WEBVTT - Clea DuVall, Our Creative Partner Friend

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<v Speaker 1>Quikly week weeklykly.

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<v Speaker 2>You're looking well, of course, But I told you, I

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<v Speaker 2>told you what it would be, and thankfully, I think

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<v Speaker 2>we've done this enough times that we're ready for it.

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<v Speaker 1>Don't take it personal. Don't take it personal. It's fine,

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<v Speaker 1>it's not it's not personal with her.

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<v Speaker 3>And what we've learned is it's always business, uh that

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<v Speaker 3>the collaboration here, and I think we've found there is

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<v Speaker 3>something special when we put these ingredients together. There is

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<v Speaker 3>a delicious stew to be made. But we had come

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<v Speaker 3>to it with a misunderstanding that part of these creative partnerships, right,

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<v Speaker 3>is that there's a friendly emotional element and that's just

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<v Speaker 3>not always the case with everyone. And just eyes open

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<v Speaker 3>knowing that when Hayes and I work together, it's like

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<v Speaker 3>we actually like love each other, like we are in

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<v Speaker 3>love and we love each other, and so there's a

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<v Speaker 3>joy in that that It's like, is it a business?

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<v Speaker 1>Yeah, I guess we get a little bit of dough

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<v Speaker 1>from making the show.

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<v Speaker 4>Like I guess that's you know, part.

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<v Speaker 1>Of it is not really why we do it. And

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<v Speaker 1>then sometimes you encounter people clickly for instance, where that

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<v Speaker 1>doesn't have to be a piece of it.

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<v Speaker 5>That there's this.

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<v Speaker 3>Warmth or joy in the process of making something right.

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<v Speaker 6>Yeah, I mean I think that you go now, no,

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<v Speaker 6>go go no. I mean I think that we creatively,

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<v Speaker 6>we we mesh like that is like you can't the

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<v Speaker 6>work that we have done together.

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<v Speaker 1>I almost wish that wasn't the case, but it's undeniable.

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<v Speaker 6>It's undeniable, and I think that when we do try

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<v Speaker 6>to add the personal element, that's when things go south.

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<v Speaker 5>Well, this is part of.

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<v Speaker 7>This is part of I don't want to see the problem,

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<v Speaker 7>and I am a solutions guy. I always want to

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<v Speaker 7>be coming with like here's how we you know, I

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<v Speaker 7>don't we don't need to talk about that.

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<v Speaker 3>If I'm living on the problem, I'm not talking about

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<v Speaker 3>the solution. All I want to do is in a

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<v Speaker 3>practical way, figure out how to.

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<v Speaker 1>Get where we need to go from here.

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<v Speaker 7>I will tolerate anything, anything for the work, for the

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<v Speaker 7>product on the other side. Once that is like in

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<v Speaker 7>front of people like that, like everything else is gone right.

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<v Speaker 7>It doesn't need to be doing doing a show with

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<v Speaker 7>someone I am in love with too.

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<v Speaker 1>That happens to be the scenario. It doesn't need to

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<v Speaker 1>be to be.

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<v Speaker 7>That to also have output and inputy every single week

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<v Speaker 7>doesn't need to be.

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<v Speaker 1>That, it doesn't have to be.

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<v Speaker 7>I do want to point out that, while I agree

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<v Speaker 7>with you we have mesh creatively, the ideas are fucking

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<v Speaker 7>the most like premium, like choice cuts, like Kobe Beef,

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<v Speaker 7>like the most beautiful marble round and that makes it

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<v Speaker 7>that much more frustrating that I do just want to

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<v Speaker 7>point out we have not made a movie.

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<v Speaker 5>Not a single thing has come out of this partnership.

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<v Speaker 3>Not a frame has been shot to date, which makes

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<v Speaker 3>what we've created no less impressive. Yeah, but it is difficult, yes,

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<v Speaker 3>to share you know, some of some of the Kobe

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<v Speaker 3>Beef that has been generated. When, and I'm going to

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<v Speaker 3>say you, when you have failed to produce anything or

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<v Speaker 3>do anything, turn the camera, yes, even turn the camera

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<v Speaker 3>the I.

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<v Speaker 6>Feel like the last time we were together we did

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<v Speaker 6>talk about not using you language, and I want to

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<v Speaker 6>point out that I feel you language has been used,

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<v Speaker 6>and that immediately puts me on the defensive. I'm not

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<v Speaker 6>going to say who at it. I'm just talking about

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<v Speaker 6>my own feelings here.

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<v Speaker 7>Okay, but but that's coming from Okay. I honestly don't

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<v Speaker 7>even know how to say this without doing the thing.

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<v Speaker 1>I know, I know, I know, I know, and I

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<v Speaker 1>ran in.

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<v Speaker 7>Not using that language is coming from the person who

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<v Speaker 7>needs to be talked about in a critical way.

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<v Speaker 3>So one of us do that. One of us in

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<v Speaker 3>this room has not delivered on the promise of you.

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<v Speaker 6>Feel the correct in the room has not delivered. I'm

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<v Speaker 6>helping helping him because it just seems like he's.

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<v Speaker 3>Yes that we know can't happen unless someone in the room,

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<v Speaker 3>and it's not mean, it's not his and I'm sure

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<v Speaker 3>it's fucking Richie.

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<v Speaker 4>Does something with a camera to show everyone the.

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<v Speaker 3>Genius ideas that we've been coming up with, and we've

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<v Speaker 3>had so much good stuff, the characters.

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<v Speaker 1>That we've created.

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<v Speaker 7>Yeah, I do want to point out that as time passes,

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<v Speaker 7>as it tends to do, beef doesn't you can age it.

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<v Speaker 7>You can dry age. It has to be in exactly

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<v Speaker 7>the right conditions. And this beef is very wet.

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<v Speaker 1>It's starting to get wet aged.

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<v Speaker 5>Yeah.

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<v Speaker 7>And the concept of for example, a lot of the

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<v Speaker 7>original premise of Love and Santa was kind of built

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<v Speaker 7>around this idea of a swim p lea, which was

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<v Speaker 7>whatever a pool sharing app was very very popular when

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<v Speaker 7>we first started.

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<v Speaker 5>Doing this time that we introduced it twenty twenty two.

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<v Speaker 5>That app was.

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<v Speaker 1>Extremely relevant to the cultural conversation that was happening because

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<v Speaker 1>of the.

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<v Speaker 3>Unexpected delays in the physical production of the film. The

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<v Speaker 3>country has moved on a little bit from Swimpley and

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<v Speaker 3>I'm wondering, actually if that element needs to be updated

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<v Speaker 3>or removed.

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<v Speaker 1>And we cannot remove it without replacing it with something.

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<v Speaker 6>Yes, and I do have something agree with that, Okay.

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<v Speaker 6>You when when the other people at this table called

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<v Speaker 6>me and asked me to come in, I you know,

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<v Speaker 6>I had been waiting for this call, and I because

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<v Speaker 6>I because again the Kobe beef though that I understand

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<v Speaker 6>is getting wet. It's not, it's not so oked, but

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<v Speaker 6>it's getting there. So I I did sort of line

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<v Speaker 6>something up a new sponsor who I think is going

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<v Speaker 6>to like help us bring Love and Santa to the screen.

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<v Speaker 6>And it is shrimply so it is sort of like

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<v Speaker 6>a shrimp sharing site where you like, you go to

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<v Speaker 6>places and you can get.

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<v Speaker 1>Site meaning website.

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<v Speaker 6>Well app app. I'm sorry sorry, it's an app and.

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<v Speaker 5>It's in terrestrial.

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<v Speaker 6>It well it's in beta right now, like it will

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<v Speaker 6>by the time, like we need their sort of like

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<v Speaker 6>we are sort of launching the film with them.

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<v Speaker 3>But I think you want to drive people to the

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<v Speaker 3>app at this point. I mean even the landing page

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<v Speaker 3>should just be.

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<v Speaker 7>You don't want to be so easy to use that

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<v Speaker 7>nobody is using the.

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<v Speaker 6>App exactly exactly.

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<v Speaker 7>If any location tracking and stuff, you can't have that

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<v Speaker 7>with me.

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<v Speaker 3>Yeah, you just can't form the data and then away

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<v Speaker 3>with that getting people to actually directly subscribe.

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<v Speaker 7>Okay, shrimp, Okay, shrimply, so we have a little bit

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<v Speaker 7>of a surf and turf thing going on.

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<v Speaker 5>Yes exactly.

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<v Speaker 1>Okay, we have the beef and then we have now

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<v Speaker 1>the shrimp.

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<v Speaker 7>And this is being used primarily by event caterers.

