1 00:00:00,080 --> 00:00:05,200 Speaker 1: This is your week up call to Breakfast Club. They 2 00:00:05,240 --> 00:00:07,520 Speaker 1: show you love to hate from the East to the 3 00:00:07,560 --> 00:00:11,360 Speaker 1: West Coast. DJ M Angela Ye, Charlomagne, the guy really 4 00:00:11,440 --> 00:00:13,400 Speaker 1: show on the planet. This is why I respect this 5 00:00:13,440 --> 00:00:16,160 Speaker 1: show because this is a voice of society. Saints in 6 00:00:16,239 --> 00:00:19,639 Speaker 1: the game. Guys are the coveted morning show. What y'all 7 00:00:19,680 --> 00:00:23,040 Speaker 1: earn in bacting the coach up in the morning and day. 8 00:00:23,360 --> 00:00:26,400 Speaker 1: Want to hear that Breakfast the world's most dangerous morning show. 9 00:00:32,400 --> 00:00:37,000 Speaker 1: So like a control what up y'all is? DJ m 10 00:00:37,080 --> 00:00:40,080 Speaker 1: vy angela yee Charlomagne the guy. We are the Breakfast Club. 11 00:00:40,440 --> 00:00:43,360 Speaker 1: Make sure you donate to UNISEF to help save children's 12 00:00:43,400 --> 00:00:46,240 Speaker 1: lives this holiday season. Use your cell phone to dial 13 00:00:46,360 --> 00:00:50,080 Speaker 1: pound two fifty and say the keyword UNISEF. That's pound 14 00:00:50,120 --> 00:00:53,200 Speaker 1: two fifty, keyword UNISEF to make a donation. We got 15 00:00:53,200 --> 00:00:55,120 Speaker 1: a special guest in the building and he came in 16 00:00:55,080 --> 00:01:03,680 Speaker 1: there playing Pokemon Go Up and Down time. I'm trying 17 00:01:03,680 --> 00:01:07,000 Speaker 1: to catch you man. Yeah, now I was watching. I 18 00:01:07,000 --> 00:01:09,440 Speaker 1: was watching the interview you did in La on the 19 00:01:09,520 --> 00:01:12,160 Speaker 1: Rail with Letty. You said, you know you wasn't enjoying 20 00:01:12,200 --> 00:01:16,000 Speaker 1: the moment. Are you enjoying the moment now. Still there's 21 00:01:16,040 --> 00:01:17,880 Speaker 1: a lot of Man, it's rough, man. You lose your 22 00:01:17,920 --> 00:01:19,840 Speaker 1: one of your own boys, bro like that, Ain't that 23 00:01:19,880 --> 00:01:21,760 Speaker 1: ain't easy? Man. You don't just be like all right, 24 00:01:21,760 --> 00:01:23,920 Speaker 1: I'm over it. He wrapped about down on the album. 25 00:01:23,920 --> 00:01:26,480 Speaker 1: He went to prisoner right for a hundred years. Man, 26 00:01:26,720 --> 00:01:29,319 Speaker 1: Jesus Christ. He just he just I just got the 27 00:01:29,360 --> 00:01:32,000 Speaker 1: news that he got a hundred years to day my 28 00:01:32,040 --> 00:01:34,600 Speaker 1: album dropped. Damn, I'm supposed to feel like that. I've 29 00:01:34,640 --> 00:01:36,640 Speaker 1: been eating like once a day, like just being my 30 00:01:36,680 --> 00:01:39,080 Speaker 1: homie be folk, even though he was my homie, like 31 00:01:39,080 --> 00:01:41,560 Speaker 1: you the reason I'm even rapping about this lifestyle. He 32 00:01:41,600 --> 00:01:43,560 Speaker 1: did do to put me on the set, like only 33 00:01:43,680 --> 00:01:45,440 Speaker 1: like three years older than me, but he's like my 34 00:01:45,480 --> 00:01:47,960 Speaker 1: original big HOMEI like, bro talk, you feel like what 35 00:01:48,160 --> 00:01:52,920 Speaker 1: some survival's remorse, maybe survival's guilt that you made it 36 00:01:52,960 --> 00:01:55,400 Speaker 1: and he you know, nah, not really that. It's just 37 00:01:55,520 --> 00:01:58,320 Speaker 1: more so that just my nick like he's gone and 38 00:01:58,440 --> 00:01:59,920 Speaker 1: all I could do is just hop fun the pit. 39 00:02:00,120 --> 00:02:01,480 Speaker 1: I mean, you still got to enjoy the moment. You 40 00:02:01,480 --> 00:02:02,920 Speaker 1: got to do it right now, So that could be 41 00:02:03,000 --> 00:02:04,760 Speaker 1: some kind of Man I'm out here and she just 42 00:02:04,760 --> 00:02:09,600 Speaker 1: brought her arm too. You know what, you don't have 43 00:02:09,400 --> 00:02:12,600 Speaker 1: to you got what. You don't have time with Pokemon go. 44 00:02:12,680 --> 00:02:14,400 Speaker 1: You got too much. Man, I'm trying to keep my 45 00:02:14,440 --> 00:02:17,799 Speaker 1: mind off of it, just like being a kid, you know, 46 00:02:17,960 --> 00:02:20,480 Speaker 1: seven year old. Like that was one of the reasons 47 00:02:20,480 --> 00:02:22,640 Speaker 1: why I told people I stepped away from music after 48 00:02:22,720 --> 00:02:25,320 Speaker 1: my last album because it's just like I'm always doing 49 00:02:25,360 --> 00:02:28,200 Speaker 1: this type of stuff and moving around and I'm missing 50 00:02:28,200 --> 00:02:30,400 Speaker 1: out on my family. Like important. I was supposed to 51 00:02:30,400 --> 00:02:33,160 Speaker 1: be there, Like my daughter broke her arm and she 52 00:02:33,320 --> 00:02:36,160 Speaker 1: got like somebody else taking her to the hospital in 53 00:02:36,160 --> 00:02:38,040 Speaker 1: the hospital with it. I'm supposed to be there, right. 54 00:02:38,120 --> 00:02:43,640 Speaker 1: They make me sad talking about you know, your FaceTime 55 00:02:43,680 --> 00:02:46,760 Speaker 1: and what she's a FaceTime and she sleep most of 56 00:02:46,800 --> 00:02:48,600 Speaker 1: the time, you know what I mean. She on the dope. 57 00:02:48,880 --> 00:02:50,440 Speaker 1: They got her on the dope and stuff. She was 58 00:02:50,440 --> 00:02:54,400 Speaker 1: gonna get ready to go. It's dope, man, It's dope. 59 00:02:54,440 --> 00:02:57,400 Speaker 1: It is what it is. I think before FaceTime something 60 00:02:57,440 --> 00:02:59,519 Speaker 1: like that happened and you can at least now that's 61 00:02:59,560 --> 00:03:01,760 Speaker 1: a lot of connection like that to be on the 62 00:03:01,800 --> 00:03:04,760 Speaker 1: face time and see. Modern technology has really helped a 63 00:03:04,800 --> 00:03:08,120 Speaker 1: lot with relationships in general. No for sure. Off top. Well, 64 00:03:08,160 --> 00:03:11,320 Speaker 1: let's talk about the new album, blank Face, blank Face 65 00:03:11,400 --> 00:03:13,840 Speaker 1: seventeen songs. You must have had a lot of songs 66 00:03:13,840 --> 00:03:16,560 Speaker 1: done to be able to pick seventeen. I mean, yeah, 67 00:03:17,120 --> 00:03:18,800 Speaker 1: we were going to do a deluxe and all that, 68 00:03:18,840 --> 00:03:20,639 Speaker 1: but I'm just like, well I do a deluxe. That's 69 00:03:20,680 --> 00:03:22,360 Speaker 1: like the label stuff that you were in about to 70 00:03:22,360 --> 00:03:24,040 Speaker 1: seal the stuff. I don't care about that stuff, but 71 00:03:24,320 --> 00:03:30,480 Speaker 1: never care about don't damn bottom they put me in 72 00:03:30,520 --> 00:03:33,160 Speaker 1: this position. Don't get a twisted like TD put me 73 00:03:33,160 --> 00:03:35,360 Speaker 1: in this position. I wouldn't be where I'm at without TD. 74 00:03:35,640 --> 00:03:37,240 Speaker 1: Like you know how I know you here because you 75 00:03:37,280 --> 00:03:39,800 Speaker 1: did the song Studio that was a huge hit song 76 00:03:39,880 --> 00:03:42,000 Speaker 1: off the last album, and then I could tell on 77 00:03:42,080 --> 00:03:43,960 Speaker 1: this song you have another hit. What you talked about 78 00:03:43,960 --> 00:03:47,840 Speaker 1: the song with Miguel and Justine tough although you said 79 00:03:47,840 --> 00:03:50,680 Speaker 1: you didn't No, I didn't like it at first because 80 00:03:50,800 --> 00:03:53,640 Speaker 1: look see what I said that the listening party sound it. 81 00:03:53,880 --> 00:03:57,040 Speaker 1: I had to say stuff so brief that came out wrong. 82 00:03:57,440 --> 00:03:59,680 Speaker 1: But I didn't like the song until me get on 83 00:03:59,680 --> 00:04:03,120 Speaker 1: into Stein got on it. I'm the one that acts 84 00:04:03,120 --> 00:04:06,160 Speaker 1: for I was getting the hood. Then we had as 85 00:04:06,160 --> 00:04:08,800 Speaker 1: you can tell, Kendrick still got background vocals. Kendrick is 86 00:04:08,840 --> 00:04:10,720 Speaker 1: in the background too. It's just a little like, nah, 87 00:04:10,760 --> 00:04:13,720 Speaker 1: I'm cool on that, Like y'all know about the forest meter, 88 00:04:13,880 --> 00:04:16,920 Speaker 1: but use Kindrick on one album with the girls song, Yeah, 89 00:04:16,960 --> 00:04:21,560 Speaker 1: I can see what time I'm hauging with Dave. I'm like, bro, 90 00:04:21,640 --> 00:04:24,040 Speaker 1: that's a bootleg studio. He like, no, it's not. I'm like, bro, 91 00:04:24,160 --> 00:04:26,760 Speaker 1: it's definitely a bootleg studio. I don't think it's sound 92 00:04:26,800 --> 00:04:30,640 Speaker 1: like but nah, I'm the one that was like, get 93 00:04:30,640 --> 00:04:35,720 Speaker 1: me me Gail at least, Yeah, no, what it is 94 00:04:36,000 --> 00:04:39,279 Speaker 1: these bunk ass websites they put it out there. They 95 00:04:39,279 --> 00:04:42,640 Speaker 1: didn't even put Justine name. Schoolboard Q hates the song 96 00:04:42,720 --> 00:04:46,640 Speaker 1: with me Gail I never mentioned, like, I never, but 97 00:04:46,800 --> 00:04:48,520 Speaker 1: also I would have to say it brief, so I 98 00:04:48,520 --> 00:04:50,680 Speaker 1: can understand why they would put it like that. You 99 00:04:50,720 --> 00:04:52,920 Speaker 1: could tell that they're looking for it's a great headline 100 00:04:52,960 --> 00:04:55,880 Speaker 1: and looking like yeah, exactly, but he doesn't like song 101 00:04:56,000 --> 00:04:59,160 Speaker 1: with Miguel. Miguel hit you like I thought you said 102 00:04:59,160 --> 00:05:01,320 Speaker 1: you like girl. We hunted at each other or whatever. 103 00:05:01,400 --> 00:05:03,320 Speaker 1: I was wrong in the situation. I would have been 104 00:05:03,400 --> 00:05:05,479 Speaker 1: like I would have hided letting you know what I'm saying, 105 00:05:05,520 --> 00:05:07,160 Speaker 1: somebody says something like that to me, ain't nothing you 106 00:05:07,200 --> 00:05:08,520 Speaker 1: can say to me, like, you know what I mean? 107 00:05:08,600 --> 00:05:12,440 Speaker 1: So I had to highlight him and let him know 108 00:05:14,680 --> 00:05:17,360 Speaker 1: that this better. No, I was like that, I'm just like, 109 00:05:17,480 --> 00:05:19,520 Speaker 1: I'm just like I had to apologize to him because 110 00:05:19,520 --> 00:05:21,880 Speaker 1: it came out wrong. And as a man, you gotta 111 00:05:21,920 --> 00:05:23,800 Speaker 1: know when you're wrong when you when you do something. 112 00:05:23,800 --> 00:05:26,039 Speaker 1: You know what I mean? I was wrong? How man? 113 00:05:26,160 --> 00:05:27,880 Speaker 1: We just always used to run into each other, and 114 00:05:27,920 --> 00:05:29,840 Speaker 1: I just had a top calling him like I'm not 115 00:05:29,839 --> 00:05:33,040 Speaker 1: about to go ask somebody like Kanye West status, like yo, 116 00:05:33,160 --> 00:05:34,919 Speaker 1: let me get your number. We should do something like 117 00:05:35,200 --> 00:05:38,359 Speaker 1: Kanye is up here, school boy. No, no, not like 118 00:05:38,480 --> 00:05:40,920 Speaker 1: Kanye bro. Kanye is a legend, like he hadn't done 119 00:05:40,960 --> 00:05:42,920 Speaker 1: it over and over and over and over and over 120 00:05:43,279 --> 00:05:46,000 Speaker 1: since I was in like first year out of high school. 121 00:05:46,040 --> 00:05:48,440 Speaker 1: You know what I'm saying, right, you know your playing exactly. 122 00:05:49,160 --> 00:05:53,200 Speaker 1: You don't let I hate when you artists like, no disrespect. 123 00:05:53,240 --> 00:05:55,680 Speaker 1: But if you just got on like you're not even 124 00:05:55,760 --> 00:05:58,039 Speaker 1: made the freshman listen, you ask him for my number 125 00:05:58,040 --> 00:06:00,800 Speaker 1: and you talk about let's go to the wild, let's 126 00:06:00,800 --> 00:06:03,440 Speaker 1: do this. Oh, you should like no, I'm cool, like no, 127 00:06:03,760 --> 00:06:06,600 Speaker 1: like unless it's like unless I know who you are 128 00:06:06,640 --> 00:06:09,440 Speaker 1: and it's dope, like don't just ask me for my number, 129 00:06:09,480 --> 00:06:11,160 Speaker 1: and like no we need to get one, Like no, 130 00:06:11,200 --> 00:06:14,640 Speaker 1: we don't need to get one. I mean still yes 131 00:06:14,760 --> 00:06:19,159 Speaker 1: so much because people confuse gangster rap with no substance. Now, 132 00:06:19,400 --> 00:06:22,320 Speaker 1: but we got the most substance in any artists because 133 00:06:22,720 --> 00:06:24,760 Speaker 1: for the simple fact we're talking about our life. People 134 00:06:24,880 --> 00:06:26,760 Speaker 1: just be talking about what's on the news. I'll be 135 00:06:26,800 --> 00:06:29,479 Speaker 1: hearing Nick to be wrapping double Time and that's bars 136 00:06:29,560 --> 00:06:31,839 Speaker 1: Like now you got better and way more child, I 137 00:06:31,839 --> 00:06:35,520 Speaker 1: get more greener, I got more, like what the that's 138 00:06:35,640 --> 00:06:41,119 Speaker 1: double time? Confusing bad? Just stepping up lyrically on this album. 139 00:06:41,279 --> 00:06:43,920 Speaker 1: Of course I had to, man, this is I felt 140 00:06:43,920 --> 00:06:46,160 Speaker 1: I felt like people sleeping on me. Man, even though 141 00:06:46,200 --> 00:06:48,600 Speaker 1: I had the big record, I just got to come 142 00:06:48,640 --> 00:06:50,279 Speaker 1: back harder. I just felt like I just had to 143 00:06:50,279 --> 00:06:53,240 Speaker 1: come back harder, stay focused. Man. Now you haven't had 144 00:06:53,279 --> 00:06:56,119 Speaker 1: some experiences with aliens, because I see you're on Action 145 00:06:56,200 --> 00:07:01,200 Speaker 1: Bronson's or if you're popping in LA all the time. Yeah, 146 00:07:01,240 --> 00:07:02,880 Speaker 1: so they say, I mean, I don't believe in none 147 00:07:02,920 --> 00:07:06,240 Speaker 1: of that alien stop. I don't believe in alien. Don't 148 00:07:06,240 --> 00:07:08,080 Speaker 1: get me wrong. I don't think we're the only species 149 00:07:08,120 --> 00:07:11,720 Speaker 1: in the world. I'm not believing Alien has a spaceship 150 00:07:11,760 --> 00:07:16,320 Speaker 1: flying over LA just seeing was cracking it. No got planes. 151 00:07:16,360 --> 00:07:18,320 Speaker 1: I can fly over other countries and all around the world. 152 00:07:18,360 --> 00:07:20,800 Speaker 1: We're not going to more's talking about what's cracking that. 153 00:07:20,920 --> 00:07:22,720 Speaker 1: We know what's going on. Oh they see us. We 154 00:07:22,720 --> 00:07:25,880 Speaker 1: gotta get out of here. Experience. But if that was 155 00:07:26,040 --> 00:07:28,920 Speaker 1: ghost or something, No, I know that experience with ghosts. 156 00:07:28,960 --> 00:07:32,080 Speaker 1: None of that wasn't dreamed all that. But you know 157 00:07:32,080 --> 00:07:35,160 Speaker 1: what I'm saying, that's what the ghost too. Like Bobby Brown, No, 158 00:07:35,320 --> 00:07:38,760 Speaker 1: I don't know what he's talking about. No, man, I 159 00:07:38,800 --> 00:07:42,160 Speaker 1: need some of that. He got whatever you got crack 160 00:07:42,320 --> 00:07:46,440 Speaker 1: it's called you know with the ghost. I mean you 161 00:07:46,440 --> 00:07:49,880 Speaker 1: ain't getting no SCD running. We got more with schoolboy 162 00:07:49,960 --> 00:07:52,560 Speaker 1: que keeping locked as to breakfast Club. Good morning, the 163 00:07:52,760 --> 00:07:59,080 Speaker 1: breakfast Club. What I'm jealous? Dj M v Angela Ye 164 00:07:59,160 --> 00:08:01,440 Speaker 1: Charlo mine the guy. We are the breakfast Club. You 165 00:08:01,520 --> 00:08:04,080 Speaker 1: have one more day to make your tax deductible donation 166 00:08:04,120 --> 00:08:06,640 Speaker 1: in two thousand and sixteen. Make you see your tax 167 00:08:06,640 --> 00:08:10,520 Speaker 1: deductible donation before it's too late with this easy unisef donation. 168 00:08:10,800 --> 00:08:13,160 Speaker 1: Use your cell phone to dial pound two fifty and 169 00:08:13,200 --> 00:08:17,520 Speaker 1: say the keyword UNITSAF. That's pound two fifty, keyword unitsaf 170 00:08:17,640 --> 00:08:20,640 Speaker 1: to make a donation. Schoolboy, que is in the building 171 00:08:20,960 --> 00:08:22,440 Speaker 1: that there's a freak que out a little bit when 172 00:08:22,480 --> 00:08:24,120 Speaker 1: you go to your concert and people are looking like 173 00:08:24,120 --> 00:08:26,920 Speaker 1: you with the hat, like, Bro, it's weird, bro, people 174 00:08:26,960 --> 00:08:30,440 Speaker 1: wearing the circle the John Lenny's glasses. I'm starting to 175 00:08:30,440 --> 00:08:33,559 Speaker 1: see ugly bears now, like, oh that you gotta salute 176 00:08:33,600 --> 00:08:35,920 Speaker 1: Chilly for that. Credit for that. I'm not taking the 177 00:08:36,000 --> 00:08:38,280 Speaker 1: credit for it. I'm just saying when I'm at my shows, 178 00:08:38,800 --> 00:08:41,600 Speaker 1: I've seen that, and it's it's a little weird. I'm 179 00:08:41,640 --> 00:08:45,040 Speaker 1: seeing dashikis now like they already took the bucket hats 180 00:08:45,040 --> 00:08:47,160 Speaker 1: from me. Everybody wearing the bucket I'm like, bro, like 181 00:08:47,200 --> 00:08:48,760 Speaker 1: I had to put that away. That's why you don't 182 00:08:49,600 --> 00:08:51,439 Speaker 1: have you got a little too weird. Everywhere I go. 183 00:08:51,559 --> 00:08:54,640 Speaker 1: It's just like everybody knew it was me off the rip, like, 184 00:08:54,640 --> 00:08:57,200 Speaker 1: oh that schoolworkque I took the bucket hat off. People 185 00:08:57,200 --> 00:08:59,640 Speaker 1: don't even bother me no more. But what's the science 186 00:08:59,640 --> 00:09:05,319 Speaker 1: behind the dot chikis I'm black. Okay, damn the album 187 00:09:06,840 --> 00:09:09,240 Speaker 1: behind that. I'm just asking I how you said on 188 00:09:09,280 --> 00:09:11,280 Speaker 1: Twitter you just be paying five dollars. They just cast 189 00:09:11,720 --> 00:09:14,920 Speaker 1: five dollars off Amazon. You getting the match, you sneakers, though. 