1 00:00:02,360 --> 00:00:05,400 Speaker 1: Live from the Mercedes Benz Interview Lounge. 2 00:00:06,320 --> 00:00:12,119 Speaker 2: Joe Jonas is here Today is to day, Friday, July nineteenth, 3 00:00:12,200 --> 00:00:14,200 Speaker 2: the release of Work It Out. It's out today. 4 00:00:14,240 --> 00:00:15,760 Speaker 1: What a song. Thank you so much. 5 00:00:15,960 --> 00:00:17,599 Speaker 2: It feels good to sing it a song to be 6 00:00:17,680 --> 00:00:19,599 Speaker 2: back here with you guys. What's good to have you here, 7 00:00:20,200 --> 00:00:22,079 Speaker 2: just like home. It's good to have you here without 8 00:00:22,120 --> 00:00:25,560 Speaker 2: those other two. So yeah, I'm glad the other guys 9 00:00:25,560 --> 00:00:28,840 Speaker 2: are not here. Yeah, I know, screwing up. I heard you, 10 00:00:30,480 --> 00:00:31,880 Speaker 2: So I'm going to play work it Out in a minute. 11 00:00:31,880 --> 00:00:34,960 Speaker 2: Of course, it's no secret that at one point this 12 00:00:35,080 --> 00:00:37,239 Speaker 2: song could have been a song for all of you, 13 00:00:37,920 --> 00:00:41,199 Speaker 2: or a song for Dnce Potent even and I heard that. 14 00:00:41,280 --> 00:00:43,280 Speaker 2: Nick actually thought, oh, this is our new song, and 15 00:00:43,320 --> 00:00:45,800 Speaker 2: you're like, what was that conversation in life? 16 00:00:45,800 --> 00:00:48,680 Speaker 1: So technically it was a different song. But the story 17 00:00:48,720 --> 00:00:52,160 Speaker 1: goes when we were working probably four or five months 18 00:00:52,200 --> 00:00:56,400 Speaker 1: ago for More Brothers music. I started working with this 19 00:00:56,480 --> 00:01:00,360 Speaker 1: guy Alexander twenty three, producer musician Justin Tranner, who I 20 00:01:00,400 --> 00:01:02,400 Speaker 1: wrote Kick by the Ocean with, and another writer Bo 21 00:01:03,240 --> 00:01:04,679 Speaker 1: and we worked on a song called only Love, and 22 00:01:04,760 --> 00:01:08,960 Speaker 1: that song I just felt so close to and I 23 00:01:09,040 --> 00:01:11,600 Speaker 1: couldn't really find out. I couldn't figure out why. I 24 00:01:11,640 --> 00:01:13,080 Speaker 1: felt like it wasn't right for the brothers and I 25 00:01:13,080 --> 00:01:14,959 Speaker 1: wasn't right for DNC, and I kind of selfish. It 26 00:01:15,000 --> 00:01:16,760 Speaker 1: was like, I want to create something. I have a 27 00:01:16,800 --> 00:01:19,639 Speaker 1: lot to say. I don't feel comfortable with other people 28 00:01:20,000 --> 00:01:22,679 Speaker 1: being the voice of these songs. So I kind of 29 00:01:22,680 --> 00:01:24,399 Speaker 1: had to sit down. Nick was gonna go do a 30 00:01:24,400 --> 00:01:27,399 Speaker 1: movie with Paul Rudd, Kevin got another season claiming fame, 31 00:01:28,120 --> 00:01:30,080 Speaker 1: and then I was like, hey, and I also been 32 00:01:30,280 --> 00:01:31,920 Speaker 1: wanting to write some music. You guys cool with that, 33 00:01:32,120 --> 00:01:33,560 Speaker 1: and I want to take that song you really liked. 34 00:01:33,680 --> 00:01:36,759 Speaker 1: Nick was like, well, damn, I really like that song. 35 00:01:36,760 --> 00:01:39,399 Speaker 1: But fine, So that started the kind of journey for 36 00:01:39,440 --> 00:01:41,080 Speaker 1: me to kind of create a new album. 37 00:01:41,240 --> 00:01:43,640 Speaker 2: So there's no vicious fight over a song. Oh there 38 00:01:43,640 --> 00:01:45,720 Speaker 2: was a viscious I mean it was a lot of blood. Okay, 39 00:01:46,240 --> 00:01:48,320 Speaker 2: there's a reason they're out here. But you know what, 40 00:01:48,960 --> 00:01:51,120 Speaker 2: we go through these different chapters in our lives where 41 00:01:51,160 --> 00:01:52,720 Speaker 2: we have the challenges, we have the great things in 42 00:01:52,760 --> 00:01:56,360 Speaker 2: the sad things, the scary things, and at those times 43 00:01:56,840 --> 00:01:59,560 Speaker 2: I wish we all had songwriting capabilities. I wish we 44 00:01:59,560 --> 00:02:02,480 Speaker 2: could all sit down and do an album. And obviously 45 00:02:03,440 --> 00:02:06,080 Speaker 2: this album is a very personal thing. It comes at 46 00:02:06,080 --> 00:02:08,840 Speaker 2: an interesting time in your life. And I'm just reading 47 00:02:08,840 --> 00:02:10,560 Speaker 2: over some of the things you've said in other interviews 48 00:02:10,600 --> 00:02:13,519 Speaker 2: about how you wake up and to go, Okay, if 49 00:02:13,560 --> 00:02:17,040 Speaker 2: I don't start controlling my life now, it's going to 50 00:02:17,120 --> 00:02:21,240 Speaker 2: be like craziness forever. And so you came to this 51 00:02:21,280 --> 00:02:23,560 Speaker 2: point in your life where this album is sort of 52 00:02:23,560 --> 00:02:26,600 Speaker 2: reflecting that in your life. 53 00:02:26,800 --> 00:02:30,120 Speaker 1: Definitely, I mean, it's very therapeutic for me, and I 54 