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Speaker 1: Off the record. What's the little Wayne's classic album? The

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Speaker 1: Card three Across the World Car three?

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Speaker 2: I think Carto two Part three, Carter.

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Speaker 1: Three ain't a classic?

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Speaker 3: Are you high?

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Speaker 1: Call three is not a classic. It's not a classic album.

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Speaker 4: Broying anything, it's not It's not bro this is I

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Speaker 4: don't think Wayne has a classical album.

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Speaker 1: I don't.

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Speaker 3: I'm not.

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Speaker 5: I like the Carter three is his best album, for sure.

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Speaker 5: I don't think it's a classic album, though. Like when

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Speaker 5: you start seeing classic albums, like I think about the

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Speaker 5: other classic albums we'll be talking about and then think

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Speaker 5: about Carter three, that word classic get thrown around too much.

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Speaker 5: You know what a classic album is officer tripping. Oh,

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Speaker 5: that's the one you're going to missus, officer, that's what

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Speaker 5: you're going to you.

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Speaker 2: Know, I'm trying to sound like that's what we just

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Speaker 2: gotta have conversations like every recorded oho we was recording. Oh,

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Speaker 2: let's get into the real conversation.

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Speaker 3: That's not a professional.

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Speaker 2: This is underrated beat, public service, just blazing fifteen and nothing.

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Speaker 1: Flip the Ship out Baby is the best rap. But

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Speaker 1: a lot.

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Speaker 2: Had you rock a fella boy shook when this came

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Speaker 2: out y'all was shaking in your chains, shaking in your

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Speaker 2: button downs.

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Speaker 1: Who was shaking the whole squad?

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Speaker 2: You know, y'all was nervous when when Wayne came out,

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Speaker 2: Why because he wasn't Wayne from the fucking Hot Boys anymore.

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Speaker 2: It was fucking Dwayne Carter right there.

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Speaker 1: But Wayne was, come on, Wayne is one of the goats.

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Speaker 2: You know that y'all was nervous. Then, Nah, it's a

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Speaker 2: few artists that got had y'all shook.

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Speaker 1: And y'all you mean like Rockefeller?

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Speaker 2: Yeah, I think I think Nelly had y'all a little shook.

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Speaker 2: Why why are you laughing? Nelly went fucking Diamond. But

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Speaker 2: when you say shook, what you mean a little nervous,

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Speaker 2: it's not.

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Speaker 1: It's not so dominant anymore.

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Speaker 5: I mean, but Jay gave him as props. He had

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Speaker 5: to moving units, m PM juice and us I know.

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Speaker 2: And then Wayne came, Yeah, and then the company folded.

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Speaker 1: It was Wayne for Wayne entered the dynasty.

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Speaker 2: Yeah, it was Wayne, it was It wasn't Cameron and

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Speaker 2: jay Z's Puerto Rico trip.

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Speaker 1: That was. That trip did end it all.

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Speaker 2: That's wild. How many relationships you think have ended because

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Speaker 2: of a Puerto Rico trip.

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Speaker 1: Well, now that's that's our relationship start.

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Speaker 2: That's true.

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Speaker 1: You got a fly girl out of Puerto Rico, Yo.

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Speaker 5: How you get her is how you lose it sometimes

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Speaker 5: sometimes actually a lot of times.

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Speaker 2: When someone else wants to fly passport, you know, like that's.

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Speaker 5: The thing now, Like dudes, like the first link up

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Speaker 5: is like a destination, like a vacation.

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Speaker 1: Yeah, we've been talking about that's true. That's scary.

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Speaker 5: I don't know how dudes do that, Like you don't

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Speaker 5: know what you signing up for. No, being on an

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Speaker 5: island with somebody you just.

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Speaker 2: Met, I'll pass.

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Speaker 1: No, I'm cool. I'm totally cool.

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Speaker 2: That wouldn't go to the island with you with me?

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Speaker 1: Yeah, I would.

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Speaker 2: Well, we're on the one right now.

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Speaker 5: I don't even think. Yes, we are on the islan

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Speaker 5: right now, but I don't even think we would like

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Speaker 5: see each other if we're like on vacation.

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Speaker 1: Never never, like it would probably like in pass like

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Speaker 1: it's up, like we don't know each other at all.

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Speaker 2: Any right where you think Wayne is not of a

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Speaker 2: classic album, I don't know where we started recording.

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Speaker 5: Yeah, I don't saying that because you know what I

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Speaker 5: like to do. Man, I like to listen to when

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Speaker 5: people start debating classic albums, like the word classic, I

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Speaker 5: don't know if it's just it's thrown around too loosely,

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Speaker 5: like pull up the definition of classic.

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Speaker 2: I agree that classic is thrown around.

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Speaker 1: It's too loosely.

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Speaker 6: Man.

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Speaker 2: But to draw the line at Carter three, I think

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Speaker 2: is a bit excessive.

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Speaker 5: And I like Carter three a lot. I just don't

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Speaker 5: know if it's because for me and music is subjective.

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Speaker 1: Is just my opinion.

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Speaker 5: For me, classic means I keep going back to it,

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Speaker 5: I keep playing classic.

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Speaker 6: From Google, the term classic and hip hop means any

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Speaker 6: album or single that not only separates itself from a bunch,

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Speaker 6: but it does so in such a unique culture culture fashion.

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Speaker 2: Well, thank you Google for defying something.

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Speaker 1: In our culture, in our culture right.

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Speaker 2: The Webster term for classic judged over a period of

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Speaker 2: time to be the highest quality and outstanding of its kind.

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Speaker 2: Now do you think there can be there's classic and

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Speaker 2: then there's time period classic, because I think we start

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Speaker 2: I think there's a lot of I start cutting dope. Look,

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Speaker 2: but I think Card three is a classic across the board.

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Speaker 2: I don't think it's a time period classic like I

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Speaker 2: think I think Card.

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Speaker 1: Three is a really good album.

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Speaker 5: I think it's Wayne's to me again, it's a subjective

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Speaker 5: of my opinion only to me, that's Wayne's best album,

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Speaker 5: I think.

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Speaker 1: But I would classic album, like classic is what I'm

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Speaker 1: just like.

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Speaker 5: I don't know if i'm I can say because when

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Speaker 5: I say classic, I'm thinking of a lot of other

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Speaker 5: classic albums in hip hop.

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Speaker 3: Okay, but I don't think that that's fair.

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Speaker 4: Why that's hip hop, because a classic just means that

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Speaker 4: it's timeless. It was recognized as an extremely good, valuable

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Speaker 4: body at work, and it was. And also you can

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Speaker 4: go back to Carter three and it doesn't sound it

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Speaker 4: sounds maybe a little dated, but it does you can

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Speaker 4: still listen to it today and not be like, oh

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Speaker 4: my god, we were listening to this ship well all the.

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Speaker 2: Kids Wayne, So it still holds up.

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Speaker 5: Wayne is definitely the father to a lot of these

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Speaker 5: new dudes now for sure, he definitely birth a lot

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Speaker 5: of these. So he's a He's a goat in that sense,

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Speaker 5: like he he changed the way artists look the way

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Speaker 5: artists sound, without a doubt. But I don't know if

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Speaker 5: Carter three is a classic album.

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Speaker 2: Well really good, I would be a classic from that era.

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Speaker 1: This was said two thousand and.

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Speaker 2: Eight, I can recre camera or no graduation was oh

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Speaker 2: set eight? Waits was two thousand and eight.

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Speaker 5: Yeah, that was two thousand and eight. That's a classic album.

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Speaker 2: Awaits and Artbreaks is a classic, I think defined by

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Speaker 2: what it did later. It came out with music, for sure,

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Speaker 2: That's what I'm saying. It's a classic in that regard.

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Speaker 3: When it came out, people weren't saying it was.

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Speaker 2: No They was actually pissed off a Kanye exactly. Now,

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Speaker 2: Carter three was this was the only shit playing at

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Speaker 2: that time.

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Speaker 5: Well, it's Wayne and he's at that time, he was everywhere.

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Speaker 5: You couldn't you couldn't turn on a radio or TV

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Speaker 5: anything and not here Wayne.

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Speaker 2: And I'm not saying because I think Carter two is

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Speaker 2: a better album, But if I were to be Charter three, yes,

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Speaker 2: absolutely without question. But if I had to be objective

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Speaker 2: and just looking overall with a classic, alb would be

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Speaker 2: of course Carter three.

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Speaker 5: That would be his classic, his classic. It's a classic, okay,

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Speaker 5: because difference his classic in a classic.

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Speaker 2: And somebody that's able to deliver when all the high

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Speaker 2: is around you, and this was the most anticipated shit ever,

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Speaker 2: because after card two he blew up, blew up to

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Speaker 2: then deliver that, Yeah, this is a classic. What's a

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Speaker 2: classic album?

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Speaker 1: E though?

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Speaker 2: Don't say non Rockefeller, No.

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Speaker 5: It's it's not even about that, it's just music that

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Speaker 5: I think album that an album that you can keep

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Speaker 5: going back to and play top to bottom without skipping

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Speaker 5: any records, no matter what time period.

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Speaker 1: That's a classic album to me.

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Speaker 2: Does that mean the kids have to do it too, though?

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Speaker 2: Or just the people from that time period, because that's

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Speaker 2: a lot of shit too, Like there's classics that I

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Speaker 2: deem classics, but probably just my generation does no.

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Speaker 5: But this this there's uh, there's there's albums that came

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Speaker 5: out when I was probably too young to really like

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Speaker 5: understand hip hop and the culture. And I went back

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Speaker 5: and listened to and I'm like, Okay, I'll see why

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Speaker 5: they called this a classic because it still sounds good

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Speaker 5: and you can still feel the emotion in the music,

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Speaker 5: you know what I mean, Like a lot of ice

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Speaker 5: cubes early shit, Like I didn't understand people when I

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Speaker 5: was younger. He's like ice cube, ice cub and I

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Speaker 5: was like, I didn't understand it. And as I started

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Speaker 5: get a little old I go back and listen. I'm like, okay,

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Speaker 5: I get a Cube is one of the best.

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Speaker 2: But if we're talking about classic, does that have to

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Speaker 2: also like across boundaries of age gaps? Like, for example,

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Speaker 2: I think a kid now would go back to an

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Speaker 2: ice Cube album and probably not vibe with it musically.

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Speaker 2: It wouldn't feel timeless to them. I'm not saying ice

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Speaker 2: Cube is not timeless. Please please make sure you get.

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Speaker 1: My words correctly.

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Speaker 2: Now, I think if they went back to Life after

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Speaker 2: Death because it had a bit more commercial appeal and

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Speaker 2: it's easier to listen to. I think a kid now

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Speaker 2: could pick up Life after Death and be like, oh,

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Speaker 2: this is a this is amazing, whereas ice Cube, because

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Speaker 2: his goals were a bit different than bigs, it would

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Speaker 2: be deemed not timeless to a lot of people.

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Speaker 1: Again, now you're talking about the listener, the type of listener,

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Speaker 1: Like I.

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Speaker 2: Can, but that's what deems the classic is a listener.

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Speaker 5: Yeah, but then a lot of people like undoubtedly classic albums.

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Speaker 5: A lot of people that listen to music would be

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Speaker 5: like that they don't really like that album, and it's

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Speaker 5: like you look at them like they're crazy, Like how

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Speaker 5: do you not like.

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Speaker 1: This album, like we're looking at you right now.

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Speaker 5: Nah, I mean listen, man, Wayne is a he's a goat,

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Speaker 5: Like there's there's nobody that can argue that, like I

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Speaker 5: would never He's one of the greatest we've ever had.

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Speaker 5: But when I hit people told about classic albums like

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Speaker 5: I like Carter three a lot, but I don't know if.

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Speaker 1: That's for me, if that's a classic album.

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Speaker 2: Three Pet, Mister Carter, Milly Got Money, Comfortable Doctor Carter,

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Speaker 2: Phone Home, tie my hands, Miss Officer, let the beat

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Speaker 2: Bill shoot me down, Lollipop Lili play with Fire, you

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Speaker 2: Ain't Got Nothing.

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Speaker 3: And Pussy Monster was a.

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Speaker 2: Yeah, not very many skips on that, but some Phone

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Speaker 2: Home annoyed the fuck out of me, But people love

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Speaker 2: that record. Phone Home was I thought gonna be the

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Speaker 2: worst record ever. And then I walked outside and everyone

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Speaker 2: was screaming phone Home, and I was like, everybody was

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Speaker 2: et was just screaming at the bus top phone Home.

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Speaker 1: Yeah, with Wayne phone in their hand.

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Speaker 5: Wayne Is He's definitely one of you know, my favorite

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Speaker 5: rappers ever, one of favorite artists. But you know, just

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Speaker 5: hearing people talk about classic albums, man, I'm just I

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Speaker 5: just start listening to the albums that they call classic,

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Speaker 5: and I'm like, I don't know if this is a

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Speaker 5: classic album. It's a really good album, but I don't

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Speaker 5: know if it's a classic album.

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Speaker 2: I think what time tells that anyways, Oh yeah, I

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Speaker 2: mean rarely is there the classic?

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Speaker 5: Yeah, instant classic is very rare where everybody's like, okay,

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Speaker 5: this is a classic, Like.

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Speaker 2: The last two that I could think of would be

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Speaker 2: so far gone. In Blueprint, I think with the last

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Speaker 2: instant classics that I remember, maybe college drop out and graduation, you.

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Speaker 1: Can make an argument, yeah, that was kind of an

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Speaker 1: instant classic. I feel like, No, I feel like it

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Speaker 1: was one that came out a few years ago. To

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Speaker 1: anybody was like, uh.

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Speaker 2: I'm saying rap world, yeah, not saying R and b row.

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Speaker 2: Like see at the Table was an instant classic to me.

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Speaker 2: Anti was an instant classic to me, But that's not rap.

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Speaker 5: And again, this is all subjective music is you know,

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Speaker 5: a matter of opinion and type of person you are.

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Speaker 5: But yeah, I was just having conversations and I'm you know,

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Speaker 5: to my classic album's classic classic. It all started off

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Speaker 5: of a Timberland talking about the Weekend's album Dawn Dawn

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Speaker 5: FX is that.

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Speaker 2: People just get excited when Ship comes out, and I

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Speaker 2: feel him because I sometimes run to like, no, it's

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Speaker 2: the greatest shit ever. I've been caught up in that before,

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Speaker 2: and I never went to Thriller with it though.

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Speaker 5: Yeah, Like and I and I understand what Timberland was

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Speaker 5: because no, no, listen.

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Speaker 1: I understand.

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Speaker 5: I understan because Timberland is a he's a producer, so

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Speaker 5: his the way he listens is different from the way

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Speaker 5: we listen to music.

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Speaker 1: So I understand the emotion.

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Speaker 5: I think what he what he was trying to say

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Speaker 5: was this sound and the way the Weekend put together

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Speaker 5: this album was so different. I think that is definitely

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Speaker 5: gonna move how a lot of artists make music the

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Speaker 5: sound because the sound was something that I didn't expect

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Speaker 5: at all. Neither this shit sounds like the soundtrack for

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Speaker 5: Midnight Run the Arcade game, like it's.

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Speaker 2: It's great age ship.

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Speaker 5: Yeah, So I was like, oh shit, So I understand,

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Speaker 5: Like Timbland is a producer, so he's gonna listen different. Uh,

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Speaker 5: things are gonna move him differently as far as sound.

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Speaker 5: But to just throw out Thriller out there like that,

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Speaker 5: and the album was out for three days and that's

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Speaker 5: where people got to relax and the way. And it's

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Speaker 5: not fair of the Weekend to say that, because it's like,

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Speaker 5: let the Weekend be the Weekend, like to put him

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Speaker 5: and say, oh, this is this is thriller. Come on, man, like,

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Speaker 5: that's not fair to the Weekend.

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Speaker 2: When you go back to creating. Granted, I think they

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Speaker 2: did it in a very tasteful way. I don't want

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Speaker 2: to start out with shitting on this album, because I

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Speaker 2: really do like This Weekend. I'm a lot, Yeah, but

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Speaker 2: to say when you go back to you would say

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Speaker 2: it was eighty influenced, yeah, and then to also sound

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Speaker 2: like Michael Jackson and then go back to the era

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Speaker 2: in which he's from. And then Timberland says the biggest

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Speaker 2: album ever is in comparison.

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Speaker 5: Yeah, that's that's That's where I have a little bit

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Speaker 5: of it. It's like, come on, man, like, I like

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Speaker 5: this album. I think it sounds great. I think The

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Speaker 5: Weekend is the epitome of an artist. You know, he

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Speaker 5: gets in the character. He's not afraid to be different,

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Speaker 5: he's not afraid to experiment. Yeah, Like he's he's what

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Speaker 5: an artist should be. The album is really dope, I

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Speaker 5: like it. It wasn't what I was expecting. I know

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Speaker 5: a lot of people want the Weekend to sound like

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Speaker 5: House of Balloons still, but he's not that guy anymore.

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Speaker 5: Like he's a different person now, and I think that

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Speaker 5: it's you know, it's not fair to want somebody to

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Speaker 5: sound the same exact way as when you fell in

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Speaker 5: love with them.

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Speaker 2: I think this was a you know, like in Star Wars.

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Speaker 2: And I'm not a big Star Wars fan, so correct

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Speaker 2: me if I'm wrong. Don't they go like in reverse order?

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Speaker 1: As far as the story?

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Speaker 2: Yeah, yeah, So to me, this like he's doing his

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Speaker 2: career backwards like this.

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Speaker 1: He's ninety years old on album. This album is.

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Speaker 2: Like what you do to get to that low part

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Speaker 2: of House of Balloons, Like this is the crazy coke

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Speaker 2: parties that you was at and then House of Balloons

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Speaker 2: is when you come down and realize how depressed and

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Speaker 2: hurt and how much of an addict you are. Yeah,

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Speaker 2: he's going backwards.

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Speaker 1: This is what his emotions look like.

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Speaker 2: He's not coming out on top. We're going backwards in

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Speaker 2: the story.

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Speaker 1: I like it.

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Speaker 5: I think again the sound is for him to put

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Speaker 5: this type of music out now is really like dope

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Speaker 5: to me, I like when artists are not afraid to

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Speaker 5: just be extremely different, but then not be weird. It's

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Speaker 5: not like it's a weird different. You get it, you

319
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Speaker 5: understand it. The content is still something you can relate to,

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Speaker 5: like the shit he's talking about.

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Speaker 2: Oh, he definitely I think a young I think why

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Speaker 2: he's old on this album cover is because he's actually

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Speaker 2: starting to feel that way in the women he deals with.

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Speaker 1: They're draining his soul.

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Speaker 2: Yes, I don't think he can keep up the way.

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Speaker 2: You know, like when you got into your thirties and

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Speaker 2: then you try to go out with people in their

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Speaker 2: twenties and you're just like, Okay, I'm starting to feel

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Speaker 2: a little older than I thought I was. This whole

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Speaker 2: album sounds like to me that he's trying to keep

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Speaker 2: up with a young girl at the party. This is

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Speaker 2: a young girl that doesn't give a fuck who he is,

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Speaker 2: what he does. All that easy pussy doesn't work it anymore.

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Speaker 2: He's like, really, he's fucked up over this girl that

335
00:14:52,360 --> 00:14:54,880
Speaker 2: doesn't particularly care about him. She'll let him fuck, but

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Speaker 2: she don't really care.

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Speaker 5: Yeah, this music is like when you go to the

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Speaker 5: club and then she wants to go to the after

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Speaker 5: album and then go to breakfast and then like go

340
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Speaker 5: go to yoga and it's like, yo, we haven't been

341
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Speaker 5: asleep yet.

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Speaker 1: Listen.

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Speaker 2: And then he ended, damn near ended the album and

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Speaker 2: this whole storyline with and then I heard you was married.

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Speaker 5: She's like, so, yeah, yeah, I like it. I think

346
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Speaker 5: this album is really good. But she had Timberlin got

347
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Speaker 5: to relax though he threw thriller out there way too prematurely, like.

348
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Speaker 2: Come on, that's but he saw Quincy was on it

349
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Speaker 2: and was like, oh it must be.

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Speaker 1: But see even that type of ship, those type of interludes.

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Speaker 2: That's crazy carry you know what I mean, Like it's.

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Speaker 5: Like, yo, I like shit like that man. And again

353
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Speaker 5: I didn't when we first listened to it.

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Speaker 1: We was calling it diet coke.

355
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Speaker 5: It's kind of like the Saint the Saint Coke, this is,

356
00:15:38,680 --> 00:15:40,560
Speaker 5: you know what I mean. But after living with it

357
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Speaker 5: over the weekend, like this album is really dope.

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Speaker 1: I like this album lot.

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Speaker 3: Yeah.

360
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Speaker 2: I think this is one of those live as well.

361
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Speaker 2: He's he's definitely stepped up because for the people that

362
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Speaker 2: don't remember when we Can first came out his live show,

363
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Speaker 2: like Rihanna as well was very criticized. Yeah, it was like,

364
00:15:56,160 --> 00:15:58,760
Speaker 2: all right, now we know what he's bad at, and

365
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Speaker 2: he proved tremendously. No, he's got to really dance just everything.

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Speaker 1: I noticed that when he at a super Bowl performance.

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Speaker 5: We spoke about that. I was like, Yo, he's gotten

368
00:16:07,600 --> 00:16:12,040
Speaker 5: better with his vocals. His live vocals have gotten extremely

369
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Speaker 5: better than they were when he first got The Weekend.

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Speaker 2: And I think he's less insecure in that and wants

371
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Speaker 2: to make more upbeat music that is for arenas and

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Speaker 2: is to actually be performed, rather than some of the

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Speaker 2: sadder stuff where it's just like, yeah, I'm a stand

374
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Speaker 2: up on stage and you know whine.

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Speaker 5: I would I definitely would like to see The Weekend

376
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Speaker 5: do a visual to all this whole album. Yeah, like right,

377
00:16:34,240 --> 00:16:35,800
Speaker 5: like a movie, but like make it a you know,

378
00:16:36,160 --> 00:16:38,360
Speaker 5: like a music video like Thriller exactly.

379
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Speaker 1: I would. I would like that.

380
00:16:41,640 --> 00:16:45,040
Speaker 5: No, no, no, not like Thriller, like, let's be clear, but

381
00:16:45,080 --> 00:16:47,920
Speaker 5: the fact that it's the eighty Sound and he's such

382
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Speaker 5: an artist, like his visuals and everything, you know, I

383
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Speaker 5: would like to see him make a video to all

384
00:16:53,320 --> 00:16:55,240
Speaker 5: of these but incorporated do it in like kind of

385
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Speaker 5: like a movie script.

386
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Speaker 2: It's interesting, man, the eighties, the eighties were pop music

387
00:17:01,640 --> 00:17:01,880
Speaker 2: just is.

388
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Speaker 1: Not going away. And I mean that in a good way.

389
00:17:05,800 --> 00:17:09,920
Speaker 1: It just hasn't Like the nineties pop has not returned

390
00:17:10,000 --> 00:17:12,959
Speaker 1: at all. Like they don't really grab from the nineties

391
00:17:13,000 --> 00:17:14,280
Speaker 1: pop wise to me very much.

392
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Speaker 2: Was R and B for sure, Oh yeah, But I

393
00:17:17,080 --> 00:17:19,440
Speaker 2: think a lot of the nineties pop stuff was more

394
00:17:19,720 --> 00:17:24,520
Speaker 2: leaning into the MTV boy band girls hop boys and

395
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Speaker 2: that stuff. As much as it's timeless to me because

396
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Speaker 2: I was a kid when it happened, No one really

397
00:17:29,080 --> 00:17:31,520
Speaker 2: grabs from that very much. They grab from nineties R

398
00:17:31,520 --> 00:17:31,720
Speaker 2: and B.

399
00:17:32,240 --> 00:17:37,719
Speaker 5: The PP eighties is Eighties pop was sent heavy, you know,

400
00:17:37,760 --> 00:17:39,960
Speaker 5: it was. It just it was a different vibe. Like

401
00:17:40,040 --> 00:17:44,679
Speaker 5: the nineties pop became a little corny. It wasn't It

402
00:17:44,680 --> 00:17:46,040
Speaker 5: wasn't as cool as eighties pop.

403
00:17:46,359 --> 00:17:50,280
Speaker 2: I think eighties just figured out electronics right away and

404
00:17:50,320 --> 00:17:51,960
Speaker 2: figured out the best way to do it. And we've

405
00:17:52,000 --> 00:17:54,480
Speaker 2: been trying for three decades until so like, all right,

406
00:17:54,560 --> 00:17:56,880
Speaker 2: let's try something new. It's like, nah, let's go let's

407
00:17:56,920 --> 00:17:59,439
Speaker 2: go back, because even eight oway's kind of derives a

408
00:17:59,480 --> 00:18:01,840
Speaker 2: lot of it from fucking eighties, like robo copies, the

409
00:18:01,880 --> 00:18:06,119
Speaker 2: eighties popstone right, so much of that, so any if

410
00:18:06,119 --> 00:18:07,800
Speaker 2: you can even hear on a lot of this sense

411
00:18:07,840 --> 00:18:09,440
Speaker 2: with Donda and some of the drums that used this

412
00:18:09,520 --> 00:18:10,639
Speaker 2: Eighties pop music.

413
00:18:10,400 --> 00:18:15,399
Speaker 5: Like eighties is definitely the bed the bedrock for a

414
00:18:15,440 --> 00:18:18,159
Speaker 5: lot of the synth sound. If you're gonna try to

415
00:18:18,160 --> 00:18:19,760
Speaker 5: bring back that sense sound, you're gonna listen to a

416
00:18:19,800 --> 00:18:21,960
Speaker 5: lot of the eighties pop artists for sure.

417
00:18:22,560 --> 00:18:24,280
Speaker 2: And I feel and you know, if you talk to

418
00:18:24,320 --> 00:18:27,520
Speaker 2: my dad, that's what killed music, Like if you talk

419
00:18:27,560 --> 00:18:29,920
Speaker 2: to a lot of people like eighties, eighties pop music

420
00:18:30,000 --> 00:18:33,919
Speaker 2: like was the divide in music because it went so

421
00:18:34,000 --> 00:18:36,439
Speaker 2: electronic and like of course that came from disco first,

422
00:18:36,800 --> 00:18:41,040
Speaker 2: but so much Eighties kind of put the fucking nail

423
00:18:41,119 --> 00:18:43,000
Speaker 2: into the board of like, all right, this is here

424
00:18:43,040 --> 00:18:44,760
Speaker 2: to fucking stay. Electronic music is here.

425
00:18:45,200 --> 00:18:45,760
Speaker 1: I would see.

426
00:18:45,800 --> 00:18:49,560
Speaker 5: I think I think eighties pop inspired nineties R and B.

427
00:18:49,600 --> 00:18:51,960
Speaker 1: In a weird way. Sure I could see that, you

428
00:18:52,000 --> 00:18:52,159
Speaker 1: know what.

429
00:18:52,119 --> 00:18:53,240
Speaker 5: I mean, Like if you listen to a lot of

430
00:18:53,240 --> 00:18:55,000
Speaker 5: the nineties R and B. The production on a lot

431
00:18:55,000 --> 00:18:57,240
Speaker 5: of nineties R and B, it's a lot of syn

432
00:18:57,920 --> 00:19:00,560
Speaker 5: the drums are like you know, yeah, a lot of

433
00:19:00,600 --> 00:19:01,520
Speaker 5: eighties pop.

434
00:19:01,840 --> 00:19:03,680
Speaker 2: And even you know, a lot of shit that they

435
00:19:04,480 --> 00:19:08,880
Speaker 2: sampled was a lot chaka consh was then turned into

436
00:19:08,880 --> 00:19:11,080
Speaker 2: so much in nineties flips from bad Boy and all

437
00:19:11,119 --> 00:19:12,800
Speaker 2: the Ship. But yeah, I don't know, we got an

438
00:19:12,800 --> 00:19:15,679
Speaker 2: eighties tangent, but it was just it's just funny that

439
00:19:16,119 --> 00:19:20,080
Speaker 2: eighties music is still very much the most relevant sound

440
00:19:20,560 --> 00:19:22,280
Speaker 2: to some degree when it comes to pop music. But

441
00:19:23,600 --> 00:19:26,040
Speaker 2: I do want to get into no one talking about

442
00:19:26,040 --> 00:19:29,119
Speaker 2: this album. The Weekend you would say, is one of

443
00:19:29,119 --> 00:19:31,919
Speaker 2: the biggest artists on earth right for sure any genre,

444
00:19:32,200 --> 00:19:34,520
Speaker 2: one of the biggest, not ever. But I'm saying for

445
00:19:34,640 --> 00:19:39,080
Speaker 2: our time, I didn't see one person talking about this online.