190 00:09:15,520 --> 00:09:20,160 Speaker 1: I get every color possible on Amazon. I go every week. 191 00:09:20,200 --> 00:09:22,600 Speaker 1: I check Amazon. You got any new ones? No, they 192 00:09:22,679 --> 00:09:24,400 Speaker 1: got any. I don't bought them all. I ain't seen 193 00:09:24,440 --> 00:09:29,280 Speaker 1: on new ones now reloaded. I got a couple of throwbacks, 194 00:09:29,360 --> 00:09:33,800 Speaker 1: like like like exclusive ones. I got a couple. I 195 00:09:33,840 --> 00:09:38,640 Speaker 1: got a couple of exclusive one the super Bowl and 196 00:09:39,400 --> 00:09:49,560 Speaker 1: I got cool on it face. Yeah, this Michael Jordan 197 00:09:49,640 --> 00:09:52,200 Speaker 1: crying and people thought that was your album cover. You 198 00:09:52,200 --> 00:09:53,880 Speaker 1: put that out there like that for people to think 199 00:09:53,920 --> 00:09:56,400 Speaker 1: that as a joke, Yeah, you really want to do that, 200 00:09:56,440 --> 00:09:59,440 Speaker 1: But you knew, Michael Jordan. The whole thing was, I 201 00:09:59,480 --> 00:10:01,640 Speaker 1: had a cost up behind it because the album is 202 00:10:01,640 --> 00:10:04,600 Speaker 1: obviously called blank Face, and I was supposed to put 203 00:10:04,640 --> 00:10:06,880 Speaker 1: out a bunch of a series of pictures. But you 204 00:10:06,960 --> 00:10:10,400 Speaker 1: put the first one out and everybody jumped on it, like, oh, cut, 205 00:10:10,760 --> 00:10:12,960 Speaker 1: that's the cover. I've never said it was the cover, 206 00:10:13,120 --> 00:10:15,839 Speaker 1: all right, So I'm like, all right, y'all, stupid, not 207 00:10:16,400 --> 00:10:20,559 Speaker 1: my fans. The websites like, like I said, they timz now, 208 00:10:20,679 --> 00:10:22,840 Speaker 1: like you put something out, they want to be the 209 00:10:22,840 --> 00:10:24,800 Speaker 1: first one to do. They want to gossip, they want 210 00:10:24,800 --> 00:10:27,240 Speaker 1: to you know what I mean. So I'm all right, 211 00:10:27,240 --> 00:10:29,360 Speaker 1: these websites are stupid. Did I threw the Donald Trump 212 00:10:29,400 --> 00:10:31,120 Speaker 1: went out and I was like, Deluxe covered Just I'm 213 00:10:31,160 --> 00:10:34,199 Speaker 1: now I'm trolling now because y'all messed my whole thing 214 00:10:34,320 --> 00:10:35,640 Speaker 1: up that I was trying to do. I had a 215 00:10:35,720 --> 00:10:38,400 Speaker 1: whole bunch of pictures. Bro it was the first picture 216 00:10:38,440 --> 00:10:41,000 Speaker 1: we put up. The first two minutes they talked about album. 217 00:10:41,720 --> 00:10:43,760 Speaker 1: But you know, that just means people are excited and 218 00:10:45,320 --> 00:10:47,600 Speaker 1: you put something out and immediately everybody jumps on it. 219 00:10:47,640 --> 00:10:49,640 Speaker 1: They're like, oh, this is dam'm covered albums coming. It's 220 00:10:49,640 --> 00:10:51,600 Speaker 1: exciting for people. Now, imagine you put that out and 221 00:10:51,600 --> 00:10:55,000 Speaker 1: nobody said nothing would have been tight because they would 222 00:10:55,000 --> 00:10:57,360 Speaker 1: have got everything I got that I wanted to do 223 00:10:57,480 --> 00:10:59,640 Speaker 1: with it. It would have been tight. But I mean, 224 00:10:59,720 --> 00:11:01,720 Speaker 1: it is what it is. Man. I'm not I'm not. 225 00:11:01,960 --> 00:11:04,360 Speaker 1: I'm new to all this media stuff still, Like I 226 00:11:04,360 --> 00:11:08,640 Speaker 1: can tell you that's what you cool here, Like, man, 227 00:11:08,720 --> 00:11:10,079 Speaker 1: I'm not about to come in here like when I'm 228 00:11:10,080 --> 00:11:15,560 Speaker 1: gonna come in here. Y'all know I getting money? Like, now, 229 00:11:15,640 --> 00:11:18,240 Speaker 1: what does the blank face actually symbolize? Because on the album, 230 00:11:18,320 --> 00:11:20,319 Speaker 1: you got a line where you say all lives matter. 231 00:11:20,679 --> 00:11:23,240 Speaker 1: Oh no, people got that and they mixed it up. 232 00:11:23,920 --> 00:11:27,600 Speaker 1: The whole song. First of the song is called black thoughts. Okay, 233 00:11:27,800 --> 00:11:31,760 Speaker 1: the whole song is about crips and bloods. After I 234 00:11:31,800 --> 00:11:35,520 Speaker 1: said all lives matter, I said both sides. So what 235 00:11:35,640 --> 00:11:37,440 Speaker 1: does that give you? What does that bring to you? 236 00:11:37,480 --> 00:11:41,600 Speaker 1: What am I talking about exactly? Which means I'm still 237 00:11:41,640 --> 00:11:44,920 Speaker 1: talking about black lives. I flip the whole little ignorance 238 00:11:44,960 --> 00:11:48,360 Speaker 1: saying all lives matter into making it still black lives. 239 00:11:48,520 --> 00:11:51,280 Speaker 1: You get what I'm saying. People are not dissecting the lyrics. 240 00:11:51,320 --> 00:11:54,880 Speaker 1: People are so easy at listening to the song. Rappers 241 00:11:54,880 --> 00:11:57,680 Speaker 1: are whack. People just hearing they're just like, oh, you 242 00:11:57,760 --> 00:11:59,680 Speaker 1: said all lives matter. You didn't even listen to the 243 00:11:59,720 --> 00:12:05,480 Speaker 1: song black Thoughts. So you said there's only two skin colors? 244 00:12:05,480 --> 00:12:07,400 Speaker 1: Like you know what I mean? Like people always making 245 00:12:07,440 --> 00:12:09,520 Speaker 1: it white in the black thing. It's not about that. Like, 246 00:12:09,559 --> 00:12:11,480 Speaker 1: are you disgusting with the music industry because you keep 247 00:12:11,480 --> 00:12:13,719 Speaker 1: saying these rappers are so whack? Oh? They are like, 248 00:12:14,240 --> 00:12:17,200 Speaker 1: not everybody whack bro, I'll just see what everybody's doing. 249 00:12:17,240 --> 00:12:20,480 Speaker 1: Everybody's trying to make older music, like, oh, I'm trying 250 00:12:20,480 --> 00:12:22,400 Speaker 1: to sound like this dude. I'm trying to sound like 251 00:12:22,440 --> 00:12:24,560 Speaker 1: that dude. Are they doing the same thing? Like I 252 00:12:24,640 --> 00:12:27,440 Speaker 1: don't tune and like everybody that's the new wave now, 253 00:12:27,480 --> 00:12:31,360 Speaker 1: like because of guys like you, because of Kendrick, because 254 00:12:31,400 --> 00:12:34,160 Speaker 1: of Victimns and Chance. I like, I like a lot 255 00:12:34,200 --> 00:12:36,959 Speaker 1: about it. Don't get me wrong. It are the people 256 00:12:37,000 --> 00:12:40,240 Speaker 1: that's dope. But there's so much whacked out there, no content, 257 00:12:40,360 --> 00:12:43,800 Speaker 1: no nothing, and then it makes the listener lazy, like 258 00:12:43,880 --> 00:12:46,960 Speaker 1: everywhere you go, everybody actually, so what do your album mean? 259 00:12:47,040 --> 00:12:49,720 Speaker 1: Before it even drop, like everybody's been asking me what 260 00:12:49,760 --> 00:12:51,760 Speaker 1: does blank face mean? I'm like, you figure it out first, 261 00:12:51,760 --> 00:12:53,559 Speaker 1: it don't even out the week listen to it. I'm 262 00:12:53,559 --> 00:12:55,160 Speaker 1: gonna take a crack of this blank face thing. I 263 00:12:55,200 --> 00:12:57,360 Speaker 1: think it means that, like, you don't want to be profiled, 264 00:12:57,360 --> 00:12:58,520 Speaker 1: you don't want to be just you don't want to 265 00:12:58,559 --> 00:13:01,040 Speaker 1: be stereotypes, like don't put me in the boxes. You 266 00:13:01,080 --> 00:13:04,000 Speaker 1: don't know what I am. Part of that's big, that's 267 00:13:04,200 --> 00:13:08,480 Speaker 1: big percentage of what the album in like got it 268 00:13:09,000 --> 00:13:11,480 Speaker 1: albums out right now, make sure you pick it up. 269 00:13:11,640 --> 00:13:13,520 Speaker 1: And we appreciate you joining a school. But you've been 270 00:13:13,520 --> 00:13:15,880 Speaker 1: the same since you first came out. Man, every time 271 00:13:15,920 --> 00:13:17,800 Speaker 1: you get the same guy, you always show us love 272 00:13:17,840 --> 00:13:20,400 Speaker 1: and we appreciate that. Man. Thank y'all for not doing 273 00:13:20,400 --> 00:13:23,880 Speaker 1: me like the other rappers and making me good music music. 274 00:13:23,920 --> 00:13:26,840 Speaker 1: And you don't do dumbs when you're not in the booth. Yeah, people, 275 00:13:27,160 --> 00:13:29,680 Speaker 1: I've been looking at some of these interviews. I'd be like, damn, 276 00:13:29,720 --> 00:13:33,160 Speaker 1: I'm ready to get down. Some of the y'all say 277 00:13:33,200 --> 00:13:35,400 Speaker 1: to people, we gotta get down, like off top we 278 00:13:36,520 --> 00:13:39,960 Speaker 1: make good music. No, I'm scalars man, y'all y'all making 279 00:13:40,080 --> 00:13:43,800 Speaker 1: artists feel weird, like y'all do answer questions not interested 280 00:13:43,840 --> 00:13:48,280 Speaker 1: in the answer, like ask the questions. It's already caring 281 00:13:48,360 --> 00:13:51,640 Speaker 1: what the deal is saying. Like, so I'll appreciate y'all 282 00:13:51,679 --> 00:13:53,319 Speaker 1: for even you know what I'm saying. If you don't 283 00:13:53,360 --> 00:13:55,000 Speaker 1: put the knowledge of me, if you don't put no 284 00:13:55,040 --> 00:13:57,000 Speaker 1: thought into your music or your craft, why should we 285 00:13:57,000 --> 00:14:00,840 Speaker 1: put thought into our questions when we interview? True, that's 286 00:14:03,360 --> 00:14:06,240 Speaker 1: my mind supposed to say that you said you answer 287 00:14:06,320 --> 00:14:08,439 Speaker 1: the questions like you answer and say stuff like me 288 00:14:08,720 --> 00:14:11,360 Speaker 1: and he answered say stuff like Dave and topping one 289 00:14:12,320 --> 00:14:14,520 Speaker 1: angel the lie just to token female that need to 290 00:14:14,520 --> 00:14:19,000 Speaker 1: be on the show. I feel like she just here 291 00:14:19,120 --> 00:14:23,000 Speaker 1: to just tell you, like but yeah, so I heard 292 00:14:23,040 --> 00:14:31,840 Speaker 1: you name your album blank face like a love Angela. 293 00:14:32,240 --> 00:14:34,520 Speaker 1: She loves music, but I don't think she cares to 294 00:14:34,640 --> 00:14:38,320 Speaker 1: interview nobody. I can tell she genuinely loved music, but 295 00:14:38,400 --> 00:14:42,080 Speaker 1: she doesn't care to h exactly what you want to 296 00:14:42,120 --> 00:14:43,880 Speaker 1: go and listen to the music. She ain't trying to. 297 00:14:44,280 --> 00:14:46,360 Speaker 1: Definitely went to the listening session. Ye, he was the 298 00:14:46,360 --> 00:14:49,120 Speaker 1: only one. So she do that type of stuff. I 299 00:14:50,360 --> 00:14:52,400 Speaker 1: understand that because you come up here and take time 300 00:14:52,400 --> 00:14:54,280 Speaker 1: out to promote. I like to go out and show 301 00:14:54,360 --> 00:14:56,440 Speaker 1: my support as well for people. If I care about 302 00:14:56,480 --> 00:14:58,320 Speaker 1: your music, I care about you, I like to make 303 00:14:58,360 --> 00:14:59,880 Speaker 1: sure I go out of my way to go and 304 00:15:00,000 --> 00:15:02,080 Speaker 1: do that. So all right, Well it's to Breakfast Club 305 00:15:02,080 --> 00:15:08,480 Speaker 1: the Schoolboy Q Happy Holiday. You're listening to the World's 306 00:15:08,520 --> 00:15:11,480 Speaker 1: most dangerous morning show. To Breakfast Club the Breakfast Club 307 00:15:13,840 --> 00:15:17,760 Speaker 1: You jealous, DJ MD Angela, Yee Charlomagne, the guy we 308 00:15:17,800 --> 00:15:20,520 Speaker 1: are the Breakfast Club this year is a time of giving, 309 00:15:20,760 --> 00:15:23,160 Speaker 1: so make sure you donate to UNISEFT to help save 310 00:15:23,280 --> 00:15:26,160 Speaker 1: children's lives this holiday season. Use your cell phone to 311 00:15:26,200 --> 00:15:29,520 Speaker 1: die pound two fifty and say the keyword unisapp. That's 312 00:15:29,560 --> 00:15:33,040 Speaker 1: pound two fifty keyword unisapp to make a donation. We 313 00:15:33,120 --> 00:15:35,480 Speaker 1: got a special guest in the building, young m A. 314 00:15:35,840 --> 00:15:37,800 Speaker 1: The other day, I was a DJ and the team 315 00:15:37,880 --> 00:15:39,960 Speaker 1: party and the DJ shop the Little Man with DJ 316 00:15:40,040 --> 00:15:42,600 Speaker 1: and before me, he played the instrumental of her record 317 00:15:42,600 --> 00:15:46,800 Speaker 1: and these kids wrapped the whole soul which back after bottom. 318 00:15:46,880 --> 00:15:49,840 Speaker 1: Oh now I'm hearting your name all through New York City. Man, 319 00:15:49,880 --> 00:15:52,640 Speaker 1: I'm always interested in knowing you know who young rappers 320 00:15:52,640 --> 00:15:57,120 Speaker 1: like yourself were influenced from coming from New York. That 321 00:15:57,280 --> 00:15:59,520 Speaker 1: was my favorite rapper of all time. Man, definitely I 322 00:15:59,560 --> 00:16:02,520 Speaker 1: was younger. So what got you rapping? Because I mean 323 00:16:02,800 --> 00:16:05,160 Speaker 1: you're a girl. So as a kid, Oh yeah, no, 324 00:16:05,200 --> 00:16:13,360 Speaker 1: girls right, finish and I finish what I'm saying. You know, 325 00:16:13,520 --> 00:16:15,960 Speaker 1: usually females are into bobby dolls and toy but you 326 00:16:16,000 --> 00:16:20,600 Speaker 1: got wown't like. I don't want you to bury yourself 327 00:16:22,000 --> 00:16:25,640 Speaker 1: on your I wasn't into barbies, I bobbies do I 328 00:16:25,640 --> 00:16:27,240 Speaker 1: have bothers? But I used to. What I used to 329 00:16:27,280 --> 00:16:29,960 Speaker 1: do was cut their hair off, make them into boys. 330 00:16:29,960 --> 00:16:32,040 Speaker 1: Because my mom never bought me the Kendle, cut the 331 00:16:32,080 --> 00:16:38,680 Speaker 1: hair of, drew a mustache on them, bobbies. Did you 332 00:16:38,720 --> 00:16:41,000 Speaker 1: cut the boof? And every day? No, I ain't to 333 00:16:41,080 --> 00:16:43,680 Speaker 1: do that. I just put a shirt on call it 334 00:16:43,680 --> 00:16:46,960 Speaker 1: the day. Why would you buy the kindle? Black mothers 335 00:16:46,960 --> 00:16:48,720 Speaker 1: ain't think of kenn and Barbie. They just got the 336 00:16:48,720 --> 00:16:51,040 Speaker 1: bobby head. Take that and it was all black single 337 00:16:51,080 --> 00:17:01,200 Speaker 1: mother definitely. That's why, kid that you played the football 338 00:17:01,760 --> 00:17:06,200 Speaker 1: tackle football. That wasn't strange. Not to me. It was normal. 339 00:17:06,640 --> 00:17:14,800 Speaker 1: You put equipment on it hits what got you in 340 00:17:14,840 --> 00:17:22,520 Speaker 1: the foot and it was like did you get your period? 341 00:17:21,920 --> 00:17:23,680 Speaker 1: If they would have asked me to play football, I 342 00:17:23,680 --> 00:17:24,879 Speaker 1: don't think I would be like, all right, come on, 343 00:17:24,960 --> 00:17:26,960 Speaker 1: we gonna put this equipment on the go play. Being 344 00:17:27,000 --> 00:17:29,960 Speaker 1: around the bullets, everybody playing football were all playing football, 345 00:17:30,040 --> 00:17:31,760 Speaker 1: and they were just like, yo, you should get on 346 00:17:31,760 --> 00:17:33,480 Speaker 1: the team. Because all my all my friends was they 347 00:17:33,520 --> 00:17:35,480 Speaker 1: was they was playing football. It was on the team. 348 00:17:35,760 --> 00:17:37,240 Speaker 1: I was the only one that didn't get on the 349 00:17:37,240 --> 00:17:38,600 Speaker 1: team that I was. I thought, you know, I'm a girl, 350 00:17:38,600 --> 00:17:40,359 Speaker 1: I can't get on the team. So we made it 351 00:17:40,400 --> 00:17:42,960 Speaker 1: happen and I was the first girl on the football team. 352 00:17:43,000 --> 00:17:45,960 Speaker 1: Oh you actually played like organized, That's what I'm trying 353 00:17:45,960 --> 00:17:50,840 Speaker 1: to tell you. Equipment on everything. So you asked the 354 00:17:50,920 --> 00:17:56,560 Speaker 1: NFL like, yeah, I was. I was. I was, Um, 355 00:17:56,720 --> 00:18:00,200 Speaker 1: what's that? What's that called finest? What was this? You 356 00:18:00,280 --> 00:18:02,520 Speaker 1: played running back? I wanted to play that. They put 357 00:18:02,560 --> 00:18:04,480 Speaker 1: me as ride receiver. I mean I could throw a 358 00:18:04,520 --> 00:18:06,159 Speaker 1: football too. I wanted to be quarter I wanted to 359 00:18:06,160 --> 00:18:07,800 Speaker 1: be anything. They can put me in that position. But 360 00:18:08,520 --> 00:18:10,119 Speaker 1: he said everything. He wouldn't let his dad to do 361 00:18:10,119 --> 00:18:14,120 Speaker 1: that because it feels dangerous. This is my little baby girl. 362 00:18:14,280 --> 00:18:16,440 Speaker 1: You ever heard anybody. I even got into a fight 363 00:18:16,440 --> 00:18:18,440 Speaker 1: with one of my one of my homeboys from from 364 00:18:18,440 --> 00:18:20,359 Speaker 1: tackling them to all. He got upset because he was 365 00:18:20,359 --> 00:18:23,199 Speaker 1: a little embarrassed. They tried to get up and fight me. 366 00:18:23,440 --> 00:18:25,359 Speaker 1: You know what I mean, because I popped him in 367 00:18:25,359 --> 00:18:28,520 Speaker 1: front of everybody like bom hit him. Everybody from from 368 00:18:28,520 --> 00:18:31,520 Speaker 1: the buildings yelling like oh so he fell some type 369 00:18:31,560 --> 00:18:34,800 Speaker 1: of way, push me, and then we just started fighting. 370 00:18:34,920 --> 00:18:36,639 Speaker 1: But you seem like the type of woman that was 371 00:18:36,720 --> 00:18:38,639 Speaker 1: never like they never looked at you as a female. 372 00:18:38,680 --> 00:18:40,199 Speaker 1: They accepted you as one of the dudes, like I 373 00:18:40,240 --> 00:18:46,600 Speaker 1: saw basically embarrassing. I want to see this. I was 374 00:18:46,640 --> 00:18:51,240 Speaker 1: like ten years old. Wow, sometimes I questioned, while I 375 00:18:51,280 --> 00:18:53,000 Speaker 1: was born this way. I never wanted to wear skirts 376 00:18:53,080 --> 00:18:55,320 Speaker 1: and shoes, makeup, nails, dresses, and even wear my hand. 377 00:18:55,359 --> 00:18:57,840 Speaker 1: Certain we always want to wear jeans and sneakers, study arrings, 378 00:18:57,840 --> 00:18:59,359 Speaker 1: hand a ponty time, play with the boys. I never 379 00:18:59,359 --> 00:19:03,720 Speaker 1: wanted to get chick. I wanted to play football. You really, 380 00:19:03,720 --> 00:19:05,840 Speaker 1: really you are the young age that you like girls 381 00:19:05,840 --> 00:19:09,120 Speaker 1: at the young game. It was like first grade. First grade. Yeah, 382 00:19:09,160 --> 00:19:11,040 Speaker 1: I thought I was with though, you know what I mean, 383 00:19:11,080 --> 00:19:12,720 Speaker 1: Like I thought I was the only one in the 384 00:19:12,720 --> 00:19:15,400 Speaker 1: world that felt like that. I never said nothing for 385 00:19:15,400 --> 00:19:17,600 Speaker 1: for years to come, years to come. I can't tell 386 00:19:17,640 --> 00:19:19,480 Speaker 1: you seem like a veteran. That was the only truth. 