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<v Speaker 6>It's anyone who it's the app. Basically, you go on

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<v Speaker 6>the app, it is always you have to set the

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<v Speaker 6>location sharing top.

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<v Speaker 5>Always, always, of course, and.

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<v Speaker 6>It's basically any time you are like you want to

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<v Speaker 6>like You're like, I'm kind of hungry, I want like

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<v Speaker 6>a snack, and then it shows you.

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<v Speaker 1>Anywhere around you that just I'm helping shrimp.

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<v Speaker 3>I'm me, I'm craving shrimp. I want shrimp right now.

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<v Speaker 3>Yes I do, I do what exactly In your version

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<v Speaker 3>of the world.

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<v Speaker 6>You don't have to do anything. You have the app

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<v Speaker 6>always on what you get immediately.

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<v Speaker 5>I have too many shrimp.

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<v Speaker 4>I cannot eat all this shrimp. Yes, I do what exactly?

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<v Speaker 6>Well, I mean, you have it depends on what you need, like, okay,

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<v Speaker 6>you have to shrimped.

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<v Speaker 4>Somebody to eat by shrimp. I'm me, I'm hungry. I

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<v Speaker 4>want trip.

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<v Speaker 8>Mike tummy, so probably I want shrimp. I need it

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<v Speaker 8>now the stores closed. I had too many shrimp. I

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<v Speaker 8>cannot eat anymore.

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<v Speaker 9>I do what exactly Okay, So you have your the

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<v Speaker 9>appiceite location, always sharing and notifications always on, so you

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<v Speaker 9>are feeling so grumbled, like so hungry, and then a notification, oh,

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<v Speaker 9>these are all the places that have shrimp near me.

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<v Speaker 5>This exists beta.

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<v Speaker 6>It's in beta. Yeah, and then you are I have

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<v Speaker 6>too much fromp What am I going to do? You

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<v Speaker 6>send an alert? It sends the alert to everyone around

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<v Speaker 6>you shrimp.

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<v Speaker 1>This guy I have to have push notifications.

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<v Speaker 6>On always yes, and ask app to track.

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<v Speaker 1>Is there.

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<v Speaker 5>Is there a bidding process?

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<v Speaker 6>I mean I guess it depends on how how many

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<v Speaker 6>people are after your shrimp, because if you get this

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<v Speaker 6>influx of people coming to you with to come get

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<v Speaker 6>your shrimp like they've gotten the notifications. It becomes that, yes.

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<v Speaker 1>Quite a little business.

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<v Speaker 6>But then you can do like a by it now.

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<v Speaker 1>Right Hazy? Hear what Isaac?

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<v Speaker 6>Mm hmm, you would do a by it now?

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<v Speaker 4>The bisness model.

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<v Speaker 6>I do think he heard it and you I heard

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<v Speaker 6>it as well. Yes, heard as well.

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<v Speaker 1>Richie, Have you heard what I said? Bidness model?

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<v Speaker 5>And I do what.

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<v Speaker 6>You sell your shrimp to? So Sewn is hungy. You

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<v Speaker 6>sell your shrimp to Sean? Sean buys your shrimp, don't

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<v Speaker 6>Richie and Seawan show up at the same time. Then

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<v Speaker 6>we're in business.

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<v Speaker 3>Oh so we don't know until we're outside the house

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<v Speaker 3>where the shrimp are whether or not we have actually won.

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<v Speaker 6>The auction for this shrimp is not guaranteed.

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<v Speaker 3>No, so I get a push notification, I drive to

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<v Speaker 3>the shrimp location. Then, depending on how many other people

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<v Speaker 3>are there, I guess from my car, enter an aggressive

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<v Speaker 3>bidding war in order to be the winner.

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<v Speaker 1>Of the shrimp by the time the shrimp or tuning.

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<v Speaker 1>But you you.

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<v Speaker 5>Said it visual.

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<v Speaker 7>But at the same time, that's the only when the yes,

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<v Speaker 7>because the location is being tracked and so that automatically

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<v Speaker 7>triggers the bidding protocol.

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<v Speaker 6>But you can set a by it now number. So Sean,

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<v Speaker 6>when you get that notification, you see the buy it now,

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<v Speaker 6>you can buy the shrimp and then that you've secured

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<v Speaker 6>the shrimp.

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<v Speaker 7>At that and maybe like that can be broken out

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<v Speaker 7>where it's like selling.

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<v Speaker 5>I can sell them in tranches.

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<v Speaker 1>Yes, yes, yes, it's only.

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<v Speaker 7>Wants three four hundred srim then that's not going to

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<v Speaker 7>be enough.

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<v Speaker 1>I'm me, I'm hungry for shrimp. I need way more

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<v Speaker 1>than that. At the point that I'm using this app,

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<v Speaker 1>that I've asked a track and I'm and I'm going

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<v Speaker 1>with a.

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<v Speaker 5>Big fat wallet ready to bid.

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<v Speaker 3>It's cash only, yeah, of course, yeah, so you know

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<v Speaker 3>I'm getting involved in this and I'm bidding against Richie.

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<v Speaker 3>We're battling each other.

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<v Speaker 1>I gotta have all the shrimp.

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<v Speaker 3>I gotta know that I'm not going to get undercut

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<v Speaker 3>on some other section of shrimp.

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<v Speaker 7>Now, if I'm shrimply, and this is no goodness of mine,

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<v Speaker 7>But if it's cash only, I would expect that shrimply

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<v Speaker 7>the traditional model would be taking a cut of the proceeds.

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<v Speaker 5>Unless it's is this a subscription based service?

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<v Speaker 7>Yeah, so you pay a monthly fee just to have

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<v Speaker 7>access to the resource to know where the shrimp is available.

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<v Speaker 3>Yes, And is there a vetting process where only certain

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<v Speaker 3>people are even going to be approved to have the

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<v Speaker 3>privilege of being on shrimply.

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<v Speaker 1>Yes.

0:14:31.840 --> 0:14:34.040
<v Speaker 6>It is very similar to riot in that way.

0:14:34.240 --> 0:14:36.080
<v Speaker 1>Okay, Oh that's interesting.

0:14:36.360 --> 0:14:40.000
<v Speaker 3>So it's very excuse very elite membership on shrimply.

0:14:41.320 --> 0:14:45.480
<v Speaker 6>There are also lots of ads, lots of ads because

0:14:45.520 --> 0:14:47.960
<v Speaker 6>they don't have the other funding stream.

0:14:48.040 --> 0:14:51.600
<v Speaker 5>That's money, now, I get it. Of course, I'm so

0:14:51.760 --> 0:14:53.000
<v Speaker 5>fucking stupid.

0:14:53.480 --> 0:14:56.640
<v Speaker 7>If they were taking a cut of the sales, people

0:14:56.680 --> 0:14:59.080
<v Speaker 7>could show up for the shrimp and then they could

0:14:59.120 --> 0:15:01.600
<v Speaker 7>just be like, to this, let's take this.

0:15:01.560 --> 0:15:02.160
<v Speaker 1>Off the app.

0:15:02.280 --> 0:15:04.480
<v Speaker 7>Yeah, you know what I mean, Like, why are we

0:15:04.560 --> 0:15:07.480
<v Speaker 7>paying cut of this? Like, let's just work this out

0:15:07.480 --> 0:15:09.400
<v Speaker 7>between us. You got the cash, I got the shrimp.

0:15:09.600 --> 0:15:11.760
<v Speaker 1>Like, let's just a lot of it seems to be

0:15:12.320 --> 0:15:13.520
<v Speaker 1>honor system.

0:15:13.360 --> 0:15:18.960
<v Speaker 7>Right unless by the time you get in the car,

0:15:19.240 --> 0:15:22.640
<v Speaker 7>even by the time you get ready to post these shrimp,

0:15:22.720 --> 0:15:24.280
<v Speaker 7>the transaction has already been made.

0:15:24.440 --> 0:15:27.840
<v Speaker 5>I like, I've I've I've paid my month already.

0:15:27.960 --> 0:15:31.960
<v Speaker 7>Yeah, and so shrimply like that's all gravy for them exactly.

0:15:32.000 --> 0:15:33.240
<v Speaker 1>It could be good to put on the shrimp.

0:15:33.440 --> 0:15:33.680
<v Speaker 6>Yeah.

0:15:34.400 --> 0:15:40.119
<v Speaker 3>Yeah, And this is something where I can just imagine

0:15:40.200 --> 0:15:42.200
<v Speaker 3>Rocket Money having.

0:15:42.000 --> 0:15:43.280
<v Speaker 1>To cancel people's shrimp please.

