WEBVTT - Classic 2016 Interviews

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<v Speaker 1>This is your week up call to Breakfast Club. They

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<v Speaker 1>show you love to hate from the East to the

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<v Speaker 1>West Coast. DJ M Angela Ye, Charlomagne, the guy really

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<v Speaker 1>show on the planet. This is why I respect this

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<v Speaker 1>show because this is a voice of society. Saints in

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<v Speaker 1>the game. Guys are the coveted morning show. What y'all

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<v Speaker 1>earn in bacting the coach up in the morning and day.

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<v Speaker 1>Want to hear that Breakfast the world's most dangerous morning show.

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<v Speaker 1>So like a control what up y'all is? DJ m

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<v Speaker 1>vy angela yee Charlomagne the guy. We are the Breakfast Club.

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<v Speaker 1>Make sure you donate to UNISEF to help save children's

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<v Speaker 1>lives this holiday season. Use your cell phone to dial

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<v Speaker 1>pound two fifty and say the keyword UNISEF. That's pound

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<v Speaker 1>two fifty, keyword UNISEF to make a donation. We got

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<v Speaker 1>a special guest in the building and he came in

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<v Speaker 1>there playing Pokemon Go Up and Down time. I'm trying

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<v Speaker 1>to catch you man. Yeah, now I was watching. I

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<v Speaker 1>was watching the interview you did in La on the

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<v Speaker 1>Rail with Letty. You said, you know you wasn't enjoying

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<v Speaker 1>the moment. Are you enjoying the moment now. Still there's

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<v Speaker 1>a lot of Man, it's rough, man. You lose your

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<v Speaker 1>one of your own boys, bro like that, Ain't that

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<v Speaker 1>ain't easy? Man. You don't just be like all right,

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<v Speaker 1>I'm over it. He wrapped about down on the album.

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<v Speaker 1>He went to prisoner right for a hundred years. Man,

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<v Speaker 1>Jesus Christ. He just he just I just got the

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<v Speaker 1>news that he got a hundred years to day my

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<v Speaker 1>album dropped. Damn, I'm supposed to feel like that. I've

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<v Speaker 1>been eating like once a day, like just being my

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<v Speaker 1>homie be folk, even though he was my homie, like

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<v Speaker 1>you the reason I'm even rapping about this lifestyle. He

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<v Speaker 1>did do to put me on the set, like only

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<v Speaker 1>like three years older than me, but he's like my

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<v Speaker 1>original big HOMEI like, bro talk, you feel like what

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<v Speaker 1>some survival's remorse, maybe survival's guilt that you made it

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<v Speaker 1>and he you know, nah, not really that. It's just

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<v Speaker 1>more so that just my nick like he's gone and

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<v Speaker 1>all I could do is just hop fun the pit.

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<v Speaker 1>I mean, you still got to enjoy the moment. You

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<v Speaker 1>got to do it right now, So that could be

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<v Speaker 1>some kind of Man I'm out here and she just

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<v Speaker 1>brought her arm too. You know what, you don't have

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<v Speaker 1>to you got what. You don't have time with Pokemon go.

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<v Speaker 1>You got too much. Man, I'm trying to keep my

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<v Speaker 1>mind off of it, just like being a kid, you know,

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<v Speaker 1>seven year old. Like that was one of the reasons

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<v Speaker 1>why I told people I stepped away from music after

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<v Speaker 1>my last album because it's just like I'm always doing

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<v Speaker 1>this type of stuff and moving around and I'm missing

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<v Speaker 1>out on my family. Like important. I was supposed to

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<v Speaker 1>be there, Like my daughter broke her arm and she

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<v Speaker 1>got like somebody else taking her to the hospital in

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<v Speaker 1>the hospital with it. I'm supposed to be there, right.

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<v Speaker 1>They make me sad talking about you know, your FaceTime

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<v Speaker 1>and what she's a FaceTime and she sleep most of

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<v Speaker 1>the time, you know what I mean. She on the dope.

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<v Speaker 1>They got her on the dope and stuff. She was

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<v Speaker 1>gonna get ready to go. It's dope, man, It's dope.

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<v Speaker 1>It is what it is. I think before FaceTime something

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<v Speaker 1>like that happened and you can at least now that's

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<v Speaker 1>a lot of connection like that to be on the

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<v Speaker 1>face time and see. Modern technology has really helped a

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<v Speaker 1>lot with relationships in general. No for sure. Off top. Well,

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<v Speaker 1>let's talk about the new album, blank Face, blank Face

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<v Speaker 1>seventeen songs. You must have had a lot of songs

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<v Speaker 1>done to be able to pick seventeen. I mean, yeah,

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<v Speaker 1>we were going to do a deluxe and all that,

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<v Speaker 1>but I'm just like, well I do a deluxe. That's

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<v Speaker 1>like the label stuff that you were in about to

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<v Speaker 1>seal the stuff. I don't care about that stuff, but

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<v Speaker 1>never care about don't damn bottom they put me in

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<v Speaker 1>this position. Don't get a twisted like TD put me

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<v Speaker 1>in this position. I wouldn't be where I'm at without TD.

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<v Speaker 1>Like you know how I know you here because you

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<v Speaker 1>did the song Studio that was a huge hit song

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<v Speaker 1>off the last album, and then I could tell on

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<v Speaker 1>this song you have another hit. What you talked about

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<v Speaker 1>the song with Miguel and Justine tough although you said

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<v Speaker 1>you didn't No, I didn't like it at first because

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<v Speaker 1>look see what I said that the listening party sound it.

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<v Speaker 1>I had to say stuff so brief that came out wrong.

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<v Speaker 1>But I didn't like the song until me get on

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<v Speaker 1>into Stein got on it. I'm the one that acts

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<v Speaker 1>for I was getting the hood. Then we had as

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<v Speaker 1>you can tell, Kendrick still got background vocals. Kendrick is

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<v Speaker 1>in the background too. It's just a little like, nah,

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<v Speaker 1>I'm cool on that, Like y'all know about the forest meter,

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<v Speaker 1>but use Kindrick on one album with the girls song, Yeah,

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<v Speaker 1>I can see what time I'm hauging with Dave. I'm like, bro,

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<v Speaker 1>that's a bootleg studio. He like, no, it's not. I'm like, bro,

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<v Speaker 1>it's definitely a bootleg studio. I don't think it's sound

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<v Speaker 1>like but nah, I'm the one that was like, get

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<v Speaker 1>me me Gail at least, Yeah, no, what it is

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<v Speaker 1>these bunk ass websites they put it out there. They

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<v Speaker 1>didn't even put Justine name. Schoolboard Q hates the song

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<v Speaker 1>with me Gail I never mentioned, like, I never, but

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<v Speaker 1>also I would have to say it brief, so I

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<v Speaker 1>can understand why they would put it like that. You

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<v Speaker 1>could tell that they're looking for it's a great headline

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<v Speaker 1>and looking like yeah, exactly, but he doesn't like song

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<v Speaker 1>with Miguel. Miguel hit you like I thought you said

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<v Speaker 1>you like girl. We hunted at each other or whatever.

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<v Speaker 1>I was wrong in the situation. I would have been

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<v Speaker 1>like I would have hided letting you know what I'm saying,

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<v Speaker 1>somebody says something like that to me, ain't nothing you

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<v Speaker 1>can say to me, like, you know what I mean?

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<v Speaker 1>So I had to highlight him and let him know

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<v Speaker 1>that this better. No, I was like that, I'm just like,

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<v Speaker 1>I'm just like I had to apologize to him because

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<v Speaker 1>it came out wrong. And as a man, you gotta

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<v Speaker 1>know when you're wrong when you when you do something.

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<v Speaker 1>You know what I mean? I was wrong? How man?

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<v Speaker 1>We just always used to run into each other, and

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<v Speaker 1>I just had a top calling him like I'm not

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<v Speaker 1>about to go ask somebody like Kanye West status, like yo,

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<v Speaker 1>let me get your number. We should do something like

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<v Speaker 1>Kanye is up here, school boy. No, no, not like

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<v Speaker 1>Kanye bro. Kanye is a legend, like he hadn't done

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<v Speaker 1>it over and over and over and over and over

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<v Speaker 1>since I was in like first year out of high school.

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<v Speaker 1>You know what I'm saying, right, you know your playing exactly.

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<v Speaker 1>You don't let I hate when you artists like, no disrespect.

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<v Speaker 1>But if you just got on like you're not even

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<v Speaker 1>made the freshman listen, you ask him for my number

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<v Speaker 1>and you talk about let's go to the wild, let's

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<v Speaker 1>do this. Oh, you should like no, I'm cool, like no,

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<v Speaker 1>like unless it's like unless I know who you are

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<v Speaker 1>and it's dope, like don't just ask me for my number,

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<v Speaker 1>and like no we need to get one, Like no,

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<v Speaker 1>we don't need to get one. I mean still yes

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<v Speaker 1>so much because people confuse gangster rap with no substance. Now,

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<v Speaker 1>but we got the most substance in any artists because

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<v Speaker 1>for the simple fact we're talking about our life. People

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<v Speaker 1>just be talking about what's on the news. I'll be

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<v Speaker 1>hearing Nick to be wrapping double Time and that's bars

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<v Speaker 1>Like now you got better and way more child, I

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<v Speaker 1>get more greener, I got more, like what the that's

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<v Speaker 1>double time? Confusing bad? Just stepping up lyrically on this album.

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<v Speaker 1>Of course I had to, man, this is I felt

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<v Speaker 1>I felt like people sleeping on me. Man, even though

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<v Speaker 1>I had the big record, I just got to come

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<v Speaker 1>back harder. I just felt like I just had to

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<v Speaker 1>come back harder, stay focused. Man. Now you haven't had

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<v Speaker 1>some experiences with aliens, because I see you're on Action

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<v Speaker 1>Bronson's or if you're popping in LA all the time. Yeah,

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<v Speaker 1>so they say, I mean, I don't believe in none

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<v Speaker 1>of that alien stop. I don't believe in alien. Don't

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<v Speaker 1>get me wrong. I don't think we're the only species

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<v Speaker 1>in the world. I'm not believing Alien has a spaceship

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<v Speaker 1>flying over LA just seeing was cracking it. No got planes.

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<v Speaker 1>I can fly over other countries and all around the world.

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<v Speaker 1>We're not going to more's talking about what's cracking that.

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<v Speaker 1>We know what's going on. Oh they see us. We

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<v Speaker 1>gotta get out of here. Experience. But if that was

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<v Speaker 1>ghost or something, No, I know that experience with ghosts.

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<v Speaker 1>None of that wasn't dreamed all that. But you know

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<v Speaker 1>what I'm saying, that's what the ghost too. Like Bobby Brown, No,

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<v Speaker 1>I don't know what he's talking about. No, man, I

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<v Speaker 1>need some of that. He got whatever you got crack

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<v Speaker 1>it's called you know with the ghost. I mean you

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<v Speaker 1>ain't getting no SCD running. We got more with schoolboy

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<v Speaker 1>que keeping locked as to breakfast Club. Good morning, the

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<v Speaker 1>breakfast Club. What I'm jealous? Dj M v Angela Ye

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<v Speaker 1>Charlo mine the guy. We are the breakfast Club. You

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<v Speaker 1>have one more day to make your tax deductible donation

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<v Speaker 1>in two thousand and sixteen. Make you see your tax

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<v Speaker 1>deductible donation before it's too late with this easy unisef donation.

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<v Speaker 1>Use your cell phone to dial pound two fifty and

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<v Speaker 1>say the keyword UNITSAF. That's pound two fifty, keyword unitsaf

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<v Speaker 1>to make a donation. Schoolboy, que is in the building

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<v Speaker 1>that there's a freak que out a little bit when

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<v Speaker 1>you go to your concert and people are looking like

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<v Speaker 1>you with the hat, like, Bro, it's weird, bro, people

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<v Speaker 1>wearing the circle the John Lenny's glasses. I'm starting to

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<v Speaker 1>see ugly bears now, like, oh that you gotta salute

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<v Speaker 1>Chilly for that. Credit for that. I'm not taking the

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<v Speaker 1>credit for it. I'm just saying when I'm at my shows,

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<v Speaker 1>I've seen that, and it's it's a little weird. I'm

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<v Speaker 1>seeing dashikis now like they already took the bucket hats

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<v Speaker 1>from me. Everybody wearing the bucket I'm like, bro, like

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<v Speaker 1>I had to put that away. That's why you don't

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<v Speaker 1>have you got a little too weird. Everywhere I go.

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<v Speaker 1>It's just like everybody knew it was me off the rip, like,

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<v Speaker 1>oh that schoolworkque I took the bucket hat off. People

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<v Speaker 1>don't even bother me no more. But what's the science

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<v Speaker 1>behind the dot chikis I'm black. Okay, damn the album

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<v Speaker 1>behind that. I'm just asking I how you said on

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<v Speaker 1>Twitter you just be paying five dollars. They just cast

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<v Speaker 1>five dollars off Amazon. You getting the match, you sneakers, though.

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<v Speaker 1>I get every color possible on Amazon. I go every week.

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<v Speaker 1>I check Amazon. You got any new ones? No, they

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<v Speaker 1>got any. I don't bought them all. I ain't seen

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<v Speaker 1>on new ones now reloaded. I got a couple of throwbacks,

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<v Speaker 1>like like like exclusive ones. I got a couple. I

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<v Speaker 1>got a couple of exclusive one the super Bowl and

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<v Speaker 1>I got cool on it face. Yeah, this Michael Jordan

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<v Speaker 1>crying and people thought that was your album cover. You

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<v Speaker 1>put that out there like that for people to think

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<v Speaker 1>that as a joke, Yeah, you really want to do that,

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<v Speaker 1>But you knew, Michael Jordan. The whole thing was, I

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<v Speaker 1>had a cost up behind it because the album is

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<v Speaker 1>obviously called blank Face, and I was supposed to put

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<v Speaker 1>out a bunch of a series of pictures. But you

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<v Speaker 1>put the first one out and everybody jumped on it, like, oh, cut,

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<v Speaker 1>that's the cover. I've never said it was the cover,

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<v Speaker 1>all right, So I'm like, all right, y'all, stupid, not

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<v Speaker 1>my fans. The websites like, like I said, they timz now,

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<v Speaker 1>like you put something out, they want to be the

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<v Speaker 1>first one to do. They want to gossip, they want

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<v Speaker 1>to you know what I mean. So I'm all right,

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<v Speaker 1>these websites are stupid. Did I threw the Donald Trump

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<v Speaker 1>went out and I was like, Deluxe covered Just I'm

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<v Speaker 1>now I'm trolling now because y'all messed my whole thing

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<v Speaker 1>up that I was trying to do. I had a

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<v Speaker 1>whole bunch of pictures. Bro it was the first picture

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<v Speaker 1>we put up. The first two minutes they talked about album.

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<v Speaker 1>But you know, that just means people are excited and

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<v Speaker 1>you put something out and immediately everybody jumps on it.

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<v Speaker 1>They're like, oh, this is dam'm covered albums coming. It's

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<v Speaker 1>exciting for people. Now, imagine you put that out and

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<v Speaker 1>nobody said nothing would have been tight because they would

0:10:55.000 --> 0:10:57.360
<v Speaker 1>have got everything I got that I wanted to do

0:10:57.480 --> 0:10:59.640
<v Speaker 1>with it. It would have been tight. But I mean,

0:10:59.720 --> 0:11:01.720
<v Speaker 1>it is what it is. Man. I'm not I'm not.

0:11:01.960 --> 0:11:04.360
<v Speaker 1>I'm new to all this media stuff still, Like I

0:11:04.360 --> 0:11:08.640
<v Speaker 1>can tell you that's what you cool here, Like, man,

0:11:08.720 --> 0:11:10.079
<v Speaker 1>I'm not about to come in here like when I'm

0:11:10.080 --> 0:11:15.560
<v Speaker 1>gonna come in here. Y'all know I getting money? Like, now,

0:11:15.640 --> 0:11:18.240
<v Speaker 1>what does the blank face actually symbolize? Because on the album,

0:11:18.320 --> 0:11:20.319
<v Speaker 1>you got a line where you say all lives matter.

0:11:20.679 --> 0:11:23.240
<v Speaker 1>Oh no, people got that and they mixed it up.

0:11:23.920 --> 0:11:27.600
<v Speaker 1>The whole song. First of the song is called black thoughts. Okay,

0:11:27.800 --> 0:11:31.760
<v Speaker 1>the whole song is about crips and bloods. After I

0:11:31.800 --> 0:11:35.520
<v Speaker 1>said all lives matter, I said both sides. So what

0:11:35.640 --> 0:11:37.440
<v Speaker 1>does that give you? What does that bring to you?

0:11:37.480 --> 0:11:41.600
<v Speaker 1>What am I talking about exactly? Which means I'm still

0:11:41.640 --> 0:11:44.920
<v Speaker 1>talking about black lives. I flip the whole little ignorance

0:11:44.960 --> 0:11:48.360
<v Speaker 1>saying all lives matter into making it still black lives.

0:11:48.520 --> 0:11:51.280
<v Speaker 1>You get what I'm saying. People are not dissecting the lyrics.

0:11:51.320 --> 0:11:54.880
<v Speaker 1>People are so easy at listening to the song. Rappers

0:11:54.880 --> 0:11:57.680
<v Speaker 1>are whack. People just hearing they're just like, oh, you

0:11:57.760 --> 0:11:59.680
<v Speaker 1>said all lives matter. You didn't even listen to the

0:11:59.720 --> 0:12:05.480
<v Speaker 1>song black Thoughts. So you said there's only two skin colors?

0:12:05.480 --> 0:12:07.400
<v Speaker 1>Like you know what I mean? Like people always making

0:12:07.440 --> 0:12:09.520
<v Speaker 1>it white in the black thing. It's not about that. Like,

0:12:09.559 --> 0:12:11.480
<v Speaker 1>are you disgusting with the music industry because you keep

0:12:11.480 --> 0:12:13.719
<v Speaker 1>saying these rappers are so whack? Oh? They are like,

0:12:14.240 --> 0:12:17.200
<v Speaker 1>not everybody whack bro, I'll just see what everybody's doing.

0:12:17.240 --> 0:12:20.480
<v Speaker 1>Everybody's trying to make older music, like, oh, I'm trying

0:12:20.480 --> 0:12:22.400
<v Speaker 1>to sound like this dude. I'm trying to sound like

0:12:22.440 --> 0:12:24.560
<v Speaker 1>that dude. Are they doing the same thing? Like I

0:12:24.640 --> 0:12:27.440
<v Speaker 1>don't tune and like everybody that's the new wave now,

0:12:27.480 --> 0:12:31.360
<v Speaker 1>like because of guys like you, because of Kendrick, because

0:12:31.400 --> 0:12:34.160
<v Speaker 1>of Victimns and Chance. I like, I like a lot

0:12:34.200 --> 0:12:36.959
<v Speaker 1>about it. Don't get me wrong. It are the people

0:12:37.000 --> 0:12:40.240
<v Speaker 1>that's dope. But there's so much whacked out there, no content,

0:12:40.360 --> 0:12:43.800
<v Speaker 1>no nothing, and then it makes the listener lazy, like

0:12:43.880 --> 0:12:46.960
<v Speaker 1>everywhere you go, everybody actually, so what do your album mean?

0:12:47.040 --> 0:12:49.720
<v Speaker 1>Before it even drop, like everybody's been asking me what

0:12:49.760 --> 0:12:51.760
<v Speaker 1>does blank face mean? I'm like, you figure it out first,

0:12:51.760 --> 0:12:53.559
<v Speaker 1>it don't even out the week listen to it. I'm

0:12:53.559 --> 0:12:55.160
<v Speaker 1>gonna take a crack of this blank face thing. I

0:12:55.200 --> 0:12:57.360
<v Speaker 1>think it means that, like, you don't want to be profiled,

0:12:57.360 --> 0:12:58.520
<v Speaker 1>you don't want to be just you don't want to

0:12:58.559 --> 0:13:01.040
<v Speaker 1>be stereotypes, like don't put me in the boxes. You

0:13:01.080 --> 0:13:04.000
<v Speaker 1>don't know what I am. Part of that's big, that's

0:13:04.200 --> 0:13:08.480
<v Speaker 1>big percentage of what the album in like got it

0:13:09.000 --> 0:13:11.480
<v Speaker 1>albums out right now, make sure you pick it up.