387 00:19:19,720 --> 00:19:22,040 Speaker 1: It's crazy because I used to act so much like 388 00:19:22,080 --> 00:19:25,800 Speaker 1: a boy that people used to be like, you're like 389 00:19:25,880 --> 00:19:28,960 Speaker 1: you gutty, Like why you like stop the night you're game? 390 00:19:29,040 --> 00:19:30,640 Speaker 1: Like it's obvious, you know what I mean. I still 391 00:19:30,640 --> 00:19:34,240 Speaker 1: have boyfriends before. Yeah, I have boyfriends before before. No no, no, no, no, 392 00:19:34,520 --> 00:19:40,399 Speaker 1: say hey hey whoa No. I never did really I 393 00:19:40,440 --> 00:19:43,359 Speaker 1: swell my dad brother real virgin. Yeah, you got a 394 00:19:43,359 --> 00:19:45,920 Speaker 1: lot of lesbians that had some penis and you kids 395 00:19:45,960 --> 00:19:49,159 Speaker 1: and all that. Yeah, but I never did what she 396 00:19:49,240 --> 00:19:52,000 Speaker 1: knew early on clearly. Also, yeah, my mom been new. 397 00:19:52,080 --> 00:19:53,639 Speaker 1: She used to try to get me to say it, 398 00:19:53,720 --> 00:19:56,359 Speaker 1: like she she went in like force it, but she 399 00:19:56,400 --> 00:19:58,359 Speaker 1: would be like, you know, if you like girly, no, 400 00:19:58,480 --> 00:20:01,119 Speaker 1: you can always tell me. I like, nah, Mom, Like, 401 00:20:01,160 --> 00:20:02,639 Speaker 1: why are you keep saying that? Nah? You know what 402 00:20:02,640 --> 00:20:04,320 Speaker 1: I mean? She really knew when I had went to 403 00:20:04,400 --> 00:20:07,040 Speaker 1: gay Pride one day, like come on, now, I'm like, 404 00:20:07,400 --> 00:20:09,280 Speaker 1: everybody goes to gay Pride, you know what I mean? 405 00:20:09,680 --> 00:20:11,240 Speaker 1: But she knew, and I used to be scared to 406 00:20:11,240 --> 00:20:13,480 Speaker 1: tell my moms because I didn't know. I knew my 407 00:20:13,480 --> 00:20:16,120 Speaker 1: moms was that. Wasn't that type of mother to be like, oh, 408 00:20:16,240 --> 00:20:17,920 Speaker 1: I don't like you, you know what I mean, I'm gonna, 409 00:20:18,000 --> 00:20:22,480 Speaker 1: you know, just ignore you whatever. Whatever she didn't you 410 00:20:22,760 --> 00:20:24,679 Speaker 1: cannot know and be okay with it. But then when 411 00:20:24,720 --> 00:20:26,160 Speaker 1: you know it could change, you know what I mean, 412 00:20:26,200 --> 00:20:28,960 Speaker 1: your input on it? So what got you in the writing? 413 00:20:29,000 --> 00:20:30,160 Speaker 1: I don't know. I just won day. I just saw 414 00:20:30,200 --> 00:20:32,640 Speaker 1: that writing rhymes in my room and playing with it, 415 00:20:32,800 --> 00:20:40,760 Speaker 1: and I knew you were already playing with yeah. But um, now, 416 00:20:40,760 --> 00:20:42,640 Speaker 1: once I started listening in the fifty cent that's when 417 00:20:42,680 --> 00:20:44,119 Speaker 1: I really was like, oh, no, I want to be 418 00:20:44,160 --> 00:20:46,960 Speaker 1: a rapper. You write your own ms? Yeah? Absolutely? Was 419 00:20:47,000 --> 00:20:48,720 Speaker 1: it hard for you to get sized since you're not 420 00:20:48,880 --> 00:20:53,840 Speaker 1: yet your typical female artist, I'm not sorry. Well I 421 00:20:53,840 --> 00:20:57,280 Speaker 1: should say for people to hear your music to get on, um, 422 00:20:57,359 --> 00:20:59,360 Speaker 1: there's your records are popping up there. I've been doing 423 00:20:59,440 --> 00:21:02,479 Speaker 1: music for the past few years where I was, um 424 00:21:02,920 --> 00:21:05,879 Speaker 1: originally like a little more feminine, you know what I 425 00:21:05,920 --> 00:21:08,040 Speaker 1: mean with the music, and this is what I was 426 00:21:08,080 --> 00:21:09,600 Speaker 1: told to be, you know what I mean. I couldn't 427 00:21:09,640 --> 00:21:12,119 Speaker 1: come out aggressive. I couldn't come out like you know 428 00:21:12,119 --> 00:21:14,479 Speaker 1: what I mean, being who I am today. Don't tell 429 00:21:14,520 --> 00:21:16,719 Speaker 1: people you're a lesbian. It was like being a lesbian 430 00:21:16,760 --> 00:21:18,879 Speaker 1: and say you like guys too, you know what I mean. 431 00:21:18,920 --> 00:21:21,560 Speaker 1: It was like do both. It was like points where 432 00:21:21,560 --> 00:21:22,840 Speaker 1: they'd be like, you know, it's gonna be times where 433 00:21:22,840 --> 00:21:26,600 Speaker 1: you might have to throw and a dress and at 434 00:21:26,640 --> 00:21:29,080 Speaker 1: that time, at that time, don't get me wrong, I 435 00:21:29,200 --> 00:21:32,960 Speaker 1: thought that's that's what it was like. I just was like, okay, 436 00:21:33,200 --> 00:21:34,639 Speaker 1: you know what I mean, but part of me was like, 437 00:21:34,840 --> 00:21:36,760 Speaker 1: I don't think I'm gonna do this. I just when 438 00:21:36,800 --> 00:21:38,919 Speaker 1: I started to be in the streets small and and 439 00:21:38,960 --> 00:21:40,359 Speaker 1: then it was just like I was just gonna leave 440 00:21:40,440 --> 00:21:42,800 Speaker 1: music alone, like forget it. It just kept coming back 441 00:21:42,800 --> 00:21:44,199 Speaker 1: to me. You know, they saved you let something go 442 00:21:44,200 --> 00:21:46,200 Speaker 1: in and come back. It's meant music kept coming back 443 00:21:46,200 --> 00:21:47,640 Speaker 1: to me. People kept him me like, yo, you don't 444 00:21:47,640 --> 00:21:50,600 Speaker 1: do music no more. And I just kept putting out music. 445 00:21:51,000 --> 00:21:52,760 Speaker 1: And I had to get a little more aggressive on 446 00:21:52,760 --> 00:21:54,199 Speaker 1: the track. So I'm like, I don't think they hit 447 00:21:54,320 --> 00:21:56,280 Speaker 1: me like it's what I do, Like this is what 448 00:21:56,280 --> 00:21:58,760 Speaker 1: I've been doing for a long time, Like this ain't new. 449 00:21:58,880 --> 00:22:00,320 Speaker 1: Did you have a question why you did to see 450 00:22:00,320 --> 00:22:03,000 Speaker 1: more LGBT and hip hop? See, I never looked at 451 00:22:03,000 --> 00:22:06,119 Speaker 1: it like that, Like I never look at LGBT when 452 00:22:06,160 --> 00:22:08,480 Speaker 1: when I do music, I don't. I don't. I don't 453 00:22:08,520 --> 00:22:09,920 Speaker 1: stick in that box. You know what I mean? You 454 00:22:10,040 --> 00:22:13,320 Speaker 1: just do music. I just do music. I'll get anything 455 00:22:13,359 --> 00:22:15,560 Speaker 1: stuck in your box, young man. It's the Breakfast Club. 456 00:22:15,600 --> 00:22:20,040 Speaker 1: Good morning, what up y'all? The cj M, D Angela, Ye, 457 00:22:20,080 --> 00:22:22,800 Speaker 1: Charlomagne the guy. We are the Breakfast club. Make sure 458 00:22:22,840 --> 00:22:25,680 Speaker 1: you donate to UNISF to help save children's lives this 459 00:22:25,800 --> 00:22:28,880 Speaker 1: holiday season. Use your cell phone to dial pound two 460 00:22:29,000 --> 00:22:32,639 Speaker 1: fifty and say the keyword UNISF. That's pound two fifty, 461 00:22:32,760 --> 00:22:36,720 Speaker 1: keyword UNISF to make a donation. MS in the building. Yeah. Also, 462 00:22:36,800 --> 00:22:41,200 Speaker 1: probably fortunate you didn't end up on Empire. Oh yeah, yeah, 463 00:22:41,320 --> 00:22:44,600 Speaker 1: you look like one of Lose his kids. I wasn't 464 00:22:44,600 --> 00:22:46,199 Speaker 1: you know. I wasn't even gonna be his kid on 465 00:22:46,240 --> 00:22:49,399 Speaker 1: the show. I was gonna be the good Yeah. But 466 00:22:49,480 --> 00:22:54,680 Speaker 1: the original name was Betty Bars. They wrote the script 467 00:22:54,720 --> 00:22:57,560 Speaker 1: for me. Wow, it was based off me. Who'd you meet? 468 00:22:57,600 --> 00:23:00,200 Speaker 1: Who'd you know? Over that? I met Lee Daniels face 469 00:23:00,240 --> 00:23:06,000 Speaker 1: to face. No, yeah, while I'm serious though, I'm like, no, 470 00:23:06,880 --> 00:23:13,960 Speaker 1: I'm thinking he I don't know. Nah. I was in 471 00:23:14,040 --> 00:23:16,880 Speaker 1: Swiss Beats office and my manager had low key set 472 00:23:16,920 --> 00:23:19,280 Speaker 1: something up because I already had turned it down before 473 00:23:19,280 --> 00:23:21,360 Speaker 1: I met Lee Danels. I denied it. I was like, nah, 474 00:23:21,359 --> 00:23:22,640 Speaker 1: I don't want to be on it. I'm good, I'm 475 00:23:22,640 --> 00:23:24,600 Speaker 1: gonna tell y'all why. And we wanted up meeting with 476 00:23:24,640 --> 00:23:27,879 Speaker 1: Swiss Beats in his office and he comes walking in. 477 00:23:28,080 --> 00:23:30,919 Speaker 1: Lee Daniels, I didn't really know who he was, you 478 00:23:30,920 --> 00:23:32,399 Speaker 1: know what I mean. At the time, I just was like, 479 00:23:32,680 --> 00:23:35,800 Speaker 1: was just fabulous, man. Yeah, he was real fabulous when 480 00:23:35,800 --> 00:23:37,000 Speaker 1: he walked in, you know what I mean. You could 481 00:23:37,000 --> 00:23:39,160 Speaker 1: tell he got a demeanor about him. He pulls out 482 00:23:39,200 --> 00:23:42,480 Speaker 1: the script. He says, let's go, I'm gonna see with Lee, 483 00:23:42,560 --> 00:23:44,960 Speaker 1: you know what I mean. So I remember I wasn't 484 00:23:45,000 --> 00:23:47,399 Speaker 1: I wasn't doing too good or whatever. So so Swiss 485 00:23:47,440 --> 00:23:50,320 Speaker 1: Beats brought me out to his balcony and was like, yo, 486 00:23:50,720 --> 00:23:53,119 Speaker 1: let's give him. You don't worry about it, being like 487 00:23:53,200 --> 00:23:54,840 Speaker 1: you know, on the show Wolf and like it's a 488 00:23:54,880 --> 00:23:56,439 Speaker 1: script and you gotta read it from the script. He 489 00:23:56,480 --> 00:23:59,080 Speaker 1: was like, just be yourself. So I came back out, 490 00:23:59,160 --> 00:24:01,600 Speaker 1: you know, gave him me. He loved it, but I 491 00:24:01,640 --> 00:24:04,560 Speaker 1: still wasn't really with it because I knew Empire was 492 00:24:04,600 --> 00:24:07,240 Speaker 1: gonna put me in a position where I'm known from 493 00:24:07,320 --> 00:24:10,200 Speaker 1: Empire as this character and I'm not known from Young 494 00:24:10,280 --> 00:24:13,400 Speaker 1: and May from Brooklyn building on on my music. You'd 495 00:24:13,400 --> 00:24:15,680 Speaker 1: have been Betty Boss, I would have been. Anybody would 496 00:24:15,680 --> 00:24:16,920 Speaker 1: have been like right now, you would have called me 497 00:24:17,000 --> 00:24:19,840 Speaker 1: up there, like, let we got Betty Bass on the show. Yeah, 498 00:24:19,840 --> 00:24:22,520 Speaker 1: because three the guests it's always free the guests, and 499 00:24:22,560 --> 00:24:24,840 Speaker 1: she cool as out. But I do know, I can't 500 00:24:24,880 --> 00:24:27,920 Speaker 1: remember a real name right now. I'm trying to think, right, yeah, 501 00:24:27,960 --> 00:24:30,320 Speaker 1: you know her, but it's at of the people that 502 00:24:30,640 --> 00:24:32,960 Speaker 1: know her. But I will say and then I heard, 503 00:24:33,000 --> 00:24:34,480 Speaker 1: but I don't know what her situation is. But I 504 00:24:34,560 --> 00:24:36,159 Speaker 1: know they make you sign a contract and it might 505 00:24:36,240 --> 00:24:38,560 Speaker 1: have something to do with your music. Awesome, I know. 506 00:24:38,760 --> 00:24:40,360 Speaker 1: I didn't want to get too deep in that, but 507 00:24:40,600 --> 00:24:43,200 Speaker 1: that was that was a big reason why Quincy was 508 00:24:43,280 --> 00:24:45,119 Speaker 1: up here. He was saying that he couldn't his father 509 00:24:45,200 --> 00:24:46,880 Speaker 1: did hey would not let him do it. Thank God 510 00:24:46,920 --> 00:24:49,240 Speaker 1: for my lawyer. The contracts just put the ice on 511 00:24:49,280 --> 00:24:52,000 Speaker 1: the cake. Now, how does the young artists build the online? 512 00:24:52,040 --> 00:24:54,359 Speaker 1: But because I would assume your your career really popped 513 00:24:54,400 --> 00:24:56,960 Speaker 1: off because of the internet. Is there a science to it? 514 00:24:57,320 --> 00:25:00,960 Speaker 1: Stay consistent and you know what I mean, they eventually 515 00:25:00,960 --> 00:25:02,639 Speaker 1: wake up. You gotta be nice, you know what I mean. 516 00:25:02,640 --> 00:25:05,440 Speaker 1: You can't be trashed, of course, but just be consistent. Man, 517 00:25:05,560 --> 00:25:08,720 Speaker 1: how old it take for? Not that long? That's just crazy. 518 00:25:09,880 --> 00:25:12,480 Speaker 1: Video forward and everything to video video was at like 519 00:25:12,520 --> 00:25:14,760 Speaker 1: seven million. Now. I like the fact that your your 520 00:25:14,800 --> 00:25:18,560 Speaker 1: your sexuality is not overshadowing your music. People. It's like 521 00:25:18,600 --> 00:25:23,359 Speaker 1: young Amaz's dope. Oh yeah, absolutely, yeah, you know what 522 00:25:23,359 --> 00:25:25,320 Speaker 1: I mean, It's not totally out of the equation. I've 523 00:25:25,320 --> 00:25:28,960 Speaker 1: been sitting with mad labels like Big Dog for the 524 00:25:29,000 --> 00:25:32,359 Speaker 1: past two weeks. Now, I'm just hearing everybody out and 525 00:25:32,480 --> 00:25:34,960 Speaker 1: just trying to make choose my decision wisely. I just 526 00:25:34,960 --> 00:25:36,480 Speaker 1: don't want them to try to change it. I don't 527 00:25:36,480 --> 00:25:38,159 Speaker 1: going to be on some old school like telling you 528 00:25:38,880 --> 00:25:41,800 Speaker 1: dress like this. Man. I think that I got past 529 00:25:41,880 --> 00:25:44,199 Speaker 1: that point already, Like I was in that position in 530 00:25:44,240 --> 00:25:45,960 Speaker 1: my in my life at one point, you know what 531 00:25:45,960 --> 00:25:47,639 Speaker 1: I mean, where it was like you might have to 532 00:25:47,680 --> 00:25:50,280 Speaker 1: do this or sound like this or talk about this, 533 00:25:50,359 --> 00:25:51,879 Speaker 1: you know what I mean. When I got to a 534 00:25:51,880 --> 00:25:53,399 Speaker 1: point where I just like, I don't care. I'm gonna hey, 535 00:25:53,400 --> 00:25:55,159 Speaker 1: I'm gonna be gay, I'm gonna talk about you know 536 00:25:55,160 --> 00:25:56,600 Speaker 1: what I mean. I just got to that point. So 537 00:25:56,960 --> 00:25:59,280 Speaker 1: you can take what you want now, because you have 538 00:25:59,400 --> 00:26:01,840 Speaker 1: going on this if you I'm board with what I'm 539 00:26:01,880 --> 00:26:04,040 Speaker 1: doing in my movement, yeah, and that's it. If you 540 00:26:04,040 --> 00:26:07,040 Speaker 1: can't exactly what she think me, when did you start 541 00:26:07,040 --> 00:26:08,720 Speaker 1: getting it? When you start falling over with the test. 542 00:26:09,240 --> 00:26:13,639 Speaker 1: My first chet was a canoffess my brother. He was 543 00:26:13,680 --> 00:26:16,119 Speaker 1: my older brother. Yeah, and then I just made this 544 00:26:16,160 --> 00:26:19,200 Speaker 1: whole all about him, how he influence you. He was 545 00:26:19,240 --> 00:26:21,840 Speaker 1: the reason why I played football, I was a tomboy 546 00:26:21,920 --> 00:26:24,639 Speaker 1: playing basketball. He probably was the reason why I like girls, 547 00:26:25,480 --> 00:26:27,840 Speaker 1: The biggest influence in my life. Like, so when he died, 548 00:26:27,880 --> 00:26:30,880 Speaker 1: it was like a big rip, you know what I mean, 549 00:26:31,000 --> 00:26:33,560 Speaker 1: from from my chest and I just you know, right now, 550 00:26:33,680 --> 00:26:36,600 Speaker 1: just I just make sure I do it in his memory, 551 00:26:36,720 --> 00:26:38,080 Speaker 1: Like this is why I go so hard, And this 552 00:26:38,119 --> 00:26:40,400 Speaker 1: is why nobody can't change my mind on certain because 553 00:26:40,680 --> 00:26:43,359 Speaker 1: I'm stuck with you know, his his memory and my mind. 554 00:26:43,440 --> 00:26:45,880 Speaker 1: So that's the only sibling. Now. I have a little 555 00:26:45,920 --> 00:26:48,000 Speaker 1: sister too, and I have a brother on my father's side. 556 00:26:48,160 --> 00:26:49,760 Speaker 1: But he was kind of the guy that you probably 557 00:26:49,920 --> 00:26:51,800 Speaker 1: could trust them. Most of you have trust? Is who 558 00:26:51,840 --> 00:26:54,280 Speaker 1: you after that? Like, like just trust me? Yeah, absolutely, 559 00:26:54,560 --> 00:26:56,320 Speaker 1: I had a lot of trust issues once I found 560 00:26:56,320 --> 00:26:58,520 Speaker 1: out about that situation. I was already not really a 561 00:26:58,920 --> 00:27:02,120 Speaker 1: trusty type person. Yeah is it just me? What up? Y'all? 562 00:27:02,160 --> 00:27:05,080 Speaker 1: As DJ M v Angela Yee Charlomagne the guy we 563 00:27:05,119 --> 00:27:08,040 Speaker 1: are the Breakfast Club, the Holidays are a ton forgiving. 564 00:27:08,160 --> 00:27:10,720 Speaker 1: To make a difference and donate to help save children's 565 00:27:10,760 --> 00:27:14,359 Speaker 1: lives this holiday season. Use your soulfon Nadal pound two 566 00:27:14,440 --> 00:27:17,000 Speaker 1: fifty and save the keyword unit Seth. We got a 567 00:27:17,000 --> 00:27:19,400 Speaker 1: special guest in the building, the man of the hour, 568 00:27:19,560 --> 00:27:22,000 Speaker 1: Ladies and gentlemen, Nate Parkers in the building. What's up? 569 00:27:22,000 --> 00:27:23,800 Speaker 1: What's up? Two things I thought I would never see 570 00:27:23,840 --> 00:27:26,280 Speaker 1: on a Hollywood screen in Loot Cage in any form, 571 00:27:26,480 --> 00:27:29,159 Speaker 1: and Nat Turner in the movie. I've been screaming for 572 00:27:29,200 --> 00:27:30,960 Speaker 1: a Nat Turning movie because I don't like flav movies. 