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Speaker 1: The I Am Rappaport Stereoni Podcast Live and you're down

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Speaker 1: with rapp Report. Yes I am, I'm a Rapperport, Yes

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Speaker 1: I am. I am a Rapperport. Yes I am am

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Speaker 1: a Rapperport. Yes i am better tune in I am

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Speaker 1: Wrapperport dot com because every single podcast you know he

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Speaker 1: drops FROMBS. I've seen him on set a season vet

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Speaker 1: with True Town, catch him on his way to course

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Speaker 1: fit rocking the new balance here it's men to do

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Speaker 1: the track because you know I round the leak, but

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Speaker 1: I'm just waiting for the Roberts. The neural line of

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Speaker 1: the week rightface the Champions hosted Bagel, Cream, Cheese and Lock.

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Speaker 1: This is I Am Rapperport. The show Never Stopped. Might

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Speaker 1: catch the Mountain Public stretching his knees. But if you

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Speaker 1: don't listen to the show, yo, we're gonna please, and

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Speaker 1: we're gonna please, sister Rapport podcast, all right, all right, yes, yes, yes, yes, yes,

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Speaker 1: this is the I Am Rappaport Podcast. And this is

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Speaker 1: Michael Rappaport coming live and mother fucking direct from the

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Speaker 1: Big Apple Live and direct from Money Making Manhattan. And

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Speaker 1: this is the I M Rappaport Podcast Today I'm introducing

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Speaker 1: my sidekick, uh friend of mine since night two. Uh,

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Speaker 1: my friend Gerald G. Moody, Gimo Netti. Yes, yes, he's

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Speaker 1: he's gonna be like my uh my Ed McMahon, my

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Speaker 1: fucking Robin uh st. Well, and then that's saying like

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Speaker 1: I'm the Jordan of this ship. I'm not really the

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Speaker 1: Jordan this ship, this ship, but I appreciate that. Uh so,

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Speaker 1: Uh he's gonna be chiming in. He's one of the

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Speaker 1: funniest people I know, uh, not even a friend, like

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Speaker 1: a brother, very influential in the process of making the

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Speaker 1: trip called Quest movie and when the garden was eating.

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Speaker 1: He's like my silent creative partner under the radar. Gerald

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Speaker 1: is an African American. I'm that brother, and I'm Jewish.

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Speaker 1: And we'll get into some of the quirky ship that

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Speaker 1: we've experienced throughout the years we've had and I know

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Speaker 1: some people like yo, Mike, why the fund is Gerald on?

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Speaker 1: Trust me? Okay, I see some of these yokels, these

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Speaker 1: fucking bozos, they got their sidekicks. I put Gerald up

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Speaker 1: against all the sidekicks on late night TV. Yeah, let's

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Speaker 1: do it. Hell yeah, I ripped. I'll ripped their ass. Kid.

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Speaker 1: Hell yeah, so don't worry Gerald. I co signed Gerald

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Speaker 1: four thousand percent podcast. This is the Iron rapppor Podcast.

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Speaker 1: I'm here with my sidekick Netti. What's your name, ge

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Speaker 1: Mo Netti. I saw this photograph and I said this before. Also,

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Speaker 1: I don't want Hollywood apologizing or explaining themselves a about

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Speaker 1: these hacked emails. Stacy Pascal, she's the co chairman of

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Speaker 1: Sony Studios. Listen, my advice to you is to tell

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Speaker 1: everybody to fucking funck off. You don't have to explain

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Speaker 1: yourself for your private emails and your private stuff. If

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Speaker 1: people are offended, you deal with that privately. But as

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Speaker 1: far as apologizing, Sony, your ship was hacked, it was stolen,

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Speaker 1: I support you a hundred percent. Don't apologize, don't explain shit.

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Speaker 1: What people say in the privacy of their own ship

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Speaker 1: is the privacy of your own of their own ship.

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Speaker 1: It's it's funked up that it got out there. Don't

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Speaker 1: apologize it. And I would hope that Angelina Jolie doesn't

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Speaker 1: feel offended by that either, because I'm sure what the actors.

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Speaker 1: I'll tell you this for a fact, what the actors

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Speaker 1: say about the studio people is way worse than what

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Speaker 1: the studio people say about the actors. Do you understand

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Speaker 1: I'm not fucking privy to what was said about Angela

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Speaker 1: Joelie what it was? Was there anything about her? It

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Speaker 1: was something to the effect of Angelina Jolie being spoiled

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Speaker 1: or something like this. This is this is a private email, right,

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Speaker 1: that's what she said. Yo. Did she say something about

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Speaker 1: them black kids? You know, the black kids should be

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Speaker 1: sucking adopting this ship like they've the accoutrements. No, no,

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Speaker 1: she didn't say anything about the CDC. I want to

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Speaker 1: get into that ship. What do you want to get into?

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Speaker 1: You in Hollywood? Right? How long you've been making movie?

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Speaker 1: Your first movie, Zebrahead, Right, Yeah, I'm in Hollywood since

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Speaker 1: I think you're nineteen. I went out there in eight

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Speaker 1: nine actually, and uh, I'm seeing a lot of these

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Speaker 1: these cats, uh adopting black kids, yes, as if they

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Speaker 1: were Gucci bags. Yo, wait a minute, what what what

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Speaker 1: do you mean, Like, what's what's wrong with that they're

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Speaker 1: adopting they're adopting kids. When you go on the red carpet, right,

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Speaker 1: and you want to outdo everybody, you don't put a

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Speaker 1: dress on. You get a black kid that way, you

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Speaker 1: fucking one up everybody. Oh fuck, And I find that appalling.

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Speaker 1: Why is that? Because you've got white kids in Slovenia

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Speaker 1: and all those war tone countries and fucking a Europe

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Speaker 1: they need help to you coming out here and you're

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Speaker 1: adopting black kids and you putting them in the world.

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Speaker 1: They didn't have no idea. What if they want to

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Speaker 1: go to Freaknick, what if they want to go to

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Speaker 1: these black things you got? You you don't even know

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Speaker 1: about this ship. I don't like it. I don't like it.

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Speaker 1: What about I can't adopt. I can't adopt a white

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Speaker 1: motherfucker though you can, I can't. They're gonna turn my

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Speaker 1: ass down. Oh you Gerald Generald is a black man.

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Speaker 1: You gotta articulate that sometimes because new listeners Mothercker's don't know.

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Speaker 1: All right, check this out, black American Brooklyn, New York, Brownsville,

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Speaker 1: Tyson type ship. All right, go ahead, rap, Oh that's

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Speaker 1: who you. That's your that's your back, that's your pedigree,

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Speaker 1: that's me. Okay, So you think this is this is now,

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Speaker 1: this is an organic conversation that we're having here. I

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Speaker 1: like this. You think that if you try to adopt

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Speaker 1: a white girl, you would have a trouble. Yeah, considering

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Speaker 1: let's say, let's assume all your paperwork, assume I'm a star.

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Speaker 1: Let's assume you're still Smith. You're Will Smith, non threatening

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Speaker 1: black male. Yes, would they get me Laura Ingles? Would

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Speaker 1: you want Laura Ingles? If you were adopting a kid,

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Speaker 1: you be honest, straight up, if you were adopting a kid, Gerald,

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Speaker 1: would you go? You know, what would you naturally think of?

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Speaker 1: Or would you think of the kid or the situation?

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Speaker 1: Like what would you think of? Be like? Yo, you

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Speaker 1: know what, Generald? You everybody must adopt the kid? Would

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Speaker 1: you what would you as a black man or you

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Speaker 1: just as Gerald and a man? Gerald, the black man?

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Speaker 1: Who would you go to adopt? I would go get

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Speaker 1: the kid from uh uh Slovenia, a white kid? Yes?

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Speaker 1: If I'm a star, No you're Gerald? No, I want

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Speaker 1: to be a star, motherfucker. I want to be a star.

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Speaker 1: Okay you so you because Angela Jolie ain't Angelo Jolie.

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Speaker 1: She's a star. She's just would never adopt no negroes

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Speaker 1: if she wasn't a star. Oh you're saying she's only

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Speaker 1: adopting acute tremense. What about Madonna? She has some acute tramens.

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Speaker 1: You go to the red carpet, You got that black

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Speaker 1: baby on your arm. You one up everybody. Do you

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Speaker 1: think they address now? It's articulate the hair, care for

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Speaker 1: for for for little for little girls. See that's another thing.

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Speaker 1: Break that down. So Angela Jolie, how are you getting

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Speaker 1: that little girl hair together? Who are you going to?

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Speaker 1: Brad Pitt don't know ship about braidy little girl's hair.

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Speaker 1: Brad Pitt don't know shit about about black people's hair.

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Speaker 1: You don't know about black people's hair. So how are

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Speaker 1: you going to get that braided? With the beads in it?

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Speaker 1: How are you gonna do it? Where you gonna go?

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Speaker 1: Where do you know to go? Criss Shall South Central?

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Speaker 1: Have you ever been there? No? See, that's the problem. See,

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Speaker 1: and you change them all around and they don't know

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Speaker 1: shit about themselves. See terrible. I ain't with it. This

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Speaker 1: is the Iron Rapperboard Podcast, and we're discussing adoption of

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Speaker 1: white children to black parents and black children the white parents. Obviously,

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Speaker 1: adopting any kid is a great thing. It depends on

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Speaker 1: your intentions. If you're a star. Why the hell are

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Speaker 1: you just going for black children. You can't get no

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Speaker 1: white motherfucker's out there. You can't get the little white babies.

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Speaker 1: They funked up in Slovenia and what's that other they

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Speaker 1: sucked up all over? Why are you only going after

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Speaker 1: the black babies. It's acute trement. It's like a pocket

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Speaker 1: book the little because you're competing with somebody else. So

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Speaker 1: if they got a dress, a dress can't compete with

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Speaker 1: a black child. That's good. That's good, that's really good.

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Speaker 1: I know I understand what you're saying. If you got

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Speaker 1: a red dress and I come out there with a

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Speaker 1: fucking black baby, right T M DIEG will be like, Yo,

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Speaker 1: this mother did everything past. The other thing that happened

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Speaker 1: is me and uh Moody, Me and G Moody. We

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Speaker 1: we we had the privilege, the privilege of going to

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Speaker 1: a Knicks game the other night at Madison Square Garden

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Speaker 1: and sitting on the court courtside, and I'd like to

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Speaker 1: thank you very very It's always a privilege. But when

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Speaker 1: we were leaving the arena, UH gentleman approached me and said, hey,

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Speaker 1: Michael Rappers, I listened to that fucking podcast you do,

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Speaker 1: and the motherfucker started going in about the discussion, actually

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Speaker 1: what you said about the black babies. So this guy

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Speaker 1: was we didn't like. He was offended by the black baby,

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Speaker 1: saying it was a it was a white I who

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Speaker 1: has nephews that are adopted and they're black. And he

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Speaker 1: didn't like the whole thing, and and Gerald intervened, and

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Speaker 1: then the guy was like, oh, Ship straightened him out.

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Speaker 1: So we got approached. I mean, it wasn't a physical

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Speaker 1: approachment all, but the dude did approach and he was hostile.

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Speaker 1: He was cool at first, but then when he said

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Speaker 1: the thing about the black babies, he got offense. And

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Speaker 1: then he went into his fucking pocket and showed me

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Speaker 1: an iPhone picture these three black kids, good looking fucking kids.

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Speaker 1: And Gerald said, yo, man, this is what I meant.

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Speaker 1: And it explained to him what you meant about the

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Speaker 1: black babies being adopted. I had to teach this motherfucker. Uh.

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Speaker 1: I had to give him some clarity. I said, it's

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Speaker 1: a fucking like an accessory. It seems like to me,

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Speaker 1: you know, you go out to fucking Africa, right, but

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Speaker 1: there are fucking kids in Los Angeles that are homeless,

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Speaker 1: and and and they need to be adopted to orfang

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Speaker 1: orphanages in Los Angeles. You can go You don't have

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Speaker 1: to go to the backwoods of Tanzania. You don't have

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Speaker 1: to go to Uganda. You can go right to Los

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Speaker 1: Angeles Street, go right downtown that Los Angeles has an orphanage.

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Speaker 1: It's white monk, it's white cats, it's black cats. You

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Speaker 1: could get the white babies. But you seem to be

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Speaker 1: fixated on going to the back swamps of Tanzania. So

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Speaker 1: what are you doing out there when you can go

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Speaker 1: right to l a and and if you really want

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Speaker 1: a black baby, you love us that much, why don't

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Speaker 1: you just get a black man. Go to Nickinson Gardens,

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Speaker 1: you get pregnant in the lobby. Go to fucking Cabrini

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Speaker 1: Green in Chicago, Robert Taylor Homes. You'll get pregnant in

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Speaker 1: the lobby. Before you get out of the building, you'll

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Speaker 1: ask to be pregnant. So why are you going to

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Speaker 1: the swamps and you're picking these cats up and you

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Speaker 1: don't even know them, and you only see the motherfucker's

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Speaker 1: on the red carpet. You don't see him nowhere else. Well, obviously,

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Speaker 1: let's acknowledge we we you know, we're making light of

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Speaker 1: something that obviously is a very great thing. Obviously, it's

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Speaker 1: a great thing to adopt kids. It's good. You couldn't

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Speaker 1: do more of a giving thing. This is the Iron

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Speaker 1: Wrapperboard podcast. However, you're not watching a CNN report. If

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Speaker 1: you take offense to that because you think that we're

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Speaker 1: fucking we're not understanding that, then I want you to

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Speaker 1: take your fucking take your iPhone and and and smash it.

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Speaker 1: You fuck turn it off, No break your iPhone. You

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Speaker 1: don't deserve an iPhone because you're fucking dumb. You don't. Yeah,

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Speaker 1: you can't listen to it because because obviously we're not serious,

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Speaker 1: serious serious, But why your asses in the back swamps

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Speaker 1: of Tanzania. But so Gerald went on to say this

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Speaker 1: very thing to the guy who approached us as we

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Speaker 1: were leaving Madison Square Garden garden, and the guy's face

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Speaker 1: fucking drop and he was a ghost. He was like,

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Speaker 1: you're right, you're right. I never looked at it like that. Yeah,

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Speaker 1: because why these kids in America that need adopt? So,

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Speaker 1: how you did the white kids feel when you get

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Speaker 1: you all the way across the other side of the globe.

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Speaker 1: You mean other white kids in the orphanage And they

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Speaker 1: say mcdonne walking around right where where we need help?

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Speaker 1: When you down the street right, And why you don't

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Speaker 1: adopt no June? Oh yeah, they don't went through hell too,

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Speaker 1: all right, right, this is the I N. Rappaport Podcast.

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Speaker 1: This is Michael Rappaport. I'm here with my sidekick, longtime friend, collaborator,

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Speaker 1: Gerald Moody. You're like, who the fund is? That don't monetti? Man,

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Speaker 1: they don't know who the funk you are. They're gonna

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Speaker 1: learn now, but they don't know who the funk you are.

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Speaker 1: Now there, but gim Nettie, Gerald g Moody, my sidekick,

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Speaker 1: he's he's a Brooklyn. Listen, don't do the fucking shoutouts,

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Speaker 1: please please go. So Bill fucking Cosby, Ship, Bill fucking Cosby.

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Speaker 1: This fucking guy is in a world of ship. Dr Huxtable,

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Speaker 1: Mr fucking Hide, this fucking guy. Listen. I always say,

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Speaker 1: where there's smoke, there's fucking fire. And these women, there's

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Speaker 1: so many of them. At this point people have stopped

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Speaker 1: counting same stories, pills covered in semen. He must have

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Speaker 1: been he must have been a hell of a shooter,

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Speaker 1: they say, covered in semen? Janice Janice via Janice Dickinson

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Speaker 1: hype ship up even more. What did she say? She said,

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Speaker 1: I woke up and I was covered and seemed covered

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Speaker 1: in semen. And he must have had a nice fucking

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Speaker 1: he must have loads. Man. Yeah, he's a nice shooter.

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Speaker 1: But but I mean, where's Oprah? Aren't they like pals?

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Speaker 1: Why we're still at when that motherfucker's Steadman? Come on out?

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Speaker 1: What Stepman? His friends were? Bill? Yeah? They all they

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Speaker 1: all together, right, Steadman? Bill? And they always talking that bullshit. Right, Yeah,

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Speaker 1: we're together. This and that. YO, say something. If you're

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Speaker 1: going to say something about the good Yo, this is

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Speaker 1: Hugh Hefna said something. What's what do you have? Like?

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Speaker 1: Hearing all this ship about my man is saddening. I'm paraphrasing,

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Speaker 1: you're paraphrase. Were not a totally reliable news source here,

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Speaker 1: So that's good you you said you're you're paraphrase. But

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Speaker 1: I'm speaking to say anything like that, or you just

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Speaker 1: one thing to paraphrase or paraphrase or are you just

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Speaker 1: making that ship up? You can the listeners can check it.

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Speaker 1: I said, I'm sucking paraphrasing but but you Hefner said.

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Speaker 1: What he said, hearing this stuff about a friend is

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Speaker 1: fucking disheartening and saddening along those lines, I don't I'm

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Speaker 1: not verbatim. Yeah no, I know you're paraphrasing, but mine

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Speaker 1: the way I said, hearing this ship about my man, right,

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Speaker 1: it's fucked up. Oh that's what you would say. Yeah, yeah,

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Speaker 1: So but what do you are you surprised about the

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Speaker 1: Bill Cosby ship or yo, I met a girl. I am.

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Speaker 1: I met a girl, you're surprised about it. I met

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Speaker 1: a girl. I was dating this chick, pretty girl, very

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Speaker 1: very beautiful, like a model mulatto looking beautiful. She had

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Speaker 1: done one episode of The Cosby Show in the nines,

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Speaker 1: in the nineties or maybe even the eighties. But I

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Speaker 1: met her in the nineties. I was dating her, I said,

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Speaker 1: I was dating the young lady. And she told me

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Speaker 1: that Bill Cosby had her come up to his dressing room.

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Speaker 1: Now this is just what she told me. This could

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Speaker 1: be totally not true, so I don't want anybody trying

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Speaker 1: to sue me. Let's let's see what it sounds like.

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Speaker 1: And he came up to she went to the dressing

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Speaker 1: room and long story short, he said, you know, I

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Speaker 1: have the ability to hypnotize women. And he was like,

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Speaker 1: put your hands up to my hands and he was like,

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Speaker 1: you know, doing them home when she was like and

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Speaker 1: Bill Cosby was like, this is what she told me.

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Speaker 1: Bill Cosby was like, do you feel that yet? And

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Speaker 1: she was like, fuck no, I don't feel anything. Yeah,

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Speaker 1: And and anyway, he was trying to do the old

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Speaker 1: I could hypnotize you, you know, and the next thing

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Speaker 1: you know, he's got his fucking low fout cock out. Yeah. See, yeah,

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Speaker 1: you always got. The word loaf will get thrown into

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Speaker 1: every one of the I m Rappabre podcast. You know why,

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Speaker 1: because it makes people happy. Gerald I say loaf. It's

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Speaker 1: like it's like, it's like fucking it's like Christmas life.

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Speaker 1: It makes people happy, makes people feel like children. So

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Speaker 1: Bill Cosby bait. Long story short, Bill Cosby tried to

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Speaker 1: take a run of this chick. Now. She told me

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Speaker 1: she didn't. She didn't go for the bait. No pun intended,

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Speaker 1: but she said he tried to. He tried to smi

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Speaker 1: ash but and it's it's it's fucking it matches how

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Speaker 1: he gets down. He's fucking giving women pills. You're a celebrity.

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Speaker 1: You're a sick fuck I wish I could be a

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Speaker 1: fucking celebrity. I won't give no bitches, no pill you.

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Speaker 1: I'm just a hre buttass naked. That's Gerald, that's the

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Speaker 1: motherfucker being that movies and ship right here, sitting my

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Speaker 1: ass down, No pills, you wanna you wanna come over here? Fuck,

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Speaker 1: let's do it. In in my twenties, you used to

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Speaker 1: tell me why do you you used to Gerald used

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Speaker 1: to try to encourage me. I now I have a girl.

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Speaker 1: Now we're we're older. But he used to encourage me

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Speaker 1: when when you date women, why do you even go out?

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Speaker 1: He thought, just because you're a working celebrity actor that

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Speaker 1: I should I should be naked. This is when you suggested,

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Speaker 1: why do you have clothes on? Like you should be

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Speaker 1: but ass snakes, I could never be on TV because

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Speaker 1: my my thing was for the average guy. You gotta

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Speaker 1: go through a lot of ship. You gotta fucking spit

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Speaker 1: ship that you don't really feel. You mean, if you're

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Speaker 1: trying to get a girl, trying to get a girl,

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Speaker 1: So if you're a celebrity, all that ship is in

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Speaker 1: the fucking toilet. All I gotta do is look at

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Speaker 1: your ass? Right? You know who I am? Right, come

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Speaker 1: to the crib. Ain't no, hey, let me get your number.

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Speaker 1: I'll call you. Let's go out. I'm fucking Michael Rappaport, right,

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Speaker 1: and I'm naked. So if you were Michael Rapport, if

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Speaker 1: Gerald Moody, or if you were Bill Cosby, no pills,

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Speaker 1: they will say those women would say that's a nice man.

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Speaker 1: But why would they say that? Because you come into crib,

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Speaker 1: we're having a good time. Give you no fucking why

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Speaker 1: gotta knock your ass out right? Right? Then? I'm praying

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Speaker 1: on you, right, That's why he's a ship bag. Bill Cosby? Yes,

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Speaker 1: damn you gotta prey on women and you're Bill Cosby,

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Speaker 1: so why so? But with fame and celebrity comes women, right,

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Speaker 1: So you're sick if you think you need to give

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Speaker 1: them pill? Was he giving them pills to get the ass?

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Speaker 1: Or was he doing the pill thing because he likes

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Speaker 1: fucking like you know, zombie, that's what he's into. Yeah,

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Speaker 1: I gotta be like, oh, ain't moving, Yeah, they're not

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Speaker 1: fucking moving. You're sick. You see, nobody wants that. Don't

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Speaker 1: you want to hit that ass? We'm like, yeah, baby, yeah,

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Speaker 1: if right, you want to talk, right, every fucking guy

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Speaker 1: wants to talk. He wants a dead bitch, right, alright, alright, alright, alright, Okay,

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Speaker 1: this is Michael Rappaport and we're back more from the

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Speaker 1: I Am Rappaport podcast. I'm with my partner in crime,

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Speaker 1: my sidekick, Fuck you, Ed McMahon. Is that mcmanstill alive?

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Speaker 1: I don't think so. I saw him in Slaughter with

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Speaker 1: Jim Brown seventy three. I don't, I don't. I don't know.

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Speaker 1: I know, I know, I know, but is he's not?

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Speaker 1: So you don't know if he's so, Like we we

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Speaker 1: don't have. This is not a factor based show. I

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Speaker 1: want to make make that clear. Yeah, we don't fucking

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Speaker 1: search for no facts. We fucking just say like you

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Speaker 1: would say to your man on the street, Yo, is

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Speaker 1: that motherfucker a lot? No? I don't know. No, I

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Speaker 1: don't know so that that that could be either or anyway.

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Speaker 1: So I'm here with my partner g Moody, a k.

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Speaker 1: The black Ed McMahon Black McMahon. Right, that's good and uh,

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Speaker 1: if you guys missed the last Iron Rapports podcast, I

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Speaker 1: introduced my side kick, my partner in crime, partner in rhyme,

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Speaker 1: my friend since we met. He's from the Brownsville section

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Speaker 1: of Brooklyn. I am from the East side of Manhattan,

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Speaker 1: Upper East Sido Manhattan. Isn't that crazy? Isn't that crazy?

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Speaker 1: We we we we met and we we'll get into

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Speaker 1: all the all the all the interesting follies that we've

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Speaker 1: been through throughout the years. But he has a point

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Speaker 1: of view. I have a point of view, and I'm

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Speaker 1: bringing him in because, as far as I'm concerned, earned

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Speaker 1: a lot of sidekicks uh in the uh you know, yeah,

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Speaker 1: so Gerald thinks. And I think I can one up

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Speaker 1: them guys. I can fucking ten up. There was guys

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Speaker 1: of them, even though you don't know their fucking names,

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Speaker 1: all of them. Fuck them. I'm the guy. I want this,

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Speaker 1: this show to be friendly for men and women, women

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Speaker 1: and men, all of it. I like big butts, and

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Speaker 1: I cannot lie these other these other brothers, they can't deny.

