WEBVTT - Episode 487 w/ Maino

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<v Speaker 1>He is drinks chests, motherfucking podcast.

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<v Speaker 2>He's a legends every Queens rapper.

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<v Speaker 1>He ain't agreed as your boy in o R. He's

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<v Speaker 1>a Miami hip hop pioneer put up as d J

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<v Speaker 1>e f N.

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<v Speaker 3>Together they drink it up with some of the biggest players,

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<v Speaker 3>you know what I mean. And the most professional unprofessional

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<v Speaker 3>podcast and your number one source for drunk drink chans, mother.

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<v Speaker 2>Post ds New Year's c that's it's time for drink champs.

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<v Speaker 1>Drink up, motherfuck motheruck what it could be? Hoping s

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<v Speaker 1>to be?

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<v Speaker 2>This is your boy n A O N A A

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<v Speaker 2>what ups d J e f N.

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<v Speaker 1>And this is s Midle Tamy crazy war.

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<v Speaker 4>Yeah it.

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<v Speaker 1>Now now I can't I couldn't wait to get this

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<v Speaker 1>brother his flowers. Not only is he a rapper, now

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<v Speaker 1>only is an archibal now now only even a reality

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<v Speaker 1>star new podcast, our father soon to be husband. We

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<v Speaker 1>heard you know what I mean? This man, this man

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<v Speaker 1>got hits after hits. Someone's looking and I'm like, wow,

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<v Speaker 1>I wanted to see him on versus this. We We're

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<v Speaker 1>gonna give him his flowers today. In case you don't

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<v Speaker 1>know who the fuck we're talking about. One holy mother.

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<v Speaker 1>You got a lot of hit records, bro underrated, Yo, yo,

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<v Speaker 1>did who would you want to battle in versus?

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<v Speaker 4>I kept saying I wanted to battles your button.

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<v Speaker 3>Sure, now that's uneven, that's uneven.

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<v Speaker 1>Yeah, you know what it was.

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<v Speaker 4>We had an issue on on Clubhouse.

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<v Speaker 1>You got is a lot of people.

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<v Speaker 4>It was on Clubhouse.

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<v Speaker 3>It was it was a play issue, like like we

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<v Speaker 3>was battling songs on Clubhouse. Remember we was on quarantine.

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<v Speaker 3>We ain't had nothing to do with.

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<v Speaker 4>It was back then. We were just having fun, you

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<v Speaker 4>know what I mean.

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<v Speaker 3>And I'm playing my songs and then he kind of

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<v Speaker 3>up up on me because I wasn't counting my songs.

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<v Speaker 3>So I saved my my best for last. But I

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<v Speaker 3>went over he was doing ten and in Wow. So

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<v Speaker 3>I had a thing for like, Yo, listen, we're gonna

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<v Speaker 3>do the real one, a real verse and Joe.

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<v Speaker 1>But I don't think your body's gonna come out I

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<v Speaker 1>don't think he's gonna come out of the house for that.

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<v Speaker 1>That's what that's what got. So listen, let's get into

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<v Speaker 1>the beginning, right because going through your records, uh, it

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<v Speaker 1>said on I believe remember me that you wasn't rapping

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<v Speaker 1>until you went to jail.

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<v Speaker 4>So how does that happen? I never rapped, Broka, I

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<v Speaker 4>never raped.

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<v Speaker 3>I never had no aspirations, no dreams about being a

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<v Speaker 3>rapper here as a kid. You know, we were growing

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<v Speaker 3>up in a time. We fans a Big Daddy came

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<v Speaker 3>Rock Cam and all that.

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<v Speaker 4>We were from that era.

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<v Speaker 3>But I wasn't sitting around like yo, I want to

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<v Speaker 3>be a rapper. So when I went to prison, I

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<v Speaker 3>was it didn't dawn on me right to ever start rapping.

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<v Speaker 3>And you know, I was getting a lot of trouble

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<v Speaker 3>all the time, always in the box, always having issues

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<v Speaker 3>and stuff like that.

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<v Speaker 4>And I'm always having conflict with other young black men.

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<v Speaker 1>So in the box that's when you started, right now,

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<v Speaker 1>twenty three.

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<v Speaker 4>Hours a day. At that time, I think I was

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<v Speaker 4>doing a year.

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<v Speaker 1>Are you straight?

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<v Speaker 4>You're straight?

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<v Speaker 3>Yeah, you're straight in the box right. And it was

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<v Speaker 3>a Friday night. I heard niggas on the gate, you know, rapping.

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<v Speaker 1>You know, niggas be on the gate.

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<v Speaker 4>They was getting it in.

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<v Speaker 3>One nigga's bigging on the balls. Another niggas rapping, and

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<v Speaker 3>I was like laying on my bed like damn, this

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<v Speaker 3>shit sounds crazy. And I said to myself, when I

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<v Speaker 3>get up in the morning, I'm gonna write me around.

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<v Speaker 4>And I wrote my first rhyme that Saturday morning.

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<v Speaker 1>Remember your first round. It was some.

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<v Speaker 3>It was it was some stressed out like I'm sitting

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<v Speaker 3>in the cell, living in hell something to that. Definitely,

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<v Speaker 3>it was heavily influenced by pop Definitely to me at

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<v Speaker 3>that time, he was he was speaking that black male

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<v Speaker 3>experience like no other.

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<v Speaker 1>You know what's funny, My first I was rapping before, right,

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<v Speaker 1>But when I I it to Malcolm xIC ship and

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<v Speaker 1>Malcolm X said, uh that he used to read with

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<v Speaker 1>the light the cell like at the nighttime. I used

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<v Speaker 1>to write Royn's but I used to never want people

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<v Speaker 1>to know that, right, So you know, people used to

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<v Speaker 1>come up myself and be like, what are you doing

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<v Speaker 1>on the floor, like you know what I'm saying? Like

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<v Speaker 1>I was like, and my first battle was against I know,

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<v Speaker 1>just do hasty story every time I bring it up.

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<v Speaker 1>We're in the yard and this guy named be Wise.

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<v Speaker 1>He was names Wise and all of the Bronx dudes

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<v Speaker 1>was with him, in order of the Brooklyn dudes were me.

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<v Speaker 1>And because it was it was called be House. It's

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<v Speaker 1>only Brooklyn and Bronx. Dude. I don't know how Queens

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<v Speaker 1>Nigga was in there. I don't know why right, But

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<v Speaker 1>in my first time I remember it, I was like,

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<v Speaker 1>I said, I don't give a fuck. When I was six,

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<v Speaker 1>I did a stick up in a Tonka truck and

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<v Speaker 1>the whole yard went to crazy and there was that moment.

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<v Speaker 1>From that moment, I was like, I'm gonna be a

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<v Speaker 1>you know what I'm saying.

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<v Speaker 4>I knew at that point. I knew that I knew I.

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<v Speaker 1>Was addicted to the crowd, like like getting that attention.

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<v Speaker 2>So when was when you got to remind us what

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<v Speaker 2>your rap name was? No?

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<v Speaker 1>No, no, no, that was my rap name then that's

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<v Speaker 1>my very first rap name. He did always laugh at

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<v Speaker 1>my and see y'allho with the ball de berean.

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<v Speaker 2>Y'all.

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<v Speaker 1>So when it was it? When was it? Because you

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<v Speaker 1>know every you know everybody who write a rhyme and

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<v Speaker 1>ye come a rapper? When was it? You was like, Yo,

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<v Speaker 1>I'm gonna go home, I'm gonna take the series. Wasn't

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<v Speaker 1>in the can or wasn't.

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<v Speaker 3>When you when I was in the cam when I

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<v Speaker 3>first started doing it, you go understand, I'm stealing in

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<v Speaker 3>the box, right, and I'm at that point, it was

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<v Speaker 3>just like something to pass the time, right, you know,

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<v Speaker 3>because what you're doing in the box, you're doing push ups,

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<v Speaker 3>sit up, you're sleeping, you're writing a letter like you

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<v Speaker 3>ain't doing much, you know, sleeping half the day. So

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<v Speaker 3>I was like, if I get up and write a

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<v Speaker 3>rhyme by the end of the day, like it's gonna

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<v Speaker 3>it's gonna take some of the day away. So I

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<v Speaker 3>started thinking about it, like, man, maybe I could go

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<v Speaker 3>home and be a rapper, right, And then I was

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<v Speaker 3>at the same time I would say that, I was like, hell, no,

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<v Speaker 3>ain't no rapper. But I was so insecure about that

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<v Speaker 3>because nobody, nobody knew me for that. You understand, people

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<v Speaker 3>had already had their perception of who I was. I

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<v Speaker 3>was a little popular back then, right, and now that

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<v Speaker 3>I'm saying that I'm a rapper, and this is the

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<v Speaker 3>time when nigga niggas like we ain't no rapper. Nigga

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<v Speaker 3>like rappers want to.

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<v Speaker 4>Be like us, you understand.

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<v Speaker 3>So didn't I didn't build up that confidence into.

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<v Speaker 4>Some years later because I was afraid.

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<v Speaker 3>To tell people that that So if I was five, six,

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<v Speaker 3>seven years and at this point, if a nigga would

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<v Speaker 3>have asked me what I was doing when I came home,

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<v Speaker 3>and I would have said, I'm gonna come home and

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<v Speaker 3>be a rapper, and they would have said, nigga, what

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<v Speaker 3>I would have never done it. Y'all have never met me,

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<v Speaker 3>because that's how insecure I was about it. Because I

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<v Speaker 3>would have anybody that respected me would have told me, man,

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<v Speaker 3>you ain't no rapper. I would have said, you know what,

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<v Speaker 3>You're right, I'm not fuck am I doing? So I

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<v Speaker 3>kept it to myself. I kept to myself until I

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<v Speaker 3>get that time nineteen twenty. I'm younger and I'm picking

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<v Speaker 3>it up, you know. But I didn't think that this

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<v Speaker 3>was a long shot. Niggas wasn't coming home becoming rappers.

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<v Speaker 3>That wasn't a thing yet, you know.

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<v Speaker 1>Right, So we're going through So how did you get

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<v Speaker 1>how did you get that?

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<v Speaker 5>For?

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<v Speaker 1>Was it Atlantic Records?

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<v Speaker 3>Your first My first major label deal was with Universal

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<v Speaker 3>through through uh Motown Sylvia Loan Oh Wow Tone from

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<v Speaker 3>track Master Soign. So I had the song rumors on

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<v Speaker 3>if you remember, that was a song that put me

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<v Speaker 3>in a game, right, That was that was my hit

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<v Speaker 3>in that era because when I came out, I jumped

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<v Speaker 3>into the DVD right, that was the mixtape DVD time right,

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<v Speaker 3>and it was just like the mixtape was the thing

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<v Speaker 3>because I was up North and I was like listening

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<v Speaker 3>to everybody that was on the clues. I was hearing

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<v Speaker 3>all y'all right, and I'm like, damn, if I could

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<v Speaker 3>just make it to the clues, I'm lit I made

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<v Speaker 3>it because I felt like everybody that was on a

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<v Speaker 3>clue tape made it.

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<v Speaker 4>Me too, Like I didn't didn't.

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<v Speaker 1>He thought it's gotta be reached, know what I'm saying.

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<v Speaker 3>So I when when I got out, I was just like,

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<v Speaker 3>you know, jumping right into that, into that error right there,

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<v Speaker 3>and that's that's kind of like how I kind of

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<v Speaker 3>got it started right there.

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<v Speaker 4>And then the universe was signing.

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<v Speaker 1>First, Universal signing first. So how did you get to Atlantic?

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<v Speaker 1>Was that through t I?

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<v Speaker 4>No, I got dropped, Get I gotta dropped? Okay, yeah

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<v Speaker 4>you gotta you know, you gotta go through it.

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<v Speaker 3>But you got a bad go right, Yeah, they paid

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<v Speaker 3>me out, paid the player.

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<v Speaker 4>Okay, then.

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<v Speaker 1>You know what I mean.

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<v Speaker 3>It hurts your confidence. So I was I was I

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<v Speaker 3>was around Kim, and Kim was, you know, opening up

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<v Speaker 3>her doors for me. I was coming around, and you know,

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<v Speaker 3>I was I was starting to, you know, get a

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<v Speaker 3>real peak at what with what being a superstar artist is.

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<v Speaker 3>And then I and I made the song Rumors I

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<v Speaker 3>got signed the University. Now I'm thinking in that era,

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<v Speaker 3>my my understanding of what the game is is like,

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<v Speaker 3>once you get signed, the label just gonna make you

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<v Speaker 3>this big star.

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<v Speaker 1>Oh yeah, I.

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<v Speaker 4>Didn't know that. Nobody.

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<v Speaker 3>Nobody came to me and said, listen, this is the

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<v Speaker 3>time when you need to work even harder.

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<v Speaker 1>Oh yeah. So I'm just like waiting for it to

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<v Speaker 1>kick in.

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<v Speaker 3>I'm like, where's one on six in PARP, Like where's

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<v Speaker 3>the MCV, Like where's these big records? Like, and I'm

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<v Speaker 3>sitting there away and I'm doing I'm still doing me.

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<v Speaker 3>But I don't think that I had the mind state

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<v Speaker 3>to understand that I was. I should have been working

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<v Speaker 3>working harder, even harder. And one day my lawyer called

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<v Speaker 3>me and was just like, hey, uh, they said they

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<v Speaker 3>they're good on you like that, he said, basically, now

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<v Speaker 3>he said it like that, but they don't want they

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<v Speaker 3>want to let you go.

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<v Speaker 4>And something in me was just like, well, all right,

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<v Speaker 4>fucking cool.

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<v Speaker 3>I was in Atlanta. I was just like, I got

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<v Speaker 3>that news. He said, listen, but I got a check

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<v Speaker 3>for you. So I went you got my check. I

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<v Speaker 3>told Tone about it. Tone was like, Noah, I'm gonna

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<v Speaker 3>see what's going on.

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<v Speaker 1>I was like, no, I'm good.

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<v Speaker 3>Don't worry about it. I'm good because at this at

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<v Speaker 3>this point, I'm signed like two years, a year and

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<v Speaker 3>a half at least, nothing really happened for me.

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<v Speaker 4>You know, they dropped me.

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<v Speaker 3>So now I'm back in the hood. I'm at Ryo

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<v Speaker 3>House on one roll doing records again in the hood.

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<v Speaker 3>No more budget, no more Sony, no more, no more,

0:10:21.320 --> 0:10:22.800
<v Speaker 3>no more interns running.

0:10:23.160 --> 0:10:26.480
<v Speaker 4>Full budget, none of that. So I had to I

0:10:26.559 --> 0:10:26.760
<v Speaker 4>had to.

0:10:26.800 --> 0:10:29.679
<v Speaker 3>Dig back in and and and work my you know,

0:10:29.800 --> 0:10:30.640
<v Speaker 3>working working back.

0:10:31.480 --> 0:10:35.000
<v Speaker 1>How you didn't get discouraged, That's.

0:10:34.880 --> 0:10:37.520
<v Speaker 3>A good question. I kind of felt like it did

0:10:37.600 --> 0:10:38.160
<v Speaker 3>bother me, though.

0:10:38.160 --> 0:10:38.280
<v Speaker 2>Bro.

0:10:38.880 --> 0:10:41.000
<v Speaker 3>If I set up here and tell you that, I

0:10:41.160 --> 0:10:44.320
<v Speaker 3>wasn't bothered, because it bothers your spirit because you feel

0:10:44.320 --> 0:10:46.000
<v Speaker 3>like you made it. And this is a time when

0:10:46.040 --> 0:10:49.319
<v Speaker 3>we when I was attributed getting a record deal, Like

0:10:50.040 --> 0:10:54.079
<v Speaker 3>like I just went to the NBA just got a

0:10:54.120 --> 0:10:54.760
<v Speaker 3>record deal.

0:10:54.679 --> 0:10:57.640
<v Speaker 1>The like I made it.

0:10:58.200 --> 0:11:04.280
<v Speaker 3>Only only the best niggas get a real record deal.

0:11:04.320 --> 0:11:06.080
<v Speaker 3>I had been in, I had been in, I had

0:11:06.160 --> 0:11:10.040
<v Speaker 3>been out for eighteen months. Wow, after doing ten years,

0:11:10.080 --> 0:11:10.920
<v Speaker 3>I got my first record.

0:11:11.720 --> 0:11:11.920
<v Speaker 2>Wow.

0:11:12.600 --> 0:11:13.480
<v Speaker 1>So yeah, it hurt me.

0:11:13.559 --> 0:11:14.800
<v Speaker 4>It hurt me a little bit, but I knew that

0:11:14.880 --> 0:11:15.880
<v Speaker 4>I had to figure it out.

0:11:16.160 --> 0:11:19.800
<v Speaker 1>Wow. You know, I wanted to show you a story.

0:11:19.880 --> 0:11:22.240
<v Speaker 1>This is real funny because I had already kind of

0:11:22.320 --> 0:11:24.559
<v Speaker 1>like the had platinum records. But I'm moving out to

0:11:24.640 --> 0:11:27.640
<v Speaker 1>death Jam. So we moving to Depth Jam and IRV

0:11:27.679 --> 0:11:30.560
<v Speaker 1>Gotty is downstairs in the lobby. IRV God. He looks

0:11:30.600 --> 0:11:32.280
<v Speaker 1>at me and goes, I don't think you made it.

0:11:33.600 --> 0:11:35.400
<v Speaker 1>And I look at him, like you, I hate them.

0:11:36.440 --> 0:11:39.280
<v Speaker 1>But he was like, yo, he was giving me the game.

0:11:39.320 --> 0:11:41.040
<v Speaker 1>I didn't know at this time. He was like, Yo,

0:11:41.240 --> 0:11:44.079
<v Speaker 1>don't drop your guards because you got depth Jam.

0:11:44.280 --> 0:11:46.160
<v Speaker 3>So is that what you're saying, like that's one hundred

0:11:46.480 --> 0:11:49.640
<v Speaker 3>Yeah yeah, because you listen, I'm sitting in the day

0:11:49.720 --> 0:11:54.120
<v Speaker 3>room imagining what it felt like to be a nigga

0:11:54.400 --> 0:11:55.280
<v Speaker 3>shooting these videos.

0:11:55.280 --> 0:11:56.720
<v Speaker 1>And you remember it was it was a.

0:11:58.480 --> 0:12:01.240
<v Speaker 4>Thousand what is this a break budget for videos?

0:12:01.320 --> 0:12:01.480
<v Speaker 1>Back?

0:12:01.520 --> 0:12:03.400
<v Speaker 4>Then yeah, budgets were crazy, mister Lee.

0:12:03.760 --> 0:12:06.520
<v Speaker 1>They gave me water. It's a prank joke. Why did

0:12:06.520 --> 0:12:10.280
<v Speaker 1>they give me water? My bad? I have to start

0:12:10.320 --> 0:12:12.480
<v Speaker 1>Wait a minute, what is going on here? They trying

0:12:12.480 --> 0:12:15.760
<v Speaker 1>to help me? The hell's going on? Yeah?

0:12:16.920 --> 0:12:20.280
<v Speaker 3>Take your time, my bad. You So, so I'm looking

0:12:20.320 --> 0:12:22.120
<v Speaker 3>at these videos. I'm looking at one on six in Paul.

0:12:22.160 --> 0:12:25.920
<v Speaker 3>We're looking at Rapid City, and I'm just like, that's

0:12:26.000 --> 0:12:28.360
<v Speaker 3>the life I want. I'm wanna get away from this ship.

0:12:28.559 --> 0:12:30.160
<v Speaker 3>I wanna get out these streets and get away from

0:12:30.160 --> 0:12:31.840
<v Speaker 3>this jail ship. I want to be one of them niggas.

0:12:32.400 --> 0:12:37.559
<v Speaker 3>So so you think that you associate success with the

0:12:38.200 --> 0:12:41.320
<v Speaker 3>glitz of it, the loft, the likes, the looks, the outfits,

0:12:41.400 --> 0:12:42.480
<v Speaker 3>the jury, you know.

0:12:42.480 --> 0:12:42.840
<v Speaker 1>What I mean.

0:12:42.880 --> 0:12:44.760
<v Speaker 3>So when I got out and I got my first

0:12:44.800 --> 0:12:49.240
<v Speaker 3>record deal, I'm like, I made it. If somebody would

0:12:49.280 --> 0:12:53.320
<v Speaker 3>have said to me, what got to you? I would

0:12:53.360 --> 0:12:54.959
<v Speaker 3>have snapped out of it, even though I knew I

0:12:55.120 --> 0:12:56.959
<v Speaker 3>was working, I still was working, but I would have

0:12:56.960 --> 0:12:59.000
<v Speaker 3>had I would have went at it. The mind state

0:12:59.040 --> 0:12:59.360
<v Speaker 3>would have.

0:12:59.360 --> 0:13:01.960
<v Speaker 4>Been a lot better to plus the label politics too.

0:13:02.480 --> 0:13:04.800
<v Speaker 1>Definitely, Once you learn that, once you learn that, you

0:13:04.880 --> 0:13:06.040
<v Speaker 1>gotta really.

0:13:06.280 --> 0:13:07.920
<v Speaker 2>Like there's camps in there that.

0:13:09.480 --> 0:13:11.319
<v Speaker 3>It's all this camps. Then then you gotta have like

0:13:11.400 --> 0:13:13.960
<v Speaker 3>somebody really like a bodyguard. You gotta have somebody really

0:13:14.000 --> 0:13:16.720
<v Speaker 3>pushing for you, an executive and that's really going now

0:13:16.840 --> 0:13:19.520
<v Speaker 3>he the guy and really every day because they got

0:13:19.600 --> 0:13:22.040
<v Speaker 3>to roster up with different artists, they don't always have

0:13:22.160 --> 0:13:24.480
<v Speaker 3>the answers, they don't really know what to do, and

0:13:24.640 --> 0:13:27.000
<v Speaker 3>the times was changing, so it was just like.

0:13:29.120 --> 0:13:29.719
<v Speaker 1>Did I make it?

0:13:30.520 --> 0:13:32.719
<v Speaker 3>So when you get dropped, you like you start to

0:13:32.760 --> 0:13:35.520
<v Speaker 3>doubt yourself. Am I really that good back of the hood?

0:13:35.640 --> 0:13:35.920
<v Speaker 1>All right?

0:13:36.400 --> 0:13:36.599
<v Speaker 3>You know?

0:13:38.040 --> 0:13:40.720
<v Speaker 1>Now around a little bit because you just recently went

0:13:40.720 --> 0:13:44.160
<v Speaker 1>to Saint Thomas and sometimeas Saint Croix, and you got

0:13:44.240 --> 0:13:46.280
<v Speaker 1>family out there, Saint Coury, got a little bit of

0:13:46.280 --> 0:13:47.559
<v Speaker 1>Port Rican's out there. They do.

0:13:49.720 --> 0:13:53.000
<v Speaker 3>No, my family is from St. Thomas in listen, listen,

0:13:53.440 --> 0:13:56.000
<v Speaker 3>I spent the whole summer in Saint Croix when I

0:13:56.080 --> 0:13:58.960
<v Speaker 3>was a kid. Okay, so my mother, my mother's mother

0:13:59.400 --> 0:14:02.680
<v Speaker 3>and fall the both from the Virgin Islands. Now, what's

0:14:02.760 --> 0:14:07.240
<v Speaker 3>funny is that my grandmother had Puerto Rican relatives like.

0:14:07.240 --> 0:14:10.959
<v Speaker 1>I do have Puerto Rican a little bit. Yeah, yeah,

0:14:11.120 --> 0:14:16.360
<v Speaker 1>I can see it. I never talked about it, but absolutely,

0:14:16.960 --> 0:14:18.920
<v Speaker 1>you don't start claiming you made Come on, let's do it, man.

0:14:19.720 --> 0:14:21.800
<v Speaker 3>I got, I got, I got, I got cousin's named Felix.

0:14:22.400 --> 0:14:26.280
<v Speaker 1>Yeah I know Felix, I know him. Yeah, so real.

0:14:26.400 --> 0:14:29.000
<v Speaker 1>So how was that experience because that was your first

0:14:29.040 --> 0:14:33.280
<v Speaker 1>time going back as now you man star. And then

0:14:33.320 --> 0:14:35.400
<v Speaker 1>I found one of my uncles. Okay, thank you.

0:14:35.840 --> 0:14:38.560
<v Speaker 4>I found one of my uncles randomly.

0:14:38.360 --> 0:14:39.360
<v Speaker 1>Or so I knew.

0:14:39.480 --> 0:14:42.200
<v Speaker 3>I knew my grandfather had like twenty kids.

0:14:42.840 --> 0:14:43.440
<v Speaker 1>That's annoy.

0:14:46.760 --> 0:14:50.040
<v Speaker 3>My grandfather wasn't nothing to be played with, at least

0:14:50.360 --> 0:14:52.720
<v Speaker 3>I think twenty they got. They got it around like

0:14:52.800 --> 0:14:53.600
<v Speaker 3>seventeen eighteen.

0:14:53.920 --> 0:14:56.240
<v Speaker 1>But I had to be so.

0:14:56.920 --> 0:15:00.080
<v Speaker 3>But I knew the name my last my mother, his

0:15:00.160 --> 0:15:04.720
<v Speaker 3>maiden name was Ingerman, so that was my grandfather's name.

0:15:05.160 --> 0:15:06.600
<v Speaker 3>So when I went out at the same time as

0:15:06.640 --> 0:15:08.720
<v Speaker 3>I was like asking around about Ingerman and everybody was

0:15:08.760 --> 0:15:11.320
<v Speaker 3>telling me about this John Ingerman, and I was like,

0:15:11.520 --> 0:15:13.440
<v Speaker 3>he got to be related to me. So I got

0:15:13.520 --> 0:15:14.920
<v Speaker 3>in contact with him. I was like, I think, I

0:15:15.000 --> 0:15:17.520
<v Speaker 3>think I'm your relative. And he asked me who my

0:15:17.600 --> 0:15:20.680
<v Speaker 3>mother was, and I was like, my grandfather was was

0:15:20.880 --> 0:15:23.200
<v Speaker 3>you know, was Joseph Ingerman, and he said, man, that

0:15:23.320 --> 0:15:23.720
<v Speaker 3>was my father.

0:15:23.720 --> 0:15:24.280
<v Speaker 1>I'm your uncle.

0:15:25.160 --> 0:15:26.480
<v Speaker 4>So I found my mother brother.

0:15:26.920 --> 0:15:30.480
<v Speaker 1>Online no over over texts, okay, okay, okay.

0:15:30.880 --> 0:15:34.280
<v Speaker 3>When I got the Saint Thomas earlier last year, you know,

0:15:34.440 --> 0:15:36.640
<v Speaker 3>so I actually found him and then we met up

0:15:36.640 --> 0:15:37.040
<v Speaker 3>and everything.

0:15:37.040 --> 0:15:39.120
<v Speaker 4>I met some of my relatives. This is my mother's

0:15:39.160 --> 0:15:40.520
<v Speaker 4>brother who she never met.

0:15:40.920 --> 0:15:41.160
<v Speaker 1>Wow.

0:15:42.200 --> 0:15:45.200
<v Speaker 3>Wow, it was that yeah, yoh man, And.

0:15:47.000 --> 0:15:51.360
<v Speaker 1>I'm a little bit go ahead. Would you ever do

0:15:51.440 --> 0:15:52.240
<v Speaker 1>love of hip hop again?

0:15:54.600 --> 0:15:56.880
<v Speaker 3>I mean it's all business though, bro right, So everything

0:15:57.000 --> 0:15:59.080
<v Speaker 3>is about business. If the business was right, then I

0:15:59.080 --> 0:16:01.160
<v Speaker 3>would consider any I would consider.

0:16:00.920 --> 0:16:03.360
<v Speaker 4>It, you know, I would do it in the heart

0:16:03.360 --> 0:16:05.160
<v Speaker 4>of the heart of dime. I love it. You love

0:16:05.240 --> 0:16:05.960
<v Speaker 4>this executive.

0:16:06.800 --> 0:16:07.120
<v Speaker 1>I didn't.

0:16:08.120 --> 0:16:10.120
<v Speaker 3>I didn't have that same experience. I only did it

0:16:10.200 --> 0:16:12.600
<v Speaker 3>one time. And I felt like they felt like I

0:16:12.640 --> 0:16:13.320
<v Speaker 3>stuck them up.

0:16:14.360 --> 0:16:16.360
<v Speaker 1>I feel like because but I.

0:16:16.360 --> 0:16:17.920
<v Speaker 3>Felt like that they didn't. They was like, well, we

0:16:18.040 --> 0:16:20.560
<v Speaker 3>wasn't getting nothing from you, and I was kind of yeah,

0:16:20.560 --> 0:16:20.720
<v Speaker 3>I was.

0:16:20.960 --> 0:16:22.000
<v Speaker 1>I was like, it wasn't.

0:16:22.640 --> 0:16:23.600
<v Speaker 4>Yeah, I'm not with all that.

0:16:23.960 --> 0:16:25.920
<v Speaker 1>They thought they were starting to mainoa deep.

0:16:26.920 --> 0:16:28.480
<v Speaker 3>They wasn't get that I was gonna go on TV

0:16:28.560 --> 0:16:31.440
<v Speaker 3>and I act like a monkey like that wasn't gonna

0:16:31.440 --> 0:16:33.160
<v Speaker 3>be that, you know what I mean? So I was

0:16:33.280 --> 0:16:35.480
<v Speaker 3>like trying to control everything, like, nah, she's not gonna

0:16:35.480 --> 0:16:36.000
<v Speaker 3>be in that scene.

0:16:36.760 --> 0:16:37.040
<v Speaker 6>Who she?

0:16:37.080 --> 0:16:39.480
<v Speaker 3>Who she filming with? No, I ain't gonna go who.

0:16:39.520 --> 0:16:41.360
<v Speaker 3>You got me feeling it now, I don't be filming

0:16:41.400 --> 0:16:43.080
<v Speaker 3>with these niggas. So they was I was trying to

0:16:43.120 --> 0:16:47.520
<v Speaker 3>Michael manage everything. So I ended up only maybe on

0:16:47.640 --> 0:16:49.240
<v Speaker 3>like seven episodes out of that season.

0:16:49.680 --> 0:16:53.320
<v Speaker 1>That's that's kind of because it's pretty fourteen Yeah, yeah, seven.

0:16:54.360 --> 0:16:56.160
<v Speaker 1>So what you said you would never do, I'm not

0:16:56.200 --> 0:16:56.920
<v Speaker 1>saying I wouldn't.

0:16:57.240 --> 0:17:00.200
<v Speaker 3>I'm saying, if the business was right, they got at

0:17:00.240 --> 0:17:03.280
<v Speaker 3>least start me higher than they started me before. Of

0:17:03.360 --> 0:17:05.600
<v Speaker 3>course every season, every season, it goes up.

0:17:05.760 --> 0:17:07.399
<v Speaker 4>But so now we got to be, you know, in

0:17:07.440 --> 0:17:08.520
<v Speaker 4>another another space.

0:17:08.800 --> 0:17:10.879
<v Speaker 3>Yeah, you know, because it was that I had them

0:17:10.920 --> 0:17:13.159
<v Speaker 3>in a good place the first time, you know, and

0:17:13.240 --> 0:17:14.480
<v Speaker 3>they felt like I robbed them.

0:17:15.160 --> 0:17:18.080
<v Speaker 4>I think the same thing to me one time for

0:17:18.480 --> 0:17:22.639
<v Speaker 4>Robber stick up?

0:17:23.800 --> 0:17:25.640
<v Speaker 1>How many people ask you for a million bucks after

0:17:25.640 --> 0:17:26.720
<v Speaker 1>you dropped that Swiss worcond?

0:17:26.760 --> 0:17:27.000
<v Speaker 4>How many?

0:17:27.240 --> 0:17:29.960
<v Speaker 1>How many people ask you for a million bucks? All up?

0:17:32.119 --> 0:17:32.280
<v Speaker 1>Like this?

0:17:40.160 --> 0:17:43.240
<v Speaker 3>Yeah, we printed up. We printed up like one hundred

0:17:43.240 --> 0:17:45.720
<v Speaker 3>dollars bills with my face on it, and then we

0:17:45.880 --> 0:17:48.200
<v Speaker 3>go to the shows and like throw it out people.

0:17:50.640 --> 0:17:53.200
<v Speaker 2>They was taking them money and taking out for that

0:17:53.520 --> 0:17:55.520
<v Speaker 2>many times throwing money got your.

0:17:57.600 --> 0:17:58.720
<v Speaker 3>We thought it was real money.

0:17:58.800 --> 0:18:00.880
<v Speaker 4>You know how people are they people they want real money,

0:18:01.080 --> 0:18:01.840
<v Speaker 4>of course for real.

0:18:02.080 --> 0:18:04.000
<v Speaker 1>But because I was like, damn, that was mad pressure.

0:18:04.160 --> 0:18:06.679
<v Speaker 1>That must have been mad pressure, especially your family members.

0:18:07.240 --> 0:18:10.040
<v Speaker 1>You're giving million, give it to your family.

0:18:10.119 --> 0:18:12.119
<v Speaker 3>I always felt like, man, maybe we should have changed it.

0:18:12.200 --> 0:18:14.560
<v Speaker 3>I feel like a million million, But I think I

0:18:14.680 --> 0:18:16.600
<v Speaker 3>feel like a million bucks, Like maybe we should have

0:18:16.720 --> 0:18:17.000
<v Speaker 3>changed that.

0:18:17.200 --> 0:18:18.960
<v Speaker 1>I think I think that even if you would have

0:18:19.040 --> 0:18:21.960
<v Speaker 1>changed it, would have said the same shit, like you

0:18:22.040 --> 0:18:27.280
<v Speaker 1>give it out a million bucks, buddy, damn. So do

0:18:27.359 --> 0:18:30.800
<v Speaker 1>you still love do you love this game? The game?

0:18:30.880 --> 0:18:31.400
<v Speaker 1>I don't love.

0:18:31.680 --> 0:18:36.680
<v Speaker 3>I don't absolutely love the business of the game. I

0:18:36.840 --> 0:18:41.960
<v Speaker 3>love the art of it. I love to to create something,

0:18:42.760 --> 0:18:45.959
<v Speaker 3>you know, to see something that you created then let

0:18:46.040 --> 0:18:48.600
<v Speaker 3>it have a little impacting and performing and just the

0:18:49.200 --> 0:18:51.560
<v Speaker 3>love for the game. In that way, the business of

0:18:51.640 --> 0:18:54.840
<v Speaker 3>it is disheartening, you know what I mean. It takes

0:18:54.960 --> 0:18:58.520
<v Speaker 3>to it the fun, It takes a fight out you like,

0:18:59.080 --> 0:19:03.800
<v Speaker 3>like god, all listen, right, oh list because you understand,

0:19:03.880 --> 0:19:08.080
<v Speaker 3>like the general public don't understand that. You know, when

0:19:08.119 --> 0:19:10.639
<v Speaker 3>you put out a record, that there's so much that

0:19:10.720 --> 0:19:13.600
<v Speaker 3>has to go into it to make that record a hit. Right,

0:19:13.960 --> 0:19:16.320
<v Speaker 3>So they say that records are not made and manufactured.

0:19:16.480 --> 0:19:20.800
<v Speaker 3>They you know, it's like they promote it, they market it. Right,

0:19:20.960 --> 0:19:22.040
<v Speaker 3>it's a budget, it's.

0:19:21.920 --> 0:19:25.000
<v Speaker 4>People, it's a plan. So they think that you just

0:19:25.080 --> 0:19:25.960
<v Speaker 4>thrown out does.

0:19:26.119 --> 0:19:29.119
<v Speaker 3>They don't understand that that two hundred and fifty thousand

0:19:29.480 --> 0:19:32.159
<v Speaker 3>to go behind it is just not there yeap, you.

0:19:32.200 --> 0:19:33.760
<v Speaker 1>Know, and you still got to recoup that two hundred

0:19:33.760 --> 0:19:34.119
<v Speaker 1>and fifty.

0:19:34.760 --> 0:19:36.560
<v Speaker 3>But nowadays they don't even they're not even.

0:19:37.880 --> 0:19:38.320
<v Speaker 1>If you not.

0:19:40.000 --> 0:19:43.920
<v Speaker 3>In that top algorithm, you no top ten percent of

0:19:44.119 --> 0:19:46.359
<v Speaker 3>artists like us like a Drake or Nigga, Like you

0:19:46.440 --> 0:19:48.200
<v Speaker 3>can't get paid for that two fifty more. They not

0:19:48.280 --> 0:19:51.320
<v Speaker 3>even they're not even doing that. Wow, they're not putting

0:19:51.359 --> 0:19:53.320
<v Speaker 3>out they're not getting behind a rap record with that

0:19:53.400 --> 0:19:54.400
<v Speaker 3>type of money.

0:19:54.480 --> 0:19:57.119
<v Speaker 1>No more. No, it's crazy that when they say that

0:19:57.320 --> 0:20:00.480
<v Speaker 1>rap wasn't in the top billboard this year.

0:20:01.280 --> 0:20:05.040
<v Speaker 3>I've been seeing that, like how does that happen? And

0:20:05.119 --> 0:20:08.639
<v Speaker 3>when we are the most influential. But I feel like

0:20:09.040 --> 0:20:12.400
<v Speaker 3>we influenced the world and everybody took pieces of hip hop,

0:20:12.880 --> 0:20:17.119
<v Speaker 3>and then certain genres might be even more bigger. I

0:20:17.200 --> 0:20:22.280
<v Speaker 3>think afro beats is like world music, like them bowld relative,

0:20:22.840 --> 0:20:26.359
<v Speaker 3>the Latin is huge, you know what I'm saying. But

0:20:26.440 --> 0:20:30.840
<v Speaker 3>I feel like all those have ingredients and elements of

0:20:30.920 --> 0:20:31.280
<v Speaker 3>hip hop.

0:20:31.520 --> 0:20:31.680
<v Speaker 1>Right.

0:20:31.800 --> 0:20:33.399
<v Speaker 2>But it's also what you're saying that if the labels

0:20:33.440 --> 0:20:35.119
<v Speaker 2>ain't pushing it, you're not going to see them in

0:20:35.119 --> 0:20:37.280
<v Speaker 2>the billboard. I mean, the music isn't out there because

0:20:37.320 --> 0:20:38.639
<v Speaker 2>you know, the artists aren't making a.

0:20:38.640 --> 0:20:40.800
<v Speaker 1>Great, great music. What it is is to me, I

0:20:40.840 --> 0:20:42.800
<v Speaker 1>think the labels just got lazy and they want the

0:20:42.880 --> 0:20:46.600
<v Speaker 1>artist that's already They're looking for people that's like already

0:20:46.640 --> 0:20:48.119
<v Speaker 1>got They not deping artists no.

0:20:48.160 --> 0:20:52.359
<v Speaker 3>More, no development, development, and all that is over because

0:20:52.400 --> 0:20:55.280
<v Speaker 3>you know what all of the departments that they had

0:20:55.560 --> 0:20:58.399
<v Speaker 3>to develop an artist, like let's just say like media training, right,

0:20:58.680 --> 0:20:59.680
<v Speaker 3>they don't they're not doing that.

0:21:00.200 --> 0:21:02.439
<v Speaker 1>Artists, development, development, none of that right.

0:21:02.600 --> 0:21:05.320
<v Speaker 3>So it's just like you gotta come as is you

0:21:05.960 --> 0:21:08.159
<v Speaker 3>because it's about the algorithm. So if you don't have

0:21:08.240 --> 0:21:10.920
<v Speaker 3>the numbers to match what you're doing we ain't fucking

0:21:10.960 --> 0:21:13.400
<v Speaker 3>with it, and you might pass up on an artist

0:21:13.520 --> 0:21:16.240
<v Speaker 3>that really got it, because before it was about your talent.

0:21:17.000 --> 0:21:22.359
<v Speaker 4>It was like, damn, this is the next such and such,

0:21:22.480 --> 0:21:25.240
<v Speaker 4>this is the first such and such, This is this guy?

0:21:25.480 --> 0:21:25.720
<v Speaker 2>Is it?

0:21:26.119 --> 0:21:28.080
<v Speaker 3>Whether that was R and B, whether that was wrapping

0:21:28.119 --> 0:21:30.600
<v Speaker 3>female rappers, young rapper, it didn't matter if you had it,

0:21:31.200 --> 0:21:34.080
<v Speaker 3>they were They was willing to invest in it and

0:21:34.320 --> 0:21:36.680
<v Speaker 3>kind of make you a stuff. They're not making out.

0:21:37.359 --> 0:21:39.800
<v Speaker 3>They're not making them stars a moment at all.

0:21:40.160 --> 0:21:45.159
<v Speaker 1>They because they're stupid. Sorry, record loads, but sorry, but

0:21:45.640 --> 0:21:47.359
<v Speaker 1>they kind of kind of like you.

0:21:47.320 --> 0:21:48.480
<v Speaker 2>Said, they want turnkey artists.

0:21:49.640 --> 0:21:52.439
<v Speaker 3>The money, right, it's about the money though. It's easier

0:21:52.480 --> 0:21:54.720
<v Speaker 3>for them to get behind something than it is to spend,

0:21:55.320 --> 0:21:58.200
<v Speaker 3>you know, a million and a half per artist just

0:21:58.240 --> 0:21:58.919
<v Speaker 3>to build them up.

0:21:59.440 --> 0:22:01.920
<v Speaker 1>And you know what's crazy with Leo. I spoke to

0:22:02.000 --> 0:22:04.320
<v Speaker 1>Leo the other day and Leo said, this is still

0:22:05.440 --> 0:22:08.119
<v Speaker 1>this is still the easiest game to get in right

0:22:08.320 --> 0:22:11.000
<v Speaker 1>hip hop, because he said, right now you used to

0:22:11.080 --> 0:22:13.000
<v Speaker 1>have to pay for the album covers, Like right now

0:22:13.080 --> 0:22:14.680
<v Speaker 1>we could just take a picture. You don't even have

0:22:14.720 --> 0:22:16.840
<v Speaker 1>to pressure off up the album cover. You remember how

0:22:17.040 --> 0:22:19.480
<v Speaker 1>much that she used to cause the press c a

0:22:19.600 --> 0:22:22.119
<v Speaker 1>fucking like, like your budget was done before you. You

0:22:22.200 --> 0:22:24.359
<v Speaker 1>didn't even drop. You was already in the red right

0:22:24.400 --> 0:22:28.119
<v Speaker 1>now as you got director consume on, like if you

0:22:28.240 --> 0:22:30.880
<v Speaker 1>got and you could just hit that button and it's

0:22:30.920 --> 0:22:33.480
<v Speaker 1>direct That's what Leo are saying. He's like, yo, you

0:22:33.560 --> 0:22:36.240
<v Speaker 1>know for seasonal artists. Yeah, He's like, it's the best

0:22:36.240 --> 0:22:36.879
<v Speaker 1>time for us.

0:22:37.240 --> 0:22:38.639
<v Speaker 4>That's the best thing to do right now.

