1 00:00:01,000 --> 00:00:05,200 Speaker 1: Look man, oh I see you? Why and look over there? 2 00:00:05,240 --> 00:00:13,360 Speaker 1: How is that culture? Yes? Goodness, Dan Dong lost cultures 3 00:00:13,720 --> 00:00:17,800 Speaker 1: calling my sister on the chat. My sister has entered 4 00:00:18,120 --> 00:00:21,160 Speaker 1: the chat. You look, you still have the same glow. 5 00:00:21,280 --> 00:00:24,239 Speaker 1: The same sun casts on you from the island. I 6 00:00:24,320 --> 00:00:28,160 Speaker 1: might have done a shirtless hike before today. Oh my god, 7 00:00:28,160 --> 00:00:34,720 Speaker 1: I missed today. It's actually really culture number eight. It's 8 00:00:37,080 --> 00:00:39,520 Speaker 1: dare you. I meant to say Griffith. I actually knew 9 00:00:39,600 --> 00:00:42,520 Speaker 1: was Griffith as soon as the word Griffin left my mouth. 10 00:00:43,000 --> 00:00:45,519 Speaker 1: It wasn't. I screwed up. I messed up? Can I 11 00:00:45,560 --> 00:00:48,480 Speaker 1: actually wanted to reveal this to the readers. So Bow 12 00:00:48,560 --> 00:00:51,640 Speaker 1: and Yang famously came to visit me in Los Angeles 13 00:00:51,640 --> 00:00:55,400 Speaker 1: after my breakup last year, and he came to my 14 00:00:55,520 --> 00:00:58,040 Speaker 1: aid and you U K got right on a plane 15 00:00:58,080 --> 00:01:01,800 Speaker 1: like us, My sister and the other half of my 16 00:01:01,960 --> 00:01:05,360 Speaker 1: heart was so happy to was not an inconvenience for me. 17 00:01:05,440 --> 00:01:08,080 Speaker 1: I had to be there. And you got here during 18 00:01:08,120 --> 00:01:12,160 Speaker 1: one of your breaks from SNL famous sketch comedy program 19 00:01:12,280 --> 00:01:15,960 Speaker 1: More on that in a second. And you get here 20 00:01:16,760 --> 00:01:20,440 Speaker 1: and we're having several days of fun, except one day, 21 00:01:20,480 --> 00:01:22,360 Speaker 1: you say, and I brought you to Griffith, and I 22 00:01:22,400 --> 00:01:25,800 Speaker 1: sort of showed you Griffith. We hiked Griffith, and one 23 00:01:25,880 --> 00:01:27,920 Speaker 1: day you say to me, I think I'm just gonna 24 00:01:28,000 --> 00:01:30,280 Speaker 1: chill today. I just like hang out. I was like, okay, 25 00:01:30,480 --> 00:01:32,880 Speaker 1: so I go forth. No, no, no, we both needed 26 00:01:33,040 --> 00:01:35,600 Speaker 1: a day. I think we both with a mutually agreed 27 00:01:35,680 --> 00:01:39,920 Speaker 1: upon day, like separate day, which is so healthy of us. Yeah. 28 00:01:39,959 --> 00:01:42,560 Speaker 1: And then we truly had the same idea. Because I'm 29 00:01:42,720 --> 00:01:45,720 Speaker 1: sort of hiking Griffith, I look a hundred yards in 30 00:01:45,720 --> 00:01:47,680 Speaker 1: front of me, and it could have been no one 31 00:01:47,720 --> 00:01:52,720 Speaker 1: else's calves, but the iconic calves of one Bowen Yang 32 00:01:53,280 --> 00:01:59,640 Speaker 1: stomping the yard, getting the steps, climbing the heights of Griffith. 33 00:02:00,080 --> 00:02:03,120 Speaker 1: And I ran to them and I said, our break 34 00:02:03,160 --> 00:02:05,800 Speaker 1: is over. I'm hiking with you a game. And I said, 35 00:02:05,880 --> 00:02:09,480 Speaker 1: oh my god, is this real? Is this you? And 36 00:02:09,520 --> 00:02:12,840 Speaker 1: I think that's just the way the world is telling 37 00:02:12,919 --> 00:02:16,200 Speaker 1: us that we cannot be apart for too long. No, No, 38 00:02:16,720 --> 00:02:19,760 Speaker 1: even though we create the distance for a good reason, 39 00:02:20,200 --> 00:02:24,560 Speaker 1: like magnetic polls, we know codependency. Okay, we've seen it. 40 00:02:24,560 --> 00:02:30,239 Speaker 1: We've seen it up close in person. Michelle Obama, Hey clown, Jester, 41 00:02:30,680 --> 00:02:35,960 Speaker 1: you have done it again, constantly raising the circus and 42 00:02:36,040 --> 00:02:40,440 Speaker 1: doing it foolish. So get this, get us. This is 43 00:02:41,360 --> 00:02:44,480 Speaker 1: probably going to be my favorite episode we've ever done. 44 00:02:44,600 --> 00:02:47,920 Speaker 1: Oh my god, I agree. I agree with you that 45 00:02:48,000 --> 00:02:49,919 Speaker 1: it's going to be your favorite episode that we've ever done. 46 00:02:49,919 --> 00:02:52,240 Speaker 1: In my favorite episode we've ever done. This has been 47 00:02:52,280 --> 00:02:57,280 Speaker 1: a long time coming. This is pretty This is this 48 00:02:57,320 --> 00:03:00,840 Speaker 1: is written in the start. It was written in the stars. 49 00:03:01,000 --> 00:03:03,959 Speaker 1: As I eat the show, once said, and I will 50 00:03:03,960 --> 00:03:07,760 Speaker 1: say this two episodes into schmigadon a show that my 51 00:03:07,960 --> 00:03:13,000 Speaker 1: sister wrote for. I come on, well, you know for 52 00:03:13,040 --> 00:03:16,880 Speaker 1: the show, you know, like that the kind of the 53 00:03:17,040 --> 00:03:21,400 Speaker 1: entry points, you know, writer's room, what isfting? I'm just 54 00:03:21,440 --> 00:03:24,000 Speaker 1: I'm just I'm just demystifying this for for the reader. 55 00:03:24,560 --> 00:03:26,959 Speaker 1: I'm just letting you know that, like, how perfect is 56 00:03:27,000 --> 00:03:29,799 Speaker 1: it that it was my first post escinal writer's room 57 00:03:30,600 --> 00:03:32,080 Speaker 1: for it to be a show that that was that 58 00:03:32,160 --> 00:03:35,040 Speaker 1: is about, you know, Oscars and Hammerstein music or that 59 00:03:35,120 --> 00:03:40,800 Speaker 1: era of movie musical Oscar No. I literally just woke 60 00:03:40,840 --> 00:03:42,880 Speaker 1: up from a nap. Don't do this. It's true. I 61 00:03:42,920 --> 00:03:45,680 Speaker 1: facetimes you right before, and you had the blinders on 62 00:03:46,040 --> 00:03:48,840 Speaker 1: you sleep with those things. I can I tell you 63 00:03:49,760 --> 00:03:53,840 Speaker 1: my circadians are fucked ever since I've worked at Saturday 64 00:03:53,880 --> 00:03:58,040 Speaker 1: Night Live a sketch program. More on that later. Circadian rhythm, 65 00:03:58,080 --> 00:04:00,400 Speaker 1: such a sort of I love the way that sounds 66 00:04:00,520 --> 00:04:04,600 Speaker 1: Circadian rhythm. Something about those words, the blink fields itself Circadians. 67 00:04:05,160 --> 00:04:08,680 Speaker 1: It's one of those. Anyway, I need that to sleep 68 00:04:08,720 --> 00:04:12,760 Speaker 1: now because I need these have like patting on them 69 00:04:12,760 --> 00:04:15,640 Speaker 1: that really pressed down on your on your sort of 70 00:04:15,720 --> 00:04:18,080 Speaker 1: orbital bones and your and your brow bones in a 71 00:04:18,080 --> 00:04:23,200 Speaker 1: way that really relaxes you. Immediately. Highly recommend um anyway 72 00:04:23,200 --> 00:04:25,560 Speaker 1: wants to see you wearing them. What I was gonna 73 00:04:25,600 --> 00:04:28,839 Speaker 1: say was that this year we're both getting our first 74 00:04:29,240 --> 00:04:33,159 Speaker 1: episode credits. We are getting our first episode credits because 75 00:04:33,160 --> 00:04:36,760 Speaker 1: My Force comes out on September two, and Mama you, 76 00:04:37,480 --> 00:04:39,599 Speaker 1: I guess, I guess this your what episode did you 77 00:04:39,640 --> 00:04:43,039 Speaker 1: write of? Schmickadoon One of the best shows I've seen recently, 78 00:04:43,279 --> 00:04:45,880 Speaker 1: One of the best shows I've seen. O Word episode 79 00:04:45,920 --> 00:04:48,880 Speaker 1: three with Julie Klausner, wonderful one icon and friend of 80 00:04:48,920 --> 00:04:52,039 Speaker 1: the show. In Front of the show um Spika Units 81 00:04:52,040 --> 00:04:55,400 Speaker 1: on Apple TV plus stars our guests, keeping Michael Key 82 00:04:55,600 --> 00:05:00,200 Speaker 1: Christian Shanna with Alan coming, Fred Armison and Harada. So 83 00:05:00,279 --> 00:05:06,000 Speaker 1: many times when I saw Anne Harad, I put I 84 00:05:06,120 --> 00:05:08,719 Speaker 1: fell off my chair onto my whole. I was like, 85 00:05:08,920 --> 00:05:11,800 Speaker 1: this is this is how you know the casting director 86 00:05:11,880 --> 00:05:17,039 Speaker 1: got it. They were like, the show genius, genius casting, 87 00:05:17,279 --> 00:05:18,960 Speaker 1: I mean tells you. We got to give it up 88 00:05:18,960 --> 00:05:22,000 Speaker 1: to tell z. Come on, Bernie, tells on Bernie, it's act. 89 00:05:23,920 --> 00:05:29,039 Speaker 1: Come on. But first and foremost, it is a perfect 90 00:05:29,120 --> 00:05:33,080 Speaker 1: showcase in vehicle for our guest. You know her from 91 00:05:33,160 --> 00:05:36,320 Speaker 1: Saturday Night Live. She's one of the best to ever 92 00:05:36,400 --> 00:05:39,039 Speaker 1: do it. What I really I was talking. I was 93 00:05:39,080 --> 00:05:41,640 Speaker 1: talking to Suitie the other day. I was like, one 94 00:05:41,640 --> 00:05:43,039 Speaker 1: of the best to ever do and one of the 95 00:05:43,080 --> 00:05:45,120 Speaker 1: best to ever do it. I rarely get star struck. 96 00:05:45,200 --> 00:05:47,760 Speaker 1: How often do you and I quote Terzanos? How oft 97 00:05:47,839 --> 00:05:51,520 Speaker 1: do you and I quote Arizona? Almost weekly? Almost weekly? 98 00:05:51,680 --> 00:05:53,640 Speaker 1: We want we watched it. We did a watch party 99 00:05:53,680 --> 00:05:55,840 Speaker 1: for Terrizanos the other day. We were just like, this 100 00:05:55,880 --> 00:05:58,800 Speaker 1: is this is when we all tend great anyway, We're 101 00:05:59,120 --> 00:06:02,200 Speaker 1: enough of this. Let's bring I mean, how many please 102 00:06:02,200 --> 00:06:09,560 Speaker 1: welcome into your ears? Come on, cly Strong. Finally, that 103 00:06:09,680 --> 00:06:11,960 Speaker 1: was so hard to be quiet through all of that, 104 00:06:12,200 --> 00:06:16,279 Speaker 1: did you notice I was doing sign language applause? Yeah, 105 00:06:19,120 --> 00:06:23,719 Speaker 1: that is applause. That's no more silence. You're in. You're 106 00:06:23,720 --> 00:06:26,760 Speaker 1: in the zoom. Here we are, I am in. I 107 00:06:26,760 --> 00:06:32,120 Speaker 1: have missed Griffin. I'm here. I'm so happy. Oh my god, 108 00:06:32,160 --> 00:06:35,520 Speaker 1: we're so happy to have you. I literally you're my favorite. 109 00:06:35,640 --> 00:06:38,520 Speaker 1: I fucking love you. I'm upset, honestly, Like it was 110 00:06:38,600 --> 00:06:40,520 Speaker 1: like when Bowen got first got the job at US 111 00:06:40,520 --> 00:06:42,000 Speaker 1: and Ellen study first got the job at US, and 112 00:06:42,040 --> 00:06:44,279 Speaker 1: I was like, Cesily, what's what's your what did you 113 00:06:44,320 --> 00:06:46,840 Speaker 1: have to know everything? And I said the same thing 114 00:06:46,960 --> 00:06:50,680 Speaker 1: to my dog about by women's suit. That's who I 115 00:06:50,760 --> 00:06:55,520 Speaker 1: talked to you. I mean, I can't believe it's taken 116 00:06:55,560 --> 00:07:00,359 Speaker 1: this lung to do this. The fate, I can't leave it. 117 00:07:00,440 --> 00:07:03,240 Speaker 1: But this is a worthwhile occasion. I needed to wait 118 00:07:03,400 --> 00:07:08,080 Speaker 1: until you were a consulting producer. Yeah, until got to 119 00:07:08,160 --> 00:07:11,800 Speaker 1: that level, until I was a consulting producer. And I 120 00:07:12,000 --> 00:07:14,960 Speaker 1: got an eyemask with padding on it and yes for 121 00:07:15,000 --> 00:07:17,400 Speaker 1: you to have We're coming out, and we forgot to 122 00:07:17,400 --> 00:07:22,520 Speaker 1: mention the damn book. Um, oh my god, Jesus, this 123 00:07:22,560 --> 00:07:25,040 Speaker 1: will all be okay. In the end. It's it's it's really, 124 00:07:25,080 --> 00:07:27,200 Speaker 1: I mean it's I love that you just called it. 125 00:07:27,480 --> 00:07:29,800 Speaker 1: This will all be okay in the end. Wait, what 126 00:07:29,920 --> 00:07:33,600 Speaker 1: is no? The title is this will all be over soon? No? 127 00:07:33,960 --> 00:07:41,600 Speaker 1: Oh my god, are you kidding? I love it. I've 128 00:07:41,600 --> 00:07:44,800 Speaker 1: been carrying it. I've been reading. I've been reading it 129 00:07:44,960 --> 00:07:47,440 Speaker 1: so diligently. You got it more, this will all be 130 00:07:47,560 --> 00:07:54,880 Speaker 1: okay kind of this will this will be soon. You can't. 131 00:07:54,960 --> 00:08:02,040 Speaker 1: Oh my god, you can't. That's the yeah, that's the sequels, 132 00:08:02,040 --> 00:08:04,880 Speaker 1: that's you can't. Oh my god, this will all be 133 00:08:05,240 --> 00:08:13,520 Speaker 1: you know a thing. And at some point, Griffin, what 134 00:08:13,560 --> 00:08:15,680 Speaker 1: did I do? What did I do last last week? 135 00:08:15,720 --> 00:08:19,040 Speaker 1: I did this? I funked up a name. I really 136 00:08:19,040 --> 00:08:21,640 Speaker 1: got to get my head checked or something. My favorite 137 00:08:21,640 --> 00:08:24,280 Speaker 1: thing is when people mess up names, but they're strong 138 00:08:24,280 --> 00:08:27,000 Speaker 1: and wrong about it, Like Sudie Green is the best 139 00:08:27,000 --> 00:08:28,920 Speaker 1: with this. She said to me, what did she say? 140 00:08:29,200 --> 00:08:32,440 Speaker 1: She you know Chris Kulefer from Glee. One time she 141 00:08:32,559 --> 00:08:36,240 Speaker 1: just was said so many times Chris Koffner. She was like, 142 00:08:36,320 --> 00:08:38,920 Speaker 1: Chris Koffner, you know Chris Koffner. And then she said 143 00:08:39,120 --> 00:08:42,600 Speaker 1: Chris Christie Brinkley when she meant to talk about Christine Baranski, 144 00:08:43,160 --> 00:08:45,640 Speaker 1: and so she's just like a fount of that. So 145 00:08:45,679 --> 00:08:49,560 Speaker 1: maybe you're just catching the bug bow. My roommate and 146 00:08:49,640 --> 00:08:53,240 Speaker 1: guy husband, Kevin very much that way. I like to 147 00:08:53,280 --> 00:08:54,839 Speaker 1: think of it as like a Midwest mom thing. He 148 00:08:54,880 --> 00:08:59,280 Speaker 1: also was like, tell them, I say him, Sure, tell 149 00:08:59,320 --> 00:09:01,839 Speaker 1: them you say hi on the podcast. I'll start with 150 00:09:01,840 --> 00:09:04,160 Speaker 1: that now where I am doing it. But like one 151 00:09:04,200 --> 00:09:06,520 Speaker 1: time I was making lentil soup and he was like, 152 00:09:06,600 --> 00:09:14,520 Speaker 1: and you're making a gentle soup, Papa, can you make me? Yes, Papa, 153 00:09:14,520 --> 00:09:20,000 Speaker 1: can you legon me? Ship? Yeah? Well you know what, 154 00:09:20,760 --> 00:09:25,040 Speaker 1: I just think I must be forgiven. I demand forgiveness 155 00:09:26,600 --> 00:09:30,480 Speaker 1: because the snap, which I timed to end minutes before 156 00:09:30,520 --> 00:09:35,280 Speaker 1: this started, when I've had some red wine, eight pm 157 00:09:35,400 --> 00:09:40,160 Speaker 1: to me is like midnight. We actually say I have 158 00:09:40,200 --> 00:09:43,880 Speaker 1: a Moscow mule, And right I was going to ask, 159 00:09:44,480 --> 00:09:48,559 Speaker 1: but I didn't want to, you know, bring up anything personal. Right, well, 160 00:09:48,600 --> 00:09:51,120 Speaker 1: this could be anything. I mean, I have I have 161 00:09:51,200 --> 00:09:55,400 Speaker 1: a delivery, this is this is okay, Okay, said, well, 162 00:09:55,440 --> 00:09:59,640 Speaker 1: that's a plastic alcoholic maybe something I don't know, not 163 00:09:59,720 --> 00:10:02,800 Speaker 1: for me, for the girls out there, alcoholic. Fuck yeah, 164 00:10:02,840 --> 00:10:05,720 Speaker 1: I'm not that's not for me either, know what what 165 00:10:05,720 --> 00:10:10,200 Speaker 1: what red? Why are you drinking? I'm drinking? So I have, um, 166 00:10:10,280 --> 00:10:16,400 Speaker 1: I get cases of red Burgundy, sent Burgundy. This is 167 00:10:16,440 --> 00:10:20,040 Speaker 1: Elgin Selections. Yeah. I used to belong to a wine 168 00:10:20,040 --> 00:10:22,559 Speaker 1: club and I felt that it was and I was. 169 00:10:22,679 --> 00:10:25,120 Speaker 1: It really encouraged me to drink a lot of it, 170 00:10:25,360 --> 00:10:27,560 Speaker 1: and then all of a sudden, you have so much 171 00:10:28,200 --> 00:10:31,720 Speaker 1: right now. But I've gone beyond the wine club and 172 00:10:31,800 --> 00:10:35,319 Speaker 1: I just ordered the cases. But I do love red Burgundy. 173 00:10:35,960 --> 00:10:39,400 Speaker 1: M how's it hitting you tonight? What's what's it doing 174 00:10:39,480 --> 00:10:42,200 Speaker 1: for you? You know, it's nice. I'm feeling a little silly. 175 00:10:43,080 --> 00:10:46,600 Speaker 1: I think I have t mj oh no, what is that? Like? 176 00:10:46,720 --> 00:10:49,360 Speaker 1: Is that like pre locked draw? What is that? I think? 177 00:10:49,880 --> 00:10:52,600 Speaker 1: Who could know? I just know that it was I 178 00:10:52,640 --> 00:10:57,320 Speaker 1: was my jaws hurting me. Well, you know how much 179 00:10:57,360 --> 00:10:59,280 Speaker 1: can you open? Said jaw? Why don't you show us? 180 00:10:59,559 --> 00:11:04,600 Speaker 1: Why don't you? But it's in here? Ah, you know, 181 00:11:06,000 --> 00:11:11,520 Speaker 1: doing like the like you know kind of pops. Oh no, oh, shoot, 182 00:11:11,640 --> 00:11:13,400 Speaker 1: you know what. That's been happening to me lately too, 183 00:11:13,440 --> 00:11:16,200 Speaker 1: and I just it. I need to come out of 184 00:11:16,200 --> 00:11:17,880 Speaker 1: the shadows and say that it's been happening to me, 185 00:11:17,920 --> 00:11:21,320 Speaker 1: because it happens, and I get so frightened and I'm like, 186 00:11:21,360 --> 00:11:23,880 Speaker 1: oh my jaws literally coming off the hinges that I'm 187 00:11:23,920 --> 00:11:27,400 Speaker 1: too afraid to tell anybody. And that's the first thing 188 00:11:27,400 --> 00:11:29,640 Speaker 1: you need to do in order to make the situation. 189 00:11:29,800 --> 00:11:32,880 Speaker 1: You know, I tell everybody because I assume it's cancer, 190 00:11:33,480 --> 00:11:36,920 Speaker 1: right any time, it's got to be the worst thing. 191 00:11:37,080 --> 00:11:40,360 Speaker 1: You know. What's interesting about opening mouths. I had a 192 00:11:40,480 --> 00:11:45,720 Speaker 1: singing teacher in our in like college. I took like 193 00:11:45,720 --> 00:11:47,679 Speaker 1: a voice lessons for two semesters, and he said to 194 00:11:47,720 --> 00:11:50,880 Speaker 1: me one time, you know, men when they sing don't 195 00:11:50,920 --> 00:11:52,920 Speaker 1: have to open up their mouths as big as women. 196 00:11:54,320 --> 00:11:56,800 Speaker 1: And I was like, is that true? And he was like, yes, 197 00:11:56,840 --> 00:11:59,320 Speaker 1: because male resonators are different. I was like, I don't. 198 00:11:59,360 --> 00:12:01,680 Speaker 1: I think you're just isn't a bunch of words. But 199 00:12:01,800 --> 00:12:04,120 Speaker 1: like he was like, when you sing, you shouldn't have 200 00:12:04,200 --> 00:12:07,360 Speaker 1: to open your mouth very wide. You actually very you 201 00:12:07,400 --> 00:12:10,320 Speaker 1: don't have to. But women it's different. And I was like, 202 00:12:10,440 --> 00:12:13,800 Speaker 1: because we have to flirt at the same time, and 203 00:12:13,880 --> 00:12:20,120 Speaker 1: you flirt by showing your damned tonsils that dangly thing. Yeah, 204 00:12:21,000 --> 00:12:25,880 Speaker 1: but I also think that my call the cathedral. It's 205 00:12:25,920 --> 00:12:29,240 Speaker 1: my cathedral dolling. Yeah, Frank Bannett, you've been using your 206 00:12:29,280 --> 00:12:32,480 Speaker 1: cathedral quite a bit on the Apple Plus TV show. 207 00:12:33,080 --> 00:12:39,760 Speaker 1: Oh that was very good. We finally got to it. Wait, 208 00:12:39,800 --> 00:12:43,240 Speaker 1: I have to say now two episodes are out so far, 209 00:12:43,920 --> 00:12:48,080 Speaker 1: and I'm obsessed with it. Everything about it. I love 210 00:12:48,280 --> 00:12:51,240 Speaker 1: like I love the ensembles, the way that they shoot 211 00:12:51,280 --> 00:12:54,760 Speaker 1: the scenes like, I love like the long shots of 212 00:12:54,800 --> 00:12:57,600 Speaker 1: that don't cut away. I love that we're just seeing performance. 