WEBVTT - EP 113: The Big Mike Episode

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<v Speaker 1>When I wrote, y'all all across the usc Compton Watts,

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<v Speaker 1>thank to l A. Come on the California the Valley.

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<v Speaker 1>We represent that kind of county. So if you're keeping

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<v Speaker 1>it rail on your side of your town, you tune

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<v Speaker 1>into Gangster Chronicles Gangster Chronic Goals. We're gonna tell you

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<v Speaker 1>how we go. If I like my notes, will girl

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<v Speaker 1>like Pinocchio. We're gonna tell you the truth and nothing

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<v Speaker 1>but the truth. Gangster Chronicals. This is not your average show.

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<v Speaker 1>You're now tuned into the rail m c A, Bick

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<v Speaker 1>James and bixtails from the streets. Hello, Welcome to the

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<v Speaker 1>Gangster Chronicles podcast, the production of My Heart Radio and

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<v Speaker 1>Black Effect Podcast Network. Make sure you download the I

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<v Speaker 1>Heart Apple, subscribe to The Gangster Chronicles for my Apple users,

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<v Speaker 1>hit the purple mica on your front screen. Subscribe to

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<v Speaker 1>the gainst the Chronicles and leave a five star rate

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<v Speaker 1>in the comment. Were like, welcome everyone to another episode

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<v Speaker 1>against the Chronicles podcast. And I'm with my homeboy today

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<v Speaker 1>and you know, um, the homey Big James is out

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<v Speaker 1>there handling some business right now. Um, and he'd be

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<v Speaker 1>back on the next show. Of course, y'all keep my

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<v Speaker 1>poy keep my boy up in prayers. Ain't nothing wrong now,

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<v Speaker 1>so I want you all up this third. People always

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<v Speaker 1>expect should be wrong still, but we gotta let them know,

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<v Speaker 1>you know, like I tell people, like I tell people,

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<v Speaker 1>we are ordinary. Motherfucker's right, even though people see us

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<v Speaker 1>we podcasting and then they are on records and all

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<v Speaker 1>this ship. We got normal responsibilities. You know, my nigga

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<v Speaker 1>James raising his grandson right now. You don't trying to

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<v Speaker 1>show him that right path. So when when when niggas

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<v Speaker 1>have personal ship, you know, it's just personal. He got

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<v Speaker 1>to go take care of some ship. You never know

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<v Speaker 1>what it is. But so don't expect that it's always

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<v Speaker 1>something negative when the nigga might be missing in action

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<v Speaker 1>for the day you get me day. Uh, we can

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<v Speaker 1>handle this, you can feel me. Hell yeah, and I'll

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<v Speaker 1>tell you what we got. One of my probably favorite

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<v Speaker 1>easily one of my top five of all time. My

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<v Speaker 1>nigga to Peter Man. I'm gonna calling the Peter Man

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<v Speaker 1>because that's Big Mike and the bad biggas don't don't

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<v Speaker 1>pick Mike. Niggas don't know my nigga. Three to rest

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<v Speaker 1>in Peach. You think is a sleep like a motherfucking

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<v Speaker 1>convicts was official like a referee with a whistle. Get me, motherfucker.

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<v Speaker 1>I'm gonna tell you a story, big Mike. When I

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<v Speaker 1>first heard you, Man, what kind of receiver is you

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<v Speaker 1>talking on? Man? The head stick receiver like here, the

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<v Speaker 1>fuzz fun like the crap off pitch and this ship

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<v Speaker 1>with that receiver and ship with that plug out. And

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<v Speaker 1>I'm gonna tell at, Mike, keep talking on that fucking

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<v Speaker 1>like he really is somebody's office conversate with. I was dripping.

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<v Speaker 1>I'm looking like I said, I had to look again.

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<v Speaker 1>I said, this nigg is on the first sing with

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<v Speaker 1>my nigga grundmmad that cord on there, nigga that went

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<v Speaker 1>from the catching the outside and around to the backyard.

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<v Speaker 1>Hold that motherfucker on the shoulders like this the same

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<v Speaker 1>made sure you've got that thousand foot gord when you

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<v Speaker 1>got that, so you got down all around the house

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<v Speaker 1>with that but like that outside. But man, the first

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<v Speaker 1>time I got hit to you, dog my boyfriend Tyler Texas. Man,

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<v Speaker 1>we're playing football in the mess of state and we

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<v Speaker 1>got a whole bunch of us niggas on the team.

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<v Speaker 1>Louisiana niggas. So they came with a whole bunch of

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<v Speaker 1>different music. We had the West Coach it they had

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<v Speaker 1>to down some ship. So he had that album the Convicts, man,

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<v Speaker 1>and y'all had a song on that motherfucker the Legal Aliens.

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<v Speaker 1>I said, current, Damn boy, this is a ruthless as

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<v Speaker 1>niggas down motherfucking Texas board. So so we we were

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<v Speaker 1>gonna go back a little bit, big Mike MANAU don't know,

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<v Speaker 1>like whenever I say, you don't do a whole lot

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<v Speaker 1>of interviews, man, So thank you for coming on, bro exact,

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<v Speaker 1>thank you all for having me. For sure, we're gonna

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<v Speaker 1>go back now. Man. So the Conflicts was your first group.

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<v Speaker 1>That was the first time you was out on wax, right, Yeah,

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<v Speaker 1>how did that come about? Because you're originally from Louisiana,

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<v Speaker 1>New Orleans, right exactly? Yeah, So tell me how did

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<v Speaker 1>you get put it into the pholde man and the rap?

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<v Speaker 1>A lot of folk like, how did that happen? How

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<v Speaker 1>did that come about? Um? I was always doing music,

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<v Speaker 1>right because my father is a musician, you know what

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<v Speaker 1>I mean. So coming out of New Orleans, was always

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<v Speaker 1>doing some kind of music, right, So, um, I knew

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<v Speaker 1>I was going to express myself musically. I just didn't

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<v Speaker 1>then know and what farm it would be by instrumentation,

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<v Speaker 1>you know what I mean, singing or something like that.

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<v Speaker 1>But when I got my first win in hip hop, Um,

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<v Speaker 1>I think the song, yeah, the song was Planet Rocket.

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<v Speaker 1>When I heard that one, I say, now, that's what

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<v Speaker 1>I'm gonna do, even even even I didn't even started

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<v Speaker 1>crafting then, right, but I knew that the seed was planning.

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<v Speaker 1>I knew that's how I wanted to express myself musically. Right. So, Um,

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<v Speaker 1>about the age of thirteen, man, I moved to Houston

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<v Speaker 1>with my grandparents from New Orleans, and um, you know,

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<v Speaker 1>to give me a better shot of better opportunity to

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<v Speaker 1>get me out the projects. And I would come back

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<v Speaker 1>to New Orleans for the summertime and things like that,

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<v Speaker 1>and me and my dad would get off into the

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<v Speaker 1>studio and we have recorded a demo three songs. Um.

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<v Speaker 1>I went back to Houston started working for the summertime.

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<v Speaker 1>Um at the Olive Gordon restaurant. Yeah, man, Tony Draper there,

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<v Speaker 1>that was my nigger. We were working there as teenagers. Yeah,

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<v Speaker 1>he was younger. We're working at the Olive Garden together

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<v Speaker 1>and Um, he's taking me home one night because that

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<v Speaker 1>nigga had the will. So he taking me home one

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<v Speaker 1>night after closing, I popped in the UM, I popped

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<v Speaker 1>in my demo. He hit the demo. He asked it.

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<v Speaker 1>He he asked it. He hoped the demo right and Um,

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<v Speaker 1>so I let him hold the demo. He come back

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<v Speaker 1>to me UM the following week and he like misting. Man,

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<v Speaker 1>I got a I got a homey man that worked

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<v Speaker 1>up at rapp a Lot. He's produced. His name is

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<v Speaker 1>John Beto. I let him hear the demo. He took

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<v Speaker 1>demo to ARM to UM to J Prince. We called

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<v Speaker 1>him to a J at the time. Took the timo

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<v Speaker 1>the Jay Prince. And they want to have a meeting

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<v Speaker 1>with us. You know what I mean because it was

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<v Speaker 1>me and Tony Draper who was putting the money together

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<v Speaker 1>behind meeting in the studio. You did so, um, and

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<v Speaker 1>that's how the initial meeting with UM with rapp a

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<v Speaker 1>Lot had came about. So they went at the meeting,

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<v Speaker 1>they presented me with the arm with the convict situation. Right,

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<v Speaker 1>Um he was. They told me they had a group

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<v Speaker 1>that just working on called the convict with mrs with

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<v Speaker 1>three too. There's another guy that's on rapp a lot.

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<v Speaker 1>He passed away as well. His name is Big Mellow,

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<v Speaker 1>but he was also a member of the group, but

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<v Speaker 1>he happened to be locked up at the time, right,

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<v Speaker 1>So Jay Prince, he was, man, we heard your music,

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<v Speaker 1>we liked with you and Tony doing right. Um, if

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<v Speaker 1>you know I'm saying you come on and help us

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<v Speaker 1>with this complict project, then we'll turned around and kept

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<v Speaker 1>y'all with what y'all trying to do. You feel me?

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<v Speaker 1>And I just saw it as an opportunity. I had

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<v Speaker 1>heard if I wrapped a lot, I knew what they

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<v Speaker 1>was doing and things like that. I was a fan

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<v Speaker 1>of some of the music they was putting out already,

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<v Speaker 1>you know what I mean. So, um, I just saw

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<v Speaker 1>I saw it as an opportunity. So I was like, yeah,

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<v Speaker 1>you know what I'm saying, let's do it. And that's

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<v Speaker 1>how the complext opportunity had came about. Oh that's real dope.

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<v Speaker 1>So so you and three two didn't really y'all, We

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<v Speaker 1>wasn't really familiar with each other. Then put you all

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<v Speaker 1>together because your chemistry was incredible. Yeah, once, but once

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<v Speaker 1>we got together though we had. We hit it off

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<v Speaker 1>like a motherfucker. You know what I'm saying. He would

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<v Speaker 1>come out to my hood and just hanging out, you

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<v Speaker 1>know what I'm saying, And we behind it, and by

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<v Speaker 1>we behind it like a motherfucker. You know. That's that's

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<v Speaker 1>my brother. He wasn't just a group. We wasn't just

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<v Speaker 1>members of a group together, you know what I mean.

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<v Speaker 1>That's my brother. Man. We a lots of things together,

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<v Speaker 1>you know. And um, that's why the chemistry had took

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<v Speaker 1>off like it did. But um, yeah, shout out to

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<v Speaker 1>Mrry too, man, God Lexi, Man, he was awesome, awesome,

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<v Speaker 1>NIKEL behind that pin um a lot of a lot

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<v Speaker 1>of characters, you know. Um yeah, and I missed the

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<v Speaker 1>guy a lot. Man. But yeah, yeah, we we had

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<v Speaker 1>we had missed chemistry to start with. Yeah, that's crazy, man.

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<v Speaker 1>You know. So Big Miller was gonna be a part

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<v Speaker 1>of the convix. Yeah yeah, because he because he had

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<v Speaker 1>a classic album from the South too. He had he

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<v Speaker 1>had a classic album and she was hard. Yeah, he

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<v Speaker 1>had a very classic album. So so at this time,

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<v Speaker 1>so y'all do the y'all do the convict situation, and

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<v Speaker 1>you would kind of made your way up to the

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<v Speaker 1>West coast at one point, didn't you yeah show that

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<v Speaker 1>about the Convix record. I think it was out maybe

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<v Speaker 1>I bout going on a year and UM UM by

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<v Speaker 1>way of UM Michael Harris, HARRYO and his wife at

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<v Speaker 1>the time, NDI Ga Harry UM that's when I got first.

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<v Speaker 1>That's when exactly so they had They was like, UM,

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<v Speaker 1>you know we're starting the label with Dr Drey You

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<v Speaker 1>Feel Me and UM called death Flow Records, right, and

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<v Speaker 1>we think that to the dope the convicts on death Row,

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<v Speaker 1>so UM Death High. That whole engagement had came about

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<v Speaker 1>you Feel Me. So after they UM, you know, we

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<v Speaker 1>get the call from UM from Jake Prince and he

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<v Speaker 1>like listen, man, y'all in the l A. We really

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<v Speaker 1>didn't even much know what was happening at the time though,

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<v Speaker 1>and UM ship thinking a very mixtape. We was in

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<v Speaker 1>Los Angeles, you think what I'm saying, and UM got

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<v Speaker 1>him to the studio. They come picked us up. That's

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<v Speaker 1>the first time I met su met d O, c

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<v Speaker 1>Um Gray, UM, who else was there? Raided. They had

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<v Speaker 1>a big group called Image that was there. That's funny

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<v Speaker 1>because Image first song that they ever sung They sung

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<v Speaker 1>the hook on my album on Music to drive By

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<v Speaker 1>on the song called use a Pitch. Yes, that's Image

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<v Speaker 1>who's singing that right there? I forgot that Images. I

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<v Speaker 1>I was there at the beginning, man, I'm telling me.

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<v Speaker 1>I was there to Let me tell you something, niggas

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<v Speaker 1>don't know. We came up with that death Row name

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<v Speaker 1>sitting down with Unknown and DJ Slip at a restaurant

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<v Speaker 1>one night. Yeah, let me tell you something. Ann was

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<v Speaker 1>getting ready to work on my record, Music to drive By.

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<v Speaker 1>We was at We was at Harold and Bells one

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<v Speaker 1>night and then Nikker said, I just hooked up with

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<v Speaker 1>Sugar them and they still to start a new label.

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<v Speaker 1>They're trying to come up with a name for me.

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<v Speaker 1>Fielding Slip was sitting there with Unknown and we said

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<v Speaker 1>death Row and we named the d E F after

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<v Speaker 1>motherfucking Champ. Remember they had them letter motherfucking Coach at

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<v Speaker 1>the front. Yeah, black, Yeah, exactly. We started that ship

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<v Speaker 1>because we gonna be a part of that ship, Me

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<v Speaker 1>and kill at CMW. We were gonna be able. We

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<v Speaker 1>were gonna be like a group under Death Row as well.