0:13:11.640 --> 0:13:13.520
<v Speaker 1>And we appreciate you joining a school. But you've been

0:13:13.520 --> 0:13:15.880
<v Speaker 1>the same since you first came out. Man, every time

0:13:15.920 --> 0:13:17.800
<v Speaker 1>you get the same guy, you always show us love

0:13:17.840 --> 0:13:20.400
<v Speaker 1>and we appreciate that. Man. Thank y'all for not doing

0:13:20.400 --> 0:13:23.880
<v Speaker 1>me like the other rappers and making me good music music.

0:13:23.920 --> 0:13:26.840
<v Speaker 1>And you don't do dumbs when you're not in the booth. Yeah, people,

0:13:27.160 --> 0:13:29.680
<v Speaker 1>I've been looking at some of these interviews. I'd be like, damn,

0:13:29.720 --> 0:13:33.160
<v Speaker 1>I'm ready to get down. Some of the y'all say

0:13:33.200 --> 0:13:35.400
<v Speaker 1>to people, we gotta get down, like off top we

0:13:36.520 --> 0:13:39.960
<v Speaker 1>make good music. No, I'm scalars man, y'all y'all making

0:13:40.080 --> 0:13:43.800
<v Speaker 1>artists feel weird, like y'all do answer questions not interested

0:13:43.840 --> 0:13:48.280
<v Speaker 1>in the answer, like ask the questions. It's already caring

0:13:48.360 --> 0:13:51.640
<v Speaker 1>what the deal is saying. Like, so I'll appreciate y'all

0:13:51.679 --> 0:13:53.319
<v Speaker 1>for even you know what I'm saying. If you don't

0:13:53.360 --> 0:13:55.000
<v Speaker 1>put the knowledge of me, if you don't put no

0:13:55.040 --> 0:13:57.000
<v Speaker 1>thought into your music or your craft, why should we

0:13:57.000 --> 0:14:00.840
<v Speaker 1>put thought into our questions when we interview? True, that's

0:14:03.360 --> 0:14:06.240
<v Speaker 1>my mind supposed to say that you said you answer

0:14:06.320 --> 0:14:08.439
<v Speaker 1>the questions like you answer and say stuff like me

0:14:08.720 --> 0:14:11.360
<v Speaker 1>and he answered say stuff like Dave and topping one

0:14:12.320 --> 0:14:14.520
<v Speaker 1>angel the lie just to token female that need to

0:14:14.520 --> 0:14:19.000
<v Speaker 1>be on the show. I feel like she just here

0:14:19.120 --> 0:14:23.000
<v Speaker 1>to just tell you, like but yeah, so I heard

0:14:23.040 --> 0:14:31.840
<v Speaker 1>you name your album blank face like a love Angela.

0:14:32.240 --> 0:14:34.520
<v Speaker 1>She loves music, but I don't think she cares to

0:14:34.640 --> 0:14:38.320
<v Speaker 1>interview nobody. I can tell she genuinely loved music, but

0:14:38.400 --> 0:14:42.080
<v Speaker 1>she doesn't care to h exactly what you want to

0:14:42.120 --> 0:14:43.880
<v Speaker 1>go and listen to the music. She ain't trying to.

0:14:44.280 --> 0:14:46.360
<v Speaker 1>Definitely went to the listening session. Ye, he was the

0:14:46.360 --> 0:14:49.120
<v Speaker 1>only one. So she do that type of stuff. I

0:14:50.360 --> 0:14:52.400
<v Speaker 1>understand that because you come up here and take time

0:14:52.400 --> 0:14:54.280
<v Speaker 1>out to promote. I like to go out and show

0:14:54.360 --> 0:14:56.440
<v Speaker 1>my support as well for people. If I care about

0:14:56.480 --> 0:14:58.320
<v Speaker 1>your music, I care about you, I like to make

0:14:58.360 --> 0:14:59.880
<v Speaker 1>sure I go out of my way to go and

0:15:00.000 --> 0:15:02.080
<v Speaker 1>do that. So all right, Well it's to Breakfast Club

0:15:02.080 --> 0:15:08.480
<v Speaker 1>the Schoolboy Q Happy Holiday. You're listening to the World's

0:15:08.520 --> 0:15:11.480
<v Speaker 1>most dangerous morning show. To Breakfast Club the Breakfast Club

0:15:13.840 --> 0:15:17.760
<v Speaker 1>You jealous, DJ MD Angela, Yee Charlomagne, the guy we

0:15:17.800 --> 0:15:20.520
<v Speaker 1>are the Breakfast Club this year is a time of giving,

0:15:20.760 --> 0:15:23.160
<v Speaker 1>so make sure you donate to UNISEFT to help save

0:15:23.280 --> 0:15:26.160
<v Speaker 1>children's lives this holiday season. Use your cell phone to

0:15:26.200 --> 0:15:29.520
<v Speaker 1>die pound two fifty and say the keyword unisapp. That's

0:15:29.560 --> 0:15:33.040
<v Speaker 1>pound two fifty keyword unisapp to make a donation. We

0:15:33.120 --> 0:15:35.480
<v Speaker 1>got a special guest in the building, young m A.

0:15:35.840 --> 0:15:37.800
<v Speaker 1>The other day, I was a DJ and the team

0:15:37.880 --> 0:15:39.960
<v Speaker 1>party and the DJ shop the Little Man with DJ

0:15:40.040 --> 0:15:42.600
<v Speaker 1>and before me, he played the instrumental of her record

0:15:42.600 --> 0:15:46.800
<v Speaker 1>and these kids wrapped the whole soul which back after bottom.

0:15:46.880 --> 0:15:49.840
<v Speaker 1>Oh now I'm hearting your name all through New York City. Man,

0:15:49.880 --> 0:15:52.640
<v Speaker 1>I'm always interested in knowing you know who young rappers

0:15:52.640 --> 0:15:57.120
<v Speaker 1>like yourself were influenced from coming from New York. That

0:15:57.280 --> 0:15:59.520
<v Speaker 1>was my favorite rapper of all time. Man, definitely I

0:15:59.560 --> 0:16:02.520
<v Speaker 1>was younger. So what got you rapping? Because I mean

0:16:02.800 --> 0:16:05.160
<v Speaker 1>you're a girl. So as a kid, Oh yeah, no,

0:16:05.200 --> 0:16:13.360
<v Speaker 1>girls right, finish and I finish what I'm saying. You know,

0:16:13.520 --> 0:16:15.960
<v Speaker 1>usually females are into bobby dolls and toy but you

0:16:16.000 --> 0:16:20.600
<v Speaker 1>got wown't like. I don't want you to bury yourself

0:16:22.000 --> 0:16:25.640
<v Speaker 1>on your I wasn't into barbies, I bobbies do I

0:16:25.640 --> 0:16:27.240
<v Speaker 1>have bothers? But I used to. What I used to

0:16:27.280 --> 0:16:29.960
<v Speaker 1>do was cut their hair off, make them into boys.

0:16:29.960 --> 0:16:32.040
<v Speaker 1>Because my mom never bought me the Kendle, cut the

0:16:32.080 --> 0:16:38.680
<v Speaker 1>hair of, drew a mustache on them, bobbies. Did you

0:16:38.720 --> 0:16:41.000
<v Speaker 1>cut the boof? And every day? No, I ain't to

0:16:41.080 --> 0:16:43.680
<v Speaker 1>do that. I just put a shirt on call it

0:16:43.680 --> 0:16:46.960
<v Speaker 1>the day. Why would you buy the kindle? Black mothers

0:16:46.960 --> 0:16:48.720
<v Speaker 1>ain't think of kenn and Barbie. They just got the

0:16:48.720 --> 0:16:51.040
<v Speaker 1>bobby head. Take that and it was all black single

0:16:51.080 --> 0:17:01.200
<v Speaker 1>mother definitely. That's why, kid that you played the football

0:17:01.760 --> 0:17:06.200
<v Speaker 1>tackle football. That wasn't strange. Not to me. It was normal.

0:17:06.640 --> 0:17:14.800
<v Speaker 1>You put equipment on it hits what got you in

0:17:14.840 --> 0:17:22.520
<v Speaker 1>the foot and it was like did you get your period?

0:17:21.920 --> 0:17:23.680
<v Speaker 1>If they would have asked me to play football, I

0:17:23.680 --> 0:17:24.879
<v Speaker 1>don't think I would be like, all right, come on,

0:17:24.960 --> 0:17:26.960
<v Speaker 1>we gonna put this equipment on the go play. Being

0:17:27.000 --> 0:17:29.960
<v Speaker 1>around the bullets, everybody playing football were all playing football,

0:17:30.040 --> 0:17:31.760
<v Speaker 1>and they were just like, yo, you should get on

0:17:31.760 --> 0:17:33.480
<v Speaker 1>the team. Because all my all my friends was they

0:17:33.520 --> 0:17:35.480
<v Speaker 1>was they was playing football. It was on the team.

0:17:35.760 --> 0:17:37.240
<v Speaker 1>I was the only one that didn't get on the

0:17:37.240 --> 0:17:38.600
<v Speaker 1>team that I was. I thought, you know, I'm a girl,

0:17:38.600 --> 0:17:40.359
<v Speaker 1>I can't get on the team. So we made it

0:17:40.400 --> 0:17:42.960
<v Speaker 1>happen and I was the first girl on the football team.

0:17:43.000 --> 0:17:45.960
<v Speaker 1>Oh you actually played like organized, That's what I'm trying

0:17:45.960 --> 0:17:50.840
<v Speaker 1>to tell you. Equipment on everything. So you asked the

0:17:50.920 --> 0:17:56.560
<v Speaker 1>NFL like, yeah, I was. I was. I was, Um,

0:17:56.720 --> 0:18:00.200
<v Speaker 1>what's that? What's that called finest? What was this? You

0:18:00.280 --> 0:18:02.520
<v Speaker 1>played running back? I wanted to play that. They put

0:18:02.560 --> 0:18:04.480
<v Speaker 1>me as ride receiver. I mean I could throw a

0:18:04.520 --> 0:18:06.159
<v Speaker 1>football too. I wanted to be quarter I wanted to

0:18:06.160 --> 0:18:07.800
<v Speaker 1>be anything. They can put me in that position. But

0:18:08.520 --> 0:18:10.119
<v Speaker 1>he said everything. He wouldn't let his dad to do

0:18:10.119 --> 0:18:14.120
<v Speaker 1>that because it feels dangerous. This is my little baby girl.

0:18:14.280 --> 0:18:16.440
<v Speaker 1>You ever heard anybody. I even got into a fight

0:18:16.440 --> 0:18:18.440
<v Speaker 1>with one of my one of my homeboys from from

0:18:18.440 --> 0:18:20.359
<v Speaker 1>tackling them to all. He got upset because he was

0:18:20.359 --> 0:18:23.199
<v Speaker 1>a little embarrassed. They tried to get up and fight me.

0:18:23.440 --> 0:18:25.359
<v Speaker 1>You know what I mean, because I popped him in

0:18:25.359 --> 0:18:28.520
<v Speaker 1>front of everybody like bom hit him. Everybody from from

0:18:28.520 --> 0:18:31.520
<v Speaker 1>the buildings yelling like oh so he fell some type

0:18:31.560 --> 0:18:34.800
<v Speaker 1>of way, push me, and then we just started fighting.

0:18:34.920 --> 0:18:36.639
<v Speaker 1>But you seem like the type of woman that was

0:18:36.720 --> 0:18:38.639
<v Speaker 1>never like they never looked at you as a female.

0:18:38.680 --> 0:18:40.199
<v Speaker 1>They accepted you as one of the dudes, like I

0:18:40.240 --> 0:18:46.600
<v Speaker 1>saw basically embarrassing. I want to see this. I was

0:18:46.640 --> 0:18:51.240
<v Speaker 1>like ten years old. Wow, sometimes I questioned, while I

0:18:51.280 --> 0:18:53.000
<v Speaker 1>was born this way. I never wanted to wear skirts

0:18:53.080 --> 0:18:55.320
<v Speaker 1>and shoes, makeup, nails, dresses, and even wear my hand.

0:18:55.359 --> 0:18:57.840
<v Speaker 1>Certain we always want to wear jeans and sneakers, study arrings,

0:18:57.840 --> 0:18:59.359
<v Speaker 1>hand a ponty time, play with the boys. I never

0:18:59.359 --> 0:19:03.720
<v Speaker 1>wanted to get chick. I wanted to play football. You really,

0:19:03.720 --> 0:19:05.840
<v Speaker 1>really you are the young age that you like girls

0:19:05.840 --> 0:19:09.120
<v Speaker 1>at the young game. It was like first grade. First grade. Yeah,

0:19:09.160 --> 0:19:11.040
<v Speaker 1>I thought I was with though, you know what I mean,

0:19:11.080 --> 0:19:12.720
<v Speaker 1>Like I thought I was the only one in the

0:19:12.720 --> 0:19:15.400
<v Speaker 1>world that felt like that. I never said nothing for

0:19:15.400 --> 0:19:17.600
<v Speaker 1>for years to come, years to come. I can't tell

0:19:17.640 --> 0:19:19.480
<v Speaker 1>you seem like a veteran. That was the only truth.

0:19:19.720 --> 0:19:22.040
<v Speaker 1>It's crazy because I used to act so much like

0:19:22.080 --> 0:19:25.800
<v Speaker 1>a boy that people used to be like, you're like

0:19:25.880 --> 0:19:28.960
<v Speaker 1>you gutty, Like why you like stop the night you're game?

0:19:29.040 --> 0:19:30.640
<v Speaker 1>Like it's obvious, you know what I mean. I still

0:19:30.640 --> 0:19:34.240
<v Speaker 1>have boyfriends before. Yeah, I have boyfriends before before. No no, no, no, no,

0:19:34.520 --> 0:19:40.399
<v Speaker 1>say hey hey whoa No. I never did really I

0:19:40.440 --> 0:19:43.359
<v Speaker 1>swell my dad brother real virgin. Yeah, you got a

0:19:43.359 --> 0:19:45.920
<v Speaker 1>lot of lesbians that had some penis and you kids

0:19:45.960 --> 0:19:49.159
<v Speaker 1>and all that. Yeah, but I never did what she

0:19:49.240 --> 0:19:52.000
<v Speaker 1>knew early on clearly. Also, yeah, my mom been new.

0:19:52.080 --> 0:19:53.639
<v Speaker 1>She used to try to get me to say it,

0:19:53.720 --> 0:19:56.359
<v Speaker 1>like she she went in like force it, but she

0:19:56.400 --> 0:19:58.359
<v Speaker 1>would be like, you know, if you like girly, no,

0:19:58.480 --> 0:20:01.119
<v Speaker 1>you can always tell me. I like, nah, Mom, Like,

0:20:01.160 --> 0:20:02.639
<v Speaker 1>why are you keep saying that? Nah? You know what

0:20:02.640 --> 0:20:04.320
<v Speaker 1>I mean? She really knew when I had went to

0:20:04.400 --> 0:20:07.040
<v Speaker 1>gay Pride one day, like come on, now, I'm like,

0:20:07.400 --> 0:20:09.280
<v Speaker 1>everybody goes to gay Pride, you know what I mean?

0:20:09.680 --> 0:20:11.240
<v Speaker 1>But she knew, and I used to be scared to

0:20:11.240 --> 0:20:13.480
<v Speaker 1>tell my moms because I didn't know. I knew my

0:20:13.480 --> 0:20:16.120
<v Speaker 1>moms was that. Wasn't that type of mother to be like, oh,

0:20:16.240 --> 0:20:17.920
<v Speaker 1>I don't like you, you know what I mean, I'm gonna,

0:20:18.000 --> 0:20:22.480
<v Speaker 1>you know, just ignore you whatever. Whatever she didn't you

0:20:22.760 --> 0:20:24.679
<v Speaker 1>cannot know and be okay with it. But then when

0:20:24.720 --> 0:20:26.160
<v Speaker 1>you know it could change, you know what I mean,

0:20:26.200 --> 0:20:28.960
<v Speaker 1>your input on it? So what got you in the writing?

0:20:29.000 --> 0:20:30.160
<v Speaker 1>I don't know. I just won day. I just saw

0:20:30.200 --> 0:20:32.640
<v Speaker 1>that writing rhymes in my room and playing with it,

0:20:32.800 --> 0:20:40.760
<v Speaker 1>and I knew you were already playing with yeah. But um, now,

0:20:40.760 --> 0:20:42.640
<v Speaker 1>once I started listening in the fifty cent that's when

0:20:42.680 --> 0:20:44.119
<v Speaker 1>I really was like, oh, no, I want to be

0:20:44.160 --> 0:20:46.960
<v Speaker 1>a rapper. You write your own ms? Yeah? Absolutely? Was

0:20:47.000 --> 0:20:48.720
<v Speaker 1>it hard for you to get sized since you're not

0:20:48.880 --> 0:20:53.840
<v Speaker 1>yet your typical female artist, I'm not sorry. Well I

0:20:53.840 --> 0:20:57.280
<v Speaker 1>should say for people to hear your music to get on, um,

0:20:57.359 --> 0:20:59.360
<v Speaker 1>there's your records are popping up there. I've been doing

0:20:59.440 --> 0:21:02.479
<v Speaker 1>music for the past few years where I was, um

0:21:02.920 --> 0:21:05.879
<v Speaker 1>originally like a little more feminine, you know what I

0:21:05.920 --> 0:21:08.040
<v Speaker 1>mean with the music, and this is what I was

0:21:08.080 --> 0:21:09.600
<v Speaker 1>told to be, you know what I mean. I couldn't

0:21:09.640 --> 0:21:12.119
<v Speaker 1>come out aggressive. I couldn't come out like you know

0:21:12.119 --> 0:21:14.479
<v Speaker 1>what I mean, being who I am today. Don't tell

0:21:14.520 --> 0:21:16.719
<v Speaker 1>people you're a lesbian. It was like being a lesbian

0:21:16.760 --> 0:21:18.879
<v Speaker 1>and say you like guys too, you know what I mean.

0:21:18.920 --> 0:21:21.560
<v Speaker 1>It was like do both. It was like points where

0:21:21.560 --> 0:21:22.840
<v Speaker 1>they'd be like, you know, it's gonna be times where

0:21:22.840 --> 0:21:26.600
<v Speaker 1>you might have to throw and a dress and at

0:21:26.640 --> 0:21:29.080
<v Speaker 1>that time, at that time, don't get me wrong, I

0:21:29.200 --> 0:21:32.960
<v Speaker 1>thought that's that's what it was like. I just was like, okay,

0:21:33.200 --> 0:21:34.639
<v Speaker 1>you know what I mean, but part of me was like,

0:21:34.840 --> 0:21:36.760
<v Speaker 1>I don't think I'm gonna do this. I just when

0:21:36.800 --> 0:21:38.919
<v Speaker 1>I started to be in the streets small and and

0:21:38.960 --> 0:21:40.359
<v Speaker 1>then it was just like I was just gonna leave

0:21:40.440 --> 0:21:42.800
<v Speaker 1>music alone, like forget it. It just kept coming back

0:21:42.800 --> 0:21:44.199
<v Speaker 1>to me. You know, they saved you let something go

0:21:44.200 --> 0:21:46.200
<v Speaker 1>in and come back. It's meant music kept coming back

0:21:46.200 --> 0:21:47.640
<v Speaker 1>to me. People kept him me like, yo, you don't

0:21:47.640 --> 0:21:50.600
<v Speaker 1>do music no more. And I just kept putting out music.

