WEBVTT - Mini Crush #32 0:00:25.280 --> 0:00:29.320 Hey everybody, and welcome to Movie Crush. It's just another 0:00:29.880 --> 0:00:36.400 mini Crush Monday. It's just another mini Monday. Why can't 0:00:36.400 --> 0:00:41.080 it be another day? Is that where we're going with that? No, 0:00:41.800 --> 0:00:46.520 you are the sugar in my coffee man. Nice work. 0:00:46.640 --> 0:00:48.120 I didn't know if you would be hip to that. 0:00:48.320 --> 0:00:50.839 I had a cathartic experience last night, Chuck, and thank 0:00:50.880 --> 0:00:53.639 you for acknowledging my my hipster to my hip Tom. 0:00:53.680 --> 0:00:55.760 I saw the Muppet Movie for the first time, in 0:00:55.840 --> 0:00:59.280 my original Muppet movie, and it was like pure joy. 0:00:59.520 --> 0:01:02.920 It's just made me feel I've been whistling the Rainbow 0:01:02.960 --> 0:01:07.360 connection all morning. Yeah. Great movie, really good. I mean 0:01:07.400 --> 0:01:11.080 imagine seeing it that whatever age I was like nine, 0:01:11.280 --> 0:01:14.679 What year did that come out? Seventy nine? Actually all right, 0:01:14.760 --> 0:01:19.080 I was eight, and it was just like it opened 0:01:19.080 --> 0:01:21.000 And Josh and I talked about this on the I 0:01:21.000 --> 0:01:23.440 believe the Muppet or the Henson episode of stuff you 0:01:23.480 --> 0:01:27.920 should know. But if you had only seen like Sesame 0:01:28.000 --> 0:01:30.280 Street and stuff like that, you had not seen the 0:01:30.319 --> 0:01:33.559 world opened up like this. And then that very first 0:01:33.600 --> 0:01:37.759 bit with Kermit in the boat, uh, he like opens 0:01:37.800 --> 0:01:39.800 up with him in a rowboat, right? Is that? Dom Deloise, 0:01:39.840 --> 0:01:42.160 who was the guy that plays the agent. I swear 0:01:42.200 --> 0:01:43.680 it looked like him, but I don't remember seeing his 0:01:43.760 --> 0:01:46.199 name in the credits. I don't remember the gold tooth. 0:01:47.400 --> 0:01:49.880 He's the guy that's like, come to Hollywood. Yea, there's 0:01:49.880 --> 0:01:52.560 an audition being had for Frogs. I don't remember it 0:01:52.760 --> 0:01:54.320 very well. Might have been. It might have been, because 0:01:54.320 --> 0:01:59.120 that was certainly the peak Dom Deloise time. I met 0:01:59.200 --> 0:02:02.280 him once when I was a little kid. Yep, he 0:02:02.440 --> 0:02:04.840 was out at Stowe Mountain Park and we saw him 0:02:04.840 --> 0:02:08.639 walking around and he was like, I believe no, I'm 0:02:08.639 --> 0:02:10.920 positive he was the very first famous person I had 0:02:10.960 --> 0:02:14.760 ever met, and he signed an envelope for us and 0:02:14.960 --> 0:02:16.680 was really nice, and I just always thought that was 0:02:16.720 --> 0:02:18.840 kind of cool. Yes, I did confirm that he is 0:02:18.880 --> 0:02:22.040 Bernie the agent, the guy in the rowboat in thee 0:02:22.040 --> 0:02:24.480 that again it's been too long. Well, it's like the 0:02:24.480 --> 0:02:25.840 thing it was cool for me is I've never seen it, 0:02:25.919 --> 0:02:29.000 and so all these cameos were just pure surprises to me. 0:02:29.480 --> 0:02:32.120 And it's like Steve Martin plays the rude waiter at 0:02:32.160 --> 0:02:35.000 the Lodge and uh, I took my kid and we 0:02:35.080 --> 0:02:38.560 just we we laughed and laughed. Did play in the theater, well, 0:02:38.760 --> 0:02:41.600 the Midtown Arts Cinema, our local little kind of art 0:02:41.600 --> 0:02:44.120 house theater does a series every summer, and this one 0:02:44.440 --> 0:02:47.840 was Movies about mood making movies, and it was like 0:02:47.840 --> 0:02:50.119 stuff like eight and a half and The Day for Night, 0:02:50.240 --> 0:02:52.079 and then they tossed them up at movie and then 0:02:52.200 --> 0:02:55.920 because it's totally a meta movie about making movies, and 0:02:55.960 --> 0:02:57.519 I really thought about that. It's it was a really 0:02:57.560 --> 0:02:59.280 clever choice. And the guy that the guy did a 0:02:59.320 --> 0:03:02.200 talk and it is just