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Speaker 1: I prefer big asses. And I said on an episode

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Speaker 1: before you joined us, Gerald, that Kim Kardashian one probably

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Speaker 1: the big gass contest of all time. And it's ironic

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Speaker 1: because she's like the Larry Bird of She's like the

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Speaker 1: fucking Chris Mullen of asses or the Dirk. You get

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Speaker 1: what I'm saying. This is a white girl. I have

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Speaker 1: to disagree with you, my friend. Okay, why you can

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Speaker 1: see asks like that on the train subway Chicago, New

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Speaker 1: York and uh, she puts ship in her ask to

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Speaker 1: get it like that? Oh, I didn't know that. Do

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Speaker 1: you think that that's not her real ass? Because if

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Speaker 1: that's not her real ass, she immediately gets taken off

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Speaker 1: my list. Because I've never felt a fake ass, and

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Speaker 1: I honestly don't want to. Because the times in my

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Speaker 1: life where I have felt fake breasts on women, ninety

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Speaker 1: nine point nine percent of the time, I did not

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Speaker 1: know they had fake breast until I felt them. And

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Speaker 1: and how I feels it's alarmingly hard and unnatural. And

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Speaker 1: I have felt the best ones that you could get

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Speaker 1: and the skin and you feel and you can tell

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Speaker 1: artificial that it's fake immediately. And and it's shocking because

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Speaker 1: because if I had a fake loaf, if I had

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Speaker 1: a fake dick or in a dick attachment, it would

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Speaker 1: feel different. So if if I was to take out

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Speaker 1: my loaf, that woman and and and then She's like, wow,

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00:26:28,960 --> 00:26:31,840
Speaker 1: that looks good. Because the fake breast, if they're done well,

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Speaker 1: they'll look good. But what what once you really see

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Speaker 1: them from all the different angles? You see, I don't

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Speaker 1: care that you're always gonna tell that they don't look natural,

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Speaker 1: because even the nicest of the nice natural big breast,

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Speaker 1: they have flaws. That's so if I had a fake

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Speaker 1: dick and and the girl was like, you know, we

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Speaker 1: were we were you know, I don't want to be

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Speaker 1: too vulgar, and she she she touched my my fake

399
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Speaker 1: my fake dick, how she know that it was fake

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Speaker 1: because the same way I would know that the breasts

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Speaker 1: are fake? You know immediately? Have you ever touched fake breast? Gerald? Yes,

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00:27:09,480 --> 00:27:11,800
Speaker 1: I think so? What do you mean you think so? No?

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00:27:12,119 --> 00:27:14,840
Speaker 1: I mean she feel hard. I mean we we feel

404
00:27:14,880 --> 00:27:20,320
Speaker 1: so fast ship you have you or have you ever

405
00:27:20,400 --> 00:27:23,919
Speaker 1: not felt fake tits? Because I have to think, so, Okay,

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00:27:23,920 --> 00:27:25,919
Speaker 1: you think so, But I have no for sure that

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00:27:25,960 --> 00:27:29,000
Speaker 1: I have felt fake breast and they are they don't

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Speaker 1: make me comfortable. That's what I'm saying. Okay, and and

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00:27:31,840 --> 00:27:34,600
Speaker 1: and and once I touched them once, I never touched

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Speaker 1: them again. So you're saying, wait, what do you mean,

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Speaker 1: I'm saying, I've been with women that I've been with

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Speaker 1: intimately more than once, and once I feel that you

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Speaker 1: have fake breast, I will not touch them again. Do

414
00:27:46,119 --> 00:27:51,280
Speaker 1: you understand what I'm saying? Why? Because because they're harder

415
00:27:51,320 --> 00:27:54,600
Speaker 1: than usual, they don't feel normal. You're you're I feel

416
00:27:54,640 --> 00:27:58,280
Speaker 1: like the woman is probably always conscious that I am

417
00:27:58,359 --> 00:28:00,800
Speaker 1: touching a fake breast, and I know I am always

418
00:28:00,840 --> 00:28:03,240
Speaker 1: conscious that I am touching a fake press. So so so,

419
00:28:03,240 --> 00:28:06,359
Speaker 1: so the point being is, why can't I get a

420
00:28:06,400 --> 00:28:10,720
Speaker 1: fake dick? Is that okay? I would think because you

421
00:28:10,840 --> 00:28:18,800
Speaker 1: hold it unusual? Yeah, right, if you got to grab

422
00:28:18,840 --> 00:28:22,480
Speaker 1: it right now, you know it's harder than it's it's

423
00:28:22,600 --> 00:28:26,080
Speaker 1: it's fake. It's a fake dick. So you're touching fake

424
00:28:26,119 --> 00:28:29,560
Speaker 1: tits and it's harder than usual. So if you're gonna

425
00:28:29,600 --> 00:28:33,720
Speaker 1: touch a fake cock, it gotta a fake loaf. It

426
00:28:33,800 --> 00:28:37,320
Speaker 1: gotta be harder than it gotta be harder than usual.

427
00:28:37,480 --> 00:28:40,560
Speaker 1: So you get amp, you get moved. Problem, Nah, man,

428
00:28:40,600 --> 00:28:42,640
Speaker 1: they're gonna know it's fake. And once you know what

429
00:28:42,840 --> 00:28:45,160
Speaker 1: the point of the conversation wasn't supposed to be about

430
00:28:45,160 --> 00:28:49,800
Speaker 1: fake tits or fake loafs. The point of the conversation

431
00:28:50,080 --> 00:28:56,320
Speaker 1: was originally about fakes, which is a whole new phenomenon,

432
00:28:57,200 --> 00:29:00,200
Speaker 1: and and and and we initially we're talking about him

433
00:29:00,240 --> 00:29:04,640
Speaker 1: Kardashian and her world famous ass. And Gerald is saying

434
00:29:04,680 --> 00:29:08,600
Speaker 1: that if you go on the subway, like the six train,

435
00:29:08,840 --> 00:29:11,960
Speaker 1: remember Jim train, the two train to go up to

436
00:29:12,000 --> 00:29:15,040
Speaker 1: the Bronx and go through Brooklyn, you can see an

437
00:29:15,080 --> 00:29:19,240
Speaker 1: ass like that every five seconds, you know. And these

438
00:29:19,280 --> 00:29:22,280
Speaker 1: motherfucker's is getting all gas sed up over this chick. Yo,

439
00:29:23,840 --> 00:29:28,280
Speaker 1: Just fucking ride the train. Go to Chicago, go to

440
00:29:28,360 --> 00:29:31,520
Speaker 1: fucking uh this one. You go to Dagastinos in New

441
00:29:31,600 --> 00:29:34,360
Speaker 1: York City. If you go to a supermartic called Dagastinos

442
00:29:34,480 --> 00:29:41,040
Speaker 1: or Pioneer Pioneer. If you want to submit food, if

443
00:29:41,040 --> 00:29:43,600
Speaker 1: you want to see some of the best asses in

444
00:29:43,640 --> 00:29:47,880
Speaker 1: New York City, go out go to those supermarkets and

445
00:29:47,920 --> 00:29:51,400
Speaker 1: you will see. This is a tip if you like

446
00:29:51,600 --> 00:29:58,840
Speaker 1: to see beautiful women with nice asses fat asses, but

447
00:29:58,880 --> 00:30:01,600
Speaker 1: I say fat meaning good like Russell run DMC said

448
00:30:01,800 --> 00:30:05,120
Speaker 1: bad meaning bad, not bad meaning good fat asses man

449
00:30:05,280 --> 00:30:08,600
Speaker 1: fat asses meaning fat assis meaning fat assis meaning good,

450
00:30:08,800 --> 00:30:13,760
Speaker 1: good good. Go to shapely nice in New York City.

451
00:30:14,280 --> 00:30:21,360
Speaker 1: Guarantee you this is where you go, Da Gastino's, Fine Fair,

452
00:30:22,840 --> 00:30:33,560
Speaker 1: met Food Pioneer, uh Stu Leonards. These are all grocery

453
00:30:33,600 --> 00:30:36,800
Speaker 1: stores in New York City. They're not like Whole Foods,

454
00:30:36,880 --> 00:30:40,320
Speaker 1: and they're not like Trader Joe's. They are local supermarkets

455
00:30:40,360 --> 00:30:43,440
Speaker 1: that are in New York City. That would be what

456
00:30:43,640 --> 00:30:46,440
Speaker 1: you see the when you see them, Kim Kardashian type

457
00:30:46,440 --> 00:30:50,240
Speaker 1: ask but you don't see if you see the original

458
00:30:50,360 --> 00:30:53,560
Speaker 1: and you see the real right where you'd be like turning.

459
00:30:53,920 --> 00:30:58,440
Speaker 1: You know, we need to sponsor a MS Fat Ass

460
00:30:58,440 --> 00:31:01,920
Speaker 1: of New York City, MS Pie, Miss Pioneer, hell you

461
00:31:02,240 --> 00:31:06,280
Speaker 1: a supermarket Ass contest. The I. M. Rapp Report is

462
00:31:06,280 --> 00:31:09,640
Speaker 1: looking for sponsors to do the Supermarket Ass Contest. And

463
00:31:10,160 --> 00:31:13,040
Speaker 1: it's gonna be totally dignified and respectful, and we're gonna

464
00:31:13,040 --> 00:31:15,160
Speaker 1: give away some money to some of these girls, and

465
00:31:15,200 --> 00:31:17,520
Speaker 1: we're gonna do some other ship. That's a good idea

466
00:31:17,760 --> 00:31:20,800
Speaker 1: and everybody would love to see it. They would love

467
00:31:20,840 --> 00:31:23,160
Speaker 1: to see it because God gives them the masses. So

468
00:31:23,680 --> 00:31:27,200
Speaker 1: and it's for us to look. Why else you gotta ask?

469
00:31:27,320 --> 00:31:30,120
Speaker 1: It looked like that? Man, That's a good point. Why

470
00:31:30,160 --> 00:31:33,080
Speaker 1: else do you gotta ask? The shape like that? So

471
00:31:33,120 --> 00:31:35,880
Speaker 1: I can turn around. Yeah, there's no other reason why

472
00:31:35,880 --> 00:31:38,320
Speaker 1: God would he wants you to look at the ass, right,

473
00:31:38,720 --> 00:31:41,920
Speaker 1: He's not doing He's not putting those asses on the

474
00:31:41,960 --> 00:31:44,560
Speaker 1: planet for them not to be looked at. It just

475
00:31:44,600 --> 00:31:47,880
Speaker 1: like a beautiful sky should be looked at exactly. That's

476
00:31:47,880 --> 00:31:50,440
Speaker 1: why the shape painting should be looked at. That's why

477
00:31:50,440 --> 00:31:53,040
Speaker 1: it shaped like that, or a beautiful car, a beautiful

478
00:31:53,080 --> 00:31:56,120
Speaker 1: piece of art, or a beautiful building, a beautiful piece

479
00:31:56,120 --> 00:31:59,920
Speaker 1: of architecture, a fat ass. So when I highlight it,

480
00:32:00,120 --> 00:32:04,520
Speaker 1: why not? But you know why they can't hide. We're

481
00:32:04,520 --> 00:32:07,360
Speaker 1: gonna highlight in the contest. We're gonna we're gonna do

482
00:32:07,400 --> 00:32:09,240
Speaker 1: our ship. But they have to hide them on the

483
00:32:09,240 --> 00:32:14,200
Speaker 1: street because guys like us, it's too much. It's too much.

484
00:32:14,600 --> 00:32:16,640
Speaker 1: You can't walk around with that as because you just

485
00:32:17,040 --> 00:32:19,560
Speaker 1: look at it and you'd be like, damn word. All

486
00:32:19,600 --> 00:32:22,920
Speaker 1: you say is word, like in your mind used to

487
00:32:22,960 --> 00:32:28,080
Speaker 1: be like word. We don't get on a Bill Cosby

488
00:32:28,160 --> 00:32:30,120
Speaker 1: type ship. No, No, no, I'm just looking at it

489
00:32:30,160 --> 00:32:32,600
Speaker 1: like it's like like it's like art art. I'm not

490
00:32:32,640 --> 00:32:35,680
Speaker 1: I'm not a a fucking animal. I might say, God

491
00:32:35,680 --> 00:32:37,520
Speaker 1: bless you, That's all I might say is that if

492
00:32:37,560 --> 00:32:39,479
Speaker 1: you have a really nice ass at this point in

493
00:32:39,480 --> 00:32:41,840
Speaker 1: my life, at forty four, I'm gonna be honest. I

494
00:32:41,880 --> 00:32:44,480
Speaker 1: will bless a woman. I will say, she'll walk by.

495
00:32:45,360 --> 00:32:48,120
Speaker 1: What I would say and I say, God, bless you.

496
00:32:48,480 --> 00:32:51,600
Speaker 1: And what I would say was like, I just admiring

497
00:32:51,840 --> 00:33:02,000
Speaker 1: God's design. You would say that, I'm just I kicked

498
00:33:02,000 --> 00:33:04,000
Speaker 1: it to a chick like that. You said, what she said,

499
00:33:04,000 --> 00:33:05,880
Speaker 1: why are you looking at me up my ass like that?

500
00:33:06,120 --> 00:33:08,960
Speaker 1: I said, I'm just admiring Gods design because you ain't

501
00:33:09,000 --> 00:33:12,440
Speaker 1: make it? Did You ain't make that ass like that?

502
00:33:12,880 --> 00:33:16,640
Speaker 1: God made that right, and he made it for me.

503
00:33:20,640 --> 00:33:34,160
Speaker 1: You specifically modetti uh learn invest as an online financial

504
00:33:34,160 --> 00:33:38,440
Speaker 1: advice company focused on empowering people nationwide to make smart

505
00:33:38,520 --> 00:33:41,160
Speaker 1: decisions with their money. Do you want to know how

506
00:33:41,160 --> 00:33:44,080
Speaker 1: to aggressively pay down your student loans, learn in Vest

507
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Speaker 1: can help you with that. If you want to know

508
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509
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Speaker 1: to your retirement account, they're on that too. They'll create

510
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Speaker 1: a custom financial plan. Plus, they'll pair you with a

511
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Speaker 1: financial planner to help keep you on track and to

512
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Speaker 1: help keep your money in your pocket where you want

513
00:33:58,600 --> 00:34:01,080
Speaker 1: it to see a s people planning get a fifty

514
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Speaker 1: dollar credit. Go to learn best dot Com Forward slash

515
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Speaker 1: rappaport l E A r n v e st dot

516
00:34:07,240 --> 00:34:10,240
Speaker 1: com forward slash rappaport. Trust me, this is a great,

517
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Speaker 1: great way to help start saving and planning smartly with

518
00:34:13,320 --> 00:34:17,759
Speaker 1: your money. Go to learn best dot Com. Joe, you think?

519
00:34:18,000 --> 00:34:20,319
Speaker 1: Do you think? Gerald? Movie my side? This is the

520
00:34:20,360 --> 00:34:24,680
Speaker 1: Iron Wrap PORP podcast, and I am here with GMT,

521
00:34:24,920 --> 00:34:26,760
Speaker 1: so I need to keep saying my side. I'm just saying.

522
00:34:27,120 --> 00:34:29,520
Speaker 1: I'll keep saying until people knowing, like one more episode

523
00:34:29,520 --> 00:34:31,239
Speaker 1: I'll see in my sidekicks. So they're like, who the

524
00:34:31,280 --> 00:34:34,359
Speaker 1: fuck is Gimoettie. They're gonna know in a few these

525
00:34:34,400 --> 00:34:37,080
Speaker 1: guys feeling himself because when we were at on the street,

526
00:34:37,520 --> 00:34:41,400
Speaker 1: somebody saw us together and I guess they had heard

527
00:34:41,520 --> 00:34:45,960
Speaker 1: the podcast, and they asked for a fucking picture where Gimnettie.

528
00:34:46,000 --> 00:34:50,600
Speaker 1: I said, he right, he right here, right here, and

529
00:34:50,600 --> 00:34:53,160
Speaker 1: and and he got a selfie taken. So now he

530
00:34:53,239 --> 00:34:57,040
Speaker 1: thinks he's fucking Uh. That's it. I'm doing a little good.

531
00:34:57,040 --> 00:34:59,680
Speaker 1: I'm doing I'm doing better than I would, thank you, sir. Yeah,

532
00:34:59,760 --> 00:35:02,040
Speaker 1: he talking about yo. When I get my own show.

533
00:35:02,200 --> 00:35:05,560
Speaker 1: They fuck you, man? What what what do you want

534
00:35:05,560 --> 00:35:09,880
Speaker 1: to say? Oh? Yeah, uh, I think I coined a

535
00:35:09,960 --> 00:35:15,759
Speaker 1: new phrase for this fucking disease. What the fund are

536
00:35:15,800 --> 00:35:21,799
Speaker 1: you talking to? Mom? It's called white girl syndrome. What

537
00:35:21,960 --> 00:35:27,480
Speaker 1: the fund is that? It's when a brother will throw

538
00:35:27,680 --> 00:35:33,240
Speaker 1: his life away just to be with the white girl

539
00:35:33,640 --> 00:35:38,839
Speaker 1: and the girl syndrome, and I have examples. It happens,

540
00:35:39,600 --> 00:35:42,879
Speaker 1: it does happen. I guess fucking O. J. Simpson would

541
00:35:42,920 --> 00:35:47,080
Speaker 1: be the charter member. He's the fucking poster boy because

542
00:35:47,280 --> 00:35:52,360
Speaker 1: ultimately that's where it ends up with you being in prison. Fuck,

543
00:35:53,040 --> 00:35:55,120
Speaker 1: that's like the next like, that's like the bottom of

544
00:35:55,160 --> 00:35:59,040
Speaker 1: the barrel. But what syndrome? So did you did you

545
00:35:59,040 --> 00:36:01,960
Speaker 1: get a patent on that that that name? I am

546
00:36:02,120 --> 00:36:04,839
Speaker 1: petition to government. I'm waiting for a response. You're onto

547
00:36:04,960 --> 00:36:10,120
Speaker 1: something we have? Lamar old him, m lamar old him.

548
00:36:10,600 --> 00:36:13,600
Speaker 1: He had that that that fucking syndrome. Bad. I have

549
00:36:13,680 --> 00:36:19,800
Speaker 1: a fucking friend and he nice family, nice family, beautiful wife,

550
00:36:21,320 --> 00:36:25,759
Speaker 1: and he got this this old mord be off, the

551
00:36:25,880 --> 00:36:28,400
Speaker 1: looking white chip chick that looks like her name is

552
00:36:28,440 --> 00:36:33,200
Speaker 1: Amy or some ship like that, and he threw everything away.

553
00:36:34,000 --> 00:36:37,680
Speaker 1: She wasn't she got a fucking clause in him. She

554
00:36:37,760 --> 00:36:40,960
Speaker 1: could have been a side piece, could have been, you

555
00:36:40,960 --> 00:36:44,840
Speaker 1: could have it for four years. But he decided to

556
00:36:44,960 --> 00:36:49,239
Speaker 1: throw everything away. See that's the ship, the narrative. We

557
00:36:49,360 --> 00:36:52,880
Speaker 1: want to frame it where you throw your life away,

558
00:36:53,040 --> 00:36:56,160
Speaker 1: not a side piece. That's the syndrome, not a side piece.

559
00:36:56,440 --> 00:37:02,560
Speaker 1: You throw it away simply because she's white. Yes, because

560
00:37:02,560 --> 00:37:05,480
Speaker 1: if the same woman was black, she would be the

561
00:37:05,760 --> 00:37:11,520
Speaker 1: side piece, right, But because she's white, and that's psychological

562
00:37:12,040 --> 00:37:15,880
Speaker 1: and that's a syndrome. And I coined the phrase, what

563
00:37:16,040 --> 00:37:20,319
Speaker 1: is it called white girl syndrome? Fuck? Do you have

564
00:37:20,320 --> 00:37:24,040
Speaker 1: any other accounts of this happening? I mean it's it's

565
00:37:24,040 --> 00:37:28,000
Speaker 1: a few, but the names escaped me. But it's pervasive.

566
00:37:29,920 --> 00:37:34,120
Speaker 1: Oh right, what did Chicky Barbera do? He left his girl,

567
00:37:34,640 --> 00:37:38,319
Speaker 1: his wife, she was having twins. He left her in

568
00:37:38,360 --> 00:37:42,759
Speaker 1: the operating room where they're giving the babies, where they

569
00:37:42,840 --> 00:37:49,799
Speaker 1: having the babies. He just has to leave. See, and

570
00:37:49,840 --> 00:37:56,240
Speaker 1: what happened life over disbanded chaos. You with a hot

571
00:37:56,280 --> 00:38:00,920
Speaker 1: thing on the Today's show, and you had the white bra.

572
00:38:01,760 --> 00:38:05,640
Speaker 1: So you're saying that once he left his wife, who

573
00:38:05,680 --> 00:38:11,800
Speaker 1: was black Asian for the white girl. What happened that syndrome?

574
00:38:12,960 --> 00:38:18,680
Speaker 1: Everything goes away everything. So we gotta get a patent

575
00:38:18,719 --> 00:38:21,160
Speaker 1: on this man, because if somebody else fucking patents that

576
00:38:21,160 --> 00:38:25,920
Speaker 1: ship before, you're gonna be piste off. Who else? Who else?

577
00:38:26,360 --> 00:38:31,680
Speaker 1: I'm thinking you tell us listeners, who else? Once they

578
00:38:31,760 --> 00:38:34,880
Speaker 1: got the white chick O J. Simpson took it to

579
00:38:34,920 --> 00:38:38,080
Speaker 1: the next level. He had that syndrome. It got all

580
00:38:38,320 --> 00:38:42,360
Speaker 1: up in his fucking bloodstream. He was chasing that poor

581
00:38:42,400 --> 00:38:49,160
Speaker 1: girl around with a fucking knife. He knifed her and

582
00:38:49,320 --> 00:38:53,359
Speaker 1: my man, damn. But see that's where it gets like

583
00:38:53,360 --> 00:38:56,600
Speaker 1: like that's the that's the bottom of the barrel. But

584
00:38:56,680 --> 00:39:00,000
Speaker 1: you see at the end of the line, it's always

585
00:39:00,200 --> 00:39:05,160
Speaker 1: is danger. Yes, you may be ridding high. Now, didn't

586
00:39:05,160 --> 00:39:07,279
Speaker 1: you say that this this this your friend that that

587
00:39:07,360 --> 00:39:10,480
Speaker 1: happened to she she tried to get him fucking jumped.

588
00:39:10,480 --> 00:39:13,800
Speaker 1: Oh yeah, she's buy some fucking guy named Tyler, some

589
00:39:13,880 --> 00:39:16,719
Speaker 1: white guy named Tyler. If you're gonna get jumped into

590
00:39:16,760 --> 00:39:19,360
Speaker 1: a couple of white dudes and your guy's name is Tyler,

591
00:39:20,040 --> 00:39:23,680
Speaker 1: I'm fucking scared. Fucking like guys are gonna comea fucking

592
00:39:23,760 --> 00:39:27,200
Speaker 1: baseball bats and they're gonna look, kick some fucking ass.

593
00:39:28,000 --> 00:39:31,239
Speaker 1: But the fact that see, you left your wife and

594
00:39:31,360 --> 00:39:36,000
Speaker 1: your family for this white broad because you have these

595
00:39:36,160 --> 00:39:40,320
Speaker 1: lofty fuse of her, which are what what's your fucking

596
00:39:40,640 --> 00:39:45,160
Speaker 1: false because she don't give a ship? Right, but you

597
00:39:46,320 --> 00:39:52,239
Speaker 1: left everything and everything is fucking exploded because you have

598
00:39:52,360 --> 00:39:57,000
Speaker 1: the syndrome. Mm hmm, the fucking syndrome. You don't care

599
00:39:57,040 --> 00:40:01,359
Speaker 1: about ship else all you want. Well, you're a black man.

600
00:40:01,840 --> 00:40:04,160
Speaker 1: We like to speak about race here. What is it?

601
00:40:05,080 --> 00:40:09,160
Speaker 1: What is so fantastic? Well you have to you have

602
00:40:09,239 --> 00:40:15,239
Speaker 1: to understand African Americans in the society, right and slavery,

603
00:40:16,120 --> 00:40:19,239
Speaker 1: you get fun. You couldn't even look at a white woman, right,

604
00:40:20,680 --> 00:40:26,400
Speaker 1: You're being deprived, right like like like oh dea, right,

605
00:40:27,320 --> 00:40:30,439
Speaker 1: we're looking at Oh you get lynched if you could

606
00:40:30,440 --> 00:40:33,279
Speaker 1: only have chocolate ice cream, but hey, maybe I want

607
00:40:33,320 --> 00:40:35,600
Speaker 1: a little fucking vanilla ice cream. No, you can't even

608
00:40:35,680 --> 00:40:38,719
Speaker 1: fucking look at them. You can't look you fuck you can't.