0:22:38.720 --> 0:22:40.800
<v Speaker 3>And I was just having a conversation the other day

0:22:41.119 --> 0:22:43.320
<v Speaker 3>direct consumer, because if you built up a base, if

0:22:43.320 --> 0:22:44.680
<v Speaker 3>you got if.

0:22:44.560 --> 0:22:45.879
<v Speaker 4>You got one hundred people that love you.

0:22:47.440 --> 0:22:50.200
<v Speaker 3>A hundred times ten, talk to it going, yeah, you're gone,

0:22:50.359 --> 0:22:52.760
<v Speaker 3>speak to them, give it to them. They understand because

0:22:53.880 --> 0:22:58.879
<v Speaker 3>the days of them nurturing artists and making them you know,

0:22:59.040 --> 0:23:02.439
<v Speaker 3>Mary J. Blige in Leasha Keys, I don't know if

0:23:02.480 --> 0:23:02.960
<v Speaker 3>we're seeing that.

0:23:03.040 --> 0:23:04.960
<v Speaker 1>No more, you know it. What's the ill shit about

0:23:05.000 --> 0:23:07.760
<v Speaker 1>doing this podcast is we could actually see the algorithms.

0:23:07.800 --> 0:23:09.919
<v Speaker 1>Remember back in the days. Sorry sounds like the old guy,

0:23:09.960 --> 0:23:11.800
<v Speaker 1>remember the back of the day. Sorry it sounds like that, dude,

0:23:11.800 --> 0:23:15.159
<v Speaker 1>But hey, lucky to be Remember we used to go

0:23:15.240 --> 0:23:17.360
<v Speaker 1>on tour, and when you go on tour, they will

0:23:17.400 --> 0:23:19.800
<v Speaker 1>send you on like thirty two states, fifteen of them

0:23:19.840 --> 0:23:23.080
<v Speaker 1>states didn't matter what were you doing in Kentucky When

0:23:23.119 --> 0:23:25.440
<v Speaker 1>you ain't selling not won unit in Kentucky and you

0:23:25.560 --> 0:23:27.280
<v Speaker 1>can't win over the whole fucking state, They're just not

0:23:27.400 --> 0:23:30.600
<v Speaker 1>fucking with you. Just avoid. It's not no disrespect and

0:23:30.640 --> 0:23:33.520
<v Speaker 1>no beep to that. But it's like, and nowadays you

0:23:33.600 --> 0:23:35.760
<v Speaker 1>could actually see you don't have to waste your time.

0:23:35.840 --> 0:23:38.320
<v Speaker 1>You don't have to go to Milwaukee. If you're not

0:23:38.440 --> 0:23:41.359
<v Speaker 1>letting Milwaukee you have you can stick with your algorithms

0:23:41.400 --> 0:23:43.920
<v Speaker 1>to stick with New York is my market, Philly is

0:23:44.000 --> 0:23:48.359
<v Speaker 1>my market, Delaware is my market, Connecticut, and so on

0:23:48.480 --> 0:23:49.680
<v Speaker 1>and so on and so forth.

0:23:49.720 --> 0:23:51.720
<v Speaker 4>So that's the good thing about I.

0:23:51.720 --> 0:23:53.879
<v Speaker 1>Think that's the advantage if you know how to do that.

0:23:54.119 --> 0:23:57.920
<v Speaker 3>Right, right the metrics right, because the metrics shows that

0:23:58.160 --> 0:24:02.040
<v Speaker 3>exactly where right, you know, you may have some impact.

0:24:02.320 --> 0:24:02.480
<v Speaker 7>Right.

0:24:02.920 --> 0:24:06.200
<v Speaker 1>It also shows your.

0:24:05.240 --> 0:24:11.000
<v Speaker 3>Your age range, uh, your you know what what what

0:24:12.040 --> 0:24:15.640
<v Speaker 3>you know agenda right, so it shows you a little

0:24:15.640 --> 0:24:16.040
<v Speaker 3>bit of everything.

0:24:16.119 --> 0:24:19.000
<v Speaker 4>So now you're able to to kind of like go

0:24:19.240 --> 0:24:20.120
<v Speaker 4>right directly there.

0:24:20.280 --> 0:24:22.840
<v Speaker 1>Yeah, I love that. I love that you're still out partying.

0:24:23.359 --> 0:24:25.040
<v Speaker 1>You used to be every night. I'm still.

0:24:25.160 --> 0:24:32.000
<v Speaker 3>I'm still, I'm still. I haven't retired. I haven't retired.

0:24:32.840 --> 0:24:35.560
<v Speaker 3>You know, I'm still like a good time. You know,

0:24:36.359 --> 0:24:38.399
<v Speaker 3>we're not partying aimlessly though we're not.

0:24:39.320 --> 0:24:39.600
<v Speaker 1>We're not.

0:24:40.160 --> 0:24:41.919
<v Speaker 3>Oh man, last time with me and you was here

0:24:41.920 --> 0:24:43.920
<v Speaker 3>in Miami. I think I told you the story. Me

0:24:43.960 --> 0:24:44.119
<v Speaker 3>and you.

0:24:44.240 --> 0:24:44.639
<v Speaker 1>We went to.

0:24:46.119 --> 0:24:48.880
<v Speaker 4>Crome on twelve. Okay, okay, we had dinner.

0:24:49.440 --> 0:24:51.400
<v Speaker 1>And I was. I was here.

0:24:51.960 --> 0:24:54.560
<v Speaker 3>I think that was like a Friday night, and and

0:24:54.760 --> 0:24:57.240
<v Speaker 3>and I was doing ship that I had no busessy,

0:24:58.600 --> 0:25:02.000
<v Speaker 3>you had nothing another to do this, but I was.

0:25:02.119 --> 0:25:03.040
<v Speaker 3>I was on one that night.

0:25:03.119 --> 0:25:04.119
<v Speaker 4>I got smoke weed with you.

0:25:04.680 --> 0:25:09.720
<v Speaker 1>Yeah yeah, we uh successful exactly.

0:25:09.840 --> 0:25:12.520
<v Speaker 4>And then you know, I was playing around with Miley.

0:25:12.560 --> 0:25:13.040
<v Speaker 1>This is Maley.

0:25:13.160 --> 0:25:15.080
<v Speaker 4>I were back then. I'm just playing around.

0:25:14.920 --> 0:25:16.240
<v Speaker 1>And loving good Miley.

0:25:16.280 --> 0:25:20.120
<v Speaker 3>Story ship I ain't had no business doing.

0:25:20.320 --> 0:25:25.080
<v Speaker 1>Ended up and Bob, yeah, molly on mile Man. You

0:25:25.520 --> 0:25:28.000
<v Speaker 1>woke up the next morning the rollie was going home.

0:25:28.960 --> 0:25:35.359
<v Speaker 3>Yeah, holy ship, real talk, real talk, real tell that

0:25:35.680 --> 0:25:36.080
<v Speaker 3>that's great.

0:25:37.520 --> 0:25:40.960
<v Speaker 1>I always I always know the interview of how it's

0:25:40.960 --> 0:25:43.560
<v Speaker 1>gonna go, by what they order and if they if

0:25:43.560 --> 0:25:45.040
<v Speaker 1>they come late. As soon as I seen you on

0:25:45.080 --> 0:25:47.720
<v Speaker 1>the balcony. I said, this man is coming late. You

0:25:48.600 --> 0:25:49.280
<v Speaker 1>feel in Miami?

0:25:49.400 --> 0:25:52.520
<v Speaker 4>Right, you feel it love Miami. Okay, it was only

0:25:52.600 --> 0:25:53.040
<v Speaker 4>ten minutes.

0:25:53.840 --> 0:25:56.879
<v Speaker 1>You're usually we got people by that. People do not

0:25:57.240 --> 0:26:00.600
<v Speaker 1>know that I'm not an artist. I'm like, oh, artists,

0:26:00.600 --> 0:26:01.399
<v Speaker 1>I'm be like, oh.

0:26:02.440 --> 0:26:05.280
<v Speaker 3>You know, I'm I'm I'm real serious about time. So

0:26:05.359 --> 0:26:09.720
<v Speaker 3>if I if I'm late, it's because something kind of

0:26:10.119 --> 0:26:12.040
<v Speaker 3>got in my way a little bit, because I measured

0:26:12.080 --> 0:26:13.800
<v Speaker 3>time really good and it's important for me, like I

0:26:13.920 --> 0:26:16.080
<v Speaker 3>tell my son all the time, like you have to

0:26:16.200 --> 0:26:17.760
<v Speaker 3>be always on time.

0:26:17.880 --> 0:26:19.560
<v Speaker 4>Don't let nobody use that as an excuse.

0:26:19.840 --> 0:26:21.760
<v Speaker 1>Right, So let me like I said, I'm bouncing my

0:26:21.840 --> 0:26:26.560
<v Speaker 1>ends a little bit. Like a year and a half ago, right,

0:26:26.960 --> 0:26:29.200
<v Speaker 1>I had said that I wouldn't interview somebody, right, but

0:26:30.440 --> 0:26:33.160
<v Speaker 1>because of my relationship with other artists, and I said,

0:26:33.600 --> 0:26:35.560
<v Speaker 1>I said, I just couldn't do it. I have to

0:26:35.600 --> 0:26:38.360
<v Speaker 1>look at this man and dinners at times with fact,

0:26:38.359 --> 0:26:40.160
<v Speaker 1>why would I go interview his enemy?

0:26:40.280 --> 0:26:40.440
<v Speaker 6>Right?

0:26:40.960 --> 0:26:46.200
<v Speaker 1>Jamel Hill tweeted me and said I thought me and

0:26:46.280 --> 0:26:48.159
<v Speaker 1>Jamel Hill was cool, but she tweeted me and she

0:26:48.320 --> 0:26:50.760
<v Speaker 1>was like, this is why you're not really a journalist.

0:26:51.359 --> 0:26:53.960
<v Speaker 1>And at first I took it wrong. I wanted to

0:26:54.040 --> 0:26:56.359
<v Speaker 1>hit back and play motherfucker, but then I thought about it.

0:26:56.400 --> 0:26:58.760
<v Speaker 1>I was like, you're right, I do have a certain

0:26:58.800 --> 0:27:03.360
<v Speaker 1>type of loyalty that prevents me from being a full

0:27:03.400 --> 0:27:04.400
<v Speaker 1>fledged journalist.

0:27:05.520 --> 0:27:07.640
<v Speaker 3>Is that something you feel like, I ain't no journalists

0:27:08.320 --> 0:27:08.600
<v Speaker 3>at all?

0:27:08.640 --> 0:27:09.080
<v Speaker 4>Journalists?

0:27:10.200 --> 0:27:13.119
<v Speaker 1>Yeah, yeah, I'm not.

0:27:13.320 --> 0:27:16.160
<v Speaker 3>I am not a journalist, right, I am not one, right,

0:27:16.560 --> 0:27:20.280
<v Speaker 3>And I don't even want to confuse that. Just because

0:27:20.720 --> 0:27:23.440
<v Speaker 3>somebody speaks on a mic and maybe you know, do

0:27:23.560 --> 0:27:27.919
<v Speaker 3>a podcast, you know, may may even affiliate with himself

0:27:28.160 --> 0:27:31.919
<v Speaker 3>with the radio, that doesn't mean or make you an

0:27:31.960 --> 0:27:35.000
<v Speaker 3>absolute journalist. I think that's a for the real journalists

0:27:35.000 --> 0:27:37.280
<v Speaker 3>out there that really that's a professional. That's a profession.

0:27:37.320 --> 0:27:39.440
<v Speaker 3>They went to school and they you know, and ain't

0:27:39.520 --> 0:27:42.280
<v Speaker 3>really living that life. That's for them that I ain't that.

0:27:42.680 --> 0:27:46.040
<v Speaker 1>Right, Like like they always give me an example, they say, oh, well,

0:27:46.920 --> 0:27:49.720
<v Speaker 1>like more reposing them. They interviewed the cuts Klans, And

0:27:49.800 --> 0:27:51.520
<v Speaker 1>I was just like, you know, like they they'll give

0:27:51.560 --> 0:27:54.520
<v Speaker 1>me examples like that. I don't want to interview no rapists,

0:27:54.560 --> 0:27:56.520
<v Speaker 1>like I don't want to, Like I'm sorry, Like I

0:27:56.560 --> 0:27:58.880
<v Speaker 1>got to mind, Like if I know there's certain things

0:27:58.960 --> 0:28:01.199
<v Speaker 1>that you said, like a.

0:28:01.320 --> 0:28:04.560
<v Speaker 3>Real true journalist when it comes to journalism, they don't.

0:28:04.960 --> 0:28:06.240
<v Speaker 3>They don't, they don't draw online.

0:28:06.320 --> 0:28:09.800
<v Speaker 1>Yeah, you interviewing if you're white, you can interview fire

0:28:09.840 --> 0:28:12.400
<v Speaker 1>a card if you if you're black, and if you David.

0:28:12.240 --> 0:28:15.960
<v Speaker 3>Duke's or so you're saying as a as a as

0:28:16.080 --> 0:28:18.040
<v Speaker 3>nor usual aligne with certain I do.

0:28:18.200 --> 0:28:19.920
<v Speaker 1>I have to man, because I'm not mad at you,

0:28:20.600 --> 0:28:23.440
<v Speaker 1>like like like like I would be. I would feel

0:28:25.280 --> 0:28:27.720
<v Speaker 1>bad that someone is sitting in front of me knowing

0:28:27.800 --> 0:28:29.600
<v Speaker 1>to me and you got a great relationship and then

0:28:29.640 --> 0:28:32.040
<v Speaker 1>they're shitting on you and then me even trying to

0:28:32.040 --> 0:28:35.160
<v Speaker 1>stop them because at times like and you're gonna.

0:28:35.040 --> 0:28:35.800
<v Speaker 2>Learn more and more.

0:28:36.240 --> 0:28:38.440
<v Speaker 1>You've been in media for some time since Kitchen Talk,

0:28:38.800 --> 0:28:40.680
<v Speaker 1>You've been doing this, so I know you've been learning more.

0:28:40.760 --> 0:28:44.320
<v Speaker 1>But sometimes you are guilty by association.

0:28:44.840 --> 0:28:47.600
<v Speaker 3>There's nothing wrong with that. I feel like that because

0:28:47.600 --> 0:28:49.280
<v Speaker 3>we we pick our sides. Bro.

0:28:49.600 --> 0:28:50.520
<v Speaker 1>It is what it is like.

0:28:51.160 --> 0:28:54.000
<v Speaker 3>Let me tell you something. If me and you getting money,

0:28:55.080 --> 0:28:58.000
<v Speaker 3>our families know each other. You have you pulled my

0:28:58.080 --> 0:29:01.640
<v Speaker 3>crib on thanksgiving up? You know, we busting bags together.

0:29:01.680 --> 0:29:03.680
<v Speaker 3>We have business relationship as well as a working one.

0:29:05.720 --> 0:29:10.080
<v Speaker 4>It's in me to honor that. It ain't in me

0:29:10.200 --> 0:29:13.000
<v Speaker 4>to with that type of relationship.

0:29:13.480 --> 0:29:17.280
<v Speaker 3>To to to congregate with anybody that that you feel

0:29:17.320 --> 0:29:19.360
<v Speaker 3>like you got a problem with, that's just not in me.

0:29:19.720 --> 0:29:19.920
<v Speaker 1>I'm not.

0:29:20.040 --> 0:29:23.280
<v Speaker 3>That doesn't make me have a problem with the other person, understand,

0:29:23.560 --> 0:29:25.800
<v Speaker 3>But I don't want to congregate with the people that

0:29:26.160 --> 0:29:28.520
<v Speaker 3>you don't fuck with because I want to honor that relationship.

0:29:28.840 --> 0:29:31.480
<v Speaker 3>I think it should be more of that, Like let's

0:29:31.560 --> 0:29:33.400
<v Speaker 3>jor like niggas. I don't pick sized niggas. What are

0:29:33.400 --> 0:29:36.160
<v Speaker 3>you talking about? When you don't pick size, the side get.

0:29:36.000 --> 0:29:36.400
<v Speaker 4>Picked for you.

0:29:37.000 --> 0:29:38.800
<v Speaker 1>And if you if you're supposed to be my man,

0:29:38.920 --> 0:29:41.520
<v Speaker 1>you under some dude's comments like it his ship.

0:29:41.640 --> 0:29:44.440
<v Speaker 3>Yeah, I'm judging you, bro, What the fuck? Why would

0:29:44.440 --> 0:29:47.920
<v Speaker 3>you be liking that? Listen, that's only really started really

0:29:48.000 --> 0:29:52.600
<v Speaker 3>with some internet ship. And I don't like to always

0:29:52.640 --> 0:29:55.200
<v Speaker 3>attribute attribute things to the street because I didn't.

0:29:55.240 --> 0:29:56.680
<v Speaker 4>I didn't been many places since then.

0:29:57.320 --> 0:30:01.240
<v Speaker 3>But like, if you beefing on an and you and

0:30:01.360 --> 0:30:05.440
<v Speaker 3>he's a serious guy, right, he's already saying hisself, yeah,

0:30:05.840 --> 0:30:07.840
<v Speaker 3>glory be with Maine on every day. So when I

0:30:07.880 --> 0:30:08.720
<v Speaker 3>see man, what's.

0:30:08.600 --> 0:30:09.120
<v Speaker 1>Up with him too?

0:30:10.160 --> 0:30:11.160
<v Speaker 4>The side get picked for you.

0:30:12.240 --> 0:30:12.360
<v Speaker 1>Right.

0:30:12.520 --> 0:30:14.440
<v Speaker 3>Nobody's saying maybe he don't got nothing to do with it.

0:30:15.680 --> 0:30:19.840
<v Speaker 3>People already associate you. You're guilty by the association, my association.

0:30:20.160 --> 0:30:22.800
<v Speaker 3>So but you gotta if that's the person you fuck with,

0:30:23.240 --> 0:30:26.160
<v Speaker 3>own it, Yeah, own it. This is I funck with

0:30:26.240 --> 0:30:28.360
<v Speaker 3>this person, good, bad, indifferent.

0:30:28.440 --> 0:30:31.120
<v Speaker 1>It is what it is. Okay, switching up a little bit.

0:30:32.960 --> 0:30:36.560
<v Speaker 1>You know you're you're on a national radio station. Yeah,

0:30:37.640 --> 0:30:43.760
<v Speaker 1>with Angela, Right, and she lives by those rules. Journeys,

0:30:44.280 --> 0:30:46.200
<v Speaker 1>she's a journey. She can be taken as a journalist.

0:30:47.040 --> 0:30:49.440
<v Speaker 1>Would there ever be a time where she's interviewing somebody

0:30:49.520 --> 0:30:52.400
<v Speaker 1>and you're there? Would you not show up? Or how

0:30:52.400 --> 0:30:54.200
<v Speaker 1>would you handle it with somebody I ain't with you,

0:30:54.240 --> 0:30:56.000
<v Speaker 1>ain't fucking with all somebody one of your people who

0:30:56.000 --> 0:30:56.440
<v Speaker 1>ain't fuck with?

0:30:56.600 --> 0:30:57.720
<v Speaker 4>Yeah, I just want to go.

0:30:57.960 --> 0:31:00.680
<v Speaker 3>Yeah, I think that's the right cho But she me

0:31:00.720 --> 0:31:04.520
<v Speaker 3>and her had had have had conversations where she wouldn't

0:31:04.520 --> 0:31:07.880
<v Speaker 3>do it certain interviews with certain people's if she really

0:31:07.920 --> 0:31:11.840
<v Speaker 3>fucked with the person like she honest her friendships, you

0:31:11.920 --> 0:31:14.240
<v Speaker 3>know what I mean. And it all depends on the

0:31:14.280 --> 0:31:15.880
<v Speaker 3>people and it and it kind of depends on the

0:31:15.960 --> 0:31:16.479
<v Speaker 3>problem too.

0:31:16.960 --> 0:31:17.840
<v Speaker 1>That's what I'm about to say.

0:31:18.000 --> 0:31:19.000
<v Speaker 4>It depends on the problem.

0:31:19.040 --> 0:31:21.920
<v Speaker 3>If you're telling me, like I'm saying, now, what's up, bro,

0:31:22.200 --> 0:31:24.720
<v Speaker 3>like you want you know you're gonna that this You're like, nah, man,

0:31:24.800 --> 0:31:27.480
<v Speaker 3>I'm not debating it like it is what it is.

0:31:27.640 --> 0:31:30.680
<v Speaker 3>I'm not I'm not pursuing it neither. But I don't

0:31:30.680 --> 0:31:33.040
<v Speaker 3>fun with that person and me and you like that.

0:31:34.480 --> 0:31:35.880
<v Speaker 3>I'm gonna let you have that, like you can.

0:31:35.800 --> 0:31:37.360
<v Speaker 1>See when it's real, and you can see when it's

0:31:37.400 --> 0:31:39.440
<v Speaker 1>when it's when it's not real. You know what I'm saying,

0:31:39.520 --> 0:31:42.920
<v Speaker 1>Like it's giving flowers, give flowers, giving people they fly.

0:31:43.080 --> 0:31:44.840
<v Speaker 4>Really know that we're gonna give.

0:31:44.680 --> 0:31:45.440
<v Speaker 1>You your flowers.

0:31:46.400 --> 0:31:53.600
<v Speaker 4>Man, man, this is nice, But I like this.

0:31:54.720 --> 0:31:59.880
<v Speaker 1>Wow, thank you? Yes, absolutely absolutely. So what's your favorite

0:32:00.240 --> 0:32:03.560
<v Speaker 1>performing or making the record? Making it? Making the record? Yeah,

0:32:03.840 --> 0:32:05.600
<v Speaker 1>I thought you said performing performing it?

0:32:06.080 --> 0:32:11.800
<v Speaker 3>You know what, Making it is fun because coming up

0:32:11.840 --> 0:32:14.840
<v Speaker 3>with it, performing it is just like when seeing that

0:32:15.800 --> 0:32:19.440
<v Speaker 3>have some impact and then people seeing your words. You

0:32:19.520 --> 0:32:21.160
<v Speaker 3>know what I mean, It's no greater high than that.

0:32:22.160 --> 0:32:23.920
<v Speaker 3>There's no greater high. And you know what I mean,

0:32:24.160 --> 0:32:27.760
<v Speaker 3>Holy you bu you know what I meant. Huge records,

0:32:27.840 --> 0:32:30.880
<v Speaker 3>it's no greater feeling than that, you know. But but

0:32:31.080 --> 0:32:33.160
<v Speaker 3>when I was making it, I always like, damn, I

0:32:33.280 --> 0:32:36.160
<v Speaker 3>remember sitting back coming up with these words, you know

0:32:36.200 --> 0:32:39.000
<v Speaker 3>what I mean. The feeling of of doing that and

0:32:39.120 --> 0:32:41.920
<v Speaker 3>those words becoming something is like.

0:32:43.120 --> 0:32:45.320
<v Speaker 1>There was even a better feeling. But when you go

0:32:45.440 --> 0:32:48.120
<v Speaker 1>out and perform that record, like your new record don't

0:32:48.160 --> 0:32:54.040
<v Speaker 1>work for the first time, but you you performed, that's it,

0:32:54.560 --> 0:32:59.000
<v Speaker 1>that's happened to be. This is what the they just

0:32:59.120 --> 0:33:02.560
<v Speaker 1>looked at me, crickets. It was crikeds what they telling

0:33:02.600 --> 0:33:04.320
<v Speaker 1>me you your record.

0:33:04.160 --> 0:33:04.680
<v Speaker 4>Is number one?

0:33:04.720 --> 0:33:07.840
<v Speaker 2>And I'm like, there's no ways you doubt it too,

0:33:08.640 --> 0:33:09.400
<v Speaker 2>I won't notice it.

0:33:10.240 --> 0:33:12.240
<v Speaker 1>Six months later I came back to that same stage

0:33:12.560 --> 0:33:13.960
<v Speaker 1>Or was I so happy I told it?

0:33:14.000 --> 0:33:15.720
<v Speaker 4>It's a different feeling when everybody know your.

0:33:15.640 --> 0:33:20.280
<v Speaker 1>Words, yes and you got all right? Only above for

0:33:20.400 --> 0:33:22.760
<v Speaker 1>lack of a better term, there's people who listen to

0:33:22.840 --> 0:33:24.600
<v Speaker 1>that record who probably don't listen to hip hop.

0:33:25.000 --> 0:33:26.160
<v Speaker 4>It's people that transcend.

0:33:26.520 --> 0:33:28.320
<v Speaker 3>Let me tell you, it's people that listen to that

0:33:28.440 --> 0:33:29.840
<v Speaker 3>record that really don't even listen to me.

0:33:30.160 --> 0:33:31.160
<v Speaker 1>Wow, you know.

0:33:33.800 --> 0:33:34.880
<v Speaker 4>That, I don't know.

0:33:35.040 --> 0:33:37.720
<v Speaker 1>You ain't got nobody, don't get me, don't get me together.

0:33:37.880 --> 0:33:40.000
<v Speaker 4>I just got I just I just got some water.

0:33:40.840 --> 0:33:45.280
<v Speaker 1>They got me, they got me, they gave me your water. Yeah,

0:33:45.320 --> 0:33:48.320
<v Speaker 1>let's go, We're going straight to shots. Okay, wow right,

0:33:49.800 --> 0:33:52.000
<v Speaker 1>oh wow, So but ahead, let's go. So there's people

0:33:52.080 --> 0:33:53.240
<v Speaker 1>that listen to that record.

0:33:53.000 --> 0:33:55.480
<v Speaker 3>That while you don't even listen to me because it

0:33:55.600 --> 0:33:57.840
<v Speaker 3>kind of crossed the street, you know what I mean.

0:33:57.960 --> 0:34:00.400
<v Speaker 3>So it's like if you if all your songs on

0:34:00.440 --> 0:34:02.760
<v Speaker 3>across the street, and are they really gonna finish? Like

0:34:03.040 --> 0:34:05.680
<v Speaker 3>I got a couple of records that it's like a

0:34:05.800 --> 0:34:09.800
<v Speaker 3>lot of white people, they're like, yeah, man, you know

0:34:09.960 --> 0:34:13.319
<v Speaker 3>that that fucking it above and remember my name?

0:34:13.520 --> 0:34:14.600
<v Speaker 5>Yeah, you know.

0:34:16.840 --> 0:34:18.880
<v Speaker 4>When I was in high school, like that was our

0:34:19.000 --> 0:34:19.799
<v Speaker 4>song right there.

0:34:19.920 --> 0:34:22.840
<v Speaker 3>So it's just like, man, that feels good. I performed

0:34:22.880 --> 0:34:29.279
<v Speaker 3>that at bob Mitz Fuss. You said, Bob Mitz Fust

0:34:29.360 --> 0:34:33.880
<v Speaker 3>and bot Mitz Fast. One of them is for a female,

0:34:34.040 --> 0:34:37.040
<v Speaker 3>oh ship, one of them is for the male. I think,

0:34:37.280 --> 0:34:39.279
<v Speaker 3>I think, don't quote me if I'm wrong.

0:34:39.320 --> 0:34:39.600
<v Speaker 1>I'm wrong.

0:34:39.600 --> 0:34:41.520
<v Speaker 3>I think the bar Mitz Fuss for the for the

0:34:41.600 --> 0:34:44.080
<v Speaker 3>young boy. I think the bat Mitz foot is for

0:34:44.200 --> 0:34:44.719
<v Speaker 3>the young girl.

0:34:47.840 --> 0:34:52.480
<v Speaker 4>Weddings. I'm talking about Islamic weddings.

0:34:53.719 --> 0:34:59.040
<v Speaker 3>Wow, you know, uh, Muslim weddings crazy because it was

0:34:59.120 --> 0:34:59.920
<v Speaker 3>across the street of it.

0:35:00.080 --> 0:35:05.680
<v Speaker 4>Yeah, yeah, Jesus you got a quick time.

0:35:06.120 --> 0:35:14.880
<v Speaker 1>Oh yeah, I'm in. I'm in. Let's do this, Okay

0:35:14.920 --> 0:35:15.400
<v Speaker 1>you readily?

0:35:16.120 --> 0:35:16.960
<v Speaker 3>Yeah, yeah, I'm bad.

0:35:18.960 --> 0:35:19.240
<v Speaker 4>Sorry.

0:35:19.280 --> 0:35:22.440
<v Speaker 2>This is our drinking game, man, drinking game. We'll give

0:35:22.480 --> 0:35:25.600
<v Speaker 2>you two choices. Pick one, we're not drinking. If I

0:35:25.640 --> 0:35:27.080
<v Speaker 2>don't pick it, then we don't pick it.

0:35:27.120 --> 0:35:27.520
<v Speaker 4>We drinking.

0:35:27.640 --> 0:35:30.080
<v Speaker 2>Or if you say both, Okay, you really don't want to.

0:35:30.040 --> 0:35:33.320
<v Speaker 1>Ask, I'm gonna switch up the first one. Go ahead,

0:35:37.400 --> 0:35:42.040
<v Speaker 1>the first of one. Jay z or Nahs, jay Z Damn,

0:35:42.120 --> 0:35:45.000
<v Speaker 1>I shouldn't have switched that. I'm trying to get to it.

0:35:45.120 --> 0:35:49.719
<v Speaker 1>Go back to the original one, okay, jay z.

0:35:50.000 --> 0:35:50.759
<v Speaker 4>Or Caine.

0:35:55.239 --> 0:35:59.800
<v Speaker 3>Damn Caine kind of gave gave us jay Z, but

0:36:00.000 --> 0:36:03.200
<v Speaker 3>I'm gonna save from the legacy jay Z.

0:36:03.440 --> 0:36:07.360
<v Speaker 1>Okay nas or l L because you were in like

0:36:07.400 --> 0:36:20.640
<v Speaker 1>that light skin category two brown like nas Okay, that's

0:36:20.680 --> 0:36:25.520
<v Speaker 1>gonna uncle murder or yeah, y'all uncle murder.

0:36:25.920 --> 0:36:27.760
<v Speaker 4>Okay, Swisser, just blaze.

0:36:28.760 --> 0:36:29.000
<v Speaker 1>Damn.

0:36:29.200 --> 0:36:30.799
<v Speaker 3>Those both of my guys gave me hits.

0:36:31.719 --> 0:36:32.279
<v Speaker 1>Take a shot.

0:36:32.920 --> 0:36:33.960
<v Speaker 3>I'm gonna take a shot on that.

0:36:36.640 --> 0:36:40.280
<v Speaker 1>Oh I like this one m P or marb deep.

0:36:42.480 --> 0:36:44.720
<v Speaker 4>Hands down mob Deep and I'm from Brooklyn.

0:36:44.800 --> 0:36:46.239
<v Speaker 1>I love human I expect that.

0:36:46.360 --> 0:36:47.320
<v Speaker 3>Yeah, I'm a huge.

0:36:47.200 --> 0:36:48.120
<v Speaker 1>Mark like that.

0:36:49.160 --> 0:36:54.560
<v Speaker 4>You know, none of my guys Yeah those my guys

0:36:55.280 --> 0:36:57.320
<v Speaker 4>is my guys, like but the mab.

0:36:57.640 --> 0:37:00.759
<v Speaker 1>Yeah, come on man, you're doing it's crazy. And let

0:37:00.800 --> 0:37:02.480
<v Speaker 1>me just say this real quick, because I know it's

0:37:02.480 --> 0:37:06.719
<v Speaker 1>going to sound like a little curveball is and I

0:37:06.800 --> 0:37:09.360
<v Speaker 1>know it's going to sound a little curveballersh. But I

0:37:09.560 --> 0:37:13.959
<v Speaker 1>recently started to know how dope mall deep is. Ive

0:37:14.000 --> 0:37:22.359
<v Speaker 1>been in the algorithm so long the same.

0:37:22.600 --> 0:37:24.319
<v Speaker 4>Yeah, I'm a huge mab de fan.

0:37:24.400 --> 0:37:27.080
<v Speaker 3>I got it, and I'm grateful that I got a

0:37:27.160 --> 0:37:29.239
<v Speaker 3>chance to tell Prodigy that. I don't know if you

0:37:29.360 --> 0:37:33.080
<v Speaker 3>really understood that though, Like I'm really a huge mab

0:37:33.160 --> 0:37:33.560
<v Speaker 3>deep fan.

0:37:33.760 --> 0:37:39.680
<v Speaker 4>Like that infamous album. Man, that was a whole other level.

0:37:39.800 --> 0:37:42.279
<v Speaker 3>But there I felt like they was really they made

0:37:42.320 --> 0:37:46.000
<v Speaker 3>me really take a peek inside the Queensbridge, you know

0:37:46.040 --> 0:37:46.480
<v Speaker 3>what I mean.

0:37:47.160 --> 0:37:48.959
<v Speaker 4>Yeah, like that was a time.

0:37:49.800 --> 0:37:52.000
<v Speaker 1>Yeah, rest peace, Prodigy, definitely.

0:37:52.040 --> 0:37:54.759
<v Speaker 4>Podcast, Joe and Jada are a million dollars worth the games.

0:37:57.440 --> 0:38:01.600
<v Speaker 1>Joe and Jada, Joe and Jada definitely got last year's

0:38:01.760 --> 0:38:04.120
<v Speaker 1>Rookie of the Year, and I believe y'all got this

0:38:04.280 --> 0:38:06.200
<v Speaker 1>year is coming up. I'mna give you. I'm gonna give you.

0:38:08.480 --> 0:38:11.799
<v Speaker 1>I'm gonna say that, y'all mad funny Fab. I knew

0:38:11.800 --> 0:38:13.680
<v Speaker 1>how funny you are. I'm so glad that the world

0:38:14.120 --> 0:38:15.560
<v Speaker 1>you can see how funny Fab is.

0:38:17.440 --> 0:38:19.160
<v Speaker 4>That is money. Yeah, yeah, such a human.

0:38:19.520 --> 0:38:21.440
<v Speaker 1>And at first, I'm gonna be honest with you because

0:38:21.480 --> 0:38:23.480
<v Speaker 1>Fab is like one of them jay Z type of

0:38:23.560 --> 0:38:25.919
<v Speaker 1>dudes that we don't know nothing about because he says

0:38:26.040 --> 0:38:28.680
<v Speaker 1>a mystique. So I was scared at first. So I

0:38:28.800 --> 0:38:31.719
<v Speaker 1>was like because because you know, And then I was like, damn,

0:38:32.040 --> 0:38:34.480
<v Speaker 1>he's doing it right. He's showing his personality. He's laughing.

0:38:34.600 --> 0:38:36.880
<v Speaker 3>It wouldn't have worked with nobody else to work, I

0:38:36.960 --> 0:38:40.320
<v Speaker 3>had to work with somebody. He was super comfortable, comfortable,

0:38:40.560 --> 0:38:41.400
<v Speaker 3>real relationship with.

0:38:41.640 --> 0:38:44.200
<v Speaker 1>Yes, we're gonna get into that. We're gonna finish quick

0:38:44.200 --> 0:38:47.640
<v Speaker 1>time of slot Young Doug or little Baby.

0:38:49.880 --> 0:39:02.080
<v Speaker 4>Oh Man, Dog Okay Vada or Dave East, mister David.

0:39:04.840 --> 0:39:06.000
<v Speaker 1>Fab or Jada Kiss.

0:39:07.360 --> 0:39:12.040
<v Speaker 4>So I'm a home team player, no shot, no fat.

0:39:11.920 --> 0:39:16.080
<v Speaker 1>Okay fat yeah, uh Cam or Mace.

0:39:20.320 --> 0:39:24.800
<v Speaker 4>I always always like Cam a little more, was more gritty.

0:39:24.840 --> 0:39:25.680
<v Speaker 4>It was more for me.

0:39:25.880 --> 0:39:30.319
<v Speaker 1>Yeah, definitely locks or clips locks.

0:39:30.760 --> 0:39:42.240
<v Speaker 8>Mm hmm, Universal or Atlantic Atlantic, Yes, University man, okay,

0:39:42.600 --> 0:39:43.920
<v Speaker 8>IRV God your Chris Lighty.

0:39:49.120 --> 0:39:52.240
<v Speaker 3>Yeah, they both legends. Rest in peace, Rest in peace.

0:39:52.560 --> 0:39:53.799
<v Speaker 3>I'm gonna drink the both of them.

0:39:54.400 --> 0:39:56.279
<v Speaker 1>Let us go. We're gonna drink them, both of them.

0:39:59.520 --> 0:40:02.839
<v Speaker 1>That's by the both passed away. Rest in peace. Man,

0:40:04.760 --> 0:40:09.600
<v Speaker 1>Biggie or Big Point Big you have a met Big.

0:40:11.160 --> 0:40:12.759
<v Speaker 4>Years ago like he wasn't he was?

0:40:18.200 --> 0:40:25.799
<v Speaker 1>Mm hmm too Parc or Easy Park just gonna say

0:40:25.920 --> 0:40:29.360
<v Speaker 1>easy that was. Yeah, this is one of my favorite questions.

0:40:31.719 --> 0:40:35.080
<v Speaker 1>You have always doubts me on it, Boot Tang or

0:40:35.239 --> 0:40:43.320
<v Speaker 1>n w A. Let's drink it.

0:40:43.600 --> 0:40:45.760
<v Speaker 4>Let's do it because they you know what, because I'm.

0:40:45.640 --> 0:40:46.720
<v Speaker 3>Influenced by both.

0:40:47.040 --> 0:40:51.520
<v Speaker 1>I'm influenced by both. Yeah, let's yeah, and they influenced

0:40:51.520 --> 0:40:52.400
<v Speaker 1>too class separately.

0:40:52.400 --> 0:40:53.560
<v Speaker 3>This is what I'm saying. We got to do the

0:40:53.600 --> 0:41:00.440
<v Speaker 3>whole shot. You don't have to Yeah, yeah, like you

0:41:02.480 --> 0:41:07.319
<v Speaker 3>t I or lud said, you're not gonna stop while

0:41:07.360 --> 0:41:17.920
<v Speaker 3>you listen frightening or Gucci man, I'm gonna get at

0:41:17.960 --> 0:41:22.480
<v Speaker 3>the Gucci okay that Yeah, it's that influence.

0:41:22.800 --> 0:41:31.759
<v Speaker 1>Okay, Nino Brown or Frank White, Nino was a rat.

0:41:32.440 --> 0:41:34.839
<v Speaker 1>Yeah he became a rat. Yeah, that's it. That's all.

0:41:34.920 --> 0:41:39.319
<v Speaker 1>He wasn't throughout the whole movie, the whole movie, throughout

0:41:39.360 --> 0:41:40.239
<v Speaker 1>the whole movie to the end.

0:41:40.600 --> 0:41:46.480
<v Speaker 4>He sucked up the movie. I wasn't born with it.

0:41:46.520 --> 0:41:53.040
<v Speaker 4>Smool in my mouth, Hawkins, Right, okay. Premiere Pete Rock

0:41:54.440 --> 0:41:56.800
<v Speaker 4>premiere mm hmm.

0:41:59.160 --> 0:42:02.560
<v Speaker 1>Sean Pete or o dB oh dB.

0:42:04.040 --> 0:42:09.879
<v Speaker 2>Ob the MTV raps or video music box, video music

0:42:09.960 --> 0:42:10.879
<v Speaker 2>box pants down.

0:42:12.120 --> 0:42:14.319
<v Speaker 1>Yeah, this is all that respect. The last question before

0:42:14.320 --> 0:42:17.080
<v Speaker 1>you get back into the interview. I'm not gonna lead

0:42:17.080 --> 0:42:18.600
<v Speaker 1>the witness. I was about to, I'm not gonna leave

0:42:18.640 --> 0:42:20.200
<v Speaker 1>the witness. Loyalty or respect.

0:42:24.239 --> 0:42:28.000
<v Speaker 3>You can't have loyalty if you don't have respect. I

0:42:28.080 --> 0:42:31.640
<v Speaker 3>always say that there's no like who you're gonna be

0:42:31.680 --> 0:42:33.719
<v Speaker 3>loyal to if you don't respect it. Let's take a

0:42:33.800 --> 0:42:36.719
<v Speaker 3>shot for that. This is impossible. So it's respect is

0:42:36.760 --> 0:42:37.840
<v Speaker 3>the foundation of everything.

0:42:38.760 --> 0:42:43.680
<v Speaker 1>Mm hmm. I got a lot of inside questions.

0:42:48.440 --> 0:42:50.239
<v Speaker 3>That this is dangerous in the middle of the day.

0:42:52.080 --> 0:42:55.400
<v Speaker 3>This is a zoom oh oh, yeah, you requested that

0:42:56.239 --> 0:42:59.400
<v Speaker 3>a little saucy over here real listen, and then you.

0:42:59.440 --> 0:43:02.160
<v Speaker 4>In Miami, so you know you don't go home. You

0:43:02.239 --> 0:43:06.719
<v Speaker 4>got a problem, you don't go Yeah, it's it. Yeah,

0:43:07.200 --> 0:43:08.719
<v Speaker 4>I did Height thirty in the morning.

0:43:09.480 --> 0:43:12.040
<v Speaker 1>Now you're supposed to be making a Soca album, not

0:43:12.160 --> 0:43:12.680
<v Speaker 1>an album.

0:43:13.280 --> 0:43:13.840
<v Speaker 2>But you know what.

0:43:15.320 --> 0:43:20.560
<v Speaker 4>I felt like, no playing with When I heard that,

0:43:20.640 --> 0:43:21.880
<v Speaker 4>I was like, okay, you know what.

0:43:22.560 --> 0:43:25.000
<v Speaker 3>I went the same Thomas and I was riding on

0:43:25.080 --> 0:43:25.520
<v Speaker 3>the float.

0:43:25.920 --> 0:43:27.760
<v Speaker 1>You got turned out Thomas turned.

0:43:29.200 --> 0:43:29.919
<v Speaker 2>Album.

0:43:30.360 --> 0:43:31.160
<v Speaker 1>Yeah, So what.

0:43:31.280 --> 0:43:34.759
<v Speaker 3>Happened was the guy on the mic was it was

0:43:34.880 --> 0:43:37.480
<v Speaker 3>like it was like so many piece thousands of people outside.

0:43:37.480 --> 0:43:38.520
<v Speaker 3>Have you ever been a carnival?

0:43:39.880 --> 0:43:43.440
<v Speaker 4>Thousands of people outside, and and the guys.

0:43:43.239 --> 0:43:46.840
<v Speaker 3>Like let the ambulance, dude back up, give it spast,

0:43:47.400 --> 0:43:49.759
<v Speaker 3>give it spast. I was like, man, that sh sound

0:43:49.800 --> 0:43:50.280
<v Speaker 3>like a hook.

0:43:50.840 --> 0:43:51.960
<v Speaker 4>I was like, I want to go to the studio,

0:43:52.640 --> 0:43:56.759
<v Speaker 4>and I was like, give it spast. I made a

0:43:56.800 --> 0:44:02.320
<v Speaker 4>Soca record. Man shout out the fan Yo yo and

0:44:02.719 --> 0:44:04.000
<v Speaker 4>and bungee galling man.

