WEBVTT - Kevin Rahm

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<v Speaker 1>I owe you the biggest apology. I was so unbelievably

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<v Speaker 1>condescending to you that day. I'm sure of it. I'm

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<v Speaker 1>sure that I don't remember exactly you told me. You

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<v Speaker 1>sold me. I just shot a pilot. I'm like, oh,

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<v Speaker 1>good for you, we just met. Oh good for congratulations. Man.

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<v Speaker 1>What's the pilot? It's the American version of the Office

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<v Speaker 1>And I literally went, oh, you poor thing. The look

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<v Speaker 1>at my face is like, you dumb sat I am

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<v Speaker 1>Kevin Rom, and I am proud to say that I

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<v Speaker 1>am the second lead of the acclaimed short film moose Cock.

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<v Speaker 1>Hello everybody, and welcome back to Yes Off the Beat.

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<v Speaker 1>I am, as always your host Brian baum Gartner, and

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<v Speaker 1>today's episode, well, I am very excited to welcome the

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<v Speaker 1>amazing Kevin Rom into the studio. Kevin has been and

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<v Speaker 1>on some of the biggest shows of all time, from

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<v Speaker 1>Desperate Housewives to Mad Men to most recently, Madam's Secretary

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<v Speaker 1>and man does Kevin have range? On Desperate Housewives, he

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<v Speaker 1>played Lee McDermott for over sixty episodes and he got

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<v Speaker 1>in touch with his sillier side his words. On mad Men,

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<v Speaker 1>of course, he played Ted chaw a k A rival

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<v Speaker 1>to the one and only Don Draper. Truly, guys, Kevin

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<v Speaker 1>is he is one of the best in the business,

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<v Speaker 1>and so today I'm excited to deep dive into his career,

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<v Speaker 1>from his lgbt Q representation on Desperate Housewives to what

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<v Speaker 1>it means to be part of mad Men's lasting legacy,

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<v Speaker 1>and of course, as you heard in his open, we

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<v Speaker 1>will also talk about his biggest accomplishment to date, working

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<v Speaker 1>with me, Brian and Bam Gartner for our acclaimed short

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<v Speaker 1>film Moosecock. Yes you did hear that right, Moosecock? I know,

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<v Speaker 1>I know, with all the moose Cock swirling in your brains,

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<v Speaker 1>the suspense must be killing you. So here he is now,

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<v Speaker 1>Kevin rom Bubble and Squeak. I love it. Bubble and

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<v Speaker 1>Squeak on Bubble and Squeaker cookie every month left over

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<v Speaker 1>from the Nabby people. What's up, Brian? How you doing, buddy, Kevin?

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<v Speaker 1>I'm so happy to see you. What is going on,

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<v Speaker 1>my friend? It's a lot and nothing and a lot,

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<v Speaker 1>and it's been forever. It has been forever. It's great

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<v Speaker 1>to see you. I am delighted every time I see

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<v Speaker 1>you on TV. That's all. There's something about seeing somebody

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<v Speaker 1>who you worked with so early on, and you're like,

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<v Speaker 1>yes every time, every time, just excited, excited, uh, looking

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<v Speaker 1>forward to yeah, all the good things. It's funny that

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<v Speaker 1>there came around the time that we met, it stopped

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<v Speaker 1>being a competition between other actors for me personally, Like

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<v Speaker 1>I I got to the point of my career where

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<v Speaker 1>if they were gonna cast me, it's like putting nutmeg

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<v Speaker 1>in and if they're gonna cast you, it's like putting

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<v Speaker 1>a little more spicy something. And so it didn't feel

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<v Speaker 1>like a competition. If like they're going to choose the

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<v Speaker 1>best spice for the soup, and these are my comrades

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<v Speaker 1>in arms, you know what I mean. Yeah, that's really

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<v Speaker 1>an interesting point, right, Like they the proverbial, they are

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<v Speaker 1>not choosing someone better, They're just choosing someone different ideally.

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<v Speaker 1>I mean, look, look, I've I've shot the bed in

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<v Speaker 1>many auditions, so like there are times when they chose

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<v Speaker 1>someone better because I was of all. But when it

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<v Speaker 1>comes down to it, if you're if you're right for

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<v Speaker 1>the role, and you're you're what you're around, what they're

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<v Speaker 1>looking for, and you know there's another guy who's different

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<v Speaker 1>than you, and you know like I I read I

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<v Speaker 1>tested for, according to Jim, to be the brother in law. Okay,

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<v Speaker 1>have you seen according to Jim, I've seen according to Jim. Yes,

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<v Speaker 1>we we are. We are different. We are completely different

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<v Speaker 1>human beings. And and like I walked into the screen

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<v Speaker 1>test and I was like, Okay, so it's either him

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<v Speaker 1>or me. There's no there's no in between. Like They're

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<v Speaker 1>gonna go one way or the other, and I'm gonna

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<v Speaker 1>give my best version of it in this testing situation.

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<v Speaker 1>That's so awkward anyway, and then they're gonna they're gonna choose.

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<v Speaker 1>But I didn't take it. You know, it still sucks,

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<v Speaker 1>But um, you can acknowledge that it was a different

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<v Speaker 1>they were. They were making a different soup than what

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<v Speaker 1>I was bringing to the two. Yes, but you but yes.

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<v Speaker 1>But so at around the time we met, you started

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<v Speaker 1>being able to be happy for other people or other

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<v Speaker 1>people you have, Matt. Yeah, before before that, it was

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<v Speaker 1>a competition. You know, there was a pie. There was

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<v Speaker 1>only so many slices, you know that metaphor. And around

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<v Speaker 1>the time that we met, I started to get in

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<v Speaker 1>a place where I was like, you know, there's room

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<v Speaker 1>for there's place for everybody. To do well. Right, all right,

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<v Speaker 1>we're gonna talk about our meeting here very shortly, but

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<v Speaker 1>I want to I want to go back to your

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<v Speaker 1>childhood for just a little bit. You grew up in

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<v Speaker 1>Texas As, Louisiana, Louisiana and Texas. Born in Texas, raised

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<v Speaker 1>in Louisiana, finished high school in Texas. Okay, but you

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<v Speaker 1>also were in Atlanta, because you know, I was in Atlanta, Atlanta, Texas, Atlanta, Texas. Yes,

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<v Speaker 1>Atlanta high School in a clean city in Texas to

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<v Speaker 1>very soon. I think they were the running rabbits, and

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<v Speaker 1>I think there were I want to say, eight thousand

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<v Speaker 1>people in the towne tiny little town. That makes sense

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<v Speaker 1>that I haven't heard of it. And also I was

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<v Speaker 1>going to ask you Atlanta high School I wasn't familiar with.

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<v Speaker 1>Was born and bred there. Um the running rabbits that

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<v Speaker 1>suits you. Actually you are, You're kind of like a rabbit.

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<v Speaker 1>I feel like quick, just used to be quick, yeah, shifty?

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<v Speaker 1>Maybe did you do sports in high school or early

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<v Speaker 1>on or early on? And then like eighth grade, I

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<v Speaker 1>just like I was playing football. I just located and

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<v Speaker 1>I was never gonna be a football player. Let's let's

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<v Speaker 1>be real clear I was. I was five ft on

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<v Speaker 1>my freshman year, um five to my sophomore year, and

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<v Speaker 1>I didn't grow until much later in high school. So

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<v Speaker 1>I I quickly went into to debate and spiting debate,

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<v Speaker 1>which led me to theater in a weird way. And

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<v Speaker 1>then um I did. I did cheerleading for one year

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<v Speaker 1>at at an all boys Catholic school, all all boys.

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<v Speaker 1>I was about to ask if you you were small,

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<v Speaker 1>if you were if you were strong enough to to

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<v Speaker 1>lift people up, but apparently you were lifted. Well, that's

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<v Speaker 1>very funny you to think that. And I can see that,

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<v Speaker 1>and and uh, and I think in retrospect, I probably

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<v Speaker 1>should have been the one being lifted. We had an

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<v Speaker 1>all girls sister school, well and they are girl cheerleaders

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<v Speaker 1>came from them, and so but Leah Leah Leah Hudson,

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<v Speaker 1>who's who's still friends of mine, was my cheerleading partner.

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<v Speaker 1>And we were definitely the weakest links like we were.

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<v Speaker 1>We were the bottom. But they needed eight couples and

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<v Speaker 1>they're like we they had seven, and they're like, okay,

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<v Speaker 1>well let Leah Kevin, come on, I guess we need eight.

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<v Speaker 1>Let's go. We were we were not very good and

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<v Speaker 1>we had a lot of fun. Though. Wow, I'm sure,

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<v Speaker 1>But now, wait a second. Isn't the point of an

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<v Speaker 1>all boys school to keep the boys and girls separate

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<v Speaker 1>yet lifting and cohording physically, I don't understand. Look, I

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<v Speaker 1>made a very smart decision. I could either have gone

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<v Speaker 1>to two days in the summer and be around a

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<v Speaker 1>bunch of sweaty, sweaty men smelling, with no chance of

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<v Speaker 1>ever playing the game because I was the third string.

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<v Speaker 1>Or I could go to cheerleading camp where there were

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<v Speaker 1>ten guys and four hundred girls. Right. I mean to

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<v Speaker 1>be clear though, to be the weakest length on the

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<v Speaker 1>cheerleading squad, but at least you're playing. At least you're

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<v Speaker 1>at least I'm on the team. Man, I'm I. I

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<v Speaker 1>got a letter. I am suited up. Do you have

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<v Speaker 1>a letter? I got a letter? Yeah? Oh yeah, well no,

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<v Speaker 1>well it's not a jacket's a sweater. It's a sweater.

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<v Speaker 1>It's a letter sweater. They didn't give us. They would

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<v Speaker 1>they literally the football team was like, no, they can't

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<v Speaker 1>have jackets, they can have sweaters. All the jocks are like, no,

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<v Speaker 1>that's not cool. Okay, so you're cheerleading, but you really

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<v Speaker 1>start focusing on debate and that brings you to theater.

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<v Speaker 1>So you you started doing plays? Yeah, so I you know,

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<v Speaker 1>debate was my thing. Man, I I love debate. I

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<v Speaker 1>thought I wanted to go to law school. My grandmother

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<v Speaker 1>said I could argue with a signpost, and so I

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<v Speaker 1>when I moved high schools. When I quit the school

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<v Speaker 1>in Streeport, Louisiana, always Catholic school, I went to a

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<v Speaker 1>public school in East Texas and they didn't have a theater,

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<v Speaker 1>they didn't have a debate program for they had a

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<v Speaker 1>huge drama program. So I got I got kind of

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<v Speaker 1>thrown into a drama class, and like I had done,

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<v Speaker 1>I did two Shakespeare plays my freshman and sophomore year,

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<v Speaker 1>not by choice because my big brother quote unquote for

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<v Speaker 1>the senior you have a senior as a freshman. He

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<v Speaker 1>was like, you're auditioning for the play. And I was like, no,

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<v Speaker 1>I'm not. He goes, yeah, yeah you are, and I

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<v Speaker 1>was like okay. He was much bigger than I was,

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<v Speaker 1>and he bought my beer on the weekend, So I said, okay,

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<v Speaker 1>So I I did. I did. We did Julius Caesar

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<v Speaker 1>my freshman year and it was fun. You know, I

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<v Speaker 1>got the attention from the girls from the all girls

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<v Speaker 1>school that way as well. And and then when I

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<v Speaker 1>got to Atlanta, Texas, Yeah, they had a huge drama

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<v Speaker 1>program and I kind of just jumped in that. That's

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<v Speaker 1>where you you got the bug or you decided this

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<v Speaker 1>is what you wanted to do. Well, I definitely got

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<v Speaker 1>the bug. This is pre internet, this is pre you know.

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<v Speaker 1>No one had from any of those towns had gone

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<v Speaker 1>on to make something of themselves in our industry, and

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<v Speaker 1>so there was never a thought to do it professionally.

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<v Speaker 1>It wasn't until I got to college and I thought,

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<v Speaker 1>I really enjoyed that in high school, maybe I should

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<v Speaker 1>try it in college. And I saw play. I saw

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<v Speaker 1>a two hander, Um, I can't think of anyw right now,

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<v Speaker 1>A guy girls show and it was really good and

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<v Speaker 1>the girl I fell in love with and she was amazing,

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<v Speaker 1>and um, Tally's Folly. That's the play I saw and

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<v Speaker 1>I was like, Wow, I should try that in college.

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<v Speaker 1>And that's when that's when I jumped into the theater program.

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<v Speaker 1>And that's when I was like, Okay, I'm gonna do this.

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<v Speaker 1>I didn't know what I was gonna do, but I

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<v Speaker 1>was going to do this, and uh, and I died.

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<v Speaker 1>He was going to play every semester and never looked

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<v Speaker 1>back from there doing a ton of THEA. So yeah,

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<v Speaker 1>similar to me, I found it like as an activity

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<v Speaker 1>to do. Yeah, that was what I was gonna do

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<v Speaker 1>in high school and right before college actually I decided,

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<v Speaker 1>oh I think I could actually do do this, and

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<v Speaker 1>so I went to school for it. It seems seems

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<v Speaker 1>like you were a little bit later. But this is

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<v Speaker 1>at b y U. Is that right? Where did you go?

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<v Speaker 1>Where did you go to college? Just study study theater SMU? Oh? Wow,

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<v Speaker 1>they had a good program, didn't they. Yeah, they did,

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<v Speaker 1>thank you for I mean obviously, I see. He was

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<v Speaker 1>one of the programs that I thought about going to

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<v Speaker 1>grad school. Okay, I thought about because my intent when

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<v Speaker 1>I was in college, my intent was to go to

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<v Speaker 1>grad school, get the m f A, and then go

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<v Speaker 1>to New York. And that was that was my intent.

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<v Speaker 1>And of course and like all, you know, all other

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<v Speaker 1>plans that changed. But um, that was the thought. You're

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<v Speaker 1>at b y U and you think you're going to

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<v Speaker 1>go to grad school. Uh, well, at the first two

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<v Speaker 1>years of b y U, the thought is I'm gonna

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<v Speaker 1>go to law school. Um, this is just for doing

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<v Speaker 1>the theater for fun. Um, gonna go to law school

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<v Speaker 1>because that's how, you know, that's how I move up

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<v Speaker 1>in the world. And then like I just got the bug,

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<v Speaker 1>and I staid. Then I started working and I started

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<v Speaker 1>loving it, and I was like, unbeknownst to me, I

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<v Speaker 1>created a grad program for myself just by being lazy

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<v Speaker 1>and not going to the other classes. And so four

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<v Speaker 1>years in, I'm like, Okay, I need another year of

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<v Speaker 1>education before I can graduate. And it's all general education,

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<v Speaker 1>Like I needed sophomore English, and I needed to religion

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<v Speaker 1>classes and I needed math. And my two best friends

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<v Speaker 1>were leaving college and I was like, I can't be

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<v Speaker 1>here anymore. I'm taking someone spot. I wasn't. I was

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<v Speaker 1>pretending to be Mormon at the time, you know. I

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<v Speaker 1>was like, I can't. I gotta get out of here.

