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Speaker 1: Hello everyone, It's Sam with a quick announcement, and that

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Speaker 1: is that George and I are returning to San Francisco's

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Speaker 1: catch Fest this year and we couldn't be more excited.

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Speaker 1: We're doing two shows this year, So the first one

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Speaker 1: is on January twenty second, and it is a stand

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Speaker 1: up night with George and I split in the bill.

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Speaker 1: And then the second is on January twenty third, and

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Speaker 1: that is a classics Tradio Lab live show with guest segments,

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Speaker 1: et cetera, et cetera. Come to one, come to both.

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Speaker 1: They'll both be wildly different, and we're so excited to

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Speaker 1: be back. We are now obsessed with San Francisco and

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Speaker 1: can't wait to fall in love even harder. Tickets are

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Speaker 1: in our bio and hope to see there. Okay, bye,

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Speaker 1: podcast starts now. This is George Savers, co host of

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Speaker 1: Stradio Lab, and my debut comedy special is now officially

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Speaker 1: out on all platforms. It is called George Severs A

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Speaker 1: Sense of Urgency. It was filmed in New York City

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Speaker 1: and you can watch it now on Amazon, Prime Video,

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Speaker 1: Apple TV, YouTube, Google Play, Vimeo, literally anywhere you can

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Speaker 1: rent or buy movies, and you can also listen to

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Speaker 1: the album on Spotify, Apple Music, Amazon Music and title.

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Speaker 1: It would mean so much to me if you watched

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Speaker 1: it or if you listen to it. If you're a

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Speaker 1: listener of this podcast, I hope you love it. Please

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Speaker 1: rent it, by it, post about it, tag me. It

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Speaker 1: all makes a huge difference in this amazing media environment

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Speaker 1: we find ourselves in. And I just want to say

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Speaker 1: thank you for listening to this podcast over the years.

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Speaker 1: It is the only reason I was able to record

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Speaker 1: a special in the first place. And your support means

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Speaker 1: the world and I love you. Enjoy the app. Podcast

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Speaker 1: starts now.

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Speaker 2: Wow, what is up?

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Speaker 1: We are coming at you from Los Angeles, California.

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Speaker 2: I'm feeling amazing. I just did a little off your

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Speaker 2: run made us ten minutes later to Oro and recording.

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Speaker 2: It was completely my fault. I got a yogurt parfe

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Speaker 2: and then ate it on the spot, and how would

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Speaker 2: you say, thirty seconds.

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Speaker 1: Thirty seconds, you spilled a little on your shirt, on

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Speaker 1: your pants. I went and grabbed napkins.

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Speaker 2: I was like, I was disgusting. I was kind of

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Speaker 2: being like a character in the Other two who's like

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Speaker 2: an agent eating yogurt.

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Speaker 1: I mean, you were reading a text, a long text

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Speaker 1: on my phone. Your text was getting some your phone

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Speaker 1: was getting some textead.

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Speaker 2: I had two phones that each had text on them.

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Speaker 2: I was trying to read them while eating a yogurt

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Speaker 2: parfe in the intelligentsia in Hollywood, in Hollywood, as I

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Speaker 2: was running late to my own podcast.

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Speaker 1: Well, what's really dark about it, I must say, is

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Speaker 1: like you you think it's how sad that you were

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Speaker 1: an agent and the other two. Meanwhile, that makes me

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Speaker 1: the agent's assistant. I'm literally just sort of like wandering

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Speaker 1: around following getting napkins. Because getting napkins, I'm like making

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Speaker 1: sure you read the message on my phone. Yeah, and

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Speaker 1: you read it and you like put it in your pocket,

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Speaker 1: and I'm like, that's fine, it's your phone now. Like

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Speaker 1: I was literally powerless and you were taking up space.

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Speaker 2: I was taking up a lot of space. And you, actually,

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Speaker 2: I have to say, you embodied the role of the

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Speaker 2: assistant very fast. It like you didn't even resist thank

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Speaker 2: you for bringing And then I was even like, okay,

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Speaker 2: so that's Sam's role, Like I'll wait for him to

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Speaker 2: get me a napkin. I don't even know if I

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Speaker 2: said thank.

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Speaker 1: You, no, you didn't. But one thing that one time

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Speaker 1: I was in college, I was a caterer and it

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Speaker 1: would be hard because I would take on the role

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Speaker 1: of cater so intensely that then I would come home

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Speaker 1: and be disrespected by my peers because I was like, well,

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Speaker 1: I'm in a place to be disrespected now. And even

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Speaker 1: when a one time in college then I played a

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Speaker 1: like a waiter in a short or something, and you know,

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Speaker 1: it's everyone is your friend, like, but you're their waiter.

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Speaker 1: You're literally their waiter.

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Speaker 2: You're having a trauma response.

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Speaker 1: And I was literally like, I'm a waiter, like and

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Speaker 1: it was like, I was like, I'm never doing this

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Speaker 1: again because when I play waiter, i am waiter and

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Speaker 1: I can't. I assume the role too hard to allow

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Speaker 1: myself to do it.

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Speaker 2: It's almost like doing some sort of role play sexually

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Speaker 2: that is to relate it to your past or something,

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Speaker 2: and then suddenly you start having trauma flashbacks. Yeah, like,

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Speaker 2: and I do feel like anytime I have to be

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Speaker 2: in kind of a service oriented submissive role, I'm like,

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Speaker 2: this is too real for me. Like I have to

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Speaker 2: I have to yell at someone in the next two hours,

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Speaker 2: otherwise I will never be able to leave the prison

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Speaker 2: that is being a waiter.

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Speaker 1: It's really tough, and some people, some people can, like

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Speaker 1: you know, they can power bottom being a waiter.

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Speaker 2: Yes, no, this is so true.

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Speaker 1: I can't. When I am a waiter, I'm being fucked

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Speaker 1: and not in not in an amazing way. Yeah way,

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Speaker 1: it's just like okay, baby, like finish up. No exactly,

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Speaker 1: it's very much like okay, it's our anniversary, so you know,

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Speaker 1: I have to let him do what he wants to do.

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Speaker 1: It's grown horn the once a year that I allow it,

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Speaker 1: and then after that I can finally fucking watch Hunting Wives. Literally,

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Speaker 1: So that was complicated for me, But I did feel

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Speaker 1: like it was nice to show you the intelligencia that

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Speaker 1: I spent so much time at.

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Speaker 2: Yeah, and that way you were power bottoming, and that

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Speaker 2: you were taking me to a coffee shop I didn't

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Speaker 2: know about.

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Speaker 1: It's a beautiful, niche coffee shop, the Intelligentzia in Hollywood, Cali.

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Speaker 2: Well, I just want to say, I know I was

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Speaker 2: being very yogurt in two phones, but now we are

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Speaker 2: past that, and that scene. That kink scene is over.

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Speaker 1: The kink scene is over.

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Speaker 2: The kink scene and now we're on equal footing. We're

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Speaker 2: on equal footing, and you no longer have to be

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Speaker 2: waiter for me, were assistant.

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Speaker 1: Okay, I want to talk about I almost wan't to

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Speaker 1: talk about yesterday trying to have a meeting.

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Speaker 2: Oh I almost at the event, I was like, I

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Speaker 2: can't really go to that right now.

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Speaker 1: I kind of want talk about we trying to have

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Speaker 1: one single meeting for potentially one hour in the Silver

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Speaker 1: Lake Tarteine and the Silver Lake Tartine shout out.

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Speaker 2: Two different gay guys when you walked in within approximately

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Speaker 2: forty five seconds.

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Speaker 1: And two different gay guys that actually we wanted to

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Speaker 1: talk to correct and it was sort of this complicated

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Speaker 1: Can you.

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Speaker 2: Imagine two gay guys you want to talk to? I

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Speaker 2: kind of like, oh, who are they? Peter Kelly and

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Speaker 2: Ryan O'Connell and the gay guy. I don't I'm not

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Speaker 2: even gonna be that because it's we're complimenting them, saying

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Speaker 2: those are good gig.

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Speaker 3: Guys considering the neighborhood that you were in.

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Speaker 2: Yeah, it could be much you guys.

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Speaker 1: Yeah, but then it's complicated because it's like we had

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Speaker 1: to put up a boundary and be like so basically

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Speaker 1: we have to work, but because we're both weak, we

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Speaker 1: actually couldn't put up a bet week and we were

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Speaker 1: just like, how about we all have lunch?

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Speaker 2: No we oh wow. Well, in fact, what happened was

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Speaker 2: here's what happened. Ryan walked in and we were like,

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Speaker 2: we're about to have a meeting. Ryan is like totally heard,

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Speaker 2: like I'm gonna be on my laptop. But then Peter

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Speaker 2: happened to be on the table next to us, and

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Speaker 2: we were like, just join us then, So then this

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Speaker 2: situation happened where Ryan was on his laptop alone seeing

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Speaker 2: us after telling him we can't hang out with him,

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Speaker 2: have lunch with Peter and just being like cool.

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Speaker 1: So they were lying, so they were.

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Speaker 2: Fully lying and they're gapping, they're gabbing with Peter where

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Speaker 2: they were like talking shop like gabbing like what are

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Speaker 2: you working on? Like who's attached? And Ryan is like

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Speaker 2: what the fuck?

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Speaker 1: Well, and Ryan of course retaliated.

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Speaker 2: Ryan retaliated by taking.

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Speaker 1: A phone call that took I would say, one hour.

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Speaker 2: Yeah, no, he was he sold a show.

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Speaker 1: He was selling a show, and he was negotiating contract

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Speaker 1: live on the phone.

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Speaker 2: So he then left his laptop and by the way, please.

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Speaker 3: I'm sorry, sorry, this is just too and.

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Speaker 2: So he left his laptop inside the coffee shop slash

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Speaker 2: fast casual restaurant. By the way, they need to figure

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Speaker 2: out what they're doing with their chicken over there, because

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Speaker 2: it was rubbery.

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Speaker 1: AF This is a call M.

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Speaker 3: You know, I haven't like I have a lot of

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Speaker 3: things to say about Tartine. I will just say this

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Speaker 3: bread amazing, period period pastries amazing. Are there stuff? Question?

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Speaker 2: Yeah, let's get back in that work room. Let's let's

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Speaker 2: get in the love.

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Speaker 3: Depend in the pad trying to get this damn label off.

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Speaker 3: You know what I'm saying.

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Speaker 2: Yeah, let's put those goggles on and put your phone

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Speaker 2: away silent mode, do not disturb. It's time to do

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Speaker 2: one more pass. Set a timer for a half hour.

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Speaker 2: I can look Amadora method. Yes, twenty five minutes. Let's

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Speaker 2: try to make that chicken taste a little bit less rubbery.

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Speaker 3: I want you guys to know that the lyric that

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Speaker 3: I did quote was from a Doctor dre and Eminem song,

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Speaker 3: which is very straight. So I just wanted to say,

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Speaker 3: you said you need to get back in the lab,

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Speaker 3: and I said, with a penanent pad trying to get

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Speaker 3: this damn label off that I'm still dre Yes.

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Speaker 1: Yes, wow, I had no idea.

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Speaker 2: It is true, and I say this respectfully. It is

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Speaker 2: true that doctor Drey and Eminem as a duo or

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Speaker 2: one of the straightest sets of coworkers.

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Speaker 3: One of the straightest.

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Speaker 2: I mean, honestly they were.

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Speaker 3: You guys are kind of the Doctor Drey and Eminem.

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Speaker 3: Uh yeah, and who is who? Is really the question?

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Speaker 2: Well, now we're getting back into top and bottom because

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Speaker 2: doctor Dray is in charge and we can't.

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Speaker 3: I want to say this really quickly to what you

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Speaker 3: were talking about up top.

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Speaker 2: Yeah, because I should have just.

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Speaker 3: Nudged my way in anyway. I want you to know.

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Speaker 3: Sam also played my assistant and loss of Spookies, we.

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Speaker 1: Need to talk about this. And there were times when

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Speaker 1: I would get too lost in the role and I'm

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Speaker 1: an assistant. I literally am a worker here and I'm

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Speaker 1: the assistant.

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Speaker 2: Were getting were you getting lost in the role and

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Speaker 2: ordering him around?

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Speaker 3: Well, I'm always doing that. It is she lost in

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Speaker 3: a role or is she just living her life?

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Speaker 1: Yeah? No, I was feeling there were days where I

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Speaker 1: would be like, Damn, I'm an assistant.

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Speaker 3: You are a subservient little piggy.

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Speaker 2: Yes, yes, for you to show up in pinstripe, I would.

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Speaker 2: I'm assuming the row trousers and then off the shoulder

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Speaker 2: cashmere sweater, go on my office ready. Kind of loafers

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Speaker 2: with a ballet twist.

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Speaker 3: Belgians.

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Speaker 2: Belgians is what they're called. Yes, Okay, so I never

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Speaker 2: knew the name Belgians and Belgians. Now specifically the this

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Speaker 2: like triangle shape or the bow.

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Speaker 3: Well, it's specifically this shoe. So this is an iconic loafer.

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Speaker 3: And they only have one actual location, and it's in

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Speaker 3: New York City and it's on.

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Speaker 2: What's the brand Belgian shoes. Oh, literally, it's called Belgian.

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Speaker 3: Literally, it's called Belgian shoes. And they only have one location,

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Speaker 3: and you have to go and get specifically measured, like

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Speaker 3: your foot needs to get measured. And then the amazing

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Speaker 3: thing about these loafers are the most comfortable.

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Speaker 1: What's the amazing thing about? Amazing?

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Speaker 3: So you buy them and then let's.

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Speaker 2: Start there the straight face lifetime guarantee.

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Speaker 3: You buy them, and then you have to wear them

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Speaker 3: for twenty four hours, like not straight like you need

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Speaker 3: to walk in them for twenty four hours. Let's break

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Speaker 3: them in and the thing is they don't have soles

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Speaker 3: on them when you first get them. They just have

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Speaker 3: a leather bottom. So you walk around so that your

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Speaker 3: foot imprints gorgeously into the shoe, and then you take

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Speaker 3: them to your cobbler or back to the store, and

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Speaker 3: then they put the rubber sole on after. But that's

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Speaker 3: after twenty four hours of wear.

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Speaker 2: Ever heard of all? You're making this up? When you're

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Speaker 2: where you're wearing them pre sole. Yeah, you're just kind

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Speaker 2: of feeling the rocks on your feet.

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Speaker 3: No, No, you're not really. It's like it's it's like this,

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Speaker 3: do you see the rocks?

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Speaker 2: You can you see this.

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Speaker 3: Part of the soul? This part you're just you're walking

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Speaker 3: on like a soul. They just don't have. It's just

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Speaker 3: leather eyes, so there's no And they do that so

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Speaker 3: that your foot can cush down on that and sort

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Speaker 3: of make it the most comfortable shoe on the most

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Speaker 3: of you, Yes, the most shoes you exactly.

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Speaker 2: So then when you're walking into that boardroom wearing your

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Speaker 2: pin stripe with the rope hairs exactly, people are saying, oh,

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Speaker 2: she watched twenty four full hours in that shree before

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Speaker 2: I got it, so was She's dedicated, dedicated.

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Speaker 3: She is not backing down from a challenge.

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Speaker 1: You know what it's like when you get a crown

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Speaker 1: and they give you like a temporary one to like

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Speaker 1: let you work it out a bit, Yeah, and then

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Speaker 1: you come in and get the real one exactly.

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Speaker 3: Yes, And you know, I want you to know, my

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Speaker 3: mind went to jewelry for the head, and then I

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Speaker 3: realized you're talking about.

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Speaker 1: Tea, talk about teeth.

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Speaker 2: Yeah, what you're saying when you get your crown fitted

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Speaker 2: and Greta's like.

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Speaker 1: Uh huh, okay, I remember my first crown.

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Speaker 2: For th Yes, you have to wear it for twenty

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Speaker 2: four hours first and then they put all the emeralds in.

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Speaker 3: Yeah, okay, great. Yeah mine was a little tight at first.

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Speaker 1: Yeah, you think really stretched out and you wouldn't think

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Speaker 1: it would because it's gold.

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Speaker 3: But gold is actually a bit more, but.

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Speaker 1: It's pretty malleable.

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Speaker 2: All the cheap stuff is really rich, yes, but you

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Speaker 2: have to get the one that can like fait.

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Speaker 1: Your head quality quality?

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Speaker 2: Does bound? Do you feel like crowns like we've run

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Speaker 2: out of trends so much that it could be that

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Speaker 2: just crowns become a trend and you see people walk

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Speaker 2: around just wearing like old fashioned, like burger king, like crowns.

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Speaker 3: I mean, I personally would love that.

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Speaker 2: That would be sort of fun.

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Speaker 3: I think that that's a return to a return to wonder,

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Speaker 3: a return to let's let us dare to dream. You know, we.

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Speaker 1: Are already like returning to feudalism, so it makes a

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Speaker 1: lot of sense. Yeah, I even think.

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Speaker 2: So.

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Speaker 1: I don't know how much time you spent on TikTok,

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Speaker 1: but I thought, did you ever get into like fashion

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Speaker 1: trends and like, see, like this is what's kind into fashion,

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Speaker 1: like specifically TikTok predictions, which are insane.

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Speaker 3: What are they saying?

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Speaker 1: Well, they're like this spring, it's going to be all

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Speaker 1: about little sailor hats, like trust I have seen. I've

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Speaker 1: been to fashion Week. I was at Milan and kept

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Speaker 1: saying little little sailor hats. So you're a lot of

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Speaker 1: little sailor hats and it's like, I see what you mean.

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Speaker 1: But that's also not gonna happen.

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Speaker 2: Well, I mean with nautical it's complicated because they've been

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Speaker 2: trying to make it happen for decades.

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Speaker 3: I know, they really are trying to make fuch happen,

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Speaker 3: and it has in many ways, like I feel like

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Speaker 3: I don't know. I feel like Body, for example, has

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Speaker 3: done a lot of good nautical work. I think Chanelle

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Speaker 3: historically has done a lot of good nautical.

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Speaker 2: Appears into clown quickly.

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Speaker 3: Yes, I think Ralph Lauren, I would say, is like

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Speaker 3: nautical light.

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Speaker 2: Like nautical stripes. Yeah, kind of a very shapeless sweater

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Speaker 2: with nautical stripes, yeah, paired with the gene.

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Speaker 3: Yeah, and like you know, maybe like a little A

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Speaker 3: pair of Belgians, White Belgians exactly become another.

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Speaker 2: Colors.

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Speaker 1: Do they come from masculine, mascular men like us?

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Speaker 2: Yes, I do.

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Speaker 3: I can't wait to I'm going to take both of

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Speaker 3: you guys, And.

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Speaker 2: I actually have a thousand dollars that's in burning a

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Speaker 2: hole in my pocket.

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Speaker 3: Well, I can't wait when I show you. I have

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Speaker 3: three pairs right now, looking to buy my fourth. When

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Speaker 3: I show you the wonder of colors and combos and

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Speaker 3: materials they have, are going to cream your pants.

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Speaker 2: You know, when I was growing up, I thought the

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Speaker 2: most expensive shoe one could have was Todds. Are they

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Speaker 2: flop now? And everyone's going Belgians.

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Speaker 3: I never heard of one, Yes you have, I've.

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Speaker 1: Heard of Tom's.

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Speaker 3: Todds a uva. You've seen Todds TODs Okay, when we

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Speaker 3: were like in high school, do you remember those loafers

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00:14:57,720 --> 00:15:01,520
Speaker 3: that had the like the like rub souls that were dots.

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Speaker 2: Imagine instead of a soul, it's just black dots. I'll

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00:15:04,680 --> 00:15:04,960
Speaker 2: show you.

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Speaker 1: Oh god, oh sure, sure, sure A driving moccasin exactly.

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Speaker 3: Oh, a driving moccasin. That's gorgeous. Yes, Okay, I want

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Speaker 3: to say this, and this is me trend forecasting, and I.

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Speaker 2: Do think you haven't done some good trend forecasting in

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Speaker 2: a while. Get the ball rolling, I believe. I don't

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Speaker 2: think Todd's actually went anywhere in terms of.

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Speaker 3: Being in or out. I think it just fell dormant.

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Speaker 2: Okay, but do you think if dormant in our community,

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Speaker 2: but do you think like in the Upper east Side

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Speaker 2: or in Beverly Hill or like yeah, like in the

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Speaker 2: Upper east Side, it ever left.