0:44:04.000 --> 0:44:08.960
<v Speaker 3>I think saved my life, saved my mentality.

0:44:09.239 --> 0:44:12.080
<v Speaker 1>I was used to the tunnel and club speed and people,

0:44:14.000 --> 0:44:17.279
<v Speaker 1>you know, and there's there's no everyone that's partying. They

0:44:17.400 --> 0:44:20.320
<v Speaker 1>dancing all night. Like recently, I just went to UHT

0:44:20.360 --> 0:44:25.080
<v Speaker 1>Christner's comedian party. I not forgot how it feels to

0:44:25.120 --> 0:44:28.640
<v Speaker 1>be in a party without ice girls, Like nobody was

0:44:28.719 --> 0:44:30.560
<v Speaker 1>ice growling. I was like, nobody's in here, mad.

0:44:30.600 --> 0:44:31.120
<v Speaker 4>I don't like them.

0:44:33.280 --> 0:44:33.920
<v Speaker 1>Nobody's mad.

0:44:34.239 --> 0:44:35.640
<v Speaker 4>I like the parties and everybody's happy.

0:44:35.920 --> 0:44:37.920
<v Speaker 1>That's what I'm saying. I like those parties like there

0:44:38.000 --> 0:44:40.680
<v Speaker 1>was nobody man. I was like, yo, I'm not good.

0:44:40.800 --> 0:44:42.960
<v Speaker 1>I was like, your hip hop has ruined me, bro,

0:44:43.400 --> 0:44:45.480
<v Speaker 1>Like hip hop has ruined me. Like I'm used to

0:44:46.320 --> 0:44:48.920
<v Speaker 1>walking in an event a club, if it's a club setting,

0:44:49.200 --> 0:44:53.160
<v Speaker 1>I'm used to like someone like something happening, something happening,

0:44:53.239 --> 0:44:56.680
<v Speaker 1>and I didn't experience that. Is that what you're gonna

0:44:56.680 --> 0:44:57.280
<v Speaker 1>do with the soca?

0:44:57.840 --> 0:45:00.520
<v Speaker 3>I like, I like socas is vibes, Like, but you

0:45:00.600 --> 0:45:04.160
<v Speaker 3>know what dope As a hip hop artist, we tap

0:45:04.239 --> 0:45:08.760
<v Speaker 3>into everything, you know, Spanish market, like I've made songs

0:45:08.880 --> 0:45:13.480
<v Speaker 3>I'm rapping in Spanish right, you know, like it's just culture, bro,

0:45:13.719 --> 0:45:18.279
<v Speaker 3>Like you know I've worked with Diamond Platinums, you know

0:45:18.440 --> 0:45:22.200
<v Speaker 3>from Tanzania. You know, he's one of the biggest artists

0:45:22.320 --> 0:45:24.800
<v Speaker 3>coming out of Africa. So It's just like, I just

0:45:24.880 --> 0:45:26.360
<v Speaker 3>think that we could do whatever we want to do.

0:45:28.320 --> 0:45:30.560
<v Speaker 1>Do you ever think did you ever think afrobeasts would

0:45:30.560 --> 0:45:33.239
<v Speaker 1>be here? Like I never knew what it was until

0:45:33.239 --> 0:45:35.200
<v Speaker 1>I heard it, because you're from Brooklyn, and Brooklyn is

0:45:35.200 --> 0:45:40.320
<v Speaker 1>heavily reggae heavily you guys, You guys are everybody's like

0:45:40.400 --> 0:45:41.440
<v Speaker 1>automatically Jamaican.

0:45:41.480 --> 0:45:48.600
<v Speaker 5>If you from Brooklyn, Indian, it was you something you

0:45:49.040 --> 0:45:51.440
<v Speaker 5>should add in you you you you, you know you

0:45:51.600 --> 0:45:52.320
<v Speaker 5>from somewhere.

0:45:52.920 --> 0:45:55.880
<v Speaker 3>You know you Jamaican, you you know you're Beijing, you Haitian,

0:45:55.960 --> 0:45:59.759
<v Speaker 3>you something you know? But no, I mean I think

0:45:59.800 --> 0:46:01.920
<v Speaker 3>we influenced by that hip hop was influenced. They said

0:46:02.000 --> 0:46:03.160
<v Speaker 3>cool hurt was what jamake it.

0:46:03.320 --> 0:46:04.800
<v Speaker 4>Yeah, yeah, that's his background.

0:46:05.360 --> 0:46:07.920
<v Speaker 1>Make it. Yeah cool hurk man. Wherever you happen, we

0:46:07.960 --> 0:46:09.759
<v Speaker 1>want to get I want to. I want to.

0:46:09.880 --> 0:46:12.080
<v Speaker 3>I want to, Yeah, I want to apologize a cool hurt.

0:46:14.080 --> 0:46:14.279
<v Speaker 1>Oh.

0:46:15.640 --> 0:46:17.799
<v Speaker 3>I just I just want to apologize the cool Hurt man.

0:46:18.040 --> 0:46:19.680
<v Speaker 3>I want to do this because I talked about doing

0:46:19.680 --> 0:46:21.520
<v Speaker 3>on my podcast, but I didn't say the name of

0:46:21.600 --> 0:46:22.560
<v Speaker 3>who I was talking about.

0:46:22.640 --> 0:46:24.759
<v Speaker 1>Okay, what was you saying the reference to?

0:46:24.920 --> 0:46:28.200
<v Speaker 3>I didn't say anything to him. I never disrespected this man.

0:46:28.239 --> 0:46:31.440
<v Speaker 3>But I did disrespect him, okay, And I want to

0:46:31.440 --> 0:46:34.600
<v Speaker 3>admit this right here on drink Champs of how I

0:46:36.920 --> 0:46:41.879
<v Speaker 3>I knocked his scooter down? What I knocked his scooter down?

0:46:42.080 --> 0:46:46.120
<v Speaker 3>His scooter that he was rotten. I'm back into it,

0:46:47.360 --> 0:46:49.840
<v Speaker 3>say mistake. Oh okay, the scooter. It's not like you

0:46:49.920 --> 0:46:53.600
<v Speaker 3>just ran up on cool but but I was so

0:46:53.800 --> 0:46:56.399
<v Speaker 3>priud that I couldn't pick it up and I left

0:46:56.440 --> 0:46:57.360
<v Speaker 3>it there. He don't know.

0:46:57.440 --> 0:46:59.719
<v Speaker 1>It's YouTube knows, you know.

0:47:00.960 --> 0:47:08.800
<v Speaker 4>People told me. So I apologize going into the school.

0:47:08.840 --> 0:47:14.680
<v Speaker 4>It's crazy, man, and I'm sorry man.

0:47:19.360 --> 0:47:28.200
<v Speaker 1>Mother. H Okay, I know we spoke about it briefly,

0:47:28.719 --> 0:47:31.239
<v Speaker 1>but let's rap about it. Let's rap about it. Let's

0:47:31.440 --> 0:47:34.840
<v Speaker 1>before we get there. I forgot you had a podcast.

0:47:35.640 --> 0:47:38.480
<v Speaker 4>And you know also you gotta remember you was coaching

0:47:38.520 --> 0:47:39.160
<v Speaker 4>me years ago.

0:47:40.280 --> 0:47:43.840
<v Speaker 1>Yes, you know, so, so how how was it? Because

0:47:44.680 --> 0:47:48.920
<v Speaker 1>kitchen talk was really mainly you, but you really, let's

0:47:49.000 --> 0:47:52.160
<v Speaker 1>rap about it. You guys are like really like like

0:47:52.280 --> 0:47:57.680
<v Speaker 1>the A team A yeah, yeah, so one, how did

0:47:57.760 --> 0:48:00.279
<v Speaker 1>y'all put that together? And to how do y'all worry

0:48:00.400 --> 0:48:01.520
<v Speaker 1>not clashing egos?

0:48:02.000 --> 0:48:04.719
<v Speaker 3>That's the thing, okay, in order to in order to

0:48:04.800 --> 0:48:07.720
<v Speaker 3>have a team effort, you got to lead an ego

0:48:07.800 --> 0:48:10.600
<v Speaker 3>at home. And we and as rappers and as black men,

0:48:10.680 --> 0:48:12.759
<v Speaker 3>we all have that because when we have nothing else,

0:48:12.800 --> 0:48:13.840
<v Speaker 3>all we had was our pride.

0:48:15.040 --> 0:48:17.279
<v Speaker 4>All we had was our ego. You know what I mean,

0:48:17.400 --> 0:48:18.879
<v Speaker 4>no money, no nothing in our pocket.

0:48:19.360 --> 0:48:19.920
<v Speaker 1>I'm that nigga.

0:48:20.600 --> 0:48:22.160
<v Speaker 4>You know you feel you feel that, right.

0:48:22.600 --> 0:48:26.200
<v Speaker 3>So I think when you're mature enough to say, look,

0:48:28.560 --> 0:48:32.719
<v Speaker 3>I could still be me and still support you, still

0:48:32.760 --> 0:48:35.440
<v Speaker 3>gonna be able to support you. It don't diminish me.

0:48:35.800 --> 0:48:38.759
<v Speaker 3>But that come with maturity though, That come with time.

0:48:39.400 --> 0:48:41.080
<v Speaker 3>And I think that we got to a space where

0:48:41.080 --> 0:48:44.319
<v Speaker 3>we built our relationship over years, you know, us working

0:48:44.400 --> 0:48:47.520
<v Speaker 3>out together, hanging out together, like really trying to really

0:48:47.640 --> 0:48:51.239
<v Speaker 3>kind of get to know each other, right outside of

0:48:51.440 --> 0:48:56.800
<v Speaker 3>just music, you develop a relationship. But also is respect.

0:48:56.960 --> 0:48:59.240
<v Speaker 3>Remember I told you, respect is the foundation of everything.

0:48:59.640 --> 0:49:01.439
<v Speaker 3>So I don't want I won't disrespect you, my nigga,

0:49:01.960 --> 0:49:04.400
<v Speaker 3>you know you, my guys, I don't want to disrespect you.

0:49:04.800 --> 0:49:07.719
<v Speaker 4>So so the thing is, that's the only way to

0:49:07.920 --> 0:49:08.239
<v Speaker 4>to to.

0:49:09.760 --> 0:49:12.320
<v Speaker 3>Kind of diminish the ego is to have that that

0:49:12.480 --> 0:49:16.759
<v Speaker 3>that level of respect, to understand that you by supporting you,

0:49:17.200 --> 0:49:17.680
<v Speaker 3>your nigga.

0:49:17.920 --> 0:49:20.640
<v Speaker 4>It doesn't diminish you. It might be a Jim.

0:49:20.520 --> 0:49:23.200
<v Speaker 3>Jones show, it ain't my show, all right, I'm gonna

0:49:23.200 --> 0:49:25.920
<v Speaker 3>come and support everything ain't got to be about me.

0:49:26.560 --> 0:49:28.480
<v Speaker 3>And then when I got something going on, then the

0:49:28.560 --> 0:49:32.360
<v Speaker 3>guys will pull up right and support it right. So

0:49:33.600 --> 0:49:35.279
<v Speaker 3>it's a it's a give and take though, and I

0:49:35.320 --> 0:49:37.719
<v Speaker 3>think we're stronger together now.

0:49:38.040 --> 0:49:41.480
<v Speaker 1>And for the first time, it felt like New York unity.

0:49:41.600 --> 0:49:41.759
<v Speaker 3>Man.

0:49:41.880 --> 0:49:45.319
<v Speaker 1>Yeah, like the one thing that you know me as

0:49:45.520 --> 0:49:48.120
<v Speaker 1>a you know, I live in Miami, but I'm my

0:49:48.239 --> 0:49:49.680
<v Speaker 1>heart is in New York because I'm always going to

0:49:49.719 --> 0:49:51.680
<v Speaker 1>be in New York. And I love to see us

0:49:51.760 --> 0:49:54.239
<v Speaker 1>work together, like sometimes I love to see us even

0:49:54.280 --> 0:50:01.880
<v Speaker 1>beefing together as long as we like you, you know,

0:50:01.960 --> 0:50:08.160
<v Speaker 1>because the one thing certain is and you know, I

0:50:08.280 --> 0:50:12.640
<v Speaker 1>love Jim and I love cam right, and I know

0:50:12.719 --> 0:50:14.759
<v Speaker 1>it's gonna sound crazy too, but if they were to

0:50:14.840 --> 0:50:18.120
<v Speaker 1>say to me or to anybody, yo, we set this up,

0:50:18.840 --> 0:50:22.240
<v Speaker 1>it feels like it because you like, once they beefing,

0:50:23.000 --> 0:50:26.279
<v Speaker 1>you can't go on Instagram. They own Instagram, both of

0:50:26.360 --> 0:50:29.400
<v Speaker 1>them they own. You don't never see that. And I'm like,

0:50:29.800 --> 0:50:31.040
<v Speaker 1>if they actually thought.

0:50:30.880 --> 0:50:34.120
<v Speaker 4>This out, even though I'm sure it's not.

0:50:34.239 --> 0:50:37.640
<v Speaker 3>I know, but when as fans of them, fans of

0:50:37.640 --> 0:50:41.240
<v Speaker 3>the music, and fans of the of their movement, legacy,

0:50:41.760 --> 0:50:45.120
<v Speaker 3>the legacy of what they did, we would want them

0:50:45.160 --> 0:50:47.640
<v Speaker 3>to be like, man, this is just playing. He's just playing,

0:50:47.840 --> 0:50:51.720
<v Speaker 3>just playing, you know, But nah, yeah, it's real man.

0:50:52.040 --> 0:50:53.839
<v Speaker 1>And I love I love both.

0:50:54.480 --> 0:50:55.440
<v Speaker 4>I get it, I get it.

0:50:55.600 --> 0:50:57.279
<v Speaker 1>I got to I got to go on tour with them.

0:50:57.800 --> 0:50:59.919
<v Speaker 1>I got to. I didn't even realize that I knew

0:51:00.080 --> 0:51:04.759
<v Speaker 1>Cam before him and Jim linked. He said that he

0:51:05.080 --> 0:51:08.440
<v Speaker 1>had put it on his freestyle. Yeah, with the freestyle

0:51:08.480 --> 0:51:10.600
<v Speaker 1>of clue ironic when you were just speaking about Clue earlier.

0:51:10.960 --> 0:51:13.480
<v Speaker 1>And then so yeah, man, I hope I hope them.

0:51:13.520 --> 0:51:15.439
<v Speaker 1>I hope them. I wish them brothers the best. Yeah,

0:51:16.000 --> 0:51:17.960
<v Speaker 1>what are you doing something like that? Because do you

0:51:18.080 --> 0:51:20.600
<v Speaker 1>get involved or do you just like you can't.

0:51:20.880 --> 0:51:24.440
<v Speaker 4>You can't, you can't do nothing about that. You've got

0:51:24.600 --> 0:51:25.279
<v Speaker 4>to respect that.

0:51:26.040 --> 0:51:30.640
<v Speaker 3>You know, relationships are redefined every day, right, you see

0:51:30.680 --> 0:51:34.800
<v Speaker 3>what I'm saying. You may start off as a potential

0:51:34.920 --> 0:51:37.920
<v Speaker 3>op with a nigga and end up as an ally

0:51:38.239 --> 0:51:42.200
<v Speaker 3>R like I said, almost right. And then we watched

0:51:42.280 --> 0:51:46.560
<v Speaker 3>Brothers kind of have relationships that deteriorate, and then we

0:51:46.640 --> 0:51:48.960
<v Speaker 3>don't like to see that because we understand how how

0:51:49.320 --> 0:51:53.680
<v Speaker 3>important brotherhood is, you know, But when that is happening,

0:51:54.040 --> 0:51:57.160
<v Speaker 3>you just gotta just step back and just let that be.

0:51:57.480 --> 0:51:59.799
<v Speaker 3>You know what I mean? Because I'm cool with Cam,

0:52:00.160 --> 0:52:04.480
<v Speaker 3>you know, and you know, but first time ever heard

0:52:04.600 --> 0:52:07.640
<v Speaker 3>Cam hm, he was like when it comes to being shot,

0:52:08.000 --> 0:52:09.719
<v Speaker 3>when it comes to me and Jimmy, I'm like me too,

0:52:10.760 --> 0:52:13.440
<v Speaker 3>you see what I'm saying, Like they was they was brothers.

0:52:14.560 --> 0:52:17.880
<v Speaker 1>Yeah, I remember that, man, I remember, yeah, I remember.

0:52:18.120 --> 0:52:20.640
<v Speaker 1>I would never I would never asked me. I'd have

0:52:20.680 --> 0:52:21.200
<v Speaker 1>never thought this.

0:52:21.800 --> 0:52:25.040
<v Speaker 3>Who I don't think I don't from a hip hop standpoint,

0:52:27.000 --> 0:52:30.160
<v Speaker 3>and in us being from New York, I don't think

0:52:30.239 --> 0:52:32.719
<v Speaker 3>anybody would have foreseen something like that.

0:52:33.680 --> 0:52:38.520
<v Speaker 1>Mm hmm r. Because it's like for me, I didn't

0:52:38.520 --> 0:52:40.920
<v Speaker 1>know how to handle it. When Compone and Trash we're

0:52:40.920 --> 0:52:42.920
<v Speaker 1>going through their ship, you know what I'm saying, Like

0:52:43.239 --> 0:52:45.279
<v Speaker 1>like like me and Trage had went through.

0:52:45.800 --> 0:52:46.480
<v Speaker 4>Yeah, was distney.

0:52:48.160 --> 0:52:54.160
<v Speaker 1>Yeah, we did disrecords against each other, definitely did yes, yes, definitely,

0:52:54.719 --> 0:52:57.879
<v Speaker 1>but we squashed it. And when we squashed it, him

0:52:57.920 --> 0:53:00.120
<v Speaker 1>and Poone had their ship but they had it like

0:53:01.640 --> 0:53:05.640
<v Speaker 1>it was like between us. So really I understood how

0:53:05.800 --> 0:53:07.520
<v Speaker 1>bad it could have been if one of them would

0:53:07.520 --> 0:53:10.760
<v Speaker 1>have republic. You understand I'm trying to say, like, because

0:53:11.160 --> 0:53:14.279
<v Speaker 1>because public makes it worse. Public makes it worse.

0:53:14.400 --> 0:53:16.080
<v Speaker 3>It makes it worse because now we're planning it out

0:53:16.120 --> 0:53:17.719
<v Speaker 3>in front of the world to see, you know, and

0:53:17.800 --> 0:53:19.680
<v Speaker 3>everybody and it and it.

0:53:20.520 --> 0:53:22.839
<v Speaker 4>I feel like it's pressure when you're you're here.

0:53:23.000 --> 0:53:25.680
<v Speaker 3>If we beefing with each other in public, now I

0:53:25.760 --> 0:53:28.799
<v Speaker 3>gotta especially now I got it because now we get

0:53:28.840 --> 0:53:30.680
<v Speaker 3>to hear what people thinking and see what they they're

0:53:30.719 --> 0:53:33.800
<v Speaker 3>talking about. Now I got to deal with the pressure

0:53:33.840 --> 0:53:38.840
<v Speaker 3>of somebody saying, yo, yourn said, man, yo, you you

0:53:38.920 --> 0:53:42.160
<v Speaker 3>wanna say something back? You out here looking soft, nigga.

0:53:43.080 --> 0:53:45.000
<v Speaker 3>And I feel like a lot of people be succumbing

0:53:45.080 --> 0:53:45.239
<v Speaker 3>to that.

0:53:45.360 --> 0:53:45.840
<v Speaker 4>Absolutely.

0:53:45.920 --> 0:53:49.920
<v Speaker 3>They might not admit it, but they do comments.

0:53:50.000 --> 0:53:50.839
<v Speaker 1>Get getting on your.

0:53:50.800 --> 0:53:53.760
<v Speaker 4>Ass, Stay up the mother fucking comments.

0:53:54.480 --> 0:53:55.080
<v Speaker 1>Is that a pause?

0:53:57.440 --> 0:53:58.640
<v Speaker 3>And I don't do balls, man.

0:53:58.560 --> 0:54:01.759
<v Speaker 1>I can't an't work from me. So what was what

0:54:01.960 --> 0:54:05.200
<v Speaker 1>was it was in pickle juice? It was when when

0:54:05.640 --> 0:54:06.319
<v Speaker 1>you opened up the.

0:54:07.080 --> 0:54:09.759
<v Speaker 4>Relish, that's the jaw of relish. I love relish man

0:54:10.200 --> 0:54:12.800
<v Speaker 4>that's weird. Look I put relish, you put Relish in

0:54:12.840 --> 0:54:14.200
<v Speaker 4>the tunes fish but no.

0:54:14.640 --> 0:54:17.000
<v Speaker 1>Yeah, but this is why I was like, I think, man,

0:54:17.040 --> 0:54:21.839
<v Speaker 1>it's crazy because in the marathon they give you pickle juice.

0:54:21.880 --> 0:54:24.160
<v Speaker 1>It's Relish and pickles. Yes, their cousins. Right.

0:54:24.239 --> 0:54:27.920
<v Speaker 3>Basically it's shopped up that stuff.

0:54:28.600 --> 0:54:30.000
<v Speaker 4>Really small pieces of pickle.

0:54:30.120 --> 0:54:32.600
<v Speaker 1>Okay, well that's the that's the cheek colde to run more.

0:54:32.840 --> 0:54:36.439
<v Speaker 1>I was like this, you know, I have no idea.

0:54:36.920 --> 0:54:37.520
<v Speaker 1>I didn't.

0:54:39.920 --> 0:54:40.839
<v Speaker 4>Says the cheat code.

0:54:40.840 --> 0:54:43.319
<v Speaker 1>The juice is the cheat code, like in the twenty

0:54:43.360 --> 0:54:46.360
<v Speaker 1>first mile my marathon. Yeah, I guess, I don't know.

0:54:46.440 --> 0:54:48.279
<v Speaker 1>I just didn't make a guy. The guy gave me

0:54:48.320 --> 0:54:48.640
<v Speaker 1>a pickle.

0:54:48.760 --> 0:54:53.080
<v Speaker 4>I was trolling because I had called academics that jar Relish.

0:54:53.320 --> 0:54:54.560
<v Speaker 1>Oh, I didn't know that.

0:54:54.680 --> 0:54:56.400
<v Speaker 4>I said, he built like a he built like a

0:54:56.520 --> 0:54:57.080
<v Speaker 4>jar Relish.

0:54:59.120 --> 0:55:04.040
<v Speaker 3>Ready, yeah, you built like a joh Relaish, You motherfucking

0:55:04.160 --> 0:55:04.800
<v Speaker 3>yoah Relish.

0:55:05.480 --> 0:55:05.640
<v Speaker 7>You know.

0:55:05.760 --> 0:55:08.160
<v Speaker 4>So I was just trolling. So I had a joll

0:55:08.600 --> 0:55:12.279
<v Speaker 4>job that caught that they knew what it was.

0:55:12.320 --> 0:55:14.120
<v Speaker 1>They knew what it was always right to the marathon.

0:55:14.560 --> 0:55:15.239
<v Speaker 1>Read it my head.

0:55:15.320 --> 0:55:18.840
<v Speaker 4>I was likening with that secret.

0:55:19.360 --> 0:55:19.520
<v Speaker 1>You know.

0:55:19.760 --> 0:55:21.080
<v Speaker 3>Now, I guess when you see me with the jo

0:55:21.200 --> 0:55:24.920
<v Speaker 3>relis now I'm running, man, Why Like.

0:55:25.560 --> 0:55:30.120
<v Speaker 1>You've been through, you survived the streets. It's about the

0:55:30.160 --> 0:55:33.560
<v Speaker 1>toughest part. And when I hear you see something like that,

0:55:33.719 --> 0:55:38.200
<v Speaker 1>like you say, academics, why do you why do you

0:55:38.320 --> 0:55:39.040
<v Speaker 1>indulge back?

0:55:39.360 --> 0:55:43.359
<v Speaker 3>Sometimes if I indulge with you, it's because I feel

0:55:43.440 --> 0:55:44.719
<v Speaker 3>like you're worth it.

0:55:44.960 --> 0:55:46.960
<v Speaker 1>You're worth it, Okay, that's that's real.

0:55:47.400 --> 0:55:51.600
<v Speaker 3>I'm gonna be honest, right, it's if I don't say

0:55:51.640 --> 0:55:54.160
<v Speaker 3>nothing back to you, it's it's like it's you a

0:55:54.239 --> 0:55:56.719
<v Speaker 3>piece of ship, and it's like it can't be me

0:55:56.920 --> 0:55:58.880
<v Speaker 3>versus a piece of ship because no matter how, you

0:56:00.120 --> 0:56:00.919
<v Speaker 3>still a piece of shit.

0:56:01.160 --> 0:56:01.359
<v Speaker 1>Yeah.

0:56:02.200 --> 0:56:04.919
<v Speaker 4>Period, Just me versus a piece of shit, right.

0:56:05.160 --> 0:56:07.960
<v Speaker 3>That's not gonna happen. But yeah, with him, it's just

0:56:08.080 --> 0:56:10.839
<v Speaker 3>he just was saying some things and I said something back,

0:56:10.920 --> 0:56:12.200
<v Speaker 3>and you know, it is what it is.

0:56:12.320 --> 0:56:13.719
<v Speaker 4>It's just that our rhythm man.

0:56:13.920 --> 0:56:17.000
<v Speaker 1>Right, Because because I'm the biggest Floyd mather Weather fan. Yeah,

0:56:17.280 --> 0:56:20.400
<v Speaker 1>and sometimes I get mad, like when Floyd take these exhibitions,

0:56:20.480 --> 0:56:23.520
<v Speaker 1>because no matter what on that night, no matter who

0:56:23.600 --> 0:56:25.399
<v Speaker 1>you fight, y'all, on that same level, on the same

0:56:25.480 --> 0:56:27.200
<v Speaker 1>level you know what I mean. It doesn't matter if

0:56:27.239 --> 0:56:28.320
<v Speaker 1>you're ten times above.

0:56:28.800 --> 0:56:31.400
<v Speaker 3>So you're right about that. But I feel like a

0:56:31.440 --> 0:56:33.760
<v Speaker 3>lot of times with the Internet, we're seeing a different

0:56:33.840 --> 0:56:37.239
<v Speaker 3>time right now, right with the things that go on

0:56:37.320 --> 0:56:43.040
<v Speaker 3>on YouTube streaming, and we see like these guys building pages.

0:56:43.480 --> 0:56:45.640
<v Speaker 3>And I ain't talking about academic I'm just saying in general,

0:56:47.400 --> 0:56:48.200
<v Speaker 3>building pages.

0:56:48.480 --> 0:56:49.960
<v Speaker 4>And their whole theme is.

0:56:50.000 --> 0:56:52.320
<v Speaker 3>To just go at artists and go at rappers and

0:56:52.400 --> 0:56:54.960
<v Speaker 3>go at notable people and tear them down right. And

0:56:55.000 --> 0:56:57.279
<v Speaker 3>it doesn't matter if what they're saying is fact you

0:56:57.400 --> 0:56:59.720
<v Speaker 3>or anything. It's clickbait. We want to build our pages,

0:56:59.760 --> 0:57:02.960
<v Speaker 3>we want on the minor size. It's content. You see

0:57:03.000 --> 0:57:06.200
<v Speaker 3>what I'm saying. So sometimes you're like, man, I gotta,

0:57:06.320 --> 0:57:08.120
<v Speaker 3>I gotta say something back, I gotta.

0:57:08.200 --> 0:57:10.719
<v Speaker 2>That's part of the strategy that you're falling into their clickbait.

0:57:11.520 --> 0:57:13.640
<v Speaker 3>No, because now when you have your own when you

0:57:13.719 --> 0:57:17.880
<v Speaker 3>got your own program and platform, now it's mine, that's real.

0:57:18.000 --> 0:57:19.480
<v Speaker 4>Now you gotta reverse that.

0:57:21.040 --> 0:57:24.760
<v Speaker 3>Fucking fucking because now what what I'm gonna do, Because

0:57:24.800 --> 0:57:28.320
<v Speaker 3>I can't beat you at truth, because the lives more entertaining,

0:57:29.440 --> 0:57:32.480
<v Speaker 3>I can't do with your hand. I can't know how

0:57:32.960 --> 0:57:36.760
<v Speaker 3>like fighting against ghosts nigga like who like who? And

0:57:36.840 --> 0:57:40.240
<v Speaker 3>then we can't beat them with integrity because integrity doesn't

0:57:40.240 --> 0:57:43.720
<v Speaker 3>matter on the internet. Truth and integrity does not matter,

0:57:44.000 --> 0:57:46.200
<v Speaker 3>you know what I mean. It's all about what's entertaining

0:57:46.720 --> 0:57:50.560
<v Speaker 3>and and and you know what what like what makes

0:57:50.600 --> 0:57:53.800
<v Speaker 3>people laugh? And what if I could be saying a

0:57:53.840 --> 0:57:56.680
<v Speaker 3>relationship to you? But if if your jokes is funny

0:57:57.160 --> 0:58:00.200
<v Speaker 3>about me, you got it right?

0:58:00.280 --> 0:58:03.320
<v Speaker 1>Oh yeah, you know? And you resually went back to

0:58:03.400 --> 0:58:05.560
<v Speaker 1>Rightcas Island to talk to the kids. What was that like?

0:58:06.080 --> 0:58:08.520
<v Speaker 3>I tried to do shit on on Recas Islands as

0:58:08.600 --> 0:58:10.720
<v Speaker 3>much as possible. They actually give me my own program.

0:58:10.800 --> 0:58:13.680
<v Speaker 3>I got a six week program. I haven't implemented it

0:58:13.800 --> 0:58:15.400
<v Speaker 3>yet because I'm trying to figure out exactly what I

0:58:15.480 --> 0:58:20.560
<v Speaker 3>want to do. But my heart will always be for

0:58:20.640 --> 0:58:23.560
<v Speaker 3>them young boys, because I was that right, I was

0:58:23.640 --> 0:58:27.680
<v Speaker 3>the young nigga. It's a young thirty four seventy four boy, Okay,

0:58:27.760 --> 0:58:28.600
<v Speaker 3>she's seventy four.

0:58:28.880 --> 0:58:29.520
<v Speaker 1>That's the youngest.

0:58:29.680 --> 0:58:32.080
<v Speaker 4>Yes, let me tell you, Let me tell one hundred percent.

0:58:32.160 --> 0:58:32.920
<v Speaker 1>Let me tell you I was.

0:58:33.520 --> 0:58:36.480
<v Speaker 3>I went back to CE seventy four to your same

0:58:36.560 --> 0:58:40.040
<v Speaker 3>cell right. Why I turned eighteen at it's crazy.

0:58:40.080 --> 0:58:43.480
<v Speaker 4>Wow, and it being that's crazy. I was so emotional

0:58:43.560 --> 0:58:44.400
<v Speaker 4>almost let one go.

0:58:45.800 --> 0:58:49.760
<v Speaker 3>I was like, damn, like it was because when I certainteen,

0:58:49.840 --> 0:58:51.320
<v Speaker 3>I was in solitary confinement.

0:58:51.680 --> 0:58:54.840
<v Speaker 1>And for those of you know, he's not he's not glorifying,

0:58:56.080 --> 0:58:58.640
<v Speaker 1>he's goorifying where he's at right now in life. That's

0:58:58.640 --> 0:59:01.280
<v Speaker 1>why I came. I want to be clear.

0:59:02.120 --> 0:59:05.760
<v Speaker 3>I turned eighteen years old on on Ryka Island in

0:59:05.840 --> 0:59:08.560
<v Speaker 3>a in a bing in a cell and twenty three

0:59:08.600 --> 0:59:11.080
<v Speaker 3>hour locked in summertime always thirty year.

0:59:11.160 --> 0:59:15.880
<v Speaker 4>I'm like, man, I want it's just yo. The universe.

0:59:16.600 --> 0:59:19.040
<v Speaker 3>Yeah, the universe as well, because that cell happened to

0:59:19.080 --> 0:59:20.040
<v Speaker 3>be unoccupied.

0:59:21.120 --> 0:59:21.360
<v Speaker 1>Wow.

0:59:22.480 --> 0:59:24.000
<v Speaker 3>And I walked in there and I just was like

0:59:24.200 --> 0:59:27.800
<v Speaker 3>trying to just feel what I felt, right like just

0:59:27.880 --> 0:59:29.800
<v Speaker 3>trying to remember what it felt like to be here,

0:59:29.880 --> 0:59:32.760
<v Speaker 3>to live here and can't get out and not know

0:59:32.840 --> 0:59:34.480
<v Speaker 3>what to do with my rage and not nothing to

0:59:34.560 --> 0:59:36.120
<v Speaker 3>do with all this energy, and I don't know what

0:59:36.240 --> 0:59:39.160
<v Speaker 3>to do with it, right you see? But yeah, it's

0:59:39.520 --> 0:59:40.960
<v Speaker 3>so I try to get him. I try to talk

0:59:41.000 --> 0:59:42.440
<v Speaker 3>to him as much as possible. I try to do

0:59:42.560 --> 0:59:45.200
<v Speaker 3>as much as as I can when it comes to

0:59:45.640 --> 0:59:48.280
<v Speaker 3>you know, what they call at risk youth right and

0:59:48.320 --> 0:59:50.160
<v Speaker 3>ship like that because we was young niggas going to

0:59:50.200 --> 0:59:51.120
<v Speaker 3>spot shit like that.

0:59:52.680 --> 0:59:56.240
<v Speaker 2>Yeah, yeah, Is there any difference in the mentality that

0:59:56.280 --> 0:59:58.240
<v Speaker 2>you see now with the youth than when you was

0:59:58.280 --> 0:59:58.520
<v Speaker 2>in there.

0:59:58.640 --> 1:00:04.280
<v Speaker 3>Yes, I'm trying to say this in the right way,

1:00:04.360 --> 1:00:06.040
<v Speaker 3>like when I looked at when I look at a

1:00:06.080 --> 1:00:07.760
<v Speaker 3>lot of the young niggas, because I feel like they

1:00:07.880 --> 1:00:11.600
<v Speaker 3>influenced by so many other things that we wasn't. Our

1:00:11.760 --> 1:00:14.320
<v Speaker 3>influence was the need to get money by any means.

1:00:14.360 --> 1:00:16.120
<v Speaker 3>If we got to shoot the shit out of somebody too,

1:00:16.160 --> 1:00:18.480
<v Speaker 3>we get it. We're gonna do it with respect. We're

1:00:18.520 --> 1:00:20.760
<v Speaker 3>gonna die for it. A lot of what they doing

1:00:20.880 --> 1:00:22.920
<v Speaker 3>is based around drug use and shit like that, getting

1:00:23.000 --> 1:00:26.520
<v Speaker 3>high and pilled up and k tuned up and you know,

1:00:26.680 --> 1:00:29.920
<v Speaker 3>in jail smolling K two is just it's more of

1:00:30.000 --> 1:00:34.840
<v Speaker 3>a like a not conscious of what your full activities

1:00:34.960 --> 1:00:37.680
<v Speaker 3>really is. It's like I didn't really commit to these streets.

1:00:37.720 --> 1:00:40.920
<v Speaker 3>I just was influenced by them. I did shit not

1:00:41.040 --> 1:00:42.880
<v Speaker 3>because I felt like doing it or I meant to

1:00:42.960 --> 1:00:45.120
<v Speaker 3>do it. Everything I said I did everything I did

1:00:45.200 --> 1:00:47.840
<v Speaker 3>in my life, I meant to do it. I wasn't

1:00:47.920 --> 1:00:51.240
<v Speaker 3>influenced by drugs. I wasn't influenced by alcohol. I did

1:00:51.720 --> 1:00:53.320
<v Speaker 3>what I had, what I felt like I had to do.

1:00:54.160 --> 1:00:56.600
<v Speaker 3>What I see from them is I feel like the

1:00:56.760 --> 1:01:01.440
<v Speaker 3>influence is like drugs, alcohol, you know, pay pressure, you know,

1:01:01.560 --> 1:01:03.920
<v Speaker 3>being in gangs and like that. I don't feel like

1:01:03.960 --> 1:01:06.640
<v Speaker 3>that's a real commitment. I don't feel like this a

1:01:06.680 --> 1:01:10.480
<v Speaker 3>real commitment to streets. Because you if I say, if

1:01:10.520 --> 1:01:12.600
<v Speaker 3>I put this ship on my back and say I'm

1:01:12.600 --> 1:01:14.840
<v Speaker 3>gonna beat this nigga, I'm gonna be it, that's and

1:01:14.920 --> 1:01:17.680
<v Speaker 3>I'm gonna take everything that they come with. So when

1:01:17.680 --> 1:01:21.160
<v Speaker 3>I see them, it's just like it's like a look

1:01:21.280 --> 1:01:25.800
<v Speaker 3>in their eyes that I don't remember seeing when I

1:01:25.880 --> 1:01:28.360
<v Speaker 3>was a young nigga in the same thing yourself and

1:01:28.440 --> 1:01:30.960
<v Speaker 3>these kids or I see myself as far as like

1:01:31.800 --> 1:01:37.280
<v Speaker 3>going through the experience, I feel like when when when

1:01:37.480 --> 1:01:41.439
<v Speaker 3>when we was there, we were more determined on trying

1:01:41.480 --> 1:01:44.280
<v Speaker 3>to get something. And then I was in Rata Island

1:01:44.280 --> 1:01:48.080
<v Speaker 3>when the phones was free. Oh yeah, you know you

1:01:48.160 --> 1:01:50.640
<v Speaker 3>could wear it clothes, you had jews and you had

1:01:50.680 --> 1:01:53.360
<v Speaker 3>to fan for yourself. You couldn't hide behind no gang.

1:01:54.760 --> 1:01:57.280
<v Speaker 3>You had to be who you said you was, right

1:01:57.680 --> 1:01:59.920
<v Speaker 3>you had to actually perform. You couldn't have been Just

1:02:00.080 --> 1:02:01.600
<v Speaker 3>so you know what I'm saying. If you was a

1:02:03.040 --> 1:02:06.120
<v Speaker 3>prisident in jail, reveal who you really are, you could

1:02:06.160 --> 1:02:09.400
<v Speaker 3>have been to shoot him up. Gang bang nigga jail.

1:02:09.520 --> 1:02:10.520
<v Speaker 1>You just you saw.

1:02:11.080 --> 1:02:13.200
<v Speaker 3>Now we're gonna see who you're taking your hot rocks.

1:02:13.760 --> 1:02:17.120
<v Speaker 3>Taking your hot rocks, Yeah, taking yours.

1:02:17.120 --> 1:02:18.840
<v Speaker 1>Look at that, look at jail niggas. Understand what I

1:02:18.920 --> 1:02:31.960
<v Speaker 1>was saying. That exactly what's the next for men? Everything? Man?

1:02:32.840 --> 1:02:36.560
<v Speaker 1>Because I know you was acting. Acting is cool. You know.

1:02:36.640 --> 1:02:39.080
<v Speaker 3>I like to act, but I like to I like

1:02:39.160 --> 1:02:42.760
<v Speaker 3>to act in something that I'm producing even more, you see,

1:02:43.320 --> 1:02:51.360
<v Speaker 3>like doing that as a just like being hired just

1:02:51.400 --> 1:02:51.800
<v Speaker 3>to act.

1:02:53.680 --> 1:02:56.480
<v Speaker 1>I don't. I don't like that hustle. Because I heard

1:02:56.560 --> 1:02:58.840
<v Speaker 1>you say one time that he was looking to play

1:02:59.160 --> 1:03:01.240
<v Speaker 1>police officer, Like, yeah, I want to. I want to

1:03:01.240 --> 1:03:03.800
<v Speaker 1>be you wanted to. Yeah, yeah, I want to. I

1:03:03.840 --> 1:03:04.400
<v Speaker 1>want to. I want to.

1:03:04.440 --> 1:03:06.360
<v Speaker 4>I want to play a priest in the horror movie.

1:03:07.600 --> 1:03:09.160
<v Speaker 1>Yeah wait a minute, I wasn't.

1:03:09.160 --> 1:03:11.720
<v Speaker 4>Really I want to. I want to be a.

1:03:11.760 --> 1:03:15.600
<v Speaker 3>Fucking priest in horror movie, like like like like coming here,

1:03:16.400 --> 1:03:19.400
<v Speaker 3>but they call me when I give it.

1:03:20.280 --> 1:03:23.600
<v Speaker 4>Yeah, she's possessed and I got to come in there

1:03:24.560 --> 1:03:25.200
<v Speaker 4>with my ship on.

1:03:25.640 --> 1:03:35.040
<v Speaker 3>Hats the only niggas I got to beat?

1:03:36.480 --> 1:03:37.360
<v Speaker 1>What do we do? Father?

1:03:39.200 --> 1:03:39.920
<v Speaker 4>Hold on, I got you.

1:03:41.080 --> 1:03:45.640
<v Speaker 1>Hold on. Let me just tell you how everything is

1:03:45.720 --> 1:03:49.680
<v Speaker 1>meant to be so Iced Tea texted me this morning today. Yeah,

1:03:49.960 --> 1:03:52.480
<v Speaker 1>and he texted me a song. And he made a

1:03:52.560 --> 1:03:55.720
<v Speaker 1>new song. Guess what the name of his song? Hustle hard?

1:03:56.280 --> 1:03:58.760
<v Speaker 1>Really wow? Shut out the.

1:04:02.640 --> 1:04:03.960
<v Speaker 4>Super super Dudley.

1:04:05.640 --> 1:04:08.480
<v Speaker 1>How was the hustle Hard movie? We still hard?

1:04:08.600 --> 1:04:11.520
<v Speaker 4>Of course, hustle hard is more. It's not to me

1:04:11.640 --> 1:04:13.240
<v Speaker 4>and there it's just really life.

1:04:13.600 --> 1:04:13.960
<v Speaker 1>M hmm.

1:04:14.600 --> 1:04:15.959
<v Speaker 3>What we do when we get up in the morning,

1:04:17.280 --> 1:04:21.400
<v Speaker 3>hustle off and and and don't stop and don't stop.

1:04:21.680 --> 1:04:23.440
<v Speaker 3>You haven't lost a step yet.

1:04:23.720 --> 1:04:26.200
<v Speaker 1>I lost a couple of steps, but it's okay. Come outside.

1:04:26.200 --> 1:04:28.440
<v Speaker 1>I'm outside though a bunch of more.

1:04:32.960 --> 1:04:36.280
<v Speaker 3>You know, just missed a couple of amazing come with

1:04:36.360 --> 1:04:38.840
<v Speaker 3>the journey, coming to journey, you know what I mean?

1:04:39.200 --> 1:04:40.600
<v Speaker 3>What's what's the game if you don't miss a couple

1:04:40.640 --> 1:04:40.960
<v Speaker 3>of shots.

1:04:41.760 --> 1:04:43.040
<v Speaker 4>But the thing is you got to stay in the

1:04:43.080 --> 1:04:44.760
<v Speaker 4>game again, That's that's the thing.

