WEBVTT - 9 Prime-Time Secrets of TV Guide

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<v Speaker 1>You're listening to Part Time Genius, the production of Kaleidoscope

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<v Speaker 1>and iHeartRadio. Guess what Will?

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<v Speaker 2>What's that Mango?

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<v Speaker 1>So the term fake news has been around for a

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<v Speaker 1>long time, but it really entered the public consciousness in

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<v Speaker 1>nineteen ninety two, and that is thanks to a hard

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<v Speaker 1>hitting article in one of America's most important and beloved

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<v Speaker 1>magazines Do you know which one? All? Right?

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<v Speaker 2>Nineteen ninety two, which in my head is much more

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<v Speaker 2>recent than it actually is. Like, it's hard to wrap

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<v Speaker 2>my head around the fact that that was like thirty six,

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<v Speaker 2>thirty five, thirty four years I've lost track of man

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<v Speaker 2>thirty three years ago, right, yeah, a lot of years.

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<v Speaker 2>So I'm going to go with that many years ago.

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<v Speaker 2>I'm going to go with was it Time or Newsweek?

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<v Speaker 1>You know? And that's a good guess, But it was

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<v Speaker 1>actually TV Guide? Oh wow, yeah, it's not stunning. So

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<v Speaker 1>in the February twenty second, nineteen ninety two edition, there's

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<v Speaker 1>a journalist named David Lieberman, and he wrote a cover

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<v Speaker 1>story under the headline fake News, and in it he

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<v Speaker 1>criticized the widespread use of something called video news releases,

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<v Speaker 1>or vnrs, and these were short videos made to look

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<v Speaker 1>like regular news segments, but they were produced by PR firms,

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<v Speaker 1>and they were sent out to all the TV news stations,

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<v Speaker 1>who sometimes aired them as though they were real stories. Now,

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<v Speaker 1>Lieberman acknowledged that the information in these vnrs could be accurate,

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<v Speaker 1>but he said news programs should label them so viewers

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<v Speaker 1>know that what they're watching isn't an independent news report,

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<v Speaker 1>just a glorified press release. The article sparked a lot

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<v Speaker 1>of conversation, and at first the PR industry tried to

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<v Speaker 1>push back, but thanks in part to TV guys journalism,

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<v Speaker 1>in June of nineteen ninety two, the Public Relations Service

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<v Speaker 1>Council formed a committee to develop better standards for disclosure

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<v Speaker 1>in VA and ours. And for the record, nobody paid

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<v Speaker 1>me to tell you that story.

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<v Speaker 2>I'm glad to share that. I do appreciate your integrity, Mango.

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<v Speaker 2>And speaking of news that definitely isn't fake, today we've

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<v Speaker 2>got eight more facts about TV Guide, the little magazine

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<v Speaker 2>that made a big impact on American culture. So let's

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<v Speaker 2>dive in. Hey their podcast listeners, welcome to Part Time Genius.

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<v Speaker 2>I'm Will Pearson and as always I'm joined by my

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<v Speaker 2>good friend mangesh Hot Ticketer and over there on the

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<v Speaker 2>booth wearing a Safari vest stuffed with remote controls. This

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<v Speaker 2>is one of the best I've seen from him. That's

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<v Speaker 2>our Palin producer, Dylan Fagan.

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<v Speaker 1>And don't forget he's got that Safari pit helmet with

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<v Speaker 1>an ten on pomp as well.

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<v Speaker 2>That is that's really impressive. So I think we all

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<v Speaker 2>know where he's going with this one, right, Like he's

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<v Speaker 2>a literal TV Guide Incredible work is always Dylan.

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<v Speaker 1>So will I know. This episode was my idea and

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<v Speaker 1>I just wanted to explain why I've been thinking about

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<v Speaker 1>TV Guide a lot recently. So I was just on

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<v Speaker 1>this super fun podcast as a guest, and it's called

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<v Speaker 1>TV Guidance Counselor, and basically the host Ken has people

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<v Speaker 1>come on and he sends you this old issue of

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<v Speaker 1>TV Guide, like a random old issue, and you go

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<v Speaker 1>through the week together and you pick the things you

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<v Speaker 1>would have watched in primetime and just discuss it. And

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<v Speaker 1>it is so fun, and you know, it's a great

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<v Speaker 1>concept for a show. But it made me realize that

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<v Speaker 1>TV Guide is this almost this incredible record of pop

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<v Speaker 1>culture and media and politics and so much more. And

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<v Speaker 1>also it had recipes from stars in there. Do you

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<v Speaker 1>remember those?

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<v Speaker 2>I definitely remember this. Of course we've talked about my

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<v Speaker 2>grandmother many times on this show before. I have a

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<v Speaker 2>strong association of TV Guide because there would always be

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<v Speaker 2>TV guides on her coffee table and I would try

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<v Speaker 2>to convince her every day to stop watching Wheel of

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<v Speaker 2>Fortune and it was time to try out something else.

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<v Speaker 2>But it never really worked. But I always loved thumbing

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<v Speaker 2>through those old issues ed.