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<v Speaker 1>It's a lot of history behind that, but yeah, I

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<v Speaker 1>know DJ and d J Slip had got brought on

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<v Speaker 1>as producers because they were they was working on Your Time,

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<v Speaker 1>Big Ship. Yeah yeah, and so working on the comic

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<v Speaker 1>Ship and y'all law here just so you're a law

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<v Speaker 1>here on the West Coach, y'all just at the time,

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<v Speaker 1>just making records because r b X always talks about that.

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<v Speaker 1>He got a lot of love for yo. He's like

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<v Speaker 1>man Big Mike and Bick Mike, Bick Mike the RB Man.

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<v Speaker 1>That's my dick Man. I love well Man, Yeah yeah,

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<v Speaker 1>you know, um, while we was staring man Ship Man,

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<v Speaker 1>it was a good time. Man, it was it was

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<v Speaker 1>a new definition of family to me, you know what

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<v Speaker 1>I'm saying. I really felt that California love, you know

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<v Speaker 1>what I mean? Um, Um, it helped me sharpen up

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<v Speaker 1>as an artist as well. My time there, my experience

0:12:14.320 --> 0:12:17.160
<v Speaker 1>that we didn't get an opportunity to release that album

0:12:17.280 --> 0:12:21.600
<v Speaker 1>on UM because I came back and I recorded the

0:12:21.600 --> 0:12:24.560
<v Speaker 1>Ghetto Boys album, right, So my treachers was to come

0:12:24.600 --> 0:12:27.160
<v Speaker 1>back I to record the Ghetto Boys album. But things

0:12:27.200 --> 0:12:28.760
<v Speaker 1>had kind of took off when I was on that

0:12:28.800 --> 0:12:32.280
<v Speaker 1>blower coaster back then. But um, shioging them, you know

0:12:32.280 --> 0:12:34.680
<v Speaker 1>what I'm saying. Man, they was true throughout throughout the

0:12:34.720 --> 0:12:37.280
<v Speaker 1>whole situation. Man, you know what I mean, I can't

0:12:37.280 --> 0:12:39.760
<v Speaker 1>even lie. Man. Shout out to Big Shig Man. You

0:12:39.800 --> 0:12:41.640
<v Speaker 1>know what I'm saying. He looked out for me in

0:12:41.679 --> 0:12:43.839
<v Speaker 1>a real way, looked out for my mama in a

0:12:43.920 --> 0:12:45.559
<v Speaker 1>real way. Man. You know what I'm saying, made a

0:12:45.600 --> 0:12:48.160
<v Speaker 1>move that helped changed our lives, you know what i mean.

0:12:48.200 --> 0:12:50.800
<v Speaker 1>So I'm thankful for that as well. Um got a

0:12:50.880 --> 0:12:55.440
<v Speaker 1>cancer to be free, Snooth, Orangey and everybody. Matter of fact,

0:12:55.440 --> 0:12:57.839
<v Speaker 1>we all stayed together for a small period of time,

0:12:58.120 --> 0:13:00.000
<v Speaker 1>you know what I mean. That was awesome and ship

0:13:00.120 --> 0:13:02.480
<v Speaker 1>like that man and um, even though we didn't get

0:13:02.480 --> 0:13:04.800
<v Speaker 1>the chest weeks that album. Can hear the competence to

0:13:05.040 --> 0:13:07.480
<v Speaker 1>us all over that crime. You didn't hear what I'm saying,

0:13:08.080 --> 0:13:10.600
<v Speaker 1>you know, so, UM, you know that that was That

0:13:10.720 --> 0:13:13.400
<v Speaker 1>was a good looking for us as well. Although I would,

0:13:13.600 --> 0:13:17.640
<v Speaker 1>um um rather have been performing on the record, you

0:13:17.640 --> 0:13:20.280
<v Speaker 1>know what I'm saying, But um it didn't come about,

0:13:20.520 --> 0:13:23.160
<v Speaker 1>you know what I mean. But um, experience and um,

0:13:23.200 --> 0:13:26.840
<v Speaker 1>everything that I gained from being down there, Man, it

0:13:26.920 --> 0:13:28.360
<v Speaker 1>was a plus. You know what I'm saying. They sent

0:13:28.480 --> 0:13:31.600
<v Speaker 1>me back to Houston on fire. It did. Y'all heard

0:13:31.640 --> 0:13:33.199
<v Speaker 1>the true when I did that ghettle for us that

0:13:33.440 --> 0:13:35.520
<v Speaker 1>when I dropped that something serious, A lot of that

0:13:35.640 --> 0:13:39.080
<v Speaker 1>material was formulated when I was on the West. Oh wow,

0:13:39.160 --> 0:13:41.160
<v Speaker 1>you know what, you know, it's crazy, but you're seeing

0:13:41.200 --> 0:13:45.880
<v Speaker 1>that brow. The album does have a real West Coast

0:13:45.960 --> 0:13:50.400
<v Speaker 1>field to it has. It has a real strong West

0:13:50.400 --> 0:13:52.719
<v Speaker 1>Coast field to it, like when you came with the um,

0:13:54.200 --> 0:13:56.560
<v Speaker 1>you know, with the smoking and choking, like the motherfucker

0:13:56.640 --> 0:13:59.760
<v Speaker 1>Peter Man with the snooper, with the snoop when he

0:14:00.000 --> 0:14:03.520
<v Speaker 1>out of you off that thing. Yeah, album, it's it's

0:14:03.520 --> 0:14:06.440
<v Speaker 1>a classic album, Dog, And I want to go back

0:14:06.440 --> 0:14:08.079
<v Speaker 1>to something that you mentioned. We don't touch on that

0:14:08.120 --> 0:14:11.120
<v Speaker 1>Gettle Boys album Real quick Man, especially while eight Gone,

0:14:11.120 --> 0:14:13.040
<v Speaker 1>because ay, you want me to be all politically correct,

0:14:13.080 --> 0:14:14.880
<v Speaker 1>I can ask the questions I really want to ask

0:14:14.920 --> 0:14:18.560
<v Speaker 1>now on that Ghetto Boys album, Dog, what was going

0:14:18.600 --> 0:14:20.960
<v Speaker 1>on with you and scar Face? That sounds like a competition,

0:14:21.000 --> 0:14:26.760
<v Speaker 1>bro Uh, it wasn't like an over competition, right, um,

0:14:27.480 --> 0:14:31.800
<v Speaker 1>But you know, naturally, right, naturally, you got two dogs

0:14:31.800 --> 0:14:34.920
<v Speaker 1>on the squad. You feel me, they're gonna they're gonna

0:14:34.920 --> 0:14:38.360
<v Speaker 1>look for any motivation. You think what I'm saying, that's

0:14:38.360 --> 0:14:41.520
<v Speaker 1>available right to get busy. So that's that's all what's

0:14:41.560 --> 0:14:43.960
<v Speaker 1>going on. Man. If it was any kind of competition,

0:14:44.280 --> 0:14:49.320
<v Speaker 1>it was brotherly competition that we both wanted to get

0:14:49.360 --> 0:14:51.480
<v Speaker 1>the album out with that. That's how I looked at

0:14:52.600 --> 0:14:54.440
<v Speaker 1>because I'm gonna tell you, like this dog and this,

0:14:54.640 --> 0:14:56.440
<v Speaker 1>I don't want to hear you all in them comments

0:14:56.480 --> 0:15:00.320
<v Speaker 1>and sending me still you're tripping. But Big I was

0:15:00.320 --> 0:15:02.520
<v Speaker 1>getting up the scar face asked with some of them songs,

0:15:05.080 --> 0:15:07.320
<v Speaker 1>some of them records. You was definitely giving the business.

0:15:07.320 --> 0:15:10.680
<v Speaker 1>And that's no disrespect to Scarface and scar faced thing

0:15:10.760 --> 0:15:12.880
<v Speaker 1>on there. And he is one of the greatest of

0:15:12.920 --> 0:15:16.160
<v Speaker 1>all time. But but you gotta put Big Mike in

0:15:16.160 --> 0:15:18.400
<v Speaker 1>the same category because you was on That's what I

0:15:18.480 --> 0:15:21.200
<v Speaker 1>listening to lyrics, man, You was on there giving it

0:15:21.200 --> 0:15:25.680
<v Speaker 1>to him. Hey, man, I appreciate that analysis. I really,

0:15:25.800 --> 0:15:28.160
<v Speaker 1>I really do shout out the star face man, because

0:15:28.640 --> 0:15:32.200
<v Speaker 1>the brother is a pillar when it comes to Southern

0:15:32.240 --> 0:15:37.760
<v Speaker 1>hip hop and hippop as a whole. It was honor

0:15:37.840 --> 0:15:41.760
<v Speaker 1>for me to get down on that project man. You know, um,

0:15:41.840 --> 0:15:44.920
<v Speaker 1>you know, I really learned a lot doing that process. Man,

0:15:44.920 --> 0:15:48.200
<v Speaker 1>shout out, which we feel man, they got UM blessed

0:15:48.200 --> 0:15:51.200
<v Speaker 1>your spirit man, you know what I mean. Awesome brother,

0:15:51.720 --> 0:15:54.360
<v Speaker 1>you know, UM we all had some upstick downs and

0:15:54.440 --> 0:15:57.040
<v Speaker 1>things like that. We're looking at the fact, looking back

0:15:57.040 --> 0:16:01.200
<v Speaker 1>at it now in hindsight, UM, everything had to happen.

0:16:01.240 --> 0:16:06.760
<v Speaker 1>It had the UM play a part and our foundational history.

0:16:07.120 --> 0:16:10.320
<v Speaker 1>You think what I'm saying. So, you know, I appreciate

0:16:10.360 --> 0:16:14.640
<v Speaker 1>the opportunity to get down and because that project with

0:16:14.680 --> 0:16:17.720
<v Speaker 1>them guys, you know what I'm saying. Unfortunately it didn't

0:16:17.760 --> 0:16:21.240
<v Speaker 1>branch off into other UM projects with all of us together,

0:16:21.680 --> 0:16:25.520
<v Speaker 1>you know, but it did UM help provide a platform

0:16:25.600 --> 0:16:27.840
<v Speaker 1>for me to be able to drop my solo career.

0:16:28.160 --> 0:16:31.600
<v Speaker 1>And I was good, Now you did so sure, so

0:16:31.680 --> 0:16:33.760
<v Speaker 1>let me ask you this. So you know, but you

0:16:33.880 --> 0:16:36.560
<v Speaker 1>being with Death Row after that that gett boys el

0:16:36.840 --> 0:16:39.240
<v Speaker 1>came out to sugg them get back at you like, hey,

0:16:39.280 --> 0:16:42.360
<v Speaker 1>what's up, big Mike. We're trying to get you over here. Yeah,

0:16:42.440 --> 0:16:44.680
<v Speaker 1>you know, should me and shouldn't listen? Even when I

0:16:44.720 --> 0:16:48.040
<v Speaker 1>went back to because of the Ghettos project, right, it

0:16:48.120 --> 0:16:50.360
<v Speaker 1>was like I was still along Death Row. I was

0:16:50.440 --> 0:16:52.720
<v Speaker 1>still hand me because when we were called to get

0:16:52.160 --> 0:16:55.440
<v Speaker 1>a project gotter it was released. You know the first

0:16:55.480 --> 0:16:58.160
<v Speaker 1>crime of tour it was um, it was it was

0:16:58.200 --> 0:17:00.520
<v Speaker 1>it was death Row and the ghetti is you think

0:17:00.520 --> 0:17:02.920
<v Speaker 1>what I'm saying. And Ship I wrote on to a

0:17:02.960 --> 0:17:05.720
<v Speaker 1>bus with him. You think what I'm saying. So if

0:17:05.760 --> 0:17:08.360
<v Speaker 1>it was family, I still had my place out there

0:17:08.359 --> 0:17:10.639
<v Speaker 1>in l A. You think what I'm saying. She was

0:17:10.640 --> 0:17:13.440
<v Speaker 1>still looking out for me. I was still whenever they

0:17:13.600 --> 0:17:17.080
<v Speaker 1>we had UM we traveled for like music from Pitchons

0:17:17.160 --> 0:17:20.239
<v Speaker 1>and Ship. I was always with them, So you know,

0:17:20.640 --> 0:17:25.280
<v Speaker 1>like that didn't ever stop, right, Um, But I did

0:17:25.520 --> 0:17:29.960
<v Speaker 1>end up recording the solo project with Rapp a lot.

0:17:30.560 --> 0:17:33.920
<v Speaker 1>Deathro has started going to some changes at the time, right,

0:17:34.359 --> 0:17:38.840
<v Speaker 1>and then me not being there physically in the midst, Right,

0:17:39.320 --> 0:17:42.639
<v Speaker 1>I didn't really understand what was going on. So I

0:17:42.760 --> 0:17:45.760
<v Speaker 1>made a business decision at the time that was best

0:17:45.800 --> 0:17:49.200
<v Speaker 1>for myself and my family. What I thought. You think

0:17:49.200 --> 0:17:53.120
<v Speaker 1>what I'm saying, right, and um, and and I had.