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Speaker 3: No, no, no. I think Todds for men and women

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Speaker 3: over the age of sixty, has remained a staple in

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Speaker 3: their lives, just like BALI a brand that we would

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Speaker 3: never have but like, but that is an up exactly.

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Speaker 3: So I think Todd's what we're going to see and

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00:16:07,760 --> 00:16:10,920
Speaker 3: I think the gen the gen Zetters.

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Speaker 2: Are Oh she's British.

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Speaker 3: Yes, absolutely are going to interest there. Like I would

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Speaker 3: not be surprised if springtime I see a girllipop walking

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Speaker 3: around in a baby pink Todd with that driving moccasin.

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Speaker 3: You know what I mean, because the moccasin has made

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Speaker 3: a comeback. We see you and you doing it. We

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00:16:32,960 --> 00:16:35,600
Speaker 3: see a bunch of different brands doing it. I'm seeing

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Speaker 3: something I never thought would happened again, people wearing Minnetonka

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Speaker 3: moccasins again.

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Speaker 2: Okay, so you're saying they're going to return to Todd's

363
00:16:43,320 --> 00:16:44,800
Speaker 2: in the way that it's like it's like a dress

364
00:16:44,880 --> 00:16:47,680
Speaker 2: first came back semi ironically, and now people are back

365
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Speaker 2: to being like, no, no vintage J Crurollnick sweater.

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Speaker 3: Correct, Yeah, correct norm core. Everyone's like, oh hahaha norm core.

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Speaker 3: And then everyone was like, oh wait, new balances.

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Speaker 1: That's literally what we're just wearing.

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00:17:00,680 --> 00:17:03,080
Speaker 3: Yeah, and that's it, and it's no longer norm core.

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00:17:03,120 --> 00:17:06,480
Speaker 3: It's just normal. Yeah, it's just clothing.

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Speaker 2: I see. So so it's it's all that the arc

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00:17:09,720 --> 00:17:11,040
Speaker 2: of justice leads to Todds.

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Speaker 3: Yes, And I think that Todds are going to have

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Speaker 3: a moment sooner rather than later. I could see it

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Speaker 3: where everyone's like, oh, we got to get the driving moccasin. Maybe. Honestly,

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Speaker 3: I'm gonna buy a pair.

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00:17:24,960 --> 00:17:25,360
Speaker 2: Period.

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00:17:25,800 --> 00:17:26,359
Speaker 3: I'm sorry.

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Speaker 1: I mean.

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Speaker 3: I want to buy like a disgusting color.

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Speaker 2: I want to buy like lavender.

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00:17:32,400 --> 00:17:40,720
Speaker 3: Yes, exactly, exactly, a lavender todd Undersuede Todds will that

383
00:17:40,840 --> 00:17:43,160
Speaker 3: will cure my depression?

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00:17:43,320 --> 00:17:47,320
Speaker 2: You need a coprete with that worse white white capri worse?

385
00:17:47,960 --> 00:17:52,320
Speaker 1: I have something? Do you ever like? I wish so

386
00:17:52,520 --> 00:17:58,960
Speaker 1: badly that my like style could just not want to

387
00:17:58,960 --> 00:18:01,280
Speaker 1: be preppy thing I ever do. It's like when I

388
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Speaker 1: try to get edge even slightly, I'm like, and let's

389
00:18:03,480 --> 00:18:04,360
Speaker 1: add a like.

390
00:18:04,600 --> 00:18:05,360
Speaker 2: Twist boat shoe.

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00:18:05,480 --> 00:18:08,320
Speaker 1: Yeah literally, and I can't not try to be like

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00:18:08,400 --> 00:18:11,040
Speaker 1: a little preppy. And it's like stop it, stop it.

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Speaker 3: The thing though, for you and I feel the same

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00:18:14,119 --> 00:18:19,040
Speaker 3: way about myself because we are from similar We've had

395
00:18:19,080 --> 00:18:25,199
Speaker 3: similar experiences growing up in similar places. The preppiness. We

396
00:18:25,280 --> 00:18:26,640
Speaker 3: can't avoid it.

397
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Speaker 1: It's like the it's like the base level.

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00:18:29,200 --> 00:18:32,439
Speaker 3: It's our plague. Yeah, you know, and I think that

399
00:18:34,040 --> 00:18:37,800
Speaker 3: you can't run, you can't run, you can't hide. Yeah,

400
00:18:37,960 --> 00:18:41,640
Speaker 3: here's the thing. You look really cute and a button down.

401
00:18:41,840 --> 00:18:42,320
Speaker 1: It's true.

402
00:18:42,560 --> 00:18:46,280
Speaker 3: Your your butt looks great in a Chino. You look

403
00:18:46,400 --> 00:18:47,440
Speaker 3: amazing in a Wallaby.

404
00:18:47,720 --> 00:18:48,080
Speaker 1: Thank you.

405
00:18:48,200 --> 00:18:50,159
Speaker 3: You know what I'm saying. And it's like, let's not

406
00:18:50,680 --> 00:18:53,720
Speaker 3: reinvent the wheel. I don't need to see you in

407
00:18:53,760 --> 00:18:54,240
Speaker 3: a Djanko.

408
00:18:55,320 --> 00:18:59,840
Speaker 2: Everyone's told me basically that, like, everyone has an arc

409
00:19:00,119 --> 00:19:03,640
Speaker 2: type that they are most tied to, and your fashion

410
00:19:03,760 --> 00:19:06,359
Speaker 2: is like your commentary on that archetype, you know what

411
00:19:06,400 --> 00:19:09,480
Speaker 2: I mean. Like, you can't actually reinvent the wheel. All

412
00:19:09,520 --> 00:19:12,160
Speaker 2: you can do is be like, wouldn't it be interesting

413
00:19:12,560 --> 00:19:19,119
Speaker 2: if a you know, assigned preppy at birth person or Supreme? Yes,

414
00:19:19,359 --> 00:19:21,439
Speaker 2: Like that's what if? If Sam is in head to

415
00:19:21,440 --> 00:19:26,040
Speaker 2: toe Supreme, that's not the same as bonie Vera being

416
00:19:26,280 --> 00:19:29,879
Speaker 2: in head to toe Supreme. Correct, Sam is doing Okay,

417
00:19:29,960 --> 00:19:33,760
Speaker 2: so I'm Preppy and wearing Supreme, and that's that bonie

418
00:19:33,800 --> 00:19:36,080
Speaker 2: Vera is doing. I'm Man of the Woods wearing Supreme

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00:19:36,200 --> 00:19:37,679
Speaker 2: and aging father and that's that.

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00:19:37,920 --> 00:19:43,760
Speaker 3: Yes, But you know what's interesting about about Supreme and

421
00:19:43,840 --> 00:19:46,040
Speaker 3: brands like Supreme and Noah and things of that sort,

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00:19:46,200 --> 00:19:48,760
Speaker 3: especially Noah that is rooted in.

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00:19:48,960 --> 00:19:51,480
Speaker 2: That's true, is a bad example, because it literally is

424
00:19:51,560 --> 00:19:58,840
Speaker 2: rooted in Yes, but it's like Sam war Hood by air. Sure, yeah,

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00:19:59,000 --> 00:20:02,480
Speaker 2: it would be like okay, so crappy guys wearing by air.

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00:20:02,760 --> 00:20:04,359
Speaker 3: Or like if you were to come to me and

427
00:20:04,400 --> 00:20:08,040
Speaker 3: like headge tobrac Owens, I would be like, you know,

428
00:20:08,160 --> 00:20:10,240
Speaker 3: I'd be like, we're we're doing it.

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00:20:11,320 --> 00:20:11,720
Speaker 1: You know.

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00:20:11,840 --> 00:20:13,480
Speaker 2: My dream is to be one of those people that

431
00:20:13,520 --> 00:20:16,240
Speaker 2: wears like all like Yogi Coma Garson.

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00:20:16,840 --> 00:20:21,640
Speaker 3: But that is you because you, to me, your essence,

433
00:20:22,000 --> 00:20:27,639
Speaker 3: like the George essence you are giving hyper intellectual European. Yeah,

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00:20:27,680 --> 00:20:29,919
Speaker 3: and that is that is what you are, and that

435
00:20:30,119 --> 00:20:36,120
Speaker 3: is how you are dressed. This is how a very successful, gorgeous,

436
00:20:36,280 --> 00:20:38,200
Speaker 3: smart European man dresses.

437
00:20:38,840 --> 00:20:43,120
Speaker 2: And your and your archetype you're assigned at birth is like.

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00:20:44,680 --> 00:20:48,600
Speaker 1: Stepsister, well no, it's fully evil stepmother liked.

439
00:20:48,760 --> 00:20:51,080
Speaker 2: I don't want to aid you up and say stepmother, honey.

440
00:20:51,080 --> 00:20:54,320
Speaker 3: Mothers can come in any age and stepmothers there are

441
00:20:54,320 --> 00:20:55,440
Speaker 3: mothers that are fifteen.

442
00:20:55,960 --> 00:20:56,879
Speaker 2: It's very true.

443
00:20:57,200 --> 00:21:01,200
Speaker 3: You knows TV show, We actually.

444
00:21:00,960 --> 00:21:04,680
Speaker 1: Need to stop assuming mothers are old can be fifteen.

445
00:21:05,280 --> 00:21:06,880
Speaker 1: In fact, maybe maybe they all are.

446
00:21:07,640 --> 00:21:13,080
Speaker 3: Yeah that's it. Oh wow, yeah.

447
00:21:11,920 --> 00:21:14,480
Speaker 1: It's have you ever tried to like really break out

448
00:21:14,520 --> 00:21:17,479
Speaker 1: of your norms and be like, you know, today I'm

449
00:21:17,600 --> 00:21:18,879
Speaker 1: full Rick Owens or something.

450
00:21:19,200 --> 00:21:20,960
Speaker 2: Oh you would you could do Ricco.

451
00:21:21,160 --> 00:21:24,719
Speaker 3: Yeah, I think because I think that I like, I

452
00:21:24,760 --> 00:21:26,800
Speaker 3: think that I'm like the ven diagram of the two

453
00:21:26,840 --> 00:21:28,840
Speaker 3: of you. I think I am like I think I

454
00:21:28,960 --> 00:21:30,040
Speaker 3: meet in the middle.

455
00:21:30,000 --> 00:21:34,120
Speaker 2: Half preppy, yeah, half European until your words European until

456
00:21:34,119 --> 00:21:35,600
Speaker 2: I correct.

457
00:21:36,600 --> 00:21:39,399
Speaker 3: I think like I can do a Rick Owens moment.

458
00:21:40,600 --> 00:21:42,800
Speaker 3: But I think, yeah, I mean, I definitely have tried

459
00:21:42,840 --> 00:21:45,040
Speaker 3: to like experiment with like my look.

460
00:21:45,160 --> 00:21:47,960
Speaker 2: But don't you think you're also Carolyn Bessett Quiet Luxury,

461
00:21:48,640 --> 00:21:50,600
Speaker 2: uh Tribeca in nineteen ninety eight.

462
00:21:51,080 --> 00:21:54,320
Speaker 3: I do. But my one pushback to that is and

463
00:21:54,400 --> 00:21:57,000
Speaker 3: I do, and I obviously eat. That's the highest compliment

464
00:21:57,000 --> 00:22:00,960
Speaker 3: one can achieve because she's so chic. The older I get,

465
00:22:01,280 --> 00:22:05,240
Speaker 3: the more I also do like color and pattern and fun.

466
00:22:05,520 --> 00:22:08,000
Speaker 2: Like I was wearing full gray, full gray in the

467
00:22:08,040 --> 00:22:12,320
Speaker 2: Black Belgians. Fullis jewelry.

468
00:22:12,440 --> 00:22:20,639
Speaker 3: I have poncho and and a navy purse.

469
00:22:23,080 --> 00:22:26,000
Speaker 1: There's in that navy.

470
00:22:26,280 --> 00:22:30,399
Speaker 3: I just want to say.

471
00:22:30,080 --> 00:22:35,159
Speaker 1: God, I love a pop of color like olive.

472
00:22:35,160 --> 00:22:37,880
Speaker 2: It's so exciting because all gray outfit with.

473
00:22:40,200 --> 00:22:43,159
Speaker 3: No, I guess yes, but I do sometimes like to

474
00:22:43,160 --> 00:22:47,720
Speaker 3: be funky town, like sometimes I it's Sam's wedding. For example,

475
00:22:47,760 --> 00:22:51,159
Speaker 3: I was in like a colorful dress, a fringe, and

476
00:22:51,200 --> 00:22:59,080
Speaker 3: I was wearing like pink pumps, yeah, wed lavender, lavender Todds.

477
00:22:59,160 --> 00:23:05,399
Speaker 3: Of course, I was wearing my gray caprice. Yeah, my

478
00:23:05,640 --> 00:23:07,080
Speaker 3: beige shawl.

479
00:23:07,800 --> 00:23:10,600
Speaker 2: Canary yellow exactly.

480
00:23:11,280 --> 00:23:13,520
Speaker 3: Actually, it's funny that you say that, because I have

481
00:23:13,760 --> 00:23:18,560
Speaker 3: been hunting what a yellow lacasse a canary yellow birbery

482
00:23:18,800 --> 00:23:20,800
Speaker 3: quilted jacket.

483
00:23:20,960 --> 00:23:22,320
Speaker 2: You remember that.

484
00:23:21,720 --> 00:23:25,320
Speaker 3: I'm going to tell you this Carrie Bradshaw wears one

485
00:23:25,600 --> 00:23:29,439
Speaker 3: season three, season three or four, She's in some chaotic outfit,

486
00:23:29,760 --> 00:23:35,679
Speaker 3: you know. Asking about style in interventions iterations, there have

487
00:23:35,760 --> 00:23:40,080
Speaker 3: been moments like as I've gotten older, where i can

488
00:23:40,400 --> 00:23:42,920
Speaker 3: be watching sex in the city and then I'll notice

489
00:23:43,240 --> 00:23:47,760
Speaker 3: I'm wearing socks and pumps and like a mini short

490
00:23:47,920 --> 00:23:50,800
Speaker 3: and like a fucking crazy top, and I'm like, what

491
00:23:51,040 --> 00:23:56,680
Speaker 3: is this? I think I'm Carrie Bradshaw. Sometimes I can

492
00:23:56,720 --> 00:23:58,760
Speaker 3: do that, and then when I do that, like like

493
00:23:58,840 --> 00:24:03,639
Speaker 3: the other day, I showed up to dinner with Mitra

494
00:24:03,760 --> 00:24:07,920
Speaker 3: and I was wearing like like rumpled down socks with

495
00:24:07,960 --> 00:24:13,600
Speaker 3: like metallic pink heels and like black capris and then

496
00:24:13,720 --> 00:24:16,359
Speaker 3: like a and I'm just like what is it? And

497
00:24:16,400 --> 00:24:19,040
Speaker 3: I truly was like, I'm so sorry. I was watching

498
00:24:19,080 --> 00:24:21,120
Speaker 3: Sex in the City as I was getting to come here.

499
00:24:21,200 --> 00:24:22,480
Speaker 2: You know what it is with you, You never know

500
00:24:22,520 --> 00:24:26,560
Speaker 2: if you're gonna get Carrie where it's JP there you go, yeah,

501
00:24:29,960 --> 00:24:31,359
Speaker 2: saying which Greta is gonna come.

502
00:24:31,280 --> 00:24:32,320
Speaker 3: Which cred is gonna come?

503
00:24:32,840 --> 00:24:35,080
Speaker 1: Wow? Yeah, that's really scary.

504
00:24:35,160 --> 00:24:37,160
Speaker 3: But you know what I also think is scary now.

505
00:24:37,320 --> 00:24:41,239
Speaker 3: And I was just thinking about Club Comic and like

506
00:24:41,760 --> 00:24:46,359
Speaker 3: at the time it's like, yeah, Sam's iconic solo show

507
00:24:47,200 --> 00:24:51,880
Speaker 3: and it's like bondage, leather harnesses whatever. To me, all

508
00:24:51,960 --> 00:24:54,760
Speaker 3: of that is now so mainstream.

509
00:24:54,920 --> 00:24:57,040
Speaker 1: It's it's really.

510
00:24:57,080 --> 00:25:00,600
Speaker 3: Wearing a leather harness. Like you could show up to

511
00:25:00,720 --> 00:25:06,240
Speaker 3: a meeting at fucking Kaiser Permanente and in a leather harness.

512
00:25:05,920 --> 00:25:07,440
Speaker 1: And respect you.

513
00:25:07,520 --> 00:25:10,359
Speaker 3: They would like you could go to your finance job

514
00:25:10,760 --> 00:25:12,800
Speaker 3: and like a tasteful leather harness.

515
00:25:13,240 --> 00:25:16,160
Speaker 1: Well, there was like there's a Taylor Swift picture where

516
00:25:16,160 --> 00:25:18,240
Speaker 1: she's like wearing like the futurest female shirt.

517
00:25:18,359 --> 00:25:21,320
Speaker 2: No, she's wearing a this is my fight song T

518
00:25:21,400 --> 00:25:26,560
Speaker 2: shirt and she's wearing a harness in wrong side? What's

519
00:25:26,600 --> 00:25:30,320
Speaker 2: it called? Like backwards backwards? Thank you?

520
00:25:30,520 --> 00:25:41,880
Speaker 3: There was then sorry that European she was wrong backwardswards?

521
00:25:43,840 --> 00:25:47,880
Speaker 1: Uh no, the harness. The harness had like a two

522
00:25:47,920 --> 00:25:50,439
Speaker 1: year period where it was actually a g yes, because

523
00:25:50,520 --> 00:25:53,000
Speaker 1: but before that it was like just sex. And then

524
00:25:53,040 --> 00:25:55,000
Speaker 1: it was like whoa, it's crazy to wear this out

525
00:25:55,000 --> 00:25:57,840
Speaker 1: in public. And then it was like okay, now it's

526
00:25:58,040 --> 00:25:59,280
Speaker 1: tilly chilam, it's that target.

527
00:25:59,320 --> 00:26:01,439
Speaker 2: Can I actually say something about the harness? I think,

528
00:26:01,920 --> 00:26:08,119
Speaker 2: like cultural historians will uh pinpointed as like when we

529
00:26:08,280 --> 00:26:12,520
Speaker 2: moved from slower trends to tiktokified faster trends. I think

530
00:26:12,600 --> 00:26:16,879
Speaker 2: the speed with which the harness went from subcultures to

531
00:26:16,920 --> 00:26:20,200
Speaker 2: Timothy shallow mate to literally like lame, Like now you look,

532
00:26:20,480 --> 00:26:23,000
Speaker 2: if you were to wear harness now on a red carpet,

533
00:26:23,040 --> 00:26:25,720
Speaker 2: it would be so two thousand and late, like it's

534
00:26:25,800 --> 00:26:27,440
Speaker 2: no longer cool and it's only been like a couple

535
00:26:27,440 --> 00:26:30,560
Speaker 2: of years. I really think that like set the stage

536
00:26:30,600 --> 00:26:34,359
Speaker 2: for the sort of like schizophrenic TikTok fashion mix and

537
00:26:34,480 --> 00:26:38,320
Speaker 2: match algo thing that we're dealing with now, where suddenly

538
00:26:38,320 --> 00:26:39,479
Speaker 2: you're in lavender Todds.

539
00:26:39,640 --> 00:26:44,040
Speaker 3: Right, I'm the Lavender Todds and I'm wearing underwear. You

540
00:26:44,080 --> 00:26:52,840
Speaker 3: know what I mean. I went, you know, it's like

541
00:26:53,720 --> 00:26:56,359
Speaker 3: and I'm wearing my crown.

542
00:26:54,760 --> 00:26:56,480
Speaker 2: Ye closes in full andree.

543
00:26:56,640 --> 00:26:58,600
Speaker 3: Yeah. Well, it's like when all of a sudden we

544
00:26:58,640 --> 00:27:03,240
Speaker 3: saw Jamie Lee Curtis's titters. Remember but a few months

545
00:27:03,280 --> 00:27:04,239
Speaker 3: ago you do not remember this.

546
00:27:04,520 --> 00:27:06,800
Speaker 2: There was a photo where it's like, suddenly, Jamie Lee

547
00:27:06,840 --> 00:27:08,679
Speaker 2: Curtis has like giants just stock.

548
00:27:09,640 --> 00:27:12,720
Speaker 3: It's amazing, it's incredible, and I loved it and I

549
00:27:12,760 --> 00:27:14,080
Speaker 3: was like, oh my god, that is freedom.