446
00:19:39,080 --> 00:19:45,000
Speaker 1: You mean yeah? No, I mean is the week in

447
00:19:45,040 --> 00:19:46,399
Speaker 1: the artists that they talk about online?

448
00:19:46,440 --> 00:19:50,560
Speaker 2: Though yes, yes percent people Wait and was there There

449
00:19:50,600 --> 00:19:54,320
Speaker 2: wasn't a single on this was there? Is this just

450
00:19:54,359 --> 00:19:57,040
Speaker 2: another I know we have to always find a way

451
00:19:57,080 --> 00:20:00,479
Speaker 2: to big up Beyonce. Is this just another way that

452
00:20:00,720 --> 00:20:03,359
Speaker 2: certain artists, meaning only one can do the surprise album?

453
00:20:03,359 --> 00:20:03,560
Speaker 3: Shit?

454
00:20:06,560 --> 00:20:10,040
Speaker 2: You would think The Weekend could do a surprise album

455
00:20:10,119 --> 00:20:11,879
Speaker 2: because this was a week in advance. He posted album

456
00:20:11,920 --> 00:20:12,560
Speaker 2: cover and that was it.

457
00:20:13,440 --> 00:20:17,760
Speaker 1: Does he? I mean, do you kid if people talking

458
00:20:17,760 --> 00:20:19,159
Speaker 1: about it, if the album is good.

459
00:20:19,720 --> 00:20:22,160
Speaker 2: No, I listen. I don't care about numbers at all.

460
00:20:22,240 --> 00:20:23,560
Speaker 2: I care about if the music is good, and that's

461
00:20:23,760 --> 00:20:26,320
Speaker 2: all that matters. But because we do talk about music

462
00:20:26,320 --> 00:20:27,960
Speaker 2: on the show so much, and so much of our

463
00:20:28,200 --> 00:20:30,399
Speaker 2: fans are invested in music the way we are, we

464
00:20:30,440 --> 00:20:33,119
Speaker 2: can see, especially when one of the biggest artists on

465
00:20:33,240 --> 00:20:35,359
Speaker 2: Earth is putting an album out and no one is

466
00:20:35,359 --> 00:20:37,920
Speaker 2: talking about it. Yeah, I saw more people talking about

467
00:20:37,920 --> 00:20:40,719
Speaker 2: why Drake was taking off Gunner's album, a song that

468
00:20:40,760 --> 00:20:43,840
Speaker 2: doesn't really exist being talked about more than an album

469
00:20:44,119 --> 00:20:47,199
Speaker 2: from one of our biggest artists. That's crazy to me.

470
00:20:47,560 --> 00:20:49,000
Speaker 2: And I don't know if it's because the times we're in.

471
00:20:49,440 --> 00:20:51,760
Speaker 5: What could it be because he doesn't have a lot

472
00:20:51,760 --> 00:20:54,160
Speaker 5: of features, Like, he doesn't have many features on this album,

473
00:20:54,119 --> 00:20:54,880
Speaker 5: and thinking maybe.

474
00:20:55,160 --> 00:20:58,560
Speaker 2: Three Tyler, Wayne and I think that might have been it.

475
00:20:59,200 --> 00:21:01,200
Speaker 1: Yeah, Jim Carrey and Quincy Jones.

476
00:21:01,200 --> 00:21:02,920
Speaker 3: But Thriller didn't have any features.

477
00:21:04,920 --> 00:21:08,520
Speaker 2: Yes it did, Paul McCartney, Little Wayne and Paul mccartny

478
00:21:08,760 --> 00:21:16,760
Speaker 2: same same, Tyler and Paul. But that shocks me.

479
00:21:17,960 --> 00:21:18,800
Speaker 1: Yeah, that's a little.

480
00:21:18,600 --> 00:21:20,880
Speaker 5: Shocking for one of the biggest artists of his time

481
00:21:20,960 --> 00:21:23,000
Speaker 5: not to be whenever his album drops not to be

482
00:21:23,040 --> 00:21:26,200
Speaker 5: talked about. But I really don't like me. I don't

483
00:21:26,200 --> 00:21:28,080
Speaker 5: really go on line and really pay attention to see

484
00:21:28,160 --> 00:21:30,040
Speaker 5: who people like the artist that people are talking about,

485
00:21:30,200 --> 00:21:31,560
Speaker 5: so I wouldn't know, like if you saw that, if

486
00:21:31,560 --> 00:21:33,720
Speaker 5: you didn't notice that, then I mean that is that

487
00:21:33,880 --> 00:21:35,720
Speaker 5: is weird though it is it is weird when the

488
00:21:35,720 --> 00:21:37,520
Speaker 5: biggest artist, one of the well one of the biggest

489
00:21:37,600 --> 00:21:40,200
Speaker 5: artists of his time, puts an album out and everybody

490
00:21:40,240 --> 00:21:40,960
Speaker 5: isn't talking about it.

491
00:21:41,000 --> 00:21:43,000
Speaker 2: But that kind of goes back to our classic conversation

492
00:21:43,320 --> 00:21:48,320
Speaker 2: of impact and what everyone's talking about, Like, can you

493
00:21:48,359 --> 00:21:49,879
Speaker 2: have a classic album if no one talks about it,

494
00:21:49,880 --> 00:21:51,000
Speaker 2: I don't care how good the music is.

495
00:21:51,080 --> 00:21:53,360
Speaker 5: Can you have a classic album and nobody I don't

496
00:21:53,400 --> 00:21:55,760
Speaker 5: think to do that as possible. Yeah, if it's a

497
00:21:55,760 --> 00:21:57,760
Speaker 5: classic album, everybody's talking about it exactly.

498
00:21:57,800 --> 00:22:00,600
Speaker 2: So sometimes yeah, it doesn't just mattertter how good the

499
00:22:00,680 --> 00:22:05,320
Speaker 2: music is. People talking about something and impact, which can

500
00:22:05,400 --> 00:22:09,480
Speaker 2: be tied into sales fucking matters. And when you don't

501
00:22:09,480 --> 00:22:14,080
Speaker 2: do the tricks and the bundles and all the marketing tools,

502
00:22:14,840 --> 00:22:17,320
Speaker 2: who do you really reach? Do you just reach your algorithms?

503
00:22:18,200 --> 00:22:18,400
Speaker 1: Right?

504
00:22:18,880 --> 00:22:21,960
Speaker 5: Like do we follow do we follow the Weekend? Like

505
00:22:22,119 --> 00:22:24,160
Speaker 5: is our algorithm and the Weekend fans.

506
00:22:23,880 --> 00:22:28,040
Speaker 2: Like he should how big he is, he should be

507
00:22:28,080 --> 00:22:30,200
Speaker 2: in everyone's algorithm. He's just that big of an artist

508
00:22:30,240 --> 00:22:32,440
Speaker 2: where no matter what, it should be there and it

509
00:22:32,480 --> 00:22:35,560
Speaker 2: should be at the top of any conversation just by proxy.

510
00:22:36,240 --> 00:22:40,399
Speaker 2: Like there's huge artists that aren't even in this genre

511
00:22:40,520 --> 00:22:42,400
Speaker 2: or a culture that we know when an album comes out,

512
00:22:42,480 --> 00:22:44,600
Speaker 2: we're not gonna go run and listen Taylor Swipt puts

513
00:22:44,600 --> 00:22:46,800
Speaker 2: out on an album, you guys are gonna know it exists.

514
00:22:47,160 --> 00:22:48,880
Speaker 2: Not saying he's gonna run because that's not your shit,

515
00:22:49,080 --> 00:22:51,480
Speaker 2: but you will know that that album is out. There's

516
00:22:51,480 --> 00:22:54,159
Speaker 2: no way you won't, right. I saw that kind of

517
00:22:54,160 --> 00:22:56,920
Speaker 2: appen with Justin Bieber the last album. I didn't see

518
00:22:56,920 --> 00:22:59,240
Speaker 2: anyone really talking about it, and it fucking threw me.

519
00:22:59,400 --> 00:23:00,920
Speaker 1: I was like, all right, Justin.

520
00:23:01,320 --> 00:23:03,399
Speaker 2: I know he's kind of been on and off, but

521
00:23:03,800 --> 00:23:06,520
Speaker 2: he's still Justin fucking Bieber and the Weekend too, Like

522
00:23:07,320 --> 00:23:08,960
Speaker 2: this felt like remember when he did that little ep

523
00:23:09,920 --> 00:23:13,000
Speaker 2: I forgot the name. It wasn't bad though, I saw

524
00:23:13,000 --> 00:23:14,560
Speaker 2: a minimal talk about that, and I was like, eh,

525
00:23:14,600 --> 00:23:16,639
Speaker 2: it was just because it was an EP. Then I

526
00:23:16,680 --> 00:23:18,040
Speaker 2: went to go look at this stick and this may

527
00:23:18,080 --> 00:23:19,560
Speaker 2: be the same thing, and it's a full blown fucking

528
00:23:19,600 --> 00:23:23,919
Speaker 2: album with incredibly expensive production, right, it says, and Quincy

529
00:23:24,040 --> 00:23:25,360
Speaker 2: Jones and Jim Carrey.

530
00:23:25,440 --> 00:23:25,840
Speaker 3: It says.

531
00:23:25,920 --> 00:23:29,359
Speaker 4: As of Monday, well, yeah, it was being reported that

532
00:23:29,440 --> 00:23:32,440
Speaker 4: DONFM will move approximately one hundred and fifty thousand to

533
00:23:32,480 --> 00:23:35,080
Speaker 4: one hundred and seventy thousand copies in its first week out.

534
00:23:36,440 --> 00:23:39,359
Speaker 4: Decided not to ship any physical copies out as well.

535
00:23:40,160 --> 00:23:42,880
Speaker 2: Well, that's nonetheless incredible to sell one hundred and fifty

536
00:23:42,880 --> 00:23:43,400
Speaker 2: thousand units.

537
00:23:43,400 --> 00:23:43,880
Speaker 1: What are he selling?

538
00:23:43,880 --> 00:23:45,880
Speaker 2: His last one the Highlights I don't really count as an album.

539
00:23:46,880 --> 00:23:51,000
Speaker 2: Why it was a bunch of old records and like

540
00:23:51,240 --> 00:23:52,640
Speaker 2: it was like a compilation.

541
00:23:52,240 --> 00:23:54,679
Speaker 1: Of his career. It wasn't like, I don't count that

542
00:23:54,720 --> 00:23:56,520
Speaker 1: as an album at all.

543
00:23:56,720 --> 00:23:59,600
Speaker 2: After hours, we'll called remember he did the crazy marketing

544
00:23:59,600 --> 00:24:01,640
Speaker 2: for that shit to like that was the last real

545
00:24:01,680 --> 00:24:06,040
Speaker 2: weekend album to me, and that he went out and

546
00:24:06,080 --> 00:24:06,359
Speaker 2: did what.

547
00:24:06,680 --> 00:24:09,720
Speaker 3: Samars the first week sales to.

548
00:24:11,400 --> 00:24:14,280
Speaker 4: Four hundred and forty four thousand, four for four four

549
00:24:14,359 --> 00:24:16,880
Speaker 4: hundred and forty four thousand, two hundred and seventy five

550
00:24:16,920 --> 00:24:18,760
Speaker 4: thousand of those were in pure sales.

551
00:24:18,840 --> 00:24:21,919
Speaker 2: So granted, again, I'm really not the numbers guy, and

552
00:24:22,119 --> 00:24:25,040
Speaker 2: I really am not trying to focus on him selling less.

553
00:24:25,119 --> 00:24:27,720
Speaker 2: I'm talking it's more about the impact and what's been

554
00:24:27,800 --> 00:24:28,240
Speaker 2: going on.

555
00:24:28,760 --> 00:24:30,000
Speaker 1: And I don't know if that's due with the times.

556
00:24:30,000 --> 00:24:32,840
Speaker 2: I don't know if that's to do with weekend fans

557
00:24:33,040 --> 00:24:35,840
Speaker 2: growing up and just have kids and are not paying

558
00:24:35,840 --> 00:24:39,200
Speaker 2: attention as much. But that's a drastic drop, especially after

559
00:24:39,200 --> 00:24:39,840
Speaker 2: you do the super Bowl.

560
00:24:39,960 --> 00:24:42,200
Speaker 1: Yeah, that's that's that's more than half.

561
00:24:42,320 --> 00:24:44,880
Speaker 2: Because you would think even at the height, if you're

562
00:24:44,920 --> 00:24:47,679
Speaker 2: doing the super Bowl, that means my mom knows who

563
00:24:47,720 --> 00:24:51,119
Speaker 2: you are, and my mom would be not invested, but

564
00:24:51,160 --> 00:24:52,639
Speaker 2: if you put an album out, would know about it

565
00:24:52,680 --> 00:24:53,800
Speaker 2: and would at least want to listen.

566
00:24:53,840 --> 00:24:56,160
Speaker 1: She knows your music. Your mom knows the Weekends music.

567
00:24:56,400 --> 00:24:58,119
Speaker 2: She does, but I don't think she knows that the

568
00:24:58,160 --> 00:25:00,879
Speaker 2: Weekend put out an album, right, I'll see what you

569
00:25:00,960 --> 00:25:04,440
Speaker 2: mean like at all now? Before Yeah, I think she knew.

570
00:25:05,040 --> 00:25:07,920
Speaker 2: I just speculating on what's going on.

571
00:25:07,960 --> 00:25:12,720
Speaker 5: It's weird, man, Like you just you know, sometimes when

572
00:25:12,760 --> 00:25:14,560
Speaker 5: you're you know, you put an all them out and

573
00:25:14,600 --> 00:25:18,840
Speaker 5: you do almost half a million in sales. It's kind

574
00:25:18,840 --> 00:25:20,240
Speaker 5: of hard to keep that same.

575
00:25:21,640 --> 00:25:22,400
Speaker 1: That's not you know what I.

576
00:25:22,359 --> 00:25:24,080
Speaker 2: Mean, that's almost impossible.

577
00:25:24,160 --> 00:25:26,240
Speaker 1: Yeah, it's like, so is it is? It? Is this

578
00:25:26,320 --> 00:25:28,040
Speaker 1: a fail for him to be doing one seven not

579
00:25:28,640 --> 00:25:29,440
Speaker 1: in this first week?

580
00:25:29,640 --> 00:25:32,320
Speaker 2: But there's the thing, his thing. I don't know. I

581
00:25:32,320 --> 00:25:33,560
Speaker 2: don't know what he spent. I don't know what his

582
00:25:33,640 --> 00:25:38,160
Speaker 2: expectations were. I don't know what what's he going, Republic

583
00:25:38,240 --> 00:25:41,560
Speaker 2: or Republic expected out of it. Granted they did no

584
00:25:41,880 --> 00:25:44,199
Speaker 2: singles and really no promo, so I don't know what

585
00:25:44,240 --> 00:25:46,240
Speaker 2: their expectations don't. I don't know if they thought the

586
00:25:46,280 --> 00:25:47,880
Speaker 2: weekend was someone that maybe he's not.

587
00:25:50,040 --> 00:25:51,000
Speaker 1: Who is he not? Though?

588
00:25:51,119 --> 00:25:54,080
Speaker 2: Maybe he's not this gigantic pop star he is.

589
00:25:53,920 --> 00:25:57,280
Speaker 5: Though we can't know he is. But once you do

590
00:25:57,320 --> 00:25:59,720
Speaker 5: the super Bowl like you're you're a pop star.

591
00:26:00,680 --> 00:26:04,439
Speaker 2: I agree. But if you put out an album and

592
00:26:04,480 --> 00:26:07,080
Speaker 2: do one fifty when you used to do four hundred

593
00:26:07,119 --> 00:26:09,440
Speaker 2: on the last one, it'd still be a pop star.

594
00:26:09,480 --> 00:26:13,040
Speaker 2: Don't get me wrong, still an icon, But I don't

595
00:26:13,080 --> 00:26:15,919
Speaker 2: think you are who we thought you were before.

596
00:26:16,160 --> 00:26:17,879
Speaker 5: But like you said, did he have a single for

597
00:26:17,960 --> 00:26:21,520
Speaker 5: this SONGM? No, that could be you know, part of

598
00:26:21,520 --> 00:26:23,280
Speaker 5: it for sure? You know what I mean like that

599
00:26:23,480 --> 00:26:26,200
Speaker 5: sometimes people just don't know what's coming, they don't know

600
00:26:26,240 --> 00:26:28,680
Speaker 5: what's happening. Then you drop the album and it's like, oh,

601
00:26:28,760 --> 00:26:31,400
Speaker 5: so maybe this is gonna be a slow burn. Yeah,

602
00:26:31,440 --> 00:26:33,080
Speaker 5: you know what I mean, Like, maybe maybe he'll do

603
00:26:33,119 --> 00:26:35,360
Speaker 5: it if he does one seventy again.

604
00:26:35,160 --> 00:26:36,840
Speaker 1: Next week listen.

605
00:26:37,080 --> 00:26:40,080
Speaker 2: I'm also of the belief that, especially in these times,

606
00:26:40,119 --> 00:26:42,359
Speaker 2: you can do more with the post rollout than.

607
00:26:42,240 --> 00:26:42,879
Speaker 1: The pre rollout.

608
00:26:42,960 --> 00:26:44,879
Speaker 2: Absolutely, like you could put the shit out and then

609
00:26:44,920 --> 00:26:47,080
Speaker 2: let's work the album once it's out, rather than working

610
00:26:47,200 --> 00:26:51,199
Speaker 2: up to it. So this could be a masterclass in

611
00:26:51,280 --> 00:26:53,119
Speaker 2: this and we just don't know yet, but I have

612
00:26:53,200 --> 00:26:55,879
Speaker 2: to bring up and ask and talk about why it

613
00:26:56,000 --> 00:26:57,520
Speaker 2: was so quiet around one.

614
00:26:57,400 --> 00:27:00,320
Speaker 1: Of the biggest artists. It was definitely a the last

615
00:27:00,320 --> 00:27:00,800
Speaker 1: twenty years.

616
00:27:00,840 --> 00:27:04,159
Speaker 5: It definitely didn't feel like his album dropped in comparison

617
00:27:04,160 --> 00:27:07,080
Speaker 5: to other albums, but the album is still good.

618
00:27:07,119 --> 00:27:07,520
Speaker 1: I liked it.

619
00:27:07,560 --> 00:27:09,159
Speaker 5: I didn't think I was gonna like it after the

620
00:27:09,160 --> 00:27:11,399
Speaker 5: first listen it just was like, Okay, he's on his

621
00:27:11,520 --> 00:27:16,040
Speaker 5: eighties eighties pop shit right now. But after listening to

622
00:27:16,040 --> 00:27:17,680
Speaker 5: it over the weekend, I really liked this album. Though

623
00:27:18,440 --> 00:27:20,760
Speaker 5: I get it, I understand, you know, that he's different.

624
00:27:21,680 --> 00:27:24,119
Speaker 5: He's not trying to sound like nobody. He's not trying

625
00:27:24,119 --> 00:27:26,840
Speaker 5: to duplicate what he already did in his past with

626
00:27:26,960 --> 00:27:28,320
Speaker 5: other projects.

627
00:27:28,960 --> 00:27:30,800
Speaker 1: And to me, that's what being an artist is.

628
00:27:30,840 --> 00:27:33,680
Speaker 5: It's like, you know, let me create something different, let

629
00:27:33,680 --> 00:27:35,760
Speaker 5: me let me be different, let me separate myself from

630
00:27:35,760 --> 00:27:38,000
Speaker 5: everything that's going on. I don't want to look like nobody.

631
00:27:38,119 --> 00:27:39,600
Speaker 5: I don't want to sound like nobody. I want to

632
00:27:39,640 --> 00:27:42,720
Speaker 5: be myself. So I salute that period from any artist,

633
00:27:42,800 --> 00:27:44,200
Speaker 5: once they move on their own and try to do

634
00:27:44,280 --> 00:27:46,320
Speaker 5: their own thing. But then he delivered. The sound of

635
00:27:46,320 --> 00:27:49,960
Speaker 5: the album is dope. It's not too far left.

636
00:27:50,000 --> 00:27:50,520
Speaker 1: I get it.

637
00:27:50,960 --> 00:27:52,480
Speaker 5: Like I said, it threw me off the first list

638
00:27:52,520 --> 00:27:55,960
Speaker 5: and I was like, I wasn't expecting this, but it's good.

639
00:27:56,000 --> 00:27:56,639
Speaker 1: It's a good album.

640
00:27:56,760 --> 00:27:59,959
Speaker 2: Oh so we are incorrect though. That had to take

641
00:28:00,280 --> 00:28:03,159
Speaker 2: take my Breath, Yeah, right, all the time. It did

642
00:28:03,240 --> 00:28:05,400
Speaker 2: have a lead single. August sixth, twenty twenty one, Take

643
00:28:05,440 --> 00:28:06,240
Speaker 2: My Breath came out.

644
00:28:06,520 --> 00:28:07,600
Speaker 3: I've never heard of that song.

645
00:28:08,119 --> 00:28:10,520
Speaker 2: I the first time I heard that song was album

646
00:28:10,640 --> 00:28:13,360
Speaker 2: was on the album, and then obviously when it came

647
00:28:13,359 --> 00:28:17,280
Speaker 2: out January seventh, Sacrifice is the next single.

648
00:28:17,760 --> 00:28:19,480
Speaker 3: Do we think the weekends to go back to giving

649
00:28:19,520 --> 00:28:20,520
Speaker 3: his music to other people.

650
00:28:21,400 --> 00:28:24,480
Speaker 1: No, No, I don't think so, Absolutely not.

651
00:28:24,640 --> 00:28:27,040
Speaker 2: I would love to hear other people on this type

652
00:28:27,040 --> 00:28:29,800
Speaker 2: of sound with him producing it. Don't get me wrong,

653
00:28:30,200 --> 00:28:32,679
Speaker 2: but he I'm still not sick of the Weekend. I

654
00:28:32,680 --> 00:28:35,480
Speaker 2: still think he's an incredible fucking artist and sure nowhere

655
00:28:35,480 --> 00:28:37,400
Speaker 2: near his downfall as far as music goes.

656
00:28:38,280 --> 00:28:42,200
Speaker 1: I'm never gonna look at first week's sales he's falling off, like.

657
00:28:42,240 --> 00:28:44,920
Speaker 2: No, I'm never that guy. I'm just raising questions on

658
00:28:44,960 --> 00:28:47,240
Speaker 2: certain stuff. Yeah, around it, but.

659
00:28:48,640 --> 00:28:50,560
Speaker 5: I think I think it'll be a slow burn. I

660
00:28:50,560 --> 00:28:54,000
Speaker 5: think this album is gonna grow on people. I think

661
00:28:54,000 --> 00:28:55,280
Speaker 5: once you put the because he doesn't.

662
00:28:55,280 --> 00:28:56,640
Speaker 1: Does he have a video out yet for any of

663
00:28:56,680 --> 00:29:01,479
Speaker 1: these records. I believe so, because you know that's what

664
00:29:01,560 --> 00:29:03,200
Speaker 1: you know, once you put out of his visuals.

665
00:29:03,280 --> 00:29:06,920
Speaker 2: Especially I'm sure there's one for Sacrifices that came out

666
00:29:07,080 --> 00:29:09,640
Speaker 2: probably the day the album, dude, and maybe take my breath.

667
00:29:09,640 --> 00:29:12,080
Speaker 2: I'm not aware of it, and.

668
00:29:12,080 --> 00:29:13,600
Speaker 3: I think that might be the problem. I don't know

669
00:29:13,600 --> 00:29:14,840
Speaker 3: if he's doing that on purpose.

670
00:29:14,960 --> 00:29:17,240
Speaker 4: I don't know if his label is dropping the ball,

671
00:29:18,560 --> 00:29:21,040
Speaker 4: but I'm not seeing promo for.

672
00:29:21,000 --> 00:29:25,520
Speaker 2: This album, between his management and Republic and how they've

673
00:29:26,400 --> 00:29:32,200
Speaker 2: worked Weekend before, pauls if applicable, No, I can't see

674
00:29:32,240 --> 00:29:34,880
Speaker 2: them dropping the ball per se because they know what

675
00:29:35,000 --> 00:29:37,400
Speaker 2: works for him, and that's why I'm curious about it,

676
00:29:38,200 --> 00:29:40,920
Speaker 2: of course, and that's kind of why I'm curious why

677
00:29:40,920 --> 00:29:43,520
Speaker 2: they went this route. But either way, what you think

678
00:29:43,520 --> 00:29:44,400
Speaker 2: of Quincy's therapy.

679
00:29:46,800 --> 00:29:52,480
Speaker 1: I mean, we've seen the documentary and well, for those

680
00:29:52,480 --> 00:29:53,680
Speaker 1: that didn't.

681
00:29:54,280 --> 00:29:55,760
Speaker 5: Didn't see The Queens, well, if you haven't seen the

682
00:29:55,800 --> 00:29:58,840
Speaker 5: Quincy Jones documentary, first and foremost, you should absolutely turn

683
00:29:58,880 --> 00:30:04,200
Speaker 5: that documentary on and watch. But I mean that part

684
00:30:04,200 --> 00:30:06,760
Speaker 5: of it was dope that he used for the album.

685
00:30:06,920 --> 00:30:09,680
Speaker 5: That the end of Lito with Quincy talking told about

686
00:30:09,720 --> 00:30:11,680
Speaker 5: his relationship with women and how it affected him. He

687
00:30:11,680 --> 00:30:14,960
Speaker 5: didn't realize that until later on in his life, how

688
00:30:15,000 --> 00:30:17,240
Speaker 5: his relationship of not having his mother and his mother

689
00:30:17,320 --> 00:30:19,640
Speaker 5: not being in his life affected his relationship with women.

690
00:30:20,720 --> 00:30:22,680
Speaker 5: I thought it was dope for the Weekend to include

691
00:30:22,680 --> 00:30:24,920
Speaker 5: that in his album, especially with this type of content

692
00:30:25,000 --> 00:30:26,800
Speaker 5: and the shit that she talks about. I thought that

693
00:30:26,800 --> 00:30:31,400
Speaker 5: that was cool to put that in the album.

694
00:30:29,760 --> 00:30:32,120
Speaker 2: Especially because in my in my theory of how this

695
00:30:32,280 --> 00:30:36,280
Speaker 2: album works with just this long ass coke party. Those

696
00:30:36,320 --> 00:30:38,520
Speaker 2: are the people that are at the coke party. Yeah,

697
00:30:38,560 --> 00:30:39,960
Speaker 2: the people with abandonment.

698
00:30:39,560 --> 00:30:43,120
Speaker 1: Issues, abandonment issues into the coke parties.

699
00:30:43,520 --> 00:30:46,200
Speaker 5: Yeah, I mean, you know what it is like the

700
00:30:46,240 --> 00:30:48,760
Speaker 5: weekend is not giving you the same House of Balloons,

701
00:30:48,760 --> 00:30:51,720
Speaker 5: but it's like it might be Helium balloons now, it's

702
00:30:51,760 --> 00:30:53,320
Speaker 5: not like you know, not to go back.

703
00:30:53,360 --> 00:30:56,880
Speaker 2: House of Balloons is the result of this album. After

704
00:30:56,960 --> 00:31:00,520
Speaker 2: you do everything on this album, you then get into

705
00:31:00,560 --> 00:31:02,400
Speaker 2: the depths of what house of balloons is this?

706
00:31:02,520 --> 00:31:03,200
Speaker 1: That's the result.

707
00:31:03,200 --> 00:31:05,080
Speaker 2: It's the backward Star Wars theory on this one.

