WEBVTT - Optimal Inattention

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<v Speaker 1>Welcome to Stuff to Blow Your Mind from How Stuff

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<v Speaker 1>Works dot com. Hey you welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb and I'm Julie Douglas.

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<v Speaker 1>You know, we're both writers. A lot of writing goes

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<v Speaker 1>into what we do here at at How Stuff Works

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<v Speaker 1>and Stuff to Blow your Mind. Um, and as writers

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<v Speaker 1>were always engaging in those, uh, those environmental situations where

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<v Speaker 1>how am I how am I going to focus on

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<v Speaker 1>what I'm working on here on the page and in

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<v Speaker 1>my mind and in that sort of unreal space between

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<v Speaker 1>the two, while also having to deal with vehicles roaring by,

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<v Speaker 1>with people walking by, people falling down, animals, weather patterns,

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<v Speaker 1>you name it. Yeah, it's a lot of wooing of

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<v Speaker 1>the mind. And Chekhov has said, if you look at

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<v Speaker 1>anything long enough, say just that wall in front of you,

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<v Speaker 1>it will come out of that wall. And that's the idea,

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<v Speaker 1>right that we're going to cover today, this idea of

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<v Speaker 1>optimal inattention and willful ignorance, This idea that you can

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<v Speaker 1>put a spell on your mind long enough to concentrate

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<v Speaker 1>on teasing up the things that will come out of

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<v Speaker 1>the wall. Yeah, especially that that woman in the yellow wallpaper,

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<v Speaker 1>ilways got to keep her push back indeed. Um. American

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<v Speaker 1>poet Robert Creeley, uh two thousand five Uh, he said,

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<v Speaker 1>quote the necessary environment is that which secures the artist

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<v Speaker 1>in the way that lets him be in the world

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<v Speaker 1>in a most fruitful manner, which I think is an

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<v Speaker 1>interesting way of thinking about it, because when we sit

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<v Speaker 1>down to work on something, often we think about, um,

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<v Speaker 1>how much we're shutting out, But there's also the attention

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<v Speaker 1>side of it. And and as someone who often works

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<v Speaker 1>in a coffee shop, Um, I it's like I'm purposely

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<v Speaker 1>going to kind of a busy, semi chaotic environment to

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<v Speaker 1>engage with the task that require a lot of concentration,

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<v Speaker 1>because it's kind of like the Goldilocks and the Three

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<v Speaker 1>Bears of sound or optimal sounds, right, because you know,

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<v Speaker 1>on the one hand, you could have something that was

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<v Speaker 1>so silent, like or Field Labs has that quietest room

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<v Speaker 1>in the world that shuts out sound. Too quiet, you'll

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<v Speaker 1>start hallucinating. Actually, you know, on the other end of

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<v Speaker 1>the spectrum, a bar with thumping music is way too distracting.

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<v Speaker 1>That's like a jackhammer on your brain. But yeah, coffee

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<v Speaker 1>houses have just the right amount of ambient noises to

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<v Speaker 1>allow your brain some effort to kind of crowd that out,

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<v Speaker 1>but have enough left over to actually deal with the

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<v Speaker 1>task at hand. Indeed, now we were looking at an

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<v Speaker 1>article titled the Importance of Place where Writers write and

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<v Speaker 1>Whine by Alexandria Enders in the Literary Life, and she

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<v Speaker 1>mentioned a number of different um famous authors and and

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<v Speaker 1>where they've written and what their approach has been, and

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<v Speaker 1>of course it's it's it's all over the board, like

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<v Speaker 1>some of the ones that a that I found interesting.

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<v Speaker 1>Robert Graves wrote in a room furnished only with objects

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<v Speaker 1>made by hand. Ben Franklin wrote in the bathtub baalzac

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<v Speaker 1>ate an enormous meal at around five in the morning,

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<v Speaker 1>and he slept on midnight, got up and wrote it

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<v Speaker 1>a small desk in his room for sixteen hours straight,

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<v Speaker 1>just drinking cup after cup of coffee to fuel the

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<v Speaker 1>frenzy brain. We also have the example of Marcel Proust,

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<v Speaker 1>best known for his novel Remember Remembrance of Things Past

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<v Speaker 1>h He decided to shrug off society and all of

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<v Speaker 1>the clamor that came with it. In nine he installed

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<v Speaker 1>himself in his apartment and he actually took cork, and

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<v Speaker 1>he lined his room, his bedroom with it, and to

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<v Speaker 1>keep out the ambient noises of Parisian streets below him.

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<v Speaker 1>And not only that, he kind of gets a little

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<v Speaker 1>bit o c D with his process here, and I

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<v Speaker 1>feel like a lot of writers do this. By the way,

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<v Speaker 1>He installed heavy blue silk curtains to keep the light out,

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<v Speaker 1>and he slept until late afternoon each day, at which

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<v Speaker 1>point he would get up, smoke some opium, and then

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<v Speaker 1>his housekeeper would bring him an elaborate coffee service for

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<v Speaker 1>him to make his own cafe a. He'd have a croissant,

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<v Speaker 1>he would go through his mail, read his newspaper, have

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<v Speaker 1>a second croissant, which, by the way, this is all orchestrated.

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<v Speaker 1>At certain times his housekeeper knew to bring in the croissant,

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<v Speaker 1>and it had to be from the same backery every day,

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<v Speaker 1>and then and only then would he begin his process

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<v Speaker 1>of writing in this sort of muffled womb like environment

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<v Speaker 1>he had created for himself to actually finish the novel

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<v Speaker 1>Remembrance of things past. Wow, Well, that's that's quite a

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<v Speaker 1>quite a cocktail, quite quite a recipe. He created friend

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<v Speaker 1>stelf there, both both chemically and environmentally, but I think

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<v Speaker 1>all of us can relate to that on some level,

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<v Speaker 1>because we've all had something we had to work on,

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<v Speaker 1>whether or not was a piece of fiction or something

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<v Speaker 1>for work or whatever, that's just required us to get

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<v Speaker 1>that sort of balance in our environment. And here's a

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<v Speaker 1>bit from Alan Lightman writing for The New Yorker about attention.

