WEBVTT - Tariq Nashid: They Stole Country & Rock, Is Hip Hop Next?

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<v Speaker 1>But all right, job.

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<v Speaker 2>All across the USC Compton watch Bay to La, come

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<v Speaker 2>on to California y day from Owy the Valley.

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<v Speaker 1>We represent that Keller County.

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<v Speaker 2>So if you're keeping it real on your side of

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<v Speaker 2>your town, you tune into Gainst the Chronicles Chronic Goals.

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<v Speaker 3>We gonna tell you how are we goals? If I

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<v Speaker 3>lie my nose will girl like Pinocchio. We're gonna tell

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<v Speaker 3>you the truth and nothing but the truth. Gangs the

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<v Speaker 3>Chronic Goals. This is not your average shows.

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<v Speaker 2>You're now tuned into the rail mc ain't, Big Change

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<v Speaker 2>and Big steels the streets.

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<v Speaker 1>Hello, Welcome to the Gainst the Chronicles podcast, the production

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<v Speaker 1>of iHeart Radio and Black Effect podcast Network. Make sure

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<v Speaker 1>you download the iHeart app and subscribe to Against the

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<v Speaker 1>Chronicles For my Apple users, hit the Purple Michael your

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<v Speaker 1>front screen. Subscribed Against the Chronicles, leave a start rating

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<v Speaker 1>the comment like to welcome you to another episode of

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<v Speaker 1>the Gainst the Chronicles podcast. It's your boy, big steeal.

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<v Speaker 1>You know this is where gangster rap lives, right, yeah,

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<v Speaker 1>it's living. It's living, living froof right next to the wave.

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<v Speaker 1>Hell yeah, you know we're gonna do that.

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<v Speaker 3>Over again.

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<v Speaker 1>Thanks all, We like to welcome you to another episode

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<v Speaker 1>the Gainst the Chronicles podcast where Gangster Rap Lives is

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<v Speaker 1>your boy Big Steel along with and today we have

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<v Speaker 1>a man of many traits and he's good at all

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<v Speaker 1>the motherfuckers. You know how your expression skilled that many things,

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<v Speaker 1>but mastering now you actually master of every motherfucking thing

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<v Speaker 1>you do. Accomplished author director, yes, sir, social media mogul

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<v Speaker 1>and just all that good ship man. Yes, and I

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<v Speaker 1>fuck with you because you're from the Midwest. Yes, sir,

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<v Speaker 1>you know what I'm saying. Mister Tarka she what's that

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<v Speaker 1>in the family? Thank y'all for having me here. First

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<v Speaker 1>of all, it's usually man, Usually we don't get people

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<v Speaker 1>of your caliber. No, no offense, none or other guests.

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<v Speaker 1>We don't answer dope people on here. But you have

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<v Speaker 1>done a whole lot of dope shit in your life.

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<v Speaker 3>Man.

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<v Speaker 1>Man, I try, Man, I try. What took you on

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<v Speaker 1>the path that you want? Now? Man? What puts you

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<v Speaker 1>on that path?

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<v Speaker 3>Man?

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<v Speaker 1>Just wanting to bring the truth to things.

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<v Speaker 3>Man.

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<v Speaker 1>I started with relationship books. And the reason why I

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<v Speaker 1>started with relationship books, man, there were a lot of

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<v Speaker 1>books out at the time late nineties that would give

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<v Speaker 1>real janky relationship advice. You had books like Mena from Mars,

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<v Speaker 1>Women Are from Venus and all that stuff, and it

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<v Speaker 1>was a real corny advice that really didn't work. So

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<v Speaker 1>I said, let me do something. Let me put out

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<v Speaker 1>a book with some real game in it, that real

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<v Speaker 1>dude's spit, that real cats can appreciate. And I wrote

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<v Speaker 1>a book called The Art of mackin nineteen ninety nine,

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<v Speaker 1>came out in two thousand, became a huge best selling book,

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<v Speaker 1>and that took off my author career right there. And

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<v Speaker 1>then later on I started to morph into documentary films

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<v Speaker 1>because I saw there was a void. There was a

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<v Speaker 1>lot of movies out here that show with us black

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<v Speaker 1>folks in real negative lights. You have movies like The

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<v Speaker 1>Help and Precious and The blind Side, and all of

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<v Speaker 1>these movies showed us in very subservient positions. And I said,

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<v Speaker 1>now we have to have a balance. We have to

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<v Speaker 1>show the constructive side of black society. So I came

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<v Speaker 1>up with the Hidden Color Series as an experiment. I

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<v Speaker 1>didn't know if it was gonna do good or whatever,

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<v Speaker 1>because nothing like that had been done before. We put

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<v Speaker 1>that out, and that took off. So I like to

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<v Speaker 1>try to experiment with different things, man, and kind of

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<v Speaker 1>take risk and just stay true to what I'm putting

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<v Speaker 1>out there, man, And luckily a lot of it has

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<v Speaker 1>been successful. Yeah, you got a lot of different takes

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<v Speaker 1>as far as like on race in America. Yeah, yeah,

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<v Speaker 1>things have gotten better. And me originally being from the Midwest, right,

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<v Speaker 1>one thing I noticed is people tell you how they

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<v Speaker 1>feel out there. Yes. Indeed, you know, you run across

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<v Speaker 1>a white guy out there, he gonna call you a nigger.

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<v Speaker 1>You know, he's gonna say what he gotta say to you.

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<v Speaker 1>You know, in the Midwest, man, that's where most of

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<v Speaker 1>them militia groups are, the white supremacists militia groups, they're

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<v Speaker 1>all in Ohio. They're in Mission again, where I was born.

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<v Speaker 1>A lot of people think that stuff is in the South,

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<v Speaker 1>them militia groups where they're training for race wars and

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<v Speaker 1>all that. That's in the Midwest. In fact, many of

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<v Speaker 1>the race riots that we had were actually in the Midwest.

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<v Speaker 1>When you see footage of doctor King getting hit with

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<v Speaker 1>rocks and stones, that's in Illinois. You know, a lot

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<v Speaker 1>of folks don't know that. When you see folks getting

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<v Speaker 1>whooped on with sticks and people fighting back. That's out here.

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<v Speaker 1>They showed the watch Riot footage and people think that

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<v Speaker 1>it's the stuff going on down south, But that racism

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<v Speaker 1>was all over the country man, so people kind of

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<v Speaker 1>try to regulate it to the south. It was all

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<v Speaker 1>over the place. Oh no, it was all over the places.

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<v Speaker 1>Like I said earlier, they'd tell you how they feel

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<v Speaker 1>out there. They were I fought many a white boy

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<v Speaker 1>and they go squab with you. Yeah, yeah, they go

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<v Speaker 1>squabbing with can't you fade with you know? They go

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<v Speaker 1>running with you? Yeah, they're catching Whereas I know this

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<v Speaker 1>out here, I almost rather would have like a eel

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<v Speaker 1>was back in Ohio, Michigan, Kentucky and all them places

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<v Speaker 1>to where you know, where somebody stands which you are here,

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<v Speaker 1>Hey buddy, how was it going your friend? But I

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<v Speaker 1>remember one time I had an incident to where a

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<v Speaker 1>dude that butted out me by accident. We had just talked.

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<v Speaker 1>And this is when I was working for a publishing

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<v Speaker 1>company actually, and I was talking to a guy that

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<v Speaker 1>worked at Bug Music. He's no longer working there, but

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<v Speaker 1>I was talking to a guy that worked at Bug Music,

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<v Speaker 1>and he had said something like you black shit colored bitch,

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<v Speaker 1>and it was just like, Wow, who was he talking to?

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<v Speaker 1>You know, you hear somebody on the phone and I

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<v Speaker 1>was like this, So I was listening and it kind

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<v Speaker 1>of rolled off for me and then I hung up.

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<v Speaker 1>He called me back, Oh man, that was me and

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<v Speaker 1>my friend. We joked like that, and I was just

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<v Speaker 1>kind of like, whatever, coward, you know, going to say

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<v Speaker 1>what you gotta say. I'm glad I know how you feel.

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<v Speaker 3>Now.

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<v Speaker 1>Yeah, that liberal racism is real funny style and that's

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<v Speaker 1>the most insidious racism. So like in the Midwest, man

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<v Speaker 1>you mentioned earlier, many of those places are very conservative,

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<v Speaker 1>so they just let you know what it is. They

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<v Speaker 1>ain't gonna really play that game with you. And I

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<v Speaker 1>can almost respect that to a certain degree. Out here.

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<v Speaker 1>They'll sit there and act like your buddy, but they'll

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<v Speaker 1>skin and grin in your face while they're secretly calling

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<v Speaker 1>the cops on you. When we see a lot of

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<v Speaker 1>these caring videos where these white women harassing random black people,

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<v Speaker 1>many of those are in liberal, so called liberal cities,

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<v Speaker 1>where they tell you that the hippie liberal white folks

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<v Speaker 1>are better than the right wing republican white folks. They're

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<v Speaker 1>the same two wings on the same bird. We got

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<v Speaker 1>to understand that. So systematic racism is a very real thing,

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<v Speaker 1>and we got to understand that we as black people,

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<v Speaker 1>we got to be more codified with each other, and

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<v Speaker 1>that's how we protect ourselves from that. Hey, you being

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<v Speaker 1>a comptent, right when you were in comptent, it was

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<v Speaker 1>majority black, right, Yeah, black and Mexican. Black and Mexican,

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<v Speaker 1>so you didn't have too many encounters with racism.

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<v Speaker 4>Niggas no other than police shit, you know, racial pro

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<v Speaker 4>I mean profiling. You know, it was a nigga and

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<v Speaker 4>khakis and a Raiders hat, you know, were automatically symbolized

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<v Speaker 4>as a gang banger. So you know, we got harassed

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<v Speaker 4>a lot by the police. Didn't matter what color they was.

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<v Speaker 4>A lot of them was black sometimes, you know mostly

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<v Speaker 4>you know, you had a few whites and you know,

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<v Speaker 4>Mexican cops patrolling, but it didn't matter what color they was.

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<v Speaker 4>We just got harassed for being young black niggas living

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<v Speaker 4>in the inner city because we were just looked at

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<v Speaker 4>as I mean, you know, it was gangbanging was going around.

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<v Speaker 4>Compton was full of gangs shit. So and then you know,

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<v Speaker 4>I guess for the fact that probably none of those

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<v Speaker 4>police patrolling grew up in Compton, so you know, always

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<v Speaker 4>thought that was I always thought that was important to

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<v Speaker 4>have police who grew up or you know, came from

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<v Speaker 4>those type of areas. Then they would better know how

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<v Speaker 4>to deal with niggas, you know what I'm saying, as

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<v Speaker 4>far as we were concerned. But a lot of them

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<v Speaker 4>motherfuckers didn't come from where we was from, so.

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<v Speaker 3>They looked at they looked at.

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<v Speaker 4>Gang banging and all that was just you know, it

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<v Speaker 4>was just it was just senseless to them, so we

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<v Speaker 4>got harassed for it.

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<v Speaker 1>You know, I was looking at eight shoes. Eight shoes

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<v Speaker 1>reminded me of some of my buddies used to wear

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<v Speaker 1>the Nike Cortest shoes similar to what my boy has on,

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<v Speaker 1>and I would roll with him because I was always neutral.

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<v Speaker 1>But some of my guys they were in part of

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<v Speaker 1>different sets, and when they would wear the Nike Cortest shoes,

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<v Speaker 1>the cops would roll up and say, hey, that's gang paraphernalia,

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<v Speaker 1>and then him all.

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<v Speaker 3>Of us up.

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<v Speaker 1>So they were doing a little shit like that all

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<v Speaker 1>the time.

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<v Speaker 4>I remember when they start trying to ban certain attire

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<v Speaker 4>and schools ye at one point, you know, I could

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<v Speaker 4>wear whatever the fuck I wanted to wear in school,

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<v Speaker 4>but I think by the time I got to junior

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<v Speaker 4>high school they had dress codes in school, and not

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<v Speaker 4>for the fact that if you went to a private

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<v Speaker 4>school and had to wear a uniform, like you couldn't

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<v Speaker 4>wear certain hats because those were you know, symbolized with

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<v Speaker 4>you know, every neighborhood had, you know, a baseball or

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<v Speaker 4>a football cap that represented their neighborhood, so they tried

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<v Speaker 4>to cut that out. They definitely tried to cut out

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<v Speaker 4>the white teas at school. You could not wear all

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<v Speaker 4>white tea the school, and you couldn't wear color shoe strings.

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<v Speaker 4>So yeah, they started trying to break us down as

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<v Speaker 4>far as you know, because they figured, I don't know what.

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<v Speaker 3>They thought, you know, that would stop certain shit.

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<v Speaker 1>This racist is hell though, because when you start talking

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<v Speaker 1>about dickies and a T shirt, that all kind of

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<v Speaker 1>started other people being poor, that's what, you know, people

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<v Speaker 1>being poorant you know, you get your daddy's work pants

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<v Speaker 1>and it was his shirt.

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<v Speaker 4>It was affordable attire. I mean, like we wouldn't going

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<v Speaker 4>to the mall buying at the time. At the time,

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<v Speaker 4>you know, everything was guess you know, guess this, or

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<v Speaker 4>guess that my parents wasn't going to buy no motherfucking

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<v Speaker 4>hundred dollars jeans and an eighty dollars shirt. You get me,

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<v Speaker 4>My parents share when it was time to go school shopping,

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<v Speaker 4>they might hand your ass one hundred and fifty dollars

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<v Speaker 4>and se.

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<v Speaker 3>You got damn right.

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<v Speaker 4>So the first place, you know, once we got to

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<v Speaker 4>school ship, nigga, I'm gonna buy me about two pack

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<v Speaker 4>of all white T shirts. I'm gonna go buy me

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<v Speaker 4>a pair of cor tests, maybe repair khakis, nigga, And

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<v Speaker 4>then motherfucker's finna get reflipped.

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<v Speaker 3>You feel me?

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<v Speaker 1>And you know the fly thing is Man brothers from Compton,

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<v Speaker 1>South Central. They wore those clothes and made it so fly.

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<v Speaker 1>It became nationally recognized and emulated. Then the corporate structure

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<v Speaker 1>got onto it now, so now it's trendy all over

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<v Speaker 1>the world now.

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<v Speaker 4>Because when I when we used to go on tour

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<v Speaker 4>and we used to go back down South or back

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<v Speaker 4>East or Midwest, motherfuckers used to be like, well, I

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<v Speaker 4>got them work uniforms on the ship because you know,

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<v Speaker 4>back where y'all was from, niggas wore them like for work,

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<v Speaker 4>I wear me niggas working in sanitation or at the

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<v Speaker 4>you know, the automotive place or whatever. They wore dickies.

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<v Speaker 4>You get the overalls, the khakis with the shirt. But

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<v Speaker 4>to us, that was that was motherfucking cheap wardrobe for

0:11:57.520 --> 0:12:01.319
<v Speaker 4>a motherfucker coming up and camped in because mostly everybody

0:12:01.400 --> 0:12:05.960
<v Speaker 4>was in poverty. Didn't get me, soa shit everybody. It

0:12:06.040 --> 0:12:10.319
<v Speaker 4>wasn't just you know, a section or or like this.

0:12:10.480 --> 0:12:15.079
<v Speaker 4>Get every gang in Compton, south Central, La, Long Beach.

0:12:15.120 --> 0:12:20.240
<v Speaker 4>I don't even fuck us. The Mexicans wherever you were from. Shit, nigga,

0:12:20.640 --> 0:12:23.520
<v Speaker 4>that was your attire. And you get a pair of

0:12:23.559 --> 0:12:27.200
<v Speaker 4>khakis back then probably football fucking twelve thirteen dollars.

0:12:27.840 --> 0:12:28.080
<v Speaker 3>Shit.

0:12:28.720 --> 0:12:32.839
<v Speaker 1>You know what's interesting, man, DC said when he left Dallas,

0:12:33.400 --> 0:12:37.280
<v Speaker 1>everybody was dressing like Houdini. When he went back to Dallas,

0:12:37.360 --> 0:12:38.800
<v Speaker 1>everybody stressing like easy.

0:12:39.160 --> 0:12:39.520
<v Speaker 3>Yeah.

0:12:39.559 --> 0:12:42.160
<v Speaker 1>So that showed the influence of it, man, that influence

0:12:42.160 --> 0:12:44.600
<v Speaker 1>of that La culture. They made something so simple, so

0:12:44.800 --> 0:12:48.360
<v Speaker 1>fly that everybody had to emulate it. And it was affordable.

0:12:48.400 --> 0:12:51.640
<v Speaker 1>And you know how, I notice when it became popular

0:12:51.640 --> 0:12:57.520
<v Speaker 1>the price of dickies. Yeah, didn't nobody get no money

0:12:57.520 --> 0:13:00.079
<v Speaker 1>didn't nobody have a sponsorship deal like you were. I

0:13:00.120 --> 0:13:03.880
<v Speaker 1>think that they the confidence most wanted a deal and said, hey,

0:13:03.920 --> 0:13:05.720
<v Speaker 1>you know what, we got a couple hundred bands for y'all,

0:13:05.720 --> 0:13:06.680
<v Speaker 1>for y'all promoting our.

0:13:06.559 --> 0:13:09.120
<v Speaker 3>Product, and did hike the motherfuckers up.

0:13:09.360 --> 0:13:11.520
<v Speaker 1>Yeah. I didn't think about that Dickey's yet. I never

0:13:11.559 --> 0:13:13.720
<v Speaker 1>seen nobody do an endorsement deal with it. They like

0:13:13.800 --> 0:13:14.960
<v Speaker 1>fuck that? Yeah?

0:13:15.120 --> 0:13:18.719
<v Speaker 4>Yeah, why because look at it? They model was our

0:13:18.800 --> 0:13:22.880
<v Speaker 4>gear is for the hard work in nine to five man,

0:13:23.080 --> 0:13:26.680
<v Speaker 4>you get me? So that they was already they was

0:13:26.720 --> 0:13:28.160
<v Speaker 4>already had sponsorship.

0:13:28.200 --> 0:13:29.280
<v Speaker 3>We don't need no sponsor.

0:13:29.559 --> 0:13:32.160
<v Speaker 4>Every nigga that take his ass to work out a

0:13:32.280 --> 0:13:37.720
<v Speaker 4>factory or construction or whatever they finished, buy one of

0:13:37.720 --> 0:13:38.400
<v Speaker 4>our suits.

0:13:38.480 --> 0:13:41.920
<v Speaker 1>Yeah. Now, let me ask you something, ad, When did

0:13:42.000 --> 0:13:44.640
<v Speaker 1>you and your guys get your first major record deal?

0:13:45.040 --> 0:13:47.679
<v Speaker 1>Well before y'all had to deal with was it Orpheus

0:13:47.720 --> 0:13:48.360
<v Speaker 1>Records to something?

0:13:48.559 --> 0:13:49.720
<v Speaker 3>That was our first deal?

0:13:50.240 --> 0:13:52.440
<v Speaker 1>Okay? Were you in an independent before then? Did you

0:13:52.480 --> 0:13:53.319
<v Speaker 1>do something with my Cola?

0:13:53.559 --> 0:13:53.760
<v Speaker 3>No?

0:13:54.040 --> 0:13:56.840
<v Speaker 4>I didn't fuck with my Cola, but the dude that

0:13:57.080 --> 0:14:00.600
<v Speaker 4>we fucked with, they all went through my Cola. I

0:14:00.640 --> 0:14:07.880
<v Speaker 4>fucked with Techno Hop right, Okay, Like I said, I

0:14:08.040 --> 0:14:14.640
<v Speaker 4>met Unknown through Lonzo because shout out to guy exactly Lonzo.

0:14:15.080 --> 0:14:18.720
<v Speaker 4>You know, everybody know Lonzo had a crew cut and

0:14:18.960 --> 0:14:22.560
<v Speaker 4>world class wrecking crew and all of that. So I

0:14:22.720 --> 0:14:26.280
<v Speaker 4>just happened to be fucking with some dudes who was

0:14:26.320 --> 0:14:30.480
<v Speaker 4>trying to get a singing deal with Lonzo, you know,

0:14:30.520 --> 0:14:34.280
<v Speaker 4>because Lonzo was that type and he was pushing that agenda,

0:14:34.480 --> 0:14:38.560
<v Speaker 4>so I tried to get I was me and me

0:14:38.640 --> 0:14:41.680
<v Speaker 4>and the homie Chill shout out my nigga chill. We

0:14:41.720 --> 0:14:45.720
<v Speaker 4>was just like tag alongs because you know, we was

0:14:45.720 --> 0:14:51.360
<v Speaker 4>in the neighborhood banging and ship and the music had

0:14:51.440 --> 0:14:56.360
<v Speaker 4>just started cracking and ship. So I was never good

0:14:56.400 --> 0:15:00.720
<v Speaker 4>at serving, you get me. So when when the rap

0:15:00.840 --> 0:15:05.080
<v Speaker 4>bug caught me, I figured, like, what ship? I can

0:15:05.160 --> 0:15:09.160
<v Speaker 4>write some songs about, you know, being from trag New

0:15:09.240 --> 0:15:12.960
<v Speaker 4>and what goes in Compton and the drive by shootings

0:15:13.000 --> 0:15:15.560
<v Speaker 4>and all of that shit. So we hooked up with lot.

