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Speaker 1: This is Mandy B.

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Speaker 2: Welcome to Selective Ignorance, a production of the Black Back

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Speaker 2: Podcast Network and I Art.

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Speaker 3: Radio on your favorite records every ye And I got

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Speaker 3: on to him because the new Rick Ross record, which

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Speaker 3: is five Rick.

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Speaker 1: Ross got one, the one with Max B.

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Speaker 4: Don't like it.

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Speaker 1: That's the beat about it music this patron. So I'm

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Speaker 1: playing music doing record one. Yeah, that's what I'm saying.

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Speaker 1: And I say him and French got a good knack

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Speaker 1: of doing the talking about the minks in Miami. In Miami, yeah,

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Speaker 1: I know what you I know.

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Speaker 3: No, no, we're talking about it's kind of but that's Max B.

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Speaker 5: I don't give a funk about a Max B.

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Speaker 1: Like the song just Ross Park. First off, I like,

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Speaker 1: you know what are we are we going?

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Speaker 2: You know what?

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Speaker 3: That's early that's an early spring banger right there. I'll

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Speaker 3: tell you that it's an.

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Speaker 5: Early spring banger.

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Speaker 2: This is an early spring Yes, you like it?

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Speaker 6: You know?

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Speaker 7: Right here, and let's go.

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Speaker 1: Mixing Miami short.

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Speaker 3: You know that I'm gonna winter kill my little man,

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Speaker 3: so you know I gotta get them.

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Speaker 1: If anything, if anything Ross is gonna have is gonna

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Speaker 1: have help me get his ear. Christine y'all like this.

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Speaker 1: When I first heard, I was like, oh, yeah.

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Speaker 5: You know what's crazy?

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Speaker 2: Literally in l A getting ready with my homegirl to

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Speaker 2: go out, and I put on you know, the Apple

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Speaker 2: Essentials Hip Hop. Realize I don't know a lot of

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Speaker 2: the songs that are currently out and this comes on

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Speaker 2: and I'm like, clearly, she's a Miami bitch, I'm a

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Speaker 2: Florida bitch. We love rocks.

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Speaker 3: It hurt my ear so you didn't see you? So

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Speaker 3: I think it's how we we we got to it?

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Speaker 1: Right.

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Speaker 3: So I opened an app the other day, right, yes,

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Speaker 3: two days ago, and this was the first thing I

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Speaker 3: saw this.

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Speaker 1: How this one right here?

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Speaker 7: Look?

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Speaker 1: No, that's that?

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Speaker 4: What is it?

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Speaker 1: Hold on this video?

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Speaker 4: And it is.

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Speaker 1: It's a short song too.

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Speaker 3: It's only three yeah, yeah, super short, super super short.

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Speaker 3: Like I don't even know why you were.

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Speaker 5: Not connected to the Bluetooth, sir.

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Speaker 3: I just want to see the visuals for this, Okay.

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Speaker 1: So when you first see, like, oh, what's this?

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Speaker 2: You know you know we're recording right we are? My God,

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Speaker 2: wait for y'all don't even know. Y'all don't even know

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Speaker 2: this man, this legend.

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Speaker 1: We are music fans.

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Speaker 3: Now they heard authentic, organic, a real conversation. Yeah yeah, nigga,

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Speaker 3: Yeah yeah yeah yeah.

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Speaker 1: Okay, so both of y'all like it.

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Speaker 2: I do not would love to know y'alls thoughts from

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Speaker 2: the new Ross Max Bro Montana record.

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Speaker 1: I think it's Everybody Outside Again. I love it.

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Speaker 2: Y'all, Welcome to the Bonus episode. This is why we

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Speaker 2: could play music and just talk like this and there's

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Speaker 2: no intro because it's bonus Bonus. It's bonus and we

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Speaker 2: get to talk about a little bit more music, be

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Speaker 2: a lot more ignorant, and I can I can confidently

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Speaker 2: disagree with y'all. That record is ass. That record is

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Speaker 2: as well.

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Speaker 3: Speaking of Rick Ross, there was a funny thing that

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Speaker 3: came across my destince.

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Speaker 1: Well, you know, Rick Ross is sewing remy Ma. Wait,

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Speaker 1: I didn't know this. Rick Ross is.

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Speaker 3: Sewing rey Ma because her album, I mean, her tour

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Speaker 3: was gonna be called The Biggest or the Biggest Boss

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Speaker 3: or something like that, and he's sewing her on some

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Speaker 3: like that's my brand ship. It was a documentary, okay,

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Speaker 3: and it's called The.

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Speaker 2: Biggest Trademark The Biggest Boss.

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Speaker 1: I don't, I don't, can't you trademark the biggest boss.

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Speaker 3: I mean, he can if he wants to do this,

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Speaker 3: because I don't know that there was anybody who had

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Speaker 3: it before. But to me, it's just funny that you're suing,

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Speaker 3: Like a nigga who stole somebody's identity is suing somebody

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Speaker 3: for stealing his identity.

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Speaker 1: I was about ship. That's funny to me. I'm like,

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Speaker 1: this is a movie, okay.

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Speaker 5: To be fair, he is claiming that this is his.

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Speaker 1: I p yeah, so maybe he did TRADEMARKT and this

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Speaker 1: is just what it is. Go down. I want to

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Speaker 1: see if he trademarked it, if there's any.

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Speaker 3: So I got an immediate take. I'm looking at Remy,

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Speaker 3: I'm looking at Ross. Is fact Joe gonna be the

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Speaker 3: mediator in this situation because he's friends with both of them. Well, well,

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Speaker 3: it gets deeper, though it's deeper than rad I was.

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Speaker 3: Somebody told me earlier.

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Speaker 5: Okay, I'm not gonna lie. This is the problem.

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Speaker 1: I already see the name in the Zooming if you can.

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Speaker 2: The film that Remi Mind's doing is apparently about a

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Speaker 2: police officer who's still the dug and turns it into

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Speaker 2: a rap career but going cuarly similar to Ross's own

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Speaker 2: backstory of being a CEO turned more. Some fans online

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Speaker 2: have speculated the project may have been an act of

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Speaker 2: retribution for Renny, as Ross has been supportive of fighter

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Speaker 2: Clarissa Shields, who is currently dating Remy's ex husband.

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Speaker 1: Are so messy, everybody?

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Speaker 2: Are you kidding the biggest bass? But the film is

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Speaker 2: based on a narrative that literally is indicative of his

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Speaker 2: life story. We see it all the time where where

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Speaker 2: even black people realize that there that their art or

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Speaker 2: their stories are being retold in film, and they sue,

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Speaker 2: mm hmm, so yes, this isn't black on black crime.

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Speaker 5: This is his story, his life story that he's not

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Speaker 5: getting paid for.

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Speaker 1: I mean, I think it's what are we talking about?

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Speaker 1: I think he can make a case. You think Curtis

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Speaker 1: Jackson sends her like a They share like notes.

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Speaker 3: You know, maybe when it's when it's time for discovery.

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Speaker 3: Just listen to the now.

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Speaker 5: Even if she changes the title of this.

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Speaker 3: Film, what it is. You don't have to take that, bro,

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Speaker 3: you might got to eat that.

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Speaker 1: You think it's a.

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Speaker 2: Part of her rollout? What is she rolling out of

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Speaker 2: the film being sued by the rapper whose life story

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Speaker 2: you stole.

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Speaker 1: I don't think is a part of the film. I

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Speaker 1: actually don't think Remy did her due diligence on this one.

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Speaker 3: Is this Is this her directorial debut.

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Speaker 1: I mean, I don't know.

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Speaker 2: I will say Remy mind has been someone who creatively

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Speaker 2: has gotten her hands into a lot of things. Her

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Speaker 2: even having the female Battle Rappers and her Cipher, and.

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Speaker 1: She's been doing a lot of other things. Oh, she

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Speaker 1: also has guess boss is crazy? Allow you see it?

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Speaker 1: My True Crime Story?

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Speaker 2: So she's she is producing in and getting into television

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Speaker 2: as well. She also works as co executive producer on television,

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Speaker 2: including My True Crime Story.

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Speaker 1: So yeah, she's getting into television film, you know.

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Speaker 3: I mean, can you put go to fifty Instagram. I'm

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Speaker 3: just curious, want to see if that who's I just

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Speaker 3: want to see if there's some tieing hold on.

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Speaker 1: Let's see what who's WHOA right? See this this?

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Speaker 3: We got the algorithm they said, you know, they said

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Speaker 3: true character. If you look at the explorer page and

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Speaker 3: is that true? This ship is funny. We could have

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Speaker 3: added this this what is it going.

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Speaker 1: To hear about? That? About and bieber No, go to

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Speaker 1: the the profile page.

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Speaker 2: I want to see there's literally nothing there he's talking.

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Speaker 1: You're talking about Tler Perry though, what is happening?

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Speaker 3: Usher and Bieber got into it at the Beyonce party

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Speaker 3: after the oscars about what it hasn't been revealed what

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Speaker 3: the problem was, they said, especially ran up on him

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Speaker 3: with some type of energy like what's up with you?

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Speaker 3: And he said Bieber wasn't no bitch and was like, nigga,

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Speaker 3: what's up with you? He didn't say nigga, but what

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Speaker 3: I'm saying he was back just like this. He was

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Speaker 3: back at him, like the fun are you talking about?

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Speaker 3: I mean, I only want to hold on? Can you

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Speaker 3: find the other on that whole picture?

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Speaker 1: Look at the caption.

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Speaker 2: Is in the background looking looking like looking like but

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Speaker 2: you know, why have y'all not heard both of these

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Speaker 2: motherfuckers talk about what what was.

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Speaker 1: Happening during that time period?

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Speaker 2: Sure like justin Bieber has said that Usher ushered in women.

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Speaker 1: They said Ai.

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Speaker 3: No, so people so that but that was the thing

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Speaker 3: about it. People were saying is ai. But then t

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Speaker 3: MC used the photo, so it was like, what is

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Speaker 3: the what is the actual thing?

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Speaker 7: Oh?

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Speaker 3: You know he looked like right there, go back up.

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Speaker 3: Have y'all watched Power Force. I have never mind, never mind,

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Speaker 3: I had.

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Speaker 1: A whole argument with people last week.

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Speaker 2: I don't know, look at the pictures, bro I'm not

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Speaker 2: gonna lie knowing that people have been talking about where

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Speaker 2: Justin Bieber currently is in his mental health and.

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Speaker 1: Just just where he's been when he's discussed.

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Speaker 2: Usher had a prominent footprint in his sexual journey, the

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Speaker 2: development and the development of him while he was eleven, twelve,

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Speaker 2: thirteen years old.

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Speaker 3: Well, I think could it be was Usher ever represented

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Speaker 3: by Scooter Broun at any point? I don't think Scooter

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Speaker 3: was ever his representative at all. I think they were

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Speaker 3: just cool.

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Speaker 1: They were closed.

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Speaker 3: So maybe some back from behind the scenes ship that

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Speaker 3: you know that we just get to see the picture.

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Speaker 1: You know, I mean maybe.

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Speaker 3: But the story on TMZ was that Usher had the energy,

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Speaker 3: that he was the one that ran down.

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Speaker 1: On Bieber on some whoo, what's up with you? And

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Speaker 1: all on pushing back.

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Speaker 3: We got talent managed Scooter Broun is longtime business partner

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Speaker 3: who co founded Raymond Broun Media Group.

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Speaker 1: Well, okay, so they had a media they had a

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Speaker 1: company to.

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Speaker 2: Get from managing Justin Bieber. Yeah, they partnered to Bill

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Speaker 2: Bieber's career.

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Speaker 3: Oh so they got some old beef, then they got

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Speaker 3: some old publishing beef.

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Speaker 2: Definitely, definitely money sold some of his right, he owed

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Speaker 2: Scooter Brown a lot.

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Speaker 1: Of money, which meant he owed us some money.

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Speaker 3: But then he came if he came to Beaber with

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Speaker 3: the energy, That's what I'm trying to say.

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Speaker 1: What was one to say? Right right?

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Speaker 3: What did Biaber do? What was Usher hot about that

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Speaker 3: he would run down?

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Speaker 2: I just say, wasn't Usher also just in some sort

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Speaker 2: of lawsuit including Brian Michael Cox as well?

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Speaker 1: Oh yeah, he wait with the restaurant.

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Speaker 2: Like, there's a lot of the people doing bad business

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Speaker 2: and we in a recession.

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Speaker 1: Guess what they want? They made just like I need that, bro,

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Speaker 1: I actually need that. You think my life.

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Speaker 3: I wanted in my life, Come put it in my life.

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Speaker 1: He wouldn't go to no fucking now look at that.

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Speaker 1: I can quote that as a song because I grew

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Speaker 1: up on that type of ship.

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Speaker 3: That is definitely Florida Woman, for sure, for sure, Florida Woman,

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Speaker 3: Big Florida.

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Speaker 1: For fifteen years.

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Speaker 3: I don't know, as an adult running off to the

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Speaker 3: nearest holder, the nearest home.

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Speaker 1: Shut up.

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Speaker 5: Anyway, let's get into some more music.

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Speaker 2: Yeah, all right, y'all, there is an announcement it's actually

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Speaker 2: dropping this week, Tank versus ty Reese. Actually, by the

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Speaker 2: time this airs, this may have already aired. I want

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Speaker 2: to say that it's taking place on like the twenty third,

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Speaker 2: twenty fourth.

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Speaker 1: I don't know.

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Speaker 3: That's Oh yeah, that's this week.

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Speaker 2: That's this week during the week, So at the time

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Speaker 2: that we're discussing this, y'all, the versus has not taken place.

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Speaker 2: But I want to know y'all's thoughts on whether or

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Speaker 2: not you think this is a good matchup, who wins,

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Speaker 2: and if at all you would do this differently, because

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Speaker 2: I would, sup.

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Speaker 3: So there was a conversation in one of my group

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Speaker 3: chats and somebody asked, do either these niggas even have

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Speaker 3: twenty records? Ooh, I think I think that's I think

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Speaker 3: that's I don't know about it. Wait is a big number, bro,

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Speaker 3: I got you now. I thought that what will happened

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Speaker 3: is that Tank could have the twenty because he doesn't

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Speaker 3: have the solo hits necessarily, but he has he's written

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Speaker 3: enough so that yeah, they can bring that into the

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Speaker 3: mix and just let it be what it is.

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Speaker 1: But twenty is a well, here's the thing.

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Speaker 3: I don't think we're gonna get to I don't think

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Speaker 3: we need to get to ten. I'm gonna tell you

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Speaker 3: why they're gonna do their bag, tyree, and then you're

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Speaker 3: gonna see a surprise, friends, genuine gonna pull up.

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Speaker 1: We're gonna get the supergroup.

