1
00:00:00,640 --> 00:00:03,600
Speaker 1: Big Bank and what it is scream you don't be

2
00:00:03,600 --> 00:00:06,160
Speaker 1: on nothing, I be on okay, So let me ask

3
00:00:06,160 --> 00:00:08,280
Speaker 1: you bring you big big facts.

4
00:00:10,320 --> 00:00:14,040
Speaker 2: Visit the new website today Big factspod dot com line.

5
00:00:13,880 --> 00:00:15,880
Speaker 1: From the Culture Lab and at others time for that

6
00:00:15,960 --> 00:00:19,880
Speaker 1: Big Facts, Big Bank Baby j d J screen presenting

7
00:00:19,960 --> 00:00:23,120
Speaker 1: today the one, the only, the family. Jazzy Fay has

8
00:00:23,120 --> 00:00:28,960
Speaker 1: pulled up on us for a big fan.

9
00:00:33,240 --> 00:00:34,440
Speaker 3: What's up with you? What's up with you?

10
00:00:34,440 --> 00:00:40,320
Speaker 2: What's up mister oh boy, mister ladies, ladies and gentlemen,

11
00:00:40,360 --> 00:00:42,160
Speaker 2: you're not turning to the red bas your truly Jazzy

12
00:00:42,159 --> 00:00:46,320
Speaker 2: Fenzel Berkeny Obama, Luther King Junior Jackson five the first

13
00:00:46,920 --> 00:00:48,040
Speaker 2: first time on Big Facts.

14
00:00:48,040 --> 00:00:51,480
Speaker 1: Man where that comes from? What tell us the story?

15
00:00:51,479 --> 00:00:53,440
Speaker 1: A little bit about that day when that happened? The

16
00:00:53,520 --> 00:00:54,280
Speaker 1: ladies and gentlemen.

17
00:00:55,440 --> 00:00:56,000
Speaker 3: You know what really?

18
00:00:56,080 --> 00:00:59,880
Speaker 2: I think over time? Uh well, initially, you know, like

19
00:01:00,440 --> 00:01:04,679
Speaker 2: uh Teela, hey bather, m j G song, show up club,

20
00:01:04,800 --> 00:01:05,600
Speaker 2: show up.

21
00:01:07,000 --> 00:01:07,400
Speaker 3: The club.

22
00:01:07,480 --> 00:01:10,600
Speaker 2: I wasn't tagging my music back then, and I was

23
00:01:10,640 --> 00:01:13,200
Speaker 2: kind of like, you know, visiting I lived. And when

24
00:01:13,200 --> 00:01:15,360
Speaker 2: we went and did the thing at swath House, the

25
00:01:15,400 --> 00:01:18,600
Speaker 2: record was so big that we had to move to Texas.

26
00:01:19,520 --> 00:01:21,920
Speaker 2: And that's that. Let me find out why a lot

27
00:01:21,959 --> 00:01:25,840
Speaker 2: of Texans artists are so rich because they don't They

28
00:01:25,880 --> 00:01:28,640
Speaker 2: don't have to leave because they they're very territory. So

29
00:01:28,720 --> 00:01:31,600
Speaker 2: I could go, you know, say, for instance, let's say, okay,

30
00:01:31,800 --> 00:01:36,480
Speaker 2: I'm in east Point. Everybody east Point don't go to Buckhead. Buckhead,

31
00:01:36,520 --> 00:01:39,600
Speaker 2: don't go to Bankhead, Bakhead, don't go to uh the

32
00:01:39,760 --> 00:01:42,440
Speaker 2: outside right And every time we pull out, like what

33
00:01:42,520 --> 00:01:44,800
Speaker 2: you're doing over he almost gotta show or something. I

34
00:01:44,880 --> 00:01:51,040
Speaker 2: was like, oh high, that's why once Slim Thug or

35
00:01:51,200 --> 00:01:54,720
Speaker 2: Zero or or Buns they once they once they hit

36
00:01:54,760 --> 00:01:56,840
Speaker 2: all of these little surrounding cities, it's trying to do

37
00:01:56,880 --> 00:02:05,240
Speaker 2: another mixtape that's like going on at home. So so

38
00:02:05,640 --> 00:02:07,880
Speaker 2: that being said, I was living in Atlanta, but I

39
00:02:07,880 --> 00:02:09,880
Speaker 2: had to move there because we were doing shows every

40
00:02:09,880 --> 00:02:11,800
Speaker 2: other day, so I said, I might as well just

41
00:02:11,880 --> 00:02:13,680
Speaker 2: be there. I'm looking at them, caliber I was like, damn,

42
00:02:14,120 --> 00:02:17,519
Speaker 2: you know what I'm saying. So okay, fast forward, the

43
00:02:17,520 --> 00:02:20,840
Speaker 2: record blows up. They playing the record everywhere, no tag,

44
00:02:21,400 --> 00:02:24,600
Speaker 2: so everybody down in Texas like I did that record record?

45
00:02:25,320 --> 00:02:27,560
Speaker 2: I didn't really, I couldn't, you know. I had no

46
00:02:27,600 --> 00:02:30,200
Speaker 2: waiting in the game yet, so I said, Damn, I gotta,

47
00:02:30,240 --> 00:02:32,519
Speaker 2: I gotta, I gotta do something. I was watching James

48
00:02:32,520 --> 00:02:38,560
Speaker 2: Brown Ladies and Gentlemen, there are seven Wonders of the World.

49
00:02:38,760 --> 00:02:41,440
Speaker 2: You're about to witness the a I said, Damn, that

50
00:02:41,560 --> 00:02:45,240
Speaker 2: was hard, ladies job starting. It just started from there.

51
00:02:45,840 --> 00:02:48,200
Speaker 2: So then I just start adding, just start doing things.

52
00:02:48,440 --> 00:02:51,120
Speaker 2: And I thought about you know, people like Teddy Riley

53
00:02:51,880 --> 00:02:53,680
Speaker 2: that back in the day when he said yep yep,

54
00:02:53,919 --> 00:02:57,200
Speaker 2: I said, everybody got a tag you know what I'm saying, Like,

55
00:02:57,240 --> 00:02:59,720
Speaker 2: I was like, as far as uh, the generation right

56
00:02:59,760 --> 00:03:02,680
Speaker 2: before this generation, one of the first ones to be

57
00:03:02,720 --> 00:03:03,640
Speaker 2: tagging records.

58
00:03:05,520 --> 00:03:08,480
Speaker 3: Yeah, I just think about it for real because I

59
00:03:08,480 --> 00:03:10,840
Speaker 3: ain't even thinking about that. Where did shit come from? Tagging?

60
00:03:11,120 --> 00:03:14,000
Speaker 2: Yeah, it's a brand. It was branding. It was like,

61
00:03:14,040 --> 00:03:14,880
Speaker 2: you know, this is my ship.

62
00:03:15,040 --> 00:03:18,000
Speaker 4: That made like they kind of started making the producer

63
00:03:18,280 --> 00:03:19,400
Speaker 4: into the stars too.

64
00:03:19,560 --> 00:03:22,560
Speaker 2: Yeah, we made a superstar time because I was also

65
00:03:22,560 --> 00:03:25,679
Speaker 2: in the video. Yeah, I'll be in videos and I

66
00:03:25,720 --> 00:03:27,640
Speaker 2: ain't even produce the record. And I was like, damn,

67
00:03:27,639 --> 00:03:30,640
Speaker 2: how do I live for myself? And then I also

68
00:03:30,760 --> 00:03:34,600
Speaker 2: had relationships with people like Fat Cats, me and fat Cats,

69
00:03:35,000 --> 00:03:39,320
Speaker 2: super Top. Yeah so but that yes, we have semi

70
00:03:39,360 --> 00:03:42,880
Speaker 2: control over the So when it's time for Jazz and

71
00:03:42,920 --> 00:03:46,960
Speaker 2: Fay to do its part, I only needn three folk seconds,

72
00:03:47,120 --> 00:03:51,160
Speaker 2: come right to the thing, sprinkle, boom out of there.

73
00:03:51,400 --> 00:03:53,360
Speaker 2: I might not even have to say nothing because my

74
00:03:53,400 --> 00:03:55,800
Speaker 2: brand was already out there once they started seeing my

75
00:03:55,840 --> 00:03:58,200
Speaker 2: face and seeing me pop in and they knowing the

76
00:03:58,360 --> 00:04:02,760
Speaker 2: association day mm hmmm, Brandy.

77
00:04:03,560 --> 00:04:07,160
Speaker 1: One thing we're gonna do today is you know, give

78
00:04:07,200 --> 00:04:08,960
Speaker 1: you a flowerself you pop it. That's what we do

79
00:04:09,040 --> 00:04:12,440
Speaker 1: with a legends here on big Facts. So where do

80
00:04:12,520 --> 00:04:15,280
Speaker 1: we start? You already told us a little bit of

81
00:04:15,360 --> 00:04:17,720
Speaker 1: some of the records you did, but you got and

82
00:04:17,760 --> 00:04:20,280
Speaker 1: I've known this, but as a DJ, I looked at

83
00:04:20,279 --> 00:04:24,159
Speaker 1: my sarad I'm like, oh ship, this figure records.

84
00:04:24,200 --> 00:04:26,320
Speaker 3: Where are we gonna start? So where do we start? Like?

85
00:04:26,320 --> 00:04:26,920
Speaker 3: Where do we start?

86
00:04:26,960 --> 00:04:29,600
Speaker 1: What was your first major hit? Show showed up with

87
00:04:29,680 --> 00:04:31,800
Speaker 1: the first major hit? That was your first plant too?

88
00:04:32,680 --> 00:04:35,720
Speaker 1: Uh yeah, okay, wait wait wait was it?

89
00:04:36,839 --> 00:04:38,599
Speaker 2: Mm hmm, I'm not sure if that was first or

90
00:04:38,720 --> 00:04:43,919
Speaker 2: lsg uh Jailerbert, you know, keep sweating Na Gill or

91
00:04:44,120 --> 00:04:46,960
Speaker 2: was it your sermon? I don't know, man, so many Man,

92
00:04:47,200 --> 00:04:49,080
Speaker 2: it just you know how when it when it started going,

93
00:04:49,120 --> 00:04:50,640
Speaker 2: boy turned into a flurry.

94
00:04:50,600 --> 00:04:50,800
Speaker 3: Yeah.

95
00:04:50,880 --> 00:04:53,800
Speaker 2: And it's crazy because I was never really one for

96
00:04:54,160 --> 00:04:56,120
Speaker 2: a lot of accolades. You know what I'm saying. I

97
00:04:56,320 --> 00:04:58,560
Speaker 2: just sitting up there looking at all my plaques and

98
00:04:58,760 --> 00:05:00,480
Speaker 2: some of my plats over here over there. You know

99
00:05:00,520 --> 00:05:02,120
Speaker 2: what I'm saying. I know how to go burn and

100
00:05:02,120 --> 00:05:04,040
Speaker 2: get him again. I don't really want to sit down

101
00:05:04,080 --> 00:05:05,640
Speaker 2: and look at all my plais until I feel like

102
00:05:05,640 --> 00:05:06,480
Speaker 2: I'm ready to chill.

103
00:05:06,960 --> 00:05:07,720
Speaker 3: I'm still going.

104
00:05:08,800 --> 00:05:09,960
Speaker 2: I'm still going, Jack.

105
00:05:10,600 --> 00:05:14,080
Speaker 1: Did you did you so in discovery like discovering artists

106
00:05:14,080 --> 00:05:16,760
Speaker 1: one thing to produce for him? Did you did you

107
00:05:16,839 --> 00:05:21,360
Speaker 1: discover an artist like Sierra? I know you did some

108
00:05:21,360 --> 00:05:23,719
Speaker 1: some some type of situation like early on with Jeezi,

109
00:05:23,839 --> 00:05:25,400
Speaker 1: Like tell us about some of the artists that you

110
00:05:25,480 --> 00:05:27,520
Speaker 1: actually discovered not just produced.

111
00:05:29,000 --> 00:05:30,919
Speaker 2: Well, I mean, I think a lot of people know

112
00:05:31,520 --> 00:05:34,440
Speaker 2: the Sierra story. I mean, you know, she was in

113
00:05:34,520 --> 00:05:37,120
Speaker 2: a group uh called Hearsay, and she was you know,

114
00:05:38,480 --> 00:05:40,359
Speaker 2: she wasn't really getting that just doing that group. She

115
00:05:40,440 --> 00:05:43,560
Speaker 2: wasn't really happy. My boy A shout out t A.

116
00:05:43,920 --> 00:05:46,279
Speaker 2: You know what I'm saying, Uh t A brought me

117
00:05:46,360 --> 00:05:48,680
Speaker 2: over well, actually he came over to Dark I was

118
00:05:48,680 --> 00:05:51,320
Speaker 2: recording it dark at the time. That was also Studio,

119
00:05:51,360 --> 00:05:55,960
Speaker 2: which is now of course future studio now, but at

120
00:05:56,000 --> 00:05:59,200
Speaker 2: the time it was Dallaus. So brought him over there,

121
00:05:59,279 --> 00:06:03,039
Speaker 2: brought her over there. Uh man, let us sing from me,

122
00:06:03,279 --> 00:06:06,320
Speaker 2: and that was history. I pulled her from the group.

123
00:06:06,720 --> 00:06:07,080
Speaker 3: Mm hmm.

124
00:06:07,760 --> 00:06:09,360
Speaker 2: The group, I guess. I think the group thought they

125
00:06:09,440 --> 00:06:12,040
Speaker 2: was coming in a situation with you. She was like

126
00:06:12,680 --> 00:06:15,400
Speaker 2: because another girl in the group, her daddy thought she

127
00:06:15,520 --> 00:06:18,120
Speaker 2: was to be the group. So yeah, we let them just,

128
00:06:18,200 --> 00:06:19,359
Speaker 2: you know, I mean, do that thing. That was the

129
00:06:19,360 --> 00:06:20,840
Speaker 2: only way it was gonna get him all over there.

130
00:06:21,040 --> 00:06:22,640
Speaker 2: So we got him over there. And then you know,

131
00:06:22,880 --> 00:06:25,039
Speaker 2: once I got heard the Sere Stewart l a Re

132
00:06:25,680 --> 00:06:27,599
Speaker 2: l a Re was just head over heels and that

133
00:06:27,720 --> 00:06:30,839
Speaker 2: was it. That was that. I mean, CEC was just

134
00:06:31,480 --> 00:06:32,560
Speaker 2: automatically easy.