573 00:27:31,000 --> 00:27:32,840 Speaker 1: I've been denounced him. I said, are you gonna make 574 00:27:32,880 --> 00:27:35,159 Speaker 1: any flavor movie, Let it be Nat Turner, because Nat 575 00:27:35,160 --> 00:27:37,560 Speaker 1: Turner wasn't a victim and you got it done. Well, 576 00:27:37,600 --> 00:27:39,560 Speaker 1: let's explain Nat Turner two for people that don't know, 577 00:27:39,640 --> 00:27:42,280 Speaker 1: because I've never learned it in my history books. It 578 00:27:42,040 --> 00:27:44,280 Speaker 1: wasn't It wasn't anything that I've ever read. And I 579 00:27:44,400 --> 00:27:47,359 Speaker 1: went to Hampton University within the HBCU. I've been in 580 00:27:47,400 --> 00:27:50,240 Speaker 1: here to know you from Norfolk? So what made that 581 00:27:50,280 --> 00:27:52,200 Speaker 1: so special to you? That story? Well, a lot of 582 00:27:52,200 --> 00:27:54,000 Speaker 1: it is what you just said. I grew up in Norfolk. 583 00:27:54,080 --> 00:27:57,160 Speaker 1: Forty two miles east of Southampton County where the revolt happened. 584 00:27:57,200 --> 00:27:59,359 Speaker 1: And I never heard about this brother, right, so Wiley, 585 00:27:59,680 --> 00:28:02,199 Speaker 1: Yeah I never heard about Yeah, we learned about it 586 00:28:02,280 --> 00:28:04,640 Speaker 1: growing up, but yeah, I know, I've never learned about 587 00:28:04,640 --> 00:28:07,320 Speaker 1: it in school. Uh. And it's significantly because when you 588 00:28:07,320 --> 00:28:09,520 Speaker 1: think of the proximity, you would think that someone would 589 00:28:09,520 --> 00:28:11,919 Speaker 1: have said something. But it speaks to the danger of 590 00:28:11,960 --> 00:28:14,440 Speaker 1: the revolutionary, you know, the person that looks like us, 591 00:28:14,440 --> 00:28:16,399 Speaker 1: that for its own freedom. We don't get those stories, 592 00:28:16,440 --> 00:28:18,000 Speaker 1: like you said, you know what I mean. Like even 593 00:28:18,000 --> 00:28:20,600 Speaker 1: when we learn about slavery, we learned through the context 594 00:28:20,600 --> 00:28:23,040 Speaker 1: stuff the victim a victim and honest and we laid 595 00:28:23,080 --> 00:28:25,679 Speaker 1: down until honest Abe said enough is enough, you know 596 00:28:25,800 --> 00:28:28,160 Speaker 1: he You know, honest Abe couldn't tell a lie Moden's chin, 597 00:28:28,640 --> 00:28:31,359 Speaker 1: pensive slave problem. We got to figure it out this 598 00:28:31,560 --> 00:28:34,200 Speaker 1: up and now we're free. R. We don't learn about 599 00:28:34,320 --> 00:28:36,720 Speaker 1: you know, Tucson, We don't learn about Denmark VC. We 600 00:28:36,720 --> 00:28:38,400 Speaker 1: don't learn a b you know, we don't learn about 601 00:28:38,440 --> 00:28:40,720 Speaker 1: Gabriel Proser. We don't learn about any of them. Right, 602 00:28:40,760 --> 00:28:42,560 Speaker 1: And so you have to ask yourself, why is that one? 603 00:28:42,600 --> 00:28:44,480 Speaker 1: Why are they one? Our history of being hit the 604 00:28:44,600 --> 00:28:46,440 Speaker 1: things that would empower us, you know what I mean. 605 00:28:46,480 --> 00:28:47,760 Speaker 1: I mean, even when I was trying to make this film, 606 00:28:47,800 --> 00:28:50,200 Speaker 1: people were like, you make this film, bro, Like it's 607 00:28:50,200 --> 00:28:51,880 Speaker 1: gonna be a problem, Like, don't make this film like 608 00:28:52,200 --> 00:28:55,360 Speaker 1: black people. Like prominent directors was like, make the story 609 00:28:55,360 --> 00:28:57,479 Speaker 1: of John Brown. You know, John Brown's a white abolition 610 00:28:57,480 --> 00:28:59,280 Speaker 1: to still let a slave revolt. It was like, that'll 611 00:28:59,280 --> 00:29:01,200 Speaker 1: be easier for people to digest, you know. I mean. 612 00:29:01,200 --> 00:29:04,320 Speaker 1: I had another prominent black director told me. He was like, well, 613 00:29:04,440 --> 00:29:06,160 Speaker 1: I liked your script, but I didn't love it. One 614 00:29:06,200 --> 00:29:07,400 Speaker 1: thing would have made me love And I was like, 615 00:29:07,440 --> 00:29:09,800 Speaker 1: what you know, I got my notebook right. He said, 616 00:29:09,800 --> 00:29:12,280 Speaker 1: you need more good white people. Wow. I was like, 617 00:29:12,320 --> 00:29:13,600 Speaker 1: what do you mean? He was like, white people are 618 00:29:13,640 --> 00:29:16,520 Speaker 1: gonna watch that man gonna watch this thing a period 619 00:29:16,520 --> 00:29:19,080 Speaker 1: piece and it was America. And that's the thing. It's like, 620 00:29:19,320 --> 00:29:21,280 Speaker 1: you know, when it comes to other demographics that have 621 00:29:21,400 --> 00:29:24,920 Speaker 1: endured torture and genocide and holocaust and this never forget, 622 00:29:25,200 --> 00:29:26,560 Speaker 1: you know what I mean, It's very important that we 623 00:29:26,640 --> 00:29:29,000 Speaker 1: hold those stories up so they never repeat themselves. But 624 00:29:29,080 --> 00:29:31,960 Speaker 1: in this country, we have this this habit of kind 625 00:29:31,960 --> 00:29:34,280 Speaker 1: of closing off the things that don't reflect us in 626 00:29:34,320 --> 00:29:37,200 Speaker 1: the best of lights, you know. So in telling the story, 627 00:29:37,280 --> 00:29:39,600 Speaker 1: you know, I said, man, I learned about that Turner 628 00:29:39,680 --> 00:29:41,720 Speaker 1: twenty one. But if I learned about him at twelve, 629 00:29:41,800 --> 00:29:43,760 Speaker 1: how did you learn about him at twenty one African 630 00:29:43,760 --> 00:29:45,800 Speaker 1: American studies class. You know what I'm saying, like made 631 00:29:45,800 --> 00:29:47,800 Speaker 1: you read the confessions in that turn up? I did 632 00:29:47,840 --> 00:29:50,760 Speaker 1: read that, you know. And it's funny because confessions is fiction, 633 00:29:51,080 --> 00:29:52,760 Speaker 1: you know, that's not That's like I always wonder about that. 634 00:29:52,800 --> 00:29:55,000 Speaker 1: Somebody told me that before. It's well, it won a Pulzer, 635 00:29:55,080 --> 00:29:56,840 Speaker 1: which is was just tricky because it won the Pulsar 636 00:29:56,880 --> 00:29:59,959 Speaker 1: for fiction. But the writer, he said, it's a reimagined 637 00:30:00,640 --> 00:30:02,560 Speaker 1: of Nat Turner's life. It's not Naturner's life. So when 638 00:30:02,600 --> 00:30:04,800 Speaker 1: you read The Fires of Jubilee, you know, or William 639 00:30:04,840 --> 00:30:08,000 Speaker 1: Drewry's book, and in Southampton Insurrection you read the real stuff, 640 00:30:08,000 --> 00:30:09,600 Speaker 1: you're like, wait a minute, well, I need to rid 641 00:30:09,680 --> 00:30:12,040 Speaker 1: the real stuff the Confession INtime. Let me tell you 642 00:30:12,080 --> 00:30:14,520 Speaker 1: how like it's a fiction book with said, okay, well, 643 00:30:14,600 --> 00:30:18,480 Speaker 1: Nat Turner um, he has all of his motivation came 644 00:30:18,560 --> 00:30:21,440 Speaker 1: for his lust after the handmaid of his master. Like 645 00:30:21,480 --> 00:30:23,720 Speaker 1: a white woman, like that's why. And he was crazy, 646 00:30:23,720 --> 00:30:25,920 Speaker 1: he was a fanatic, he was homosexual, like all these 647 00:30:25,920 --> 00:30:27,880 Speaker 1: things that they made up, you know what I mean. 648 00:30:27,960 --> 00:30:29,760 Speaker 1: So when you get to the real you're like, well, 649 00:30:29,760 --> 00:30:32,840 Speaker 1: why would they denigrate his life? Why would they mysticize 650 00:30:32,880 --> 00:30:34,520 Speaker 1: the things that actually happened when they had Like why 651 00:30:34,560 --> 00:30:36,080 Speaker 1: would they make it so he didn't have children or 652 00:30:36,080 --> 00:30:38,560 Speaker 1: didn't have a wife. He had a wife, He had 653 00:30:38,600 --> 00:30:40,680 Speaker 1: a child, you know what I'm saying. So it's like 654 00:30:40,840 --> 00:30:44,040 Speaker 1: the attack of the black man, the demonizing of the 655 00:30:44,040 --> 00:30:46,680 Speaker 1: black man is something it ain't new. This is age old, 656 00:30:47,120 --> 00:30:49,920 Speaker 1: you know. So when we get to celebrate this story, 657 00:30:50,280 --> 00:30:51,440 Speaker 1: you know, like I said, you know a lot of 658 00:30:51,480 --> 00:30:53,720 Speaker 1: people I grew up with with the president not here 659 00:30:53,720 --> 00:30:55,920 Speaker 1: with us today, had that chip on his shoulder and 660 00:30:55,960 --> 00:30:58,920 Speaker 1: had no context as to why or where you know, 661 00:30:58,920 --> 00:31:01,520 Speaker 1: they could put that energy. But he rose when you 662 00:31:01,520 --> 00:31:03,880 Speaker 1: can say oh no, no no, no no, Nat Turner rose, 663 00:31:04,520 --> 00:31:07,640 Speaker 1: So I can stand the colonel with Django the real 664 00:31:07,760 --> 00:31:09,400 Speaker 1: jazz Men and Chris Rock had a debate about that 665 00:31:09,400 --> 00:31:10,920 Speaker 1: because he thought I was trying to insult in that 666 00:31:10,960 --> 00:31:12,680 Speaker 1: Turner by saying that. But the reason I loved Jangles 667 00:31:12,720 --> 00:31:14,880 Speaker 1: because he wasn't a victim Jango Burton the plantage he 668 00:31:14,960 --> 00:31:16,360 Speaker 1: did and he stood up and he was like, Nah, 669 00:31:16,360 --> 00:31:17,960 Speaker 1: it's not happening this way. I'll take it even a 670 00:31:17,960 --> 00:31:20,800 Speaker 1: step further, though. Nat Turner said, I'm going to sacrifice 671 00:31:20,920 --> 00:31:23,600 Speaker 1: on behalf of people that I'll never meet. You get 672 00:31:23,640 --> 00:31:25,320 Speaker 1: what I'm saying, Like and Biblically it says a good 673 00:31:25,360 --> 00:31:28,000 Speaker 1: man leaves an inheritance for his children's children, right. Nat 674 00:31:28,000 --> 00:31:30,880 Speaker 1: Turner was like, Okay, I'm going to walk to these gallows, 675 00:31:30,960 --> 00:31:34,120 Speaker 1: but I know that what I did will echo into eternity. 676 00:31:34,120 --> 00:31:37,920 Speaker 1: We're celebrating that they scanned him lampshades out of his 677 00:31:37,960 --> 00:31:40,520 Speaker 1: skin in person, like this is what they did. You 678 00:31:40,560 --> 00:31:42,800 Speaker 1: know what I'm saying. So it's like, all and they 679 00:31:42,800 --> 00:31:44,440 Speaker 1: did what they did in the name of God. He 680 00:31:44,480 --> 00:31:45,760 Speaker 1: did what he did in the name of God. Well, 681 00:31:45,760 --> 00:31:47,800 Speaker 1: there's certain things that you originally had in the movie 682 00:31:47,800 --> 00:31:49,719 Speaker 1: that you felt like you had to take out. Our 683 00:31:49,720 --> 00:31:52,840 Speaker 1: people said, okay, maybe that's nope, And it goes back 684 00:31:52,880 --> 00:31:55,880 Speaker 1: to your question. Seriously, like you said, I didn't you 685 00:31:55,880 --> 00:31:57,960 Speaker 1: know I went on for money. Everybody that said they 686 00:31:57,960 --> 00:32:00,400 Speaker 1: passed or how did you pay for it? I knocked 687 00:32:00,400 --> 00:32:02,440 Speaker 1: on doors man. You know, I went to school. A 688 00:32:02,440 --> 00:32:04,360 Speaker 1: lot of friends were in finance. You know, one guy 689 00:32:04,400 --> 00:32:07,080 Speaker 1: in particularly I contacted. He connected me to one of 690 00:32:07,120 --> 00:32:09,080 Speaker 1: his friends that actually worked in New York that had 691 00:32:09,080 --> 00:32:11,200 Speaker 1: a hedge fund, and I asked him for the money. 692 00:32:11,240 --> 00:32:13,120 Speaker 1: He said no. I said, okay, that was what you 693 00:32:13,200 --> 00:32:17,920 Speaker 1: ask me for. Millions. You got seven. You're ade seven 694 00:32:18,000 --> 00:32:19,480 Speaker 1: to get it done? Right? Yeah? I rang, as you 695 00:32:19,480 --> 00:32:23,120 Speaker 1: think you needed the budget? Said we needed like thirty 696 00:32:23,320 --> 00:32:26,320 Speaker 1: right to make it. Oh my, it's a battle film. 697 00:32:26,960 --> 00:32:29,000 Speaker 1: They said we needed forty days. We shot in twenty 698 00:32:29,040 --> 00:32:31,640 Speaker 1: seven days. You know what I'm saying. So I knocked 699 00:32:31,640 --> 00:32:33,440 Speaker 1: on doors. I went to anyone who would listen. My 700 00:32:33,480 --> 00:32:36,760 Speaker 1: lowest contribution was like seventy five thousand. My biggest contribution 701 00:32:36,800 --> 00:32:38,360 Speaker 1: was like two million, you know. And the guy that 702 00:32:38,400 --> 00:32:40,120 Speaker 1: gave me the two million, I just I just begged him. 703 00:32:40,320 --> 00:32:41,960 Speaker 1: I stepped away from acting for two years. I thought 704 00:32:41,960 --> 00:32:44,680 Speaker 1: I finished beyond the lights. That Monday, I went into 705 00:32:44,720 --> 00:32:47,720 Speaker 1: my team, was like, I'm not acting anymore, writing anything else. 706 00:32:47,800 --> 00:32:50,840 Speaker 1: I'm not acting anything else, I'm not directing. Don't call me. 707 00:32:51,240 --> 00:32:53,000 Speaker 1: The next skin I live in would be not turned 708 00:32:53,000 --> 00:32:58,720 Speaker 1: a period um. You know, leafing yourself from it was 709 00:32:58,760 --> 00:33:01,000 Speaker 1: a belief in God, like my faith really had. It 710 00:33:01,040 --> 00:33:03,520 Speaker 1: really reeled me in. The first on the grand into 711 00:33:03,600 --> 00:33:05,960 Speaker 1: the film was my own money and that's all I had. 712 00:33:06,160 --> 00:33:07,600 Speaker 1: You know what I'm saying, Like, I ain't a millionaire. 713 00:33:07,600 --> 00:33:09,280 Speaker 1: I'm a thousand air you know what I mean. And 714 00:33:09,760 --> 00:33:12,120 Speaker 1: to put up one hundred grand it hurts, you know 715 00:33:12,120 --> 00:33:13,520 Speaker 1: what I I mean? Talking to my wife, I was like 716 00:33:13,520 --> 00:33:15,880 Speaker 1: this important. Like I didn't know it would be a 717 00:33:15,920 --> 00:33:18,640 Speaker 1: hunt with her stance at this point, because that's baby, 718 00:33:18,640 --> 00:33:20,600 Speaker 1: you ain't working and you want to take everything. And 719 00:33:21,440 --> 00:33:24,240 Speaker 1: we got lights, you know, they got kid and kids 720 00:33:24,280 --> 00:33:26,360 Speaker 1: need to be turned on. But she had faith. Man, 721 00:33:26,440 --> 00:33:28,480 Speaker 1: she was just like, you know, you know the Lord's 722 00:33:28,480 --> 00:33:33,120 Speaker 1: called you to do this. You know I got your back. Um, yeah, 723 00:33:33,160 --> 00:33:34,760 Speaker 1: you know. I was gonna say, like Nat Turner was 724 00:33:34,800 --> 00:33:37,640 Speaker 1: a chosen one from when he was a child. From 725 00:33:37,920 --> 00:33:39,760 Speaker 1: this point, did you feel like you were a chosen 726 00:33:39,800 --> 00:33:42,320 Speaker 1: one in telling this story that it was something that 727 00:33:42,360 --> 00:33:44,840 Speaker 1: you were kind of born to do? I felt like 728 00:33:44,880 --> 00:33:46,840 Speaker 1: it was written on my spirit, you know what I'm saying. 729 00:33:46,840 --> 00:33:48,600 Speaker 1: Like I wouldn't say I'm chosen. I just felt like, 730 00:33:48,680 --> 00:33:50,200 Speaker 1: you know how you like you know what you know, 731 00:33:50,280 --> 00:33:52,280 Speaker 1: we all struggle and rustle with our faith and trying 732 00:33:52,320 --> 00:33:54,800 Speaker 1: and strong and whatever that means. And uh and I 733 00:33:54,800 --> 00:33:56,440 Speaker 1: was like, you know, Lord, like I feel like you 734 00:33:56,480 --> 00:33:58,640 Speaker 1: want me to tell this story? How many times can 735 00:33:58,680 --> 00:34:05,120 Speaker 1: you get offered crypt number four or blood? At some 736 00:34:05,240 --> 00:34:07,080 Speaker 1: point you're like, man, there's got to be something better, 737 00:34:07,160 --> 00:34:09,359 Speaker 1: you know. And it's like I go a whole year 738 00:34:10,280 --> 00:34:13,480 Speaker 1: and pass on fifty projects and they'd be one great debaters. 739 00:34:13,920 --> 00:34:15,480 Speaker 1: Now I got to compete against the whole world to 740 00:34:15,520 --> 00:34:17,920 Speaker 1: get that and then hope that Denzel see something to 741 00:34:18,000 --> 00:34:20,680 Speaker 1: me that works. At some point you're like, man, well, 742 00:34:20,719 --> 00:34:21,840 Speaker 1: what is the story I want to tell? If I 743 00:34:21,840 --> 00:34:25,759 Speaker 1: can tell any story? I want to be Turner. That's braveheart. 744 00:34:26,160 --> 00:34:28,839 Speaker 1: You never had a brave heart. When we have more 745 00:34:28,880 --> 00:34:31,160 Speaker 1: with Nate Parker when we come back, keep it locked. 