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Speaker 3: Remember they had that there, right, and they battle and

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Speaker 3: then it becomes a ladies' night performance, it becomes I

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Speaker 3: don't think it's gonna be a competition. I think they're

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Speaker 3: gonna compete for who's gonna while the women, which is

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Speaker 3: good for the women. Yeah, but I think ultimately it's

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Speaker 3: not gonna be who's better. It's gonna be like about

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Speaker 3: to put on.

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Speaker 2: But when John is brought up, you know, the the

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Speaker 2: versus format is normally twenty songs songs.

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Speaker 1: Yes, they're gonna go.

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Speaker 5: And you immediately said, but you immediately said.

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Speaker 3: Tyree, they're gonna be on that stage. They're gonna be

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Speaker 3: doing all the most ship.

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Speaker 1: You don't get the.

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Speaker 3: Wins this after Sweet Lady and signs of Love Making,

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Speaker 3: that's that cleared the whole ship.

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Speaker 5: No it doesn't, but that's I disagree that. And let's

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Speaker 5: let's get it.

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Speaker 3: And he don't bring up the Coca Cola ship when

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Speaker 3: he cola the early beginning of the.

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Speaker 1: Coca Cola jingle, he is getting sad. Okay, I think

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Speaker 1: he should do it.

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Speaker 3: I think doubly will because you know he don't give

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Speaker 3: a you know they do extra crooning, right, They're gonna

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Speaker 3: do the all the extra lingering because Tyre don't have

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Speaker 3: no features. You don't have no like he never had

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Speaker 3: a feature of rep feature.

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Speaker 1: So this, this one, this is a good one.

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Speaker 2: Can we turn it up just a little bit more?

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Speaker 2: Since were listening to the music, all right, I won't shoot.

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Speaker 3: He's closing out with this got to be and I

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Speaker 3: think it's gonna shut everything down. I think he does

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Speaker 3: this and it's gonna do you see what Homegirl from

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Speaker 3: Blackish waughterm out.

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Speaker 1: Recently for I think for with the n W A

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Speaker 1: c P thinks so it might have been something.

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Speaker 2: Like listen you think you think he clear he is

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Speaker 2: a showman.

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Speaker 1: I would like the song wise he should.

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Speaker 2: I would like to say Tank actually has bangers that musically.

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Speaker 1: This is one of first off you're gonna play a

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Speaker 1: podcast episode. I'm just joking, just.

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Speaker 2: This this could beat off one of what this could

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Speaker 2: this could be probably Yeah.

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Speaker 1: This is why I say they're not gonna compete. I

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Speaker 1: can see a scenario where Tank is his They're gonna

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Speaker 1: be seeing the town hold on bright friendly.

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Speaker 2: There there top records, I think, And this is actually

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Speaker 2: this is my favorite records. Maybe this is my sex playlist, y'all.

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Speaker 2: This is one of the best musically sounding fucking records.

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Speaker 2: Y'all don't know this record.

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Speaker 1: Music.

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Speaker 5: Oh but that's what trees signs of blove making.

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Speaker 2: Let's be signs of love making. Oh my god, that she's.

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Speaker 1: Just listening to pretty Ricky when she smashed. She actually

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Speaker 1: like this song. Now you think this is a good

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Speaker 1: I think.

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Speaker 3: This is a good for the entertainment potential, yes, oh yeah, No,

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Speaker 3: I think it will be entertaining, you know, show the fu. Yeah,

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Speaker 3: who knows what's gonna come out of either one of

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Speaker 3: their mouths.

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Speaker 2: You think that both of these guys are aligned.

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Speaker 3: I think I think the Tank is more of an

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Speaker 3: icon of R and B than Tyrese in general. But

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Speaker 3: I don't see the album with with with this in general.

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Speaker 3: I don't think it's like wildly mismatched. I have a

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Speaker 3: better versus and then they had the group. They had

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Speaker 3: to wait, I have a better vers that involves.

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Speaker 1: One of these two.

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Speaker 2: Okay, I would, especially because of songwriting and knowing that

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Speaker 2: Tyrese don't get the pin for other artists that that

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Speaker 2: Tank can bring about.

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Speaker 1: You about to say Neo, Oh okay, I knew, okay,

336
00:16:25,680 --> 00:16:27,120
Speaker 1: it was either one. I thought you were gonna say him.

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00:16:27,160 --> 00:16:31,880
Speaker 2: Well, Neo had a versus which I thought was not balanced.

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Speaker 2: So during the pandemic, Neo went up against John Tay Austin.

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Speaker 1: Yes that was Johnte was not really an artist.

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Speaker 2: So their pen games, their pen games went toe to toe.

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Speaker 2: But I think if we talk about having records and

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00:16:48,080 --> 00:16:52,440
Speaker 2: also really strong pen games, I think that these two

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Speaker 2: guys could literally go to toe to toe. So hear

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Speaker 2: me out some of the songs that that Neo has

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Speaker 2: as an artist. We know so sick, Closer and misindependent,

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Speaker 2: sexy Love as a writer, irreplaceable by Beyonce, Let me

347
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Speaker 2: love You, I'm faithful.

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Speaker 1: Take about Now you.

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Speaker 2: Have Tank who has also not only written songs, he

350
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Speaker 2: has vocal backings for a lot of.

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Speaker 1: Songs, a lot of records. Demo is stick around.

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Speaker 5: So take you down. Chris Brown he wrote.

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Speaker 2: He also, if I'm not mistaken, his vocals are in

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Speaker 2: the back of I want to say It's one.

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Speaker 1: In a million for a Leah. It's one of the

356
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Speaker 1: Alah records. Yeah, I can see that. I can see

357
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Speaker 1: that his vocals.

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00:17:38,600 --> 00:17:41,080
Speaker 2: Are in the back of a lot of the songs

359
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Speaker 2: that I like off of that Unpredictable album from James jam.

360
00:17:44,840 --> 00:17:48,359
Speaker 2: He's done vocal backings for Kelly Rowland Monica like so

361
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Speaker 2: there's things that he's written in songs that he's been

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Speaker 2: a part of as well. With the song maybe I

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Speaker 2: Deserve when we he is also records. So to me,

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00:18:01,000 --> 00:18:03,679
Speaker 2: if we're gonna go song for song, then pen for

365
00:18:03,800 --> 00:18:07,320
Speaker 2: pen do it that way. I would want him because

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Speaker 2: Terse can barely talk, so I don't know what his

367
00:18:13,119 --> 00:18:16,560
Speaker 2: pen game ain't never gave nothing neither he could he

368
00:18:16,600 --> 00:18:19,440
Speaker 2: could remember some words though Nigga acted.

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Speaker 1: That song you know how to say line.

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Speaker 5: I love that motherfucking four brothers, you know what I mean.

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Speaker 2: But I actually would rather see Tank.

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Speaker 1: I thought you were going to say. I didn't think

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Speaker 1: you were going to say.

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Speaker 3: I thought you were going to say, bring back Sean

375
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Speaker 3: Garrett and that Shawn Garrett.

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Speaker 1: I'm not a fan of his.

377
00:18:36,400 --> 00:18:38,199
Speaker 2: You will never hear me say Sean Garrett the way

378
00:18:38,320 --> 00:18:43,040
Speaker 2: me and that nigga beefed on Clubhouse. Oh listen, I

379
00:18:43,200 --> 00:18:47,840
Speaker 2: was he didn't think that I should be able to

380
00:18:48,119 --> 00:18:52,119
Speaker 2: speak at all about dating or being a woman because

381
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Speaker 2: I didn't have kids and wasn't married. So what do

382
00:18:56,000 --> 00:18:56,280
Speaker 2: I know?

383
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Speaker 1: I'm not a mother?

384
00:18:58,080 --> 00:19:02,960
Speaker 2: Oh yeah, Barry Yeah, like and he does have a pen,

385
00:19:03,520 --> 00:19:08,119
Speaker 2: but fuck you, nigga, that's fair. Yeah.

386
00:19:08,160 --> 00:19:12,159
Speaker 1: I only acknowledged the Shawan Garrett on Twitter.

387
00:19:13,960 --> 00:19:17,399
Speaker 3: Queen that Shawn get you know, this has nothing to

388
00:19:17,400 --> 00:19:20,520
Speaker 3: do with nothing. But did you see if you see

389
00:19:21,160 --> 00:19:25,879
Speaker 3: Duran Bernard's I Love with with with with Marco with

390
00:19:26,600 --> 00:19:27,600
Speaker 3: Duran said.

391
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Speaker 5: Y'all gotta stop playing with Yeah.

392
00:19:29,560 --> 00:19:31,959
Speaker 3: Yeah, it's the it's the middle finger, right it is.

393
00:19:32,040 --> 00:19:33,440
Speaker 3: This is this right here right.

394
00:19:33,480 --> 00:19:36,440
Speaker 2: This is this is the key, This is clocking it.

395
00:19:37,080 --> 00:19:38,480
Speaker 2: This is playing with pre cop.

396
00:19:39,080 --> 00:19:39,520
Speaker 1: Yeah. Yeah.

397
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Speaker 3: When he said that, I was like, oh, this nigga

398
00:19:41,480 --> 00:19:43,280
Speaker 3: know honestly, like he might be one of my.

399
00:19:43,280 --> 00:19:45,560
Speaker 1: Favorite people on social just because.

400
00:19:46,720 --> 00:19:49,119
Speaker 3: He's funny as hell and his energy is just like

401
00:19:49,960 --> 00:19:52,720
Speaker 3: he told the nigga, he was like, uh, Marco asked

402
00:19:52,800 --> 00:19:55,199
Speaker 3: him something and he made some noise and he was like,

403
00:19:55,200 --> 00:19:55,880
Speaker 3: what you make the noise?

404
00:19:55,880 --> 00:19:57,359
Speaker 1: Said Nigga, we zesty over here.

405
00:19:58,040 --> 00:20:01,600
Speaker 2: About this is one of my favorite interviews on what

406
00:20:01,640 --> 00:20:02,040
Speaker 2: I see.

407
00:20:02,080 --> 00:20:04,399
Speaker 3: The thing is no Yeah, I want to interview him because, like,

408
00:20:04,440 --> 00:20:06,520
Speaker 3: I just think he's just a funny person and he

409
00:20:06,600 --> 00:20:09,240
Speaker 3: has like a genuine energy about himself.

410
00:20:10,680 --> 00:20:12,920
Speaker 2: And it's super dope. So are you all going to

411
00:20:12,960 --> 00:20:15,720
Speaker 2: be tuned in? Oh yeah, yeah, yeah, I watch.

412
00:20:16,560 --> 00:20:19,280
Speaker 3: I definitely anticipate Genuine just coming out of nowhere pause

413
00:20:19,320 --> 00:20:23,600
Speaker 3: and yeah, I think friends that one record so quick.

414
00:20:24,840 --> 00:20:26,040
Speaker 2: I'm just picturing Genuine.

415
00:20:26,960 --> 00:20:28,639
Speaker 3: Why I said it's gonna be more entertainment, because you know,

416
00:20:29,040 --> 00:20:31,680
Speaker 3: Genuine is a he's a whole thing of himself, right,

417
00:20:31,720 --> 00:20:34,439
Speaker 3: he'd just be doing the most is gonna come out

418
00:20:34,480 --> 00:20:37,560
Speaker 3: after he asked about uh who did you say you

419
00:20:37,560 --> 00:20:39,159
Speaker 3: need to ask for intercourse.

420
00:20:40,320 --> 00:20:45,320
Speaker 1: Glasses? Oh yeah, I like genuine real quick.

421
00:20:45,359 --> 00:20:47,760
Speaker 5: Has Genuine done it versus against anyone?

422
00:20:48,040 --> 00:20:50,720
Speaker 1: And could he I think he can do?

423
00:20:50,800 --> 00:20:56,520
Speaker 2: I don't know, Oh would it be like okay, same

424
00:20:56,640 --> 00:21:00,000
Speaker 2: error because we normally have to talk a little older.

425
00:21:00,680 --> 00:21:05,200
Speaker 1: I'd rather see him do genuine. R L r L

426
00:21:05,280 --> 00:21:07,480
Speaker 1: doesn't have half enough to go. He might have to

427
00:21:07,480 --> 00:21:11,359
Speaker 1: bring THEE and r L is here.

428
00:21:11,400 --> 00:21:13,879
Speaker 2: We can't probably have him on the Yeah, he's been

429
00:21:13,880 --> 00:21:22,040
Speaker 2: getting into potting too. That's what Wine doesn't have a not.

430
00:21:22,000 --> 00:21:24,320
Speaker 1: I don't know a joint he.

431
00:21:26,160 --> 00:21:35,600
Speaker 3: Would Okay, yeah, yeah.

432
00:21:33,440 --> 00:21:35,760
Speaker 1: Yeah, yeah, yeah, yeah, No, he's sure got joints.

433
00:21:35,920 --> 00:21:37,840
Speaker 2: I know you're thinking it's so like a lull of

434
00:21:38,040 --> 00:21:38,480
Speaker 2: this one.

435
00:21:40,760 --> 00:21:41,000
Speaker 1: Yeah.

436
00:21:41,080 --> 00:21:44,639
Speaker 5: Yeah, and Tyree should have went India.

437
00:21:44,720 --> 00:21:48,360
Speaker 3: But you know it's the relationship to right is tank right?

438
00:21:48,480 --> 00:21:51,639
Speaker 3: They always be around each other. Yeah, So that's the chemistry.

439
00:21:51,640 --> 00:21:53,159
Speaker 3: You're gonna it's gonna be more of.

440
00:21:53,160 --> 00:21:55,920
Speaker 1: An entertainment thing than they got about.

441
00:21:56,000 --> 00:21:59,800
Speaker 2: Also, the I mean, hold on real quick, if we

442
00:21:59,840 --> 00:22:03,639
Speaker 2: do five and five, I think I think about my

443
00:22:03,760 --> 00:22:06,919
Speaker 2: clear Tyres best out of five for their top hit,

444
00:22:07,560 --> 00:22:09,440
Speaker 2: hold on, can we do that? Can we figure that out?

445
00:22:09,920 --> 00:22:11,080
Speaker 2: Go to Tyres's essentials?

446
00:22:11,480 --> 00:22:13,800
Speaker 3: You know what, Sweet Lady is gonna be hold on

447
00:22:14,320 --> 00:22:17,480
Speaker 3: to top though culturally I feel like once that song

448
00:22:17,560 --> 00:22:18,480
Speaker 3: comes on, it's kind of.

449
00:22:18,440 --> 00:22:24,879
Speaker 5: Like, hold he's not on the Okay, put it up

450
00:22:24,920 --> 00:22:25,439
Speaker 5: to the phone.

451
00:22:26,200 --> 00:22:32,040
Speaker 1: You're doing I'm gonna do a vine all right?

452
00:22:32,720 --> 00:22:32,800
Speaker 3: You?

453
00:22:32,960 --> 00:22:35,040
Speaker 1: And we're only going five records.

454
00:22:34,800 --> 00:22:39,040
Speaker 2: Five records five for five, which one are you playing,

455
00:22:39,080 --> 00:22:40,680
Speaker 2: and I'm about to be a vine you tyrese.