135
00:06:32,839 --> 00:06:36,320
Speaker 1: Yeah, yeah, yeah. I had a lot of his what

136
00:06:36,320 --> 00:06:37,760
Speaker 1: what what? What was the writer?

137
00:06:37,960 --> 00:06:40,360
Speaker 3: We had Sean Garrett his Shotton with a lot of

138
00:06:40,400 --> 00:06:42,400
Speaker 3: rights is that? What what?

139
00:06:42,400 --> 00:06:45,240
Speaker 1: What's what's the writer that you that you know when

140
00:06:45,279 --> 00:06:48,200
Speaker 1: you send it off, it's gonna come back, right. Who's

141
00:06:48,240 --> 00:06:50,280
Speaker 1: a couple of them, like, when I send this off,

142
00:06:50,600 --> 00:06:53,840
Speaker 1: it's gonna come back, it's gonna be platinum, A better chase.

143
00:06:53,960 --> 00:06:59,480
Speaker 2: Fay. Okay. I mean, so sending.

144
00:06:59,160 --> 00:07:02,880
Speaker 3: It off to a writer to write a reference, I

145
00:07:02,920 --> 00:07:05,599
Speaker 3: don't do that. But then I don't.

146
00:07:07,360 --> 00:07:10,040
Speaker 2: Send it off it. You know, I'm really I'm really

147
00:07:10,120 --> 00:07:12,240
Speaker 2: kind of out school with it, you know, you know

148
00:07:12,280 --> 00:07:13,960
Speaker 2: what I mean. That's I think that's one of the

149
00:07:14,000 --> 00:07:17,200
Speaker 2: things that's that's stickler with me, you know, as far

150
00:07:17,240 --> 00:07:20,240
Speaker 2: as you know, being married to a record or glued in.

151
00:07:20,520 --> 00:07:22,520
Speaker 2: But you know, it's cool to collab and send things

152
00:07:22,520 --> 00:07:24,400
Speaker 2: back and forth, you know what I mean, especially when

153
00:07:24,400 --> 00:07:26,920
Speaker 2: people can't geographically be in the same place. You know

154
00:07:26,960 --> 00:07:27,360
Speaker 2: what I'm saying.

155
00:07:27,360 --> 00:07:30,000
Speaker 1: I guess what I'm saying is kind of like when

156
00:07:30,120 --> 00:07:33,920
Speaker 1: T I two or whatever Jez shot it. When when

157
00:07:33,960 --> 00:07:36,480
Speaker 1: you get with these people, you know it's going to happen.

158
00:07:36,560 --> 00:07:41,600
Speaker 1: There's no doubt in your head. Man, Sierra is probably

159
00:07:41,640 --> 00:07:42,040
Speaker 1: one of them.

160
00:07:42,080 --> 00:07:45,960
Speaker 2: Ce Cee Dope Alia was dope rest her soul. That

161
00:07:46,080 --> 00:07:52,240
Speaker 2: was crazy. Uh definitely working with working with uh with

162
00:07:52,360 --> 00:07:56,200
Speaker 2: Static Static Major, that was crazy. You know, work with

163
00:07:56,280 --> 00:08:01,320
Speaker 2: him was dope. A couple of people, Uh yeah.

164
00:08:01,480 --> 00:08:06,800
Speaker 4: So what's the something, So what role did like Sean

165
00:08:06,920 --> 00:08:09,280
Speaker 4: Geart play with Sierra Becau when he was on here,

166
00:08:09,280 --> 00:08:11,360
Speaker 4: he was saying, like what he was saying, like that

167
00:08:11,520 --> 00:08:14,400
Speaker 4: was what he was saying about him, Seer saying pop up.

168
00:08:16,040 --> 00:08:18,400
Speaker 2: Saying, he said, did he write this song? So yeah,

169
00:08:18,400 --> 00:08:22,760
Speaker 2: he wrote Goodies? Okay him and uh, he wrote goodies

170
00:08:23,200 --> 00:08:26,960
Speaker 2: and we changed you know, well, my boy big Zach cookies.

171
00:08:27,120 --> 00:08:30,560
Speaker 2: Yeah yeah, he changed changed it the Goodies. Okay, gear

172
00:08:30,600 --> 00:08:33,079
Speaker 2: wrote it. It was cookies. You know what I'm saying

173
00:08:33,280 --> 00:08:36,400
Speaker 2: is that shout out that yeah, Biga, you know about

174
00:08:36,800 --> 00:08:38,880
Speaker 2: Big Zack shouted the love of green all that. You

175
00:08:38,880 --> 00:08:42,320
Speaker 2: know what I'm saying, Uh, yeah, Big Zach he turned

176
00:08:42,360 --> 00:08:46,800
Speaker 2: into the Goodies. Okay, Okay, you know I'm saying that.

177
00:08:46,760 --> 00:08:48,520
Speaker 2: They gave him a whole lot of status about it.

178
00:08:48,559 --> 00:08:52,600
Speaker 2: But you know, at the time, what's the name Alice

179
00:08:52,640 --> 00:08:54,040
Speaker 2: had a record out called Milkshake.

180
00:08:54,400 --> 00:08:54,640
Speaker 3: Yeah.

181
00:08:55,080 --> 00:08:57,680
Speaker 2: I was like, baby, you cannot put your cookie in

182
00:08:57,920 --> 00:09:02,840
Speaker 2: Palaise's milkshake. Yeah, yeah, it's gotta be different. It can't

183
00:09:02,840 --> 00:09:05,520
Speaker 2: be cookies. You just cannot be cookies. And Little John

184
00:09:05,640 --> 00:09:08,560
Speaker 2: didn't like it at all. He hated it. But but

185
00:09:09,200 --> 00:09:11,360
Speaker 2: I didn't like it. I just started, would it would

186
00:09:11,360 --> 00:09:12,000
Speaker 2: be better record?

187
00:09:12,320 --> 00:09:14,040
Speaker 3: You say you didn't like cookies or you didn't like

188
00:09:14,080 --> 00:09:15,319
Speaker 3: the whole cookies.

189
00:09:16,640 --> 00:09:18,480
Speaker 2: It just sounded it made it a little cheesy, but

190
00:09:19,080 --> 00:09:21,080
Speaker 2: and cheesy is good sometimes, you know what I'm saying.

191
00:09:21,120 --> 00:09:23,920
Speaker 2: But sometimes you just gotta, you know, take a little

192
00:09:23,920 --> 00:09:31,440
Speaker 2: bit of that told somebody else. So Sierra being shot

193
00:09:31,520 --> 00:09:34,280
Speaker 2: here and Sierra shout as dot man, if it wasn't

194
00:09:34,400 --> 00:09:37,880
Speaker 2: as dot boy, I mean the CC thing he got,

195
00:09:37,880 --> 00:09:42,760
Speaker 2: the cheezy trained one, you know, with the one two

196
00:09:42,800 --> 00:09:45,360
Speaker 2: steps and just and just really gave him that, you know,

197
00:09:45,520 --> 00:09:47,600
Speaker 2: that's the that was the one that was the one

198
00:09:47,640 --> 00:09:51,800
Speaker 2: that just said. And it's crazy because when I sent

199
00:09:51,880 --> 00:09:53,959
Speaker 2: the record to the label, they didn't like it. M

200
00:09:54,200 --> 00:09:58,559
Speaker 2: M yeah, they didn't like the record. So guess what.

201
00:09:58,920 --> 00:10:01,000
Speaker 2: I went to Patchwords and I had a whole bunch

202
00:10:01,000 --> 00:10:03,679
Speaker 2: of CDs printed up, and we sat on the floor

203
00:10:03,760 --> 00:10:05,439
Speaker 2: and bagged him up. That's back when we used to

204
00:10:05,480 --> 00:10:08,560
Speaker 2: send out the fittings. Were sitting up there putting up

205
00:10:08,559 --> 00:10:11,040
Speaker 2: little vouchers. We was doing that and we sent them

206
00:10:11,040 --> 00:10:13,320
Speaker 2: out to all the DJs and they called back like, well,

207
00:10:13,320 --> 00:10:15,160
Speaker 2: it's this record, what is this record that by this?

208
00:10:15,240 --> 00:10:17,360
Speaker 2: Call him back talking about what did the service back

209
00:10:17,400 --> 00:10:19,200
Speaker 2: of this record? I was like, yeah, yeah, that's the

210
00:10:19,240 --> 00:10:20,120
Speaker 2: one that Jon didn't like.

211
00:10:20,600 --> 00:10:22,600
Speaker 3: M hmm. Yeah.

212
00:10:22,800 --> 00:10:24,959
Speaker 1: So you know how you used to deal with music

213
00:10:25,000 --> 00:10:27,040
Speaker 1: leaking back and back then, because back then a lot

214
00:10:27,080 --> 00:10:29,000
Speaker 1: of them And now I'm guilty of leaking some of it,

215
00:10:29,240 --> 00:10:32,000
Speaker 1: not yours. But I'm just saying I used to like

216
00:10:32,400 --> 00:10:34,360
Speaker 1: waking up and your ship don't leaked all over the

217
00:10:34,360 --> 00:10:35,800
Speaker 1: streets of the internet and all that.

218
00:10:36,000 --> 00:10:38,800
Speaker 2: It just depends, man, It depends on if it's ready

219
00:10:38,800 --> 00:10:41,200
Speaker 2: to go, you know what I'm saying, If it ain't,

220
00:10:41,200 --> 00:10:42,920
Speaker 2: if it ain't ready to go, if it ain't even

221
00:10:43,440 --> 00:10:46,840
Speaker 2: you know, I mean I don't because sometimes records leak

222
00:10:47,520 --> 00:10:51,120
Speaker 2: and the artists ain't clear on it. Because say, if

223
00:10:51,160 --> 00:10:55,160
Speaker 2: you liak a record, okay, with Andre three thousand drake

224
00:10:55,200 --> 00:11:06,360
Speaker 2: pulling out, you know what I'm saying, Yeah, I don't

225
00:11:06,360 --> 00:11:10,640
Speaker 2: know if you didn't work. Yeah, but the kids were together,

226
00:11:11,200 --> 00:11:14,240
Speaker 2: but but yeah, I mean he wouldn't be yet, he'd

227
00:11:14,240 --> 00:11:14,800
Speaker 2: be out.

228
00:11:15,600 --> 00:11:17,360
Speaker 3: Yeah.

229
00:11:17,400 --> 00:11:21,240
Speaker 5: So, since we're talking about like the women in the industry,

230
00:11:21,320 --> 00:11:24,120
Speaker 5: and you know, like how you've worked your magic with

231
00:11:24,200 --> 00:11:28,079
Speaker 5: so many of them, can you tell us in the

232
00:11:28,160 --> 00:11:30,440
Speaker 5: viewers you Arianna umbrella story.

233
00:11:34,000 --> 00:11:37,560
Speaker 2: Well, ladies and gentlemen, Ladies and gentlemen. Okay, Yeah, Well

234
00:11:37,920 --> 00:11:40,760
Speaker 2: we were at I was at the Tricky Studio. I

235
00:11:40,840 --> 00:11:44,160
Speaker 2: was at Yeah, shout Stewart, Shout our Mark Stewart, you know,

236
00:11:44,280 --> 00:11:49,000
Speaker 2: giddy everybody over there at red Zone, Red Zone. Yeah,

237
00:11:49,240 --> 00:11:53,080
Speaker 2: we were working together and they were working on British Spears,

238
00:11:53,480 --> 00:11:56,880
Speaker 2: working on British Spears projects. So you know, of course,

239
00:11:56,920 --> 00:11:59,600
Speaker 2: you know, Brittany was, you know, shaved her head off,

240
00:11:59,640 --> 00:12:02,520
Speaker 2: She's gonna trooping kind of, you know, and everything, and

241
00:12:02,559 --> 00:12:05,680
Speaker 2: they played the record for got finally got the team

242
00:12:05,720 --> 00:12:09,719
Speaker 2: to listen to the record, and I think I might

243
00:12:09,720 --> 00:12:13,400
Speaker 2: have heard her on like a call or heard about

244
00:12:13,440 --> 00:12:13,959
Speaker 2: the call.

245
00:12:14,160 --> 00:12:17,080
Speaker 6: And she was saying, yeah, yeah, great record, great record,

246
00:12:17,200 --> 00:12:19,840
Speaker 6: but you know, I still need a Brittney record. I

247
00:12:19,880 --> 00:12:22,120
Speaker 6: was like, she ain't gonna do the record, She's not

248
00:12:22,160 --> 00:12:24,400
Speaker 6: going to record the record. So weeks went by, she

249
00:12:24,440 --> 00:12:26,720
Speaker 6: hadn't recorded the record, hadn't recorded the record.

250
00:12:28,040 --> 00:12:30,520
Speaker 2: La Reid had me in the studio with one of

251
00:12:30,559 --> 00:12:35,160
Speaker 2: his other groups called Girl called Jane three Girl Group.

252
00:12:35,720 --> 00:12:38,920
Speaker 2: We put out some records and we were sitting there

253
00:12:39,320 --> 00:12:43,680
Speaker 2: and Karen Quak Karen Quack Who's was La Reed's right hand.

254
00:12:44,120 --> 00:12:47,400
Speaker 2: You know at the time, she said, she was like, Chassy,

255
00:12:47,800 --> 00:12:51,319
Speaker 2: you remember the girl Rihanna Palmer replay. I was like, yeah, yeah,

256
00:12:51,320 --> 00:12:54,760
Speaker 2: I remember Rihanna. He said, well, listen, jay Z is

257
00:12:54,840 --> 00:12:59,559
Speaker 2: buying her. He's putting the whole ranch behind her. Was like,

258
00:13:01,840 --> 00:13:03,360
Speaker 2: so I go in there. I was like, so I

259
00:13:03,480 --> 00:13:05,640
Speaker 2: closed the door. You know, everybody listening, and you know,

260
00:13:05,760 --> 00:13:07,800
Speaker 2: this record is like the hot thing. You know, you

261
00:13:07,880 --> 00:13:10,120
Speaker 2: got the hot record that's inside the camp, but it

262
00:13:10,160 --> 00:13:12,439
Speaker 2: ain't got outside of the camp yet. So you know,

263
00:13:12,520 --> 00:13:14,840
Speaker 2: we listened to the record. I played the record. She said,

264
00:13:15,200 --> 00:13:17,160
Speaker 2: well I was gonna leave. She's like, oh my god,

265
00:13:17,240 --> 00:13:20,719
Speaker 2: what is this. I'm like, listen, don't don't, don't talk

266
00:13:20,720 --> 00:13:23,280
Speaker 2: to nobody about it right now. Take it back to Lane,

267
00:13:23,679 --> 00:13:26,760
Speaker 2: play it for Lane and then called me back. La

268
00:13:26,880 --> 00:13:30,160
Speaker 2: Read calls me back. He said, Jackie Night, where is

269
00:13:30,640 --> 00:13:33,439
Speaker 2: where is Tricky Start? Where is Tricky the where is

270
00:13:33,520 --> 00:13:36,199
Speaker 2: Mart Store? This record is ain't crowd out off? She

271
00:13:36,360 --> 00:13:38,400
Speaker 2: said when she played the record, she just played it

272
00:13:38,480 --> 00:13:40,839
Speaker 2: now us when when Jay was in the jigger was

273
00:13:40,840 --> 00:13:44,160
Speaker 2: in the building. So he walked into the he walked

274
00:13:44,200 --> 00:13:46,360
Speaker 2: into the office like that is that is that what

275
00:13:46,440 --> 00:13:48,760
Speaker 2: I think it is? So yes, like because I already

276
00:13:48,760 --> 00:13:50,360
Speaker 2: got my verse. He was like, I already got it.

