Speaker 1: Quikly week weeklykly.
Speaker 2: You're looking well, of course, But I told you, I
Speaker 2: told you what it would be, and thankfully, I think
Speaker 2: we've done this enough times that we're ready for it.
Speaker 1: Don't take it personal. Don't take it personal. It's fine,
Speaker 1: it's not it's not personal with her.
Speaker 3: And what we've learned is it's always business, uh that
Speaker 3: the collaboration here, and I think we've found there is
Speaker 3: something special when we put these ingredients together. There is
Speaker 3: a delicious stew to be made. But we had come
Speaker 3: to it with a misunderstanding that part of these creative partnerships, right,
Speaker 3: is that there's a friendly emotional element and that's just
Speaker 3: not always the case with everyone. And just eyes open
Speaker 3: knowing that when Hayes and I work together, it's like
Speaker 3: we actually like love each other, like we are in
Speaker 3: love and we love each other, and so there's a
Speaker 3: joy in that that It's like, is it a business?
Speaker 1: Yeah, I guess we get a little bit of dough
Speaker 1: from making the show.
Speaker 4: Like I guess that's you know, part.
Speaker 1: Of it is not really why we do it. And
Speaker 1: then sometimes you encounter people clickly for instance, where that
Speaker 1: doesn't have to be a piece of it.
Speaker 5: That there's this.
Speaker 3: Warmth or joy in the process of making something right.
Speaker 6: Yeah, I mean I think that you go now, no,
Speaker 6: go go no. I mean I think that we creatively,
Speaker 6: we we mesh like that is like you can't the
Speaker 6: work that we have done together.
Speaker 1: I almost wish that wasn't the case, but it's undeniable.
Speaker 6: It's undeniable, and I think that when we do try
Speaker 6: to add the personal element, that's when things go south.
Speaker 5: Well, this is part of.
Speaker 7: This is part of I don't want to see the problem,
Speaker 7: and I am a solutions guy. I always want to
Speaker 7: be coming with like here's how we you know, I
Speaker 7: don't we don't need to talk about that.
Speaker 3: If I'm living on the problem, I'm not talking about
Speaker 3: the solution. All I want to do is in a
Speaker 3: practical way, figure out how to.
Speaker 1: Get where we need to go from here.
Speaker 7: I will tolerate anything, anything for the work, for the
Speaker 7: product on the other side. Once that is like in
Speaker 7: front of people like that, like everything else is gone right.
Speaker 7: It doesn't need to be doing doing a show with
Speaker 7: someone I am in love with too.
Speaker 1: That happens to be the scenario. It doesn't need to
Speaker 1: be to be.
Speaker 7: That to also have output and inputy every single week
Speaker 7: doesn't need to be.
Speaker 1: That, it doesn't have to be.
Speaker 7: I do want to point out that, while I agree
Speaker 7: with you we have mesh creatively, the ideas are fucking
Speaker 7: the most like premium, like choice cuts, like Kobe Beef,
Speaker 7: like the most beautiful marble round and that makes it
Speaker 7: that much more frustrating that I do just want to
Speaker 7: point out we have not made a movie.
Speaker 5: Not a single thing has come out of this partnership.
Speaker 3: Not a frame has been shot to date, which makes
Speaker 3: what we've created no less impressive. Yeah, but it is difficult, yes,
Speaker 3: to share you know, some of some of the Kobe
Speaker 3: Beef that has been generated. When, and I'm going to
Speaker 3: say you, when you have failed to produce anything or
Speaker 3: do anything, turn the camera, yes, even turn the camera
Speaker 3: the I.
Speaker 6: Feel like the last time we were together we did
Speaker 6: talk about not using you language, and I want to
Speaker 6: point out that I feel you language has been used,
Speaker 6: and that immediately puts me on the defensive. I'm not
Speaker 6: going to say who at it. I'm just talking about
Speaker 6: my own feelings here.
Speaker 7: Okay, but but that's coming from Okay. I honestly don't
Speaker 7: even know how to say this without doing the thing.
Speaker 1: I know, I know, I know, I know, and I
Speaker 1: ran in.
Speaker 7: Not using that language is coming from the person who
Speaker 7: needs to be talked about in a critical way.
Speaker 3: So one of us do that. One of us in
Speaker 3: this room has not delivered on the promise of you.
Speaker 6: Feel the correct in the room has not delivered. I'm
Speaker 6: helping helping him because it just seems like he's.
Speaker 3: Yes that we know can't happen unless someone in the room,
Speaker 3: and it's not mean, it's not his and I'm sure
Speaker 3: it's fucking Richie.
Speaker 4: Does something with a camera to show everyone the.
Speaker 3: Genius ideas that we've been coming up with, and we've
Speaker 3: had so much good stuff, the characters.
Speaker 1: That we've created.
Speaker 7: Yeah, I do want to point out that as time passes,
Speaker 7: as it tends to do, beef doesn't you can age it.
Speaker 7: You can dry age. It has to be in exactly
Speaker 7: the right conditions. And this beef is very wet.
Speaker 1: It's starting to get wet aged.
Speaker 5: Yeah.
