WEBVTT - Episode 31 | "Zoovie"

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<v Speaker 1>Off the record. What's the little Wayne's classic album? The

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<v Speaker 1>Card three Across the World Car three?

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<v Speaker 2>I think Carto two Part three, Carter.

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<v Speaker 1>Three ain't a classic?

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<v Speaker 3>Are you high?

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<v Speaker 1>Call three is not a classic. It's not a classic album.

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<v Speaker 4>Broying anything, it's not It's not bro this is I

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<v Speaker 4>don't think Wayne has a classical album.

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<v Speaker 1>I don't.

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<v Speaker 3>I'm not.

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<v Speaker 5>I like the Carter three is his best album, for sure.

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<v Speaker 5>I don't think it's a classic album, though. Like when

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<v Speaker 5>you start seeing classic albums, like I think about the

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<v Speaker 5>other classic albums we'll be talking about and then think

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<v Speaker 5>about Carter three, that word classic get thrown around too much.

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<v Speaker 5>You know what a classic album is officer tripping. Oh,

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<v Speaker 5>that's the one you're going to missus, officer, that's what

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<v Speaker 5>you're going to you.

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<v Speaker 2>Know, I'm trying to sound like that's what we just

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<v Speaker 2>gotta have conversations like every recorded oho we was recording. Oh,

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<v Speaker 2>let's get into the real conversation.

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<v Speaker 3>That's not a professional.

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<v Speaker 2>This is underrated beat, public service, just blazing fifteen and nothing.

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<v Speaker 1>Flip the Ship out Baby is the best rap. But

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<v Speaker 1>a lot.

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<v Speaker 2>Had you rock a fella boy shook when this came

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<v Speaker 2>out y'all was shaking in your chains, shaking in your

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<v Speaker 2>button downs.

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<v Speaker 1>Who was shaking the whole squad?

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<v Speaker 2>You know, y'all was nervous when when Wayne came out,

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<v Speaker 2>Why because he wasn't Wayne from the fucking Hot Boys anymore.

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<v Speaker 2>It was fucking Dwayne Carter right there.

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<v Speaker 1>But Wayne was, come on, Wayne is one of the goats.

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<v Speaker 2>You know that y'all was nervous. Then, Nah, it's a

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<v Speaker 2>few artists that got had y'all shook.

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<v Speaker 1>And y'all you mean like Rockefeller?

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<v Speaker 2>Yeah, I think I think Nelly had y'all a little shook.

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<v Speaker 2>Why why are you laughing? Nelly went fucking Diamond. But

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<v Speaker 2>when you say shook, what you mean a little nervous,

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<v Speaker 2>it's not.

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<v Speaker 1>It's not so dominant anymore.

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<v Speaker 5>I mean, but Jay gave him as props. He had

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<v Speaker 5>to moving units, m PM juice and us I know.

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<v Speaker 2>And then Wayne came, Yeah, and then the company folded.

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<v Speaker 1>It was Wayne for Wayne entered the dynasty.

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<v Speaker 2>Yeah, it was Wayne, it was It wasn't Cameron and

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<v Speaker 2>jay Z's Puerto Rico trip.

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<v Speaker 1>That was. That trip did end it all.

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<v Speaker 2>That's wild. How many relationships you think have ended because

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<v Speaker 2>of a Puerto Rico trip.

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<v Speaker 1>Well, now that's that's our relationship start.

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<v Speaker 2>That's true.

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<v Speaker 1>You got a fly girl out of Puerto Rico, Yo.

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<v Speaker 5>How you get her is how you lose it sometimes

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<v Speaker 5>sometimes actually a lot of times.

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<v Speaker 2>When someone else wants to fly passport, you know, like that's.

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<v Speaker 5>The thing now, Like dudes, like the first link up

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<v Speaker 5>is like a destination, like a vacation.

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<v Speaker 1>Yeah, we've been talking about that's true. That's scary.

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<v Speaker 5>I don't know how dudes do that, Like you don't

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<v Speaker 5>know what you signing up for. No, being on an

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<v Speaker 5>island with somebody you just.

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<v Speaker 2>Met, I'll pass.

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<v Speaker 1>No, I'm cool. I'm totally cool.

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<v Speaker 2>That wouldn't go to the island with you with me?

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<v Speaker 1>Yeah, I would.

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<v Speaker 2>Well, we're on the one right now.

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<v Speaker 5>I don't even think. Yes, we are on the islan

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<v Speaker 5>right now, but I don't even think we would like

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<v Speaker 5>see each other if we're like on vacation.

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<v Speaker 1>Never never, like it would probably like in pass like

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<v Speaker 1>it's up, like we don't know each other at all.

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<v Speaker 2>Any right where you think Wayne is not of a

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<v Speaker 2>classic album, I don't know where we started recording.

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<v Speaker 5>Yeah, I don't saying that because you know what I

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<v Speaker 5>like to do. Man, I like to listen to when

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<v Speaker 5>people start debating classic albums, like the word classic, I

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<v Speaker 5>don't know if it's just it's thrown around too loosely,

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<v Speaker 5>like pull up the definition of classic.

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<v Speaker 2>I agree that classic is thrown around.

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<v Speaker 1>It's too loosely.

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<v Speaker 6>Man.

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<v Speaker 2>But to draw the line at Carter three, I think

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<v Speaker 2>is a bit excessive.

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<v Speaker 5>And I like Carter three a lot. I just don't

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<v Speaker 5>know if it's because for me and music is subjective.

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<v Speaker 1>Is just my opinion.

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<v Speaker 5>For me, classic means I keep going back to it,

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<v Speaker 5>I keep playing classic.

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<v Speaker 6>From Google, the term classic and hip hop means any

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<v Speaker 6>album or single that not only separates itself from a bunch,

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<v Speaker 6>but it does so in such a unique culture culture fashion.

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<v Speaker 2>Well, thank you Google for defying something.

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<v Speaker 1>In our culture, in our culture right.

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<v Speaker 2>The Webster term for classic judged over a period of

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<v Speaker 2>time to be the highest quality and outstanding of its kind.

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<v Speaker 2>Now do you think there can be there's classic and

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<v Speaker 2>then there's time period classic, because I think we start

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<v Speaker 2>I think there's a lot of I start cutting dope. Look,

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<v Speaker 2>but I think Card three is a classic across the board.

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<v Speaker 2>I don't think it's a time period classic like I

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<v Speaker 2>think I think Card.

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<v Speaker 1>Three is a really good album.

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<v Speaker 5>I think it's Wayne's to me again, it's a subjective

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<v Speaker 5>of my opinion only to me, that's Wayne's best album,

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<v Speaker 5>I think.

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<v Speaker 1>But I would classic album, like classic is what I'm

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<v Speaker 1>just like.

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<v Speaker 5>I don't know if i'm I can say because when

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<v Speaker 5>I say classic, I'm thinking of a lot of other

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<v Speaker 5>classic albums in hip hop.

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<v Speaker 3>Okay, but I don't think that that's fair.

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<v Speaker 4>Why that's hip hop, because a classic just means that

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<v Speaker 4>it's timeless. It was recognized as an extremely good, valuable

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<v Speaker 4>body at work, and it was. And also you can

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<v Speaker 4>go back to Carter three and it doesn't sound it

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<v Speaker 4>sounds maybe a little dated, but it does you can

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<v Speaker 4>still listen to it today and not be like, oh

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<v Speaker 4>my god, we were listening to this ship well all the.

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<v Speaker 2>Kids Wayne, So it still holds up.

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<v Speaker 5>Wayne is definitely the father to a lot of these

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<v Speaker 5>new dudes now for sure, he definitely birth a lot

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<v Speaker 5>of these. So he's a He's a goat in that sense,

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<v Speaker 5>like he he changed the way artists look the way

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<v Speaker 5>artists sound, without a doubt. But I don't know if

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<v Speaker 5>Carter three is a classic album.

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<v Speaker 2>Well really good, I would be a classic from that era.

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<v Speaker 1>This was said two thousand and.

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<v Speaker 2>Eight, I can recre camera or no graduation was oh

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<v Speaker 2>set eight? Waits was two thousand and eight.

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<v Speaker 5>Yeah, that was two thousand and eight. That's a classic album.

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<v Speaker 2>Awaits and Artbreaks is a classic, I think defined by

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<v Speaker 2>what it did later. It came out with music, for sure,

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<v Speaker 2>That's what I'm saying. It's a classic in that regard.

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<v Speaker 3>When it came out, people weren't saying it was.

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<v Speaker 2>No They was actually pissed off a Kanye exactly. Now,

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<v Speaker 2>Carter three was this was the only shit playing at

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<v Speaker 2>that time.

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<v Speaker 5>Well, it's Wayne and he's at that time, he was everywhere.

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<v Speaker 5>You couldn't you couldn't turn on a radio or TV

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<v Speaker 5>anything and not here Wayne.

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<v Speaker 2>And I'm not saying because I think Carter two is

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<v Speaker 2>a better album, But if I were to be Charter three, yes,

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<v Speaker 2>absolutely without question. But if I had to be objective

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<v Speaker 2>and just looking overall with a classic, alb would be

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<v Speaker 2>of course Carter three.

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<v Speaker 5>That would be his classic, his classic. It's a classic, okay,

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<v Speaker 5>because difference his classic in a classic.

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<v Speaker 2>And somebody that's able to deliver when all the high

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<v Speaker 2>is around you, and this was the most anticipated shit ever,

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<v Speaker 2>because after card two he blew up, blew up to

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<v Speaker 2>then deliver that, Yeah, this is a classic. What's a

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<v Speaker 2>classic album?

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<v Speaker 1>E though?

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<v Speaker 2>Don't say non Rockefeller, No.

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<v Speaker 5>It's it's not even about that, it's just music that

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<v Speaker 5>I think album that an album that you can keep

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<v Speaker 5>going back to and play top to bottom without skipping

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<v Speaker 5>any records, no matter what time period.

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<v Speaker 1>That's a classic album to me.

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<v Speaker 2>Does that mean the kids have to do it too, though?

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<v Speaker 2>Or just the people from that time period, because that's

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<v Speaker 2>a lot of shit too, Like there's classics that I

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<v Speaker 2>deem classics, but probably just my generation does no.

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<v Speaker 5>But this this there's uh, there's there's albums that came

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<v Speaker 5>out when I was probably too young to really like

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<v Speaker 5>understand hip hop and the culture. And I went back

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<v Speaker 5>and listened to and I'm like, Okay, I'll see why

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<v Speaker 5>they called this a classic because it still sounds good

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<v Speaker 5>and you can still feel the emotion in the music,

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<v Speaker 5>you know what I mean, Like a lot of ice

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<v Speaker 5>cubes early shit, Like I didn't understand people when I

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<v Speaker 5>was younger. He's like ice cube, ice cub and I

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<v Speaker 5>was like, I didn't understand it. And as I started

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<v Speaker 5>get a little old I go back and listen. I'm like, okay,

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<v Speaker 5>I get a Cube is one of the best.

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<v Speaker 2>But if we're talking about classic, does that have to

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<v Speaker 2>also like across boundaries of age gaps? Like, for example,

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<v Speaker 2>I think a kid now would go back to an

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<v Speaker 2>ice Cube album and probably not vibe with it musically.

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<v Speaker 2>It wouldn't feel timeless to them. I'm not saying ice

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<v Speaker 2>Cube is not timeless. Please please make sure you get.

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<v Speaker 1>My words correctly.

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<v Speaker 2>Now, I think if they went back to Life after

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<v Speaker 2>Death because it had a bit more commercial appeal and

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<v Speaker 2>it's easier to listen to. I think a kid now

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<v Speaker 2>could pick up Life after Death and be like, oh,

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<v Speaker 2>this is a this is amazing, whereas ice Cube, because

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<v Speaker 2>his goals were a bit different than bigs, it would

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<v Speaker 2>be deemed not timeless to a lot of people.

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<v Speaker 1>Again, now you're talking about the listener, the type of listener,

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<v Speaker 1>Like I.

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<v Speaker 2>Can, but that's what deems the classic is a listener.

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<v Speaker 5>Yeah, but then a lot of people like undoubtedly classic albums.

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<v Speaker 5>A lot of people that listen to music would be

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<v Speaker 5>like that they don't really like that album, and it's

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<v Speaker 5>like you look at them like they're crazy, Like how

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<v Speaker 5>do you not like.

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<v Speaker 1>This album, like we're looking at you right now.

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<v Speaker 5>Nah, I mean listen, man, Wayne is a he's a goat,

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<v Speaker 5>Like there's there's nobody that can argue that, like I

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<v Speaker 5>would never He's one of the greatest we've ever had.

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<v Speaker 5>But when I hit people told about classic albums like

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<v Speaker 5>I like Carter three a lot, but I don't know if.

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<v Speaker 1>That's for me, if that's a classic album.

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<v Speaker 2>Three Pet, Mister Carter, Milly Got Money, Comfortable Doctor Carter,

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<v Speaker 2>Phone Home, tie my hands, Miss Officer, let the beat

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<v Speaker 2>Bill shoot me down, Lollipop Lili play with Fire, you

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<v Speaker 2>Ain't Got Nothing.

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<v Speaker 3>And Pussy Monster was a.

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<v Speaker 2>Yeah, not very many skips on that, but some Phone

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<v Speaker 2>Home annoyed the fuck out of me, But people love

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<v Speaker 2>that record. Phone Home was I thought gonna be the

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<v Speaker 2>worst record ever. And then I walked outside and everyone

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<v Speaker 2>was screaming phone Home, and I was like, everybody was

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<v Speaker 2>et was just screaming at the bus top phone Home.

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<v Speaker 1>Yeah, with Wayne phone in their hand.

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<v Speaker 5>Wayne Is He's definitely one of you know, my favorite

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<v Speaker 5>rappers ever, one of favorite artists. But you know, just

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<v Speaker 5>hearing people talk about classic albums, man, I'm just I

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<v Speaker 5>just start listening to the albums that they call classic,

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<v Speaker 5>and I'm like, I don't know if this is a

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<v Speaker 5>classic album. It's a really good album, but I don't

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<v Speaker 5>know if it's a classic album.

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<v Speaker 2>I think what time tells that anyways, Oh yeah, I

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<v Speaker 2>mean rarely is there the classic?

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<v Speaker 5>Yeah, instant classic is very rare where everybody's like, okay,

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<v Speaker 5>this is a classic, Like.

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<v Speaker 2>The last two that I could think of would be

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<v Speaker 2>so far gone. In Blueprint, I think with the last

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<v Speaker 2>instant classics that I remember, maybe college drop out and graduation, you.

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<v Speaker 1>Can make an argument, yeah, that was kind of an

0:10:37.040 --> 0:10:39.320
<v Speaker 1>instant classic. I feel like, No, I feel like it

0:10:39.360 --> 0:10:40.760
<v Speaker 1>was one that came out a few years ago. To

0:10:40.800 --> 0:10:41.920
<v Speaker 1>anybody was like, uh.

0:10:42.559 --> 0:10:45.480
<v Speaker 2>I'm saying rap world, yeah, not saying R and b row.

0:10:46.200 --> 0:10:47.880
<v Speaker 2>Like see at the Table was an instant classic to me.

0:10:47.920 --> 0:10:51.600
<v Speaker 2>Anti was an instant classic to me, But that's not rap.

0:10:52.400 --> 0:10:54.439
<v Speaker 5>And again, this is all subjective music is you know,

0:10:54.640 --> 0:10:57.000
<v Speaker 5>a matter of opinion and type of person you are.

0:10:57.080 --> 0:11:00.240
<v Speaker 5>But yeah, I was just having conversations and I'm you know,

0:11:00.840 --> 0:11:03.400
<v Speaker 5>to my classic album's classic classic. It all started off

0:11:03.440 --> 0:11:08.000
<v Speaker 5>of a Timberland talking about the Weekend's album Dawn Dawn

0:11:08.120 --> 0:11:08.720
<v Speaker 5>FX is that.

0:11:11.040 --> 0:11:13.120
<v Speaker 2>People just get excited when Ship comes out, and I

0:11:13.120 --> 0:11:15.240
<v Speaker 2>feel him because I sometimes run to like, no, it's

0:11:15.240 --> 0:11:17.480
<v Speaker 2>the greatest shit ever. I've been caught up in that before,

0:11:17.960 --> 0:11:19.679
<v Speaker 2>and I never went to Thriller with it though.

0:11:19.840 --> 0:11:22.160
<v Speaker 5>Yeah, Like and I and I understand what Timberland was

0:11:22.440 --> 0:11:23.800
<v Speaker 5>because no, no, listen.

0:11:23.920 --> 0:11:24.480
<v Speaker 1>I understand.

0:11:24.440 --> 0:11:27.000
<v Speaker 5>I understan because Timberland is a he's a producer, so

0:11:27.080 --> 0:11:29.800
<v Speaker 5>his the way he listens is different from the way

0:11:29.840 --> 0:11:30.560
<v Speaker 5>we listen to music.

0:11:31.320 --> 0:11:32.439
<v Speaker 1>So I understand the emotion.

0:11:32.640 --> 0:11:34.800
<v Speaker 5>I think what he what he was trying to say

0:11:34.960 --> 0:11:38.400
<v Speaker 5>was this sound and the way the Weekend put together

0:11:38.480 --> 0:11:42.640
<v Speaker 5>this album was so different. I think that is definitely

0:11:42.679 --> 0:11:46.800
<v Speaker 5>gonna move how a lot of artists make music the

0:11:46.880 --> 0:11:48.920
<v Speaker 5>sound because the sound was something that I didn't expect

0:11:48.960 --> 0:11:51.080
<v Speaker 5>at all. Neither this shit sounds like the soundtrack for

0:11:51.559 --> 0:11:53.960
<v Speaker 5>Midnight Run the Arcade game, like it's.

0:11:53.920 --> 0:11:54.720
<v Speaker 2>It's great age ship.

0:11:54.840 --> 0:11:56.840
<v Speaker 5>Yeah, So I was like, oh shit, So I understand,

0:11:56.880 --> 0:11:59.920
<v Speaker 5>Like Timbland is a producer, so he's gonna listen different. Uh,

0:12:00.080 --> 0:12:02.160
<v Speaker 5>things are gonna move him differently as far as sound.

0:12:02.160 --> 0:12:05.199
<v Speaker 5>But to just throw out Thriller out there like that,

0:12:05.360 --> 0:12:08.280
<v Speaker 5>and the album was out for three days and that's

0:12:08.280 --> 0:12:10.400
<v Speaker 5>where people got to relax and the way. And it's

0:12:10.400 --> 0:12:12.400
<v Speaker 5>not fair of the Weekend to say that, because it's like,

0:12:12.640 --> 0:12:15.040
<v Speaker 5>let the Weekend be the Weekend, like to put him

0:12:15.080 --> 0:12:18.720
<v Speaker 5>and say, oh, this is this is thriller. Come on, man, like,

0:12:18.720 --> 0:12:20.160
<v Speaker 5>that's not fair to the Weekend.

0:12:20.040 --> 0:12:22.800
<v Speaker 2>When you go back to creating. Granted, I think they

0:12:22.800 --> 0:12:24.400
<v Speaker 2>did it in a very tasteful way. I don't want

0:12:24.400 --> 0:12:25.679
<v Speaker 2>to start out with shitting on this album, because I

0:12:25.720 --> 0:12:28.320
<v Speaker 2>really do like This Weekend. I'm a lot, Yeah, but

0:12:28.400 --> 0:12:30.640
<v Speaker 2>to say when you go back to you would say

0:12:30.640 --> 0:12:33.800
<v Speaker 2>it was eighty influenced, yeah, and then to also sound

0:12:33.800 --> 0:12:35.800
<v Speaker 2>like Michael Jackson and then go back to the era

0:12:35.880 --> 0:12:39.880
<v Speaker 2>in which he's from. And then Timberland says the biggest

0:12:39.920 --> 0:12:41.719
<v Speaker 2>album ever is in comparison.

0:12:42.760 --> 0:12:44.679
<v Speaker 5>Yeah, that's that's That's where I have a little bit

0:12:44.720 --> 0:12:46.360
<v Speaker 5>of it. It's like, come on, man, like, I like

0:12:46.440 --> 0:12:48.280
<v Speaker 5>this album. I think it sounds great. I think The

0:12:48.280 --> 0:12:52.120
<v Speaker 5>Weekend is the epitome of an artist. You know, he

0:12:52.160 --> 0:12:55.559
<v Speaker 5>gets in the character. He's not afraid to be different,

0:12:55.600 --> 0:12:58.440
<v Speaker 5>he's not afraid to experiment. Yeah, Like he's he's what

0:12:58.480 --> 0:13:01.800
<v Speaker 5>an artist should be. The album is really dope, I

0:13:01.880 --> 0:13:04.560
<v Speaker 5>like it. It wasn't what I was expecting. I know

0:13:04.600 --> 0:13:06.640
<v Speaker 5>a lot of people want the Weekend to sound like

0:13:06.960 --> 0:13:11.200
<v Speaker 5>House of Balloons still, but he's not that guy anymore.

0:13:11.280 --> 0:13:13.400
<v Speaker 5>Like he's a different person now, and I think that

0:13:13.480 --> 0:13:15.720
<v Speaker 5>it's you know, it's not fair to want somebody to

0:13:15.880 --> 0:13:17.840
<v Speaker 5>sound the same exact way as when you fell in

0:13:17.840 --> 0:13:18.319
<v Speaker 5>love with them.

0:13:18.520 --> 0:13:21.280
<v Speaker 2>I think this was a you know, like in Star Wars.

0:13:21.320 --> 0:13:23.000
<v Speaker 2>And I'm not a big Star Wars fan, so correct

0:13:23.000 --> 0:13:24.920
<v Speaker 2>me if I'm wrong. Don't they go like in reverse order?

0:13:26.320 --> 0:13:27.200
<v Speaker 1>As far as the story?

0:13:27.360 --> 0:13:30.640
<v Speaker 2>Yeah, yeah, So to me, this like he's doing his

0:13:30.679 --> 0:13:33.280
<v Speaker 2>career backwards like this.

0:13:33.200 --> 0:13:35.360
<v Speaker 1>He's ninety years old on album. This album is.

0:13:35.320 --> 0:13:39.240
<v Speaker 2>Like what you do to get to that low part

0:13:39.280 --> 0:13:41.520
<v Speaker 2>of House of Balloons, Like this is the crazy coke

0:13:41.600 --> 0:13:43.760
<v Speaker 2>parties that you was at and then House of Balloons

0:13:43.800 --> 0:13:45.800
<v Speaker 2>is when you come down and realize how depressed and

0:13:45.880 --> 0:13:48.079
<v Speaker 2>hurt and how much of an addict you are. Yeah,

0:13:48.240 --> 0:13:48.960
<v Speaker 2>he's going backwards.

0:13:49.040 --> 0:13:50.440
<v Speaker 1>This is what his emotions look like.

0:13:50.559 --> 0:13:53.000
<v Speaker 2>He's not coming out on top. We're going backwards in

0:13:53.040 --> 0:13:53.480
<v Speaker 2>the story.

0:13:53.960 --> 0:13:54.400
<v Speaker 1>I like it.

0:13:54.440 --> 0:13:58.880
<v Speaker 5>I think again the sound is for him to put

0:13:58.880 --> 0:14:02.800
<v Speaker 5>this type of music out now is really like dope

0:14:02.800 --> 0:14:04.600
<v Speaker 5>to me, I like when artists are not afraid to

0:14:04.720 --> 0:14:08.199
<v Speaker 5>just be extremely different, but then not be weird. It's

0:14:08.240 --> 0:14:09.760
<v Speaker 5>not like it's a weird different. You get it, you

0:14:09.840 --> 0:14:12.920
<v Speaker 5>understand it. The content is still something you can relate to,

0:14:13.080 --> 0:14:14.200
<v Speaker 5>like the shit he's talking about.

0:14:14.720 --> 0:14:19.400
<v Speaker 2>Oh, he definitely I think a young I think why

0:14:19.440 --> 0:14:22.520
<v Speaker 2>he's old on this album cover is because he's actually

0:14:22.520 --> 0:14:25.000
<v Speaker 2>starting to feel that way in the women he deals with.

0:14:25.360 --> 0:14:26.520
<v Speaker 1>They're draining his soul.

0:14:26.880 --> 0:14:29.160
<v Speaker 2>Yes, I don't think he can keep up the way.

0:14:29.520 --> 0:14:31.200
<v Speaker 2>You know, like when you got into your thirties and

0:14:31.200 --> 0:14:32.320
<v Speaker 2>then you try to go out with people in their

0:14:32.320 --> 0:14:35.680
<v Speaker 2>twenties and you're just like, Okay, I'm starting to feel

0:14:35.680 --> 0:14:37.960
<v Speaker 2>a little older than I thought I was. This whole

0:14:38.000 --> 0:14:39.960
<v Speaker 2>album sounds like to me that he's trying to keep

0:14:40.040 --> 0:14:42.960
<v Speaker 2>up with a young girl at the party. This is

0:14:43.480 --> 0:14:45.720
<v Speaker 2>a young girl that doesn't give a fuck who he is,

0:14:46.160 --> 0:14:49.280
<v Speaker 2>what he does. All that easy pussy doesn't work it anymore.

0:14:49.560 --> 0:14:52.320
<v Speaker 2>He's like, really, he's fucked up over this girl that

0:14:52.360 --> 0:14:54.880
<v Speaker 2>doesn't particularly care about him. She'll let him fuck, but

0:14:54.920 --> 0:14:55.600
<v Speaker 2>she don't really care.

0:14:55.720 --> 0:14:57.840
<v Speaker 5>Yeah, this music is like when you go to the

0:14:57.880 --> 0:14:59.720
<v Speaker 5>club and then she wants to go to the after

0:14:59.720 --> 0:15:03.320
<v Speaker 5>album and then go to breakfast and then like go

0:15:03.320 --> 0:15:05.040
<v Speaker 5>go to yoga and it's like, yo, we haven't been

0:15:05.040 --> 0:15:05.680
<v Speaker 5>asleep yet.

0:15:06.360 --> 0:15:06.680
<v Speaker 1>Listen.

0:15:06.760 --> 0:15:08.920
<v Speaker 2>And then he ended, damn near ended the album and

0:15:09.000 --> 0:15:11.360
<v Speaker 2>this whole storyline with and then I heard you was married.

0:15:11.800 --> 0:15:15.760
<v Speaker 5>She's like, so, yeah, yeah, I like it. I think

0:15:15.800 --> 0:15:17.960
<v Speaker 5>this album is really good. But she had Timberlin got

0:15:17.960 --> 0:15:21.240
<v Speaker 5>to relax though he threw thriller out there way too prematurely, like.

0:15:21.280 --> 0:15:23.760
<v Speaker 2>Come on, that's but he saw Quincy was on it

0:15:23.800 --> 0:15:24.720
<v Speaker 2>and was like, oh it must be.

0:15:25.720 --> 0:15:28.720
<v Speaker 1>But see even that type of ship, those type of interludes.

0:15:28.200 --> 0:15:30.800
<v Speaker 2>That's crazy carry you know what I mean, Like it's.

0:15:30.680 --> 0:15:32.800
<v Speaker 5>Like, yo, I like shit like that man. And again

0:15:32.840 --> 0:15:34.720
<v Speaker 5>I didn't when we first listened to it.

0:15:34.720 --> 0:15:35.840
<v Speaker 1>We was calling it diet coke.

0:15:36.240 --> 0:15:38.360
<v Speaker 5>It's kind of like the Saint the Saint Coke, this is,

0:15:38.680 --> 0:15:40.560
<v Speaker 5>you know what I mean. But after living with it

0:15:40.600 --> 0:15:42.640
<v Speaker 5>over the weekend, like this album is really dope.

0:15:42.880 --> 0:15:43.760
<v Speaker 1>I like this album lot.

0:15:43.920 --> 0:15:44.080
<v Speaker 3>Yeah.

0:15:44.200 --> 0:15:46.520
<v Speaker 2>I think this is one of those live as well.

0:15:46.600 --> 0:15:49.000
<v Speaker 2>He's he's definitely stepped up because for the people that

0:15:49.040 --> 0:15:51.680
<v Speaker 2>don't remember when we Can first came out his live show,

0:15:52.360 --> 0:15:56.160
<v Speaker 2>like Rihanna as well was very criticized. Yeah, it was like,

0:15:56.160 --> 0:15:58.760
<v Speaker 2>all right, now we know what he's bad at, and

0:15:58.840 --> 0:16:02.880
<v Speaker 2>he proved tremendously. No, he's got to really dance just everything.

0:16:03.000 --> 0:16:05.080
<v Speaker 1>I noticed that when he at a super Bowl performance.

