WEBVTT - Berenice

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<v Speaker 1>Brought to you by the Reinvented twenty twelve Camri.

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<v Speaker 2>It's ready.

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<v Speaker 1>Are you welcome to Stuff you Should Know? From HowStuffWorks

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<v Speaker 1>dot Com?

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<v Speaker 3>Hello, and welcome to the podcast. I'm Josh Cook. There's

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<v Speaker 3>Charles W. Chucker's brand that makes this stuff.

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<v Speaker 4>You should know.

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<v Speaker 5>I wonder what that sounds like to people who listen

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<v Speaker 5>to it at double speed.

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<v Speaker 6>You sound like your normal boys.

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<v Speaker 4>Right, yeah, you know that. That was my impression of somebody.

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<v Speaker 4>I'm gonna guess go with Vincent Price. No, okay, Edgar Oliver.

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<v Speaker 4>It was a great Edgar Oliver. Terrible Vincent Price. Edgar Oliver.

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<v Speaker 4>He's a storyteller on the moth. Oh really yeah, and

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<v Speaker 4>he sounds exactly like that. You got to check stuff out.

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<v Speaker 4>He's awesome.

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<v Speaker 6>Is he a horror? Is he like?

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<v Speaker 4>No?

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<v Speaker 6>Any wrong with him?

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<v Speaker 4>Well? Yeah, I mean he talks like that. But other

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<v Speaker 4>than he's he's an awesome dude. So that was my Oh,

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<v Speaker 4>it's pretty good. You go back and listen now you'll

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<v Speaker 4>be like, wow. So I was doing an Edgar Oliver

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<v Speaker 4>chuck because in t minus like four days. Yeah, it's

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<v Speaker 4>gonna be Halloween, one of our favorite days. And mind

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<v Speaker 4>blowingly enough. If you're listening to this on Halloween it's today.

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<v Speaker 6>Wow.

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<v Speaker 4>Yeah, yeah, that works. And last year we did something unusual,

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<v Speaker 4>so this year we're doing it again, which makes it

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<v Speaker 4>the usual. But it was popular. People liked it. We

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<v Speaker 4>read a great short story last year.

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<v Speaker 5>Yeah, people actually called for it again and said, oh,

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<v Speaker 5>you're gonna do it this year.

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<v Speaker 6>I think some people might not have liked it, but

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<v Speaker 6>just skip it then.

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<v Speaker 4>Yeah. We were like, does that mean we don't have

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<v Speaker 4>to study? Okay, let's do that exactly. Yeah, there's one

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<v Speaker 4>in the can that's guaranteed gonna be at least okay. Yes,

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<v Speaker 4>So this year, Charles W. Chuck Bryant selected the story

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<v Speaker 4>and it is by someone you may or may not

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<v Speaker 4>have heard of. He's a somewhat you know, well known

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<v Speaker 4>Writer's name is Edgar Allan Poe and he died in Baltimore,

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<v Speaker 4>I believe, in the eighteen forties. Sure, here's one of

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<v Speaker 4>the great first great American writers of the nineteenth century.

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<v Speaker 4>Slash drug addicts, big time drug addict, and I think

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<v Speaker 4>that comes through a lot in this. Yeah. But we've

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<v Speaker 4>selected a short story. Chuck selected a short story. It's

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<v Speaker 4>actually I gave.

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<v Speaker 6>You a selection. You made the final choice.

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<v Speaker 4>Yeah, but you let me to You're like, which one

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<v Speaker 4>of these would you like? And then you basically put

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<v Speaker 4>this one in my hand.

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<v Speaker 5>No, actually, I was leaning toward the crazy dwarf that

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<v Speaker 5>kills the king.

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<v Speaker 4>What are we reading this one for? Because this one's creepy? Okay,

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<v Speaker 4>all right, I agreed. Well, do you want to tell

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<v Speaker 4>them the name of this one?

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<v Speaker 5>It's called Barnice and give you a slight setup just

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<v Speaker 5>so you know what's going on. There's a woman called

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<v Speaker 5>Baronice and a man, uh, and they are cousins and

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<v Speaker 5>they're married, and things go a little weird in the story.

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<v Speaker 4>Weirder than cousins being married. Yeah.

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<v Speaker 5>I don't want to give anything away, but I just

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<v Speaker 5>want you know it's it's old English. It's not Old English,

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<v Speaker 5>but it's older than it's Old American.

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<v Speaker 4>Yeah. So before we lose any more listeners, let's get

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<v Speaker 4>to it. You want to cue the spooky music.

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<v Speaker 5>Yeah, but we should also point out that at the

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<v Speaker 5>end of this episode we have a very special guest.

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<v Speaker 4>So let's not say who. If you listen on Tuesday,

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<v Speaker 4>you know.

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<v Speaker 5>But if you aren't into the reading, just go ahead

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<v Speaker 5>and skip forward to the special guest, and you'll get

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<v Speaker 5>some delight there.

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<v Speaker 4>Right, And if you do that, we apologize in advance.

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<v Speaker 4>Yes either way, all right, So now let's cue the

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<v Speaker 4>spooky music.

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<v Speaker 6>Okay, that's the tone.

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<v Speaker 4>Let's dim the lights, okay, and we now present to

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<v Speaker 4>you Edgar Allan poe'se Bevernice.

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<v Speaker 6>My Josh is a little quote at the beginning in.

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<v Speaker 4>Latin and in English.

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<v Speaker 5>I'll read the English. My companion said to me, if

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<v Speaker 5>I would visit the grave of my friend, I might

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<v Speaker 5>somewhat alleviate my.

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<v Speaker 4>Worries reasonable advice.

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<v Speaker 6>And here we go.

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<v Speaker 5>Misery is manifold. The wretchedness of earth is multiform, overreaching

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<v Speaker 5>the wide horizon as the rainbow its hues, or as

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<v Speaker 5>various as the hues of that arch, as distinct too,

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<v Speaker 5>yet as intimately blended, overreaching the wide horizon as the rainbow.

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<v Speaker 5>How is it that from beauty I have derived a

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<v Speaker 5>type of unloveliness, from the covenant of peace, a simile

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<v Speaker 5>of sorrow. But as in ethics, evil is a consequence

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<v Speaker 5>of good, So in fact, out of joy is sorrow born.

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<v Speaker 5>Either the memory of past bliss is the anguish of today,

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<v Speaker 5>or the agonies which have their origin, and the ecstasies

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<v Speaker 5>which might have been nice.

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<v Speaker 6>It sounded like improper English, but that's how we wrote it.

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<v Speaker 4>And it's not just today, it's to day with a

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<v Speaker 4>hyphen in between.

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<v Speaker 5>My baptismal name is Eugaeus. That of my family I

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<v Speaker 5>will not mention. Yet there are no towers in the

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<v Speaker 5>land more time honored than my gloomy, gray hereditary halls.

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<v Speaker 5>Our line has been called a race of visionaries, and

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<v Speaker 5>in many striking particulars in the character of the family mansion,

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<v Speaker 5>in the frescoes of the chief saloon, and the tapestries

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<v Speaker 5>of the dormitories, and the chiseling of some buttress in

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<v Speaker 5>the armory, but more especially in the gallery of antique paintings,

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<v Speaker 5>and the fashion of the library chamber, and lastly in

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<v Speaker 5>the very peculiar nature of.

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<v Speaker 6>The library's contents.

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<v Speaker 5>There is more than sufficient evidence to warrant the bloe.

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<v Speaker 4>The recollections of my earliest years are connected with that chamber,

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<v Speaker 4>and with its volumes, of which latter I will say

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<v Speaker 4>no more. Here died my mother here, and I was born.

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<v Speaker 4>But it is mere idleness to say that I had

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<v Speaker 4>not lived before that. The soul has no previous existence.

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<v Speaker 4>You deny it. Let us not argue the matter, convince myself.

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<v Speaker 4>I seek not to convince. There is, however, a remembrance

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<v Speaker 4>of aerial forms, of spiritual and meaning, eyes of sounds,

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<v Speaker 4>musical yet sad, A remembrance which will not be excluded,

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<v Speaker 4>a memory like a shadow, vague, variable, indefinite, unsteady, and

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<v Speaker 4>like a shadow too in the impossibility of my getting

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<v Speaker 4>rid of it, while the sunlight of my reason shall

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<v Speaker 4>exist in that chamber. I was born thus, awaking from

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<v Speaker 4>the long night of what seemed but was not nonentity,

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<v Speaker 4>at once into the very regions of fairyland, into a

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<v Speaker 4>palace of imagination, into the wild dominions of monastic thought

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<v Speaker 4>and erudition. Singular that I gazed around me with a

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<v Speaker 4>startled and ardent eye, that I loitered away my boyhood

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<v Speaker 4>and books, and dissipated my youth in reverie. But it

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<v Speaker 4>is singular that as the years rolled away and the

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<v Speaker 4>noon of manhood found me still in the mansion of

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<v Speaker 4>my fathers, it is wonderful what stagnation there fell upon

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<v Speaker 4>the springs of my life. Wonderful how total an inversion

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<v Speaker 4>took place in the character of my commonest thought. The

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<v Speaker 4>realities of the world affected me as visions, and as

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<v Speaker 4>visions only, while the wild ideas of the land of

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<v Speaker 4>dreams became in turn, not the material of my everyday existence,

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<v Speaker 4>but in very deed that existence utterly and solely in itself.

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<v Speaker 5>See he's getting a little caught up in his own

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<v Speaker 5>obsession of thoughts.

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<v Speaker 4>Right, he's a bookworm. Okay, he's bookish.

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<v Speaker 5>So the real world as it doesn't even matter to

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<v Speaker 5>him at this point.

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<v Speaker 4>That's what he thinks of the real world.

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<v Speaker 5>Onward, Bearnice and I were cousins, and we grew up

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<v Speaker 5>together in my paternal halls. Yet differently we grew I ill

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<v Speaker 5>of health and buried in gloom. She agile, graceful and

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<v Speaker 5>overflowing with energy. Hers the ramble on the hillside, mine

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<v Speaker 5>the studies of the cloister. I living within my own heart,

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<v Speaker 5>an addicted body and soul to the most intense and

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<v Speaker 5>painful meditation. She roaming carelessly through life, with no thought

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<v Speaker 5>of the shadows in her path or the silent flight

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<v Speaker 5>of the raven winged owers. Berenice, I call upon her name,

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<v Speaker 5>Berenice from the gray ruins of memory, A thousand tumultuous

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<v Speaker 5>recollections are startled at the sound.