Speaker 7: And the concept of for example, a lot of the
Speaker 7: original premise of Love and Santa was kind of built
Speaker 7: around this idea of a swim p lea, which was
Speaker 7: whatever a pool sharing app was very very popular when
Speaker 7: we first started.
Speaker 5: Doing this time that we introduced it twenty twenty two.
Speaker 5: That app was.
Speaker 1: Extremely relevant to the cultural conversation that was happening because
Speaker 1: of the.
Speaker 3: Unexpected delays in the physical production of the film. The
Speaker 3: country has moved on a little bit from Swimpley and
Speaker 3: I'm wondering, actually if that element needs to be updated
Speaker 3: or removed.
Speaker 1: And we cannot remove it without replacing it with something.
Speaker 6: Yes, and I do have something agree with that, Okay.
Speaker 6: You when when the other people at this table called
Speaker 6: me and asked me to come in, I you know,
Speaker 6: I had been waiting for this call, and I because
Speaker 6: I because again the Kobe beef though that I understand
Speaker 6: is getting wet. It's not, it's not so oked, but
Speaker 6: it's getting there. So I I did sort of line
Speaker 6: something up a new sponsor who I think is going
Speaker 6: to like help us bring Love and Santa to the screen.
Speaker 6: And it is shrimply so it is sort of like
Speaker 6: a shrimp sharing site where you like, you go to
Speaker 6: places and you can get.
Speaker 1: Site meaning website.
Speaker 6: Well app app. I'm sorry sorry, it's an app and.
Speaker 5: It's in terrestrial.
Speaker 6: It well it's in beta right now, like it will
Speaker 6: by the time, like we need their sort of like
Speaker 6: we are sort of launching the film with them.
Speaker 3: But I think you want to drive people to the
Speaker 3: app at this point. I mean even the landing page
Speaker 3: should just be.
Speaker 7: You don't want to be so easy to use that
Speaker 7: nobody is using the.
Speaker 6: App exactly exactly.
Speaker 7: If any location tracking and stuff, you can't have that
Speaker 7: with me.
Speaker 3: Yeah, you just can't form the data and then away
Speaker 3: with that getting people to actually directly subscribe.
Speaker 7: Okay, shrimp, Okay, shrimply, so we have a little bit
Speaker 7: of a surf and turf thing going on.
Speaker 5: Yes exactly.
Speaker 1: Okay, we have the beef and then we have now
Speaker 1: the shrimp.
Speaker 7: And this is being used primarily by event caterers.
Speaker 6: It's anyone who it's the app. Basically, you go on
Speaker 6: the app, it is always you have to set the
Speaker 6: location sharing top.
Speaker 5: Always, always, of course, and.
Speaker 6: It's basically any time you are like you want to
Speaker 6: like You're like, I'm kind of hungry, I want like
Speaker 6: a snack, and then it shows you.
Speaker 1: Anywhere around you that just I'm helping shrimp.
Speaker 3: I'm me, I'm craving shrimp. I want shrimp right now.
Speaker 3: Yes I do, I do what exactly In your version
Speaker 3: of the world.
Speaker 6: You don't have to do anything. You have the app
Speaker 6: always on what you get immediately.
Speaker 5: I have too many shrimp.
Speaker 4: I cannot eat all this shrimp. Yes, I do what exactly?
Speaker 6: Well, I mean, you have it depends on what you need, like, okay,
Speaker 6: you have to shrimped.
Speaker 4: Somebody to eat by shrimp. I'm me, I'm hungry. I
Speaker 4: want trip.
Speaker 8: Mike tummy, so probably I want shrimp. I need it
Speaker 8: now the stores closed. I had too many shrimp. I
Speaker 8: cannot eat anymore.
Speaker 9: I do what exactly Okay, So you have your the
Speaker 9: appiceite location, always sharing and notifications always on, so you
Speaker 9: are feeling so grumbled, like so hungry, and then a notification, oh,
Speaker 9: these are all the places that have shrimp near me.
Speaker 5: This exists beta.
Speaker 6: It's in beta. Yeah, and then you are I have
Speaker 6: too much fromp What am I going to do? You
Speaker 6: send an alert? It sends the alert to everyone around
Speaker 6: you shrimp.
Speaker 1: This guy I have to have push notifications.
Speaker 6: On always yes, and ask app to track.
Speaker 1: Is there.
Speaker 5: Is there a bidding process?
Speaker 6: I mean I guess it depends on how how many
Speaker 6: people are after your shrimp, because if you get this
Speaker 6: influx of people coming to you with to come get
Speaker 6: your shrimp like they've gotten the notifications. It becomes that, yes.
Speaker 1: Quite a little business.
Speaker 6: But then you can do like a by it now.
Speaker 1: Right Hazy? Hear what Isaac?
Speaker 6: Mm hmm, you would do a by it now?
Speaker 4: The bisness model.
Speaker 6: I do think he heard it and you I heard
Speaker 6: it as well. Yes, heard as well.
Speaker 1: Richie, Have you heard what I said? Bidness model?
Speaker 5: And I do what.
