Speaker 1: Big Bank and what it is scream you don't be
Speaker 1: on nothing, I be on okay, So let me ask
Speaker 1: you bring you big big facts.
Speaker 2: Visit the new website today Big factspod dot com line.
Speaker 1: From the Culture Lab and at others time for that
Speaker 1: Big Facts, Big Bank Baby j d J screen presenting
Speaker 1: today the one, the only, the family. Jazzy Fay has
Speaker 1: pulled up on us for a big fan.
Speaker 3: What's up with you? What's up with you?
Speaker 2: What's up mister oh boy, mister ladies, ladies and gentlemen,
Speaker 2: you're not turning to the red bas your truly Jazzy
Speaker 2: Fenzel Berkeny Obama, Luther King Junior Jackson five the first
Speaker 2: first time on Big Facts.
Speaker 1: Man where that comes from? What tell us the story?
Speaker 1: A little bit about that day when that happened? The
Speaker 1: ladies and gentlemen.
Speaker 3: You know what really?
Speaker 2: I think over time? Uh well, initially, you know, like
Speaker 2: uh Teela, hey bather, m j G song, show up club,
Speaker 2: show up.
Speaker 3: The club.
Speaker 2: I wasn't tagging my music back then, and I was
Speaker 2: kind of like, you know, visiting I lived. And when
Speaker 2: we went and did the thing at swath House, the
Speaker 2: record was so big that we had to move to Texas.
Speaker 2: And that's that. Let me find out why a lot
Speaker 2: of Texans artists are so rich because they don't They
Speaker 2: don't have to leave because they they're very territory. So
Speaker 2: I could go, you know, say, for instance, let's say, okay,
Speaker 2: I'm in east Point. Everybody east Point don't go to Buckhead. Buckhead,
Speaker 2: don't go to Bankhead, Bakhead, don't go to uh the
Speaker 2: outside right And every time we pull out, like what
Speaker 2: you're doing over he almost gotta show or something. I
Speaker 2: was like, oh high, that's why once Slim Thug or
Speaker 2: Zero or or Buns they once they once they hit
Speaker 2: all of these little surrounding cities, it's trying to do
Speaker 2: another mixtape that's like going on at home. So so
Speaker 2: that being said, I was living in Atlanta, but I
Speaker 2: had to move there because we were doing shows every
Speaker 2: other day, so I said, I might as well just
Speaker 2: be there. I'm looking at them, caliber I was like, damn,
Speaker 2: you know what I'm saying. So okay, fast forward, the
Speaker 2: record blows up. They playing the record everywhere, no tag,
Speaker 2: so everybody down in Texas like I did that record record?
Speaker 2: I didn't really, I couldn't, you know. I had no
Speaker 2: waiting in the game yet, so I said, Damn, I gotta,
Speaker 2: I gotta, I gotta do something. I was watching James
Speaker 2: Brown Ladies and Gentlemen, there are seven Wonders of the World.
Speaker 2: You're about to witness the a I said, Damn, that
Speaker 2: was hard, ladies job starting. It just started from there.
Speaker 2: So then I just start adding, just start doing things.
Speaker 2: And I thought about you know, people like Teddy Riley
Speaker 2: that back in the day when he said yep yep,
Speaker 2: I said, everybody got a tag you know what I'm saying, Like,
Speaker 2: I was like, as far as uh, the generation right
Speaker 2: before this generation, one of the first ones to be
Speaker 2: tagging records.
Speaker 3: Yeah, I just think about it for real because I
Speaker 3: ain't even thinking about that. Where did shit come from? Tagging?
Speaker 2: Yeah, it's a brand. It was branding. It was like,
Speaker 2: you know, this is my ship.
Speaker 4: That made like they kind of started making the producer
Speaker 4: into the stars too.
Speaker 2: Yeah, we made a superstar time because I was also
Speaker 2: in the video. Yeah, I'll be in videos and I
Speaker 2: ain't even produce the record. And I was like, damn,
Speaker 2: how do I live for myself? And then I also
Speaker 2: had relationships with people like Fat Cats, me and fat Cats,
Speaker 2: super Top. Yeah so but that yes, we have semi
Speaker 2: control over the So when it's time for Jazz and
Speaker 2: Fay to do its part, I only needn three folk seconds,
Speaker 2: come right to the thing, sprinkle, boom out of there.
Speaker 2: I might not even have to say nothing because my
Speaker 2: brand was already out there once they started seeing my
Speaker 2: face and seeing me pop in and they knowing the
Speaker 2: association day mm hmmm, Brandy.
Speaker 1: One thing we're gonna do today is you know, give
Speaker 1: you a flowerself you pop it. That's what we do
Speaker 1: with a legends here on big Facts. So where do
Speaker 1: we start? You already told us a little bit of
Speaker 1: some of the records you did, but you got and
Speaker 1: I've known this, but as a DJ, I looked at
Speaker 1: my sarad I'm like, oh ship, this figure records.
Speaker 3: Where are we gonna start? So where do we start? Like?
Speaker 3: Where do we start?
Speaker 1: What was your first major hit? Show showed up with
Speaker 1: the first major hit? That was your first plant too?
Speaker 1: Uh yeah, okay, wait wait wait was it?
Speaker 2: Mm hmm, I'm not sure if that was first or
Speaker 2: lsg uh Jailerbert, you know, keep sweating Na Gill or
Speaker 2: was it your sermon? I don't know, man, so many Man,
Speaker 2: it just you know how when it when it started going,
Speaker 2: boy turned into a flurry.
Speaker 3: Yeah.
Speaker 2: And it's crazy because I was never really one for
Speaker 2: a lot of accolades. You know what I'm saying. I
Speaker 2: just sitting up there looking at all my plaques and
Speaker 2: some of my plats over here over there. You know
Speaker 2: what I'm saying. I know how to go burn and
Speaker 2: get him again. I don't really want to sit down
Speaker 2: and look at all my plais until I feel like
Speaker 2: I'm ready to chill.
Speaker 3: I'm still going.
Speaker 2: I'm still going, Jack.
Speaker 1: Did you did you so in discovery like discovering artists
Speaker 1: one thing to produce for him? Did you did you
Speaker 1: discover an artist like Sierra? I know you did some
Speaker 1: some some type of situation like early on with Jeezi,
Speaker 1: Like tell us about some of the artists that you
Speaker 1: actually discovered not just produced.
Speaker 2: Well, I mean, I think a lot of people know
Speaker 2: the Sierra story. I mean, you know, she was in
Speaker 2: a group uh called Hearsay, and she was you know,
Speaker 2: she wasn't really getting that just doing that group. She
Speaker 2: wasn't really happy. My boy A shout out t A.
Speaker 2: You know what I'm saying, Uh t A brought me
Speaker 2: over well, actually he came over to Dark I was
Speaker 2: recording it dark at the time. That was also Studio,
Speaker 2: which is now of course future studio now, but at
Speaker 2: the time it was Dallaus. So brought him over there,
Speaker 2: brought her over there. Uh man, let us sing from me,
Speaker 2: and that was history. I pulled her from the group.
Speaker 3: Mm hmm.
Speaker 2: The group, I guess. I think the group thought they
Speaker 2: was coming in a situation with you. She was like
Speaker 2: because another girl in the group, her daddy thought she
Speaker 2: was to be the group. So yeah, we let them just,
Speaker 2: you know, I mean, do that thing. That was the
Speaker 2: only way it was gonna get him all over there.
Speaker 2: So we got him over there. And then you know,
Speaker 2: once I got heard the Sere Stewart l a Re
Speaker 2: l a Re was just head over heels and that
Speaker 2: was it. That was that. I mean, CEC was just
Speaker 2: automatically easy.
Speaker 1: Yeah, yeah, yeah. I had a lot of his what
Speaker 1: what what? What was the writer?