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<v Speaker 6>Ah.

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<v Speaker 5>Vividly is her image before me now as in the

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<v Speaker 5>early days of her light heartedness and joy, Oh gorgeous

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<v Speaker 5>yet fantastic beauty, Oh sylph amid the shrubberies of Arnheim,

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<v Speaker 5>oh Naiad among its fountains. And then then all is

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<v Speaker 5>mystery and terror, a tale which should not be told. Disease,

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<v Speaker 5>a fatal disease, fell.

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<v Speaker 6>Like the simoon upon her frame.

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<v Speaker 5>And even while I gazed upon her, the spirit of

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<v Speaker 5>change swept over her, pervading her mind, her habits, and

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<v Speaker 5>her character, and in a manner the most subtle and terrible,

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<v Speaker 5>disturbing even the identity of her person Alas the destroyer

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<v Speaker 5>came and went.

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<v Speaker 6>And the victim where was she?

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<v Speaker 5>I knew her not, or knew her no longer as Berenice.

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<v Speaker 6>Now she got sick.

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<v Speaker 4>When I first read him saying Berenice Nice, I thought

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<v Speaker 4>of Kramer going, Pam, Pam, you remember that one?

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<v Speaker 5>Yeah, all right, Spernice didn't doing so hot all of

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<v Speaker 5>a sudden.

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<v Speaker 4>No, it happened like that. Ye. Among the numerous train

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<v Speaker 4>of maladies superinduced by that fatal and primary one, which

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<v Speaker 4>affected a revolution of so horrible a kind, and the

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<v Speaker 4>moral and physical being of my cousin may be mentioned

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<v Speaker 4>as the most distressing and obstinate in its nature, a

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<v Speaker 4>species of epilepsy, not unfrequently terminating in trance itself, trance

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<v Speaker 4>very nearly resembling positive dissolution, and from which her manner

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<v Speaker 4>of recovery was in most instances startlingly abrupt. In the meantime,

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<v Speaker 4>my own disease, for I have been told that I

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<v Speaker 4>should call it by no other appellation. My own disease

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<v Speaker 4>then grew rapidly upon me, and assumed finally a monomaniac

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<v Speaker 4>character of a novel and extraordinary form, hourly and momently

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<v Speaker 4>gaining vigor, and at length obtaining over me the most

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<v Speaker 4>incomprehensible ascendency. This monomania, if I must so term it,

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<v Speaker 4>consisted in a morbid irritability of those properties of the

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<v Speaker 4>mind in metaphysical science termed the attentive. It is more

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<v Speaker 4>than probable that I am not understood, But I fear

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<v Speaker 4>indeed that it is in no matter possible to convey

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<v Speaker 4>to the mind of the merely general reader an adequate

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<v Speaker 4>idea of that nervous intensity of interest with which, in

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<v Speaker 4>my case, the powers of metaie not to speak, technically

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<v Speaker 4>busied and buried themselves in the contemplation of even the

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<v Speaker 4>most ordinary objects of the universe.

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<v Speaker 5>So now he's becoming obsessive about just things, anything transfixed

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<v Speaker 5>on things.

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<v Speaker 4>But like he can't even get across how obsessed.

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<v Speaker 5>He becomes monomania all right, to muse for long, unwearied hours,

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<v Speaker 5>with my attention riveted to some frivolous device on the

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<v Speaker 5>margin or in the topography of a book. To become

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<v Speaker 5>absorbed for the better part of a summer's day, and

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<v Speaker 5>a quaint shadow falling a slant upon the tapestry or

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<v Speaker 5>upon the door, To lose myself for an entire night,

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<v Speaker 5>and watching the steady flame of a lamp or the

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<v Speaker 5>embers of a fire, to dream away whole days of

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<v Speaker 5>the perfume of a flower. To repeat monotonously some common

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<v Speaker 5>word until the sound, by dint of frequent repetition, ceased

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<v Speaker 5>to convey any idea whatever to the mind.

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<v Speaker 6>Everyone does that.

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<v Speaker 4>Yeah, it's called day awesome.

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<v Speaker 5>To lose all sense of motion or physical existence by

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<v Speaker 5>means of absolute bodily quiescence, long and obstinately persevered in

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<v Speaker 5>such were a few of the most common and least

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<v Speaker 5>pernicious vagaries induced by a condition of the mental faculties,

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<v Speaker 5>not indeed altogether unparalleled, but certainly bidding defiance to anything

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<v Speaker 5>like analysis or explanation.

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<v Speaker 4>You did good. That was a tough one. Thanks.

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<v Speaker 6>He sounds like an opium head, you know he's like.

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<v Speaker 4>And by the way, I'm high as a kite right.

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<v Speaker 6>Now, I'm staring at a lamp for two days.

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<v Speaker 4>Yet let me not be misapprehended. This due earnest and

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<v Speaker 4>morbid attention thus excited by objects in their own nature,

0:12:43.240 --> 0:12:47.199
<v Speaker 4>frivolous must not be confounded in character with that ruminating

0:12:47.240 --> 0:12:51.080
<v Speaker 4>propensity common to all mankind, and more especially indulged him

0:12:51.120 --> 0:12:54.960
<v Speaker 4>by persons of ardent imagination. It was not, even as

0:12:55.040 --> 0:12:58.800
<v Speaker 4>might be at first supposed, an extreme condition or exaggeration

0:12:58.880 --> 0:13:03.480
<v Speaker 4>of such propensity, but primarily and essentially distinct and different.

0:13:04.320 --> 0:13:07.480
<v Speaker 4>In the one instance, the dreamer or enthusiast, being interested

0:13:07.520 --> 0:13:11.440
<v Speaker 4>by an object, usually not frivolous, imperceptibly loses sight of

0:13:11.480 --> 0:13:15.240
<v Speaker 4>this object in a wilderness of deductions and suggestions, issuing

0:13:15.320 --> 0:13:18.960
<v Speaker 4>therefrom until at the conclusion of a day dream often

0:13:19.000 --> 0:13:24.840
<v Speaker 4>replete with luxury, he finds the in sedimentum or first

0:13:24.880 --> 0:13:29.600
<v Speaker 4>cause of his musings entirely vanished and forgotten. In my case,

0:13:29.880 --> 0:13:34.480
<v Speaker 4>the primary object was invariably frivolous, although assuming through the

0:13:34.520 --> 0:13:38.880
<v Speaker 4>medium of my distempered vision a refracted and unreal importance,

0:13:39.559 --> 0:13:43.280
<v Speaker 4>few deductions, if any, were made, and those few perdinaciously

0:13:43.360 --> 0:13:46.720
<v Speaker 4>returning in upon the original object as a center. The

0:13:46.800 --> 0:13:50.679
<v Speaker 4>meditations were never pleasurable, and at the termination of the reverie,

0:13:50.760 --> 0:13:53.200
<v Speaker 4>the first cause, so far from being out of sight,

0:13:53.440 --> 0:13:57.360
<v Speaker 4>had attained that supernaturally exaggerated interest which was the prevailing

0:13:57.400 --> 0:14:01.079
<v Speaker 4>feature of the disease. In a word, the powers of mind,

0:14:01.160 --> 0:14:04.840
<v Speaker 4>more particularly exercised, were with me, as I have said before,

0:14:05.000 --> 0:14:14.440
<v Speaker 4>the attentive, and are with the daydreamer, the speculative anything thoughts, No,

0:14:14.600 --> 0:14:16.680
<v Speaker 4>he's just going on to say it was really serious.

0:14:16.920 --> 0:14:19.760
<v Speaker 5>Yeah, they'd like to really describe things back then. Yeah, okay,

0:14:20.760 --> 0:14:23.760
<v Speaker 5>my books at this epoch, if they did not actually

0:14:23.800 --> 0:14:27.640
<v Speaker 5>serve to irritate the disorder partook, it will be perceived

0:14:27.720 --> 0:14:32.240
<v Speaker 5>largely in their imaginative and inconsequential nature of the characteristic

0:14:32.280 --> 0:14:33.800
<v Speaker 5>qualities of the disorder itself.

0:14:34.320 --> 0:14:35.680
<v Speaker 6>I will remember, among.

0:14:35.440 --> 0:14:40.080
<v Speaker 5>Others, the triestas of the noble Italian Colius Secundus curio,

0:14:41.000 --> 0:14:47.320
<v Speaker 5>the amplitudine biat de regni de Saint Austin's great work

0:14:47.360 --> 0:14:52.560
<v Speaker 5>The City of God and Trillium decarne Christi, in which

0:14:52.560 --> 0:15:02.160
<v Speaker 5>the paradoxical sentence mortus sde phileas credibo esquia s sepotus

0:15:02.640 --> 0:15:12.080
<v Speaker 5>resurreic exit certum esquia impossibilest occupied my undivided time for

0:15:12.160 --> 0:15:15.880
<v Speaker 5>many weeks of laborious and fruitless investigation. So he's getting

0:15:15.960 --> 0:15:18.400
<v Speaker 5>hung up on these phrases from the books.

0:15:18.560 --> 0:15:21.080
<v Speaker 4>Yeah, like I am the Latin.

0:15:21.640 --> 0:15:23.960
<v Speaker 5>Thus it will appear that, shaken from its balance only

0:15:24.000 --> 0:15:27.440
<v Speaker 5>by trivial things, my reason bore resemblance to that ocean

0:15:27.560 --> 0:15:32.440
<v Speaker 5>crag spoken of by Ptolemy Hephistian, which, steadily resisting the

0:15:32.480 --> 0:15:36.320
<v Speaker 5>attacks of human violence and the fiercer fury of the

0:15:36.360 --> 0:15:39.560
<v Speaker 5>waters and the kinds, trembled only the touch of the

0:15:39.560 --> 0:15:45.200
<v Speaker 5>flower called Asphodel. And although to a careless thinker it

0:15:45.320 --> 0:15:48.800
<v Speaker 5>might appear a matter beyond doubt that the alteration produced

0:15:48.800 --> 0:15:51.840
<v Speaker 5>by our unhappy malady and the moral condition of Berenice

0:15:52.360 --> 0:15:55.200
<v Speaker 5>would afford me many objects for the exercise of that

0:15:55.280 --> 0:15:59.160
<v Speaker 5>intense and abnormal meditation whose nature I have been at

0:15:59.480 --> 0:16:03.000
<v Speaker 5>some trouble and explaining. Yet such was not in any

0:16:03.040 --> 0:16:06.640
<v Speaker 5>degree the case in the lucid intervals of my infirmity.