213 00:12:57,600 --> 00:13:00,560 Speaker 1: I love the singing live like, because if it's not live, 214 00:13:00,559 --> 00:13:05,120 Speaker 1: it's like fake. Really well, is it singing live? Yes? Yeah, 215 00:13:05,240 --> 00:13:07,120 Speaker 1: but is it la misstyle where you you all have 216 00:13:07,160 --> 00:13:10,120 Speaker 1: an earwig in or we all have earwigs. I think 217 00:13:10,120 --> 00:13:12,640 Speaker 1: there was only one part that I've done so far 218 00:13:12,679 --> 00:13:15,480 Speaker 1: that I know wasn't live, and that was the very 219 00:13:15,640 --> 00:13:18,880 Speaker 1: end of Enjoy the Ride because we were in the 220 00:13:18,920 --> 00:13:22,959 Speaker 1: tunnel and they were like these three big men pulling 221 00:13:23,080 --> 00:13:28,360 Speaker 1: us and so it was like you know, and splashing water, 222 00:13:28,520 --> 00:13:33,160 Speaker 1: so we couldn't record that sounds live. Yeah, so is 223 00:13:33,200 --> 00:13:35,560 Speaker 1: that the end of episode two. That's the end of 224 00:13:35,600 --> 00:13:37,800 Speaker 1: episode two where you sort of go into the tunnel 225 00:13:37,800 --> 00:13:40,280 Speaker 1: of Love with and that's how we get through the 226 00:13:40,280 --> 00:13:47,360 Speaker 1: Tunnel of Love these men are movie magic and waiters. Yeah, 227 00:13:47,600 --> 00:13:50,920 Speaker 1: movie magic, bow, movie magic. Well, it really is. I 228 00:13:50,920 --> 00:13:52,800 Speaker 1: mean that's the whole point, right in, like the direction, 229 00:13:52,920 --> 00:13:57,640 Speaker 1: like Barry Standenfeld is a genius, and that long shot 230 00:13:57,800 --> 00:14:00,720 Speaker 1: specifically that really hit me was I think it was 231 00:14:00,800 --> 00:14:05,040 Speaker 1: in the pilot when Aaron when um, Danny Bailey sings 232 00:14:05,160 --> 00:14:09,200 Speaker 1: to Cecily Can't Be Tamed or or that song He's 233 00:14:09,200 --> 00:14:12,480 Speaker 1: so good in the beginning. It's still long, long taken, 234 00:14:12,640 --> 00:14:19,720 Speaker 1: like people are loving it. I'm loving that. He on 235 00:14:19,720 --> 00:14:23,120 Speaker 1: on the internet. Oh yeah, it's it's it's been there. 236 00:14:23,120 --> 00:14:24,920 Speaker 1: I mean ever since Greece slot that's when I think 237 00:14:27,560 --> 00:14:30,760 Speaker 1: next to normal, next tom Yes, next to normal. I 238 00:14:30,800 --> 00:14:32,520 Speaker 1: had not seen next to normal. And actually when I 239 00:14:32,560 --> 00:14:35,680 Speaker 1: did end up seeing next to normal, um, he wasn't 240 00:14:35,680 --> 00:14:37,640 Speaker 1: in it. He had moved on. You know people and 241 00:14:37,640 --> 00:14:40,400 Speaker 1: people move on, they move on, they do um, but 242 00:14:40,480 --> 00:14:42,480 Speaker 1: he had gone. And I was so bummed because I 243 00:14:42,480 --> 00:14:44,320 Speaker 1: remember seeing him on the Tony Awards and I was like, 244 00:14:44,440 --> 00:14:49,800 Speaker 1: who is that. He's good and hot, he's good, he's great, 245 00:14:49,880 --> 00:14:53,240 Speaker 1: he's great, he's great. Dove Cameron, what a legend? Name 246 00:14:53,280 --> 00:14:57,640 Speaker 1: another legend, a freaking legend. What's her deal? Does. I mean, 247 00:14:57,880 --> 00:15:00,840 Speaker 1: she's she's sort of like unreal. I mean, I don't know. 248 00:15:01,320 --> 00:15:04,360 Speaker 1: She's kind of like you know how you meet some 249 00:15:04,400 --> 00:15:07,000 Speaker 1: people and you're like, I'll never be cool enough to 250 00:15:07,120 --> 00:15:13,920 Speaker 1: understand your world. That that's tough to me. I think 251 00:15:13,960 --> 00:15:17,320 Speaker 1: she's just so. I mean, it's like Devil asked me, 252 00:15:17,640 --> 00:15:19,880 Speaker 1: like when we were at doing the premiere parties and 253 00:15:19,960 --> 00:15:21,360 Speaker 1: it was like, what are you gonna wear? Are you 254 00:15:21,400 --> 00:15:24,600 Speaker 1: going to change when we go to Allen's? And I 255 00:15:24,680 --> 00:15:30,160 Speaker 1: was like, am I going to change? I barely got 256 00:15:30,200 --> 00:15:34,200 Speaker 1: this look together home and this stays on me. And 257 00:15:34,240 --> 00:15:38,840 Speaker 1: then she's like wearing a leather pants and jacket ensemble. 258 00:15:39,440 --> 00:15:40,520 Speaker 1: And then she was like, what are you going to 259 00:15:40,560 --> 00:15:42,000 Speaker 1: wear to your party? And I was like, I don't 260 00:15:42,000 --> 00:15:45,000 Speaker 1: even know. I can't tell you, Dove, I can't tell you. 261 00:15:46,200 --> 00:15:49,320 Speaker 1: My favorite Dove camera moment is when she was doing 262 00:15:49,840 --> 00:15:52,200 Speaker 1: this is a deep dive, but she was doing Hair 263 00:15:52,240 --> 00:15:55,280 Speaker 1: Spray Live. I loved her and I love Hair Spray Live, 264 00:15:55,360 --> 00:15:58,960 Speaker 1: and I mean ambermon Tussel is a part for Legends 265 00:15:59,040 --> 00:16:01,840 Speaker 1: Only right day and I did see the original broad 266 00:16:01,880 --> 00:16:04,440 Speaker 1: by cast with Laurel Bell Bundy and the High Harmony 267 00:16:04,880 --> 00:16:08,080 Speaker 1: was launching. I mean, I had chills. I was the 268 00:16:08,080 --> 00:16:11,160 Speaker 1: gayest little kid there and I was crying when I 269 00:16:11,200 --> 00:16:13,240 Speaker 1: heard the high harmony and you can't stop to be 270 00:16:13,280 --> 00:16:15,160 Speaker 1: at my mother. My mother turned to me and she 271 00:16:15,240 --> 00:16:16,800 Speaker 1: was like, why are you crying? It's a happy song. 272 00:16:16,840 --> 00:16:18,320 Speaker 1: And I was like, I can't tell you now how 273 00:16:18,360 --> 00:16:22,480 Speaker 1: gay I am, like, but that's why. But anyway, she 274 00:16:22,520 --> 00:16:25,640 Speaker 1: played everyone Tustle in the Hair Spray live and there 275 00:16:25,720 --> 00:16:27,120 Speaker 1: was a part where I don't know, I think it 276 00:16:27,160 --> 00:16:32,200 Speaker 1: was on Jennifer Hudson's Instagram, like Jennifer Hudson was recording 277 00:16:32,280 --> 00:16:35,800 Speaker 1: Dove singing and you just hear Jennifer screaming in the back, 278 00:16:36,280 --> 00:16:43,920 Speaker 1: singing Dove, damn du sing, screaming at her the words sing. 279 00:16:44,040 --> 00:16:47,560 Speaker 1: And I was just like, can you imagine Jennifer Hudson 280 00:16:47,640 --> 00:16:55,200 Speaker 1: screaming the words sing at you name being Dove? And 281 00:16:55,360 --> 00:16:59,520 Speaker 1: how are these parties? Tell us? Oh, they were so great. 282 00:16:59,520 --> 00:17:02,560 Speaker 1: We missed to you, We miss our consulting producer. But 283 00:17:03,000 --> 00:17:07,080 Speaker 1: you do what you have to do. I know I'm 284 00:17:07,119 --> 00:17:10,000 Speaker 1: out of town. I think it'm busy. I feel like 285 00:17:10,040 --> 00:17:12,520 Speaker 1: I'm in purgatory right now. I'm neither I'm neither here 286 00:17:12,560 --> 00:17:16,760 Speaker 1: nor there on on my coasts, which sounds so elitist 287 00:17:16,800 --> 00:17:21,160 Speaker 1: of me, But I feel like nothing's happening in my world. Well, 288 00:17:21,280 --> 00:17:26,040 Speaker 1: I think that's not true. I think abject falsity. I'm 289 00:17:26,119 --> 00:17:29,960 Speaker 1: just saying there's things happening, obviously, but I'm like, I 290 00:17:29,960 --> 00:17:32,080 Speaker 1: I feel like I'm away from the action, and I've 291 00:17:32,119 --> 00:17:37,120 Speaker 1: kind of just been like, there's not that much action. 292 00:17:37,359 --> 00:17:41,600 Speaker 1: And we had two parties. You threw one, I threw one. 293 00:17:41,880 --> 00:17:44,439 Speaker 1: That's right. I couldn't come in because you invited me, 294 00:17:44,440 --> 00:17:46,240 Speaker 1: and I was like, I think I saw the email 295 00:17:46,240 --> 00:17:47,560 Speaker 1: and I was like, well, I can't go, but I 296 00:17:47,600 --> 00:17:51,399 Speaker 1: am going to see you soon. For what it was, 297 00:17:51,480 --> 00:17:54,000 Speaker 1: what is it called? This is all gonna this is 298 00:17:54,040 --> 00:17:56,000 Speaker 1: all gonna be okay, This is all gonna be okay, 299 00:17:56,000 --> 00:17:58,600 Speaker 1: and we know it before we know it. This is 300 00:17:59,440 --> 00:18:02,080 Speaker 1: this is the this is the perfect. We've slipped into 301 00:18:02,119 --> 00:18:05,160 Speaker 1: some perfect. Can we call it guerrilla marketing or whatever? 302 00:18:05,280 --> 00:18:10,600 Speaker 1: It's like, this is please as a gorilla, I say, 303 00:18:11,280 --> 00:18:14,720 Speaker 1: here's how your here's how your market. I feel like, 304 00:18:14,840 --> 00:18:19,120 Speaker 1: now no one listening, We'll forget the title. This will 305 00:18:19,160 --> 00:18:23,160 Speaker 1: all be over soon, coming in August, come to Great 306 00:18:23,200 --> 00:18:26,119 Speaker 1: Barrington in the Berkshires. If you want to see me 307 00:18:26,240 --> 00:18:29,760 Speaker 1: Cecily Heidi Gardner have a conversation about this beautiful, beautiful book. 308 00:18:30,359 --> 00:18:31,880 Speaker 1: I know, and I'm going to try to talk about 309 00:18:31,880 --> 00:18:35,119 Speaker 1: the book and not you two, and how wonderful it 310 00:18:35,200 --> 00:18:37,560 Speaker 1: is that you're both doing this. It's such a testament 311 00:18:38,160 --> 00:18:41,840 Speaker 1: to the who both of you are. Are so wonderful, 312 00:18:42,000 --> 00:18:43,520 Speaker 1: you know. I don't know if the people out there 313 00:18:43,560 --> 00:18:46,760 Speaker 1: know this, but you don't get paid money for those things, 314 00:18:47,760 --> 00:18:50,359 Speaker 1: and that's just a real labor of love, a friend 315 00:18:50,560 --> 00:18:53,280 Speaker 1: being a friend, and it's so kind. What day is? 316 00:18:53,680 --> 00:18:55,919 Speaker 1: What day is it? August seven? Where we're coming up? 317 00:18:56,000 --> 00:19:00,439 Speaker 1: I want to go come. I'm going to be in Calm. 318 00:19:01,160 --> 00:19:03,720 Speaker 1: I would love nothing more than Matt. I'm gonna I'm 319 00:19:03,720 --> 00:19:05,040 Speaker 1: gonna drive up. You wanna want to share a car 320 00:19:05,080 --> 00:19:08,399 Speaker 1: and we can, let's do it. I love that. And 321 00:19:08,400 --> 00:19:13,760 Speaker 1: I'm gonna have a cocktailer three because I or a 322 00:19:13,800 --> 00:19:16,359 Speaker 1: red or a red Burgundy. I just saw Heidi in 323 00:19:16,480 --> 00:19:19,159 Speaker 1: l A. Oh my god, ain't she the best? What 324 00:19:19,840 --> 00:19:23,320 Speaker 1: was she wearing? She was wearing some of some of 325 00:19:23,359 --> 00:19:27,199 Speaker 1: the coolest duds you've ever seen. Everyone. I did a 326 00:19:27,240 --> 00:19:30,879 Speaker 1: little thing with Keenan, Chris, Heidie and Chloe and it 327 00:19:30,960 --> 00:19:37,359 Speaker 1: was style all around. Come on the names. Wow, I 328 00:19:37,359 --> 00:19:40,520 Speaker 1: hadn't thought about it like that. I'm kind of I'm 329 00:19:40,920 --> 00:19:46,160 Speaker 1: always going there. I'm always thinking about sounds and where 330 00:19:46,160 --> 00:19:47,879 Speaker 1: the sounds you know, what are this? What are the 331 00:19:47,880 --> 00:19:49,600 Speaker 1: sounds of the situation? That's great? You want me somewe 332 00:19:49,760 --> 00:19:52,760 Speaker 1: What are the sounds sounds? What are the sounds involved? 333 00:19:52,840 --> 00:19:55,080 Speaker 1: Sort of? Where are the sounds, where they coming from? 334 00:19:55,240 --> 00:19:57,480 Speaker 1: How loud are they? Like? What are the consonants? I 335 00:19:57,520 --> 00:20:00,679 Speaker 1: love a good consonant. Well, here's the thing. Can I 336 00:20:00,720 --> 00:20:05,520 Speaker 1: do serious for a second? Serious? This whole time I've 337 00:20:05,520 --> 00:20:09,680 Speaker 1: been I know, but there's something about there's there's something 338 00:20:09,680 --> 00:20:12,400 Speaker 1: about Smia Dune, you know, being the stacked cast full 339 00:20:12,440 --> 00:20:16,280 Speaker 1: of you know, musical theater people. Um. And then there's 340 00:20:16,320 --> 00:20:19,920 Speaker 1: something about there's something there's something to us as fans 341 00:20:19,960 --> 00:20:22,520 Speaker 1: of sketch comedy and us as people who can track 342 00:20:22,600 --> 00:20:26,440 Speaker 1: your sensibility or find it in people, and Cecily being 343 00:20:26,480 --> 00:20:29,160 Speaker 1: someone who can deliver on that always. But there's something 344 00:20:29,160 --> 00:20:34,440 Speaker 1: about Terrizana specifically where I'm sorry, I'm sorry, Cecily, we're 345 00:20:34,440 --> 00:20:40,160 Speaker 1: bringing up Arizona's Sorry. We never do this to me. Yes, 346 00:20:41,040 --> 00:20:44,960 Speaker 1: you know, I knew what you do. It's the way 347 00:20:44,960 --> 00:20:48,080 Speaker 1: she says this to me. You never do this to me, 348 00:20:48,200 --> 00:20:55,320 Speaker 1: something that was real, And then Gosling is losing it. Yeah, 349 00:20:55,480 --> 00:21:02,240 Speaker 1: Goslics losing it bringing up like dad, it's really a 350 00:21:02,280 --> 00:21:08,240 Speaker 1: messive guy. It's just Bridge and Tunnel girl. That's just like, 351 00:21:08,480 --> 00:21:11,679 Speaker 1: don't tickle me like like that, like like stop like 352 00:21:11,720 --> 00:21:15,399 Speaker 1: but but like it's it's it's her. Her action is 353 00:21:15,680 --> 00:21:19,280 Speaker 1: stop like that you know and you and you know 354 00:21:19,400 --> 00:21:24,480 Speaker 1: it and everyone understands everything that she's saying in her head. 355 00:21:25,119 --> 00:21:28,520 Speaker 1: They all feel sorry for her. Her story is the toughest. 356 00:21:29,200 --> 00:21:34,600 Speaker 1: Her dad was a really messive guy. Readers, you have 357 00:21:34,720 --> 00:21:37,639 Speaker 1: to watch the Terrizono sketch. Literally just type an snl 358 00:21:37,800 --> 00:21:41,199 Speaker 1: Rizano Cecily you'll you'll find it. And that hair is 359 00:21:41,280 --> 00:21:44,879 Speaker 1: just so it can't be like the Kyle Richards like 360 00:21:44,960 --> 00:21:49,399 Speaker 1: sort of like moment I can't. By the way, we 361 00:21:49,440 --> 00:21:51,040 Speaker 1: have to talk about houseives later because I know you 362 00:21:51,080 --> 00:21:53,560 Speaker 1: love you know it. This has to be a two 363 00:21:53,560 --> 00:21:58,960 Speaker 1: part episode. This is going to House fives. Yeah, but 364 00:21:59,040 --> 00:22:01,120 Speaker 1: we we have to talk about the sequel sketch, which 365 00:22:01,200 --> 00:22:05,320 Speaker 1: is Domenico's with Adam Driver and that is the coffee 366 00:22:05,359 --> 00:22:08,080 Speaker 1: that's the that's the that's the b page Joe's thing 367 00:22:08,160 --> 00:22:12,719 Speaker 1: or whatever. But um, but there's a there craftmagaw and 368 00:22:12,760 --> 00:22:15,800 Speaker 1: then um, you tell how do He's like, well, I 369 00:22:15,800 --> 00:22:18,320 Speaker 1: think it's great. And then you go, um, I forget 370 00:22:18,359 --> 00:22:20,280 Speaker 1: what the exact wording is, but you go. When this 371 00:22:20,359 --> 00:22:22,720 Speaker 1: movie comes out, you're gonna you're gonna want to kill 372 00:22:23,080 --> 00:22:29,040 Speaker 1: kill yourself because you sound because he's saying that it's 373 00:22:29,080 --> 00:22:31,679 Speaker 1: the only person here that's going to tell you the truth, 374 00:22:33,520 --> 00:22:41,480 Speaker 1: you sound poor. When this movie comes out, come on 375 00:22:42,359 --> 00:22:47,360 Speaker 1: like money line. I can't. I'm telling you, I literally 376 00:22:47,720 --> 00:22:50,040 Speaker 1: I can't. I just had a moment when I flashed 377 00:22:50,080 --> 00:22:56,880 Speaker 1: back to um god moay sandem like way back, way way, 378 00:22:57,560 --> 00:22:59,480 Speaker 1: and then I was like I can't even believe that, 379 00:22:59,520 --> 00:23:03,159 Speaker 1: Like I literally it's just so gay and lame. I 380 00:23:03,200 --> 00:23:04,679 Speaker 1: was like, I can't believe we're talking to you, and 381 00:23:04,720 --> 00:23:06,520 Speaker 1: I can't believe I know Vanessa, I'm gonna be on 382 00:23:06,560 --> 00:23:11,000 Speaker 1: that fucking show that. I was like, this is crazy. 383 00:23:11,080 --> 00:23:12,840 Speaker 1: I was like, this are the funniest woman in the world. 384 00:23:12,920 --> 00:23:16,120 Speaker 1: I love you anyway. That's like it's like uncool to say, 385 00:23:16,200 --> 00:23:19,120 Speaker 1: but like anyway, I keep cheer sing I'm doing very 386 00:23:19,240 --> 00:23:23,679 Speaker 1: mom things on zoom. I did a sl laws. I 387 00:23:23,720 --> 00:23:26,080 Speaker 1: love this long sleeve. What what is that? Is that? 388 00:23:26,119 --> 00:23:30,560 Speaker 1: Like a ti it is? But it's um. My friend 389 00:23:30,640 --> 00:23:35,480 Speaker 1: had a baby and she loves tide um and I'm 390 00:23:35,480 --> 00:23:38,199 Speaker 1: wearing it because I was cold. I'm not a normal 391 00:23:38,280 --> 00:23:41,120 Speaker 1: like tie die kind of gal, but my friend Bianca 392 00:23:41,200 --> 00:23:44,520 Speaker 1: really loves what is it? Indigo? Is that this? Yeah? 393 00:23:46,680 --> 00:23:53,679 Speaker 1: And tidying um? I was there, I ordained officiate, the 394 00:23:53,680 --> 00:23:58,639 Speaker 1: officiate visiant, Yeah, officiant, so I and her wedding was 395 00:23:58,720 --> 00:24:01,320 Speaker 1: a lot of indigo. I too. Was this the one 396 00:24:01,320 --> 00:24:03,240 Speaker 1: in the desert? Yes, it was the one in the 397 00:24:03,280 --> 00:24:07,960 Speaker 1: desert that looked very chic. It was great. Yeah, where 398 00:24:07,960 --> 00:24:09,879 Speaker 1: in the desert did you go far? What did you 399 00:24:09,880 --> 00:24:13,720 Speaker 1: go to? Like a Joshua Tree moment? Where's the iron 400 00:24:13,760 --> 00:24:18,320 Speaker 1: Man Mountain or where they shot iron Man? It was there? 401 00:24:19,000 --> 00:24:21,600 Speaker 1: How cool you get to go where they shot iron Man? Well, 402 00:24:21,640 --> 00:24:26,720 Speaker 1: and I certainly incorporated that in my speech. It's great 403 00:24:26,760 --> 00:24:29,919 Speaker 1: to gather here at a spot where Robert Downey Jr. 404 00:24:30,119 --> 00:24:34,679 Speaker 1: Was not far away, their favorite actor, Robert Downey Jr. 405 00:24:34,840 --> 00:24:37,320 Speaker 1: And their favorite character iron Man. I just like you 406 00:24:37,359 --> 00:24:39,520 Speaker 1: had to think for us hard two seconds about what 407 00:24:39,600 --> 00:24:41,480 Speaker 1: his real name is. And then I found it Tony 408 00:24:41,560 --> 00:24:44,240 Speaker 1: Star Tony you found it. Oh. I was like, Robert 409 00:24:44,280 --> 00:24:50,800 Speaker 1: Downey Jr. Who has to think about that? I mean, look, Robert, 410 00:24:50,960 --> 00:24:53,200 Speaker 1: you forget how long in the game R d j 411 00:24:53,440 --> 00:24:56,800 Speaker 1: Has been doing it. But you know, I recently worked 412 00:24:56,800 --> 00:25:00,760 Speaker 1: with Civil Shepherd and she w I told her. I 413 00:25:00,840 --> 00:25:06,439 Speaker 1: was like, well, I love Sibyl Shepherd love and so 414 00:25:06,600 --> 00:25:09,440 Speaker 1: I told her in between takes, I said, you know, 415 00:25:09,760 --> 00:25:12,800 Speaker 1: I have to tell you one of my favorite movies. 416 00:25:13,640 --> 00:25:16,879 Speaker 1: It's chances are. I was like, you and Robert Downey Jr. 417 00:25:17,359 --> 00:25:22,159 Speaker 1: Wasn't that his name? Yes? Yes, um? And so she 418 00:25:22,320 --> 00:25:24,200 Speaker 1: was like, she turns to me and she goes, oh, 419 00:25:25,600 --> 00:25:27,159 Speaker 1: you know, he couldn't be alone. He couldn't be left 420 00:25:27,200 --> 00:25:28,919 Speaker 1: alone at that time. You know, he had to have 421 00:25:28,920 --> 00:25:30,240 Speaker 1: something with him at all times. Couldn't go to the 422 00:25:30,280 --> 00:25:32,680 Speaker 1: bathroom alone. He really you know, that was a hard time. 423 00:25:32,760 --> 00:25:35,800 Speaker 1: But you know we had the chemistry. We had the chemistry. 