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Speaker 1: There's something in the fighting that's interesting. And this is

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Speaker 1: what happens sometimes between you and I, and I have

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Speaker 1: to work on it. It's like, if you have a

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Speaker 1: problem and you say it to me, I have to

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Speaker 1: really work on just receiving it, just listening.

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Speaker 2: That is the only thing I asked.

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Speaker 3: I know, because you don't have a lot of problems,

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Speaker 3: and you used to say I have no problems and

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Speaker 3: you're pretty.

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Speaker 1: It's pretty true.

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Speaker 2: You're pretty. It's pretty true.

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Speaker 1: I work on myself really hard. But one thing I

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Speaker 1: don't like.

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Speaker 2: You went to therapy today?

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Speaker 1: Yes I didn't when I want I didn't. That's we'll

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Speaker 1: talk about that. But the one thing that this podcast

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Speaker 1: that post is really wrong.

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Speaker 2: People like, no, no, fuck the show. Talk about that.

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Speaker 1: Talk about what.

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Speaker 2: What did you just say?

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Speaker 4: There one good test test test tests, go get test

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Speaker 4: test tests.

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Speaker 1: Should I close the window?

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Speaker 2: No, we're good, moles like can tell her to close

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Speaker 2: the window? No, we're good.

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Speaker 1: Are you sure? We're fine?

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Speaker 2: Fine, we're fine.

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Speaker 1: The windows.

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Speaker 3: Hi, we're here, wrap a ports reality with the window open.

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Speaker 1: Windows open. It's loud in New York City.

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Speaker 3: It is loud in New York City, but we need

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Speaker 3: the air. It is Rapaports Reality.

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Speaker 1: That's right.

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Speaker 2: My name is Michael.

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Speaker 1: Rappaport, and I'm Kibi Rappaport, and.

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Speaker 3: This is Rapports Reality. The Welcome, Welcome, Welcome, Reality TV

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Speaker 3: Pop culture world. This is Rapaports Reality. I promise you

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Speaker 3: I will not count the episodes after we get to nine.

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Speaker 2: But this is episode three. We're still early.

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Speaker 1: Yeah, let's say three. I think we should count till five.

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Speaker 2: Five, at ten, you stop, let's do.

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Speaker 1: Let's do to episode five that has a ring to it,

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Speaker 1: the episode five.

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Speaker 2: Yeah, the iconic episode five.

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Speaker 3: People are already preparing for the iconic episode five. If

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Speaker 3: you've never listened to this podcast, this podcast is about

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Speaker 3: all things reality TV, all things popular culture, and all things,

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Speaker 3: but not all things.

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Speaker 2: All things, but not all things.

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Speaker 3: Some things about some things about our relationship, which could

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Speaker 3: be very boring, could be very mundane, or hopefully very relatable.

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Speaker 3: We are in a great period of reality TV right now.

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Speaker 2: We have vander Pump Rules is kicking into action.

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Speaker 1: It's going, it's going. I like the way it's going.

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Speaker 1: But let's back up, because you know some things that

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Speaker 1: we're we haven't really been talking about. Let's talk about

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Speaker 1: Beverly Hills. Because that that that it's over, and we

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Speaker 1: didn't we didn't talk about Kathy Hilton coming in.

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Speaker 3: Kathy Hilton. Now, let's let's give some inside scoop. So

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Speaker 3: the thing that I think we have to offer that

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Speaker 3: other reality podcasts don't have to offer is the inside.

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Speaker 2: Inside I want to do that access. Well, no, we

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Speaker 2: could share a lot.

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Speaker 1: Of people in podcast world have inside access.

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Speaker 3: I don't think they have as much inside access as

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Speaker 3: we have to Andy Cohen, Well, yeah, because you.

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Speaker 1: Can call him and he text him on he's your friend, Yes,

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Speaker 1: tell you anything, though he never goes, which I love

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Speaker 1: that about him. He doesn't really give anything up because

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Speaker 1: he's he has a job to do, he's professional.

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Speaker 2: Whatever, he knows him, he knows he's talking to somebody

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Speaker 2: who's unhand.

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Speaker 1: And like crazy people, we're like, we're obsessed. So he

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Speaker 1: doesn't give us any information. But you talked to him

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Speaker 1: this morning. He didn't tell you shit.

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Speaker 3: I said, Andy, I know it's probably eight you've taken

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Speaker 3: your kids to school, and I.

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Speaker 2: Just want to make this quick. I want to make

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Speaker 2: this quick.

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Speaker 3: But we asked him, we said, because on the last podcast,

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Speaker 3: we were curious, did Kathy Hilton call and say she

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Speaker 3: wanted to be on the reunion. Did they call Kathy Hilton?

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Speaker 3: Did Kyle suggest Kyle the rain and queen of the

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Speaker 3: Real Housewives of Beverly Hills.

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Speaker 1: We said that she's our queen. I don't think everybody

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Speaker 1: would agree with that, but they.

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Speaker 2: Would say Lisa vander Pop.

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Speaker 3: Let's say, focus on Kathy, Kathy who they treat her

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Speaker 3: like she's the actual queen of actual Beverly Hills.

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Speaker 2: We're not going to go hard on Kathy. We love

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Speaker 2: but we also see you, Kathy.

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Speaker 1: We see you, Kathy, we see you. All say, by

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Speaker 1: the way, I went to the bath said.

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Speaker 2: We gave her a call. So we gave her a call.

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Speaker 1: Why this is good production?

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Speaker 2: And she came. She I just I have to say it.

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Speaker 1: Wait, baby, she came, and she was not that interested.

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Speaker 1: She was putting on her lip gloss.

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Speaker 3: I mean sudden strack. Seemed to have a fainting attack,

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Speaker 3: seemed like she got lightheaded.

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Speaker 1: Exhaustion, and she has swelling of the hands, shaking.

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Speaker 2: Shaking of the hands.

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Speaker 3: She so much to the point where they had to

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Speaker 3: take her to the hospital. She didn't finish the final

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Speaker 3: episode of the Real Housewives of Beverly Hills Reunion Part

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Speaker 3: three and Kathy Hilton could give two ships and right

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Speaker 3: behind and her was the great Erica Jane. They both

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Speaker 3: seem like, Okay, she's this bitch is gonna be fine.

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Speaker 3: And I'll like to use the word the B word

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Speaker 3: a lot, but they seem like she's gonna be fine.

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Speaker 2: Did you put up a Christmas tree? Because she asked you,

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Speaker 2: did you put up a Christmas tree?

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Speaker 3: And and and like Erica trying to small talk Kathy,

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Speaker 3: and Kathy's trying to figure out her phone, and Sutton

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Speaker 3: Strack is over there like shaking, and they're giving her,

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Speaker 3: you know, like oxygen juice and and yeah, and.

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Speaker 2: All this stuff. I mean, what did you think of Kathy?

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Speaker 2: I just I listened.

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Speaker 1: I think it was on brand I think it was

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Speaker 1: totally on Bran. Yeah, it was on Brad. It was perfect.

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Speaker 1: I'm not mad at that at all.

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Speaker 2: I'm not mad at it either.

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Speaker 1: Katy's very funny that she did it to Sutton whose

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Speaker 1: Sutton stock up for her. It just shows that Kathy

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Speaker 1: is for Kathy all day, oh day, every day. And

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Speaker 1: I'm who's mad at that? Like that's what she does?

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Speaker 1: And all right, So.

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Speaker 3: And I have said you know, I'm not gonna name names,

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Speaker 3: but a handful of people have said to me a

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Speaker 3: few times, Hey, would you like to meet Kathy?

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Speaker 2: She wants to meet you.

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Speaker 3: You're really being a little hard on her, But if

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Speaker 3: you met her in real life, you'd love her. And

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Speaker 3: I'm thinking to myself, number one, I don't need to

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Speaker 3: meet Kathy Hilton. I don't need to conversate with Kathy Hilton.

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Speaker 3: And I'm sure she could turn the charm on.

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Speaker 2: Better than anybody.

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Speaker 3: But when we see you, and we saw you, you

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Speaker 3: know episode after episode that camera don't lie.

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Speaker 1: Camera don't lie, especially on that situation like that where

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Speaker 1: the where the camera was focused. And you know, when

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Speaker 1: you're when you're in front of a camera, you know

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Speaker 1: what's gonna happen. In a situation like that, the camera

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Speaker 1: is gonna be on the activity, and that was on Sutton,

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Speaker 1: so they didn't weren't aware that it would maybe be

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Speaker 1: on them. I mean, there's probably shooting with three cameras.

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Speaker 3: But' probably shooting with six cameras, right. I think there's

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Speaker 3: a camera for everything for everybody.

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Speaker 1: But and I guess they've been all doing it long

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Speaker 1: enough that they know all cameras are gonna be running

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Speaker 1: at all times. After they yell cut as down, they're

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Speaker 1: still running. Sometimes they're running, but I feel like they didn't.

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Speaker 1: She doesn't care. That's how she really doesn't care. And

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Speaker 1: that's wild because everything's kept forever, you know what I mean?

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Speaker 1: Like Sutton will see this right yep. Like, so that's

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Speaker 1: how that she's about about it.

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Speaker 3: Do you think Kathy's coming back next season or do

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Speaker 3: you think it's just like she's like the one.

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Speaker 1: I think Kathy can decide whatever Kathy wants. Kathy could

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Speaker 1: come in and out if she really wanted you, because

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Speaker 1: she she's that good of TV.

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Speaker 3: Do you think would you like to see Kathy back?

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Speaker 3: Would you like to see Denise Richard? If you could

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Speaker 3: pick one? Oh, hold on one. If you could pick one,

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Speaker 3: you get to have Lisa Renne back, Kathy Hilton back,

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Speaker 3: or Denise back.

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Speaker 1: This is so hard, just one. This is so hard.

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Speaker 1: I think I was the.

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Speaker 2: Most entertaining out of those three. For you.