0:16:05.400 --> 0:16:07.560
<v Speaker 5>We spoke about that. I was like, Yo, he's gotten

0:16:07.600 --> 0:16:12.040
<v Speaker 5>better with his vocals. His live vocals have gotten extremely

0:16:12.200 --> 0:16:14.560
<v Speaker 5>better than they were when he first got The Weekend.

0:16:14.280 --> 0:16:17.400
<v Speaker 2>And I think he's less insecure in that and wants

0:16:17.440 --> 0:16:20.400
<v Speaker 2>to make more upbeat music that is for arenas and

0:16:20.520 --> 0:16:23.080
<v Speaker 2>is to actually be performed, rather than some of the

0:16:23.080 --> 0:16:24.720
<v Speaker 2>sadder stuff where it's just like, yeah, I'm a stand

0:16:24.800 --> 0:16:27.000
<v Speaker 2>up on stage and you know whine.

0:16:27.280 --> 0:16:28.960
<v Speaker 5>I would I definitely would like to see The Weekend

0:16:29.080 --> 0:16:34.160
<v Speaker 5>do a visual to all this whole album. Yeah, like right,

0:16:34.240 --> 0:16:35.800
<v Speaker 5>like a movie, but like make it a you know,

0:16:36.160 --> 0:16:38.360
<v Speaker 5>like a music video like Thriller exactly.

0:16:38.960 --> 0:16:40.680
<v Speaker 1>I would. I would like that.

0:16:41.640 --> 0:16:45.040
<v Speaker 5>No, no, no, not like Thriller, like, let's be clear, but

0:16:45.080 --> 0:16:47.920
<v Speaker 5>the fact that it's the eighty Sound and he's such

0:16:47.920 --> 0:16:50.640
<v Speaker 5>an artist, like his visuals and everything, you know, I

0:16:50.680 --> 0:16:53.320
<v Speaker 5>would like to see him make a video to all

0:16:53.320 --> 0:16:55.240
<v Speaker 5>of these but incorporated do it in like kind of

0:16:55.240 --> 0:16:56.720
<v Speaker 5>like a movie script.

0:16:57.480 --> 0:17:01.480
<v Speaker 2>It's interesting, man, the eighties, the eighties were pop music

0:17:01.640 --> 0:17:01.880
<v Speaker 2>just is.

0:17:01.960 --> 0:17:05.280
<v Speaker 1>Not going away. And I mean that in a good way.

0:17:05.800 --> 0:17:09.920
<v Speaker 1>It just hasn't Like the nineties pop has not returned

0:17:10.000 --> 0:17:12.959
<v Speaker 1>at all. Like they don't really grab from the nineties

0:17:13.000 --> 0:17:14.280
<v Speaker 1>pop wise to me very much.

0:17:14.520 --> 0:17:17.080
<v Speaker 2>Was R and B for sure, Oh yeah, But I

0:17:17.080 --> 0:17:19.440
<v Speaker 2>think a lot of the nineties pop stuff was more

0:17:19.720 --> 0:17:24.520
<v Speaker 2>leaning into the MTV boy band girls hop boys and

0:17:24.560 --> 0:17:27.119
<v Speaker 2>that stuff. As much as it's timeless to me because

0:17:27.119 --> 0:17:29.040
<v Speaker 2>I was a kid when it happened, No one really

0:17:29.080 --> 0:17:31.520
<v Speaker 2>grabs from that very much. They grab from nineties R

0:17:31.520 --> 0:17:31.720
<v Speaker 2>and B.

0:17:32.240 --> 0:17:37.719
<v Speaker 5>The PP eighties is Eighties pop was sent heavy, you know,

0:17:37.760 --> 0:17:39.960
<v Speaker 5>it was. It just it was a different vibe. Like

0:17:40.040 --> 0:17:44.679
<v Speaker 5>the nineties pop became a little corny. It wasn't It

0:17:44.680 --> 0:17:46.040
<v Speaker 5>wasn't as cool as eighties pop.

0:17:46.359 --> 0:17:50.280
<v Speaker 2>I think eighties just figured out electronics right away and

0:17:50.320 --> 0:17:51.960
<v Speaker 2>figured out the best way to do it. And we've

0:17:52.000 --> 0:17:54.480
<v Speaker 2>been trying for three decades until so like, all right,

0:17:54.560 --> 0:17:56.880
<v Speaker 2>let's try something new. It's like, nah, let's go let's

0:17:56.920 --> 0:17:59.439
<v Speaker 2>go back, because even eight oway's kind of derives a

0:17:59.480 --> 0:18:01.840
<v Speaker 2>lot of it from fucking eighties, like robo copies, the

0:18:01.880 --> 0:18:06.119
<v Speaker 2>eighties popstone right, so much of that, so any if

0:18:06.119 --> 0:18:07.800
<v Speaker 2>you can even hear on a lot of this sense

0:18:07.840 --> 0:18:09.440
<v Speaker 2>with Donda and some of the drums that used this

0:18:09.520 --> 0:18:10.639
<v Speaker 2>Eighties pop music.

0:18:10.400 --> 0:18:15.399
<v Speaker 5>Like eighties is definitely the bed the bedrock for a

0:18:15.440 --> 0:18:18.159
<v Speaker 5>lot of the synth sound. If you're gonna try to

0:18:18.160 --> 0:18:19.760
<v Speaker 5>bring back that sense sound, you're gonna listen to a

0:18:19.800 --> 0:18:21.960
<v Speaker 5>lot of the eighties pop artists for sure.

0:18:22.560 --> 0:18:24.280
<v Speaker 2>And I feel and you know, if you talk to

0:18:24.320 --> 0:18:27.520
<v Speaker 2>my dad, that's what killed music, Like if you talk

0:18:27.560 --> 0:18:29.920
<v Speaker 2>to a lot of people like eighties, eighties pop music

0:18:30.000 --> 0:18:33.919
<v Speaker 2>like was the divide in music because it went so

0:18:34.000 --> 0:18:36.439
<v Speaker 2>electronic and like of course that came from disco first,

0:18:36.800 --> 0:18:41.040
<v Speaker 2>but so much Eighties kind of put the fucking nail

0:18:41.119 --> 0:18:43.000
<v Speaker 2>into the board of like, all right, this is here

0:18:43.040 --> 0:18:44.760
<v Speaker 2>to fucking stay. Electronic music is here.

0:18:45.200 --> 0:18:45.760
<v Speaker 1>I would see.

0:18:45.800 --> 0:18:49.560
<v Speaker 5>I think I think eighties pop inspired nineties R and B.

0:18:49.600 --> 0:18:51.960
<v Speaker 1>In a weird way. Sure I could see that, you

0:18:52.000 --> 0:18:52.159
<v Speaker 1>know what.

0:18:52.119 --> 0:18:53.240
<v Speaker 5>I mean, Like if you listen to a lot of

0:18:53.240 --> 0:18:55.000
<v Speaker 5>the nineties R and B. The production on a lot

0:18:55.000 --> 0:18:57.240
<v Speaker 5>of nineties R and B, it's a lot of syn

0:18:57.920 --> 0:19:00.560
<v Speaker 5>the drums are like you know, yeah, a lot of

0:19:00.600 --> 0:19:01.520
<v Speaker 5>eighties pop.

0:19:01.840 --> 0:19:03.680
<v Speaker 2>And even you know, a lot of shit that they

0:19:04.480 --> 0:19:08.880
<v Speaker 2>sampled was a lot chaka consh was then turned into

0:19:08.880 --> 0:19:11.080
<v Speaker 2>so much in nineties flips from bad Boy and all

0:19:11.119 --> 0:19:12.800
<v Speaker 2>the Ship. But yeah, I don't know, we got an

0:19:12.800 --> 0:19:15.679
<v Speaker 2>eighties tangent, but it was just it's just funny that

0:19:16.119 --> 0:19:20.080
<v Speaker 2>eighties music is still very much the most relevant sound

0:19:20.560 --> 0:19:22.280
<v Speaker 2>to some degree when it comes to pop music. But

0:19:23.600 --> 0:19:26.040
<v Speaker 2>I do want to get into no one talking about

0:19:26.040 --> 0:19:29.119
<v Speaker 2>this album. The Weekend you would say, is one of

0:19:29.119 --> 0:19:31.919
<v Speaker 2>the biggest artists on earth right for sure any genre,

0:19:32.200 --> 0:19:34.520
<v Speaker 2>one of the biggest, not ever. But I'm saying for

0:19:34.640 --> 0:19:39.080
<v Speaker 2>our time, I didn't see one person talking about this online.

0:19:39.080 --> 0:19:45.000
<v Speaker 1>You mean yeah? No, I mean is the week in

0:19:45.040 --> 0:19:46.399
<v Speaker 1>the artists that they talk about online?

0:19:46.440 --> 0:19:50.560
<v Speaker 2>Though yes, yes percent people Wait and was there There

0:19:50.600 --> 0:19:54.320
<v Speaker 2>wasn't a single on this was there? Is this just

0:19:54.359 --> 0:19:57.040
<v Speaker 2>another I know we have to always find a way

0:19:57.080 --> 0:20:00.479
<v Speaker 2>to big up Beyonce. Is this just another way that

0:20:00.720 --> 0:20:03.359
<v Speaker 2>certain artists, meaning only one can do the surprise album?

0:20:03.359 --> 0:20:03.560
<v Speaker 3>Shit?

0:20:06.560 --> 0:20:10.040
<v Speaker 2>You would think The Weekend could do a surprise album

0:20:10.119 --> 0:20:11.879
<v Speaker 2>because this was a week in advance. He posted album

0:20:11.920 --> 0:20:12.560
<v Speaker 2>cover and that was it.

0:20:13.440 --> 0:20:17.760
<v Speaker 1>Does he? I mean, do you kid if people talking

0:20:17.760 --> 0:20:19.159
<v Speaker 1>about it, if the album is good.

0:20:19.720 --> 0:20:22.160
<v Speaker 2>No, I listen. I don't care about numbers at all.

0:20:22.240 --> 0:20:23.560
<v Speaker 2>I care about if the music is good, and that's

0:20:23.760 --> 0:20:26.320
<v Speaker 2>all that matters. But because we do talk about music

0:20:26.320 --> 0:20:27.960
<v Speaker 2>on the show so much, and so much of our

0:20:28.200 --> 0:20:30.399
<v Speaker 2>fans are invested in music the way we are, we

0:20:30.440 --> 0:20:33.119
<v Speaker 2>can see, especially when one of the biggest artists on

0:20:33.240 --> 0:20:35.359
<v Speaker 2>Earth is putting an album out and no one is

0:20:35.359 --> 0:20:37.920
<v Speaker 2>talking about it. Yeah, I saw more people talking about

0:20:37.920 --> 0:20:40.719
<v Speaker 2>why Drake was taking off Gunner's album, a song that

0:20:40.760 --> 0:20:43.840
<v Speaker 2>doesn't really exist being talked about more than an album

0:20:44.119 --> 0:20:47.199
<v Speaker 2>from one of our biggest artists. That's crazy to me.

0:20:47.560 --> 0:20:49.000
<v Speaker 2>And I don't know if it's because the times we're in.

0:20:49.440 --> 0:20:51.760
<v Speaker 5>What could it be because he doesn't have a lot

0:20:51.760 --> 0:20:54.160
<v Speaker 5>of features, Like, he doesn't have many features on this album,

0:20:54.119 --> 0:20:54.880
<v Speaker 5>and thinking maybe.

0:20:55.160 --> 0:20:58.560
<v Speaker 2>Three Tyler, Wayne and I think that might have been it.

0:20:59.200 --> 0:21:01.200
<v Speaker 1>Yeah, Jim Carrey and Quincy Jones.

0:21:01.200 --> 0:21:02.920
<v Speaker 3>But Thriller didn't have any features.

0:21:04.920 --> 0:21:08.520
<v Speaker 2>Yes it did, Paul McCartney, Little Wayne and Paul mccartny

0:21:08.760 --> 0:21:16.760
<v Speaker 2>same same, Tyler and Paul. But that shocks me.

0:21:17.960 --> 0:21:18.800
<v Speaker 1>Yeah, that's a little.

0:21:18.600 --> 0:21:20.880
<v Speaker 5>Shocking for one of the biggest artists of his time

0:21:20.960 --> 0:21:23.000
<v Speaker 5>not to be whenever his album drops not to be

0:21:23.040 --> 0:21:26.200
<v Speaker 5>talked about. But I really don't like me. I don't

0:21:26.200 --> 0:21:28.080
<v Speaker 5>really go on line and really pay attention to see

0:21:28.160 --> 0:21:30.040
<v Speaker 5>who people like the artist that people are talking about,

0:21:30.200 --> 0:21:31.560
<v Speaker 5>so I wouldn't know, like if you saw that, if

0:21:31.560 --> 0:21:33.720
<v Speaker 5>you didn't notice that, then I mean that is that

0:21:33.880 --> 0:21:35.720
<v Speaker 5>is weird though it is it is weird when the

0:21:35.720 --> 0:21:37.520
<v Speaker 5>biggest artist, one of the well one of the biggest

0:21:37.600 --> 0:21:40.200
<v Speaker 5>artists of his time, puts an album out and everybody

0:21:40.240 --> 0:21:40.960
<v Speaker 5>isn't talking about it.

0:21:41.000 --> 0:21:43.000
<v Speaker 2>But that kind of goes back to our classic conversation

0:21:43.320 --> 0:21:48.320
<v Speaker 2>of impact and what everyone's talking about, Like, can you

0:21:48.359 --> 0:21:49.879
<v Speaker 2>have a classic album if no one talks about it,

0:21:49.880 --> 0:21:51.000
<v Speaker 2>I don't care how good the music is.

0:21:51.080 --> 0:21:53.360
<v Speaker 5>Can you have a classic album and nobody I don't

0:21:53.400 --> 0:21:55.760
<v Speaker 5>think to do that as possible. Yeah, if it's a

0:21:55.760 --> 0:21:57.760
<v Speaker 5>classic album, everybody's talking about it exactly.

0:21:57.800 --> 0:22:00.600
<v Speaker 2>So sometimes yeah, it doesn't just mattertter how good the

0:22:00.680 --> 0:22:05.320
<v Speaker 2>music is. People talking about something and impact, which can

0:22:05.400 --> 0:22:09.480
<v Speaker 2>be tied into sales fucking matters. And when you don't

0:22:09.480 --> 0:22:14.080
<v Speaker 2>do the tricks and the bundles and all the marketing tools,

0:22:14.840 --> 0:22:17.320
<v Speaker 2>who do you really reach? Do you just reach your algorithms?

0:22:18.200 --> 0:22:18.400
<v Speaker 1>Right?

0:22:18.880 --> 0:22:21.960
<v Speaker 5>Like do we follow do we follow the Weekend? Like

0:22:22.119 --> 0:22:24.160
<v Speaker 5>is our algorithm and the Weekend fans.

0:22:23.880 --> 0:22:28.040
<v Speaker 2>Like he should how big he is, he should be

0:22:28.080 --> 0:22:30.200
<v Speaker 2>in everyone's algorithm. He's just that big of an artist

0:22:30.240 --> 0:22:32.440
<v Speaker 2>where no matter what, it should be there and it

0:22:32.480 --> 0:22:35.560
<v Speaker 2>should be at the top of any conversation just by proxy.

0:22:36.240 --> 0:22:40.399
<v Speaker 2>Like there's huge artists that aren't even in this genre

0:22:40.520 --> 0:22:42.400
<v Speaker 2>or a culture that we know when an album comes out,

0:22:42.480 --> 0:22:44.600
<v Speaker 2>we're not gonna go run and listen Taylor Swipt puts

0:22:44.600 --> 0:22:46.800
<v Speaker 2>out on an album, you guys are gonna know it exists.

0:22:47.160 --> 0:22:48.880
<v Speaker 2>Not saying he's gonna run because that's not your shit,

0:22:49.080 --> 0:22:51.480
<v Speaker 2>but you will know that that album is out. There's

0:22:51.480 --> 0:22:54.159
<v Speaker 2>no way you won't, right. I saw that kind of

0:22:54.160 --> 0:22:56.920
<v Speaker 2>appen with Justin Bieber the last album. I didn't see

0:22:56.920 --> 0:22:59.240
<v Speaker 2>anyone really talking about it, and it fucking threw me.

0:22:59.400 --> 0:23:00.920
<v Speaker 1>I was like, all right, Justin.

0:23:01.320 --> 0:23:03.399
<v Speaker 2>I know he's kind of been on and off, but

0:23:03.800 --> 0:23:06.520
<v Speaker 2>he's still Justin fucking Bieber and the Weekend too, Like

0:23:07.320 --> 0:23:08.960
<v Speaker 2>this felt like remember when he did that little ep

0:23:09.920 --> 0:23:13.000
<v Speaker 2>I forgot the name. It wasn't bad though, I saw

0:23:13.000 --> 0:23:14.560
<v Speaker 2>a minimal talk about that, and I was like, eh,

0:23:14.600 --> 0:23:16.639
<v Speaker 2>it was just because it was an EP. Then I

0:23:16.680 --> 0:23:18.040
<v Speaker 2>went to go look at this stick and this may

0:23:18.080 --> 0:23:19.560
<v Speaker 2>be the same thing, and it's a full blown fucking

0:23:19.600 --> 0:23:23.919
<v Speaker 2>album with incredibly expensive production, right, it says, and Quincy

0:23:24.040 --> 0:23:25.360
<v Speaker 2>Jones and Jim Carrey.

0:23:25.440 --> 0:23:25.840
<v Speaker 3>It says.

0:23:25.920 --> 0:23:29.359
<v Speaker 4>As of Monday, well, yeah, it was being reported that

0:23:29.440 --> 0:23:32.440
<v Speaker 4>DONFM will move approximately one hundred and fifty thousand to

0:23:32.480 --> 0:23:35.080
<v Speaker 4>one hundred and seventy thousand copies in its first week out.

0:23:36.440 --> 0:23:39.359
<v Speaker 4>Decided not to ship any physical copies out as well.

0:23:40.160 --> 0:23:42.880
<v Speaker 2>Well, that's nonetheless incredible to sell one hundred and fifty

0:23:42.880 --> 0:23:43.400
<v Speaker 2>thousand units.

0:23:43.400 --> 0:23:43.880
<v Speaker 1>What are he selling?

0:23:43.880 --> 0:23:45.880
<v Speaker 2>His last one the Highlights I don't really count as an album.

0:23:46.880 --> 0:23:51.000
<v Speaker 2>Why it was a bunch of old records and like

0:23:51.240 --> 0:23:52.640
<v Speaker 2>it was like a compilation.

0:23:52.240 --> 0:23:54.679
<v Speaker 1>Of his career. It wasn't like, I don't count that

0:23:54.720 --> 0:23:56.520
<v Speaker 1>as an album at all.

0:23:56.720 --> 0:23:59.600
<v Speaker 2>After hours, we'll called remember he did the crazy marketing

0:23:59.600 --> 0:24:01.640
<v Speaker 2>for that shit to like that was the last real

0:24:01.680 --> 0:24:06.040
<v Speaker 2>weekend album to me, and that he went out and

0:24:06.080 --> 0:24:06.359
<v Speaker 2>did what.

0:24:06.680 --> 0:24:09.720
<v Speaker 3>Samars the first week sales to.

0:24:11.400 --> 0:24:14.280
<v Speaker 4>Four hundred and forty four thousand, four for four four

0:24:14.359 --> 0:24:16.880
<v Speaker 4>hundred and forty four thousand, two hundred and seventy five

0:24:16.920 --> 0:24:18.760
<v Speaker 4>thousand of those were in pure sales.

0:24:18.840 --> 0:24:21.919
<v Speaker 2>So granted, again, I'm really not the numbers guy, and

0:24:22.119 --> 0:24:25.040
<v Speaker 2>I really am not trying to focus on him selling less.

0:24:25.119 --> 0:24:27.720
<v Speaker 2>I'm talking it's more about the impact and what's been

0:24:27.800 --> 0:24:28.240
<v Speaker 2>going on.

0:24:28.760 --> 0:24:30.000
<v Speaker 1>And I don't know if that's due with the times.

0:24:30.000 --> 0:24:32.840
<v Speaker 2>I don't know if that's to do with weekend fans

0:24:33.040 --> 0:24:35.840
<v Speaker 2>growing up and just have kids and are not paying

0:24:35.840 --> 0:24:39.200
<v Speaker 2>attention as much. But that's a drastic drop, especially after

0:24:39.200 --> 0:24:39.840
<v Speaker 2>you do the super Bowl.

0:24:39.960 --> 0:24:42.200
<v Speaker 1>Yeah, that's that's that's more than half.

0:24:42.320 --> 0:24:44.880
<v Speaker 2>Because you would think even at the height, if you're

0:24:44.920 --> 0:24:47.679
<v Speaker 2>doing the super Bowl, that means my mom knows who

0:24:47.720 --> 0:24:51.119
<v Speaker 2>you are, and my mom would be not invested, but

0:24:51.160 --> 0:24:52.639
<v Speaker 2>if you put an album out, would know about it

0:24:52.680 --> 0:24:53.800
<v Speaker 2>and would at least want to listen.

0:24:53.840 --> 0:24:56.160
<v Speaker 1>She knows your music. Your mom knows the Weekends music.

0:24:56.400 --> 0:24:58.119
<v Speaker 2>She does, but I don't think she knows that the

0:24:58.160 --> 0:25:00.879
<v Speaker 2>Weekend put out an album, right, I'll see what you

0:25:00.960 --> 0:25:04.440
<v Speaker 2>mean like at all now? Before Yeah, I think she knew.

0:25:05.040 --> 0:25:07.920
<v Speaker 2>I just speculating on what's going on.

0:25:07.960 --> 0:25:12.720
<v Speaker 5>It's weird, man, Like you just you know, sometimes when

0:25:12.760 --> 0:25:14.560
<v Speaker 5>you're you know, you put an all them out and

0:25:14.600 --> 0:25:18.840
<v Speaker 5>you do almost half a million in sales. It's kind

0:25:18.840 --> 0:25:20.240
<v Speaker 5>of hard to keep that same.

0:25:21.640 --> 0:25:22.400
<v Speaker 1>That's not you know what I.

0:25:22.359 --> 0:25:24.080
<v Speaker 2>Mean, that's almost impossible.

0:25:24.160 --> 0:25:26.240
<v Speaker 1>Yeah, it's like, so is it is? It? Is this

0:25:26.320 --> 0:25:28.040
<v Speaker 1>a fail for him to be doing one seven not

0:25:28.640 --> 0:25:29.440
<v Speaker 1>in this first week?

0:25:29.640 --> 0:25:32.320
<v Speaker 2>But there's the thing, his thing. I don't know. I

0:25:32.320 --> 0:25:33.560
<v Speaker 2>don't know what he spent. I don't know what his

0:25:33.640 --> 0:25:38.160
<v Speaker 2>expectations were. I don't know what what's he going, Republic

0:25:38.240 --> 0:25:41.560
<v Speaker 2>or Republic expected out of it. Granted they did no

0:25:41.880 --> 0:25:44.199
<v Speaker 2>singles and really no promo, so I don't know what

0:25:44.240 --> 0:25:46.240
<v Speaker 2>their expectations don't. I don't know if they thought the

0:25:46.280 --> 0:25:47.880
<v Speaker 2>weekend was someone that maybe he's not.

0:25:50.040 --> 0:25:51.000
<v Speaker 1>Who is he not? Though?

0:25:51.119 --> 0:25:54.080
<v Speaker 2>Maybe he's not this gigantic pop star he is.

0:25:53.920 --> 0:25:57.280
<v Speaker 5>Though we can't know he is. But once you do

0:25:57.320 --> 0:25:59.720
<v Speaker 5>the super Bowl like you're you're a pop star.

0:26:00.680 --> 0:26:04.439
<v Speaker 2>I agree. But if you put out an album and

0:26:04.480 --> 0:26:07.080
<v Speaker 2>do one fifty when you used to do four hundred

0:26:07.119 --> 0:26:09.440
<v Speaker 2>on the last one, it'd still be a pop star.

0:26:09.480 --> 0:26:13.040
<v Speaker 2>Don't get me wrong, still an icon, But I don't

0:26:13.080 --> 0:26:15.919
<v Speaker 2>think you are who we thought you were before.

0:26:16.160 --> 0:26:17.879
<v Speaker 5>But like you said, did he have a single for

0:26:17.960 --> 0:26:21.520
<v Speaker 5>this SONGM? No, that could be you know, part of

0:26:21.520 --> 0:26:23.280
<v Speaker 5>it for sure? You know what I mean like that

0:26:23.480 --> 0:26:26.200
<v Speaker 5>sometimes people just don't know what's coming, they don't know

0:26:26.240 --> 0:26:28.680
<v Speaker 5>what's happening. Then you drop the album and it's like, oh,

0:26:28.760 --> 0:26:31.400
<v Speaker 5>so maybe this is gonna be a slow burn. Yeah,

0:26:31.440 --> 0:26:33.080
<v Speaker 5>you know what I mean, Like, maybe maybe he'll do

0:26:33.119 --> 0:26:35.360
<v Speaker 5>it if he does one seventy again.

0:26:35.160 --> 0:26:36.840
<v Speaker 1>Next week listen.

0:26:37.080 --> 0:26:40.080
<v Speaker 2>I'm also of the belief that, especially in these times,

0:26:40.119 --> 0:26:42.359
<v Speaker 2>you can do more with the post rollout than.

0:26:42.240 --> 0:26:42.879
<v Speaker 1>The pre rollout.

0:26:42.960 --> 0:26:44.879
<v Speaker 2>Absolutely, like you could put the shit out and then

0:26:44.920 --> 0:26:47.080
<v Speaker 2>let's work the album once it's out, rather than working

0:26:47.200 --> 0:26:51.199
<v Speaker 2>up to it. So this could be a masterclass in

0:26:51.280 --> 0:26:53.119
<v Speaker 2>this and we just don't know yet, but I have

0:26:53.200 --> 0:26:55.879
<v Speaker 2>to bring up and ask and talk about why it

0:26:56.000 --> 0:26:57.520
<v Speaker 2>was so quiet around one.

0:26:57.400 --> 0:27:00.320
<v Speaker 1>Of the biggest artists. It was definitely a the last

0:27:00.320 --> 0:27:00.800
<v Speaker 1>twenty years.

0:27:00.840 --> 0:27:04.159
<v Speaker 5>It definitely didn't feel like his album dropped in comparison

0:27:04.160 --> 0:27:07.080
<v Speaker 5>to other albums, but the album is still good.

0:27:07.119 --> 0:27:07.520
<v Speaker 1>I liked it.

0:27:07.560 --> 0:27:09.159
<v Speaker 5>I didn't think I was gonna like it after the

0:27:09.160 --> 0:27:11.399
<v Speaker 5>first listen it just was like, Okay, he's on his

0:27:11.520 --> 0:27:16.040
<v Speaker 5>eighties eighties pop shit right now. But after listening to

0:27:16.040 --> 0:27:17.680
<v Speaker 5>it over the weekend, I really liked this album. Though

0:27:18.440 --> 0:27:20.760
<v Speaker 5>I get it, I understand, you know, that he's different.

0:27:21.680 --> 0:27:24.119
<v Speaker 5>He's not trying to sound like nobody. He's not trying

0:27:24.119 --> 0:27:26.840
<v Speaker 5>to duplicate what he already did in his past with

0:27:26.960 --> 0:27:28.320
<v Speaker 5>other projects.

0:27:28.960 --> 0:27:30.800
<v Speaker 1>And to me, that's what being an artist is.

0:27:30.840 --> 0:27:33.680
<v Speaker 5>It's like, you know, let me create something different, let

0:27:33.680 --> 0:27:35.760
<v Speaker 5>me let me be different, let me separate myself from

0:27:35.760 --> 0:27:38.000
<v Speaker 5>everything that's going on. I don't want to look like nobody.

0:27:38.119 --> 0:27:39.600
<v Speaker 5>I don't want to sound like nobody. I want to

0:27:39.640 --> 0:27:42.720
<v Speaker 5>be myself. So I salute that period from any artist,

0:27:42.800 --> 0:27:44.200
<v Speaker 5>once they move on their own and try to do

0:27:44.280 --> 0:27:46.320
<v Speaker 5>their own thing. But then he delivered. The sound of

0:27:46.320 --> 0:27:49.960
<v Speaker 5>the album is dope. It's not too far left.

0:27:50.000 --> 0:27:50.520
<v Speaker 1>I get it.

0:27:50.960 --> 0:27:52.480
<v Speaker 5>Like I said, it threw me off the first list

0:27:52.520 --> 0:27:55.960
<v Speaker 5>and I was like, I wasn't expecting this, but it's good.

0:27:56.000 --> 0:27:56.639
<v Speaker 1>It's a good album.