609
00:40:38,880 --> 00:40:44,239
Speaker 1: That transfers too now because it's like that's what you see,

610
00:40:44,760 --> 00:40:47,040
Speaker 1: like they will throw their lives away for the ship,

611
00:40:48,120 --> 00:40:54,520
Speaker 1: that's what I see. That crazy? You get the Wigham please, yes,

612
00:40:55,280 --> 00:40:57,160
Speaker 1: and you know we're keeping up eyes open for them

613
00:40:57,200 --> 00:41:01,120
Speaker 1: people whiling out Wickham please, it's what screaming shout. Get better,

614
00:41:01,440 --> 00:41:03,800
Speaker 1: act right before we put your ship on lass. Do

615
00:41:03,920 --> 00:41:07,000
Speaker 1: yourself a favor, Try to have a little class because

616
00:41:07,400 --> 00:41:10,680
Speaker 1: like rapping who they're having it so save yourself from

617
00:41:10,719 --> 00:41:13,279
Speaker 1: the embarrassment. Safe before your talk or just keep your

618
00:41:13,360 --> 00:41:15,680
Speaker 1: mouth shut because this is I am rappaport and we

619
00:41:15,760 --> 00:41:17,879
Speaker 1: don't give a once. So if you lose your cool,

620
00:41:18,280 --> 00:41:20,400
Speaker 1: you get wickap Please. If you act in a fool

621
00:41:20,760 --> 00:41:23,320
Speaker 1: you get a wiggap police. If you wilding like an idiot,

622
00:41:23,680 --> 00:41:26,200
Speaker 1: wigaed please. If you racked into old ignorant when you

623
00:41:26,320 --> 00:41:28,080
Speaker 1: get a wigga please. If you don't listen to this

624
00:41:28,200 --> 00:41:30,080
Speaker 1: new ship, you get a wigap plee. And if you

625
00:41:30,200 --> 00:41:33,520
Speaker 1: do something stoopid, you getting wickap Please. Get what the

626
00:41:33,960 --> 00:41:37,600
Speaker 1: what the fund is with you? Steve Croft? Are you doing?

627
00:41:38,400 --> 00:41:46,520
Speaker 1: Legendary broadcaster, legendary newsman from sixty Minutes was caught on text.

628
00:41:46,640 --> 00:41:51,560
Speaker 1: Now first I want to say we all need to

629
00:41:51,840 --> 00:41:58,360
Speaker 1: take he'd to what PAULI said in good Fellas. I

630
00:41:58,560 --> 00:42:03,320
Speaker 1: told you to stay off those fucking phones. Yeah that

631
00:42:03,520 --> 00:42:06,279
Speaker 1: was paid phones back then. When Paulie from Goodfellers said

632
00:42:06,360 --> 00:42:10,239
Speaker 1: stay off the fucking phones or house phones. Yeah, it

633
00:42:10,280 --> 00:42:13,400
Speaker 1: wasn't paid phone, it was house phones. But these fucking

634
00:42:13,480 --> 00:42:18,719
Speaker 1: cell phones and the texting and the instagramming. You need

635
00:42:18,800 --> 00:42:22,080
Speaker 1: to get on some good fellas ship because Steve Croft,

636
00:42:22,200 --> 00:42:24,839
Speaker 1: I don't even know how this was happened. He didn't

637
00:42:24,840 --> 00:42:31,040
Speaker 1: do anything wrong illegally, but he was caught freaking off

638
00:42:32,239 --> 00:42:37,719
Speaker 1: and his text messages were made public by uh National Inquiry.

639
00:42:38,400 --> 00:42:42,520
Speaker 1: How they found them, we don't know. But apparently Steve

640
00:42:42,600 --> 00:42:45,200
Speaker 1: Croft lives on the Upper West Side of Manhattan, isn't

641
00:42:45,200 --> 00:42:48,560
Speaker 1: that right? Gerald? And he had himself a nice little

642
00:42:49,160 --> 00:42:55,279
Speaker 1: little dropt sister, sister, lawyer, a lawyer, black girl. How

643
00:42:55,360 --> 00:42:59,120
Speaker 1: old forty one? He's sixty nine. You know. They got

644
00:42:59,239 --> 00:43:03,479
Speaker 1: his text messages, They got pictures of him walking around town,

645
00:43:03,640 --> 00:43:10,520
Speaker 1: gallivanting around town, and he's saying some wild ship to

646
00:43:10,680 --> 00:43:12,880
Speaker 1: this chick. What what? What? What? Was? What were some

647
00:43:12,920 --> 00:43:15,759
Speaker 1: of the things he was saying. He said he was

648
00:43:15,800 --> 00:43:19,360
Speaker 1: in a sexless marriage. If you're in a sexless marriage

649
00:43:20,560 --> 00:43:24,640
Speaker 1: and you go to the side to freak off, you're justified.

650
00:43:24,960 --> 00:43:28,600
Speaker 1: You're justified. And if if you're if you're if you're

651
00:43:28,640 --> 00:43:33,480
Speaker 1: a significant other gets mad, they get wire then please.

652
00:43:36,880 --> 00:43:41,600
Speaker 1: If you're in a sexless marriage and your man gets

653
00:43:41,719 --> 00:43:47,520
Speaker 1: mad because you went off on the side to freak off,

654
00:43:48,160 --> 00:43:52,880
Speaker 1: tell your man what can please. If you're in a

655
00:43:52,960 --> 00:43:58,000
Speaker 1: sexist marriage and you tell your woman, yo, you're not

656
00:43:58,120 --> 00:44:03,040
Speaker 1: giving me no ass You're not giving me no ball washers,

657
00:44:03,800 --> 00:44:08,040
Speaker 1: You're not giving me anything I say to you, wigga,

658
00:44:08,200 --> 00:44:16,360
Speaker 1: Please But Steve Croft, my man was pouring champagne in

659
00:44:16,480 --> 00:44:19,880
Speaker 1: this allegedly. We don't know this may or may not happen,

660
00:44:19,960 --> 00:44:22,520
Speaker 1: you know why, because we don't fact check shit. But

661
00:44:22,960 --> 00:44:26,320
Speaker 1: he has confirmed this. He is confirmed that he was

662
00:44:26,360 --> 00:44:30,960
Speaker 1: in a sexless marriage and he went outside his marriage

663
00:44:31,320 --> 00:44:33,799
Speaker 1: and and and describe some of the stuff that Steve

664
00:44:33,920 --> 00:44:37,359
Speaker 1: Croft is into. The girl said to him, don't work

665
00:44:37,440 --> 00:44:40,520
Speaker 1: too hard this week because I'm aware your grass out.

666
00:44:40,719 --> 00:44:43,000
Speaker 1: She said that to him. That was one of the texts.

667
00:44:44,360 --> 00:44:47,279
Speaker 1: And if a guy is in a sexist marriage and

668
00:44:47,360 --> 00:44:50,160
Speaker 1: he hears that, if he hears don't work too hard

669
00:44:50,239 --> 00:44:53,600
Speaker 1: this week because I'm gonna wear that ass out he's

670
00:44:53,640 --> 00:44:56,720
Speaker 1: been going to that's almost like a threat. That's almost

671
00:44:56,760 --> 00:44:59,160
Speaker 1: a threat. She's gonna tear you up. That's what you

672
00:44:59,239 --> 00:45:01,120
Speaker 1: want to hear, That's what you want to hear, especially

673
00:45:01,160 --> 00:45:05,359
Speaker 1: if you're sixty nine, you're a famous, world famous news man.

674
00:45:06,120 --> 00:45:10,080
Speaker 1: Why shouldn't he get no ass? Why is Steve Croft

675
00:45:10,400 --> 00:45:13,680
Speaker 1: not getting any ass? And he's furious going to sleep

676
00:45:14,640 --> 00:45:18,080
Speaker 1: piste off night after your sisters saying I'm gonna wear

677
00:45:18,160 --> 00:45:21,120
Speaker 1: your ass out and you gotta fucking stroke your loaf

678
00:45:21,400 --> 00:45:25,000
Speaker 1: and your wife is next to you, So he's justified.

679
00:45:25,440 --> 00:45:30,080
Speaker 1: So Steve Croft, you get to say to your wife, Wigga, Please,

680
00:45:30,560 --> 00:45:34,919
Speaker 1: what the fuck do you think about? I'm sixty nine.

681
00:45:35,120 --> 00:45:39,280
Speaker 1: I need to freak off. I'm Steve Croft. I'm sixty

682
00:45:39,600 --> 00:45:43,480
Speaker 1: nine years old and I'm trying to freak off with

683
00:45:43,719 --> 00:45:47,000
Speaker 1: you and you are turning your back to me. So

684
00:45:47,200 --> 00:45:49,799
Speaker 1: what the funk do you expect me to do? I'm

685
00:45:49,800 --> 00:45:52,920
Speaker 1: gonna go find this chick. He was pouring champagne in

686
00:45:53,200 --> 00:45:57,839
Speaker 1: her ass. Wait, how did they not on it? How

687
00:45:57,960 --> 00:46:01,960
Speaker 1: did they verify it? They said that heard in on

688
00:46:02,280 --> 00:46:04,840
Speaker 1: his pointing on the ash cheeks. He was pouring it

689
00:46:05,360 --> 00:46:08,000
Speaker 1: in her like it was filling up gas and then

690
00:46:08,120 --> 00:46:12,799
Speaker 1: as it bubbled out he would drink it. Oh man,

691
00:46:13,320 --> 00:46:16,680
Speaker 1: you like this motherfucker, Steve Croft. I like your style.

692
00:46:17,320 --> 00:46:19,799
Speaker 1: I get nasty like power. Did you want to luck

693
00:46:19,880 --> 00:46:24,360
Speaker 1: chow because that go off the firm joy court, the

694
00:46:24,440 --> 00:46:27,520
Speaker 1: short term water at the last drop, I'm reckon, so

695
00:46:27,640 --> 00:46:30,640
Speaker 1: check it. That's like making mom strip naked and just

696
00:46:30,840 --> 00:46:34,480
Speaker 1: give it. What I said. If you're getting your fucking

697
00:46:34,560 --> 00:46:38,160
Speaker 1: information and any said or any sort of news from

698
00:46:38,239 --> 00:46:40,680
Speaker 1: me and this fucking guy that I'm in here with,

699
00:46:40,800 --> 00:46:45,480
Speaker 1: you got bigger fucking problems, all right, You got way

700
00:46:45,640 --> 00:46:48,880
Speaker 1: fucking bigger problems and me fact checking. If this is

701
00:46:48,920 --> 00:46:53,080
Speaker 1: your fucking news source, the I M. Rappapore Podcast, then

702
00:46:53,200 --> 00:46:57,080
Speaker 1: God bless you man, because this is not a newscast.

703
00:46:58,120 --> 00:47:00,920
Speaker 1: This is not a fucking comedy show. This is not

704
00:47:01,040 --> 00:47:05,040
Speaker 1: a sports show. It's a fucking way of life. This

705
00:47:05,160 --> 00:47:09,319
Speaker 1: is the Iron Rapport podcast. My name is Michael Rappaport,

706
00:47:09,680 --> 00:47:14,920
Speaker 1: and I'm in here with my co host. Get this story.

707
00:47:15,200 --> 00:47:18,800
Speaker 1: This isn't a wigaw please, this is beyond wiga. Please.

708
00:47:20,520 --> 00:47:22,600
Speaker 1: I couldn't even put it's too it's too I have

709
00:47:22,760 --> 00:47:27,400
Speaker 1: too many feelings and and and uh and uh thoughts

710
00:47:27,480 --> 00:47:30,160
Speaker 1: and opinions about the story to even squeeze it into

711
00:47:30,200 --> 00:47:32,080
Speaker 1: a wiga. Please. But when I tell you the story,

712
00:47:32,120 --> 00:47:35,439
Speaker 1: you'll see how it could be its own. This could

713
00:47:35,440 --> 00:47:39,240
Speaker 1: be a spinoff of Wigaw. Please this this story deserves

714
00:47:39,280 --> 00:47:44,040
Speaker 1: its own pilot, like uh, the Breaking Bad pilot, the

715
00:47:44,239 --> 00:47:47,759
Speaker 1: lawyer Saul Goodman. I love that show. You don't watch TV,

716
00:47:47,880 --> 00:47:50,600
Speaker 1: Jal doesn't watch Ship? You ever see Breaking Bad? Hell?

717
00:47:50,719 --> 00:47:55,000
Speaker 1: Fucking bring back like that. There's a twenty one year

718
00:47:55,040 --> 00:47:59,560
Speaker 1: old girl in New Jersey. Okay, a few years ago

719
00:48:01,239 --> 00:48:05,759
Speaker 1: she divorced her parents. Okay, now she's twenty one and

720
00:48:05,920 --> 00:48:09,280
Speaker 1: she has not spoken to her parents and I believe

721
00:48:09,440 --> 00:48:16,680
Speaker 1: ten years. And she wants her parents, who she doesn't

722
00:48:16,800 --> 00:48:19,360
Speaker 1: talk to. This is true. I'm giving you all the

723
00:48:19,400 --> 00:48:21,440
Speaker 1: facts here. You follow me, John, I'm following you. You

724
00:48:23,000 --> 00:48:25,680
Speaker 1: She she wants her parents, who she has not spoken

725
00:48:25,719 --> 00:48:28,880
Speaker 1: to in ten years, to pay for her college at

726
00:48:28,960 --> 00:48:33,920
Speaker 1: Temple University. And the court has ordered in New Jersey

727
00:48:34,960 --> 00:48:38,400
Speaker 1: the parents to pay for it. And the dad said,

728
00:48:38,760 --> 00:48:42,399
Speaker 1: fuck that ship. I'm not paying anything. And they're holding

729
00:48:42,480 --> 00:48:45,120
Speaker 1: him contempt of court and he should be fine a

730
00:48:45,200 --> 00:48:49,920
Speaker 1: hundred dollars a day. This is fact. Chick's name is

731
00:48:50,000 --> 00:48:52,879
Speaker 1: Caitlin Richie. He can't he can't appeal that ship. I'm

732
00:48:52,920 --> 00:48:55,160
Speaker 1: sure he could appeal that. Now. I want to get

733
00:48:55,200 --> 00:49:01,720
Speaker 1: into this. If you're fucking kids don't talk to you, Okay,

734
00:49:01,840 --> 00:49:05,120
Speaker 1: And she's twenty one and she's not spoken to you

735
00:49:05,239 --> 00:49:09,960
Speaker 1: for ten years, so she was what That's what they're saying. Yeah,

736
00:49:10,440 --> 00:49:11,920
Speaker 1: that's what they're saying. That she has You know, it

737
00:49:11,920 --> 00:49:15,840
Speaker 1: couldn't be ten years. It can't be fucking ten years. Okay.

738
00:49:15,920 --> 00:49:18,799
Speaker 1: I said this last week, and I'll say it again,

739
00:49:18,840 --> 00:49:20,760
Speaker 1: and I should say this at the top of every episode.

740
00:49:21,120 --> 00:49:27,200
Speaker 1: This is not a fact checking this story. I could

741
00:49:27,239 --> 00:49:30,120
Speaker 1: have heard this from from the guy downstairs at the garage,

742
00:49:30,239 --> 00:49:33,000
Speaker 1: but I didn't. But I've told stories on the I

743
00:49:33,160 --> 00:49:37,760
Speaker 1: M Rappapor podcast that the fucking pizza guy who delivered

744
00:49:37,800 --> 00:49:40,080
Speaker 1: the Chinese food and the pizza he fucking tells me.

745
00:49:40,160 --> 00:49:42,000
Speaker 1: It could be true, it could be not true. But

746
00:49:42,120 --> 00:49:44,320
Speaker 1: this is a fucking fact. But let me get to it.

747
00:49:45,080 --> 00:49:50,879
Speaker 1: If my kids and I were not speaking and you're

748
00:49:50,920 --> 00:49:53,520
Speaker 1: twenty one, and you make a decision not to speak

749
00:49:53,560 --> 00:49:56,399
Speaker 1: to me, and and and and and this has gone

750
00:49:56,440 --> 00:49:58,840
Speaker 1: on for years, and I haven't done anything to you.

751
00:49:59,600 --> 00:50:04,080
Speaker 1: I'm paying for a fucking thing. I'm not paying for

752
00:50:04,200 --> 00:50:06,799
Speaker 1: a fucking hot dog. I'm not paying for a cup

753
00:50:06,880 --> 00:50:10,319
Speaker 1: of coffee. I'm not paying for your college. This girl

754
00:50:10,440 --> 00:50:12,759
Speaker 1: is beautiful. By the way, this this, this, this, this

755
00:50:13,000 --> 00:50:17,160
Speaker 1: chick go to that strip club. Go to the strip club,

756
00:50:17,320 --> 00:50:18,919
Speaker 1: or you're saying she should go to the ship. Yeah,

757
00:50:19,239 --> 00:50:23,080
Speaker 1: that's how my supposedly right, they pay for their college.

758
00:50:23,239 --> 00:50:28,040
Speaker 1: Right if if, if the pops appeals and the appeal

759
00:50:28,200 --> 00:50:34,040
Speaker 1: is upheld, take your ass to the strip club and

760
00:50:34,200 --> 00:50:36,359
Speaker 1: if you want to finish up school, shake that as.

761
00:50:36,560 --> 00:50:39,399
Speaker 1: Shake that ass. So you're saying that if the girl

762
00:50:40,360 --> 00:50:43,000
Speaker 1: if the fall, if she's not having a functional relationship

763
00:50:43,040 --> 00:50:45,959
Speaker 1: with her father, you need to go. Shake that ass,

764
00:50:46,000 --> 00:50:48,920
Speaker 1: shake that ass and pay that to wish. Why you

765
00:50:49,000 --> 00:50:52,800
Speaker 1: go Why would you go at somebody you haven't spoken

766
00:50:52,880 --> 00:50:56,240
Speaker 1: to in ten years and say now and you divorce

767
00:50:56,320 --> 00:51:00,800
Speaker 1: your parents? Yo, you out of here for that alone

768
00:51:01,360 --> 00:51:04,520
Speaker 1: that you went to through that formal ship. I'm gonna

769
00:51:04,600 --> 00:51:08,760
Speaker 1: divorce my parents. Who fucking wiped your ass, who fucking

770
00:51:08,880 --> 00:51:13,120
Speaker 1: licked the snot out of your nose? These are you

771
00:51:13,200 --> 00:51:17,560
Speaker 1: know your parents? They clean you up when you couldn't

772
00:51:17,600 --> 00:51:21,279
Speaker 1: even fucking sit up, and now you divorce them, and

773
00:51:21,560 --> 00:51:25,719
Speaker 1: now you want them to pay for your colleague. Bitch,

774
00:51:25,800 --> 00:51:33,759
Speaker 1: take your ass to that pole ship. You're gonna give

775
00:51:33,800 --> 00:51:36,279
Speaker 1: me a fucking hard if I was a pops, I

776
00:51:36,440 --> 00:51:40,040
Speaker 1: kicked that ship, yo, you'd say, what if the ship

777
00:51:40,160 --> 00:51:43,640
Speaker 1: your daughter? Your daughter's name is Caitlyn. So you're so

778
00:51:43,920 --> 00:51:46,279
Speaker 1: you're I'm gonna take her to the club and say

779
00:51:46,360 --> 00:51:51,480
Speaker 1: what they go? They go to pole there you go.

780
00:51:52,120 --> 00:51:55,000
Speaker 1: You know you're not getting nothing from me. Ship, Let's

781
00:51:55,080 --> 00:51:58,600
Speaker 1: keep ship real. You know you're not getting nold cash

782
00:51:58,800 --> 00:52:02,560
Speaker 1: from me. But why Dad, When the last time I

783
00:52:02,680 --> 00:52:08,080
Speaker 1: spoke to you, well, I well dad, heah, I'll be Caitlin. Well, Dad, uh,

784
00:52:08,320 --> 00:52:10,680
Speaker 1: you know, I didn't like the way you're treating me,

785
00:52:10,880 --> 00:52:13,160
Speaker 1: and you're always putting pressure on me and telling me

786
00:52:13,239 --> 00:52:16,200
Speaker 1: what to do and who house you with. But I

787
00:52:16,360 --> 00:52:19,520
Speaker 1: understand that now, Dad. But I'm saying that I wasn't

788
00:52:19,560 --> 00:52:21,400
Speaker 1: able to like, you know, when I was in high school,

789
00:52:21,480 --> 00:52:24,160
Speaker 1: like I had that boyfriend and you never let me

790
00:52:24,200 --> 00:52:26,879
Speaker 1: sleep over in this house. I ain't supposed to see.

791
00:52:27,120 --> 00:52:31,600
Speaker 1: See that. That's where the problem lies, where the parents

792
00:52:31,719 --> 00:52:36,279
Speaker 1: are too lenient, right, and so the kids think that

793
00:52:36,440 --> 00:52:40,000
Speaker 1: ship is gravy, that you could do whatever you want. Yeah,

794
00:52:40,360 --> 00:52:44,000
Speaker 1: that is gravy. So now she's talking back to you,

795
00:52:44,320 --> 00:52:49,000
Speaker 1: talking greasy and you can't knock these motherfucker's out right

796
00:52:49,040 --> 00:52:52,200
Speaker 1: because it's different time now, Adrian Peterson shut that down,

797
00:52:52,640 --> 00:52:58,480
Speaker 1: shout out, they get more emboldened. Wait wait so wait

798
00:52:58,520 --> 00:53:00,920
Speaker 1: wait gait wait wait wait wait what then did you

799
00:53:01,000 --> 00:53:04,680
Speaker 1: make that word up? That's the word ship Webster's black

800
00:53:05,160 --> 00:53:09,759
Speaker 1: yo emboldened? Right, So they're being more aggressive towards you.

801
00:53:10,200 --> 00:53:12,960
Speaker 1: So they figured they actually couldn't divorce you like you

802
00:53:13,040 --> 00:53:17,080
Speaker 1: ain't ship? Right, So if i'd ship, why are you

803
00:53:17,239 --> 00:53:24,720
Speaker 1: coming back asking for money? Right? Go to the poll. Ah,

804
00:53:27,680 --> 00:53:35,040
Speaker 1: that's a good one man. That is a fucking good woman. Yo.

805
00:53:35,719 --> 00:53:38,120
Speaker 1: You know what? Uh, you know what? Uh, I'm digging.

806
00:53:38,480 --> 00:53:41,960
Speaker 1: Have you seen these uh the direct TV commercials from

807
00:53:41,960 --> 00:53:46,240
Speaker 1: a man Rob Low? They're funny. He plays like different characters,

808
00:53:46,280 --> 00:53:49,040
Speaker 1: he plays different versions of himself. He's like, you know,

809
00:53:49,200 --> 00:53:52,480
Speaker 1: the the sort of dude Roblow And there's a scrawny

810
00:53:52,640 --> 00:53:58,080
Speaker 1: arm Rob Low. And that fucking guy has not aged

811
00:53:58,520 --> 00:54:00,479
Speaker 1: and he hasn't done anything. He just wanted those dudes.

812
00:54:00,520 --> 00:54:03,359
Speaker 1: He looks the same. He got that big fucking nice

813
00:54:03,520 --> 00:54:08,839
Speaker 1: square jaw and that fucking nice strong chin and head

814
00:54:08,880 --> 00:54:12,840
Speaker 1: of hair, nice strong head of hair. Fucking looks that

815
00:54:13,000 --> 00:54:17,280
Speaker 1: that same waspy knows those those steely, beautiful blue eyes.

816
00:54:18,200 --> 00:54:20,399
Speaker 1: But the first time, I mean Rob Low, when when

817
00:54:20,440 --> 00:54:24,279
Speaker 1: we were kids, he was a star, and he's still

818
00:54:24,320 --> 00:54:26,160
Speaker 1: a star. So I funk with Roblo. I'm a fan

819
00:54:26,239 --> 00:54:28,200
Speaker 1: of his. I'm glad that. You know, when when you

820
00:54:28,440 --> 00:54:30,600
Speaker 1: work for that long, you go through your ups and downs,

821
00:54:30,680 --> 00:54:33,759
Speaker 1: and this guy has went through ups and downs and

822
00:54:33,920 --> 00:54:38,680
Speaker 1: in chapters of his career. Because if you remember, in

823
00:54:38,760 --> 00:54:44,080
Speaker 1: the eighties, Rob Low was the original ray j Yo.

824
00:54:44,840 --> 00:54:47,839
Speaker 1: That's a good way to put it. Rob Low had

825
00:54:47,880 --> 00:54:50,719
Speaker 1: a fun tape and I don't know it was eight

826
00:54:51,480 --> 00:54:55,399
Speaker 1: we don't know, we don't fact check, but if you're

827
00:54:55,400 --> 00:54:58,359
Speaker 1: not familiar with this, Rob Low was a huge star,

828
00:54:58,640 --> 00:55:04,080
Speaker 1: like let's say he was Matt McConaughey, now star, hot, famous,

829
00:55:04,440 --> 00:55:08,440
Speaker 1: on fire, working his ass off, Mega Mega Star. And

830
00:55:08,520 --> 00:55:12,400
Speaker 1: then it came out that Rob Low did a fuck tape.