Speaker 3: We had Sean Garrett his Shotton with a lot of
Speaker 3: rights is that? What what?
Speaker 1: What's what's the writer that you that you know when
Speaker 1: you send it off, it's gonna come back, right. Who's
Speaker 1: a couple of them, like, when I send this off,
Speaker 1: it's gonna come back, it's gonna be platinum, A better chase.
Speaker 2: Fay. Okay. I mean, so sending.
Speaker 3: It off to a writer to write a reference, I
Speaker 3: don't do that. But then I don't.
Speaker 2: Send it off it. You know, I'm really I'm really
Speaker 2: kind of out school with it, you know, you know
Speaker 2: what I mean. That's I think that's one of the
Speaker 2: things that's that's stickler with me, you know, as far
Speaker 2: as you know, being married to a record or glued in.
Speaker 2: But you know, it's cool to collab and send things
Speaker 2: back and forth, you know what I mean, especially when
Speaker 2: people can't geographically be in the same place. You know
Speaker 2: what I'm saying.
Speaker 1: I guess what I'm saying is kind of like when
Speaker 1: T I two or whatever Jez shot it. When when
Speaker 1: you get with these people, you know it's going to happen.
Speaker 1: There's no doubt in your head. Man, Sierra is probably
Speaker 1: one of them.
Speaker 2: Ce Cee Dope Alia was dope rest her soul. That
Speaker 2: was crazy. Uh definitely working with working with uh with
Speaker 2: Static Static Major, that was crazy. You know, work with
Speaker 2: him was dope. A couple of people, Uh yeah.
Speaker 4: So what's the something, So what role did like Sean
Speaker 4: Geart play with Sierra Becau when he was on here,
Speaker 4: he was saying, like what he was saying, like that
Speaker 4: was what he was saying about him, Seer saying pop up.
Speaker 2: Saying, he said, did he write this song? So yeah,
Speaker 2: he wrote Goodies? Okay him and uh, he wrote goodies
Speaker 2: and we changed you know, well, my boy big Zach cookies.
Speaker 2: Yeah yeah, he changed changed it the Goodies. Okay, gear
Speaker 2: wrote it. It was cookies. You know what I'm saying
Speaker 2: is that shout out that yeah, Biga, you know about
Speaker 2: Big Zack shouted the love of green all that. You
Speaker 2: know what I'm saying, Uh, yeah, Big Zach he turned
Speaker 2: into the Goodies. Okay, Okay, you know I'm saying that.
Speaker 2: They gave him a whole lot of status about it.
Speaker 2: But you know, at the time, what's the name Alice
Speaker 2: had a record out called Milkshake.
Speaker 3: Yeah.
Speaker 2: I was like, baby, you cannot put your cookie in
Speaker 2: Palaise's milkshake. Yeah, yeah, it's gotta be different. It can't
Speaker 2: be cookies. You just cannot be cookies. And Little John
Speaker 2: didn't like it at all. He hated it. But but
Speaker 2: I didn't like it. I just started, would it would
Speaker 2: be better record?
Speaker 3: You say you didn't like cookies or you didn't like
Speaker 3: the whole cookies.
Speaker 2: It just sounded it made it a little cheesy, but
Speaker 2: and cheesy is good sometimes, you know what I'm saying.
Speaker 2: But sometimes you just gotta, you know, take a little
Speaker 2: bit of that told somebody else. So Sierra being shot
Speaker 2: here and Sierra shout as dot man, if it wasn't
Speaker 2: as dot boy, I mean the CC thing he got,
Speaker 2: the cheezy trained one, you know, with the one two
Speaker 2: steps and just and just really gave him that, you know,
Speaker 2: that's the that was the one that was the one
Speaker 2: that just said. And it's crazy because when I sent
Speaker 2: the record to the label, they didn't like it. M
Speaker 2: M yeah, they didn't like the record. So guess what.
Speaker 2: I went to Patchwords and I had a whole bunch
Speaker 2: of CDs printed up, and we sat on the floor
Speaker 2: and bagged him up. That's back when we used to
Speaker 2: send out the fittings. Were sitting up there putting up
Speaker 2: little vouchers. We was doing that and we sent them
Speaker 2: out to all the DJs and they called back like, well,
Speaker 2: it's this record, what is this record that by this?
Speaker 2: Call him back talking about what did the service back
Speaker 2: of this record? I was like, yeah, yeah, that's the
Speaker 2: one that Jon didn't like.
Speaker 3: M hmm. Yeah.
Speaker 1: So you know how you used to deal with music
Speaker 1: leaking back and back then, because back then a lot
Speaker 1: of them And now I'm guilty of leaking some of it,
Speaker 1: not yours. But I'm just saying I used to like
Speaker 1: waking up and your ship don't leaked all over the
Speaker 1: streets of the internet and all that.
Speaker 2: It just depends, man, It depends on if it's ready
Speaker 2: to go, you know what I'm saying, If it ain't,
Speaker 2: if it ain't ready to go, if it ain't even
Speaker 2: you know, I mean I don't because sometimes records leak
Speaker 2: and the artists ain't clear on it. Because say, if
Speaker 2: you liak a record, okay, with Andre three thousand drake
Speaker 2: pulling out, you know what I'm saying, Yeah, I don't
Speaker 2: know if you didn't work. Yeah, but the kids were together,
Speaker 2: but but yeah, I mean he wouldn't be yet, he'd
Speaker 2: be out.
Speaker 3: Yeah.
Speaker 5: So, since we're talking about like the women in the industry,
Speaker 5: and you know, like how you've worked your magic with
Speaker 5: so many of them, can you tell us in the
Speaker 5: viewers you Arianna umbrella story.
Speaker 2: Well, ladies and gentlemen, Ladies and gentlemen. Okay, Yeah, Well
Speaker 2: we were at I was at the Tricky Studio. I
Speaker 2: was at Yeah, shout Stewart, Shout our Mark Stewart, you know,
Speaker 2: giddy everybody over there at red Zone, Red Zone. Yeah,
Speaker 2: we were working together and they were working on British Spears,
Speaker 2: working on British Spears projects. So you know, of course,
Speaker 2: you know, Brittany was, you know, shaved her head off,
Speaker 2: She's gonna trooping kind of, you know, and everything, and
Speaker 2: they played the record for got finally got the team
Speaker 2: to listen to the record, and I think I might
Speaker 2: have heard her on like a call or heard about
Speaker 2: the call.
Speaker 6: And she was saying, yeah, yeah, great record, great record,
Speaker 6: but you know, I still need a Brittney record. I
Speaker 6: was like, she ain't gonna do the record, She's not
Speaker 6: going to record the record. So weeks went by, she
Speaker 6: hadn't recorded the record, hadn't recorded the record.
Speaker 2: La Reid had me in the studio with one of
Speaker 2: his other groups called Girl called Jane three Girl Group.
Speaker 2: We put out some records and we were sitting there
Speaker 2: and Karen Quak Karen Quack Who's was La Reed's right hand.
Speaker 2: You know at the time, she said, she was like, Chassy,
Speaker 2: you remember the girl Rihanna Palmer replay. I was like, yeah, yeah,
Speaker 2: I remember Rihanna. He said, well, listen, jay Z is
Speaker 2: buying her. He's putting the whole ranch behind her. Was like,
Speaker 2: so I go in there. I was like, so I
Speaker 2: closed the door. You know, everybody listening, and you know,
Speaker 2: this record is like the hot thing. You know, you
Speaker 2: got the hot record that's inside the camp, but it
Speaker 2: ain't got outside of the camp yet. So you know,
Speaker 2: we listened to the record. I played the record. She said,
Speaker 2: well I was gonna leave. She's like, oh my god,
Speaker 2: what is this. I'm like, listen, don't don't, don't talk
Speaker 2: to nobody about it right now. Take it back to Lane,
Speaker 2: play it for Lane and then called me back. La
Speaker 2: Read calls me back. He said, Jackie Night, where is
Speaker 2: where is Tricky Start? Where is Tricky the where is
Speaker 2: Mart Store? This record is ain't crowd out off? She
Speaker 2: said when she played the record, she just played it
Speaker 2: now us when when Jay was in the jigger was
Speaker 2: in the building. So he walked into the he walked
Speaker 2: into the office like that is that is that what
Speaker 2: I think it is? So yes, like because I already
Speaker 2: got my verse. He was like, I already got it.