0:17:53.200 --> 0:17:56.080
<v Speaker 1>I lived with my decision and I moved forward, you

0:17:56.080 --> 0:17:58.240
<v Speaker 1>know what I mean. But it was always love with

0:17:58.320 --> 0:18:02.639
<v Speaker 1>me and the artists. I broke with Raide Lou warranty

0:18:03.080 --> 0:18:07.000
<v Speaker 1>as corrupt you well, you know what I'm saying everybody

0:18:07.040 --> 0:18:09.080
<v Speaker 1>that was that was that was out there that you

0:18:09.119 --> 0:18:10.760
<v Speaker 1>know what I'm saying that I was able to become

0:18:10.840 --> 0:18:13.160
<v Speaker 1>friends with the things like that, Me and Mry too,

0:18:13.680 --> 0:18:16.479
<v Speaker 1>you know everybody, you know, we we was good. You know,

0:18:16.760 --> 0:18:20.959
<v Speaker 1>at times I do wish I would stay and seeing

0:18:21.080 --> 0:18:24.199
<v Speaker 1>what what what it came about from that, But you know,

0:18:24.560 --> 0:18:26.720
<v Speaker 1>we make our decisions that we have to live, when

0:18:26.760 --> 0:18:28.600
<v Speaker 1>we have to move forward. It's all a part of

0:18:28.600 --> 0:18:32.439
<v Speaker 1>our foundation history. As I said, exactly, Man, That's what

0:18:32.480 --> 0:18:35.640
<v Speaker 1>I believe. Guys always ever clean and sometimes we just

0:18:35.640 --> 0:18:38.200
<v Speaker 1>just just fell with that is you know what I mean. Yeah,

0:18:39.000 --> 0:18:42.080
<v Speaker 1>usually when you following guys, con is always winds up

0:18:42.119 --> 0:18:45.920
<v Speaker 1>being the path of least resistance exactly exactly, even though

0:18:45.920 --> 0:18:49.200
<v Speaker 1>you can't see it at the time, right and when

0:18:49.200 --> 0:18:51.280
<v Speaker 1>you look back at it, if you're grown a little

0:18:51.280 --> 0:18:53.360
<v Speaker 1>bit and then you can see, you know what I mean.

0:18:53.440 --> 0:18:55.480
<v Speaker 1>So yeah, man, I'm I'm just gonna be good with that.

0:18:55.520 --> 0:18:58.000
<v Speaker 1>Guy has been amazing in my life. Man, Hey, shout

0:18:58.000 --> 0:19:01.480
<v Speaker 1>out to the father from the man because I can't

0:19:01.480 --> 0:19:03.800
<v Speaker 1>deny it. I'm so thankful bro to able to be

0:19:04.000 --> 0:19:06.640
<v Speaker 1>doing what I'm doing, still doing what I'm doing at

0:19:06.680 --> 0:19:09.640
<v Speaker 1>this age, I'm a father. I'm not old, but I'm

0:19:09.680 --> 0:19:11.720
<v Speaker 1>you know, I'm about to be fifty, but you know,

0:19:11.880 --> 0:19:14.840
<v Speaker 1>still doing what I'm doing. Defnit, the five years still

0:19:14.920 --> 0:19:17.760
<v Speaker 1>turned up for it, you know. So yeah, man, I'm thankful.

0:19:17.760 --> 0:19:21.240
<v Speaker 1>I ain't did nothing else professionally since the age of eighteen.

0:19:21.359 --> 0:19:24.879
<v Speaker 1>So you know that orders say a lot. So you know,

0:19:24.920 --> 0:19:27.720
<v Speaker 1>shout out thanks to the blood man. Really sure, that's

0:19:27.720 --> 0:19:30.719
<v Speaker 1>a that's a blessing, man, because you're doing love and

0:19:30.760 --> 0:19:32.840
<v Speaker 1>I want to go bank. I want to go back

0:19:32.880 --> 0:19:36.159
<v Speaker 1>a little bit. Man, did you and three to everything

0:19:36.200 --> 0:19:38.080
<v Speaker 1>about doing it when he was alive, when he was

0:19:38.119 --> 0:19:40.320
<v Speaker 1>here on the plant, Did y'all ever think about doing

0:19:40.359 --> 0:19:46.080
<v Speaker 1>another convict album? Man? We had once I had came

0:19:46.160 --> 0:19:49.760
<v Speaker 1>home from I wanted pepper to a little at the

0:19:49.800 --> 0:19:55.480
<v Speaker 1>time he look and um. When I got that home,

0:19:56.920 --> 0:20:00.080
<v Speaker 1>me and my brother got together. He was working on

0:20:00.280 --> 0:20:03.240
<v Speaker 1>some things. I had to get myself back. We actively

0:20:03.240 --> 0:20:06.800
<v Speaker 1>made into society, you feel me and try to you know,

0:20:07.240 --> 0:20:10.119
<v Speaker 1>get you know, established, were established my relationship with my

0:20:10.200 --> 0:20:14.399
<v Speaker 1>children and everything. Right. So after that was done, you

0:20:14.400 --> 0:20:16.640
<v Speaker 1>know what I'm saying, we got talking about the Compix

0:20:16.800 --> 0:20:19.600
<v Speaker 1>situation and we actually they had got together in the

0:20:19.640 --> 0:20:23.160
<v Speaker 1>studio or on a few songs, but we didn't get

0:20:23.160 --> 0:20:26.879
<v Speaker 1>an opportunity to, um delve into it really deeply, you

0:20:26.880 --> 0:20:29.720
<v Speaker 1>know what I mean? And um, I wish he had

0:20:29.760 --> 0:20:32.680
<v Speaker 1>a you know, before he had made his own time

0:20:32.760 --> 0:20:37.280
<v Speaker 1>in mind, you know what I'm saying. But um, you know,

0:20:37.359 --> 0:20:39.920
<v Speaker 1>it is what it is at this point. But if

0:20:40.000 --> 0:20:43.399
<v Speaker 1>we still have um a lot of unreleased material on

0:20:43.840 --> 0:20:46.280
<v Speaker 1>me too, and who knows, you know, I made slide

0:20:46.320 --> 0:20:48.239
<v Speaker 1>on a couple of joints just to release him as

0:20:48.320 --> 0:20:51.439
<v Speaker 1>scenes just for the the stylegio with not you know

0:20:51.480 --> 0:20:52.960
<v Speaker 1>what I mean. But I would hate to try to

0:20:53.000 --> 0:20:59.840
<v Speaker 1>embark on the full help without him press you feel me? Yeah,

0:20:59.840 --> 0:21:02.520
<v Speaker 1>I want to just put a bunch of songs done

0:21:02.560 --> 0:21:06.080
<v Speaker 1>together without us actually being together in two ago, you

0:21:06.119 --> 0:21:12.399
<v Speaker 1>know what I mean. But the Convict album is a classic. Um,

0:21:12.440 --> 0:21:15.080
<v Speaker 1>it's a lesson that we was there to do come

0:21:15.119 --> 0:21:18.000
<v Speaker 1>together for that when it because that when they put

0:21:18.080 --> 0:21:22.760
<v Speaker 1>that when out there in the world, you know, um,

0:21:22.800 --> 0:21:24.960
<v Speaker 1>you know. But yeah, I wish we would have had

0:21:25.040 --> 0:21:27.680
<v Speaker 1>more time to be able to getting to the studio

0:21:27.880 --> 0:21:31.120
<v Speaker 1>and do another compics record. Yeah for sure. Let's let's

0:21:31.119 --> 0:21:33.199
<v Speaker 1>talk about a little three too. A little bit because

0:21:33.840 --> 0:21:37.920
<v Speaker 1>it was a minute. Man. I always look at Houston, man,

0:21:38.200 --> 0:21:42.399
<v Speaker 1>I always look at the soft period right as like

0:21:42.720 --> 0:21:46.119
<v Speaker 1>our sister city. Kind of like because the Houston sound

0:21:46.200 --> 0:21:48.840
<v Speaker 1>at one time was really close to the l A sound.

0:21:48.880 --> 0:21:50.879
<v Speaker 1>We kind of were both steak on the phone, you

0:21:50.920 --> 0:21:55.040
<v Speaker 1>know what I mean, Yeah, we were both steaking the phone, man,

0:21:55.119 --> 0:21:59.879
<v Speaker 1>and you know I picked up I mean with Houston sound,

0:22:00.000 --> 0:22:01.879
<v Speaker 1>and you gotta figure it was kind of like us,

0:22:01.920 --> 0:22:04.600
<v Speaker 1>because I always kind of figured like them niggas is

0:22:04.680 --> 0:22:08.520
<v Speaker 1>like us, man. You figured, uh, they sounds more like

0:22:08.680 --> 0:22:11.920
<v Speaker 1>West Coast or not even with that sound, but they

0:22:12.000 --> 0:22:14.800
<v Speaker 1>kind of struggles kind of sort of going the same

0:22:15.200 --> 0:22:18.359
<v Speaker 1>timelines as ours. That's why I always felt I connected

0:22:18.359 --> 0:22:23.640
<v Speaker 1>more the Tectas rappers and shipped down South because everybody

0:22:23.640 --> 0:22:25.800
<v Speaker 1>else was on different ship, but we could relate to

0:22:25.840 --> 0:22:28.200
<v Speaker 1>the Even New York niggas was different than we were,

0:22:28.600 --> 0:22:34.479
<v Speaker 1>you get me. But Texas niggas was like like Louisiana Texas, mrs.

0:22:34.480 --> 0:22:36.560
<v Speaker 1>It was like down there was like niggas that I

0:22:36.560 --> 0:22:39.439
<v Speaker 1>could relate to because my family was from Mental cifty,

0:22:39.680 --> 0:22:42.600
<v Speaker 1>so anytime I was the family reused them to their

0:22:42.680 --> 0:22:45.320
<v Speaker 1>niggas would be on ship. We were low riders and

0:22:45.680 --> 0:22:50.520
<v Speaker 1>hoods ships, neighborhoods and and banging. Uh, the poverty type

0:22:50.520 --> 0:22:53.000
<v Speaker 1>of struggle of that type of ship. So that's why

0:22:53.040 --> 0:22:54.879
<v Speaker 1>I think our new could kind of related on the

0:22:54.920 --> 0:23:03.560
<v Speaker 1>same timeline. And then geographically Texas it's down south, right,

0:23:03.720 --> 0:23:10.040
<v Speaker 1>but Texas is leads more towards southwest. And what I'm saying, right,

0:23:10.320 --> 0:23:13.399
<v Speaker 1>and um, even though they're their neighbors and it's the

0:23:13.440 --> 0:23:19.760
<v Speaker 1>closest city, Mason City to Louisiana, Um, it's still different,

0:23:20.000 --> 0:23:23.199
<v Speaker 1>you know what I mean, It's still different. And you know,

0:23:23.320 --> 0:23:26.120
<v Speaker 1>music was on some gamest ship. He didn't what I said,

0:23:26.280 --> 0:23:28.879
<v Speaker 1>It was on some case of ship. You know, get

0:23:28.960 --> 0:23:31.639
<v Speaker 1>with southern and things like that, but we we didn't

0:23:31.640 --> 0:23:35.719
<v Speaker 1>share the blood out that same thing. You think what

0:23:35.760 --> 0:23:39.359
<v Speaker 1>I'm saying. So because Texas were getting we just getting

0:23:39.400 --> 0:23:41.879
<v Speaker 1>mused from from the West Coast further, you know what

0:23:41.880 --> 0:23:44.400
<v Speaker 1>I mean. And when I was in New Orleans, we

0:23:44.400 --> 0:23:46.520
<v Speaker 1>was getting music coming out of New York further. And

0:23:46.600 --> 0:23:49.159
<v Speaker 1>then what I'm saying, but you know, shout out to

0:23:49.200 --> 0:23:52.000
<v Speaker 1>both places, man, both places the hard in their own

0:23:52.080 --> 0:23:55.200
<v Speaker 1>like man, well, shout out to that West coast man.

0:23:55.200 --> 0:23:59.800
<v Speaker 1>That's our cousin. Yeah, you know, because like your first

0:24:00.200 --> 0:24:01.680
<v Speaker 1>like you know, it was like I said, I'll played

0:24:01.720 --> 0:24:03.879
<v Speaker 1>ball with a bunch of cats from Texas. You know

0:24:03.880 --> 0:24:06.000
<v Speaker 1>when I tell you they was T shirt and kaks,

0:24:06.040 --> 0:24:11.360
<v Speaker 1>just like we were ten khakis and a white T shirts.

0:24:11.720 --> 0:24:16.119
<v Speaker 1>Yeah ship, I said, really, if you look at it,

0:24:16.200 --> 0:24:18.800
<v Speaker 1>you mean like I said, uh, New York, you know

0:24:18.920 --> 0:24:21.760
<v Speaker 1>how the you know the ship that you know we

0:24:21.880 --> 0:24:24.119
<v Speaker 1>started off with as far as the banging, the cripple

0:24:24.200 --> 0:24:27.560
<v Speaker 1>and blood and type of ship like that, But Texas

0:24:27.640 --> 0:24:30.320
<v Speaker 1>was on us first. You get me, I pull up

0:24:30.320 --> 0:24:33.200
<v Speaker 1>in Texas and Niggas was blood and Niggas was crippin.

0:24:33.600 --> 0:24:36.440
<v Speaker 1>And I was way before New York started. So that's

0:24:36.440 --> 0:24:38.679
<v Speaker 1>why I said we were trying to cousins with it,

0:24:39.000 --> 0:24:43.479
<v Speaker 1>because that's what I recognized when I first started touring

0:24:43.560 --> 0:24:46.560
<v Speaker 1>down South. I'd be like, man, these thinkers in khaki

0:24:46.600 --> 0:24:49.320
<v Speaker 1>suits and Chuck Taylor's and ship, and even though they

0:24:49.400 --> 0:24:51.960
<v Speaker 1>got the big they got the impolace with the big

0:24:52.000 --> 0:24:55.880
<v Speaker 1>motherfucking rims and that type, they were still on neighborhood

0:24:55.960 --> 0:24:59.840
<v Speaker 1>ship like we were. You get me on that ship

0:25:00.040 --> 0:25:03.040
<v Speaker 1>like we was at Birch. But Texas you could go

0:25:03.119 --> 0:25:06.320
<v Speaker 1>down to Texas and Louisatta, Louisiana, and even like I said,

0:25:06.440 --> 0:25:10.040
<v Speaker 1>Mississippi niggas was wearing catching suits and bandannas and playing

0:25:10.040 --> 0:25:13.000
<v Speaker 1>in blood. That's why I think you should kind of

0:25:13.000 --> 0:25:17.639
<v Speaker 1>relate it to in the aspect. Yeah, real, you know

0:25:17.680 --> 0:25:21.760
<v Speaker 1>what the thing is, the big Mike. It all occurs

0:25:21.800 --> 0:25:24.080
<v Speaker 1>from the stove because the South is all of our home.