Speaker 6: You sell your shrimp to? So Sewn is hungy. You
Speaker 6: sell your shrimp to Sean? Sean buys your shrimp, don't
Speaker 6: Richie and Seawan show up at the same time. Then
Speaker 6: we're in business.
Speaker 3: Oh so we don't know until we're outside the house
Speaker 3: where the shrimp are whether or not we have actually won.
Speaker 6: The auction for this shrimp is not guaranteed.
Speaker 3: No, so I get a push notification, I drive to
Speaker 3: the shrimp location. Then, depending on how many other people
Speaker 3: are there, I guess from my car, enter an aggressive
Speaker 3: bidding war in order to be the winner.
Speaker 1: Of the shrimp by the time the shrimp or tuning.
Speaker 1: But you you.
Speaker 5: Said it visual.
Speaker 7: But at the same time, that's the only when the yes,
Speaker 7: because the location is being tracked and so that automatically
Speaker 7: triggers the bidding protocol.
Speaker 6: But you can set a by it now number. So Sean,
Speaker 6: when you get that notification, you see the buy it now,
Speaker 6: you can buy the shrimp and then that you've secured
Speaker 6: the shrimp.
Speaker 7: At that and maybe like that can be broken out
Speaker 7: where it's like selling.
Speaker 5: I can sell them in tranches.
Speaker 1: Yes, yes, yes, it's only.
Speaker 7: Wants three four hundred srim then that's not going to
Speaker 7: be enough.
Speaker 1: I'm me, I'm hungry for shrimp. I need way more
Speaker 1: than that. At the point that I'm using this app,
Speaker 1: that I've asked a track and I'm and I'm going
Speaker 1: with a.
Speaker 5: Big fat wallet ready to bid.
Speaker 3: It's cash only, yeah, of course, yeah, so you know
Speaker 3: I'm getting involved in this and I'm bidding against Richie.
Speaker 3: We're battling each other.
Speaker 1: I gotta have all the shrimp.
Speaker 3: I gotta know that I'm not going to get undercut
Speaker 3: on some other section of shrimp.
Speaker 7: Now, if I'm shrimply, and this is no goodness of mine,
Speaker 7: But if it's cash only, I would expect that shrimply
Speaker 7: the traditional model would be taking a cut of the proceeds.
Speaker 5: Unless it's is this a subscription based service?
Speaker 7: Yeah, so you pay a monthly fee just to have
Speaker 7: access to the resource to know where the shrimp is available.
Speaker 3: Yes, And is there a vetting process where only certain
Speaker 3: people are even going to be approved to have the
Speaker 3: privilege of being on shrimply.
Speaker 1: Yes.
Speaker 6: It is very similar to riot in that way.
Speaker 1: Okay, Oh that's interesting.
Speaker 3: So it's very excuse very elite membership on shrimply.
Speaker 6: There are also lots of ads, lots of ads because
Speaker 6: they don't have the other funding stream.
Speaker 5: That's money, now, I get it. Of course, I'm so
Speaker 5: fucking stupid.
Speaker 7: If they were taking a cut of the sales, people
Speaker 7: could show up for the shrimp and then they could
Speaker 7: just be like, to this, let's take this.
Speaker 1: Off the app.
Speaker 7: Yeah, you know what I mean, Like, why are we
Speaker 7: paying cut of this? Like, let's just work this out
Speaker 7: between us. You got the cash, I got the shrimp.
Speaker 1: Like, let's just a lot of it seems to be
Speaker 1: honor system.
Speaker 7: Right unless by the time you get in the car,
Speaker 7: even by the time you get ready to post these shrimp,
Speaker 7: the transaction has already been made.
Speaker 5: I like, I've I've I've paid my month already.
Speaker 7: Yeah, and so shrimply like that's all gravy for them exactly.
Speaker 1: It could be good to put on the shrimp.
Speaker 6: Yeah.
Speaker 3: Yeah, And this is something where I can just imagine
Speaker 3: Rocket Money having.
Speaker 1: To cancel people's shrimp please.
Speaker 5: Mm hmmm.
Speaker 3: Because about as I think about I'm subscribing to this,
Speaker 3: and what what what the monthly subscription costs for premium membership?
Speaker 6: Premium per month?
Speaker 1: I think, and is there a yearly model as well? There?
Speaker 6: And it does cost more more more, yeah.
Speaker 1: Okay, but you do get that it's just a convenience.
Speaker 3: But it's just a convenience. So I'm thinking, let's say, so,
Speaker 3: let's say I got the yearly, which is gonna be Yeah,
Speaker 3: so then it's gonna be like back in the napkin math.
Speaker 7: Wait, it's ninety nine dollars and nine it's a month
Speaker 7: and one hundred and sixty nine dollars and nine cents
Speaker 7: per year.
Speaker 1: You're saying it's one hundred and sixty per month. Yeah,
Speaker 1: I'll make it for the seventies.
Speaker 3: Yeah, okay, okay, So it's like, you know, roughly roughly
Speaker 3: two thousand dollars a year, just for the just, for
Speaker 3: the just, for the privilege to be allowed to bid
Speaker 3: on the shrimp. Which can obviously get into the stratosphere
Speaker 3: if you have someone like Ritchie also craving shrimp at
Speaker 3: the same time. I don't think I'm going to use
Speaker 3: that more than eight or nine times a day, Like,
Speaker 3: I just don't see it.