0:21:51.000 --> 0:21:52.760
<v Speaker 1>And I had to get a little more aggressive on

0:21:52.760 --> 0:21:54.199
<v Speaker 1>the track. So I'm like, I don't think they hit

0:21:54.320 --> 0:21:56.280
<v Speaker 1>me like it's what I do, Like this is what

0:21:56.280 --> 0:21:58.760
<v Speaker 1>I've been doing for a long time, Like this ain't new.

0:21:58.880 --> 0:22:00.320
<v Speaker 1>Did you have a question why you did to see

0:22:00.320 --> 0:22:03.000
<v Speaker 1>more LGBT and hip hop? See, I never looked at

0:22:03.000 --> 0:22:06.119
<v Speaker 1>it like that, Like I never look at LGBT when

0:22:06.160 --> 0:22:08.480
<v Speaker 1>when I do music, I don't. I don't. I don't

0:22:08.520 --> 0:22:09.920
<v Speaker 1>stick in that box. You know what I mean? You

0:22:10.040 --> 0:22:13.320
<v Speaker 1>just do music. I just do music. I'll get anything

0:22:13.359 --> 0:22:15.560
<v Speaker 1>stuck in your box, young man. It's the Breakfast Club.

0:22:15.600 --> 0:22:20.040
<v Speaker 1>Good morning, what up y'all? The cj M, D Angela, Ye,

0:22:20.080 --> 0:22:22.800
<v Speaker 1>Charlomagne the guy. We are the Breakfast club. Make sure

0:22:22.840 --> 0:22:25.680
<v Speaker 1>you donate to UNISF to help save children's lives this

0:22:25.800 --> 0:22:28.880
<v Speaker 1>holiday season. Use your cell phone to dial pound two

0:22:29.000 --> 0:22:32.639
<v Speaker 1>fifty and say the keyword UNISF. That's pound two fifty,

0:22:32.760 --> 0:22:36.720
<v Speaker 1>keyword UNISF to make a donation. MS in the building. Yeah. Also,

0:22:36.800 --> 0:22:41.200
<v Speaker 1>probably fortunate you didn't end up on Empire. Oh yeah, yeah,

0:22:41.320 --> 0:22:44.600
<v Speaker 1>you look like one of Lose his kids. I wasn't

0:22:44.600 --> 0:22:46.199
<v Speaker 1>you know. I wasn't even gonna be his kid on

0:22:46.240 --> 0:22:49.399
<v Speaker 1>the show. I was gonna be the good Yeah. But

0:22:49.480 --> 0:22:54.680
<v Speaker 1>the original name was Betty Bars. They wrote the script

0:22:54.720 --> 0:22:57.560
<v Speaker 1>for me. Wow, it was based off me. Who'd you meet?

0:22:57.600 --> 0:23:00.200
<v Speaker 1>Who'd you know? Over that? I met Lee Daniels face

0:23:00.240 --> 0:23:06.000
<v Speaker 1>to face. No, yeah, while I'm serious though, I'm like, no,

0:23:06.880 --> 0:23:13.960
<v Speaker 1>I'm thinking he I don't know. Nah. I was in

0:23:14.040 --> 0:23:16.880
<v Speaker 1>Swiss Beats office and my manager had low key set

0:23:16.920 --> 0:23:19.280
<v Speaker 1>something up because I already had turned it down before

0:23:19.280 --> 0:23:21.360
<v Speaker 1>I met Lee Danels. I denied it. I was like, nah,

0:23:21.359 --> 0:23:22.640
<v Speaker 1>I don't want to be on it. I'm good, I'm

0:23:22.640 --> 0:23:24.600
<v Speaker 1>gonna tell y'all why. And we wanted up meeting with

0:23:24.640 --> 0:23:27.879
<v Speaker 1>Swiss Beats in his office and he comes walking in.

0:23:28.080 --> 0:23:30.919
<v Speaker 1>Lee Daniels, I didn't really know who he was, you

0:23:30.920 --> 0:23:32.399
<v Speaker 1>know what I mean. At the time, I just was like,

0:23:32.680 --> 0:23:35.800
<v Speaker 1>was just fabulous, man. Yeah, he was real fabulous when

0:23:35.800 --> 0:23:37.000
<v Speaker 1>he walked in, you know what I mean. You could

0:23:37.000 --> 0:23:39.160
<v Speaker 1>tell he got a demeanor about him. He pulls out

0:23:39.200 --> 0:23:42.480
<v Speaker 1>the script. He says, let's go, I'm gonna see with Lee,

0:23:42.560 --> 0:23:44.960
<v Speaker 1>you know what I mean. So I remember I wasn't

0:23:45.000 --> 0:23:47.399
<v Speaker 1>I wasn't doing too good or whatever. So so Swiss

0:23:47.440 --> 0:23:50.320
<v Speaker 1>Beats brought me out to his balcony and was like, yo,

0:23:50.720 --> 0:23:53.119
<v Speaker 1>let's give him. You don't worry about it, being like

0:23:53.200 --> 0:23:54.840
<v Speaker 1>you know, on the show Wolf and like it's a

0:23:54.880 --> 0:23:56.439
<v Speaker 1>script and you gotta read it from the script. He

0:23:56.480 --> 0:23:59.080
<v Speaker 1>was like, just be yourself. So I came back out,

0:23:59.160 --> 0:24:01.600
<v Speaker 1>you know, gave him me. He loved it, but I

0:24:01.640 --> 0:24:04.560
<v Speaker 1>still wasn't really with it because I knew Empire was

0:24:04.600 --> 0:24:07.240
<v Speaker 1>gonna put me in a position where I'm known from

0:24:07.320 --> 0:24:10.200
<v Speaker 1>Empire as this character and I'm not known from Young

0:24:10.280 --> 0:24:13.400
<v Speaker 1>and May from Brooklyn building on on my music. You'd

0:24:13.400 --> 0:24:15.680
<v Speaker 1>have been Betty Boss, I would have been. Anybody would

0:24:15.680 --> 0:24:16.920
<v Speaker 1>have been like right now, you would have called me

0:24:17.000 --> 0:24:19.840
<v Speaker 1>up there, like, let we got Betty Bass on the show. Yeah,

0:24:19.840 --> 0:24:22.520
<v Speaker 1>because three the guests it's always free the guests, and

0:24:22.560 --> 0:24:24.840
<v Speaker 1>she cool as out. But I do know, I can't

0:24:24.880 --> 0:24:27.920
<v Speaker 1>remember a real name right now. I'm trying to think, right, yeah,

0:24:27.960 --> 0:24:30.320
<v Speaker 1>you know her, but it's at of the people that

0:24:30.640 --> 0:24:32.960
<v Speaker 1>know her. But I will say and then I heard,

0:24:33.000 --> 0:24:34.480
<v Speaker 1>but I don't know what her situation is. But I

0:24:34.560 --> 0:24:36.159
<v Speaker 1>know they make you sign a contract and it might

0:24:36.240 --> 0:24:38.560
<v Speaker 1>have something to do with your music. Awesome, I know.

0:24:38.760 --> 0:24:40.360
<v Speaker 1>I didn't want to get too deep in that, but

0:24:40.600 --> 0:24:43.200
<v Speaker 1>that was that was a big reason why Quincy was

0:24:43.280 --> 0:24:45.119
<v Speaker 1>up here. He was saying that he couldn't his father

0:24:45.200 --> 0:24:46.880
<v Speaker 1>did hey would not let him do it. Thank God

0:24:46.920 --> 0:24:49.240
<v Speaker 1>for my lawyer. The contracts just put the ice on

0:24:49.280 --> 0:24:52.000
<v Speaker 1>the cake. Now, how does the young artists build the online?

0:24:52.040 --> 0:24:54.359
<v Speaker 1>But because I would assume your your career really popped

0:24:54.400 --> 0:24:56.960
<v Speaker 1>off because of the internet. Is there a science to it?

0:24:57.320 --> 0:25:00.960
<v Speaker 1>Stay consistent and you know what I mean, they eventually

0:25:00.960 --> 0:25:02.639
<v Speaker 1>wake up. You gotta be nice, you know what I mean.

0:25:02.640 --> 0:25:05.440
<v Speaker 1>You can't be trashed, of course, but just be consistent. Man,

0:25:05.560 --> 0:25:08.720
<v Speaker 1>how old it take for? Not that long? That's just crazy.

0:25:09.880 --> 0:25:12.480
<v Speaker 1>Video forward and everything to video video was at like

0:25:12.520 --> 0:25:14.760
<v Speaker 1>seven million. Now. I like the fact that your your

0:25:14.800 --> 0:25:18.560
<v Speaker 1>your sexuality is not overshadowing your music. People. It's like

0:25:18.600 --> 0:25:23.359
<v Speaker 1>young Amaz's dope. Oh yeah, absolutely, yeah, you know what

0:25:23.359 --> 0:25:25.320
<v Speaker 1>I mean, It's not totally out of the equation. I've

0:25:25.320 --> 0:25:28.960
<v Speaker 1>been sitting with mad labels like Big Dog for the

0:25:29.000 --> 0:25:32.359
<v Speaker 1>past two weeks. Now, I'm just hearing everybody out and

0:25:32.480 --> 0:25:34.960
<v Speaker 1>just trying to make choose my decision wisely. I just

0:25:34.960 --> 0:25:36.480
<v Speaker 1>don't want them to try to change it. I don't

0:25:36.480 --> 0:25:38.159
<v Speaker 1>going to be on some old school like telling you

0:25:38.880 --> 0:25:41.800
<v Speaker 1>dress like this. Man. I think that I got past

0:25:41.880 --> 0:25:44.199
<v Speaker 1>that point already, Like I was in that position in

0:25:44.240 --> 0:25:45.960
<v Speaker 1>my in my life at one point, you know what

0:25:45.960 --> 0:25:47.639
<v Speaker 1>I mean, where it was like you might have to

0:25:47.680 --> 0:25:50.280
<v Speaker 1>do this or sound like this or talk about this,

0:25:50.359 --> 0:25:51.879
<v Speaker 1>you know what I mean. When I got to a

0:25:51.880 --> 0:25:53.399
<v Speaker 1>point where I just like, I don't care. I'm gonna hey,

0:25:53.400 --> 0:25:55.159
<v Speaker 1>I'm gonna be gay, I'm gonna talk about you know

0:25:55.160 --> 0:25:56.600
<v Speaker 1>what I mean. I just got to that point. So

0:25:56.960 --> 0:25:59.280
<v Speaker 1>you can take what you want now, because you have

0:25:59.400 --> 0:26:01.840
<v Speaker 1>going on this if you I'm board with what I'm

0:26:01.880 --> 0:26:04.040
<v Speaker 1>doing in my movement, yeah, and that's it. If you

0:26:04.040 --> 0:26:07.040
<v Speaker 1>can't exactly what she think me, when did you start

0:26:07.040 --> 0:26:08.720
<v Speaker 1>getting it? When you start falling over with the test.

0:26:09.240 --> 0:26:13.639
<v Speaker 1>My first chet was a canoffess my brother. He was

0:26:13.680 --> 0:26:16.119
<v Speaker 1>my older brother. Yeah, and then I just made this

0:26:16.160 --> 0:26:19.200
<v Speaker 1>whole all about him, how he influence you. He was

0:26:19.240 --> 0:26:21.840
<v Speaker 1>the reason why I played football, I was a tomboy

0:26:21.920 --> 0:26:24.639
<v Speaker 1>playing basketball. He probably was the reason why I like girls,

0:26:25.480 --> 0:26:27.840
<v Speaker 1>The biggest influence in my life. Like, so when he died,

0:26:27.880 --> 0:26:30.880
<v Speaker 1>it was like a big rip, you know what I mean,

0:26:31.000 --> 0:26:33.560
<v Speaker 1>from from my chest and I just you know, right now,

0:26:33.680 --> 0:26:36.600
<v Speaker 1>just I just make sure I do it in his memory,

0:26:36.720 --> 0:26:38.080
<v Speaker 1>Like this is why I go so hard, And this

0:26:38.119 --> 0:26:40.400
<v Speaker 1>is why nobody can't change my mind on certain because

0:26:40.680 --> 0:26:43.359
<v Speaker 1>I'm stuck with you know, his his memory and my mind.

0:26:43.440 --> 0:26:45.880
<v Speaker 1>So that's the only sibling. Now. I have a little

0:26:45.920 --> 0:26:48.000
<v Speaker 1>sister too, and I have a brother on my father's side.

0:26:48.160 --> 0:26:49.760
<v Speaker 1>But he was kind of the guy that you probably

0:26:49.920 --> 0:26:51.800
<v Speaker 1>could trust them. Most of you have trust? Is who

0:26:51.840 --> 0:26:54.280
<v Speaker 1>you after that? Like, like just trust me? Yeah, absolutely,

0:26:54.560 --> 0:26:56.320
<v Speaker 1>I had a lot of trust issues once I found

0:26:56.320 --> 0:26:58.520
<v Speaker 1>out about that situation. I was already not really a

0:26:58.920 --> 0:27:02.120
<v Speaker 1>trusty type person. Yeah is it just me? What up? Y'all?

0:27:02.160 --> 0:27:05.080
<v Speaker 1>As DJ M v Angela Yee Charlomagne the guy we

0:27:05.119 --> 0:27:08.040
<v Speaker 1>are the Breakfast Club, the Holidays are a ton forgiving.

0:27:08.160 --> 0:27:10.720
<v Speaker 1>To make a difference and donate to help save children's

0:27:10.760 --> 0:27:14.359
<v Speaker 1>lives this holiday season. Use your soulfon Nadal pound two

0:27:14.440 --> 0:27:17.000
<v Speaker 1>fifty and save the keyword unit Seth. We got a

0:27:17.000 --> 0:27:19.400
<v Speaker 1>special guest in the building, the man of the hour,

0:27:19.560 --> 0:27:22.000
<v Speaker 1>Ladies and gentlemen, Nate Parkers in the building. What's up?

0:27:22.000 --> 0:27:23.800
<v Speaker 1>What's up? Two things I thought I would never see

0:27:23.840 --> 0:27:26.280
<v Speaker 1>on a Hollywood screen in Loot Cage in any form,

0:27:26.480 --> 0:27:29.159
<v Speaker 1>and Nat Turner in the movie. I've been screaming for

0:27:29.200 --> 0:27:30.960
<v Speaker 1>a Nat Turning movie because I don't like flav movies.

0:27:31.000 --> 0:27:32.840
<v Speaker 1>I've been denounced him. I said, are you gonna make

0:27:32.880 --> 0:27:35.159
<v Speaker 1>any flavor movie, Let it be Nat Turner, because Nat

0:27:35.160 --> 0:27:37.560
<v Speaker 1>Turner wasn't a victim and you got it done. Well,

0:27:37.600 --> 0:27:39.560
<v Speaker 1>let's explain Nat Turner two for people that don't know,

0:27:39.640 --> 0:27:42.280
<v Speaker 1>because I've never learned it in my history books. It

0:27:42.040 --> 0:27:44.280
<v Speaker 1>wasn't It wasn't anything that I've ever read. And I

0:27:44.400 --> 0:27:47.359
<v Speaker 1>went to Hampton University within the HBCU. I've been in

0:27:47.400 --> 0:27:50.240
<v Speaker 1>here to know you from Norfolk? So what made that

0:27:50.280 --> 0:27:52.200
<v Speaker 1>so special to you? That story? Well, a lot of

0:27:52.200 --> 0:27:54.000
<v Speaker 1>it is what you just said. I grew up in Norfolk.

0:27:54.080 --> 0:27:57.160
<v Speaker 1>Forty two miles east of Southampton County where the revolt happened.

0:27:57.200 --> 0:27:59.359
<v Speaker 1>And I never heard about this brother, right, so Wiley,

0:27:59.680 --> 0:28:02.199
<v Speaker 1>Yeah I never heard about Yeah, we learned about it

0:28:02.280 --> 0:28:04.640
<v Speaker 1>growing up, but yeah, I know, I've never learned about

0:28:04.640 --> 0:28:07.320
<v Speaker 1>it in school. Uh. And it's significantly because when you

0:28:07.320 --> 0:28:09.520
<v Speaker 1>think of the proximity, you would think that someone would

0:28:09.520 --> 0:28:11.919
<v Speaker 1>have said something. But it speaks to the danger of

0:28:11.960 --> 0:28:14.440
<v Speaker 1>the revolutionary, you know, the person that looks like us,

0:28:14.440 --> 0:28:16.399
<v Speaker 1>that for its own freedom. We don't get those stories,

0:28:16.440 --> 0:28:18.000
<v Speaker 1>like you said, you know what I mean. Like even

0:28:18.000 --> 0:28:20.600
<v Speaker 1>when we learn about slavery, we learned through the context

0:28:20.600 --> 0:28:23.040
<v Speaker 1>stuff the victim a victim and honest and we laid

0:28:23.080 --> 0:28:25.679
<v Speaker 1>down until honest Abe said enough is enough, you know

0:28:25.800 --> 0:28:28.160
<v Speaker 1>he You know, honest Abe couldn't tell a lie Moden's chin,

0:28:28.640 --> 0:28:31.359
<v Speaker 1>pensive slave problem. We got to figure it out this

0:28:31.560 --> 0:28:34.200
<v Speaker 1>up and now we're free. R. We don't learn about

0:28:34.320 --> 0:28:36.720
<v Speaker 1>you know, Tucson, We don't learn about Denmark VC. We

0:28:36.720 --> 0:28:38.400
<v Speaker 1>don't learn a b you know, we don't learn about

0:28:38.440 --> 0:28:40.720
<v Speaker 1>Gabriel Proser. We don't learn about any of them. Right,

0:28:40.760 --> 0:28:42.560
<v Speaker 1>And so you have to ask yourself, why is that one?

0:28:42.600 --> 0:28:44.480
<v Speaker 1>Why are they one? Our history of being hit the

0:28:44.600 --> 0:28:46.440
<v Speaker 1>things that would empower us, you know what I mean.

0:28:46.480 --> 0:28:47.760
<v Speaker 1>I mean, even when I was trying to make this film,

0:28:47.800 --> 0:28:50.200
<v Speaker 1>people were like, you make this film, bro, Like it's

0:28:50.200 --> 0:28:51.880
<v Speaker 1>gonna be a problem, Like, don't make this film like

0:28:52.200 --> 0:28:55.360
<v Speaker 1>black people. Like prominent directors was like, make the story

0:28:55.360 --> 0:28:57.479
<v Speaker 1>of John Brown. You know, John Brown's a white abolition

0:28:57.480 --> 0:28:59.280
<v Speaker 1>to still let a slave revolt. It was like, that'll

0:28:59.280 --> 0:29:01.200
<v Speaker 1>be easier for people to digest, you know. I mean.

0:29:01.200 --> 0:29:04.320
<v Speaker 1>I had another prominent black director told me. He was like, well,

0:29:04.440 --> 0:29:06.160
<v Speaker 1>I liked your script, but I didn't love it. One

0:29:06.200 --> 0:29:07.400
<v Speaker 1>thing would have made me love And I was like,

0:29:07.440 --> 0:29:09.800
<v Speaker 1>what you know, I got my notebook right. He said,

0:29:09.800 --> 0:29:12.280
<v Speaker 1>you need more good white people. Wow. I was like,

0:29:12.320 --> 0:29:13.600
<v Speaker 1>what do you mean? He was like, white people are

0:29:13.640 --> 0:29:16.520
<v Speaker 1>gonna watch that man gonna watch this thing a period

0:29:16.520 --> 0:29:19.080
<v Speaker 1>piece and it was America. And that's the thing. It's like,

0:29:19.320 --> 0:29:21.280
<v Speaker 1>you know, when it comes to other demographics that have

0:29:21.400 --> 0:29:24.920
<v Speaker 1>endured torture and genocide and holocaust and this never forget,

0:29:25.200 --> 0:29:26.560
<v Speaker 1>you know what I mean, It's very important that we

0:29:26.640 --> 0:29:29.000
<v Speaker 1>hold those stories up so they never repeat themselves. But

0:29:29.080 --> 0:29:31.960
<v Speaker 1>in this country, we have this this habit of kind

0:29:31.960 --> 0:29:34.280
<v Speaker 1>of closing off the things that don't reflect us in

0:29:34.320 --> 0:29:37.200
<v Speaker 1>the best of lights, you know. So in telling the story,

0:29:37.280 --> 0:29:39.600
<v Speaker 1>you know, I said, man, I learned about that Turner

0:29:39.680 --> 0:29:41.720
<v Speaker 1>twenty one. But if I learned about him at twelve,

0:29:41.800 --> 0:29:43.760
<v Speaker 1>how did you learn about him at twenty one African

0:29:43.760 --> 0:29:45.800
<v Speaker 1>American studies class. You know what I'm saying, like made

0:29:45.800 --> 0:29:47.800
<v Speaker 1>you read the confessions in that turn up? I did

0:29:47.840 --> 0:29:50.760
<v Speaker 1>read that, you know. And it's funny because confessions is fiction,

0:29:51.080 --> 0:29:52.760
<v Speaker 1>you know, that's not That's like I always wonder about that.