0:25:25.320 --> 0:25:27.760
<v Speaker 1>Everybody from eight you know me and ain't talking about

0:25:27.760 --> 0:25:29.880
<v Speaker 1>it all the time. We was all getting them cars

0:25:29.920 --> 0:25:34.000
<v Speaker 1>taking the trips to either Mississippi, New Orleans that you

0:25:34.080 --> 0:25:37.880
<v Speaker 1>had family down there. My whole family is from um

0:25:37.960 --> 0:25:42.720
<v Speaker 1>Mr Happy, you don't even want to see it. Mississippi. Yeah, people,

0:25:43.000 --> 0:25:46.480
<v Speaker 1>all my people from Gulfport, Mississippi. So that's what we

0:25:46.560 --> 0:25:49.480
<v Speaker 1>used to take all our family on summer vacation. Mom

0:25:49.560 --> 0:25:52.760
<v Speaker 1>stickers on the Greyhound motherfucking bus and were on our

0:25:52.800 --> 0:25:56.200
<v Speaker 1>way to Gulfport, Mississippi. We're spending the whole summlers down there.

0:25:56.520 --> 0:26:02.760
<v Speaker 1>So my music related to down shout shot South with

0:26:02.960 --> 0:26:07.760
<v Speaker 1>heavy They suck with me heavy down South. Yeah, and

0:26:07.760 --> 0:26:12.080
<v Speaker 1>the thing because you know me, but you know how

0:26:12.119 --> 0:26:14.520
<v Speaker 1>it is. Man. A lot of people's man, especially out

0:26:14.520 --> 0:26:17.880
<v Speaker 1>of that California man a lot of people place their

0:26:17.920 --> 0:26:22.760
<v Speaker 1>anxiers that Louisiana to that Texas. You know what I mean?

0:26:23.000 --> 0:26:27.800
<v Speaker 1>I see that a lot up our co host that

0:26:27.880 --> 0:26:30.080
<v Speaker 1>you didn't get to meet today, Big Mike, Big James,

0:26:30.520 --> 0:26:34.640
<v Speaker 1>the Texas dude. Okay. You know that's where his roots

0:26:34.680 --> 0:26:36.680
<v Speaker 1>is from. You know his family, you know his roots

0:26:36.680 --> 0:26:39.639
<v Speaker 1>and everything. Texas man. You know one thing about it,

0:26:39.680 --> 0:26:41.879
<v Speaker 1>Big Mike. I went down there. I loved it because

0:26:41.920 --> 0:26:43.560
<v Speaker 1>you go down need to see a whole bunch of

0:26:43.600 --> 0:26:47.560
<v Speaker 1>big black niggas that looks just like you. Okay, that's

0:26:47.600 --> 0:26:50.600
<v Speaker 1>where I get it from. You know what I mean already,

0:26:50.840 --> 0:26:55.160
<v Speaker 1>the whole bunch of black niggas. Man. So you're doing music, man,

0:26:55.280 --> 0:26:56.960
<v Speaker 1>And at this time you mentioned that she was with

0:26:57.040 --> 0:26:59.680
<v Speaker 1>Tony Draper at first, who in his own right became

0:26:59.680 --> 0:27:05.080
<v Speaker 1>of a real nice executive, you know, hey, And I

0:27:05.200 --> 0:27:08.159
<v Speaker 1>tell you, you you know because we just basically you know

0:27:08.320 --> 0:27:11.440
<v Speaker 1>kids right here working at the Olive Garden and Ship.

0:27:11.760 --> 0:27:17.119
<v Speaker 1>And I tell you, even even then, his his aspirations

0:27:17.280 --> 0:27:22.000
<v Speaker 1>wasn't to be a wrapper, right. He wanted to run company.

0:27:22.560 --> 0:27:25.920
<v Speaker 1>You feel me, even as kids evenything, I'm like, I

0:27:26.000 --> 0:27:28.119
<v Speaker 1>wanna be a rapper. You think all teenagers think it's

0:27:28.160 --> 0:27:30.680
<v Speaker 1>gonna be rappers that they ain't. He would think about

0:27:30.720 --> 0:27:34.520
<v Speaker 1>being a weapon. He was thinking CEO from Jump And

0:27:34.600 --> 0:27:39.520
<v Speaker 1>it's just it's just awesome, dad, what we both aspied

0:27:39.640 --> 0:27:44.359
<v Speaker 1>for and set out together on. Right at a certain point,

0:27:44.600 --> 0:27:47.760
<v Speaker 1>it both happened for us. You feel me? Did you

0:27:47.840 --> 0:27:53.560
<v Speaker 1>ever trip that? Huh? Do you all even sit back

0:27:53.560 --> 0:27:56.800
<v Speaker 1>now and trick on that? Hey, when we get together,

0:27:57.000 --> 0:27:58.960
<v Speaker 1>it comes up. We're talking about it, you know what

0:27:59.040 --> 0:28:03.240
<v Speaker 1>I mean? We definitely, we definitely talked about it. Um, Yeah,

0:28:03.400 --> 0:28:06.560
<v Speaker 1>it's it's it's it's an amazing thing. Um. You know

0:28:06.640 --> 0:28:09.840
<v Speaker 1>that we actually sit down and we talked about this

0:28:09.920 --> 0:28:12.719
<v Speaker 1>ship and embarked on the ship. Ye, you know what

0:28:12.720 --> 0:28:14.400
<v Speaker 1>I mean. I go to study that. And you never

0:28:14.440 --> 0:28:16.760
<v Speaker 1>try to get on the mic, you hear me. We

0:28:16.920 --> 0:28:19.080
<v Speaker 1>just pay to pay for the studio time. Man, let's

0:28:19.080 --> 0:28:21.440
<v Speaker 1>get it. Hear me. We get off and then getting

0:28:21.480 --> 0:28:25.600
<v Speaker 1>ship done. But I say, maybe enough, gus amazing, But

0:28:26.400 --> 0:28:28.960
<v Speaker 1>both others through this wind up coming through and people

0:28:28.960 --> 0:28:30.919
<v Speaker 1>don't really know that. That's why I like to make

0:28:31.040 --> 0:28:33.679
<v Speaker 1>mention of that you did what I'm saying, I'd like

0:28:33.760 --> 0:28:36.200
<v Speaker 1>to make mention of that, you know, But that shut

0:28:36.240 --> 0:28:38.640
<v Speaker 1>out Tony Draper Man when he was able to accomplish

0:28:38.840 --> 0:28:45.360
<v Speaker 1>over there. I ship, as a young artist, knew about

0:28:45.400 --> 0:28:47.920
<v Speaker 1>Tony Draper You know what I'm saying, And that's that's

0:28:47.960 --> 0:28:51.200
<v Speaker 1>what I'm saying. Some dudes had that vision that I

0:28:51.200 --> 0:28:53.880
<v Speaker 1>don't need to be that you give me, you know

0:28:54.000 --> 0:28:56.320
<v Speaker 1>the position I want to play. I don't need to

0:28:56.360 --> 0:28:59.080
<v Speaker 1>be the superstar and make it get a little jealous

0:28:59.120 --> 0:29:01.800
<v Speaker 1>because you start bumping on the mic and start feeling

0:29:01.880 --> 0:29:05.400
<v Speaker 1>like shining more than man. He move from the jump.

0:29:05.760 --> 0:29:11.480
<v Speaker 1>I wanna be behind the den. We got some aspirations

0:29:11.520 --> 0:29:15.360
<v Speaker 1>for a teenager. That's an aspiration to go, especially with

0:29:15.800 --> 0:29:18.440
<v Speaker 1>being in the midst of all the hip hop that

0:29:18.600 --> 0:29:21.200
<v Speaker 1>was going on and all the rappers and knowing it

0:29:21.400 --> 0:29:25.280
<v Speaker 1>was that fine for us to get on. He said, Nigga,

0:29:25.560 --> 0:29:27.719
<v Speaker 1>I don't need that ship to know what position I

0:29:27.760 --> 0:29:29.920
<v Speaker 1>want to play. You beat the rapper, I'm gonna be

0:29:29.960 --> 0:29:32.120
<v Speaker 1>the song I'm gonna be the CEO Tony Drape the

0:29:32.200 --> 0:29:37.360
<v Speaker 1>Suave Hounds or whatever whatever that was the ship man. Yeah,

0:29:37.400 --> 0:29:40.160
<v Speaker 1>that's really let me ask you this thing, Mike, wasn't

0:29:40.160 --> 0:29:42.240
<v Speaker 1>every time that you almost might have wound up on

0:29:42.360 --> 0:29:55.080
<v Speaker 1>Suave House no, because I was already and um, we'll

0:29:55.200 --> 0:29:58.800
<v Speaker 1>offer to my relationship with rapping that time, right, Okay,

0:29:59.040 --> 0:30:02.120
<v Speaker 1>we had to do the corrected So I think, um,

0:30:02.240 --> 0:30:07.400
<v Speaker 1>the convict the head came out. Um, I thing, maybe

0:30:07.400 --> 0:30:10.360
<v Speaker 1>the ghetto for us before we start really hearing about

0:30:10.520 --> 0:30:13.000
<v Speaker 1>you know what I mean, following m J G. Right

0:30:13.080 --> 0:30:16.239
<v Speaker 1>before he started getting a rounded things like that. You know.

0:30:16.400 --> 0:30:19.400
<v Speaker 1>So like I said, you know, I was already all

0:30:19.440 --> 0:30:22.280
<v Speaker 1>my journey at that point. You think what I'm saying,

0:30:22.760 --> 0:30:25.640
<v Speaker 1>And um, he was, he was into his journey. But

0:30:25.760 --> 0:30:28.440
<v Speaker 1>we did come together. You know, I was able to

0:30:28.480 --> 0:30:32.040
<v Speaker 1>record um on you know, a song with on Falling G.

0:30:32.800 --> 0:30:37.640
<v Speaker 1>So you know, um, we still remain, you still remain

0:30:37.760 --> 0:30:40.040
<v Speaker 1>you know what I'm saying. Cool, you know to a

0:30:40.080 --> 0:30:42.920
<v Speaker 1>certain extent. Right, But we we didn't spend a lot

0:30:42.920 --> 0:30:45.400
<v Speaker 1>of time around each other because, like I said, he

0:30:45.480 --> 0:30:47.480
<v Speaker 1>was on his journey, I was on my journey. But

0:30:48.200 --> 0:30:51.040
<v Speaker 1>you know, it would have been dope if we was

0:30:51.080 --> 0:30:53.880
<v Speaker 1>able to come together and do something just on just

0:30:54.080 --> 0:30:56.960
<v Speaker 1>on just on the history factor, you know what I mean.

0:30:57.160 --> 0:31:00.600
<v Speaker 1>But um, everything happens like it supposed that happen, you

0:31:00.640 --> 0:31:03.080
<v Speaker 1>know what I mean, And we both finding catching our

0:31:03.240 --> 0:31:06.440
<v Speaker 1>names and um in the book, so you know it

0:31:06.520 --> 0:31:11.160
<v Speaker 1>worked out. Yeah, that's real spill man. I gotta go

0:31:11.200 --> 0:31:14.400
<v Speaker 1>back because I'm bounced around a little bit. You knew

0:31:14.400 --> 0:31:16.960
<v Speaker 1>about to Get a Boy's history obviously before you joined

0:31:16.960 --> 0:31:20.720
<v Speaker 1>the group. How was that phone call that looks that

0:31:20.760 --> 0:31:22.600
<v Speaker 1>he hits you up? Like, how did that come about?

0:31:22.680 --> 0:31:24.160
<v Speaker 1>Big Mike? You want to be a Get a Boy?

0:31:24.240 --> 0:31:31.640
<v Speaker 1>Was it just a phone call? I'd tell you. Um,

0:31:32.120 --> 0:31:34.760
<v Speaker 1>I was already in Los Angeles, right, We was working

0:31:34.840 --> 0:31:44.640
<v Speaker 1>on the Compics record with Dick slip trade arng Um unknown. Right,

0:31:44.640 --> 0:31:48.120
<v Speaker 1>we was already working on a compet record, and it

0:31:48.280 --> 0:31:51.960
<v Speaker 1>was a little window where where motherfuckers had started kicking

0:31:51.960 --> 0:31:54.280
<v Speaker 1>the real head. You know what I'm saying. It was?

0:31:54.360 --> 0:31:55.960
<v Speaker 1>It was it was a lot of part of you, right,

0:31:56.240 --> 0:32:00.400
<v Speaker 1>So kind of like that production slowed down a little bit, right,

0:32:01.840 --> 0:32:03.800
<v Speaker 1>I was getting harder to catch up with shooting this

0:32:03.840 --> 0:32:07.960
<v Speaker 1>ship at the time, you feel me, right, everybody was

0:32:08.000 --> 0:32:10.680
<v Speaker 1>still good. We're still well taking care of you. Think

0:32:10.720 --> 0:32:13.440
<v Speaker 1>what I'm saying. I had to y'all had to spot.

0:32:13.520 --> 0:32:15.560
<v Speaker 1>Y'all have to spot, had the spot. It was so

0:32:15.720 --> 0:32:18.520
<v Speaker 1>lot field, you get what I'm saying. So, but it's

0:32:18.560 --> 0:32:21.080
<v Speaker 1>kind of like production has slowed down the middle field,

0:32:21.160 --> 0:32:25.120
<v Speaker 1>right and um, and that's when I had wind up

0:32:25.160 --> 0:32:27.960
<v Speaker 1>getting a call. But I knew the situation for Willie

0:32:28.000 --> 0:32:32.040
<v Speaker 1>d leave it right prior to me leaving to come

0:32:32.080 --> 0:32:35.680
<v Speaker 1>to Los Ange. You feel me, I was already there.