great. What guy. His name 0:03:02.240 --> 0:03:06.720 is um Eddie von Mueller, and he is a history 0:03:07.040 --> 0:03:10.600 um like animation historian at the Georgia State and he 0:03:10.639 --> 0:03:14.200 was actually heavily featured on the Cartoon Network collaboration podcast 0:03:14.240 --> 0:03:18.320 we did with Holly Fry uh Drawn the Story of Animation. Uh. 0:03:18.440 --> 0:03:20.600 He was a big voice on that, just as it's 0:03:20.639 --> 0:03:23.720 like kind of an expert opinion, full circle Noll, that's 0:03:23.760 --> 0:03:27.960 what you call that, all right. So I think what 0:03:28.000 --> 0:03:32.360 we're gonna do this week is just do a couple 0:03:32.400 --> 0:03:35.200 of segments because I always feel bad that we so 0:03:35.240 --> 0:03:37.440 many people leave such great comments and questions and we 0:03:37.480 --> 0:03:40.200 don't get to him. So we're gonna do some tropes 0:03:40.240 --> 0:03:44.480 and some questions because boy, the movie Crushers tropes thread 0:03:44.840 --> 0:03:49.000 has exploded with close to three hundred tropes, and I 0:03:49.000 --> 0:03:52.480 would say easily two thirds of those are legitimate tropes, 0:03:53.080 --> 0:03:58.720 which is not bad, you know, No, that's pretty damn good. Yeah, 0:03:59.120 --> 0:04:01.360 that's an I mean, I feel like we keep discovering 0:04:01.400 --> 0:04:04.120 new ones or variations on when we've discussed. But there's like, 0:04:04.520 --> 0:04:06.840 the world of tropes is wide open, my friend, It 0:04:06.920 --> 0:04:09.040 is wide open. Oh and you know, Josh and I 0:04:09.160 --> 0:04:11.680 actually yesterday we recorded a stuff you Should Know episode 0:04:11.680 --> 0:04:14.320 on police lineups and we were talking about all the 0:04:14.360 --> 0:04:18.200 lineup tropes. Of course that that you see, it gets 0:04:18.200 --> 0:04:20.640 parodied a lot, even you know, where there's just like 0:04:20.920 --> 0:04:24.200 every person in the lineup is some stereotype of like 0:04:24.240 --> 0:04:28.600 a particular overblown you know, caricature of the type of 0:04:28.600 --> 0:04:30.800 criminal and that kind of stuff. Yeah, for sure. And 0:04:30.920 --> 0:04:34.240 there's something also called a show up, which is easily 0:04:34.480 --> 0:04:37.840 scientifically the worst. It's not even lineup, it's the it's 0:04:37.920 --> 0:04:40.840 but you've seen it in movies. It's when they bring 0:04:40.880 --> 0:04:43.400 you to a if you're the victim of a crime, 0:04:43.800 --> 0:04:46.400 they bring you to a place like where they have 0:04:46.680 --> 0:04:49.320 just fingered the guy and they like pull him out 0:04:49.320 --> 0:04:52.000 of the police car handcuffed. Say, is is this the 0:04:52.040 --> 0:04:54.680 dirt bags the guy? Is this the guy? That's a 0:04:54.760 --> 0:04:57.360 real thing. It's called a show up. And I'm like, man, 0:04:57.400 --> 0:04:59.880 there is no science to that. It seems intense. You 0:05:00.000 --> 0:05:02.520 are also like probably like freshly upset, you know, and 0:05:02.560 --> 0:05:04.200 they and they pull someone out of it. So it's 0:05:04.240 --> 0:05:06.880 heavily weighted in your mind because they pull someone out 0:05:06.880 --> 0:05:10.120 of a police car in handcuffs, so they don't appear 0:05:10.160 --> 0:05:14.720 innocent in any way. They still do that, You think, yeah, wow, 0:05:15.440 --> 0:05:17.400 I bet they do. Law enforcement. Man, it's got a 0:05:17.440 --> 0:05:19.560 long way to go, all right, So let's get down 0:05:19.600 --> 0:05:24.360 to business on some of these submitted tropes. Uh all right, 0:05:24.640 --> 0:05:29.719 Chris uh Chris. Chris Wallzac says getting a vehicle or 0:05:29.800 --> 0:05:33.280 spaceship through a tight space by turning it on its side. 0:05:35.240 --> 0:05:37.520 I remember the old days. The big trick in the 0:05:37.600 --> 0:05:41.960 seventies was they would do that with cars and and 0:05:42.000 --> 0:05:44.560 you would ride on two wheels, like they would go 0:05:44.600 --> 0:05:47.680 off the ramp, you