277
00:13:50,480 --> 00:13:53,560
Speaker 2: So he's like little clouds in my scone. He already

278
00:13:53,600 --> 00:13:57,000
Speaker 2: had it. And so that's how the record that place.

279
00:13:58,880 --> 00:14:02,000
Speaker 3: That's big. Yeah, that's your biggest record.

280
00:14:02,720 --> 00:14:05,520
Speaker 2: That it wasn't my record. It's Tricky Stewart's.

281
00:14:05,120 --> 00:14:08,000
Speaker 3: Record that you've been that you've been apart. Well, okay,

282
00:14:08,040 --> 00:14:09,079
Speaker 3: you want to give it.

283
00:14:10,880 --> 00:14:11,640
Speaker 2: Yeah, man, just.

284
00:14:11,679 --> 00:14:14,360
Speaker 7: Walking through, Man, just walking through. Hey, Well it's not

285
00:14:14,440 --> 00:14:17,040
Speaker 7: a Tricky Stewart shout out the dream. Yeah, in the

286
00:14:17,120 --> 00:14:21,200
Speaker 7: beginning needs to be a lot of like Jesus he

287
00:14:21,280 --> 00:14:23,800
Speaker 7: was about to sign showing up. What happened with that?

288
00:14:24,320 --> 00:14:24,480
Speaker 2: Say?

289
00:14:24,520 --> 00:14:24,720
Speaker 1: What not?

290
00:14:24,720 --> 00:14:27,080
Speaker 3: I say in the beginning Jesus early on his grill

291
00:14:27,160 --> 00:14:28,040
Speaker 3: was like he was about to sign.

292
00:14:28,120 --> 00:14:29,120
Speaker 2: What he did sign?

293
00:14:29,440 --> 00:14:30,000
Speaker 3: What happened?

294
00:14:30,120 --> 00:14:34,280
Speaker 2: He was signed? We were together. We were actually we

295
00:14:34,720 --> 00:14:39,160
Speaker 2: went into L. A. Reed's office. Well I met Jez out,

296
00:14:39,520 --> 00:14:41,440
Speaker 2: you know, just kicking and hanging out. I think I

297
00:14:41,640 --> 00:14:45,120
Speaker 2: we pulled up seven forty five. You know what I'm saying, like, man, yeah,

298
00:14:45,320 --> 00:14:48,040
Speaker 2: you know what I mean? Like he I'm like, man,

299
00:14:48,120 --> 00:14:50,120
Speaker 2: what you do? He's like, man, rap I was like,

300
00:14:50,200 --> 00:14:54,680
Speaker 2: you know rap, he said. Yeah, he said, man, Stip,

301
00:14:54,760 --> 00:14:57,160
Speaker 2: tell me where your studio. Pull up on your studio,

302
00:14:57,560 --> 00:14:59,880
Speaker 2: bring you some music. So he comes back here like

303
00:15:00,040 --> 00:15:03,080
Speaker 2: he gave me like eight c ds. Eight CDs. Come

304
00:15:03,160 --> 00:15:07,040
Speaker 2: shot with me, the Soft and the South in the

305
00:15:07,080 --> 00:15:08,520
Speaker 2: Heart right, little.

306
00:15:08,360 --> 00:15:13,440
Speaker 3: John passed right, Yeah he was, he was.

307
00:15:14,760 --> 00:15:17,680
Speaker 2: I thought it was I got that CD.

308
00:15:17,880 --> 00:15:18,280
Speaker 1: I thought.

309
00:15:20,880 --> 00:15:25,480
Speaker 3: Little bit little yeah, because I got the necklace.

310
00:15:27,040 --> 00:15:27,240
Speaker 5: Yeah.

311
00:15:27,320 --> 00:15:29,560
Speaker 2: I can't remember what the album cover looked like, but

312
00:15:29,640 --> 00:15:31,400
Speaker 2: I remember what looked like it was splitting half because

313
00:15:31,440 --> 00:15:33,440
Speaker 2: it's like one side had a lot of features on

314
00:15:33,520 --> 00:15:38,200
Speaker 2: the side straight to you know what I'm saying. Whatever,

315
00:15:38,480 --> 00:15:42,040
Speaker 2: So I passed all the CDs out amongst noontime, you

316
00:15:42,120 --> 00:15:43,960
Speaker 2: know what I'm saying, no time, the crewis show enough

317
00:15:44,040 --> 00:15:46,520
Speaker 2: and everybody, you know, I passed all the CDs out.

318
00:15:47,000 --> 00:15:52,040
Speaker 3: So it was like, hey, right here, this is so hard.

319
00:15:53,240 --> 00:15:55,520
Speaker 2: So I was like, okay, we're gonna were gonna care

320
00:15:55,520 --> 00:15:58,560
Speaker 2: about this, you know what I'm saying, So shake shake,

321
00:15:58,680 --> 00:15:59,880
Speaker 2: like hey, we got to take them to l A.

322
00:16:00,280 --> 00:16:01,360
Speaker 2: We had to take we had to take them to

323
00:16:01,360 --> 00:16:03,600
Speaker 2: New York. Bring off to New York. It's like all right,

324
00:16:03,680 --> 00:16:06,080
Speaker 2: So we did a deal first. Then we went up

325
00:16:06,080 --> 00:16:09,760
Speaker 2: to New York. It was me. It was Big Zach

326
00:16:09,960 --> 00:16:15,400
Speaker 2: once again. UH coach k k K b uh Tina

327
00:16:15,480 --> 00:16:19,520
Speaker 2: Davis was in the office, Kevin Lyles was there, Steve

328
00:16:19,600 --> 00:16:24,240
Speaker 2: Bartows was there, Stain Dollar the crew. Jim Jones was

329
00:16:24,320 --> 00:16:28,240
Speaker 2: next door because La Reeve was in his makeshift office.

330
00:16:28,280 --> 00:16:30,760
Speaker 2: He hadn't moved all the way into death Gym yet.

331
00:16:32,120 --> 00:16:34,560
Speaker 2: We played those records. He played a record he played

332
00:16:35,000 --> 00:16:38,640
Speaker 2: I think he played what uh we getting money over here?

333
00:16:39,160 --> 00:16:44,640
Speaker 2: What did do pivot? La Reid was like, Okay, they

334
00:16:44,680 --> 00:16:47,800
Speaker 2: were really set on that being the record, the single,

335
00:16:48,520 --> 00:16:50,400
Speaker 2: and so you know when when you got a crew

336
00:16:50,560 --> 00:16:52,640
Speaker 2: y'all set on a single, we pretty much go in

337
00:16:52,720 --> 00:16:54,920
Speaker 2: and were gonna get a single. Deal. We're gonna We're

338
00:16:54,920 --> 00:16:57,280
Speaker 2: gonna be in the pitot. That's that was their thing.

339
00:16:57,320 --> 00:16:59,920
Speaker 2: I guess they probably had in their head. La didn't.

340
00:17:01,760 --> 00:17:03,880
Speaker 2: He didn't h didn't budge. He was not going to

341
00:17:03,960 --> 00:17:09,120
Speaker 2: do the deal at that point. Mm hmm, shake, said Shakira.

342
00:17:09,720 --> 00:17:13,800
Speaker 2: He said, bro play the records that you had, play

343
00:17:13,880 --> 00:17:19,600
Speaker 2: the record. Big calls in the truck. I'm rich bitch.

344
00:17:20,080 --> 00:17:23,600
Speaker 2: Hit the club teared up, I'm rich bitch. Nika l

345
00:17:23,640 --> 00:17:25,960
Speaker 2: A hit the butter and all them people, I said,

346
00:17:26,080 --> 00:17:28,760
Speaker 2: walked in the door. He said, hey, take it back.

347
00:17:29,359 --> 00:17:32,520
Speaker 2: So you're sitting over there like damn, he said. He said,

348
00:17:32,720 --> 00:17:34,640
Speaker 2: I want you to get up and do that song

349
00:17:34,760 --> 00:17:37,280
Speaker 2: right now. And I told you, I said, man, when

350
00:17:37,520 --> 00:17:40,359
Speaker 2: when uh La likes something, you go tell you to perform.

351
00:17:40,520 --> 00:17:42,800
Speaker 3: He tell you to get up, you get up, perform.

352
00:17:44,040 --> 00:17:46,639
Speaker 2: I was like, oh, heah, you're gonna So he stood up. Man,

353
00:17:46,640 --> 00:17:48,440
Speaker 2: I'll do it with you still right up there with him.

354
00:17:48,640 --> 00:17:50,920
Speaker 2: We went through that record. La was like, oh my god,

355
00:17:52,200 --> 00:17:54,119
Speaker 2: oh my sign up right there. Say man, get them,

356
00:17:54,320 --> 00:17:56,119
Speaker 2: get them whatever they want to eat. They ain't leaving here.

357
00:17:56,160 --> 00:17:59,679
Speaker 2: They ain't gonna be running through man having shopping deals today.

358
00:17:59,720 --> 00:18:01,080
Speaker 2: We do in this deal right now.

359
00:18:01,800 --> 00:18:02,719
Speaker 3: M hm hm.

360
00:18:03,160 --> 00:18:06,480
Speaker 2: That's what Jim Jones walked in and looked at him, say, hey, Helmie, hey.

361
00:18:06,600 --> 00:18:09,160
Speaker 2: When when Jim Jones walked in and hollered at us,

362
00:18:09,760 --> 00:18:11,040
Speaker 2: he was he had a cape on because he was

363
00:18:11,080 --> 00:18:14,000
Speaker 2: getting his haircut next door. He didn't really rock with

364
00:18:14,200 --> 00:18:16,399
Speaker 2: l A like that. He didn't speak to him like that,

365
00:18:16,520 --> 00:18:18,800
Speaker 2: and none of that. He walked in there in that

366
00:18:19,080 --> 00:18:22,440
Speaker 2: in his office, in his meeting and you know, his

367
00:18:22,720 --> 00:18:25,439
Speaker 2: eyes was like this because he's seeing the whole culture

368
00:18:25,560 --> 00:18:28,680
Speaker 2: like coming in like he was like, oh my god,

369
00:18:29,000 --> 00:18:32,320
Speaker 2: because you know Jim Jones, like he was the facilitator.

370
00:18:32,359 --> 00:18:36,600
Speaker 2: He was out there. That was that was confirmation to

371
00:18:36,840 --> 00:18:40,840
Speaker 2: l A. I see Jimmy, Jimmy remember he remember he

372
00:18:41,000 --> 00:18:41,240
Speaker 2: was there?

373
00:18:42,080 --> 00:18:43,600
Speaker 3: Yeah, so what is what happened?

374
00:18:43,680 --> 00:18:43,720
Speaker 6: Like?

375
00:18:43,880 --> 00:18:47,560
Speaker 3: So so y'all did it deal? Yeah? And what happened

376
00:18:47,640 --> 00:18:48,600
Speaker 3: like he went on?

377
00:18:49,080 --> 00:18:53,680
Speaker 2: We just separated. We just separated. It's just a difference,

378
00:18:53,720 --> 00:18:55,840
Speaker 2: is you know what I'm saying. Different. You know, when

379
00:18:55,840 --> 00:18:59,320
Speaker 2: you got a label that's self sufficient, they I mean,

380
00:18:59,359 --> 00:19:01,080
Speaker 2: I still got my about mind. Oh yeah, that's what.

381
00:19:01,760 --> 00:19:04,120
Speaker 2: It wasn't a jazzy fake show, you know what I'm saying.

382
00:19:04,440 --> 00:19:08,239
Speaker 2: That's why when you hear stuff like uh, twist your

383
00:19:08,280 --> 00:19:11,919
Speaker 2: fingers up, Bang bang Yo, you don't want to hear

384
00:19:12,000 --> 00:19:15,360
Speaker 2: letty and gentlemen. That's too happy, you know what I'm saying.

385
00:19:15,560 --> 00:19:19,439
Speaker 3: But band, Yeah, I need that record.

386
00:19:19,480 --> 00:19:24,520
Speaker 2: Bang. I brought in Tim, Tim and Scrappy. Scrappy had

387
00:19:24,520 --> 00:19:27,159
Speaker 2: a K for the several just the wall, you know

388
00:19:27,160 --> 00:19:29,880
Speaker 2: what I'm like. That was the first time I seen

389
00:19:29,920 --> 00:19:32,239
Speaker 2: that in the studio, like a K forty seven. I mean,

390
00:19:32,240 --> 00:19:35,760
Speaker 2: I just seen pistols, but I'm like a k for

391
00:19:35,880 --> 00:19:37,760
Speaker 2: the seven lean up gets the wall to come be

392
00:19:37,840 --> 00:19:39,840
Speaker 2: your worst. I was like, scrappy, really really don't want

393
00:19:39,880 --> 00:19:40,600
Speaker 2: no problem.

394
00:19:45,640 --> 00:19:48,560
Speaker 1: Up. Shout out the scrap I just come together with

395
00:19:49,040 --> 00:19:52,399
Speaker 1: with nooney. Shouts nooney. Like so noontime is noonies and

396
00:19:52,920 --> 00:19:54,840
Speaker 1: you will show enough. But y'all did a lot of

397
00:19:54,960 --> 00:19:56,000
Speaker 1: collaborative work.

398
00:19:55,920 --> 00:19:59,600
Speaker 2: Right man. Listen to one farmer shout out to one farmer.

399
00:20:00,040 --> 00:20:02,439
Speaker 2: A farmer introduced me to know that you were at

400
00:20:02,520 --> 00:20:05,480
Speaker 2: at at Dallas Austin studio. Why farmer pulled up on

401
00:20:05,560 --> 00:20:07,440
Speaker 2: me and said, you know, we're already friends at Dallas.