0:15:15.680 --> 0:15:19.800
<v Speaker 4>We we just happened to tag along and Ann was

0:15:19.840 --> 0:15:24.320
<v Speaker 4>there and I had a demo tape that I played,

0:15:25.280 --> 0:15:30.880
<v Speaker 4>and so they liked the ship, and we actually, uh,

0:15:31.240 --> 0:15:37.600
<v Speaker 4>instead of fucking with Lonzo, we went with Unknown. Well,

0:15:37.600 --> 0:15:42.320
<v Speaker 4>no Lonzo basically turned the song Unknown because he couldn't

0:15:42.360 --> 0:15:45.880
<v Speaker 4>do shit with us at the time, Lonzo. You know,

0:15:46.080 --> 0:15:47.960
<v Speaker 4>he had a gang of ship going on and he

0:15:48.040 --> 0:15:49.920
<v Speaker 4>was primarily focused on the R and B stuff at

0:15:49.920 --> 0:15:53.680
<v Speaker 4>the time. Yes, he probably couldn't produce way and you

0:15:53.720 --> 0:15:56.560
<v Speaker 4>know after you know, like I said, my man had,

0:15:56.840 --> 0:15:59.400
<v Speaker 4>he had ship going on and at the time just

0:15:59.480 --> 0:16:04.560
<v Speaker 4>produced it in the Morning An had he had all

0:16:04.560 --> 0:16:08.080
<v Speaker 4>the king Ts singles. Oh yeah, he had the coolest.

0:16:08.480 --> 0:16:13.640
<v Speaker 4>He had motherfucking you better bring a gun pay back

0:16:13.760 --> 0:16:14.240
<v Speaker 4>to Mother.

0:16:14.760 --> 0:16:18.080
<v Speaker 3>All that was. That was that was pool. But they

0:16:18.200 --> 0:16:19.440
<v Speaker 3>came out under.

0:16:19.280 --> 0:16:24.560
<v Speaker 4>Techno who was the producer, and Unknown had the label,

0:16:25.240 --> 0:16:29.000
<v Speaker 4>so that came out, and then Iced Tea. Of course

0:16:29.360 --> 0:16:32.520
<v Speaker 4>Ice Tea had Dog in the Wax over there. He

0:16:32.640 --> 0:16:36.080
<v Speaker 4>had a record call you Don't Quit over there, and

0:16:36.120 --> 0:16:39.480
<v Speaker 4>then after those two they dropped six in the Morning,

0:16:40.400 --> 0:16:47.440
<v Speaker 4>So Unknon had a little more of the street element

0:16:47.640 --> 0:16:50.200
<v Speaker 4>as far as the records were going. He did a

0:16:50.240 --> 0:16:54.000
<v Speaker 4>lot of techno shit, but once easy and then broke

0:16:54.040 --> 0:16:57.640
<v Speaker 4>out in Cube and all of them they like, we

0:16:57.720 --> 0:17:00.880
<v Speaker 4>gotta get in there. So we went through Unknown via

0:17:01.200 --> 0:17:04.879
<v Speaker 4>a DJ Slip. Slip was the producer. He was producing

0:17:04.920 --> 0:17:07.120
<v Speaker 4>all the music that came up out of there.

0:17:07.400 --> 0:17:10.200
<v Speaker 1>So did y'all producer, Did y'all put out a record

0:17:10.280 --> 0:17:12.160
<v Speaker 1>on Techno Hot before y'all got with the major.

0:17:12.440 --> 0:17:15.200
<v Speaker 3>We put out a MAXI single.

0:17:16.560 --> 0:17:20.800
<v Speaker 4>It had three songs on it, Wanted Yes, Yes, we

0:17:20.920 --> 0:17:24.560
<v Speaker 4>were compts most wanted then, and we put out a

0:17:24.600 --> 0:17:27.320
<v Speaker 4>record called this is Compton, Give it Up and I

0:17:27.480 --> 0:17:31.680
<v Speaker 4>give up Nothing that ye oh man, that had to.

0:17:31.600 --> 0:17:33.040
<v Speaker 3>Be like eighty nine.

0:17:33.720 --> 0:17:36.280
<v Speaker 1>I remember that record. The homie had that tape.

0:17:37.000 --> 0:17:40.320
<v Speaker 3>Yeah, because we had a tape too. Now, the plan was.

0:17:41.840 --> 0:17:45.560
<v Speaker 4>They were gonna stop fucking with Macola and they were

0:17:45.560 --> 0:17:51.760
<v Speaker 4>supposed to form West Coast Distributor some lonzown in Egypt

0:17:52.160 --> 0:17:56.640
<v Speaker 4>Lonzo Egypt, Unknown and I think l a dream team

0:17:56.760 --> 0:18:01.639
<v Speaker 4>dude snake. They were going to form their own and

0:18:01.720 --> 0:18:05.359
<v Speaker 4>stopped fucking with Ma Cola and I don't know what happened,

0:18:05.359 --> 0:18:07.439
<v Speaker 4>because we were supposed to be the first project to

0:18:07.520 --> 0:18:17.120
<v Speaker 4>come through there, and uh, we did that single, and

0:18:17.200 --> 0:18:23.080
<v Speaker 4>I think Unknown met this guy named Chuck Fastard and

0:18:23.320 --> 0:18:28.440
<v Speaker 4>Stewart and I forgot the other dude name. He ended

0:18:28.520 --> 0:18:34.680
<v Speaker 4>up working for Morgan Creek. But they heard the motherfucking

0:18:34.960 --> 0:18:44.000
<v Speaker 4>single and so Unknown negotiated because they was fucking with Orpheus,

0:18:44.280 --> 0:18:48.720
<v Speaker 4>this dude that Unknown met. So that's how we ended

0:18:48.800 --> 0:18:54.639
<v Speaker 4>up signing to Orpheus Capital because Unknown met a dude

0:18:55.000 --> 0:18:59.040
<v Speaker 4>who was fucking with Orpheus, who Orpheus had to deal

0:18:59.119 --> 0:18:59.840
<v Speaker 4>with Capital.

0:19:00.359 --> 0:19:01.760
<v Speaker 3>So but at the.

0:19:01.640 --> 0:19:09.080
<v Speaker 4>Time, nothing that they had put out was successful, so Capitol.

0:19:08.840 --> 0:19:12.560
<v Speaker 3>Was on their last like legs with Orpheus.

0:19:12.800 --> 0:19:15.280
<v Speaker 1>So then Orpheus put out Arabian Prince.

0:19:15.760 --> 0:19:20.000
<v Speaker 4>Yeah, they put out a gang of bullshit. No disrespect

0:19:20.160 --> 0:19:23.960
<v Speaker 4>to you know, raybe in prints, but they was putting

0:19:23.960 --> 0:19:27.040
<v Speaker 4>out a gang of bullshit. You just just ship that

0:19:27.240 --> 0:19:34.800
<v Speaker 4>wasn't going. So we ended up coming through. But it's

0:19:34.920 --> 0:19:38.160
<v Speaker 4>like I said, it was at the time where Capitol

0:19:38.400 --> 0:19:41.800
<v Speaker 4>was like, we ain't really fucking with Orpheus no more.

0:19:42.480 --> 0:19:47.680
<v Speaker 4>So what happened was we put out It's a Compton

0:19:47.840 --> 0:19:52.320
<v Speaker 4>thing through Orpheus, the first album, ce Them Dub album,

0:19:52.760 --> 0:19:53.440
<v Speaker 4>and then.

0:19:55.160 --> 0:19:55.720
<v Speaker 1>The whole album.

0:19:55.760 --> 0:19:59.880
<v Speaker 4>Hell No, a lot of it was produced by dj

0:20:01.040 --> 0:20:04.960
<v Speaker 4>A No One produced a little bit. But Unknown was

0:20:05.000 --> 0:20:10.399
<v Speaker 4>really like the executive motherfucker. He you know, he was

0:20:10.440 --> 0:20:15.480
<v Speaker 4>the motherfucker who knew the game. We didn't know shit.

0:20:15.800 --> 0:20:18.320
<v Speaker 4>I didn't know shit. You get me. So that's how

0:20:18.320 --> 0:20:21.680
<v Speaker 4>my publishing got stolen. You know, he stole my publishing

0:20:21.800 --> 0:20:25.600
<v Speaker 4>and all of that. I was just a young nigga

0:20:25.640 --> 0:20:28.240
<v Speaker 4>eager to rap. You get me, I didn't know. I

0:20:28.280 --> 0:20:31.360
<v Speaker 4>was seventeen years old. I didn't know shit about contracts

0:20:31.359 --> 0:20:32.320
<v Speaker 4>and lawyers and.

0:20:32.320 --> 0:20:32.800
<v Speaker 3>All of that.

0:20:33.160 --> 0:20:35.080
<v Speaker 4>Nigga, all I wanted to do was be on the

0:20:35.119 --> 0:20:39.240
<v Speaker 4>cover of Fresh or right on Nigga riding that limo

0:20:39.400 --> 0:20:43.399
<v Speaker 4>with that doukie rope on and you know that made

0:20:43.440 --> 0:20:47.959
<v Speaker 4>me feel like I had accomplished something in music.

0:20:48.040 --> 0:20:50.200
<v Speaker 1>Did you have any dealings with Jerry Heller at the time,

0:20:50.359 --> 0:20:52.560
<v Speaker 1>Hell no, I never went the.

0:20:55.160 --> 0:20:58.640
<v Speaker 4>But see, all the niggas was was And I don't

0:20:58.640 --> 0:21:02.639
<v Speaker 4>want to call him crooked because I tell Steal this

0:21:02.920 --> 0:21:05.480
<v Speaker 4>all the time. If you don't know, you don't know.

0:21:06.240 --> 0:21:11.240
<v Speaker 4>And like my nigga still is probably a rare motherfucker

0:21:11.600 --> 0:21:15.159
<v Speaker 4>because he believe in being fair with niggas. But like

0:21:15.240 --> 0:21:17.160
<v Speaker 4>I tell him all the time, if a nigga gonna

0:21:17.160 --> 0:21:20.320
<v Speaker 4>fuck you, he gonna fuck you. If he can, he's

0:21:20.359 --> 0:21:21.240
<v Speaker 4>gonna fuck you.

0:21:21.600 --> 0:21:26.120
<v Speaker 3>And at that time, all.

0:21:25.960 --> 0:21:30.879
<v Speaker 4>These little independent labels that were running around the city,

0:21:31.400 --> 0:21:33.879
<v Speaker 4>if they got them are artists, they was gonna fuck

0:21:33.960 --> 0:21:37.240
<v Speaker 4>you even at Micola. You know, we've heard rumors about Micola,

0:21:37.280 --> 0:21:40.040
<v Speaker 4>how they would backdoor the records. Of course, you've been

0:21:40.040 --> 0:21:44.040
<v Speaker 4>hearing rumors about that for years, man, man please, So,

0:21:44.160 --> 0:21:46.760
<v Speaker 4>like I said, we signed the Orpheus and then that

0:21:46.840 --> 0:21:51.679
<v Speaker 4>deal fell through, and then the record, I guess it

0:21:51.840 --> 0:21:58.680
<v Speaker 4>sold about two hundred thousand copies. So Orpheus went over

0:21:58.840 --> 0:22:03.240
<v Speaker 4>to Sony and so we ended up getting a deal

0:22:03.440 --> 0:22:08.960
<v Speaker 4>through Orpheus. Through Sony, we moved like two hundred thousand

0:22:09.040 --> 0:22:13.800
<v Speaker 4>units on our very first record, and we had one video.

0:22:14.920 --> 0:22:18.520
<v Speaker 4>We had no radio play, no promotion, no nothing. We

0:22:18.560 --> 0:22:24.480
<v Speaker 4>did about two hundred and some thousand. So Orpheus basically

0:22:25.280 --> 0:22:31.960
<v Speaker 4>they got dropped by Capital and then EA my probably

0:22:32.040 --> 0:22:35.560
<v Speaker 4>wanted to sign us. So we did the New York

0:22:35.640 --> 0:22:38.359
<v Speaker 4>trip and went to go sit down with EMI and

0:22:38.480 --> 0:22:42.119
<v Speaker 4>Chrysalis and all that. But like I said, at the time,

0:22:43.000 --> 0:22:48.080
<v Speaker 4>they had no idea what to do with us, you

0:22:48.200 --> 0:22:52.400
<v Speaker 4>get me, They had no idea. So we came home,

0:22:52.480 --> 0:22:54.320
<v Speaker 4>we didn't have a deal, and then next thing you know,

0:22:54.400 --> 0:22:58.040
<v Speaker 4>we signed to Sony and Epic and I did two

0:22:58.119 --> 0:23:05.119
<v Speaker 4>records over there through Unknown and Orpheus, and then I

0:23:05.160 --> 0:23:07.040
<v Speaker 4>found out a nigga was stealing money.

0:23:07.680 --> 0:23:10.600
<v Speaker 1>And you know, so at that time, this is like

0:23:11.520 --> 0:23:15.520
<v Speaker 1>ninety ninety one, right, this is around yeah, between ninety

0:23:15.640 --> 0:23:21.920
<v Speaker 1>one and ninety three, when Tim dog Get the Fuck

0:23:21.960 --> 0:23:24.280
<v Speaker 1>Compton record, did he put y'all in there? Did he

0:23:24.320 --> 0:23:26.000
<v Speaker 1>mention Okay, he.

0:23:25.960 --> 0:23:30.320
<v Speaker 4>Didn't mention us, But we did a record on Music

0:23:30.359 --> 0:23:34.560
<v Speaker 4>to Drive By called fuck Tim called It was called

0:23:34.600 --> 0:23:35.600
<v Speaker 4>Who's Fucking Who?

0:23:36.400 --> 0:23:37.720
<v Speaker 3>And it was aimed at Tell.

0:23:37.840 --> 0:23:46.240
<v Speaker 4>We just felt we just felt disrespected because of all

0:23:46.320 --> 0:23:50.720
<v Speaker 4>the bad rap we were getting because of our style

0:23:51.000 --> 0:23:51.720
<v Speaker 4>of music.

0:23:52.320 --> 0:23:57.280
<v Speaker 3>You get me and everybody knows, you know, as far

0:23:57.320 --> 0:24:01.199
<v Speaker 3>as the majority of hip hop, you know where it was,

0:24:03.760 --> 0:24:05.200
<v Speaker 3>you know, a high notoriety.

0:24:05.440 --> 0:24:08.280
<v Speaker 1>You know, a lot of people felt disrespected because the

0:24:08.280 --> 0:24:12.040
<v Speaker 1>West Coast welcome a lot of hip hop records KD.

0:24:12.480 --> 0:24:14.720
<v Speaker 1>So everybody would come out here. We welcomed them with

0:24:14.840 --> 0:24:15.400
<v Speaker 1>open arms.

0:24:15.480 --> 0:24:15.680
<v Speaker 3>Yeah.

0:24:15.760 --> 0:24:18.879
<v Speaker 4>We we've we've put on the shows with the with

0:24:19.000 --> 0:24:22.399
<v Speaker 4>the run DMCs and the Houdini's and the l l

0:24:22.560 --> 0:24:25.639
<v Speaker 4>s and the Eric b and rock Kims, and even

0:24:25.720 --> 0:24:32.840
<v Speaker 4>to this day, outside artists get more love and respect

0:24:33.119 --> 0:24:35.560
<v Speaker 4>than I think hometown artists do.

0:24:35.920 --> 0:24:40.760
<v Speaker 1>Did y'all perform at Skateland World on. Hell No, we couldn't.

0:24:40.800 --> 0:24:43.920
<v Speaker 1>We couldn't do that, not even World on Wills.

0:24:44.680 --> 0:24:49.439
<v Speaker 4>Oh no, No, at that time, we were, at that time,

0:24:49.920 --> 0:24:52.080
<v Speaker 4>we are what what you would call like.

0:24:54.160 --> 0:24:55.520
<v Speaker 3>We were stuck in the hood.

0:24:55.920 --> 0:25:02.080
<v Speaker 4>I didn't venture outside of Conton like half of my

0:25:03.080 --> 0:25:07.000
<v Speaker 4>the beginning of my career rap career, I didn't leave Compton.

0:25:07.520 --> 0:25:09.399
<v Speaker 3>I mean that's all I knew.

0:25:09.920 --> 0:25:13.280
<v Speaker 4>I didn't, you know, as far as the game Banger

0:25:13.320 --> 0:25:16.240
<v Speaker 4>ship is concerned, we didn't travel outside the hood.

0:25:17.080 --> 0:25:19.320
<v Speaker 1>You knew a lot about hip hop dog Oh yeah, man,

0:25:19.560 --> 0:25:20.960
<v Speaker 1>I was around all that stuff. I was with the

0:25:21.040 --> 0:25:25.120
<v Speaker 1>L A Posse and all those guys. Oh yeah, my boy.

0:25:25.040 --> 0:25:30.199
<v Speaker 4>Slip he ran LA Sound Control, so they used to

0:25:30.280 --> 0:25:35.840
<v Speaker 4>provide all the sound systems for all the uh LA

0:25:35.960 --> 0:25:38.920
<v Speaker 4>Convention Center concerts. You know when they would bring run

0:25:39.000 --> 0:25:43.280
<v Speaker 4>DMC out here. My man Slipping them would provide the

0:25:43.359 --> 0:25:47.880
<v Speaker 4>sound systems, tables, all the big Serwin vegas and all

0:25:47.920 --> 0:25:48.280
<v Speaker 4>that shit.

0:25:48.359 --> 0:25:49.880
<v Speaker 1>Did you ever go to the Uncle jm Army?

0:25:51.600 --> 0:25:55.959
<v Speaker 4>I was young, but once I hooked up with Slip,

0:25:56.440 --> 0:26:00.000
<v Speaker 4>Slip was like I said, he ran LA Sound Control,

0:26:00.040 --> 0:26:03.960
<v Speaker 4>O Mob and then he was a local DJ at

0:26:04.000 --> 0:26:08.680
<v Speaker 4>a lot of those clubs back then water to Bush Paradise.

0:26:09.440 --> 0:26:14.840
<v Speaker 3>You know, so are you cool with Unknown? Still? I

0:26:14.880 --> 0:26:15.960
<v Speaker 3>haven't talked to Unknown?

0:26:16.200 --> 0:26:16.520
<v Speaker 1>Word?

0:26:16.800 --> 0:26:17.000
<v Speaker 3>Yeah?

0:26:17.040 --> 0:26:17.720
<v Speaker 1>How about how long?

0:26:20.920 --> 0:26:25.800
<v Speaker 4>I haven't talked to Unknown since uh Sony decided to

0:26:25.880 --> 0:26:28.800
<v Speaker 4>kick him out of my deal because I was complaining

0:26:28.920 --> 0:26:32.080
<v Speaker 4>when I found out he stole publishing money.

0:26:32.520 --> 0:26:39.119
<v Speaker 1>So you know, uh, I just saw him on some

0:26:39.200 --> 0:26:43.000
<v Speaker 1>ship he was on. He was on a covered up.

0:26:44.520 --> 0:26:47.320
<v Speaker 3>Yeah him a lonzo school. My problem is this.

0:26:48.880 --> 0:26:51.520
<v Speaker 4>And just like I say, if a nigga, if a

0:26:51.560 --> 0:26:53.320
<v Speaker 4>nigga can fuck you, he gonna fuck you.

0:26:53.760 --> 0:26:55.000
<v Speaker 3>Now, I was a young dude.

0:26:56.320 --> 0:27:01.399
<v Speaker 4>I knew nothing about the music business. I was just

0:27:01.520 --> 0:27:05.880
<v Speaker 4>coming into trying to find my identity.

0:27:06.119 --> 0:27:07.080
<v Speaker 3>As far as.

0:27:09.320 --> 0:27:14.000
<v Speaker 4>I'm gang bang, I'm claiming a neighborhood blob. I knew

0:27:14.040 --> 0:27:20.520
<v Speaker 4>nothing about the music business, but when it started, it

0:27:20.640 --> 0:27:25.800
<v Speaker 4>caught me like, you know, I'm finding myself not going

0:27:25.880 --> 0:27:29.240
<v Speaker 4>to the hood today because I'm sitting at home fucking

0:27:29.320 --> 0:27:34.080
<v Speaker 4>writing raps and shit. And so it caught my interest

0:27:34.200 --> 0:27:37.919
<v Speaker 4>because I looked at it like the fuck am I Finna?

0:27:37.960 --> 0:27:40.600
<v Speaker 4>Do you know you're trying to figure yourself out? Around

0:27:40.760 --> 0:27:44.640
<v Speaker 4>sixteen seventeen eighteen, what I'm Offinna?