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Speaker 1: Oh man, this is really really hard. But I think

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Speaker 1: if I really had to say, I would pick Renna.

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Speaker 3: I would pick Renolds, so you would too, Yeah, because she,

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Speaker 3: like Kathy Hilton, is good in doses she's like like

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Speaker 3: a six man off the bench.

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Speaker 2: She's a great six man.

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Speaker 3: She's she's she comes off the bench, she puts up points,

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Speaker 3: and then she goes back to the bench.

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Speaker 1: She can't drive it like Renna.

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Speaker 2: No, right, Lisa. Renne is a bus driver.

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Speaker 3: And that's another sports analogy because they'll go, like, you know,

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Speaker 3: Lebron James, he's driving the bus.

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Speaker 1: I can't believe you don't know that. I know that.

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Speaker 1: I know that. That's why I said she can't drive it.

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Speaker 2: But is that a supports analogy or is that like

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Speaker 2: just I would.

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Speaker 1: Say, drive like she would drive it to the basket.

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Speaker 1: I mean that's what I'm saying. Is that wrong?

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Speaker 2: Drive the ball to the basketball?

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Speaker 1: Well?

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Speaker 2: No, like they'll say, like Tom driving like he's the

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Speaker 2: number one guy. Okay, speaking to number one guys.

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Speaker 1: Wait, don't skip there. I know where you're gonna go.

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Speaker 2: We're gonna go back to Jacks.

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Speaker 1: You're messing with my OCD like you were gonna talk

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Speaker 1: about Jacks And I'm like, I.

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Speaker 3: Fucking curse on this show. Jacks is coming back to television.

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Speaker 2: But let's stay focused.

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Speaker 1: Stay focused, because I want to wrap up the thing

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Speaker 1: with But you would definitely say brings the.

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Speaker 3: Most because she starts trouble. She's funny, she's cookie, is

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Speaker 3: any person that's ever been on Bravo. She is kooky.

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Speaker 3: She's got the lips, she's got the hair. She dances,

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Speaker 3: she cries. She's got Harry Hamlin, she calls him Harry Hamlin.

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Speaker 3: She's got the daughters, she fights. She I mean, she's

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Speaker 3: really like an all purpose house.

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Speaker 1: A well rounded housewife. I think Denisa would get really

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Speaker 1: sad to watch and question if there's something else going

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Speaker 1: on there. You never know, we don't know what's really happening.

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Speaker 1: And it's kind of a one note thing. And she

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Speaker 1: comes in and then she leaves all the time. Anyway,

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Speaker 1: she can't, you know, she steps out like she comes

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Speaker 1: in and out whenever she wants. She's sort of like

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Speaker 1: the Mary Cosby of Beverly Hills. She kind of decides

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Speaker 1: we love we love her.

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Speaker 2: From some she's another one.

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Speaker 3: They're like, you can come when you want to come,

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Speaker 3: exactly when you don't want to come, don't come. They're

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Speaker 3: going to be participating in activities. You can stay two

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Speaker 3: hundred yards away and commentate all the show's going on.

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Speaker 2: She's like an at home.

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Speaker 3: She's like the Mary Cosby the You're in Salt Lake

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Speaker 3: City was like, you know, the Muppets, the Old Men,

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Speaker 3: that's it up in the in the.

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Speaker 2: Datchel Mary Cosmos. She didn't engage. You just watched it.

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Speaker 2: Talk shit.

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Speaker 1: She's like the narrator, like the town crier.

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Speaker 2: Is the town the.

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Speaker 1: Town similar? Yeah? Similar?

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Speaker 2: I mean, Okay, we brought him up inadvertently.

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Speaker 1: Because you always have him, because he's number one. You

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Speaker 1: always got him on your mind.

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Speaker 3: The number one guy, Jax Taylor, The Valley Brittany, Kristin

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Speaker 3: Doty shout out to Kristin Dody and Jack's Taylor.

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Speaker 2: I mean Lifers, Yo, they're coming back.

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Speaker 1: I'm so excited. I mean, listen the trailers to that show.

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Speaker 1: But you know, there's always anticipated from a spinoff type

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Speaker 1: show that you were like, Nah, you can't do it,

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Speaker 1: don't try, You're not going to do it. But I

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Speaker 1: think they may have done it here.

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Speaker 3: That guy is so unhinged, so entertaining to Again, it's

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Speaker 3: the thing that for me resonates the most for any

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Speaker 3: reality TV show when you go through watching them grow

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Speaker 3: up and watching this guy cheat and fail and cheat

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Speaker 3: and fail and break up and try to do good

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Speaker 3: and the sports bar and the number one guy and

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Speaker 3: this that and the third, and then finally find a

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Speaker 3: girl who he shitted on. She stayed with him, And

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Speaker 3: I'm so glad Britney stayed with him. They had a kid,

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Speaker 3: Jax Taylor has a check.

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Speaker 1: Hello, Hello, Why are you so glad she stayed with him?

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Speaker 2: I'm not it's not our relationship to judge base.

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Speaker 1: I'm not judging. I'm just asking. I thought, maybe that's

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Speaker 1: an insight of why for him it was served him.

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Speaker 3: I want to see him do well inevitably. I want

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Speaker 3: to see redemption like I respond to the redemption. I

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Speaker 3: respond to the redemption of any characters, whether it's a movie,

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Speaker 3: whether it's in real life, and whether it's you know,

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Speaker 3: real housewives. Just like last week on the episode number

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Speaker 3: two of The Rapper Ports Reality, we talked about the

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Speaker 3: redemption of the great Erica Jane and I was sitting

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Speaker 3: there in the fire and it points times people were like, Yo,

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Speaker 3: you're back in this person, You're back in this person,

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Speaker 3: and fortunately the redemption happened. So I want to see where.

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Speaker 3: I see the good in Jack's tailor. I see the

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Speaker 3: good in Tom Sandvil. Although it's tough.

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Speaker 1: Oh, you're looking like some he is X ray X

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Speaker 1: ray super X ray glasses. Because I don't know what

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Speaker 1: you're talking about.

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Speaker 2: Tom Sandervil is gone, like.

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Speaker 1: You're skipping around. No, I don't understand. I think Jackson

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Speaker 1: is broken. Okay, he's fully broken.

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Speaker 3: You don't think a little you don't see a little

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Speaker 3: light in his eye in the trailer, maybe in.

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Speaker 1: The beginning with like the first couple of season. I

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Speaker 1: have to saw it now, Like dude, you're saying, you

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Speaker 1: just took me through his whole span of life. And

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Speaker 1: I was saying, and I'm saying, yeah, I could see

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Speaker 1: where you saw. It was like the floppy fish that

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Speaker 1: couldn't get it together and didn't know where he's going

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Speaker 1: and he cheated. And by the way, from what I'm

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Speaker 1: seeing and reading, he's still the same guy unfortunately. So

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Speaker 1: like you're That's why I'm asking you, what do you

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Speaker 1: think if you had some insight of why he's great

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Speaker 1: for Brittany. I think Brittany wanted, like the mistake that

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Speaker 1: a lot of us make in relationships is that we

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Speaker 1: not me.

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Speaker 2: He just looks at me.

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Speaker 1: If you can see how he just looked at me,

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Speaker 1: not you. But I'm just saying, like, had I stayed

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Speaker 1: with you of the first time around when you were

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Speaker 1: like like we were twenty twenty, stay together, it would

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Speaker 1: have been a disaster.

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Speaker 2: But she should be in relationships to twenty.

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Speaker 1: But he was older than that. By the way, when

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Speaker 1: he mess her.

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Speaker 3: He started the show, he's forty, right, So like he

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Speaker 3: said he was twenty five, like he was.

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Speaker 2: Forty, he was forty had a forty year old soul.

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Speaker 1: What I'm saying, babe, is that I feel like she

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Speaker 1: wanted this guy to be something that he is not

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Speaker 1: capable of being, and now there's a reckoning with that

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Speaker 1: and here we are and he got you know, he

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Speaker 1: got involved with a bar.

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Speaker 2: That's a good thing, though for him.

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Speaker 1: It's not life for him is the sports.

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Speaker 2: Bars are daytimes Sunday.

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Speaker 1: I wanted to do good. I'm rooting for now, you're

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Speaker 1: just such a pisce.

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Speaker 3: I'm rooting for all of them. I want them all

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Speaker 3: to do good. I want I want them all to

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Speaker 3: do good. I wanted to do well when she I

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Speaker 3: always do turn back to them.

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Speaker 1: But really you thought with Randa, No, of course not.

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Speaker 3: But after she found out, let's stay focused. The point

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Speaker 3: is that they have a kid. Now, it's not like

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Speaker 3: a normal breakup. I want to see them.

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Speaker 1: That's the part that upsets me. When you have kids.

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Speaker 1: It's like, no, we don't like divorce. We know what

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Speaker 1: that means. So yes, I do agree. What what's our

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Speaker 1: point to this whole thing?

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Speaker 2: The point is that the number one guy's back.

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Speaker 1: Yeah, and it's gonna be great TV.

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Speaker 2: That's the point at.

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Speaker 1: The end, period, can't wait wait, that's it.

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Speaker 3: I don't have to I don't have to lead, I

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Speaker 3: don't have to give a whole deposition explanation. The point

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Speaker 3: is the number one guy is back.

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Speaker 2: Period. That's it. Moving on, all right, let's pay some bills.

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Speaker 2: All right, we'll be right back.

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Speaker 3: And Christian Dody talk about a woman who you root for,

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Speaker 3: it's she's you know, Kristen Dody was so fucking nuts.

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Speaker 2: On her ring during vander Pump Rules.

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Speaker 3: She was whacked out, getting shitted on, getting smacked by Stanci,

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Speaker 3: getting cheated on.

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Speaker 1: She's smacked too, by the way.

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Speaker 2: I mean, she brought the whole kitten.