00:02:30,160 --> 00:02:33,639 Speaker 1: agree with you. I'm so grateful that I have music 55 00:02:33,680 --> 00:02:35,720 Speaker 1: as such like a tool to be able to use 56 00:02:37,120 --> 00:02:39,400 Speaker 1: as an output. I mean, obviously I think therapy is 57 00:02:39,400 --> 00:02:43,760 Speaker 1: great and talking to somebody's great friends, family, but ultimately 58 00:02:43,919 --> 00:02:47,560 Speaker 1: as creators that we can put pen to paper and 59 00:02:47,800 --> 00:02:50,560 Speaker 1: feel like we can release it and sometimes share it 60 00:02:50,600 --> 00:02:52,120 Speaker 1: with the world, sometimes just keep it for yourself. And 61 00:02:52,160 --> 00:02:54,120 Speaker 1: it's like, great, I needed to do that for myself 62 00:02:54,120 --> 00:02:57,720 Speaker 1: and for athletes is going to run. For myself, I'm 63 00:02:57,800 --> 00:03:00,240 Speaker 1: so happy that I have music. And you know, this 64 00:03:00,400 --> 00:03:05,400 Speaker 1: last year doing our tour, seventy plus songs each night 65 00:03:05,520 --> 00:03:08,840 Speaker 1: or sixty I think sixty nine, so nice songs. There 66 00:03:08,880 --> 00:03:10,440 Speaker 1: was a lot of times where I was I would 67 00:03:10,480 --> 00:03:11,840 Speaker 1: go through the set list and I'm like, God, I 68 00:03:11,840 --> 00:03:13,160 Speaker 1: really don't want to play this one. But then you 69 00:03:13,280 --> 00:03:15,640 Speaker 1: perform it and see how it affects somebody in the audience, 70 00:03:15,960 --> 00:03:17,639 Speaker 1: and like, how lucky am I that I get to 71 00:03:17,680 --> 00:03:19,480 Speaker 1: do this for almost twenty some years. There you go 72 00:03:19,880 --> 00:03:22,200 Speaker 1: and I get to make people feel something, whether if 73 00:03:22,240 --> 00:03:25,000 Speaker 1: it's emotional or you realize, wow, that's their song that 74 00:03:25,040 --> 00:03:26,760 Speaker 1: got them through that difficult time. So I wanted to 75 00:03:26,800 --> 00:03:28,880 Speaker 1: create something that was like, look, if this helps somebody 76 00:03:28,919 --> 00:03:30,799 Speaker 1: else through what they're going through, great and work it out. 77 00:03:31,360 --> 00:03:35,200 Speaker 1: Is essentially that it's the idea of a conversation you 78 00:03:35,200 --> 00:03:37,080 Speaker 1: can have with yourself in the mirror where you're like, look, 79 00:03:37,480 --> 00:03:38,720 Speaker 1: no one's going to come save you from me what 80 00:03:38,720 --> 00:03:40,400 Speaker 1: you're going through. You got to shake it off yourself 81 00:03:40,440 --> 00:03:43,000 Speaker 1: and figure this out. And then it's kind of explaining 82 00:03:43,000 --> 00:03:44,800 Speaker 1: it to other people and saying, all right, I've gone 83 00:03:44,840 --> 00:03:46,600 Speaker 1: through it, maybe I can help you along the way, 84 00:03:46,960 --> 00:03:48,720 Speaker 1: and in like a pop rock fun way that you 85 00:03:48,760 --> 00:03:50,160 Speaker 1: don't really realize what you're listening. 86 00:03:49,960 --> 00:03:53,360 Speaker 3: To that So I love the heavy lyrics, so like 87 00:03:53,360 --> 00:03:53,920 Speaker 3: poppy music. 88 00:03:54,800 --> 00:03:56,680 Speaker 1: I mean, some of my favorite songs of all time. 89 00:03:56,840 --> 00:03:59,960 Speaker 1: Are are really heavy lyrics with happy music, and until 90 00:04:00,040 --> 00:04:01,800 Speaker 1: you dissect them, you don't really understand. 91 00:04:01,440 --> 00:04:04,240 Speaker 2: That sometimes you write a song or an artist. An 92 00:04:04,320 --> 00:04:05,840 Speaker 2: artist will write a song and it really is I 93 00:04:05,920 --> 00:04:07,880 Speaker 2: got to get this out of my system, and it 94 00:04:07,920 --> 00:04:09,800 Speaker 2: really is just kind of lashing out of the whole 95 00:04:09,800 --> 00:04:12,040 Speaker 2: world about how I hate people. I just I just 96 00:04:12,080 --> 00:04:15,200 Speaker 2: need to. And they performed these songs at their concerts 97 00:04:15,240 --> 00:04:18,120 Speaker 2: thinking I just crept all over our audience emotionally, just 98 00:04:18,120 --> 00:04:21,480 Speaker 2: once again, and I'm getting away with it and they're clapping, Wait, 99 00:04:21,520 --> 00:04:21,800 Speaker 2: have you. 100 00:04:21,720 --> 00:04:23,840 Speaker 4: Ever written one? And you're like, yeah, this one I'm 101 00:04:23,880 --> 00:04:25,280 Speaker 4: not going to release, and like, I'm just gonna keep 102 00:04:25,320 --> 00:04:26,599 Speaker 4: this one under my pillow from me. 103 00:04:26,839 --> 00:04:28,640 Speaker 1: Yes, you know, that's funny you say that there was 104 00:04:28,680 --> 00:04:31,760 Speaker 1: a song I was thinking about recently and I played 105 00:04:31,760 --> 00:04:33,480 Speaker 1: for some of the record labels that are in the hallway, 106 00:04:33,960 --> 00:04:35,920 Speaker 1: and this is years ago, and I was going through 107 