424 00:25:34,640 --> 00:25:37,560 Speaker 1: So I was just like, I was just my jaw 425 00:25:37,600 --> 00:25:40,920 Speaker 1: was on the ground. I was like, I love the movie. 426 00:25:41,160 --> 00:25:43,640 Speaker 1: I think the Whenever people are like what movie made 427 00:25:43,640 --> 00:25:46,520 Speaker 1: you cry the most? My answer first such a long 428 00:25:46,560 --> 00:25:50,520 Speaker 1: time was heart and Soul. Cecily, I always talk about 429 00:25:50,560 --> 00:25:59,800 Speaker 1: heart and souls. Kia Sedgwick alfree or forget Mr Huggaba 430 00:26:03,000 --> 00:26:07,120 Speaker 1: right now, be careful. Oh my god, you won't be there. 431 00:26:07,440 --> 00:26:10,400 Speaker 1: It's so good. Bowen you must. It's it's like so like, 432 00:26:10,680 --> 00:26:14,160 Speaker 1: it's so romantic is the wrong word, but it's so like, um, 433 00:26:14,160 --> 00:26:17,280 Speaker 1: it's like nine early nineties cheese, but in the best way. 434 00:26:18,320 --> 00:26:21,840 Speaker 1: Performances like oh my god, Charles Grodan, Tom Size More, 435 00:26:22,000 --> 00:26:26,440 Speaker 1: r DJ killing it, Miss Elizabeth Show, We love Elizabeth Ship. Yes, 436 00:26:27,040 --> 00:26:30,280 Speaker 1: that sounds very baroque. Romantic is not the word baroque 437 00:26:30,400 --> 00:26:34,640 Speaker 1: is We need to start describing things more when it applies. 438 00:26:34,640 --> 00:26:36,240 Speaker 1: And I think I've never seen heart and Souls, but 439 00:26:36,240 --> 00:26:41,200 Speaker 1: I feel like it applies. But you think baroque, that's 440 00:26:41,200 --> 00:26:50,960 Speaker 1: what you got. No money, baroque, bitch. Wait wait, wait, 441 00:26:51,000 --> 00:26:53,560 Speaker 1: but that movie at the end where Cia Sedgewick goes, 442 00:26:54,960 --> 00:26:58,879 Speaker 1: go and live the life that okay, and r d 443 00:26:59,000 --> 00:27:01,960 Speaker 1: J is just like yeah, and she goes, I wish 444 00:27:02,000 --> 00:27:04,360 Speaker 1: I could just give you a big hook and then 445 00:27:04,359 --> 00:27:07,639 Speaker 1: they can. This is a spoiler. Anyway, It's so good 446 00:27:08,520 --> 00:27:12,359 Speaker 1: that line reading was honestly gave me goose bumps. That's 447 00:27:12,400 --> 00:27:14,840 Speaker 1: very good. At the res an amazing actress. People don't 448 00:27:14,840 --> 00:27:17,240 Speaker 1: know you, but they will. I've started to book morals 449 00:27:17,840 --> 00:27:19,960 Speaker 1: a lot of Kia Sedgwick. I feel like you should 450 00:27:19,960 --> 00:27:22,600 Speaker 1: do more. Well, you know, Kira Sedgwick is not far 451 00:27:22,640 --> 00:27:28,679 Speaker 1: away from my best character, which is sudden Strack. Yes, yes, Forest, 452 00:27:28,800 --> 00:27:32,720 Speaker 1: I know this word violate is really too much for me. 453 00:27:33,600 --> 00:27:36,200 Speaker 1: Violated you wait, I need to bring out a thing 454 00:27:36,320 --> 00:27:40,880 Speaker 1: to just I'm using this relax so I don't crop. 455 00:27:41,680 --> 00:27:45,360 Speaker 1: I don't crock as the one woman who got called race. 456 00:27:46,520 --> 00:27:49,760 Speaker 1: I don't want to talk about Rice. Why we're not 457 00:27:49,840 --> 00:27:53,919 Speaker 1: gonna do the implosion of white women this season on 458 00:27:54,920 --> 00:27:58,679 Speaker 1: New York and Beverly Hills. It's what do you think? 459 00:27:59,080 --> 00:28:00,520 Speaker 1: Both of you? I want to know what you think 460 00:28:00,560 --> 00:28:03,800 Speaker 1: about the Real Housewives of New York ratings being so 461 00:28:03,880 --> 00:28:08,760 Speaker 1: bad and now there's like they're blaming They're blaming Ebony, Ebony. 462 00:28:08,800 --> 00:28:12,720 Speaker 1: Are you kidding me? It's unbelievable. Crazy Ebony is like 463 00:28:12,920 --> 00:28:17,480 Speaker 1: I think Ebony is so amazing and wonder and I'm like, 464 00:28:17,520 --> 00:28:19,240 Speaker 1: I don't know how she does it. I don't know 465 00:28:19,240 --> 00:28:21,320 Speaker 1: how you can want to be around that all the time. 466 00:28:21,640 --> 00:28:25,200 Speaker 1: And she has so much patience, and then she'd be blamed. 467 00:28:25,600 --> 00:28:28,560 Speaker 1: And there's a Ramona singer in the world, and we're 468 00:28:28,600 --> 00:28:33,560 Speaker 1: blaming Ebony Bo. When is the number one Anty Romana singer. Girl. Oh, 469 00:28:33,640 --> 00:28:36,639 Speaker 1: I don't know if I think I we could be 470 00:28:36,680 --> 00:28:40,440 Speaker 1: competitive in this. I have. Hey, I have really really 471 00:28:40,480 --> 00:28:43,320 Speaker 1: not like Ramona singer for a long time. Oh yes, 472 00:28:43,320 --> 00:28:46,000 Speaker 1: I'm sure that's true. But I think I've I think 473 00:28:46,000 --> 00:28:49,240 Speaker 1: I've thrown away my chances of being asked back on 474 00:28:49,560 --> 00:28:52,120 Speaker 1: Watch It Happens Live, because I did. I did over 475 00:28:52,200 --> 00:28:55,400 Speaker 1: Zoom last fall and they did a segment where they 476 00:28:55,400 --> 00:28:57,320 Speaker 1: were like, okay, Bo, when you're just gonna rattle off 477 00:28:57,360 --> 00:29:00,160 Speaker 1: your your your thoughts about housewives stuff between Ptoe like 478 00:29:00,160 --> 00:29:02,120 Speaker 1: in New York and and all this stuff. And I 479 00:29:02,160 --> 00:29:03,600 Speaker 1: was like sure, And then they got to Ramona. I 480 00:29:03,640 --> 00:29:07,120 Speaker 1: was like, she's a white supremacist and blah blah. They 481 00:29:07,160 --> 00:29:11,440 Speaker 1: didn't that happened to ask it. So he did make 482 00:29:11,720 --> 00:29:14,080 Speaker 1: a mark. I mean, I hit a nerve. But Andy 483 00:29:14,160 --> 00:29:19,880 Speaker 1: seems like, actually, why would say that white? I wouldn't. 484 00:29:19,920 --> 00:29:21,680 Speaker 1: I wouldn't use those words. I don't why we have to. 485 00:29:21,720 --> 00:29:24,760 Speaker 1: Can we just talk about some fun I don't talk 486 00:29:24,760 --> 00:29:27,680 Speaker 1: about a dolfriend stuff. I don't want to talk about race, religion, 487 00:29:27,680 --> 00:29:29,760 Speaker 1: a creed what. I don't want to talk about this 488 00:29:29,800 --> 00:29:32,000 Speaker 1: all the time. What I want to come out. I 489 00:29:32,000 --> 00:29:38,480 Speaker 1: want to be sexing, fun. I want to push her 490 00:29:38,520 --> 00:29:43,400 Speaker 1: down the stairs. I've said this, I'm talking about COVID. COVID, 491 00:29:43,440 --> 00:29:49,560 Speaker 1: this COVID. She's a super spreader. And he said, I 492 00:29:49,600 --> 00:29:52,719 Speaker 1: love all the times like show the camera she's just 493 00:29:53,160 --> 00:29:56,120 Speaker 1: on the side of a pool, like adjusting her face. 494 00:29:56,280 --> 00:30:00,960 Speaker 1: Supposing you to know, to know Jo how unhinged that 495 00:30:01,000 --> 00:30:03,000 Speaker 1: woman is is you have to remember how she walked 496 00:30:03,000 --> 00:30:07,800 Speaker 1: down that runway that one time and her father drake 497 00:30:07,800 --> 00:30:12,720 Speaker 1: a lot. Actually, so it's actually very triggering, triggering. This 498 00:30:12,800 --> 00:30:16,080 Speaker 1: is this is a really inhabited, it, very lived in. Literally, 499 00:30:16,360 --> 00:30:19,560 Speaker 1: Ramona says, this is very good. Have you worth you 500 00:30:19,600 --> 00:30:24,360 Speaker 1: worked on this? I just watched so much TV and 501 00:30:24,560 --> 00:30:28,640 Speaker 1: the half fives really a lot in this season especially, 502 00:30:28,680 --> 00:30:32,240 Speaker 1: A d always would be like, I'll do I have 503 00:30:32,440 --> 00:30:35,560 Speaker 1: I can do impressions like as the show is happening, yes, 504 00:30:36,680 --> 00:30:41,240 Speaker 1: immediately interesting. I will forget who Sutton Strack is after 505 00:30:41,280 --> 00:30:45,800 Speaker 1: the season, but right now she's my number one impression. Sutton. 506 00:30:46,000 --> 00:30:48,160 Speaker 1: I just love it. They all how they said her 507 00:30:48,240 --> 00:30:53,760 Speaker 1: name for that's Sutton. Well, that's just Sutton made Sutton classic, 508 00:30:53,840 --> 00:30:57,880 Speaker 1: Sutton classics. And we also talk about what do we 509 00:30:57,960 --> 00:31:03,760 Speaker 1: think about whoever is dressing Sutton? Okay, you know, and 510 00:31:05,040 --> 00:31:08,520 Speaker 1: there's some misses, but uh yeah, who's dressing Sutton? I 511 00:31:08,560 --> 00:31:13,880 Speaker 1: mean like an unattractive person. She doesn't have a bad figure, 512 00:31:14,400 --> 00:31:19,800 Speaker 1: but Sutton's being dressed poorly in very expensive clothes. Right, 513 00:31:19,960 --> 00:31:22,360 Speaker 1: she clearly has taste if she's like running her own boutique. 514 00:31:22,400 --> 00:31:24,880 Speaker 1: But it's like, I think she's just hiring a bad stylist. 515 00:31:25,520 --> 00:31:28,560 Speaker 1: Quote for these for for the show, she looks like 516 00:31:28,600 --> 00:31:32,160 Speaker 1: a fake Christmas tree. She looks like a fake Christmas tree, 517 00:31:32,240 --> 00:31:35,040 Speaker 1: like like a fun Christmas tree that someone gets like 518 00:31:35,120 --> 00:31:37,200 Speaker 1: and they're like, it's a different color than usual because 519 00:31:37,200 --> 00:31:39,720 Speaker 1: we wanted to be different this year. It's like, why 520 00:31:39,920 --> 00:31:44,080 Speaker 1: she looks like that? It's techica And I want to 521 00:31:44,120 --> 00:31:46,000 Speaker 1: ask her, like, how when's the last time you've gotten 522 00:31:46,000 --> 00:31:48,800 Speaker 1: a compliment that wasn't like this is fun and different, 523 00:31:49,320 --> 00:31:54,400 Speaker 1: like when people only say fun about what you're wearing. Yeah, 524 00:31:54,480 --> 00:31:57,280 Speaker 1: And it's like she can look great, she's in great shape. 525 00:31:57,440 --> 00:32:01,480 Speaker 1: I just would love to challenge Sutton, if you're listening 526 00:32:02,680 --> 00:32:06,680 Speaker 1: to you know, get a different stylist and see what 527 00:32:06,760 --> 00:32:09,320 Speaker 1: you can do, because I bet you look great. Who 528 00:32:09,400 --> 00:32:12,680 Speaker 1: is the best dress to you, guys on Beverly Hills. 529 00:32:13,600 --> 00:32:17,920 Speaker 1: I'm very loyal with my fandom and it's always Erica. 530 00:32:18,800 --> 00:32:21,680 Speaker 1: Erica is inspired art for you. I mean yes, and 531 00:32:21,680 --> 00:32:24,800 Speaker 1: I'm supporting her through all of this. And I think 532 00:32:24,840 --> 00:32:27,520 Speaker 1: to read is like she's gotten whatever, but it's like 533 00:32:27,560 --> 00:32:32,200 Speaker 1: to read, it's just wanting to be Erica. To read 534 00:32:32,360 --> 00:32:35,920 Speaker 1: is the one that said your panties are showing or 535 00:32:35,960 --> 00:32:38,959 Speaker 1: you're not wearing panties. Here's panties, which is like the 536 00:32:38,960 --> 00:32:42,680 Speaker 1: most conservative, nasty thing to do. And then it's like, 537 00:32:42,840 --> 00:32:45,440 Speaker 1: now she's in bucket hats and dressed like LLL cool 538 00:32:45,520 --> 00:32:49,640 Speaker 1: J playing lawn darts or whatever it was this season? 539 00:32:50,440 --> 00:32:51,960 Speaker 1: Remember what do they not know? What? They were? Like? 540 00:32:52,000 --> 00:32:55,880 Speaker 1: What's this called horseshoe? What is that? And she was 541 00:32:55,920 --> 00:33:00,680 Speaker 1: truly dressed like LL cool J. She is she always 542 00:33:00,680 --> 00:33:02,680 Speaker 1: goes for it, and like the thing is like I 543 00:33:02,680 --> 00:33:06,240 Speaker 1: wonder and I actually yeah, and that's yeah, I'm actually 544 00:33:06,320 --> 00:33:08,640 Speaker 1: doing like an L cool J thing right now. I 545 00:33:08,680 --> 00:33:14,560 Speaker 1: don't know, Erica, you hear what's going on? Just she 546 00:33:14,640 --> 00:33:21,440 Speaker 1: cheated all those people. And when it's really sad, it's 547 00:33:21,560 --> 00:33:28,760 Speaker 1: really really sad, and I'm loving my room in it 548 00:33:28,880 --> 00:33:30,400 Speaker 1: was the only thing that was going to get me out. 549 00:33:31,280 --> 00:33:33,480 Speaker 1: I was like, I need to go. And what's it 550 00:33:33,520 --> 00:33:36,320 Speaker 1: called the Sunrise Room or wherever the funk the it's 551 00:33:36,320 --> 00:33:39,440 Speaker 1: like an Italian name. I forget, but it's I must go. 552 00:33:39,680 --> 00:33:44,360 Speaker 1: I must go, And like she kept saying all these 553 00:33:44,360 --> 00:33:47,120 Speaker 1: like oh please, I would have an easier time getting 554 00:33:47,480 --> 00:33:49,840 Speaker 1: George to make out with a woman. And it was 555 00:33:49,920 --> 00:33:53,400 Speaker 1: like the same, like these are like my gay jokes 556 00:33:53,480 --> 00:33:56,960 Speaker 1: that I tell, boy, George would never suck a woman. 557 00:33:57,440 --> 00:34:02,120 Speaker 1: He's say he's gay, okay, so he would never ever 558 00:34:02,280 --> 00:34:04,120 Speaker 1: make out with a woman. But I would have better 559 00:34:04,480 --> 00:34:08,160 Speaker 1: getting him to do that. Jagger, it's like a half 560 00:34:08,200 --> 00:34:10,920 Speaker 1: Bi York. It really like starts to like dip into 561 00:34:10,960 --> 00:34:14,120 Speaker 1: b York or Icelandic or something so and her accent 562 00:34:14,239 --> 00:34:17,720 Speaker 1: is so peculiar it's untraceable. And she would say, because 563 00:34:17,719 --> 00:34:20,040 Speaker 1: she's a citizen of the world, it's when and when 564 00:34:20,040 --> 00:34:21,919 Speaker 1: you're a citizen of the world, you pick up all 565 00:34:22,080 --> 00:34:25,600 Speaker 1: different cultures. My mom, I want I've been watching it 566 00:34:25,640 --> 00:34:29,759 Speaker 1: with my mom and she she laughed at um or, 567 00:34:30,000 --> 00:34:33,680 Speaker 1: being like when you insult someone's outfit that is below 568 00:34:33,719 --> 00:34:39,840 Speaker 1: the bat. Have you ever heard Heidi talk about their 569 00:34:39,920 --> 00:34:43,880 Speaker 1: like the way they greet each other. It's my favorite, 570 00:34:44,360 --> 00:34:47,320 Speaker 1: like the Housewives because they spend something they're like, oh, 571 00:34:47,360 --> 00:34:49,560 Speaker 1: I love this. What is this? Is this pang? Look 572 00:34:49,600 --> 00:34:51,520 Speaker 1: at this? It's a pang. I love it. Guess what 573 00:34:51,560 --> 00:34:53,799 Speaker 1: it is. I'm wearing. Yes, I'm wearing what you are. 574 00:34:53,920 --> 00:34:59,560 Speaker 1: I'm wearing fun. Look at you? This is fun. Look 575 00:34:59,600 --> 00:35:04,560 Speaker 1: at this? Look at the wall. Oh my god, table, 576 00:35:05,920 --> 00:35:09,640 Speaker 1: I love it. And you're a hint and this is table? Okay? 577 00:35:10,719 --> 00:35:13,200 Speaker 1: What fun? A lot of a lot of air time 578 00:35:13,280 --> 00:35:16,920 Speaker 1: is dedicated to like what people look like, literally, because 579 00:35:16,920 --> 00:35:21,080 Speaker 1: it's like Cathy thinking that Garcel was Kyle like that 580 00:35:21,800 --> 00:35:25,319 Speaker 1: up like multiple what do we think it's happening there? Oh? 581 00:35:25,320 --> 00:35:28,879 Speaker 1: We love her perfection, utter perfection. Every now and then 582 00:35:28,880 --> 00:35:31,520 Speaker 1: I get a really good Kathy Hilton because you know 583 00:35:31,640 --> 00:35:35,239 Speaker 1: she like doesn't move her forward. She'll be like, who 584 00:35:35,360 --> 00:35:38,040 Speaker 1: is hunky Dory? No, it's no, you know what I 585 00:35:38,160 --> 00:35:42,440 Speaker 1: keep I keep losing a cafe caffeine. It's who is 586 00:35:42,480 --> 00:35:49,920 Speaker 1: hunky Dory? She's genuinely hunky dory Thomasina keeping Tomssina and 587 00:35:49,960 --> 00:35:51,560 Speaker 1: I love but I loved this when she was like 588 00:35:51,719 --> 00:35:54,120 Speaker 1: she goes to Renna, you have to handle this. This 589 00:35:54,200 --> 00:35:57,880 Speaker 1: is your house. This is your house. You have to 590 00:35:57,920 --> 00:36:00,480 Speaker 1: make this right. And what we don't want to do 591 00:36:00,640 --> 00:36:03,520 Speaker 1: is push anyone to the edge. Oh my god. And 592 00:36:03,560 --> 00:36:06,319 Speaker 1: you know she was such a bully with her drinking game. 593 00:36:06,920 --> 00:36:10,560 Speaker 1: But I was just showing out of context the bunny, 594 00:36:10,800 --> 00:36:16,360 Speaker 1: the bunny, the bunny for the baby shower, and it 595 00:36:16,480 --> 00:36:19,279 Speaker 1: was like that scene just out of context is so 596 00:36:19,320 --> 00:36:24,359 Speaker 1: amazing their faces in it. I highly recommend a second view. 597 00:36:24,640 --> 00:36:27,680 Speaker 1: Oh and actually I brought the bunny and there's so 598 00:36:27,719 --> 00:36:31,799 Speaker 1: many close ups. Everybody's like crying and the bunnies in 599 00:36:31,880 --> 00:36:35,120 Speaker 1: that wrapping paper. So for the A S Mr fans too, 600 00:36:36,400 --> 00:36:39,040 Speaker 1: it's huge. It's good for everyone. It's good for everyone. 601 00:36:39,320 --> 00:36:42,319 Speaker 1: There's something for everyone in the real house Beverly Hills, 602 00:36:42,360 --> 00:36:44,520 Speaker 1: but never more so than that scene with the bunny. 603 00:36:44,640 --> 00:36:47,919 Speaker 1: You can anyone can has away in Yes. The news 604 00:36:48,000 --> 00:36:51,360 Speaker 1: development this week on the Erica front is is troubling. 605 00:36:51,360 --> 00:36:54,560 Speaker 1: Maybe she got hit with the dollar. The claim is 606 00:36:54,600 --> 00:37:00,319 Speaker 1: that she took dollars from Tom's firm that might have 607 00:37:00,320 --> 00:37:04,160 Speaker 1: been embezzled from these clients. And this is starting to 608 00:37:04,200 --> 00:37:07,080 Speaker 1: actually implicate her in all this stuff. I think I 609 00:37:07,120 --> 00:37:10,600 Speaker 1: think the money, for sure, there's like money's intertwined. I 610 00:37:10,640 --> 00:37:13,960 Speaker 1: don't think Erica was. I knew what Tom's doing, and 611 00:37:14,000 --> 00:37:15,839 Speaker 1: look at what he talks to her. Do you think 612 00:37:15,840 --> 00:37:18,959 Speaker 1: that man told her a thing about what he does? 613 00:37:19,160 --> 00:37:21,080 Speaker 1: And also I don't think she would not not to 614 00:37:21,120 --> 00:37:23,120 Speaker 1: say like she couldn't understand it, but I don't think 615 00:37:23,120 --> 00:37:25,840 Speaker 1: she would understand it because it's not her business. And 616 00:37:25,880 --> 00:37:27,839 Speaker 1: also like like and when I say that, I mean 617 00:37:27,880 --> 00:37:30,759 Speaker 1: like it's literally not a business that she works and understands. 618 00:37:31,440 --> 00:37:35,040 Speaker 1: I don't tell just because I'm dating someone. I don't 619 00:37:35,080 --> 00:37:39,040 Speaker 1: tell them what I doing. No exactly he and he's 620 00:37:39,080 --> 00:37:42,479 Speaker 1: just not telling her anything. And not that she's mother 621 00:37:42,640 --> 00:37:45,239 Speaker 1: Teresa or a great person. But I just don't think 622 00:37:45,920 --> 00:37:48,279 Speaker 1: Erica was. Like I think it's so we always like 623 00:37:48,400 --> 00:37:52,520 Speaker 1: drag a spouse in and especially like the woman's faults somehow, 624 00:37:53,640 --> 00:37:56,160 Speaker 1: you know, like Jenny Jones, it was her fault, right, 625 00:37:56,640 --> 00:38:00,520 Speaker 1: and not a homophobic man who shot another man. Guys, 626 00:38:00,520 --> 00:38:03,360 Speaker 1: I'm bringing it back to Jenny. It's been upset about 627 00:38:03,360 --> 00:38:07,000 Speaker 1: this for a long time. I now, were you obsessed 628 00:38:07,040 --> 00:38:10,560 Speaker 1: with Jenny Jones growing up? No? Okay, she she was. 629 00:38:10,719 --> 00:38:13,279 Speaker 1: She wasn't. She wasn't my girl of choice like I was. 630 00:38:13,320 --> 00:38:17,440 Speaker 1: I was more. Ricky was more my culture. I love Rickie. 