaker 3>next marriage would be the one where the love would stick,

0:37:50.400 --> 0:37:53.920
<v Speaker 3>but Mickey ended up spending his final years alone. By

0:37:53.920 --> 0:37:56.000
<v Speaker 3>the end of his life, he'd arrived at a simple

0:37:56.040 --> 0:37:58.920
<v Speaker 3>conclusion about why to be with someone that he passed

0:37:58.920 --> 0:38:01.279
<v Speaker 3>on to his children. My sister said to.

0:38:01.320 --> 0:38:04.719
<v Speaker 6>Him one time, Dad, you know I'm getting divorced, And

0:38:04.760 --> 0:38:06.360
<v Speaker 6>he says, well, let me ask you something.

0:38:06.880 --> 0:38:10.560
<v Speaker 3>Did you love him? And she said, yes, Daddy, I did.

0:38:10.600 --> 0:38:14.000
<v Speaker 6>I loved him, and he says, well, did you like him?

0:38:14.400 --> 0:38:16.360
<v Speaker 8>Did you like the way he treated you? Did you

0:38:16.520 --> 0:38:17.840
<v Speaker 8>like the way he treated others?

0:38:18.400 --> 0:38:20.839
<v Speaker 6>And he really taught us that it's not about all

0:38:20.880 --> 0:38:23.200
<v Speaker 6>the I love you babies and the sex and this

0:38:23.239 --> 0:38:25.560
<v Speaker 6>and that. He said, you really have to be in.

0:38:25.719 --> 0:38:32.080
<v Speaker 3>Like his relationship with Judy Garland, that was never romantic.

0:38:33.680 --> 0:38:37.320
<v Speaker 6>No, I don't believe so. I mean, they met so young,

0:38:38.160 --> 0:38:39.879
<v Speaker 6>you know. We used to ask him that, well, why

0:38:40.320 --> 0:38:42.879
<v Speaker 6>didn't marry Judy? He said, well, it would have been

0:38:42.880 --> 0:38:44.040
<v Speaker 6>like marrying my sister.

0:38:44.640 --> 0:38:45.040
<v Speaker 1>He said.

0:38:45.080 --> 0:38:46.880
<v Speaker 8>I was in love with her. I was in like

0:38:46.960 --> 0:38:47.239
<v Speaker 8>with her.

0:38:47.320 --> 0:38:50.359
<v Speaker 6>She was my world, so I felt, I mean, he

0:38:50.440 --> 0:38:54.640
<v Speaker 6>really loved her, He really loved her, and he would

0:38:54.680 --> 0:38:57.160
<v Speaker 6>have done anything to have tried to save her, and

0:38:57.960 --> 0:38:58.640
<v Speaker 6>did try to.

0:39:00.120 --> 0:39:02.560
<v Speaker 3>Judy Garland died at the age of forty seven from

0:39:02.600 --> 0:39:06.120
<v Speaker 3>a drug overdose. And Life is Too Short, Mickey writes

0:39:06.160 --> 0:39:09.280
<v Speaker 3>of Judy, it seemed as if we'd known each other forever,

0:39:09.840 --> 0:39:13.399
<v Speaker 3>that we were destined to be best friends. Mickey would

0:39:13.440 --> 0:39:15.799
<v Speaker 3>take Judy out for chocolate malts to cheer her up.

0:39:16.239 --> 0:39:18.959
<v Speaker 3>He'd answer the phone when she called at three am.

0:39:19.480 --> 0:39:23.399
<v Speaker 3>Anytime Judy he said, you call and I'll be here

0:39:23.440 --> 0:39:28.440
<v Speaker 3>for you. It's always been that way. Like Judy and Mickey,

0:39:28.719 --> 0:39:32.360
<v Speaker 3>Van and Beverly had been just friends. Only it wasn't

0:39:32.480 --> 0:39:35.719
<v Speaker 3>just friends for a man and a woman, especially at

0:39:35.719 --> 0:39:38.719
<v Speaker 3>that time, to have a friendship that spanned decades and

0:39:38.840 --> 0:39:43.160
<v Speaker 3>great distance, war and marriages and children was a rarer

0:39:43.239 --> 0:39:46.400
<v Speaker 3>thing than a mere romance. And maybe that's why no

0:39:46.440 --> 0:39:49.920
<v Speaker 3>one believed Beverly when she said they were just friends.

0:39:50.560 --> 0:39:52.719
<v Speaker 3>So while the story of Beverly and Van might not

0:39:52.840 --> 0:39:56.280
<v Speaker 3>be the love story Ashley was hoping for, Beverly Colom

0:39:56.840 --> 0:39:57.560
<v Speaker 3>had been loved.

0:40:03.560 --> 0:40:05.600
<v Speaker 8>There's something really big about someone who knows you so

0:40:05.680 --> 0:40:08.359
<v Speaker 8>well and continues to want to know you.

0:40:09.120 --> 0:40:10.000
<v Speaker 3>Can you imagine that?