708
00:31:06,120 --> 00:31:06,480
Speaker 1: You had.

709
00:31:06,520 --> 00:31:09,080
Speaker 2: You faced all your abandonment issues on House of Balloons.

710
00:31:09,120 --> 00:31:11,520
Speaker 2: After you go through this party chasing the girl that

711
00:31:11,560 --> 00:31:13,280
Speaker 2: doesn't really give a fuck about you but will still

712
00:31:13,360 --> 00:31:16,080
Speaker 2: let you beat and that blows your mind because it's

713
00:31:16,120 --> 00:31:17,040
Speaker 2: never happened to you before.

714
00:31:19,200 --> 00:31:22,280
Speaker 5: Or he went through all of that and now he understands,

715
00:31:22,280 --> 00:31:26,240
Speaker 5: he recognizes why he went through all of that. Ship like, oh,

716
00:31:26,320 --> 00:31:29,840
Speaker 5: I'm still heartbroken over this and I didn't have this

717
00:31:29,880 --> 00:31:32,160
Speaker 5: in my life and I'm missing this and I'm chasing

718
00:31:32,200 --> 00:31:34,320
Speaker 5: this feeling and so it could be that too.

719
00:31:34,840 --> 00:31:36,800
Speaker 2: Yeah, you're not mad at the girl. You just you

720
00:31:36,880 --> 00:31:38,239
Speaker 2: just matched. You don't really like you because your mother

721
00:31:38,280 --> 00:31:39,880
Speaker 2: will never liked you exactly.

722
00:31:39,560 --> 00:31:41,240
Speaker 1: And you don't understand that yet. Yeah you know what

723
00:31:41,240 --> 00:31:41,479
Speaker 1: I mean.

724
00:31:43,000 --> 00:31:46,320
Speaker 2: So you already have another family that's sick. Now listen,

725
00:31:46,360 --> 00:31:47,360
Speaker 2: I analyze this album.

726
00:31:48,240 --> 00:31:49,720
Speaker 1: That's the sick ass thought. Man.

727
00:31:49,880 --> 00:31:52,640
Speaker 2: I think there's this is a very intricate track list

728
00:31:52,640 --> 00:31:55,400
Speaker 2: and how he did everything. I literally pictured this entire

729
00:31:55,440 --> 00:31:57,520
Speaker 2: album in my mind of the weekend just running around

730
00:31:57,520 --> 00:32:00,440
Speaker 2: the same club, like just not could not figure out

731
00:32:00,480 --> 00:32:01,600
Speaker 2: why this girl does not lik him?

732
00:32:01,720 --> 00:32:04,160
Speaker 5: Like track three is how do I Make You Love Me? Yeah,

733
00:32:04,280 --> 00:32:06,560
Speaker 5: listen to that, how Do I Make You Love Me?

734
00:32:06,760 --> 00:32:07,920
Speaker 5: And then take my breath?

735
00:32:08,160 --> 00:32:12,800
Speaker 1: Mm hm, is there someone else like you?

736
00:32:12,880 --> 00:32:15,000
Speaker 5: Gotta just look at the like, look at the titles.

737
00:32:15,680 --> 00:32:17,200
Speaker 5: Every angel is terrifying.

738
00:32:17,320 --> 00:32:19,920
Speaker 2: Have you ever had a girl let you beat and

739
00:32:19,960 --> 00:32:21,960
Speaker 2: you really liked it and you're used to You're usually

740
00:32:21,960 --> 00:32:25,520
Speaker 2: the one that leaves the situation like your fuck girl

741
00:32:25,560 --> 00:32:27,840
Speaker 2: and be like, oh, it's not working out whatever. Then

742
00:32:27,880 --> 00:32:31,640
Speaker 2: that one time happens where you beat and she wants

743
00:32:31,680 --> 00:32:34,200
Speaker 2: to leave and you can't figure out why the fuck

744
00:32:34,520 --> 00:32:36,880
Speaker 2: she wants to leave. So now you become obsessed over

745
00:32:36,920 --> 00:32:39,440
Speaker 2: it and almost fucking paranoid, and you start liking the

746
00:32:39,440 --> 00:32:41,800
Speaker 2: girl more because she fucking left and you don't know why.

747
00:32:42,000 --> 00:32:43,760
Speaker 1: Yeah, because that's what this album is about. To me.

748
00:32:43,840 --> 00:32:46,160
Speaker 5: It's of a man's ego, like you just want to

749
00:32:46,200 --> 00:32:48,600
Speaker 5: know why. You want to know why she's leaving exactly,

750
00:32:48,640 --> 00:32:50,080
Speaker 5: just like it's just a com like tell me why

751
00:32:50,120 --> 00:32:50,720
Speaker 5: you're leaving.

752
00:32:50,600 --> 00:32:52,480
Speaker 2: And now I gotta make you like me. Now, now

753
00:32:52,480 --> 00:32:54,360
Speaker 2: I gotta prove some shit. Yeah, which is terrible, And

754
00:32:54,360 --> 00:32:56,600
Speaker 2: that's just abandonment issues. And that's what Quincy is talking about.

755
00:32:56,680 --> 00:32:57,280
Speaker 1: Life is crazy.

756
00:32:57,320 --> 00:32:58,920
Speaker 2: And then Jim Carrey at the end is like, I

757
00:32:58,920 --> 00:33:01,680
Speaker 2: told you regret the shit, like you ever stay out

758
00:33:01,720 --> 00:33:03,480
Speaker 2: to the party till four? Like I stay another hour.

759
00:33:03,560 --> 00:33:04,880
Speaker 2: Then you get in the cab and you're like, why

760
00:33:04,880 --> 00:33:05,880
Speaker 2: did I stay out this late?

761
00:33:06,080 --> 00:33:07,520
Speaker 1: I think about that as soon as I get to

762
00:33:07,520 --> 00:33:08,920
Speaker 1: the party. But why am I here?

763
00:33:09,240 --> 00:33:11,120
Speaker 2: I told myself on the couch, get up?

764
00:33:11,320 --> 00:33:13,440
Speaker 5: Why am I here? This shit is trash, This shit

765
00:33:13,480 --> 00:33:16,000
Speaker 5: is terrible. Every time I go out and tell myself.

766
00:33:15,680 --> 00:33:19,320
Speaker 2: That for sure, this is the before hours when you go.

767
00:33:19,240 --> 00:33:20,520
Speaker 3: All with us all you have fun.

768
00:33:22,480 --> 00:33:26,840
Speaker 5: I have, well, I have fun I'm not gonna say

769
00:33:26,840 --> 00:33:29,000
Speaker 5: I don't have fun, but it definitely be like, Yo,

770
00:33:29,040 --> 00:33:30,200
Speaker 5: we could have did this somewhere else.

771
00:33:30,800 --> 00:33:32,840
Speaker 1: It could have just been us somewhere, like we didn't

772
00:33:32,840 --> 00:33:34,320
Speaker 1: have to come here, we have to get this undred

773
00:33:34,320 --> 00:33:35,960
Speaker 1: of other people. Yeah, send you this much money.

774
00:33:36,040 --> 00:33:37,920
Speaker 5: Yeah, it's like, yo, we could have went somewhere else

775
00:33:38,000 --> 00:33:40,040
Speaker 5: more low key, Like I'm not guy now, I just

776
00:33:40,080 --> 00:33:43,320
Speaker 5: hate being around a bunch of because your energy is

777
00:33:43,320 --> 00:33:45,480
Speaker 5: a real thing. Man, Like when you partying with a

778
00:33:45,480 --> 00:33:48,880
Speaker 5: bunch of Like somebody said something, they said, yo, if

779
00:33:48,920 --> 00:33:51,000
Speaker 5: the whole thought of going out, like just the whole

780
00:33:51,480 --> 00:33:54,640
Speaker 5: process of actually going out to a club is built

781
00:33:54,680 --> 00:33:58,200
Speaker 5: off of like anxiety, like from dealing with the person

782
00:33:58,240 --> 00:34:01,840
Speaker 5: at the door to get then to getting a table,

783
00:34:01,880 --> 00:34:03,200
Speaker 5: all of that. It's like, by the time you go

784
00:34:03,240 --> 00:34:05,680
Speaker 5: through all of that energy and emotion of dealing with people,

785
00:34:05,760 --> 00:34:06,480
Speaker 5: you want to drink.

786
00:34:06,680 --> 00:34:07,600
Speaker 1: You're like, y'all need a drink?

787
00:34:07,760 --> 00:34:09,719
Speaker 5: Yeah, And then if like you're in the club so

788
00:34:09,880 --> 00:34:11,600
Speaker 5: like I don't drink. So if you're in the club sober,

789
00:34:12,080 --> 00:34:14,719
Speaker 5: being in the club sober is the worst ship in

790
00:34:14,760 --> 00:34:18,920
Speaker 5: the world. I mean, I smoke, But that's a difference

791
00:34:19,080 --> 00:34:20,920
Speaker 5: that it's different it's different than drinking.

792
00:34:20,920 --> 00:34:22,920
Speaker 2: I never understood people that could be sober. I can

793
00:34:22,960 --> 00:34:24,000
Speaker 2: barely be drunk in the club.

794
00:34:24,120 --> 00:34:25,719
Speaker 1: Being sober in the club.

795
00:34:26,960 --> 00:34:29,480
Speaker 5: Fuck like the music you like, this ship is loud.

796
00:34:29,840 --> 00:34:31,919
Speaker 5: You notice everything when you sober, Like, Yo, this ship

797
00:34:31,960 --> 00:34:34,520
Speaker 5: is loud. This girl is pissing me off, Like why

798
00:34:34,560 --> 00:34:37,880
Speaker 5: is she yelling? Why she walking around barefoot? Like somebody's

799
00:34:37,920 --> 00:34:42,040
Speaker 5: throwing up over here. Oh that's that's every club, that's

800
00:34:42,160 --> 00:34:42,640
Speaker 5: every night.

801
00:34:42,840 --> 00:34:45,440
Speaker 2: I mean, the club crowd is almost like the frequent

802
00:34:45,560 --> 00:34:49,480
Speaker 2: flyer crowd to me, Like you just literally at every

803
00:34:49,560 --> 00:34:52,839
Speaker 2: check point, you're complaining about something thought and all you're

804
00:34:52,880 --> 00:34:56,799
Speaker 2: doing is talking to strangers about the similar complaints. And

805
00:34:56,840 --> 00:34:58,719
Speaker 2: that's how you form bonds. And it's like, why are

806
00:34:58,719 --> 00:35:00,759
Speaker 2: we doing this in the first place? Why do we

807
00:35:00,800 --> 00:35:02,480
Speaker 2: continue to do this to it? It's just weird, man,

808
00:35:02,800 --> 00:35:06,680
Speaker 2: Like you go to complain because at the club there's

809
00:35:06,719 --> 00:35:08,040
Speaker 2: more people complaining than having fun.

810
00:35:08,200 --> 00:35:10,200
Speaker 1: Absolutely, absolutely, it's mad.

811
00:35:10,000 --> 00:35:12,279
Speaker 2: People looking at everyone going like these people are so fake.

812
00:35:12,320 --> 00:35:15,120
Speaker 1: I'm so sick. No, we're all fake. You're here too.

813
00:35:15,520 --> 00:35:18,600
Speaker 5: And now it's nasty because everybody's on their phone. Like

814
00:35:18,640 --> 00:35:21,279
Speaker 5: you go to a party, now everybody's on their phone

815
00:35:21,320 --> 00:35:22,040
Speaker 5: security is on.

816
00:35:22,040 --> 00:35:27,960
Speaker 2: Unless cars DJ. Then the dances working, the crying talk

817
00:35:27,960 --> 00:35:31,680
Speaker 2: about their dad touched them, like it's yeah, what what

818
00:35:31,760 --> 00:35:33,480
Speaker 2: party is that party?

819
00:35:33,520 --> 00:35:34,600
Speaker 1: It was great? My god?

820
00:35:34,719 --> 00:35:36,400
Speaker 2: Wait, seriously, I want to know how more would have

821
00:35:36,440 --> 00:35:38,000
Speaker 2: moves in that party. You would have fun at that

822
00:35:38,000 --> 00:35:39,440
Speaker 2: one because no one was on their foot.

823
00:35:39,280 --> 00:35:41,040
Speaker 1: Women talking about their dad touched them.

824
00:35:41,160 --> 00:35:43,279
Speaker 2: I was jomming was different party.

825
00:35:43,280 --> 00:35:45,240
Speaker 1: I'd have been on my phone calling the uber quick.

826
00:35:45,080 --> 00:35:48,120
Speaker 2: Like I listen you guys. Put me in a room

827
00:35:48,160 --> 00:35:49,560
Speaker 2: in LA with a girl that told me she just

828
00:35:49,560 --> 00:35:51,439
Speaker 2: had an abortion. So I don't want to hear from any.

829
00:35:52,520 --> 00:35:54,480
Speaker 1: Sick It'd be some sick ship going on.

830
00:35:54,560 --> 00:35:57,160
Speaker 3: D Like, you don't see this is what I'm saying.

831
00:35:57,200 --> 00:35:58,920
Speaker 1: It'd be some sick ship going on out here.

832
00:35:58,960 --> 00:35:59,160
Speaker 3: Man.

833
00:35:59,600 --> 00:36:02,040
Speaker 5: Well, like I don't ever want to know, Like just

834
00:36:02,080 --> 00:36:04,320
Speaker 5: telling somebody just had an abortion is just crazy.

835
00:36:04,760 --> 00:36:07,240
Speaker 1: Who wants to hear that? Why are you telling nothing?

836
00:36:07,239 --> 00:36:08,359
Speaker 2: Maybe I'm very pro life.

837
00:36:09,200 --> 00:36:12,400
Speaker 5: It's your eyes. She looked in your eyes, you have

838
00:36:12,480 --> 00:36:14,200
Speaker 5: cond eyes. Like she just felt like she was in

839
00:36:14,200 --> 00:36:14,880
Speaker 5: a safe space.

840
00:36:15,080 --> 00:36:18,279
Speaker 2: No people can see. There's people I run into are like, oh,

841
00:36:18,280 --> 00:36:20,360
Speaker 2: I can see a certain sadness about you. So I

842
00:36:20,360 --> 00:36:22,920
Speaker 2: can relate. I think she saw that and was like abortion,

843
00:36:23,080 --> 00:36:28,680
Speaker 2: and I was like, WHOA, tell me about how you

844
00:36:28,680 --> 00:36:29,479
Speaker 2: guys broke up first?

845
00:36:30,239 --> 00:36:35,160
Speaker 1: What's his name? Your boyfriend? Not the baby? All right?

846
00:36:35,200 --> 00:36:39,880
Speaker 1: So else are you gonna gonna gonna put out an album?

847
00:36:40,080 --> 00:36:43,000
Speaker 5: I don't know if you heard it, but telling her Maras,

848
00:36:44,000 --> 00:36:46,640
Speaker 5: I like it, man, I like the Gunn album before me.

849
00:36:46,719 --> 00:36:49,839
Speaker 5: I'm not a huge Gunner fan at all. I mean,

850
00:36:49,880 --> 00:36:53,040
Speaker 5: I recognize he's talented, but this album is I like it.

851
00:36:53,160 --> 00:36:55,080
Speaker 5: I was very surprised. I was like, yeah, I wasn't

852
00:36:55,080 --> 00:36:56,319
Speaker 5: gonna listen to it, but I was like, you know what,

853
00:36:56,400 --> 00:36:58,439
Speaker 5: let me let me get into the to the Gunna

854
00:36:58,480 --> 00:37:01,279
Speaker 5: wave a little bit and see because I've heard songs

855
00:37:01,280 --> 00:37:02,560
Speaker 5: and I'm like, he could obviously make.

856
00:37:02,440 --> 00:37:03,239
Speaker 1: Records for sure.

857
00:37:04,040 --> 00:37:07,360
Speaker 3: Tell the audience your hot take, my hot I don't.

858
00:37:07,160 --> 00:37:08,560
Speaker 1: Know if it's a hot take. I don't think he

859
00:37:08,560 --> 00:37:10,479
Speaker 1: can meet it. And I didn't think it spoke about

860
00:37:10,480 --> 00:37:11,520
Speaker 1: it's not hot to I said, uh.

861
00:37:11,719 --> 00:37:15,680
Speaker 5: And talking to Damarus earlier, I said, I think Gunna

862
00:37:15,719 --> 00:37:20,320
Speaker 5: makes better albums than Little Baby. He makes better records.

863
00:37:20,360 --> 00:37:22,200
Speaker 5: Little Baby is obviously a better rapper.

864
00:37:22,520 --> 00:37:24,239
Speaker 1: I think Little Baby's last album, I have to listen.

865
00:37:24,239 --> 00:37:24,640
Speaker 1: It's Gunna.

866
00:37:24,680 --> 00:37:27,080
Speaker 2: One was the first time I felt like, oh, Baby's

867
00:37:27,280 --> 00:37:29,920
Speaker 2: an artist for real, he can make No. Prior to that,

868
00:37:30,000 --> 00:37:31,680
Speaker 2: I always though, yeah, Gunner makes better songs.

869
00:37:31,680 --> 00:37:33,000
Speaker 1: I think I think Gunner is that.

870
00:37:33,040 --> 00:37:36,399
Speaker 5: I think Gunn is the better, better songmaker, little Baby

871
00:37:36,480 --> 00:37:37,280
Speaker 5: is the better rapper.

872
00:37:38,560 --> 00:37:40,480
Speaker 2: Yeah, I don't think that's a crazy that's not.

873
00:37:40,400 --> 00:37:41,640
Speaker 1: A hot take, that's not a hot tape.

874
00:37:41,640 --> 00:37:43,839
Speaker 5: But listening to this Gunner album, I really liked this

875
00:37:43,880 --> 00:37:46,000
Speaker 5: album a lot. I was really surprised how good it was.

876
00:37:47,360 --> 00:37:50,160
Speaker 5: A couple records on it that I really like listening

877
00:37:50,160 --> 00:37:51,960
Speaker 5: to it for the last three days, like he put

878
00:37:51,960 --> 00:37:53,080
Speaker 5: together a really dope project.

879
00:37:53,120 --> 00:37:54,040
Speaker 1: Man, the features are dope.

880
00:37:54,280 --> 00:37:57,160
Speaker 5: Twenty one Savages, but I thought that twenty one Savages

881
00:37:57,239 --> 00:38:00,680
Speaker 5: verse on Ross's album was probably twenty one Savages best verse.

882
00:38:01,520 --> 00:38:04,680
Speaker 5: But the verse is his verse on Cole's album, the

883
00:38:04,800 --> 00:38:07,400
Speaker 5: verse that he was Savage could rap, bro, I know you,

884
00:38:08,840 --> 00:38:09,720
Speaker 5: he put out a good album.

885
00:38:09,719 --> 00:38:11,560
Speaker 2: Twenty one Savage can rap. It may not be the

886
00:38:11,560 --> 00:38:15,040
Speaker 2: way you want to hear rap. One Savage is saying.

887
00:38:15,120 --> 00:38:16,880
Speaker 5: I still think the verse on Ross's album might be

888
00:38:16,960 --> 00:38:19,359
Speaker 5: his best, his best verse though, verse, Yeah, I think

889
00:38:19,360 --> 00:38:19,719
Speaker 5: that might.

890
00:38:19,640 --> 00:38:21,600
Speaker 2: Be revisit that cold one. Though he was getting in

891
00:38:21,640 --> 00:38:23,160
Speaker 2: the same ship Quincy was getting into.

892
00:38:24,880 --> 00:38:25,600
Speaker 1: I'm gonna check it out.

893
00:38:25,600 --> 00:38:27,640
Speaker 2: He would say, I only funk with because that's that's

894
00:38:27,640 --> 00:38:28,560
Speaker 2: the bushes that accept me.

895
00:38:29,920 --> 00:38:33,480
Speaker 1: Okay, Like I like you, you good girl, chick you Yeah,

896
00:38:33,520 --> 00:38:34,120
Speaker 1: you're not for me.

897
00:38:34,239 --> 00:38:35,920
Speaker 2: Yeah, No, he gets this.

898
00:38:36,000 --> 00:38:38,239
Speaker 1: Gonna album, This Gunna album is really good. Though, I'm

899
00:38:38,239 --> 00:38:39,719
Speaker 1: not gonna lie, I really like this albums.

900
00:38:39,760 --> 00:38:40,720
Speaker 2: How's the Chloe record?

901
00:38:41,120 --> 00:38:43,759
Speaker 5: The Chloe record was dope. The record with him and

902
00:38:44,280 --> 00:38:48,080
Speaker 5: Kodak is dope. The record with him and uh Chris

903
00:38:48,120 --> 00:38:49,759
Speaker 5: Brown and Young Blues is dope.

904
00:38:50,200 --> 00:38:50,560
Speaker 1: I like it.

905
00:38:50,880 --> 00:38:53,879
Speaker 5: The so Far Ahead Empire record is dope. A lot

906
00:38:53,880 --> 00:38:54,840
Speaker 5: of Cake was dope.

907
00:38:56,040 --> 00:38:56,760
Speaker 2: So it was a classic.

908
00:38:57,320 --> 00:38:59,360
Speaker 1: No, I'm not gonna say that, but this is a

909
00:38:59,400 --> 00:39:01,600
Speaker 1: good album. This is a good album man.

910
00:39:01,840 --> 00:39:03,799
Speaker 2: So this is basically it takes a nation.

911
00:39:04,800 --> 00:39:06,920
Speaker 1: No, this is I think that this album.

912
00:39:07,320 --> 00:39:10,239
Speaker 2: If Weekend is thriller, then no, Okay, I.

913
00:39:10,239 --> 00:39:13,040
Speaker 1: Don't know what Timbland again, Timblin just had a moment. Yeah,

914
00:39:13,360 --> 00:39:13,960
Speaker 1: I do love that.

915
00:39:14,000 --> 00:39:18,279
Speaker 2: The Going to the Basketball Game Together rollout still has

916
00:39:18,320 --> 00:39:23,480
Speaker 2: not died. It's still it's argainly successful because I saw

917
00:39:23,560 --> 00:39:25,000
Speaker 2: Chloe was on the album. I was like, oh, shit,

918
00:39:25,080 --> 00:39:26,719
Speaker 2: Chloe's on the album, and I was like, oh, they

919
00:39:26,719 --> 00:39:27,520
Speaker 2: went to the game together.

920
00:39:27,880 --> 00:39:30,319
Speaker 1: This was already planned. You know, you got to go

921
00:39:30,360 --> 00:39:33,600
Speaker 1: to the game. Shit court side, you know how it is?

922
00:39:33,640 --> 00:39:36,440
Speaker 2: Man, Listen, man, Chris Brown and Rihanna put out Ain't

923
00:39:36,440 --> 00:39:38,959
Speaker 2: Nobody's business after that ship and then sack court side

924
00:39:38,960 --> 00:39:44,160
Speaker 2: on Christmas? Yeah, how come the picture of them? You

925
00:39:44,200 --> 00:39:45,920
Speaker 2: know how we have like all those iconic pictures and

926
00:39:45,960 --> 00:39:48,680
Speaker 2: all that shit of all time, Like that needs to

927
00:39:48,719 --> 00:39:51,880
Speaker 2: be on an Urban Outfitters T shirts. Yeah, the two

928
00:39:51,920 --> 00:39:55,760
Speaker 2: of them at the game on Christmasucie.

929
00:39:54,520 --> 00:39:55,400
Speaker 3: Home baking cookies.

930
00:39:55,480 --> 00:39:58,360
Speaker 2: Yeah, that's wild.

931
00:39:58,400 --> 00:40:02,239
Speaker 5: Man, some section going on our culture. But y'all, like

932
00:40:02,320 --> 00:40:04,040
Speaker 5: y'all don't sit back and really think about the ship

933
00:40:04,120 --> 00:40:04,680
Speaker 5: that goes on.

934
00:40:04,840 --> 00:40:09,360
Speaker 2: Man, here's the thing. I don't think the celebrities are

935
00:40:09,400 --> 00:40:12,560
Speaker 2: the sick ones. I think they identify how sick we

936
00:40:12,680 --> 00:40:15,400
Speaker 2: all are and just cater to our sickness.

937
00:40:16,239 --> 00:40:18,520
Speaker 5: Well, the celebrities just find a way they're like us.

938
00:40:18,600 --> 00:40:21,759
Speaker 5: They just find a way to talk about how sick

939
00:40:21,800 --> 00:40:24,759
Speaker 5: they are better and yes, they make us dance to

940
00:40:24,800 --> 00:40:26,240
Speaker 5: them saying how sick they are.

941
00:40:26,040 --> 00:40:28,200
Speaker 2: But I think that's the celebrity genius. At the end

942
00:40:28,239 --> 00:40:30,719
Speaker 2: of the day, it's not their actual talent. It's identifying

943
00:40:30,800 --> 00:40:37,760
Speaker 2: what is sick about us and then entertain nice melody

944
00:40:37,960 --> 00:40:39,560
Speaker 2: ain't nobody's business. And then we're going to go to

945
00:40:39,600 --> 00:40:43,600
Speaker 2: the game together on Christmas Day, which is like everybody feud,

946
00:40:43,920 --> 00:40:48,400
Speaker 2: everybody shit ever in the fucking Staples Center. That's the

947
00:40:48,440 --> 00:40:49,200
Speaker 2: sickest thing ever.

948
00:40:49,200 --> 00:40:53,200
Speaker 5: Bro Listen, man, you know the artist celebrities are humans too, man.

949
00:40:53,239 --> 00:40:54,879
Speaker 5: They just want to have fun, do their own thing.

950
00:40:54,880 --> 00:40:57,600
Speaker 5: They just in the spotlight and things get magnified differently,

951
00:40:57,719 --> 00:40:58,000
Speaker 5: that's all.

952
00:40:58,239 --> 00:41:00,000
Speaker 2: And that's how I had to respect Roddy Rich because

953
00:41:00,080 --> 00:41:02,880
Speaker 2: they tried to get him with the that at the

954
00:41:02,880 --> 00:41:06,759
Speaker 2: game roll out was sweetie. He was sleep, Roddy said,

955
00:41:06,840 --> 00:41:11,239
Speaker 2: I was there first. I sat down first. He was

956
00:41:11,320 --> 00:41:13,880
Speaker 2: sleep for some of that game. I was at that

957
00:41:13,920 --> 00:41:14,480
Speaker 2: game in l A.

958
00:41:14,640 --> 00:41:15,160
Speaker 1: He was sleep.

959
00:41:15,600 --> 00:41:18,680
Speaker 2: You see Roddy taking it some Z promise y'all.

960
00:41:19,040 --> 00:41:22,319
Speaker 5: Roddy Rich was sleep for some of that. I'm telling you.

961
00:41:22,360 --> 00:41:24,040
Speaker 5: He had his shades on, but he was sleep.

962
00:41:23,840 --> 00:41:25,239
Speaker 2: And it was funny. I don't think he does like

963
00:41:25,239 --> 00:41:26,480
Speaker 2: I don't think he's one of them. Drug kids.

964
00:41:26,520 --> 00:41:26,719
Speaker 1: Either.

965
00:41:26,800 --> 00:41:28,799
Speaker 2: He was probably just really tired.

966
00:41:28,960 --> 00:41:30,920
Speaker 5: And they probably, like you said, they make you go there,

967
00:41:30,960 --> 00:41:34,000
Speaker 5: sit courtside, like put your big chain on, put some

968
00:41:34,000 --> 00:41:35,080
Speaker 5: ships on, and just sit.

969
00:41:35,000 --> 00:41:36,160
Speaker 2: Down, sit next to sweetie.

970
00:41:36,239 --> 00:41:36,800
Speaker 1: He was sleep.

971
00:41:37,719 --> 00:41:39,560
Speaker 2: He was definitely I was when they asked him that.

972
00:41:39,640 --> 00:41:42,960
Speaker 2: In that response, I was there first. Is the funniest

973
00:41:42,960 --> 00:41:45,080
Speaker 2: fucking response to a seat ever.

974
00:41:46,080 --> 00:41:47,920
Speaker 5: But it's real though, Like Nigga, I didn't know she

975
00:41:48,000 --> 00:41:50,840
Speaker 5: was coming. I was here and they tapped me and say, yo,

976
00:41:50,880 --> 00:41:51,719
Speaker 5: sweet we're gonna sit.