631 00:38:17,840 --> 00:38:21,160 Speaker 1: Ricky had a poem like there was always a rhyme 632 00:38:21,400 --> 00:38:25,440 Speaker 1: introducing the like I forget that. I was just watching 633 00:38:25,480 --> 00:38:27,839 Speaker 1: my friend Shane sent me when recently it was like, 634 00:38:28,120 --> 00:38:31,400 Speaker 1: you're too fat to be a drag queen or something, 635 00:38:32,360 --> 00:38:37,960 Speaker 1: but it said Jack Spratt could eat no fat and 636 00:38:38,040 --> 00:38:41,320 Speaker 1: his wife could eat no lane. Girl, you are too 637 00:38:41,360 --> 00:38:45,680 Speaker 1: fat to be a drag queen. And it was and 638 00:38:45,760 --> 00:38:48,640 Speaker 1: every time they introduced someone, they'd be like, next up, 639 00:38:48,800 --> 00:38:54,200 Speaker 1: meet Cecily. She is a five founder pound father of three, 640 00:38:55,040 --> 00:39:01,399 Speaker 1: and it was like, how dare But also like, that's 641 00:39:01,400 --> 00:39:10,200 Speaker 1: how I wanted to introduced now about father father and 642 00:39:10,280 --> 00:39:14,520 Speaker 1: her friend Bowen says she is too fat. Shepard to 643 00:39:14,520 --> 00:39:17,439 Speaker 1: promote the book this is us not going anywhere soon 644 00:39:17,520 --> 00:39:22,480 Speaker 1: until the end of the world, and again she is 645 00:39:22,520 --> 00:39:30,600 Speaker 1: a five town father three. Honestly, Wow, Okay, so I 646 00:39:30,640 --> 00:39:32,919 Speaker 1: didn't know that that new information came out about Erica. 647 00:39:33,000 --> 00:39:36,280 Speaker 1: Here's here, But what are you thinking, well, I'm thinking 648 00:39:37,160 --> 00:39:39,239 Speaker 1: I keep getting pulled in all these different directions, but 649 00:39:39,360 --> 00:39:42,560 Speaker 1: I think I'm landing at a place where Matt and 650 00:39:42,560 --> 00:39:45,239 Speaker 1: I watched the most recent episode together where she, you know, 651 00:39:45,320 --> 00:39:48,640 Speaker 1: she meets Kyle and she's she fully has a breakdown, 652 00:39:49,200 --> 00:39:53,359 Speaker 1: and You're like, I'm kind of convinced that I do think. 653 00:39:53,400 --> 00:39:55,680 Speaker 1: I do think Bravo is, you know, doing their best 654 00:39:55,719 --> 00:39:58,839 Speaker 1: to quote unquote protect her, which is which I think 655 00:39:58,920 --> 00:40:01,719 Speaker 1: is valid and noble and whatever. But now I am 656 00:40:01,719 --> 00:40:04,400 Speaker 1: convinced that, like, she probably just had no fucking idea. 657 00:40:04,600 --> 00:40:06,719 Speaker 1: I think that two things can be true. I think 658 00:40:06,719 --> 00:40:10,080 Speaker 1: that she can have no idea what the hell that was. 659 00:40:10,200 --> 00:40:13,040 Speaker 1: And I think that she also might have to give 660 00:40:13,040 --> 00:40:15,200 Speaker 1: that money back because it's not hers. And I think 661 00:40:15,200 --> 00:40:18,000 Speaker 1: that I don't mean to say I'm not undersigning that 662 00:40:18,040 --> 00:40:19,919 Speaker 1: she should keep that money, No, I just don't think 663 00:40:19,920 --> 00:40:23,960 Speaker 1: she should go to prison exactly. It would be like 664 00:40:24,480 --> 00:40:28,440 Speaker 1: or be implicated and like I cheated people out of 665 00:40:28,480 --> 00:40:34,080 Speaker 1: a plane crash, you know what I mean, very gay 666 00:40:34,200 --> 00:40:37,640 Speaker 1: songs at gay clip what I'm not here to like 667 00:40:37,760 --> 00:40:41,719 Speaker 1: cheat victims, yea, it is. So it is kind of 668 00:40:41,760 --> 00:40:45,840 Speaker 1: funny though that, like pretty much her entire narrative on 669 00:40:45,960 --> 00:40:48,359 Speaker 1: the show and in her career is I have a 670 00:40:48,520 --> 00:40:53,279 Speaker 1: lot of money, and now it's like the money is 671 00:40:53,440 --> 00:40:57,799 Speaker 1: from these tragedies and that like, you know, not all 672 00:40:57,840 --> 00:40:59,799 Speaker 1: of it obviously because he worked on other things, but 673 00:41:00,800 --> 00:41:04,960 Speaker 1: you know, it's it's dark and sad, and I think 674 00:41:05,040 --> 00:41:09,879 Speaker 1: she'll be fine. I think, like she she didn't start 675 00:41:09,920 --> 00:41:13,239 Speaker 1: off with money, and she like talks about that. She's 676 00:41:13,280 --> 00:41:15,720 Speaker 1: always worked hard. I think it's like now the narrative 677 00:41:15,719 --> 00:41:19,040 Speaker 1: will be I got less money. Like I think she'll 678 00:41:19,080 --> 00:41:21,560 Speaker 1: make the new narrative and she'll be fine. She didn't 679 00:41:21,600 --> 00:41:25,480 Speaker 1: need Tom's business ever, maybe like very early on to 680 00:41:25,520 --> 00:41:29,279 Speaker 1: get started to buy some things. But she's always been talented. 681 00:41:29,760 --> 00:41:31,600 Speaker 1: She's always been talented, and I have to I'm sorry 682 00:41:31,640 --> 00:41:33,200 Speaker 1: to bring this back to deestin all, but one thing 683 00:41:33,239 --> 00:41:36,360 Speaker 1: I appreciate about your sketch where you played her basically 684 00:41:36,480 --> 00:41:40,680 Speaker 1: is something that my my parents really appreciate is that 685 00:41:40,800 --> 00:41:42,640 Speaker 1: you you don't about to talk about to say where 686 00:41:42,640 --> 00:41:44,600 Speaker 1: you know, I just love it that your parents loved 687 00:41:44,600 --> 00:41:47,399 Speaker 1: it is the part where you you're saying the song 688 00:41:47,440 --> 00:41:49,880 Speaker 1: and then you count, you count to five in Chinese 689 00:41:49,960 --> 00:41:52,960 Speaker 1: or you count to four in Chinese. You go, so 690 00:41:54,239 --> 00:41:58,640 Speaker 1: you managing. Yeah, it's so funny's as anyway, and it's 691 00:41:58,640 --> 00:42:01,520 Speaker 1: it's a perfect erica jadam press And we have to say, well, 692 00:42:01,560 --> 00:42:05,640 Speaker 1: you know, and I did a a Chinese soccer in college, 693 00:42:05,960 --> 00:42:11,960 Speaker 1: director Jang, you did a Beijing opera. M hmm, well 694 00:42:12,040 --> 00:42:14,440 Speaker 1: Chin Yang directed. But that's why I know how to 695 00:42:14,560 --> 00:42:21,919 Speaker 1: count to eight? And man, oh my god. And prostitute Yeah, 696 00:42:22,160 --> 00:42:27,239 Speaker 1: we went yeah, how and then we yeah, and I 697 00:42:27,320 --> 00:42:32,920 Speaker 1: was the head of the ukulele group. Was the ukule 698 00:42:33,040 --> 00:42:37,280 Speaker 1: captain of the prostitutes. Oh my god. What a powerful 699 00:42:37,280 --> 00:42:40,520 Speaker 1: position to be in. You can legally captain of the prostitutes. 700 00:42:40,600 --> 00:42:44,319 Speaker 1: Is that was that what you said? Yeah? And I 701 00:42:44,320 --> 00:42:49,880 Speaker 1: don't know. I kind of like, bitch, that's just a 702 00:42:49,920 --> 00:42:59,680 Speaker 1: good one. We have to ask the questions. We do 703 00:42:59,800 --> 00:43:02,359 Speaker 1: have to ask the question. What's the question I forgot? 704 00:43:02,480 --> 00:43:05,040 Speaker 1: That's the question is we asked this to all of 705 00:43:05,040 --> 00:43:07,400 Speaker 1: our guests, and that is what is the culture that 706 00:43:07,440 --> 00:43:10,840 Speaker 1: made you say culture is for me? This is formative 707 00:43:11,000 --> 00:43:16,239 Speaker 1: culture that made your life move into a cultural direction. Sure, well, 708 00:43:16,280 --> 00:43:19,719 Speaker 1: I would say that my culture for sure was Strangers 709 00:43:19,719 --> 00:43:26,960 Speaker 1: of Candy here and I watched it on a landline, 710 00:43:27,640 --> 00:43:30,280 Speaker 1: dragged out in front of TV with my gay friend 711 00:43:30,360 --> 00:43:34,160 Speaker 1: Graham Castic. Have we talked about this before? No? But 712 00:43:34,280 --> 00:43:35,680 Speaker 1: is this is? This? Is this the grand we know 713 00:43:35,760 --> 00:43:39,560 Speaker 1: in New York City? Different? Different, but it was like 714 00:43:39,600 --> 00:43:42,560 Speaker 1: I was like a sophomore in high school and we 715 00:43:42,600 --> 00:43:46,560 Speaker 1: would just be on the landlines laughing and watching Strangers 716 00:43:46,600 --> 00:43:49,160 Speaker 1: of Candy together and was this your gateway into like 717 00:43:49,239 --> 00:43:51,440 Speaker 1: second City? And like who Amy Sadaris was? And like 718 00:43:51,480 --> 00:43:55,600 Speaker 1: all these things definitely Amy Sadaris. But and I also 719 00:43:55,680 --> 00:44:00,560 Speaker 1: like I'm always I think like weirdly um Waiting Goffman 720 00:44:00,719 --> 00:44:04,120 Speaker 1: and all the Christopher Guests with Katherine O'Hara and and 721 00:44:04,520 --> 00:44:07,560 Speaker 1: Strangers Are Candy. And then weirdly enough, Bottle Rocket were 722 00:44:07,600 --> 00:44:13,600 Speaker 1: like my oh favorite formative comedy called and like this 723 00:44:13,680 --> 00:44:16,440 Speaker 1: is my world, but especially Strangers Are Candy. It was 724 00:44:16,520 --> 00:44:18,920 Speaker 1: like the fans of that show and mean it was 725 00:44:18,960 --> 00:44:23,080 Speaker 1: like that's my world, my culture. These are all really 726 00:44:23,120 --> 00:44:26,360 Speaker 1: good Bottle Rockets. Interesting too, like that's like that's a 727 00:44:26,440 --> 00:44:29,719 Speaker 1: Wes Anderson that like people. It's the first one. It's 728 00:44:29,760 --> 00:44:33,879 Speaker 1: the first one. Yeah. I think Owen Wilson is so 729 00:44:33,960 --> 00:44:37,719 Speaker 1: funny in that movie. He's great. I mean, like I 730 00:44:38,400 --> 00:44:40,239 Speaker 1: don't think I've ever seen him in anything. I didn't 731 00:44:40,280 --> 00:44:42,279 Speaker 1: like him, and I found him like very appealing, and 732 00:44:42,440 --> 00:44:44,160 Speaker 1: I think he's like a star and I love his 733 00:44:44,200 --> 00:44:46,800 Speaker 1: little nose. I think he's fair. It's such a question 734 00:44:46,840 --> 00:44:49,439 Speaker 1: and for so long, but he's like I think Wes 735 00:44:49,560 --> 00:44:53,080 Speaker 1: Anderson without Owen Wilson is just not doesn't do it 736 00:44:53,120 --> 00:44:56,239 Speaker 1: for me. I think no, And I think, like the 737 00:44:56,280 --> 00:44:58,359 Speaker 1: movies are great and they look cool, but I think 738 00:44:58,360 --> 00:45:01,040 Speaker 1: Owen Wilson is so funny and there's just something about 739 00:45:01,120 --> 00:45:04,520 Speaker 1: just like such a person who with low self esteem, 740 00:45:04,719 --> 00:45:07,480 Speaker 1: you know, like just kind of like not a who's 741 00:45:07,520 --> 00:45:10,400 Speaker 1: not great at things, but that you root for. And 742 00:45:10,760 --> 00:45:12,560 Speaker 1: was that was that? Was that the first Luke and 743 00:45:12,560 --> 00:45:14,640 Speaker 1: Owen feature? Like, like, was that the first time you 744 00:45:14,680 --> 00:45:17,960 Speaker 1: saw that, like were introduced? Yeah, because they did it 745 00:45:18,040 --> 00:45:20,719 Speaker 1: in college. It was like a fifteen minute film and 746 00:45:20,719 --> 00:45:24,600 Speaker 1: then they they made a full movie. And I will 747 00:45:24,640 --> 00:45:26,920 Speaker 1: say this is the one where I always have like 748 00:45:28,080 --> 00:45:31,120 Speaker 1: my gay friends will go now that's interesting and which 749 00:45:31,200 --> 00:45:34,280 Speaker 1: one was at again, it's like we're all on board 750 00:45:34,480 --> 00:45:37,319 Speaker 1: for Best in Show and Strange as a Candy and 751 00:45:37,920 --> 00:45:41,040 Speaker 1: my bottle rockets really where I did where I go 752 00:45:41,160 --> 00:45:43,879 Speaker 1: off onto my own No. I love that though, because 753 00:45:43,880 --> 00:45:47,719 Speaker 1: Bottle Rocket there's something about I feel like I'm not 754 00:45:47,760 --> 00:45:51,080 Speaker 1: just saying this because you're contextualizing in these your texture, 755 00:45:51,120 --> 00:45:54,280 Speaker 1: you're contextualizing it in these with these other queer works. 756 00:45:54,280 --> 00:45:57,239 Speaker 1: But I'm like, I feel like because I think Waiting 757 00:45:57,239 --> 00:45:59,479 Speaker 1: for Guffin and in Strange of the Candy are kind 758 00:45:59,480 --> 00:46:02,520 Speaker 1: of queer in some sense, like very much. So I 759 00:46:02,520 --> 00:46:07,440 Speaker 1: would say very yes, exclusively, there's some there's just a 760 00:46:07,600 --> 00:46:11,920 Speaker 1: drag race challenge about you. It's like, yes, but waiting 761 00:46:11,920 --> 00:46:13,799 Speaker 1: for Guffmen, I feel like, doesn't you know? I mean 762 00:46:13,920 --> 00:46:18,400 Speaker 1: like I mean like Quirky is gay gay icon? I mean, 763 00:46:19,400 --> 00:46:25,600 Speaker 1: is given a chance, You've got pet come on, You've 764 00:46:25,640 --> 00:46:30,040 Speaker 1: got can't suit from my wife Bonnie and he's in 765 00:46:30,080 --> 00:46:35,120 Speaker 1: a Judy new To shirt dancing. Oh my god. But 766 00:46:35,120 --> 00:46:37,640 Speaker 1: but Bottle Rocket is. I watched it like last summer, 767 00:46:37,680 --> 00:46:40,600 Speaker 1: weirdly because I was like researching like crime movies and 768 00:46:40,719 --> 00:46:43,719 Speaker 1: like not crime movies, but like, wait, no, am I 769 00:46:43,719 --> 00:46:46,920 Speaker 1: getting it wrong? I don't know, but I want to 770 00:46:46,960 --> 00:46:51,479 Speaker 1: hear more. No, it wasn't, it's not. I was trying 771 00:46:51,480 --> 00:46:53,120 Speaker 1: to write. I was trying to write a crime movie, 772 00:46:53,120 --> 00:46:55,680 Speaker 1: and then I wanted some dynamic to be like similar 773 00:46:55,680 --> 00:46:59,560 Speaker 1: to Battle Rocket, where it's Um Owen the Owen Wilson 774 00:46:59,640 --> 00:47:03,520 Speaker 1: characters kind of dragging Luke's character along and all these 775 00:47:03,600 --> 00:47:06,960 Speaker 1: like and all these schemes and Lucas Luke has just 776 00:47:07,120 --> 00:47:09,520 Speaker 1: kind of been broken out of this, like you know, 777 00:47:09,680 --> 00:47:11,840 Speaker 1: he didn't even get broken. Yeah, he was in a 778 00:47:11,920 --> 00:47:15,560 Speaker 1: mental hospital, but it was voluntary. But and then the 779 00:47:15,600 --> 00:47:17,840 Speaker 1: doctor's like, why are you jumping out of the the window, 780 00:47:17,880 --> 00:47:20,960 Speaker 1: And he's like, he didn't know that it's a voluntary 781 00:47:21,040 --> 00:47:25,000 Speaker 1: hospital and he kind of needs this. So he's pretending 782 00:47:25,040 --> 00:47:30,560 Speaker 1: to break out for Owen Wilson, who's going like cool, right, 783 00:47:30,760 --> 00:47:33,520 Speaker 1: who he needs that? He needs that and the and 784 00:47:33,520 --> 00:47:34,960 Speaker 1: the and they they do go on to like pull 785 00:47:35,000 --> 00:47:39,600 Speaker 1: off like all these heists. Well they robbed um, they 786 00:47:39,719 --> 00:47:44,600 Speaker 1: robbed Luke Wilson's house, and he takes the ear rings 787 00:47:44,640 --> 00:47:46,839 Speaker 1: and he's like, you said, I told you just don't 788 00:47:46,920 --> 00:47:49,799 Speaker 1: take the ear rings. I got this from my mom 789 00:47:49,920 --> 00:47:53,560 Speaker 1: for a birthday. Yeah, it's just a good like it's 790 00:47:53,560 --> 00:47:58,200 Speaker 1: a great loser, but lovable loser, but and it's friendly. 791 00:47:58,280 --> 00:48:01,520 Speaker 1: His friend tries to take care from Yeah, you know 792 00:48:01,520 --> 00:48:04,760 Speaker 1: what I'm realizing Owen Wilson does a lot of two handers, 793 00:48:04,800 --> 00:48:08,640 Speaker 1: Like he's like a very he's like always Loki too well, 794 00:48:08,680 --> 00:48:11,600 Speaker 1: I mean Loki like the Shanghai Noon, Shanghai Nights of 795 00:48:11,600 --> 00:48:14,880 Speaker 1: it All, wedding crashers famously, Like it feels like Owen 796 00:48:14,920 --> 00:48:18,880 Speaker 1: Wilson is great reacting. He's just always he's just yeah, 797 00:48:18,880 --> 00:48:21,160 Speaker 1: he's he's there to underline what's what the reality is 798 00:48:21,160 --> 00:48:25,759 Speaker 1: and what's going on. Yeah, I appreciate it to someone 799 00:48:25,800 --> 00:48:29,719 Speaker 1: who's who's great in an ensemble or a team, you know, 800 00:48:30,280 --> 00:48:32,520 Speaker 1: someone who can fade in but stand out, you know 801 00:48:32,520 --> 00:48:35,360 Speaker 1: what I mean, we know exactly and support and lived 802 00:48:36,120 --> 00:48:38,560 Speaker 1: and be there for the others and doesn't need all 803 00:48:38,560 --> 00:48:42,080 Speaker 1: the attention and like, let's other people shine. It's great. 804 00:48:42,880 --> 00:48:47,840 Speaker 1: Cecily has her face all the way up to the cameras. 805 00:48:51,520 --> 00:48:54,640 Speaker 1: Um no, I I remember, um so the wait Strangers 806 00:48:54,640 --> 00:48:57,719 Speaker 1: with candy. This is this is iconic, gay Stephen Colbert. 807 00:48:58,719 --> 00:49:02,920 Speaker 1: Strangers are candies My favorite thing ever and you certainly 808 00:49:03,680 --> 00:49:05,520 Speaker 1: it is. I know it's like so boring to be 809 00:49:05,560 --> 00:49:08,480 Speaker 1: like you couldn't do that show now you really couldn't, 810 00:49:08,520 --> 00:49:10,760 Speaker 1: but maybe you could. I mean it's so funny though 811 00:49:11,200 --> 00:49:13,799 Speaker 1: that like you maybe could you know what you could do. 812 00:49:13,920 --> 00:49:16,120 Speaker 1: You could do like a fifteen minute show, you know 813 00:49:16,120 --> 00:49:18,160 Speaker 1: what I mean, Like you could get like they could 814 00:49:18,200 --> 00:49:20,520 Speaker 1: do like AFT. We could sneak in there like the 815 00:49:20,560 --> 00:49:23,640 Speaker 1: way like I think you should leave somehow snuck onto Netflix. 816 00:49:23,640 --> 00:49:25,280 Speaker 1: And I'm like, oh my god, this is the funniest 817 00:49:25,320 --> 00:49:27,279 Speaker 1: thing ever, so funny that I almost can't believe it 818 00:49:27,320 --> 00:49:31,759 Speaker 1: was made. I know, right, I think there is there 819 00:49:31,840 --> 00:49:34,680 Speaker 1: is a really tiny sliver space where you could make 820 00:49:34,719 --> 00:49:38,080 Speaker 1: it today because that is the character of Jerry Blank, 821 00:49:38,280 --> 00:49:45,720 Speaker 1: that she is like offensive to everybody. But the problem 822 00:49:45,760 --> 00:49:48,239 Speaker 1: is there's so many people who think, like that's what 823 00:49:48,280 --> 00:49:51,200 Speaker 1: they do for comedy, and they're like it's this offensive 824 00:49:51,239 --> 00:49:53,520 Speaker 1: deal with it. And you're like, but well, it's not funny. 825 00:49:53,719 --> 00:49:57,520 Speaker 1: I wouldn't consider like Amy Sadares to be like edgy comano, 826 00:49:58,239 --> 00:50:01,319 Speaker 1: you know, like I was, she was ever going. She's 827 00:50:01,360 --> 00:50:05,279 Speaker 1: a classic clown exactly there it is. But I mean 828 00:50:05,320 --> 00:50:07,239 Speaker 1: it is troubling to think like you could, like you 829 00:50:07,239 --> 00:50:10,320 Speaker 1: couldn't have like a principal black man, the kind of thing. 830 00:50:10,640 --> 00:50:13,920 Speaker 1: And there are there's just so many good lines with 831 00:50:14,080 --> 00:50:16,960 Speaker 1: the supermodel in that episode. It's like I'm doctor sending 832 00:50:17,000 --> 00:50:20,360 Speaker 1: something supermodel ten years ago modeling agent told me what 833 00:50:20,560 --> 00:50:26,200 Speaker 1: my dreams are and you can too. And then when 834 00:50:26,239 --> 00:50:30,040 Speaker 1: she takes the test to see what it's like, what's 835 00:50:30,040 --> 00:50:40,759 Speaker 1: your favorite color lemon rest, she's lying it's your favorite animal, kitten. 