0:16:07.680 --> 0:16:11.440
<v Speaker 5>Her calamity indeed gave me pain, and taking deeply to

0:16:11.520 --> 0:16:14.400
<v Speaker 5>the heart that total wreck of her fair and gentle life,

0:16:14.920 --> 0:16:17.400
<v Speaker 5>I did not fall to ponder frequently and bitterly upon

0:16:17.400 --> 0:16:21.880
<v Speaker 5>the wonder working means by which so strange revolution had

0:16:21.920 --> 0:16:25.400
<v Speaker 5>been so suddenly brought to pass. But these reflections partook

0:16:25.480 --> 0:16:29.040
<v Speaker 5>not of the idiosyncrasy of my disease, and were such

0:16:29.080 --> 0:16:32.720
<v Speaker 5>as would have occurred under similar circumstances to the ordinary

0:16:32.760 --> 0:16:36.360
<v Speaker 5>mass of mankind, true to its own character. My disorder

0:16:36.440 --> 0:16:39.840
<v Speaker 5>reveled in less important, but more startling changes wrought in

0:16:39.880 --> 0:16:43.040
<v Speaker 5>the physical frame of Baronice, and the singular and most

0:16:43.080 --> 0:16:47.200
<v Speaker 5>appalling distortion of her personal identity during the brightest days

0:16:47.200 --> 0:16:50.360
<v Speaker 5>of her unparalleled beauty. Most surely I had never loved her,

0:16:51.040 --> 0:16:53.520
<v Speaker 5>and the strange anomaly of my existence. Feelings with me

0:16:53.920 --> 0:16:57.040
<v Speaker 5>had never been of the heart, and my passions always

0:16:57.040 --> 0:16:59.920
<v Speaker 5>were of the mind. Through the gray of the early morning,

0:17:00.360 --> 0:17:03.720
<v Speaker 5>among the trellish shadows of the forest at noonday, and

0:17:03.800 --> 0:17:06.320
<v Speaker 5>in the silence of my library at night, she had

0:17:06.359 --> 0:17:10.000
<v Speaker 5>flitted by my eyes, and I had seen her not

0:17:10.080 --> 0:17:12.560
<v Speaker 5>as a living and breathing Berenice, but as the baronice

0:17:12.560 --> 0:17:15.959
<v Speaker 5>of a dream. Not as a being of the earth earthy,

0:17:16.680 --> 0:17:19.680
<v Speaker 5>but as the abstraction of such a being, Not as

0:17:19.680 --> 0:17:21.959
<v Speaker 5>a thing to admire but to analyze, Not as an

0:17:21.960 --> 0:17:24.560
<v Speaker 5>object of love, but as the theme of the most

0:17:24.600 --> 0:17:31.480
<v Speaker 5>obtruse although desultory speculation. And now now I shuddered in

0:17:31.520 --> 0:17:34.160
<v Speaker 5>her presence, and grew pale at her approach, yet bitterly

0:17:34.320 --> 0:17:38.000
<v Speaker 5>lamenting her fallen and desolate condition, I called to mind

0:17:38.000 --> 0:17:41.040
<v Speaker 5>that she had loved me long, and in an evil moment,

0:17:41.240 --> 0:17:51.440
<v Speaker 5>I spoke to her of marriage. I'm getting oddly Madonna

0:17:51.600 --> 0:17:54.400
<v Speaker 5>esque here with my English.

0:17:54.480 --> 0:17:56.800
<v Speaker 4>Yeah, does she speak strangely? Ah?

0:17:56.840 --> 0:17:57.840
<v Speaker 6>You know, she married guy Richie.

0:17:57.880 --> 0:17:59.760
<v Speaker 5>All of a sudden she started talking like a Madonna.

0:18:00.080 --> 0:18:01.879
<v Speaker 6>Yeah, that's right, not like she was from Queen's or.

0:18:01.880 --> 0:18:03.720
<v Speaker 4>Yeah, you're not supposed to do that. You got to

0:18:03.760 --> 0:18:07.359
<v Speaker 4>remember who you are, you know, I agreed, and at

0:18:07.440 --> 0:18:10.360
<v Speaker 4>length the period of our nuptials was approaching, when, upon

0:18:10.440 --> 0:18:12.960
<v Speaker 4>an afternoon in the winter of the year, one of

0:18:13.000 --> 0:18:16.399
<v Speaker 4>those unseasonably warm, calm and misty days, which are the

0:18:16.520 --> 0:18:20.239
<v Speaker 4>nurse of the beautiful halcyon. I sat and sat as

0:18:20.320 --> 0:18:23.800
<v Speaker 4>I thought, alone in the inner apartment of my library,

0:18:24.359 --> 0:18:27.159
<v Speaker 4>but uplifting my eyes, I saw the baronice stood before me.

0:18:28.080 --> 0:18:31.320
<v Speaker 4>Was it my own excited imagination, or the misty influence

0:18:31.359 --> 0:18:34.399
<v Speaker 4>of the atmosphere, or the uncertain twilight of the chamber,

0:18:34.920 --> 0:18:37.720
<v Speaker 4>or the gray draperies which fell around her figure that

0:18:37.920 --> 0:18:40.720
<v Speaker 4>caused in it so vacillating an indistinct an outline.

0:18:41.080 --> 0:18:44.760
<v Speaker 6>Or was it all the opium? And as he likes

0:18:44.800 --> 0:18:45.040
<v Speaker 6>to have.

0:18:45.000 --> 0:18:48.480
<v Speaker 4>A lot of different ideas to choose from, sure, I

0:18:48.520 --> 0:18:52.040
<v Speaker 4>could not tell. She spoke no word, I not for

0:18:52.200 --> 0:18:55.360
<v Speaker 4>worlds could I have uttered a syllable. An icy chill

0:18:55.440 --> 0:18:59.359
<v Speaker 4>ran through my frame, A sense of insufferable anxiety oppressed me,

0:18:59.600 --> 0:19:04.240
<v Speaker 4>assuming curiosity pervaded my soul, and sinking back upon the chair,

0:19:04.560 --> 0:19:07.639
<v Speaker 4>I remained for some time, breathless and motionless, with my

0:19:07.720 --> 0:19:12.560
<v Speaker 4>eyes riveted upon her person alas its emaciation was excessive,

0:19:12.960 --> 0:19:15.720
<v Speaker 4>and not one vestige of the former being lurked in

0:19:15.800 --> 0:19:18.960
<v Speaker 4>any single line of the contour. My burning glances at

0:19:19.040 --> 0:19:22.560
<v Speaker 4>length fell upon the face, the forehead was high and

0:19:22.680 --> 0:19:26.440
<v Speaker 4>very pale and singularly placid, and the once jetty hair

0:19:26.480 --> 0:19:29.960
<v Speaker 4>fell partially over it and overshadowed the hollow temples with

0:19:30.040 --> 0:19:34.760
<v Speaker 4>innumerable ringlets, now of vivivid yellow and jarring discordantly in

0:19:34.800 --> 0:19:38.639
<v Speaker 4>their fantastic character. With the raining melancholy of the countenance,

0:19:39.400 --> 0:19:43.800
<v Speaker 4>the eyes were lifeless and lustreless and seemingly pupilss and

0:19:43.880 --> 0:19:47.760
<v Speaker 4>I shrank involuntarily from their glassy stare to the contemplation

0:19:47.880 --> 0:19:51.480
<v Speaker 4>of the thin and shrunken lips. They parted, and, in

0:19:51.520 --> 0:19:54.960
<v Speaker 4>a smile of peculiar meaning, the teeth of the changed

0:19:54.960 --> 0:19:59.440
<v Speaker 4>Berenics disclosed themselves slowly to my view, would to God

0:19:59.560 --> 0:20:02.480
<v Speaker 4>that I never beheld them, or that having done so,

0:20:02.640 --> 0:20:07.600
<v Speaker 4>I had died. Bear Nice is in bad shape here,

0:20:08.400 --> 0:20:09.680
<v Speaker 4>so's the guy.

0:20:11.480 --> 0:20:14.040
<v Speaker 5>The shutting of the door disturbed me, and looking up,

0:20:14.320 --> 0:20:16.600
<v Speaker 5>I found that my cousin had departed from the chamber,

0:20:17.320 --> 0:20:19.679
<v Speaker 5>but from the disordered chamber of my brain had not

0:20:20.040 --> 0:20:24.000
<v Speaker 5>alas departed, and would not be driven away the white

0:20:24.080 --> 0:20:27.240
<v Speaker 5>and ghastly spectrum of the teeth, not a speck on

0:20:27.280 --> 0:20:30.680
<v Speaker 5>their surface, not a shade on their enamel, not an

0:20:30.760 --> 0:20:34.159
<v Speaker 5>indenture in their edges, but what that period of her

0:20:34.200 --> 0:20:38.239
<v Speaker 5>smile had sufficed a brand in upon my memory. I

0:20:38.240 --> 0:20:41.399
<v Speaker 5>saw them now, even more unequivocally than I beheld them then.

0:20:41.760 --> 0:20:42.320
<v Speaker 6>The teeth.

0:20:42.640 --> 0:20:47.280
<v Speaker 5>The teeth, They were here and there and everywhere, invisibly

0:20:47.320 --> 0:20:51.679
<v Speaker 5>impalpably before me, long, narrow and excessively white, with the

0:20:51.720 --> 0:20:54.639
<v Speaker 5>pale lips writhing about them, as in the very moment

0:20:54.680 --> 0:20:58.000
<v Speaker 5>of their first terrible development. Then came the full fury

0:20:58.040 --> 0:21:01.399
<v Speaker 5>of my monomania, as ruggled in vain against his strange

0:21:01.440 --> 0:21:05.680
<v Speaker 5>and irresistible influence in the multiplied objects of the external world,

0:21:05.720 --> 0:21:07.639
<v Speaker 5>I had no thoughts but for the teeth.

