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Speaker 1: Are you leaving? I you wanna way back home? Either way,

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Speaker 1: we want to be there. Doesn't matter how much baggage

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Speaker 1: you claim and give us time and a terminol and

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Speaker 1: gay a.

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Speaker 2: We want to send you off in start. We wanna

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Speaker 2: welcome you back home.

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Speaker 1: Tell us all about it. We scared her? Was it fine? Malborn?

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Speaker 2: Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do you need to ride? Do you need to ride?

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Speaker 1: Do your need to ride?

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Speaker 2: Ride with Karen and Chris?

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Speaker 3: Welcome to Do you need a ride?

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Speaker 2: This is Chris.

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Speaker 1: Fairbanks and this is Karen KILGERA.

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Speaker 2: I'm weird in a. This is like a I. Whenever

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Speaker 2: I'm in one of these kind of industrial districts, I

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Speaker 2: can't help but to think of the Plunger factory that

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Speaker 2: Adam Sandler worked at in Punch Drunk Love.

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Speaker 1: That's right?

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Speaker 2: Was it over here somewhere?

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Speaker 1: It was not? It was in SeeMe Valley.

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Speaker 2: See me, that's up there near sell a thousand Oaks, right,

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Speaker 2: I don't know.

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Speaker 1: It's up the or o five. There's a red bull car.

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Speaker 2: That means they would give us free red bulls.

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Speaker 1: Should we flip a U?

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Speaker 3: We should flip them off.

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Speaker 1: Can I say I've never had a Red Bull?

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Speaker 3: You can say it, but still I can leave it.

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Speaker 2: Yeah, I understand. I used to have a desk next

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Speaker 2: to the office's Red Bull refrigerator, and I drank them

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Speaker 2: all day because I was tired and didn't I'm like,

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Speaker 2: maybe this I'll put a spring in my step. And

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Speaker 2: I swear it had something to do with the downfall

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Speaker 2: of my joints.

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Speaker 1: Yeah, I bet it did. It's a lot of sugar

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Speaker 1: and a lot of other weird touring or there's a

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Speaker 1: lot of weird shit in there. You know.

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Speaker 2: If you look up touring trying to find out what

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Speaker 2: it is, it's just a word that means of the bowl.

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Speaker 1: No.

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Speaker 2: Yeah, So for a while I thought maybe it was seeming,

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Speaker 2: because you know, you can't just make up an ingredient.

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Speaker 1: It's like retsin. Yeah, that's right. They retsened the fuck

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Speaker 1: out of it, which was blue microplastics as far as

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Speaker 1: I recall, well, yeah, that's true. They it was a

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Speaker 1: dropper full of what's this? This?

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Speaker 2: This is you're just getting ready to turn. You gotta

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Speaker 2: let people know with seven inches of your bumper. Of

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Speaker 2: course he's wearing Oakley wrap around.

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Speaker 1: Oh those look familiar.

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Speaker 2: Yeah, those look like the ones I keep at home

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Speaker 2: in their nice little case.

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Speaker 3: What did you do today?

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Speaker 2: Work? Stuff?

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Speaker 4: Worked?

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Speaker 1: Back back in the office, having meetings. There's it's funny.

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Speaker 1: There's a desk in my office, which I really love

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Speaker 1: because it's a standing desk. It can be sitting or standing.

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Speaker 1: It is like electric.

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Speaker 2: Oh yeah, you can move it up.

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Speaker 1: You can move it to any height you want, sitting, standing,

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Speaker 1: or anywhere in between. I guess it's good for commercial nerve. Yeah,

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Speaker 1: and just for like, don't sit down all the time.

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Speaker 3: Yeah, you know, blood clots.

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Speaker 1: Don't blood clot?

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Speaker 2: Please, don't blood clot please. I yell at my knees.

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Speaker 2: I'm always yelling things at my legs.

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Speaker 1: In a kind of nipp See Russell rhyming style.

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Speaker 2: Oh yeah, but that's good.

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Speaker 1: I haven't brought in any other furniture. So I spent

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Speaker 1: a nice forty five minute phone call sitting on the

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Speaker 1: floor in my office today, like I was in the

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Speaker 1: shared space at my dorm, and it was making me

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Speaker 1: laugh really hard because it was just like, it's it.

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Speaker 1: We're we opened the second week, could open, and everyone

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Speaker 1: just came in and we're like and we'll build from here.

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Speaker 1: And so yeah, I don't even have.

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Speaker 2: Like it's nowhere to sit yet. Yeah, not standing desks

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Speaker 2: only well.

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Speaker 1: There is a chair behind my standing desk. I could

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Speaker 1: have stayed in the chair, but like I couldn't have

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Speaker 1: moved into a different spot in the room and sat

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Speaker 1: there for a different perspective during the conversation. So I

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Speaker 1: just sat on the floor.

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Speaker 2: Yeah, wow, I know I'm not someone that can comfortably

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Speaker 2: ever in my life said on the floor.

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Speaker 3: I can't sit cross legged.

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Speaker 1: No criss cross apple sauce.

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Speaker 2: For you, No, it's or any of the other fun

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Speaker 2: sitting based games. I can't dut duck goose. Even with

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Speaker 2: Duck duck goose. As a kid, I'm the one that

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Speaker 2: had to be on his knees, like sitting on my heels. Oh,

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Speaker 2: like I can't, and to this day I have to

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Speaker 2: like lay down on a floor with my elbow on

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Speaker 2: the ground.

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Speaker 1: That's how like Burt Reynolds doing that centerfold exactly, an

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Speaker 1: even older reference than Nipsey Russell.

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Speaker 2: There is a poster of Burt Reynolds. You can get it.

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Speaker 2: It's door length, but of course you're going to want

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Speaker 2: it up sideways, so you have to rearrange your whole house.

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Speaker 2: Yeah he is, Yeah, Burt Reynolds shirtless, showing that making

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Speaker 2: everyone know it's okay to have a huge, bushy chest.

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Speaker 1: And he's also pantless.

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Speaker 2: He's without pants.

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Speaker 1: He is nude and holding something in front of his.

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Speaker 3: Is it a snake? I think he's holding a snake.

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Speaker 2: Oh, Natasha Kinski, Oh yes, yes, god, it's hard to

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Speaker 2: keep on my childhood post post sixth grade. My friends

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Speaker 2: over for a birthday party and I just show them

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Speaker 2: my nude Bert Reynolds poster.

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Speaker 1: Oh that's or what's the one that's like there's a

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Speaker 1: picture of like a sports car and it says like

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Speaker 1: speed and then then there was like a pile of cocaine.

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Speaker 1: It's like power or something. It was like three really

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Speaker 1: that dudes liked in posters. It was like a naked

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Speaker 1: lady of sports car and money or something.

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Speaker 2: Are you sure this wasn't the montage from Barbie when

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Speaker 2: could be? Yeah? When he goes into the office building. Yeah,

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Speaker 2: I didn't have any of those. I just had magazine

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Speaker 2: clippings from a skate magazine on my wall. And then

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Speaker 2: I go to a friend's house who actually got to

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Speaker 2: go to the mall, go to Spencer Gifts and get

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Speaker 2: an actual poster, yeah, of Kathy Ireland or Lamborghini YEP

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Speaker 2: or other trapper keeper based fodder.

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Speaker 1: Yeah.

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Speaker 2: And I was always jealous and like, man, but.

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Speaker 1: Isn't it in retrospect cooler what you were doing than

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Speaker 1: this kind of store bought I.

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Speaker 2: Just can My mother would not let me have bikini ladies? No,

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Speaker 2: that would be Then are we going to openly talk

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Speaker 2: about sexuality? What experts and also bees real, let's just

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Speaker 2: not talk about it. You put up old newspaper clippings

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Speaker 2: like a table at Wendy's. Let's reference if today we're

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Speaker 2: only going to reference things from the eighties just so

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Speaker 2: we can alienate everyone else.

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Speaker 1: On your wall as a kid, you had newspaper clippings

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Speaker 1: about the first train.

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Speaker 2: This Alexa will stop?

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Speaker 1: What ails you by this corset? A lady?

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Speaker 2: Yeah? Is it a tough it who sat on a tough.

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Speaker 1: At Miss Muffett?

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Speaker 2: Oh my, you know what?

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Speaker 3: I think that was just a verbal coincidence.

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Speaker 2: But what is the thing that is a spring loaded

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Speaker 2: as extent situator but also served as a thing to

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Speaker 2: sit on?

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Speaker 3: Maybe you could have.

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Speaker 2: That at your off bustle A bustle I swear we've

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Speaker 2: talked about bustles on this podcast.

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Speaker 1: Sure, they're one of my favorite things.

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Speaker 3: It doesn't mean we've run out of things.

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Speaker 2: It just means some of the hits are going to

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Speaker 2: come back.

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Speaker 1: It doesn't mean we're not creative and not trying really hard.

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Speaker 1: It just means we're trying to have a natural conversation.

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Speaker 2: I went. I also did business today at a business

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Speaker 2: based meaning where beach what not on the sand, in

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Speaker 2: a coffee place.

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Speaker 3: I chose because.

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Speaker 2: You know, potential land I might you know I'm getting

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Speaker 2: into the lighting business. Yes, So I met with a

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Speaker 2: three D printer man and it was a coffee bean

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Speaker 2: that I had been to before and years ago, and

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Speaker 2: I shouldn't have brought it up to them. They thought

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Speaker 2: I was crazy. Years ago I noticed they had their

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Speaker 2: you know, the off that coffee Bean sends them to

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Speaker 2: whatever building. So they have an eight foot tall kiosk

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Speaker 2: where you order, but above that there was just all

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Speaker 2: this open air like air conditioning, giant pipes and dust

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Speaker 2: and everything. But they used to have up in the

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Speaker 2: corner there was a guy sitting at a desk like

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Speaker 2: a statue or maybe it was a Santa Claus that

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Speaker 2: someone had dressed in old timey clothes, but he's sitting

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Speaker 2: at a desk writing and I'm like, oh that you

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Speaker 2: really had to like get on your.

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Speaker 3: Tiptoes to see.

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Speaker 2: I just saw that's the top of someone's head and

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Speaker 2: there's some old timey guy writing a letter. And so

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Speaker 2: I was like, I asked today, do you still have

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Speaker 2: the old guy up there writing letters? And they were like, what,

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Speaker 2: like the above this ceiling, there's a there's an open

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Speaker 2: area and there used to be a man who writing

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Speaker 2: with like a feather pen, and they were like, there's

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Speaker 2: never been a man up there. I'm like, well, I

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Speaker 2: used to come in here a lot. I've been managing

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Speaker 2: here for ten years. I think I saw a ghost,

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Speaker 2: and not a ghost, but at least on the level

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Speaker 2: of three men and a baby cardboard cutout the ghost doll,

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Speaker 2: a doll of a ghost, a ghost mannequin.

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Speaker 1: Could it be that they thought you meant a real

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Speaker 1: man and you were trying to say a doll?

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Speaker 2: It got down the boring part of the story, because

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Speaker 2: that's so far this has been riveting. Yeah, boring part

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Speaker 2: would have been me actually saying no. It was like

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Speaker 2: a Santa Claus that maybe someone put in the clothes

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Speaker 2: and there was a desk up there. No one ever

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Speaker 2: saw that, no one. I swear it was there, and

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Speaker 2: they're like, are you kidding? They were laughing. I mean

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Speaker 2: it was a fun time. You were like, I flipped

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Speaker 2: a table once, but that had nothing to do.

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Speaker 3: I just didn't like to cut some guy's GiB.

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Speaker 1: Do you can I just make this suggestion. I believe you,

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Speaker 1: and I'll always believe you.

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Speaker 2: Thank you.

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Speaker 1: But is it possible that you dreamed that and it

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Speaker 1: was super realistic when you dream it?

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Speaker 2: Well, now that's why if I ever get accused of anything,

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Speaker 2: you will talk me into having done it. I now

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Speaker 2: think I made it up, but I swear I saw it.

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Speaker 2: Now I don't know. Yeah, that's where it gets into

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Speaker 2: the normal.

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Speaker 3: Was this the ghost of a dead mannequin?

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Speaker 1: Or or did you have one super realistic dream where

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Speaker 1: that was a small detail that you assumed that's real

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Speaker 1: and it wasn't important enough to question it.

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Speaker 2: Right, I'm just like, oh, that's cool, someone hid that

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Speaker 2: up there. It's like, what a way to use your

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Speaker 2: Christmas decorations? And then I realized, wait, was this the

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Speaker 2: summer I was doing all that acid I'm kidding, of course,

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Speaker 2: but I now I think I I and today I

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Speaker 2: another part of today. It sounds like a line. There

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Speaker 2: was a man naked in my neighborhood, just walking down

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Speaker 2: the middle of the street. I've seen people with their

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Speaker 2: ass out, I've seen all kinds of partial nudity out

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Speaker 2: in the streets. But today, a guy having the time

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Speaker 2: of his life and somehow had access to a gym ripped.

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Speaker 2: Oh but walking down the middle of the road. And

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Speaker 2: I looked around, and no one else was seeing this

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Speaker 2: bird or they were not even interested. It wasn't even

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Speaker 2: I looked at everyone to see the reactions, just so

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Speaker 2: I could make eye.

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Speaker 3: Contact with them and go crazy.

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Speaker 2: Huh. But I think I'm the only person seeing that too. Uh,

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Speaker 2: I'm I'm I'm seeing dead people.

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Speaker 1: Did the it's not hackey if you say it real slow.

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Speaker 1: Did the guy who was naked look anything like Santa

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Speaker 1: No Sama the writer?

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Speaker 2: Right, It's always the same guy. I didn't know he

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Speaker 2: was ripped.

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Speaker 1: I mean, he's a guy from have you dreamed of

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Speaker 1: this man with the heavy brows.

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Speaker 3: It's just that guy I don't know who was well,

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Speaker 3: I've seen him before.

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Speaker 1: It was the naked guy.

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Speaker 2: Yeah, I've seen him in the neighborhood usually.

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Speaker 1: Is he an actor?

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Speaker 3: Oh, no, he could be. I would hire him.

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Speaker 2: He's a physical specimen, but he's got some of course

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Speaker 2: mental health.

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Speaker 1: Yeah.

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Speaker 2: Yeah. It wasn't a choice to be hey, burn your

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Speaker 2: underwear men, or you know. He wasn't making a statement.

255
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Speaker 2: He was just like, I'm going to get naked and

256
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Speaker 2: no one's going to do anything, and no one did

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Speaker 2: do anything.

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Speaker 1: Well, what's there to do?

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Speaker 2: There is Gradually, over a few days, I'll forget that

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Speaker 2: I saw it, and and someone will send me a

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00:13:49,080 --> 00:13:53,760
Speaker 2: message about this episode in a couple of weeks and

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Speaker 2: be like, what's the news on the naked guy? And

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Speaker 2: I'll be like, I don't know what you're talking about.

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Speaker 3: That's what will happen.

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Speaker 1: That's not a solution, It isn't.

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Speaker 3: I think this case might stay cold. It might be a.

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Speaker 1: Cold case, it might be unsolvable.

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Speaker 2: Yeah, there's nothing I can do about it anyway.