0:29:52.800 --> 0:29:55.000
<v Speaker 1>Somebody told me that before. It's well, it won a Pulzer,

0:29:55.080 --> 0:29:56.840
<v Speaker 1>which is was just tricky because it won the Pulsar

0:29:56.880 --> 0:29:59.959
<v Speaker 1>for fiction. But the writer, he said, it's a reimagined

0:30:00.640 --> 0:30:02.560
<v Speaker 1>of Nat Turner's life. It's not Naturner's life. So when

0:30:02.600 --> 0:30:04.800
<v Speaker 1>you read The Fires of Jubilee, you know, or William

0:30:04.840 --> 0:30:08.000
<v Speaker 1>Drewry's book, and in Southampton Insurrection you read the real stuff,

0:30:08.000 --> 0:30:09.600
<v Speaker 1>you're like, wait a minute, well, I need to rid

0:30:09.680 --> 0:30:12.040
<v Speaker 1>the real stuff the Confession INtime. Let me tell you

0:30:12.080 --> 0:30:14.520
<v Speaker 1>how like it's a fiction book with said, okay, well,

0:30:14.600 --> 0:30:18.480
<v Speaker 1>Nat Turner um, he has all of his motivation came

0:30:18.560 --> 0:30:21.440
<v Speaker 1>for his lust after the handmaid of his master. Like

0:30:21.480 --> 0:30:23.720
<v Speaker 1>a white woman, like that's why. And he was crazy,

0:30:23.720 --> 0:30:25.920
<v Speaker 1>he was a fanatic, he was homosexual, like all these

0:30:25.920 --> 0:30:27.880
<v Speaker 1>things that they made up, you know what I mean.

0:30:27.960 --> 0:30:29.760
<v Speaker 1>So when you get to the real you're like, well,

0:30:29.760 --> 0:30:32.840
<v Speaker 1>why would they denigrate his life? Why would they mysticize

0:30:32.880 --> 0:30:34.520
<v Speaker 1>the things that actually happened when they had Like why

0:30:34.560 --> 0:30:36.080
<v Speaker 1>would they make it so he didn't have children or

0:30:36.080 --> 0:30:38.560
<v Speaker 1>didn't have a wife. He had a wife, He had

0:30:38.600 --> 0:30:40.680
<v Speaker 1>a child, you know what I'm saying. So it's like

0:30:40.840 --> 0:30:44.040
<v Speaker 1>the attack of the black man, the demonizing of the

0:30:44.040 --> 0:30:46.680
<v Speaker 1>black man is something it ain't new. This is age old,

0:30:47.120 --> 0:30:49.920
<v Speaker 1>you know. So when we get to celebrate this story,

0:30:50.280 --> 0:30:51.440
<v Speaker 1>you know, like I said, you know a lot of

0:30:51.480 --> 0:30:53.720
<v Speaker 1>people I grew up with with the president not here

0:30:53.720 --> 0:30:55.920
<v Speaker 1>with us today, had that chip on his shoulder and

0:30:55.960 --> 0:30:58.920
<v Speaker 1>had no context as to why or where you know,

0:30:58.920 --> 0:31:01.520
<v Speaker 1>they could put that energy. But he rose when you

0:31:01.520 --> 0:31:03.880
<v Speaker 1>can say oh no, no no, no no, Nat Turner rose,

0:31:04.520 --> 0:31:07.640
<v Speaker 1>So I can stand the colonel with Django the real

0:31:07.760 --> 0:31:09.400
<v Speaker 1>jazz Men and Chris Rock had a debate about that

0:31:09.400 --> 0:31:10.920
<v Speaker 1>because he thought I was trying to insult in that

0:31:10.960 --> 0:31:12.680
<v Speaker 1>Turner by saying that. But the reason I loved Jangles

0:31:12.720 --> 0:31:14.880
<v Speaker 1>because he wasn't a victim Jango Burton the plantage he

0:31:14.960 --> 0:31:16.360
<v Speaker 1>did and he stood up and he was like, Nah,

0:31:16.360 --> 0:31:17.960
<v Speaker 1>it's not happening this way. I'll take it even a

0:31:17.960 --> 0:31:20.800
<v Speaker 1>step further, though. Nat Turner said, I'm going to sacrifice

0:31:20.920 --> 0:31:23.600
<v Speaker 1>on behalf of people that I'll never meet. You get

0:31:23.640 --> 0:31:25.320
<v Speaker 1>what I'm saying, Like and Biblically it says a good

0:31:25.360 --> 0:31:28.000
<v Speaker 1>man leaves an inheritance for his children's children, right. Nat

0:31:28.000 --> 0:31:30.880
<v Speaker 1>Turner was like, Okay, I'm going to walk to these gallows,

0:31:30.960 --> 0:31:34.120
<v Speaker 1>but I know that what I did will echo into eternity.

0:31:34.120 --> 0:31:37.920
<v Speaker 1>We're celebrating that they scanned him lampshades out of his

0:31:37.960 --> 0:31:40.520
<v Speaker 1>skin in person, like this is what they did. You

0:31:40.560 --> 0:31:42.800
<v Speaker 1>know what I'm saying. So it's like, all and they

0:31:42.800 --> 0:31:44.440
<v Speaker 1>did what they did in the name of God. He

0:31:44.480 --> 0:31:45.760
<v Speaker 1>did what he did in the name of God. Well,

0:31:45.760 --> 0:31:47.800
<v Speaker 1>there's certain things that you originally had in the movie

0:31:47.800 --> 0:31:49.719
<v Speaker 1>that you felt like you had to take out. Our

0:31:49.720 --> 0:31:52.840
<v Speaker 1>people said, okay, maybe that's nope, And it goes back

0:31:52.880 --> 0:31:55.880
<v Speaker 1>to your question. Seriously, like you said, I didn't you

0:31:55.880 --> 0:31:57.960
<v Speaker 1>know I went on for money. Everybody that said they

0:31:57.960 --> 0:32:00.400
<v Speaker 1>passed or how did you pay for it? I knocked

0:32:00.400 --> 0:32:02.440
<v Speaker 1>on doors man. You know, I went to school. A

0:32:02.440 --> 0:32:04.360
<v Speaker 1>lot of friends were in finance. You know, one guy

0:32:04.400 --> 0:32:07.080
<v Speaker 1>in particularly I contacted. He connected me to one of

0:32:07.120 --> 0:32:09.080
<v Speaker 1>his friends that actually worked in New York that had

0:32:09.080 --> 0:32:11.200
<v Speaker 1>a hedge fund, and I asked him for the money.

0:32:11.240 --> 0:32:13.120
<v Speaker 1>He said no. I said, okay, that was what you

0:32:13.200 --> 0:32:17.920
<v Speaker 1>ask me for. Millions. You got seven. You're ade seven

0:32:18.000 --> 0:32:19.480
<v Speaker 1>to get it done? Right? Yeah? I rang, as you

0:32:19.480 --> 0:32:23.120
<v Speaker 1>think you needed the budget? Said we needed like thirty

0:32:23.320 --> 0:32:26.320
<v Speaker 1>right to make it. Oh my, it's a battle film.

0:32:26.960 --> 0:32:29.000
<v Speaker 1>They said we needed forty days. We shot in twenty

0:32:29.040 --> 0:32:31.640
<v Speaker 1>seven days. You know what I'm saying. So I knocked

0:32:31.640 --> 0:32:33.440
<v Speaker 1>on doors. I went to anyone who would listen. My

0:32:33.480 --> 0:32:36.760
<v Speaker 1>lowest contribution was like seventy five thousand. My biggest contribution

0:32:36.800 --> 0:32:38.360
<v Speaker 1>was like two million, you know. And the guy that

0:32:38.400 --> 0:32:40.120
<v Speaker 1>gave me the two million, I just I just begged him.

0:32:40.320 --> 0:32:41.960
<v Speaker 1>I stepped away from acting for two years. I thought

0:32:41.960 --> 0:32:44.680
<v Speaker 1>I finished beyond the lights. That Monday, I went into

0:32:44.720 --> 0:32:47.720
<v Speaker 1>my team, was like, I'm not acting anymore, writing anything else.

0:32:47.800 --> 0:32:50.840
<v Speaker 1>I'm not acting anything else, I'm not directing. Don't call me.

0:32:51.240 --> 0:32:53.000
<v Speaker 1>The next skin I live in would be not turned

0:32:53.000 --> 0:32:58.720
<v Speaker 1>a period um. You know, leafing yourself from it was

0:32:58.760 --> 0:33:01.000
<v Speaker 1>a belief in God, like my faith really had. It

0:33:01.040 --> 0:33:03.520
<v Speaker 1>really reeled me in. The first on the grand into

0:33:03.600 --> 0:33:05.960
<v Speaker 1>the film was my own money and that's all I had.

0:33:06.160 --> 0:33:07.600
<v Speaker 1>You know what I'm saying, Like, I ain't a millionaire.

0:33:07.600 --> 0:33:09.280
<v Speaker 1>I'm a thousand air you know what I mean. And

0:33:09.760 --> 0:33:12.120
<v Speaker 1>to put up one hundred grand it hurts, you know

0:33:12.120 --> 0:33:13.520
<v Speaker 1>what I I mean? Talking to my wife, I was like

0:33:13.520 --> 0:33:15.880
<v Speaker 1>this important. Like I didn't know it would be a

0:33:15.920 --> 0:33:18.640
<v Speaker 1>hunt with her stance at this point, because that's baby,

0:33:18.640 --> 0:33:20.600
<v Speaker 1>you ain't working and you want to take everything. And

0:33:21.440 --> 0:33:24.240
<v Speaker 1>we got lights, you know, they got kid and kids

0:33:24.280 --> 0:33:26.360
<v Speaker 1>need to be turned on. But she had faith. Man,

0:33:26.440 --> 0:33:28.480
<v Speaker 1>she was just like, you know, you know the Lord's

0:33:28.480 --> 0:33:33.120
<v Speaker 1>called you to do this. You know I got your back. Um, yeah,

0:33:33.160 --> 0:33:34.760
<v Speaker 1>you know. I was gonna say, like Nat Turner was

0:33:34.800 --> 0:33:37.640
<v Speaker 1>a chosen one from when he was a child. From

0:33:37.920 --> 0:33:39.760
<v Speaker 1>this point, did you feel like you were a chosen

0:33:39.800 --> 0:33:42.320
<v Speaker 1>one in telling this story that it was something that

0:33:42.360 --> 0:33:44.840
<v Speaker 1>you were kind of born to do? I felt like

0:33:44.880 --> 0:33:46.840
<v Speaker 1>it was written on my spirit, you know what I'm saying.

0:33:46.840 --> 0:33:48.600
<v Speaker 1>Like I wouldn't say I'm chosen. I just felt like,

0:33:48.680 --> 0:33:50.200
<v Speaker 1>you know how you like you know what you know,

0:33:50.280 --> 0:33:52.280
<v Speaker 1>we all struggle and rustle with our faith and trying

0:33:52.320 --> 0:33:54.800
<v Speaker 1>and strong and whatever that means. And uh and I

0:33:54.800 --> 0:33:56.440
<v Speaker 1>was like, you know, Lord, like I feel like you

0:33:56.480 --> 0:33:58.640
<v Speaker 1>want me to tell this story? How many times can

0:33:58.680 --> 0:34:05.120
<v Speaker 1>you get offered crypt number four or blood? At some

0:34:05.240 --> 0:34:07.080
<v Speaker 1>point you're like, man, there's got to be something better,

0:34:07.160 --> 0:34:09.359
<v Speaker 1>you know. And it's like I go a whole year

0:34:10.280 --> 0:34:13.480
<v Speaker 1>and pass on fifty projects and they'd be one great debaters.

0:34:13.920 --> 0:34:15.480
<v Speaker 1>Now I got to compete against the whole world to

0:34:15.520 --> 0:34:17.920
<v Speaker 1>get that and then hope that Denzel see something to

0:34:18.000 --> 0:34:20.680
<v Speaker 1>me that works. At some point you're like, man, well,

0:34:20.719 --> 0:34:21.840
<v Speaker 1>what is the story I want to tell? If I

0:34:21.840 --> 0:34:25.759
<v Speaker 1>can tell any story? I want to be Turner. That's braveheart.

0:34:26.160 --> 0:34:28.839
<v Speaker 1>You never had a brave heart. When we have more

0:34:28.880 --> 0:34:31.160
<v Speaker 1>with Nate Parker when we come back, keep it locked.

0:34:31.200 --> 0:34:36.319
<v Speaker 1>It's the Breakfast Club. Good morning, hey, Charlomagne the god here,

0:34:36.480 --> 0:34:38.160
<v Speaker 1>And I just want to wish a Mary Christmas to

0:34:38.200 --> 0:34:40.800
<v Speaker 1>all my credit card scamras out there. Did the season

0:34:41.080 --> 0:34:43.120
<v Speaker 1>to find you a scamera friend, so you can save

0:34:43.200 --> 0:34:47.279
<v Speaker 1>some money in any major department store in America. Breakfast

0:34:47.320 --> 0:34:53.440
<v Speaker 1>Club because you don't need to hesitate. What up, y'allass

0:34:53.520 --> 0:34:56.520
<v Speaker 1>DJ M de Angelie, Charlomagne the guy. We are the

0:34:56.520 --> 0:34:59.279
<v Speaker 1>Breakfast Club. We're standing with Uni self to give hope

0:34:59.320 --> 0:35:02.000
<v Speaker 1>to the children. First, we need you to help make

0:35:02.000 --> 0:35:05.239
<v Speaker 1>a difference by donating to help save children's lives. Use

0:35:05.280 --> 0:35:07.279
<v Speaker 1>your cell phone to dive pound two fifty and say

0:35:07.280 --> 0:35:10.439
<v Speaker 1>the keyword Uni Seth. That's pound two fifty, keyword Uni Seth.

0:35:10.640 --> 0:35:12.960
<v Speaker 1>Join the movement and give this holiday season with the

0:35:12.960 --> 0:35:16.200
<v Speaker 1>Breakfast Club. We have Nate Parker in the building now, Charlomane,

0:35:16.280 --> 0:35:18.520
<v Speaker 1>I honestly don't know who's demonizing you at this point

0:35:18.560 --> 0:35:21.000
<v Speaker 1>because I see it from all angles. Because I'm gonna

0:35:21.000 --> 0:35:23.239
<v Speaker 1>tell the story. I remember, maybe a month before I

0:35:23.239 --> 0:35:25.400
<v Speaker 1>saw the movie, had an og triple og in the

0:35:25.440 --> 0:35:26.719
<v Speaker 1>game hit me up, and he goes, look, we got

0:35:26.840 --> 0:35:28.880
<v Speaker 1>to support this film. He said, they're gonna try to

0:35:28.880 --> 0:35:32.040
<v Speaker 1>crucify a Nate Parker. And then two three weeks later,

0:35:32.120 --> 0:35:34.120
<v Speaker 1>all the different allegations came out. It was, oh he

0:35:34.160 --> 0:35:36.600
<v Speaker 1>got a white wife, it was oh he's homophobic, it

0:35:36.719 --> 0:35:39.719
<v Speaker 1>was oh he has rape charges. Did you expect that

0:35:39.760 --> 0:35:45.120
<v Speaker 1>to happen. Let's just say I was warned early on.

0:35:45.400 --> 0:35:47.319
<v Speaker 1>You know, people in the industry, people that love me,

0:35:47.360 --> 0:35:50.439
<v Speaker 1>people that I love that just said, you know, are

0:35:50.440 --> 0:35:52.920
<v Speaker 1>you ready for what may comable with this film? You

0:35:52.960 --> 0:35:55.120
<v Speaker 1>know it's like it's look, I'm gonna say, look, you

0:35:55.160 --> 0:35:58.560
<v Speaker 1>know how you rediscover something you already knew. I've never

0:35:58.600 --> 0:36:00.880
<v Speaker 1>heard anything from a lot, never ran from nobody about us,

0:36:01.320 --> 0:36:03.520
<v Speaker 1>And I'm not gonna run now. No one's gonna stop

0:36:03.520 --> 0:36:05.319
<v Speaker 1>me from telling stories. And I think uplifting my people,

0:36:05.320 --> 0:36:06.960
<v Speaker 1>They're just not gonna do it. It can come for me.

0:36:07.000 --> 0:36:09.000
<v Speaker 1>That's okay. I'm I'm a grown up, I'm a man.

0:36:09.320 --> 0:36:11.839
<v Speaker 1>I'm I'm so anchored in the Lord, Bro. My faith

0:36:11.880 --> 0:36:15.080
<v Speaker 1>is so strong that I'm not tripping. I know the

0:36:15.120 --> 0:36:17.800
<v Speaker 1>power of Nat Turner, what he can do for people,

0:36:17.800 --> 0:36:19.960
<v Speaker 1>what he can do for America. What happens if we

0:36:20.000 --> 0:36:22.719
<v Speaker 1>start celebrating Nat Turner as a hero who you know,

0:36:22.840 --> 0:36:27.680
<v Speaker 1>look the African American Museum. Just open Nat Turner's Bible, right,

0:36:27.719 --> 0:36:31.040
<v Speaker 1>George Bush said, you know Nat Turner money, Like what

0:36:31.080 --> 0:36:34.480
<v Speaker 1>happens if if he if it becomes normal to celebrate

0:36:34.600 --> 0:36:36.520
<v Speaker 1>every one of every color that has contribute to the

0:36:36.600 --> 0:36:39.600
<v Speaker 1>narrative of this country, man, things will change. Privilege will

0:36:39.640 --> 0:36:42.480
<v Speaker 1>be challenged, but things will change. Doesn't piss you off

0:36:42.520 --> 0:36:45.640
<v Speaker 1>through because we were watching your Good Morning America and

0:36:45.840 --> 0:36:47.640
<v Speaker 1>you look like, all right, enough is enough? You look

0:36:47.680 --> 0:36:50.239
<v Speaker 1>like you on the screen put some respect on my name,

0:36:51.360 --> 0:36:53.440
<v Speaker 1>because I mean, because they showed some of the stuff

0:36:53.480 --> 0:36:55.120
<v Speaker 1>that you went through when you were in college. You

0:36:55.160 --> 0:36:57.640
<v Speaker 1>look like, come on now, I'll just say this I

0:36:57.760 --> 0:36:59.920
<v Speaker 1>posted out there probably in trouble. It was an ambush,

0:37:00.080 --> 0:37:03.520
<v Speaker 1>you know, just it looked like it looks like what

0:37:03.560 --> 0:37:05.440
<v Speaker 1>the fuck? You know, because this is bigger than me.