Speaker 1: I don't see it coming up that often.
Speaker 3: That I'm going to be entering these bidding wars double
Speaker 3: digit times per day, Like, I just don't see it,
Speaker 3: which is fine, But I do think that's where Rocket
Speaker 3: Money possibly could be a partner for us in this
Speaker 3: where when the bottom falls out of.
Speaker 1: Shrimply because.
Speaker 3: The elite A tier membership like us is realizing like
Speaker 3: we didn't need to do the yearly.
Speaker 1: We're only using this eight maybe nine times a day.
Speaker 5: What I do see is.
Speaker 7: People connecting with each other, strangers and so.
Speaker 1: Like you mentioned Ryah.
Speaker 5: I honestly think and there's like the smell of the
Speaker 5: shrimp is there.
Speaker 7: Like the.
Speaker 3: Extremely and so I really do see an erotic scent.
Speaker 7: I see what Shrimpley is doing, and I think they
Speaker 7: could almost make their nut every year just on licensing
Speaker 7: the stories which I assume they do own stories from
Speaker 7: how they connected.
Speaker 3: If we could partner, yes, And now we're coming full
Speaker 3: circle right back to producing some piece of filmed content,
Speaker 3: ideally with the camera on this time.
Speaker 1: Yeah, uh, that we are doing.
Speaker 3: Sort of a modern romance, you know, anthology, uh, love dating,
Speaker 3: you know, uh today current all the crazy.
Speaker 1: Because people do all kinds of shit.
Speaker 6: Oh yeah.
Speaker 1: I mean when I was a kid growing up, you
Speaker 1: didn't do all this stuff. What you saw was one
Speaker 1: person meeting fucking another person and that was it. But
Speaker 1: now what happens is there's dozens of people, robots, animals, plants,
Speaker 1: all this stuff. There's no rules anymore. I mean, it's disgusting.
Speaker 3: And with the shrimp involved, where they're putting it, I mean,
Speaker 3: I think.
Speaker 7: The most powerful Afroman desiac thrown into the mix.
Speaker 1: Yeah, are you kidding me?
Speaker 5: Hundreds of them.
Speaker 6: Sometimes thousands, Oh my god.
Speaker 7: Yeah yeah, so I could really see this putting rocket
Speaker 7: booster shoes on Love and Santa.
Speaker 5: Kevin had a note, Kevin other room, all of the
Speaker 5: other room. Just a minute with this man.
Speaker 7: What could possibly be in that other room?
Speaker 1: Picture the layout? Yes, you see behind him there's a
Speaker 1: door on each side.
Speaker 7: Of the room, but the other room is on both sides,
Speaker 7: and so he has easiest possible access no matter where
Speaker 7: he is.
Speaker 3: But one side is guarded by a demon who can
Speaker 3: only tell the truth, and the other is guarded by
Speaker 3: a demon who could only lie.
Speaker 1: And so even Kevin like being able to get.
Speaker 3: Out of one of the doors, is like this whole
Speaker 3: process for him.
Speaker 1: What's up, Clia?
Speaker 6: Not much? How you doing? See get to see you
Speaker 6: as well?
Speaker 7: And this is the the dessert before the nasty medicine
Speaker 7: that he which is he does have a No, he
Speaker 7: has a suggestion about love and Santa that he would
Speaker 7: like to share.
Speaker 1: I don't think it necessarily fights what we've been talking.
Speaker 6: No, actually it does, yes, okay.
Speaker 4: Five words young love and young Santa.
Speaker 7: M h.
Speaker 6: I feel like this fits in perfectly.
Speaker 3: Really with the hyper sexual, incredibly erotic sort of territory
Speaker 3: that we wanted to explore. That you think making everyone
Speaker 3: much younger is going to home he wants to do.
Speaker 6: I think a young Sheldon, because that is too young.
Speaker 7: I have not asked. I don't want to probe this
Speaker 7: too far with Kevin. I wonder if we could split
Speaker 7: the difference and find like an off campus type scenario.
Speaker 1: That would be an idea.
Speaker 3: I think Kevin is saying they shouldn't be that young
Speaker 3: for Pennsylvania, which I think because he has moved, his
Speaker 3: sort of standard what is normal.
Speaker 1: Has warped in some way. I don't know if it's
Speaker 1: older or younger.
Speaker 3: I assume it is younger, and I just I just
Speaker 3: don't want to engage with that at all.
Speaker 1: With him.
Speaker 5: He moved to Pennsylvania. Get this, He moved to Pennsylvania.
Speaker 7: Because he thought that that was where the characters from
Speaker 7: Hotel Transylvania went to school.
Speaker 6: Kevin, are you hearing this?
Speaker 7: Yea?
Speaker 6: Where in Pennsylvania Pittsburgh?
Speaker 5: Do you see the hat?
Speaker 6: I mean I do now. I like Pennsylvania or Pittsburgh.
Speaker 1: Come visit.