0:15:44.520 --> 0:15:45.000
<v Speaker 5>Mm hmmm.

0:15:45.640 --> 0:15:49.400
<v Speaker 3>Because about as I think about I'm subscribing to this,

0:15:49.480 --> 0:15:53.040
<v Speaker 3>and what what what the monthly subscription costs for premium membership?

0:15:53.080 --> 0:15:58.280
<v Speaker 6>Premium per month?

0:15:59.760 --> 0:16:02.560
<v Speaker 1>I think, and is there a yearly model as well? There?

0:16:02.560 --> 0:16:07.200
<v Speaker 6>And it does cost more more more, yeah.

0:16:07.240 --> 0:16:10.400
<v Speaker 1>Okay, but you do get that it's just a convenience.

0:16:11.120 --> 0:16:14.840
<v Speaker 3>But it's just a convenience. So I'm thinking, let's say, so,

0:16:14.920 --> 0:16:18.720
<v Speaker 3>let's say I got the yearly, which is gonna be Yeah,

0:16:18.760 --> 0:16:21.880
<v Speaker 3>so then it's gonna be like back in the napkin math.

0:16:22.640 --> 0:16:25.200
<v Speaker 7>Wait, it's ninety nine dollars and nine it's a month

0:16:25.240 --> 0:16:27.360
<v Speaker 7>and one hundred and sixty nine dollars and nine cents

0:16:27.440 --> 0:16:27.880
<v Speaker 7>per year.

0:16:28.360 --> 0:16:31.560
<v Speaker 1>You're saying it's one hundred and sixty per month. Yeah,

0:16:32.040 --> 0:16:33.480
<v Speaker 1>I'll make it for the seventies.

0:16:33.560 --> 0:16:43.320
<v Speaker 3>Yeah, okay, okay, So it's like, you know, roughly roughly

0:16:43.360 --> 0:16:46.880
<v Speaker 3>two thousand dollars a year, just for the just, for

0:16:47.000 --> 0:16:51.080
<v Speaker 3>the just, for the privilege to be allowed to bid

0:16:51.160 --> 0:16:54.680
<v Speaker 3>on the shrimp. Which can obviously get into the stratosphere

0:16:54.680 --> 0:16:56.960
<v Speaker 3>if you have someone like Ritchie also craving shrimp at

0:16:57.000 --> 0:17:01.120
<v Speaker 3>the same time. I don't think I'm going to use

0:17:01.160 --> 0:17:09.879
<v Speaker 3>that more than eight or nine times a day, Like,

0:17:10.119 --> 0:17:11.320
<v Speaker 3>I just don't see it.

0:17:11.680 --> 0:17:14.720
<v Speaker 1>I don't see it coming up that often.

0:17:16.000 --> 0:17:18.520
<v Speaker 3>That I'm going to be entering these bidding wars double

0:17:18.560 --> 0:17:22.879
<v Speaker 3>digit times per day, Like, I just don't see it,

0:17:23.560 --> 0:17:26.320
<v Speaker 3>which is fine, But I do think that's where Rocket

0:17:26.400 --> 0:17:29.000
<v Speaker 3>Money possibly could be a partner for us in this

0:17:29.800 --> 0:17:31.720
<v Speaker 3>where when the bottom falls out of.

0:17:31.640 --> 0:17:33.000
<v Speaker 1>Shrimply because.

0:17:34.400 --> 0:17:37.159
<v Speaker 3>The elite A tier membership like us is realizing like

0:17:38.480 --> 0:17:39.760
<v Speaker 3>we didn't need to do the yearly.

0:17:39.800 --> 0:17:44.080
<v Speaker 1>We're only using this eight maybe nine times a day.

0:17:45.119 --> 0:17:47.680
<v Speaker 5>What I do see is.

0:17:49.800 --> 0:17:55.400
<v Speaker 7>People connecting with each other, strangers and so.

0:17:55.560 --> 0:17:58.359
<v Speaker 1>Like you mentioned Ryah.

0:17:57.720 --> 0:18:02.919
<v Speaker 5>I honestly think and there's like the smell of the

0:18:03.000 --> 0:18:04.240
<v Speaker 5>shrimp is there.

0:18:04.320 --> 0:18:05.399
<v Speaker 7>Like the.

0:18:07.280 --> 0:18:14.120
<v Speaker 3>Extremely and so I really do see an erotic scent.

0:18:14.560 --> 0:18:17.200
<v Speaker 7>I see what Shrimpley is doing, and I think they

0:18:17.200 --> 0:18:21.919
<v Speaker 7>could almost make their nut every year just on licensing

0:18:22.000 --> 0:18:26.160
<v Speaker 7>the stories which I assume they do own stories from

0:18:26.160 --> 0:18:27.000
<v Speaker 7>how they connected.

0:18:27.920 --> 0:18:31.520
<v Speaker 3>If we could partner, yes, And now we're coming full

0:18:31.560 --> 0:18:36.000
<v Speaker 3>circle right back to producing some piece of filmed content,

0:18:36.200 --> 0:18:38.600
<v Speaker 3>ideally with the camera on this time.

0:18:38.840 --> 0:18:42.960
<v Speaker 1>Yeah, uh, that we are doing.

0:18:42.720 --> 0:18:50.680
<v Speaker 3>Sort of a modern romance, you know, anthology, uh, love dating,

0:18:51.560 --> 0:18:56.280
<v Speaker 3>you know, uh today current all the crazy.

0:18:55.960 --> 0:18:57.800
<v Speaker 1>Because people do all kinds of shit.

0:18:57.960 --> 0:18:58.560
<v Speaker 6>Oh yeah.

0:18:58.640 --> 0:19:01.119
<v Speaker 1>I mean when I was a kid growing up, you

0:19:01.200 --> 0:19:04.879
<v Speaker 1>didn't do all this stuff. What you saw was one

0:19:05.000 --> 0:19:09.560
<v Speaker 1>person meeting fucking another person and that was it. But

0:19:09.720 --> 0:19:17.679
<v Speaker 1>now what happens is there's dozens of people, robots, animals, plants,

0:19:18.280 --> 0:19:24.040
<v Speaker 1>all this stuff. There's no rules anymore. I mean, it's disgusting.

0:19:24.400 --> 0:19:28.680
<v Speaker 3>And with the shrimp involved, where they're putting it, I mean,

0:19:28.840 --> 0:19:29.520
<v Speaker 3>I think.

0:19:29.440 --> 0:19:34.280
<v Speaker 7>The most powerful Afroman desiac thrown into the mix.

0:19:34.600 --> 0:19:36.439
<v Speaker 1>Yeah, are you kidding me?

0:19:37.040 --> 0:19:40.360
<v Speaker 5>Hundreds of them.

0:19:39.080 --> 0:19:41.959
<v Speaker 6>Sometimes thousands, Oh my god.

0:19:42.359 --> 0:19:48.760
<v Speaker 7>Yeah yeah, so I could really see this putting rocket

0:19:48.760 --> 0:19:51.360
<v Speaker 7>booster shoes on Love and Santa.

0:19:52.080 --> 0:20:00.520
<v Speaker 5>Kevin had a note, Kevin other room, all of the

0:20:00.560 --> 0:20:05.280
<v Speaker 5>other room. Just a minute with this man.

0:20:06.280 --> 0:20:10.840
<v Speaker 7>What could possibly be in that other room?

0:20:11.920 --> 0:20:14.760
<v Speaker 1>Picture the layout? Yes, you see behind him there's a

0:20:14.800 --> 0:20:15.840
<v Speaker 1>door on each side.

0:20:15.680 --> 0:20:19.359
<v Speaker 7>Of the room, but the other room is on both sides,

0:20:19.400 --> 0:20:22.560
<v Speaker 7>and so he has easiest possible access no matter where

0:20:22.640 --> 0:20:23.160
<v Speaker 7>he is.

0:20:23.119 --> 0:20:25.200
<v Speaker 3>But one side is guarded by a demon who can

0:20:25.240 --> 0:20:27.040
<v Speaker 3>only tell the truth, and the other is guarded by

0:20:27.040 --> 0:20:28.359
<v Speaker 3>a demon who could only lie.

0:20:29.240 --> 0:20:32.040
<v Speaker 1>And so even Kevin like being able to get.

0:20:31.880 --> 0:20:34.560
<v Speaker 3>Out of one of the doors, is like this whole

0:20:34.600 --> 0:20:39.800
<v Speaker 3>process for him.

0:20:39.840 --> 0:20:40.639
<v Speaker 1>What's up, Clia?