0:32:35.720 --> 0:32:40.680
<v Speaker 1>I was aware, tempt you did what I'm saying. So, um,

0:32:40.800 --> 0:32:43.560
<v Speaker 1>when they did hit me up and they ran it

0:32:43.600 --> 0:32:45.160
<v Speaker 1>to me, you know what I'm saying, was like, you

0:32:45.200 --> 0:32:47.480
<v Speaker 1>know when it didn't come back to the group, right,

0:32:47.600 --> 0:32:49.760
<v Speaker 1>and we've been sitting when I had it beat. You

0:32:49.760 --> 0:32:51.800
<v Speaker 1>know what I'm saying, what we call with the ghetto

0:32:51.880 --> 0:32:54.280
<v Speaker 1>for us from here and everybody was like, you know

0:32:54.320 --> 0:32:56.560
<v Speaker 1>what I'm saying, your name's help coming up. And it

0:32:56.760 --> 0:32:59.240
<v Speaker 1>was like me to grab the mike they might, you

0:32:59.240 --> 0:33:02.560
<v Speaker 1>know what I mean, let's go take micro. So I

0:33:02.600 --> 0:33:04.960
<v Speaker 1>didn't jump on it immediately, you know what I mean,

0:33:05.720 --> 0:33:10.760
<v Speaker 1>I had I just thought about it for a little while. Um,

0:33:10.920 --> 0:33:14.440
<v Speaker 1>things hadn't picked up on the complex project. I think

0:33:14.480 --> 0:33:17.760
<v Speaker 1>we was maybe like probably about five five six songs

0:33:17.800 --> 0:33:20.920
<v Speaker 1>into it. Yeah, and it had kind of came to

0:33:21.000 --> 0:33:25.040
<v Speaker 1>you know, little stopped right. So UM, I then listen,

0:33:25.120 --> 0:33:28.680
<v Speaker 1>I already had a couple of kids, and I didn't

0:33:28.800 --> 0:33:31.880
<v Speaker 1>really come down there just to be wasting too much time.

0:33:32.120 --> 0:33:37.160
<v Speaker 1>You feel me, I really don't get it. Yeah, and

0:33:37.320 --> 0:33:39.479
<v Speaker 1>making some money, you know what I mean? I asking

0:33:39.600 --> 0:33:42.320
<v Speaker 1>for no money, but let me let's finish the record

0:33:42.320 --> 0:33:44.520
<v Speaker 1>with it out. Let me make some money for you

0:33:44.680 --> 0:33:46.560
<v Speaker 1>and I so I can go back and take care

0:33:46.600 --> 0:33:49.600
<v Speaker 1>of my people. You feel me. So the Gether plus came.

0:33:49.640 --> 0:33:52.920
<v Speaker 1>I talked about it. He wasn't win it at first.

0:33:53.520 --> 0:33:56.520
<v Speaker 1>Matter of fact, Sloop, I talk me out of it. Eight.

0:33:56.920 --> 0:33:59.200
<v Speaker 1>We talked to eight. It was like, maybe you should

0:33:59.240 --> 0:34:02.200
<v Speaker 1>wait because you feel me like, man, get in touch.

0:34:02.280 --> 0:34:07.840
<v Speaker 1>We should right. I'm like, I don't wait, but you know, yeah,

0:34:07.840 --> 0:34:09.879
<v Speaker 1>I wind up doing that. You know what I'm saying,

0:34:09.920 --> 0:34:12.680
<v Speaker 1>talking should in the process he wanted up pick me

0:34:13.200 --> 0:34:15.640
<v Speaker 1>and we was you know, we was like, yeah. He said,

0:34:15.640 --> 0:34:18.160
<v Speaker 1>when you're gonna come back through the solo project with us?

0:34:18.560 --> 0:34:20.880
<v Speaker 1>I said yeah, you know, like I said, I still

0:34:20.920 --> 0:34:24.960
<v Speaker 1>had my place everything, should still see me money. He

0:34:25.080 --> 0:34:27.480
<v Speaker 1>was still there for my nigga. It didn't matter if

0:34:27.520 --> 0:34:28.759
<v Speaker 1>I was you know what I mean. You was just

0:34:28.880 --> 0:34:32.480
<v Speaker 1>like I was signing death from you feel me and um.

0:34:33.200 --> 0:34:36.680
<v Speaker 1>But by time we had finished doing to get up

0:34:36.840 --> 0:34:39.000
<v Speaker 1>was that and came out. We went on their first

0:34:39.040 --> 0:34:42.600
<v Speaker 1>Prontic tour and then things had kind of started changing.

0:34:43.200 --> 0:34:47.200
<v Speaker 1>Jethro started having his problems, started having back you feel

0:34:47.239 --> 0:34:51.000
<v Speaker 1>me and um so I was like, well, I don't,

0:34:51.320 --> 0:34:53.239
<v Speaker 1>I didn't a wait for a minute, I don't really

0:34:53.280 --> 0:34:56.120
<v Speaker 1>know what's happening. You did what I'm saying over there

0:34:56.200 --> 0:34:58.120
<v Speaker 1>right now. I really didn't know who was the charge

0:34:58.160 --> 0:35:02.680
<v Speaker 1>of things like that. So that was good over the

0:35:02.960 --> 0:35:06.960
<v Speaker 1>rapper Locks at this time right than its was cool.

0:35:07.719 --> 0:35:09.800
<v Speaker 1>So I was like, all right, we'll see man, thanks

0:35:09.920 --> 0:35:12.799
<v Speaker 1>cool man. We got we we we we we got

0:35:12.840 --> 0:35:16.759
<v Speaker 1>that sound. People love to hear me with that sound. Right,

0:35:16.920 --> 0:35:19.920
<v Speaker 1>let's let's block another. So so I embalked on the

0:35:20.000 --> 0:35:27.480
<v Speaker 1>solo um then with them around that time. But um yeah,

0:35:27.520 --> 0:35:29.680
<v Speaker 1>but you know me and should we were still cool

0:35:29.719 --> 0:35:35.200
<v Speaker 1>throughout it. That's crazy to work out. So you told

0:35:35.200 --> 0:35:38.120
<v Speaker 1>me to stay out here and wait, I mean because

0:35:39.360 --> 0:35:43.640
<v Speaker 1>no disrespect because everybody know faces my nigga. Everybody knows

0:35:43.680 --> 0:35:46.520
<v Speaker 1>Jay is my nigga, you know. But it was a

0:35:46.560 --> 0:35:50.840
<v Speaker 1>big opportunity. You know, everybody knew that rapper Lock ghetto boys.

0:35:51.200 --> 0:35:55.160
<v Speaker 1>But death role was on from you get me Death

0:35:55.239 --> 0:35:58.720
<v Speaker 1>role was fuck is Dr Dre and stric and fucking

0:36:00.120 --> 0:36:04.399
<v Speaker 1>me Like it's like, you can't deny that that ship. Man.

0:36:04.520 --> 0:36:07.600
<v Speaker 1>If any time you get the opportunity to be around

0:36:07.600 --> 0:36:10.359
<v Speaker 1>a nigga like Drake, like I said, no disrespect because

0:36:11.120 --> 0:36:15.160
<v Speaker 1>little Jake and and fucking Mr Brad Jordan's my nigger.

0:36:15.560 --> 0:36:19.600
<v Speaker 1>You get me. But to have that opportunity, because that's

0:36:19.640 --> 0:36:22.839
<v Speaker 1>something we all we was waiting around to get our

0:36:23.000 --> 0:36:25.919
<v Speaker 1>terms on Death Row because like I said, we were

0:36:26.040 --> 0:36:28.680
<v Speaker 1>all figuring we was gonna be a part of this

0:36:29.080 --> 0:36:32.719
<v Speaker 1>entity because we were all trying to make this shift go.

0:36:33.160 --> 0:36:36.600
<v Speaker 1>You get me from from Sugar and from up behind

0:36:36.640 --> 0:36:39.560
<v Speaker 1>the team nigging me and chill and splits. We're rooting

0:36:39.640 --> 0:36:42.399
<v Speaker 1>for my condemn was my nigger, Mike, and three two

0:36:42.520 --> 0:36:44.920
<v Speaker 1>was my nigger. So we're rooting for a death Row

0:36:45.000 --> 0:36:48.800
<v Speaker 1>to shoot because the that was gonna be the first nigger.

0:36:49.640 --> 0:36:53.600
<v Speaker 1>There was no other artists, you know. Then Three the

0:36:53.680 --> 0:36:57.560
<v Speaker 1>Convicts was gonna be before Drey did the Crony, before

0:36:57.840 --> 0:37:01.000
<v Speaker 1>Snoop did Doggy Style. The record was going to be

0:37:01.120 --> 0:37:04.200
<v Speaker 1>the record. Yeah, it was in the process of working

0:37:04.200 --> 0:37:11.200
<v Speaker 1>on the deep Cover sounds. It was when Mike and

0:37:11.280 --> 0:37:13.960
<v Speaker 1>three two was there, so they was gonna be like

0:37:14.040 --> 0:37:18.319
<v Speaker 1>the first official group on death Row. That would have

0:37:18.360 --> 0:37:22.120
<v Speaker 1>been crazy man A convicts would have done the drinking

0:37:22.160 --> 0:37:28.399
<v Speaker 1>your beats over the yeah. And I I tell you

0:37:30.320 --> 0:37:33.839
<v Speaker 1>it was a couple of factors that played into it, right.

0:37:34.840 --> 0:37:39.759
<v Speaker 1>So one one factor was that I had to consider

0:37:40.480 --> 0:37:44.760
<v Speaker 1>It's like, which I'm like the high school ball player.

0:37:45.360 --> 0:37:48.080
<v Speaker 1>I get to come right out of high school and

0:37:48.120 --> 0:37:54.279
<v Speaker 1>the Rockets want me exactly you feel me? And I'm like,

0:37:54.560 --> 0:37:57.479
<v Speaker 1>I'm thinking about that too, right, and what that's gonna

0:37:57.520 --> 0:38:01.120
<v Speaker 1>mean for my family and my oaks at home, you

0:38:01.120 --> 0:38:08.360
<v Speaker 1>know what I mean. And I didn't understand how grad

0:38:08.560 --> 0:38:12.359
<v Speaker 1>worked at the time, and feel me. We still caught

0:38:12.400 --> 0:38:14.640
<v Speaker 1>up an excitement of being there and you know what

0:38:14.640 --> 0:38:16.840
<v Speaker 1>I mean, and this and that I really didn't understand

0:38:16.840 --> 0:38:19.759
<v Speaker 1>how he worked at the time. You know, Gray, he

0:38:19.840 --> 0:38:25.080
<v Speaker 1>had gathered his artists, listen to what everybody got, and

0:38:25.200 --> 0:38:30.920
<v Speaker 1>here select the heat for himself, not totally for himself.

0:38:30.960 --> 0:38:33.680
<v Speaker 1>The artist is gonna get the chinas well, but he's like,

0:38:33.719 --> 0:38:36.880
<v Speaker 1>you know what, I'm gonna use this material and fielding

0:38:37.080 --> 0:38:40.360
<v Speaker 1>this project that I'm killed. You feel me? And sometimes

0:38:40.400 --> 0:38:43.600
<v Speaker 1>the artists don't know at the time, I didn't find

0:38:43.600 --> 0:38:48.240
<v Speaker 1>out that great gangsterism and missed the officer what's gonna

0:38:48.280 --> 0:38:50.840
<v Speaker 1>be on the crime until I had got thank to

0:38:50.920 --> 0:38:55.120
<v Speaker 1>you you feel Me. I gets back to Houston and

0:38:55.160 --> 0:39:00.440
<v Speaker 1>I gets the call and Um and like, hey, you

0:39:00.600 --> 0:39:04.600
<v Speaker 1>might you know Dr Trade um recorded your song for

0:39:04.680 --> 0:39:07.960
<v Speaker 1>the UM for the Chronic album. You need to call

0:39:08.040 --> 0:39:11.080
<v Speaker 1>him me see what's happening, right. I called him and

0:39:11.120 --> 0:39:13.040
<v Speaker 1>he's like, yeah, yeah, Dad, I'm gonna using this and

0:39:13.080 --> 0:39:15.560
<v Speaker 1>that just now. I said, but damn, man, what told me?

0:39:15.840 --> 0:39:18.239
<v Speaker 1>Because I recorded the songs for the gett a boy

0:39:18.320 --> 0:39:21.040
<v Speaker 1>protect you feel me? So he like, man, we can

0:39:21.120 --> 0:39:23.800
<v Speaker 1>work something out, right, I do try for the ghetto

0:39:23.840 --> 0:39:26.040
<v Speaker 1>boys will be a you know. I said, well, we'll

0:39:26.080 --> 0:39:28.239
<v Speaker 1>be able to spend one of them. You feel me?

0:39:28.680 --> 0:39:32.600
<v Speaker 1>You know? So Um, But that's why you heard a

0:39:32.800 --> 0:39:37.520
<v Speaker 1>version of Mr Officer on that Chronic two thousand that

0:39:37.640 --> 0:39:43.000
<v Speaker 1>should have put out. Remember we knock off anyway, but yeah, yeah,

0:39:43.000 --> 0:39:46.440
<v Speaker 1>you heard Mr Labors on there and like, um when

0:39:46.520 --> 0:39:50.719
<v Speaker 1>Dr Trade did the interview for the Source of magazine

0:39:50.719 --> 0:39:53.759
<v Speaker 1>when he had fat to his head, right and he

0:39:53.800 --> 0:39:56.600
<v Speaker 1>was talking about the crime in the funeral, right, and

0:39:56.640 --> 0:39:58.480
<v Speaker 1>he telling them about the songs, and they listened to

0:39:58.640 --> 0:40:01.680
<v Speaker 1>songs for the pro time people from the source that's interviewing,

0:40:02.400 --> 0:40:04.640
<v Speaker 1>and when he gets to the one song to Um,

0:40:05.040 --> 0:40:07.480
<v Speaker 1>the interviewer says, he stands up. It's like his chest

0:40:07.600 --> 0:40:11.080
<v Speaker 1>stands up. Looks I just window that's overlooking the Scottline

0:40:11.080 --> 0:40:14.280
<v Speaker 1>in Los Angeles, and he said, yeah, out of all this,

0:40:14.280 --> 0:40:17.399
<v Speaker 1>this is my favorite song on the album. And then

0:40:17.960 --> 0:40:21.799
<v Speaker 1>the interview proceeds to quote the course was Mr officer.

0:40:22.239 --> 0:40:26.399
<v Speaker 1>Mr officer, I wanted to put your ass in the coffer, right.