Speaker 5: I got an extra room.
Speaker 1: Friend, it's the same.
Speaker 5: It's that door.
Speaker 3: Yeah, and you can lock one door, but the other
Speaker 3: one doesn't lock.
Speaker 1: It's it's not good. I would not go use that room.
Speaker 7: Are you you well you've ever done a cup of
Speaker 7: coffee on any of these Uh? That shows about the
Speaker 7: young people and they're sort of touching on each other.
Speaker 5: They're doing fretage.
Speaker 3: I mean, they're still sneaking around tricking. These people are
Speaker 3: pretending to be dating because they really want to be
Speaker 3: dating these other people, and these other people are being
Speaker 3: tricked by that, and then the people who are pretending
Speaker 3: are falling in love.
Speaker 6: No, I haven't, but it doesn't know, it doesn't mean
Speaker 6: that it.
Speaker 1: Doesn't help us. Well, it means you haven't.
Speaker 6: It means I haven't. Yes, but it means that I am.
Speaker 5: Maybe do a show called high School.
Speaker 6: Yeah, but we're not going The producers.
Speaker 7: Of the show watching like, thanks, Well.
Speaker 1: Why not going that you show? What were they doing
Speaker 1: on that show?
Speaker 6: They were being they were being in high school and
Speaker 6: they were being gay but not telling people that that
Speaker 6: was happening, and then liking each other. But then it
Speaker 6: was complicated.
Speaker 3: Well, this reminds me, This actually reminds me of something
Speaker 3: that I had as an idea and was not related
Speaker 3: to Kevin's side of it.
Speaker 1: But you know, we did just celebrate America's two hundred
Speaker 1: and fiftieth birthday. There's an air of patriotism.
Speaker 3: We have a habit of not giving ourselves enough runway
Speaker 3: with these you know holiday movies we've been doing where
Speaker 3: we are always playing ketchup. So we have a full
Speaker 3: year essentially from today. I think Santa should be in there.
Speaker 3: I think Santa could be young. I think love should
Speaker 3: be a part of it.
Speaker 1: Guncle Sam. Mmmm, gun Cale Sam?
Speaker 4: Is this feeling right relevant? Right now?
Speaker 6: So this would be for America's two hundred and fifty
Speaker 6: first Yesday, Yes, which I think there will be the
Speaker 6: same amount of sort of family.
Speaker 3: Maybe he's waiting two hundred and fifty years to come
Speaker 3: out or you know, I don't know exactly, but it's
Speaker 3: like with your experience with high school that actually could
Speaker 3: be relevant.
Speaker 1: Certainly wasn't relevant to what we were talking about before.
Speaker 1: So I'm now helping.
Speaker 7: I think, Okay, you never see him with an aunt, Samantha.
Speaker 7: He's a confirmed bachelor titan. He's got that bird that
Speaker 7: he's is like a companion for him.
Speaker 3: Yeah, it's an African Gray. Yeah, I mean they live forever.
Speaker 6: Too, so in yeah, you know, think of the secrets
Speaker 6: that African Gray would kind of spilled as well.
Speaker 7: Yeah, that's interesting that telling everyone and that the people
Speaker 7: on the show were being gay, and though you they
Speaker 7: literally didn't want delicit weiding everyone and the producers are like, wow,
Speaker 7: didn't happen. Now she's telling everyone that the people on
Speaker 7: it are being gay.
Speaker 3: This could be a chance maybe to be more of
Speaker 3: an ally to Gunkle Sam than you were.
Speaker 1: Perhaps to some of the characters on the High School show.
Speaker 7: Guns is gunkle Sam young Santa's gunkle?
Speaker 5: Right? Is that? Like, do we not overcomplicate this well?
Speaker 1: And they both have beards, Yeah, they both have white hair.
Speaker 3: And perhaps they both have beards.
Speaker 6: I mean because Santa, as we now, has a beard,
Speaker 6: but he is he is young, So does he have
Speaker 6: the beard as a young man?
Speaker 1: So yes, and we.
Speaker 3: Still need to recognize him as Santa yea and he
Speaker 3: should be rough with the height.
Speaker 6: And does Uncle Sam excuse me, Guncle Sam also have
Speaker 6: the beard?
Speaker 5: Yes?
Speaker 6: Okay, so we're talking about literal and metaphor it's for
Speaker 6: both of them. Okay, who can we talk more about
Speaker 6: the beard characters, the metaphorical beard characters, like how are you?
Speaker 6: And is it that you see him?
Speaker 5: But maybe there is.
Speaker 1: So that's not that he doesn't have a beard. He
Speaker 1: has a friend who like plus one, you know.
Speaker 3: Perpetually and it's sort of you know, just to avoid
Speaker 3: any questions and and and and maybe and maybe this film.
Speaker 1: God, sometimes it feels so good to connect with you guys.
Speaker 6: I know.
Speaker 1: Here's the why today.
Speaker 3: Uncle Sam's losing the beard. Oh, Uncle Sam is losing
Speaker 3: the beard?
Speaker 5: Clean shaven that one, okay, and Okay, Juniper.