0:11:58.080 --> 0:12:00.400
<v Speaker 1>This is not for me. Um. And by one of

0:12:00.440 --> 0:12:02.360
<v Speaker 1>my best friends went to a c T and grad

0:12:02.440 --> 0:12:04.080
<v Speaker 1>to grad school. My of the best friend went to

0:12:04.120 --> 0:12:06.400
<v Speaker 1>New York to be an actress. And I was like,

0:12:06.480 --> 0:12:09.719
<v Speaker 1>I'm already getting paid. I've already done. I'm sag eligible.

0:12:10.120 --> 0:12:12.520
<v Speaker 1>I've done two movies of the week I've done Promised

0:12:12.600 --> 0:12:15.280
<v Speaker 1>Land and touched by an Angels guest stars. I'm moving

0:12:15.280 --> 0:12:17.559
<v Speaker 1>to l A. Let's go, Let's pack my eight Honda

0:12:17.559 --> 0:12:20.440
<v Speaker 1>Accord with one working headlight. Let's go to Los Angeles.

0:12:21.120 --> 0:12:24.240
<v Speaker 1>And so you decide to go to Los Angeles. But wait,

0:12:24.320 --> 0:12:27.400
<v Speaker 1>I can't just you were pretending to be Mormon. What

0:12:27.679 --> 0:12:31.599
<v Speaker 1>I don't explain that Mormon. I grip Mormon. Okay, you

0:12:31.679 --> 0:12:34.839
<v Speaker 1>grew up, well, I grew up Mormon. I was baptized Mormon,

0:12:34.880 --> 0:12:36.640
<v Speaker 1>and then I did a mission for two years to

0:12:36.880 --> 0:12:38.920
<v Speaker 1>nineteen to twenty one. I went knocked on doors in

0:12:38.920 --> 0:12:41.640
<v Speaker 1>Switzerland and France, on islands East South Africa and tried

0:12:41.679 --> 0:12:44.480
<v Speaker 1>to condunce where I heard yes, yeah, and then uh.

0:12:44.520 --> 0:12:48.000
<v Speaker 1>And then I would go to buy U, mainly because

0:12:48.000 --> 0:12:49.720
<v Speaker 1>I knew if I went anywhere else to my friends

0:12:49.720 --> 0:12:52.400
<v Speaker 1>from high school at I would leave. Woman is very quicker,

0:12:52.480 --> 0:12:54.560
<v Speaker 1>probably like all my friends were at l s U

0:12:54.800 --> 0:12:59.160
<v Speaker 1>and UT and and uh and m um. And I

0:12:59.200 --> 0:13:00.800
<v Speaker 1>was like, I can't go Eric, so I'll get in

0:13:00.800 --> 0:13:03.000
<v Speaker 1>trouble fast. And so I went to be by you,

0:13:03.040 --> 0:13:05.560
<v Speaker 1>trying to be the good boy. And then within two

0:13:05.640 --> 0:13:07.520
<v Speaker 1>years I was like this is not for me. I

0:13:07.559 --> 0:13:09.520
<v Speaker 1>gotta get out of this, and I then you did.

0:13:09.600 --> 0:13:12.160
<v Speaker 1>But you have to be doing the things to stay there,

0:13:12.720 --> 0:13:14.120
<v Speaker 1>Like you have to go to church, you have to

0:13:14.160 --> 0:13:16.760
<v Speaker 1>have a bishop sign a thing saying you're doing all

0:13:16.760 --> 0:13:19.520
<v Speaker 1>the things, and so you have to lie ultimately. Um

0:13:19.600 --> 0:13:21.920
<v Speaker 1>so I I just I was. I had to. You know,

0:13:21.960 --> 0:13:24.200
<v Speaker 1>I'd go to Salt Lake with my friends on Saturday

0:13:24.280 --> 0:13:26.319
<v Speaker 1>night and then I'd teach Sunday school on Sunday morning.

0:13:26.720 --> 0:13:30.000
<v Speaker 1>So that was That's what pretending to be Mormon means. Right. Okay,

0:13:30.080 --> 0:13:35.880
<v Speaker 1>So because you did the missionary trip, you're older. Yeah, right,

0:13:35.920 --> 0:13:40.400
<v Speaker 1>so you you started started at one, right, so that

0:13:40.520 --> 0:13:43.280
<v Speaker 1>makes sense like that, you know, you're you're thinking about

0:13:43.280 --> 0:13:45.640
<v Speaker 1>grad school. But at that point, you know, you start

0:13:45.679 --> 0:13:48.480
<v Speaker 1>to get experience, you start to get maturity. As you said,

0:13:48.520 --> 0:13:51.560
<v Speaker 1>you start to get jobs. Now, when you worked on

0:13:52.040 --> 0:13:55.040
<v Speaker 1>Touch by an Angel? Was that filmed in Utah? Is

0:13:55.080 --> 0:13:57.280
<v Speaker 1>that how you promised? Land? And Touched by an Angel

0:13:57.280 --> 0:13:59.560
<v Speaker 1>were both shot in Salt Lake City, in and around

0:13:59.559 --> 0:14:02.000
<v Speaker 1>Salt Lake. Uh. And they always had like one movie

0:14:02.040 --> 0:14:04.080
<v Speaker 1>the week came through every year, a big movie would

0:14:04.080 --> 0:14:05.280
<v Speaker 1>come through every year. They had a they had a

0:14:05.280 --> 0:14:07.800
<v Speaker 1>decent you know, had a decent market in Salt Lake.

0:14:08.040 --> 0:14:09.760
<v Speaker 1>And then you know, there was a modeling agency in

0:14:09.760 --> 0:14:12.520
<v Speaker 1>salt Lake. CYS. This funny story. Actually Aaron eck Cart

0:14:12.840 --> 0:14:15.360
<v Speaker 1>was a year ahead of me at the way, and

0:14:15.440 --> 0:14:18.520
<v Speaker 1>he was a film student, not really in the acting tract,

0:14:18.679 --> 0:14:22.360
<v Speaker 1>you know, and and he was getting work as a mom.

0:14:22.440 --> 0:14:24.120
<v Speaker 1>He was with this modeling agency. And I was like,

0:14:24.120 --> 0:14:25.680
<v Speaker 1>if that guy can get work, I can get work.

0:14:25.720 --> 0:14:27.640
<v Speaker 1>And I went and got his agent because he would

0:14:27.640 --> 0:14:29.640
<v Speaker 1>be he was like the helicopter pilot and like you know,

0:14:29.680 --> 0:14:31.160
<v Speaker 1>he was like he would get these day jobs. They're

0:14:31.160 --> 0:14:33.800
<v Speaker 1>paying like five hundred bucks a day, and I'm like,

0:14:33.920 --> 0:14:36.440
<v Speaker 1>I can do that. That's better than delivering flowers on

0:14:36.480 --> 0:14:37.680
<v Speaker 1>the weekend, you know what I mean, Like, I'll go

0:14:37.760 --> 0:14:40.600
<v Speaker 1>do that. And uh so I literally went to Salt

0:14:40.640 --> 0:14:42.520
<v Speaker 1>Lake and got his agent and that's how I started.

0:14:42.880 --> 0:14:44.960
<v Speaker 1>I was like, I started booking you know, blue local

0:14:44.960 --> 0:14:47.680
<v Speaker 1>commercials and radio spots and all that kind of stuff.

0:14:47.840 --> 0:14:50.200
<v Speaker 1>It was a hand model for one day once. Just

0:14:50.280 --> 0:14:52.160
<v Speaker 1>the left hand though, it's better than the right hand.

0:14:52.720 --> 0:14:55.360
<v Speaker 1>Your left hand is more attractive than you're right. That's

0:14:55.400 --> 0:14:57.080
<v Speaker 1>that's that's what I was told. That's what I was

0:14:57.120 --> 0:15:01.800
<v Speaker 1>told by professionals. I'm just gonna leave that. I don't

0:15:01.960 --> 0:15:05.160
<v Speaker 1>I don't need to go deep into this, but I

0:15:06.000 --> 0:15:09.040
<v Speaker 1>will tell you a story about Salt Lake because you

0:15:09.080 --> 0:15:11.800
<v Speaker 1>say you went out in Salt Lake. Now now things

0:15:11.800 --> 0:15:14.840
<v Speaker 1>are different. Things are different now I understand. And I

0:15:14.880 --> 0:15:18.160
<v Speaker 1>have been back. And by the way, salt Lake City,

0:15:18.520 --> 0:15:24.280
<v Speaker 1>beautiful city, very nice, beautiful state. Utah. I love it now.

0:15:24.400 --> 0:15:26.840
<v Speaker 1>I there was another show that filmed there that I

0:15:26.880 --> 0:15:29.080
<v Speaker 1>happened to do a couple of episodes on. I think

0:15:29.320 --> 0:15:34.760
<v Speaker 1>ever would film there in Utah. And I remember arriving.

0:15:35.320 --> 0:15:38.800
<v Speaker 1>This is such a tangent. I remember arriving on the

0:15:39.000 --> 0:15:45.120
<v Speaker 1>day of the National Championship Basketball tournament, right, so the

0:15:45.160 --> 0:15:48.280
<v Speaker 1>final four, but the championship day it's always a Monday.

0:15:48.320 --> 0:15:50.800
<v Speaker 1>I check into the hotel and I'm like, where is

0:15:50.840 --> 0:15:53.200
<v Speaker 1>a bar? I want to watch the game. I'm a

0:15:53.360 --> 0:15:55.800
<v Speaker 1>sports fan. And they were like, okay, well it's down

0:15:56.160 --> 0:15:59.920
<v Speaker 1>And I remember walking down this highway. Walking down this highway,

0:16:00.000 --> 0:16:04.040
<v Speaker 1>it starts snowing and I get to a sports bar

0:16:04.640 --> 0:16:08.760
<v Speaker 1>just think Chili's, I don't know, and they asked me

0:16:08.840 --> 0:16:11.480
<v Speaker 1>for my membership number and I'm like, this is a

0:16:11.600 --> 0:16:15.680
<v Speaker 1>sports what do you and you had to have you

0:16:15.760 --> 0:16:19.520
<v Speaker 1>had to be registered in order to enter and established

0:16:19.560 --> 0:16:22.200
<v Speaker 1>join the private club. Yes, to join the private club

0:16:22.680 --> 0:16:25.960
<v Speaker 1>of Applebee's or whatever, like you literally had to join.

0:16:27.480 --> 0:16:29.720
<v Speaker 1>It's where the it's it's behind the ropes of Applebee's,

0:16:30.160 --> 0:16:33.359
<v Speaker 1>right like it's like the v I P of Applebee's.

0:16:33.800 --> 0:16:37.040
<v Speaker 1>And I was like, well can I yeah? No, No,

0:16:37.520 --> 0:16:39.600
<v Speaker 1>it was like two dollars. I was like, how much

0:16:39.640 --> 0:16:43.080
<v Speaker 1>is it to join? Two dollars? But I guess I'm

0:16:43.160 --> 0:16:46.040
<v Speaker 1>registered in the state of Utah for having him at

0:16:46.080 --> 0:16:49.680
<v Speaker 1>that one Applebee's just that one app it was. It

0:16:49.800 --> 0:16:51.240
<v Speaker 1>just not. It's like if you go if you go

0:16:51.360 --> 0:16:54.119
<v Speaker 1>down to a weaverer, it does not it's not transferred

0:16:54.120 --> 0:16:57.680
<v Speaker 1>to the not it's not transferable, no non transfer. So

0:16:57.760 --> 0:16:59.920
<v Speaker 1>my version of that is I met by U just

0:17:00.040 --> 0:17:02.440
<v Speaker 1>side I want a beer. I'm like, I'm done with Mormonism.

0:17:02.440 --> 0:17:03.720
<v Speaker 1>I just all I want is a beer. I haven't

0:17:03.760 --> 0:17:05.560
<v Speaker 1>had a beer in probably five or six seven years.

0:17:05.600 --> 0:17:09.000
<v Speaker 1>And probably the hot beverage or a hot Toddy you

0:17:09.080 --> 0:17:12.400
<v Speaker 1>a hot beverage, yest um, those are just as bad. Obviously,

0:17:12.960 --> 0:17:14.840
<v Speaker 1>you know your Mormonism, you know your Word of wisdom.

0:17:15.480 --> 0:17:18.520
<v Speaker 1>So uh, there's there was two bars in Provo. One

0:17:18.560 --> 0:17:20.920
<v Speaker 1>of them was called the ABC Bar dive a little

0:17:20.960 --> 0:17:23.119
<v Speaker 1>dive bar in downtown Provo, and the other one was

0:17:23.160 --> 0:17:25.440
<v Speaker 1>at the Marriott, which you could possibly run into someone.

0:17:25.800 --> 0:17:27.760
<v Speaker 1>And so I figured, anyone who I run into with

0:17:27.800 --> 0:17:29.520
<v Speaker 1>the ABC Bar is not gonna knock on me, because

0:17:29.520 --> 0:17:30.960
<v Speaker 1>I'm not gonna ork on them. The joke is, if

0:17:31.000 --> 0:17:33.400
<v Speaker 1>you want to drink a beer, invite invite one Mormon over,

0:17:33.480 --> 0:17:35.840
<v Speaker 1>because if you invite you know, two Mormons over, they

0:17:35.840 --> 0:17:38.480
<v Speaker 1>won't drink, but one who don't drink your beer. Um,

0:17:38.480 --> 0:17:40.359
<v Speaker 1>So you go in. I go up to the door

0:17:40.440 --> 0:17:42.320
<v Speaker 1>and I have I'm poor college student, I have like

0:17:42.359 --> 0:17:44.840
<v Speaker 1>twenty dollars in my pocket. And I get to the

0:17:44.840 --> 0:17:46.880
<v Speaker 1>door and the door guy goes, are you a member?