0:20:41.359 --> 0:20:45.119
<v Speaker 6>Not much? How you doing? See get to see you

0:20:45.119 --> 0:20:45.480
<v Speaker 6>as well?

0:20:46.560 --> 0:20:52.360
<v Speaker 7>And this is the the dessert before the nasty medicine

0:20:52.480 --> 0:20:56.199
<v Speaker 7>that he which is he does have a No, he

0:20:56.280 --> 0:21:00.639
<v Speaker 7>has a suggestion about love and Santa that he would

0:21:00.680 --> 0:21:01.359
<v Speaker 7>like to share.

0:21:01.480 --> 0:21:03.800
<v Speaker 1>I don't think it necessarily fights what we've been talking.

0:21:03.960 --> 0:21:10.640
<v Speaker 6>No, actually it does, yes, okay.

0:21:10.960 --> 0:21:16.280
<v Speaker 4>Five words young love and young Santa.

0:21:20.000 --> 0:21:20.920
<v Speaker 7>M h.

0:21:23.119 --> 0:21:26.000
<v Speaker 6>I feel like this fits in perfectly.

0:21:25.840 --> 0:21:32.520
<v Speaker 3>Really with the hyper sexual, incredibly erotic sort of territory

0:21:32.560 --> 0:21:36.480
<v Speaker 3>that we wanted to explore. That you think making everyone

0:21:36.640 --> 0:21:39.679
<v Speaker 3>much younger is going to home he wants to do.

0:21:39.760 --> 0:21:43.480
<v Speaker 6>I think a young Sheldon, because that is too young.

0:21:43.720 --> 0:21:48.040
<v Speaker 7>I have not asked. I don't want to probe this

0:21:48.160 --> 0:21:51.080
<v Speaker 7>too far with Kevin. I wonder if we could split

0:21:51.119 --> 0:21:56.639
<v Speaker 7>the difference and find like an off campus type scenario.

0:21:56.119 --> 0:21:57.399
<v Speaker 1>That would be an idea.

0:21:57.640 --> 0:22:05.320
<v Speaker 3>I think Kevin is saying they shouldn't be that young

0:22:05.840 --> 0:22:10.399
<v Speaker 3>for Pennsylvania, which I think because he has moved, his

0:22:10.520 --> 0:22:14.360
<v Speaker 3>sort of standard what is normal.

0:22:16.000 --> 0:22:18.160
<v Speaker 1>Has warped in some way. I don't know if it's

0:22:18.200 --> 0:22:18.879
<v Speaker 1>older or younger.

0:22:18.960 --> 0:22:24.119
<v Speaker 3>I assume it is younger, and I just I just

0:22:24.160 --> 0:22:26.600
<v Speaker 3>don't want to engage with that at all.

0:22:26.720 --> 0:22:27.200
<v Speaker 1>With him.

0:22:27.720 --> 0:22:33.159
<v Speaker 5>He moved to Pennsylvania. Get this, He moved to Pennsylvania.

0:22:32.520 --> 0:22:35.679
<v Speaker 7>Because he thought that that was where the characters from

0:22:35.760 --> 0:22:37.600
<v Speaker 7>Hotel Transylvania went to school.

0:22:40.960 --> 0:22:43.080
<v Speaker 6>Kevin, are you hearing this?

0:22:43.400 --> 0:22:43.520
<v Speaker 7>Yea?

0:22:43.960 --> 0:22:47.760
<v Speaker 6>Where in Pennsylvania Pittsburgh?

0:22:48.080 --> 0:22:48.840
<v Speaker 5>Do you see the hat?

0:22:49.800 --> 0:22:56.040
<v Speaker 6>I mean I do now. I like Pennsylvania or Pittsburgh.

0:22:57.040 --> 0:22:57.480
<v Speaker 1>Come visit.

0:22:57.560 --> 0:22:58.400
<v Speaker 5>I got an extra room.

0:22:58.480 --> 0:23:03.320
<v Speaker 1>Friend, it's the same.

0:23:04.160 --> 0:23:04.880
<v Speaker 5>It's that door.

0:23:05.040 --> 0:23:07.440
<v Speaker 3>Yeah, and you can lock one door, but the other

0:23:07.480 --> 0:23:08.120
<v Speaker 3>one doesn't lock.

0:23:10.720 --> 0:23:14.320
<v Speaker 1>It's it's not good. I would not go use that room.

0:23:15.160 --> 0:23:17.840
<v Speaker 7>Are you you well you've ever done a cup of

0:23:17.840 --> 0:23:21.760
<v Speaker 7>coffee on any of these Uh? That shows about the

0:23:21.960 --> 0:23:26.320
<v Speaker 7>young people and they're sort of touching on each other.

0:23:26.960 --> 0:23:28.840
<v Speaker 5>They're doing fretage.

0:23:29.720 --> 0:23:32.760
<v Speaker 3>I mean, they're still sneaking around tricking. These people are

0:23:32.800 --> 0:23:34.760
<v Speaker 3>pretending to be dating because they really want to be

0:23:34.800 --> 0:23:37.560
<v Speaker 3>dating these other people, and these other people are being

0:23:37.600 --> 0:23:39.880
<v Speaker 3>tricked by that, and then the people who are pretending

0:23:39.880 --> 0:23:40.880
<v Speaker 3>are falling in love.

0:23:41.840 --> 0:23:45.440
<v Speaker 6>No, I haven't, but it doesn't know, it doesn't mean

0:23:45.480 --> 0:23:46.200
<v Speaker 6>that it.

0:23:46.040 --> 0:23:49.960
<v Speaker 1>Doesn't help us. Well, it means you haven't.

0:23:50.440 --> 0:23:57.400
<v Speaker 6>It means I haven't. Yes, but it means that I am.

0:23:56.640 --> 0:23:58.160
<v Speaker 5>Maybe do a show called high School.

0:23:58.440 --> 0:24:01.440
<v Speaker 6>Yeah, but we're not going The producers.

0:24:00.880 --> 0:24:04.400
<v Speaker 7>Of the show watching like, thanks, Well.

0:24:04.280 --> 0:24:08.000
<v Speaker 1>Why not going that you show? What were they doing

0:24:08.040 --> 0:24:08.560
<v Speaker 1>on that show?

0:24:08.800 --> 0:24:11.760
<v Speaker 6>They were being they were being in high school and

0:24:11.800 --> 0:24:14.919
<v Speaker 6>they were being gay but not telling people that that

0:24:15.080 --> 0:24:19.000
<v Speaker 6>was happening, and then liking each other. But then it

0:24:19.040 --> 0:24:19.880
<v Speaker 6>was complicated.

0:24:20.160 --> 0:24:22.359
<v Speaker 3>Well, this reminds me, This actually reminds me of something

0:24:22.359 --> 0:24:25.440
<v Speaker 3>that I had as an idea and was not related

0:24:25.480 --> 0:24:27.399
<v Speaker 3>to Kevin's side of it.

0:24:27.480 --> 0:24:30.240
<v Speaker 1>But you know, we did just celebrate America's two hundred

0:24:30.240 --> 0:24:33.880
<v Speaker 1>and fiftieth birthday. There's an air of patriotism.

0:24:33.960 --> 0:24:36.560
<v Speaker 3>We have a habit of not giving ourselves enough runway

0:24:36.800 --> 0:24:39.560
<v Speaker 3>with these you know holiday movies we've been doing where

0:24:39.600 --> 0:24:42.640
<v Speaker 3>we are always playing ketchup. So we have a full

0:24:42.800 --> 0:24:47.320
<v Speaker 3>year essentially from today. I think Santa should be in there.

0:24:47.359 --> 0:24:49.560
<v Speaker 3>I think Santa could be young. I think love should

0:24:49.560 --> 0:24:50.160
<v Speaker 3>be a part of it.

0:24:51.359 --> 0:24:59.920
<v Speaker 1>Guncle Sam. Mmmm, gun Cale Sam?

0:25:00.359 --> 0:25:03.080
<v Speaker 4>Is this feeling right relevant? Right now?

0:25:04.200 --> 0:25:07.280
<v Speaker 6>So this would be for America's two hundred and fifty

0:25:07.359 --> 0:25:10.520
<v Speaker 6>first Yesday, Yes, which I think there will be the

0:25:10.560 --> 0:25:11.879
<v Speaker 6>same amount of sort of family.

0:25:11.880 --> 0:25:14.120
<v Speaker 3>Maybe he's waiting two hundred and fifty years to come

0:25:14.160 --> 0:25:16.919
<v Speaker 3>out or you know, I don't know exactly, but it's

0:25:16.920 --> 0:25:20.720
<v Speaker 3>like with your experience with high school that actually could

0:25:20.800 --> 0:25:21.440
<v Speaker 3>be relevant.