0:27:44.720 --> 0:27:46.920
<v Speaker 3>Do you get me.

0:27:47.600 --> 0:27:52.439
<v Speaker 1>Were you guys and basically quick the first cruise to

0:27:52.920 --> 0:27:57.480
<v Speaker 1>claim sets, because I don't remember anybody claiming an actual set.

0:27:57.480 --> 0:27:59.800
<v Speaker 1>I knew people were part of sets. You guys openly

0:28:00.280 --> 0:28:02.560
<v Speaker 1>the set, and that was the first time I've seen that.

0:28:02.840 --> 0:28:10.720
<v Speaker 4>I didn't when I first started rapping, I didn't openly

0:28:10.920 --> 0:28:16.760
<v Speaker 4>say I was from trag New Park because I was

0:28:16.800 --> 0:28:20.040
<v Speaker 4>from trag New before, you know, before I started rapping

0:28:20.840 --> 0:28:26.040
<v Speaker 4>and around Compton that people knew exactly I already knew.

0:28:28.440 --> 0:28:31.040
<v Speaker 4>I didn't feel the need to do that. Now people

0:28:31.119 --> 0:28:35.240
<v Speaker 4>knew we were crips, you know what I'm saying, because

0:28:35.280 --> 0:28:41.360
<v Speaker 4>of the references. But I never openly came out and

0:28:41.480 --> 0:28:48.840
<v Speaker 4>said trag New And probably until my fourth or fifth record,

0:28:51.760 --> 0:28:55.280
<v Speaker 4>we were already gang banging. That was, like I tell people,

0:28:55.680 --> 0:28:57.320
<v Speaker 4>that was before.

0:29:00.240 --> 0:29:01.080
<v Speaker 3>Rap started.

0:29:01.720 --> 0:29:07.080
<v Speaker 4>So partly, you know, the situation with that is, you know,

0:29:07.400 --> 0:29:10.920
<v Speaker 4>I was from trag New, he was from his neighborhood.

0:29:11.240 --> 0:29:15.320
<v Speaker 4>That was openly known before records even you know, it

0:29:15.440 --> 0:29:16.480
<v Speaker 4>started coming out.

0:29:16.800 --> 0:29:20.680
<v Speaker 1>So let me ask you this, your movie that you got,

0:29:20.920 --> 0:29:23.239
<v Speaker 1>is it dropping at the end of this month? It's

0:29:23.360 --> 0:29:25.400
<v Speaker 1>dropping this week. Yeah, That's why I was gonna say

0:29:25.400 --> 0:29:29.120
<v Speaker 1>Microphone chellphone check. Yeah, you talk about the origins of

0:29:29.200 --> 0:29:30.800
<v Speaker 1>hip hop a lot over there. Do you touch on

0:29:30.800 --> 0:29:32.640
<v Speaker 1>the West Coast and no, We're gonna have to do

0:29:33.080 --> 0:29:35.560
<v Speaker 1>another film about the West Coast. That's why I'm tropping up.

0:29:36.680 --> 0:29:39.440
<v Speaker 1>Definitely be evolved. Absolutely, we would like to definitely because

0:29:39.480 --> 0:29:42.800
<v Speaker 1>Bob kat when you mentioned the La Bob Kett is

0:29:42.840 --> 0:29:45.560
<v Speaker 1>my god brother. Oh yeah, Bob is my god brother,

0:29:45.640 --> 0:29:48.080
<v Speaker 1>So I would definitely he definitely want to be a

0:29:48.120 --> 0:29:50.920
<v Speaker 1>part of that. You talk about something, That's what really

0:29:50.960 --> 0:29:53.040
<v Speaker 1>caught me. That's when I really start. I said, this

0:29:53.120 --> 0:29:54.800
<v Speaker 1>brother know what he's talking about. And I think I

0:29:54.880 --> 0:29:57.880
<v Speaker 1>commented on your Twitter page or ex or whatever it's called. Now, right,

0:29:59.320 --> 0:30:01.400
<v Speaker 1>I've been hearing the a lot of brothers, primarily from

0:30:01.400 --> 0:30:03.800
<v Speaker 1>the East Coast. No disrespect, none of them kids, right,

0:30:03.880 --> 0:30:08.240
<v Speaker 1>but they starting to rewrite history a little bit of

0:30:08.400 --> 0:30:12.600
<v Speaker 1>saying like hip hop is from the Caribbean. Now, that

0:30:12.680 --> 0:30:15.040
<v Speaker 1>may have been your inspiration, but that's not where it

0:30:16.080 --> 0:30:19.200
<v Speaker 1>comes from. That when you do a microphone check, did

0:30:19.200 --> 0:30:21.000
<v Speaker 1>you address a lot of that stuff? We dress all

0:30:21.040 --> 0:30:23.200
<v Speaker 1>of it, man, because you know, the fiftieth anniversary of

0:30:23.240 --> 0:30:25.480
<v Speaker 1>hip hop is here, so now that hip hop is

0:30:25.520 --> 0:30:28.520
<v Speaker 1>a positive thing. And it's corporate now, so there's a

0:30:28.560 --> 0:30:30.400
<v Speaker 1>lot of money coming into it. And plus they got

0:30:30.440 --> 0:30:33.280
<v Speaker 1>the b boying and break dancing in the Olympics now,

0:30:33.560 --> 0:30:35.040
<v Speaker 1>so now there's a lot of money in this. So

0:30:35.120 --> 0:30:38.280
<v Speaker 1>whenever something is looked at it's positive that we create,

0:30:38.520 --> 0:30:40.680
<v Speaker 1>we always have to get it taken away from us. Now,

0:30:40.680 --> 0:30:43.080
<v Speaker 1>they got to have a co creation origin. They got

0:30:43.080 --> 0:30:45.400
<v Speaker 1>to say we got it from Latinos and the Caribbeans,

0:30:45.400 --> 0:30:48.760
<v Speaker 1>and no disrespect to them, but hip hop and rap

0:30:49.360 --> 0:30:51.680
<v Speaker 1>none of that came from the Caribbean. There was a

0:30:51.720 --> 0:30:54.600
<v Speaker 1>myth that got started in the eighties that rap came

0:30:54.640 --> 0:30:58.400
<v Speaker 1>from Jamaican toasting. That's not true. And another myth they

0:30:58.480 --> 0:31:01.840
<v Speaker 1>tried to say, well cool hert is the creator hip hop.

0:31:01.920 --> 0:31:04.280
<v Speaker 1>He's not the creator, he's the godfather. Tell you who

0:31:04.280 --> 0:31:08.080
<v Speaker 1>the creator hip hop feels to be technical wition A

0:31:08.160 --> 0:31:13.000
<v Speaker 1>guy from North Carolina, Pig pig me Mark yeah, HIGI yeah.

0:31:13.080 --> 0:31:16.000
<v Speaker 1>That that record. He was actually rapping over a funk

0:31:16.040 --> 0:31:19.920
<v Speaker 1>break and a lot of rappers actually got their cadence

0:31:19.960 --> 0:31:21.880
<v Speaker 1>from that, and you know where from that, I'm gonna

0:31:21.880 --> 0:31:25.720
<v Speaker 1>tell you something. And him being from North Carolina, he

0:31:25.880 --> 0:31:29.040
<v Speaker 1>kind of made his bones in the Chiplan Circle in Harlem. Yeah,

0:31:29.160 --> 0:31:31.360
<v Speaker 1>and he was at the Apollo all the time. So

0:31:31.400 --> 0:31:34.360
<v Speaker 1>I'm pretty sure somebody went to the Apollo because he

0:31:34.400 --> 0:31:36.040
<v Speaker 1>was there like every week and he was winning that

0:31:36.080 --> 0:31:39.200
<v Speaker 1>motherfucker and he I'm pretty sure somebody went to the

0:31:39.280 --> 0:31:41.320
<v Speaker 1>Apollo and said, you know what, that's kind of tight,

0:31:42.920 --> 0:31:45.080
<v Speaker 1>same thing he was doing. If you've never heard from

0:31:45.120 --> 0:31:48.680
<v Speaker 1>the judge, Yeah, yeah, But we've been rapping on records

0:31:48.680 --> 0:31:51.880
<v Speaker 1>since the nineteen twenties. We've always done that, even without

0:31:52.280 --> 0:31:54.800
<v Speaker 1>when we weren't doing records, we would do something called hambone.

0:31:54.800 --> 0:31:57.720
<v Speaker 1>We were pad on our bodies and hambone Hambone. Have

0:31:57.800 --> 0:32:00.240
<v Speaker 1>you heard I'm Gonna Buy your mocking Bird? And know

0:32:00.320 --> 0:32:03.160
<v Speaker 1>mixed Master Spade he would wrap in the hambone cadence.

0:32:03.360 --> 0:32:09.440
<v Speaker 1>That's hamdbone, you know. So that's a part of our culture. Man,

0:32:09.480 --> 0:32:12.800
<v Speaker 1>we've been doing that stuff. Oh yeah, for sure. That's why,

0:32:12.880 --> 0:32:15.040
<v Speaker 1>because you know, shout out to my guy, mister Mix.

0:32:15.160 --> 0:32:17.560
<v Speaker 1>I learned a lot about hip hop being on the

0:32:17.680 --> 0:32:22.280
<v Speaker 1>road with you know, between Bobcat. The foundation of hip

0:32:22.320 --> 0:32:26.000
<v Speaker 1>hop first of all is the DJ DJ slip. You

0:32:26.000 --> 0:32:29.200
<v Speaker 1>feel what I'm saying, DJ Slip? That was his guy, right,

0:32:29.520 --> 0:32:32.960
<v Speaker 1>you know through all the albums, right, so they would

0:32:33.080 --> 0:32:35.320
<v Speaker 1>hit me these records. I remember mister Mix played me

0:32:35.360 --> 0:32:37.000
<v Speaker 1>a record one day and he was like, this is

0:32:37.040 --> 0:32:40.040
<v Speaker 1>the first hip hop record right here, and he had

0:32:40.080 --> 0:32:42.480
<v Speaker 1>to treat that motherfucker like gold had in like this

0:32:42.520 --> 0:32:45.400
<v Speaker 1>little pillowcase and bored it from the top. Bitch. Sheldon

0:32:45.480 --> 0:32:47.680
<v Speaker 1>played it for me, man, and I said, wow, when

0:32:47.800 --> 0:32:50.560
<v Speaker 1>is this when this record come from? And like you said,

0:32:50.600 --> 0:32:52.800
<v Speaker 1>I found out later on that they had been making

0:32:52.880 --> 0:32:56.040
<v Speaker 1>records since like the twenties. And this is the people

0:32:56.120 --> 0:32:58.840
<v Speaker 1>right now. I'm seeing the culture get pill for from us,

0:32:58.880 --> 0:33:01.600
<v Speaker 1>like I've heard then. I don't never dissed nobody on

0:33:01.600 --> 0:33:03.760
<v Speaker 1>this show. We ain't about that. But I'm hearing people

0:33:04.720 --> 0:33:07.160
<v Speaker 1>go out there and say things on major platforms like

0:33:07.240 --> 0:33:10.440
<v Speaker 1>CNN because they just invite people. They go what they

0:33:10.480 --> 0:33:14.760
<v Speaker 1>do with these major publications, these major media houses. They

0:33:14.800 --> 0:33:17.560
<v Speaker 1>go look at whoever got the highest amount of people

0:33:17.600 --> 0:33:20.040
<v Speaker 1>on their Instagram with a YouTube, and they say, oh,

0:33:20.040 --> 0:33:22.120
<v Speaker 1>he must be an authority. So they call them people

0:33:22.160 --> 0:33:24.960
<v Speaker 1>in there, and they're in there acting as representatives for

0:33:25.000 --> 0:33:27.640
<v Speaker 1>a culture that they don't know shit about. So they

0:33:27.640 --> 0:33:29.640
<v Speaker 1>get to telling all these lives and stuff and those

0:33:29.680 --> 0:33:33.080
<v Speaker 1>lives eventually become fact. And that's the problem. Man. We

0:33:33.120 --> 0:33:35.720
<v Speaker 1>got to start gatekeeping the culture because what happens is

0:33:35.760 --> 0:33:37.960
<v Speaker 1>we let people tell these lies. They tell a little

0:33:38.000 --> 0:33:39.840
<v Speaker 1>lie and they get away with that, and the lives

0:33:39.880 --> 0:33:42.280
<v Speaker 1>just get bigger and bigger. So now when we start

0:33:42.360 --> 0:33:45.200
<v Speaker 1>reclaiming our music genres, they treat us like guests in

0:33:45.240 --> 0:33:48.680
<v Speaker 1>the genre, like Beyonce. Beyonce has a country album and

0:33:48.720 --> 0:33:51.360
<v Speaker 1>a lot of the country fans are acting like she's

0:33:51.400 --> 0:33:56.200
<v Speaker 1>a guest in country, like she's disrespecting country by claiming it.

0:33:56.240 --> 0:33:59.080
<v Speaker 1>But we created country music. I was created by foundational

0:33:59.120 --> 0:34:01.880
<v Speaker 1>Black Americans. Thing with rock and roll, they treat us

0:34:01.920 --> 0:34:05.040
<v Speaker 1>like guessing rock and rolls our music. They do the

0:34:05.080 --> 0:34:07.680
<v Speaker 1>same thing with jazz. They try to make us guests

0:34:07.720 --> 0:34:11.000
<v Speaker 1>in jazz. Now that's our creation, and it's happening with

0:34:11.280 --> 0:34:13.600
<v Speaker 1>If we not careful, man, I was telling somebody the

0:34:13.680 --> 0:34:17.000
<v Speaker 1>other day, I said, if we not careful, hip hop

0:34:17.080 --> 0:34:19.239
<v Speaker 1>is go go the way of rock and rolls and

0:34:19.280 --> 0:34:21.479
<v Speaker 1>all those other genres because if you look up thirty

0:34:21.560 --> 0:34:25.040
<v Speaker 1>years from now, because I'm looking at them like white

0:34:25.120 --> 0:34:27.680
<v Speaker 1>kids right now, I'm by no means racist, but I'm

0:34:28.120 --> 0:34:30.440
<v Speaker 1>telling the truth. This is fact right here. I'm not lying.

0:34:31.680 --> 0:34:34.440
<v Speaker 1>If you look at it now, they seem to be

0:34:34.560 --> 0:34:38.600
<v Speaker 1>pushing my booty holeless pink and this and that and

0:34:38.840 --> 0:34:41.600
<v Speaker 1>I sucked dick last night. Yeah you feel what I'm saying.

0:34:41.760 --> 0:34:44.200
<v Speaker 1>It's like they're seeing some wild stuff on these records, man,

0:34:44.239 --> 0:34:47.000
<v Speaker 1>and the other stuff is not really getting no attention, right.

0:34:47.120 --> 0:34:50.040
<v Speaker 1>Ain't no balance now, man, They just have a one

0:34:50.239 --> 0:34:54.120
<v Speaker 1>sided stereotype. They don't have any balance no more. Like

0:34:54.239 --> 0:34:57.560
<v Speaker 1>going back to the eighties, cats rapped about gang banging,

0:34:57.640 --> 0:35:00.640
<v Speaker 1>but they would put a consequence to it. Yeah, you

0:35:00.640 --> 0:35:03.319
<v Speaker 1>guys would have a consequence. Yeah, we're banging, but this

0:35:03.400 --> 0:35:04.520
<v Speaker 1>is gonna happen if you bang.

0:35:04.600 --> 0:35:07.200
<v Speaker 4>Yeah, I told you, you're gonna go to jail, or

0:35:07.239 --> 0:35:10.440
<v Speaker 4>you're gonna get killed, or you're homeie gonna get killed,

0:35:10.640 --> 0:35:13.120
<v Speaker 4>or they're gonna do a drive by on your house,

0:35:13.280 --> 0:35:15.959
<v Speaker 4>or the police is gonna do this or that the other.

0:35:16.320 --> 0:35:19.160
<v Speaker 4>So we always tried to make it, like you said,

0:35:19.160 --> 0:35:21.360
<v Speaker 4>a consequence, right, Like with six.

0:35:21.160 --> 0:35:23.840
<v Speaker 1>In the morning, with ice Teeth, there was a consequence

0:35:23.880 --> 0:35:27.560
<v Speaker 1>all that stuff he was doing, ice Cube gangs, the gangster,

0:35:27.640 --> 0:35:29.239
<v Speaker 1>all that gangs and stuff he was doing. In the

0:35:29.320 --> 0:35:31.160
<v Speaker 1>end of the song Now I'm back in the County Blues,

0:35:31.440 --> 0:35:34.319
<v Speaker 1>you know. So there was always a consequence, so they

0:35:34.480 --> 0:35:37.480
<v Speaker 1>the artists knew to have a balance, like we're not

0:35:37.480 --> 0:35:39.319
<v Speaker 1>trying to tell you to do that. This is what

0:35:39.360 --> 0:35:41.200
<v Speaker 1>we did and this is the consequence of it. So

0:35:41.400 --> 0:35:43.960
<v Speaker 1>y'all don't do that. That's why they had we're all

0:35:44.000 --> 0:35:46.400
<v Speaker 1>in the same gang movement going on. They had self

0:35:46.400 --> 0:35:49.879
<v Speaker 1>destruction text saying, hey, don't rock with crack. Crack ain't cool.

0:35:50.080 --> 0:35:52.600
<v Speaker 1>That's why crack is looked down as negative today because

0:35:52.640 --> 0:35:54.960
<v Speaker 1>the rappers made it now, Oh for sure, even a

0:35:55.000 --> 0:35:57.920
<v Speaker 1>lot of people, especially for Mark generation. Yeah, if it

0:35:58.040 --> 0:36:00.560
<v Speaker 1>wasn't smoking weed or having a little bit hennessy, we

0:36:00.600 --> 0:36:02.239
<v Speaker 1>didn't mess with it because you was looked at as a.

0:36:02.280 --> 0:36:03.960
<v Speaker 3>Fiend ry type of drug.

0:36:05.000 --> 0:36:08.759
<v Speaker 1>Rappers rappers made that made that a negative thing. Even

0:36:08.760 --> 0:36:10.920
<v Speaker 1>the dudes who were serving, like, hey, yeah, I'm doing this,

0:36:11.000 --> 0:36:12.960
<v Speaker 1>I'm trying to get out. Don't you fuck with no

0:36:13.000 --> 0:36:14.759
<v Speaker 1>bullshit like this. This ain't it?

0:36:15.160 --> 0:36:15.719
<v Speaker 3>Yeah for real?

0:36:15.840 --> 0:36:19.680
<v Speaker 1>Now it was glorified and hercosets and ship. That's you know,

0:36:19.760 --> 0:36:21.920
<v Speaker 1>they make that ship sound cool now, Oh, they make

0:36:21.960 --> 0:36:22.680
<v Speaker 1>it sound real.

0:36:22.560 --> 0:36:24.319
<v Speaker 3>Cool because of the generation.

0:36:25.480 --> 0:36:27.840
<v Speaker 1>You know, it's because of the corporate structure. Man, the

0:36:28.160 --> 0:36:31.359
<v Speaker 1>record labels make them do that ship. They incentivized them.

0:36:31.360 --> 0:36:33.240
<v Speaker 1>They give them more money for that type of stuff,

0:36:33.440 --> 0:36:36.080
<v Speaker 1>whereas man back in the day man cats had somewhat

0:36:36.080 --> 0:36:38.720
<v Speaker 1>of a cold. Some people will say, hey, you niggas

0:36:38.719 --> 0:36:41.080
<v Speaker 1>would run up in record labels and smack motherfuckers up

0:36:41.080 --> 0:36:44.759
<v Speaker 1>back the dude. Yeah, they didn't really play like that

0:36:44.800 --> 0:36:46.719
<v Speaker 1>back then with these majors. They would tell them, Hey,

0:36:46.719 --> 0:36:49.160
<v Speaker 1>I'm not doing this bullshit. I ain't putting on no dress,

0:36:49.520 --> 0:36:51.520
<v Speaker 1>I ain't about to do a duet with Kenny g.

0:36:52.000 --> 0:36:54.080
<v Speaker 1>You know, you would tell them what I'm saying. You know,

0:36:54.400 --> 0:36:57.239
<v Speaker 1>we would stand up. Yeah, they would stand up.

0:36:57.320 --> 0:36:59.279
<v Speaker 4>You can come in and kick your motherfucking dough in

0:36:59.280 --> 0:37:03.160
<v Speaker 4>with a couple of baseball bats. Nigga, I'm not playing like, no,

0:37:03.280 --> 0:37:05.799
<v Speaker 4>I'm not doing it. And that's why people asked me

0:37:05.920 --> 0:37:08.439
<v Speaker 4>why you never did this or why you never did

0:37:08.520 --> 0:37:11.880
<v Speaker 4>more movies, because it was like, do you want to

0:37:11.920 --> 0:37:15.120
<v Speaker 4>be Can you put on the nose and paint your

0:37:15.120 --> 0:37:17.680
<v Speaker 4>face and put on the clown wig and can you

0:37:17.719 --> 0:37:22.480
<v Speaker 4>just And I'm like, no, man, how did you get

0:37:22.480 --> 0:37:22.880
<v Speaker 4>the role for.