0:17:47.640 --> 0:17:50.880
<v Speaker 1>And I think of the church, and I'm like um,

0:17:50.880 --> 0:17:53.320
<v Speaker 1>because I'm I I have the Mormon boy haircut, I'm

0:17:53.359 --> 0:17:56.320
<v Speaker 1>in Khaki's like I look like a Mormon missionary still,

0:17:56.480 --> 0:17:59.439
<v Speaker 1>and he goes, are you a member? And I went, um, no,

0:18:00.400 --> 0:18:02.480
<v Speaker 1>and he goes of the bar, you have to be

0:18:02.520 --> 0:18:04.520
<v Speaker 1>a member of the bar. And I'm from Louisiana where

0:18:04.520 --> 0:18:06.199
<v Speaker 1>at fourteen you could walk up to anywhere and did

0:18:06.320 --> 0:18:08.520
<v Speaker 1>give up here for free. And I was like, whatever,

0:18:08.680 --> 0:18:11.400
<v Speaker 1>kid here have a have a hurricane twelve year old

0:18:12.720 --> 0:18:14.920
<v Speaker 1>and so I'm like, I have to be a member.

0:18:15.040 --> 0:18:16.320
<v Speaker 1>I was so confused. I was like, get to be

0:18:16.359 --> 0:18:17.960
<v Speaker 1>a member of what? He was the bar? You have

0:18:18.000 --> 0:18:20.080
<v Speaker 1>to join the bar? And I said how much? And

0:18:20.160 --> 0:18:22.680
<v Speaker 1>he told me twenty bucks. And I had twenty bucks

0:18:22.680 --> 0:18:24.800
<v Speaker 1>in my pocket and that's if I pay them to join.

0:18:24.880 --> 0:18:26.680
<v Speaker 1>I can't afford to buy a drink, and so I

0:18:26.880 --> 0:18:28.360
<v Speaker 1>I go, I just kind of go, dude, I only

0:18:28.400 --> 0:18:31.080
<v Speaker 1>have twenty dollars. And he goes, well, someone can sponsor you.

0:18:31.800 --> 0:18:33.920
<v Speaker 1>And then he turns and he goes, anyone here, I

0:18:33.960 --> 0:18:37.000
<v Speaker 1>want to sponsor this kid. And there's like maybe ten people,

0:18:37.320 --> 0:18:39.560
<v Speaker 1>like a dartboard in the back and the jukebox and

0:18:39.640 --> 0:18:42.359
<v Speaker 1>it's like the record skips. Everyone turns and looks at

0:18:42.440 --> 0:18:46.159
<v Speaker 1>me and they all look me up and down, pause,

0:18:46.600 --> 0:18:50.919
<v Speaker 1>and then look away. Not one person, not one person

0:18:51.080 --> 0:18:54.240
<v Speaker 1>sponsored me. And I was like, oh my god, this

0:18:54.400 --> 0:18:56.600
<v Speaker 1>is awful. I just want okay, and I just I

0:18:56.800 --> 0:18:59.040
<v Speaker 1>I sunk my head and I went home. I did

0:18:59.119 --> 0:19:04.600
<v Speaker 1>not get a beer. That I did not get a beer. Well,

0:19:05.000 --> 0:19:07.000
<v Speaker 1>you had you had people, You had people even though

0:19:07.040 --> 0:19:09.120
<v Speaker 1>you thought there was nobody watching you, there were people

0:19:09.160 --> 0:19:12.440
<v Speaker 1>watching you. Oh yeah, yeah someone someone was watching the Lord.

0:19:12.640 --> 0:19:34.879
<v Speaker 1>The Lord was watching. Yes, the Lord was watching you.

0:19:35.000 --> 0:19:38.400
<v Speaker 1>Moved to Los Angeles and then what you you work

0:19:38.480 --> 0:19:40.520
<v Speaker 1>to get an agent and you start auditioning. Is this

0:19:41.200 --> 0:19:43.720
<v Speaker 1>this is how it goes. So I was I was

0:19:43.760 --> 0:19:46.840
<v Speaker 1>ahead of the game because you know, um, well, an

0:19:46.840 --> 0:19:50.280
<v Speaker 1>agent wouldn't see you at the time unless you were

0:19:50.359 --> 0:19:52.600
<v Speaker 1>eligible or already SAG. And you know, it's kind of

0:19:52.600 --> 0:19:54.400
<v Speaker 1>like you have to get a job to become SAG,

0:19:54.560 --> 0:19:55.960
<v Speaker 1>but no one would give you a job unless you

0:19:56.040 --> 0:19:58.160
<v Speaker 1>were SACK. It's one of those. And so the way

0:19:58.240 --> 0:20:00.200
<v Speaker 1>to get your SAG card is either to be come

0:20:00.200 --> 0:20:02.320
<v Speaker 1>an extra for multiple days where you had to become

0:20:02.359 --> 0:20:03.440
<v Speaker 1>friends with the A D s and they give you

0:20:03.480 --> 0:20:06.080
<v Speaker 1>a voucher and that takes a while. And the other

0:20:06.160 --> 0:20:10.720
<v Speaker 1>way is to get cast in something where they called

0:20:11.119 --> 0:20:13.120
<v Speaker 1>us staff heartley you know this, but the audiences don't

0:20:13.119 --> 0:20:15.480
<v Speaker 1>know what's called taff heart lead and they have to

0:20:15.560 --> 0:20:18.760
<v Speaker 1>pay a fine to hire you and say, there's no

0:20:18.800 --> 0:20:21.040
<v Speaker 1>one else you can do this job in town that's union.

0:20:21.160 --> 0:20:23.560
<v Speaker 1>So we're gonna make this kid eligible. And so I

0:20:23.640 --> 0:20:25.760
<v Speaker 1>did that in Utah. So I was ahead of the game.

0:20:26.520 --> 0:20:29.600
<v Speaker 1>But by being sag eligible, I had I had a

0:20:29.680 --> 0:20:33.920
<v Speaker 1>tape at the time, literally on tape, so I had,

0:20:34.040 --> 0:20:36.919
<v Speaker 1>I had, I had five minutes of me on camera

0:20:37.080 --> 0:20:39.119
<v Speaker 1>that I could show people. And I had won this

0:20:39.200 --> 0:20:41.320
<v Speaker 1>acting award in college, and so I thought that was

0:20:41.400 --> 0:20:44.840
<v Speaker 1>gonna be a big entryway. And so and then David Giella,

0:20:44.960 --> 0:20:47.520
<v Speaker 1>who was the casting director for touched fin Angel and

0:20:47.560 --> 0:20:49.239
<v Speaker 1>promised land at the time I reached out to him.

0:20:49.280 --> 0:20:51.080
<v Speaker 1>He actually reached out to me and said when are

0:20:51.119 --> 0:20:54.280
<v Speaker 1>you moving down? And I said, actually, I'm coming in

0:20:54.320 --> 0:20:55.879
<v Speaker 1>a couple of months. And he goes, okay, well, let

0:20:55.880 --> 0:20:58.280
<v Speaker 1>me know when you get in town. And I put

0:20:58.359 --> 0:21:01.520
<v Speaker 1>together I spent, like you, two hundred dollars at Kinko's

0:21:01.560 --> 0:21:06.240
<v Speaker 1>money I didn't have making color copies of the newspaper

0:21:06.359 --> 0:21:09.080
<v Speaker 1>stuff from when I winned this playwriting of this National

0:21:09.280 --> 0:21:11.879
<v Speaker 1>Acting Award, um and the and the play I was

0:21:11.920 --> 0:21:13.920
<v Speaker 1>in when the National Playwriting Award and we get to

0:21:13.960 --> 0:21:17.160
<v Speaker 1>perform it in Kennedy Center and d C. And it's

0:21:17.200 --> 0:21:19.800
<v Speaker 1>like the heisman of acting, right and but but that's

0:21:20.040 --> 0:21:23.320
<v Speaker 1>no one knows about it, so the know the Irene. Yeah,

0:21:24.680 --> 0:21:26.720
<v Speaker 1>this is a big Granny clamp It award is my friends.

0:21:26.840 --> 0:21:29.680
<v Speaker 1>My friends call it the Granny clamp It Award. Um. So,

0:21:29.920 --> 0:21:33.159
<v Speaker 1>I I put together this packet and like my resume

0:21:33.280 --> 0:21:35.520
<v Speaker 1>and but like it's mainly it's like it's like ten

0:21:35.680 --> 0:21:38.480
<v Speaker 1>color pages of this stuff about the Irene Ryan and

0:21:38.600 --> 0:21:42.040
<v Speaker 1>the National Player running awards stuff and uh I submitted

0:21:42.080 --> 0:21:45.360
<v Speaker 1>David gave me, Uh, David Giella gave me like twenty

0:21:45.440 --> 0:21:48.159
<v Speaker 1>agencies to submit to, and I so, I twenty copies

0:21:48.200 --> 0:21:50.800
<v Speaker 1>of this that I submitted, you know, Tension so and

0:21:50.920 --> 0:21:55.000
<v Speaker 1>so at this agency referred by David Kiela. Just say

0:21:55.040 --> 0:21:56.600
<v Speaker 1>that as I can't. I say, there's twenty of them

0:21:56.640 --> 0:21:59.640
<v Speaker 1>that I submitted to, like three of them. Some assistant

0:21:59.640 --> 0:22:01.360
<v Speaker 1>called new is, Hey, dude, come pick this up. It's

0:22:01.480 --> 0:22:03.159
<v Speaker 1>they're gonna throw it away. And it's just this you

0:22:03.240 --> 0:22:04.440
<v Speaker 1>put to get a lot of work into this. It's

0:22:04.440 --> 0:22:06.000
<v Speaker 1>really nice. I don't want to throw it away. You'd

0:22:06.040 --> 0:22:08.119
<v Speaker 1>probably come pick it up. I'm like, okay, thanks. No

0:22:08.240 --> 0:22:12.240
<v Speaker 1>word from anyone else. And then two of them call me. Um,

0:22:12.359 --> 0:22:14.399
<v Speaker 1>I get two meetings out of it, and like one

0:22:14.440 --> 0:22:16.479
<v Speaker 1>of them is the artist agency where I ended up

0:22:16.640 --> 0:22:19.560
<v Speaker 1>UH signing with at the time, and uh, I said,

0:22:19.640 --> 0:22:22.359
<v Speaker 1>so what about the Like I just for my reference, Like,

0:22:22.480 --> 0:22:25.200
<v Speaker 1>what did you like about the packet? They're like, what packet?

0:22:26.160 --> 0:22:29.280
<v Speaker 1>I'm like, the twenty pages of color copies of information

0:22:29.320 --> 0:22:33.159
<v Speaker 1>about my my accolades from college theater um that clearly

0:22:33.280 --> 0:22:34.879
<v Speaker 1>or the reason I'm in this room. They're like, oh no, no,

0:22:35.000 --> 0:22:37.200
<v Speaker 1>we just saw David's name on the cover and that

0:22:37.359 --> 0:22:40.440
<v Speaker 1>someone called you. It's nothing to do. You could have

0:22:40.520 --> 0:22:43.200
<v Speaker 1>written said hey, David said call you, and we would

0:22:43.200 --> 0:22:46.400
<v Speaker 1>have called you. I was like, oh, cool, thanks, It's

0:22:46.440 --> 0:22:50.760
<v Speaker 1>like all that energy and like, uh, that's so good.

0:22:51.520 --> 0:22:53.600
<v Speaker 1>By the way, I did the same thing. I'm sure

0:22:53.920 --> 0:22:56.920
<v Speaker 1>no one called me. No one called me to pick

0:22:57.000 --> 0:23:01.320
<v Speaker 1>up my packet. I ran into one of fairly recently.

0:23:02.080 --> 0:23:04.800
<v Speaker 1>You had the packet still, I had it somewhere, Yes,

0:23:04.880 --> 0:23:08.159
<v Speaker 1>I ran into it, like in my archives. I don't know,

0:23:08.280 --> 0:23:11.800
<v Speaker 1>do I have an archive in my hope somewhere, I

0:23:11.880 --> 0:23:13.879
<v Speaker 1>hope somewhere there's a copy of that. I know, I

0:23:13.960 --> 0:23:15.399
<v Speaker 1>know I have some old head shots and stuff like that,

0:23:15.480 --> 0:23:17.840
<v Speaker 1>but I hope somewhere is I mean, somewhere is the

0:23:17.880 --> 0:23:20.840
<v Speaker 1>newspaper clippings. But I don't know if the colored copied.

0:23:21.440 --> 0:23:23.600
<v Speaker 1>I couldn't. I couldn't. I couldn't spend the extra money

0:23:23.680 --> 0:23:26.520
<v Speaker 1>to get the spiraling put on it. Like that was

0:23:26.600 --> 0:23:30.000
<v Speaker 1>too much, right, I think I stapled it. What were

0:23:30.040 --> 0:23:32.560
<v Speaker 1>some of the challenges for you starting out once you

0:23:32.640 --> 0:23:35.520
<v Speaker 1>moved to Los Angeles? Did it? Was it easier, harder

0:23:35.640 --> 0:23:38.680
<v Speaker 1>than you expected it to be, or it was hard?

0:23:38.720 --> 0:23:40.640
<v Speaker 1>It was? It was hard. I mean, like I uh,

0:23:40.920 --> 0:23:44.840
<v Speaker 1>it seemed like this impenetrable fortress. Like it's felt like

0:23:44.920 --> 0:23:46.840
<v Speaker 1>you were walking up to like one of those old

0:23:46.880 --> 0:23:50.240
<v Speaker 1>Babylonian cities and there's a there's one gate and you

0:23:50.560 --> 0:23:53.320
<v Speaker 1>can you can hear what's happening inside, and but you

0:23:53.480 --> 0:23:55.440
<v Speaker 1>can't figure out your way over this wall or through

0:23:55.480 --> 0:23:58.000
<v Speaker 1>this gate, and it just felt like there was it

0:23:58.080 --> 0:24:01.000
<v Speaker 1>felt like it was really slow, like everything was just

0:24:01.240 --> 0:24:03.840
<v Speaker 1>crazy slow. It's like, you know, I put all this

0:24:03.920 --> 0:24:06.200
<v Speaker 1>together and email mailed him and I you mailed him

0:24:06.200 --> 0:24:08.000
<v Speaker 1>at the time, like instead of drapping, they're not gonna

0:24:08.080 --> 0:24:09.280
<v Speaker 1>let you drop them off, so you have to wait

0:24:09.320 --> 0:24:12.639
<v Speaker 1>a week before you could possibly hear something. You know,

0:24:12.800 --> 0:24:14.480
<v Speaker 1>so it's like a week of doing what what do

0:24:14.600 --> 0:24:16.920
<v Speaker 1>I do for a week? Uh? You know, you get

0:24:16.960 --> 0:24:19.280
<v Speaker 1>a job to make money. I played basketball and pickup

0:24:19.320 --> 0:24:21.480
<v Speaker 1>games and outdoor parks, and you know, it's like what

0:24:21.560 --> 0:24:24.040
<v Speaker 1>do you do with your time? I hadn't found an

0:24:24.040 --> 0:24:27.680
<v Speaker 1>acting class yet, um, so I started waiting tables, and

0:24:27.960 --> 0:24:30.560
<v Speaker 1>I just feel like a long time until I got situated.