456
00:22:42,560 --> 00:22:44,640
Speaker 3: I gotta tell you what I'm gonna play. No, just go,

457
00:22:44,880 --> 00:22:47,119
Speaker 3: I gotta go first. You go first, man, that's the

458
00:22:47,160 --> 00:22:50,160
Speaker 3: hard part to You're gonna.

459
00:22:49,920 --> 00:22:50,719
Speaker 1: Start on the low end.

460
00:22:50,720 --> 00:22:54,680
Speaker 3: And I got five record you know what, I'm play

461
00:22:54,720 --> 00:22:55,119
Speaker 3: it safe.

462
00:22:55,280 --> 00:23:07,520
Speaker 1: Here we go. Okay, mmm hmm. I accept that you

463
00:23:07,560 --> 00:23:10,320
Speaker 1: don't come out swinging yet. You know you gotta walk

464
00:23:10,320 --> 00:23:10,600
Speaker 1: it up.

465
00:23:12,720 --> 00:23:14,840
Speaker 3: This is back in the day when you should hit

466
00:23:14,840 --> 00:23:18,720
Speaker 3: the production in the interpolation of the composing the vibes

467
00:23:19,520 --> 00:23:20,280
Speaker 3: before the.

468
00:23:20,160 --> 00:23:33,200
Speaker 1: D J drops. Okay, you know time is gonna be

469
00:23:33,240 --> 00:23:35,199
Speaker 1: extra versus and.

470
00:23:35,920 --> 00:23:41,760
Speaker 2: Okay, okay, I like, I like, I'm gonna say just

471
00:23:41,800 --> 00:23:43,960
Speaker 2: to keep some of the big ones at the top.

472
00:23:45,960 --> 00:23:46,920
Speaker 1: Are we doing features too?

473
00:23:47,520 --> 00:24:00,560
Speaker 2: Yep? I'm holding in the brain and be after this

474
00:24:00,640 --> 00:24:08,800
Speaker 2: erson because in my face, I never by the way, classmate,

475
00:24:09,960 --> 00:24:10,920
Speaker 2: I need you to hop.

476
00:24:10,760 --> 00:24:14,000
Speaker 1: In the discord and in the common and let us know.

477
00:24:14,080 --> 00:24:14,720
Speaker 1: But here goes.

478
00:24:15,320 --> 00:24:19,240
Speaker 2: So that's your song against this song. Okay, John, for

479
00:24:19,320 --> 00:24:21,040
Speaker 2: now you will be wonted.

480
00:24:21,600 --> 00:24:22,520
Speaker 4: You got we got.

481
00:24:22,359 --> 00:24:25,359
Speaker 5: John, we got designed, we got young in the building,

482
00:24:26,680 --> 00:24:27,679
Speaker 5: we got all all up.

483
00:24:28,920 --> 00:24:29,920
Speaker 1: Who winds that round?

484
00:24:33,520 --> 00:24:38,160
Speaker 2: Come on? John, think of impact of vocal arrangements, think

485
00:24:38,200 --> 00:24:39,840
Speaker 2: of production range.

486
00:24:41,320 --> 00:24:44,440
Speaker 1: That was That was a cold intro, but I think

487
00:24:44,480 --> 00:24:45,040
Speaker 1: I gotta go.

488
00:24:45,400 --> 00:24:51,280
Speaker 5: Look, okay, ye's agreeing, all right about one?

489
00:24:52,560 --> 00:24:58,480
Speaker 1: All right? Next one? Oh?

490
00:24:59,080 --> 00:25:10,640
Speaker 2: Okay, this was a great thot. Yeah, this also wanted me.

491
00:25:11,480 --> 00:25:13,120
Speaker 2: I just wanted to roll around the white.

492
00:25:12,920 --> 00:25:13,439
Speaker 4: Sheet with a.

493
00:25:17,200 --> 00:25:20,479
Speaker 1: This is the perfect makeup song for anything you ever did.

494
00:25:20,720 --> 00:25:21,480
Speaker 1: Ye when.

495
00:25:23,600 --> 00:25:33,840
Speaker 8: Okayenogy, after I'm done, you're still telling.

496
00:25:34,080 --> 00:25:47,320
Speaker 9: The baby will get sea to give you every.

497
00:25:44,320 --> 00:25:49,680
Speaker 2: Okay, Now, I'm gonna keep it with this this theme, right,

498
00:25:50,200 --> 00:25:53,800
Speaker 2: because you gotta go with theme. And I'm also thinking

499
00:25:53,800 --> 00:25:55,240
Speaker 2: of what else you have left, because I do have

500
00:25:55,280 --> 00:25:56,440
Speaker 2: a feature in here I want.

501
00:25:56,240 --> 00:25:59,160
Speaker 5: To play, but I'm gonna go to this one.

502
00:25:59,840 --> 00:26:03,280
Speaker 2: I'm doing this.

503
00:26:05,800 --> 00:26:06,360
Speaker 1: Love and Live.

504
00:26:08,280 --> 00:26:10,080
Speaker 2: I'm also thinking of an adult which one I want

505
00:26:10,080 --> 00:26:11,720
Speaker 2: to that count?

506
00:26:11,800 --> 00:26:15,760
Speaker 1: But y'all know I don't like horsecopes, so the fun

507
00:26:15,840 --> 00:26:17,520
Speaker 1: that something the starship like?

508
00:26:19,560 --> 00:26:21,200
Speaker 2: Which one makes a gigg jump job.

509
00:26:24,119 --> 00:26:26,679
Speaker 10: I don't have sor which one of these niggas make

510
00:26:26,720 --> 00:26:38,000
Speaker 10: you hard.

511
00:26:38,520 --> 00:26:39,320
Speaker 1: I'm not gonna lie.

512
00:26:40,240 --> 00:26:44,199
Speaker 3: Okay, I might might, I might, I might go Tyree's okay,

513
00:26:44,280 --> 00:26:46,840
Speaker 3: I might go.

514
00:26:46,280 --> 00:26:50,760
Speaker 5: Okay, Okay, you're gonna go tyreeth on that.

515
00:26:50,880 --> 00:26:54,520
Speaker 1: And all right, these two records that I want.

516
00:26:54,359 --> 00:26:56,600
Speaker 5: To one, figure it out which one's coming next.

517
00:26:57,720 --> 00:27:00,320
Speaker 1: Make your next move, your best move, because we have

518
00:27:00,440 --> 00:27:03,240
Speaker 1: we have song three. Now, yeah that was crucial. Now

519
00:27:03,320 --> 00:27:06,800
Speaker 1: there's no time to funk around. You have song three

520
00:27:06,920 --> 00:27:07,480
Speaker 1: for Atlanta.

521
00:27:07,640 --> 00:27:10,159
Speaker 2: Should I would love you to go Atlanta because if

522
00:27:10,160 --> 00:27:11,960
Speaker 2: you go to Atlanta, I'm going to Atlanta.

523
00:27:12,720 --> 00:27:16,760
Speaker 3: We both yeah, said yeah, there's a CounterPunch. Know there's

524
00:27:16,760 --> 00:27:18,760
Speaker 3: a counter do that.

525
00:27:18,760 --> 00:27:19,520
Speaker 1: Go to Atlanta?

526
00:27:20,240 --> 00:27:22,119
Speaker 2: Quote to Atlanta.

527
00:27:24,040 --> 00:27:26,440
Speaker 1: We had three. This is where we have our yeah. Yeah, yeah,

528
00:27:26,480 --> 00:27:35,960
Speaker 1: this is a meaningful moment right here. Fuck it?

529
00:27:37,280 --> 00:27:43,040
Speaker 2: Hey, okay, oh he brings a brac.

530
00:27:49,840 --> 00:27:50,639
Speaker 5: It wasn't.

531
00:27:52,119 --> 00:27:55,119
Speaker 1: Atlanta.

532
00:27:55,920 --> 00:27:57,919
Speaker 2: What's that ship conversation?

533
00:27:59,440 --> 00:28:02,280
Speaker 3: Everybody want to running this ship? Oh hem nah, not

534
00:28:02,320 --> 00:28:06,080
Speaker 3: the park the strip on the belt line. This is

535
00:28:06,160 --> 00:28:07,040
Speaker 3: before the belt line.

536
00:28:07,080 --> 00:28:09,400
Speaker 1: Oh yeah, this is way yeah, before the belt line.

537
00:28:09,760 --> 00:28:12,880
Speaker 5: Okay, okay, you kind of this a little something with that.

538
00:28:14,080 --> 00:28:14,840
Speaker 1: I'm just trying to get this.

539
00:28:15,800 --> 00:28:25,600
Speaker 2: Get the tarbant because work.

540
00:28:23,720 --> 00:28:26,520
Speaker 1: Did he sounds and he actually he.

541
00:28:29,400 --> 00:28:31,600
Speaker 5: Popped out for the Monica Brandy tour.

542
00:28:31,680 --> 00:28:36,320
Speaker 1: Too Good Grunch vibes, Day Party vibes all.

543
00:28:36,280 --> 00:28:40,920
Speaker 2: Right, so we are gonna keep this in Atlanta, Georgia.

544
00:28:41,480 --> 00:28:43,520
Speaker 1: Was the b was at that point?

545
00:28:44,280 --> 00:28:45,560
Speaker 2: Do you know where I'm going right now?

546
00:28:45,680 --> 00:28:47,520
Speaker 1: For in Atlanta?

547
00:28:47,520 --> 00:28:58,560
Speaker 3: I know, I know there's a CounterPunch to Hey, you don't.

548
00:28:58,320 --> 00:29:05,760
Speaker 2: Know this yet. Oh my god, y'all know this song right?

549
00:29:06,240 --> 00:29:08,080
Speaker 1: Set aside the bullshit.

550
00:29:10,760 --> 00:29:14,360
Speaker 2: Because I want a bull from the bank and put

551
00:29:14,400 --> 00:29:16,480
Speaker 2: your streaming shoulder.

552
00:29:16,560 --> 00:29:19,720
Speaker 1: What's something shouting? Fucking the work? He got nothing to

553
00:29:20,920 --> 00:29:22,080
Speaker 1: trying to bust us?

554
00:29:22,480 --> 00:29:26,400
Speaker 3: Temperatures rising, we were reaching the big your house, begetting

555
00:29:26,400 --> 00:29:29,800
Speaker 3: the rod in the back of your head.

556
00:29:29,880 --> 00:29:35,240
Speaker 1: Know what to sound?

557
00:29:35,520 --> 00:29:36,480
Speaker 5: I love it.

558
00:29:36,640 --> 00:29:39,800
Speaker 3: You know that you know how you want it home?

559
00:29:39,920 --> 00:29:43,480
Speaker 3: Guess you keep it your thing down broom the bedroom,

560
00:29:43,560 --> 00:29:46,440
Speaker 3: do it right, and it just might be a long.

561
00:29:46,320 --> 00:29:52,040
Speaker 1: Night, all right now? All right? Yeah, yeah, yeah about

562
00:29:52,080 --> 00:29:53,520
Speaker 1: him while you ride.

563
00:29:55,840 --> 00:30:03,200
Speaker 2: That's what's going down tonight. Let me do your dogg

564
00:30:06,880 --> 00:30:08,600
Speaker 2: We took it to Atlanta, but you know.

565
00:30:10,440 --> 00:30:11,560
Speaker 5: You are well.

566
00:30:11,600 --> 00:30:14,160
Speaker 2: We had a number three. I will say you're in

567
00:30:14,200 --> 00:30:17,720
Speaker 2: two different one is like party the other.

568
00:30:17,920 --> 00:30:19,880
Speaker 1: Yeah, I'm gonna say the party five.

569
00:30:19,920 --> 00:30:22,920
Speaker 3: But that record makes it hard not to go with

570
00:30:23,160 --> 00:30:25,320
Speaker 3: because I've been in many a function.

571
00:30:25,560 --> 00:30:29,640
Speaker 1: At the ship, which one is better.

572
00:30:29,720 --> 00:30:29,880
Speaker 6: Man.

573
00:30:32,800 --> 00:30:35,440
Speaker 1: See when you add I'm gonna go I'm gonna go

574
00:30:35,480 --> 00:30:37,360
Speaker 1: with the tyres. I'm gonna go with the tyres. All right,

575
00:30:37,520 --> 00:30:38,440
Speaker 1: real quick, one moment.

576
00:30:38,680 --> 00:30:40,960
Speaker 2: This is just a I'm wondering if I should have played.

577
00:30:41,000 --> 00:30:42,520
Speaker 2: This is Kicky Wyatt from Atlanta.

578
00:30:42,920 --> 00:30:45,960
Speaker 1: She is from Texas. Her voice is s things.

579
00:30:46,040 --> 00:30:47,600
Speaker 3: No, but she's one of the one I think she

580
00:30:48,320 --> 00:30:50,680
Speaker 3: I think her versus teaching Moses would be crazy, would

581
00:30:50,680 --> 00:30:53,080
Speaker 3: be that would be crazy, that would be okay.

582
00:30:53,960 --> 00:30:54,240
Speaker 1: They don't.

583
00:30:54,280 --> 00:30:55,960
Speaker 3: They both are kind of like middle of the road,

584
00:30:56,000 --> 00:30:58,040
Speaker 3: but they didn't. They didn't hit that, but they have

585
00:30:58,160 --> 00:31:03,720
Speaker 3: enough critical acclaim. Yeah, quick, this is no. You gotta

586
00:31:03,760 --> 00:31:05,960
Speaker 3: end off with that. That's the one you close out with. Yeah,

587
00:31:05,960 --> 00:31:10,600
Speaker 3: that's definitely the closer. That's the closest. Yes, that was

588
00:31:10,600 --> 00:31:13,959
Speaker 3: the fun that they played that ship every video channel.

589
00:31:14,840 --> 00:31:17,120
Speaker 1: Yeah, here we go.

590
00:31:18,920 --> 00:31:20,360
Speaker 2: Okay, but I got another hot one.

591
00:31:20,400 --> 00:31:21,520
Speaker 1: I got.

592
00:31:22,840 --> 00:31:27,480
Speaker 2: So okay you know what, Well, no, because you got

593
00:31:27,520 --> 00:31:30,080
Speaker 2: another one to my first love? Because what are we

594
00:31:30,200 --> 00:31:32,840
Speaker 2: putting my first love against sweet lady?

595
00:31:33,520 --> 00:31:36,640
Speaker 3: Actually I had another one before I would I was

596
00:31:36,640 --> 00:31:38,360
Speaker 3: gonna close out with sweet Lady, But I have another

597
00:31:38,400 --> 00:31:39,520
Speaker 3: one that I could close out with.

598
00:31:39,560 --> 00:31:39,760
Speaker 1: Too.

599
00:31:40,040 --> 00:31:42,680
Speaker 2: So then we're agreeing that my first So I'm gonna

600
00:31:42,720 --> 00:31:46,000
Speaker 2: let my first love because hold on, let me.