402
00:20:07,520 --> 00:20:11,360
Speaker 2: Of course family. Warren said, hey, man, it's these crew

403
00:20:11,440 --> 00:20:14,920
Speaker 2: I had out showing up at the time. So he said,

404
00:20:14,960 --> 00:20:18,600
Speaker 2: any of these dudes, man call noontime, you know, nooney

405
00:20:19,000 --> 00:20:22,280
Speaker 2: Chris Ryan t R. And they was all over there

406
00:20:22,720 --> 00:20:25,479
Speaker 2: at Houston's on Pea Street, they said. He said, man,

407
00:20:25,520 --> 00:20:27,440
Speaker 2: they over there, they want to meet you. You know

408
00:20:27,480 --> 00:20:29,520
Speaker 2: what I'm saying. So I said, I'll be bad then

409
00:20:29,600 --> 00:20:31,160
Speaker 2: let's live. Let's meet with him. So I'm not I'm

410
00:20:31,160 --> 00:20:32,720
Speaker 2: just thinking they want to buy some beach and something

411
00:20:32,760 --> 00:20:36,040
Speaker 2: like that. So I came over there said, man, hey, man,

412
00:20:36,080 --> 00:20:38,120
Speaker 2: I think dope noon. He was like, yo, I think

413
00:20:38,160 --> 00:20:39,560
Speaker 2: the dope. He said, Man, I think you need to

414
00:20:39,600 --> 00:20:41,800
Speaker 2: come over and you need to what you got where

415
00:20:41,800 --> 00:20:43,080
Speaker 2: you're working at. I was like, man, I'll be working

416
00:20:43,119 --> 00:20:46,360
Speaker 2: at Passwords like you ain't got a studio. I was like, man,

417
00:20:46,480 --> 00:20:49,000
Speaker 2: people be booking me every day, bro, every day like

418
00:20:49,119 --> 00:20:52,639
Speaker 2: he's booking you every day, like every day. He said, man,

419
00:20:52,680 --> 00:20:54,880
Speaker 2: come to kid, come over here. You know what I'm saying.

420
00:20:54,880 --> 00:20:58,240
Speaker 2: And then came over there he come Brian Michael Cox.

421
00:20:58,920 --> 00:21:01,840
Speaker 2: Brian Michael Cox came a man and he was making beats.

422
00:21:01,880 --> 00:21:04,520
Speaker 2: I've kind of giving him pointers on how to how

423
00:21:04,560 --> 00:21:06,840
Speaker 2: to quantitize his beats and got to get it in

424
00:21:06,920 --> 00:21:09,560
Speaker 2: the NPC and just make that thing just sing, And

425
00:21:09,680 --> 00:21:12,359
Speaker 2: told him to watch that boy right there, it's Jada Walker.

426
00:21:12,960 --> 00:21:16,439
Speaker 2: Jada Walker was producing everything. He was doing god Zilla soundtrack, Uh,

427
00:21:17,000 --> 00:21:18,680
Speaker 2: no way out. He did the album all of that.

428
00:21:19,000 --> 00:21:21,840
Speaker 2: I was like, because he was so in and out,

429
00:21:21,880 --> 00:21:24,880
Speaker 2: he wasn't really around like that. And then Johntay Austin

430
00:21:25,320 --> 00:21:29,480
Speaker 2: was there too, writing stuff Sweet Lady and all these records.

431
00:21:29,520 --> 00:21:31,840
Speaker 2: I mean, you know what I'm saying then, you know,

432
00:21:32,000 --> 00:21:35,040
Speaker 2: doing stuff like Survivor friend of Mine, Kelly Price, man,

433
00:21:35,520 --> 00:21:39,360
Speaker 2: like when noon time was definitely I can't really name

434
00:21:39,440 --> 00:21:42,359
Speaker 2: a bigger R and B production crew, R and B

435
00:21:42,600 --> 00:21:46,160
Speaker 2: really urban production crew that was bigger and better as

436
00:21:46,200 --> 00:21:52,640
Speaker 2: a team than the time. Yeah, Teddy Bishop as well. Yeah,

437
00:21:53,640 --> 00:21:54,560
Speaker 2: pushing heads out of the.

438
00:21:56,560 --> 00:21:58,920
Speaker 8: Crazy you think the all time go down in London,

439
00:21:59,520 --> 00:22:07,040
Speaker 8: I'll do reducing out of it. Leaning, Damn all the

440
00:22:07,200 --> 00:22:08,879
Speaker 8: time ago out of it?

441
00:22:12,160 --> 00:22:12,320
Speaker 2: Did you?

442
00:22:13,320 --> 00:22:16,760
Speaker 4: I was just getting ready to say that, I can't

443
00:22:16,800 --> 00:22:19,960
Speaker 4: even I just said the goddamn shoulder other night, j D.

444
00:22:20,119 --> 00:22:24,120
Speaker 4: I mean when Bro DJ DJ and his ship, Yeah,

445
00:22:25,000 --> 00:22:31,800
Speaker 4: all classic that is you he got is Yeah, that

446
00:22:31,960 --> 00:22:37,640
Speaker 4: nigga pushing them off out. Yeah he pushed that ship out.

447
00:22:38,480 --> 00:22:38,680
Speaker 2: Yeah.

448
00:22:38,920 --> 00:22:40,880
Speaker 3: So who you think you would be like a good

449
00:22:40,960 --> 00:22:42,280
Speaker 3: match within a versus.

450
00:22:42,440 --> 00:22:47,720
Speaker 2: And a versus man, I don't even know. I'll tell me,

451
00:22:47,800 --> 00:22:50,240
Speaker 2: I don't even think about stuff like that.

452
00:22:51,280 --> 00:22:53,600
Speaker 4: I've talked about it before, but I never can before

453
00:22:53,600 --> 00:22:58,200
Speaker 4: you've never thought about doing one, I mean not really.

454
00:22:58,840 --> 00:23:01,800
Speaker 3: The energy of any fresh jazzy fav would be crazy,

455
00:23:02,280 --> 00:23:03,320
Speaker 3: the energy.

456
00:23:03,320 --> 00:23:06,240
Speaker 2: Energy I mean, I mean, but man, because so he

457
00:23:06,440 --> 00:23:09,760
Speaker 2: just that's my such like my brother. And that's cool

458
00:23:10,000 --> 00:23:12,480
Speaker 2: and it you know, for us to be against each other, but.

459
00:23:15,040 --> 00:23:15,760
Speaker 3: Against though.

460
00:23:17,880 --> 00:23:19,359
Speaker 2: You don't like I got a lot of R and

461
00:23:19,480 --> 00:23:22,679
Speaker 2: B records too, Yeah, no, Like, how do you answer

462
00:23:23,160 --> 00:23:28,000
Speaker 2: I don't want to be How do you answer cannot

463
00:23:28,040 --> 00:23:30,520
Speaker 2: come home? How do you answer shut up?

464
00:23:30,640 --> 00:23:30,920
Speaker 3: Fine?

465
00:23:31,040 --> 00:23:36,280
Speaker 2: Fine? How do you answer those records with a rap? Orris?

466
00:23:37,200 --> 00:23:37,240
Speaker 5: Like?

467
00:23:37,480 --> 00:23:39,480
Speaker 2: Rap? I mean, no, no, shade in my brother.

468
00:23:40,800 --> 00:23:42,720
Speaker 3: That's a good good that's a good perspective.

469
00:23:43,840 --> 00:23:48,280
Speaker 2: Yeah, but I mean it'll be fun. Yeah, as far

470
00:23:48,359 --> 00:23:51,760
Speaker 2: as you know, you know, we got to turn them downs.

471
00:23:52,200 --> 00:23:55,120
Speaker 3: So that what happened the time with Stunner, I think

472
00:23:55,800 --> 00:23:56,480
Speaker 3: trying to buy like a.

473
00:23:58,440 --> 00:24:00,760
Speaker 2: Man. That was a shout up the stunning man, shout

474
00:24:00,800 --> 00:24:02,760
Speaker 2: out the Stunner and and shout out the many fresh

475
00:24:03,119 --> 00:24:06,399
Speaker 2: for even saying, yesterner, that's some cool shit to do.

476
00:24:06,800 --> 00:24:11,000
Speaker 2: Shout out to Greg Street down the street. You know

477
00:24:11,040 --> 00:24:12,880
Speaker 2: what I'm saying. I just talked to Greg, so he's fresh.

478
00:24:12,720 --> 00:24:13,160
Speaker 3: On my mind.

479
00:24:13,240 --> 00:24:15,760
Speaker 2: Now, Hey, hey, we forget me. You know what I'm saying.

480
00:24:16,160 --> 00:24:22,240
Speaker 2: What you need to do, that's what y'all need to do.

481
00:24:23,440 --> 00:24:28,000
Speaker 2: What you need to do. No thrill though he brought

482
00:24:28,280 --> 00:24:31,200
Speaker 2: Stunner over to noontime. I'm looking on the camera. You

483
00:24:31,240 --> 00:24:33,399
Speaker 2: know what I'm saying. I see that. I see this

484
00:24:33,560 --> 00:24:36,080
Speaker 2: car rocking back and forth because it's a tight little corner, right.

485
00:24:36,560 --> 00:24:40,879
Speaker 2: So it's the purple Pt Cruiser. The purple Pt Cruiser

486
00:24:40,960 --> 00:24:43,840
Speaker 2: come to the back over there, nine fifty seven over

487
00:24:43,880 --> 00:24:47,240
Speaker 2: there on Marietta with Neo Addison as well. And so

488
00:24:47,359 --> 00:24:51,080
Speaker 2: we were sitting there. He comes stunner. I don't think

489
00:24:51,119 --> 00:24:54,879
Speaker 2: I knew no streetness he was coming. I got some fun.

490
00:24:55,680 --> 00:24:59,560
Speaker 2: So he pulls up stunner, hop out I think he was.

491
00:24:59,680 --> 00:25:01,800
Speaker 2: He had Cadillac with him and somebody else with him.

492
00:25:01,800 --> 00:25:04,760
Speaker 2: I Boy, how Boy was with him. And then uh uh,

493
00:25:05,560 --> 00:25:08,960
Speaker 2: I say, say, brod you you over here doing records?

494
00:25:08,960 --> 00:25:12,040
Speaker 2: In five minutes He's like yeah, yeah, you know what

495
00:25:12,080 --> 00:25:15,200
Speaker 2: I'm saying that it ain't nothing. He's like, hey, hold

496
00:25:15,240 --> 00:25:17,080
Speaker 2: one see. He said, man, I need to make maybe

497
00:25:17,200 --> 00:25:19,520
Speaker 2: some records. Give me one hold on hold one second.

498
00:25:19,520 --> 00:25:21,800
Speaker 2: Brother got to take this call. So he took a call.

499
00:25:22,280 --> 00:25:25,040
Speaker 2: So I said, perfect time to make a record. Boom.

500
00:25:25,280 --> 00:25:27,800
Speaker 2: So I made some record for them. I think it

501
00:25:27,920 --> 00:25:31,840
Speaker 2: was on the rocks or something. No, no, I think

502
00:25:31,880 --> 00:25:39,600
Speaker 2: it was the record. I can't remember I think it

503
00:25:39,680 --> 00:25:41,960
Speaker 2: was on the Rocks, sach a record call on the Rocks.

504
00:25:42,119 --> 00:25:44,240
Speaker 2: But he came back in. He was like, say what

505
00:25:44,440 --> 00:25:46,360
Speaker 2: is that? I was like, man, is something I did?

506
00:25:46,840 --> 00:25:48,399
Speaker 2: You know? You say when you do that? It's like

507
00:25:48,440 --> 00:25:51,880
Speaker 2: when he was on the phone, He's like, neighhood, give

508
00:25:51,920 --> 00:25:54,720
Speaker 2: me another one. Then we came back. I think we

509
00:25:54,840 --> 00:25:59,280
Speaker 2: came up with gainst his pills. Maybe I don't know. Yeah,

510
00:25:59,720 --> 00:26:01,560
Speaker 2: he was like, man, come on, I'm doing fifty song.

511
00:26:01,560 --> 00:26:02,399
Speaker 2: I want to do fifty song.

512
00:26:02,520 --> 00:26:02,879
Speaker 3: Deal with you.

513
00:26:02,920 --> 00:26:04,440
Speaker 2: I want to sign you the gas one and said

514
00:26:04,440 --> 00:26:06,639
Speaker 2: that way. You know, I'm already with Nonie. You know.

515
00:26:07,040 --> 00:26:08,920
Speaker 2: But me and Nonie never had a contract. We never

516
00:26:08,960 --> 00:26:11,240
Speaker 2: had a contract. It was just brothers, you know what

517
00:26:11,280 --> 00:26:13,880
Speaker 2: I'm saying. That's all it was. We was like, man,

518
00:26:13,920 --> 00:26:15,560
Speaker 2: we do a deal. We do a deal. You know

519
00:26:15,880 --> 00:26:19,280
Speaker 2: it is you get your like your mind mhm.

520
00:26:20,160 --> 00:26:22,840
Speaker 1: Is anybody you regret that you haven't Maybe that passed away,

521
00:26:22,840 --> 00:26:24,200
Speaker 1: that you didn't get a chance to work with that

522
00:26:24,320 --> 00:26:27,040
Speaker 1: you like, baby was passing by, Like we got to

523
00:26:27,040 --> 00:26:28,359
Speaker 1: get in, We got to get in, But they might

524
00:26:28,400 --> 00:26:30,040
Speaker 1: have passed away before you got a chance to work

525
00:26:30,080 --> 00:26:30,320
Speaker 1: with them.

526
00:26:31,320 --> 00:26:35,680
Speaker 2: Friends. I mean, I don't really have to do it.

527
00:26:35,800 --> 00:26:38,639
Speaker 2: I mean, I really like that. I mean it was

528
00:26:38,720 --> 00:26:42,280
Speaker 2: it was great working with a lot of people like

529
00:26:42,440 --> 00:26:43,680
Speaker 2: I had a lot of people that I worked with

530
00:26:43,800 --> 00:26:46,359
Speaker 2: once like MO three Man, work with MO three that

531
00:26:46,520 --> 00:26:50,000
Speaker 2: was that was dope. Three was really dope, young greatness,

532
00:26:50,760 --> 00:26:55,240
Speaker 2: even rich Home. You know, you know what I'm saying. Damn, Yeah,

533
00:26:56,280 --> 00:27:00,280
Speaker 2: you know what I'm saying. That's crazy, that's wow, man.