0:40:26.880 --> 0:40:29.960
<v Speaker 1>But see, if I would have known this right, I

0:40:30.239 --> 0:40:32.880
<v Speaker 1>would have stayed. I'd have been like, kid, then you

0:40:32.920 --> 0:40:35.680
<v Speaker 1>can pray fearing me nigger to feel me you want

0:40:35.719 --> 0:40:37.680
<v Speaker 1>to use ship that I wrote for the clinic, I

0:40:37.719 --> 0:40:41.239
<v Speaker 1>would have staved my nigga. But at the time, I

0:40:41.280 --> 0:40:43.680
<v Speaker 1>didn't even know if he was really feeling me like that,

0:40:43.920 --> 0:40:47.319
<v Speaker 1>you feel like. I didn't find out until later, But

0:40:47.440 --> 0:40:51.920
<v Speaker 1>I didn't understand his method, how he worked. He did

0:40:51.960 --> 0:40:55.520
<v Speaker 1>what I'm saying right, had I had known had some

0:40:55.640 --> 0:40:58.000
<v Speaker 1>insight into these things, even if I had insighting to

0:40:58.440 --> 0:41:00.799
<v Speaker 1>that he was really feeling me like you did what

0:41:00.840 --> 0:41:04.560
<v Speaker 1>I'm saying right, Um, I would I would have probably

0:41:04.560 --> 0:41:06.800
<v Speaker 1>I would have probably started over a little bit harder

0:41:07.080 --> 0:41:10.000
<v Speaker 1>and and probably stayed you know what I mean. It

0:41:10.040 --> 0:41:11.879
<v Speaker 1>needs to get that done, you know what I mean.

0:41:12.000 --> 0:41:15.600
<v Speaker 1>So but but but like I say, man, we don't

0:41:15.760 --> 0:41:18.640
<v Speaker 1>came here with ret. We would we Rett, you know

0:41:18.640 --> 0:41:21.440
<v Speaker 1>what I'm saying. I didn't learn a lot from my

0:41:21.640 --> 0:41:24.560
<v Speaker 1>from my time down there, to feel me, I didn't

0:41:24.600 --> 0:41:27.560
<v Speaker 1>learn a lot for my time down there. Um, I

0:41:27.719 --> 0:41:31.400
<v Speaker 1>worked it into what I was doing right. Um, you

0:41:31.520 --> 0:41:35.880
<v Speaker 1>heard glimpses of us and what they were doing as well,

0:41:36.520 --> 0:41:38.960
<v Speaker 1>you feel me, so you could tell we was feeding

0:41:39.000 --> 0:41:42.120
<v Speaker 1>off each other, you know what I mean. So you

0:41:42.160 --> 0:41:44.520
<v Speaker 1>know it's just that they had to fell the layout

0:41:45.320 --> 0:41:48.200
<v Speaker 1>at the time, you know what I mean. And let

0:41:48.239 --> 0:41:52.719
<v Speaker 1>me tell you, sir, no, just respect, I nigged three

0:41:52.760 --> 0:41:59.160
<v Speaker 1>too with influential most definitely. We didn't want to get

0:41:59.200 --> 0:42:04.719
<v Speaker 1>in depth on that that might be me and you.

0:42:06.000 --> 0:42:12.160
<v Speaker 1>My nigga three too was influent. Chose yeah, yeah, yeah,

0:42:12.200 --> 0:42:14.879
<v Speaker 1>I know. As soon as didn't nobody started seeing big

0:42:14.920 --> 0:42:18.440
<v Speaker 1>baby and let me let me tell you my nigga.

0:42:18.920 --> 0:42:24.640
<v Speaker 1>So my nigga was in exactly, that was my nigga

0:42:24.800 --> 0:42:32.080
<v Speaker 1>and he was influential exactly nigga. Niggers might be sleep

0:42:32.160 --> 0:42:35.640
<v Speaker 1>on my nigga, And like I said, but that motherfucker

0:42:35.800 --> 0:42:39.120
<v Speaker 1>right there, that nigga was heavy and when they came

0:42:39.160 --> 0:42:42.480
<v Speaker 1>to that town, and that's the whole and the thing

0:42:42.520 --> 0:42:48.680
<v Speaker 1>about that too, man um. You know, it's like we

0:42:48.719 --> 0:42:52.719
<v Speaker 1>didn't find out about that until the Clinic cast came

0:42:52.719 --> 0:42:58.080
<v Speaker 1>out because I had the demo to the Sick Feel Me.

0:42:58.239 --> 0:43:00.400
<v Speaker 1>I had on the demo songs, I had phones. They

0:43:00.400 --> 0:43:02.960
<v Speaker 1>didn't need to make the final cut You Feel Me,

0:43:03.239 --> 0:43:05.200
<v Speaker 1>And we hadn't heard none of the skits and ship,

0:43:05.320 --> 0:43:07.879
<v Speaker 1>No skitz was on there. So then when we get

0:43:07.960 --> 0:43:12.440
<v Speaker 1>the clinic, we get bottom he finally come out. You know,

0:43:12.520 --> 0:43:14.880
<v Speaker 1>we hear the skits and things like that, and niggas

0:43:14.920 --> 0:43:20.040
<v Speaker 1>is like, hem, we enjoyed the material, but then you know,

0:43:20.120 --> 0:43:24.600
<v Speaker 1>we're taking to ourselves, like damn, damn, niggas could have

0:43:24.640 --> 0:43:28.279
<v Speaker 1>just called us and had us do that ship exactly

0:43:28.360 --> 0:43:31.719
<v Speaker 1>You feel Me? If you're gonna use it, like, at

0:43:31.800 --> 0:43:34.680
<v Speaker 1>least have us on the album. Here. We got shot

0:43:34.800 --> 0:43:38.040
<v Speaker 1>it out on the album You Feel Me. But god damn,

0:43:38.080 --> 0:43:40.759
<v Speaker 1>we're supposed to be people at this time, and I'm like, yeah, man,

0:43:40.760 --> 0:43:43.000
<v Speaker 1>we could have got the in fight on the album, right,

0:43:43.040 --> 0:43:47.560
<v Speaker 1>because now this ship is worldwide. You got Motherfucker's and Hungary,

0:43:48.080 --> 0:43:52.600
<v Speaker 1>you got Motherfucker's and and and the Philippines really thought,

0:43:52.640 --> 0:43:54.560
<v Speaker 1>big baby, I don't known hook. You know what I mean?

0:43:54.719 --> 0:43:58.440
<v Speaker 1>Right to some people it might just be slam, but right,

0:43:58.560 --> 0:44:01.680
<v Speaker 1>we know how it is. Right, we do the tools

0:44:01.800 --> 0:44:05.319
<v Speaker 1>that we have around us, right while that our advantages

0:44:05.360 --> 0:44:07.680
<v Speaker 1>ship like that, and even in the evening in the

0:44:07.719 --> 0:44:12.480
<v Speaker 1>ghetto on the crime feel me slaying is important to

0:44:12.920 --> 0:44:17.080
<v Speaker 1>let me tell you, it's the same situation. Then I

0:44:17.160 --> 0:44:22.520
<v Speaker 1>started saying the g back in and motherfucker swear that

0:44:22.520 --> 0:44:25.920
<v Speaker 1>ship comes from any and everywhere. You give me up.

0:44:26.200 --> 0:44:30.359
<v Speaker 1>But I don't even trip off because I know back

0:44:30.400 --> 0:44:35.480
<v Speaker 1>in I brought that to the table. You know where

0:44:35.480 --> 0:44:42.920
<v Speaker 1>that chill comes from. You give me that. Ain't nobody Yeah, no,

0:44:43.080 --> 0:44:45.439
<v Speaker 1>nothing that you ain't nobody dripping that. It's all good,

0:44:46.200 --> 0:44:48.799
<v Speaker 1>have fun with it, do your thing, because I know,

0:44:49.040 --> 0:44:51.759
<v Speaker 1>and a lot of niggers who know me know where

0:44:51.760 --> 0:44:54.280
<v Speaker 1>that ship came from. So but you in the books,

0:44:54.320 --> 0:44:59.480
<v Speaker 1>because people worldwide, no, dude, exactly that fun with eight

0:44:59.600 --> 0:45:02.640
<v Speaker 1>So so you in the books, you know what I mean?

0:45:02.920 --> 0:45:06.200
<v Speaker 1>But um, yeah, but at the time when we had

0:45:06.239 --> 0:45:08.719
<v Speaker 1>got the material and it was new to us, we

0:45:08.760 --> 0:45:11.960
<v Speaker 1>was like, damn my Nigga because we had came back

0:45:12.000 --> 0:45:16.640
<v Speaker 1>home telling me Nigga, Nigga, Nigga Dr Frey and Nigga's

0:45:16.640 --> 0:45:21.920
<v Speaker 1>going down out there that niggas ain't playing. Nigga's a

0:45:22.000 --> 0:45:30.160
<v Speaker 1>motherfucker going back And so like niggas first, Niggas is

0:45:30.239 --> 0:45:33.040
<v Speaker 1>jether because niggas is like, man, how the funding niggas

0:45:33.040 --> 0:45:35.640
<v Speaker 1>get to go funk with Dr Craky for us? Right,

0:45:36.040 --> 0:45:38.600
<v Speaker 1>So we run at this talking and dragging and ship

0:45:39.000 --> 0:45:42.120
<v Speaker 1>and then when she come out, we're not on it,

0:45:42.200 --> 0:45:45.520
<v Speaker 1>but they're doing our ship. You feel me think it

0:45:45.719 --> 0:45:49.320
<v Speaker 1>was like but but at the same time though, niggas

0:45:49.400 --> 0:45:52.640
<v Speaker 1>knew that our presents had been felt though, and then

0:45:52.640 --> 0:45:55.399
<v Speaker 1>what I'm saying and that's a good thing. And then,

0:45:55.520 --> 0:45:58.399
<v Speaker 1>like I said, they fed off for us. We fed

0:45:58.440 --> 0:46:00.600
<v Speaker 1>off with him. This is real, mother, because do when

0:46:00.600 --> 0:46:03.960
<v Speaker 1>they get together. You think what I'm saying so um,

0:46:04.000 --> 0:46:05.960
<v Speaker 1>Like I said, man, the ship did a fire on me.

0:46:06.000 --> 0:46:08.680
<v Speaker 1>I can't thank you. You don't fire you. I definitely

0:46:08.840 --> 0:46:13.280
<v Speaker 1>benefited from my time in Los Angeles around those cats.

0:46:13.360 --> 0:46:15.520
<v Speaker 1>You think what I'm saying, Man, we had some we

0:46:15.560 --> 0:46:17.920
<v Speaker 1>had some good times. Every day was the news my nigga.

0:46:19.280 --> 0:46:27.200
<v Speaker 1>It was basically yeah, yeah, gangsters know what I'm talking about. Anyway, Listen,

0:46:28.400 --> 0:46:30.719
<v Speaker 1>we had, we had, We had an amazing time. Bro

0:46:31.440 --> 0:46:37.439
<v Speaker 1>Um three two never held no fludges against against any

0:46:38.719 --> 0:46:40.319
<v Speaker 1>you know what I'm saying, None of that any time

0:46:40.360 --> 0:46:43.239
<v Speaker 1>I talked, any time I talked to my nigga, he

0:46:43.360 --> 0:46:48.560
<v Speaker 1>had nothing but humble love for ship back back. Yeah,

0:46:49.360 --> 0:46:52.080
<v Speaker 1>you know what I mean. The only time I was

0:46:52.160 --> 0:46:54.920
<v Speaker 1>in my feelings is when my nigga had got killed.

0:46:55.680 --> 0:46:58.000
<v Speaker 1>You feel me and then't at that time, you know

0:46:58.040 --> 0:47:00.880
<v Speaker 1>how you think you're like, damn him. You're looking at

0:47:00.840 --> 0:47:03.360
<v Speaker 1>the round you like, Man, if my nigga would have

0:47:03.400 --> 0:47:07.279
<v Speaker 1>benefited from some of that ship that niggas came up us,

0:47:07.360 --> 0:47:10.520
<v Speaker 1>this ship came up on, right, he wouldn't have never

0:47:10.600 --> 0:47:13.640
<v Speaker 1>been in a position where he was still in that

0:47:13.680 --> 0:47:17.360
<v Speaker 1>type of convironment. You did what I'm saying right around

0:47:17.440 --> 0:47:19.920
<v Speaker 1>these pre fast niggas, you know what I'm saying, and

0:47:20.040 --> 0:47:24.600
<v Speaker 1>things like that. Right. But um, but if he if

0:47:25.400 --> 0:47:26.960
<v Speaker 1>he could come back and talk to me, he'd be

0:47:26.960 --> 0:47:29.000
<v Speaker 1>like nah, you know, we him get down like that.

0:47:29.360 --> 0:47:32.120
<v Speaker 1>But it was just an emotional thing for me. You

0:47:32.160 --> 0:47:35.239
<v Speaker 1>know what I'm saying. You know how it is. But like,

0:47:35.239 --> 0:47:36.840
<v Speaker 1>hold on, wait a fucking minute. They I want to

0:47:36.840 --> 0:47:39.360
<v Speaker 1>talk to everybody that old my motherfucking brother. You did

0:47:39.440 --> 0:47:41.880
<v Speaker 1>what I'm saying, I don't get what is a family member.

0:47:42.000 --> 0:47:43.799
<v Speaker 1>I won't talk to him too, you know what I mean,

0:47:44.160 --> 0:47:46.760
<v Speaker 1>and ship like that until all the emotion his things

0:47:46.800 --> 0:47:50.320
<v Speaker 1>like that settled. But um, I know he enjoyed his

0:47:50.320 --> 0:47:52.880
<v Speaker 1>his um his time out there. You can hear in

0:47:52.960 --> 0:47:55.920
<v Speaker 1>his style after he came back from l A that

0:47:56.000 --> 0:48:02.319
<v Speaker 1>nigga was smooth and slick as a motherfucker. I think

0:48:02.320 --> 0:48:04.440
<v Speaker 1>it was so smooth and beauty follow the bike that

0:48:04.480 --> 0:48:07.719
<v Speaker 1>bigg was just man, I'm telling you, And what and

0:48:07.960 --> 0:48:11.279
<v Speaker 1>never another nigga like you? Straight up? No no, no,

0:48:11.560 --> 0:48:15.520
<v Speaker 1>no no, and good about it? And what's good about

0:48:15.520 --> 0:48:19.200
<v Speaker 1>it for niggas who know? His legacy is still here

0:48:19.239 --> 0:48:21.959
<v Speaker 1>for niggas who know, because you can see it's still

0:48:22.000 --> 0:48:24.799
<v Speaker 1>here with niggas that know, and the fans are more

0:48:25.000 --> 0:48:29.680
<v Speaker 1>educated now, you know what I mean. So it's it's

0:48:29.760 --> 0:48:33.399
<v Speaker 1>it's a cool thing. I'm sure. Um, you know all

0:48:33.440 --> 0:48:35.919
<v Speaker 1>the artists that we happen to be a friends out there.