550
00:27:14,280 --> 00:27:15,200
Speaker 1: Yeah no, that's nice.

551
00:27:15,320 --> 00:27:17,919
Speaker 2: One of our great one of our true comedic greats

552
00:27:18,240 --> 00:27:20,240
Speaker 2: insane person, but a really true comedic great.

553
00:27:20,280 --> 00:27:22,639
Speaker 1: Yeah, well, you have to be insane, that's right. I know.

554
00:27:22,680 --> 00:27:23,880
Speaker 2: It's like we all are.

555
00:27:24,119 --> 00:27:25,400
Speaker 1: Good luck not being insane.

556
00:27:25,600 --> 00:27:28,040
Speaker 2: I mean expect literally, what do people expect from Jamie

557
00:27:28,080 --> 00:27:29,240
Speaker 2: Lee Curtis for her to be like I read this

558
00:27:29,280 --> 00:27:31,000
Speaker 2: interesting article in the New York that you're not going

559
00:27:31,080 --> 00:27:31,480
Speaker 2: to get that.

560
00:27:32,400 --> 00:27:35,200
Speaker 1: I have this thing recently where I watched A Beautiful Mind.

561
00:27:35,520 --> 00:27:37,199
Speaker 2: Oh well, thank you for bringing up.

562
00:27:37,600 --> 00:27:39,520
Speaker 1: Go ahead, I watch a Beautiful Mind on a plane

563
00:27:39,560 --> 00:27:40,520
Speaker 1: and I had never seen it before.

564
00:27:40,600 --> 00:27:41,480
Speaker 3: Was it on our plane?

565
00:27:41,920 --> 00:27:42,960
Speaker 1: It was on the plane back.

566
00:27:43,040 --> 00:27:46,600
Speaker 3: Okay, but sorry, Sam and I have a plane. No

567
00:27:46,760 --> 00:27:47,240
Speaker 3: good deal.

568
00:27:48,600 --> 00:27:49,680
Speaker 1: We rode the same plane together.

569
00:27:49,800 --> 00:27:50,320
Speaker 3: Yeah.

570
00:27:52,440 --> 00:27:55,280
Speaker 1: Yeah, But I watched A Beautiful Mind and it was like,

571
00:27:55,440 --> 00:27:58,359
Speaker 1: you know, spoiler alert to all, yeah, when he's like

572
00:27:58,440 --> 00:28:00,600
Speaker 1: he's like a genius, but then he's like, oh god,

573
00:28:00,640 --> 00:28:02,520
Speaker 1: I'm seeing people. It's all made up. They're all fake

574
00:28:02,760 --> 00:28:04,639
Speaker 1: and every like all the patterns I've been seeing are

575
00:28:04,680 --> 00:28:07,280
Speaker 1: just me losing my mind, which I think is obviously genius.

576
00:28:07,280 --> 00:28:09,600
Speaker 1: And it's an amazing commentary on mental health where actually,

577
00:28:09,600 --> 00:28:10,840
Speaker 1: if you just ignore it, it.

578
00:28:10,640 --> 00:28:13,000
Speaker 2: Goes away away. You want to know about price.

579
00:28:13,280 --> 00:28:15,560
Speaker 1: It's good. It's good for you if you're mentally ill,

580
00:28:15,880 --> 00:28:16,480
Speaker 1: ignore it.

581
00:28:16,640 --> 00:28:20,000
Speaker 2: Yeah, and get into that chemistry lab and get cooking with.

582
00:28:22,880 --> 00:28:25,000
Speaker 1: Obviously, because I was like, wait, this movie is to

583
00:28:25,040 --> 00:28:27,600
Speaker 1: die for. It's incredible. And then I was sort of

584
00:28:27,640 --> 00:28:30,960
Speaker 1: like thinking about how, like I do think when people

585
00:28:31,000 --> 00:28:34,639
Speaker 1: get really good at like acting or like comedy, like

586
00:28:34,880 --> 00:28:37,520
Speaker 1: you have to like allow your mind to loosen up

587
00:28:37,640 --> 00:28:41,280
Speaker 1: enough where you're kind of soft going insane, yes, and

588
00:28:41,320 --> 00:28:44,959
Speaker 1: then and like some people can hold it together for

589
00:28:45,000 --> 00:28:47,960
Speaker 1: the whole life. But some people obviously just lose their

590
00:28:48,000 --> 00:28:51,200
Speaker 1: fucking mind, yes, and just start seeing patterns where there

591
00:28:51,200 --> 00:28:52,040
Speaker 1: are none, And like.

592
00:28:52,800 --> 00:28:57,600
Speaker 3: Some people stop having the ability to lose their mind.

593
00:28:58,760 --> 00:29:01,760
Speaker 3: And that's like a whole other thing that I think

594
00:29:02,880 --> 00:29:04,840
Speaker 3: we see in performers.

595
00:29:04,200 --> 00:29:10,520
Speaker 2: Were Rebel Wilson go on, she used to have a

596
00:29:10,560 --> 00:29:10,960
Speaker 2: sense of.

597
00:29:10,880 --> 00:29:13,720
Speaker 3: Play, right, people can be like they exactly like they

598
00:29:13,800 --> 00:29:17,160
Speaker 3: used to have this thing that's just like gone, like

599
00:29:17,240 --> 00:29:20,440
Speaker 3: where to go? And I Lindsay Lohan honestly, I mean

600
00:29:20,680 --> 00:29:28,040
Speaker 3: I have Yeah, you're really interesting. You're just attacking women,

601
00:29:29,920 --> 00:29:32,040
Speaker 3: a lesbian and a bisexual woman.

602
00:29:32,200 --> 00:29:33,840
Speaker 2: Well you know, it's almost as though they lost their

603
00:29:33,880 --> 00:29:36,200
Speaker 2: sense of play because society was so hard on them

604
00:29:36,200 --> 00:29:39,320
Speaker 2: that it was like siphoned was beaten out of them.

605
00:29:39,400 --> 00:29:40,560
Speaker 1: I'm sure, I'm sure.

606
00:29:40,640 --> 00:29:42,000
Speaker 2: I'm trying to think if that has ever happened to

607
00:29:42,000 --> 00:29:42,320
Speaker 2: a man.

608
00:29:42,520 --> 00:29:45,240
Speaker 3: Oh yeah, A million and one.

609
00:29:45,520 --> 00:29:47,440
Speaker 2: Like, who is a man that used to be has

610
00:29:47,640 --> 00:29:51,000
Speaker 2: have such a sense of play and imagination as a younger?

611
00:29:51,080 --> 00:29:53,640
Speaker 1: I have one. I have one, no, go ahead, well

612
00:29:53,640 --> 00:29:55,040
Speaker 1: not an actor, okay, hear me out.

613
00:29:55,320 --> 00:29:56,680
Speaker 2: It's a musician kid rock.

614
00:29:56,800 --> 00:29:58,960
Speaker 3: Yeah okay, yeah, well he to me, he just went

615
00:29:59,080 --> 00:30:00,240
Speaker 3: so insane.

616
00:30:00,360 --> 00:30:02,280
Speaker 1: Like but he's fully just lost his mind. Yeah, and

617
00:30:02,320 --> 00:30:03,760
Speaker 1: it's not that he's lost times of plays that he

618
00:30:03,800 --> 00:30:04,840
Speaker 1: has like too much.

619
00:30:05,080 --> 00:30:07,160
Speaker 2: Okay, you're absolutely right that it happens more with male

620
00:30:07,240 --> 00:30:09,479
Speaker 2: musicians than with male actors, because male actors are just

621
00:30:09,480 --> 00:30:11,200
Speaker 2: like rewarded as they get older.

622
00:30:11,360 --> 00:30:14,120
Speaker 3: Mel Gibson, I would say, like he really like.

623
00:30:14,320 --> 00:30:16,800
Speaker 2: Fuck, well, he just became insane. But don't you think

624
00:30:16,840 --> 00:30:18,880
Speaker 2: that if you put Mel Gibson on a set and

625
00:30:18,920 --> 00:30:20,440
Speaker 2: you were like action, who would still like put in

626
00:30:20,520 --> 00:30:23,040
Speaker 2: a really amazing performance to.

627
00:30:23,000 --> 00:30:24,640
Speaker 3: Sorry, I mean I don't know.

628
00:30:24,720 --> 00:30:26,080
Speaker 2: I wouldn't want him to be on that side.

629
00:30:26,200 --> 00:30:27,440
Speaker 3: This is a good thought experiment.

630
00:30:27,520 --> 00:30:29,959
Speaker 2: I don't know, like I legitimately think he would if

631
00:30:30,000 --> 00:30:31,800
Speaker 2: anything is so crazy now that it would be like

632
00:30:31,840 --> 00:30:34,760
Speaker 2: an even better You think he'd yeah, whereas I think like,

633
00:30:34,880 --> 00:30:38,560
Speaker 2: oh Kanye, whereas I think, oh Kanye yeah. But again,

634
00:30:39,680 --> 00:30:41,400
Speaker 2: we're literally looking for the opposite for people who have

635
00:30:43,320 --> 00:30:45,880
Speaker 2: It's like this, I have one.

636
00:30:45,960 --> 00:30:48,160
Speaker 3: I have one, but I don't think it can be

637
00:30:48,280 --> 00:30:50,640
Speaker 3: I don't want it to be recorded, Okay, Okay, like

638
00:30:50,680 --> 00:30:52,080
Speaker 3: I needed this to be deleted.

639
00:30:52,160 --> 00:30:55,880
Speaker 1: This will not be recorded. I think what I think?

640
00:30:55,880 --> 00:30:58,400
Speaker 1: What in the beautiful mind metaphor is that I'm trying

641
00:30:58,440 --> 00:31:01,080
Speaker 1: to think people that like just lose a sense of reality.

642
00:31:01,120 --> 00:31:03,960
Speaker 1: It can either be play or no completely. And I

643
00:31:04,000 --> 00:31:04,760
Speaker 1: think that's where the.

644
00:31:04,880 --> 00:31:08,000
Speaker 2: Because you have to, as you're saying, it's necessary to

645
00:31:08,040 --> 00:31:10,760
Speaker 2: lose reality a little bit so that you can create

646
00:31:10,920 --> 00:31:14,520
Speaker 2: and create outside the confines of the real world. But

647
00:31:14,560 --> 00:31:16,200
Speaker 2: then you have to be able to be like and

648
00:31:16,240 --> 00:31:19,320
Speaker 2: that's done. Time to do a promo video at the

649
00:31:19,360 --> 00:31:20,680
Speaker 2: Kandye and ass video offices.

650
00:31:21,040 --> 00:31:22,680
Speaker 3: But then, you know, then we could get into the

651
00:31:22,680 --> 00:31:26,480
Speaker 3: bigger conversation. And I am I am reading a book

652
00:31:26,600 --> 00:31:27,880
Speaker 3: on new physics right now.

653
00:31:27,960 --> 00:31:31,160
Speaker 2: So this new physics, new physics, old physics is what

654
00:31:31,320 --> 00:31:34,280
Speaker 2: old physics is over over new physics, Sailor House.

655
00:31:34,160 --> 00:31:42,520
Speaker 4: You said, Sailor has Lavender Todds Capri capris, So tell

656
00:31:42,840 --> 00:31:44,680
Speaker 4: is this sort of string theory.

657
00:31:44,920 --> 00:31:47,960
Speaker 3: There's strength theory in there. But I guess the point

658
00:31:48,080 --> 00:31:51,000
Speaker 3: is about losing touch with reality.

659
00:31:51,120 --> 00:31:51,280
Speaker 2: You know.

660
00:31:51,360 --> 00:31:53,000
Speaker 3: Then we can get into the head of your conversation

661
00:31:53,080 --> 00:31:56,000
Speaker 3: of what is reality but our own perceived you know.

662
00:31:56,120 --> 00:31:57,680
Speaker 2: And now you're getting into the Kanye territory.

663
00:31:57,720 --> 00:31:59,120
Speaker 3: And now we're getting into Kanye and.

664
00:31:59,000 --> 00:32:01,040
Speaker 1: This is how you get created. But how you lose it.

665
00:32:01,120 --> 00:32:03,640
Speaker 3: But I will say this on a serious note.

666
00:32:03,720 --> 00:32:05,360
Speaker 1: Okay, thank you for getting serious.

667
00:32:05,440 --> 00:32:08,959
Speaker 3: I went to my acupuncturiss last night. Diva had an

668
00:32:09,000 --> 00:32:12,640
Speaker 3: incredible suession. This was on the plane, on the play

669
00:32:12,720 --> 00:32:20,160
Speaker 3: on our plane, our acupunctiss. Yeah did you say you

670
00:32:20,200 --> 00:32:21,240
Speaker 3: were just with julieta song?

671
00:32:21,880 --> 00:32:22,840
Speaker 1: I was getting deep tissue.

672
00:32:23,040 --> 00:32:26,600
Speaker 3: So that's someone who lost the sense of play. Yes,

673
00:32:27,080 --> 00:32:29,760
Speaker 3: definitely great example. Here's what I would like to make

674
00:32:29,960 --> 00:32:35,320
Speaker 3: an announcement. If you are a hacker, like I need.

675
00:32:35,640 --> 00:32:39,400
Speaker 3: I need the vigilante hackers to rise. I need the

676
00:32:39,520 --> 00:32:43,760
Speaker 3: v for vendettas to rise. I need Anonymous to actually

677
00:32:44,000 --> 00:32:46,719
Speaker 3: do the damn thing. You know what I mean? Because

678
00:32:47,160 --> 00:32:51,000
Speaker 3: this is for Anonymous. You guys fill us with so

679
00:32:51,240 --> 00:32:54,680
Speaker 3: much hope. There was a moment there where you were

680
00:32:54,800 --> 00:32:57,280
Speaker 3: my Christmas morning, you were you know what I'm saying,

681
00:32:57,320 --> 00:33:00,400
Speaker 3: And I was like, I truly was like, we are

682
00:33:00,440 --> 00:33:05,720
Speaker 3: going to be okay because we have a hacker community

683
00:33:05,800 --> 00:33:08,040
Speaker 3: called Anonymous that has our back.

684
00:33:08,880 --> 00:33:12,040
Speaker 1: It's You're so right. It's it's how capitalism ruins everything

685
00:33:12,080 --> 00:33:15,560
Speaker 1: because hackers are just trying to steal your money. Yeah, hello,

686
00:33:15,960 --> 00:33:17,560
Speaker 1: that's what you should be doing. You need to be

687
00:33:17,640 --> 00:33:20,160
Speaker 1: releasing the code correct, and like, get.

688
00:33:20,000 --> 00:33:20,959
Speaker 2: Release the codes.

689
00:33:21,000 --> 00:33:23,360
Speaker 1: At least release the files.

690
00:33:23,360 --> 00:33:27,040
Speaker 3: All that I'm asking the release put them on.

691
00:33:27,200 --> 00:33:28,680
Speaker 2: Can someone just release the files?

692
00:33:29,480 --> 00:33:32,800
Speaker 1: Take the phone, upload the pdf to Times Square, let

693
00:33:32,800 --> 00:33:33,400
Speaker 1: the world see.

694
00:33:33,560 --> 00:33:37,440
Speaker 3: That's it, the big Spotify vertical one that would scrolls.

695
00:33:38,040 --> 00:33:39,080
Speaker 1: Take that over.

696
00:33:39,320 --> 00:33:42,480
Speaker 2: Yes, we baillboards in Hollywood where all they do is

697
00:33:42,520 --> 00:33:45,200
Speaker 2: put one ad for some peacock show so that the

698
00:33:45,240 --> 00:33:47,560
Speaker 2: star can see it when they're driving home. Put the

699
00:33:47,560 --> 00:33:48,520
Speaker 2: PDF there for the.

700
00:33:48,480 --> 00:33:51,040
Speaker 1: VIDIA there saying you know what the thing is. It's

701
00:33:51,040 --> 00:33:53,000
Speaker 1: like they're hackers, but they're not dreamers.

702
00:33:53,360 --> 00:33:57,320
Speaker 3: Well, I wonder have hackers collectively lost their sense of hunch?

703
00:33:57,800 --> 00:34:02,360
Speaker 2: You're absolutely right, and you know why. And to say this,

704
00:34:02,680 --> 00:34:06,000
Speaker 2: there were a few bad apples and suddenly everyone was like,

705
00:34:06,120 --> 00:34:11,000
Speaker 2: all hackers are evil in cells. All hackers are you know,

706
00:34:12,680 --> 00:34:16,120
Speaker 2: like uh, you know, toxic. They're not girl with the

707
00:34:16,200 --> 00:34:19,560
Speaker 2: dragon tattoo, right, they're actually secretly doing sexual assaults, right.

708
00:34:19,719 --> 00:34:22,440
Speaker 2: And then and so then all of the all the

709
00:34:22,440 --> 00:34:23,799
Speaker 2: good ones were like, oh, I don't want to be

710
00:34:23,800 --> 00:34:26,239
Speaker 2: associated with this. I guess I'll just like sort of

711
00:34:26,239 --> 00:34:28,600
Speaker 2: get a job at the Apple Genius Bar and then

712
00:34:28,680 --> 00:34:32,160
Speaker 2: like do a Twitch stream at night, and it's like,

713
00:34:32,600 --> 00:34:35,120
Speaker 2: how about you go back to your roots and release

714
00:34:35,160 --> 00:34:36,000
Speaker 2: the files.

715
00:34:35,760 --> 00:34:38,000
Speaker 1: Release the file, Juliana Lossange.

716
00:34:39,920 --> 00:34:43,560
Speaker 2: Yeah, no, that's true. Good. Bad, Well, it's complicated. It's

717
00:34:43,560 --> 00:34:48,040
Speaker 2: complicated because he released the files files. That's good, that's good.

718
00:34:48,440 --> 00:34:52,200
Speaker 2: Then there were various accusations against him. Obviously that's bad.

719
00:34:52,640 --> 00:34:55,200
Speaker 2: But then of course you start you start doing beautiful

720
00:34:55,200 --> 00:34:59,319
Speaker 2: Mind and you're like, we're the accusations levied by people

721
00:34:59,320 --> 00:35:00,880
Speaker 2: who didn't want the files to be released.

722
00:35:01,040 --> 00:35:05,279
Speaker 3: Becomes a very slippery slope because then then now now

723
00:35:05,280 --> 00:35:08,160
Speaker 3: were conspiracy theorists, you know what I'm saying, And Juliana

724
00:35:08,200 --> 00:35:12,239
Speaker 3: Songs not necessarily conspiracy theory, but we have seen historically

725
00:35:12,400 --> 00:35:15,799
Speaker 3: that when you do something there are bigger powers that

726
00:35:15,880 --> 00:35:18,680
Speaker 3: can ruin your life, and that can you know.

727
00:35:18,920 --> 00:35:21,000
Speaker 1: I love this podcast, and here's what I'm going to say.

728
00:35:21,200 --> 00:35:25,879
Speaker 3: Pamela Anderson, as we know, best friend with Juliana Song,

729
00:35:26,000 --> 00:35:28,759
Speaker 3: and at some point I think that they were seeing

730
00:35:28,760 --> 00:35:33,359
Speaker 3: each other at some point. And if pam Anderson, who

731
00:35:33,400 --> 00:35:36,799
Speaker 3: I do believe is pure, I was going to say

732
00:35:37,200 --> 00:35:43,120
Speaker 3: energetically pure mind, body, spirit. Yeah, if she is letting

733
00:35:43,160 --> 00:35:45,400
Speaker 3: him in, that's a.

734
00:35:47,160 --> 00:35:49,240
Speaker 1: Friend of mine exactly.

735
00:35:49,719 --> 00:35:52,040
Speaker 2: Someone, by the way, lost her sense of play, gained

736
00:35:52,040 --> 00:35:54,520
Speaker 2: it back. Yes, lost her sense of play because she

737
00:35:54,600 --> 00:35:58,239
Speaker 2: was beaten down. Yes, found herself in her garden and

738
00:35:58,280 --> 00:35:59,200
Speaker 2: with Julian.