746 00:34:31,200 --> 00:34:36,319 Speaker 1: It's the Breakfast Club. Good morning, hey, Charlomagne the god here, 747 00:34:36,480 --> 00:34:38,160 Speaker 1: And I just want to wish a Mary Christmas to 748 00:34:38,200 --> 00:34:40,800 Speaker 1: all my credit card scamras out there. Did the season 749 00:34:41,080 --> 00:34:43,120 Speaker 1: to find you a scamera friend, so you can save 750 00:34:43,200 --> 00:34:47,279 Speaker 1: some money in any major department store in America. Breakfast 751 00:34:47,320 --> 00:34:53,440 Speaker 1: Club because you don't need to hesitate. What up, y'allass 752 00:34:53,520 --> 00:34:56,520 Speaker 1: DJ M de Angelie, Charlomagne the guy. We are the 753 00:34:56,520 --> 00:34:59,279 Speaker 1: Breakfast Club. We're standing with Uni self to give hope 754 00:34:59,320 --> 00:35:02,000 Speaker 1: to the children. First, we need you to help make 755 00:35:02,000 --> 00:35:05,239 Speaker 1: a difference by donating to help save children's lives. Use 756 00:35:05,280 --> 00:35:07,279 Speaker 1: your cell phone to dive pound two fifty and say 757 00:35:07,280 --> 00:35:10,439 Speaker 1: the keyword Uni Seth. That's pound two fifty, keyword Uni Seth. 758 00:35:10,640 --> 00:35:12,960 Speaker 1: Join the movement and give this holiday season with the 759 00:35:12,960 --> 00:35:16,200 Speaker 1: Breakfast Club. We have Nate Parker in the building now, Charlomane, 760 00:35:16,280 --> 00:35:18,520 Speaker 1: I honestly don't know who's demonizing you at this point 761 00:35:18,560 --> 00:35:21,000 Speaker 1: because I see it from all angles. Because I'm gonna 762 00:35:21,000 --> 00:35:23,239 Speaker 1: tell the story. I remember, maybe a month before I 763 00:35:23,239 --> 00:35:25,400 Speaker 1: saw the movie, had an og triple og in the 764 00:35:25,440 --> 00:35:26,719 Speaker 1: game hit me up, and he goes, look, we got 765 00:35:26,840 --> 00:35:28,880 Speaker 1: to support this film. He said, they're gonna try to 766 00:35:28,880 --> 00:35:32,040 Speaker 1: crucify a Nate Parker. And then two three weeks later, 767 00:35:32,120 --> 00:35:34,120 Speaker 1: all the different allegations came out. It was, oh he 768 00:35:34,160 --> 00:35:36,600 Speaker 1: got a white wife, it was oh he's homophobic, it 769 00:35:36,719 --> 00:35:39,719 Speaker 1: was oh he has rape charges. Did you expect that 770 00:35:39,760 --> 00:35:45,120 Speaker 1: to happen. Let's just say I was warned early on. 771 00:35:45,400 --> 00:35:47,319 Speaker 1: You know, people in the industry, people that love me, 772 00:35:47,360 --> 00:35:50,439 Speaker 1: people that I love that just said, you know, are 773 00:35:50,440 --> 00:35:52,920 Speaker 1: you ready for what may comable with this film? You 774 00:35:52,960 --> 00:35:55,120 Speaker 1: know it's like it's look, I'm gonna say, look, you 775 00:35:55,160 --> 00:35:58,560 Speaker 1: know how you rediscover something you already knew. I've never 776 00:35:58,600 --> 00:36:00,880 Speaker 1: heard anything from a lot, never ran from nobody about us, 777 00:36:01,320 --> 00:36:03,520 Speaker 1: And I'm not gonna run now. No one's gonna stop 778 00:36:03,520 --> 00:36:05,319 Speaker 1: me from telling stories. And I think uplifting my people, 779 00:36:05,320 --> 00:36:06,960 Speaker 1: They're just not gonna do it. It can come for me. 780 00:36:07,000 --> 00:36:09,000 Speaker 1: That's okay. I'm I'm a grown up, I'm a man. 781 00:36:09,320 --> 00:36:11,839 Speaker 1: I'm I'm so anchored in the Lord, Bro. My faith 782 00:36:11,880 --> 00:36:15,080 Speaker 1: is so strong that I'm not tripping. I know the 783 00:36:15,120 --> 00:36:17,800 Speaker 1: power of Nat Turner, what he can do for people, 784 00:36:17,800 --> 00:36:19,960 Speaker 1: what he can do for America. What happens if we 785 00:36:20,000 --> 00:36:22,719 Speaker 1: start celebrating Nat Turner as a hero who you know, 786 00:36:22,840 --> 00:36:27,680 Speaker 1: look the African American Museum. Just open Nat Turner's Bible, right, 787 00:36:27,719 --> 00:36:31,040 Speaker 1: George Bush said, you know Nat Turner money, Like what 788 00:36:31,080 --> 00:36:34,480 Speaker 1: happens if if he if it becomes normal to celebrate 789 00:36:34,600 --> 00:36:36,520 Speaker 1: every one of every color that has contribute to the 790 00:36:36,600 --> 00:36:39,600 Speaker 1: narrative of this country, man, things will change. Privilege will 791 00:36:39,640 --> 00:36:42,480 Speaker 1: be challenged, but things will change. Doesn't piss you off 792 00:36:42,520 --> 00:36:45,640 Speaker 1: through because we were watching your Good Morning America and 793 00:36:45,840 --> 00:36:47,640 Speaker 1: you look like, all right, enough is enough? You look 794 00:36:47,680 --> 00:36:50,239 Speaker 1: like you on the screen put some respect on my name, 795 00:36:51,360 --> 00:36:53,440 Speaker 1: because I mean, because they showed some of the stuff 796 00:36:53,480 --> 00:36:55,120 Speaker 1: that you went through when you were in college. You 797 00:36:55,160 --> 00:36:57,640 Speaker 1: look like, come on now, I'll just say this I 798 00:36:57,760 --> 00:36:59,920 Speaker 1: posted out there probably in trouble. It was an ambush, 799 00:37:00,080 --> 00:37:03,520 Speaker 1: you know, just it looked like it looks like what 800 00:37:03,560 --> 00:37:05,440 Speaker 1: the fuck? You know, because this is bigger than me. 801 00:37:05,520 --> 00:37:08,319 Speaker 1: Nat Turner is so much bigger than me, like in 802 00:37:08,440 --> 00:37:11,160 Speaker 1: my in my thirty six year old life and anything 803 00:37:11,160 --> 00:37:13,920 Speaker 1: you could ever dig up or whatever, Nat Turner, did 804 00:37:13,920 --> 00:37:15,600 Speaker 1: you feel like it would be in jeopardy at any 805 00:37:15,640 --> 00:37:18,759 Speaker 1: point the film, Yeah, just with everything coming up, like 806 00:37:19,040 --> 00:37:21,120 Speaker 1: we can't put this out because I remember thinking, oh man, 807 00:37:21,120 --> 00:37:23,120 Speaker 1: are they going to try to not put the movie out? Now? 808 00:37:23,320 --> 00:37:25,560 Speaker 1: There's a there's a verse in the Bible says I 809 00:37:25,640 --> 00:37:27,759 Speaker 1: tell you these things so that you will find peace 810 00:37:27,800 --> 00:37:30,120 Speaker 1: in me. You know, in the world that will be tribulation, 811 00:37:30,120 --> 00:37:32,919 Speaker 1: but be a good cheer. Bible become the world. God 812 00:37:33,040 --> 00:37:35,520 Speaker 1: is God, the same guy that helped me to make 813 00:37:35,600 --> 00:37:38,080 Speaker 1: this film, the same guy that got me through. You know, 814 00:37:38,120 --> 00:37:40,560 Speaker 1: whatever opsles I have in my life, the same God 815 00:37:40,600 --> 00:37:42,520 Speaker 1: has made it so people will be able to gain 816 00:37:42,760 --> 00:37:46,480 Speaker 1: something perspective young people. Fifty years from now, some ten 817 00:37:46,560 --> 00:37:48,040 Speaker 1: year old kid is going to be able to watch 818 00:37:48,080 --> 00:37:50,359 Speaker 1: this film in the same way that that they use 819 00:37:50,440 --> 00:37:52,680 Speaker 1: the original Birth of a Nation as a recruitment tool 820 00:37:52,680 --> 00:37:55,200 Speaker 1: for the KKK. We're gonna use it as a recruitment 821 00:37:55,239 --> 00:37:58,399 Speaker 1: tool for revolution and resistance, for people that recognize something 822 00:37:58,480 --> 00:38:01,160 Speaker 1: needs to change that's bigger than me. If I died 823 00:38:01,239 --> 00:38:04,640 Speaker 1: today and the film can live, I'm not tripping. I'm good, bro. 824 00:38:05,160 --> 00:38:08,560 Speaker 1: I'm in such peace right now because this film exists. 825 00:38:08,719 --> 00:38:10,479 Speaker 1: So for me, it's kind of like, Okay, well cool, 826 00:38:10,920 --> 00:38:13,080 Speaker 1: let's get the film out. Okay, cool, all right, fine, 827 00:38:13,360 --> 00:38:16,200 Speaker 1: let's get the film out. Okay, yeah, next question, I mean, 828 00:38:16,200 --> 00:38:18,280 Speaker 1: I think we've all been guilty of it. It judges 829 00:38:18,320 --> 00:38:20,840 Speaker 1: your character. You know, when we hit in Nate Parker, 830 00:38:20,880 --> 00:38:23,759 Speaker 1: we hear this accusation, his friend is this his friend? 831 00:38:23,840 --> 00:38:26,200 Speaker 1: Is that? That has to affect you in a way 832 00:38:26,239 --> 00:38:29,640 Speaker 1: because now people who don't know you might look at 833 00:38:29,640 --> 00:38:31,600 Speaker 1: you at a different light. But guess what, we gotta 834 00:38:31,600 --> 00:38:34,359 Speaker 1: we gotta rise up to the ten thousand foot view, right, 835 00:38:34,680 --> 00:38:36,840 Speaker 1: Like when you're in a moment and you're set on fire, 836 00:38:37,400 --> 00:38:40,120 Speaker 1: it's easy to be like, oh my god, I'm on fire, right, 837 00:38:40,160 --> 00:38:41,759 Speaker 1: But when you rise up to the ten thousand foot 838 00:38:41,800 --> 00:38:44,880 Speaker 1: view and you see the Lord's resume, everything that's happening 839 00:38:44,920 --> 00:38:47,440 Speaker 1: up until that moment, and you're looking forward and say, Okay, 840 00:38:47,480 --> 00:38:51,840 Speaker 1: this moment will cause a reaction forward, then then you realize, look, 841 00:38:52,080 --> 00:38:54,840 Speaker 1: this is bigger than my character. People will get to 842 00:38:54,840 --> 00:38:57,120 Speaker 1: know me, You'll get to know my heart, you know 843 00:38:57,120 --> 00:38:58,759 Speaker 1: what I mean. I'm cool with that. I'm cool. I 844 00:38:58,800 --> 00:39:00,680 Speaker 1: didn't know you guys until I knew you. I didn't 845 00:39:00,680 --> 00:39:02,719 Speaker 1: know you until I knew you. If I could go 846 00:39:02,719 --> 00:39:04,480 Speaker 1: out and meet every single person in glad hand and 847 00:39:04,480 --> 00:39:06,560 Speaker 1: shake their hand, would I do? Yeah? I can't do that. 848 00:39:06,800 --> 00:39:10,520 Speaker 1: I'm gonna let my art, let my activism speak in 849 00:39:10,640 --> 00:39:13,920 Speaker 1: ways that my mouth on these shows with these headline 850 00:39:13,960 --> 00:39:16,319 Speaker 1: hunters and these clickbait people, I'm gonna let them do 851 00:39:16,360 --> 00:39:18,440 Speaker 1: that thing. I'm not tripping on the news. I feel 852 00:39:18,480 --> 00:39:20,080 Speaker 1: this is just me talking. I feel like it was 853 00:39:20,080 --> 00:39:23,160 Speaker 1: a conspiracy by some powers that be the relator release 854 00:39:23,200 --> 00:39:24,880 Speaker 1: of the film, because all of this information has been 855 00:39:24,880 --> 00:39:27,160 Speaker 1: out there, it's been public, you have found not guilty, 856 00:39:27,200 --> 00:39:29,480 Speaker 1: you spoke about it before. Why now? That's all I 857 00:39:29,480 --> 00:39:32,480 Speaker 1: wanted to like, why why now? You know what? You know? 858 00:39:32,600 --> 00:39:35,600 Speaker 1: There's some people that say, you know, why me? And 859 00:39:35,640 --> 00:39:37,319 Speaker 1: then there's some people that say, well, what can come 860 00:39:37,360 --> 00:39:39,319 Speaker 1: out of this moment? You know? And I try to 861 00:39:39,320 --> 00:39:41,080 Speaker 1: be the latter. I try to be the person that says, 862 00:39:41,120 --> 00:39:45,040 Speaker 1: regardless of the moment, what can change because of these actions? 863 00:39:45,400 --> 00:39:49,040 Speaker 1: Because look, if people forever kick dirt on me forever, 864 00:39:49,640 --> 00:39:53,120 Speaker 1: but this film exists by itself, and then a hundred 865 00:39:53,200 --> 00:39:57,520 Speaker 1: years when I'm dead and gone, they got this film. 866 00:39:57,640 --> 00:40:00,760 Speaker 1: We win. We all win. And if we releases film 867 00:40:00,840 --> 00:40:03,080 Speaker 1: right and all the old heads see it, all the 868 00:40:03,080 --> 00:40:05,400 Speaker 1: old heads are like, yeah, we get it. We're moving forward. 869 00:40:05,960 --> 00:40:07,960 Speaker 1: And the kid in Best started the fifteen year old 870 00:40:08,000 --> 00:40:11,040 Speaker 1: kids don't know who that turner is still Oakland or 871 00:40:11,160 --> 00:40:14,719 Speaker 1: kid in Decatur don't doesn't know. We lose. So I 872 00:40:14,800 --> 00:40:17,280 Speaker 1: reached out to the dopest artist I could find, Gucci 873 00:40:17,320 --> 00:40:19,120 Speaker 1: Maine and talk to them on the phone. I said, brother, 874 00:40:19,160 --> 00:40:22,640 Speaker 1: I know you care about your care. I haven't heard 875 00:40:22,680 --> 00:40:24,920 Speaker 1: the music, so I'm not gonna judge, but I didn't understand, 876 00:40:26,280 --> 00:40:28,520 Speaker 1: but you gotta you gotta hear the music. That's the thing. Look, 877 00:40:28,640 --> 00:40:31,520 Speaker 1: look guess what Gucci got the streets, little Wayne got. 878 00:40:31,560 --> 00:40:38,320 Speaker 1: I don't have the streets. And even to every listen, 879 00:40:38,400 --> 00:40:41,000 Speaker 1: everyone is on message. It's kind of crazy. You got 880 00:40:41,000 --> 00:40:42,960 Speaker 1: two chains on message talking about go up to the 881 00:40:42,960 --> 00:40:45,800 Speaker 1: state House tell them to provise a system. You know 882 00:40:45,800 --> 00:40:47,640 Speaker 1: what I mean. It's like if you can get them 883 00:40:47,680 --> 00:40:51,480 Speaker 1: on message, because I as you know music in a 884 00:40:51,520 --> 00:40:54,400 Speaker 1: waysman corporate times. You know a lot of them. You 885 00:40:54,440 --> 00:40:56,480 Speaker 1: know the politics around making music and who we're making 886 00:40:56,480 --> 00:40:58,560 Speaker 1: it for them, who's consuming it. A lot of times 887 00:40:58,560 --> 00:41:00,719 Speaker 1: it doesn't help our people. A lot of times in 888 00:41:00,760 --> 00:41:02,839 Speaker 1: this country. They give a little bit to a few 889 00:41:03,400 --> 00:41:05,680 Speaker 1: and then tell those few times kinda be happy with 890 00:41:05,680 --> 00:41:07,320 Speaker 1: what you got and turn your back and your power 891 00:41:07,560 --> 00:41:09,160 Speaker 1: against the people that needed the most. I mean, the 892 00:41:09,200 --> 00:41:11,160 Speaker 1: things that happened, it happens in my industry too. So 893 00:41:11,200 --> 00:41:13,480 Speaker 1: if I can get people that do care about the 894 00:41:13,520 --> 00:41:15,960 Speaker 1: community but don't have the platform to release it. So 895 00:41:16,000 --> 00:41:18,080 Speaker 1: I had the chance to sit with all these these guys, 896 00:41:18,160 --> 00:41:21,800 Speaker 1: you know, Vic Mensa, all of them, you know, Trace Songs, Neo. 897 00:41:22,120 --> 00:41:24,879 Speaker 1: Everyone is on message talking about the system talking about 898 00:41:24,920 --> 00:41:28,080 Speaker 1: a fresh and talking about faith. You know what I'm saying, 899 00:41:28,120 --> 00:41:30,480 Speaker 1: Like Little Wayne was like I got to feed the family, 900 00:41:30,600 --> 00:41:32,680 Speaker 1: but I had to leave the family. I left for CNB. 901 00:41:33,000 --> 00:41:35,279 Speaker 1: I'm an empathy, but I would never leave Christianity. I 902 00:41:35,320 --> 00:41:37,719 Speaker 1: heard it gets submitted a track, but you turned it down. 903 00:41:38,080 --> 00:41:43,000 Speaker 1: I didn't turn anything down. You know, it's like anything else. 904 00:41:43,080 --> 00:41:44,799 Speaker 1: Things like everyone that wants to be on your show 905 00:41:44,800 --> 00:41:47,959 Speaker 1: can't get a show you get really submitted a track? No, 906 00:41:51,600 --> 00:41:54,799 Speaker 1: whoa no, No. I'm saying that. I'm trying to be fair. 907 00:41:55,320 --> 00:41:58,400 Speaker 1: A lot of people submitted albums, but we really you know, 908 00:41:58,440 --> 00:42:00,680 Speaker 1: when you track list, when you make a trackle, you 909 00:42:00,680 --> 00:42:02,840 Speaker 1: want to make sure everything fits. NAS has an incredible 910 00:42:02,880 --> 00:42:08,480 Speaker 1: song called war See that's on brand. Huh Na, why 911 00:42:08,480 --> 00:42:10,040 Speaker 1: would you do something obvious? You know what I'm saying, 912 00:42:10,040 --> 00:42:12,400 Speaker 1: Like at some point like if I can get lu Wayne, 913 00:42:12,800 --> 00:42:15,360 Speaker 1: you know, to talk about the streets in the context 914 00:42:15,360 --> 00:42:17,200 Speaker 1: of a message. And then a young person was like, 915 00:42:17,239 --> 00:42:21,440 Speaker 1: wait a minute, just say that right what I'm jealous? 916 00:42:21,560 --> 00:42:24,440 Speaker 1: DJ M v Angela Yee, Charlomagne the guy we are 917 00:42:24,440 --> 00:42:26,719 Speaker 1: the breakfast Club. You have one more day to make 918 00:42:26,760 --> 00:42:30,080 Speaker 1: your tax deductible donation in two thousand and sixteen. Make 919 00:42:30,120 --> 00:42:32,799 Speaker 1: you see your tax deductible donation before it's too late. 920 00:42:32,920 --> 00:42:35,880 Speaker 1: With this easy UNISEF donation. Use your cell phone to 921 00:42:35,960 --> 00:42:39,560 Speaker 1: dial pound two fifty and say the keyword UNISF. That's 922 00:42:39,640 --> 00:42:42,880 Speaker 1: pound two fifty, keyword UNISF to make a donation. We 923 00:42:43,000 --> 00:42:45,520 Speaker 1: have Nate Parker in the building. Now tell me, are 924 00:42:45,600 --> 00:42:47,960 Speaker 1: you I don't want to say concerned that this movie 925 00:42:48,000 --> 00:42:51,000 Speaker 1: will cause some type of revolte now because this could, 926 00:42:51,120 --> 00:42:52,920 Speaker 1: this could be a dangerous time to put this movie. 927 00:42:53,040 --> 00:42:55,880 Speaker 1: Let me be clear. It's a quotable. I hope it 928 00:42:55,920 --> 00:42:59,680 Speaker 1: makes people uncomfortable. I hope that it inspires a riot's 929 00:42:59,680 --> 00:43:03,239 Speaker 1: dis position. Now do I want violence? Absolutely not. We're 930 00:43:03,719 --> 00:43:05,399 Speaker 1: above that. Now, why do we need to be violent? 931 00:43:05,440 --> 00:43:08,840 Speaker 1: When we got journalists, we got radio personalities that have power. 932 00:43:08,880 --> 00:43:10,480 Speaker 1: We have social media, but that's not like the same 933 00:43:10,520 --> 00:43:12,680 Speaker 1: old song. The media is not, but everything else I 934 00:43:12,880 --> 00:43:17,480 Speaker 1: like the same That Turner had ax handles and broomsticks, right, 935 00:43:17,520 --> 00:43:18,960 Speaker 1: and he didn't have the right to as symbol. So 936 00:43:19,000 --> 00:43:20,600 Speaker 1: what's that mean? That means what we're doing right now 937 00:43:20,600 --> 00:43:22,479 Speaker 1: in this room would have been illegal and we would 938 00:43:22,480 --> 00:43:24,080 Speaker 1: all have been lunched right. Well, we do have a 939 00:43:24,120 --> 00:43:26,960 Speaker 1: white man in the room. Oh good, good, good, I 940 00:43:27,000 --> 00:43:31,799 Speaker 1: couldn't see your whole face good. As soon as I 941 00:43:31,840 --> 00:43:39,359 Speaker 1: said that, he was like, no, you're wrong, but the right. 942 00:43:39,360 --> 00:43:43,239 Speaker 1: We didn't underrate this symbol. It's right here, dead right. 943 00:43:43,320 --> 00:43:46,160 Speaker 1: Not turner out of that only tools he had it 944 00:43:46,239 --> 00:43:47,759 Speaker 1: is only yeah. He couldn't have been like, I'm calling 945 00:43:47,800 --> 00:43:50,839 Speaker 1: the meeting everyonnd the plantation. We're gonna strike, We're gonna 946 00:43:50,880 --> 00:43:53,160 Speaker 1: protest and walk around the main house like you didn't 947 00:43:53,239 --> 00:43:56,080 Speaker 1: couldn't do nothing. So he fought and whatn't in the 948 00:43:56,120 --> 00:43:58,440 Speaker 1: tools he had? You look now right? If we I 949 00:43:58,480 --> 00:44:00,520 Speaker 1: mean the power we had, you look like Colin Kaepernick, 950 00:44:00,800 --> 00:44:03,000 Speaker 1: like the I always say when athletes get involved, it's 951 00:44:03,000 --> 00:44:04,919 Speaker 1: around like things are going to change because we're messing 952 00:44:04,960 --> 00:44:06,719 Speaker 1: with the money. You get what I'm saying. So if 953 00:44:06,719 --> 00:44:08,200 Speaker 1: nothing else, they walk out of that film and says, 954 00:44:08,239 --> 00:44:12,560 Speaker 1: I'm going to use my occupation to spearhead the systemic 955 00:44:12,600 --> 00:44:15,080 Speaker 1: crisis I see in my own life, my own community. 