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<v Speaker 1>She had all the options right in front of her,

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<v Speaker 1>but she refused so many options. Channel. But you know,

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<v Speaker 1>I was looking at it and I was wondering, like,

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<v Speaker 1>why do you really want to eat like David Hasselhoff's

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<v Speaker 1>cop salad or like Suzanne Summer's vegetarian lasagna or whatever.

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<v Speaker 1>But then I read that the magazine editorial was basically

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<v Speaker 1>trying to encourage you to make these really easy and

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<v Speaker 1>quick meals that you could eat in front of the TV.

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<v Speaker 1>And it's kind of brilliant, right, Like everything relates back

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<v Speaker 1>to TV, which is so editorially smart. But you know,

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<v Speaker 1>I'm glad we're doing this topic, and I'm curious where

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<v Speaker 1>you want to.

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<v Speaker 2>Start, all right, So I feel like we should go

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<v Speaker 2>back to the very beginning like we like to do,

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<v Speaker 2>and that takes us to New York City and then

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<v Speaker 2>nineteen thirty so I know, I proved I was really

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<v Speaker 2>bad at math earlier, but this is almost one hundred

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<v Speaker 2>years ago now. A young man named Lee Wagner got

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<v Speaker 2>a job at a magazine publisher where he managed subscriptions

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<v Speaker 2>for several titles focused on movies and celebrities, and later

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<v Speaker 2>he worked for the publisher of Look, which at the

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<v Speaker 2>time was one of the most read magazines in the

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<v Speaker 2>United States. So Wagner knew the ins and outs of

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<v Speaker 2>publishing at the time, and he was convinced that television,

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<v Speaker 2>then in its infancy, was about to be the next

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<v Speaker 2>big thing. So he takes this leap of faith and

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<v Speaker 2>he launches his own magazine. It was called The Television Guide,

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<v Speaker 2>which initially just covered programming in the New York City area,

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<v Speaker 2>and the first issue appeared on June fourteenth, nineteen forty eight.

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<v Speaker 2>The cover featured the silent film star Gloria Swanson.

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<v Speaker 1>That's kind of funny, right, Like he's embracing this new

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<v Speaker 1>medium by putting a silent film star on the cover.

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<v Speaker 2>Yeah. I didn't actually think about that, but that is

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<v Speaker 2>pretty funny, Well, Gloria had seen the writing on the wall.

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<v Speaker 2>She was actually trying to break in the TV by

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<v Speaker 2>hosting a variety show called the Gloria Swanson Hour, which

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<v Speaker 2>was ansel just a year after that. But the magazine

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<v Speaker 2>that featured her ended up being a bit more successful

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<v Speaker 2>than that. Of course, sales increased and he was able

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<v Speaker 2>to expand the magazine, creating these regional editions for New

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<v Speaker 2>England and Washington, DC, really specific to those markets.

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<v Speaker 1>And I'm going to pick up the thread here because

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<v Speaker 1>i did a little research about what happens next. So

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<v Speaker 1>in nineteen fifty three, Walter Annenberg, whose name you might

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<v Speaker 1>recognize from his foundation and the University of Southern California's

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<v Speaker 1>journalism school, he bought the Television Guide and folded into

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<v Speaker 1>his company, Triangle Publications. And his story's kind of interesting.

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<v Speaker 1>So in the twenties he was this rich kid playboy

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<v Speaker 1>who dated movie stars and drove fast cars, and then

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<v Speaker 1>the stock market crash of nineteen twenty nine happens. He

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<v Speaker 1>basically made a bad bet and loses a lot of

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<v Speaker 1>his money. So his dad pulls him into his publishing

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<v Speaker 1>business in Philly, where he gives them kind of this

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<v Speaker 1>fake job, right, He's just like signing checks and doing

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<v Speaker 1>as little work as possible. His dad goes to jail

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<v Speaker 1>for tax evasion and Walter has to step up, and

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<v Speaker 1>it turns out he's actually pretty savvy. He invests in

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<v Speaker 1>two things. One is in a racing journal called the

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<v Speaker 1>Race and Form, which is for horse betting, and he

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<v Speaker 1>basically realizes that people are betting on horses all over

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<v Speaker 1>the country, and you can make this journal for them

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<v Speaker 1>all across the country so that they could pay attention and

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<v Speaker 1>bet on whatever races. And the other is Television Guide,

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<v Speaker 1>which is kind of a similar idea where he decides

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<v Speaker 1>to combine all these other regional TV listing magazines. So

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<v Speaker 1>there's one in Chicago, there's one New York, there's one

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<v Speaker 1>DC And as part of this change, the name got

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<v Speaker 1>shortened to TV Guide and the new version appears on

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<v Speaker 1>April third, nineteen fifty three, with a cover photo of

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<v Speaker 1>one of the years most talked about TV stars, and

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<v Speaker 1>that is Desi Arnez Junior, who is just two and

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<v Speaker 1>a half months old at the time.

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<v Speaker 2>Actually, I think I've heard about this, So they wrote

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<v Speaker 2>luci Oball's real life pregnancy into the plot of is live.