739
00:35:59,040 --> 00:36:03,200
Speaker 3: Yep gained And you know what, I actually think it's

740
00:36:03,239 --> 00:36:05,040
Speaker 3: speaking of losing sense of play and getting it back

741
00:36:05,320 --> 00:36:07,920
Speaker 3: that I think it really helped her too. And was

742
00:36:08,440 --> 00:36:13,160
Speaker 3: her son that was like son, but the one that

743
00:36:13,280 --> 00:36:17,319
Speaker 3: was the one that was like people love you like

744
00:36:17,520 --> 00:36:20,640
Speaker 3: people really love you. And I think kind of if

745
00:36:20,640 --> 00:36:22,440
Speaker 3: we want to talk about like the Lindsay Lohan of

746
00:36:22,480 --> 00:36:26,000
Speaker 3: it all too, it's like Lindsay, like, we fucking.

747
00:36:26,080 --> 00:36:28,600
Speaker 2: Love son, so you can grow up.

748
00:36:28,640 --> 00:36:32,440
Speaker 3: And I love this is why we need to be

749
00:36:32,480 --> 00:36:41,680
Speaker 3: having sons to remind mothers love literally you know it's true,

750
00:36:42,080 --> 00:36:44,920
Speaker 3: it's true, but we do need. I need more hacker

751
00:36:44,960 --> 00:36:48,120
Speaker 3: activity like sap a sap well.

752
00:36:48,000 --> 00:36:52,640
Speaker 1: And I think here's a way in rick Owens. Yes,

753
00:36:52,719 --> 00:36:55,799
Speaker 1: your models, yes should be hackers period. Oh my god,

754
00:36:56,040 --> 00:36:58,880
Speaker 1: to rebrand hackers not as bad but as she and

755
00:36:58,920 --> 00:36:59,440
Speaker 1: as fashion.

756
00:36:59,600 --> 00:37:02,680
Speaker 3: Let's put this out into the ether. Yes, the next

757
00:37:03,000 --> 00:37:06,880
Speaker 3: rick Ohens show, because you know it's always a thing

758
00:37:07,880 --> 00:37:15,279
Speaker 3: hacker live like they are live hacking and maybe they

759
00:37:15,360 --> 00:37:18,440
Speaker 3: make like harnesses. We can have some harness play that

760
00:37:18,640 --> 00:37:21,800
Speaker 3: has computer and they're hacking down.

761
00:37:21,600 --> 00:37:23,520
Speaker 1: The runway, you know, so it's amazing.

762
00:37:23,640 --> 00:37:26,680
Speaker 3: I think that that is a screen.

763
00:37:26,880 --> 00:37:28,839
Speaker 1: Yeah, the files, yes, yes, the file.

764
00:37:29,280 --> 00:37:32,120
Speaker 2: They're live hacking. And as they release one file, it's

765
00:37:32,120 --> 00:37:33,960
Speaker 2: on the screen, they release another file, it's on the screen.

766
00:37:34,040 --> 00:37:36,040
Speaker 3: Here's a question, what are and I want to hear

767
00:37:36,080 --> 00:37:37,360
Speaker 3: both of your answers separately.

768
00:37:38,040 --> 00:37:39,600
Speaker 1: That's crazy. We normally answer the same time.

769
00:37:40,320 --> 00:37:42,279
Speaker 3: Yeah, Well when you hear the exact same answer, the

770
00:37:42,280 --> 00:37:45,279
Speaker 3: exact same word, same time. What is your what are

771
00:37:45,320 --> 00:37:48,080
Speaker 3: your dream what's your dream file? To be released?

772
00:37:49,120 --> 00:37:50,120
Speaker 2: Wow?

773
00:37:50,360 --> 00:37:52,200
Speaker 1: Okay, wow, this is a dream file?

774
00:37:52,520 --> 00:37:57,240
Speaker 3: Yeah. Like you get to pick you're you We are

775
00:37:57,239 --> 00:38:02,080
Speaker 3: in our bunker, okay, and we just cracked open like

776
00:38:02,239 --> 00:38:06,680
Speaker 3: geyser level files. You get to pick one file to

777
00:38:06,800 --> 00:38:10,919
Speaker 3: release into the world. I want what when't you picking?

778
00:38:11,040 --> 00:38:13,160
Speaker 3: Why are you picking it? And what do you think

779
00:38:13,360 --> 00:38:14,760
Speaker 3: the fallout will be for humanity?

780
00:38:16,640 --> 00:38:22,200
Speaker 1: I want the file that's like this is like it's

781
00:38:22,200 --> 00:38:24,080
Speaker 1: a bit of a safe choice. Okay, and I'm sorry

782
00:38:24,120 --> 00:38:26,080
Speaker 1: that I'm choosing the safe choice. George and I had

783
00:38:26,080 --> 00:38:27,680
Speaker 1: a conversation yesterday how we want to be edgy.

784
00:38:28,160 --> 00:38:32,239
Speaker 3: Yeah, my love, you are Americana prep. Having the safe

785
00:38:32,280 --> 00:38:34,319
Speaker 3: choice is very un brand for you, and let's embrace that.

786
00:38:34,400 --> 00:38:37,200
Speaker 1: Let's embrace the safe choice. I have it. I want

787
00:38:37,239 --> 00:38:41,120
Speaker 1: the file release that's photographs, okay, and it's photographs of

788
00:38:41,200 --> 00:38:46,759
Speaker 1: like like evil Republicans. But they're like like laughing it

789
00:38:46,880 --> 00:38:50,560
Speaker 1: up with who we think are good democrats and it's

790
00:38:50,600 --> 00:38:53,520
Speaker 1: like in a secret layer and behind them it's like

791
00:38:54,640 --> 00:38:56,239
Speaker 1: there's like a formula where it's like you guys win

792
00:38:56,280 --> 00:38:58,080
Speaker 1: this year, we win this year. That's how we keep

793
00:38:58,080 --> 00:39:00,279
Speaker 1: everyone in the cycle. And I go, oh my god,

794
00:39:00,360 --> 00:39:02,320
Speaker 1: it's true. They're all in kahotes.

795
00:39:03,040 --> 00:39:06,120
Speaker 3: Have they sacrificed? Is like did they sacrifice something? Like

796
00:39:06,239 --> 00:39:08,640
Speaker 3: is there like some sort of sacrificial Are you thinking

797
00:39:08,719 --> 00:39:10,399
Speaker 3: like the Illuminatis.

798
00:39:10,760 --> 00:39:13,440
Speaker 1: It's like it's not necessarily illuminati as much as like

799
00:39:13,840 --> 00:39:16,880
Speaker 1: high business. It's like high business and it's sort of

800
00:39:16,920 --> 00:39:22,200
Speaker 1: like they're negotiating, like with with a big lawyer about

801
00:39:22,200 --> 00:39:24,880
Speaker 1: like how each of them will profit this much if

802
00:39:24,920 --> 00:39:27,719
Speaker 1: they do it this way. And that's that's what I

803
00:39:27,760 --> 00:39:28,040
Speaker 1: hope for.

804
00:39:29,000 --> 00:39:31,680
Speaker 2: Listen, Obviously, there's a serious answer that's like about war,

805
00:39:31,719 --> 00:39:33,719
Speaker 2: and I'm not going to go there. Here's what file

806
00:39:33,760 --> 00:39:34,040
Speaker 2: I want.

807
00:39:34,040 --> 00:39:36,080
Speaker 3: Really, I want to hear that serious answer.

808
00:39:36,719 --> 00:39:42,160
Speaker 2: Show me specifically which civilians have been murdered by which presidents? Right, Okay,

809
00:39:43,640 --> 00:39:46,600
Speaker 2: fair enough. Now my other answer is I want the

810
00:39:46,640 --> 00:39:52,600
Speaker 2: files showing what numbers across social media have been completely fabricated.

811
00:39:53,320 --> 00:39:59,040
Speaker 2: There are people completely fo we know, by the way,

812
00:39:59,200 --> 00:40:02,600
Speaker 2: people that haven't really foloer accounts. There are things. It

813
00:40:02,719 --> 00:40:06,640
Speaker 2: is known that TikTok has a button that you that

814
00:40:06,719 --> 00:40:08,560
Speaker 2: some people have access to that they compress that can

815
00:40:08,640 --> 00:40:12,360
Speaker 2: make something go viral. I want to know exactly which

816
00:40:12,960 --> 00:40:18,279
Speaker 2: you know, pieces of content, which videos, which personalities were

817
00:40:18,320 --> 00:40:23,239
Speaker 2: at some point helped by a by a fake by

818
00:40:23,280 --> 00:40:26,759
Speaker 2: fake numbers, you know what I mean? By the way,

819
00:40:26,800 --> 00:40:29,640
Speaker 2: did you know people are getting paid to post on threads? Sure?

820
00:40:29,760 --> 00:40:31,480
Speaker 1: George blew this whole thing up for me. People are

821
00:40:31,480 --> 00:40:32,760
Speaker 1: getting paid.

822
00:40:32,960 --> 00:40:35,560
Speaker 3: Well, what your desire is is not just similar from

823
00:40:35,600 --> 00:40:39,799
Speaker 3: my desire, because what you're kind of saying is like,

824
00:40:40,120 --> 00:40:44,440
Speaker 3: you want to know what content out there is basically a.

825
00:40:44,440 --> 00:40:47,200
Speaker 2: SiO Exactly it is. It's literally the definition of like

826
00:40:47,280 --> 00:40:50,160
Speaker 2: or like industry plant Right, that's real. I want to

827
00:40:50,160 --> 00:40:54,239
Speaker 2: know which people that I sorry, I'll say one thing.

828
00:40:55,320 --> 00:40:58,560
Speaker 2: At this point, I understand that Kylie Cosmetics is successful.

829
00:40:58,640 --> 00:41:01,400
Speaker 2: In the beginning, it was fake. In the beginning. That

830
00:41:01,560 --> 00:41:04,200
Speaker 2: was fake. Yes, we all know it. I'm not an idiot. No,

831
00:41:04,480 --> 00:41:07,120
Speaker 2: it was fabricated that this was a successful business, and

832
00:41:07,160 --> 00:41:10,440
Speaker 2: then because of that, people started buying it, being like, okay,

833
00:41:10,440 --> 00:41:13,080
Speaker 2: well there's already momentum. I'm joining in and now I

834
00:41:13,120 --> 00:41:15,239
Speaker 2: get it it's a successful business. I want to know

835
00:41:15,320 --> 00:41:18,480
Speaker 2: exactly which levers were pulled to make it seem like

836
00:41:18,520 --> 00:41:19,879
Speaker 2: a successful business. Year one.

837
00:41:20,160 --> 00:41:22,359
Speaker 1: Wow, really, what's what file do you want to release?

838
00:41:22,440 --> 00:41:24,719
Speaker 3: Well? This, I feel like now I get to say too,

839
00:41:24,760 --> 00:41:27,600
Speaker 3: because me and George kind of have similar something we.

840
00:41:27,600 --> 00:41:28,800
Speaker 1: All had to say different ones.

841
00:41:31,200 --> 00:41:32,560
Speaker 2: That you created.

842
00:41:33,160 --> 00:41:35,400
Speaker 1: So I just find it interesting that you make the

843
00:41:35,440 --> 00:41:36,880
Speaker 1: rules and then you get to break down. I just

844
00:41:36,880 --> 00:41:39,400
Speaker 1: find that interesting, you know, when we're talking about conspiracies,

845
00:41:39,400 --> 00:41:40,000
Speaker 1: I can't.

846
00:41:39,800 --> 00:41:42,440
Speaker 2: Help but wonder who's Operation one pair of Belgians and

847
00:41:43,400 --> 00:41:44,480
Speaker 2: she is the king of the world.

848
00:41:44,640 --> 00:41:47,279
Speaker 3: I'm sort of the stepmother, so I might say, so, yeah,

849
00:41:47,320 --> 00:41:49,960
Speaker 3: I get to make I get to have to know.

850
00:41:50,080 --> 00:41:51,640
Speaker 3: What I was going to say is I want to

851
00:41:51,680 --> 00:41:57,839
Speaker 3: know which celebrities pop stars and this also like can

852
00:41:57,920 --> 00:42:02,320
Speaker 3: bleed down to influence it. Influence are syops like completely

853
00:42:02,440 --> 00:42:06,080
Speaker 3: because there are some people, and I've been noticing this

854
00:42:06,120 --> 00:42:08,840
Speaker 3: more and more people that just like pop the fuck

855
00:42:09,000 --> 00:42:11,640
Speaker 3: up where I'm just like, something ain't right, and I'm

856
00:42:11,640 --> 00:42:14,120
Speaker 3: gonna tell you my conspiracy theory right now. I think

857
00:42:14,160 --> 00:42:17,880
Speaker 3: the Dmilio sisters, I think they tried it. I think

858
00:42:17,880 --> 00:42:19,799
Speaker 3: they were like, I think we have something with these too,

859
00:42:19,920 --> 00:42:22,920
Speaker 3: and I don't think that they can fully execute on it,

860
00:42:22,960 --> 00:42:25,920
Speaker 3: which is why now no one gives a fuck about them.

861
00:42:26,040 --> 00:42:27,560
Speaker 2: Yeah, because to.

862
00:42:27,520 --> 00:42:29,839
Speaker 3: Your point, it was like, oh, they all went really

863
00:42:29,960 --> 00:42:34,080
Speaker 3: viral and like they were the most the most followed person.

864
00:42:34,560 --> 00:42:36,760
Speaker 3: One person who cares about them is Charlie Demilio.

865
00:42:36,880 --> 00:42:38,239
Speaker 2: Show me one person who cares about her.

866
00:42:38,280 --> 00:42:41,440
Speaker 3: To me, I'm just like, what happened?

867
00:42:41,520 --> 00:42:42,040
Speaker 2: What happened?

868
00:42:42,200 --> 00:42:45,080
Speaker 1: Well, this is complicated. There's something I've been working on,

869
00:42:45,160 --> 00:42:48,919
Speaker 1: a theory called foot fetish theory, and it's like it's

870
00:42:48,920 --> 00:42:52,640
Speaker 1: this thing where it's like deeply, deeply popular, and yet

871
00:42:53,040 --> 00:42:56,200
Speaker 1: everyone I know is like, not me, not me, not me,

872
00:42:56,360 --> 00:42:58,800
Speaker 1: not me, And I'm like, I know upload one thousand people,

873
00:42:59,200 --> 00:43:00,200
Speaker 1: all of them say not me.

874
00:43:02,600 --> 00:43:07,200
Speaker 2: The people you know, sexually depraved about their kings, they

875
00:43:07,200 --> 00:43:08,879
Speaker 2: have other kings. There are people eating ship.

876
00:43:09,040 --> 00:43:13,200
Speaker 3: Yeah, they're fish fish in my mouth. Foot.

877
00:43:13,560 --> 00:43:14,880
Speaker 2: I don't know about feet.

878
00:43:14,760 --> 00:43:17,400
Speaker 1: And yet it's the most popular thing online, and so

879
00:43:17,520 --> 00:43:22,640
Speaker 1: I'm so confused the disconnect between reality internet.

880
00:43:22,840 --> 00:43:24,759
Speaker 2: Foot fetish is the Demelio Sisters of.

881
00:43:26,320 --> 00:43:29,280
Speaker 1: Ai is put fetish. Everyone's like, not me, and it's like, okay,

882
00:43:29,280 --> 00:43:30,680
Speaker 1: this is so popular though the.

883
00:43:30,640 --> 00:43:38,560
Speaker 3: Foot foot fetish. Foot fetish has been fabricated by Anglican

884
00:43:39,200 --> 00:43:46,120
Speaker 3: Christian males to say to their wives, honey, it's just

885
00:43:46,239 --> 00:43:49,320
Speaker 3: I'm just in defeat, okay. And really what they're into

886
00:43:49,680 --> 00:43:53,000
Speaker 3: is sub piggy play and women in cages.

887
00:43:53,440 --> 00:43:55,840
Speaker 1: And they literally are also being like they're trying to

888
00:43:55,840 --> 00:43:59,759
Speaker 1: find a way conspiratorial to cover up people more. They're

889
00:43:59,760 --> 00:44:02,200
Speaker 1: being like, covet those covet those.

890
00:44:02,040 --> 00:44:04,319
Speaker 3: Don't show those feet, don't show that. Yeah, and it's like.

891
00:44:04,960 --> 00:44:07,040
Speaker 1: You can't make up a new thing to hide.

892
00:44:07,120 --> 00:44:11,000
Speaker 3: Also, no free feet picks, this things up.

893
00:44:11,120 --> 00:44:11,800
Speaker 2: I can't.

894
00:44:15,239 --> 00:44:16,720
Speaker 1: Foot fetish theory is huge.

895
00:44:16,880 --> 00:44:18,319
Speaker 2: No foot fetish theories.

896
00:44:21,320 --> 00:44:27,839
Speaker 3: Back to the other no free feet picks something is.

897
00:44:31,480 --> 00:44:32,840
Speaker 2: No free feet picks.

898
00:44:33,520 --> 00:44:35,360
Speaker 1: This is something people really genuinely believe.

899
00:44:37,360 --> 00:44:40,520
Speaker 3: It actually makes me furiated.

900
00:44:42,239 --> 00:44:45,960
Speaker 2: It's like a yes, no free feet, picks and face

901
00:44:46,000 --> 00:44:48,879
Speaker 2: for algo. I'm like, can you literally like do a

902
00:44:49,200 --> 00:44:51,560
Speaker 2: cold ice bath and reset your brain?

903
00:44:51,719 --> 00:44:52,799
Speaker 1: Who started this? Yeah?

904
00:44:53,160 --> 00:44:53,719
Speaker 2: Who started this?

905
00:44:54,280 --> 00:44:59,359
Speaker 3: People post photos of themselves and use an emoji feet.

906
00:44:59,600 --> 00:45:01,400
Speaker 3: I'm just like sweating.

907
00:45:05,440 --> 00:45:07,400
Speaker 2: What do you think is going to happen? Someone's going

908
00:45:07,440 --> 00:45:10,960
Speaker 2: to jerk it to your feet? I don't care. And

909
00:45:10,960 --> 00:45:12,440
Speaker 2: you don't think they're going to jerk it too? Sorry,

910
00:45:12,480 --> 00:45:14,319
Speaker 2: the rest of your body where you have all of

911
00:45:14,360 --> 00:45:16,799
Speaker 2: your you have all of your genitals like basically out

912
00:45:16,800 --> 00:45:19,560
Speaker 2: in this photo, but you're ding your feet shut off.

913
00:45:21,360 --> 00:45:23,680
Speaker 3: It's crazy. Oh wait, the other file that I want

914
00:45:23,680 --> 00:45:28,080
Speaker 3: to release, Yes, I want to release I think I

915
00:45:28,120 --> 00:45:31,839
Speaker 3: really Mine's basic too, Mine's Classic Bake Basic. I want

916
00:45:31,840 --> 00:45:33,640
Speaker 3: to release it. I know that we kind of have,

917
00:45:35,040 --> 00:45:38,560
Speaker 3: but I want to release the Aliens. I know, literally,

918
00:45:39,160 --> 00:45:41,839
Speaker 3: just show us, just show us. I want I want

919
00:45:41,960 --> 00:45:45,360
Speaker 3: to see in Times Square, in the long Spotify billboard.

920
00:45:45,719 --> 00:45:49,319
Speaker 3: I want to see the anatomy of the Aliens. I

921
00:45:49,320 --> 00:45:51,920
Speaker 3: want to see it like laid out, like like we're

922
00:45:51,960 --> 00:45:52,600
Speaker 3: in bones.

923
00:45:52,760 --> 00:45:55,440
Speaker 1: Okay, I know, in the billboard Times Square, I want

924
00:45:55,440 --> 00:45:59,280
Speaker 1: you to open up the moment exhibit aliens we found. Yeah,

925
00:45:59,440 --> 00:46:02,480
Speaker 1: yes they are there. Yes, their bodies are there. And

926
00:46:02,480 --> 00:46:04,399
Speaker 1: you say, here's pretty much what we found. And there's

927
00:46:04,400 --> 00:46:06,560
Speaker 1: a big long placard next to it that sounds like,

928
00:46:06,680 --> 00:46:09,120
Speaker 1: so this alien mostly leads grass and lives in blah

929
00:46:09,160 --> 00:46:09,760
Speaker 1: blah blah.

930
00:46:10,360 --> 00:46:12,680
Speaker 3: That's what I need, you know, how, like do it

931
00:46:12,719 --> 00:46:13,240
Speaker 3: at the frick.

932
00:46:13,520 --> 00:46:16,400
Speaker 1: You know what I'm saying, coming up on our podcast

933
00:46:16,840 --> 00:46:18,799
Speaker 1: like a new trending character and you know, I still

934
00:46:18,840 --> 00:46:19,719
Speaker 1: haven't been.

