1 00:00:10,000 --> 00:00:14,680 Speaker 1: And we continue with our American stories. Born in Kentucky, 2 00:00:14,840 --> 00:00:17,920 Speaker 1: James Best was orphaned at the age of three and 3 00:00:17,960 --> 00:00:21,120 Speaker 1: eventually adopted after high school. He joined the United States 4 00:00:21,239 --> 00:00:24,200 Speaker 1: Army Air Corps during World War Two in July of 5 00:00:24,280 --> 00:00:27,400 Speaker 1: nineteen forty four and served with the military police in 6 00:00:27,440 --> 00:00:31,400 Speaker 1: war torn Germany. He founded the James Best Theater Center 7 00:00:31,560 --> 00:00:34,440 Speaker 1: in Los Angeles, becoming one of the hottest acting coaches 8 00:00:34,800 --> 00:00:38,519 Speaker 1: in Hollywood, training the likes of Clinicetwood, Burt Reynolds, Glenn Campbell, 9 00:00:38,760 --> 00:00:43,280 Speaker 1: Quentin Tarantino, and Regis Philman. Best than his wife, actually 10 00:00:43,280 --> 00:00:46,839 Speaker 1: gave the young Tarantino a place to sleep while he 11 00:00:46,920 --> 00:00:50,320 Speaker 1: struggled to make it in Hollywood, just before landing his 12 00:00:50,400 --> 00:00:53,720 Speaker 1: role as Roscoe P. Coltrane on The Dukes of Hazzard. 13 00:00:54,080 --> 00:00:56,920 Speaker 1: Best taught drama for two years at the University of 14 00:00:56,960 --> 00:01:02,920 Speaker 1: Mississippi or Ole, miss right here where we broadcast in Oxford, Mississippi. 15 00:01:03,440 --> 00:01:05,840 Speaker 1: Here's James Best with his story. 16 00:01:13,640 --> 00:01:16,760 Speaker 2: After the war, there was what they call werewolf gangs 17 00:01:16,480 --> 00:01:20,320 Speaker 2: in in Fiesbonn, Germany, and they were teenagers that had 18 00:01:20,360 --> 00:01:23,920 Speaker 2: actually been trained by the SS and actually some loot 19 00:01:23,920 --> 00:01:25,800 Speaker 2: of them fought in the war. They were like twelve 20 00:01:25,880 --> 00:01:27,720 Speaker 2: year old. They'd get on a bicycle with a baa 21 00:01:27,800 --> 00:01:29,800 Speaker 2: in fight the Russians with tanks. 22 00:01:30,200 --> 00:01:30,320 Speaker 1: Uh. 23 00:01:30,360 --> 00:01:31,160 Speaker 3: I said, they were rough. 24 00:01:31,440 --> 00:01:33,280 Speaker 2: Well, we had to clean up the town being a 25 00:01:33,800 --> 00:01:36,680 Speaker 2: so I was getting shot at more most people did 26 00:01:36,720 --> 00:01:37,720 Speaker 2: in the war, you know. 27 00:01:37,760 --> 00:01:39,920 Speaker 3: And I was going up to get a. 28 00:01:39,920 --> 00:01:42,120 Speaker 2: Cup of coffee in a donut at the PX and 29 00:01:43,080 --> 00:01:44,959 Speaker 2: a girl walked down the steps and she had a 30 00:01:44,959 --> 00:01:46,080 Speaker 2: green uniform. 31 00:01:45,760 --> 00:01:47,800 Speaker 3: On with c AT on her shoulder. 32 00:01:48,640 --> 00:01:51,520 Speaker 2: I said, come into here, bit, I said, come here please, 33 00:01:51,560 --> 00:01:54,440 Speaker 2: and German and she she said, I beg your pardon. 