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<v Speaker 1>Lucy right, Yeah, that's right, And at the time this

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<v Speaker 1>was really rare. It was considered bad taste to show

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<v Speaker 1>or even talk about pregnancy on TV, and in fact,

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<v Speaker 1>CBS wouldn't let Lucy use the word pregnant on TV.

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<v Speaker 1>She could only say she was expecting, which is so funny.

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<v Speaker 2>Huge difference.

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<v Speaker 1>But the storyline was a huge hit, and Lucille Ball

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<v Speaker 1>time the episode so that the on screen birth corresponded

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<v Speaker 1>with their own planned c section. This is in January

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<v Speaker 1>of nineteen fifty three. Now, the episode where she gives

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<v Speaker 1>birth became the most washed TV program up to that

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<v Speaker 1>point in the country.

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<v Speaker 2>So when TV Guide relaunched, they actually wanted to lead

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<v Speaker 2>with the real star of the show, which was of

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<v Speaker 2>course the baby.

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<v Speaker 1>Right, and it was baby Dozy's first cover appearance, so

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<v Speaker 1>it was huge news. In fact, Lucy and Dozi Senior

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<v Speaker 1>had a deal to give exclusive photos to Life and

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<v Speaker 1>Look magazine, the two biggest magazines of the country. But

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<v Speaker 1>Desi Arnez Senior agreed to meet with an editor from

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<v Speaker 1>TV Guide and apparently the conversation went really well. Desi

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<v Speaker 1>actually had the baby photos on his desk and when

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<v Speaker 1>he got up to use the restroom. He told the

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<v Speaker 1>editor that if you know, some of those pictures were

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<v Speaker 1>missing when he came back, it would be okay. So

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<v Speaker 1>TV Guide managed to get the scoop that way, and

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<v Speaker 1>today the issue is a real collector's item. Mint condition

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<v Speaker 1>copies have sold for as much as one thousand dollars.

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<v Speaker 1>Of course, Annenberg, like most other magazine owners of the time,

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<v Speaker 1>had plenty of quirks. He ran his magazine like a

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<v Speaker 1>fiefdom and like For instance, there was one time he

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<v Speaker 1>was so irritated that the Phillies had scheduled a game

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<v Speaker 1>at the same time as one of his charity benefits

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<v Speaker 1>that he kept their listings out of the magazine for

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<v Speaker 1>a while his punishment.

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<v Speaker 2>Oh wow.

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<v Speaker 1>And according to a book on TV Guide's history called

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<v Speaker 1>Changing Channels, he also had this thing against a few celebrities.

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<v Speaker 1>I'm not exactly sure why, but Imagene Coca, Sammy Davis Junior,

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<v Speaker 1>Jajrea Gabor, and Dinnah Shore were banned from the early

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<v Speaker 1>TV Guide pages. That is so weird.

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<v Speaker 2>I mean, can you imagine not liking Sammy Davis Junior

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<v Speaker 2>Actually a few of those celebrities for the that matter.

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<v Speaker 1>Yeah, I know, it's really bizarre, but he definitely made

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<v Speaker 1>a smart play with TV Guide. People thought Annenberg was

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<v Speaker 1>an idiot for buying a magazine that gave out the

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<v Speaker 1>same TV listings that you could find in your local paper.

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<v Speaker 1>But he believed TV would be a centerpiece of American life.

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<v Speaker 1>And this was back when there were only thirty percent

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<v Speaker 1>of homes in the country at TVs. And he wrapped

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<v Speaker 1>his listings in this smart editorial package and sold in

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<v Speaker 1>grocery store checkouts, and it really worked. Apparently, Annenberg and

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<v Speaker 1>his editors would send a guy with the schoolyard bell

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<v Speaker 1>through the office hallways to ring it loudly every time

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<v Speaker 1>the circulation rose by an extra one hundred thousand people,

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<v Speaker 1>and it happened so much that the bell broke in

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<v Speaker 1>the early years.

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<v Speaker 2>So funny. All right, Well, let's talk about the magazine

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<v Speaker 2>changing hands and how much it actually sold for, which

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<v Speaker 2>is three billion dollars, Like, can you believe this? That's

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<v Speaker 2>the price Rupert Murdoch's News Corp. Paid to acquire TV

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<v Speaker 2>Guides publisher Triangle Publications. This was in nineteen eighty eight.

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<v Speaker 2>Three billion dollars. That is actually about eight billion dollars

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<v Speaker 2>in today's money. And the Triangle portfolio included other titles

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<v Speaker 2>like seventeen Magazine, the Daily Racing Form, but TV Guide

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<v Speaker 2>was the crown jewel of all of those. Back then,

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<v Speaker 2>it had the largest circulation of any magazine in the

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<v Speaker 2>United States. It was over seventeen million readers. But media

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<v Speaker 2>critics and network executives had concerns about the sale, though.