0:24:30.600 --> 0:24:34.040
<v Speaker 1>I had some horrible apartment experiences, and I mean I

0:24:34.280 --> 0:24:37.160
<v Speaker 1>rented a room from this cat lady that I found,

0:24:37.240 --> 0:24:40.640
<v Speaker 1>you know, and I can't remember where I found the ad,

0:24:40.760 --> 0:24:42.760
<v Speaker 1>but like I read it was like, you know, less

0:24:42.800 --> 0:24:45.120
<v Speaker 1>than two d a month. I was renting this one

0:24:45.280 --> 0:24:47.639
<v Speaker 1>room in this house of this woman who managed the

0:24:47.680 --> 0:24:49.840
<v Speaker 1>house and the apartments behind it, and I literally there

0:24:49.920 --> 0:24:52.200
<v Speaker 1>was just dog and cat hair everywhere, and like I

0:24:52.200 --> 0:24:53.760
<v Speaker 1>would just go in there and sleep at night that

0:24:53.800 --> 0:24:56.000
<v Speaker 1>I'd leave all day because I didn't know what to do,

0:24:56.440 --> 0:25:00.200
<v Speaker 1>Like what do you do? So eventually you get a

0:25:00.400 --> 0:25:05.480
<v Speaker 1>role in Jesse, Yes, and then what your first well

0:25:05.520 --> 0:25:09.639
<v Speaker 1>before the first one was Everything's Relative. So that was

0:25:09.880 --> 0:25:14.200
<v Speaker 1>four episodes. It was me and Jeffrey Tambor, Jill Clayburgh

0:25:14.960 --> 0:25:17.240
<v Speaker 1>and Eric Schaefer. It was they, it was Want to

0:25:17.320 --> 0:25:23.119
<v Speaker 1>Be Arrested Development, it was Mitch Hurwitz, it was Jim Valley, Geniuses,

0:25:23.720 --> 0:25:26.520
<v Speaker 1>and I was de Bateman character and to put out

0:25:26.960 --> 0:25:28.960
<v Speaker 1>the center of the family, keeping everyone together. And they

0:25:29.040 --> 0:25:31.200
<v Speaker 1>hadn't figured it out yet, right, they hadn't worked it

0:25:31.240 --> 0:25:33.560
<v Speaker 1>out yet, But I read for that once a month

0:25:33.960 --> 0:25:36.320
<v Speaker 1>for six months, Alison Jones would bring me in and

0:25:36.400 --> 0:25:38.840
<v Speaker 1>I would read, and they'd be like, that's exactly what

0:25:38.960 --> 0:25:41.480
<v Speaker 1>we're looking for. Who's next? Because they were looking for

0:25:41.600 --> 0:25:43.800
<v Speaker 1>ja They wanted Jason Bateman. They wanted someone with the

0:25:43.920 --> 0:25:46.040
<v Speaker 1>name to come in and be the lead of their show.

0:25:46.440 --> 0:25:50.680
<v Speaker 1>And finally they cast Jeffrey Tambor and then they could

0:25:50.840 --> 0:25:53.560
<v Speaker 1>cast and nobody as the as the guy as the kid,

0:25:54.240 --> 0:25:56.879
<v Speaker 1>and uh. We did four episodes. We were after just

0:25:57.080 --> 0:26:00.439
<v Speaker 1>shoot me, I think on NBC in the in the spring,

0:26:00.920 --> 0:26:03.800
<v Speaker 1>and they candid immediately, and then I jumped on Jesse.

0:26:03.920 --> 0:26:05.639
<v Speaker 1>That's what then people in the business know who I

0:26:05.760 --> 0:26:08.080
<v Speaker 1>knew who I was. I did another pilot right after

0:26:08.160 --> 0:26:10.960
<v Speaker 1>that with Patrick Warburton. Patrick and I did a pilot

0:26:11.000 --> 0:26:13.840
<v Speaker 1>together called Jeff of the Universe, where I was Jeff

0:26:14.520 --> 0:26:16.440
<v Speaker 1>and uh and my claim to fame at the times

0:26:16.680 --> 0:26:18.680
<v Speaker 1>I read again like one of the people reading for

0:26:18.800 --> 0:26:22.040
<v Speaker 1>that role was John Cryer, and I was like, I

0:26:22.160 --> 0:26:23.720
<v Speaker 1>walked into the audition room, and I'm like, are you

0:26:23.920 --> 0:26:26.159
<v Speaker 1>fucking kidding me? I'm reading against John Carr. There's no

0:26:26.200 --> 0:26:28.480
<v Speaker 1>way I get this job. Of course, Ducky gets this job.

0:26:28.760 --> 0:26:30.760
<v Speaker 1>How do I? How do I get a job? It's

0:26:30.840 --> 0:26:34.200
<v Speaker 1>John Craiger. John Kraiger is gonna get this job. And

0:26:34.320 --> 0:26:36.639
<v Speaker 1>I think because he was one of the people testing,

0:26:37.200 --> 0:26:40.280
<v Speaker 1>I completely relaxed, And I think that's why I got

0:26:40.320 --> 0:26:41.399
<v Speaker 1>the job, because I was like, oh, I'm not going

0:26:41.480 --> 0:26:43.080
<v Speaker 1>to get this job, so I'm just gonna try to

0:26:43.119 --> 0:26:45.200
<v Speaker 1>be the best I can in this room. So for

0:26:45.280 --> 0:26:47.280
<v Speaker 1>the next job, right, maybe they'll maybe these people like

0:26:47.320 --> 0:26:48.560
<v Speaker 1>me and I'll get up. I'll get another part of

0:26:48.600 --> 0:26:50.399
<v Speaker 1>the show later on. So I think that's part of

0:26:50.400 --> 0:26:52.639
<v Speaker 1>the reason I booked that pilot. And then then I

0:26:52.720 --> 0:26:54.639
<v Speaker 1>jumped then I jumped on Jesse that summer. It was

0:26:54.680 --> 0:26:57.159
<v Speaker 1>like that was back to back to back those three jobs.

0:26:58.000 --> 0:27:02.600
<v Speaker 1>So your career is is taking off at this point? Yes, Yeah,

0:27:02.840 --> 0:27:07.280
<v Speaker 1>you're starting to feel good and confident. Oh maybe a

0:27:07.320 --> 0:27:11.800
<v Speaker 1>little too confident confident maybe maybe a little maybe a

0:27:11.800 --> 0:27:17.360
<v Speaker 1>little too confident, I'm not. Yeah, and then judging Amy, yeah,

0:27:17.600 --> 0:27:21.840
<v Speaker 1>that's your first long time show, right, more than more

0:27:21.920 --> 0:27:24.760
<v Speaker 1>that Yeah, Jesse, I did one year. Everything's relative was

0:27:24.800 --> 0:27:28.280
<v Speaker 1>four episodes. This was three seasons, like I did three

0:27:28.480 --> 0:27:30.960
<v Speaker 1>full years of twenty two episodes a year. I bought

0:27:31.000 --> 0:27:34.000
<v Speaker 1>my house like this is That was the one that like, okay,

0:27:35.240 --> 0:27:38.600
<v Speaker 1>I can't Yeah, I'm now a working actor full time.

0:27:39.480 --> 0:27:43.200
<v Speaker 1>And then we met right after I left judging Amy. Yeah, no,

0:27:43.720 --> 0:27:46.200
<v Speaker 1>so that's where I'm gonna go. I mean, for first

0:27:46.240 --> 0:27:49.639
<v Speaker 1>off three years and that stability that that brings. What

0:27:49.760 --> 0:27:54.440
<v Speaker 1>did that? What did that give you as an actor? Uh? Well,

0:27:55.160 --> 0:27:59.359
<v Speaker 1>beside your house a little besides a home and literally

0:27:59.400 --> 0:28:01.800
<v Speaker 1>my first home, like my first not just a house,

0:28:01.880 --> 0:28:05.040
<v Speaker 1>but my first home where I I created a safe

0:28:05.119 --> 0:28:07.920
<v Speaker 1>place for myself. That was the positive side of it.

0:28:08.680 --> 0:28:12.160
<v Speaker 1>It gave me boodles of confidence as I when working

0:28:12.240 --> 0:28:15.560
<v Speaker 1>with Tyne Daily and Amy Brennaman on the regular and

0:28:15.720 --> 0:28:17.880
<v Speaker 1>feeling like I was holding my own with them made

0:28:17.920 --> 0:28:20.040
<v Speaker 1>me feel like I deserve to be in the room.

0:28:20.760 --> 0:28:23.240
<v Speaker 1>I deserve to be in the in the talk like

0:28:23.359 --> 0:28:27.919
<v Speaker 1>I felt like I and and and really naively of myself.

0:28:28.800 --> 0:28:32.879
<v Speaker 1>I felt like, Okay, I've been number three on a

0:28:33.480 --> 0:28:36.600
<v Speaker 1>TV hit, hit, acclaimed TV show, not not as not

0:28:36.720 --> 0:28:39.320
<v Speaker 1>as part of the Zeitgeister a juggernaut ratings wise, but

0:28:39.440 --> 0:28:42.760
<v Speaker 1>like well respected. It's respected for its acting at least,

0:28:42.840 --> 0:28:46.040
<v Speaker 1>you know, yep. Um. So the next step is I'll

0:28:46.080 --> 0:28:50.120
<v Speaker 1>get my own show. That's the next step. And so

0:28:51.120 --> 0:28:54.360
<v Speaker 1>maybe a little too confident looking into that when I

0:28:54.440 --> 0:28:57.000
<v Speaker 1>walked out of Judging Gavey. So I leave Judging Amy

0:28:57.040 --> 0:28:59.680
<v Speaker 1>and it's like, uh, they're gonna do one more year.

0:29:00.160 --> 0:29:03.360
<v Speaker 1>They're letting um uh oh gosh, what I'm gonna say.

0:29:03.360 --> 0:29:05.160
<v Speaker 1>I can't lave forgo this name. He left the show.

0:29:05.200 --> 0:29:06.440
<v Speaker 1>He was gonna come back for the last year, and

0:29:06.480 --> 0:29:08.360
<v Speaker 1>I had replaced him mostensib plice. So anyway, so that

0:29:08.480 --> 0:29:11.320
<v Speaker 1>I anyway, so I leave, I leave the show, and

0:29:11.440 --> 0:29:13.120
<v Speaker 1>I'm like, right and high man, this is like this

0:29:13.240 --> 0:29:15.480
<v Speaker 1>coming this back when they had pilot season. You know,

0:29:15.600 --> 0:29:17.080
<v Speaker 1>I leave in the spring, I have this summer off

0:29:17.120 --> 0:29:18.920
<v Speaker 1>I do it, you know, motorcycle trip to Europe, blah

0:29:18.920 --> 0:29:22.520
<v Speaker 1>blah blah. And then that that like November, I get

0:29:22.520 --> 0:29:25.840
<v Speaker 1>an audition for this cable show for a network I've

0:29:25.880 --> 0:29:29.160
<v Speaker 1>never heard of. And it's a really good script, like

0:29:29.320 --> 0:29:31.120
<v Speaker 1>really like I was like, holy cow, this is amazing.

0:29:31.160 --> 0:29:33.280
<v Speaker 1>And I go in and I meet the creator and

0:29:33.320 --> 0:29:34.920
<v Speaker 1>I read for it and they're like, yeah, we want

0:29:34.960 --> 0:29:36.840
<v Speaker 1>you to test for this, and I get the test

0:29:36.920 --> 0:29:41.680
<v Speaker 1>deal and it is half of my quote for half

0:29:41.760 --> 0:29:45.720
<v Speaker 1>of the amount of episodes. Right. So, and this is November,

0:29:46.440 --> 0:29:49.640
<v Speaker 1>so pilot seasons January February where I'm gonna get my

0:29:49.760 --> 0:29:53.000
<v Speaker 1>own show because that's what happens next. And this is

0:29:53.040 --> 0:29:55.400
<v Speaker 1>like an ensemble show. And I'm definitely not the lead,

0:29:55.440 --> 0:29:57.440
<v Speaker 1>not even like maybe like the fifth lead. But it's

0:29:57.480 --> 0:29:59.880
<v Speaker 1>a really really good script and I really like this guy.

0:30:00.000 --> 0:30:03.120
<v Speaker 1>I wrote it and and I said, good look, guys,

0:30:03.240 --> 0:30:05.200
<v Speaker 1>I can't I can't test for this. This is not

0:30:05.400 --> 0:30:07.080
<v Speaker 1>you know, I'm gonna take a fourth of my pay

0:30:07.240 --> 0:30:09.680
<v Speaker 1>and I'm gonna I'm about to get my own show, guys,

0:30:09.840 --> 0:30:12.280
<v Speaker 1>So thank you, but good luck with your little show

0:30:12.360 --> 0:30:15.600
<v Speaker 1>on a network called f X whatever that is. Uh.

0:30:15.720 --> 0:30:20.880
<v Speaker 1>That show was The Shield, um and and so uh

0:30:20.920 --> 0:30:25.160
<v Speaker 1>and that person was Sean Ryan who who who? And

0:30:25.240 --> 0:30:26.720
<v Speaker 1>I look, I don't know that I would have gotten

0:30:26.720 --> 0:30:27.760
<v Speaker 1>the part, but I was in the I was in

0:30:27.840 --> 0:30:29.680
<v Speaker 1>the mix for the part, right and then I what

0:30:29.800 --> 0:30:32.120
<v Speaker 1>I what happened that pilot seasons if if you can

0:30:32.160 --> 0:30:34.800
<v Speaker 1>guess already is I did not get my own show.