know, only sideways. But I'm thinking 0:05:47.720 --> 0:05:50.719 like Millennium Falcon style, like flipping sideways, going through the 0:05:50.720 --> 0:05:53.200 crevice and the Death Star and stuff like that, and 0:05:53.440 --> 0:05:56.840 I would argue that maybe that movie established that as 0:05:56.880 --> 0:05:58.720 like a super cool thing that then everyone wanted to 0:05:58.760 --> 0:06:01.320 kind of do so sub to quin, space movies kind 0:06:01.320 --> 0:06:03.280 of started doing that. You gotta be the right shape, though, 0:06:03.279 --> 0:06:05.800 Willima and Falcons built for that. That's true. I mean 0:06:05.800 --> 0:06:08.120 the flatness of that ship made that possible. But then again, 0:06:08.160 --> 0:06:11.440 like design of space movies started mimicking start. I mean, 0:06:11.440 --> 0:06:12.919 you know it was. It was really like the Big 0:06:13.040 --> 0:06:17.880 the Big Space movie. Janet James Allman. This is a 0:06:17.880 --> 0:06:20.200 good one, Janet. She says, someone is about to make 0:06:20.200 --> 0:06:23.280 a confession when the door bursts open. That happens all 0:06:23.279 --> 0:06:26.280 the time, either a love confession or really any kind 0:06:26.320 --> 0:06:28.360 of confession, or you're about to kiss. I believe we 0:06:28.440 --> 0:06:30.600 mentioned that one. And you get interrupted every time, of course, 0:06:30.640 --> 0:06:32.680 and they still do that because I guess it's a 0:06:32.760 --> 0:06:36.080 valuable device because it builds romantic tension, but it doesn't 0:06:36.120 --> 0:06:39.040 give you the release that you so crave. It saves 0:06:39.080 --> 0:06:41.479 that for a little later. Do you crave release, nol? 0:06:41.600 --> 0:06:46.880 I crave it daily growth. Uh let me see here, 0:06:47.040 --> 0:06:49.400 Clinton Barrett, this is a good one. Tapping a gauge 0:06:49.760 --> 0:06:53.320 in a desperate situation and then kicking the machine while 0:06:53.440 --> 0:06:57.039 saying work you infernal machine or something along those are 0:06:57.040 --> 0:06:59.880 you damn thing? Yeah, tapping the gauge is fun because 0:06:59.880 --> 0:07:02.600 it is usually like that starts to get the gauge 0:07:02.640 --> 0:07:05.680 to read correctly, right, Is that the deal? I'll just 0:07:05.720 --> 0:07:08.560 tap it. Man. Did you hear any of the audio 0:07:08.600 --> 0:07:12.160 from that the guy in Seattle who took the plane? 0:07:12.520 --> 0:07:14.280 I did. We did a little segment about it on 0:07:14.280 --> 0:07:18.600 stuff that I want you to know. Actually fascinating that 0:07:18.680 --> 0:07:20.720 whole bit. It's like twelve minutes or so. Yeah, he 0:07:21.040 --> 0:07:25.560 says something like, um, he knew how to deploy the 0:07:25.640 --> 0:07:27.640 landing gear just just for Anny wh who this guy 0:07:27.640 --> 0:07:30.080 in Seattle stole a plane. Um, he was a like 0:07:30.120 --> 0:07:33.360 a worker, I believe, like on the you know, the runways. Yeah, 0:07:33.440 --> 0:07:36.160 and he stole a plane. And it's not clear entirely 0:07:36.200 --> 0:07:38.240 if it was with the intent to kill himself, but 0:07:38.280 --> 0:07:39.760 it was it was definitely clear was it was with 0:07:39.800 --> 0:07:42.160 the intent to fly a plane. And he knew how 0:07:42.200 --> 0:07:44.640 to do it well enough, just from having played fight 0:07:44.680 --> 0:07:47.240 flight simulators and video games and stuff that thing for 0:07:47.280 --> 0:07:49.360 a while. And he did like barrel rolls and stuff. 0:07:49.360 --> 0:07:51.000 And the guys on the ground that we're talking to him, 0:07:51.040 --> 0:07:52.920 We're like, Wow, I didn't think you were gonna pull 0:07:52.960 --> 0:07:55.600 that one off. Man, It's so sad to listen to it. 0:07:55.880 --> 0:07:58.400 It's very heartbreaking. It is. He seems like a nice kid, 0:07:58.520 --> 0:08:00.960 he but he kind of says some self deprecating lee 0:08:00.960 --> 0:08:06.320 suicidal things anyway, kind of painful side tracking their folks. 