0:37:05.520 --> 0:37:08.319
<v Speaker 1>Nat Turner is so much bigger than me, like in

0:37:08.440 --> 0:37:11.160
<v Speaker 1>my in my thirty six year old life and anything

0:37:11.160 --> 0:37:13.920
<v Speaker 1>you could ever dig up or whatever, Nat Turner, did

0:37:13.920 --> 0:37:15.600
<v Speaker 1>you feel like it would be in jeopardy at any

0:37:15.640 --> 0:37:18.759
<v Speaker 1>point the film, Yeah, just with everything coming up, like

0:37:19.040 --> 0:37:21.120
<v Speaker 1>we can't put this out because I remember thinking, oh man,

0:37:21.120 --> 0:37:23.120
<v Speaker 1>are they going to try to not put the movie out? Now?

0:37:23.320 --> 0:37:25.560
<v Speaker 1>There's a there's a verse in the Bible says I

0:37:25.640 --> 0:37:27.759
<v Speaker 1>tell you these things so that you will find peace

0:37:27.800 --> 0:37:30.120
<v Speaker 1>in me. You know, in the world that will be tribulation,

0:37:30.120 --> 0:37:32.919
<v Speaker 1>but be a good cheer. Bible become the world. God

0:37:33.040 --> 0:37:35.520
<v Speaker 1>is God, the same guy that helped me to make

0:37:35.600 --> 0:37:38.080
<v Speaker 1>this film, the same guy that got me through. You know,

0:37:38.120 --> 0:37:40.560
<v Speaker 1>whatever opsles I have in my life, the same God

0:37:40.600 --> 0:37:42.520
<v Speaker 1>has made it so people will be able to gain

0:37:42.760 --> 0:37:46.480
<v Speaker 1>something perspective young people. Fifty years from now, some ten

0:37:46.560 --> 0:37:48.040
<v Speaker 1>year old kid is going to be able to watch

0:37:48.080 --> 0:37:50.359
<v Speaker 1>this film in the same way that that they use

0:37:50.440 --> 0:37:52.680
<v Speaker 1>the original Birth of a Nation as a recruitment tool

0:37:52.680 --> 0:37:55.200
<v Speaker 1>for the KKK. We're gonna use it as a recruitment

0:37:55.239 --> 0:37:58.399
<v Speaker 1>tool for revolution and resistance, for people that recognize something

0:37:58.480 --> 0:38:01.160
<v Speaker 1>needs to change that's bigger than me. If I died

0:38:01.239 --> 0:38:04.640
<v Speaker 1>today and the film can live, I'm not tripping. I'm good, bro.

0:38:05.160 --> 0:38:08.560
<v Speaker 1>I'm in such peace right now because this film exists.

0:38:08.719 --> 0:38:10.479
<v Speaker 1>So for me, it's kind of like, Okay, well cool,

0:38:10.920 --> 0:38:13.080
<v Speaker 1>let's get the film out. Okay, cool, all right, fine,

0:38:13.360 --> 0:38:16.200
<v Speaker 1>let's get the film out. Okay, yeah, next question, I mean,

0:38:16.200 --> 0:38:18.280
<v Speaker 1>I think we've all been guilty of it. It judges

0:38:18.320 --> 0:38:20.840
<v Speaker 1>your character. You know, when we hit in Nate Parker,

0:38:20.880 --> 0:38:23.759
<v Speaker 1>we hear this accusation, his friend is this his friend?

0:38:23.840 --> 0:38:26.200
<v Speaker 1>Is that? That has to affect you in a way

0:38:26.239 --> 0:38:29.640
<v Speaker 1>because now people who don't know you might look at

0:38:29.640 --> 0:38:31.600
<v Speaker 1>you at a different light. But guess what, we gotta

0:38:31.600 --> 0:38:34.359
<v Speaker 1>we gotta rise up to the ten thousand foot view, right,

0:38:34.680 --> 0:38:36.840
<v Speaker 1>Like when you're in a moment and you're set on fire,

0:38:37.400 --> 0:38:40.120
<v Speaker 1>it's easy to be like, oh my god, I'm on fire, right,

0:38:40.160 --> 0:38:41.759
<v Speaker 1>But when you rise up to the ten thousand foot

0:38:41.800 --> 0:38:44.880
<v Speaker 1>view and you see the Lord's resume, everything that's happening

0:38:44.920 --> 0:38:47.440
<v Speaker 1>up until that moment, and you're looking forward and say, Okay,

0:38:47.480 --> 0:38:51.840
<v Speaker 1>this moment will cause a reaction forward, then then you realize, look,

0:38:52.080 --> 0:38:54.840
<v Speaker 1>this is bigger than my character. People will get to

0:38:54.840 --> 0:38:57.120
<v Speaker 1>know me, You'll get to know my heart, you know

0:38:57.120 --> 0:38:58.759
<v Speaker 1>what I mean. I'm cool with that. I'm cool. I

0:38:58.800 --> 0:39:00.680
<v Speaker 1>didn't know you guys until I knew you. I didn't

0:39:00.680 --> 0:39:02.719
<v Speaker 1>know you until I knew you. If I could go

0:39:02.719 --> 0:39:04.480
<v Speaker 1>out and meet every single person in glad hand and

0:39:04.480 --> 0:39:06.560
<v Speaker 1>shake their hand, would I do? Yeah? I can't do that.

0:39:06.800 --> 0:39:10.520
<v Speaker 1>I'm gonna let my art, let my activism speak in

0:39:10.640 --> 0:39:13.920
<v Speaker 1>ways that my mouth on these shows with these headline

0:39:13.960 --> 0:39:16.319
<v Speaker 1>hunters and these clickbait people, I'm gonna let them do

0:39:16.360 --> 0:39:18.440
<v Speaker 1>that thing. I'm not tripping on the news. I feel

0:39:18.480 --> 0:39:20.080
<v Speaker 1>this is just me talking. I feel like it was

0:39:20.080 --> 0:39:23.160
<v Speaker 1>a conspiracy by some powers that be the relator release

0:39:23.200 --> 0:39:24.880
<v Speaker 1>of the film, because all of this information has been

0:39:24.880 --> 0:39:27.160
<v Speaker 1>out there, it's been public, you have found not guilty,

0:39:27.200 --> 0:39:29.480
<v Speaker 1>you spoke about it before. Why now? That's all I

0:39:29.480 --> 0:39:32.480
<v Speaker 1>wanted to like, why why now? You know what? You know?

0:39:32.600 --> 0:39:35.600
<v Speaker 1>There's some people that say, you know, why me? And

0:39:35.640 --> 0:39:37.319
<v Speaker 1>then there's some people that say, well, what can come

0:39:37.360 --> 0:39:39.319
<v Speaker 1>out of this moment? You know? And I try to

0:39:39.320 --> 0:39:41.080
<v Speaker 1>be the latter. I try to be the person that says,

0:39:41.120 --> 0:39:45.040
<v Speaker 1>regardless of the moment, what can change because of these actions?

0:39:45.400 --> 0:39:49.040
<v Speaker 1>Because look, if people forever kick dirt on me forever,

0:39:49.640 --> 0:39:53.120
<v Speaker 1>but this film exists by itself, and then a hundred

0:39:53.200 --> 0:39:57.520
<v Speaker 1>years when I'm dead and gone, they got this film.

0:39:57.640 --> 0:40:00.760
<v Speaker 1>We win. We all win. And if we releases film

0:40:00.840 --> 0:40:03.080
<v Speaker 1>right and all the old heads see it, all the

0:40:03.080 --> 0:40:05.400
<v Speaker 1>old heads are like, yeah, we get it. We're moving forward.

0:40:05.960 --> 0:40:07.960
<v Speaker 1>And the kid in Best started the fifteen year old

0:40:08.000 --> 0:40:11.040
<v Speaker 1>kids don't know who that turner is still Oakland or

0:40:11.160 --> 0:40:14.719
<v Speaker 1>kid in Decatur don't doesn't know. We lose. So I

0:40:14.800 --> 0:40:17.280
<v Speaker 1>reached out to the dopest artist I could find, Gucci

0:40:17.320 --> 0:40:19.120
<v Speaker 1>Maine and talk to them on the phone. I said, brother,

0:40:19.160 --> 0:40:22.640
<v Speaker 1>I know you care about your care. I haven't heard

0:40:22.680 --> 0:40:24.920
<v Speaker 1>the music, so I'm not gonna judge, but I didn't understand,

0:40:26.280 --> 0:40:28.520
<v Speaker 1>but you gotta you gotta hear the music. That's the thing. Look,

0:40:28.640 --> 0:40:31.520
<v Speaker 1>look guess what Gucci got the streets, little Wayne got.

0:40:31.560 --> 0:40:38.320
<v Speaker 1>I don't have the streets. And even to every listen,

0:40:38.400 --> 0:40:41.000
<v Speaker 1>everyone is on message. It's kind of crazy. You got

0:40:41.000 --> 0:40:42.960
<v Speaker 1>two chains on message talking about go up to the

0:40:42.960 --> 0:40:45.800
<v Speaker 1>state House tell them to provise a system. You know

0:40:45.800 --> 0:40:47.640
<v Speaker 1>what I mean. It's like if you can get them

0:40:47.680 --> 0:40:51.480
<v Speaker 1>on message, because I as you know music in a

0:40:51.520 --> 0:40:54.400
<v Speaker 1>waysman corporate times. You know a lot of them. You

0:40:54.440 --> 0:40:56.480
<v Speaker 1>know the politics around making music and who we're making

0:40:56.480 --> 0:40:58.560
<v Speaker 1>it for them, who's consuming it. A lot of times

0:40:58.560 --> 0:41:00.719
<v Speaker 1>it doesn't help our people. A lot of times in

0:41:00.760 --> 0:41:02.839
<v Speaker 1>this country. They give a little bit to a few

0:41:03.400 --> 0:41:05.680
<v Speaker 1>and then tell those few times kinda be happy with

0:41:05.680 --> 0:41:07.320
<v Speaker 1>what you got and turn your back and your power

0:41:07.560 --> 0:41:09.160
<v Speaker 1>against the people that needed the most. I mean, the

0:41:09.200 --> 0:41:11.160
<v Speaker 1>things that happened, it happens in my industry too. So

0:41:11.200 --> 0:41:13.480
<v Speaker 1>if I can get people that do care about the

0:41:13.520 --> 0:41:15.960
<v Speaker 1>community but don't have the platform to release it. So

0:41:16.000 --> 0:41:18.080
<v Speaker 1>I had the chance to sit with all these these guys,

0:41:18.160 --> 0:41:21.800
<v Speaker 1>you know, Vic Mensa, all of them, you know, Trace Songs, Neo.

0:41:22.120 --> 0:41:24.879
<v Speaker 1>Everyone is on message talking about the system talking about

0:41:24.920 --> 0:41:28.080
<v Speaker 1>a fresh and talking about faith. You know what I'm saying,

0:41:28.120 --> 0:41:30.480
<v Speaker 1>Like Little Wayne was like I got to feed the family,

0:41:30.600 --> 0:41:32.680
<v Speaker 1>but I had to leave the family. I left for CNB.

0:41:33.000 --> 0:41:35.279
<v Speaker 1>I'm an empathy, but I would never leave Christianity. I

0:41:35.320 --> 0:41:37.719
<v Speaker 1>heard it gets submitted a track, but you turned it down.

0:41:38.080 --> 0:41:43.000
<v Speaker 1>I didn't turn anything down. You know, it's like anything else.

0:41:43.080 --> 0:41:44.799
<v Speaker 1>Things like everyone that wants to be on your show

0:41:44.800 --> 0:41:47.959
<v Speaker 1>can't get a show you get really submitted a track? No,

0:41:51.600 --> 0:41:54.799
<v Speaker 1>whoa no, No. I'm saying that. I'm trying to be fair.

0:41:55.320 --> 0:41:58.400
<v Speaker 1>A lot of people submitted albums, but we really you know,

0:41:58.440 --> 0:42:00.680
<v Speaker 1>when you track list, when you make a trackle, you

0:42:00.680 --> 0:42:02.840
<v Speaker 1>want to make sure everything fits. NAS has an incredible

0:42:02.880 --> 0:42:08.480
<v Speaker 1>song called war See that's on brand. Huh Na, why

0:42:08.480 --> 0:42:10.040
<v Speaker 1>would you do something obvious? You know what I'm saying,

0:42:10.040 --> 0:42:12.400
<v Speaker 1>Like at some point like if I can get lu Wayne,

0:42:12.800 --> 0:42:15.360
<v Speaker 1>you know, to talk about the streets in the context

0:42:15.360 --> 0:42:17.200
<v Speaker 1>of a message. And then a young person was like,

0:42:17.239 --> 0:42:21.440
<v Speaker 1>wait a minute, just say that right what I'm jealous?

0:42:21.560 --> 0:42:24.440
<v Speaker 1>DJ M v Angela Yee, Charlomagne the guy we are

0:42:24.440 --> 0:42:26.719
<v Speaker 1>the breakfast Club. You have one more day to make

0:42:26.760 --> 0:42:30.080
<v Speaker 1>your tax deductible donation in two thousand and sixteen. Make

0:42:30.120 --> 0:42:32.799
<v Speaker 1>you see your tax deductible donation before it's too late.

0:42:32.920 --> 0:42:35.880
<v Speaker 1>With this easy UNISEF donation. Use your cell phone to

0:42:35.960 --> 0:42:39.560
<v Speaker 1>dial pound two fifty and say the keyword UNISF. That's

0:42:39.640 --> 0:42:42.880
<v Speaker 1>pound two fifty, keyword UNISF to make a donation. We

0:42:43.000 --> 0:42:45.520
<v Speaker 1>have Nate Parker in the building. Now tell me, are

0:42:45.600 --> 0:42:47.960
<v Speaker 1>you I don't want to say concerned that this movie

0:42:48.000 --> 0:42:51.000
<v Speaker 1>will cause some type of revolte now because this could,

0:42:51.120 --> 0:42:52.920
<v Speaker 1>this could be a dangerous time to put this movie.

0:42:53.040 --> 0:42:55.880
<v Speaker 1>Let me be clear. It's a quotable. I hope it

0:42:55.920 --> 0:42:59.680
<v Speaker 1>makes people uncomfortable. I hope that it inspires a riot's

0:42:59.680 --> 0:43:03.239
<v Speaker 1>dis position. Now do I want violence? Absolutely not. We're

0:43:03.719 --> 0:43:05.399
<v Speaker 1>above that. Now, why do we need to be violent?

0:43:05.440 --> 0:43:08.840
<v Speaker 1>When we got journalists, we got radio personalities that have power.

0:43:08.880 --> 0:43:10.480
<v Speaker 1>We have social media, but that's not like the same

0:43:10.520 --> 0:43:12.680
<v Speaker 1>old song. The media is not, but everything else I

0:43:12.880 --> 0:43:17.480
<v Speaker 1>like the same That Turner had ax handles and broomsticks, right,

0:43:17.520 --> 0:43:18.960
<v Speaker 1>and he didn't have the right to as symbol. So

0:43:19.000 --> 0:43:20.600
<v Speaker 1>what's that mean? That means what we're doing right now

0:43:20.600 --> 0:43:22.479
<v Speaker 1>in this room would have been illegal and we would

0:43:22.480 --> 0:43:24.080
<v Speaker 1>all have been lunched right. Well, we do have a

0:43:24.120 --> 0:43:26.960
<v Speaker 1>white man in the room. Oh good, good, good, I

0:43:27.000 --> 0:43:31.799
<v Speaker 1>couldn't see your whole face good. As soon as I

0:43:31.840 --> 0:43:39.359
<v Speaker 1>said that, he was like, no, you're wrong, but the right.

0:43:39.360 --> 0:43:43.239
<v Speaker 1>We didn't underrate this symbol. It's right here, dead right.

0:43:43.320 --> 0:43:46.160
<v Speaker 1>Not turner out of that only tools he had it

0:43:46.239 --> 0:43:47.759
<v Speaker 1>is only yeah. He couldn't have been like, I'm calling

0:43:47.800 --> 0:43:50.839
<v Speaker 1>the meeting everyonnd the plantation. We're gonna strike, We're gonna

0:43:50.880 --> 0:43:53.160
<v Speaker 1>protest and walk around the main house like you didn't

0:43:53.239 --> 0:43:56.080
<v Speaker 1>couldn't do nothing. So he fought and whatn't in the

0:43:56.120 --> 0:43:58.440
<v Speaker 1>tools he had? You look now right? If we I

0:43:58.480 --> 0:44:00.520
<v Speaker 1>mean the power we had, you look like Colin Kaepernick,

0:44:00.800 --> 0:44:03.000
<v Speaker 1>like the I always say when athletes get involved, it's

0:44:03.000 --> 0:44:04.919
<v Speaker 1>around like things are going to change because we're messing

0:44:04.960 --> 0:44:06.719
<v Speaker 1>with the money. You get what I'm saying. So if

0:44:06.719 --> 0:44:08.200
<v Speaker 1>nothing else, they walk out of that film and says,

0:44:08.239 --> 0:44:12.560
<v Speaker 1>I'm going to use my occupation to spearhead the systemic

0:44:12.600 --> 0:44:15.080
<v Speaker 1>crisis I see in my own life, my own community.

0:44:15.320 --> 0:44:19.319
<v Speaker 1>Things will change immediately. Does that mean marching maybe? Does

0:44:19.320 --> 0:44:21.640
<v Speaker 1>it mean more than marching? Does it mean some people saying, Noah,

0:44:21.680 --> 0:44:23.480
<v Speaker 1>I ain't gonna do that. I'm gonna walk into my

0:44:23.480 --> 0:44:26.760
<v Speaker 1>producer and tell him I'm not saying that thing ever again.

0:44:27.200 --> 0:44:30.120
<v Speaker 1>What in sacrificing somebody get fired? You know? Is it?

0:44:30.560 --> 0:44:35.000
<v Speaker 1>Whatever your occupation, what is your contribution? I want you know.

0:44:35.000 --> 0:44:38.000
<v Speaker 1>The biggest difference I believe between the civil rights movement

0:44:38.000 --> 0:44:40.239
<v Speaker 1>of old and the civil rights movements of new is

0:44:40.280 --> 0:44:42.840
<v Speaker 1>that people aren't willing to die. Anything has ever anything

0:44:42.880 --> 0:44:45.560
<v Speaker 1>and done anything for our community that actually resolved in progress.

0:44:45.719 --> 0:44:47.440
<v Speaker 1>I had to take a bullet to their head. The

0:44:47.520 --> 0:44:49.200
<v Speaker 1>good thing about the movie, too, is like when you

0:44:49.200 --> 0:44:51.640
<v Speaker 1>say systemic oppression, I like that because it's not just

0:44:51.680 --> 0:44:54.080
<v Speaker 1>saying white people, because they had to go battle against

0:44:54.120 --> 0:44:57.200
<v Speaker 1>their own on the side of systemic oppression as well. Right,

0:44:57.239 --> 0:44:59.960
<v Speaker 1>You're absolutely right. Brother Frederick Douglas has this dope core

0:45:00.120 --> 0:45:01.920
<v Speaker 1>where he says, when I became free, I begin to

0:45:01.920 --> 0:45:04.879
<v Speaker 1>see the effects lave we had not only on slave

0:45:04.920 --> 0:45:07.800
<v Speaker 1>but on slave masters. Right like we all of everyone

0:45:07.840 --> 0:45:11.080
<v Speaker 1>around us has been passed down something this tum this trauma,

0:45:11.440 --> 0:45:14.920
<v Speaker 1>this wound that we won't he let he or we

0:45:14.960 --> 0:45:17.759
<v Speaker 1>won't face it. We just won't because it's too uncomfortable,

0:45:17.920 --> 0:45:19.919
<v Speaker 1>too painful. And how many times you hear someone say

0:45:20.040 --> 0:45:22.000
<v Speaker 1>like in politics. You know, we got to have the

0:45:22.080 --> 0:45:24.880
<v Speaker 1>race of conversation. Have you ever had the race conversation

0:45:24.920 --> 0:45:27.040
<v Speaker 1>with like, like, have we haven't been? Like, okay, everyone,

0:45:27.280 --> 0:45:29.719
<v Speaker 1>this is race conversation Day. Race conversation Day is gonna

0:45:29.719 --> 0:45:33.960
<v Speaker 1>be October ten. Right, call your friends, order pizza, you know,

0:45:34.000 --> 0:45:39.239
<v Speaker 1>and coke and in Coca Cola and come over to right,

0:45:39.280 --> 0:45:44.440
<v Speaker 1>come over to the house. Headline like, encourage people, No,

0:45:44.840 --> 0:45:47.040
<v Speaker 1>come over, We're gonna have a conversation on race. Invite

0:45:47.080 --> 0:45:48.480
<v Speaker 1>people that don't look like you when come to the

0:45:48.480 --> 0:45:51.239
<v Speaker 1>table's gonna eat and be like, yo, so race, like

0:45:51.520 --> 0:45:53.839
<v Speaker 1>you know what black privilege? When what you think? No

0:45:53.840 --> 0:45:56.160
<v Speaker 1>one's having that conversation, right, yeah, you know so at

0:45:56.200 --> 0:45:58.120
<v Speaker 1>some point, you know, they say, have you always do

0:45:58.160 --> 0:45:59.919
<v Speaker 1>what you're always done? You always get what you always got.