956 00:44:15,320 --> 00:44:19,319 Speaker 1: Things will change immediately. Does that mean marching maybe? Does 957 00:44:19,320 --> 00:44:21,640 Speaker 1: it mean more than marching? Does it mean some people saying, Noah, 958 00:44:21,680 --> 00:44:23,480 Speaker 1: I ain't gonna do that. I'm gonna walk into my 959 00:44:23,480 --> 00:44:26,760 Speaker 1: producer and tell him I'm not saying that thing ever again. 960 00:44:27,200 --> 00:44:30,120 Speaker 1: What in sacrificing somebody get fired? You know? Is it? 961 00:44:30,560 --> 00:44:35,000 Speaker 1: Whatever your occupation, what is your contribution? I want you know. 962 00:44:35,000 --> 00:44:38,000 Speaker 1: The biggest difference I believe between the civil rights movement 963 00:44:38,000 --> 00:44:40,239 Speaker 1: of old and the civil rights movements of new is 964 00:44:40,280 --> 00:44:42,840 Speaker 1: that people aren't willing to die. Anything has ever anything 965 00:44:42,880 --> 00:44:45,560 Speaker 1: and done anything for our community that actually resolved in progress. 966 00:44:45,719 --> 00:44:47,440 Speaker 1: I had to take a bullet to their head. The 967 00:44:47,520 --> 00:44:49,200 Speaker 1: good thing about the movie, too, is like when you 968 00:44:49,200 --> 00:44:51,640 Speaker 1: say systemic oppression, I like that because it's not just 969 00:44:51,680 --> 00:44:54,080 Speaker 1: saying white people, because they had to go battle against 970 00:44:54,120 --> 00:44:57,200 Speaker 1: their own on the side of systemic oppression as well. Right, 971 00:44:57,239 --> 00:44:59,960 Speaker 1: You're absolutely right. Brother Frederick Douglas has this dope core 972 00:45:00,120 --> 00:45:01,920 Speaker 1: where he says, when I became free, I begin to 973 00:45:01,920 --> 00:45:04,879 Speaker 1: see the effects lave we had not only on slave 974 00:45:04,920 --> 00:45:07,800 Speaker 1: but on slave masters. Right like we all of everyone 975 00:45:07,840 --> 00:45:11,080 Speaker 1: around us has been passed down something this tum this trauma, 976 00:45:11,440 --> 00:45:14,920 Speaker 1: this wound that we won't he let he or we 977 00:45:14,960 --> 00:45:17,759 Speaker 1: won't face it. We just won't because it's too uncomfortable, 978 00:45:17,920 --> 00:45:19,919 Speaker 1: too painful. And how many times you hear someone say 979 00:45:20,040 --> 00:45:22,000 Speaker 1: like in politics. You know, we got to have the 980 00:45:22,080 --> 00:45:24,880 Speaker 1: race of conversation. Have you ever had the race conversation 981 00:45:24,920 --> 00:45:27,040 Speaker 1: with like, like, have we haven't been? Like, okay, everyone, 982 00:45:27,280 --> 00:45:29,719 Speaker 1: this is race conversation Day. Race conversation Day is gonna 983 00:45:29,719 --> 00:45:33,960 Speaker 1: be October ten. Right, call your friends, order pizza, you know, 984 00:45:34,000 --> 00:45:39,239 Speaker 1: and coke and in Coca Cola and come over to right, 985 00:45:39,280 --> 00:45:44,440 Speaker 1: come over to the house. Headline like, encourage people, No, 986 00:45:44,840 --> 00:45:47,040 Speaker 1: come over, We're gonna have a conversation on race. Invite 987 00:45:47,080 --> 00:45:48,480 Speaker 1: people that don't look like you when come to the 988 00:45:48,480 --> 00:45:51,239 Speaker 1: table's gonna eat and be like, yo, so race, like 989 00:45:51,520 --> 00:45:53,839 Speaker 1: you know what black privilege? When what you think? No 990 00:45:53,840 --> 00:45:56,160 Speaker 1: one's having that conversation, right, yeah, you know so at 991 00:45:56,200 --> 00:45:58,120 Speaker 1: some point, you know, they say, have you always do 992 00:45:58,160 --> 00:45:59,919 Speaker 1: what you're always done? You always get what you always got. 993 00:46:00,120 --> 00:46:04,040 Speaker 1: America's always doing what they've always done. That's shutting people up, 994 00:46:04,080 --> 00:46:07,320 Speaker 1: that's attacking the people that resist, and that's a problem 995 00:46:07,320 --> 00:46:10,480 Speaker 1: for America. I always say, a healthier Black community, healthier 996 00:46:10,560 --> 00:46:13,800 Speaker 1: Latino community, is a healthier United States of America. Do 997 00:46:14,080 --> 00:46:16,759 Speaker 1: you think your past rape chargers will cause people not 998 00:46:16,800 --> 00:46:19,000 Speaker 1: to see this movie with an objective eye? Because I 999 00:46:19,000 --> 00:46:21,000 Speaker 1: saw an article in the New Yorker, where the author 1000 00:46:21,000 --> 00:46:22,920 Speaker 1: didn't give it the best review, but it kept mixing 1001 00:46:23,480 --> 00:46:26,800 Speaker 1: you with the movie, and I'm like, listen, listen, presume 1002 00:46:26,920 --> 00:46:29,640 Speaker 1: dangerous and guilty. Presume dangerous and guilty, like that's you know, 1003 00:46:29,680 --> 00:46:31,680 Speaker 1: the attack is the attack? You know? You know what 1004 00:46:31,719 --> 00:46:35,960 Speaker 1: I'm saying. I think anyone that thinks it's important to 1005 00:46:36,000 --> 00:46:38,640 Speaker 1: hear stories that have been a race from history that 1006 00:46:38,680 --> 00:46:41,799 Speaker 1: can aid in our progress as America, he needs to 1007 00:46:41,800 --> 00:46:44,759 Speaker 1: see this film, in my humble opinion, right to take 1008 00:46:44,840 --> 00:46:46,480 Speaker 1: me out of it. Whatever you feel about me, whatever 1009 00:46:46,520 --> 00:46:49,440 Speaker 1: you feel about my acquittal, whatever you feel about my innocence, 1010 00:46:49,640 --> 00:46:52,320 Speaker 1: or whatever you just for a second recognize if you 1011 00:46:52,360 --> 00:46:54,359 Speaker 1: call yourself a patriot, I think you have to take 1012 00:46:54,400 --> 00:46:58,880 Speaker 1: steps toward healing America. And if this film stands for 1013 00:46:58,960 --> 00:47:01,279 Speaker 1: something like that outside out of me, then let's have 1014 00:47:01,440 --> 00:47:04,960 Speaker 1: that conversation. Let's let's not take the baggage of whatever 1015 00:47:05,560 --> 00:47:08,000 Speaker 1: you've read in a headline and just say I'm gonna 1016 00:47:08,000 --> 00:47:10,080 Speaker 1: see what the film does. You know, black man, ever 1017 00:47:10,160 --> 00:47:14,120 Speaker 1: be not guilty in America. Even you're you're acquitted, you're 1018 00:47:14,160 --> 00:47:16,000 Speaker 1: not guilty. But even when he was on sixty minutes, 1019 00:47:16,040 --> 00:47:17,840 Speaker 1: they was like, you should have apologized. I'm like, but 1020 00:47:18,080 --> 00:47:20,360 Speaker 1: he's maintained his innocence. Thing I found not guilty. What 1021 00:47:20,640 --> 00:47:23,960 Speaker 1: do you want to apologize for? Um, it's it's it's 1022 00:47:24,000 --> 00:47:25,840 Speaker 1: it's a it's a question worth asking. But at the 1023 00:47:25,840 --> 00:47:28,960 Speaker 1: same time, I think that we're more concerned about how 1024 00:47:28,960 --> 00:47:31,479 Speaker 1: we've been conditioned to see ourselves and less concerned about 1025 00:47:31,480 --> 00:47:33,560 Speaker 1: how other people see us, then we'll be able to 1026 00:47:33,600 --> 00:47:36,600 Speaker 1: really deal with crisis. We have to make ourselves smaller, 1027 00:47:36,920 --> 00:47:39,800 Speaker 1: bigger picture that Turner made himself small. You know, it 1028 00:47:39,840 --> 00:47:41,600 Speaker 1: doesn't say a good man make sure his name is 1029 00:47:41,640 --> 00:47:43,440 Speaker 1: good when he dies, Like I'm not tripping on me. 1030 00:47:43,600 --> 00:47:45,560 Speaker 1: You know, everything I'm doing, I'm doing for my children 1031 00:47:45,560 --> 00:47:47,680 Speaker 1: and my children's children, so that when they look up 1032 00:47:47,680 --> 00:47:49,560 Speaker 1: at that image of me wherever it is, and I'm 1033 00:47:49,560 --> 00:47:52,319 Speaker 1: in hopefully looking fly in the oil painting, they can 1034 00:47:52,440 --> 00:47:54,520 Speaker 1: be like, you know what, man, my dad tried. You know, 1035 00:47:54,600 --> 00:47:56,520 Speaker 1: my great, great great you know whatever, he tried to 1036 00:47:56,520 --> 00:47:58,520 Speaker 1: do something, he tried to deal with it. Even if 1037 00:47:58,560 --> 00:48:00,799 Speaker 1: they say they came for him. Whatever we try to 1038 00:48:00,840 --> 00:48:04,560 Speaker 1: do something, they definitely try to divide. But that ain't 1039 00:48:04,640 --> 00:48:07,440 Speaker 1: new man, That ain't like all I'm saying is can 1040 00:48:07,520 --> 00:48:09,879 Speaker 1: we try to start with women and African American women 1041 00:48:09,880 --> 00:48:11,600 Speaker 1: and have women against you? And then you know with 1042 00:48:11,600 --> 00:48:13,600 Speaker 1: with the headlines, they definitely try to divide. Yeah, I 1043 00:48:13,600 --> 00:48:15,480 Speaker 1: mean it's it's interesting to me that a black man 1044 00:48:15,560 --> 00:48:17,680 Speaker 1: can't be black if he's married to a white woman. 1045 00:48:17,440 --> 00:48:20,439 Speaker 1: That's the picture they try to paint. All I'm saying 1046 00:48:20,560 --> 00:48:22,839 Speaker 1: is this, Look at my resume. Do I care about 1047 00:48:22,880 --> 00:48:26,719 Speaker 1: black people? Do I care about systemic oppression? Have I 1048 00:48:26,760 --> 00:48:29,920 Speaker 1: dedicated anything to raising all ships when it comes to 1049 00:48:29,920 --> 00:48:33,759 Speaker 1: progressing a conversation around America? Um, I don't have to 1050 00:48:33,760 --> 00:48:35,960 Speaker 1: answer that question, you know what I mean? I will 1051 00:48:36,000 --> 00:48:38,960 Speaker 1: continue like I said, No one's gonna take take my seat. 1052 00:48:38,960 --> 00:48:41,320 Speaker 1: What I believe the Lord is putting me to to 1053 00:48:41,760 --> 00:48:44,640 Speaker 1: do for our community, to do for our country. I'm 1054 00:48:44,640 --> 00:48:46,840 Speaker 1: just staying the course and staying focused, man, and the 1055 00:48:46,920 --> 00:48:49,280 Speaker 1: hope that you know the next what's the next project? 1056 00:48:49,280 --> 00:48:50,400 Speaker 1: You know, That's what I was going to ask you, 1057 00:48:50,440 --> 00:48:52,120 Speaker 1: what's next to an eight? Parker? Now after you put 1058 00:48:52,120 --> 00:48:55,120 Speaker 1: out such a huge movie, come with Tyler Perry because 1059 00:48:55,120 --> 00:49:02,439 Speaker 1: you're gonna have to listen. All right, Look, I'm gonna 1060 00:49:02,480 --> 00:49:07,680 Speaker 1: say this publicly. All right, leave Tyler Perry alone. He's 1061 00:49:07,719 --> 00:49:09,879 Speaker 1: a friend of mine. And uh he's a good brother. 1062 00:49:09,880 --> 00:49:12,560 Speaker 1: He's give me some money. He did not give me money. Um, 1063 00:49:12,600 --> 00:49:14,000 Speaker 1: but he's a good brother. He's a good you know. 1064 00:49:14,040 --> 00:49:15,840 Speaker 1: I don't know what I'm gonna do next. You know, 1065 00:49:15,880 --> 00:49:19,080 Speaker 1: I'm gonna do, you know, whatever makes me as passionate about, 1066 00:49:19,120 --> 00:49:21,400 Speaker 1: you know, doing the work in the yard as this has. 1067 00:49:21,560 --> 00:49:23,439 Speaker 1: You know, like I said, I stepped away two years 1068 00:49:23,600 --> 00:49:26,120 Speaker 1: to really get it together. Um so the next thing, 1069 00:49:26,120 --> 00:49:27,799 Speaker 1: who knows, the next thing might take eight more years. 1070 00:49:27,880 --> 00:49:30,680 Speaker 1: I don't know. You know, my arts are functioned my activism. Man, 1071 00:49:30,719 --> 00:49:32,640 Speaker 1: I'm not tripping on Hollywood. Are not tripping on money 1072 00:49:32,840 --> 00:49:35,279 Speaker 1: by tripping on awards Like I just want to wake 1073 00:49:35,320 --> 00:49:37,439 Speaker 1: folks up. I can get a ten year old kid 1074 00:49:38,000 --> 00:49:40,040 Speaker 1: to have a you know, walking out the street playing 1075 00:49:40,040 --> 00:49:43,080 Speaker 1: with his friends. I'm not Turner. We win. That's the 1076 00:49:43,080 --> 00:49:45,760 Speaker 1: biggest win of them all. So yeah, until he chasing 1077 00:49:45,760 --> 00:49:55,640 Speaker 1: four little white kids come. We really appreciate it. I 1078 00:49:55,719 --> 00:49:58,960 Speaker 1: appreciate y'all. Thank you for the time, man for his club. 1079 00:49:59,360 --> 00:50:04,000 Speaker 1: Good morning. What up y'all? Is TJ. M. Gobody name 1080 00:50:04,000 --> 00:50:05,960 Speaker 1: of Charlomagne Gut and we just want to say happy 1081 00:50:06,000 --> 00:50:08,640 Speaker 1: holidays from all three of us, all three of y'all. 1082 00:50:08,680 --> 00:50:17,600 Speaker 1: The Breakfast Club control Charlom Mayne say the gang, don't 1083 00:50:17,640 --> 00:50:25,320 Speaker 1: get out the shape man. You aren't you donkey today? 1084 00:50:25,360 --> 00:50:27,919 Speaker 1: Just not discriminate. I might not have the song of today, 1085 00:50:27,960 --> 00:50:29,759 Speaker 1: but I got to donkey that gay. So if you 1086 00:50:29,760 --> 00:50:31,759 Speaker 1: ever feel I need to be a donkey man, give 1087 00:50:31,800 --> 00:50:35,920 Speaker 1: it with the Breakfast Club bitches. They just don't give 1088 00:50:35,960 --> 00:50:41,680 Speaker 1: today today. Yes, donkey today. He goes to g OP 1089 00:50:41,920 --> 00:50:45,160 Speaker 1: nominee Donald J. Trump. Now, listen, I don't do selective morality. 1090 00:50:45,680 --> 00:50:47,840 Speaker 1: Even though I'm giving Trump this donkey, I'd be a 1091 00:50:47,920 --> 00:50:50,360 Speaker 1: hypocrite acting like I haven't talked like this about women. 1092 00:50:50,440 --> 00:50:52,439 Speaker 1: But I'm not running for leader of the free world, 1093 00:50:52,520 --> 00:50:54,600 Speaker 1: and Donald Trump is. Therefore he got to get this. 1094 00:50:54,680 --> 00:50:57,640 Speaker 1: He hard. Now. I'm sure you've heard Donald Trump's comments 1095 00:50:57,640 --> 00:51:00,759 Speaker 1: about grabbing on pussycats. But if you have it, we 1096 00:51:00,840 --> 00:51:03,239 Speaker 1: got the clip right here. You go. I gotta get 1097 00:51:03,280 --> 00:51:06,560 Speaker 1: some kickcats. Just think it's just a kissinger. You know, 1098 00:51:06,560 --> 00:51:09,359 Speaker 1: I'm automatically attracted the beautiful. I just started kissing them. 1099 00:51:09,400 --> 00:51:13,600 Speaker 1: It's like a magnet. And when you're a start, then 1100 00:51:13,680 --> 00:51:15,840 Speaker 1: let you do it. You can do anything whatever you 1101 00:51:15,840 --> 00:51:20,800 Speaker 1: want grab brothers. Now, let's be clip. That's sexual assault. 1102 00:51:20,960 --> 00:51:22,600 Speaker 1: It may not seem like it because a lot of 1103 00:51:22,640 --> 00:51:26,120 Speaker 1: that behavior we have normalized in our society. But if you, 1104 00:51:26,120 --> 00:51:27,960 Speaker 1: you know, welcome to a girl and kiss it without 1105 00:51:27,960 --> 00:51:30,240 Speaker 1: her consent, a God forbid, welcome to her and grab 1106 00:51:30,280 --> 00:51:33,440 Speaker 1: her a pussycat without consent, that's a charge, sir. Okay, 1107 00:51:33,440 --> 00:51:35,560 Speaker 1: if you have ever grabbed a woman's asking the club 1108 00:51:35,640 --> 00:51:39,120 Speaker 1: or at school without her consent, that's sexual assault. I know, 1109 00:51:39,280 --> 00:51:41,160 Speaker 1: I know you don't look at it like that because 1110 00:51:41,160 --> 00:51:43,799 Speaker 1: it's been so normalized what it is now for me. 1111 00:51:44,000 --> 00:51:46,840 Speaker 1: I watched Trump on Friday night make those comments, and 1112 00:51:46,920 --> 00:51:50,200 Speaker 1: I laughed and I said death foul. But immediately my 1113 00:51:50,280 --> 00:51:52,800 Speaker 1: conscience kicked in and said, you are being a hypocrite 1114 00:51:52,880 --> 00:51:56,120 Speaker 1: right now because you have said worse publicly and privately 1115 00:51:56,360 --> 00:52:00,160 Speaker 1: about women. So I told myself, damn, you're right. This 1116 00:52:00,200 --> 00:52:02,080 Speaker 1: is a moment to learn. It's a classic example of 1117 00:52:02,120 --> 00:52:04,520 Speaker 1: a mirror effect. Okay, we look at somebody marrying and 1118 00:52:04,600 --> 00:52:07,440 Speaker 1: displaying the same behavior that you have, and you get 1119 00:52:07,480 --> 00:52:10,040 Speaker 1: to see yourself in a different light. All these Trump 1120 00:52:10,040 --> 00:52:12,319 Speaker 1: comments did was make me want to monitor how I 1121 00:52:12,360 --> 00:52:15,840 Speaker 1: speak to and about women. Now, why are these comments 1122 00:52:15,840 --> 00:52:20,239 Speaker 1: so dangerous coming from Trump? Because power corrupts, and absolute 1123 00:52:20,280 --> 00:52:24,160 Speaker 1: power corrupts absolutely, and Donald Trump is running for the 1124 00:52:24,200 --> 00:52:27,200 Speaker 1: most powerful position in the land. Okay, Donald Trump already 1125 00:52:27,200 --> 00:52:30,279 Speaker 1: has a level of privilege because he's filthy, rich, a 1126 00:52:30,360 --> 00:52:34,160 Speaker 1: reality star, and he's a white male. Okay, those three combinations. 1127 00:52:34,160 --> 00:52:36,080 Speaker 1: What makes him feel like he can sexually assault a 1128 00:52:36,160 --> 00:52:38,480 Speaker 1: woman simply because he can? All right, you don't want 1129 00:52:38,480 --> 00:52:41,160 Speaker 1: to give somebody like that the keys to the largest 1130 00:52:41,200 --> 00:52:44,080 Speaker 1: military in the world. But why are we still surprised 1131 00:52:44,080 --> 00:52:47,200 Speaker 1: that Donald Trump's antics. He's not a politician, He's a 1132 00:52:47,239 --> 00:52:49,799 Speaker 1: reality show star and he's been acting like one this 1133 00:52:49,880 --> 00:52:53,080 Speaker 1: whole time. But we keep putting lipstick on this pig 1134 00:52:53,200 --> 00:52:55,480 Speaker 1: and acting like it's not a pig. He's not a 1135 00:52:55,480 --> 00:52:58,640 Speaker 1: politician just because he's a GOP nominee. It means nothing. 