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<v Speaker 2>That's because Rupert Murdoch owned the Fox Network, and people

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<v Speaker 2>wondered if TV Guide would start favoring Fox shows in

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<v Speaker 2>its coverage now. It didn't help that the week after

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<v Speaker 2>the acquisition, a new issue of TV Guide appeared with

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<v Speaker 2>a cover story about Fox's show twenty one Jump Street.

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<v Speaker 2>But it turned out that that story had been in

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<v Speaker 2>the works for months. It was all above board, Mango,

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<v Speaker 2>They've been talking about this show for a while.

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<v Speaker 1>That's amazing. So TV Guide didn't just cover the best

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<v Speaker 1>of TV. It also covered the worst, and the magazine

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<v Speaker 1>launched the j. Fred Muggs Award to recognize each year's

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<v Speaker 1>silliest gaffes and gimmicks.

0:12:00.480 --> 0:12:02.800
<v Speaker 2>And so who was j Fred Muggs? Like, was he

0:12:02.840 --> 0:12:03.600
<v Speaker 2>a real person?

0:12:04.840 --> 0:12:09.080
<v Speaker 1>No, he was a real chimpanzee. Oh, of course this

0:12:09.160 --> 0:12:11.160
<v Speaker 1>is true. He was a regular on the Today Show

0:12:11.160 --> 0:12:14.280
<v Speaker 1>for several years in the nineteen fifties, and apparently it

0:12:14.320 --> 0:12:17.240
<v Speaker 1>was a desperate attempt to boost low ratings. But the

0:12:17.280 --> 0:12:20.000
<v Speaker 1>thing is it worked right like people tuned in ad

0:12:20.080 --> 0:12:23.240
<v Speaker 1>sales went up. Producers estimated that the stunt brought in

0:12:23.400 --> 0:12:26.040
<v Speaker 1>over one hundred million dollars, which is wow.

0:12:26.360 --> 0:12:28.560
<v Speaker 2>All right? So who were some of the unlucky recipients

0:12:28.600 --> 0:12:30.520
<v Speaker 2>of the Jfred Muggs Award?

0:12:31.000 --> 0:12:33.720
<v Speaker 1>So there are a few doozies in there. In nineteen

0:12:33.760 --> 0:12:37.959
<v Speaker 1>eighty seven, CBS News anchor Dan Rather won the Quote

0:12:38.120 --> 0:12:42.400
<v Speaker 1>John McEnroe Cup for Petulance under Fire after he stormed

0:12:42.440 --> 0:12:44.880
<v Speaker 1>off because a US Open match was delaying the start

0:12:44.880 --> 0:12:45.840
<v Speaker 1>of his newscast.

0:12:46.360 --> 0:12:46.760
<v Speaker 2>Wow.

0:12:46.800 --> 0:12:49.959
<v Speaker 1>So when the tennis match ended and stations switched back

0:12:50.000 --> 0:12:53.240
<v Speaker 1>to the news, there were six minutes of nothing. Isn't

0:12:53.280 --> 0:12:54.000
<v Speaker 1>that incredible?

0:12:54.440 --> 0:12:55.120
<v Speaker 2>That is wild.

0:12:56.480 --> 0:12:59.199
<v Speaker 1>Heraldo Rivera also won a Suckers Award for his two

0:12:59.200 --> 0:13:02.320
<v Speaker 1>hour live special The Mystery of al Capone's Faults, in

0:13:02.360 --> 0:13:04.680
<v Speaker 1>which he and a team of construction workers dug up

0:13:04.720 --> 0:13:07.440
<v Speaker 1>the basement of a Chicago hotel only to find a

0:13:07.440 --> 0:13:10.360
<v Speaker 1>few empty bottles and I kind of love this one.

0:13:10.400 --> 0:13:13.840
<v Speaker 1>In nineteen eighty six, TV Guide gave Ted Turner the

0:13:13.880 --> 0:13:17.280
<v Speaker 1>Mickey Mouse Coloring Book Award because he'd colorized famous black

0:13:17.280 --> 0:13:19.240
<v Speaker 1>and white movies like The Maltese Falcon.

0:13:19.880 --> 0:13:23.240
<v Speaker 2>We love the names of these awards. Sounds well deserved.

0:13:23.440 --> 0:13:25.000
<v Speaker 2>All right, Well, Mage, I know you talked about a

0:13:25.080 --> 0:13:27.960
<v Speaker 2>nineteen ninety two fake news story at the very top here,

0:13:28.000 --> 0:13:30.760
<v Speaker 2>But it turns out TV Guide had its own fake

0:13:30.800 --> 0:13:33.959
<v Speaker 2>news scandal just a few years earlier and involved Oprah

0:13:34.000 --> 0:13:36.439
<v Speaker 2>Winfrey and a pile of money. And I'll tell you

0:13:36.480 --> 0:13:40.640
<v Speaker 2>all about it right after this break.