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Speaker 1: Also, I wonder because yes, so if he is saying

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Speaker 1: like in having a psychotic break or schizophrenic, so his

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Speaker 1: interior world, because they I heard this thing, and I

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Speaker 1: could definitely be wrong, but what I remember hearing is

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Speaker 1: that people with schizophrenia have that. Uh, what's the drug

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Speaker 1: that people do that's actually taken out of people's brains.

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Speaker 2: MDMA Is that right? The drug that releases right when

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Speaker 2: you're dying. Yeah, yes, it's called something everyone's yelling at

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Speaker 2: that's listening.

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Speaker 1: And I think it is. There's maybe some m's and

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Speaker 1: d's and a isn't it?

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Speaker 2: Yeah?

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Speaker 1: Yeah, But either way I read that people with an

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Speaker 1: you know that it is some perhaps linked. Maybe you're

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Speaker 1: there trying to study to see if but it just

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Speaker 1: like those people with that specific kind of psychotic whatever

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Speaker 1: like hallucinatory mental illness, just have too much of that

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Speaker 1: chemical So they are actually in one of those like

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Speaker 1: hallucinations obviously, but like there's a reason, and it's just

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Speaker 1: the wrong amount of chemicals coming out and being fed

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Speaker 1: to their brains.

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Speaker 2: Would that be a total irony if that's what I

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Speaker 2: was experiencing. I'm the one. I'm the one visualizing these

292
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Speaker 2: Santa Clausas and coffee shops and nude men no shoes even,

293
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Speaker 2: And it's my EPMD that's being released.

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Speaker 1: Because you're really the one naked walking up the middle

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Speaker 1: of uh Santa Monica.

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Speaker 2: It was sunset even worse more public. Yeah, oh it was. Yeah.

297
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Speaker 2: I I just was amazed that no one could confirm

298
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Speaker 2: my sightings.

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Speaker 1: Well, that's like the time and I told you about that.

300
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Speaker 1: I so enjoyed me driving up Highland, one of those

301
00:16:07,080 --> 00:16:10,240
Speaker 1: huge streets that's also like a freeway kind of. Yeah,

302
00:16:10,480 --> 00:16:13,760
Speaker 1: and the guy on the skateboard, I just got out

303
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Speaker 1: of his lane because I was kind of drive up

304
00:16:16,480 --> 00:16:18,800
Speaker 1: behind him, So I got over to give him enough

305
00:16:18,880 --> 00:16:21,720
Speaker 1: room and I could actually get into like a little

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Speaker 1: bit of the middle lane, just as to make sure

307
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Speaker 1: I wasn't going to hit him. And as I drove

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Speaker 1: by him, I turned to look at him, and he

309
00:16:30,520 --> 00:16:33,720
Speaker 1: was facing me on his skateboard and gave me the

310
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Speaker 1: old sailor salute, like because he saw that I did

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Speaker 1: that safety and there as and then I looked around.

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Speaker 1: There was not another car within like a half a

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Speaker 1: mile of us on fucking Highland in the middle of

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Speaker 1: the day.

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Speaker 2: So you see these people also.

316
00:16:52,320 --> 00:16:55,480
Speaker 1: I see I hallucinate a world with no traffic.

317
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Speaker 2: Does so there's time traveling sailor man. That's the only

318
00:17:00,040 --> 00:17:01,640
Speaker 2: person that would give a salute like that.

319
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Speaker 1: I feel like.

320
00:17:02,440 --> 00:17:03,800
Speaker 3: Two fingers from the brow.

321
00:17:04,119 --> 00:17:06,720
Speaker 1: He was just it was it was such a clear

322
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Speaker 1: message of thank you for doing that for me.

323
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Speaker 3: Yeah, that would actually feel cool.

324
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Speaker 1: It was very cool, and he was very cool because

325
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Speaker 1: he looked like he was so good at skateboarding that

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Speaker 1: he was. It looked like he was going twenty five

327
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Speaker 1: miles an hour not doing anything a slightly upgrade. Yeah,

328
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Speaker 1: on a major thoroughfare in La Yeah.

329
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Speaker 2: One time in San Francisco, this guy hitched. He just

330
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Speaker 2: grabbed the fender in my car so he could get

331
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Speaker 2: a ride up that hill that he was bombing on

332
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Speaker 2: his skateboard. And he was like crouched down, and I

333
00:17:41,240 --> 00:17:43,360
Speaker 2: just looked back and I waved, and then he's like, oh,

334
00:17:43,440 --> 00:17:46,040
Speaker 2: this guy's cool with it, and I kind of throve

335
00:17:46,160 --> 00:17:49,560
Speaker 2: fast up the hill and yeah, at the end there

336
00:17:49,600 --> 00:17:53,600
Speaker 2: was a wave. Yeah, it's just a Skateboarders are good people.

337
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Speaker 1: They are they get it.

338
00:17:54,840 --> 00:17:57,440
Speaker 2: Yeah, they get it. I'm sure there's some bad ones

339
00:17:57,480 --> 00:17:58,840
Speaker 2: out there, but I haven't met him.

340
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Speaker 1: Well, I feel like the bad ones are like, hey,

341
00:18:01,480 --> 00:18:02,720
Speaker 1: look I did my best.

342
00:18:03,040 --> 00:18:06,399
Speaker 2: Yeah, or they they got interested in something else bad

343
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Speaker 2: and bad they stopped skateboarding. Look, yeah it happens.

344
00:18:10,720 --> 00:18:14,560
Speaker 1: Yeah, but I feel like they're all good anyway.

345
00:18:14,760 --> 00:18:17,639
Speaker 3: Yeah, everyone's got a little good in them.

346
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Speaker 2: I suppose.

347
00:18:18,720 --> 00:18:20,080
Speaker 1: I mean, that's not true.

348
00:18:20,280 --> 00:18:22,320
Speaker 2: It's not true. There's a lot of I just thought

349
00:18:22,359 --> 00:18:24,280
Speaker 2: of a lot of evil people as I said that,

350
00:18:28,359 --> 00:18:32,119
Speaker 2: speaking of the president. I'm just kidding. This is not

351
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Speaker 2: a politics podcast.

352
00:18:34,040 --> 00:18:35,600
Speaker 1: Oh were you? Was that a president joke?

353
00:18:36,240 --> 00:18:46,720
Speaker 2: Yeah? I got tons of them, all current. No. I

354
00:18:46,960 --> 00:18:48,639
Speaker 2: just said I have the jokes.

355
00:18:48,680 --> 00:18:50,200
Speaker 3: It doesn't mean I'm gonna say them.

356
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Speaker 1: Oh good, okay, yeah, God forbid. Can I talk about

357
00:18:56,680 --> 00:18:58,040
Speaker 1: a reality for me right now?

358
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Speaker 5: M hm?

359
00:18:59,400 --> 00:19:01,760
Speaker 1: For some reason? And because in Los Angeles it is

360
00:19:01,840 --> 00:19:05,639
Speaker 1: both hot and cold we are it's overcast and a

361
00:19:05,640 --> 00:19:06,800
Speaker 1: little warm and sunny.

362
00:19:06,880 --> 00:19:07,560
Speaker 2: Yeah, it's me.

363
00:19:07,840 --> 00:19:10,679
Speaker 1: The morning makes the morning makes you put on a sweater.

364
00:19:10,840 --> 00:19:12,840
Speaker 1: The afternoon makes you go, why are you wearing a sweater?

365
00:19:13,040 --> 00:19:16,400
Speaker 1: Why are you overreacting? Here's a deadly mistake I made

366
00:19:16,680 --> 00:19:21,080
Speaker 1: as a menopausal, middle aged woman whose body is absolutely

367
00:19:21,080 --> 00:19:25,479
Speaker 1: betraying her at every moment. I wore ugs today like

368
00:19:25,520 --> 00:19:28,879
Speaker 1: a fucking idiot. I did notice your ugs because it

369
00:19:28,960 --> 00:19:30,840
Speaker 1: was so cold in my house this morning.

370
00:19:31,240 --> 00:19:35,560
Speaker 2: Right, you gotta go outside and test it. This June

371
00:19:35,600 --> 00:19:37,240
Speaker 2: gloom will deceive you.

372
00:19:38,200 --> 00:19:41,520
Speaker 1: But you can't, like I can't I'm saying it because

373
00:19:41,520 --> 00:19:43,720
Speaker 1: I want it to be your fault. What's U guy doing?

374
00:19:44,160 --> 00:19:47,920
Speaker 2: He's going somewhere to Hollywood Mobile groom a dog. No,

375
00:19:47,960 --> 00:19:50,000
Speaker 2: that's Hollywood mobile grooming. You're not.

376
00:19:50,560 --> 00:19:52,800
Speaker 1: No. That guy over there that looked like he was

377
00:19:52,880 --> 00:19:57,359
Speaker 1: directly fighting with this motorcyclist. Oh huh, but maybe he

378
00:19:57,520 --> 00:19:58,280
Speaker 1: just took a picture.

379
00:19:58,359 --> 00:20:00,879
Speaker 2: Oh, he doesn't seem the type. He's just got a

380
00:20:00,920 --> 00:20:02,480
Speaker 2: bass player a ponytail.

381
00:20:03,000 --> 00:20:04,399
Speaker 1: Yeah, he's not gonna make problems.

382
00:20:04,560 --> 00:20:10,280
Speaker 2: Well, he's just headed to the Stringed Instrument Division. That's

383
00:20:10,960 --> 00:20:15,920
Speaker 2: a business in Missoula that made guitars. But he's heading there.

384
00:20:15,960 --> 00:20:18,480
Speaker 1: I can tell he's got the energy that he's gone back.

385
00:20:18,640 --> 00:20:23,520
Speaker 2: All the guys at the string Instrument Division wore paper

386
00:20:23,520 --> 00:20:28,960
Speaker 2: boy hats and had a ponytail, and they were nice

387
00:20:28,960 --> 00:20:32,320
Speaker 2: guys because they sat around all day making guitars from

388
00:20:32,400 --> 00:20:33,679
Speaker 2: hand by hand.

389
00:20:33,760 --> 00:20:35,800
Speaker 1: Do you think they were or were not the type

390
00:20:35,840 --> 00:20:38,120
Speaker 1: of guys that say, name three of their albums if

391
00:20:38,119 --> 00:20:39,040
Speaker 1: you like them so much?

392
00:20:39,960 --> 00:20:43,480
Speaker 3: Oh right, if you bring up a band, yeah yeah.

393
00:20:43,480 --> 00:20:47,800
Speaker 1: I Or were they the you know, there's the musicians

394
00:20:48,240 --> 00:20:50,760
Speaker 1: guys that are like that, and then there's the musician

395
00:20:50,800 --> 00:20:53,760
Speaker 1: guys that are like I'm going to teach you how

396
00:20:53,800 --> 00:20:56,040
Speaker 1: to play this song or did you know that? Blah

397
00:20:56,080 --> 00:20:59,439
Speaker 1: blah blah. There's, like, I think, very polar personalities in

398
00:20:59,480 --> 00:20:59,960
Speaker 1: that round.

399
00:21:00,480 --> 00:21:02,520
Speaker 2: Yeah, there's a lot of guys out there that want

400
00:21:02,560 --> 00:21:03,480
Speaker 2: all the music to.

401
00:21:03,440 --> 00:21:06,360
Speaker 1: Themselves, and then there's the guys that the true musicians,

402
00:21:06,400 --> 00:21:09,520
Speaker 1: who are like, it's all of our music tap in.

403
00:21:09,760 --> 00:21:12,280
Speaker 3: It's like, stop trying to play me.

404
00:21:12,320 --> 00:21:16,160
Speaker 1: Fish, you are on serious drugs.

405
00:21:17,400 --> 00:21:20,359
Speaker 3: I uh yeah, I.

406
00:21:19,400 --> 00:21:20,560
Speaker 1: On the lea.

407
00:21:21,040 --> 00:21:25,159
Speaker 2: Yeah. If you want to visit a city with beauty,

408
00:21:25,280 --> 00:21:28,080
Speaker 2: we got desert, we got ocean, we got mountains, we

409
00:21:28,200 --> 00:21:31,280
Speaker 2: got fun. But if you want to come here just

410
00:21:31,320 --> 00:21:34,960
Speaker 2: to see someone drive with a flat tire ignoring the

411
00:21:35,119 --> 00:21:38,600
Speaker 2: sparks and damage to their rims, come to Los Angeles.

412
00:21:38,680 --> 00:21:40,960
Speaker 1: Yes. I mean that was so fucking loud.

413
00:21:41,840 --> 00:21:45,040
Speaker 2: That was like so loud, And it's every time I

414
00:21:45,080 --> 00:21:47,560
Speaker 2: see it and they're just driving, it's someone with a

415
00:21:47,600 --> 00:21:50,160
Speaker 2: look on their face like I've had it. I don't

416
00:21:50,200 --> 00:21:52,720
Speaker 2: give a fuck. I'm driving home. I'll buy a new

417
00:21:52,720 --> 00:21:56,480
Speaker 2: wheel later, which I kind of understand. How much is

418
00:21:56,520 --> 00:21:58,919
Speaker 2: a wheel if you balance it with getting towed, And

419
00:21:59,080 --> 00:22:02,120
Speaker 2: if you're not a triple lay person, you might as well,

420
00:22:02,200 --> 00:22:05,040
Speaker 2: just fuck that wheel up and order a new one. Yeah.

421
00:22:05,080 --> 00:22:08,679
Speaker 1: True, But if am I wrong to say when you

422
00:22:08,800 --> 00:22:11,119
Speaker 1: drive on a flat tire for too long it sucks

423
00:22:11,200 --> 00:22:17,320
Speaker 1: up the actual is it rims or like the actual? Oh? Yeah, wheel?

424
00:22:17,800 --> 00:22:19,119
Speaker 1: What's the word? Hub?

425
00:22:19,480 --> 00:22:23,960
Speaker 2: The yes, the hub, the a seed joint. Don't make

426
00:22:25,000 --> 00:22:32,200
Speaker 2: steering column right there? Yeah, the the trunk, trunk, luggage

427
00:22:32,240 --> 00:22:35,160
Speaker 2: in the trunk, no, no, no, no, sometimes the enginees

428
00:22:35,200 --> 00:22:38,520
Speaker 2: back there. I'm really concerned about the trunk. Let's go lower, okay,

429
00:22:38,760 --> 00:22:39,760
Speaker 2: to the bottom of the car.

430
00:22:41,080 --> 00:22:41,520
Speaker 1: Thank you.

431
00:22:41,880 --> 00:22:45,760
Speaker 3: Oh the rim yeah what I mean that was early on.

432
00:22:46,760 --> 00:22:50,840
Speaker 2: Of course I knew rim. But what about the oil pan?

433
00:22:51,080 --> 00:22:52,960
Speaker 1: What about the luggage to the airport?

434
00:22:53,280 --> 00:22:53,840
Speaker 3: Yeah?

435
00:22:53,960 --> 00:22:56,439
Speaker 2: What what about you know?

436
00:22:56,520 --> 00:22:59,280
Speaker 3: Yeah, it would cause damage that much jostling.