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<v Speaker 1>He says, quote, the eyes alone convey more than a

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<v Speaker 1>hundred billion signals to the brain every second. The ears

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<v Speaker 1>receive another avalanche of sounds. Then there are the fragments

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<v Speaker 1>of thoughts, conscious and unconscious, that race from one neuron

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<v Speaker 1>to the next. Much of this data seems random and meaningless. Indeed,

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<v Speaker 1>for us to function must have much of it has

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<v Speaker 1>to be ignored, but clearly not all. How do our

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<v Speaker 1>brains select the relevant data? Indeed, I mean to his

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<v Speaker 1>to his point, we live in a just a chaotic

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<v Speaker 1>storm of sensory information, but we've evolved to navigate it

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<v Speaker 1>with relative ease, weeding out the useless information and focusing

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<v Speaker 1>and on the crucial stuff. I mean to say nothing

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<v Speaker 1>of of the storm within, also dealing with the with

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<v Speaker 1>thoughts of past and future. We're able to ignore internal

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<v Speaker 1>and external distractors, but we can also inhibit competing responses

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<v Speaker 1>to situations in order to accomplish tasks. So yeah, the

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<v Speaker 1>key here is that that we're not processing everything. As

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<v Speaker 1>we've discussed in past episodes, is a great deal of

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<v Speaker 1>sensory computation that occurs beneath cognition, were we don't even

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<v Speaker 1>we're not even consciously aware that we're seeing this or

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<v Speaker 1>hearing that, because we're rooting it out. I think we've

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<v Speaker 1>talked before about the scenario of being at a party

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<v Speaker 1>and being able to focus in on the conversation you're having,

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<v Speaker 1>or tuning out of that conversation and listening to the

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<v Speaker 1>one next to you while also ignoring all the other sounds. Um,

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<v Speaker 1>but a lot of the sensory data that enters our

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<v Speaker 1>sensory system remains untouched. I mean, it basically goes one end.

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<v Speaker 1>It basically goes in one ear and out the other

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<v Speaker 1>as the saying goes. Typically, a neuron in the brain

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<v Speaker 1>receives hundreds or even thousands of different inputs along its

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<v Speaker 1>den rights, and yet it sends just one message out

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<v Speaker 1>to the next neural area. So scientists continue to study

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<v Speaker 1>attention to distract, and in this podcast episode, we're looking

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<v Speaker 1>at a couple of more recent studies that look at

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<v Speaker 1>both attention and willful inattention. Uh, and how we roll

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<v Speaker 1>with it. Yeah, And when we look at these studies,

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<v Speaker 1>keep in mind that's kind of metaphor when you think

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<v Speaker 1>about all that stimuli and the attention that you need. Um,

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<v Speaker 1>think about a chorus. All right, You have one specific

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<v Speaker 1>part of the brain, the interial front or cortex, that's

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<v Speaker 1>like the conductor, and he or she is muting one

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<v Speaker 1>section of voices while queuing another section to raise its

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<v Speaker 1>voice over the others until there's something that feels like cognition. Right,

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<v Speaker 1>this one cohesive symphony of neurons, even though there's still

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<v Speaker 1>the murmuring or murmurings of these random neurons underneath it.

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<v Speaker 1>So that's that's this kind of symphony of cognition that

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<v Speaker 1>we're going to explore today. Now, we'll often find ourself

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<v Speaker 1>in in that situation where you're torn, Betwen, paying attention

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<v Speaker 1>to two different things. It might be your math homework

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<v Speaker 1>versus a TV. It might be the book you're reading

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<v Speaker 1>versus on the beach versus the person playing volleyball on

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<v Speaker 1>the beach, or the motion on the beach. Um you

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<v Speaker 1>want to focus on one thing, but to focus on

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<v Speaker 1>one thing is to ignore the other. How does it

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<v Speaker 1>work well when your face with these two different bits

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<v Speaker 1>of stimuli, It triggers a conflict circuit in the brain's

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<v Speaker 1>dorsal anterior singulate cortex or deck, part of a larger

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<v Speaker 1>brain structure, the anterior cicular cortex that controls rational thought

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<v Speaker 1>and emotions. Uh, that's the inner workings of what's going on.

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<v Speaker 1>But we can also tell a lot from the outside, uh,

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<v Speaker 1>particularly looking at the eyes. In recent years, researchers have

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<v Speaker 1>gained even more appreciation for the importance of eye movements

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<v Speaker 1>pupil size when it comes to trying to figure out

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<v Speaker 1>what the brain is focusing on, how much it's focusing on,

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<v Speaker 1>how much computation power is being leveled at a particular task.

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<v Speaker 1>And in order to examine this conflict right when you're

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<v Speaker 1>trying to attend to attend to one thing but you're

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<v Speaker 1>distructed by another thing. Juke University actually had a study

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<v Speaker 1>in which Michael Platt and his team of researchers implanted

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<v Speaker 1>sensors into the decks of rhesis macaques. And again, the

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<v Speaker 1>deck is the dorsal anterior singulate cortex. Now the best

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<v Speaker 1>way to create conflict in the deck of monkeys is

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<v Speaker 1>to introduce too things that they really love and then

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<v Speaker 1>just kind of square them off. So in this case,

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<v Speaker 1>we're talking about juice, one thing they love, and other monkeys.

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<v Speaker 1>I feel like I'm the same way, like juice and monkeys.

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<v Speaker 1>Like really, it's a toss up. It's not juice and humans,

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<v Speaker 1>it's juice and monkeys exactly like, show me a monkey,

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<v Speaker 1>show me a juice box. I don't know which one

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<v Speaker 1>I want to pay attention. All right, Well, if we

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<v Speaker 1>were to implant a censer int your brain into this,

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<v Speaker 1>it would be very interesting to see what the results

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<v Speaker 1>would be. Because the researchers took the two things that

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<v Speaker 1>they love. They offered a juice reward if the monkey

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<v Speaker 1>could keep their eyes trained on a visual target on

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<v Speaker 1>a screen. But then they took the other thing that

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<v Speaker 1>they loved, other monkeys, and they flashed images of them

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<v Speaker 1>on the periphery of the screen. So what was even

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<v Speaker 1>more distracting is that some of the monkey faces that

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<v Speaker 1>they flashed on the screen exhibited specific emotions like terror,

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<v Speaker 1>which would be really hard for another monkey to ignore,

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<v Speaker 1>infect another human to ignore. Right, Yeah, basic social signal