0:13:53.200 --> 0:13:55.120
<v Speaker 1>Welcome back to Part Time Genius, where we're talking about

0:13:55.200 --> 0:13:58.120
<v Speaker 1>TV Guide. That's right, it's a whole episode about a

0:13:58.160 --> 0:14:02.640
<v Speaker 1>magazine of television listings. But as is so often the case,

0:14:02.640 --> 0:14:04.720
<v Speaker 1>if you look a little bit more closely, there are

0:14:04.720 --> 0:14:07.160
<v Speaker 1>some fascinating stories in there. And you know, well that's

0:14:07.160 --> 0:14:09.080
<v Speaker 1>what we love to do here, right, We dig deep

0:14:09.120 --> 0:14:11.079
<v Speaker 1>and find gems underneath the surface.

0:14:11.360 --> 0:14:14.160
<v Speaker 2>That is exactly right. And actually, if you love surprising

0:14:14.200 --> 0:14:17.040
<v Speaker 2>facts and unusual stories as much as we do, I

0:14:17.040 --> 0:14:19.400
<v Speaker 2>hope you'll subscribe to the show on your favorite podcast

0:14:19.440 --> 0:14:21.520
<v Speaker 2>app and leave us a nice rating when review It

0:14:21.560 --> 0:14:24.360
<v Speaker 2>actually really helps us out, and more importantly, it makes

0:14:24.440 --> 0:14:27.440
<v Speaker 2>Dylan very happy. Lookay, Mango, he's actually smiling.

0:14:27.080 --> 0:14:30.680
<v Speaker 1>Back there, finally smiling. Okay, well, so you left us

0:14:30.720 --> 0:14:34.360
<v Speaker 1>on a real cliffhanger before the break, fake news, Oprah Winfrey,

0:14:34.600 --> 0:14:35.400
<v Speaker 1>pile of money.

0:14:35.640 --> 0:14:39.120
<v Speaker 2>Go all right, okay, this is a good cues. All right. Well,

0:14:39.160 --> 0:14:42.160
<v Speaker 2>it was August of nineteen eighty nine and TV Guide

0:14:42.160 --> 0:14:45.640
<v Speaker 2>put Oprah on the cover. Now, the headline read Oprah

0:14:45.760 --> 0:14:48.720
<v Speaker 2>the richest woman on TV. That was question mark there

0:14:49.040 --> 0:14:52.760
<v Speaker 2>how she amassed her two hundred and fifty million dollar fortune.

0:14:53.040 --> 0:14:55.160
<v Speaker 2>So take a look at this cover, Mango, and tell

0:14:55.200 --> 0:14:58.320
<v Speaker 2>me what you see.

0:14:57.400 --> 0:15:02.240
<v Speaker 1>On Oprah looking very glamour. She's wearing a sparkly gown

0:15:02.480 --> 0:15:05.720
<v Speaker 1>and showing a little leg and she's sitting on a

0:15:05.840 --> 0:15:08.760
<v Speaker 1>huge pile of buddy. It's eye catching. But you know,

0:15:10.240 --> 0:15:12.200
<v Speaker 1>I have to say, there's something a little off about

0:15:12.200 --> 0:15:12.880
<v Speaker 1>this image.

0:15:13.240 --> 0:15:16.320
<v Speaker 2>There is something actually very off about this image because

0:15:16.680 --> 0:15:21.120
<v Speaker 2>it's not Oprah, well not entirely Oprah. It's Oprah's head,

0:15:21.560 --> 0:15:25.120
<v Speaker 2>but the body belongs to nineteen sixties actress and dancer

0:15:25.240 --> 0:15:27.320
<v Speaker 2>and Margaret. How weird is that, Mango?

0:15:27.440 --> 0:15:29.760
<v Speaker 1>So they photoshopped her head on someone else's body.

0:15:30.080 --> 0:15:33.240
<v Speaker 2>No, this is nineteen eighty nine. Photoshop didn't become widely

0:15:33.240 --> 0:15:36.960
<v Speaker 2>available until nineteen ninety. Someone at TV Guide had to

0:15:37.120 --> 0:15:41.720
<v Speaker 2>physically cut these images together. This is like third grade

0:15:41.720 --> 0:15:44.240
<v Speaker 2>work on our part. So the pile of money is

0:15:44.360 --> 0:15:47.560
<v Speaker 2>also fake. In the original an Margaret photo, she's sitting

0:15:47.640 --> 0:15:50.680
<v Speaker 2>on some kind of barrel or a round table. Now,

0:15:50.720 --> 0:15:52.960
<v Speaker 2>TV Guide might have gotten away with his trickery, except

0:15:52.960 --> 0:15:56.280
<v Speaker 2>the guy who designed an Margaret's sparkly dress saw this cover.

0:15:56.640 --> 0:15:59.960
<v Speaker 2>He recognized his whole creation, and he alerted the media.