0:27:56.760 --> 0:27:59.959
<v Speaker 2>Oh so we are incorrect though. That had to take

0:28:00.280 --> 0:28:03.159
<v Speaker 2>take my Breath, Yeah, right, all the time. It did

0:28:03.240 --> 0:28:05.400
<v Speaker 2>have a lead single. August sixth, twenty twenty one, Take

0:28:05.440 --> 0:28:06.240
<v Speaker 2>My Breath came out.

0:28:06.520 --> 0:28:07.600
<v Speaker 3>I've never heard of that song.

0:28:08.119 --> 0:28:10.520
<v Speaker 2>I the first time I heard that song was album

0:28:10.640 --> 0:28:13.360
<v Speaker 2>was on the album, and then obviously when it came

0:28:13.359 --> 0:28:17.280
<v Speaker 2>out January seventh, Sacrifice is the next single.

0:28:17.760 --> 0:28:19.480
<v Speaker 3>Do we think the weekends to go back to giving

0:28:19.520 --> 0:28:20.520
<v Speaker 3>his music to other people.

0:28:21.400 --> 0:28:24.480
<v Speaker 1>No, No, I don't think so, Absolutely not.

0:28:24.640 --> 0:28:27.040
<v Speaker 2>I would love to hear other people on this type

0:28:27.040 --> 0:28:29.800
<v Speaker 2>of sound with him producing it. Don't get me wrong,

0:28:30.200 --> 0:28:32.679
<v Speaker 2>but he I'm still not sick of the Weekend. I

0:28:32.680 --> 0:28:35.480
<v Speaker 2>still think he's an incredible fucking artist and sure nowhere

0:28:35.480 --> 0:28:37.400
<v Speaker 2>near his downfall as far as music goes.

0:28:38.280 --> 0:28:42.200
<v Speaker 1>I'm never gonna look at first week's sales he's falling off, like.

0:28:42.240 --> 0:28:44.920
<v Speaker 2>No, I'm never that guy. I'm just raising questions on

0:28:44.960 --> 0:28:47.240
<v Speaker 2>certain stuff. Yeah, around it, but.

0:28:48.640 --> 0:28:50.560
<v Speaker 5>I think I think it'll be a slow burn. I

0:28:50.560 --> 0:28:54.000
<v Speaker 5>think this album is gonna grow on people. I think

0:28:54.000 --> 0:28:55.280
<v Speaker 5>once you put the because he doesn't.

0:28:55.280 --> 0:28:56.640
<v Speaker 1>Does he have a video out yet for any of

0:28:56.680 --> 0:29:01.479
<v Speaker 1>these records. I believe so, because you know that's what

0:29:01.560 --> 0:29:03.200
<v Speaker 1>you know, once you put out of his visuals.

0:29:03.280 --> 0:29:06.920
<v Speaker 2>Especially I'm sure there's one for Sacrifices that came out

0:29:07.080 --> 0:29:09.640
<v Speaker 2>probably the day the album, dude, and maybe take my breath.

0:29:09.640 --> 0:29:12.080
<v Speaker 2>I'm not aware of it, and.

0:29:12.080 --> 0:29:13.600
<v Speaker 3>I think that might be the problem. I don't know

0:29:13.600 --> 0:29:14.840
<v Speaker 3>if he's doing that on purpose.

0:29:14.960 --> 0:29:17.240
<v Speaker 4>I don't know if his label is dropping the ball,

0:29:18.560 --> 0:29:21.040
<v Speaker 4>but I'm not seeing promo for.

0:29:21.000 --> 0:29:25.520
<v Speaker 2>This album, between his management and Republic and how they've

0:29:26.400 --> 0:29:32.200
<v Speaker 2>worked Weekend before, pauls if applicable, No, I can't see

0:29:32.240 --> 0:29:34.880
<v Speaker 2>them dropping the ball per se because they know what

0:29:35.000 --> 0:29:37.400
<v Speaker 2>works for him, and that's why I'm curious about it,

0:29:38.200 --> 0:29:40.920
<v Speaker 2>of course, and that's kind of why I'm curious why

0:29:40.920 --> 0:29:43.520
<v Speaker 2>they went this route. But either way, what you think

0:29:43.520 --> 0:29:44.400
<v Speaker 2>of Quincy's therapy.

0:29:46.800 --> 0:29:52.480
<v Speaker 1>I mean, we've seen the documentary and well, for those

0:29:52.480 --> 0:29:53.680
<v Speaker 1>that didn't.

0:29:54.280 --> 0:29:55.760
<v Speaker 5>Didn't see The Queens, well, if you haven't seen the

0:29:55.800 --> 0:29:58.840
<v Speaker 5>Quincy Jones documentary, first and foremost, you should absolutely turn

0:29:58.880 --> 0:30:04.200
<v Speaker 5>that documentary on and watch. But I mean that part

0:30:04.200 --> 0:30:06.760
<v Speaker 5>of it was dope that he used for the album.

0:30:06.920 --> 0:30:09.680
<v Speaker 5>That the end of Lito with Quincy talking told about

0:30:09.720 --> 0:30:11.680
<v Speaker 5>his relationship with women and how it affected him. He

0:30:11.680 --> 0:30:14.960
<v Speaker 5>didn't realize that until later on in his life, how

0:30:15.000 --> 0:30:17.240
<v Speaker 5>his relationship of not having his mother and his mother

0:30:17.320 --> 0:30:19.640
<v Speaker 5>not being in his life affected his relationship with women.

0:30:20.720 --> 0:30:22.680
<v Speaker 5>I thought it was dope for the Weekend to include

0:30:22.680 --> 0:30:24.920
<v Speaker 5>that in his album, especially with this type of content

0:30:25.000 --> 0:30:26.800
<v Speaker 5>and the shit that she talks about. I thought that

0:30:26.800 --> 0:30:31.400
<v Speaker 5>that was cool to put that in the album.

0:30:29.760 --> 0:30:32.120
<v Speaker 2>Especially because in my in my theory of how this

0:30:32.280 --> 0:30:36.280
<v Speaker 2>album works with just this long ass coke party. Those

0:30:36.320 --> 0:30:38.520
<v Speaker 2>are the people that are at the coke party. Yeah,

0:30:38.560 --> 0:30:39.960
<v Speaker 2>the people with abandonment.

0:30:39.560 --> 0:30:43.120
<v Speaker 1>Issues, abandonment issues into the coke parties.

0:30:43.520 --> 0:30:46.200
<v Speaker 5>Yeah, I mean, you know what it is like the

0:30:46.240 --> 0:30:48.760
<v Speaker 5>weekend is not giving you the same House of Balloons,

0:30:48.760 --> 0:30:51.720
<v Speaker 5>but it's like it might be Helium balloons now, it's

0:30:51.760 --> 0:30:53.320
<v Speaker 5>not like you know, not to go back.

0:30:53.360 --> 0:30:56.880
<v Speaker 2>House of Balloons is the result of this album. After

0:30:56.960 --> 0:31:00.520
<v Speaker 2>you do everything on this album, you then get into

0:31:00.560 --> 0:31:02.400
<v Speaker 2>the depths of what house of balloons is this?

0:31:02.520 --> 0:31:03.200
<v Speaker 1>That's the result.

0:31:03.200 --> 0:31:05.080
<v Speaker 2>It's the backward Star Wars theory on this one.

0:31:06.120 --> 0:31:06.480
<v Speaker 1>You had.

0:31:06.520 --> 0:31:09.080
<v Speaker 2>You faced all your abandonment issues on House of Balloons.

0:31:09.120 --> 0:31:11.520
<v Speaker 2>After you go through this party chasing the girl that

0:31:11.560 --> 0:31:13.280
<v Speaker 2>doesn't really give a fuck about you but will still

0:31:13.360 --> 0:31:16.080
<v Speaker 2>let you beat and that blows your mind because it's

0:31:16.120 --> 0:31:17.040
<v Speaker 2>never happened to you before.

0:31:19.200 --> 0:31:22.280
<v Speaker 5>Or he went through all of that and now he understands,

0:31:22.280 --> 0:31:26.240
<v Speaker 5>he recognizes why he went through all of that. Ship like, oh,

0:31:26.320 --> 0:31:29.840
<v Speaker 5>I'm still heartbroken over this and I didn't have this

0:31:29.880 --> 0:31:32.160
<v Speaker 5>in my life and I'm missing this and I'm chasing

0:31:32.200 --> 0:31:34.320
<v Speaker 5>this feeling and so it could be that too.

0:31:34.840 --> 0:31:36.800
<v Speaker 2>Yeah, you're not mad at the girl. You just you

0:31:36.880 --> 0:31:38.239
<v Speaker 2>just matched. You don't really like you because your mother

0:31:38.280 --> 0:31:39.880
<v Speaker 2>will never liked you exactly.

0:31:39.560 --> 0:31:41.240
<v Speaker 1>And you don't understand that yet. Yeah you know what

0:31:41.240 --> 0:31:41.479
<v Speaker 1>I mean.

0:31:43.000 --> 0:31:46.320
<v Speaker 2>So you already have another family that's sick. Now listen,

0:31:46.360 --> 0:31:47.360
<v Speaker 2>I analyze this album.

0:31:48.240 --> 0:31:49.720
<v Speaker 1>That's the sick ass thought. Man.

0:31:49.880 --> 0:31:52.640
<v Speaker 2>I think there's this is a very intricate track list

0:31:52.640 --> 0:31:55.400
<v Speaker 2>and how he did everything. I literally pictured this entire

0:31:55.440 --> 0:31:57.520
<v Speaker 2>album in my mind of the weekend just running around

0:31:57.520 --> 0:32:00.440
<v Speaker 2>the same club, like just not could not figure out

0:32:00.480 --> 0:32:01.600
<v Speaker 2>why this girl does not lik him?

0:32:01.720 --> 0:32:04.160
<v Speaker 5>Like track three is how do I Make You Love Me? Yeah,

0:32:04.280 --> 0:32:06.560
<v Speaker 5>listen to that, how Do I Make You Love Me?

0:32:06.760 --> 0:32:07.920
<v Speaker 5>And then take my breath?

0:32:08.160 --> 0:32:12.800
<v Speaker 1>Mm hm, is there someone else like you?

0:32:12.880 --> 0:32:15.000
<v Speaker 5>Gotta just look at the like, look at the titles.

0:32:15.680 --> 0:32:17.200
<v Speaker 5>Every angel is terrifying.

0:32:17.320 --> 0:32:19.920
<v Speaker 2>Have you ever had a girl let you beat and

0:32:19.960 --> 0:32:21.960
<v Speaker 2>you really liked it and you're used to You're usually

0:32:21.960 --> 0:32:25.520
<v Speaker 2>the one that leaves the situation like your fuck girl

0:32:25.560 --> 0:32:27.840
<v Speaker 2>and be like, oh, it's not working out whatever. Then

0:32:27.880 --> 0:32:31.640
<v Speaker 2>that one time happens where you beat and she wants

0:32:31.680 --> 0:32:34.200
<v Speaker 2>to leave and you can't figure out why the fuck

0:32:34.520 --> 0:32:36.880
<v Speaker 2>she wants to leave. So now you become obsessed over

0:32:36.920 --> 0:32:39.440
<v Speaker 2>it and almost fucking paranoid, and you start liking the

0:32:39.440 --> 0:32:41.800
<v Speaker 2>girl more because she fucking left and you don't know why.

0:32:42.000 --> 0:32:43.760
<v Speaker 1>Yeah, because that's what this album is about. To me.

0:32:43.840 --> 0:32:46.160
<v Speaker 5>It's of a man's ego, like you just want to

0:32:46.200 --> 0:32:48.600
<v Speaker 5>know why. You want to know why she's leaving exactly,

0:32:48.640 --> 0:32:50.080
<v Speaker 5>just like it's just a com like tell me why

0:32:50.120 --> 0:32:50.720
<v Speaker 5>you're leaving.

0:32:50.600 --> 0:32:52.480
<v Speaker 2>And now I gotta make you like me. Now, now

0:32:52.480 --> 0:32:54.360
<v Speaker 2>I gotta prove some shit. Yeah, which is terrible, And

0:32:54.360 --> 0:32:56.600
<v Speaker 2>that's just abandonment issues. And that's what Quincy is talking about.

0:32:56.680 --> 0:32:57.280
<v Speaker 1>Life is crazy.

0:32:57.320 --> 0:32:58.920
<v Speaker 2>And then Jim Carrey at the end is like, I

0:32:58.920 --> 0:33:01.680
<v Speaker 2>told you regret the shit, like you ever stay out

0:33:01.720 --> 0:33:03.480
<v Speaker 2>to the party till four? Like I stay another hour.

0:33:03.560 --> 0:33:04.880
<v Speaker 2>Then you get in the cab and you're like, why

0:33:04.880 --> 0:33:05.880
<v Speaker 2>did I stay out this late?

0:33:06.080 --> 0:33:07.520
<v Speaker 1>I think about that as soon as I get to

0:33:07.520 --> 0:33:08.920
<v Speaker 1>the party. But why am I here?

0:33:09.240 --> 0:33:11.120
<v Speaker 2>I told myself on the couch, get up?

0:33:11.320 --> 0:33:13.440
<v Speaker 5>Why am I here? This shit is trash, This shit

0:33:13.480 --> 0:33:16.000
<v Speaker 5>is terrible. Every time I go out and tell myself.

0:33:15.680 --> 0:33:19.320
<v Speaker 2>That for sure, this is the before hours when you go.

0:33:19.240 --> 0:33:20.520
<v Speaker 3>All with us all you have fun.

0:33:22.480 --> 0:33:26.840
<v Speaker 5>I have, well, I have fun I'm not gonna say

0:33:26.840 --> 0:33:29.000
<v Speaker 5>I don't have fun, but it definitely be like, Yo,

0:33:29.040 --> 0:33:30.200
<v Speaker 5>we could have did this somewhere else.

0:33:30.800 --> 0:33:32.840
<v Speaker 1>It could have just been us somewhere, like we didn't

0:33:32.840 --> 0:33:34.320
<v Speaker 1>have to come here, we have to get this undred

0:33:34.320 --> 0:33:35.960
<v Speaker 1>of other people. Yeah, send you this much money.

0:33:36.040 --> 0:33:37.920
<v Speaker 5>Yeah, it's like, yo, we could have went somewhere else

0:33:38.000 --> 0:33:40.040
<v Speaker 5>more low key, Like I'm not guy now, I just

0:33:40.080 --> 0:33:43.320
<v Speaker 5>hate being around a bunch of because your energy is

0:33:43.320 --> 0:33:45.480
<v Speaker 5>a real thing. Man, Like when you partying with a

0:33:45.480 --> 0:33:48.880
<v Speaker 5>bunch of Like somebody said something, they said, yo, if

0:33:48.920 --> 0:33:51.000
<v Speaker 5>the whole thought of going out, like just the whole

0:33:51.480 --> 0:33:54.640
<v Speaker 5>process of actually going out to a club is built

0:33:54.680 --> 0:33:58.200
<v Speaker 5>off of like anxiety, like from dealing with the person

0:33:58.240 --> 0:34:01.840
<v Speaker 5>at the door to get then to getting a table,

0:34:01.880 --> 0:34:03.200
<v Speaker 5>all of that. It's like, by the time you go

0:34:03.240 --> 0:34:05.680
<v Speaker 5>through all of that energy and emotion of dealing with people,

0:34:05.760 --> 0:34:06.480
<v Speaker 5>you want to drink.

0:34:06.680 --> 0:34:07.600
<v Speaker 1>You're like, y'all need a drink?

0:34:07.760 --> 0:34:09.719
<v Speaker 5>Yeah, And then if like you're in the club so

0:34:09.880 --> 0:34:11.600
<v Speaker 5>like I don't drink. So if you're in the club sober,

0:34:12.080 --> 0:34:14.719
<v Speaker 5>being in the club sober is the worst ship in

0:34:14.760 --> 0:34:18.920
<v Speaker 5>the world. I mean, I smoke, But that's a difference

0:34:19.080 --> 0:34:20.920
<v Speaker 5>that it's different it's different than drinking.

0:34:20.920 --> 0:34:22.920
<v Speaker 2>I never understood people that could be sober. I can

0:34:22.960 --> 0:34:24.000
<v Speaker 2>barely be drunk in the club.

0:34:24.120 --> 0:34:25.719
<v Speaker 1>Being sober in the club.

0:34:26.960 --> 0:34:29.480
<v Speaker 5>Fuck like the music you like, this ship is loud.

0:34:29.840 --> 0:34:31.919
<v Speaker 5>You notice everything when you sober, Like, Yo, this ship

0:34:31.960 --> 0:34:34.520
<v Speaker 5>is loud. This girl is pissing me off, Like why

0:34:34.560 --> 0:34:37.880
<v Speaker 5>is she yelling? Why she walking around barefoot? Like somebody's

0:34:37.920 --> 0:34:42.040
<v Speaker 5>throwing up over here. Oh that's that's every club, that's

0:34:42.160 --> 0:34:42.640
<v Speaker 5>every night.

0:34:42.840 --> 0:34:45.440
<v Speaker 2>I mean, the club crowd is almost like the frequent

0:34:45.560 --> 0:34:49.480
<v Speaker 2>flyer crowd to me, Like you just literally at every

0:34:49.560 --> 0:34:52.839
<v Speaker 2>check point, you're complaining about something thought and all you're

0:34:52.880 --> 0:34:56.799
<v Speaker 2>doing is talking to strangers about the similar complaints. And

0:34:56.840 --> 0:34:58.719
<v Speaker 2>that's how you form bonds. And it's like, why are

0:34:58.719 --> 0:35:00.759
<v Speaker 2>we doing this in the first place? Why do we

0:35:00.800 --> 0:35:02.480
<v Speaker 2>continue to do this to it? It's just weird, man,

0:35:02.800 --> 0:35:06.680
<v Speaker 2>Like you go to complain because at the club there's

0:35:06.719 --> 0:35:08.040
<v Speaker 2>more people complaining than having fun.

0:35:08.200 --> 0:35:10.200
<v Speaker 1>Absolutely, absolutely, it's mad.

0:35:10.000 --> 0:35:12.279
<v Speaker 2>People looking at everyone going like these people are so fake.

0:35:12.320 --> 0:35:15.120
<v Speaker 1>I'm so sick. No, we're all fake. You're here too.

0:35:15.520 --> 0:35:18.600
<v Speaker 5>And now it's nasty because everybody's on their phone. Like

0:35:18.640 --> 0:35:21.279
<v Speaker 5>you go to a party, now everybody's on their phone

0:35:21.320 --> 0:35:22.040
<v Speaker 5>security is on.

0:35:22.040 --> 0:35:27.960
<v Speaker 2>Unless cars DJ. Then the dances working, the crying talk

0:35:27.960 --> 0:35:31.680
<v Speaker 2>about their dad touched them, like it's yeah, what what

0:35:31.760 --> 0:35:33.480
<v Speaker 2>party is that party?

0:35:33.520 --> 0:35:34.600
<v Speaker 1>It was great? My god?

0:35:34.719 --> 0:35:36.400
<v Speaker 2>Wait, seriously, I want to know how more would have

0:35:36.440 --> 0:35:38.000
<v Speaker 2>moves in that party. You would have fun at that

0:35:38.000 --> 0:35:39.440
<v Speaker 2>one because no one was on their foot.

0:35:39.280 --> 0:35:41.040
<v Speaker 1>Women talking about their dad touched them.

0:35:41.160 --> 0:35:43.279
<v Speaker 2>I was jomming was different party.

0:35:43.280 --> 0:35:45.240
<v Speaker 1>I'd have been on my phone calling the uber quick.

0:35:45.080 --> 0:35:48.120
<v Speaker 2>Like I listen you guys. Put me in a room

0:35:48.160 --> 0:35:49.560
<v Speaker 2>in LA with a girl that told me she just

0:35:49.560 --> 0:35:51.439
<v Speaker 2>had an abortion. So I don't want to hear from any.

0:35:52.520 --> 0:35:54.480
<v Speaker 1>Sick It'd be some sick ship going on.

0:35:54.560 --> 0:35:57.160
<v Speaker 3>D Like, you don't see this is what I'm saying.

0:35:57.200 --> 0:35:58.920
<v Speaker 1>It'd be some sick ship going on out here.

0:35:58.960 --> 0:35:59.160
<v Speaker 3>Man.

0:35:59.600 --> 0:36:02.040
<v Speaker 5>Well, like I don't ever want to know, Like just

0:36:02.080 --> 0:36:04.320
<v Speaker 5>telling somebody just had an abortion is just crazy.

0:36:04.760 --> 0:36:07.240
<v Speaker 1>Who wants to hear that? Why are you telling nothing?

0:36:07.239 --> 0:36:08.359
<v Speaker 2>Maybe I'm very pro life.

0:36:09.200 --> 0:36:12.400
<v Speaker 5>It's your eyes. She looked in your eyes, you have

0:36:12.480 --> 0:36:14.200
<v Speaker 5>cond eyes. Like she just felt like she was in

0:36:14.200 --> 0:36:14.880
<v Speaker 5>a safe space.

0:36:15.080 --> 0:36:18.279
<v Speaker 2>No people can see. There's people I run into are like, oh,

0:36:18.280 --> 0:36:20.360
<v Speaker 2>I can see a certain sadness about you. So I

0:36:20.360 --> 0:36:22.920
<v Speaker 2>can relate. I think she saw that and was like abortion,

0:36:23.080 --> 0:36:28.680
<v Speaker 2>and I was like, WHOA, tell me about how you

0:36:28.680 --> 0:36:29.479
<v Speaker 2>guys broke up first?

0:36:30.239 --> 0:36:35.160
<v Speaker 1>What's his name? Your boyfriend? Not the baby? All right?

0:36:35.200 --> 0:36:39.880
<v Speaker 1>So else are you gonna gonna gonna put out an album?

0:36:40.080 --> 0:36:43.000
<v Speaker 5>I don't know if you heard it, but telling her Maras,

0:36:44.000 --> 0:36:46.640
<v Speaker 5>I like it, man, I like the Gunn album before me.

0:36:46.719 --> 0:36:49.839
<v Speaker 5>I'm not a huge Gunner fan at all. I mean,

0:36:49.880 --> 0:36:53.040
<v Speaker 5>I recognize he's talented, but this album is I like it.

0:36:53.160 --> 0:36:55.080
<v Speaker 5>I was very surprised. I was like, yeah, I wasn't

0:36:55.080 --> 0:36:56.319
<v Speaker 5>gonna listen to it, but I was like, you know what,

0:36:56.400 --> 0:36:58.439
<v Speaker 5>let me let me get into the to the Gunna

0:36:58.480 --> 0:37:01.279
<v Speaker 5>wave a little bit and see because I've heard songs

0:37:01.280 --> 0:37:02.560
<v Speaker 5>and I'm like, he could obviously make.

0:37:02.440 --> 0:37:03.239
<v Speaker 1>Records for sure.

0:37:04.040 --> 0:37:07.360
<v Speaker 3>Tell the audience your hot take, my hot I don't.

0:37:07.160 --> 0:37:08.560
<v Speaker 1>Know if it's a hot take. I don't think he

0:37:08.560 --> 0:37:10.479
<v Speaker 1>can meet it. And I didn't think it spoke about

0:37:10.480 --> 0:37:11.520
<v Speaker 1>it's not hot to I said, uh.

0:37:11.719 --> 0:37:15.680
<v Speaker 5>And talking to Damarus earlier, I said, I think Gunna

0:37:15.719 --> 0:37:20.320
<v Speaker 5>makes better albums than Little Baby. He makes better records.

0:37:20.360 --> 0:37:22.200
<v Speaker 5>Little Baby is obviously a better rapper.

0:37:22.520 --> 0:37:24.239
<v Speaker 1>I think Little Baby's last album, I have to listen.

0:37:24.239 --> 0:37:24.640
<v Speaker 1>It's Gunna.

0:37:24.680 --> 0:37:27.080
<v Speaker 2>One was the first time I felt like, oh, Baby's

0:37:27.280 --> 0:37:29.920
<v Speaker 2>an artist for real, he can make No. Prior to that,

0:37:30.000 --> 0:37:31.680
<v Speaker 2>I always though, yeah, Gunner makes better songs.

0:37:31.680 --> 0:37:33.000
<v Speaker 1>I think I think Gunner is that.

0:37:33.040 --> 0:37:36.399
<v Speaker 5>I think Gunn is the better, better songmaker, little Baby

0:37:36.480 --> 0:37:37.280
<v Speaker 5>is the better rapper.

0:37:38.560 --> 0:37:40.480
<v Speaker 2>Yeah, I don't think that's a crazy that's not.

0:37:40.400 --> 0:37:41.640
<v Speaker 1>A hot take, that's not a hot tape.

0:37:41.640 --> 0:37:43.839
<v Speaker 5>But listening to this Gunner album, I really liked this

0:37:43.880 --> 0:37:46.000
<v Speaker 5>album a lot. I was really surprised how good it was.

0:37:47.360 --> 0:37:50.160
<v Speaker 5>A couple records on it that I really like listening

0:37:50.160 --> 0:37:51.960
<v Speaker 5>to it for the last three days, like he put

0:37:51.960 --> 0:37:53.080
<v Speaker 5>together a really dope project.

0:37:53.120 --> 0:37:54.040
<v Speaker 1>Man, the features are dope.

0:37:54.280 --> 0:37:57.160
<v Speaker 5>Twenty one Savages, but I thought that twenty one Savages

0:37:57.239 --> 0:38:00.680
<v Speaker 5>verse on Ross's album was probably twenty one Savages best verse.

0:38:01.520 --> 0:38:04.680
<v Speaker 5>But the verse is his verse on Cole's album, the

0:38:04.800 --> 0:38:07.400
<v Speaker 5>verse that he was Savage could rap, bro, I know you,

0:38:08.840 --> 0:38:09.720
<v Speaker 5>he put out a good album.

0:38:09.719 --> 0:38:11.560
<v Speaker 2>Twenty one Savage can rap. It may not be the

0:38:11.560 --> 0:38:15.040
<v Speaker 2>way you want to hear rap. One Savage is saying.

0:38:15.120 --> 0:38:16.880
<v Speaker 5>I still think the verse on Ross's album might be

0:38:16.960 --> 0:38:19.359
<v Speaker 5>his best, his best verse though, verse, Yeah, I think

0:38:19.360 --> 0:38:19.719
<v Speaker 5>that might.

0:38:19.640 --> 0:38:21.600
<v Speaker 2>Be revisit that cold one. Though he was getting in

0:38:21.640 --> 0:38:23.160
<v Speaker 2>the same ship Quincy was getting into.

0:38:24.880 --> 0:38:25.600
<v Speaker 1>I'm gonna check it out.

0:38:25.600 --> 0:38:27.640
<v Speaker 2>He would say, I only funk with because that's that's

0:38:27.640 --> 0:38:28.560
<v Speaker 2>the bushes that accept me.

0:38:29.920 --> 0:38:33.480
<v Speaker 1>Okay, Like I like you, you good girl, chick you Yeah,

0:38:33.520 --> 0:38:34.120
<v Speaker 1>you're not for me.

0:38:34.239 --> 0:38:35.920
<v Speaker 2>Yeah, No, he gets this.

0:38:36.000 --> 0:38:38.239
<v Speaker 1>Gonna album, This Gunna album is really good. Though, I'm

0:38:38.239 --> 0:38:39.719
<v Speaker 1>not gonna lie, I really like this albums.

0:38:39.760 --> 0:38:40.720
<v Speaker 2>How's the Chloe record?

0:38:41.120 --> 0:38:43.759
<v Speaker 5>The Chloe record was dope. The record with him and

0:38:44.280 --> 0:38:48.080
<v Speaker 5>Kodak is dope. The record with him and uh Chris

0:38:48.120 --> 0:38:49.759
<v Speaker 5>Brown and Young Blues is dope.

0:38:50.200 --> 0:38:50.560
<v Speaker 1>I like it.

0:38:50.880 --> 0:38:53.879
<v Speaker 5>The so Far Ahead Empire record is dope. A lot

0:38:53.880 --> 0:38:54.840
<v Speaker 5>of Cake was dope.

0:38:56.040 --> 0:38:56.760
<v Speaker 2>So it was a classic.

0:38:57.320 --> 0:38:59.360
<v Speaker 1>No, I'm not gonna say that, but this is a

0:38:59.400 --> 0:39:01.600
<v Speaker 1>good album. This is a good album man.

0:39:01.840 --> 0:39:03.799
<v Speaker 2>So this is basically it takes a nation.

0:39:04.800 --> 0:39:06.920
<v Speaker 1>No, this is I think that this album.

0:39:07.320 --> 0:39:10.239
<v Speaker 2>If Weekend is thriller, then no, Okay, I.

0:39:10.239 --> 0:39:13.040
<v Speaker 1>Don't know what Timbland again, Timblin just had a moment. Yeah,

0:39:13.360 --> 0:39:13.960
<v Speaker 1>I do love that.