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<v Speaker 1>something terrifying is happening. I should pay attention to what

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<v Speaker 1>that monkey is doing. Right, And again, they had a

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<v Speaker 1>juice reward here. If they could keep their eyes on

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<v Speaker 1>the price, they would get the juice, but a lot

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<v Speaker 1>of times they failed. Now the results here. The researchers

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<v Speaker 1>discovered a set of neurons that were active only when

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<v Speaker 1>monkeys were completing the task and trying to override those

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<v Speaker 1>distracting monkey faces, but not when faced with either of

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<v Speaker 1>the stimuli alone, just the juice box or just the

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<v Speaker 1>monkey faces. And the more active the DAK neurons were,

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<v Speaker 1>the better the monkeys were at tuning out the distracting

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<v Speaker 1>faces in later trials, and the pupils seemed to change

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<v Speaker 1>in size to compensate for how difficult the task was

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<v Speaker 1>constricting when the faces were hard to ignore, such as

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<v Speaker 1>those terrorized faces we were talking about, And the smaller

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<v Speaker 1>they got the pupils, the better the monkeys performed in

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<v Speaker 1>subsequent trial. So the key here is fight or flight.

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<v Speaker 1>The fight or flight response causes the release of the

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<v Speaker 1>stress hormone noor adrenaline, widening the pupils so as to

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<v Speaker 1>take in more sensory information for the challenge at hand.

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<v Speaker 1>I feel like we've talked about that in memory before.

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<v Speaker 1>You know, those like really stressful situations, it may at

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<v Speaker 1>least seem like you're taking in more sensory information well,

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<v Speaker 1>especially in fear as well. So Key findings that DACK

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<v Speaker 1>doesn't directly control pupils size, but it connects to other

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<v Speaker 1>regions of the brain that do. The researchers think that

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<v Speaker 1>DAC might play a role in keeping us calm in

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<v Speaker 1>the face in face of the demands for our attention

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<v Speaker 1>that might otherwise make us confused or stressed out. Now,

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<v Speaker 1>in a follow up study in two thousand and thirteen,

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<v Speaker 1>platfound that the cats performing the same I gaze task

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<v Speaker 1>did a better job of concentrating if they had inhaled oxytocin,

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<v Speaker 1>And the idea is that the hormone may have contributed

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<v Speaker 1>to better task attention because of its calming effects and

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<v Speaker 1>its role as a social bonding agent, Which makes you

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<v Speaker 1>wonder if one day classrooms will have oxytocin piped in there.

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<v Speaker 1>We're more likely this is just going to give us, uh,

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<v Speaker 1>these studies are just going to give us better insight

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<v Speaker 1>into how something like say driving while texting or even

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<v Speaker 1>talking on the phone while we're driving means that we're

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<v Speaker 1>seriously impairing the neuronal symphony that's been set forth by

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<v Speaker 1>the brain right to try to get us where we're going. UM.

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<v Speaker 1>These studies could also give us insight into attention deficit

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<v Speaker 1>hyperactivities disorder a d h D as well. And I

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<v Speaker 1>do love that term optimal inattention because it really it

0:12:56.559 --> 0:12:59.559
<v Speaker 1>really makes you think twice about any kind of task

0:12:59.640 --> 0:13:02.760
<v Speaker 1>you're doing, about what you're focusing on, but also what

0:13:02.800 --> 0:13:06.360
<v Speaker 1>you're shutting out. That the the optimal inattention level that

0:13:06.400 --> 0:13:08.439
<v Speaker 1>you're reaching in order to get things done. It's just

0:13:08.480 --> 0:13:10.360
<v Speaker 1>something that I want to put on my next assessment

0:13:11.360 --> 0:13:15.920
<v Speaker 1>I was demonstrating optimal inattention. Well, there's a two thousand,

0:13:15.920 --> 0:13:19.720
<v Speaker 1>fifteen study from Brown University that that really digs into

0:13:19.760 --> 0:13:24.520
<v Speaker 1>this that UM neuroscientists they're scanned the brain waves of

0:13:24.559 --> 0:13:28.400
<v Speaker 1>twelve volunteers while they were told that they would feel

0:13:28.440 --> 0:13:32.360
<v Speaker 1>a brief tap either on the left middle finger or

0:13:32.440 --> 0:13:35.040
<v Speaker 1>on their left big toe. Now, some were told to

0:13:35.160 --> 0:13:38.040
<v Speaker 1>ignore stimuli on the foot and some were told to

0:13:38.080 --> 0:13:42.320
<v Speaker 1>ignore stimuli on the hand. The researchers measured the power

0:13:42.400 --> 0:13:46.840
<v Speaker 1>and timing of different brainwave frequencies in various brain regions.

0:13:46.840 --> 0:13:49.680
<v Speaker 1>While this was going on, UH and a particular interest

0:13:49.720 --> 0:13:53.720
<v Speaker 1>in the brain wave synchronization between the part of the

0:13:53.760 --> 0:13:57.720
<v Speaker 1>somatosensory cortex that processes touch in the hand and the

0:13:57.920 --> 0:14:02.600
<v Speaker 1>right inferior frontal cortex tied to suppression of attention and

0:14:03.000 --> 0:14:05.959
<v Speaker 1>end action. Now, I wanted to mention that the researchers

0:14:06.040 --> 0:14:09.400
<v Speaker 1>used magneto and cephalography to scan subjects. And this is

0:14:09.440 --> 0:14:12.480
<v Speaker 1>significant because I'm like f M R I, which has

0:14:12.520 --> 0:14:16.280
<v Speaker 1>a pretty decent delay when scanning the brain. MEG is

0:14:16.360 --> 0:14:19.400
<v Speaker 1>more precise because it can really reveal the timing of

0:14:19.480 --> 0:14:22.160
<v Speaker 1>neural activity down to the middleseconds, so you can see

0:14:22.160 --> 0:14:26.960
<v Speaker 1>that neuronal symphony at play here. And the researchers anticipated

0:14:27.040 --> 0:14:32.160
<v Speaker 1>that they would see a greater synchrony between the somatosensory cortex,

0:14:33.040 --> 0:14:36.080
<v Speaker 1>that part of the brain again that processes touch, and

0:14:36.240 --> 0:14:41.520
<v Speaker 1>the right inferioral frontal cortex, which is again governing suppression.