0:08:06.480 --> 0:08:08.560 But it made me think of tapping gauges, because I 0:08:08.600 --> 0:08:12.120 bet he tapped the gauges. Uh. Let me see here. 0:08:12.920 --> 0:08:14.960 Athena Black says, I'm sitting here watching a movie in 0:08:15.000 --> 0:08:18.840 a classic classic trope, just happened the whole dramatically brush 0:08:18.880 --> 0:08:23.320 everything off the table trope. Uh, it's usually spontaneous sex 0:08:23.320 --> 0:08:27.120 scene or a stressed out strategic explanation or some military 0:08:27.240 --> 0:08:29.880 world saving maneuver. That's where they just need a clean 0:08:29.960 --> 0:08:33.760 surface on which to accomplish some important task, like a 0:08:33.800 --> 0:08:37.439 sex scene. Have you ever strategic millet never raked everything 0:08:37.440 --> 0:08:41.120 off of the table for a strategic military planning? Sash absolutely, yeah, yeah, 0:08:41.520 --> 0:08:44.200 not not for sex. Don't I prefer, you know, a 0:08:44.240 --> 0:08:46.439 cushion of some kind? Yeah? Who wants have six on 0:08:46.480 --> 0:08:51.200 the table? Crazy people in movies, chuck, Uh, let me 0:08:51.240 --> 0:08:56.480 see here. Swimming for Harvey Anthony Hook. I like the 0:08:56.559 --> 0:08:58.280 name Harvey. That's a good name. Yeah, it says if 0:08:58.320 --> 0:09:00.640 the imaginary bunny and that Jimmy Stuart. Yeah, you don't 0:09:00.640 --> 0:09:04.160 hear Harvey enough anymore. Uh. Swimming for ages underwater on 0:09:04.200 --> 0:09:09.480 a single breath, Oh boy, that's certainly the truth. Sometimes 0:09:09.480 --> 0:09:12.680 in movies like that, I will, uh, I'll try and 0:09:12.720 --> 0:09:15.679 hold my breath as they're doing it, just to see, how, 0:09:15.880 --> 0:09:18.120 you know, long I can go? How long can you go? Chuck? Well, 0:09:18.120 --> 0:09:20.160 I'm not very like I used to. They used to 0:09:20.160 --> 0:09:22.920 be better a minute. Well, when I was a lifeguard, 0:09:22.960 --> 0:09:26.560 I could swim full lap down and about a half 0:09:26.559 --> 0:09:28.640 a lap back on the water. And this was a 0:09:28.760 --> 0:09:32.320 you know regulation like swim me it's about a minute 0:09:32.360 --> 0:09:34.920 a half maybe pretty good, it's pretty good. Yeah, there's 0:09:34.920 --> 0:09:36.800 no way I could now, well, I mean neither. But 0:09:36.800 --> 0:09:38.720 but then in these movies, though, they go not only 0:09:38.880 --> 0:09:42.199 do they not breathe, they're going crazy deep and then 0:09:42.200 --> 0:09:43.800 by the time like they're running out of breath. And 0:09:43.840 --> 0:09:45.719 there's another trope too, they're running out of breath and 0:09:45.760 --> 0:09:48.400 they got a surface and they're like, you know, scrabbling 0:09:48.440 --> 0:09:51.160 to get to the surface, and then the giant breath 0:09:51.240 --> 0:09:55.240 at the end relief. Yeah, that's that's a part of that, 0:09:55.400 --> 0:09:57.240 and that's a two part trope. All that stuff makes 0:09:57.240 --> 0:10:02.000 me nervous. Me too, U Okay, Jake Hale says when 0:10:02.040 --> 0:10:05.240 blood is needed for some reason and the character cut 0:10:05.240 --> 0:10:09.280 the palm of their hand, there are many other places 0:10:09.320 --> 0:10:13.160 to cut where it wouldn't be so debilitating. Oh. I 0:10:13.160 --> 0:10:16.679 think he's talking about maybe like a vampire scenario. You know, 0:10:16.840 --> 0:10:19.920 like an interview with a vampire, they often like cut 0:10:19.960 --> 0:10:22.240 their hand or bite their wrist or something like that. 0:10:22.320 --> 0:10:24.520 You know. Okay, when when has there ever been a 0:10:24.520 --> 0:10:26.640 moment in a movie where someone gave a legit blood 0:10:26.800 --> 0:10:29.880 transfusion using a cut on their own body. I don't 0:10:29.920 --> 0:10:32.360 don't think that's what. I don't think that's how it works. No, 0:10:32.760 --> 0:10:34.440 So when he says when blood is needed, what are 0:10:34.480 --> 0:10:38.200 we talking about here? I don't know. I was. I 0:10:38.280 --> 0:10:40.599 was gonna think maybe Blood Brothers, but you've got to 0:10:40.640 --> 0:10:44.839 be the hand because shake hands. I know, Blood Brothers. 