Speaker 3: Juniper is she met someone, she met someone, and this
Speaker 3: arrangement isn't working for her anymore.
Speaker 1: No, Goncle Sam is out there.
Speaker 3: Yeah, right, and this is where we bring in, right,
Speaker 3: some of this modern dating stuff we've been talking about,
Speaker 3: some of this shrimply stuff we've been talking about, right, Yeah, yes,
Speaker 3: Goncle Sam is getting out there.
Speaker 1: Maybe a Roger Dodger thing with Young Santa.
Speaker 7: Yeah, yeah, he's giving Young Santa directions on how to
Speaker 7: woo ladies, but he.
Speaker 3: Himself, yes, doesn't really have those tools, right, and he's deciding.
Speaker 1: Jesus Christ, I'm two hundred and fifty one years old.
Speaker 3: How long am I gonna wait to really see my
Speaker 3: own contentment and happiness and explore my sexuality, possibly through
Speaker 3: a shrimp based sharing app that is tracking my location.
Speaker 5: Here's Roger Dodger, No Campbell, Scott sup Man.
Speaker 1: Young Jesse Eisenberg, Heisenberg, Jesse Heisenberg.
Speaker 6: So okay, So in this movie, Santa is also.
Speaker 3: Closet and maybe so I don't have it yet, but
Speaker 3: it's like, and I don't have an impression, but it's
Speaker 3: it's something where it's like well, I am actually the one,
Speaker 3: the one.
Speaker 7: That's really good, something that rhyme that's really good.
Speaker 5: And he says he doesn't have it.
Speaker 10: Yeah, uh, whywood Ham, Whollywood Ham, you said Santa's gay too?
Speaker 6: No, I'm asking because you're saying if they both have beards,
Speaker 6: and they have beards, that implies. But is Santa's beard
Speaker 6: more about covering up that he is Santa because he's
Speaker 6: not like more of.
Speaker 1: A Maybe shouldn't have said that.
Speaker 6: You shouldn't have said that because I feel really confused now.
Speaker 1: I shouldn't have said that, can you just because.
Speaker 6: We are vibing so hard and like and I just wow, he's.
Speaker 7: Just opening up to say that he needs a beard
Speaker 7: type character to prevent people from knowing that he is
Speaker 7: married to Missus Clause, which would reveal that he is Santa.
Speaker 1: So she is.
Speaker 6: Still Missus Clause in the movie. Yeah, and he has
Speaker 6: a different name.
Speaker 7: His name is Santa, but maybe his last name is different.
Speaker 1: Okay, he's not Santa Claus, right.
Speaker 7: Because he's not revealing that he's married to Missus Claws,
Speaker 7: which would.
Speaker 1: Of course, he could be Santa Cruz Cruz like Tom
Speaker 1: like Tom Cruise.
Speaker 3: Yeah, he's he's like Tom Cruise's you know, cousin or something.
Speaker 3: I guess William Napather is already Tom Cruise's cousin. Yeah
Speaker 3: Ethan from Lost. Yeah, well he could have more than
Speaker 3: one cousin. I mean that doesn't break the reality, does it.
Speaker 6: I don't know for me, Like I actually did make
Speaker 6: a movie with William Abether. We played husband and wife.
Speaker 6: So I don't know if I'm going.
Speaker 1: To be able to to separate.
Speaker 6: Yeah, I just don't think I'm going to be able
Speaker 6: to separate them.
Speaker 1: Well, is it what if we cast him as Santa Cruz?
Speaker 5: Yeah?
Speaker 3: I mean is that good casting then? For Santa Cruz?
Speaker 3: For young Santa Cruz? We got William Mappither.
Speaker 6: What could we do Santa Monica? And maybe then Monica
Speaker 6: Lewinsky Monica o Whinsky or I was thinking.
Speaker 7: You want to cast Monica Lewinsky as Santa Claus.
Speaker 6: Well, I was actually thinking of Courtney Cox.
Speaker 7: You want to cast Courtney Cox as you want her
Speaker 7: character from the show called Friends?
Speaker 3: Yeahs wouldn't hurt to be connected to that ip By
Speaker 3: the way, to be young people are actually watching these
Speaker 3: older sitcoms. They actually are watching that. You know, it's like,
Speaker 3: is the sitcom dead or are we just not making
Speaker 3: anything like Friends anymore?
Speaker 4: Because they're watching this y, so what happened?
Speaker 1: They don't want these short episodes, they want big episodes.
Speaker 5: But then we give them adults and whether.
Speaker 3: They show and then we hand delivered. No, yes, we
Speaker 3: give them over compensation.
Speaker 5: Want that we give them?
Speaker 1: No? No, thank you. I'm not hungry eat it.
Speaker 4: It's finish your supper.
Speaker 6: It is true, I admit that it is.
Speaker 5: Do you want?
Speaker 4: You said you let going theal Well, here's a whole
Speaker 4: damn owen meal and all of a sudden you're not hungry.
Speaker 5: I'm sorry.
Speaker 4: This generation, I'm sorry, makes me fucking sick.
Speaker 1: Go ahead.
Speaker 3: Yeah, it makes me wonder why we're making anything. Well no,
Speaker 3: it makes me wonder why we're making.