0:21:08.520 --> 0:21:12.240
<v Speaker 6>For these I longed with a frenzied desire. All other

0:21:12.320 --> 0:21:13.280
<v Speaker 6>matters and all.

0:21:13.160 --> 0:21:17.960
<v Speaker 5>Different interests became absorbed in their single contemplation. They, they alone,

0:21:18.000 --> 0:21:21.160
<v Speaker 5>were present to the mental eye, and they, in their

0:21:21.200 --> 0:21:24.720
<v Speaker 5>sole individuality, became the essence of my mental life. I

0:21:24.800 --> 0:21:28.199
<v Speaker 5>held them in every light, I turned them into every attitude.

0:21:28.320 --> 0:21:33.040
<v Speaker 5>I surveyed their characteristics. I dwelt upon their peculiarities. I

0:21:33.160 --> 0:21:37.000
<v Speaker 5>pondered upon their confirmation. I mused upon the alteration in

0:21:37.040 --> 0:21:40.280
<v Speaker 5>their nature. I shuddered as I assigned to them an imagination,

0:21:40.760 --> 0:21:44.359
<v Speaker 5>a sensitive and sentient power and even when unassisted by

0:21:44.359 --> 0:21:46.879
<v Speaker 5>the lips, a capability of moral expression.

0:21:47.640 --> 0:21:48.639
<v Speaker 4>Boy, he's a losing it.

0:21:50.200 --> 0:21:55.840
<v Speaker 5>Of Madselle Salaer has been well said couetou cepa in

0:21:56.040 --> 0:22:02.640
<v Speaker 5>chien decentient, and of Beernice, I'm more serious believed quit.

0:22:04.040 --> 0:22:09.600
<v Speaker 6>Indien daisy ds.

0:22:10.920 --> 0:22:14.240
<v Speaker 5>And I believe that translated to something like the ideas

0:22:14.600 --> 0:22:16.959
<v Speaker 5>the ideas. All of his ideas were of the teeth,

0:22:17.240 --> 0:22:17.960
<v Speaker 5>something like that.

0:22:18.160 --> 0:22:20.040
<v Speaker 4>And he just had to say it in French, didn't he?

0:22:20.119 --> 0:22:23.680
<v Speaker 4>Wellat this is this isn't that good? So I'm gonna

0:22:23.760 --> 0:22:25.119
<v Speaker 4>make you I'm going to write in French.

0:22:25.280 --> 0:22:27.000
<v Speaker 5>If I went to a French speaker in the office

0:22:27.040 --> 0:22:29.640
<v Speaker 5>and they're like, dude, this is really like hard to translate.

0:22:29.720 --> 0:22:32.120
<v Speaker 5>So if anyone knows that, please send it.

0:22:32.560 --> 0:22:36.160
<v Speaker 4>Do you want to read it again? That part the line.

0:22:36.040 --> 0:22:46.520
<v Speaker 5>Sure quetu sepa ittien the sentiments getu said, Then itien

0:22:46.880 --> 0:22:51.720
<v Speaker 5>daisy days, daisy days, all right, Ah, here was the

0:22:51.760 --> 0:22:54.359
<v Speaker 5>idiotic thought that destroyed me easy days.

0:22:55.200 --> 0:22:55.600
<v Speaker 6>Ah.

0:22:55.680 --> 0:22:59.200
<v Speaker 5>Therefore it was that I coveted them so madly. I

0:22:59.240 --> 0:23:02.000
<v Speaker 5>felt that there possess could alone ever restore me to

0:23:02.040 --> 0:23:03.960
<v Speaker 5>peace in giving me back to reason.

0:23:09.640 --> 0:23:12.080
<v Speaker 4>So Chuck what's going on here? Like, there's teeth. Now

0:23:12.440 --> 0:23:14.439
<v Speaker 4>he's got teeth, and he's focused on the teeth.

0:23:14.480 --> 0:23:16.639
<v Speaker 5>Well, now the teeth are in her mouth. She is

0:23:16.680 --> 0:23:21.399
<v Speaker 5>disintegrating physically, except for her teeth, which remained perfect. Okay,

0:23:21.440 --> 0:23:23.760
<v Speaker 5>So now he is hyper focused and obsessed with her

0:23:23.760 --> 0:23:25.080
<v Speaker 5>teeth because they're so perfect.

0:23:25.080 --> 0:23:27.159
<v Speaker 4>I would be hyper focused. I'm running out of the

0:23:27.240 --> 0:23:32.679
<v Speaker 4>room at this point too, okay. And the evening closed

0:23:32.680 --> 0:23:35.560
<v Speaker 4>in upon me. Thus, and then the darkness came and

0:23:36.040 --> 0:23:40.000
<v Speaker 4>tarried and went, and the day again dawned, and the

0:23:40.040 --> 0:23:43.000
<v Speaker 4>mists of a second night were now gathering around. And

0:23:43.080 --> 0:23:46.639
<v Speaker 4>still I sat motionless in that solitary room, and still

0:23:46.640 --> 0:23:50.040
<v Speaker 4>I sat, buried in meditation, And still the phantasma of

0:23:50.119 --> 0:23:54.359
<v Speaker 4>the teeth maintained its terrible ascendancy, as with the most vivid,

0:23:54.400 --> 0:23:58.440
<v Speaker 4>hideous distinctness, It floated amid the changing lights and shadows

0:23:58.480 --> 0:24:02.000
<v Speaker 4>of the chamber length. There broke in upon my dreams

0:24:02.040 --> 0:24:05.560
<v Speaker 4>a cry of horror and dismay. And thereon too, after

0:24:05.600 --> 0:24:09.960
<v Speaker 4>a pause succeeded the sound of troubled voices intermingled with

0:24:10.080 --> 0:24:14.560
<v Speaker 4>many low moanings of sorrow or pain. I arose from

0:24:14.560 --> 0:24:16.560
<v Speaker 4>my seat, and, throwing open one of the doors of

0:24:16.600 --> 0:24:19.760
<v Speaker 4>the library, saw standing out in the antechamber a servant

0:24:19.760 --> 0:24:23.640
<v Speaker 4>maiden volunteers, who told me that Baronice was no more.

0:24:24.760 --> 0:24:27.359
<v Speaker 4>She had been seized with epilepsy in the early morning,

0:24:27.640 --> 0:24:30.320
<v Speaker 4>and now at the closing end of the night, the

0:24:30.400 --> 0:24:33.320
<v Speaker 4>grave was ready for its tenant, and all the preparations

0:24:33.320 --> 0:24:34.719
<v Speaker 4>for the burial were completed.

0:24:35.160 --> 0:24:36.120
<v Speaker 6>So Bernice is dead.

0:24:37.160 --> 0:24:41.000
<v Speaker 4>Yes, I found myself sitting in the library, and again,

0:24:41.080 --> 0:24:44.040
<v Speaker 4>sitting there alone, it seemed that I had newly awakened

0:24:44.040 --> 0:24:46.639
<v Speaker 4>from a confused and exciting dream. I knew that it

0:24:46.680 --> 0:24:48.879
<v Speaker 4>was now midnight, and I was well aware that since

0:24:48.920 --> 0:24:52.159
<v Speaker 4>the setting of the sun Baronice had been interred. But

0:24:52.280 --> 0:24:55.200
<v Speaker 4>of that dreary period which intervened, I had no positive,

0:24:55.560 --> 0:24:59.480
<v Speaker 4>at least no definite comprehension. Yet its memory was replete

0:24:59.480 --> 0:25:03.560
<v Speaker 4>with horror. Horror more horrible from being vague, and terror

0:25:03.600 --> 0:25:07.240
<v Speaker 4>more terrible from ambiguity. It was a fearful page in

0:25:07.280 --> 0:25:10.520
<v Speaker 4>the record my existence, written all over with dim and

0:25:10.600 --> 0:25:15.000
<v Speaker 4>hideous and unintelligible recollections. I strived to decipher them, but

0:25:15.080 --> 0:25:18.359
<v Speaker 4>in vain, while ever and anon, like the spirit of

0:25:18.400 --> 0:25:21.399
<v Speaker 4>a departed sound, the shrill and piercing shriek of a

0:25:21.440 --> 0:25:24.600
<v Speaker 4>female voice seemed to be ringing in my ears. I

0:25:24.600 --> 0:25:28.159
<v Speaker 4>had done? Indeed, what was it? I asked myself the

0:25:28.240 --> 0:25:31.320
<v Speaker 4>question aloud, and the whispering echoes of the chamber answered me,

0:25:33.160 --> 0:25:40.160
<v Speaker 4>what was it? All right?

0:25:40.200 --> 0:25:43.600
<v Speaker 5>So he's awoken from a fever dream and he's like something.

0:25:43.920 --> 0:25:47.440
<v Speaker 5>I've done something here while I slept That ain't good?

0:25:47.720 --> 0:25:49.080
<v Speaker 4>Yeah?

0:25:49.160 --> 0:25:49.800
<v Speaker 6>What was it?

0:25:58.440 --> 0:26:00.320
<v Speaker 5>On the table beside me burned a land mp and

0:26:00.359 --> 0:26:03.159
<v Speaker 5>near it lay a little box that can't be good.

0:26:04.000 --> 0:26:06.080
<v Speaker 5>It was of no remarkable character, and I had seen

0:26:06.119 --> 0:26:08.679
<v Speaker 5>it frequently before, for it was the property of the

0:26:08.680 --> 0:26:11.560
<v Speaker 5>family physician. But how it came there upon my table?

0:26:11.600 --> 0:26:14.520
<v Speaker 5>And why did I shudder? And regarding it? These things

0:26:14.520 --> 0:26:16.800
<v Speaker 5>were in no manner to be accounted for. And my

0:26:16.880 --> 0:26:18.920
<v Speaker 5>eyes at length dropped to the open pages of a

0:26:18.960 --> 0:26:22.639
<v Speaker 5>book and to the sentence underscored therein. The words were

0:26:22.680 --> 0:26:25.880
<v Speaker 5>the singular but simple ones of the poet Eben Zayat.

0:26:26.640 --> 0:26:28.639
<v Speaker 5>My companion said to me, if I would visit the

0:26:28.680 --> 0:26:32.120
<v Speaker 5>grave of my friend, I might somewhat alleviate my worries.

0:26:33.840 --> 0:26:35.000
<v Speaker 6>Why, then, as.