0:10:44.840 --> 0:10:46.520 I don't like cutting. I don't know if I've mentioned 0:10:46.520 --> 0:10:47.960 this on the show. That's the thing I don't care 0:10:48.000 --> 0:10:50.920 for in movies. I don't like watching like broats being 0:10:50.960 --> 0:10:53.600 slit or that's I don't like it, which is funny 0:10:53.640 --> 0:10:56.000 because I have. I've never broken a bone, but I've 0:10:56.000 --> 0:11:03.280 been stitched up probably one too, three four. I've been 0:11:03.280 --> 0:11:06.200 stitched up like five times in my life, but never 0:11:06.240 --> 0:11:08.920 broken the bone, including NL. Here's a little something. I 0:11:08.920 --> 0:11:11.160 don't know if anyone has ever heard. I almost bit 0:11:11.240 --> 0:11:14.240 my tongue off when I was like ten. What would 0:11:14.320 --> 0:11:17.080 we just like surprised or something? No, I fell down 0:11:17.200 --> 0:11:21.200 playing no bit you know. I think I got like 0:11:21.240 --> 0:11:24.440 eight stitches across my tongue. Chez. Yeah, I've never had 0:11:24.440 --> 0:11:28.200 a stitch, never broken a bone either, really, never had 0:11:28.200 --> 0:11:30.760 a stitch. No, no, not a stitch. Man. I cut 0:11:30.760 --> 0:11:32.760 my foot open, I cut my shin open, I cut 0:11:32.760 --> 0:11:36.839 my head open. I cut my tongue off rough rough 0:11:36.920 --> 0:11:38.720 childhood there and none of none of them were ever 0:11:38.960 --> 0:11:43.320 cuts though, like they were Fromino. None of the more 0:11:43.400 --> 0:11:45.840 knife related. Yes, that's O good, but I'm okay with that. 0:11:47.480 --> 0:11:51.560 Uh let me see here, Melissa Cooney not Clooney, but 0:11:51.679 --> 0:11:56.920 Cooney says character one finds out that character too hasn't 0:11:56.960 --> 0:12:00.160 had a certain food. Character too tries the food and 0:12:00.280 --> 0:12:03.640 is astounded because their life has been so blanned without 0:12:03.640 --> 0:12:07.160 this wonder, is that a trope? I'm not sure has 0:12:07.200 --> 0:12:10.000 that happened once? Well, that's the problem with some of 0:12:10.040 --> 0:12:12.680 these is like they seem so iconic, but then if 0:12:12.720 --> 0:12:15.400 you really look back through the fossil record that is movies, 0:12:15.840 --> 0:12:18.440 you might only find one instance of it. But you know, 0:12:18.440 --> 0:12:20.959 we're we're not we're not forensically researching these, We're just 0:12:21.040 --> 0:12:22.920 kind of like rattling them off. So it's possible that 0:12:22.960 --> 0:12:25.000 some of these quote unquote tropes may have only happened 0:12:25.040 --> 0:12:27.360 once or twice. If it's twice, is it a trope? 0:12:27.400 --> 0:12:32.760 How many times does it take to make a trope? Oh? Five? 0:12:33.320 --> 0:12:36.840 Geez yeah, more at least at least Okay, Yeah, Like 0:12:36.920 --> 0:12:39.000 I think a trope has to be in five movies 0:12:39.120 --> 0:12:41.880 a year. I think, yeah, I think that's true. Yeah, 0:12:41.960 --> 0:12:44.240 Jamison Ousley, why can't anyone in a movie use a 0:12:44.280 --> 0:12:49.640 blender without sending its contents all over the kitchen? Okay, 0:12:49.880 --> 0:12:54.800 I'm supposed that's happened a good sight gag uh. Bill 0:12:54.960 --> 0:12:57.400 g says man or woman who works too much and 0:12:57.559 --> 0:13:03.560 is first introduced while on his or her cell phone. Sure, 0:13:04.360 --> 0:13:07.720 phone phones are overused in movies, I think for different things. Yeah, 0:13:07.880 --> 0:13:11.080 for some reason, I'm picturing um Jim Carey and liar, liar. 0:13:11.520 --> 0:13:15.160 You know he's he's like the overworked, aggressive lawyer dad 0:13:15.200 --> 0:13:16.600 and you know who gave us to get his come 0:13:16.679 --> 0:13:18.960 up and and become a good guy. So he's always 0:13:18.960 --> 0:13:22.000 on the phone and ignoring, you know, his familial duties. Yeah, 0:13:22.080 --> 0:13:27.280 for sure. Uh cement. She says when a character is 0:13:27.320 --> 0:13:29.680 shot and they think they're dead, but they have something 0:13:30.400 --> 0:13:33.880 tucked away in their shirt pocket that has prevented the bullet. 