0:30:35.640 --> 0:30:37.280
<v Speaker 1>Not only did I not get my own show, I

0:30:37.320 --> 0:30:40.640
<v Speaker 1>did not get any shows I tested. I don't know

0:30:40.720 --> 0:30:42.160
<v Speaker 1>how many times I tested, but it was in the

0:30:42.240 --> 0:30:45.160
<v Speaker 1>high teams. I tested for things and didn't book anything.

0:30:45.360 --> 0:30:47.720
<v Speaker 1>And I learned. My lesson I learned was that zero

0:30:47.920 --> 0:30:53.480
<v Speaker 1>times five years is still zero. And I was. I

0:30:53.640 --> 0:30:56.880
<v Speaker 1>was a little humbled after that year. And this brings

0:30:57.000 --> 0:31:02.200
<v Speaker 1>us to moose Cock o Man. I mean, listen, Kevin

0:31:02.320 --> 0:31:06.640
<v Speaker 1>and I met on a little project and it's called

0:31:06.760 --> 0:31:11.240
<v Speaker 1>moose Coock. It exists out there, it's out there, and

0:31:11.560 --> 0:31:15.880
<v Speaker 1>so coming off of of this show, I'm more surprised

0:31:15.920 --> 0:31:18.840
<v Speaker 1>that you said yes than I did. I had, at

0:31:18.920 --> 0:31:24.840
<v Speaker 1>the time, shot a pilot for a show called The

0:31:24.960 --> 0:31:31.880
<v Speaker 1>Office that everyone, including you, oh Will, every everybody that

0:31:31.960 --> 0:31:36.760
<v Speaker 1>I worked with, was sure was doomed for absolute failure.

0:31:37.360 --> 0:31:41.840
<v Speaker 1>I owe you the biggest apology. I was so unbelievably

0:31:41.920 --> 0:31:44.120
<v Speaker 1>condescending to you that day. I'm sure of it. I'm

0:31:44.200 --> 0:31:47.240
<v Speaker 1>sure I don't remember exactly you told me. You told

0:31:47.280 --> 0:31:48.720
<v Speaker 1>me I just shot a pilot. I'm like, oh, good

0:31:48.760 --> 0:31:51.239
<v Speaker 1>for you, we just met. Oh good for congratulations. Man.

0:31:51.320 --> 0:31:53.959
<v Speaker 1>What's the pilot? It's the American version of the office

0:31:54.040 --> 0:32:01.080
<v Speaker 1>and I literally went, oh the got my face is like, you,

0:32:01.360 --> 0:32:04.960
<v Speaker 1>dumb sap. I hope you. I hope you saved every

0:32:05.080 --> 0:32:08.440
<v Speaker 1>fucking penny they gave you. This ship is going nowhere.

0:32:08.920 --> 0:32:12.800
<v Speaker 1>Have you seen the original office. There's no way, There's

0:32:12.960 --> 0:32:16.960
<v Speaker 1>no one you can cast to compete. There is no

0:32:17.200 --> 0:32:21.520
<v Speaker 1>Steve Carrell PI out there to create this. Oh my god,

0:32:21.560 --> 0:32:25.080
<v Speaker 1>I was so everyone Will Will, our director writer was condescending.

0:32:25.120 --> 0:32:28.520
<v Speaker 1>We were all like you, pour, dumb sap. Hopefully this

0:32:28.640 --> 0:32:34.640
<v Speaker 1>makes it to festivals for you. Um we we we

0:32:34.840 --> 0:32:37.840
<v Speaker 1>both we both said yes. Now I have to tell you.

0:32:38.320 --> 0:32:40.240
<v Speaker 1>I don't know. I need to know from you if

0:32:40.320 --> 0:32:42.720
<v Speaker 1>this is true for you. I mean I do a

0:32:42.800 --> 0:32:47.600
<v Speaker 1>lot of appearances of colleges. Now I'm invited. I'm not

0:32:47.760 --> 0:32:52.160
<v Speaker 1>just hanging out our campus. Important notes important note. That's

0:32:52.160 --> 0:32:58.240
<v Speaker 1>the important note. Good information. But undoubtedly some smartass in

0:32:58.320 --> 0:33:02.120
<v Speaker 1>the audience will raise their hands end and start talking

0:33:02.200 --> 0:33:09.680
<v Speaker 1>effusively about admiring my work. Uh in Moosecock and it

0:33:09.840 --> 0:33:16.400
<v Speaker 1>is a title that brings confusion unsettled ness? Is that

0:33:16.480 --> 0:33:19.600
<v Speaker 1>a word? I don't think so? Are you asked about Moosecock?

0:33:20.480 --> 0:33:22.600
<v Speaker 1>Not as often? Not as often as you are I'm

0:33:22.640 --> 0:33:26.440
<v Speaker 1>not doing that my college experience. I my college tours

0:33:26.480 --> 0:33:30.400
<v Speaker 1>aren't sanctioned, and so I'm just hanging out looking for

0:33:30.440 --> 0:33:36.080
<v Speaker 1>a cheap salad. So uh, I feel like college kids

0:33:36.120 --> 0:33:37.440
<v Speaker 1>are the ones who are going to do a deep

0:33:37.480 --> 0:33:40.600
<v Speaker 1>dive on IMDb to say the funny thing in front

0:33:40.640 --> 0:33:43.240
<v Speaker 1>of their buddies. So they're gonna find it. Um yeah,

0:33:43.320 --> 0:33:44.800
<v Speaker 1>So no, I don't. I don't get it as much.

0:33:44.800 --> 0:33:47.400
<v Speaker 1>I get it like every every once in a while, right,

0:33:47.560 --> 0:33:49.560
<v Speaker 1>but you know, not as all. Well, it's there, it's

0:33:49.600 --> 0:33:52.160
<v Speaker 1>a part of the record. It's really funny. It is.

0:33:52.280 --> 0:33:55.160
<v Speaker 1>It's funny. It's funny the stuff, the stuff we got

0:33:55.240 --> 0:33:57.160
<v Speaker 1>to do together, and I loved I mean, you got

0:33:57.240 --> 0:33:58.600
<v Speaker 1>to go that, you went on and did all of

0:33:58.680 --> 0:34:00.640
<v Speaker 1>this other stuff that I wasn't up part of. But

0:34:00.800 --> 0:34:02.800
<v Speaker 1>like I that was a fun day for me. Like

0:34:02.880 --> 0:34:06.240
<v Speaker 1>I really enjoyed shooting that with you. Yes, and I

0:34:06.840 --> 0:34:08.719
<v Speaker 1>like he let us play, it was like it was

0:34:08.760 --> 0:34:11.719
<v Speaker 1>the whole thing. Like I really enjoyed that experience. That

0:34:11.840 --> 0:34:13.040
<v Speaker 1>was one of the that was one of the first

0:34:13.080 --> 0:34:16.680
<v Speaker 1>times I walked onto a set and felt confident to play,

0:34:16.840 --> 0:34:18.200
<v Speaker 1>you know what I mean, Like because it was will

0:34:18.280 --> 0:34:20.200
<v Speaker 1>we knew it was our buddy and he and he

0:34:20.640 --> 0:34:23.080
<v Speaker 1>cast us because he knew we could do it, and

0:34:23.200 --> 0:34:26.399
<v Speaker 1>so I didn't feel any weird pressure about being something

0:34:26.560 --> 0:34:29.440
<v Speaker 1>or doing something an extra Yeah. No, I remember it

0:34:29.520 --> 0:34:33.200
<v Speaker 1>being incredibly fun and never could I have dreamed it

0:34:33.239 --> 0:34:35.680
<v Speaker 1>could have won the Oscar and I it would not

0:34:36.040 --> 0:34:39.239
<v Speaker 1>have gotten as much attention but for the name for

0:34:39.400 --> 0:34:43.880
<v Speaker 1>me all these years later, I love you still get it?

0:34:44.280 --> 0:35:10.200
<v Speaker 1>Oh yeah, um, no comment. So things don't go quite

0:35:10.520 --> 0:35:16.200
<v Speaker 1>as you expect them to go. However, shortly thereafter you

0:35:16.400 --> 0:35:22.600
<v Speaker 1>start a run of shows, historic shows, one might say,

0:35:23.320 --> 0:35:27.120
<v Speaker 1>I'm very, very jealous of this, and I mean this sincerely.

0:35:27.640 --> 0:35:34.080
<v Speaker 1>With Desperate Housewives, starting on a show that's already established

0:35:34.800 --> 0:35:37.840
<v Speaker 1>that you don't have to sort of fight to invent.

0:35:38.120 --> 0:35:41.920
<v Speaker 1>The world is there and created by the time you

0:35:42.120 --> 0:35:44.040
<v Speaker 1>get on, talk to me a little bit. Were you

0:35:44.200 --> 0:35:48.640
<v Speaker 1>a fan? Had you watched Desperate Housewives before auditioning, or

0:35:48.680 --> 0:35:51.360
<v Speaker 1>how did that come about? I I was like everyone

0:35:51.400 --> 0:35:53.640
<v Speaker 1>else in the country for the first two seasons, I was.

0:35:53.760 --> 0:35:56.920
<v Speaker 1>I was a fan. I watched religiously, loved the ladies,

0:35:57.080 --> 0:35:59.080
<v Speaker 1>loved what they were doing. I loved Marks, the tone

0:35:59.120 --> 0:36:01.080
<v Speaker 1>that Mark took with the show. I thought it was

0:36:01.160 --> 0:36:04.359
<v Speaker 1>so unique and interesting and um, there's a reason it's

0:36:04.560 --> 0:36:06.200
<v Speaker 1>it was part of the zeitgeist. Um. And then I

0:36:06.239 --> 0:36:08.960
<v Speaker 1>got the audition for it. And it's funny because like

0:36:09.120 --> 0:36:15.120
<v Speaker 1>I was dating my now wife long distance and she, uh,

0:36:16.000 --> 0:36:17.840
<v Speaker 1>she we she had come to visit me in l A.

0:36:17.880 --> 0:36:19.640
<v Speaker 1>And of course, the minute she booked a flight to

0:36:19.680 --> 0:36:21.640
<v Speaker 1>come visit me, I booked a job. And I was

0:36:21.800 --> 0:36:24.840
<v Speaker 1>doing an episode of Scrubs as a guest and my

0:36:25.040 --> 0:36:27.520
<v Speaker 1>character had had been bitten by a tick and had

0:36:27.560 --> 0:36:29.360
<v Speaker 1>lines disease, and so they finally had to shave my

0:36:29.440 --> 0:36:32.080
<v Speaker 1>head to find the tick. And so I'm in a

0:36:32.120 --> 0:36:34.239
<v Speaker 1>ball cap and my audition, let's say, let's say it's

0:36:34.239 --> 0:36:36.520
<v Speaker 1>at four o'clock. My auditions at four o'clock for Housewives,

0:36:36.880 --> 0:36:39.160
<v Speaker 1>and I'm supposed to read for leak for Bob, and

0:36:39.960 --> 0:36:41.360
<v Speaker 1>they don't let me out there and let me I

0:36:41.440 --> 0:36:43.680
<v Speaker 1>take my ball cap off until like three thirty, and

0:36:43.719 --> 0:36:45.439
<v Speaker 1>they're like, if you're not here by four, you can't

0:36:45.480 --> 0:36:47.319
<v Speaker 1>get in. And I raced down this down the street

0:36:47.360 --> 0:36:49.040
<v Speaker 1>from each other, and she's in the car with me,

0:36:49.120 --> 0:36:51.040
<v Speaker 1>and I pull up to the lot and uh that

0:36:51.200 --> 0:36:53.640
<v Speaker 1>that that entrance entrance through on the left at Universal,

0:36:53.840 --> 0:36:55.800
<v Speaker 1>I had like ten minutes to get in and I'm like,

0:36:55.840 --> 0:36:58.080
<v Speaker 1>I'm racing and I give my a D and he's like, okay,

0:36:58.120 --> 0:36:59.920
<v Speaker 1>what about her? And I'm like what about her? He's like,

0:37:00.120 --> 0:37:01.680
<v Speaker 1>she can't, she's not on the list. I'm like, well,

0:37:01.840 --> 0:37:03.520
<v Speaker 1>she's with me. She's just gonna sit in the car

0:37:03.640 --> 0:37:04.880
<v Speaker 1>this okay, And they're like, no, no, she can't come

0:37:04.880 --> 0:37:07.320
<v Speaker 1>on along. I'm like, no, well, I don't understand what

0:37:07.400 --> 0:37:08.799
<v Speaker 1>you what do you want her to sit on the curb?

0:37:09.040 --> 0:37:10.800
<v Speaker 1>Like what do you want for me right now? And

0:37:10.880 --> 0:37:13.120
<v Speaker 1>I'm I just I'm getting so mad at this poor

0:37:13.239 --> 0:37:16.279
<v Speaker 1>person doing their job and becoming I I'm like, what

0:37:16.360 --> 0:37:18.080
<v Speaker 1>do you They're like, yeah, she's got I'm like, no,

0:37:18.520 --> 0:37:22.279
<v Speaker 1>she's I'm not. And my now wife Amy, she goes, Kevin,

0:37:22.480 --> 0:37:24.279
<v Speaker 1>go to your audition. I'm gonna stay, I'm gonna get

0:37:24.280 --> 0:37:25.400
<v Speaker 1>out of the car and I'm gonna stand here on

0:37:25.440 --> 0:37:27.040
<v Speaker 1>the curb while and I'm like, no, you are, and

0:37:27.080 --> 0:37:29.400
<v Speaker 1>I'm not letting you stand on the curb while I

0:37:29.520 --> 0:37:31.000
<v Speaker 1>go read this. And I'm not even sure I want

0:37:31.040 --> 0:37:32.200
<v Speaker 1>to do this. I'm not even sure I want to

0:37:32.200 --> 0:37:34.160
<v Speaker 1>be on the show. And so I go, so I

0:37:34.239 --> 0:37:36.719
<v Speaker 1>find going to the I get there like three fifty nine,

0:37:37.200 --> 0:37:40.239
<v Speaker 1>and I go in and I read Bob and Bark.

0:37:40.320 --> 0:37:42.319
<v Speaker 1>Sheera goes, did you look at Lee? And I go, yeah,

0:37:42.360 --> 0:37:45.239
<v Speaker 1>he's funnier, and he goes, will you look at it?