601
00:31:48,360 --> 00:31:51,360
Speaker 5: You will know. So, so this is.

602
00:31:51,400 --> 00:31:57,480
Speaker 2: Number four because we got our secret, because.

603
00:31:57,240 --> 00:32:00,840
Speaker 1: We knew what you sweet lady, Oh I got you said.

604
00:32:00,840 --> 00:32:02,080
Speaker 1: We just got already know that.

605
00:32:02,320 --> 00:32:05,320
Speaker 2: But I have a song that you have another, dioryu.

606
00:32:05,840 --> 00:32:07,360
Speaker 2: I have a song that I think this beat this

607
00:32:07,480 --> 00:32:15,200
Speaker 2: one too, even laite swing lady, real quick, it's another

608
00:32:15,800 --> 00:32:19,880
Speaker 2: and I'm curious as a room which one way.

609
00:32:21,440 --> 00:32:24,000
Speaker 1: The time we have a record on baby Boy.

610
00:32:25,320 --> 00:32:58,600
Speaker 2: Okay, a little longer, oh without talking, okay, kay, he's

611
00:32:58,600 --> 00:32:59,360
Speaker 2: gonna be giving out.

612
00:32:59,320 --> 00:33:02,000
Speaker 5: Roses and ship okay, so same vibes.

613
00:33:02,640 --> 00:33:06,480
Speaker 1: I'm going with the one that's a that's a classic song.

614
00:33:06,520 --> 00:33:11,080
Speaker 3: No, no, no, that's not something different about that. That

615
00:33:11,160 --> 00:33:16,560
Speaker 3: has always been the it's something in the record. Yeah,

616
00:33:16,680 --> 00:33:17,560
Speaker 3: the composing of it.

617
00:33:19,240 --> 00:33:21,480
Speaker 2: But we knew the Sweet Lady would so those would

618
00:33:21,480 --> 00:33:24,160
Speaker 2: be the top. But then here we are. Then it's

619
00:33:24,240 --> 00:33:28,240
Speaker 2: two and two. Yeah, we are at two and two

620
00:33:29,280 --> 00:33:30,480
Speaker 2: tie breaker.

621
00:33:31,960 --> 00:33:34,800
Speaker 1: School and what's what what are you playing?

622
00:33:36,000 --> 00:33:36,120
Speaker 2: Oh?

623
00:33:38,680 --> 00:33:52,200
Speaker 1: All right ready yea mm hmm, okay, yeah, I accept

624
00:33:52,200 --> 00:33:56,160
Speaker 1: that as when you tho I did like the song.

625
00:34:00,080 --> 00:34:11,680
Speaker 11: This is a banger, stupid, all of them girls is

626
00:34:11,840 --> 00:34:15,960
Speaker 11: having a crowd reminiscing about boys.

627
00:34:16,880 --> 00:34:22,120
Speaker 2: You want to know what's crazy about this? Though, I'm

628
00:34:22,160 --> 00:34:24,440
Speaker 2: going between three or four records I could play.

629
00:34:24,280 --> 00:34:28,800
Speaker 1: Right now and now you're out. Yeah, yeah, I don't know.

630
00:34:29,120 --> 00:34:31,280
Speaker 1: I don't even look at this. Look at the high boys.

631
00:34:31,560 --> 00:34:33,920
Speaker 1: You're out records.

632
00:34:34,200 --> 00:34:40,319
Speaker 2: No, no, no, it's dammed. I'm literally looking between three

633
00:34:40,400 --> 00:34:43,120
Speaker 2: or four more records of avant and I could keep going.

634
00:34:43,480 --> 00:34:45,239
Speaker 5: Wait, you're looking at two more? Can we take this

635
00:34:45,280 --> 00:34:45,760
Speaker 5: to seven?

636
00:34:46,719 --> 00:34:50,960
Speaker 1: Can we take it? Okay? So I'm gonna go. I'm

637
00:34:50,960 --> 00:34:52,919
Speaker 1: gonna got going on.

638
00:34:53,120 --> 00:34:55,120
Speaker 2: I'm gonna go for this one just because I know

639
00:34:55,160 --> 00:34:57,279
Speaker 2: we're going two more records and I don't think has

640
00:34:57,320 --> 00:34:58,239
Speaker 2: two more records.

641
00:35:00,719 --> 00:35:01,480
Speaker 5: I'm gonna go.

642
00:35:02,000 --> 00:35:03,480
Speaker 1: I'm gonna go this one.

643
00:35:07,360 --> 00:35:07,560
Speaker 7: Yeah.

644
00:35:07,719 --> 00:35:09,920
Speaker 1: See now it's getting you're getting deep water now I

645
00:35:09,920 --> 00:35:12,239
Speaker 1: have two more records. Yeah, you get deep water now.

646
00:35:12,280 --> 00:35:14,680
Speaker 1: Because I forgot about that this one. I was like,

647
00:35:15,600 --> 00:35:16,400
Speaker 1: we're gonna play.

648
00:35:16,200 --> 00:35:23,279
Speaker 2: This lot bit this one. Listen and the shot. See

649
00:35:23,920 --> 00:35:29,200
Speaker 2: I get a fas This is fall back to almost yeah,

650
00:35:30,600 --> 00:35:39,359
Speaker 2: just being to someone between I love it. I'm about

651
00:35:39,400 --> 00:35:42,640
Speaker 2: to go home. List on the shoe my yata Yo,

652
00:35:45,920 --> 00:35:46,560
Speaker 2: you're a pain.

653
00:35:46,560 --> 00:35:51,759
Speaker 4: That nig and I know you shut up.

654
00:35:54,440 --> 00:35:55,680
Speaker 5: Hey, y'all don't know this song yet.

655
00:35:55,800 --> 00:35:56,640
Speaker 2: My eyes.

656
00:36:01,840 --> 00:36:04,680
Speaker 4: Bang, here we go.

657
00:36:07,239 --> 00:36:07,759
Speaker 2: Periods?

658
00:36:09,120 --> 00:36:09,360
Speaker 7: Hold you.

659
00:36:09,680 --> 00:36:14,800
Speaker 1: That is a direct answer. And to act like that, right, I'm.

660
00:36:14,680 --> 00:36:17,400
Speaker 5: Doing good over here. Terrees does not have two more records.

661
00:36:18,880 --> 00:36:21,759
Speaker 2: Okay, this was a good one.

662
00:36:21,920 --> 00:36:25,479
Speaker 1: Damn, I forgot about I was like, what other record?

663
00:36:25,560 --> 00:36:27,799
Speaker 7: No one?

664
00:36:32,600 --> 00:36:36,759
Speaker 1: Who's as the song? Grind my pots and some ship.

665
00:36:37,160 --> 00:36:50,160
Speaker 1: I think it proves everything. Yeah, this was a great song.

666
00:36:51,120 --> 00:36:52,040
Speaker 1: He sounds amazing.

667
00:36:55,840 --> 00:36:56,719
Speaker 5: He ain't got one more.

668
00:36:59,560 --> 00:37:05,520
Speaker 1: Okay, hey, that was a good one. One and after

669
00:37:05,600 --> 00:37:07,160
Speaker 1: the next one, I don't know. I can't take.

670
00:37:09,320 --> 00:37:10,880
Speaker 3: At least get the seven out. Now we're gonna have

671
00:37:10,960 --> 00:37:15,719
Speaker 3: to dig into the ba the besides, what's the dude?

672
00:37:15,800 --> 00:37:20,720
Speaker 3: Don who's the host of us?

673
00:37:21,000 --> 00:37:22,279
Speaker 2: And I guess I gotta go this one?

674
00:37:22,600 --> 00:37:26,160
Speaker 1: Yes, oh yeah, I didn't even play this. He got

675
00:37:26,239 --> 00:37:28,400
Speaker 1: too more for that about this?

676
00:37:28,800 --> 00:37:32,040
Speaker 2: That's the funk And this was.

677
00:37:32,239 --> 00:37:34,520
Speaker 1: Even a bigger radio hit than the song. No it

678
00:37:34,680 --> 00:37:37,640
Speaker 1: was it was this was produced this one.

679
00:37:37,880 --> 00:37:38,799
Speaker 3: This one wasn't a man?

680
00:37:40,600 --> 00:37:40,880
Speaker 1: What what?

681
00:37:41,000 --> 00:37:51,000
Speaker 2: What instrument is that we're not doing that?

682
00:37:53,800 --> 00:37:59,160
Speaker 3: I got ten million I'm like, on my side, leg

683
00:38:01,880 --> 00:38:05,120
Speaker 3: real white storm ship, real white storm ship.

684
00:38:07,000 --> 00:38:09,080
Speaker 1: Why why didn't Avann like take off?

685
00:38:09,200 --> 00:38:11,400
Speaker 2: I think because wasn't he r Kelly Cousins.

686
00:38:16,160 --> 00:38:28,040
Speaker 1: Christ Chrispy, No, no, bas friends, he isn't he related

687
00:38:28,040 --> 00:38:32,880
Speaker 1: to R Kelly? Right there? He looked like him right there. Picture.

688
00:38:34,440 --> 00:38:38,960
Speaker 1: He was actually a handsome man. He looked like he

689
00:38:39,000 --> 00:38:42,239
Speaker 1: would have been hired by Tyler Perry one hundred. Like

690
00:38:42,360 --> 00:38:45,320
Speaker 1: he looked like starting beauty and black and all of that.

691
00:38:45,760 --> 00:38:47,399
Speaker 1: See look it's already it's right there.

692
00:38:47,440 --> 00:38:50,440
Speaker 2: I thought that, Okay, maybe that was like y'all, remember

693
00:38:50,560 --> 00:38:52,720
Speaker 2: how two k you always say it was all related.

694
00:38:53,440 --> 00:38:57,200
Speaker 1: Yeah, back in the day, nig was related to other people. Yeah,

695
00:38:57,239 --> 00:38:58,920
Speaker 1: that's one of the hood lords. That's like the little Kim.

696
00:38:59,239 --> 00:39:00,400
Speaker 1: Maybe it was just a vocals.

697
00:39:00,400 --> 00:39:07,440
Speaker 5: They sounded like last song, okay, okay.

698
00:39:14,400 --> 00:39:19,319
Speaker 1: Something yeah, same same. So I was I was contemplating

699
00:39:19,400 --> 00:39:23,640
Speaker 1: playing this instead of the Brat records, Sweet got.

700
00:39:25,920 --> 00:39:28,200
Speaker 2: Spending money doing shopping at.

701
00:39:30,760 --> 00:39:33,719
Speaker 3: This one kept sting you alive because I didn't think

702
00:39:33,760 --> 00:39:36,080
Speaker 3: it was gonna be after after the holiday inn.

703
00:39:36,160 --> 00:39:37,719
Speaker 1: I thought it was rap and.

704
00:39:37,800 --> 00:39:40,160
Speaker 5: He was like no, so wait a second, this is

705
00:39:40,239 --> 00:39:43,000
Speaker 5: now out of seven this was three features.

706
00:39:43,520 --> 00:39:47,839
Speaker 1: Playing yeah the Brat and this was that the Brad song,

707
00:39:47,920 --> 00:39:49,399
Speaker 1: though it was her song.

708
00:39:50,480 --> 00:39:54,319
Speaker 2: Okay, so we both got two features. My last one

709
00:39:54,360 --> 00:39:56,160
Speaker 2: actually isn't a feature and it was another single.

710
00:39:57,360 --> 00:39:59,759
Speaker 1: Well, I think I got one more. I got one more.

711
00:40:01,120 --> 00:40:01,879
Speaker 1: I got two more.

712
00:40:02,280 --> 00:40:03,880
Speaker 5: Y'all probably didn't even don't even remember this.

713
00:40:08,920 --> 00:40:11,600
Speaker 1: Good production of listen.

714
00:40:12,239 --> 00:40:13,440
Speaker 2: Listen, give me ten minutes.

715
00:40:14,120 --> 00:40:18,800
Speaker 1: See Tyre, just come straight through with this. All the

716
00:40:19,280 --> 00:40:20,520
Speaker 1: hold on you need here.

717
00:40:20,560 --> 00:40:23,880
Speaker 2: We got four minutes. Pardon me if I'm talking fast.

718
00:40:23,920 --> 00:40:31,560
Speaker 2: It's coming over words. I heard you la goutte Let

719
00:40:31,600 --> 00:40:32,520
Speaker 2: me talk to you and see.

720
00:40:32,520 --> 00:40:34,200
Speaker 1: What's out of that's funny.

721
00:40:34,280 --> 00:40:34,440
Speaker 3: Yeah.

722
00:40:34,440 --> 00:40:38,600
Speaker 1: I think this era of Army was like the Rappie

723
00:40:38,800 --> 00:40:41,640
Speaker 1: Bull Thugs R and B. They say a bunch of

724
00:40:41,680 --> 00:40:43,200
Speaker 1: words right here, like yeah.

725
00:40:43,440 --> 00:40:45,399
Speaker 2: Just trying to work it out, and all you're doing

726
00:40:45,440 --> 00:40:49,359
Speaker 2: is it sounds very much attracked in the closet could

727
00:40:49,360 --> 00:40:50,560
Speaker 2: be like.

728
00:40:51,080 --> 00:40:55,680
Speaker 1: Hang cliff R and B Cliffhanger R and B cliffhangerre.

729
00:40:54,920 --> 00:41:11,600
Speaker 4: We go in the chorus suit you they don't they

730
00:41:11,760 --> 00:41:12,120
Speaker 4: do not.

731
00:41:12,719 --> 00:41:15,080
Speaker 5: Okay, so real quick, where are we at?

732
00:41:15,160 --> 00:41:15,200
Speaker 7: No?

733
00:41:15,320 --> 00:41:16,000
Speaker 1: We were at seven.

734
00:41:17,760 --> 00:41:19,320
Speaker 5: There's another one he got in the calls.

735
00:41:20,719 --> 00:41:24,040
Speaker 1: Is kind of underrated.

736
00:41:24,800 --> 00:41:25,160
Speaker 4: R and B.

737
00:41:25,960 --> 00:41:30,480
Speaker 1: You could clear Tyres Clear is crazy. Okay, Clear is crazy.

738
00:41:31,080 --> 00:41:33,120
Speaker 1: It's a fair fight. But but here's the thing. But

739
00:41:33,200 --> 00:41:35,920
Speaker 1: the thing about it real quick, did have a pen?

740
00:41:36,560 --> 00:41:38,160
Speaker 2: Did Avaunt write for anybody?

741
00:41:38,239 --> 00:41:39,560
Speaker 1: Because all he had to do is write for one

742
00:41:39,600 --> 00:41:41,120
Speaker 1: that much? I'm not sure about.

743
00:41:42,600 --> 00:41:45,520
Speaker 3: The thing about the verses that we can't deny is

744
00:41:45,600 --> 00:41:49,719
Speaker 3: that besides the song for song element, there's a performance

745
00:41:49,800 --> 00:41:52,520
Speaker 3: element that that goes think that's what.