0:13:34.559 --> 0:13:39.640 That's a classic one. I think we talked about this. Wait, no, 0:13:39.720 --> 0:13:40.920 I know what it was. It was in an episode 0:13:40.960 --> 0:13:45.400 of Ridiculous History where we were talking about this guy 0:13:45.559 --> 0:13:50.319 who was a Korean soldier who ended up being conscripted 0:13:50.360 --> 0:13:53.240 by like the Japanese army, the German army, and the 0:13:53.280 --> 0:13:55.760 American Army. But in that story, there was a side 0:13:55.800 --> 0:14:00.480 story about the guy who played Scottie on Star trek Um. 0:14:00.559 --> 0:14:04.480 He was in World War Two and he got shot 0:14:04.600 --> 0:14:07.400 and a cigarette case saved his life. So that really 0:14:07.520 --> 0:14:10.160 it was a real life thing that that certainly is 0:14:10.320 --> 0:14:14.040 is all over the movies. Yeah, you've definitely seen cigarette cases, Yeah, 0:14:14.480 --> 0:14:18.040 or a zippo or or some special keepsake that someone 0:14:18.080 --> 0:14:20.760 has just recently given you two. That's that's a good one. 0:14:20.800 --> 0:14:23.040 That's a good one. Oh, that that always happens, like 0:14:23.520 --> 0:14:25.360 if someone it's sort of like if you see the 0:14:25.360 --> 0:14:26.960 gun in the first act has to go off in 0:14:27.000 --> 0:14:29.560 the third. If someone gives you a hard metal case 0:14:29.600 --> 0:14:31.480 in the first act will save your life in the third. 0:14:32.080 --> 0:14:35.800 Chekov's case is what they call that. Really, Chekhov's gun 0:14:35.840 --> 0:14:37.800 is the gun thing. Okay, it's like, if you know 0:14:37.920 --> 0:14:40.760 the gun that's displayed on the mantel, it's eventually going 0:14:40.800 --> 0:14:47.000 to be used in some scene. Chekov's gun, Audrey Brotzman, Oh, 0:14:47.080 --> 0:14:51.200 this is a good one. When someone when a few 0:14:51.240 --> 0:14:53.280 people are having a discussion and two of them step 0:14:53.280 --> 0:14:57.240 away to have the private discussion, it's always like five 0:14:57.280 --> 0:14:59.720 ft from the other person totally. It was like, dude, 0:14:59.720 --> 0:15:02.200 they can totally here you absolutely well, it always it 0:15:02.200 --> 0:15:05.280 all goes back to the Shakespearean aside. You know, Oh, 0:15:05.320 --> 0:15:07.360 it probably right. I think maybe it's just like the 0:15:07.400 --> 0:15:10.520 idea that it's it's suspending disbelief. You know. Oh, you 0:15:10.560 --> 0:15:13.920 were bringing tremendous insight today, So do my best, because 0:15:13.960 --> 0:15:19.120 we didn't do bong hits uh Peter Griffin. Peter Griffin. Hey, 0:15:19.160 --> 0:15:23.320 it's me Peter Griffin from Hawk knocking a rider uh 0:15:23.480 --> 0:15:26.400 off a motorcycle to steal it, pick up the bike, 0:15:26.520 --> 0:15:33.080 then proceeds to immediately to a wheelie as he drives away. Yeah, 0:15:33.280 --> 0:15:36.080 that was pretty bad. Peter was fine, man, Peter Griffin 0:15:36.120 --> 0:15:40.120 is already like a bad impression of a guy from 0:15:40.160 --> 0:15:42.960 Where are they from? I think it's like Rhode Island, 0:15:43.040 --> 0:15:46.160 Rhode Island. Yeah, it's like that chap aquittic kind of 0:15:46.480 --> 0:15:50.600 Kennedy accent. You know, maybe I should have done Cleveland. 0:15:51.720 --> 0:15:54.200 That wasn't bad Cleveland. Cleveland's good. I like that voice. 