1:04:45.040 --> 1:04:47.640
<v Speaker 1>And keep that smile, that smile you got to keep smiling.

1:04:47.440 --> 1:04:48.440
<v Speaker 3>A million dollars.

1:04:50.880 --> 1:04:51.040
<v Speaker 4>Now.

1:04:52.320 --> 1:04:54.640
<v Speaker 1>Also one where this was this, this would make me

1:04:54.720 --> 1:04:57.080
<v Speaker 1>nervous one time. Yeah, where you was like, man, every

1:04:57.120 --> 1:04:59.280
<v Speaker 1>time I get something new, I'll go.

1:04:59.360 --> 1:04:59.800
<v Speaker 4>To the hood.

1:05:00.120 --> 1:05:00.360
<v Speaker 1>Yeah.

1:05:00.760 --> 1:05:02.840
<v Speaker 3>I was like, damn, that was because that was me.

1:05:02.920 --> 1:05:07.280
<v Speaker 1>I understood where that was leading. Yeah, but I didn't

1:05:07.320 --> 1:05:08.480
<v Speaker 1>know if you would have respected my.

1:05:08.600 --> 1:05:10.000
<v Speaker 4>Words, tell me your word.

1:05:10.160 --> 1:05:11.520
<v Speaker 1>No, I would have been like, no, that's not the

1:05:11.600 --> 1:05:12.120
<v Speaker 1>right thing to do.

1:05:12.440 --> 1:05:14.240
<v Speaker 4>Understood, understood.

1:05:14.280 --> 1:05:15.640
<v Speaker 1>Did you learn it's not the right thing to do

1:05:15.800 --> 1:05:17.080
<v Speaker 1>or or you still do that?

1:05:17.280 --> 1:05:20.720
<v Speaker 3>I know I don't do that, okay, because it's no,

1:05:20.880 --> 1:05:25.960
<v Speaker 3>it's no. You can't please niggas like you're too accessible.

1:05:26.040 --> 1:05:27.080
<v Speaker 3>They say, oh, he ain't nobody.

1:05:27.080 --> 1:05:29.280
<v Speaker 1>That's just man. We always on Gates Avenue is nothing,

1:05:29.840 --> 1:05:30.040
<v Speaker 1>you know.

1:05:30.360 --> 1:05:34.720
<v Speaker 3>But when I got things new, the first my first Bentley,

1:05:35.360 --> 1:05:41.600
<v Speaker 3>the first, the first Bentley I ever had was a

1:05:41.720 --> 1:05:42.360
<v Speaker 3>black coupe.

1:05:43.280 --> 1:05:43.520
<v Speaker 1>Oh.

1:05:44.880 --> 1:05:45.560
<v Speaker 4>The first thing I.

1:05:45.600 --> 1:05:49.840
<v Speaker 3>Did driving from from from you know, Long Island, was

1:05:49.920 --> 1:05:52.640
<v Speaker 3>go straight to the hood. You wanted niggas to see

1:05:52.680 --> 1:05:54.000
<v Speaker 3>me in it, not because I wanted to show off,

1:05:54.080 --> 1:05:56.400
<v Speaker 3>because I felt I thought that this was like motivation

1:05:58.400 --> 1:06:01.360
<v Speaker 3>that yeah, that happens, and I thought that I was, like,

1:06:02.840 --> 1:06:06.080
<v Speaker 3>I don't always looked at myself as like motivation, like

1:06:06.120 --> 1:06:07.120
<v Speaker 3>I like from y'all.

1:06:07.440 --> 1:06:09.120
<v Speaker 1>Yeah, yeah, I come from the people, so I am

1:06:09.200 --> 1:06:09.560
<v Speaker 1>the people.

1:06:10.160 --> 1:06:11.960
<v Speaker 3>I always looked at myself as that, like I'm not

1:06:12.040 --> 1:06:15.560
<v Speaker 3>above y'all, Like y'all watched me out here suffering and

1:06:15.600 --> 1:06:18.040
<v Speaker 3>struggling with y'all. Y'all, y'all know my story. Y'all know

1:06:18.160 --> 1:06:20.360
<v Speaker 3>I was in jail going through it. Y'all know I wasn't,

1:06:20.880 --> 1:06:22.480
<v Speaker 3>you know, been through all this ship. So it was

1:06:22.520 --> 1:06:24.680
<v Speaker 3>like the first time I got that, it was just

1:06:24.800 --> 1:06:26.800
<v Speaker 3>like a let me go right to the.

1:06:26.840 --> 1:06:28.840
<v Speaker 4>Hood, like you saying, this is what we could do.

1:06:29.480 --> 1:06:30.600
<v Speaker 1>You want to be happy for you.

1:06:30.760 --> 1:06:34.479
<v Speaker 3>Yeah, but I don't know if that always translates, Yeah,

1:06:34.520 --> 1:06:34.920
<v Speaker 3>it doesn't.

1:06:35.080 --> 1:06:36.160
<v Speaker 1>I had to. I had to.

1:06:36.240 --> 1:06:38.560
<v Speaker 3>I had to had to learn that because I didn't.

1:06:38.600 --> 1:06:42.320
<v Speaker 3>I didn't actually have people that that I that I

1:06:42.440 --> 1:06:46.360
<v Speaker 3>might have respected, really giving me no real game in

1:06:46.480 --> 1:06:47.000
<v Speaker 3>the game.

1:06:46.920 --> 1:06:49.120
<v Speaker 1>Or people with experience. People with experience.

1:06:49.240 --> 1:06:51.560
<v Speaker 3>You need experience because a nigga in the street that

1:06:51.760 --> 1:06:54.880
<v Speaker 3>never didn't amount to anything can't really tell you right

1:06:54.920 --> 1:06:57.440
<v Speaker 3>because you know you, like, I ain't respecting shit from you,

1:06:58.000 --> 1:07:00.120
<v Speaker 3>So nobody really kind of gave me no real a

1:07:00.240 --> 1:07:02.800
<v Speaker 3>real game, and now I understood. I had to learn

1:07:02.880 --> 1:07:04.080
<v Speaker 3>the hallway about a lot of ship.

1:07:04.280 --> 1:07:07.040
<v Speaker 1>It's funny because even the crackhead and the hood has

1:07:07.480 --> 1:07:09.920
<v Speaker 1>great advice. It's just crackhead. You just don't want to.

1:07:11.400 --> 1:07:14.000
<v Speaker 4>Just look, you know, I look at him. That's something

1:07:14.000 --> 1:07:14.600
<v Speaker 4>that we don't want.

1:07:14.640 --> 1:07:15.240
<v Speaker 1>You don't want to be.

1:07:15.320 --> 1:07:17.720
<v Speaker 3>But he'll still say you some wisdom though, he'll tell

1:07:17.720 --> 1:07:18.040
<v Speaker 3>you something.

1:07:18.800 --> 1:07:21.880
<v Speaker 1>Experience for the streets to be on them corners.

1:07:25.760 --> 1:07:26.680
<v Speaker 4>All that's a fact.

1:07:29.640 --> 1:07:36.120
<v Speaker 1>Okay, you've been in this game when it's the first

1:07:36.160 --> 1:07:40.680
<v Speaker 1>time you've been disappointed. And the people of this industry,

1:07:40.720 --> 1:07:44.360
<v Speaker 1>and I don't mean business, I mean like, because we

1:07:44.480 --> 1:07:46.880
<v Speaker 1>all come into this with a facade that this guy

1:07:47.000 --> 1:07:51.440
<v Speaker 1>is this person, this guy this person, and when wet

1:07:51.480 --> 1:07:52.920
<v Speaker 1>it to meet like I don't want to meet my

1:07:53.000 --> 1:07:55.880
<v Speaker 1>heroes no more. I heard that I don't want to

1:07:55.920 --> 1:07:58.920
<v Speaker 1>meet my heroes no more. Bro Like, like, I'm so

1:07:59.080 --> 1:08:02.040
<v Speaker 1>scared to meet Larry because if he disappoints me. This

1:08:02.880 --> 1:08:06.720
<v Speaker 1>is one of my God, was there ever a time

1:08:06.800 --> 1:08:07.920
<v Speaker 1>you wanted to meet somebody and.

1:08:08.040 --> 1:08:11.720
<v Speaker 3>Just was like, Oh, I think that happens often. Yeah,

1:08:12.160 --> 1:08:16.400
<v Speaker 3>I think we see people from a far and then

1:08:16.439 --> 1:08:20.519
<v Speaker 3>we have this kind of illusion of who we think

1:08:20.600 --> 1:08:23.519
<v Speaker 3>they are, the idea of who, and then we see

1:08:23.640 --> 1:08:26.760
<v Speaker 3>him it's just like, man, he not who I think

1:08:26.840 --> 1:08:27.160
<v Speaker 3>he was.

1:08:27.600 --> 1:08:30.400
<v Speaker 4>But the real ship is that, the real shit is that.

1:08:32.120 --> 1:08:36.439
<v Speaker 1>In the reverse, that's you too. Yep. People meet you and.

1:08:36.600 --> 1:08:38.280
<v Speaker 3>Be like, Yo, I thought you was just like this

1:08:38.479 --> 1:08:42.600
<v Speaker 3>angry guy like this fucking just wow, gud, It's like

1:08:42.720 --> 1:08:45.760
<v Speaker 3>you're really cool, like you're funny, Like I would have

1:08:45.840 --> 1:08:49.240
<v Speaker 3>never known you, see what I'm saying. So it kind

1:08:49.280 --> 1:08:54.720
<v Speaker 3>of works in reverse, you know. But I don't have

1:08:54.880 --> 1:08:58.439
<v Speaker 3>high expectations of people, though I did.

1:08:58.920 --> 1:09:01.920
<v Speaker 1>I did? You know I did? I did?

1:09:02.240 --> 1:09:05.040
<v Speaker 3>He started laughing, like, I know you're talking about I know,

1:09:05.320 --> 1:09:08.280
<v Speaker 3>justic the fuck he talking about the high.

1:09:08.160 --> 1:09:09.160
<v Speaker 4>Expectations for niggas.

1:09:09.320 --> 1:09:12.040
<v Speaker 3>Yeah, this nigga's a fucking.

1:09:12.280 --> 1:09:15.880
<v Speaker 1>I'm talking But I got years of experience though, Yeah,

1:09:16.120 --> 1:09:18.800
<v Speaker 1>my shit is not just like ten years. I got

1:09:18.880 --> 1:09:21.440
<v Speaker 1>like twenty five years of like yo, me being skeptical

1:09:21.479 --> 1:09:24.760
<v Speaker 1>to meet people right, and not only meet them what

1:09:24.920 --> 1:09:27.360
<v Speaker 1>the fuck? Because you can keep up with an act

1:09:27.439 --> 1:09:29.360
<v Speaker 1>for a certain time, but that act is going to

1:09:29.479 --> 1:09:32.840
<v Speaker 1>run out, Like for instance, uh, doctor Dre is exactly

1:09:32.880 --> 1:09:35.160
<v Speaker 1>who I thought he was, Like he's exactly, Like I

1:09:35.200 --> 1:09:36.760
<v Speaker 1>got to spend a whole day with.

1:09:36.840 --> 1:09:44.280
<v Speaker 3>Him, go to his his his his house, a milestone man, his.

1:09:44.400 --> 1:09:47.120
<v Speaker 1>Neighborhood, and like he was exact, and that's this is

1:09:47.240 --> 1:09:49.720
<v Speaker 1>and this is, this is a guy that's a god.

1:09:50.040 --> 1:09:52.400
<v Speaker 1>So like as a guard, you you like you don't

1:09:52.439 --> 1:09:54.040
<v Speaker 1>want you don't want to be let down on the round.

1:09:54.240 --> 1:09:57.679
<v Speaker 1>I came laid a little bit on purpose, just just yeah,

1:09:57.800 --> 1:10:00.200
<v Speaker 1>just just just for me to be like, you know

1:10:00.280 --> 1:10:05.960
<v Speaker 1>you you that nigga to he would have told you,

1:10:06.120 --> 1:10:09.400
<v Speaker 1>I judge people my house, like my like my.

1:10:09.520 --> 1:10:12.519
<v Speaker 3>Dad, anybody, yeah, any any any did not we ever

1:10:12.640 --> 1:10:14.479
<v Speaker 3>tell you how I stuck the gun in.

1:10:14.479 --> 1:10:16.840
<v Speaker 4>The gun in the house in the club for me,

1:10:17.080 --> 1:10:22.000
<v Speaker 4>so I was I was the one doing the it's

1:10:22.040 --> 1:10:22.680
<v Speaker 4>not the gun in the.

1:10:30.320 --> 1:10:33.559
<v Speaker 1>Let me take you tell me. Mano was still fresh

1:10:33.680 --> 1:10:35.439
<v Speaker 1>up the streets and I'm like, nah, were deep in

1:10:35.520 --> 1:10:37.760
<v Speaker 1>there and we're good. He's like, yo, norie, I don't

1:10:37.800 --> 1:10:43.400
<v Speaker 1>go nowhere without the hand and security. I was like,

1:10:43.560 --> 1:10:44.920
<v Speaker 1>I'll hold it for it.

1:10:46.080 --> 1:10:47.559
<v Speaker 4>And we're sitting there, I'm sitting in the truck.

1:10:47.600 --> 1:10:49.200
<v Speaker 1>I'm like, nah my, nigga, I ain't going.

1:10:49.080 --> 1:10:52.000
<v Speaker 4>To remember that day like yesterday. That's a bad Give

1:10:52.040 --> 1:10:54.800
<v Speaker 4>it to me. I got to hold it, yes, And

1:10:54.960 --> 1:10:56.639
<v Speaker 4>I took the grip in there for me, man.

1:10:56.800 --> 1:11:00.479
<v Speaker 1>And and then you feel safe like yeah, And I

1:11:00.560 --> 1:11:04.200
<v Speaker 1>was like mad, really, but I understand. I understand that

1:11:04.280 --> 1:11:11.120
<v Speaker 1>New York mentality, bro club, It was definitely you know

1:11:11.600 --> 1:11:14.160
<v Speaker 1>you understand that the mentality.

1:11:14.240 --> 1:11:14.360
<v Speaker 7>Right.

1:11:14.360 --> 1:11:16.559
<v Speaker 4>So I asked this question the other day.

1:11:16.640 --> 1:11:18.000
<v Speaker 1>I was just like, it's the streets.

1:11:20.120 --> 1:11:22.400
<v Speaker 4>Is it a physical place or is it in? Is

1:11:22.439 --> 1:11:23.160
<v Speaker 4>it a mentality?

1:11:23.600 --> 1:11:25.400
<v Speaker 1>What are they calling it? Now? They said the streets

1:11:25.560 --> 1:11:25.680
<v Speaker 1>is what?

1:11:26.120 --> 1:11:28.519
<v Speaker 3>So I'm asking is it is it? Is the streets

1:11:28.560 --> 1:11:31.360
<v Speaker 3>a physical place or is it a mentality? Oh?

1:11:32.120 --> 1:11:33.880
<v Speaker 1>I think it's both, man, Yeah, I think we got

1:11:33.920 --> 1:11:37.040
<v Speaker 1>to get shot to that. Yeah, I think it's both

1:11:38.000 --> 1:11:39.000
<v Speaker 1>to I think it's both.

1:11:39.080 --> 1:11:39.559
<v Speaker 4>It's both.

1:11:39.840 --> 1:11:42.880
<v Speaker 3>Okay, But if they gentrifyed that same neighborhood, then.

1:11:42.840 --> 1:11:45.240
<v Speaker 2>What then then you win because of mentality?

1:11:45.240 --> 1:11:46.080
<v Speaker 4>Because of me?

1:11:46.720 --> 1:11:49.439
<v Speaker 3>Yes, and that's the thing. Yes, that's real, that's deep.

1:11:50.200 --> 1:11:54.760
<v Speaker 3>I'm from bed Star right, and that's like the like

1:11:54.880 --> 1:11:57.759
<v Speaker 3>a heavily gentrified neighborhood.

1:11:57.840 --> 1:11:58.639
<v Speaker 1>They got Starbucks.

1:11:58.680 --> 1:12:01.800
<v Speaker 4>Now, yeah, they got even more than that.

1:12:02.080 --> 1:12:04.479
<v Speaker 1>You got a couple of cappuccinos and all happuccinos, white

1:12:04.560 --> 1:12:07.680
<v Speaker 1>ladies walking with dogs, and humble house and yeah that's

1:12:07.720 --> 1:12:08.599
<v Speaker 1>down in Whims.

1:12:08.920 --> 1:12:11.960
<v Speaker 4>Yeah yeah his next neighbor. Yeah yeah, but yeah it's

1:12:12.040 --> 1:12:12.639
<v Speaker 4>it's real.

1:12:13.000 --> 1:12:14.280
<v Speaker 1>We got we got you can still go to for

1:12:14.400 --> 1:12:14.920
<v Speaker 1>Green and get.

1:12:14.880 --> 1:12:20.040
<v Speaker 3>Roll absolutely even in Besting the same block. But you

1:12:20.080 --> 1:12:22.120
<v Speaker 3>got the ladies walking around their poodles and and and

1:12:22.280 --> 1:12:26.479
<v Speaker 3>and fucking shipsuit dogs and they they did what those

1:12:26.479 --> 1:12:27.560
<v Speaker 3>the little sandum.

1:12:27.280 --> 1:12:28.400
<v Speaker 4>Burk and the Burke starts.

1:12:28.880 --> 1:12:30.559
<v Speaker 1>We still don't know if it's good or bad though,

1:12:30.640 --> 1:12:33.760
<v Speaker 1>right because the crime, yeah, economically is bad.

1:12:33.760 --> 1:12:37.439
<v Speaker 3>If the ownership doesn't right in anamo is there don't better,

1:12:37.680 --> 1:12:39.920
<v Speaker 3>But it's good for the I guess the crime maybe right.

1:12:40.000 --> 1:12:42.519
<v Speaker 3>But then we trying to understand what's happening here because it's.

1:12:42.400 --> 1:12:44.280
<v Speaker 4>Like we used to we used to hang out there.

1:12:45.080 --> 1:12:47.400
<v Speaker 4>So they took the same corners that have a.

1:12:47.439 --> 1:12:49.879
<v Speaker 1>Little aquarium at one point it was a little aquarium,

1:12:49.920 --> 1:12:53.960
<v Speaker 1>fisher quarium. Yeah, best didn't know the run it over.

1:12:54.080 --> 1:13:01.000
<v Speaker 1>Yeah yeah, they could be ran over. It was it

1:13:01.160 --> 1:13:02.479
<v Speaker 1>was like made. It was like made.

1:13:03.200 --> 1:13:06.960
<v Speaker 4>Yeah, the personal Maide, that is like family to me.

1:13:07.600 --> 1:13:08.400
<v Speaker 1>I'm trying to say.

1:13:10.800 --> 1:13:13.560
<v Speaker 3>It was on Jefferson Jefferson Hompkins. It was a you

1:13:13.640 --> 1:13:15.960
<v Speaker 3>know the Johnny pump is well the hydrant.

1:13:16.600 --> 1:13:21.240
<v Speaker 4>The hydrant he made like a little that attached to it.

1:13:21.439 --> 1:13:25.120
<v Speaker 3>Yet no in the water. He made like this, this

1:13:25.439 --> 1:13:27.760
<v Speaker 3>contraption where it was like real fish in it was.

1:13:27.760 --> 1:13:30.720
<v Speaker 1>The most creative, the most creative ship ever.

1:13:30.960 --> 1:13:33.920
<v Speaker 4>Like and this guy's like family with me, like he

1:13:34.080 --> 1:13:36.519
<v Speaker 4>made this and it was really nice.

1:13:37.160 --> 1:13:39.200
<v Speaker 3>It was they said, Jadakiss came down and have to

1:13:39.280 --> 1:13:41.320
<v Speaker 3>fly over the over the world.

1:13:42.240 --> 1:13:43.400
<v Speaker 4>It was real small, but it was.

1:13:43.720 --> 1:13:48.280
<v Speaker 3>It was dope, like gold fishing there, you understand, gold

1:13:48.360 --> 1:13:49.320
<v Speaker 3>fishing on the sidewalk.

1:13:50.439 --> 1:13:53.920
<v Speaker 1>I was mad as a motherfucker they wrecked. I was like,

1:13:54.040 --> 1:13:55.200
<v Speaker 1>damn niggas, we can't.

1:13:55.040 --> 1:13:56.320
<v Speaker 4>Have nothing shout out the hall.

1:13:56.880 --> 1:13:59.280
<v Speaker 1>Even know you knew him, I don't even know you

1:14:00.120 --> 1:14:00.439
<v Speaker 1>said it.

1:14:01.720 --> 1:14:06.360
<v Speaker 4>Look at that like real goldfish, like the little Nemo fishes.

1:14:07.479 --> 1:14:13.920
<v Speaker 1>Do you think you're Brooklyn, your old school Brooklyn? Did

1:14:13.960 --> 1:14:17.160
<v Speaker 1>you ever think that there's a Brooklyn whatever exists.

1:14:17.880 --> 1:14:20.200
<v Speaker 3>I didn't even think I would make it to this Brooklyn. Wow,

1:14:20.760 --> 1:14:23.320
<v Speaker 3>i'ma be honest with you. I never looked. I never

1:14:23.479 --> 1:14:27.280
<v Speaker 3>thought like I'm gonna live to be. I never thought

1:14:27.320 --> 1:14:30.240
<v Speaker 3>in terms of that, right, but just being hunted with you,

1:14:30.840 --> 1:14:32.000
<v Speaker 3>that's right.

1:14:32.520 --> 1:14:36.639
<v Speaker 1>Yeah, yeah, and you even got a main oda yeah

1:14:36.840 --> 1:14:43.599
<v Speaker 1>noa like in my neighborhood that I brought that that's

1:14:43.640 --> 1:14:46.840
<v Speaker 1>sucking something like that. It's a major Okay, how did

1:14:46.880 --> 1:14:47.400
<v Speaker 1>that come about?

1:14:48.160 --> 1:14:50.280
<v Speaker 3>So I was I was doing things for my neighborhood

1:14:50.320 --> 1:14:53.840
<v Speaker 3>without so called broadcasting, and I was like always doing

1:14:53.920 --> 1:14:56.560
<v Speaker 3>like coat drives and coming to the neighborhood.

1:14:56.120 --> 1:14:57.120
<v Speaker 1>With Macy's and something like that.

1:14:57.240 --> 1:14:59.679
<v Speaker 3>Right, So Macy's used to give me like sixty thousand

1:14:59.680 --> 1:15:02.400
<v Speaker 3>dollars for coats. They'd be like forty between forty and

1:15:02.439 --> 1:15:04.680
<v Speaker 3>sixty thousand dollars worth of coasts every year, and I

1:15:04.720 --> 1:15:06.680
<v Speaker 3>would take those coats. There was brand new coats, but

1:15:06.760 --> 1:15:10.040
<v Speaker 3>it was like the inventary and I shout out to

1:15:10.080 --> 1:15:12.360
<v Speaker 3>Bless because he didn't want to patch me in with that.

1:15:13.160 --> 1:15:16.960
<v Speaker 3>And what happened was I would take those coats and

1:15:17.000 --> 1:15:19.920
<v Speaker 3>bring them to my neighborhoods. There was there was like females,

1:15:20.520 --> 1:15:23.680
<v Speaker 3>young kids and women's coats, and I would give them

1:15:23.720 --> 1:15:26.000
<v Speaker 3>out mostly like every year, and I would like try

1:15:26.080 --> 1:15:27.760
<v Speaker 3>to do as much as I could for my for

1:15:27.880 --> 1:15:28.520
<v Speaker 3>my neighborhood.

1:15:28.920 --> 1:15:32.200
<v Speaker 4>And then I got approached about having a day in

1:15:32.320 --> 1:15:32.720
<v Speaker 4>my name.

1:15:32.960 --> 1:15:36.000
<v Speaker 3>It's like that was that was That was different because

1:15:36.000 --> 1:15:37.680
<v Speaker 3>I only thought niggas you had to die to get

1:15:37.720 --> 1:15:39.839
<v Speaker 3>a day or your name on the streets.

1:15:39.960 --> 1:15:41.960
<v Speaker 4>Yeah, you gotta be gone to get that.

1:15:42.680 --> 1:15:45.600
<v Speaker 1>Yeah. So what what does main old day consist of?

1:15:45.840 --> 1:15:46.559
<v Speaker 4>So mayn o days?

1:15:46.560 --> 1:15:48.400
<v Speaker 3>So when I asked him, I said, listen, you're gonna

1:15:48.400 --> 1:15:49.840
<v Speaker 3>give me this day. It's going to be like, what

1:15:50.040 --> 1:15:51.960
<v Speaker 3>is it? I'm trying to understand. It was like the

1:15:52.520 --> 1:15:57.240
<v Speaker 3>the Brooklyn Borough president, We're gonna give this day to

1:15:57.360 --> 1:16:00.519
<v Speaker 3>Maino and it's going to be this day of service.

1:16:00.920 --> 1:16:02.640
<v Speaker 3>And I'm listening to him talk and I'm just like,

1:16:02.640 --> 1:16:05.880
<v Speaker 3>all right, I know what to do. First thing. First,

1:16:05.920 --> 1:16:08.080
<v Speaker 3>I want to I want to make the day my

1:16:08.160 --> 1:16:11.599
<v Speaker 3>mother's birthday. Oh okay, she rest in peace.

1:16:11.640 --> 1:16:13.320
<v Speaker 1>I want to. I want to. I want to have it.

1:16:13.560 --> 1:16:15.719
<v Speaker 3>I want to celebrate her birthday at the same time,

1:16:16.120 --> 1:16:18.880
<v Speaker 3>but I want to do something for the that wasn't

1:16:18.920 --> 1:16:19.439
<v Speaker 3>done for us.

1:16:21.680 --> 1:16:25.479
<v Speaker 4>Let me block off two city blocks. Can I do that?

1:16:26.720 --> 1:16:27.439
<v Speaker 4>I had this vision.

1:16:27.479 --> 1:16:28.920
<v Speaker 3>I was like, I want to block off two city

1:16:28.960 --> 1:16:32.080
<v Speaker 3>blocks and I want to on one end, I want

1:16:32.120 --> 1:16:34.799
<v Speaker 3>to have a stage for the local artists.

1:16:36.000 --> 1:16:38.000
<v Speaker 4>On the other end, I want to have all these

1:16:38.080 --> 1:16:38.680
<v Speaker 4>functions for.

1:16:38.760 --> 1:16:43.800
<v Speaker 3>Kids, rides, bouncy houses, trucks, ice cream, food trusts, all that.

1:16:44.320 --> 1:16:45.320
<v Speaker 4>And in the middle, I.

1:16:45.400 --> 1:16:48.599
<v Speaker 3>Wanted to be festival style, like with like vendors giving

1:16:48.640 --> 1:16:50.400
<v Speaker 3>away things. I want to sell nothing to the hook,

1:16:51.320 --> 1:16:56.040
<v Speaker 3>right and my vision. We did that two years, two

1:16:56.120 --> 1:16:56.640
<v Speaker 3>years in a row.

1:16:56.680 --> 1:16:56.960
<v Speaker 1>We did that.

1:16:59.680 --> 1:17:05.920
<v Speaker 3>It's it's no violence, it's lit. I'm talking about it's huge.

1:17:06.040 --> 1:17:08.439
<v Speaker 3>Like I was watching, I was like going around looking

1:17:08.479 --> 1:17:10.280
<v Speaker 3>at what Spike Lee been doing, because Spike Lee does

1:17:10.320 --> 1:17:12.960
<v Speaker 3>something in bed Start too every year, big block party

1:17:13.760 --> 1:17:15.240
<v Speaker 3>for do the right thing good.

1:17:15.520 --> 1:17:16.880
<v Speaker 4>So I was like looking at what he was doing.

1:17:17.000 --> 1:17:18.800
<v Speaker 4>I was like, I see it. So I got two

1:17:18.880 --> 1:17:19.519
<v Speaker 4>city blocks.

1:17:20.120 --> 1:17:24.479
<v Speaker 3>I'm going for three this year, right, my permit, and

1:17:24.680 --> 1:17:27.599
<v Speaker 3>really make this it's a festival style. I had mothers

1:17:27.640 --> 1:17:31.679
<v Speaker 3>come to me and say thank you because I couldn't

1:17:31.720 --> 1:17:36.680
<v Speaker 3>afford to take my kid to an amusement park. All right,

1:17:37.000 --> 1:17:40.360
<v Speaker 3>great adventions and ship like that, and you out here

1:17:40.439 --> 1:17:45.320
<v Speaker 3>bringing rides, you out here doing that, so thank you,

1:17:46.120 --> 1:17:50.679
<v Speaker 3>you know, and we're giving away book bags, sneakers, shirts,

1:17:50.960 --> 1:17:52.840
<v Speaker 3>giving I got healthcare out there shout out the Metro

1:17:53.000 --> 1:17:56.960
<v Speaker 3>Plus coming out there signing people up for healthcare. You know,

1:17:57.040 --> 1:17:59.240
<v Speaker 3>I just trying to like give back at the same time.

1:17:59.280 --> 1:18:00.320
<v Speaker 3>You know what I mean, right.

1:18:03.080 --> 1:18:04.560
<v Speaker 1>You you ever thought you would have?

1:18:05.160 --> 1:18:05.200
<v Speaker 5>No?

1:18:10.520 --> 1:18:11.960
<v Speaker 4>Definitely, definitely not a lie.

1:18:13.200 --> 1:18:16.200
<v Speaker 1>Real Okay, So we've got things for the kids, we

1:18:16.320 --> 1:18:17.080
<v Speaker 1>got things for the.

1:18:17.680 --> 1:18:19.639
<v Speaker 4>Local artists, things artists families.

1:18:19.680 --> 1:18:21.679
<v Speaker 1>And then where's the after party at scarlets?

1:18:22.640 --> 1:18:25.680
<v Speaker 4>Possibly possibly starlist possibly.

1:18:27.880 --> 1:18:28.919
<v Speaker 1>I'm sorry.

1:18:30.800 --> 1:18:33.600
<v Speaker 4>In a minute, it's always. I mean, I like that,

1:18:33.640 --> 1:18:34.160
<v Speaker 4>have a good time.

1:18:34.360 --> 1:18:35.240
<v Speaker 1>You like strip clubs?

1:18:35.800 --> 1:18:40.599
<v Speaker 4>A lie? I told you I lost the rolling right

1:18:40.680 --> 1:18:44.640
<v Speaker 4>I was. It was home to Milly's to.

1:18:44.880 --> 1:18:51.000
<v Speaker 1>You said you ain't you do the extra one? It

1:18:51.400 --> 1:18:52.599
<v Speaker 1>was a mission in that night.

1:18:52.960 --> 1:18:55.840
<v Speaker 3>Oh I know about the about the I wanted that

1:18:55.960 --> 1:18:56.599
<v Speaker 3>mission that night.

1:18:57.320 --> 1:18:59.439
<v Speaker 1>You have me different.

1:19:00.320 --> 1:19:02.400
<v Speaker 4>I was like, yo, no, but I lost it. I

1:19:02.479 --> 1:19:03.400
<v Speaker 4>lost it on the comeback.

1:19:03.520 --> 1:19:04.160
<v Speaker 1>Like I woke up.

1:19:04.240 --> 1:19:04.800
<v Speaker 3>It was gone.

1:19:04.880 --> 1:19:09.000
<v Speaker 4>Like the girl that was the room with me, she

1:19:09.200 --> 1:19:11.160
<v Speaker 4>was gone, Yeah, she was going. The watch was gone.

1:19:11.320 --> 1:19:13.479
<v Speaker 4>You know, I learned my lesson. Yeah, you got this.

1:19:13.640 --> 1:19:13.880
<v Speaker 1>Listen.

1:19:14.000 --> 1:19:16.000
<v Speaker 4>Sometimes you take bumps and bruises on the journey.

1:19:16.160 --> 1:19:18.760
<v Speaker 1>For sure. You know we're still here. Say what?

1:19:21.320 --> 1:19:21.519
<v Speaker 8>Yeah?

1:19:22.160 --> 1:19:25.800
<v Speaker 1>No, she was gone, nigga. I woke up.

1:19:26.680 --> 1:19:28.479
<v Speaker 4>Yeah, gone one thirty two in the morning.

1:19:28.720 --> 1:19:31.080
<v Speaker 3>I'm going out of here, only gone.

1:19:31.640 --> 1:19:34.479
<v Speaker 1>We've seen you on Love of Hip Hop? Are you

1:19:34.680 --> 1:19:38.320
<v Speaker 1>actually because did we heard you say you're getting married

1:19:38.400 --> 1:19:42.759
<v Speaker 1>on the radio? Is this actually? I want to get married?

1:19:42.840 --> 1:19:43.000
<v Speaker 5>Man?

1:19:43.200 --> 1:19:43.840
<v Speaker 1>I believe you.

1:19:44.120 --> 1:19:44.960
<v Speaker 4>It's gonna happen.

1:19:45.080 --> 1:19:45.720
<v Speaker 1>I believe you.

1:19:45.840 --> 1:19:47.880
<v Speaker 3>It's gonna happen. I'm gonna set the date first, though.

1:19:47.800 --> 1:19:50.800
<v Speaker 1>Oh, you ain't even set the date. My information is wrong.

1:19:51.560 --> 1:19:54.120
<v Speaker 3>So last year, last year, you gotta understand what's happening.

1:19:55.120 --> 1:19:56.320
<v Speaker 1>Understand me. Okay, I'm here.

1:19:57.120 --> 1:19:59.160
<v Speaker 4>Last year I set a date or you did set

1:19:59.160 --> 1:20:00.720
<v Speaker 4>a date for you twenty six?

1:20:01.960 --> 1:20:03.719
<v Speaker 1>Okay. I went.

1:20:05.720 --> 1:20:09.960
<v Speaker 3>To Robbie Suits and picked out a TUXI though. Okay,

1:20:10.880 --> 1:20:13.800
<v Speaker 3>I went and sat with a wedding planner. Okay, I

1:20:13.960 --> 1:20:17.880
<v Speaker 3>went to Masa and picked out a ring. I did

1:20:17.920 --> 1:20:19.800
<v Speaker 3>all this before I even had a wedding or like

1:20:19.880 --> 1:20:21.000
<v Speaker 3>a like a like a like a.

1:20:21.040 --> 1:20:21.560
<v Speaker 1>Bride to be.

1:20:22.400 --> 1:20:25.960
<v Speaker 4>Damn, I did that first, and that's how I want

1:20:25.960 --> 1:20:26.160
<v Speaker 4>to do it.

1:20:27.040 --> 1:20:28.880
<v Speaker 3>I'm a I'm a You're gonna set up the party

1:20:28.920 --> 1:20:31.320
<v Speaker 3>and then bring I'm gonna set it up and then

1:20:31.400 --> 1:20:36.560
<v Speaker 3>all she got to do is show up. Yeah, i'na ma,

1:20:36.720 --> 1:20:41.719
<v Speaker 3>I'm gonna make my life, not just anybody. I'm gonna

1:20:41.720 --> 1:20:45.680
<v Speaker 3>make my life easier. And if need be, I'll have

1:20:47.320 --> 1:20:50.120
<v Speaker 3>what what what the bridesmaids already there for you.

1:20:51.760 --> 1:20:53.040
<v Speaker 1>You got pre picked base.

1:20:53.520 --> 1:20:55.599
<v Speaker 4>Yeah, I've never heard all my own girls.

1:20:55.760 --> 1:20:57.599
<v Speaker 1>This might be. This might be the most genius ship

1:20:57.600 --> 1:20:58.040
<v Speaker 1>I've ever heard.

1:20:58.720 --> 1:21:02.120
<v Speaker 3>Keep yeah, yeah, this is this is a reality show myself.

1:21:02.960 --> 1:21:06.720
<v Speaker 3>He sounds nothing is impossible. My brother believe that, trust me.

1:21:07.360 --> 1:21:11.200
<v Speaker 3>So he could be the person that marries you guys. Yeah,

1:21:11.360 --> 1:21:13.320
<v Speaker 3>you appreciate We're.

1:21:13.160 --> 1:21:16.400
<v Speaker 4>Gonna get preaching in his mind? Who else is the preacher?

1:21:16.479 --> 1:21:17.439
<v Speaker 1>You get to do it?

1:21:17.560 --> 1:21:17.920
<v Speaker 4>Who else?

1:21:18.800 --> 1:21:21.679
<v Speaker 1>I feel like ray j is a preacher too. Mace

1:21:22.280 --> 1:21:28.880
<v Speaker 1>may definitely can do it. And we got one more

1:21:28.960 --> 1:21:32.479
<v Speaker 1>daddy Yankee. I think, oh yeah, she's a preacher. I

1:21:32.600 --> 1:21:37.000
<v Speaker 1>just think Christian. Just roll with it, man, if you're

1:21:37.000 --> 1:21:38.960
<v Speaker 1>a Christian, you appreciate it. Just roll with it.

1:21:39.960 --> 1:21:40.839
<v Speaker 4>Christian appreachier.

1:21:41.160 --> 1:21:43.040
<v Speaker 1>You can do it. You've got the good book. You

1:21:43.120 --> 1:21:45.479
<v Speaker 1>can do it straight up, if you believe you can

1:21:45.560 --> 1:21:49.360
<v Speaker 1>do it. So, oh man, that's who I was looking

1:21:49.400 --> 1:21:53.120
<v Speaker 1>for now. He's yes, if you.

1:21:53.439 --> 1:21:55.600
<v Speaker 4>If you believe in the law. You can preach he

1:21:55.680 --> 1:21:56.400
<v Speaker 4>married a preacher.

1:21:56.880 --> 1:21:59.840
<v Speaker 1>No, he married pusher married he.

1:22:00.120 --> 1:22:01.839
<v Speaker 4>He got he married.

1:22:02.320 --> 1:22:09.000
<v Speaker 1>Got just sounded crazy at my at my wedding, I'm

1:22:09.000 --> 1:22:11.519
<v Speaker 1>appreciately gonna fly fly down. Oh like.

1:22:13.280 --> 1:22:13.559
<v Speaker 5>So like.

1:22:15.200 --> 1:22:15.639
<v Speaker 2>That man.

1:22:17.479 --> 1:22:21.120
<v Speaker 1>Character, you're gonna fly down with Louis Vuitton on and

1:22:21.200 --> 1:22:21.439
<v Speaker 1>all that.

1:22:21.880 --> 1:22:23.479
<v Speaker 3>Okay, I need one of them niggas.

1:22:23.520 --> 1:22:25.000
<v Speaker 1>So you really got a wedding plan.

1:22:25.320 --> 1:22:28.120
<v Speaker 3>I'm gonna replant it because I didn't make it this

1:22:28.240 --> 1:22:31.400
<v Speaker 3>July twenty six, that was last year. So I'm announce

1:22:31.400 --> 1:22:32.519
<v Speaker 3>a new date for this year.

1:22:33.040 --> 1:22:34.479
<v Speaker 1>But you have a woman? Correct?

1:22:34.560 --> 1:22:41.679
<v Speaker 4>No, no, no, he's announcing the show without there's no woman. Okay.

1:22:42.320 --> 1:22:44.439
<v Speaker 1>So because I heard they say, like, that's what they say,

1:22:45.160 --> 1:22:47.600
<v Speaker 1>and that's why they say at the weddings, and this

1:22:48.439 --> 1:22:51.000
<v Speaker 1>this woman because it could be anybody, like or they

1:22:51.040 --> 1:22:53.840
<v Speaker 1>say this loyal methic man because they have to tuxtedos

1:22:54.280 --> 1:22:56.360
<v Speaker 1>for anybody to go in there. Like I never heard

1:22:56.400 --> 1:22:57.280
<v Speaker 1>of this, Like how you.

1:22:57.560 --> 1:22:58.040
<v Speaker 4>This is different.

1:22:58.160 --> 1:23:00.560
<v Speaker 1>It's different. It's different. This is different. Who will be

1:23:00.600 --> 1:23:01.920
<v Speaker 1>your best man at your wedding?

1:23:02.320 --> 1:23:05.519
<v Speaker 4>I'll have a couple, a couple, a few best men.

1:23:05.800 --> 1:23:08.599
<v Speaker 1>We have some rappers and regulars. Let's name.

1:23:08.720 --> 1:23:10.479
<v Speaker 4>We gotta do ship out of the box.

1:23:10.560 --> 1:23:10.680
<v Speaker 1>Bro.

1:23:11.240 --> 1:23:12.880
<v Speaker 4>We can't do the same thing over and over.

1:23:12.960 --> 1:23:14.719
<v Speaker 3>Man. So I have a two A couple of homies.

1:23:15.160 --> 1:23:17.639
<v Speaker 4>Lobby boys. Yeah, lobby boys.

1:23:18.200 --> 1:23:18.680
<v Speaker 1>I like that.

1:23:19.040 --> 1:23:19.200
<v Speaker 3>Like that.

1:23:19.280 --> 1:23:23.040
<v Speaker 4>Let's drink to that drink that Okay, definitely it would

1:23:23.080 --> 1:23:31.120
<v Speaker 4>be fab Okay, Jim, okay, okay, yep?

1:23:31.760 --> 1:23:33.360
<v Speaker 1>Why not? Guy? What what?

1:23:33.600 --> 1:23:33.640
<v Speaker 2>What?

1:23:33.840 --> 1:23:36.479
<v Speaker 1>What Uncle Murder make your wedding party? Uncle Murder?

1:23:38.040 --> 1:23:39.040
<v Speaker 4>I love Uncle Murder.

1:23:39.240 --> 1:23:40.400
<v Speaker 1>No no no no no no no no no no

1:23:40.479 --> 1:23:40.840
<v Speaker 1>no no no.

1:23:41.640 --> 1:23:42.639
<v Speaker 4>I love Uncle Murder.

1:23:42.760 --> 1:23:44.880
<v Speaker 1>Many.

1:23:45.840 --> 1:23:46.920
<v Speaker 4>I love Uncle Murder.

1:23:46.960 --> 1:23:49.080
<v Speaker 3>That's my brother. I love home mur We started this

1:23:49.160 --> 1:23:52.519
<v Speaker 3>ship together. Restect that we started this ship together. Like

1:23:53.120 --> 1:23:55.680
<v Speaker 3>it it's main o Uncle Murder records that go all

1:23:55.680 --> 1:23:56.120
<v Speaker 3>the way back.

1:23:56.040 --> 1:23:57.080
<v Speaker 4>To two thousand and five.

1:23:57.280 --> 1:24:02.440
<v Speaker 3>Wow, it was main old Uncle Murder. Oppon and Noriega

1:24:04.080 --> 1:24:07.680
<v Speaker 3>pound like yellow tape is classic, you know what I mean?

1:24:08.040 --> 1:24:13.680
<v Speaker 3>But I just think, you know, circumstances and time. I

1:24:13.760 --> 1:24:16.000
<v Speaker 3>don't want I don't want to say redefine our relationship

1:24:16.000 --> 1:24:18.760
<v Speaker 3>because I still feel like because me and that we

1:24:18.840 --> 1:24:19.719
<v Speaker 3>never even had an argument.