0:16:00.320 --> 0:16:04.040
<v Speaker 2>Oprah was, of course furious. Her spokesperson released a statement

0:16:04.080 --> 0:16:06.800
<v Speaker 2>that said quote, Oprah would not pose on a pile

0:16:06.840 --> 0:16:08.720
<v Speaker 2>of money like that, nor would she pose in that

0:16:08.800 --> 0:16:13.640
<v Speaker 2>revealing address, And Margaret's publicist said she was shocked. So

0:16:13.960 --> 0:16:16.920
<v Speaker 2>it's a pretty wild When it was a bona fide scandal,

0:16:17.240 --> 0:16:21.400
<v Speaker 2>people took it very seriously. The La Times wrote, here,

0:16:21.480 --> 0:16:23.680
<v Speaker 2>let me find this quote. It says the incident is

0:16:23.680 --> 0:16:27.040
<v Speaker 2>by no means trivial. It should have responsible journalists and

0:16:27.080 --> 0:16:30.560
<v Speaker 2>the entire reading public steaming mad and genuinely concerned about

0:16:30.560 --> 0:16:32.400
<v Speaker 2>the media's commitment to truth.

0:16:33.040 --> 0:16:33.160
<v Speaker 1>Now.

0:16:33.160 --> 0:16:35.680
<v Speaker 2>The piece pointed out that images have a unique ability

0:16:35.720 --> 0:16:39.920
<v Speaker 2>to convey accurate information, like how photojournalists helped show the

0:16:39.960 --> 0:16:43.359
<v Speaker 2>reality of Vietnam. And you know, as The Times concluded,

0:16:43.720 --> 0:16:46.160
<v Speaker 2>if the public has to wonder if an image is real,

0:16:46.320 --> 0:16:47.760
<v Speaker 2>it loses its power.

0:16:48.280 --> 0:16:51.320
<v Speaker 1>That's so funny, right, there's something almost like quaint about

0:16:51.320 --> 0:16:51.800
<v Speaker 1>that today.

0:16:51.880 --> 0:16:52.840
<v Speaker 2>Yeah, no kidding.

0:16:53.240 --> 0:16:56.040
<v Speaker 1>You know, not only are so many things like photoshop,

0:16:56.080 --> 0:16:58.840
<v Speaker 1>but also with AI out there. You see all these

0:16:58.880 --> 0:17:01.080
<v Speaker 1>images of people, your celebrities and them they've got like

0:17:01.160 --> 0:17:05.439
<v Speaker 1>six fingers whatever. So here's another problem. One. Did you

0:17:05.480 --> 0:17:08.439
<v Speaker 1>know TV Guide played a role in a landmark federal

0:17:08.480 --> 0:17:12.080
<v Speaker 1>fraud case. I did not, So this is true. It

0:17:12.160 --> 0:17:15.159
<v Speaker 1>had to do with these diet pills called Regimen that

0:17:15.240 --> 0:17:18.400
<v Speaker 1>were heavily advertised in print and on TV from nineteen

0:17:18.440 --> 0:17:21.480
<v Speaker 1>fifty nine to nineteen sixty four. Now, the ads made

0:17:21.480 --> 0:17:24.399
<v Speaker 1>all these outlandish claims that the pills would make you

0:17:24.480 --> 0:17:27.400
<v Speaker 1>lose weight without changing your diet. The company that made

0:17:27.440 --> 0:17:29.359
<v Speaker 1>them even hired women to go on programs like The

0:17:29.400 --> 0:17:32.520
<v Speaker 1>Today Show in American Bandstand to talk about how Regimen

0:17:32.680 --> 0:17:35.879
<v Speaker 1>changed their lives. But in fact, all of these women

0:17:36.040 --> 0:17:39.800
<v Speaker 1>had been put on unhealthy, restrictive diets, which is what

0:17:39.880 --> 0:17:42.600
<v Speaker 1>made them lose weight, not the pills. Now, the FDA

0:17:42.680 --> 0:17:46.359
<v Speaker 1>opened an investigation. Eventually, New York State brought criminal charges

0:17:46.400 --> 0:17:50.800
<v Speaker 1>against the drug company, its president, and notably the AD

0:17:50.840 --> 0:17:54.000
<v Speaker 1>agency that helped create the campaigns. The case ended up

0:17:54.040 --> 0:17:56.399
<v Speaker 1>going to a federal jury trial, and in nineteen sixty

0:17:56.440 --> 0:18:00.359
<v Speaker 1>five everyone involved was found guilty. And this was actually

0:18:00.359 --> 0:18:02.520
<v Speaker 1>the first time an ad agency has ever been found

0:18:02.560 --> 0:18:05.080
<v Speaker 1>guilty of fraud for promoting a client's product.

0:18:05.840 --> 0:18:08.680
<v Speaker 2>Wow, that is actually really insane. But how was TV

0:18:08.760 --> 0:18:09.440
<v Speaker 2>Guide involved?