0:26:34.800 --> 0:26:37.199
<v Speaker 5>I perused them, did the hairs of my head erect

0:26:37.280 --> 0:26:40.080
<v Speaker 5>themselves on end, and the blood of my body become

0:26:40.119 --> 0:26:43.840
<v Speaker 5>congealed within my veins. There came a light tap at

0:26:43.840 --> 0:26:53.320
<v Speaker 5>the library door, and as pale as the tenet of

0:26:53.320 --> 0:26:57.399
<v Speaker 5>the tomb, a menial entered upon tiptoe. His looks were

0:26:57.480 --> 0:26:59.280
<v Speaker 5>wild with terror, and he spoke to me in a

0:26:59.359 --> 0:27:03.760
<v Speaker 5>voice mulus husky and very low. What said he some

0:27:03.880 --> 0:27:08.240
<v Speaker 5>broken sentences I had heard. He told of a wild cry,

0:27:08.280 --> 0:27:11.200
<v Speaker 5>disturbing the silence of the night, of the gathering together

0:27:11.280 --> 0:27:13.359
<v Speaker 5>of the household, of a search in the direction of

0:27:13.400 --> 0:27:16.560
<v Speaker 5>the sound. And then his tones grew thrillingly distinct, as

0:27:16.560 --> 0:27:20.760
<v Speaker 5>he whispered me of a violated grave, of a disfigured body,

0:27:20.800 --> 0:27:25.360
<v Speaker 5>and shrouded, yet still breathing, still palpitating, still alive.

0:27:28.160 --> 0:27:31.280
<v Speaker 4>He pointed to garments. They were muddy and clotted with gore.

0:27:31.680 --> 0:27:34.240
<v Speaker 4>I spoke not, and he took me gently by the hand.

0:27:34.640 --> 0:27:38.680
<v Speaker 4>It was indented with the impressive human nails. He directed

0:27:38.680 --> 0:27:41.480
<v Speaker 4>my attention to some object against the wall. I looked

0:27:41.520 --> 0:27:44.560
<v Speaker 4>at it for some minutes. It was a spade with

0:27:44.640 --> 0:27:46.959
<v Speaker 4>a shriek. I bounded to the table and grasped the

0:27:47.000 --> 0:27:49.400
<v Speaker 4>box that lay upon it, but I could not force

0:27:49.440 --> 0:27:51.639
<v Speaker 4>it open, and in my tremor. It slipped from my

0:27:51.680 --> 0:27:54.960
<v Speaker 4>hands and fell heavily and burst into pieces. And from it,

0:27:55.119 --> 0:27:58.119
<v Speaker 4>with a rattling sound, there rolled out some instruments of

0:27:58.240 --> 0:28:02.840
<v Speaker 4>dental surgery, intermingled with thirty two small white and ivory

0:28:02.880 --> 0:28:07.600
<v Speaker 4>looking substances that were scattered to and fro about the floor.

0:28:14.040 --> 0:28:14.760
<v Speaker 6>The end.

0:28:16.160 --> 0:28:19.560
<v Speaker 5>Wow, I just got a little chill, actually.

0:28:19.240 --> 0:28:20.280
<v Speaker 6>And I knew the ending.

0:28:21.240 --> 0:28:22.119
<v Speaker 4>He liked his teeth.

0:28:22.680 --> 0:28:24.240
<v Speaker 6>Did he dig her up or was she still alive?

0:28:24.520 --> 0:28:26.600
<v Speaker 4>I don't know. I was thrown off by the fact.

0:28:26.320 --> 0:28:28.159
<v Speaker 6>That those shrieking women.

0:28:28.040 --> 0:28:31.080
<v Speaker 4>Yeah, she's still palpitating as it, were still alive.

0:28:31.240 --> 0:28:33.320
<v Speaker 5>I think he hallucinated the whole thing and that she

0:28:33.680 --> 0:28:35.239
<v Speaker 5>did not die and was buried. I think he went

0:28:35.280 --> 0:28:39.160
<v Speaker 5>into her chamber and removed her teeth while she was alive.

0:28:39.400 --> 0:28:43.120
<v Speaker 4>Or maybe he while he was in his little opium dream,

0:28:44.000 --> 0:28:48.160
<v Speaker 4>buried her alive, then decided, oh yeah the teeth, went back,

0:28:48.520 --> 0:28:50.880
<v Speaker 4>got him out of her mouth while she's still alive,

0:28:51.160 --> 0:28:54.880
<v Speaker 4>and took him back to the library. I think he

0:28:54.920 --> 0:28:56.960
<v Speaker 4>needs to lay off the dope, is what it comes

0:28:57.000 --> 0:29:02.680
<v Speaker 4>down to. Yeah, So happy Halloween. I hope everybody is

0:29:03.440 --> 0:29:06.720
<v Speaker 4>appropriately nervous now, right.

0:29:06.880 --> 0:29:11.440
<v Speaker 5>Yeah, And if you have ideas on royalty free readings

0:29:11.440 --> 0:29:12.480
<v Speaker 5>that we can do next year.

0:29:13.280 --> 0:29:15.240
<v Speaker 4>Yeah, well we'll bring this up again, like in August

0:29:15.400 --> 0:29:19.280
<v Speaker 4>or something like that. Agreed, So stick around. We are

0:29:19.480 --> 0:29:22.200
<v Speaker 4>not going anywhere just yet. We have a special you

0:29:22.200 --> 0:29:25.840
<v Speaker 4>can almost call us a two parter. The second part

0:29:25.920 --> 0:29:28.760
<v Speaker 4>is a special guest. Right, We're not going to do

0:29:28.880 --> 0:29:32.040
<v Speaker 4>listener mail or anything. We're going to do this Happy

0:29:32.080 --> 0:29:42.040
<v Speaker 4>Halloween everybody. So since this is a Halloween episode, and since,

0:29:42.520 --> 0:29:46.520
<v Speaker 4>as you may remember from Tuesday, John Hodgman has been

0:29:46.520 --> 0:29:48.000
<v Speaker 4>hanging around the office this week.

0:29:48.280 --> 0:29:50.320
<v Speaker 5>That's I'm sleeping in a cubicle earlier.

0:29:51.480 --> 0:29:57.040
<v Speaker 4>It's weird. We I got locked out of my here again.

0:29:57.360 --> 0:30:01.800
<v Speaker 4>My so, Hodgman, how you doing? Was?

0:30:02.400 --> 0:30:04.440
<v Speaker 7>I don't get a I don't get like the chimes?

0:30:04.600 --> 0:30:07.440
<v Speaker 4>Well, well, I haven't finished the introduction yet. We're not

0:30:07.440 --> 0:30:09.920
<v Speaker 4>doing listener mail this week because it's special, it was,

0:30:09.960 --> 0:30:13.200
<v Speaker 4>this is a Halloween episode and because Hodgman's here, so

0:30:13.240 --> 0:30:17.680
<v Speaker 4>instead we're going to do stuff with John Hodgman.

0:30:18.480 --> 0:30:18.880
<v Speaker 6>That's right.

0:30:18.920 --> 0:30:21.080
<v Speaker 5>And the reason, well, the reason John's here is because

0:30:21.120 --> 0:30:23.120
<v Speaker 5>he decided to surprise us and he had a ticket

0:30:23.120 --> 0:30:23.560
<v Speaker 5>to the show.

0:30:23.760 --> 0:30:25.760
<v Speaker 6>Yep, we decided to honor that ticket. Yeah.

0:30:26.160 --> 0:30:28.480
<v Speaker 7>Look, I feel bad. I feel a little bad about

0:30:28.520 --> 0:30:32.080
<v Speaker 7>last week because I came in and interrupted Sarah's letter.

0:30:32.480 --> 0:30:34.440
<v Speaker 6>This week, whatever was, We took care of it.

0:30:34.520 --> 0:30:35.960
<v Speaker 7>Don't you know what I don't. I don't pay attention

0:30:36.000 --> 0:30:37.360
<v Speaker 7>to time anymore. I'm a deranged millionaire.

0:30:37.440 --> 0:30:37.920
<v Speaker 4>Okay.

0:30:38.960 --> 0:30:39.880
<v Speaker 6>I like Sarah.

0:30:40.520 --> 0:30:42.600
<v Speaker 7>I like the letters she writes. I like all the letters.

0:30:43.320 --> 0:30:46.600
<v Speaker 7>But I'm a listener too, you know. That's why I'm here. Yeah,

0:30:46.640 --> 0:30:48.000
<v Speaker 7>and what am I going to have my say?

0:30:48.200 --> 0:30:48.800
<v Speaker 4>Do you know what I mean?

0:30:48.960 --> 0:30:50.520
<v Speaker 5>And no one ever comes in to do their listener

0:30:50.520 --> 0:30:51.760
<v Speaker 5>mail in person like you.

0:30:51.760 --> 0:30:52.680
<v Speaker 6>You bought a ticket to do.

0:30:52.760 --> 0:30:55.680
<v Speaker 7>So. Yeah, that's what I'm saying. I have access. It's

0:30:55.680 --> 0:30:58.000
<v Speaker 7>time for me to have my say. Here's my listener mail.

0:30:58.240 --> 0:31:00.240
<v Speaker 7>All right, nice work, guys.

0:31:00.280 --> 0:31:04.760
<v Speaker 4>Thank you, thank you. That's nice listener huh. Yeah, that

0:31:04.920 --> 0:31:05.440
<v Speaker 4>was Chuck's.

0:31:06.400 --> 0:31:09.600
<v Speaker 6>Well that was Poe los my mind.

0:31:10.920 --> 0:31:17.560
<v Speaker 7>You say it was porific, I say Poe.

0:31:16.280 --> 0:31:16.800
<v Speaker 6>No, I like it.

0:31:16.920 --> 0:31:17.480
<v Speaker 4>Drownd post.

0:31:17.520 --> 0:31:20.760
<v Speaker 7>Fine, Well you got of Like you know, guys, I

0:31:20.800 --> 0:31:23.479
<v Speaker 7>wrote this new book of complete World Knowledge called That

0:31:23.640 --> 0:31:26.560
<v Speaker 7>is All that's coming out. And this is the third

0:31:26.560 --> 0:31:29.160
<v Speaker 7>book of Complete World Knowledge. And in my previous books

0:31:29.200 --> 0:31:32.480
<v Speaker 7>of Complete world knowledge. I talked about everything, right, I

0:31:32.560 --> 0:31:36.600
<v Speaker 7>talked about how to tile kinds of knots. No, I

0:31:36.640 --> 0:31:38.600
<v Speaker 7>never did for some reason, I think I did.