1:24:19.960 --> 1:24:20.120
<v Speaker 1>Ever.

1:24:21.680 --> 1:24:25.560
<v Speaker 4>I still feel like the respect is there. But you know,

1:24:25.720 --> 1:24:30.160
<v Speaker 4>he with fifty and you understand what being with fifty.

1:24:31.200 --> 1:24:34.960
<v Speaker 3>He requires loyalty, he requires a like the sense of

1:24:35.080 --> 1:24:39.160
<v Speaker 3>loyalsy like nigga, you bet not. But you know he

1:24:39.520 --> 1:24:42.840
<v Speaker 3>is different. You know at this point right now, we

1:24:43.960 --> 1:24:45.880
<v Speaker 3>I don't think what we got with fifty is serious.

1:24:47.240 --> 1:24:52.720
<v Speaker 3>I think that that's just for him. It's definitely. I

1:24:52.800 --> 1:24:55.400
<v Speaker 3>think he's somewhere like laughing at the same time fifty

1:24:57.360 --> 1:25:00.320
<v Speaker 3>when he like throwing little shots at niggas or whatever. Yeah,

1:25:01.520 --> 1:25:03.080
<v Speaker 3>but I think for murder.

1:25:04.720 --> 1:25:07.120
<v Speaker 5>His this is what.

1:25:08.600 --> 1:25:12.560
<v Speaker 1>Changed his life and that has to be respected. So

1:25:13.360 --> 1:25:14.080
<v Speaker 1>it is what it is.

1:25:14.600 --> 1:25:14.800
<v Speaker 5>You know.

1:25:15.080 --> 1:25:17.600
<v Speaker 1>I respect that. I hope I hope y'all get it

1:25:17.680 --> 1:25:21.280
<v Speaker 1>together to like no, no, we don't have no no.

1:25:22.280 --> 1:25:25.120
<v Speaker 1>I love y'all together. Like if there's another album that

1:25:25.160 --> 1:25:28.639
<v Speaker 1>could be made, y'all say, yeah, I would.

1:25:28.720 --> 1:25:30.120
<v Speaker 3>I would like to hear it, bro, But I don't

1:25:30.120 --> 1:25:32.880
<v Speaker 3>know if that I don't know in the climate if

1:25:32.960 --> 1:25:36.559
<v Speaker 3>that could actually happen. You know what I mean. If

1:25:36.600 --> 1:25:40.320
<v Speaker 3>we talked about loyalty, and we talked about picking our sides,

1:25:41.000 --> 1:25:43.600
<v Speaker 3>and it's understandable when size are picked. I don't have

1:25:43.760 --> 1:25:45.400
<v Speaker 3>no problem with the nigga that picked his side. I

1:25:45.520 --> 1:25:47.679
<v Speaker 3>understand that I respect it, you see what I'm saying.

1:25:48.120 --> 1:25:51.000
<v Speaker 3>And I had a relationship with fifty.

1:25:52.280 --> 1:25:54.080
<v Speaker 1>We were super cool because he has something to do

1:25:54.160 --> 1:25:55.000
<v Speaker 1>with putting you on as well.

1:25:55.080 --> 1:26:01.800
<v Speaker 3>Right, absolutely, absolutely, I was signed online. I was signing

1:26:01.840 --> 1:26:03.000
<v Speaker 3>a university. We talked about that.

1:26:03.160 --> 1:26:07.080
<v Speaker 1>We talked about that. The universalis dropped me. I was

1:26:07.160 --> 1:26:08.400
<v Speaker 1>back in the hook, back in the hood.

1:26:09.640 --> 1:26:12.800
<v Speaker 3>I was at Ryo House on mon Road between No

1:26:12.880 --> 1:26:15.200
<v Speaker 3>Shit and Massy and his basement, recording records.

1:26:15.280 --> 1:26:15.800
<v Speaker 4>In the hood.

1:26:17.360 --> 1:26:21.800
<v Speaker 3>I'm trying to figure it out. Fifty at that point

1:26:21.840 --> 1:26:26.400
<v Speaker 3>had a relationship with my brother eighty eighty called me

1:26:26.479 --> 1:26:29.120
<v Speaker 3>and said, look, I'm up here. I'm in I'm in

1:26:29.200 --> 1:26:34.320
<v Speaker 3>fifty office with him right now. We're kicking it. Next thing,

1:26:34.400 --> 1:26:37.200
<v Speaker 3>you know, and within an hour, I'm getting phone calls

1:26:37.200 --> 1:26:40.160
<v Speaker 3>from Atlanta. Yo, you got a meeting. Yeah, they called

1:26:40.200 --> 1:26:43.120
<v Speaker 3>me from Atlantic, got a meeting. They want me up

1:26:43.160 --> 1:26:48.720
<v Speaker 3>at Atlantic. What happened was Fifty asked him to say, Yo,

1:26:48.760 --> 1:26:50.680
<v Speaker 3>what y'all doing? Like you know what I mean, He's like,

1:26:51.280 --> 1:26:53.080
<v Speaker 3>you know, we were talking to Atlantic because I had

1:26:53.160 --> 1:26:54.880
<v Speaker 3>at that point, once I got dropped to the Universe

1:26:55.000 --> 1:26:56.680
<v Speaker 3>from University, we was in.

1:26:56.760 --> 1:27:00.720
<v Speaker 1>Talks with Atlantic. Yeah, but you know how them talk.

1:27:00.800 --> 1:27:02.760
<v Speaker 1>So and let me ask you what regime is that

1:27:02.840 --> 1:27:05.519
<v Speaker 1>in the land. Is that Craig Cowman, Is that Julie

1:27:05.560 --> 1:27:10.160
<v Speaker 1>greenwalk like or that's just it's Craig Cawman. But all

1:27:10.200 --> 1:27:14.080
<v Speaker 1>those people together, okay, okay together the old depth jam

1:27:14.160 --> 1:27:14.479
<v Speaker 1>coming over?

1:27:14.560 --> 1:27:21.080
<v Speaker 3>Yeah, okay, seven okay. Fifty said to my brother a, Yo,

1:27:22.160 --> 1:27:25.679
<v Speaker 3>you want me to call over there? Yeah, they talking,

1:27:25.760 --> 1:27:27.360
<v Speaker 3>but they act like they won't do something and did

1:27:27.400 --> 1:27:27.720
<v Speaker 3>it yet?

1:27:28.080 --> 1:27:28.479
<v Speaker 1>What's up?

1:27:29.520 --> 1:27:30.559
<v Speaker 3>They called over there.

1:27:31.640 --> 1:27:35.960
<v Speaker 4>And tell them? Yo, let me speak to Craig. Get

1:27:36.000 --> 1:27:36.639
<v Speaker 4>Craig on the phone.

1:27:36.680 --> 1:27:36.800
<v Speaker 2>Yo.

1:27:36.880 --> 1:27:41.160
<v Speaker 3>Look what you're doing with manow Yeah you know we're talking.

1:27:41.400 --> 1:27:44.080
<v Speaker 3>Listen if you if I could do it, I would

1:27:44.120 --> 1:27:50.080
<v Speaker 3>do it. He's got their movement. Yeah, that's the niggas.

1:27:51.800 --> 1:27:52.559
<v Speaker 4>Hung their phone up.

1:27:52.560 --> 1:27:56.040
<v Speaker 3>There was on my line. By the time they hung

1:27:56.120 --> 1:27:57.920
<v Speaker 3>their phone up, I was I was getting called into

1:27:57.960 --> 1:28:00.200
<v Speaker 3>a meeting. That's how powerful he was influence you.

1:28:00.320 --> 1:28:02.240
<v Speaker 1>He was so for me.

1:28:02.360 --> 1:28:07.200
<v Speaker 4>I always had a when it came to that.

1:28:08.040 --> 1:28:11.360
<v Speaker 3>That's real, right, I'm a nigga that I ain't. I

1:28:11.400 --> 1:28:14.439
<v Speaker 3>don't never forget that type of shit now, mind you, Right,

1:28:18.040 --> 1:28:23.040
<v Speaker 3>I got people upset about the relationship that me and

1:28:23.160 --> 1:28:28.160
<v Speaker 3>him building at that time. At that time, my son

1:28:30.560 --> 1:28:35.559
<v Speaker 3>his mother, right, his mother is upset about that because

1:28:36.960 --> 1:28:39.800
<v Speaker 3>her brother is the person.

1:28:39.560 --> 1:28:43.160
<v Speaker 1>That they blamed for shooting him. Wow.

1:28:43.439 --> 1:28:48.360
<v Speaker 3>Okay, So when you talk about Homo, that's my son's uncle.

1:28:51.520 --> 1:28:57.120
<v Speaker 3>My son's name Zaine Daryl Coleman. Darl was his name.

1:28:59.360 --> 1:29:02.160
<v Speaker 1>I never met him though, so I didn't. I didn't

1:29:02.240 --> 1:29:03.479
<v Speaker 1>feel the.

1:29:05.600 --> 1:29:07.479
<v Speaker 3>Like a like a like a connection to that. Like

1:29:07.640 --> 1:29:11.720
<v Speaker 3>I just felt like that was the circumstances. And you know,

1:29:12.439 --> 1:29:14.880
<v Speaker 3>and out of respect, I get it that that's the family,

1:29:15.000 --> 1:29:18.760
<v Speaker 3>you know what I mean. But the relationship that me

1:29:18.840 --> 1:29:21.840
<v Speaker 3>and him was building, you know, I was it was

1:29:21.920 --> 1:29:24.200
<v Speaker 3>like what, like, nigga, you helped me? So I never

1:29:24.280 --> 1:29:28.040
<v Speaker 3>I never forgot that, you see what I'm saying, Like

1:29:28.160 --> 1:29:29.680
<v Speaker 3>that was something that I always kept with me like

1:29:29.720 --> 1:29:31.840
<v Speaker 3>this nigga that and I never and that's all you

1:29:31.880 --> 1:29:33.640
<v Speaker 3>got to do for a nigga like me. I'm not

1:29:33.760 --> 1:29:35.880
<v Speaker 3>I'm not asking for no song, I'm not asking for

1:29:35.960 --> 1:29:38.640
<v Speaker 3>nothing else that you did enough, you know.

1:29:39.360 --> 1:29:41.919
<v Speaker 1>But yeah, so, and even still.

1:29:43.200 --> 1:29:45.720
<v Speaker 3>With the relationship that me and him was building at

1:29:45.760 --> 1:29:50.479
<v Speaker 3>that time, I still was hearing shit like oh how

1:29:50.520 --> 1:29:54.760
<v Speaker 3>could you you know, be it you know, fuck with

1:29:54.920 --> 1:30:01.519
<v Speaker 3>somebody that you know, your your son's family and I

1:30:01.560 --> 1:30:02.799
<v Speaker 3>didn't you know, I didn't.

1:30:02.560 --> 1:30:04.479
<v Speaker 4>Get it, but you know what it was, what it was,

1:30:06.880 --> 1:30:08.360
<v Speaker 4>that's a crazy connection, man, right.

1:30:09.800 --> 1:30:11.840
<v Speaker 1>And then what did T I have to do? I

1:30:11.880 --> 1:30:13.519
<v Speaker 1>know we spoke about it earlier. What did T I

1:30:13.600 --> 1:30:15.040
<v Speaker 1>have to do at the beginning of your career?

1:30:15.520 --> 1:30:15.680
<v Speaker 2>Was that?

1:30:15.920 --> 1:30:18.439
<v Speaker 1>What did he come in in Atlantic? Chip?

1:30:18.600 --> 1:30:24.720
<v Speaker 3>Yeah, Chip was definitely helpful. Chip wanted to sign me

1:30:24.800 --> 1:30:30.120
<v Speaker 3>the Grand Hustle. That didn't actually work out, So I

1:30:30.240 --> 1:30:33.840
<v Speaker 3>never fully signed the Grand Hustle, but I was that was.

1:30:33.840 --> 1:30:37.599
<v Speaker 1>The time they had the big dude but on country

1:30:37.680 --> 1:30:38.320
<v Speaker 1>can yeah.

1:30:38.160 --> 1:30:42.240
<v Speaker 4>Country shout out the country can Country can Yeah?

1:30:45.200 --> 1:30:45.360
<v Speaker 1>Yeah?

1:30:45.400 --> 1:30:48.280
<v Speaker 3>I never I never signed to Groundhustle. We talked about it.

1:30:48.479 --> 1:30:51.400
<v Speaker 3>We were trying to figure out what that was. Because

1:30:51.560 --> 1:30:56.240
<v Speaker 3>what happened was Atlantic was signing me direct, you know,

1:30:57.439 --> 1:30:59.640
<v Speaker 3>And sometimes I think like, maybe, like if you were

1:30:59.720 --> 1:31:02.680
<v Speaker 3>have did it T I didn't had to be through him,

1:31:02.760 --> 1:31:03.719
<v Speaker 3>And you're saying.

1:31:03.600 --> 1:31:05.200
<v Speaker 4>Right, right, they were signing me direct.

1:31:06.360 --> 1:31:09.320
<v Speaker 1>Yes, it was a better bet. I'm trying to say, like,

1:31:09.400 --> 1:31:12.000
<v Speaker 1>it's not it's not it's not. No, it was no,

1:31:12.320 --> 1:31:14.400
<v Speaker 1>it was no cut, it was no cutting. It was us.

1:31:14.600 --> 1:31:16.400
<v Speaker 4>It was hustle hard directly with the line.

1:31:16.760 --> 1:31:20.040
<v Speaker 1>Right now, you you recently had a picture with Jay

1:31:20.200 --> 1:31:23.679
<v Speaker 1>right and it looked like you was relieved for some reason.

1:31:25.439 --> 1:31:28.120
<v Speaker 1>It looked like he was like, yo, man, I follow you.

1:31:28.960 --> 1:31:32.000
<v Speaker 1>I felt like, this is me speculating. I felt like

1:31:32.120 --> 1:31:34.439
<v Speaker 1>you had to tell him something at that very moment.

1:31:34.640 --> 1:31:37.680
<v Speaker 1>And after that moment was the picture. Now I'm speculating.

1:31:38.439 --> 1:31:40.519
<v Speaker 4>But told me he watched the show. This is when

1:31:40.680 --> 1:31:41.840
<v Speaker 4>Kitchen Talk was out.

1:31:43.560 --> 1:31:46.439
<v Speaker 1>Okay. I was surprised about that, right, I was. He

1:31:46.520 --> 1:31:47.200
<v Speaker 1>watches everything.

1:31:48.000 --> 1:31:51.439
<v Speaker 3>I was super surprised. M So that's that what that

1:31:51.560 --> 1:31:53.519
<v Speaker 3>moment was like he was telling me, oh, man, I

1:31:53.560 --> 1:31:57.599
<v Speaker 3>watched the show. Like I'm like, what you watched everything?

1:31:57.960 --> 1:31:58.519
<v Speaker 1>You watched me?

1:31:58.680 --> 1:31:58.960
<v Speaker 7>Nigga?

1:31:59.400 --> 1:32:00.720
<v Speaker 4>You know, I mean this is a whole you know,

1:32:00.840 --> 1:32:03.360
<v Speaker 4>we we we look at hold with a certain lens.

1:32:03.439 --> 1:32:03.560
<v Speaker 3>You know.

1:32:03.960 --> 1:32:04.759
<v Speaker 1>But what happened?

1:32:04.800 --> 1:32:04.920
<v Speaker 3>Why?

1:32:05.040 --> 1:32:08.080
<v Speaker 1>Why was the even of discrepancy? Did you wasn't It

1:32:08.240 --> 1:32:11.320
<v Speaker 1>wasn't just rumors? What did you say about hole?

1:32:12.800 --> 1:32:15.080
<v Speaker 3>You gotta know that when I came in a game,

1:32:15.120 --> 1:32:16.400
<v Speaker 3>I came in a game with a lot.

1:32:16.360 --> 1:32:20.760
<v Speaker 1>Of like yeah, like still the wool lines like you

1:32:20.840 --> 1:32:21.960
<v Speaker 1>want somebody to say whoo.

1:32:22.080 --> 1:32:27.000
<v Speaker 3>Yeah, like talking crazy, you know, saying ship that not

1:32:27.160 --> 1:32:29.080
<v Speaker 3>having somebody school me to the game.

1:32:29.200 --> 1:32:30.120
<v Speaker 1>You see, the thing is.

1:32:32.120 --> 1:32:36.160
<v Speaker 3>My perception the game was at that point was getting

1:32:36.200 --> 1:32:39.240
<v Speaker 3>out of prison. I'm telling my niggas, Yo, we really

1:32:39.479 --> 1:32:43.720
<v Speaker 3>who we say we are, We really involved with the

1:32:43.760 --> 1:32:46.719
<v Speaker 3>ship that were involved with these.

1:32:46.600 --> 1:32:50.439
<v Speaker 1>Niggas is just acting. We can be that we can

1:32:50.520 --> 1:32:51.840
<v Speaker 1>we can we can show the world.

1:32:51.880 --> 1:32:55.240
<v Speaker 3>And I had this perception of like we're gonna show them,

1:32:55.479 --> 1:32:59.200
<v Speaker 3>We're gonna out tough these niggas and out real them, right,

1:32:59.360 --> 1:33:01.920
<v Speaker 3>like show the world like they not who they are

1:33:02.040 --> 1:33:05.160
<v Speaker 3>and we're the genuine article. And that was that was

1:33:05.240 --> 1:33:10.639
<v Speaker 3>the the most primitive thought ever because it's really dumb.

1:33:11.840 --> 1:33:14.360
<v Speaker 1>Do you think if that line would nick came out,

1:33:14.400 --> 1:33:16.760
<v Speaker 1>you guys would embrace each other. Which line like I

1:33:16.840 --> 1:33:19.559
<v Speaker 1>couldn't saying you like taking a shot at jail or whatever.

1:33:19.560 --> 1:33:22.639
<v Speaker 3>Because I said mad Ship, Okay, I said ship about

1:33:22.720 --> 1:33:26.560
<v Speaker 3>Jim Jones the whole song wollams Her j was a

1:33:26.640 --> 1:33:28.880
<v Speaker 3>scary dude and all this ship like we're talking about

1:33:28.920 --> 1:33:31.559
<v Speaker 3>Like I literally went to Massie and ship. They was like, yo,

1:33:31.600 --> 1:33:33.160
<v Speaker 3>he don't come to Massie And I'm listening to this

1:33:33.240 --> 1:33:34.519
<v Speaker 3>dumb ship. He don't come to Massie.

1:33:35.360 --> 1:33:38.599
<v Speaker 2>You know, we said that's equivalent to the fifties rock Yes.

1:33:38.800 --> 1:33:43.280
<v Speaker 3>Yes, which which kind of inspired me, right of course,

1:33:43.600 --> 1:33:45.200
<v Speaker 3>let's keep it real, and.

1:33:45.479 --> 1:33:47.760
<v Speaker 1>Which is inspired by Biggie's sucking the R and B bit.

1:33:47.880 --> 1:33:49.960
<v Speaker 4>Absolutely, But he was just talking about R and B

1:33:50.760 --> 1:33:51.680
<v Speaker 4>and I'm just talking about the.

1:33:55.040 --> 1:33:55.720
<v Speaker 2>So so.

1:34:01.560 --> 1:34:05.599
<v Speaker 3>I'm saying, Ship, I'm shooting videos because what what we're

1:34:05.640 --> 1:34:08.000
<v Speaker 3>trying to do. We're trying to get attention, right, right,

1:34:08.120 --> 1:34:10.880
<v Speaker 3>So they would call that trolling now right.

1:34:11.880 --> 1:34:12.080
<v Speaker 1>Yeah.

1:34:12.439 --> 1:34:14.080
<v Speaker 4>I seen a nigga say, yo, man, no, you came

1:34:14.120 --> 1:34:16.000
<v Speaker 4>into game trolling while you mad at.

1:34:15.920 --> 1:34:20.280
<v Speaker 1>Me somebody else. I said, you're right, somebody else trolling you.

1:34:22.280 --> 1:34:25.240
<v Speaker 1>So were you admitted to it? Yeah?

1:34:26.960 --> 1:34:29.000
<v Speaker 3>Because you know what, because when you when you feel

1:34:29.040 --> 1:34:31.439
<v Speaker 3>like there's no other options, you do what you feel like.

1:34:33.240 --> 1:34:34.000
<v Speaker 4>You got to survival.

1:34:35.560 --> 1:34:35.760
<v Speaker 1>Yeah.

1:34:36.600 --> 1:34:39.360
<v Speaker 4>My very first record, l A l A's just arguably

1:34:39.600 --> 1:34:40.720
<v Speaker 4>one of the biggest.

1:34:42.640 --> 1:34:45.479
<v Speaker 1>L one of the true we're just supposed to agree

1:34:45.560 --> 1:34:50.920
<v Speaker 1>like that, but arguably one of the very first troll

1:34:51.040 --> 1:34:54.360
<v Speaker 1>records because we had never even been to l A.

1:34:55.880 --> 1:34:59.160
<v Speaker 1>Like we we ain't leave Jamaica Avenue let alone Jamaica

1:34:59.760 --> 1:35:02.400
<v Speaker 1>like we were. We didn't even know what l A

1:35:02.800 --> 1:35:03.880
<v Speaker 1>smelled like, been on.

1:35:03.960 --> 1:35:08.800
<v Speaker 4>The planet for twenty five years, like, oh my god.

1:35:09.400 --> 1:35:12.639
<v Speaker 1>So we made l A and we never even knew

1:35:12.640 --> 1:35:15.000
<v Speaker 1>a kind of like we were talking about and I

1:35:15.120 --> 1:35:16.679
<v Speaker 1>tell you this, I'll.

1:35:16.479 --> 1:35:17.960
<v Speaker 2>Tell you this, but you didn't go hard.

1:35:18.160 --> 1:35:22.160
<v Speaker 1>We didn't because it's the hook. But I'm agreeing with him.

1:35:22.200 --> 1:35:24.479
<v Speaker 1>I'm saying like that was that, that was that attention,

1:35:24.680 --> 1:35:27.280
<v Speaker 1>like real quick, and we got it real quick, and

1:35:27.360 --> 1:35:29.880
<v Speaker 1>the New York big had our back.

1:35:30.439 --> 1:35:32.200
<v Speaker 3>When you feel like you ain't got no other options,

1:35:32.360 --> 1:35:32.960
<v Speaker 3>well hold up.

1:35:33.000 --> 1:35:35.439
<v Speaker 4>Sorry to country, but Tim Dogs the first fu content.

1:35:35.560 --> 1:35:36.920
<v Speaker 4>Oh ship, that's the fun.

1:35:38.200 --> 1:35:38.840
<v Speaker 1>That's a good one.

1:35:38.920 --> 1:35:39.519
<v Speaker 4>Shout him.

1:35:41.880 --> 1:35:46.639
<v Speaker 3>Got Tim dog rest. Yeah he died, Tim Dogg died,

1:35:50.320 --> 1:35:53.599
<v Speaker 3>did Yeah. I gotta stop the ship, y'all going back there.

1:35:54.240 --> 1:35:56.360
<v Speaker 3>You gotta be honest, you just.

1:35:58.000 --> 1:35:58.599
<v Speaker 4>We're gonna.

1:36:01.840 --> 1:36:02.680
<v Speaker 1>John think.

1:36:02.760 --> 1:36:07.719
<v Speaker 4>Yeah, Tim Doll died. Oh see, this is how fucked

1:36:07.800 --> 1:36:08.360
<v Speaker 4>up our world is.

1:36:08.520 --> 1:36:10.320
<v Speaker 2>Someone knows the fact out. I agree with the fact

1:36:10.360 --> 1:36:12.000
<v Speaker 2>that someone said, no, that's not a fact, and we

1:36:12.040 --> 1:36:13.720
<v Speaker 2>all fucked us in real life.

1:36:13.840 --> 1:36:16.760
<v Speaker 3>Was really fucked up is that we didn't know he passed. Yeah,

1:36:16.920 --> 1:36:18.719
<v Speaker 3>I remember when God bless him.

1:36:19.400 --> 1:36:21.559
<v Speaker 1>As crazy as I was doing mad restart showing you right,

1:36:22.120 --> 1:36:23.880
<v Speaker 1>and I went online, I've seen an interview from you

1:36:24.000 --> 1:36:27.120
<v Speaker 1>from six years ago. Interview for you six years ago.

1:36:27.400 --> 1:36:29.800
<v Speaker 1>It was envy was y'all was playing around, but it

1:36:30.160 --> 1:36:32.000
<v Speaker 1>was like he kind of kept bringing up like street share,

1:36:32.000 --> 1:36:34.880
<v Speaker 1>street street ship. But I'm not gonna say that that part.

1:36:35.320 --> 1:36:40.720
<v Speaker 1>The part that intrigued me was like, you start talking

1:36:40.760 --> 1:36:43.960
<v Speaker 1>about Nipsey Hustle, and I believe your words was man

1:36:44.240 --> 1:36:48.000
<v Speaker 1>that if that shit could happen to Nipsey Hustle, Uh,

1:36:48.360 --> 1:36:51.880
<v Speaker 1>it could happen. You know, do you think that was

1:36:51.920 --> 1:36:54.040
<v Speaker 1>a mistake for Nipsey going back to the hood?

1:36:57.000 --> 1:36:58.880
<v Speaker 4>Is was it a mistake for him to be back?

1:36:59.360 --> 1:37:01.519
<v Speaker 1>I mean for him to be invested in the hood

1:37:01.640 --> 1:37:04.559
<v Speaker 1>like that now just wanted It's like like you just said, right,

1:37:05.000 --> 1:37:07.080
<v Speaker 1>you said you gave coach back to the hood.

1:37:07.520 --> 1:37:10.080
<v Speaker 3>You got this main old day, like, but I still

1:37:10.120 --> 1:37:11.000
<v Speaker 3>go do things though.

1:37:11.120 --> 1:37:14.240
<v Speaker 1>Yeah, I know I know that I'm asking this particular

1:37:14.240 --> 1:37:16.280
<v Speaker 1>because you know, we actually got a run with Nipsey

1:37:16.360 --> 1:37:19.519
<v Speaker 1>Hustle's brother, Black Sam and Marathon. I'm doing it February

1:37:19.560 --> 1:37:23.000
<v Speaker 1>twenty first in LA You know, what I'm saying, and

1:37:23.120 --> 1:37:25.960
<v Speaker 1>this is something I'm asking you as a as as

1:37:26.000 --> 1:37:28.360
<v Speaker 1>a as a as an East Coaster, as a federal legend,

1:37:28.439 --> 1:37:31.679
<v Speaker 1>do you think that that was a mistake for Nipsey

1:37:31.800 --> 1:37:34.120
<v Speaker 1>invested into the hood? What I mean by investing, I

1:37:34.200 --> 1:37:37.720
<v Speaker 1>mean his time and I mean the actual star like

1:37:37.840 --> 1:37:38.479
<v Speaker 1>having it there.

1:37:45.200 --> 1:37:48.640
<v Speaker 3>We only will say that in hindsight, mm hmm. We

1:37:48.800 --> 1:37:51.160
<v Speaker 3>only we only will say that because of what happened.

1:37:52.720 --> 1:37:55.120
<v Speaker 3>If had that not happened, we would be like, yo,

1:37:55.200 --> 1:37:55.960
<v Speaker 3>he a real nigga.

1:37:56.400 --> 1:37:58.400
<v Speaker 4>We would salute him for what he's doing. We would

1:37:58.439 --> 1:37:59.240
<v Speaker 4>commend him for that.

1:37:59.760 --> 1:38:02.280
<v Speaker 3>You know, we will be like, yo, he's he's in

1:38:02.360 --> 1:38:05.559
<v Speaker 3>the community, he's giving back to the community. He cares

1:38:05.600 --> 1:38:09.800
<v Speaker 3>about the community. So I don't I can't say that

1:38:09.920 --> 1:38:11.760
<v Speaker 3>that was a mistake. I feel like that that was

1:38:11.840 --> 1:38:16.640
<v Speaker 3>a that was an incident that reminds you that what

1:38:16.800 --> 1:38:20.280
<v Speaker 3>could happen because it's accessible, right when you're so accessible

1:38:20.800 --> 1:38:23.600
<v Speaker 3>and the mentality of of of the hood, you know,

1:38:23.680 --> 1:38:23.920
<v Speaker 3>can you.

1:38:24.000 --> 1:38:26.479
<v Speaker 4>Can you blame the community? Straight up?

1:38:26.520 --> 1:38:29.559
<v Speaker 2>I think that you can possibly happen if he invested

1:38:29.640 --> 1:38:32.400
<v Speaker 2>somewhere else, the will it'll.

1:38:32.200 --> 1:38:35.000
<v Speaker 3>Follow you any We can't blame the community, especially because

1:38:35.040 --> 1:38:36.400
<v Speaker 3>generally speaking, he was loved.

1:38:37.280 --> 1:38:39.360
<v Speaker 4>Right, generally speaking, I'm loved in my community.

1:38:39.479 --> 1:38:42.240
<v Speaker 1>Like so the issue could go anywhere, but you have

1:38:42.880 --> 1:38:44.080
<v Speaker 1>you got that one person.

1:38:43.960 --> 1:38:47.000
<v Speaker 4>You got those one those two people that.

1:38:48.600 --> 1:38:52.040
<v Speaker 3>So upset with their lives, so upset with the what

1:38:52.160 --> 1:38:55.400
<v Speaker 3>they see in the mirror, that they hate you more

1:38:55.479 --> 1:39:00.280
<v Speaker 3>than they hate their situation. Right, they would, they they

1:39:00.320 --> 1:39:03.680
<v Speaker 3>would spend more time, you know, on on on how

1:39:03.760 --> 1:39:08.479
<v Speaker 3>to you off, then put energy into fixing that situation.

1:39:09.360 --> 1:39:11.600
<v Speaker 2>But my question is this, if had he done the

1:39:11.640 --> 1:39:15.200
<v Speaker 2>same thing in Santa Monica and then and people knew

1:39:15.200 --> 1:39:17.680
<v Speaker 2>he was there daily, might not.

1:39:18.000 --> 1:39:18.519
<v Speaker 1>The same thing?

1:39:19.600 --> 1:39:22.280
<v Speaker 3>Right, Right, what you're saying is right, anything happened anywhere,

1:39:23.240 --> 1:39:27.720
<v Speaker 3>you can't blame you can't blanket blame their community as

1:39:27.760 --> 1:39:29.960
<v Speaker 3>a whole, because when it.

1:39:30.040 --> 1:39:31.840
<v Speaker 1>Goes back to what we said earlier, cut you off.

1:39:31.920 --> 1:39:32.720
<v Speaker 1>But the streets is.

1:39:36.600 --> 1:39:40.280
<v Speaker 3>Because the most let's think about the streets, Let's think

1:39:40.280 --> 1:39:44.759
<v Speaker 3>about our ghettos. The majority of our ghettos are filled

1:39:44.840 --> 1:39:53.799
<v Speaker 3>with working class families that that don't adhere to street rules.

1:39:55.840 --> 1:39:59.439
<v Speaker 3>Those mothers, those fathers that get up so right right

1:39:59.720 --> 1:40:01.920
<v Speaker 3>and to work, get on the train, get on the

1:40:01.960 --> 1:40:02.320
<v Speaker 3>bus to.

1:40:02.360 --> 1:40:05.040
<v Speaker 4>Go to work, right, they got kids.

1:40:05.840 --> 1:40:08.519
<v Speaker 3>They not part of the streets. The streets is a

1:40:08.600 --> 1:40:12.160
<v Speaker 3>small community of people that come from there, right, that

1:40:12.520 --> 1:40:17.760
<v Speaker 3>kind of delve into a certain lifestyle. Everybody that's from

1:40:17.840 --> 1:40:21.240
<v Speaker 3>your project, So your block wasn't into the shit that.

1:40:21.280 --> 1:40:21.639
<v Speaker 1>You was doing.

1:40:21.720 --> 1:40:24.400
<v Speaker 3>It was a small portion of people. When you think

1:40:24.439 --> 1:40:28.200
<v Speaker 3>about the largest scheme of things, everybody is not like,

1:40:28.280 --> 1:40:31.360
<v Speaker 3>come on, think about your building. How many people in

1:40:31.439 --> 1:40:32.840
<v Speaker 3>your building really was selling drugs?

1:40:33.560 --> 1:40:34.679
<v Speaker 4>Not even half.

1:40:35.680 --> 1:40:37.679
<v Speaker 3>How many people in your building was really shooting shit,

1:40:38.200 --> 1:40:42.280
<v Speaker 3>not even half, not even half everybody. You know, drugs

1:40:42.320 --> 1:40:46.920
<v Speaker 3>affected a lot of our families, but everybody didn't fall victim.

1:40:48.040 --> 1:40:48.920
<v Speaker 4>And that's the thing.

1:40:49.439 --> 1:40:53.080
<v Speaker 3>You get older, you understart to understand that it's a

1:40:53.120 --> 1:40:54.720
<v Speaker 3>little of the mentality.

1:40:54.760 --> 1:40:56.320
<v Speaker 1>When I was younger, I used to go to church

1:40:56.400 --> 1:41:01.880
<v Speaker 1>in forty projects, right, and I used to meet with

1:41:01.960 --> 1:41:04.600
<v Speaker 1>these women. I mean, like you know, the churchwoman, a

1:41:04.680 --> 1:41:07.080
<v Speaker 1>church woman, and they used to go back to forty projects.

1:41:07.160 --> 1:41:09.880
<v Speaker 1>They never knew they lived in the hood at all, right,

1:41:11.439 --> 1:41:15.760
<v Speaker 1>people carrying their bags, like you know, they grocery bags.

1:41:15.800 --> 1:41:19.000
<v Speaker 1>So these ladies was like they never.

1:41:19.040 --> 1:41:22.400
<v Speaker 3>Looked at it, like they were in understanding. Because when

1:41:22.400 --> 1:41:25.840
<v Speaker 3>you don't have anything to measure it against. Yeah, you

1:41:25.880 --> 1:41:28.519
<v Speaker 3>don't have nothing to compare it to. If you lived

1:41:28.560 --> 1:41:32.040
<v Speaker 3>in dark all this time and never seeing light, you

1:41:32.080 --> 1:41:34.280
<v Speaker 3>would figure out how to make the best of the dark.

1:41:35.479 --> 1:41:37.120
<v Speaker 4>You wouldn't have nothing to compare it to.

1:41:37.240 --> 1:41:37.280
<v Speaker 3>You.

1:41:37.479 --> 1:41:39.479
<v Speaker 1>You wouldn't be like, oh my god, it's light.

1:41:40.600 --> 1:41:41.280
<v Speaker 3>You don't know light.

1:41:42.360 --> 1:41:43.400
<v Speaker 4>All you know is the dog.

1:41:44.000 --> 1:41:46.800
<v Speaker 3>So the pain that comes from being in an impolished

1:41:46.840 --> 1:41:51.160
<v Speaker 3>neighborhood doesn't start to feel like pain unless you have

1:41:51.280 --> 1:41:52.800
<v Speaker 3>something something to compare it to.

1:41:56.400 --> 1:41:58.120
<v Speaker 1>Let's go to a couple of your records. Let's go

1:41:58.240 --> 1:41:58.840
<v Speaker 1>through some more.

1:41:59.240 --> 1:42:04.880
<v Speaker 2>Damn that did look good, bro, looked crazy. I pictured

1:42:04.920 --> 1:42:05.680
<v Speaker 2>some little last day.

1:42:05.720 --> 1:42:09.800
<v Speaker 1>This was, Yeah, I was happy. People are flying in

1:42:09.920 --> 1:42:10.599
<v Speaker 1>for all over there.

1:42:10.720 --> 1:42:13.080
<v Speaker 4>That was It was like a wait, so how did

1:42:13.080 --> 1:42:13.759
<v Speaker 4>it get destroyed?

1:42:14.280 --> 1:42:16.519
<v Speaker 1>I think someone backed up into it, like May Odd

1:42:16.560 --> 1:42:17.360
<v Speaker 1>with cool herks.

1:42:20.240 --> 1:42:23.719
<v Speaker 4>That I minished something that I never admitted.

1:42:23.880 --> 1:42:27.880
<v Speaker 1>You have to figure do you do work on drink Chat?

1:42:27.920 --> 1:42:31.360
<v Speaker 1>And I hope you come and you got to get

1:42:31.439 --> 1:42:38.599
<v Speaker 1>him a new school and all man, okay, you're gonna

1:42:38.640 --> 1:42:44.880
<v Speaker 1>remember my name. Yeah, gotta be one of your hardest. Yeah.

1:42:45.040 --> 1:42:49.080
<v Speaker 3>I had like fighters that come out to that make

1:42:49.200 --> 1:42:51.240
<v Speaker 3>me remember money, Damn.

1:42:51.040 --> 1:42:53.040
<v Speaker 1>I ain't thinking of that. That is a fighting song. Yeah,

1:42:53.200 --> 1:42:57.479
<v Speaker 1>we gotta put that on a run camp ship. Yeah yeah,

1:42:57.800 --> 1:43:01.799
<v Speaker 1>yeah inspiration. So where was you that men? Mentally?

1:43:01.920 --> 1:43:02.559
<v Speaker 4>First album?

1:43:02.680 --> 1:43:07.439
<v Speaker 1>Man, you know, I'm not not glazing you, but let

1:43:07.479 --> 1:43:09.519
<v Speaker 1>me let you know how hard your first album is.

1:43:10.360 --> 1:43:13.400
<v Speaker 1>I was high when I downloaded it. I downloaded the

1:43:13.640 --> 1:43:19.000
<v Speaker 1>clean version and never knew, like, just kept playing and

1:43:19.800 --> 1:43:21.920
<v Speaker 1>then I played it like in a barber somewhere and

1:43:21.960 --> 1:43:24.320
<v Speaker 1>it's like, you know, you got the clean version. I

1:43:24.479 --> 1:43:26.720
<v Speaker 1>was like, I didn't even know. That's how hard. I

1:43:26.840 --> 1:43:32.160
<v Speaker 1>was so satisfied. I was very very from where you come.

1:43:32.320 --> 1:43:35.160
<v Speaker 1>And then listening to that, that was That's one of

1:43:35.360 --> 1:43:36.200
<v Speaker 1>a perfect album.

1:43:36.840 --> 1:43:39.559
<v Speaker 3>First album was with they say, you spend your lifetime

1:43:39.720 --> 1:43:42.400
<v Speaker 3>making your first album, as they say, because you're talking

1:43:42.439 --> 1:43:45.160
<v Speaker 3>about your truth, your energy, your life and all that,

1:43:46.040 --> 1:43:50.080
<v Speaker 3>your childhood, you know, turning into an adult, whatever you've

1:43:50.120 --> 1:43:52.120
<v Speaker 3>been through in that time. And then you make your

1:43:52.160 --> 1:43:54.960
<v Speaker 3>first album and after that everything else else. After that

1:43:55.080 --> 1:43:57.600
<v Speaker 3>you're trying to figure it out, like a crack the

1:43:57.680 --> 1:43:58.080
<v Speaker 3>first high.

1:43:58.120 --> 1:44:01.840
<v Speaker 1>Yeah, they keep chasing. That's absolute, absolutely yeah. So so

1:44:02.160 --> 1:44:04.920
<v Speaker 1>remember my name, what's your mentality? Where you at what

1:44:05.000 --> 1:44:05.559
<v Speaker 1>studio you.

1:44:05.600 --> 1:44:09.519
<v Speaker 3>At I'm in, I'm in, I mean blast off studio.

1:44:09.600 --> 1:44:10.559
<v Speaker 3>That sounds like a pause.

1:44:10.680 --> 1:44:15.880
<v Speaker 1>That doesn't sounds like a pause, but it sounds.

1:44:15.640 --> 1:44:17.840
<v Speaker 4>Like blast off studios.

1:44:17.960 --> 1:44:21.559
<v Speaker 2>Wow, I don't want to ask.

1:44:21.800 --> 1:44:24.720
<v Speaker 4>That's at yeah Times Square.

1:44:25.640 --> 1:44:29.479
<v Speaker 3>You know, and and you know it's at that at

1:44:29.520 --> 1:44:31.280
<v Speaker 3>that point, like I felt like I had to point

1:44:31.360 --> 1:44:35.240
<v Speaker 3>to pool musically, like I'm trying to come with the

1:44:35.280 --> 1:44:38.960
<v Speaker 3>streets shipped and energy pains, you know what I mean,

1:44:40.520 --> 1:44:44.160
<v Speaker 3>and and and but trying to paint a picture, you know.

1:44:46.760 --> 1:44:53.040
<v Speaker 1>Uh Now, in the Tupac movie, Tupac movie, you play

1:44:53.120 --> 1:44:57.320
<v Speaker 1>the names that kid Tupac. Yeah, yeah, weird, like when

1:44:57.320 --> 1:44:58.519
<v Speaker 1>you go on the West Coast, Like.

1:44:59.120 --> 1:45:01.320
<v Speaker 4>You know, how many people I don't funk with you?

1:45:01.400 --> 1:45:01.960
<v Speaker 4>As you shot too?

1:45:03.400 --> 1:45:05.040
<v Speaker 1>I'm like, is a movie? Yeah?

1:45:05.920 --> 1:45:06.080
<v Speaker 7>You know?

1:45:06.320 --> 1:45:10.000
<v Speaker 3>People was mad behind that shot, you know, like, I

1:45:10.120 --> 1:45:12.519
<v Speaker 3>really don't Did you shoot him?

1:45:12.560 --> 1:45:15.280
<v Speaker 1>On you? I shot him in the movie?

1:45:17.120 --> 1:45:23.519
<v Speaker 4>Sounds crazy? I did shoot him in the movie. Yeah,

1:45:23.600 --> 1:45:29.559
<v Speaker 4>I shot too, Yeah, so I shot Come on, man,

1:45:30.800 --> 1:45:31.400
<v Speaker 4>I'm crazy.

1:45:32.560 --> 1:45:35.160
<v Speaker 1>I shot to B in the movie.

1:45:35.439 --> 1:45:35.920
<v Speaker 4>In the movie.

1:45:35.960 --> 1:45:39.600
<v Speaker 1>But your pause is wild, all right, Hold hold on.

1:45:41.800 --> 1:45:47.080
<v Speaker 4>I shot to pop shot in the movie. I shot

1:45:47.120 --> 1:45:54.200
<v Speaker 4>too in the movie shot. It was the movie though.

1:45:55.479 --> 1:45:58.439
<v Speaker 1>I always wanted to ask you that because, like Park

1:45:58.600 --> 1:46:01.400
<v Speaker 1>is not a regular dude like now you have. If

1:46:01.439 --> 1:46:04.920
<v Speaker 1>you're a Park fan, you're like a Trump supporter. Yeah,

1:46:05.280 --> 1:46:07.679
<v Speaker 1>get you away hard, yeah, die hard.