0:25:22.520 --> 0:25:25.200
<v Speaker 1>Certainly wasn't relevant to what we were talking about before.

0:25:25.400 --> 0:25:27.320
<v Speaker 1>So I'm now helping.

0:25:27.440 --> 0:25:32.480
<v Speaker 7>I think, Okay, you never see him with an aunt, Samantha.

0:25:33.920 --> 0:25:41.320
<v Speaker 7>He's a confirmed bachelor titan. He's got that bird that

0:25:41.400 --> 0:25:43.960
<v Speaker 7>he's is like a companion for him.

0:25:44.359 --> 0:25:49.200
<v Speaker 3>Yeah, it's an African Gray. Yeah, I mean they live forever.

0:25:48.880 --> 0:25:52.040
<v Speaker 6>Too, so in yeah, you know, think of the secrets

0:25:52.080 --> 0:25:54.680
<v Speaker 6>that African Gray would kind of spilled as well.

0:25:54.920 --> 0:25:58.320
<v Speaker 7>Yeah, that's interesting that telling everyone and that the people

0:25:58.359 --> 0:26:00.919
<v Speaker 7>on the show were being gay, and though you they

0:26:00.960 --> 0:26:07.000
<v Speaker 7>literally didn't want delicit weiding everyone and the producers are like, wow,

0:26:09.119 --> 0:26:12.320
<v Speaker 7>didn't happen. Now she's telling everyone that the people on

0:26:12.400 --> 0:26:17.840
<v Speaker 7>it are being gay.

0:26:21.000 --> 0:26:22.960
<v Speaker 3>This could be a chance maybe to be more of

0:26:23.000 --> 0:26:25.200
<v Speaker 3>an ally to Gunkle Sam than you were.

0:26:25.320 --> 0:26:27.800
<v Speaker 1>Perhaps to some of the characters on the High School show.

0:26:29.320 --> 0:26:35.200
<v Speaker 7>Guns is gunkle Sam young Santa's gunkle?

0:26:36.680 --> 0:26:41.160
<v Speaker 5>Right? Is that? Like, do we not overcomplicate this well?

0:26:41.359 --> 0:26:45.720
<v Speaker 1>And they both have beards, Yeah, they both have white hair.

0:26:47.880 --> 0:26:53.760
<v Speaker 3>And perhaps they both have beards.

0:26:55.840 --> 0:26:58.439
<v Speaker 6>I mean because Santa, as we now, has a beard,

0:26:58.520 --> 0:27:02.680
<v Speaker 6>but he is he is young, So does he have

0:27:02.760 --> 0:27:04.800
<v Speaker 6>the beard as a young man?

0:27:05.280 --> 0:27:07.640
<v Speaker 1>So yes, and we.

0:27:07.560 --> 0:27:09.320
<v Speaker 3>Still need to recognize him as Santa yea and he

0:27:09.359 --> 0:27:10.640
<v Speaker 3>should be rough with the height.

0:27:11.440 --> 0:27:14.520
<v Speaker 6>And does Uncle Sam excuse me, Guncle Sam also have

0:27:14.640 --> 0:27:15.040
<v Speaker 6>the beard?

0:27:16.600 --> 0:27:16.959
<v Speaker 5>Yes?

0:27:17.440 --> 0:27:20.280
<v Speaker 6>Okay, so we're talking about literal and metaphor it's for

0:27:20.440 --> 0:27:23.600
<v Speaker 6>both of them. Okay, who can we talk more about

0:27:23.640 --> 0:27:28.600
<v Speaker 6>the beard characters, the metaphorical beard characters, like how are you?

0:27:28.640 --> 0:27:31.320
<v Speaker 6>And is it that you see him?

0:27:32.480 --> 0:27:34.240
<v Speaker 5>But maybe there is.

0:27:36.400 --> 0:27:39.680
<v Speaker 1>So that's not that he doesn't have a beard. He

0:27:39.720 --> 0:27:43.000
<v Speaker 1>has a friend who like plus one, you know.

0:27:43.720 --> 0:27:49.080
<v Speaker 3>Perpetually and it's sort of you know, just to avoid

0:27:49.200 --> 0:27:54.760
<v Speaker 3>any questions and and and and maybe and maybe this film.

0:27:55.040 --> 0:27:59.320
<v Speaker 1>God, sometimes it feels so good to connect with you guys.

0:27:59.400 --> 0:27:59.600
<v Speaker 6>I know.

0:28:01.480 --> 0:28:02.560
<v Speaker 1>Here's the why today.

0:28:04.920 --> 0:28:09.800
<v Speaker 3>Uncle Sam's losing the beard. Oh, Uncle Sam is losing

0:28:09.800 --> 0:28:10.560
<v Speaker 3>the beard?

0:28:11.480 --> 0:28:17.159
<v Speaker 5>Clean shaven that one, okay, and Okay, Juniper.

0:28:17.560 --> 0:28:23.320
<v Speaker 3>Juniper is she met someone, she met someone, and this

0:28:23.440 --> 0:28:25.000
<v Speaker 3>arrangement isn't working for her anymore.

0:28:26.880 --> 0:28:29.000
<v Speaker 1>No, Goncle Sam is out there.

0:28:29.240 --> 0:28:31.680
<v Speaker 3>Yeah, right, and this is where we bring in, right,

0:28:31.960 --> 0:28:34.879
<v Speaker 3>some of this modern dating stuff we've been talking about,

0:28:35.160 --> 0:28:39.760
<v Speaker 3>some of this shrimply stuff we've been talking about, right, Yeah, yes,

0:28:40.640 --> 0:28:43.240
<v Speaker 3>Goncle Sam is getting out there.

0:28:43.640 --> 0:28:46.040
<v Speaker 1>Maybe a Roger Dodger thing with Young Santa.

0:28:46.560 --> 0:28:53.720
<v Speaker 7>Yeah, yeah, he's giving Young Santa directions on how to

0:28:54.520 --> 0:28:59.120
<v Speaker 7>woo ladies, but he.

0:28:58.280 --> 0:29:06.080
<v Speaker 3>Himself, yes, doesn't really have those tools, right, and he's deciding.

0:29:06.360 --> 0:29:08.520
<v Speaker 1>Jesus Christ, I'm two hundred and fifty one years old.

0:29:08.560 --> 0:29:11.480
<v Speaker 3>How long am I gonna wait to really see my

0:29:11.640 --> 0:29:16.640
<v Speaker 3>own contentment and happiness and explore my sexuality, possibly through

0:29:16.640 --> 0:29:21.960
<v Speaker 3>a shrimp based sharing app that is tracking my location.

0:29:22.960 --> 0:29:27.760
<v Speaker 5>Here's Roger Dodger, No Campbell, Scott sup Man.

0:29:27.800 --> 0:29:33.720
<v Speaker 1>Young Jesse Eisenberg, Heisenberg, Jesse Heisenberg.

0:29:35.080 --> 0:29:39.160
<v Speaker 6>So okay, So in this movie, Santa is also.

0:29:39.200 --> 0:29:41.840
<v Speaker 3>Closet and maybe so I don't have it yet, but

0:29:41.960 --> 0:29:44.600
<v Speaker 3>it's like, and I don't have an impression, but it's

0:29:44.640 --> 0:29:47.960
<v Speaker 3>it's something where it's like well, I am actually the one,

0:29:47.960 --> 0:29:48.360
<v Speaker 3>the one.

0:29:48.200 --> 0:29:53.360
<v Speaker 7>That's really good, something that rhyme that's really good.

0:29:55.120 --> 0:29:56.320
<v Speaker 5>And he says he doesn't have it.

0:29:56.480 --> 0:30:11.480
<v Speaker 10>Yeah, uh, whywood Ham, Whollywood Ham, you said Santa's gay too?

0:30:11.960 --> 0:30:15.640
<v Speaker 6>No, I'm asking because you're saying if they both have beards,

0:30:16.080 --> 0:30:20.360
<v Speaker 6>and they have beards, that implies. But is Santa's beard

0:30:20.520 --> 0:30:24.120
<v Speaker 6>more about covering up that he is Santa because he's

0:30:24.160 --> 0:30:24.840
<v Speaker 6>not like more of.

0:30:24.840 --> 0:30:26.680
<v Speaker 1>A Maybe shouldn't have said that.

0:30:28.680 --> 0:30:31.640
<v Speaker 6>You shouldn't have said that because I feel really confused now.

0:30:31.920 --> 0:30:34.800
<v Speaker 1>I shouldn't have said that, can you just because.