34 00:01:54,480 --> 00:01:57,400 Speaker 2: I said, are you an American? And she said yes, 35 00:01:57,840 --> 00:01:59,400 Speaker 2: And I said, what's going on? I said, what is 36 00:01:59,400 --> 00:02:03,680 Speaker 2: the c at? She said, a civilian actress technician. And 37 00:02:03,760 --> 00:02:06,880 Speaker 2: I said, well is that. I'm an old country boy. 38 00:02:06,960 --> 00:02:09,960 Speaker 2: I've got from that much about anything. I had never 39 00:02:10,000 --> 00:02:12,239 Speaker 2: seen a play. She said, well, we're doing a play 40 00:02:12,240 --> 00:02:15,760 Speaker 2: at the Beesbaden Opera House. I said, oh great. I said, 41 00:02:16,000 --> 00:02:19,560 Speaker 2: I'll pick up after the play. So she said, well, 42 00:02:19,600 --> 00:02:20,799 Speaker 2: I won't go out with you know, just come and 43 00:02:20,800 --> 00:02:22,400 Speaker 2: see the play. I said, I don't want to see 44 00:02:22,440 --> 00:02:24,480 Speaker 2: the play. I'll pick up after it. She said, no, 45 00:02:24,520 --> 00:02:25,680 Speaker 2: I'm not wait do the work. 46 00:02:26,000 --> 00:02:27,680 Speaker 3: So I go over to. 47 00:02:27,680 --> 00:02:31,240 Speaker 2: See the play. I'm sitting in the audience, old country boy. 48 00:02:31,600 --> 00:02:36,840 Speaker 2: The curtain goes up and I'm like a kid in Disneyland, 49 00:02:38,600 --> 00:02:40,799 Speaker 2: and I could not believe this. This was like Comet 50 00:02:40,840 --> 00:02:43,040 Speaker 2: of the World. I go back to the age to 51 00:02:43,080 --> 00:02:46,359 Speaker 2: pick up the young lady and here's Gis getting dressed 52 00:02:46,520 --> 00:02:49,200 Speaker 2: out of the from the show. I said, wait a minute, 53 00:02:49,280 --> 00:02:51,200 Speaker 2: I'm a sergeant. What are these guys? 54 00:02:51,520 --> 00:02:53,040 Speaker 3: What are they? They said, they're in the show. 55 00:02:53,200 --> 00:02:56,760 Speaker 2: They tour, They're treated like officers, and we tour around 56 00:02:56,760 --> 00:02:58,440 Speaker 2: the French, British American zone. 57 00:02:58,919 --> 00:03:01,360 Speaker 3: I said, wait a minute, I'm gonna start. 58 00:03:01,440 --> 00:03:04,200 Speaker 2: I'm getting shot at every night, and these guys are 59 00:03:04,240 --> 00:03:07,680 Speaker 2: traveling around with you pretty girls. I'm in the wrong outfit. 60 00:03:08,120 --> 00:03:13,079 Speaker 2: So I went to my commanding altar, and through certain circumstances, 61 00:03:13,840 --> 00:03:18,400 Speaker 2: I had a pretty good record there, and so they 62 00:03:18,440 --> 00:03:22,040 Speaker 2: transferred my transferred me into special service. I started acting, 63 00:03:22,080 --> 00:03:25,040 Speaker 2: and I acted with these professional people and learned my craft. 64 00:03:25,840 --> 00:03:27,720 Speaker 3: So later on, when I came back to the. 65 00:03:27,720 --> 00:03:29,720 Speaker 2: States, I hitchhikeed in New York to be an actor. 66 00:03:30,000 --> 00:03:35,000 Speaker 2: I had that experience, and so I spent about three 67 00:03:35,040 --> 00:03:37,680 Speaker 2: years in New York did a Broadway show in summer 68 00:03:37,720 --> 00:03:40,600 Speaker 2: Stock winter Stock, and then put under contract Universal nineteen 69 00:03:40,680 --> 00:03:44,200 Speaker 2: forty nine. Now I was there for two years, so 70 00:03:44,600 --> 00:03:48,840 Speaker 2: that started my career. I've counted over six hundred television shows. 