00:04:35,920 --> 00:04:37,720 Speaker 1: something and I wrote this song just like I was like, ah, 108 00:04:37,720 --> 00:04:41,120 Speaker 1: I was really angry about a situation and I was like, 109 00:04:41,120 --> 00:04:43,719 Speaker 1: what do you guys think, And they're like, well, it's cool. 110 00:04:44,040 --> 00:04:46,320 Speaker 1: I don't know if you'll want to have this released 111 00:04:46,320 --> 00:04:47,880 Speaker 1: and like or have to be thinking about this in 112 00:04:47,920 --> 00:04:50,919 Speaker 1: a year and I was like, you know, you're right. Yeah, 113 00:04:51,000 --> 00:04:52,640 Speaker 1: I'm like, you don't want to create an enemy out 114 00:04:52,640 --> 00:04:54,120 Speaker 1: of something that you know. At the end of the day, 115 00:04:54,480 --> 00:04:56,120 Speaker 1: it was for me and that's what I have. And 116 00:04:56,120 --> 00:04:58,160 Speaker 1: I'm like, I'm happy I created it, but I don't 117 00:04:58,320 --> 00:05:00,400 Speaker 1: feel like sometimes it's necessary for it all to be 118 00:05:00,400 --> 00:05:00,760 Speaker 1: out there. 119 00:05:01,080 --> 00:05:05,000 Speaker 2: Maybe next album, right, next album. Joe Jonas here has 120 00:05:05,000 --> 00:05:07,200 Speaker 2: his music to you know, as his therapy and in 121 00:05:07,600 --> 00:05:09,799 Speaker 2: his cathartic moments. What do we have? I've got nothing. 122 00:05:09,880 --> 00:05:11,679 Speaker 2: You've got Gandhi has our artwork. 123 00:05:12,000 --> 00:05:14,960 Speaker 1: Yes, that's great. What do you have? 124 00:05:16,640 --> 00:05:18,760 Speaker 4: I feel like when I'm pissed off, I put music 125 00:05:18,760 --> 00:05:20,320 Speaker 4: on it and just like dance to it. 126 00:05:21,160 --> 00:05:22,840 Speaker 2: But what do you Okay? So that's how you get 127 00:05:22,839 --> 00:05:25,600 Speaker 2: it out? I know you. This is why I'm fed up. 128 00:05:25,600 --> 00:05:25,760 Speaker 3: Man. 129 00:05:25,800 --> 00:05:29,159 Speaker 2: I need something other than eating, you know, and for 130 00:05:29,160 --> 00:05:30,200 Speaker 2: a walk with your dogs alone. 131 00:05:30,279 --> 00:05:31,839 Speaker 1: That alone, probably okay. I about reading. 132 00:05:31,880 --> 00:05:34,039 Speaker 2: I like to read born drinking. It's all good. 133 00:05:36,040 --> 00:05:40,920 Speaker 1: Otherwise a therapy little hooker hookers and blow it's okay. 134 00:05:40,960 --> 00:05:41,479 Speaker 2: I'm all good. 135 00:05:41,480 --> 00:05:43,160 Speaker 1: Now that's the name of your hit song. 136 00:05:43,480 --> 00:05:46,440 Speaker 2: I should show more gratitude for these things. Anyway. So 137 00:05:47,160 --> 00:05:49,120 Speaker 2: you've been out on the road and continue to be 138 00:05:49,160 --> 00:05:50,400 Speaker 2: on the road with your brother. 139 00:05:50,200 --> 00:05:53,640 Speaker 1: Pretty much are doing shows on the weekends. But after 140 00:05:53,680 --> 00:05:55,800 Speaker 1: what we just did, it feels like a walk in 141 00:05:55,839 --> 00:05:58,680 Speaker 1: the park. To be honest, we'd played the Calgary Stampede 142 00:05:58,760 --> 00:06:00,640 Speaker 1: last weekend. It's just wild. 143 00:06:00,960 --> 00:06:03,640 Speaker 2: Well, didn't your debut work it out at that show? 144 00:06:03,720 --> 00:06:06,480 Speaker 1: I did, yeah, Which is funny because on paper, you're like, 145 00:06:06,560 --> 00:06:08,000 Speaker 1: this is gonna be sick. You get to the stage, 146 00:06:08,000 --> 00:06:09,840 Speaker 1: in the stage is like pretty barren, so you're like 147 00:06:10,000 --> 00:06:11,920 Speaker 1: all right, which I found myself wanting to jump in 148 00:06:11,920 --> 00:06:15,240 Speaker 1: the audience. But luckily the crowd is all drinking all 149 00:06:15,320 --> 00:06:18,680 Speaker 1: day because it's a Stampede, and they're all in cowboy 150 00:06:18,760 --> 00:06:21,120 Speaker 1: hats and cowboy boots and they're having a blast. I 151 00:06:21,160 --> 00:06:23,400 Speaker 1: was like, this is the perfect audience for a performance 152 00:06:23,440 --> 00:06:26,560 Speaker 1: like this, and it was. It's always a little nerve 153 00:06:26,560 --> 00:06:28,440 Speaker 1: wrecking playing something new, you know. I feel like there's 154 00:06:28,440 --> 00:06:33,520 Speaker 1: that that moment where you're on stage and you realize 155 00:06:33,920 --> 00:06:36,120 Speaker 1: I really hope the idea. You're like, this is great, 156 00:06:36,160 --> 00:06:37,480 Speaker 1: I really want to performance. You get up there and 157 00:06:37,640 --> 00:06:39,920 Speaker 1: they don't know this. They happen to know a more 158 00:06:40,000 --> 00:06:42,240 Speaker 1: lyrics and expected from just like even TikTok you know, 159 00:06:42,279 --> 00:06:44,400 Speaker 1: you you sample some of the song and there they 160 00:06:44,440 --> 00:06:46,520 Speaker 1: learn it, which is kind of crazy, but was a rodeo. 