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Speaker 3: And when it's happening, when it's happening, I think like

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Speaker 3: we're like get rid of her and nan a little

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Speaker 3: time goes and you're like, I'm glad to see her back.

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Speaker 1: Yes, i am glad to see that she's back on

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Speaker 1: a show. And it's nice. We'll see, we'll see. I

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Speaker 1: can't wait to see the show. It looks amazing, It

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Speaker 1: looks fully, thoroughly entertaining. And it also makes the valley

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Speaker 1: in which I lived, uh, sort of a I won't

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00:16:01,800 --> 00:16:04,320
Speaker 1: say appealing, but a place to live which I would

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Speaker 1: never live sexy.

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Speaker 3: And let me just tell you, got babe, you could

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Speaker 3: break down the valley.

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Speaker 2: I could. I'll add it to it.

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Speaker 1: The valley is a place where people go to die.

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Speaker 1: You know, I'm kidding. No, I lived in the valley

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Speaker 1: for many years. It's I have special place in my

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Speaker 1: heart for the valley because it's where I fell in

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Speaker 1: love with my best friend, my other best friend, Tammy.

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Speaker 1: So the valley has some good things about it, but

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Speaker 1: it's not the place in la that you really you know,

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Speaker 1: it used to be cheaper. I don't think it's much

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Speaker 1: cheaper anymore to live in my pockets. Maybe still, but

359
00:16:34,640 --> 00:16:36,680
Speaker 1: you got to go further and further out. It's just

360
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Speaker 1: not it's not that sexy to me.

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Speaker 2: It's amazing what these cameras can do.

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Speaker 1: I know because now that we live in New York,

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00:16:43,760 --> 00:16:46,200
Speaker 1: sometimes we watch a show that takes place in La Aren't.

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00:16:46,000 --> 00:16:48,520
Speaker 3: We like, oh my gosh, vander Pum Rules is one

365
00:16:48,640 --> 00:16:52,400
Speaker 3: totally the valley. They're like, I'm like that street's a shithole,

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00:16:52,840 --> 00:16:55,400
Speaker 3: and even in the trailer, I'm like that, but they

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00:16:55,440 --> 00:16:59,000
Speaker 3: make it look good. They quick cut guys the valley

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00:17:00,440 --> 00:17:03,560
Speaker 3: if you're young or you have a family. If you're younger,

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00:17:03,600 --> 00:17:05,800
Speaker 3: you look it for your first apartment and you're in California.

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Speaker 3: The valley's great. If you have a family, the valley

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00:17:08,960 --> 00:17:12,360
Speaker 3: could be great. If that's your thing, it's it's great

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00:17:12,359 --> 00:17:15,159
Speaker 3: for families. But in general, when I think of the valley,

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Speaker 3: and I never lived in the.

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Speaker 1: Valley, thank goodness, think of hot.

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Speaker 2: I think of Brickcott.

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Speaker 3: I mean when they talk about the you know, if

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00:17:24,359 --> 00:17:26,000
Speaker 3: you watch the news in California, it'll be like in

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Speaker 3: the valley was one hundred and seven degrees today.

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00:17:28,640 --> 00:17:29,399
Speaker 2: Like it's hot.

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Speaker 1: Well, I personally think about the place of the valley

381
00:17:31,720 --> 00:17:33,359
Speaker 1: where you go and you break up with someone and

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00:17:33,359 --> 00:17:35,199
Speaker 1: you need a cheap apartment. That for that was my

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00:17:35,280 --> 00:17:36,880
Speaker 1: personal life, so like.

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Speaker 3: And it's a lonely place the valley could be. I

385
00:17:39,800 --> 00:17:42,000
Speaker 3: think Thomas Anderson movies are all shot in the valley.

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Speaker 3: That's to give somebody people a reference.

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00:17:43,880 --> 00:17:46,439
Speaker 1: Yeah, capital of pornography.

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00:17:45,880 --> 00:17:50,320
Speaker 3: The capital of pornography, the capital of loneliness. And if

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00:17:50,359 --> 00:17:54,200
Speaker 3: you think of movies that Paul Thomas Anderson shot, Boogie

390
00:17:54,280 --> 00:17:56,920
Speaker 3: Knights is one of them, the movie that he did

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Speaker 3: with Adam Sandler, that sort of desolate streets.

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Speaker 2: Let me tell you something, what doesn't happen in the

393
00:18:01,800 --> 00:18:02,600
Speaker 2: valley walking?

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Speaker 3: You're never going for a walk in the valley because

395
00:18:05,720 --> 00:18:07,399
Speaker 3: it's so spread out and so hot.

396
00:18:07,760 --> 00:18:09,240
Speaker 2: You're never gonna be like, I'm gonna just.

397
00:18:09,200 --> 00:18:12,200
Speaker 1: Go for a walk. Yeah, it's tough unless.

398
00:18:11,880 --> 00:18:13,560
Speaker 2: You're just like like walking in circles.

399
00:18:13,600 --> 00:18:16,160
Speaker 1: I used to go for runs at night in the valley. Yeah,

400
00:18:16,200 --> 00:18:19,480
Speaker 1: the valley has some really good things about it. No

401
00:18:19,600 --> 00:18:20,840
Speaker 1: disrespect anybody lives in the.

402
00:18:20,920 --> 00:18:22,560
Speaker 2: Oh, No, no disrespect them. They got good.

403
00:18:22,960 --> 00:18:24,199
Speaker 1: I'm just not living there anymore.

404
00:18:24,240 --> 00:18:26,400
Speaker 2: No no, no. Knock on wood, knock.

405
00:18:26,200 --> 00:18:30,359
Speaker 1: Gone wood, knock on my head. But babe, speaking of

406
00:18:30,440 --> 00:18:34,200
Speaker 1: being young and living in the valley, we're really we're hot.

407
00:18:34,200 --> 00:18:37,439
Speaker 1: On Winter House, Good Show. This is one of my

408
00:18:37,480 --> 00:18:40,280
Speaker 1: favorite shows good. I think you came into that show

409
00:18:40,280 --> 00:18:42,439
Speaker 1: a little later than I did. I think last season

410
00:18:42,520 --> 00:18:44,680
Speaker 1: was your first season. What My favorite person on that

411
00:18:44,720 --> 00:18:47,040
Speaker 1: show's Page. I love her. But anyway we've been we've

412
00:18:47,040 --> 00:18:48,240
Speaker 1: been getting it.

413
00:18:48,119 --> 00:18:51,800
Speaker 3: Like a shout out to my man Craig, no chef, Jack,

414
00:18:53,000 --> 00:18:56,400
Speaker 3: Brendan's son, Brendan, our friend Brendan, and Suzanne.

415
00:18:56,480 --> 00:18:59,480
Speaker 2: Like he loves Page. All those teenage boys love.

416
00:18:59,400 --> 00:19:03,000
Speaker 1: Page's he's got he's got good taste.

417
00:19:03,160 --> 00:19:05,040
Speaker 2: Yeah, everybody's hot.

418
00:19:05,119 --> 00:19:06,720
Speaker 1: She's sweet, she's very nice.

419
00:19:06,880 --> 00:19:08,280
Speaker 3: I mean, we met her briefly, but she has a

420
00:19:08,320 --> 00:19:10,159
Speaker 3: sweet she gave a sweet vibe. The other girl we

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00:19:10,200 --> 00:19:12,720
Speaker 3: met that had a sweet vibe at Bravo Khan twenty

422
00:19:12,760 --> 00:19:14,359
Speaker 3: twenty three was Amanda.

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00:19:14,560 --> 00:19:20,600
Speaker 1: Amanda's great. That's Kyle's Kyle. Yeah, that's a that's Moha Mullet,

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00:19:20,640 --> 00:19:24,120
Speaker 1: Mullet Colet Mullet's wife. Yes, she's mart Yeah, they're married married. Wait,

425
00:19:24,160 --> 00:19:29,480
Speaker 1: so okay, babe, Winter House is a trip. I sometimes

426
00:19:29,640 --> 00:19:34,240
Speaker 1: question it while we're watching it that we are, you know,

427
00:19:34,359 --> 00:19:37,960
Speaker 1: the age that we are, and we love these shows

428
00:19:37,960 --> 00:19:42,080
Speaker 1: where people get blasted on the weekends, live in a

429
00:19:42,119 --> 00:19:46,879
Speaker 1: house together and fumble them around the sheets. Like, you

430
00:19:46,880 --> 00:19:49,199
Speaker 1: know how we love blow deck. We love it for

431
00:19:49,240 --> 00:19:52,280
Speaker 1: the sexy time. I mean, these people get nasty drunk.

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00:19:52,760 --> 00:19:54,960
Speaker 1: We didn't have that time when we were younger. We

433
00:19:54,960 --> 00:19:57,439
Speaker 1: were young in Hollywood. I think we were telling this

434
00:19:57,440 --> 00:19:58,000
Speaker 1: to somebody, like.

435
00:19:58,119 --> 00:19:59,800
Speaker 2: We were not drinkers. We've never been.

436
00:20:00,000 --> 00:20:04,359
Speaker 1: They drinking druggies and we didn't have that fun time

437
00:20:04,480 --> 00:20:08,119
Speaker 1: like this. This kind of behavior is fascinating to me.

438
00:20:08,720 --> 00:20:10,560
Speaker 1: I don't know how they feel good in the morning

439
00:20:11,000 --> 00:20:13,000
Speaker 1: and somehow they wake up and they come down in

440
00:20:13,000 --> 00:20:15,600
Speaker 1: the kitchen and they're like they're still cute and they're

441
00:20:15,600 --> 00:20:17,720
Speaker 1: still hot in their bikinis and they lean over the

442
00:20:17,760 --> 00:20:21,040
Speaker 1: counter and they're just they're fucking hot little bodies. It's

443
00:20:21,040 --> 00:20:23,520
Speaker 1: so fun to watch. But anyway, this time around.