0:46:00.120 --> 0:46:04.040
<v Speaker 1>America's always doing what they've always done. That's shutting people up,

0:46:04.080 --> 0:46:07.320
<v Speaker 1>that's attacking the people that resist, and that's a problem

0:46:07.320 --> 0:46:10.480
<v Speaker 1>for America. I always say, a healthier Black community, healthier

0:46:10.560 --> 0:46:13.800
<v Speaker 1>Latino community, is a healthier United States of America. Do

0:46:14.080 --> 0:46:16.759
<v Speaker 1>you think your past rape chargers will cause people not

0:46:16.800 --> 0:46:19.000
<v Speaker 1>to see this movie with an objective eye? Because I

0:46:19.000 --> 0:46:21.000
<v Speaker 1>saw an article in the New Yorker, where the author

0:46:21.000 --> 0:46:22.920
<v Speaker 1>didn't give it the best review, but it kept mixing

0:46:23.480 --> 0:46:26.800
<v Speaker 1>you with the movie, and I'm like, listen, listen, presume

0:46:26.920 --> 0:46:29.640
<v Speaker 1>dangerous and guilty. Presume dangerous and guilty, like that's you know,

0:46:29.680 --> 0:46:31.680
<v Speaker 1>the attack is the attack? You know? You know what

0:46:31.719 --> 0:46:35.960
<v Speaker 1>I'm saying. I think anyone that thinks it's important to

0:46:36.000 --> 0:46:38.640
<v Speaker 1>hear stories that have been a race from history that

0:46:38.680 --> 0:46:41.799
<v Speaker 1>can aid in our progress as America, he needs to

0:46:41.800 --> 0:46:44.759
<v Speaker 1>see this film, in my humble opinion, right to take

0:46:44.840 --> 0:46:46.480
<v Speaker 1>me out of it. Whatever you feel about me, whatever

0:46:46.520 --> 0:46:49.440
<v Speaker 1>you feel about my acquittal, whatever you feel about my innocence,

0:46:49.640 --> 0:46:52.320
<v Speaker 1>or whatever you just for a second recognize if you

0:46:52.360 --> 0:46:54.359
<v Speaker 1>call yourself a patriot, I think you have to take

0:46:54.400 --> 0:46:58.880
<v Speaker 1>steps toward healing America. And if this film stands for

0:46:58.960 --> 0:47:01.279
<v Speaker 1>something like that outside out of me, then let's have

0:47:01.440 --> 0:47:04.960
<v Speaker 1>that conversation. Let's let's not take the baggage of whatever

0:47:05.560 --> 0:47:08.000
<v Speaker 1>you've read in a headline and just say I'm gonna

0:47:08.000 --> 0:47:10.080
<v Speaker 1>see what the film does. You know, black man, ever

0:47:10.160 --> 0:47:14.120
<v Speaker 1>be not guilty in America. Even you're you're acquitted, you're

0:47:14.160 --> 0:47:16.000
<v Speaker 1>not guilty. But even when he was on sixty minutes,

0:47:16.040 --> 0:47:17.840
<v Speaker 1>they was like, you should have apologized. I'm like, but

0:47:18.080 --> 0:47:20.360
<v Speaker 1>he's maintained his innocence. Thing I found not guilty. What

0:47:20.640 --> 0:47:23.960
<v Speaker 1>do you want to apologize for? Um, it's it's it's

0:47:24.000 --> 0:47:25.840
<v Speaker 1>it's a it's a question worth asking. But at the

0:47:25.840 --> 0:47:28.960
<v Speaker 1>same time, I think that we're more concerned about how

0:47:28.960 --> 0:47:31.479
<v Speaker 1>we've been conditioned to see ourselves and less concerned about

0:47:31.480 --> 0:47:33.560
<v Speaker 1>how other people see us, then we'll be able to

0:47:33.600 --> 0:47:36.600
<v Speaker 1>really deal with crisis. We have to make ourselves smaller,

0:47:36.920 --> 0:47:39.800
<v Speaker 1>bigger picture that Turner made himself small. You know, it

0:47:39.840 --> 0:47:41.600
<v Speaker 1>doesn't say a good man make sure his name is

0:47:41.640 --> 0:47:43.440
<v Speaker 1>good when he dies, Like I'm not tripping on me.

0:47:43.600 --> 0:47:45.560
<v Speaker 1>You know, everything I'm doing, I'm doing for my children

0:47:45.560 --> 0:47:47.680
<v Speaker 1>and my children's children, so that when they look up

0:47:47.680 --> 0:47:49.560
<v Speaker 1>at that image of me wherever it is, and I'm

0:47:49.560 --> 0:47:52.319
<v Speaker 1>in hopefully looking fly in the oil painting, they can

0:47:52.440 --> 0:47:54.520
<v Speaker 1>be like, you know what, man, my dad tried. You know,

0:47:54.600 --> 0:47:56.520
<v Speaker 1>my great, great great you know whatever, he tried to

0:47:56.520 --> 0:47:58.520
<v Speaker 1>do something, he tried to deal with it. Even if

0:47:58.560 --> 0:48:00.799
<v Speaker 1>they say they came for him. Whatever we try to

0:48:00.840 --> 0:48:04.560
<v Speaker 1>do something, they definitely try to divide. But that ain't

0:48:04.640 --> 0:48:07.440
<v Speaker 1>new man, That ain't like all I'm saying is can

0:48:07.520 --> 0:48:09.879
<v Speaker 1>we try to start with women and African American women

0:48:09.880 --> 0:48:11.600
<v Speaker 1>and have women against you? And then you know with

0:48:11.600 --> 0:48:13.600
<v Speaker 1>with the headlines, they definitely try to divide. Yeah, I

0:48:13.600 --> 0:48:15.480
<v Speaker 1>mean it's it's interesting to me that a black man

0:48:15.560 --> 0:48:17.680
<v Speaker 1>can't be black if he's married to a white woman.

0:48:17.440 --> 0:48:20.439
<v Speaker 1>That's the picture they try to paint. All I'm saying

0:48:20.560 --> 0:48:22.839
<v Speaker 1>is this, Look at my resume. Do I care about

0:48:22.880 --> 0:48:26.719
<v Speaker 1>black people? Do I care about systemic oppression? Have I

0:48:26.760 --> 0:48:29.920
<v Speaker 1>dedicated anything to raising all ships when it comes to

0:48:29.920 --> 0:48:33.759
<v Speaker 1>progressing a conversation around America? Um, I don't have to

0:48:33.760 --> 0:48:35.960
<v Speaker 1>answer that question, you know what I mean? I will

0:48:36.000 --> 0:48:38.960
<v Speaker 1>continue like I said, No one's gonna take take my seat.

0:48:38.960 --> 0:48:41.320
<v Speaker 1>What I believe the Lord is putting me to to

0:48:41.760 --> 0:48:44.640
<v Speaker 1>do for our community, to do for our country. I'm

0:48:44.640 --> 0:48:46.840
<v Speaker 1>just staying the course and staying focused, man, and the

0:48:46.920 --> 0:48:49.280
<v Speaker 1>hope that you know the next what's the next project?

0:48:49.280 --> 0:48:50.400
<v Speaker 1>You know, That's what I was going to ask you,

0:48:50.440 --> 0:48:52.120
<v Speaker 1>what's next to an eight? Parker? Now after you put

0:48:52.120 --> 0:48:55.120
<v Speaker 1>out such a huge movie, come with Tyler Perry because

0:48:55.120 --> 0:49:02.439
<v Speaker 1>you're gonna have to listen. All right, Look, I'm gonna

0:49:02.480 --> 0:49:07.680
<v Speaker 1>say this publicly. All right, leave Tyler Perry alone. He's

0:49:07.719 --> 0:49:09.879
<v Speaker 1>a friend of mine. And uh he's a good brother.

0:49:09.880 --> 0:49:12.560
<v Speaker 1>He's give me some money. He did not give me money. Um,

0:49:12.600 --> 0:49:14.000
<v Speaker 1>but he's a good brother. He's a good you know.

0:49:14.040 --> 0:49:15.840
<v Speaker 1>I don't know what I'm gonna do next. You know,

0:49:15.880 --> 0:49:19.080
<v Speaker 1>I'm gonna do, you know, whatever makes me as passionate about,

0:49:19.120 --> 0:49:21.400
<v Speaker 1>you know, doing the work in the yard as this has.

0:49:21.560 --> 0:49:23.439
<v Speaker 1>You know, like I said, I stepped away two years

0:49:23.600 --> 0:49:26.120
<v Speaker 1>to really get it together. Um so the next thing,

0:49:26.120 --> 0:49:27.799
<v Speaker 1>who knows, the next thing might take eight more years.

0:49:27.880 --> 0:49:30.680
<v Speaker 1>I don't know. You know, my arts are functioned my activism. Man,

0:49:30.719 --> 0:49:32.640
<v Speaker 1>I'm not tripping on Hollywood. Are not tripping on money

0:49:32.840 --> 0:49:35.279
<v Speaker 1>by tripping on awards Like I just want to wake

0:49:35.320 --> 0:49:37.439
<v Speaker 1>folks up. I can get a ten year old kid

0:49:38.000 --> 0:49:40.040
<v Speaker 1>to have a you know, walking out the street playing

0:49:40.040 --> 0:49:43.080
<v Speaker 1>with his friends. I'm not Turner. We win. That's the

0:49:43.080 --> 0:49:45.760
<v Speaker 1>biggest win of them all. So yeah, until he chasing

0:49:45.760 --> 0:49:55.640
<v Speaker 1>four little white kids come. We really appreciate it. I

0:49:55.719 --> 0:49:58.960
<v Speaker 1>appreciate y'all. Thank you for the time, man for his club.

0:49:59.360 --> 0:50:04.000
<v Speaker 1>Good morning. What up y'all? Is TJ. M. Gobody name

0:50:04.000 --> 0:50:05.960
<v Speaker 1>of Charlomagne Gut and we just want to say happy

0:50:06.000 --> 0:50:08.640
<v Speaker 1>holidays from all three of us, all three of y'all.

0:50:08.680 --> 0:50:17.600
<v Speaker 1>The Breakfast Club control Charlom Mayne say the gang, don't

0:50:17.640 --> 0:50:25.320
<v Speaker 1>get out the shape man. You aren't you donkey today?

0:50:25.360 --> 0:50:27.919
<v Speaker 1>Just not discriminate. I might not have the song of today,

0:50:27.960 --> 0:50:29.759
<v Speaker 1>but I got to donkey that gay. So if you

0:50:29.760 --> 0:50:31.759
<v Speaker 1>ever feel I need to be a donkey man, give

0:50:31.800 --> 0:50:35.920
<v Speaker 1>it with the Breakfast Club bitches. They just don't give

0:50:35.960 --> 0:50:41.680
<v Speaker 1>today today. Yes, donkey today. He goes to g OP

0:50:41.920 --> 0:50:45.160
<v Speaker 1>nominee Donald J. Trump. Now, listen, I don't do selective morality.

0:50:45.680 --> 0:50:47.840
<v Speaker 1>Even though I'm giving Trump this donkey, I'd be a

0:50:47.920 --> 0:50:50.360
<v Speaker 1>hypocrite acting like I haven't talked like this about women.

0:50:50.440 --> 0:50:52.439
<v Speaker 1>But I'm not running for leader of the free world,

0:50:52.520 --> 0:50:54.600
<v Speaker 1>and Donald Trump is. Therefore he got to get this.

0:50:54.680 --> 0:50:57.640
<v Speaker 1>He hard. Now. I'm sure you've heard Donald Trump's comments

0:50:57.640 --> 0:51:00.759
<v Speaker 1>about grabbing on pussycats. But if you have it, we

0:51:00.840 --> 0:51:03.239
<v Speaker 1>got the clip right here. You go. I gotta get

0:51:03.280 --> 0:51:06.560
<v Speaker 1>some kickcats. Just think it's just a kissinger. You know,

0:51:06.560 --> 0:51:09.359
<v Speaker 1>I'm automatically attracted the beautiful. I just started kissing them.

0:51:09.400 --> 0:51:13.600
<v Speaker 1>It's like a magnet. And when you're a start, then

0:51:13.680 --> 0:51:15.840
<v Speaker 1>let you do it. You can do anything whatever you

0:51:15.840 --> 0:51:20.800
<v Speaker 1>want grab brothers. Now, let's be clip. That's sexual assault.

0:51:20.960 --> 0:51:22.600
<v Speaker 1>It may not seem like it because a lot of

0:51:22.640 --> 0:51:26.120
<v Speaker 1>that behavior we have normalized in our society. But if you,

0:51:26.120 --> 0:51:27.960
<v Speaker 1>you know, welcome to a girl and kiss it without

0:51:27.960 --> 0:51:30.240
<v Speaker 1>her consent, a God forbid, welcome to her and grab

0:51:30.280 --> 0:51:33.440
<v Speaker 1>her a pussycat without consent, that's a charge, sir. Okay,

0:51:33.440 --> 0:51:35.560
<v Speaker 1>if you have ever grabbed a woman's asking the club

0:51:35.640 --> 0:51:39.120
<v Speaker 1>or at school without her consent, that's sexual assault. I know,

0:51:39.280 --> 0:51:41.160
<v Speaker 1>I know you don't look at it like that because

0:51:41.160 --> 0:51:43.799
<v Speaker 1>it's been so normalized what it is now for me.

0:51:44.000 --> 0:51:46.840
<v Speaker 1>I watched Trump on Friday night make those comments, and

0:51:46.920 --> 0:51:50.200
<v Speaker 1>I laughed and I said death foul. But immediately my

0:51:50.280 --> 0:51:52.800
<v Speaker 1>conscience kicked in and said, you are being a hypocrite

0:51:52.880 --> 0:51:56.120
<v Speaker 1>right now because you have said worse publicly and privately

0:51:56.360 --> 0:52:00.160
<v Speaker 1>about women. So I told myself, damn, you're right. This

0:52:00.200 --> 0:52:02.080
<v Speaker 1>is a moment to learn. It's a classic example of

0:52:02.120 --> 0:52:04.520
<v Speaker 1>a mirror effect. Okay, we look at somebody marrying and

0:52:04.600 --> 0:52:07.440
<v Speaker 1>displaying the same behavior that you have, and you get

0:52:07.480 --> 0:52:10.040
<v Speaker 1>to see yourself in a different light. All these Trump

0:52:10.040 --> 0:52:12.319
<v Speaker 1>comments did was make me want to monitor how I

0:52:12.360 --> 0:52:15.840
<v Speaker 1>speak to and about women. Now, why are these comments

0:52:15.840 --> 0:52:20.239
<v Speaker 1>so dangerous coming from Trump? Because power corrupts, and absolute

0:52:20.280 --> 0:52:24.160
<v Speaker 1>power corrupts absolutely, and Donald Trump is running for the

0:52:24.200 --> 0:52:27.200
<v Speaker 1>most powerful position in the land. Okay, Donald Trump already

0:52:27.200 --> 0:52:30.279
<v Speaker 1>has a level of privilege because he's filthy, rich, a

0:52:30.360 --> 0:52:34.160
<v Speaker 1>reality star, and he's a white male. Okay, those three combinations.

0:52:34.160 --> 0:52:36.080
<v Speaker 1>What makes him feel like he can sexually assault a

0:52:36.160 --> 0:52:38.480
<v Speaker 1>woman simply because he can? All right, you don't want

0:52:38.480 --> 0:52:41.160
<v Speaker 1>to give somebody like that the keys to the largest

0:52:41.200 --> 0:52:44.080
<v Speaker 1>military in the world. But why are we still surprised

0:52:44.080 --> 0:52:47.200
<v Speaker 1>that Donald Trump's antics. He's not a politician, He's a

0:52:47.239 --> 0:52:49.799
<v Speaker 1>reality show star and he's been acting like one this

0:52:49.880 --> 0:52:53.080
<v Speaker 1>whole time. But we keep putting lipstick on this pig

0:52:53.200 --> 0:52:55.480
<v Speaker 1>and acting like it's not a pig. He's not a

0:52:55.480 --> 0:52:58.640
<v Speaker 1>politician just because he's a GOP nominee. It means nothing.

0:52:58.719 --> 0:53:01.240
<v Speaker 1>I can stand in a garage in a parking space,

0:53:01.400 --> 0:53:03.840
<v Speaker 1>but that doesn't mean I'm a car. Okay. He's grabbing

0:53:03.960 --> 0:53:06.719
<v Speaker 1>by the pussycat comments is just the latest brick and

0:53:06.760 --> 0:53:09.440
<v Speaker 1>a wall of wildness that Donald Trump has been building

0:53:09.520 --> 0:53:11.759
<v Speaker 1>since this campaign started. And you know why none of

0:53:11.840 --> 0:53:15.040
<v Speaker 1>this seems to hurt Trump's momentum. You know, because he's

0:53:15.080 --> 0:53:17.879
<v Speaker 1>not a politician and everybody knows that he's a reality star,

0:53:18.000 --> 0:53:21.080
<v Speaker 1>we're really not even grading him on the same scale

0:53:21.360 --> 0:53:24.359
<v Speaker 1>we wore a real politician. This is why I feel

0:53:24.360 --> 0:53:27.040
<v Speaker 1>sorry for Hillary Clinton, love hater. She is the most

0:53:27.040 --> 0:53:30.360
<v Speaker 1>experienced person for the presidency. But I feel sorry for

0:53:30.400 --> 0:53:32.040
<v Speaker 1>her because we have to watch her try to prove

0:53:32.080 --> 0:53:36.239
<v Speaker 1>herself against the executive producer of Celebrity Apprentice. Watching her

0:53:36.320 --> 0:53:38.520
<v Speaker 1>debate Donald Trump is like watching Lebron James try to

0:53:38.560 --> 0:53:41.000
<v Speaker 1>prove to America that he's a great basketball player by

0:53:41.040 --> 0:53:43.719
<v Speaker 1>playing one on one against Peter Griffin from Family Guy.

0:53:43.920 --> 0:53:46.839
<v Speaker 1>Like it's not even remotely a fair matchup, but for

0:53:46.880 --> 0:53:49.520
<v Speaker 1>whatever reason, America has made it that and I don't

0:53:49.600 --> 0:53:53.160
<v Speaker 1>understand why, but we're here now. If Donald Trump loses

0:53:53.160 --> 0:53:55.959
<v Speaker 1>this election, this will by farb He's the funniest, most

0:53:56.040 --> 0:53:59.440
<v Speaker 1>entertaining presidential campaign we have ever seen. But if he wins,

0:54:00.200 --> 0:54:02.280
<v Speaker 1>this will be no laughing matter. In fact, if Donald

0:54:02.280 --> 0:54:05.360
<v Speaker 1>Trump wins, on a damn thing be funny. So in November,

0:54:05.480 --> 0:54:07.560
<v Speaker 1>I want you to go out and vote, Go out

0:54:07.600 --> 0:54:10.640
<v Speaker 1>and grab this selection by the pussycat, be like Donald Trump,

0:54:10.640 --> 0:54:12.840
<v Speaker 1>and don't ask for consent when it comes to voting.