0:39:14.000 --> 0:39:18.279
<v Speaker 2>The Going to the Basketball Game Together rollout still has

0:39:18.320 --> 0:39:23.480
<v Speaker 2>not died. It's still it's argainly successful because I saw

0:39:23.560 --> 0:39:25.000
<v Speaker 2>Chloe was on the album. I was like, oh, shit,

0:39:25.080 --> 0:39:26.719
<v Speaker 2>Chloe's on the album, and I was like, oh, they

0:39:26.719 --> 0:39:27.520
<v Speaker 2>went to the game together.

0:39:27.880 --> 0:39:30.319
<v Speaker 1>This was already planned. You know, you got to go

0:39:30.360 --> 0:39:33.600
<v Speaker 1>to the game. Shit court side, you know how it is?

0:39:33.640 --> 0:39:36.440
<v Speaker 2>Man, Listen, man, Chris Brown and Rihanna put out Ain't

0:39:36.440 --> 0:39:38.959
<v Speaker 2>Nobody's business after that ship and then sack court side

0:39:38.960 --> 0:39:44.160
<v Speaker 2>on Christmas? Yeah, how come the picture of them? You

0:39:44.200 --> 0:39:45.920
<v Speaker 2>know how we have like all those iconic pictures and

0:39:45.960 --> 0:39:48.680
<v Speaker 2>all that shit of all time, Like that needs to

0:39:48.719 --> 0:39:51.880
<v Speaker 2>be on an Urban Outfitters T shirts. Yeah, the two

0:39:51.920 --> 0:39:55.760
<v Speaker 2>of them at the game on Christmasucie.

0:39:54.520 --> 0:39:55.400
<v Speaker 3>Home baking cookies.

0:39:55.480 --> 0:39:58.360
<v Speaker 2>Yeah, that's wild.

0:39:58.400 --> 0:40:02.239
<v Speaker 5>Man, some section going on our culture. But y'all, like

0:40:02.320 --> 0:40:04.040
<v Speaker 5>y'all don't sit back and really think about the ship

0:40:04.120 --> 0:40:04.680
<v Speaker 5>that goes on.

0:40:04.840 --> 0:40:09.360
<v Speaker 2>Man, here's the thing. I don't think the celebrities are

0:40:09.400 --> 0:40:12.560
<v Speaker 2>the sick ones. I think they identify how sick we

0:40:12.680 --> 0:40:15.400
<v Speaker 2>all are and just cater to our sickness.

0:40:16.239 --> 0:40:18.520
<v Speaker 5>Well, the celebrities just find a way they're like us.

0:40:18.600 --> 0:40:21.759
<v Speaker 5>They just find a way to talk about how sick

0:40:21.800 --> 0:40:24.759
<v Speaker 5>they are better and yes, they make us dance to

0:40:24.800 --> 0:40:26.240
<v Speaker 5>them saying how sick they are.

0:40:26.040 --> 0:40:28.200
<v Speaker 2>But I think that's the celebrity genius. At the end

0:40:28.239 --> 0:40:30.719
<v Speaker 2>of the day, it's not their actual talent. It's identifying

0:40:30.800 --> 0:40:37.760
<v Speaker 2>what is sick about us and then entertain nice melody

0:40:37.960 --> 0:40:39.560
<v Speaker 2>ain't nobody's business. And then we're going to go to

0:40:39.600 --> 0:40:43.600
<v Speaker 2>the game together on Christmas Day, which is like everybody feud,

0:40:43.920 --> 0:40:48.400
<v Speaker 2>everybody shit ever in the fucking Staples Center. That's the

0:40:48.440 --> 0:40:49.200
<v Speaker 2>sickest thing ever.

0:40:49.200 --> 0:40:53.200
<v Speaker 5>Bro Listen, man, you know the artist celebrities are humans too, man.

0:40:53.239 --> 0:40:54.879
<v Speaker 5>They just want to have fun, do their own thing.

0:40:54.880 --> 0:40:57.600
<v Speaker 5>They just in the spotlight and things get magnified differently,

0:40:57.719 --> 0:40:58.000
<v Speaker 5>that's all.

0:40:58.239 --> 0:41:00.000
<v Speaker 2>And that's how I had to respect Roddy Rich because

0:41:00.080 --> 0:41:02.880
<v Speaker 2>they tried to get him with the that at the

0:41:02.880 --> 0:41:06.759
<v Speaker 2>game roll out was sweetie. He was sleep, Roddy said,

0:41:06.840 --> 0:41:11.239
<v Speaker 2>I was there first. I sat down first. He was

0:41:11.320 --> 0:41:13.880
<v Speaker 2>sleep for some of that game. I was at that

0:41:13.920 --> 0:41:14.480
<v Speaker 2>game in l A.

0:41:14.640 --> 0:41:15.160
<v Speaker 1>He was sleep.

0:41:15.600 --> 0:41:18.680
<v Speaker 2>You see Roddy taking it some Z promise y'all.

0:41:19.040 --> 0:41:22.319
<v Speaker 5>Roddy Rich was sleep for some of that. I'm telling you.

0:41:22.360 --> 0:41:24.040
<v Speaker 5>He had his shades on, but he was sleep.

0:41:23.840 --> 0:41:25.239
<v Speaker 2>And it was funny. I don't think he does like

0:41:25.239 --> 0:41:26.480
<v Speaker 2>I don't think he's one of them. Drug kids.

0:41:26.520 --> 0:41:26.719
<v Speaker 1>Either.

0:41:26.800 --> 0:41:28.799
<v Speaker 2>He was probably just really tired.

0:41:28.960 --> 0:41:30.920
<v Speaker 5>And they probably, like you said, they make you go there,

0:41:30.960 --> 0:41:34.000
<v Speaker 5>sit courtside, like put your big chain on, put some

0:41:34.000 --> 0:41:35.080
<v Speaker 5>ships on, and just sit.

0:41:35.000 --> 0:41:36.160
<v Speaker 2>Down, sit next to sweetie.

0:41:36.239 --> 0:41:36.800
<v Speaker 1>He was sleep.

0:41:37.719 --> 0:41:39.560
<v Speaker 2>He was definitely I was when they asked him that.

0:41:39.640 --> 0:41:42.960
<v Speaker 2>In that response, I was there first. Is the funniest

0:41:42.960 --> 0:41:45.080
<v Speaker 2>fucking response to a seat ever.

0:41:46.080 --> 0:41:47.920
<v Speaker 5>But it's real though, Like Nigga, I didn't know she

0:41:48.000 --> 0:41:50.840
<v Speaker 5>was coming. I was here and they tapped me and say, yo,

0:41:50.880 --> 0:41:51.719
<v Speaker 5>sweet we're gonna sit.

0:41:51.640 --> 0:41:55.400
<v Speaker 2>Sweety next we hit the same scalper out front from.

0:41:55.239 --> 0:41:59.960
<v Speaker 1>The Crazy You got some court sides available?

0:42:00.880 --> 0:42:03.239
<v Speaker 2>Can I? Since you guys were listening to the Gunner

0:42:03.239 --> 0:42:05.640
<v Speaker 2>album a weekend, can someone explain what P is to me?

0:42:06.360 --> 0:42:06.680
<v Speaker 6>With P?

0:42:07.200 --> 0:42:10.920
<v Speaker 2>I saw that all over my timeline, like do something

0:42:10.960 --> 0:42:14.120
<v Speaker 2>dope and then insert P, like if you are loyal,

0:42:14.360 --> 0:42:14.680
<v Speaker 2>that's P.

0:42:15.800 --> 0:42:19.640
<v Speaker 1>If you don't know in relationship, I don't know that sling.

0:42:19.640 --> 0:42:21.719
<v Speaker 5>I don't know what that means. I don't know what

0:42:21.760 --> 0:42:23.759
<v Speaker 5>P means. Is it is?

0:42:23.840 --> 0:42:24.319
<v Speaker 1>It? Is it?

0:42:24.840 --> 0:42:25.759
<v Speaker 3>Where's Julian?

0:42:25.800 --> 0:42:27.040
<v Speaker 1>I don't know? Pressure, I don't know.

0:42:29.040 --> 0:42:31.439
<v Speaker 2>It seemed like it was a great They basically took

0:42:31.480 --> 0:42:33.480
<v Speaker 2>the weekend away from Justin le Boy. I see what

0:42:33.520 --> 0:42:36.000
<v Speaker 2>their their social team was doing over there were Gunner

0:42:36.000 --> 0:42:38.160
<v Speaker 2>and I applauded. They was just taking the meme game. Yeah,

0:42:38.239 --> 0:42:40.520
<v Speaker 2>it was quiet for your brother this weekend. Everything was

0:42:40.560 --> 0:42:46.040
<v Speaker 2>on Gunner. Justin Lea Boy and Justin Leman could not

0:42:46.120 --> 0:42:46.719
<v Speaker 2>speak at all.

0:42:46.960 --> 0:42:50.479
<v Speaker 1>Justin lemon an name, that's big, that's big.

0:42:51.040 --> 0:42:54.680
<v Speaker 3>Ain't just like who's Justin le Man like?

0:42:55.719 --> 0:42:57.360
<v Speaker 2>But yeah, I just saw those memes everybody.

0:42:57.360 --> 0:42:58.440
<v Speaker 1>I found out what he means.

0:43:00.239 --> 0:43:03.160
<v Speaker 2>So Damarus found out what it meant. He means player

0:43:03.320 --> 0:43:03.720
<v Speaker 2>or pimp?

0:43:04.200 --> 0:43:08.239
<v Speaker 1>Yeah, pimping player? What else was it? Demararus? Uh?

0:43:07.840 --> 0:43:07.920
<v Speaker 4>Uh?

0:43:09.280 --> 0:43:09.560
<v Speaker 3>Pure?

0:43:09.920 --> 0:43:12.520
<v Speaker 1>Pure, keep it pure, keep it pure. See you don't

0:43:12.600 --> 0:43:13.239
<v Speaker 1>keep it pure enough?

0:43:13.440 --> 0:43:16.000
<v Speaker 2>How could something mean pure and pimping.

0:43:16.800 --> 0:43:19.400
<v Speaker 5>That's the beauty of our culture. That's the beauty of

0:43:19.400 --> 0:43:21.200
<v Speaker 5>our culture right there. Or we can just take the

0:43:21.360 --> 0:43:23.400
<v Speaker 5>sometimes keeping it pipping's keep it pure.

0:43:23.280 --> 0:43:24.840
<v Speaker 1>And you gotta be playing at the same time. You

0:43:24.920 --> 0:43:25.480
<v Speaker 1>keeping it pure?

0:43:25.600 --> 0:43:29.759
<v Speaker 2>Yeah, and pimping and player can mean multiple women or

0:43:29.840 --> 0:43:30.719
<v Speaker 2>not lying to any woman.

0:43:34.360 --> 0:43:36.640
<v Speaker 5>Seeing, we're about to fall into a whole a bunch

0:43:36.640 --> 0:43:39.160
<v Speaker 5>of different ways about to fall in the whole, different conversation.

0:43:39.280 --> 0:43:41.840
<v Speaker 2>Now, keeping a player means you're keeping it real with

0:43:41.880 --> 0:43:44.239
<v Speaker 2>all of them. But then also we got somebody that

0:43:44.239 --> 0:43:45.440
<v Speaker 2>has a bunch of women that he's not keeping it

0:43:45.480 --> 0:43:45.680
<v Speaker 2>real with.

0:43:45.840 --> 0:43:48.000
<v Speaker 5>Yeah, we gotta start calling out, like when dude's bake,

0:43:48.000 --> 0:43:50.960
<v Speaker 5>I'm keeping it playing because a lot of the times

0:43:51.000 --> 0:43:53.080
<v Speaker 5>you ain't keeping it player. You're just saying you're keeping

0:43:53.120 --> 0:43:55.640
<v Speaker 5>it playing. But you emotional, oh for sure, and keeping

0:43:55.640 --> 0:43:57.600
<v Speaker 5>it play a big part of keeping it play it

0:43:57.640 --> 0:43:59.880
<v Speaker 5>is not being emotional at all. And I think that

0:44:00.120 --> 0:44:02.280
<v Speaker 5>to part that a lot of people forget, Like keeping

0:44:02.280 --> 0:44:05.680
<v Speaker 5>the player means cool, Like I'm not no matter how

0:44:05.719 --> 0:44:08.440
<v Speaker 5>this goals, I'm not gonna get ruffled. My feathers are

0:44:08.440 --> 0:44:11.000
<v Speaker 5>not gonna ruffle. I'm not gonna get upset. I'm not

0:44:11.000 --> 0:44:13.839
<v Speaker 5>gonna be angry. I'm not gonna stalk you. I'm not

0:44:13.880 --> 0:44:16.000
<v Speaker 5>gonna be texting you, blowing your phone up.

0:44:16.760 --> 0:44:19.080
<v Speaker 1>Keep it cool. Well, here's the thing I'm not gonna say.

0:44:19.080 --> 0:44:21.880
<v Speaker 2>I'm not gonna cop to all of that, but I

0:44:21.960 --> 0:44:23.520
<v Speaker 2>used to front like I didn't give a fuck and

0:44:23.560 --> 0:44:26.279
<v Speaker 2>I waslair. I want to give a fuck. I'm not

0:44:26.280 --> 0:44:28.279
<v Speaker 2>one of those people with anything. I give a fuck,

0:44:28.600 --> 0:44:32.719
<v Speaker 2>and I'm emotional, per all the time in front of

0:44:33.080 --> 0:44:35.640
<v Speaker 2>Uh yeah, but I can control my emotions. It's not

0:44:35.680 --> 0:44:38.680
<v Speaker 2>meaning that they're not there and that I don't express them. No,

0:44:38.719 --> 0:44:41.919
<v Speaker 2>I'm not stalking you. I'm not fucking calling you thirty times.

0:44:41.960 --> 0:44:43.680
<v Speaker 2>I'm not one of those people just because I have

0:44:43.760 --> 0:44:46.400
<v Speaker 2>things to do that day. But right, right, right, that

0:44:46.520 --> 0:44:48.480
<v Speaker 2>just takes a lot of free time to do that.

0:44:48.719 --> 0:44:51.799
<v Speaker 2>But I am one hundred percent emotional, I think, and

0:44:51.840 --> 0:44:53.959
<v Speaker 2>I think that's a more p thing if you will,

0:44:54.280 --> 0:44:56.600
<v Speaker 2>like I will admit when I'm hurt, and I will

0:44:56.640 --> 0:44:57.480
<v Speaker 2>tell you why I'm hurt.

0:44:57.560 --> 0:44:59.160
<v Speaker 1>Keeping it purely emotional.

0:44:58.800 --> 0:45:01.640
<v Speaker 2>Yes, I don't fee I'm a PPP loan.

0:45:01.760 --> 0:45:03.719
<v Speaker 1>Yeah yeah, yeah, you keep it purely emotional. I get

0:45:03.719 --> 0:45:05.640
<v Speaker 1>blown out my emotions. I think that.

0:45:05.840 --> 0:45:05.920
<v Speaker 6>Uh.

0:45:06.800 --> 0:45:08.560
<v Speaker 5>You know, it's funny a lot of the times you

0:45:08.600 --> 0:45:10.360
<v Speaker 5>listen to we listen to the music that we listened to,

0:45:10.440 --> 0:45:12.200
<v Speaker 5>and you know a lot of these artists be talking

0:45:12.200 --> 0:45:15.880
<v Speaker 5>at play and ship and they you know, they're pimp

0:45:15.920 --> 0:45:19.200
<v Speaker 5>and this they got all the women. And but it's

0:45:19.239 --> 0:45:20.640
<v Speaker 5>like when you meet some of the women they deal

0:45:20.680 --> 0:45:23.520
<v Speaker 5>with in real life and like they start showing you

0:45:23.560 --> 0:45:26.200
<v Speaker 5>like text messages, You're like, that's not him.

0:45:26.560 --> 0:45:28.480
<v Speaker 1>That's not hill that kept me here.

0:45:29.520 --> 0:45:31.520
<v Speaker 2>It happens way more than y'all think of that.

0:45:31.760 --> 0:45:33.560
<v Speaker 1>I wish people understood that.

0:45:33.440 --> 0:45:35.919
<v Speaker 2>And not like I've ever asked for it. Women would

0:45:35.960 --> 0:45:38.760
<v Speaker 2>just show me because like when you're just friends with women,

0:45:39.600 --> 0:45:41.919
<v Speaker 2>you have a different relationship with them, absolutely, and they're

0:45:41.920 --> 0:45:43.600
<v Speaker 2>also used to men, not just wanting to be friends

0:45:43.600 --> 0:45:45.799
<v Speaker 2>with them. So then they just look at you like

0:45:45.880 --> 0:45:47.279
<v Speaker 2>you the gay bestie, and I'm like, y'all, I don't

0:45:47.320 --> 0:45:48.600
<v Speaker 2>need to see that. But that's hysterical.

0:45:48.880 --> 0:45:51.799
<v Speaker 5>It's funny when you start like, wait, no, that's not him. Yeah, man,

0:45:52.080 --> 0:45:53.719
<v Speaker 5>like you got me fucked up.

0:45:54.640 --> 0:45:56.960
<v Speaker 1>You just met him like last week, but how you

0:45:56.960 --> 0:45:58.040
<v Speaker 1>got sucked up in a week?

0:45:58.200 --> 0:46:01.120
<v Speaker 2>But you do know, like artists by definition are the

0:46:01.200 --> 0:46:04.280
<v Speaker 2>most emotional people on earth. That's why it's so funny

0:46:04.440 --> 0:46:07.440
<v Speaker 2>for sure. But that's why rap is so funny, because

0:46:07.480 --> 0:46:11.120
<v Speaker 2>it's like, all right, you're never supposed to talk about crimes,

0:46:11.120 --> 0:46:14.120
<v Speaker 2>that's the rule, and rap is only talking about crimes

0:46:14.320 --> 0:46:16.560
<v Speaker 2>or rap is supposed to be this machis mo macho shit.

0:46:17.360 --> 0:46:21.040
<v Speaker 2>Yet you're an artist, right, You're you're an emo. Fuck,

0:46:21.120 --> 0:46:23.480
<v Speaker 2>I don't care what you do if you are into art,

0:46:23.840 --> 0:46:25.600
<v Speaker 2>you have to have there some emotion to be a

0:46:25.640 --> 0:46:26.160
<v Speaker 2>good artist.

0:46:26.200 --> 0:46:26.759
<v Speaker 1>Absolutely.

0:46:26.880 --> 0:46:29.719
<v Speaker 2>So that's why it's just the catch twenty two of

0:46:30.040 --> 0:46:33.000
<v Speaker 2>hip hop, back to how words can mean two different

0:46:33.000 --> 0:46:36.000
<v Speaker 2>things in the culture. It's great, it's just funny because

0:46:36.120 --> 0:46:37.480
<v Speaker 2>those are the most emotional people.

0:46:37.560 --> 0:46:38.200
<v Speaker 1>Absolutely.

0:46:39.239 --> 0:46:40.399
<v Speaker 2>I don't know if you want to say on Mike

0:46:40.600 --> 0:46:43.080
<v Speaker 2>or off, I'll say Future is an emotional motherfucker. Like,

0:46:43.200 --> 0:46:44.400
<v Speaker 2>he's not this fucking thing.

0:46:44.480 --> 0:46:46.000
<v Speaker 1>We know that. I think the cats out the bag.

0:46:46.120 --> 0:46:48.400
<v Speaker 2>He's not this like crazy toxic fuck man bitches.

0:46:48.400 --> 0:46:48.799
<v Speaker 1>I don't care.

0:46:48.880 --> 0:46:51.120
<v Speaker 2>No, he's no, he's he's he's doing that every last

0:46:51.120 --> 0:46:52.719
<v Speaker 2>one of his baby mother he's doing that.

0:46:52.800 --> 0:46:55.200
<v Speaker 1>But he's there's always a lot of emotion behind that,

0:46:56.360 --> 0:46:56.920
<v Speaker 1>you know what I mean.

0:46:57.120 --> 0:46:58.759
<v Speaker 5>And that's the part that a lot of dudes don't see,

0:46:58.880 --> 0:47:01.000
<v Speaker 5>is like, y'all listen to this ship if y'all want

0:47:01.040 --> 0:47:03.400
<v Speaker 5>to know. It sounds great blaring through the speakers in

0:47:03.440 --> 0:47:07.400
<v Speaker 5>the club and everybody's drinking, smoking, see them text messages.

0:47:07.000 --> 0:47:09.600
<v Speaker 2>Though, what's song? What's the Future song on Certified lover

0:47:09.680 --> 0:47:10.600
<v Speaker 2>Boy that I love.

0:47:10.960 --> 0:47:11.680
<v Speaker 1>Way too sexy?

0:47:11.880 --> 0:47:13.080
<v Speaker 2>No, the other one.

0:47:14.320 --> 0:47:17.920
<v Speaker 1>That was the ship, My other one on Certified lover.

0:47:17.840 --> 0:47:20.560
<v Speaker 2>Boy when he says on the hook, she'll fuck me

0:47:20.600 --> 0:47:23.640
<v Speaker 2>for that AP. She'll fuck me for that. She'll fuck

0:47:23.719 --> 0:47:25.960
<v Speaker 2>me for that AP. No Future killed that ship. That

0:47:26.000 --> 0:47:29.399
<v Speaker 2>record is incredible Into Deep, one of my favorites off

0:47:29.400 --> 0:47:35.200
<v Speaker 2>that album. I don't think people are listening to Future's

0:47:35.239 --> 0:47:38.880
<v Speaker 2>crying out she'll fuck me for the AP. He's not

0:47:38.920 --> 0:47:42.360
<v Speaker 2>happy about that. He's disgusted with his life and disgusted

0:47:42.360 --> 0:47:46.439
<v Speaker 2>with the people that are around him. That's like, y'all

0:47:46.440 --> 0:47:49.120
<v Speaker 2>are hearing a hook. I am hearing help like help me, Like,

0:47:49.160 --> 0:47:51.799
<v Speaker 2>look who I'm around. She'll fuck me for that AP.

0:47:52.080 --> 0:47:52.720
<v Speaker 2>He's crying.

0:47:53.760 --> 0:47:57.320
<v Speaker 4>I mean, he just got some bad bitches that. I

0:47:57.360 --> 0:47:58.240
<v Speaker 4>don't think he's crying.

0:47:58.440 --> 0:48:02.040
<v Speaker 1>Yes, he is and is subjective.

0:48:02.040 --> 0:48:04.160
<v Speaker 2>Have you ever seen a comedian telling an amazing joke,

0:48:04.200 --> 0:48:07.279
<v Speaker 2>an amazing bit that has a dark undertone to it.

0:48:07.840 --> 0:48:09.560
<v Speaker 1>M hm. He didn't react that.

0:48:09.520 --> 0:48:12.880
<v Speaker 2>Way when this story happened, like he's really hurt about this.

0:48:12.920 --> 0:48:15.640
<v Speaker 2>He's just making a joke about it. Artists, it may

0:48:15.800 --> 0:48:17.759
<v Speaker 2>sound good on the record, it wasn't good.

0:48:17.680 --> 0:48:19.520
<v Speaker 1>When it happened. He is coming from a place of hurt.

0:48:19.880 --> 0:48:22.880
<v Speaker 2>He was running around his house upset that all these

0:48:22.920 --> 0:48:25.680
<v Speaker 2>buses just want to fuck him for an ap I.

0:48:25.680 --> 0:48:27.480
<v Speaker 1>Would be upset to living.

0:48:28.360 --> 0:48:30.080
<v Speaker 5>I will be upset to if all these bitches just

0:48:30.120 --> 0:48:31.440
<v Speaker 5>wanted to fuck me for a watch, I would be like,

0:48:31.480 --> 0:48:32.560
<v Speaker 5>all right, man, where's my life?

0:48:33.200 --> 0:48:34.400
<v Speaker 2>Do I have any value?

0:48:34.560 --> 0:48:36.319
<v Speaker 1>Like I'm here? Like somebody talk to.

0:48:36.239 --> 0:48:38.680
<v Speaker 2>Me, any substances, Somebody.

0:48:38.360 --> 0:48:40.120
<v Speaker 1>Have a conversation with me, like get to know me.

0:48:40.840 --> 0:48:44.200
<v Speaker 2>Speaking of the player, shit, uh Andre three thousand on

0:48:44.239 --> 0:48:47.000
<v Speaker 2>Duce's remix, I'm gonna keep a player.

0:48:47.600 --> 0:48:48.960
<v Speaker 1>I won't tell you all the details.

0:48:49.320 --> 0:48:52.239
<v Speaker 2>The seven verses before him told you every detail you

0:48:52.239 --> 0:48:54.560
<v Speaker 2>could ever fucking think of, whatever relationship they were.

0:48:54.560 --> 0:48:57.759
<v Speaker 5>Ever, that's why three thousands is different, because to tell

0:48:57.800 --> 0:48:58.840
<v Speaker 5>some details, don't get it twisted.

0:48:58.840 --> 0:49:00.480
<v Speaker 1>You know he did. But he heard all those other

0:49:00.560 --> 0:49:02.440
<v Speaker 1>verses and he was like, oh, that's what you're doing.

0:49:02.440 --> 0:49:03.360
<v Speaker 1>All right, I'm not doing that.

0:49:03.719 --> 0:49:04.200
<v Speaker 2>Can we.

0:49:05.719 --> 0:49:05.879
<v Speaker 3>Can?

0:49:05.920 --> 0:49:09.560
<v Speaker 2>I give a hot take, and it's when I retake,

0:49:09.600 --> 0:49:13.240
<v Speaker 2>though it's not the hot take of reason saying Fab

0:49:13.320 --> 0:49:15.520
<v Speaker 2>is better than Andre three thousand. We can get into

0:49:15.560 --> 0:49:18.760
<v Speaker 2>that later. It's not one of those hot takes. Deuce's

0:49:18.760 --> 0:49:25.840
<v Speaker 2>remix is terrible. To get that crew of legends together

0:49:26.520 --> 0:49:28.359
<v Speaker 2>and for each of them to spit one of their

0:49:28.400 --> 0:49:34.440
<v Speaker 2>worst verses ever. As a collective is a foot in itself.

0:49:34.800 --> 0:49:36.319
<v Speaker 2>Three Stacks isn't even that good on that.

0:49:36.360 --> 0:49:37.960
<v Speaker 1>See, now I gotta listen to It's been so long

0:49:37.960 --> 0:49:38.640
<v Speaker 1>since I heard that.

0:49:38.640 --> 0:49:47.239
<v Speaker 2>Fab starts his verse out with drizzy voice. Kanye comes

0:49:47.239 --> 0:49:50.480
<v Speaker 2>in after you had to remember the time of when

0:49:50.520 --> 0:49:55.640
<v Speaker 2>it happened, talk about emotional, that old Ambushit was happening publicly.

0:49:55.760 --> 0:49:58.120
<v Speaker 2>He came on that Deuce's remix. Didn't even think about roymen.

0:49:58.280 --> 0:50:01.880
<v Speaker 2>You know what, you're a bitch, get your get your

0:50:01.880 --> 0:50:03.960
<v Speaker 2>ship right, you get your ship off.

0:50:04.440 --> 0:50:05.320
<v Speaker 1>Yeah, therapy.

0:50:05.520 --> 0:50:09.880
<v Speaker 2>Then Drake took that fucking amazing beat and was like, forty,

0:50:11.120 --> 0:50:14.279
<v Speaker 2>let's ruin it with some keys. It was not I

0:50:14.360 --> 0:50:24.400
<v Speaker 2>just landed. I'm sitting in my hotel room, and.

0:50:24.440 --> 0:50:25.560
<v Speaker 1>Now I gotta listen to it.

0:50:27.320 --> 0:50:30.280
<v Speaker 2>He needs to because he bodied t I Drake ross

0:50:30.480 --> 0:50:31.280
<v Speaker 2>three Stacks.

0:50:31.760 --> 0:50:35.399
<v Speaker 1>Kanye, he bodied everybody on that.

0:50:35.760 --> 0:50:37.400
<v Speaker 2>Kevin McCole bodied everybody on that.

0:50:38.120 --> 0:50:40.640
<v Speaker 1>Kevin McColl His verse was dope on that. I remember that.

0:50:40.719 --> 0:50:42.960
<v Speaker 3>I like Drake's verse. I think Drake is the best

0:50:43.000 --> 0:50:43.840
<v Speaker 3>verse on the remix.

0:50:44.080 --> 0:50:45.840
<v Speaker 2>I like Drake's verse sort of, but.

0:50:45.800 --> 0:50:47.239
<v Speaker 3>I enjoy Kanye is the best.

0:50:47.239 --> 0:50:49.080
<v Speaker 2>But like when that beat knock and then we just

0:50:49.080 --> 0:50:53.640
<v Speaker 2>got to stop for the breakdown. This was a classic.