746
00:41:54,400 --> 00:41:55,840
Speaker 1: What like we've seen with cash.

747
00:41:55,680 --> 00:41:58,320
Speaker 3: Money in No Limit even yeah, on paper it's like,

748
00:41:58,360 --> 00:42:01,480
Speaker 3: oh yeah, you know, but No Limit active show out

749
00:42:01,760 --> 00:42:02,200
Speaker 3: like Ship.

750
00:42:03,400 --> 00:42:03,560
Speaker 1: Yeah.

751
00:42:04,520 --> 00:42:08,200
Speaker 2: So but even in that in that context, by the way,

752
00:42:08,239 --> 00:42:11,200
Speaker 2: I didn't play the Lil Wayne feature he has and

753
00:42:11,239 --> 00:42:13,840
Speaker 2: I mentioned Nicole, why about Us was going to be

754
00:42:13,880 --> 00:42:14,560
Speaker 2: the next one?

755
00:42:14,560 --> 00:42:15,160
Speaker 7: I played No.

756
00:42:15,280 --> 00:42:17,399
Speaker 1: But to your point about performance, who do you think

757
00:42:17,600 --> 00:42:22,120
Speaker 1: is better on stage? Could he be doing? I'm not

758
00:42:22,200 --> 00:42:25,200
Speaker 1: gonna lie do a lot of ship the internet didn't exist.

759
00:42:26,040 --> 00:42:31,480
Speaker 2: I know, I never seen I haven't even dons on stage.

760
00:42:32,280 --> 00:42:36,279
Speaker 2: And he's someone that unfortunately, even through all of these

761
00:42:36,360 --> 00:42:37,440
Speaker 2: festival stages and it.

762
00:42:37,480 --> 00:42:40,080
Speaker 1: Things hasn't gotten he hasn't gotten picked.

763
00:42:39,880 --> 00:42:41,920
Speaker 2: Back up, which is why I think he's very underrated.

764
00:42:42,000 --> 00:42:43,879
Speaker 2: But to me, their videos gave the same.

765
00:42:45,320 --> 00:42:45,480
Speaker 1: Yeah.

766
00:42:46,080 --> 00:42:47,759
Speaker 3: I will say this though, I don't know what he's

767
00:42:47,800 --> 00:42:50,000
Speaker 3: doing with his life, but they are leaving a lot

768
00:42:50,040 --> 00:42:51,280
Speaker 3: of money on the we see.

769
00:42:51,160 --> 00:42:51,799
Speaker 2: Where are they now?

770
00:42:51,960 --> 00:42:52,839
Speaker 4: Where is the now?

771
00:42:53,600 --> 00:42:55,440
Speaker 1: He's still doing music, but is it?

772
00:42:56,239 --> 00:42:58,440
Speaker 3: But no, But to her point, though, they're leaving bags

773
00:42:58,480 --> 00:43:00,680
Speaker 3: on the table by not having him him at these

774
00:43:00,760 --> 00:43:05,000
Speaker 3: festivals though, because that seventh that seventh song set where

775
00:43:05,040 --> 00:43:06,960
Speaker 3: it's like, okay, we'll give you a we give thirty minutes.

776
00:43:06,960 --> 00:43:07,560
Speaker 2: Why he got the.

777
00:43:07,600 --> 00:43:10,719
Speaker 1: Side the yellow side slipped for Dora.

778
00:43:11,040 --> 00:43:15,239
Speaker 3: Oh my god, the pandemic. That's pandemic, that pandemic. Fantastic.

779
00:43:15,680 --> 00:43:19,200
Speaker 3: No he's doing come on, that's he can't be doing. Bro,

780
00:43:19,440 --> 00:43:20,840
Speaker 3: he might got a that's unc V.

781
00:43:22,800 --> 00:43:26,920
Speaker 1: Where he from Virginia? I think somewhere from No, no.

782
00:43:26,920 --> 00:43:27,880
Speaker 5: No, no, I don't want to see this.

783
00:43:28,040 --> 00:43:29,560
Speaker 4: I just he just won.

784
00:43:30,320 --> 00:43:30,799
Speaker 1: He just won.

785
00:43:30,920 --> 00:43:31,040
Speaker 7: Yo.

786
00:43:32,320 --> 00:43:33,640
Speaker 1: He's from Ohio, all right?

787
00:43:33,840 --> 00:43:36,200
Speaker 3: Yeah, yeah, shout out to Ohio. You know me shouting

788
00:43:36,200 --> 00:43:37,759
Speaker 3: about guy Trav you know trap Dave.

789
00:43:38,760 --> 00:43:39,760
Speaker 1: Okay, okay, okay.

790
00:43:39,840 --> 00:43:41,359
Speaker 3: I feel like he needs to I don't know if

791
00:43:41,360 --> 00:43:43,040
Speaker 3: he needs a publish this or medal, but he should

792
00:43:43,080 --> 00:43:43,800
Speaker 3: be on those stages.

793
00:43:44,000 --> 00:43:44,640
Speaker 7: So so.

794
00:43:46,520 --> 00:43:50,800
Speaker 2: Tank beats Tyres Neo beats Tank beats Tyrans allegedly.

795
00:43:51,160 --> 00:43:53,560
Speaker 1: Yeah, I think that's fair. That's where we are. That's

796
00:43:53,600 --> 00:43:56,320
Speaker 1: fair that I'm not mad at that recent.

797
00:43:58,080 --> 00:44:03,239
Speaker 2: By the way, this was complete offscript, and so we

798
00:44:03,360 --> 00:44:05,600
Speaker 2: can either just make this a whole music pod and

799
00:44:05,680 --> 00:44:12,560
Speaker 2: talk Wayne and uh a I, or we can kind

800
00:44:12,600 --> 00:44:15,440
Speaker 2: of piggyback off of a topic from that we did

801
00:44:15,560 --> 00:44:18,480
Speaker 2: last week with Patrick Beverley and kind of end this

802
00:44:18,640 --> 00:44:21,480
Speaker 2: with Patrick Beverley being kicked off of his own.

803
00:44:21,360 --> 00:44:23,560
Speaker 1: Podcasts and have a little bit of podcast.

804
00:44:24,680 --> 00:44:25,400
Speaker 2: Do we want to do that?

805
00:44:25,600 --> 00:44:31,840
Speaker 1: Or Wayne, let's go, let's do it. Yeah, So we

806
00:44:32,000 --> 00:44:32,880
Speaker 1: just did a lot of music.

807
00:44:33,160 --> 00:44:33,640
Speaker 4: I liked it.

808
00:44:34,320 --> 00:44:36,160
Speaker 5: I didn't like the Rick Ross record, but y'all know,

809
00:44:36,960 --> 00:44:39,040
Speaker 5: but I'm glad that we could give his flowers.

810
00:44:40,239 --> 00:44:43,080
Speaker 2: I hope that uh, y'all's.

811
00:44:42,760 --> 00:44:44,959
Speaker 5: Couchies ain't too wet and y'all dicks ain't too hard

812
00:44:45,000 --> 00:44:45,799
Speaker 5: at the If.

813
00:44:45,719 --> 00:44:49,759
Speaker 3: You maybe does that, maybe Essence Fest could have a

814
00:44:49,800 --> 00:44:53,120
Speaker 3: redemption this year. You know, have all of them.

815
00:44:53,160 --> 00:44:56,120
Speaker 2: I mean you guys. Tiana Taylor was just named the

816
00:44:56,200 --> 00:45:01,000
Speaker 2: creative director of Essence So come in and her aunties,

817
00:45:02,400 --> 00:45:04,400
Speaker 2: you know, production.

818
00:45:04,440 --> 00:45:04,960
Speaker 5: To the thing.

819
00:45:05,120 --> 00:45:07,400
Speaker 1: I'm with it. I'm with it all right, Well I.

820
00:45:07,400 --> 00:45:10,000
Speaker 5: Have a clip to pay, a clip to pay, a

821
00:45:10,080 --> 00:45:10,839
Speaker 5: clip to play.

822
00:45:11,440 --> 00:45:16,400
Speaker 2: Patrick Beverly recently broke silence and talked about being outed

823
00:45:16,560 --> 00:45:20,440
Speaker 2: on his own show by his co host following of

824
00:45:20,560 --> 00:45:23,160
Speaker 2: course again, if you didn't listen to last week's episode,

825
00:45:23,520 --> 00:45:26,920
Speaker 2: we talked about Patrick Beverly ended up ending up in

826
00:45:27,000 --> 00:45:31,360
Speaker 2: jail for yoking up his little sister, who is fifteen

827
00:45:31,440 --> 00:45:33,719
Speaker 2: years old, for being in bed with an eighteen year

828
00:45:33,719 --> 00:45:37,080
Speaker 2: old and this is what, this is what he had

829
00:45:37,120 --> 00:45:37,439
Speaker 2: to say.

830
00:45:38,320 --> 00:45:46,880
Speaker 7: A phenomenal job. Uh oh, right through this whole process, right,

831
00:45:46,960 --> 00:45:51,880
Speaker 7: this whole case process. Right, I haven't been able to

832
00:45:51,960 --> 00:45:56,440
Speaker 7: like really post anything with you know, just until everything

833
00:45:56,640 --> 00:45:58,840
Speaker 7: was old. Dave has done a phenomenal job.

834
00:46:00,080 --> 00:46:00,319
Speaker 6: Uh.

835
00:46:03,400 --> 00:46:09,880
Speaker 7: Communication wise, m right. Uh allow me to still be

836
00:46:09,960 --> 00:46:12,440
Speaker 7: with barstool, but you know, basically until I get my

837
00:46:12,560 --> 00:46:15,080
Speaker 7: ship in order, you feel me like come back and

838
00:46:15,160 --> 00:46:17,200
Speaker 7: you're not hot type of vibes. And I understood it.

839
00:46:17,960 --> 00:46:22,880
Speaker 7: So now that you know everything is been you know,

840
00:46:23,600 --> 00:46:26,920
Speaker 7: the troops came out and everything was over it. Uh h,

841
00:46:28,760 --> 00:46:33,160
Speaker 7: I'll call a day like, okay, cool, it's time to

842
00:46:33,200 --> 00:46:36,759
Speaker 7: get back on the pod, like what's up? You feel me?

843
00:46:37,400 --> 00:46:37,600
Speaker 1: Dave?

844
00:46:37,719 --> 00:46:40,600
Speaker 7: Say, have you have you talked to the guy?

845
00:46:41,280 --> 00:46:46,920
Speaker 1: Like have you talked to the that's already super spidy senses.

846
00:46:50,120 --> 00:46:53,839
Speaker 12: Right and and and I don't want to harp too

847
00:46:53,920 --> 00:46:56,160
Speaker 12: much on this, but through this whole time, like I

848
00:46:56,200 --> 00:46:59,320
Speaker 12: ain't heard a role a word from.

849
00:46:59,239 --> 00:47:03,000
Speaker 1: Wrong crash our meeters at three right now?

850
00:47:05,160 --> 00:47:11,879
Speaker 7: Is you okay? It's family? Okay, Mom, okay, sister? A word?

851
00:47:12,080 --> 00:47:13,839
Speaker 1: Nothing right?

852
00:47:13,880 --> 00:47:17,560
Speaker 13: And I'm you know, I'm I'm an emotional type of dude,

853
00:47:17,600 --> 00:47:19,520
Speaker 13: So y'all let me know if I'm in my felons

854
00:47:19,600 --> 00:47:23,560
Speaker 13: or not. So we Christmas come and I'm you know,

855
00:47:23,600 --> 00:47:26,800
Speaker 13: I know I'm gonna get a merry Christmas phone you feel.

856
00:47:26,640 --> 00:47:28,359
Speaker 7: Me way out way out way and I don't get

857
00:47:28,480 --> 00:47:32,359
Speaker 7: and I hit him like yo, merry Christmas, Like hope

858
00:47:32,360 --> 00:47:34,480
Speaker 7: the families will you know he gave me back like

859
00:47:35,040 --> 00:47:37,439
Speaker 7: oh man was caught up with the family. I hope

860
00:47:37,480 --> 00:47:39,680
Speaker 7: all his real minds. But I haven't talked to wone

861
00:47:39,920 --> 00:47:44,560
Speaker 7: on the phone since this situation has happened.

862
00:47:44,600 --> 00:47:47,640
Speaker 1: He was already plotting, bro Yeah, one time you're talking

863
00:47:47,680 --> 00:47:49,319
Speaker 1: about this. Look you know, like.

864
00:47:51,360 --> 00:47:54,399
Speaker 7: Men, wrong goes deep like feeling like I was there

865
00:47:54,440 --> 00:47:56,080
Speaker 7: when his kids got baptized.

866
00:47:56,120 --> 00:47:56,480
Speaker 1: You know, so.

867
00:47:59,000 --> 00:48:02,800
Speaker 7: Some type of way have it? I have it just

868
00:48:02,840 --> 00:48:04,839
Speaker 7: from the home. This is the path they have been wrong.

869
00:48:04,920 --> 00:48:09,360
Speaker 7: We got two hundred seventy eight thousand subscribers together, we

870
00:48:09,440 --> 00:48:12,640
Speaker 7: got a YouTube plaque together. You feel me so like

871
00:48:13,120 --> 00:48:16,719
Speaker 7: this is my dog like I thought, you feel me?

872
00:48:16,800 --> 00:48:21,839
Speaker 7: This is my goal. I hit the group like, yo,

873
00:48:22,280 --> 00:48:25,920
Speaker 7: you know I'm back, boys, I'm ready to work. To

874
00:48:26,000 --> 00:48:30,320
Speaker 7: feel me like man, stuff is passed.

875
00:48:30,400 --> 00:48:33,359
Speaker 12: Man, y'all been holding down. I'm ready to get back

876
00:48:33,400 --> 00:48:36,120
Speaker 12: to work. Won't reach out to me, man, I know

877
00:48:36,239 --> 00:48:39,239
Speaker 12: you glad this is over this this this, I'm like,

878
00:48:39,239 --> 00:48:41,000
Speaker 12: all right, okay, when do we start?

879
00:48:41,800 --> 00:48:42,600
Speaker 2: When do we start?

880
00:48:43,320 --> 00:48:46,440
Speaker 7: And then they go quiet, and I'm like, they like,

881
00:48:46,480 --> 00:48:48,320
Speaker 7: have you talked to anybody? I'm not talking to anybody

882
00:48:48,400 --> 00:48:50,960
Speaker 7: like I talked to Day Days. They have I talked

883
00:48:50,960 --> 00:48:52,640
Speaker 7: to y'all. I talk to y'all. Y'all tell me have

884
00:48:52,760 --> 00:48:55,120
Speaker 7: I talked to somebody else? Me and Dave get on

885
00:48:55,160 --> 00:48:58,960
Speaker 7: the phone and Dave shout out to Day too. Man,

886
00:48:59,320 --> 00:49:03,040
Speaker 7: solid dude, Solid dudes. They want from him finding me

887
00:49:03,120 --> 00:49:04,040
Speaker 7: into where I am right now.