Speaker 2: So he's like little clouds in my scone. He already
Speaker 2: had it. And so that's how the record that place.
Speaker 3: That's big. Yeah, that's your biggest record.
Speaker 2: That it wasn't my record. It's Tricky Stewart's.
Speaker 3: Record that you've been that you've been apart. Well, okay,
Speaker 3: you want to give it.
Speaker 2: Yeah, man, just.
Speaker 7: Walking through, Man, just walking through. Hey, Well it's not
Speaker 7: a Tricky Stewart shout out the dream. Yeah, in the
Speaker 7: beginning needs to be a lot of like Jesus he
Speaker 7: was about to sign showing up. What happened with that?
Speaker 2: Say?
Speaker 1: What not?
Speaker 3: I say in the beginning Jesus early on his grill
Speaker 3: was like he was about to sign.
Speaker 2: What he did sign?
Speaker 3: What happened?
Speaker 2: He was signed? We were together. We were actually we
Speaker 2: went into L. A. Reed's office. Well I met Jez out,
Speaker 2: you know, just kicking and hanging out. I think I
Speaker 2: we pulled up seven forty five. You know what I'm saying, like, man, yeah,
Speaker 2: you know what I mean? Like he I'm like, man,
Speaker 2: what you do? He's like, man, rap I was like,
Speaker 2: you know rap, he said. Yeah, he said, man, Stip,
Speaker 2: tell me where your studio. Pull up on your studio,
Speaker 2: bring you some music. So he comes back here like
Speaker 2: he gave me like eight c ds. Eight CDs. Come
Speaker 2: shot with me, the Soft and the South in the
Speaker 2: Heart right, little.
Speaker 3: John passed right, Yeah he was, he was.
Speaker 2: I thought it was I got that CD.
Speaker 1: I thought.
Speaker 3: Little bit little yeah, because I got the necklace.
Speaker 5: Yeah.
Speaker 2: I can't remember what the album cover looked like, but
Speaker 2: I remember what looked like it was splitting half because
Speaker 2: it's like one side had a lot of features on
Speaker 2: the side straight to you know what I'm saying. Whatever,
Speaker 2: So I passed all the CDs out amongst noontime, you
Speaker 2: know what I'm saying, no time, the crewis show enough
Speaker 2: and everybody, you know, I passed all the CDs out.
Speaker 3: So it was like, hey, right here, this is so hard.
Speaker 2: So I was like, okay, we're gonna were gonna care
Speaker 2: about this, you know what I'm saying, So shake shake,
Speaker 2: like hey, we got to take them to l A.
Speaker 2: We had to take we had to take them to
Speaker 2: New York. Bring off to New York. It's like all right,
Speaker 2: So we did a deal first. Then we went up
Speaker 2: to New York. It was me. It was Big Zach
Speaker 2: once again. UH coach k k K b uh Tina
Speaker 2: Davis was in the office, Kevin Lyles was there, Steve
Speaker 2: Bartows was there, Stain Dollar the crew. Jim Jones was
Speaker 2: next door because La Reeve was in his makeshift office.
Speaker 2: He hadn't moved all the way into death Gym yet.
Speaker 2: We played those records. He played a record he played
Speaker 2: I think he played what uh we getting money over here?
Speaker 2: What did do pivot? La Reid was like, Okay, they
Speaker 2: were really set on that being the record, the single,
Speaker 2: and so you know when when you got a crew
Speaker 2: y'all set on a single, we pretty much go in
Speaker 2: and were gonna get a single. Deal. We're gonna We're
Speaker 2: gonna be in the pitot. That's that was their thing.
Speaker 2: I guess they probably had in their head. La didn't.
Speaker 2: He didn't h didn't budge. He was not going to
Speaker 2: do the deal at that point. Mm hmm, shake, said Shakira.
Speaker 2: He said, bro play the records that you had, play
Speaker 2: the record. Big calls in the truck. I'm rich bitch.
Speaker 2: Hit the club teared up, I'm rich bitch. Nika l
Speaker 2: A hit the butter and all them people, I said,
Speaker 2: walked in the door. He said, hey, take it back.
Speaker 2: So you're sitting over there like damn, he said. He said,
Speaker 2: I want you to get up and do that song
Speaker 2: right now. And I told you, I said, man, when
Speaker 2: when uh La likes something, you go tell you to perform.
Speaker 3: He tell you to get up, you get up, perform.
Speaker 2: I was like, oh, heah, you're gonna So he stood up. Man,
Speaker 2: I'll do it with you still right up there with him.
Speaker 2: We went through that record. La was like, oh my god,
Speaker 2: oh my sign up right there. Say man, get them,
Speaker 2: get them whatever they want to eat. They ain't leaving here.
Speaker 2: They ain't gonna be running through man having shopping deals today.
Speaker 2: We do in this deal right now.
Speaker 3: M hm hm.
Speaker 2: That's what Jim Jones walked in and looked at him, say, hey, Helmie, hey.
Speaker 2: When when Jim Jones walked in and hollered at us,
Speaker 2: he was he had a cape on because he was
Speaker 2: getting his haircut next door. He didn't really rock with
Speaker 2: l A like that. He didn't speak to him like that,
Speaker 2: and none of that. He walked in there in that
Speaker 2: in his office, in his meeting and you know, his
Speaker 2: eyes was like this because he's seeing the whole culture
Speaker 2: like coming in like he was like, oh my god,
Speaker 2: because you know Jim Jones, like he was the facilitator.
Speaker 2: He was out there. That was that was confirmation to
Speaker 2: l A. I see Jimmy, Jimmy remember he remember he
Speaker 2: was there?
Speaker 3: Yeah, so what is what happened?
Speaker 6: Like?
Speaker 3: So so y'all did it deal? Yeah? And what happened
Speaker 3: like he went on?
Speaker 2: We just separated. We just separated. It's just a difference,
Speaker 2: is you know what I'm saying. Different. You know, when
Speaker 2: you got a label that's self sufficient, they I mean,
Speaker 2: I still got my about mind. Oh yeah, that's what.
Speaker 2: It wasn't a jazzy fake show, you know what I'm saying.
Speaker 2: That's why when you hear stuff like uh, twist your
Speaker 2: fingers up, Bang bang Yo, you don't want to hear
Speaker 2: letty and gentlemen. That's too happy, you know what I'm saying.
Speaker 3: But band, Yeah, I need that record.
Speaker 2: Bang. I brought in Tim, Tim and Scrappy. Scrappy had
Speaker 2: a K for the several just the wall, you know
Speaker 2: what I'm like. That was the first time I seen
Speaker 2: that in the studio, like a K forty seven. I mean,
Speaker 2: I just seen pistols, but I'm like a k for
Speaker 2: the seven lean up gets the wall to come be
Speaker 2: your worst. I was like, scrappy, really really don't want
Speaker 2: no problem.
Speaker 1: Up. Shout out the scrap I just come together with
Speaker 1: with nooney. Shouts nooney. Like so noontime is noonies and
Speaker 1: you will show enough. But y'all did a lot of
Speaker 1: collaborative work.
Speaker 2: Right man. Listen to one farmer shout out to one farmer.