0:30:35.320 --> 0:30:39.080
<v Speaker 6>We are vibing so hard and like and I just wow, he's.

0:30:39.000 --> 0:30:43.880
<v Speaker 7>Just opening up to say that he needs a beard

0:30:44.000 --> 0:30:48.080
<v Speaker 7>type character to prevent people from knowing that he is

0:30:48.680 --> 0:30:53.640
<v Speaker 7>married to Missus Clause, which would reveal that he is Santa.

0:30:54.240 --> 0:30:54.920
<v Speaker 1>So she is.

0:30:54.840 --> 0:30:59.600
<v Speaker 6>Still Missus Clause in the movie. Yeah, and he has

0:30:59.600 --> 0:31:00.320
<v Speaker 6>a different name.

0:31:01.800 --> 0:31:06.280
<v Speaker 7>His name is Santa, but maybe his last name is different.

0:31:06.680 --> 0:31:09.120
<v Speaker 1>Okay, he's not Santa Claus, right.

0:31:08.880 --> 0:31:12.760
<v Speaker 7>Because he's not revealing that he's married to Missus Claws,

0:31:13.600 --> 0:31:14.360
<v Speaker 7>which would.

0:31:14.160 --> 0:31:19.160
<v Speaker 1>Of course, he could be Santa Cruz Cruz like Tom

0:31:19.440 --> 0:31:20.200
<v Speaker 1>like Tom Cruise.

0:31:20.240 --> 0:31:24.640
<v Speaker 3>Yeah, he's he's like Tom Cruise's you know, cousin or something.

0:31:27.360 --> 0:31:30.520
<v Speaker 3>I guess William Napather is already Tom Cruise's cousin. Yeah

0:31:31.040 --> 0:31:34.200
<v Speaker 3>Ethan from Lost. Yeah, well he could have more than

0:31:34.200 --> 0:31:36.760
<v Speaker 3>one cousin. I mean that doesn't break the reality, does it.

0:31:36.840 --> 0:31:38.920
<v Speaker 6>I don't know for me, Like I actually did make

0:31:38.960 --> 0:31:42.000
<v Speaker 6>a movie with William Abether. We played husband and wife.

0:31:42.360 --> 0:31:43.520
<v Speaker 6>So I don't know if I'm going.

0:31:43.520 --> 0:31:45.240
<v Speaker 1>To be able to to separate.

0:31:45.480 --> 0:31:47.640
<v Speaker 6>Yeah, I just don't think I'm going to be able

0:31:47.640 --> 0:31:48.200
<v Speaker 6>to separate them.

0:31:48.240 --> 0:31:51.320
<v Speaker 1>Well, is it what if we cast him as Santa Cruz?

0:31:53.360 --> 0:31:53.719
<v Speaker 5>Yeah?

0:31:53.840 --> 0:31:56.280
<v Speaker 3>I mean is that good casting then? For Santa Cruz?

0:31:57.160 --> 0:32:00.120
<v Speaker 3>For young Santa Cruz? We got William Mappither.

0:32:02.480 --> 0:32:07.200
<v Speaker 6>What could we do Santa Monica? And maybe then Monica

0:32:07.320 --> 0:32:10.440
<v Speaker 6>Lewinsky Monica o Whinsky or I was thinking.

0:32:10.320 --> 0:32:12.920
<v Speaker 7>You want to cast Monica Lewinsky as Santa Claus.

0:32:12.720 --> 0:32:14.520
<v Speaker 6>Well, I was actually thinking of Courtney Cox.

0:32:15.480 --> 0:32:23.800
<v Speaker 7>You want to cast Courtney Cox as you want her

0:32:24.000 --> 0:32:29.680
<v Speaker 7>character from the show called Friends?

0:32:29.760 --> 0:32:33.040
<v Speaker 3>Yeahs wouldn't hurt to be connected to that ip By

0:32:33.080 --> 0:32:38.560
<v Speaker 3>the way, to be young people are actually watching these

0:32:38.600 --> 0:32:43.920
<v Speaker 3>older sitcoms. They actually are watching that. You know, it's like,

0:32:44.240 --> 0:32:47.040
<v Speaker 3>is the sitcom dead or are we just not making

0:32:47.080 --> 0:32:48.600
<v Speaker 3>anything like Friends anymore?

0:32:48.640 --> 0:32:52.000
<v Speaker 4>Because they're watching this y, so what happened?

0:32:52.640 --> 0:32:56.000
<v Speaker 1>They don't want these short episodes, they want big episodes.

0:32:56.480 --> 0:32:59.880
<v Speaker 5>But then we give them adults and whether.

0:32:59.640 --> 0:33:04.240
<v Speaker 3>They show and then we hand delivered. No, yes, we

0:33:04.400 --> 0:33:05.920
<v Speaker 3>give them over compensation.

0:33:06.320 --> 0:33:07.600
<v Speaker 5>Want that we give them?

0:33:08.640 --> 0:33:18.120
<v Speaker 1>No? No, thank you. I'm not hungry eat it.

0:33:18.120 --> 0:33:19.320
<v Speaker 4>It's finish your supper.

0:33:19.800 --> 0:33:21.480
<v Speaker 6>It is true, I admit that it is.

0:33:22.840 --> 0:33:23.360
<v Speaker 5>Do you want?

0:33:25.200 --> 0:33:30.800
<v Speaker 4>You said you let going theal Well, here's a whole

0:33:30.880 --> 0:33:36.040
<v Speaker 4>damn owen meal and all of a sudden you're not hungry.

0:33:37.120 --> 0:33:37.880
<v Speaker 5>I'm sorry.

0:33:38.680 --> 0:33:44.360
<v Speaker 4>This generation, I'm sorry, makes me fucking sick.

0:33:46.080 --> 0:33:46.560
<v Speaker 1>Go ahead.

0:33:46.800 --> 0:33:49.520
<v Speaker 3>Yeah, it makes me wonder why we're making anything. Well no,

0:33:49.680 --> 0:33:50.960
<v Speaker 3>it makes me wonder why we're making.

0:33:50.880 --> 0:33:55.040
<v Speaker 1>Anything and we're not and we have it and we

0:33:55.120 --> 0:33:56.120
<v Speaker 1>have it. Maybe you were.

0:33:56.040 --> 0:33:58.720
<v Speaker 3>Right and I didn't mean you. Maybe someone in this

0:33:58.800 --> 0:34:00.840
<v Speaker 3>room was right to not literally do.

0:34:00.840 --> 0:34:01.480
<v Speaker 1>Anything at all.

0:34:03.240 --> 0:34:08.960
<v Speaker 6>I don't know. I know that, Like, I don't think

0:34:09.080 --> 0:34:14.239
<v Speaker 6>Courtney Cox is right for the part but for Santa Monica,

0:34:14.719 --> 0:34:18.680
<v Speaker 6>but we should cast her. But I do think it

0:34:18.719 --> 0:34:23.719
<v Speaker 6>would be interesting. Yeah, it would definitely, like nobody's going

0:34:23.760 --> 0:34:26.840
<v Speaker 6>to Sue, she's yeah.

0:34:26.480 --> 0:34:27.799
<v Speaker 5>But we should do it.

0:34:27.920 --> 0:34:30.360
<v Speaker 1>We got to put her in the show then, right.

0:34:30.200 --> 0:34:32.480
<v Speaker 6>Because then it kind of maybe becomes like a backdoor

0:34:32.560 --> 0:34:37.480
<v Speaker 6>pilot for Friends the Friends Part two, right, or we.

0:34:37.520 --> 0:34:40.960
<v Speaker 7>Just do the old one again? Are you allowed to

0:34:41.040 --> 0:34:44.600
<v Speaker 7>do that? Say this is a backdoor pilot and then

0:34:45.680 --> 0:34:47.759
<v Speaker 7>the old one was your idea, and then when they

0:34:47.840 --> 0:34:51.040
<v Speaker 7>put it on TV, it was your idea.

0:34:51.160 --> 0:34:53.279
<v Speaker 5>Now are you allowed to do that?

0:34:54.360 --> 0:34:55.960
<v Speaker 6>I don't think you're not allowed to do it?

0:34:56.080 --> 0:34:57.080
<v Speaker 5>Should we found it?

0:34:57.360 --> 0:34:59.400
<v Speaker 1>We got to do that. You're allowed to do that

0:34:59.440 --> 0:34:59.680
<v Speaker 1>at all?

0:34:59.680 --> 0:35:02.600
<v Speaker 7>We got Can we say we found that we did

0:35:02.640 --> 0:35:04.759
<v Speaker 7>it before and we just found.

0:35:04.400 --> 0:35:05.000
<v Speaker 5>It right now?