0:14:42.240 --> 0:14:44.400
<v Speaker 1>And they wanted to control though right because I wanted

0:14:44.440 --> 0:14:48.840
<v Speaker 1>to make sure that this right inferial frontal cortex was

0:14:48.880 --> 0:14:52.680
<v Speaker 1>in fact governing, So they looked out at the frontal

0:14:52.680 --> 0:14:54.680
<v Speaker 1>cortex to make sure there wasn't a lot of activity

0:14:54.720 --> 0:14:57.600
<v Speaker 1>going on there, and they found indeed that there was not,

0:14:57.960 --> 0:15:00.840
<v Speaker 1>that it was the r I f C that was

0:15:00.920 --> 0:15:05.320
<v Speaker 1>tamping down their urges to become distracted, and they did

0:15:05.680 --> 0:15:11.880
<v Speaker 1>indeed find that correlation of synchrony between the sematosensory cortex

0:15:12.080 --> 0:15:16.200
<v Speaker 1>and the r I f C. Moreover, when volunteers were

0:15:16.200 --> 0:15:20.480
<v Speaker 1>simply told what was about to happen just a fraction

0:15:20.600 --> 0:15:23.120
<v Speaker 1>fraction of a second later, they saw the alpha wave

0:15:23.160 --> 0:15:27.800
<v Speaker 1>synchrony increase between those two brain regions already gearing up

0:15:28.120 --> 0:15:31.880
<v Speaker 1>to partner in this sort of shared process of stimuli

0:15:32.000 --> 0:15:36.320
<v Speaker 1>and reporting. And researchers found a similar spike in synchrony

0:15:36.320 --> 0:15:40.640
<v Speaker 1>when volunteers were about to report a sensation. This time though,

0:15:40.720 --> 0:15:44.360
<v Speaker 1>it was beta wave synchrony between the somati sensory cortex

0:15:44.560 --> 0:15:47.520
<v Speaker 1>and the r I f C, which is painting this

0:15:47.800 --> 0:15:51.600
<v Speaker 1>picture of these two brain processes really trying to tether

0:15:51.720 --> 0:15:56.120
<v Speaker 1>themselves together and create that willful ignoring. Now at this

0:15:56.120 --> 0:15:57.800
<v Speaker 1>point you might be wondering, well, what are what are

0:15:57.800 --> 0:16:01.480
<v Speaker 1>some of the possible applications of this, because you know,

0:16:01.520 --> 0:16:03.240
<v Speaker 1>we've we've been talking about you know, taps on the

0:16:03.680 --> 0:16:08.440
<v Speaker 1>hand and the foot ignoring slight sensory information like that UH.

0:16:08.480 --> 0:16:12.560
<v Speaker 1>But one application here gets into possible UH use as

0:16:12.600 --> 0:16:16.800
<v Speaker 1>a as a means of treating chronic pain. UM study

0:16:16.840 --> 0:16:20.520
<v Speaker 1>co authors Stephanie Jones and Katherine Kerr are actually working

0:16:20.720 --> 0:16:24.440
<v Speaker 1>with the Dr Breen Brent Dr Ben Greenberg, a professor

0:16:24.480 --> 0:16:27.640
<v Speaker 1>of psychiatry and human behavior, to explore the possible use

0:16:27.880 --> 0:16:33.680
<v Speaker 1>of non invasive transcranial altering current electrical stimulation or TAX,

0:16:34.040 --> 0:16:38.440
<v Speaker 1>to take advantage of this willful and attention process. Now,

0:16:38.640 --> 0:16:42.920
<v Speaker 1>TAX has previously been explored for possible applications tackling diseases

0:16:43.120 --> 0:16:47.240
<v Speaker 1>where abnormal oscillatory patterns in the brain player roles, such

0:16:47.240 --> 0:16:51.320
<v Speaker 1>as Parkinson's disease or schizophrenia, as well as in therapy

0:16:51.360 --> 0:16:55.480
<v Speaker 1>for optic nerve injuries. In this case, however, Kieren Jones

0:16:55.560 --> 0:16:58.120
<v Speaker 1>are curious as to whether TAX could be used to

0:16:58.160 --> 0:17:02.000
<v Speaker 1>manipulate alpha and beta waves between parts of the brain

0:17:02.120 --> 0:17:05.440
<v Speaker 1>such as the somount of sensory cortex and the right

0:17:05.520 --> 0:17:11.119
<v Speaker 1>inferior frontal the right inferior frontal cortex to suppress attention

0:17:11.160 --> 0:17:15.919
<v Speaker 1>to or even the detection of pain. So again that

0:17:16.040 --> 0:17:19.280
<v Speaker 1>the possibilities here in the treatment of chronic pain especially

0:17:19.880 --> 0:17:23.600
<v Speaker 1>are pretty significant well. And also pain is probably the

0:17:23.640 --> 0:17:26.720
<v Speaker 1>most distracting thing that you could throw out their rights

0:17:26.920 --> 0:17:30.280
<v Speaker 1>in some sort of environment your internal state um to

0:17:30.359 --> 0:17:34.560
<v Speaker 1>try to tamp down. So what's interesting is that researchers

0:17:34.680 --> 0:17:38.080
<v Speaker 1>also looked at pain through meditation. So if you want

0:17:38.119 --> 0:17:42.479
<v Speaker 1>to test out how well meditation works and blocking pain, well,

0:17:42.760 --> 0:17:46.680
<v Speaker 1>here's the study by wake Forest Baptist Medical Center which

0:17:46.720 --> 0:17:50.280
<v Speaker 1>was published in the April six and eleven edition of

0:17:50.320 --> 0:17:52.679
<v Speaker 1>the Journal of Neuroscience. And what they did is they

0:17:52.720 --> 0:17:57.240
<v Speaker 1>recruited fifteen healthy volunteers who had never ever meditated before.

0:17:57.560 --> 0:18:00.960
<v Speaker 1>They attended for twenty minute us is to learn a

0:18:01.040 --> 0:18:04.840
<v Speaker 1>meditation technique known as focused attention. This is a kind

0:18:04.880 --> 0:18:09.800
<v Speaker 1>of mindfulness in which people are taught to attend to

0:18:09.920 --> 0:18:13.360
<v Speaker 1>the breath and then let go of distracting thoughts and emotions.