1:46:07.800 --> 1:46:11.960
<v Speaker 3>Yes, fanatic niggas in my comments, Listen, I stopped working

1:46:12.000 --> 1:46:13.920
<v Speaker 3>with you ever since I seen you shoot Tupac. What

1:46:16.160 --> 1:46:20.400
<v Speaker 3>you what You can't even be mad at that? It's like, yeah,

1:46:20.439 --> 1:46:25.240
<v Speaker 3>you do know it was just a light wee. You

1:46:25.280 --> 1:46:29.479
<v Speaker 3>couldn't when the movie came out. You know, I just

1:46:29.560 --> 1:46:31.120
<v Speaker 3>had a little part, right.

1:46:31.920 --> 1:46:34.479
<v Speaker 1>You think this is a rat video? You think this

1:46:34.600 --> 1:46:35.280
<v Speaker 1>is a rat video.

1:46:35.439 --> 1:46:38.320
<v Speaker 4>We told you, nigga, to let it down, right.

1:46:39.040 --> 1:46:44.400
<v Speaker 3>I rented a whole movie theater, oh theater, whole theater,

1:46:44.720 --> 1:46:49.280
<v Speaker 3>like the whole the whole room, like seventy two hundred whatever.

1:46:49.360 --> 1:46:51.640
<v Speaker 3>The sease was rented it out, you know what I mean,

1:46:51.920 --> 1:46:54.679
<v Speaker 3>just for that part. You know, had the whole boss

1:46:54.720 --> 1:46:57.760
<v Speaker 3>set up like it was crazy, you know, go, yeah,

1:46:57.800 --> 1:46:58.640
<v Speaker 3>we had to overdo it.

1:46:59.439 --> 1:47:03.800
<v Speaker 1>Yeah, all right. The problem with that, that's not it's

1:47:03.840 --> 1:47:05.640
<v Speaker 1>not a problem with that scene, but that scene is

1:47:05.800 --> 1:47:08.680
<v Speaker 1>it's real good dudes, this is Brooklyn, dudes in there

1:47:10.360 --> 1:47:11.680
<v Speaker 1>was you ever skeptical.

1:47:11.840 --> 1:47:12.720
<v Speaker 4>Studio shooting that?

1:47:12.920 --> 1:47:14.720
<v Speaker 1>Yes, what shooting? You thought?

1:47:20.920 --> 1:47:24.640
<v Speaker 4>In my mind right now, they never depicted that. They

1:47:24.720 --> 1:47:26.160
<v Speaker 4>never depicted what that looked like.

1:47:26.560 --> 1:47:29.960
<v Speaker 1>Right, So all right, because obviously Bennie Boom is.

1:47:30.000 --> 1:47:32.360
<v Speaker 4>The director out to Benny Boom, Bennie Boom is.

1:47:32.439 --> 1:47:38.800
<v Speaker 1>Actually a New York director, received slack off top from everyone.

1:47:38.840 --> 1:47:43.800
<v Speaker 1>I'm saying, oh, man, yeah, I think he's from Brooklyn, right,

1:47:44.720 --> 1:47:49.800
<v Speaker 1>I believe he is. And then he actually hires real

1:47:50.080 --> 1:47:55.160
<v Speaker 1>Brooklyn dudes to play the bad Brooklyn guy roll like

1:47:55.479 --> 1:47:58.920
<v Speaker 1>did you read that, and be like, wait a minute, yeah.

1:47:59.360 --> 1:47:59.960
<v Speaker 4>How this happened?

1:48:00.080 --> 1:48:00.320
<v Speaker 2>Listen?

1:48:02.680 --> 1:48:04.880
<v Speaker 3>I was in the zone. I was in the zone

1:48:04.960 --> 1:48:07.960
<v Speaker 3>so hard that the nigga that looked like the nigga

1:48:08.720 --> 1:48:10.280
<v Speaker 3>play like that played it pop.

1:48:11.360 --> 1:48:15.360
<v Speaker 4>I was asking him, was he okay, am I hurting you,

1:48:15.439 --> 1:48:15.840
<v Speaker 4>my nigga?

1:48:15.840 --> 1:48:22.040
<v Speaker 3>Because Boom told me to just be your natural self.

1:48:23.280 --> 1:48:26.519
<v Speaker 3>I was in that position and I was losing it.

1:48:26.560 --> 1:48:28.200
<v Speaker 3>The ship that I'm saying, you go back and listen

1:48:28.280 --> 1:48:30.880
<v Speaker 3>to that movie. Everything that I'm saying in that movie,

1:48:31.240 --> 1:48:33.120
<v Speaker 3>none of it was in the script.

1:48:33.520 --> 1:48:34.080
<v Speaker 1>It shouldn't be.

1:48:35.880 --> 1:48:38.599
<v Speaker 4>I'm sorry you think this is a rap video, nigga?

1:48:38.840 --> 1:48:40.600
<v Speaker 4>You know what happened to rappers that think this is

1:48:40.680 --> 1:48:41.559
<v Speaker 4>a fucking video.

1:48:45.800 --> 1:48:48.840
<v Speaker 1>Yeah, yeah, it was crazy, Like it was crazy. I was.

1:48:49.000 --> 1:48:53.720
<v Speaker 3>I was someone else and I remember like, like, you're okay, bro,

1:48:54.360 --> 1:48:56.160
<v Speaker 3>because I was. I felt like I was a method actor.

1:48:56.200 --> 1:48:56.400
<v Speaker 1>I was.

1:48:58.560 --> 1:48:58.800
<v Speaker 3>I was.

1:48:59.040 --> 1:49:00.840
<v Speaker 4>I was on a set with the with the grip

1:49:00.920 --> 1:49:02.479
<v Speaker 4>the whole time, like he was ready.

1:49:04.600 --> 1:49:06.240
<v Speaker 1>For those of that don't know what the method actor

1:49:06.400 --> 1:49:08.680
<v Speaker 1>is as a person who stays in character the whole yea,

1:49:09.280 --> 1:49:12.200
<v Speaker 1>they go on the set, not break character. They tell

1:49:12.240 --> 1:49:15.439
<v Speaker 1>you if his if his name was Matt Joy, they say,

1:49:15.560 --> 1:49:18.000
<v Speaker 1>you got to call him, you got to call him

1:49:18.040 --> 1:49:19.639
<v Speaker 1>the character. Character.

1:49:19.800 --> 1:49:19.960
<v Speaker 3>Yeah.

1:49:21.840 --> 1:49:26.160
<v Speaker 1>Act For those that don't know, And so now you

1:49:26.240 --> 1:49:28.680
<v Speaker 1>went to the movie the that this comes out, what

1:49:28.840 --> 1:49:31.560
<v Speaker 1>is the reaction besides these guys on Twitter like is this?

1:49:32.160 --> 1:49:34.920
<v Speaker 4>Like, I mean, people gonna let assume my come Like.

1:49:38.120 --> 1:49:40.479
<v Speaker 3>My mom's mad. She resid sitting right next to me

1:49:41.920 --> 1:49:45.240
<v Speaker 3>in front of the movie even though it's ultra violet.

1:49:45.800 --> 1:49:47.240
<v Speaker 3>You know what I mean, You know your mom's gonna

1:49:47.280 --> 1:49:48.200
<v Speaker 3>root for you regardless.

1:49:49.160 --> 1:49:50.680
<v Speaker 1>I bet my mom to the movie there that when

1:49:50.760 --> 1:49:53.679
<v Speaker 1>I was smashing in the movie, I forgot Christmas.

1:49:53.800 --> 1:49:54.360
<v Speaker 4>I was mad.

1:49:54.520 --> 1:49:55.160
<v Speaker 1>I was mad.

1:49:57.360 --> 1:49:58.600
<v Speaker 2>Yeah, I was like, for good, I.

1:49:58.600 --> 1:50:00.599
<v Speaker 1>Got this smart and I'm gonna looking and my mom's

1:50:00.640 --> 1:50:05.559
<v Speaker 1>like the whole movie the same way.

1:50:05.880 --> 1:50:06.960
<v Speaker 3>But so.

1:50:09.439 --> 1:50:11.240
<v Speaker 1>I know we spoke about it earlier with the acting,

1:50:11.720 --> 1:50:14.080
<v Speaker 1>But is that something and I know you said you

1:50:14.200 --> 1:50:19.400
<v Speaker 1>like producing more? Yeah, but is that something you're gonna

1:50:19.560 --> 1:50:20.320
<v Speaker 1>you would.

1:50:20.160 --> 1:50:23.320
<v Speaker 3>Like to pursue acting or they want to produce?

1:50:23.680 --> 1:50:23.760
<v Speaker 2>Ye?

1:50:23.800 --> 1:50:27.200
<v Speaker 1>Yeah, you know about about you definitely right.

1:50:27.560 --> 1:50:29.519
<v Speaker 4>Don't want to step outside of you as a.

1:50:30.520 --> 1:50:33.880
<v Speaker 3>Step outside of what people think they generally know about me,

1:50:34.040 --> 1:50:38.080
<v Speaker 3>think you know, just going or like the gangster role.

1:50:40.160 --> 1:50:46.640
<v Speaker 4>You know, the acting is like it's a lot of

1:50:46.760 --> 1:50:49.800
<v Speaker 4>work mm hmm, and it takes up a lot of time.

1:50:50.640 --> 1:50:51.400
<v Speaker 1>So it's like I.

1:50:52.960 --> 1:50:55.799
<v Speaker 3>Want to be involved with the think tank. Let's figure

1:50:55.800 --> 1:50:58.960
<v Speaker 3>out this movie. Let's you know, let's sit down, let's

1:50:58.960 --> 1:51:01.320
<v Speaker 3>write it out. Got how to produce, Let's figure ou

1:51:01.320 --> 1:51:04.160
<v Speaker 3>how to get it funded. I'm I'm more or less

1:51:05.360 --> 1:51:09.080
<v Speaker 3>in that space than it is to me just pursuing acting,

1:51:09.560 --> 1:51:11.719
<v Speaker 3>me getting an Asian and just going, you know, reading

1:51:11.760 --> 1:51:13.240
<v Speaker 3>for roles. I don't want to just do that.

1:51:13.439 --> 1:51:17.439
<v Speaker 1>Okay, agent Asian, I think you're going to get an Asian.

1:51:18.800 --> 1:51:22.040
<v Speaker 3>I want to get Asian for that, definitely, not for

1:51:22.120 --> 1:51:23.320
<v Speaker 3>that asient.

1:51:23.600 --> 1:51:26.240
<v Speaker 1>Didn't you have a show called Star Tenders.

1:51:25.960 --> 1:51:26.880
<v Speaker 3>Or I did it.

1:51:27.000 --> 1:51:28.320
<v Speaker 4>I did a documentary like a.

1:51:28.400 --> 1:51:31.799
<v Speaker 1>Porn it's like about the something against.

1:51:34.760 --> 1:51:35.479
<v Speaker 4>Something against porn.

1:51:36.200 --> 1:51:37.839
<v Speaker 1>No, no, no, it was like about the bartender.

1:51:38.439 --> 1:51:44.960
<v Speaker 4>That's a question, you know, like p I'm good the

1:51:45.040 --> 1:51:48.480
<v Speaker 4>poor capital of the world, all right, cool Miami.

1:51:48.360 --> 1:51:49.800
<v Speaker 1>Yeah they don't. They blocked you porn.

1:51:50.080 --> 1:51:51.920
<v Speaker 2>Everybody here work for a porn company and one point

1:51:53.000 --> 1:51:54.080
<v Speaker 2>or at least my only fans.

1:51:54.439 --> 1:51:59.080
<v Speaker 4>Yeah, so so so the documentary so that I did

1:51:59.160 --> 1:52:00.639
<v Speaker 4>a documentary is called.

1:52:02.360 --> 1:52:05.559
<v Speaker 3>A dill out of Time, a doll out of time,

1:52:05.640 --> 1:52:08.360
<v Speaker 3>and it's it's about the strip club culture in New

1:52:08.439 --> 1:52:13.040
<v Speaker 3>York City or how people coming to the strip clubs

1:52:13.040 --> 1:52:15.000
<v Speaker 3>in New York City. They ain't coming to see the dancer.

1:52:15.000 --> 1:52:16.160
<v Speaker 3>They come to see the bartender.

1:52:16.280 --> 1:52:17.960
<v Speaker 1>That's that's that's all little secret though.

1:52:18.120 --> 1:52:22.040
<v Speaker 3>Yeah, so it was it's about that I share. It's

1:52:22.080 --> 1:52:26.040
<v Speaker 3>about how like I produced that. Okay, shout out to

1:52:26.080 --> 1:52:30.240
<v Speaker 3>my man Jay J. Rober Rodriguez because he's, you know,

1:52:31.240 --> 1:52:35.240
<v Speaker 3>mastermind that with me, people come to the strip club

1:52:35.280 --> 1:52:40.880
<v Speaker 3>in New York to see the popping star tender or

1:52:41.000 --> 1:52:44.200
<v Speaker 3>bartender or whatever. Our city is a little bit different.

1:52:44.320 --> 1:52:46.800
<v Speaker 3>They're not coming really so much for the dancers. It's

1:52:46.840 --> 1:52:48.160
<v Speaker 3>about that lit bartender.

1:52:48.720 --> 1:52:49.479
<v Speaker 1>What makes her lit?

1:52:49.520 --> 1:52:53.519
<v Speaker 4>Though the following what I'm saying is that the drinks.

1:52:55.000 --> 1:52:58.960
<v Speaker 3>It's her, it's her, it's her, it's You got lit

1:52:59.080 --> 1:53:01.559
<v Speaker 3>bartenders in New York City that people, It's like they

1:53:01.640 --> 1:53:03.120
<v Speaker 3>have a certain order about themselves.

1:53:03.200 --> 1:53:06.320
<v Speaker 1>That people. Yeah, it's a real thing. It's a real thing.

1:53:06.360 --> 1:53:09.280
<v Speaker 3>When you think about Starlet's Starlis is a a is

1:53:09.320 --> 1:53:12.920
<v Speaker 3>a pretty well known strip club worldwide. You got you

1:53:13.000 --> 1:53:15.519
<v Speaker 3>got people that come to Starlets from across the world.

1:53:15.880 --> 1:53:17.360
<v Speaker 3>They come to New York and they say, oh, we

1:53:17.439 --> 1:53:19.280
<v Speaker 3>want to see Tom Square and you know what else

1:53:19.400 --> 1:53:20.640
<v Speaker 3>we want to see starlets?

1:53:21.120 --> 1:53:23.920
<v Speaker 4>Damn and you you know what made Stalus apartment.

1:53:24.000 --> 1:53:27.839
<v Speaker 3>It's not not the dancer. It was always the bartender.

1:53:28.400 --> 1:53:31.320
<v Speaker 3>It was always and only about the bartenders when it

1:53:31.400 --> 1:53:35.280
<v Speaker 3>came to that. So that was what the documentary is about,

1:53:35.400 --> 1:53:36.320
<v Speaker 3>is about that culture.

1:53:36.600 --> 1:53:42.560
<v Speaker 1>It's different in Miami. You don't give as New York, nowhere.

1:53:42.280 --> 1:53:49.240
<v Speaker 3>Else, nowhere else on this planet as a bartender that revered. Wow,

1:53:49.520 --> 1:53:55.120
<v Speaker 3>I didn't notice that that is that is strictly it's

1:53:55.160 --> 1:53:56.760
<v Speaker 3>specifically a New York thing.

1:53:59.200 --> 1:54:01.519
<v Speaker 2>I wonder how that deployment works, like how they trade

1:54:01.560 --> 1:54:03.280
<v Speaker 2>off those contracts.

1:54:04.240 --> 1:54:08.160
<v Speaker 4>Oh, look at bag girls? Yeah that was I shot

1:54:08.200 --> 1:54:08.799
<v Speaker 4>that in Detroit.

1:54:09.280 --> 1:54:15.240
<v Speaker 1>Let me see the bag girls. Yeah? So all right,

1:54:17.400 --> 1:54:21.360
<v Speaker 1>who got the better strip clubs? Miami or New York? What? What?

1:54:21.600 --> 1:54:21.640
<v Speaker 3>What?

1:54:21.880 --> 1:54:24.200
<v Speaker 1>What that inform makes you? Just like Miami? You're seeing

1:54:24.320 --> 1:54:29.040
<v Speaker 1>pussy like that wasn't like what you get shut away

1:54:29.080 --> 1:54:33.840
<v Speaker 1>from it. I forgot that part.

1:54:35.920 --> 1:54:38.840
<v Speaker 4>Like you're singing like it's it's real. You can't really

1:54:38.880 --> 1:54:39.360
<v Speaker 4>compare it.

1:54:40.440 --> 1:54:44.680
<v Speaker 1>I think. I think, guess why the bartenders are more famous.

1:54:44.840 --> 1:54:46.120
<v Speaker 2>We got great partenders down here too.

1:54:46.160 --> 1:54:47.200
<v Speaker 4>Bro, what you're all talking about?

1:54:47.320 --> 1:54:49.400
<v Speaker 3>I'm not sure that I think the New York thing.

1:54:49.600 --> 1:54:51.720
<v Speaker 3>I think I think the New York thing. I think

1:54:51.760 --> 1:54:54.280
<v Speaker 3>it's the mystique of them. I think it's the low

1:54:54.320 --> 1:54:55.960
<v Speaker 3>of them. I think it's the fantasy of them because

1:54:55.960 --> 1:54:58.040
<v Speaker 3>you see them on Instagram, of the bars you think

1:54:58.280 --> 1:54:59.839
<v Speaker 3>you think of, like Burnice Burgos.

1:55:00.840 --> 1:55:04.280
<v Speaker 1>You heard her, Yeah, makes to make like a million

1:55:04.360 --> 1:55:06.360
<v Speaker 1>almost a year. Where is she come from? She comes

1:55:06.360 --> 1:55:07.720
<v Speaker 1>from Stallus. Damn, I ain't know that.

1:55:08.280 --> 1:55:09.080
<v Speaker 4>That's how you know her?

1:55:09.760 --> 1:55:12.960
<v Speaker 3>She she created a brand that started in Stallus and

1:55:13.080 --> 1:55:15.280
<v Speaker 3>then she was smart enough to build on that brand.

1:55:15.320 --> 1:55:17.720
<v Speaker 3>But she worked in Starless for I think two years

1:55:19.000 --> 1:55:22.160
<v Speaker 3>and made a name for herself. That's how popular these

1:55:22.240 --> 1:55:25.200
<v Speaker 3>girls get in New York City strip club.

1:55:25.920 --> 1:55:28.240
<v Speaker 2>All Right, So a person coming saying they kind of

1:55:28.320 --> 1:55:29.600
<v Speaker 2>like strippers too in a sense.

1:55:30.040 --> 1:55:31.800
<v Speaker 1>Yeah, they pretty much.

1:55:31.680 --> 1:55:33.640
<v Speaker 4>The same strippers. They look like stripper.

1:55:34.600 --> 1:55:36.600
<v Speaker 1>Yeah. So a person just coming to New York and

1:55:36.680 --> 1:55:39.400
<v Speaker 1>they want to have a good time. What strip clubs?

1:55:40.360 --> 1:55:44.400
<v Speaker 1>They frequent starts. We already know that, we.

1:55:44.440 --> 1:55:47.200
<v Speaker 3>Already know Styllis. But the quietly the best strip club

1:55:47.240 --> 1:55:51.480
<v Speaker 3>in New York. And no, damn, you gotta come home,

1:55:52.480 --> 1:55:54.920
<v Speaker 3>you gotta come home soon. Ain't been around for fifteen years.

1:55:56.720 --> 1:56:04.560
<v Speaker 1>Out of the games, out h River, Yarra's River.

1:56:05.320 --> 1:56:08.120
<v Speaker 3>It's quietly been the best strip club this whole time.

1:56:08.640 --> 1:56:10.800
<v Speaker 3>They don't do no promotions, they don't do no artists,

1:56:10.800 --> 1:56:12.480
<v Speaker 3>they don't give who you is. You ain't coming, you

1:56:12.480 --> 1:56:16.440
<v Speaker 3>gotta take your hat off. Quietly they've been the best.

1:56:16.480 --> 1:56:17.840
<v Speaker 1>And and it's late night.

1:56:18.040 --> 1:56:20.760
<v Speaker 4>They probably don't close about nine o'clock in the morning.

1:56:21.560 --> 1:56:26.520
<v Speaker 1>Of course, Queen, I want you to say that every day. Yeah, yeah, yeah,

1:56:30.600 --> 1:56:31.160
<v Speaker 1>I don't know how.

1:56:32.800 --> 1:56:34.720
<v Speaker 4>Definitely Little.

1:56:36.040 --> 1:56:40.320
<v Speaker 1>Yeah's name of the top five we got starlets?

1:56:40.440 --> 1:56:46.800
<v Speaker 3>Yeah, we ever name three more sugar Daddy, I ain't

1:56:46.800 --> 1:56:47.320
<v Speaker 3>been a sugar that.

1:56:47.440 --> 1:56:48.160
<v Speaker 1>I don't know what that is.

1:56:49.240 --> 1:56:52.040
<v Speaker 4>Where is that Queen's Everything Queen dream?

1:56:52.800 --> 1:56:52.920
<v Speaker 6>Right?

1:56:53.320 --> 1:56:54.160
<v Speaker 1>No, where's that?

1:56:54.320 --> 1:56:57.360
<v Speaker 4>That's not way too that's all? And like everything is

1:56:57.440 --> 1:56:59.880
<v Speaker 4>in the l I c Yeah, yeah, yeah, yeah, yeah,

1:56:59.880 --> 1:57:00.880
<v Speaker 4>I been to that one long.

1:57:00.920 --> 1:57:01.360
<v Speaker 1>You know what I mean?

1:57:01.400 --> 1:57:03.840
<v Speaker 3>Every everything is kind of like in that area. Okay,

1:57:03.920 --> 1:57:08.520
<v Speaker 3>you know, and what else I want to say? Dream? Okay,

1:57:08.640 --> 1:57:10.200
<v Speaker 3>dream right some Queens Boulevard?

1:57:10.280 --> 1:57:12.920
<v Speaker 1>Okay, uh uh?

1:57:15.640 --> 1:57:16.080
<v Speaker 4>Perfection?

1:57:16.400 --> 1:57:17.600
<v Speaker 1>Which one of your niggas said that?

1:57:18.640 --> 1:57:22.720
<v Speaker 4>Which one take from you said? Perfection? Perfection ain't been

1:57:23.080 --> 1:57:28.920
<v Speaker 4>my nigga. Damn, your niggas ain't been in New York.

1:57:30.200 --> 1:57:30.920
<v Speaker 1>Your niggas ain't been.

1:57:32.400 --> 1:57:38.200
<v Speaker 4>I see this is crazy. Miami living is good.

1:57:40.160 --> 1:57:42.080
<v Speaker 1>What was that strip club that was next to the block,

1:57:42.240 --> 1:57:45.960
<v Speaker 1>like booth go, no, not go to the lady. I'm

1:57:46.000 --> 1:57:49.040
<v Speaker 1>waiting to go to the lady with case slid yeh

1:57:49.560 --> 1:57:51.960
<v Speaker 1>was ten deep and we got to talk about that.

1:57:52.200 --> 1:57:58.200
<v Speaker 1>But no, I'm talking about on the same block. It

1:57:58.320 --> 1:58:01.720
<v Speaker 1>was on the on the on them like not Sin

1:58:01.840 --> 1:58:03.960
<v Speaker 1>City they have. I'm looking for I'm out of the loops.

1:58:05.520 --> 1:58:07.600
<v Speaker 1>The Bronx used to be the king at the strip

1:58:07.680 --> 1:58:11.360
<v Speaker 1>clubs when I and like that's what Sue was.

1:58:11.480 --> 1:58:14.200
<v Speaker 3>Sus was up there like yeah, yeah, that was a

1:58:14.240 --> 1:58:14.720
<v Speaker 3>different time.

1:58:14.760 --> 1:58:15.520
<v Speaker 1>That was a different time.

1:58:15.600 --> 1:58:18.320
<v Speaker 3>That was before the influence of the South. Okay, and

1:58:18.440 --> 1:58:23.320
<v Speaker 3>with the influence of the South, but the music, the

1:58:23.400 --> 1:58:26.440
<v Speaker 3>culture change. So the strip clubs that we got now

1:58:26.680 --> 1:58:29.720
<v Speaker 3>is not light those Okay, it's different, even though we

1:58:29.840 --> 1:58:31.000
<v Speaker 3>have our own version of it.

1:58:31.080 --> 1:58:31.800
<v Speaker 1>It's not like that.

1:58:32.240 --> 1:58:34.280
<v Speaker 3>It's not like Golden Lady or Sin City and none

1:58:34.280 --> 1:58:37.600
<v Speaker 3>of that. It's like bartender driven. You know, it's heavy,

1:58:38.280 --> 1:58:41.040
<v Speaker 3>you know, heavy b b L right, you know, and

1:58:41.200 --> 1:58:43.680
<v Speaker 3>it's you know, it's it's heavy.

1:58:43.600 --> 1:58:47.120
<v Speaker 1>Queens that means BBL means like but you know what

1:58:47.600 --> 1:58:59.640
<v Speaker 1>bb Come on, let's take a shot. Shot you think

1:58:59.800 --> 1:59:03.720
<v Speaker 1>I'm I'm gonna take a shot. Yeah, Oh okay, okay,

1:59:05.160 --> 1:59:10.000
<v Speaker 1>not to kill her, but let's talk about you drinking tequilla?

1:59:11.240 --> 1:59:13.560
<v Speaker 1>Are you a tequilla drinker? Is that your go to drink?

1:59:14.160 --> 1:59:16.680
<v Speaker 1>Like you're going to start this it's that night of

1:59:16.800 --> 1:59:20.440
<v Speaker 1>river ere you go in order to kill her, because

1:59:20.480 --> 1:59:22.400
<v Speaker 1>to kill us, they said to kill you.

1:59:23.760 --> 1:59:26.840
<v Speaker 3>Yeah, I just I think tequila is the hot drink.

1:59:27.800 --> 1:59:29.920
<v Speaker 4>It's very healthy, you know. Yeah, I feel like it's

1:59:29.960 --> 1:59:31.400
<v Speaker 4>the hot drinks.

1:59:31.520 --> 1:59:36.040
<v Speaker 3>Everybody's doing it, like in nineteen forty two Don Julio

1:59:36.160 --> 1:59:39.440
<v Speaker 3>Riversido or Classia Zoo, like it's the thing to do.

1:59:39.600 --> 1:59:43.760
<v Speaker 4>I think it's it's it's it's like a fatt it's cool.

1:59:44.520 --> 1:59:44.680
<v Speaker 2>You know.

1:59:45.720 --> 1:59:49.520
<v Speaker 3>So yeah, that's what I don't know why. Yeah, they

1:59:49.560 --> 1:59:50.920
<v Speaker 3>say it's a gove is that?

1:59:51.080 --> 1:59:51.320
<v Speaker 7>Is that what?

1:59:53.440 --> 1:59:54.160
<v Speaker 1>I didn't know?

1:59:54.440 --> 1:59:55.000
<v Speaker 4>Health benefit?

1:59:55.360 --> 1:59:58.440
<v Speaker 1>Yeah, well well no te quilla is I know drink.

1:59:58.560 --> 1:59:59.560
<v Speaker 4>I drink it straight though.

1:59:59.680 --> 2:00:03.280
<v Speaker 1>Okay, yeah, I'm saying chase up. Yeah. So they say

2:00:03.680 --> 2:00:07.280
<v Speaker 1>no alcohol is good, but the clean, the clean, cleanest

2:00:07.320 --> 2:00:10.760
<v Speaker 1>alcohol is to killer. Really they said, yeah, oh, I

2:00:10.800 --> 2:00:11.480
<v Speaker 1>thought it was vodka.

2:00:13.280 --> 2:00:14.080
<v Speaker 4>Number three said that.

2:00:14.400 --> 2:00:15.160
<v Speaker 2>They used to say that.

2:00:15.360 --> 2:00:18.920
<v Speaker 1>I believe it was to Believe red wine. Really, so

2:00:19.200 --> 2:00:19.720
<v Speaker 1>I can't have this.

2:00:20.040 --> 2:00:22.760
<v Speaker 4>Number one is tequila. That's about this.

2:00:23.360 --> 2:00:29.600
<v Speaker 1>Yeah, I'm a professional because I heard ka before. Noo

2:00:29.840 --> 2:00:31.640
<v Speaker 1>is like number three, trust me, that was my joint.

2:00:32.720 --> 2:00:35.800
<v Speaker 1>Yeah yeah, yeah yeah yeah wow. So you're not on

2:00:36.000 --> 2:00:38.920
<v Speaker 1>that organic ship organic what like organic?

2:00:39.120 --> 2:00:39.240
<v Speaker 3>Uh?

2:00:41.040 --> 2:00:46.160
<v Speaker 1>Because people would be like I'm organic, just like that organic. Yeah,

2:00:46.240 --> 2:00:47.960
<v Speaker 1>you don't know. That's what. I didn't even know. I

2:00:48.040 --> 2:00:48.480
<v Speaker 1>even heard that.

2:00:48.560 --> 2:00:53.240
<v Speaker 4>That's Miami ship even though no, I went to l

2:00:53.320 --> 2:00:53.920
<v Speaker 4>A recently.

2:00:54.000 --> 2:00:56.480
<v Speaker 1>Damn, who the hell is with me? Ship? They had

2:00:56.520 --> 2:01:00.080
<v Speaker 1>a whole what they had a whole side of the

2:01:00.120 --> 2:01:02.840
<v Speaker 1>place where we went to with no alcohol tails.

2:01:02.880 --> 2:01:05.440
<v Speaker 2>And you said he was coming at me when I said.

2:01:05.280 --> 2:01:09.880
<v Speaker 1>That, because they wasn't calling that. Okay, drinking joy mine

2:01:10.600 --> 2:01:12.879
<v Speaker 1>right now, I'm on that. I'm on that wine, Julio

2:01:13.680 --> 2:01:20.560
<v Speaker 1>wine wine. I'm on that wine. But I'm a I'm

2:01:20.600 --> 2:01:21.520
<v Speaker 1>a hubigie drinker.

2:01:22.280 --> 2:01:22.400
<v Speaker 2>Was that?

2:01:22.520 --> 2:01:26.640
<v Speaker 1>Yeah, that's the Japanese whiskey. It's it's for the it's

2:01:26.720 --> 2:01:29.000
<v Speaker 1>for the you know, if you want, if you want

2:01:29.640 --> 2:01:32.200
<v Speaker 1>more hair on your chest, this is what we go with.

2:01:32.440 --> 2:01:36.240
<v Speaker 1>Right But then, and I like, Champagne, Champaga. You know,

2:01:36.640 --> 2:01:38.840
<v Speaker 1>Spade is the best, you know, in the case we didn't,

2:01:38.880 --> 2:01:40.600
<v Speaker 1>we didn't get to that. You know, you know, we

2:01:40.720 --> 2:01:44.680
<v Speaker 1>drink the Spade over here, the best in the world. Champagne.

2:01:46.200 --> 2:01:47.600
<v Speaker 1>Who is your favorite new artist?

2:01:50.320 --> 2:01:50.920
<v Speaker 4>New artists?

2:01:55.040 --> 2:01:59.120
<v Speaker 1>I like, who's a new artist right now? We've got

2:01:59.160 --> 2:02:03.400
<v Speaker 1>a bunch of them, And uh, what's my man? Cash

2:02:03.480 --> 2:02:10.960
<v Speaker 1>Cobain's Uh oh, this little ship is still new. Okay,

2:02:12.480 --> 2:02:13.960
<v Speaker 1>well it changed every day.

2:02:14.040 --> 2:02:15.880
<v Speaker 3>Man, all right, what's considered new.

2:02:16.120 --> 2:02:18.560
<v Speaker 4>He's been in the game a year or less, a year.

2:02:20.080 --> 2:02:23.480
<v Speaker 1>Or maybe late. Yeah, damn busting out my socking. Anybody

2:02:23.480 --> 2:02:27.840
<v Speaker 1>said that gave permission for that? You think you did.

2:02:29.280 --> 2:02:33.480
<v Speaker 1>I was talking about choking wine. Bro, I'm good, I'm good, good,

2:02:33.640 --> 2:02:35.040
<v Speaker 1>go ahead. I don't know.

2:02:35.280 --> 2:02:38.480
<v Speaker 4>I like I funk with I funk with the music.

2:02:38.560 --> 2:02:39.280
<v Speaker 1>That's that.

2:02:39.400 --> 2:02:39.920
<v Speaker 2>I just like.

2:02:40.320 --> 2:02:42.360
<v Speaker 3>I'm a big Young Blue fan, and I want every

2:02:42.400 --> 2:02:43.040
<v Speaker 3>time I say that.

2:02:43.520 --> 2:02:50.840
<v Speaker 1>People be like, what I love young Blue, Young Blue? Yeah, yeah,

2:02:51.040 --> 2:02:52.840
<v Speaker 1>young Blue. I got a track with this nigga, right,

2:02:53.160 --> 2:02:55.160
<v Speaker 1>I called him, Yeah, I called him blue.

2:02:55.240 --> 2:02:56.800
<v Speaker 4>Yeah, you didn't know what's fun?

2:02:57.960 --> 2:02:58.480
<v Speaker 1>It's blue.

2:02:59.280 --> 2:03:05.040
<v Speaker 4>Let's do a shot of that and we love killed me.

2:03:06.760 --> 2:03:12.800
<v Speaker 1>That was crazy us. Okay, God comes down Earth guy,

2:03:13.800 --> 2:03:18.160
<v Speaker 1>he goes see you, and he said, man, no, you

2:03:18.280 --> 2:03:23.000
<v Speaker 1>get to make one track, and you get any feature

2:03:23.120 --> 2:03:27.080
<v Speaker 1>in the world, and you get any producer in the

2:03:27.160 --> 2:03:31.680
<v Speaker 1>world to produce that beat. Who is main o? And

2:03:31.760 --> 2:03:34.280
<v Speaker 1>this is a two part question because we know you're

2:03:34.320 --> 2:03:42.480
<v Speaker 1>gonna go big, so one dad and then one ship

2:03:43.600 --> 2:03:46.400
<v Speaker 1>you got you gotta Yeah, you got a two part question.

2:03:46.480 --> 2:03:49.320
<v Speaker 1>So it's two parts. One is you can you can

2:03:49.400 --> 2:03:54.480
<v Speaker 1>go with the dad, and then the other is the

2:03:54.600 --> 2:03:55.360
<v Speaker 1>alive feature.

2:03:55.680 --> 2:04:00.680
<v Speaker 4>If I go dead, then I need poking big damn.

2:04:00.720 --> 2:04:02.600
<v Speaker 1>I've never heard nobody say that that was That was

2:04:02.600 --> 2:04:03.920
<v Speaker 1>a slick one. I'm gonna take out of that.

2:04:04.600 --> 2:04:05.040
<v Speaker 4>Let's do that.

2:04:05.080 --> 2:04:08.680
<v Speaker 1>You got me on that one. Now are people who

2:04:08.680 --> 2:04:11.320
<v Speaker 1>arelive and the producer and who's producing the pocket a

2:04:11.360 --> 2:04:15.480
<v Speaker 1>big record and the producer could be dead too. I'm

2:04:15.520 --> 2:04:17.240
<v Speaker 1>sorry you just changed it all.

2:04:17.240 --> 2:04:19.240
<v Speaker 3>Then it ain't that many dead producers.

2:04:19.520 --> 2:04:22.160
<v Speaker 1>It is a producers.

2:04:22.200 --> 2:04:24.120
<v Speaker 4>Don't die hip hop hip hop don't die.

2:04:24.160 --> 2:04:24.760
<v Speaker 1>You're right, this is.

2:04:24.760 --> 2:04:25.800
<v Speaker 3>Don't die, damn.

2:04:26.400 --> 2:04:28.680
<v Speaker 4>And if they do die, it's not by gun violence.

2:04:28.920 --> 2:04:32.120
<v Speaker 1>They are immortal, all right, Yeah they live? So who's

2:04:32.160 --> 2:04:54.200
<v Speaker 1>producing that? Just blaze? I like that act all right? Now?

2:04:54.320 --> 2:04:57.240
<v Speaker 1>A live feature, a love feature. But this is one

2:04:57.240 --> 2:05:01.080
<v Speaker 1>of a little bit different. God is asking you saying, okay, alive, alive,

2:05:01.320 --> 2:05:03.800
<v Speaker 1>but he's saying this record is gonna change humanity.

2:05:04.880 --> 2:05:08.360
<v Speaker 2>Jesus christanity, He's gonna change humanity.

2:05:09.720 --> 2:05:10.440
<v Speaker 4>Shoulders right now?

2:05:11.080 --> 2:05:12.040
<v Speaker 2>Ch is what.

2:05:13.840 --> 2:05:14.720
<v Speaker 4>Already up?

2:05:14.920 --> 2:05:15.120
<v Speaker 5>Yeah?

2:05:15.520 --> 2:05:18.720
<v Speaker 1>To the better place, to a better place, Bruno Marsh

2:05:19.000 --> 2:05:21.560
<v Speaker 1>Western feature Now who produces that.

2:05:26.880 --> 2:05:30.440
<v Speaker 4>Damn producers that they got to be like what's his name?

2:05:30.520 --> 2:05:30.800
<v Speaker 3>Doctor?

2:05:32.360 --> 2:05:35.880
<v Speaker 4>Oh now doctor, that would be a good one. But

2:05:36.160 --> 2:05:39.680
<v Speaker 4>Quincy Jones, man, but they can't be leaving the witness man.

2:05:39.920 --> 2:05:44.160
<v Speaker 3>Quincy Jones left us peace. So this is these people

2:05:44.240 --> 2:05:47.560
<v Speaker 3>that's alive. Yeah, yeah, oh.

2:05:49.440 --> 2:05:52.760
<v Speaker 1>All right? For real? Pharrell would be good, would be good.

2:05:52.800 --> 2:05:54.480
<v Speaker 1>That's what I like for Rell.

2:05:54.960 --> 2:05:57.080
<v Speaker 4>I like for Rell, Bruno Mars. I like that out

2:05:57.120 --> 2:05:57.440
<v Speaker 4>the box.

2:05:57.480 --> 2:06:01.640
<v Speaker 1>I like to go after box like have you ever

2:06:01.760 --> 2:06:02.240
<v Speaker 1>have it worked with?

2:06:02.960 --> 2:06:03.120
<v Speaker 3>Never?

2:06:03.360 --> 2:06:07.160
<v Speaker 4>Okay, Unfortunately I wasn't that lucky. Nothing functioning.

2:06:07.480 --> 2:06:08.360
<v Speaker 1>No, it would happen.

2:06:08.520 --> 2:06:11.200
<v Speaker 4>No, so pretty print it havings.

2:06:11.640 --> 2:06:17.080
<v Speaker 1>So one night out here, uh nows just hanging out.

2:06:17.200 --> 2:06:20.480
<v Speaker 1>He's he went to Havoc party and I hear that

2:06:20.640 --> 2:06:24.080
<v Speaker 1>you see nas Yeah, and you say, I apologize for

2:06:24.160 --> 2:06:31.680
<v Speaker 1>my brother Jim Jones. The reason everyone.

2:06:31.520 --> 2:06:33.920
<v Speaker 3>Happened because now I was like, yeah, I got something

2:06:33.920 --> 2:06:34.839
<v Speaker 3>for your man Jones.

2:06:35.360 --> 2:06:39.800
<v Speaker 1>He said, oh guy, and we laughing. He was with you.

2:06:39.880 --> 2:06:44.000
<v Speaker 4>It's all good boy, like get it, it's all love,

2:06:44.080 --> 2:06:44.640
<v Speaker 4>you know what I mean.

2:06:44.960 --> 2:06:49.120
<v Speaker 3>But what happened was I told Nash, I said, listen,

2:06:50.160 --> 2:06:51.520
<v Speaker 3>a really close friend of mine.

2:06:52.560 --> 2:06:54.880
<v Speaker 4>He's in love with you like this this female who

2:06:56.240 --> 2:06:59.920
<v Speaker 4>is going, you know, shout out the rose.

2:07:00.960 --> 2:07:04.080
<v Speaker 3>She is in love with Nas and she met Naves before,

2:07:04.680 --> 2:07:07.160
<v Speaker 3>but she was just too afraid to tell him how

2:07:07.240 --> 2:07:10.880
<v Speaker 3>she felt. So she always bugging me about, hey, man,

2:07:10.960 --> 2:07:13.360
<v Speaker 3>can you introduce me to Nas? Like I just want Nas.

2:07:13.400 --> 2:07:17.280
<v Speaker 3>I'm like, NAS don't want you, right, But then it's like,

2:07:17.360 --> 2:07:18.960
<v Speaker 3>I'm why would I say that?

2:07:19.320 --> 2:07:22.200
<v Speaker 4>That's bad for me to do. I'm blocking her blessings.

2:07:22.480 --> 2:07:24.800
<v Speaker 3>So one day she she called me and talking it's

2:07:24.840 --> 2:07:29.000
<v Speaker 3>no ship, and she says, I really want to speak

2:07:29.000 --> 2:07:30.320
<v Speaker 3>to him. I say, yo, I'm gonna put you on

2:07:30.400 --> 2:07:33.120
<v Speaker 3>the phone with Nas. And after this, the fucker ask

2:07:33.240 --> 2:07:33.720
<v Speaker 3>me for ship.

2:07:34.400 --> 2:07:34.720
<v Speaker 1>Okay.

2:07:35.600 --> 2:07:37.160
<v Speaker 3>So one day she called me and I was like,

2:07:37.680 --> 2:07:38.840
<v Speaker 3>I got Nas on the line.

2:07:39.680 --> 2:07:42.720
<v Speaker 1>Okay. She like for real? Like for real?

2:07:42.720 --> 2:07:43.880
<v Speaker 4>I say, yeah, for real?

2:07:44.360 --> 2:07:45.040
<v Speaker 1>She don't know that.

2:07:45.160 --> 2:07:47.080
<v Speaker 3>I called my homie and was like, listen, I need

2:07:47.160 --> 2:07:56.360
<v Speaker 3>you to play like Nas. I said, I said, I

2:07:56.480 --> 2:07:59.680
<v Speaker 3>need you to act like Nas. Okay, just you know,

2:08:00.280 --> 2:08:02.760
<v Speaker 3>say certain certain ship that Nas will say like you

2:08:02.840 --> 2:08:03.920
<v Speaker 3>know my black queen like.

2:08:09.760 --> 2:08:10.200
<v Speaker 1>That did.

2:08:11.920 --> 2:08:12.320
<v Speaker 4>Forgive me?

2:08:12.920 --> 2:08:15.680
<v Speaker 1>Say, you know, the Nas is a knowledgeable guy.

2:08:17.880 --> 2:08:22.880
<v Speaker 3>This is Nas in it and you know, he said,

2:08:22.920 --> 2:08:27.040
<v Speaker 3>all right, I got it, and he didn't get the

2:08:27.080 --> 2:08:28.200
<v Speaker 3>assignment the right way.

2:08:29.120 --> 2:08:29.640
<v Speaker 4>My homeboy.