0:15:54.520 --> 0:15:56.480 I just I saw that movie chap Aquittic. By the way, 0:15:56.480 --> 0:15:58.280 on the plane the other day. We interviewed the director 0:15:58.320 --> 0:15:59.920 on stuff they don't want you to know. Yeah, I was, 0:16:00.040 --> 0:16:01.520 and I wasn't there that day. But did you get 0:16:01.560 --> 0:16:02.920 to see the movie? I did. Yeah, we saw a 0:16:02.920 --> 0:16:04.320 screener of But I thought it was really good. It 0:16:04.400 --> 0:16:06.440 was good. Yeah, it had a I mean it had 0:16:06.440 --> 0:16:08.720 a bit of a movie of the Week quality, but 0:16:09.040 --> 0:16:11.440 h a really good movie of the week. Absolutely, No, 0:16:11.560 --> 0:16:13.280 I thought the same thing, but like it definitely like 0:16:13.360 --> 0:16:16.160 what Ed Helms is in it, and he's play the 0:16:16.200 --> 0:16:20.560 guy that plays Kennedy is is fantastic And yeah, no 0:16:20.640 --> 0:16:22.600 it's if anyone hasn't seen that one. It didn't really 0:16:22.640 --> 0:16:24.880 make the rounds in a big way. I know, it 0:16:24.920 --> 0:16:26.280 was kind of under the radar. I thought it was 0:16:26.360 --> 0:16:28.880 quite good though. Yeah, I agreed. Boy, I'd love to 0:16:28.880 --> 0:16:31.440 seeing Ed Helms to a a drama like that. He 0:16:31.520 --> 0:16:36.040 was great. John Taylor Wesley, Yeah, this is a good one, boy, 0:16:36.280 --> 0:16:38.640 And this isn't almost every Western ever guy goes to 0:16:38.680 --> 0:16:40.880 a bar and just waves at the bartender and the 0:16:40.920 --> 0:16:45.880 bartender just serves a drink some whatever drink. Well, I 0:16:45.880 --> 0:16:48.760 mean it's kind of like saying beer, that's true, Like 0:16:48.760 --> 0:16:50.840 who does that? I will say this though, I I 0:16:50.880 --> 0:16:54.520 have a two neighborhood bars at which I am a regular, 0:16:54.880 --> 0:16:57.200 and they definitely know my drink and they don't have 0:16:57.280 --> 0:16:59.320 to ask me. All Right, I'm gonna guess this is 0:16:59.320 --> 0:17:03.720 a game called guests knowles bar huh um. I know 0:17:03.760 --> 0:17:05.439 where you live? You still live in the same place. Well, 0:17:05.480 --> 0:17:07.879 I will give you a clue. They are more in 0:17:07.920 --> 0:17:10.439 relation to here where we are now than than my 0:17:10.640 --> 0:17:15.239 than my home. Okay, I should make it even easier. Uh, well, 0:17:15.280 --> 0:17:17.160 I'm gonna go with one right in this very building then, 0:17:17.160 --> 0:17:19.480 and say the Mercury. No, that's too fancy for me. 0:17:20.280 --> 0:17:23.960 I would go there if someone else is paying. Um geez, 0:17:23.960 --> 0:17:26.800 what bars around here? The Righteous Room? Yeah, the Righteous Room. Really, 0:17:27.080 --> 0:17:29.479 that's my spot and the Local is my spot. Okay, 0:17:29.680 --> 0:17:32.240 So shout out to Righteous Room and local Local. I 0:17:32.280 --> 0:17:35.000 remember had good French fries. They have really good chicken wings, 0:17:35.040 --> 0:17:39.280 really good smoked wings. Really. Yeah, well, let me let 0:17:39.280 --> 0:17:41.119 me take you to the local sometime, Chuck. You know, no, 0:17:41.560 --> 0:17:43.879 you're I know you're a family man, and I know 0:17:43.920 --> 0:17:46.040 you've got stuff going on. But one day, let's do 0:17:46.119 --> 0:17:48.760 around after work. I still like to drink. Well, I 0:17:48.760 --> 0:17:50.399 know that shock, But I'm just saying we keep different 0:17:50.400 --> 0:17:54.040 slightly different hours in terms of our office comings and goings. Yeah, yeah, 0:17:54.080 --> 0:17:55.520 I would. I would do that for a lot of times. I'll, 0:17:55.560 --> 0:17:57.200 you know, I'll go with Ben from stuff they don't 0:17:57.280 --> 0:17:59.439 you know, and other folks are on the office and 0:17:59.440 --> 0:18:02.080 won't go Taiwan on after work. So well, I'll tell 0:18:02.119 --> 0:18:07.679 you what. If Ben stays at home, I'll go with you. Um. 0:18:07.760 --> 0:18:09.600 I remember when the Righteous Room opened, By the way, 0:18:09.640 --> 0:18:13.399 that's how long. That's how long I've been around. It 0:18:13.520 --> 0:18:15.639 was to me. I still think of it as one 0:18:15.680 --> 0:18:17.480 of the new bars. I think it says I'm the Sign, 0:18:17.560 --> 0:18:21.480 but it's established or something like that. Yeah, but that 0:18:21.560 --> 0:18:23.439 was a new bar. Like when I first started going there, 0:18:23.440 --> 0:18:25.320 I was like, whoa, the Righteous