161 00:06:47,240 --> 00:06:49,520 Speaker 1: It's a technically a stampede, not a rodeo. 162 00:06:49,720 --> 00:06:52,080 Speaker 2: I don't know the difference, but the difference. 163 00:06:52,120 --> 00:06:54,080 Speaker 1: There's like one hundred thousand people that show up for 164 00:06:54,120 --> 00:06:56,479 Speaker 1: this all most of Canada goes and it's like a 165 00:06:56,520 --> 00:07:00,440 Speaker 1: week long thing, a lot of different performers. We had 166 00:07:00,480 --> 00:07:01,680 Speaker 1: a lot of chicken wings and beer. 167 00:07:01,720 --> 00:07:04,400 Speaker 2: It was great. So the album Music for People who 168 00:07:04,400 --> 00:07:09,640 Speaker 2: Believe in Love is coming out when October nineteenth. Okay, right, 169 00:07:09,720 --> 00:07:12,800 Speaker 2: And so going back to something you said earlier about 170 00:07:12,800 --> 00:07:15,120 Speaker 2: the song that will never be released and your guys said, hey, 171 00:07:15,120 --> 00:07:16,080 Speaker 2: in a year from now. 172 00:07:15,960 --> 00:07:16,760 Speaker 1: I've got a couple of those. 173 00:07:16,800 --> 00:07:19,400 Speaker 2: Yes, Okay. There's the whole point when someone writes an 174 00:07:19,400 --> 00:07:22,000 Speaker 2: album and produces an album that's really about your life 175 00:07:22,040 --> 00:07:24,320 Speaker 2: where it was at that moment in time. And sure 176 00:07:24,400 --> 00:07:26,760 Speaker 2: when it's all released and said and done, you're a 177 00:07:26,840 --> 00:07:28,480 Speaker 2: new person. Maybe you've moved on. 178 00:07:28,920 --> 00:07:29,720 Speaker 1: But really a good point. 179 00:07:29,760 --> 00:07:31,320 Speaker 2: This one came about pretty fast. 180 00:07:31,400 --> 00:07:33,679 Speaker 1: Though it did come pretty fast. I mean, I feel 181 00:07:33,680 --> 00:07:36,440 Speaker 1: like it's interesting to say that I feel like part 182 00:07:36,480 --> 00:07:38,600 Speaker 1: of this body of work I was listening back to 183 00:07:38,680 --> 00:07:41,960 Speaker 1: I played it short a friend yesterday, the guy that 184 00:07:42,000 --> 00:07:45,520 Speaker 1: we created What a Man Got to Do, actually the Brothers. 185 00:07:45,760 --> 00:07:48,000 Speaker 1: I was doing a song with him yesterday and I 186 00:07:48,000 --> 00:07:50,720 Speaker 1: played him the whole album and he was like, oh wow, 187 00:07:50,720 --> 00:07:53,320 Speaker 1: it's like really interesting because I feel like the genre wise, 188 00:07:53,360 --> 00:07:55,320 Speaker 1: it's kind of like all over the place, but it's cohesive. 189 00:07:55,320 --> 00:07:56,760 Speaker 1: And I was like, that's perfect. This is exactly what 190 00:07:56,800 --> 00:07:58,520 Speaker 1: I want. I feel like in the place of my life, 191 00:07:58,520 --> 00:08:00,480 Speaker 1: I wasn't sure like who I was. I was quite 192 00:08:00,520 --> 00:08:02,280 Speaker 1: like on a journey. At one point, I was like, 193 00:08:02,280 --> 00:08:03,760 Speaker 1: maybe I'll just go live in the desert. Maybe I'll 194 00:08:03,800 --> 00:08:05,840 Speaker 1: just I don't know. I went on a road trip 195 00:08:05,880 --> 00:08:07,840 Speaker 1: and I was just finding myself listening to a lot 196 00:08:07,840 --> 00:08:10,240 Speaker 1: of like country Western music, and so there's a lot 197 00:08:10,280 --> 00:08:11,840 Speaker 1: of different kind of types of music that you're gonna 198 00:08:11,840 --> 00:08:13,760 Speaker 1: hear on the body of work, and I feel like 199 00:08:14,000 --> 00:08:17,760 Speaker 1: it's important for I guess listeners of any artists, you 200 00:08:17,800 --> 00:08:19,320 Speaker 1: go like, this is where they were at. They might 201 00:08:19,360 --> 00:08:22,080 Speaker 1: be now six months removed, two years removed from when 202 00:08:22,080 --> 00:08:24,160 Speaker 1: they release it, but you almost are able to put 203 00:08:24,160 --> 00:08:26,280 Speaker 1: on your thinking cap and put them into the hot 204 00:08:26,320 --> 00:08:28,720 Speaker 1: seat of like, this is where I was emotionally personally, 205 00:08:29,440 --> 00:08:31,520 Speaker 1: it was confusing and I was trying to figure out 206 00:08:31,560 --> 00:08:34,679 Speaker 1: who I am and kind of getting to know myself again. 207 00:08:35,160 --> 00:08:38,240 Speaker 1: And here I am. So it's it's exciting and also 208 00:08:38,280 --> 00:08:40,360 Speaker 1: I think probably my favorite thing, and this is more 209 00:08:40,360 --> 00:08:44,800 Speaker 1: features on this project than I think any any Brothers 210 00:08:44,880 --> 00:08:47,480 Speaker 1: or solo stuff we've done. I think there's about seven 211 00:08:47,520 --> 00:08:49,920 Speaker 1: or eight features on this album, which is wild. I 212 00:08:49,960 --> 00:08:51,880 Speaker 1: reached out to a lot of friends and just said, hey, like, 213 00:08:52,160 --> 00:08:55,199 Speaker 1: I'm a fan and I would love to send you 214 00:08:55,280 --> 00:08:57,880 Speaker 1: a song if you're interested. So I can't wait for 215 00:08:57,920 --> 00:08:59,839 Speaker 1: people to see and hear who is on this. 216 00:09:00,040 --> 00:09:02,120 Speaker 2: We're going to hold that information back until the release 217 00:09:02,160 --> 00:09:03,720 Speaker 2: of the albums. 