0:37:22.880 --> 0:37:27.680
<v Speaker 1>A minister society ship?

0:37:30.040 --> 0:37:33.480
<v Speaker 4>The movies were getting popular with us in them, you know,

0:37:33.520 --> 0:37:37.680
<v Speaker 4>as far as rappers, you know, well we had uh well,

0:37:37.719 --> 0:37:40.560
<v Speaker 4>first of all, we had colors, so that kind of

0:37:41.000 --> 0:37:43.680
<v Speaker 4>set the tone a little bit. And then you know,

0:37:43.880 --> 0:37:47.880
<v Speaker 4>we had fucking Juice with Pok. We had Boys in

0:37:47.920 --> 0:37:51.439
<v Speaker 4>the Hood with Cube, we had what Trespassed with Ice

0:37:51.520 --> 0:37:56.000
<v Speaker 4>Tea and Cube. We had South Central with Glenn Plummer

0:37:56.040 --> 0:37:59.520
<v Speaker 4>and shit. So it was the Huge Brothers.

0:37:59.600 --> 0:38:02.400
<v Speaker 1>You get were you and those early reads with Tupac

0:38:02.440 --> 0:38:05.920
<v Speaker 1>when he was there? Yes, okay, how was that and

0:38:06.000 --> 0:38:07.359
<v Speaker 1>what happened? What went left?

0:38:08.560 --> 0:38:16.440
<v Speaker 4>Honestly, honestly, the Huge Brothers, I don't think they really

0:38:16.600 --> 0:38:20.520
<v Speaker 4>they didn't really want him in the movie. Really, the

0:38:20.600 --> 0:38:23.360
<v Speaker 4>Hughes brothers had been fucking with Pac for a while.

0:38:24.600 --> 0:38:28.359
<v Speaker 4>They did like Boutwatch. They probably did about five six

0:38:28.480 --> 0:38:32.839
<v Speaker 4>videos on Tupacs, so they knew him. They worked with him,

0:38:33.680 --> 0:38:39.160
<v Speaker 4>and you know, my mayor, Pac was very strong willed

0:38:39.960 --> 0:38:45.400
<v Speaker 4>and so you as a probably video director or you know,

0:38:46.320 --> 0:38:52.120
<v Speaker 4>your patients probably wore a little thin after working with

0:38:52.920 --> 0:38:59.000
<v Speaker 4>the controversial brother for five or six times. So but

0:38:59.160 --> 0:39:02.280
<v Speaker 4>at the time, and you know, you got this movie,

0:39:03.120 --> 0:39:06.759
<v Speaker 4>you got you know, the hookup with this company and

0:39:08.560 --> 0:39:14.799
<v Speaker 4>Tupac's demand, Yeah, come on records, the controversy. You know,

0:39:15.000 --> 0:39:19.280
<v Speaker 4>fucking my nigga got juice, my nigga got poetic justice.

0:39:19.920 --> 0:39:24.319
<v Speaker 3>Like we we we got fucked with him. So that was.

0:39:24.239 --> 0:39:28.080
<v Speaker 4>Probably one of the you know, we'll give y'all this movie,

0:39:28.160 --> 0:39:30.320
<v Speaker 4>but y'all gotta put my nigga in the movie.

0:39:31.160 --> 0:39:31.680
<v Speaker 3>And so.

0:39:34.600 --> 0:39:37.600
<v Speaker 4>I don't work with you give me. That's probably the

0:39:37.719 --> 0:39:42.120
<v Speaker 4>mind state. But you gotta get in where you fit in, right,

0:39:42.239 --> 0:39:47.600
<v Speaker 4>So they put him in the movie, but the character

0:39:47.800 --> 0:39:53.000
<v Speaker 4>they gave him was not suitable for him, you get me,

0:39:53.160 --> 0:39:54.520
<v Speaker 4>And that was the problem.

0:39:55.600 --> 0:39:58.479
<v Speaker 1>What didn't he like about because he was playing Scharif right, Yes,

0:39:58.600 --> 0:40:05.120
<v Speaker 1>they want to reef the conscious guy, but it's Tupac.

0:40:07.800 --> 0:40:12.759
<v Speaker 4>So you got me and a motherfucking you got me

0:40:12.840 --> 0:40:17.560
<v Speaker 4>in an al Capone ass killer movie and shit, and

0:40:17.600 --> 0:40:20.640
<v Speaker 4>I'm the one standing on the outside going, you know,

0:40:21.040 --> 0:40:23.520
<v Speaker 4>I'm that preacher on the corner where you know, you

0:40:23.600 --> 0:40:26.040
<v Speaker 4>go through those movies and the Preacher is always on

0:40:26.080 --> 0:40:28.400
<v Speaker 4>the corner telling everybody.

0:40:28.560 --> 0:40:32.719
<v Speaker 3>Why am I him? You get me? Why? And so

0:40:33.280 --> 0:40:35.560
<v Speaker 3>you want me to be that? Okay?

0:40:35.600 --> 0:40:38.719
<v Speaker 4>So I need an explanation. So I need y'all to

0:40:40.520 --> 0:40:46.400
<v Speaker 4>show why eight is a killer. Old dog's a killer,

0:40:46.760 --> 0:40:51.640
<v Speaker 4>tyrants turning into killer. Everybody's from the hood hard, But

0:40:52.320 --> 0:40:56.839
<v Speaker 4>I'm over here the conscious one. Now it gotta be

0:40:56.840 --> 0:41:02.239
<v Speaker 4>because you know, to the guy, I need a backstore, right, yeah,

0:41:02.239 --> 0:41:04.640
<v Speaker 4>because in the movie they know there's not a backstory

0:41:04.680 --> 0:41:05.120
<v Speaker 4>to this guy.

0:41:05.160 --> 0:41:07.640
<v Speaker 1>He's just there. Y'all don't need to be doing this.

0:41:08.120 --> 0:41:11.600
<v Speaker 1>And like I said, of course he's he's he's he's

0:41:11.640 --> 0:41:16.319
<v Speaker 1>with us because he's he's allowed, he's everywhere we are.

0:41:16.480 --> 0:41:20.560
<v Speaker 1>Why why is that nigga? Of course he's probably from

0:41:20.640 --> 0:41:26.160
<v Speaker 1>the hood, but they didn't explain it, and it fucked

0:41:26.200 --> 0:41:29.800
<v Speaker 1>with him. Every day we would come to table reads

0:41:30.680 --> 0:41:33.560
<v Speaker 1>and it would get to his time to read his part.

0:41:34.239 --> 0:41:40.480
<v Speaker 4>He would not read because he was not comfortable with

0:41:40.680 --> 0:41:45.440
<v Speaker 4>the character. Like, man, show me killing a nigga, Show

0:41:45.920 --> 0:41:49.000
<v Speaker 4>you know, me going to jail and and then I

0:41:49.239 --> 0:41:52.680
<v Speaker 4>change and come out and whatever. But to just have

0:41:52.920 --> 0:41:56.960
<v Speaker 4>me this conscious nigga a months a room of gangbanging,

0:41:57.120 --> 0:42:00.840
<v Speaker 4>dope dylan killer niggas, like don't make no sense.

0:42:03.719 --> 0:42:08.640
<v Speaker 1>The thing is, you know, as a writer, if he's

0:42:08.680 --> 0:42:10.960
<v Speaker 1>not the protagonist, you can always have somebody in the

0:42:11.000 --> 0:42:13.160
<v Speaker 1>movie where you don't know their best story. That would

0:42:13.200 --> 0:42:15.440
<v Speaker 1>have required them almost going in and rewriting the whole

0:42:15.520 --> 0:42:17.200
<v Speaker 1>damn script, right, And that's.

0:42:17.040 --> 0:42:17.800
<v Speaker 3>What he wanted.

0:42:18.000 --> 0:42:23.160
<v Speaker 4>He wanted a backstory, and they were like, we're not

0:42:23.400 --> 0:42:23.880
<v Speaker 4>doing that.

0:42:24.600 --> 0:42:25.680
<v Speaker 3>So it caused the riff.

0:42:26.440 --> 0:42:29.759
<v Speaker 4>And you know, you can, like you know, you as

0:42:29.800 --> 0:42:33.279
<v Speaker 4>a writer, director or whatever, you can only hold up

0:42:33.320 --> 0:42:36.840
<v Speaker 4>shit for so long, right, nigga, The money is changing

0:42:36.960 --> 0:42:40.399
<v Speaker 4>it right right. The executives is like, hey, what's going on?

0:42:40.560 --> 0:42:43.120
<v Speaker 4>How come we ain't starting to shoot? How come we

0:42:43.239 --> 0:42:46.720
<v Speaker 4>still doing fucking table reads and it's fucking two weeks

0:42:46.760 --> 0:42:50.000
<v Speaker 4>into this shit. We should be out filming. And that's

0:42:50.120 --> 0:42:54.360
<v Speaker 4>because they didn't know how to deal with the interruptions

0:42:54.440 --> 0:42:58.560
<v Speaker 4>every day. So after about a week or two, they

0:42:58.719 --> 0:43:02.600
<v Speaker 4>just decided, you know, and like I said, once the

0:43:02.640 --> 0:43:06.120
<v Speaker 4>bottom line comes and you tell the motherfucker man, we

0:43:06.239 --> 0:43:10.000
<v Speaker 4>losing like ten fifteen thousand a day because.

0:43:09.680 --> 0:43:12.239
<v Speaker 3>We ain't shooting, well, they ain't gonna give a fuck

0:43:12.239 --> 0:43:12.759
<v Speaker 3>who's in it.

0:43:13.040 --> 0:43:15.240
<v Speaker 1>Do you remember a lot of people was getting cast

0:43:15.239 --> 0:43:17.880
<v Speaker 1>in the same movies. I wonder because you know, the

0:43:17.960 --> 0:43:20.440
<v Speaker 1>dude that plays Sharif was a gang bangering boys in

0:43:20.440 --> 0:43:22.239
<v Speaker 1>the hood. He didn't want took the ball to the ball.

0:43:23.560 --> 0:43:27.040
<v Speaker 4>I went to school with Vontae Yes, oh wow, Yeah,

0:43:27.040 --> 0:43:27.960
<v Speaker 4>we went to school together.

0:43:28.200 --> 0:43:28.719
<v Speaker 1>I don't know that.

0:43:28.760 --> 0:43:30.160
<v Speaker 3>I mean, I went to school with Vonte.

0:43:30.800 --> 0:43:33.399
<v Speaker 1>Compton just got a lot of talent. Talent, a lot

0:43:33.400 --> 0:43:35.360
<v Speaker 1>of talented folks out there. You know, like some of

0:43:35.400 --> 0:43:37.120
<v Speaker 1>the best rappers in the world don't came from the

0:43:37.120 --> 0:43:40.560
<v Speaker 1>city of Compton. Compton not if I compared like Brooklyn.

0:43:40.600 --> 0:43:44.960
<v Speaker 1>When I explained the people always tell people like Compton

0:43:45.040 --> 0:43:48.120
<v Speaker 1>is kind of like the I wouldn't say Harlem is

0:43:48.200 --> 0:43:52.239
<v Speaker 1>kind of like the Bronx. Yeah, the West. Yeah, you

0:43:52.239 --> 0:43:54.680
<v Speaker 1>can see what I'm saying, the Bronx, you know, And

0:43:55.080 --> 0:43:57.759
<v Speaker 1>well I would say Wat's is the Bronx. Compton might

0:43:57.800 --> 0:44:01.000
<v Speaker 1>be more Brooklyn. Now, yeah, you feel what I'm saying.

0:44:02.080 --> 0:44:04.040
<v Speaker 1>There's a lot of wordsmiths to come out of Compton.

0:44:04.400 --> 0:44:06.880
<v Speaker 1>It's a lot of inspiration in the neighborhood. Well, you

0:44:06.920 --> 0:44:08.600
<v Speaker 1>had to hustle out there in Comptent, man, A lot

0:44:08.600 --> 0:44:10.560
<v Speaker 1>of hustlers out there, cats had to hit the streets.

0:44:10.560 --> 0:44:13.239
<v Speaker 1>So they took that same mentality to the rap game.

0:44:13.440 --> 0:44:17.040
<v Speaker 1>Oh definitely. You know, I want to ask you a question, man,

0:44:18.160 --> 0:44:20.759
<v Speaker 1>and it's really the older. I get this really because

0:44:20.800 --> 0:44:22.520
<v Speaker 1>I see a lot of stuff in the culture, Like

0:44:22.560 --> 0:44:27.760
<v Speaker 1>I said, like from these big, these used platforms, inviting

0:44:27.760 --> 0:44:30.120
<v Speaker 1>the wrong people up to the speak. There are so

0:44:30.280 --> 0:44:33.319
<v Speaker 1>many knowledgeable people of people such as itself, people such

0:44:33.360 --> 0:44:35.480
<v Speaker 1>as this man right here, as me, a lot of

0:44:35.480 --> 0:44:38.440
<v Speaker 1>other brothers out there doing their thing, and it seemed

0:44:38.480 --> 0:44:41.600
<v Speaker 1>like we're last to get called for stuff. Do you

0:44:41.600 --> 0:44:44.480
<v Speaker 1>think that's because we're threatening to a certain degree, because

0:44:44.800 --> 0:44:48.640
<v Speaker 1>a lot of the goofy stuff, man, that's somewhat profitable,

0:44:49.520 --> 0:44:52.680
<v Speaker 1>It was profitable. Now we're flooded with the goofy stuff now,

0:44:52.760 --> 0:44:54.960
<v Speaker 1>so people are kind of getting tired of it. So

0:44:55.000 --> 0:44:58.840
<v Speaker 1>now people want to see conversations like this now because

0:44:58.880 --> 0:45:02.480
<v Speaker 1>it's it's out of the norm. You want to get

0:45:02.520 --> 0:45:05.040
<v Speaker 1>a different take on something. You can only get so

0:45:05.160 --> 0:45:09.200
<v Speaker 1>much heatonism and ratchetness until you say, hey, let me

0:45:09.239 --> 0:45:11.560
<v Speaker 1>try something else. A motherfucker with their clothes on is

0:45:11.600 --> 0:45:14.399
<v Speaker 1>more interested than all of these naked motherfucker's working if

0:45:14.440 --> 0:45:16.800
<v Speaker 1>you see too much of it. So there has to

0:45:16.840 --> 0:45:22.000
<v Speaker 1>be balance to everything, exactly, like you know, Big Ups,

0:45:22.000 --> 0:45:25.000
<v Speaker 1>the sexy red Yeah, her music is entertained. I think

0:45:26.280 --> 0:45:28.840
<v Speaker 1>you know some of us catchy. But like you said,

0:45:28.920 --> 0:45:32.239
<v Speaker 1>there's no longer a balance, right because what's the one

0:45:32.320 --> 0:45:35.160
<v Speaker 1>sister's name she be busting to? What's her name begins

0:45:35.200 --> 0:45:42.000
<v Speaker 1>with R? Yeah? Yeah, I would like to see them

0:45:42.160 --> 0:45:46.400
<v Speaker 1>give rhapsody to kind of the same platform that Sexy

0:45:46.480 --> 0:45:49.440
<v Speaker 1>Red got because both of Mike. I'm not gonna say

0:45:49.440 --> 0:45:52.600
<v Speaker 1>sexy Rid is exactly necessary, but I get it. Well,

0:45:53.040 --> 0:45:55.479
<v Speaker 1>you gotta have a balance. We got a whole bunch

0:45:55.480 --> 0:45:58.400
<v Speaker 1>of sexy reds out of here exactly, Sexy Red, Glrilla,

0:45:58.840 --> 0:46:01.879
<v Speaker 1>Megan City Girls, all of them doing the same thing.

0:46:02.200 --> 0:46:05.080
<v Speaker 1>See back in the nineties, man, we had ratchetness too.

0:46:05.080 --> 0:46:07.240
<v Speaker 1>We had Little Kim Foxy Brown, but we had a balance.

0:46:07.280 --> 0:46:10.120
<v Speaker 1>We had Lauren Hill, we had Queen Latifa, we had

0:46:10.239 --> 0:46:12.239
<v Speaker 1>Yo Yo, we had MC lights. So there was a

0:46:12.280 --> 0:46:16.440
<v Speaker 1>balance to it, so that didn't overtake everything. Back in

0:46:16.480 --> 0:46:18.640
<v Speaker 1>the eighty eight, that was the peak of hip hop.

0:46:18.640 --> 0:46:22.920
<v Speaker 1>That was the golden era of hip hop. Nineteen eighty eight. Yeah,

0:46:23.160 --> 0:46:26.480
<v Speaker 1>that that year it was so diverse. Many of those

0:46:26.480 --> 0:46:29.160
<v Speaker 1>people can still go on tour now. They were that impactful.

0:46:29.640 --> 0:46:32.000
<v Speaker 1>It was so diverse. In eighty eight, you had Kidn't Play,

0:46:32.080 --> 0:46:36.839
<v Speaker 1>Heavy D, Public Enemy, EPMD, SAWD and Pepper, Rokim. It

0:46:36.880 --> 0:46:40.239
<v Speaker 1>was NWA all of these guys. So it was a

0:46:40.280 --> 0:46:43.200
<v Speaker 1>taste for everybody. Nobody was acting the same. In fact,

0:46:43.560 --> 0:46:48.200
<v Speaker 1>if you emulated another rapper, that would you look down upon. Yeah,

0:46:48.239 --> 0:46:50.640
<v Speaker 1>you biting dude, You sound like such and such. Even

0:46:50.680 --> 0:46:53.840
<v Speaker 1>EPMD they were criticized for sounding like rock YIM. They

0:46:53.880 --> 0:46:55.640
<v Speaker 1>were like, hey, y'all better change that style up a

0:46:55.680 --> 0:46:57.879
<v Speaker 1>little bit. So there was a code in hip hop.

0:46:57.920 --> 0:47:00.560
<v Speaker 1>Hip hop was still on this code where you're supposed

0:47:00.560 --> 0:47:03.160
<v Speaker 1>to be innovative and based on the originality Red Ryan,

0:47:03.239 --> 0:47:06.000
<v Speaker 1>you gotta be original. The corporate structure when they got

0:47:06.000 --> 0:47:07.879
<v Speaker 1>a part of it, you know, they want cookie cutter.

0:47:07.960 --> 0:47:10.359
<v Speaker 1>They want everybody sounding the same so they can send

0:47:10.360 --> 0:47:13.040
<v Speaker 1>it to radio. With me working inside the building. I'll

0:47:13.040 --> 0:47:18.800
<v Speaker 1>tell you what happened, man, once everything goes corporate. Instead

0:47:18.800 --> 0:47:21.359
<v Speaker 1>of them hiring people that are actually qualified for the job,

0:47:21.440 --> 0:47:23.640
<v Speaker 1>they're looking for guys that come from where they come from.

0:47:23.680 --> 0:47:25.359
<v Speaker 1>They don't want to sit in there and look at

0:47:25.360 --> 0:47:27.600
<v Speaker 1>one of us every day. They don't relate to us,

0:47:27.600 --> 0:47:29.600
<v Speaker 1>so they want to hire the kids out of which

0:47:29.640 --> 0:47:31.120
<v Speaker 1>I don't have no problem with. But he got to

0:47:31.120 --> 0:47:33.000
<v Speaker 1>be from the culture. They want to hire a kid

0:47:33.000 --> 0:47:35.520
<v Speaker 1>from Cornell All or Brown they make all of these

0:47:35.600 --> 0:47:38.640
<v Speaker 1>You know because I've been in these offices before and

0:47:38.760 --> 0:47:41.600
<v Speaker 1>seen guys responsible for some of the most important hip

0:47:41.600 --> 0:47:44.920
<v Speaker 1>hop artists of this generation. I'm like, this dude, don't

0:47:44.960 --> 0:47:46.520
<v Speaker 1>know what the fuck he doing? How's he A and

0:47:46.640 --> 0:47:48.360
<v Speaker 1>R for? This dude? He don't know, he don't like.

0:47:48.840 --> 0:47:51.799
<v Speaker 1>How am I gonna give him direction when I don't

0:47:51.800 --> 0:47:53.520
<v Speaker 1>know where he come from? It's a difference. If I'm

0:47:53.560 --> 0:47:56.120
<v Speaker 1>talking to eight, it's certain stuff. I know he's not

0:47:56.200 --> 0:47:58.680
<v Speaker 1>going to do off rip, So I'm not gonna present

0:47:58.800 --> 0:48:01.000
<v Speaker 1>him with a bunch of tracks that maybe you know

0:48:01.280 --> 0:48:03.120
<v Speaker 1>for real, got some bangers by the way, but I'm

0:48:03.160 --> 0:48:06.279
<v Speaker 1>not go I'm not gonna bring eight change clothes. You

0:48:06.320 --> 0:48:08.359
<v Speaker 1>see what I'm saying. That's not no, that's not him.