71 00:03:49,000 --> 00:03:51,360 Speaker 2: I'm very fortunate because I got to work back in 72 00:03:51,360 --> 00:03:54,160 Speaker 2: those days, the golden days, when they used talent instead 73 00:03:54,200 --> 00:03:58,320 Speaker 2: of reality stars. I really have a little sick coming 74 00:03:58,320 --> 00:04:00,400 Speaker 2: out of Hollywood. You over, they're doing remakes of things 75 00:04:00,400 --> 00:04:02,880 Speaker 2: that we did forty years ago. Only only one thing 76 00:04:02,960 --> 00:04:05,840 Speaker 2: that it's different is that they used four letter words 77 00:04:05,920 --> 00:04:08,280 Speaker 2: every other way and body parts. 78 00:04:08,480 --> 00:04:09,080 Speaker 3: And it's funny. 79 00:04:09,120 --> 00:04:11,160 Speaker 2: I worked with Gene Aunter and I Belong Cassidy and 80 00:04:11,200 --> 00:04:14,520 Speaker 2: five Movies, Jimmy Stewart, and I worked with Bouguard and 81 00:04:14,680 --> 00:04:17,279 Speaker 2: Charles Gston Soon and they were all these wonderful people, 82 00:04:17,520 --> 00:04:19,240 Speaker 2: Clint Eastwood, Bird Reynolds. 83 00:04:19,440 --> 00:04:20,000 Speaker 3: It's funny. 84 00:04:20,000 --> 00:04:23,920 Speaker 2: We didn't have to have body parts fly, We didn't 85 00:04:23,920 --> 00:04:24,760 Speaker 2: need four letter words. 86 00:04:24,800 --> 00:04:25,400 Speaker 3: Till the guy we. 87 00:04:25,360 --> 00:04:27,960 Speaker 2: Hated him, we knocked, just knocked him on his backside. 88 00:04:28,120 --> 00:04:30,200 Speaker 2: I'd put a little chocolate syrup on my shirt. 89 00:04:30,720 --> 00:04:33,119 Speaker 3: Fall off my horse. You knew I was dead. 90 00:04:33,400 --> 00:04:35,480 Speaker 2: You didn't have to see my spine go fly across 91 00:04:35,520 --> 00:04:41,640 Speaker 2: the room. You know. I did Kate Mutiney with the Boguard. 92 00:04:41,800 --> 00:04:45,719 Speaker 2: I did Naked and Dead, you know. And Jimmy, Jimmy 93 00:04:45,720 --> 00:04:48,480 Speaker 2: Stewart was my khon. I did five movies with him. 94 00:04:48,560 --> 00:04:53,640 Speaker 3: I did China, Noah, Fire Creek, Mountain Road, Hawkins Center's Fella, 95 00:04:54,480 --> 00:04:56,840 Speaker 3: and so forth. I was doing Mountain Road. 96 00:04:57,480 --> 00:05:01,000 Speaker 2: And mister Stewart in real life flew twenty three combat 97 00:05:01,040 --> 00:05:03,600 Speaker 2: missions in World War Two. And while we were up 98 00:05:03,600 --> 00:05:07,679 Speaker 2: there an Act of Congress, they made mister Stewart a general. 99 00:05:08,560 --> 00:05:11,600 Speaker 3: And I'm back there. I'm bored, I bore easy. I 100 00:05:11,760 --> 00:05:12,400 Speaker 3: like action. 