444
00:20:23,280 --> 00:20:26,840
Speaker 2: Drink like animals. I can't. I don't know how they

445
00:20:26,880 --> 00:20:27,119
Speaker 2: do it.

446
00:20:27,160 --> 00:20:27,920
Speaker 1: I don't know how they happen.

447
00:20:28,080 --> 00:20:30,359
Speaker 2: Sometimes go like, oh, I'm hungover, but you don't seem hungover.

448
00:20:30,400 --> 00:20:31,040
Speaker 1: They don't see it.

449
00:20:31,080 --> 00:20:33,280
Speaker 3: They don't have their outfits on and there they all

450
00:20:33,320 --> 00:20:35,960
Speaker 3: wear their they're sliders. They're aware, you know that. That's

451
00:20:36,000 --> 00:20:37,680
Speaker 3: what they call flip flops. Sliders.

452
00:20:38,040 --> 00:20:40,440
Speaker 2: It's amazing. They're yeasy sliders and all that shit.

453
00:20:40,440 --> 00:20:42,439
Speaker 3: It's amazing and they just got their hats on and

454
00:20:42,480 --> 00:20:45,560
Speaker 3: they're I don't know how they how they how you

455
00:20:45,640 --> 00:20:48,760
Speaker 3: recoup from that? If I drink like one of those

456
00:20:48,760 --> 00:20:51,920
Speaker 3: people on that show drank every I never drink like that,

457
00:20:52,040 --> 00:20:53,639
Speaker 3: not one time in my entire life.

458
00:20:53,720 --> 00:20:55,280
Speaker 2: If I did it once, I don't.

459
00:20:55,359 --> 00:20:57,560
Speaker 1: I've never seen I think one time you drink a

460
00:20:57,600 --> 00:20:59,199
Speaker 1: little and you came home when we were younger and

461
00:20:59,200 --> 00:21:01,679
Speaker 1: pretending you were drug but you weren't really. But speaking

462
00:21:01,720 --> 00:21:05,239
Speaker 1: of this, how about Carl being accused of being on

463
00:21:05,320 --> 00:21:08,800
Speaker 1: something by Lindsay and he's you know, this is really

464
00:21:08,880 --> 00:21:11,959
Speaker 1: upsetting to me because I feel so bad for this relationship.

465
00:21:12,000 --> 00:21:13,240
Speaker 2: Now we know, I mean, it's over.

466
00:21:13,359 --> 00:21:13,720
Speaker 1: It's over.

467
00:21:13,800 --> 00:21:15,439
Speaker 2: We know that the wedding's canceled, right.

468
00:21:15,400 --> 00:21:17,880
Speaker 1: Yeah, this is They're done. But very weird.

469
00:21:18,080 --> 00:21:18,680
Speaker 2: I think in.

470
00:21:18,600 --> 00:21:20,880
Speaker 1: Bravo twenty twenty three he was on one of your panels.

471
00:21:20,920 --> 00:21:21,359
Speaker 2: Carl was.

472
00:21:21,359 --> 00:21:23,200
Speaker 1: He was a very sweet and very serious guy.

473
00:21:23,480 --> 00:21:24,640
Speaker 2: Yes, I liked him a lot.

474
00:21:24,680 --> 00:21:27,800
Speaker 1: He was a very really took life.

475
00:21:27,840 --> 00:21:29,080
Speaker 2: But he was gun hi.

476
00:21:29,520 --> 00:21:34,160
Speaker 3: He because when I brought up Lindsey and I brought

477
00:21:34,200 --> 00:21:36,760
Speaker 3: up the relationships and all that stuff, like the fear

478
00:21:36,760 --> 00:21:38,560
Speaker 3: in his eyes when I was asking questions.

479
00:21:38,840 --> 00:21:41,000
Speaker 2: I mean, he was like, he was like, well.

480
00:21:40,880 --> 00:21:42,560
Speaker 1: Now that you watch a show, you see her he

481
00:21:42,640 --> 00:21:43,280
Speaker 1: was spooked.

482
00:21:43,400 --> 00:21:45,520
Speaker 2: I'm sure he was spooked, and he was spooked in

483
00:21:45,560 --> 00:21:45,840
Speaker 2: the eyes.

484
00:21:45,880 --> 00:21:47,840
Speaker 3: So when I asked him the questions, you know, because

485
00:21:47,840 --> 00:21:49,480
Speaker 3: some people are like, what didn't Jesus, why don't you

486
00:21:49,560 --> 00:21:51,439
Speaker 3: ask that, I'm like, I don't.

487
00:21:51,760 --> 00:21:54,520
Speaker 2: I'm not there to make think look or feel like shit.

488
00:21:54,760 --> 00:21:58,119
Speaker 3: I could see fear in his eyes and I'm not

489
00:21:58,240 --> 00:22:00,680
Speaker 3: down with that. On a panel a bravo. You want

490
00:22:00,680 --> 00:22:01,280
Speaker 3: to build them up.

491
00:22:01,280 --> 00:22:03,440
Speaker 2: It's for the fans, not to humiliate them.

492
00:22:03,720 --> 00:22:06,080
Speaker 1: Yeah, I just well, yes, and he got enough of

493
00:22:06,080 --> 00:22:07,840
Speaker 1: that from her. And now that we've watched the show,

494
00:22:08,119 --> 00:22:10,159
Speaker 1: she sat there and on one of her confessionals, she

495
00:22:10,320 --> 00:22:13,359
Speaker 1: really really hurt my feeling for She talked all about

496
00:22:13,440 --> 00:22:15,760
Speaker 1: him not really kind of figuring out his way, and

497
00:22:16,119 --> 00:22:18,600
Speaker 1: I mean, I can relate to that jack of all trades,

498
00:22:18,840 --> 00:22:21,560
Speaker 1: master of none situation. And she said, oh, he even

499
00:22:21,600 --> 00:22:23,400
Speaker 1: got a life coach and it was for six months

500
00:22:23,440 --> 00:22:25,640
Speaker 1: and it costume twenty grand. I was going to ask

501
00:22:25,720 --> 00:22:29,000
Speaker 1: you this, and I thought, oh, this poor guy grand. Yes,

502
00:22:29,040 --> 00:22:31,200
Speaker 1: it cost twenty grand for six months and she said

503
00:22:31,240 --> 00:22:33,080
Speaker 1: it on TV about him, and I was like, is

504
00:22:33,080 --> 00:22:35,280
Speaker 1: that love? I would never do that to you. But

505
00:22:35,560 --> 00:22:37,840
Speaker 1: here's the thing. I maybe do it at dinner party.

506
00:22:37,920 --> 00:22:40,560
Speaker 1: Let's be honest. Yes, yeah, but listen, I was going

507
00:22:40,640 --> 00:22:44,479
Speaker 1: to ask you he asked for the ring back. Do

508
00:22:44,520 --> 00:22:46,040
Speaker 1: you think that that is tacky?

509
00:22:46,359 --> 00:22:46,560
Speaker 2: No?

510
00:22:46,840 --> 00:22:49,760
Speaker 1: Would you ask for my ring back? My nice big one?

511
00:22:50,000 --> 00:22:52,479
Speaker 3: No, I wouldn't ask for that ring back? No, no,

512
00:22:52,560 --> 00:22:54,480
Speaker 3: But how do you think people do if I was

513
00:22:54,520 --> 00:22:58,840
Speaker 3: a young person and we were engaged and it got

514
00:22:58,840 --> 00:23:03,359
Speaker 3: to a point and we didn't get married. Yeah, yes, now,

515
00:23:03,680 --> 00:23:06,479
Speaker 3: I would never ask for your ring back, God forbid,

516
00:23:06,840 --> 00:23:07,200
Speaker 3: we ever.

517
00:23:07,080 --> 00:23:12,200
Speaker 1: Got it a lot, it's the whole lot of money.

518
00:23:12,240 --> 00:23:14,119
Speaker 2: I wouldn't do that. But I understand why people do that.

519
00:23:14,160 --> 00:23:17,760
Speaker 3: It's like, Yo, I got you this ring in expectations, hopes,

520
00:23:18,359 --> 00:23:20,760
Speaker 3: dreams that we were getting married.

521
00:23:20,920 --> 00:23:23,440
Speaker 2: Yeah, and for one reason or another.

522
00:23:23,480 --> 00:23:24,879
Speaker 3: And we saw a lot of it play out on

523
00:23:24,920 --> 00:23:26,400
Speaker 3: the show, and I'll watch what happens life.

524
00:23:26,400 --> 00:23:29,440
Speaker 2: They didn't get married. Like, he's not rich guy. No,

525
00:23:29,520 --> 00:23:30,920
Speaker 2: I know ring back.

526
00:23:30,920 --> 00:23:32,800
Speaker 1: He's trying to figure it out, and not no doubt

527
00:23:32,840 --> 00:23:33,359
Speaker 1: he was trying.

528
00:23:33,240 --> 00:23:33,800
Speaker 2: To figure that ring.

529
00:23:33,880 --> 00:23:35,760
Speaker 3: No, I'm trying to figure it out. I just wasted

530
00:23:35,800 --> 00:23:37,000
Speaker 3: twenty grand on a life coach.

531
00:23:37,160 --> 00:23:37,600
Speaker 1: That's right.

532
00:23:37,640 --> 00:23:40,600
Speaker 2: I need that money on drugs. Okay, I need that

533
00:23:40,640 --> 00:23:41,120
Speaker 2: fucking ring.

534
00:23:41,160 --> 00:23:43,560
Speaker 1: Give that ring back. Yeah, exactly, That's what I was saying.

535
00:23:43,600 --> 00:23:45,679
Speaker 3: Would you think you seem like the type of person

536
00:23:46,280 --> 00:23:46,920
Speaker 3: it depends?

537
00:23:47,440 --> 00:23:49,720
Speaker 1: I would I if he was in a bad way,

538
00:23:49,760 --> 00:23:51,240
Speaker 1: I think I would have given it back to him.