437
00:22:59,720 --> 00:23:02,080
Speaker 1: Yeah, you can't just drive on a flat tier you

438
00:23:02,119 --> 00:23:04,160
Speaker 1: will permanently. I am rack your.

439
00:23:04,600 --> 00:23:07,320
Speaker 2: Yes, I'm not endorsing this. I'm just simply saying, if

440
00:23:07,359 --> 00:23:09,880
Speaker 2: you're looking for a reason to visit Los Angeles, it's

441
00:23:09,880 --> 00:23:12,520
Speaker 2: a sight to see someone just going.

442
00:23:12,359 --> 00:23:16,120
Speaker 1: For it, and you making that statement, which is very true,

443
00:23:16,280 --> 00:23:19,200
Speaker 1: reminded me that earlier today I drove behind a car

444
00:23:19,400 --> 00:23:22,159
Speaker 1: that had a wheel that was just going it was

445
00:23:22,320 --> 00:23:27,400
Speaker 1: like instead of rolling forward in a tight line, it

446
00:23:27,440 --> 00:23:30,119
Speaker 1: was kind of going back and forth as well. And

447
00:23:30,200 --> 00:23:32,640
Speaker 1: it was I almost pulled up to say, you got

448
00:23:32,640 --> 00:23:35,119
Speaker 1: to stop driving on that wheel, right, And then I

449
00:23:35,160 --> 00:23:38,240
Speaker 1: thought to myself, they know they're choosing to drive on

450
00:23:38,240 --> 00:23:38,719
Speaker 1: that wheel.

451
00:23:39,720 --> 00:23:42,159
Speaker 3: When do you get to see your car drive past you?

452
00:23:42,240 --> 00:23:44,800
Speaker 2: Though? I think a lot of those people, like I'll

453
00:23:44,840 --> 00:23:48,000
Speaker 2: see trucks that are totally going down the road crooked,

454
00:23:48,080 --> 00:23:51,240
Speaker 2: which means the bed is bent and then the wheels

455
00:23:51,920 --> 00:23:56,240
Speaker 2: are straightened out. Have you seen that, like these crooked trucks. Yes,

456
00:23:56,920 --> 00:23:58,640
Speaker 2: they I feel like they don't know.

457
00:24:00,080 --> 00:24:02,440
Speaker 1: Or they're just like, I gotta be in denial until

458
00:24:02,480 --> 00:24:03,640
Speaker 1: I get my next paycheck.

459
00:24:03,760 --> 00:24:08,439
Speaker 2: Yeah, yeah, yeah exactly because it's gonna be e. It

460
00:24:08,520 --> 00:24:11,680
Speaker 2: is almost like shaming someone. Hey, pardon me, sir, Did

461
00:24:11,720 --> 00:24:14,000
Speaker 2: you know that you could use some maintenance?

462
00:24:14,280 --> 00:24:15,080
Speaker 1: You should fix that?

463
00:24:15,440 --> 00:24:18,280
Speaker 2: Yeah, you should put money, I don't like it from

464
00:24:18,320 --> 00:24:22,680
Speaker 2: your wallet into your into your car. The only thing

465
00:24:22,760 --> 00:24:27,439
Speaker 2: people unsolicitedly will always tell me is your gas cap

466
00:24:27,600 --> 00:24:32,000
Speaker 2: is open. G Oh, like, how would I've made at home?

467
00:24:33,720 --> 00:24:35,960
Speaker 1: Wait? Is yours always open? Because it's broken?

468
00:24:36,240 --> 00:24:39,520
Speaker 2: I mean sometimes it flies open. Sometimes I forget to

469
00:24:39,560 --> 00:24:41,480
Speaker 2: shut it. The cap is on there.

470
00:24:41,520 --> 00:24:41,800
Speaker 3: Though.

471
00:24:41,920 --> 00:24:44,840
Speaker 2: It's not like I'm going to burst into flames. Okay, Okay,

472
00:24:45,080 --> 00:24:48,959
Speaker 2: I'm just telling everyone, if you see a gas lid open,

473
00:24:49,680 --> 00:24:50,440
Speaker 2: just leave.

474
00:24:50,320 --> 00:24:53,199
Speaker 1: It be your gas is open. But sometimes people are

475
00:24:53,200 --> 00:24:56,359
Speaker 1: trying to talk to you, right, let them have the

476
00:24:56,680 --> 00:25:01,360
Speaker 1: in Okay, they just want to spark conversation. Maybe I'll

477
00:25:01,440 --> 00:25:02,080
Speaker 1: just ask him.

478
00:25:01,960 --> 00:25:04,320
Speaker 2: About his gas cap. He seems like to be such

479
00:25:04,320 --> 00:25:05,679
Speaker 2: a confident, nice person.

480
00:25:05,800 --> 00:25:08,600
Speaker 1: And then you go, thank you. Your gas cap looks

481
00:25:08,600 --> 00:25:10,240
Speaker 1: fucking great, as is.

482
00:25:10,520 --> 00:25:14,680
Speaker 2: What's your name? And where can I meet you? Maybe? Yell,

483
00:25:15,680 --> 00:25:18,720
Speaker 2: excuse me, your gas CAP's open. Where are we going?

484
00:25:18,880 --> 00:25:18,960
Speaker 1: You?

485
00:25:19,040 --> 00:25:19,440
Speaker 2: And I.

486
00:25:21,400 --> 00:25:24,680
Speaker 1: Is this a day picnic or Okay?

487
00:25:24,760 --> 00:25:27,480
Speaker 2: I accept, I just came out of a relationship, but

488
00:25:27,600 --> 00:25:28,520
Speaker 2: I'll follow you.

489
00:25:31,080 --> 00:25:34,480
Speaker 1: I'm saying, we need to remain open to these things.

490
00:25:34,560 --> 00:25:38,080
Speaker 3: Yeah, yeah, you're right, I should accept.

491
00:25:41,240 --> 00:25:44,199
Speaker 2: My fear is that they won't be as open to

492
00:25:44,280 --> 00:25:45,359
Speaker 2: the following them part.

493
00:25:46,240 --> 00:25:50,320
Speaker 1: No most most of the time, no, no, no, probably not.

494
00:25:50,920 --> 00:25:53,680
Speaker 3: I only follow someone when I'm furious that they cut

495
00:25:53,720 --> 00:25:54,120
Speaker 3: me off.

496
00:25:54,359 --> 00:25:57,280
Speaker 1: And then I feel like though this idea of like

497
00:25:57,800 --> 00:26:01,160
Speaker 1: looking at the interactions we all have in traffic, first

498
00:26:01,160 --> 00:26:03,080
Speaker 1: of all, thematically is great for this show.

499
00:26:03,480 --> 00:26:03,760
Speaker 2: Right.

500
00:26:04,000 --> 00:26:07,680
Speaker 1: Secondly, is like, is there a way we can reapproach

501
00:26:08,280 --> 00:26:11,320
Speaker 1: driving and sorry to be so specific to our listeners

502
00:26:11,359 --> 00:26:16,040
Speaker 1: in Los Angeles without being absolutely fucking enraged all the

503
00:26:16,119 --> 00:26:19,240
Speaker 1: time and being like, oh, of course a white BMW

504
00:26:19,359 --> 00:26:21,120
Speaker 1: is going to be an asshole. That's like that's all

505
00:26:21,119 --> 00:26:21,480
Speaker 1: I do.

506
00:26:21,840 --> 00:26:25,000
Speaker 2: Yeah, I know, I hate. I know a lot of

507
00:26:25,200 --> 00:26:27,040
Speaker 2: make and model profiling.

508
00:26:27,920 --> 00:26:33,359
Speaker 1: Yeah yeah, and color yeah yeah, white cars, I'm against them.

509
00:26:33,480 --> 00:26:37,480
Speaker 3: Yeah, you bought a white car just knowing you'd be

510
00:26:37,560 --> 00:26:39,399
Speaker 3: able to wash it every week.

511
00:26:39,520 --> 00:26:43,040
Speaker 2: I guess your daddy's little girl, aren't you with your

512
00:26:43,080 --> 00:26:44,359
Speaker 2: own trust? Fun?

513
00:26:45,720 --> 00:26:46,919
Speaker 3: That's how far I'll take it.

514
00:26:47,040 --> 00:26:47,520
Speaker 1: Yeah.

515
00:26:47,680 --> 00:26:48,480
Speaker 2: God, it's just.

516
00:26:48,400 --> 00:26:49,560
Speaker 3: All they had on the lot.

517
00:26:49,880 --> 00:26:53,119
Speaker 2: Okay, when you put it that way, I guess a

518
00:26:53,480 --> 00:26:56,280
Speaker 2: good day to you. Yeah, you have to kind, kind lady.

519
00:26:56,359 --> 00:26:59,720
Speaker 1: You have to speed walk away in your newspaper, boy hat.

520
00:27:00,640 --> 00:27:03,800
Speaker 2: That's the one thing I've gotten better at in life

521
00:27:03,960 --> 00:27:07,680
Speaker 2: is backing down immediately when i know I'm wrong, no

522
00:27:07,680 --> 00:27:10,679
Speaker 2: matter how embarrassing it is, because you know, when you

523
00:27:10,720 --> 00:27:13,200
Speaker 2: stick to your guns, yeah, and then you realize you're wrong.

524
00:27:13,560 --> 00:27:15,560
Speaker 2: And I used to then I was like, well, my

525
00:27:15,600 --> 00:27:18,160
Speaker 2: back's against the wall. I have to get upset, yes,

526
00:27:18,440 --> 00:27:19,080
Speaker 2: or flip a.

527
00:27:19,040 --> 00:27:22,920
Speaker 1: Table yep, always a solution.

528
00:27:23,160 --> 00:27:26,199
Speaker 2: Yes, it is. It is a way to divert all

529
00:27:26,480 --> 00:27:27,920
Speaker 2: attention to something else.

530
00:27:28,880 --> 00:27:29,520
Speaker 1: It really is.

531
00:27:29,720 --> 00:27:31,520
Speaker 3: Yeah, because there's potato.

532
00:27:31,160 --> 00:27:36,280
Speaker 2: Salad and the puzzle, the puzzle everyone's making together.

533
00:27:36,600 --> 00:27:40,280
Speaker 1: But you're so right. That idea of like, oh, you're right.

534
00:27:40,800 --> 00:27:44,280
Speaker 1: Why is that phrase so hard for every human being

535
00:27:44,800 --> 00:27:46,720
Speaker 1: like it? I think we just don't get taught it,

536
00:27:47,359 --> 00:27:49,960
Speaker 1: but or maybe some people do. And I'm talking about myself,

537
00:27:50,359 --> 00:27:53,440
Speaker 1: but it's like that idea of oh, you know what,

538
00:27:54,040 --> 00:27:56,479
Speaker 1: you're right. I'm so sorry. We should be doing that

539
00:27:56,560 --> 00:27:57,480
Speaker 1: the way you just said.

540
00:27:57,560 --> 00:28:01,600
Speaker 2: Oh well, it is my goal to recognize when I'm

541
00:28:01,640 --> 00:28:04,800
Speaker 2: wrong and calmly be like, oh my gosh, you're so right,

542
00:28:05,160 --> 00:28:07,920
Speaker 2: but I'm absolutely wrong. My apologies.

543
00:28:07,960 --> 00:28:10,879
Speaker 1: It's hard, though. You know who did that. There's a

544
00:28:10,920 --> 00:28:16,679
Speaker 1: fucking comic who's so funny in New York named and

545
00:28:16,720 --> 00:28:18,880
Speaker 1: he does a lot of shows with Joe Para, and

546
00:28:18,920 --> 00:28:21,919
Speaker 1: he has a shaved head and a beer dish and

547
00:28:21,960 --> 00:28:24,320
Speaker 1: his name is Dan Lacotta. That's I found.

548
00:28:24,320 --> 00:28:25,159
Speaker 3: I wouldn't have guessed that.

549
00:28:25,280 --> 00:28:28,880
Speaker 1: I don't know those I happened to end up following

550
00:28:28,960 --> 00:28:32,320
Speaker 1: him on Twitter. I think because Joe Parah and he

551
00:28:32,400 --> 00:28:34,359
Speaker 1: do shows together. So I was like, oh, I like

552
00:28:34,440 --> 00:28:36,560
Speaker 1: Joe Parah like this guy. Yeah, and this guy is

553
00:28:36,840 --> 00:28:40,600
Speaker 1: fucking funny, really funny, and he just posted it was

554
00:28:40,680 --> 00:28:45,200
Speaker 1: like it said comedian Destroys Heckler, and he says he

555
00:28:45,440 --> 00:28:47,440
Speaker 1: goes to make a joke about like, say the I

556
00:28:47,440 --> 00:28:50,200
Speaker 1: can't remember what it was, was like say it was

557
00:28:50,920 --> 00:28:54,160
Speaker 1: the outfit this girl's wearing. And he's like, that's totally insane,

558
00:28:54,240 --> 00:28:57,680
Speaker 1: and then she goes, it's my uniform for work. I

559
00:28:57,920 --> 00:29:00,160
Speaker 1: just I had to come straight from there. And he

560
00:29:00,240 --> 00:29:03,920
Speaker 1: was like, great, thanks for being here. Totally no when

561
00:29:03,960 --> 00:29:06,680
Speaker 1: I'm I'm in the wrong. It was something like that, yeah, yeah,

562
00:29:06,720 --> 00:29:10,520
Speaker 1: where he basically posted as if it was what's this

563
00:29:10,600 --> 00:29:11,640
Speaker 1: person doing d thing?

564
00:29:13,000 --> 00:29:16,960
Speaker 2: It's either overly cautious or having an episode, I mean,

565
00:29:17,480 --> 00:29:19,080
Speaker 2: just slowing down even more.

566
00:29:19,440 --> 00:29:21,680
Speaker 1: We cannot stop in the left lane.

567
00:29:21,880 --> 00:29:24,680
Speaker 2: But it appears to be someone that's looking at you

568
00:29:24,880 --> 00:29:27,640
Speaker 2: and what are you going to do about this? I

569
00:29:27,800 --> 00:29:31,960
Speaker 2: really just this from a Harry Red Nissan Sentra. Oh

570
00:29:32,160 --> 00:29:33,960
Speaker 2: check your time, old.

571
00:29:33,720 --> 00:29:38,440
Speaker 1: Boom, what what did that? I want? I hope he

572
00:29:38,560 --> 00:29:39,680
Speaker 1: crashes into eight.

573
00:29:39,600 --> 00:29:45,840
Speaker 2: Cars and is caught on a door bell. Can that?

574
00:29:47,400 --> 00:29:49,120
Speaker 2: I mean, maybe we're overreacting.

575
00:29:49,120 --> 00:29:51,680
Speaker 1: Maybe we can retweet that clip of Dan Lacotta so

576
00:29:51,800 --> 00:29:53,960
Speaker 1: I don't have to do all the heavy lifting, because

577
00:29:54,000 --> 00:29:57,000
Speaker 1: I was really satisfying. He was making jokes about people

578
00:29:57,080 --> 00:30:01,160
Speaker 1: quote unquote destroying Heckler's and he basically went totally fair

579
00:30:01,200 --> 00:30:04,560
Speaker 1: point like I'm a reasonable man or something else like that.