218 00:09:03,840 --> 00:09:05,480 Speaker 1: I get introll every time you do an interview because 219 00:09:05,480 --> 00:09:07,920 Speaker 1: I say something too early, but I don't mind. I 220 00:09:07,920 --> 00:09:10,560 Speaker 1: think I think it's exciting. I mean, there's there's some 221 00:09:11,240 --> 00:09:14,080 Speaker 1: that have been already kind of rumored, because you how 222 00:09:14,120 --> 00:09:18,920 Speaker 1: easy it is rumored. Who was rumored? And see I 223 00:09:19,000 --> 00:09:20,360 Speaker 1: just want to say the biggest artists in the world 224 00:09:20,400 --> 00:09:24,640 Speaker 1: so people get the album. Beyonce, Yeah, start that. I 225 00:09:25,679 --> 00:09:30,319 Speaker 1: think the there's a Brazilian artist Louisa songs. I'm a 226 00:09:30,320 --> 00:09:32,240 Speaker 1: big fan of. Okay, you may or may not hear 227 00:09:32,240 --> 00:09:34,720 Speaker 1: on this album. Okay, that'd be funny if we don't. 228 00:09:35,240 --> 00:09:36,080 Speaker 2: I could keep just see. 229 00:09:36,080 --> 00:09:36,800 Speaker 1: I could do this all day. 230 00:09:36,800 --> 00:09:38,200 Speaker 2: You can play this a stupid game all day. 231 00:09:38,600 --> 00:09:44,280 Speaker 1: Start saying like comedians, magicians, Carrot Talk performs, Gordon ramsay's great, 232 00:09:44,360 --> 00:09:44,880 Speaker 1: it's awesome. 233 00:09:45,760 --> 00:09:47,040 Speaker 2: Is it hard to let go of a song? 234 00:09:47,120 --> 00:09:48,800 Speaker 4: Like once you record it and it's done, and you 235 00:09:48,880 --> 00:09:50,559 Speaker 4: do the collab or you do whatever, and then you 236 00:09:50,720 --> 00:09:52,679 Speaker 4: listened back and you're like, yeah, I think it's ready. 237 00:09:52,720 --> 00:09:56,480 Speaker 1: It's ready for release. It's a great question. We we 238 00:09:56,640 --> 00:09:58,679 Speaker 1: say this a lot. People have been like, you've made 239 00:09:58,720 --> 00:10:00,080 Speaker 1: this in like two weeks, and I was like, well, 240 00:10:00,200 --> 00:10:03,160 Speaker 1: I had the studio for two weeks, but probably similar 241 00:10:03,160 --> 00:10:05,199 Speaker 1: to a film or TV show, you edit until the 242 00:10:05,280 --> 00:10:09,520 Speaker 1: last second. Yeah, And I found that I'm happy to 243 00:10:09,600 --> 00:10:12,480 Speaker 1: kind of walk away. I mean, I feel like I 244 00:10:12,520 --> 00:10:15,800 Speaker 1: don't want to overthink it too. I can like release 245 00:10:15,840 --> 00:10:19,360 Speaker 1: it and feel comfortable. Now. The producers might say something differently, 246 00:10:19,360 --> 00:10:21,480 Speaker 1: but I feel like, once it's ready, it's ready. 247 00:10:22,160 --> 00:10:24,160 Speaker 3: So I know you said that it is definitely therapy 248 00:10:24,200 --> 00:10:28,200 Speaker 3: for you. Yeah, is it therapy performing it a year 249 00:10:28,240 --> 00:10:30,959 Speaker 3: down the road, or is it more like trauma lived again. 250 00:10:31,480 --> 00:10:33,880 Speaker 1: It's a great question as well. I had a conversation 251 00:10:34,000 --> 00:10:37,800 Speaker 1: with an amazing artist recently. I won't say names because 252 00:10:37,840 --> 00:10:39,400 Speaker 1: I don't want to put them on blast, but it's 253 00:10:39,400 --> 00:10:41,480 Speaker 1: a great story. They were mentioning a song that they 254 00:10:41,720 --> 00:10:43,839 Speaker 1: kind of at some point in their career, they felt 255 00:10:44,120 --> 00:10:46,360 Speaker 1: it was difficult to perform. They're just like, I don't 256 00:10:46,440 --> 00:10:49,040 Speaker 1: feel attached to the song anymore. I perform it every night. 257 00:10:49,080 --> 00:10:51,280 Speaker 1: It's everyone's favorite song, but I feel like I've grown 258 00:10:51,280 --> 00:10:54,640 Speaker 1: as an artist, which arguably most people do, and especially 259 00:10:54,640 --> 00:10:56,440 Speaker 1: for me my brothers. We play songs that we wrote 260 00:10:56,440 --> 00:11:00,560 Speaker 1: when we were like fifteen years old, and we're saying 261 00:11:00,559 --> 00:11:03,040 Speaker 1: things in the song that we're like, oh, like we're 262 00:11:03,040 --> 00:11:06,280 Speaker 1: talking about We're talking about like things that don't even 263 00:11:06,320 --> 00:11:09,480 Speaker 1: really exist anymore, like AOL chat, Like there's things on 264 00:11:09,920 --> 00:11:11,640 Speaker 1: in Jonahs. Most songs that are just you know, you 265 00:11:11,720 --> 00:11:16,680 Speaker 1: age out of. And I think, what we what we've grown, 266 00:11:16,800 --> 00:11:19,720 Speaker 1: What I've grown to learn from that experience. This artist, 267 00:11:20,679 --> 00:11:23,679 Speaker 1: one of their favorite artists, looked at them and said, oh, 268 00:11:23,960 --> 00:11:26,480 Speaker 1: this song is not yours anymore. You have to you 269 00:11:26,520 --> 00:11:29,240 Speaker 1: have to realize that that's theirs and they deserve the 270 00:11:29,280 --> 00:11:32,400 Speaker 1: audience deserves to have it in their favorite fashion, because 271 00:11:32,400 --> 00:11:34,800 Speaker 1: a lot of times I've gotten up there and changed 272 00:11:35,120 --> 00:11:40,120 Speaker 1: songs to sound a little bit like with the times 273 00:11:40,120 --> 00:11:42,280 Speaker 1: of the sound that's out there. It could be like updated, 274 00:11:42,320 --> 00:11:44,400 Speaker 1: or I'll do an electric electro version of the song. 275 00:11:44,440 --> 00:11:46,320 Speaker 1: And then you find you like the audience is sitting 276 00:11:46,320 --> 00:11:48,000 Speaker 1: there and I've gone to concerts where I'm like, just 277 00:11:48,000 --> 00:11:50,800 Speaker 1: play the song. I want to hear my song. And 278 00:11:50,920 --> 00:11:53,120 Speaker 1: so if you're able to kind of remind yourself and 279 00:11:53,160 --> 00:11:54,720 Speaker 1: take yourself out of that, at least from me, that 280 00:11:54,840 --> 00:11:57,960 Speaker 1: helped a lot playing some of these old Jonas songs 281 00:11:58,000 --> 00:11:59,360 Speaker 1: that I kind of rolled my eyes and went like, 282 00:11:59,720 --> 00:12:01,440 Speaker 1: a here we go. Now, I'm like, I appreciate it 283 00:12:01,440 --> 00:12:02,959 Speaker 1: so much more because I see it's like, you know what, 284 00:12:03,000 --> 00:12:04,760 Speaker 1: that's their song, that's not mine anymore, and I've got 285 00:12:04,800 --> 00:12:06,800 Speaker 1: to give that song respect for them. 286 00:12:08,080 --> 00:12:10,040 Speaker 2: Of course. Is a song is called work it Out, 287 00:12:10,080 --> 00:12:11,760 Speaker 2: it's out today. We're going to play it for you 288 00:12:11,760 --> 00:12:13,400 Speaker 2: in just a few seconds. How was Greece? 289 00:12:13,720 --> 00:12:16,160 Speaker 1: Oh my god, the place is my first time. That 290 00:12:16,280 --> 00:12:20,079 Speaker 1: was amazing. It is an incredible place. So much fish 291 00:12:21,720 --> 00:12:24,520 Speaker 1: man now, although Aquaman doesn't eat fish. 292 00:12:24,800 --> 00:12:25,720 Speaker 2: I that. 293 00:12:27,520 --> 00:12:29,520 Speaker 1: Would not be right, that would be right, and like 294 00:12:29,520 --> 00:12:31,200 Speaker 1: I'll eat enough fish to be coming up. That's not 295 00:12:31,320 --> 00:12:32,640 Speaker 1: I don't think I saw him eating fish. 296 00:12:34,160 --> 00:12:34,560 Speaker 2: There you go. 297 00:12:36,280 --> 00:12:40,200 Speaker 1: I loved it. It's so beautiful and so welcoming. We 298 00:12:40,200 --> 00:12:42,280 Speaker 1: we stayed. I stayed for like two weeks and I 299 00:12:42,320 --> 00:12:45,160 Speaker 1: had the best time. There's a big hotel opening out 300 00:12:45,160 --> 00:12:51,120 Speaker 1: there and greet people party so hard. It's so fun, 301 00:12:51,559 --> 00:12:51,760 Speaker 1: I know. 302 00:12:51,960 --> 00:12:53,439 Speaker 4: And they're also gorgeous out there. 303 00:12:53,480 --> 00:12:55,320 Speaker 1: They are very pretty beautiful. Yeah. 304 00:12:55,360 --> 00:12:57,720 Speaker 2: I love like we were in meekon Osment several years ago. 305 00:12:57,760 --> 00:13:00,680 Speaker 2: And of course you wake up at noon, you go 306 00:13:00,760 --> 00:13:02,440 Speaker 2: to the beach, you get home and you eat, and 307 00:13:02,480 --> 00:13:03,880 Speaker 2: you get home, you take a disco and app and 308 00:13:03,920 --> 00:13:05,800 Speaker 2: then you go out for dinner. At eleven or twelve, 309 00:13:05,920 --> 00:13:06,480 Speaker 2: I went to dinner. 310 00:13:06,520 --> 00:13:08,880 Speaker 1: I was like, I couldn't hear I couldn't hear anything. 311 00:13:08,880 --> 00:13:10,199 Speaker 1: It was so loud. The music was so loud. 312 00:13:10,240 --> 00:13:12,760 Speaker 2: It's awesome. It was great. It's literally like, did you 313 00:13:12,840 --> 00:13:13,880 Speaker 2: dance till the sun came up? 314 00:13:14,000 --> 00:13:16,080 Speaker 1: Of course I did. Hair flip. 315 00:13:17,880 --> 00:13:19,719 Speaker 2: It's nice, but you needed to get away. We need 316 00:13:19,760 --> 00:13:21,680 Speaker 2: these getaways and even if you can't go to Greece, 317 00:13:22,400 --> 00:13:24,800 Speaker 2: you can do a weekend up the road with your 318 00:13:24,840 --> 00:13:27,000 Speaker 2: friends at their cabin or something. Just you gotta get away. 319 00:13:27,280 --> 00:13:30,320 Speaker 2: Do you find inspiration on a beach in grease eating 320 00:13:30,400 --> 00:13:32,240 Speaker 2: fish or is that your turn off? You don't want 321 00:13:32,240 --> 00:13:35,319 Speaker 2: to think about writing a song or where you're going. 