831
00:55:12,520 --> 00:55:15,000
Speaker 1: It was him and his man and they they did

832
00:55:15,040 --> 00:55:18,040
Speaker 1: a fuck tape and it was him and it apparently

833
00:55:18,120 --> 00:55:20,680
Speaker 1: was an underaged girl I think sixteen or seventeen. He

834
00:55:20,800 --> 00:55:25,359
Speaker 1: was wearing it. And you know Roblo's fox style Yo,

835
00:55:25,560 --> 00:55:29,600
Speaker 1: his fun game, It's insane, And and then the tape

836
00:55:29,640 --> 00:55:31,960
Speaker 1: aired and it was this was like VHS tape. So

837
00:55:32,080 --> 00:55:34,760
Speaker 1: he had one of them big jankie old nineteen eighties

838
00:55:35,040 --> 00:55:38,400
Speaker 1: home video cameras and him and his man had the

839
00:55:38,560 --> 00:55:42,279
Speaker 1: videotape of him and this chick and Rob Low. Yo,

840
00:55:42,920 --> 00:55:45,120
Speaker 1: he had nothing to be ashamed of because he laid

841
00:55:45,160 --> 00:55:48,279
Speaker 1: it down. He he was laying pipe. That's why he

842
00:55:48,360 --> 00:55:50,480
Speaker 1: came back from that. Yeah, that is why he came

843
00:55:50,520 --> 00:55:52,680
Speaker 1: back from it, because he was like a sex symone,

844
00:55:52,800 --> 00:55:54,480
Speaker 1: like yo. I can see why he's a sex symbol

845
00:55:54,560 --> 00:55:56,839
Speaker 1: like the chicks were, like Yo. Even though it's funked

846
00:55:56,920 --> 00:55:59,319
Speaker 1: up that it was with the underaged girl, He's made

847
00:55:59,400 --> 00:56:01,360
Speaker 1: it through the t He's made it through the storm.

848
00:56:01,680 --> 00:56:06,440
Speaker 1: But let's not forget his fucking is official. That's why

849
00:56:06,440 --> 00:56:08,160
Speaker 1: they don't bring it up. They don't bring it up.

850
00:56:09,000 --> 00:56:11,680
Speaker 1: But that tape, Yo, I don't know where it is.

851
00:56:11,719 --> 00:56:13,200
Speaker 1: I don't know if he got the rights, so they

852
00:56:13,320 --> 00:56:15,680
Speaker 1: you know, this is before YouTube, this is before anything.

853
00:56:16,120 --> 00:56:18,440
Speaker 1: So when you heard about that tape and and you

854
00:56:18,560 --> 00:56:21,520
Speaker 1: saw it, you were like, yo, Rob Low is wild man.

855
00:56:22,560 --> 00:56:24,719
Speaker 1: I mean it was like some It was him and

856
00:56:24,800 --> 00:56:26,560
Speaker 1: his man. They were they were in there doing it.

857
00:56:26,800 --> 00:56:29,919
Speaker 1: They were doing it. Where's his man at I don't

858
00:56:29,920 --> 00:56:31,759
Speaker 1: know where's it. You mean his dude that was in

859
00:56:31,840 --> 00:56:34,440
Speaker 1: the tape. I wonder if they're still in contact. I

860
00:56:34,520 --> 00:56:37,960
Speaker 1: wonder if they still put it down. Yo. But Yo,

861
00:56:38,080 --> 00:56:41,000
Speaker 1: shout out to Roblow. I'm a fan of yours. Great

862
00:56:41,080 --> 00:56:44,800
Speaker 1: actor has transformed himself when from a teen heartthrob to

863
00:56:45,800 --> 00:56:49,960
Speaker 1: a twenties working actor thirties for I mean, Roblo is

864
00:56:50,000 --> 00:56:52,759
Speaker 1: like an American icon. He's like a corvette. He'll never

865
00:56:52,880 --> 00:56:55,440
Speaker 1: go out of style and and he you know, he's

866
00:56:55,480 --> 00:56:58,600
Speaker 1: done his thing. But Yo, he was dealing with the

867
00:56:58,680 --> 00:57:01,720
Speaker 1: tsunami of all tsunamis when it comes to bad press

868
00:57:01,880 --> 00:57:05,239
Speaker 1: a fuck tape way before. I think that might have

869
00:57:05,320 --> 00:57:08,319
Speaker 1: been the first fun tape and it was a male

870
00:57:08,560 --> 00:57:12,920
Speaker 1: star laying it down. Yeah, I love. I would love

871
00:57:12,960 --> 00:57:15,040
Speaker 1: to have Rob Low on the Iron Rappaport Pockets. We

872
00:57:15,040 --> 00:57:17,240
Speaker 1: won't even bring up with the don we don't need.

873
00:57:17,320 --> 00:57:24,120
Speaker 1: You know, your work speaks for itself. Podcast listen, Yo,

874
00:57:24,200 --> 00:57:29,080
Speaker 1: Bruce said, Yo, that's it. Bruce is changing his whole ship. Yeah,

875
00:57:29,120 --> 00:57:32,400
Speaker 1: he admitted it. He's coming out. He is changing himself

876
00:57:32,440 --> 00:57:34,600
Speaker 1: as a woman. He said he's doing it slow so

877
00:57:34,960 --> 00:57:41,680
Speaker 1: it doesn't shock his daughter's Bruce Jenner is wild for

878
00:57:41,840 --> 00:57:48,240
Speaker 1: the motherfucking night, Yo, Bruce, Yo, that dude is chill. Man.

879
00:57:49,720 --> 00:57:51,160
Speaker 1: You want to be you want to be a woman.

880
00:57:51,240 --> 00:57:53,760
Speaker 1: So is he gonna have a fucking man? Jina? What

881
00:57:53,920 --> 00:57:56,840
Speaker 1: the fund is he gonna do with his loaf? Yo?

882
00:57:57,360 --> 00:57:59,680
Speaker 1: And he's like seventy man, Yo, why do you want

883
00:57:59,680 --> 00:58:02,960
Speaker 1: to be on the lady? Now? You lived your whole life? Man?

884
00:58:03,000 --> 00:58:06,080
Speaker 1: You want gold medals as a as an Olympic runner

885
00:58:06,120 --> 00:58:08,080
Speaker 1: in the men's division. Like what the fund is wrong

886
00:58:08,080 --> 00:58:11,000
Speaker 1: with you? Man? Yeah? And you know he can get

887
00:58:11,760 --> 00:58:15,400
Speaker 1: his lips. The lips are that's just that's just the

888
00:58:15,480 --> 00:58:18,480
Speaker 1: beginning of the fund. My man is getting He's getting

889
00:58:18,480 --> 00:58:24,040
Speaker 1: a fucking man, Gina. Yo. Speaking of TMZ, we were

890
00:58:24,080 --> 00:58:31,680
Speaker 1: talking the other day about TMZ photographers, TMZ photographers and

891
00:58:32,000 --> 00:58:38,040
Speaker 1: and and I was thinking TMZ needs to hire, needs

892
00:58:38,080 --> 00:58:44,720
Speaker 1: to hire gangster disciples, which are as photographers. People. Let's

893
00:58:44,760 --> 00:58:47,120
Speaker 1: say you've got some gangster disciples that are in jail

894
00:58:47,880 --> 00:58:51,480
Speaker 1: and they look in the fucking uh turn their lives around?

895
00:58:51,680 --> 00:58:54,200
Speaker 1: When when? When when I set up a program so

896
00:58:54,280 --> 00:58:57,040
Speaker 1: where they could be your photographers. And the benefit of

897
00:58:57,120 --> 00:59:00,920
Speaker 1: TMZ hiring photographers that could fund shoot up is that

898
00:59:01,200 --> 00:59:06,400
Speaker 1: you're never gonna get turned down again. You're never gonna

899
00:59:06,440 --> 00:59:10,680
Speaker 1: get jumped by a star again. Kanye ain't rushing them.

900
00:59:11,560 --> 00:59:16,080
Speaker 1: Nobody's rushing them guys. So TMZ, we're saying, and it'd

901
00:59:16,120 --> 00:59:18,680
Speaker 1: be good for the community, it's good for the brand.

902
00:59:19,040 --> 00:59:22,640
Speaker 1: You're helping out of jail, people that are looking to

903
00:59:22,720 --> 00:59:25,200
Speaker 1: turn your job, turn their lives around. You give him

904
00:59:25,200 --> 00:59:30,240
Speaker 1: a camera and you say, go fucking chase all the stars,

905
00:59:30,480 --> 00:59:34,560
Speaker 1: all the stars and then where where where what you got?

906
00:59:35,240 --> 00:59:40,880
Speaker 1: We got no fucking uh uniform? Where are your pants down?

907
00:59:41,000 --> 00:59:42,720
Speaker 1: We're gonna give you the camera and teach you how

908
00:59:42,760 --> 00:59:45,720
Speaker 1: to do it. But where what you got on? And

909
00:59:45,840 --> 00:59:48,200
Speaker 1: you think that will be the end of the stars

910
00:59:48,400 --> 00:59:51,000
Speaker 1: step into the popular they will, they will try to

911
00:59:51,080 --> 00:59:52,960
Speaker 1: rush them, and then they will turn around and be like,

912
00:59:53,120 --> 00:59:57,480
Speaker 1: oh ship, where them curlers? Like you know in l

913
00:59:57,520 --> 00:59:59,200
Speaker 1: A they have the curlers in their hairs. Like so

914
00:59:59,320 --> 01:00:01,760
Speaker 1: you're saying, like straight up criminals like and they're working

915
01:00:01,800 --> 01:00:05,480
Speaker 1: for the TMZ but exactly, and TMC is gonna have

916
01:00:05,560 --> 01:00:09,000
Speaker 1: no problems getting footage anymore everything because they are they're

917
01:00:09,040 --> 01:00:12,640
Speaker 1: they're they're they're great at photography. Because you have taught them.

918
01:00:13,240 --> 01:00:17,520
Speaker 1: But they look the same, and they can function up,

919
01:00:17,880 --> 01:00:21,920
Speaker 1: and they take time life quality pictures, and they're just

920
01:00:22,080 --> 01:00:26,160
Speaker 1: out of prisons, and you have no fucking problem with

921
01:00:26,360 --> 01:00:29,040
Speaker 1: them being in jail and then getting rushed and them

922
01:00:29,080 --> 01:00:33,720
Speaker 1: getting knocked out. Who who's getting knocked out? The photographers

923
01:00:33,800 --> 01:00:37,520
Speaker 1: that you had prior to the Black Peace stolen Rangers?

924
01:00:38,080 --> 01:00:41,160
Speaker 1: Who the fund is that? I think that's a gang. Oh,

925
01:00:41,320 --> 01:00:44,800
Speaker 1: you're gonna have them be the photographers. Anybody who gets out,

926
01:00:45,000 --> 01:00:47,440
Speaker 1: anybody who can function up and who wants to change

927
01:00:47,480 --> 01:00:51,600
Speaker 1: and say, yo, I'm I'm Kanye would go after some

928
01:00:52,120 --> 01:00:56,880
Speaker 1: rough looking photographers. No, do you think Sean Penn would

929
01:00:56,920 --> 01:01:01,320
Speaker 1: go after some thuggish, ruggish photographers If on parents turned

930
01:01:01,360 --> 01:01:05,280
Speaker 1: around and saw a motherfucker with curl is in his

931
01:01:05,440 --> 01:01:16,680
Speaker 1: head photographing him with his pants at his knees, I

932
01:01:16,720 --> 01:01:20,240
Speaker 1: would think he would think the one right before running,

933
01:01:20,240 --> 01:01:24,880
Speaker 1: you're gonna give that fucking interview. I love watching games

934
01:01:25,000 --> 01:01:28,080
Speaker 1: and movies at home with my new Cagurator. While we podcast.

935
01:01:28,360 --> 01:01:30,520
Speaker 1: We always have some fresh beer and wine on tap

936
01:01:30,960 --> 01:01:34,600
Speaker 1: from my personal cagurator. The Cagurator dispenses draft beer and

937
01:01:34,720 --> 01:01:37,520
Speaker 1: keeps a chill turning your office garage game where man

938
01:01:37,600 --> 01:01:41,040
Speaker 1: cave into a brewery or bar equivalent. But it's affordable,

939
01:01:41,160 --> 01:01:43,200
Speaker 1: high end, looks great. Even the woman in your life

940
01:01:43,200 --> 01:01:45,480
Speaker 1: weren't object to it. Beer stays fresh for up to

941
01:01:45,600 --> 01:01:48,320
Speaker 1: ninety days that's three months. Dual taps, so you can

942
01:01:48,360 --> 01:01:51,000
Speaker 1: have two kinds of beers and drinks. You could use

943
01:01:51,080 --> 01:01:54,400
Speaker 1: cold brew, coffee, wine, and even cocktails dual taps. That's

944
01:01:54,440 --> 01:01:56,600
Speaker 1: two sides of the degreator. So a guy and the

945
01:01:56,640 --> 01:01:59,320
Speaker 1: woman in his life, you get what they want. Everybody's happy.

946
01:02:00,040 --> 01:02:03,520
Speaker 1: So many sports events coming up March Madness, Baseball, NBA playoffs.

947
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Speaker 1: It's not too late to get a Cagorator delivered in

948
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Speaker 1: a couple of days. Save off. My favorite Cagreator plus

949
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Speaker 1: received four premium pint glasses at cagurator dot com free shipping.

950
01:02:14,040 --> 01:02:16,280
Speaker 1: This is an incredible deal just for my listeners, but

951
01:02:16,400 --> 01:02:18,440
Speaker 1: only if you use my code wrap report r A

952
01:02:18,600 --> 01:02:21,720
Speaker 1: p A p o RT. Just go to cagurator dot com.

953
01:02:22,080 --> 01:02:24,800
Speaker 1: That's cagurator dot com, click on the microphone at the

954
01:02:24,840 --> 01:02:26,720
Speaker 1: top and enter the code wrap report R A p

955
01:02:26,880 --> 01:02:29,600
Speaker 1: A p o RT. Don't wait, this is an amazing

956
01:02:29,680 --> 01:02:32,120
Speaker 1: offer and it will only be for my listeners. Trust me,

957
01:02:32,240 --> 01:02:39,520
Speaker 1: Me and Gimonetti are loving the Cagurator and you will too. Yeah.

958
01:02:39,560 --> 01:02:42,480
Speaker 1: So this is the I R Wrapper Podcast. I am

959
01:02:42,560 --> 01:02:49,000
Speaker 1: here with my co pilot stal work Monetti, Gerald Moody.

960
01:02:49,600 --> 01:02:53,080
Speaker 1: People are digging you, man. I see it on Twitter. Man. Yeah,

961
01:02:53,200 --> 01:02:55,520
Speaker 1: I don't have a Twitter, but I think I may

962
01:02:55,600 --> 01:02:58,040
Speaker 1: have to get. Oh ship get it. The Twitter account

963
01:02:58,680 --> 01:03:00,920
Speaker 1: we're gonna get. We're gonna start the the next episode,

964
01:03:00,960 --> 01:03:04,400
Speaker 1: We're gonna introduce the Generald Moody g Moody Twitter account.

965
01:03:04,600 --> 01:03:06,920
Speaker 1: And you could you could, you could say you could

966
01:03:07,040 --> 01:03:09,880
Speaker 1: tweet at him. I can. I can answer these mother beckers.

967
01:03:09,920 --> 01:03:13,760
Speaker 1: I see they kind of incendiary on that motherfucker. I

968
01:03:13,800 --> 01:03:16,120
Speaker 1: don't like how they're coming at you. Rap. Hey, listen,

969
01:03:16,200 --> 01:03:18,640
Speaker 1: it's Twitter, and you know what, you could come at me.

970
01:03:19,560 --> 01:03:22,800
Speaker 1: That's what I'm there for. But I'm gonna come back,

971
01:03:22,960 --> 01:03:26,120
Speaker 1: you fuck because I get paid to do this. See.

972
01:03:26,600 --> 01:03:29,640
Speaker 1: That's what people don't understand is that I ship talk

973
01:03:30,720 --> 01:03:33,920
Speaker 1: for a living and I've been shipped talking. Here's the

974
01:03:34,000 --> 01:03:38,160
Speaker 1: reality of the situation. I'm gonna give you a little history.

975
01:03:39,520 --> 01:03:46,360
Speaker 1: I spent a lot of time in the ghetto that's

976
01:03:46,400 --> 01:03:48,880
Speaker 1: the fact, and and then you're gonna be like, what

977
01:03:48,960 --> 01:03:50,800
Speaker 1: the kind of thing is that to say? Here's Here's

978
01:03:50,800 --> 01:03:53,840
Speaker 1: my point is when I was twelve, my two best friends,

979
01:03:53,960 --> 01:03:57,320
Speaker 1: Gerald and Randy. Randy's from Harlem, Gerald from Brownsviels section

980
01:03:57,360 --> 01:04:01,160
Speaker 1: of Brooklyn. We all loved basketball and I would go

981
01:04:01,240 --> 01:04:02,959
Speaker 1: to their house and they would go to my house.

982
01:04:03,400 --> 01:04:06,760
Speaker 1: But at the time, a white kid going around there

983
01:04:06,960 --> 01:04:12,040
Speaker 1: this was unusual. You either had to be known, liked,

984
01:04:12,440 --> 01:04:16,360
Speaker 1: be able to fight, be a drug dealer, be a rapper,

985
01:04:16,760 --> 01:04:19,640
Speaker 1: or be a straight nerd or be a ship talker.

986
01:04:20,480 --> 01:04:22,840
Speaker 1: I was a good enough basketball player. I could shoot,

987
01:04:23,960 --> 01:04:26,400
Speaker 1: I could play the game. Wasn't a bit ch ask dude,

988
01:04:26,480 --> 01:04:28,640
Speaker 1: And people were surprised that she even came out there.

989
01:04:29,040 --> 01:04:30,680
Speaker 1: And I just got married point just because I came

990
01:04:30,680 --> 01:04:34,760
Speaker 1: out there. Because if you if you don't know Brownsel,

991
01:04:34,920 --> 01:04:38,400
Speaker 1: go there now check it out. A mile of projects,

992
01:04:38,440 --> 01:04:40,560
Speaker 1: a mile of projects. Now I'm not saying like, oh

993
01:04:40,640 --> 01:04:42,800
Speaker 1: I'm so cool, I'm tough. It doesn't make me tough.

994
01:04:42,920 --> 01:04:46,320
Speaker 1: I wasn't tough. What I could do is I could

995
01:04:46,360 --> 01:04:50,200
Speaker 1: snap and make mother's last. Snapping is like being able

996
01:04:50,240 --> 01:04:52,560
Speaker 1: to fight. Because they don't want to come. They don't

997
01:04:52,560 --> 01:04:55,480
Speaker 1: want to funk with you because you could say ships embarrassed.

998
01:04:55,480 --> 01:04:57,480
Speaker 1: You make people laugh. That's what my talent was. I

999
01:04:57,520 --> 01:04:59,800
Speaker 1: had a good enough jump shot and I could talk,

1000
01:05:00,960 --> 01:05:04,120
Speaker 1: and I've been doing it in the streets. Okay, now see,

1001
01:05:04,200 --> 01:05:07,160
Speaker 1: you're gonna be like Michael Rapport is saying, he's i'd

1002
01:05:07,240 --> 01:05:09,440
Speaker 1: like when I talk about myself in the third party. Oh,

1003
01:05:09,560 --> 01:05:12,360
Speaker 1: he's saying he. I didn't say I was tough. I

1004
01:05:12,400 --> 01:05:15,720
Speaker 1: didn't say I was fucking that. I didn't say I

1005
01:05:15,800 --> 01:05:17,919
Speaker 1: was busting people's ass and ball. But I could play.

1006
01:05:18,880 --> 01:05:20,360
Speaker 1: But the one thing that I had going for me

1007
01:05:20,640 --> 01:05:23,040
Speaker 1: is I could snap, and if you came at me,

1008
01:05:23,600 --> 01:05:26,480
Speaker 1: I would fucking shut you down. So you've little pricks

1009
01:05:26,520 --> 01:05:29,760
Speaker 1: on Twitter, you little fox, you little hipster pricks that

1010
01:05:29,840 --> 01:05:33,800
Speaker 1: are like you wanna fucking go, You wanna fucking snap,

1011
01:05:33,920 --> 01:05:38,120
Speaker 1: you a little fucker. I'll snap back, okay. And I

1012
01:05:38,200 --> 01:05:39,960
Speaker 1: know some of you might say things, oh, you big

1013
01:05:40,080 --> 01:05:45,040
Speaker 1: hook nos cocksucker. I got something for you, you, you jew,

1014
01:05:45,440 --> 01:05:49,600
Speaker 1: you hook knows jew prick. Go for it. I'll tell

1015
01:05:49,640 --> 01:05:53,000
Speaker 1: you my my vulnerable spots and I'll still get you. Okay.

1016
01:05:54,080 --> 01:05:57,440
Speaker 1: But one thing I've never lost is a snap contest

1017
01:06:01,800 --> 01:06:06,440
Speaker 1: Gimonetti here, I got Hollywood questions for the the fans

1018
01:06:06,480 --> 01:06:13,200
Speaker 1: out there. Yeah, I always hear this ship. I always hear, Yo,

1019
01:06:14,560 --> 01:06:18,560
Speaker 1: the threatening black man. Tell me what that's about? Who

1020
01:06:18,800 --> 01:06:23,520
Speaker 1: is that? What is that? Well? You in Hollywood? Tell mine?

1021
01:06:23,600 --> 01:06:25,000
Speaker 1: What do you say? The threatening you? What do you

1022
01:06:25,040 --> 01:06:29,040
Speaker 1: mean Hollywood? Like they say, they say, uh, I heard it,

1023
01:06:29,160 --> 01:06:34,400
Speaker 1: Like oh uh he's too threatening as an actor. Yeah,

1024
01:06:34,560 --> 01:06:37,640
Speaker 1: like we can't cast him because it's a threatening black man?

1025
01:06:37,720 --> 01:06:40,880
Speaker 1: What does that mean? Yo? You know what it means?

1026
01:06:41,120 --> 01:06:43,040
Speaker 1: The reality of it is this. I was talking to

1027
01:06:43,120 --> 01:06:44,720
Speaker 1: my father about this the other day. I was like,

1028
01:06:45,640 --> 01:06:48,200
Speaker 1: I want to set up a safe forum. This is

1029
01:06:48,240 --> 01:06:50,760
Speaker 1: what I'm working on next, a safe form. I don't

1030
01:06:50,760 --> 01:06:53,680
Speaker 1: know if it's a show, or it's a series of shows,

1031
01:06:53,800 --> 01:06:56,800
Speaker 1: or it's like a short term six episode thing, or

1032
01:06:56,840 --> 01:06:59,840
Speaker 1: it's ten films with ten directors, And I want to

1033
01:07:00,000 --> 01:07:02,880
Speaker 1: hold it on race, and it's a safe for him

1034
01:07:02,920 --> 01:07:09,480
Speaker 1: to articulate people's feelings about race, all the insecurities, all

1035
01:07:09,560 --> 01:07:13,960
Speaker 1: the fears, all the paranoia, all the myths, all the facts,

1036
01:07:14,240 --> 01:07:17,720
Speaker 1: everything in between. Because when you speak about race, I

1037
01:07:17,800 --> 01:07:20,200
Speaker 1: could sit here on the Iron Rapp Report podcast, my

1038
01:07:20,320 --> 01:07:23,760
Speaker 1: own fucking podcast. This is the fear I could say

1039
01:07:23,840 --> 01:07:27,960
Speaker 1: something that's misconstrued or I'm talking and I'm not like,

1040
01:07:28,360 --> 01:07:30,720
Speaker 1: it's not a script, and you could say something that

1041
01:07:31,280 --> 01:07:34,520
Speaker 1: I've done it before, I've done it. Before you say something,

1042
01:07:35,040 --> 01:07:36,880
Speaker 1: I'll go I'll go back to it. I'll talk about this.

1043
01:07:37,200 --> 01:07:39,560
Speaker 1: I referred to Now I already squashed this, but I

1044
01:07:39,640 --> 01:07:42,960
Speaker 1: referred to Spike Lee as a ship stain. Now we

1045
01:07:43,120 --> 01:07:45,440
Speaker 1: we moved past this. I've spoken of Spike Lee. I

1046
01:07:45,520 --> 01:07:47,919
Speaker 1: feel like that got out of context, got out of hands.