0:50:53.840 --> 0:51:01.080
<v Speaker 2>Oh if you was around for this, just that intro outside.

0:51:01.080 --> 0:51:06.239
<v Speaker 1>Ship, this was that ship bullshit the.

0:51:06.360 --> 0:51:08.640
<v Speaker 2>Bird who was on Twitter when that came out?

0:51:10.400 --> 0:51:13.120
<v Speaker 1>Me for sure? All that bullships for the birds ain't

0:51:13.120 --> 0:51:16.040
<v Speaker 1>nothing but a vulte. You heard Chris getting his ship off.

0:51:16.520 --> 0:51:18.279
<v Speaker 2>Dad had been the most tweeted bar I think of

0:51:18.280 --> 0:51:20.920
<v Speaker 2>all time, one of them for sure, I g caption

0:51:21.600 --> 0:51:23.960
<v Speaker 2>highest ever. But let's get to thetuales. We already know

0:51:24.000 --> 0:51:25.759
<v Speaker 2>what Christ that ship, and we know what Tiger did.

0:51:25.800 --> 0:51:28.319
<v Speaker 2>Put some respect on his name. Who wants to see

0:51:28.320 --> 0:51:33.960
<v Speaker 2>Tiger versus one thing?

0:51:34.719 --> 0:51:37.680
<v Speaker 3>Tiger is No matter what comes out with a single,

0:51:37.719 --> 0:51:38.399
<v Speaker 3>it's gonna be a hit.

0:51:39.640 --> 0:51:41.239
<v Speaker 1>He keep a record for sure, you know.

0:51:42.400 --> 0:51:46.080
<v Speaker 2>And all right, man, Drake is one of my favorite

0:51:46.080 --> 0:51:50.480
<v Speaker 2>of all time. But when this beat knock, save this

0:51:50.560 --> 0:51:51.359
<v Speaker 2>for the last man?

0:51:52.920 --> 0:51:54.879
<v Speaker 1>You best our bag.

0:51:56.360 --> 0:51:58.000
<v Speaker 2>Now all of a sudden, you just gotta have this

0:51:58.040 --> 0:51:58.719
<v Speaker 2>is what you mean?

0:51:58.800 --> 0:52:00.560
<v Speaker 3>I ain't call you.

0:52:01.040 --> 0:52:03.160
<v Speaker 1>It's a whole new song. Just change the song. But

0:52:03.239 --> 0:52:07.800
<v Speaker 1>that was hard, Yeah that I like the breakdowns and songs,

0:52:07.840 --> 0:52:11.600
<v Speaker 1>and that one not on this beat tell me, tell

0:52:11.640 --> 0:52:12.799
<v Speaker 1>me you in your hotel room.

0:52:13.680 --> 0:52:15.680
<v Speaker 5>But you gotta realize that was coming off of I

0:52:15.719 --> 0:52:17.799
<v Speaker 5>think was Marvin's room out back then.

0:52:19.400 --> 0:52:21.799
<v Speaker 3>That took me back was that. I think this was

0:52:21.800 --> 0:52:22.360
<v Speaker 3>pre Marvin's.

0:52:22.360 --> 0:52:26.920
<v Speaker 4>I think definitely pres room.

0:52:26.080 --> 0:52:26.719
<v Speaker 1>Marked that up.

0:52:27.120 --> 0:52:30.879
<v Speaker 3>Yeah, because Marvin's room was like.

0:52:31.239 --> 0:52:34.400
<v Speaker 1>Now Drake hilt that now I'm remembering it. I'm waiting

0:52:34.480 --> 0:52:36.600
<v Speaker 1>in my hotel room. Seems like.

0:52:38.320 --> 0:52:40.399
<v Speaker 5>You don't wrap like that, You known't he don't rap

0:52:40.480 --> 0:52:40.839
<v Speaker 5>like that one.

0:52:42.719 --> 0:52:45.399
<v Speaker 7>Yeah, I think she'll be able to sell a song.

0:52:45.520 --> 0:52:50.200
<v Speaker 7>But I I for you right, I will and me

0:52:50.320 --> 0:52:53.840
<v Speaker 7>with out no breaks, I will fugod And it says

0:52:54.160 --> 0:52:56.960
<v Speaker 7>you with curves and me without no breaks.

0:52:58.360 --> 0:53:01.960
<v Speaker 4>That was that was my picture capture years.

0:53:02.000 --> 0:53:03.080
<v Speaker 1>Don't want to be in my eyes.

0:53:03.120 --> 0:53:06.400
<v Speaker 2>But don't feel like a verse that says after he

0:53:06.440 --> 0:53:09.080
<v Speaker 2>hits the breaks, what you kill them in?

0:53:09.400 --> 0:53:11.920
<v Speaker 1>After he said with all thems like you don't say

0:53:11.920 --> 0:53:16.239
<v Speaker 1>it and say you like this verse. It's funny hearing

0:53:16.239 --> 0:53:17.799
<v Speaker 1>how niggas used to wrap and how they rap.

0:53:17.880 --> 0:53:21.880
<v Speaker 2>Now he's spoke, I'm really you feel like you but

0:53:23.320 --> 0:53:27.400
<v Speaker 2>with them nothing ass bitches. This is just this felt

0:53:27.400 --> 0:53:29.960
<v Speaker 2>like around. I think I shall have PTSD from swagger

0:53:30.040 --> 0:53:30.439
<v Speaker 2>like us.

0:53:31.239 --> 0:53:32.640
<v Speaker 1>So he was kind of off the whole posse.

0:53:33.000 --> 0:53:35.120
<v Speaker 2>Yeah, like I was still like we all they're gonna

0:53:35.120 --> 0:53:37.919
<v Speaker 2>do is get together and not do anything good because

0:53:37.920 --> 0:53:40.600
<v Speaker 2>they're all gonna be scared. Like as competition. I don't

0:53:40.640 --> 0:53:42.080
<v Speaker 2>really know like what I should do here?

0:53:42.120 --> 0:53:42.839
<v Speaker 1>What was on that too?

0:53:42.880 --> 0:53:43.040
<v Speaker 6>Right?

0:53:43.120 --> 0:53:46.600
<v Speaker 5>Yeah, play a little bit of ROAs like hearing these

0:53:46.600 --> 0:53:48.200
<v Speaker 5>records now, I'll be forgetting how to start as soon

0:53:48.239 --> 0:53:49.239
<v Speaker 5>as I hear it, Like.

0:53:50.040 --> 0:53:55.040
<v Speaker 8>We used to beat you know what, yo, you were bitch.

0:53:55.440 --> 0:53:58.280
<v Speaker 8>You should have a travel agent because you a trip,

0:53:58.680 --> 0:54:01.440
<v Speaker 8>you should make it the ship.

0:54:01.880 --> 0:54:04.840
<v Speaker 1>But some fucking issues, you fucking bitch.

0:54:05.080 --> 0:54:05.719
<v Speaker 2>He felt that.

0:54:06.640 --> 0:54:09.960
<v Speaker 1>He felt that, but it's like why you keep is it?

0:54:10.040 --> 0:54:10.360
<v Speaker 2>Keeping it?

0:54:11.239 --> 0:54:13.320
<v Speaker 1>That was not keeping it pet at all. That was

0:54:13.400 --> 0:54:13.959
<v Speaker 1>keeping it.

0:54:13.920 --> 0:54:17.520
<v Speaker 2>D nah man, he's he's expressing how he feels.

0:54:17.840 --> 0:54:19.960
<v Speaker 1>Yeah, but you come on, fam. That ship wasn't even

0:54:19.960 --> 0:54:20.720
<v Speaker 1>a hard ball.

0:54:20.600 --> 0:54:23.840
<v Speaker 2>Though, No, that isn't. He was just mad, you know

0:54:23.960 --> 0:54:24.319
<v Speaker 2>what I'm saying.

0:54:24.320 --> 0:54:26.040
<v Speaker 5>It's like that ship wasn't even hard That ship was

0:54:26.080 --> 0:54:28.359
<v Speaker 5>just like we know who he talking about, because that's

0:54:28.360 --> 0:54:30.520
<v Speaker 5>when those verses was the thing like who are talking about?

0:54:30.600 --> 0:54:30.719
<v Speaker 1>Oh?

0:54:30.800 --> 0:54:33.279
<v Speaker 5>Yeah no this was but this was that was a year, like, oh,

0:54:33.320 --> 0:54:34.240
<v Speaker 5>who are talking about?

0:54:34.520 --> 0:54:36.840
<v Speaker 2>That was like when fucking uh, what's something been for

0:54:36.920 --> 0:54:42.920
<v Speaker 2>Darkswess the Fantasy with John Legend Lame Game came out.

0:54:42.960 --> 0:54:46.840
<v Speaker 2>It was like tearing this poor girl apart, like we

0:54:47.239 --> 0:54:49.600
<v Speaker 2>can see her stranger Chris.

0:54:49.440 --> 0:54:54.319
<v Speaker 1>Rock On on the Yeah.

0:54:52.480 --> 0:54:54.640
<v Speaker 4>That was where my Instagram name, my Aliens came from.

0:54:54.719 --> 0:54:58.400
<v Speaker 4>Maristotle came from.

0:54:58.560 --> 0:54:59.359
<v Speaker 1>What did you teach him?

0:54:59.680 --> 0:54:59.799
<v Speaker 6>What?

0:54:59.800 --> 0:55:01.600
<v Speaker 1>You man?

0:55:01.719 --> 0:55:02.240
<v Speaker 3>Go ahead?

0:55:03.560 --> 0:55:08.880
<v Speaker 5>I want to know your class, your master class with

0:55:09.040 --> 0:55:11.080
<v Speaker 5>the marriage was up there teaching I want to know crazy.

0:55:11.880 --> 0:55:12.640
<v Speaker 1>That's very funny.

0:55:12.719 --> 0:55:14.600
<v Speaker 4>Kanye really came out and said Jay finally got it

0:55:14.600 --> 0:55:15.960
<v Speaker 4>through my head and not around my mouth. And then

0:55:16.080 --> 0:55:18.000
<v Speaker 4>Niggs spent the rest of his career and run his mouth.

0:55:19.000 --> 0:55:20.359
<v Speaker 1>He didn't listen to Jay at all.

0:55:20.440 --> 0:55:21.680
<v Speaker 3>He didn't get it through at all.

0:55:22.640 --> 0:55:26.160
<v Speaker 2>Not once. Now he actually continued to talk about Jay.

0:55:26.640 --> 0:55:30.160
<v Speaker 2>He went to talk about Jay instead. I love Yay

0:55:30.160 --> 0:55:32.239
<v Speaker 2>and I'm talking ship That Duce's remix was cool, but

0:55:32.440 --> 0:55:35.680
<v Speaker 2>I will say that just shows how crazy the Real

0:55:35.760 --> 0:55:39.720
<v Speaker 2>Deuces was because the original was far better than a remix.

0:55:39.800 --> 0:55:41.440
<v Speaker 1>With every legend from that era.

0:55:41.920 --> 0:55:44.680
<v Speaker 4>When's the last good posse cut where everybody actually had

0:55:44.719 --> 0:55:45.280
<v Speaker 4>good verses.

0:55:45.280 --> 0:55:49.160
<v Speaker 3>Who was it? Touch it?

0:55:50.280 --> 0:55:51.040
<v Speaker 1>The last one?

0:55:51.080 --> 0:55:54.400
<v Speaker 2>Tho, Well, let's define posse cut. It has to be

0:55:54.400 --> 0:55:57.279
<v Speaker 2>at least more than four right, and we're making a

0:55:57.320 --> 0:55:58.680
<v Speaker 2>record or we rapping.

0:56:00.080 --> 0:56:01.400
<v Speaker 1>You said making a record.

0:56:01.440 --> 0:56:05.200
<v Speaker 2>Like there's records now with four artists on it, Like

0:56:05.280 --> 0:56:07.160
<v Speaker 2>it's all of the lights of posse cut because there's

0:56:07.200 --> 0:56:09.479
<v Speaker 2>like seven legends on it. But it's not a posse cut.

0:56:09.520 --> 0:56:11.800
<v Speaker 2>I'm saying, like where people were rapping, let's put a

0:56:11.800 --> 0:56:12.839
<v Speaker 2>hook or a sample in there.

0:56:12.880 --> 0:56:15.680
<v Speaker 1>You have to have a verse verse lost.

0:56:16.640 --> 0:56:19.520
<v Speaker 2>Oh yeah, is that a posse that's a song. It's

0:56:19.520 --> 0:56:25.160
<v Speaker 2>not a posse cut. That's not so so banned from

0:56:25.239 --> 0:56:26.879
<v Speaker 2>TV was a posse cut. It was a four bar

0:56:26.920 --> 0:56:29.880
<v Speaker 2>loop and they just kept rapping. That's a posse cut.

0:56:30.080 --> 0:56:34.200
<v Speaker 2>Reservoir Dog is a posse cut. I think a train

0:56:34.360 --> 0:56:36.920
<v Speaker 2>is a posse cut.

0:56:37.200 --> 0:56:40.160
<v Speaker 3>Remix is a posse cut.

0:56:39.480 --> 0:56:42.319
<v Speaker 2>In a when wrapped went very emotional. Yes, that would

0:56:42.320 --> 0:56:43.399
<v Speaker 2>be considered a possy cut.

0:56:43.440 --> 0:56:45.160
<v Speaker 1>Yeah, that was that was That's.

0:56:45.040 --> 0:56:51.200
<v Speaker 2>A sick passy cut. But then again, fucking problems, I

0:56:51.200 --> 0:56:56.520
<v Speaker 2>guess would be a possi cut. Much of I'm being

0:56:56.520 --> 0:56:57.560
<v Speaker 2>too much of a purist on that.

0:56:57.640 --> 0:56:58.680
<v Speaker 1>Yeah, fucking Problems.

0:56:58.719 --> 0:57:00.360
<v Speaker 2>I guess it is a Possi cut then, because we

0:57:00.360 --> 0:57:02.480
<v Speaker 2>were saying who got who on it, and it was

0:57:02.520 --> 0:57:03.640
<v Speaker 2>like a club record.

0:57:04.560 --> 0:57:06.200
<v Speaker 5>If I feel like we just got one not too

0:57:06.200 --> 0:57:09.319
<v Speaker 5>long ago a Posse cut, We're stupid and don't remember things.

0:57:09.760 --> 0:57:12.239
<v Speaker 1>No music comes out every fucking day now, it's hard

0:57:12.280 --> 0:57:14.160
<v Speaker 1>to who would put out album.

0:57:14.480 --> 0:57:19.160
<v Speaker 2>I mean, Russ's entire album is a Possy cut.

0:57:19.760 --> 0:57:20.960
<v Speaker 1>That's just we just got one.

0:57:21.520 --> 0:57:24.040
<v Speaker 4>Monster is definitely a post cut. It fucking Problems is

0:57:24.040 --> 0:57:26.040
<v Speaker 4>a Possi cut, then Monster is a Posse cut.

0:57:27.040 --> 0:57:30.480
<v Speaker 2>Rick Ross has two bars in the beginning, and then

0:57:31.040 --> 0:57:38.160
<v Speaker 2>you get a Jay, Nicky and Kanye three artists. Ross No,

0:57:39.360 --> 0:57:41.000
<v Speaker 2>he's like growls.

0:57:40.560 --> 0:57:46.560
<v Speaker 1>And then we just got not too long ago.

0:57:46.600 --> 0:57:50.400
<v Speaker 5>But I can't remember. But Deuce's remix is uh is

0:57:50.400 --> 0:57:55.000
<v Speaker 5>one of the most legendary Possy cuts, though the most.

0:57:54.840 --> 0:57:58.520
<v Speaker 2>Emotional Possey cut. It's got to go before though, well,

0:57:58.560 --> 0:58:02.360
<v Speaker 2>I don't know what the one blood remix the longest.

0:58:01.920 --> 0:58:04.120
<v Speaker 1>That that's that's more than the.

0:58:03.600 --> 0:58:05.160
<v Speaker 2>Only game would be the one to pull that off.

0:58:05.440 --> 0:58:07.040
<v Speaker 1>How long is that? How long is that record?

0:58:07.080 --> 0:58:09.680
<v Speaker 5>An hour and a half that recognized two days long

0:58:09.720 --> 0:58:11.960
<v Speaker 5>at least for sure, you really go to sleep and

0:58:12.080 --> 0:58:15.200
<v Speaker 5>wake up, Wake up, niggas are still rapping.

0:58:15.240 --> 0:58:16.600
<v Speaker 1>You're like, all right, man, I'm cool.

0:58:16.640 --> 0:58:18.960
<v Speaker 2>Listen, if Sirius give us a real radio show to

0:58:19.000 --> 0:58:20.880
<v Speaker 2>fill up the first week, I'm just playing one blove remix.

0:58:20.880 --> 0:58:21.600
<v Speaker 2>I'm gonna leave the student.

0:58:21.600 --> 0:58:24.200
<v Speaker 5>That's all you need to play one blood leave, go

0:58:24.280 --> 0:58:26.560
<v Speaker 5>on vacation, come back. It'll be two minutes left in

0:58:26.560 --> 0:58:27.000
<v Speaker 5>the record.

0:58:27.600 --> 0:58:31.240
<v Speaker 2>For sure, you could probably still discover new rappers from that.

0:58:31.320 --> 0:58:36.760
<v Speaker 1>Today. Blood Game was calling everybody for a verse.

0:58:36.680 --> 0:58:41.280
<v Speaker 2>Listen that ship, and he did that on purpose. Unfortunately,

0:58:41.280 --> 0:58:43.960
<v Speaker 2>we had a milli from every rapper that we didn't

0:58:43.960 --> 0:58:48.400
<v Speaker 2>want to hear from. No, it was once it was

0:58:48.560 --> 0:58:50.520
<v Speaker 2>just Wayne and then everyone decided to take the beat

0:58:50.520 --> 0:58:51.880
<v Speaker 2>and wrap over it. Wayne didn't ask nobody to do

0:58:51.960 --> 0:58:53.400
<v Speaker 2>that ship a remix.

0:58:55.080 --> 0:58:56.200
<v Speaker 1>Corey Guns was on that right.

0:58:56.440 --> 0:58:59.400
<v Speaker 3>He was on six.

0:59:00.640 --> 0:59:03.640
<v Speaker 1>To when he was teaching them. Corey got off on that.

0:59:04.160 --> 0:59:06.440
<v Speaker 2>Corey did got I think six for seven foot is

0:59:06.440 --> 0:59:07.920
<v Speaker 2>better than a millie.

0:59:07.960 --> 0:59:10.040
<v Speaker 1>But that's just me? Is I do too? Yeah, that's

0:59:10.040 --> 0:59:15.640
<v Speaker 1>how I take you. Sorry, no apologize. That's definitely not

0:59:15.640 --> 0:59:16.120
<v Speaker 1>a hot take.

0:59:17.240 --> 0:59:19.600
<v Speaker 2>No, Corey definitely went off on that. But yeah, all right,

0:59:19.640 --> 0:59:22.200
<v Speaker 2>so we figured out what he is. I'm still sticking

0:59:22.240 --> 0:59:26.760
<v Speaker 2>with with Duce's remix being very underwhelming. When do you'll

0:59:26.800 --> 0:59:27.720
<v Speaker 2>go back to Duce's remix?

0:59:28.760 --> 0:59:29.240
<v Speaker 3>I play it.

0:59:29.240 --> 0:59:31.120
<v Speaker 1>Regularly, I haven't. I haven't heard that record in the long.

0:59:32.280 --> 0:59:34.240
<v Speaker 5>You talking about it definitely brought up like a lot

0:59:34.240 --> 0:59:35.880
<v Speaker 5>of old Like I remember where I was at when

0:59:35.880 --> 0:59:36.600
<v Speaker 5>that ship came out?

0:59:36.640 --> 0:59:39.360
<v Speaker 1>What was going on? But everybody was wearing with.

0:59:39.320 --> 0:59:42.440
<v Speaker 5>The fashion look like that's when G shocks was going crazy.

0:59:42.680 --> 0:59:44.160
<v Speaker 5>What every shock eerror?

0:59:44.320 --> 0:59:46.320
<v Speaker 2>Every color and the fake ones look real and they

0:59:46.320 --> 0:59:46.800
<v Speaker 2>were so cheap.

0:59:46.840 --> 0:59:48.160
<v Speaker 1>Didn't they have a fake G shock?

0:59:48.320 --> 0:59:51.560
<v Speaker 3>Is na? They had a fake G shot?

0:59:52.000 --> 0:59:54.240
<v Speaker 1>No, I know they had, but I was wearing a

0:59:54.280 --> 0:59:55.520
<v Speaker 1>fake shock is crazy?

0:59:55.600 --> 0:59:57.080
<v Speaker 2>Yeah, but you're all right, how old were you when

0:59:57.120 --> 0:59:58.840
<v Speaker 2>G Shocks came out? Not when they came out, but

0:59:58.840 --> 1:00:00.320
<v Speaker 2>when they were like repopping.

1:00:00.480 --> 1:00:04.920
<v Speaker 1>Twenty ten ten? I was twenty eight, twenty nine, Yeah.

1:00:05.560 --> 1:00:08.680
<v Speaker 2>Some of us were eighteen and you know, maybe didn't

1:00:08.680 --> 1:00:11.600
<v Speaker 2>have much money, so we bought fake G shots from

1:00:11.640 --> 1:00:12.800
<v Speaker 2>the mall or from now Street.

1:00:13.000 --> 1:00:15.160
<v Speaker 1>That's just crazy, though, wearing a fake G shot, It's crazy.

1:00:15.200 --> 1:00:15.960
<v Speaker 1>How much was G shot?

1:00:16.000 --> 1:00:17.440
<v Speaker 2>Eighty bucks? In most Yeah, like.

1:00:17.400 --> 1:00:19.400
<v Speaker 1>That's so wearing a fake one? Like, come on, man,

1:00:19.440 --> 1:00:21.240
<v Speaker 1>you just you know why. I don't understand why.

1:00:22.040 --> 1:00:24.600
<v Speaker 2>They looked they were the only watch that was fake

1:00:24.720 --> 1:00:27.200
<v Speaker 2>that looked identical because shots.

1:00:26.960 --> 1:00:28.960
<v Speaker 5>A plastic, That's all I say. That's why don't wearing

1:00:28.960 --> 1:00:31.600
<v Speaker 5>a fake g shot wasn't really fake? Yeah exactly, that's

1:00:31.600 --> 1:00:32.640
<v Speaker 5>what about to say, how do you even know?

1:00:33.040 --> 1:00:33.480
<v Speaker 2>Exactly?

1:00:33.560 --> 1:00:36.440
<v Speaker 4>I don't understand why people with fake shit because it's like,

1:00:36.920 --> 1:00:38.800
<v Speaker 4>just don't wear it, just don't buy Yeah, Like, what's

1:00:38.800 --> 1:00:41.040
<v Speaker 4>the fucking with that? What is the point of That's

1:00:41.040 --> 1:00:43.480
<v Speaker 4>a mental that's a mental disease. When fake shit is

1:00:43.480 --> 1:00:44.080
<v Speaker 4>a mental.

1:00:43.880 --> 1:00:46.000
<v Speaker 2>Disease, that's a it's a quincy abandonment.

1:00:46.080 --> 1:00:49.959
<v Speaker 1>It's bro shit, Just wear it? Why are you wearing that? Ship?

1:00:50.640 --> 1:00:51.800
<v Speaker 1>What jewelry?

1:00:51.880 --> 1:00:55.480
<v Speaker 2>I don't understand it, but I do get it. The

1:00:55.880 --> 1:01:00.680
<v Speaker 2>rich people that wear fake jewelry, I get it. Here's

1:01:00.680 --> 1:01:02.640
<v Speaker 2>why I get it. I know what you meant it.

1:01:02.960 --> 1:01:04.440
<v Speaker 2>I wouldn't do it, but I get.

1:01:04.320 --> 1:01:05.680
<v Speaker 1>It because you get it because they have the money

1:01:05.720 --> 1:01:06.480
<v Speaker 1>obviously to buy it.

1:01:06.560 --> 1:01:09.560
<v Speaker 2>On top of that, you're a target. Someone's going for it.

1:01:09.640 --> 1:01:12.560
<v Speaker 2>If you lose that on a night out, just fucking

1:01:12.560 --> 1:01:15.520
<v Speaker 2>worry it. Well, some of us are not tough and

1:01:15.520 --> 1:01:16.280
<v Speaker 2>we want to wear jewelry.

1:01:16.320 --> 1:01:16.360
<v Speaker 6>Mo.

1:01:17.240 --> 1:01:19.600
<v Speaker 1>I remember my homeboy. My homeboy was in town visiting.

1:01:19.640 --> 1:01:21.200
<v Speaker 5>I won't say his name, but he had on like

1:01:21.240 --> 1:01:23.880
<v Speaker 5>a really really expensive watch and watch is probably about

1:01:23.920 --> 1:01:27.800
<v Speaker 5>seventy thousand dollars and but it was no diamonds. It

1:01:27.920 --> 1:01:29.640
<v Speaker 5>was just like, you know, one of those type of watches.

1:01:29.640 --> 1:01:34.360
<v Speaker 5>It was just a plane autemark. He wants to to girl,

1:01:34.400 --> 1:01:37.360
<v Speaker 5>fucking for the aps whatever. Probably he wants me to

1:01:37.440 --> 1:01:41.440
<v Speaker 5>walk with him through Harlem, through the projects.

1:01:42.360 --> 1:01:43.880
<v Speaker 1>He's like, Yo, come on, let's walk over there. Let's

1:01:43.880 --> 1:01:44.160
<v Speaker 1>go see.

1:01:44.200 --> 1:01:46.560
<v Speaker 5>I'm like, fam, all right, we're gonna get in the car. Like,

1:01:46.600 --> 1:01:49.360
<v Speaker 5>I'm not walking with you through no projects. He's like, well,

1:01:49.400 --> 1:01:51.760
<v Speaker 5>I'm like, bro, you got a seventy thousand dollars watch on.

1:01:52.040 --> 1:01:54.080
<v Speaker 1>I'm not scared. I'm smart. Yeah, I'm like, yo, what

1:01:54.160 --> 1:01:56.920
<v Speaker 1>are you? He's like, yo, but it's no diamonds. Nobody

1:01:56.960 --> 1:01:59.160
<v Speaker 1>gonna know. I'm like, bro, you got the streets twisted

1:01:59.280 --> 1:02:01.320
<v Speaker 1>worth And he didn't understand.

1:02:01.320 --> 1:02:03.240
<v Speaker 5>Like, I'm like, bro, you have a seventy thousand dollars

1:02:03.280 --> 1:02:05.800
<v Speaker 5>watch on, Like, but my thing is.

1:02:06.040 --> 1:02:06.880
<v Speaker 2>So you lined them.

1:02:07.120 --> 1:02:07.240
<v Speaker 6>No.

1:02:07.320 --> 1:02:10.120
<v Speaker 1>Hell, but my thing was.

1:02:10.280 --> 1:02:12.800
<v Speaker 5>If somebody, if somebody like you said, wearing a fake one,

1:02:12.800 --> 1:02:14.640
<v Speaker 5>because if you get robbed, but it's like why even

1:02:14.680 --> 1:02:15.000
<v Speaker 5>wear it?

1:02:15.520 --> 1:02:18.600
<v Speaker 2>Well, then that's the embarrassing part when the person that

1:02:18.680 --> 1:02:20.720
<v Speaker 2>robs you knows how to use the internet and now

1:02:20.760 --> 1:02:22.840
<v Speaker 2>you have to deal with I really robbed this guy

1:02:22.840 --> 1:02:23.480
<v Speaker 2>for some fake shit.

1:02:24.800 --> 1:02:27.160
<v Speaker 5>Yeah, but because you know the person has money, it

1:02:27.160 --> 1:02:29.800
<v Speaker 5>doesn't matter. But my thing is, you just don't wear

1:02:29.880 --> 1:02:32.240
<v Speaker 5>anything at all. Like that's why I never understood people

1:02:32.280 --> 1:02:35.560
<v Speaker 5>wearing fake watches and jewelry or fake clothes because it's like, bro,

1:02:35.600 --> 1:02:37.760
<v Speaker 5>you could wear a lot of other regular shit and

1:02:37.840 --> 1:02:38.520
<v Speaker 5>still look good.

1:02:39.000 --> 1:02:41.040
<v Speaker 2>But I think just with their success rate of wearing

1:02:41.080 --> 1:02:43.840
<v Speaker 2>fake shit and the things and attention that came to

1:02:43.880 --> 1:02:46.600
<v Speaker 2>them makes them think I should just do this moving

1:02:46.640 --> 1:02:48.720
<v Speaker 2>forward until the time comes at the robbed and everyone

1:02:48.760 --> 1:02:52.440
<v Speaker 2>finds out his fake Like even like my favorite Ross

1:02:52.440 --> 1:02:54.040
<v Speaker 2>bar Is on that shit when he said to Burban,

1:02:54.120 --> 1:02:56.080
<v Speaker 2>I found out your watch was fake, and then he

1:02:56.120 --> 1:02:58.880
<v Speaker 2>doesn't even grunt it. He's sod like he sighs like

1:02:58.920 --> 1:02:59.720
<v Speaker 2>I felt.