836 00:50:41,640 --> 00:50:44,240 Speaker 1: I mean the in the first scene of the second 837 00:50:44,280 --> 00:50:47,040 Speaker 1: scene of the first episode, you have Stephen Colbert writing 838 00:50:47,080 --> 00:50:56,239 Speaker 1: on the chigboard and don't make it bag yes and 839 00:50:56,239 --> 00:50:59,520 Speaker 1: the other reason. And we don't know what exactly the 840 00:50:59,640 --> 00:51:02,840 Speaker 1: Native Americans did to the buffalo, but it was something 841 00:51:02,880 --> 00:51:06,160 Speaker 1: because they all committed suicide by jumping in front of 842 00:51:06,200 --> 00:51:11,240 Speaker 1: the white man's bullets. You know, you know, I think 843 00:51:11,320 --> 00:51:13,839 Speaker 1: that I hope you feel I'm gonna tell you what 844 00:51:13,880 --> 00:51:15,880 Speaker 1: people have told me and that I haven't taken to hearts. 845 00:51:15,920 --> 00:51:19,360 Speaker 1: As as she pours the more burgundy, you gotta like 846 00:51:19,520 --> 00:51:23,920 Speaker 1: really understand, like how how wonderful you are on that 847 00:51:23,920 --> 00:51:26,880 Speaker 1: show and on every show, but but but really on 848 00:51:26,880 --> 00:51:30,640 Speaker 1: this show that is so tough to crack, like you 849 00:51:30,800 --> 00:51:36,680 Speaker 1: really are are pretty incredible. Well that's very very sweet, Bowen. 850 00:51:36,920 --> 00:51:39,319 Speaker 1: I mean, I think the world to you, and so 851 00:51:39,360 --> 00:51:41,640 Speaker 1: I'll take that from you. I think it's I love 852 00:51:41,680 --> 00:51:44,240 Speaker 1: it so much, and I you know, I was attached 853 00:51:44,280 --> 00:51:47,120 Speaker 1: since two thousand and eighteen or whatever, and so I 854 00:51:47,160 --> 00:51:49,279 Speaker 1: got a lot of time with the material and got 855 00:51:49,320 --> 00:51:52,080 Speaker 1: to say, hey, can we lower the key of this song? 856 00:51:54,400 --> 00:51:57,200 Speaker 1: But I think it's just since I loved it so much, 857 00:51:57,239 --> 00:52:01,400 Speaker 1: it was you know, and you love so you'll be 858 00:52:01,400 --> 00:52:04,279 Speaker 1: better at it. Ye yeah, yeah, I mean it's it 859 00:52:04,400 --> 00:52:07,120 Speaker 1: really is like so special and there's something powerful about 860 00:52:07,520 --> 00:52:10,960 Speaker 1: it being shot like one of those you know, Golden 861 00:52:11,000 --> 00:52:18,120 Speaker 1: Age musicals. Um, did you ever meet Chris Katelly the choreographer? Can? 862 00:52:18,640 --> 00:52:21,680 Speaker 1: I feel he is one of my favorite parts of 863 00:52:21,719 --> 00:52:23,759 Speaker 1: this whole thing, and I feel like my favorite note 864 00:52:23,800 --> 00:52:27,200 Speaker 1: I've ever gotten, and I think, like you'll appreciate this. 865 00:52:27,239 --> 00:52:30,719 Speaker 1: And he was like when you just about how these 866 00:52:30,719 --> 00:52:33,880 Speaker 1: old stars used to like flirt with the camera really 867 00:52:33,920 --> 00:52:36,400 Speaker 1: because of these five shots, and it was like, you know, 868 00:52:36,480 --> 00:52:38,759 Speaker 1: these women are doing these suits, but it's like, oh, 869 00:52:38,880 --> 00:52:40,400 Speaker 1: it's turning out of the camera. And it was like 870 00:52:40,440 --> 00:52:43,360 Speaker 1: an if you'll notice next time you watch it. Anytime 871 00:52:43,400 --> 00:52:45,759 Speaker 1: I dip in that show, my head is out to 872 00:52:45,800 --> 00:52:49,279 Speaker 1: the camera, and I think, just from now on, anytime 873 00:52:49,320 --> 00:52:53,360 Speaker 1: I dip, I'm looking at a camera and I'm like, 874 00:52:53,440 --> 00:52:56,840 Speaker 1: thank you, Chris Caatelly that's my favorite note I've ever gotten. 875 00:52:57,080 --> 00:52:59,759 Speaker 1: And I thought we do that. We all don't know. 876 00:52:59,800 --> 00:53:04,280 Speaker 1: If you just watched the Jimmy fallon something stupid sketch, 877 00:53:04,520 --> 00:53:08,719 Speaker 1: I had a dip in my head to camera. This 878 00:53:08,760 --> 00:53:11,640 Speaker 1: is one of those lifelong notes. Really, it really is. 879 00:53:11,680 --> 00:53:14,840 Speaker 1: It's one of those. I love it. I love it. 880 00:53:15,400 --> 00:53:17,520 Speaker 1: I will say also like I had just had another 881 00:53:17,600 --> 00:53:20,960 Speaker 1: light bulb moment, which is that Kristin China With played 882 00:53:21,080 --> 00:53:24,960 Speaker 1: Velma von Tussle with Dove Cameron who was Amber and 883 00:53:25,000 --> 00:53:28,200 Speaker 1: the thing, and also just watching christ and China With 884 00:53:28,200 --> 00:53:30,600 Speaker 1: with dark hair playing this thing, and oh, yes I do. 885 00:53:31,280 --> 00:53:35,320 Speaker 1: And I just feel like she's just giving you China 886 00:53:35,360 --> 00:53:40,000 Speaker 1: With at such a high level. And my one friend 887 00:53:40,080 --> 00:53:41,680 Speaker 1: text to me, he was like, channam With is a 888 00:53:41,760 --> 00:53:43,720 Speaker 1: standout on this show. And I was like, well, imagine 889 00:53:43,800 --> 00:53:50,960 Speaker 1: she wasn't, Like imagine China With came and we were like, yeah, no, 890 00:53:51,239 --> 00:53:57,760 Speaker 1: China wasn't landing in this musical theater show called June. 891 00:53:59,239 --> 00:54:01,680 Speaker 1: She's so right, and I feel like she was like 892 00:54:01,719 --> 00:54:05,040 Speaker 1: the first that I was actively like quoting because she 893 00:54:05,120 --> 00:54:07,839 Speaker 1: does things like that, used to do that. She has 894 00:54:07,840 --> 00:54:15,799 Speaker 1: another one she goes, okay, ab duct that's in a 895 00:54:15,880 --> 00:54:19,600 Speaker 1: later episode, but just get ready for it, okay, And 896 00:54:19,680 --> 00:54:27,839 Speaker 1: she's three ft six. She's three ft six and her 897 00:54:27,920 --> 00:54:34,880 Speaker 1: hands are this bit one of our shortest icons. She is. 898 00:54:35,000 --> 00:54:38,480 Speaker 1: And Alan singing that song in the second episode is 899 00:54:38,680 --> 00:54:43,080 Speaker 1: so freaking funny. Are you That's so sweet? I mean 900 00:54:43,120 --> 00:54:46,560 Speaker 1: I feel like I cried the whole thing anyway, in 901 00:54:46,640 --> 00:54:49,799 Speaker 1: a good way. Good tears, good cries. And I will 902 00:54:49,840 --> 00:54:54,400 Speaker 1: say this speaking of crying, Like the second episode, you 903 00:54:54,520 --> 00:54:57,320 Speaker 1: are so good and you're giving us parts of Cecily 904 00:54:57,440 --> 00:55:00,440 Speaker 1: that we've never seen, and that's what I love. I'm like, 905 00:55:00,800 --> 00:55:06,040 Speaker 1: I like that scene. Spoiler alert, big big beat here 906 00:55:06,560 --> 00:55:09,799 Speaker 1: so people can skip. But when you guys decide you're 907 00:55:09,800 --> 00:55:12,920 Speaker 1: gonna be when you guys decide you're gonna break up temporarily, 908 00:55:12,960 --> 00:55:17,880 Speaker 1: I'm sure I hope, um, but you are so good 909 00:55:17,920 --> 00:55:21,160 Speaker 1: in that scene. I'm just like wow, Like I don't know, 910 00:55:21,200 --> 00:55:26,120 Speaker 1: I just whenever, whenever, like my favorite people on SNL 911 00:55:26,200 --> 00:55:28,640 Speaker 1: get like a like eighty with Shrill and like I'm 912 00:55:28,680 --> 00:55:30,800 Speaker 1: telling you, when you guys see Vanessa in this show, 913 00:55:31,239 --> 00:55:33,640 Speaker 1: Vanessa has a scene in the pilot. Vanessa has a 914 00:55:33,680 --> 00:55:35,520 Speaker 1: scene in the pilot where I'm just like I wish. 915 00:55:35,640 --> 00:55:39,840 Speaker 1: I literally in the scene, I'm like receiving the information. 916 00:55:39,920 --> 00:55:43,120 Speaker 1: She's like telling it to me, and I'm like, I 917 00:55:43,200 --> 00:55:45,960 Speaker 1: was literally crying, and I was like, the camera isn't 918 00:55:45,960 --> 00:55:48,200 Speaker 1: on me, but they're I'm giving good stuff, but I'm 919 00:55:48,320 --> 00:55:51,360 Speaker 1: trying because she of her performance, like it's so funny 920 00:55:51,360 --> 00:55:53,360 Speaker 1: and so good and so whenever you guys get a 921 00:55:53,400 --> 00:55:56,239 Speaker 1: chance to show like another shade that isn't you guys 922 00:55:56,280 --> 00:55:59,880 Speaker 1: being the best clowns, I'm always like, I just I 923 00:56:00,080 --> 00:56:02,719 Speaker 1: get so excited, and like in watching this, I was like, 924 00:56:03,040 --> 00:56:06,919 Speaker 1: this is so exciting the cheers of a clown as 925 00:56:06,920 --> 00:56:09,120 Speaker 1: they say I think, I mean, I think all of 926 00:56:09,200 --> 00:56:13,400 Speaker 1: us are very good criers. Yeah, I don't know. I 927 00:56:13,440 --> 00:56:17,000 Speaker 1: don't know that I I haven't really been tested in 928 00:56:17,040 --> 00:56:22,640 Speaker 1: that way. And I'm maintenance. I cried on high maintenance, 929 00:56:22,680 --> 00:56:25,520 Speaker 1: but yeah, I don't know. It wasn't like but it 930 00:56:25,560 --> 00:56:29,280 Speaker 1: wasn't that kind of like I would eat my shoe. 931 00:56:29,520 --> 00:56:32,600 Speaker 1: If you're not a good crier, I know you are 932 00:56:33,920 --> 00:56:37,400 Speaker 1: because you feel things. He's a really good crier in 933 00:56:37,440 --> 00:56:40,719 Speaker 1: real life, Like sometimes like something like Bowen in real life, 934 00:56:40,719 --> 00:56:42,719 Speaker 1: when he cries, you can tell he's been trying to 935 00:56:42,760 --> 00:56:44,560 Speaker 1: hold it back and then he cries and you're like no, 936 00:56:45,320 --> 00:56:51,720 Speaker 1: like I was trying. I cried today to Bowen on FaceTime. 937 00:56:53,239 --> 00:56:55,800 Speaker 1: I love to hear it. I'm a big crier. You 938 00:56:55,920 --> 00:56:59,520 Speaker 1: gotta you have to get these cries out astrologically, what's 939 00:56:59,520 --> 00:57:05,319 Speaker 1: your deal? Oh? Could you guess? Are you scorpio? Are 940 00:57:05,360 --> 00:57:12,759 Speaker 1: you trust God? I'm I'm notorious? Areus? Okay? Got it? 941 00:57:12,880 --> 00:57:14,680 Speaker 1: And this is that, this is the mystique, This is 942 00:57:14,719 --> 00:57:20,440 Speaker 1: the intrigue that Cecily cultivates some va scorpio intrigue. I 943 00:57:20,600 --> 00:57:23,680 Speaker 1: guess not at all. I'm in a fucking tide. This 944 00:57:23,880 --> 00:57:28,680 Speaker 1: is aquarious, baby, And you would never guess what this 945 00:57:28,800 --> 00:57:30,840 Speaker 1: all this blue around me on this blue shirt and 946 00:57:31,120 --> 00:57:32,720 Speaker 1: the fact that I just said I wept earlier. But 947 00:57:32,800 --> 00:57:38,040 Speaker 1: I am a Pisces rising faces cancer, Pisces in mercury 948 00:57:38,120 --> 00:57:41,240 Speaker 1: as well. I'm the water all over. When you said no, 949 00:57:41,480 --> 00:57:43,640 Speaker 1: I'm not a scorpio. I had to sort of shutter 950 00:57:43,760 --> 00:57:46,280 Speaker 1: because you know who's one of the Scorpio kings is 951 00:57:46,520 --> 00:57:49,400 Speaker 1: bon Yang. Well listen, my dad and my brother are 952 00:57:49,440 --> 00:57:53,160 Speaker 1: both scorpios. I just I have no water in me. Yeah, 953 00:57:53,720 --> 00:57:55,640 Speaker 1: But and yet you are still You're still in touch 954 00:57:55,680 --> 00:57:58,120 Speaker 1: with your your emotional center, your emotional but it is 955 00:57:58,240 --> 00:58:01,080 Speaker 1: very much like it's an intellectual of well trying to 956 00:58:01,240 --> 00:58:05,040 Speaker 1: understand my emotions. Yes, oh yeah, I relate to that. 957 00:58:05,520 --> 00:58:09,360 Speaker 1: Definitely definitely relates as opposed to being like just help 958 00:58:09,480 --> 00:58:14,400 Speaker 1: take take me away, which that's my hilarious impression of 959 00:58:14,440 --> 00:58:17,280 Speaker 1: a water sign. You know, sometimes I'll be like, I 960 00:58:17,440 --> 00:58:19,920 Speaker 1: can't I there's the water size of my life? Are 961 00:58:20,080 --> 00:58:23,160 Speaker 1: being exhausting right now? Well, okay, I have I have 962 00:58:23,240 --> 00:58:26,000 Speaker 1: a really basic question, which is in that scene where 963 00:58:26,040 --> 00:58:29,600 Speaker 1: you guys have that have that break up, I mean, 964 00:58:29,640 --> 00:58:31,240 Speaker 1: how many takes was that? How many takes did you 965 00:58:31,280 --> 00:58:33,160 Speaker 1: do total? And did you save it for your coverage? 966 00:58:33,200 --> 00:58:35,720 Speaker 1: Like what was that like? Now? I think I cried 967 00:58:35,840 --> 00:58:40,880 Speaker 1: every take, every and both sides because and also I 968 00:58:40,920 --> 00:58:43,960 Speaker 1: feel like when you when we were doing it, and 969 00:58:44,040 --> 00:58:45,400 Speaker 1: the other thing is we didn't have to. We didn't 970 00:58:45,400 --> 00:58:47,560 Speaker 1: do a lot of takes, which I really loved about Barry. 971 00:58:47,960 --> 00:58:49,440 Speaker 1: He was kind of like if he got it, he 972 00:58:49,560 --> 00:58:51,560 Speaker 1: got it, and he was like the director ever says 973 00:58:51,640 --> 00:58:54,600 Speaker 1: to you, let's get one more. Just like that, He's like, 974 00:58:54,680 --> 00:58:59,320 Speaker 1: they're wasting your time. I love this berry because and 975 00:58:59,400 --> 00:59:01,480 Speaker 1: also they had to spend so much time setting up 976 00:59:01,520 --> 00:59:03,919 Speaker 1: these shots and it's just like the amount of time 977 00:59:03,960 --> 00:59:06,640 Speaker 1: that people put in and there's COVID and what so 978 00:59:06,800 --> 00:59:11,120 Speaker 1: to not mess around with eight thousand takes, which was great, 979 00:59:11,560 --> 00:59:14,880 Speaker 1: but I think also when you give something to the 980 00:59:14,960 --> 00:59:19,240 Speaker 1: person that's on camera, then they give a better performance too. 981 00:59:19,840 --> 00:59:24,080 Speaker 1: Always I feel like it's kind of crazy too, Like 982 00:59:24,200 --> 00:59:27,040 Speaker 1: now almost everything that's coming out now like has been 983 00:59:27,080 --> 00:59:30,840 Speaker 1: shot during COVID, Like it's it's weird to think that now, 984 00:59:30,920 --> 00:59:32,680 Speaker 1: Like we used to think that was like a novelty, like, oh, 985 00:59:32,760 --> 00:59:34,840 Speaker 1: was shot during COVID, Like they pulled it off. But 986 00:59:34,920 --> 00:59:37,560 Speaker 1: now it's like everything that we're seeing now that has 987 00:59:37,560 --> 00:59:40,440 Speaker 1: been shot during COVID was that that was? Was that 988 00:59:40,480 --> 00:59:42,240 Speaker 1: shot at a time where that was very hard in 989 00:59:42,320 --> 00:59:45,280 Speaker 1: the fall? Right? Yeah? I think it was just like 990 00:59:45,520 --> 00:59:49,760 Speaker 1: every again, like everything else that was being done. Um, 991 00:59:50,280 --> 00:59:53,280 Speaker 1: it wasn't like very different from SNL, I guess, but 992 00:59:53,760 --> 00:59:56,960 Speaker 1: you know it's like you're being tested and but in 993 00:59:57,080 --> 01:00:00,960 Speaker 1: Vancouver because they didn't have an break like us, so 994 01:00:01,200 --> 01:00:04,560 Speaker 1: they would shut down if like testing couldn't keep up, 995 01:00:05,000 --> 01:00:07,439 Speaker 1: like if you could if the test couldn't get done 996 01:00:07,600 --> 01:00:10,320 Speaker 1: fast enough. This is the science why they say it. 997 01:00:10,480 --> 01:00:15,800 Speaker 1: If the testing couldn't get done in the labs and 998 01:00:16,000 --> 01:00:18,320 Speaker 1: that's so fast, she was saying, then they would shut 999 01:00:18,520 --> 01:00:21,040 Speaker 1: you had to everybody had to shut down. So it 1000 01:00:21,160 --> 01:00:23,680 Speaker 1: was really like they weren't shutting down because of cases. 1001 01:00:23,800 --> 01:00:26,280 Speaker 1: They were shutting down because of testing. But we wound 1002 01:00:26,360 --> 01:00:28,280 Speaker 1: up like we got through the whole show and we 1003 01:00:28,400 --> 01:00:30,360 Speaker 1: didn't get shut down. We were really lucky. But I 1004 01:00:30,400 --> 01:00:33,200 Speaker 1: also think, like you make a commitment to each other, 1005 01:00:33,680 --> 01:00:35,520 Speaker 1: like we get to do this and we get to 1006 01:00:35,600 --> 01:00:37,960 Speaker 1: do musical theater especially, and we get to sing, and 1007 01:00:38,040 --> 01:00:41,000 Speaker 1: we get to kiss and dance and hug that. It's like, 1008 01:00:41,120 --> 01:00:44,560 Speaker 1: then don't go out to eat. It's fine. We can 1009 01:00:44,640 --> 01:00:48,479 Speaker 1: make this commitment for seven weeks because we get to work. Yeah, 1010 01:00:48,800 --> 01:00:52,680 Speaker 1: that's that's really fair. That's beautiful. So there's kissing more 1011 01:00:52,720 --> 01:00:56,080 Speaker 1: kissing in the show, so maybe there's a little bit 1012 01:00:56,120 --> 01:00:59,680 Speaker 1: more kissing. I can't wait to hear I can't wait 1013 01:00:59,800 --> 01:01:02,440 Speaker 1: to see you and Aaron's bate come out the other 1014 01:01:02,520 --> 01:01:05,040 Speaker 1: side of that tunnel. And I hope that they bang. 1015 01:01:05,480 --> 01:01:09,600 Speaker 1: I really hope they bang. We'll see, well, I guess 1016 01:01:09,640 --> 01:01:16,760 Speaker 1: you left tune in Friday July. There we go not 1017 01:01:16,920 --> 01:01:19,840 Speaker 1: everyone can do that high waisted thing, but he's really 1018 01:01:19,920 --> 01:01:23,480 Speaker 1: doing that high waisted thing. Yeah, he's like a little news. 1019 01:01:23,560 --> 01:01:27,240 Speaker 1: He's body that tight sort of musicals in a little news. 1020 01:01:27,280 --> 01:01:30,560 Speaker 1: He's cap too. Yeah yeah, but I will say I 1021 01:01:30,720 --> 01:01:33,600 Speaker 1: just want to and not to you know, blow when 1022 01:01:33,640 --> 01:01:36,080 Speaker 1: you think. But there's gonna be a high make meal 1023 01:01:36,600 --> 01:01:39,280 Speaker 1: that's going to be very I think, another exciting thing 1024 01:01:39,400 --> 01:01:42,600 Speaker 1: for an audience. There's gonna be what high make camal 1025 01:01:43,160 --> 01:01:50,560 Speaker 1: another hank in. There's another hunk. We're getting another hunk 1026 01:01:50,920 --> 01:01:54,439 Speaker 1: and we're getting Jane Wikowski. We're getting hunk of Jane 1027 01:01:54,520 --> 01:01:58,720 Speaker 1: Kirkhowsky comes on, Oh, hunk of talent. More like okay, 1028 01:01:59,160 --> 01:02:04,080 Speaker 1: the hun in everywhere. Yes, she does the splits behind me. 1029 01:02:04,680 --> 01:02:08,080 Speaker 1: It's like upside down and well you'll see she's amazing. 