888
00:49:04,120 --> 00:49:06,839
Speaker 13: Media wise, he's been a phenomenal right.

889
00:49:07,640 --> 00:49:07,880
Speaker 4: Uh h.

890
00:49:09,200 --> 00:49:12,080
Speaker 7: I talked to Dave, and Dave give me like, yeah,

891
00:49:12,160 --> 00:49:14,360
Speaker 7: the guys wanted me to reach out and tell you that.

892
00:49:15,080 --> 00:49:17,719
Speaker 1: Mm hm, you know they want they want to keep going.

893
00:49:18,880 --> 00:49:20,200
Speaker 11: How the party is now?

894
00:49:21,920 --> 00:49:25,000
Speaker 13: You know you've been going for three months and they

895
00:49:25,040 --> 00:49:28,600
Speaker 13: want to you know, just keep you know, keep that going,

896
00:49:28,760 --> 00:49:29,080
Speaker 13: right now?

897
00:49:29,520 --> 00:49:36,920
Speaker 2: Am I correct with the fact that this show was

898
00:49:37,000 --> 00:49:39,279
Speaker 2: hooping and hollering he's talking about?

899
00:49:39,400 --> 00:49:40,920
Speaker 1: Was that another now, yeah, it was.

900
00:49:41,440 --> 00:49:45,160
Speaker 8: It looks like it was the Pat It was literally

901
00:49:45,200 --> 00:49:48,319
Speaker 8: the Pat BEV at some point they can they because

902
00:49:48,320 --> 00:49:51,040
Speaker 8: they added looks like the Jason Williams. So they made

903
00:49:51,080 --> 00:49:52,560
Speaker 8: it hooping and hollering.

904
00:49:53,160 --> 00:49:57,440
Speaker 5: But they but they the same it's the same YouTube pages.

905
00:49:58,400 --> 00:50:02,920
Speaker 2: Yeah, and it's owned by Barstool. So interesting because he's

906
00:50:02,960 --> 00:50:07,120
Speaker 2: talking about we grew this, we did this. It was

907
00:50:07,160 --> 00:50:12,440
Speaker 2: a Pat bav show on Barstool with Ron came and

908
00:50:12,560 --> 00:50:17,080
Speaker 2: grabbed another mone and they said, actually, we're just gonna

909
00:50:17,080 --> 00:50:19,279
Speaker 2: do this by ourselves. Here's the other thing that makes

910
00:50:19,320 --> 00:50:22,080
Speaker 2: this interesting too, because it seems like it went from

911
00:50:22,080 --> 00:50:22,600
Speaker 2: two to three.

912
00:50:23,600 --> 00:50:27,759
Speaker 1: He went and had probably not even a paid leave. Yes,

913
00:50:27,880 --> 00:50:28,120
Speaker 1: like you.

914
00:50:30,000 --> 00:50:33,400
Speaker 2: And these two decided, oh we could cut this shape

915
00:50:33,920 --> 00:50:38,719
Speaker 2: two ways instead of three. And it's also giving they're

916
00:50:38,800 --> 00:50:43,400
Speaker 2: not as close as friends as he really thought they was.

917
00:50:44,480 --> 00:50:48,840
Speaker 2: It is also given you were brought in by barstool.

918
00:50:49,239 --> 00:50:52,240
Speaker 1: Maybe this was a barstool.

919
00:50:55,520 --> 00:50:58,240
Speaker 2: Not chemistry tests, but did maybe they put them together

920
00:50:59,280 --> 00:51:01,920
Speaker 2: because it's not a Because Patrick Beverly also does have.

921
00:51:01,960 --> 00:51:04,120
Speaker 1: His own YouTube channel, correct what it looks like he

922
00:51:04,600 --> 00:51:05,160
Speaker 1: had to show.

923
00:51:07,480 --> 00:51:10,000
Speaker 3: November twenty fourth, there was an article that came out

924
00:51:10,000 --> 00:51:14,840
Speaker 3: on the Shadow League. Okay Stool's sports president's Dave Portnoy

925
00:51:15,480 --> 00:51:17,520
Speaker 3: is leaning to his status as being the most powerful

926
00:51:17,560 --> 00:51:20,040
Speaker 3: man and sports related podcast, and he removed former player

927
00:51:20,320 --> 00:51:23,400
Speaker 3: Pat Bev from his weekly podcast he co hosts with

928
00:51:23,840 --> 00:51:27,880
Speaker 3: Jason Williams and Adam from Wrong Right, who was Beverly's

929
00:51:27,920 --> 00:51:32,040
Speaker 3: partner in previous podcast. It said, according to Portnoy, part

930
00:51:32,040 --> 00:51:34,520
Speaker 3: of me if I'm pronouncing your name wrong company has

931
00:51:34,560 --> 00:51:37,160
Speaker 3: decided to part ways until he settles his family personal

932
00:51:37,280 --> 00:51:37,960
Speaker 3: legal issues.

933
00:51:38,400 --> 00:51:40,239
Speaker 2: Then they go on to the story so just so

934
00:51:40,360 --> 00:51:44,280
Speaker 2: you know, hooping and holleran was yeah, is the former

935
00:51:44,400 --> 00:51:46,160
Speaker 2: Pat Bev pod right?

936
00:51:46,920 --> 00:51:48,600
Speaker 1: Literally they just changed the name.

937
00:51:49,200 --> 00:51:51,680
Speaker 2: And he did get a three point two million dollar

938
00:51:52,640 --> 00:51:57,480
Speaker 2: deal with with with with the with Barstool, but I'm

939
00:51:57,560 --> 00:52:00,799
Speaker 2: wondering if And that's the thing too, when you sign these.

940
00:52:00,719 --> 00:52:03,880
Speaker 1: Contracts with these companies, there's a lot of outs on it.

941
00:52:04,200 --> 00:52:06,160
Speaker 1: You get any legal trouble.

942
00:52:05,880 --> 00:52:09,200
Speaker 3: Bro and they probably weighed the risk. But his thing,

943
00:52:09,320 --> 00:52:11,040
Speaker 3: but he came out and said In November eighteenth, there

944
00:52:11,120 --> 00:52:14,359
Speaker 3: was a quote from uh.

945
00:52:16,080 --> 00:52:16,839
Speaker 2: Talking to the mic.

946
00:52:17,840 --> 00:52:20,640
Speaker 3: He gave an update on Patrick Bevy. He said, Pat

947
00:52:20,680 --> 00:52:23,239
Speaker 3: Bev is still employed. We stick with our guys until

948
00:52:23,280 --> 00:52:26,439
Speaker 3: there's a reason not to. We will have Pats back.

949
00:52:27,000 --> 00:52:28,040
Speaker 3: That was November eighteenth.

950
00:52:28,160 --> 00:52:29,439
Speaker 1: But here's the interesting.

951
00:52:29,160 --> 00:52:32,520
Speaker 3: Party christmasgas On Christmas, they an't even responding to your

952
00:52:33,200 --> 00:52:38,640
Speaker 3: John Merry Christmas and grand rising niggas like yo, what up?

953
00:52:39,280 --> 00:52:41,920
Speaker 1: But here but here to me. Here's kind of like

954
00:52:41,960 --> 00:52:42,839
Speaker 1: the riding on the Wall.

955
00:52:42,920 --> 00:52:47,080
Speaker 3: October twenty third, twenty twenty five, there is a collaborative

956
00:52:47,760 --> 00:52:48,239
Speaker 3: post on.

957
00:52:48,320 --> 00:52:52,560
Speaker 1: Instagram with Viva La Stool and Hooping and Hollering.

958
00:52:52,600 --> 00:52:55,359
Speaker 3: It says hooping and hollering with at Pat Bev, at

959
00:52:55,440 --> 00:52:59,120
Speaker 3: Jason Williams fifty five, at Adam Farron coming soon and

960
00:52:59,320 --> 00:52:59,560
Speaker 3: then it.

961
00:52:59,640 --> 00:53:04,520
Speaker 1: Tagged pat Bev pod. So it's like this is you're

962
00:53:04,560 --> 00:53:06,040
Speaker 1: having You're changing the name of the show.

963
00:53:06,160 --> 00:53:10,000
Speaker 3: But you're also tagging using you're using his name was

964
00:53:10,000 --> 00:53:12,920
Speaker 3: built because you're tagging Pat Pod and you already.

965
00:53:12,719 --> 00:53:15,040
Speaker 1: Changed the name. You've already changed. So it's like.

966
00:53:16,920 --> 00:53:17,200
Speaker 7: The wall.

967
00:53:17,960 --> 00:53:20,120
Speaker 3: Why are we so who initiated this conversation? Was it

968
00:53:20,160 --> 00:53:23,000
Speaker 3: the president or was it the co host? It sounds

969
00:53:23,080 --> 00:53:27,280
Speaker 3: like there's confusion. It sounds like portanoid and the guys

970
00:53:28,080 --> 00:53:33,000
Speaker 3: made this decision together and they and both of them

971
00:53:33,040 --> 00:53:36,759
Speaker 3: put then he did, Bro, he did that. Bro, who's

972
00:53:36,760 --> 00:53:39,120
Speaker 3: gonna Who's gonna tell him? That means they felt that

973
00:53:39,200 --> 00:53:42,080
Speaker 3: way before. If you do that type of ship, they

974
00:53:42,080 --> 00:53:43,040
Speaker 3: didn't you before.

975
00:53:43,480 --> 00:53:46,760
Speaker 2: But this goes to show too, the importance of building

976
00:53:46,840 --> 00:53:50,080
Speaker 2: your own ship, owning it, licensing it.

977
00:53:50,840 --> 00:53:53,360
Speaker 5: You not letting a company build up your YouTube.

978
00:53:53,760 --> 00:53:57,960
Speaker 1: You not letting a company change the name. Like a

979
00:53:58,040 --> 00:53:58,960
Speaker 1: lot of a lot of the.

980
00:53:59,200 --> 00:54:03,880
Speaker 5: Athletes don't know, especially ones that have such a tenured career.

981
00:54:04,000 --> 00:54:05,640
Speaker 2: In the n b A. You see a lot of

982
00:54:05,680 --> 00:54:08,080
Speaker 2: guys get into legal trouble and they get to still

983
00:54:08,160 --> 00:54:10,480
Speaker 2: get sent off with a with a with a tour

984
00:54:10,520 --> 00:54:12,640
Speaker 2: at the end of their career.

985
00:54:12,960 --> 00:54:14,560
Speaker 3: We want to add two co hosts. We want to

986
00:54:14,719 --> 00:54:16,320
Speaker 3: call it the Pat BEV Show because you know you

987
00:54:16,400 --> 00:54:18,760
Speaker 3: got I mean, that's still.

988
00:54:18,920 --> 00:54:20,600
Speaker 2: But this is what happens too when you go in

989
00:54:20,719 --> 00:54:22,359
Speaker 2: and you have a name, you want to start a pod,

990
00:54:22,800 --> 00:54:26,480
Speaker 2: and instead of investing your own money to start it yourself,

991
00:54:27,080 --> 00:54:28,719
Speaker 2: you want to be paid out the gate.

992
00:54:29,320 --> 00:54:30,240
Speaker 1: And this is what happens.

993
00:54:30,320 --> 00:54:32,839
Speaker 2: You don't own it. A company could come in, shake

994
00:54:32,920 --> 00:54:34,640
Speaker 2: some ship up. It's just a sports pod.

995
00:54:35,480 --> 00:54:35,640
Speaker 7: You know.

996
00:54:35,760 --> 00:54:38,120
Speaker 2: Got Jason Williams in there, still next to the wrong guy.

997
00:54:38,160 --> 00:54:40,399
Speaker 2: You got the black and white guy still talking next

998
00:54:40,440 --> 00:54:42,440
Speaker 2: to each other. They're looking at it as this is

999
00:54:42,480 --> 00:54:45,879
Speaker 2: the same ship Jason Williams pat if you even look at.

1000
00:54:45,880 --> 00:54:51,080
Speaker 1: Their ways is white chocolate? Shotgun late is white chocolate.

1001
00:54:54,800 --> 00:55:00,759
Speaker 1: That's not the way it was. White child that.

1002
00:55:00,760 --> 00:55:05,480
Speaker 3: Ain't even like it's the one that played in Orlando, Sacramento, Sacramento.

1003
00:55:05,560 --> 00:55:08,439
Speaker 1: Yeah, Jason Williams with the crossover, the handles and ship.

1004
00:55:08,800 --> 00:55:10,319
Speaker 1: He played for the Magic at some point. I feel

1005
00:55:10,360 --> 00:55:11,640
Speaker 1: like he did play for a lot of people. He

1006
00:55:11,680 --> 00:55:15,359
Speaker 1: didn't play for a lot of people for Miami. They

1007
00:55:15,400 --> 00:55:18,480
Speaker 1: played for Miami. Oh he don't want it, just got y'all.

1008
00:55:18,560 --> 00:55:23,680
Speaker 5: I just saved the video of Oh my god, Okay,

1009
00:55:23,719 --> 00:55:25,240
Speaker 5: I like give.

1010
00:55:25,200 --> 00:55:27,680
Speaker 3: He gives what he's watch and maybe that's why they

1011
00:55:27,719 --> 00:55:29,680
Speaker 3: felt like, Okay, well he could be he could be

1012
00:55:29,760 --> 00:55:31,920
Speaker 3: our Pat bed character. We don't need Pat Bev no more.

1013
00:55:31,960 --> 00:55:33,480
Speaker 3: And it's like, I don't know what the splits were,

1014
00:55:33,600 --> 00:55:34,839
Speaker 3: but maybe that's how they felt.

1015
00:55:35,000 --> 00:55:35,719
Speaker 1: I ain't gonna hold you.

1016
00:55:35,800 --> 00:55:36,920
Speaker 2: He funny, that's no.

1017
00:55:37,040 --> 00:55:40,759
Speaker 1: Jason Williams. Williams, he's a he's an a comedian. He

1018
00:55:41,000 --> 00:55:44,040
Speaker 1: was he was doing gun motions before they started, before

1019
00:55:44,080 --> 00:55:44,399
Speaker 1: they started.

1020
00:55:44,480 --> 00:55:48,840
Speaker 3: Yeah, they see each other, that traded Joe's what's the

1021
00:55:49,080 --> 00:55:51,880
Speaker 3: energy like they pull up in the parking lot. I

1022
00:55:51,960 --> 00:55:54,120
Speaker 3: mean the way Patt is talking in that video, like

1023
00:55:54,200 --> 00:55:56,640
Speaker 3: he said he still loves old boys, so it sounds.

1024
00:55:56,360 --> 00:55:58,600
Speaker 5: Like he's still he's trying to get that check back.