Speaker 1: Anything and we're not and we have it and we
Speaker 1: have it. Maybe you were.
Speaker 3: Right and I didn't mean you. Maybe someone in this
Speaker 3: room was right to not literally do.
Speaker 1: Anything at all.
Speaker 6: I don't know. I know that, Like, I don't think
Speaker 6: Courtney Cox is right for the part but for Santa Monica,
Speaker 6: but we should cast her. But I do think it
Speaker 6: would be interesting. Yeah, it would definitely, like nobody's going
Speaker 6: to Sue, she's yeah.
Speaker 5: But we should do it.
Speaker 1: We got to put her in the show then, right.
Speaker 6: Because then it kind of maybe becomes like a backdoor
Speaker 6: pilot for Friends the Friends Part two, right, or we.
Speaker 7: Just do the old one again? Are you allowed to
Speaker 7: do that? Say this is a backdoor pilot and then
Speaker 7: the old one was your idea, and then when they
Speaker 7: put it on TV, it was your idea.
Speaker 5: Now are you allowed to do that?
Speaker 6: I don't think you're not allowed to do it?
Speaker 5: Should we found it?
Speaker 1: We got to do that. You're allowed to do that
Speaker 1: at all?
Speaker 7: We got Can we say we found that we did
Speaker 7: it before and we just found.
Speaker 5: It right now?
Speaker 6: Yeah? Yeah, I feel like and that.
Speaker 7: Would explain why we hadn't done anything in so long.
Speaker 7: It's because we did this before, saying we did it before. Yeah,
Speaker 7: and we use like an old camera.
Speaker 1: Yeah, the old camera covers the tracks. Do you have
Speaker 1: an old camera? How old is your camera?
Speaker 6: At least thirty years old?
Speaker 1: That feels like Kevin goes ew.
Speaker 7: Too old?
Speaker 1: Stop it.
Speaker 6: I don't know. That show just did so well and
Speaker 6: people are still watching it, and I just they are
Speaker 6: and I feel like it's an easier like I I
Speaker 6: know that shrimply would feel more comfortable with something that
Speaker 6: was guaranteed to.
Speaker 1: Be well, we do have to collaborate with our partners.
Speaker 7: He's gone, Sam, the two hundred and fiftieth has just happened.
Speaker 7: Not as many people showed up as he thought that big.
Speaker 5: To the bash, to the bash.
Speaker 7: Now he's sitting on literally enough shrimp to fill Fort Knox.
Speaker 1: Yes, and he's calling SeaWorld.
Speaker 3: Yeah, he's calling up SeaWorld saying, can you take any
Speaker 3: of these shrimp off my hands?
Speaker 4: I know you got some big ass fish over there.
Speaker 1: They're not taking his call.
Speaker 5: And so a shrimply.
Speaker 7: I mean, this is like where they send these sales
Speaker 7: rep you know, this is not like you know, they
Speaker 7: have a whole client management process for whales like this
Speaker 7: talking about SeaWorld. No, really think about that SeaWorld whales.
Speaker 5: This is this is the gunk Sam a cow.
Speaker 3: This is blackfish guncle Sam right, damn Orca.
Speaker 7: This is where you know you got to take shrimply
Speaker 7: out of Beita real quick. Also a kind of fish
Speaker 7: they have it at the store, A beta fish another
Speaker 7: name for a fish.
Speaker 1: Don't play koy fish.
Speaker 6: Can we stop carping on this and just like, get
Speaker 6: to the other part of what you were saying.
Speaker 11: Okay, the guy young Santa.
Speaker 5: Works for shrimply he's the sales rep. Oh my gosh.
Speaker 3: Oh yes, and it's like we're sending you to handle
Speaker 3: our most important account.
Speaker 1: But he's a young guy.
Speaker 5: He's just out of.
Speaker 1: It's it's it's it's.
Speaker 3: Yeah, and been training under this veteran and it's like
Speaker 3: you're finally you know, you're maybe given the reins. So
Speaker 3: nice if we can get the supman for that. Campbell
Speaker 3: Scott's the veteran at the Shrimpley company.
Speaker 5: Who's you know, now tasked with training up this young.
Speaker 1: Pop Santa Cruz.
Speaker 4: Hat maybe it's williamper.
Speaker 5: Monica. We did. I think that it's Corny Cox and
Speaker 5: it's Courtney.
Speaker 1: Cox, even though she's.
Speaker 5: Wrong for it completely.
Speaker 1: Yeah, I was not.
Speaker 3: I was thinking about something else during some of the
Speaker 3: Santa Monica discussion, and I didn't really hear a lot
Speaker 3: of that, which, by the way, is part of our
Speaker 3: process too. That can be so nice to make sure
Speaker 3: everyone's on the same page by just someone ignores some
Speaker 3: of it and then we all have a nice chance
Speaker 3: to recap. When they're talking about an old version of
Speaker 3: it several minutes later, she.
Speaker 7: Could say, Santa Monica, I am the one who locks.
Speaker 3: Uh huh, like fish they.
Speaker 5: Sell other other they just.