580
00:30:04,600 --> 00:30:05,640
Speaker 1: It was so funny.

581
00:30:06,200 --> 00:30:11,800
Speaker 2: Yeah, nice scrubs. Where did you just come from? Pediatric surgery?

582
00:30:11,400 --> 00:30:12,920
Speaker 1: I thank you for your service.

583
00:30:12,960 --> 00:30:15,280
Speaker 2: This is the end of my show and maybe for

584
00:30:15,360 --> 00:30:16,960
Speaker 2: the month. I'll take it off.

585
00:30:17,120 --> 00:30:18,160
Speaker 1: And do some reflecting.

586
00:30:18,400 --> 00:30:20,440
Speaker 3: Consider Comedian destroyed.

587
00:30:24,240 --> 00:30:28,600
Speaker 1: If you have a parent, I think if you have

588
00:30:28,680 --> 00:30:30,600
Speaker 1: this habit in your life, it's probably because you had

589
00:30:30,640 --> 00:30:32,479
Speaker 1: a parent that was like that and you just like

590
00:30:32,560 --> 00:30:37,880
Speaker 1: got taught that if somebody proves you wrong, double down,

591
00:30:37,960 --> 00:30:41,320
Speaker 1: triple down, start lying, act like a weirdo like that

592
00:30:41,440 --> 00:30:43,120
Speaker 1: seems to me like learned behavior.

593
00:30:43,360 --> 00:30:49,240
Speaker 2: Yeah right, yeah, I yes, I can cite several childhood examples.

594
00:30:49,400 --> 00:30:52,160
Speaker 2: I'm not going to point any fingers, but yes, yes,

595
00:30:52,200 --> 00:30:54,360
Speaker 2: there wasn't a lot of you know what, You're right,

596
00:30:54,880 --> 00:30:56,160
Speaker 2: let me calmly.

597
00:30:56,640 --> 00:31:00,880
Speaker 1: Yeah, say you win? Yeah? No, never, No, we're all

598
00:31:00,960 --> 00:31:04,680
Speaker 1: so competitive in my family. It was like everyone just

599
00:31:04,880 --> 00:31:08,120
Speaker 1: immediately got louder. If you had something to say back,

600
00:31:08,240 --> 00:31:12,000
Speaker 1: the volume went up fifty even if it was literally

601
00:31:12,040 --> 00:31:14,360
Speaker 1: like turn off the light in the bathroom. I wasn't

602
00:31:14,400 --> 00:31:19,160
Speaker 1: in the bathroom. I mean, this is really emotional for me.

603
00:31:20,120 --> 00:31:21,760
Speaker 2: Is it really? No?

604
00:31:21,840 --> 00:31:23,600
Speaker 1: I was just trying to think of a better example.

605
00:31:23,840 --> 00:31:25,880
Speaker 2: But it seemed like you got a little choked up.

606
00:31:26,280 --> 00:31:26,480
Speaker 1: No.

607
00:31:26,480 --> 00:31:29,560
Speaker 2: No, Karen, who was really in the bathroom war?

608
00:31:30,360 --> 00:31:33,880
Speaker 1: Oh no, I got in trouble because she was in

609
00:31:33,960 --> 00:31:34,440
Speaker 1: the best.

610
00:31:34,440 --> 00:31:37,600
Speaker 3: Here we go again with the podcast water works.

611
00:31:38,560 --> 00:31:40,960
Speaker 1: I love to cry on pod gasts. The numbers go

612
00:31:41,120 --> 00:31:42,280
Speaker 1: through really true.

613
00:31:44,200 --> 00:31:50,000
Speaker 2: That's why I apparently break out into periodic rage. It's

614
00:31:50,040 --> 00:31:50,840
Speaker 2: a numbers game.

615
00:31:50,920 --> 00:31:53,320
Speaker 1: It's a numbers game. We're doing it for sweeps week.

616
00:31:54,360 --> 00:31:58,520
Speaker 2: And we are a Nielsen car load. Is this a

617
00:31:58,600 --> 00:31:59,480
Speaker 2: Nielsen car.

618
00:31:59,520 --> 00:32:01,000
Speaker 1: This isn't else and car good?

619
00:32:01,120 --> 00:32:01,360
Speaker 5: Good.

620
00:32:02,640 --> 00:32:04,840
Speaker 1: There's a lot of people that have feedback about our

621
00:32:04,880 --> 00:32:07,280
Speaker 1: dialogue unfortunately.

622
00:32:07,080 --> 00:32:08,680
Speaker 3: Really is it feedback like this.

623
00:32:11,040 --> 00:32:12,280
Speaker 2: Guitar feedback?

624
00:32:12,320 --> 00:32:14,240
Speaker 3: Do you get it? What do you think of my

625
00:32:14,280 --> 00:32:15,120
Speaker 3: feedback joke?

626
00:32:15,960 --> 00:32:21,760
Speaker 1: No? Good didn't make you very unhappy, just regular unhappy,

627
00:32:22,560 --> 00:32:25,760
Speaker 1: no feeling at all, kind of happy or very hard

628
00:32:25,800 --> 00:32:26,440
Speaker 1: or yes.

629
00:32:26,280 --> 00:32:34,000
Speaker 2: No, maybe yeah, I'm sure that I like the feedback frankly,

630
00:32:34,240 --> 00:32:39,080
Speaker 2: but unless I you know, it's telling me I was wrong.

631
00:32:39,440 --> 00:32:41,160
Speaker 1: You should have known, then you have to go into

632
00:32:41,200 --> 00:32:42,520
Speaker 1: your reaction mode.

633
00:32:42,720 --> 00:32:45,920
Speaker 2: Yep, yeah, yep, And that ends why.

634
00:32:46,040 --> 00:32:47,840
Speaker 1: But here's the thing. Though you and I have actually

635
00:32:47,880 --> 00:32:52,400
Speaker 1: talked about this, I have been very aggressively confrontational with you,

636
00:32:52,840 --> 00:32:56,360
Speaker 1: which as is my personality. I feel like you constantly

637
00:32:56,440 --> 00:32:59,520
Speaker 1: do that where you're I'll be like that it does

638
00:33:00,200 --> 00:33:02,520
Speaker 1: be sassy or whatever, and you're like, you're right, you

639
00:33:02,560 --> 00:33:03,360
Speaker 1: do that all the time.

640
00:33:03,720 --> 00:33:05,320
Speaker 2: Okay, well good.

641
00:33:06,280 --> 00:33:08,160
Speaker 1: I mean I'm not playing golf with you. Maybe that's

642
00:33:08,160 --> 00:33:10,800
Speaker 1: where it really want to see me take place.

643
00:33:10,880 --> 00:33:12,920
Speaker 2: You don't want to see me playing golf. I turned

644
00:33:12,920 --> 00:33:17,400
Speaker 2: into a goddamn monster. I mean, I wear Oakley blades

645
00:33:17,600 --> 00:33:19,200
Speaker 2: for who am.

646
00:33:19,000 --> 00:33:19,680
Speaker 3: I out there?

647
00:33:19,840 --> 00:33:20,040
Speaker 2: Yeah?

648
00:33:20,040 --> 00:33:20,840
Speaker 1: Who? Are you?

649
00:33:20,960 --> 00:33:22,920
Speaker 2: Just an old white guy in a park?

650
00:33:23,160 --> 00:33:25,360
Speaker 1: Are you doing weird magashit in your Oakley blades at

651
00:33:25,360 --> 00:33:27,240
Speaker 1: the golf course? I mean.

652
00:33:29,040 --> 00:33:33,960
Speaker 2: No, I've tried to think of a thing that maybe

653
00:33:34,000 --> 00:33:37,560
Speaker 2: I do do but no, do do? Yes?

654
00:33:38,040 --> 00:33:42,479
Speaker 1: No, you can't say no to do do I can't.

655
00:33:44,080 --> 00:33:48,280
Speaker 2: This is the do dude that I do. That's what

656
00:33:48,440 --> 00:33:51,880
Speaker 2: I say. If someone catches me in the golf course

657
00:33:52,440 --> 00:33:56,560
Speaker 2: with my pants doing that, dude, yeah you do. So

658
00:33:56,800 --> 00:33:59,120
Speaker 2: when I point down and go, this is the doodoo

659
00:33:59,200 --> 00:34:02,040
Speaker 2: that I do so well, and then I tip my

660
00:34:02,160 --> 00:34:03,800
Speaker 2: hat and I walk away.

661
00:34:04,040 --> 00:34:06,960
Speaker 1: Oh if that doesn't go straight into your act, I

662
00:34:06,960 --> 00:34:07,760
Speaker 1: will be a friend.

663
00:34:09,800 --> 00:34:11,120
Speaker 2: Golf cart drive away.

664
00:34:15,360 --> 00:34:19,440
Speaker 1: Uh oh uh. I feel like the big reveal on

665
00:34:19,480 --> 00:34:21,719
Speaker 1: this episode is that we're going to go to the

666
00:34:21,760 --> 00:34:23,840
Speaker 1: Krispy Kreme drive through like we went.

667
00:34:23,680 --> 00:34:25,840
Speaker 2: To I before that.

668
00:34:26,120 --> 00:34:28,400
Speaker 3: Maybe you forgot about that promise.

669
00:34:28,760 --> 00:34:31,040
Speaker 1: No, I was trying to drive around so we got

670
00:34:31,040 --> 00:34:33,080
Speaker 1: some good comedy in and then it could be at

671
00:34:33,080 --> 00:34:35,120
Speaker 1: the end so people don't have to hear us eating.

672
00:34:35,000 --> 00:34:38,600
Speaker 2: Very excited as a newfound sweet tooth. It was in

673
00:34:38,640 --> 00:34:43,640
Speaker 2: the back by my molar. I love donuts, right, yeah,

674
00:34:43,680 --> 00:34:47,759
Speaker 2: and I'm very excited. I am too, yeah, And I

675
00:34:47,880 --> 00:34:50,560
Speaker 2: used to not be even that time years ago when

676
00:34:50,560 --> 00:34:52,880
Speaker 2: we had a box and gorged ourselves on it and

677
00:34:52,920 --> 00:34:55,439
Speaker 2: turned up the volume, turned up the zoom so people

678
00:34:55,520 --> 00:34:58,480
Speaker 2: could get that the smacks and all that folly work

679
00:34:58,560 --> 00:35:03,719
Speaker 2: that they love. Love people love mouth kissing sounds and

680
00:35:03,760 --> 00:35:07,480
Speaker 2: eating sounds. Eh and sometimes I go in the studio

681
00:35:08,280 --> 00:35:13,680
Speaker 2: and just do a lot of fully work for love scenes,

682
00:35:14,200 --> 00:35:16,200
Speaker 2: and I just bring a box of donuts.

683
00:35:17,680 --> 00:35:21,120
Speaker 1: So we're gonna I'm excited. I mean this. I will

684
00:35:21,160 --> 00:35:24,879
Speaker 1: say when this Krispy Kreme opened, which was probably ten

685
00:35:25,080 --> 00:35:27,919
Speaker 1: fifteen years ago, I probably more than fifteen years ago.

686
00:35:28,560 --> 00:35:32,279
Speaker 1: I truly don't know how time passes anymore. But when

687
00:35:32,320 --> 00:35:36,440
Speaker 1: it opened, and how to drive through every line, I

688
00:35:36,440 --> 00:35:39,640
Speaker 1: mean the hugest line, and I used to love looking

689
00:35:39,680 --> 00:35:42,160
Speaker 1: at it because I was like, we've made it, Like

690
00:35:42,400 --> 00:35:45,800
Speaker 1: this is the pinnacle of American success. We can drive

691
00:35:45,880 --> 00:35:50,800
Speaker 1: through and get donuts and everybody has their like sweet

692
00:35:50,800 --> 00:35:51,759
Speaker 1: tooth satisfied.

693
00:35:52,000 --> 00:35:56,000
Speaker 2: Yeah, and look at us go I'm excited.

694
00:35:56,800 --> 00:35:57,000
Speaker 1: Yeah.

695
00:35:57,040 --> 00:36:00,040
Speaker 2: It's funny that you would think, because we're in the

696
00:36:00,920 --> 00:36:06,839
Speaker 2: biggest city, I might be wrong in size and population, Yeah,

697
00:36:06,880 --> 00:36:10,160
Speaker 2: that we would have all the restaurants that you have

698
00:36:10,239 --> 00:36:13,680
Speaker 2: in your town. But I remember about that long ago,

699
00:36:13,960 --> 00:36:18,520
Speaker 2: ten twelve to fifteen years maybe twenty, we drove all

700
00:36:18,600 --> 00:36:22,080
Speaker 2: the way to Orange County, some of the guys from

701
00:36:22,160 --> 00:36:25,480
Speaker 2: the office Fuel TV office to get these to get

702
00:36:25,560 --> 00:36:29,160
Speaker 2: a Chick fil A, which is everywhere in town now,

703
00:36:29,480 --> 00:36:32,560
Speaker 2: and same thing. Everyone was all excited about these sauces.

704
00:36:32,719 --> 00:36:38,560
Speaker 1: Okay, sorry, there's Dolly Parton donuts. Should we just get those? Ollie?

705
00:36:39,320 --> 00:36:43,080
Speaker 2: Yeah? Because my phone feeds me so much Dolly Parton

706
00:36:43,160 --> 00:36:47,239
Speaker 2: that I am trying to figure out how Hi.

707
00:36:47,400 --> 00:36:50,040
Speaker 1: We'd like to try the Dolly Parton donuts? Is that

708
00:36:50,160 --> 00:36:51,919
Speaker 1: like a whole box? How many do you get?

709
00:36:53,080 --> 00:36:54,760
Speaker 2: And then you can take you you want to try office?

710
00:36:55,000 --> 00:36:55,880
Speaker 1: Yeah? Do you want to do that?

711
00:36:56,080 --> 00:36:56,360
Speaker 2: Sure?

712
00:36:57,040 --> 00:36:57,520
Speaker 1: On aalise?

713
00:36:57,560 --> 00:36:59,600
Speaker 2: Are you in? Yeah?

714
00:36:59,680 --> 00:37:05,399
Speaker 1: Okay, great? Can we do that? Please? We love her?

715
00:37:06,640 --> 00:37:08,080
Speaker 1: Uh yeah, that's fine.

716
00:37:08,320 --> 00:37:09,520
Speaker 2: She had to get her manager.

717
00:37:09,680 --> 00:37:10,800
Speaker 1: Anyone need a drink?

718
00:37:13,400 --> 00:37:14,120
Speaker 2: Iced coffee?

719
00:37:14,200 --> 00:37:14,319
Speaker 5: Oh?

720
00:37:14,400 --> 00:37:17,680
Speaker 1: Yeah? Can we get an iced one? Iceed coffee on alice?

721
00:37:17,719 --> 00:37:21,839
Speaker 1: You want one? You want an iced coffee? Sorry? Can

722
00:37:21,840 --> 00:37:24,320
Speaker 1: we get two iceed coffees? And can I get a

723
00:37:25,280 --> 00:37:30,640
Speaker 1: hot plane latte? Also? And that's gonna be it awesome?

724
00:37:30,640 --> 00:37:31,600
Speaker 1: Thank you?