0:18:13.400 --> 0:18:16.520
<v Speaker 1>And in fact, the meditation app that I use does

0:18:16.600 --> 0:18:19.280
<v Speaker 1>this um to great effect. It really teaches you how

0:18:19.359 --> 0:18:22.479
<v Speaker 1>to not force these thoughts away but let them just

0:18:22.560 --> 0:18:26.760
<v Speaker 1>recede into the background. So they learned how to do this,

0:18:27.080 --> 0:18:32.679
<v Speaker 1>and both before and after meditation training, their brain was examined.

0:18:33.160 --> 0:18:35.600
<v Speaker 1>They used something called a s l m R I

0:18:35.880 --> 0:18:39.639
<v Speaker 1>which actually captures longer duration brain processes than just regular

0:18:39.800 --> 0:18:42.840
<v Speaker 1>f M R I. And during these scans, this is

0:18:42.880 --> 0:18:47.000
<v Speaker 1>the great part, a pain inducing heat device was placed

0:18:47.080 --> 0:18:51.639
<v Speaker 1>on the participant's right legs and this device heated in

0:18:51.840 --> 0:18:55.320
<v Speaker 1>an area of their skin to one and twenty degrees fahrenheit,

0:18:55.840 --> 0:18:58.639
<v Speaker 1>a temperature that most people would find, you know, uncomfortable

0:18:58.640 --> 0:19:02.240
<v Speaker 1>and even painful in just like a cigar, because that's

0:19:02.240 --> 0:19:04.879
<v Speaker 1>what I know. Now, this was not like run by

0:19:04.920 --> 0:19:07.960
<v Speaker 1>the mafia or anything. This experiment um and they endured

0:19:08.000 --> 0:19:11.159
<v Speaker 1>this for over a five minute period. Now here are

0:19:11.200 --> 0:19:15.760
<v Speaker 1>the cool findings. The scams taken after meditation training showed

0:19:15.960 --> 0:19:21.600
<v Speaker 1>that every participant's pain rating was reduced, with decreases ranging

0:19:21.600 --> 0:19:28.520
<v Speaker 1>from eleven to and moreover, activity in the smuto sensory cortex,

0:19:28.800 --> 0:19:32.600
<v Speaker 1>which was processing the intensity of the heat, was really

0:19:32.680 --> 0:19:37.440
<v Speaker 1>high when scans were taken before the participants underwent meditation

0:19:37.480 --> 0:19:41.280
<v Speaker 1>training and while they were experiencing the heat. But when

0:19:41.359 --> 0:19:44.880
<v Speaker 1>participants were meditating during the scans and having the heat

0:19:44.880 --> 0:19:49.240
<v Speaker 1>applied to them, activity in this region, this pain processing

0:19:49.359 --> 0:19:55.439
<v Speaker 1>processing region could not be detected at all. So Fidel Zaidon,

0:19:55.640 --> 0:19:58.320
<v Speaker 1>who is a lead author of the study, wrote, we

0:19:58.359 --> 0:20:00.240
<v Speaker 1>found a big effect about a four what do you

0:20:00.240 --> 0:20:03.199
<v Speaker 1>percent reduction and pain intensity in a fifty seven percent

0:20:03.320 --> 0:20:07.439
<v Speaker 1>reduction and pain unpleasantness. Now compare that to something like

0:20:07.520 --> 0:20:12.080
<v Speaker 1>morphine or other pain relieving drugs, and they typically only

0:20:12.119 --> 0:20:17.800
<v Speaker 1>reduced pain ratings by about And this is even more

0:20:17.840 --> 0:20:20.359
<v Speaker 1>telling when you again realize that these are just normal

0:20:20.400 --> 0:20:22.879
<v Speaker 1>people that were essentially given a crash course in meditation,

0:20:22.960 --> 0:20:27.600
<v Speaker 1>not yogis, not Tibetan monks, just normal folks, right, not

0:20:27.840 --> 0:20:32.480
<v Speaker 1>zen level. You know, I'm gonna endure this pain and

0:20:32.640 --> 0:20:35.520
<v Speaker 1>suffering from my entire life, right, people who are just like, Okay,

0:20:35.520 --> 0:20:40.840
<v Speaker 1>I'll participate in this study. All right, it's okay, we're

0:20:40.880 --> 0:20:44.679
<v Speaker 1>gonna get in our time machine. And you are in

0:20:44.880 --> 0:20:48.399
<v Speaker 1>serious need of some sort of isolation so that you

0:20:48.440 --> 0:20:52.919
<v Speaker 1>can really concentrate. And uh, by the way, you're this

0:20:53.000 --> 0:20:56.359
<v Speaker 1>guy who happens to be named Hugo Gernsback. You're an

0:20:56.520 --> 0:20:59.920
<v Speaker 1>editor of Science and Invention magazine, and you're a pioneer

0:21:00.000 --> 0:21:03.080
<v Speaker 1>and sci fi. What do you do when you need

0:21:03.200 --> 0:21:06.760
<v Speaker 1>a little respite from the world and you need to concentrate, Well,

0:21:06.960 --> 0:21:09.840
<v Speaker 1>you cook up a little sci fi essentially a space

0:21:09.880 --> 0:21:13.320
<v Speaker 1>helmet to escape from the environment that you're working in,

0:21:13.400 --> 0:21:16.600
<v Speaker 1>which I imagine is filled with cigarette smoke as well.

0:21:17.080 --> 0:21:20.919
<v Speaker 1>Uh yeah, because this is again so it's probably one

0:21:20.960 --> 0:21:24.240
<v Speaker 1>of those When I was in newspapers, I would I

0:21:24.240 --> 0:21:27.320
<v Speaker 1>would hear about old environments where someone would would have

0:21:27.359 --> 0:21:30.520
<v Speaker 1>to say cigarette me while they were working on a story,

0:21:30.560 --> 0:21:32.120
<v Speaker 1>you know, where someone comes up and actually just puts

0:21:32.160 --> 0:21:33.840
<v Speaker 1>the cigarette in your mouth and lights it for you.