101 00:05:13,200 --> 00:05:16,800 Speaker 2: So I called down the room service and I said, uh, 102 00:05:17,760 --> 00:05:21,640 Speaker 2: room service, and they said yes. He said, well this 103 00:05:21,680 --> 00:05:25,120 Speaker 2: is mister Stuart. Yes, this is mister Stewart. Let me 104 00:05:25,240 --> 00:05:30,240 Speaker 2: ask you. Do you have any wine? And they said, well, yes, sir, 105 00:05:30,279 --> 00:05:32,719 Speaker 2: we have one. He said, well, I don't mean just 106 00:05:33,680 --> 00:05:34,920 Speaker 2: any any old wine. 107 00:05:35,320 --> 00:05:37,880 Speaker 3: French. The French have good wine. 108 00:05:37,960 --> 00:05:39,200 Speaker 2: He said, yes, we have some. 109 00:05:39,279 --> 00:05:39,960 Speaker 3: Very fire friends. 110 00:05:40,000 --> 00:05:42,560 Speaker 2: Shud a bottle up to mister best sweet, may make 111 00:05:42,600 --> 00:05:46,320 Speaker 2: it two. Well, mister Stewart came back and I said, General. 112 00:05:47,400 --> 00:05:52,560 Speaker 2: He wasn't used to that, and he said, yeah, Well, 113 00:05:52,880 --> 00:05:56,440 Speaker 2: I said, Missus Stewart, I used your your voice to 114 00:05:56,560 --> 00:06:00,000 Speaker 2: get two bottles of very fine French wine. But I said, 115 00:06:00,400 --> 00:06:04,120 Speaker 2: and he said, well who's going to pay for that? 116 00:06:05,960 --> 00:06:06,880 Speaker 3: Yes? God love him. 117 00:06:06,920 --> 00:06:09,640 Speaker 2: He he loved for me to imitate him. He'd always 118 00:06:09,680 --> 00:06:12,240 Speaker 2: pretend like he was upset, but he wasn't that doll. 119 00:06:12,360 --> 00:06:14,000 Speaker 2: He wanted me to do it, get me in a 120 00:06:14,040 --> 00:06:16,800 Speaker 2: position where I would have to try to imitate him. 121 00:06:16,839 --> 00:06:18,360 Speaker 2: You know, God love him. 122 00:06:18,400 --> 00:06:19,159 Speaker 3: He was marvelous. 123 00:06:19,800 --> 00:06:22,640 Speaker 2: I was doing Hooper with Bret Reynolds, and I had 124 00:06:22,680 --> 00:06:25,760 Speaker 2: written the script and performed on it, and my agent 125 00:06:25,800 --> 00:06:27,320 Speaker 2: call and said, I want to send you over on 126 00:06:27,360 --> 00:06:28,520 Speaker 2: a on a series. 127 00:06:29,720 --> 00:06:32,960 Speaker 3: I said, seriously, and it says called Dukes. I said, 128 00:06:33,000 --> 00:06:35,200 Speaker 3: I don't want to do a gang thing. I really don't. 129 00:06:35,760 --> 00:06:37,440 Speaker 3: They said, no, no, no, no, this is a good 130 00:06:37,440 --> 00:06:40,200 Speaker 3: old boy thing and they're going to shoot it in Kanye, Georgia. 131 00:06:40,440 --> 00:06:41,840 Speaker 3: And they said, I said, you're gonna shoot it in 132 00:06:41,920 --> 00:06:44,040 Speaker 3: count of Georgia. The fishing is good, the people are nice, 133 00:06:44,360 --> 00:06:45,800 Speaker 3: and they're gonna shoot the whole series in and they 134 00:06:45,839 --> 00:06:48,440 Speaker 3: said yeah. I said, I'm going to go over and 135 00:06:48,520 --> 00:06:49,200 Speaker 3: see about that. 136 00:06:50,000 --> 00:06:52,640 Speaker 2: So I go over there and here is the producer 137 00:06:52,680 --> 00:06:56,039 Speaker 2: and the director and the writers in the inquisition. They're 138 00:06:56,040 --> 00:06:57,680 Speaker 2: sitting there in a bunch of chairs, and they had 139 00:06:57,720 --> 00:07:00,680 Speaker 2: one chair sitting out in front, and I sat down 140 00:07:00,720 --> 00:07:03,919 Speaker 2: on that and they said, I said, now what is 141 00:07:03,960 --> 00:07:06,200 Speaker 2: this and it's a sheriff And I said, how do 142 00:07:06,200 --> 00:07:07,480 Speaker 2: you want me to play them? They said, well, we 143 00:07:07,520 --> 00:07:10,240 Speaker 2: would like for him to be amusing, he found funny. 