1047
01:07:48,680 --> 01:07:51,880
Speaker 1: Squash that quote unquote beef. It wasn't a beef, but

1048
01:07:52,000 --> 01:07:55,800
Speaker 1: I reached out to him. But one of the ramifications

1049
01:07:56,080 --> 01:07:58,400
Speaker 1: when I called him a ship stain was and I

1050
01:07:58,480 --> 01:08:01,640
Speaker 1: could have said he's a sucking asshole, he's a prick,

1051
01:08:01,880 --> 01:08:04,560
Speaker 1: he's a douchebag, but I said ship stain. There was

1052
01:08:04,760 --> 01:08:10,280
Speaker 1: no racial connotation in my head, but some people and

1053
01:08:10,440 --> 01:08:13,320
Speaker 1: the words ship stain is a funny insult, like it's

1054
01:08:13,360 --> 01:08:16,960
Speaker 1: a good insult, like cocksucker. It has a certain gennes

1055
01:08:17,000 --> 01:08:23,840
Speaker 1: say quad to it, cocksucker, motherfucker, shit stain. You know, whatever,

1056
01:08:23,920 --> 01:08:26,759
Speaker 1: you're whatever you're fond of. So when I was referring

1057
01:08:26,800 --> 01:08:28,920
Speaker 1: to Spike Lee as a ship stain. Again, I'm not

1058
01:08:29,000 --> 01:08:32,760
Speaker 1: trying to revise that because I'm just talking about the word.

1059
01:08:33,000 --> 01:08:36,000
Speaker 1: Some people accused that being as a racial slur. Of

1060
01:08:36,120 --> 01:08:39,880
Speaker 1: course no, but you would think how how could that?

1061
01:08:40,120 --> 01:08:42,360
Speaker 1: Like I was like, how is ship stained a racial slur?

1062
01:08:42,479 --> 01:08:44,960
Speaker 1: Then I'm like, oh, because a ship stain would be

1063
01:08:45,120 --> 01:08:48,120
Speaker 1: brown on No, but that's not what but what? But

1064
01:08:48,240 --> 01:08:50,960
Speaker 1: the point is now that was nothing. It's me and

1065
01:08:51,040 --> 01:08:53,000
Speaker 1: Spike Lee. It's it's it's a it's a it's a

1066
01:08:53,400 --> 01:08:57,120
Speaker 1: a non it's a non beef beef. But the thing

1067
01:08:57,200 --> 01:09:00,519
Speaker 1: that hurt my feelings with that people said, yo, it's

1068
01:09:00,560 --> 01:09:02,840
Speaker 1: some racial ship. Why are you calling him a ship staying? So,

1069
01:09:02,920 --> 01:09:05,080
Speaker 1: what I'm saying is is like in this day and

1070
01:09:05,120 --> 01:09:07,800
Speaker 1: age of the Twitter error and the vine era and

1071
01:09:07,880 --> 01:09:11,400
Speaker 1: the Instagram era and the fucking Internet, something could just

1072
01:09:11,479 --> 01:09:14,160
Speaker 1: be and it could it could it could It could

1073
01:09:14,200 --> 01:09:16,160
Speaker 1: suck you up. You could say some ship and it

1074
01:09:16,200 --> 01:09:18,360
Speaker 1: could literally fuck you up. Like look at the the

1075
01:09:18,600 --> 01:09:22,080
Speaker 1: the president of Sony, you know, like you know, like

1076
01:09:22,200 --> 01:09:23,760
Speaker 1: it could happen. I mean, there's plenty of people that

1077
01:09:23,800 --> 01:09:28,320
Speaker 1: have said racial ship and I about bullshit about Obama. No,

1078
01:09:28,400 --> 01:09:30,600
Speaker 1: but I'm just saying or or or like that, and

1079
01:09:30,960 --> 01:09:33,120
Speaker 1: I'm not saying it's right around but like that Philadelphia

1080
01:09:33,160 --> 01:09:37,519
Speaker 1: Eagles player who was like, how fucking you? And yeah,

1081
01:09:37,560 --> 01:09:39,920
Speaker 1: but okay, But I'm just saying, though, like you know,

1082
01:09:40,000 --> 01:09:42,200
Speaker 1: in this day and age, it race is so sensitive,

1083
01:09:42,400 --> 01:09:43,960
Speaker 1: and I want to try to figure out a way

1084
01:09:44,000 --> 01:09:49,840
Speaker 1: to have a safe discussion about race where you could

1085
01:09:49,920 --> 01:09:52,800
Speaker 1: articulate yourself. May not you might not be right. You're

1086
01:09:52,880 --> 01:09:55,599
Speaker 1: articulating your feelings, your thoughts, and it's not gonna wind

1087
01:09:55,640 --> 01:09:57,880
Speaker 1: a backfiring and you're gonna wind up getting fired from

1088
01:09:57,920 --> 01:10:00,439
Speaker 1: your fucking job or actually it, but you see what

1089
01:10:00,479 --> 01:10:03,479
Speaker 1: I'm saying. That's the fear of it in private, Like

1090
01:10:03,720 --> 01:10:07,000
Speaker 1: we we've had many conversations about race and black and

1091
01:10:07,160 --> 01:10:10,800
Speaker 1: white and and stereotypes. And I love these conversations and

1092
01:10:10,880 --> 01:10:13,280
Speaker 1: I love them from all points of view because I

1093
01:10:13,360 --> 01:10:15,800
Speaker 1: think they should be happy. Because you could say, oh,

1094
01:10:15,920 --> 01:10:18,599
Speaker 1: I never thought you thought of me or my people

1095
01:10:18,640 --> 01:10:20,760
Speaker 1: like that, and I can say, damn, you think that

1096
01:10:20,960 --> 01:10:24,080
Speaker 1: all white people are you know whatever, whatever the context is.

1097
01:10:24,360 --> 01:10:27,280
Speaker 1: So when you say to me about Hollywood and like,

1098
01:10:27,439 --> 01:10:31,680
Speaker 1: like what is that? You tell me what you think

1099
01:10:31,760 --> 01:10:37,560
Speaker 1: it is. I the threatening, like he's I've heard that

1100
01:10:37,880 --> 01:10:42,600
Speaker 1: he's a threatening, oh black man? What the fund is that? Like?

1101
01:10:42,760 --> 01:10:45,759
Speaker 1: In my mind, I'm like, Okay, who is he fucking

1102
01:10:45,880 --> 01:10:52,840
Speaker 1: threatening white people? Why? Because the way he looks the

1103
01:10:52,920 --> 01:10:56,560
Speaker 1: way he looks, well, it could be examined that it

1104
01:10:56,640 --> 01:10:59,880
Speaker 1: could be. But but you could say, well, Billy Bob

1105
01:11:00,000 --> 01:11:05,240
Speaker 1: Thornton is too threatening to play a likable dad because

1106
01:11:05,280 --> 01:11:07,400
Speaker 1: he has a certain quality about him as an actor, right,

1107
01:11:07,439 --> 01:11:10,719
Speaker 1: Billy Bob Thornton, right, using him as an example, great actor,

1108
01:11:10,800 --> 01:11:13,320
Speaker 1: not in any you gotta I gotta explain myself, not

1109
01:11:13,400 --> 01:11:16,120
Speaker 1: in any disrespect. I love Billy, but you gotta explain

1110
01:11:16,200 --> 01:11:18,320
Speaker 1: him to Okay, but Billy Bob Thornton, you can say

1111
01:11:18,360 --> 01:11:21,000
Speaker 1: he's too threatening, can't can't cast him as that because

1112
01:11:21,040 --> 01:11:22,880
Speaker 1: he just has like a look about him. He has

1113
01:11:23,120 --> 01:11:27,280
Speaker 1: a sneer about him as No, but I'm saying, you're

1114
01:11:27,280 --> 01:11:32,559
Speaker 1: saying it's for it. Forget Hollywood threatening black man, cheap jews,

1115
01:11:33,479 --> 01:11:37,479
Speaker 1: uh hook nos, pricks, Puerto Ricans who steel hub caps.

1116
01:11:37,800 --> 01:11:40,920
Speaker 1: It's this old Lenny Bruce shit like these are all

1117
01:11:41,800 --> 01:11:45,360
Speaker 1: stereotypes and realities. Do you know what I'm saying now,

1118
01:11:45,400 --> 01:11:48,120
Speaker 1: I'm saying is I'm put I'm going out on on

1119
01:11:48,200 --> 01:11:51,240
Speaker 1: a ledge talking like this because I'm very passionate about,

1120
01:11:51,760 --> 01:11:57,799
Speaker 1: you know, people being able to explore and articulate themselves,

1121
01:11:58,000 --> 01:12:01,040
Speaker 1: good batter and different without it you being you know,

1122
01:12:01,320 --> 01:12:03,840
Speaker 1: exonerated from the world because you said something that's not

1123
01:12:04,960 --> 01:12:07,840
Speaker 1: um it could be fucked up. But but but but

1124
01:12:07,960 --> 01:12:12,640
Speaker 1: everybody has feelings and and everybody has um stereotypes, and

1125
01:12:12,680 --> 01:12:18,960
Speaker 1: everybody has racial they do period. I don't care. It

1126
01:12:19,240 --> 01:12:21,040
Speaker 1: doesn't make you bad. It makes you if it would

1127
01:12:21,080 --> 01:12:23,200
Speaker 1: make you not alive if you didn't have that because

1128
01:12:23,240 --> 01:12:26,240
Speaker 1: you live in a certain society that people are different.

1129
01:12:26,280 --> 01:12:29,360
Speaker 1: You once said to me, you once, I remember you

1130
01:12:29,400 --> 01:12:30,920
Speaker 1: said this to me a long time ago. You were like,

1131
01:12:32,000 --> 01:12:33,920
Speaker 1: if I'm alone on the street, it's the same ship.

1132
01:12:34,000 --> 01:12:36,160
Speaker 1: Mark Cuban said. He goes and there's ten black kids

1133
01:12:36,200 --> 01:12:38,680
Speaker 1: coming down the street making noise and being rowdy and

1134
01:12:38,760 --> 01:12:43,479
Speaker 1: all that ship, I'm gonna be uncomfortable. And if there

1135
01:12:43,600 --> 01:12:48,160
Speaker 1: was ten spacemen coming down the street acting rowdy and

1136
01:12:48,200 --> 01:12:50,840
Speaker 1: they were different from you, you're gonna be uncomfortable because

1137
01:12:50,840 --> 01:12:53,880
Speaker 1: you know they're making noise. If it's ten Hasidic Jews,

1138
01:12:54,120 --> 01:12:56,800
Speaker 1: big fucking Hasidic Jews coming down the street looking to

1139
01:12:56,840 --> 01:13:00,200
Speaker 1: fuck some ship up, and you're not gonna You're not

1140
01:13:00,240 --> 01:13:02,200
Speaker 1: gonna be like, oh, these are Hasidic Jews there soft

1141
01:13:02,479 --> 01:13:04,680
Speaker 1: if they're looking to function up, they're looking to function up.

1142
01:13:04,840 --> 01:13:08,200
Speaker 1: Let me tell you where have you ever seen some

1143
01:13:08,400 --> 01:13:11,000
Speaker 1: hit Hasidic Jews ready to tear shi it up? No,

1144
01:13:11,160 --> 01:13:13,920
Speaker 1: I'm saying in terms of but what have you seen?

1145
01:13:14,040 --> 01:13:16,559
Speaker 1: Have you seen uh ten black dudes ready to tear

1146
01:13:16,600 --> 01:13:21,280
Speaker 1: shit up? Of course? Okay, but it's just fear, man,

1147
01:13:21,360 --> 01:13:25,920
Speaker 1: it's fear like white people. I can't speak question. My

1148
01:13:26,120 --> 01:13:30,000
Speaker 1: question was who is that? Who's what the threatening black

1149
01:13:30,040 --> 01:13:34,479
Speaker 1: person who fits that stereotype? It's not Will Smith, right, No,

1150
01:13:35,439 --> 01:13:39,400
Speaker 1: it's not Denzel Washington. Denzel could could could he could

1151
01:13:39,600 --> 01:13:41,639
Speaker 1: as an actor As an actor, he could do that ship.

1152
01:13:42,439 --> 01:13:45,679
Speaker 1: He's a as an actor. He gets down what I'm saying.

1153
01:13:47,400 --> 01:13:50,160
Speaker 1: You would say, like in the stereotypical ways in Hollywood.

1154
01:13:50,320 --> 01:13:52,280
Speaker 1: But he played he's such a good actor. But like

1155
01:13:52,520 --> 01:13:54,719
Speaker 1: when Sam Jackson first came out the kind of parts

1156
01:13:54,760 --> 01:13:57,519
Speaker 1: that he played Jungle Fever, he's a crack it loud,

1157
01:13:57,600 --> 01:14:00,840
Speaker 1: talking like if you if you like, do you feel like,

1158
01:14:01,040 --> 01:14:04,000
Speaker 1: oh like I can intimidate a white dude by doing this,

1159
01:14:04,200 --> 01:14:07,000
Speaker 1: this and this break it down. It's like Eddie Murphy

1160
01:14:07,200 --> 01:14:08,439
Speaker 1: like and his thing is I had to go and

1161
01:14:08,479 --> 01:14:16,080
Speaker 1: all my black ship. What is that podcast? Stop pickting

1162
01:14:16,800 --> 01:14:21,240
Speaker 1: over bullshit? Stop pickting over fucking bullshit. It's a fucking

1163
01:14:21,720 --> 01:14:26,040
Speaker 1: everybody not white people play cut the fucking ship the

1164
01:14:26,160 --> 01:14:29,360
Speaker 1: fucking Oscars. Yeah, yeah, come on, Oh you're gonna pick

1165
01:14:29,439 --> 01:14:34,320
Speaker 1: it outside that and you're gonna hashtag ship. And the

1166
01:14:34,640 --> 01:14:38,160
Speaker 1: thing is also like you're picking over someone the director

1167
01:14:38,200 --> 01:14:41,599
Speaker 1: of Selma not being nominated and other actors, the lead

1168
01:14:41,640 --> 01:14:43,960
Speaker 1: actor who was great as Martin's the King not being nominated.

1169
01:14:44,200 --> 01:14:48,439
Speaker 1: Did you see the fucking movie? Did you go to

1170
01:14:48,600 --> 01:14:52,599
Speaker 1: everybody that tweeted about the Oscar whitewash or the white

1171
01:14:52,640 --> 01:14:55,120
Speaker 1: Oscars or the black snubs or whatever the funk you're

1172
01:14:55,120 --> 01:14:58,080
Speaker 1: calling it, Did you see the movie? You're gonna say yes,

1173
01:14:58,160 --> 01:15:01,800
Speaker 1: but I don't believe is if everybody who tweeted about

1174
01:15:01,800 --> 01:15:05,120
Speaker 1: that ship saw Selma, Selma would be a huge box

1175
01:15:05,200 --> 01:15:08,560
Speaker 1: office success. So you are you just tweeting because you

1176
01:15:08,640 --> 01:15:11,120
Speaker 1: feel like it's it's something the protests and complain about,

1177
01:15:11,240 --> 01:15:12,840
Speaker 1: or did you take your ass to the movies, but

1178
01:15:12,960 --> 01:15:17,960
Speaker 1: you know, motherfucker's are gonna get snubbed. Al Pacino he

1179
01:15:18,200 --> 01:15:20,760
Speaker 1: did not win. He got nominated, but he did not

1180
01:15:20,880 --> 01:15:26,840
Speaker 1: win for the Godfather One Godfather to do all day afternoon, Cerproco, Scarface,

1181
01:15:28,120 --> 01:15:32,639
Speaker 1: Carlito's way, the best ship he's ever done. He didn't

1182
01:15:32,680 --> 01:15:35,439
Speaker 1: win for So it's like, was that an Italian American snub?

1183
01:15:36,320 --> 01:15:39,080
Speaker 1: He doesn't have to be a fucking protest. Obviously, the

1184
01:15:39,120 --> 01:15:42,920
Speaker 1: oscars that have gotten better. Obviously there were years and

1185
01:15:43,040 --> 01:15:45,240
Speaker 1: years and years where they were shipping on black actors

1186
01:15:45,280 --> 01:15:47,719
Speaker 1: and black directors. But it's gotten way better. It doesn't

1187
01:15:47,760 --> 01:15:49,800
Speaker 1: have to and even if it isn't, it's not worth

1188
01:15:49,840 --> 01:15:54,280
Speaker 1: a fucking protests. It's alright, it's not worth a fucking protest.

1189
01:15:54,439 --> 01:15:58,160
Speaker 1: Well what what? What? What were you saying earlier about us? Yo?

1190
01:16:00,200 --> 01:16:04,719
Speaker 1: Stop picketing number one for everything? Right, you can't force

1191
01:16:04,920 --> 01:16:08,960
Speaker 1: this motherfucker to love you. You can't force somebody to

1192
01:16:09,200 --> 01:16:13,880
Speaker 1: do the things you expect. So the point I'm making is,

1193
01:16:14,200 --> 01:16:19,280
Speaker 1: instead of picketing, you should fucking try to do your

1194
01:16:19,320 --> 01:16:24,519
Speaker 1: own ship. The only way we get awards is when

1195
01:16:25,479 --> 01:16:28,760
Speaker 1: they have us in them servitude positions. And this is

1196
01:16:28,800 --> 01:16:32,840
Speaker 1: what I don't fucking like the movie The Help, Yes,

1197
01:16:33,000 --> 01:16:36,200
Speaker 1: did you see it? Yeah, okay, you didn't like it.

1198
01:16:36,840 --> 01:16:40,360
Speaker 1: The Butler, Yeah you see. But you don't like that,

1199
01:16:40,600 --> 01:16:41,960
Speaker 1: did you know? You know why I don't like it

1200
01:16:41,960 --> 01:16:46,000
Speaker 1: as a black person, I don't like it because they

1201
01:16:46,080 --> 01:16:49,400
Speaker 1: make it seem like those people were delighted to do

1202
01:16:49,560 --> 01:16:54,160
Speaker 1: those things. But what if they were. They weren't. Okay,

1203
01:16:55,400 --> 01:17:00,240
Speaker 1: they weren't. And that's the time that black people boo,

1204
01:17:00,880 --> 01:17:07,160
Speaker 1: don't wanna fucking remember, right, So you get your billionaire

1205
01:17:07,320 --> 01:17:11,080
Speaker 1: and these are the movies you make, you see, that's

1206
01:17:11,120 --> 01:17:13,640
Speaker 1: not a good time for us collectively. We're in a

1207
01:17:13,720 --> 01:17:16,720
Speaker 1: we're in a we're done, we're dominated, we're in a

1208
01:17:16,800 --> 01:17:19,400
Speaker 1: position of servitude. We don't want to see that on

1209
01:17:19,479 --> 01:17:24,400
Speaker 1: the screen. Why don't you fucking make movies, you're a billionaire,

1210
01:17:25,040 --> 01:17:31,960
Speaker 1: movies about the triumph of the human spirit, meaning the

1211
01:17:32,080 --> 01:17:36,000
Speaker 1: slave that's in the fucking field right that runs away

1212
01:17:37,840 --> 01:17:41,720
Speaker 1: and fucking burns down some of them plantations and and

1213
01:17:41,880 --> 01:17:44,720
Speaker 1: runs through the forest all the way to Canada. But

1214
01:17:44,880 --> 01:17:48,599
Speaker 1: Django had that that that Jingo was a fucking comic book.

1215
01:17:49,320 --> 01:17:52,000
Speaker 1: What motherfucker a slave gonna be walking with with with

1216
01:17:52,200 --> 01:17:57,880
Speaker 1: with this motherfucker. Ha See look at Spielberg Schindler's list.

1217
01:17:58,320 --> 01:18:05,280
Speaker 1: That's triumph of the human spirit that's coming out. Yeah yeah, yeah,

1218
01:18:05,360 --> 01:18:08,479
Speaker 1: yeah yeah. That's not delighting in that, right. Do you

1219
01:18:08,560 --> 01:18:12,200
Speaker 1: think that fucking Butler was happy? He wanted to kill him?

1220
01:18:12,240 --> 01:18:19,000
Speaker 1: Motherfucker's That's what I don't like. Good ship. Gie Moody

1221
01:18:19,160 --> 01:18:23,120
Speaker 1: on the Oscars, the Oscars. This is the I m

1222
01:18:23,200 --> 01:18:25,160
Speaker 1: rapp Pour podcast. Here's another thing I want to say

1223
01:18:25,160 --> 01:18:31,200
Speaker 1: about the Oscars. Martin Scorsese, another Italian American. Maybe there

1224
01:18:31,280 --> 01:18:34,320
Speaker 1: are Maybe they're gonna start picking. Maybe they're gonna start picking,

1225
01:18:34,479 --> 01:18:38,719
Speaker 1: did not win Best Director for Taxi Driver, Mean Streets,

1226
01:18:39,080 --> 01:18:41,599
Speaker 1: Taxi Driver, Mean Streets right there. He didn't. He didn't.

1227
01:18:41,640 --> 01:18:44,519
Speaker 1: Those are you know, I don't watch movies, and I

1228
01:18:44,600 --> 01:18:50,880
Speaker 1: saw that ship King of Comedy after Hours. Alice doesn't

1229
01:18:50,920 --> 01:18:55,840
Speaker 1: live here anymore, of course, Raging Bull. He didn't win

1230
01:18:56,680 --> 01:19:05,479
Speaker 1: Best Director for nominated Good Fellas Cape Fear Yo. By

1231
01:19:05,560 --> 01:19:07,320
Speaker 1: the time he won an Oscar, it was a joke

1232
01:19:08,000 --> 01:19:11,439
Speaker 1: good Fellas. He didn't win an Oscar for So I'm

1233
01:19:11,520 --> 01:19:15,240
Speaker 1: just saying again, it's not it's not it's not always racist.

1234
01:19:15,240 --> 01:19:17,280
Speaker 1: It's like sometimes it's it's and you know, and then

1235
01:19:17,360 --> 01:19:21,240
Speaker 1: Alpaccino won Best Oscar for Best Actor for Scent of

1236
01:19:21,280 --> 01:19:27,320
Speaker 1: a Woman, which to me is is a subpar Alpaccino performance.

1237
01:19:28,080 --> 01:19:30,200
Speaker 1: You can't look into it too much. It's just it's

1238
01:19:30,320 --> 01:19:32,519
Speaker 1: it's it's not fucking roight, you know, it's it's not

1239
01:19:32,680 --> 01:19:38,160
Speaker 1: totally correct. It's floored. I mean, can you say fuck

1240
01:19:38,200 --> 01:19:42,720
Speaker 1: them when they don't nominate you, but cry tears of

1241
01:19:42,840 --> 01:19:46,639
Speaker 1: joy when you do win one? So the same people

1242
01:19:46,720 --> 01:19:49,160
Speaker 1: that that are making you cry because you're so happy

1243
01:19:49,160 --> 01:19:53,240
Speaker 1: because you won one, you say fuck them. It's it's

1244
01:19:53,360 --> 01:19:57,439
Speaker 1: I don't know. These guys are just looking. People are like,

1245
01:19:57,600 --> 01:20:03,360
Speaker 1: it's shocking. No, what up in Paris? That's shocking. They're like,

1246
01:20:03,439 --> 01:20:07,479
Speaker 1: it's shocking the shocking Oscar snubs. This is the I

1247
01:20:07,680 --> 01:20:10,880
Speaker 1: Am Rappaport podcast. This is an emergency podcast about the

1248
01:20:10,920 --> 01:20:14,519
Speaker 1: fucking Oscars and I think we covered it. See Selma

1249
01:20:15,000 --> 01:20:17,280
Speaker 1: before you make an opinion about it not being nominated.

1250
01:20:17,360 --> 01:20:20,760
Speaker 1: That's my first fucking thing. And what other films you

1251
01:20:20,840 --> 01:20:22,519
Speaker 1: gotta If you got to go to the movies and

1252
01:20:22,600 --> 01:20:25,000
Speaker 1: see all the films, you can't just did you see

1253
01:20:25,000 --> 01:20:28,160
Speaker 1: all the films to make an opinion? You didn't. You

1254
01:20:28,240 --> 01:20:30,759
Speaker 1: can't be talking. Ship. You gotta see all the fucking

1255
01:20:30,840 --> 01:20:34,160
Speaker 1: films I don't like. Oh shit, this is what I

1256
01:20:34,200 --> 01:20:39,720
Speaker 1: don't like. We got old as action stars. Yeah, like

1257
01:20:39,800 --> 01:20:46,760
Speaker 1: who Liam nice? You know with the taking movies? Does

1258
01:20:46,800 --> 01:20:50,720
Speaker 1: he look like he could kick Nick his ass? Does

1259
01:20:50,800 --> 01:20:56,879
Speaker 1: he really look like you fuck somebody up? No slides alone?

1260
01:20:57,280 --> 01:21:03,320
Speaker 1: Look at his fucking neck in the movies? An oh, ship, No,

1261
01:21:04,439 --> 01:21:07,640
Speaker 1: we need to they need to pass the torch you

1262
01:21:07,840 --> 01:21:09,960
Speaker 1: in hollywod Look who we need to give it to?