539
00:23:51,720 --> 00:23:55,600
Speaker 1: But she's naughty. Did you wrong something? I would turn

540
00:23:55,680 --> 00:23:57,919
Speaker 1: that shit into a necklace. I would keep it and

541
00:23:57,920 --> 00:23:59,359
Speaker 1: wear it in front of him. No, I would do

542
00:23:59,400 --> 00:24:02,760
Speaker 1: something scorpio like. But no, babe, I think that she's

543
00:24:02,960 --> 00:24:06,080
Speaker 1: terrible for accusing him for being on drugs, especially when

544
00:24:06,080 --> 00:24:08,520
Speaker 1: the bitch is straight drunk all the time and she's.

545
00:24:08,359 --> 00:24:11,359
Speaker 3: Like, I'm drinking, I'm drinking and and but don't you

546
00:24:11,359 --> 00:24:13,199
Speaker 3: don't turn it around on him being like are you

547
00:24:13,280 --> 00:24:13,800
Speaker 3: on something?

548
00:24:15,040 --> 00:24:16,920
Speaker 2: He's like, I'm sober, I'm sober. I didn't do anything.

549
00:24:16,920 --> 00:24:19,000
Speaker 3: And even just much, she's like, are you sure you're

550
00:24:19,040 --> 00:24:21,920
Speaker 3: not on something? It's like, this is a weird way

551
00:24:21,960 --> 00:24:22,480
Speaker 3: of arguing.

552
00:24:22,640 --> 00:24:24,720
Speaker 1: It's also a weird way of arguing. And I want

553
00:24:24,760 --> 00:24:26,600
Speaker 1: to talk to you about it because that last episode

554
00:24:26,920 --> 00:24:29,800
Speaker 1: about arguing no, no, yeah, I wanted because that last

555
00:24:29,840 --> 00:24:35,040
Speaker 1: episode was really uncomfortable. They're fighting because there's something great fighting. No,

556
00:24:35,119 --> 00:24:37,200
Speaker 1: I know, but there's something in the fighting that's interesting.

557
00:24:37,240 --> 00:24:39,320
Speaker 1: And this is what happens sometimes between you and I

558
00:24:39,600 --> 00:24:41,159
Speaker 1: and I have to work on it. It's like if

559
00:24:41,200 --> 00:24:42,679
Speaker 1: you have a problem and you say it to me,

560
00:24:43,000 --> 00:24:45,920
Speaker 1: I have to really work on just receiving it, just listening.

561
00:24:46,320 --> 00:24:47,520
Speaker 2: That's the only thing I asked.

562
00:24:47,560 --> 00:24:49,600
Speaker 3: I know, because you don't have a lot of problems,

563
00:24:49,680 --> 00:24:51,600
Speaker 3: and you used to say I have no problems and

564
00:24:51,640 --> 00:24:52,440
Speaker 3: you're pretty.

565
00:24:52,800 --> 00:24:53,560
Speaker 1: It's pretty true.

566
00:24:53,600 --> 00:24:55,280
Speaker 2: You're pretty. It's pretty true.

567
00:24:55,520 --> 00:24:57,439
Speaker 1: I work on myself really hard. But one thing I

568
00:24:57,480 --> 00:24:58,120
Speaker 1: don't like.

569
00:24:58,119 --> 00:24:59,200
Speaker 2: You went to therapy today?

570
00:24:59,320 --> 00:25:03,040
Speaker 1: Yes I didn't when I want, I didn't. That's we'll

571
00:25:03,040 --> 00:25:05,440
Speaker 1: talk about that. But the one thing that.

572
00:25:05,440 --> 00:25:09,600
Speaker 2: This podcast is really wrong, people know, fuck the show.

573
00:25:09,840 --> 00:25:14,200
Speaker 2: Talk about that. Talk about what did you just say there?

574
00:25:16,040 --> 00:25:16,880
Speaker 1: We'll talk about that.

575
00:25:18,000 --> 00:25:20,400
Speaker 2: Yeah, that's that's But so that.

576
00:25:20,280 --> 00:25:22,520
Speaker 1: Last episode when they were on the steps, they went

577
00:25:22,560 --> 00:25:24,520
Speaker 1: out and they were getting a drink and they were

578
00:25:24,520 --> 00:25:27,119
Speaker 1: playing with that corn hole and they went to the

579
00:25:27,160 --> 00:25:30,320
Speaker 1: steps and they were arguing. It was so terrible because

580
00:25:30,359 --> 00:25:33,000
Speaker 1: she was doing that typical thing that couples do when

581
00:25:33,040 --> 00:25:36,840
Speaker 1: they're arguing. As she goes, you mean, I can't say that, Well,

582
00:25:36,840 --> 00:25:39,360
Speaker 1: what happens when you say that? So when I'm doing it,

583
00:25:39,359 --> 00:25:41,080
Speaker 1: it means that I'm da da da da. And when

584
00:25:41,119 --> 00:25:44,800
Speaker 1: you're doing it, it never goes anywhere. It's like it's it.

585
00:25:45,000 --> 00:25:46,680
Speaker 1: And so I found that when you and I were

586
00:25:46,680 --> 00:25:49,680
Speaker 1: in bed watching it, because those sometimes those are how

587
00:25:49,720 --> 00:25:53,199
Speaker 1: our fights go. And what I'm working on now is

588
00:25:53,680 --> 00:25:56,159
Speaker 1: after our last little thing that we got into, is

589
00:25:56,280 --> 00:25:58,240
Speaker 1: I want to work on like when you're saying something

590
00:25:58,280 --> 00:26:00,920
Speaker 1: to me, but if you say it in a tone

591
00:26:00,960 --> 00:26:04,600
Speaker 1: that is under certain decibels, the tone like tone has

592
00:26:04,600 --> 00:26:05,680
Speaker 1: to be under certain docibels.

593
00:26:05,720 --> 00:26:06,479
Speaker 2: That's not my strength.

594
00:26:06,720 --> 00:26:07,639
Speaker 3: I know.

595
00:26:07,680 --> 00:26:11,320
Speaker 1: It's a typical New York everything soon, I know, but

596
00:26:11,359 --> 00:26:14,159
Speaker 1: it doesn't work. But if you're just expressing yourself, I

597
00:26:14,200 --> 00:26:16,679
Speaker 1: could sit and listen and hear it. But what was

598
00:26:16,680 --> 00:26:18,679
Speaker 1: happening between them, I was like, this is all the

599
00:26:18,680 --> 00:26:21,600
Speaker 1: fights on TV, and it it's I don't know, if

600
00:26:21,600 --> 00:26:23,800
Speaker 1: I'm getting too older something. It makes me really uncomfortable.

601
00:26:23,800 --> 00:26:25,920
Speaker 1: I feel like they need a therapist, because.

602
00:26:25,880 --> 00:26:27,679
Speaker 2: Well obviously they needed more than a therapist.

603
00:26:27,720 --> 00:26:30,560
Speaker 1: I mean, and also Let's say this that when you

604
00:26:30,720 --> 00:26:33,880
Speaker 1: are sober and you date someone who drinks like that,

605
00:26:34,400 --> 00:26:36,040
Speaker 1: it's bad. It's like, how when I get mad at

606
00:26:36,040 --> 00:26:38,520
Speaker 1: you when I'm trying to not eat sugar and I

607
00:26:38,600 --> 00:26:38,920
Speaker 1: hide it.

608
00:26:39,000 --> 00:26:40,520
Speaker 2: Do you want to talk about what we've been going through?

609
00:26:41,040 --> 00:26:43,720
Speaker 1: Or two days off of not eating any desserts? This

610
00:26:43,880 --> 00:26:44,200
Speaker 1: is good.

611
00:26:45,000 --> 00:27:00,199
Speaker 3: You're listening to Rapaport's reality. We'll be right back, babe.

612
00:27:00,640 --> 00:27:02,879
Speaker 3: You have your stuff with your eating. I have my

613
00:27:02,960 --> 00:27:06,119
Speaker 3: stuff with my eating. I was in the road in Pleasanton,

614
00:27:06,359 --> 00:27:08,399
Speaker 3: shout out to the shows, and Pleasanton shot out to

615
00:27:08,400 --> 00:27:09,240
Speaker 3: Tommy Te's.

616
00:27:09,840 --> 00:27:11,600
Speaker 1: What do they feed you at Tommy Te's that you

617
00:27:11,600 --> 00:27:12,119
Speaker 1: have to give.

618
00:27:12,000 --> 00:27:14,800
Speaker 3: Me Dean the Shooter, the young Shooter from the Iron

619
00:27:14,880 --> 00:27:16,200
Speaker 3: Round Pour stereo podcast.

620
00:27:17,280 --> 00:27:21,000
Speaker 2: And it's those clubs. You know. The waitress will come in,

621
00:27:21,160 --> 00:27:21,800
Speaker 2: can help me in.

622
00:27:21,960 --> 00:27:25,360
Speaker 3: She sticks this menu in your face and you don't

623
00:27:25,359 --> 00:27:26,280
Speaker 3: even have to look at it.

624
00:27:26,359 --> 00:27:27,680
Speaker 2: You know what's going to be on there.

625
00:27:28,040 --> 00:27:34,480
Speaker 3: It's chicken fingers, mucirella sticks, barbecue chicken wings, you know,

626
00:27:34,520 --> 00:27:38,440
Speaker 3: with blue blue cheese and blue sauce, and you know,

627
00:27:38,760 --> 00:27:40,520
Speaker 3: nachos and.

628
00:27:40,720 --> 00:27:41,879
Speaker 1: You're flemming now I hear it.

629
00:27:41,920 --> 00:27:46,480
Speaker 3: Now, Sorry, some of the clubs, I'll have better stuff

630
00:27:46,480 --> 00:27:50,359
Speaker 3: than other clubs. But pleasanton Tommy T's Great Club. The

631
00:27:50,400 --> 00:27:53,439
Speaker 3: food was it was straight up like there was no

632
00:27:53,560 --> 00:27:56,359
Speaker 3: bells and whistles, Like there were no bells.