935
00:46:20,960 --> 00:46:23,160
Speaker 3: All right, you know what that's doud? I agree like

936
00:46:23,200 --> 00:46:25,760
Speaker 3: MoMA Whitney, like, let's make it a moment.

937
00:46:26,000 --> 00:46:27,600
Speaker 2: Well, I like what you're saying. I like what both

938
00:46:27,600 --> 00:46:29,680
Speaker 2: of you are saying, because to involve the art world

939
00:46:29,719 --> 00:46:32,040
Speaker 2: in it. Yeah, Actually, I do think that's what is

940
00:46:32,080 --> 00:46:36,400
Speaker 2: needed in the rebranding of the hackers, is like they're artists,

941
00:46:36,480 --> 00:46:38,919
Speaker 2: like they are, they're part of the creative community, because

942
00:46:38,960 --> 00:46:42,400
Speaker 2: I think people think of them as almost like government.

943
00:46:42,680 --> 00:46:45,040
Speaker 2: I mean, I understand that they're anti government anonymous, but

944
00:46:45,080 --> 00:46:50,680
Speaker 2: they think of them as like computer dark. You know,

945
00:46:50,760 --> 00:46:54,799
Speaker 2: they're they're getting your personal information scary. Like I think

946
00:46:54,840 --> 00:46:57,719
Speaker 2: we need to bring back this sort of digital optimism

947
00:46:57,760 --> 00:46:58,560
Speaker 2: in the art world.

948
00:46:58,960 --> 00:47:02,279
Speaker 3: I agree. I also think like, I'm sorry, Emily in Paris.

949
00:47:02,280 --> 00:47:05,400
Speaker 1: Television, I'm like, where are you going with this?

950
00:47:05,480 --> 00:47:09,719
Speaker 3: She's sign up number one, number two, number two. Let's

951
00:47:09,760 --> 00:47:11,400
Speaker 3: why Why isn't Emily in Paris a hacker?

952
00:47:11,680 --> 00:47:11,799
Speaker 2: Like?

953
00:47:11,960 --> 00:47:16,360
Speaker 1: Hello, yeah, she loves like social media so much and

954
00:47:16,480 --> 00:47:17,839
Speaker 1: she gets on like Reddit.

955
00:47:19,120 --> 00:47:20,160
Speaker 2: Second about why isn't she hacker?

956
00:47:20,239 --> 00:47:23,000
Speaker 3: Yeah? Yeah? Like are we the only ones?

957
00:47:23,000 --> 00:47:23,080
Speaker 1: Like?

958
00:47:23,120 --> 00:47:25,160
Speaker 3: Are we the only ones asking the hard question?

959
00:47:25,640 --> 00:47:28,160
Speaker 1: Well, the way that was actually proved, the way that

960
00:47:28,200 --> 00:47:30,279
Speaker 1: Emily and Paris was like, Okay, no one's actually loving

961
00:47:30,280 --> 00:47:31,880
Speaker 1: the show? Why to win this award? And then it

962
00:47:31,920 --> 00:47:35,680
Speaker 1: was proven that it was because like they were bought, yes,

963
00:47:35,760 --> 00:47:38,600
Speaker 1: and it was like okay, so it really was like

964
00:47:38,760 --> 00:47:39,320
Speaker 1: not beloved.

965
00:47:39,400 --> 00:47:43,160
Speaker 2: Like the fact that the fact that ratings across the

966
00:47:43,200 --> 00:47:46,680
Speaker 2: streaming era are simply openly faked. Yes, and no one is,

967
00:47:46,960 --> 00:47:49,200
Speaker 2: but you're still meant to pretend they're not. Like you

968
00:47:49,200 --> 00:47:52,279
Speaker 2: see the Netflix top ten, You're like you made this up?

969
00:47:52,400 --> 00:47:54,600
Speaker 1: Yeah, you can just made it up.

970
00:47:55,719 --> 00:47:58,160
Speaker 3: Also, like sorry, one other person that I would die

971
00:47:58,200 --> 00:48:00,000
Speaker 3: to know if they were, because I think they were

972
00:48:00,239 --> 00:48:00,840
Speaker 3: Andy Warhol.

973
00:48:02,320 --> 00:48:02,920
Speaker 1: Interesting.

974
00:48:03,000 --> 00:48:04,520
Speaker 2: That is really interesting.

975
00:48:04,600 --> 00:48:05,560
Speaker 1: That is interesting.

976
00:48:06,080 --> 00:48:07,680
Speaker 2: I'm just saying that's really interesting.

977
00:48:07,680 --> 00:48:09,640
Speaker 1: I mean if Andy Orle is that all of New

978
00:48:09,719 --> 00:48:15,840
Speaker 1: York is? I mean, honey, the seventies. There's no photographic

979
00:48:15,840 --> 00:48:19,200
Speaker 1: for the seventy ovelo Underground. I mean, this is getting cral.

980
00:48:19,200 --> 00:48:21,440
Speaker 2: You know, that's why they call developed underground. No one

981
00:48:21,480 --> 00:48:22,440
Speaker 2: above ground never saw those.

982
00:48:22,880 --> 00:48:34,960
Speaker 3: Yeah, put that in your special George develot on a round, Honey.

983
00:48:33,000 --> 00:48:33,879
Speaker 1: There was another thing.

984
00:48:34,000 --> 00:48:36,520
Speaker 2: Not to be so obvious. But I do also want

985
00:48:36,560 --> 00:48:39,759
Speaker 2: to know exactly in Hollywood which men are gay and

986
00:48:39,840 --> 00:48:40,879
Speaker 2: who has had sex with him?

987
00:48:41,200 --> 00:48:42,680
Speaker 1: When you die, it should come out.

988
00:48:42,840 --> 00:48:45,839
Speaker 2: Come on. Yeah, I've heard of a fair I've heard

989
00:48:45,880 --> 00:48:48,960
Speaker 2: of a threesome that happened at Juilliard, which I can't

990
00:48:48,960 --> 00:48:50,680
Speaker 2: mention because I will be shot. There's going to be

991
00:48:50,719 --> 00:48:51,480
Speaker 2: a laser on my forehead.

992
00:48:51,520 --> 00:48:52,879
Speaker 3: But you need to mention it to us off air.

993
00:48:53,000 --> 00:48:56,399
Speaker 2: Well, of course, yes, I've heard of a three someme

994
00:48:56,440 --> 00:48:58,319
Speaker 2: that happened at Jilliards. I mean, I'll say it now

995
00:48:58,480 --> 00:48:59,279
Speaker 2: and then we'll believe it.

996
00:48:59,280 --> 00:49:01,560
Speaker 1: It's and I believe.

997
00:49:01,800 --> 00:49:03,440
Speaker 3: Sure, that's very believable.

998
00:49:03,640 --> 00:49:06,720
Speaker 2: No, no, sorry, yeah, I want to know if that happened.

999
00:49:06,760 --> 00:49:08,640
Speaker 2: And I'm sorry, sorry. I want video footage.

1000
00:49:08,840 --> 00:49:11,160
Speaker 3: I want video Olympics. But I'm sure it happened.

1001
00:49:11,239 --> 00:49:12,279
Speaker 1: It doesn't even sound far from that.

1002
00:49:12,360 --> 00:49:12,880
Speaker 2: No, it doesn't.

1003
00:49:12,920 --> 00:49:17,239
Speaker 3: No, it sounds cozy average. Yeah, I have a crazy story. Okay,

1004
00:49:17,280 --> 00:49:20,080
Speaker 3: but I can't that I need to tell off air.

1005
00:49:20,800 --> 00:49:22,040
Speaker 2: You'll tell.

1006
00:49:22,719 --> 00:49:25,560
Speaker 3: But it's about three suns. Okay, it's about Hollywood celebrity.

1007
00:49:25,560 --> 00:49:26,000
Speaker 3: Three sounds.

1008
00:49:26,000 --> 00:49:28,239
Speaker 2: I mean Hollywood clebrity threasons. People don't know the kinds

1009
00:49:28,239 --> 00:49:30,759
Speaker 2: of depraved things that are happening in the Hollywood Hills. Yeah,

1010
00:49:31,600 --> 00:49:33,040
Speaker 2: we're talking foot fetishes.

1011
00:49:33,200 --> 00:49:38,040
Speaker 3: I live in those hills, and honey, weird things are happening.

1012
00:49:38,080 --> 00:49:40,120
Speaker 1: Prvy, pervy stuff, pervy stuff.

1013
00:49:40,280 --> 00:49:42,520
Speaker 3: Do you want to know my my topic?

1014
00:49:42,600 --> 00:49:44,400
Speaker 1: Oh yes, yes, Well wait, we need to do our

1015
00:49:44,480 --> 00:49:45,000
Speaker 1: first second.

1016
00:49:45,040 --> 00:49:46,759
Speaker 2: Okay, let's very quickly do a first segment and then

1017
00:49:46,800 --> 00:49:48,480
Speaker 2: go right into your topic because it's a really good topic.

1018
00:49:52,880 --> 00:49:55,680
Speaker 1: Okay. Our first time is hell straight shooters in this thing?

1019
00:49:55,680 --> 00:49:57,320
Speaker 1: When we ask you a series wrapping questions, basically this

1020
00:49:57,360 --> 00:49:58,480
Speaker 1: thing is this the other thing? The only rules can't

1021
00:49:58,480 --> 00:50:01,040
Speaker 1: ask the follow questions were screaming you okay, okay, gret

1022
00:50:01,120 --> 00:50:03,319
Speaker 1: up Triple Axel or Little Rascal to.

1023
00:50:03,440 --> 00:50:07,239
Speaker 2: Bleaxel began, Todelini or Linda Cardelini, Linda Cardlini, going to.

1024
00:50:07,200 --> 00:50:09,319
Speaker 1: The lake house, or throwing out that stained blouse.

1025
00:50:09,040 --> 00:50:13,240
Speaker 2: Going to the lakehouse, Nice Jacob Alordi, or eating disorder.

1026
00:50:12,920 --> 00:50:17,520
Speaker 1: Eating disorder, losing the thread or oohing from head.

1027
00:50:17,600 --> 00:50:18,960
Speaker 3: Oohing from head.

1028
00:50:20,280 --> 00:50:23,640
Speaker 2: Oh. This was a listener submitted one from David shout

1029
00:50:23,640 --> 00:50:26,919
Speaker 2: out listener David Epinephrin or Nora Efrin.

1030
00:50:26,680 --> 00:50:31,840
Speaker 1: Oh nor Efrin recipe for Disaster or the cinematography in

1031
00:50:31,880 --> 00:50:32,239
Speaker 1: the Master.

1032
00:50:35,440 --> 00:50:37,840
Speaker 3: I'm gonna go cinematography in the Master.

1033
00:50:38,160 --> 00:50:40,200
Speaker 2: Hollywood, Macha la bamatio, don't get.

1034
00:50:40,080 --> 00:50:41,360
Speaker 3: Hote don quixote?

1035
00:50:42,800 --> 00:50:46,680
Speaker 2: Wow? Okay, sorry, what's your topic for Breeze?

1036
00:50:46,920 --> 00:50:51,040
Speaker 1: Fuck Caze? I want to pause. Yeah, I cannot believe

1037
00:50:51,080 --> 00:50:54,560
Speaker 1: we just spent like forty minutes doing conspiracy theories.

1038
00:50:54,840 --> 00:50:55,719
Speaker 2: By the way, I love it.

1039
00:50:55,560 --> 00:50:59,960
Speaker 1: It went fast ivored episode conspiracy theories for Breez.

1040
00:51:00,239 --> 00:51:04,640
Speaker 3: But this is what they want us to do, and

1041
00:51:04,680 --> 00:51:07,359
Speaker 3: I'm going to say it right now for Breeze. Sigh up.

1042
00:51:09,000 --> 00:51:10,640
Speaker 2: Okay for Breeze, and.

1043
00:51:10,600 --> 00:51:12,200
Speaker 3: I have a lot yeah to say about it.

1044
00:51:12,239 --> 00:51:14,520
Speaker 2: So here's here. I'm literally going to give you the

1045
00:51:14,560 --> 00:51:19,319
Speaker 2: floor after say the sentence. Yeah. On the one hand,

1046
00:51:19,480 --> 00:51:21,040
Speaker 2: I could see it being a sigh up. On the

1047
00:51:21,080 --> 00:51:24,000
Speaker 2: other hand, there is something that is so to the

1048
00:51:24,040 --> 00:51:27,640
Speaker 2: average mind appealing about it that I could also see

1049
00:51:27,640 --> 00:51:30,759
Speaker 2: it being completely in earnest. It's like people just see

1050
00:51:30,840 --> 00:51:33,439
Speaker 2: on TV you can have a spray that fixes it, right,

1051
00:51:33,480 --> 00:51:35,920
Speaker 2: and they're like, well, of course I want that, but

1052
00:51:36,000 --> 00:51:36,520
Speaker 2: what is that?

1053
00:51:36,800 --> 00:51:39,960
Speaker 3: And I'll tell you what that is. Yes, go, do

1054
00:51:40,040 --> 00:51:41,239
Speaker 3: I have like two minutes.

1055
00:51:40,960 --> 00:51:43,399
Speaker 2: To you have literally as much time as you want.

1056
00:51:44,280 --> 00:51:49,279
Speaker 3: Okay for breeze. Oh, it's been marketed to us as

1057
00:51:49,320 --> 00:51:55,160
Speaker 3: so many things, room spray, fabric spray. It started as

1058
00:51:55,200 --> 00:51:58,920
Speaker 3: fabric spray. And the way that that kind of was,

1059
00:51:58,960 --> 00:52:02,920
Speaker 3: and it always kind of made me sick, was that's stinky.

1060
00:52:03,440 --> 00:52:08,520
Speaker 3: Don't wash it, just spray it down with for breeze. Huh.

1061
00:52:09,120 --> 00:52:14,160
Speaker 3: Interesting concept. So you're saying if something's dirty and smells

1062
00:52:14,280 --> 00:52:19,719
Speaker 3: like shit, that I don't need to wash it. I

1063
00:52:19,760 --> 00:52:23,319
Speaker 3: can just be a nasty little fucker and spray it

1064
00:52:23,400 --> 00:52:29,600
Speaker 3: with an aerosol spray that smells putred. Mind you. So

1065
00:52:31,200 --> 00:52:33,719
Speaker 3: the reason why I think it's a sye op is

1066
00:52:33,880 --> 00:52:35,239
Speaker 3: it promotes.

1067
00:52:35,280 --> 00:52:37,040
Speaker 1: So the question is at culture.

1068
00:52:37,320 --> 00:52:41,440
Speaker 3: It's straight culture and straight it's the straightest thing that

1069
00:52:41,560 --> 00:52:44,600
Speaker 3: it can be. Why, well, First, let's start with that

1070
00:52:44,880 --> 00:52:49,560
Speaker 3: it's so straight. Specifically, it's for who doesn't have time

1071
00:52:51,160 --> 00:52:55,879
Speaker 3: to give themselves the pleasure of something that smells good.

1072
00:52:56,920 --> 00:52:58,280
Speaker 3: A frazzle dazzled mom.

1073
00:52:58,239 --> 00:53:02,480
Speaker 2: Exactly who doesn't? Guy that it's either frazzled mom who

1074
00:53:02,480 --> 00:53:05,040
Speaker 2: literally doesn't have time or frat guy that doesn't own

1075
00:53:05,080 --> 00:53:06,439
Speaker 2: cleaning correct.

1076
00:53:06,160 --> 00:53:09,480
Speaker 3: Correct, who doesn't have the skill set? Yes, straight men?

1077
00:53:09,680 --> 00:53:12,880
Speaker 3: Y who is who does not want to learn or

1078
00:53:12,920 --> 00:53:16,640
Speaker 3: have motivation to learn the skill set? Straight men? And

1079
00:53:16,680 --> 00:53:18,560
Speaker 3: this is where I go back to SIOP, which is

1080
00:53:19,360 --> 00:53:24,239
Speaker 3: when we allow people to live in not even mediocrity

1081
00:53:24,640 --> 00:53:29,680
Speaker 3: sub below actual bare fucking minimum, then we leave them

1082
00:53:29,680 --> 00:53:32,760
Speaker 3: without skills. So then when we have people without skills,

1083
00:53:32,800 --> 00:53:35,480
Speaker 3: they become helpless, they become dumb. They're not learning, they're

1084
00:53:35,520 --> 00:53:39,400
Speaker 3: not growing, they're not challenging themselves. That's for Breeze.

1085
00:53:39,680 --> 00:53:44,600
Speaker 1: This is so you're it's it's essentially by I'm actually

1086
00:53:44,600 --> 00:53:48,160
Speaker 1: loving the conspiracy side of this. Yeah too, it's sort

1087
00:53:48,160 --> 00:53:51,239
Speaker 1: of like taking away public education, yeah, introducing for breeze. Yes,

1088
00:53:51,280 --> 00:53:52,880
Speaker 1: where it's like we will have masses that don't know

1089
00:53:52,880 --> 00:53:55,160
Speaker 1: how to clean correct, so we can control.

1090
00:53:54,840 --> 00:53:55,840
Speaker 3: Them correct, and we can't.

1091
00:53:55,840 --> 00:53:56,560
Speaker 1: They will need us.

1092
00:53:56,840 --> 00:54:01,320
Speaker 3: They can't do the laundry. I'm sorry, Like gay people

1093
00:54:01,480 --> 00:54:07,240
Speaker 3: are doing the fucking laundry always. I have never once

1094
00:54:08,080 --> 00:54:15,080
Speaker 3: gone into a queer person's home and gone, is that

1095
00:54:15,400 --> 00:54:19,080
Speaker 3: the putrid smell of like petunia linen that, like it

1096
00:54:19,160 --> 00:54:21,920
Speaker 3: says in a freeze can never I've never even seen

1097
00:54:21,960 --> 00:54:24,040
Speaker 3: it in anywhere.

1098
00:54:24,160 --> 00:54:26,440
Speaker 2: No, gay people will introduce you to a new brand

1099
00:54:26,560 --> 00:54:29,280
Speaker 2: of dryer sheets that they got from Denmark. Correct.

1100
00:54:29,640 --> 00:54:30,080
Speaker 3: Correct.

1101
00:54:30,960 --> 00:54:33,719
Speaker 2: I think the educational element is really interesting because what

1102
00:54:33,800 --> 00:54:37,600
Speaker 2: happens is you take away home economics, like just the

1103
00:54:37,640 --> 00:54:40,960
Speaker 2: idea of knowing how to live your life, like just

1104
00:54:41,000 --> 00:54:44,040
Speaker 2: how to you know, how to sew back, how to

1105
00:54:44,040 --> 00:54:47,040
Speaker 2: sew a button back on a shirt, how to like,

1106
00:54:47,640 --> 00:54:49,880
Speaker 2: how to clean, how to whatever, and then what you

1107
00:54:49,920 --> 00:54:51,680
Speaker 2: get is for breeze in the same way that when

1108
00:54:51,680 --> 00:54:55,520
Speaker 2: you take away civics classes, what you get is Donald Trump.

1109
00:54:55,920 --> 00:54:58,359
Speaker 2: Like Fabreeze is the Donald Trump of cleaning products. Yes,

1110
00:54:58,840 --> 00:55:01,240
Speaker 2: it's a quick fix for something that is a systemic problem.

1111
00:55:01,360 --> 00:55:05,000
Speaker 1: Also, it's of course to sell product. You're making it

1112
00:55:05,000 --> 00:55:06,680
Speaker 1: so people don't know how to do anything, so they

1113
00:55:06,680 --> 00:55:07,960
Speaker 1: have to buy a thing to do it for that.

1114
00:55:08,600 --> 00:55:12,920
Speaker 3: Oh, your room reeks of shit, literally, just like vacuum

1115
00:55:12,960 --> 00:55:16,600
Speaker 3: clean your floors, and I don't know, spraying a mask

1116
00:55:16,640 --> 00:55:17,560
Speaker 3: it's a band.

1117
00:55:17,280 --> 00:55:18,200
Speaker 1: Aid, it's a band aid.

1118
00:55:18,239 --> 00:55:18,759
Speaker 2: It's a band aid.

1119
00:55:18,880 --> 00:55:22,960
Speaker 3: And straight culture is often putting band aids of a problem.