1030 01:02:08,680 --> 01:02:12,680 Speaker 1: Speaking of death drop and splits and talent. What are 1031 01:02:12,680 --> 01:02:14,840 Speaker 1: we thinking of All Star six? Because I know you're 1032 01:02:14,840 --> 01:02:18,520 Speaker 1: a super fan, right, Okay, what what was the last 1033 01:02:19,080 --> 01:02:21,240 Speaker 1: I had a very crazy week, But you know what 1034 01:02:21,360 --> 01:02:25,040 Speaker 1: it is. There's like some people, I'm like, okay, let's 1035 01:02:25,120 --> 01:02:28,240 Speaker 1: get through a couple of these. I'm actually liking ginger 1036 01:02:28,360 --> 01:02:37,320 Speaker 1: Mine a lot. I always like Acaria. Yeah, where are 1037 01:02:37,360 --> 01:02:40,560 Speaker 1: you guys said, what are you thinking? Yeah? I was 1038 01:02:40,640 --> 01:02:44,160 Speaker 1: disappointed with this last episode. I appreciate this season for 1039 01:02:44,320 --> 01:02:47,760 Speaker 1: making me like queens who I didn't have any opinion 1040 01:02:47,840 --> 01:02:51,480 Speaker 1: on before. I'm like, oh, like, I like that. I 1041 01:02:51,720 --> 01:02:56,120 Speaker 1: I am into Rajah. Yeah, I like that. I'm into 1042 01:02:56,960 --> 01:03:03,200 Speaker 1: definitely a better showing for Raja. Yeah much. Yeah, she's 1043 01:03:03,200 --> 01:03:05,040 Speaker 1: like really fun. Also, I have to tell you like 1044 01:03:05,160 --> 01:03:07,240 Speaker 1: and this last episode spoiler alert if you haven't seen it, 1045 01:03:07,320 --> 01:03:10,320 Speaker 1: skip ahead, But Scarlett Envy got eliminated. And I've been 1046 01:03:10,400 --> 01:03:13,840 Speaker 1: liking Scarlett Envy. I like, I constantly feel like she 1047 01:03:13,920 --> 01:03:15,680 Speaker 1: kind of gets the short ends and I'm like, her 1048 01:03:15,800 --> 01:03:18,880 Speaker 1: drag is really good and I don't I don't know. 1049 01:03:20,200 --> 01:03:24,440 Speaker 1: She stuck for everyone and one of those everyone's might 1050 01:03:24,520 --> 01:03:27,640 Speaker 1: be me, but that's but I say that with respect 1051 01:03:27,800 --> 01:03:30,160 Speaker 1: and go. And she's gorgeous and great at it as 1052 01:03:30,240 --> 01:03:32,800 Speaker 1: they are. And there's one other queen that is not 1053 01:03:33,000 --> 01:03:35,200 Speaker 1: for me, But I'm like, who cares about? I don't 1054 01:03:35,200 --> 01:03:38,880 Speaker 1: want to criticize these amazing queens, but I'll say it 1055 01:03:39,080 --> 01:03:42,479 Speaker 1: and I'll mouth it to you. This queen drives me nuts. 1056 01:03:43,040 --> 01:03:47,120 Speaker 1: Oh okay, yeah, my dad wanted me to sing First 1057 01:03:47,240 --> 01:03:50,280 Speaker 1: Friends and we beat me and that's why I can't 1058 01:03:50,320 --> 01:03:57,439 Speaker 1: do this choreography. And I've been like the only person 1059 01:03:57,520 --> 01:04:00,440 Speaker 1: I can say that is Michael Jackson. Yeah you you 1060 01:04:01,280 --> 01:04:04,840 Speaker 1: you were aghast. You you you you helped them with 1061 01:04:05,000 --> 01:04:08,919 Speaker 1: their roast. Oh I loved that episode. Yes, I don't 1062 01:04:08,920 --> 01:04:11,800 Speaker 1: know if I helped much, but I was there? Did you? 1063 01:04:12,800 --> 01:04:15,320 Speaker 1: You were great? Wait? But what what season was that? 1064 01:04:15,920 --> 01:04:21,520 Speaker 1: That was All Starts for you were my favorite queen, 1065 01:04:21,640 --> 01:04:24,000 Speaker 1: But I did, and I didn't know, like I was 1066 01:04:24,080 --> 01:04:26,480 Speaker 1: doing All Stars, I didn't know that I was going 1067 01:04:26,560 --> 01:04:28,520 Speaker 1: to be seeing Mona and then I was like, well, 1068 01:04:28,560 --> 01:04:30,560 Speaker 1: this isn't fair because I'm going to of course I 1069 01:04:30,680 --> 01:04:34,000 Speaker 1: want you to win. Yeah, so you were like a 1070 01:04:34,120 --> 01:04:37,560 Speaker 1: mone fan from from back Oh big time. Yeah. I 1071 01:04:37,680 --> 01:04:42,280 Speaker 1: love money and saw her one woman show My birthday 1072 01:04:42,280 --> 01:04:46,240 Speaker 1: in New York was great. Right. You had my favorite 1073 01:04:46,360 --> 01:04:50,200 Speaker 1: guest judge introduction line, which was, well you look cute 1074 01:04:50,480 --> 01:04:53,160 Speaker 1: and then you rugos ex beastly strong. You look cute, 1075 01:04:53,800 --> 01:04:55,640 Speaker 1: and you said I don't get cute. I get dropped 1076 01:04:55,680 --> 01:05:01,200 Speaker 1: at garge as. That's very James, and it's very James 1077 01:05:01,280 --> 01:05:03,840 Speaker 1: Anderson reading on it. I was gonna say, how dare 1078 01:05:03,880 --> 01:05:07,400 Speaker 1: we talk about these queens without mentioning that pepper Mint 1079 01:05:07,800 --> 01:05:12,120 Speaker 1: is in the Friend of the Show, Friend of Us 1080 01:05:12,160 --> 01:05:16,320 Speaker 1: all friends. When she turned around, I was like, oh 1081 01:05:16,400 --> 01:05:18,360 Speaker 1: my god, I didn't know Miss Peppermint was in this 1082 01:05:18,960 --> 01:05:21,840 Speaker 1: Misfortune Teller. It was a huge deal. And it was like, 1083 01:05:22,040 --> 01:05:25,800 Speaker 1: especially also because it is a love letter to Broadway, 1084 01:05:25,920 --> 01:05:30,680 Speaker 1: that it was like Peppermint made Broadway straight first, Yes, 1085 01:05:31,600 --> 01:05:37,280 Speaker 1: trans woman to originate a role, Yes, yes, yes, it 1086 01:05:37,360 --> 01:05:39,560 Speaker 1: had over heels and I'm it's so she's just like 1087 01:05:39,720 --> 01:05:41,520 Speaker 1: she makes history all the time and it's like no 1088 01:05:41,640 --> 01:05:44,680 Speaker 1: big deal to her and she's so funny and so amazing. 1089 01:05:44,760 --> 01:05:48,000 Speaker 1: Another Aquarius. And I hope that I'm like, if we 1090 01:05:48,120 --> 01:05:51,120 Speaker 1: get a season two, I hope that it's the world's 1091 01:05:51,200 --> 01:05:53,400 Speaker 1: less Covidy and like we get to have more of 1092 01:05:53,480 --> 01:05:55,880 Speaker 1: Peppermint because it was hard to get it was hard 1093 01:05:55,920 --> 01:05:58,360 Speaker 1: to fly people out, like oh, and you were supposed 1094 01:05:58,400 --> 01:05:59,800 Speaker 1: to be in the show, but we couldn't, you know, 1095 01:06:00,080 --> 01:06:03,440 Speaker 1: timing gut changed, sure, of course, and then Nest and 1096 01:06:03,480 --> 01:06:06,600 Speaker 1: all is happening I've heard, I mean, I don't know where. 1097 01:06:06,800 --> 01:06:08,360 Speaker 1: So so by the way, the show is co created 1098 01:06:08,400 --> 01:06:13,320 Speaker 1: by um Singlepaul and Ken Dario uh wonderful people, and 1099 01:06:14,040 --> 01:06:17,440 Speaker 1: when we when we closed the room, there were very 1100 01:06:17,520 --> 01:06:21,920 Speaker 1: interesting directions in which the show could go. Because you'll 1101 01:06:21,960 --> 01:06:25,280 Speaker 1: you'll see without spoiling anything, you know, it just it 1102 01:06:25,400 --> 01:06:29,520 Speaker 1: just the things are left in a very interesting place, 1103 01:06:29,720 --> 01:06:31,640 Speaker 1: not in a way that you would expect. Even now 1104 01:06:31,680 --> 01:06:34,680 Speaker 1: as an audience member, I'm very excited um for people 1105 01:06:34,720 --> 01:06:37,520 Speaker 1: to finish this season. I have a prediction. I have 1106 01:06:37,560 --> 01:06:39,280 Speaker 1: a prediction for what's going to happen. And I've only 1107 01:06:39,360 --> 01:06:41,080 Speaker 1: seen two episodes. And I didn't write in the room 1108 01:06:41,120 --> 01:06:42,920 Speaker 1: and wasn't to start our producer of the show. So 1109 01:06:43,000 --> 01:06:47,400 Speaker 1: and understand that I'm not, Oh, I wasn't a consulting producer. 1110 01:06:47,480 --> 01:06:49,680 Speaker 1: I was. I'm just like a fan. So readers, no, 1111 01:06:49,800 --> 01:06:51,960 Speaker 1: I'm just like you when I say this. The way 1112 01:06:52,040 --> 01:06:54,960 Speaker 1: I think it's gonna end is that it's gonna be 1113 01:06:55,000 --> 01:06:58,000 Speaker 1: like Jurassic World, and I think the characters from the 1114 01:06:58,040 --> 01:07:00,120 Speaker 1: show are going to creep into the real world. I 1115 01:07:00,240 --> 01:07:04,520 Speaker 1: really think that. Oh that's I think Chennawi is gonna 1116 01:07:05,320 --> 01:07:07,240 Speaker 1: I think the last shot is going to be Chennaw 1117 01:07:07,600 --> 01:07:10,800 Speaker 1: in like um A Gelson's and she's gonna be go 1118 01:07:10,960 --> 01:07:12,960 Speaker 1: walking through and she's gonna you know, She's gonna be 1119 01:07:12,960 --> 01:07:14,560 Speaker 1: walking to the Girlson's and then I'm like, ma'am, you 1120 01:07:14,640 --> 01:07:18,080 Speaker 1: need what is this? Yeah, she's gonna be in the 1121 01:07:18,120 --> 01:07:21,200 Speaker 1: Galson's an l a supermarket. You need to wear a mask, 1122 01:07:21,360 --> 01:07:23,640 Speaker 1: man co Covid is gonna be and she's like, I 1123 01:07:23,800 --> 01:07:26,640 Speaker 1: don't and that cut to black, and then you know 1124 01:07:27,200 --> 01:07:29,080 Speaker 1: Season two is gonna be like Drastic World where the 1125 01:07:29,160 --> 01:07:31,880 Speaker 1: where the where the dinosaurs sort of come into the 1126 01:07:31,960 --> 01:07:40,000 Speaker 1: worst beautiful. I thought that, did you ever see um 1127 01:07:41,320 --> 01:07:45,760 Speaker 1: Barbara streisand do that with Anne Hathaway and Daisy Ridley 1128 01:07:46,520 --> 01:07:50,080 Speaker 1: heard it? Yeah, So there's like a featurette that is 1129 01:07:51,040 --> 01:07:55,120 Speaker 1: like her coaching them and she it's so funny because 1130 01:07:55,200 --> 01:07:57,240 Speaker 1: she's just like giving the notes, like and she's like, 1131 01:07:57,400 --> 01:07:59,960 Speaker 1: watched Barbara's direct is I just I love it. I'm 1132 01:08:00,440 --> 01:08:02,720 Speaker 1: you have to watch the featurette of Barbara doing all 1133 01:08:02,760 --> 01:08:06,080 Speaker 1: those songs with people. You gotta absolutely Well, that's all 1134 01:08:06,080 --> 01:08:08,480 Speaker 1: I had to say about that, boh and anything on Barbara. 1135 01:08:12,280 --> 01:08:16,120 Speaker 1: We love Barbara. We love that she only does movies 1136 01:08:16,200 --> 01:08:18,800 Speaker 1: now where she is sitting down, sitting down, I want 1137 01:08:18,880 --> 01:08:22,000 Speaker 1: to be comfortable, Sudie and I saw one of my 1138 01:08:22,240 --> 01:08:24,680 Speaker 1: favorite memories of my life is when Sudy and I 1139 01:08:24,760 --> 01:08:29,120 Speaker 1: went to go see Barbara The Music, The Magic, The Memory, 1140 01:08:30,280 --> 01:08:33,720 Speaker 1: Barclay's and it was Barbara back in Brooklyn and we 1141 01:08:33,880 --> 01:08:35,840 Speaker 1: went and we were sitting all the way in the 1142 01:08:35,920 --> 01:08:38,320 Speaker 1: back and Sudie and I like, we were so excited. 1143 01:08:38,360 --> 01:08:40,280 Speaker 1: We love Barbara so much. I was raised on Barbara, 1144 01:08:40,280 --> 01:08:42,160 Speaker 1: like funny girl was on like every day in my house, 1145 01:08:42,640 --> 01:08:47,400 Speaker 1: so um, we're there, and she before every song, she 1146 01:08:47,479 --> 01:08:49,800 Speaker 1: had like an interlude that was like, well, you know, 1147 01:08:50,000 --> 01:08:53,240 Speaker 1: they told me that they label told me they wanted 1148 01:08:53,360 --> 01:08:56,120 Speaker 1: this picture for the cover of the album. And it's 1149 01:08:56,120 --> 01:08:58,479 Speaker 1: like a picture that's bad. And she's in the crowds 1150 01:08:58,520 --> 01:09:02,519 Speaker 1: like she goes, well, you know, I told them I 1151 01:09:02,600 --> 01:09:06,640 Speaker 1: wanted this picture and it's like the album and then 1152 01:09:06,720 --> 01:09:09,280 Speaker 1: everyone's like She's like, and you know what, did win 1153 01:09:09,360 --> 01:09:12,720 Speaker 1: the Grammy for the Best Album cover. So anyway, this 1154 01:09:12,840 --> 01:09:14,640 Speaker 1: is the way we were. And she would go in 1155 01:09:14,640 --> 01:09:17,240 Speaker 1: and sing and like kill it. She did Papa, can 1156 01:09:17,280 --> 01:09:19,760 Speaker 1: you hear Me? And it was like bracing ly good. 1157 01:09:19,840 --> 01:09:25,639 Speaker 1: It was insane. But before every musical number from Lentil, 1158 01:09:25,920 --> 01:09:29,479 Speaker 1: before every number, I'm not kidding, Sudi can verify every 1159 01:09:29,600 --> 01:09:32,640 Speaker 1: number there was a preamble that was someone told me 1160 01:09:33,120 --> 01:09:35,479 Speaker 1: they thought one thing, I told them another and I 1161 01:09:35,640 --> 01:09:38,640 Speaker 1: was right. And then she started to go off on politics. 1162 01:09:38,880 --> 01:09:41,479 Speaker 1: This is pre election, so she went off on politics, 1163 01:09:41,600 --> 01:09:46,040 Speaker 1: and one woman like behind us, was like, we don't 1164 01:09:46,120 --> 01:09:48,280 Speaker 1: want to hear this. We want to hear you sing, 1165 01:09:48,640 --> 01:09:51,320 Speaker 1: shut up, shut up, and we're like, what did you 1166 01:09:51,439 --> 01:09:53,519 Speaker 1: think was gonna happen? You came to a Barbera Stris 1167 01:09:53,600 --> 01:09:58,120 Speaker 1: and show in the year of Yeah, did Barbara's did 1168 01:09:58,200 --> 01:10:01,400 Speaker 1: she go Patty and go like? Who was that? She 1169 01:10:02,760 --> 01:10:04,720 Speaker 1: didn't hear it, But I'm happy she didn't because I 1170 01:10:04,760 --> 01:10:11,040 Speaker 1: think here it would have derailed the entire show. Barbara's 1171 01:10:11,080 --> 01:10:13,800 Speaker 1: shouting to the nose bleeds, who said who said that? 1172 01:10:14,400 --> 01:10:17,519 Speaker 1: Who said that? Who said? No? I want to talk, 1173 01:10:17,680 --> 01:10:21,760 Speaker 1: let's talk. Remember Manila lose on insane Barbara? Oh, that was? 1174 01:10:22,200 --> 01:10:25,800 Speaker 1: I mean, it wasn't it was? It was it was 1175 01:10:25,880 --> 01:10:30,840 Speaker 1: borderline something. We love Manilla? We do love Manila? Do 1176 01:10:30,960 --> 01:10:35,759 Speaker 1: we love Manila? I love Manilla. That's just like because 1177 01:10:36,479 --> 01:10:39,640 Speaker 1: I get Manila lose on a lot or you do. 1178 01:10:40,560 --> 01:10:43,360 Speaker 1: So it's more like I'm being It's like self like 1179 01:10:43,720 --> 01:10:47,040 Speaker 1: I like her because I'm loving myself. When I say 1180 01:10:47,080 --> 01:10:51,600 Speaker 1: that people tell you you're giving mania on what like 1181 01:10:51,680 --> 01:10:57,880 Speaker 1: that we look alike? No, I take I sort of. 1182 01:10:57,960 --> 01:11:03,280 Speaker 1: I think Manila is gorgeous. Yeah, I'm very happily take that. 1183 01:11:03,760 --> 01:11:09,000 Speaker 1: I just I don't see it for either of you. Okay, well, 1184 01:11:09,040 --> 01:11:11,479 Speaker 1: I can't wait till my concert when I go. Well, 1185 01:11:11,520 --> 01:11:15,320 Speaker 1: you know, when a lot of people told me enough 1186 01:11:15,439 --> 01:11:18,640 Speaker 1: like Manila Luzon. But you know what I said, I 1187 01:11:18,680 --> 01:11:22,560 Speaker 1: think I do. Anyway, here's the way we were that 1188 01:11:22,600 --> 01:11:27,080 Speaker 1: I went on to be right people, Right, have you 1189 01:11:27,160 --> 01:11:29,840 Speaker 1: been dying to sing on a televised program that wasn't 1190 01:11:29,840 --> 01:11:32,040 Speaker 1: Saturday Night Live because you can sort of like really 1191 01:11:32,120 --> 01:11:36,800 Speaker 1: pop off? Probably not? No, really, there's good safety to 1192 01:11:36,920 --> 01:11:39,880 Speaker 1: Saturday Night Live kind of that. It's like because it's 1193 01:11:39,880 --> 01:11:42,520 Speaker 1: sketch comedy. It's always like we get to be charactery. 1194 01:11:43,560 --> 01:11:45,640 Speaker 1: You don't have to be good, you know how Like 1195 01:11:45,960 --> 01:11:49,680 Speaker 1: I have to get so drunk to do karaoke. I 1196 01:11:49,760 --> 01:11:52,280 Speaker 1: don't know karaoke because I feel this is gonna sound 1197 01:11:52,320 --> 01:11:55,120 Speaker 1: really obnoxious. But I don't like karaoke because I'm in 1198 01:11:55,280 --> 01:11:57,360 Speaker 1: pain afterwards, and I don't like to feel like I 1199 01:11:57,479 --> 01:12:00,240 Speaker 1: screamed and it's hard to sound. It's actually are to 1200 01:12:00,320 --> 01:12:03,640 Speaker 1: sound good. You do, You're like you never know what 1201 01:12:03,800 --> 01:12:05,880 Speaker 1: the key is gonna be, and you're like, oh, this 1202 01:12:06,080 --> 01:12:08,200 Speaker 1: is the weird part of the song. I don't totally 1203 01:12:08,280 --> 01:12:12,400 Speaker 1: know right right right. I've always like practicing beforehand and 1204 01:12:12,479 --> 01:12:15,160 Speaker 1: like that's not a fun night. What song do you 1205 01:12:15,400 --> 01:12:18,280 Speaker 1: think Bowen and I do every time we do karaoke 1206 01:12:18,439 --> 01:12:20,920 Speaker 1: and have the harmonies, m lock, What song do you 1207 01:12:21,160 --> 01:12:23,960 Speaker 1: think we do? Oh, that's tough. I don't think I 1208 01:12:24,000 --> 01:12:27,040 Speaker 1: know the answer to this itself. There's so like I 1209 01:12:27,200 --> 01:12:29,920 Speaker 1: just feel like that could be anything, because there's a 1210 01:12:30,000 --> 01:12:32,519 Speaker 1: lot of like, you know, it could be like always 1211 01:12:32,600 --> 01:12:35,040 Speaker 1: this wonder wall. It could you know, that would be 1212 01:12:35,160 --> 01:12:37,760 Speaker 1: like a confusing one. It could be a Cranberries. It 1213 01:12:37,840 --> 01:12:42,160 Speaker 1: could be take Me or leave Me. No, we've actually 1214 01:12:42,240 --> 01:12:44,000 Speaker 1: never done take merely Me, which is kind of shot. 1215 01:12:44,120 --> 01:12:47,560 Speaker 1: Never done take me. We do. We do let Me 1216 01:12:47,640 --> 01:12:50,440 Speaker 1: be Your Star from Smash, but it's not on karaoke. 1217 01:12:50,920 --> 01:12:53,040 Speaker 1: We've done it on a screen, on a screen with 1218 01:12:53,160 --> 01:12:55,840 Speaker 1: the words on it. How do you do it? We do. 1219 01:12:56,240 --> 01:12:58,479 Speaker 1: We've done a live we do it live with a 1220 01:12:58,600 --> 01:13:01,720 Speaker 1: piano and we know we're off book and we don't 1221 01:13:01,800 --> 01:13:04,120 Speaker 1: need No, you don't need the words. We don't needed 1222 01:13:04,200 --> 01:13:08,839 Speaker 1: the words. Do you understand? Who do you think Katherine McPhee? 1223 01:13:09,200 --> 01:13:11,080 Speaker 1: And who do you think is the Megan healthy? This 1224 01:13:11,200 --> 01:13:17,639 Speaker 1: is an easy question. I would say, Bowen, is Megan healthy? Yes, yes, okay, 1225 01:13:19,160 --> 01:13:21,919 Speaker 1: I'm Katherine. I'm sort of Catherine in my mix at 1226 01:13:21,960 --> 01:13:29,599 Speaker 1: the top, and then Bowen comes in with actually, yeah, yes, 1227 01:13:29,760 --> 01:13:31,800 Speaker 1: And I still talk to my dog like you wanted 1228 01:13:31,800 --> 01:13:36,960 Speaker 1: to talk to him? Are you ready for dinner? My love? Hello, 1229 01:13:37,080 --> 01:13:41,320 Speaker 1: my love? Do you miss feel? I feel bad for her? 1230 01:13:41,320 --> 01:13:44,960 Speaker 1: I feel like, oh good evening, my love? Would you 1231 01:13:45,040 --> 01:13:49,240 Speaker 1: like my love? She's I felt so bad for her 1232 01:13:49,240 --> 01:13:51,280 Speaker 1: because I feel like the limes really kind of well 1233 01:13:51,560 --> 01:13:54,720 Speaker 1: limes and Akayolanda Harded syndrome. It's kind of like Luke 1234 01:13:54,720 --> 01:14:03,519 Speaker 1: Garrig's disease. If I ever do get lines, I don't 1235 01:14:03,560 --> 01:14:06,439 Speaker 1: have lines. I have Yolanda had dude syndrome. Like that's 1236 01:14:06,520 --> 01:14:09,280 Speaker 1: that's that's how I how I'll tell people. Did people say, 1237 01:14:09,320 --> 01:14:11,479 Speaker 1: because I didn't watch Beverly Hills before this season, did 1238 01:14:11,560 --> 01:14:17,760 Speaker 1: she have Munchhausen's No. I'm sorry, I'm sorry, but there 1239 01:14:17,800 --> 01:14:21,519 Speaker 1: wasn't there. But Lisa Rinna heard she got a text 1240 01:14:21,600 --> 01:14:23,960 Speaker 1: on a friend and while they were in Dubai and 1241 01:14:24,120 --> 01:14:28,880 Speaker 1: she was in like a black turban and they talked 1242 01:14:28,960 --> 01:14:33,519 Speaker 1: it out. Though I just had a friend. I just 1243 01:14:33,800 --> 01:14:36,320 Speaker 1: my friend told me much. I got a text. I 1244 01:14:36,360 --> 01:14:38,479 Speaker 1: don't know what it means. And they were all in 1245 01:14:38,640 --> 01:14:45,479 Speaker 1: turbans in Dubai talking about and that's why we love 1246 01:14:45,640 --> 01:14:49,880 Speaker 1: that show. Beverly Hills is great. And also Beverly Hills 1247 01:14:49,960 --> 01:14:51,800 Speaker 1: is great in New York. When it's great is great. 1248 01:14:51,840 --> 01:14:55,840 Speaker 1: And Potomac is always killing it. I've I've like, I'm 1249 01:14:55,960 --> 01:15:00,280 Speaker 1: so late on Potomac and it did so much for me. 1250 01:15:00,360 --> 01:15:02,680 Speaker 1: I loved it so much. I just got into it, 1251 01:15:03,120 --> 01:15:06,040 Speaker 1: and I'm like very ready now for this new season. 