534
00:27:00,359 --> 00:27:02,440
Speaker 2: You know, shout out to them, man, piece of recipes

535
00:27:02,520 --> 00:27:04,920
Speaker 2: of the families, Man, big shout out to Dave Man.

536
00:27:05,000 --> 00:27:07,520
Speaker 2: You know what I'm saying, It's crazy because I didn't

537
00:27:07,560 --> 00:27:09,960
Speaker 2: even I didn't know, you know, what was going on.

538
00:27:10,119 --> 00:27:12,000
Speaker 2: I didn't know nothing about that. You know what I'm saying.

539
00:27:12,000 --> 00:27:13,920
Speaker 2: And then I condoled it to you and your family

540
00:27:13,920 --> 00:27:15,560
Speaker 2: and all of y'all. You know what I'm saying. For

541
00:27:15,680 --> 00:27:19,439
Speaker 2: real man, anybody, anybody who who you know lost somebody, Man,

542
00:27:19,520 --> 00:27:22,440
Speaker 2: that's a that's a that's a peal of swallows to somebody.

543
00:27:22,480 --> 00:27:25,120
Speaker 2: Got to learn how to live with you know. Yeah there, man,

544
00:27:25,640 --> 00:27:26,959
Speaker 2: My heart is with you, y'a always.

545
00:27:27,040 --> 00:27:27,200
Speaker 8: Man.

546
00:27:28,119 --> 00:27:31,000
Speaker 5: So you got something that you want to tell us

547
00:27:31,040 --> 00:27:33,639
Speaker 5: about the Memphis Music Hall of Fame, Oh.

548
00:27:34,640 --> 00:27:38,160
Speaker 2: Memphis Music shout out Memphis Man, Memphis Music Hall of Fame.

549
00:27:38,440 --> 00:27:40,920
Speaker 2: I was just indebted to the Memphis Music Hall of Fame.

550
00:27:43,840 --> 00:27:46,080
Speaker 2: You know, a lot of people don't know, but I'm

551
00:27:46,119 --> 00:27:50,000
Speaker 2: from Memphis. I'm from Memphis because I originally, yes, originally,

552
00:27:50,080 --> 00:27:55,160
Speaker 2: and because I've been in Atlanta most of a lot

553
00:27:55,240 --> 00:27:58,399
Speaker 2: of y'all's lives. You know what I'm saying. I've been

554
00:27:58,440 --> 00:28:01,200
Speaker 2: here since ninety five. You know what I'm saying. And

555
00:28:01,320 --> 00:28:06,440
Speaker 2: it's crazy because I moved to Atlanta just to meet

556
00:28:06,600 --> 00:28:09,159
Speaker 2: we go Wait. I wanted to we wait and I

557
00:28:09,359 --> 00:28:17,760
Speaker 2: want to design the organized norms. Hey man, I'll be

558
00:28:17,880 --> 00:28:18,920
Speaker 2: againting man, hey man.

559
00:28:19,920 --> 00:28:20,200
Speaker 3: Listen.

560
00:28:20,480 --> 00:28:22,720
Speaker 2: I saw it, pulls up on Rick. I talked to

561
00:28:22,760 --> 00:28:24,480
Speaker 2: kool Aid, shout out the kool aid something. You know

562
00:28:24,520 --> 00:28:26,200
Speaker 2: what I'm saying, pull up on kool Aid. So he

563
00:28:26,320 --> 00:28:29,080
Speaker 2: was at at UH at Bosstown at the time. It

564
00:28:29,200 --> 00:28:31,840
Speaker 2: was Bosstown, that was before it was stink on you.

565
00:28:33,240 --> 00:28:35,080
Speaker 2: I walked in. We're in the first room. You know

566
00:28:35,119 --> 00:28:36,879
Speaker 2: when you walk straight in be lying to the to

567
00:28:36,960 --> 00:28:39,760
Speaker 2: the first room, and right there on the left, well,

568
00:28:39,920 --> 00:28:42,640
Speaker 2: Drake did the whole damn near.

569
00:28:44,320 --> 00:28:49,760
Speaker 3: Now the the love bloves.

570
00:28:49,800 --> 00:28:52,200
Speaker 2: You know what I'm saying. Uh, that's that's a big,

571
00:28:52,440 --> 00:28:55,200
Speaker 2: big flex. Hey, but I'm on that album. But but anyway,

572
00:28:55,400 --> 00:28:59,480
Speaker 2: I walked in there and they it's like niggas laying

573
00:28:59,520 --> 00:29:01,960
Speaker 2: on the floor, niggas over here, the niggas shirts off

574
00:29:02,880 --> 00:29:06,840
Speaker 2: Hot Hot does here about a thousand Dungeon family negroes

575
00:29:07,640 --> 00:29:10,000
Speaker 2: in there, just laying everywhere. And all I hear is

576
00:29:14,880 --> 00:29:18,680
Speaker 2: what you ne could do about the dirt, about the

577
00:29:18,760 --> 00:29:22,920
Speaker 2: dirt that was recording Dirty South. They were recording Dirty South,

578
00:29:23,320 --> 00:29:26,680
Speaker 2: and I think, uh Cool Breeze was working on his verse.

579
00:29:26,880 --> 00:29:28,960
Speaker 4: Yeah, you know what I'm.

580
00:29:28,800 --> 00:29:32,800
Speaker 2: Saying in there, you know what I'm saying, sweating hearts.

581
00:29:32,840 --> 00:29:36,640
Speaker 2: He had no shirt on, drinking mg D. You know,

582
00:29:38,000 --> 00:29:40,640
Speaker 2: no we in there, man, And I was like, ooh,

583
00:29:40,960 --> 00:29:43,400
Speaker 2: this ain't the right time to be trying to play

584
00:29:43,440 --> 00:29:51,560
Speaker 2: my demo. So I man, I'm saying I didn't. I

585
00:29:51,640 --> 00:29:53,840
Speaker 2: never had a chance to really play my stuff for

586
00:29:53,880 --> 00:29:56,560
Speaker 2: a week like that, you know. But by the grace

587
00:29:56,600 --> 00:29:57,840
Speaker 2: of God, you know what I'm saying.

588
00:29:59,640 --> 00:30:02,760
Speaker 3: Yeah, he said, but he always loved me, man. Yeah,

589
00:30:03,120 --> 00:30:05,640
Speaker 3: I know req when he was dancing, mm hmm.

590
00:30:06,080 --> 00:30:08,200
Speaker 2: He was dancing. I think that he was dancing with

591
00:30:08,280 --> 00:30:11,960
Speaker 2: this dude. Man, what that dude name man. I can't

592
00:30:12,000 --> 00:30:16,280
Speaker 2: remember his name, damn. Anyway, Yeah, Rick was dancing. He

593
00:30:16,400 --> 00:30:19,040
Speaker 2: was dancing with somebody. I was on the road. I

594
00:30:19,080 --> 00:30:20,880
Speaker 2: had called the Fulcoholics back in the day.

595
00:30:21,200 --> 00:30:24,400
Speaker 4: Hello, you been doing the music man since man ninety one,

596
00:30:25,480 --> 00:30:28,200
Speaker 4: so before you moved to Elant music there, Yeah, I had.

597
00:30:28,080 --> 00:30:29,760
Speaker 2: A record deal with Electric.

598
00:30:29,440 --> 00:30:33,680
Speaker 4: Records career yeap, which he was an artist, yep. Okay,

599
00:30:35,080 --> 00:30:38,120
Speaker 4: jadget physical and you wanted. I wasn't jadget Fair at

600
00:30:38,120 --> 00:30:38,360
Speaker 4: the time.

601
00:30:38,440 --> 00:30:41,080
Speaker 2: I was failing. Don't go looking for that.

602
00:30:43,080 --> 00:30:43,840
Speaker 3: Cool sailing.

603
00:30:44,000 --> 00:30:48,959
Speaker 2: Don't start posting that. Yeah. T Paine already had left

604
00:30:49,040 --> 00:30:51,320
Speaker 2: the cat out of the band. I was today years

605
00:30:51,400 --> 00:30:54,280
Speaker 2: Oh you know I was today years old when I

606
00:30:54,400 --> 00:30:57,480
Speaker 2: found this. I need to be training for this.

607
00:31:03,040 --> 00:31:10,160
Speaker 3: So you've been at this ship. Yeah, this is your

608
00:31:10,280 --> 00:31:11,560
Speaker 3: dream person?

609
00:31:11,840 --> 00:31:13,960
Speaker 2: Yeah, I mean you know I wanted. I wanted to

610
00:31:14,000 --> 00:31:15,640
Speaker 2: be an artist. I wanted to be an artist. See

611
00:31:16,080 --> 00:31:20,320
Speaker 2: this is a perfect example of taking off and shooting

612
00:31:20,400 --> 00:31:23,280
Speaker 2: for the moon, and even if you miss, you'll be

613
00:31:23,360 --> 00:31:27,320
Speaker 2: amongst the stars. You know what I'm saying. So people

614
00:31:27,720 --> 00:31:32,560
Speaker 2: do not get caught up with where you're trying to go.

615
00:31:33,400 --> 00:31:36,360
Speaker 2: Just enjoy the journey. Just enjoy the journey, and a

616
00:31:36,440 --> 00:31:40,280
Speaker 2: lot of people got to understand that ninety eight percent

617
00:31:40,360 --> 00:31:43,120
Speaker 2: of the people in the music business don't even do music.

618
00:31:46,320 --> 00:31:49,720
Speaker 2: When you walk in def Jam Records or Arista Records,

619
00:31:49,800 --> 00:31:53,640
Speaker 2: any record company, you're escorted around you one person, a

620
00:31:53,840 --> 00:31:57,200
Speaker 2: three man, four man group, whatever it is, you're going

621
00:31:57,240 --> 00:32:00,760
Speaker 2: to meet about forty to fifty people that day when

622
00:32:00,840 --> 00:32:03,840
Speaker 2: you come to the lanky really do music right that they?

623
00:32:04,480 --> 00:32:07,560
Speaker 2: I mean, all they do is facilitate you. That's all

624
00:32:07,640 --> 00:32:11,240
Speaker 2: they do. So get in there and make something happen,

625
00:32:11,640 --> 00:32:13,720
Speaker 2: and then you know, just keep on walking to your purpose.

626
00:32:13,720 --> 00:32:15,760
Speaker 2: I said, I just told my brother today. A lot

627
00:32:15,760 --> 00:32:18,280
Speaker 2: of people get caught up in rolls. They get caught

628
00:32:18,320 --> 00:32:21,320
Speaker 2: up in rolls. I wanted to be an artist, but

629
00:32:22,680 --> 00:32:25,560
Speaker 2: God wanted me to be a producer. Hedie Murphy, what

630
00:32:25,720 --> 00:32:28,280
Speaker 2: he played? How many roles, how many roles he play

631
00:32:28,320 --> 00:32:32,040
Speaker 2: in the movie. But what's the purpose? The purpose? I'm

632
00:32:32,080 --> 00:32:34,120
Speaker 2: trying to make y'all laugh. I'm trying to make y'all excited.

633
00:32:34,240 --> 00:32:34,880
Speaker 3: Make a great movie.

634
00:32:34,960 --> 00:32:36,160
Speaker 2: Yeah, you know what I'm saying. We're gonna make a

635
00:32:36,200 --> 00:32:38,040
Speaker 2: great movie. We're gonna make a living for our family.

636
00:32:38,240 --> 00:32:40,960
Speaker 2: We're gonna change some zip codes. We're gonna change some addresses,

637
00:32:41,720 --> 00:32:43,760
Speaker 2: you know what I'm talking about. We're gonna feed some families.

638
00:32:44,640 --> 00:32:48,040
Speaker 3: So while you, oh, so you feel like once you

639
00:32:48,120 --> 00:32:50,080
Speaker 3: got on, you why you just ain't trying to, like

640
00:32:50,160 --> 00:32:50,480
Speaker 3: do an.

641
00:32:50,440 --> 00:32:52,960
Speaker 2: Album and some ship. I mean, it ain't like I

642
00:32:53,000 --> 00:32:56,360
Speaker 2: didn't try. Look and me and Selo had a whole

643
00:32:56,400 --> 00:33:00,080
Speaker 2: album ready did it go? So me and Selo we

644
00:33:00,120 --> 00:33:02,120
Speaker 2: have we have put out the song happy. I don't

645
00:33:02,120 --> 00:33:07,720
Speaker 2: remember that. Hey, let's go have some dream album comes apart.

646
00:33:07,840 --> 00:33:12,320
Speaker 2: That was the first single for our album. Then in

647
00:33:12,400 --> 00:33:15,360
Speaker 2: the eleventh hour, right before we getting ready to because

648
00:33:15,400 --> 00:33:17,840
Speaker 2: we finished the album. The album is done, it's still done.

649
00:33:18,480 --> 00:33:22,080
Speaker 2: Then he got with Danger Mouse and then they did

650
00:33:22,120 --> 00:33:26,920
Speaker 2: a song crazy. I remember when I remember Nigga if

651
00:33:27,000 --> 00:33:29,520
Speaker 2: y'all don't put that record out? Yeah, because I'm a producer.

652
00:33:29,600 --> 00:33:32,920
Speaker 2: First they were like, may we're gonna do this app No,

653
00:33:33,040 --> 00:33:37,680
Speaker 2: y'all not drop that now because we might got some records,

654
00:33:37,720 --> 00:33:41,720
Speaker 2: but we ain't got that. Man gone man gone to

655
00:33:41,840 --> 00:33:45,640
Speaker 2: that bro. Yeah, yeah, yeah, shout out the sugar low

656
00:33:45,760 --> 00:33:47,640
Speaker 2: Man Sea low Man Sea low Green. One of the

657
00:33:47,640 --> 00:33:48,440
Speaker 2: greatest of all time.

658
00:33:48,520 --> 00:33:51,960
Speaker 3: Man, that's sure. Yes, So I've just been so curious

659
00:33:51,960 --> 00:33:52,240
Speaker 3: about this.

660
00:33:52,320 --> 00:33:54,960
Speaker 1: I'm kind of infascinated abot the thought of it having

661
00:33:55,040 --> 00:33:57,120
Speaker 1: all of those hits and all those records in your

662
00:33:57,200 --> 00:34:00,320
Speaker 1: catalog if you haven't already, would you sell that ship?

663
00:34:00,640 --> 00:34:03,320
Speaker 1: Because you know a lot of people, would you sell

664
00:34:03,320 --> 00:34:06,160
Speaker 1: your catalog for for one of them? Fifty yours?