1:03:00.360 --> 1:03:02.080
<v Speaker 1>And at that time bird Man was a billionaire.

1:03:03.240 --> 1:03:05.520
<v Speaker 5>Yeah, but it's still like it goes back to what

1:03:05.560 --> 1:03:09.440
<v Speaker 5>I'm saying, why even why even have anything fake when

1:03:09.440 --> 1:03:11.680
<v Speaker 5>you got that type of money, Just don't just don't

1:03:11.760 --> 1:03:13.640
<v Speaker 5>have it at all, I guess you know what I mean.

1:03:13.680 --> 1:03:15.680
<v Speaker 5>Like it's like you people know you got money. You

1:03:15.680 --> 1:03:17.520
<v Speaker 5>don't need to wear a fake watch because you might

1:03:17.560 --> 1:03:20.040
<v Speaker 5>get robbed, So let them rob you for some fake ship.

1:03:20.120 --> 1:03:21.760
<v Speaker 1>Like, just don't wear nothing.

1:03:22.360 --> 1:03:24.680
<v Speaker 2>Maam, I drive a mons. Just still right, and it's

1:03:24.680 --> 1:03:26.960
<v Speaker 2>going to remain that the massie spend the.

1:03:26.880 --> 1:03:36.280
<v Speaker 1>Block to them. Yeah, ain't nobody gonna rock you.

1:03:36.280 --> 1:03:40.600
<v Speaker 5>You say is very harlem Is are very well, Now hold on,

1:03:41.120 --> 1:03:44.840
<v Speaker 5>there's still certain blocks that. Yeah, niggas be doing that

1:03:44.840 --> 1:03:47.480
<v Speaker 5>ship nigga with the you know, with the with the

1:03:47.480 --> 1:03:49.280
<v Speaker 5>pistol out nigga that little dance right there. When you

1:03:49.280 --> 1:03:51.520
<v Speaker 5>see them niggas doing that, that's the demon babies, the

1:03:51.560 --> 1:03:52.800
<v Speaker 5>niggas that be doing all that ship.

1:03:52.880 --> 1:03:55.400
<v Speaker 1>Yes, yeah, them niggas are give your issue for sure.

1:03:55.440 --> 1:03:56.080
<v Speaker 2>That's how you know.

1:03:56.680 --> 1:03:57.760
<v Speaker 1>They give you an issue.

1:03:57.960 --> 1:04:00.800
<v Speaker 5>Dancing with the glockout is just hilarious though, Like think

1:04:00.800 --> 1:04:03.080
<v Speaker 5>about that, like where we at in our culture where

1:04:03.120 --> 1:04:04.720
<v Speaker 5>niggas is dancing with the pistols out.

1:04:04.880 --> 1:04:06.600
<v Speaker 2>I used to be terrified of blocks. When I see

1:04:06.600 --> 1:04:09.960
<v Speaker 2>grown men on like small BMX bikes and ship that

1:04:10.080 --> 1:04:12.280
<v Speaker 2>was just always a sign to me like, oh, I'm

1:04:12.280 --> 1:04:14.560
<v Speaker 2>in a neighborhood. I probably this isn't the one when

1:04:14.560 --> 1:04:17.200
<v Speaker 2>grown men was on those type of bikes. Now it's

1:04:17.240 --> 1:04:19.400
<v Speaker 2>just it's right in the air, like, no, that's a gun.

1:04:19.400 --> 1:04:25.000
<v Speaker 2>And these dancing I know that it's just in a

1:04:25.080 --> 1:04:25.920
<v Speaker 2>recall trial.

1:04:26.400 --> 1:04:28.560
<v Speaker 5>With the little the little body strap joints that use

1:04:28.600 --> 1:04:30.640
<v Speaker 5>body of the cross what do you call the cross

1:04:30.680 --> 1:04:31.280
<v Speaker 5>body bags?

1:04:32.760 --> 1:04:36.000
<v Speaker 2>You know what I really got terrified not when I

1:04:36.080 --> 1:04:38.880
<v Speaker 2>was around JUnit and they was wearing real bulletproof vests.

1:04:39.040 --> 1:04:41.800
<v Speaker 2>I'm terrified now because these young kids wear fake bulletproof

1:04:41.840 --> 1:04:45.120
<v Speaker 2>vests is a fashion statement. That's why I'm terrified. Y'all

1:04:45.160 --> 1:04:47.960
<v Speaker 2>really don't care about your lives, because you could really

1:04:47.960 --> 1:04:50.040
<v Speaker 2>put the kevlar on and still have the same fashion statement.

1:04:50.280 --> 1:04:53.000
<v Speaker 2>You're wearing fake bulletproof vests while dancing with a pistol.

1:04:53.080 --> 1:04:55.760
<v Speaker 1>Well you can't. Well that's as crazy as it sounds.

1:04:55.840 --> 1:05:00.080
<v Speaker 5>You can't have a real bulletproofvest, but you also.

1:04:59.200 --> 1:05:02.600
<v Speaker 2>A legal pistol dance sixteenth Street exactly.

1:05:02.640 --> 1:05:03.680
<v Speaker 1>It's just crazy, man.

1:05:03.840 --> 1:05:06.800
<v Speaker 2>I don't know, man, can someone explain the fake bulletproofvest

1:05:06.840 --> 1:05:07.280
<v Speaker 2>trends to me?

1:05:07.760 --> 1:05:08.240
<v Speaker 1>Somebody?

1:05:08.360 --> 1:05:10.240
<v Speaker 2>I know it looks good on the dirt bike. Yeah,

1:05:10.480 --> 1:05:12.640
<v Speaker 2>it's just fall on the dirt bike. That's not gonna

1:05:12.640 --> 1:05:13.680
<v Speaker 2>hat at all. I can help you.

1:05:14.160 --> 1:05:16.520
<v Speaker 1>It's just it's just for the look. I don't get it.

1:05:16.520 --> 1:05:17.360
<v Speaker 1>I don't understand it.

1:05:17.440 --> 1:05:19.920
<v Speaker 5>But you know, I can't understand why the young dudes

1:05:20.240 --> 1:05:21.439
<v Speaker 5>wear that ship it's for the look.

1:05:21.840 --> 1:05:25.360
<v Speaker 2>I walked into the Donda show everybody I thought there

1:05:25.400 --> 1:05:27.120
<v Speaker 2>was I thought it was a bomb scare.

1:05:27.400 --> 1:05:27.440
<v Speaker 6>No.

1:05:28.040 --> 1:05:29.880
<v Speaker 2>I turned around, sat.

1:05:29.720 --> 1:05:32.680
<v Speaker 1>Is here just for the look? Security's security.

1:05:33.080 --> 1:05:35.400
<v Speaker 3>They had you buttoned up in one You don't do that.

1:05:36.200 --> 1:05:38.640
<v Speaker 1>You had an have a don de vest on.

1:05:38.800 --> 1:05:41.120
<v Speaker 5>Okay, because if I'm letting you know that for pick

1:05:41.200 --> 1:05:45.280
<v Speaker 5>surfaces of you donofs, you're not gonna hit the end

1:05:45.280 --> 1:05:45.440
<v Speaker 5>of it.

1:05:45.520 --> 1:05:46.360
<v Speaker 2>I can assure you.

1:05:46.440 --> 1:05:48.800
<v Speaker 1>I did not have a tie. Alright, cool, that's all

1:05:48.800 --> 1:05:49.120
<v Speaker 1>the mask.

1:05:49.200 --> 1:05:52.880
<v Speaker 5>I'm just asking now before I sure you Okay, I

1:05:52.920 --> 1:05:53.320
<v Speaker 5>believe it.

1:05:53.440 --> 1:05:55.919
<v Speaker 2>I was the only one unprotected by by.

1:05:55.840 --> 1:05:58.320
<v Speaker 3>The by the Lord.

1:05:59.280 --> 1:06:03.840
<v Speaker 2>I did not have God's ketlar surrounding me, but I

1:06:03.840 --> 1:06:05.200
<v Speaker 2>felt like if everyone else had them on and I

1:06:05.240 --> 1:06:08.760
<v Speaker 2>was in the circle they would block or the devil. Okay,

1:06:09.520 --> 1:06:13.320
<v Speaker 2>they couldn't have consequence. But other than that, YoY yo

1:06:13.960 --> 1:06:15.880
<v Speaker 2>from no one with a bullet prof bests stop consequences.

1:06:15.960 --> 1:06:18.080
<v Speaker 1>You go here, you go, You're gonna find a way.

1:06:19.960 --> 1:06:24.720
<v Speaker 2>Anyways, there was something else I did want to talk

1:06:24.760 --> 1:06:26.400
<v Speaker 2>about that I had on the list because that not

1:06:26.480 --> 1:06:27.520
<v Speaker 2>much happened really at all.

1:06:27.520 --> 1:06:28.200
<v Speaker 1>But when does it ever?

1:06:28.880 --> 1:06:32.680
<v Speaker 2>Oh, this was stupid, but I laughed, who are you

1:06:32.720 --> 1:06:34.120
<v Speaker 2>taking Jahien versus versus Usher?

1:06:35.120 --> 1:06:37.120
<v Speaker 5>You know, I saw that and I started to text

1:06:37.160 --> 1:06:38.520
<v Speaker 5>you because I didn't know if that was real or not.

1:06:40.240 --> 1:06:44.320
<v Speaker 1>But we gotta pray for Jahen. He needs a Donda.

1:06:44.400 --> 1:06:52.240
<v Speaker 1>He needs he needs a Donda because what what? Who?

1:06:52.280 --> 1:06:56.960
<v Speaker 5>Who told him that that was a good idea to

1:06:57.040 --> 1:06:58.080
<v Speaker 5>put that out in universe?

1:06:58.200 --> 1:07:00.840
<v Speaker 1>Like? Who was with him? Him? And now I'm telling

1:07:00.880 --> 1:07:03.200
<v Speaker 1>you this is they gonna they want this.

1:07:03.440 --> 1:07:05.919
<v Speaker 2>Him, They want this with the streets. And he said,

1:07:05.920 --> 1:07:08.040
<v Speaker 2>only the fans can get it done. It's on us now,

1:07:08.440 --> 1:07:11.120
<v Speaker 2>Jhem put it on us. Listen, man, he said, he's read,

1:07:11.160 --> 1:07:13.160
<v Speaker 2>he said, and he put a time on it one month.

1:07:13.600 --> 1:07:15.560
<v Speaker 1>That's all Usher gets.

1:07:15.600 --> 1:07:18.280
<v Speaker 2>My favorite part of that entire caption was yo, it's

1:07:18.280 --> 1:07:19.000
<v Speaker 2>nothing personal.

1:07:19.720 --> 1:07:23.480
<v Speaker 5>No, this is one thousand personal because you're the only

1:07:23.560 --> 1:07:24.280
<v Speaker 5>one that.

1:07:24.280 --> 1:07:28.320
<v Speaker 2>Wants to see the usher. Nothing personal, listen.

1:07:28.520 --> 1:07:32.040
<v Speaker 5>Jahim has some records that we love, love ja. You know,

1:07:32.160 --> 1:07:35.440
<v Speaker 5>he's had some some moments on the internet where we

1:07:35.560 --> 1:07:40.000
<v Speaker 5>laughed at him. He has questionable, fashionable moments, and.

1:07:39.800 --> 1:07:42.040
<v Speaker 2>He brought some light to a very dark time at

1:07:42.040 --> 1:07:46.880
<v Speaker 2>Whitney's funeral. We were all feeling it and he.

1:07:45.000 --> 1:07:47.200
<v Speaker 1>Brought and we got we got a good joke out

1:07:47.240 --> 1:07:47.360
<v Speaker 1>of it.

1:07:47.880 --> 1:07:48.960
<v Speaker 2>So he laughed at you too.

1:07:49.200 --> 1:07:52.520
<v Speaker 5>Yeah, it's like, you know, we love Jahien because it's

1:07:52.600 --> 1:07:55.400
<v Speaker 5>like we love you, you know what I mean from our culture.

1:07:55.880 --> 1:08:00.840
<v Speaker 5>You've had some some some really dope records. But a

1:08:01.000 --> 1:08:03.400
<v Speaker 5>versus against Usher Jahim, I.

1:08:03.320 --> 1:08:06.560
<v Speaker 2>Mean the person that gets ready for their friend's funeral

1:08:06.800 --> 1:08:10.160
<v Speaker 2>and looks through the closet and goes purple. Probably not

1:08:10.240 --> 1:08:12.040
<v Speaker 2>the brightest person.

1:08:13.880 --> 1:08:16.679
<v Speaker 1>No, but it's it's really it's really a call for attention.

1:08:17.439 --> 1:08:18.320
<v Speaker 1>That's what it really is.

1:08:18.360 --> 1:08:22.559
<v Speaker 5>Like you want attention, you want uh you know, you

1:08:22.600 --> 1:08:23.960
<v Speaker 5>want the eyes to be on you, you want to

1:08:23.960 --> 1:08:26.800
<v Speaker 5>focus on you. It's really a call for That's all

1:08:26.840 --> 1:08:30.360
<v Speaker 5>of this. But Jahim, you have to understand that you

1:08:30.439 --> 1:08:34.439
<v Speaker 5>will never be in a versus ring with Usher. It's

1:08:34.560 --> 1:08:35.439
<v Speaker 5>never gonna happen.

1:08:35.479 --> 1:08:37.679
<v Speaker 2>I mean he could do it, like he could play

1:08:37.760 --> 1:08:40.520
<v Speaker 2>Usher's side. He can set up like two laptops.

1:08:41.280 --> 1:08:42.960
<v Speaker 5>No, he can do it because he can do whatever

1:08:43.000 --> 1:08:46.639
<v Speaker 5>he wants from his home. For sure, he will never

1:08:46.720 --> 1:08:49.760
<v Speaker 5>be on the same stage with Usher. No, that's not

1:08:49.800 --> 1:08:52.080
<v Speaker 5>gonna happen. And that you know again, I like Jahim.

1:08:52.120 --> 1:08:55.120
<v Speaker 5>You got records that we listen to, still classic R

1:08:55.160 --> 1:08:58.439
<v Speaker 5>and B records. But come on, man, who do you

1:08:58.479 --> 1:09:01.680
<v Speaker 5>put against Usher them? I think it would only be

1:09:01.720 --> 1:09:04.160
<v Speaker 5>one person you could put against Usher, and that maybe

1:09:04.280 --> 1:09:09.320
<v Speaker 5>Chris Brown. That would be the only person that would

1:09:09.360 --> 1:09:11.000
<v Speaker 5>be a worthy opponent.

1:09:11.400 --> 1:09:13.160
<v Speaker 2>Please ignore my white face when I say this.

1:09:13.760 --> 1:09:18.760
<v Speaker 4>Justin I think, I think, I think just I think

1:09:18.960 --> 1:09:21.679
<v Speaker 4>Justin is a better opponent for Usher than Chris Brown.

1:09:21.760 --> 1:09:30.479
<v Speaker 1>Is does wait? Justin is a better opponent than Chris Brown? Fuck? No?

1:09:31.200 --> 1:09:32.639
<v Speaker 1>He Oh no, I.

1:09:32.600 --> 1:09:33.960
<v Speaker 3>Think you're sleeping on Justin a little.

1:09:34.080 --> 1:09:36.720
<v Speaker 1>No, I'm not. I'm not sleeping on Justin at all.

1:09:36.760 --> 1:09:45.280
<v Speaker 5>But I think Usher cleans Justin up wins. But I'm

1:09:45.280 --> 1:09:49.320
<v Speaker 5>saying a better opponent Justin Temple. No, okay, wait, is

1:09:49.439 --> 1:09:50.880
<v Speaker 5>Justin timb Blake playing in sinc record.

1:09:50.920 --> 1:09:53.840
<v Speaker 3>Of course Justin is playing all records.

1:09:54.520 --> 1:09:56.960
<v Speaker 2>Yeah, I still think should get them out of you know,

1:09:57.080 --> 1:09:58.559
<v Speaker 2>I think that should be Chris and Justin.

1:09:58.640 --> 1:10:01.320
<v Speaker 1>But Chris got a lo the fucking records though.

1:10:01.920 --> 1:10:04.400
<v Speaker 2>He does, but he's got a lot of in the

1:10:04.439 --> 1:10:09.439
<v Speaker 2>moment records, like they was the biggest single that year

1:10:09.479 --> 1:10:10.800
<v Speaker 2>and then we stopped listening to them.

1:10:11.560 --> 1:10:12.200
<v Speaker 1>He has a lot of time.

1:10:12.439 --> 1:10:13.879
<v Speaker 2>There's a lot of timeless ones to who don't.

1:10:13.680 --> 1:10:14.200
<v Speaker 1>Get it twisted.

1:10:14.600 --> 1:10:17.120
<v Speaker 2>But Usher has ship like you could play let It

1:10:17.160 --> 1:10:18.880
<v Speaker 2>Burn right now, and that's like, that's a point and

1:10:18.880 --> 1:10:21.760
<v Speaker 2>that wouldn't even be that high on Usher's.

1:10:21.360 --> 1:10:23.879
<v Speaker 3>Twenty Usher could play every single song on confession.

1:10:24.520 --> 1:10:27.360
<v Speaker 5>The only worthy opponent to me, I mean, Justin Timberlake

1:10:27.400 --> 1:10:30.200
<v Speaker 5>is Justin Timberlake. He's a fucking legend. But I think

1:10:30.640 --> 1:10:32.639
<v Speaker 5>Usher Chris Burn for the culture, Usher Chris Brown.

1:10:32.680 --> 1:10:35.400
<v Speaker 2>Now what would be interesting with that and how they

1:10:35.439 --> 1:10:37.240
<v Speaker 2>could add another element? And I know we always talk

1:10:37.240 --> 1:10:40.880
<v Speaker 2>about versus add performance to it. No, no, no, no, no,

1:10:40.960 --> 1:10:42.559
<v Speaker 2>I'm not talking about this. I'm not talking about singing

1:10:42.600 --> 1:10:46.320
<v Speaker 2>it like dog, get your dancers, get your pyro, get

1:10:46.360 --> 1:10:46.840
<v Speaker 2>your lights.

1:10:46.960 --> 1:10:51.519
<v Speaker 1>You don't want to say, Chris Brown, the fuck up yo.

1:10:51.400 --> 1:10:55.559
<v Speaker 2>Y'all that I think that might have been what would

1:10:55.560 --> 1:10:59.599
<v Speaker 2>help Chris Chris's busy dance.

1:10:59.640 --> 1:11:02.320
<v Speaker 4>He can his ass off, but Usher has that that

1:11:02.760 --> 1:11:07.320
<v Speaker 4>Michael kind of Chris Brown is a better dancing right

1:11:07.360 --> 1:11:10.360
<v Speaker 4>now today. Okay, he can dance, but dancing and performing

1:11:10.479 --> 1:11:15.479
<v Speaker 4>is a completely different things. Usher captures the audience, the

1:11:15.560 --> 1:11:18.240
<v Speaker 4>what everything he does is so smooth. Chris gonna go

1:11:18.240 --> 1:11:21.040
<v Speaker 4>on there, crump backflip, backflip, Okay, but it's.

1:11:20.920 --> 1:11:27.720
<v Speaker 2>Not got christ I think y'all got breezy Chris.

1:11:28.200 --> 1:11:32.479
<v Speaker 5>Chris Brown, nah man, Chris Brown is a fucking entertainer, performer,

1:11:32.560 --> 1:11:34.599
<v Speaker 5>whatever you want to call it. Chris Brown is one

1:11:34.640 --> 1:11:38.400
<v Speaker 5>of them for sure. Yeah, and I love Usher. I

1:11:38.439 --> 1:11:41.120
<v Speaker 5>love Usher, but Chris Brown is a better dancing and Usher,

1:11:41.760 --> 1:11:41.920
<v Speaker 5>you know.

1:11:41.880 --> 1:11:42.240
<v Speaker 1>What I mean?

1:11:42.560 --> 1:11:45.799
<v Speaker 3>You can define better dancer he dances.

1:11:46.240 --> 1:11:49.280
<v Speaker 5>Yeah, I don't know how you want to break that down.

1:11:49.640 --> 1:11:51.640
<v Speaker 5>His one two step, he lands on the balls of

1:11:51.680 --> 1:11:53.200
<v Speaker 5>his feet better. I don't know what the he wanted

1:11:53.240 --> 1:11:55.080
<v Speaker 5>to tell you, but you have to think that Chris

1:11:55.080 --> 1:11:57.799
<v Speaker 5>Brown is a better dance. Usher is a phenomenal entertaining

1:11:57.840 --> 1:11:59.479
<v Speaker 5>dance as well. That's why I think those two would be.

1:11:59.600 --> 1:12:02.960
<v Speaker 3>I think us she was a better performer the dancing.

1:12:02.960 --> 1:12:03.679
<v Speaker 3>We got a dancer.

1:12:04.400 --> 1:12:08.519
<v Speaker 5>You think ushers are better entertainer? Well, Usher's now is

1:12:08.760 --> 1:12:11.960
<v Speaker 5>I seen at his at his Vegas residency. He's he's

1:12:11.960 --> 1:12:15.280
<v Speaker 5>on stage performing and roller skating. That's some superflying bro.

1:12:15.520 --> 1:12:18.280
<v Speaker 5>That's some superfly ship to not fall like to you

1:12:18.320 --> 1:12:19.040
<v Speaker 5>know what I mean to be on.

1:12:19.240 --> 1:12:22.479
<v Speaker 2>It's so smooth, Like I just seen Rocky Thunder and

1:12:22.920 --> 1:12:24.960
<v Speaker 2>Tow at the Halloween party on skates and she didn't

1:12:24.960 --> 1:12:26.400
<v Speaker 2>for once drinking her hand.

1:12:26.560 --> 1:12:28.840
<v Speaker 1>But that was but she it was a whole crowd

1:12:28.880 --> 1:12:33.080
<v Speaker 1>to walk through town. Imagine being on roller skates.

1:12:33.280 --> 1:12:36.759
<v Speaker 5>How did how did Rocky get down the steps idea?

1:12:37.640 --> 1:12:39.759
<v Speaker 1>Wow, that's impressive. This was a belong.

1:12:39.880 --> 1:12:41.920
<v Speaker 2>It was years ago in Halloween and I was like, Rocky,

1:12:42.320 --> 1:12:43.479
<v Speaker 2>have you, like, do you have shoes?

1:12:43.560 --> 1:12:46.280
<v Speaker 1>She's like, nam, skates, No, you gotta when you got

1:12:46.280 --> 1:12:51.880
<v Speaker 1>the more, you got to have more skated down eighth hilarious. Yeah, No,

1:12:52.000 --> 1:12:54.160
<v Speaker 1>But I Usher is He's again.

1:12:54.200 --> 1:12:56.639
<v Speaker 5>He's a legend man obviously, But I think I think

1:12:56.720 --> 1:12:58.960
<v Speaker 5>Chris Brown is a better is a better dancer though,

1:12:59.640 --> 1:13:02.760
<v Speaker 5>Like I think I think Chris is just he just won.

1:13:03.280 --> 1:13:05.519
<v Speaker 1>I mean they wanted the same. It's I don't know.

1:13:05.600 --> 1:13:09.160
<v Speaker 2>This is such a mid two thousands podcast debating car

1:13:09.200 --> 1:13:11.679
<v Speaker 2>to three classes. We're going from the eighties and yeah

1:13:11.720 --> 1:13:15.000
<v Speaker 2>we went through then we kept it p Yeah, I

1:13:15.000 --> 1:13:17.400
<v Speaker 2>can't say that saying that. I can't. I'm so bad at.

1:13:17.320 --> 1:13:20.360
<v Speaker 1>The stop saying that. Don't say that again. It's so crazy.

1:13:20.520 --> 1:13:22.200
<v Speaker 2>Some of the people that make this slang are young

1:13:22.360 --> 1:13:26.520
<v Speaker 2>or older than me. They know, but they just appeared.

1:13:26.360 --> 1:13:27.360
<v Speaker 3>Their target audiences.

1:13:27.400 --> 1:13:29.040
<v Speaker 2>Yeah, they appear like they're younger than me.

1:13:30.280 --> 1:13:34.240
<v Speaker 5>I'm getting old man. Yeah, oh man, I'm getting old man.

1:13:34.600 --> 1:13:37.120
<v Speaker 5>Cap is tough for me to say, cat no cap. Yeah,

1:13:37.160 --> 1:13:41.320
<v Speaker 5>like I say it jokingly. I mocked it's lit so much.

1:13:41.400 --> 1:13:43.680
<v Speaker 5>Then now I say it's lit and I mean it.

1:13:44.400 --> 1:13:46.960
<v Speaker 5>We should we should bring like like the old slang

1:13:47.560 --> 1:13:49.639
<v Speaker 5>dope fresh, it's a movie.

1:13:49.720 --> 1:13:51.800
<v Speaker 3>Was it's a zoovie.

1:13:52.000 --> 1:13:54.320
<v Speaker 1>Don't ever say that in my presence. Now the niggas

1:13:54.320 --> 1:13:59.519
<v Speaker 1>are saying, zoo movie. That was the nastiest era in

1:13:59.560 --> 1:14:01.280
<v Speaker 1>the movie. Nah, get the fuck.

1:14:01.080 --> 1:14:04.160
<v Speaker 2>Out here, when they this might have been Facebook era

1:14:04.280 --> 1:14:07.519
<v Speaker 2>going into Instagram when they when movie and Zuvie wouldn't

1:14:07.520 --> 1:14:10.160
<v Speaker 2>do it. Then they added hashtag unwalkable, and I'm like,

1:14:10.200 --> 1:14:10.880
<v Speaker 2>why would I want to.

1:14:10.880 --> 1:14:13.880
<v Speaker 5>Go to see niggas do something?

1:14:13.920 --> 1:14:16.280
<v Speaker 1>They just go too far unwalkable? Why would I want

1:14:16.280 --> 1:14:17.000
<v Speaker 1>to be I want to walk.

1:14:17.760 --> 1:14:19.439
<v Speaker 5>I don't want to be anywhere where I can't move.

1:14:19.600 --> 1:14:20.720
<v Speaker 5>I'm not I'm not going there.

1:14:21.040 --> 1:14:21.479
<v Speaker 1>Zoovie.

1:14:21.840 --> 1:14:23.639
<v Speaker 2>I want to know who the in a zoovie? Though

1:14:24.000 --> 1:14:25.000
<v Speaker 2>he was in a couple of movies.

1:14:26.880 --> 1:14:28.519
<v Speaker 1>Was I in a couple of zovies? He was in

1:14:28.560 --> 1:14:30.080
<v Speaker 1>a lot of zovies. I don't think I've ever been

1:14:30.120 --> 1:14:31.160
<v Speaker 1>in the zoo. He was in a movie.

1:14:31.200 --> 1:14:34.120
<v Speaker 5>Because see, that's what I'm saying, Like, it's certain parties

1:14:34.120 --> 1:14:35.599
<v Speaker 5>you go to, you like, this party was incredible.

1:14:35.600 --> 1:14:37.440
<v Speaker 2>It was in canal room when it was a zoovie.

1:14:39.160 --> 1:14:40.360
<v Speaker 1>Canal room with some good times.

1:14:40.640 --> 1:14:41.719
<v Speaker 2>It was a Zoovi in canal.

1:14:42.120 --> 1:14:43.439
<v Speaker 1>I'm not saying that. You're trying to give me to

1:14:43.479 --> 1:14:44.640
<v Speaker 1>say zovie and I'm not gonna do it.

1:14:46.040 --> 1:14:48.719
<v Speaker 5>Yeah, I just don't understand, Like, I don't know it's

1:14:49.600 --> 1:14:51.559
<v Speaker 5>I want to know who was the first person to

1:14:51.600 --> 1:14:52.240
<v Speaker 5>say zoovie.

1:14:52.920 --> 1:14:54.479
<v Speaker 1>Those are people we need to sit an interview.

1:14:55.600 --> 1:14:58.040
<v Speaker 2>A promoter that gets girls drunk so he has an

1:14:58.040 --> 1:15:01.000
<v Speaker 2>opportunity to try to sleep with them while they're intoxicated.

1:15:01.520 --> 1:15:03.280
<v Speaker 1>That's that's who makes up those terms. Zoom.

1:15:03.479 --> 1:15:07.400
<v Speaker 2>Yeah, one hundred percent. We got to get into promoters

1:15:07.439 --> 1:15:12.040
<v Speaker 2>one day, promoters. We may need to do away with promoters.