633
00:27:56,520 --> 00:27:58,720
Speaker 1: You came home looking a little bloated.

634
00:27:59,760 --> 00:28:02,840
Speaker 3: Yeah, I know, I came home. You could smell it

635
00:28:02,880 --> 00:28:04,520
Speaker 3: one time. You you said I could smell.

636
00:28:05,600 --> 00:28:06,720
Speaker 2: I could smell.

637
00:28:06,520 --> 00:28:09,159
Speaker 1: French fries or something, or chicken or you burped, and

638
00:28:09,200 --> 00:28:10,720
Speaker 1: I was like, oh my god, what do you eat?

639
00:28:11,119 --> 00:28:13,359
Speaker 1: I am a little bit of that annoying wife like

640
00:28:13,440 --> 00:28:16,159
Speaker 1: because I should be, because I'm a little like I

641
00:28:16,160 --> 00:28:18,320
Speaker 1: don't like the smells that come with your eating habits

642
00:28:18,359 --> 00:28:19,360
Speaker 1: when you're on the road and.

643
00:28:19,800 --> 00:28:21,560
Speaker 2: Should be eating what we like.

644
00:28:21,560 --> 00:28:23,240
Speaker 1: We sometimes have no desserts.

645
00:28:23,359 --> 00:28:24,480
Speaker 2: He had desserts in there.

646
00:28:24,560 --> 00:28:24,880
Speaker 1: I didn't.

647
00:28:25,040 --> 00:28:26,280
Speaker 2: I was like, I'm not eating that ship.

648
00:28:26,359 --> 00:28:28,359
Speaker 1: Okay, good, that was my That was my that was

649
00:28:28,359 --> 00:28:30,840
Speaker 1: my stance. Okay, you took a stance. No, here's the

650
00:28:30,880 --> 00:28:33,159
Speaker 1: thing with me, babe, we have to get better. Like

651
00:28:33,280 --> 00:28:35,560
Speaker 1: we're so fortunate share with.

652
00:28:35,920 --> 00:28:36,679
Speaker 2: The world and me.

653
00:28:36,800 --> 00:28:38,880
Speaker 3: Because you didn't tell what you ate while I was

654
00:28:38,920 --> 00:28:41,560
Speaker 3: in pleasantive, what you privately ate while I was.

655
00:28:41,960 --> 00:28:43,240
Speaker 2: Share this detail.

656
00:28:43,520 --> 00:28:45,440
Speaker 1: No, I'm not going to have detailed there's no details.

657
00:28:45,440 --> 00:28:48,280
Speaker 1: It was not that because I only went to Connecticut

658
00:28:48,560 --> 00:28:51,440
Speaker 1: for by myself for two nights. It was very lovely.

659
00:28:52,040 --> 00:28:55,200
Speaker 1: I are, we're very blessed to have a nice set

660
00:28:55,280 --> 00:28:57,720
Speaker 1: up there that could be very spaw like for myself.

661
00:28:57,880 --> 00:28:59,800
Speaker 1: So but I went there and I ruined it because

662
00:29:00,080 --> 00:29:03,000
Speaker 1: to Trader Joe's and at the check then check out,

663
00:29:03,040 --> 00:29:05,520
Speaker 1: the checkout they do it on purpose. Oh, the checkout

664
00:29:05,640 --> 00:29:08,240
Speaker 1: is incredible. And for some reason right now, they have

665
00:29:08,360 --> 00:29:11,600
Speaker 1: these chocolate bars that say organic bullshit.

666
00:29:11,720 --> 00:29:14,120
Speaker 2: I mean, like, what does that mean organic chocolate?

667
00:29:14,320 --> 00:29:17,480
Speaker 1: I don't know. But the way the covers and they're

668
00:29:17,600 --> 00:29:19,360
Speaker 1: very thick, you know how. I get those little ones

669
00:29:19,360 --> 00:29:20,960
Speaker 1: that come in a pack of three usually and they're

670
00:29:21,000 --> 00:29:23,080
Speaker 1: really small, and I feel like they're small. These ones

671
00:29:23,080 --> 00:29:25,960
Speaker 1: are honkers. They're like really big and the paper thing

672
00:29:26,000 --> 00:29:28,360
Speaker 1: on it is so cute and the writing is really pretty.

673
00:29:29,000 --> 00:29:31,840
Speaker 1: So I got two of those. And then because it's

674
00:29:32,200 --> 00:29:34,320
Speaker 1: whatever Eastern season, easter.

675
00:29:34,160 --> 00:29:36,800
Speaker 2: Seas you're gonna blame it on Easter, babe, you would have.

676
00:29:36,720 --> 00:29:40,600
Speaker 1: Found the sh I no, no Christmas.

677
00:29:39,760 --> 00:29:44,080
Speaker 2: Halloween, let me summer fourth of July. Don't blame it

678
00:29:44,120 --> 00:29:44,800
Speaker 2: on Easter.

679
00:29:44,760 --> 00:29:47,600
Speaker 1: Well, Passover doesn't have jelly beans, so anyway, so there's

680
00:29:47,640 --> 00:29:50,000
Speaker 1: a big bag now of the jelly beans I like,

681
00:29:50,040 --> 00:29:52,040
Speaker 1: and I don't even like them from there. They just

682
00:29:52,120 --> 00:29:55,120
Speaker 1: don't have all the other chemicals that the other jelly Anyway, long,

683
00:29:55,960 --> 00:29:58,640
Speaker 1: I got a bag of those, like a fun size,

684
00:29:58,680 --> 00:30:01,320
Speaker 1: sharing size wow, although there just was no one to

685
00:30:01,560 --> 00:30:04,520
Speaker 1: share it with. And I proceeded to go and I

686
00:30:04,560 --> 00:30:08,640
Speaker 1: watched two good movies and I ate two chocolate bars

687
00:30:08,960 --> 00:30:13,200
Speaker 1: and and half a bag of in one night. That's

688
00:30:13,200 --> 00:30:15,760
Speaker 1: split between two nights. But people don't understand I don't

689
00:30:15,800 --> 00:30:18,760
Speaker 1: like regular food. Regular food is not my thing. Like

690
00:30:19,680 --> 00:30:23,280
Speaker 1: my love language is like sweets, like when Tammy will

691
00:30:23,320 --> 00:30:27,080
Speaker 1: bake me, like the chocolate, the sweets she made me,

692
00:30:27,120 --> 00:30:30,040
Speaker 1: that good, delicious care cake. This is heaven to me.

693
00:30:30,080 --> 00:30:31,040
Speaker 1: This is what life is.

694
00:30:31,000 --> 00:30:40,760
Speaker 3: Really really really possessive and like territorial with candy and sweets,

695
00:30:40,800 --> 00:30:42,560
Speaker 3: Like I want my stuff.

696
00:30:42,920 --> 00:30:43,880
Speaker 2: I want to eat what I eat.

697
00:30:43,920 --> 00:30:46,840
Speaker 3: But like, while you have a bag of jelly beans,

698
00:30:46,960 --> 00:30:51,240
Speaker 3: or if you have a chocolate bar, you're ready to physically.

699
00:30:51,120 --> 00:30:54,120
Speaker 2: Push me, like fight, like you it's a weird thing.

700
00:30:54,280 --> 00:30:56,200
Speaker 2: And I'm like thinking, are you playing? Like no, you're

701
00:30:56,280 --> 00:30:58,560
Speaker 2: not really like a you know, like an animal.

702
00:30:59,080 --> 00:31:01,080
Speaker 1: They attacking you because you want to see me.

703
00:31:01,120 --> 00:31:02,200
Speaker 2: You're protecting the fo.

704
00:31:02,400 --> 00:31:05,080
Speaker 1: No, because babe, you don't have the desire for sweet

705
00:31:05,080 --> 00:31:06,640
Speaker 1: se I'm like, why are you into this? It's not

706
00:31:06,680 --> 00:31:10,640
Speaker 1: even your thing. It's my thing, and you you kind

707
00:31:10,640 --> 00:31:13,240
Speaker 1: of like just jump on the sweet bandwagon when I haven't.

708
00:31:13,280 --> 00:31:14,440
Speaker 1: It's not even your creative.

709
00:31:14,480 --> 00:31:15,959
Speaker 3: But I'm not gonna sit there and let you eat

710
00:31:16,000 --> 00:31:18,720
Speaker 3: jelly beans without eating some. I'm not gonna do that

711
00:31:19,200 --> 00:31:24,000
Speaker 3: because I like it enough enough that enough is not

712
00:31:24,760 --> 00:31:27,960
Speaker 3: I don't crave jelly beans because I'm fifty four. A

713
00:31:27,960 --> 00:31:29,600
Speaker 3: fifty four year old is not supposed to be a

714
00:31:29,600 --> 00:31:31,760
Speaker 3: trader Joe. That's for the kids, you see.

715
00:31:31,600 --> 00:31:34,600
Speaker 1: They can't stop it. I even talk to doctor, Oh

716
00:31:34,640 --> 00:31:38,640
Speaker 1: let's call him doctor. Want doctor g about it today,

717
00:31:38,680 --> 00:31:41,960
Speaker 1: about my sugar, and it goes and waves. So sometimes

718
00:31:41,960 --> 00:31:44,400
Speaker 1: I can like really just cut it out, which is

719
00:31:44,440 --> 00:31:47,040
Speaker 1: probably not good because then I sometimes I don't even

720
00:31:47,080 --> 00:31:49,040
Speaker 1: want to eat real food because all I care about

721
00:31:49,120 --> 00:31:52,440
Speaker 1: is cookies and candy and bakeods and like I love

722
00:31:52,600 --> 00:31:54,600
Speaker 1: that kind of stuff, like that's my old I think

723
00:31:54,600 --> 00:31:57,360
Speaker 1: that's what life is about. Like, oh, cookies, and a

724
00:31:57,480 --> 00:31:59,800
Speaker 1: carrot cake is like any if I could do a

725
00:32:00,080 --> 00:32:03,360
Speaker 1: war of life eating carricake, like all the goods of caricakes.