2:08:30.160 --> 2:08:31.880
<v Speaker 3>He gets on the phone and the first thing he

2:08:31.960 --> 2:08:34.720
<v Speaker 3>says is what my black queen, my black queen, my black.

2:08:38.120 --> 2:08:39.680
<v Speaker 4>He said, yeah, my black queen, my black one.

2:08:39.680 --> 2:08:40.520
<v Speaker 1>He and man who told me?

2:08:40.960 --> 2:08:43.480
<v Speaker 3>Because I jumped on the line, like you nas Mama

2:08:43.640 --> 2:08:45.480
<v Speaker 3>was telling you about my girl Rose and me I

2:08:45.600 --> 2:08:46.040
<v Speaker 3>was telling you.

2:08:46.120 --> 2:08:47.560
<v Speaker 4>That she she in love with you.

2:08:47.680 --> 2:08:49.480
<v Speaker 3>She's just afraid of you niggas. She don't know what

2:08:49.560 --> 2:08:52.960
<v Speaker 3>to say to you. And he getting on the lines. Yeah,

2:08:53.000 --> 2:08:54.240
<v Speaker 3>my black queen, my black queen.

2:08:54.080 --> 2:08:54.600
<v Speaker 4>My black queen.

2:08:56.200 --> 2:08:59.080
<v Speaker 1>He's supposed to be like, yes, that's how he.

2:09:01.120 --> 2:09:04.600
<v Speaker 3>So after he's said my black queen about sixteen.

2:09:04.320 --> 2:09:09.040
<v Speaker 9>Times, right because right, no, she she was just like hey,

2:09:09.640 --> 2:09:12.320
<v Speaker 9>like hey, Like he was like yeah, you know, I

2:09:12.320 --> 2:09:14.920
<v Speaker 9>ain't got that much time and like that, but you know,

2:09:15.240 --> 2:09:16.440
<v Speaker 9>I'm gonna get your number.

2:09:16.240 --> 2:09:19.480
<v Speaker 1>From man Oh wow. She'd been waiting for him to call.

2:09:19.680 --> 2:09:21.960
<v Speaker 3>I'm gonna get your number from Mano and you know

2:09:21.960 --> 2:09:23.400
<v Speaker 3>what I mean, and it's you know, saw I love

2:09:23.400 --> 2:09:26.560
<v Speaker 3>on my black queen. And she's just like okay, I said, yea,

2:09:26.560 --> 2:09:28.560
<v Speaker 3>I'm gonna give you a number, man, like for real,

2:09:28.680 --> 2:09:30.320
<v Speaker 3>just you know, give him a call over me now

2:09:30.360 --> 2:09:31.080
<v Speaker 3>and then you know what I mean.

2:09:31.480 --> 2:09:31.800
<v Speaker 1>Whatever.

2:09:32.360 --> 2:09:35.160
<v Speaker 3>He hangs up. I'm gonna play this ship for you,

2:09:35.680 --> 2:09:40.080
<v Speaker 3>right because I haven't recorded. And she calls me back

2:09:40.120 --> 2:09:42.560
<v Speaker 3>and was like, you know, I recorded that that wasn't NADS.

2:09:42.600 --> 2:09:44.919
<v Speaker 3>I said it fucking was grateful.

2:09:46.240 --> 2:09:46.960
<v Speaker 4>That was fucking no.

2:09:48.000 --> 2:09:52.960
<v Speaker 3>When I seen ours that day, I told him, I said, listen, yeah,

2:09:53.000 --> 2:09:54.320
<v Speaker 3>don't be mad at me. I guess it was a

2:09:54.360 --> 2:09:57.560
<v Speaker 3>short version. I said, listen, I set somebody up and

2:09:57.640 --> 2:10:00.360
<v Speaker 3>I played like it was you. He said, Yo, you crazy,

2:10:00.400 --> 2:10:02.960
<v Speaker 3>You got your fucking mind, Like you know what I'm saying.

2:10:03.040 --> 2:10:06.720
<v Speaker 3>Like to this day, I've never admitted that it wasn't Nas.

2:10:08.360 --> 2:10:09.440
<v Speaker 1>Just make some noise in this ship.

2:10:13.320 --> 2:10:15.560
<v Speaker 4>You're such a myself let me so, let me ask.

2:10:17.600 --> 2:10:19.880
<v Speaker 1>I think I know the answer, but I'm just gonna

2:10:19.960 --> 2:10:23.200
<v Speaker 1>ask because I can see people in the comment session

2:10:23.280 --> 2:10:27.840
<v Speaker 1>saying something, what's the difference between you hanging with NAS

2:10:27.960 --> 2:10:31.360
<v Speaker 1>if you wouldn't hang with Max? Good question.

2:10:35.320 --> 2:10:40.200
<v Speaker 3>One is considered to be a real, a real problem,

2:10:41.160 --> 2:10:45.840
<v Speaker 3>and one is just some competitive viral. I feel how

2:10:45.920 --> 2:10:48.200
<v Speaker 3>I feel because I feel like I'm that that I'm

2:10:48.280 --> 2:10:52.600
<v Speaker 3>that I'm that nigga. You know what I'm saying. You

2:10:52.720 --> 2:10:56.280
<v Speaker 3>think you know Jim Jones saying NOAs it's not a problem.

2:10:56.880 --> 2:10:58.600
<v Speaker 1>You know the funniest shit I got it. I got

2:10:58.760 --> 2:11:04.120
<v Speaker 1>in trouble because of you know called Jim, because I

2:11:04.200 --> 2:11:05.640
<v Speaker 1>got in the breakfast club and I was like, yo,

2:11:05.680 --> 2:11:08.600
<v Speaker 1>I see where Jim is coming from, and all the

2:11:08.680 --> 2:11:15.240
<v Speaker 1>whole Queen's bridge better than what I said. I just said,

2:11:15.280 --> 2:11:17.800
<v Speaker 1>I see where he's coming from. Like I just say

2:11:17.840 --> 2:11:20.360
<v Speaker 1>he's better than Nos. But I see like that confidence.

2:11:20.440 --> 2:11:22.720
<v Speaker 1>Sometimes you got to wake up in the morning and

2:11:22.880 --> 2:11:27.000
<v Speaker 1>feel like that should be that person. When I tell you, boy,

2:11:27.320 --> 2:11:30.120
<v Speaker 1>oh my god, I got a queens where it's trouble bro.

2:11:30.240 --> 2:11:32.520
<v Speaker 1>I was like, I was thinking I was in punishment

2:11:32.560 --> 2:11:38.080
<v Speaker 1>for you know, Nos is a rap god and one

2:11:38.160 --> 2:11:39.600
<v Speaker 1>about he laughed.

2:11:40.920 --> 2:11:42.920
<v Speaker 4>He was not saying he was laughing. Yes, he laughed

2:11:42.920 --> 2:11:44.160
<v Speaker 4>it off. He's like, Yo, you know I got something

2:11:44.240 --> 2:11:47.240
<v Speaker 4>your man up. It ain't nothing.

2:11:47.240 --> 2:11:47.760
<v Speaker 1>It's all love.

2:11:47.880 --> 2:11:54.200
<v Speaker 3>Right. So the competitive nature of hip hop right for

2:11:54.360 --> 2:11:57.000
<v Speaker 3>nigga like Jim, he popping his ship. I feel like

2:11:57.360 --> 2:12:00.920
<v Speaker 3>he's the most improved niggas rapping is you know you're

2:12:00.960 --> 2:12:02.400
<v Speaker 3>doing what you do, right?

2:12:03.360 --> 2:12:04.600
<v Speaker 1>Is it really a disrespect?

2:12:04.760 --> 2:12:04.800
<v Speaker 7>No?

2:12:05.560 --> 2:12:07.400
<v Speaker 4>But for the fans, they're like, how dare you?

2:12:09.400 --> 2:12:12.200
<v Speaker 3>How dare you rep nos the rap guard? You could

2:12:12.240 --> 2:12:13.760
<v Speaker 3>never compare. But at the end of the day, he

2:12:13.880 --> 2:12:16.280
<v Speaker 3>understand our rhythm. He's saying, some ship that's gonna have

2:12:16.360 --> 2:12:17.760
<v Speaker 3>everybody talking, and it worked.

2:12:17.880 --> 2:12:19.560
<v Speaker 4>When do you think it turns into disrespect?

2:12:19.640 --> 2:12:19.680
<v Speaker 3>Like?

2:12:19.720 --> 2:12:20.200
<v Speaker 4>What makes it.

2:12:23.880 --> 2:12:24.080
<v Speaker 1>Okay?

2:12:24.280 --> 2:12:25.280
<v Speaker 4>I'm asking in general?

2:12:25.480 --> 2:12:28.160
<v Speaker 3>Well, he asked me about the difference between the non

2:12:28.280 --> 2:12:29.800
<v Speaker 3>situation and the mass B situation.

2:12:29.880 --> 2:12:35.680
<v Speaker 4>And the mass B situation, there's a situation where there.

2:12:35.720 --> 2:12:40.560
<v Speaker 3>Was a real, real discrepancy, you know, And who am

2:12:40.600 --> 2:12:45.680
<v Speaker 3>I to say what's serious and what is not. I'm

2:12:45.720 --> 2:12:49.680
<v Speaker 3>from the thought of if if nobody got dropped, nobody

2:12:49.800 --> 2:12:51.000
<v Speaker 3>got shot, nobody got.

2:12:50.960 --> 2:12:54.000
<v Speaker 4>Hurt, then it ain't really that serious. But that's that's

2:12:54.160 --> 2:12:54.960
<v Speaker 4>just who I am.

2:12:55.560 --> 2:12:58.760
<v Speaker 3>I can't project that on somebody else because a certain

2:12:58.840 --> 2:13:02.160
<v Speaker 3>level of disrespect could be that serious. They could be

2:13:02.280 --> 2:13:05.160
<v Speaker 3>lifetime serious, you know what I'm saying. So you know

2:13:05.240 --> 2:13:06.760
<v Speaker 3>what I think, that's what the difference is.

2:13:07.280 --> 2:13:09.840
<v Speaker 1>You know, I felt like I was watching y'all show

2:13:09.960 --> 2:13:14.640
<v Speaker 1>once and you had asked Jim, and I believe Jim

2:13:14.800 --> 2:13:17.920
<v Speaker 1>is like no, and I believe y'all never never spoke

2:13:17.920 --> 2:13:22.200
<v Speaker 1>about it again. We have okay off there, Yeah, okay, okay, okay,

2:13:22.600 --> 2:13:26.520
<v Speaker 1>yeah again. This is something that I wish, like you know,

2:13:26.720 --> 2:13:28.320
<v Speaker 1>hip hop, certain things we would get over.

2:13:28.520 --> 2:13:32.080
<v Speaker 4>We were I wrote him along text one day.

2:13:32.160 --> 2:13:35.200
<v Speaker 1>Okay, like talking because I felt like you were trying

2:13:35.240 --> 2:13:40.640
<v Speaker 1>to fix it absolutely And this is me just spitballing

2:13:40.680 --> 2:13:42.800
<v Speaker 1>because I don't I don't know right, Like I said, man,

2:13:42.880 --> 2:13:45.000
<v Speaker 1>Jim is my man, like I love Jim Jones man,

2:13:45.080 --> 2:13:46.560
<v Speaker 1>like you know, I got to see him in the beginning,

2:13:46.720 --> 2:13:48.960
<v Speaker 1>and I also got to see Camon. But let's let's

2:13:49.160 --> 2:13:53.840
<v Speaker 1>speak about do you think that him and Max? What

2:13:53.920 --> 2:13:56.120
<v Speaker 1>do you think could be fixed more him and Max

2:13:56.240 --> 2:13:57.280
<v Speaker 1>or him and Can.

2:13:59.480 --> 2:14:02.120
<v Speaker 3>Personally we could get to a space that we're all

2:14:02.200 --> 2:14:03.200
<v Speaker 3>sitting in a room together.

2:14:03.400 --> 2:14:05.240
<v Speaker 1>That's why I respect that.

2:14:05.560 --> 2:14:07.480
<v Speaker 4>That's what I personally I wish.

2:14:08.120 --> 2:14:11.800
<v Speaker 1>I wrote him. I wrote him a long text one day, Yim.

2:14:12.240 --> 2:14:15.320
<v Speaker 3>Yeah, it was just on my mind right just as

2:14:15.360 --> 2:14:19.240
<v Speaker 3>a because I'm you know, I'm a nigga that that

2:14:19.480 --> 2:14:22.640
<v Speaker 3>understands what it is to have lifetime problems with niggas.

2:14:22.680 --> 2:14:24.720
<v Speaker 3>It's just certain niggas that I can never fix it

2:14:24.840 --> 2:14:28.400
<v Speaker 3>with But from my perspective, I was like, you know,

2:14:28.480 --> 2:14:32.040
<v Speaker 3>it's this something that could be, you know, rectified. And

2:14:32.160 --> 2:14:34.880
<v Speaker 3>I sent them a text and I expressed him how

2:14:34.960 --> 2:14:38.080
<v Speaker 3>I felt, and at the same time, I was just like, yo,

2:14:38.200 --> 2:14:41.400
<v Speaker 3>if if I'm if I'm stepping over boundaries just to

2:14:41.520 --> 2:14:43.800
<v Speaker 3>understand that this is as a brother, this is just

2:14:43.880 --> 2:14:47.720
<v Speaker 3>how I feel like, right, And you know, I'm just

2:14:47.800 --> 2:14:50.440
<v Speaker 3>basically like, yo, you know, this is something that I

2:14:50.480 --> 2:14:53.320
<v Speaker 3>feel like will look better if we all kind of

2:14:54.120 --> 2:14:58.240
<v Speaker 3>embrace them, you know, a different level of maturity, you

2:14:58.280 --> 2:15:02.360
<v Speaker 3>know what I'm saying. But he he let me know, like, Yo,

2:15:03.960 --> 2:15:06.680
<v Speaker 3>I respect where you're coming from, and I love you

2:15:06.760 --> 2:15:09.880
<v Speaker 3>my niggas the brother, but this is something else for me,

2:15:10.560 --> 2:15:11.720
<v Speaker 3>and I gotta respect that.

2:15:12.400 --> 2:15:14.680
<v Speaker 1>Because there was rumors at one point when Max came

2:15:14.760 --> 2:15:18.560
<v Speaker 1>home that there was going to be an interview with

2:15:18.760 --> 2:15:23.040
<v Speaker 1>Max and Jim right, just them too, I believe on

2:15:23.240 --> 2:15:26.760
<v Speaker 1>Jim's show artists Right. I never heard that's a rumor.

2:15:26.880 --> 2:15:29.560
<v Speaker 1>I heard a couple of camera guys that I know.

2:15:29.840 --> 2:15:31.600
<v Speaker 4>I think that that would be dope. I think that

2:15:31.760 --> 2:15:36.480
<v Speaker 4>would I think that that would be and they don't

2:15:36.480 --> 2:15:37.240
<v Speaker 4>need nobody else.

2:15:37.920 --> 2:15:39.480
<v Speaker 3>You see what I'm saying because I know Max, I

2:15:39.560 --> 2:15:42.680
<v Speaker 3>had I have a relationship with Max, Max before I

2:15:42.760 --> 2:15:43.440
<v Speaker 3>actually knew I.

2:15:43.520 --> 2:15:45.440
<v Speaker 4>Actually I actually knew Max.

2:15:45.840 --> 2:15:47.080
<v Speaker 1>Because I seen him shot you out.

2:15:47.720 --> 2:15:50.920
<v Speaker 3>It was like I knew Max when he first came home.

2:15:51.320 --> 2:15:53.800
<v Speaker 3>Right when he first came home. He used to come

2:15:53.840 --> 2:15:55.760
<v Speaker 3>to Brooklyn, used to come, you know, my man GQ

2:15:56.120 --> 2:15:58.640
<v Speaker 3>Beach Studio the first time, not that first time, right,

2:15:58.960 --> 2:16:00.440
<v Speaker 3>So what happened was he was I'm a home. He

2:16:00.520 --> 2:16:02.920
<v Speaker 3>was coming to Brooklyn. You know, one of my homies

2:16:03.040 --> 2:16:06.880
<v Speaker 3>had knew him from prison. One of my homies, he

2:16:07.080 --> 2:16:11.800
<v Speaker 3>had knew him from prison. I knew Max brother, you know,

2:16:12.080 --> 2:16:14.000
<v Speaker 3>Mike Murder. We was in the full building together and

2:16:14.120 --> 2:16:18.000
<v Speaker 3>Kasaki and all that together. Right when Max came home,

2:16:18.040 --> 2:16:19.680
<v Speaker 3>my man was like, Yo, my little man just came home.

2:16:19.760 --> 2:16:21.680
<v Speaker 3>He nice and named Max being all he from Harlem.

2:16:22.120 --> 2:16:25.440
<v Speaker 3>So Max used to actually come from Harlem to Brooklyn

2:16:25.720 --> 2:16:28.160
<v Speaker 3>to record through the studio that we was all working in.

2:16:28.480 --> 2:16:29.320
<v Speaker 1>You see what I'm saying.

2:16:29.640 --> 2:16:31.560
<v Speaker 3>He used to scream, hustle hard and all that like,

2:16:31.640 --> 2:16:36.160
<v Speaker 3>you know, but their relationship was more defined and I

2:16:36.320 --> 2:16:43.560
<v Speaker 3>was just meeting him. They had the relationship, so there

2:16:43.680 --> 2:16:48.959
<v Speaker 3>was always respect between us right, But our relationship was never.

2:16:50.320 --> 2:16:51.120
<v Speaker 1>In the space of.

2:16:52.640 --> 2:16:55.200
<v Speaker 3>Me and a Jim Jones. It was it never got

2:16:55.240 --> 2:16:58.279
<v Speaker 3>to that, you see what I'm saying, So me feeling

2:16:58.360 --> 2:17:00.960
<v Speaker 3>how I felt as far as definitely don't have an

2:17:01.000 --> 2:17:03.760
<v Speaker 3>issue with Max b I don't have that. No, No,

2:17:04.560 --> 2:17:07.000
<v Speaker 3>I don't have no issue with him at all. But

2:17:07.560 --> 2:17:10.080
<v Speaker 3>I was just saying that as a friend, and we

2:17:10.160 --> 2:17:13.920
<v Speaker 3>talked about that earlier, and we getting money together, we

2:17:14.000 --> 2:17:18.240
<v Speaker 3>got business together, our families know each other. I just

2:17:18.360 --> 2:17:22.279
<v Speaker 3>wanted to respect that in that in that moment.

2:17:23.240 --> 2:17:28.600
<v Speaker 1>Because sometimes you know, us us both man living in

2:17:28.720 --> 2:17:34.640
<v Speaker 1>this industry, sometimes there's real beef and then sometimes there's

2:17:34.720 --> 2:17:38.160
<v Speaker 1>raped beef, and sometimes there's just like in between, right,

2:17:38.320 --> 2:17:44.360
<v Speaker 1>Like we gotta like have those measures. When do you

2:17:44.440 --> 2:17:46.400
<v Speaker 1>think a beef goes too far? I'm not talking about

2:17:46.440 --> 2:17:49.480
<v Speaker 1>Jim and Max or Jim and Cam. I'm talking about

2:17:50.160 --> 2:17:55.600
<v Speaker 1>for you when you think a line is drawn you've

2:17:55.640 --> 2:17:56.480
<v Speaker 1>been you know what I mean.

2:17:57.720 --> 2:17:59.800
<v Speaker 3>I feel like on certain things it said that we

2:18:00.080 --> 2:18:04.160
<v Speaker 3>just can't take back. There's certain people that just could never.

2:18:05.920 --> 2:18:07.680
<v Speaker 1>You know, without naming the people, can give me an

2:18:07.680 --> 2:18:10.280
<v Speaker 1>example or what that looks like. You don't have to

2:18:10.360 --> 2:18:12.320
<v Speaker 1>name it. People when when When? When?

2:18:12.680 --> 2:18:15.520
<v Speaker 3>When you make me feel like when I see you

2:18:16.160 --> 2:18:18.400
<v Speaker 3>on sight, Yeah I needed, I need to get with

2:18:18.600 --> 2:18:24.520
<v Speaker 3>you then, you know, but you got to understand everything

2:18:24.560 --> 2:18:28.200
<v Speaker 3>that happens on the inenternet. It's not made for for

2:18:28.600 --> 2:18:33.400
<v Speaker 3>for a violent outcome. Like I ran into Trive.

2:18:36.040 --> 2:18:37.640
<v Speaker 4>He was at a fight. I was at the fight.

2:18:38.320 --> 2:18:41.000
<v Speaker 3>I've seen him at his baby in his hand. Vegas, right, Vegas.

2:18:41.760 --> 2:18:44.959
<v Speaker 3>Did you see the footage? I didn't want no smoke.

2:18:46.360 --> 2:18:46.800
<v Speaker 1>That's real.

2:18:46.879 --> 2:18:53.640
<v Speaker 3>I don't want no smoke, that's real. And we got

2:18:53.760 --> 2:18:56.680
<v Speaker 3>to understand what real beef is and what like having

2:18:56.720 --> 2:18:59.920
<v Speaker 3>a discrepancy is. Me and him had a what I

2:19:00.120 --> 2:19:03.520
<v Speaker 3>felt like as a discrepancy. I'm not looking for you,

2:19:03.640 --> 2:19:08.480
<v Speaker 3>my nigga. In fact, I don't even I'm trying to

2:19:08.760 --> 2:19:13.080
<v Speaker 3>find a way to say this without feeling like it's disrespectful.

2:19:13.920 --> 2:19:15.880
<v Speaker 3>If I'm beefing with a nigga and I see how

2:19:15.920 --> 2:19:18.400
<v Speaker 3>far he willing to take it, I don't want no

2:19:18.560 --> 2:19:23.879
<v Speaker 3>smoke with him. If I'm beefing with a nigga, any nigga,

2:19:24.160 --> 2:19:26.000
<v Speaker 3>and I understand that he's willing to get on the

2:19:26.080 --> 2:19:30.080
<v Speaker 3>stand and point on a nigga and demonstrate on a nigga.

2:19:31.440 --> 2:19:34.800
<v Speaker 3>He's a stronger man than me. I don't want to

2:19:34.800 --> 2:19:39.000
<v Speaker 3>smoke with him, because where we come from, if we

2:19:39.120 --> 2:19:42.520
<v Speaker 3>call a nigga rat, either we're gonna do what we

2:19:42.600 --> 2:19:45.119
<v Speaker 3>can only do two things with him. Either you want

2:19:45.160 --> 2:19:47.080
<v Speaker 3>to do something about him, or you gonna leave him alone.

2:19:47.840 --> 2:19:51.560
<v Speaker 3>So in that instance, I don't want no smoke with you. Brother,

2:19:52.400 --> 2:19:55.440
<v Speaker 3>Live your life. You got a beautiful family, Do your thing.

2:20:00.760 --> 2:20:04.600
<v Speaker 1>What soney going in? Let me be devil's advocate a

2:20:04.640 --> 2:20:09.240
<v Speaker 1>little bit about gun situation?

2:20:10.200 --> 2:20:10.760
<v Speaker 4>What about it?

2:20:13.040 --> 2:20:18.320
<v Speaker 1>Do you think that was like crossing the line when

2:20:18.360 --> 2:20:20.240
<v Speaker 1>he wouldn't understand and said, oh.

2:20:20.360 --> 2:20:26.200
<v Speaker 3>Yeah, I think Gunna, I think Gonna and I don't know,

2:20:28.280 --> 2:20:32.959
<v Speaker 3>but I think Gonna actually felt like he was tricked.

2:20:33.760 --> 2:20:36.920
<v Speaker 4>I think he was told. I think he was told, Hey,

2:20:37.120 --> 2:20:39.880
<v Speaker 4>this is not writing. You're not telling on nobody.

2:20:40.040 --> 2:20:42.080
<v Speaker 3>You just gotta admit to these things and they're gonna

2:20:42.120 --> 2:20:43.640
<v Speaker 3>give you a plead and you're gonna, you know, go

2:20:43.760 --> 2:20:49.840
<v Speaker 3>home your family. I think that he thought that he

2:20:50.040 --> 2:20:52.200
<v Speaker 3>was doing the right thing. I don't think that he

2:20:52.440 --> 2:20:55.840
<v Speaker 3>had the intentions of telling him. That's what I think

2:20:55.879 --> 2:20:57.920
<v Speaker 3>that he thought. I don't know, that's what I believe

2:21:00.360 --> 2:21:03.240
<v Speaker 3>he didn't understand that what he was saying was in

2:21:04.320 --> 2:21:08.039
<v Speaker 3>one hundred percent contradiction of what the defense is saying.

2:21:08.959 --> 2:21:11.600
<v Speaker 3>We're saying we a rap label, were not a gang.

2:21:14.080 --> 2:21:17.320
<v Speaker 3>You was told to say that it is a gang.

2:21:17.440 --> 2:21:20.200
<v Speaker 1>The gang. Yeah, and that's you witness crime. And he

2:21:20.360 --> 2:21:21.560
<v Speaker 1>was a part of it as well. Right.

2:21:22.520 --> 2:21:25.280
<v Speaker 3>So that's the that's the that's the issue, that's the

2:21:25.480 --> 2:21:27.520
<v Speaker 3>that's the way the line was on. But the thing is,

2:21:27.600 --> 2:21:34.280
<v Speaker 3>this intent is very very very important when you come,

2:21:34.440 --> 2:21:36.959
<v Speaker 3>when you when you understand what snitching.

2:21:36.640 --> 2:21:39.640
<v Speaker 1>Is, explain that police.

2:21:40.600 --> 2:21:45.040
<v Speaker 4>If I get caught with two or three guns and

2:21:45.200 --> 2:21:46.959
<v Speaker 4>to get out of my sentence.

2:21:48.760 --> 2:21:52.200
<v Speaker 3>Or to know, to get out of the prosecution's way,

2:21:53.560 --> 2:21:57.480
<v Speaker 3>two three guns, I'll go and say, yo, nor ready

2:21:57.480 --> 2:21:57.680
<v Speaker 3>did this?

2:21:57.879 --> 2:22:00.760
<v Speaker 1>No the manster.

2:22:08.840 --> 2:22:15.520
<v Speaker 3>If I intentionally understandably say yo, it was it was

2:22:15.760 --> 2:22:18.320
<v Speaker 3>it was the monster, not no, but monster that did

2:22:18.400 --> 2:22:21.560
<v Speaker 3>it right, that did whatever. Because I'm trying to get

2:22:21.600 --> 2:22:22.800
<v Speaker 3>out of what.

2:22:23.040 --> 2:22:23.480
<v Speaker 1>Happened to me.

2:22:23.520 --> 2:22:25.480
<v Speaker 3>I got caught with two or three guns, Like, I'm

2:22:25.520 --> 2:22:28.000
<v Speaker 3>trying to get out of that. So I don't want

2:22:28.040 --> 2:22:30.360
<v Speaker 3>to I don't want to deal with that. I don't

2:22:30.400 --> 2:22:32.960
<v Speaker 3>want what comes with that. So I'm trying to find

2:22:32.959 --> 2:22:35.520
<v Speaker 3>an easy way out, so that intent is possible, that

2:22:35.720 --> 2:22:38.080
<v Speaker 3>intent is what it is. So in the case with

2:22:38.440 --> 2:22:40.920
<v Speaker 3>with with a gunner, I don't know if his intent

2:22:41.120 --> 2:22:43.880
<v Speaker 3>was the same. You see what I'm saying. Sometimes you

2:22:43.920 --> 2:22:55.600
<v Speaker 3>fall like if a nigga, if if if somebody, if

2:22:55.680 --> 2:23:03.480
<v Speaker 3>somebody did something and that she was around, and the

2:23:03.600 --> 2:23:06.879
<v Speaker 3>police ask you, yo, who was there? You said, yeah,

2:23:06.879 --> 2:23:08.360
<v Speaker 3>it was it was it was me and Monster, we

2:23:08.440 --> 2:23:15.800
<v Speaker 3>were together. They used that to incriminate, incriminate the other person.

2:23:18.200 --> 2:23:22.360
<v Speaker 3>Are you really telling I wasn't intent? You could be

2:23:22.440 --> 2:23:24.440
<v Speaker 3>like I wasn't intended to telling them. They just asked

2:23:24.520 --> 2:23:26.120
<v Speaker 3>me who was there, and then I was saying that

2:23:26.280 --> 2:23:27.040
<v Speaker 3>it was me and Monster.

2:23:27.440 --> 2:23:28.160
<v Speaker 1>You see what I'm saying.

2:23:29.320 --> 2:23:37.200
<v Speaker 3>So intent, intent is intent. It's definitely important do do

2:23:37.600 --> 2:23:39.600
<v Speaker 3>do the streets understanding st Nah.

2:23:39.520 --> 2:23:40.720
<v Speaker 4>It's hard to even figure that out.

2:23:41.160 --> 2:23:42.199
<v Speaker 1>People don't understand intent.

2:23:42.600 --> 2:23:44.600
<v Speaker 3>People understanding say. I think it's once you get to

2:23:44.640 --> 2:23:46.640
<v Speaker 3>a level of maturity, you understand in sent because they

2:23:46.840 --> 2:23:48.640
<v Speaker 3>you know, the thing is, you ain't We ain't supposed

2:23:48.640 --> 2:23:51.480
<v Speaker 3>to be talking regardless, It always won't come back to

2:23:51.520 --> 2:23:53.480
<v Speaker 3>that niggas, you ain't supposed to be saying nothing. So

2:23:54.320 --> 2:23:56.360
<v Speaker 3>there's no room for no slip ups. When you ain't,

2:23:56.480 --> 2:23:59.840
<v Speaker 3>you don't say nothing, you know. But in his case,

2:24:00.040 --> 2:24:02.120
<v Speaker 3>I just think that I don't know if he was

2:24:02.240 --> 2:24:05.600
<v Speaker 3>intended on doing that. It came out bad and then

2:24:05.640 --> 2:24:08.520
<v Speaker 3>we heard what Doug had to say about it, and

2:24:08.600 --> 2:24:09.320
<v Speaker 3>it is what it is.

2:24:09.440 --> 2:24:11.960
<v Speaker 1>I guess that feels kind of like I want to

2:24:12.040 --> 2:24:13.840
<v Speaker 1>I want to ask you too, because now we also

2:24:13.920 --> 2:24:17.040
<v Speaker 1>have footage of young Thug. They say, hey, we don't know,

2:24:17.280 --> 2:24:18.680
<v Speaker 1>it's not it.

2:24:18.800 --> 2:24:19.920
<v Speaker 3>Nobody don't think nobody said that.

2:24:20.120 --> 2:24:23.800
<v Speaker 10>Oh I thought someone just said nobody said that. Note Okay,

2:24:23.840 --> 2:24:30.760
<v Speaker 10>well she's not nobody. Nobody said right so about him

2:24:30.760 --> 2:24:31.320
<v Speaker 10>in the precinct.

2:24:31.400 --> 2:24:35.959
<v Speaker 1>In the precinct, so people. But what people are saying

2:24:36.120 --> 2:24:37.960
<v Speaker 1>is that like he was throwing the police off.

2:24:38.360 --> 2:24:40.960
<v Speaker 3>I think I and again, like I just said, I

2:24:41.040 --> 2:24:46.360
<v Speaker 3>felt like, yeah, I felt like Gunner felt like he

2:24:46.600 --> 2:24:50.680
<v Speaker 3>was he was tricked into that. On the flip side,

2:24:50.720 --> 2:24:54.080
<v Speaker 3>I feel like Thug thought that he was finessing mm hmm.

2:24:55.840 --> 2:24:59.119
<v Speaker 3>I feel like he thought that he was in there,

2:25:01.760 --> 2:25:03.640
<v Speaker 3>yeah shanty, give me your number, man, like you know,

2:25:03.720 --> 2:25:05.160
<v Speaker 3>I mean, you want to know something Like I felt

2:25:05.200 --> 2:25:06.920
<v Speaker 3>like that was what his mentality was.

2:25:07.480 --> 2:25:07.760
<v Speaker 1>I don't.

2:25:07.879 --> 2:25:08.200
<v Speaker 4>I don't.

2:25:08.879 --> 2:25:11.200
<v Speaker 3>I don't know. I could be wrong, but I think

2:25:11.280 --> 2:25:13.520
<v Speaker 3>that looking at what he was saying, and looking at

2:25:13.600 --> 2:25:15.760
<v Speaker 3>what he said after that, and on what was going on,

2:25:16.480 --> 2:25:20.360
<v Speaker 3>and the fact that he didn't actually specifically tell on somebody,

2:25:22.560 --> 2:25:23.520
<v Speaker 3>I think that he thought that.

2:25:23.600 --> 2:25:24.720
<v Speaker 1>He had to answers.

2:25:25.200 --> 2:25:28.800
<v Speaker 3>But the issue is this, though, ain't no finessing the

2:25:28.840 --> 2:25:32.360
<v Speaker 3>police man, don't finessing the law. We think we could

2:25:32.400 --> 2:25:35.840
<v Speaker 3>do that, it's always going to come back and bite us.

2:25:37.280 --> 2:25:37.760
<v Speaker 4>Every time.

2:25:38.520 --> 2:25:46.320
<v Speaker 1>M years ago, right, there was something that was said,

2:25:46.400 --> 2:25:48.800
<v Speaker 1>probably about all of us, and we were like, we

2:25:48.879 --> 2:25:51.040
<v Speaker 1>were trying to explain to people, like the rap game

2:25:51.720 --> 2:25:55.680
<v Speaker 1>might be the most dangerous job on the planet, right,

2:25:57.320 --> 2:25:59.360
<v Speaker 1>And I'm not there's no disrespect to like, you know,

2:25:59.520 --> 2:26:03.840
<v Speaker 1>military workers or whatever. But most of the time we

2:26:03.879 --> 2:26:05.080
<v Speaker 1>don't know how our enemies look.

2:26:05.640 --> 2:26:07.920
<v Speaker 3>No, because more people know who you are than you

2:26:08.000 --> 2:26:11.359
<v Speaker 3>know them, than you had a disadvantage, you understand.

2:26:11.840 --> 2:26:15.560
<v Speaker 1>Do you feel do you feel like like rapping is

2:26:15.560 --> 2:26:18.680
<v Speaker 1>one of the most dangerous jobs? Yes, to listen.

2:26:19.440 --> 2:26:21.480
<v Speaker 3>I talked about being in the dating room, looking at you,

2:26:22.840 --> 2:26:26.039
<v Speaker 3>looking at Cam, looking at Hove, looking at all these

2:26:26.160 --> 2:26:28.440
<v Speaker 3>artists coming out of the city and saying, damn, I

2:26:28.560 --> 2:26:31.000
<v Speaker 3>want to do that, because what it looked like for

2:26:31.160 --> 2:26:33.280
<v Speaker 3>me was that rap was a way out. I'm coming

2:26:33.320 --> 2:26:35.760
<v Speaker 3>from violence, I'm coming from the street, I'm coming from prison,

2:26:35.840 --> 2:26:41.200
<v Speaker 3>I'm coming from having a plethora of enemies. I want

2:26:41.240 --> 2:26:43.600
<v Speaker 3>to get out of this. I'm thinking, soon as I

2:26:43.640 --> 2:26:48.600
<v Speaker 3>get into the rap game, we made it. Nah, I

2:26:48.720 --> 2:26:54.520
<v Speaker 3>thought wrong. In fact, getting into the game kind of

2:26:54.560 --> 2:26:59.120
<v Speaker 3>intensifies that. It kind of magnifies that in a negative way,

2:26:59.160 --> 2:27:05.560
<v Speaker 3>because now you more of a a target, you more

2:27:05.640 --> 2:27:09.800
<v Speaker 3>of a symbol of hope that sometimes people just can't

2:27:10.520 --> 2:27:12.800
<v Speaker 3>get out their own way, so they hate you more. Mark,

2:27:15.920 --> 2:27:17.800
<v Speaker 3>fuck all these rappers is dying. I ain't think you

2:27:17.840 --> 2:27:21.040
<v Speaker 3>could die once you become a rapper. I thought that

2:27:21.200 --> 2:27:24.800
<v Speaker 3>insulated you. This is what I listen, good point me

2:27:25.400 --> 2:27:37.840
<v Speaker 3>nineteen ninety seven somewhere War Report, whole nas listening this shit.

2:27:37.879 --> 2:27:41.160
<v Speaker 3>I'm thinking, this is why I want to do this, right,

2:27:42.120 --> 2:27:46.680
<v Speaker 3>because this is gonna allow me to escape this shit.

2:27:47.400 --> 2:27:47.560
<v Speaker 2>Right.

2:27:48.920 --> 2:27:52.680
<v Speaker 3>We never thought that niggas was really gonna be dying

2:27:52.800 --> 2:27:55.840
<v Speaker 3>and all this, like like yeah, it turned into something.

2:27:55.680 --> 2:27:58.560
<v Speaker 4>Totally different, Like I didn't think rapids could die.

2:27:59.480 --> 2:28:01.240
<v Speaker 1>You know, it was crazy. I remember at the time.

2:28:01.320 --> 2:28:04.040
<v Speaker 1>I used to Uh, if if I ever got pulled

2:28:04.080 --> 2:28:06.160
<v Speaker 1>over and I said I was a rapper, like the

2:28:06.240 --> 2:28:09.320
<v Speaker 1>police would just let me go. Like right now, pulled over,

2:28:09.360 --> 2:28:11.000
<v Speaker 1>I want to say I'm a drug dealer, like I

2:28:11.520 --> 2:28:15.240
<v Speaker 1>say I'm a rapper, like it worse, like like you

2:28:15.280 --> 2:28:18.040
<v Speaker 1>got to say you're an American citizens all right, but

2:28:18.080 --> 2:28:18.720
<v Speaker 1>I'm not playing.

2:28:22.840 --> 2:28:25.240
<v Speaker 4>Being a rapper is not special no more. It's not

2:28:26.280 --> 2:28:26.640
<v Speaker 4>it's not.

2:28:28.640 --> 2:28:30.080
<v Speaker 1>Famous is not special no more.

2:28:30.760 --> 2:28:35.080
<v Speaker 3>Being famous can still have depending on your level of fame.

2:28:35.320 --> 2:28:43.920
<v Speaker 1>Is this you Yeah, you ain't checking me out? Famous man?

2:28:45.280 --> 2:28:52.879
<v Speaker 1>Fa So that was bad funny. It's in CBS right now,

2:28:53.280 --> 2:28:57.440
<v Speaker 1>go up there, pure oh boxes right now about to

2:28:57.480 --> 2:28:59.800
<v Speaker 1>go buy available And.

2:29:01.440 --> 2:29:02.599
<v Speaker 4>Being a rapper.

2:29:04.480 --> 2:29:05.279
<v Speaker 1>It's not as.

2:29:07.200 --> 2:29:11.760
<v Speaker 3>Prestigious especial as it used to be because being a

2:29:11.840 --> 2:29:14.560
<v Speaker 3>rapper felt like there was a rights to passage.

2:29:14.600 --> 2:29:17.200
<v Speaker 1>It was like there was a level of getting it.

2:29:17.320 --> 2:29:21.039
<v Speaker 3>Only the best had record deals, and only the best

2:29:21.240 --> 2:29:23.520
<v Speaker 3>was on B T and m t V, only only

2:29:24.320 --> 2:29:25.560
<v Speaker 3>those special ones.

2:29:25.720 --> 2:29:27.080
<v Speaker 1>Now it's like everybody could be it.

2:29:28.080 --> 2:29:30.879
<v Speaker 2>You don't think that your own house, You don't think

2:29:30.920 --> 2:29:32.360
<v Speaker 2>that's the magic word the best.

2:29:32.920 --> 2:29:33.560
<v Speaker 4>I feel like the.

2:29:33.600 --> 2:29:36.039
<v Speaker 2>Best has dwindled. Down to you don't have to be good.

2:29:36.080 --> 2:29:37.000
<v Speaker 1>It don't have to be anything.

2:29:37.360 --> 2:29:42.560
<v Speaker 3>Because the technology has allowed us to allow anybody to

2:29:42.600 --> 2:29:45.560
<v Speaker 3>be a rapper or be an artist. So it's like, okay,

2:29:47.080 --> 2:29:51.480
<v Speaker 3>pro tools. We could set pro tools up anywhere, bathroom, hotel,

2:29:51.760 --> 2:29:53.200
<v Speaker 3>bus car, anywhere.

2:29:53.879 --> 2:29:56.760
<v Speaker 1>We could set up pro tools or loops.

2:29:57.920 --> 2:30:01.440
<v Speaker 2>All that. You could a whole recording on your phone

2:30:01.480 --> 2:30:01.720
<v Speaker 2>right now.

2:30:02.120 --> 2:30:05.279
<v Speaker 3>Anywhere you can record right because the technology allowed.

2:30:05.040 --> 2:30:08.720
<v Speaker 1>Us to do that. Mad a whole hit from from prison.

2:30:08.959 --> 2:30:13.240
<v Speaker 3>So now because of that, anybody can just be an artist.

2:30:13.560 --> 2:30:16.160
<v Speaker 3>That's music is the only sport where you could just

2:30:16.320 --> 2:30:19.920
<v Speaker 3>be it. You gotta go to school to be a lawyer,

2:30:20.320 --> 2:30:25.400
<v Speaker 3>that's real. You gotta go through training in amateurs to

2:30:25.480 --> 2:30:28.879
<v Speaker 3>be a professional boxer. You can't just be a professional

2:30:29.000 --> 2:30:32.520
<v Speaker 3>fucking baseball player, basketball players. You can't just be it music.

2:30:32.600 --> 2:30:33.879
<v Speaker 3>You could just be it rap up.

2:30:33.920 --> 2:30:36.000
<v Speaker 2>You can just be it music and rapper. But I

2:30:36.080 --> 2:30:39.440
<v Speaker 2>think we should be different than hip hop. Maybe that's

2:30:39.480 --> 2:30:40.000
<v Speaker 2>not even.

2:30:39.879 --> 2:30:43.800
<v Speaker 3>Me that though, because anybody can just do it, it

2:30:44.400 --> 2:30:48.560
<v Speaker 3>doesn't matter. You know how many girls I've seen that

2:30:50.000 --> 2:30:54.600
<v Speaker 3>started to garner a certain level of Instagram notoriety turn

2:30:54.640 --> 2:30:58.480
<v Speaker 3>around to say to me, I'm gonna make a record

2:30:58.959 --> 2:31:01.760
<v Speaker 3>because it's like the rap still comes with a certain

2:31:01.840 --> 2:31:05.640
<v Speaker 3>level of coolness, right and you I'm like, yo, you

2:31:05.800 --> 2:31:07.080
<v Speaker 3>just it don't work like that.

2:31:07.240 --> 2:31:09.199
<v Speaker 1>You just like it's it's.

2:31:09.120 --> 2:31:11.760
<v Speaker 3>Dudes, you gotta pay. It's a standard that you gotta

2:31:11.840 --> 2:31:13.160
<v Speaker 3>sit on top of.