0:37:45.280 --> 0:37:47.360
<v Speaker 1>Go yeah, give me two minutes. It's fine, give me

0:37:47.400 --> 0:37:50.480
<v Speaker 1>two minutes. And I go outside and I look at

0:37:50.480 --> 0:37:52.320
<v Speaker 1>it for two minutes and I come back in and

0:37:52.440 --> 0:37:55.520
<v Speaker 1>I just become a bitchy queen. I just I'm like

0:37:55.960 --> 0:38:00.279
<v Speaker 1>mm ummmmmmm. And and that's so I think the gate

0:38:00.320 --> 0:38:02.560
<v Speaker 1>guard because I think because I was so heated when

0:38:02.600 --> 0:38:04.320
<v Speaker 1>I walked in, that's time I got the job. And

0:38:04.400 --> 0:38:06.520
<v Speaker 1>now my wife takes full credit for me getting that job.

0:38:07.920 --> 0:38:12.560
<v Speaker 1>But yeah, it was walking into an established world. Uh,

0:38:13.000 --> 0:38:16.360
<v Speaker 1>it was just fun like it was just play. And

0:38:16.480 --> 0:38:19.280
<v Speaker 1>they would write. They would just write the biggest, funnest

0:38:19.280 --> 0:38:20.840
<v Speaker 1>stuff for me, and I would just see if I

0:38:20.880 --> 0:38:22.640
<v Speaker 1>could do it, and uh, and I would say, let's go,

0:38:22.760 --> 0:38:24.320
<v Speaker 1>let's how big? And there was one one of my

0:38:24.360 --> 0:38:26.960
<v Speaker 1>favorite moments of the whole show is there and I

0:38:27.080 --> 0:38:29.520
<v Speaker 1>when I read it, I laughed out loud. And then

0:38:29.600 --> 0:38:32.239
<v Speaker 1>it's a it's a sight gag where they're like and

0:38:32.440 --> 0:38:35.800
<v Speaker 1>behind her, you see Lee skating down the street like

0:38:36.000 --> 0:38:40.000
<v Speaker 1>roller skating, and they never explain it, they never see it. Again.

0:38:40.160 --> 0:38:43.320
<v Speaker 1>I never talked about skating, but I'm wearing like shorts

0:38:43.400 --> 0:38:48.759
<v Speaker 1>and kneepads and like a bright yellow sweater vest and

0:38:49.000 --> 0:38:52.080
<v Speaker 1>and I skateboard. I mean I I roller skate behind

0:38:52.239 --> 0:38:54.799
<v Speaker 1>you know, like I just it was just silly and fun,

0:38:55.120 --> 0:38:58.200
<v Speaker 1>and uh yeah it started. It started a run of like,

0:38:58.239 --> 0:38:59.839
<v Speaker 1>if you want your show to end in three years,

0:39:00.080 --> 0:39:03.200
<v Speaker 1>I'm your guy. Bring me in about three more good

0:39:03.280 --> 0:39:06.480
<v Speaker 1>years and then we're done. People. Yeah, but that's that's

0:39:06.520 --> 0:39:08.600
<v Speaker 1>not a bad number of years. No, No, that's a

0:39:08.680 --> 0:39:13.879
<v Speaker 1>good number. Mark Cherry, the creator who you mentioned, has

0:39:13.920 --> 0:39:16.560
<v Speaker 1>said that he wanted to treat Lee and Bob like

0:39:16.680 --> 0:39:20.960
<v Speaker 1>the heterosexual couples on the show. Um. Yeah, this is

0:39:21.000 --> 0:39:24.760
<v Speaker 1>an approach that is ahead of its time at this point,

0:39:25.000 --> 0:39:28.600
<v Speaker 1>right for network television to treat them just like any

0:39:28.640 --> 0:39:32.280
<v Speaker 1>other couples. Obviously, gay marriage is not legalized at this point.

0:39:32.920 --> 0:39:35.800
<v Speaker 1>Did he talk to you about this or did this

0:39:36.120 --> 0:39:38.560
<v Speaker 1>This is a part of the conversation. He introduced me

0:39:38.640 --> 0:39:40.840
<v Speaker 1>as the fifth housewife in the in the room and

0:39:40.880 --> 0:39:44.000
<v Speaker 1>the right, and like any time we depressed anytime. He's like,

0:39:44.239 --> 0:39:46.480
<v Speaker 1>Lee is the fifth housewife. That's the that's and that's

0:39:46.520 --> 0:39:49.320
<v Speaker 1>how he That's how everybody thought of them, you know.

0:39:49.400 --> 0:39:51.200
<v Speaker 1>And some people were okay with it, and some weren't,

0:39:51.239 --> 0:39:54.319
<v Speaker 1>and some people were different versions of okay with it. Um.

0:39:54.560 --> 0:39:56.200
<v Speaker 1>I mean, one of the one of my audition scenes

0:39:56.280 --> 0:39:59.120
<v Speaker 1>was the scene with Terry Hatcher where she shows up

0:39:59.200 --> 0:40:01.760
<v Speaker 1>to give us, to introduced herself and give us cookies,

0:40:02.480 --> 0:40:06.840
<v Speaker 1>and she realizes in the scene that we're not couples.

0:40:07.080 --> 0:40:09.880
<v Speaker 1>We're not we're not at partners as in business partners,

0:40:09.920 --> 0:40:13.920
<v Speaker 1>were life partners. And like the moment that that realization

0:40:13.960 --> 0:40:16.560
<v Speaker 1>happens was one of my audition scenes. And I added

0:40:16.640 --> 0:40:21.120
<v Speaker 1>this bit in the audition where she suppose we say something,

0:40:21.239 --> 0:40:24.400
<v Speaker 1>she says something, we say something, and then she realizes

0:40:25.320 --> 0:40:27.719
<v Speaker 1>and uh, it's between her lines that she realizes. And

0:40:27.800 --> 0:40:29.799
<v Speaker 1>so in between the pause, I just turned the bob

0:40:29.840 --> 0:40:33.840
<v Speaker 1>and I go, wait for it. She and then she

0:40:34.000 --> 0:40:36.480
<v Speaker 1>realizes which killed in the audition, right, It killed in

0:40:36.560 --> 0:40:38.799
<v Speaker 1>the audition. It wasn't on the page and it killed

0:40:38.840 --> 0:40:41.440
<v Speaker 1>in the audition. And then I I made the mistake

0:40:41.520 --> 0:40:44.520
<v Speaker 1>of doing it in rehearsal without telling her on my

0:40:44.640 --> 0:40:48.000
<v Speaker 1>first day and and she goes, what are you What

0:40:48.080 --> 0:40:50.360
<v Speaker 1>are you doing? What are you doing that's not on

0:40:50.480 --> 0:40:52.359
<v Speaker 1>the page? And I was like, oh, I just did

0:40:52.400 --> 0:40:54.040
<v Speaker 1>something I did in the audition and they thought it

0:40:54.080 --> 0:40:55.920
<v Speaker 1>was funny. She goes, yeah, I don't. I don't. We're

0:40:55.920 --> 0:40:56.880
<v Speaker 1>not going to do it like that, are we can?

0:40:56.920 --> 0:40:58.160
<v Speaker 1>Like turn to the director and he goes, no, no,

0:40:58.280 --> 0:41:01.440
<v Speaker 1>we're not gonna do because what you realize is they

0:41:01.520 --> 0:41:04.960
<v Speaker 1>cut away. They would cut away from her instead, so

0:41:05.040 --> 0:41:07.399
<v Speaker 1>it wouldn't the camera wouldn't stay on her. It would

0:41:07.400 --> 0:41:09.120
<v Speaker 1>cut away to me and go back to her. And

0:41:09.239 --> 0:41:10.960
<v Speaker 1>she's like, no, we're gonna stay on me, the new boy.

0:41:11.040 --> 0:41:12.600
<v Speaker 1>We don't know you yet. We'll see you might. You

0:41:12.680 --> 0:41:15.000
<v Speaker 1>might earn that tape later, but we'll see. For now,

0:41:15.280 --> 0:41:16.640
<v Speaker 1>the camera is going to stay on the lead of

0:41:16.680 --> 0:41:18.600
<v Speaker 1>the show. I was like, okay, cool, good enough, good

0:41:18.640 --> 0:41:30.000
<v Speaker 1>to know that. Yeah, it's so good. I love Terry. Uh. Um,

0:41:30.880 --> 0:41:34.960
<v Speaker 1>what do you think that show's legacy is today? It's

0:41:35.160 --> 0:41:37.600
<v Speaker 1>it's hard. It was so big at the time, it

0:41:37.760 --> 0:41:41.080
<v Speaker 1>was so big. It was so big. Um. I have

0:41:41.200 --> 0:41:43.560
<v Speaker 1>really good friends from that Still, I don't know. I

0:41:43.560 --> 0:41:46.000
<v Speaker 1>don't know where it will stack up. Look, it's not

0:41:46.160 --> 0:41:50.080
<v Speaker 1>it's not mash for me, you know, it's not Sopranos

0:41:50.239 --> 0:41:53.439
<v Speaker 1>for me. But as far as comedies, man, it's up there.

0:41:54.600 --> 0:41:57.560
<v Speaker 1>It'll be interesting in fifteen years from now to see

0:41:57.880 --> 0:42:00.279
<v Speaker 1>if it holds up, you know what I mean, and

0:42:00.400 --> 0:42:04.279
<v Speaker 1>whether or not it feels kind of universal though I

0:42:04.400 --> 0:42:06.040
<v Speaker 1>I you know, I feel like it's I haven't. I

0:42:06.080 --> 0:42:07.839
<v Speaker 1>haven't seen it. I don't, you know, I don't even

0:42:07.880 --> 0:42:09.560
<v Speaker 1>know if it's airing anywhere right now. I'd be interested,

0:42:10.000 --> 0:42:12.040
<v Speaker 1>you know it now it seems like the time of reunions,

0:42:12.040 --> 0:42:13.719
<v Speaker 1>and I'd be interested to see if there would ever

0:42:13.800 --> 0:42:16.239
<v Speaker 1>if that is even possible, you know, what the story

0:42:16.280 --> 0:42:18.160
<v Speaker 1>would be if if it's possible to do that, or

0:42:18.239 --> 0:42:19.960
<v Speaker 1>if it's if it's just dead no water. I don't know,

0:42:20.280 --> 0:42:21.640
<v Speaker 1>but you know, i'd be I'd be interested to see

0:42:21.680 --> 0:42:25.560
<v Speaker 1>what those people were doing. Yeah, you mentioned the Sopranos,

0:42:26.480 --> 0:42:32.439
<v Speaker 1>widely considered by myself included the greatest drama television show

0:42:32.480 --> 0:42:34.160
<v Speaker 1>of all time. You put you put that, you put

0:42:34.200 --> 0:42:37.840
<v Speaker 1>it above the wire. I do. For me, it's for me,

0:42:37.960 --> 0:42:42.719
<v Speaker 1>it's number one, but there's there's a top five that

0:42:42.960 --> 0:42:47.839
<v Speaker 1>is really close. And you were in one of those

0:42:48.239 --> 0:42:54.200
<v Speaker 1>mad men. Um, Ted Chaw you joined that show late

0:42:54.280 --> 0:43:00.759
<v Speaker 1>as well. UM, just an un unbelievable for formants. I

0:43:00.840 --> 0:43:03.279
<v Speaker 1>have to I have to tell you there was just

0:43:04.360 --> 0:43:10.520
<v Speaker 1>this disarming confidence and presentness. There was just something that

0:43:10.680 --> 0:43:14.040
<v Speaker 1>was so pleasurable, even when we weren't rooting for you,

0:43:14.239 --> 0:43:19.160
<v Speaker 1>especially early on, that I just I found so remarkable.

0:43:19.320 --> 0:43:22.560
<v Speaker 1>So you should feel just so good about that performance.

0:43:23.080 --> 0:43:24.560
<v Speaker 1>That is very this is very very kind of you.

0:43:24.960 --> 0:43:29.480
<v Speaker 1>They Um, that was a special, special special place you've

0:43:29.560 --> 0:43:32.160
<v Speaker 1>you note John Ham and you talked to him recently. Um,

0:43:33.120 --> 0:43:35.920
<v Speaker 1>what he's and he's the guy you want as your

0:43:36.000 --> 0:43:38.919
<v Speaker 1>number one. He's the guy you want leading the ship.

0:43:39.280 --> 0:43:42.640
<v Speaker 1>As from the actor's point of view, Matt Weiner crazy

0:43:42.800 --> 0:43:46.080
<v Speaker 1>smart and and and so focused and has such a strong,

0:43:46.280 --> 0:43:49.000
<v Speaker 1>strong point of view, and he's the guy you want

0:43:49.120 --> 0:43:51.520
<v Speaker 1>leading the ship that way, you know, demanding of everyone

0:43:51.560 --> 0:43:54.799
<v Speaker 1>to bring their a game. I mean everyone from top

0:43:54.880 --> 0:43:58.520
<v Speaker 1>to bottom. I mean I there's I have so many

0:43:58.520 --> 0:44:00.919
<v Speaker 1>stories about that show that there's there's a scene where

0:44:02.239 --> 0:44:05.640
<v Speaker 1>my secretary hands me a plane ticket I'm going to California,

0:44:06.840 --> 0:44:09.279
<v Speaker 1>and it's in front of my office and then I think,

0:44:09.440 --> 0:44:12.640
<v Speaker 1>I think Lizzie comes up, Peggy comes up to complain

0:44:12.680 --> 0:44:14.560
<v Speaker 1>about something, and more was handing me the ticket. I

0:44:14.719 --> 0:44:17.000
<v Speaker 1>literally take the ticket I put in my pocket. Let

0:44:17.160 --> 0:44:19.600
<v Speaker 1>you see it the outside of the ticket for a second,

0:44:20.040 --> 0:44:21.600
<v Speaker 1>and that was it. You never you never see me

0:44:21.680 --> 0:44:24.719
<v Speaker 1>open it later. You never you know that ticket I

0:44:24.760 --> 0:44:28.279
<v Speaker 1>when you open it up, is a carbon copy plane

0:44:28.320 --> 0:44:31.000
<v Speaker 1>ticket like they had during the time. And I guarantee

0:44:31.040 --> 0:44:33.080
<v Speaker 1>you if you look up the dates of the flights

0:44:33.520 --> 0:44:37.000
<v Speaker 1>of that day, then flight numbers correct, the time is correct.