1136 00:52:58,719 --> 00:53:01,240 Speaker 1: I can stand in a garage in a parking space, 1137 00:53:01,400 --> 00:53:03,840 Speaker 1: but that doesn't mean I'm a car. Okay. He's grabbing 1138 00:53:03,960 --> 00:53:06,719 Speaker 1: by the pussycat comments is just the latest brick and 1139 00:53:06,760 --> 00:53:09,440 Speaker 1: a wall of wildness that Donald Trump has been building 1140 00:53:09,520 --> 00:53:11,759 Speaker 1: since this campaign started. And you know why none of 1141 00:53:11,840 --> 00:53:15,040 Speaker 1: this seems to hurt Trump's momentum. You know, because he's 1142 00:53:15,080 --> 00:53:17,879 Speaker 1: not a politician and everybody knows that he's a reality star, 1143 00:53:18,000 --> 00:53:21,080 Speaker 1: we're really not even grading him on the same scale 1144 00:53:21,360 --> 00:53:24,359 Speaker 1: we wore a real politician. This is why I feel 1145 00:53:24,360 --> 00:53:27,040 Speaker 1: sorry for Hillary Clinton, love hater. She is the most 1146 00:53:27,040 --> 00:53:30,360 Speaker 1: experienced person for the presidency. But I feel sorry for 1147 00:53:30,400 --> 00:53:32,040 Speaker 1: her because we have to watch her try to prove 1148 00:53:32,080 --> 00:53:36,239 Speaker 1: herself against the executive producer of Celebrity Apprentice. Watching her 1149 00:53:36,320 --> 00:53:38,520 Speaker 1: debate Donald Trump is like watching Lebron James try to 1150 00:53:38,560 --> 00:53:41,000 Speaker 1: prove to America that he's a great basketball player by 1151 00:53:41,040 --> 00:53:43,719 Speaker 1: playing one on one against Peter Griffin from Family Guy. 1152 00:53:43,920 --> 00:53:46,839 Speaker 1: Like it's not even remotely a fair matchup, but for 1153 00:53:46,880 --> 00:53:49,520 Speaker 1: whatever reason, America has made it that and I don't 1154 00:53:49,600 --> 00:53:53,160 Speaker 1: understand why, but we're here now. If Donald Trump loses 1155 00:53:53,160 --> 00:53:55,959 Speaker 1: this election, this will by farb He's the funniest, most 1156 00:53:56,040 --> 00:53:59,440 Speaker 1: entertaining presidential campaign we have ever seen. But if he wins, 1157 00:54:00,200 --> 00:54:02,280 Speaker 1: this will be no laughing matter. In fact, if Donald 1158 00:54:02,280 --> 00:54:05,360 Speaker 1: Trump wins, on a damn thing be funny. So in November, 1159 00:54:05,480 --> 00:54:07,560 Speaker 1: I want you to go out and vote, Go out 1160 00:54:07,600 --> 00:54:10,640 Speaker 1: and grab this selection by the pussycat, be like Donald Trump, 1161 00:54:10,640 --> 00:54:12,840 Speaker 1: and don't ask for consent when it comes to voting. 1162 00:54:13,120 --> 00:54:16,359 Speaker 1: Grab America's destiny by the pussycat, and let's end this 1163 00:54:16,440 --> 00:54:20,239 Speaker 1: joke called Trump once and for all. Please give Donald J. 1164 00:54:20,320 --> 00:54:25,360 Speaker 1: Trump the biggest see hull. I don't know if you 1165 00:54:25,360 --> 00:54:28,719 Speaker 1: guys saw Giuliani trying to defend him. Awesome, Now you're 1166 00:54:28,719 --> 00:54:31,799 Speaker 1: not even listening to Juliana's nothing to start telling him? 1167 00:54:31,800 --> 00:54:34,400 Speaker 1: Said that, and relax, And yes, I will be monitoring 1168 00:54:34,600 --> 00:54:37,359 Speaker 1: my rhetoric towards women. I will monitor what I say 1169 00:54:37,400 --> 00:54:39,279 Speaker 1: to and about them. And I don't want to hear that. 1170 00:54:39,400 --> 00:54:42,040 Speaker 1: You know, Oh, Charlotte man, you're not running for president. Talk. 1171 00:54:42,080 --> 00:54:43,839 Speaker 1: I don't care if you're running for president. I don't 1172 00:54:43,840 --> 00:54:46,400 Speaker 1: care if you're a radio personality or rapper or barber 1173 00:54:46,480 --> 00:54:49,000 Speaker 1: or garbage man, doesn't matter. We can all do better 1174 00:54:49,120 --> 00:54:51,760 Speaker 1: when it comes to how we talk to and about women. 1175 00:54:51,880 --> 00:54:54,239 Speaker 1: Absolutely well, thank you for that dog in today, sir. Yes, 1176 00:54:54,320 --> 00:54:57,560 Speaker 1: my Hawaiian brother, we found out yesterday that dj v's Hawaiian. 1177 00:54:57,560 --> 00:55:00,480 Speaker 1: By the way, everything we did, we I think he 1178 00:55:00,480 --> 00:55:02,440 Speaker 1: did one of those ancestry tests and we found out 1179 00:55:02,480 --> 00:55:05,080 Speaker 1: he did. Yeah, we found out you Hawaiian. I'm not Hawaiian, 1180 00:55:06,239 --> 00:55:10,880 Speaker 1: So you did that ancestry Testian a Hawaiian. What's it 1181 00:55:10,880 --> 00:55:15,520 Speaker 1: called twenty three? What is it called? Again? I forgot 1182 00:55:16,640 --> 00:55:20,840 Speaker 1: y'all never come to me morning. Everybody is DJ mvy 1183 00:55:20,920 --> 00:55:23,759 Speaker 1: Angela Yee, Charlomagne, the gud We are the breakfast club 1184 00:55:23,840 --> 00:55:28,120 Speaker 1: and she's back, Carol Stern. That's right, that's friend. Now 1185 00:55:28,960 --> 00:55:31,400 Speaker 1: that money, it's right. What we need to do to 1186 00:55:31,480 --> 00:55:34,080 Speaker 1: hit that goal. We need to give and we need 1187 00:55:34,120 --> 00:55:35,800 Speaker 1: to get big. Now we didn't even introduce you some 1188 00:55:35,960 --> 00:55:39,440 Speaker 1: UNI supp she's the CEO. Did I thought you just 1189 00:55:39,440 --> 00:55:44,560 Speaker 1: said she's back? I did? I did? You didn't say? Okay, 1190 00:55:44,600 --> 00:55:47,520 Speaker 1: so you're on the CEO of UNITH. Thank you, okay, 1191 00:55:47,560 --> 00:55:50,560 Speaker 1: thank you? There we go, there we go. Come on, guys, 1192 00:55:50,880 --> 00:55:53,040 Speaker 1: and you need you know, we all had a really 1193 00:55:53,040 --> 00:55:55,680 Speaker 1: good holiday and this is our chance to do something 1194 00:55:55,680 --> 00:55:57,839 Speaker 1: for somebody else. And there are kids around the world 1195 00:55:57,880 --> 00:56:02,240 Speaker 1: today that really need your help. Pound to five keyword 1196 00:56:02,320 --> 00:56:04,480 Speaker 1: unisf make a gift, That's what I mean. This is 1197 00:56:04,520 --> 00:56:06,759 Speaker 1: a great present to actually give someone because can I 1198 00:56:06,840 --> 00:56:10,719 Speaker 1: like donate in somebody else's name? Also, absolutely absolutely you 1199 00:56:10,760 --> 00:56:14,000 Speaker 1: can definitely do that, you know, pound two five keyword 1200 00:56:14,040 --> 00:56:16,080 Speaker 1: Unif you can make a gift in someone's honor. You 1201 00:56:16,080 --> 00:56:18,680 Speaker 1: can make a gift yourself. You can make the difference 1202 00:56:19,000 --> 00:56:21,160 Speaker 1: for child your Christmas past, so you can do it 1203 00:56:21,200 --> 00:56:23,640 Speaker 1: for like a New Year's resolution, a New Year's resolution. 1204 00:56:23,800 --> 00:56:27,680 Speaker 1: That's right. I love that you think people think it's 1205 00:56:27,680 --> 00:56:29,120 Speaker 1: the holiday so that they don't think they can give 1206 00:56:29,160 --> 00:56:31,120 Speaker 1: as much because they've got other things on their mind, 1207 00:56:31,160 --> 00:56:33,440 Speaker 1: like presence and stuff like that. Yeah, you know, I 1208 00:56:33,520 --> 00:56:36,360 Speaker 1: think especially right after Christmas, we're all sitting there with 1209 00:56:36,400 --> 00:56:38,960 Speaker 1: the wrapping paper, you know, wrapping it up, throwing away, 1210 00:56:38,840 --> 00:56:42,359 Speaker 1: they getting it together exactly and the year giving before 1211 00:56:42,400 --> 00:56:44,680 Speaker 1: that little tax break exactly right right at the end 1212 00:56:44,719 --> 00:56:46,960 Speaker 1: of the year, it's gone count for your taxes. That's right. 1213 00:56:47,040 --> 00:56:49,600 Speaker 1: This is the time to do it. And also, you know, 1214 00:56:49,640 --> 00:56:51,359 Speaker 1: I know in my house, I looked around on that 1215 00:56:51,400 --> 00:56:54,359 Speaker 1: morning and I thought, how lucky you're weak. You know, 1216 00:56:54,440 --> 00:56:57,200 Speaker 1: I've got my kids surrounding me. I've got my husband 1217 00:56:57,239 --> 00:56:59,240 Speaker 1: sitting next to me. We're going to have a big dinner. 1218 00:56:59,760 --> 00:57:02,160 Speaker 1: And I know for kids around the world that's just 1219 00:57:02,200 --> 00:57:05,359 Speaker 1: not happening. And donations or you can write it off 1220 00:57:05,360 --> 00:57:07,240 Speaker 1: on taxes for people out there, right, you can totally 1221 00:57:07,239 --> 00:57:09,560 Speaker 1: write it off on taxes and ninety cents of every 1222 00:57:09,600 --> 00:57:12,040 Speaker 1: dollar week collect goes to the children around the world. 1223 00:57:12,120 --> 00:57:13,600 Speaker 1: That it was a rumor that your CEO was making 1224 00:57:13,640 --> 00:57:16,040 Speaker 1: over a million dollars a year. That totally not true, 1225 00:57:16,320 --> 00:57:18,120 Speaker 1: totally not you know, And that rumor said I was 1226 00:57:18,200 --> 00:57:20,160 Speaker 1: driving rolls roy So I'll tell you when that got 1227 00:57:20,160 --> 00:57:22,240 Speaker 1: texted out, I took a picture of me driving my 1228 00:57:22,280 --> 00:57:25,320 Speaker 1: priests and I texted it back and I said, this 1229 00:57:25,360 --> 00:57:28,320 Speaker 1: is how I roll fire your fact checker. And the 1230 00:57:28,400 --> 00:57:30,640 Speaker 1: person who texted that out said that he would make 1231 00:57:30,680 --> 00:57:34,000 Speaker 1: a gift. I'm still waiting stuff make stories come from. 1232 00:57:34,120 --> 00:57:36,280 Speaker 1: I hate stuff like that because I feel like public 1233 00:57:36,280 --> 00:57:40,800 Speaker 1: servants should be treated like that, like teachers. There's people 1234 00:57:40,880 --> 00:57:44,680 Speaker 1: like you, military people. They should be millionaires, like they 1235 00:57:44,720 --> 00:57:47,120 Speaker 1: should be writing around in fanoms and stuff like that too. 1236 00:57:47,120 --> 00:57:49,640 Speaker 1: They would give them money to whatever. But I'm saying 1237 00:57:49,680 --> 00:57:51,640 Speaker 1: we should treat them like that, and I think the 1238 00:57:51,640 --> 00:57:53,280 Speaker 1: services should be free. But that's a whole other story. 1239 00:57:54,880 --> 00:57:56,920 Speaker 1: Well there we go. You know, no, you know, listen, 1240 00:57:57,120 --> 00:57:58,720 Speaker 1: I make a great seller. You can check it out 1241 00:57:58,720 --> 00:58:00,800 Speaker 1: on our nine nineties. It's pub with knowledge. We're a 1242 00:58:00,800 --> 00:58:04,000 Speaker 1: public trust. But at the same time, you know, for 1243 00:58:04,040 --> 00:58:06,600 Speaker 1: people to make up rumors about nonprofits. I don't think 1244 00:58:06,640 --> 00:58:10,360 Speaker 1: they understand when you spread that, right, you you cost lives. 1245 00:58:10,480 --> 00:58:13,240 Speaker 1: You cost actual lives. Person who would have made a gift, 1246 00:58:13,240 --> 00:58:16,800 Speaker 1: who doesn't. One dollar buys enough clean drinking water to 1247 00:58:16,920 --> 00:58:19,480 Speaker 1: keep a kid alive for twenty days. Wow, So we 1248 00:58:19,600 --> 00:58:22,959 Speaker 1: lose one dollar twenty days. Wow. All right, So every 1249 00:58:22,960 --> 00:58:25,480 Speaker 1: gift amount counts, every donation that you can make counts. 1250 00:58:25,640 --> 00:58:27,919 Speaker 1: Right now, we have one day right to meet our goal. 1251 00:58:28,320 --> 00:58:30,720 Speaker 1: One day. One day. We're gonna do it too. Okay, 1252 00:58:30,880 --> 00:58:33,720 Speaker 1: listeners out there, we're gonna do this right now. Tell 1253 00:58:33,760 --> 00:58:38,360 Speaker 1: them a pound two five zero keyword una stuff. Okay, perfect, 1254 00:58:38,360 --> 00:58:39,840 Speaker 1: And you can take what's the minimum you can give. 1255 00:58:40,640 --> 00:58:42,360 Speaker 1: I don't even think there is a manim Oh cool, 1256 00:58:42,440 --> 00:58:45,120 Speaker 1: So they can. They can give a dollar and then 1257 00:58:45,160 --> 00:58:50,520 Speaker 1: give a lot more, the more of the marria. Oh, 1258 00:58:50,560 --> 00:58:52,800 Speaker 1: I throw a stack on it. I'll put a thousand, 1259 00:58:52,800 --> 00:58:56,640 Speaker 1: thousand dollars. I put a thousand dollars. Do amazing. That 1260 00:58:56,640 --> 00:58:59,000 Speaker 1: means we all have to so we move as you 1261 00:58:59,040 --> 00:59:01,920 Speaker 1: guys do. Awesome. Three ran from the breakfast club. Thank you, 1262 00:59:01,960 --> 00:59:04,000 Speaker 1: thank you, thank you, thank you. We don't got to 1263 00:59:04,000 --> 00:59:09,400 Speaker 1: do it to the thirty first, right before you, right 1264 00:59:09,400 --> 00:59:16,880 Speaker 1: now when I get kicked in tomorrow wanting everybody is 1265 00:59:16,960 --> 00:59:20,040 Speaker 1: DJ mvy Angela Yee, Charlottage and the guy. We are 1266 00:59:20,080 --> 00:59:22,880 Speaker 1: the breakfast club. We got a special guests in the building. 1267 00:59:23,000 --> 00:59:25,320 Speaker 1: You didn't crust us out? Tell him? Get it off 1268 00:59:25,320 --> 00:59:28,640 Speaker 1: your chest, Burt Mandy. I ain't talking about because I 1269 00:59:28,840 --> 00:59:31,880 Speaker 1: don't understand the angle like like already, So why I 1270 00:59:31,920 --> 00:59:34,880 Speaker 1: come here? I did it already, I'm here, So what's happening? 1271 00:59:35,040 --> 00:59:37,440 Speaker 1: I mean, it's all good. What I'm saying, what I'm here, 1272 00:59:37,520 --> 00:59:42,040 Speaker 1: what's happening? I'm all good, But I'm saying, why come here? Man? 1273 00:59:42,440 --> 00:59:44,840 Speaker 1: I wanted to see you. I wanted to talk to 1274 00:59:44,840 --> 00:59:47,360 Speaker 1: you on your man and your face. Absolutely, you understand me. 1275 00:59:47,720 --> 00:59:50,040 Speaker 1: I knew a few places you was that I could 1276 00:59:50,040 --> 00:59:51,920 Speaker 1: have pulled up, but I don't think that was thankster. 1277 00:59:52,200 --> 00:59:53,920 Speaker 1: I wanted to come look in your face like a 1278 00:59:54,000 --> 00:59:57,360 Speaker 1: man and tell you how I feel. Okay, straight up 1279 00:59:57,400 --> 01:00:00,760 Speaker 1: like a man. So what did you anyways? The issue? 1280 01:00:00,760 --> 01:00:02,960 Speaker 1: You you'll feel me? I just come to let y'all 1281 01:00:03,000 --> 01:00:06,240 Speaker 1: know stop put some respect on my name. Y'all stand 1282 01:00:06,280 --> 01:00:08,440 Speaker 1: me when y'all saying my name, put some respect on it. 1283 01:00:08,480 --> 01:00:09,920 Speaker 1: Did you did you pull up on ross that way 1284 01:00:10,000 --> 01:00:12,840 Speaker 1: or trick daddy, and I'm pulling up on you. Yeah, 1285 01:00:13,000 --> 01:00:15,120 Speaker 1: I'm the radio guy. I put up on the radio guy. 1286 01:00:15,160 --> 01:00:18,160 Speaker 1: All up with the radio Guyha, y'all, y'all, y'all finish 1287 01:00:18,240 --> 01:00:20,840 Speaker 1: or y'all dumb. I ain't got no more talking. That's 1288 01:00:22,760 --> 01:00:28,840 Speaker 1: all right, yeah, grand over the gradhol All right, Well 1289 01:00:28,880 --> 01:00:32,160 Speaker 1: there you have it. We're good. We're good. Yeah, man, 1290 01:00:32,200 --> 01:00:36,040 Speaker 1: what about on my notes? Were good? That's it? Quick breast, 1291 01:00:36,920 --> 01:00:42,600 Speaker 1: Well that's the breakfast. If you ever good morning, good morning. Well, 1292 01:00:42,640 --> 01:00:44,520 Speaker 1: if you just joined the bird man came up here, 1293 01:00:44,560 --> 01:00:47,640 Speaker 1: the interview didn't go that way. You know what was 1294 01:00:47,640 --> 01:00:52,080 Speaker 1: gonna go that way? From our understanding behind the scenes, 1295 01:00:52,120 --> 01:00:54,400 Speaker 1: he wanted to just come and address some things. He 1296 01:00:54,440 --> 01:00:56,240 Speaker 1: wanted to come, and they said he was excited to come, 1297 01:00:56,280 --> 01:00:58,320 Speaker 1: that he wanted to come talk to us, that he 1298 01:00:58,360 --> 01:01:00,960 Speaker 1: wanted to get some things off the chest, and he did. 1299 01:01:01,040 --> 01:01:03,120 Speaker 1: So let's actually play because we were you know, as 1300 01:01:03,120 --> 01:01:05,240 Speaker 1: soon as you walk into this this room, we start 1301 01:01:05,280 --> 01:01:07,520 Speaker 1: taping immediately because we never because it's always some good 1302 01:01:07,520 --> 01:01:09,960 Speaker 1: stuff before after, and let's play. Let's say this is 1303 01:01:10,000 --> 01:01:12,520 Speaker 1: what happened when Burman as soon as he walk walk there, 1304 01:01:14,160 --> 01:01:17,040 Speaker 1: Yes there, I won't start this, ya straight. All three 1305 01:01:17,080 --> 01:01:20,040 Speaker 1: of y'all stopped playing with my name. Let's go on there, 1306 01:01:20,120 --> 01:01:23,640 Speaker 1: let's go. Stop playing with my name. Do it on camera. 1307 01:01:24,000 --> 01:01:28,000 Speaker 1: Stop playing with my name, with my name, come on, 1308 01:01:28,160 --> 01:01:32,360 Speaker 1: respect it. I playing with my name. All three of y'all, 1309 01:01:32,640 --> 01:01:34,960 Speaker 1: stop playing with my name. I ain't gonna say it, 1310 01:01:35,000 --> 01:01:37,600 Speaker 1: no mope if we go, warning everybody it is DJ 1311 01:01:37,960 --> 01:01:40,520 Speaker 1: m zy Angela Yee trying to me. Now. The reason 1312 01:01:40,560 --> 01:01:42,560 Speaker 1: I kept saying let's go because the cameraman was taking 1313 01:01:42,560 --> 01:01:44,280 Speaker 1: the time. You don't wait, do a good conscience, like 1314 01:01:44,360 --> 01:01:46,480 Speaker 1: let's go. You will not coming here. Cursh us out, 1315 01:01:46,800 --> 01:01:50,480 Speaker 1: We're not gonna get the radio. We would trying to 1316 01:01:50,480 --> 01:01:52,600 Speaker 1: take the quick cameman would taking his time. But what 1317 01:01:52,640 --> 01:01:54,880 Speaker 1: happened with Burtman camera here. He tried to curush us 1318 01:01:54,880 --> 01:01:57,680 Speaker 1: out and shake up the interview before the interview started, 1319 01:01:58,280 --> 01:02:01,480 Speaker 1: thinking that the interview would be but it wouldn't have been. 1320 01:02:01,760 --> 01:02:04,120 Speaker 1: We just still ask the questions we wanted to ask. Well, 1321 01:02:04,120 --> 01:02:05,760 Speaker 1: you try to do the intimidation thing. Came in here 1322 01:02:05,800 --> 01:02:08,640 Speaker 1: with like seven guys, you know, and my thing is yo, 1323 01:02:08,720 --> 01:02:10,840 Speaker 1: anything I've ever said about a person on the radio. 