725
00:37:31,600 --> 00:37:35,160
Speaker 2: You know you've chosen one of their premier menu items.

726
00:37:35,239 --> 00:37:38,120
Speaker 2: When she's forced to get the manager to complete the order,

727
00:37:39,400 --> 00:37:42,479
Speaker 2: do you notice that, yes? Hello, are you there?

728
00:37:42,680 --> 00:37:43,640
Speaker 1: Did we freak her out?

729
00:37:43,840 --> 00:37:43,920
Speaker 5: Or?

730
00:37:44,320 --> 00:37:46,680
Speaker 1: But I also noticed that she called her Dolly Baker

731
00:37:47,000 --> 00:37:48,680
Speaker 1: or Dolly the last name was wrong.

732
00:37:49,000 --> 00:37:51,160
Speaker 2: Oh, she got fired and he had to take over

733
00:37:51,239 --> 00:37:54,600
Speaker 2: its immediate Dolly Baker, how dare you?

734
00:37:54,680 --> 00:37:57,520
Speaker 3: Do you know how many girl emmies? She flies out

735
00:37:57,560 --> 00:37:58,359
Speaker 3: the window.

736
00:37:58,040 --> 00:38:02,239
Speaker 1: Now vaporized. Did anyone else hear that? Alish, did you

737
00:38:02,280 --> 00:38:02,640
Speaker 1: hear that?

738
00:38:02,880 --> 00:38:04,880
Speaker 4: I just heard the thing about the Dolly dozen?

739
00:38:05,120 --> 00:38:05,839
Speaker 2: But which is what.

740
00:38:05,800 --> 00:38:07,080
Speaker 1: They called the box? Right?

741
00:38:07,360 --> 00:38:10,920
Speaker 2: Oh? Maybe maybe I misunderstood, she said, maybe it was

742
00:38:10,960 --> 00:38:13,920
Speaker 2: a I would say Baker when it comes to a dozen,

743
00:38:13,960 --> 00:38:16,160
Speaker 2: because it's a donut place. Of course you're gonna say

744
00:38:16,239 --> 00:38:20,759
Speaker 2: you want the Dolly Baker's dozen. Don't defend her, I am,

745
00:38:20,880 --> 00:38:22,920
Speaker 2: and I think that boss is too mean to her.

746
00:38:23,560 --> 00:38:27,719
Speaker 2: I'm going in, Yeah, excuse me. We couldn't help but

747
00:38:27,880 --> 00:38:31,600
Speaker 2: to notice. We really liked the original person taking I order,

748
00:38:31,640 --> 00:38:36,640
Speaker 2: and then something weird happened. It's where you took the rein,

749
00:38:37,080 --> 00:38:41,880
Speaker 2: sir and get in his face. That would be a

750
00:38:41,960 --> 00:38:46,560
Speaker 2: weird thing to put my foot down about.

751
00:38:47,040 --> 00:38:47,839
Speaker 1: Can I say what?

752
00:38:47,880 --> 00:38:51,239
Speaker 2: I hope that all the donuts are a little different.

753
00:38:51,760 --> 00:38:55,120
Speaker 1: Yes, for sure, and that there is a guide on

754
00:38:55,160 --> 00:38:58,400
Speaker 1: the inside of the lid of the box, so that

755
00:38:58,680 --> 00:39:01,080
Speaker 1: if this donuts here we know what it is, so

756
00:39:01,200 --> 00:39:07,000
Speaker 1: like like a Werther's Chocolates or not Worthers Whitman's Chocolates. Yeah,

757
00:39:07,040 --> 00:39:08,040
Speaker 1: where you have a guide?

758
00:39:08,520 --> 00:39:09,439
Speaker 2: I hope so too.

759
00:39:09,680 --> 00:39:10,440
Speaker 1: How will we know?

760
00:39:10,640 --> 00:39:13,600
Speaker 2: And I hope each donut is from a different.

761
00:39:14,400 --> 00:39:18,080
Speaker 3: Era of her career. I hope there's one about TUTSI

762
00:39:19,320 --> 00:39:21,279
Speaker 3: or sorry, nine to.

763
00:39:23,719 --> 00:39:26,000
Speaker 2: All do Tutsy, I'll take tsy.

764
00:39:26,560 --> 00:39:28,680
Speaker 1: Could be there's one. This is a donut from the

765
00:39:28,719 --> 00:39:31,240
Speaker 1: haller and it's just a little piece of dirt because

766
00:39:31,239 --> 00:39:32,560
Speaker 1: they don't have donuts in the holler.

767
00:39:33,520 --> 00:39:38,320
Speaker 2: I'm the only person that is constantly confusing Dustin Hoffmann

768
00:39:38,360 --> 00:39:40,760
Speaker 2: and Dolly part They.

769
00:39:40,600 --> 00:39:43,399
Speaker 1: Have very similar weights the vernacular of the name.

770
00:39:43,640 --> 00:39:46,480
Speaker 2: Yeah, I don't know why I said Tutsy because it

771
00:39:46,520 --> 00:39:47,719
Speaker 2: came out the same year as nine.

772
00:39:48,120 --> 00:39:49,200
Speaker 1: It's the same vibe.

773
00:39:49,440 --> 00:39:51,440
Speaker 3: Yeah, it's a classic vibe.

774
00:39:51,440 --> 00:39:54,400
Speaker 2: Go see about those movies. If I could just divert

775
00:39:54,480 --> 00:39:59,480
Speaker 2: the attention, watch Tutsy and watch nine to five, they

776
00:39:59,520 --> 00:40:00,200
Speaker 2: both hold.

777
00:40:00,360 --> 00:40:02,560
Speaker 1: I want credit right now for not singing nine to five.

778
00:40:02,600 --> 00:40:05,080
Speaker 1: It's very difficult to not sing it when people are

779
00:40:05,120 --> 00:40:10,439
Speaker 1: talking about it. Yeah, yeah, I'm not doing it. Yeah,

780
00:40:08,840 --> 00:40:11,399
Speaker 1: it's how do you not do that?

781
00:40:11,520 --> 00:40:13,600
Speaker 2: I how do you get in a car lob with

782
00:40:13,640 --> 00:40:16,040
Speaker 2: friends and someone says well on the road again, and

783
00:40:16,080 --> 00:40:19,520
Speaker 2: then you're like, I bite a hole in my tongue.

784
00:40:20,160 --> 00:40:23,479
Speaker 1: Your hip goes out in a different way, a new way.

785
00:40:25,400 --> 00:40:31,960
Speaker 3: I just meant on the town hip, not out of socket.

786
00:40:32,520 --> 00:40:36,920
Speaker 1: Come on, man, your hip's a man. TJ Max and

787
00:40:37,080 --> 00:40:39,719
Speaker 1: Marshall's are so close. If anybody needs Korean skin care,

788
00:40:39,719 --> 00:40:40,520
Speaker 1: I'm just saying it's right.

789
00:40:40,560 --> 00:40:43,239
Speaker 2: They have it a TJ Max too. Yes, are you

790
00:40:43,280 --> 00:40:45,640
Speaker 2: a Maximista, by the way, well, yes, I have ever

791
00:40:45,719 --> 00:40:47,920
Speaker 2: known your political affiliation.

792
00:40:47,640 --> 00:40:50,160
Speaker 1: Fully Green Party slash Maximista.

793
00:40:50,480 --> 00:40:55,280
Speaker 2: Have you seen the Dolly Pardon video that's been circulating

794
00:40:55,360 --> 00:40:59,440
Speaker 2: on our pocket computers. No, She's in Ireland at a

795
00:40:59,480 --> 00:41:04,400
Speaker 2: pub and there's some guy. There's a couple guys playing

796
00:41:04,480 --> 00:41:07,960
Speaker 2: guitar in there, and one of them knows an obscure

797
00:41:08,040 --> 00:41:11,360
Speaker 2: song that she wrote, and she performs it beautifully for

798
00:41:11,480 --> 00:41:13,239
Speaker 2: a bunch of folks in this bar.

799
00:41:13,440 --> 00:41:15,520
Speaker 3: It's the She sounds so good.

800
00:41:15,719 --> 00:41:19,359
Speaker 2: I'm just now getting into Dolly parton because I grew

801
00:41:19,440 --> 00:41:25,680
Speaker 2: up no just country music. My dad was a DJ.

802
00:41:25,920 --> 00:41:28,759
Speaker 2: He did the playlist, no country was on it.

803
00:41:29,239 --> 00:41:29,479
Speaker 1: Yeah.

804
00:41:29,680 --> 00:41:32,280
Speaker 2: When we go to family that did listen to country

805
00:41:32,320 --> 00:41:34,560
Speaker 2: for Christmas or something, I was first plug.

806
00:41:34,360 --> 00:41:36,600
Speaker 1: My ears of many colors.

807
00:41:37,719 --> 00:41:40,919
Speaker 2: Yes, it is the code of many colors. It's such

808
00:41:40,920 --> 00:41:43,520
Speaker 2: a sweet song about her mom making a coat out

809
00:41:43,560 --> 00:41:49,040
Speaker 2: of all these yeah, and she loved that she felt

810
00:41:49,080 --> 00:41:51,640
Speaker 2: rich because of this coat made of from all these

811
00:41:51,680 --> 00:41:55,239
Speaker 2: different colored drags. And it's such a sweet song and

812
00:41:55,280 --> 00:41:59,520
Speaker 2: it's so cool and everyone. It almost like reached these

813
00:42:00,000 --> 00:42:03,160
Speaker 2: people in Ireland and it was just a perfect song. Yeah,

814
00:42:03,200 --> 00:42:04,680
Speaker 2: for her to do a song there.

815
00:42:04,560 --> 00:42:06,360
Speaker 1: It's like a she's a genius.

816
00:42:06,520 --> 00:42:11,000
Speaker 2: She is a genius. She is and even while singing it,

817
00:42:11,080 --> 00:42:13,920
Speaker 2: she's like, oh, what comes next? And then it immediately

818
00:42:13,960 --> 00:42:18,080
Speaker 2: comes to her like she is her brain works very well.

819
00:42:18,160 --> 00:42:23,080
Speaker 1: Yeah, I'm saying this is exciting now. I'm getting really excited.

820
00:42:23,120 --> 00:42:25,640
Speaker 2: I'll send you that video though it's actually like twenty

821
00:42:25,760 --> 00:42:26,560
Speaker 2: five years ago.

822
00:42:26,640 --> 00:42:27,680
Speaker 1: I think, thank you.

823
00:42:28,719 --> 00:42:32,800
Speaker 2: Oh it is. It has her signature. Yes, it says

824
00:42:33,320 --> 00:42:36,160
Speaker 2: Dolly Southern Sweets, don't it collection.

825
00:42:37,600 --> 00:42:40,080
Speaker 1: I think these are yours. It's going to be You're strong,

826
00:42:40,160 --> 00:42:41,080
Speaker 1: It's going to be your strong.

827
00:42:41,160 --> 00:42:44,120
Speaker 3: And I'm just gonna look under the lid, j C.

828
00:42:44,640 --> 00:42:49,600
Speaker 2: If you're right about Oh my goodness, they're decadent. Really,

829
00:42:49,960 --> 00:42:53,360
Speaker 2: I'd never used that word. Yeah, but there, I'm afraid

830
00:42:53,400 --> 00:42:57,600
Speaker 2: there isn't a key, a map key, letting you know, well,

831
00:42:57,880 --> 00:43:01,719
Speaker 2: we do have to wait until we're recording, right, you

832
00:43:01,800 --> 00:43:03,680
Speaker 2: don't have to wait too long. It would be funny

833
00:43:03,680 --> 00:43:06,680
Speaker 2: if we did a shorter episode just because we are

834
00:43:06,760 --> 00:43:10,640
Speaker 2: sweet tooths. We're waiting cavity creeps dig into them.

835
00:43:11,000 --> 00:43:11,960
Speaker 1: Cavity creeps.

836
00:43:12,239 --> 00:43:14,040
Speaker 2: Does that is that a memory for you?

837
00:43:14,120 --> 00:43:14,239
Speaker 5: Oh?

838
00:43:14,320 --> 00:43:18,719
Speaker 2: Yeah, we put holes and teeth. Yep, we put Do

839
00:43:18,760 --> 00:43:21,319
Speaker 2: you know how much I brushed my teeth because I

840
00:43:21,360 --> 00:43:24,680
Speaker 2: was scared of cartoon monsters eating holes in my teeth?

841
00:43:24,760 --> 00:43:27,360
Speaker 1: I mean, that's what they were trying to do to you.

842
00:43:27,880 --> 00:43:31,600
Speaker 2: And it worked, and so maybe it was a good idea.

843
00:43:32,080 --> 00:43:35,000
Speaker 2: But it also told me I should eat cheese every day.

844
00:43:35,040 --> 00:43:43,200
Speaker 1: The dairy counsel anker for a hunka a sliver sizer chunkaada.

845
00:43:40,880 --> 00:43:43,440
Speaker 2: Isn't a winner and it won't spoil my dinner, because

846
00:43:43,440 --> 00:43:45,080
Speaker 2: that was always a fear.

847
00:43:44,880 --> 00:43:47,920
Speaker 1: When you're a child, that your dinner would be spoiled.

848
00:43:48,080 --> 00:43:52,359
Speaker 2: Yes, if you have any snacks, all the food, all

849
00:43:52,400 --> 00:43:55,920
Speaker 2: the food your mom made or your dad made, is

850
00:43:55,960 --> 00:43:59,080
Speaker 2: gonna go south and have mold on it.

851
00:43:59,040 --> 00:44:02,360
Speaker 1: Which is like, so basically, you get home from school

852
00:44:02,400 --> 00:44:05,840
Speaker 1: at three point thirty four roughly, and then you're just

853
00:44:05,840 --> 00:44:09,000
Speaker 1: supposed to power through for the next three hours.

854
00:44:08,520 --> 00:44:11,720
Speaker 3: Watching duct tails and eating frozen burritos.

855
00:44:11,120 --> 00:44:13,040
Speaker 1: So that you can know. But you can't eat those

856
00:44:13,040 --> 00:44:16,200
Speaker 1: frozen burritos. You have to save room for the frozen

857
00:44:16,200 --> 00:44:18,279
Speaker 1: Brussels sprouts. Your mom is boiled for you.

858
00:44:18,520 --> 00:44:21,960
Speaker 2: Yeah, I just I ate, I ate what I wanted,

859
00:44:22,000 --> 00:44:23,960
Speaker 2: and I put the Brussels sprouts in my pocket.

860
00:44:25,560 --> 00:44:26,960
Speaker 3: I have to go to the bathroom again.

861
00:44:27,120 --> 00:44:30,560
Speaker 2: Flesh, flesh, flesh. Those little guys. My grandpa called them

862
00:44:30,600 --> 00:44:35,720
Speaker 2: cabbages after taxes because they're tiny little cabbage heads.

863
00:44:36,160 --> 00:44:40,840
Speaker 1: Thanks so much, you too, Sorry, we got you fired.

864
00:44:40,880 --> 00:44:43,560
Speaker 3: Okay, drive drive, I totally burned her.