144 00:07:10,280 --> 00:07:12,040 Speaker 2: And I said, well, I've played a lot of heavies, 145 00:07:12,080 --> 00:07:14,360 Speaker 2: but I did. I started with Jerry Lewis in a 146 00:07:14,400 --> 00:07:17,840 Speaker 2: movie Calledrehelicavity. I said, I can do comedy. I did 147 00:07:17,840 --> 00:07:21,200 Speaker 2: that at summer start. So I thought, what am I 148 00:07:21,320 --> 00:07:23,080 Speaker 2: going to do? Because I do not want to embarrass 149 00:07:23,080 --> 00:07:25,560 Speaker 2: the sheriffs in this world, because I have too much 150 00:07:25,600 --> 00:07:29,320 Speaker 2: respect for the fire Department and the sheriffs in the military. 151 00:07:30,280 --> 00:07:32,240 Speaker 2: So I said, I'll play him like a twelve year 152 00:07:32,280 --> 00:07:35,920 Speaker 2: old who likes hot pursuit. So what I did when 153 00:07:35,960 --> 00:07:37,960 Speaker 2: I said, let me read the script. I read the script. 154 00:07:38,080 --> 00:07:40,680 Speaker 2: And when I'm reading it, I did what I used 155 00:07:40,680 --> 00:07:43,360 Speaker 2: to do with my little girls when they were little, 156 00:07:43,440 --> 00:07:44,560 Speaker 2: and I seek chasing them. 157 00:07:44,440 --> 00:07:47,440 Speaker 3: Way, I going, don't get you a little rusk. 158 00:07:47,880 --> 00:07:50,240 Speaker 2: Well, they fell off their chair and they signed me. 159 00:07:50,320 --> 00:07:52,040 Speaker 2: I was the first one they put under contract. 160 00:07:53,000 --> 00:07:55,280 Speaker 4: I have just caught the Duke Boys going a half 161 00:07:55,400 --> 00:07:58,320 Speaker 4: mile over the speed limit with my new radar. 162 00:07:58,440 --> 00:08:03,600 Speaker 2: Good and we shot five episodes down in Congress, Georgia, 163 00:08:03,600 --> 00:08:05,760 Speaker 2: and then they moved it back to that cesspool called 164 00:08:05,920 --> 00:08:06,040 Speaker 2: l A. 165 00:08:11,160 --> 00:08:13,560 Speaker 4: Whoa look at their fare. 166 00:08:17,440 --> 00:08:17,840 Speaker 3: I love it. 167 00:08:17,880 --> 00:08:19,920 Speaker 2: I love it. It's hot in pursuit time flies. 168 00:08:23,240 --> 00:08:27,160 Speaker 3: My name is Jefferson Davis Hall Oh to g. 169 00:08:29,520 --> 00:08:30,840 Speaker 2: Until too, Might you be. 170 00:08:33,800 --> 00:08:34,120 Speaker 3: Bush? 171 00:08:34,480 --> 00:08:41,360 Speaker 2: You know who I am? Rush Cool Rush, Copie Coltrane. 172 00:08:42,960 --> 00:08:44,000 Speaker 3: Something wrong with his eyes? 173 00:08:45,800 --> 00:08:51,200 Speaker 2: It's his head insanity is suffering from a temporary case 174 00:08:51,240 --> 00:08:51,800 Speaker 2: of amn. 175 00:08:54,440 --> 00:08:56,520 Speaker 3: Oh, who is this lovely lady? Oh? 176 00:08:57,559 --> 00:09:03,600 Speaker 2: Luke, that's your wife? My yeah, uh, that's you in 177 00:09:03,640 --> 00:09:04,400 Speaker 2: the picture. 