0:31:38.800 --> 0:31:40.840
<v Speaker 4>That was so close. I almost said, like, Yeah.

0:31:40.880 --> 0:31:43.720
<v Speaker 7>I talked about Hobo's. I talked about Mollman. I talked

0:31:43.720 --> 0:31:46.400
<v Speaker 7>about the presidents of the United States. I talked about

0:31:46.440 --> 0:31:50.680
<v Speaker 7>the mottos and nicknames of all fifty one American states.

0:31:51.480 --> 0:31:53.960
<v Speaker 7>I talked about history. I talked about the future. But

0:31:54.000 --> 0:31:57.080
<v Speaker 7>there was one topic that I never took on before,

0:31:57.200 --> 0:32:02.040
<v Speaker 7>and that was sports. Yeah, because I am not a

0:32:02.080 --> 0:32:03.080
<v Speaker 7>sports fan.

0:32:03.320 --> 0:32:04.840
<v Speaker 4>See, I found that surprising.

0:32:05.120 --> 0:32:05.400
<v Speaker 6>Really.

0:32:05.520 --> 0:32:07.880
<v Speaker 5>Yeah, well, you and I co hosted at trivia then

0:32:07.880 --> 0:32:09.920
<v Speaker 5>it Max fun Con, and yeah, we did our own

0:32:09.920 --> 0:32:10.680
<v Speaker 5>little fun trivia.

0:32:10.720 --> 0:32:12.280
<v Speaker 6>Well'm Elijah won. Right.

0:32:12.320 --> 0:32:14.480
<v Speaker 5>I did some sports questions that you were not privy

0:32:14.520 --> 0:32:18.320
<v Speaker 5>to to humiliate me. You did some science fiction nerd

0:32:18.480 --> 0:32:20.920
<v Speaker 5>movie questions that I because I'm not into that.

0:32:21.000 --> 0:32:23.720
<v Speaker 7>You did jock questions to humiliate me, and I did

0:32:23.760 --> 0:32:26.400
<v Speaker 7>nerd questions to humiliate and it went great. It went great.

0:32:26.400 --> 0:32:28.120
<v Speaker 6>We're both humiliated, that's right.

0:32:27.960 --> 0:32:29.720
<v Speaker 7>And that is usually the sign of a good night.

0:32:29.920 --> 0:32:30.520
<v Speaker 6>Yes it is.

0:32:31.000 --> 0:32:34.760
<v Speaker 7>But here's the thing for this third book, because we

0:32:34.800 --> 0:32:38.400
<v Speaker 7>are reaching the end of human civilization December twenty one, twenty.

0:32:37.960 --> 0:32:40.959
<v Speaker 4>Twelve, at eleven eleven am.

0:32:40.640 --> 0:32:44.800
<v Speaker 7>Exactly, and it's and it's time for me to engage

0:32:44.920 --> 0:32:48.840
<v Speaker 7>in well, Like the dying person, I reach out to

0:32:48.880 --> 0:32:52.520
<v Speaker 7>that which I've previously spurned in life, like religion and sports.

0:32:53.240 --> 0:32:56.160
<v Speaker 7>So I decided to learn a lot about sports and

0:32:56.280 --> 0:32:59.239
<v Speaker 7>to write about sports in this new book. And one

0:32:59.240 --> 0:33:02.480
<v Speaker 7>of the things I learned, which I didn't know until now,

0:33:02.760 --> 0:33:05.720
<v Speaker 7>you guys probably know this, that the Baltimore Ravens is

0:33:05.800 --> 0:33:11.080
<v Speaker 7>named after the Edgar Allan Poe poem The Right. So

0:33:12.280 --> 0:33:14.400
<v Speaker 7>you didn't know that. I didn't know that. I knew that,

0:33:14.800 --> 0:33:17.840
<v Speaker 7>and now that makes more sense. I didn't realize why

0:33:18.640 --> 0:33:24.800
<v Speaker 7>they had Edgar Allen Poe as their mascot. Some dude

0:33:24.880 --> 0:33:28.600
<v Speaker 7>dressed up as like nineteenth century and no, he's got

0:33:28.760 --> 0:33:30.520
<v Speaker 7>one of those big heads on, like a big Edgar

0:33:30.520 --> 0:33:31.560
<v Speaker 7>Allen Poe head.

0:33:31.960 --> 0:33:32.880
<v Speaker 6>I was like, why is that?

0:33:32.920 --> 0:33:36.640
<v Speaker 7>And then I finally got it. Ed Ground Poe apparently

0:33:36.960 --> 0:33:39.560
<v Speaker 7>got runeously drunk in Baltimore, as he did in every

0:33:39.600 --> 0:33:42.200
<v Speaker 7>East Coast city for a period of time. They all,

0:33:42.400 --> 0:33:45.320
<v Speaker 7>for some reason claim him as their son. Well, in Philadelphia,

0:33:45.560 --> 0:33:52.080
<v Speaker 7>New York, Brooklyn, Baltimore, Providence, but only Baltimore had the

0:33:52.120 --> 0:33:58.040
<v Speaker 7>nerve to name their team after a famous quasi literary

0:33:58.120 --> 0:33:59.959
<v Speaker 7>kind of dumb dumb poem that the French really liked.

0:34:02.200 --> 0:34:04.600
<v Speaker 7>And they have this mascot, which is crazy. Now I

0:34:04.680 --> 0:34:07.320
<v Speaker 7>understand why they have that mascot. This dude dressed up

0:34:07.320 --> 0:34:09.840
<v Speaker 7>his egg ground Poe with a giant Edgar Allan Poe

0:34:09.880 --> 0:34:12.280
<v Speaker 7>head on top of him that's filled with brandy.

0:34:12.360 --> 0:34:13.160
<v Speaker 6>Now it makes sense.

0:34:13.520 --> 0:34:15.760
<v Speaker 5>And John Cusack, to bring in full circle, is playing

0:34:15.840 --> 0:34:18.040
<v Speaker 5>Poe in a movie I know, which is.

0:34:18.360 --> 0:34:20.839
<v Speaker 7>He's only the latest who wanted to play ed Ground Poe.

0:34:20.840 --> 0:34:23.799
<v Speaker 7>Of course, Sylvester Stallone was developing an edge Ground Poe

0:34:23.960 --> 0:34:25.719
<v Speaker 7>really biopic four years.

0:34:26.360 --> 0:34:29.400
<v Speaker 6>Four years. You didn't know that.

0:34:29.120 --> 0:34:31.880
<v Speaker 7>Foreigner was going to do the theme song. They wrote,

0:34:31.960 --> 0:34:36.799
<v Speaker 7>I have the tiger for that movie. Oh sorry, foreign first,

0:34:37.280 --> 0:34:41.120
<v Speaker 7>I apologize exactly survivor right, They wrote I have the

0:34:41.160 --> 0:34:44.360
<v Speaker 7>tiger for the edg Ground Poe movie, but when it

0:34:44.400 --> 0:34:46.520
<v Speaker 7>didn't get made, they used it for Rocky three instead

0:34:46.600 --> 0:34:51.440
<v Speaker 7>got sports and more sports. Punching is a sport, right Pugilism?

0:34:52.760 --> 0:34:55.880
<v Speaker 7>Oh no, I agree, that's the sweet science. That's the

0:34:56.680 --> 0:35:00.239
<v Speaker 7>that's the that's the intricate logical art of her doing

0:35:00.400 --> 0:35:01.920
<v Speaker 7>someone in the face exactly.

0:35:02.640 --> 0:35:04.960
<v Speaker 4>Wow, wow, hold on, you're leaving out a big element

0:35:05.640 --> 0:35:07.920
<v Speaker 4>trying to not get hurt in your own face. Right,

0:35:07.960 --> 0:35:09.919
<v Speaker 4>that's practically you're doing two things at once.

0:35:10.040 --> 0:35:12.080
<v Speaker 7>Yeah, that's that's that's ballet.

0:35:12.800 --> 0:35:13.480
<v Speaker 6>Do you know what I mean?

0:35:13.840 --> 0:35:17.880
<v Speaker 7>That's that's an intricate dance. That's like ultimate fighting. I'm

0:35:18.719 --> 0:35:20.480
<v Speaker 7>guys down on the ground trying to knee each other

0:35:20.520 --> 0:35:24.319
<v Speaker 7>in the neck. It's it's acrobatic.

0:35:24.640 --> 0:35:26.960
<v Speaker 4>I see you at a boxing match, though, Hodgman, I

0:35:27.040 --> 0:35:30.279
<v Speaker 4>wasn't a boxing match. I've seen that, Yes, you were.

0:35:30.880 --> 0:35:32.200
<v Speaker 7>I was in a fake I was in a fake

0:35:32.239 --> 0:35:32.839
<v Speaker 7>boxing match.

0:35:32.880 --> 0:35:35.120
<v Speaker 4>Was that choreograph of that state that it looked a

0:35:35.120 --> 0:35:37.359
<v Speaker 4>lot like the directors like you to just go at

0:35:37.400 --> 0:35:38.680
<v Speaker 4>each other and we'll see what happened.

0:35:38.680 --> 0:35:41.080
<v Speaker 7>This was in an episode of Boards to Death.

0:35:41.040 --> 0:35:44.000
<v Speaker 4>Right with you? You box, Jason Schwartz.

0:35:43.719 --> 0:35:47.399
<v Speaker 7>I did, yeah, and uh, And I realized then that

0:35:48.120 --> 0:35:51.120
<v Speaker 7>it is an extremely physically taxing thing to do. I

0:35:51.160 --> 0:35:54.080
<v Speaker 7>don't I do not mean to run down boxers in

0:35:54.120 --> 0:35:57.279
<v Speaker 7>the least because first of all, they will kill me.

0:35:58.600 --> 0:36:00.200
<v Speaker 7>Second of all, what they do they are. They're are

0:36:00.239 --> 0:36:06.440
<v Speaker 7>extremely accomplished athletes. I have no problem with athletes, you understand, Sure,

0:36:07.440 --> 0:36:11.400
<v Speaker 7>I think they're incredibly skilled people whom I wish only

0:36:11.640 --> 0:36:13.200
<v Speaker 7>not to hurt me, do you know what I mean?