2:31:13.680 --> 2:31:14.680
<v Speaker 1>But no, you don't.

2:31:15.720 --> 2:31:19.120
<v Speaker 3>You don't have to reach a certain level of a standard.

2:31:19.200 --> 2:31:22.039
<v Speaker 3>You don't have to reach a certain level of capability.

2:31:22.160 --> 2:31:24.840
<v Speaker 3>You don't have to get to these places, you know,

2:31:25.080 --> 2:31:26.280
<v Speaker 3>because before it was like if.

2:31:26.200 --> 2:31:29.360
<v Speaker 4>You get a record a record deal, you don't need

2:31:29.400 --> 2:31:32.640
<v Speaker 4>a record deal. You get a major record deal, you

2:31:32.840 --> 2:31:33.720
<v Speaker 4>was like looked.

2:31:33.520 --> 2:31:36.640
<v Speaker 3>At as Wow, this niggas signed a Sony, he signed

2:31:36.680 --> 2:31:42.080
<v Speaker 3>a death Cham, he signed to automatic automatically just by

2:31:42.240 --> 2:31:44.120
<v Speaker 3>having that, because that shows you could have been the

2:31:44.160 --> 2:31:46.680
<v Speaker 3>wagoned person in the world. You gotta deal that makes

2:31:46.720 --> 2:31:52.320
<v Speaker 3>you automatically. You gotta be something for somebody to do that.

2:31:53.080 --> 2:31:53.800
<v Speaker 1>Now it's not that.

2:31:55.520 --> 2:31:59.400
<v Speaker 3>Anybody can do it anybody. So because it's now it's like,

2:31:59.480 --> 2:32:00.240
<v Speaker 3>I don't even want to be.

2:32:00.280 --> 2:32:02.039
<v Speaker 1>Called a rapper. It's like, don't call it. Like it's

2:32:02.120 --> 2:32:03.680
<v Speaker 1>just disposable music.

2:32:04.480 --> 2:32:09.240
<v Speaker 3>It's all watered down. If anything, the labels don't feel

2:32:09.280 --> 2:32:14.920
<v Speaker 3>the same. The listener is not the same. The genre,

2:32:15.200 --> 2:32:18.520
<v Speaker 3>the energy, the culture is not the same. Rights it's

2:32:18.720 --> 2:32:22.760
<v Speaker 3>just not special. It's just like everybody is a rapper. Now,

2:32:23.560 --> 2:32:26.279
<v Speaker 3>how many times we've been somewhere, We've been some places

2:32:26.800 --> 2:32:28.480
<v Speaker 3>and you're like, yo, you know who that is? Like, no,

2:32:28.520 --> 2:32:29.760
<v Speaker 3>I don't know who the fuck that is, but that's

2:32:29.800 --> 2:32:32.040
<v Speaker 3>such and such here a rapper.

2:32:33.400 --> 2:32:35.480
<v Speaker 2>But we shouldn't accept them as rappers. What I'm saying like,

2:32:35.959 --> 2:32:38.400
<v Speaker 2>everybody can't be a rapper. They can all be rappers,

2:32:38.560 --> 2:32:39.760
<v Speaker 2>but should not be accepted.

2:32:39.920 --> 2:32:42.240
<v Speaker 4>What's the standard? What's the measurement?

2:32:42.920 --> 2:32:46.200
<v Speaker 1>And the same thing with DJs. There's a lot of

2:32:46.320 --> 2:32:49.760
<v Speaker 1>DJs DJ them.

2:32:50.120 --> 2:32:52.360
<v Speaker 2>Well, I think what Nads and Master Pill is doing

2:32:52.480 --> 2:32:53.200
<v Speaker 2>is super love.

2:32:53.240 --> 2:32:55.160
<v Speaker 1>What they're doing to pay homage to.

2:32:55.400 --> 2:32:57.160
<v Speaker 4>The culture of it understood.

2:32:57.200 --> 2:32:59.400
<v Speaker 1>So, but but that's they they can't and it also

2:32:59.480 --> 2:33:00.240
<v Speaker 1>makes business sense.

2:33:00.600 --> 2:33:03.080
<v Speaker 2>Well it does make business because we're all being nostalgic

2:33:03.160 --> 2:33:05.000
<v Speaker 2>saying that ship was dope back then. This is why

2:33:05.040 --> 2:33:05.560
<v Speaker 2>we like it now.

2:33:06.400 --> 2:33:07.680
<v Speaker 1>You building fan base.

2:33:08.040 --> 2:33:10.920
<v Speaker 3>I'm sorry when you say that they we shouldn't accept

2:33:10.959 --> 2:33:11.560
<v Speaker 3>them as rappers.

2:33:11.600 --> 2:33:16.040
<v Speaker 2>So what's the standard? I mean, you're asking me to

2:33:16.120 --> 2:33:18.600
<v Speaker 2>make the standard yes, what's the standard? At least they

2:33:18.640 --> 2:33:24.400
<v Speaker 2>make a sentence that rhymes. It's many people that can

2:33:24.440 --> 2:33:24.840
<v Speaker 2>make a sense.

2:33:24.879 --> 2:33:26.600
<v Speaker 3>I mean, I'm not saying be the standard, because that's

2:33:26.640 --> 2:33:27.840
<v Speaker 3>that's the bar's loading.

2:33:28.320 --> 2:33:31.760
<v Speaker 2>Like listen, let's talk about m seeing his historically, Like,

2:33:31.840 --> 2:33:32.480
<v Speaker 2>let's go back to the.

2:33:32.520 --> 2:33:34.959
<v Speaker 4>Cold crush and how it keeps going up. That's too far.

2:33:35.160 --> 2:33:36.760
<v Speaker 2>No, No, I'm gonna bring you up.

2:33:36.760 --> 2:33:37.760
<v Speaker 4>I'm gonna bring you up to day.

2:33:38.080 --> 2:33:40.520
<v Speaker 2>Let's go ice cube, Let's go n W, let's go

2:33:40.720 --> 2:33:43.600
<v Speaker 2>public enemy, let's go nas. As it keeps going up,

2:33:43.640 --> 2:33:46.960
<v Speaker 2>it gets more lyrical, more intelligent. How the fuck does

2:33:47.040 --> 2:33:49.960
<v Speaker 2>it go down this way? How do we go from

2:33:50.040 --> 2:33:53.440
<v Speaker 2>down here up here and then slope down? That doesn't

2:33:53.440 --> 2:33:59.480
<v Speaker 2>make sense, man, But listen, that's so I'm not so

2:34:00.080 --> 2:34:07.160
<v Speaker 2>skin you this though, because any person with you know,

2:34:08.360 --> 2:34:10.240
<v Speaker 2>mind and bodies should be able to be able to

2:34:11.800 --> 2:34:15.040
<v Speaker 2>to make a sense is rhyme R What would be

2:34:15.360 --> 2:34:17.560
<v Speaker 2>in your in your mind? What would be the standard

2:34:17.640 --> 2:34:20.320
<v Speaker 2>that people would have to live up to to be

2:34:20.879 --> 2:34:22.120
<v Speaker 2>to be able to say I'm a rapper?

2:34:23.080 --> 2:34:24.280
<v Speaker 1>No MC or a rapper?

2:34:25.360 --> 2:34:27.440
<v Speaker 4>Well, no, to be an MC is one thing.

2:34:27.520 --> 2:34:29.119
<v Speaker 1>To be a rapper. Anybody could be a rap. Anybody

2:34:29.160 --> 2:34:29.720
<v Speaker 1>could be a rapper.

2:34:30.120 --> 2:34:32.400
<v Speaker 2>Anybody could be a rapper. To be MC down, to

2:34:32.520 --> 2:34:35.039
<v Speaker 2>be an MC, you have to be prolific in your lyrics.

2:34:35.520 --> 2:34:37.080
<v Speaker 2>It has to rhyme, it has to make sense.

2:34:37.200 --> 2:34:39.400
<v Speaker 4>But who's at the gate making sure that there is

2:34:39.480 --> 2:34:39.800
<v Speaker 4>no gate?

2:34:39.840 --> 2:34:41.240
<v Speaker 2>So the audience needs to be the gate.

2:34:41.480 --> 2:34:43.240
<v Speaker 3>It's not gonna work that. No, that's the one that

2:34:43.280 --> 2:34:45.480
<v Speaker 3>the honest don't care. No, but that's the audience is

2:34:45.560 --> 2:34:46.160
<v Speaker 3>one a good time.

2:34:46.240 --> 2:34:48.680
<v Speaker 2>When the when the audience stops carrying, it's not just

2:34:48.760 --> 2:34:49.680
<v Speaker 2>the audience's fault.

2:34:50.040 --> 2:34:53.000
<v Speaker 4>It means it is the audience's fault because people party.

2:34:53.080 --> 2:34:54.680
<v Speaker 3>People like the party, and they at the club and

2:34:54.840 --> 2:34:56.840
<v Speaker 3>understanding the textures of music and if a nigga is

2:34:56.920 --> 2:35:00.920
<v Speaker 3>like cat rat, that that that and if it sound good.

2:35:01.160 --> 2:35:03.840
<v Speaker 4>And it's a vibe and it's a bounce. Wait, we're

2:35:03.840 --> 2:35:05.080
<v Speaker 4>going with it, but let's go back.

2:35:08.240 --> 2:35:10.880
<v Speaker 1>Let's go back to what you said the best lyrics. Wow,

2:35:15.080 --> 2:35:15.720
<v Speaker 1>this on one second?

2:35:16.320 --> 2:35:19.680
<v Speaker 4>One second, I'm I'm bathroom. I want to use the bathroom.

2:35:21.160 --> 2:35:26.800
<v Speaker 1>Right after we got the de conversation, Damn, right now,

2:35:28.959 --> 2:35:30.640
<v Speaker 1>I was ready to go with the big club on you.

2:35:31.480 --> 2:35:32.959
<v Speaker 1>In my life, I like the do.

2:35:34.520 --> 2:35:36.920
<v Speaker 4>No, we were trying to talk about the standard, the standard.

2:35:37.000 --> 2:35:38.520
<v Speaker 1>Yeah yeah, yeah, So what would be the.

2:35:38.600 --> 2:35:44.520
<v Speaker 3>Standard of of the MC like because the general pub

2:35:44.720 --> 2:35:51.120
<v Speaker 3>the general public, the general public doesn't have that standard, right,

2:35:52.360 --> 2:35:56.440
<v Speaker 3>the average person is just looking for something that that

2:35:56.560 --> 2:35:58.600
<v Speaker 3>makes them feel like they're having a good time, especially

2:35:58.640 --> 2:35:59.720
<v Speaker 3>when you were talking about clubs.

2:36:00.080 --> 2:36:02.040
<v Speaker 2>So my point with the general public not having the

2:36:02.080 --> 2:36:06.080
<v Speaker 2>standard was this, you yourself remembered, you said the label

2:36:06.560 --> 2:36:09.440
<v Speaker 2>when you got signed, the label needed to put all

2:36:09.520 --> 2:36:12.480
<v Speaker 2>this money to make this record a hit and do

2:36:12.520 --> 2:36:16.000
<v Speaker 2>all this stuff. We all could agree. The record label

2:36:16.160 --> 2:36:18.560
<v Speaker 2>doesn't give a fuck about hip hop. They give a

2:36:18.600 --> 2:36:23.520
<v Speaker 2>fuck about profit, so they will make hits that doesn't

2:36:23.560 --> 2:36:28.240
<v Speaker 2>necessarily benefit hip hop, benefits their pockets, benefits the corporate structure.

2:36:28.879 --> 2:36:31.640
<v Speaker 2>So the hits that they're gonna keep pushing are not

2:36:31.760 --> 2:36:35.720
<v Speaker 2>going to be beneficial to hip hop growing, being smarter,

2:36:36.360 --> 2:36:39.720
<v Speaker 2>be more prolific, be more social. So they're gonna just

2:36:39.840 --> 2:36:43.880
<v Speaker 2>keep pushing these hit records with all this money that

2:36:44.000 --> 2:36:48.680
<v Speaker 2>eventually the whole audience today after the fact, they don't

2:36:48.680 --> 2:36:49.160
<v Speaker 2>give a fuck.

2:36:49.200 --> 2:36:50.119
<v Speaker 4>They don't give a fuck.

2:36:49.920 --> 2:36:54.360
<v Speaker 2>About MC's rappers, hip hop, the elements of hip hop.

2:36:54.520 --> 2:36:56.120
<v Speaker 4>It's all that doesn't solve them.

2:36:56.520 --> 2:36:59.240
<v Speaker 2>It's just a music. Give me a fucking hit record.

2:36:59.320 --> 2:37:01.200
<v Speaker 2>I don't give a fuck. There's one leg up, two legs,

2:37:01.280 --> 2:37:03.680
<v Speaker 2>one of my ears in my face, I'm this, I'm that.

2:37:03.800 --> 2:37:05.360
<v Speaker 2>They don't give a fuck what it is. Just give

2:37:05.400 --> 2:37:08.720
<v Speaker 2>me a catchy tune and then the idea of hip

2:37:08.760 --> 2:37:10.000
<v Speaker 2>hop that we all grew up on.

2:37:11.000 --> 2:37:12.200
<v Speaker 4>That's it. I agree with that.

2:37:13.040 --> 2:37:13.400
<v Speaker 1>I agree.

2:37:13.440 --> 2:37:18.720
<v Speaker 3>I agree with the fact that nobody really cares, right,

2:37:18.800 --> 2:37:22.520
<v Speaker 3>and I think that's the problem. So so basically so

2:37:23.720 --> 2:37:27.160
<v Speaker 3>that can't change, then I think it can That's what

2:37:27.160 --> 2:37:27.520
<v Speaker 3>I'm trying.

2:37:28.520 --> 2:37:29.800
<v Speaker 1>I think it can't change.

2:37:29.520 --> 2:37:32.240
<v Speaker 4>Because no one cares, because I think hip hop.

2:37:32.240 --> 2:37:35.320
<v Speaker 2>Is still a unified group of people, even though we

2:37:35.440 --> 2:37:39.080
<v Speaker 2>might have different intentions, different ideas, we all still identify

2:37:39.240 --> 2:37:40.360
<v Speaker 2>under the banner of hip hop.

2:37:41.120 --> 2:37:43.400
<v Speaker 4>But once it became corporate, it was out of our hands.

2:37:43.480 --> 2:37:45.840
<v Speaker 2>But right now we've unders we've all understand that, well,

2:37:45.879 --> 2:37:48.040
<v Speaker 2>we believe corporate is kind of out of well, the

2:37:48.080 --> 2:37:51.920
<v Speaker 2>major labels, corporate is still the social media companies are corporate.

2:37:52.000 --> 2:37:52.960
<v Speaker 4>That's still another record.

2:37:53.200 --> 2:37:56.800
<v Speaker 1>What happened with ninety seven right now, Well, they're saying

2:37:56.840 --> 2:38:00.680
<v Speaker 1>that it's visually the capitalist that's running that whole civil.

2:38:01.080 --> 2:38:03.960
<v Speaker 2>Capitalism runs everything we do. Absolutely we are capital the

2:38:04.040 --> 2:38:05.600
<v Speaker 2>thing I'm not mad at being a capitalist.

2:38:05.720 --> 2:38:09.200
<v Speaker 3>I'm not mad at that neither. But I don't think

2:38:10.879 --> 2:38:15.360
<v Speaker 3>it can change back. We're not right raw, hip hop

2:38:15.720 --> 2:38:18.240
<v Speaker 3>raw not the roan. You can never go because just

2:38:18.320 --> 2:38:20.120
<v Speaker 3>as the idea of the time frame that it was in,

2:38:20.400 --> 2:38:24.000
<v Speaker 3>just just just that standard of what what we felt

2:38:24.080 --> 2:38:26.040
<v Speaker 3>like hip hop was. I don't feel like it could

2:38:26.120 --> 2:38:28.320
<v Speaker 3>change back to that though, you know what I'm saying.

2:38:28.640 --> 2:38:31.040
<v Speaker 3>I don't think that it could change back to what

2:38:31.200 --> 2:38:31.720
<v Speaker 3>it used to be.

2:38:32.040 --> 2:38:33.879
<v Speaker 2>I don't think it could change back. But I don't

2:38:33.920 --> 2:38:36.320
<v Speaker 2>think we have to say because it can't change back,

2:38:36.440 --> 2:38:37.160
<v Speaker 2>we can't.

2:38:37.600 --> 2:38:40.160
<v Speaker 4>Keep the essence there. But who's gonna keep it?

2:38:41.080 --> 2:38:44.000
<v Speaker 2>We right here in drink Champs alone are trying to

2:38:44.040 --> 2:38:45.000
<v Speaker 2>keep the hip.

2:38:46.040 --> 2:38:51.000
<v Speaker 3>What shot that your shot that drink keeping the essence alive?

2:38:54.040 --> 2:38:57.480
<v Speaker 3>But do you do you do understand that two thirty

2:38:57.600 --> 2:38:59.840
<v Speaker 3>three in the morning in a club in any various

2:39:00.160 --> 2:39:07.600
<v Speaker 3>the of of of of your choice, right, alcohol, drugs, music,

2:39:07.800 --> 2:39:14.520
<v Speaker 3>absolutely from Yeah, nobody's thinking about keeping the essence of

2:39:14.600 --> 2:39:14.920
<v Speaker 3>hip hop.

2:39:14.959 --> 2:39:16.720
<v Speaker 2>But you know I'm saying that you do understand that

2:39:17.680 --> 2:39:19.720
<v Speaker 2>not everybody lives at two thirty in the morning on

2:39:19.800 --> 2:39:22.600
<v Speaker 2>drugs and alcohol in a constantly American you know what.

2:39:24.720 --> 2:39:26.960
<v Speaker 4>You know what, sometimes we forget that.

2:39:27.879 --> 2:39:31.320
<v Speaker 1>Sometimes I ain't gonna lie. That's the one thing. Uh,

2:39:31.480 --> 2:39:32.960
<v Speaker 1>thank you for pointing that. That's the one thing I

2:39:33.040 --> 2:39:36.240
<v Speaker 1>love about Ogzo. Like when you see Kine if you

2:39:36.360 --> 2:39:39.400
<v Speaker 1>follow Caine the other day, yo, yo, Kine stays on

2:39:39.520 --> 2:39:43.480
<v Speaker 1>the road. Yes, when I see that ship, I see like,

2:39:43.600 --> 2:39:47.400
<v Speaker 1>you know, Jasey Jabb all these people staying on the

2:39:47.520 --> 2:39:49.959
<v Speaker 1>road and it's like, yo, you know he's.

2:39:49.840 --> 2:39:53.240
<v Speaker 4>Just judge Jeff Kill crazy hood day like killed day. Yeah,

2:39:53.400 --> 2:39:54.160
<v Speaker 4>he shut it down.

2:39:57.600 --> 2:39:59.600
<v Speaker 3>You know, hip hop is the only genre of music

2:39:59.680 --> 2:40:02.080
<v Speaker 3>that people kind of shame you for getting older.

2:40:02.080 --> 2:40:04.480
<v Speaker 1>You're for getting older, Like why change that?

2:40:04.720 --> 2:40:09.080
<v Speaker 3>And I think, yeah, that too, that's that's that's that

2:40:09.160 --> 2:40:11.560
<v Speaker 3>should be a part of the agenda.

2:40:11.879 --> 2:40:17.600
<v Speaker 1>And you can talk, you can be absolutely hundred isnine

2:40:17.640 --> 2:40:22.000
<v Speaker 1>thousand years old. Come on, he's front, come on, yeah,

2:40:22.280 --> 2:40:24.400
<v Speaker 1>he's yes, he's different.

2:40:25.400 --> 2:40:28.720
<v Speaker 3>Is the only genre that you know, you get to

2:40:28.760 --> 2:40:32.400
<v Speaker 3>your forties and plus then it's like, oh, you old nigga,

2:40:33.320 --> 2:40:34.880
<v Speaker 3>you need a share and it's like it shouldn't be

2:40:34.959 --> 2:40:37.880
<v Speaker 3>that because every other music you can it doesn't.

2:40:38.000 --> 2:40:39.320
<v Speaker 4>It's no age.

2:40:40.879 --> 2:40:41.279
<v Speaker 1>Ceiling.

2:40:42.080 --> 2:40:44.760
<v Speaker 4>You can be whatever, right.

2:40:44.920 --> 2:40:48.120
<v Speaker 3>Ozzy Osbourne went all the way to the death end

2:40:48.240 --> 2:40:57.560
<v Speaker 3>told head fans torn passed to the death and as

2:40:57.600 --> 2:41:01.160
<v Speaker 3>an artist, this is not a filical sport, right, you

2:41:01.240 --> 2:41:06.720
<v Speaker 3>understand like your bad AnGR you know what I mean?

2:41:06.840 --> 2:41:08.240
<v Speaker 4>You got bad physicals.

2:41:08.320 --> 2:41:10.040
<v Speaker 2>We wanted to be right, but it's not.

2:41:10.240 --> 2:41:11.080
<v Speaker 4>It's it's mental.

2:41:11.280 --> 2:41:15.800
<v Speaker 1>Is insane clown posse. Maybe you gotta because you might be.

2:41:15.800 --> 2:41:18.400
<v Speaker 3>Able to jump around on stage no more, but understanding

2:41:18.480 --> 2:41:19.879
<v Speaker 3>that the music is still music.

2:41:19.720 --> 2:41:21.920
<v Speaker 1>And cut you off. Did you see Kane do his

2:41:22.040 --> 2:41:22.680
<v Speaker 1>last I saw that.

2:41:22.760 --> 2:41:26.400
<v Speaker 7>I talked him about that, that whole footage though it's

2:41:26.440 --> 2:41:32.640
<v Speaker 7>just resurface about that last another day you got me

2:41:33.959 --> 2:41:35.920
<v Speaker 7>it's not up the first one.

2:41:35.920 --> 2:41:36.200
<v Speaker 4>He said.

2:41:36.320 --> 2:41:36.879
<v Speaker 1>The dude.

2:41:38.680 --> 2:41:42.440
<v Speaker 3>Again, king man, we should be doing this ship.

2:41:42.480 --> 2:41:45.200
<v Speaker 4>Put the rest off if you want to. So they

2:41:45.280 --> 2:41:46.360
<v Speaker 4>got this thing where they say yo.

2:41:46.959 --> 2:41:48.440
<v Speaker 3>So it's like they got this thing where they be

2:41:48.480 --> 2:41:52.160
<v Speaker 3>like yo, these niggas are tenier citizens, right, and it's

2:41:52.240 --> 2:41:54.720
<v Speaker 3>like y'all yeah, telling us.

2:41:56.120 --> 2:41:56.760
<v Speaker 1>I never heard this.

2:41:57.040 --> 2:41:59.760
<v Speaker 4>This is kind of hard teen year citizens.

2:42:01.120 --> 2:42:03.400
<v Speaker 3>I started and started as like a I don't know

2:42:03.440 --> 2:42:07.160
<v Speaker 3>I guess niggas was trying to like go at Jim

2:42:07.240 --> 2:42:09.879
<v Speaker 3>Jones and say, oh, he's he's a he's a teenage citizen.

2:42:10.160 --> 2:42:13.560
<v Speaker 3>He's the youngest o g. We know, like, I don't

2:42:13.600 --> 2:42:18.160
<v Speaker 3>think nothing wrong with that, right, because age is about energy.

2:42:19.320 --> 2:42:23.240
<v Speaker 3>We only hear one time, bro, that one time that

2:42:23.720 --> 2:42:25.680
<v Speaker 3>we know of right, that we know off right that

2:42:25.840 --> 2:42:29.320
<v Speaker 3>that that's what we know. Why not live to the

2:42:29.400 --> 2:42:31.800
<v Speaker 3>fullest and you do what make you happy, my nigga,

2:42:32.360 --> 2:42:36.720
<v Speaker 3>Like like, if if your perception is me is a

2:42:36.800 --> 2:42:39.200
<v Speaker 3>teen citizen, then let me let me live my life

2:42:39.240 --> 2:42:40.680
<v Speaker 3>the way I want to live it, my nigga, let

2:42:40.720 --> 2:42:42.680
<v Speaker 3>me live my days the way I fucking want to

2:42:42.760 --> 2:42:42.920
<v Speaker 3>do it.

2:42:43.240 --> 2:42:48.480
<v Speaker 4>Because guess what, it's people that you know album.

2:42:50.879 --> 2:42:51.520
<v Speaker 2>That's a good name.

2:42:51.600 --> 2:42:56.760
<v Speaker 3>Though there's people that we both know and everybody here

2:42:56.879 --> 2:43:00.640
<v Speaker 3>know that that didn't have the has to live the

2:43:00.640 --> 2:43:03.160
<v Speaker 3>way they want to live right and do the things

2:43:03.200 --> 2:43:03.800
<v Speaker 3>that they want to do.

2:43:04.520 --> 2:43:04.640
<v Speaker 6>Right.

2:43:04.760 --> 2:43:09.600
<v Speaker 3>We're still here with with with the blessings from lucky

2:43:10.440 --> 2:43:13.959
<v Speaker 3>you know, from the universe like that were able to.

2:43:13.959 --> 2:43:14.520
<v Speaker 1>Still be here.

2:43:14.640 --> 2:43:20.240
<v Speaker 3>Like so if if if I want to still pull

2:43:20.320 --> 2:43:25.480
<v Speaker 3>up to the club, if I got on sweatsuit and

2:43:25.600 --> 2:43:26.040
<v Speaker 3>jews on.

2:43:26.400 --> 2:43:28.760
<v Speaker 4>I'm not trying to be a little nigga. I'm not

2:43:28.840 --> 2:43:31.119
<v Speaker 4>trying to be a lion. But I'm this hip hop.

2:43:31.200 --> 2:43:32.400
<v Speaker 1>I'm standing you.

2:43:34.000 --> 2:43:36.800
<v Speaker 4>You've always been being you'reerent.

2:43:38.040 --> 2:43:41.720
<v Speaker 3>People set these invisible boundaries and these standards on you

2:43:42.120 --> 2:43:43.760
<v Speaker 3>and say that when you get to a certain age

2:43:43.800 --> 2:43:46.880
<v Speaker 3>that you should be dressing a certain way or doing

2:43:46.959 --> 2:43:48.920
<v Speaker 3>a certain thing, or you should just automatically turn this

2:43:49.120 --> 2:43:49.480
<v Speaker 3>old man.

2:43:50.080 --> 2:43:50.840
<v Speaker 4>I don't believe in that.

2:43:51.840 --> 2:43:57.840
<v Speaker 3>I don't believe why, like, should we stop wearing baseball hats,

2:43:59.080 --> 2:44:00.480
<v Speaker 3>should we stop wearing tims?

2:44:00.640 --> 2:44:03.160
<v Speaker 1>Hating on my hair? They'd be out there, I see you,

2:44:03.640 --> 2:44:04.480
<v Speaker 1>they hate on your hair.

2:44:05.600 --> 2:44:07.240
<v Speaker 4>The fact that, yeah I got that too.

2:44:07.840 --> 2:44:13.200
<v Speaker 2>Definitely for your painting this ship right, definitely, little pain,

2:44:13.280 --> 2:44:14.840
<v Speaker 2>little paint later.

2:44:14.879 --> 2:44:16.760
<v Speaker 1>Yeah yeah, little.

2:44:17.800 --> 2:44:23.280
<v Speaker 4>Seven. You know, but you know where he should he

2:44:23.320 --> 2:44:24.080
<v Speaker 4>should be able.

2:44:23.920 --> 2:44:26.400
<v Speaker 3>To do what the he wanted to do, exactly, bottom line,

2:44:27.320 --> 2:44:28.840
<v Speaker 3>bottom line, he should be able to do what he

2:44:28.920 --> 2:44:29.280
<v Speaker 3>wants to do.

2:44:29.400 --> 2:44:30.400
<v Speaker 1>Take a sip for that, let's do it.

2:44:30.720 --> 2:44:36.080
<v Speaker 4>Definitely, I didn't. I didn't plan out to be this drunk. Yeah,

2:44:38.000 --> 2:44:42.400
<v Speaker 4>we we planned out for you to be got.

2:44:43.320 --> 2:44:45.560
<v Speaker 1>We've been through. I'm gonna just be honest with you, man.

2:44:45.879 --> 2:44:47.040
<v Speaker 1>I'm very proud of you. Man.

2:44:47.080 --> 2:44:48.480
<v Speaker 4>I appreciate you to do the thing.

2:44:48.560 --> 2:44:51.320
<v Speaker 3>Continue to smile, man, absolutely especial when you get new

2:44:51.360 --> 2:44:52.120
<v Speaker 3>tea paid.

2:44:52.480 --> 2:44:57.840
<v Speaker 1>Damn. Yeah, we can tell let's got but but man,

2:44:57.959 --> 2:45:00.880
<v Speaker 1>like you know everything you've been through, everything you and

2:45:01.720 --> 2:45:04.560
<v Speaker 1>to be here and just to still be that guy

2:45:04.720 --> 2:45:07.120
<v Speaker 1>man and still be holding it down and still be

2:45:07.200 --> 2:45:07.959
<v Speaker 1>able to smile.

2:45:08.080 --> 2:45:10.119
<v Speaker 3>You know what I'm saying. Because I'm gonna tell you something.

2:45:10.160 --> 2:45:14.640
<v Speaker 1>As a person I lived in every form of rap game.

2:45:15.680 --> 2:45:18.240
<v Speaker 1>I know how hard this ship is. Like even when

2:45:18.280 --> 2:45:20.480
<v Speaker 1>you even when we at the best of our best,

2:45:20.800 --> 2:45:23.520
<v Speaker 1>that shit is still hard because we can't never it's

2:45:23.600 --> 2:45:25.840
<v Speaker 1>not we can never turn it in our uniform. The

2:45:26.040 --> 2:45:27.080
<v Speaker 1>uniform is twenty.

2:45:26.879 --> 2:45:28.440
<v Speaker 4>Four hours because that's how people see you.

2:45:28.680 --> 2:45:29.600
<v Speaker 1>That's how people see you.

2:45:29.760 --> 2:45:30.959
<v Speaker 4>And you can never live that down.

2:45:31.040 --> 2:45:33.360
<v Speaker 1>You could never live that down. So you know, to

2:45:34.360 --> 2:45:37.960
<v Speaker 1>to continue to be successful, continue to be out there,

2:45:38.040 --> 2:45:40.720
<v Speaker 1>continue to smile, continue to work, continue to do that.

2:45:40.840 --> 2:45:42.160
<v Speaker 1>Like I just want to let you know, like we

2:45:42.480 --> 2:45:44.840
<v Speaker 1>admire you, we respect you, and we want That's why

2:45:44.879 --> 2:45:46.000
<v Speaker 1>we wanted to give you a flowers.

2:45:46.160 --> 2:45:46.720
<v Speaker 4>Appreciate that.

2:45:47.920 --> 2:45:53.320
<v Speaker 1>I appreciate that, and especially and especially like being a

2:45:53.400 --> 2:45:55.440
<v Speaker 1>street person. So like when I like kind of like

2:45:57.400 --> 2:46:00.520
<v Speaker 1>to you know me, I was researching you and I

2:46:00.640 --> 2:46:03.039
<v Speaker 1>kept going back like six years ago. See how many

2:46:03.160 --> 2:46:07.040
<v Speaker 1>people were like baiting you, like I mean by baiting you.

2:46:07.360 --> 2:46:10.560
<v Speaker 1>Was like they're like, yo, man, it's known for this this.

2:46:10.920 --> 2:46:13.160
<v Speaker 1>So then what I did was I went and I

2:46:13.280 --> 2:46:22.200
<v Speaker 1>pulled up ah you on like white people's shows, and

2:46:22.320 --> 2:46:25.840
<v Speaker 1>I said this it's because it's like, all right, cool,

2:46:25.840 --> 2:46:28.880
<v Speaker 1>I seen what what like MV like my man, I

2:46:28.959 --> 2:46:31.640
<v Speaker 1>mean man, like certain like when I was watching your

2:46:31.720 --> 2:46:34.600
<v Speaker 1>interviews that I watched black then I watched and I was,

2:46:34.680 --> 2:46:36.640
<v Speaker 1>you know, I'm trying to you know, trying to be official,

2:46:36.640 --> 2:46:38.320
<v Speaker 1>you know what I'm saying. But when I see you

2:46:38.879 --> 2:46:40.400
<v Speaker 1>and I'm like, yo, you know how to do that?

2:46:41.000 --> 2:46:44.240
<v Speaker 1>Think about this is your gift, my brother in just

2:46:44.280 --> 2:46:46.720
<v Speaker 1>in case you don't know, you know how to move

2:46:46.800 --> 2:46:51.119
<v Speaker 1>in difference audiences. You know how to move a different

2:46:51.200 --> 2:46:54.880
<v Speaker 1>our gifts. Man, that's a real gift, bro. Like, don't

2:46:55.560 --> 2:46:58.880
<v Speaker 1>don't downplay that, like, don't ever like acknowledge that. Like

2:46:59.120 --> 2:47:01.640
<v Speaker 1>I was watching it you because I want to do

2:47:01.760 --> 2:47:04.280
<v Speaker 1>my job. But I'm like I'm looking at it. I'm

2:47:04.360 --> 2:47:06.800
<v Speaker 1>like that's not something that you have to teach that

2:47:06.879 --> 2:47:07.520
<v Speaker 1>to yourself.

2:47:07.800 --> 2:47:11.600
<v Speaker 3>Right, That comes from Yeah, my bad, that's a false

2:47:12.879 --> 2:47:14.680
<v Speaker 3>sense of of of learning.

2:47:15.280 --> 2:47:15.400
<v Speaker 1>Right.

2:47:15.920 --> 2:47:20.800
<v Speaker 4>So it's like, I adapt to every room that I'm in, right,

2:47:21.720 --> 2:47:23.040
<v Speaker 4>no matter what room that I'm in.

2:47:24.280 --> 2:47:28.000
<v Speaker 3>Prison allowed us the time to like read things, study things,

2:47:28.040 --> 2:47:30.440
<v Speaker 3>and stff like that. So it's like, if I'm in

2:47:30.480 --> 2:47:33.760
<v Speaker 3>a peaceful room, I'm peaceful. If I'm in a room

2:47:33.840 --> 2:47:38.119
<v Speaker 3>on some bullshit, then I'm with that too. If I'm

2:47:38.200 --> 2:47:40.600
<v Speaker 3>on a room that's that's. If I'm in a room

2:47:40.680 --> 2:47:44.000
<v Speaker 3>that's about progression, then that's what we're talking about.

2:47:44.200 --> 2:47:44.880
<v Speaker 1>That's what we're on.

2:47:46.760 --> 2:47:52.879
<v Speaker 3>Adaptation, adaptation, right, Being able to adapt, that's the way

2:47:52.920 --> 2:47:57.480
<v Speaker 3>you stay here. We ain't always gonna be hot. Niggas

2:47:57.520 --> 2:47:59.520
<v Speaker 3>gonna be like, oh you washed up, you old nigga,

2:47:59.560 --> 2:48:03.279
<v Speaker 3>You ain't who you used to be. But that don't

2:48:03.320 --> 2:48:06.040
<v Speaker 3>define you. You still gotta you still got to be

2:48:06.080 --> 2:48:08.360
<v Speaker 3>able to turn those corners. So being able to adapt

2:48:08.440 --> 2:48:10.440
<v Speaker 3>to the times, to be able to adapt to climate,

2:48:10.520 --> 2:48:12.160
<v Speaker 3>to be able to adapt to the wounds that we're in.

2:48:12.959 --> 2:48:14.879
<v Speaker 3>No nigga, that's me, but.

2:48:15.240 --> 2:48:18.760
<v Speaker 1>I mean that's not normal. Like you, you're a genius

2:48:18.840 --> 2:48:21.840
<v Speaker 1>man like, trust me. Like I I was. I was

2:48:21.959 --> 2:48:26.920
<v Speaker 1>taking a jog this morning. Well, my boy Henry, and

2:48:27.040 --> 2:48:29.960
<v Speaker 1>I was watching all your interviews, watching it all, and

2:48:30.080 --> 2:48:33.480
<v Speaker 1>I was like, Yo, this dude is mad smart like

2:48:34.840 --> 2:48:38.200
<v Speaker 1>and it made me mad that six years ago people

2:48:38.280 --> 2:48:40.360
<v Speaker 1>well that's all they were saying, Oh, you're a street dude,

2:48:41.000 --> 2:48:44.240
<v Speaker 1>your dude, and I'm looking at your progress to where

2:48:44.280 --> 2:48:47.280
<v Speaker 1>you're at. I'm like, yo, man, you you're a smart dude.

2:48:47.360 --> 2:48:47.440
<v Speaker 6>Bro.

2:48:47.640 --> 2:48:51.160
<v Speaker 3>Me being a street nigga is st is a footnote

2:48:51.200 --> 2:48:54.279
<v Speaker 3>in my life. Bro, that's a little that's a small

2:48:54.360 --> 2:48:56.600
<v Speaker 3>part of my life. You know what I'm saying. Look,

2:48:57.920 --> 2:49:01.960
<v Speaker 3>that ain't that ain't gonna be ever be something that

2:49:02.040 --> 2:49:03.680
<v Speaker 3>I denied. That ain't ever gonna be something that I'm

2:49:03.680 --> 2:49:06.119
<v Speaker 3>ashamed of. That where I come from, what I come from,

2:49:06.160 --> 2:49:10.760
<v Speaker 3>what I've been through the issues that I had. Yeah,

2:49:11.520 --> 2:49:15.119
<v Speaker 3>but that also helped define you, right, because what you've

2:49:15.160 --> 2:49:17.360
<v Speaker 3>been through helped shopping you in a certain way to

2:49:17.440 --> 2:49:19.680
<v Speaker 3>make you who you are. Right, whatever it's meant to

2:49:19.760 --> 2:49:24.080
<v Speaker 3>be will be. So it's like, yeah, I've been through prisons,

2:49:24.120 --> 2:49:25.760
<v Speaker 3>I've been through wars, I've been through.

2:49:27.360 --> 2:49:35.040
<v Speaker 4>I've been through extreme violent situations. Right, L l told

2:49:35.040 --> 2:49:35.240
<v Speaker 4>me this.

2:49:35.800 --> 2:49:39.240
<v Speaker 3>LL told me say, Yo, don't let your past failures handcuffed.

2:49:39.959 --> 2:49:41.280
<v Speaker 1>Mm hmm. I said what you mean?

2:49:41.360 --> 2:49:45.920
<v Speaker 3>He said, Then you might drop a wht album. It

2:49:46.040 --> 2:49:50.640
<v Speaker 3>won't sell, But the fuck that keep going. Nigga, act

2:49:50.720 --> 2:49:52.680
<v Speaker 3>like act like you did. Nigga, act like you just

2:49:52.800 --> 2:49:56.800
<v Speaker 3>went platinum. Don't let your past failures and that and

2:49:56.879 --> 2:50:01.040
<v Speaker 3>that that that's attributed to every angle of life. If

2:50:01.080 --> 2:50:02.680
<v Speaker 3>you didn't been in prison, you've been in the street.

2:50:02.800 --> 2:50:05.920
<v Speaker 3>Like just because you started one way, that doesn't determine

2:50:05.959 --> 2:50:10.840
<v Speaker 3>how you finish. So what we've been involved in this,

2:50:11.160 --> 2:50:13.960
<v Speaker 3>that don't mean that we can't put our suits on

2:50:14.160 --> 2:50:16.480
<v Speaker 3>and sit in these rooms and talk to these.

2:50:16.400 --> 2:50:22.040
<v Speaker 4>People about life and build on some progress. They don't

2:50:22.080 --> 2:50:24.920
<v Speaker 4>mean that. It don't mean that at all, my nigga.

2:50:25.440 --> 2:50:30.240
<v Speaker 1>You know, man, I can't thank you enough. Man, I

2:50:30.360 --> 2:50:32.640
<v Speaker 1>thank you. Man. I wanted to give your flowers.

2:50:32.680 --> 2:50:35.200
<v Speaker 3>Man, thank you, thank you for giving me my motherfucking flowers.

2:50:35.480 --> 2:50:37.000
<v Speaker 3>I never had too many flowers.

2:50:40.680 --> 2:50:42.320
<v Speaker 4>And the fog.

2:50:42.400 --> 2:50:43.959
<v Speaker 3>I want to put you on somethingcause I'm here. I'm

2:50:44.040 --> 2:50:47.920
<v Speaker 3>down here for the weekend because a friend of mine

2:50:48.000 --> 2:50:56.000
<v Speaker 3>is just open up a restaurant in Miami and it is.

2:50:57.520 --> 2:51:00.960
<v Speaker 4>Probably going to be the top restaurant in the city.

2:51:01.200 --> 2:51:04.040
<v Speaker 1>Talk about it. It's called Neuveau.

2:51:05.240 --> 2:51:08.520
<v Speaker 3>Shout out to my people, Ebony Caro, Shout out the wrong.

2:51:10.240 --> 2:51:12.320
<v Speaker 3>Shout out the Yandy because she's involved with that. It

2:51:12.440 --> 2:51:15.480
<v Speaker 3>was yes, big grand opening last night, and this is

2:51:15.520 --> 2:51:17.720
<v Speaker 3>why I'm down here, We out here celebrating that. You

2:51:17.800 --> 2:51:20.640
<v Speaker 3>seeing what I'm saying is it's in one what Okay?

2:51:21.240 --> 2:51:23.840
<v Speaker 3>So it's right here, right here there, right here, it's

2:51:24.879 --> 2:51:27.280
<v Speaker 3>New Veau. What I'm telling you, the food is good.

2:51:27.640 --> 2:51:28.280
<v Speaker 1>You like y'all?

2:51:28.360 --> 2:51:29.600
<v Speaker 4>Come on, I've been right now.

2:51:30.720 --> 2:51:31.560
<v Speaker 3>Yeah, we can do that.

2:51:32.280 --> 2:51:35.840
<v Speaker 1>Absolutely, let's go. Absolutely, you can do that. All right,

2:51:35.959 --> 2:51:38.240
<v Speaker 1>he can do that? Hey you do that?

2:51:41.879 --> 2:51:51.160
<v Speaker 6>Yes, take the picture, Let's take a click and Drink

2:51:51.280 --> 2:51:54.320
<v Speaker 6>Champs is a drink Champs ll C production hosts and

2:51:54.440 --> 2:51:57.360
<v Speaker 6>executive producers n O r E and d j e

2:51:57.640 --> 2:51:57.880
<v Speaker 6>f N.

2:51:59.040 --> 2:51:59.840
<v Speaker 4>Listen to Drink.

2:51:59.720 --> 2:52:04.000
<v Speaker 2>Champs on Apple podcast, Amazon Music, Spotify, or wherever you

2:52:04.160 --> 2:52:07.920
<v Speaker 2>get your podcasts. Thanks for joining us for another episode

2:52:07.959 --> 2:52:10.800
<v Speaker 2>of Drink Champs hosted by Yours truly, DJ e FN

2:52:11.040 --> 2:52:13.160
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