0:54:13.120 --> 0:54:16.359
<v Speaker 1>Grab America's destiny by the pussycat, and let's end this

0:54:16.440 --> 0:54:20.239
<v Speaker 1>joke called Trump once and for all. Please give Donald J.

0:54:20.320 --> 0:54:25.360
<v Speaker 1>Trump the biggest see hull. I don't know if you

0:54:25.360 --> 0:54:28.719
<v Speaker 1>guys saw Giuliani trying to defend him. Awesome, Now you're

0:54:28.719 --> 0:54:31.799
<v Speaker 1>not even listening to Juliana's nothing to start telling him?

0:54:31.800 --> 0:54:34.400
<v Speaker 1>Said that, and relax, And yes, I will be monitoring

0:54:34.600 --> 0:54:37.359
<v Speaker 1>my rhetoric towards women. I will monitor what I say

0:54:37.400 --> 0:54:39.279
<v Speaker 1>to and about them. And I don't want to hear that.

0:54:39.400 --> 0:54:42.040
<v Speaker 1>You know, Oh, Charlotte man, you're not running for president. Talk.

0:54:42.080 --> 0:54:43.839
<v Speaker 1>I don't care if you're running for president. I don't

0:54:43.840 --> 0:54:46.400
<v Speaker 1>care if you're a radio personality or rapper or barber

0:54:46.480 --> 0:54:49.000
<v Speaker 1>or garbage man, doesn't matter. We can all do better

0:54:49.120 --> 0:54:51.760
<v Speaker 1>when it comes to how we talk to and about women.

0:54:51.880 --> 0:54:54.239
<v Speaker 1>Absolutely well, thank you for that dog in today, sir. Yes,

0:54:54.320 --> 0:54:57.560
<v Speaker 1>my Hawaiian brother, we found out yesterday that dj v's Hawaiian.

0:54:57.560 --> 0:55:00.480
<v Speaker 1>By the way, everything we did, we I think he

0:55:00.480 --> 0:55:02.440
<v Speaker 1>did one of those ancestry tests and we found out

0:55:02.480 --> 0:55:05.080
<v Speaker 1>he did. Yeah, we found out you Hawaiian. I'm not Hawaiian,

0:55:06.239 --> 0:55:10.880
<v Speaker 1>So you did that ancestry Testian a Hawaiian. What's it

0:55:10.880 --> 0:55:15.520
<v Speaker 1>called twenty three? What is it called? Again? I forgot

0:55:16.640 --> 0:55:20.840
<v Speaker 1>y'all never come to me morning. Everybody is DJ mvy

0:55:20.920 --> 0:55:23.759
<v Speaker 1>Angela Yee, Charlomagne, the gud We are the breakfast club

0:55:23.840 --> 0:55:28.120
<v Speaker 1>and she's back, Carol Stern. That's right, that's friend. Now

0:55:28.960 --> 0:55:31.400
<v Speaker 1>that money, it's right. What we need to do to

0:55:31.480 --> 0:55:34.080
<v Speaker 1>hit that goal. We need to give and we need

0:55:34.120 --> 0:55:35.800
<v Speaker 1>to get big. Now we didn't even introduce you some

0:55:35.960 --> 0:55:39.440
<v Speaker 1>UNI supp she's the CEO. Did I thought you just

0:55:39.440 --> 0:55:44.560
<v Speaker 1>said she's back? I did? I did? You didn't say? Okay,

0:55:44.600 --> 0:55:47.520
<v Speaker 1>so you're on the CEO of UNITH. Thank you, okay,

0:55:47.560 --> 0:55:50.560
<v Speaker 1>thank you? There we go, there we go. Come on, guys,

0:55:50.880 --> 0:55:53.040
<v Speaker 1>and you need you know, we all had a really

0:55:53.040 --> 0:55:55.680
<v Speaker 1>good holiday and this is our chance to do something

0:55:55.680 --> 0:55:57.839
<v Speaker 1>for somebody else. And there are kids around the world

0:55:57.880 --> 0:56:02.240
<v Speaker 1>today that really need your help. Pound to five keyword

0:56:02.320 --> 0:56:04.480
<v Speaker 1>unisf make a gift, That's what I mean. This is

0:56:04.520 --> 0:56:06.759
<v Speaker 1>a great present to actually give someone because can I

0:56:06.840 --> 0:56:10.719
<v Speaker 1>like donate in somebody else's name? Also, absolutely absolutely you

0:56:10.760 --> 0:56:14.000
<v Speaker 1>can definitely do that, you know, pound two five keyword

0:56:14.040 --> 0:56:16.080
<v Speaker 1>Unif you can make a gift in someone's honor. You

0:56:16.080 --> 0:56:18.680
<v Speaker 1>can make a gift yourself. You can make the difference

0:56:19.000 --> 0:56:21.160
<v Speaker 1>for child your Christmas past, so you can do it

0:56:21.200 --> 0:56:23.640
<v Speaker 1>for like a New Year's resolution, a New Year's resolution.

0:56:23.800 --> 0:56:27.680
<v Speaker 1>That's right. I love that you think people think it's

0:56:27.680 --> 0:56:29.120
<v Speaker 1>the holiday so that they don't think they can give

0:56:29.160 --> 0:56:31.120
<v Speaker 1>as much because they've got other things on their mind,

0:56:31.160 --> 0:56:33.440
<v Speaker 1>like presence and stuff like that. Yeah, you know, I

0:56:33.520 --> 0:56:36.360
<v Speaker 1>think especially right after Christmas, we're all sitting there with

0:56:36.400 --> 0:56:38.960
<v Speaker 1>the wrapping paper, you know, wrapping it up, throwing away,

0:56:38.840 --> 0:56:42.359
<v Speaker 1>they getting it together exactly and the year giving before

0:56:42.400 --> 0:56:44.680
<v Speaker 1>that little tax break exactly right right at the end

0:56:44.719 --> 0:56:46.960
<v Speaker 1>of the year, it's gone count for your taxes. That's right.

0:56:47.040 --> 0:56:49.600
<v Speaker 1>This is the time to do it. And also, you know,

0:56:49.640 --> 0:56:51.359
<v Speaker 1>I know in my house, I looked around on that

0:56:51.400 --> 0:56:54.359
<v Speaker 1>morning and I thought, how lucky you're weak. You know,

0:56:54.440 --> 0:56:57.200
<v Speaker 1>I've got my kids surrounding me. I've got my husband

0:56:57.239 --> 0:56:59.240
<v Speaker 1>sitting next to me. We're going to have a big dinner.

0:56:59.760 --> 0:57:02.160
<v Speaker 1>And I know for kids around the world that's just

0:57:02.200 --> 0:57:05.359
<v Speaker 1>not happening. And donations or you can write it off

0:57:05.360 --> 0:57:07.240
<v Speaker 1>on taxes for people out there, right, you can totally

0:57:07.239 --> 0:57:09.560
<v Speaker 1>write it off on taxes and ninety cents of every

0:57:09.600 --> 0:57:12.040
<v Speaker 1>dollar week collect goes to the children around the world.

0:57:12.120 --> 0:57:13.600
<v Speaker 1>That it was a rumor that your CEO was making

0:57:13.640 --> 0:57:16.040
<v Speaker 1>over a million dollars a year. That totally not true,

0:57:16.320 --> 0:57:18.120
<v Speaker 1>totally not you know, And that rumor said I was

0:57:18.200 --> 0:57:20.160
<v Speaker 1>driving rolls roy So I'll tell you when that got

0:57:20.160 --> 0:57:22.240
<v Speaker 1>texted out, I took a picture of me driving my

0:57:22.280 --> 0:57:25.320
<v Speaker 1>priests and I texted it back and I said, this

0:57:25.360 --> 0:57:28.320
<v Speaker 1>is how I roll fire your fact checker. And the

0:57:28.400 --> 0:57:30.640
<v Speaker 1>person who texted that out said that he would make

0:57:30.680 --> 0:57:34.000
<v Speaker 1>a gift. I'm still waiting stuff make stories come from.

0:57:34.120 --> 0:57:36.280
<v Speaker 1>I hate stuff like that because I feel like public

0:57:36.280 --> 0:57:40.800
<v Speaker 1>servants should be treated like that, like teachers. There's people

0:57:40.880 --> 0:57:44.680
<v Speaker 1>like you, military people. They should be millionaires, like they

0:57:44.720 --> 0:57:47.120
<v Speaker 1>should be writing around in fanoms and stuff like that too.

0:57:47.120 --> 0:57:49.640
<v Speaker 1>They would give them money to whatever. But I'm saying

0:57:49.680 --> 0:57:51.640
<v Speaker 1>we should treat them like that, and I think the

0:57:51.640 --> 0:57:53.280
<v Speaker 1>services should be free. But that's a whole other story.

0:57:54.880 --> 0:57:56.920
<v Speaker 1>Well there we go. You know, no, you know, listen,

0:57:57.120 --> 0:57:58.720
<v Speaker 1>I make a great seller. You can check it out

0:57:58.720 --> 0:58:00.800
<v Speaker 1>on our nine nineties. It's pub with knowledge. We're a

0:58:00.800 --> 0:58:04.000
<v Speaker 1>public trust. But at the same time, you know, for

0:58:04.040 --> 0:58:06.600
<v Speaker 1>people to make up rumors about nonprofits. I don't think

0:58:06.640 --> 0:58:10.360
<v Speaker 1>they understand when you spread that, right, you you cost lives.

0:58:10.480 --> 0:58:13.240
<v Speaker 1>You cost actual lives. Person who would have made a gift,

0:58:13.240 --> 0:58:16.800
<v Speaker 1>who doesn't. One dollar buys enough clean drinking water to

0:58:16.920 --> 0:58:19.480
<v Speaker 1>keep a kid alive for twenty days. Wow, So we

0:58:19.600 --> 0:58:22.959
<v Speaker 1>lose one dollar twenty days. Wow. All right, So every

0:58:22.960 --> 0:58:25.480
<v Speaker 1>gift amount counts, every donation that you can make counts.

0:58:25.640 --> 0:58:27.919
<v Speaker 1>Right now, we have one day right to meet our goal.

0:58:28.320 --> 0:58:30.720
<v Speaker 1>One day. One day. We're gonna do it too. Okay,

0:58:30.880 --> 0:58:33.720
<v Speaker 1>listeners out there, we're gonna do this right now. Tell

0:58:33.760 --> 0:58:38.360
<v Speaker 1>them a pound two five zero keyword una stuff. Okay, perfect,

0:58:38.360 --> 0:58:39.840
<v Speaker 1>And you can take what's the minimum you can give.

0:58:40.640 --> 0:58:42.360
<v Speaker 1>I don't even think there is a manim Oh cool,

0:58:42.440 --> 0:58:45.120
<v Speaker 1>So they can. They can give a dollar and then

0:58:45.160 --> 0:58:50.520
<v Speaker 1>give a lot more, the more of the marria. Oh,

0:58:50.560 --> 0:58:52.800
<v Speaker 1>I throw a stack on it. I'll put a thousand,

0:58:52.800 --> 0:58:56.640
<v Speaker 1>thousand dollars. I put a thousand dollars. Do amazing. That

0:58:56.640 --> 0:58:59.000
<v Speaker 1>means we all have to so we move as you

0:58:59.040 --> 0:59:01.920
<v Speaker 1>guys do. Awesome. Three ran from the breakfast club. Thank you,

0:59:01.960 --> 0:59:04.000
<v Speaker 1>thank you, thank you, thank you. We don't got to

0:59:04.000 --> 0:59:09.400
<v Speaker 1>do it to the thirty first, right before you, right

0:59:09.400 --> 0:59:16.880
<v Speaker 1>now when I get kicked in tomorrow wanting everybody is

0:59:16.960 --> 0:59:20.040
<v Speaker 1>DJ mvy Angela Yee, Charlottage and the guy. We are

0:59:20.080 --> 0:59:22.880
<v Speaker 1>the breakfast club. We got a special guests in the building.

0:59:23.000 --> 0:59:25.320
<v Speaker 1>You didn't crust us out? Tell him? Get it off

0:59:25.320 --> 0:59:28.640
<v Speaker 1>your chest, Burt Mandy. I ain't talking about because I

0:59:28.840 --> 0:59:31.880
<v Speaker 1>don't understand the angle like like already, So why I

0:59:31.920 --> 0:59:34.880
<v Speaker 1>come here? I did it already, I'm here, So what's happening?

0:59:35.040 --> 0:59:37.440
<v Speaker 1>I mean, it's all good. What I'm saying, what I'm here,

0:59:37.520 --> 0:59:42.040
<v Speaker 1>what's happening? I'm all good, But I'm saying, why come here? Man?

0:59:42.440 --> 0:59:44.840
<v Speaker 1>I wanted to see you. I wanted to talk to

0:59:44.840 --> 0:59:47.360
<v Speaker 1>you on your man and your face. Absolutely, you understand me.

0:59:47.720 --> 0:59:50.040
<v Speaker 1>I knew a few places you was that I could

0:59:50.040 --> 0:59:51.920
<v Speaker 1>have pulled up, but I don't think that was thankster.

0:59:52.200 --> 0:59:53.920
<v Speaker 1>I wanted to come look in your face like a

0:59:54.000 --> 0:59:57.360
<v Speaker 1>man and tell you how I feel. Okay, straight up

0:59:57.400 --> 1:00:00.760
<v Speaker 1>like a man. So what did you anyways? The issue?

1:00:00.760 --> 1:00:02.960
<v Speaker 1>You you'll feel me? I just come to let y'all

1:00:03.000 --> 1:00:06.240
<v Speaker 1>know stop put some respect on my name. Y'all stand

1:00:06.280 --> 1:00:08.440
<v Speaker 1>me when y'all saying my name, put some respect on it.

1:00:08.480 --> 1:00:09.920
<v Speaker 1>Did you did you pull up on ross that way

1:00:10.000 --> 1:00:12.840
<v Speaker 1>or trick daddy, and I'm pulling up on you. Yeah,

1:00:13.000 --> 1:00:15.120
<v Speaker 1>I'm the radio guy. I put up on the radio guy.

1:00:15.160 --> 1:00:18.160
<v Speaker 1>All up with the radio Guyha, y'all, y'all, y'all finish

1:00:18.240 --> 1:00:20.840
<v Speaker 1>or y'all dumb. I ain't got no more talking. That's

1:00:22.760 --> 1:00:28.840
<v Speaker 1>all right, yeah, grand over the gradhol All right, Well

1:00:28.880 --> 1:00:32.160
<v Speaker 1>there you have it. We're good. We're good. Yeah, man,

1:00:32.200 --> 1:00:36.040
<v Speaker 1>what about on my notes? Were good? That's it? Quick breast,

1:00:36.920 --> 1:00:42.600
<v Speaker 1>Well that's the breakfast. If you ever good morning, good morning. Well,

1:00:42.640 --> 1:00:44.520
<v Speaker 1>if you just joined the bird man came up here,

1:00:44.560 --> 1:00:47.640
<v Speaker 1>the interview didn't go that way. You know what was

1:00:47.640 --> 1:00:52.080
<v Speaker 1>gonna go that way? From our understanding behind the scenes,

1:00:52.120 --> 1:00:54.400
<v Speaker 1>he wanted to just come and address some things. He

1:00:54.440 --> 1:00:56.240
<v Speaker 1>wanted to come, and they said he was excited to come,

1:00:56.280 --> 1:00:58.320
<v Speaker 1>that he wanted to come talk to us, that he

1:00:58.360 --> 1:01:00.960
<v Speaker 1>wanted to get some things off the chest, and he did.

1:01:01.040 --> 1:01:03.120
<v Speaker 1>So let's actually play because we were you know, as

1:01:03.120 --> 1:01:05.240
<v Speaker 1>soon as you walk into this this room, we start

1:01:05.280 --> 1:01:07.520
<v Speaker 1>taping immediately because we never because it's always some good

1:01:07.520 --> 1:01:09.960
<v Speaker 1>stuff before after, and let's play. Let's say this is

1:01:10.000 --> 1:01:12.520
<v Speaker 1>what happened when Burman as soon as he walk walk there,

1:01:14.160 --> 1:01:17.040
<v Speaker 1>Yes there, I won't start this, ya straight. All three

1:01:17.080 --> 1:01:20.040
<v Speaker 1>of y'all stopped playing with my name. Let's go on there,

1:01:20.120 --> 1:01:23.640
<v Speaker 1>let's go. Stop playing with my name. Do it on camera.

1:01:24.000 --> 1:01:28.000
<v Speaker 1>Stop playing with my name, with my name, come on,

1:01:28.160 --> 1:01:32.360
<v Speaker 1>respect it. I playing with my name. All three of y'all,

1:01:32.640 --> 1:01:34.960
<v Speaker 1>stop playing with my name. I ain't gonna say it,

1:01:35.000 --> 1:01:37.600
<v Speaker 1>no mope if we go, warning everybody it is DJ

1:01:37.960 --> 1:01:40.520
<v Speaker 1>m zy Angela Yee trying to me. Now. The reason

1:01:40.560 --> 1:01:42.560
<v Speaker 1>I kept saying let's go because the cameraman was taking

1:01:42.560 --> 1:01:44.280
<v Speaker 1>the time. You don't wait, do a good conscience, like

1:01:44.360 --> 1:01:46.480
<v Speaker 1>let's go. You will not coming here. Cursh us out,

1:01:46.800 --> 1:01:50.480
<v Speaker 1>We're not gonna get the radio. We would trying to

1:01:50.480 --> 1:01:52.600
<v Speaker 1>take the quick cameman would taking his time. But what

1:01:52.640 --> 1:01:54.880
<v Speaker 1>happened with Burtman camera here. He tried to curush us

1:01:54.880 --> 1:01:57.680
<v Speaker 1>out and shake up the interview before the interview started,

1:01:58.280 --> 1:02:01.480
<v Speaker 1>thinking that the interview would be but it wouldn't have been.

1:02:01.760 --> 1:02:04.120
<v Speaker 1>We just still ask the questions we wanted to ask. Well,

1:02:04.120 --> 1:02:05.760
<v Speaker 1>you try to do the intimidation thing. Came in here

1:02:05.800 --> 1:02:08.640
<v Speaker 1>with like seven guys, you know, and my thing is yo,

1:02:08.720 --> 1:02:10.840
<v Speaker 1>anything I've ever said about a person on the radio.

1:02:11.200 --> 1:02:13.600
<v Speaker 1>I'm gonna say today's face. So I'm thinking, if you're

1:02:13.600 --> 1:02:16.160
<v Speaker 1>coming here, you coming here to address those issues right

1:02:16.560 --> 1:02:19.200
<v Speaker 1>that there? To me, that was some suffer that that's

1:02:19.200 --> 1:02:21.440
<v Speaker 1>anything we do a pre we did, we talk about

1:02:21.440 --> 1:02:23.200
<v Speaker 1>you or make a comment about you. When you come up,

1:02:23.200 --> 1:02:25.520
<v Speaker 1>people gonna make that same comment. And like, i' I don't,

1:02:25.560 --> 1:02:27.160
<v Speaker 1>I don't like. I don't like the coming up here

1:02:27.240 --> 1:02:30.160
<v Speaker 1>just trying to show out on people. Try to plan

1:02:30.480 --> 1:02:32.400
<v Speaker 1>to come up here and do certain things. Don't don't

1:02:32.440 --> 1:02:34.240
<v Speaker 1>don't try to be tough to the radio guys, especially

1:02:34.280 --> 1:02:36.920
<v Speaker 1>when people like Trick Daddy has been up here. Trick Daddy,

1:02:36.920 --> 1:02:39.320
<v Speaker 1>you have to say about bird Man, let's I've dumped

1:02:39.360 --> 1:02:42.000
<v Speaker 1>in this with bird Man. Summer good and Summer's bad.