0:21:34.040 --> 0:21:36.560
<v Speaker 1>So I think it's very much a cigarette me world

0:21:36.600 --> 0:21:40.639
<v Speaker 1>that Hugo was the suffering through, that's right. And he

0:21:40.680 --> 0:21:45.120
<v Speaker 1>didn't come up with a solution, which he called the isolator. Yeah,

0:21:45.240 --> 0:21:49.560
<v Speaker 1>basically just a big sort of Darth Vadery looking contraption,

0:21:49.640 --> 0:21:51.600
<v Speaker 1>a big helmet that he would put over his head,

0:21:52.040 --> 0:21:57.320
<v Speaker 1>uh soundproof headcage essentially with its own oxygenainst oxygen supply again,

0:21:57.359 --> 0:21:59.399
<v Speaker 1>so you don't have to you're not distracted by all

0:21:59.440 --> 0:22:01.880
<v Speaker 1>that cigaret at smoke or what have you that you're

0:22:01.880 --> 0:22:05.880
<v Speaker 1>breathing in in your in your office. Yeah, it has

0:22:05.920 --> 0:22:08.439
<v Speaker 1>just those two round eye holes in a sort of

0:22:08.480 --> 0:22:13.359
<v Speaker 1>protruding mouth hohole area where the hose for the oxygen

0:22:13.400 --> 0:22:17.080
<v Speaker 1>comes in. And it really is just an example of

0:22:17.280 --> 0:22:20.040
<v Speaker 1>artful terror. Yeah, it kind of has a man in

0:22:20.040 --> 0:22:22.199
<v Speaker 1>the iron mask look to it, or some sort of

0:22:22.240 --> 0:22:25.080
<v Speaker 1>like face shackle that you would put on a suspected

0:22:25.119 --> 0:22:28.720
<v Speaker 1>warlock in a medieval setting. But hey, I mean, you

0:22:28.760 --> 0:22:30.720
<v Speaker 1>gotta do what you gotta do, and you need to

0:22:30.760 --> 0:22:33.960
<v Speaker 1>get down to business. And the hugo Grim's back was

0:22:34.040 --> 0:22:36.639
<v Speaker 1>just taking the reins there and if you want to

0:22:36.640 --> 0:22:38.679
<v Speaker 1>see a picture of it, uh the landing page for

0:22:38.720 --> 0:22:41.040
<v Speaker 1>this episode, I'll make sure to include a link at

0:22:41.080 --> 0:22:43.960
<v Speaker 1>the bottom. All Right, you know we've got a few

0:22:43.960 --> 0:22:46.800
<v Speaker 1>minutes here. Let's call over the robot and get through

0:22:46.800 --> 0:22:52.200
<v Speaker 1>a little listener mail. This is from Brian. He says, Hello,

0:22:52.280 --> 0:22:54.520
<v Speaker 1>Julie and Robert. I'm seventeen years old and have been

0:22:54.560 --> 0:22:56.919
<v Speaker 1>listening to your podcast since you guys were stuff from

0:22:56.960 --> 0:22:59.159
<v Speaker 1>the Science Lab, which is a pretty long time. But

0:22:59.200 --> 0:23:01.480
<v Speaker 1>I never bothered to write you, as I'm sure you

0:23:01.520 --> 0:23:03.840
<v Speaker 1>have enough emails and junk to go through. I love

0:23:03.880 --> 0:23:06.639
<v Speaker 1>the podcast and it inspired me to learn oodles. Is

0:23:06.680 --> 0:23:10.359
<v Speaker 1>this a word of creativity? But one problem I have,

0:23:10.760 --> 0:23:12.960
<v Speaker 1>and I hate to be a party pooper, is how

0:23:13.000 --> 0:23:15.760
<v Speaker 1>you guys seem to be almost purposely avoiding the concept

0:23:15.840 --> 0:23:19.159
<v Speaker 1>of race. While race should be unimportant in society. It

0:23:19.359 --> 0:23:21.640
<v Speaker 1>no doubt has an effect on how we treat each

0:23:21.640 --> 0:23:25.160
<v Speaker 1>other in modern day society. Plenty of topics you've done

0:23:25.240 --> 0:23:27.600
<v Speaker 1>could have mentioned race, but I feel like you guys

0:23:27.600 --> 0:23:31.000
<v Speaker 1>are just avoiding it. There's plenty of science, interesting science

0:23:31.040 --> 0:23:33.760
<v Speaker 1>about race and discrimination that can be talked about in

0:23:33.800 --> 0:23:36.520
<v Speaker 1>a completely objective way, the same way you talk about

0:23:36.560 --> 0:23:39.719
<v Speaker 1>homosexuality or religion. There's no need to feel like you

0:23:39.800 --> 0:23:42.440
<v Speaker 1>can't talk about the subject. People are just different colors

0:23:42.680 --> 0:23:45.320
<v Speaker 1>and there's nothing to feel awkward about. But I still

0:23:45.320 --> 0:23:48.719
<v Speaker 1>love the podcast and really enjoy Roberts really obscure metaphors.

0:23:49.000 --> 0:23:52.359
<v Speaker 1>My two favorite are sharks being like movie producers and

0:23:52.440 --> 0:23:55.520
<v Speaker 1>mortality being like the bubble scene from Charlie in the

0:23:55.600 --> 0:23:59.760
<v Speaker 1>Chocolate Factory. Yes, I'm not sure how to end an

0:23:59.760 --> 0:24:01.960
<v Speaker 1>e mail. I haven't sent an email in years. I'm

0:24:01.960 --> 0:24:05.240
<v Speaker 1>going to assume to end it like a letter. Brian,

0:24:05.400 --> 0:24:08.160
<v Speaker 1>your oldest fan who still happens to be very young.