977
00:41:51,640 --> 00:41:55,400
Speaker 2: Sweety next we hit the same scalper out front from.

978
00:41:55,239 --> 00:41:59,960
Speaker 1: The Crazy You got some court sides available?

979
00:42:00,880 --> 00:42:03,239
Speaker 2: Can I? Since you guys were listening to the Gunner

980
00:42:03,239 --> 00:42:05,640
Speaker 2: album a weekend, can someone explain what P is to me?

981
00:42:06,360 --> 00:42:06,680
Speaker 6: With P?

982
00:42:07,200 --> 00:42:10,920
Speaker 2: I saw that all over my timeline, like do something

983
00:42:10,960 --> 00:42:14,120
Speaker 2: dope and then insert P, like if you are loyal,

984
00:42:14,360 --> 00:42:14,680
Speaker 2: that's P.

985
00:42:15,800 --> 00:42:19,640
Speaker 1: If you don't know in relationship, I don't know that sling.

986
00:42:19,640 --> 00:42:21,719
Speaker 5: I don't know what that means. I don't know what

987
00:42:21,760 --> 00:42:23,759
Speaker 5: P means. Is it is?

988
00:42:23,840 --> 00:42:24,319
Speaker 1: It? Is it?

989
00:42:24,840 --> 00:42:25,759
Speaker 3: Where's Julian?

990
00:42:25,800 --> 00:42:27,040
Speaker 1: I don't know? Pressure, I don't know.

991
00:42:29,040 --> 00:42:31,439
Speaker 2: It seemed like it was a great They basically took

992
00:42:31,480 --> 00:42:33,480
Speaker 2: the weekend away from Justin le Boy. I see what

993
00:42:33,520 --> 00:42:36,000
Speaker 2: their their social team was doing over there were Gunner

994
00:42:36,000 --> 00:42:38,160
Speaker 2: and I applauded. They was just taking the meme game. Yeah,

995
00:42:38,239 --> 00:42:40,520
Speaker 2: it was quiet for your brother this weekend. Everything was

996
00:42:40,560 --> 00:42:46,040
Speaker 2: on Gunner. Justin Lea Boy and Justin Leman could not

997
00:42:46,120 --> 00:42:46,719
Speaker 2: speak at all.

998
00:42:46,960 --> 00:42:50,479
Speaker 1: Justin lemon an name, that's big, that's big.

999
00:42:51,040 --> 00:42:54,680
Speaker 3: Ain't just like who's Justin le Man like?

1000
00:42:55,719 --> 00:42:57,360
Speaker 2: But yeah, I just saw those memes everybody.

1001
00:42:57,360 --> 00:42:58,440
Speaker 1: I found out what he means.

1002
00:43:00,239 --> 00:43:03,160
Speaker 2: So Damarus found out what it meant. He means player

1003
00:43:03,320 --> 00:43:03,720
Speaker 2: or pimp?

1004
00:43:04,200 --> 00:43:08,239
Speaker 1: Yeah, pimping player? What else was it? Demararus? Uh?

1005
00:43:07,840 --> 00:43:07,920
Speaker 4: Uh?

1006
00:43:09,280 --> 00:43:09,560
Speaker 3: Pure?

1007
00:43:09,920 --> 00:43:12,520
Speaker 1: Pure, keep it pure, keep it pure. See you don't

1008
00:43:12,600 --> 00:43:13,239
Speaker 1: keep it pure enough?

1009
00:43:13,440 --> 00:43:16,000
Speaker 2: How could something mean pure and pimping.

1010
00:43:16,800 --> 00:43:19,400
Speaker 5: That's the beauty of our culture. That's the beauty of

1011
00:43:19,400 --> 00:43:21,200
Speaker 5: our culture right there. Or we can just take the

1012
00:43:21,360 --> 00:43:23,400
Speaker 5: sometimes keeping it pipping's keep it pure.

1013
00:43:23,280 --> 00:43:24,840
Speaker 1: And you gotta be playing at the same time. You

1014
00:43:24,920 --> 00:43:25,480
Speaker 1: keeping it pure?

1015
00:43:25,600 --> 00:43:29,759
Speaker 2: Yeah, and pimping and player can mean multiple women or

1016
00:43:29,840 --> 00:43:30,719
Speaker 2: not lying to any woman.

1017
00:43:34,360 --> 00:43:36,640
Speaker 5: Seeing, we're about to fall into a whole a bunch

1018
00:43:36,640 --> 00:43:39,160
Speaker 5: of different ways about to fall in the whole, different conversation.

1019
00:43:39,280 --> 00:43:41,840
Speaker 2: Now, keeping a player means you're keeping it real with

1020
00:43:41,880 --> 00:43:44,239
Speaker 2: all of them. But then also we got somebody that

1021
00:43:44,239 --> 00:43:45,440
Speaker 2: has a bunch of women that he's not keeping it

1022
00:43:45,480 --> 00:43:45,680
Speaker 2: real with.

1023
00:43:45,840 --> 00:43:48,000
Speaker 5: Yeah, we gotta start calling out, like when dude's bake,

1024
00:43:48,000 --> 00:43:50,960
Speaker 5: I'm keeping it playing because a lot of the times

1025
00:43:51,000 --> 00:43:53,080
Speaker 5: you ain't keeping it player. You're just saying you're keeping

1026
00:43:53,120 --> 00:43:55,640
Speaker 5: it playing. But you emotional, oh for sure, and keeping

1027
00:43:55,640 --> 00:43:57,600
Speaker 5: it play a big part of keeping it play it

1028
00:43:57,640 --> 00:43:59,880
Speaker 5: is not being emotional at all. And I think that

1029
00:44:00,120 --> 00:44:02,280
Speaker 5: to part that a lot of people forget, Like keeping

1030
00:44:02,280 --> 00:44:05,680
Speaker 5: the player means cool, Like I'm not no matter how

1031
00:44:05,719 --> 00:44:08,440
Speaker 5: this goals, I'm not gonna get ruffled. My feathers are

1032
00:44:08,440 --> 00:44:11,000
Speaker 5: not gonna ruffle. I'm not gonna get upset. I'm not

1033
00:44:11,000 --> 00:44:13,839
Speaker 5: gonna be angry. I'm not gonna stalk you. I'm not

1034
00:44:13,880 --> 00:44:16,000
Speaker 5: gonna be texting you, blowing your phone up.

1035
00:44:16,760 --> 00:44:19,080
Speaker 1: Keep it cool. Well, here's the thing I'm not gonna say.

1036
00:44:19,080 --> 00:44:21,880
Speaker 2: I'm not gonna cop to all of that, but I

1037
00:44:21,960 --> 00:44:23,520
Speaker 2: used to front like I didn't give a fuck and

1038
00:44:23,560 --> 00:44:26,279
Speaker 2: I waslair. I want to give a fuck. I'm not

1039
00:44:26,280 --> 00:44:28,279
Speaker 2: one of those people with anything. I give a fuck,

1040
00:44:28,600 --> 00:44:32,719
Speaker 2: and I'm emotional, per all the time in front of

1041
00:44:33,080 --> 00:44:35,640
Speaker 2: Uh yeah, but I can control my emotions. It's not

1042
00:44:35,680 --> 00:44:38,680
Speaker 2: meaning that they're not there and that I don't express them. No,

1043
00:44:38,719 --> 00:44:41,919
Speaker 2: I'm not stalking you. I'm not fucking calling you thirty times.

1044
00:44:41,960 --> 00:44:43,680
Speaker 2: I'm not one of those people just because I have

1045
00:44:43,760 --> 00:44:46,400
Speaker 2: things to do that day. But right, right, right, that

1046
00:44:46,520 --> 00:44:48,480
Speaker 2: just takes a lot of free time to do that.

1047
00:44:48,719 --> 00:44:51,799
Speaker 2: But I am one hundred percent emotional, I think, and

1048
00:44:51,840 --> 00:44:53,959
Speaker 2: I think that's a more p thing if you will,

1049
00:44:54,280 --> 00:44:56,600
Speaker 2: like I will admit when I'm hurt, and I will

1050
00:44:56,640 --> 00:44:57,480
Speaker 2: tell you why I'm hurt.

1051
00:44:57,560 --> 00:44:59,160
Speaker 1: Keeping it purely emotional.

1052
00:44:58,800 --> 00:45:01,640
Speaker 2: Yes, I don't fee I'm a PPP loan.

1053
00:45:01,760 --> 00:45:03,719
Speaker 1: Yeah yeah, yeah, you keep it purely emotional. I get

1054
00:45:03,719 --> 00:45:05,640
Speaker 1: blown out my emotions. I think that.

1055
00:45:05,840 --> 00:45:05,920
Speaker 6: Uh.

1056
00:45:06,800 --> 00:45:08,560
Speaker 5: You know, it's funny a lot of the times you

1057
00:45:08,600 --> 00:45:10,360
Speaker 5: listen to we listen to the music that we listened to,

1058
00:45:10,440 --> 00:45:12,200
Speaker 5: and you know a lot of these artists be talking

1059
00:45:12,200 --> 00:45:15,880
Speaker 5: at play and ship and they you know, they're pimp

1060
00:45:15,920 --> 00:45:19,200
Speaker 5: and this they got all the women. And but it's

1061
00:45:19,239 --> 00:45:20,640
Speaker 5: like when you meet some of the women they deal

1062
00:45:20,680 --> 00:45:23,520
Speaker 5: with in real life and like they start showing you

1063
00:45:23,560 --> 00:45:26,200
Speaker 5: like text messages, You're like, that's not him.

1064
00:45:26,560 --> 00:45:28,480
Speaker 1: That's not hill that kept me here.

1065
00:45:29,520 --> 00:45:31,520
Speaker 2: It happens way more than y'all think of that.

1066
00:45:31,760 --> 00:45:33,560
Speaker 1: I wish people understood that.

1067
00:45:33,440 --> 00:45:35,919
Speaker 2: And not like I've ever asked for it. Women would

1068
00:45:35,960 --> 00:45:38,760
Speaker 2: just show me because like when you're just friends with women,

1069
00:45:39,600 --> 00:45:41,919
Speaker 2: you have a different relationship with them, absolutely, and they're

1070
00:45:41,920 --> 00:45:43,600
Speaker 2: also used to men, not just wanting to be friends

1071
00:45:43,600 --> 00:45:45,799
Speaker 2: with them. So then they just look at you like

1072
00:45:45,880 --> 00:45:47,279
Speaker 2: you the gay bestie, and I'm like, y'all, I don't

1073
00:45:47,320 --> 00:45:48,600
Speaker 2: need to see that. But that's hysterical.

1074
00:45:48,880 --> 00:45:51,799
Speaker 5: It's funny when you start like, wait, no, that's not him. Yeah, man,

1075
00:45:52,080 --> 00:45:53,719
Speaker 5: like you got me fucked up.

1076
00:45:54,640 --> 00:45:56,960
Speaker 1: You just met him like last week, but how you

1077
00:45:56,960 --> 00:45:58,040
Speaker 1: got sucked up in a week?

1078
00:45:58,200 --> 00:46:01,120
Speaker 2: But you do know, like artists by definition are the

1079
00:46:01,200 --> 00:46:04,280
Speaker 2: most emotional people on earth. That's why it's so funny

1080
00:46:04,440 --> 00:46:07,440
Speaker 2: for sure. But that's why rap is so funny, because

1081
00:46:07,480 --> 00:46:11,120
Speaker 2: it's like, all right, you're never supposed to talk about crimes,

1082
00:46:11,120 --> 00:46:14,120
Speaker 2: that's the rule, and rap is only talking about crimes

1083
00:46:14,320 --> 00:46:16,560
Speaker 2: or rap is supposed to be this machis mo macho shit.

1084
00:46:17,360 --> 00:46:21,040
Speaker 2: Yet you're an artist, right, You're you're an emo. Fuck,

1085
00:46:21,120 --> 00:46:23,480
Speaker 2: I don't care what you do if you are into art,

1086
00:46:23,840 --> 00:46:25,600
Speaker 2: you have to have there some emotion to be a

1087
00:46:25,640 --> 00:46:26,160
Speaker 2: good artist.

1088
00:46:26,200 --> 00:46:26,759
Speaker 1: Absolutely.

1089
00:46:26,880 --> 00:46:29,719
Speaker 2: So that's why it's just the catch twenty two of

1090
00:46:30,040 --> 00:46:33,000
Speaker 2: hip hop, back to how words can mean two different

1091
00:46:33,000 --> 00:46:36,000
Speaker 2: things in the culture. It's great, it's just funny because

1092
00:46:36,120 --> 00:46:37,480
Speaker 2: those are the most emotional people.

1093
00:46:37,560 --> 00:46:38,200
Speaker 1: Absolutely.

1094
00:46:39,239 --> 00:46:40,399
Speaker 2: I don't know if you want to say on Mike

1095
00:46:40,600 --> 00:46:43,080
Speaker 2: or off, I'll say Future is an emotional motherfucker. Like,

1096
00:46:43,200 --> 00:46:44,400
Speaker 2: he's not this fucking thing.

1097
00:46:44,480 --> 00:46:46,000
Speaker 1: We know that. I think the cats out the bag.

1098
00:46:46,120 --> 00:46:48,400
Speaker 2: He's not this like crazy toxic fuck man bitches.

1099
00:46:48,400 --> 00:46:48,799
Speaker 1: I don't care.

1100
00:46:48,880 --> 00:46:51,120
Speaker 2: No, he's no, he's he's he's doing that every last

1101
00:46:51,120 --> 00:46:52,719
Speaker 2: one of his baby mother he's doing that.

1102
00:46:52,800 --> 00:46:55,200
Speaker 1: But he's there's always a lot of emotion behind that,

1103
00:46:56,360 --> 00:46:56,920
Speaker 1: you know what I mean.

1104
00:46:57,120 --> 00:46:58,759
Speaker 5: And that's the part that a lot of dudes don't see,

1105
00:46:58,880 --> 00:47:01,000
Speaker 5: is like, y'all listen to this ship if y'all want

1106
00:47:01,040 --> 00:47:03,400
Speaker 5: to know. It sounds great blaring through the speakers in

1107
00:47:03,440 --> 00:47:07,400
Speaker 5: the club and everybody's drinking, smoking, see them text messages.

1108
00:47:07,000 --> 00:47:09,600
Speaker 2: Though, what's song? What's the Future song on Certified lover

1109
00:47:09,680 --> 00:47:10,600
Speaker 2: Boy that I love.

1110
00:47:10,960 --> 00:47:11,680
Speaker 1: Way too sexy?

1111
00:47:11,880 --> 00:47:13,080
Speaker 2: No, the other one.

1112
00:47:14,320 --> 00:47:17,920
Speaker 1: That was the ship, My other one on Certified lover.

1113
00:47:17,840 --> 00:47:20,560
Speaker 2: Boy when he says on the hook, she'll fuck me

1114
00:47:20,600 --> 00:47:23,640
Speaker 2: for that AP. She'll fuck me for that. She'll fuck

1115
00:47:23,719 --> 00:47:25,960
Speaker 2: me for that AP. No Future killed that ship. That

1116
00:47:26,000 --> 00:47:29,399
Speaker 2: record is incredible Into Deep, one of my favorites off

1117
00:47:29,400 --> 00:47:35,200
Speaker 2: that album. I don't think people are listening to Future's

1118
00:47:35,239 --> 00:47:38,880
Speaker 2: crying out she'll fuck me for the AP. He's not

1119
00:47:38,920 --> 00:47:42,360
Speaker 2: happy about that. He's disgusted with his life and disgusted

1120
00:47:42,360 --> 00:47:46,439
Speaker 2: with the people that are around him. That's like, y'all

1121
00:47:46,440 --> 00:47:49,120
Speaker 2: are hearing a hook. I am hearing help like help me, Like,

1122
00:47:49,160 --> 00:47:51,799
Speaker 2: look who I'm around. She'll fuck me for that AP.

1123
00:47:52,080 --> 00:47:52,720
Speaker 2: He's crying.

1124
00:47:53,760 --> 00:47:57,320
Speaker 4: I mean, he just got some bad bitches that. I

1125
00:47:57,360 --> 00:47:58,240
Speaker 4: don't think he's crying.

1126
00:47:58,440 --> 00:48:02,040
Speaker 1: Yes, he is and is subjective.

1127
00:48:02,040 --> 00:48:04,160
Speaker 2: Have you ever seen a comedian telling an amazing joke,

1128
00:48:04,200 --> 00:48:07,279
Speaker 2: an amazing bit that has a dark undertone to it.

1129
00:48:07,840 --> 00:48:09,560
Speaker 1: M hm. He didn't react that.

1130
00:48:09,520 --> 00:48:12,880
Speaker 2: Way when this story happened, like he's really hurt about this.

1131
00:48:12,920 --> 00:48:15,640
Speaker 2: He's just making a joke about it. Artists, it may

1132
00:48:15,800 --> 00:48:17,759
Speaker 2: sound good on the record, it wasn't good.

1133
00:48:17,680 --> 00:48:19,520
Speaker 1: When it happened. He is coming from a place of hurt.

1134
00:48:19,880 --> 00:48:22,880
Speaker 2: He was running around his house upset that all these

1135
00:48:22,920 --> 00:48:25,680
Speaker 2: buses just want to fuck him for an ap I.

1136
00:48:25,680 --> 00:48:27,480
Speaker 1: Would be upset to living.

1137
00:48:28,360 --> 00:48:30,080
Speaker 5: I will be upset to if all these bitches just

1138
00:48:30,120 --> 00:48:31,440
Speaker 5: wanted to fuck me for a watch, I would be like,

1139
00:48:31,480 --> 00:48:32,560
Speaker 5: all right, man, where's my life?

1140
00:48:33,200 --> 00:48:34,400
Speaker 2: Do I have any value?

1141
00:48:34,560 --> 00:48:36,319
Speaker 1: Like I'm here? Like somebody talk to.

1142
00:48:36,239 --> 00:48:38,680
Speaker 2: Me, any substances, Somebody.

1143
00:48:38,360 --> 00:48:40,120
Speaker 1: Have a conversation with me, like get to know me.

1144
00:48:40,840 --> 00:48:44,200
Speaker 2: Speaking of the player, shit, uh Andre three thousand on

1145
00:48:44,239 --> 00:48:47,000
Speaker 2: Duce's remix, I'm gonna keep a player.

1146
00:48:47,600 --> 00:48:48,960
Speaker 1: I won't tell you all the details.

1147
00:48:49,320 --> 00:48:52,239
Speaker 2: The seven verses before him told you every detail you

1148
00:48:52,239 --> 00:48:54,560
Speaker 2: could ever fucking think of, whatever relationship they were.

1149
00:48:54,560 --> 00:48:57,759
Speaker 5: Ever, that's why three thousands is different, because to tell

1150
00:48:57,800 --> 00:48:58,840
Speaker 5: some details, don't get it twisted.

1151
00:48:58,840 --> 00:49:00,480
Speaker 1: You know he did. But he heard all those other

1152
00:49:00,560 --> 00:49:02,440
Speaker 1: verses and he was like, oh, that's what you're doing.

1153
00:49:02,440 --> 00:49:03,360
Speaker 1: All right, I'm not doing that.

1154
00:49:03,719 --> 00:49:04,200
Speaker 2: Can we.

1155
00:49:05,719 --> 00:49:05,879
Speaker 3: Can?

1156
00:49:05,920 --> 00:49:09,560
Speaker 2: I give a hot take, and it's when I retake,

1157
00:49:09,600 --> 00:49:13,240
Speaker 2: though it's not the hot take of reason saying Fab

1158
00:49:13,320 --> 00:49:15,520
Speaker 2: is better than Andre three thousand. We can get into

1159
00:49:15,560 --> 00:49:18,760
Speaker 2: that later. It's not one of those hot takes. Deuce's

1160
00:49:18,760 --> 00:49:25,840
Speaker 2: remix is terrible. To get that crew of legends together

1161
00:49:26,520 --> 00:49:28,359
Speaker 2: and for each of them to spit one of their

1162
00:49:28,400 --> 00:49:34,440
Speaker 2: worst verses ever. As a collective is a foot in itself.

1163
00:49:34,800 --> 00:49:36,319
Speaker 2: Three Stacks isn't even that good on that.

1164
00:49:36,360 --> 00:49:37,960
Speaker 1: See, now I gotta listen to It's been so long

1165
00:49:37,960 --> 00:49:38,640
Speaker 1: since I heard that.

1166
00:49:38,640 --> 00:49:47,239
Speaker 2: Fab starts his verse out with drizzy voice. Kanye comes

1167
00:49:47,239 --> 00:49:50,480
Speaker 2: in after you had to remember the time of when

1168
00:49:50,520 --> 00:49:55,640
Speaker 2: it happened, talk about emotional, that old Ambushit was happening publicly.

1169
00:49:55,760 --> 00:49:58,120
Speaker 2: He came on that Deuce's remix. Didn't even think about roymen.

1170
00:49:58,280 --> 00:50:01,880
Speaker 2: You know what, you're a bitch, get your get your

1171
00:50:01,880 --> 00:50:03,960
Speaker 2: ship right, you get your ship off.

1172
00:50:04,440 --> 00:50:05,320
Speaker 1: Yeah, therapy.

1173
00:50:05,520 --> 00:50:09,880
Speaker 2: Then Drake took that fucking amazing beat and was like, forty,

1174
00:50:11,120 --> 00:50:14,279
Speaker 2: let's ruin it with some keys. It was not I

1175
00:50:14,360 --> 00:50:24,400
Speaker 2: just landed. I'm sitting in my hotel room, and.

1176
00:50:24,440 --> 00:50:25,560
Speaker 1: Now I gotta listen to it.

1177
00:50:27,320 --> 00:50:30,280
Speaker 2: He needs to because he bodied t I Drake ross

1178
00:50:30,480 --> 00:50:31,280
Speaker 2: three Stacks.

1179
00:50:31,760 --> 00:50:35,399
Speaker 1: Kanye, he bodied everybody on that.

1180
00:50:35,760 --> 00:50:37,400
Speaker 2: Kevin McCole bodied everybody on that.

1181
00:50:38,120 --> 00:50:40,640
Speaker 1: Kevin McColl His verse was dope on that. I remember that.

1182
00:50:40,719 --> 00:50:42,960
Speaker 3: I like Drake's verse. I think Drake is the best

1183
00:50:43,000 --> 00:50:43,840
Speaker 3: verse on the remix.

1184
00:50:44,080 --> 00:50:45,840
Speaker 2: I like Drake's verse sort of, but.

1185
00:50:45,800 --> 00:50:47,239
Speaker 3: I enjoy Kanye is the best.

1186
00:50:47,239 --> 00:50:49,080
Speaker 2: But like when that beat knock and then we just

1187
00:50:49,080 --> 00:50:53,640
Speaker 2: got to stop for the breakdown. This was a classic.

1188
00:50:53,840 --> 00:51:01,080
Speaker 2: Oh if you was around for this, just that intro outside.

1189
00:51:01,080 --> 00:51:06,239
Speaker 1: Ship, this was that ship bullshit the.

1190
00:51:06,360 --> 00:51:08,640
Speaker 2: Bird who was on Twitter when that came out?

1191
00:51:10,400 --> 00:51:13,120
Speaker 1: Me for sure? All that bullships for the birds ain't

1192
00:51:13,120 --> 00:51:16,040
Speaker 1: nothing but a vulte. You heard Chris getting his ship off.

1193
00:51:16,520 --> 00:51:18,279
Speaker 2: Dad had been the most tweeted bar I think of

1194
00:51:18,280 --> 00:51:20,920
Speaker 2: all time, one of them for sure, I g caption

1195
00:51:21,600 --> 00:51:23,960
Speaker 2: highest ever. But let's get to thetuales. We already know

1196
00:51:24,000 --> 00:51:25,759
Speaker 2: what Christ that ship, and we know what Tiger did.

1197
00:51:25,800 --> 00:51:28,319
Speaker 2: Put some respect on his name. Who wants to see

1198
00:51:28,320 --> 00:51:33,960
Speaker 2: Tiger versus one thing?

1199
00:51:34,719 --> 00:51:37,680
Speaker 3: Tiger is No matter what comes out with a single,

1200
00:51:37,719 --> 00:51:38,399
Speaker 3: it's gonna be a hit.

1201
00:51:39,640 --> 00:51:41,239
Speaker 1: He keep a record for sure, you know.

1202
00:51:42,400 --> 00:51:46,080
Speaker 2: And all right, man, Drake is one of my favorite

1203
00:51:46,080 --> 00:51:50,480
Speaker 2: of all time. But when this beat knock, save this

1204
00:51:50,560 --> 00:51:51,359
Speaker 2: for the last man?

1205
00:51:52,920 --> 00:51:54,879
Speaker 1: You best our bag.

1206
00:51:56,360 --> 00:51:58,000
Speaker 2: Now all of a sudden, you just gotta have this

1207
00:51:58,040 --> 00:51:58,719
Speaker 2: is what you mean?

1208
00:51:58,800 --> 00:52:00,560
Speaker 3: I ain't call you.

1209
00:52:01,040 --> 00:52:03,160
Speaker 1: It's a whole new song. Just change the song. But

1210
00:52:03,239 --> 00:52:07,800
Speaker 1: that was hard, Yeah that I like the breakdowns and songs,

1211
00:52:07,840 --> 00:52:11,600
Speaker 1: and that one not on this beat tell me, tell

1212
00:52:11,640 --> 00:52:12,799
Speaker 1: me you in your hotel room.

1213
00:52:13,680 --> 00:52:15,680
Speaker 5: But you gotta realize that was coming off of I

1214
00:52:15,719 --> 00:52:17,799
Speaker 5: think was Marvin's room out back then.

1215
00:52:19,400 --> 00:52:21,799
Speaker 3: That took me back was that. I think this was

1216
00:52:21,800 --> 00:52:22,360
Speaker 3: pre Marvin's.

1217
00:52:22,360 --> 00:52:26,920
Speaker 4: I think definitely pres room.

1218
00:52:26,080 --> 00:52:26,719
Speaker 1: Marked that up.

1219
00:52:27,120 --> 00:52:30,879
Speaker 3: Yeah, because Marvin's room was like.

1220
00:52:31,239 --> 00:52:34,400
Speaker 1: Now Drake hilt that now I'm remembering it. I'm waiting

1221
00:52:34,480 --> 00:52:36,600
Speaker 1: in my hotel room. Seems like.

1222
00:52:38,320 --> 00:52:40,399
Speaker 5: You don't wrap like that, You known't he don't rap

1223
00:52:40,480 --> 00:52:40,839
Speaker 5: like that one.

1224
00:52:42,719 --> 00:52:45,399
Speaker 7: Yeah, I think she'll be able to sell a song.

1225
00:52:45,520 --> 00:52:50,200
Speaker 7: But I I for you right, I will and me

1226
00:52:50,320 --> 00:52:53,840
Speaker 7: with out no breaks, I will fugod And it says

1227
00:52:54,160 --> 00:52:56,960
Speaker 7: you with curves and me without no breaks.

1228
00:52:58,360 --> 00:53:01,960
Speaker 4: That was that was my picture capture years.

1229
00:53:02,000 --> 00:53:03,080
Speaker 1: Don't want to be in my eyes.

1230
00:53:03,120 --> 00:53:06,400
Speaker 2: But don't feel like a verse that says after he

1231
00:53:06,440 --> 00:53:09,080
Speaker 2: hits the breaks, what you kill them in?

1232
00:53:09,400 --> 00:53:11,920
Speaker 1: After he said with all thems like you don't say

1233
00:53:11,920 --> 00:53:16,239
Speaker 1: it and say you like this verse. It's funny hearing

1234
00:53:16,239 --> 00:53:17,799
Speaker 1: how niggas used to wrap and how they rap.

1235
00:53:17,880 --> 00:53:21,880
Speaker 2: Now he's spoke, I'm really you feel like you but

1236
00:53:23,320 --> 00:53:27,400
Speaker 2: with them nothing ass bitches. This is just this felt

1237
00:53:27,400 --> 00:53:29,960
Speaker 2: like around. I think I shall have PTSD from swagger

1238
00:53:30,040 --> 00:53:30,439
Speaker 2: like us.