0:48:36.200 --> 0:48:37.960
<v Speaker 1>You know what I'm saying. I'm I'm sure they still

0:48:38.000 --> 0:48:40.840
<v Speaker 1>think Hylie UM three too as well. You know what

0:48:40.920 --> 0:48:44.480
<v Speaker 1>I'm saying. He was that kind of personality, you know

0:48:44.520 --> 0:48:47.200
<v Speaker 1>what I mean. And he was just a he would

0:48:47.680 --> 0:48:51.200
<v Speaker 1>look outside of the music ship, man, he was just

0:48:51.239 --> 0:48:53.400
<v Speaker 1>one of your niggas. Man. If you was good with

0:48:53.600 --> 0:48:56.719
<v Speaker 1>three two and he became one of your niggas. Man,

0:48:57.120 --> 0:48:59.800
<v Speaker 1>it was a good nigga outside of music. Like music,

0:49:00.120 --> 0:49:03.680
<v Speaker 1>my nigga. Nig was the funny fucker to be around.

0:49:03.719 --> 0:49:09.439
<v Speaker 1>I'm counting here. I think it used to dying man.

0:49:10.440 --> 0:49:18.000
<v Speaker 1>He larious, Man, I didn't Yeah, yeah, I missed that

0:49:18.080 --> 0:49:21.799
<v Speaker 1>guy though. I missed that. Yeah. Man, you know, Big Mike,

0:49:22.520 --> 0:49:26.080
<v Speaker 1>we could talk about your classics man all day. But

0:49:26.200 --> 0:49:28.560
<v Speaker 1>you've got some five rands new ship. Did you just

0:49:28.600 --> 0:49:32.839
<v Speaker 1>put out man Finished the Job? What's going on with that? Yeah? Man,

0:49:33.040 --> 0:49:36.000
<v Speaker 1>I had um thank you for bringing that up, man,

0:49:36.040 --> 0:49:38.839
<v Speaker 1>I appreciate that. Man got the new LP out right now.

0:49:39.200 --> 0:49:43.200
<v Speaker 1>It is the title on Finished the Job. UM have

0:49:43.360 --> 0:49:48.239
<v Speaker 1>released it right found when that COVID So it kind

0:49:48.239 --> 0:49:51.320
<v Speaker 1>of like, uh kind of like it didn't actually so

0:49:51.520 --> 0:49:53.600
<v Speaker 1>things down because I was still grinding with it. But

0:49:53.680 --> 0:49:56.839
<v Speaker 1>you know it isn't here with everybody, um, everybody else

0:49:56.880 --> 0:49:59.719
<v Speaker 1>to at the time, but here the album is out there. Man,

0:50:00.160 --> 0:50:02.520
<v Speaker 1>it's hard to tell from what people tell me you

0:50:02.560 --> 0:50:09.000
<v Speaker 1>did what I'm saying, bro, Definitely, yeah, I definitely at

0:50:09.080 --> 0:50:11.799
<v Speaker 1>this stage, if I'm doing music and I'm coming out,

0:50:11.880 --> 0:50:16.439
<v Speaker 1>I definitely want people here and here's that I've spent

0:50:17.840 --> 0:50:21.879
<v Speaker 1>right doing my crap. You feel me. I want them

0:50:21.920 --> 0:50:24.160
<v Speaker 1>to hear that when they go get the mute. I

0:50:24.160 --> 0:50:31.160
<v Speaker 1>don't want them to hear me sounding like ninety three, right,

0:50:31.400 --> 0:50:34.640
<v Speaker 1>and and don't you don't you trip off of that?

0:50:34.760 --> 0:50:37.760
<v Speaker 1>A lot of the motherfucker's who listened to you today

0:50:38.160 --> 0:50:40.839
<v Speaker 1>they want you to be so reminiscent of ninety three

0:50:40.880 --> 0:50:44.880
<v Speaker 1>and ninety four. It's hard to explain to a motherfucker like,

0:50:46.160 --> 0:50:49.239
<v Speaker 1>I'm so evolved from ninety three and ninety before. And

0:50:49.239 --> 0:50:51.640
<v Speaker 1>I get it. That was the height of y'all. You

0:50:51.760 --> 0:50:54.239
<v Speaker 1>love the negative at all you had out there if

0:50:54.280 --> 0:50:58.239
<v Speaker 1>you have out there, and I get it. But it's

0:50:58.239 --> 0:51:02.439
<v Speaker 1>a different mind people. It would have been cool if

0:51:02.480 --> 0:51:06.880
<v Speaker 1>we was cash that had one one hit one record

0:51:06.960 --> 0:51:10.280
<v Speaker 1>that we was known for, right, is easier to stay

0:51:10.480 --> 0:51:13.720
<v Speaker 1>in that mode, right, because you know what you're gonna do.

0:51:13.880 --> 0:51:15.839
<v Speaker 1>But when we was artists, that was used to see

0:51:15.880 --> 0:51:18.520
<v Speaker 1>we come from the every hip hop, the hip hop

0:51:18.560 --> 0:51:21.640
<v Speaker 1>we was digested in the early eighties and ship like that.

0:51:21.719 --> 0:51:26.440
<v Speaker 1>You feel me. We grew up with with artists having

0:51:26.440 --> 0:51:30.200
<v Speaker 1>the window to grow. You feel me. We grew up

0:51:30.200 --> 0:51:33.560
<v Speaker 1>with l L. We grew up with Daddy. We watched it.

0:51:33.760 --> 0:51:36.200
<v Speaker 1>You know what I'm saying, Right, they taught us and

0:51:36.320 --> 0:51:42.520
<v Speaker 1>things like that. So, um, it's just that today they

0:51:42.600 --> 0:51:46.200
<v Speaker 1>don't that time of time, that kind of time is

0:51:46.239 --> 0:51:49.960
<v Speaker 1>not a lobby to the artist, you know what I mean, right,

0:51:50.800 --> 0:51:54.560
<v Speaker 1>because they don't. They don't. I hate to say judge,

0:51:54.600 --> 0:52:01.080
<v Speaker 1>but they don't. Weigh an artists today on um their

0:52:01.239 --> 0:52:05.440
<v Speaker 1>depth in music, right, it's really about what they could show,

0:52:05.880 --> 0:52:08.600
<v Speaker 1>right and things like that. And we had all that

0:52:08.640 --> 0:52:11.480
<v Speaker 1>ship too back in the eighties. That make we trump jewelry.

0:52:11.520 --> 0:52:15.279
<v Speaker 1>They you see sick Ricky still doing it. You feel me.

0:52:15.680 --> 0:52:18.239
<v Speaker 1>Niggas had real jewy. They that big ship back in

0:52:18.719 --> 0:52:21.560
<v Speaker 1>cars and everything. You know what I'm saying. But the

0:52:21.719 --> 0:52:26.400
<v Speaker 1>emphasis we're still on the music. You feel me. It

0:52:26.560 --> 0:52:29.520
<v Speaker 1>was still on the music. But I do, Hey, I

0:52:29.560 --> 0:52:32.759
<v Speaker 1>get that I get that a lot Cass wants you

0:52:32.840 --> 0:52:36.640
<v Speaker 1>to say in that name, but they don't really understand

0:52:36.760 --> 0:52:40.440
<v Speaker 1>that type of artists. We all won't allow us to

0:52:40.480 --> 0:52:44.160
<v Speaker 1>stay complacent like that, you feel me, especially when you

0:52:44.160 --> 0:52:46.080
<v Speaker 1>you still got you know, you feel like you got

0:52:46.080 --> 0:52:48.800
<v Speaker 1>a lot, a lot to deal. They just want allow

0:52:48.880 --> 0:52:50.520
<v Speaker 1>you to do that, you know what I mean. But

0:52:51.520 --> 0:52:55.000
<v Speaker 1>if they walk with the new ship, they're definitely going

0:52:55.120 --> 0:52:59.440
<v Speaker 1>to here that foundation that they're looking for. You feel me,

0:52:59.760 --> 0:53:02.399
<v Speaker 1>it's definitely going to be there. And that's the whole

0:53:02.520 --> 0:53:05.839
<v Speaker 1>treat of it. They like, damn, this think is really

0:53:05.880 --> 0:53:08.480
<v Speaker 1>making this ship work because I'm hitting what I want

0:53:08.680 --> 0:53:11.640
<v Speaker 1>to feel me and I'm I'm hearing what he's trying

0:53:11.680 --> 0:53:13.960
<v Speaker 1>to do as well at this stage, you know what

0:53:14.000 --> 0:53:17.080
<v Speaker 1>I mean. So you know, the fans, if they rock

0:53:17.160 --> 0:53:19.120
<v Speaker 1>with you, they just have to really get into what

0:53:19.200 --> 0:53:22.240
<v Speaker 1>you're doing. And um, so far, a lot of fans

0:53:22.280 --> 0:53:25.440
<v Speaker 1>that came up and and and doing the nineties and

0:53:25.520 --> 0:53:27.799
<v Speaker 1>things like that when we were doing other things, they

0:53:27.840 --> 0:53:30.000
<v Speaker 1>tend to why with us, you know what I'm saying.

0:53:30.600 --> 0:53:33.360
<v Speaker 1>That's why winners there there get you the opportunity, but

0:53:33.480 --> 0:53:35.520
<v Speaker 1>you just have to give it the time to get

0:53:35.520 --> 0:53:38.080
<v Speaker 1>a round to it and things like that. But I

0:53:38.200 --> 0:53:39.920
<v Speaker 1>just try to keep it pushing, man. I try to

0:53:40.000 --> 0:53:43.080
<v Speaker 1>keep my blades short as possible. So um, at the

0:53:43.160 --> 0:53:46.200
<v Speaker 1>end of the day, when all the music is collected

0:53:46.920 --> 0:53:49.759
<v Speaker 1>and it's all done, you know what I mean. I

0:53:49.800 --> 0:53:52.000
<v Speaker 1>want people to be able to hear escalation. I want

0:53:52.000 --> 0:53:54.160
<v Speaker 1>them to be able to give some bro if they

0:53:54.160 --> 0:53:58.239
<v Speaker 1>can walk away and say, damn, that was jamming at

0:53:58.400 --> 0:54:03.120
<v Speaker 1>fifty to three harder than he was that twenty three.

0:54:03.440 --> 0:54:07.960
<v Speaker 1>You feel me, man, I'm good, you feel me. I'm like, okay, okay.

0:54:08.080 --> 0:54:10.279
<v Speaker 1>What I was trying to do was felt is then

0:54:10.360 --> 0:54:12.480
<v Speaker 1>what I'm saying, And that's the whole thing. Man. It's

0:54:12.520 --> 0:54:14.680
<v Speaker 1>just like le Bron and Ship they could say, man

0:54:14.760 --> 0:54:17.160
<v Speaker 1>for the time tapping on the brown shower the crown, like,

0:54:17.800 --> 0:54:20.480
<v Speaker 1>I just got to recalibrate my give Me a Ghost

0:54:20.719 --> 0:54:22.960
<v Speaker 1>one with Nigga and I'm gonna show you to feel me.

0:54:23.080 --> 0:54:25.359
<v Speaker 1>I'm gonna sorry the other side of the game. So

0:54:25.480 --> 0:54:27.239
<v Speaker 1>that's what we have to do, man, And I think

0:54:27.280 --> 0:54:28.839
<v Speaker 1>the fans at the end of the day, they're gonna

0:54:28.880 --> 0:54:31.840
<v Speaker 1>appreciate that. They're gonna appreciate that that we try to

0:54:31.920 --> 0:54:36.040
<v Speaker 1>keep it curving and continue to grow because you're still

0:54:36.080 --> 0:54:39.200
<v Speaker 1>a lot of fans that's our age, man, that's out there,

0:54:40.040 --> 0:54:43.160
<v Speaker 1>and they just haven't been bead you feel me. They

0:54:43.239 --> 0:54:45.440
<v Speaker 1>just have a little But when we go around and

0:54:45.480 --> 0:54:49.840
<v Speaker 1>do these shows right and these motherfucker um these cators

0:54:49.880 --> 0:54:53.359
<v Speaker 1>be packed the lines were in the corner and show you, man,

0:54:53.480 --> 0:54:57.920
<v Speaker 1>that that that the fan bases there, they're wrong with you,

0:54:57.920 --> 0:55:00.800
<v Speaker 1>you feel me, But you gotta keep quick me. You know,

0:55:03.280 --> 0:55:06.560
<v Speaker 1>if you stay consistent with the product and it's quality

0:55:06.600 --> 0:55:09.640
<v Speaker 1>and it's good, it can't be no bullshit. And that's

0:55:09.680 --> 0:55:11.600
<v Speaker 1>a lot of bulls A lot of times. That's what

0:55:11.800 --> 0:55:14.319
<v Speaker 1>fun us up too, because yeah, it's a lot of

0:55:14.400 --> 0:55:17.000
<v Speaker 1>us still around, but a lot of us ain't putting

0:55:17.040 --> 0:55:20.719
<v Speaker 1>out the quality music that we are known to put out.

0:55:21.160 --> 0:55:23.080
<v Speaker 1>It's like we're trying to adapt to a lot of

0:55:23.080 --> 0:55:25.520
<v Speaker 1>what's going on, but you're forgetting that you were still

0:55:26.360 --> 0:55:30.440
<v Speaker 1>gotta have that, still gotta have that. It happens, It happens.