1:02:42.160 --> 1:02:43.920
<v Speaker 1>I just think when when you trying to be a

1:02:43.960 --> 1:02:46.360
<v Speaker 1>CEO and you try to be a rapper, and you

1:02:46.440 --> 1:02:48.600
<v Speaker 1>try to be a ladies man, and you try to

1:02:48.600 --> 1:02:51.480
<v Speaker 1>be a girlfriend, and you're trying to be a girlfriend

1:02:52.600 --> 1:02:55.280
<v Speaker 1>and a blood trying to be a girlfriend a girlfriend.

1:02:55.280 --> 1:02:59.440
<v Speaker 1>I don't know that's what they see. I got it

1:02:59.520 --> 1:03:05.440
<v Speaker 1>from the three okay, and Ross was up here between

1:03:05.600 --> 1:03:08.280
<v Speaker 1>Wayne and him and he spoke about it. What's ledge

1:03:08.480 --> 1:03:11.160
<v Speaker 1>with Berman? I don't have one with Burdman. For me

1:03:11.200 --> 1:03:14.280
<v Speaker 1>to see the way things are transpiring, I can't respect that,

1:03:14.360 --> 1:03:16.480
<v Speaker 1>and I don't respect Have you had that convo with

1:03:16.600 --> 1:03:18.560
<v Speaker 1>Burdman boss to boss, like you need to treat your

1:03:18.560 --> 1:03:20.880
<v Speaker 1>people better? Not at all? I mean that's what I

1:03:20.960 --> 1:03:23.440
<v Speaker 1>wanted to build my team after the way their kids

1:03:23.560 --> 1:03:26.520
<v Speaker 1>was molding together, the way their family was so for

1:03:26.560 --> 1:03:29.040
<v Speaker 1>me to see this, that's a no go. They know

1:03:29.080 --> 1:03:31.120
<v Speaker 1>how I play, Berman know how I get down. He

1:03:31.200 --> 1:03:33.480
<v Speaker 1>was in Miami a long time. He knows double M

1:03:33.600 --> 1:03:37.640
<v Speaker 1>active what I'm jealous d j M, d Angela, Yee, Charlomagne,

1:03:37.640 --> 1:03:39.920
<v Speaker 1>the guy. We are the Breakfast Club. This year is

1:03:39.920 --> 1:03:42.320
<v Speaker 1>a time of giving, so make sure you donate to

1:03:42.440 --> 1:03:45.560
<v Speaker 1>UNISEFT to help save children's lives this holiday season. Use

1:03:45.640 --> 1:03:47.880
<v Speaker 1>your cell phone to die pound two fifty and say

1:03:47.920 --> 1:03:52.360
<v Speaker 1>the keyword unisapp. That's pound two fifty keyword unisapp to

1:03:52.400 --> 1:03:54.800
<v Speaker 1>make a donation. The People's Choice Mix is coming up,

1:03:54.840 --> 1:03:57.120
<v Speaker 1>so get your requests in it. Eight hundred five eight

1:03:57.160 --> 1:04:02.880
<v Speaker 1>five one oh five one. The Breakfast Club put up

1:04:02.920 --> 1:04:05.960
<v Speaker 1>y'all as DJ M, vy Angela, Yee, Charlomne and the guy.

1:04:06.000 --> 1:04:08.600
<v Speaker 1>We are the Breakfast Club. We're standing with Uni Steth

1:04:08.640 --> 1:04:11.240
<v Speaker 1>to give hope to the children. First. We need you

1:04:11.360 --> 1:04:13.560
<v Speaker 1>to help make a difference by donating to help save

1:04:13.680 --> 1:04:16.840
<v Speaker 1>children's lives. Use yourself phone to dive pound two fifty

1:04:16.840 --> 1:04:19.280
<v Speaker 1>and say the key word Uni Seth. That's pound two fifty,

1:04:19.360 --> 1:04:22.280
<v Speaker 1>keyword Uni Seth. Join the movement and give this holiday

1:04:22.320 --> 1:04:24.720
<v Speaker 1>season with the Breakfast Club. What do you think about

1:04:24.760 --> 1:04:27.440
<v Speaker 1>Birdman's approach? I'm starting the room. I was kind of

1:04:27.440 --> 1:04:29.560
<v Speaker 1>geeked that because they called me a couple of weeks

1:04:29.560 --> 1:04:31.280
<v Speaker 1>ago and they said Birdman wanted to do the interview,

1:04:31.280 --> 1:04:33.200
<v Speaker 1>and I was I was hyped. I was like, that's great.

1:04:33.400 --> 1:04:35.120
<v Speaker 1>It would be great for the culture, you know, because

1:04:35.120 --> 1:04:36.880
<v Speaker 1>we don't really get to talk to Birdman and see

1:04:36.880 --> 1:04:38.720
<v Speaker 1>the history and see everything that's going on for him

1:04:38.760 --> 1:04:41.840
<v Speaker 1>not paying his artists, alleged league to you know, him

1:04:41.960 --> 1:04:44.600
<v Speaker 1>kissing Wayne, alleged league to all that stuff. They called

1:04:44.600 --> 1:04:46.440
<v Speaker 1>me at four in the morning and said, are you

1:04:46.480 --> 1:04:48.640
<v Speaker 1>gonna be here on this day Birdman wants to come.

1:04:48.840 --> 1:04:51.360
<v Speaker 1>I said absolutely, because I mean, listen, I have no

1:04:51.400 --> 1:04:54.080
<v Speaker 1>problem with the confrontation. Confrontations ain't never scared me in

1:04:54.080 --> 1:04:56.320
<v Speaker 1>no way, shape or form. Anything I said about you

1:04:56.400 --> 1:04:59.080
<v Speaker 1>on the radio, I'm gonna say to your face. Period.

1:04:59.240 --> 1:05:01.600
<v Speaker 1>So I wasn't on that, but I thought that it

1:05:01.600 --> 1:05:03.360
<v Speaker 1>would have went better than that. But I always say,

1:05:03.400 --> 1:05:05.800
<v Speaker 1>you can never tell somebody how to react. So I

1:05:05.800 --> 1:05:07.800
<v Speaker 1>can't sit here and say that the way he reacted

1:05:07.960 --> 1:05:10.560
<v Speaker 1>was wrong. I just don't respect it, because if you

1:05:10.600 --> 1:05:12.800
<v Speaker 1>got an issue, let's talk about the issue. Don't come

1:05:12.800 --> 1:05:15.080
<v Speaker 1>in here with seven dude trying to intimidate people. Because

1:05:15.080 --> 1:05:16.919
<v Speaker 1>you ain't pull up on ross like that. You can't

1:05:16.960 --> 1:05:18.920
<v Speaker 1>pull up on a trick like that. Don't pull up

1:05:18.960 --> 1:05:21.120
<v Speaker 1>on the radio guys that can tough. I cannot stand

1:05:21.120 --> 1:05:23.320
<v Speaker 1>when these artists coming here and try to act tough

1:05:23.560 --> 1:05:25.360
<v Speaker 1>with us. Go act tough with the people that's out

1:05:25.360 --> 1:05:29.160
<v Speaker 1>here acting tough. Okay, I don't do that. You got

1:05:29.160 --> 1:05:31.560
<v Speaker 1>your notes, are prepared, and you was already like. Here's

1:05:31.560 --> 1:05:35.600
<v Speaker 1>the thing. I don't understand what he's mad about, because

1:05:35.640 --> 1:05:37.240
<v Speaker 1>I feel like, if you really don't mess with us,

1:05:37.240 --> 1:05:39.000
<v Speaker 1>then you shouldn't have came up here. I can see

1:05:39.040 --> 1:05:41.440
<v Speaker 1>why he's mad, but I'm saying you shouldn't have came

1:05:40.840 --> 1:05:44.520
<v Speaker 1>you And if you are to come up here and confront.

1:05:44.680 --> 1:05:46.680
<v Speaker 1>If you want to confront, let's have a conversation. Now.

1:05:47.080 --> 1:05:49.480
<v Speaker 1>I don't feel like I've ever spoken part. I've interviewed

1:05:49.480 --> 1:05:52.600
<v Speaker 1>Bert Man before we do at my former job. Great interview,

1:05:53.160 --> 1:05:55.240
<v Speaker 1>and I was very prepared for this one. I had

1:05:55.240 --> 1:05:57.640
<v Speaker 1>a lot of things we wanted to talk about discuss,

1:05:57.720 --> 1:05:59.760
<v Speaker 1>but I thought it was gonna be great. But I'm

1:05:59.800 --> 1:06:02.080
<v Speaker 1>think and maybe in the room of report there's certain

1:06:02.120 --> 1:06:06.800
<v Speaker 1>things that I don't make up, but maybe I know.

1:06:06.880 --> 1:06:08.560
<v Speaker 1>For me, I talked about him breaking up in Wayne

1:06:08.560 --> 1:06:10.560
<v Speaker 1>and then hooking up a thug, you know what I'm saying.

1:06:10.600 --> 1:06:12.840
<v Speaker 1>We never stopped talking about him kissing Wayne in his mouth,

1:06:13.720 --> 1:06:16.640
<v Speaker 1>artists that you know, artists, and bills that he allegedly

1:06:16.680 --> 1:06:19.160
<v Speaker 1>doesn't paid. We've definitely discussed that. You know. I got

1:06:19.360 --> 1:06:21.960
<v Speaker 1>cast from his people yesterday saying that he was upset

1:06:22.000 --> 1:06:23.800
<v Speaker 1>because he feels like whenever I say things like why

1:06:23.840 --> 1:06:25.800
<v Speaker 1>would you sign with bird Man, don't say nobody and

1:06:25.920 --> 1:06:28.840
<v Speaker 1>messages his business stuff. I can understand that that's understandable,

1:06:28.880 --> 1:06:30.360
<v Speaker 1>but you know, I didn't care. I wanted him to

1:06:30.400 --> 1:06:31.760
<v Speaker 1>come up here and cleared up, and me and bird

1:06:31.840 --> 1:06:33.600
<v Speaker 1>was cool. We were on told with each other. He

1:06:33.680 --> 1:06:35.680
<v Speaker 1>actually offered me a deal last year to signed me

1:06:35.920 --> 1:06:38.880
<v Speaker 1>to the cash money. I remember that you're offrom me

1:06:38.880 --> 1:06:41.240
<v Speaker 1>a deal, and I talked to him about day elect

1:06:41.240 --> 1:06:43.840
<v Speaker 1>trying to come previously he had wanted to sign him

1:06:43.840 --> 1:06:46.360
<v Speaker 1>because he's from New Orleans. Also, I don't know. So

1:06:46.440 --> 1:06:49.840
<v Speaker 1>let's go to the full lord. Hello, who's this yo? Yo?

1:06:50.040 --> 1:06:52.960
<v Speaker 1>From the d Man? What's straight entertainment? But what do

1:06:52.960 --> 1:06:55.560
<v Speaker 1>you think about Birdman's approach Man? Was it justified? Yeah?

1:06:55.560 --> 1:06:59.880
<v Speaker 1>I know he cameras and anything. I mean, you felt

1:06:59.920 --> 1:07:02.320
<v Speaker 1>like see me in the streets. He should have just

1:07:02.400 --> 1:07:05.200
<v Speaker 1>kept the interview he had to say. But it's all

1:07:05.240 --> 1:07:08.080
<v Speaker 1>about entertainments, just like I mean, I'm a broad fan

1:07:08.160 --> 1:07:11.200
<v Speaker 1>of for Life. But it's entertainment. It's the media industry.

1:07:11.400 --> 1:07:13.760
<v Speaker 1>It's a disgusting business. I wish you would have cleared

1:07:13.760 --> 1:07:15.320
<v Speaker 1>everything up. I wish we'd have had the chance to

1:07:15.360 --> 1:07:17.320
<v Speaker 1>talk to him about all those things. I don't ever

1:07:17.400 --> 1:07:19.600
<v Speaker 1>want to talk to bird Man. I'm cool on Burdman.

1:07:19.640 --> 1:07:21.960
<v Speaker 1>He was calling me yesterday trying to get us on

1:07:21.960 --> 1:07:24.080
<v Speaker 1>the phone. All that. I'm good. I didn't know. I

1:07:24.080 --> 1:07:26.080
<v Speaker 1>didn't know Burdman before this. I don't need to know

1:07:26.120 --> 1:07:28.760
<v Speaker 1>Burdman after this. God bless him. I wish him the best.

1:07:28.840 --> 1:07:31.640
<v Speaker 1>I'm cool on bird Man. I spoke to Burdman after that,

1:07:31.680 --> 1:07:34.160
<v Speaker 1>and he did apologize and he said he would love

1:07:34.240 --> 1:07:36.680
<v Speaker 1>to come back up here and talk to us, and

1:07:36.840 --> 1:07:38.320
<v Speaker 1>he said he wanted to talk to you face to

1:07:38.400 --> 1:07:40.760
<v Speaker 1>face as well. No, that is that wasn't happening. And

1:07:40.800 --> 1:07:42.440
<v Speaker 1>they called me for that yesterday too, they wanted to

1:07:42.480 --> 1:07:44.200
<v Speaker 1>meet face to face. I'm like, nope. He was like,

1:07:44.200 --> 1:07:45.640
<v Speaker 1>can y'all get on the phone. I'm like, man, let

1:07:45.640 --> 1:07:47.840
<v Speaker 1>me call y'all back. So y'all are hearing me say

1:07:47.880 --> 1:07:50.160
<v Speaker 1>it now? I'm cool on burd Man. I don't need

1:07:50.200 --> 1:07:52.040
<v Speaker 1>to have no conversation with a Burnman. Didn't know him

1:07:52.080 --> 1:07:53.720
<v Speaker 1>before this, don't need to know him after this. God

1:07:53.760 --> 1:07:57.080
<v Speaker 1>bless him. Burdman' is it justified? Please? First of all,

1:07:57.120 --> 1:07:59.440
<v Speaker 1>like Charlemagne said, for you to take this time to

1:07:59.520 --> 1:08:01.800
<v Speaker 1>come to the radio Statians to address me, that's not

1:08:01.880 --> 1:08:03.880
<v Speaker 1>being a man. You told him that you've seen him

1:08:04.160 --> 1:08:06.680
<v Speaker 1>any of the time, but you never addressed him. And

1:08:06.680 --> 1:08:08.959
<v Speaker 1>the fact that he was addressing all three of you guys,

1:08:09.000 --> 1:08:12.160
<v Speaker 1>including a female, a little Spanish female, was straight up.

1:08:15.840 --> 1:08:21.519
<v Speaker 1>The Spanish female. No, I wasn't saying, m va female.

1:08:21.520 --> 1:08:24.680
<v Speaker 1>I'm sorry. I wasn't saying I would have just said, like,

1:08:25.040 --> 1:08:29.320
<v Speaker 1>shut up ahead, it's just wat because if you was

1:08:29.400 --> 1:08:30.760
<v Speaker 1>a man, you would have pulled him to the song.

1:08:30.880 --> 1:08:32.760
<v Speaker 1>And you've seen them, but you waited until you got

1:08:32.760 --> 1:08:35.439
<v Speaker 1>on the radio station to say a five second interview

1:08:35.560 --> 1:08:37.840
<v Speaker 1>like come on, please, God, we ain't worried about you.

1:08:40.479 --> 1:08:45.200
<v Speaker 1>Just came. Burdman's approach was justified. No, man, not at all. Man,

1:08:45.800 --> 1:08:48.080
<v Speaker 1>Come on, man, what's you coming at Charlom Man? For man,

1:08:48.360 --> 1:08:49.920
<v Speaker 1>you know our person, Una Man. We took it with

1:08:50.000 --> 1:08:52.880
<v Speaker 1>charlom Man. He right across the bridge, Yes, sir, all

1:08:52.960 --> 1:08:56.080
<v Speaker 1>right bro third, well let's come on the story, guys,

1:08:56.080 --> 1:08:58.000
<v Speaker 1>come all in the story. Burd Man wasn't wrong because

1:08:58.000 --> 1:08:59.960
<v Speaker 1>I always tell y'all you can never tell somebody how

1:09:00.000 --> 1:09:02.760
<v Speaker 1>they should react to a certain situation. But I know

1:09:02.840 --> 1:09:05.160
<v Speaker 1>for me, I'm cool on burd Man boy. Like I said,

1:09:05.160 --> 1:09:07.240
<v Speaker 1>he did call after the show and he apologized. He

1:09:07.240 --> 1:09:08.799
<v Speaker 1>said he wanted to come back home. Did you accept

1:09:08.800 --> 1:09:12.040
<v Speaker 1>his apology? Nothing bothers me. I don't care. I mean

1:09:12.400 --> 1:09:13.720
<v Speaker 1>the fact that we was able to get it on

1:09:13.760 --> 1:09:15.840
<v Speaker 1>the air is what made my song. I left that

1:09:15.920 --> 1:09:18.960
<v Speaker 1>n act like nothing happened right before the bisland Okay, okay,

1:09:18.960 --> 1:09:20.120
<v Speaker 1>hold on, I was trying to get it. I was

1:09:20.120 --> 1:09:21.800
<v Speaker 1>trying to get it on air. Like you, talking behind

1:09:21.800 --> 1:09:23.559
<v Speaker 1>the scenes does nothing for our listeners. I want our

1:09:23.560 --> 1:09:27.240
<v Speaker 1>listeners to see everything, every aspect, everything that happens. That's

1:09:27.240 --> 1:09:29.000
<v Speaker 1>why I was trying to get the cameraman and Harry up.

1:09:29.200 --> 1:09:31.280
<v Speaker 1>I wouldn't love to know what it is that really

1:09:31.280 --> 1:09:36.160
<v Speaker 1>in particular has him. I don't care. Practice Charlemagne said

1:09:36.160 --> 1:09:38.680
<v Speaker 1>that why would you sign the Birdman because because he

1:09:38.720 --> 1:09:40.519
<v Speaker 1>was like he felt like that messes up his money,

1:09:40.560 --> 1:09:42.599
<v Speaker 1>because a lot of artists might like I won't sign him.

1:09:42.600 --> 1:09:45.080
<v Speaker 1>But God, God bless bird Man. I didn't know Burman

1:09:45.200 --> 1:09:47.200
<v Speaker 1>before this. I don't need to know him after this.

1:09:48.040 --> 1:09:50.240
<v Speaker 1>No need to call my phone and ask the Holly

1:09:50.320 --> 1:09:55.160
<v Speaker 1>and all that. I'm cool on Birdman. Five stop. Okay,

1:09:55.320 --> 1:09:57.080
<v Speaker 1>good luck to him. I wish him the best. He

1:09:57.200 --> 1:09:58.880
<v Speaker 1>had it. He's had a great life. He will continue

1:09:58.880 --> 1:10:01.200
<v Speaker 1>to have a great life without the Breakfast Club. But

1:10:01.240 --> 1:10:03.559
<v Speaker 1>my thing is, don't come here if you really don't

1:10:03.600 --> 1:10:05.800
<v Speaker 1>want to address issues and get things off your chest.

1:10:06.160 --> 1:10:07.680
<v Speaker 1>Don't come in here and try to curse us out

1:10:07.720 --> 1:10:10.479
<v Speaker 1>with seven dude and intimidate people and do the old

1:10:10.479 --> 1:10:13.240
<v Speaker 1>fake guy in nineteen nineties tough rapper thing. That is whack.

1:10:13.439 --> 1:10:14.720
<v Speaker 1>He might have been. He just might have had a

1:10:14.720 --> 1:10:16.680
<v Speaker 1>bad morning man. He might have just who knows. Well,

1:10:16.720 --> 1:10:23.519
<v Speaker 1>let's pop battles, stupid ass, it's a breakfast club. Good morning, duke,