Speaker 2: A farmer introduced me to know that you were at
Speaker 2: at at Dallas Austin studio. Why farmer pulled up on
Speaker 2: me and said, you know, we're already friends at Dallas.
Speaker 2: Of course family. Warren said, hey, man, it's these crew
Speaker 2: I had out showing up at the time. So he said,
Speaker 2: any of these dudes, man call noontime, you know, nooney
Speaker 2: Chris Ryan t R. And they was all over there
Speaker 2: at Houston's on Pea Street, they said. He said, man,
Speaker 2: they over there, they want to meet you. You know
Speaker 2: what I'm saying. So I said, I'll be bad then
Speaker 2: let's live. Let's meet with him. So I'm not I'm
Speaker 2: just thinking they want to buy some beach and something
Speaker 2: like that. So I came over there said, man, hey, man,
Speaker 2: I think dope noon. He was like, yo, I think
Speaker 2: the dope. He said, Man, I think you need to
Speaker 2: come over and you need to what you got where
Speaker 2: you're working at. I was like, man, I'll be working
Speaker 2: at Passwords like you ain't got a studio. I was like, man,
Speaker 2: people be booking me every day, bro, every day like
Speaker 2: he's booking you every day, like every day. He said, man,
Speaker 2: come to kid, come over here. You know what I'm saying.
Speaker 2: And then came over there he come Brian Michael Cox.
Speaker 2: Brian Michael Cox came a man and he was making beats.
Speaker 2: I've kind of giving him pointers on how to how
Speaker 2: to quantitize his beats and got to get it in
Speaker 2: the NPC and just make that thing just sing, And
Speaker 2: told him to watch that boy right there, it's Jada Walker.
Speaker 2: Jada Walker was producing everything. He was doing god Zilla soundtrack, Uh,
Speaker 2: no way out. He did the album all of that.
Speaker 2: I was like, because he was so in and out,
Speaker 2: he wasn't really around like that. And then Johntay Austin
Speaker 2: was there too, writing stuff Sweet Lady and all these records.
Speaker 2: I mean, you know what I'm saying then, you know,
Speaker 2: doing stuff like Survivor friend of Mine, Kelly Price, man,
Speaker 2: like when noon time was definitely I can't really name
Speaker 2: a bigger R and B production crew, R and B
Speaker 2: really urban production crew that was bigger and better as
Speaker 2: a team than the time. Yeah, Teddy Bishop as well. Yeah,
Speaker 2: pushing heads out of the.
Speaker 8: Crazy you think the all time go down in London,
Speaker 8: I'll do reducing out of it. Leaning, Damn all the
Speaker 8: time ago out of it?
Speaker 2: Did you?
Speaker 4: I was just getting ready to say that, I can't
Speaker 4: even I just said the goddamn shoulder other night, j D.
Speaker 4: I mean when Bro DJ DJ and his ship, Yeah,
Speaker 4: all classic that is you he got is Yeah, that
Speaker 4: nigga pushing them off out. Yeah he pushed that ship out.
Speaker 2: Yeah.
Speaker 3: So who you think you would be like a good
Speaker 3: match within a versus.
Speaker 2: And a versus man, I don't even know. I'll tell me,
Speaker 2: I don't even think about stuff like that.
Speaker 4: I've talked about it before, but I never can before
Speaker 4: you've never thought about doing one, I mean not really.
Speaker 3: The energy of any fresh jazzy fav would be crazy,
Speaker 3: the energy.
Speaker 2: Energy I mean, I mean, but man, because so he
Speaker 2: just that's my such like my brother. And that's cool
Speaker 2: and it you know, for us to be against each other, but.
Speaker 3: Against though.
Speaker 2: You don't like I got a lot of R and
Speaker 2: B records too, Yeah, no, Like, how do you answer
Speaker 2: I don't want to be How do you answer cannot
Speaker 2: come home? How do you answer shut up?
Speaker 3: Fine?
Speaker 2: Fine? How do you answer those records with a rap? Orris?
Speaker 5: Like?
Speaker 2: Rap? I mean, no, no, shade in my brother.
Speaker 3: That's a good good that's a good perspective.
Speaker 2: Yeah, but I mean it'll be fun. Yeah, as far
Speaker 2: as you know, you know, we got to turn them downs.
Speaker 3: So that what happened the time with Stunner, I think
Speaker 3: trying to buy like a.
Speaker 2: Man. That was a shout up the stunning man, shout
Speaker 2: out the Stunner and and shout out the many fresh
Speaker 2: for even saying, yesterner, that's some cool shit to do.
Speaker 2: Shout out to Greg Street down the street. You know
Speaker 2: what I'm saying. I just talked to Greg, so he's fresh.
Speaker 3: On my mind.
Speaker 2: Now, Hey, hey, we forget me. You know what I'm saying.
Speaker 2: What you need to do, that's what y'all need to do.
Speaker 2: What you need to do. No thrill though he brought
Speaker 2: Stunner over to noontime. I'm looking on the camera. You
Speaker 2: know what I'm saying. I see that. I see this
Speaker 2: car rocking back and forth because it's a tight little corner, right.
Speaker 2: So it's the purple Pt Cruiser. The purple Pt Cruiser
Speaker 2: come to the back over there, nine fifty seven over
Speaker 2: there on Marietta with Neo Addison as well. And so
Speaker 2: we were sitting there. He comes stunner. I don't think
Speaker 2: I knew no streetness he was coming. I got some fun.
Speaker 2: So he pulls up stunner, hop out I think he was.
Speaker 2: He had Cadillac with him and somebody else with him.
Speaker 2: I Boy, how Boy was with him. And then uh uh,
Speaker 2: I say, say, brod you you over here doing records?
Speaker 2: In five minutes He's like yeah, yeah, you know what
Speaker 2: I'm saying that it ain't nothing. He's like, hey, hold
Speaker 2: one see. He said, man, I need to make maybe
Speaker 2: some records. Give me one hold on hold one second.
Speaker 2: Brother got to take this call. So he took a call.
Speaker 2: So I said, perfect time to make a record. Boom.
Speaker 2: So I made some record for them. I think it
Speaker 2: was on the rocks or something. No, no, I think
Speaker 2: it was the record. I can't remember I think it
Speaker 2: was on the Rocks, sach a record call on the Rocks.
Speaker 2: But he came back in. He was like, say what
Speaker 2: is that? I was like, man, is something I did?
Speaker 2: You know? You say when you do that? It's like
Speaker 2: when he was on the phone, He's like, neighhood, give
Speaker 2: me another one. Then we came back. I think we
Speaker 2: came up with gainst his pills. Maybe I don't know. Yeah,
Speaker 2: he was like, man, come on, I'm doing fifty song.
Speaker 2: I want to do fifty song.
Speaker 3: Deal with you.
Speaker 2: I want to sign you the gas one and said
Speaker 2: that way. You know, I'm already with Nonie. You know.
Speaker 2: But me and Nonie never had a contract. We never
Speaker 2: had a contract. It was just brothers, you know what
Speaker 2: I'm saying. That's all it was. We was like, man,
Speaker 2: we do a deal. We do a deal. You know
Speaker 2: it is you get your like your mind mhm.
Speaker 1: Is anybody you regret that you haven't Maybe that passed away,
Speaker 1: that you didn't get a chance to work with that
Speaker 1: you like, baby was passing by, Like we got to
Speaker 1: get in, We got to get in, But they might
Speaker 1: have passed away before you got a chance to work
Speaker 1: with them.
Speaker 2: Friends. I mean, I don't really have to do it.
Speaker 2: I mean, I really like that. I mean it was
Speaker 2: it was great working with a lot of people like
Speaker 2: I had a lot of people that I worked with
Speaker 2: once like MO three Man, work with MO three that
Speaker 2: was that was dope. Three was really dope, young greatness,
Speaker 2: even rich Home. You know, you know what I'm saying. Damn, Yeah,
Speaker 2: you know what I'm saying. That's crazy, that's wow, man.