1239
00:53:31,239 --> 00:53:32,640
Speaker 1: So he was kind of off the whole posse.

1240
00:53:33,000 --> 00:53:35,120
Speaker 2: Yeah, like I was still like we all they're gonna

1241
00:53:35,120 --> 00:53:37,919
Speaker 2: do is get together and not do anything good because

1242
00:53:37,920 --> 00:53:40,600
Speaker 2: they're all gonna be scared. Like as competition. I don't

1243
00:53:40,640 --> 00:53:42,080
Speaker 2: really know like what I should do here?

1244
00:53:42,120 --> 00:53:42,839
Speaker 1: What was on that too?

1245
00:53:42,880 --> 00:53:43,040
Speaker 6: Right?

1246
00:53:43,120 --> 00:53:46,600
Speaker 5: Yeah, play a little bit of ROAs like hearing these

1247
00:53:46,600 --> 00:53:48,200
Speaker 5: records now, I'll be forgetting how to start as soon

1248
00:53:48,239 --> 00:53:49,239
Speaker 5: as I hear it, Like.

1249
00:53:50,040 --> 00:53:55,040
Speaker 8: We used to beat you know what, yo, you were bitch.

1250
00:53:55,440 --> 00:53:58,280
Speaker 8: You should have a travel agent because you a trip,

1251
00:53:58,680 --> 00:54:01,440
Speaker 8: you should make it the ship.

1252
00:54:01,880 --> 00:54:04,840
Speaker 1: But some fucking issues, you fucking bitch.

1253
00:54:05,080 --> 00:54:05,719
Speaker 2: He felt that.

1254
00:54:06,640 --> 00:54:09,960
Speaker 1: He felt that, but it's like why you keep is it?

1255
00:54:10,040 --> 00:54:10,360
Speaker 2: Keeping it?

1256
00:54:11,239 --> 00:54:13,320
Speaker 1: That was not keeping it pet at all. That was

1257
00:54:13,400 --> 00:54:13,959
Speaker 1: keeping it.

1258
00:54:13,920 --> 00:54:17,520
Speaker 2: D nah man, he's he's expressing how he feels.

1259
00:54:17,840 --> 00:54:19,960
Speaker 1: Yeah, but you come on, fam. That ship wasn't even

1260
00:54:19,960 --> 00:54:20,720
Speaker 1: a hard ball.

1261
00:54:20,600 --> 00:54:23,840
Speaker 2: Though, No, that isn't. He was just mad, you know

1262
00:54:23,960 --> 00:54:24,319
Speaker 2: what I'm saying.

1263
00:54:24,320 --> 00:54:26,040
Speaker 5: It's like that ship wasn't even hard That ship was

1264
00:54:26,080 --> 00:54:28,359
Speaker 5: just like we know who he talking about, because that's

1265
00:54:28,360 --> 00:54:30,520
Speaker 5: when those verses was the thing like who are talking about?

1266
00:54:30,600 --> 00:54:30,719
Speaker 1: Oh?

1267
00:54:30,800 --> 00:54:33,279
Speaker 5: Yeah no this was but this was that was a year, like, oh,

1268
00:54:33,320 --> 00:54:34,240
Speaker 5: who are talking about?

1269
00:54:34,520 --> 00:54:36,840
Speaker 2: That was like when fucking uh, what's something been for

1270
00:54:36,920 --> 00:54:42,920
Speaker 2: Darkswess the Fantasy with John Legend Lame Game came out.

1271
00:54:42,960 --> 00:54:46,840
Speaker 2: It was like tearing this poor girl apart, like we

1272
00:54:47,239 --> 00:54:49,600
Speaker 2: can see her stranger Chris.

1273
00:54:49,440 --> 00:54:54,319
Speaker 1: Rock On on the Yeah.

1274
00:54:52,480 --> 00:54:54,640
Speaker 4: That was where my Instagram name, my Aliens came from.

1275
00:54:54,719 --> 00:54:58,400
Speaker 4: Maristotle came from.

1276
00:54:58,560 --> 00:54:59,359
Speaker 1: What did you teach him?

1277
00:54:59,680 --> 00:54:59,799
Speaker 6: What?

1278
00:54:59,800 --> 00:55:01,600
Speaker 1: You man?

1279
00:55:01,719 --> 00:55:02,240
Speaker 3: Go ahead?

1280
00:55:03,560 --> 00:55:08,880
Speaker 5: I want to know your class, your master class with

1281
00:55:09,040 --> 00:55:11,080
Speaker 5: the marriage was up there teaching I want to know crazy.

1282
00:55:11,880 --> 00:55:12,640
Speaker 1: That's very funny.

1283
00:55:12,719 --> 00:55:14,600
Speaker 4: Kanye really came out and said Jay finally got it

1284
00:55:14,600 --> 00:55:15,960
Speaker 4: through my head and not around my mouth. And then

1285
00:55:16,080 --> 00:55:18,000
Speaker 4: Niggs spent the rest of his career and run his mouth.

1286
00:55:19,000 --> 00:55:20,359
Speaker 1: He didn't listen to Jay at all.

1287
00:55:20,440 --> 00:55:21,680
Speaker 3: He didn't get it through at all.

1288
00:55:22,640 --> 00:55:26,160
Speaker 2: Not once. Now he actually continued to talk about Jay.

1289
00:55:26,640 --> 00:55:30,160
Speaker 2: He went to talk about Jay instead. I love Yay

1290
00:55:30,160 --> 00:55:32,239
Speaker 2: and I'm talking ship That Duce's remix was cool, but

1291
00:55:32,440 --> 00:55:35,680
Speaker 2: I will say that just shows how crazy the Real

1292
00:55:35,760 --> 00:55:39,720
Speaker 2: Deuces was because the original was far better than a remix.

1293
00:55:39,800 --> 00:55:41,440
Speaker 1: With every legend from that era.

1294
00:55:41,920 --> 00:55:44,680
Speaker 4: When's the last good posse cut where everybody actually had

1295
00:55:44,719 --> 00:55:45,280
Speaker 4: good verses.

1296
00:55:45,280 --> 00:55:49,160
Speaker 3: Who was it? Touch it?

1297
00:55:50,280 --> 00:55:51,040
Speaker 1: The last one?

1298
00:55:51,080 --> 00:55:54,400
Speaker 2: Tho, Well, let's define posse cut. It has to be

1299
00:55:54,400 --> 00:55:57,279
Speaker 2: at least more than four right, and we're making a

1300
00:55:57,320 --> 00:55:58,680
Speaker 2: record or we rapping.

1301
00:56:00,080 --> 00:56:01,400
Speaker 1: You said making a record.

1302
00:56:01,440 --> 00:56:05,200
Speaker 2: Like there's records now with four artists on it, Like

1303
00:56:05,280 --> 00:56:07,160
Speaker 2: it's all of the lights of posse cut because there's

1304
00:56:07,200 --> 00:56:09,479
Speaker 2: like seven legends on it. But it's not a posse cut.

1305
00:56:09,520 --> 00:56:11,800
Speaker 2: I'm saying, like where people were rapping, let's put a

1306
00:56:11,800 --> 00:56:12,839
Speaker 2: hook or a sample in there.

1307
00:56:12,880 --> 00:56:15,680
Speaker 1: You have to have a verse verse lost.

1308
00:56:16,640 --> 00:56:19,520
Speaker 2: Oh yeah, is that a posse that's a song. It's

1309
00:56:19,520 --> 00:56:25,160
Speaker 2: not a posse cut. That's not so so banned from

1310
00:56:25,239 --> 00:56:26,879
Speaker 2: TV was a posse cut. It was a four bar

1311
00:56:26,920 --> 00:56:29,880
Speaker 2: loop and they just kept rapping. That's a posse cut.

1312
00:56:30,080 --> 00:56:34,200
Speaker 2: Reservoir Dog is a posse cut. I think a train

1313
00:56:34,360 --> 00:56:36,920
Speaker 2: is a posse cut.

1314
00:56:37,200 --> 00:56:40,160
Speaker 3: Remix is a posse cut.

1315
00:56:39,480 --> 00:56:42,319
Speaker 2: In a when wrapped went very emotional. Yes, that would

1316
00:56:42,320 --> 00:56:43,399
Speaker 2: be considered a possy cut.

1317
00:56:43,440 --> 00:56:45,160
Speaker 1: Yeah, that was that was That's.

1318
00:56:45,040 --> 00:56:51,200
Speaker 2: A sick passy cut. But then again, fucking problems, I

1319
00:56:51,200 --> 00:56:56,520
Speaker 2: guess would be a possi cut. Much of I'm being

1320
00:56:56,520 --> 00:56:57,560
Speaker 2: too much of a purist on that.

1321
00:56:57,640 --> 00:56:58,680
Speaker 1: Yeah, fucking Problems.

1322
00:56:58,719 --> 00:57:00,360
Speaker 2: I guess it is a Possi cut then, because we

1323
00:57:00,360 --> 00:57:02,480
Speaker 2: were saying who got who on it, and it was

1324
00:57:02,520 --> 00:57:03,640
Speaker 2: like a club record.

1325
00:57:04,560 --> 00:57:06,200
Speaker 5: If I feel like we just got one not too

1326
00:57:06,200 --> 00:57:09,319
Speaker 5: long ago a Posse cut, We're stupid and don't remember things.

1327
00:57:09,760 --> 00:57:12,239
Speaker 1: No music comes out every fucking day now, it's hard

1328
00:57:12,280 --> 00:57:14,160
Speaker 1: to who would put out album.

1329
00:57:14,480 --> 00:57:19,160
Speaker 2: I mean, Russ's entire album is a Possy cut.

1330
00:57:19,760 --> 00:57:20,960
Speaker 1: That's just we just got one.

1331
00:57:21,520 --> 00:57:24,040
Speaker 4: Monster is definitely a post cut. It fucking Problems is

1332
00:57:24,040 --> 00:57:26,040
Speaker 4: a Possi cut, then Monster is a Posse cut.

1333
00:57:27,040 --> 00:57:30,480
Speaker 2: Rick Ross has two bars in the beginning, and then

1334
00:57:31,040 --> 00:57:38,160
Speaker 2: you get a Jay, Nicky and Kanye three artists. Ross No,

1335
00:57:39,360 --> 00:57:41,000
Speaker 2: he's like growls.

1336
00:57:40,560 --> 00:57:46,560
Speaker 1: And then we just got not too long ago.

1337
00:57:46,600 --> 00:57:50,400
Speaker 5: But I can't remember. But Deuce's remix is uh is

1338
00:57:50,400 --> 00:57:55,000
Speaker 5: one of the most legendary Possy cuts, though the most.

1339
00:57:54,840 --> 00:57:58,520
Speaker 2: Emotional Possey cut. It's got to go before though, well,

1340
00:57:58,560 --> 00:58:02,360
Speaker 2: I don't know what the one blood remix the longest.

1341
00:58:01,920 --> 00:58:04,120
Speaker 1: That that's that's more than the.

1342
00:58:03,600 --> 00:58:05,160
Speaker 2: Only game would be the one to pull that off.

1343
00:58:05,440 --> 00:58:07,040
Speaker 1: How long is that? How long is that record?

1344
00:58:07,080 --> 00:58:09,680
Speaker 5: An hour and a half that recognized two days long

1345
00:58:09,720 --> 00:58:11,960
Speaker 5: at least for sure, you really go to sleep and

1346
00:58:12,080 --> 00:58:15,200
Speaker 5: wake up, Wake up, niggas are still rapping.

1347
00:58:15,240 --> 00:58:16,600
Speaker 1: You're like, all right, man, I'm cool.

1348
00:58:16,640 --> 00:58:18,960
Speaker 2: Listen, if Sirius give us a real radio show to

1349
00:58:19,000 --> 00:58:20,880
Speaker 2: fill up the first week, I'm just playing one blove remix.

1350
00:58:20,880 --> 00:58:21,600
Speaker 2: I'm gonna leave the student.

1351
00:58:21,600 --> 00:58:24,200
Speaker 5: That's all you need to play one blood leave, go

1352
00:58:24,280 --> 00:58:26,560
Speaker 5: on vacation, come back. It'll be two minutes left in

1353
00:58:26,560 --> 00:58:27,000
Speaker 5: the record.

1354
00:58:27,600 --> 00:58:31,240
Speaker 2: For sure, you could probably still discover new rappers from that.

1355
00:58:31,320 --> 00:58:36,760
Speaker 1: Today. Blood Game was calling everybody for a verse.

1356
00:58:36,680 --> 00:58:41,280
Speaker 2: Listen that ship, and he did that on purpose. Unfortunately,

1357
00:58:41,280 --> 00:58:43,960
Speaker 2: we had a milli from every rapper that we didn't

1358
00:58:43,960 --> 00:58:48,400
Speaker 2: want to hear from. No, it was once it was

1359
00:58:48,560 --> 00:58:50,520
Speaker 2: just Wayne and then everyone decided to take the beat

1360
00:58:50,520 --> 00:58:51,880
Speaker 2: and wrap over it. Wayne didn't ask nobody to do

1361
00:58:51,960 --> 00:58:53,400
Speaker 2: that ship a remix.

1362
00:58:55,080 --> 00:58:56,200
Speaker 1: Corey Guns was on that right.

1363
00:58:56,440 --> 00:58:59,400
Speaker 3: He was on six.

1364
00:59:00,640 --> 00:59:03,640
Speaker 1: To when he was teaching them. Corey got off on that.

1365
00:59:04,160 --> 00:59:06,440
Speaker 2: Corey did got I think six for seven foot is

1366
00:59:06,440 --> 00:59:07,920
Speaker 2: better than a millie.

1367
00:59:07,960 --> 00:59:10,040
Speaker 1: But that's just me? Is I do too? Yeah, that's

1368
00:59:10,040 --> 00:59:15,640
Speaker 1: how I take you. Sorry, no apologize. That's definitely not

1369
00:59:15,640 --> 00:59:16,120
Speaker 1: a hot take.

1370
00:59:17,240 --> 00:59:19,600
Speaker 2: No, Corey definitely went off on that. But yeah, all right,

1371
00:59:19,640 --> 00:59:22,200
Speaker 2: so we figured out what he is. I'm still sticking

1372
00:59:22,240 --> 00:59:26,760
Speaker 2: with with Duce's remix being very underwhelming. When do you'll

1373
00:59:26,800 --> 00:59:27,720
Speaker 2: go back to Duce's remix?

1374
00:59:28,760 --> 00:59:29,240
Speaker 3: I play it.

1375
00:59:29,240 --> 00:59:31,120
Speaker 1: Regularly, I haven't. I haven't heard that record in the long.

1376
00:59:32,280 --> 00:59:34,240
Speaker 5: You talking about it definitely brought up like a lot

1377
00:59:34,240 --> 00:59:35,880
Speaker 5: of old Like I remember where I was at when

1378
00:59:35,880 --> 00:59:36,600
Speaker 5: that ship came out?

1379
00:59:36,640 --> 00:59:39,360
Speaker 1: What was going on? But everybody was wearing with.

1380
00:59:39,320 --> 00:59:42,440
Speaker 5: The fashion look like that's when G shocks was going crazy.

1381
00:59:42,680 --> 00:59:44,160
Speaker 5: What every shock eerror?

1382
00:59:44,320 --> 00:59:46,320
Speaker 2: Every color and the fake ones look real and they

1383
00:59:46,320 --> 00:59:46,800
Speaker 2: were so cheap.

1384
00:59:46,840 --> 00:59:48,160
Speaker 1: Didn't they have a fake G shock?

1385
00:59:48,320 --> 00:59:51,560
Speaker 3: Is na? They had a fake G shot?

1386
00:59:52,000 --> 00:59:54,240
Speaker 1: No, I know they had, but I was wearing a

1387
00:59:54,280 --> 00:59:55,520
Speaker 1: fake shock is crazy?

1388
00:59:55,600 --> 00:59:57,080
Speaker 2: Yeah, but you're all right, how old were you when

1389
00:59:57,120 --> 00:59:58,840
Speaker 2: G Shocks came out? Not when they came out, but

1390
00:59:58,840 --> 01:00:00,320
Speaker 2: when they were like repopping.

1391
01:00:00,480 --> 01:00:04,920
Speaker 1: Twenty ten ten? I was twenty eight, twenty nine, Yeah.

1392
01:00:05,560 --> 01:00:08,680
Speaker 2: Some of us were eighteen and you know, maybe didn't

1393
01:00:08,680 --> 01:00:11,600
Speaker 2: have much money, so we bought fake G shots from

1394
01:00:11,640 --> 01:00:12,800
Speaker 2: the mall or from now Street.

1395
01:00:13,000 --> 01:00:15,160
Speaker 1: That's just crazy, though, wearing a fake G shot, It's crazy.

1396
01:00:15,200 --> 01:00:15,960
Speaker 1: How much was G shot?

1397
01:00:16,000 --> 01:00:17,440
Speaker 2: Eighty bucks? In most Yeah, like.

1398
01:00:17,400 --> 01:00:19,400
Speaker 1: That's so wearing a fake one? Like, come on, man,

1399
01:00:19,440 --> 01:00:21,240
Speaker 1: you just you know why. I don't understand why.

1400
01:00:22,040 --> 01:00:24,600
Speaker 2: They looked they were the only watch that was fake

1401
01:00:24,720 --> 01:00:27,200
Speaker 2: that looked identical because shots.

1402
01:00:26,960 --> 01:00:28,960
Speaker 5: A plastic, That's all I say. That's why don't wearing

1403
01:00:28,960 --> 01:00:31,600
Speaker 5: a fake g shot wasn't really fake? Yeah exactly, that's

1404
01:00:31,600 --> 01:00:32,640
Speaker 5: what about to say, how do you even know?

1405
01:00:33,040 --> 01:00:33,480
Speaker 2: Exactly?

1406
01:00:33,560 --> 01:00:36,440
Speaker 4: I don't understand why people with fake shit because it's like,

1407
01:00:36,920 --> 01:00:38,800
Speaker 4: just don't wear it, just don't buy Yeah, Like, what's

1408
01:00:38,800 --> 01:00:41,040
Speaker 4: the fucking with that? What is the point of That's

1409
01:00:41,040 --> 01:00:43,480
Speaker 4: a mental that's a mental disease. When fake shit is

1410
01:00:43,480 --> 01:00:44,080
Speaker 4: a mental.

1411
01:00:43,880 --> 01:00:46,000
Speaker 2: Disease, that's a it's a quincy abandonment.

1412
01:00:46,080 --> 01:00:49,959
Speaker 1: It's bro shit, Just wear it? Why are you wearing that? Ship?

1413
01:00:50,640 --> 01:00:51,800
Speaker 1: What jewelry?

1414
01:00:51,880 --> 01:00:55,480
Speaker 2: I don't understand it, but I do get it. The

1415
01:00:55,880 --> 01:01:00,680
Speaker 2: rich people that wear fake jewelry, I get it. Here's

1416
01:01:00,680 --> 01:01:02,640
Speaker 2: why I get it. I know what you meant it.

1417
01:01:02,960 --> 01:01:04,440
Speaker 2: I wouldn't do it, but I get.

1418
01:01:04,320 --> 01:01:05,680
Speaker 1: It because you get it because they have the money

1419
01:01:05,720 --> 01:01:06,480
Speaker 1: obviously to buy it.

1420
01:01:06,560 --> 01:01:09,560
Speaker 2: On top of that, you're a target. Someone's going for it.

1421
01:01:09,640 --> 01:01:12,560
Speaker 2: If you lose that on a night out, just fucking

1422
01:01:12,560 --> 01:01:15,520
Speaker 2: worry it. Well, some of us are not tough and

1423
01:01:15,520 --> 01:01:16,280
Speaker 2: we want to wear jewelry.

1424
01:01:16,320 --> 01:01:16,360
Speaker 6: Mo.

1425
01:01:17,240 --> 01:01:19,600
Speaker 1: I remember my homeboy. My homeboy was in town visiting.

1426
01:01:19,640 --> 01:01:21,200
Speaker 5: I won't say his name, but he had on like

1427
01:01:21,240 --> 01:01:23,880
Speaker 5: a really really expensive watch and watch is probably about

1428
01:01:23,920 --> 01:01:27,800
Speaker 5: seventy thousand dollars and but it was no diamonds. It

1429
01:01:27,920 --> 01:01:29,640
Speaker 5: was just like, you know, one of those type of watches.

1430
01:01:29,640 --> 01:01:34,360
Speaker 5: It was just a plane autemark. He wants to to girl,

1431
01:01:34,400 --> 01:01:37,360
Speaker 5: fucking for the aps whatever. Probably he wants me to

1432
01:01:37,440 --> 01:01:41,440
Speaker 5: walk with him through Harlem, through the projects.

1433
01:01:42,360 --> 01:01:43,880
Speaker 1: He's like, Yo, come on, let's walk over there. Let's

1434
01:01:43,880 --> 01:01:44,160
Speaker 1: go see.

1435
01:01:44,200 --> 01:01:46,560
Speaker 5: I'm like, fam, all right, we're gonna get in the car. Like,

1436
01:01:46,600 --> 01:01:49,360
Speaker 5: I'm not walking with you through no projects. He's like, well,

1437
01:01:49,400 --> 01:01:51,760
Speaker 5: I'm like, bro, you got a seventy thousand dollars watch on.

1438
01:01:52,040 --> 01:01:54,080
Speaker 1: I'm not scared. I'm smart. Yeah, I'm like, yo, what

1439
01:01:54,160 --> 01:01:56,920
Speaker 1: are you? He's like, yo, but it's no diamonds. Nobody

1440
01:01:56,960 --> 01:01:59,160
Speaker 1: gonna know. I'm like, bro, you got the streets twisted

1441
01:01:59,280 --> 01:02:01,320
Speaker 1: worth And he didn't understand.

1442
01:02:01,320 --> 01:02:03,240
Speaker 5: Like, I'm like, bro, you have a seventy thousand dollars

1443
01:02:03,280 --> 01:02:05,800
Speaker 5: watch on, Like, but my thing is.

1444
01:02:06,040 --> 01:02:06,880
Speaker 2: So you lined them.

1445
01:02:07,120 --> 01:02:07,240
Speaker 6: No.

1446
01:02:07,320 --> 01:02:10,120
Speaker 1: Hell, but my thing was.

1447
01:02:10,280 --> 01:02:12,800
Speaker 5: If somebody, if somebody like you said, wearing a fake one,

1448
01:02:12,800 --> 01:02:14,640
Speaker 5: because if you get robbed, but it's like why even

1449
01:02:14,680 --> 01:02:15,000
Speaker 5: wear it?

1450
01:02:15,520 --> 01:02:18,600
Speaker 2: Well, then that's the embarrassing part when the person that

1451
01:02:18,680 --> 01:02:20,720
Speaker 2: robs you knows how to use the internet and now

1452
01:02:20,760 --> 01:02:22,840
Speaker 2: you have to deal with I really robbed this guy

1453
01:02:22,840 --> 01:02:23,480
Speaker 2: for some fake shit.

1454
01:02:24,800 --> 01:02:27,160
Speaker 5: Yeah, but because you know the person has money, it

1455
01:02:27,160 --> 01:02:29,800
Speaker 5: doesn't matter. But my thing is, you just don't wear

1456
01:02:29,880 --> 01:02:32,240
Speaker 5: anything at all. Like that's why I never understood people

1457
01:02:32,280 --> 01:02:35,560
Speaker 5: wearing fake watches and jewelry or fake clothes because it's like, bro,

1458
01:02:35,600 --> 01:02:37,760
Speaker 5: you could wear a lot of other regular shit and

1459
01:02:37,840 --> 01:02:38,520
Speaker 5: still look good.

1460
01:02:39,000 --> 01:02:41,040
Speaker 2: But I think just with their success rate of wearing

1461
01:02:41,080 --> 01:02:43,840
Speaker 2: fake shit and the things and attention that came to

1462
01:02:43,880 --> 01:02:46,600
Speaker 2: them makes them think I should just do this moving

1463
01:02:46,640 --> 01:02:48,720
Speaker 2: forward until the time comes at the robbed and everyone

1464
01:02:48,760 --> 01:02:52,440
Speaker 2: finds out his fake Like even like my favorite Ross

1465
01:02:52,440 --> 01:02:54,040
Speaker 2: bar Is on that shit when he said to Burban,

1466
01:02:54,120 --> 01:02:56,080
Speaker 2: I found out your watch was fake, and then he

1467
01:02:56,120 --> 01:02:58,880
Speaker 2: doesn't even grunt it. He's sod like he sighs like

1468
01:02:58,920 --> 01:02:59,720
Speaker 2: I felt.

1469
01:03:00,360 --> 01:03:02,080
Speaker 1: And at that time bird Man was a billionaire.

1470
01:03:03,240 --> 01:03:05,520
Speaker 5: Yeah, but it's still like it goes back to what

1471
01:03:05,560 --> 01:03:09,440
Speaker 5: I'm saying, why even why even have anything fake when

1472
01:03:09,440 --> 01:03:11,680
Speaker 5: you got that type of money, Just don't just don't

1473
01:03:11,760 --> 01:03:13,640
Speaker 5: have it at all, I guess you know what I mean.

1474
01:03:13,680 --> 01:03:15,680
Speaker 5: Like it's like you people know you got money. You

1475
01:03:15,680 --> 01:03:17,520
Speaker 5: don't need to wear a fake watch because you might

1476
01:03:17,560 --> 01:03:20,040
Speaker 5: get robbed, So let them rob you for some fake ship.

1477
01:03:20,120 --> 01:03:21,760
Speaker 1: Like, just don't wear nothing.

1478
01:03:22,360 --> 01:03:24,680
Speaker 2: Maam, I drive a mons. Just still right, and it's

1479
01:03:24,680 --> 01:03:26,960
Speaker 2: going to remain that the massie spend the.

1480
01:03:26,880 --> 01:03:36,280
Speaker 1: Block to them. Yeah, ain't nobody gonna rock you.

1481
01:03:36,280 --> 01:03:40,600
Speaker 5: You say is very harlem Is are very well, Now hold on,

1482
01:03:41,120 --> 01:03:44,840
Speaker 5: there's still certain blocks that. Yeah, niggas be doing that

1483
01:03:44,840 --> 01:03:47,480
Speaker 5: ship nigga with the you know, with the with the

1484
01:03:47,480 --> 01:03:49,280
Speaker 5: pistol out nigga that little dance right there. When you

1485
01:03:49,280 --> 01:03:51,520
Speaker 5: see them niggas doing that, that's the demon babies, the

1486
01:03:51,560 --> 01:03:52,800
Speaker 5: niggas that be doing all that ship.

1487
01:03:52,880 --> 01:03:55,400
Speaker 1: Yes, yeah, them niggas are give your issue for sure.

1488
01:03:55,440 --> 01:03:56,080
Speaker 2: That's how you know.

1489
01:03:56,680 --> 01:03:57,760
Speaker 1: They give you an issue.

1490
01:03:57,960 --> 01:04:00,800
Speaker 5: Dancing with the glockout is just hilarious though, Like think

1491
01:04:00,800 --> 01:04:03,080
Speaker 5: about that, like where we at in our culture where

1492
01:04:03,120 --> 01:04:04,720
Speaker 5: niggas is dancing with the pistols out.

1493
01:04:04,880 --> 01:04:06,600
Speaker 2: I used to be terrified of blocks. When I see

1494
01:04:06,600 --> 01:04:09,960
Speaker 2: grown men on like small BMX bikes and ship that

1495
01:04:10,080 --> 01:04:12,280
Speaker 2: was just always a sign to me like, oh, I'm

1496
01:04:12,280 --> 01:04:14,560
Speaker 2: in a neighborhood. I probably this isn't the one when

1497
01:04:14,560 --> 01:04:17,200
Speaker 2: grown men was on those type of bikes. Now it's

1498
01:04:17,240 --> 01:04:19,400
Speaker 2: just it's right in the air, like, no, that's a gun.

1499
01:04:19,400 --> 01:04:25,000
Speaker 2: And these dancing I know that it's just in a

1500
01:04:25,080 --> 01:04:25,920
Speaker 2: recall trial.