Room, Like all the 0:18:25.320 --> 0:18:26.800 other bars have been here for forty years and this 0:18:26.880 --> 0:18:29.360 one is brand new. Yeah, I like it. It's my cheers. Well, 0:18:29.440 --> 0:18:31.240 and it's right For those of you don't know Atlanta, 0:18:31.520 --> 0:18:34.840 we have a very classic movie theater from the nineteen 0:18:35.320 --> 0:18:37.679 geez one was the Plaza built. It had to be 0:18:37.720 --> 0:18:44.080 the I'm Bad Time math um. But there's also a 0:18:44.080 --> 0:18:46.400 really cool old diner right next to it called the Majestic, 0:18:46.440 --> 0:18:48.800 and they clearly are of the same era. Yeah, it's 0:18:48.800 --> 0:18:50.840 a very kind of throwback part of Atlanta. And the 0:18:50.880 --> 0:18:53.440 Plaza Theater is owned, to believe by a couple who 0:18:54.280 --> 0:18:57.200 lovingly sort of restored it to a classic movie house 0:18:57.520 --> 0:19:00.119 and they show some really good films there and and 0:19:00.480 --> 0:19:03.000 that's where you're gonna see like your Rocky Horrors in 0:19:03.040 --> 0:19:05.960 the Room and stuff like that late night. Um, but 0:19:06.000 --> 0:19:08.360 they programmed great movies and the Righteous Room is right 0:19:08.400 --> 0:19:10.959 next door in this little shopping center. So you can 0:19:11.000 --> 0:19:14.000 go have a beer at the Righteous Room or whatever 0:19:14.080 --> 0:19:16.800 you please, and then uh saunter right next door and 0:19:16.800 --> 0:19:18.359 go to see a movie. They sort of booze at 0:19:18.359 --> 0:19:20.359 the movie theater too, they do, so you can just 0:19:20.440 --> 0:19:22.320 keep boozing it up all night long, all night long, 0:19:22.440 --> 0:19:25.160 and then call a lift because you shouldn't drive drunk. 0:19:25.240 --> 0:19:35.760 Also true. Alright, a couple of more tropes here, Uh, 0:19:35.880 --> 0:19:38.480 David Carroll, he has a couple of them. I'll go 0:19:38.480 --> 0:19:40.920 ahead and read. Both high school jocks are all violent bullies, 0:19:41.960 --> 0:19:44.280 Uh who would never respect women or be friends with 0:19:44.320 --> 0:19:47.280 non jocks. Sure, that's a jock trope. And then step 0:19:47.400 --> 0:19:51.240 dad's are evil. Yeah, I mean stepdads are so evil 0:19:51.240 --> 0:19:54.480 in movies. They They had a horror movie called The Stepfather, 0:19:55.440 --> 0:19:58.040 and I believe they even remade that horror movie. Oh 0:19:58.080 --> 0:20:02.119 I remember the Stepfather. Yeah, the guy from Lost was 0:20:02.200 --> 0:20:06.119 the stuff. He totally was lock. John Locke from Lost 0:20:06.200 --> 0:20:08.720 was the Stepfather. That's right. Yeah, I bet it doesn't 0:20:08.720 --> 0:20:11.399 hold up if we watch it now. Probably not. But 0:20:11.560 --> 0:20:13.680 there was a golden time for those kind of family 0:20:13.800 --> 0:20:17.399 drama type horror movies. Remember The good Son with the 0:20:17.480 --> 0:20:20.320 McAuley culkin where he was he was like the evil 0:20:20.440 --> 0:20:23.600 step son or no, that's not true. Elijah Wood was 0:20:23.640 --> 0:20:25.919 the stepson. He was the son and he was he 0:20:25.960 --> 0:20:29.640 was a bad, bad dude. So who was the good son? Well, 0:20:29.640 --> 0:20:31.720 the good son was Elijah Would. But I think it 0:20:31.760 --> 0:20:34.120 was sort of meant to be ironic because the mother 0:20:34.200 --> 0:20:36.240 thought that McCauley Culkin was the good son and he 0:20:36.280 --> 0:20:39.000 sort of blamed everything on Elijah Would. But in fact 0:20:39.119 --> 0:20:42.280 McAuley Culkin was a little devil spawn. And speaking of Culkin, 0:20:42.359 --> 0:20:46.280 have you seen him succession yet on HBO? It is 0:20:46.440 --> 0:20:49.159 awesome really, Oh yeah, it's like a it's about like 0:20:49.200 --> 0:20:52.119 a Rupert Murdoch esque family and like of the idea 0:20:52.160 --> 0:20:54.320 of like who's going to inherit, who's gonna run the company? 0:20:54.760 --> 0:20:57.320 And Brian Cox is in and who played Hannibal in 0:20:57.359 --> 0:21:01.080