1120
00:55:23,000 --> 00:55:25,759
Speaker 2: Well, it's completely and it is a complete lack of

1121
00:55:25,800 --> 00:55:28,160
Speaker 2: curiosity about where that problem came from. Like you have

1122
00:55:28,200 --> 00:55:30,359
Speaker 2: a gaping wound, You're not going to think, how did

1123
00:55:30,400 --> 00:55:32,239
Speaker 2: I get that wound? You're going to put a bunch

1124
00:55:32,239 --> 00:55:34,600
Speaker 2: of band aids on it and keep going through the woods.

1125
00:55:34,680 --> 00:55:35,040
Speaker 3: Exactly.

1126
00:55:35,040 --> 00:55:37,399
Speaker 2: It's like being cut by every branch in your way.

1127
00:55:37,480 --> 00:55:39,840
Speaker 2: I would go so far as to say all sprays

1128
00:55:39,920 --> 00:55:45,240
Speaker 2: are straight. It's one of the straightest forms of matter.

1129
00:55:45,640 --> 00:55:48,160
Speaker 2: Because if you think about like a body spray instead

1130
00:55:48,160 --> 00:55:53,040
Speaker 2: of duorant, it's like, no, use a deodorant, yeah, it's better,

1131
00:55:54,920 --> 00:55:57,800
Speaker 2: Or any kind of room spray instead of a candle.

1132
00:55:57,840 --> 00:55:58,920
Speaker 2: It's like use a candle.

1133
00:55:59,000 --> 00:56:01,399
Speaker 1: It is it's going to be better for your room.

1134
00:56:01,719 --> 00:56:05,920
Speaker 2: Like Liesol spray exactly, Liesol spray instead of like a

1135
00:56:05,960 --> 00:56:09,080
Speaker 2: more sort of like viscous type of clean like a spray,

1136
00:56:09,400 --> 00:56:11,280
Speaker 2: is this promise of a quick fix.

1137
00:56:11,800 --> 00:56:12,319
Speaker 1: It's tech.

1138
00:56:12,760 --> 00:56:13,320
Speaker 2: It's tech.

1139
00:56:13,480 --> 00:56:14,000
Speaker 1: It's tech.

1140
00:56:14,040 --> 00:56:17,520
Speaker 3: And also you can't see it isn't that fun? You

1141
00:56:17,600 --> 00:56:19,000
Speaker 3: just put it in the air. Oh my god, I

1142
00:56:19,000 --> 00:56:21,600
Speaker 3: didn't even see the thing that you'd all my problems.

1143
00:56:21,640 --> 00:56:24,560
Speaker 2: Mean, while you're dying slowly because you're inhaling, like you're

1144
00:56:24,840 --> 00:56:26,520
Speaker 2: the ozone layer within is being.

1145
00:56:26,320 --> 00:56:28,360
Speaker 1: Distroyed, and you're voting for whoever they tell you to.

1146
00:56:28,760 --> 00:56:29,560
Speaker 2: And also that.

1147
00:56:33,120 --> 00:56:35,920
Speaker 3: Yeah, and I would just like to list you some

1148
00:56:36,000 --> 00:56:40,239
Speaker 3: of these I would say, deranged sense that only a

1149
00:56:40,440 --> 00:56:44,000
Speaker 3: straight mind, only to be honest with you, a straight

1150
00:56:44,360 --> 00:56:48,680
Speaker 3: male mind would come up with. And let me just

1151
00:56:48,719 --> 00:56:51,000
Speaker 3: go back off of my todds. Okay, so we of

1152
00:56:51,040 --> 00:56:57,600
Speaker 3: course have for breeze ocean Jesus Christ. Okay, Now that's

1153
00:56:57,640 --> 00:56:58,640
Speaker 3: a big concept.

1154
00:56:59,440 --> 00:57:01,080
Speaker 1: There's a lot of it's in the ocean, the result

1155
00:57:01,160 --> 00:57:03,520
Speaker 1: do you mean the trash island floating in the Pacific?

1156
00:57:03,680 --> 00:57:06,719
Speaker 3: And if this weren't straight, it would say for breeze

1157
00:57:07,120 --> 00:57:10,200
Speaker 3: and then it would say coastal Maine.

1158
00:57:10,480 --> 00:57:13,480
Speaker 1: Now that now specific important.

1159
00:57:13,719 --> 00:57:15,120
Speaker 3: Now I know what I'm smelling.

1160
00:57:15,160 --> 00:57:17,520
Speaker 2: Ocean breaks my heart because it's like, so you've never

1161
00:57:17,560 --> 00:57:17,920
Speaker 2: been there.

1162
00:57:17,960 --> 00:57:18,160
Speaker 3: Yeah.

1163
00:57:18,320 --> 00:57:21,240
Speaker 2: The person that came up with that is like, I

1164
00:57:21,280 --> 00:57:24,040
Speaker 2: actually saw one movie that was set in the ocean,

1165
00:57:24,040 --> 00:57:26,520
Speaker 2: finding Nemo and I wonder what it smells like.

1166
00:57:26,960 --> 00:57:28,720
Speaker 3: Yeah, Nemo. Oh my god, I wish it was called

1167
00:57:28,760 --> 00:57:32,160
Speaker 3: Nemo's Ocean and that would be beautiful, very nice. Now

1168
00:57:32,200 --> 00:57:38,920
Speaker 3: the next one gain oh the brand correct, and that's Sinister.

1169
00:57:39,320 --> 00:57:43,120
Speaker 3: That's collabed between for Breeze and Game. So here's and

1170
00:57:43,200 --> 00:57:46,720
Speaker 3: here's why I think this is so even more dark.

1171
00:57:47,400 --> 00:57:51,400
Speaker 3: It's You're not going to do your laundry, but I'm

1172
00:57:51,440 --> 00:57:56,880
Speaker 3: going to make it smell like the laundry. Oh scary.

1173
00:57:57,960 --> 00:58:01,200
Speaker 3: And now here's one that this one's really sending me

1174
00:58:01,240 --> 00:58:08,560
Speaker 3: to the void my mind. Is for Breeze scent heavy duty.

1175
00:58:10,720 --> 00:58:12,200
Speaker 2: Oh no, the.

1176
00:58:12,280 --> 00:58:13,760
Speaker 1: Scent is heavy duty.

1177
00:58:13,880 --> 00:58:16,240
Speaker 3: Yeah.

1178
00:58:16,400 --> 00:58:19,760
Speaker 2: Oh, you're you're throwing a you're throwing a holiday party.

1179
00:58:19,840 --> 00:58:22,280
Speaker 2: You haven't cleaned your house in five years. You're saying

1180
00:58:22,680 --> 00:58:27,400
Speaker 2: I'm desperate here. Yeah, again for Breeze heavy duty. Surely

1181
00:58:27,440 --> 00:58:30,280
Speaker 2: this will fix everything. Yeah, your guests come, they dropped

1182
00:58:30,280 --> 00:58:30,880
Speaker 2: out on the spot.

1183
00:58:31,000 --> 00:58:35,800
Speaker 3: Yeah, my mother's die of heavy duty. For Breeze inhalation.

1184
00:58:36,160 --> 00:58:37,560
Speaker 1: That is so scary.

1185
00:58:37,720 --> 00:58:41,720
Speaker 3: The other sense that I'll just quickly say, Bamboo.

1186
00:58:44,720 --> 00:58:45,960
Speaker 1: I kind of love that one.

1187
00:58:47,040 --> 00:58:53,680
Speaker 3: Spring and Renewal, Oh my god, I'm gonna cry. Golden

1188
00:58:54,080 --> 00:58:59,280
Speaker 3: Orchid no cranberry for the holidays.

1189
00:58:59,560 --> 00:59:00,840
Speaker 1: Holidays. Well, that's kind of fun.

1190
00:59:01,040 --> 00:59:02,919
Speaker 3: And then I do think a gay guy did this.

1191
00:59:04,000 --> 00:59:07,400
Speaker 3: I think a gay guy did these two bora bora waters.

1192
00:59:07,760 --> 00:59:11,640
Speaker 2: Oh yeah, and that gay guy is he's forty seven. Yeah,

1193
00:59:12,000 --> 00:59:15,800
Speaker 2: fillers like you've never seen in your life. Yeah, muscle tank.

1194
00:59:15,920 --> 00:59:19,080
Speaker 3: Yeah, but guess what he never stopped wearing TODs, never,

1195
00:59:19,160 --> 00:59:19,920
Speaker 3: never wearing.

1196
00:59:20,080 --> 00:59:21,919
Speaker 1: The stomach is hard as a rock.

1197
00:59:22,520 --> 00:59:24,600
Speaker 2: He stopped wearing them for one summer when he discovered

1198
00:59:24,600 --> 00:59:26,960
Speaker 2: the giant ball in August, and he would do muscle

1199
00:59:27,000 --> 00:59:29,560
Speaker 2: tank giant yes, yes.

1200
00:59:29,920 --> 00:59:32,240
Speaker 3: And then he also named honeysuckle.

1201
00:59:32,720 --> 00:59:33,680
Speaker 2: Yeah that's fun.

1202
00:59:33,800 --> 00:59:38,720
Speaker 3: Yeah, that's fun, that's cute. Yezy, take me laugh. Oh

1203
00:59:38,720 --> 00:59:40,440
Speaker 3: he also did Mediterranean lavender.

1204
00:59:41,200 --> 00:59:44,440
Speaker 1: Yeah travel Yeah, he's like.

1205
00:59:46,800 --> 00:59:47,520
Speaker 3: Cat him around.

1206
00:59:48,760 --> 00:59:50,640
Speaker 1: I never want to forget those Mediterranean waters.

1207
00:59:50,680 --> 00:59:53,040
Speaker 3: He's next up is for Breeze tea.

1208
00:59:53,840 --> 00:59:58,360
Speaker 2: You know, Mediterranean leaven is like leavender isn't Mediterranean? What

1209
00:59:58,400 --> 01:00:00,800
Speaker 2: are you talking about? Just two things?

1210
01:00:00,880 --> 01:00:03,760
Speaker 3: Hello, it's a French.

1211
01:00:03,320 --> 01:00:07,560
Speaker 1: Damn well, that is scary. I don't realize how many

1212
01:00:07,680 --> 01:00:08,520
Speaker 1: flavors there are.

1213
01:00:08,640 --> 01:00:11,680
Speaker 3: No, it's it's it's scary. And when i's a yank

1214
01:00:11,800 --> 01:00:17,320
Speaker 3: candle Yeah, but at least, Yankee candle, you're giving me

1215
01:00:17,440 --> 01:00:19,520
Speaker 3: kind of back to the conversation of losing your mind

1216
01:00:19,600 --> 01:00:22,200
Speaker 3: or whatever when you're lighting that candle. Yeah, you're giving

1217
01:00:22,200 --> 01:00:25,200
Speaker 3: me a sense of play. For breeze. You're giving me

1218
01:00:26,880 --> 01:00:30,920
Speaker 3: bare minimum. I'm not even thinking about the quality of

1219
01:00:30,920 --> 01:00:33,320
Speaker 3: my life, Yankee candle. You are thinking, Oh, I want

1220
01:00:33,360 --> 01:00:36,439
Speaker 3: a gorgeous candle in my house. Is that Are those

1221
01:00:36,440 --> 01:00:39,800
Speaker 3: fragrances for me? No, But that person wants to treat themselves.

1222
01:00:39,920 --> 01:00:42,200
Speaker 3: They want they want the glow of a candle, feeling

1223
01:00:42,240 --> 01:00:44,440
Speaker 3: of a candle, to slow burn of a candle, the

1224
01:00:44,560 --> 01:00:47,400
Speaker 3: for breeze. When I see a can of for breeze

1225
01:00:47,440 --> 01:00:52,640
Speaker 3: in anywhere that's not a bathroom in a gas station,

1226
01:00:53,160 --> 01:00:55,520
Speaker 3: my heart breaks. I see it and I say, now,

1227
01:00:55,680 --> 01:00:59,120
Speaker 3: this is a person that needs to put their feet

1228
01:00:59,160 --> 01:01:01,800
Speaker 3: on the grass and the moment.

1229
01:01:02,120 --> 01:01:05,000
Speaker 2: And the gas station bathroom is so apt because it's like, Okay,

1230
01:01:05,000 --> 01:01:06,880
Speaker 2: think about every gas station bathroom you've been to, they

1231
01:01:06,880 --> 01:01:08,520
Speaker 2: all have a can of for breeze. Now, think about

1232
01:01:08,560 --> 01:01:13,320
Speaker 2: your home. You're modeling it after a gas station bathroom.

1233
01:01:13,360 --> 01:01:14,200
Speaker 3: You need to love yourself.

1234
01:01:14,200 --> 01:01:16,280
Speaker 1: You know what if you have fa breeze in your

1235
01:01:16,280 --> 01:01:19,080
Speaker 1: home that you use regularly. I recommend watching Portrait of

1236
01:01:19,200 --> 01:01:21,800
Speaker 1: Lady on Fire. Yeah, like you need to like experience

1237
01:01:21,840 --> 01:01:23,040
Speaker 1: a depth of emotion.

1238
01:01:23,800 --> 01:01:27,800
Speaker 2: I recommend purchasing a silk scarf and just putting it

1239
01:01:27,800 --> 01:01:28,880
Speaker 2: on your skin, yeah.

1240
01:01:28,720 --> 01:01:29,280
Speaker 3: And just feeling it.

1241
01:01:29,280 --> 01:01:34,200
Speaker 2: That's just straight even just like throw it and see

1242
01:01:34,200 --> 01:01:38,040
Speaker 2: how it lands. That's natural beauty. And then kind of

1243
01:01:38,120 --> 01:01:41,880
Speaker 2: try to internalize that and say, what if this scarf

1244
01:01:42,040 --> 01:01:44,120
Speaker 2: were to lead me down a different path exactly?

1245
01:01:44,880 --> 01:01:47,680
Speaker 3: And you know what people should know a fun fact

1246
01:01:47,680 --> 01:01:50,680
Speaker 3: about for Breeze and what led me to this topic

1247
01:01:50,920 --> 01:02:00,640
Speaker 3: is my home had uh termites very common in Los Angeles.

1248
01:02:00,680 --> 01:02:02,720
Speaker 1: So they say, that's what my landlord said, very.

1249
01:02:02,560 --> 01:02:07,520
Speaker 3: Common, very annoying. Guess what is the biggest deterrent for

1250
01:02:07,680 --> 01:02:12,000
Speaker 3: termites for breeze? Really And this made me respect them

1251
01:02:12,560 --> 01:02:16,720
Speaker 3: because I said, Wow, they don't want to be anywhere

1252
01:02:16,920 --> 01:02:19,960
Speaker 3: near They want to eat a hopeful home. They want

1253
01:02:20,000 --> 01:02:25,080
Speaker 3: to eat a home that you know has soul. Yeah,

1254
01:02:25,120 --> 01:02:28,160
Speaker 3: they smell that for breeze. They say, oh, these people,

1255
01:02:28,160 --> 01:02:28,800
Speaker 3: I don't want to eat this.

1256
01:02:29,040 --> 01:02:31,400
Speaker 1: It's like when I when you know, when I when

1257
01:02:31,440 --> 01:02:34,400
Speaker 1: an animal is raised ethically and period, it takes better.

1258
01:02:35,760 --> 01:02:39,280
Speaker 3: Homes are the same. Isn't that crazy?

1259
01:02:39,560 --> 01:02:40,880
Speaker 1: That's that's really crazy.

1260
01:02:44,000 --> 01:02:45,680
Speaker 3: I do have so there is a bottle of for

1261
01:02:45,720 --> 01:02:48,080
Speaker 3: breeze I will admit in my home because of the termites.

1262
01:02:48,400 --> 01:02:50,439
Speaker 3: But if anybody ever clocks that bottle of for breeze,

1263
01:02:50,440 --> 01:02:53,440
Speaker 3: which they never would, I would immediately say, and I

1264
01:02:53,480 --> 01:02:55,000
Speaker 3: want you to know that is where.

1265
01:02:54,880 --> 01:02:57,560
Speaker 2: We had a termative and you quickly bring out your

1266
01:02:57,600 --> 01:02:59,880
Speaker 2: love candle and you hope they forget. You're just like.

1267
01:03:00,000 --> 01:03:02,840
Speaker 3: Answering exactly exactly.

1268
01:03:03,520 --> 01:03:05,840
Speaker 1: There's something so funny about fabreez too, where it's like

1269
01:03:06,240 --> 01:03:08,000
Speaker 1: another straight thing. Is it kind of reminds me of

1270
01:03:08,000 --> 01:03:11,200
Speaker 1: like a return to sort of the like fifties household. Yeah,

1271
01:03:11,240 --> 01:03:15,000
Speaker 1: where it's like, oh you have you're sick, try cocaine.

1272
01:03:14,520 --> 01:03:16,439
Speaker 3: Like there's something like that's fun.

1273
01:03:16,800 --> 01:03:17,600
Speaker 1: That's what it's like.

1274
01:03:17,640 --> 01:03:18,640
Speaker 2: This works by the way.

1275
01:03:21,440 --> 01:03:24,680
Speaker 1: It was like these chemicals will save you. It's like, actually,

1276
01:03:24,760 --> 01:03:27,720
Speaker 1: like it's not really the fixed. Don'ting wrong? What a blast.

1277
01:03:27,640 --> 01:03:34,080
Speaker 3: Breeze is too. Fabreez is to cleaning what gogurt was

1278
01:03:34,240 --> 01:03:35,240
Speaker 3: to breakfast food.

1279
01:03:35,880 --> 01:03:39,560
Speaker 2: Literally, yeah, you know. It's also like to think that

1280
01:03:40,080 --> 01:03:44,640
Speaker 2: a gorgeous icelandic yogurt with a spoon is a problem

1281
01:03:44,640 --> 01:03:47,640
Speaker 2: that needs to be fixed. Yeah, and rather than a

1282
01:03:47,760 --> 01:03:50,760
Speaker 2: luxury you can have in the bar of a boutique

1283
01:03:50,760 --> 01:03:51,320
Speaker 2: hotel room.

1284
01:03:51,480 --> 01:03:55,440
Speaker 3: Well, Ellen DeGeneres, she had an amazing gogurt joke in

1285
01:03:55,520 --> 01:03:56,440
Speaker 3: one of her specials.

1286
01:03:56,440 --> 01:03:58,000
Speaker 2: Well, she's honestly like a really good community.

1287
01:03:58,080 --> 01:04:00,200
Speaker 3: Yes, but her whole thing was like, oh I can't

1288
01:04:00,240 --> 01:04:02,160
Speaker 3: like I can't go to the movies. Oh why I

1289
01:04:02,240 --> 01:04:04,280
Speaker 3: just cracked open a yogurt. It's not like.

1290
01:04:04,280 --> 01:04:08,000
Speaker 1: Eating a yogurt ta yeah, yeah, it's a free hour.

1291
01:04:08,280 --> 01:04:10,000
Speaker 1: You know, it's interesting that this has been brought up

1292
01:04:10,000 --> 01:04:12,200
Speaker 1: when George was trying to scarf the yogurt just one

1293
01:04:12,240 --> 01:04:16,560
Speaker 1: hour ago. Yogurt actually would have saved.

1294
01:04:17,840 --> 01:04:24,160
Speaker 2: Incident myself better. You know what. The Yankee kettle comparison

1295
01:04:24,280 --> 01:04:27,360
Speaker 2: is so interesting to me because here's the difference. Both

1296
01:04:27,360 --> 01:04:31,400
Speaker 2: are straight, of course, but the Yankee candle customer has

1297
01:04:31,440 --> 01:04:34,600
Speaker 2: the right instinct and the right desire. They just haven't

1298
01:04:34,600 --> 01:04:36,480
Speaker 2: been pointed to the correct direction.

1299
01:04:36,760 --> 01:04:39,720
Speaker 1: Yes, like what they want level, We're going to find.

1300
01:04:39,560 --> 01:04:41,800
Speaker 2: What they want is what they should want. Like they

1301
01:04:41,880 --> 01:04:46,800
Speaker 2: want this like cozy comfort thing. They want to bring

1302
01:04:47,080 --> 01:04:51,520
Speaker 2: a little bit of a Nancy Meyer's vibe to their apartment,

1303
01:04:51,560 --> 01:04:53,600
Speaker 2: you know what I mean. Whereas the instinct of the

1304
01:04:53,640 --> 01:04:56,200
Speaker 2: free breeze customer is wrong. If the breeze customer needs

1305
01:04:56,240 --> 01:05:00,560
Speaker 2: to be stopped, yes and re educated, yes yes, Whereas

1306
01:05:00,560 --> 01:05:02,800
Speaker 2: that Yankee candle customer just needs to be shown like

1307
01:05:02,840 --> 01:05:04,200
Speaker 2: a slightly better version of being candle.