0:36:14.239 --> 0:36:16.040
<v Speaker 7>But they are artists in there in their own way.

0:36:16.520 --> 0:36:19.960
<v Speaker 7>And I don't even dislike sports per se. Like, there's

0:36:20.000 --> 0:36:22.600
<v Speaker 7>some sports that I occasionally will watch. I dig a

0:36:22.640 --> 0:36:23.839
<v Speaker 7>curling match from time to time.

0:36:23.920 --> 0:36:26.320
<v Speaker 6>Okay, you know what I mean? Yeah, yeah, any.

0:36:26.239 --> 0:36:29.799
<v Speaker 7>Spot with a broom I like. It's it is the

0:36:29.840 --> 0:36:34.400
<v Speaker 7>presupposition in our culture that everyone must like sports, and

0:36:34.520 --> 0:36:38.080
<v Speaker 7>if you do not know what the sports teams are

0:36:38.160 --> 0:36:38.720
<v Speaker 7>or what they.

0:36:38.600 --> 0:36:40.799
<v Speaker 6>Do on the field, something is wrong with you. Then

0:36:40.840 --> 0:36:42.200
<v Speaker 6>you are abnormal.

0:36:41.719 --> 0:36:42.239
<v Speaker 4>In some way.

0:36:42.520 --> 0:36:45.960
<v Speaker 7>And I think that that's a little bit that presumes

0:36:45.960 --> 0:36:46.399
<v Speaker 7>too much.

0:36:46.719 --> 0:36:48.000
<v Speaker 6>Well, John, that's the where we live in.

0:36:48.920 --> 0:36:53.040
<v Speaker 7>But it's changing now. Baltimore got the Ravens in what

0:36:53.160 --> 0:36:56.760
<v Speaker 7>nineteen ninety six or seven or something like that. Okay,

0:36:56.880 --> 0:37:00.360
<v Speaker 7>so they name their team after a poem, right, was like,

0:37:00.400 --> 0:37:03.840
<v Speaker 7>no big deal, not a big deal, who cares?

0:37:03.920 --> 0:37:04.080
<v Speaker 6>Right?

0:37:05.320 --> 0:37:08.400
<v Speaker 7>This year we got some baseball what's the baseball player?

0:37:08.640 --> 0:37:09.719
<v Speaker 6>Who named is a bat?

0:37:09.840 --> 0:37:10.280
<v Speaker 7>Orchrist?

0:37:11.200 --> 0:37:12.120
<v Speaker 6>I did not that.

0:37:12.600 --> 0:37:16.560
<v Speaker 7>Yeah, it's that it's in the news, someone will write

0:37:16.560 --> 0:37:17.520
<v Speaker 7>about it and send it in.

0:37:17.680 --> 0:37:19.200
<v Speaker 4>Okay, it was.

0:37:19.280 --> 0:37:22.880
<v Speaker 7>It was this April it was revealed the very popular

0:37:22.960 --> 0:37:27.960
<v Speaker 7>bass ball player named his bat Orchrist, after one of

0:37:28.040 --> 0:37:31.000
<v Speaker 7>the Elven forged swords in the Hobbit.

0:37:31.360 --> 0:37:32.439
<v Speaker 4>Huh that's pretty cool.

0:37:32.560 --> 0:37:33.279
<v Speaker 6>Yeah right?

0:37:33.760 --> 0:37:36.480
<v Speaker 7>And then guess what have you noticed this?

0:37:37.719 --> 0:37:37.880
<v Speaker 4>You know?

0:37:37.880 --> 0:37:39.840
<v Speaker 7>It's Nick Mangol, the center for the New York Jets.

0:37:40.120 --> 0:37:40.359
<v Speaker 4>Yeah.

0:37:42.560 --> 0:37:44.920
<v Speaker 7>Have you noticed, like he's not wearing a helmet anymore?

0:37:45.920 --> 0:37:47.160
<v Speaker 6>I have not noticed that.

0:37:47.840 --> 0:37:50.640
<v Speaker 7>It's surprising to me. He came out in one of

0:37:50.640 --> 0:37:54.680
<v Speaker 7>the games earlier this year. He was wearing a leather

0:37:54.760 --> 0:37:57.319
<v Speaker 7>top hat with like goggles on it.

0:37:57.880 --> 0:37:59.759
<v Speaker 6>Do you notice that? I did not know? What is

0:37:59.800 --> 0:38:04.359
<v Speaker 6>that on the field on the field why, I.

0:38:04.320 --> 0:38:08.080
<v Speaker 7>Don't know, but it's weird. And then and then another

0:38:08.080 --> 0:38:09.680
<v Speaker 7>time he came out and he was wearing a pith

0:38:09.719 --> 0:38:14.480
<v Speaker 7>helmet with with a jeweler's lens on it. That and

0:38:14.520 --> 0:38:16.000
<v Speaker 7>he came out in the he came out on the

0:38:16.000 --> 0:38:19.400
<v Speaker 7>field on a on a on a penny farthered bicycle.

0:38:19.800 --> 0:38:20.879
<v Speaker 4>What is going on?

0:38:21.640 --> 0:38:23.920
<v Speaker 7>It was a steam powered Penny farthing bicycle?

0:38:24.000 --> 0:38:29.360
<v Speaker 4>Wow? Which was it of his own design and manufacture? Yeah.

0:38:29.400 --> 0:38:33.320
<v Speaker 7>And then he went on a sports program, a radio

0:38:33.320 --> 0:38:37.080
<v Speaker 7>program much like this this radio right, Yeah, sure, it's

0:38:37.120 --> 0:38:40.560
<v Speaker 7>kind of and uh and he was and he was saying,

0:38:40.600 --> 0:38:44.520
<v Speaker 7>I'm really glad we won that game, and uh, I

0:38:44.560 --> 0:38:46.080
<v Speaker 7>think and they said, well, what do you think? How

0:38:46.080 --> 0:38:48.160
<v Speaker 7>do you how do you what to what do you

0:38:48.200 --> 0:38:48.960
<v Speaker 7>attribute your win?

0:38:49.800 --> 0:38:52.440
<v Speaker 6>And he said, I just took.

0:38:53.840 --> 0:38:56.840
<v Speaker 7>The lesson of Admiral acpart to heart and realized that

0:38:56.880 --> 0:38:57.880
<v Speaker 7>they were setting a trap.

0:39:00.080 --> 0:39:00.400
<v Speaker 6>Weird.

0:39:00.560 --> 0:39:02.520
<v Speaker 4>That is weird, very weird. What do you think is

0:39:02.560 --> 0:39:03.120
<v Speaker 4>going on there?

0:39:03.120 --> 0:39:05.600
<v Speaker 6>I think this is it? Guys, I think this is happening.

0:39:05.719 --> 0:39:08.879
<v Speaker 7>Is this the beginning the beginning of the nerd jock convergence?

0:39:09.400 --> 0:39:10.960
<v Speaker 7>See it all around us?

0:39:11.520 --> 0:39:12.000
<v Speaker 6>Wow?

0:39:12.320 --> 0:39:15.319
<v Speaker 7>I think Nick Mangled may be the one. Yeah, it's

0:39:15.320 --> 0:39:18.880
<v Speaker 7>the person who's going to join these two worlds together. Yeah,

0:39:19.480 --> 0:39:25.920
<v Speaker 7>he's doing steampunk cosplay, he's quoting Admiral Lackbar, He's riding

0:39:25.160 --> 0:39:30.160
<v Speaker 7>a Penny Farthing motorcycle, not just a steam powered Penny

0:39:30.160 --> 0:39:34.920
<v Speaker 7>Farthing motorcycle of his own design. And I recently, you

0:39:34.960 --> 0:39:39.400
<v Speaker 7>know how my my Zeppelin Hubris isn't in ruins, the

0:39:39.520 --> 0:39:45.600
<v Speaker 7>HC Hubris, the HC Hubris Audrin Zepplin's Hubris. Uh, but

0:39:45.640 --> 0:39:46.960
<v Speaker 7>I just got an offer on it.

0:39:47.239 --> 0:39:48.640
<v Speaker 4>Did you know that?

0:39:48.640 --> 0:39:49.160
<v Speaker 6>That weird?

0:39:49.600 --> 0:39:51.959
<v Speaker 7>I mean it's still crashed, it's still I think parts

0:39:51.960 --> 0:39:54.120
<v Speaker 7>of it is still burning in Central Park.

0:39:54.360 --> 0:39:55.440
<v Speaker 6>This happened since Tuesday.

0:39:55.520 --> 0:39:59.000
<v Speaker 7>Yeah, yeah, I maybe you hear this person heard the podcast.

0:39:59.000 --> 0:40:01.960
<v Speaker 7>I don't know what it is, but if the offer

0:40:02.040 --> 0:40:05.680
<v Speaker 7>came in, it's a good offer too, from man Gold

0:40:06.280 --> 0:40:07.600
<v Speaker 7>Steampunk Industries.

0:40:08.560 --> 0:40:13.520
<v Speaker 4>It's gotta be the same one football Well yeah, see,

0:40:13.600 --> 0:40:15.560
<v Speaker 4>I think it might be him. Are you selling it

0:40:15.600 --> 0:40:16.359
<v Speaker 4>to him as is?

0:40:17.239 --> 0:40:19.000
<v Speaker 7>Well, I'm not putting that thing back together. It's on

0:40:19.040 --> 0:40:23.120
<v Speaker 7>fire and burned my hands. Yes, I hope it works.

0:40:23.200 --> 0:40:26.160
<v Speaker 6>Where is it over? I don't know.

0:40:26.200 --> 0:40:27.759
<v Speaker 7>Most of the top half of Central Park.

0:40:27.800 --> 0:40:30.040
<v Speaker 6>I mean it was big, it was big, most of

0:40:30.080 --> 0:40:33.160
<v Speaker 6>the top half. Yeah, I haven't been up there in

0:40:33.200 --> 0:40:33.560
<v Speaker 6>a while.

0:40:33.680 --> 0:40:33.879
<v Speaker 4>Good.

0:40:34.800 --> 0:40:37.600
<v Speaker 7>It crashed and burned probably two years.

0:40:37.440 --> 0:40:40.080
<v Speaker 4>Ago and still oh yeah, it's still burning.