Speaker 2: You know, shout out to them, man, piece of recipes
Speaker 2: of the families, Man, big shout out to Dave Man.
Speaker 2: You know what I'm saying, It's crazy because I didn't
Speaker 2: even I didn't know, you know, what was going on.
Speaker 2: I didn't know nothing about that. You know what I'm saying.
Speaker 2: And then I condoled it to you and your family
Speaker 2: and all of y'all. You know what I'm saying. For
Speaker 2: real man, anybody, anybody who who you know lost somebody, Man,
Speaker 2: that's a that's a that's a peal of swallows to somebody.
Speaker 2: Got to learn how to live with you know. Yeah there, man,
Speaker 2: My heart is with you, y'a always.
Speaker 8: Man.
Speaker 5: So you got something that you want to tell us
Speaker 5: about the Memphis Music Hall of Fame, Oh.
Speaker 2: Memphis Music shout out Memphis Man, Memphis Music Hall of Fame.
Speaker 2: I was just indebted to the Memphis Music Hall of Fame.
Speaker 2: You know, a lot of people don't know, but I'm
Speaker 2: from Memphis. I'm from Memphis because I originally, yes, originally,
Speaker 2: and because I've been in Atlanta most of a lot
Speaker 2: of y'all's lives. You know what I'm saying. I've been
Speaker 2: here since ninety five. You know what I'm saying. And
Speaker 2: it's crazy because I moved to Atlanta just to meet
Speaker 2: we go Wait. I wanted to we wait and I
Speaker 2: want to design the organized norms. Hey man, I'll be
Speaker 2: againting man, hey man.
Speaker 3: Listen.
Speaker 2: I saw it, pulls up on Rick. I talked to
Speaker 2: kool Aid, shout out the kool aid something. You know
Speaker 2: what I'm saying, pull up on kool Aid. So he
Speaker 2: was at at UH at Bosstown at the time. It
Speaker 2: was Bosstown, that was before it was stink on you.
Speaker 2: I walked in. We're in the first room. You know
Speaker 2: when you walk straight in be lying to the to
Speaker 2: the first room, and right there on the left, well,
Speaker 2: Drake did the whole damn near.
Speaker 3: Now the the love bloves.
Speaker 2: You know what I'm saying. Uh, that's that's a big,
Speaker 2: big flex. Hey, but I'm on that album. But but anyway,
Speaker 2: I walked in there and they it's like niggas laying
Speaker 2: on the floor, niggas over here, the niggas shirts off
Speaker 2: Hot Hot does here about a thousand Dungeon family negroes
Speaker 2: in there, just laying everywhere. And all I hear is
Speaker 2: what you ne could do about the dirt, about the
Speaker 2: dirt that was recording Dirty South. They were recording Dirty South,
Speaker 2: and I think, uh Cool Breeze was working on his verse.
Speaker 4: Yeah, you know what I'm.
Speaker 2: Saying in there, you know what I'm saying, sweating hearts.
Speaker 2: He had no shirt on, drinking mg D. You know,
Speaker 2: no we in there, man, And I was like, ooh,
Speaker 2: this ain't the right time to be trying to play
Speaker 2: my demo. So I man, I'm saying I didn't. I
Speaker 2: never had a chance to really play my stuff for
Speaker 2: a week like that, you know. But by the grace
Speaker 2: of God, you know what I'm saying.
Speaker 3: Yeah, he said, but he always loved me, man. Yeah,
Speaker 3: I know req when he was dancing, mm hmm.
Speaker 2: He was dancing. I think that he was dancing with
Speaker 2: this dude. Man, what that dude name man. I can't
Speaker 2: remember his name, damn. Anyway, Yeah, Rick was dancing. He
Speaker 2: was dancing with somebody. I was on the road. I
Speaker 2: had called the Fulcoholics back in the day.
Speaker 4: Hello, you been doing the music man since man ninety one,
Speaker 4: so before you moved to Elant music there, Yeah, I had.
Speaker 2: A record deal with Electric.
Speaker 4: Records career yeap, which he was an artist, yep. Okay,
Speaker 4: jadget physical and you wanted. I wasn't jadget Fair at
Speaker 4: the time.
Speaker 2: I was failing. Don't go looking for that.
Speaker 3: Cool sailing.
Speaker 2: Don't start posting that. Yeah. T Paine already had left
Speaker 2: the cat out of the band. I was today years
Speaker 2: Oh you know I was today years old when I
Speaker 2: found this. I need to be training for this.
Speaker 3: So you've been at this ship. Yeah, this is your
Speaker 3: dream person?
Speaker 2: Yeah, I mean you know I wanted. I wanted to
Speaker 2: be an artist. I wanted to be an artist. See
Speaker 2: this is a perfect example of taking off and shooting
Speaker 2: for the moon, and even if you miss, you'll be
Speaker 2: amongst the stars. You know what I'm saying. So people
Speaker 2: do not get caught up with where you're trying to go.
Speaker 2: Just enjoy the journey. Just enjoy the journey, and a
Speaker 2: lot of people got to understand that ninety eight percent
Speaker 2: of the people in the music business don't even do music.
Speaker 2: When you walk in def Jam Records or Arista Records,
Speaker 2: any record company, you're escorted around you one person, a
Speaker 2: three man, four man group, whatever it is, you're going
Speaker 2: to meet about forty to fifty people that day when
Speaker 2: you come to the lanky really do music right that they?
Speaker 2: I mean, all they do is facilitate you. That's all
Speaker 2: they do. So get in there and make something happen,
Speaker 2: and then you know, just keep on walking to your purpose.
Speaker 2: I said, I just told my brother today. A lot
Speaker 2: of people get caught up in rolls. They get caught
Speaker 2: up in rolls. I wanted to be an artist, but
Speaker 2: God wanted me to be a producer. Hedie Murphy, what
Speaker 2: he played? How many roles, how many roles he play
Speaker 2: in the movie. But what's the purpose? The purpose? I'm
Speaker 2: trying to make y'all laugh. I'm trying to make y'all excited.
Speaker 3: Make a great movie.
Speaker 2: Yeah, you know what I'm saying. We're gonna make a
Speaker 2: great movie. We're gonna make a living for our family.
Speaker 2: We're gonna change some zip codes. We're gonna change some addresses,
Speaker 2: you know what I'm talking about. We're gonna feed some families.
Speaker 3: So while you, oh, so you feel like once you
Speaker 3: got on, you why you just ain't trying to, like
Speaker 3: do an.
Speaker 2: Album and some ship. I mean, it ain't like I
Speaker 2: didn't try. Look and me and Selo had a whole
Speaker 2: album ready did it go? So me and Selo we
Speaker 2: have we have put out the song happy. I don't
Speaker 2: remember that. Hey, let's go have some dream album comes apart.
Speaker 2: That was the first single for our album. Then in
Speaker 2: the eleventh hour, right before we getting ready to because
Speaker 2: we finished the album. The album is done, it's still done.
Speaker 2: Then he got with Danger Mouse and then they did
Speaker 2: a song crazy. I remember when I remember Nigga if
Speaker 2: y'all don't put that record out? Yeah, because I'm a producer.
Speaker 2: First they were like, may we're gonna do this app No,
Speaker 2: y'all not drop that now because we might got some records,
Speaker 2: but we ain't got that. Man gone man gone to
Speaker 2: that bro. Yeah, yeah, yeah, shout out the sugar low
Speaker 2: Man Sea low Man Sea low Green. One of the
Speaker 2: greatest of all time.
Speaker 3: Man, that's sure. Yes, So I've just been so curious
Speaker 3: about this.
Speaker 1: I'm kind of infascinated abot the thought of it having
Speaker 1: all of those hits and all those records in your
Speaker 1: catalog if you haven't already, would you sell that ship?