665
00:34:06,240 --> 00:34:09,040
Speaker 2: The nixt contesting on the price is right, the p

666
00:34:09,680 --> 00:34:11,959
Speaker 2: when you get to a certain age, it's all about

667
00:34:12,000 --> 00:34:14,520
Speaker 2: the number. It's all about the numbers. Okay, So you

668
00:34:14,680 --> 00:34:18,000
Speaker 2: have to project, right, how long am I gonna live? Okay? Okay,

669
00:34:19,520 --> 00:34:21,399
Speaker 2: over in my fifty range, you know what I'm saying.

670
00:34:21,880 --> 00:34:25,640
Speaker 2: So if like what I'm gonna make music? What how

671
00:34:25,719 --> 00:34:26,320
Speaker 2: much longer?

672
00:34:26,320 --> 00:34:26,719
Speaker 3: I mean.

673
00:34:29,600 --> 00:34:32,479
Speaker 2: Again, like so you got to think from quarter to quarter,

674
00:34:32,880 --> 00:34:36,760
Speaker 2: add up the numbers, and they talking about quadrupling those numbers.

675
00:34:37,680 --> 00:34:38,000
Speaker 2: Give me that.

676
00:34:38,960 --> 00:34:39,960
Speaker 3: And I'm just trying to understand.

677
00:34:39,960 --> 00:34:44,359
Speaker 1: Like I said, I've been fascinated with it because I've

678
00:34:44,400 --> 00:34:46,920
Speaker 1: talked to some creators that was like, I would never

679
00:34:47,040 --> 00:34:47,640
Speaker 1: sell my work.

680
00:34:47,680 --> 00:34:52,680
Speaker 2: And I told you earlier and that I don't get sentimental.

681
00:34:54,000 --> 00:34:59,200
Speaker 2: I ain't my business business about no music man for

682
00:34:59,400 --> 00:35:03,680
Speaker 2: what m hmm, Yeah, you don't even nail to the ground. Mm.

683
00:35:03,719 --> 00:35:04,000
Speaker 3: Hmmm.

684
00:35:04,320 --> 00:35:06,759
Speaker 2: It's a it's a moving organisms in the air.

685
00:35:07,560 --> 00:35:07,920
Speaker 3: Mm hmm.

686
00:35:08,520 --> 00:35:10,719
Speaker 2: Wait what I mean? What you what you what you're doing?

687
00:35:11,040 --> 00:35:11,719
Speaker 2: You're looking at it?

688
00:35:11,760 --> 00:35:14,560
Speaker 3: What you're doing, spend the money. I'm with you, Yeah,

689
00:35:14,680 --> 00:35:16,319
Speaker 3: because you don't have the.

690
00:35:17,239 --> 00:35:20,520
Speaker 2: The connects, you don't have the bandwidth to do what

691
00:35:20,640 --> 00:35:23,600
Speaker 2: those people do with it. They know how to do.

692
00:35:23,719 --> 00:35:24,640
Speaker 2: They know what they're doing.

693
00:35:25,400 --> 00:35:27,839
Speaker 3: They know how to go get some money else thinking

694
00:35:28,680 --> 00:35:29,319
Speaker 3: you over there.

695
00:35:29,280 --> 00:35:32,319
Speaker 2: Hurt, you can sell it and change your whole family's life.

696
00:35:32,560 --> 00:35:36,480
Speaker 2: Oh gonna make a great, great investment, caredfully, that's what

697
00:35:36,560 --> 00:35:41,600
Speaker 2: you're doing. You don't go to Vegas, so you'll put

698
00:35:41,600 --> 00:35:44,319
Speaker 2: it on the box, throw it all in the room.

699
00:35:44,400 --> 00:35:46,000
Speaker 2: Black y'allsstad swimming in in.

700
00:35:49,480 --> 00:35:53,759
Speaker 4: Who's some of the people you look at like in

701
00:35:53,880 --> 00:35:57,520
Speaker 4: this new generation of music, like nah, he dope, I.

702
00:35:57,640 --> 00:36:03,239
Speaker 2: Love Metro, Metro woman is dope, I love Yes yeah,

703
00:36:03,360 --> 00:36:10,279
Speaker 2: yeah yeah, shout out to you, yes young, I love

704
00:36:10,360 --> 00:36:14,640
Speaker 2: young yeah uh. And you know how you know when

705
00:36:14,640 --> 00:36:17,440
Speaker 2: people struggle, like and you know his you know what

706
00:36:17,560 --> 00:36:19,520
Speaker 2: he went through, you know was his mom and just

707
00:36:19,960 --> 00:36:22,319
Speaker 2: you know, just hot guy, just bless you on the whole.

708
00:36:22,320 --> 00:36:27,719
Speaker 2: An other side, he's a good man. You know, think

709
00:36:27,800 --> 00:36:30,080
Speaker 2: of a person on deserving him. You know, you know

710
00:36:30,239 --> 00:36:33,239
Speaker 2: somebody like that. Uh. I love zay To.

711
00:36:33,600 --> 00:36:34,080
Speaker 3: You know what I'm saying.

712
00:36:34,080 --> 00:36:37,120
Speaker 2: I love Yeah. You know what I'm saying.

713
00:36:37,360 --> 00:36:39,759
Speaker 3: Uh, you know what I mean.

714
00:36:41,360 --> 00:36:51,279
Speaker 2: Producers, producers, producers like yeah, oh my brother, my brother

715
00:36:51,760 --> 00:36:56,640
Speaker 2: gassing the artists. Y'all don't know him, but my brother

716
00:36:56,719 --> 00:37:00,080
Speaker 2: Jovanna Wan over there, get Man, trap stars man, and

717
00:37:00,600 --> 00:37:04,560
Speaker 2: we were doing inspirational music man, changing lives. Man, it's cold,

718
00:37:05,080 --> 00:37:09,399
Speaker 2: it's cold, Jack, We're producing some great music. You're gonna

719
00:37:09,400 --> 00:37:09,799
Speaker 2: head it too.

720
00:37:10,640 --> 00:37:13,520
Speaker 3: You feel like you you feel like you want focus

721
00:37:13,600 --> 00:37:15,880
Speaker 3: on like that type of music now or what like

722
00:37:16,000 --> 00:37:16,960
Speaker 3: what what? What's what?

723
00:37:17,680 --> 00:37:21,680
Speaker 2: You feel like you want your next run of music

724
00:37:21,760 --> 00:37:25,319
Speaker 2: to be. It's kind of like, you know, the game

725
00:37:25,440 --> 00:37:28,359
Speaker 2: is so different now, bro, you kind of you know, uh,

726
00:37:29,000 --> 00:37:31,360
Speaker 2: it's kind of you gravitate to what gravitate to? You?

727
00:37:32,320 --> 00:37:35,319
Speaker 2: You feel me because I can do it all. I mean,

728
00:37:35,640 --> 00:37:40,160
Speaker 2: if if blanc o'brown or Travis Scott or whoever want

729
00:37:40,200 --> 00:37:41,960
Speaker 2: to come do some music, let's go do some music.

730
00:37:42,520 --> 00:37:45,000
Speaker 2: Let's just do some music. Man, Let's do something ready

731
00:37:45,040 --> 00:37:48,320
Speaker 2: to be not twaining. You know what I'm saying Brooks.

732
00:37:48,360 --> 00:37:55,719
Speaker 2: I don't know, move your massh up whatever, I'm ready

733
00:37:55,719 --> 00:37:58,800
Speaker 2: to get to it. You always got sentence. So what

734
00:37:58,960 --> 00:37:59,239
Speaker 2: you got?

735
00:37:59,400 --> 00:37:59,879
Speaker 3: What you got?

736
00:38:00,239 --> 00:38:01,200
Speaker 2: What what's next?

737
00:38:01,280 --> 00:38:01,320
Speaker 1: Like?

738
00:38:01,400 --> 00:38:03,560
Speaker 3: What you got? I say, you got the headphones? You got?

739
00:38:04,000 --> 00:38:05,799
Speaker 2: Yeah? I got the headphones. You know what I'm saying,

740
00:38:05,800 --> 00:38:09,760
Speaker 2: shout out astrom Uh. You know, Jazzy fay Day, Jazzy

741
00:38:09,840 --> 00:38:13,440
Speaker 2: Fay Day in Atlanta, come around ja in Atlanta officially

742
00:38:13,840 --> 00:38:18,040
Speaker 2: Jazzy Fay Day on October twenty sixth every year. You

743
00:38:18,120 --> 00:38:20,480
Speaker 2: know what I'm saying. You know, and I know you

744
00:38:20,560 --> 00:38:22,120
Speaker 2: know a lot of people that knew that I wasn't

745
00:38:22,160 --> 00:38:25,480
Speaker 2: born in Atlanta, had a lot of reservations. But then

746
00:38:25,560 --> 00:38:27,200
Speaker 2: I look at all of those people that had something

747
00:38:27,239 --> 00:38:29,319
Speaker 2: to say. I was like, nig I did over them

748
00:38:29,400 --> 00:38:33,480
Speaker 2: city than you did. Don't you hate that? My niggas

749
00:38:33,520 --> 00:38:34,480
Speaker 2: just got something to say?

750
00:38:34,719 --> 00:38:35,480
Speaker 3: But what did you do?

751
00:38:36,760 --> 00:38:41,120
Speaker 2: It doesn't matter what did you do? Right? What you

752
00:38:41,200 --> 00:38:42,680
Speaker 2: think they gonna say when you get to when you

753
00:38:42,760 --> 00:38:48,680
Speaker 2: get to heaven, what you said? No, what did you do?

754
00:38:50,280 --> 00:38:52,440
Speaker 3: In fact, fact, we.

755
00:38:52,560 --> 00:38:57,120
Speaker 2: Traveled as a road seldom traveled by the multitude. It

756
00:38:57,200 --> 00:38:59,319
Speaker 2: ain't a lot of people that travel this road. How

757
00:38:59,360 --> 00:39:02,640
Speaker 2: many parties. I missed going and be in that box

758
00:39:02,920 --> 00:39:06,480
Speaker 2: one hundred and seventy million. So no, man, that's monstrous.

759
00:39:08,120 --> 00:39:09,960
Speaker 2: And I hate when people try to you know what

760
00:39:10,000 --> 00:39:11,880
Speaker 2: I'm saying. So you gotta get on big facts and

761
00:39:11,920 --> 00:39:16,840
Speaker 2: tell the truth. Huh. The truth is I kicked a

762
00:39:16,880 --> 00:39:20,880
Speaker 2: whole lot of ads. I kicked a whole lot of it.

763
00:39:22,000 --> 00:39:23,160
Speaker 3: But I was too nice.

764
00:39:23,280 --> 00:39:29,600
Speaker 2: I was very nice, very nice, and you mean what

765
00:39:29,680 --> 00:39:33,760
Speaker 2: you mean by nice nice because a lot of people

766
00:39:33,800 --> 00:39:36,400
Speaker 2: didn't shout me out, and all I needed was credit.

767
00:39:36,880 --> 00:39:38,759
Speaker 2: A lot of people didn't realize a lot of these

768
00:39:39,040 --> 00:39:40,160
Speaker 2: a lot of these cats, man.

769
00:39:40,400 --> 00:39:42,680
Speaker 3: Like all you had to do is say something, Yeah,

770
00:39:43,000 --> 00:39:44,400
Speaker 3: we heard that a lot, just.

771
00:39:46,280 --> 00:39:48,920
Speaker 2: Say something. Everybody wanted the credit. Like they just jumped

772
00:39:49,000 --> 00:39:53,000
Speaker 2: up and was like, I'm lick. You ain't just getting

773
00:39:53,000 --> 00:39:58,279
Speaker 2: lit by yourself food. Somebody let you up. But see

774
00:39:59,000 --> 00:40:03,800
Speaker 2: the thing is, the algorithms and things like that is changing,

775
00:40:04,800 --> 00:40:08,200
Speaker 2: and your truth is gonna find you. It's going to

776
00:40:08,280 --> 00:40:10,040
Speaker 2: find you. You're going to have to answer to that.

777
00:40:11,080 --> 00:40:14,440
Speaker 2: You have to answer to that. And that's what's happening

778
00:40:14,520 --> 00:40:16,239
Speaker 2: right now. I think, you know, it's just trying to

779
00:40:16,280 --> 00:40:16,800
Speaker 2: talk about it.

780
00:40:17,320 --> 00:40:20,919
Speaker 4: He said, you're saying like the truth, that's what you're saying,

781
00:40:21,000 --> 00:40:23,960
Speaker 4: like the truth finding niggas it is, Yeah, it is

782
00:40:24,080 --> 00:40:25,839
Speaker 4: the truth, and it set you're free too.

783
00:40:25,960 --> 00:40:28,560
Speaker 2: Man. It's like it's like something that you be wanting

784
00:40:28,600 --> 00:40:30,520
Speaker 2: to say, and you be trying to be what I say,

785
00:40:30,600 --> 00:40:33,120
Speaker 2: be nice. You be trying to be like, okay, I

786
00:40:33,239 --> 00:40:35,640
Speaker 2: know such such that had. I'm like, you know, you

787
00:40:35,760 --> 00:40:38,040
Speaker 2: go go look at how long interviews be, Like when

788
00:40:38,040 --> 00:40:39,920
Speaker 2: you see a post. I'm like, you mean to tell

789
00:40:39,960 --> 00:40:43,319
Speaker 2: me this nigga talk for two hours and forty five

790
00:40:43,440 --> 00:40:46,479
Speaker 2: minutes and then say nothing about me? Who a nigga?

791
00:40:46,520 --> 00:40:51,480
Speaker 2: You feel like a lot of people, a lot who

792
00:40:51,960 --> 00:40:55,680
Speaker 2: name one? I don't say who did you like that?

793
00:40:55,840 --> 00:40:59,840
Speaker 2: I don't do that, not being to being nice, but

794
00:41:00,080 --> 00:41:03,960
Speaker 2: you just don't and I say yeah or no. But

795
00:41:04,160 --> 00:41:10,560
Speaker 2: you know there is because it's like you're picking on somebody.

796
00:41:10,560 --> 00:41:13,800
Speaker 2: If my name, I mean, I got one hundred and

797
00:41:13,960 --> 00:41:17,719
Speaker 2: seventy million reconsolet and I picked show blow. That's yes,

798
00:41:18,360 --> 00:41:21,400
Speaker 2: like you don't like me, Yeah, I just don't like

799
00:41:21,480 --> 00:41:21,879
Speaker 2: what you did.