322 00:13:35,559 --> 00:13:37,520 Speaker 1: I agree with what you said. How it can be anywhere. 323 00:13:37,559 --> 00:13:39,560 Speaker 1: I mean, it can be down to the Jersey Shore 324 00:13:39,559 --> 00:13:43,040 Speaker 1: if that's for you. I honestly for me, as like 325 00:13:43,360 --> 00:13:46,800 Speaker 1: somebody that needs that loves to perform, loves to create, 326 00:13:46,920 --> 00:13:49,520 Speaker 1: I have to like go and find inspiration as well. 327 00:13:49,600 --> 00:13:51,959 Speaker 1: I feel like it's so important. And so the next 328 00:13:51,960 --> 00:13:54,040 Speaker 1: album is about fish. The next album's out fish. 329 00:13:55,240 --> 00:13:58,320 Speaker 3: Yeah, no, boy, these are important things. Yeah, knock on 330 00:13:58,360 --> 00:14:01,200 Speaker 3: with You said something earlier about looking out of the crowd. 331 00:14:01,559 --> 00:14:05,760 Speaker 3: Was it called Canada Stampede. It's called Calgary Stampede. 332 00:14:05,920 --> 00:14:07,520 Speaker 1: Okay, most of Canada was there and. 333 00:14:07,360 --> 00:14:10,000 Speaker 3: Looking at the crowd and thinking maybe I should CrowdSurf. 334 00:14:10,400 --> 00:14:12,480 Speaker 2: Do you CrowdSurf? That seems terrifying. 335 00:14:12,480 --> 00:14:14,480 Speaker 1: I've attempted it. Well, that's the time. I think our 336 00:14:14,920 --> 00:14:17,480 Speaker 1: audience was a little young to when I was thinking 337 00:14:17,520 --> 00:14:19,680 Speaker 1: about it. I was like, I know this is the 338 00:14:19,720 --> 00:14:23,240 Speaker 1: smartest idea. But DNC days, Yeah, there was plenty of 339 00:14:23,280 --> 00:14:26,280 Speaker 1: jumping in the audience and getting wild, and now it's 340 00:14:26,360 --> 00:14:28,480 Speaker 1: kind of fun to I feel like there was a 341 00:14:28,520 --> 00:14:32,640 Speaker 1: time when we were performing, like during I guess COVID days, 342 00:14:32,640 --> 00:14:35,400 Speaker 1: and it felt like like, all right, you can't really 343 00:14:35,600 --> 00:14:37,000 Speaker 1: there was a reason you couldn't get in the audience. 344 00:14:37,040 --> 00:14:38,640 Speaker 1: Now I'm like, screw that. I want to be out there. 345 00:14:38,680 --> 00:14:40,520 Speaker 1: I want to be as close as I can. And 346 00:14:40,600 --> 00:14:42,720 Speaker 1: so it's always quite funny. I can always see my 347 00:14:42,760 --> 00:14:45,080 Speaker 1: security look at me and he's like he's like ready 348 00:14:45,440 --> 00:14:47,880 Speaker 1: about to like like go for a run. He's like, 349 00:14:48,040 --> 00:14:50,400 Speaker 1: are we doing it? Are we doing it? But if 350 00:14:50,400 --> 00:14:52,200 Speaker 1: there's an opportunity, I mean, I feel like it's always 351 00:14:52,240 --> 00:14:53,960 Speaker 1: so fun to get closer to the audience as best 352 00:14:53,960 --> 00:14:54,480 Speaker 1: as possible. 353 00:14:57,040 --> 00:14:58,920 Speaker 2: On me, So your backstage about to go out there 354 00:14:58,920 --> 00:15:03,560 Speaker 2: announcing you for your first song. If it's the Brothers 355 00:15:03,840 --> 00:15:09,600 Speaker 2: versus DNCE versus Solo, are those three different show jonases 356 00:15:09,720 --> 00:15:12,720 Speaker 2: that are about to jump out on that stage or 357 00:15:12,960 --> 00:15:14,280 Speaker 2: or there you know what I'm saying. 358 00:15:14,120 --> 00:15:16,000 Speaker 1: Yeah, I understand what you're saying. I do feel like 359 00:15:16,120 --> 00:15:21,480 Speaker 1: there's maybe not persona is not the right word, but energy. Yeah, 360 00:15:21,520 --> 00:15:24,800 Speaker 1: different energies. I mean yeah, like I think with DNC, 361 00:15:24,960 --> 00:15:27,640 Speaker 1: it's like we lay it all out there, and it's like, 362 00:15:27,960 --> 00:15:30,360 Speaker 1: it's always so funny. Every time we look at a setlist, 363 00:15:31,120 --> 00:15:32,840 Speaker 1: it'll be like Cake by the Ocean and then like 364 00:15:33,040 --> 00:15:36,440 Speaker 1: this really soft, beautiful song, and I'm like, I am 365 00:15:36,480 --> 00:15:39,840 Speaker 1: so out of breadth. So usually I'm like like right 366 00:15:39,880 --> 00:15:43,480 Speaker 1: after after out of breath. But to your point, yeah, 367 00:15:43,480 --> 00:15:45,200 Speaker 1: I feel like there is different energies, and especially with 368 00:15:45,200 --> 00:15:47,600 Speaker 1: this new album that I'm releasing, like there's a lot 369 00:15:47,640 --> 00:15:49,720 Speaker 1: of emotion attached to this, so it will be a 370 00:15:49,720 --> 00:15:52,200 Speaker 1: bit not somber. It's fun, there's a lot of Even 371 00:15:52,200 --> 00:15:55,640 Speaker 1: the first single it's it's it's an energetic tune, but 372 00:15:55,680 --> 00:15:57,200 Speaker 1: there are there's a lot of heart to it. So 373 00:15:57,240 --> 00:15:59,800 Speaker 1: I do have