0:44:37.239 --> 0:44:40.040
<v Speaker 1>It's a carbon copy. And that's one of the things

0:44:40.080 --> 0:44:42.560
<v Speaker 1>I kept like. It ended up in my pocket. I

0:44:42.640 --> 0:44:44.279
<v Speaker 1>took it back to my trailer and I was like,

0:44:44.520 --> 0:44:46.320
<v Speaker 1>I'll give it to him tomorrow, and I forgot about it,

0:44:46.360 --> 0:44:48.000
<v Speaker 1>and I at the end, I just put it in

0:44:48.000 --> 0:44:49.279
<v Speaker 1>a book and took it home. So it's in a

0:44:49.320 --> 0:44:52.279
<v Speaker 1>book somewhere in my bookcase. Um. But like if they

0:44:52.320 --> 0:44:55.560
<v Speaker 1>handed you a file on hersheet, it was a file

0:44:55.760 --> 0:44:59.360
<v Speaker 1>on Hershe. It was twenty pages of information about Hershey,

0:44:59.520 --> 0:45:02.080
<v Speaker 1>and not same page over and over again. It was

0:45:02.239 --> 0:45:06.240
<v Speaker 1>someone someone somewhere had spent the weekend creating a file

0:45:06.320 --> 0:45:09.080
<v Speaker 1>on Hershey candy bar. And so in the scene when

0:45:09.120 --> 0:45:12.560
<v Speaker 1>you look down at any page. You could become lost

0:45:12.800 --> 0:45:16.160
<v Speaker 1>in that the world was so like there was a

0:45:16.760 --> 0:45:19.800
<v Speaker 1>moment where Elizabeth had a poster of a jazz festival

0:45:20.640 --> 0:45:22.879
<v Speaker 1>um and the behind her and like Matt came into

0:45:22.920 --> 0:45:25.640
<v Speaker 1>a rehearsal was like, Nope, that doesn't happen for three months.

0:45:25.680 --> 0:45:27.000
<v Speaker 1>Take it down, get the other one, or that's not

0:45:27.080 --> 0:45:28.759
<v Speaker 1>until next year, or you know something like you know,

0:45:28.920 --> 0:45:32.440
<v Speaker 1>just the detail that painting hasn't painted yet, that hasn't

0:45:32.440 --> 0:45:35.680
<v Speaker 1>happened yet. Like that. Housewives was similar in the sense

0:45:35.760 --> 0:45:39.120
<v Speaker 1>that Mark Cherry and and and Matt Winer gave you

0:45:40.040 --> 0:45:43.400
<v Speaker 1>the box man, here's the box, this is this is

0:45:43.480 --> 0:45:46.120
<v Speaker 1>the box we're playing in, and then you could go

0:45:46.320 --> 0:45:50.279
<v Speaker 1>crazy in that box. And I remember getting to lethal

0:45:50.360 --> 0:45:52.759
<v Speaker 1>weapons and I was like, okay, tell me what the

0:45:52.800 --> 0:45:55.360
<v Speaker 1>boxes where? You give me the box and and and

0:45:55.440 --> 0:45:57.200
<v Speaker 1>they're like, that's cool, let's do whatever you're doing. Great.

0:45:57.360 --> 0:45:59.560
<v Speaker 1>I'm like, no, but I need what's the what's the

0:45:59.680 --> 0:46:01.719
<v Speaker 1>give me? Give me the box man, what's give me this?

0:46:01.840 --> 0:46:03.560
<v Speaker 1>But I didn't I need this box? So I can.

0:46:03.680 --> 0:46:05.359
<v Speaker 1>They're like, no, you're doing what you're doing great, it's fun.

0:46:05.800 --> 0:46:10.600
<v Speaker 1>I'm like, but can we And I love Matt Miller's great,

0:46:10.640 --> 0:46:13.000
<v Speaker 1>but Matt Miller doesn't have the box like those He's

0:46:13.040 --> 0:46:15.719
<v Speaker 1>not as he's not as uptight about his world as

0:46:15.760 --> 0:46:18.680
<v Speaker 1>they are in that way. But I liked I like

0:46:18.840 --> 0:46:20.920
<v Speaker 1>the box man, I like having the box. And then

0:46:21.239 --> 0:46:23.560
<v Speaker 1>the confidence thing I got lucky it was that was

0:46:23.600 --> 0:46:25.920
<v Speaker 1>one of those auditions were in the room. I mean

0:46:25.960 --> 0:46:27.960
<v Speaker 1>that it was at the height. Man, Everyone in l

0:46:28.040 --> 0:46:29.600
<v Speaker 1>A love that. Everyone in l A knew the show.

0:46:29.640 --> 0:46:30.880
<v Speaker 1>I don't know how about it. I don't know if

0:46:30.880 --> 0:46:33.440
<v Speaker 1>it had won words already. It was it was part

0:46:33.480 --> 0:46:36.000
<v Speaker 1>of the Psycheist already when I read for it, and

0:46:36.760 --> 0:46:38.200
<v Speaker 1>in the and I don't remember who they were, but

0:46:38.200 --> 0:46:40.960
<v Speaker 1>I remember in the room knowing everyone in the room,

0:46:41.400 --> 0:46:43.680
<v Speaker 1>like you recognized every actor in that room. They had

0:46:43.680 --> 0:46:46.000
<v Speaker 1>all done stuff, they all worked, they were all good,

0:46:46.440 --> 0:46:47.839
<v Speaker 1>and it was one of those moments it's like, Okay,

0:46:47.920 --> 0:46:50.360
<v Speaker 1>here's my take, here's my take on it. This is

0:46:50.400 --> 0:46:53.320
<v Speaker 1>what I think the guy doesn't is and and this

0:46:53.440 --> 0:46:54.880
<v Speaker 1>is the other thing they don't. I don't know if

0:46:54.920 --> 0:46:57.480
<v Speaker 1>you know this, but they they never told you who

0:46:57.520 --> 0:47:01.480
<v Speaker 1>you were actually reading for and with like all the

0:47:01.600 --> 0:47:04.560
<v Speaker 1>names have been changed. So when you get the audition scene,

0:47:04.640 --> 0:47:06.319
<v Speaker 1>it's a scene from the show, but they don't want

0:47:06.320 --> 0:47:08.960
<v Speaker 1>anyone to know what's happening in the show, so they've

0:47:09.040 --> 0:47:12.120
<v Speaker 1>changed the names. And so I just figure. I just

0:47:12.400 --> 0:47:14.320
<v Speaker 1>I was like, Oh, this guy's talking to John Draper.

0:47:14.760 --> 0:47:16.640
<v Speaker 1>This has to be with Don you know, if he's

0:47:16.640 --> 0:47:18.640
<v Speaker 1>gonna come out, he's gonna it was this The Benny

0:47:18.680 --> 0:47:21.440
<v Speaker 1>Hannes scene was my audition scene, and I was like, Oh,

0:47:21.480 --> 0:47:23.920
<v Speaker 1>he's talking to Don Draper and he's sucking with him.

0:47:24.000 --> 0:47:26.719
<v Speaker 1>He thinks he's as good as Don Draper. That's the guy.

0:47:27.080 --> 0:47:29.680
<v Speaker 1>He's gotta he's gotta be as confident, but he's got

0:47:29.800 --> 0:47:32.879
<v Speaker 1>to do it differently. It's gotta be with a smile, right,

0:47:33.400 --> 0:47:35.560
<v Speaker 1>And that's I guessed correctly in the sense of like

0:47:35.680 --> 0:47:37.560
<v Speaker 1>of like what they were looking for for the role,

0:47:38.040 --> 0:47:40.520
<v Speaker 1>and then brought my my my spice to it. Um.

0:47:41.680 --> 0:47:43.320
<v Speaker 1>It was fun, man, it was Oh my god that

0:47:43.600 --> 0:47:47.080
<v Speaker 1>it was. What a dream? What a dream? Everyone man.

0:47:47.239 --> 0:47:50.240
<v Speaker 1>Jay Ferguson, Uh, we had worked together on Judging Amy

0:47:50.760 --> 0:47:52.719
<v Speaker 1>and and then Slattery. We had worked together for a

0:47:52.840 --> 0:47:55.680
<v Speaker 1>minute on Housewives. So when I walked into my first

0:47:56.000 --> 0:47:59.480
<v Speaker 1>table read, there's two guys I know and love and

0:47:59.640 --> 0:48:02.440
<v Speaker 1>Slat's like, hey, Grom, come over here, man. You know

0:48:02.600 --> 0:48:05.000
<v Speaker 1>j already cool, you know John, Hey, this is Lizzie,

0:48:05.239 --> 0:48:06.920
<v Speaker 1>this is yesh Sa now and welcome to the you know,

0:48:06.960 --> 0:48:09.160
<v Speaker 1>welcome to our you know. And then Matt Winer would

0:48:09.160 --> 0:48:11.080
<v Speaker 1>come and be like, okay, welcome everyone. You're now part

0:48:11.120 --> 0:48:14.400
<v Speaker 1>of the Madman family. Um, do not tell anybody what

0:48:14.560 --> 0:48:16.359
<v Speaker 1>your character's name is. Do not telling me what year

0:48:16.360 --> 0:48:18.279
<v Speaker 1>it is. If you do, we will recast you, or

0:48:18.320 --> 0:48:22.440
<v Speaker 1>we'll re shoot without you. Welcome to the show. It's like,

0:48:22.480 --> 0:48:24.000
<v Speaker 1>if you want to read, if you want to read lines,

0:48:24.040 --> 0:48:25.640
<v Speaker 1>do not read it with anyone else. We have someone

0:48:25.680 --> 0:48:28.080
<v Speaker 1>to do that for you. If you tell anybody, if

0:48:28.120 --> 0:48:29.600
<v Speaker 1>you tweet about it, if you you know, I think

0:48:29.600 --> 0:48:32.120
<v Speaker 1>Twitter was just happening, Like if you if you talk

0:48:32.120 --> 0:48:33.480
<v Speaker 1>about it, if you tweet about if you put it

0:48:33.480 --> 0:48:35.440
<v Speaker 1>on social media, we will recast you, and we will

0:48:35.840 --> 0:48:40.760
<v Speaker 1>we will do it that you welcome, Welcome. I often

0:48:40.920 --> 0:48:47.680
<v Speaker 1>wondered about this because of the merger and everything else

0:48:47.800 --> 0:48:51.480
<v Speaker 1>that that happened through the show. Were you secure that

0:48:51.560 --> 0:48:54.920
<v Speaker 1>you were staying around? Did you know the story enough,

0:48:55.160 --> 0:48:57.640
<v Speaker 1>did you know that they were going to bring you on,

0:48:57.960 --> 0:49:00.360
<v Speaker 1>continue with you or was there a point where you

0:49:00.560 --> 0:49:03.359
<v Speaker 1>were sort of living in that limbo of of maybe

0:49:03.360 --> 0:49:07.239
<v Speaker 1>getting downsized the Chevy, the Chevy thing. Yeah, by that point,

0:49:07.280 --> 0:49:09.239
<v Speaker 1>I felt pretty confident. I felt like I felt like

0:49:09.280 --> 0:49:10.560
<v Speaker 1>I had a I had a place, I had a

0:49:10.600 --> 0:49:13.239
<v Speaker 1>place in the world. But it was I never got

0:49:13.320 --> 0:49:16.120
<v Speaker 1>overconfident in the sense that I and I never didn't

0:49:16.160 --> 0:49:18.960
<v Speaker 1>show up prepared like that was. I didn't get to

0:49:19.040 --> 0:49:20.640
<v Speaker 1>like they need me now, you know what I mean?

0:49:20.680 --> 0:49:22.920
<v Speaker 1>Like I always I always felt like I was replaceable,

0:49:23.680 --> 0:49:25.680
<v Speaker 1>but I didn't really get a I wasn't really afraid,

0:49:25.800 --> 0:49:27.480
<v Speaker 1>like you know, like when I got cast, I was

0:49:27.560 --> 0:49:30.799
<v Speaker 1>cast as a guest, a day player. Yeah, I think

0:49:30.880 --> 0:49:33.360
<v Speaker 1>that's where I'm going, because it felt like you just

0:49:33.680 --> 0:49:37.520
<v Speaker 1>kind of kept surviving. It felt like a four to

0:49:37.640 --> 0:49:42.080
<v Speaker 1>six episode arc rival for Don, and then you'd go away.

0:49:42.520 --> 0:49:45.200
<v Speaker 1>That's what That's sort of what I thought when I

0:49:45.360 --> 0:49:47.399
<v Speaker 1>when I was watching you and watching you on the show,

0:49:47.440 --> 0:49:50.480
<v Speaker 1>I was like, God, that's so great. I think that's

0:49:50.520 --> 0:49:52.840
<v Speaker 1>more my feeling is like that was that was so great,

0:49:52.880 --> 0:49:55.560
<v Speaker 1>That was so awesome, what a great character. And then

0:49:55.640 --> 0:49:58.040
<v Speaker 1>just kind of kept feeling like you were not going

0:49:58.080 --> 0:50:00.840
<v Speaker 1>to be there for that log like you know what.

0:50:00.880 --> 0:50:03.359
<v Speaker 1>I'm not in like a bad way, but just like, oh,

0:50:03.480 --> 0:50:06.279
<v Speaker 1>that's kind of what I what I expected the story

0:50:06.360 --> 0:50:07.840
<v Speaker 1>to be. And then and then I was just so

0:50:08.040 --> 0:50:10.640
<v Speaker 1>happy for you and obviously love the character and was

0:50:10.680 --> 0:50:12.920
<v Speaker 1>glad you were around. Well, Brian, this is this is

0:50:13.000 --> 0:50:14.680
<v Speaker 1>what I do. I show I show up on a

0:50:14.760 --> 0:50:17.760
<v Speaker 1>show as a guest star, and then I just sink

0:50:17.880 --> 0:50:21.400
<v Speaker 1>my hooks into him and I just charmed the pants

0:50:21.440 --> 0:50:22.920
<v Speaker 1>off of him and I and I won't let him

0:50:22.960 --> 0:50:25.520
<v Speaker 1>let me leave. I won't let them, you know. Paula

0:50:25.560 --> 0:50:30.080
<v Speaker 1>Malcolmson on on Deadwood. Uh, she she said to me that,

0:50:30.239 --> 0:50:32.920
<v Speaker 1>you know, at this end of season one, Milts was

0:50:32.960 --> 0:50:35.200
<v Speaker 1>going to kill her character. He was she was supposed

0:50:35.200 --> 0:50:37.279
<v Speaker 1>to die at the end of season one. She went

0:50:37.360 --> 0:50:38.840
<v Speaker 1>up to Milts and she's like, you're not killing me

0:50:39.280 --> 0:50:41.480
<v Speaker 1>in her in her beautiful irishex and she ain't killing me.