1263
01:21:10,120 --> 01:21:13,880
Speaker 1: Oh the rock Oh yeah, he's got it. No, he

1264
01:21:13,960 --> 01:21:20,320
Speaker 1: don't got it. Terry Crews, Terry Crewse, you got to

1265
01:21:20,400 --> 01:21:25,880
Speaker 1: shoot that motherfucker. You can't fight him LEAs. I'm ready

1266
01:21:25,880 --> 01:21:31,000
Speaker 1: to go a family with this motherfucker, Rocky. I'll go

1267
01:21:31,280 --> 01:21:36,880
Speaker 1: family with him now, Terry Crews, you got to shoot him.

1268
01:21:41,520 --> 01:21:46,040
Speaker 1: That's it. Wrap I Am rapppre podcast is sponsored by

1269
01:21:46,240 --> 01:21:52,240
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Speaker 1: York City you could keep the bed for a hundred nights.

1274
01:22:06,000 --> 01:22:08,080
Speaker 1: You could get your freak on for a hundred nights.

1275
01:22:08,160 --> 01:22:10,920
Speaker 1: If you do not like the bed after a hundred nights,

1276
01:22:11,280 --> 01:22:15,160
Speaker 1: you can return the mattress within a hundred days. That's

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01:22:15,200 --> 01:22:18,439
Speaker 1: a guarantee. The bed will be delivered between two to

1278
01:22:18,560 --> 01:22:22,519
Speaker 1: five days anywhere in the United States and Canada, same

1279
01:22:22,720 --> 01:22:26,400
Speaker 1: day delivery in New York City. We do not plug,

1280
01:22:26,560 --> 01:22:29,799
Speaker 1: We do not support, We do not take sponsorship from anything.

1281
01:22:29,880 --> 01:22:32,320
Speaker 1: We have not tried, and we are not passionate about

1282
01:22:32,800 --> 01:22:38,200
Speaker 1: four hundred. And I'll tell you this. Let's talk about

1283
01:22:38,240 --> 01:22:43,560
Speaker 1: New York basketball. West fourth Street is always considered the

1284
01:22:44,760 --> 01:22:49,080
Speaker 1: epicenter of street ball in New York City. And because

1285
01:22:49,160 --> 01:22:52,760
Speaker 1: it's it is very well respected, and it's the location

1286
01:22:53,000 --> 01:22:56,280
Speaker 1: is prime, and everything about it is unique. The court

1287
01:22:56,439 --> 01:23:00,759
Speaker 1: is small, it's gated, it's right on fucking sixth Avenue.

1288
01:23:01,120 --> 01:23:05,000
Speaker 1: It's going to be the most famous park. But I

1289
01:23:05,120 --> 01:23:07,840
Speaker 1: will tell you for myself, and I don't give a

1290
01:23:07,880 --> 01:23:10,120
Speaker 1: funk what you saw on Rock and Jock or what

1291
01:23:10,320 --> 01:23:13,200
Speaker 1: the funk you saw on the celebrity game. I played

1292
01:23:13,280 --> 01:23:17,080
Speaker 1: ball with some real motherfucker's and some really really good

1293
01:23:17,120 --> 01:23:22,400
Speaker 1: basketball players and all over all over. I competed so

1294
01:23:22,479 --> 01:23:25,600
Speaker 1: you could kiss my fucking ass with that rock and

1295
01:23:25,720 --> 01:23:28,639
Speaker 1: jock ship. I didn't do good on a rocking jock. Yeah, yeah,

1296
01:23:28,640 --> 01:23:30,960
Speaker 1: you was. He wasn't representing, so I didn't do ship.

1297
01:23:31,520 --> 01:23:33,679
Speaker 1: You're supposed to be closed lot of motherfucker's. I tried,

1298
01:23:34,120 --> 01:23:36,400
Speaker 1: and I tried. I tried to clothes on Justin Bieber.

1299
01:23:36,479 --> 01:23:38,880
Speaker 1: I tried. He was he was faster than I thought.

1300
01:23:39,200 --> 01:23:40,920
Speaker 1: But let me just stay focused. The point of it

1301
01:23:41,080 --> 01:23:43,720
Speaker 1: is is playing ball over New York City or in

1302
01:23:43,760 --> 01:23:45,400
Speaker 1: a lot of New York City. I didn't play all

1303
01:23:45,560 --> 01:23:47,800
Speaker 1: over like in every park. I never played that much

1304
01:23:48,080 --> 01:23:50,479
Speaker 1: in the Bronx, played a lot in Harlem, played a

1305
01:23:50,479 --> 01:23:53,320
Speaker 1: lot in Manhattan, played a lot in certain parts of Brooklyn,

1306
01:23:53,920 --> 01:23:57,040
Speaker 1: Los Angeles. With us, we're playing with good dudes out there.

1307
01:23:57,080 --> 01:24:01,200
Speaker 1: Sean Higgins, Chris Mills, NBA talent b A. J. D. Green.

1308
01:24:01,680 --> 01:24:06,560
Speaker 1: These are basketball players, NBA people. The most physical, aggressive,

1309
01:24:07,360 --> 01:24:11,439
Speaker 1: tense games of basketball I ever saw or played in,

1310
01:24:12,160 --> 01:24:15,720
Speaker 1: but more saw because the highest most intense levels we

1311
01:24:15,840 --> 01:24:17,680
Speaker 1: were number one young and I just wasn't at that

1312
01:24:17,840 --> 01:24:22,400
Speaker 1: level was in Brownsville at Howard Park, in the old Park.

1313
01:24:23,360 --> 01:24:29,080
Speaker 1: I saw games with people like World b Free, James Majors,

1314
01:24:29,840 --> 01:24:33,280
Speaker 1: Jerry Ice Reynolds, Jerry Ice Reynolds, Otis Wilson from the

1315
01:24:33,360 --> 01:24:40,120
Speaker 1: fucking eighty five Chicago Bears, Pearl Washington, Pearl Washington, Phil,

1316
01:24:40,960 --> 01:24:44,439
Speaker 1: Phil Sellers, and other guys who you would never know,

1317
01:24:44,560 --> 01:24:50,160
Speaker 1: but like these are ball playing, motherfucking Brooklyn basketball players,

1318
01:24:50,240 --> 01:24:53,479
Speaker 1: and the competition and the games were so physical and

1319
01:24:53,680 --> 01:24:56,400
Speaker 1: so intense. And I'm sure it happens in other parks too,

1320
01:24:56,800 --> 01:25:00,600
Speaker 1: but for me, that ship was crazy. Be Free was

1321
01:25:00,680 --> 01:25:04,880
Speaker 1: in the NBA. He was in and he's playing in

1322
01:25:04,960 --> 01:25:07,439
Speaker 1: the park, and he's not just playing one game. They're

1323
01:25:07,439 --> 01:25:09,960
Speaker 1: playing over and over and over and over, like there's

1324
01:25:10,000 --> 01:25:12,519
Speaker 1: no breaks in between the games, Like it's like a

1325
01:25:12,640 --> 01:25:15,479
Speaker 1: minute ninety seconds, I'd say five minutes max. You don't

1326
01:25:15,520 --> 01:25:19,799
Speaker 1: sit down, there's no gatorade. And the games are fucking hard.

1327
01:25:20,439 --> 01:25:28,880
Speaker 1: Damn podcast, I you know, the fucking Knicks, I mean who? Who? Who?

1328
01:25:29,000 --> 01:25:31,360
Speaker 1: Do you away? Said that they would have hired who

1329
01:25:31,400 --> 01:25:33,599
Speaker 1: should they have hired instead of? Instead of Derek Fisher,

1330
01:25:34,920 --> 01:25:42,160
Speaker 1: Billy fucking Martin? Who ship? You need New York personalities,

1331
01:25:42,280 --> 01:25:46,600
Speaker 1: colorful personalities to coach New York teams that would have

1332
01:25:46,640 --> 01:25:48,640
Speaker 1: been a good idea. Billy fucking Martin should have been

1333
01:25:48,680 --> 01:25:54,240
Speaker 1: the coach of the New York Knicks. What about de Nero, Robert,

1334
01:25:56,040 --> 01:26:00,519
Speaker 1: that's fucking good Robert DeNiro, he'd be fucking screaming on, motherfucker,

1335
01:26:00,640 --> 01:26:03,519
Speaker 1: you fuck you what kind of a fun you you

1336
01:26:03,760 --> 01:26:07,639
Speaker 1: fuck you, mother fucking what kind of a fucking shot

1337
01:26:07,800 --> 01:26:12,479
Speaker 1: was that? You? You sit numb, you dumb fuck sit down,

1338
01:26:12,600 --> 01:26:16,680
Speaker 1: you dumb fuck you fuck it Like DeNiro could have

1339
01:26:16,720 --> 01:26:19,840
Speaker 1: had him at four and seventeen now, but the press

1340
01:26:19,880 --> 01:26:25,360
Speaker 1: conferences would be entertaining, not this morbid motherfucker trying to

1341
01:26:25,479 --> 01:26:28,360
Speaker 1: hold his ship back. Yeah, what we're gonna do is

1342
01:26:28,680 --> 01:26:31,400
Speaker 1: we gotta get to these guys together. And Bill Parcels.

1343
01:26:31,800 --> 01:26:36,639
Speaker 1: Bill Parcels screamed on motherfucker's and hell, motherfucker's accountable in public.

1344
01:26:37,160 --> 01:26:41,000
Speaker 1: So it forces you. So you're saying, Derek Fisher is

1345
01:26:41,040 --> 01:26:43,639
Speaker 1: not a color cutting the mustard as a New Yorker

1346
01:26:44,360 --> 01:26:46,040
Speaker 1: right when you stand up there, you gotta be a

1347
01:26:46,120 --> 01:26:49,479
Speaker 1: New Yorker and talk to the press. You can't be

1348
01:26:49,640 --> 01:26:56,599
Speaker 1: this morbid fuck you man. You know what I want

1349
01:26:56,600 --> 01:27:00,360
Speaker 1: to talk about somehow or another, He's escaped the wrath

1350
01:27:00,479 --> 01:27:04,560
Speaker 1: of the n C double A somehow or another, this

1351
01:27:04,720 --> 01:27:07,519
Speaker 1: fucking guy hasn't been busted on sanctions. Maybe he has,

1352
01:27:07,640 --> 01:27:12,680
Speaker 1: but I mean, this fucking guy is still coaching. Fucking Calipari.

1353
01:27:13,040 --> 01:27:18,400
Speaker 1: Coach cal coach Calipari, the fucking snake oil salesman. This

1354
01:27:18,680 --> 01:27:23,120
Speaker 1: fucking grease ball shows up to the games in pinstripe suits,

1355
01:27:23,400 --> 01:27:29,320
Speaker 1: gangster ship. He doesn't give two ships. If these guys graduating,

1356
01:27:30,479 --> 01:27:35,320
Speaker 1: he doesn't give a fuck. He gets these guys, they're

1357
01:27:35,439 --> 01:27:39,880
Speaker 1: thirty three years old coming in as freshman. He's like,

1358
01:27:40,320 --> 01:27:45,080
Speaker 1: I say, an interview, cal Parry was like, do you

1359
01:27:45,160 --> 01:27:47,320
Speaker 1: think John Wall you know old he was when I

1360
01:27:47,360 --> 01:27:49,920
Speaker 1: first had him, when he was six. I got him

1361
01:27:49,960 --> 01:27:51,800
Speaker 1: out of high school. He was twenty six years old.

1362
01:27:51,800 --> 01:27:56,800
Speaker 1: We forged his birth certificate. I had him. I had

1363
01:27:56,920 --> 01:28:01,679
Speaker 1: fucking Boogie cousins, but he Cousins was thirty. He's a freshman.

1364
01:28:02,760 --> 01:28:04,800
Speaker 1: I take the SA T s for these fucking guys

1365
01:28:04,840 --> 01:28:07,479
Speaker 1: in black face. I take the SA T s for

1366
01:28:07,560 --> 01:28:11,360
Speaker 1: these fucking guys. I've never been caught. I don't give

1367
01:28:11,400 --> 01:28:13,360
Speaker 1: a funk. How old are I got a thirteen year

1368
01:28:13,400 --> 01:28:16,120
Speaker 1: old this year? He's a freshman. I don't give a

1369
01:28:16,200 --> 01:28:23,840
Speaker 1: ship coach. Calipari is a fucking scoundrel. He's gonna give

1370
01:28:23,920 --> 01:28:27,000
Speaker 1: two ships, but I don't know how the n C

1371
01:28:27,160 --> 01:28:29,160
Speaker 1: eight I think he's like, I'm not paying you. You

1372
01:28:29,240 --> 01:28:31,679
Speaker 1: know what it is over here. I'll take your fucking

1373
01:28:31,720 --> 01:28:34,719
Speaker 1: test for you. You don't have to go to class

1374
01:28:35,840 --> 01:28:40,080
Speaker 1: even that. No, you don't need any class, photography, class, nothing, nothing.

1375
01:28:40,240 --> 01:28:42,920
Speaker 1: You don't have to do a ceramics nothing. You don't

1376
01:28:42,960 --> 01:28:47,360
Speaker 1: have to do ship. You come here, you play for

1377
01:28:47,479 --> 01:28:50,559
Speaker 1: one season, and then you go about your business. He's

1378
01:28:50,600 --> 01:28:53,400
Speaker 1: like the fucking Christopher walk in a fucking a college

1379
01:28:53,439 --> 01:28:56,160
Speaker 1: basketball He doesn't give a funn give a funk about ship.

1380
01:28:57,000 --> 01:28:58,760
Speaker 1: He doesn't give it, and he shows up in in

1381
01:28:58,800 --> 01:29:02,479
Speaker 1: a pinstriped suit. He's showing the n C A A.

1382
01:29:02,760 --> 01:29:05,360
Speaker 1: I don't give a fun fucking mobster. What kind of

1383
01:29:05,400 --> 01:29:10,800
Speaker 1: a basketball coach? Where's a pinstriped suit? Bobs? I don't

1384
01:29:10,800 --> 01:29:13,280
Speaker 1: give a fun Yeah, Yo, you know who was another

1385
01:29:13,360 --> 01:29:19,400
Speaker 1: grimy motherfucker? Who Rick Pettino when he fucking did that Rick?

1386
01:29:19,720 --> 01:29:23,720
Speaker 1: I like Pettino. He was hitting bitches row, he was

1387
01:29:23,800 --> 01:29:26,880
Speaker 1: hitting bitches raw and Applebee's kid was it in the

1388
01:29:26,960 --> 01:29:30,519
Speaker 1: Applebee's one of those little t g I Friday whatever.

1389
01:29:30,600 --> 01:29:33,760
Speaker 1: That ship. He was hitting bitches row in there. Don't

1390
01:29:33,800 --> 01:29:36,680
Speaker 1: say bitches, we gotta say a better word. He was

1391
01:29:36,800 --> 01:29:44,880
Speaker 1: hitting chicks, chicks, row girls, girls, ladies. But I like Rick,

1392
01:29:45,120 --> 01:29:50,880
Speaker 1: I like Rick Pettino to Calapari, this fucking greasy motherfucker

1393
01:29:51,840 --> 01:29:55,400
Speaker 1: he is he Italian cal Is Yeah, coach cal Yeah,

1394
01:29:55,640 --> 01:30:00,920
Speaker 1: Calapar Yeah. That motherfucker man, Yo, that motherfucker. It doesn't care. Man.

1395
01:30:01,000 --> 01:30:03,680
Speaker 1: You notice some of his players look older than him,

1396
01:30:05,120 --> 01:30:07,320
Speaker 1: some of his fun He's got a rookie, a freshman

1397
01:30:07,400 --> 01:30:10,960
Speaker 1: on his team, swearing guy looks older than him. Yo.

1398
01:30:11,120 --> 01:30:13,439
Speaker 1: That's how he gets down and he doesn't give a fuck,

1399
01:30:13,520 --> 01:30:15,920
Speaker 1: and and how he doesn't get busted. There has to

1400
01:30:16,000 --> 01:30:19,800
Speaker 1: be sanctions. He got busted in Massachusetts and he went

1401
01:30:19,880 --> 01:30:23,559
Speaker 1: awhere and they fucking they cleaned it up and he's back.

1402
01:30:23,960 --> 01:30:27,920
Speaker 1: And then with the Memphis Final four, all that he

1403
01:30:28,040 --> 01:30:32,400
Speaker 1: gets the grown guys. Those guys are fifty fifty one

1404
01:30:32,479 --> 01:30:34,680
Speaker 1: year old guys, dudes that came out of prison. He

1405
01:30:34,760 --> 01:30:38,760
Speaker 1: gives us social Security numbers, forged their fucking I d s.

1406
01:30:40,479 --> 01:30:42,200
Speaker 1: And and he's like, just come and play for me

1407
01:30:42,280 --> 01:30:44,040
Speaker 1: for one year. I'll change your life, You'll be in

1408
01:30:44,080 --> 01:30:49,840
Speaker 1: the NBA one year. I think fucking John Calipari is

1409
01:30:49,880 --> 01:30:54,479
Speaker 1: a fucking sleeves ball, fucking grease ball. Fuck okay, I

1410
01:30:54,920 --> 01:30:57,040
Speaker 1: think this guy is so filthy dirty. I don't know

1411
01:30:57,160 --> 01:31:00,880
Speaker 1: how the fuck there's no sanctions on Kentucky and and

1412
01:31:01,000 --> 01:31:03,240
Speaker 1: and every year he's get like twenty seven year olds

1413
01:31:03,280 --> 01:31:05,680
Speaker 1: playing and they're like freshman and every you know, and

1414
01:31:05,760 --> 01:31:07,559
Speaker 1: he's got like guys that like have just come out

1415
01:31:07,600 --> 01:31:09,800
Speaker 1: of jail, and like they have no birth certificates, no

1416
01:31:09,920 --> 01:31:12,240
Speaker 1: Social Security numbers, and you give him a fucking name

1417
01:31:12,280 --> 01:31:14,639
Speaker 1: and he's like, he's an eighteen year old Katie's from Florida,

1418
01:31:14,800 --> 01:31:17,760
Speaker 1: he's my friend. No, he's not. He's thirty six, and

1419
01:31:17,800 --> 01:31:21,200
Speaker 1: he's a fucking and he just fucking you found him

1420
01:31:21,600 --> 01:31:24,639
Speaker 1: in in the fucking penile system. And and like where

1421
01:31:24,680 --> 01:31:26,560
Speaker 1: does he find these fucking guys? And how is he

1422
01:31:26,720 --> 01:31:29,200
Speaker 1: not how is he not busted for anything? And then

1423
01:31:29,240 --> 01:31:32,240
Speaker 1: they say he's this great fucking coach. I don't think

1424
01:31:32,280 --> 01:31:34,639
Speaker 1: he's that fucking great. I think he's a great fucking cheater.

1425
01:31:36,240 --> 01:31:38,760
Speaker 1: That's right, you know what the funk I say, what

1426
01:31:39,400 --> 01:31:43,920
Speaker 1: they're such great coaches? Yeah? Right? What you do to

1427
01:31:44,120 --> 01:31:47,519
Speaker 1: prove that to me, is you fucking sit all the

1428
01:31:47,840 --> 01:31:53,000
Speaker 1: all your black players right right, and then you put

1429
01:31:53,080 --> 01:31:55,559
Speaker 1: the other scrubs in right right, and let me see

1430
01:31:55,560 --> 01:31:58,360
Speaker 1: you fucking win the game like that guy and Princeton

1431
01:31:58,920 --> 01:32:02,800
Speaker 1: place Pete something dude, the coach of Princeton would win.

1432
01:32:02,920 --> 01:32:08,240
Speaker 1: He beat fucking they beat big teams, all those teams.

1433
01:32:08,920 --> 01:32:12,559
Speaker 1: This guy Calipari, he's, this guy's this guy's rotten man

1434
01:32:12,640 --> 01:32:16,080
Speaker 1: in his suits and his hair and the bullshit, and

1435
01:32:16,240 --> 01:32:19,680
Speaker 1: like we're going undefeated and say, fucking bullshit, man, this

1436
01:32:19,800 --> 01:32:22,240
Speaker 1: guy has He's one of the big reasons why college

1437
01:32:22,280 --> 01:32:25,320
Speaker 1: basketball is ship. Now. I know the players want to leave,

1438
01:32:25,640 --> 01:32:27,479
Speaker 1: but he sends these guys to the NBA. They don't

1439
01:32:27,479 --> 01:32:30,000
Speaker 1: even know how to fucking play, man. They get in there,

1440
01:32:30,200 --> 01:32:33,000
Speaker 1: they they're they're there's they're just great athletes there twenty

1441
01:32:33,080 --> 01:32:36,960
Speaker 1: seven they've been playing a AU, they got fake birth certificates,

1442
01:32:37,080 --> 01:32:39,080
Speaker 1: and it takes three to five years to these fucking

1443
01:32:39,120 --> 01:32:41,400
Speaker 1: guys to even figure out how to play in the NBA.

1444
01:32:41,640 --> 01:32:46,160
Speaker 1: It's bullshit. It's fucking rotten man. And n CIA basketball,

1445
01:32:46,400 --> 01:32:49,080
Speaker 1: the the you know, the big league schools, it's all

1446
01:32:49,160 --> 01:32:52,479
Speaker 1: fucking rick Pattino, he's on that ship. To remember, he

1447
01:32:52,600 --> 01:32:54,320
Speaker 1: was freaking off a few years what wait, what did

1448
01:32:54,360 --> 01:32:56,479
Speaker 1: he do? He freaked off in a uh he had

1449
01:32:56,520 --> 01:33:00,120
Speaker 1: his lowfout and the Applebee's or something like that. Up

1450
01:33:00,200 --> 01:33:03,400
Speaker 1: he go. He did some wild stuff. Man. Yeah. Man,

1451
01:33:03,960 --> 01:33:07,559
Speaker 1: these two fucking guys man, they're they're they're they're they're crooks, man,

1452
01:33:07,880 --> 01:33:09,880
Speaker 1: They're fucking crooks. Man. That's just how I feel like.

1453
01:33:09,920 --> 01:33:12,360
Speaker 1: I think they should do a reboot of good Fellas

1454
01:33:12,560 --> 01:33:15,360
Speaker 1: and have Calipari play the fucking de Niro part and

1455
01:33:15,439 --> 01:33:17,639
Speaker 1: Rick Pettino played the pasty part. I mean, those guys

1456
01:33:17,680 --> 01:33:21,160
Speaker 1: are fucking and didn't get fucking uh you know, and

1457
01:33:21,200 --> 01:33:23,120
Speaker 1: you get Dick Vitell in there too, because he's a

1458
01:33:23,160 --> 01:33:25,960
Speaker 1: fucking shady character. To man, it's it's just bullshit, man,

1459
01:33:26,360 --> 01:33:28,280
Speaker 1: and c A when when when I was growing up

1460
01:33:28,640 --> 01:33:31,920
Speaker 1: and and but before this new era of basketball, college

1461
01:33:31,960 --> 01:33:36,240
Speaker 1: basketball was beautiful. Now it's just a fucking ship fling man. Yeah. Yeah,

1462
01:33:36,320 --> 01:33:39,280
Speaker 1: all the fucking uh they you know, they got the

1463
01:33:39,360 --> 01:33:44,360
Speaker 1: fucking all the big fucking ringers, man, ringers undefeated. We're undefeating.

1464
01:33:44,400 --> 01:33:47,599
Speaker 1: Of course, you undefeating. He's got the best. You got

1465
01:33:47,680 --> 01:33:51,040
Speaker 1: the best moment. Yeah, you got fucking twenty nine year

1466
01:33:51,040 --> 01:33:53,840
Speaker 1: old guys. These guys shaved twice a fucking day. Man,

1467
01:33:54,280 --> 01:33:57,080
Speaker 1: They're like, they're like beyond men. Some of those fucking

1468
01:33:57,120 --> 01:34:00,960
Speaker 1: players on Kentucky got fucking they got full fucking beards.

1469
01:34:01,200 --> 01:34:03,599
Speaker 1: Harry fucking Chest. I mean, when I was fucking eighteen

1470
01:34:03,680 --> 01:34:05,680
Speaker 1: years old, I was a scorny piece of ship. How

1471
01:34:05,720 --> 01:34:08,000
Speaker 1: are these guys so fucking huge and big and with

1472
01:34:08,120 --> 01:34:10,479
Speaker 1: the beards. What the fund is going on over here?