0:55:30.480 --> 0:55:32.960
<v Speaker 1>It happens to me, you know what I'm saying. I

0:55:33.040 --> 0:55:35.799
<v Speaker 1>came home and I was trying to tip on what

0:55:35.880 --> 0:55:38.440
<v Speaker 1>was happening at time, you know what I mean. I

0:55:38.600 --> 0:55:42.520
<v Speaker 1>kind of stepped out and brought me some loud color

0:55:42.600 --> 0:55:48.600
<v Speaker 1>tennis really my style, you know what. Man, there it

0:55:48.680 --> 0:55:51.640
<v Speaker 1>was like we do that. We do it though, we

0:55:52.000 --> 0:55:56.200
<v Speaker 1>do it, you know, my fuer you know. But when

0:55:56.239 --> 0:55:59.200
<v Speaker 1>you already had that foundation, and it's kind of hard,

0:55:59.320 --> 0:56:02.040
<v Speaker 1>so you have to check yourself every now and then

0:56:02.200 --> 0:56:06.120
<v Speaker 1>you got to chap yourself and you have to check yourself,

0:56:06.280 --> 0:56:09.120
<v Speaker 1>and then you know, and and and and and you

0:56:09.200 --> 0:56:11.319
<v Speaker 1>got to stand firm like a pam, you know, like

0:56:11.320 --> 0:56:13.360
<v Speaker 1>a pam with the child, and you watch the child

0:56:13.360 --> 0:56:15.840
<v Speaker 1>go through all these different stages. You feel me, but

0:56:15.920 --> 0:56:20.000
<v Speaker 1>you can't change, right. That's how we are today in

0:56:20.040 --> 0:56:23.640
<v Speaker 1>the game, right, the game is a child because we're

0:56:23.680 --> 0:56:26.480
<v Speaker 1>watching the change go from stage, but we still have

0:56:26.600 --> 0:56:29.839
<v Speaker 1>to stay firm. We can relate to them and keep

0:56:29.880 --> 0:56:32.600
<v Speaker 1>it cool. You feel me, but at the same time

0:56:33.080 --> 0:56:35.960
<v Speaker 1>they have to see that foundation firm, you know what

0:56:35.960 --> 0:56:39.600
<v Speaker 1>I mean? And um, you know, And that's that's just

0:56:39.719 --> 0:56:43.239
<v Speaker 1>how I see it. Some of the time depends on

0:56:43.280 --> 0:56:48.920
<v Speaker 1>what I'm smoking. Different point of view. Yeah, yeah, but

0:56:49.160 --> 0:56:52.120
<v Speaker 1>you know that the album Mills Gym and Man What

0:56:52.280 --> 0:56:54.200
<v Speaker 1>a Turtle Man, and I kind of got our idea

0:56:54.200 --> 0:56:56.560
<v Speaker 1>of my money. The title finish the Job gotta this

0:56:56.719 --> 0:57:00.520
<v Speaker 1>is like double times right there. They gotta meeting to it, right, Yeah,

0:57:00.640 --> 0:57:05.560
<v Speaker 1>most definitely, you know, because people always want to know,

0:57:05.719 --> 0:57:07.440
<v Speaker 1>you know what I'm saying, would happened with Big Mike.

0:57:07.480 --> 0:57:09.880
<v Speaker 1>You know what I'm saying right there on that bubble

0:57:10.080 --> 0:57:13.399
<v Speaker 1>and then all of a sudden, you know, um, there's

0:57:13.400 --> 0:57:16.320
<v Speaker 1>no secret. By now people knew I had had some

0:57:16.440 --> 0:57:20.240
<v Speaker 1>problems with it, lady, and feel me. The ship went

0:57:20.320 --> 0:57:24.320
<v Speaker 1>from the desk in the office and leaked out into

0:57:24.360 --> 0:57:27.320
<v Speaker 1>the streets and got to the gangstership. Make a long

0:57:27.360 --> 0:57:32.640
<v Speaker 1>story short, right for my part in it, I wind

0:57:32.720 --> 0:57:36.439
<v Speaker 1>up doing some times, you feel me windinging some time.

0:57:37.000 --> 0:57:40.720
<v Speaker 1>That's what happened with me, wind up getting a seven

0:57:40.800 --> 0:57:44.040
<v Speaker 1>years since doing foe on next. But at the time,

0:57:44.320 --> 0:57:47.360
<v Speaker 1>with no social media, this this was pretty social media

0:57:48.160 --> 0:57:50.800
<v Speaker 1>well fulk was able to keep themselves going. Then I

0:57:50.840 --> 0:57:54.760
<v Speaker 1>can pitch you that social media motherfucker can't have that. So, folks,

0:57:55.480 --> 0:57:57.800
<v Speaker 1>that's that's a little while, you know what I mean.

0:57:58.560 --> 0:58:04.000
<v Speaker 1>So I felt like my career was interrupted by that

0:58:04.160 --> 0:58:07.080
<v Speaker 1>drama with the label that led to my course ration.

0:58:07.520 --> 0:58:10.880
<v Speaker 1>You feel me, right, So the job was complete. You

0:58:10.920 --> 0:58:13.920
<v Speaker 1>did what I'm saying, I dropped some projects in the

0:58:13.960 --> 0:58:17.800
<v Speaker 1>meantime after coming home a few mixtapes, you know what

0:58:17.880 --> 0:58:20.360
<v Speaker 1>I mean, a couple of couple of records, you know

0:58:20.400 --> 0:58:23.360
<v Speaker 1>what I'm saying, to keep it, stay active right and

0:58:23.560 --> 0:58:26.000
<v Speaker 1>keep some money flowing. You did what I'm saying. But

0:58:26.240 --> 0:58:30.480
<v Speaker 1>it wasn't that Big Mike project that I knew what

0:58:30.680 --> 0:58:33.560
<v Speaker 1>was in me. So when I came to that point

0:58:34.080 --> 0:58:37.400
<v Speaker 1>and I was comfortable where I met right in the music,

0:58:37.440 --> 0:58:40.800
<v Speaker 1>the sound came together for me in that pocket at

0:58:40.840 --> 0:58:44.360
<v Speaker 1>that time, I said, you know what this it's what

0:58:44.600 --> 0:58:48.040
<v Speaker 1>I want to finish the job with. I guess the

0:58:48.080 --> 0:58:52.440
<v Speaker 1>first step and finishing the job you did. So when um,

0:58:52.520 --> 0:58:55.160
<v Speaker 1>when that type of came to me, man, it's stuck

0:58:55.240 --> 0:58:58.040
<v Speaker 1>with me. You know. It had that definitely that meeting

0:58:58.120 --> 0:59:00.440
<v Speaker 1>behind it, and it made people be like, you know,

0:59:00.520 --> 0:59:03.240
<v Speaker 1>bring the question up, like finish the job with job

0:59:03.360 --> 0:59:05.880
<v Speaker 1>or you finish it right, and then I'm able to

0:59:05.920 --> 0:59:09.800
<v Speaker 1>get into the things that led up right, so they

0:59:10.120 --> 0:59:12.880
<v Speaker 1>get some more history on Big Mike. You did what

0:59:12.920 --> 0:59:16.960
<v Speaker 1>I'm saying, not like I just fell off playing it something.

0:59:17.000 --> 0:59:20.040
<v Speaker 1>You did what I'm saying exactly sure, And that's what

0:59:20.160 --> 0:59:23.560
<v Speaker 1>I'm glad man that that me and my brothers got

0:59:23.600 --> 0:59:26.240
<v Speaker 1>the opportunity, man, you know, to have this show right

0:59:26.280 --> 0:59:28.680
<v Speaker 1>here man, which we're getting like a million downloads on

0:59:28.760 --> 0:59:31.360
<v Speaker 1>the audio a month now, dude. And we got the

0:59:31.480 --> 0:59:34.560
<v Speaker 1>radio showed off. So doomdays of our brothers putting off

0:59:34.680 --> 0:59:38.960
<v Speaker 1>music and not having a support system, it's them was over.

0:59:39.600 --> 0:59:41.640
<v Speaker 1>We got a radio showing our brothers gonna be in

0:59:41.680 --> 0:59:43.760
<v Speaker 1>ten of eleven different markets out here out West. We're

0:59:43.760 --> 0:59:45.640
<v Speaker 1>gonna be in front of four or five million people

0:59:46.360 --> 0:59:49.000
<v Speaker 1>every Friday. So the big mics of the world, the

0:59:49.080 --> 0:59:53.560
<v Speaker 1>Moor three too always have. We're playing all that ship.

0:59:53.840 --> 0:59:59.160
<v Speaker 1>I'm playing all that I see. I think you're two

0:59:59.160 --> 1:00:04.360
<v Speaker 1>weeks Mike. We're gonna yes, yeah, yeah, yeah. We need that, man,

1:00:04.560 --> 1:00:06.320
<v Speaker 1>you know what I mean. Shout out to your brothers

1:00:06.360 --> 1:00:09.000
<v Speaker 1>for that, man. We need that. We need more brothers.

1:00:09.040 --> 1:00:12.960
<v Speaker 1>That's that's UM that's on that side or the ball

1:00:13.520 --> 1:00:17.240
<v Speaker 1>right to do their things and and create opportunities and

1:00:17.320 --> 1:00:19.760
<v Speaker 1>avenues and things. You know what I mean, for the

1:00:19.800 --> 1:00:22.840
<v Speaker 1>for the for the um, for the veteran artists, that's well,

1:00:23.240 --> 1:00:25.920
<v Speaker 1>that's still got good music. The offer, you know what

1:00:25.920 --> 1:00:28.160
<v Speaker 1>I mean. That's all it is. We know how the

1:00:28.280 --> 1:00:31.160
<v Speaker 1>radio game work, right. We know it's all about big

1:00:31.200 --> 1:00:34.240
<v Speaker 1>record companies keeping their account paid up. You feel me,

1:00:34.640 --> 1:00:36.440
<v Speaker 1>you know, and a lot of us we're just not

1:00:37.000 --> 1:00:39.480
<v Speaker 1>We're just like you know what Niggers is feeling us

1:00:39.480 --> 1:00:42.040
<v Speaker 1>on the street. Right, We're good. We're able to make

1:00:42.080 --> 1:00:45.480
<v Speaker 1>anifany eating things like that, but you know, to have

1:00:45.920 --> 1:00:51.000
<v Speaker 1>to have our peers create avenues you feel me and

1:00:51.040 --> 1:00:55.240
<v Speaker 1>say no, that ship ain't acceptable. Right, that's an awesome thing.

1:00:55.360 --> 1:00:58.800
<v Speaker 1>So I can listen. I congratulate you guys on doing that. Man,

1:00:59.080 --> 1:01:01.680
<v Speaker 1>I rocked, y'all. I think y'all for supporting us man,

1:01:01.720 --> 1:01:04.680
<v Speaker 1>And y'all know I support whatever y'all doing. Oh Man,

1:01:04.760 --> 1:01:07.200
<v Speaker 1>and we and we're playing the rivers on the radio, bro.

1:01:07.400 --> 1:01:09.960
<v Speaker 1>So it's like, you know, we went to help you

1:01:10.040 --> 1:01:11.520
<v Speaker 1>back to be on the radio show, you know what

1:01:11.560 --> 1:01:15.320
<v Speaker 1>I mean? Yeah, you know we pushed stuff man and

1:01:15.400 --> 1:01:17.560
<v Speaker 1>people Mike, Man, while we you mean, telling people where

1:01:17.560 --> 1:01:21.200
<v Speaker 1>they can find you and where they can get at man. Listen, man,

1:01:21.280 --> 1:01:25.400
<v Speaker 1>y'all for social lots of me on on the gram

1:01:25.440 --> 1:01:28.800
<v Speaker 1>at O G think Mike, that's o G thick Mike.

1:01:29.040 --> 1:01:34.160
<v Speaker 1>That's on the ground. And um and with that Facebook

1:01:34.200 --> 1:01:37.360
<v Speaker 1>man on that Facebook as well man that I am

1:01:37.480 --> 1:01:40.920
<v Speaker 1>Big Mike. I try to get them things consolidated. But

1:01:41.080 --> 1:01:44.320
<v Speaker 1>I'm still working on it, you know what I mean. Um,

1:01:44.360 --> 1:01:46.520
<v Speaker 1>But most definitely, man, y'all reach out to me on

1:01:46.560 --> 1:01:48.840
<v Speaker 1>the ground at O G think Mike, y'all can keep

1:01:48.920 --> 1:01:51.760
<v Speaker 1>up with me for the latest content, um, the latest

1:01:51.800 --> 1:01:55.520
<v Speaker 1>material that I'm gonna be dropping, um when I got

1:01:55.560 --> 1:01:59.280
<v Speaker 1>shows and things, performances coming up, you know, Um, different

1:01:59.360 --> 1:02:01.600
<v Speaker 1>artists that I'm working with. You know, I even post

1:02:01.600 --> 1:02:03.720
<v Speaker 1>the music or artists that that that hit me up

1:02:03.720 --> 1:02:05.960
<v Speaker 1>and pay me the feature on their song. You think

1:02:06.000 --> 1:02:08.800
<v Speaker 1>what I'm saying. So, Um, I'm just trying to give

1:02:08.920 --> 1:02:11.400
<v Speaker 1>back man in the ways that I'm able to using

1:02:11.440 --> 1:02:14.120
<v Speaker 1>my craft for things like that. You know. But yeah,

1:02:14.280 --> 1:02:16.120
<v Speaker 1>most definitely man, y'all see that at me on that

1:02:16.320 --> 1:02:18.240
<v Speaker 1>um on the on the plan that OK kick Mike

1:02:18.440 --> 1:02:21.320
<v Speaker 1>on Facebook for all my Facebook heads that I am

1:02:21.360 --> 1:02:24.120
<v Speaker 1>Big Mike, you feel me, and for the features to

1:02:24.200 --> 1:02:26.480
<v Speaker 1>put them on put them shows. Man, y'all get at

1:02:26.480 --> 1:02:29.360
<v Speaker 1>me man that put O G. Pick Mike just dropped

1:02:29.440 --> 1:02:31.880
<v Speaker 1>us a message man concern to get interest and we're

1:02:31.880 --> 1:02:33.080
<v Speaker 1>gonna get right back to you.