0:24:09.280 --> 0:24:11.520
<v Speaker 1>Uh so, Brian, besides being one of our youngest and

0:24:11.600 --> 0:24:14.280
<v Speaker 1>most precocious fans, by the way, he's planning on studying

0:24:14.440 --> 0:24:18.119
<v Speaker 1>neuroscience in college. He is an excellent observer. We have

0:24:18.280 --> 0:24:21.800
<v Speaker 1>not covered race in earnest. Though it's not intentional by

0:24:21.800 --> 0:24:24.760
<v Speaker 1>any means. We've lit on it a few times with

0:24:24.800 --> 0:24:26.760
<v Speaker 1>studies that have come up from time to time. But

0:24:26.840 --> 0:24:29.760
<v Speaker 1>you know that's not enough. So we will be recording

0:24:29.760 --> 0:24:32.800
<v Speaker 1>a podcast called The Gordian Knot of Race that will

0:24:32.840 --> 0:24:36.399
<v Speaker 1>deal with this erroneous line of logic, like Sino color,

0:24:36.440 --> 0:24:40.080
<v Speaker 1>this idea that sometimes can gloss over the more deep

0:24:40.080 --> 0:24:43.919
<v Speaker 1>seated issues that exist today. And we'll discuss how the

0:24:44.000 --> 0:24:47.119
<v Speaker 1>unconscious and the conscious uh play out in terms of

0:24:47.200 --> 0:24:51.880
<v Speaker 1>racial biases that shape socio economics. And we'll also see

0:24:51.880 --> 0:24:54.199
<v Speaker 1>how that can lead to something called the school to

0:24:54.280 --> 0:24:57.600
<v Speaker 1>prison pipeline. Yeah, and if I remember correctly, we did

0:24:57.680 --> 0:25:01.400
<v Speaker 1>go We discussed in the seven S of Memory Um

0:25:01.560 --> 0:25:05.199
<v Speaker 1>episode how false memories work. We discussed a little about

0:25:05.800 --> 0:25:09.359
<v Speaker 1>racial bias in terms of how we remember things. But

0:25:09.640 --> 0:25:12.720
<v Speaker 1>but yeah, I'm looking forward to diving into it in earnest. Yeah,

0:25:12.760 --> 0:25:15.080
<v Speaker 1>so thank you Brian for writing that. That was really

0:25:15.119 --> 0:25:17.439
<v Speaker 1>helpful and great to hear from you. All Right, this

0:25:17.480 --> 0:25:20.480
<v Speaker 1>one comes to us from Rico. Rico says, Hi, guys,

0:25:20.480 --> 0:25:22.399
<v Speaker 1>been listening to the podcast for a while now, and

0:25:22.480 --> 0:25:25.760
<v Speaker 1>no matter the topic, I have been thoroughly enthralled until

0:25:25.800 --> 0:25:29.040
<v Speaker 1>the recent episode about babies. It wasn't the thought of

0:25:29.080 --> 0:25:31.399
<v Speaker 1>both of you eating a small child that might have

0:25:31.440 --> 0:25:34.240
<v Speaker 1>been better. It was the constant and repetitive reference to

0:25:34.359 --> 0:25:37.080
<v Speaker 1>babies and their features. They gave me a physical feeling

0:25:37.119 --> 0:25:40.480
<v Speaker 1>of nausea and disgust. I don't know why it affected

0:25:40.520 --> 0:25:43.840
<v Speaker 1>me in a way that the triple phobia episode never did.

0:25:44.240 --> 0:25:46.520
<v Speaker 1>This is not a complaint, just an amusing anecdote. Further,

0:25:46.800 --> 0:25:50.160
<v Speaker 1>I have a UV tattoo. A few points. Number one,

0:25:50.320 --> 0:25:52.760
<v Speaker 1>finding an artist who is willing to tattoo you in

0:25:53.000 --> 0:25:56.080
<v Speaker 1>UV inc has been difficult, even here in Los Angeles.

0:25:56.400 --> 0:25:59.520
<v Speaker 1>Number two, tattooing the UV inc is difficult. It has

0:25:59.560 --> 0:26:02.720
<v Speaker 1>a run any texture that my artists suggested was quote

0:26:02.720 --> 0:26:06.600
<v Speaker 1>akin to tattooing someone with lemonade. Number three, the UV

0:26:06.800 --> 0:26:10.040
<v Speaker 1>property of the ink fades. I have the clear UV

0:26:10.200 --> 0:26:12.760
<v Speaker 1>ink and after a short time it will no longer glow.

0:26:13.280 --> 0:26:15.520
<v Speaker 1>And number four, because of the above, I have gotten

0:26:15.560 --> 0:26:18.320
<v Speaker 1>the tattoo redone a few times, and now the appearance

0:26:18.440 --> 0:26:24.119
<v Speaker 1>is closer to scarification appreciations Rico so that, Indeed, it's

0:26:24.119 --> 0:26:29.560
<v Speaker 1>always interesting to hear about people's responses to outright disturbing

0:26:29.840 --> 0:26:34.720
<v Speaker 1>content or um unexpectedly deserving content and really great to

0:26:34.760 --> 0:26:39.600
<v Speaker 1>hear some uh, some actual firsthand experience on uvy tattoos. Yeah,

0:26:39.600 --> 0:26:43.200
<v Speaker 1>and we certain certainly didn't mean to, uh to scare

0:26:43.240 --> 0:26:46.840
<v Speaker 1>you away there with our descriptions of juicy babies. Um,

0:26:47.280 --> 0:26:49.160
<v Speaker 1>but you know, each of us has a tender spot

0:26:49.119 --> 0:26:51.480
<v Speaker 1>and you never know how or when it's going to

0:26:51.520 --> 0:26:54.600
<v Speaker 1>be revealed. Alright. Our last bit of listener mail here

0:26:54.600 --> 0:26:57.720
<v Speaker 1>comes from Jason says, Hi, I'm Jason. I just listen

0:26:57.760 --> 0:26:59.640
<v Speaker 1>to your podcast about the weight of the soul. I've

0:26:59.640 --> 0:27:02.000
<v Speaker 1>always on subjects like this interesting because I happened to

0:27:02.040 --> 0:27:05.520
<v Speaker 1>work in the health care field, specifically respiratory therapy. I

0:27:05.560 --> 0:27:08.480
<v Speaker 1>have currently worked in a major I currently work in

0:27:08.480 --> 0:27:12.040
<v Speaker 1>a major hospital, and I'm constantly exposed to the dead, dying,

0:27:12.080 --> 0:27:14.919
<v Speaker 1>the very ill. My job is literally to improve the

0:27:14.960 --> 0:27:18.679
<v Speaker 1>breathing of or breath for my patients. Early on in

0:27:18.680 --> 0:27:20.439
<v Speaker 1>my career, I noticed that I could tell whether a

0:27:20.480 --> 0:27:22.960
<v Speaker 1>person was alive or dead by looking at their eyes.