0:48:08.360 --> 0:48:10.880
<v Speaker 1>I'm gonna bring him some right and and Back in

0:48:11.120 --> 0:48:13.480
<v Speaker 1>the eighties, man, when cats made records, I mean you

0:48:13.520 --> 0:48:15.960
<v Speaker 1>had to. If you making a record, man, you're putting

0:48:15.960 --> 0:48:18.160
<v Speaker 1>all your money together. This is your one shot. You

0:48:18.200 --> 0:48:20.760
<v Speaker 1>better come correct with that shit. You better be real creative.

0:48:21.760 --> 0:48:24.960
<v Speaker 1>Cats ain't got money to blow in the studio. You

0:48:25.040 --> 0:48:27.439
<v Speaker 1>better make something that you know, the hood is gonna

0:48:27.520 --> 0:48:29.279
<v Speaker 1>like something that you can take up there to Greg

0:48:29.360 --> 0:48:31.920
<v Speaker 1>Mac and kJ and those guys. So you had to

0:48:31.920 --> 0:48:34.520
<v Speaker 1>be very serious about what you were doing. And a

0:48:34.560 --> 0:48:36.920
<v Speaker 1>lot of those guys knew how to A and R themselves.

0:48:37.000 --> 0:48:39.840
<v Speaker 1>They felt what was what the streets was kind of

0:48:39.880 --> 0:48:43.520
<v Speaker 1>leaning towards and patterned it on that. And back then

0:48:43.680 --> 0:48:46.719
<v Speaker 1>you had the producer. They normally came from a DJ.

0:48:46.920 --> 0:48:52.200
<v Speaker 1>Back around again, the sound man. I'm pretty sure Slip

0:48:52.320 --> 0:48:54.680
<v Speaker 1>probably was an R and y'all earlier records, y'all were

0:48:54.680 --> 0:48:57.319
<v Speaker 1>some young guys, so I'm pretty much I'm pretty sure

0:48:57.320 --> 0:48:59.200
<v Speaker 1>he was probably telling you ight say it like this

0:48:59.320 --> 0:49:05.719
<v Speaker 1>or do this this. Am I correct? I kind of.

0:49:09.840 --> 0:49:15.840
<v Speaker 4>I kind of never uh had to go with that,

0:49:16.560 --> 0:49:20.759
<v Speaker 4>uh as far as came to recording, because I took

0:49:20.880 --> 0:49:28.080
<v Speaker 4>pride in writing and saying shit. I was the type

0:49:28.080 --> 0:49:31.319
<v Speaker 4>of motherfucker back then that I wrap some ship and

0:49:31.400 --> 0:49:34.279
<v Speaker 4>get halfway through the verse and say stop it and

0:49:34.400 --> 0:49:34.879
<v Speaker 4>go back.

0:49:35.280 --> 0:49:37.480
<v Speaker 1>Oh, so you was producing your let me do.

0:49:37.640 --> 0:49:41.839
<v Speaker 4>That over, and you know, I do it again, and

0:49:42.000 --> 0:49:45.239
<v Speaker 4>we'll listen to it and I'd be like, oh, I

0:49:45.280 --> 0:49:48.120
<v Speaker 4>fucked up on that part. Let's do that over or

0:49:48.160 --> 0:49:50.840
<v Speaker 4>I'll be like or you listen to me right there,

0:49:51.239 --> 0:49:54.000
<v Speaker 4>or and then you know slip would give me that.

0:49:54.120 --> 0:49:56.719
<v Speaker 4>But I think I just took pride in wanting to

0:49:56.760 --> 0:49:59.560
<v Speaker 4>be a good MC.

0:50:02.040 --> 0:50:06.360
<v Speaker 3>Back then, you know, it was hard.

0:50:06.160 --> 0:50:11.839
<v Speaker 4>To maintain or get any game you get me. It

0:50:11.880 --> 0:50:17.439
<v Speaker 4>wasn't simplified like it is now. Shit, I can sit

0:50:17.480 --> 0:50:20.560
<v Speaker 4>in my you know, my room, turned on my laptop,

0:50:21.000 --> 0:50:24.040
<v Speaker 4>get me a microphone and being now like you said,

0:50:24.120 --> 0:50:27.279
<v Speaker 4>back then, and it was costing two three hundred dollars

0:50:27.320 --> 0:50:29.799
<v Speaker 4>an hour to go up in one of them studios

0:50:29.840 --> 0:50:32.240
<v Speaker 4>within two inch reels, and it's ugly.

0:50:32.320 --> 0:50:35.360
<v Speaker 1>Now with this AI shit is about to get real

0:50:35.480 --> 0:50:38.440
<v Speaker 1>ugly for a lot of people because if you look

0:50:38.440 --> 0:50:41.359
<v Speaker 1>at what they just did to Spotify today, right, they're

0:50:41.400 --> 0:50:43.520
<v Speaker 1>about to open up all this other stuff and they're

0:50:43.520 --> 0:50:46.680
<v Speaker 1>taking more money from the artists now, right with this

0:50:46.760 --> 0:50:49.440
<v Speaker 1>AI stuff is scary, man, because the AI stuff, it's

0:50:49.440 --> 0:50:51.600
<v Speaker 1>a great tool, right, but it's gonna start replacing a

0:50:51.680 --> 0:50:54.440
<v Speaker 1>lot of people, it is. It's gonna start replacing a

0:50:54.480 --> 0:50:57.000
<v Speaker 1>lot of people. Pretty soon. They're going to have an

0:50:57.000 --> 0:50:59.320
<v Speaker 1>AI version of and I'm gonna tell you it's coming.

0:50:59.480 --> 0:51:01.760
<v Speaker 1>They're going to have an AI version of a rapper.

0:51:02.080 --> 0:51:03.560
<v Speaker 1>They already got one. It was a guy. A couple

0:51:03.600 --> 0:51:05.640
<v Speaker 1>of years ago they announced they had an AI rapper,

0:51:06.280 --> 0:51:09.680
<v Speaker 1>some some white dudes. Yeah I remember that. Yeah, And

0:51:09.680 --> 0:51:11.279
<v Speaker 1>people were like, hey, what the hell is that? Then

0:51:11.320 --> 0:51:13.400
<v Speaker 1>they got quiet about it exactly because I'm gonna tell

0:51:13.400 --> 0:51:14.960
<v Speaker 1>you what's about to happen. They're not gonna tell us,

0:51:15.040 --> 0:51:17.399
<v Speaker 1>We not gonna know. It's gonna be a dude that's

0:51:17.480 --> 0:51:21.560
<v Speaker 1>gonna be the perfect the perfect MC almost and he's

0:51:21.640 --> 0:51:24.200
<v Speaker 1>gonna be all AI base watch see what I tell you,

0:51:24.520 --> 0:51:28.560
<v Speaker 1>because because I'm gonna I'm gonna tell you, man, people, it's.

0:51:28.480 --> 0:51:31.200
<v Speaker 4>Just like a motherfucker like they doing with the companies.

0:51:31.840 --> 0:51:34.319
<v Speaker 4>We don't need you to stand here and screw a

0:51:34.320 --> 0:51:37.440
<v Speaker 4>handle on the car no more or whatever you give me.

0:51:37.719 --> 0:51:40.759
<v Speaker 4>We got the motherfucking machines that do all that ship now,

0:51:41.040 --> 0:51:43.239
<v Speaker 4>So why would I want to deal with a motherfucking

0:51:43.320 --> 0:51:47.120
<v Speaker 4>nigga who is a knucklehead and helen from my whatever whatever.

0:51:47.520 --> 0:51:49.439
<v Speaker 3>I can just go create a nigga like that.

0:51:49.960 --> 0:51:54.319
<v Speaker 1>And punching my computer what type of attitude and what

0:51:54.440 --> 0:51:57.879
<v Speaker 1>this and what he won't and then and then take

0:51:57.920 --> 0:52:01.279
<v Speaker 1>it on tour with a hologram exactly and make all

0:52:01.320 --> 0:52:03.920
<v Speaker 1>the money Matt merchandise and everything about and the kids

0:52:03.920 --> 0:52:06.880
<v Speaker 1>go go crazy about it. I'm telling you with scary

0:52:06.920 --> 0:52:09.279
<v Speaker 1>man Now, I forget which rock and roll dude, and

0:52:09.280 --> 0:52:12.319
<v Speaker 1>I fuck with him for saying that man the guy

0:52:12.360 --> 0:52:16.280
<v Speaker 1>from Kiss, Gene Simmons, Gene Simmons. They offered Gene Simmons

0:52:16.320 --> 0:52:20.480
<v Speaker 1>like a ridiculous amount of money for his like virtual rights.

0:52:20.680 --> 0:52:22.719
<v Speaker 1>I think they offered that man something like fifteen to

0:52:22.719 --> 0:52:25.800
<v Speaker 1>twenty million dollars and he said no because I can't

0:52:25.840 --> 0:52:28.040
<v Speaker 1>picture them. They not gonna care about the quality of

0:52:28.040 --> 0:52:30.000
<v Speaker 1>the stuff that I do. They go have just and

0:52:30.120 --> 0:52:32.680
<v Speaker 1>everybody just can't come and write a Kiss record, right,

0:52:32.760 --> 0:52:34.799
<v Speaker 1>So I want all these people to go on our

0:52:34.840 --> 0:52:38.759
<v Speaker 1>farewell tour to remember me from being this. If they

0:52:38.760 --> 0:52:40.359
<v Speaker 1>want to see us, they can go buy the video,

0:52:40.560 --> 0:52:43.960
<v Speaker 1>right right right. I don't want a ghost version of

0:52:44.000 --> 0:52:47.000
<v Speaker 1>me floating around here one hundred years from now. Yeah. Yeah.

0:52:47.160 --> 0:52:49.200
<v Speaker 1>When they did something on one of those Grammy shows

0:52:49.239 --> 0:52:51.279
<v Speaker 1>where they had a hologramd Michael Jackson, a lot of

0:52:51.440 --> 0:52:53.239
<v Speaker 1>that turned a lot of people up. I didn't like it,

0:52:53.520 --> 0:52:55.719
<v Speaker 1>you know, because there's only one Michael. It don't that

0:52:55.800 --> 0:52:57.719
<v Speaker 1>thing don't have the spirit of Michael. They need to

0:52:57.760 --> 0:53:00.000
<v Speaker 1>leave that alone. And when Drake did that dis record

0:53:00.239 --> 0:53:02.720
<v Speaker 1>and used Tupac's vocals, a lot of people got turned

0:53:02.719 --> 0:53:05.600
<v Speaker 1>off from that too. Or his family was pissed off

0:53:05.600 --> 0:53:07.360
<v Speaker 1>about that. Yeah, everybody was a lot of folks are

0:53:07.400 --> 0:53:09.640
<v Speaker 1>pissed off on that. And I'm gonna tell you, dog, Tupac,

0:53:10.200 --> 0:53:12.640
<v Speaker 1>I think people aren't even where Tupac got a lot

0:53:12.719 --> 0:53:16.120
<v Speaker 1>of family members to still here because I managed Glass

0:53:16.120 --> 0:53:18.480
<v Speaker 1>to bloge. I remember when he put out South. That's

0:53:19.280 --> 0:53:22.200
<v Speaker 1>when he put out the Tupac Much Die record. Whenever

0:53:22.280 --> 0:53:25.360
<v Speaker 1>Glasses released a record, my lip my dining room is

0:53:25.400 --> 0:53:27.680
<v Speaker 1>like the war table, right. We had come in there

0:53:27.760 --> 0:53:30.759
<v Speaker 1>playing and stuff. Man, I remember the phone calls we

0:53:30.800 --> 0:53:32.560
<v Speaker 1>was getting me and him was driving down the one

0:53:32.600 --> 0:53:36.680
<v Speaker 1>oh five freeway. Dude, and Tupac's cousin called him, was like, man,

0:53:36.719 --> 0:53:38.200
<v Speaker 1>what the fuck? You know what I mean? But he

0:53:38.280 --> 0:53:40.520
<v Speaker 1>hadn't listened to the record. He just saw And that's

0:53:40.520 --> 0:53:42.239
<v Speaker 1>why I told him. I never liked the name of

0:53:42.280 --> 0:53:45.160
<v Speaker 1>that record because to me, it took away from the story.

0:53:46.040 --> 0:53:48.239
<v Speaker 1>But he was trying to be provocative. Yeah, he was

0:53:48.239 --> 0:53:51.520
<v Speaker 1>trying to be provocative, but to the average person, all

0:53:51.520 --> 0:53:53.480
<v Speaker 1>they see is Tupac much that what the fuck is

0:53:53.480 --> 0:53:56.160
<v Speaker 1>he saying? He was talking about, you know, from the

0:53:56.160 --> 0:53:59.520
<v Speaker 1>mind of Orlando Anderson, right, and it just kicked off

0:53:59.560 --> 0:54:01.359
<v Speaker 1>a lot of stuff that I don't even know what's

0:54:01.360 --> 0:54:04.560
<v Speaker 1>worth doing, or kicked off a lot of stuff, man,

0:54:04.960 --> 0:54:07.359
<v Speaker 1>And I think the one thing that they would never

0:54:07.400 --> 0:54:11.080
<v Speaker 1>be able to emulate with these AI whatever you go,

0:54:11.239 --> 0:54:15.280
<v Speaker 1>always have to have somebody writing. Yeah, yeah, you always

0:54:15.280 --> 0:54:17.040
<v Speaker 1>have to have somebody writing, because I don't care what

0:54:17.080 --> 0:54:19.879
<v Speaker 1>you say. Ain't no AI go spit no gangster shit

0:54:19.960 --> 0:54:23.600
<v Speaker 1>better than Scarface or mcas or now or whoever they not.

0:54:23.800 --> 0:54:26.640
<v Speaker 1>It's not gonna be able to do it. But everything

0:54:26.760 --> 0:54:30.040
<v Speaker 1>is turning real vanilla and saccaring right now. I'm really

0:54:30.080 --> 0:54:33.200
<v Speaker 1>worried about the culture right now, even to the point, man,

0:54:33.560 --> 0:54:35.400
<v Speaker 1>where do you think this comes from? To me, I

0:54:35.480 --> 0:54:38.160
<v Speaker 1>call the baby man syndrome to where you got a

0:54:38.200 --> 0:54:41.600
<v Speaker 1>whole bunch of cats now online from their forties to

0:54:41.600 --> 0:54:45.160
<v Speaker 1>their fifties just acting like little kids. Pro And when

0:54:45.160 --> 0:54:47.640
<v Speaker 1>I say acting like little kids, that's almost insulting our

0:54:47.719 --> 0:54:50.640
<v Speaker 1>young generation. The kids are more mature. My kids never

0:54:50.680 --> 0:54:53.680
<v Speaker 1>acted like them these games today, Man, what what can

0:54:53.719 --> 0:54:54.480
<v Speaker 1>you attribute that to?

0:54:54.640 --> 0:54:55.040
<v Speaker 3>That man?

0:54:55.080 --> 0:54:58.360
<v Speaker 1>Look in the system of white supremacy, and doctor Welson

0:54:58.400 --> 0:55:03.160
<v Speaker 1>talked about this, the white male is supposed to be

0:55:03.200 --> 0:55:05.640
<v Speaker 1>on top. And if you don't challenge the white male,

0:55:06.320 --> 0:55:08.799
<v Speaker 1>they put you in either one or two positions. You're

0:55:08.840 --> 0:55:11.839
<v Speaker 1>gonna have to be a grown boy or you're gonna

0:55:11.840 --> 0:55:15.120
<v Speaker 1>have to be a male woman. You understand. So dudes

0:55:15.160 --> 0:55:17.319
<v Speaker 1>either take one or two routes. They're gonna be over

0:55:17.360 --> 0:55:21.200
<v Speaker 1>feminized or they're gonna be ultra babyfied. That's what the

0:55:21.239 --> 0:55:23.839
<v Speaker 1>movie Baby Boy was about. And in the movie Baby Boy,

0:55:23.880 --> 0:55:25.880
<v Speaker 1>they had a doctor Wilson quote at the beginning of

0:55:25.920 --> 0:55:29.040
<v Speaker 1>the movie. The Jody character living with his mama. He's

0:55:29.080 --> 0:55:32.960
<v Speaker 1>a big, overgrown child because of arrested development. And that's

0:55:32.960 --> 0:55:35.120
<v Speaker 1>a problem. That's why we always have to be in

0:55:35.160 --> 0:55:36.880
<v Speaker 1>a position to say, hey, man, we got a problem

0:55:36.960 --> 0:55:40.000
<v Speaker 1>with systematic racism. Let's not be ashamed of it. That's

0:55:40.040 --> 0:55:43.680
<v Speaker 1>an issue. Let's deal with it, and let's acknowledge it exactly.

0:55:44.160 --> 0:55:46.400
<v Speaker 1>And I think right now, if you look at it,

0:55:47.400 --> 0:55:50.720
<v Speaker 1>all that stuff seems to move the needle. Now, yeah,

0:55:50.800 --> 0:55:54.360
<v Speaker 1>anything negative, if you go say something really positive and profound,

0:55:54.719 --> 0:55:57.799
<v Speaker 1>it's gonna get buried. Nobody's gonna nobody wants to hear.

0:55:58.480 --> 0:56:01.920
<v Speaker 1>But if you're seeing something crazy in the landish, oh man,

0:56:01.960 --> 0:56:04.279
<v Speaker 1>it's gonna break all kinds of records. Man. Look, when

0:56:04.280 --> 0:56:06.719
<v Speaker 1>I did my books The Art of Macin, I was

0:56:06.760 --> 0:56:09.560
<v Speaker 1>on MTV VH one. They were trying to give me

0:56:09.600 --> 0:56:11.279
<v Speaker 1>a show on NBC. They were trying to give me

0:56:11.320 --> 0:56:13.359
<v Speaker 1>a late night show. That's why I was on. If

0:56:13.360 --> 0:56:15.319
<v Speaker 1>you go Google, there's images of me. I was on

0:56:15.400 --> 0:56:18.360
<v Speaker 1>Conan O'Brien The Tonight Show. I did all that stuff

0:56:18.840 --> 0:56:21.399
<v Speaker 1>because I was just doing relationship books from a kind

0:56:21.400 --> 0:56:25.080
<v Speaker 1>of satirical standpoint, so that was non threatening. When I

0:56:25.120 --> 0:56:28.520
<v Speaker 1>started doing the Hidden Colors films, that's when I started

0:56:28.520 --> 0:56:30.560
<v Speaker 1>getting negative pressed. When I said, hey, let me teach

0:56:30.600 --> 0:56:34.640
<v Speaker 1>about black history, all of a sudden, I'm a race bata.

0:56:34.719 --> 0:56:37.840
<v Speaker 1>I get all of these negative headlines. I'm getting visited

0:56:37.840 --> 0:56:41.440
<v Speaker 1>by the FBI and all that stuff. Oh many times.

0:56:41.920 --> 0:56:44.600
<v Speaker 1>They I can't even go to England. I'm banned from

0:56:44.640 --> 0:56:48.319
<v Speaker 1>the UK because of my films. Are you serious? I'm bad.

0:56:48.360 --> 0:56:50.080
<v Speaker 1>I cannot go to the UK. I was gonna go

0:56:50.120 --> 0:56:53.120
<v Speaker 1>over there to have a film screening, and the airport

0:56:54.000 --> 0:56:55.480
<v Speaker 1>they had to take me off the whell. They wouldn't

0:56:55.520 --> 0:56:57.160
<v Speaker 1>let me on the plane, and they had phone calls

0:56:57.160 --> 0:56:59.640
<v Speaker 1>going all over the place saying that I'm not allowed

0:56:59.640 --> 0:57:01.640
<v Speaker 1>to go to the UK from not because you've got

0:57:01.640 --> 0:57:05.080
<v Speaker 1>a criminal record, not because of the book that you wrote,

0:57:05.360 --> 0:57:09.040
<v Speaker 1>because of the movies he Tellor's movies, because of those movies.