Speaker 1: Because you know a lot of people, would you sell
Speaker 1: your catalog for for one of them? Fifty yours?
Speaker 2: The nixt contesting on the price is right, the p
Speaker 2: when you get to a certain age, it's all about
Speaker 2: the number. It's all about the numbers. Okay, So you
Speaker 2: have to project, right, how long am I gonna live? Okay? Okay,
Speaker 2: over in my fifty range, you know what I'm saying.
Speaker 2: So if like what I'm gonna make music? What how
Speaker 2: much longer?
Speaker 3: I mean.
Speaker 2: Again, like so you got to think from quarter to quarter,
Speaker 2: add up the numbers, and they talking about quadrupling those numbers.
Speaker 2: Give me that.
Speaker 3: And I'm just trying to understand.
Speaker 1: Like I said, I've been fascinated with it because I've
Speaker 1: talked to some creators that was like, I would never
Speaker 1: sell my work.
Speaker 2: And I told you earlier and that I don't get sentimental.
Speaker 2: I ain't my business business about no music man for
Speaker 2: what m hmm, Yeah, you don't even nail to the ground. Mm.
Speaker 3: Hmmm.
Speaker 2: It's a it's a moving organisms in the air.
Speaker 3: Mm hmm.
Speaker 2: Wait what I mean? What you what you what you're doing?
Speaker 2: You're looking at it?
Speaker 3: What you're doing, spend the money. I'm with you, Yeah,
Speaker 3: because you don't have the.
Speaker 2: The connects, you don't have the bandwidth to do what
Speaker 2: those people do with it. They know how to do.
Speaker 2: They know what they're doing.
Speaker 3: They know how to go get some money else thinking
Speaker 3: you over there.
Speaker 2: Hurt, you can sell it and change your whole family's life.
Speaker 2: Oh gonna make a great, great investment, caredfully, that's what
Speaker 2: you're doing. You don't go to Vegas, so you'll put
Speaker 2: it on the box, throw it all in the room.
Speaker 2: Black y'allsstad swimming in in.
Speaker 4: Who's some of the people you look at like in
Speaker 4: this new generation of music, like nah, he dope, I.
Speaker 2: Love Metro, Metro woman is dope, I love Yes yeah,
Speaker 2: yeah yeah, shout out to you, yes young, I love
Speaker 2: young yeah uh. And you know how you know when
Speaker 2: people struggle, like and you know his you know what
Speaker 2: he went through, you know was his mom and just
Speaker 2: you know, just hot guy, just bless you on the whole.
Speaker 2: An other side, he's a good man. You know, think
Speaker 2: of a person on deserving him. You know, you know
Speaker 2: somebody like that. Uh. I love zay To.
Speaker 3: You know what I'm saying.
Speaker 2: I love Yeah. You know what I'm saying.
Speaker 3: Uh, you know what I mean.
Speaker 2: Producers, producers, producers like yeah, oh my brother, my brother
Speaker 2: gassing the artists. Y'all don't know him, but my brother
Speaker 2: Jovanna Wan over there, get Man, trap stars man, and
Speaker 2: we were doing inspirational music man, changing lives. Man, it's cold,
Speaker 2: it's cold, Jack, We're producing some great music. You're gonna
Speaker 2: head it too.
Speaker 3: You feel like you you feel like you want focus
Speaker 3: on like that type of music now or what like
Speaker 3: what what? What's what?
Speaker 2: You feel like you want your next run of music
Speaker 2: to be. It's kind of like, you know, the game
Speaker 2: is so different now, bro, you kind of you know, uh,
Speaker 2: it's kind of you gravitate to what gravitate to? You?
Speaker 2: You feel me because I can do it all. I mean,
Speaker 2: if if blanc o'brown or Travis Scott or whoever want
Speaker 2: to come do some music, let's go do some music.
Speaker 2: Let's just do some music. Man, Let's do something ready
Speaker 2: to be not twaining. You know what I'm saying Brooks.
Speaker 2: I don't know, move your massh up whatever, I'm ready
Speaker 2: to get to it. You always got sentence. So what
Speaker 2: you got?
Speaker 3: What you got?
Speaker 2: What what's next?
Speaker 1: Like?
Speaker 3: What you got? I say, you got the headphones? You got?
Speaker 2: Yeah? I got the headphones. You know what I'm saying,
Speaker 2: shout out astrom Uh. You know, Jazzy fay Day, Jazzy
Speaker 2: Fay Day in Atlanta, come around ja in Atlanta officially
Speaker 2: Jazzy Fay Day on October twenty sixth every year. You
Speaker 2: know what I'm saying. You know, and I know you
Speaker 2: know a lot of people that knew that I wasn't
Speaker 2: born in Atlanta, had a lot of reservations. But then
Speaker 2: I look at all of those people that had something
Speaker 2: to say. I was like, nig I did over them
Speaker 2: city than you did. Don't you hate that? My niggas
Speaker 2: just got something to say?
Speaker 3: But what did you do?
Speaker 2: It doesn't matter what did you do? Right? What you
Speaker 2: think they gonna say when you get to when you
Speaker 2: get to heaven, what you said? No, what did you do?
Speaker 3: In fact, fact, we.
Speaker 2: Traveled as a road seldom traveled by the multitude. It
Speaker 2: ain't a lot of people that travel this road. How
Speaker 2: many parties. I missed going and be in that box
Speaker 2: one hundred and seventy million. So no, man, that's monstrous.
Speaker 2: And I hate when people try to you know what
Speaker 2: I'm saying. So you gotta get on big facts and
Speaker 2: tell the truth. Huh. The truth is I kicked a
Speaker 2: whole lot of ads. I kicked a whole lot of it.
Speaker 3: But I was too nice.
Speaker 2: I was very nice, very nice, and you mean what
Speaker 2: you mean by nice nice because a lot of people
Speaker 2: didn't shout me out, and all I needed was credit.
Speaker 2: A lot of people didn't realize a lot of these
Speaker 2: a lot of these cats, man.
Speaker 3: Like all you had to do is say something, Yeah,
Speaker 3: we heard that a lot, just.
Speaker 2: Say something. Everybody wanted the credit. Like they just jumped
Speaker 2: up and was like, I'm lick. You ain't just getting
Speaker 2: lit by yourself food. Somebody let you up. But see
Speaker 2: the thing is, the algorithms and things like that is changing,
Speaker 2: and your truth is gonna find you. It's going to
Speaker 2: find you. You're going to have to answer to that.
Speaker 2: You have to answer to that. And that's what's happening
Speaker 2: right now. I think, you know, it's just trying to
Speaker 2: talk about it.
Speaker 4: He said, you're saying like the truth, that's what you're saying,
Speaker 4: like the truth finding niggas it is, Yeah, it is
Speaker 4: the truth, and it set you're free too.
Speaker 2: Man. It's like it's like something that you be wanting
Speaker 2: to say, and you be trying to be what I say,
Speaker 2: be nice. You be trying to be like, okay, I
Speaker 2: know such such that had. I'm like, you know, you
Speaker 2: go go look at how long interviews be, Like when
Speaker 2: you see a post. I'm like, you mean to tell
Speaker 2: me this nigga talk for two hours and forty five
Speaker 2: minutes and then say nothing about me? Who a nigga?
Speaker 2: You feel like a lot of people, a lot who
Speaker 2: name one? I don't say who did you like that?
Speaker 2: I don't do that, not being to being nice, but
Speaker 2: you just don't and I say yeah or no. But
Speaker 2: you know there is because it's like you're picking on somebody.
Speaker 2: If my name, I mean, I got one hundred and
Speaker 2: seventy million reconsolet and I picked show blow. That's yes,
Speaker 2: like you don't like me, Yeah, I just don't like
Speaker 2: what you did.