to put on a different thinking cap 374 00:16:00,120 --> 00:16:03,040 Speaker 1: or it's like putting on a character. And I enjoyed that. 375 00:16:03,080 --> 00:16:06,920 Speaker 1: I mean, grew up doing theater and I understand what 376 00:16:06,960 --> 00:16:08,360 Speaker 1: it's like to go to concerts and you want to 377 00:16:08,400 --> 00:16:12,520 Speaker 1: feel not only entertained, but like, how can you look 378 00:16:12,560 --> 00:16:14,040 Speaker 1: at a body of work and say, Okay, we want 379 00:16:14,040 --> 00:16:15,800 Speaker 1: to present this in the best way possible. So it's 380 00:16:15,840 --> 00:16:17,760 Speaker 1: been a lot of fun ideas about how to bring 381 00:16:17,800 --> 00:16:20,480 Speaker 1: this to life and you know, take it on a road. 382 00:16:20,560 --> 00:16:21,560 Speaker 1: Maybe it would be fun. 383 00:16:21,680 --> 00:16:23,080 Speaker 2: There we have it. We got to play the song. 384 00:16:23,240 --> 00:16:26,480 Speaker 2: Of course, give me the album release date again, October nineteenth. 385 00:16:26,520 --> 00:16:28,960 Speaker 2: That's music for people who believe in love. But today 386 00:16:29,040 --> 00:16:31,560 Speaker 2: July nineteenth, Friday, July nineteenth. 387 00:16:31,360 --> 00:16:33,520 Speaker 1: Yes, we make it easy for me. I'm so badhood 388 00:16:33,560 --> 00:16:35,680 Speaker 1: dates that they just say nineteenth to everything. I'm good. 389 00:16:36,000 --> 00:16:39,160 Speaker 2: Oh they're other saying that the date's wrong. See you 390 00:16:39,240 --> 00:16:45,640 Speaker 2: said it. Wait October eighteenth, ye boy, thank god you're here. 391 00:16:45,840 --> 00:16:52,600 Speaker 2: Wow late, there's still plenty of time before Tiller eighteenth. 392 00:16:53,200 --> 00:16:56,320 Speaker 2: October eighteenth. But today, Friday, July nineteenth, we gave you 393 00:16:56,360 --> 00:16:59,360 Speaker 2: the first cut. Of course, Uh, work it out crazy. 394 00:17:00,040 --> 00:17:01,480 Speaker 2: Are you already writing your new album? 395 00:17:01,600 --> 00:17:02,760 Speaker 1: It's it's pretty much done. 396 00:17:02,800 --> 00:17:02,840 Speaker 4: No. 397 00:17:03,000 --> 00:17:05,160 Speaker 1: Yeah, you've got like thirteen songs. 398 00:17:05,800 --> 00:17:08,000 Speaker 2: I mean no, no, no, not this new album, the next album, 399 00:17:08,359 --> 00:17:12,520 Speaker 2: follow up? Yeah, yeah, the one after that. Yes, actually yes, really. 400 00:17:12,200 --> 00:17:14,479 Speaker 1: I'm working on more. And then I was in this 401 00:17:14,880 --> 00:17:18,560 Speaker 1: writing for a brother's album yesterday. So just like keep 402 00:17:18,600 --> 00:17:20,880 Speaker 1: it going. I feel like at this place, this point 403 00:17:20,920 --> 00:17:23,760 Speaker 1: in our career, with the guy. It's so supportive and 404 00:17:23,800 --> 00:17:26,160 Speaker 1: I'm so like I was on the phone with Nick yesterday. 405 00:17:26,160 --> 00:17:27,680 Speaker 1: It was really funny. He's like, Hey, I heard the podcast. 406 00:17:27,680 --> 00:17:30,439 Speaker 1: Is you talking about that. I'm like, oh, yeah, were 407 00:17:30,520 --> 00:17:32,120 Speaker 1: you upset about what I said? He's like, no, no, no, no, 408 00:17:32,200 --> 00:17:34,040 Speaker 1: I thought it was great. So I think it's so 409 00:17:34,160 --> 00:17:36,480 Speaker 1: different as adults were looking out for each other, but 410 00:17:36,520 --> 00:17:38,520 Speaker 1: also like we want to support. Like he's he's working 411 00:17:38,560 --> 00:17:40,640 Speaker 1: on stuff constantly. I'm working on stuff. Nick Heavin is two, 412 00:17:41,240 --> 00:17:44,080 Speaker 1: and it's it's nice to just keep the train moving. 413 00:17:44,080 --> 00:17:46,000 Speaker 1: I mean, there's there's some really exciting stuff we're doing 414 00:17:46,000 --> 00:17:50,479 Speaker 1: for the brothers and this project for solo stuff. I 415 00:17:50,520 --> 00:17:52,879 Speaker 1: just I don't think it's at this place in the 416 00:17:52,920 --> 00:17:54,679 Speaker 1: music industry. You just keep going. You don't have to 417 00:17:54,720 --> 00:17:56,520 Speaker 1: like slow down or take big breaks. So if you're 418 00:17:56,560 --> 00:17:57,840 Speaker 1: inspired going the studio. 419 00:17:57,920 --> 00:18:00,000 Speaker 2: As they say, don't stop running because it'll catch up 420 00:18:00,080 --> 00:18:01,240 Speaker 2: to you. Keep going. 421 00:18:01,480 --> 00:18:03,000 Speaker 1: Nice. That's scary, but I like it. 422 00:18:03,000 --> 00:18:03,640 Speaker 2: It is frightening. 423 00:18:04,440 --> 00:18:05,280 Speaker 1: We'll leave on that note. 424 00:18:05,280 --> 00:18:08,200 Speaker 2: We'll leave on let down our note. Thanks Elvis, Joe Jonas, 425 00:18:08,320 --> 00:18:12,320 Speaker 2: this is work it out. Thanks for coming in, Joe. 426 00:18:13,960 --> 00:18:16,359 Speaker 2: I'm you get someone's motive be driven,