726
00:32:03,400 --> 00:32:06,000
Speaker 1: Although Tammy's is like it's the best I've ever had

727
00:32:06,040 --> 00:32:09,760
Speaker 1: in my life. That recipe that she last made was anyway,

728
00:32:10,080 --> 00:32:14,640
Speaker 1: this is all neither here or there. It's let's just

729
00:32:14,840 --> 00:32:17,160
Speaker 1: let's move on. Okay, I have a problem. I'm working

730
00:32:17,200 --> 00:32:18,840
Speaker 1: on it, but stay too.

731
00:32:18,960 --> 00:32:21,680
Speaker 3: No candies and because I I I you know. And

732
00:32:21,680 --> 00:32:24,520
Speaker 3: then when I came back, we had ice cream from Sedudo.

733
00:32:24,800 --> 00:32:26,120
Speaker 1: That was you. You wanted that.

734
00:32:26,320 --> 00:32:29,640
Speaker 2: You said you wanted something and I was like, Sidudo, old.

735
00:32:29,440 --> 00:32:31,400
Speaker 1: Thing, but you ordered like two pounds of.

736
00:32:31,440 --> 00:32:32,800
Speaker 2: Well that was ice cream.

737
00:32:32,840 --> 00:32:34,720
Speaker 3: That was by accident that you threw it out of

738
00:32:34,760 --> 00:32:37,000
Speaker 3: the house, right yeah, because if it's in the house,

739
00:32:37,520 --> 00:32:39,239
Speaker 3: I'm in a good place in my mind right now,

740
00:32:39,240 --> 00:32:39,760
Speaker 3: I'm focused.

741
00:32:39,760 --> 00:32:42,160
Speaker 2: Because I was like, I have to you. Scale was

742
00:32:42,200 --> 00:32:42,800
Speaker 2: talking to me.

743
00:32:43,320 --> 00:32:45,360
Speaker 3: That's that's still give me a number. It was like, Yo,

744
00:32:45,400 --> 00:32:48,480
Speaker 3: what the fuck are you doing? The scale was speaking

745
00:32:48,640 --> 00:32:52,240
Speaker 3: to me like yo, my man, yeah bugging.

746
00:32:52,400 --> 00:32:54,400
Speaker 1: I said to you, you haven't been this size since

747
00:32:54,800 --> 00:32:58,000
Speaker 1: we first dated. Again, well you were like you were

748
00:32:58,040 --> 00:33:00,040
Speaker 1: like a heavy dad. Wait, like you know, like, I

749
00:33:00,080 --> 00:33:00,600
Speaker 1: don't like that.

750
00:33:00,920 --> 00:33:02,840
Speaker 3: You to me, you said to me, you don't want

751
00:33:02,840 --> 00:33:05,960
Speaker 3: to be on that Michael Moore shit, because Michael Moore's

752
00:33:06,320 --> 00:33:08,720
Speaker 3: he walking around looking like shit. Yeah, you don't look

753
00:33:08,800 --> 00:33:11,040
Speaker 3: like misdoubt fire looked like shit.

754
00:33:11,200 --> 00:33:13,440
Speaker 1: No, no, you don't want to do that. Neither do I. Also,

755
00:33:13,480 --> 00:33:14,760
Speaker 1: we have to take care of the inside of our

756
00:33:14,760 --> 00:33:18,040
Speaker 1: body in the house, and you know, very fortunate. Knock

757
00:33:18,080 --> 00:33:20,760
Speaker 1: on wood, we're healthy right now. You can't. But it's

758
00:33:20,800 --> 00:33:23,040
Speaker 1: what I like it. So how do I do it?

759
00:33:23,440 --> 00:33:25,840
Speaker 1: I like it more than and nothing. And by the way,

760
00:33:25,880 --> 00:33:28,160
Speaker 1: all my health things were perfectly fine.

761
00:33:28,200 --> 00:33:28,520
Speaker 2: I don't know.

762
00:33:28,600 --> 00:33:31,760
Speaker 1: I don't have any pre anything. My cholesterol was fine

763
00:33:31,760 --> 00:33:33,480
Speaker 1: this time, like I'm I don't know.

764
00:33:34,160 --> 00:33:37,960
Speaker 2: Anyway, we're coming to the end of Real Housewives of Potomac.

765
00:33:39,000 --> 00:33:42,520
Speaker 1: Well before that, by the way, shout out to really quickly,

766
00:33:42,680 --> 00:33:46,120
Speaker 1: shout out to Married with Medicine, because there they hit

767
00:33:46,160 --> 00:33:48,920
Speaker 1: their ten year mark. I don't know how many people

768
00:33:49,000 --> 00:33:51,360
Speaker 1: really watch that, but if you haven't watched it, you

769
00:33:51,400 --> 00:33:53,320
Speaker 1: could go back from the beginning and get a world

770
00:33:53,400 --> 00:33:56,240
Speaker 1: win of television. It is so good. These are black

771
00:33:56,280 --> 00:33:59,000
Speaker 1: women who are doctors who turn up.

772
00:33:59,240 --> 00:34:00,840
Speaker 2: They turn I mean they turn.

773
00:34:00,800 --> 00:34:05,720
Speaker 1: Up and they are funny. Talk about one liner. I

774
00:34:05,760 --> 00:34:09,040
Speaker 1: mean they have me dying laughing. I respect these women.

775
00:34:09,400 --> 00:34:10,360
Speaker 1: They bring me joy.

776
00:34:10,480 --> 00:34:12,600
Speaker 2: I love them of old school Atlanta.

777
00:34:12,760 --> 00:34:15,320
Speaker 1: They do, they really do. And now they have Phaedra

778
00:34:15,440 --> 00:34:18,400
Speaker 1: on so that makes everything really perfect.

779
00:34:18,440 --> 00:34:21,279
Speaker 3: So I thought that she's thus far in terms of

780
00:34:21,280 --> 00:34:26,040
Speaker 3: reality TV this season with married medicine and traders that

781
00:34:26,200 --> 00:34:26,880
Speaker 3: double whammy.

782
00:34:26,960 --> 00:34:29,080
Speaker 1: Yep, and she is.

783
00:34:29,239 --> 00:34:33,040
Speaker 2: Apollo showed up at the reunion. I know an Apollo.

784
00:34:33,120 --> 00:34:34,839
Speaker 1: Fa Phaer brought him back.

785
00:34:34,960 --> 00:34:37,799
Speaker 3: Padra said, like, we're gonna get this check. We're gonna

786
00:34:37,800 --> 00:34:40,360
Speaker 3: get this from them, like they seem like they have

787
00:34:40,400 --> 00:34:41,000
Speaker 3: a little piece.

788
00:34:41,120 --> 00:34:41,359
Speaker 1: Yep.

789
00:34:41,520 --> 00:34:44,680
Speaker 2: Apollo's remarried. Apollo looks good.

790
00:34:44,760 --> 00:34:45,319
Speaker 1: He looks good.

791
00:34:45,360 --> 00:34:49,080
Speaker 3: He did in age and Andy Cohen asked Apollo how

792
00:34:49,160 --> 00:34:51,239
Speaker 3: much time in the joint did you do? And he

793
00:34:51,280 --> 00:34:54,120
Speaker 3: said the joint he said five and a half years

794
00:34:54,239 --> 00:34:56,000
Speaker 3: or so, which means he could get close.

795
00:34:55,800 --> 00:34:58,000
Speaker 2: To six six like he did fine.

796
00:34:57,800 --> 00:34:59,840
Speaker 1: So that he must have got ten to eleven.

797
00:35:00,200 --> 00:35:03,360
Speaker 2: Yo. He did hard fucking time.

798
00:35:03,480 --> 00:35:05,560
Speaker 3: And he was in there with Joe Judas and he

799
00:35:05,680 --> 00:35:07,879
Speaker 3: sort of insinuated like he was with his people because

800
00:35:07,920 --> 00:35:09,799
Speaker 3: in prison house was or.

801
00:35:09,840 --> 00:35:12,680
Speaker 2: Not it's racial. I know, like he probably wanted to children.

802
00:35:13,480 --> 00:35:15,040
Speaker 1: He goes. He was with his crew and I was

803
00:35:15,080 --> 00:35:15,439
Speaker 1: with mine.

804
00:35:15,520 --> 00:35:16,760
Speaker 2: Yeah, and we had to keep it moving.

805
00:35:16,920 --> 00:35:18,320
Speaker 1: Yeah, that's really weird.

806
00:35:18,560 --> 00:35:25,640
Speaker 3: But Apollos out he's remarried and he's you know what.

807
00:35:25,719 --> 00:35:28,080
Speaker 1: The one part that bothered me. I didn't like that

808
00:35:28,280 --> 00:35:31,640
Speaker 1: she said that she wouldn't meet his wife. And I

809
00:35:31,640 --> 00:35:32,359
Speaker 1: didn't like that.

810
00:35:32,719 --> 00:35:34,680
Speaker 2: She wouldn't meet his wife, and that he draw I know,

811
00:35:34,760 --> 00:35:35,040
Speaker 2: but that.

812
00:35:35,080 --> 00:35:37,319
Speaker 1: He can't come in the house. He could come pick

813
00:35:37,400 --> 00:35:39,160
Speaker 1: the kids up, but he can't come in the house.

814
00:35:39,480 --> 00:35:41,759
Speaker 1: Maybe they get there, Maybe they get there.

815
00:35:42,239 --> 00:35:44,239
Speaker 2: They had such a nice relationship, and I mean it

816
00:35:44,320 --> 00:35:44,879
Speaker 2: went dark.