Speaker 4: Yeah, but you you others feel like we may imagine
Speaker 4: together and you know this this game is about who
Speaker 4: did what?
Speaker 2: Why?
Speaker 3: When you want people to know I did that.
Speaker 2: I change your circumstance. I changed your life. You was
Speaker 2: living you was you was destined for jail or hell,
Speaker 2: some of y'all come on brouh and somebody came in man,
Speaker 2: and God, through God, you got a whole lease on life.
Speaker 2: Come on, bro, you can't mention that, Nigga. That's terrible.
Speaker 2: That's like me not shouting out my mama when I
Speaker 2: go win the war. I couldn't have did it without
Speaker 2: my mother. Shut off, Mom, shout off. Yeah. I love y'all. Man,
Speaker 2: Denis and James, how about that.
Speaker 3: Damn man, it's called a motherfucker.
Speaker 2: Hey, oh yes, no, I guess you.
Speaker 3: Yeah, they would be kind of messaging to be like
Speaker 3: such and sup.
Speaker 2: I don't you know what I mean.
Speaker 3: But I don't know, man, what what you.
Speaker 2: Got bring now? I'm just thinking about just a lot
Speaker 2: of ship. Like you know what I'm saying. You just
Speaker 2: said you be being so light, you been being nice,
Speaker 2: so I was. I mean, I'm just giving you a
Speaker 2: prequel of what's to come, you know what I'm saying.
Speaker 2: Because you see, I'm selling stuff. I'm selling headphones, all
Speaker 2: these glasses by the way, all my face shout off.
Speaker 2: Vintage frames coming soon, you know what I'm saying. Oh,
Speaker 2: you know what I'm saying. Y'all been seeing me walk
Speaker 2: the frames for a long time, and I know you
Speaker 2: might have seen them on me in the past, like
Speaker 2: when you saw the red ones in the past, the
Speaker 2: red ones that I had, the red ones that I
Speaker 2: gave Sea long that even though those were painted, they
Speaker 2: never existed. These goliaps never existed till now they will.
Speaker 2: People ask about them all the time, so I had
Speaker 2: to put them off. They ain't't going my outfit when
Speaker 2: they do.
Speaker 1: Though. Yeah, it's always important to talk about, you know,
Speaker 1: the accomplishments, you know what I'm saying, and the blessings
Speaker 1: God has sent you and everything. But I feel like
Speaker 1: it's equally as important to talk about, you know, if
Speaker 1: you ever have rough patches on the journey for other
Speaker 1: people out there going through the rough patches. So can
Speaker 1: you recall a time when you was kind of like
Speaker 1: maybe doubting, you know, continuing music, having a rough patch,
Speaker 1: or just having a hard time?
Speaker 3: Can you recall that in your journey right.
Speaker 2: There right there? I think it was rough around that time.
Speaker 2: You know, when the games start changing, you know what
Speaker 2: I'm saying. Aims started changing and it got a little more,
Speaker 2: you know, with the birabl kids jumping around, dancing.
Speaker 3: And doing anything. You know.
Speaker 2: I was working, and of course I think we did.
Speaker 2: We did the Young Greatness record. I was over there
Speaker 2: with QC over there to do with Kicking Flavor with
Speaker 2: Coach Kate, right so, and I seen him doing this
Speaker 2: thing with Yati and I was like, okay, you know
Speaker 2: you're doing making some move, real big moves and this thing.
Speaker 2: So I asked a couple of questions. I was like, man,
Speaker 2: what you think, bro? He said, I've been watching your page.
Speaker 2: He said, Man, what about them kids that you got.
Speaker 2: I was having I was having a tough time at
Speaker 2: the time, and he said, man, what about them kids
Speaker 2: that you got that you be posting all the time?
Speaker 2: Dancing interview? Yeah yeah, he said, yeah, he said many
Speaker 2: they're the ones that I paid to do this, this, this,
Speaker 2: and that. He said, look at the numbers. He was
Speaker 2: showing me the numbers and everything that they danced on
Speaker 2: was like twenty million, fifty. The man. I was like,
Speaker 2: whoa on YouTube? I was like, oh, so yeah, pan,
Speaker 2: But it's like, you know what I'm saying. So I said,
Speaker 2: call them up, what y'all doing? And it was they
Speaker 2: was upset. They was like, yo, man, these dudes man,
Speaker 2: they took our songs. And then what I'm calling you.
Speaker 2: Remember they're doing a little dance and they do the
Speaker 2: reverse and he's like, man, they stole I moved the reverse.
Speaker 2: I was like, okay, So I called court. I looked
Speaker 2: at it. I was like can I'm like the dude
Speaker 2: that store they moved. Man had six thousand views on
Speaker 2: on on YouTube. So I said, let's make a song.
Speaker 2: It's called in reverse. Boom. We make in Reverse. Made
Speaker 2: the song sixty million views. Yeah writing no that I
Speaker 2: think that was twenty five me. But that's like out
Speaker 2: of nowhere, you know what I'm saying. But they would
Speaker 2: have seen they had their little mask on with the pandemic.
Speaker 2: They seen them everywhere. Remember, so like everybody going crazy
Speaker 2: over that little song Boom. So so my boy Blessed
Speaker 2: comes in being blessed. So he said, man, got this beat.
Speaker 2: He was like, man, we want to talk about our rolexes.
Speaker 2: We want to talk about rolet. We always wanted a rolex.
Speaker 2: And then Little Tale was like Ao and Tayl. They
Speaker 2: were like y'all want to do a song about roles.
Speaker 2: I just wanted with a tabble ranch. I was like, okay,
Speaker 2: then we just got in there. I was like yeah,
Speaker 2: it was like, yigh, that's for it. Yeah, put it down,
Speaker 2: went crazy, super crazy, and I was back. But you
Speaker 2: know what, how many people, you know, man, gonna be
Speaker 2: pushing forty some years old, gonna go and do a
Speaker 2: song like that and you couldn't even you can't even
Speaker 2: do a kid party with the record. And I mean
Speaker 2: they don't play it. Probably want two or three times?
Speaker 2: They played six, seven, eight times?
Speaker 3: Yeah, yeah, yeah, you would have been there. Yea been there.
Speaker 2: That's me, bro, that's me and them kids doing that,
Speaker 2: you know what I'm saying. So it's just once again,
Speaker 2: not really thinking about you know, your role. It's all
Speaker 2: about thinking about purpose, you know what I'm saying.
Speaker 3: And that's the win. Yeah. So mm hmm that's what
Speaker 3: it is. When is wing Bak what twenty twenty five look.
Speaker 1: Like for you?
Speaker 2: What you have?
Speaker 3: It's gonna be a big year of commerce, big commerce?
Speaker 3: Yeah right, we hold you we might we.
Speaker 2: Might have one of those.
Speaker 3: Okay, it'll be on Billboard. Okay, it don't be.
Speaker 2: I might put it on a billboard. I'm moving out
Speaker 2: of the city. I'm still being the city. I love
Speaker 2: the city. Man, have been good to me, brother, Yeah, yeah, man,
Speaker 2: it means so. So what you said one hundred and
Speaker 2: five means so something like that. You would take who's count?
Speaker 3: That's impressive.
Speaker 2: People will call you and just tell you what the
Speaker 2: numbers are. I'm like, okay, yeah, all right, man.
Speaker 1: Did you ever do a pub deal? You always kept
Speaker 1: it like solo do as a producer, you a puppy.
Speaker 2: Yeah, I've had nothing too crazy, but you know, just
Speaker 2: a little something just to you know, they give it
Speaker 2: out some money.
Speaker 1: Man, what would you tell young producers do now though?
Speaker 1: Because some some something, Yeah, someone complain about the pub
Speaker 1: dudes like.