0:18:09.800 --> 0:18:13.480
<v Speaker 1>So attorneys for the defendants challenged the decision, and one

0:18:13.480 --> 0:18:16.160
<v Speaker 1>of their main arguments was that TV Guide had prejudiced

0:18:16.200 --> 0:18:19.679
<v Speaker 1>the jury. Shortly before the trial's conclusion, the magazine ran

0:18:19.720 --> 0:18:22.320
<v Speaker 1>a big article about the case under the headline quote

0:18:22.359 --> 0:18:26.280
<v Speaker 1>the diet pill Fraud All America Watched. It was actually

0:18:26.320 --> 0:18:29.280
<v Speaker 1>an excerpt of a forthcoming book about the weight loss industry,

0:18:29.320 --> 0:18:32.280
<v Speaker 1>and it was written by this journalist, Peter Widen, and

0:18:32.520 --> 0:18:35.840
<v Speaker 1>one of Widen's sources was Martin Pollner, the assistant US

0:18:35.920 --> 0:18:39.800
<v Speaker 1>attorney who prosecuted the regiment case. But the courts denied

0:18:39.840 --> 0:18:42.159
<v Speaker 1>the appeal, and that decision was careful to note that

0:18:42.200 --> 0:18:45.960
<v Speaker 1>TV Guide was not responsible for the outcome of the trial. Apparently,

0:18:46.000 --> 0:18:48.640
<v Speaker 1>jurors had followed instructions not to follow any media about

0:18:48.640 --> 0:18:51.960
<v Speaker 1>the case while it was pending. And besides, Wyden's article

0:18:52.000 --> 0:18:54.840
<v Speaker 1>relied on information that had already been made public at

0:18:54.840 --> 0:18:56.920
<v Speaker 1>that time. But it just goes to show that TV

0:18:56.960 --> 0:18:59.960
<v Speaker 1>guide has popped up in almost every corner of American

0:18:59.880 --> 0:19:01.560
<v Speaker 1>life over all these years.

0:19:02.000 --> 0:19:04.800
<v Speaker 2>That's really true. And actually, here's another example. So in

0:19:04.840 --> 0:19:08.320
<v Speaker 2>the nineteen eighties, teachers were encouraged to use TV Guide

0:19:08.359 --> 0:19:11.560
<v Speaker 2>in the classroom. So I found this article in an instructor

0:19:11.640 --> 0:19:15.240
<v Speaker 2>magazine that actually laid out the whole lesson plan. Teachers

0:19:15.280 --> 0:19:17.600
<v Speaker 2>were supposed to ask the kids to bring in copies

0:19:17.640 --> 0:19:20.640
<v Speaker 2>of TV Guide and use it to teach them the

0:19:20.720 --> 0:19:23.600
<v Speaker 2>hour minute format of writing time, you know, and the

0:19:23.640 --> 0:19:26.960
<v Speaker 2>difference between AM and PM. Of course, so after the

0:19:27.040 --> 0:19:29.600
<v Speaker 2>kids mastered that, the next step was to learn how

0:19:29.600 --> 0:19:34.439
<v Speaker 2>to read and interpret TV listings. Sample lesson questions included

0:19:34.840 --> 0:19:37.560
<v Speaker 2>and likes to watch Hollywood Squares on Thursday night. What

0:19:37.680 --> 0:19:41.600
<v Speaker 2>time does it start? And here's another one, Jan likes

0:19:41.600 --> 0:19:44.479
<v Speaker 2>to watch The Brady Bunch each weeknight at six thirty pm.

0:19:44.680 --> 0:19:46.040
<v Speaker 2>What channel does she watch?

0:19:46.640 --> 0:19:49.760
<v Speaker 1>It's so tricky, but I got to make sense by

0:19:49.800 --> 0:19:52.520
<v Speaker 1>the times, you know, Obviously, times have changed since then,

0:19:52.600 --> 0:19:55.760
<v Speaker 1>and TV Guide has changed too, So for the first

0:19:55.800 --> 0:19:59.119
<v Speaker 1>fifty two years of its life, the magazine was digestized

0:19:59.240 --> 0:20:01.680
<v Speaker 1>about the size of the paperback book, but in two

0:20:01.680 --> 0:20:04.760
<v Speaker 1>thousand and five it switched to a larger, more standard

0:20:04.800 --> 0:20:07.800
<v Speaker 1>magazine format and reduced the amount of listings in order

0:20:07.840 --> 0:20:10.920
<v Speaker 1>to make room for more celebrity news. So previously the

0:20:11.000 --> 0:20:13.640
<v Speaker 1>ratio had been about seventy five percent listings twenty five

0:20:13.640 --> 0:20:16.600
<v Speaker 1>percent other stories, but with the format change, that ratio

0:20:16.800 --> 0:20:20.639
<v Speaker 1>got inverted. But perhaps the biggest change was the elimination

0:20:20.720 --> 0:20:24.200
<v Speaker 1>of the Guide's one hundred and forty regional editions. Instead,

0:20:24.240 --> 0:20:27.480
<v Speaker 1>it shranked to just one national edition with schedules marked

0:20:27.520 --> 0:20:31.679
<v Speaker 1>in either Eastern or Pacific time. Parent company Gemstars so

0:20:31.720 --> 0:20:34.840
<v Speaker 1>I did declining readership and ad sales, but at its

0:20:34.880 --> 0:20:38.320
<v Speaker 1>peak in the nineteen seventies, TV Guides circulation was around

0:20:38.359 --> 0:20:42.159
<v Speaker 1>twenty million, which is just unfathomable to me, especially you

0:20:42.280 --> 0:20:44.960
<v Speaker 1>and me as as people who used to run a magazine.