0:57:09.120 --> 0:57:12.879
<v Speaker 1>They said that my presence is not conducive to the

0:57:12.920 --> 0:57:16.840
<v Speaker 1>good of the society there. Basically, I might wake too

0:57:16.880 --> 0:57:19.880
<v Speaker 1>many black folks up. You start waking up black folks,

0:57:19.960 --> 0:57:22.280
<v Speaker 1>that's a problem. That's why let's go back to the

0:57:22.640 --> 0:57:26.120
<v Speaker 1>rap thing NWA. When they were fucked the police, they

0:57:26.120 --> 0:57:29.200
<v Speaker 1>were getting the FBI letters. I talked to Greg mac

0:57:29.240 --> 0:57:31.520
<v Speaker 1>one time. He told me the FBI was up there

0:57:31.800 --> 0:57:35.800
<v Speaker 1>Kday asking about easy in those guys. When you're talking

0:57:35.880 --> 0:57:41.240
<v Speaker 1>revolutionary and you're independent, that's a threat, you understand. That's

0:57:41.240 --> 0:57:44.000
<v Speaker 1>why the music industry they have to get control of

0:57:44.080 --> 0:57:46.640
<v Speaker 1>independent artists and say, hey, no, no, we can't have

0:57:46.760 --> 0:57:49.120
<v Speaker 1>you out here moving those records saying what you want

0:57:49.120 --> 0:57:51.440
<v Speaker 1>to say. Get us under you. Let us get you

0:57:51.520 --> 0:57:53.919
<v Speaker 1>under our wing so we can control what you say

0:57:53.920 --> 0:57:58.040
<v Speaker 1>and do. Wow, man, it's heavy with all the changes

0:57:58.080 --> 0:58:02.720
<v Speaker 1>that we've had in America, things have gotten a lot better. No,

0:58:02.840 --> 0:58:05.080
<v Speaker 1>we've had some progress in this country. We've had to

0:58:05.080 --> 0:58:07.680
<v Speaker 1>fight for it. We made it happen. Do you ever

0:58:07.680 --> 0:58:10.880
<v Speaker 1>see us getting reparations? Absolutely, because the thing is, man,

0:58:11.080 --> 0:58:14.720
<v Speaker 1>it's they already have to spend the money that's used

0:58:14.720 --> 0:58:18.960
<v Speaker 1>on reparations for defense. Man, when they militarized the police,

0:58:20.040 --> 0:58:22.320
<v Speaker 1>that's the reparation's money right there. All they have to

0:58:22.360 --> 0:58:24.760
<v Speaker 1>do is do the right thing. Look, man, they started

0:58:24.760 --> 0:58:28.680
<v Speaker 1>militarizing the police after the Watch riots. After the Watch riots,

0:58:28.720 --> 0:58:30.920
<v Speaker 1>they saw black folks was actually whooping ass in the

0:58:30.960 --> 0:58:34.040
<v Speaker 1>nineteen sixties. That's not talked about black folks. They'll show

0:58:34.040 --> 0:58:35.919
<v Speaker 1>you some black folks getting beat on, but low key

0:58:36.320 --> 0:58:44.040
<v Speaker 1>black people were bringing it to the Cleveland, Cleveland, Cleveland, Detroit, Yeah, Chicago. Man.

0:58:44.040 --> 0:58:46.800
<v Speaker 1>In Illinois, there's a town called Cairo, Illinois. Man, they

0:58:46.880 --> 0:58:48.600
<v Speaker 1>ran all the white people out that town in the

0:58:48.680 --> 0:58:58.160
<v Speaker 1>nineteen sixty engineered probably here like what then let me

0:58:59.760 --> 0:59:02.640
<v Speaker 1>look listen, listen, man, I don't know. They probably picked

0:59:02.640 --> 0:59:08.919
<v Speaker 1>the wrong guy. We're talking about Tupaca. Man, listen, listen

0:59:09.000 --> 0:59:11.680
<v Speaker 1>to me. Man. You had groups like the Black Liberation

0:59:11.920 --> 0:59:14.720
<v Speaker 1>Army putting in work that's where Tupac comes from. That's

0:59:14.800 --> 0:59:18.320
<v Speaker 1>his stepdad, Matulush you cor he was from the Black

0:59:18.360 --> 0:59:20.960
<v Speaker 1>Liberation Army. They the one broke aside of Shekur out

0:59:20.960 --> 0:59:24.880
<v Speaker 1>of jail. That was Tupac's god mother. Tupac shot the cops, remember,

0:59:25.000 --> 0:59:27.600
<v Speaker 1>yeah he shot Yeah, definitely. Yeah, that's when that saw

0:59:27.640 --> 0:59:30.000
<v Speaker 1>his election kind of cause I'm gonna tell you interesting story,

0:59:30.080 --> 0:59:34.360
<v Speaker 1>not to cut you off. So Bob Kat was one

0:59:34.360 --> 0:59:36.959
<v Speaker 1>of the first producers in LA that really messed with Park,

0:59:37.600 --> 0:59:39.800
<v Speaker 1>you know, like really you know, he did strictly for

0:59:39.920 --> 0:59:42.919
<v Speaker 1>My Niggas album. That's when Park was kind of going

0:59:42.960 --> 0:59:45.040
<v Speaker 1>on his own, not leaving shots. She was kind of,

0:59:45.080 --> 0:59:47.320
<v Speaker 1>you know, getting his own identity, right.

0:59:49.720 --> 0:59:49.959
<v Speaker 3>Pac.

0:59:51.200 --> 0:59:55.440
<v Speaker 1>That's the Tupac. I loved the revolutionary, the revolutionary that

0:59:55.520 --> 0:59:58.320
<v Speaker 1>told black women how beautiful it was that but she

0:59:58.360 --> 0:59:59.760
<v Speaker 1>had to turn around and shoot a cop. And I

0:59:59.760 --> 1:00:01.680
<v Speaker 1>asked because he thinks he out there fucking with a brother,

1:00:02.960 --> 1:00:06.040
<v Speaker 1>but he was a sponge. Yeah, ultimately, you feel what

1:00:06.080 --> 1:00:10.400
<v Speaker 1>I'm saying. And I just really think, man, we missing

1:00:10.440 --> 1:00:13.320
<v Speaker 1>that in the community right now. Yeah, because our we

1:00:13.480 --> 1:00:16.280
<v Speaker 1>we don't have no leadership no more. Man. I always

1:00:16.280 --> 1:00:20.880
<v Speaker 1>look at myself because if you look at Black America now,

1:00:20.920 --> 1:00:25.600
<v Speaker 1>it's set up to where the young people hate him.

1:00:25.600 --> 1:00:27.480
<v Speaker 1>Oh six year old ass, Now you don't need a

1:00:27.560 --> 1:00:29.760
<v Speaker 1>rap no more. Get out the way. That's the whole

1:00:29.800 --> 1:00:32.200
<v Speaker 1>thing is. So it's this dynamic get out the way

1:00:32.280 --> 1:00:34.120
<v Speaker 1>so I could make my way through instead of them

1:00:34.160 --> 1:00:37.120
<v Speaker 1>coming to sit with this brother and say, hey, I

1:00:37.200 --> 1:00:39.440
<v Speaker 1>wanna be able to sustain a thirty year career like

1:00:39.520 --> 1:00:42.640
<v Speaker 1>you did. Yeah, what can I do? Yeah? You got

1:00:42.720 --> 1:00:45.240
<v Speaker 1>you know, sixty year old dudes trying to get record deals,

1:00:45.320 --> 1:00:47.640
<v Speaker 1>and you got fifty year old women trying to be

1:00:48.000 --> 1:00:50.720
<v Speaker 1>video vixens. Now they're trying to compete with the young girls. Now,

1:00:51.040 --> 1:00:54.720
<v Speaker 1>So right, we don't have that balance of leadership of

1:00:54.880 --> 1:00:59.000
<v Speaker 1>just a adult supervision. Cause it wasn't like that. I

1:00:59.040 --> 1:01:01.480
<v Speaker 1>went to the older dudes. I revered the older dudes

1:01:01.480 --> 1:01:03.560
<v Speaker 1>in my hood that were that may have went on

1:01:03.640 --> 1:01:05.760
<v Speaker 1>before me and played college football. That's how I got

1:01:05.800 --> 1:01:09.040
<v Speaker 1>up out of Cleveland because an older dude that played

1:01:09.120 --> 1:01:10.720
<v Speaker 1>he went to a junior college. I don't know what

1:01:10.800 --> 1:01:12.480
<v Speaker 1>they like. Junior. I thought it was old with for me.

1:01:12.880 --> 1:01:14.840
<v Speaker 1>After my high school career, all them d's I had

1:01:14.840 --> 1:01:16.880
<v Speaker 1>on my report card. Man, I never thought I would

1:01:16.880 --> 1:01:19.480
<v Speaker 1>go to college. But because of him, he made some

1:01:19.520 --> 1:01:22.880
<v Speaker 1>phone calls for me and next thing, you you know,

1:01:22.960 --> 1:01:24.720
<v Speaker 1>send some film off. Back in the day, had to

1:01:24.720 --> 1:01:26.320
<v Speaker 1>put shit in the mail. You see what I'm saying,

1:01:26.320 --> 1:01:28.680
<v Speaker 1>Them bigger ass around tapes. You know, you had to

1:01:28.720 --> 1:01:31.080
<v Speaker 1>put them in the mail. And next thing you know,

1:01:31.160 --> 1:01:33.240
<v Speaker 1>I got a call from five to six junior colleges

1:01:33.240 --> 1:01:35.280
<v Speaker 1>around the country. They were like, hey, we interested in

1:01:35.360 --> 1:01:38.640
<v Speaker 1>bringing you out. But there was a leadership. It was

1:01:38.680 --> 1:01:42.440
<v Speaker 1>like everybody looked out for each other. Now, everybody is

1:01:42.480 --> 1:01:45.320
<v Speaker 1>too busy to be in competition, right Even back in

1:01:45.360 --> 1:01:48.920
<v Speaker 1>the day, man the eighties, even the street cats would

1:01:48.960 --> 1:01:51.880
<v Speaker 1>look out for people who had potential. If you saw

1:01:51.960 --> 1:01:55.000
<v Speaker 1>somebody trying to venture off in some street business, the

1:01:55.080 --> 1:01:57.560
<v Speaker 1>hustlers would take get your ass off this. Well, definitely

1:01:57.800 --> 1:01:59.840
<v Speaker 1>get the fuck out of here. Man, don't come out

1:01:59.880 --> 1:02:00.720
<v Speaker 1>here banging with us.

1:02:00.760 --> 1:02:06.000
<v Speaker 4>We definitely didn't want to deter brothers away who had potential.

1:02:06.120 --> 1:02:09.640
<v Speaker 1>To somebody say more, there was a reason why he

1:02:09.640 --> 1:02:12.680
<v Speaker 1>stopped going to the neighborhood, Ain't that rect I mean,

1:02:12.760 --> 1:02:16.480
<v Speaker 1>sometimes you just get to a point where people see

1:02:16.600 --> 1:02:17.800
<v Speaker 1>that you can do.

1:02:19.200 --> 1:02:23.200
<v Speaker 3>More than what you think. You feel me.

1:02:23.840 --> 1:02:28.240
<v Speaker 4>Uh, And that's just people seeing the potential. Like I said,

1:02:28.560 --> 1:02:30.800
<v Speaker 4>a lot of people look at you and and try

1:02:30.840 --> 1:02:34.280
<v Speaker 4>to determine because where you come from where or your

1:02:34.400 --> 1:02:39.120
<v Speaker 4>situations of where you live. But you know.

1:02:39.080 --> 1:02:41.880
<v Speaker 1>That's that's those old cats, that's the motto that we

1:02:42.040 --> 1:02:46.320
<v Speaker 1>came from, uh, to watch out for our youth and

1:02:46.440 --> 1:02:49.000
<v Speaker 1>are inspiring. Do you think Lonzo kind of did that

1:02:49.040 --> 1:02:50.240
<v Speaker 1>for you guys to a certain degree.

1:02:52.080 --> 1:02:56.520
<v Speaker 4>But Lonzo really didn't where as far as you know,

1:02:56.760 --> 1:03:03.760
<v Speaker 4>as recognizing talent. And yeah, he felt like, I can't

1:03:03.800 --> 1:03:06.320
<v Speaker 4>fuck with y'all, But then here's a dude who could

1:03:06.400 --> 1:03:12.520
<v Speaker 4>fuck with y'all. Because at the time, it was coming

1:03:12.680 --> 1:03:17.280
<v Speaker 4>out of his era of music, you know what they

1:03:17.360 --> 1:03:18.160
<v Speaker 4>were doing.

1:03:20.680 --> 1:03:21.240
<v Speaker 3>At first.

1:03:21.280 --> 1:03:23.800
<v Speaker 4>You know, he probably hated that shit, you know, like

1:03:23.880 --> 1:03:28.440
<v Speaker 4>it portrays not hated it. But we have been successful.

1:03:29.120 --> 1:03:32.640
<v Speaker 4>What's what's right here? And like you know a lot

1:03:32.640 --> 1:03:34.600
<v Speaker 4>of people like to use the term if it ain't broke,

1:03:34.760 --> 1:03:37.440
<v Speaker 4>you know, don't fix it. So that's the way he

1:03:37.520 --> 1:03:41.160
<v Speaker 4>probably was looking at his success in his career. We've

1:03:41.200 --> 1:03:45.360
<v Speaker 4>been we've been quite successful on what we've been doing.

1:03:45.840 --> 1:03:50.280
<v Speaker 4>So but at the time the music was changing, you're

1:03:50.320 --> 1:03:54.000
<v Speaker 4>getting the Brothers from New York was coming out and

1:03:54.400 --> 1:03:57.440
<v Speaker 4>we was hearing that. And then you know, once Once

1:03:58.760 --> 1:04:01.200
<v Speaker 4>Easy came out, and like you said, we had dudes

1:04:01.280 --> 1:04:05.640
<v Speaker 4>like Spade and Toddy t who were already giving us

1:04:05.720 --> 1:04:08.280
<v Speaker 4>tales from the neighborhood. You know, a lot of the

1:04:08.440 --> 1:04:15.200
<v Speaker 4>ship was underground. So that's just how ship was. You

1:04:15.280 --> 1:04:18.040
<v Speaker 4>know what I'm saying. Someone be going back to let's

1:04:18.040 --> 1:04:23.600
<v Speaker 4>say Unknown, What happened with Unknown man? I heard something

1:04:23.600 --> 1:04:27.880
<v Speaker 4>happened with him up a death row. Somebody put hands

1:04:27.880 --> 1:04:32.959
<v Speaker 4>on it, right, what happened? I've heard different versions over

1:04:33.000 --> 1:04:33.480
<v Speaker 4>the years.

1:04:33.640 --> 1:04:39.800
<v Speaker 3>This is the story that I know we were working on.

1:04:41.000 --> 1:04:43.120
<v Speaker 4>We had just came off for a straight checking the

1:04:43.280 --> 1:04:48.760
<v Speaker 4>record and Dre had just left Easy got with sug whatever.

1:04:49.360 --> 1:04:53.560
<v Speaker 3>So we basically sat.

1:04:53.400 --> 1:04:58.160
<v Speaker 4>Down one night, me Unknown, Uh Slip and my nigga

1:04:58.280 --> 1:05:05.360
<v Speaker 4>Chill and the Unknown told us that Dre was Finnah

1:05:05.360 --> 1:05:08.480
<v Speaker 4>start a new label and they were looking for a

1:05:08.600 --> 1:05:13.480
<v Speaker 4>name for the label. Long story short, we came They

1:05:13.520 --> 1:05:20.000
<v Speaker 4>came up with the death Row name. We basically came

1:05:20.080 --> 1:05:25.680
<v Speaker 4>up with the name, me Unknown, Chill and Slip. Yes,

1:05:26.560 --> 1:05:31.240
<v Speaker 4>they called it d E F first and and I

1:05:31.280 --> 1:05:34.320
<v Speaker 4>think if I'm not mistaken. Unknown took it to Sug

1:05:35.160 --> 1:05:40.240
<v Speaker 4>and sold it to Shug the name whatever. But that's

1:05:40.280 --> 1:05:44.080
<v Speaker 4>how he got in with Sug in them because Sug

1:05:44.320 --> 1:05:51.400
<v Speaker 4>knew that he so called was producing our records comptas

1:05:51.400 --> 1:05:55.360
<v Speaker 4>Most Wanted, and I think we were on our third album,

1:05:56.040 --> 1:06:08.520
<v Speaker 4>so they enlisted Unknown to do production work for The Convicts.

1:06:08.760 --> 1:06:12.400
<v Speaker 4>Was supposed to be the first group. They came three.

1:06:13.840 --> 1:06:19.240
<v Speaker 1>That's three two and Big Mike used Texans.

1:06:20.520 --> 1:06:23.080
<v Speaker 4>Group called the Convicts. That's right, that's right, that's right.

1:06:24.160 --> 1:06:26.560
<v Speaker 4>They were supposed to be the first group on death

1:06:26.680 --> 1:06:32.800
<v Speaker 4>Row because I don't even think they had snoop yet.

1:06:33.320 --> 1:06:36.840
<v Speaker 1>Wow, what that record was Big Mike's record, the one

1:06:37.360 --> 1:06:39.560
<v Speaker 1>to break them off? Some break them off, some of

1:06:40.600 --> 1:06:41.680
<v Speaker 1>the deep cover record.

1:06:43.680 --> 1:06:48.560
<v Speaker 4>So because Unknown got in with him, he took some

1:06:48.640 --> 1:06:52.440
<v Speaker 4>money from them to do beats. Sugar was expecting the

1:06:52.480 --> 1:07:01.000
<v Speaker 4>beats Unknown was using. From what I hear, every time

1:07:01.040 --> 1:07:04.160
<v Speaker 4>they asked for the music, he was like, well, I'm

1:07:04.280 --> 1:07:07.200
<v Speaker 4>busy right now working on Compass Most Wanted record.

1:07:08.520 --> 1:07:09.960
<v Speaker 3>That didn't fly too.

1:07:09.840 --> 1:07:13.680
<v Speaker 4>Good with Shuit, especially when I done gave you money

1:07:13.760 --> 1:07:17.360
<v Speaker 4>to turn in beats. So I heard he was up there.

1:07:17.400 --> 1:07:20.160
<v Speaker 4>One day they questioned him about the beats. He didn't

1:07:20.160 --> 1:07:23.560
<v Speaker 4>have them, so they took off on him. Yeah, because

1:07:23.560 --> 1:07:27.600
<v Speaker 4>he came to the studio with us about three days

1:07:27.680 --> 1:07:32.160
<v Speaker 4>later and we couldn't figure out why he had sunglasses

1:07:32.200 --> 1:07:35.480
<v Speaker 4>on in the dark ass studio, like why you got

1:07:35.480 --> 1:07:41.440
<v Speaker 4>sunglasses on? And that's around the time when I stopped

1:07:41.440 --> 1:07:44.800
<v Speaker 4>fucking with him because I had found out that he

1:07:44.880 --> 1:07:50.520
<v Speaker 4>basically stole publishing money. I wrote all my songs. I

1:07:50.600 --> 1:07:54.480
<v Speaker 4>never I never had a ghostwriter. I never had so

1:07:55.640 --> 1:07:59.160
<v Speaker 4>half of that publishing was mine. I wrote every fucking

1:07:59.360 --> 1:08:03.000
<v Speaker 4>CMW you song, every m C eight song, never had

1:08:03.000 --> 1:08:05.080
<v Speaker 4>a ghostwriter, never had any help.

1:08:07.480 --> 1:08:09.520
<v Speaker 1>So you co produced them in the record, say hey

1:08:09.680 --> 1:08:13.720
<v Speaker 1>this sound I started. I started well. I would always

1:08:13.720 --> 1:08:18.040
<v Speaker 1>bring music to him. I would go like, hey, let's

1:08:18.120 --> 1:08:21.120
<v Speaker 1>use this record, Let's use this record, sample this record,

1:08:21.280 --> 1:08:25.160
<v Speaker 1>sample this record. I started doing that around the second

1:08:25.360 --> 1:08:28.519
<v Speaker 1>straight checking them record. I was interested in producing, so

1:08:30.840 --> 1:08:32.240
<v Speaker 1>but yeah, once I found out he.

1:08:32.200 --> 1:08:36.519
<v Speaker 4>Stole publishing money, and that was kind of the end

1:08:36.560 --> 1:08:41.720
<v Speaker 4>of it from there. You know, I'm a young kid

1:08:41.760 --> 1:08:44.200
<v Speaker 4>from content. You know, I ain't know no better. Like

1:08:44.439 --> 1:08:46.960
<v Speaker 4>if you could have asked me back then, I would

1:08:46.960 --> 1:08:48.640
<v Speaker 4>have been like, what the fuck is publishing.

1:08:48.800 --> 1:08:53.520
<v Speaker 1>I want to go back, like, what the fuck is publishing?

1:08:55.240 --> 1:08:57.719
<v Speaker 1>I want to go back to this because we touched

1:08:57.720 --> 1:08:59.080
<v Speaker 1>on it, but we did. I'm going to talk about

1:08:59.080 --> 1:08:59.880
<v Speaker 1>this reparations.

1:09:00.080 --> 1:09:00.320
<v Speaker 3>Yeah.

1:09:00.640 --> 1:09:06.040
<v Speaker 1>Yeah. If you look at the impact that slavery had

1:09:06.080 --> 1:09:09.000
<v Speaker 1>on this as the people, it's still lasting up to

1:09:09.040 --> 1:09:11.679
<v Speaker 1>this day. You know, I was talking to my dad.