1:15:12.680 --> 1:15:13.719
<v Speaker 1>Are they still promoters?

1:15:13.760 --> 1:15:17.200
<v Speaker 2>Of course really they're They're working harder than they ever

1:15:17.240 --> 1:15:19.360
<v Speaker 2>had before. No one wants to go outside promot to

1:15:19.479 --> 1:15:21.200
<v Speaker 2>really promote. Now they can't just call the bad bitch

1:15:21.240 --> 1:15:22.559
<v Speaker 2>at the time and be like she's part attending.

1:15:23.080 --> 1:15:25.080
<v Speaker 1>Like they have to promote. Who's some of the promoters

1:15:25.120 --> 1:15:27.200
<v Speaker 1>in New York right now? I don't fuck with them,

1:15:27.320 --> 1:15:32.280
<v Speaker 1>you know what I'm Damn, I don't even know. That's

1:15:32.280 --> 1:15:33.679
<v Speaker 1>what I'm saying. I don't even know who the promoters

1:15:33.680 --> 1:15:34.000
<v Speaker 1>in the city.

1:15:34.160 --> 1:15:35.720
<v Speaker 3>Nothing is going on in New York right now. Do

1:15:35.760 --> 1:15:37.720
<v Speaker 3>you even have a New York spot? This is a

1:15:37.800 --> 1:15:38.719
<v Speaker 3>very neat podcast.

1:15:38.760 --> 1:15:40.479
<v Speaker 2>Yeah, Harbor's wherever one goes.

1:15:40.520 --> 1:15:42.960
<v Speaker 1>Now, Harbor's the promoter.

1:15:43.800 --> 1:15:45.800
<v Speaker 2>No, you just I mean if you and you never

1:15:45.840 --> 1:15:48.000
<v Speaker 2>need to know the promoter, If you hang out in

1:15:48.040 --> 1:15:50.320
<v Speaker 2>bad neighborhoods, you just know security and security let you on.

1:15:51.400 --> 1:15:52.680
<v Speaker 2>If you got to go to the promoter, you kind

1:15:52.680 --> 1:15:55.840
<v Speaker 2>of a lame. Actually, I don't Security is how you

1:15:55.840 --> 1:15:56.360
<v Speaker 2>really get it.

1:15:57.240 --> 1:15:59.720
<v Speaker 5>I don't even know if clubs still need I think

1:15:59.720 --> 1:16:03.719
<v Speaker 5>you will need promoters. There's certain venues because certain venues

1:16:03.840 --> 1:16:06.679
<v Speaker 5>still like to keep it like a kind of certain crowd.

1:16:06.800 --> 1:16:08.760
<v Speaker 1>Oh for sure, a certain mix of people. But I

1:16:08.760 --> 1:16:10.400
<v Speaker 1>don't know if promoters.

1:16:09.960 --> 1:16:12.720
<v Speaker 2>Are door person though sometimes the promoter will be the

1:16:12.720 --> 1:16:16.439
<v Speaker 2>door person. But that's really what Like Pergola is a

1:16:16.439 --> 1:16:20.040
<v Speaker 2>spot that's lasted this long, they don't need a promoter anymore.

1:16:20.200 --> 1:16:22.559
<v Speaker 2>It's gonna be packed with the reservations every single day.

1:16:22.600 --> 1:16:25.280
<v Speaker 2>They need someone at the door to be like nah.

1:16:25.320 --> 1:16:27.000
<v Speaker 2>And you may know that person. That doesn't make them

1:16:27.000 --> 1:16:28.559
<v Speaker 2>a promoter. I'm sure Harbor has promoters.

1:16:28.560 --> 1:16:30.760
<v Speaker 3>Though you got the red decembers on you.

1:16:32.320 --> 1:16:34.839
<v Speaker 2>That's a car al thing, man. I'm going in with crocks.

1:16:36.880 --> 1:16:39.000
<v Speaker 1>A shout out to Sleigh. I finally got my crocks.

1:16:39.640 --> 1:16:43.840
<v Speaker 2>Oh yeah, I bought mine today. Didn't He didn't say

1:16:43.960 --> 1:16:47.559
<v Speaker 2>those no, Nah, you sure they might be in my

1:16:47.560 --> 1:16:48.040
<v Speaker 2>old address.

1:16:48.520 --> 1:16:50.720
<v Speaker 5>I was about to say, yeah, he definitely sent them

1:16:50.760 --> 1:16:53.439
<v Speaker 5>for sure. I bust one of the boxes opened last

1:16:53.439 --> 1:16:54.160
<v Speaker 5>week and I was like.

1:16:54.080 --> 1:16:56.000
<v Speaker 2>Oh shit, I'm going to my old address after this.

1:16:56.240 --> 1:16:58.640
<v Speaker 5>It was alet he sent me to the crocs so

1:16:58.680 --> 1:17:00.920
<v Speaker 5>shout out to slay Man sh fire comfortable.

1:17:01.400 --> 1:17:02.639
<v Speaker 2>I legitimately bought them this point.

1:17:02.840 --> 1:17:06.400
<v Speaker 1>Yeah, he definitely sent them to you. Yeah, definitely.

1:17:06.479 --> 1:17:08.160
<v Speaker 2>He didn't send me the brown ones because I bought

1:17:08.160 --> 1:17:08.639
<v Speaker 2>the brown ones.

1:17:09.200 --> 1:17:12.840
<v Speaker 1>He sent me the white ones. Okay, those are incredible. Yeah, no,

1:17:12.960 --> 1:17:15.559
<v Speaker 1>those are super comfortable. I want to see you. That's

1:17:15.560 --> 1:17:17.800
<v Speaker 1>gonna be funny. Airport flow, no.

1:17:19.960 --> 1:17:22.000
<v Speaker 2>Way, what next episode?

1:17:22.560 --> 1:17:25.679
<v Speaker 5>Never because those hey four, it ain't four just moving

1:17:25.720 --> 1:17:27.559
<v Speaker 5>around the city like I can't. I can't do that

1:17:27.760 --> 1:17:30.160
<v Speaker 5>if I'm getting the car going to the airport and traveling.

1:17:30.600 --> 1:17:32.759
<v Speaker 2>But you I mean if he don't touch the ground,

1:17:32.760 --> 1:17:35.840
<v Speaker 2>you go from uber to studio to crib, like you

1:17:35.840 --> 1:17:36.920
<v Speaker 2>don't move around the city.

1:17:36.880 --> 1:17:37.639
<v Speaker 1>Yeah, you would never.

1:17:37.680 --> 1:17:39.080
<v Speaker 5>I still don't want to have I still don't want

1:17:39.120 --> 1:17:40.920
<v Speaker 5>to have no crocks on in the city.

1:17:41.160 --> 1:17:43.960
<v Speaker 1>I just can't. Man, I'm just from January. Yeah I'm

1:17:43.960 --> 1:17:46.599
<v Speaker 1>not I'm not doing that. But airport.

1:17:46.640 --> 1:17:48.920
<v Speaker 5>I can't wait to uh take another trip and and

1:17:49.120 --> 1:17:52.320
<v Speaker 5>throw th was on for sure, just just to take

1:17:52.360 --> 1:17:53.200
<v Speaker 5>a trip just there.

1:17:53.280 --> 1:17:54.000
<v Speaker 1>Yeah, just the airport.

1:17:54.000 --> 1:17:55.519
<v Speaker 5>I just want to be I like, because you never

1:17:55.600 --> 1:17:57.280
<v Speaker 5>know how much walking you doing until you get to

1:17:57.280 --> 1:18:01.240
<v Speaker 5>the airport and you're like, oh my god, and flying

1:18:01.240 --> 1:18:02.920
<v Speaker 5>out of New York sometimes la guada. You never know

1:18:02.960 --> 1:18:04.800
<v Speaker 5>which term they're gonna have you going out of work,

1:18:05.120 --> 1:18:06.840
<v Speaker 5>and that ship is all over the place. But yeah,

1:18:06.880 --> 1:18:10.439
<v Speaker 5>shout to say it was something else.

1:18:11.880 --> 1:18:14.040
<v Speaker 2>A slide, which I guess kind of connects in an

1:18:14.280 --> 1:18:17.439
<v Speaker 2>in turn away. Jay Electronica told me that if you

1:18:17.479 --> 1:18:19.280
<v Speaker 2>do not come to the show tonight, you are an

1:18:19.320 --> 1:18:22.759
<v Speaker 2>open enemy to the n OI and you are deemed

1:18:22.760 --> 1:18:23.320
<v Speaker 2>a white man.

1:18:23.800 --> 1:18:29.800
<v Speaker 1>Yeah, that's an exact quote, Jay Electricity. I guess I

1:18:29.840 --> 1:18:30.679
<v Speaker 1>gotta go to the show.

1:18:31.360 --> 1:18:32.960
<v Speaker 5>I don't want to be a white man, So I

1:18:33.040 --> 1:18:35.160
<v Speaker 5>guess I guess I gotta go see him perform tonight.

1:18:36.000 --> 1:18:38.479
<v Speaker 1>I didn't even know he was performing. Uh yeah, you

1:18:38.479 --> 1:18:39.120
<v Speaker 1>told me that.

1:18:39.320 --> 1:18:43.559
<v Speaker 2>He had a show when that hurricane hit New Orleans

1:18:43.680 --> 1:18:46.599
<v Speaker 2>last was that October and November of last year, and

1:18:46.640 --> 1:18:48.280
<v Speaker 2>he canceled it because he went down to help with

1:18:48.360 --> 1:18:51.080
<v Speaker 2>his family and everything. So they pushed it to now.

1:18:51.160 --> 1:18:52.600
<v Speaker 5>So shout to Jail like, yeah, and I'm gonna go

1:18:52.680 --> 1:18:54.920
<v Speaker 5>check him out. I have I've never I've never seen

1:18:54.960 --> 1:18:58.040
<v Speaker 5>you Jay Electronic before live. Actually, noo thing about it.

1:18:58.160 --> 1:19:00.679
<v Speaker 2>I think maybe at so OB's like years and years

1:19:00.680 --> 1:19:01.200
<v Speaker 2>and years ago.

1:19:01.479 --> 1:19:02.439
<v Speaker 1>I've never seen them live.

1:19:02.560 --> 1:19:04.400
<v Speaker 2>Let's make this more in New York's. Sb's open.

1:19:05.920 --> 1:19:08.559
<v Speaker 5>I would think so close. I think it is no,

1:19:08.600 --> 1:19:11.679
<v Speaker 5>I think performances. I think it's I think I've seen

1:19:11.720 --> 1:19:13.040
<v Speaker 5>somebody on my timeline.

1:19:13.240 --> 1:19:13.559
<v Speaker 1>Huh.

1:19:14.800 --> 1:19:16.120
<v Speaker 2>I think we might have to do a pop up

1:19:16.160 --> 1:19:17.920
<v Speaker 2>show just for for the love for the culture.

1:19:18.000 --> 1:19:19.040
<v Speaker 3>I think that would be so dope.

1:19:20.040 --> 1:19:25.280
<v Speaker 2>Like I know, everyone kind of grows up if you will,

1:19:25.320 --> 1:19:28.320
<v Speaker 2>and thinks they're above s OBS because they did it

1:19:28.320 --> 1:19:30.960
<v Speaker 2>when they were younger. Like s OBS is a fucking staple.

1:19:32.280 --> 1:19:34.599
<v Speaker 2>I kind of hate when people do that, like low

1:19:34.640 --> 1:19:36.839
<v Speaker 2>brow ship, like oh, you're doing your ship at SOBS

1:19:36.960 --> 1:19:38.760
<v Speaker 2>or like like fan, you was there all the time,

1:19:38.800 --> 1:19:39.840
<v Speaker 2>this is how you started.

1:19:39.560 --> 1:19:42.800
<v Speaker 5>To Like that's what you can never if you're from

1:19:42.840 --> 1:19:45.960
<v Speaker 5>New York, you you definitely should always perform in SOBS

1:19:46.000 --> 1:19:47.840
<v Speaker 5>at some point. Yeah, I don't care how big of

1:19:47.840 --> 1:19:49.200
<v Speaker 5>an all that you are. So OBS is just one

1:19:49.200 --> 1:19:51.240
<v Speaker 5>of those spots that you continue to go to and

1:19:51.280 --> 1:19:53.880
<v Speaker 5>just show love to for sure. Yeah, I hope it's open.

1:19:55.120 --> 1:19:58.560
<v Speaker 1>Yeah, I think j Yeah, no, I'm gonna definitely go

1:19:58.640 --> 1:19:59.040
<v Speaker 1>through that.

1:20:00.520 --> 1:20:03.640
<v Speaker 5>Shout out to Jay Leg Yeah, way, I just I

1:20:03.720 --> 1:20:07.320
<v Speaker 5>was listening to the album with him and Hole. I

1:20:07.320 --> 1:20:10.000
<v Speaker 5>hate saying that because it's j Lex album, but it's

1:20:10.080 --> 1:20:11.080
<v Speaker 5>him and it's.

1:20:10.960 --> 1:20:14.040
<v Speaker 1>A joint album. Yeah, and I like, as time goes on,

1:20:14.080 --> 1:20:16.280
<v Speaker 1>I appreciate that album more. I know, we kind of the.

1:20:16.240 --> 1:20:19.960
<v Speaker 5>Sound, the mixing and all of that. It was real raw,

1:20:20.120 --> 1:20:25.240
<v Speaker 5>real like grimy sounding. But the lyrics is just and

1:20:25.280 --> 1:20:28.000
<v Speaker 5>everything that jay X and Jay was rapping about then

1:20:28.080 --> 1:20:30.599
<v Speaker 5>it's so relevant now for sure, you know what I mean.

1:20:30.640 --> 1:20:32.280
<v Speaker 1>So I was listening to that over the week and two.

1:20:33.040 --> 1:20:33.640
<v Speaker 1>I do that a lot.

1:20:33.680 --> 1:20:35.320
<v Speaker 5>Man. I'll go back and listen to a lot of

1:20:35.320 --> 1:20:37.680
<v Speaker 5>old ship whenever new ship drops, just to kind of

1:20:37.720 --> 1:20:39.280
<v Speaker 5>like see where.

1:20:39.120 --> 1:20:40.679
<v Speaker 2>The gap is that and get out of the moment

1:20:40.760 --> 1:20:42.639
<v Speaker 2>when it came out to see if Yoda I really

1:20:42.640 --> 1:20:46.439
<v Speaker 2>like this type of ship stand up? Should we get

1:20:46.439 --> 1:20:49.400
<v Speaker 2>into disappointing news I was. I was at dinner and

1:20:49.400 --> 1:20:51.519
<v Speaker 2>got that sad news about Bob Sagat.

1:20:52.080 --> 1:20:54.439
<v Speaker 5>Oh yeah, that was that was definitely some sad news

1:20:54.439 --> 1:21:00.599
<v Speaker 5>to receive. Yeah, legendary comic comedic actor, but Bob Sagget

1:21:00.640 --> 1:21:02.200
<v Speaker 5>from one of my favorite shows growing up.

1:21:02.160 --> 1:21:04.559
<v Speaker 2>Full House, Stable of our childhood.

1:21:04.840 --> 1:21:10.639
<v Speaker 5>Danny Tanner passed away in Orlando at his hotel. Whenever

1:21:10.680 --> 1:21:12.720
<v Speaker 5>that happens, they have to investigate and they have to

1:21:12.720 --> 1:21:14.240
<v Speaker 5>do autopsy and things like that.

1:21:14.120 --> 1:21:16.160
<v Speaker 1>To uh, to figure out what happened.

1:21:16.160 --> 1:21:19.439
<v Speaker 5>But prais and condolences to his family, to his fans,

1:21:19.520 --> 1:21:21.839
<v Speaker 5>his his friends, on his passion.

1:21:21.880 --> 1:21:23.839
<v Speaker 1>I know, he was just on tours. Tour just started.

1:21:24.080 --> 1:21:27.320
<v Speaker 5>Yeah, so that's you know, his fans, I know, was

1:21:27.320 --> 1:21:28.880
<v Speaker 5>devastated to receive that news.

1:21:29.800 --> 1:21:33.000
<v Speaker 2>Action was devastating to to even read of how excited

1:21:33.000 --> 1:21:33.240
<v Speaker 2>he was.

1:21:33.920 --> 1:21:37.280
<v Speaker 1>Yeah, it's it's back. I love this ship again. Yeah, yeah,

1:21:37.520 --> 1:21:38.280
<v Speaker 1>it was. It was.

1:21:38.320 --> 1:21:41.120
<v Speaker 5>It was definitely like some really shocking, shocking news to receive.

1:21:41.520 --> 1:21:46.519
<v Speaker 5>So prais condlences to Bob Saggitt or his family and yeah, man,

1:21:46.680 --> 1:21:48.920
<v Speaker 5>just sad, sad, sad news to receive.

1:21:49.320 --> 1:21:52.479
<v Speaker 2>And you gotta look at how good of an actor

1:21:52.520 --> 1:21:55.120
<v Speaker 2>he is to know who he really is. And then

1:21:55.120 --> 1:21:57.880
<v Speaker 2>to the role he played on Full House, Yeah, I

1:21:57.920 --> 1:22:01.320
<v Speaker 2>was convinced he was playing an act once I found

1:22:01.360 --> 1:22:04.360
<v Speaker 2>out he wasn't the dad from Full House, Like, oh,

1:22:04.800 --> 1:22:09.000
<v Speaker 2>is he playing like some psychotic, cursing drug addict.

1:22:09.160 --> 1:22:10.760
<v Speaker 5>Yeah yeah, And it was like, oh wait, that's who

1:22:10.800 --> 1:22:13.599
<v Speaker 5>he was, right, he has a stand up on.

1:22:15.800 --> 1:22:17.879
<v Speaker 1>I think it's it might it may be on Netflix.

1:22:19.200 --> 1:22:20.800
<v Speaker 5>He had a stand up I saw a few years ago,

1:22:20.880 --> 1:22:23.400
<v Speaker 5>and now that's when I started to realize, like, oh, Bob.

1:22:23.200 --> 1:22:25.800
<v Speaker 2>Sagga is like real funny for real, Oh for sure. Yeah,

1:22:25.840 --> 1:22:28.559
<v Speaker 2>I mean he outside of his small cameo have baked

1:22:29.240 --> 1:22:31.200
<v Speaker 2>he went on, he was like a reoccurring character on

1:22:31.320 --> 1:22:35.679
<v Speaker 2>Entourage and was fucking Hystericalourage. He was the best cameo

1:22:36.080 --> 1:22:38.719
<v Speaker 2>reoccurring guest I thought they had every single time.

1:22:38.720 --> 1:22:40.080
<v Speaker 1>He was hilarious on that shit.

1:22:40.439 --> 1:22:43.320
<v Speaker 5>Yeah, man's that was definitely some shocking news. So again,

1:22:43.360 --> 1:22:47.559
<v Speaker 5>pres condnces to Bob sagger and his family and uh yeah, man,

1:22:48.200 --> 1:22:50.280
<v Speaker 5>love your loved ones while they're here for sure.

1:22:51.960 --> 1:22:54.479
<v Speaker 2>Also prayers to everyone affected by the fire in the Bronx.

1:22:55.439 --> 1:22:56.320
<v Speaker 1>Yeah absolutely.

1:22:56.400 --> 1:23:00.320
<v Speaker 2>That was nineteen dead, nine children, dad, thirty two and critical. Yeah,

1:23:00.400 --> 1:23:02.679
<v Speaker 2>that was sixty five injured.

1:23:03.080 --> 1:23:05.639
<v Speaker 5>Like yeah, and that's my that's my hood, man, that's

1:23:06.160 --> 1:23:07.880
<v Speaker 5>five minutes from where I grew up at. So that

1:23:08.040 --> 1:23:11.920
<v Speaker 5>was definitely some sad news. Again, man, these space heaters

1:23:11.920 --> 1:23:14.960
<v Speaker 5>and people trying to be warm in the winter, it's

1:23:15.080 --> 1:23:17.240
<v Speaker 5>causing you know, this is not the I think We

1:23:17.280 --> 1:23:20.160
<v Speaker 5>hear about this every every winter. It's like, you know,

1:23:20.200 --> 1:23:23.160
<v Speaker 5>space heater or you know, electrical fires and these these

1:23:23.160 --> 1:23:25.800
<v Speaker 5>homes and these apartments. But this is definitely, I think

1:23:25.800 --> 1:23:29.000
<v Speaker 5>the most deadly fire that the Bronx has seen since

1:23:29.040 --> 1:23:33.599
<v Speaker 5>the Happy Land. Yeah, in the eighties, Sad nine used

1:23:33.600 --> 1:23:37.120
<v Speaker 5>to my nine kids, you know, just to.

1:23:37.080 --> 1:23:40.080
<v Speaker 1>Start the new year off. And it's just that was

1:23:40.120 --> 1:23:41.040
<v Speaker 1>some some sad news.

1:23:41.080 --> 1:23:44.840
<v Speaker 5>And they have a mayor, Eric Adams, put up a

1:23:44.880 --> 1:23:48.800
<v Speaker 5>website people want to donate. They're asking for monetary donations only,

1:23:49.520 --> 1:23:50.280
<v Speaker 5>so there.

1:23:50.200 --> 1:23:53.840
<v Speaker 2>Was another one where you could donate water supplies and

1:23:53.920 --> 1:23:55.040
<v Speaker 2>everything with an address.

1:23:55.040 --> 1:23:56.360
<v Speaker 1>I believe we'll put everything in the description.

1:23:56.560 --> 1:24:00.000
<v Speaker 5>Yeah, definitely, So if you anything, man, just anything helps.

1:24:00.160 --> 1:24:00.360
<v Speaker 1>Yeah.

1:24:00.360 --> 1:24:02.479
<v Speaker 2>And I'm not gonna sit here and never pretend like

1:24:02.520 --> 1:24:06.000
<v Speaker 2>I understand the city's budget, but I do understand human

1:24:06.400 --> 1:24:10.920
<v Speaker 2>and there needs to be some some way where space

1:24:10.960 --> 1:24:17.479
<v Speaker 2>heaters are not necessary in people's apartments. How I feel, Yeah,

1:24:17.560 --> 1:24:20.840
<v Speaker 2>because I've I've had space heaters in my crib where

1:24:20.880 --> 1:24:22.880
<v Speaker 2>I would like be scared to fall asleep without turning

1:24:22.880 --> 1:24:24.760
<v Speaker 2>that shit off because you can see the fucking like

1:24:24.840 --> 1:24:27.840
<v Speaker 2>flame in it, like and it's plastic, it's the worst

1:24:27.840 --> 1:24:30.680
<v Speaker 2>invention and most dangerous thing you could literally have in

1:24:30.720 --> 1:24:33.800
<v Speaker 2>your room, and everyone in every fucking apartment has one.

1:24:34.160 --> 1:24:36.599
<v Speaker 1>Yeah, so please be careful man.

1:24:36.960 --> 1:24:40.040
<v Speaker 2>That's definitely like you know, or buildings need to find

1:24:40.040 --> 1:24:42.800
<v Speaker 2>some way where they're not necessary, like you will be

1:24:42.840 --> 1:24:46.240
<v Speaker 2>fine with heat, yeah, without having to purchase a space

1:24:46.280 --> 1:24:50.559
<v Speaker 2>heater that more times than none is dangerous as fuck.

1:24:50.760 --> 1:24:52.800
<v Speaker 1>Yeah. So it's sad, man.

1:24:53.120 --> 1:24:55.280
<v Speaker 5>Some more sad news not to be you know, super sad,

1:24:55.320 --> 1:24:57.800
<v Speaker 5>but uh, this one really bothered me. A team working

1:24:57.840 --> 1:25:03.040
<v Speaker 5>in burger King and Harlem Tete, Crystal bayren Nieves was

1:25:03.080 --> 1:25:07.760
<v Speaker 5>a shot and killed Sunday morning and East hollenburger King.

1:25:08.880 --> 1:25:11.560
<v Speaker 5>A guy came in and robbed the burger king and

1:25:12.120 --> 1:25:15.920
<v Speaker 5>ended up shooting and killing her. Yeah, that was that

1:25:16.040 --> 1:25:17.840
<v Speaker 5>was just super sad because the mother was saying how

1:25:17.880 --> 1:25:21.240
<v Speaker 5>the daughter she didn't feel safe working the overnight shift

1:25:21.920 --> 1:25:24.400
<v Speaker 5>and that she didn't want to go. And the mom

1:25:24.479 --> 1:25:26.400
<v Speaker 5>woke up at ten o'clock at night and it was like,

1:25:26.439 --> 1:25:28.680
<v Speaker 5>you know, you got to be responsible, got to keep

1:25:28.680 --> 1:25:31.479
<v Speaker 5>a job, you got to make money, and basically forced

1:25:31.479 --> 1:25:34.760
<v Speaker 5>her daughter to go to work, and you know, unfortunately

1:25:34.760 --> 1:25:36.080
<v Speaker 5>her daughter ended up being killed.

1:25:36.080 --> 1:25:38.479
<v Speaker 1>That night. I hope the mother doesn't carry that.

1:25:39.320 --> 1:25:41.599
<v Speaker 5>It's tough, man, because you know, you understand the mom.

1:25:41.640 --> 1:25:43.800
<v Speaker 5>She she wants her daughter. She wanted her daughter to

1:25:43.840 --> 1:25:46.760
<v Speaker 5>be you know, responsible and work hard and you know,

1:25:47.080 --> 1:25:49.840
<v Speaker 5>and have her own means of income and things like that.

1:25:50.400 --> 1:25:53.400
<v Speaker 1>But you know, away from that because we understand that part.

1:25:53.439 --> 1:25:56.120
<v Speaker 5>We understand parents wanting us to you know, make our

1:25:56.160 --> 1:25:59.200
<v Speaker 5>own way and have our own you know, stream of income.

1:25:59.280 --> 1:26:02.920
<v Speaker 5>But we got to do something with this culture, man,

1:26:03.000 --> 1:26:06.920
<v Speaker 5>with with you know, men robbing and.

1:26:06.800 --> 1:26:09.880
<v Speaker 1>Shooting women like that.

1:26:10.240 --> 1:26:14.479
<v Speaker 5>I just don't understand how somebody you know, shoots a woman,

1:26:14.840 --> 1:26:19.360
<v Speaker 5>a nineteen year old woman working shift at a fast

1:26:19.360 --> 1:26:21.040
<v Speaker 5>food restaurant.

1:26:21.439 --> 1:26:23.320
<v Speaker 1>Like I just don't have a threat to your robbery. Yeah,

1:26:23.360 --> 1:26:24.800
<v Speaker 1>Like I don't. I just don't. I don't.

1:26:24.840 --> 1:26:28.360
<v Speaker 5>I don't get it, man, And you know, it seems

1:26:28.400 --> 1:26:33.000
<v Speaker 5>like there's not the consequences are not harsh enough, you know,

1:26:33.040 --> 1:26:36.639
<v Speaker 5>with these gun laws and you know, robbing and killing,

1:26:36.720 --> 1:26:41.880
<v Speaker 5>and you know, sometimes jail sentence is not enough sometimes,

1:26:41.920 --> 1:26:43.559
<v Speaker 5>you know, like these dudes don't even have the time,

1:26:43.600 --> 1:26:45.960
<v Speaker 5>they're not even caught, you know what I mean. It's

1:26:45.960 --> 1:26:48.680
<v Speaker 5>just something has to change, man, because that story I

1:26:48.720 --> 1:26:51.920
<v Speaker 5>don't notice this young lady, you know, being from from

1:26:51.960 --> 1:26:54.960
<v Speaker 5>the city. I just you know, I'm in East Harlem.

1:26:55.000 --> 1:26:57.280
<v Speaker 5>I'm in Harlem all the time, so you just feel

1:26:57.320 --> 1:26:59.680
<v Speaker 5>like a sense of that community, like I'm always in

1:26:59.680 --> 1:27:02.799
<v Speaker 5>these air and that ship really bothered me reading that story,

1:27:02.840 --> 1:27:05.439
<v Speaker 5>Like nineteen years old, working in burger king, just trying

1:27:05.439 --> 1:27:09.080
<v Speaker 5>to make some money. Somebody comes in overnight robs you,

1:27:09.360 --> 1:27:10.720
<v Speaker 5>uh give him the money.

1:27:10.720 --> 1:27:13.720
<v Speaker 1>She gave up the money, and he still shot and

1:27:13.760 --> 1:27:15.240
<v Speaker 1>killed him. Yeah, you know what I mean.

1:27:15.320 --> 1:27:18.400
<v Speaker 5>I just don't. I don't understand, man, And something something

1:27:18.439 --> 1:27:18.960
<v Speaker 5>that has to change.