1252 01:15:07,840 --> 01:15:09,640 Speaker 1: We're only two episodes into this new season and I 1253 01:15:09,720 --> 01:15:11,800 Speaker 1: think it's I think it's I think it's interesting so far. 1254 01:15:12,320 --> 01:15:15,480 Speaker 1: I don't think it'll it'll quite reach that like ugliness 1255 01:15:15,880 --> 01:15:18,400 Speaker 1: as last season, which kind of didn't love. I didn't 1256 01:15:18,439 --> 01:15:20,479 Speaker 1: love the ugliness for I didn't love it either, but 1257 01:15:20,520 --> 01:15:23,160 Speaker 1: it did fuel the second half in a way that 1258 01:15:23,320 --> 01:15:25,439 Speaker 1: felt interesting. I was like, well, I'm watching, I'm like, 1259 01:15:25,840 --> 01:15:28,920 Speaker 1: I'm Keen in every single moment. Now. Yeah, Bowen was 1260 01:15:29,040 --> 01:15:32,760 Speaker 1: on Watch What Happens Live with MONI with mon So 1261 01:15:32,880 --> 01:15:36,200 Speaker 1: that was like yeah, like during the thick of it, 1262 01:15:37,200 --> 01:15:38,640 Speaker 1: it was like this, it was like the episode. It 1263 01:15:38,720 --> 01:15:41,640 Speaker 1: was the episode after that that like Barnyard, like like 1264 01:15:41,880 --> 01:15:45,360 Speaker 1: fight and I was just like the wine Barnyard, the 1265 01:15:45,439 --> 01:15:49,519 Speaker 1: wine barn. Uh. Well, I was like, you know, I 1266 01:15:49,680 --> 01:15:52,200 Speaker 1: support human. I didn't. I didn't say I support you Monique, 1267 01:15:52,240 --> 01:15:54,280 Speaker 1: but like but like they like threw it over to me. 1268 01:15:54,320 --> 01:15:58,040 Speaker 1: They were like, but what do you have to do? Right? Yeah, 1269 01:15:58,160 --> 01:15:59,360 Speaker 1: They're like, what do you have to say about all 1270 01:15:59,360 --> 01:16:01,880 Speaker 1: the Potoma stuff? I was like, I just hope there's 1271 01:16:02,000 --> 01:16:07,639 Speaker 1: space for radical you know, compassion. And you said fuck 1272 01:16:07,800 --> 01:16:11,960 Speaker 1: Ramona Singer, that white supremacist. Yeah, well there's what you said. 1273 01:16:12,000 --> 01:16:16,280 Speaker 1: I hope she dies, I said, I hope she dies alone. 1274 01:16:16,280 --> 01:16:21,879 Speaker 1: I said, I said, she's a white supremacistaid she dies alone. Absolutely, 1275 01:16:22,080 --> 01:16:24,200 Speaker 1: I'm gonna die alone. But I hope I look fabulous 1276 01:16:24,400 --> 01:16:30,519 Speaker 1: doing it. I want someone to hold me. You're a 1277 01:16:30,560 --> 01:16:32,560 Speaker 1: really cute guy. What did you guy? You are? You 1278 01:16:32,560 --> 01:16:37,280 Speaker 1: guys are really cutute guy? So humiliated, You're like, how 1279 01:16:37,840 --> 01:16:40,679 Speaker 1: is this happen? My fifty best girlfriends and two hot 1280 01:16:40,840 --> 01:16:44,120 Speaker 1: guys coming up? Said? I just said by to my 1281 01:16:44,200 --> 01:16:46,200 Speaker 1: fifty best girlfriend. You're not one of them, big deal, 1282 01:16:46,280 --> 01:16:49,639 Speaker 1: you're not one of them. You're embarrassing me in front 1283 01:16:49,640 --> 01:16:53,599 Speaker 1: of guys. You're because you're vagina is out. I don't 1284 01:16:53,600 --> 01:16:56,200 Speaker 1: want to talk like that, okay, because that is not 1285 01:16:56,320 --> 01:16:58,759 Speaker 1: what That's what sexy. Okay, sexy is you know, tickling 1286 01:16:58,800 --> 01:17:02,720 Speaker 1: with a little feather? Okay, okay, anything nasty because now 1287 01:17:02,760 --> 01:17:08,120 Speaker 1: you're being nasty. Okay? And oh my god, Porthsonia and 1288 01:17:08,360 --> 01:17:13,639 Speaker 1: her thing about guard do you remember what she called someone? Well, 1289 01:17:13,920 --> 01:17:18,320 Speaker 1: I don't talk to you because I need to know 1290 01:17:18,920 --> 01:17:22,400 Speaker 1: what are your thoughts? What are your thoughts on the 1291 01:17:22,560 --> 01:17:26,479 Speaker 1: rumors that Bethany may return. I loved Bethany. I gotta 1292 01:17:26,560 --> 01:17:29,240 Speaker 1: say it. And you know why I loved Bethany because 1293 01:17:29,320 --> 01:17:34,599 Speaker 1: nobody burned Ramona Singer like Bethany Frankel and I could 1294 01:17:34,600 --> 01:17:38,559 Speaker 1: watch that all day every day. You don't support other women. 1295 01:17:39,880 --> 01:17:42,600 Speaker 1: And then like the waiter would come over and remontedness 1296 01:17:42,680 --> 01:17:44,280 Speaker 1: and Bethany be like, what is this? Well, now she's 1297 01:17:44,280 --> 01:17:45,840 Speaker 1: just telling her life. I guess we're doing this now 1298 01:17:45,880 --> 01:17:48,840 Speaker 1: because it's some weirdo talking telling her. He was always 1299 01:17:48,920 --> 01:17:51,200 Speaker 1: like just out of nowhere. She would just and Ramona 1300 01:17:51,320 --> 01:17:54,840 Speaker 1: was like, Bethany, I don't and it was just like 1301 01:17:55,439 --> 01:17:59,200 Speaker 1: Bethany burns Ramona, so well, yeah, I don't like Bethany. 1302 01:17:59,240 --> 01:18:02,200 Speaker 1: I think she's chaotic, evil, but I will say she 1303 01:18:02,479 --> 01:18:06,000 Speaker 1: is unfortunately a star and funny. And when I was 1304 01:18:06,080 --> 01:18:09,920 Speaker 1: recently my friend Patrick is really is watching was watching 1305 01:18:09,960 --> 01:18:12,160 Speaker 1: New York from the beginning and it's it's the season 1306 01:18:12,240 --> 01:18:15,720 Speaker 1: two reunion when they're like ganging up on Kelly Ben 1307 01:18:15,800 --> 01:18:18,320 Speaker 1: Simone and they're like, you can't talk to It's like 1308 01:18:18,360 --> 01:18:24,160 Speaker 1: talking about Humpty dumpty. Funny. And my other favorite moment 1309 01:18:24,640 --> 01:18:27,360 Speaker 1: is when she puts on that tiny little bikini to 1310 01:18:27,560 --> 01:18:31,280 Speaker 1: tell Luanne about Tom. Oh my god. So I've heard 1311 01:18:31,360 --> 01:18:37,800 Speaker 1: something about Tom. Tell me it's not about Tom. Oh God. 1312 01:18:38,120 --> 01:18:44,000 Speaker 1: And then she goes it's like, question Mark, I just 1313 01:18:44,120 --> 01:18:48,840 Speaker 1: heard a rumor about you. Period that was like I 1314 01:18:48,960 --> 01:18:53,640 Speaker 1: couldn't believe her life fell apart in slow motion for 1315 01:18:53,880 --> 01:18:58,479 Speaker 1: so long. I can't believe. But she looks so great 1316 01:18:58,760 --> 01:19:01,360 Speaker 1: and I almost like that the price that she paid 1317 01:19:01,840 --> 01:19:07,760 Speaker 1: to some which her life is crazy and she but 1318 01:19:07,880 --> 01:19:10,800 Speaker 1: she looks so good, so good. But isn't it isn't 1319 01:19:10,840 --> 01:19:14,240 Speaker 1: that Ramona's deal with the wa They're like, don't you 1320 01:19:14,320 --> 01:19:17,480 Speaker 1: want their doctors? Yeah, I mean they all look incredible. 1321 01:19:17,720 --> 01:19:20,320 Speaker 1: I mean they all do right, they all there's bones, 1322 01:19:20,439 --> 01:19:23,720 Speaker 1: structures and bodies that I don't have access to, but 1323 01:19:24,120 --> 01:19:26,200 Speaker 1: the doctor I want to know because I think they 1324 01:19:26,240 --> 01:19:30,080 Speaker 1: look so good. Yeah. You know. It's like I said, like, 1325 01:19:30,120 --> 01:19:31,920 Speaker 1: whenever I'm home and I've been home a couple of 1326 01:19:32,000 --> 01:19:35,120 Speaker 1: times UM recently, and I make my mother watch Housewives 1327 01:19:35,160 --> 01:19:37,799 Speaker 1: with me and she doesn't naturally like it. So every 1328 01:19:37,920 --> 01:19:42,400 Speaker 1: time I put it on UM, she always comments like, wow, 1329 01:19:42,640 --> 01:19:44,320 Speaker 1: that one's had a lot of work done. Look at 1330 01:19:44,320 --> 01:19:45,960 Speaker 1: the work on that one. Wow, they've all had so 1331 01:19:46,040 --> 01:19:49,599 Speaker 1: much work done. And I'm like, mom, we're post this like, yes, 1332 01:19:49,720 --> 01:19:51,479 Speaker 1: this is the this is the way they look. We're posted. 1333 01:19:51,560 --> 01:19:53,800 Speaker 1: We we can't comment. I was like, I can't write. 1334 01:19:55,160 --> 01:19:59,479 Speaker 1: Marais and she's got botox and she goes, she goes 1335 01:20:00,000 --> 01:20:02,160 Speaker 1: these women they have too much work done. I'm like, Mom, 1336 01:20:02,280 --> 01:20:04,280 Speaker 1: this is just this is what it is. And then 1337 01:20:04,360 --> 01:20:06,120 Speaker 1: she's like, I don't know, I just don't like it. 1338 01:20:06,400 --> 01:20:08,800 Speaker 1: And I'm like, yeah, but like twenty five year olds 1339 01:20:08,840 --> 01:20:12,679 Speaker 1: like have botox now, and don't you look like somehow 1340 01:20:13,320 --> 01:20:16,439 Speaker 1: they look different, like everybody looks the same when they 1341 01:20:16,439 --> 01:20:18,519 Speaker 1: get work done to a certain level and they just 1342 01:20:18,760 --> 01:20:25,559 Speaker 1: look like themselves. They look great. I don't anything something. 1343 01:20:25,800 --> 01:20:30,559 Speaker 1: Yeah it's good. I don't know because I'm always like guys. 1344 01:20:30,680 --> 01:20:36,040 Speaker 1: I tried electorallysis five years ago once, so I don't 1345 01:20:36,120 --> 01:20:39,640 Speaker 1: know what anything good. You know. That's like as like 1346 01:20:39,920 --> 01:20:43,560 Speaker 1: crazy as I get. I used to Chris White strip everyone. 1347 01:20:44,520 --> 01:20:48,040 Speaker 1: I think I'm not, but you you look you have 1348 01:20:48,120 --> 01:20:51,080 Speaker 1: great teeth. Good teeth too when you do the crest 1349 01:20:51,080 --> 01:20:54,479 Speaker 1: White strips. I haven't in years. I think you should. 1350 01:20:54,560 --> 01:20:57,040 Speaker 1: I think we're serving face. You should Accordion style and 1351 01:20:57,120 --> 01:21:00,600 Speaker 1: we're serving face. Did we all watch Legendary? Oh my 1352 01:21:00,720 --> 01:21:04,160 Speaker 1: god face? I mean, wait, what was her name? Shannon? Shannon, 1353 01:21:04,640 --> 01:21:08,800 Speaker 1: Shannon mother Shannon? Oh my god? Wait, Matt has to 1354 01:21:08,960 --> 01:21:12,439 Speaker 1: Matt has to watch Legendary. Are you not watching Legendary? No? No, 1355 01:21:12,600 --> 01:21:15,479 Speaker 1: I watched season one and then I've held I haven't. 1356 01:21:15,520 --> 01:21:19,600 Speaker 1: I've been to you. It's really more. I want to 1357 01:21:19,640 --> 01:21:21,320 Speaker 1: watch it all in the block right now. I have 1358 01:21:21,400 --> 01:21:24,080 Speaker 1: to watch all these Kiana Reeves movies. Um to the 1359 01:21:24,160 --> 01:21:26,840 Speaker 1: episode of the Kiana thing I'm doing on HBO Max 1360 01:21:26,920 --> 01:21:30,080 Speaker 1: Movie podcast streaming now. Presented by a heart video. Thank you, Max, 1361 01:21:30,160 --> 01:21:32,960 Speaker 1: You're so good. You're so good solo, Matt, you're really 1362 01:21:33,200 --> 01:21:35,559 Speaker 1: listen to you. I listened to the beginning. I haven't 1363 01:21:35,560 --> 01:21:38,120 Speaker 1: listened to the whole thing, but so good and so 1364 01:21:38,439 --> 01:21:41,320 Speaker 1: so funny. I don't thank you for listening to it anyway, 1365 01:21:41,400 --> 01:21:45,200 Speaker 1: It's been cute. Um, But anyway, I'm gonna listen to it. 1366 01:21:45,760 --> 01:21:47,960 Speaker 1: I just you guys both need to come on. I'm 1367 01:21:47,960 --> 01:21:50,960 Speaker 1: gonna have you both on, um and that'll be a 1368 01:21:51,080 --> 01:21:54,280 Speaker 1: fun bring us on to talk about. You should convince 1369 01:21:54,360 --> 01:21:56,640 Speaker 1: HBO Max to have Yentel on the platform and then 1370 01:21:56,680 --> 01:22:00,439 Speaker 1: we'll both come on and talk about yentle Yes, I 1371 01:22:00,520 --> 01:22:02,320 Speaker 1: have to see what movies are coming up and pick 1372 01:22:02,400 --> 01:22:04,479 Speaker 1: one for each of you. Um. And also, I just 1373 01:22:04,520 --> 01:22:06,479 Speaker 1: feel like there's just so much, Like I want to 1374 01:22:06,479 --> 01:22:09,920 Speaker 1: watch Loki, I want to watch Legendary Bons yelling, yelling 1375 01:22:09,920 --> 01:22:12,000 Speaker 1: at because I still haven't watched Watchman. Like, there's so 1376 01:22:12,120 --> 01:22:14,200 Speaker 1: much I want to watch this on White Orchid or whatever. 1377 01:22:14,320 --> 01:22:18,240 Speaker 1: It's like my new Mike White show, White Lotus. Yeah, 1378 01:22:18,280 --> 01:22:23,080 Speaker 1: I heard, It's unbelievable. There's so much. Yeah, you've got it, 1379 01:22:23,120 --> 01:22:28,120 Speaker 1: You've got great. Jennifer Coolidge work, Great Britain work. Steve, Hello, 1380 01:22:29,240 --> 01:22:34,439 Speaker 1: Hello God. For a second, Stevenson, I mixed with Ian's 1381 01:22:35,439 --> 01:22:40,599 Speaker 1: do you say zeer Ring or sign ring or said either? 1382 01:22:42,520 --> 01:22:45,040 Speaker 1: Never said either. The second I was like, Wow, Bowen 1383 01:22:45,160 --> 01:22:48,400 Speaker 1: is a real fan of Ian zeer Ring, but clearly 1384 01:22:49,280 --> 01:22:55,280 Speaker 1: you're not. Natasha Rothwell is in it. Natasha, come on 1385 01:22:55,560 --> 01:22:58,639 Speaker 1: the Queen and talk about someone who's over due to Bowen. 1386 01:22:58,760 --> 01:23:02,679 Speaker 1: We need to get Natasha on next week. We should 1387 01:23:02,720 --> 01:23:06,160 Speaker 1: ask you for next week. Did one of the best 1388 01:23:06,240 --> 01:23:09,840 Speaker 1: comedic monologues I've ever seen at u c B where 1389 01:23:09,880 --> 01:23:14,439 Speaker 1: she played a flight attendant and anyway, watch it, just 1390 01:23:14,600 --> 01:23:18,439 Speaker 1: search it Natosha ross Ball UCB flight attendant monologue. She's 1391 01:23:18,479 --> 01:23:22,519 Speaker 1: so fucking good and not not obviously she's done bigger 1392 01:23:22,640 --> 01:23:38,320 Speaker 1: things than that UCB monologue, but like, yeah, anyway, I 1393 01:23:38,360 --> 01:23:40,200 Speaker 1: think it's time to move to I Don't Think So Honey. 1394 01:23:40,479 --> 01:23:42,200 Speaker 1: So I think we've sort of moved to that episode 1395 01:23:42,240 --> 01:23:44,080 Speaker 1: of at that point in the episode where we do 1396 01:23:44,240 --> 01:23:47,040 Speaker 1: I Don't Think So Honey, which is a sixty second 1397 01:23:47,120 --> 01:23:49,280 Speaker 1: segment that we have here on Lost Cultures. That's, by 1398 01:23:49,280 --> 01:23:50,920 Speaker 1: the way, my head just sort of rent running over 1399 01:23:50,960 --> 01:23:57,040 Speaker 1: look at the speedo. I got sent today. Oh you right, 1400 01:23:57,400 --> 01:24:03,840 Speaker 1: it's it's from Homo homoke. Um it says yeah the 1401 01:24:04,320 --> 01:24:07,880 Speaker 1: Homoco anyway that said it to me and my my, my, 1402 01:24:08,120 --> 01:24:09,559 Speaker 1: my hand ran over it and so I just had 1403 01:24:09,600 --> 01:24:12,800 Speaker 1: to show it. Um. That wasn't product placement, just it 1404 01:24:12,880 --> 01:24:20,320 Speaker 1: was literally right here. Um. Okay, So this is a 1405 01:24:20,400 --> 01:24:23,599 Speaker 1: sixty second segment where we absolutely pop the f off 1406 01:24:23,720 --> 01:24:27,360 Speaker 1: sorry on an item of culture or anything in the 1407 01:24:27,400 --> 01:24:29,920 Speaker 1: world really that we just feel like dressing absolutely down. 1408 01:24:30,479 --> 01:24:32,920 Speaker 1: And it's done in every single episode of Lost College, 1409 01:24:33,680 --> 01:24:37,439 Speaker 1: and this eppisode will be no exception. So bowen, I 1410 01:24:37,600 --> 01:24:41,000 Speaker 1: do have something. Okay, this is Matt Rodgers. I don't 1411 01:24:41,000 --> 01:24:44,599 Speaker 1: think so, honey. As time starts now, I don't think so, honey. 1412 01:24:44,800 --> 01:24:49,200 Speaker 1: The seat covers for toilets, thanks, but no thanks. It's 1413 01:24:49,320 --> 01:24:52,519 Speaker 1: made of ship fabric. Like what is this? It's like 1414 01:24:52,720 --> 01:24:55,160 Speaker 1: it's like the consistency of half a piece of toilet paper. 1415 01:24:55,439 --> 01:24:57,320 Speaker 1: And then you have to negotiate it. You have to 1416 01:24:57,439 --> 01:24:59,479 Speaker 1: cut out the middle part so you can lay it 1417 01:24:59,560 --> 01:25:01,720 Speaker 1: down over a seat. So you don't like fucking, I 1418 01:25:01,800 --> 01:25:03,599 Speaker 1: don't know, get a little bit of piss on your 1419 01:25:03,680 --> 01:25:06,840 Speaker 1: ass skin, Get grow up. If you're a gay man, 1420 01:25:06,880 --> 01:25:09,360 Speaker 1: who eats ass. You can sit down bear ass on 1421 01:25:09,400 --> 01:25:12,960 Speaker 1: a goddamn toilet. I'm over it also, not for nothing. 1422 01:25:13,200 --> 01:25:15,639 Speaker 1: But if I don't want to have that little piece 1423 01:25:15,680 --> 01:25:18,400 Speaker 1: of piss on my ass, what you do is you 1424 01:25:18,479 --> 01:25:21,120 Speaker 1: take the toilet paper and you you do just so 1425 01:25:21,760 --> 01:25:24,760 Speaker 1: you get it off, or do what I do. Just 1426 01:25:24,880 --> 01:25:27,600 Speaker 1: take four strips of toilet paper and creatively put it 1427 01:25:27,680 --> 01:25:30,800 Speaker 1: on the seat. It's also gonna be better than that fat, 1428 01:25:30,920 --> 01:25:33,559 Speaker 1: stupid ship that they put on there. Also, while i'm 1429 01:25:33,560 --> 01:25:36,880 Speaker 1: at it, automatic toilet flushers, thanks for nothings. I'm gonna 1430 01:25:36,880 --> 01:25:40,200 Speaker 1: do it myself. I don't need to have you in 1431 01:25:40,360 --> 01:25:43,320 Speaker 1: my head. Afy, what do I leave the bathroom? And 1432 01:25:43,360 --> 01:25:45,639 Speaker 1: then I'm concerned that you don't flush. I know there's 1433 01:25:45,640 --> 01:25:47,360 Speaker 1: a button, but you can't always find it. I don't 1434 01:25:47,400 --> 01:25:50,800 Speaker 1: think so, honey. And that's one minute I'm gonna have 1435 01:25:50,880 --> 01:25:52,720 Speaker 1: to just I'm gonna have to disagree with you on 1436 01:25:53,000 --> 01:25:56,880 Speaker 1: this one baby. At the gym, at the airport, at 1437 01:25:56,920 --> 01:26:01,880 Speaker 1: all these places. I'm like the airport, it's important place, Mama. 1438 01:26:02,400 --> 01:26:05,439 Speaker 1: So you what you do is you take four pieces 1439 01:26:05,479 --> 01:26:07,160 Speaker 1: of toilet paper and do it on the seat. Because 1440 01:26:07,320 --> 01:26:11,360 Speaker 1: you can't negotiate with these toilet seat covers. Keep unnegotiable. 1441 01:26:12,120 --> 01:26:20,040 Speaker 1: You have nonegotiable extra half second to align, Mom, sweetie, No, no, no, 1442 01:26:20,200 --> 01:26:23,599 Speaker 1: this is work, darling deer. You can take those covers, 1443 01:26:23,680 --> 01:26:25,160 Speaker 1: darling dear, and you can blot them on your face 1444 01:26:25,160 --> 01:26:27,080 Speaker 1: if you want to get the shine off to those 1445 01:26:27,080 --> 01:26:29,840 Speaker 1: absorbable well. I'm not very shiny ever, hun because I 1446 01:26:29,920 --> 01:26:32,040 Speaker 1: put sunscreen on every day, so I make sure that 1447 01:26:33,880 --> 01:26:37,200 Speaker 1: well made enough for you. Blotch bitch. All I'm saying 1448 01:26:37,400 --> 01:26:42,400 Speaker 1: is you have to do so much business to get 1449 01:26:42,439 --> 01:26:44,560 Speaker 1: the toilet sea cover on the toilet bowl seat. And 1450 01:26:44,600 --> 01:26:48,640 Speaker 1: I'm just like, I'm sorry, but need the toilet. What 1451 01:26:48,880 --> 01:26:53,759 Speaker 1: I've done to start the toilet flush when it starts? 1452 01:26:54,280 --> 01:26:59,599 Speaker 1: Because see and I'm like, now what is my body? Gen? 1453 01:27:00,280 --> 01:27:08,479 Speaker 1: What movement has happened? Your concerned? And you know these 1454 01:27:08,520 --> 01:27:13,200 Speaker 1: toilets I'm talking about the white toilets white And they're like, oh, sorry, 1455 01:27:13,400 --> 01:27:16,360 Speaker 1: I guess I thought you were done because most people 1456 01:27:16,360 --> 01:27:19,040 Speaker 1: will be done right now. You're like, I'm peeing, Get 1457 01:27:19,200 --> 01:27:22,479 Speaker 1: over it. They flush so aggressively to They're like the 1458 01:27:22,520 --> 01:27:26,600 Speaker 1: ones that go and send the water. You get the splashback. 