0:27:23.000 --> 0:27:25.760
<v Speaker 1>I'm not exactly sure where this phrase came from, but

0:27:26.040 --> 0:27:28.320
<v Speaker 1>the eyes of the window into the soul. I believe

0:27:28.359 --> 0:27:30.280
<v Speaker 1>that is how it goes, and it feels like a

0:27:30.400 --> 0:27:33.800
<v Speaker 1>very literal translation. On one hand, when we look in

0:27:34.119 --> 0:27:36.439
<v Speaker 1>to each other's eyes, we see a life force that

0:27:36.480 --> 0:27:38.480
<v Speaker 1>I still have no words to describe. On the other hand,

0:27:38.760 --> 0:27:42.400
<v Speaker 1>I never see any activity, just emptiness. Their eyes always

0:27:42.480 --> 0:27:45.919
<v Speaker 1>changed right before the code occurs. Example, a patient of

0:27:45.960 --> 0:27:48.680
<v Speaker 1>mine was having issues breathing. He was un a ventilator

0:27:48.720 --> 0:27:51.800
<v Speaker 1>with the trichyostomy and had been getting a continually anxious

0:27:51.800 --> 0:27:54.280
<v Speaker 1>over the last hour or so. I had been in

0:27:54.320 --> 0:27:56.360
<v Speaker 1>and out of his room that night, doing various things

0:27:56.400 --> 0:27:58.879
<v Speaker 1>to attempt to help him calm down. Although his vital

0:27:58.960 --> 0:28:02.680
<v Speaker 1>signs were fairly stable and his oxygenation status looked perfect,

0:28:02.840 --> 0:28:05.800
<v Speaker 1>I was still concerned. While waiting in his room, I

0:28:05.840 --> 0:28:08.040
<v Speaker 1>started to notice and acute change in his appearance and

0:28:08.080 --> 0:28:10.560
<v Speaker 1>told one of the nurses to get a doctor. As

0:28:10.560 --> 0:28:12.600
<v Speaker 1>soon as the words came out of my mouth, I

0:28:12.600 --> 0:28:16.600
<v Speaker 1>looked into his eyes, saw them glaze over, lose their light, energy,

0:28:16.680 --> 0:28:19.440
<v Speaker 1>life force, focus, and he was gone. When I say

0:28:19.640 --> 0:28:22.160
<v Speaker 1>go dark, I always feel that there is a light

0:28:22.240 --> 0:28:24.600
<v Speaker 1>in those eyes that goes away, such as a candle

0:28:24.680 --> 0:28:27.440
<v Speaker 1>being blown out. This was one of those cases where

0:28:27.440 --> 0:28:29.600
<v Speaker 1>at the moment of death, you could see his eyes

0:28:29.640 --> 0:28:32.280
<v Speaker 1>go dark while still talking to him. It's at this

0:28:32.320 --> 0:28:35.760
<v Speaker 1>point that I should mention that I've seen this light, energy, focus,

0:28:35.800 --> 0:28:38.280
<v Speaker 1>whatever you want to call it, come back into someone's eyes.

0:28:38.440 --> 0:28:40.960
<v Speaker 1>This is usually This usually occurs in patients with injuries

0:28:41.040 --> 0:28:43.560
<v Speaker 1>or illnesses that are serious enough to kill someone, but

0:28:43.600 --> 0:28:47.160
<v Speaker 1>can also be fixed if they if they do die.

0:28:47.320 --> 0:28:50.600
<v Speaker 1>It's incredibly hard to explain, but watching someone's eyes, you

0:28:50.640 --> 0:28:53.400
<v Speaker 1>can see them go from empty and glazed over to

0:28:53.840 --> 0:28:57.040
<v Speaker 1>lit up and active. I can't explain this phenomenon, but

0:28:57.080 --> 0:28:58.840
<v Speaker 1>I know this is something that not everyone talks about

0:28:58.960 --> 0:29:01.440
<v Speaker 1>or even notices, not that I know of. I thought

0:29:01.480 --> 0:29:03.840
<v Speaker 1>you might find this interesting, so I figured I would share.

0:29:04.000 --> 0:29:08.560
<v Speaker 1>If you have any questions, please feel free to contact me. Well. Indeed,

0:29:08.560 --> 0:29:11.640
<v Speaker 1>thank you for sharing that that firsthand account indeed of

0:29:12.560 --> 0:29:15.520
<v Speaker 1>of something that most of us never get to witness.

0:29:15.600 --> 0:29:19.080
<v Speaker 1>I mean, we're so far removed from from death in

0:29:19.080 --> 0:29:22.400
<v Speaker 1>our culture that that's certainly the moment of death is

0:29:22.520 --> 0:29:25.800
<v Speaker 1>often lost to us. Indeed, at Harkenspect when we were

0:29:25.840 --> 0:29:28.280
<v Speaker 1>talking about end of life robots, at one point there

0:29:28.360 --> 0:29:31.520
<v Speaker 1>was an artist who was creating a bit of AI

0:29:31.680 --> 0:29:34.200
<v Speaker 1>to help people at the end of their lives, and

0:29:34.200 --> 0:29:38.240
<v Speaker 1>we were debating about the really the necessity and the

0:29:38.240 --> 0:29:43.280
<v Speaker 1>helpfulness of that when pales in comparison to having that

0:29:43.400 --> 0:29:47.880
<v Speaker 1>human connection and the other person with you. Indeed, so, Jason,

0:29:47.880 --> 0:29:49.920
<v Speaker 1>thanks again for sharing. Thanks to the others as well,

0:29:50.520 --> 0:29:52.800
<v Speaker 1>and Hey, in the meantime, if you want to check

0:29:52.800 --> 0:29:54.440
<v Speaker 1>out stuff to Blow your Mind dot com, that's where

0:29:54.480 --> 0:29:56.520
<v Speaker 1>you'll find all of our podcast episodes. That's where you'll

0:29:56.560 --> 0:29:59.560
<v Speaker 1>find all of our videos, our blog post as most

0:29:59.560 --> 0:30:02.040
<v Speaker 1>links out to social media accounts, and you can send

0:30:02.080 --> 0:30:04.960
<v Speaker 1>us your thoughts on this and any other podcast by

0:30:05.080 --> 0:30:11.160
<v Speaker 1>emailing us at blur the Mind how stuff works dot com.

0:30:11.200 --> 0:30:13.720
<v Speaker 1>For more on this and thousands of other topics, visit

0:30:13.760 --> 0:30:20.840
<v Speaker 1>how stuff Works dot com.