1:27:18.960 --> 1:27:20.479
<v Speaker 1>I don't know what it is. I don't have the answers,

1:27:20.479 --> 1:27:22.760
<v Speaker 1>but something has to change in his culture. Like we

1:27:22.800 --> 1:27:25.960
<v Speaker 1>got to start. What was the dollar amount? I believe

1:27:26.400 --> 1:27:27.280
<v Speaker 1>it was one hundred dollars.

1:27:27.360 --> 1:27:32.160
<v Speaker 2>Yeah, you're not gonna keep them keep over and especially overnight.

1:27:32.240 --> 1:27:36.519
<v Speaker 5>You know they man the registers for the money they

1:27:36.560 --> 1:27:40.320
<v Speaker 5>made during the day before the overnight shift anyway. So yeah,

1:27:40.439 --> 1:27:43.200
<v Speaker 5>just that shit really hurt me. Prayers to uh d

1:27:43.280 --> 1:27:47.880
<v Speaker 5>Nieva's family, prayers to Crystal. But yeah, man, I hope

1:27:47.920 --> 1:27:51.360
<v Speaker 5>they find uh find a guy that did that, because

1:27:51.360 --> 1:27:53.000
<v Speaker 5>he needs he needs somebody.

1:27:52.640 --> 1:27:54.200
<v Speaker 1>That's locked away out of society. For sure.

1:27:54.240 --> 1:27:55.200
<v Speaker 2>I'm sure someone knows me.

1:27:55.720 --> 1:27:58.320
<v Speaker 1>Oh for sure, they had the video up and you know,

1:27:58.360 --> 1:27:58.960
<v Speaker 1>everything like that.

1:27:59.040 --> 1:28:01.559
<v Speaker 5>But it's just it's sad. Man, it's nineteen years old,

1:28:01.560 --> 1:28:03.840
<v Speaker 5>you're shooting and kill his girl for what. I just

1:28:03.840 --> 1:28:05.960
<v Speaker 5>don't understand it, man like shit like that. I just don't,

1:28:06.280 --> 1:28:09.240
<v Speaker 5>you know, I understand mental health and all these things

1:28:09.280 --> 1:28:11.680
<v Speaker 5>people like to throw on these you know, perpetrators and

1:28:11.680 --> 1:28:14.040
<v Speaker 5>shit like that, but mental health is not enough for me.

1:28:14.080 --> 1:28:16.400
<v Speaker 5>I'm sorry, like killing shooting a nineteen year old girl,

1:28:16.400 --> 1:28:18.360
<v Speaker 5>I understand that. I can't just you can't just tell

1:28:18.400 --> 1:28:20.800
<v Speaker 5>me mental health. He's not. He's mentally ill, and I

1:28:20.800 --> 1:28:22.759
<v Speaker 5>don't want to hear that shit like That's just somebody

1:28:23.000 --> 1:28:25.040
<v Speaker 5>that doesn't need to be a part of society. I'm sorry,

1:28:25.400 --> 1:28:26.760
<v Speaker 5>Actually I'm not sorry. He doesn't need to be a

1:28:26.760 --> 1:28:29.880
<v Speaker 5>part of society. But prais off family. I hope that

1:28:29.920 --> 1:28:33.960
<v Speaker 5>they catch him and again prais and condolaces to Dnieva's

1:28:33.960 --> 1:28:34.960
<v Speaker 5>family in that community.

1:28:35.080 --> 1:28:35.479
<v Speaker 1>For sure.

1:28:37.040 --> 1:28:37.840
<v Speaker 2>Was there anything we missed?

1:28:37.880 --> 1:28:41.479
<v Speaker 1>Because I know not much much did happen while we

1:28:41.479 --> 1:28:41.920
<v Speaker 1>were gone?

1:28:43.560 --> 1:28:46.240
<v Speaker 3>Have you heard that Hours and Hours song by Money Long?

1:28:46.479 --> 1:28:46.679
<v Speaker 1>Yeah?

1:28:46.680 --> 1:28:49.040
<v Speaker 3>Of course, who Hours and Hours.

1:28:49.200 --> 1:28:51.479
<v Speaker 2>Yeah, she's dope. She's a very talented writer. Yeah.

1:28:51.479 --> 1:28:53.519
<v Speaker 4>I did guy her and I was like, she wrote

1:28:53.640 --> 1:28:55.880
<v Speaker 4>literally my two favorite Rihanna songs in the whole world.

1:28:55.880 --> 1:28:56.559
<v Speaker 3>She wrote them both.

1:28:56.800 --> 1:28:57.040
<v Speaker 1>Yeah.

1:28:57.080 --> 1:28:57.360
<v Speaker 3>Wow.

1:28:57.439 --> 1:28:59.360
<v Speaker 1>What's her name, money Long?

1:28:59.439 --> 1:29:01.040
<v Speaker 3>She's be known. That's Priscilla Renee.

1:29:02.160 --> 1:29:05.680
<v Speaker 2>Yeah, she's super talented. I'm glad she's getting her Her

1:29:05.720 --> 1:29:07.880
<v Speaker 2>name is money Long now. Yeah, but it's spells.

1:29:07.600 --> 1:29:10.920
<v Speaker 1>From m U, I M you and I yeah spelled

1:29:10.920 --> 1:29:14.519
<v Speaker 1>differently artistic way of no.

1:29:14.640 --> 1:29:18.320
<v Speaker 2>But she's she's like a lot of those writers that

1:29:18.840 --> 1:29:21.439
<v Speaker 2>get their shot and she's taking full advantage of it

1:29:21.840 --> 1:29:25.640
<v Speaker 2>right now. She's killing every TikTok you could think of.

1:29:25.640 --> 1:29:31.000
<v Speaker 2>And the music is really good too. The project is a.

1:29:30.560 --> 1:29:33.240
<v Speaker 3>It is called a public affection.

1:29:33.320 --> 1:29:36.240
<v Speaker 1>There you go. Yeah, PDA checked it out. It's really good.

1:29:36.240 --> 1:29:37.840
<v Speaker 2>The Hours and Hours joint, I'm sure you've heard it

1:29:37.880 --> 1:29:42.240
<v Speaker 2>and didn't even realize that it's everywhere. But she's super talented,

1:29:42.240 --> 1:29:45.240
<v Speaker 2>and I just like to see writers like finally get

1:29:45.320 --> 1:29:48.559
<v Speaker 2>their time to come out the way Esta Jean did.

1:29:48.840 --> 1:29:52.920
<v Speaker 2>Victoria Torn with Kirby I think is now getting her

1:29:52.960 --> 1:29:55.120
<v Speaker 2>shot too. Like I just like to see that type

1:29:55.120 --> 1:29:57.640
<v Speaker 2>of ship because those are the real talented people. Like

1:29:57.720 --> 1:30:00.519
<v Speaker 2>sometimes you got to not write for other people. That

1:30:00.840 --> 1:30:04.880
<v Speaker 2>chapter is over, I agree, So shout out to Kyrie.

1:30:04.960 --> 1:30:08.639
<v Speaker 5>Kyrie is back. Yes, he played his first away game.

1:30:08.880 --> 1:30:13.680
<v Speaker 5>Uh he looked, he looked good, sanitized.

1:30:13.200 --> 1:30:13.960
<v Speaker 1>Then miss a beat.

1:30:14.080 --> 1:30:17.640
<v Speaker 5>Uh, So shout out to Kyrie, welcome back, Welcome back

1:30:17.720 --> 1:30:18.240
<v Speaker 5>lay Thompson.

1:30:18.920 --> 1:30:21.680
<v Speaker 1>He came back last night. Uh he looked good in

1:30:21.720 --> 1:30:22.240
<v Speaker 1>his return.

1:30:23.560 --> 1:30:25.240
<v Speaker 5>So yeah, man, the NBA is starting to feel like

1:30:25.280 --> 1:30:28.280
<v Speaker 5>it's you can tell when it's the guys are back.

1:30:28.400 --> 1:30:32.120
<v Speaker 2>Do you think the Warriors get get another shot at

1:30:32.439 --> 1:30:35.680
<v Speaker 2>I'm talking dynasty time again. Not winning again. Of course

1:30:35.680 --> 1:30:37.920
<v Speaker 2>there's a world where they can win again, but back

1:30:37.960 --> 1:30:38.639
<v Speaker 2>to where they were.

1:30:39.040 --> 1:30:39.200
<v Speaker 1>Yo.

1:30:39.280 --> 1:30:44.120
<v Speaker 5>Listen, man, we gotta start. We gotta reshuffle that top

1:30:44.160 --> 1:30:48.200
<v Speaker 5>five ever soon. If Clay gets another ring, I mean

1:30:48.240 --> 1:30:51.479
<v Speaker 5>not Claif Steph gets another ring, we gotta shuffle that

1:30:51.560 --> 1:30:52.360
<v Speaker 5>top five around.

1:30:52.439 --> 1:30:56.120
<v Speaker 1>It's gonna be to keep three three yeah.

1:30:57.640 --> 1:31:00.680
<v Speaker 5>Yeah, if he gets another ring, man, it's gonna be

1:31:00.720 --> 1:31:02.599
<v Speaker 5>hard to keep Steph Curry out of your top five.

1:31:02.640 --> 1:31:02.840
<v Speaker 1>Ever.

1:31:03.920 --> 1:31:06.160
<v Speaker 2>I think you kind of make a case now, but.

1:31:06.240 --> 1:31:09.040
<v Speaker 1>I wasn't gonna say that. But okay, I'm not those

1:31:09.040 --> 1:31:11.680
<v Speaker 1>sports guys forget it. No, I get no.

1:31:11.800 --> 1:31:14.160
<v Speaker 2>But listen based off stats, I don't know why you

1:31:14.200 --> 1:31:18.719
<v Speaker 2>couldn't make listen man, Steph Curry get another ring? Yeah,

1:31:18.880 --> 1:31:21.240
<v Speaker 2>how would Steph thirty thirty two?

1:31:21.479 --> 1:31:24.559
<v Speaker 1>Yeah, something like that. Oh he's got time, Yeah, he's

1:31:24.600 --> 1:31:26.720
<v Speaker 1>got time. I think they're gonna I think they get

1:31:26.720 --> 1:31:29.120
<v Speaker 1>one this year. I think it's I think they get

1:31:29.120 --> 1:31:31.439
<v Speaker 1>one this year. I think it's between. Uh, it's gonna

1:31:31.439 --> 1:31:31.800
<v Speaker 1>be hard.

1:31:31.960 --> 1:31:34.800
<v Speaker 5>You know what the Kyrie thing is still you know,

1:31:34.920 --> 1:31:36.920
<v Speaker 5>a little tricky as far as just away games only,

1:31:37.000 --> 1:31:44.760
<v Speaker 5>but uh, Katie, Steph and I think Chris Paul, I

1:31:44.760 --> 1:31:47.400
<v Speaker 5>think the Sons. I think the Sons, the Warriors and

1:31:47.920 --> 1:31:50.760
<v Speaker 5>the Nets are the three favorites to to win the

1:31:50.840 --> 1:31:53.519
<v Speaker 5>title this year. And if Steph Curry gets another ring,

1:31:53.640 --> 1:31:56.000
<v Speaker 5>man like, yeah, it's gonna be hard to keep him

1:31:56.000 --> 1:31:56.800
<v Speaker 5>out of your top five.

1:31:57.040 --> 1:31:59.160
<v Speaker 1>It's gonna be extremely hard. Like you gotta Reachhuff with

1:31:59.160 --> 1:31:59.920
<v Speaker 1>that top five deck.

1:32:00.640 --> 1:32:04.040
<v Speaker 5>Emily in Paris, we got two more seasons, Rory, so

1:32:04.080 --> 1:32:06.920
<v Speaker 5>you have to watch because you didn't finish season one.

1:32:07.040 --> 1:32:08.320
<v Speaker 2>I didn't finish episode two.

1:32:08.520 --> 1:32:10.200
<v Speaker 1>Just what I'm saying you gotta get on board with

1:32:10.240 --> 1:32:11.240
<v Speaker 1>this thing is taken.

1:32:11.040 --> 1:32:13.320
<v Speaker 2>Off, Rory, Euphoria is out. I don't need to watch Emily.

1:32:13.479 --> 1:32:16.080
<v Speaker 5>I'm gonna get and Damaris was talking about I definitely

1:32:16.080 --> 1:32:19.040
<v Speaker 5>got to get into Euphoria. But Emily in Paris's official

1:32:19.120 --> 1:32:22.880
<v Speaker 5>season three and four they just confirmed will happen. So

1:32:22.920 --> 1:32:24.800
<v Speaker 5>I don't know, Rory, Man, I don't want to leave

1:32:24.840 --> 1:32:28.439
<v Speaker 5>at the station, but I will listen to zoom.

1:32:29.000 --> 1:32:31.360
<v Speaker 2>Are you gonna move to for both seasons?

1:32:31.400 --> 1:32:33.960
<v Speaker 1>I don't know, man, I might Emily might be calling me.

1:32:34.120 --> 1:32:37.679
<v Speaker 2>They shoot that ship in Vancouver, you know, they shoot

1:32:37.680 --> 1:32:38.479
<v Speaker 2>that ship somewhere else?

1:32:40.200 --> 1:32:42.120
<v Speaker 5>Yeah, man shout after Emily in Paris season three and

1:32:42.120 --> 1:32:43.560
<v Speaker 5>four has been confirmed.

1:32:43.800 --> 1:32:46.519
<v Speaker 1>Euphoria last Night, season two, episode one, Yeah, I gotta

1:32:46.520 --> 1:32:46.880
<v Speaker 1>watch that.

1:32:47.040 --> 1:32:47.599
<v Speaker 3>Did you see it?

1:32:47.760 --> 1:32:48.400
<v Speaker 1>Yeah?

1:32:48.640 --> 1:32:49.479
<v Speaker 3>Wasn't it amazing?

1:32:49.960 --> 1:32:50.800
<v Speaker 1>It was incredible.

1:32:51.160 --> 1:32:53.439
<v Speaker 2>I have to deal with my mentions being flooded that

1:32:53.479 --> 1:32:56.439
<v Speaker 2>I look like this is gonna happen as it did

1:32:56.479 --> 1:32:58.720
<v Speaker 2>for the entire season one and after. Okay, but I

1:32:58.720 --> 1:33:00.679
<v Speaker 2>had to catch up because how long season one?

1:33:01.120 --> 1:33:01.760
<v Speaker 3>Like two years?

1:33:01.960 --> 1:33:03.439
<v Speaker 2>Yeah, it felt like it was a long time ago.

1:33:03.600 --> 1:33:06.160
<v Speaker 2>So I had to catch up on my little Wikipedia

1:33:06.200 --> 1:33:08.360
<v Speaker 2>ship prior to because they didn't give me the solid

1:33:08.520 --> 1:33:10.720
<v Speaker 2>what happened last time ship, but stuff was starting to

1:33:10.720 --> 1:33:13.920
<v Speaker 2>come back. But I liked episode one and not spoiling

1:33:13.920 --> 1:33:14.559
<v Speaker 2>like Spider Man.

1:33:15.800 --> 1:33:16.960
<v Speaker 1>Jesus, it was cool.

1:33:16.760 --> 1:33:18.519
<v Speaker 2>To get in the Pheesi's background in the beginning.

1:33:18.520 --> 1:33:20.280
<v Speaker 1>And then I'm gonna see a Spider Man this week.

1:33:20.280 --> 1:33:21.559
<v Speaker 1>I'm gonna go see it. I have to.

1:33:21.800 --> 1:33:25.519
<v Speaker 4>I will go with you, so you don't that's why

1:33:25.520 --> 1:33:26.960
<v Speaker 4>you that's why you.

1:33:26.960 --> 1:33:27.479
<v Speaker 1>Keep it p D.

1:33:27.640 --> 1:33:29.160
<v Speaker 2>You guys should do a double date like you. Guys

1:33:29.160 --> 1:33:32.000
<v Speaker 2>should each bring somebody and then that would be and

1:33:32.000 --> 1:33:33.599
<v Speaker 2>then we could discuss it.

1:33:33.720 --> 1:33:36.520
<v Speaker 1>That will be a lot. That would be fucking comedy.

1:33:36.560 --> 1:33:37.280
<v Speaker 1>Are you kidding me?

1:33:37.479 --> 1:33:38.439
<v Speaker 2>Being called coming.

1:33:41.240 --> 1:33:45.000
<v Speaker 1>Six? People? Don't forget about you.

1:33:45.000 --> 1:33:45.599
<v Speaker 2>You're just not in the room.

1:33:45.600 --> 1:33:46.200
<v Speaker 1>I'm gonna go see it.

1:33:46.320 --> 1:33:48.320
<v Speaker 5>I'm gonna see Spider Man because I've definitely been wanting

1:33:48.320 --> 1:33:48.720
<v Speaker 5>to see it.

1:33:49.080 --> 1:33:50.519
<v Speaker 3>I wanted to see it again. And I will go

1:33:50.560 --> 1:33:52.040
<v Speaker 3>with you, just so that you're not alone.

1:33:52.120 --> 1:33:54.559
<v Speaker 2>What you thought about you for you, I love you.

1:33:54.720 --> 1:33:58.000
<v Speaker 2>I'm gonna start spoiling it soon. First episode one, I'm

1:33:58.000 --> 1:34:00.880
<v Speaker 2>not going to but people. By episode three, i'm gonna

1:34:00.880 --> 1:34:02.439
<v Speaker 2>start actively talking about what's going on there.

1:34:02.479 --> 1:34:05.360
<v Speaker 4>Well, today I had to release a statement because you know,

1:34:05.439 --> 1:34:07.880
<v Speaker 4>she's straight off the Helm of Spider Man, which is

1:34:08.000 --> 1:34:10.559
<v Speaker 4>kind of more kid. She has a lot of kid fans.

1:34:10.640 --> 1:34:14.920
<v Speaker 4>Now she did well, but her fans were growing with her.

1:34:14.960 --> 1:34:17.640
<v Speaker 4>Now she's reintroducing herself to a younger audience. And she

1:34:17.640 --> 1:34:19.800
<v Speaker 4>had to say, you know, this is for mature audiences.

1:34:20.040 --> 1:34:21.559
<v Speaker 4>I know it's filmed in a high school, but this

1:34:21.640 --> 1:34:25.720
<v Speaker 4>is not. This is Yeah, we're adults and we're like, oh,

1:34:25.760 --> 1:34:31.680
<v Speaker 4>this is interesting. Like it's a lot. There's so much nudity.

1:34:32.080 --> 1:34:33.120
<v Speaker 1>Watch it, like a lot of.

1:34:33.160 --> 1:34:34.120
<v Speaker 2>Dicks, a lot of dicks.

1:34:34.120 --> 1:34:35.560
<v Speaker 3>Well, they had a lot of tips last season, so

1:34:35.560 --> 1:34:36.479
<v Speaker 3>they kind of evened it out.

1:34:36.840 --> 1:34:38.760
<v Speaker 2>I was excited they started with titties and they even

1:34:38.760 --> 1:34:40.920
<v Speaker 2>had pussy, I think at the beginning with a stripper.

1:34:40.960 --> 1:34:42.719
<v Speaker 2>I was like, Oh, they're going for it this season.

1:34:42.760 --> 1:34:45.120
<v Speaker 2>And then it was like dick, dick, dick, dick.

1:34:46.320 --> 1:34:52.000
<v Speaker 5>Never mind, let me find something else to watch. Right

1:34:52.000 --> 1:34:54.800
<v Speaker 5>to Gymstones. Did you ever watch that with Danny McBride.

1:34:56.120 --> 1:34:57.200
<v Speaker 2>He's an assistant principal.

1:34:57.400 --> 1:35:01.680
<v Speaker 5>No, No, that's the He's always got those type of roles. No,

1:35:01.800 --> 1:35:04.400
<v Speaker 5>this is one where his family is like the televangelists

1:35:05.080 --> 1:35:06.200
<v Speaker 5>and uh.

1:35:06.040 --> 1:35:06.960
<v Speaker 1>No, I need to watch that.

1:35:07.080 --> 1:35:12.040
<v Speaker 5>No, you never I love what season one, Season one,

1:35:12.080 --> 1:35:16.280
<v Speaker 5>Season two just started. Righteous Gymstones on HBO. I'm glad

1:35:16.280 --> 1:35:17.679
<v Speaker 5>it came back. Yeah, I'm glad it came back because

1:35:17.720 --> 1:35:19.680
<v Speaker 5>that's to me, that show was underrated. A lot of

1:35:19.680 --> 1:35:22.240
<v Speaker 5>people weren'talking about Righteous Gyemstones, and that show was really funny.

1:35:22.640 --> 1:35:24.680
<v Speaker 5>Season two just started, so I definitely gotta watch that.

1:35:25.680 --> 1:35:26.920
<v Speaker 5>That in you first, And now I got some more

1:35:26.960 --> 1:35:27.519
<v Speaker 5>TV to watch.

1:35:27.680 --> 1:35:28.120
<v Speaker 2>Yeah, I like.

1:35:28.080 --> 1:35:28.680
<v Speaker 1>TV is back.

1:35:28.720 --> 1:35:30.360
<v Speaker 2>I felt like for a while it was a lot

1:35:30.360 --> 1:35:34.040
<v Speaker 2>of just random Netflix movies or dots Like I like

1:35:34.120 --> 1:35:37.360
<v Speaker 2>that TV series that have already been established seasons are

1:35:37.400 --> 1:35:39.880
<v Speaker 2>now coming back on that. Yeah, because I got a

1:35:39.880 --> 1:35:42.040
<v Speaker 2>bunch of ship to catch up on. You four, Their

1:35:42.080 --> 1:35:44.120
<v Speaker 2>Body and that ship. That cast is incredible.

1:35:44.280 --> 1:35:47.479
<v Speaker 1>Yeah, I love Today Lover Her and.

1:35:47.400 --> 1:35:51.240
<v Speaker 2>Like listen, I thought my high school was Wow, they're

1:35:51.280 --> 1:35:51.760
<v Speaker 2>fucking crazy.

1:35:51.840 --> 1:35:52.960
<v Speaker 1>High school was nothing like that.

1:35:53.120 --> 1:35:54.840
<v Speaker 4>Yeah, I wasn't. I went to my high school. The

1:35:54.880 --> 1:35:56.559
<v Speaker 4>majority do black. I didn't deal with this.

1:35:58.040 --> 1:35:58.880
<v Speaker 1>It's just a different time.

1:35:58.880 --> 1:36:02.120
<v Speaker 2>I don't mean whyle just I'm meaning like general, like

1:36:02.439 --> 1:36:04.720
<v Speaker 2>just general wild. You could have your different degrees of

1:36:04.760 --> 1:36:07.240
<v Speaker 2>wild no matter what location of the world. You're in

1:36:07.280 --> 1:36:07.960
<v Speaker 2>whatever you want to do.

1:36:08.000 --> 1:36:11.479
<v Speaker 1>They're just wilin. Yeah. Yeah, they're fucking wild. I'm gonna

1:36:11.520 --> 1:36:12.400
<v Speaker 1>check it out. I like I like.

1:36:12.479 --> 1:36:13.880
<v Speaker 3>Zindia, but it makes me jealous.

1:36:13.920 --> 1:36:15.439
<v Speaker 4>I kind of always wanted to go to a really

1:36:15.479 --> 1:36:18.960
<v Speaker 4>really large because really really large high schools that like

1:36:19.080 --> 1:36:21.240
<v Speaker 4>have the space to be large, not like New York

1:36:21.240 --> 1:36:23.720
<v Speaker 4>City large high schools. They tend to be like that,

1:36:23.800 --> 1:36:26.320
<v Speaker 4>like wild and big, wild parties and you got the

1:36:26.400 --> 1:36:28.599
<v Speaker 4>rich kid with the millionaire parents who are never home.

1:36:28.640 --> 1:36:29.880
<v Speaker 3>They're throwing parties and ship.

1:36:30.640 --> 1:36:32.360
<v Speaker 2>Well, yeah, I'm looking looking forward to the rest of

1:36:32.360 --> 1:36:35.439
<v Speaker 2>the season of Euphoria. It was a good start, so

1:36:35.680 --> 1:36:36.160
<v Speaker 2>catch up.

1:36:36.840 --> 1:36:38.519
<v Speaker 1>Yeah, no, I'm definitely gonna watch it. I like that show.

1:36:38.640 --> 1:36:42.280
<v Speaker 1>You is there anything else we didn't know didn't cover?

1:36:43.000 --> 1:36:44.160
<v Speaker 2>We're back in a few days.

1:36:44.560 --> 1:36:47.280
<v Speaker 5>Yeah, I'm gonna go see the uh before I go

1:36:47.280 --> 1:36:48.599
<v Speaker 5>to the jail, like sho, I'm gonna go see the

1:36:48.600 --> 1:36:49.320
<v Speaker 5>next tonight man.

1:36:49.600 --> 1:36:49.920
<v Speaker 1>Okay.

1:36:50.479 --> 1:36:52.320
<v Speaker 5>Spoke to Julius the other night man. They got to

1:36:52.360 --> 1:36:55.000
<v Speaker 5>get their ship together. They've been they've been struggling.

1:36:55.040 --> 1:36:55.960
<v Speaker 2>Can I get two tickets?

1:36:56.400 --> 1:36:57.120
<v Speaker 1>You want to go tonight?

1:36:57.320 --> 1:37:01.120
<v Speaker 2>I would like, uh, not tonight, but next game I

1:37:01.160 --> 1:37:07.439
<v Speaker 2>would love to right away, uh a, go backs Jersey

1:37:07.479 --> 1:37:09.000
<v Speaker 2>and do some stuff before the show.

1:37:09.080 --> 1:37:11.200
<v Speaker 5>No, I'll definitely get some tickets for look at the

1:37:11.200 --> 1:37:15.120
<v Speaker 5>schedule and the actually least for some tickets. But yeah, man,

1:37:16.479 --> 1:37:20.640
<v Speaker 5>another week, yeah, another weekend in the can. How's your

1:37:20.640 --> 1:37:22.760
<v Speaker 5>New Years? How's the start to your New Year? Your

1:37:22.800 --> 1:37:24.479
<v Speaker 5>resolutions are down the drain already?

1:37:24.600 --> 1:37:27.800
<v Speaker 2>Of course I don't make any Yeah, I didn't, just

1:37:27.800 --> 1:37:30.559
<v Speaker 2>try to survive, just hopefully make it the next day.

1:37:30.800 --> 1:37:32.160
<v Speaker 1>I want to see another one. I want to see

1:37:32.160 --> 1:37:32.639
<v Speaker 1>another year.

1:37:33.160 --> 1:37:36.559
<v Speaker 5>Uh well, yeah, man, we'll be back in a few days. Uh,

1:37:37.240 --> 1:37:39.519
<v Speaker 5>I think we got do we have something coming up?

1:37:40.560 --> 1:37:42.720
<v Speaker 2>Probably, but that's the Marisa tell us.

1:37:42.840 --> 1:37:44.639
<v Speaker 1>Okay, yeah we got something.

1:37:44.720 --> 1:37:46.000
<v Speaker 3>I won't tell you now you'll forget, so I'll just

1:37:46.000 --> 1:37:46.960
<v Speaker 3>tell you did it before for sure.

1:37:47.000 --> 1:37:48.920
<v Speaker 1>Yeah. Well we got some ship coming up, so.

1:37:48.960 --> 1:37:50.840
<v Speaker 2>There's still I think there's some merch left.

1:37:51.240 --> 1:37:53.200
<v Speaker 3>There's a lot of merch, not a lot, but there's

1:37:53.240 --> 1:37:54.920
<v Speaker 3>some stuff left.

1:37:55.479 --> 1:38:00.400
<v Speaker 1>Get some merch working on the Valentine's Capsule. Now I'm excited. Yeah.

1:38:00.720 --> 1:38:02.960
<v Speaker 2>So what nasty shit you tell the women on this merchant?

1:38:03.280 --> 1:38:05.320
<v Speaker 1>Nah? Man, we're just trying to have some fun, man

1:38:05.360 --> 1:38:06.040
<v Speaker 1>with this merch thing.

1:38:06.560 --> 1:38:09.800
<v Speaker 5>So you have Valentine's merch coming up, some merch available now,

1:38:10.520 --> 1:38:12.280
<v Speaker 5>and yeah, anything else.

1:38:12.439 --> 1:38:13.280
<v Speaker 2>I think that's about it.

1:38:13.960 --> 1:38:14.240
<v Speaker 1>Cool.

1:38:14.240 --> 1:38:15.559
<v Speaker 5>So we'll see you in a couple of days. We'll

1:38:15.560 --> 1:38:16.840
<v Speaker 5>talk to you in a couple of days. Till then,

1:38:16.920 --> 1:38:19.559
<v Speaker 5>be safe, be blessed, stay healthy. Wash your hands and

1:38:19.800 --> 1:38:20.320
<v Speaker 5>wash your ass

1:38:23.479 --> 1:38:24.080
<v Speaker 2>Now