Speaker 1: Yeah, that's samon. Yeah, that's not going to be.
Speaker 5: Yeah, there's gonna be there's never going to be any
Speaker 5: left over locks from these events. Like that stuff goes.
Speaker 3: People are throwing in their purse, but it's not finished,
Speaker 3: you know, they're they're not leaving that, and it.
Speaker 5: Keeps like we don't need to do anything with that.
Speaker 7: The shrimp you gotta like, you gotta get that out
Speaker 7: of the door, no quickness, it's.
Speaker 3: Not it's not the same shelf life. There's a fantastic
Speaker 3: ticking clock forcing the audience to feel the stakes.
Speaker 1: I mean, this is this is die.
Speaker 5: Hard and.
Speaker 7: Or is I mean like I went straight to I'm
Speaker 7: trying to get our characters together as quickly as possible,
Speaker 7: of course, Like that's what that's what people are gonna be.
Speaker 3: I think people will forgive a little bit of extra
Speaker 3: shoe leather at the top of the film, and we
Speaker 3: actually force these great characters into situations where they can
Speaker 3: bounce off each other and create these wonderful dynamics. That
Speaker 3: feels kind of like hanging out with your actual friends. Right,
Speaker 3: It's that time in your life when your friends are
Speaker 3: your family, and one of your friends is Guncle Sam,
Speaker 3: and one of your friends is Young Santa Monica.
Speaker 7: Young Santa Monica shows up, meets Guncle Sam. She's got
Speaker 7: to land the plane on this account for shrimply, But
Speaker 7: pretty soon she realizes that what she is actually she's
Speaker 7: not just connecting Guncle Sam with someone to buy his shrimp.
Speaker 5: She is playing sort of a serial.
Speaker 7: De Burger Act type character where she is trying to
Speaker 7: find Guncle Sam a.
Speaker 1: Man just cubic.
Speaker 6: Would it be the soup man?
Speaker 1: Yes, yes, yes, we're using every part of the buffalo.
Speaker 1: Mm hmm isn't that beautiful? Yes, Bromo Clickly it was
Speaker 1: staring us right in the face, the Soupman and Gunkle
Speaker 1: Sam and then jaded.
Speaker 3: Yes, he's seen everything under the sun, handling these big
Speaker 3: shrimp accounts.
Speaker 1: And I think at first Google Sam they're button heads, right,
Speaker 1: but then later they're.
Speaker 3: Button heads together so they can make out.
Speaker 5: Yeah, the butt and heads of mushroom. I mean that's
Speaker 5: just what.
Speaker 1: Who do you see it as?
Speaker 6: Who do you see as gun Cale Sam?
Speaker 5: I mean it would have to be someone pretty old.
Speaker 1: I think it would be helpful.
Speaker 3: We're saying that they're two hundred and fifty one at
Speaker 3: this point or two fifty. But I do want to
Speaker 3: invite an audience that can stay with us through the sequels.
Speaker 1: And stuff, So I don't want to go too crazy.
Speaker 5: Campbell is gotta be in his mid seventies at this
Speaker 5: point minimum.
Speaker 3: Right, here's an interesting question. Should they be American or
Speaker 3: should they be British as they were here for sort
Speaker 3: of the conception right of this country. There be a
Speaker 3: little hint of that, a little bit of, you know,
Speaker 3: a little bit of a whisper of some of that
Speaker 3: old world European culture.
Speaker 5: Do you have someone I know? Whenever, whenever you have
Speaker 5: an idea like this, it's because you have.
Speaker 1: When I ask a question, there's usually.
Speaker 3: An answer that I can you have considering up to.
Speaker 1: Simon Cowl?
Speaker 6: Yes, perfect?
Speaker 1: I mean is it's Simon Cowl. His face love Simon,
Speaker 1: Love Simon.
Speaker 6: Love his face.
Speaker 1: His face does not betray his age.
Speaker 5: Chad young Santa and love Simon.
Speaker 1: So the fact that he can we can cast someone
Speaker 1: who is on the older side, probably a similar age
Speaker 1: to the soup man.
Speaker 5: We could that they read read very young.
Speaker 7: We could we could do honestly and aged up call
Speaker 7: me by your name type thing like that, with the
Speaker 7: gap between what Simon cow is presenting, yes, and Campbell
Speaker 7: Scott and Simon is Timothy mm hmm, and.
Speaker 6: But yeah, wait, Simon is gunkle the Superman is the
Speaker 6: is like showing Santa the ropes.
Speaker 3: He's the old He's like a you know, headed for
Speaker 3: retirement from the from the Shrimpley company.
Speaker 6: At the company.
Speaker 3: He's all he's got to do is pass off this
Speaker 3: one major account to the young whiz kid.
Speaker 7: Cox, and then she ultimately sets him up with Guncle Sam,
Speaker 7: and then he is showing Guncle Sam the.
Speaker 6: Ropes witch ropes.
Speaker 5: Please don't ask me that.
Speaker 4: We'll figure that out.
Speaker 6: I feel like we can figure that out on the day.
Speaker 5: Bye, Hollywood.
Speaker 1: Hamberg