1324 01:02:11,200 --> 01:02:13,600 Speaker 1: I'm gonna say today's face. So I'm thinking, if you're 1325 01:02:13,600 --> 01:02:16,160 Speaker 1: coming here, you coming here to address those issues right 1326 01:02:16,560 --> 01:02:19,200 Speaker 1: that there? To me, that was some suffer that that's 1327 01:02:19,200 --> 01:02:21,440 Speaker 1: anything we do a pre we did, we talk about 1328 01:02:21,440 --> 01:02:23,200 Speaker 1: you or make a comment about you. When you come up, 1329 01:02:23,200 --> 01:02:25,520 Speaker 1: people gonna make that same comment. And like, i' I don't, 1330 01:02:25,560 --> 01:02:27,160 Speaker 1: I don't like. I don't like the coming up here 1331 01:02:27,240 --> 01:02:30,160 Speaker 1: just trying to show out on people. Try to plan 1332 01:02:30,480 --> 01:02:32,400 Speaker 1: to come up here and do certain things. Don't don't 1333 01:02:32,440 --> 01:02:34,240 Speaker 1: don't try to be tough to the radio guys, especially 1334 01:02:34,280 --> 01:02:36,920 Speaker 1: when people like Trick Daddy has been up here. Trick Daddy, 1335 01:02:36,920 --> 01:02:39,320 Speaker 1: you have to say about bird Man, let's I've dumped 1336 01:02:39,360 --> 01:02:42,000 Speaker 1: in this with bird Man. Summer good and Summer's bad. 1337 01:02:42,160 --> 01:02:43,920 Speaker 1: I just think when when you trying to be a 1338 01:02:43,960 --> 01:02:46,360 Speaker 1: CEO and you try to be a rapper, and you 1339 01:02:46,440 --> 01:02:48,600 Speaker 1: try to be a ladies man, and you try to 1340 01:02:48,600 --> 01:02:51,480 Speaker 1: be a girlfriend, and you're trying to be a girlfriend 1341 01:02:52,600 --> 01:02:55,280 Speaker 1: and a blood trying to be a girlfriend a girlfriend. 1342 01:02:55,280 --> 01:02:59,440 Speaker 1: I don't know that's what they see. I got it 1343 01:02:59,520 --> 01:03:05,440 Speaker 1: from the three okay, and Ross was up here between 1344 01:03:05,600 --> 01:03:08,280 Speaker 1: Wayne and him and he spoke about it. What's ledge 1345 01:03:08,480 --> 01:03:11,160 Speaker 1: with Berman? I don't have one with Burdman. For me 1346 01:03:11,200 --> 01:03:14,280 Speaker 1: to see the way things are transpiring, I can't respect that, 1347 01:03:14,360 --> 01:03:16,480 Speaker 1: and I don't respect Have you had that convo with 1348 01:03:16,600 --> 01:03:18,560 Speaker 1: Burdman boss to boss, like you need to treat your 1349 01:03:18,560 --> 01:03:20,880 Speaker 1: people better? Not at all? I mean that's what I 1350 01:03:20,960 --> 01:03:23,440 Speaker 1: wanted to build my team after the way their kids 1351 01:03:23,560 --> 01:03:26,520 Speaker 1: was molding together, the way their family was so for 1352 01:03:26,560 --> 01:03:29,040 Speaker 1: me to see this, that's a no go. They know 1353 01:03:29,080 --> 01:03:31,120 Speaker 1: how I play, Berman know how I get down. He 1354 01:03:31,200 --> 01:03:33,480 Speaker 1: was in Miami a long time. He knows double M 1355 01:03:33,600 --> 01:03:37,640 Speaker 1: active what I'm jealous d j M, d Angela, Yee, Charlomagne, 1356 01:03:37,640 --> 01:03:39,920 Speaker 1: the guy. We are the Breakfast Club. This year is 1357 01:03:39,920 --> 01:03:42,320 Speaker 1: a time of giving, so make sure you donate to 1358 01:03:42,440 --> 01:03:45,560 Speaker 1: UNISEFT to help save children's lives this holiday season. Use 1359 01:03:45,640 --> 01:03:47,880 Speaker 1: your cell phone to die pound two fifty and say 1360 01:03:47,920 --> 01:03:52,360 Speaker 1: the keyword unisapp. That's pound two fifty keyword unisapp to 1361 01:03:52,400 --> 01:03:54,800 Speaker 1: make a donation. The People's Choice Mix is coming up, 1362 01:03:54,840 --> 01:03:57,120 Speaker 1: so get your requests in it. Eight hundred five eight 1363 01:03:57,160 --> 01:04:02,880 Speaker 1: five one oh five one. The Breakfast Club put up 1364 01:04:02,920 --> 01:04:05,960 Speaker 1: y'all as DJ M, vy Angela, Yee, Charlomne and the guy. 1365 01:04:06,000 --> 01:04:08,600 Speaker 1: We are the Breakfast Club. We're standing with Uni Steth 1366 01:04:08,640 --> 01:04:11,240 Speaker 1: to give hope to the children. First. We need you 1367 01:04:11,360 --> 01:04:13,560 Speaker 1: to help make a difference by donating to help save 1368 01:04:13,680 --> 01:04:16,840 Speaker 1: children's lives. Use yourself phone to dive pound two fifty 1369 01:04:16,840 --> 01:04:19,280 Speaker 1: and say the key word Uni Seth. That's pound two fifty, 1370 01:04:19,360 --> 01:04:22,280 Speaker 1: keyword Uni Seth. Join the movement and give this holiday 1371 01:04:22,320 --> 01:04:24,720 Speaker 1: season with the Breakfast Club. What do you think about 1372 01:04:24,760 --> 01:04:27,440 Speaker 1: Birdman's approach? I'm starting the room. I was kind of 1373 01:04:27,440 --> 01:04:29,560 Speaker 1: geeked that because they called me a couple of weeks 1374 01:04:29,560 --> 01:04:31,280 Speaker 1: ago and they said Birdman wanted to do the interview, 1375 01:04:31,280 --> 01:04:33,200 Speaker 1: and I was I was hyped. I was like, that's great. 1376 01:04:33,400 --> 01:04:35,120 Speaker 1: It would be great for the culture, you know, because 1377 01:04:35,120 --> 01:04:36,880 Speaker 1: we don't really get to talk to Birdman and see 1378 01:04:36,880 --> 01:04:38,720 Speaker 1: the history and see everything that's going on for him 1379 01:04:38,760 --> 01:04:41,840 Speaker 1: not paying his artists, alleged league to you know, him 1380 01:04:41,960 --> 01:04:44,600 Speaker 1: kissing Wayne, alleged league to all that stuff. They called 1381 01:04:44,600 --> 01:04:46,440 Speaker 1: me at four in the morning and said, are you 1382 01:04:46,480 --> 01:04:48,640 Speaker 1: gonna be here on this day Birdman wants to come. 1383 01:04:48,840 --> 01:04:51,360 Speaker 1: I said absolutely, because I mean, listen, I have no 1384 01:04:51,400 --> 01:04:54,080 Speaker 1: problem with the confrontation. Confrontations ain't never scared me in 1385 01:04:54,080 --> 01:04:56,320 Speaker 1: no way, shape or form. Anything I said about you 1386 01:04:56,400 --> 01:04:59,080 Speaker 1: on the radio, I'm gonna say to your face. Period. 1387 01:04:59,240 --> 01:05:01,600 Speaker 1: So I wasn't on that, but I thought that it 1388 01:05:01,600 --> 01:05:03,360 Speaker 1: would have went better than that. But I always say, 1389 01:05:03,400 --> 01:05:05,800 Speaker 1: you can never tell somebody how to react. So I 1390 01:05:05,800 --> 01:05:07,800 Speaker 1: can't sit here and say that the way he reacted 1391 01:05:07,960 --> 01:05:10,560 Speaker 1: was wrong. I just don't respect it, because if you 1392 01:05:10,600 --> 01:05:12,800 Speaker 1: got an issue, let's talk about the issue. Don't come 1393 01:05:12,800 --> 01:05:15,080 Speaker 1: in here with seven dude trying to intimidate people. Because 1394 01:05:15,080 --> 01:05:16,919 Speaker 1: you ain't pull up on ross like that. You can't 1395 01:05:16,960 --> 01:05:18,920 Speaker 1: pull up on a trick like that. Don't pull up 1396 01:05:18,960 --> 01:05:21,120 Speaker 1: on the radio guys that can tough. I cannot stand 1397 01:05:21,120 --> 01:05:23,320 Speaker 1: when these artists coming here and try to act tough 1398 01:05:23,560 --> 01:05:25,360 Speaker 1: with us. Go act tough with the people that's out 1399 01:05:25,360 --> 01:05:29,160 Speaker 1: here acting tough. Okay, I don't do that. You got 1400 01:05:29,160 --> 01:05:31,560 Speaker 1: your notes, are prepared, and you was already like. Here's 1401 01:05:31,560 --> 01:05:35,600 Speaker 1: the thing. I don't understand what he's mad about, because 1402 01:05:35,640 --> 01:05:37,240 Speaker 1: I feel like, if you really don't mess with us, 1403 01:05:37,240 --> 01:05:39,000 Speaker 1: then you shouldn't have came up here. I can see 1404 01:05:39,040 --> 01:05:41,440 Speaker 1: why he's mad, but I'm saying you shouldn't have came 1405 01:05:40,840 --> 01:05:44,520 Speaker 1: you And if you are to come up here and confront. 1406 01:05:44,680 --> 01:05:46,680 Speaker 1: If you want to confront, let's have a conversation. Now. 1407 01:05:47,080 --> 01:05:49,480 Speaker 1: I don't feel like I've ever spoken part. I've interviewed 1408 01:05:49,480 --> 01:05:52,600 Speaker 1: Bert Man before we do at my former job. Great interview, 1409 01:05:53,160 --> 01:05:55,240 Speaker 1: and I was very prepared for this one. I had 1410 01:05:55,240 --> 01:05:57,640 Speaker 1: a lot of things we wanted to talk about discuss, 1411 01:05:57,720 --> 01:05:59,760 Speaker 1: but I thought it was gonna be great. But I'm 1412 01:05:59,800 --> 01:06:02,080 Speaker 1: think and maybe in the room of report there's certain 1413 01:06:02,120 --> 01:06:06,800 Speaker 1: things that I don't make up, but maybe I know. 1414 01:06:06,880 --> 01:06:08,560 Speaker 1: For me, I talked about him breaking up in Wayne 1415 01:06:08,560 --> 01:06:10,560 Speaker 1: and then hooking up a thug, you know what I'm saying. 1416 01:06:10,600 --> 01:06:12,840 Speaker 1: We never stopped talking about him kissing Wayne in his mouth, 1417 01:06:13,720 --> 01:06:16,640 Speaker 1: artists that you know, artists, and bills that he allegedly 1418 01:06:16,680 --> 01:06:19,160 Speaker 1: doesn't paid. We've definitely discussed that. You know. I got 1419 01:06:19,360 --> 01:06:21,960 Speaker 1: cast from his people yesterday saying that he was upset 1420 01:06:22,000 --> 01:06:23,800 Speaker 1: because he feels like whenever I say things like why 1421 01:06:23,840 --> 01:06:25,800 Speaker 1: would you sign with bird Man, don't say nobody and 1422 01:06:25,920 --> 01:06:28,840 Speaker 1: messages his business stuff. I can understand that that's understandable, 1423 01:06:28,880 --> 01:06:30,360 Speaker 1: but you know, I didn't care. I wanted him to 1424 01:06:30,400 --> 01:06:31,760 Speaker 1: come up here and cleared up, and me and bird 1425 01:06:31,840 --> 01:06:33,600 Speaker 1: was cool. We were on told with each other. He 1426 01:06:33,680 --> 01:06:35,680 Speaker 1: actually offered me a deal last year to signed me 1427 01:06:35,920 --> 01:06:38,880 Speaker 1: to the cash money. I remember that you're offrom me 1428 01:06:38,880 --> 01:06:41,240 Speaker 1: a deal, and I talked to him about day elect 1429 01:06:41,240 --> 01:06:43,840 Speaker 1: trying to come previously he had wanted to sign him 1430 01:06:43,840 --> 01:06:46,360 Speaker 1: because he's from New Orleans. Also, I don't know. So 1431 01:06:46,440 --> 01:06:49,840 Speaker 1: let's go to the full lord. Hello, who's this yo? Yo? 1432 01:06:50,040 --> 01:06:52,960 Speaker 1: From the d Man? What's straight entertainment? But what do 1433 01:06:52,960 --> 01:06:55,560 Speaker 1: you think about Birdman's approach Man? Was it justified? Yeah? 1434 01:06:55,560 --> 01:06:59,880 Speaker 1: I know he cameras and anything. I mean, you felt 1435 01:06:59,920 --> 01:07:02,320 Speaker 1: like see me in the streets. He should have just 1436 01:07:02,400 --> 01:07:05,200 Speaker 1: kept the interview he had to say. But it's all 1437 01:07:05,240 --> 01:07:08,080 Speaker 1: about entertainments, just like I mean, I'm a broad fan 1438 01:07:08,160 --> 01:07:11,200 Speaker 1: of for Life. But it's entertainment. It's the media industry. 1439 01:07:11,400 --> 01:07:13,760 Speaker 1: It's a disgusting business. I wish you would have cleared 1440 01:07:13,760 --> 01:07:15,320 Speaker 1: everything up. I wish we'd have had the chance to 1441 01:07:15,360 --> 01:07:17,320 Speaker 1: talk to him about all those things. I don't ever 1442 01:07:17,400 --> 01:07:19,600 Speaker 1: want to talk to bird Man. I'm cool on Burdman. 1443 01:07:19,640 --> 01:07:21,960 Speaker 1: He was calling me yesterday trying to get us on 1444 01:07:21,960 --> 01:07:24,080 Speaker 1: the phone. All that. I'm good. I didn't know. I 1445 01:07:24,080 --> 01:07:26,080 Speaker 1: didn't know Burdman before this. I don't need to know 1446 01:07:26,120 --> 01:07:28,760 Speaker 1: Burdman after this. God bless him. I wish him the best. 1447 01:07:28,840 --> 01:07:31,640 Speaker 1: I'm cool on bird Man. I spoke to Burdman after that, 1448 01:07:31,680 --> 01:07:34,160 Speaker 1: and he did apologize and he said he would love 1449 01:07:34,240 --> 01:07:36,680 Speaker 1: to come back up here and talk to us, and 1450 01:07:36,840 --> 01:07:38,320 Speaker 1: he said he wanted to talk to you face to 1451 01:07:38,400 --> 01:07:40,760 Speaker 1: face as well. No, that is that wasn't happening. And 1452 01:07:40,800 --> 01:07:42,440 Speaker 1: they called me for that yesterday too, they wanted to 1453 01:07:42,480 --> 01:07:44,200 Speaker 1: meet face to face. I'm like, nope. He was like, 1454 01:07:44,200 --> 01:07:45,640 Speaker 1: can y'all get on the phone. I'm like, man, let 1455 01:07:45,640 --> 01:07:47,840 Speaker 1: me call y'all back. So y'all are hearing me say 1456 01:07:47,880 --> 01:07:50,160 Speaker 1: it now? I'm cool on burd Man. I don't need 1457 01:07:50,200 --> 01:07:52,040 Speaker 1: to have no conversation with a Burnman. Didn't know him 1458 01:07:52,080 --> 01:07:53,720 Speaker 1: before this, don't need to know him after this. God 1459 01:07:53,760 --> 01:07:57,080 Speaker 1: bless him. Burdman' is it justified? Please? First of all, 1460 01:07:57,120 --> 01:07:59,440 Speaker 1: like Charlemagne said, for you to take this time to 1461 01:07:59,520 --> 01:08:01,800 Speaker 1: come to the radio Statians to address me, that's not 1462 01:08:01,880 --> 01:08:03,880 Speaker 1: being a man. You told him that you've seen him 1463 01:08:04,160 --> 01:08:06,680 Speaker 1: any of the time, but you never addressed him. And 1464 01:08:06,680 --> 01:08:08,959 Speaker 1: the fact that he was addressing all three of you guys, 1465 01:08:09,000 --> 01:08:12,160 Speaker 1: including a female, a little Spanish female, was straight up. 1466 01:08:15,840 --> 01:08:21,519 Speaker 1: The Spanish female. No, I wasn't saying, m va female. 1467 01:08:21,520 --> 01:08:24,680 Speaker 1: I'm sorry. I wasn't saying I would have just said, like, 1468 01:08:25,040 --> 01:08:29,320 Speaker 1: shut up ahead, it's just wat because if you was 1469 01:08:29,400 --> 01:08:30,760 Speaker 1: a man, you would have pulled him to the song. 1470 01:08:30,880 --> 01:08:32,760 Speaker 1: And you've seen them, but you waited until you got 1471 01:08:32,760 --> 01:08:35,439 Speaker 1: on the radio station to say a five second interview 1472 01:08:35,560 --> 01:08:37,840 Speaker 1: like come on, please, God, we ain't worried about you. 1473 01:08:40,479 --> 01:08:45,200 Speaker 1: Just came. Burdman's approach was justified. No, man, not at all. Man, 1474 01:08:45,800 --> 01:08:48,080 Speaker 1: Come on, man, what's you coming at Charlom Man? For man, 1475 01:08:48,360 --> 01:08:49,920 Speaker 1: you know our person, Una Man. We took it with 1476 01:08:50,000 --> 01:08:52,880 Speaker 1: charlom Man. He right across the bridge, Yes, sir, all 1477 01:08:52,960 --> 01:08:56,080 Speaker 1: right bro third, well let's come on the story, guys, 1478 01:08:56,080 --> 01:08:58,000 Speaker 1: come all in the story. Burd Man wasn't wrong because 1479 01:08:58,000 --> 01:08:59,960 Speaker 1: I always tell y'all you can never tell somebody how 1480 01:09:00,000 --> 01:09:02,760 Speaker 1: they should react to a certain situation. But I know 1481 01:09:02,840 --> 01:09:05,160 Speaker 1: for me, I'm cool on burd Man boy. Like I said, 1482 01:09:05,160 --> 01:09:07,240 Speaker 1: he did call after the show and he apologized. He 1483 01:09:07,240 --> 01:09:08,799 Speaker 1: said he wanted to come back home. Did you accept 1484 01:09:08,800 --> 01:09:12,040 Speaker 1: his apology? Nothing bothers me. I don't care. I mean 1485 01:09:12,400 --> 01:09:13,720 Speaker 1: the fact that we was able to get it on 1486 01:09:13,760 --> 01:09:15,840 Speaker 1: the air is what made my song. I left that 1487 01:09:15,920 --> 01:09:18,960 Speaker 1: n act like nothing happened right before the bisland Okay, okay, 1488 01:09:18,960 --> 01:09:20,120 Speaker 1: hold on, I was trying to get it. I was 1489 01:09:20,120 --> 01:09:21,800 Speaker 1: trying to get it on air. Like you, talking behind 1490 01:09:21,800 --> 01:09:23,559 Speaker 1: the scenes does nothing for our listeners. I want our 1491 01:09:23,560 --> 01:09:27,240 Speaker 1: listeners to see everything, every aspect, everything that happens. That's 1492 01:09:27,240 --> 01:09:29,000 Speaker 1: why I was trying to get the cameraman and Harry up. 1493 01:09:29,200 --> 01:09:31,280 Speaker 1: I wouldn't love to know what it is that really 1494 01:09:31,280 --> 01:09:36,160 Speaker 1: in particular has him. I don't care. Practice Charlemagne said 1495 01:09:36,160 --> 01:09:38,680 Speaker 1: that why would you sign the Birdman because because he 1496 01:09:38,720 --> 01:09:40,519 Speaker 1: was like he felt like that messes up his money, 1497 01:09:40,560 --> 01:09:42,599 Speaker 1: because a lot of artists might like I won't sign him. 1498 01:09:42,600 --> 01:09:45,080 Speaker 1: But God, God bless bird Man. I didn't know Burman 1499 01:09:45,200 --> 01:09:47,200 Speaker 1: before this. I don't need to know him after this. 1500 01:09:48,040 --> 01:09:50,240 Speaker 1: No need to call my phone and ask the Holly 1501 01:09:50,320 --> 01:09:55,160 Speaker 1: and all that. I'm cool on Birdman. Five stop. Okay, 1502 01:09:55,320 --> 01:09:57,080 Speaker 1: good luck to him. I wish him the best. He 1503 01:09:57,200 --> 01:09:58,880 Speaker 1: had it. He's had a great life. He will continue 1504 01:09:58,880 --> 01:10:01,200 Speaker 1: to have a great life without the Breakfast Club. But 1505 01:10:01,240 --> 01:10:03,559 Speaker 1: my thing is, don't come here if you really don't 1506 01:10:03,600 --> 01:10:05,800 Speaker 1: want to address issues and get things off your chest. 1507 01:10:06,160 --> 01:10:07,680 Speaker 1: Don't come in here and try to curse us out 1508 01:10:07,720 --> 01:10:10,479 Speaker 1: with seven dude and intimidate people and do the old 1509 01:10:10,479 --> 01:10:13,240 Speaker 1: fake guy in nineteen nineties tough rapper thing. That is whack. 1510 01:10:13,439 --> 01:10:14,720 Speaker 1: He might have been. He just might have had a 1511 01:10:14,720 --> 01:10:16,680 Speaker 1: bad morning man. He might have just who knows. Well, 1512 01:10:16,720 --> 01:10:23,519 Speaker 1: let's pop battles, stupid ass, it's a breakfast club. Good morning, duke,