Speaker 2: Get your get your weight down. You know what I'm saying,
Speaker 2: get your get your way there because a lot of producers,
Speaker 2: a lot of these young producers are making beats and
Speaker 2: they think they producers. You know what I'm saying. And
Speaker 2: here's my analogy. Right, If I take a Porsche car,
Speaker 2: I take the Porsche Cayenne, the new Cayenne twenty twenty five,
Speaker 2: and I go and sit it on the curve. That
Speaker 2: ain't that ain't the Cayenne truck. That's just the Cayenne frame.
Speaker 2: Who does all the engine work in battery, the lights,
Speaker 2: that the or the recopinion, everything else that goes with
Speaker 2: that car. If you're not there from inception to conception,
Speaker 2: don't get mad when somebody get on top of your
Speaker 2: record and say this is a Johnny Fizzle productions because
Speaker 2: I went in and facilitated that for you. You ain't
Speaker 2: seen DJ Keller go in there and make no beats.
Speaker 2: You ain't seen hit Maker go in there and make
Speaker 2: no beats. You ain't seen p the ain't gonna make
Speaker 2: no beats.
Speaker 3: You know what I'm saying.
Speaker 2: So when I come and facilitate something like I said
Speaker 2: once again, they get mixed up with the role. They
Speaker 2: think Jesse if they supposed to be typing on beat. No,
Speaker 2: I'm producer. I come from Quincy Jones in them. If
Speaker 2: I got something to do with it, my name going
Speaker 2: on it and I'm saying what I'm saying.
Speaker 3: I earn that.
Speaker 2: But if you make the play without me, then I
Speaker 2: won't be a.
Speaker 1: Part of you think You think that stuff. You think
Speaker 1: it's stopping a lot of music from being tireless. The
Speaker 1: fact that it's not so personal no more, whether it's producer, writer,
Speaker 1: or facilitated.
Speaker 2: Absolutely absolutely, And everybody's so busy trying to go sample something.
Speaker 2: Who can find a best sample? Oh my god, I
Speaker 2: just sampled this sample that people call me every other
Speaker 2: day wanting me to take part in a record that
Speaker 2: I already made.
Speaker 3: Mm hmm.
Speaker 2: Well you know when back did one of the old
Speaker 2: records that made it big.
Speaker 3: So you said you wouldn't do it.
Speaker 2: I asked the question, does three six? I asked the question.
Speaker 3: I asked you, does three six do it?
Speaker 2: Three six? Do what?
Speaker 1: They let people sample this ship and then kind of
Speaker 1: be a part of the part of the records.
Speaker 3: Again. Sometimes I think I think I might be wrong.
Speaker 2: Was it bigger?
Speaker 3: It might have worked for the time, the current time,
Speaker 3: for the current generation.
Speaker 2: Ship.
Speaker 3: Yeah, I'll just say that Drake ship Drake uh pat Yeah, Yeah,
Speaker 3: that's like a pet.
Speaker 2: Sample a little bit, right, Was it a sip? He's
Speaker 2: just on the record.
Speaker 3: It was that sound like, yeah, definitely a three sound
Speaker 3: you know what I'm saying. Well, yeah, yeah, that's the difference.
Speaker 2: Said, the game is built on three six sounds? Right now? Yeah,
Speaker 2: Mafia sound shout out mafia. You know what I'm saying.
Speaker 2: Three six montha three six Manthfield was the first UH
Speaker 2: crew that I was able to walk in and actually
Speaker 2: see a check sitting on the desk and say, damn,
Speaker 2: these niggas making some money. You know what I'm saying.
Speaker 2: Because my dad used to work and select those hits
Speaker 2: and Tennessee over there, and so I would be right
Speaker 2: in there, in there with Johnny Phillips. Johnny Phillips had
Speaker 2: selecto hits, so he's still to this day. There's a
Speaker 2: lot of things hepnotized. Minds man. The boys had like
Speaker 2: eight nine checks sitting up there to just waiting two
Speaker 2: hundred thousand. Bang, you can make this.
Speaker 3: Kind of money.
Speaker 2: So that was that was. That was like in ninety
Speaker 2: one school, you know what I'm saying. So I'm boy
Speaker 2: making money in a long time.
Speaker 3: Yeah.
Speaker 2: And cult following, you know what I'm saying. With the
Speaker 2: with with the little UH, the cloak and that that
Speaker 2: that whole and seeing that they had a different follower
Speaker 2: mm hmm, different follow Yeah.
Speaker 4: Like you said, a lot of people still they still
Speaker 4: sampling and three six ships, like the sound.
Speaker 3: Sound said, they clear record every week.
Speaker 2: Every other day. Yeah, record I just got a record
Speaker 2: clear with my sample and they sample.
Speaker 3: Mm hmm yeah. Man, yeah yeah, they had them hits,
Speaker 3: they had the culture. Yeah yeah, what's next? Man?
Speaker 2: Like I said, Man, I mean shoot jacket over the collective.
Speaker 2: You know what I'm saying. Platform. Yeah, it's a platform.
Speaker 2: It's it's digital distribution, online distribution. It's called collective. Were
Speaker 2: talking and you know you're going on a distribution. Uh,
Speaker 2: you subscribe. You can also get you can get life insurance,
Speaker 2: health insurance and all of that big inside of it,
Speaker 2: you know what I mean. So shout out to Collective.
Speaker 2: I'll give you a lot of you know, schematics or
Speaker 2: whatever so you can tag them. You know what I mean. Collective.
Speaker 2: It's gonna be real big. I think it's the way
Speaker 2: for the future. We've got everybody got to have a platform.
Speaker 2: In fact, you know what I'm saying. Yeah, that's what
Speaker 2: time it is. And shout out to the Trap Stars,
Speaker 2: Vanda one in the building, Wanda one in the Trap Stars,
Speaker 2: Talent revolving around purpose. That's the trap, that's the new trapping.
Speaker 2: You know what I'm saying. We also up for Grammy Nods.
Speaker 2: Shout out to them for that. Shout out to Eric
Speaker 2: Bellinger also up for Grammy uh Young Bellinger. You know
Speaker 2: what I'm saying, New new Globe coming. So all was
Speaker 2: out right now? Yeah? Yeah, yeah it's out. Yeah. That's
Speaker 2: that's big globrig crazy, big glogo crazy. Cardia flying there
Speaker 2: with me.
Speaker 1: Yeah, well not much. Continue to sus you man. We
Speaker 1: will be waiting on our package as promised. It's some shade,
Speaker 1: some headphones, whatever else.
Speaker 2: You got us. Jazzy Day, I'm going to be what
Speaker 2: what is it, dame.
Speaker 3: We'll figured it out, but just get a date so
Speaker 3: they'll know.
Speaker 2: Every year. Every year, October the twenty sixth in Atlanta,
Speaker 2: Georgia is Jazzy Frey Day. We're also I'm doing a
Speaker 2: concert that you at the City Winery on the twenty
Speaker 2: eight It's gonna be real big City Winery. We're doing
Speaker 2: a tribute to the stars. You know what I'm saying.
Speaker 2: I'm saluting Temptations, Al Greene Baker, Frankie Beverly. Oh yeah,
Speaker 2: you gotta do that. Okay, listen, shout out to the
Speaker 2: whole Beverly family.
Speaker 3: Man.
Speaker 2: Everybody over there, man, stay see everybody over there, Beverly family.
Speaker 2: We've been man, we've been down for since day one.
Speaker 4: Man, you know what I mean.
Speaker 2: Shout out to the barcades. You know my daddy want
Speaker 2: to know which no barcades you know, yes, Sir Stacks, everybody.
Speaker 1: Big shouts out the Jazzy Fay pulling up the big
Speaker 1: facts checking big factspod dot com. We appreciate you, Jazzy
Speaker 1: So the street it's big
Speaker 2: Facts, no Captain bit