1308
01:05:04,240 --> 01:05:07,200
Speaker 3: And I would say, honestly, I think Yankee candle bisexual

1309
01:05:07,440 --> 01:05:09,360
Speaker 3: because I think there are a lots you got a

1310
01:05:09,520 --> 01:05:13,600
Speaker 3: good Bye slash gay consumers where that is all they

1311
01:05:13,600 --> 01:05:14,240
Speaker 3: have access to.

1312
01:05:14,480 --> 01:05:17,400
Speaker 2: It's also not like they don't smell bad. The smell

1313
01:05:17,800 --> 01:05:21,280
Speaker 2: they're a little cloying, but they're not bad.

1314
01:05:21,480 --> 01:05:23,640
Speaker 1: No, I just love being like the candles are a

1315
01:05:23,680 --> 01:05:25,400
Speaker 1: bit cloying, but well they are.

1316
01:05:25,840 --> 01:05:29,960
Speaker 2: My mom did something where she bought a giant, giant

1317
01:05:30,760 --> 01:05:36,560
Speaker 2: Christmas like cinnamon and nutmeg candle, and it's so strong

1318
01:05:36,600 --> 01:05:39,040
Speaker 2: that you don't have to light it. The entire house

1319
01:05:39,040 --> 01:05:41,439
Speaker 2: smells like it and she has not removed it from

1320
01:05:41,480 --> 01:05:45,080
Speaker 2: its perch since two Christmases ago. So every time I

1321
01:05:45,120 --> 01:05:48,840
Speaker 2: go home, I'm talking, I'm assaulted, sure by the smell

1322
01:05:48,880 --> 01:05:50,040
Speaker 2: of nutmeg and cinnamon.

1323
01:05:50,760 --> 01:05:53,400
Speaker 3: I mean, I would just like to say Berry's boot

1324
01:05:53,400 --> 01:05:58,840
Speaker 3: Camp Studio City, the Pumpkin candle is strong strong.

1325
01:05:59,080 --> 01:06:02,320
Speaker 1: I want to say that, like one of life's great

1326
01:06:02,360 --> 01:06:04,800
Speaker 1: joys when you live in a town in the Midwest

1327
01:06:05,240 --> 01:06:08,160
Speaker 1: is going to the mall forty five minutes away and

1328
01:06:08,320 --> 01:06:13,920
Speaker 1: going into the Yankee candle store and saying, yeah, yum, yeah, Okay,

1329
01:06:13,960 --> 01:06:16,439
Speaker 1: that one's not for me. Yeah, that's your your your

1330
01:06:16,520 --> 01:06:17,520
Speaker 1: finding taste.

1331
01:06:18,360 --> 01:06:20,960
Speaker 3: You know what I actually think is lower than a

1332
01:06:21,040 --> 01:06:26,360
Speaker 3: Yankee candle, uh oh? Is are the candles that people

1333
01:06:26,400 --> 01:06:30,920
Speaker 3: buy that are like cereal, like cereal milk candles, and

1334
01:06:30,960 --> 01:06:35,000
Speaker 3: then it's like wax made to look cereal cookies and

1335
01:06:35,000 --> 01:06:36,560
Speaker 3: cupcake candles.

1336
01:06:37,320 --> 01:06:39,840
Speaker 2: I want to say, a candle should not smell like

1337
01:06:39,880 --> 01:06:46,560
Speaker 2: food that isn't fruit or vegetable. Yeah, you know what's cheesecake? No.

1338
01:06:47,280 --> 01:06:51,000
Speaker 3: And it's interesting because like even with fragrance, like I'm

1339
01:06:51,000 --> 01:06:55,600
Speaker 3: not a huge gormond person in like my fragrance notes.

1340
01:06:56,640 --> 01:06:59,040
Speaker 3: And I've tried like some of my friends that like

1341
01:06:59,280 --> 01:07:02,720
Speaker 3: really smell like gorgeous like musky vanilla. I'm like, oh

1342
01:07:02,720 --> 01:07:06,920
Speaker 3: my god, that's so sexy and like like a sexy

1343
01:07:07,000 --> 01:07:12,080
Speaker 3: like nineties like bombshell. But I have never those sense

1344
01:07:12,160 --> 01:07:16,440
Speaker 3: to me. Do you prefer I prefer like cleaner citrus.

1345
01:07:18,280 --> 01:07:25,480
Speaker 3: I love like fig fragrances. I love like green, I

1346
01:07:25,520 --> 01:07:28,800
Speaker 3: like tomato leaf, I like like basil. I like I

1347
01:07:28,840 --> 01:07:33,480
Speaker 3: like things that are just cleaner. I like more masculine fragrances.

1348
01:07:33,560 --> 01:07:36,320
Speaker 3: I think I like tobacco not on my skin, but

1349
01:07:36,400 --> 01:07:39,440
Speaker 3: I like how it smells. Musk doesn't do well with

1350
01:07:39,480 --> 01:07:42,160
Speaker 3: me because it like turns on my skin. It smells sour.

1351
01:07:43,200 --> 01:07:47,520
Speaker 3: Fragrance is crazy and it's just like yeah, Sam, like

1352
01:07:47,600 --> 01:07:50,800
Speaker 3: cut to actually, let's make this a clip. Okay, we're

1353
01:07:50,800 --> 01:07:53,400
Speaker 3: gonna George. I're gonna rattle off a bunch of sense

1354
01:07:53,440 --> 01:07:57,360
Speaker 3: and they're just gonna slowly fall asleep. Okay, some tall.

1355
01:07:59,160 --> 01:08:08,000
Speaker 2: Geranium, hydrangea, lavender, cannabis, oh, cannabis.

1356
01:08:12,280 --> 01:08:15,520
Speaker 1: No. I sometimes can I say this is when people

1357
01:08:15,600 --> 01:08:19,640
Speaker 1: describe fragrances, I check out. When people describe food.

1358
01:08:19,760 --> 01:08:22,519
Speaker 3: You check in, I'm out, you're out out.

1359
01:08:22,640 --> 01:08:25,519
Speaker 1: When someone's like like when i'm I want the man,

1360
01:08:25,600 --> 01:08:28,559
Speaker 1: you just say, like it's the chicken. With like this,

1361
01:08:28,560 --> 01:08:30,519
Speaker 1: this and this have three words. You can say I

1362
01:08:30,560 --> 01:08:33,000
Speaker 1: have a theory about you with this. But when someone's like,

1363
01:08:33,000 --> 01:08:35,559
Speaker 1: like someone's describing food and they're like yeah, it's actually

1364
01:08:35,560 --> 01:08:37,679
Speaker 1: like really like the garlic is in there, and there's

1365
01:08:37,720 --> 01:08:39,559
Speaker 1: like this buttery thing that really brings it out. And

1366
01:08:39,600 --> 01:08:41,560
Speaker 1: there's like we use some citrus.

1367
01:08:41,080 --> 01:08:43,040
Speaker 2: That's like the chicken with a bright light.

1368
01:08:43,720 --> 01:08:46,439
Speaker 1: And I'm just like, okay, like, get to.

1369
01:08:46,360 --> 01:08:48,720
Speaker 3: The point which speed it out.

1370
01:08:49,040 --> 01:08:51,280
Speaker 1: Is it spicy? Is it? What? What is it?

1371
01:08:51,400 --> 01:08:53,320
Speaker 3: You want them to be like, it's a spicy chicken

1372
01:08:53,400 --> 01:08:55,719
Speaker 3: and the skin is really cristy, and it's good.

1373
01:08:55,800 --> 01:08:57,000
Speaker 1: You get you get four words.

1374
01:08:57,080 --> 01:08:57,840
Speaker 3: Yeah.

1375
01:08:58,000 --> 01:09:01,400
Speaker 2: I think your thing with this is you want to

1376
01:09:01,439 --> 01:09:03,400
Speaker 2: maintain the sense of wonder about the world and you

1377
01:09:03,439 --> 01:09:04,960
Speaker 2: don't like when it's over explained to you.

1378
01:09:05,240 --> 01:09:08,200
Speaker 1: And I actually that's a positive read. No, I would

1379
01:09:08,200 --> 01:09:10,479
Speaker 1: love if that's true. Sometimes I'm like, I'm just like,

1380
01:09:10,520 --> 01:09:13,320
Speaker 1: don't lie. Like I'm like, you can say all these

1381
01:09:13,320 --> 01:09:15,000
Speaker 1: words to me, what does it taste like?

1382
01:09:15,160 --> 01:09:19,639
Speaker 3: Yeah? I I also get frustrated when people like don't

1383
01:09:19,720 --> 01:09:20,840
Speaker 3: tell me the process.

1384
01:09:21,080 --> 01:09:22,400
Speaker 2: Yes, oh I hate I know.

1385
01:09:22,560 --> 01:09:24,720
Speaker 3: Like, Well, we picked it up, we spatchcocked it, and

1386
01:09:24,720 --> 01:09:27,559
Speaker 3: then we brined it for about twenty four hours. After

1387
01:09:27,600 --> 01:09:29,599
Speaker 3: that brining period, we were able to lock it in

1388
01:09:29,600 --> 01:09:32,400
Speaker 3: with some preserved lemon and we did that using sugar

1389
01:09:32,439 --> 01:09:35,840
Speaker 3: that we got in scents. It's like shut off enough.

1390
01:09:36,160 --> 01:09:40,960
Speaker 3: Yeah enough. Also, I'm sorry if anyone says mouth feel

1391
01:09:41,120 --> 01:09:47,440
Speaker 3: to me, don't say it. The same person saying mouthfeel

1392
01:09:47,600 --> 01:09:51,360
Speaker 3: putting little hearts over their feet and picks that is

1393
01:09:51,400 --> 01:09:52,120
Speaker 3: the same person.

1394
01:09:52,560 --> 01:09:56,559
Speaker 1: God. Wow, Wow, this has been a really ground give

1395
01:09:57,040 --> 01:10:00,639
Speaker 1: a word to Greta goes too Cigaretta title.

1396
01:10:00,720 --> 01:10:05,280
Speaker 3: No, I going back to my acupuncturist, right, which I.

1397
01:10:05,240 --> 01:10:06,519
Speaker 1: Don't think we ever got to the bottom of the line.

1398
01:10:06,600 --> 01:10:08,400
Speaker 2: Yeah, yeah, let's circle back. So what happened with the

1399
01:10:08,439 --> 01:10:09,639
Speaker 2: acupuncturists we're talking about?

1400
01:10:09,640 --> 01:10:11,240
Speaker 3: Wonder we were talking about.

1401
01:10:11,040 --> 01:10:13,479
Speaker 2: About and the acupuncturists has maintained their sense.

1402
01:10:13,240 --> 01:10:17,320
Speaker 3: Of play, Oh absolutely, but the feeling of people either

1403
01:10:17,360 --> 01:10:20,879
Speaker 3: going crazy or losing it. And I have been feeling

1404
01:10:21,000 --> 01:10:24,080
Speaker 3: like I've just been feeling this thing and being like

1405
01:10:24,240 --> 01:10:26,080
Speaker 3: can I like, you know, when you get in those

1406
01:10:26,120 --> 01:10:29,040
Speaker 3: modes where it's like, can I think of any idea?

1407
01:10:29,280 --> 01:10:29,360
Speaker 2: Like?

1408
01:10:29,520 --> 01:10:32,880
Speaker 3: Can I think of any new joke? Can I think

1409
01:10:32,920 --> 01:10:36,599
Speaker 3: of any like? Do I experience life?

1410
01:10:36,800 --> 01:10:36,880
Speaker 1: Like?

1411
01:10:37,040 --> 01:10:37,960
Speaker 2: What is that? You know?

1412
01:10:38,080 --> 01:10:42,960
Speaker 3: What is happening? And and he and then yesterday I

1413
01:10:43,080 --> 01:10:45,719
Speaker 3: had a day where I was like, wow, I feel

1414
01:10:45,760 --> 01:10:51,720
Speaker 3: really like creative today, And he was like We're going

1415
01:10:51,760 --> 01:10:54,640
Speaker 3: to focus on opening up your doors, because it's like

1416
01:10:54,680 --> 01:10:58,840
Speaker 3: the feeling of like the doors whatever in my mind whatever.

1417
01:10:58,880 --> 01:11:01,280
Speaker 3: It was like, I felt like the doors of possibility

1418
01:11:01,320 --> 01:11:04,639
Speaker 3: were open. And I like that analogy of like feeling

1419
01:11:04,680 --> 01:11:06,599
Speaker 3: like my mind had all these doors that were open

1420
01:11:06,640 --> 01:11:08,840
Speaker 3: and I could like walk through them and explore them,

1421
01:11:09,280 --> 01:11:12,479
Speaker 3: and I think of, you know, maybe some the Rebel

1422
01:11:12,479 --> 01:11:14,439
Speaker 3: Wilson example, it's like, oh, I just feel like the

1423
01:11:14,479 --> 01:11:18,920
Speaker 3: doors in hermitage. And then you have to have the

1424
01:11:19,000 --> 01:11:21,559
Speaker 3: door because then if you don't have the door, then

1425
01:11:21,600 --> 01:11:24,240
Speaker 3: you become Kanye inevitably, you know.

1426
01:11:24,280 --> 01:11:26,400
Speaker 1: What it has to be able to close to.

1427
01:11:26,720 --> 01:11:30,720
Speaker 2: Yes, though, it's like their doors blown out and they

1428
01:11:30,720 --> 01:11:33,479
Speaker 2: did open concept. Yeah, some people have gone fully open

1429
01:11:33,520 --> 01:11:34,320
Speaker 2: concept of year.

1430
01:11:36,240 --> 01:11:36,880
Speaker 3: It's a lot.

1431
01:11:36,920 --> 01:11:39,719
Speaker 1: The kitchen is in, the toilet is in the bedroom exactly.

1432
01:11:40,439 --> 01:11:43,360
Speaker 2: Yeah, No, it's and and And they were rewarded for

1433
01:11:43,479 --> 01:11:47,400
Speaker 2: going loft. You're a genius. This is an amazing debut album.

1434
01:11:47,560 --> 01:11:51,680
Speaker 3: We need we need the people that have the loft minds. Yes,

1435
01:11:51,880 --> 01:11:53,960
Speaker 3: but you can't permanently live in the loft.

1436
01:11:54,200 --> 01:11:56,120
Speaker 1: At some point you're going to put up a curtain, correct,

1437
01:11:56,160 --> 01:12:01,160
Speaker 1: at least beaded curtain maybe yeah.

1438
01:12:00,080 --> 01:12:11,519
Speaker 3: Sheer screen, Yeah, yeah, to loft. To I was something like,

1439
01:12:11,640 --> 01:12:14,639
Speaker 3: I go loft, like when I take acid, I'm going loft,

1440
01:12:14,720 --> 01:12:17,400
Speaker 3: you know what I'm saying. And to me, I'm like, oh,

1441
01:12:17,439 --> 01:12:20,080
Speaker 3: this is why psychedelics are useful. It allows me to

1442
01:12:20,080 --> 01:12:22,680
Speaker 3: go loft. And then after this experience, I'm like, oh,

1443
01:12:22,720 --> 01:12:24,679
Speaker 3: I know I can go loft. I had fun going loft,

1444
01:12:24,680 --> 01:12:28,120
Speaker 3: and I'm going to take experiences from going loft. The

1445
01:12:28,160 --> 01:12:30,000
Speaker 3: reason why my door's open not to say that this

1446
01:12:30,080 --> 01:12:33,599
Speaker 3: is all all about substances and substance abuse, but like,

1447
01:12:34,160 --> 01:12:37,000
Speaker 3: I've been dealing with a lot of anxiety and finally,

1448
01:12:37,000 --> 01:12:39,760
Speaker 3: two nights ago, I took a kalonapin and I woke

1449
01:12:39,840 --> 01:12:42,720
Speaker 3: up and my anxiety had subsided, and huh, I'm not

1450
01:12:42,720 --> 01:12:45,120
Speaker 3: in that anxious state anymore. And all of a sudden,

1451
01:12:45,280 --> 01:12:48,439
Speaker 3: like the doors crack open a little bit and I'm

1452
01:12:48,479 --> 01:12:51,760
Speaker 3: in a relaxed state and I'm able to like have

1453
01:12:51,800 --> 01:12:53,200
Speaker 3: that conscious experience.

1454
01:12:53,400 --> 01:12:56,639
Speaker 2: Yeah. Yeah, I wonder if I will ever be able

1455
01:12:56,680 --> 01:12:59,439
Speaker 2: to fully go loft because I to me, I think

1456
01:12:59,520 --> 01:13:02,919
Speaker 2: my vibe vibe and you know, feel free to disagree.

1457
01:13:03,120 --> 01:13:05,280
Speaker 2: I feel like what I try to do is that

1458
01:13:05,320 --> 01:13:07,840
Speaker 2: my doors are cracked open, and I'm kind of like

1459
01:13:08,920 --> 01:13:10,120
Speaker 2: and then I go back.

1460
01:13:10,040 --> 01:13:11,240
Speaker 3: Not everyone needs to go loft.

1461
01:13:11,320 --> 01:13:13,200
Speaker 2: Yeah, yeah, you're not meant to go I'm not meant

1462
01:13:13,200 --> 01:13:13,719
Speaker 2: to go loft.

1463
01:13:13,800 --> 01:13:13,880
Speaker 1: No.

1464
01:13:14,240 --> 01:13:19,799
Speaker 3: I think that I think that you can go loft.

1465
01:13:19,920 --> 01:13:25,559
Speaker 3: I think going loft and implies implies a loss of control, yeah, which,

1466
01:13:25,880 --> 01:13:28,280
Speaker 3: And I think that that's a misunderstanding because I think

1467
01:13:28,280 --> 01:13:31,000
Speaker 3: that you can still go loft while being in control.

1468
01:13:31,240 --> 01:13:31,519
Speaker 2: M h.

1469
01:13:32,040 --> 01:13:34,960
Speaker 3: And I think that I'm a control freak. We're all

1470
01:13:34,960 --> 01:13:39,320
Speaker 3: control freaks here in this very space, this room, as

1471
01:13:39,320 --> 01:13:41,400
Speaker 3: I think a lot of ambitious people are, because we're like,

1472
01:13:42,840 --> 01:13:46,719
Speaker 3: you know, like that constantly. And I think that going

1473
01:13:46,760 --> 01:13:51,440
Speaker 3: loft could also be like moments where you're truly relaxed

1474
01:13:51,640 --> 01:13:53,759
Speaker 3: and where you're like in the moment of being like wow,

1475
01:13:53,840 --> 01:13:56,759
Speaker 3: like I'm really relaxed and I'm like really in my body.

1476
01:13:56,800 --> 01:13:59,439
Speaker 3: I think that like meditation can be going loft. I

1477
01:13:59,479 --> 01:14:03,120
Speaker 3: think that the things that just get us to be

1478
01:14:03,560 --> 01:14:09,599
Speaker 3: out of here, out of this, out of the lavender TODs, exactly,

1479
01:14:09,640 --> 01:14:14,200
Speaker 3: out of the lavender TODs and into the Mediterranean lavender field.

1480
01:14:15,920 --> 01:14:21,040
Speaker 5: Whoa no every time basically every time I receive an email,

1481
01:14:21,120 --> 01:14:24,519
Speaker 5: a door closes, like I'm like, oh, door, Like every

1482
01:14:24,520 --> 01:14:26,600
Speaker 5: time I'm like okay today, I'm writing all afternoon and

1483
01:14:26,680 --> 01:14:28,080
Speaker 5: I get one email and my door closed.

1484
01:14:28,160 --> 01:14:29,840
Speaker 3: Well, it's like when when you get a phone call,

1485
01:14:29,880 --> 01:14:32,720
Speaker 3: Like when I see like a rep calling me, I'm

1486
01:14:32,720 --> 01:14:36,400
Speaker 3: like up, career over hello, you know what. It's like,

1487
01:14:37,240 --> 01:14:40,280
Speaker 3: that's the thing, and it's all fear based.

1488
01:14:40,479 --> 01:14:43,679
Speaker 2: No, it's my doors are becoming panic room with Jodie Foster,

1489
01:14:43,800 --> 01:14:47,840
Speaker 2: it's like they are they are, you know, builded, steal

1490
01:14:47,920 --> 01:14:50,280
Speaker 2: bolted to the ground for trying to get it in.