0:40:40.239 --> 0:40:41.960
<v Speaker 7>Yeah, well I should do something.

0:40:42.280 --> 0:40:43.960
<v Speaker 4>Well, John, let me ask you. I mean, that seems

0:40:43.960 --> 0:40:48.520
<v Speaker 4>like one of the great divisions in life in the

0:40:48.560 --> 0:40:51.600
<v Speaker 4>world that's been going on forever, is this division between

0:40:51.680 --> 0:40:54.480
<v Speaker 4>jockson nerds. It seems like it's a good thing. If

0:40:54.560 --> 0:40:55.799
<v Speaker 4>things come together, is it not?

0:40:56.680 --> 0:40:59.520
<v Speaker 6>I I don't know. I don't know.

0:41:00.000 --> 0:41:02.400
<v Speaker 7>I think it's I think, like all major c changes,

0:41:02.440 --> 0:41:04.680
<v Speaker 7>it's unnerving, do you know what I mean?

0:41:05.560 --> 0:41:08.040
<v Speaker 4>I think those of us I'm scared of things too.

0:41:08.560 --> 0:41:10.520
<v Speaker 7>I think those of us on the nerd side have

0:41:10.600 --> 0:41:16.160
<v Speaker 7>been defining ourselves by our marginalization for so long that

0:41:16.200 --> 0:41:19.640
<v Speaker 7>it may be hard for us to accept a world

0:41:19.719 --> 0:41:25.680
<v Speaker 7>where you know, that TV show Community did a whole

0:41:25.800 --> 0:41:30.840
<v Speaker 7>Dungeons and Dragons episode. Superhero movies are the only movies

0:41:30.840 --> 0:41:33.040
<v Speaker 7>that people make, now, do you know what I mean?

0:41:33.160 --> 0:41:34.840
<v Speaker 6>Like all of the.

0:41:34.640 --> 0:41:38.960
<v Speaker 7>Things, And now I think at least ten people in

0:41:39.000 --> 0:41:40.520
<v Speaker 7>the United States know who Doctor.

0:41:40.280 --> 0:41:41.960
<v Speaker 6>Who is now, do you know what I mean?

0:41:42.040 --> 0:41:45.440
<v Speaker 7>Comic Con is big, big business. And I think that

0:41:45.440 --> 0:41:48.800
<v Speaker 7>that all of these things that we used to hold

0:41:48.880 --> 0:41:53.320
<v Speaker 7>as badges and use to comfort ourselves in our marginalization

0:41:53.400 --> 0:41:58.400
<v Speaker 7>and culture are now being absorbed into, you know, the

0:41:58.480 --> 0:42:02.319
<v Speaker 7>monoculture as a whole. And there's no greater expression of

0:42:02.320 --> 0:42:05.640
<v Speaker 7>the monoculture than jock culture, which is the great leveling,

0:42:06.120 --> 0:42:10.319
<v Speaker 7>cross cultural, unifying thing that men and a lot of

0:42:10.320 --> 0:42:13.440
<v Speaker 7>women talk about unless they're a nerd like me. Right,

0:42:13.840 --> 0:42:16.320
<v Speaker 7>So when that's gone, I think that will bother nerds

0:42:16.400 --> 0:42:21.239
<v Speaker 7>very well. But I don't think the jocks give at all.

0:42:21.400 --> 0:42:24.399
<v Speaker 4>No and and jocks tend to get their way as

0:42:24.400 --> 0:42:27.840
<v Speaker 4>far as society goes, if they want something. If Mangole

0:42:28.000 --> 0:42:30.560
<v Speaker 4>wants to make steam, hey.

0:42:30.440 --> 0:42:31.840
<v Speaker 6>I like your steam pup culture.

0:42:32.280 --> 0:42:35.080
<v Speaker 4>Give me that, nerd. That's right, they take mine.

0:42:35.360 --> 0:42:40.160
<v Speaker 7>It's mine now, Hey, you're you're your your your steam

0:42:40.200 --> 0:42:42.680
<v Speaker 7>funk ironman armor that you made yourself.

0:42:42.800 --> 0:42:43.279
<v Speaker 6>That's mine.

0:42:43.320 --> 0:42:45.240
<v Speaker 7>Now drop it off at my locker.

0:42:46.239 --> 0:42:47.680
<v Speaker 6>Throw a Jets jersey on top of it.

0:42:47.960 --> 0:42:49.880
<v Speaker 7>Yeah, I'm gonna put the Jets jersey on top of it.

0:42:49.880 --> 0:42:53.120
<v Speaker 7>It's going to be steampunk Ironman Jets. That's not what

0:42:53.160 --> 0:42:54.880
<v Speaker 7>the mc. Mangol does not talk like that at all.

0:42:54.920 --> 0:42:55.680
<v Speaker 7>He's a very sweet guy.

0:42:55.719 --> 0:43:00.720
<v Speaker 6>I met him. That's why I hope so.

0:43:01.200 --> 0:43:06.680
<v Speaker 7>In real life. In real life, Nick Mangold's Twitter avatar

0:43:07.640 --> 0:43:10.440
<v Speaker 7>is an illustration of him as an ewok.

0:43:11.040 --> 0:43:11.360
<v Speaker 6>Really.

0:43:11.640 --> 0:43:14.200
<v Speaker 7>Yeah, So you may say that what I'm putting in

0:43:14.239 --> 0:43:17.799
<v Speaker 7>my book is crazy, but look around you, everybody, it's

0:43:17.880 --> 0:43:18.439
<v Speaker 7>coming true.

0:43:18.840 --> 0:43:22.440
<v Speaker 4>Well, John, thank you for coming by with your baffling prediction.

0:43:22.560 --> 0:43:24.040
<v Speaker 7>You don't have to think it's very easy. I just

0:43:24.040 --> 0:43:25.600
<v Speaker 7>walked down the hallway from my safe room.

0:43:25.680 --> 0:43:28.640
<v Speaker 4>Are you going to stay here? Because the weekend's approaching.

0:43:28.960 --> 0:43:31.480
<v Speaker 7>I need someone to kick down the door of my

0:43:31.600 --> 0:43:35.320
<v Speaker 7>safe room because I fell asleep in that cubicle because

0:43:35.640 --> 0:43:38.759
<v Speaker 7>I went out and I accidentally armed the system. Okay,

0:43:39.000 --> 0:43:41.120
<v Speaker 7>So if you have an intern or someone who can

0:43:41.160 --> 0:43:43.120
<v Speaker 7>go in there, they will.

0:43:42.960 --> 0:43:47.120
<v Speaker 6>Be gassed, Jerry, Yeah, a foot of lead.

0:43:47.640 --> 0:43:48.920
<v Speaker 4>Okay, and she can.

0:43:49.480 --> 0:43:51.160
<v Speaker 7>Yeah, but there are booth but there are booby traps.

0:43:51.160 --> 0:43:52.879
<v Speaker 7>There will be gassed, There will be darts, there will

0:43:52.920 --> 0:43:56.640
<v Speaker 7>be snakes, there will be a giant rolling boulder.

0:43:57.719 --> 0:43:58.399
<v Speaker 6>Just good.

0:43:58.440 --> 0:43:59.880
<v Speaker 7>If we get that, then I can get back in

0:44:00.680 --> 0:44:01.520
<v Speaker 7>and then I'll be back again.

0:44:01.719 --> 0:44:03.520
<v Speaker 5>Jerry deals with us on a day to day basis.

0:44:03.560 --> 0:44:06.000
<v Speaker 5>She can handle any boulders or poisoned darts.

0:44:06.160 --> 0:44:07.920
<v Speaker 6>You're right, Yeah, here's to you, Jerry.

0:44:08.000 --> 0:44:12.000
<v Speaker 4>We'll send Jerry in. Yeah. And then.

0:44:16.360 --> 0:44:19.360
<v Speaker 5>So John's book is that is all and it is

0:44:19.360 --> 0:44:21.759
<v Speaker 5>coming out November first, and you can pre order it

0:44:21.920 --> 0:44:24.840
<v Speaker 5>right now using the internet, using the internet, and I

0:44:24.880 --> 0:44:27.160
<v Speaker 5>hope that you will at a variety of Internet sites.

0:44:27.880 --> 0:44:30.560
<v Speaker 4>Oh you really, just plug the heck out of that, chuck.

0:44:30.719 --> 0:44:32.640
<v Speaker 6>Well, you know, I want the guy to sell a

0:44:32.640 --> 0:44:33.120
<v Speaker 6>book or two.

0:44:33.719 --> 0:44:36.600
<v Speaker 7>I'm just happy to be here as an listener, as

0:44:36.640 --> 0:44:39.320
<v Speaker 7>a deranged millionaire. I'm happy to come in here and

0:44:39.360 --> 0:44:41.839
<v Speaker 7>take over your listener mail, and as a resident, as

0:44:41.880 --> 0:44:43.880
<v Speaker 7>a resident of past up Works closet.

0:44:44.280 --> 0:44:46.279
<v Speaker 4>Well to those of you who made it all the

0:44:46.320 --> 0:44:49.719
<v Speaker 4>way through this podcast and you're with us right now.

0:44:50.200 --> 0:44:53.080
<v Speaker 4>I want to say on behalf of myself, Chuck and

0:44:53.160 --> 0:44:58.160
<v Speaker 4>mister John Hodgman, Happy Halloween. Be safe, Please don't get

0:44:58.200 --> 0:44:58.759
<v Speaker 4>hit by a car.

0:45:00.200 --> 0:45:02.600
<v Speaker 7>Dress your children in skeleton costumes and send them out

0:45:02.600 --> 0:45:03.160
<v Speaker 7>into the street.

0:45:05.239 --> 0:45:12.799
<v Speaker 2>At the end, be sure to check out our new

0:45:12.880 --> 0:45:16.239
<v Speaker 2>video podcast, Stuff from the Future. Join how stup Work

0:45:16.280 --> 0:45:19.880
<v Speaker 2>staff as we explore them with promising and perplexing possibilities

0:45:19.880 --> 0:45:20.520
<v Speaker 2>of tomorrow.

0:45:23.239 --> 0:45:25.760
<v Speaker 1>Brought to you by the reinvented twenty twelve Camra.

0:45:26.080 --> 0:45:27.279
<v Speaker 2>It's ready, are you