1:09:11.760 --> 1:09:13.760
<v Speaker 1>My dad is seventy nine years old. He was just

1:09:13.800 --> 1:09:18.080
<v Speaker 1>out here with me, shout out to Butch. But we

1:09:18.080 --> 1:09:21.320
<v Speaker 1>were talking, and you know, he had a father who

1:09:21.439 --> 1:09:24.640
<v Speaker 1>had a whole nother family in Tennessee. That was just

1:09:24.640 --> 1:09:26.519
<v Speaker 1>the dynamic back then. It was just like he was

1:09:26.600 --> 1:09:29.439
<v Speaker 1>just rolling around the South sowing his seed. And my

1:09:29.560 --> 1:09:31.479
<v Speaker 1>dad was telling me, you know, is this as your

1:09:31.560 --> 1:09:35.000
<v Speaker 1>parents get older, it's important to ask, you know, uncles, aunties, Hey,

1:09:35.000 --> 1:09:37.160
<v Speaker 1>where is it that we from? Yeah, so I got

1:09:37.160 --> 1:09:39.559
<v Speaker 1>a whole. My family is from Memphis, I got a whole.

1:09:39.680 --> 1:09:42.200
<v Speaker 1>My grandmother was from there, and my grandfather was from there.

1:09:42.240 --> 1:09:45.240
<v Speaker 1>But apparently my grandfather had a whole another family down

1:09:45.280 --> 1:09:48.479
<v Speaker 1>there and had another family in Arkansas too, So he

1:09:48.479 --> 1:09:52.760
<v Speaker 1>would disappear sometimes from my grandmother and them, who had

1:09:52.840 --> 1:09:55.640
<v Speaker 1>ten kids with him. He would disappear for sometimes for

1:09:55.680 --> 1:09:58.320
<v Speaker 1>a whole year and go off here, you know, playhouse

1:09:58.360 --> 1:10:00.280
<v Speaker 1>or whatever like that. And I had and all the

1:10:00.320 --> 1:10:02.639
<v Speaker 1>ways we got old ryankle. Disrespecting them is just the.

1:10:02.600 --> 1:10:04.040
<v Speaker 3>Truth, right.

1:10:04.439 --> 1:10:07.240
<v Speaker 1>I think all of that stuff, man, that's like a

1:10:07.280 --> 1:10:10.120
<v Speaker 1>stud almost he gets around there so on to see.

1:10:10.240 --> 1:10:13.320
<v Speaker 1>I think all of that stuff got embedded into our

1:10:13.400 --> 1:10:14.360
<v Speaker 1>DNA somehow.

1:10:14.439 --> 1:10:14.639
<v Speaker 3>Man.

1:10:14.760 --> 1:10:16.640
<v Speaker 1>We suffered a lot because of that shit. Man, We

1:10:17.360 --> 1:10:21.480
<v Speaker 1>suffered a whole lot, man. And I feel like everybody

1:10:21.520 --> 1:10:23.600
<v Speaker 1>else kind of gets taken care of. Like you know,

1:10:23.680 --> 1:10:26.519
<v Speaker 1>if you and I don't want to say that, you

1:10:26.560 --> 1:10:29.240
<v Speaker 1>can't say shit nowadays without getting in trouble. But if

1:10:29.240 --> 1:10:31.120
<v Speaker 1>you come from another country, you can come over here

1:10:31.160 --> 1:10:33.080
<v Speaker 1>and get all kind of helped open up a business

1:10:33.120 --> 1:10:35.760
<v Speaker 1>and all that stuff. But no one is said. And

1:10:35.840 --> 1:10:38.519
<v Speaker 1>the biggest is the thing I hate hearing, Well, that

1:10:38.680 --> 1:10:40.759
<v Speaker 1>was so long ago. Why are you still so worried

1:10:40.800 --> 1:10:43.880
<v Speaker 1>about it? It's like you bullshit. It wasn't your generations,

1:10:43.960 --> 1:10:46.040
<v Speaker 1>Your people wiped out. We don't even know where the

1:10:46.040 --> 1:10:48.679
<v Speaker 1>fuck we come from. What the fuck is black? Yeah,

1:10:48.680 --> 1:10:52.120
<v Speaker 1>but they said they give red natives, they give them reparations,

1:10:52.120 --> 1:10:55.280
<v Speaker 1>they give them big money, casinos, tax free status, and

1:10:55.360 --> 1:10:57.799
<v Speaker 1>that happened long ago. They tried to play the longergo

1:10:57.840 --> 1:11:00.439
<v Speaker 1>game with us. It wasn't that long ago. Man. Grandmother

1:11:00.520 --> 1:11:03.439
<v Speaker 1>was alive when Harriet Tubman was alive, So we had

1:11:03.640 --> 1:11:07.439
<v Speaker 1>people who were former slaves still alive in the nineteen sixties. Man, See,

1:11:07.479 --> 1:11:10.479
<v Speaker 1>you come from the same kind of background I come from,

1:11:10.560 --> 1:11:17.280
<v Speaker 1>because my grandmother had told me that her mom was

1:11:17.400 --> 1:11:21.160
<v Speaker 1>just fresh out of slavery. And then in the Annabelle himself,

1:11:21.200 --> 1:11:22.800
<v Speaker 1>a lot of that shit was still going on up

1:11:22.800 --> 1:11:25.280
<v Speaker 1>intil the motherfucker forties. I mean they still got plantations

1:11:25.280 --> 1:11:27.880
<v Speaker 1>down slaves was still going It was a lot of

1:11:27.920 --> 1:11:31.280
<v Speaker 1>people who just were afraid to leave masters proverbial house

1:11:31.640 --> 1:11:35.479
<v Speaker 1>that were still down there working for free. And then

1:11:35.520 --> 1:11:38.759
<v Speaker 1>after slavery, they had the sharecropping thing, which was another

1:11:38.800 --> 1:11:42.519
<v Speaker 1>former slavery because they were working for peanuts. So that

1:11:42.640 --> 1:11:45.680
<v Speaker 1>legacy is still there. We've never been compensated for that,

1:11:46.160 --> 1:11:49.080
<v Speaker 1>and we got to stand on it and demand the compensation.

1:11:50.200 --> 1:11:52.280
<v Speaker 1>People thought we weren't gonna get out of slavery. When

1:11:52.280 --> 1:11:53.720
<v Speaker 1>we said, hey, we need to get rid of the

1:11:53.760 --> 1:11:57.160
<v Speaker 1>slavery thing, people said that's impossible. We did it. We

1:11:57.200 --> 1:11:59.280
<v Speaker 1>actually fought they got to get out of slavery. That

1:11:59.400 --> 1:12:01.719
<v Speaker 1>was something on aass roots level. Black people were fighting.

1:12:01.720 --> 1:12:05.120
<v Speaker 1>You had maroons living in the swamp that were attacking plantations.

1:12:06.040 --> 1:12:08.439
<v Speaker 1>Before the Civil War, you had the Seminal War, which

1:12:08.520 --> 1:12:11.240
<v Speaker 1>was a black war down in Florida, where they essentially

1:12:11.520 --> 1:12:14.200
<v Speaker 1>wiped out most of the plantations down there. They don't

1:12:14.200 --> 1:12:16.080
<v Speaker 1>tell you about this. The US Army was down there

1:12:16.080 --> 1:12:18.320
<v Speaker 1>trying to suppress the black people. They ended up sending

1:12:18.360 --> 1:12:21.519
<v Speaker 1>a lot of black people to Oklahoma. We were fighting

1:12:21.520 --> 1:12:25.040
<v Speaker 1>our way out of slavery in the nineteen sixties when

1:12:25.080 --> 1:12:27.000
<v Speaker 1>people were saying, y'all ain't gonna get no civil rights,

1:12:27.080 --> 1:12:29.400
<v Speaker 1>we fought and got civil rights. Whatever we focus on

1:12:29.479 --> 1:12:32.040
<v Speaker 1>we can get, so we'll get reparation. We just got

1:12:32.040 --> 1:12:34.560
<v Speaker 1>to stay focused. So just think about the absence of

1:12:34.600 --> 1:12:37.720
<v Speaker 1>a black father and the home. It's almost like we're

1:12:37.800 --> 1:12:40.280
<v Speaker 1>programmed because they come and tell a woman, hey, for

1:12:40.360 --> 1:12:43.439
<v Speaker 1>every child you have, you're gonna get three four hundred dollars.

1:12:43.520 --> 1:12:45.280
<v Speaker 1>So you have women go out and have a church

1:12:45.320 --> 1:12:49.040
<v Speaker 1>full of kids. They're gonna move in the apartment. It's

1:12:49.040 --> 1:12:52.040
<v Speaker 1>really not that bad, right, She's gonna pay fifty dollars

1:12:52.080 --> 1:12:54.000
<v Speaker 1>a month. But guess what one of the main things

1:12:54.160 --> 1:12:57.000
<v Speaker 1>is you can't have a game have a man here

1:12:57.000 --> 1:12:58.479
<v Speaker 1>with you if you get a man and you lose

1:12:58.520 --> 1:13:02.000
<v Speaker 1>all this. So now you got women of the mindset. Well,

1:13:02.040 --> 1:13:04.680
<v Speaker 1>I don't even need a dude because and and the

1:13:04.800 --> 1:13:07.840
<v Speaker 1>media was a big part of that too. In the sixties,

1:13:08.200 --> 1:13:10.200
<v Speaker 1>when they were getting black men out of the house

1:13:10.200 --> 1:13:13.559
<v Speaker 1>with these little Section eight welfare programs, they started putting

1:13:13.600 --> 1:13:16.360
<v Speaker 1>on television shows with single black women, making that seem

1:13:16.400 --> 1:13:18.760
<v Speaker 1>like it was cool. They had Diane Carroll do a

1:13:18.760 --> 1:13:22.120
<v Speaker 1>show called Julia, She's a very beautiful black woman who

1:13:22.720 --> 1:13:25.640
<v Speaker 1>was a single mother. That was new. They had a

1:13:25.640 --> 1:13:30.280
<v Speaker 1>movie called Claudine. Same thing, Early Sex, Good Times, was

1:13:30.320 --> 1:13:33.920
<v Speaker 1>supposed to be Florida Evans being a single mother, right

1:13:34.200 --> 1:13:35.760
<v Speaker 1>she said no, no, no, I don't want to be

1:13:35.760 --> 1:13:37.800
<v Speaker 1>a single mother. She went to the producers and said, no,

1:13:37.920 --> 1:13:44.000
<v Speaker 1>give me a husband and James. They didn't want that

1:13:44.120 --> 1:13:48.400
<v Speaker 1>image that James Evans. That image still resonates with us man.

1:13:48.479 --> 1:13:51.280
<v Speaker 1>That's that was America's black dad. But they had to

1:13:51.360 --> 1:13:53.479
<v Speaker 1>kill that image off and kill him off, and that

1:13:53.560 --> 1:13:55.840
<v Speaker 1>messed with the psyche of a lot of us. Man,

1:13:55.880 --> 1:13:59.519
<v Speaker 1>So that propaganda is real. Before we go, man, I

1:13:59.640 --> 1:14:01.880
<v Speaker 1>just want to say something about being a father, right.

1:14:02.080 --> 1:14:02.320
<v Speaker 3>Yeah.

1:14:02.960 --> 1:14:05.679
<v Speaker 1>I loved my biological dad and I loved my dad

1:14:05.720 --> 1:14:08.200
<v Speaker 1>to death, and I was angry at him for a

1:14:08.240 --> 1:14:12.240
<v Speaker 1>long time until I started getting the understanding and talked

1:14:12.200 --> 1:14:15.320
<v Speaker 1>to him about how he came up. Yeah, he had

1:14:15.360 --> 1:14:18.280
<v Speaker 1>no blueprint, right, he had no blueprint.

1:14:18.320 --> 1:14:18.920
<v Speaker 3>He was a dude.

1:14:18.960 --> 1:14:21.280
<v Speaker 1>There was something from his own wounds, you know, his

1:14:22.160 --> 1:14:26.519
<v Speaker 1>brothers and sisters getting separated and shuffled across homes, you know,

1:14:26.680 --> 1:14:28.360
<v Speaker 1>different homes. That's what they would do if you, if

1:14:28.400 --> 1:14:30.160
<v Speaker 1>the mama didn't have enough money to take care of

1:14:30.160 --> 1:14:32.360
<v Speaker 1>the kids, they would just put you on Falster Care.

1:14:32.560 --> 1:14:34.000
<v Speaker 3>Yeah, man, Yeah, they.

1:14:33.960 --> 1:14:36.000
<v Speaker 1>Would just put you on Falster Care. So I had

1:14:36.000 --> 1:14:39.320
<v Speaker 1>to forgive him because we got a lot of healing

1:14:39.320 --> 1:14:41.600
<v Speaker 1>to do as black men in this country. Man. We

1:14:41.960 --> 1:14:46.679
<v Speaker 1>all think we all suffered from some form of PTSD. Yeah,

1:14:46.920 --> 1:14:49.479
<v Speaker 1>and nobody suffered from what we've suffered from, man, and

1:14:49.479 --> 1:14:51.840
<v Speaker 1>we're told to get over it. Other groups, Man, they

1:14:51.840 --> 1:14:54.160
<v Speaker 1>couldn't suffer the half of what we suffered, the stuff

1:14:54.200 --> 1:14:55.240
<v Speaker 1>that we've survived.

1:14:55.320 --> 1:14:55.559
<v Speaker 3>Man.

1:14:56.600 --> 1:14:59.240
<v Speaker 1>Growing up in these neighborhoods, growing up in the Comptons

1:14:59.280 --> 1:15:01.400
<v Speaker 1>and places like that, these were like war zones and

1:15:01.439 --> 1:15:04.720
<v Speaker 1>that was by design, man, And for cats to come

1:15:04.760 --> 1:15:08.200
<v Speaker 1>out of all that slavery, yeah yeah, man, that was

1:15:08.240 --> 1:15:12.719
<v Speaker 1>a societal plantation that they've created. They created those things,

1:15:12.760 --> 1:15:15.880
<v Speaker 1>They created the economic deprivation and then say okay, here

1:15:15.880 --> 1:15:17.800
<v Speaker 1>you go, and by the way, here's some crack, so

1:15:17.920 --> 1:15:20.680
<v Speaker 1>y'all fight over that. And here's a train full of

1:15:20.720 --> 1:15:23.519
<v Speaker 1>guns that we're gonna leave over here mysteriously, which is

1:15:23.520 --> 1:15:25.599
<v Speaker 1>what they used to do all the time. Oh yeah,

1:15:25.720 --> 1:15:28.200
<v Speaker 1>these illegal guns would just pop up in these neighborhoods.

1:15:28.600 --> 1:15:31.519
<v Speaker 1>So yeah, a lot of the stuff was orchestrated. And

1:15:31.720 --> 1:15:34.040
<v Speaker 1>for anybody to come out of that with your right mind,

1:15:34.080 --> 1:15:36.439
<v Speaker 1>that's a miracle right there. Well we have to start, man.

1:15:36.479 --> 1:15:40.759
<v Speaker 1>That change starts with us man as directors. And because

1:15:40.800 --> 1:15:43.200
<v Speaker 1>me and eight we working on some stuff right now, man,

1:15:44.280 --> 1:15:47.040
<v Speaker 1>and I fell to him when he said, Man, if

1:15:47.080 --> 1:15:48.600
<v Speaker 1>we go do something, I don't want to play the

1:15:48.640 --> 1:15:51.320
<v Speaker 1>stereotypical dude. You know, I'm a grown man. I don't

1:15:51.360 --> 1:15:52.960
<v Speaker 1>want to run around the pistols. So we could have

1:15:53.000 --> 1:15:56.760
<v Speaker 1>them where he's a football coach. Yeah, yeah, doing good.

1:15:56.840 --> 1:15:59.320
<v Speaker 1>Because they never show those images on TV. The brothers

1:15:59.360 --> 1:16:01.160
<v Speaker 1>that do come out of jail and they because you

1:16:01.200 --> 1:16:04.840
<v Speaker 1>know we both coached you football right and half my

1:16:04.960 --> 1:16:07.840
<v Speaker 1>staff over period mo Man was former feelings, theys out

1:16:07.840 --> 1:16:10.479
<v Speaker 1>there with their kids. Man shout out to what snoop

1:16:10.520 --> 1:16:10.960
<v Speaker 1>to do with this?

1:16:11.160 --> 1:16:17.240
<v Speaker 4>Wif actually change the dynamic of what what was done?

1:16:18.080 --> 1:16:22.679
<v Speaker 4>You know, like you said, with your father, a lot

1:16:22.760 --> 1:16:29.920
<v Speaker 4>of us grew up single moms. You get me, and

1:16:30.040 --> 1:16:33.840
<v Speaker 4>like you said, the dynamic of what the situations was

1:16:33.920 --> 1:16:37.320
<v Speaker 4>we never knew because we don't know the past of

1:16:37.840 --> 1:16:41.800
<v Speaker 4>what our fathers and grandfathers went through. Uh to be

1:16:42.000 --> 1:16:48.920
<v Speaker 4>able to have that direction to be better, but you

1:16:49.000 --> 1:16:50.320
<v Speaker 4>can break that code.

1:16:50.400 --> 1:16:53.960
<v Speaker 3>You get me. Look at your sons, look at my son.

1:16:54.240 --> 1:16:54.800
<v Speaker 3>You get me.

1:16:57.160 --> 1:16:59.439
<v Speaker 4>It probably be looked at as if our kids would

1:16:59.439 --> 1:17:04.120
<v Speaker 4>probably follow with negative footsteps because of what we've done.

1:17:04.960 --> 1:17:07.600
<v Speaker 4>What people look at what I've done. You get me

1:17:07.720 --> 1:17:11.680
<v Speaker 4>where I come from gang banging and selling drugs and

1:17:11.720 --> 1:17:14.520
<v Speaker 4>even with the image of who I.

1:17:14.280 --> 1:17:16.839
<v Speaker 1>Was, and now he got a son that's playing college football.

1:17:16.880 --> 1:17:20.040
<v Speaker 1>How dope is that? Man? So amazing? That's amazing.

1:17:20.560 --> 1:17:23.440
<v Speaker 4>Just like you said, we have to change the dynamic

1:17:24.040 --> 1:17:28.639
<v Speaker 4>and of what they tried to put us through. As

1:17:28.680 --> 1:17:32.640
<v Speaker 4>far as taking taking the dads out of the homes

1:17:33.000 --> 1:17:37.040
<v Speaker 4>and making women feel like, like you said, still, I don't.

1:17:36.880 --> 1:17:39.280
<v Speaker 3>Even need a motherfucker today. You get me.

1:17:40.920 --> 1:17:44.320
<v Speaker 4>It's hard to raise a kid, and especially as a

1:17:44.320 --> 1:17:48.040
<v Speaker 4>young man, as a single mom, when he influences today

1:17:48.080 --> 1:17:52.800
<v Speaker 4>that we have. Man, it's just it's just crazy, you know. So,

1:17:53.240 --> 1:17:55.400
<v Speaker 4>and we got to understand, man, how we got here. Man,

1:17:55.479 --> 1:17:57.320
<v Speaker 4>let's talk about LA in particular.

1:17:57.400 --> 1:18:00.559
<v Speaker 1>Man. Look, in the nineteen sixties Central abaw Man, you

1:18:00.600 --> 1:18:03.479
<v Speaker 1>had the Black Panthers, black men who said, Hey, we're

1:18:03.479 --> 1:18:05.960
<v Speaker 1>gonna feed these children out here. We're gonna have a

1:18:05.960 --> 1:18:09.080
<v Speaker 1>free breakfast program, we're gonna have an education program, We're

1:18:09.080 --> 1:18:13.040
<v Speaker 1>gonna feed these kids. The Panthers with the guns. That

1:18:13.160 --> 1:18:14.800
<v Speaker 1>wasn't the threat because all they did was changed the

1:18:14.800 --> 1:18:17.920
<v Speaker 1>gun laws. They changed the California gun laws because of

1:18:17.960 --> 1:18:20.519
<v Speaker 1>the Panthers. What these gun laws out here? So right

1:18:21.080 --> 1:18:22.720
<v Speaker 1>right when they did it, because of the Panthers, and

1:18:22.760 --> 1:18:25.760
<v Speaker 1>the NRA was in on it too. They were like, hey, listen,

1:18:25.760 --> 1:18:28.120
<v Speaker 1>don't let them niggas have no guns. So that was

1:18:28.200 --> 1:18:31.439
<v Speaker 1>neutralized the problem with the Panthers. When you start feeding people,

1:18:31.920 --> 1:18:33.760
<v Speaker 1>that's nation building. They said, we got to get these

1:18:33.840 --> 1:18:36.320
<v Speaker 1>niggas out of here. They started shooting up the headquarters

1:18:36.360 --> 1:18:39.519
<v Speaker 1>of the Panthers. Right after that. That's when the gang

1:18:39.640 --> 1:18:44.960
<v Speaker 1>started sprouting up. Because the splintered leadership, it was directionless.