1025
00:55:58,640 --> 00:56:00,120
Speaker 3: Yeah, he's trying to get the check back. But it's

1026
00:56:00,120 --> 00:56:02,880
Speaker 3: not like he doesn't want smoke. Like that didn't come

1027
00:56:02,880 --> 00:56:04,560
Speaker 3: across as somebody who want to smoke the meat?

1028
00:56:05,000 --> 00:56:05,520
Speaker 1: What advice?

1029
00:56:05,640 --> 00:56:07,000
Speaker 5: What advice would you give right now?

1030
00:56:08,560 --> 00:56:08,680
Speaker 7: Yo?

1031
00:56:08,840 --> 00:56:11,080
Speaker 1: Man, No know who you're going to business with. That's what.

1032
00:56:11,400 --> 00:56:13,719
Speaker 1: Make sure all your your eyes is dotting your.

1033
00:56:13,680 --> 00:56:17,520
Speaker 3: Teases cross because I would love to learn how they

1034
00:56:17,640 --> 00:56:19,200
Speaker 3: transition from The Pat BEV Show.

1035
00:56:19,360 --> 00:56:20,320
Speaker 1: In terms of conversation.

1036
00:56:20,480 --> 00:56:22,360
Speaker 3: What was the what did they tell him to secure

1037
00:56:22,440 --> 00:56:25,239
Speaker 3: him to say okay that forgetting to get him to say, okay,

1038
00:56:25,280 --> 00:56:26,200
Speaker 3: this is cool, let's do this.

1039
00:56:27,360 --> 00:56:29,279
Speaker 1: You know what I want? Do they own the pat

1040
00:56:29,360 --> 00:56:30,280
Speaker 1: bev problem?

1041
00:56:30,840 --> 00:56:36,360
Speaker 2: He owns He owns his own Patrick Beverly YouTube that

1042
00:56:36,640 --> 00:56:41,360
Speaker 2: only currently sits at five point five thousand subscribers.

1043
00:56:41,120 --> 00:56:43,200
Speaker 1: So he's not doing it at this point. Is that

1044
00:56:43,400 --> 00:56:44,080
Speaker 1: something he did?

1045
00:56:45,080 --> 00:56:48,399
Speaker 2: I don't know. When he has sixty three videos, he's

1046
00:56:48,480 --> 00:56:50,360
Speaker 2: had this channel since August twenty nineteen.

1047
00:56:50,360 --> 00:56:53,560
Speaker 3: He's put that outside to do the other day and

1048
00:56:54,120 --> 00:56:56,239
Speaker 3: integrated with the network and they said, all right, cool,

1049
00:56:56,239 --> 00:56:56,560
Speaker 3: we're going to.

1050
00:56:56,560 --> 00:56:58,600
Speaker 1: Get that's what the building building building and then he

1051
00:56:58,719 --> 00:56:58,960
Speaker 1: got it.

1052
00:56:59,480 --> 00:57:03,280
Speaker 2: Damn you need to get get your own money, invest

1053
00:57:04,000 --> 00:57:06,480
Speaker 2: and start talking. And you know what this is gonna

1054
00:57:06,480 --> 00:57:09,440
Speaker 2: sound real petty of me talk about the inner workings

1055
00:57:09,440 --> 00:57:11,200
Speaker 2: of what it was like working barstool. Bet you you

1056
00:57:11,239 --> 00:57:14,399
Speaker 2: get some clicks and views there. We saw that happen

1057
00:57:14,719 --> 00:57:17,720
Speaker 2: when car her Daddy split. We've seen Barstool be a

1058
00:57:17,800 --> 00:57:19,800
Speaker 2: part of Gillian Wallow.

1059
00:57:20,000 --> 00:57:21,520
Speaker 1: Yeah, I've always hung out with.

1060
00:57:23,080 --> 00:57:23,200
Speaker 4: Uh.

1061
00:57:23,600 --> 00:57:26,360
Speaker 1: It's also I think what they're not a barcel no

1062
00:57:27,560 --> 00:57:27,960
Speaker 1: I think.

1063
00:57:27,840 --> 00:57:33,760
Speaker 2: They are, but Barcela came in and a producer couldn't

1064
00:57:33,800 --> 00:57:36,680
Speaker 2: come with them. Dave, Dave, Dave has his way of

1065
00:57:36,760 --> 00:57:38,400
Speaker 2: working with people and keeping who he wants.

1066
00:57:38,800 --> 00:57:40,959
Speaker 5: It's exactly what happened with her daddy.

1067
00:57:42,200 --> 00:57:45,760
Speaker 2: He kept Alex and then Sophia was the loser, and

1068
00:57:45,960 --> 00:57:48,960
Speaker 2: then there's still probably with some sort of sunset clause

1069
00:57:48,960 --> 00:57:50,520
Speaker 2: where he still got paid on the back end when.

1070
00:57:50,440 --> 00:57:53,880
Speaker 3: She went to Spotify, Like he's he don't bring the

1071
00:57:53,920 --> 00:58:00,840
Speaker 3: smart people with you, like to me, the the metaphors

1072
00:58:00,920 --> 00:58:04,040
Speaker 3: like you should be looking at this like record labels

1073
00:58:04,200 --> 00:58:05,800
Speaker 3: and Portanoid sounds a lot like le.

1074
00:58:06,040 --> 00:58:12,120
Speaker 1: Or Dann He's just like mine the coal mines.

1075
00:58:14,400 --> 00:58:16,480
Speaker 3: But he sounds a lot like let's be clear, like

1076
00:58:16,680 --> 00:58:22,680
Speaker 3: Dave Portnoy is like white Bro Maga Chad, Like yeah,

1077
00:58:22,760 --> 00:58:23,880
Speaker 3: he's on that man.

1078
00:58:24,080 --> 00:58:24,760
Speaker 1: So yeah.

1079
00:58:24,880 --> 00:58:26,720
Speaker 3: So it's like when you niggas is going to do

1080
00:58:26,920 --> 00:58:32,200
Speaker 3: business with Gigga Chad Portnoy, like understand what the fuck

1081
00:58:32,320 --> 00:58:34,560
Speaker 3: is going on over there and like how you can

1082
00:58:34,760 --> 00:58:37,280
Speaker 3: just be replaced the same way Trump fired on Morosa

1083
00:58:37,680 --> 00:58:40,320
Speaker 3: and tot Her, the Rocks and all of these people,

1084
00:58:40,560 --> 00:58:41,120
Speaker 3: like don't.

1085
00:58:40,960 --> 00:58:43,200
Speaker 1: Get out here slipping with these niggas because that's not

1086
00:58:43,280 --> 00:58:45,840
Speaker 1: your people. And then not you got replaced with a

1087
00:58:45,840 --> 00:58:48,440
Speaker 1: white boy. Yeah, with a white boy. Yeah yeah, like

1088
00:58:48,640 --> 00:58:51,280
Speaker 1: those are not your people. Bro, Hey he's white chocolate

1089
00:58:51,920 --> 00:58:52,400
Speaker 1: cold enough.

1090
00:58:53,160 --> 00:58:58,240
Speaker 2: That's crazy because yeah, literally took that channel, changed the name.

1091
00:58:58,680 --> 00:59:02,640
Speaker 1: Still kept all blood and I need to understand why.

1092
00:59:02,960 --> 00:59:04,800
Speaker 3: And you said maybe he is trying to get the

1093
00:59:04,880 --> 00:59:07,080
Speaker 3: bag back and he's just playing it this way on camera,

1094
00:59:07,240 --> 00:59:10,480
Speaker 3: But why is Pat so cool with because he's giving

1095
00:59:10,680 --> 00:59:12,760
Speaker 3: Portnoyd props right now?

1096
00:59:14,040 --> 00:59:16,800
Speaker 2: Because I think he's still and I don't know if

1097
00:59:17,680 --> 00:59:21,760
Speaker 2: he maybe too. There's an NDA, maybe there's a maybe

1098
00:59:21,800 --> 00:59:24,480
Speaker 2: the what's the what's the ship? I signed with niggas

1099
00:59:24,840 --> 00:59:30,360
Speaker 2: and other niggas signed with me? No, you can't talk

1100
00:59:30,600 --> 00:59:33,760
Speaker 2: about the other person. There's literally a clause.

1101
00:59:34,240 --> 00:59:36,360
Speaker 1: But it's not an NDA, it's something No, it's it's

1102
00:59:36,600 --> 00:59:40,600
Speaker 1: a non disparagement clause. Oh okay, yeah yeah, maybe within.

1103
00:59:40,600 --> 00:59:44,440
Speaker 2: Within some of these things NDAs or maybe sometimes you

1104
00:59:44,480 --> 00:59:48,920
Speaker 2: can't speak of certain private businesses, private businesses, but non

1105
00:59:49,000 --> 00:59:53,200
Speaker 2: disparagement clauses they go into contracts, or you can't speak

1106
00:59:53,400 --> 00:59:56,520
Speaker 2: ill on me in public and disparage my name or

1107
00:59:56,600 --> 01:00:00,200
Speaker 2: my business. Ceilings and things otherwise all suit Otherwise I'll

1108
01:00:00,240 --> 01:00:02,720
Speaker 2: comfort you. There's a clause that you cannot talk shit

1109
01:00:02,720 --> 01:00:06,320
Speaker 2: about me, And it could very well be that there's

1110
01:00:06,360 --> 01:00:09,120
Speaker 2: a non disparagement on him not being able to speak

1111
01:00:09,800 --> 01:00:12,640
Speaker 2: illy on on Dave and barstool as.

1112
01:00:12,520 --> 01:00:14,760
Speaker 1: An entity, and it could be that. But like, why

1113
01:00:14,800 --> 01:00:16,560
Speaker 1: would you okay, like even.

1114
01:00:16,520 --> 01:00:18,720
Speaker 5: For three point two million dollars, I'll say, I won't

1115
01:00:18,720 --> 01:00:19,480
Speaker 5: talk shit about you.

1116
01:00:20,040 --> 01:00:21,880
Speaker 3: Well, but I don't have to talk about you at all. Also,

1117
01:00:22,040 --> 01:00:23,920
Speaker 3: you know I don't have to give you props. That's

1118
01:00:23,960 --> 01:00:26,720
Speaker 3: why I think timing. I don't think he I genuinely

1119
01:00:26,800 --> 01:00:28,920
Speaker 3: think that he knows that he can't sing. And I

1120
01:00:28,960 --> 01:00:30,800
Speaker 3: think he's crazy because he just got out of a

1121
01:00:30,880 --> 01:00:33,480
Speaker 3: situation or clearing his name out of a situation, so

1122
01:00:33,600 --> 01:00:33,919
Speaker 3: to speak.

1123
01:00:34,000 --> 01:00:39,200
Speaker 2: And maybe he's hoping if he shows up sure emotionally intelligent,

1124
01:00:39,760 --> 01:00:42,280
Speaker 2: that he'll be able to stay in this lane, when

1125
01:00:42,400 --> 01:00:43,880
Speaker 2: what he really should be doing.

1126
01:00:44,440 --> 01:00:46,760
Speaker 1: Is building his team.

1127
01:00:47,320 --> 01:00:51,000
Speaker 2: Yes, yeah, and starting shit because guess who just got

1128
01:00:51,120 --> 01:00:53,440
Speaker 2: sued and got dragged through the mud and got to

1129
01:00:53,560 --> 01:00:57,960
Speaker 2: keep making millions on motherfucking YouTube. Sharp, Yeah, look what

1130
01:00:58,080 --> 01:00:59,840
Speaker 2: happens when you own your own platform.

1131
01:01:00,000 --> 01:01:00,840
Speaker 1: Shut them down, Keep.

1132
01:01:01,040 --> 01:01:03,959
Speaker 5: Cool, ESPN, let you go and you continue making your.

1133
01:01:05,520 --> 01:01:08,720
Speaker 2: Your so and and I guess that would be the

1134
01:01:08,760 --> 01:01:12,720
Speaker 2: advice to anybody looking for a network deal and looking

1135
01:01:12,800 --> 01:01:15,840
Speaker 2: to get into this space. I would say, invest in

1136
01:01:15,920 --> 01:01:16,560
Speaker 2: yourself first.

1137
01:01:16,640 --> 01:01:17,439
Speaker 1: I own this shit.

1138
01:01:18,160 --> 01:01:21,640
Speaker 2: Me and Weezy own decisions, decisions, horrible decisions like I

1139
01:01:21,800 --> 01:01:26,360
Speaker 2: own period sys, invest a little bit license and partner

1140
01:01:26,720 --> 01:01:30,640
Speaker 2: with networking and things. But I mean, I want people

1141
01:01:30,680 --> 01:01:33,760
Speaker 2: to own the shit because especially for a black man

1142
01:01:34,080 --> 01:01:37,560
Speaker 2: to literally be kicked out of his seat, his name,

1143
01:01:37,680 --> 01:01:40,200
Speaker 2: his IP changed and replaced with a white man.

1144
01:01:40,320 --> 01:01:41,960
Speaker 3: Well that's what I was gonna say, Like that has

1145
01:01:42,040 --> 01:01:44,680
Speaker 3: to feel fucked up to have to be like I

1146
01:01:44,760 --> 01:01:47,200
Speaker 3: got to come back with my hat in my hand

1147
01:01:47,400 --> 01:01:50,400
Speaker 3: and like talk and like be generous to these people

1148
01:01:50,480 --> 01:01:54,160
Speaker 3: that just stole my ship. I'm sorry, I'm sorry, didn't

1149
01:01:54,200 --> 01:01:56,760
Speaker 3: mean to talk to you crazy. I hope he still

1150
01:01:56,840 --> 01:01:58,720
Speaker 3: loves me. I would love to come back and make

1151
01:01:58,760 --> 01:02:01,760
Speaker 3: you some com branch that's just fucked up. Like that

1152
01:02:01,920 --> 01:02:03,760
Speaker 3: is a fucked up feeling. I don't and just to

1153
01:02:03,800 --> 01:02:06,600
Speaker 3: see past, I've never seen him like this. Yeah, yeah,

1154
01:02:07,280 --> 01:02:11,760
Speaker 3: we used to talk on the They thought the nigga

1155
01:02:11,760 --> 01:02:14,800
Speaker 3: was gonna come up here. Jerry Heller like, I'm gonna

1156
01:02:14,800 --> 01:02:15,520
Speaker 3: break this old.

1157
01:02:15,400 --> 01:02:18,040
Speaker 1: Ship up, like he sounds like Kanye. When Kanye start

1158
01:02:18,080 --> 01:02:22,080
Speaker 1: talking different, he was.

1159
01:02:22,120 --> 01:02:27,560
Speaker 3: Like, well, you know, nigga after like a hiatus and

1160
01:02:27,880 --> 01:02:31,920
Speaker 3: call it Earl Gray Kanye Kanye Sweatshirt, Like.