1501
01:04:26,400 --> 01:04:28,560
Speaker 5: With the little the little body strap joints that use

1502
01:04:28,600 --> 01:04:30,640
Speaker 5: body of the cross what do you call the cross

1503
01:04:30,680 --> 01:04:31,280
Speaker 5: body bags?

1504
01:04:32,760 --> 01:04:36,000
Speaker 2: You know what I really got terrified not when I

1505
01:04:36,080 --> 01:04:38,880
Speaker 2: was around JUnit and they was wearing real bulletproof vests.

1506
01:04:39,040 --> 01:04:41,800
Speaker 2: I'm terrified now because these young kids wear fake bulletproof

1507
01:04:41,840 --> 01:04:45,120
Speaker 2: vests is a fashion statement. That's why I'm terrified. Y'all

1508
01:04:45,160 --> 01:04:47,960
Speaker 2: really don't care about your lives, because you could really

1509
01:04:47,960 --> 01:04:50,040
Speaker 2: put the kevlar on and still have the same fashion statement.

1510
01:04:50,280 --> 01:04:53,000
Speaker 2: You're wearing fake bulletproof vests while dancing with a pistol.

1511
01:04:53,080 --> 01:04:55,760
Speaker 1: Well you can't. Well that's as crazy as it sounds.

1512
01:04:55,840 --> 01:05:00,080
Speaker 5: You can't have a real bulletproofvest, but you also.

1513
01:04:59,200 --> 01:05:02,600
Speaker 2: A legal pistol dance sixteenth Street exactly.

1514
01:05:02,640 --> 01:05:03,680
Speaker 1: It's just crazy, man.

1515
01:05:03,840 --> 01:05:06,800
Speaker 2: I don't know, man, can someone explain the fake bulletproofvest

1516
01:05:06,840 --> 01:05:07,280
Speaker 2: trends to me?

1517
01:05:07,760 --> 01:05:08,240
Speaker 1: Somebody?

1518
01:05:08,360 --> 01:05:10,240
Speaker 2: I know it looks good on the dirt bike. Yeah,

1519
01:05:10,480 --> 01:05:12,640
Speaker 2: it's just fall on the dirt bike. That's not gonna

1520
01:05:12,640 --> 01:05:13,680
Speaker 2: hat at all. I can help you.

1521
01:05:14,160 --> 01:05:16,520
Speaker 1: It's just it's just for the look. I don't get it.

1522
01:05:16,520 --> 01:05:17,360
Speaker 1: I don't understand it.

1523
01:05:17,440 --> 01:05:19,920
Speaker 5: But you know, I can't understand why the young dudes

1524
01:05:20,240 --> 01:05:21,439
Speaker 5: wear that ship it's for the look.

1525
01:05:21,840 --> 01:05:25,360
Speaker 2: I walked into the Donda show everybody I thought there

1526
01:05:25,400 --> 01:05:27,120
Speaker 2: was I thought it was a bomb scare.

1527
01:05:27,400 --> 01:05:27,440
Speaker 6: No.

1528
01:05:28,040 --> 01:05:29,880
Speaker 2: I turned around, sat.

1529
01:05:29,720 --> 01:05:32,680
Speaker 1: Is here just for the look? Security's security.

1530
01:05:33,080 --> 01:05:35,400
Speaker 3: They had you buttoned up in one You don't do that.

1531
01:05:36,200 --> 01:05:38,640
Speaker 1: You had an have a don de vest on.

1532
01:05:38,800 --> 01:05:41,120
Speaker 5: Okay, because if I'm letting you know that for pick

1533
01:05:41,200 --> 01:05:45,280
Speaker 5: surfaces of you donofs, you're not gonna hit the end

1534
01:05:45,280 --> 01:05:45,440
Speaker 5: of it.

1535
01:05:45,520 --> 01:05:46,360
Speaker 2: I can assure you.

1536
01:05:46,440 --> 01:05:48,800
Speaker 1: I did not have a tie. Alright, cool, that's all

1537
01:05:48,800 --> 01:05:49,120
Speaker 1: the mask.

1538
01:05:49,200 --> 01:05:52,880
Speaker 5: I'm just asking now before I sure you Okay, I

1539
01:05:52,920 --> 01:05:53,320
Speaker 5: believe it.

1540
01:05:53,440 --> 01:05:55,919
Speaker 2: I was the only one unprotected by by.

1541
01:05:55,840 --> 01:05:58,320
Speaker 3: The by the Lord.

1542
01:05:59,280 --> 01:06:03,840
Speaker 2: I did not have God's ketlar surrounding me, but I

1543
01:06:03,840 --> 01:06:05,200
Speaker 2: felt like if everyone else had them on and I

1544
01:06:05,240 --> 01:06:08,760
Speaker 2: was in the circle they would block or the devil. Okay,

1545
01:06:09,520 --> 01:06:13,320
Speaker 2: they couldn't have consequence. But other than that, YoY yo

1546
01:06:13,960 --> 01:06:15,880
Speaker 2: from no one with a bullet prof bests stop consequences.

1547
01:06:15,960 --> 01:06:18,080
Speaker 1: You go here, you go, You're gonna find a way.

1548
01:06:19,960 --> 01:06:24,720
Speaker 2: Anyways, there was something else I did want to talk

1549
01:06:24,760 --> 01:06:26,400
Speaker 2: about that I had on the list because that not

1550
01:06:26,480 --> 01:06:27,520
Speaker 2: much happened really at all.

1551
01:06:27,520 --> 01:06:28,200
Speaker 1: But when does it ever?

1552
01:06:28,880 --> 01:06:32,680
Speaker 2: Oh, this was stupid, but I laughed, who are you

1553
01:06:32,720 --> 01:06:34,120
Speaker 2: taking Jahien versus versus Usher?

1554
01:06:35,120 --> 01:06:37,120
Speaker 5: You know, I saw that and I started to text

1555
01:06:37,160 --> 01:06:38,520
Speaker 5: you because I didn't know if that was real or not.

1556
01:06:40,240 --> 01:06:44,320
Speaker 1: But we gotta pray for Jahen. He needs a Donda.

1557
01:06:44,400 --> 01:06:52,240
Speaker 1: He needs he needs a Donda because what what? Who?

1558
01:06:52,280 --> 01:06:56,960
Speaker 5: Who told him that that was a good idea to

1559
01:06:57,040 --> 01:06:58,080
Speaker 5: put that out in universe?

1560
01:06:58,200 --> 01:07:00,840
Speaker 1: Like? Who was with him? Him? And now I'm telling

1561
01:07:00,880 --> 01:07:03,200
Speaker 1: you this is they gonna they want this.

1562
01:07:03,440 --> 01:07:05,919
Speaker 2: Him, They want this with the streets. And he said,

1563
01:07:05,920 --> 01:07:08,040
Speaker 2: only the fans can get it done. It's on us now,

1564
01:07:08,440 --> 01:07:11,120
Speaker 2: Jhem put it on us. Listen, man, he said, he's read,

1565
01:07:11,160 --> 01:07:13,160
Speaker 2: he said, and he put a time on it one month.

1566
01:07:13,600 --> 01:07:15,560
Speaker 1: That's all Usher gets.

1567
01:07:15,600 --> 01:07:18,280
Speaker 2: My favorite part of that entire caption was yo, it's

1568
01:07:18,280 --> 01:07:19,000
Speaker 2: nothing personal.

1569
01:07:19,720 --> 01:07:23,480
Speaker 5: No, this is one thousand personal because you're the only

1570
01:07:23,560 --> 01:07:24,280
Speaker 5: one that.

1571
01:07:24,280 --> 01:07:28,320
Speaker 2: Wants to see the usher. Nothing personal, listen.

1572
01:07:28,520 --> 01:07:32,040
Speaker 5: Jahim has some records that we love, love ja. You know,

1573
01:07:32,160 --> 01:07:35,440
Speaker 5: he's had some some moments on the internet where we

1574
01:07:35,560 --> 01:07:40,000
Speaker 5: laughed at him. He has questionable, fashionable moments, and.

1575
01:07:39,800 --> 01:07:42,040
Speaker 2: He brought some light to a very dark time at

1576
01:07:42,040 --> 01:07:46,880
Speaker 2: Whitney's funeral. We were all feeling it and he.

1577
01:07:45,000 --> 01:07:47,200
Speaker 1: Brought and we got we got a good joke out

1578
01:07:47,240 --> 01:07:47,360
Speaker 1: of it.

1579
01:07:47,880 --> 01:07:48,960
Speaker 2: So he laughed at you too.

1580
01:07:49,200 --> 01:07:52,520
Speaker 5: Yeah, it's like, you know, we love Jahien because it's

1581
01:07:52,600 --> 01:07:55,400
Speaker 5: like we love you, you know what I mean from our culture.

1582
01:07:55,880 --> 01:08:00,840
Speaker 5: You've had some some some really dope records. But a

1583
01:08:01,000 --> 01:08:03,400
Speaker 5: versus against Usher Jahim, I.

1584
01:08:03,320 --> 01:08:06,560
Speaker 2: Mean the person that gets ready for their friend's funeral

1585
01:08:06,800 --> 01:08:10,160
Speaker 2: and looks through the closet and goes purple. Probably not

1586
01:08:10,240 --> 01:08:12,040
Speaker 2: the brightest person.

1587
01:08:13,880 --> 01:08:16,679
Speaker 1: No, but it's it's really it's really a call for attention.

1588
01:08:17,439 --> 01:08:18,320
Speaker 1: That's what it really is.

1589
01:08:18,360 --> 01:08:22,559
Speaker 5: Like you want attention, you want uh you know, you

1590
01:08:22,600 --> 01:08:23,960
Speaker 5: want the eyes to be on you, you want to

1591
01:08:23,960 --> 01:08:26,800
Speaker 5: focus on you. It's really a call for That's all

1592
01:08:26,840 --> 01:08:30,360
Speaker 5: of this. But Jahim, you have to understand that you

1593
01:08:30,439 --> 01:08:34,439
Speaker 5: will never be in a versus ring with Usher. It's

1594
01:08:34,560 --> 01:08:35,439
Speaker 5: never gonna happen.

1595
01:08:35,479 --> 01:08:37,679
Speaker 2: I mean he could do it, like he could play

1596
01:08:37,760 --> 01:08:40,520
Speaker 2: Usher's side. He can set up like two laptops.

1597
01:08:41,280 --> 01:08:42,960
Speaker 5: No, he can do it because he can do whatever

1598
01:08:43,000 --> 01:08:46,639
Speaker 5: he wants from his home. For sure, he will never

1599
01:08:46,720 --> 01:08:49,760
Speaker 5: be on the same stage with Usher. No, that's not

1600
01:08:49,800 --> 01:08:52,080
Speaker 5: gonna happen. And that you know again, I like Jahim.

1601
01:08:52,120 --> 01:08:55,120
Speaker 5: You got records that we listen to, still classic R

1602
01:08:55,160 --> 01:08:58,439
Speaker 5: and B records. But come on, man, who do you

1603
01:08:58,479 --> 01:09:01,680
Speaker 5: put against Usher them? I think it would only be

1604
01:09:01,720 --> 01:09:04,160
Speaker 5: one person you could put against Usher, and that maybe

1605
01:09:04,280 --> 01:09:09,320
Speaker 5: Chris Brown. That would be the only person that would

1606
01:09:09,360 --> 01:09:11,000
Speaker 5: be a worthy opponent.

1607
01:09:11,400 --> 01:09:13,160
Speaker 2: Please ignore my white face when I say this.

1608
01:09:13,760 --> 01:09:18,760
Speaker 4: Justin I think, I think, I think just I think

1609
01:09:18,960 --> 01:09:21,679
Speaker 4: Justin is a better opponent for Usher than Chris Brown.

1610
01:09:21,760 --> 01:09:30,479
Speaker 1: Is does wait? Justin is a better opponent than Chris Brown? Fuck? No?

1611
01:09:31,200 --> 01:09:32,639
Speaker 1: He Oh no, I.

1612
01:09:32,600 --> 01:09:33,960
Speaker 3: Think you're sleeping on Justin a little.

1613
01:09:34,080 --> 01:09:36,720
Speaker 1: No, I'm not. I'm not sleeping on Justin at all.

1614
01:09:36,760 --> 01:09:45,280
Speaker 5: But I think Usher cleans Justin up wins. But I'm

1615
01:09:45,280 --> 01:09:49,320
Speaker 5: saying a better opponent Justin Temple. No, okay, wait, is

1616
01:09:49,439 --> 01:09:50,880
Speaker 5: Justin timb Blake playing in sinc record.

1617
01:09:50,920 --> 01:09:53,840
Speaker 3: Of course Justin is playing all records.

1618
01:09:54,520 --> 01:09:56,960
Speaker 2: Yeah, I still think should get them out of you know,

1619
01:09:57,080 --> 01:09:58,559
Speaker 2: I think that should be Chris and Justin.

1620
01:09:58,640 --> 01:10:01,320
Speaker 1: But Chris got a lo the fucking records though.

1621
01:10:01,920 --> 01:10:04,400
Speaker 2: He does, but he's got a lot of in the

1622
01:10:04,439 --> 01:10:09,439
Speaker 2: moment records, like they was the biggest single that year

1623
01:10:09,479 --> 01:10:10,800
Speaker 2: and then we stopped listening to them.

1624
01:10:11,560 --> 01:10:12,200
Speaker 1: He has a lot of time.

1625
01:10:12,439 --> 01:10:13,879
Speaker 2: There's a lot of timeless ones to who don't.

1626
01:10:13,680 --> 01:10:14,200
Speaker 1: Get it twisted.

1627
01:10:14,600 --> 01:10:17,120
Speaker 2: But Usher has ship like you could play let It

1628
01:10:17,160 --> 01:10:18,880
Speaker 2: Burn right now, and that's like, that's a point and

1629
01:10:18,880 --> 01:10:21,760
Speaker 2: that wouldn't even be that high on Usher's.

1630
01:10:21,360 --> 01:10:23,879
Speaker 3: Twenty Usher could play every single song on confession.

1631
01:10:24,520 --> 01:10:27,360
Speaker 5: The only worthy opponent to me, I mean, Justin Timberlake

1632
01:10:27,400 --> 01:10:30,200
Speaker 5: is Justin Timberlake. He's a fucking legend. But I think

1633
01:10:30,640 --> 01:10:32,639
Speaker 5: Usher Chris Burn for the culture, Usher Chris Brown.

1634
01:10:32,680 --> 01:10:35,400
Speaker 2: Now what would be interesting with that and how they

1635
01:10:35,439 --> 01:10:37,240
Speaker 2: could add another element? And I know we always talk

1636
01:10:37,240 --> 01:10:40,880
Speaker 2: about versus add performance to it. No, no, no, no, no,

1637
01:10:40,960 --> 01:10:42,559
Speaker 2: I'm not talking about this. I'm not talking about singing

1638
01:10:42,600 --> 01:10:46,320
Speaker 2: it like dog, get your dancers, get your pyro, get

1639
01:10:46,360 --> 01:10:46,840
Speaker 2: your lights.

1640
01:10:46,960 --> 01:10:51,519
Speaker 1: You don't want to say, Chris Brown, the fuck up yo.

1641
01:10:51,400 --> 01:10:55,559
Speaker 2: Y'all that I think that might have been what would

1642
01:10:55,560 --> 01:10:59,599
Speaker 2: help Chris Chris's busy dance.

1643
01:10:59,640 --> 01:11:02,320
Speaker 4: He can his ass off, but Usher has that that

1644
01:11:02,760 --> 01:11:07,320
Speaker 4: Michael kind of Chris Brown is a better dancing right

1645
01:11:07,360 --> 01:11:10,360
Speaker 4: now today. Okay, he can dance, but dancing and performing

1646
01:11:10,479 --> 01:11:15,479
Speaker 4: is a completely different things. Usher captures the audience, the

1647
01:11:15,560 --> 01:11:18,240
Speaker 4: what everything he does is so smooth. Chris gonna go

1648
01:11:18,240 --> 01:11:21,040
Speaker 4: on there, crump backflip, backflip, Okay, but it's.

1649
01:11:20,920 --> 01:11:27,720
Speaker 2: Not got christ I think y'all got breezy Chris.

1650
01:11:28,200 --> 01:11:32,479
Speaker 5: Chris Brown, nah man, Chris Brown is a fucking entertainer, performer,

1651
01:11:32,560 --> 01:11:34,599
Speaker 5: whatever you want to call it. Chris Brown is one

1652
01:11:34,640 --> 01:11:38,400
Speaker 5: of them for sure. Yeah, and I love Usher. I

1653
01:11:38,439 --> 01:11:41,120
Speaker 5: love Usher, but Chris Brown is a better dancing and Usher,

1654
01:11:41,760 --> 01:11:41,920
Speaker 5: you know.

1655
01:11:41,880 --> 01:11:42,240
Speaker 1: What I mean?

1656
01:11:42,560 --> 01:11:45,799
Speaker 3: You can define better dancer he dances.

1657
01:11:46,240 --> 01:11:49,280
Speaker 5: Yeah, I don't know how you want to break that down.

1658
01:11:49,640 --> 01:11:51,640
Speaker 5: His one two step, he lands on the balls of

1659
01:11:51,680 --> 01:11:53,200
Speaker 5: his feet better. I don't know what the he wanted

1660
01:11:53,240 --> 01:11:55,080
Speaker 5: to tell you, but you have to think that Chris

1661
01:11:55,080 --> 01:11:57,799
Speaker 5: Brown is a better dance. Usher is a phenomenal entertaining

1662
01:11:57,840 --> 01:11:59,479
Speaker 5: dance as well. That's why I think those two would be.

1663
01:11:59,600 --> 01:12:02,960
Speaker 3: I think us she was a better performer the dancing.

1664
01:12:02,960 --> 01:12:03,679
Speaker 3: We got a dancer.

1665
01:12:04,400 --> 01:12:08,519
Speaker 5: You think ushers are better entertainer? Well, Usher's now is

1666
01:12:08,760 --> 01:12:11,960
Speaker 5: I seen at his at his Vegas residency. He's he's

1667
01:12:11,960 --> 01:12:15,280
Speaker 5: on stage performing and roller skating. That's some superflying bro.

1668
01:12:15,520 --> 01:12:18,280
Speaker 5: That's some superfly ship to not fall like to you

1669
01:12:18,320 --> 01:12:19,040
Speaker 5: know what I mean to be on.

1670
01:12:19,240 --> 01:12:22,479
Speaker 2: It's so smooth, Like I just seen Rocky Thunder and

1671
01:12:22,920 --> 01:12:24,960
Speaker 2: Tow at the Halloween party on skates and she didn't

1672
01:12:24,960 --> 01:12:26,400
Speaker 2: for once drinking her hand.

1673
01:12:26,560 --> 01:12:28,840
Speaker 1: But that was but she it was a whole crowd

1674
01:12:28,880 --> 01:12:33,080
Speaker 1: to walk through town. Imagine being on roller skates.

1675
01:12:33,280 --> 01:12:36,759
Speaker 5: How did how did Rocky get down the steps idea?

1676
01:12:37,640 --> 01:12:39,759
Speaker 1: Wow, that's impressive. This was a belong.

1677
01:12:39,880 --> 01:12:41,920
Speaker 2: It was years ago in Halloween and I was like, Rocky,

1678
01:12:42,320 --> 01:12:43,479
Speaker 2: have you, like, do you have shoes?

1679
01:12:43,560 --> 01:12:46,280
Speaker 1: She's like, nam, skates, No, you gotta when you got

1680
01:12:46,280 --> 01:12:51,880
Speaker 1: the more, you got to have more skated down eighth hilarious. Yeah, No,

1681
01:12:52,000 --> 01:12:54,160
Speaker 1: But I Usher is He's again.

1682
01:12:54,200 --> 01:12:56,639
Speaker 5: He's a legend man obviously, But I think I think

1683
01:12:56,720 --> 01:12:58,960
Speaker 5: Chris Brown is a better is a better dancer though,

1684
01:12:59,640 --> 01:13:02,760
Speaker 5: Like I think I think Chris is just he just won.

1685
01:13:03,280 --> 01:13:05,519
Speaker 1: I mean they wanted the same. It's I don't know.

1686
01:13:05,600 --> 01:13:09,160
Speaker 2: This is such a mid two thousands podcast debating car

1687
01:13:09,200 --> 01:13:11,679
Speaker 2: to three classes. We're going from the eighties and yeah

1688
01:13:11,720 --> 01:13:15,000
Speaker 2: we went through then we kept it p Yeah, I

1689
01:13:15,000 --> 01:13:17,400
Speaker 2: can't say that saying that. I can't. I'm so bad at.

1690
01:13:17,320 --> 01:13:20,360
Speaker 1: The stop saying that. Don't say that again. It's so crazy.

1691
01:13:20,520 --> 01:13:22,200
Speaker 2: Some of the people that make this slang are young

1692
01:13:22,360 --> 01:13:26,520
Speaker 2: or older than me. They know, but they just appeared.

1693
01:13:26,360 --> 01:13:27,360
Speaker 3: Their target audiences.

1694
01:13:27,400 --> 01:13:29,040
Speaker 2: Yeah, they appear like they're younger than me.

1695
01:13:30,280 --> 01:13:34,240
Speaker 5: I'm getting old man. Yeah, oh man, I'm getting old man.

1696
01:13:34,600 --> 01:13:37,120
Speaker 5: Cap is tough for me to say, cat no cap. Yeah,

1697
01:13:37,160 --> 01:13:41,320
Speaker 5: like I say it jokingly. I mocked it's lit so much.

1698
01:13:41,400 --> 01:13:43,680
Speaker 5: Then now I say it's lit and I mean it.

1699
01:13:44,400 --> 01:13:46,960
Speaker 5: We should we should bring like like the old slang

1700
01:13:47,560 --> 01:13:49,639
Speaker 5: dope fresh, it's a movie.

1701
01:13:49,720 --> 01:13:51,800
Speaker 3: Was it's a zoovie.

1702
01:13:52,000 --> 01:13:54,320
Speaker 1: Don't ever say that in my presence. Now the niggas

1703
01:13:54,320 --> 01:13:59,519
Speaker 1: are saying, zoo movie. That was the nastiest era in

1704
01:13:59,560 --> 01:14:01,280
Speaker 1: the movie. Nah, get the fuck.

1705
01:14:01,080 --> 01:14:04,160
Speaker 2: Out here, when they this might have been Facebook era

1706
01:14:04,280 --> 01:14:07,519
Speaker 2: going into Instagram when they when movie and Zuvie wouldn't

1707
01:14:07,520 --> 01:14:10,160
Speaker 2: do it. Then they added hashtag unwalkable, and I'm like,

1708
01:14:10,200 --> 01:14:10,880
Speaker 2: why would I want to.

1709
01:14:10,880 --> 01:14:13,880
Speaker 5: Go to see niggas do something?

1710
01:14:13,920 --> 01:14:16,280
Speaker 1: They just go too far unwalkable? Why would I want

1711
01:14:16,280 --> 01:14:17,000
Speaker 1: to be I want to walk.

1712
01:14:17,760 --> 01:14:19,439
Speaker 5: I don't want to be anywhere where I can't move.

1713
01:14:19,600 --> 01:14:20,720
Speaker 5: I'm not I'm not going there.

1714
01:14:21,040 --> 01:14:21,479
Speaker 1: Zoovie.

1715
01:14:21,840 --> 01:14:23,639
Speaker 2: I want to know who the in a zoovie? Though

1716
01:14:24,000 --> 01:14:25,000
Speaker 2: he was in a couple of movies.

1717
01:14:26,880 --> 01:14:28,519
Speaker 1: Was I in a couple of zovies? He was in

1718
01:14:28,560 --> 01:14:30,080
Speaker 1: a lot of zovies. I don't think I've ever been

1719
01:14:30,120 --> 01:14:31,160
Speaker 1: in the zoo. He was in a movie.

1720
01:14:31,200 --> 01:14:34,120
Speaker 5: Because see, that's what I'm saying, Like, it's certain parties

1721
01:14:34,120 --> 01:14:35,599
Speaker 5: you go to, you like, this party was incredible.

1722
01:14:35,600 --> 01:14:37,440
Speaker 2: It was in canal room when it was a zoovie.

1723
01:14:39,160 --> 01:14:40,360
Speaker 1: Canal room with some good times.

1724
01:14:40,640 --> 01:14:41,719
Speaker 2: It was a Zoovi in canal.

1725
01:14:42,120 --> 01:14:43,439
Speaker 1: I'm not saying that. You're trying to give me to

1726
01:14:43,479 --> 01:14:44,640
Speaker 1: say zovie and I'm not gonna do it.

1727
01:14:46,040 --> 01:14:48,719
Speaker 5: Yeah, I just don't understand, Like, I don't know it's

1728
01:14:49,600 --> 01:14:51,559
Speaker 5: I want to know who was the first person to

1729
01:14:51,600 --> 01:14:52,240
Speaker 5: say zoovie.

1730
01:14:52,920 --> 01:14:54,479
Speaker 1: Those are people we need to sit an interview.

1731
01:14:55,600 --> 01:14:58,040
Speaker 2: A promoter that gets girls drunk so he has an

1732
01:14:58,040 --> 01:15:01,000
Speaker 2: opportunity to try to sleep with them while they're intoxicated.

1733
01:15:01,520 --> 01:15:03,280
Speaker 1: That's that's who makes up those terms. Zoom.

1734
01:15:03,479 --> 01:15:07,400
Speaker 2: Yeah, one hundred percent. We got to get into promoters

1735
01:15:07,439 --> 01:15:12,040
Speaker 2: one day, promoters. We may need to do away with promoters.

1736
01:15:12,680 --> 01:15:13,719
Speaker 1: Are they still promoters?

1737
01:15:13,760 --> 01:15:17,200
Speaker 2: Of course really they're They're working harder than they ever

1738
01:15:17,240 --> 01:15:19,360
Speaker 2: had before. No one wants to go outside promot to

1739
01:15:19,479 --> 01:15:21,200
Speaker 2: really promote. Now they can't just call the bad bitch

1740
01:15:21,240 --> 01:15:22,559
Speaker 2: at the time and be like she's part attending.

1741
01:15:23,080 --> 01:15:25,080
Speaker 1: Like they have to promote. Who's some of the promoters

1742
01:15:25,120 --> 01:15:27,200
Speaker 1: in New York right now? I don't fuck with them,

1743
01:15:27,320 --> 01:15:32,280
Speaker 1: you know what I'm Damn, I don't even know. That's

1744
01:15:32,280 --> 01:15:33,679
Speaker 1: what I'm saying. I don't even know who the promoters

1745
01:15:33,680 --> 01:15:34,000
Speaker 1: in the city.

1746
01:15:34,160 --> 01:15:35,720
Speaker 3: Nothing is going on in New York right now. Do

1747
01:15:35,760 --> 01:15:37,720
Speaker 3: you even have a New York spot? This is a

1748
01:15:37,800 --> 01:15:38,719
Speaker 3: very neat podcast.

1749
01:15:38,760 --> 01:15:40,479
Speaker 2: Yeah, Harbor's wherever one goes.

1750
01:15:40,520 --> 01:15:42,960
Speaker 1: Now, Harbor's the promoter.

1751
01:15:43,800 --> 01:15:45,800
Speaker 2: No, you just I mean if you and you never

1752
01:15:45,840 --> 01:15:48,000
Speaker 2: need to know the promoter, If you hang out in

1753
01:15:48,040 --> 01:15:50,320
Speaker 2: bad neighborhoods, you just know security and security let you on.

1754
01:15:51,400 --> 01:15:52,680
Speaker 2: If you got to go to the promoter, you kind

1755
01:15:52,680 --> 01:15:55,840
Speaker 2: of a lame. Actually, I don't Security is how you

1756
01:15:55,840 --> 01:15:56,360
Speaker 2: really get it.

1757
01:15:57,240 --> 01:15:59,720
Speaker 5: I don't even know if clubs still need I think

1758
01:15:59,720 --> 01:16:03,719
Speaker 5: you will need promoters. There's certain venues because certain venues

1759
01:16:03,840 --> 01:16:06,679
Speaker 5: still like to keep it like a kind of certain crowd.