1491
01:14:50,400 --> 01:14:52,599
Speaker 1: Yeah, it's Caroline Politic. You open the door to another

1492
01:14:52,640 --> 01:14:53,360
Speaker 1: door to another door.

1493
01:14:53,600 --> 01:14:56,680
Speaker 2: Yeah wait, that is about like not being able to

1494
01:14:56,720 --> 01:14:58,840
Speaker 2: go loft. You open the door to another door to

1495
01:14:58,880 --> 01:14:59,320
Speaker 2: another door.

1496
01:14:59,600 --> 01:15:01,600
Speaker 3: Annoy thing is like when you know you can go

1497
01:15:01,680 --> 01:15:03,600
Speaker 3: loft and you feel like you can't, like you're not

1498
01:15:03,800 --> 01:15:06,200
Speaker 3: like you're doing this and you're just like I want

1499
01:15:06,240 --> 01:15:07,960
Speaker 3: to go loft. I want to go loft. It's like

1500
01:15:09,600 --> 01:15:12,759
Speaker 3: the feeling here is like I have so much to say,

1501
01:15:12,920 --> 01:15:15,080
Speaker 3: like I need like I have so much to give,

1502
01:15:15,240 --> 01:15:18,160
Speaker 3: like let me give it. And I think that we

1503
01:15:18,439 --> 01:15:22,000
Speaker 3: all in this business. It's like there are nine million

1504
01:15:22,040 --> 01:15:24,040
Speaker 3: other people that need to give us permission to give

1505
01:15:24,080 --> 01:15:25,640
Speaker 3: what we want to give when really all that we

1506
01:15:25,680 --> 01:15:28,600
Speaker 3: want to do release the files.

1507
01:15:28,520 --> 01:15:30,760
Speaker 1: Really release the files.

1508
01:15:31,080 --> 01:15:31,639
Speaker 3: That's it.

1509
01:15:32,040 --> 01:15:37,200
Speaker 1: I can't believe the movements of this episode like this,

1510
01:15:37,240 --> 01:15:42,000
Speaker 1: I guess fashion conspiracy theory, fabreeze career advice.

1511
01:15:41,880 --> 01:15:44,680
Speaker 2: To be honest, release when we are when we were

1512
01:15:44,720 --> 01:15:48,640
Speaker 2: at our most, you know, flying through the air in

1513
01:15:48,680 --> 01:15:52,000
Speaker 2: this episode, Like, yes, I felt like I went loft,

1514
01:15:52,040 --> 01:15:55,720
Speaker 2: and I honestly think not to get too emotional. I

1515
01:15:55,760 --> 01:15:58,400
Speaker 2: honestly think like my most loft moments in my life

1516
01:15:58,400 --> 01:16:00,800
Speaker 2: over the last six years have been when Sam and

1517
01:16:00,840 --> 01:16:04,000
Speaker 2: I reach a place of like full brain meld and

1518
01:16:04,040 --> 01:16:07,200
Speaker 2: I can like actually let go because what it is

1519
01:16:07,200 --> 01:16:10,559
Speaker 2: is we are building. We have adjacent apartments and we're

1520
01:16:10,640 --> 01:16:14,040
Speaker 2: knocking down the walls and building and building one big.

1521
01:16:15,000 --> 01:16:16,160
Speaker 3: And you're building the city.

1522
01:16:16,280 --> 01:16:21,240
Speaker 1: Yeah. No, that's really true. That's really true. Dream Wow, amazing,

1523
01:16:22,520 --> 01:16:24,240
Speaker 1: what a absolutely true delight.

1524
01:16:24,439 --> 01:16:26,840
Speaker 3: And can you leave? This is me one and a

1525
01:16:26,880 --> 01:16:31,479
Speaker 3: half cold brew. Really I'm actually only one, and well

1526
01:16:31,920 --> 01:16:33,040
Speaker 3: we did go offt full long.

1527
01:16:33,200 --> 01:16:34,960
Speaker 2: This is my second and to be honest, like it's

1528
01:16:35,200 --> 01:16:37,479
Speaker 2: I'm shaking, yeah, and I have I think I'm gonna

1529
01:16:37,479 --> 01:16:38,760
Speaker 2: go to the gym after this, and I'm gonna lift

1530
01:16:38,800 --> 01:16:41,040
Speaker 2: five million pounds. Wow.

1531
01:16:41,520 --> 01:16:47,360
Speaker 1: Should we do our final set? Yes, our final segment.

1532
01:16:47,400 --> 01:16:48,920
Speaker 1: It's called shout Outs, and we pay amash to the

1533
01:16:48,960 --> 01:16:50,880
Speaker 1: Grand Street tradition of the radio shout out. Shoutout anything

1534
01:16:50,880 --> 01:16:54,200
Speaker 1: that we enjoy, people, places, things, ideas, and we think

1535
01:16:54,200 --> 01:16:55,400
Speaker 1: of them on the spot. We think of them on

1536
01:16:55,439 --> 01:16:55,840
Speaker 1: the spot.

1537
01:16:56,920 --> 01:16:59,599
Speaker 3: And I have something that I want to shout out.

1538
01:16:59,720 --> 01:17:01,920
Speaker 1: Little you go first, because reason it never happens.

1539
01:17:01,960 --> 01:17:05,320
Speaker 2: You go, oh wait, it's fine. You're a veteran of

1540
01:17:05,400 --> 01:17:05,839
Speaker 2: the podcast.

1541
01:17:05,880 --> 01:17:08,040
Speaker 3: I just came to me, I and this is gonna

1542
01:17:08,080 --> 01:17:10,080
Speaker 3: be so. I actually hate that I'm trying this out,

1543
01:17:10,080 --> 01:17:13,519
Speaker 3: But I'm going to Apollo Bagels in New York City.

1544
01:17:14,360 --> 01:17:14,760
Speaker 1: Keep going.

1545
01:17:15,880 --> 01:17:17,920
Speaker 3: I bit into one of their bagels and guess what

1546
01:17:17,960 --> 01:17:20,240
Speaker 3: it brought me an immense amount of joy.

1547
01:17:20,560 --> 01:17:22,200
Speaker 2: Yeah, that's one of the ones you hear about. You're like,

1548
01:17:22,200 --> 01:17:24,240
Speaker 2: that's the trendy place that everyone's going to. Yeah.

1549
01:17:25,200 --> 01:17:27,120
Speaker 3: Line, here's the thing. I'm not a bagel. I'm not

1550
01:17:27,120 --> 01:17:29,760
Speaker 3: a big old person. I'm not when saying I guess

1551
01:17:29,760 --> 01:17:32,519
Speaker 3: what never when Land of Courage Bagels, I'm not doing it.

1552
01:17:32,640 --> 01:17:32,800
Speaker 2: No.

1553
01:17:32,920 --> 01:17:36,800
Speaker 3: I walked by Apollo bagels, no line, ordered myself a

1554
01:17:36,800 --> 01:17:40,400
Speaker 3: little whitefish salad on a bagel. I got it. It

1555
01:17:40,520 --> 01:17:45,519
Speaker 3: was so good. I I despise people that eat and

1556
01:17:45,520 --> 01:17:48,240
Speaker 3: walk in especially in New York. I'm like, this is

1557
01:17:48,400 --> 01:17:50,320
Speaker 3: not the place, this is not your dining room. I understand,

1558
01:17:50,320 --> 01:17:51,639
Speaker 3: we're all in a rush. This is New York City

1559
01:17:51,640 --> 01:17:53,679
Speaker 3: today that never sleeps. We're moving, We're moving and moving,

1560
01:17:53,760 --> 01:17:56,439
Speaker 3: and why minute I get a diva pulled it aside

1561
01:17:56,720 --> 01:18:01,479
Speaker 3: and eat or just like I was walking and eating

1562
01:18:01,479 --> 01:18:05,120
Speaker 3: with this bigel. It was so divine and I was

1563
01:18:05,320 --> 01:18:07,080
Speaker 3: just like you know when you have that one where

1564
01:18:07,080 --> 01:18:10,879
Speaker 3: you just say it is amazing. Yeah, and I really

1565
01:18:11,040 --> 01:18:13,320
Speaker 3: just I think it is so good. I want to

1566
01:18:13,360 --> 01:18:15,360
Speaker 3: shout that out. And I would love to just shout

1567
01:18:15,360 --> 01:18:19,320
Speaker 3: out Algian lofers once more, shout out I'm one.

1568
01:18:19,320 --> 01:18:20,160
Speaker 1: Okay, you go first.

1569
01:18:21,000 --> 01:18:24,200
Speaker 2: I might have done this one or mentioned I've never

1570
01:18:24,200 --> 01:18:25,439
Speaker 2: done it as a shout out, so I'm just going

1571
01:18:25,479 --> 01:18:27,920
Speaker 2: to do it. But if I've mentioned it before, don't comment,

1572
01:18:28,760 --> 01:18:34,639
Speaker 2: access the loft and move on. Okay, what's up crazy?

1573
01:18:35,280 --> 01:18:36,200
Speaker 2: What's hold on?

1574
01:18:36,840 --> 01:18:38,160
Speaker 3: Oh wait, what's the style of radio?

1575
01:18:38,160 --> 01:18:40,680
Speaker 2: I didn't do that. Oh it's fine, Okay, what's up,

1576
01:18:40,720 --> 01:18:44,240
Speaker 2: New Yorkers. Welcome dezar on New York. Thank you so

1577
01:18:44,320 --> 01:18:47,240
Speaker 2: much for getting out there and making your voice heard.

1578
01:18:47,439 --> 01:18:50,280
Speaker 2: I want to give a shout out to the bread

1579
01:18:50,280 --> 01:18:53,599
Speaker 2: and Tomato cocktail at Schmuck the Bar in the East

1580
01:18:53,640 --> 01:18:56,639
Speaker 2: Village Greta. You have to go there. It opened only

1581
01:18:56,680 --> 01:18:58,280
Speaker 2: the last couple of years. It's after your time in

1582
01:18:58,280 --> 01:19:01,960
Speaker 2: New York. They do this cocktail and I'm not normally

1583
01:19:02,000 --> 01:19:08,760
Speaker 2: like an artisanal cocktail girl. It tastes like dipping a

1584
01:19:08,760 --> 01:19:11,400
Speaker 2: piece of bread into the remnants of a tomato salad.

1585
01:19:11,640 --> 01:19:14,160
Speaker 2: It has that freshness of like the tomato and olive oil.

1586
01:19:14,400 --> 01:19:18,160
Speaker 2: And literally they do toast infused vodka, so it kind

1587
01:19:18,160 --> 01:19:20,679
Speaker 2: of tastes like toast. I'm telling you, this is exactly

1588
01:19:20,720 --> 01:19:22,599
Speaker 2: the kind of thing that like would go TikTok viralin.

1589
01:19:22,600 --> 01:19:24,640
Speaker 2: I would be rolling my eyes. I went there, I

1590
01:19:24,760 --> 01:19:27,280
Speaker 2: ordered it. My eyes were ready to roll, I said,

1591
01:19:27,320 --> 01:19:30,519
Speaker 2: ready set had I had them primed so that they

1592
01:19:30,560 --> 01:19:32,640
Speaker 2: were about to do this. Instead they rolled to the

1593
01:19:32,640 --> 01:19:33,760
Speaker 2: back of my head because of a head good. It

1594
01:19:33,840 --> 01:19:36,720
Speaker 2: was wow wow, yeah to shout out.

1595
01:19:38,400 --> 01:19:40,200
Speaker 1: I think I've maybe done this before, but just to

1596
01:19:40,240 --> 01:19:42,599
Speaker 1: bring it back down to earth, what's up everyone around

1597
01:19:42,600 --> 01:19:44,360
Speaker 1: the globe. I want to give a shout out to

1598
01:19:44,840 --> 01:19:49,200
Speaker 1: the frozen pizza that is Dejorna. I have to go

1599
01:19:49,280 --> 01:19:51,240
Speaker 1: a bit for breeze on this, and I have to

1600
01:19:51,240 --> 01:19:54,479
Speaker 1: say that Doorno pizza takes me back to childhood in

1601
01:19:54,479 --> 01:19:56,920
Speaker 1: a way that maybe nothing else does. When I'm having

1602
01:19:56,960 --> 01:19:59,840
Speaker 1: a Dogorno pizza, I say, I am a kid. I

1603
01:19:59,840 --> 01:20:02,680
Speaker 1: am playing video games and just wait an hour, I'm

1604
01:20:02,720 --> 01:20:06,080
Speaker 1: about to get break and bake cookies. There's something about

1605
01:20:06,120 --> 01:20:10,360
Speaker 1: the softness and the sort of there's an uncanniness to

1606
01:20:10,400 --> 01:20:13,639
Speaker 1: a Dijoorna sweetness. There's a sweetness to a dessert. It's

1607
01:20:13,640 --> 01:20:16,400
Speaker 1: a dessert, and it's a dessert pizza. And of course

1608
01:20:16,479 --> 01:20:18,360
Speaker 1: do I want every day? No, But when I come home.

1609
01:20:18,880 --> 01:20:21,840
Speaker 1: I came home from New York and I said, I

1610
01:20:21,880 --> 01:20:24,240
Speaker 1: don't want to order freaking La pizza. I want to

1611
01:20:24,280 --> 01:20:29,080
Speaker 1: get a Doorno. It's not delivery, and I and it

1612
01:20:29,200 --> 01:20:30,800
Speaker 1: was the best thing I could have ever had that night.

1613
01:20:31,080 --> 01:20:33,080
Speaker 3: I can't say it's nice. Yes, please, it's not for breeze.

1614
01:20:33,080 --> 01:20:34,519
Speaker 3: Even I use the.

1615
01:20:34,520 --> 01:20:37,960
Speaker 1: Oven, You're using the damn oven. That's cooking, as far

1616
01:20:38,000 --> 01:20:43,639
Speaker 1: as I'm concerned, is cooking so shout out to Dejorno.

1617
01:20:43,720 --> 01:20:45,360
Speaker 1: I don't know what you guys are doing, but never

1618
01:20:45,560 --> 01:20:48,400
Speaker 1: ever change love that X Sam.

1619
01:20:48,560 --> 01:20:51,240
Speaker 2: That's Domino's for me. I have to say Dominoes. I'm like,

1620
01:20:51,360 --> 01:20:55,800
Speaker 2: I'm in my childhood, anything as possible, and I'm ready

1621
01:20:55,840 --> 01:20:58,440
Speaker 2: to press play on my big fact Greek wedding, honestly.

1622
01:20:58,320 --> 01:21:01,040
Speaker 3: And that's funny because that is Pizza Hut for me.

1623
01:21:01,960 --> 01:21:03,720
Speaker 3: I was a Pizza Hut. We were at Pizza Hut.

1624
01:21:03,800 --> 01:21:05,400
Speaker 2: We were a Domino family, and.

1625
01:21:05,479 --> 01:21:07,240
Speaker 1: Then we were a pizza family that transitioned to a

1626
01:21:07,320 --> 01:21:07,920
Speaker 1: dominance family.

1627
01:21:08,600 --> 01:21:11,240
Speaker 3: A moment where we transitioned to Papa John's and then

1628
01:21:11,320 --> 01:21:14,559
Speaker 3: I got like sickly addicted to that garlic butter sauce,

1629
01:21:15,320 --> 01:21:17,800
Speaker 3: and then the hospital well, and then I was like

1630
01:21:17,880 --> 01:21:20,040
Speaker 3: this is too much, and then my mom kind of

1631
01:21:20,160 --> 01:21:21,680
Speaker 3: was like I don't want to see you eating that.

1632
01:21:22,640 --> 01:21:28,040
Speaker 1: Okay, so you know, wow, Well this has been amazing, Aerda.

1633
01:21:28,080 --> 01:21:30,320
Speaker 2: Would you like to promote your tour dates?

1634
01:21:30,840 --> 01:21:33,800
Speaker 3: Well, see, here's the little here's a little a few weeks. Well,

1635
01:21:33,800 --> 01:21:36,120
Speaker 3: here's the thing. Yeah, here's what I want you to do.

1636
01:21:36,720 --> 01:21:38,920
Speaker 3: I want you to follow me on Instagram, okay at

1637
01:21:39,000 --> 01:21:40,760
Speaker 3: girdie Bird or I want you to follow me on

1638
01:21:40,840 --> 01:21:45,759
Speaker 3: TikTok honestly really either either or because I am taking

1639
01:21:46,080 --> 01:21:48,439
Speaker 3: I'm not you know, I'm taking a little hiatus from

1640
01:21:48,439 --> 01:21:50,679
Speaker 3: tour as we entered into the new year. But then

1641
01:21:50,920 --> 01:21:54,600
Speaker 3: in twenty twenty six, I will be going to Philadelphia,

1642
01:21:55,360 --> 01:21:58,360
Speaker 3: I will be going to my hometown Washington, d C.

1643
01:21:59,400 --> 01:22:02,040
Speaker 3: And I will also be back in New York, and

1644
01:22:02,120 --> 01:22:04,280
Speaker 3: I'll be doing the show back here in LA and

1645
01:22:04,840 --> 01:22:06,920
Speaker 3: you know, maybe a bunch of other places. I think

1646
01:22:07,000 --> 01:22:08,439
Speaker 3: I think I'm going to try and go to Toronto.

1647
01:22:08,560 --> 01:22:11,599
Speaker 2: What do you think? We love Toronto and I'm going

1648
01:22:11,680 --> 01:22:14,920
Speaker 2: next week. So wow, I'm moderating Alison Roman's book of it.

1649
01:22:15,080 --> 01:22:19,599
Speaker 3: Oh my god, not to bras So yeah, just kind

1650
01:22:19,600 --> 01:22:23,040
Speaker 3: of keep your eyes in this space and period.

1651
01:22:23,200 --> 01:22:23,880
Speaker 1: That's what we're always.

1652
01:22:24,200 --> 01:22:24,800
Speaker 3: I'm in your city.

1653
01:22:25,040 --> 01:22:27,800
Speaker 2: Release the files well, and by the way, release the

1654
01:22:27,840 --> 01:22:30,360
Speaker 2: files if you take what if any hackers are listening,

1655
01:22:30,479 --> 01:22:31,400
Speaker 2: please release the five.

1656
01:22:31,479 --> 01:22:33,280
Speaker 1: We trust your politics. We know you're good people.

1657
01:22:34,400 --> 01:22:35,679
Speaker 3: Start like literally just start.

1658
01:22:35,920 --> 01:22:36,080
Speaker 1: Yeah.

1659
01:22:36,080 --> 01:22:38,120
Speaker 2: We would love help. If anyone out there that's cooking

1660
01:22:38,160 --> 01:22:40,120
Speaker 2: the numbers wants to work with us, we could definitely

1661
01:22:40,200 --> 01:22:41,000
Speaker 2: use more followers.

1662
01:22:41,280 --> 01:22:42,519
Speaker 1: Totally cook those numbers.

1663
01:22:42,600 --> 01:22:48,120
Speaker 2: Yeah Bye Bye podcast and now want more? Subscribe to

1664
01:22:48,200 --> 01:22:51,719
Speaker 2: our Patreon for two extra episodes a month, discord access

1665
01:22:51,960 --> 01:22:55,559
Speaker 2: and more by heading to patreon dot com. Slash Stradio

1666
01:22:55,640 --> 01:22:56,400
Speaker 2: Lab and for.

1667
01:22:56,439 --> 01:22:59,280
Speaker 1: All our visual learners, free full length video episodes are

1668
01:22:59,280 --> 01:23:02,800
Speaker 1: available on YouTube now. Get back to Work straightia Lab

1669
01:23:02,880 --> 01:23:05,120
Speaker 1: is a production by Will Ferrell's Big Money Players Network

1670
01:23:05,160 --> 01:23:08,519
Speaker 1: and iHeart Podcasts. Created and hosted by George Severies and

1671
01:23:08,600 --> 01:23:11,800
Speaker 1: Sam Taggart. Executive produced by Will Ferrell, Han Sony and

1672
01:23:11,880 --> 01:23:15,519
Speaker 1: Olivia Aguilar, co produced by Bei Wang, edited and engineered

1673
01:23:15,520 --> 01:23:18,960
Speaker 1: by Adam Avalos. Artwork by Michael Failes and Matt Grubg.

1674
01:23:19,080 --> 01:23:20,280
Speaker 1: Theme music by Ben Kling