0:20:45.119 --> 0:20:48.040
<v Speaker 1>But by two thousand and four it dropped to nine million,

0:20:48.240 --> 0:20:50.359
<v Speaker 1>And in the past couple decades there's been a whole

0:20:50.440 --> 0:20:53.520
<v Speaker 1>maze of corporate sales, acquisitions, spin offs, and so on.

0:20:53.960 --> 0:20:55.720
<v Speaker 1>It would actually take a long time to go through

0:20:55.760 --> 0:20:57.920
<v Speaker 1>all of them. But since I know you're wondering, here's

0:20:57.920 --> 0:21:01.639
<v Speaker 1>where things stand today. TV Guides still exists. Its website,

0:21:01.680 --> 0:21:05.320
<v Speaker 1>additional properties are owned by the fan engagement platform Fandom,

0:21:05.640 --> 0:21:08.160
<v Speaker 1>and the print magazine is owned by a Michigan based

0:21:08.160 --> 0:21:12.400
<v Speaker 1>publisher called NTVD Media. That is wild.

0:21:12.440 --> 0:21:14.359
<v Speaker 2>I'm just thinking back about that staff that you said

0:21:14.359 --> 0:21:17.200
<v Speaker 2>that there were one hundred and forty regional editions at

0:21:17.200 --> 0:21:19.760
<v Speaker 2>one point. That was pretty wild. But you know, even

0:21:19.760 --> 0:21:22.479
<v Speaker 2>though we're up to our eyeballs and premium channels and

0:21:22.520 --> 0:21:26.160
<v Speaker 2>streaming services and of course video on demand, you can

0:21:26.240 --> 0:21:28.800
<v Speaker 2>still pick up a print copy of TV Guide. There's

0:21:28.800 --> 0:21:29.679
<v Speaker 2>something nice about the.

0:21:29.680 --> 0:21:32.040
<v Speaker 1>Child and maybe all those things you sid died are

0:21:32.040 --> 0:21:34.800
<v Speaker 1>the reason you should because, as the twenty twenty four

0:21:34.840 --> 0:21:38.119
<v Speaker 1>TV Guide Media Kit puts it, quote, there's more TV

0:21:38.280 --> 0:21:40.920
<v Speaker 1>than ever, so there's never been more of a need

0:21:40.960 --> 0:21:41.800
<v Speaker 1>for guidance.

0:21:42.280 --> 0:21:45.040
<v Speaker 2>I mean, they're not wrong. If mammal are still around,

0:21:45.119 --> 0:21:47.399
<v Speaker 2>I'm pretty sure there'd be one on our coffee table.

0:21:47.480 --> 0:21:50.239
<v Speaker 2>But you know mego for that and the fact that

0:21:50.280 --> 0:21:53.199
<v Speaker 2>this whole episode was your idea, I'm going to give

0:21:53.200 --> 0:21:54.879
<v Speaker 2>you today's Trophy. Congrats.

0:21:56.680 --> 0:21:59.960
<v Speaker 1>Well, I'm so honored and thanks to TV Guidance Council

0:22:00.200 --> 0:22:02.240
<v Speaker 1>for the inspiration and for having me on the show.

0:22:02.720 --> 0:22:05.120
<v Speaker 1>We will be back next week with a brand new episode,

0:22:05.119 --> 0:22:07.520
<v Speaker 1>but in the meantime, please be sure to follow us

0:22:07.520 --> 0:22:11.600
<v Speaker 1>on Instagram at part Time Genius and from Dylan, Gabe, Mary,

0:22:11.720 --> 0:22:26.920
<v Speaker 1>Will and myself, thank you so much for listening. Part

0:22:26.920 --> 0:22:30.600
<v Speaker 1>Time Genius is a production of Kaleidoscope and iHeartRadio. This

0:22:30.720 --> 0:22:34.520
<v Speaker 1>show is hosted by Will Pearson and Me mongas Heartikuler

0:22:34.880 --> 0:22:38.840
<v Speaker 1>and research by our good pal Mary Philip Sandy. Today's

0:22:38.880 --> 0:22:41.800
<v Speaker 1>episode was engineered and produced by the Wonderful of Dylan

0:22:41.880 --> 0:22:45.520
<v Speaker 1>Fagan with support from Tyler Klang. The show is executive

0:22:45.560 --> 0:22:49.119
<v Speaker 1>produced for iHeart by Katrina Norbel and Ali Perry, with

0:22:49.200 --> 0:22:52.959
<v Speaker 1>social media support from Sasha Gay, Trustee Dara Potts and

0:22:53.080 --> 0:22:57.800
<v Speaker 1>Viney Shorey. For more podcasts from Kaleidoscope and iHeartRadio, visit

0:22:57.840 --> 0:23:01.640
<v Speaker 1>the iHeartRadio app, Apple podcast Us, or wherever you listen

0:23:01.680 --> 0:23:02.600
<v Speaker 1>to your favorite shows.