178 00:09:04,160 --> 00:09:04,679 Speaker 1: Though, ain't it? 179 00:09:04,960 --> 00:09:07,199 Speaker 3: You should have shot the other side the profile and 180 00:09:07,440 --> 00:09:09,480 Speaker 3: much God, your arm right around my wife. 181 00:09:09,559 --> 00:09:11,559 Speaker 2: I love her very what's going on between the two 182 00:09:11,559 --> 00:09:16,360 Speaker 2: of you? She's your wife, but she's my sister. Ooh, 183 00:09:16,480 --> 00:09:21,960 Speaker 2: your sister. Now wait a minute, what that makes you 184 00:09:22,040 --> 00:09:26,400 Speaker 2: my brother in law? I had no idea how low 185 00:09:26,440 --> 00:09:27,640 Speaker 2: I'd really sunk. 186 00:09:28,679 --> 00:09:31,880 Speaker 4: The comedy team with Saw and I came about actually 187 00:09:32,640 --> 00:09:36,959 Speaker 4: at first played such a heavy in the series, played 188 00:09:36,960 --> 00:09:39,959 Speaker 4: plus a mean guy that so I went through the 189 00:09:40,559 --> 00:09:42,320 Speaker 4: powers of being said, you know, it should be a 190 00:09:42,400 --> 00:09:45,800 Speaker 4: nice relationship with Sorel, and I would can do sort 191 00:09:45,800 --> 00:09:48,520 Speaker 4: of a modern day Laurel Hardy type of thing. And 192 00:09:49,360 --> 00:09:51,480 Speaker 4: if Roscoe likes boss Hog, there may. 193 00:09:51,320 --> 00:09:52,680 Speaker 3: Be other people will like him too. 194 00:09:53,080 --> 00:09:53,520 Speaker 1: And it did. 195 00:09:53,559 --> 00:09:55,200 Speaker 3: It worked very well, and that's why we. 196 00:09:55,320 --> 00:09:58,679 Speaker 4: Go whooh, little fat little Buddy and Chubby Buddy, and 197 00:10:00,120 --> 00:10:03,920 Speaker 4: it became a wonderful relationship. I believe it having fun, 198 00:10:04,200 --> 00:10:07,000 Speaker 4: and I believe in making people laugh. I think there's 199 00:10:07,080 --> 00:10:09,720 Speaker 4: not enough laughter in this world. And if I contribute 200 00:10:09,720 --> 00:10:15,640 Speaker 4: to that the enjoyment of anything, I think perhaps maybe 201 00:10:15,640 --> 00:10:18,640 Speaker 4: that was my purpose rather than digging coal in Kentucky 202 00:10:18,679 --> 00:10:22,439 Speaker 4: where my daddy and my family lived when I was 203 00:10:22,480 --> 00:10:26,360 Speaker 4: a little boy. 204 00:10:27,720 --> 00:10:30,679 Speaker 1: And a terrific job on the production editing and storytelling 205 00:10:30,720 --> 00:10:33,280 Speaker 1: by our own Greg Hangler. And you've been listening to 206 00:10:33,400 --> 00:10:36,400 Speaker 1: James Best, the late James Best, who played Sheriff Frosco 207 00:10:36,559 --> 00:10:40,640 Speaker 1: Pee Coltrane of the Dukes of Hazard here on our 208 00:10:40,679 --> 00:10:42,240 Speaker 1: American Stories. 209 00:10:43,040 --> 00:10:43,800 Speaker 3: In the system. 210 00:10:43,960 --> 00:10:47,240 Speaker 1: Lack of two modern day Robin Hoo