1760
01:16:06,800 --> 01:16:08,760
Speaker 1: Oh for sure, a certain mix of people. But I

1761
01:16:08,760 --> 01:16:10,400
Speaker 1: don't know if promoters.

1762
01:16:09,960 --> 01:16:12,720
Speaker 2: Are door person though sometimes the promoter will be the

1763
01:16:12,720 --> 01:16:16,439
Speaker 2: door person. But that's really what Like Pergola is a

1764
01:16:16,439 --> 01:16:20,040
Speaker 2: spot that's lasted this long, they don't need a promoter anymore.

1765
01:16:20,200 --> 01:16:22,559
Speaker 2: It's gonna be packed with the reservations every single day.

1766
01:16:22,600 --> 01:16:25,280
Speaker 2: They need someone at the door to be like nah.

1767
01:16:25,320 --> 01:16:27,000
Speaker 2: And you may know that person. That doesn't make them

1768
01:16:27,000 --> 01:16:28,559
Speaker 2: a promoter. I'm sure Harbor has promoters.

1769
01:16:28,560 --> 01:16:30,760
Speaker 3: Though you got the red decembers on you.

1770
01:16:32,320 --> 01:16:34,839
Speaker 2: That's a car al thing, man. I'm going in with crocks.

1771
01:16:36,880 --> 01:16:39,000
Speaker 1: A shout out to Sleigh. I finally got my crocks.

1772
01:16:39,640 --> 01:16:43,840
Speaker 2: Oh yeah, I bought mine today. Didn't He didn't say

1773
01:16:43,960 --> 01:16:47,559
Speaker 2: those no, Nah, you sure they might be in my

1774
01:16:47,560 --> 01:16:48,040
Speaker 2: old address.

1775
01:16:48,520 --> 01:16:50,720
Speaker 5: I was about to say, yeah, he definitely sent them

1776
01:16:50,760 --> 01:16:53,439
Speaker 5: for sure. I bust one of the boxes opened last

1777
01:16:53,439 --> 01:16:54,160
Speaker 5: week and I was like.

1778
01:16:54,080 --> 01:16:56,000
Speaker 2: Oh shit, I'm going to my old address after this.

1779
01:16:56,240 --> 01:16:58,640
Speaker 5: It was alet he sent me to the crocs so

1780
01:16:58,680 --> 01:17:00,920
Speaker 5: shout out to slay Man sh fire comfortable.

1781
01:17:01,400 --> 01:17:02,639
Speaker 2: I legitimately bought them this point.

1782
01:17:02,840 --> 01:17:06,400
Speaker 1: Yeah, he definitely sent them to you. Yeah, definitely.

1783
01:17:06,479 --> 01:17:08,160
Speaker 2: He didn't send me the brown ones because I bought

1784
01:17:08,160 --> 01:17:08,639
Speaker 2: the brown ones.

1785
01:17:09,200 --> 01:17:12,840
Speaker 1: He sent me the white ones. Okay, those are incredible. Yeah, no,

1786
01:17:12,960 --> 01:17:15,559
Speaker 1: those are super comfortable. I want to see you. That's

1787
01:17:15,560 --> 01:17:17,800
Speaker 1: gonna be funny. Airport flow, no.

1788
01:17:19,960 --> 01:17:22,000
Speaker 2: Way, what next episode?

1789
01:17:22,560 --> 01:17:25,679
Speaker 5: Never because those hey four, it ain't four just moving

1790
01:17:25,720 --> 01:17:27,559
Speaker 5: around the city like I can't. I can't do that

1791
01:17:27,760 --> 01:17:30,160
Speaker 5: if I'm getting the car going to the airport and traveling.

1792
01:17:30,600 --> 01:17:32,759
Speaker 2: But you I mean if he don't touch the ground,

1793
01:17:32,760 --> 01:17:35,840
Speaker 2: you go from uber to studio to crib, like you

1794
01:17:35,840 --> 01:17:36,920
Speaker 2: don't move around the city.

1795
01:17:36,880 --> 01:17:37,639
Speaker 1: Yeah, you would never.

1796
01:17:37,680 --> 01:17:39,080
Speaker 5: I still don't want to have I still don't want

1797
01:17:39,120 --> 01:17:40,920
Speaker 5: to have no crocks on in the city.

1798
01:17:41,160 --> 01:17:43,960
Speaker 1: I just can't. Man, I'm just from January. Yeah I'm

1799
01:17:43,960 --> 01:17:46,599
Speaker 1: not I'm not doing that. But airport.

1800
01:17:46,640 --> 01:17:48,920
Speaker 5: I can't wait to uh take another trip and and

1801
01:17:49,120 --> 01:17:52,320
Speaker 5: throw th was on for sure, just just to take

1802
01:17:52,360 --> 01:17:53,200
Speaker 5: a trip just there.

1803
01:17:53,280 --> 01:17:54,000
Speaker 1: Yeah, just the airport.

1804
01:17:54,000 --> 01:17:55,519
Speaker 5: I just want to be I like, because you never

1805
01:17:55,600 --> 01:17:57,280
Speaker 5: know how much walking you doing until you get to

1806
01:17:57,280 --> 01:18:01,240
Speaker 5: the airport and you're like, oh my god, and flying

1807
01:18:01,240 --> 01:18:02,920
Speaker 5: out of New York sometimes la guada. You never know

1808
01:18:02,960 --> 01:18:04,800
Speaker 5: which term they're gonna have you going out of work,

1809
01:18:05,120 --> 01:18:06,840
Speaker 5: and that ship is all over the place. But yeah,

1810
01:18:06,880 --> 01:18:10,439
Speaker 5: shout to say it was something else.

1811
01:18:11,880 --> 01:18:14,040
Speaker 2: A slide, which I guess kind of connects in an

1812
01:18:14,280 --> 01:18:17,439
Speaker 2: in turn away. Jay Electronica told me that if you

1813
01:18:17,479 --> 01:18:19,280
Speaker 2: do not come to the show tonight, you are an

1814
01:18:19,320 --> 01:18:22,759
Speaker 2: open enemy to the n OI and you are deemed

1815
01:18:22,760 --> 01:18:23,320
Speaker 2: a white man.

1816
01:18:23,800 --> 01:18:29,800
Speaker 1: Yeah, that's an exact quote, Jay Electricity. I guess I

1817
01:18:29,840 --> 01:18:30,679
Speaker 1: gotta go to the show.

1818
01:18:31,360 --> 01:18:32,960
Speaker 5: I don't want to be a white man, So I

1819
01:18:33,040 --> 01:18:35,160
Speaker 5: guess I guess I gotta go see him perform tonight.

1820
01:18:36,000 --> 01:18:38,479
Speaker 1: I didn't even know he was performing. Uh yeah, you

1821
01:18:38,479 --> 01:18:39,120
Speaker 1: told me that.

1822
01:18:39,320 --> 01:18:43,559
Speaker 2: He had a show when that hurricane hit New Orleans

1823
01:18:43,680 --> 01:18:46,599
Speaker 2: last was that October and November of last year, and

1824
01:18:46,640 --> 01:18:48,280
Speaker 2: he canceled it because he went down to help with

1825
01:18:48,360 --> 01:18:51,080
Speaker 2: his family and everything. So they pushed it to now.

1826
01:18:51,160 --> 01:18:52,600
Speaker 5: So shout to Jail like, yeah, and I'm gonna go

1827
01:18:52,680 --> 01:18:54,920
Speaker 5: check him out. I have I've never I've never seen

1828
01:18:54,960 --> 01:18:58,040
Speaker 5: you Jay Electronic before live. Actually, noo thing about it.

1829
01:18:58,160 --> 01:19:00,679
Speaker 2: I think maybe at so OB's like years and years

1830
01:19:00,680 --> 01:19:01,200
Speaker 2: and years ago.

1831
01:19:01,479 --> 01:19:02,439
Speaker 1: I've never seen them live.

1832
01:19:02,560 --> 01:19:04,400
Speaker 2: Let's make this more in New York's. Sb's open.

1833
01:19:05,920 --> 01:19:08,559
Speaker 5: I would think so close. I think it is no,

1834
01:19:08,600 --> 01:19:11,679
Speaker 5: I think performances. I think it's I think I've seen

1835
01:19:11,720 --> 01:19:13,040
Speaker 5: somebody on my timeline.

1836
01:19:13,240 --> 01:19:13,559
Speaker 1: Huh.

1837
01:19:14,800 --> 01:19:16,120
Speaker 2: I think we might have to do a pop up

1838
01:19:16,160 --> 01:19:17,920
Speaker 2: show just for for the love for the culture.

1839
01:19:18,000 --> 01:19:19,040
Speaker 3: I think that would be so dope.

1840
01:19:20,040 --> 01:19:25,280
Speaker 2: Like I know, everyone kind of grows up if you will,

1841
01:19:25,320 --> 01:19:28,320
Speaker 2: and thinks they're above s OBS because they did it

1842
01:19:28,320 --> 01:19:30,960
Speaker 2: when they were younger. Like s OBS is a fucking staple.

1843
01:19:32,280 --> 01:19:34,599
Speaker 2: I kind of hate when people do that, like low

1844
01:19:34,640 --> 01:19:36,839
Speaker 2: brow ship, like oh, you're doing your ship at SOBS

1845
01:19:36,960 --> 01:19:38,760
Speaker 2: or like like fan, you was there all the time,

1846
01:19:38,800 --> 01:19:39,840
Speaker 2: this is how you started.

1847
01:19:39,560 --> 01:19:42,800
Speaker 5: To Like that's what you can never if you're from

1848
01:19:42,840 --> 01:19:45,960
Speaker 5: New York, you you definitely should always perform in SOBS

1849
01:19:46,000 --> 01:19:47,840
Speaker 5: at some point. Yeah, I don't care how big of

1850
01:19:47,840 --> 01:19:49,200
Speaker 5: an all that you are. So OBS is just one

1851
01:19:49,200 --> 01:19:51,240
Speaker 5: of those spots that you continue to go to and

1852
01:19:51,280 --> 01:19:53,880
Speaker 5: just show love to for sure. Yeah, I hope it's open.

1853
01:19:55,120 --> 01:19:58,560
Speaker 1: Yeah, I think j Yeah, no, I'm gonna definitely go

1854
01:19:58,640 --> 01:19:59,040
Speaker 1: through that.

1855
01:20:00,520 --> 01:20:03,640
Speaker 5: Shout out to Jay Leg Yeah, way, I just I

1856
01:20:03,720 --> 01:20:07,320
Speaker 5: was listening to the album with him and Hole. I

1857
01:20:07,320 --> 01:20:10,000
Speaker 5: hate saying that because it's j Lex album, but it's

1858
01:20:10,080 --> 01:20:11,080
Speaker 5: him and it's.

1859
01:20:10,960 --> 01:20:14,040
Speaker 1: A joint album. Yeah, and I like, as time goes on,

1860
01:20:14,080 --> 01:20:16,280
Speaker 1: I appreciate that album more. I know, we kind of the.

1861
01:20:16,240 --> 01:20:19,960
Speaker 5: Sound, the mixing and all of that. It was real raw,

1862
01:20:20,120 --> 01:20:25,240
Speaker 5: real like grimy sounding. But the lyrics is just and

1863
01:20:25,280 --> 01:20:28,000
Speaker 5: everything that jay X and Jay was rapping about then

1864
01:20:28,080 --> 01:20:30,599
Speaker 5: it's so relevant now for sure, you know what I mean.

1865
01:20:30,640 --> 01:20:32,280
Speaker 1: So I was listening to that over the week and two.

1866
01:20:33,040 --> 01:20:33,640
Speaker 1: I do that a lot.

1867
01:20:33,680 --> 01:20:35,320
Speaker 5: Man. I'll go back and listen to a lot of

1868
01:20:35,320 --> 01:20:37,680
Speaker 5: old ship whenever new ship drops, just to kind of

1869
01:20:37,720 --> 01:20:39,280
Speaker 5: like see where.

1870
01:20:39,120 --> 01:20:40,679
Speaker 2: The gap is that and get out of the moment

1871
01:20:40,760 --> 01:20:42,639
Speaker 2: when it came out to see if Yoda I really

1872
01:20:42,640 --> 01:20:46,439
Speaker 2: like this type of ship stand up? Should we get

1873
01:20:46,439 --> 01:20:49,400
Speaker 2: into disappointing news I was. I was at dinner and

1874
01:20:49,400 --> 01:20:51,519
Speaker 2: got that sad news about Bob Sagat.

1875
01:20:52,080 --> 01:20:54,439
Speaker 5: Oh yeah, that was that was definitely some sad news

1876
01:20:54,439 --> 01:21:00,599
Speaker 5: to receive. Yeah, legendary comic comedic actor, but Bob Sagget

1877
01:21:00,640 --> 01:21:02,200
Speaker 5: from one of my favorite shows growing up.

1878
01:21:02,160 --> 01:21:04,559
Speaker 2: Full House, Stable of our childhood.

1879
01:21:04,840 --> 01:21:10,639
Speaker 5: Danny Tanner passed away in Orlando at his hotel. Whenever

1880
01:21:10,680 --> 01:21:12,720
Speaker 5: that happens, they have to investigate and they have to

1881
01:21:12,720 --> 01:21:14,240
Speaker 5: do autopsy and things like that.

1882
01:21:14,120 --> 01:21:16,160
Speaker 1: To uh, to figure out what happened.

1883
01:21:16,160 --> 01:21:19,439
Speaker 5: But prais and condolences to his family, to his fans,

1884
01:21:19,520 --> 01:21:21,839
Speaker 5: his his friends, on his passion.

1885
01:21:21,880 --> 01:21:23,839
Speaker 1: I know, he was just on tours. Tour just started.

1886
01:21:24,080 --> 01:21:27,320
Speaker 5: Yeah, so that's you know, his fans, I know, was

1887
01:21:27,320 --> 01:21:28,880
Speaker 5: devastated to receive that news.

1888
01:21:29,800 --> 01:21:33,000
Speaker 2: Action was devastating to to even read of how excited

1889
01:21:33,000 --> 01:21:33,240
Speaker 2: he was.

1890
01:21:33,920 --> 01:21:37,280
Speaker 1: Yeah, it's it's back. I love this ship again. Yeah, yeah,

1891
01:21:37,520 --> 01:21:38,280
Speaker 1: it was. It was.

1892
01:21:38,320 --> 01:21:41,120
Speaker 5: It was definitely like some really shocking, shocking news to receive.

1893
01:21:41,520 --> 01:21:46,519
Speaker 5: So prais condlences to Bob Saggitt or his family and yeah, man,

1894
01:21:46,680 --> 01:21:48,920
Speaker 5: just sad, sad, sad news to receive.

1895
01:21:49,320 --> 01:21:52,479
Speaker 2: And you gotta look at how good of an actor

1896
01:21:52,520 --> 01:21:55,120
Speaker 2: he is to know who he really is. And then

1897
01:21:55,120 --> 01:21:57,880
Speaker 2: to the role he played on Full House, Yeah, I

1898
01:21:57,920 --> 01:22:01,320
Speaker 2: was convinced he was playing an act once I found

1899
01:22:01,360 --> 01:22:04,360
Speaker 2: out he wasn't the dad from Full House, Like, oh,

1900
01:22:04,800 --> 01:22:09,000
Speaker 2: is he playing like some psychotic, cursing drug addict.

1901
01:22:09,160 --> 01:22:10,760
Speaker 5: Yeah yeah, And it was like, oh wait, that's who

1902
01:22:10,800 --> 01:22:13,599
Speaker 5: he was, right, he has a stand up on.

1903
01:22:15,800 --> 01:22:17,879
Speaker 1: I think it's it might it may be on Netflix.

1904
01:22:19,200 --> 01:22:20,800
Speaker 5: He had a stand up I saw a few years ago,

1905
01:22:20,880 --> 01:22:23,400
Speaker 5: and now that's when I started to realize, like, oh, Bob.

1906
01:22:23,200 --> 01:22:25,800
Speaker 2: Sagga is like real funny for real, Oh for sure. Yeah,

1907
01:22:25,840 --> 01:22:28,559
Speaker 2: I mean he outside of his small cameo have baked

1908
01:22:29,240 --> 01:22:31,200
Speaker 2: he went on, he was like a reoccurring character on

1909
01:22:31,320 --> 01:22:35,679
Speaker 2: Entourage and was fucking Hystericalourage. He was the best cameo

1910
01:22:36,080 --> 01:22:38,719
Speaker 2: reoccurring guest I thought they had every single time.

1911
01:22:38,720 --> 01:22:40,080
Speaker 1: He was hilarious on that shit.

1912
01:22:40,439 --> 01:22:43,320
Speaker 5: Yeah, man's that was definitely some shocking news. So again,

1913
01:22:43,360 --> 01:22:47,559
Speaker 5: pres condnces to Bob sagger and his family and uh yeah, man,

1914
01:22:48,200 --> 01:22:50,280
Speaker 5: love your loved ones while they're here for sure.

1915
01:22:51,960 --> 01:22:54,479
Speaker 2: Also prayers to everyone affected by the fire in the Bronx.

1916
01:22:55,439 --> 01:22:56,320
Speaker 1: Yeah absolutely.

1917
01:22:56,400 --> 01:23:00,320
Speaker 2: That was nineteen dead, nine children, dad, thirty two and critical. Yeah,

1918
01:23:00,400 --> 01:23:02,679
Speaker 2: that was sixty five injured.

1919
01:23:03,080 --> 01:23:05,639
Speaker 5: Like yeah, and that's my that's my hood, man, that's

1920
01:23:06,160 --> 01:23:07,880
Speaker 5: five minutes from where I grew up at. So that

1921
01:23:08,040 --> 01:23:11,920
Speaker 5: was definitely some sad news. Again, man, these space heaters

1922
01:23:11,920 --> 01:23:14,960
Speaker 5: and people trying to be warm in the winter, it's

1923
01:23:15,080 --> 01:23:17,240
Speaker 5: causing you know, this is not the I think We

1924
01:23:17,280 --> 01:23:20,160
Speaker 5: hear about this every every winter. It's like, you know,

1925
01:23:20,200 --> 01:23:23,160
Speaker 5: space heater or you know, electrical fires and these these

1926
01:23:23,160 --> 01:23:25,800
Speaker 5: homes and these apartments. But this is definitely, I think

1927
01:23:25,800 --> 01:23:29,000
Speaker 5: the most deadly fire that the Bronx has seen since

1928
01:23:29,040 --> 01:23:33,599
Speaker 5: the Happy Land. Yeah, in the eighties, Sad nine used

1929
01:23:33,600 --> 01:23:37,120
Speaker 5: to my nine kids, you know, just to.

1930
01:23:37,080 --> 01:23:40,080
Speaker 1: Start the new year off. And it's just that was

1931
01:23:40,120 --> 01:23:41,040
Speaker 1: some some sad news.

1932
01:23:41,080 --> 01:23:44,840
Speaker 5: And they have a mayor, Eric Adams, put up a

1933
01:23:44,880 --> 01:23:48,800
Speaker 5: website people want to donate. They're asking for monetary donations only,

1934
01:23:49,520 --> 01:23:50,280
Speaker 5: so there.

1935
01:23:50,200 --> 01:23:53,840
Speaker 2: Was another one where you could donate water supplies and

1936
01:23:53,920 --> 01:23:55,040
Speaker 2: everything with an address.

1937
01:23:55,040 --> 01:23:56,360
Speaker 1: I believe we'll put everything in the description.

1938
01:23:56,560 --> 01:24:00,000
Speaker 5: Yeah, definitely, So if you anything, man, just anything helps.

1939
01:24:00,160 --> 01:24:00,360
Speaker 1: Yeah.

1940
01:24:00,360 --> 01:24:02,479
Speaker 2: And I'm not gonna sit here and never pretend like

1941
01:24:02,520 --> 01:24:06,000
Speaker 2: I understand the city's budget, but I do understand human

1942
01:24:06,400 --> 01:24:10,920
Speaker 2: and there needs to be some some way where space

1943
01:24:10,960 --> 01:24:17,479
Speaker 2: heaters are not necessary in people's apartments. How I feel, Yeah,

1944
01:24:17,560 --> 01:24:20,840
Speaker 2: because I've I've had space heaters in my crib where

1945
01:24:20,880 --> 01:24:22,880
Speaker 2: I would like be scared to fall asleep without turning

1946
01:24:22,880 --> 01:24:24,760
Speaker 2: that shit off because you can see the fucking like

1947
01:24:24,840 --> 01:24:27,840
Speaker 2: flame in it, like and it's plastic, it's the worst

1948
01:24:27,840 --> 01:24:30,680
Speaker 2: invention and most dangerous thing you could literally have in

1949
01:24:30,720 --> 01:24:33,800
Speaker 2: your room, and everyone in every fucking apartment has one.

1950
01:24:34,160 --> 01:24:36,599
Speaker 1: Yeah, so please be careful man.

1951
01:24:36,960 --> 01:24:40,040
Speaker 2: That's definitely like you know, or buildings need to find

1952
01:24:40,040 --> 01:24:42,800
Speaker 2: some way where they're not necessary, like you will be

1953
01:24:42,840 --> 01:24:46,240
Speaker 2: fine with heat, yeah, without having to purchase a space

1954
01:24:46,280 --> 01:24:50,559
Speaker 2: heater that more times than none is dangerous as fuck.

1955
01:24:50,760 --> 01:24:52,800
Speaker 1: Yeah. So it's sad, man.

1956
01:24:53,120 --> 01:24:55,280
Speaker 5: Some more sad news not to be you know, super sad,

1957
01:24:55,320 --> 01:24:57,800
Speaker 5: but uh, this one really bothered me. A team working

1958
01:24:57,840 --> 01:25:03,040
Speaker 5: in burger King and Harlem Tete, Crystal bayren Nieves was

1959
01:25:03,080 --> 01:25:07,760
Speaker 5: a shot and killed Sunday morning and East hollenburger King.

1960
01:25:08,880 --> 01:25:11,560
Speaker 5: A guy came in and robbed the burger king and

1961
01:25:12,120 --> 01:25:15,920
Speaker 5: ended up shooting and killing her. Yeah, that was that

1962
01:25:16,040 --> 01:25:17,840
Speaker 5: was just super sad because the mother was saying how

1963
01:25:17,880 --> 01:25:21,240
Speaker 5: the daughter she didn't feel safe working the overnight shift

1964
01:25:21,920 --> 01:25:24,400
Speaker 5: and that she didn't want to go. And the mom

1965
01:25:24,479 --> 01:25:26,400
Speaker 5: woke up at ten o'clock at night and it was like,

1966
01:25:26,439 --> 01:25:28,680
Speaker 5: you know, you got to be responsible, got to keep

1967
01:25:28,680 --> 01:25:31,479
Speaker 5: a job, you got to make money, and basically forced

1968
01:25:31,479 --> 01:25:34,760
Speaker 5: her daughter to go to work, and you know, unfortunately

1969
01:25:34,760 --> 01:25:36,080
Speaker 5: her daughter ended up being killed.

1970
01:25:36,080 --> 01:25:38,479
Speaker 1: That night. I hope the mother doesn't carry that.

1971
01:25:39,320 --> 01:25:41,599
Speaker 5: It's tough, man, because you know, you understand the mom.

1972
01:25:41,640 --> 01:25:43,800
Speaker 5: She she wants her daughter. She wanted her daughter to

1973
01:25:43,840 --> 01:25:46,760
Speaker 5: be you know, responsible and work hard and you know,

1974
01:25:47,080 --> 01:25:49,840
Speaker 5: and have her own means of income and things like that.

1975
01:25:50,400 --> 01:25:53,400
Speaker 1: But you know, away from that because we understand that part.

1976
01:25:53,439 --> 01:25:56,120
Speaker 5: We understand parents wanting us to you know, make our

1977
01:25:56,160 --> 01:25:59,200
Speaker 5: own way and have our own you know, stream of income.

1978
01:25:59,280 --> 01:26:02,920
Speaker 5: But we got to do something with this culture, man,

1979
01:26:03,000 --> 01:26:06,920
Speaker 5: with with you know, men robbing and.

1980
01:26:06,800 --> 01:26:09,880
Speaker 1: Shooting women like that.

1981
01:26:10,240 --> 01:26:14,479
Speaker 5: I just don't understand how somebody you know, shoots a woman,

1982
01:26:14,840 --> 01:26:19,360
Speaker 5: a nineteen year old woman working shift at a fast

1983
01:26:19,360 --> 01:26:21,040
Speaker 5: food restaurant.

1984
01:26:21,439 --> 01:26:23,320
Speaker 1: Like I just don't have a threat to your robbery. Yeah,

1985
01:26:23,360 --> 01:26:24,800
Speaker 1: Like I don't. I just don't. I don't.

1986
01:26:24,840 --> 01:26:28,360
Speaker 5: I don't get it, man, And you know, it seems

1987
01:26:28,400 --> 01:26:33,000
Speaker 5: like there's not the consequences are not harsh enough, you know,

1988
01:26:33,040 --> 01:26:36,639
Speaker 5: with these gun laws and you know, robbing and killing,

1989
01:26:36,720 --> 01:26:41,880
Speaker 5: and you know, sometimes jail sentence is not enough sometimes,

1990
01:26:41,920 --> 01:26:43,559
Speaker 5: you know, like these dudes don't even have the time,

1991
01:26:43,600 --> 01:26:45,960
Speaker 5: they're not even caught, you know what I mean. It's

1992
01:26:45,960 --> 01:26:48,680
Speaker 5: just something has to change, man, because that story I

1993
01:26:48,720 --> 01:26:51,920
Speaker 5: don't notice this young lady, you know, being from from

1994
01:26:51,960 --> 01:26:54,960
Speaker 5: the city. I just you know, I'm in East Harlem.

1995
01:26:55,000 --> 01:26:57,280
Speaker 5: I'm in Harlem all the time, so you just feel

1996
01:26:57,320 --> 01:26:59,680
Speaker 5: like a sense of that community, like I'm always in

1997
01:26:59,680 --> 01:27:02,799
Speaker 5: these air and that ship really bothered me reading that story,

1998
01:27:02,840 --> 01:27:05,439
Speaker 5: Like nineteen years old, working in burger king, just trying

1999
01:27:05,439 --> 01:27:09,080
Speaker 5: to make some money. Somebody comes in overnight robs you,

2000
01:27:09,360 --> 01:27:10,720
Speaker 5: uh give him the money.

2001
01:27:10,720 --> 01:27:13,720
Speaker 1: She gave up the money, and he still shot and

2002
01:27:13,760 --> 01:27:15,240
Speaker 1: killed him. Yeah, you know what I mean.

2003
01:27:15,320 --> 01:27:18,400
Speaker 5: I just don't. I don't understand, man, And something something

2004
01:27:18,439 --> 01:27:18,960
Speaker 5: that has to change.

2005
01:27:18,960 --> 01:27:20,479
Speaker 1: I don't know what it is. I don't have the answers,

2006
01:27:20,479 --> 01:27:22,760
Speaker 1: but something has to change in his culture. Like we

2007
01:27:22,800 --> 01:27:25,960
Speaker 1: got to start. What was the dollar amount? I believe

2008
01:27:26,400 --> 01:27:27,280
Speaker 1: it was one hundred dollars.

2009
01:27:27,360 --> 01:27:32,160
Speaker 2: Yeah, you're not gonna keep them keep over and especially overnight.

2010
01:27:32,240 --> 01:27:36,519
Speaker 5: You know they man the registers for the money they

2011
01:27:36,560 --> 01:27:40,320
Speaker 5: made during the day before the overnight shift anyway. So yeah,

2012
01:27:40,439 --> 01:27:43,200
Speaker 5: just that shit really hurt me. Prayers to uh d

2013
01:27:43,280 --> 01:27:47,880
Speaker 5: Nieva's family, prayers to Crystal. But yeah, man, I hope

2014
01:27:47,920 --> 01:27:51,360
Speaker 5: they find uh find a guy that did that, because

2015
01:27:51,360 --> 01:27:53,000
Speaker 5: he needs he needs somebody.

2016
01:27:52,640 --> 01:27:54,200
Speaker 1: That's locked away out of society. For sure.

2017
01:27:54,240 --> 01:27:55,200
Speaker 2: I'm sure someone knows me.