1161
01:02:32,520 --> 01:02:38,200
Speaker 1: I will say he's genuinely hurt. Yeah, yeah, he hasn't

1162
01:02:38,360 --> 01:02:41,600
Speaker 1: reached anger. Get back. You tell somebody happy Holiday to

1163
01:02:41,720 --> 01:02:42,440
Speaker 1: hit you with this up?

1164
01:02:43,560 --> 01:02:47,600
Speaker 2: Yeah yeah, that's crazy someone that you thought was your friend,

1165
01:02:47,880 --> 01:02:51,160
Speaker 2: your friend. Well, guys, hope you enjoyed this bonus episode.

1166
01:02:51,240 --> 01:02:53,160
Speaker 1: I love getting into the music, y'all.

1167
01:02:53,200 --> 01:02:55,440
Speaker 2: We we just got the little Bluetooth set up, so

1168
01:02:55,560 --> 01:02:57,560
Speaker 2: we talked too much through the music. Sorry, we're working

1169
01:02:57,640 --> 01:03:00,000
Speaker 2: on it. YoY had to let us know, bitch shut up.

1170
01:03:01,560 --> 01:03:01,920
Speaker 1: Playing.

1171
01:03:02,720 --> 01:03:05,000
Speaker 2: Then a king didn't even know we were starting, So

1172
01:03:05,600 --> 01:03:07,720
Speaker 2: you know, I loved it because y'all know a king.

1173
01:03:07,840 --> 01:03:11,120
Speaker 1: Just be talking. That's crazy we all have.

1174
01:03:11,840 --> 01:03:16,960
Speaker 2: And if y'all are watching this either on YouTube, well

1175
01:03:17,040 --> 01:03:21,800
Speaker 2: this episode is actually only visuals available on Patreon.

1176
01:03:22,240 --> 01:03:23,720
Speaker 1: But we got a king in the frame.

1177
01:03:23,840 --> 01:03:24,640
Speaker 4: Now y'all.

1178
01:03:26,040 --> 01:03:29,120
Speaker 2: Got a camera, y'all, and you know what it was.

1179
01:03:29,160 --> 01:03:31,600
Speaker 2: It's because he'd be saying such goofy ship off, Mike.

1180
01:03:33,280 --> 01:03:33,440
Speaker 4: Man.

1181
01:03:33,520 --> 01:03:33,880
Speaker 1: We didn't.

1182
01:03:33,880 --> 01:03:34,360
Speaker 2: We can't even.

1183
01:03:34,560 --> 01:03:36,320
Speaker 1: We ain't got an io to put him in the cliff.

1184
01:03:36,440 --> 01:03:39,600
Speaker 1: As long as you respond to me, I'll tell you

1185
01:03:39,880 --> 01:03:45,440
Speaker 1: good morning. Like actually, Barbara, I need that shape up.

1186
01:03:45,520 --> 01:03:51,640
Speaker 1: Bring that. Yeah, we're gonna talk about it. My knee

1187
01:03:51,720 --> 01:03:56,640
Speaker 1: is fully healed, y'all. Okay, real quick. We will story

1188
01:03:56,680 --> 01:04:00,400
Speaker 1: real quick, y'all. So, yeah, they were checking hit me

1189
01:04:00,440 --> 01:04:00,840
Speaker 1: with this up.

1190
01:04:01,800 --> 01:04:02,080
Speaker 7: We were.

1191
01:04:02,240 --> 01:04:03,640
Speaker 1: We were genuinely.

1192
01:04:03,280 --> 01:04:12,280
Speaker 2: Concerned of our good friend. So going before he shaved

1193
01:04:12,320 --> 01:04:16,160
Speaker 2: my head, bitches was hungry. So we go to leave

1194
01:04:16,160 --> 01:04:17,440
Speaker 2: out my house and I got stairs.

1195
01:04:18,120 --> 01:04:18,320
Speaker 1: Y'all.

1196
01:04:19,000 --> 01:04:22,360
Speaker 2: Y'all, we are bitchous bitches is me and King and Yong.

1197
01:04:23,040 --> 01:04:25,760
Speaker 2: So so we we walked down. We're coming down the

1198
01:04:25,800 --> 01:04:28,600
Speaker 2: stairs in my building and y'all next to you know,

1199
01:04:29,200 --> 01:04:29,720
Speaker 2: we here.

1200
01:04:33,760 --> 01:04:34,120
Speaker 9: We are.

1201
01:04:34,680 --> 01:04:35,200
Speaker 7: We are.

1202
01:04:37,080 --> 01:04:40,240
Speaker 2: This nigga had first into the to a brick wall

1203
01:04:40,400 --> 01:04:45,360
Speaker 2: that's got a painting, and when I say hold on, immediately.

1204
01:04:46,320 --> 01:04:47,040
Speaker 4: I go to laugh.

1205
01:04:47,600 --> 01:04:55,040
Speaker 5: It looks it looks bad. It looks so bad. So no, no, no, no,

1206
01:04:55,880 --> 01:04:56,840
Speaker 5: it looks so bad.

1207
01:04:57,280 --> 01:05:03,560
Speaker 1: I went from to oh my god, okay, are you

1208
01:05:03,640 --> 01:05:04,000
Speaker 1: all right?

1209
01:05:04,520 --> 01:05:06,640
Speaker 2: And I go immediately to start picking him up. I'm like.

1210
01:05:08,720 --> 01:05:11,560
Speaker 1: But then but then he's like, then he's like, no,

1211
01:05:11,960 --> 01:05:14,920
Speaker 1: he rolls, he rolls over, he rolls over.

1212
01:05:15,040 --> 01:05:20,480
Speaker 2: He's like he's like, he's like, this happened to me before,

1213
01:05:20,600 --> 01:05:23,720
Speaker 2: y'all I fell off on a on a king Doberman

1214
01:05:23,840 --> 01:05:24,400
Speaker 2: or whatever.

1215
01:05:27,080 --> 01:05:29,280
Speaker 1: Situation. Yeah.

1216
01:05:29,400 --> 01:05:31,960
Speaker 2: So he's like, he's like, y'all, I'm scared to get

1217
01:05:32,040 --> 01:05:35,640
Speaker 2: up because last time I got up and fell again.

1218
01:05:36,160 --> 01:05:38,520
Speaker 1: And so I'm scared and we're like, it's so here

1219
01:05:38,640 --> 01:05:38,840
Speaker 1: I go.

1220
01:05:39,320 --> 01:05:40,400
Speaker 2: Because I don't.

1221
01:05:40,240 --> 01:05:43,920
Speaker 1: Really know what to say. So here I go.

1222
01:05:44,400 --> 01:05:49,200
Speaker 2: I'm like, what did you miss? And then that nigga

1223
01:05:49,200 --> 01:05:53,320
Speaker 2: start thinking what did I miss? And then I looked

1224
01:05:54,560 --> 01:05:56,440
Speaker 2: the stairs and.

1225
01:05:56,480 --> 01:05:59,680
Speaker 1: Then I looked at you. You're not feeling this. I

1226
01:05:59,720 --> 01:06:01,840
Speaker 1: don't know why that. Thankfully she did it.

1227
01:06:02,080 --> 01:06:03,280
Speaker 2: This nigga wanted this film.

1228
01:06:03,400 --> 01:06:07,120
Speaker 3: It was so bad, but you probably should have because

1229
01:06:08,160 --> 01:06:11,280
Speaker 3: to be honest, now, honestly, I was going down the

1230
01:06:11,280 --> 01:06:13,720
Speaker 3: steps and it was the two steps, and I'm just

1231
01:06:15,080 --> 01:06:15,520
Speaker 3: I went.

1232
01:06:15,440 --> 01:06:18,960
Speaker 2: Over the ship without mind you, and I missed two steps.

1233
01:06:19,040 --> 01:06:21,960
Speaker 2: They believe this is this is the steps. First off,

1234
01:06:22,000 --> 01:06:25,439
Speaker 2: he was at the bottom. Secondly, these are straight steps. Yeah,

1235
01:06:25,480 --> 01:06:27,600
Speaker 2: but we went back in my house. I have a

1236
01:06:27,760 --> 01:06:33,920
Speaker 2: spiral staircase. Had to hold my hand. Yeah, I think

1237
01:06:33,960 --> 01:06:36,480
Speaker 2: a king up and down because nigga, you fall down

1238
01:06:36,520 --> 01:06:39,000
Speaker 2: a spiral staircase, you not getting up.

1239
01:06:39,280 --> 01:06:41,240
Speaker 1: I guess what. This is not a torn a c

1240
01:06:41,440 --> 01:06:46,840
Speaker 1: l this is not over under. How many stairs did

1241
01:06:46,880 --> 01:06:50,840
Speaker 1: you fall down? Miss missed the final two? Oh it

1242
01:06:50,920 --> 01:06:55,840
Speaker 1: was the last and they weren't like short steps. I'm

1243
01:06:55,880 --> 01:06:59,520
Speaker 1: not gonna hold you though from the third step. I'm

1244
01:06:59,560 --> 01:07:03,840
Speaker 1: trying to not laying on my knees so like so

1245
01:07:04,240 --> 01:07:07,480
Speaker 1: like you're appropriate reception is like.

1246
01:07:09,040 --> 01:07:12,400
Speaker 5: Me were genuinely like I got in my ice pack

1247
01:07:12,480 --> 01:07:12,960
Speaker 5: and everything.

1248
01:07:13,120 --> 01:07:16,920
Speaker 1: I was really nervous. But I'm just in your mind?

1249
01:07:18,040 --> 01:07:20,040
Speaker 1: What was like did you think those were the last?

1250
01:07:20,120 --> 01:07:22,160
Speaker 1: The step that you were on was the last? Here's

1251
01:07:22,160 --> 01:07:22,600
Speaker 1: the problem?

1252
01:07:22,760 --> 01:07:23,080
Speaker 4: Or like what?

1253
01:07:23,200 --> 01:07:26,600
Speaker 3: We didn't know it was too until I look the ground.

1254
01:07:26,880 --> 01:07:30,040
Speaker 3: It could have been six. I don't know, just that

1255
01:07:30,200 --> 01:07:32,000
Speaker 3: I know I missed some ship because I was like,

1256
01:07:32,080 --> 01:07:34,560
Speaker 3: how the funk? And then when I'm on the ground

1257
01:07:34,680 --> 01:07:36,680
Speaker 3: looking up like, oh I miss I'm trying to say

1258
01:07:36,800 --> 01:07:39,240
Speaker 3: I missed. I said I missed too, mind you and

1259
01:07:39,280 --> 01:07:39,960
Speaker 3: you know you want to.

1260
01:07:39,960 --> 01:07:41,080
Speaker 1: Know what pisses me off about it?

1261
01:07:41,960 --> 01:07:42,840
Speaker 2: This is a New Yorker.

1262
01:07:42,920 --> 01:07:45,120
Speaker 1: Do you know how many stairs you gotta go up

1263
01:07:45,160 --> 01:07:50,000
Speaker 1: and down staircases straight? This one is hers is white?

1264
01:07:50,160 --> 01:08:00,600
Speaker 1: Why paintings a kind of mosaic over there? Paintings get

1265
01:08:01,000 --> 01:08:02,280
Speaker 1: out of But.

1266
01:08:02,560 --> 01:08:07,840
Speaker 5: I'm fine, y'all, thankfully, thankfully, thankfully, Well, y'all.

1267
01:08:07,880 --> 01:08:10,360
Speaker 1: Hope you all enjoyed this bonus episode. Let us know

1268
01:08:10,400 --> 01:08:11,080
Speaker 1: if you like us.

1269
01:08:11,400 --> 01:08:13,960
Speaker 2: We got to talk a little bit more music and

1270
01:08:14,080 --> 01:08:15,840
Speaker 2: if anything, I may not know jay Z, but what

1271
01:08:15,960 --> 01:08:17,599
Speaker 2: a bitch do know with some R and B hope,

1272
01:08:18,040 --> 01:08:20,240
Speaker 2: So I love that we got to do that a

1273
01:08:20,280 --> 01:08:22,200
Speaker 2: little bit, especially after y'all are gonna.

1274
01:08:22,000 --> 01:08:24,799
Speaker 1: Roast me in the discord this week with my trail.

1275
01:08:25,960 --> 01:08:26,519
Speaker 4: You know what I do?

1276
01:08:26,760 --> 01:08:28,720
Speaker 1: Like Unreasonable Doubt on you.

1277
01:08:28,920 --> 01:08:31,800
Speaker 5: On Hulu, So check out that show. That was a

1278
01:08:31,840 --> 01:08:32,280
Speaker 5: good show.

1279
01:08:33,479 --> 01:08:36,280
Speaker 2: Anyways, y'all, Thank y'all for tuning into the bonus Selective

1280
01:08:36,320 --> 01:08:38,880
Speaker 2: Ignorant Music, all the things.

1281
01:08:39,520 --> 01:08:42,360
Speaker 1: See y'all next week. Put the ass host in my

1282
01:08:42,479 --> 01:08:43,400
Speaker 1: Jason Williams Voice.

1283
01:08:46,960 --> 01:08:50,280
Speaker 2: Selective Ignorance a production of the Black Effect podcast Network.

1284
01:08:50,520 --> 01:08:53,920
Speaker 2: For more podcasts from iHeart Radio, visit the iHeartRadio app,

1285
01:08:54,160 --> 01:08:57,240
Speaker 2: Apple Podcasts, or wherever you listen to your favorite shows.

1286
01:08:57,400 --> 01:08:59,920
Speaker 6: Thanks for tuning in the Selective Ignorance of Mandy Bats

1287
01:09:00,000 --> 01:09:02,840
Speaker 6: Selective Ignorance. It's executive produced to buy Man DyB and

1288
01:09:02,920 --> 01:09:06,240
Speaker 6: it's a Full Court Media studio production with lead producers

1289
01:09:06,360 --> 01:09:07,400
Speaker 6: Jason Mondriguez.

1290
01:09:07,520 --> 01:09:09,639
Speaker 1: That's me and Aaron A. King Howard.

1291
01:09:09,720 --> 01:09:12,680
Speaker 6: Now, do us a favor and rate, subscribe, comment and

1292
01:09:12,800 --> 01:09:15,880
Speaker 6: share wherever you get your favorite podcast, and be sure

1293
01:09:15,920 --> 01:09:20,559
Speaker 6: to follow Selective Ignorance on Instagram at Selective Underscore Ignorance.

1294
01:09:20,600 --> 01:09:22,920
Speaker 6: And of course, if you're not following our hosts Mandy B,

1295
01:09:23,320 --> 01:09:25,439
Speaker 6: make sure you're following her at full Court Pumps.

1296
01:09:25,479 --> 01:09:25,559
Speaker 1: Now.

1297
01:09:25,600 --> 01:09:28,360
Speaker 6: If you want the full video experience of Selective Ignorance,

1298
01:09:28,520 --> 01:09:31,439
Speaker 6: make sure you subscribe to the Patreon. It's patreon dot

1299
01:09:31,560 --> 01:09:34,280
Speaker 6: com backslash Selective Ignorance