1473
01:34:10,920 --> 01:34:18,760
Speaker 1: Damn Bill Russell. I know it's almost sacrilegious and it's

1474
01:34:18,760 --> 01:34:24,360
Speaker 1: almost like insulting Jesus Christ himself. But Bill Russell, just

1475
01:34:24,520 --> 01:34:28,320
Speaker 1: to prove that you're not perfect, the next time you

1476
01:34:28,439 --> 01:34:31,960
Speaker 1: come out in public for an All Star game or

1477
01:34:33,000 --> 01:34:36,200
Speaker 1: or or or anything an event and your royalty, I

1478
01:34:36,280 --> 01:34:38,760
Speaker 1: am gonna give you this, then why don't you get

1479
01:34:38,920 --> 01:34:41,760
Speaker 1: a fucking haircut? What's so with his wife? What's the

1480
01:34:42,120 --> 01:34:44,719
Speaker 1: why she not kicking that ship to him? Like Russell,

1481
01:34:44,880 --> 01:34:48,400
Speaker 1: you are royalty, then why don't you present yourself? Your

1482
01:34:48,479 --> 01:34:51,880
Speaker 1: beard is fucked up? You know, your whole crop is

1483
01:34:52,000 --> 01:34:57,280
Speaker 1: fucked up. Like like if you NBA type staff, you

1484
01:34:57,439 --> 01:35:00,360
Speaker 1: fifty greatest yo, you need to have your it looking

1485
01:35:00,400 --> 01:35:02,720
Speaker 1: like that, and David Stern and Adam Silver should kick

1486
01:35:02,760 --> 01:35:04,640
Speaker 1: it to him, like, Yo, come up, yo, we need

1487
01:35:04,720 --> 01:35:07,160
Speaker 1: to talk to you man. You represent the NBA. You're

1488
01:35:07,160 --> 01:35:11,600
Speaker 1: looking like a bum, yo. Like you like you, like

1489
01:35:11,720 --> 01:35:15,720
Speaker 1: you want some holy ship. Bill Russell, we respect you.

1490
01:35:17,120 --> 01:35:21,000
Speaker 1: My father, my father is your age. And my father

1491
01:35:21,120 --> 01:35:24,400
Speaker 1: doesn't have keepers, and my father lives alone. I see him.

1492
01:35:24,840 --> 01:35:29,240
Speaker 1: His ship is shaved, his groomed. He's cropped, shave shave

1493
01:35:29,760 --> 01:35:32,920
Speaker 1: and and and and and the peasy ship. I think

1494
01:35:32,960 --> 01:35:35,479
Speaker 1: it's disrespectful for him to show up at events like that.

1495
01:35:36,720 --> 01:35:38,360
Speaker 1: I know that you're older, and if I saw you,

1496
01:35:38,439 --> 01:35:40,880
Speaker 1: I would always Mr Russell, and you'd be rude to me.

1497
01:35:41,000 --> 01:35:44,000
Speaker 1: I sat at the table with Bill Russell fifteen years

1498
01:35:44,040 --> 01:35:46,680
Speaker 1: ago at a nets game. It was a small They

1499
01:35:46,720 --> 01:35:49,599
Speaker 1: had these courtside seats. It was there were small seats.

1500
01:35:50,600 --> 01:35:52,760
Speaker 1: The courtside seats were tables, and it was four of us.

1501
01:35:53,040 --> 01:35:57,720
Speaker 1: It was me um, a girl, and it was Bill

1502
01:35:57,840 --> 01:36:00,280
Speaker 1: Russell and what I believe to be his wife, and

1503
01:36:00,320 --> 01:36:04,200
Speaker 1: we were elbow to elbow and he didn't even fucking

1504
01:36:04,320 --> 01:36:07,519
Speaker 1: look at me in the face. Okay, now you don't

1505
01:36:07,520 --> 01:36:09,720
Speaker 1: have to your Bill Russell. I don't care for you.

1506
01:36:10,360 --> 01:36:13,840
Speaker 1: I'm nobody. But my ship is clean, and I was

1507
01:36:13,960 --> 01:36:17,960
Speaker 1: shaved and I had a fucking haircut. Bill Russell looks

1508
01:36:17,960 --> 01:36:20,599
Speaker 1: like a fucking somebody dragged. He looked at somebody dragged

1509
01:36:20,680 --> 01:36:25,559
Speaker 1: his ass out of listen. Do you think that's rude?

1510
01:36:26,600 --> 01:36:29,160
Speaker 1: That's it. I think that's rude. And I'm saying it

1511
01:36:29,280 --> 01:36:32,000
Speaker 1: on his part, and I think it's rude that people

1512
01:36:32,040 --> 01:36:33,720
Speaker 1: are not We're the only one, you know what. I

1513
01:36:33,800 --> 01:36:36,360
Speaker 1: think it's fucking rude. All the people that are bowing

1514
01:36:36,400 --> 01:36:38,280
Speaker 1: down to say Bill Russell's the greatest player on in

1515
01:36:38,360 --> 01:36:41,280
Speaker 1: the planet, then do this. If you love Bill Russell

1516
01:36:41,360 --> 01:36:45,559
Speaker 1: so much, then say you're the greatest player on the planet.

1517
01:36:45,680 --> 01:36:50,680
Speaker 1: Look like it. Look like it. Show up with a

1518
01:36:50,800 --> 01:36:54,200
Speaker 1: fucking shave, and and and your your hair fixed, shave,

1519
01:36:54,320 --> 01:36:58,559
Speaker 1: your ship, your ship. You're out there on public world

1520
01:36:58,600 --> 01:37:02,040
Speaker 1: of up. But you out there and national television. I

1521
01:37:02,160 --> 01:37:04,320
Speaker 1: know you're an older gentleman. I and this is not

1522
01:37:04,479 --> 01:37:07,759
Speaker 1: to be disrespectful about the but just you're the greatest

1523
01:37:07,800 --> 01:37:11,280
Speaker 1: player ever, and you fans think that he's the greatest

1524
01:37:11,280 --> 01:37:14,320
Speaker 1: player ever, then it is your duty to say Bill Russell.

1525
01:37:14,720 --> 01:37:19,120
Speaker 1: Mr Russell, Mr eleven championships, nine championships. How many championship

1526
01:37:19,160 --> 01:37:21,559
Speaker 1: he's got. You need to present yourself like a fucking

1527
01:37:21,600 --> 01:37:24,439
Speaker 1: gentleman because you don't look right. What I was saying

1528
01:37:24,640 --> 01:37:26,800
Speaker 1: was what the NBA plays, and I'm gonna funk with

1529
01:37:26,880 --> 01:37:29,640
Speaker 1: my man Kevin Durant right now. Yo, money, you need

1530
01:37:29,680 --> 01:37:34,800
Speaker 1: to get some new now on your ship. Word. You

1531
01:37:34,880 --> 01:37:37,960
Speaker 1: can't be in the NBA with peas head. All the

1532
01:37:38,040 --> 01:37:41,439
Speaker 1: black people know what I'm talking about. Putting the mic there.

1533
01:37:42,920 --> 01:37:47,920
Speaker 1: He got a fucking peasy head and he's on national television. Yo,

1534
01:37:48,240 --> 01:37:54,080
Speaker 1: get some new now, get some Murray's Yo waves waves,

1535
01:37:55,000 --> 01:38:01,080
Speaker 1: Jimmy Jackson waves, you're not looking good. Jada Kiss mentioned

1536
01:38:01,120 --> 01:38:08,080
Speaker 1: you shit is peasy, yo. Kevin Durant, Yeah, we love

1537
01:38:08,200 --> 01:38:11,320
Speaker 1: Kevin Durant, love Kevin Durant. But you want it easy, man,

1538
01:38:11,680 --> 01:38:17,519
Speaker 1: You want to fucking television. Yo, we're here. It's two

1539
01:38:17,600 --> 01:38:22,400
Speaker 1: thousand and and uh. You know, there's been so much

1540
01:38:22,479 --> 01:38:25,200
Speaker 1: going on in the world, so much going on in

1541
01:38:25,280 --> 01:38:28,920
Speaker 1: the news, so much going on in sports, and so

1542
01:38:29,080 --> 01:38:31,320
Speaker 1: much going on with the I Am Rappapor podcast. I

1543
01:38:31,360 --> 01:38:34,160
Speaker 1: don't even know where to start movie. I don't even

1544
01:38:34,200 --> 01:38:37,679
Speaker 1: know where to fun to start. Generald, where do we start.

1545
01:38:38,200 --> 01:38:41,280
Speaker 1: We did this thing on Bill Russell, and I don't

1546
01:38:41,280 --> 01:38:43,280
Speaker 1: want to keep talking about Bill Russell, but I have

1547
01:38:43,439 --> 01:38:46,400
Speaker 1: to fucking defend myself. We gotta start this ship now.

1548
01:38:47,400 --> 01:38:51,479
Speaker 1: When when you talk about Bill Russell, you gotta you

1549
01:38:51,560 --> 01:38:55,559
Speaker 1: gotta really be careful because it's it's literally a very

1550
01:38:55,640 --> 01:39:00,320
Speaker 1: sensitive topic. People that never ever ever have seen a

1551
01:39:00,479 --> 01:39:05,120
Speaker 1: full game that Bill Russell played in live, let alone

1552
01:39:05,200 --> 01:39:08,080
Speaker 1: on tape. Forget if you saw him live. People who

1553
01:39:08,120 --> 01:39:10,920
Speaker 1: have never seen a full game of Bill Russell playing

1554
01:39:10,960 --> 01:39:15,000
Speaker 1: basketball from beginning to end. We'll sit there and tell you,

1555
01:39:15,680 --> 01:39:19,280
Speaker 1: Michael Rappaport, you don't know a fucking thing about basketball

1556
01:39:19,280 --> 01:39:21,400
Speaker 1: if you don't think Bill Russell is the best basketball

1557
01:39:21,439 --> 01:39:25,320
Speaker 1: player ever and you never saw him play. We made

1558
01:39:25,400 --> 01:39:29,560
Speaker 1: some comments about his fucking wig piece. We made some

1559
01:39:29,760 --> 01:39:40,040
Speaker 1: comments about his whole crop. Unkempt. Oh. The thing is

1560
01:39:40,120 --> 01:39:43,439
Speaker 1: is that when you talk about Bill Russell, man, I

1561
01:39:43,600 --> 01:39:47,640
Speaker 1: was listen, let's not discuss him maybe or maybe not

1562
01:39:47,920 --> 01:39:53,120
Speaker 1: being the greatest basketball player ever. I was simply saying,

1563
01:39:54,120 --> 01:39:58,439
Speaker 1: when the man comes out in public, he should have

1564
01:39:58,640 --> 01:40:03,120
Speaker 1: his wig piece, his side burns, his neck hairs, his

1565
01:40:03,280 --> 01:40:07,960
Speaker 1: whole crop ready to be ready for prime time trimmed.

1566
01:40:09,040 --> 01:40:12,320
Speaker 1: What do you think Red Orback would say to Bill

1567
01:40:12,400 --> 01:40:15,599
Speaker 1: Russell if he was alive today about his whole ship.

1568
01:40:15,920 --> 01:40:19,920
Speaker 1: I would think Red would say, you're representing the Celtics,

1569
01:40:20,960 --> 01:40:27,640
Speaker 1: You're representing Larry Bird, John Haveliceck, Bob fucking Cozy. When

1570
01:40:27,720 --> 01:40:32,000
Speaker 1: they come to the fucking banquets, they look like something.

1571
01:40:34,000 --> 01:40:38,719
Speaker 1: You look like a bum. I don't give a fuck

1572
01:40:38,880 --> 01:40:43,800
Speaker 1: what the Boston fans are saying and all that. We

1573
01:40:44,400 --> 01:40:49,920
Speaker 1: don't give a fuck. He's a winner. We are acknowledging

1574
01:40:50,080 --> 01:40:56,479
Speaker 1: he has a fucking winner. But we have eyesight too,

1575
01:40:59,200 --> 01:41:02,120
Speaker 1: And I'm police saying, you don't have to do it

1576
01:41:02,200 --> 01:41:04,599
Speaker 1: all year. Obviously you don't like to groom your ship.

1577
01:41:05,760 --> 01:41:08,280
Speaker 1: But when you show up to give the fucking trophy

1578
01:41:09,280 --> 01:41:11,760
Speaker 1: at All Star Game, and you show up to give

1579
01:41:11,840 --> 01:41:15,479
Speaker 1: the trophy in the NBA Finals, just if you don't

1580
01:41:15,479 --> 01:41:18,080
Speaker 1: want to do it, take your grass down to the

1581
01:41:18,160 --> 01:41:22,680
Speaker 1: barbershop and hook your ship up. Just because you won

1582
01:41:22,840 --> 01:41:25,559
Speaker 1: ten championships. That's to me. You can't comb your fucking hair.

1583
01:41:28,200 --> 01:41:32,439
Speaker 1: You can't even see lips. See, that's what's fucked up.

1584
01:41:33,760 --> 01:41:38,160
Speaker 1: You can't see his lips. Oh shit, all right, So

1585
01:41:38,240 --> 01:41:41,160
Speaker 1: let's move forward. That's it. We're not talking about the boys.

1586
01:41:41,360 --> 01:41:46,240
Speaker 1: We're not discussing Bill Russell anymore. That flat ship, that's

1587
01:41:46,280 --> 01:41:52,800
Speaker 1: it podcast. But you you, you were. You were making

1588
01:41:52,840 --> 01:41:56,639
Speaker 1: fun of me all year because I was all addicted

1589
01:41:56,680 --> 01:42:02,519
Speaker 1: and into my fantasy football. Yeah, you don't get that ship, right,

1590
01:42:02,960 --> 01:42:05,240
Speaker 1: I get it. I like it, and and and and

1591
01:42:05,360 --> 01:42:07,880
Speaker 1: and and I came in second. I've talked about this.

1592
01:42:08,280 --> 01:42:12,080
Speaker 1: I came in second on the Howard Stern fantasy because

1593
01:42:12,080 --> 01:42:14,759
Speaker 1: if you're gonna do fantasy football, you gotta do the best.

1594
01:42:16,160 --> 01:42:32,120
Speaker 1: Fa fooi blah blah bah bah bah ba baimooi. Anyway,

1595
01:42:32,160 --> 01:42:36,240
Speaker 1: he beat me in the finals. And uh, Matt Berry,

1596
01:42:36,280 --> 01:42:40,519
Speaker 1: who was on ESPN, who's the ESPN um, He's the

1597
01:42:40,600 --> 01:42:45,560
Speaker 1: big guru over the ESPN. Matthew Berry, he prefers. I

1598
01:42:45,920 --> 01:42:48,360
Speaker 1: didn't know this. All season long. I had been saying

1599
01:42:48,400 --> 01:42:51,760
Speaker 1: to him, Matt Berry, Matt Berry, Matt Berry. I'd email him,

1600
01:42:51,760 --> 01:42:54,720
Speaker 1: Matt Berry, fuck you, Matt Berry. I'm gonna fucking bury you.

1601
01:42:54,800 --> 01:42:59,320
Speaker 1: Matt Berry. Get it, get it. And uh, you know,

1602
01:42:59,439 --> 01:43:01,880
Speaker 1: but I anytime I would say, whether it was nice

1603
01:43:01,960 --> 01:43:04,519
Speaker 1: or derogatory, it was always Matt Berry. And then I

1604
01:43:04,680 --> 01:43:07,240
Speaker 1: learned that he likes to be called Matthew Berry. So

1605
01:43:08,040 --> 01:43:10,720
Speaker 1: I think he thought I was like, he's I think

1606
01:43:10,800 --> 01:43:15,160
Speaker 1: he assumes that everybody should know. Oh yeah, Matthew Berry

1607
01:43:15,600 --> 01:43:18,320
Speaker 1: doesn't like to be called Matt Berry. Like how the

1608
01:43:18,640 --> 01:43:22,200
Speaker 1: motherfucker's know that? I don't fucking know are you talking about?

1609
01:43:22,280 --> 01:43:26,720
Speaker 1: But now we call you Matthew, know what call him?

1610
01:43:29,280 --> 01:43:33,559
Speaker 1: That's what we call you. Now you never get called Matthew.

1611
01:43:35,439 --> 01:43:37,479
Speaker 1: Now you now that I know this is something you

1612
01:43:37,960 --> 01:43:41,160
Speaker 1: don't like, You're You're You're never gonna be called Matthew

1613
01:43:41,280 --> 01:43:47,000
Speaker 1: ever again accentuated, brother, it's matt to tease. Your name

1614
01:43:47,080 --> 01:43:51,960
Speaker 1: is Matt Berry, Matt Nick. Because let me tell you something.

1615
01:43:53,160 --> 01:43:59,040
Speaker 1: With this fantasy ship of it, his luck, three percent

1616
01:43:59,120 --> 01:44:02,040
Speaker 1: of it is is doing some research, and two percent

1617
01:44:02,120 --> 01:44:08,600
Speaker 1: of it it's fucking it happenstance. There's no fucking gurus

1618
01:44:08,680 --> 01:44:14,120
Speaker 1: in fantasy. Yeah, that's fucking ray. It's it's not fucking

1619
01:44:14,200 --> 01:44:21,519
Speaker 1: real fantasy. It's football. Anyway. On on the Fan on

1620
01:44:21,640 --> 01:44:25,759
Speaker 1: the Howard Stern Show, they were talking about the season

1621
01:44:25,960 --> 01:44:31,759
Speaker 1: ending and Gary de la Bonte and and and Howard.

1622
01:44:32,240 --> 01:44:34,200
Speaker 1: Just the fact that Howard Stern was talking I've been

1623
01:44:34,240 --> 01:44:36,240
Speaker 1: on the show. But you know, he's so legendary now,

1624
01:44:36,360 --> 01:44:38,760
Speaker 1: Like I was like, oh, ship, Howard's talking about me.

1625
01:44:38,800 --> 01:44:40,960
Speaker 1: I've been on the show, I've had dinner with Howard.

1626
01:44:41,160 --> 01:44:44,479
Speaker 1: But he's so famous, he's so dope. He's like literally

1627
01:44:44,520 --> 01:44:48,800
Speaker 1: literally anyway, I was tripping out. But Gary de la

1628
01:44:48,880 --> 01:44:52,400
Speaker 1: Bonte said that Matt Barry doesn't respect me as a player,

1629
01:44:52,720 --> 01:44:55,920
Speaker 1: and I said, you don't playing, no, motherfuckering, it's not

1630
01:44:56,920 --> 01:45:00,439
Speaker 1: he doesn't respect me as you're fuck You're Matt Berry?

1631
01:45:00,479 --> 01:45:04,599
Speaker 1: What the fund is you saying? No? But we're fans.

1632
01:45:04,760 --> 01:45:07,040
Speaker 1: I'm just teasing. I'm just I don't think he gets

1633
01:45:07,400 --> 01:45:10,040
Speaker 1: my humor anyway. I don't think Matt Berry gets my humor,

1634
01:45:10,280 --> 01:45:13,120
Speaker 1: but I respect him. He's cool. I'm just breaking balls anyway.

1635
01:45:13,880 --> 01:45:19,080
Speaker 1: Let me my ship is yo. Yeah, what is it? Man?

1636
01:45:19,960 --> 01:45:23,720
Speaker 1: What do you remember any commercials about viagra when you

1637
01:45:23,880 --> 01:45:27,200
Speaker 1: was ten years old? No? I do not remember. So

1638
01:45:27,680 --> 01:45:31,160
Speaker 1: how the fuck all of a sudden, motherfucker's couldn't get hard?

1639
01:45:32,439 --> 01:45:35,680
Speaker 1: There's a problem. No, maybe they couldn't get hard back then,

1640
01:45:36,080 --> 01:45:40,040
Speaker 1: but there was no let no, there was no there

1641
01:45:40,120 --> 01:45:42,640
Speaker 1: was no medicine that was created for it. Maybe they

1642
01:45:42,680 --> 01:45:45,040
Speaker 1: were doing something else to keep that keep their dick brick,

1643
01:45:45,240 --> 01:45:49,040
Speaker 1: eat some garlic. You know, maybe they tried, but maybe

1644
01:45:49,080 --> 01:45:51,880
Speaker 1: even maybe their ship didn't work. What's your problem with viagra?

1645
01:45:52,560 --> 01:45:55,560
Speaker 1: Have you ever dropped a v No, because it's so

1646
01:45:55,760 --> 01:45:59,080
Speaker 1: much side effects? What do you? I know, they're like, oh,

1647
01:45:59,439 --> 01:46:02,120
Speaker 1: if you if if it ain't hard, it's hard for

1648
01:46:02,280 --> 01:46:05,519
Speaker 1: five five hours, then you gotta call a doctor. And

1649
01:46:05,640 --> 01:46:09,879
Speaker 1: if you gotta fucking it's all kind of ship, yo, Yo,

1650
01:46:11,400 --> 01:46:13,800
Speaker 1: if you ever had to, like I've had to, I've

1651
01:46:13,840 --> 01:46:18,240
Speaker 1: had a colonoscopy and I've had you know, fucking my

1652
01:46:18,360 --> 01:46:19,880
Speaker 1: body looked at and all that stuff. But if you

1653
01:46:20,000 --> 01:46:22,080
Speaker 1: have to call a doctor and say, yo, my ship

1654
01:46:22,760 --> 01:46:25,559
Speaker 1: won't go down, and he's like, what the fund you're

1655
01:46:25,560 --> 01:46:29,479
Speaker 1: told about? Like, Yo, my fucking dick. If you have

1656
01:46:29,600 --> 01:46:32,960
Speaker 1: to make that call and you gotta show in show

1657
01:46:33,040 --> 01:46:36,640
Speaker 1: up in there, and your ship is brick hard, and

1658
01:46:36,720 --> 01:46:39,360
Speaker 1: the doctors like, okay, show it to me, and you

1659
01:46:39,439 --> 01:46:42,519
Speaker 1: gotta take out a rock hard dick, and the doctor's

1660
01:46:42,520 --> 01:46:45,479
Speaker 1: gotta grab your rock hard dick. Yo. That is gonna

1661
01:46:45,520 --> 01:46:51,000
Speaker 1: get fucking weird quick, weird quick, and you're gonna be humiliating.

1662
01:46:51,040 --> 01:46:53,320
Speaker 1: The doctor's gonna be you know, like grabbing your ship

1663
01:46:53,880 --> 01:46:56,519
Speaker 1: and like, okay, can I touch it? All? Right? Does

1664
01:46:56,600 --> 01:46:58,560
Speaker 1: this hurt? Can you feel this? But what did they do?

1665
01:46:59,080 --> 01:47:02,439
Speaker 1: What did they do to I don't know what they do?

1666
01:47:02,640 --> 01:47:04,280
Speaker 1: But I never thought about it. If you have to

1667
01:47:04,320 --> 01:47:07,040
Speaker 1: go in there and your ship is brick hard, and

1668
01:47:07,200 --> 01:47:10,160
Speaker 1: the fucking doctors essentially gonna have to give you a

1669
01:47:10,240 --> 01:47:14,800
Speaker 1: hand job essentially to check you up, to check you out,

1670
01:47:14,880 --> 01:47:17,000
Speaker 1: he's gonna do that. He's gonna get you know what

1671
01:47:17,080 --> 01:47:20,759
Speaker 1: that he's gonna grab your grab your ball. What the fuck?

1672
01:47:22,640 --> 01:47:27,120
Speaker 1: I never ever thought about that. That's the fucking problem

1673
01:47:27,560 --> 01:47:31,360
Speaker 1: with what the viagra? Yo? Why my ship gotta be

1674
01:47:31,479 --> 01:47:35,040
Speaker 1: brick for five? I know I'm not. I'm not with

1675
01:47:35,160 --> 01:47:38,080
Speaker 1: it either, man, as far as the sex and and

1676
01:47:38,240 --> 01:47:40,479
Speaker 1: and like, yo, when I was younger, you'd want to

1677
01:47:40,560 --> 01:47:43,120
Speaker 1: like put in putting work like an hour and hour,

1678
01:47:43,640 --> 01:47:47,920
Speaker 1: not even an hour thirty minutes and then freak off

1679
01:47:48,080 --> 01:47:52,000
Speaker 1: later though it was it was like a big deal.

1680
01:47:52,080 --> 01:47:56,479
Speaker 1: Like yo, I bust three times. I bust four times,

1681
01:47:56,920 --> 01:48:00,599
Speaker 1: but in thirty minutes. That's a young man's game. I'm

1682
01:48:00,640 --> 01:48:03,479
Speaker 1: not with all that ship. And you could say that

1683
01:48:03,640 --> 01:48:07,759
Speaker 1: my fun game isn't good? Cool it's all good. That's fine.

1684
01:48:08,320 --> 01:48:11,040
Speaker 1: I know how I put it down. But I don't

1685
01:48:11,080 --> 01:48:12,880
Speaker 1: have time for that ship every day. I gotta, I gotta.

1686
01:48:13,200 --> 01:48:16,880
Speaker 1: I gotta get on Instagram. I gotta tweet ship, I gotta,

1687
01:48:16,920 --> 01:48:19,880
Speaker 1: I gotta, I gotta, you know, I gotta do ship.

1688
01:48:20,840 --> 01:48:23,519
Speaker 1: There's games to watch, you know. I gotta have to

1689
01:48:23,720 --> 01:48:25,360
Speaker 1: have things to do. I gotta pick up my kids.