800
00:41:22,360 --> 00:41:25,720
Speaker 4: Yeah, but you you others feel like we may imagine

801
00:41:25,760 --> 00:41:28,880
Speaker 4: together and you know this this game is about who

802
00:41:29,000 --> 00:41:29,400
Speaker 4: did what?

803
00:41:29,840 --> 00:41:30,040
Speaker 2: Why?

804
00:41:30,080 --> 00:41:31,640
Speaker 3: When you want people to know I did that.

805
00:41:32,239 --> 00:41:36,759
Speaker 2: I change your circumstance. I changed your life. You was

806
00:41:36,840 --> 00:41:39,719
Speaker 2: living you was you was destined for jail or hell,

807
00:41:41,520 --> 00:41:46,960
Speaker 2: some of y'all come on brouh and somebody came in man,

808
00:41:47,080 --> 00:41:50,879
Speaker 2: and God, through God, you got a whole lease on life.

809
00:41:52,520 --> 00:41:56,800
Speaker 2: Come on, bro, you can't mention that, Nigga. That's terrible.

810
00:41:56,840 --> 00:41:58,640
Speaker 2: That's like me not shouting out my mama when I

811
00:41:58,680 --> 00:42:00,839
Speaker 2: go win the war. I couldn't have did it without

812
00:42:00,880 --> 00:42:07,839
Speaker 2: my mother. Shut off, Mom, shout off. Yeah. I love y'all. Man,

813
00:42:08,880 --> 00:42:10,400
Speaker 2: Denis and James, how about that.

814
00:42:10,960 --> 00:42:15,920
Speaker 3: Damn man, it's called a motherfucker.

815
00:42:16,000 --> 00:42:22,880
Speaker 2: Hey, oh yes, no, I guess you.

816
00:42:23,040 --> 00:42:25,080
Speaker 3: Yeah, they would be kind of messaging to be like

817
00:42:25,600 --> 00:42:26,200
Speaker 3: such and sup.

818
00:42:28,200 --> 00:42:29,040
Speaker 2: I don't you know what I mean.

819
00:42:29,719 --> 00:42:33,960
Speaker 3: But I don't know, man, what what you.

820
00:42:34,000 --> 00:42:36,839
Speaker 2: Got bring now? I'm just thinking about just a lot

821
00:42:36,920 --> 00:42:40,320
Speaker 2: of ship. Like you know what I'm saying. You just

822
00:42:40,360 --> 00:42:42,520
Speaker 2: said you be being so light, you been being nice,

823
00:42:42,600 --> 00:42:46,520
Speaker 2: so I was. I mean, I'm just giving you a

824
00:42:46,600 --> 00:42:48,319
Speaker 2: prequel of what's to come, you know what I'm saying.

825
00:42:48,320 --> 00:42:51,000
Speaker 2: Because you see, I'm selling stuff. I'm selling headphones, all

826
00:42:51,080 --> 00:42:53,440
Speaker 2: these glasses by the way, all my face shout off.

827
00:42:53,520 --> 00:42:57,520
Speaker 2: Vintage frames coming soon, you know what I'm saying. Oh,

828
00:42:58,560 --> 00:42:59,879
Speaker 2: you know what I'm saying. Y'all been seeing me walk

829
00:42:59,880 --> 00:43:02,680
Speaker 2: the frames for a long time, and I know you

830
00:43:02,800 --> 00:43:04,719
Speaker 2: might have seen them on me in the past, like

831
00:43:04,800 --> 00:43:07,000
Speaker 2: when you saw the red ones in the past, the

832
00:43:07,120 --> 00:43:09,400
Speaker 2: red ones that I had, the red ones that I

833
00:43:09,520 --> 00:43:14,080
Speaker 2: gave Sea long that even though those were painted, they

834
00:43:14,320 --> 00:43:20,000
Speaker 2: never existed. These goliaps never existed till now they will.

835
00:43:21,920 --> 00:43:23,480
Speaker 2: People ask about them all the time, so I had

836
00:43:23,520 --> 00:43:25,719
Speaker 2: to put them off. They ain't't going my outfit when

837
00:43:25,719 --> 00:43:25,920
Speaker 2: they do.

838
00:43:26,040 --> 00:43:30,880
Speaker 1: Though. Yeah, it's always important to talk about, you know,

839
00:43:31,320 --> 00:43:33,480
Speaker 1: the accomplishments, you know what I'm saying, and the blessings

840
00:43:33,560 --> 00:43:35,560
Speaker 1: God has sent you and everything. But I feel like

841
00:43:35,640 --> 00:43:38,200
Speaker 1: it's equally as important to talk about, you know, if

842
00:43:38,239 --> 00:43:40,440
Speaker 1: you ever have rough patches on the journey for other

843
00:43:40,480 --> 00:43:42,680
Speaker 1: people out there going through the rough patches. So can

844
00:43:42,760 --> 00:43:44,600
Speaker 1: you recall a time when you was kind of like

845
00:43:45,640 --> 00:43:49,959
Speaker 1: maybe doubting, you know, continuing music, having a rough patch,

846
00:43:50,040 --> 00:43:51,080
Speaker 1: or just having a hard time?

847
00:43:51,160 --> 00:43:53,520
Speaker 3: Can you recall that in your journey right.

848
00:43:53,480 --> 00:43:55,959
Speaker 2: There right there? I think it was rough around that time.

849
00:43:56,719 --> 00:43:59,000
Speaker 2: You know, when the games start changing, you know what

850
00:43:59,000 --> 00:44:01,960
Speaker 2: I'm saying. Aims started changing and it got a little more,

851
00:44:02,080 --> 00:44:04,839
Speaker 2: you know, with the birabl kids jumping around, dancing.

852
00:44:04,600 --> 00:44:06,400
Speaker 3: And doing anything. You know.

853
00:44:08,239 --> 00:44:10,359
Speaker 2: I was working, and of course I think we did.

854
00:44:10,480 --> 00:44:12,480
Speaker 2: We did the Young Greatness record. I was over there

855
00:44:12,800 --> 00:44:16,080
Speaker 2: with QC over there to do with Kicking Flavor with

856
00:44:18,200 --> 00:44:21,080
Speaker 2: Coach Kate, right so, and I seen him doing this

857
00:44:21,200 --> 00:44:22,840
Speaker 2: thing with Yati and I was like, okay, you know

858
00:44:22,960 --> 00:44:25,920
Speaker 2: you're doing making some move, real big moves and this thing.

859
00:44:26,360 --> 00:44:28,080
Speaker 2: So I asked a couple of questions. I was like, man,

860
00:44:28,120 --> 00:44:30,760
Speaker 2: what you think, bro? He said, I've been watching your page.

861
00:44:31,239 --> 00:44:34,359
Speaker 2: He said, Man, what about them kids that you got.

862
00:44:35,320 --> 00:44:37,440
Speaker 2: I was having I was having a tough time at

863
00:44:37,480 --> 00:44:39,919
Speaker 2: the time, and he said, man, what about them kids

864
00:44:40,000 --> 00:44:42,359
Speaker 2: that you got that you be posting all the time?

865
00:44:42,480 --> 00:44:50,200
Speaker 2: Dancing interview? Yeah yeah, he said, yeah, he said many

866
00:44:50,400 --> 00:44:53,200
Speaker 2: they're the ones that I paid to do this, this, this,

867
00:44:53,440 --> 00:44:55,360
Speaker 2: and that. He said, look at the numbers. He was

868
00:44:55,400 --> 00:44:57,920
Speaker 2: showing me the numbers and everything that they danced on

869
00:44:58,160 --> 00:45:01,480
Speaker 2: was like twenty million, fifty. The man. I was like,

870
00:45:01,600 --> 00:45:06,040
Speaker 2: whoa on YouTube? I was like, oh, so yeah, pan,

871
00:45:06,200 --> 00:45:09,439
Speaker 2: But it's like, you know what I'm saying. So I said,

872
00:45:10,520 --> 00:45:12,880
Speaker 2: call them up, what y'all doing? And it was they

873
00:45:13,000 --> 00:45:16,040
Speaker 2: was upset. They was like, yo, man, these dudes man,

874
00:45:16,080 --> 00:45:18,520
Speaker 2: they took our songs. And then what I'm calling you.

875
00:45:18,520 --> 00:45:20,000
Speaker 2: Remember they're doing a little dance and they do the

876
00:45:20,040 --> 00:45:23,600
Speaker 2: reverse and he's like, man, they stole I moved the reverse.

877
00:45:24,080 --> 00:45:27,040
Speaker 2: I was like, okay, So I called court. I looked

878
00:45:27,040 --> 00:45:29,120
Speaker 2: at it. I was like can I'm like the dude

879
00:45:29,160 --> 00:45:31,800
Speaker 2: that store they moved. Man had six thousand views on

880
00:45:32,239 --> 00:45:35,839
Speaker 2: on on YouTube. So I said, let's make a song.

881
00:45:36,200 --> 00:45:41,680
Speaker 2: It's called in reverse. Boom. We make in Reverse. Made

882
00:45:41,719 --> 00:45:48,000
Speaker 2: the song sixty million views. Yeah writing no that I

883
00:45:48,040 --> 00:45:50,839
Speaker 2: think that was twenty five me. But that's like out

884
00:45:50,880 --> 00:45:52,879
Speaker 2: of nowhere, you know what I'm saying. But they would

885
00:45:52,880 --> 00:45:55,120
Speaker 2: have seen they had their little mask on with the pandemic.

886
00:45:55,640 --> 00:45:59,800
Speaker 2: They seen them everywhere. Remember, so like everybody going crazy

887
00:45:59,840 --> 00:46:03,240
Speaker 2: over that little song Boom. So so my boy Blessed

888
00:46:03,280 --> 00:46:06,640
Speaker 2: comes in being blessed. So he said, man, got this beat.

889
00:46:07,600 --> 00:46:09,480
Speaker 2: He was like, man, we want to talk about our rolexes.

890
00:46:09,520 --> 00:46:11,720
Speaker 2: We want to talk about rolet. We always wanted a rolex.

891
00:46:12,120 --> 00:46:14,799
Speaker 2: And then Little Tale was like Ao and Tayl. They

892
00:46:14,800 --> 00:46:17,200
Speaker 2: were like y'all want to do a song about roles.

893
00:46:17,600 --> 00:46:21,800
Speaker 2: I just wanted with a tabble ranch. I was like, okay,

894
00:46:22,840 --> 00:46:28,080
Speaker 2: then we just got in there. I was like yeah,

895
00:46:28,719 --> 00:46:33,080
Speaker 2: it was like, yigh, that's for it. Yeah, put it down,

896
00:46:33,880 --> 00:46:40,600
Speaker 2: went crazy, super crazy, and I was back. But you

897
00:46:40,680 --> 00:46:43,840
Speaker 2: know what, how many people, you know, man, gonna be

898
00:46:43,960 --> 00:46:46,440
Speaker 2: pushing forty some years old, gonna go and do a

899
00:46:46,560 --> 00:46:49,080
Speaker 2: song like that and you couldn't even you can't even

900
00:46:49,160 --> 00:46:52,400
Speaker 2: do a kid party with the record. And I mean

901
00:46:52,440 --> 00:46:54,480
Speaker 2: they don't play it. Probably want two or three times?

902
00:46:54,480 --> 00:46:56,040
Speaker 2: They played six, seven, eight times?

903
00:46:56,120 --> 00:46:58,880
Speaker 3: Yeah, yeah, yeah, you would have been there. Yea been there.

904
00:46:59,360 --> 00:47:02,120
Speaker 2: That's me, bro, that's me and them kids doing that,

905
00:47:02,560 --> 00:47:06,600
Speaker 2: you know what I'm saying. So it's just once again,

906
00:47:07,160 --> 00:47:10,680
Speaker 2: not really thinking about you know, your role. It's all

907
00:47:10,719 --> 00:47:13,080
Speaker 2: about thinking about purpose, you know what I'm saying.

908
00:47:13,239 --> 00:47:17,719
Speaker 3: And that's the win. Yeah. So mm hmm that's what

909
00:47:17,840 --> 00:47:21,640
Speaker 3: it is. When is wing Bak what twenty twenty five look.

910
00:47:21,560 --> 00:47:21,920
Speaker 1: Like for you?

911
00:47:22,000 --> 00:47:22,320
Speaker 2: What you have?

912
00:47:23,440 --> 00:47:27,080
Speaker 3: It's gonna be a big year of commerce, big commerce?

913
00:47:27,960 --> 00:47:31,400
Speaker 3: Yeah right, we hold you we might we.

914
00:47:31,440 --> 00:47:32,239
Speaker 2: Might have one of those.

915
00:47:32,600 --> 00:47:35,680
Speaker 3: Okay, it'll be on Billboard. Okay, it don't be.

916
00:47:35,880 --> 00:47:39,399
Speaker 2: I might put it on a billboard. I'm moving out

917
00:47:39,400 --> 00:47:43,960
Speaker 2: of the city. I'm still being the city. I love

918
00:47:44,000 --> 00:47:47,680
Speaker 2: the city. Man, have been good to me, brother, Yeah, yeah, man,

919
00:47:50,840 --> 00:47:53,320
Speaker 2: it means so. So what you said one hundred and

920
00:47:53,680 --> 00:47:55,919
Speaker 2: five means so something like that. You would take who's count?

921
00:47:59,160 --> 00:47:59,880
Speaker 3: That's impressive.

922
00:48:00,040 --> 00:48:01,520
Speaker 2: People will call you and just tell you what the

923
00:48:01,600 --> 00:48:03,399
Speaker 2: numbers are. I'm like, okay, yeah, all right, man.

924
00:48:04,320 --> 00:48:06,120
Speaker 1: Did you ever do a pub deal? You always kept

925
00:48:06,160 --> 00:48:10,240
Speaker 1: it like solo do as a producer, you a puppy.

926
00:48:10,400 --> 00:48:13,960
Speaker 2: Yeah, I've had nothing too crazy, but you know, just

927
00:48:14,040 --> 00:48:16,480
Speaker 2: a little something just to you know, they give it

928
00:48:16,520 --> 00:48:17,000
Speaker 2: out some money.

929
00:48:17,040 --> 00:48:21,080
Speaker 1: Man, what would you tell young producers do now though?

930
00:48:21,320 --> 00:48:24,520
Speaker 1: Because some some something, Yeah, someone complain about the pub

931
00:48:24,600 --> 00:48:25,040
Speaker 1: dudes like.