0:35:05.160 --> 0:35:07.239
<v Speaker 6>Yeah? Yeah, I feel like and that.

0:35:07.160 --> 0:35:10.440
<v Speaker 7>Would explain why we hadn't done anything in so long.

0:35:10.520 --> 0:35:15.480
<v Speaker 7>It's because we did this before, saying we did it before. Yeah,

0:35:15.520 --> 0:35:17.480
<v Speaker 7>and we use like an old camera.

0:35:19.320 --> 0:35:23.719
<v Speaker 1>Yeah, the old camera covers the tracks. Do you have

0:35:23.760 --> 0:35:25.640
<v Speaker 1>an old camera? How old is your camera?

0:35:27.520 --> 0:35:28.640
<v Speaker 6>At least thirty years old?

0:35:28.960 --> 0:35:32.799
<v Speaker 1>That feels like Kevin goes ew.

0:35:34.120 --> 0:35:35.080
<v Speaker 7>Too old?

0:35:37.080 --> 0:35:37.640
<v Speaker 1>Stop it.

0:35:40.280 --> 0:35:42.160
<v Speaker 6>I don't know. That show just did so well and

0:35:42.520 --> 0:35:45.080
<v Speaker 6>people are still watching it, and I just they are

0:35:45.239 --> 0:35:48.200
<v Speaker 6>and I feel like it's an easier like I I

0:35:48.280 --> 0:35:52.200
<v Speaker 6>know that shrimply would feel more comfortable with something that

0:35:52.400 --> 0:35:53.879
<v Speaker 6>was guaranteed to.

0:35:53.840 --> 0:35:56.280
<v Speaker 1>Be well, we do have to collaborate with our partners.

0:35:56.680 --> 0:36:02.160
<v Speaker 7>He's gone, Sam, the two hundred and fiftieth has just happened.

0:36:02.520 --> 0:36:06.640
<v Speaker 7>Not as many people showed up as he thought that big.

0:36:07.080 --> 0:36:09.600
<v Speaker 5>To the bash, to the bash.

0:36:10.080 --> 0:36:19.080
<v Speaker 7>Now he's sitting on literally enough shrimp to fill Fort Knox.

0:36:19.440 --> 0:36:23.480
<v Speaker 1>Yes, and he's calling SeaWorld.

0:36:23.920 --> 0:36:30.600
<v Speaker 3>Yeah, he's calling up SeaWorld saying, can you take any

0:36:30.640 --> 0:36:31.560
<v Speaker 3>of these shrimp off my hands?

0:36:31.600 --> 0:36:33.560
<v Speaker 4>I know you got some big ass fish over there.

0:36:34.719 --> 0:36:36.120
<v Speaker 1>They're not taking his call.

0:36:37.719 --> 0:36:41.600
<v Speaker 5>And so a shrimply.

0:36:42.239 --> 0:36:44.120
<v Speaker 7>I mean, this is like where they send these sales

0:36:44.200 --> 0:36:48.880
<v Speaker 7>rep you know, this is not like you know, they

0:36:48.920 --> 0:36:52.919
<v Speaker 7>have a whole client management process for whales like this

0:36:53.400 --> 0:36:58.560
<v Speaker 7>talking about SeaWorld. No, really think about that SeaWorld whales.

0:36:58.680 --> 0:37:00.879
<v Speaker 5>This is this is the gunk Sam a cow.

0:37:01.040 --> 0:37:05.760
<v Speaker 3>This is blackfish guncle Sam right, damn Orca.

0:37:06.640 --> 0:37:09.040
<v Speaker 7>This is where you know you got to take shrimply

0:37:09.080 --> 0:37:14.000
<v Speaker 7>out of Beita real quick. Also a kind of fish

0:37:15.280 --> 0:37:19.840
<v Speaker 7>they have it at the store, A beta fish another

0:37:20.080 --> 0:37:20.840
<v Speaker 7>name for a fish.

0:37:22.080 --> 0:37:27.080
<v Speaker 1>Don't play koy fish.

0:37:27.239 --> 0:37:29.200
<v Speaker 6>Can we stop carping on this and just like, get

0:37:29.280 --> 0:37:31.200
<v Speaker 6>to the other part of what you were saying.

0:37:33.239 --> 0:37:45.279
<v Speaker 11>Okay, the guy young Santa.

0:37:44.880 --> 0:37:50.560
<v Speaker 5>Works for shrimply he's the sales rep. Oh my gosh.

0:37:50.600 --> 0:37:55.000
<v Speaker 3>Oh yes, and it's like we're sending you to handle

0:37:55.040 --> 0:37:56.240
<v Speaker 3>our most important account.

0:37:56.239 --> 0:37:57.360
<v Speaker 1>But he's a young guy.

0:37:57.520 --> 0:37:58.759
<v Speaker 5>He's just out of.

0:37:59.360 --> 0:38:00.520
<v Speaker 1>It's it's it's it's.

0:38:03.280 --> 0:38:06.920
<v Speaker 3>Yeah, and been training under this veteran and it's like

0:38:06.960 --> 0:38:12.320
<v Speaker 3>you're finally you know, you're maybe given the reins. So

0:38:12.440 --> 0:38:15.280
<v Speaker 3>nice if we can get the supman for that. Campbell

0:38:15.320 --> 0:38:18.400
<v Speaker 3>Scott's the veteran at the Shrimpley company.

0:38:19.120 --> 0:38:22.360
<v Speaker 5>Who's you know, now tasked with training up this young.

0:38:22.280 --> 0:38:24.319
<v Speaker 1>Pop Santa Cruz.

0:38:26.920 --> 0:38:29.080
<v Speaker 4>Hat maybe it's williamper.

0:38:32.160 --> 0:38:34.520
<v Speaker 5>Monica. We did. I think that it's Corny Cox and

0:38:34.560 --> 0:38:35.359
<v Speaker 5>it's Courtney.

0:38:35.120 --> 0:38:36.120
<v Speaker 1>Cox, even though she's.

0:38:35.960 --> 0:38:37.600
<v Speaker 5>Wrong for it completely.

0:38:38.760 --> 0:38:40.200
<v Speaker 1>Yeah, I was not.

0:38:41.120 --> 0:38:43.239
<v Speaker 3>I was thinking about something else during some of the

0:38:43.239 --> 0:38:46.799
<v Speaker 3>Santa Monica discussion, and I didn't really hear a lot

0:38:46.840 --> 0:38:48.920
<v Speaker 3>of that, which, by the way, is part of our

0:38:48.960 --> 0:38:51.040
<v Speaker 3>process too. That can be so nice to make sure

0:38:51.040 --> 0:38:53.360
<v Speaker 3>everyone's on the same page by just someone ignores some

0:38:53.480 --> 0:38:56.040
<v Speaker 3>of it and then we all have a nice chance

0:38:56.080 --> 0:38:58.440
<v Speaker 3>to recap. When they're talking about an old version of

0:38:58.480 --> 0:39:01.319
<v Speaker 3>it several minutes later, she.

0:39:01.480 --> 0:39:08.040
<v Speaker 7>Could say, Santa Monica, I am the one who locks.

0:39:09.120 --> 0:39:13.040
<v Speaker 3>Uh huh, like fish they.

0:39:12.600 --> 0:39:15.080
<v Speaker 5>Sell other other they just.

0:39:15.960 --> 0:39:18.319
<v Speaker 1>Yeah, that's samon. Yeah, that's not going to be.

0:39:19.719 --> 0:39:24.120
<v Speaker 5>Yeah, there's gonna be there's never going to be any

0:39:24.160 --> 0:39:26.759
<v Speaker 5>left over locks from these events. Like that stuff goes.

0:39:28.440 --> 0:39:31.000
<v Speaker 3>People are throwing in their purse, but it's not finished,

0:39:31.040 --> 0:39:33.359
<v Speaker 3>you know, they're they're not leaving that, and it.

0:39:33.360 --> 0:39:37.600
<v Speaker 5>Keeps like we don't need to do anything with that.

0:39:38.600 --> 0:39:41.120
<v Speaker 7>The shrimp you gotta like, you gotta get that out

0:39:41.120 --> 0:39:43.760
<v Speaker 7>of the door, no quickness, it's.

0:39:43.760 --> 0:39:48.480
<v Speaker 3>Not it's not the same shelf life. There's a fantastic

0:39:48.680 --> 0:39:51.720
<v Speaker 3>ticking clock forcing the audience to feel the stakes.

0:39:51.840 --> 0:39:54.360
<v Speaker 1>I mean, this is this is die.

0:39:54.239 --> 0:39:59.040
<v Speaker 5>Hard and.