865
00:44:43,760 --> 00:44:47,160
Speaker 1: I feel like we took a really long time in

866
00:44:47,200 --> 00:44:50,719
Speaker 1: that line, or or does everybody take a long time

867
00:44:50,760 --> 00:44:51,920
Speaker 1: in the nut line?

868
00:44:52,200 --> 00:44:56,200
Speaker 2: Oh? Maybe? Oh well then money transaction, it took them

869
00:44:56,239 --> 00:44:57,399
Speaker 2: forever to count it.

870
00:44:57,800 --> 00:44:59,319
Speaker 1: Yeah, there's a lot going on.

871
00:45:00,120 --> 00:45:01,920
Speaker 3: Going to best Buy, I'm going to buy you an echo.

872
00:45:03,960 --> 00:45:07,160
Speaker 1: I'm gonna flip around so we're not facing this on Okay.

873
00:45:08,120 --> 00:45:12,919
Speaker 2: Yeah, that's one thing about this city. All the goddamn sunshine,

874
00:45:13,000 --> 00:45:13,799
Speaker 2: all damn.

875
00:45:13,600 --> 00:45:15,120
Speaker 1: Day, except for in the morning.

876
00:45:15,160 --> 00:45:16,920
Speaker 2: Except for in the morning. That's why I stay in

877
00:45:16,960 --> 00:45:19,000
Speaker 2: bed still wearing sunglasses.

878
00:45:19,280 --> 00:45:22,279
Speaker 1: Okay, I'm so excited about this, me too. And we

879
00:45:22,400 --> 00:45:24,400
Speaker 1: are not sponsored, but we should be.

880
00:45:25,040 --> 00:45:27,560
Speaker 2: How long have we been recording because I don't want

881
00:45:27,600 --> 00:45:29,040
Speaker 2: people to be disappointed this.

882
00:45:29,200 --> 00:45:32,440
Speaker 4: Oh we have been recording for forty seven minutes.

883
00:45:32,520 --> 00:45:35,080
Speaker 1: Oh, right on the verge. Wait, well, we could also

884
00:45:35,160 --> 00:45:38,040
Speaker 1: take a quick pause and say, guys, when we're back,

885
00:45:38,040 --> 00:45:39,439
Speaker 1: we're going to tell you all about this thing.

886
00:45:39,920 --> 00:45:44,160
Speaker 2: Yeah, it's like it to be continued like an episode

887
00:45:44,160 --> 00:45:47,480
Speaker 2: of Golden Girls with an ellipses and there's no music

888
00:45:47,640 --> 00:45:50,880
Speaker 2: because something heavy just went down. Yeah, and we don't

889
00:45:50,920 --> 00:45:53,080
Speaker 2: know what Estelle Getty's gonna do about.

890
00:45:53,200 --> 00:45:56,080
Speaker 1: Does Lestell Getty have cancer? You'll find out after we

891
00:45:56,120 --> 00:45:57,239
Speaker 1: eat these donuts.

892
00:45:57,320 --> 00:46:00,600
Speaker 2: And they would tackle that on Golden Girls. Tackled all

893
00:46:00,600 --> 00:46:01,760
Speaker 2: the important issues.

894
00:46:02,440 --> 00:46:06,560
Speaker 1: Here's what I didn't fucking tackle getting fucking napkins?

895
00:46:07,200 --> 00:46:07,480
Speaker 2: Fuck?

896
00:46:08,520 --> 00:46:13,520
Speaker 1: Should we go to Wendy's in order something else? A?

897
00:46:15,120 --> 00:46:15,480
Speaker 1: Damn it?

898
00:46:16,080 --> 00:46:18,280
Speaker 3: I'll i'll, I mean.

899
00:46:18,440 --> 00:46:20,239
Speaker 1: Oh wait, I'm gonna check the trunk. I might have

900
00:46:20,239 --> 00:46:22,040
Speaker 1: a roll of paper towels back there.

901
00:46:22,239 --> 00:46:25,760
Speaker 2: Oh that's why I'm wearing my Larry David eaton shirt.

902
00:46:27,200 --> 00:46:30,239
Speaker 2: I'll just I'll just wipe it off next to this

903
00:46:30,440 --> 00:46:31,680
Speaker 2: mustard handprint.

904
00:46:31,840 --> 00:46:34,400
Speaker 1: Well, you're covered, but let me just see because I

905
00:46:34,480 --> 00:46:36,959
Speaker 1: might have paper towels in the back and if so.

906
00:46:38,080 --> 00:46:41,120
Speaker 2: Like a whole roll. Yeah, oh yeah. Are you still

907
00:46:41,120 --> 00:46:43,680
Speaker 2: getting out during traffic and eating in your trunk?

908
00:46:43,880 --> 00:46:46,719
Speaker 1: I do love to eat out of the trunk on

909
00:46:46,800 --> 00:46:47,800
Speaker 1: the hotway.

910
00:46:48,680 --> 00:46:52,080
Speaker 3: Look at these things on the least, God.

911
00:46:51,880 --> 00:46:52,480
Speaker 2: Look at that.

912
00:46:53,400 --> 00:46:55,120
Speaker 1: Decadent is the right word.

913
00:46:55,200 --> 00:46:56,480
Speaker 2: They are just so.

914
00:46:57,400 --> 00:46:59,439
Speaker 3: They really put a lot of work into them.

915
00:46:59,760 --> 00:47:03,040
Speaker 2: Eat. This one looks like one of Dolly Parton's little outfits.

916
00:47:04,000 --> 00:47:14,000
Speaker 2: This one has sequence. I'm very excited. Well have you

917
00:47:14,080 --> 00:47:14,799
Speaker 2: seen them yet?

918
00:47:15,400 --> 00:47:17,400
Speaker 1: Oh no, I haven't. Oh I'm so excited.

919
00:47:17,560 --> 00:47:18,960
Speaker 2: They belong to museum.

920
00:47:21,280 --> 00:47:26,120
Speaker 1: I am so sad because there's no paper towels in

921
00:47:26,160 --> 00:47:29,920
Speaker 1: the back, But there there are some clothing items that

922
00:47:29,960 --> 00:47:32,640
Speaker 1: I forgot I own entirely. I just found a sweater

923
00:47:32,719 --> 00:47:35,719
Speaker 1: that I'm so excited to see again. I was like,

924
00:47:35,800 --> 00:47:37,080
Speaker 1: oh my god, I love that sweater.

925
00:47:37,200 --> 00:47:40,879
Speaker 2: Maybe you should show the sweater appreciation by letting us

926
00:47:41,080 --> 00:47:45,400
Speaker 2: wipe our don any hands on it. We've missed you,

927
00:47:46,560 --> 00:47:49,000
Speaker 2: and I'm gonna do more than just wear you. From

928
00:47:49,040 --> 00:47:50,560
Speaker 2: now on, Long Lost sweater.

929
00:47:51,000 --> 00:47:53,239
Speaker 1: Why did I do that? All right, we're going to

930
00:47:53,280 --> 00:47:56,239
Speaker 1: eat these? Okay, anyway, right.

931
00:47:56,080 --> 00:47:58,560
Speaker 2: Well, shouldn't we go to Sephora and maybe get some

932
00:47:58,600 --> 00:47:59,600
Speaker 2: wet naps?

933
00:48:00,120 --> 00:48:00,799
Speaker 1: Do you want to?

934
00:48:01,360 --> 00:48:06,680
Speaker 2: I mean no, I don't either, but it's right there.

935
00:48:06,880 --> 00:48:10,400
Speaker 1: It is right there. But they don't wet naps.

936
00:48:10,880 --> 00:48:12,280
Speaker 2: I don't.

937
00:48:12,440 --> 00:48:14,280
Speaker 3: I think that's not what they're called.

938
00:48:14,480 --> 00:48:16,200
Speaker 2: At the end of the day, you got makeup on,

939
00:48:16,320 --> 00:48:17,839
Speaker 2: you gotta wash it off.

940
00:48:17,880 --> 00:48:20,400
Speaker 1: Oh you use But I don't. If I run in

941
00:48:20,440 --> 00:48:23,200
Speaker 1: and just grab some kleenex, because that's what I would

942
00:48:23,239 --> 00:48:24,960
Speaker 1: probably grab, would be the easiest thing.

943
00:48:25,239 --> 00:48:28,400
Speaker 2: It's softer because I have the luxury of pulling up

944
00:48:28,440 --> 00:48:32,560
Speaker 2: my pants and using my socks as a napkin. There's

945
00:48:32,640 --> 00:48:38,640
Speaker 2: no one harmed in that transaction. Okay, I mean you

946
00:48:38,760 --> 00:48:41,640
Speaker 2: have to and and when I get undressed at night.

947
00:48:41,719 --> 00:48:44,560
Speaker 2: This is a little risque. But sometimes just because I

948
00:48:44,600 --> 00:48:47,000
Speaker 2: know I'm done wearing those socks they're going in the laundry,

949
00:48:47,040 --> 00:48:48,200
Speaker 2: I'll blow my nose in them.

950
00:48:48,280 --> 00:48:52,960
Speaker 1: Oh sorry, Well they're a boy. It's less risky than disgusting.

951
00:48:53,200 --> 00:48:55,640
Speaker 2: I have a hamper with a lid. It's a wicker

952
00:48:55,640 --> 00:48:58,880
Speaker 2: hamper with a lid, and and everything in there. I

953
00:48:58,920 --> 00:49:02,359
Speaker 2: blow my nose in it will It's how I say

954
00:49:02,400 --> 00:49:03,520
Speaker 2: goodbye to my outfit.

955
00:49:03,719 --> 00:49:05,840
Speaker 1: Good and goodbye to the snot in your.

956
00:49:05,719 --> 00:49:11,400
Speaker 2: Nose, bless you socks? Do I get over there?

957
00:49:11,880 --> 00:49:14,719
Speaker 3: Yeah, we aren't gonna pull this off without napkins.

958
00:49:15,000 --> 00:49:15,520
Speaker 1: We are not.

959
00:49:15,960 --> 00:49:20,799
Speaker 2: Yeah, that's it. We're doing the exit only entrance, are we. Well,

960
00:49:20,840 --> 00:49:24,399
Speaker 2: there's a lot of concre What is this a state fair?

961
00:49:24,760 --> 00:49:28,040
Speaker 3: What's with all the ropes and the parking signs?

962
00:49:28,160 --> 00:49:30,160
Speaker 1: People go crazy over here?

963
00:49:30,880 --> 00:49:36,280
Speaker 2: I guess yeah, everyone's going a little donut fever everyone

964
00:49:36,440 --> 00:49:39,799
Speaker 2: around these parts. I don't know where we are, by

965
00:49:39,800 --> 00:49:40,040
Speaker 2: the way.

966
00:49:40,080 --> 00:49:41,680
Speaker 1: I mean, we might as well just run into the

967
00:49:41,719 --> 00:49:44,839
Speaker 1: actual store. Okay, we're gonna run into any store. Let's

968
00:49:44,880 --> 00:49:46,680
Speaker 1: run into the store that we bought them from.

969
00:49:46,800 --> 00:49:51,600
Speaker 2: Right, Well, this was a just a casual catch up.

970
00:49:52,600 --> 00:49:54,960
Speaker 2: We're checking in on our on our fans. There she

971
00:49:55,080 --> 00:49:58,239
Speaker 2: is right there. Yeah, Goodali with the exact with the

972
00:49:58,280 --> 00:50:02,520
Speaker 2: exact donuts in my lap right now, that is not

973
00:50:02,640 --> 00:50:05,279
Speaker 2: false advertising. I'm seeing all of them represented.

974
00:50:05,480 --> 00:50:07,239
Speaker 1: Okay, let's you identify them.

975
00:50:07,239 --> 00:50:12,640
Speaker 2: I'm gonna get Okay, it won't be We got an

976
00:50:13,280 --> 00:50:17,399
Speaker 2: oreo swirl thing, that's for sure. On there, and then

977
00:50:17,440 --> 00:50:21,640
Speaker 2: that one's got it looks like some sort of animal

978
00:50:21,680 --> 00:50:26,439
Speaker 2: crackers and a frosting crust. And then I know that.

979
00:50:26,360 --> 00:50:29,520
Speaker 5: The yellow one is definitely banana, like a banana cream.

980
00:50:30,280 --> 00:50:33,200
Speaker 5: And then I think that the crumble one that you

981
00:50:33,200 --> 00:50:35,160
Speaker 5: were just talking about is the peach one.

982
00:50:35,480 --> 00:50:36,960
Speaker 2: Oh, that's the peach cobbler.

983
00:50:37,040 --> 00:50:40,960
Speaker 1: I think it is. And I don't know, maybe Dolly flavor.

984
00:50:41,440 --> 00:50:44,879
Speaker 2: I have a feeling Dolly Parton doesn't sit around eating

985
00:50:45,080 --> 00:50:47,880
Speaker 2: donuts all the damn time. But when you're approached for

986
00:50:48,000 --> 00:50:53,520
Speaker 2: something like this, you say, yes, absolutely, Okay, it's okay.

987
00:50:53,640 --> 00:50:57,120
Speaker 2: Karen's bag. I didn't know what to talk about. No,

988
00:50:57,280 --> 00:51:01,239
Speaker 2: I was doing great. I was doing great. Yeah, all

989
00:51:01,239 --> 00:51:05,480
Speaker 2: of them are represented. Only said this one is the cobbler,

990
00:51:05,719 --> 00:51:09,359
Speaker 2: this banana, that's banana cream. This one's cobbler, the one

991
00:51:09,400 --> 00:51:14,439
Speaker 2: with animal crackers on cobbler, Yes, peach clobbler. And then

992
00:51:15,400 --> 00:51:19,399
Speaker 2: well and then oh thanks napkins. And then that sparkly one.

993
00:51:19,480 --> 00:51:24,320
Speaker 2: We don't know, somebody's a ginger snap. That one's gotta

994
00:51:24,360 --> 00:51:27,239
Speaker 2: be oreo when there's oreo on it and it's the

995
00:51:27,280 --> 00:51:28,319
Speaker 2: color of oreos.

996
00:51:28,440 --> 00:51:31,560
Speaker 1: So and then just some planes and then some planes.

997
00:51:31,200 --> 00:51:32,960
Speaker 3: But I bet they won't be planes. I bet there's

998
00:51:32,960 --> 00:51:35,640
Speaker 3: an exciting, exciting treat in side.

999
00:51:35,640 --> 00:51:37,600
Speaker 2: I think so, yeah, like Jack in the box, a

1000
00:51:37,600 --> 00:51:39,000
Speaker 2: plastic toy or something.

1001
00:51:39,080 --> 00:51:41,400
Speaker 1: Okay, let's I would like a clobbler.

1002
00:51:41,840 --> 00:51:44,879
Speaker 2: Oh you want a clobbler please? Oh right, I'll put

1003
00:51:44,920 --> 00:51:48,400
Speaker 2: it on my transporting. Well I'm gonna touch it anyway.

1004
00:51:48,520 --> 00:51:49,719
Speaker 1: Yeah, you have to thank you.

1005
00:51:50,800 --> 00:51:51,440
Speaker 2: Which do you.

1006
00:51:51,480 --> 00:51:52,800
Speaker 3: Think you want the most?