1:18:45.120 --> 1:18:47.920
<v Speaker 1>These young kids didn't have the Panther programs to go to,

1:18:48.240 --> 1:18:52.120
<v Speaker 1>so they started to morph into gangs. Let me ask

1:18:52.160 --> 1:18:54.599
<v Speaker 1>you this. It's a reparations march coming up, correct, Yeah,

1:18:54.680 --> 1:19:01.120
<v Speaker 1>June fifteenth in Washington, DC, June fifteenth. Everybody's in support

1:19:01.120 --> 1:19:06.280
<v Speaker 1>of reparations. We need to be out there, absolutely, indeed,

1:19:06.479 --> 1:19:08.320
<v Speaker 1>we need because I really feel like you know, and

1:19:08.320 --> 1:19:10.759
<v Speaker 1>that's why I get pissed off when people say, well,

1:19:10.760 --> 1:19:11.880
<v Speaker 1>why did impact you?

1:19:12.360 --> 1:19:12.559
<v Speaker 3>Man?

1:19:12.600 --> 1:19:16.680
<v Speaker 1>Did you know how hard difficult? I'm not supposed to

1:19:16.720 --> 1:19:19.720
<v Speaker 1>be here. Real talk, real talk. And man, we got

1:19:19.720 --> 1:19:21.240
<v Speaker 1>so many out here in l A. We got so

1:19:21.280 --> 1:19:24.160
<v Speaker 1>many homeless black people out here. Man, it's pathetic. We

1:19:24.600 --> 1:19:27.559
<v Speaker 1>need to be compensated, man, because that stuff has been

1:19:27.640 --> 1:19:31.760
<v Speaker 1>orchestra And who is the people? The people tethers. Yeah,

1:19:31.760 --> 1:19:33.840
<v Speaker 1>we call people people who are foreigner as we try

1:19:33.880 --> 1:19:37.200
<v Speaker 1>to undermine our movement, we call them tethers. Just because

1:19:37.240 --> 1:19:39.160
<v Speaker 1>you're a foreigner doesn't make you a tether. But we've

1:19:39.160 --> 1:19:41.200
<v Speaker 1>called the tethers out because We have a lot of

1:19:41.200 --> 1:19:44.200
<v Speaker 1>people who jump up and say, hey, we don't need reparations,

1:19:44.320 --> 1:19:46.320
<v Speaker 1>and then we'll look in the background and this person's

1:19:46.320 --> 1:19:50.960
<v Speaker 1>from the Congo somewhere, like you're not even qualified to

1:19:50.960 --> 1:19:53.280
<v Speaker 1>get it's the deal right now. You know what I noticed?

1:19:54.720 --> 1:19:58.160
<v Speaker 1>I told somebody because somebody I don't like the thing

1:19:58.240 --> 1:19:59.920
<v Speaker 1>African American. A lot of them don't even like it.

1:20:00.200 --> 1:20:00.320
<v Speaker 3>Yo.

1:20:00.400 --> 1:20:03.360
<v Speaker 1>Yeah, we don't like using that term. And there's no disrespect.

1:20:03.640 --> 1:20:06.200
<v Speaker 1>That term was put on us in nineteen eighty eight.

1:20:06.240 --> 1:20:11.720
<v Speaker 1>But Jesse Jackson, the Democratics, the Democrats wanted us to

1:20:11.760 --> 1:20:15.880
<v Speaker 1>be comparable to immigrant groups. We just used to go

1:20:15.960 --> 1:20:18.160
<v Speaker 1>buy black or color or whatever. But when they got

1:20:18.240 --> 1:20:21.599
<v Speaker 1>Jesse Jackson to start labeling us African American, that made

1:20:21.640 --> 1:20:25.479
<v Speaker 1>us comparable to Mexican American, Italian American, Asian American. So

1:20:25.520 --> 1:20:28.599
<v Speaker 1>that almost made us like immigrants. So whatever we got,

1:20:29.200 --> 1:20:31.240
<v Speaker 1>all of the other immigrant groups were supposed to get

1:20:31.240 --> 1:20:33.080
<v Speaker 1>a part of the two. But we have a unique

1:20:33.120 --> 1:20:36.120
<v Speaker 1>history here because we as foundational Black Americans, we built

1:20:36.120 --> 1:20:39.040
<v Speaker 1>the country. We're the only non immigrants here. We have

1:20:39.080 --> 1:20:42.320
<v Speaker 1>a very unique relationship to this land and that has

1:20:42.360 --> 1:20:45.360
<v Speaker 1>to be recognized. Because I'm gonna tell you. I know

1:20:46.400 --> 1:20:49.639
<v Speaker 1>I have a lot of family in England. So our

1:20:49.720 --> 1:20:52.679
<v Speaker 1>family reunions were real interest and I got to find out.

1:20:52.760 --> 1:20:55.320
<v Speaker 1>I know, I'm from the Igbo, from the Igbo tribe

1:20:55.360 --> 1:20:57.799
<v Speaker 1>in Nigeria and all. Like I said, I had family

1:20:57.800 --> 1:20:59.720
<v Speaker 1>in England that didn't even go through that pro They

1:20:59.760 --> 1:21:01.760
<v Speaker 1>went straight to England. You feel what I'm saying. So

1:21:02.600 --> 1:21:05.840
<v Speaker 1>it's a lot, man, We pretty much children were no country. No,

1:21:05.920 --> 1:21:07.960
<v Speaker 1>this is no this is our land. We got to

1:21:08.040 --> 1:21:10.840
<v Speaker 1>understand that we're not foreigners here. You know, there were

1:21:10.880 --> 1:21:13.720
<v Speaker 1>black people on this land, thousands of you. But that's

1:21:13.760 --> 1:21:16.000
<v Speaker 1>what I'm saying. Yeah, yeah, and this is our land.

1:21:16.160 --> 1:21:19.200
<v Speaker 1>Let's be very clear. California was named after a black woman,

1:21:19.479 --> 1:21:24.040
<v Speaker 1>Queen Califia, all right. That's a mythological Moorish queen that

1:21:24.080 --> 1:21:27.679
<v Speaker 1>the Spanish used to write books about. There were black

1:21:27.880 --> 1:21:32.240
<v Speaker 1>Aboriginal people in California, the Mahave people, the Alone tribe.

1:21:32.400 --> 1:21:34.799
<v Speaker 1>You look at pictures of them, they look like African tribes.

1:21:35.479 --> 1:21:38.280
<v Speaker 1>That's why you don't see too much archaeological work done

1:21:38.280 --> 1:21:41.080
<v Speaker 1>in North America. I always wondered that, man, because I

1:21:41.200 --> 1:21:45.040
<v Speaker 1>always said, everybody can't be slaves man, right, because you

1:21:45.120 --> 1:21:47.519
<v Speaker 1>know what, everybody didn't come over on slave ship. But

1:21:47.600 --> 1:21:50.240
<v Speaker 1>that's what I think about that. We think about this though, too,

1:21:50.960 --> 1:21:53.679
<v Speaker 1>think about all the slave ships that God took over. Right,

1:21:54.280 --> 1:21:58.000
<v Speaker 1>many of the pirate ships were former slave ships. That's

1:21:58.040 --> 1:22:01.439
<v Speaker 1>where the pirates were still in slave ships. And a

1:22:01.479 --> 1:22:04.559
<v Speaker 1>lot of the pirates were actually black. But the story

1:22:04.600 --> 1:22:07.000
<v Speaker 1>of millions of people being shipped over on ships that

1:22:07.040 --> 1:22:09.320
<v Speaker 1>wouldn't make any sense because it takes about three four

1:22:09.400 --> 1:22:12.760
<v Speaker 1>months for a ship to sail back there. And you

1:22:12.880 --> 1:22:15.719
<v Speaker 1>talk about right now from then them rickety as ships

1:22:15.720 --> 1:22:18.760
<v Speaker 1>the head back right at the numbers don't add Yeah,

1:22:18.800 --> 1:22:20.920
<v Speaker 1>they don't add up. There were people who are black

1:22:20.960 --> 1:22:23.439
<v Speaker 1>already here, they just enslaved them here. We got to

1:22:23.479 --> 1:22:26.880
<v Speaker 1>really look at it from that perspective. There are books

1:22:26.920 --> 1:22:29.879
<v Speaker 1>by people like von woot Now I've in Van Curtima

1:22:29.920 --> 1:22:32.439
<v Speaker 1>who talk about the black people who were here thousands

1:22:32.439 --> 1:22:36.160
<v Speaker 1>of years before Columbus. Again, like I said, they'll do

1:22:36.280 --> 1:22:39.960
<v Speaker 1>archaeological work in Africa, Asia, you don't see too much

1:22:40.080 --> 1:22:42.880
<v Speaker 1>archaeological work here because, as our brother James Small says,

1:22:42.920 --> 1:22:44.640
<v Speaker 1>every time they put a shovel in the ground of

1:22:44.680 --> 1:22:47.919
<v Speaker 1>North America, you're gonna dig up something black. Our DNA

1:22:48.000 --> 1:22:50.040
<v Speaker 1>is real deeply rooted in North America.

1:22:50.120 --> 1:22:50.280
<v Speaker 3>Man.

1:22:51.000 --> 1:22:54.040
<v Speaker 4>All they want to find here is some dinosaurs, right

1:22:54.439 --> 1:22:56.519
<v Speaker 4>they're starting out, because what happens is, man, they start

1:22:56.560 --> 1:23:00.040
<v Speaker 4>doing archaeological work and they start finding these native of

1:23:00.120 --> 1:23:02.920
<v Speaker 4>Americans with all of this African and black DNA.

1:23:03.360 --> 1:23:05.519
<v Speaker 1>Then they get real quiet about it. They act like, oh, ok,

1:23:05.680 --> 1:23:08.040
<v Speaker 1>let's not really talk about that because we've been here

1:23:08.080 --> 1:23:10.200
<v Speaker 1>for a long time. I'll tell you something that really

1:23:10.400 --> 1:23:12.560
<v Speaker 1>had me laughing, man, And then we all had to

1:23:12.560 --> 1:23:14.800
<v Speaker 1>because I know we're going over there. I appreciate you

1:23:14.880 --> 1:23:18.519
<v Speaker 1>being patient. It was funny. I was in the grocery

1:23:18.520 --> 1:23:20.599
<v Speaker 1>store with my wife the other day and I'm looking

1:23:20.640 --> 1:23:24.400
<v Speaker 1>the things where they reconstructed this picture of Jesus and said, oh,

1:23:24.479 --> 1:23:26.280
<v Speaker 1>we know how Jesus looked, and he looked like he

1:23:26.360 --> 1:23:29.080
<v Speaker 1>was from England some damn We're had long blond hair, man,

1:23:29.520 --> 1:23:32.360
<v Speaker 1>and it was just this white dude. Man. So we definitely, man,

1:23:32.439 --> 1:23:33.719
<v Speaker 1>gotta fix a lot of stuff.

1:23:33.760 --> 1:23:33.920
<v Speaker 3>Man.

1:23:34.280 --> 1:23:36.000
<v Speaker 1>I ain't even go get into that whole.

1:23:35.760 --> 1:23:36.200
<v Speaker 3>Thing, you know.

1:23:36.560 --> 1:23:39.680
<v Speaker 1>But because you definitely offend some people, Yeah, you had

1:23:39.680 --> 1:23:43.160
<v Speaker 1>somebody pissed off. We had to tell you that you

1:23:43.160 --> 1:23:47.240
<v Speaker 1>want to lost you all deal. You said, what mother

1:23:48.320 --> 1:23:52.040
<v Speaker 1>like they be all your fault to borrow man. I really, man,

1:23:52.439 --> 1:23:55.040
<v Speaker 1>we really support what you doing, man, and appreciate you

1:23:55.120 --> 1:23:57.599
<v Speaker 1>coming on man, and you dropped a lot of knowledge

1:23:57.600 --> 1:24:01.200
<v Speaker 1>on here. Man. I got some good some game from

1:24:01.240 --> 1:24:03.000
<v Speaker 1>you guys. And eight because I'm a big I'm a

1:24:03.120 --> 1:24:05.360
<v Speaker 1>uc I'm a huge hip hop fan. Oh yeah for sure.

1:24:05.400 --> 1:24:06.960
<v Speaker 1>So all of this stuff, I'm just soaking it in.

1:24:07.000 --> 1:24:11.680
<v Speaker 1>That's why I was just letting you roll when yeah,

1:24:12.840 --> 1:24:15.240
<v Speaker 1>like I said, we got to let people know. You know,

1:24:15.280 --> 1:24:18.840
<v Speaker 1>it's other ship that goes on as far as even

1:24:18.880 --> 1:24:21.519
<v Speaker 1>though we represent the streets and we come from whatever,

1:24:21.880 --> 1:24:25.120
<v Speaker 1>you still got a motherfucking uh. You still got a

1:24:25.160 --> 1:24:29.679
<v Speaker 1>motherfucking give people some some real knowledgeable man. Somebody got

1:24:29.680 --> 1:24:31.960
<v Speaker 1>to be the adults. We can't be on here this

1:24:32.240 --> 1:24:34.280
<v Speaker 1>people are so and this and all the time.

1:24:34.400 --> 1:24:34.919
<v Speaker 3>You know.

1:24:35.080 --> 1:24:37.519
<v Speaker 1>And in this movie Microphone Check, you know, it's about

1:24:37.680 --> 1:24:40.479
<v Speaker 1>the origin of hip hop, particularly in the East Coast,

1:24:40.560 --> 1:24:42.720
<v Speaker 1>and I want to do I want to do a

1:24:42.760 --> 1:24:46.280
<v Speaker 1>West Coast version of it next because the history of

1:24:46.280 --> 1:24:48.439
<v Speaker 1>West Coast hip hop, man as it ties into the

1:24:48.479 --> 1:24:51.680
<v Speaker 1>gang culture, Uncle Jam's Army, all that, all of that

1:24:51.760 --> 1:24:54.200
<v Speaker 1>stuff that has to be told too, that's never been

1:24:54.200 --> 1:24:56.160
<v Speaker 1>told the way it should be told. I want to

1:24:56.200 --> 1:24:57.719
<v Speaker 1>get aid in that and.

1:24:58.240 --> 1:25:00.679
<v Speaker 4>Do a lot of stories where we start off from

1:25:00.800 --> 1:25:07.040
<v Speaker 4>the Linzo and the Easy and Nwa era. But like

1:25:07.080 --> 1:25:09.680
<v Speaker 4>you said, it was a lot of it was a

1:25:09.680 --> 1:25:12.519
<v Speaker 4>lot of shit going on before then, and like you said,

1:25:13.080 --> 1:25:15.880
<v Speaker 4>that needs that story has to be told about the

1:25:15.920 --> 1:25:19.880
<v Speaker 4>foundation of West Coast hip hop because everybody looks at

1:25:20.000 --> 1:25:23.639
<v Speaker 4>you know, of course we all recognize with what you know,

1:25:23.880 --> 1:25:26.799
<v Speaker 4>New York did for US and East Coast and whatever,

1:25:26.920 --> 1:25:33.160
<v Speaker 4>but we don't go in depth on those stories about

1:25:33.560 --> 1:25:39.240
<v Speaker 4>LA and West Coast hip hop before the Easy Doctor

1:25:39.320 --> 1:25:40.960
<v Speaker 4>Dre era, you get me.

1:25:41.360 --> 1:25:43.880
<v Speaker 1>Yeah, it's like it's almost like cut off, right, And

1:25:44.280 --> 1:25:47.200
<v Speaker 1>many of the dances came from here man, yet they

1:25:47.200 --> 1:25:49.719
<v Speaker 1>still do today. Cass was doing that in the early

1:25:49.800 --> 1:25:52.320
<v Speaker 1>seventies out of here man, So that has to be cold.

1:25:52.600 --> 1:25:56.240
<v Speaker 1>And also the gang influence definitely that you know what, man,

1:25:56.479 --> 1:25:58.200
<v Speaker 1>I used to pop back in the day, believe it

1:25:58.280 --> 1:26:00.400
<v Speaker 1>or not. I used to be a locker and that

1:26:00.560 --> 1:26:03.160
<v Speaker 1>was my biggest thing looking at the dudes on the

1:26:03.160 --> 1:26:07.320
<v Speaker 1>West Coast, seeing those guys. Yeah, and they were so

1:26:07.920 --> 1:26:09.920
<v Speaker 1>fluid with it. Man. It was amazing, you know what

1:26:09.960 --> 1:26:13.559
<v Speaker 1>I mean? It was amazing. Man. How can the people

1:26:13.560 --> 1:26:13.880
<v Speaker 1>get in.

1:26:13.840 --> 1:26:14.240
<v Speaker 3>Touch with you?

1:26:14.360 --> 1:26:14.479
<v Speaker 1>Yo?

1:26:14.520 --> 1:26:14.680
<v Speaker 3>Man?

1:26:14.680 --> 1:26:17.400
<v Speaker 1>Go check out the movie Microphone Check at microphone check

1:26:17.439 --> 1:26:20.920
<v Speaker 1>dot com. Check out the rally for Reparations we got

1:26:20.920 --> 1:26:23.840
<v Speaker 1>coming up in June. That's rally, the number four Reparations

1:26:23.880 --> 1:26:27.200
<v Speaker 1>Rally for Reparations dot com. And just support all this stuff. Man,

1:26:27.280 --> 1:26:30.320
<v Speaker 1>y'all follow me on Twitter at Tarik Nashid. I would

1:26:30.360 --> 1:26:33.479
<v Speaker 1>definitely be at the rally, Yes, sir, where's the Where's

1:26:33.520 --> 1:26:37.040
<v Speaker 1>they gonna be it again? That's gonna be Freedom Plaza, Washington, DC, Saturday,

1:26:37.160 --> 1:26:39.880
<v Speaker 1>June fifteenth, And we got Big Daddy Kane performing out there.

1:26:40.000 --> 1:26:42.400
<v Speaker 1>We should probably organize something out here too. Man. We

1:26:42.479 --> 1:26:45.160
<v Speaker 1>need to, like really man, because I'm gonna tell you,

1:26:45.200 --> 1:26:46.960
<v Speaker 1>if you tell people to show up for some bullshit,

1:26:47.000 --> 1:26:49.880
<v Speaker 1>they go show up for Every black person in this

1:26:49.920 --> 1:26:52.479
<v Speaker 1>country need to be there. They got to jumping cars

1:26:52.520 --> 1:26:55.639
<v Speaker 1>together and carpool up there. Yes, indeed, and get up there.

1:26:55.680 --> 1:26:55.800
<v Speaker 3>Man.

1:26:55.840 --> 1:26:58.479
<v Speaker 1>I'm my shoot. Man. I might organize something myself man

1:26:58.560 --> 1:27:00.519
<v Speaker 1>and get some people out there, man, but leve get

1:27:00.600 --> 1:27:04.160
<v Speaker 1>on the buff. We got homies that got the class licensed. Man,

1:27:04.240 --> 1:27:06.599
<v Speaker 1>let's rent a bus man and six people out there. Man.

1:27:07.360 --> 1:27:10.040
<v Speaker 1>We appreciate you. Man, I appreciate y'all having me on that.

1:27:10.120 --> 1:27:13.720
<v Speaker 1>Oh for sure. Man, y'all make sure man, y'all like subscribe,

1:27:13.800 --> 1:27:15.920
<v Speaker 1>leave for common and all that other good stuff. Man,

1:27:15.960 --> 1:27:19.799
<v Speaker 1>and we out of here. Well, that concludes another episode

1:27:19.800 --> 1:27:22.320
<v Speaker 1>of the gainst the Chronicles podcast. Be sure to download

1:27:22.360 --> 1:27:25.160
<v Speaker 1>the iHeart app and subscribe to The Gangster Chronicles podcast

1:27:25.520 --> 1:27:27.599
<v Speaker 1>For Apple users, find a purple mica on the front

1:27:27.600 --> 1:27:29.719
<v Speaker 1>of your screen, subscribe to the show, leave of comment

1:27:29.760 --> 1:27:33.800
<v Speaker 1>and rating. Executive producers for The Gangster Chronicles podcasts Norman Steelled,

1:27:33.840 --> 1:27:36.720
<v Speaker 1>Aaron m c a Tyler. Our visual media director is

1:27:36.760 --> 1:27:39.400
<v Speaker 1>Brian Whatt, and the audio editors tell It Heyes. The

1:27:39.400 --> 1:27:42.320
<v Speaker 1>Gangster Chronicles is a production of iHeartMedia Network and The

1:27:42.320 --> 1:27:45.960
<v Speaker 1>Black Effect podcast Network. For more podcasts from iHeart Radio,

1:27:46.080 --> 1:27:49.160
<v Speaker 1>visit the iHeart Radio app Apple Podcasts wherever you're listening

1:27:49.160 --> 1:27:49.960
<v Speaker 1>to your podcasts