0:40:00.120 --> 0:40:03.680
<v Speaker 7>Or is I mean like I went straight to I'm

0:40:03.680 --> 0:40:06.440
<v Speaker 7>trying to get our characters together as quickly as possible,

0:40:06.520 --> 0:40:09.800
<v Speaker 7>of course, Like that's what that's what people are gonna be.

0:40:10.000 --> 0:40:12.080
<v Speaker 3>I think people will forgive a little bit of extra

0:40:12.120 --> 0:40:14.279
<v Speaker 3>shoe leather at the top of the film, and we

0:40:14.400 --> 0:40:18.120
<v Speaker 3>actually force these great characters into situations where they can

0:40:18.160 --> 0:40:21.759
<v Speaker 3>bounce off each other and create these wonderful dynamics. That

0:40:21.920 --> 0:40:25.279
<v Speaker 3>feels kind of like hanging out with your actual friends. Right,

0:40:25.920 --> 0:40:28.680
<v Speaker 3>It's that time in your life when your friends are

0:40:28.760 --> 0:40:31.280
<v Speaker 3>your family, and one of your friends is Guncle Sam,

0:40:31.360 --> 0:40:34.280
<v Speaker 3>and one of your friends is Young Santa Monica.

0:40:37.280 --> 0:40:42.560
<v Speaker 7>Young Santa Monica shows up, meets Guncle Sam. She's got

0:40:42.600 --> 0:40:46.879
<v Speaker 7>to land the plane on this account for shrimply, But

0:40:46.920 --> 0:40:50.479
<v Speaker 7>pretty soon she realizes that what she is actually she's

0:40:50.600 --> 0:40:54.960
<v Speaker 7>not just connecting Guncle Sam with someone to buy his shrimp.

0:40:55.560 --> 0:40:57.920
<v Speaker 5>She is playing sort of a serial.

0:40:57.600 --> 0:41:02.200
<v Speaker 7>De Burger Act type character where she is trying to

0:41:02.440 --> 0:41:09.960
<v Speaker 7>find Guncle Sam a.

0:41:08.120 --> 0:41:09.720
<v Speaker 1>Man just cubic.

0:41:10.600 --> 0:41:11.880
<v Speaker 6>Would it be the soup man?

0:41:13.280 --> 0:41:19.680
<v Speaker 1>Yes, yes, yes, we're using every part of the buffalo.

0:41:22.040 --> 0:41:32.800
<v Speaker 1>Mm hmm isn't that beautiful? Yes, Bromo Clickly it was

0:41:32.840 --> 0:41:36.440
<v Speaker 1>staring us right in the face, the Soupman and Gunkle

0:41:36.520 --> 0:41:39.040
<v Speaker 1>Sam and then jaded.

0:41:39.320 --> 0:41:43.399
<v Speaker 3>Yes, he's seen everything under the sun, handling these big

0:41:43.440 --> 0:41:44.320
<v Speaker 3>shrimp accounts.

0:41:44.920 --> 0:41:49.239
<v Speaker 1>And I think at first Google Sam they're button heads, right,

0:41:49.800 --> 0:41:51.240
<v Speaker 1>but then later they're.

0:41:51.040 --> 0:41:55.000
<v Speaker 3>Button heads together so they can make out.

0:41:54.719 --> 0:41:58.279
<v Speaker 5>Yeah, the butt and heads of mushroom. I mean that's

0:41:58.320 --> 0:41:58.640
<v Speaker 5>just what.

0:42:03.040 --> 0:42:04.680
<v Speaker 1>Who do you see it as?

0:42:05.920 --> 0:42:09.720
<v Speaker 6>Who do you see as gun Cale Sam?

0:42:10.040 --> 0:42:12.280
<v Speaker 5>I mean it would have to be someone pretty old.

0:42:14.440 --> 0:42:16.120
<v Speaker 1>I think it would be helpful.

0:42:16.160 --> 0:42:18.279
<v Speaker 3>We're saying that they're two hundred and fifty one at

0:42:18.280 --> 0:42:23.920
<v Speaker 3>this point or two fifty. But I do want to

0:42:24.000 --> 0:42:28.600
<v Speaker 3>invite an audience that can stay with us through the sequels.

0:42:28.200 --> 0:42:30.440
<v Speaker 1>And stuff, So I don't want to go too crazy.

0:42:31.400 --> 0:42:38.560
<v Speaker 5>Campbell is gotta be in his mid seventies at this

0:42:38.719 --> 0:42:39.719
<v Speaker 5>point minimum.

0:42:39.800 --> 0:42:46.840
<v Speaker 3>Right, here's an interesting question. Should they be American or

0:42:46.880 --> 0:42:54.319
<v Speaker 3>should they be British as they were here for sort

0:42:54.320 --> 0:43:00.680
<v Speaker 3>of the conception right of this country. There be a

0:43:00.760 --> 0:43:03.879
<v Speaker 3>little hint of that, a little bit of, you know,

0:43:05.000 --> 0:43:08.799
<v Speaker 3>a little bit of a whisper of some of that

0:43:09.880 --> 0:43:12.000
<v Speaker 3>old world European culture.

0:43:12.160 --> 0:43:17.120
<v Speaker 5>Do you have someone I know? Whenever, whenever you have

0:43:17.160 --> 0:43:18.880
<v Speaker 5>an idea like this, it's because you have.

0:43:19.200 --> 0:43:21.720
<v Speaker 1>When I ask a question, there's usually.

0:43:21.440 --> 0:43:27.640
<v Speaker 3>An answer that I can you have considering up to.

0:43:29.400 --> 0:43:30.080
<v Speaker 1>Simon Cowl?

0:43:31.640 --> 0:43:33.320
<v Speaker 6>Yes, perfect?

0:43:35.080 --> 0:43:39.720
<v Speaker 1>I mean is it's Simon Cowl. His face love Simon,

0:43:40.560 --> 0:43:45.960
<v Speaker 1>Love Simon.

0:43:42.640 --> 0:43:45.680
<v Speaker 6>Love his face.

0:43:45.880 --> 0:43:47.720
<v Speaker 1>His face does not betray his age.

0:43:47.800 --> 0:43:49.920
<v Speaker 5>Chad young Santa and love Simon.

0:43:51.680 --> 0:43:54.320
<v Speaker 1>So the fact that he can we can cast someone

0:43:54.760 --> 0:43:58.279
<v Speaker 1>who is on the older side, probably a similar age

0:43:58.280 --> 0:43:59.000
<v Speaker 1>to the soup man.

0:43:59.560 --> 0:44:02.359
<v Speaker 5>We could that they read read very young.

0:44:02.760 --> 0:44:06.080
<v Speaker 7>We could we could do honestly and aged up call

0:44:06.160 --> 0:44:08.719
<v Speaker 7>me by your name type thing like that, with the

0:44:08.880 --> 0:44:17.400
<v Speaker 7>gap between what Simon cow is presenting, yes, and Campbell

0:44:17.440 --> 0:44:23.080
<v Speaker 7>Scott and Simon is Timothy mm hmm, and.

0:44:24.719 --> 0:44:34.839
<v Speaker 6>But yeah, wait, Simon is gunkle the Superman is the

0:44:35.400 --> 0:44:37.840
<v Speaker 6>is like showing Santa the ropes.

0:44:37.960 --> 0:44:40.040
<v Speaker 3>He's the old He's like a you know, headed for

0:44:40.160 --> 0:44:43.359
<v Speaker 3>retirement from the from the Shrimpley company.

0:44:43.960 --> 0:44:44.640
<v Speaker 6>At the company.

0:44:44.880 --> 0:44:46.719
<v Speaker 3>He's all he's got to do is pass off this

0:44:46.800 --> 0:44:52.240
<v Speaker 3>one major account to the young whiz kid.

0:44:50.719 --> 0:44:55.800
<v Speaker 7>Cox, and then she ultimately sets him up with Guncle Sam,

0:44:56.280 --> 0:44:58.040
<v Speaker 7>and then he is showing Guncle Sam the.

0:44:58.000 --> 0:45:00.840
<v Speaker 6>Ropes witch ropes.

0:45:02.680 --> 0:45:03.680
<v Speaker 5>Please don't ask me that.

0:45:07.520 --> 0:45:08.480
<v Speaker 4>We'll figure that out.

0:45:08.520 --> 0:45:10.279
<v Speaker 6>I feel like we can figure that out on the day.

0:45:11.880 --> 0:45:15.239
<v Speaker 5>Bye, Hollywood.

0:45:15.320 --> 0:45:15.720
<v Speaker 1>Hamberg