1007
00:51:52,960 --> 00:51:55,640
Speaker 1: And listener, which one would you pick? A pink one

1008
00:51:55,680 --> 00:51:57,919
Speaker 1: with a butterfly that we're not sure about the flight,

1009
00:52:00,120 --> 00:52:02,000
Speaker 1: And then Alas can tell us what that flavor is.

1010
00:52:02,120 --> 00:52:05,719
Speaker 2: Okay, and I'm gonna I know that it's lame, but

1011
00:52:06,040 --> 00:52:08,279
Speaker 2: because I have a feeling this plane one's gonna have

1012
00:52:08,320 --> 00:52:12,480
Speaker 2: some surprises. Okay, okay, because that's like me to get

1013
00:52:12,480 --> 00:52:19,000
Speaker 2: a plant. Well it's I don't want to copy you too, okay.

1014
00:52:17,800 --> 00:52:19,640
Speaker 1: Everyone, but if you don't like it, you can also

1015
00:52:19,640 --> 00:52:20,879
Speaker 1: eat sign off.

1016
00:52:20,960 --> 00:52:24,840
Speaker 2: We're gonna react. People love this kind of thing. Reaction videos.

1017
00:52:24,920 --> 00:52:27,840
Speaker 1: We're gonna take bites. We're gonna then wait until we

1018
00:52:28,040 --> 00:52:31,839
Speaker 1: fully chewed and not give you any grief with our mouths. Yes,

1019
00:52:31,960 --> 00:52:33,400
Speaker 1: and then we're gonna tell you the experience and.

1020
00:52:33,640 --> 00:52:36,160
Speaker 3: Who goes first. This is very exciting for the listen.

1021
00:52:36,200 --> 00:52:37,120
Speaker 1: We all go at the same time.

1022
00:52:37,200 --> 00:52:46,600
Speaker 3: Oh, okay, enjoy the silence. Mmmmmm uh this is the winner.

1023
00:52:46,719 --> 00:52:49,239
Speaker 2: This this this peach globbler.

1024
00:52:50,080 --> 00:52:51,680
Speaker 5: On a least What about that pink one? And what's

1025
00:52:51,719 --> 00:52:55,920
Speaker 5: the report? It was a strawberry and it was very good.

1026
00:52:55,960 --> 00:52:58,120
Speaker 5: It was like a strawberry glaze. But then it had

1027
00:52:58,160 --> 00:52:59,600
Speaker 5: a little cute.

1028
00:52:59,600 --> 00:53:02,200
Speaker 4: Butter fly on the top that was white chocolate.

1029
00:53:02,760 --> 00:53:04,160
Speaker 2: Really wow that.

1030
00:53:04,280 --> 00:53:07,120
Speaker 4: But yeah, it was like, is this edible? We're going

1031
00:53:07,200 --> 00:53:08,880
Speaker 4: to find out? Am I about to eat like a

1032
00:53:08,920 --> 00:53:09,800
Speaker 4: candle or something?

1033
00:53:09,880 --> 00:53:10,080
Speaker 1: Yeah?

1034
00:53:10,120 --> 00:53:16,479
Speaker 3: I thought it was a grade school teacher's brooch. That's

1035
00:53:16,560 --> 00:53:22,640
Speaker 3: the cobbler. The peach is nothing but peach. I get it.

1036
00:53:22,719 --> 00:53:25,680
Speaker 1: Everybody, I get it. Dolly quit yelling at me.

1037
00:53:26,960 --> 00:53:32,440
Speaker 2: Okay, that concludes the off air consumption. I feel like

1038
00:53:32,600 --> 00:53:37,200
Speaker 2: right in a country song. Yeah, the chocolate swirl that

1039
00:53:37,320 --> 00:53:40,920
Speaker 2: was that was just cake frosting on a on a glazed.

1040
00:53:41,280 --> 00:53:45,280
Speaker 2: The glazed was just a good Chrispy cream glaze.

1041
00:53:45,280 --> 00:53:47,680
Speaker 3: But that peach cobbler, there was a lot going on there.

1042
00:53:47,800 --> 00:53:48,040
Speaker 1: Yep.

1043
00:53:48,280 --> 00:53:49,920
Speaker 3: That was a pie hidden in a doughnut.

1044
00:53:50,280 --> 00:53:53,280
Speaker 1: Nobody has the guts to approach the banana.

1045
00:53:53,760 --> 00:53:56,600
Speaker 3: I they It's just they spent so much time.

1046
00:53:57,560 --> 00:53:58,640
Speaker 1: It's so decorated.

1047
00:53:59,000 --> 00:54:01,760
Speaker 3: Yes, there's a butter fly on that too. Did Dolly

1048
00:54:01,760 --> 00:54:02,920
Speaker 3: Parton love butterflies?

1049
00:54:02,960 --> 00:54:04,560
Speaker 1: She did? Or does currently?

1050
00:54:04,640 --> 00:54:05,040
Speaker 2: She does?

1051
00:54:05,280 --> 00:54:05,680
Speaker 3: Currently?

1052
00:54:05,760 --> 00:54:07,600
Speaker 2: No, I figured it was a thing of the past.

1053
00:54:07,800 --> 00:54:09,000
Speaker 2: Butterflies are so past.

1054
00:54:09,040 --> 00:54:13,480
Speaker 1: It's so seventies. Uh. On top of the banana, whatever

1055
00:54:13,480 --> 00:54:17,720
Speaker 1: the banana cream one is doing, it looks like stovetop stuffing,

1056
00:54:18,360 --> 00:54:20,759
Speaker 1: doesn't it. Yeah, it looks like the pieces of stuff.

1057
00:54:20,840 --> 00:54:22,280
Speaker 1: I think it's a cookie or something.

1058
00:54:22,680 --> 00:54:26,080
Speaker 2: Honestly, this whole donut collection gives me more like Brady

1059
00:54:26,120 --> 00:54:32,880
Speaker 2: Bunch vibes than Dolly Parton. Yeah, where's the glamour, where's

1060
00:54:32,960 --> 00:54:34,080
Speaker 2: the gangham?

1061
00:54:34,560 --> 00:54:36,600
Speaker 1: It's donut?

1062
00:54:37,200 --> 00:54:40,600
Speaker 3: Well, good job, Dolly. I'm sure that all the flavors

1063
00:54:40,600 --> 00:54:41,280
Speaker 3: were approved.

1064
00:54:41,520 --> 00:54:43,600
Speaker 1: We love you, Dolly, Yeah I do.

1065
00:54:44,080 --> 00:54:47,359
Speaker 3: I'm a new lover. I'm one of your new lovers.

1066
00:54:47,760 --> 00:54:50,800
Speaker 1: I have loved Dolly from the old days and earlier

1067
00:54:50,840 --> 00:54:52,919
Speaker 1: when you were talking about the coat of many colors.

1068
00:54:53,360 --> 00:54:56,640
Speaker 1: She hasn't even sadder song and it's called Me and

1069
00:54:56,680 --> 00:54:59,680
Speaker 1: Little Andy and my cousin Eileen had the forty five

1070
00:55:00,360 --> 00:55:02,440
Speaker 1: and she would play it for us and go listen

1071
00:55:02,480 --> 00:55:05,640
Speaker 1: to this, and it's like it basically she tells a

1072
00:55:05,680 --> 00:55:08,960
Speaker 1: story of late when cold and stormy night, she hears

1073
00:55:09,000 --> 00:55:11,680
Speaker 1: the dog, she hears the dog of Barkin, and then

1074
00:55:11,719 --> 00:55:14,239
Speaker 1: she hears the door of knocking, and she opens her

1075
00:55:14,239 --> 00:55:17,240
Speaker 1: door and there's a little girl standing on her front

1076
00:55:17,280 --> 00:55:21,360
Speaker 1: porch in its stormy outside. She doesn't have any shoes on,

1077
00:55:21,640 --> 00:55:25,960
Speaker 1: and she's like, asks her for candy, and asks her

1078
00:55:26,000 --> 00:55:30,120
Speaker 1: for stuff, and basically is like this. Her name's little Andy.

1079
00:55:31,000 --> 00:55:35,040
Speaker 1: And at the end of this song spoiler alert, Andy

1080
00:55:35,120 --> 00:55:39,120
Speaker 1: fucking dies. What it is like a tragedy of basically

1081
00:55:39,160 --> 00:55:42,359
Speaker 1: like an abandoned child that comes to bag at her

1082
00:55:42,400 --> 00:55:44,480
Speaker 1: door and then.

1083
00:55:45,200 --> 00:55:48,080
Speaker 3: Died in the living room or died the like they

1084
00:55:48,160 --> 00:55:50,359
Speaker 3: kept up with her and it was sad.

1085
00:55:50,400 --> 00:55:53,839
Speaker 1: No, no, it's not eventual. It's just basically like this

1086
00:55:53,880 --> 00:55:56,600
Speaker 1: little girl that doesn't have there's no one at home.

1087
00:55:56,800 --> 00:55:58,719
Speaker 1: I mean, I could sing you. The song goes into

1088
00:55:58,719 --> 00:56:02,520
Speaker 1: the details of her life. It's essentially like, ain't you got.

1089
00:56:02,320 --> 00:56:06,360
Speaker 5: No it's ain't you got no gingerbread ginger butret no candy,

1090
00:56:06,760 --> 00:56:08,920
Speaker 5: Ain't she got no something bad from me?

1091
00:56:08,960 --> 00:56:11,760
Speaker 1: And little Andy? Oh Andy is her dog? Sorry, Oh

1092
00:56:11,880 --> 00:56:14,240
Speaker 1: it's a little girl with a little dog. The dog dies,

1093
00:56:15,040 --> 00:56:15,799
Speaker 1: they both die.

1094
00:56:15,840 --> 00:56:16,919
Speaker 2: I think they both die.

1095
00:56:17,520 --> 00:56:20,200
Speaker 4: I'm just sorry to interject. I'm looking at the lyrics.

1096
00:56:20,440 --> 00:56:22,359
Speaker 5: What's it say at the end? Oh this is yeah,

1097
00:56:22,400 --> 00:56:24,160
Speaker 5: this is really sad. She was just a little girl,

1098
00:56:24,200 --> 00:56:26,000
Speaker 5: no more than six or seven. But that night, as

1099
00:56:26,000 --> 00:56:29,319
Speaker 5: they slept, the angels took them both to heaven. God

1100
00:56:29,360 --> 00:56:31,840
Speaker 5: knew that little Andy would be lonesome with her gone.

1101
00:56:31,920 --> 00:56:34,520
Speaker 5: Now Sandy and her puppy dog will never be alone.

1102
00:56:34,880 --> 00:56:37,560
Speaker 5: Sandy is the little girl's name. Andy's her dog's name.

1103
00:56:37,680 --> 00:56:40,000
Speaker 1: And they die. They die at.

1104
00:56:39,880 --> 00:56:42,520
Speaker 2: The an orphan in her dog. That is the mind.

1105
00:56:42,560 --> 00:56:43,120
Speaker 2: I mean.

1106
00:56:44,600 --> 00:56:47,000
Speaker 1: Yeah, and that was That was Dolly's way of saying,

1107
00:56:47,000 --> 00:56:49,279
Speaker 1: there's kids out there that don't have anything and are

1108
00:56:49,360 --> 00:56:53,719
Speaker 1: hungry and need help. And in as a six year

1109
00:56:53,719 --> 00:56:56,640
Speaker 1: old in the seventies, I was like, we got we

1110
00:56:56,719 --> 00:57:00,080
Speaker 1: gotta do something about Oh yeah, wow, is not in.

1111
00:57:00,600 --> 00:57:03,279
Speaker 2: I just think it's insane that they died at the end.

1112
00:57:03,600 --> 00:57:07,000
Speaker 1: It is insane. That's serious country music shit.

1113
00:57:07,239 --> 00:57:09,200
Speaker 3: She wasn't afraid to tackle the issues.

1114
00:57:09,719 --> 00:57:10,440
Speaker 1: Not our Dolly.

1115
00:57:10,800 --> 00:57:12,080
Speaker 3: No, she's pretty great.

1116
00:57:12,440 --> 00:57:17,120
Speaker 2: So listen up, listen to her wherever you buy your music.

1117
00:57:18,560 --> 00:57:21,200
Speaker 1: Warehouse warehouse records.

1118
00:57:21,240 --> 00:57:24,360
Speaker 3: Go on down to tower and pick up pick up

1119
00:57:24,400 --> 00:57:25,160
Speaker 3: a desk.

1120
00:57:25,200 --> 00:57:26,800
Speaker 1: Petco where the pets go.

1121
00:57:27,320 --> 00:57:30,840
Speaker 2: Oh sorry for real, that's their slogan.

1122
00:57:31,080 --> 00:57:35,160
Speaker 1: Yep, And that was a when my niece Nora, who's

1123
00:57:35,200 --> 00:57:37,840
Speaker 1: going to be a senior in high school barv when

1124
00:57:37,880 --> 00:57:40,600
Speaker 1: she was like five, she would ask my sister to

1125
00:57:40,640 --> 00:57:43,080
Speaker 1: get can we go to Petco all the time because

1126
00:57:43,080 --> 00:57:44,600
Speaker 1: she wanted to look at the animals that were.

1127
00:57:44,480 --> 00:57:46,280
Speaker 2: There, because there are animals in there.

1128
00:57:46,320 --> 00:57:49,360
Speaker 1: And anytime she would say the word Petco, my sister

1129
00:57:49,400 --> 00:57:51,720
Speaker 1: and I would both say Petco where the pets go

1130
00:57:51,880 --> 00:57:54,160
Speaker 1: back to her, and we were trying to drive her insane,

1131
00:57:54,160 --> 00:57:56,800
Speaker 1: and it kind of was working because she was like, oh,

1132
00:57:56,960 --> 00:57:59,120
Speaker 1: good Picco and we like Petco where the pets go.

1133
00:57:59,600 --> 00:58:01,720
Speaker 1: And then she's stupid, I want to go to petoo.

1134
00:58:02,920 --> 00:58:04,760
Speaker 3: And now she hates animals.

1135
00:58:04,800 --> 00:58:09,920
Speaker 1: Now she eats us and she's emancipating herself next month.

1136
00:58:11,400 --> 00:58:13,640
Speaker 2: Yeah, you had guardianship, right, yeah?

1137
00:58:13,720 --> 00:58:15,200
Speaker 1: Yeah, not anymore.

1138
00:58:15,240 --> 00:58:17,720
Speaker 2: It's hard to do long distance. Maybe that had something

1139
00:58:17,760 --> 00:58:18,080
Speaker 2: to do.

1140
00:58:18,280 --> 00:58:21,400
Speaker 1: I'm like, I'm your guardian, get back home. I don't

1141
00:58:21,400 --> 00:58:22,480
Speaker 1: know where you are right now.

1142
00:58:23,080 --> 00:58:25,760
Speaker 2: She wants out of this conservator ship.

1143
00:58:26,880 --> 00:58:29,000
Speaker 3: Well that was a very sweet episode.

1144
00:58:29,520 --> 00:58:32,160
Speaker 2: I mean truly, I mean we really nailed it.

1145
00:58:32,480 --> 00:58:33,440
Speaker 1: We had a great time.