817
00:35:45,000 --> 00:35:48,560
Speaker 1: Well I think, well, okay, what do you think what? Well,

818
00:35:48,600 --> 00:35:50,279
Speaker 1: he went to jail for five and a half years,

819
00:35:50,280 --> 00:35:51,280
Speaker 1: and let's not say.

820
00:35:51,200 --> 00:35:53,560
Speaker 2: Five and a half closer to six, right, let's.

821
00:35:53,360 --> 00:35:56,080
Speaker 1: Not say uh oh no, I think she didn't know

822
00:35:56,239 --> 00:35:57,440
Speaker 1: about anything about it, did she?

823
00:35:57,520 --> 00:36:01,960
Speaker 3: I don't know, I don't know. But again, I like redemption.

824
00:36:02,520 --> 00:36:05,160
Speaker 3: I like reconciliation. They have a kid shout out to

825
00:36:05,200 --> 00:36:08,239
Speaker 3: mister President. That's the kid's name, right, mister President. And

826
00:36:08,440 --> 00:36:12,080
Speaker 3: beautiful kids, and I always them And when we speak

827
00:36:12,080 --> 00:36:14,279
Speaker 3: of beautiful kids. We we could wrap this episode up.

828
00:36:15,080 --> 00:36:17,239
Speaker 3: We've talked about this before. When you look at the

829
00:36:17,320 --> 00:36:23,359
Speaker 3: history of the house wive kids, you could go from

830
00:36:23,440 --> 00:36:26,240
Speaker 3: city to city. You could go from Teresa Judae's kids.

831
00:36:27,040 --> 00:36:31,239
Speaker 3: You could go to uh, Melissa Gorga's kids. You can

832
00:36:31,280 --> 00:36:34,560
Speaker 3: go to Ramona Singer's kids, to ring the Medley's kids,

833
00:36:34,840 --> 00:36:38,840
Speaker 3: Sonya Morgan's kids, Robin Dixon's kids, you could go to

834
00:36:39,520 --> 00:36:43,840
Speaker 3: even Jen Shaw's kids. Across the country of Housewives, the

835
00:36:44,000 --> 00:36:51,239
Speaker 3: kids are always so fucking nice. And Giselle Bryant's daughter

836
00:36:52,280 --> 00:36:55,600
Speaker 3: my favorite. Those three kids so beautiful, and they're so

837
00:36:56,000 --> 00:36:57,600
Speaker 3: genuinely sweet.

838
00:36:57,280 --> 00:37:00,440
Speaker 1: And smart and funny and uh and they love their mom,

839
00:37:00,600 --> 00:37:03,440
Speaker 1: love their mom. I don't know how all of these

840
00:37:03,440 --> 00:37:05,560
Speaker 1: people are doing something right with their children. It seems

841
00:37:05,880 --> 00:37:10,160
Speaker 1: all of them, all the crazy.

842
00:37:08,840 --> 00:37:12,839
Speaker 3: I mean the Lisa rinn Is kids, so Kyle Richards kids,

843
00:37:12,920 --> 00:37:14,880
Speaker 3: I mean all the Orange County people. The kids are

844
00:37:14,880 --> 00:37:18,080
Speaker 3: always like, look at this. They're nice, they're soft, smoking,

845
00:37:18,360 --> 00:37:20,960
Speaker 3: they're polite. I'm like, what the fuck is going on here? Like,

846
00:37:21,000 --> 00:37:22,560
Speaker 3: what how does this happen? Right?

847
00:37:22,840 --> 00:37:24,960
Speaker 1: I think kids can be great.

848
00:37:25,080 --> 00:37:29,320
Speaker 3: Kids, kids can be great, But shout out to Giselle Bryant.

849
00:37:29,440 --> 00:37:32,600
Speaker 1: Her daughter going off to college, that it was so

850
00:37:32,680 --> 00:37:37,080
Speaker 1: touching to see the softer side of Giselle, and uh,

851
00:37:37,120 --> 00:37:40,440
Speaker 1: that was beautiful and uh and also you know, I

852
00:37:40,440 --> 00:37:42,960
Speaker 1: think I want to see if if it's possible for

853
00:37:43,000 --> 00:37:45,719
Speaker 1: me to purchase some GNA because uh, and.

854
00:37:45,680 --> 00:37:47,440
Speaker 2: I'm hoping shout out to Jail.

855
00:37:47,280 --> 00:37:52,000
Speaker 1: And Ashley's brand of workout the fashion shows at leisure

856
00:37:52,160 --> 00:37:55,120
Speaker 1: where it wasn't nice of the ladies to sort of

857
00:37:55,440 --> 00:37:58,440
Speaker 1: cap on it, but they were so rude and saying

858
00:37:58,440 --> 00:38:00,600
Speaker 1: that it looked a little sweaty and canned was talking

859
00:38:00,600 --> 00:38:03,400
Speaker 1: her mess about it. But I'm really excited and I

860
00:38:03,560 --> 00:38:06,879
Speaker 1: was an unlikely, unlikely pairing for the two of them

861
00:38:07,000 --> 00:38:10,200
Speaker 1: to do a line together. I'm just hoping that GNA

862
00:38:10,480 --> 00:38:13,120
Speaker 1: is not a little she by Charat and it actually

863
00:38:13,120 --> 00:38:14,759
Speaker 1: comes out we home she.

864
00:38:14,800 --> 00:38:17,360
Speaker 2: By Charat situation where we're waiting for three seasons.

865
00:38:17,440 --> 00:38:19,680
Speaker 1: Yeah, yeah, well I think they'll. I think they'll come

866
00:38:19,680 --> 00:38:20,719
Speaker 1: out because I.

867
00:38:20,719 --> 00:38:22,719
Speaker 2: Got that fashion show going for what they did.

868
00:38:22,920 --> 00:38:24,600
Speaker 1: They did that they did.

869
00:38:24,840 --> 00:38:27,960
Speaker 3: Would you wear did you see anything from the first

870
00:38:28,040 --> 00:38:32,680
Speaker 3: collection of g and A Giselle and Ashley's leisure wear athlete?

871
00:38:33,040 --> 00:38:35,000
Speaker 1: I did not. I can answer that I did not.

872
00:38:35,160 --> 00:38:36,480
Speaker 2: You didn't see anything that you would.

873
00:38:36,520 --> 00:38:39,439
Speaker 1: Possibly I could answer that I did not, but I

874
00:38:39,480 --> 00:38:42,000
Speaker 1: am counting on many many people did.

875
00:38:42,560 --> 00:38:44,560
Speaker 2: And and this is just the first line. You might

876
00:38:44,600 --> 00:38:45,759
Speaker 2: you know, I'm the sectional line.

877
00:38:45,760 --> 00:38:48,960
Speaker 3: You might find something interesting that's right, and one of

878
00:38:48,960 --> 00:38:53,600
Speaker 3: your favorite T shirts shout out to Charat.

879
00:38:52,719 --> 00:38:55,640
Speaker 2: Hell to the No to the No No No.

880
00:38:56,120 --> 00:39:00,440
Speaker 3: Charae one of your favorite T shirts every night and

881
00:39:00,480 --> 00:39:04,040
Speaker 3: it makes me, It makes me Charrey, my wife going

882
00:39:04,080 --> 00:39:07,560
Speaker 3: to sleep in your hell to the No No.

883
00:39:07,960 --> 00:39:11,000
Speaker 1: It's it's a who Gonna check Me? Boot T shirt?

884
00:39:11,320 --> 00:39:14,520
Speaker 3: My wife going to sleep in your Who's gonna check

885
00:39:14,520 --> 00:39:14,879
Speaker 3: me boot?

886
00:39:14,880 --> 00:39:15,600
Speaker 2: T shirt?

887
00:39:15,760 --> 00:39:19,120
Speaker 3: Every single night or when it's clean. We always there's

888
00:39:19,160 --> 00:39:20,719
Speaker 3: not a time where I don't acknowledge it. And it

889
00:39:20,760 --> 00:39:25,160
Speaker 3: makes me happy that she's wearing because you make me happy.

890
00:39:25,160 --> 00:39:25,920
Speaker 3: What more can I say?

891
00:39:25,960 --> 00:39:26,200
Speaker 2: Babe?

892
00:39:26,200 --> 00:39:29,879
Speaker 3: We're done, We're done this next episode. Let's tell the people. Yeah,

893
00:39:30,080 --> 00:39:34,280
Speaker 3: the next episode will be coming live and direct from Israel.

894
00:39:34,400 --> 00:39:37,840
Speaker 3: We will be doing the next episode from Israel. You

895
00:39:37,960 --> 00:39:39,600
Speaker 3: just looked at me because you're like, oh shit, how

896
00:39:39,640 --> 00:39:40,760
Speaker 3: are we gonna do that from Israel?

897
00:39:40,840 --> 00:39:45,400
Speaker 1: I just yeah, because the show can't stop, The show

898
00:39:45,480 --> 00:39:45,960
Speaker 1: must go.

899
00:39:46,040 --> 00:39:48,440
Speaker 3: On the show, Must go on, rap a Ports Reality,

900
00:39:48,520 --> 00:39:49,600
Speaker 3: Tell a friend to tell a friend.

901
00:39:49,640 --> 00:39:52,000
Speaker 2: Let us know what you think of the episode.

902
00:39:51,960 --> 00:39:56,760
Speaker 3: Leave a comment on Instagram, rate review, YadA, YadA, YadA,

903
00:39:57,320 --> 00:39:59,279
Speaker 3: and uh, you know what can I say?

904
00:39:59,680 --> 00:40:01,600
Speaker 1: Stay, Thanks for listening.

905
00:40:01,280 --> 00:40:03,719
Speaker 2: Thanks for listening, and we'll be back for episode four.

906
00:40:03,800 --> 00:40:08,919
Speaker 3: The iconic, much anticipated episode four of Rappaport's reality Bye

907
00:40:08,960 --> 00:40:09,200
Speaker 3: Bye