0:40:10.640 --> 0:40:14.480
<v Speaker 8>No? I think it's really hard to stick with people

0:40:14.560 --> 0:40:19.359
<v Speaker 8>through there are many iterations in life, right, It's really

0:40:19.400 --> 0:40:26.320
<v Speaker 8>hard to meet somebody at sixteen and be with them

0:40:26.400 --> 0:40:30.640
<v Speaker 8>as they change into a totally different person. By I mean,

0:40:30.680 --> 0:40:32.799
<v Speaker 8>I'm only I'm thirty three, right, So have.

0:40:32.840 --> 0:40:34.480
<v Speaker 3>You already seen this even at thirty three?

0:40:34.640 --> 0:40:36.600
<v Speaker 8>Yeah, of course, I mean there are people that like

0:40:36.680 --> 0:40:39.960
<v Speaker 8>I loved so much and we don't have much in

0:40:39.960 --> 0:40:44.960
<v Speaker 8>common anymore. I think it was the biggest relationship of

0:40:45.000 --> 0:40:47.160
<v Speaker 8>her life.

0:40:47.360 --> 0:40:51.880
<v Speaker 3>You know, you began this thing, imagining this great untold

0:40:51.880 --> 0:40:54.759
<v Speaker 3>love story and wanting to actually learn about it.

0:40:54.800 --> 0:40:57.319
<v Speaker 8>And I don't care about the love story anymore, I

0:40:57.400 --> 0:41:02.560
<v Speaker 8>really don't. I'm good good, I'm good with that multi

0:41:02.719 --> 0:41:08.399
<v Speaker 8>year friendship. I'm just so happy that they had each other.

0:41:09.920 --> 0:41:12.560
<v Speaker 8>How lucky these people were. Van and Bev.

0:41:14.480 --> 0:41:17.960
<v Speaker 3>Beverly's life was a struggle. She would come home exhausted

0:41:18.000 --> 0:41:20.279
<v Speaker 3>after a long day of work and there would be

0:41:20.320 --> 0:41:24.960
<v Speaker 3>five mouths to feed and Llewellyn drunk. But then the

0:41:25.000 --> 0:41:28.600
<v Speaker 3>phone would ring, and Beverly would smile and duck into

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<v Speaker 3>the other room, and there, reaching out from hundreds of

0:41:32.560 --> 0:42:00.120
<v Speaker 3>miles away, was her Van. It was always that way.

0:42:24.600 --> 0:42:30.360
<v Speaker 1>Now that the fernentures roof, turning to its goodwill home,

0:42:33.880 --> 0:42:38.239
<v Speaker 1>Now that the last month's rant is scheming, with the

0:42:38.480 --> 0:42:42.239
<v Speaker 1>damage to possible, take this moment to dissolve.

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<v Speaker 8>If we meant him, if we talked serious but felt

0:42:49.760 --> 0:42:51.320
<v Speaker 8>around for far too.

0:42:53.680 --> 0:43:02.120
<v Speaker 3>From things that accidentally talk. This episode of Heavyweight was

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<v Speaker 3>produced by Khalila Holt and me Jonathan Goldstein, along with

0:43:05.000 --> 0:43:08.080
<v Speaker 3>Stevie Lane and Ba Parker. The show is edited by

0:43:08.120 --> 0:43:12.160
<v Speaker 3>Jorge just Special Thanks to Emily Condon, Alex Bloomberg, Fia Bennin,

0:43:12.480 --> 0:43:16.000
<v Speaker 3>and Jackie Cohen. Bobby Lord mixed the episode with original

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<v Speaker 3>music by Christine Fellows, John K. Sampson, Blue Dot Sessions,

0:43:19.480 --> 0:43:22.640
<v Speaker 3>and Bobby Lord. Additional music credits can be found on

0:43:22.680 --> 0:43:26.960
<v Speaker 3>our website, Gimbletmedia dot com slash Heavyweight. Our theme song

0:43:27.000 --> 0:43:29.440
<v Speaker 3>is by the weaker Lands courtesy of Epitaph Records, and

0:43:29.480 --> 0:43:32.080
<v Speaker 3>our ad music is by Hailey Shaw. Follow us on

0:43:32.080 --> 0:43:35.880
<v Speaker 3>Twitter at Heavyweight or email us at Heavyweight at gimltmedia

0:43:35.880 --> 0:43:38.719
<v Speaker 3>dot com to see a picture of Beverly and fan

0:43:39.160 --> 0:43:42.120
<v Speaker 3>check out our show art on Spotify. Check out the

0:43:42.120 --> 0:43:45.640
<v Speaker 3>photos from our other episodes this season two, and if

0:43:45.680 --> 0:43:48.480
<v Speaker 3>you do listen to Heavyweight on Spotify, be sure to

0:43:48.520 --> 0:43:51.879
<v Speaker 3>click the follow button. If you listen anywhere else, please

0:43:51.920 --> 0:43:53.240
<v Speaker 3>don't tell my boss Alex

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<v Speaker 2>Dott