1146
00:58:33,760 --> 00:58:36,600
Speaker 2: No one and to here are smacking. Thanks don Elise.

1147
00:58:37,160 --> 00:58:41,280
Speaker 1: This podcast company cares about you, the listener.

1148
00:58:41,640 --> 00:58:46,200
Speaker 2: Yes, it's posted all around the office in bold letters

1149
00:58:47,120 --> 00:58:48,400
Speaker 2: with exclamation points.

1150
00:58:48,440 --> 00:58:50,080
Speaker 1: Don't forget to care about the listener.

1151
00:58:50,320 --> 00:58:54,919
Speaker 2: Yes, exactly, it's it's a chant every morning. Oh, your

1152
00:58:54,920 --> 00:58:56,680
Speaker 2: car's telling you to do something, lips.

1153
00:58:56,760 --> 00:58:59,920
Speaker 1: I made the deadly mistake of putting my foot on

1154
00:59:00,160 --> 00:59:03,200
Speaker 1: break all right, and it's like, there's rules, lady.

1155
00:59:04,080 --> 00:59:06,880
Speaker 2: Well this is obviously. We have no guests today. We'll

1156
00:59:06,880 --> 00:59:09,080
Speaker 2: be back with a very exciting guest.

1157
00:59:09,200 --> 00:59:11,040
Speaker 1: Wouldn't it be amazing if this whole thing was the

1158
00:59:11,040 --> 00:59:12,880
Speaker 1: intro and now we introduced the guest.

1159
00:59:12,920 --> 00:59:15,480
Speaker 2: Just there someone in the back seat holding up their

1160
00:59:15,480 --> 00:59:18,080
Speaker 2: finger trying to get a word in edgewise. Oh I

1161
00:59:18,120 --> 00:59:19,280
Speaker 2: forgot you were here.

1162
00:59:20,200 --> 00:59:22,920
Speaker 1: Oh sorry, Sandy and little Andy. We don't have questions

1163
00:59:22,920 --> 00:59:23,280
Speaker 1: for you.

1164
00:59:23,400 --> 00:59:29,720
Speaker 2: Our apologies, sir, Brad Garrett, We'll see you next week.

1165
00:59:29,760 --> 00:59:33,400
Speaker 1: Shamar Moore, Sorry, that's another talk show classic.

1166
00:59:34,040 --> 00:59:36,960
Speaker 2: I only know Brad Garrett because I like the stuff

1167
00:59:36,960 --> 00:59:38,080
Speaker 2: he posts online.

1168
00:59:38,600 --> 00:59:41,280
Speaker 1: He's the funniest and his stand up comedy has always

1169
00:59:41,320 --> 00:59:42,240
Speaker 1: been a plus.

1170
00:59:42,240 --> 00:59:44,960
Speaker 2: I've never watched it. I've only seen him on the

1171
00:59:45,200 --> 00:59:47,040
Speaker 2: Everybody Loves the Raymond Guy.

1172
00:59:47,680 --> 00:59:49,840
Speaker 1: He used to come on the talk show that I

1173
00:59:49,880 --> 00:59:55,040
Speaker 1: worked on, and you could ask him to do literally anything,

1174
00:59:55,680 --> 00:59:58,040
Speaker 1: and he would make it the funniest thing you've ever seen.

1175
00:59:58,160 --> 00:59:59,920
Speaker 1: So one time he just had to go out on

1176
01:00:00,120 --> 01:00:04,600
Speaker 1: to Bob Hope Drive and just try to get people

1177
01:00:04,600 --> 01:00:08,400
Speaker 1: to let him wash their car. Stop them and wash

1178
01:00:08,400 --> 01:00:11,360
Speaker 1: their cars because Brad Garrett's very recognizable. He's like six

1179
01:00:11,400 --> 01:00:14,200
Speaker 1: foot seven or sure, and so he would just try

1180
01:00:14,240 --> 01:00:17,280
Speaker 1: to convince people to stop so he could wash their

1181
01:00:17,320 --> 01:00:20,280
Speaker 1: car a little bit. And it was so funny, and

1182
01:00:20,320 --> 01:00:23,400
Speaker 1: nobody wrote him anything. It was just like, here's the idea,

1183
01:00:23,560 --> 01:00:25,800
Speaker 1: and we'll see what we can get. And the shit

1184
01:00:25,920 --> 01:00:27,760
Speaker 1: he said to those people it was the funniest thing

1185
01:00:27,760 --> 01:00:28,320
Speaker 1: I'd ever seen.

1186
01:00:28,440 --> 01:00:32,600
Speaker 2: He's so FUNNYE Can I watch that or is that's

1187
01:00:32,680 --> 01:00:35,200
Speaker 2: one time radio gone forever?

1188
01:00:35,400 --> 01:00:37,600
Speaker 1: I doubt it. I'm sure you could watch it on

1189
01:00:37,800 --> 01:00:39,680
Speaker 1: if there's clips online.

1190
01:00:39,480 --> 01:00:41,600
Speaker 2: Brand Garrett car Wash.

1191
01:00:42,200 --> 01:00:44,160
Speaker 1: It was for Ellen and it was within the first

1192
01:00:44,200 --> 01:00:46,800
Speaker 1: five years, but he was on Ellen multiple times and

1193
01:00:47,080 --> 01:00:49,520
Speaker 1: same thing every time. One time we made him get

1194
01:00:49,600 --> 01:00:54,000
Speaker 1: into a hot tub whatever. Maybe it's just funny to

1195
01:00:54,040 --> 01:00:55,680
Speaker 1: me now, I.

1196
01:00:55,640 --> 01:00:58,080
Speaker 2: Thought I'd love to say that so good. So were

1197
01:00:58,080 --> 01:01:00,560
Speaker 2: people like, no, you're famous, I don't want you to

1198
01:01:00,600 --> 01:01:01,320
Speaker 2: watch my car.

1199
01:01:01,640 --> 01:01:03,840
Speaker 1: Well no, but it's Los Angeles. So the idea was,

1200
01:01:04,160 --> 01:01:06,439
Speaker 1: because this is Los Angeles, people try to shoot shit

1201
01:01:06,480 --> 01:01:09,760
Speaker 1: all the time. It's not special. No one actually really cares.

1202
01:01:10,400 --> 01:01:13,360
Speaker 1: And so when you go out to do like a

1203
01:01:13,400 --> 01:01:15,560
Speaker 1: man on the street anything, most of the time you're

1204
01:01:15,600 --> 01:01:19,919
Speaker 1: restricted from doing it. But if you're not, people will

1205
01:01:19,960 --> 01:01:22,480
Speaker 1: not engage because they're like, I actually am trying to

1206
01:01:22,520 --> 01:01:23,720
Speaker 1: work on my own TV show.

1207
01:01:24,000 --> 01:01:26,040
Speaker 3: Yeah, so fuck you exactly.

1208
01:01:26,080 --> 01:01:28,160
Speaker 2: I had to do this thing for It was called

1209
01:01:28,240 --> 01:01:30,800
Speaker 2: Taxi Magic, I think. Then it turned to an app

1210
01:01:30,840 --> 01:01:33,840
Speaker 2: called Curb, but it's basically lift or Uber but for

1211
01:01:34,040 --> 01:01:37,080
Speaker 2: traditional taxis. And we drove around in a taxi with

1212
01:01:37,120 --> 01:01:40,680
Speaker 2: a real taxi driver trying to get people to play

1213
01:01:40,720 --> 01:01:41,960
Speaker 2: this game show.

1214
01:01:43,080 --> 01:01:46,640
Speaker 3: Or trivia show in LA like cash Cab.

1215
01:01:46,720 --> 01:01:51,360
Speaker 2: Yeah, just as a promotional video, and everyone said no.

1216
01:01:51,760 --> 01:01:54,480
Speaker 3: Because they really needed to go to the airport or something.

1217
01:01:54,600 --> 01:01:56,080
Speaker 2: Yes, like this isn't going to work.

1218
01:01:56,160 --> 01:01:59,160
Speaker 3: So in the end, one of the PA's just like I.

1219
01:01:59,120 --> 01:02:01,240
Speaker 2: Can get my friends to do it, and they ended

1220
01:02:01,320 --> 01:02:04,440
Speaker 2: up being funny, normal people.

1221
01:02:04,600 --> 01:02:05,040
Speaker 1: Thank god.

1222
01:02:05,160 --> 01:02:08,760
Speaker 2: Yeah, it worked out fine. But everyone it was it

1223
01:02:08,800 --> 01:02:11,960
Speaker 2: was like a producer on his way to something. Everyone

1224
01:02:12,040 --> 01:02:14,439
Speaker 2: we asked was like, what is this. No, you don't

1225
01:02:14,440 --> 01:02:15,880
Speaker 2: have the right to use my face. Yeah.

1226
01:02:15,960 --> 01:02:18,240
Speaker 1: Also, and they're like, it's illegal for you to actually

1227
01:02:18,240 --> 01:02:18,720
Speaker 1: be shooting.

1228
01:02:18,760 --> 01:02:21,880
Speaker 2: Yeah yeah yeah, Oh I'm sure someone cited some laws.

1229
01:02:22,080 --> 01:02:23,480
Speaker 2: I'm an entertainment lawyer.

1230
01:02:23,600 --> 01:02:25,200
Speaker 3: Yeah, yeah it was.

1231
01:02:25,400 --> 01:02:29,160
Speaker 2: It's that ship doesn't fly here, and so does I've

1232
01:02:29,400 --> 01:02:34,120
Speaker 2: also did a hidden camera pilot. Oh everyone, everyone would

1233
01:02:34,480 --> 01:02:37,160
Speaker 2: is this a hidden camera show? Yeah? Because I'm at

1234
01:02:37,240 --> 01:02:39,400
Speaker 2: Vidal soon and I don't know how to cut hair,

1235
01:02:39,440 --> 01:02:43,480
Speaker 2: but I'm teaching burn this guy's hair with a lighter.

1236
01:02:43,520 --> 01:02:46,520
Speaker 2: It was actually a bad idea. Anyway, never made it

1237
01:02:46,520 --> 01:02:48,800
Speaker 2: to air, and I never went to jail. The point

1238
01:02:48,920 --> 01:02:50,320
Speaker 2: is you can't get away with that ship.

1239
01:02:50,400 --> 01:02:55,240
Speaker 1: And the point is people who don't know the difference

1240
01:02:55,400 --> 01:02:58,040
Speaker 1: pitch ideas like that going it's going to be so

1241
01:02:58,200 --> 01:03:01,160
Speaker 1: funny because blah blah blah, and if they've never done

1242
01:03:01,160 --> 01:03:03,240
Speaker 1: it before, it's like, no, it's not going to be

1243
01:03:03,320 --> 01:03:06,400
Speaker 1: so funny. Yeah, because here's what's actually gonna happen, and

1244
01:03:06,440 --> 01:03:09,200
Speaker 1: they like, but if they're a suit or something, they

1245
01:03:09,240 --> 01:03:11,320
Speaker 1: don't know, They're like, this is gonna be great.

1246
01:03:11,640 --> 01:03:15,120
Speaker 2: No, these were all kids that worked at MTV that

1247
01:03:16,000 --> 01:03:18,520
Speaker 2: just got out of Emerson College or one of those

1248
01:03:18,680 --> 01:03:22,680
Speaker 2: comedy colleges, a fancy college, a fancy college, not me,

1249
01:03:23,360 --> 01:03:24,760
Speaker 2: University of Montana.

1250
01:03:24,960 --> 01:03:27,160
Speaker 3: I went to school for fly fishing.

1251
01:03:27,520 --> 01:03:33,120
Speaker 1: Sax State. Baby I went to school for Yegermeister. Both

1252
01:03:33,160 --> 01:03:36,800
Speaker 1: of us graduated with honors. Boom, Well, this has been

1253
01:03:36,840 --> 01:03:38,880
Speaker 1: a fun episode. I guess I'll wrap it up here.

1254
01:03:39,080 --> 01:03:43,120
Speaker 1: This felt like like a summer vacation episode.

1255
01:03:43,360 --> 01:03:46,640
Speaker 2: Yeah, yeah, this is this is us letting you all know,

1256
01:03:47,360 --> 01:03:50,880
Speaker 2: no more school for three months. Whoa go run in

1257
01:03:50,960 --> 01:03:52,560
Speaker 2: a sprinkler, go.

1258
01:03:52,480 --> 01:03:54,840
Speaker 1: By yourself, the donut of your choice.

1259
01:03:55,080 --> 01:03:58,720
Speaker 2: Yeah, spend your all summer and an empty fridge except

1260
01:03:58,720 --> 01:04:02,920
Speaker 2: for the otter pops that somehow saystaying you. Wow? Was

1261
01:04:02,920 --> 01:04:03,880
Speaker 2: that too specific?

1262
01:04:03,960 --> 01:04:09,600
Speaker 1: That was a direct pull memory, clearly, let's work through it.

1263
01:04:10,280 --> 01:04:11,560
Speaker 3: Oh it was fine.

1264
01:04:11,920 --> 01:04:16,200
Speaker 2: I just you know, not a fashioned chef in my house.

1265
01:04:17,720 --> 01:04:19,000
Speaker 1: No way to get food.

1266
01:04:19,880 --> 01:04:22,680
Speaker 2: Except to go to the neighbors. They had the schwans Man.

1267
01:04:22,840 --> 01:04:25,040
Speaker 1: Oh it's and then someone writes a song about you.

1268
01:04:26,200 --> 01:04:28,919
Speaker 2: Help me dying with a pet otter.

1269
01:04:29,480 --> 01:04:33,520
Speaker 3: No, it was an otter pop Okay, I'll end with

1270
01:04:33,600 --> 01:04:34,200
Speaker 3: that strong.

1271
01:04:34,560 --> 01:04:34,760
Speaker 2: Yeah.

1272
01:04:34,760 --> 01:04:35,400
Speaker 1: That was amazing.

1273
01:04:35,560 --> 01:04:41,600
Speaker 2: Yeah, phenomenal you've been listening to Do You Need a Ride?

1274
01:04:42,320 --> 01:04:42,880
Speaker 2: D y n.

1275
01:04:51,600 --> 01:04:54,040
Speaker 3: This has been an exactly Right production.

1276
01:04:54,520 --> 01:04:58,720
Speaker 1: Produced by Annalise Nelson, mixed by Edson Choy. Our talent

1277
01:04:58,760 --> 01:04:59,880
Speaker 1: booker is Patrick Copp.

1278
01:05:00,400 --> 01:05:02,400
Speaker 3: Theme song by Karen Kilgarrett.

1279
01:05:02,760 --> 01:05:06,320
Speaker 1: Artwork by Chris Fairbanks. Follow the show on Instagram, Twitter,

1280
01:05:06,360 --> 01:05:10,720
Speaker 1: and Facebook at dinar podcast That's d y n R Podcast.

1281
01:05:11,160 --> 01:05:14,720
Speaker 2: For more information, go to exactly Rightmedia dot com.

1282
01:05:14,720 --> 01:05:16,200
Speaker 1: Thank you both.

1283
01:05:16,360 --> 01:05:17,000
Speaker 2: You're welcome