932
00:48:26,080 --> 00:48:28,439
Speaker 2: Get your get your weight down. You know what I'm saying,

933
00:48:28,560 --> 00:48:30,960
Speaker 2: get your get your way there because a lot of producers,

934
00:48:31,280 --> 00:48:34,160
Speaker 2: a lot of these young producers are making beats and

935
00:48:34,280 --> 00:48:37,279
Speaker 2: they think they producers. You know what I'm saying. And

936
00:48:38,760 --> 00:48:42,560
Speaker 2: here's my analogy. Right, If I take a Porsche car,

937
00:48:42,760 --> 00:48:46,520
Speaker 2: I take the Porsche Cayenne, the new Cayenne twenty twenty five,

938
00:48:47,280 --> 00:48:51,520
Speaker 2: and I go and sit it on the curve. That

939
00:48:51,600 --> 00:48:54,359
Speaker 2: ain't that ain't the Cayenne truck. That's just the Cayenne frame.

940
00:48:55,440 --> 00:48:58,840
Speaker 2: Who does all the engine work in battery, the lights,

941
00:48:59,200 --> 00:49:02,960
Speaker 2: that the or the recopinion, everything else that goes with

942
00:49:03,200 --> 00:49:07,200
Speaker 2: that car. If you're not there from inception to conception,

943
00:49:07,719 --> 00:49:10,000
Speaker 2: don't get mad when somebody get on top of your

944
00:49:10,080 --> 00:49:14,080
Speaker 2: record and say this is a Johnny Fizzle productions because

945
00:49:14,080 --> 00:49:17,120
Speaker 2: I went in and facilitated that for you. You ain't

946
00:49:17,120 --> 00:49:19,000
Speaker 2: seen DJ Keller go in there and make no beats.

947
00:49:19,600 --> 00:49:21,359
Speaker 2: You ain't seen hit Maker go in there and make

948
00:49:21,440 --> 00:49:23,560
Speaker 2: no beats. You ain't seen p the ain't gonna make

949
00:49:23,600 --> 00:49:24,000
Speaker 2: no beats.

950
00:49:25,040 --> 00:49:25,719
Speaker 3: You know what I'm saying.

951
00:49:26,239 --> 00:49:29,319
Speaker 2: So when I come and facilitate something like I said

952
00:49:29,440 --> 00:49:32,279
Speaker 2: once again, they get mixed up with the role. They

953
00:49:32,360 --> 00:49:34,880
Speaker 2: think Jesse if they supposed to be typing on beat. No,

954
00:49:35,080 --> 00:49:40,440
Speaker 2: I'm producer. I come from Quincy Jones in them. If

955
00:49:40,520 --> 00:49:42,359
Speaker 2: I got something to do with it, my name going

956
00:49:42,440 --> 00:49:43,960
Speaker 2: on it and I'm saying what I'm saying.

957
00:49:44,880 --> 00:49:45,600
Speaker 3: I earn that.

958
00:49:46,600 --> 00:49:49,880
Speaker 2: But if you make the play without me, then I

959
00:49:49,960 --> 00:49:50,400
Speaker 2: won't be a.

960
00:49:50,400 --> 00:49:52,879
Speaker 1: Part of you think You think that stuff. You think

961
00:49:52,880 --> 00:49:55,080
Speaker 1: it's stopping a lot of music from being tireless. The

962
00:49:55,160 --> 00:49:58,960
Speaker 1: fact that it's not so personal no more, whether it's producer, writer,

963
00:49:59,040 --> 00:49:59,799
Speaker 1: or facilitated.

964
00:50:00,040 --> 00:50:04,120
Speaker 2: Absolutely absolutely, And everybody's so busy trying to go sample something.

965
00:50:04,640 --> 00:50:06,560
Speaker 2: Who can find a best sample? Oh my god, I

966
00:50:06,680 --> 00:50:10,319
Speaker 2: just sampled this sample that people call me every other

967
00:50:10,640 --> 00:50:14,120
Speaker 2: day wanting me to take part in a record that

968
00:50:14,200 --> 00:50:14,919
Speaker 2: I already made.

969
00:50:17,360 --> 00:50:17,719
Speaker 3: Mm hmm.

970
00:50:19,200 --> 00:50:21,080
Speaker 2: Well you know when back did one of the old

971
00:50:21,120 --> 00:50:22,000
Speaker 2: records that made it big.

972
00:50:23,160 --> 00:50:24,279
Speaker 3: So you said you wouldn't do it.

973
00:50:24,560 --> 00:50:27,080
Speaker 2: I asked the question, does three six? I asked the question.

974
00:50:27,239 --> 00:50:28,520
Speaker 3: I asked you, does three six do it?

975
00:50:28,880 --> 00:50:29,560
Speaker 2: Three six? Do what?

976
00:50:30,440 --> 00:50:32,480
Speaker 1: They let people sample this ship and then kind of

977
00:50:32,800 --> 00:50:34,560
Speaker 1: be a part of the part of the records.

978
00:50:34,560 --> 00:50:37,080
Speaker 3: Again. Sometimes I think I think I might be wrong.

979
00:50:37,160 --> 00:50:38,880
Speaker 2: Was it bigger?

980
00:50:40,160 --> 00:50:41,960
Speaker 3: It might have worked for the time, the current time,

981
00:50:42,200 --> 00:50:43,160
Speaker 3: for the current generation.

982
00:50:43,239 --> 00:50:43,439
Speaker 2: Ship.

983
00:50:45,040 --> 00:50:50,560
Speaker 3: Yeah, I'll just say that Drake ship Drake uh pat Yeah, Yeah,

984
00:50:51,000 --> 00:50:52,320
Speaker 3: that's like a pet.

985
00:50:52,200 --> 00:50:55,759
Speaker 2: Sample a little bit, right, Was it a sip? He's

986
00:50:55,840 --> 00:50:56,560
Speaker 2: just on the record.

987
00:50:56,960 --> 00:51:01,000
Speaker 3: It was that sound like, yeah, definitely a three sound

988
00:51:01,120 --> 00:51:03,600
Speaker 3: you know what I'm saying. Well, yeah, yeah, that's the difference.

989
00:51:03,760 --> 00:51:07,560
Speaker 2: Said, the game is built on three six sounds? Right now? Yeah,

990
00:51:08,360 --> 00:51:11,080
Speaker 2: Mafia sound shout out mafia. You know what I'm saying.

991
00:51:11,120 --> 00:51:14,400
Speaker 2: Three six montha three six Manthfield was the first UH

992
00:51:15,440 --> 00:51:18,240
Speaker 2: crew that I was able to walk in and actually

993
00:51:18,360 --> 00:51:22,600
Speaker 2: see a check sitting on the desk and say, damn,

994
00:51:22,800 --> 00:51:24,879
Speaker 2: these niggas making some money. You know what I'm saying.

995
00:51:24,880 --> 00:51:27,920
Speaker 2: Because my dad used to work and select those hits

996
00:51:28,000 --> 00:51:31,120
Speaker 2: and Tennessee over there, and so I would be right

997
00:51:31,200 --> 00:51:33,759
Speaker 2: in there, in there with Johnny Phillips. Johnny Phillips had

998
00:51:33,800 --> 00:51:37,480
Speaker 2: selecto hits, so he's still to this day. There's a

999
00:51:37,520 --> 00:51:41,120
Speaker 2: lot of things hepnotized. Minds man. The boys had like

1000
00:51:41,239 --> 00:51:43,759
Speaker 2: eight nine checks sitting up there to just waiting two

1001
00:51:43,840 --> 00:51:48,120
Speaker 2: hundred thousand. Bang, you can make this.

1002
00:51:48,200 --> 00:51:48,680
Speaker 3: Kind of money.

1003
00:51:48,760 --> 00:51:51,880
Speaker 2: So that was that was. That was like in ninety

1004
00:51:52,239 --> 00:51:55,920
Speaker 2: one school, you know what I'm saying. So I'm boy

1005
00:51:55,960 --> 00:51:56,960
Speaker 2: making money in a long time.

1006
00:51:58,600 --> 00:51:58,799
Speaker 3: Yeah.

1007
00:51:59,560 --> 00:52:02,200
Speaker 2: And cult following, you know what I'm saying. With the

1008
00:52:02,360 --> 00:52:06,239
Speaker 2: with with the little UH, the cloak and that that

1009
00:52:06,480 --> 00:52:09,279
Speaker 2: that whole and seeing that they had a different follower

1010
00:52:09,719 --> 00:52:12,560
Speaker 2: mm hmm, different follow Yeah.

1011
00:52:13,719 --> 00:52:15,800
Speaker 4: Like you said, a lot of people still they still

1012
00:52:15,920 --> 00:52:19,560
Speaker 4: sampling and three six ships, like the sound.

1013
00:52:19,680 --> 00:52:22,200
Speaker 3: Sound said, they clear record every week.

1014
00:52:24,640 --> 00:52:27,600
Speaker 2: Every other day. Yeah, record I just got a record

1015
00:52:27,640 --> 00:52:29,920
Speaker 2: clear with my sample and they sample.

1016
00:52:31,560 --> 00:52:37,160
Speaker 3: Mm hmm yeah. Man, yeah yeah, they had them hits,

1017
00:52:37,360 --> 00:52:42,239
Speaker 3: they had the culture. Yeah yeah, what's next? Man?

1018
00:52:42,360 --> 00:52:46,520
Speaker 2: Like I said, Man, I mean shoot jacket over the collective.

1019
00:52:46,920 --> 00:52:51,920
Speaker 2: You know what I'm saying. Platform. Yeah, it's a platform.

1020
00:52:52,000 --> 00:52:59,640
Speaker 2: It's it's digital distribution, online distribution. It's called collective. Were

1021
00:52:59,680 --> 00:53:04,120
Speaker 2: talking and you know you're going on a distribution. Uh,

1022
00:53:04,480 --> 00:53:10,040
Speaker 2: you subscribe. You can also get you can get life insurance,

1023
00:53:10,120 --> 00:53:14,880
Speaker 2: health insurance and all of that big inside of it,

1024
00:53:15,480 --> 00:53:18,280
Speaker 2: you know what I mean. So shout out to Collective.

1025
00:53:19,280 --> 00:53:21,520
Speaker 2: I'll give you a lot of you know, schematics or

1026
00:53:21,560 --> 00:53:25,000
Speaker 2: whatever so you can tag them. You know what I mean. Collective.

1027
00:53:25,280 --> 00:53:27,879
Speaker 2: It's gonna be real big. I think it's the way

1028
00:53:27,960 --> 00:53:30,280
Speaker 2: for the future. We've got everybody got to have a platform.

1029
00:53:30,480 --> 00:53:33,239
Speaker 2: In fact, you know what I'm saying. Yeah, that's what

1030
00:53:33,360 --> 00:53:36,120
Speaker 2: time it is. And shout out to the Trap Stars,

1031
00:53:36,320 --> 00:53:39,840
Speaker 2: Vanda one in the building, Wanda one in the Trap Stars,

1032
00:53:40,320 --> 00:53:43,720
Speaker 2: Talent revolving around purpose. That's the trap, that's the new trapping.

1033
00:53:44,120 --> 00:53:47,520
Speaker 2: You know what I'm saying. We also up for Grammy Nods.

1034
00:53:48,760 --> 00:53:51,239
Speaker 2: Shout out to them for that. Shout out to Eric

1035
00:53:51,280 --> 00:53:55,800
Speaker 2: Bellinger also up for Grammy uh Young Bellinger. You know

1036
00:53:55,800 --> 00:54:00,200
Speaker 2: what I'm saying, New new Globe coming. So all was

1037
00:54:00,239 --> 00:54:06,399
Speaker 2: out right now? Yeah? Yeah, yeah it's out. Yeah. That's

1038
00:54:07,320 --> 00:54:13,680
Speaker 2: that's big globrig crazy, big glogo crazy. Cardia flying there

1039
00:54:13,719 --> 00:54:13,920
Speaker 2: with me.

1040
00:54:14,239 --> 00:54:17,560
Speaker 1: Yeah, well not much. Continue to sus you man. We

1041
00:54:17,719 --> 00:54:22,840
Speaker 1: will be waiting on our package as promised. It's some shade,

1042
00:54:22,920 --> 00:54:24,480
Speaker 1: some headphones, whatever else.

1043
00:54:24,320 --> 00:54:29,640
Speaker 2: You got us. Jazzy Day, I'm going to be what

1044
00:54:30,040 --> 00:54:30,680
Speaker 2: what is it, dame.

1045
00:54:32,239 --> 00:54:33,640
Speaker 3: We'll figured it out, but just get a date so

1046
00:54:33,719 --> 00:54:34,000
Speaker 3: they'll know.

1047
00:54:34,080 --> 00:54:40,600
Speaker 2: Every year. Every year, October the twenty sixth in Atlanta,

1048
00:54:40,680 --> 00:54:44,400
Speaker 2: Georgia is Jazzy Frey Day. We're also I'm doing a

1049
00:54:44,440 --> 00:54:46,399
Speaker 2: concert that you at the City Winery on the twenty

1050
00:54:46,480 --> 00:54:49,680
Speaker 2: eight It's gonna be real big City Winery. We're doing

1051
00:54:49,719 --> 00:54:52,080
Speaker 2: a tribute to the stars. You know what I'm saying.

1052
00:54:52,520 --> 00:54:58,719
Speaker 2: I'm saluting Temptations, Al Greene Baker, Frankie Beverly. Oh yeah,

1053
00:55:00,320 --> 00:55:06,640
Speaker 2: you gotta do that. Okay, listen, shout out to the

1054
00:55:07,000 --> 00:55:07,880
Speaker 2: whole Beverly family.

1055
00:55:07,960 --> 00:55:08,120
Speaker 3: Man.

1056
00:55:08,160 --> 00:55:11,800
Speaker 2: Everybody over there, man, stay see everybody over there, Beverly family.

1057
00:55:11,840 --> 00:55:14,120
Speaker 2: We've been man, we've been down for since day one.

1058
00:55:14,239 --> 00:55:14,880
Speaker 4: Man, you know what I mean.

1059
00:55:15,239 --> 00:55:17,319
Speaker 2: Shout out to the barcades. You know my daddy want

1060
00:55:17,360 --> 00:55:22,680
Speaker 2: to know which no barcades you know, yes, Sir Stacks, everybody.

1061
00:55:24,719 --> 00:55:27,200
Speaker 1: Big shouts out the Jazzy Fay pulling up the big

1062
00:55:27,320 --> 00:55:32,720
Speaker 1: facts checking big factspod dot com. We appreciate you, Jazzy

1063
00:55:32,800 --> 00:55:36,279
Speaker 1: So the street it's big

1064
00:55:36,400 --> 00:55:38,560
Speaker 2: Facts, no Captain bit