1690
01:48:25,400 --> 01:48:27,960
Speaker 1: It's like a whole sure, there's a whole list of

1691
01:48:28,040 --> 01:48:31,320
Speaker 1: things that I have to do. Nobody fucking for five hours,

1692
01:48:33,439 --> 01:48:36,840
Speaker 1: motherfucker's is fucking for thirty minute. I didn't check the

1693
01:48:36,920 --> 01:48:40,400
Speaker 1: clock when I was fucking. I didn't check the clock.

1694
01:48:40,800 --> 01:48:45,080
Speaker 1: You got about fifteen minutes, yo, fifty It's that's a

1695
01:48:45,240 --> 01:48:50,160
Speaker 1: long that's like sucking being uh an anchor fifteen minutes screen,

1696
01:48:50,360 --> 01:48:54,960
Speaker 1: it's a long time. A fifteen minute fight, that's Oh,

1697
01:48:55,360 --> 01:48:58,719
Speaker 1: you will be tiring if if you if you're fucking

1698
01:48:59,040 --> 01:49:00,800
Speaker 1: for fifteen minutes, you I just want to quate that

1699
01:49:00,880 --> 01:49:04,000
Speaker 1: to a three round fight. Yes, that's a long time.

1700
01:49:04,200 --> 01:49:08,000
Speaker 1: So everybody tell you, yo, I'll be no. Don't believe that.

1701
01:49:08,640 --> 01:49:13,720
Speaker 1: I watched myself right thirty minutes tops. And that's and

1702
01:49:13,840 --> 01:49:16,960
Speaker 1: that's that's a long time. That's because I'm pausing. I'm

1703
01:49:17,040 --> 01:49:19,400
Speaker 1: taking ship out and I'm just laying on the side

1704
01:49:21,280 --> 01:49:24,800
Speaker 1: and then they go back in. But it ain't no,

1705
01:49:24,960 --> 01:49:30,280
Speaker 1: just daddy, fucking your body can't take it. It's gonna

1706
01:49:30,439 --> 01:49:35,680
Speaker 1: fucking explode. You're gonna break that. You're gonna explode and

1707
01:49:35,800 --> 01:49:38,160
Speaker 1: not not now, you're not gonna bust off. He means

1708
01:49:38,200 --> 01:49:41,519
Speaker 1: like you're you're gonna have a fucking heart attime. Word.

1709
01:49:42,000 --> 01:49:47,200
Speaker 1: So mother's yo. That viaggression. Nobody wants to be I

1710
01:49:47,240 --> 01:49:50,040
Speaker 1: don't want to do that. I don't emergency man, man,

1711
01:49:50,120 --> 01:49:52,400
Speaker 1: I don't want to do It's uncomfortable. No, I don't

1712
01:49:52,400 --> 01:49:57,200
Speaker 1: want to do that. This is the Iron Rappapor podcast.

1713
01:49:58,080 --> 01:50:02,920
Speaker 1: You know, everybody knows the news. Great Stewart Scott passed

1714
01:50:02,960 --> 01:50:08,240
Speaker 1: away ESPN anchor, and uh, you know I didn't. I

1715
01:50:08,320 --> 01:50:12,120
Speaker 1: didn't want to bring attention to myself. But um, when

1716
01:50:12,200 --> 01:50:14,679
Speaker 1: I meet him, well I didn't meet him. And actually

1717
01:50:14,800 --> 01:50:19,799
Speaker 1: when I won the Celebrity m v P Trophy, Stewart

1718
01:50:19,840 --> 01:50:24,040
Speaker 1: Scott gave me the trophy. I remember, and and so

1719
01:50:24,280 --> 01:50:26,439
Speaker 1: I have. That was that was my little exchange with

1720
01:50:26,479 --> 01:50:28,280
Speaker 1: Stewart Scott. And that was of course I was like,

1721
01:50:28,360 --> 01:50:31,360
Speaker 1: oh ship, I couldn't believe I was winning the trophy

1722
01:50:31,360 --> 01:50:33,840
Speaker 1: because I scored four points, and I couldn't believe that

1723
01:50:33,880 --> 01:50:35,840
Speaker 1: Stewart Scott was given it him because he gives like

1724
01:50:35,920 --> 01:50:38,280
Speaker 1: the trophy to the to the real game. So he

1725
01:50:38,360 --> 01:50:40,680
Speaker 1: gave me my little bullshit trophy and that was my uh,

1726
01:50:41,200 --> 01:50:43,360
Speaker 1: you know, my my pretty much my thing with Stewart Scott.

1727
01:50:43,439 --> 01:50:48,960
Speaker 1: But yo, Vladi vlady dotty, yo, remember that. I remember

1728
01:50:49,080 --> 01:50:52,320
Speaker 1: Stu Scott was a trailblazer man. And as far as uh,

1729
01:50:53,080 --> 01:50:58,000
Speaker 1: we have to acknowledge the importance of hip hop music

1730
01:50:58,400 --> 01:51:02,519
Speaker 1: and hip hop culture. Stewart Scott was spawned. He was

1731
01:51:02,560 --> 01:51:06,360
Speaker 1: a soul hip hop dude. But he brought hip hop

1732
01:51:07,240 --> 01:51:10,680
Speaker 1: two sports to esp in two, to the language of

1733
01:51:10,840 --> 01:51:15,720
Speaker 1: sports commentary. Trailblazer, He trailblazer, he used to say, for

1734
01:51:15,960 --> 01:51:17,800
Speaker 1: you know, boo yad. But when he remember, he was

1735
01:51:17,840 --> 01:51:23,160
Speaker 1: like Vladi vlady dotty and he was himself there. So

1736
01:51:23,640 --> 01:51:28,400
Speaker 1: we can acknowledge this man um as being because some

1737
01:51:28,600 --> 01:51:34,040
Speaker 1: black people get there and they feel they're the minority

1738
01:51:34,720 --> 01:51:39,680
Speaker 1: and they have to kind of change. But for a

1739
01:51:39,840 --> 01:51:46,040
Speaker 1: man to get there and be himself, right is saying

1740
01:51:46,080 --> 01:51:49,519
Speaker 1: a lot about him Yeah, true, good point. G Moody

1741
01:51:50,120 --> 01:51:52,880
Speaker 1: saying a lot about him and being yourself. Right, it's true.

1742
01:51:52,920 --> 01:51:59,360
Speaker 1: But like, who's an example of of commentators that weren't themselves. Oh, shoot,

1743
01:51:59,360 --> 01:52:01,840
Speaker 1: we're gonna go to Ryan Gumble. He was the O G.

1744
01:52:02,760 --> 01:52:08,280
Speaker 1: He's the O G. Greg Gumble is great. But Stewart

1745
01:52:08,320 --> 01:52:12,000
Speaker 1: Scott is a guy who you talk to on the street.

1746
01:52:12,240 --> 01:52:16,040
Speaker 1: You don't talk to about sports, Brian Kumble. It's not

1747
01:52:16,200 --> 01:52:19,320
Speaker 1: in that diction, it's not in that that that it's

1748
01:52:19,439 --> 01:52:22,360
Speaker 1: Stewart Scott. That's why he's a fucking star. That's why

1749
01:52:22,520 --> 01:52:28,560
Speaker 1: the superstar because, like Susie Colber said, when he was

1750
01:52:28,560 --> 01:52:31,400
Speaker 1: watching the ESPINN, oh, it was a segment of the

1751
01:52:31,760 --> 01:52:38,000
Speaker 1: population that was excluded, say black people, just say yo,

1752
01:52:38,600 --> 01:52:41,800
Speaker 1: black people were excluded, and he spoke to them. He

1753
01:52:42,000 --> 01:52:44,919
Speaker 1: came in and brought that ship to ESPN, and everybody

1754
01:52:45,000 --> 01:52:49,599
Speaker 1: loved it because everybody loves hip hop. So he's true,

1755
01:52:49,960 --> 01:52:52,400
Speaker 1: he's saying hip hop. Yeah, he was saying hip hop.

1756
01:52:52,479 --> 01:52:55,439
Speaker 1: He don't he that language. So that's why everybody loves it.

1757
01:52:55,680 --> 01:52:58,360
Speaker 1: But why these motherfucker's won't just say that. You gotta

1758
01:52:58,439 --> 01:53:02,240
Speaker 1: speak about race. You have to talk about race. United

1759
01:53:02,320 --> 01:53:07,519
Speaker 1: States didn't exist, never existed without that racism. In order

1760
01:53:07,600 --> 01:53:11,479
Speaker 1: to eradicate it, we have to fucking talk about got

1761
01:53:11,600 --> 01:53:17,680
Speaker 1: to talk about races. This is what I would do.

1762
01:53:18,000 --> 01:53:22,360
Speaker 1: What if I was Obama and his wife you got

1763
01:53:22,439 --> 01:53:26,439
Speaker 1: you don't got two years left right that last week

1764
01:53:27,600 --> 01:53:31,880
Speaker 1: or that last year, I'd say, fuck it her and

1765
01:53:32,000 --> 01:53:38,120
Speaker 1: do what Michelle. You're gonna get your braids right, braid

1766
01:53:38,200 --> 01:53:44,120
Speaker 1: your ship up, be who you are, braided up, and

1767
01:53:44,200 --> 01:53:47,040
Speaker 1: I'm gonna talk ship to these motherfucker's. Then we're gonna

1768
01:53:47,600 --> 01:53:49,840
Speaker 1: ride off into the sunset because you don't put up

1769
01:53:49,880 --> 01:53:52,160
Speaker 1: with eight years of the ship they this and the

1770
01:53:52,200 --> 01:53:55,920
Speaker 1: ship out this motherfucker right. See, the presidency don't matter

1771
01:53:56,800 --> 01:54:00,519
Speaker 1: when you win it. When you listen, win it, you're

1772
01:54:00,560 --> 01:54:07,160
Speaker 1: your fair game. Listen, the presidency don't matter because you're

1773
01:54:07,320 --> 01:54:09,240
Speaker 1: in it. What do you mean because you're in it?

1774
01:54:09,439 --> 01:54:11,560
Speaker 1: Because a black person is in it. That's why he

1775
01:54:11,640 --> 01:54:17,280
Speaker 1: dissen them. I got my man g Mouley in here

1776
01:54:17,960 --> 01:54:21,519
Speaker 1: and the verse of the week. I'm going with Big

1777
01:54:21,600 --> 01:54:26,960
Speaker 1: Daddy Kane the Symphony. Yes, oh you picked a gym,

1778
01:54:27,120 --> 01:54:31,840
Speaker 1: my brother setting it off, letting it off, beginning rough

1779
01:54:31,960 --> 01:54:34,920
Speaker 1: to the ending. You've never been in to move to

1780
01:54:35,080 --> 01:54:38,560
Speaker 1: grow with the smooth Rap Lord. Like a bottle of juice,

1781
01:54:39,360 --> 01:54:42,800
Speaker 1: rhymes are being poured down your ear, crisp and clear.

1782
01:54:43,560 --> 01:54:47,200
Speaker 1: Its prepared to wear and tear. It's smear. Then I'm

1783
01:54:47,240 --> 01:54:49,920
Speaker 1: out of here with a mark that you left to

1784
01:54:50,080 --> 01:54:53,240
Speaker 1: claim because rocking the party, you know it's a small thing.

1785
01:54:53,280 --> 01:54:57,120
Speaker 1: I ripped many places regular basis a broken down mike,

1786
01:54:57,600 --> 01:55:01,520
Speaker 1: only traces that I've been there in there at the party.

1787
01:55:02,120 --> 01:55:04,960
Speaker 1: The mic had my print and it was a body,

1788
01:55:05,680 --> 01:55:09,320
Speaker 1: So take caution. I'm not horsing around and to throw

1789
01:55:09,400 --> 01:55:13,120
Speaker 1: down clown. I'm taking your son, So just acknowledge the

1790
01:55:13,200 --> 01:55:17,400
Speaker 1: way that I kick it. Because Rap Rap, If Rap

1791
01:55:17,640 --> 01:55:21,920
Speaker 1: was a house, you'd be evicted. That that's a game.

1792
01:55:22,800 --> 01:55:26,360
Speaker 1: That's like Ship precursor to jay z Ship. This is

1793
01:55:26,480 --> 01:55:31,360
Speaker 1: Kane man and dismissed from the microphone, choking on a

1794
01:55:31,520 --> 01:55:35,800
Speaker 1: bone because Daddy's home and battling me is hazard is

1795
01:55:35,920 --> 01:55:39,120
Speaker 1: to health. So put a quarter in your ass because

1796
01:55:39,160 --> 01:55:44,040
Speaker 1: you played yourself like a game in an arcade. You

1797
01:55:44,120 --> 01:55:48,040
Speaker 1: need a far aid. I'm walking the path that made

1798
01:55:48,920 --> 01:55:55,280
Speaker 1: I'll attend, then begin a speech and reach and teach

1799
01:55:57,480 --> 01:55:59,760
Speaker 1: so I can let my lyrics blast like a bullet.

1800
01:55:59,840 --> 01:56:03,000
Speaker 1: My mouth is the gun, suckers, I pull it the trigger.

1801
01:56:03,200 --> 01:56:06,080
Speaker 1: Your figure. My pockets getting bigger because when it comes

1802
01:56:06,160 --> 01:56:09,480
Speaker 1: to money, YO, grants my nigger. You got the groove,

1803
01:56:09,720 --> 01:56:17,760
Speaker 1: ulysses Yo Yo. Big Daddy Kane is one of my

1804
01:56:17,920 --> 01:56:22,040
Speaker 1: favorite fucking guys I saw. Did you ever see this motherfucker?

1805
01:56:22,120 --> 01:56:25,960
Speaker 1: When he was background guy for BIS Market, He would

1806
01:56:25,960 --> 01:56:27,480
Speaker 1: like let him get up there and rhyme at the

1807
01:56:27,640 --> 01:56:29,720
Speaker 1: end of the show. And you know, I just like

1808
01:56:30,080 --> 01:56:33,640
Speaker 1: I told you, he did some ship like like Bear

1809
01:56:34,760 --> 01:56:37,520
Speaker 1: and I was like, Yo, this dude was rhyming. I

1810
01:56:37,600 --> 01:56:41,080
Speaker 1: remember I told you this dude was rhyming with Bisy

1811
01:56:41,200 --> 01:56:43,280
Speaker 1: was good? I didn't. And then when Raw came out,

1812
01:56:43,360 --> 01:56:45,840
Speaker 1: was it roar or ain't no halfste what was it? Raw?

1813
01:56:46,080 --> 01:56:50,120
Speaker 1: Probably get into it or set it off? Big Daddy King.

1814
01:56:51,160 --> 01:56:56,200
Speaker 1: He goes in my top five, my top five m

1815
01:56:56,280 --> 01:56:58,320
Speaker 1: c S. Chris Rock has this movie coming out, It's

1816
01:56:58,360 --> 01:57:03,760
Speaker 1: called Top Five, and he asks, yeah, these are my

1817
01:57:03,880 --> 01:57:07,080
Speaker 1: top fives? You fuck you? Could you could say these

1818
01:57:07,120 --> 01:57:10,120
Speaker 1: top five or you could change them. You could add

1819
01:57:10,160 --> 01:57:14,920
Speaker 1: to him, these are my top five. Big Daddy came

1820
01:57:15,280 --> 01:57:20,520
Speaker 1: in no particular order. Big Daddy Kane Krs won the

1821
01:57:20,600 --> 01:57:25,240
Speaker 1: blast Master because you got a dopey I gotta yo.

1822
01:57:25,640 --> 01:57:28,160
Speaker 1: Harris one was on that ship. He was on that

1823
01:57:28,480 --> 01:57:31,040
Speaker 1: m C like he really the styles of flipping like

1824
01:57:32,280 --> 01:57:35,920
Speaker 1: all that. He gotta be up there. Rock him. Who

1825
01:57:36,240 --> 01:57:38,240
Speaker 1: if you didn't hear me talk about this a few

1826
01:57:38,320 --> 01:57:41,360
Speaker 1: podcasts ago, I just got to meet and it was

1827
01:57:41,440 --> 01:57:44,160
Speaker 1: like rock him, and I say this with all due respect,

1828
01:57:44,240 --> 01:57:47,160
Speaker 1: and the best way was frozen in time. He looked

1829
01:57:47,400 --> 01:57:51,480
Speaker 1: like he was in nine. He looked the same. He

1830
01:57:51,600 --> 01:57:55,800
Speaker 1: hasn't fucking aged. He he was just as cool as

1831
01:57:55,880 --> 01:58:01,960
Speaker 1: a motherfucking cucumber. Kane Krs and rock Him, and I

1832
01:58:02,080 --> 01:58:04,960
Speaker 1: still dream about a song being made with the three

1833
01:58:05,000 --> 01:58:08,440
Speaker 1: of them. That's fucking three. You've got two more left, bro.

1834
01:58:09,320 --> 01:58:14,800
Speaker 1: I go with nas Escarbar and jay Z as far

1835
01:58:14,880 --> 01:58:18,080
Speaker 1: as a body of work, jay Z, what about cool J?

1836
01:58:19,280 --> 01:58:23,000
Speaker 1: Ll cool J is a motherfucker ll cool J. But

1837
01:58:23,160 --> 01:58:25,800
Speaker 1: but you know he's had, he's had, he's had lulls.

1838
01:58:26,520 --> 01:58:29,560
Speaker 1: Like you know, Llo Cools is like almost like Kobe Bryant,

1839
01:58:29,720 --> 01:58:32,720
Speaker 1: Like I love Llo Cools, I love Kobe. I fucking

1840
01:58:32,760 --> 01:58:36,640
Speaker 1: can't stand hello Coolz. Fucking Kobe Man. Cut your fucking hair.

1841
01:58:37,640 --> 01:58:40,360
Speaker 1: I love Hello cool J, you know, and now like

1842
01:58:40,440 --> 01:58:44,440
Speaker 1: everybody loves Hello cool J because he's like type. And

1843
01:58:44,680 --> 01:58:46,720
Speaker 1: I say good I did a movie with him, Deep

1844
01:58:46,720 --> 01:58:49,360
Speaker 1: Blue C. Shout out to Deep Blue C. But as

1845
01:58:49,400 --> 01:58:52,800
Speaker 1: far as an MC, I mean, obviously you know he's

1846
01:58:52,920 --> 01:58:56,720
Speaker 1: he's first generation. I mean, ll cool J is iconic.

1847
01:58:56,840 --> 01:58:59,960
Speaker 1: He's like if you put him under the right beat,

1848
01:59:00,080 --> 01:59:01,960
Speaker 1: I put him up against anybody right now. I think

1849
01:59:02,040 --> 01:59:04,120
Speaker 1: just some of the beats that he chooses. But he's

1850
01:59:04,160 --> 01:59:06,920
Speaker 1: done so much I don't I mean, listen, I got

1851
01:59:07,040 --> 01:59:09,520
Speaker 1: fuck you want to hear my fucking top five? Yeah, yeah,

1852
01:59:09,560 --> 01:59:13,080
Speaker 1: you go ahead. I got fucking Mellie mel Melvin Glover,

1853
01:59:14,680 --> 01:59:20,560
Speaker 1: I got fucking Big Daddy, the cool Genius of rap,

1854
01:59:21,000 --> 01:59:24,680
Speaker 1: Corona Queens in the house, and I fucking got Rock Kim,

1855
01:59:24,760 --> 01:59:27,680
Speaker 1: who's a cool genius rap rap. You gotta explain that.

1856
01:59:27,760 --> 01:59:30,080
Speaker 1: You can't just say the cool mother is supposed to

1857
01:59:30,120 --> 01:59:32,160
Speaker 1: know that. You're all those hipsters. You're supposed to know that,

1858
01:59:33,560 --> 01:59:37,480
Speaker 1: oh oh yeah, they know so much about hip hop.

1859
01:59:37,560 --> 01:59:39,960
Speaker 1: But that's why I said that, if you know about

1860
01:59:40,280 --> 01:59:43,040
Speaker 1: hip hop music, if I say the cool genius of rap,

1861
01:59:43,520 --> 01:59:50,640
Speaker 1: immediately you know that Nathaniel Wilson, cool g rap Now

1862
01:59:51,760 --> 01:59:57,640
Speaker 1: I care my law Yeah, rock him and the blast Master.

1863
01:59:58,280 --> 02:00:01,360
Speaker 1: Oh now, people say you even now biggies smalls and

1864
02:00:01,960 --> 02:00:05,240
Speaker 1: we differ opinions on Eminem because for me, now listen,

1865
02:00:05,400 --> 02:00:07,160
Speaker 1: I don't want to get in any beef with Marshall

1866
02:00:07,200 --> 02:00:12,000
Speaker 1: Mathers because he's sick. But as a wordsman, as a

1867
02:00:12,040 --> 02:00:15,480
Speaker 1: spure m C, he's he's definitely should be talked about

1868
02:00:15,480 --> 02:00:19,080
Speaker 1: in the top five. But as a songmaker, I feel like,

1869
02:00:19,360 --> 02:00:21,520
Speaker 1: and I say this with all due respect, I don't

1870
02:00:21,520 --> 02:00:25,440
Speaker 1: want Marshall Mathers know I mean nothing about you. I

1871
02:00:25,560 --> 02:00:28,640
Speaker 1: want you to say anything about me. So I'm saying

1872
02:00:28,720 --> 02:00:32,680
Speaker 1: this truly, You're you're your top. Eminem as a motherfucker,

1873
02:00:32,800 --> 02:00:35,000
Speaker 1: he's a motherfucker. I say, you're a mother. He's a

1874
02:00:35,080 --> 02:00:37,680
Speaker 1: hip hop Hall of Famer. But but but I feel

1875
02:00:37,720 --> 02:00:40,720
Speaker 1: like some of the beats that he chooses are more

1876
02:00:41,600 --> 02:00:45,120
Speaker 1: bigger and broader than pure hip hop, and I would

1877
02:00:45,200 --> 02:00:47,320
Speaker 1: like to see, and I say this with all due respect,

1878
02:00:47,480 --> 02:00:52,440
Speaker 1: Eminem just do a straight boom bap hip hop album

1879
02:00:52,480 --> 02:00:58,680
Speaker 1: with Pete Rock and fucking Premier Premier Law Professor, fucking ninth,

1880
02:00:58,760 --> 02:01:03,200
Speaker 1: wonder Q Tip could do some beats. Do that ship

1881
02:01:03,360 --> 02:01:05,600
Speaker 1: like Nas did when he came out. Please do it,

1882
02:01:06,000 --> 02:01:09,280
Speaker 1: Please do it, because if Eminem did it because of

1883
02:01:09,360 --> 02:01:13,000
Speaker 1: his popularity, he could change the course of what these

1884
02:01:13,080 --> 02:01:16,800
Speaker 1: young fuckers are doing in that bullshit. We don't have

1885
02:01:16,880 --> 02:01:20,760
Speaker 1: to name names, but that that bullshit. A lot of

1886
02:01:20,840 --> 02:01:22,880
Speaker 1: what's going on now is bullshit. But so Eminem, I'm

1887
02:01:22,880 --> 02:01:25,760
Speaker 1: not I don't want any problems with you. I've never

1888
02:01:25,840 --> 02:01:28,840
Speaker 1: met you. I'm a humongous are the bad motherfucker man,

1889
02:01:29,000 --> 02:01:31,720
Speaker 1: You're one of the baddest motherfucker. I'm just saying I

1890
02:01:31,880 --> 02:01:34,880
Speaker 1: want to hear the beats. He knows what I'm talking about.

1891
02:01:35,000 --> 02:01:38,080
Speaker 1: Boom bap, boom bap music, boom sound. So if you

1892
02:01:38,160 --> 02:01:41,440
Speaker 1: have to do a sixth guy in your top five,

1893
02:01:42,000 --> 02:01:44,760
Speaker 1: and it couldn't be someone from my list, who would

1894
02:01:44,760 --> 02:01:46,440
Speaker 1: it be? So we who? This is? Who we have

1895
02:01:46,520 --> 02:01:50,360
Speaker 1: lingering around ghost face, We have bust the rhymes we

1896
02:01:50,520 --> 02:01:56,080
Speaker 1: have um Eminem didn't make your list, Eminem, Eminem, I

1897
02:01:56,160 --> 02:02:00,480
Speaker 1: have to he said, Yo, he kicks a lot of flash. Yeah,

1898
02:02:00,520 --> 02:02:04,920
Speaker 1: he gives his fly. Eminem is a motherfun like. That's

1899
02:02:05,000 --> 02:02:08,320
Speaker 1: that's that clever rap shit. That's what it's about. For me. Yeah,

1900
02:02:08,560 --> 02:02:11,280
Speaker 1: so eminem would be here. So just anstead long story

1901
02:02:11,360 --> 02:02:14,600
Speaker 1: short here, Buddy M. This is the Iron Wrap for

1902
02:02:14,800 --> 02:02:16,120
Speaker 1: podcast and we have