1459 01:27:26,880 --> 01:27:29,960 Speaker 1: And I hate that when you have the water from 1460 01:27:30,000 --> 01:27:32,400 Speaker 1: the toilet bowl, from the flush, the aggressive flush hit 1461 01:27:32,640 --> 01:27:38,519 Speaker 1: your but and then you have to like deal with that. 1462 01:27:38,840 --> 01:27:41,439 Speaker 1: I'm like, get out. It's like a hard enough thing 1463 01:27:41,560 --> 01:27:43,840 Speaker 1: to ship at all, and now you're gonna make it 1464 01:27:43,960 --> 01:27:48,240 Speaker 1: this much difficult. I don't think so, honey. And if 1465 01:27:48,240 --> 01:27:50,240 Speaker 1: I'm in a public restroom at a gym or an 1466 01:27:50,280 --> 01:27:53,599 Speaker 1: airport and I have to ship, I don't have time 1467 01:27:53,880 --> 01:28:00,240 Speaker 1: to do the toilet bowl cover. It's an emergency because 1468 01:28:00,360 --> 01:28:03,280 Speaker 1: right we're not choosing to go number two in public 1469 01:28:03,520 --> 01:28:06,280 Speaker 1: if we can help. Never once in my life. I 1470 01:28:06,640 --> 01:28:08,320 Speaker 1: literally I don't I don't know what it is, but 1471 01:28:08,400 --> 01:28:11,920 Speaker 1: like I would rather I'd rather die. I'd rather die 1472 01:28:12,000 --> 01:28:14,439 Speaker 1: than like than like go to the bathroom in a 1473 01:28:14,560 --> 01:28:18,960 Speaker 1: public place, Like no, that's sacred. That's what my toileboles 1474 01:28:19,120 --> 01:28:21,920 Speaker 1: at home is for. And I just like it's like 1475 01:28:22,040 --> 01:28:25,439 Speaker 1: everything about it. It's like that's the crack in the 1476 01:28:25,640 --> 01:28:32,000 Speaker 1: stall door that is wide, Like are you kidding? Like anyone, 1477 01:28:32,160 --> 01:28:34,800 Speaker 1: any any goose and gander could could like look in 1478 01:28:34,920 --> 01:28:37,720 Speaker 1: here and see me in the throws. And now I'm 1479 01:28:37,760 --> 01:28:40,759 Speaker 1: like thinking about that. The toilet sea cover is constantly 1480 01:28:40,800 --> 01:28:45,559 Speaker 1: sliding off. It's an untrustworthy lock for sure, untrustworthy lock. Also, 1481 01:28:45,680 --> 01:28:48,960 Speaker 1: the toilet sea covers like are not wide enough to 1482 01:28:49,040 --> 01:28:51,559 Speaker 1: cover the whole seat, so it's like just like it's 1483 01:28:51,600 --> 01:28:55,800 Speaker 1: like you're not aligning it. This is I also have 1484 01:28:55,880 --> 01:29:05,639 Speaker 1: a huge fatass, so it's like it's not working. Wait, 1485 01:29:05,960 --> 01:29:08,479 Speaker 1: get a screenshot of this. It's gonna be the episode thing. 1486 01:29:09,760 --> 01:29:17,000 Speaker 1: Did they get it? They're fired. If they didn't, they're fired. Okay, okay, 1487 01:29:17,439 --> 01:29:23,519 Speaker 1: trying to save your job, We got it. Now, bowen 1488 01:29:23,600 --> 01:29:26,760 Speaker 1: Yang is gonna pop off. So you just stargree with 1489 01:29:26,920 --> 01:29:29,400 Speaker 1: mine and I will see if I disagree with yours. 1490 01:29:30,120 --> 01:29:34,840 Speaker 1: This in essence is boen Yang's. I don't think so Honey, 1491 01:29:35,120 --> 01:29:39,200 Speaker 1: her time starts now. I don't think so Honey's. Secs 1492 01:29:39,280 --> 01:29:42,719 Speaker 1: Pizzas closing down, going out of business right as marijuana 1493 01:29:42,840 --> 01:29:45,759 Speaker 1: legalization is really starting to take off in this country. 1494 01:29:46,280 --> 01:29:51,080 Speaker 1: It is the ultimate quintessential stoner chain restaurant. And yet 1495 01:29:51,160 --> 01:29:55,599 Speaker 1: I'm in Cleveland, Ohio, the land that you would would 1496 01:29:56,200 --> 01:29:58,960 Speaker 1: of the free you would think, the land of the 1497 01:29:59,000 --> 01:30:02,600 Speaker 1: SEC's pizzas you would think. And I brought some exquisite 1498 01:30:02,720 --> 01:30:04,920 Speaker 1: edibles with me on my trip here, and I thought, 1499 01:30:04,960 --> 01:30:07,400 Speaker 1: I'm gonna pop one of these to get an uber. 1500 01:30:07,680 --> 01:30:10,479 Speaker 1: I'm gonna go to a Cecy's Pizza and eat alone 1501 01:30:10,560 --> 01:30:12,880 Speaker 1: because I'm willing to go on that journey for myself. 1502 01:30:12,920 --> 01:30:15,360 Speaker 1: I don't care who sees me. I am going to 1503 01:30:15,479 --> 01:30:19,000 Speaker 1: the CC's pizza alone and yet not a say. I 1504 01:30:19,200 --> 01:30:21,599 Speaker 1: open up Google Maps, I type in Cecy's Pizza into 1505 01:30:21,640 --> 01:30:24,439 Speaker 1: the into the search bar. All of them pop up 1506 01:30:24,520 --> 01:30:29,120 Speaker 1: on my map. They say permanently closed. We have this 1507 01:30:29,160 --> 01:30:31,719 Speaker 1: is I don't think so honey to society for letting 1508 01:30:31,760 --> 01:30:36,040 Speaker 1: Cecy's Pizza fail right as marijuana legalization is about to 1509 01:30:36,720 --> 01:30:39,160 Speaker 1: be a popular phenomenon in this country, and I think 1510 01:30:39,200 --> 01:30:42,559 Speaker 1: it's terrible timing. It's say, it's diabolical timing. Does feel 1511 01:30:42,560 --> 01:30:45,160 Speaker 1: like that's on us? Yeah, it is on us. And 1512 01:30:45,800 --> 01:30:51,240 Speaker 1: one plus, I feel so bummed for you. I'm so 1513 01:30:51,520 --> 01:31:01,080 Speaker 1: I devast blessed you. I felt like, you know, we're 1514 01:31:01,120 --> 01:31:07,479 Speaker 1: going through Bowen's problems, but you still can bless ye always. 1515 01:31:08,880 --> 01:31:14,479 Speaker 1: He will always bless me. Culture number number he will 1516 01:31:14,600 --> 01:31:19,720 Speaker 1: always are we talking about our God? Depends depends on 1517 01:31:19,880 --> 01:31:25,040 Speaker 1: your some cultures the internet corner of the Internet, you 1518 01:31:25,120 --> 01:31:26,880 Speaker 1: know that's I really just wanted to really put that 1519 01:31:26,960 --> 01:31:30,439 Speaker 1: out in the conversations. Cecy's pizzas were really an important 1520 01:31:30,520 --> 01:31:33,519 Speaker 1: part of the fabric of chain restaurants in this country, 1521 01:31:33,560 --> 01:31:35,640 Speaker 1: and the fact that they're gone means that, you know, 1522 01:31:35,760 --> 01:31:43,200 Speaker 1: we're deprived. We were like finally, yeah me, yes, hod 1523 01:31:43,320 --> 01:31:46,920 Speaker 1: is legal. And what happened to Cecy's. It's so shitty too. 1524 01:31:47,040 --> 01:31:48,920 Speaker 1: You know that everyone at CC's is just like so 1525 01:31:49,080 --> 01:31:52,439 Speaker 1: vomited because they were about to make huge money, I know, 1526 01:31:53,479 --> 01:31:58,120 Speaker 1: and then they were about to go. Okay, Cecily, are 1527 01:31:58,160 --> 01:32:01,920 Speaker 1: you ready for and I don't think so, honey. Oh sure, okay, 1528 01:32:02,040 --> 01:32:05,960 Speaker 1: I it And I just apologized in advance. No, don't 1529 01:32:06,000 --> 01:32:12,439 Speaker 1: do that will be mine is me. Guys know this 1530 01:32:12,640 --> 01:32:14,960 Speaker 1: is Cicely Strong. I don't think so, honey. Her time 1531 01:32:15,040 --> 01:32:19,519 Speaker 1: starts and now okay, I don't think so honey. Wood Chucks, Okay, 1532 01:32:20,160 --> 01:32:24,280 Speaker 1: I am China. My little fat ass is trying to 1533 01:32:24,400 --> 01:32:28,320 Speaker 1: grow vegetables in my garden and these motherfucker's and I 1534 01:32:28,439 --> 01:32:31,400 Speaker 1: am like a zen Buddhist and I can't kill anything. 1535 01:32:31,920 --> 01:32:35,679 Speaker 1: And these motherfucking woodchucks. I looked out of my window 1536 01:32:35,760 --> 01:32:37,519 Speaker 1: the other day and six of them are living in 1537 01:32:37,600 --> 01:32:41,160 Speaker 1: a hole. They have like the Montreal Underground mall outside 1538 01:32:41,200 --> 01:32:44,840 Speaker 1: of my house. I have had to borrow, not borrow, 1539 01:32:44,920 --> 01:32:50,200 Speaker 1: I've taken used cat litter and ground up blood. It's 1540 01:32:50,280 --> 01:32:52,200 Speaker 1: like this powder that you have to spread. I am 1541 01:32:52,240 --> 01:32:55,680 Speaker 1: on like farming blogs to try to understand how to 1542 01:32:55,760 --> 01:32:58,320 Speaker 1: deal with these motherfucking woodchucks. And I was out there 1543 01:32:58,360 --> 01:33:00,639 Speaker 1: in like flip flops holding a big the other day 1544 01:33:00,680 --> 01:33:03,680 Speaker 1: my dog the baby wood chuck. It was the worst day, 1545 01:33:03,840 --> 01:33:07,800 Speaker 1: and I was going, Lucy no, Lucy no, And these 1546 01:33:07,880 --> 01:33:11,240 Speaker 1: motherfucking wood chucks ate my broccoli, they my lettuce, They 1547 01:33:13,080 --> 01:33:15,120 Speaker 1: and my little fat ass is trying to grow my 1548 01:33:15,240 --> 01:33:20,400 Speaker 1: vegetables in the Hudson Valley mess one minute. The other 1549 01:33:20,520 --> 01:33:24,839 Speaker 1: day this is awful. Well we got the other day twice. 1550 01:33:25,560 --> 01:33:29,120 Speaker 1: The other day my little fucking ass or whatever. My 1551 01:33:29,360 --> 01:33:35,879 Speaker 1: little fat ass is trying to grow little that sucks 1552 01:33:36,120 --> 01:33:41,519 Speaker 1: man motherfucker's and they look so cute, but they just 1553 01:33:42,960 --> 01:33:46,040 Speaker 1: why wouldn't you let Lucy fight them? Because I was like, 1554 01:33:46,120 --> 01:33:49,120 Speaker 1: I can't see my dog kill and I can't see 1555 01:33:49,200 --> 01:33:51,960 Speaker 1: my dog get beaten up by a baby. What if 1556 01:33:52,040 --> 01:33:56,679 Speaker 1: she what if she wants to kill though I can't 1557 01:33:56,720 --> 01:34:01,320 Speaker 1: have that. It'll change our relationship it's too late in 1558 01:34:01,360 --> 01:34:06,040 Speaker 1: the game when a dog kills or when a dog 1559 01:34:06,200 --> 01:34:08,880 Speaker 1: like when a dog like does something even on Kouth, 1560 01:34:09,040 --> 01:34:11,640 Speaker 1: I'm like, I don't don't like, I don't want to 1561 01:34:12,880 --> 01:34:16,439 Speaker 1: on my friend's bed on Thanksgiving once, Oh my god. 1562 01:34:16,720 --> 01:34:18,400 Speaker 1: And I was like looking at her and I was like, 1563 01:34:18,479 --> 01:34:21,960 Speaker 1: I don't even know who you are as I walked 1564 01:34:22,000 --> 01:34:25,559 Speaker 1: in on it, I don't even know who you are. 1565 01:34:25,800 --> 01:34:29,360 Speaker 1: Who you are she's shipping and pissing. It was like 1566 01:34:29,600 --> 01:34:32,840 Speaker 1: because she was like shoving off to their pug Banjie. 1567 01:34:33,000 --> 01:34:34,920 Speaker 1: It was like the two little girls going off to 1568 01:34:34,960 --> 01:34:36,960 Speaker 1: smoke cigarettes. It was like two little dogs. And my 1569 01:34:37,040 --> 01:34:39,240 Speaker 1: dog was like, I want to see something really bad. 1570 01:34:39,880 --> 01:34:44,559 Speaker 1: I'll poop and pee on their bed and motherfucking chaos demon. 1571 01:34:45,240 --> 01:34:47,320 Speaker 1: And then yeah, and I was like I have to 1572 01:34:47,400 --> 01:34:49,200 Speaker 1: go take a walk around the block because then I 1573 01:34:49,280 --> 01:34:51,719 Speaker 1: broke a wine glass and it was like, forget it, Lucy, 1574 01:34:51,760 --> 01:34:55,840 Speaker 1: and I've ruined everything. We've ruined. Thanks. You know, what 1575 01:34:55,920 --> 01:34:58,400 Speaker 1: are we gonna do about these woodchhogs. I'm trying to 1576 01:34:58,479 --> 01:35:00,600 Speaker 1: figure that out. We got to help reader. If you, 1577 01:35:00,680 --> 01:35:03,280 Speaker 1: if you have any suggestions, please send them our away. Well, 1578 01:35:03,720 --> 01:35:06,320 Speaker 1: and I know about Kitty litter, and I have the 1579 01:35:06,920 --> 01:35:12,679 Speaker 1: all the the ground up blood. It's blood, isn't that gross? 1580 01:35:13,200 --> 01:35:16,320 Speaker 1: I mean so it's like you have to make your 1581 01:35:16,360 --> 01:35:19,439 Speaker 1: whole home stink in order to deal with wood checks. 1582 01:35:19,880 --> 01:35:24,240 Speaker 1: And that stinks to me. You said Montreal Underground mall, 1583 01:35:24,280 --> 01:35:27,960 Speaker 1: and I got the full picture, really exactly, an empty 1584 01:35:28,920 --> 01:35:31,759 Speaker 1: and I also have now I have like six little spikes. 1585 01:35:32,200 --> 01:35:34,080 Speaker 1: So anytime you walk around my house, you always are 1586 01:35:34,080 --> 01:35:39,160 Speaker 1: like hey, because they're supposed to be like sonar, I 1587 01:35:39,200 --> 01:35:44,800 Speaker 1: don't know. Nothing works, nothing works. And they're really they're 1588 01:35:44,880 --> 01:35:47,640 Speaker 1: really killing the garden. Yes, when they get in, I 1589 01:35:47,760 --> 01:35:50,800 Speaker 1: mean they they eat it all. What are you trying 1590 01:35:50,800 --> 01:35:53,800 Speaker 1: to grow? I'm trying to grow broccoli. I'm trying to 1591 01:35:53,840 --> 01:35:58,800 Speaker 1: go broccoli. I'm trying to go sunflowers, cucumbers, tomatoes, roma, tomatoes. 1592 01:35:59,320 --> 01:36:03,640 Speaker 1: I'm growing cosmos. I'm growing like the Harry Hamlin of 1593 01:36:03,720 --> 01:36:06,600 Speaker 1: the Hudson Valley. I am very much Harry Hamlin. I 1594 01:36:06,720 --> 01:36:11,000 Speaker 1: don't have the pool because we don't have the fire problems. 1595 01:36:12,000 --> 01:36:14,240 Speaker 1: Remember the little fire pool. But I felt like I 1596 01:36:14,360 --> 01:36:18,680 Speaker 1: got it. I understood. Harry Hamlin. Yeah, yeah, you really do, 1597 01:36:19,080 --> 01:36:21,320 Speaker 1: you really do well, Cecily. This is a new I 1598 01:36:21,360 --> 01:36:23,200 Speaker 1: don't think I've heard you talk about gardening before. This 1599 01:36:23,320 --> 01:36:26,080 Speaker 1: is a wonderful new I'm not a good gardener. And 1600 01:36:26,200 --> 01:36:28,280 Speaker 1: that's the other thing is like whenever people come over 1601 01:36:28,320 --> 01:36:30,400 Speaker 1: and they're like, oh, let me, I can teach you 1602 01:36:30,439 --> 01:36:31,960 Speaker 1: how to do this, and I'm like no, no, no, no, 1603 01:36:32,400 --> 01:36:34,960 Speaker 1: that's it's like, that's like, would you say that to 1604 01:36:35,040 --> 01:36:37,519 Speaker 1: an eight year old with a science kit. You wouldn't like, 1605 01:36:37,640 --> 01:36:43,040 Speaker 1: say you're doing chemistry wrong. Let them explore. Yeah, that's true, 1606 01:36:43,520 --> 01:36:46,080 Speaker 1: that's true. Well, well, okay, okay, okay. I like that. 1607 01:36:46,280 --> 01:36:48,759 Speaker 1: I like gardening as a gardening as a thing you find. 1608 01:36:49,160 --> 01:36:53,160 Speaker 1: You know, Yeah, it doesn't look good, but every now 1609 01:36:53,200 --> 01:36:55,880 Speaker 1: and then I get to I've eaten some of my 1610 01:36:56,000 --> 01:37:00,240 Speaker 1: lettuce so far in basil tomatoes. It really tastes better 1611 01:37:00,560 --> 01:37:04,680 Speaker 1: because because of national effect. Yeah, and some days it 1612 01:37:04,800 --> 01:37:08,040 Speaker 1: was like, you know, dinners all, you got some days 1613 01:37:08,320 --> 01:37:13,559 Speaker 1: dinners all. It's a real culture number forty eight some days. 1614 01:37:13,800 --> 01:37:17,400 Speaker 1: Some days in there, COVID really bummed me out today. 1615 01:37:17,800 --> 01:37:20,880 Speaker 1: So I'm just kind of I'm counting on dinner to 1616 01:37:21,000 --> 01:37:24,479 Speaker 1: make up for don't. I don't. I don't think I'm 1617 01:37:24,520 --> 01:37:27,000 Speaker 1: a little I'm a little bummed all over again. I 1618 01:37:27,160 --> 01:37:30,080 Speaker 1: really I meant. I didn't actually mean today. Oh god, 1619 01:37:31,160 --> 01:37:33,519 Speaker 1: I meant that as like that's when I want dinner. No, No, 1620 01:37:33,680 --> 01:37:36,120 Speaker 1: let's not even think about it. We're okay, We're fine. 1621 01:37:36,120 --> 01:37:38,679 Speaker 1: I'm here in a county and I love my mask. 1622 01:37:39,520 --> 01:37:45,080 Speaker 1: We're gonna keep vaccinating peeps, you know, yeah, right, all right, 1623 01:37:45,280 --> 01:37:49,000 Speaker 1: let's say and on that hopeful note, on that hopeful 1624 01:37:49,080 --> 01:37:52,000 Speaker 1: note as we look to the future. As we look 1625 01:37:52,080 --> 01:38:00,240 Speaker 1: to the future, a vaccinated safe America. Yes, wow, should 1626 01:38:00,280 --> 01:38:03,160 Speaker 1: think of China with what I'm thinking is going to happen. 1627 01:38:03,400 --> 01:38:05,320 Speaker 1: This again is another one of my predictions, as not 1628 01:38:05,479 --> 01:38:08,280 Speaker 1: a consulting producer or even the star producer of the show. 1629 01:38:08,720 --> 01:38:11,000 Speaker 1: I think we're gonna see kristin China with sort of 1630 01:38:11,320 --> 01:38:13,439 Speaker 1: throw off all the dark clothes and she's going to 1631 01:38:13,520 --> 01:38:15,200 Speaker 1: be bright. I think she's going to have a big 1632 01:38:15,560 --> 01:38:19,280 Speaker 1: number where she gives her classic like that whole thing, 1633 01:38:19,320 --> 01:38:24,280 Speaker 1: and I think I think it might happen. I'm shaking 1634 01:38:24,320 --> 01:38:37,519 Speaker 1: my little shoulders. Everything was beautiful ends gilt. You laugh, 1635 01:38:37,560 --> 01:38:40,280 Speaker 1: because it would be good. It would be great. That's 1636 01:38:40,320 --> 01:38:46,760 Speaker 1: a great idea. And as a consulting producer on the show, Yeah, 1637 01:38:47,000 --> 01:38:50,960 Speaker 1: something I think about okay, Well, everyone, please watching an 1638 01:38:50,960 --> 01:38:55,200 Speaker 1: Apple TV Plus and please read the book. This will 1639 01:38:55,240 --> 01:38:59,719 Speaker 1: all be over soon, and come mean us in Great Barrington. 1640 01:38:59,840 --> 01:39:05,120 Speaker 1: My don't chock um meeting the fans. We love me, 1641 01:39:06,760 --> 01:39:11,360 Speaker 1: and and please watch Saturday Night Live when it comes back. 1642 01:39:11,880 --> 01:39:13,840 Speaker 1: Maybe we'll both be on it, maybe one of us 1643 01:39:13,880 --> 01:39:18,240 Speaker 1: will be, maybe neither of us will be. Who we're 1644 01:39:18,240 --> 01:39:21,360 Speaker 1: gonna who knows what the future may hold, but I 1645 01:39:21,560 --> 01:39:27,160 Speaker 1: won't be on it. Everyone, you'll be crying on Vanessa's show. 1646 01:39:27,920 --> 01:39:30,240 Speaker 1: I know. I hope I get it. I'm very excited 1647 01:39:30,400 --> 01:39:33,000 Speaker 1: for it. Yeah, you should ask the writer's room for that. 1648 01:39:33,400 --> 01:39:35,120 Speaker 1: I know when I go into visit the writers, I'll 1649 01:39:35,160 --> 01:39:39,760 Speaker 1: be like, so I really think I should cry when 1650 01:39:39,800 --> 01:39:45,840 Speaker 1: I go in to visit the writer's time on the 1651 01:39:45,880 --> 01:39:49,599 Speaker 1: show kind of going when I stay high. They yes, 1652 01:39:52,920 --> 01:39:56,479 Speaker 1: it's good, you know. Sure, I guess. I guess I'm 1653 01:39:56,520 --> 01:39:59,160 Speaker 1: not invited in there yet, so I guess I don't know, 1654 01:39:59,360 --> 01:40:02,880 Speaker 1: but I would like to come Nassa Jeremy let me 1655 01:40:02,960 --> 01:40:07,960 Speaker 1: know him around anyways. Um, God, damn it. You are 1656 01:40:08,040 --> 01:40:11,320 Speaker 1: the best. And this was literally something that we've waited 1657 01:40:11,400 --> 01:40:13,320 Speaker 1: for for a very long time, and we're so excited 1658 01:40:13,400 --> 01:40:16,920 Speaker 1: for you. The show. The show is so good at 1659 01:40:17,040 --> 01:40:20,200 Speaker 1: plural because you're so great on SNL. As we know 1660 01:40:20,320 --> 01:40:23,920 Speaker 1: Alla John and Shmika. Dune is we love and I 1661 01:40:24,000 --> 01:40:28,200 Speaker 1: Am coming to that fucking um you. We're giving you 1662 01:40:28,280 --> 01:40:32,920 Speaker 1: a copy. Good yes, good yeah good, well this was huge, Bowen. 1663 01:40:33,280 --> 01:40:39,679 Speaker 1: We end every episode with a song Smith good Dune 1664 01:40:39,880 --> 01:40:44,640 Speaker 1: where the sun shines right from July Dune June for 1665 01:40:44,720 --> 01:40:48,599 Speaker 1: the rest of that song. You gotta watch dude, streaming 1666 01:40:48,720 --> 01:40:52,439 Speaker 1: now on Apple TV Plots. Bye Bye,