2018
01:27:55,720 --> 01:27:58,320
Speaker 1: Oh for sure, they had the video up and you know,

2019
01:27:58,360 --> 01:27:58,960
Speaker 1: everything like that.

2020
01:27:59,040 --> 01:28:01,559
Speaker 5: But it's just it's sad. Man, it's nineteen years old,

2021
01:28:01,560 --> 01:28:03,840
Speaker 5: you're shooting and kill his girl for what. I just

2022
01:28:03,840 --> 01:28:05,960
Speaker 5: don't understand it, man like shit like that. I just don't,

2023
01:28:06,280 --> 01:28:09,240
Speaker 5: you know, I understand mental health and all these things

2024
01:28:09,280 --> 01:28:11,680
Speaker 5: people like to throw on these you know, perpetrators and

2025
01:28:11,680 --> 01:28:14,040
Speaker 5: shit like that, but mental health is not enough for me.

2026
01:28:14,080 --> 01:28:16,400
Speaker 5: I'm sorry, like killing shooting a nineteen year old girl,

2027
01:28:16,400 --> 01:28:18,360
Speaker 5: I understand that. I can't just you can't just tell

2028
01:28:18,400 --> 01:28:20,800
Speaker 5: me mental health. He's not. He's mentally ill, and I

2029
01:28:20,800 --> 01:28:22,759
Speaker 5: don't want to hear that shit like That's just somebody

2030
01:28:23,000 --> 01:28:25,040
Speaker 5: that doesn't need to be a part of society. I'm sorry,

2031
01:28:25,400 --> 01:28:26,760
Speaker 5: Actually I'm not sorry. He doesn't need to be a

2032
01:28:26,760 --> 01:28:29,880
Speaker 5: part of society. But prais off family. I hope that

2033
01:28:29,920 --> 01:28:33,960
Speaker 5: they catch him and again prais and condolaces to Dnieva's

2034
01:28:33,960 --> 01:28:34,960
Speaker 5: family in that community.

2035
01:28:35,080 --> 01:28:35,479
Speaker 1: For sure.

2036
01:28:37,040 --> 01:28:37,840
Speaker 2: Was there anything we missed?

2037
01:28:37,880 --> 01:28:41,479
Speaker 1: Because I know not much much did happen while we

2038
01:28:41,479 --> 01:28:41,920
Speaker 1: were gone?

2039
01:28:43,560 --> 01:28:46,240
Speaker 3: Have you heard that Hours and Hours song by Money Long?

2040
01:28:46,479 --> 01:28:46,679
Speaker 1: Yeah?

2041
01:28:46,680 --> 01:28:49,040
Speaker 3: Of course, who Hours and Hours.

2042
01:28:49,200 --> 01:28:51,479
Speaker 2: Yeah, she's dope. She's a very talented writer. Yeah.

2043
01:28:51,479 --> 01:28:53,519
Speaker 4: I did guy her and I was like, she wrote

2044
01:28:53,640 --> 01:28:55,880
Speaker 4: literally my two favorite Rihanna songs in the whole world.

2045
01:28:55,880 --> 01:28:56,559
Speaker 3: She wrote them both.

2046
01:28:56,800 --> 01:28:57,040
Speaker 1: Yeah.

2047
01:28:57,080 --> 01:28:57,360
Speaker 3: Wow.

2048
01:28:57,439 --> 01:28:59,360
Speaker 1: What's her name, money Long?

2049
01:28:59,439 --> 01:29:01,040
Speaker 3: She's be known. That's Priscilla Renee.

2050
01:29:02,160 --> 01:29:05,680
Speaker 2: Yeah, she's super talented. I'm glad she's getting her Her

2051
01:29:05,720 --> 01:29:07,880
Speaker 2: name is money Long now. Yeah, but it's spells.

2052
01:29:07,600 --> 01:29:10,920
Speaker 1: From m U, I M you and I yeah spelled

2053
01:29:10,920 --> 01:29:14,519
Speaker 1: differently artistic way of no.

2054
01:29:14,640 --> 01:29:18,320
Speaker 2: But she's she's like a lot of those writers that

2055
01:29:18,840 --> 01:29:21,439
Speaker 2: get their shot and she's taking full advantage of it

2056
01:29:21,840 --> 01:29:25,640
Speaker 2: right now. She's killing every TikTok you could think of.

2057
01:29:25,640 --> 01:29:31,000
Speaker 2: And the music is really good too. The project is a.

2058
01:29:30,560 --> 01:29:33,240
Speaker 3: It is called a public affection.

2059
01:29:33,320 --> 01:29:36,240
Speaker 1: There you go. Yeah, PDA checked it out. It's really good.

2060
01:29:36,240 --> 01:29:37,840
Speaker 2: The Hours and Hours joint, I'm sure you've heard it

2061
01:29:37,880 --> 01:29:42,240
Speaker 2: and didn't even realize that it's everywhere. But she's super talented,

2062
01:29:42,240 --> 01:29:45,240
Speaker 2: and I just like to see writers like finally get

2063
01:29:45,320 --> 01:29:48,559
Speaker 2: their time to come out the way Esta Jean did.

2064
01:29:48,840 --> 01:29:52,920
Speaker 2: Victoria Torn with Kirby I think is now getting her

2065
01:29:52,960 --> 01:29:55,120
Speaker 2: shot too. Like I just like to see that type

2066
01:29:55,120 --> 01:29:57,640
Speaker 2: of ship because those are the real talented people. Like

2067
01:29:57,720 --> 01:30:00,519
Speaker 2: sometimes you got to not write for other people. That

2068
01:30:00,840 --> 01:30:04,880
Speaker 2: chapter is over, I agree, So shout out to Kyrie.

2069
01:30:04,960 --> 01:30:08,639
Speaker 5: Kyrie is back. Yes, he played his first away game.

2070
01:30:08,880 --> 01:30:13,680
Speaker 5: Uh he looked, he looked good, sanitized.

2071
01:30:13,200 --> 01:30:13,960
Speaker 1: Then miss a beat.

2072
01:30:14,080 --> 01:30:17,640
Speaker 5: Uh, So shout out to Kyrie, welcome back, Welcome back

2073
01:30:17,720 --> 01:30:18,240
Speaker 5: lay Thompson.

2074
01:30:18,920 --> 01:30:21,680
Speaker 1: He came back last night. Uh he looked good in

2075
01:30:21,720 --> 01:30:22,240
Speaker 1: his return.

2076
01:30:23,560 --> 01:30:25,240
Speaker 5: So yeah, man, the NBA is starting to feel like

2077
01:30:25,280 --> 01:30:28,280
Speaker 5: it's you can tell when it's the guys are back.

2078
01:30:28,400 --> 01:30:32,120
Speaker 2: Do you think the Warriors get get another shot at

2079
01:30:32,439 --> 01:30:35,680
Speaker 2: I'm talking dynasty time again. Not winning again. Of course

2080
01:30:35,680 --> 01:30:37,920
Speaker 2: there's a world where they can win again, but back

2081
01:30:37,960 --> 01:30:38,639
Speaker 2: to where they were.

2082
01:30:39,040 --> 01:30:39,200
Speaker 1: Yo.

2083
01:30:39,280 --> 01:30:44,120
Speaker 5: Listen, man, we gotta start. We gotta reshuffle that top

2084
01:30:44,160 --> 01:30:48,200
Speaker 5: five ever soon. If Clay gets another ring, I mean

2085
01:30:48,240 --> 01:30:51,479
Speaker 5: not Claif Steph gets another ring, we gotta shuffle that

2086
01:30:51,560 --> 01:30:52,360
Speaker 5: top five around.

2087
01:30:52,439 --> 01:30:56,120
Speaker 1: It's gonna be to keep three three yeah.

2088
01:30:57,640 --> 01:31:00,680
Speaker 5: Yeah, if he gets another ring, man, it's gonna be

2089
01:31:00,720 --> 01:31:02,599
Speaker 5: hard to keep Steph Curry out of your top five.

2090
01:31:02,640 --> 01:31:02,840
Speaker 1: Ever.

2091
01:31:03,920 --> 01:31:06,160
Speaker 2: I think you kind of make a case now, but.

2092
01:31:06,240 --> 01:31:09,040
Speaker 1: I wasn't gonna say that. But okay, I'm not those

2093
01:31:09,040 --> 01:31:11,680
Speaker 1: sports guys forget it. No, I get no.

2094
01:31:11,800 --> 01:31:14,160
Speaker 2: But listen based off stats, I don't know why you

2095
01:31:14,200 --> 01:31:18,719
Speaker 2: couldn't make listen man, Steph Curry get another ring? Yeah,

2096
01:31:18,880 --> 01:31:21,240
Speaker 2: how would Steph thirty thirty two?

2097
01:31:21,479 --> 01:31:24,559
Speaker 1: Yeah, something like that. Oh he's got time, Yeah, he's

2098
01:31:24,600 --> 01:31:26,720
Speaker 1: got time. I think they're gonna I think they get

2099
01:31:26,720 --> 01:31:29,120
Speaker 1: one this year. I think it's I think they get

2100
01:31:29,120 --> 01:31:31,439
Speaker 1: one this year. I think it's between. Uh, it's gonna

2101
01:31:31,439 --> 01:31:31,800
Speaker 1: be hard.

2102
01:31:31,960 --> 01:31:34,800
Speaker 5: You know what the Kyrie thing is still you know,

2103
01:31:34,920 --> 01:31:36,920
Speaker 5: a little tricky as far as just away games only,

2104
01:31:37,000 --> 01:31:44,760
Speaker 5: but uh, Katie, Steph and I think Chris Paul, I

2105
01:31:44,760 --> 01:31:47,400
Speaker 5: think the Sons. I think the Sons, the Warriors and

2106
01:31:47,920 --> 01:31:50,760
Speaker 5: the Nets are the three favorites to to win the

2107
01:31:50,840 --> 01:31:53,519
Speaker 5: title this year. And if Steph Curry gets another ring,

2108
01:31:53,640 --> 01:31:56,000
Speaker 5: man like, yeah, it's gonna be hard to keep him

2109
01:31:56,000 --> 01:31:56,800
Speaker 5: out of your top five.

2110
01:31:57,040 --> 01:31:59,160
Speaker 1: It's gonna be extremely hard. Like you gotta Reachhuff with

2111
01:31:59,160 --> 01:31:59,920
Speaker 1: that top five deck.

2112
01:32:00,640 --> 01:32:04,040
Speaker 5: Emily in Paris, we got two more seasons, Rory, so

2113
01:32:04,080 --> 01:32:06,920
Speaker 5: you have to watch because you didn't finish season one.

2114
01:32:07,040 --> 01:32:08,320
Speaker 2: I didn't finish episode two.

2115
01:32:08,520 --> 01:32:10,200
Speaker 1: Just what I'm saying you gotta get on board with

2116
01:32:10,240 --> 01:32:11,240
Speaker 1: this thing is taken.

2117
01:32:11,040 --> 01:32:13,320
Speaker 2: Off, Rory, Euphoria is out. I don't need to watch Emily.

2118
01:32:13,479 --> 01:32:16,080
Speaker 5: I'm gonna get and Damaris was talking about I definitely

2119
01:32:16,080 --> 01:32:19,040
Speaker 5: got to get into Euphoria. But Emily in Paris's official

2120
01:32:19,120 --> 01:32:22,880
Speaker 5: season three and four they just confirmed will happen. So

2121
01:32:22,920 --> 01:32:24,800
Speaker 5: I don't know, Rory, Man, I don't want to leave

2122
01:32:24,840 --> 01:32:28,439
Speaker 5: at the station, but I will listen to zoom.

2123
01:32:29,000 --> 01:32:31,360
Speaker 2: Are you gonna move to for both seasons?

2124
01:32:31,400 --> 01:32:33,960
Speaker 1: I don't know, man, I might Emily might be calling me.

2125
01:32:34,120 --> 01:32:37,679
Speaker 2: They shoot that ship in Vancouver, you know, they shoot

2126
01:32:37,680 --> 01:32:38,479
Speaker 2: that ship somewhere else?

2127
01:32:40,200 --> 01:32:42,120
Speaker 5: Yeah, man shout after Emily in Paris season three and

2128
01:32:42,120 --> 01:32:43,560
Speaker 5: four has been confirmed.

2129
01:32:43,800 --> 01:32:46,519
Speaker 1: Euphoria last Night, season two, episode one, Yeah, I gotta

2130
01:32:46,520 --> 01:32:46,880
Speaker 1: watch that.

2131
01:32:47,040 --> 01:32:47,599
Speaker 3: Did you see it?

2132
01:32:47,760 --> 01:32:48,400
Speaker 1: Yeah?

2133
01:32:48,640 --> 01:32:49,479
Speaker 3: Wasn't it amazing?

2134
01:32:49,960 --> 01:32:50,800
Speaker 1: It was incredible.

2135
01:32:51,160 --> 01:32:53,439
Speaker 2: I have to deal with my mentions being flooded that

2136
01:32:53,479 --> 01:32:56,439
Speaker 2: I look like this is gonna happen as it did

2137
01:32:56,479 --> 01:32:58,720
Speaker 2: for the entire season one and after. Okay, but I

2138
01:32:58,720 --> 01:33:00,679
Speaker 2: had to catch up because how long season one?

2139
01:33:01,120 --> 01:33:01,760
Speaker 3: Like two years?

2140
01:33:01,960 --> 01:33:03,439
Speaker 2: Yeah, it felt like it was a long time ago.

2141
01:33:03,600 --> 01:33:06,160
Speaker 2: So I had to catch up on my little Wikipedia

2142
01:33:06,200 --> 01:33:08,360
Speaker 2: ship prior to because they didn't give me the solid

2143
01:33:08,520 --> 01:33:10,720
Speaker 2: what happened last time ship, but stuff was starting to

2144
01:33:10,720 --> 01:33:13,920
Speaker 2: come back. But I liked episode one and not spoiling

2145
01:33:13,920 --> 01:33:14,559
Speaker 2: like Spider Man.

2146
01:33:15,800 --> 01:33:16,960
Speaker 1: Jesus, it was cool.

2147
01:33:16,760 --> 01:33:18,519
Speaker 2: To get in the Pheesi's background in the beginning.

2148
01:33:18,520 --> 01:33:20,280
Speaker 1: And then I'm gonna see a Spider Man this week.

2149
01:33:20,280 --> 01:33:21,559
Speaker 1: I'm gonna go see it. I have to.

2150
01:33:21,800 --> 01:33:25,519
Speaker 4: I will go with you, so you don't that's why

2151
01:33:25,520 --> 01:33:26,960
Speaker 4: you that's why you.

2152
01:33:26,960 --> 01:33:27,479
Speaker 1: Keep it p D.

2153
01:33:27,640 --> 01:33:29,160
Speaker 2: You guys should do a double date like you. Guys

2154
01:33:29,160 --> 01:33:32,000
Speaker 2: should each bring somebody and then that would be and

2155
01:33:32,000 --> 01:33:33,599
Speaker 2: then we could discuss it.

2156
01:33:33,720 --> 01:33:36,520
Speaker 1: That will be a lot. That would be fucking comedy.

2157
01:33:36,560 --> 01:33:37,280
Speaker 1: Are you kidding me?

2158
01:33:37,479 --> 01:33:38,439
Speaker 2: Being called coming.

2159
01:33:41,240 --> 01:33:45,000
Speaker 1: Six? People? Don't forget about you.

2160
01:33:45,000 --> 01:33:45,599
Speaker 2: You're just not in the room.

2161
01:33:45,600 --> 01:33:46,200
Speaker 1: I'm gonna go see it.

2162
01:33:46,320 --> 01:33:48,320
Speaker 5: I'm gonna see Spider Man because I've definitely been wanting

2163
01:33:48,320 --> 01:33:48,720
Speaker 5: to see it.

2164
01:33:49,080 --> 01:33:50,519
Speaker 3: I wanted to see it again. And I will go

2165
01:33:50,560 --> 01:33:52,040
Speaker 3: with you, just so that you're not alone.

2166
01:33:52,120 --> 01:33:54,559
Speaker 2: What you thought about you for you, I love you.

2167
01:33:54,720 --> 01:33:58,000
Speaker 2: I'm gonna start spoiling it soon. First episode one, I'm

2168
01:33:58,000 --> 01:34:00,880
Speaker 2: not going to but people. By episode three, i'm gonna

2169
01:34:00,880 --> 01:34:02,439
Speaker 2: start actively talking about what's going on there.

2170
01:34:02,479 --> 01:34:05,360
Speaker 4: Well, today I had to release a statement because you know,

2171
01:34:05,439 --> 01:34:07,880
Speaker 4: she's straight off the Helm of Spider Man, which is

2172
01:34:08,000 --> 01:34:10,559
Speaker 4: kind of more kid. She has a lot of kid fans.

2173
01:34:10,640 --> 01:34:14,920
Speaker 4: Now she did well, but her fans were growing with her.

2174
01:34:14,960 --> 01:34:17,640
Speaker 4: Now she's reintroducing herself to a younger audience. And she

2175
01:34:17,640 --> 01:34:19,800
Speaker 4: had to say, you know, this is for mature audiences.

2176
01:34:20,040 --> 01:34:21,559
Speaker 4: I know it's filmed in a high school, but this

2177
01:34:21,640 --> 01:34:25,720
Speaker 4: is not. This is Yeah, we're adults and we're like, oh,

2178
01:34:25,760 --> 01:34:31,680
Speaker 4: this is interesting. Like it's a lot. There's so much nudity.

2179
01:34:32,080 --> 01:34:33,120
Speaker 1: Watch it, like a lot of.

2180
01:34:33,160 --> 01:34:34,120
Speaker 2: Dicks, a lot of dicks.

2181
01:34:34,120 --> 01:34:35,560
Speaker 3: Well, they had a lot of tips last season, so

2182
01:34:35,560 --> 01:34:36,479
Speaker 3: they kind of evened it out.

2183
01:34:36,840 --> 01:34:38,760
Speaker 2: I was excited they started with titties and they even

2184
01:34:38,760 --> 01:34:40,920
Speaker 2: had pussy, I think at the beginning with a stripper.

2185
01:34:40,960 --> 01:34:42,719
Speaker 2: I was like, Oh, they're going for it this season.

2186
01:34:42,760 --> 01:34:45,120
Speaker 2: And then it was like dick, dick, dick, dick.

2187
01:34:46,320 --> 01:34:52,000
Speaker 5: Never mind, let me find something else to watch. Right

2188
01:34:52,000 --> 01:34:54,800
Speaker 5: to Gymstones. Did you ever watch that with Danny McBride.

2189
01:34:56,120 --> 01:34:57,200
Speaker 2: He's an assistant principal.

2190
01:34:57,400 --> 01:35:01,680
Speaker 5: No, No, that's the He's always got those type of roles. No,

2191
01:35:01,800 --> 01:35:04,400
Speaker 5: this is one where his family is like the televangelists

2192
01:35:05,080 --> 01:35:06,200
Speaker 5: and uh.

2193
01:35:06,040 --> 01:35:06,960
Speaker 1: No, I need to watch that.

2194
01:35:07,080 --> 01:35:12,040
Speaker 5: No, you never I love what season one, Season one,

2195
01:35:12,080 --> 01:35:16,280
Speaker 5: Season two just started. Righteous Gymstones on HBO. I'm glad

2196
01:35:16,280 --> 01:35:17,679
Speaker 5: it came back. Yeah, I'm glad it came back because

2197
01:35:17,720 --> 01:35:19,680
Speaker 5: that's to me, that show was underrated. A lot of

2198
01:35:19,680 --> 01:35:22,240
Speaker 5: people weren'talking about Righteous Gyemstones, and that show was really funny.

2199
01:35:22,640 --> 01:35:24,680
Speaker 5: Season two just started, so I definitely gotta watch that.

2200
01:35:25,680 --> 01:35:26,920
Speaker 5: That in you first, And now I got some more

2201
01:35:26,960 --> 01:35:27,519
Speaker 5: TV to watch.

2202
01:35:27,680 --> 01:35:28,120
Speaker 2: Yeah, I like.

2203
01:35:28,080 --> 01:35:28,680
Speaker 1: TV is back.

2204
01:35:28,720 --> 01:35:30,360
Speaker 2: I felt like for a while it was a lot

2205
01:35:30,360 --> 01:35:34,040
Speaker 2: of just random Netflix movies or dots Like I like

2206
01:35:34,120 --> 01:35:37,360
Speaker 2: that TV series that have already been established seasons are

2207
01:35:37,400 --> 01:35:39,880
Speaker 2: now coming back on that. Yeah, because I got a

2208
01:35:39,880 --> 01:35:42,040
Speaker 2: bunch of ship to catch up on. You four, Their

2209
01:35:42,080 --> 01:35:44,120
Speaker 2: Body and that ship. That cast is incredible.

2210
01:35:44,280 --> 01:35:47,479
Speaker 1: Yeah, I love Today Lover Her and.

2211
01:35:47,400 --> 01:35:51,240
Speaker 2: Like listen, I thought my high school was Wow, they're

2212
01:35:51,280 --> 01:35:51,760
Speaker 2: fucking crazy.

2213
01:35:51,840 --> 01:35:52,960
Speaker 1: High school was nothing like that.

2214
01:35:53,120 --> 01:35:54,840
Speaker 4: Yeah, I wasn't. I went to my high school. The

2215
01:35:54,880 --> 01:35:56,559
Speaker 4: majority do black. I didn't deal with this.

2216
01:35:58,040 --> 01:35:58,880
Speaker 1: It's just a different time.

2217
01:35:58,880 --> 01:36:02,120
Speaker 2: I don't mean whyle just I'm meaning like general, like

2218
01:36:02,439 --> 01:36:04,720
Speaker 2: just general wild. You could have your different degrees of

2219
01:36:04,760 --> 01:36:07,240
Speaker 2: wild no matter what location of the world. You're in

2220
01:36:07,280 --> 01:36:07,960
Speaker 2: whatever you want to do.

2221
01:36:08,000 --> 01:36:11,479
Speaker 1: They're just wilin. Yeah. Yeah, they're fucking wild. I'm gonna

2222
01:36:11,520 --> 01:36:12,400
Speaker 1: check it out. I like I like.

2223
01:36:12,479 --> 01:36:13,880
Speaker 3: Zindia, but it makes me jealous.

2224
01:36:13,920 --> 01:36:15,439
Speaker 4: I kind of always wanted to go to a really

2225
01:36:15,479 --> 01:36:18,960
Speaker 4: really large because really really large high schools that like

2226
01:36:19,080 --> 01:36:21,240
Speaker 4: have the space to be large, not like New York

2227
01:36:21,240 --> 01:36:23,720
Speaker 4: City large high schools. They tend to be like that,

2228
01:36:23,800 --> 01:36:26,320
Speaker 4: like wild and big, wild parties and you got the

2229
01:36:26,400 --> 01:36:28,599
Speaker 4: rich kid with the millionaire parents who are never home.

2230
01:36:28,640 --> 01:36:29,880
Speaker 3: They're throwing parties and ship.

2231
01:36:30,640 --> 01:36:32,360
Speaker 2: Well, yeah, I'm looking looking forward to the rest of

2232
01:36:32,360 --> 01:36:35,439
Speaker 2: the season of Euphoria. It was a good start, so

2233
01:36:35,680 --> 01:36:36,160
Speaker 2: catch up.

2234
01:36:36,840 --> 01:36:38,519
Speaker 1: Yeah, no, I'm definitely gonna watch it. I like that show.

2235
01:36:38,640 --> 01:36:42,280
Speaker 1: You is there anything else we didn't know didn't cover?

2236
01:36:43,000 --> 01:36:44,160
Speaker 2: We're back in a few days.

2237
01:36:44,560 --> 01:36:47,280
Speaker 5: Yeah, I'm gonna go see the uh before I go

2238
01:36:47,280 --> 01:36:48,599
Speaker 5: to the jail, like sho, I'm gonna go see the

2239
01:36:48,600 --> 01:36:49,320
Speaker 5: next tonight man.

2240
01:36:49,600 --> 01:36:49,920
Speaker 1: Okay.

2241
01:36:50,479 --> 01:36:52,320
Speaker 5: Spoke to Julius the other night man. They got to

2242
01:36:52,360 --> 01:36:55,000
Speaker 5: get their ship together. They've been they've been struggling.

2243
01:36:55,040 --> 01:36:55,960
Speaker 2: Can I get two tickets?

2244
01:36:56,400 --> 01:36:57,120
Speaker 1: You want to go tonight?

2245
01:36:57,320 --> 01:37:01,120
Speaker 2: I would like, uh, not tonight, but next game I

2246
01:37:01,160 --> 01:37:07,439
Speaker 2: would love to right away, uh a, go backs Jersey

2247
01:37:07,479 --> 01:37:09,000
Speaker 2: and do some stuff before the show.

2248
01:37:09,080 --> 01:37:11,200
Speaker 5: No, I'll definitely get some tickets for look at the

2249
01:37:11,200 --> 01:37:15,120
Speaker 5: schedule and the actually least for some tickets. But yeah, man,

2250
01:37:16,479 --> 01:37:20,640
Speaker 5: another week, yeah, another weekend in the can. How's your

2251
01:37:20,640 --> 01:37:22,760
Speaker 5: New Years? How's the start to your New Year? Your

2252
01:37:22,800 --> 01:37:24,479
Speaker 5: resolutions are down the drain already?

2253
01:37:24,600 --> 01:37:27,800
Speaker 2: Of course I don't make any Yeah, I didn't, just

2254
01:37:27,800 --> 01:37:30,559
Speaker 2: try to survive, just hopefully make it the next day.

2255
01:37:30,800 --> 01:37:32,160
Speaker 1: I want to see another one. I want to see

2256
01:37:32,160 --> 01:37:32,639
Speaker 1: another year.

2257
01:37:33,160 --> 01:37:36,559
Speaker 5: Uh well, yeah, man, we'll be back in a few days. Uh,

2258
01:37:37,240 --> 01:37:39,519
Speaker 5: I think we got do we have something coming up?

2259
01:37:40,560 --> 01:37:42,720
Speaker 2: Probably, but that's the Marisa tell us.

2260
01:37:42,840 --> 01:37:44,639
Speaker 1: Okay, yeah we got something.

2261
01:37:44,720 --> 01:37:46,000
Speaker 3: I won't tell you now you'll forget, so I'll just

2262
01:37:46,000 --> 01:37:46,960
Speaker 3: tell you did it before for sure.

2263
01:37:47,000 --> 01:37:48,920
Speaker 1: Yeah. Well we got some ship coming up, so.

2264
01:37:48,960 --> 01:37:50,840
Speaker 2: There's still I think there's some merch left.

2265
01:37:51,240 --> 01:37:53,200
Speaker 3: There's a lot of merch, not a lot, but there's

2266
01:37:53,240 --> 01:37:54,920
Speaker 3: some stuff left.

2267
01:37:55,479 --> 01:38:00,400
Speaker 1: Get some merch working on the Valentine's Capsule. Now I'm excited. Yeah.

2268
01:38:00,720 --> 01:38:02,960
Speaker 2: So what nasty shit you tell the women on this merchant?

2269
01:38:03,280 --> 01:38:05,320
Speaker 1: Nah? Man, we're just trying to have some fun, man

2270
01:38:05,360 --> 01:38:06,040
Speaker 1: with this merch thing.

2271
01:38:06,560 --> 01:38:09,800
Speaker 5: So you have Valentine's merch coming up, some merch available now,

2272
01:38:10,520 --> 01:38:12,280
Speaker 5: and yeah, anything else.

2273
01:38:12,439 --> 01:38:13,280
Speaker 2: I think that's about it.

2274
01:38:13,960 --> 01:38:14,240
Speaker 1: Cool.

2275
01:38:14,240 --> 01:38:15,559
Speaker 5: So we'll see you in a couple of days. We'll

2276
01:38:15,560 --> 01:38:16,840
Speaker 5: talk to you in a couple of days. Till then,

2277
01:38:16,920 --> 01:38:19,559
Speaker 5: be safe, be blessed, stay healthy. Wash your hands and

2278
01:38:19,800 --> 01:38:20,320
Speaker 5: wash your ass

2279
01:38:23,479 --> 01:38:24,080
Speaker 2: Now