0:50:41.600 --> 0:50:44.600
<v Speaker 1>You can't kill me. You have to keep me. And

0:50:44.680 --> 0:50:46.200
<v Speaker 1>he did. He was like he got scared of me,

0:50:46.440 --> 0:50:48.760
<v Speaker 1>and he kept her. She lasted the whole whole whole series.

0:50:49.760 --> 0:50:52.680
<v Speaker 1>I I there was a sense of that at first.

0:50:53.040 --> 0:50:55.400
<v Speaker 1>You know, his cast is like two maybe three episodes

0:50:55.560 --> 0:50:57.560
<v Speaker 1>and it was day stuff. Man I got. My first

0:50:57.600 --> 0:51:00.239
<v Speaker 1>episode was one day. The next episode I did maybe

0:51:00.280 --> 0:51:02.560
<v Speaker 1>a day and a half, two days, and then um,

0:51:02.880 --> 0:51:05.240
<v Speaker 1>I think the first three or four episodes were day rates.

0:51:05.320 --> 0:51:07.120
<v Speaker 1>It was like you come in for the day, here's

0:51:07.120 --> 0:51:09.080
<v Speaker 1>here's what we're gonna pay you. There was no negotiation.

0:51:09.600 --> 0:51:11.960
<v Speaker 1>There's mad men. It's like, yeah, I'll do whatever you want, man.

0:51:12.719 --> 0:51:15.320
<v Speaker 1>And then there was there was a scene where I

0:51:15.400 --> 0:51:17.319
<v Speaker 1>was still day I was still day playing or at

0:51:17.400 --> 0:51:21.319
<v Speaker 1>least guest starring. And there's the scene where I've now

0:51:21.440 --> 0:51:23.480
<v Speaker 1>I've I have Peggy. Peggy has come to work for me,

0:51:23.840 --> 0:51:25.680
<v Speaker 1>and we have that scene where it's it's New Year's

0:51:25.680 --> 0:51:28.200
<v Speaker 1>Eve and we're looking at the commercial and I walked

0:51:28.200 --> 0:51:31.040
<v Speaker 1>into her office and they were like, look at each

0:51:31.040 --> 0:51:33.960
<v Speaker 1>other a little longer, like like we look, we're looking

0:51:33.960 --> 0:51:35.880
<v Speaker 1>at the cameras over here, and like, you know, we're

0:51:35.920 --> 0:51:37.560
<v Speaker 1>looking down together. We look up and look at each

0:51:37.600 --> 0:51:40.000
<v Speaker 1>other and look back down and they go just just

0:51:40.280 --> 0:51:42.880
<v Speaker 1>linger on the look a little longer. And Lizzie and

0:51:42.880 --> 0:51:44.600
<v Speaker 1>I are both like why, what's what's wrong with you?

0:51:44.680 --> 0:51:47.360
<v Speaker 1>And they're like, just look at each other longer, Like

0:51:47.440 --> 0:51:49.839
<v Speaker 1>you've done that since you have a relationship. Later we're

0:51:49.840 --> 0:51:53.600
<v Speaker 1>setting up the relationship and I'm like, oh oh, And

0:51:53.680 --> 0:51:55.440
<v Speaker 1>that was like to the end of the season, and

0:51:55.520 --> 0:51:57.560
<v Speaker 1>I didn't have any commitment to be on. I was like, yes,

0:52:00.120 --> 0:52:03.480
<v Speaker 1>look at her as long as long. And then they're

0:52:03.520 --> 0:52:05.719
<v Speaker 1>like then they're like they're like too much, wrong, too

0:52:05.840 --> 0:52:09.520
<v Speaker 1>much backing up? Wait, too much? Wait too much? No, no, no,

0:52:09.760 --> 0:52:11.960
<v Speaker 1>that's now. Now you've ruined it. Now you've ruined it.

0:52:12.440 --> 0:52:34.800
<v Speaker 1>Oh God, so good. So many shows you've been on

0:52:35.560 --> 0:52:40.719
<v Speaker 1>that I watch actually too. Bates Motel was a fun

0:52:40.840 --> 0:52:48.560
<v Speaker 1>one for me. Vera Farmiga so amazing, she's so briant,

0:52:48.640 --> 0:52:51.200
<v Speaker 1>she's so there's there's a handful of actors I've worked with,

0:52:51.320 --> 0:52:53.520
<v Speaker 1>and she's one of them. Lizabe Elizabeth Moss is another one,

0:52:54.320 --> 0:52:58.000
<v Speaker 1>um Hams and also another one, uh tyme Daily another one.

0:52:58.239 --> 0:53:01.719
<v Speaker 1>We're in a scene Mike coverage the cameras on me

0:53:02.360 --> 0:53:06.279
<v Speaker 1>and I'm watching them act and they're so good it

0:53:06.400 --> 0:53:09.120
<v Speaker 1>takes me out of the scene where I'm like, holy

0:53:09.280 --> 0:53:12.640
<v Speaker 1>sh it, that's good. I should how wow, that's really good,

0:53:13.040 --> 0:53:15.200
<v Speaker 1>Like this is what there's playing in my head. And

0:53:15.239 --> 0:53:17.359
<v Speaker 1>then I'm like, oh, shoot, I'm supposed to talk now.

0:53:17.760 --> 0:53:22.840
<v Speaker 1>Um So Dawn uh, but seriously, vera. For me, it happened.

0:53:22.840 --> 0:53:25.360
<v Speaker 1>There was a scene with her and Nestor and I

0:53:25.600 --> 0:53:28.640
<v Speaker 1>in my office of Bates Hotel, two of them. She

0:53:28.840 --> 0:53:31.920
<v Speaker 1>was sick like like this, like like had the fluish

0:53:32.400 --> 0:53:34.520
<v Speaker 1>Wait before COVID, you could be sick on set. She

0:53:34.680 --> 0:53:38.440
<v Speaker 1>was sick, like almost falling asleep in between takes, you know,

0:53:38.560 --> 0:53:40.920
<v Speaker 1>like they give her some tea and she'd cuttle up

0:53:40.920 --> 0:53:43.239
<v Speaker 1>and like take a little nap and um. But being

0:53:43.320 --> 0:53:45.160
<v Speaker 1>the trooper that she is, she stayed. And now it's

0:53:45.200 --> 0:53:47.600
<v Speaker 1>my coverage. Men, we've already shot her. She's done, so

0:53:47.760 --> 0:53:49.960
<v Speaker 1>she could have gone home. They we could easily have

0:53:50.440 --> 0:53:52.560
<v Speaker 1>a stand in read the lines for me and a

0:53:52.600 --> 0:53:54.080
<v Speaker 1>lot of people would just go home at that point.

0:53:54.239 --> 0:53:57.200
<v Speaker 1>She stayed and it's my coverage. And then she starts acting,

0:53:57.239 --> 0:54:01.520
<v Speaker 1>and I'm like, holy shit, that it's not only different

0:54:01.560 --> 0:54:05.040
<v Speaker 1>than what you did, but unique and specific to for me,

0:54:05.560 --> 0:54:07.880
<v Speaker 1>that you're doing this and I'm the only person that

0:54:07.920 --> 0:54:09.239
<v Speaker 1>gets to watch this right now. And I was like

0:54:10.640 --> 0:54:12.640
<v Speaker 1>Elizabeth Moss, same thing. There's a scene when I tell

0:54:12.680 --> 0:54:15.799
<v Speaker 1>her I've decided that I'm I'm I'm going to California,

0:54:16.200 --> 0:54:17.960
<v Speaker 1>and she's, you know, she says, you're she glad you

0:54:18.000 --> 0:54:21.160
<v Speaker 1>get to make those decisions and uh and my coverage. Man,

0:54:21.280 --> 0:54:23.239
<v Speaker 1>she she comes, she leaned into me and I was

0:54:23.280 --> 0:54:26.640
<v Speaker 1>like literally, I was like, holy balls, that is amazing.

0:54:27.000 --> 0:54:28.759
<v Speaker 1>That's so good. And I'm the only person that ever

0:54:28.800 --> 0:54:31.319
<v Speaker 1>gets to see that that was for me. And then

0:54:31.360 --> 0:54:32.920
<v Speaker 1>it's just a gift. It's what you know, it's what

0:54:33.080 --> 0:54:34.880
<v Speaker 1>a scene partner is supposed to be. And but you

0:54:34.880 --> 0:54:37.440
<v Speaker 1>don't always get that, you know, so when when you do,

0:54:37.640 --> 0:54:42.680
<v Speaker 1>it's it's special and exciting. Yeah. I, Um, that's awesome

0:54:42.719 --> 0:54:45.520
<v Speaker 1>to hear. That's so you can't I can't tell you

0:54:45.600 --> 0:54:48.000
<v Speaker 1>how happy I am to hear that about her. I

0:54:48.040 --> 0:54:52.560
<v Speaker 1>have not worked with her. Um you get mistaken for Spader? Yeah, yeah,

0:54:52.640 --> 0:54:57.040
<v Speaker 1>not not as much anymore. Um, there used to be.

0:54:57.200 --> 0:55:00.600
<v Speaker 1>There's Antonio's Pizza and the like I'm vent sure Boulevard

0:55:00.719 --> 0:55:02.759
<v Speaker 1>and Sherman Oaks. I don't know if it's still there

0:55:03.120 --> 0:55:05.080
<v Speaker 1>for the long For a long time, it was my

0:55:05.239 --> 0:55:08.360
<v Speaker 1>head shot that I signed James Spader. We put it

0:55:08.480 --> 0:55:13.160
<v Speaker 1>up when I first got to l A as this

0:55:13.280 --> 0:55:15.040
<v Speaker 1>woman on a red carpet. I don't know how I

0:55:15.200 --> 0:55:17.000
<v Speaker 1>was on this red carpet. I didn't had no business

0:55:17.040 --> 0:55:19.800
<v Speaker 1>being there. It was for Volcano with Pierce Brazen and

0:55:19.840 --> 0:55:22.799
<v Speaker 1>it was terrible. You know you'll never see it. Um.

0:55:23.000 --> 0:55:24.600
<v Speaker 1>So we're I'm walking, I don't know how I'm on

0:55:24.600 --> 0:55:28.839
<v Speaker 1>the red carpet. This woman James, James, James. I'm telling, like, James,

0:55:28.880 --> 0:55:31.040
<v Speaker 1>fucking answer her already. And I turned around, like what

0:55:31.680 --> 0:55:34.600
<v Speaker 1>She's like James pointing at me. I'm like, come here,

0:55:34.640 --> 0:55:36.160
<v Speaker 1>come here. I walk over and I go, who do

0:55:36.239 --> 0:55:38.000
<v Speaker 1>you think I am? She goes, You're James Spader and

0:55:38.120 --> 0:55:42.000
<v Speaker 1>I go, I'm really not choose, just sign it, and

0:55:42.080 --> 0:55:45.279
<v Speaker 1>I went all right, I signed James Spader and walked up.

0:55:45.280 --> 0:55:46.839
<v Speaker 1>I was like sure. I was okay, I'm not gonna

0:55:46.880 --> 0:55:48.960
<v Speaker 1>argue with you anymore. I know who I am. Um.

0:55:49.480 --> 0:55:51.120
<v Speaker 1>But it was what was that? What was the what

0:55:51.320 --> 0:55:57.640
<v Speaker 1>was his show with William Shatner? Of course, Boston Legal? No,

0:55:57.760 --> 0:56:00.440
<v Speaker 1>Boston Legal, Yeah, Boston Legal. I had an audition. This

0:56:00.560 --> 0:56:02.280
<v Speaker 1>is before I was a golfer. I had an audition

0:56:02.400 --> 0:56:06.480
<v Speaker 1>to go play Julie Bowen's ex husband, like a two

0:56:06.560 --> 0:56:09.480
<v Speaker 1>episode thing, to be her ex husband who was a

0:56:09.520 --> 0:56:12.719
<v Speaker 1>professional golfer. And it was a nothing, It was a

0:56:12.840 --> 0:56:14.640
<v Speaker 1>nothing part. It was like, I knew it wasn't gonna

0:56:14.640 --> 0:56:17.239
<v Speaker 1>go anywhere. There was a guest spot that I was like,

0:56:17.360 --> 0:56:19.960
<v Speaker 1>and I I James. We still looked enough alike that

0:56:20.040 --> 0:56:22.279
<v Speaker 1>I was like, this is my moment. This is my

0:56:22.560 --> 0:56:25.919
<v Speaker 1>Danny de Vito walking in. Who the funk wrote this moment?

0:56:26.080 --> 0:56:28.719
<v Speaker 1>You know? You know that story? Um, this is my moment,

0:56:28.760 --> 0:56:30.680
<v Speaker 1>So I'm gonna walk. I walked. I drove. This is

0:56:30.760 --> 0:56:34.640
<v Speaker 1>David Kelly Studios down in Manhattan Beach right, drive all

0:56:34.680 --> 0:56:37.320
<v Speaker 1>the way down there, parked my car. I go in

0:56:37.400 --> 0:56:39.640
<v Speaker 1>for the audition. Haven't even looked at the size. I

0:56:39.719 --> 0:56:41.760
<v Speaker 1>haven't even looked. I'm not I'm not there to audition.

0:56:42.360 --> 0:56:44.600
<v Speaker 1>And I walked. I wait my turn, And I walked

0:56:44.600 --> 0:56:46.640
<v Speaker 1>into the casting and producer's room and they're casting, the

0:56:46.680 --> 0:56:48.520
<v Speaker 1>producers theyre I'm like, hey, They're like, are you ready?

0:56:48.560 --> 0:56:51.160
<v Speaker 1>I like, nope, that this is parts not for me,

0:56:51.480 --> 0:56:53.640
<v Speaker 1>But I'm here to tell you that I should be

0:56:53.680 --> 0:56:58.239
<v Speaker 1>Spader's brother. I've signed his autograph. We look alike. I

0:56:58.280 --> 0:57:00.280
<v Speaker 1>could be I could be some kind of drug addict

0:57:00.400 --> 0:57:02.239
<v Speaker 1>or whatever I come to steal from him, But like,

0:57:02.520 --> 0:57:04.839
<v Speaker 1>you should write a part for me where I am

0:57:04.920 --> 0:57:09.439
<v Speaker 1>Spader's brother, and I'm expecting them to go, oh my god, yes,

0:57:09.640 --> 0:57:12.279
<v Speaker 1>look at you. You just like him. Of course you're

0:57:12.280 --> 0:57:19.800
<v Speaker 1>a young Spader. Silence, just dead silence, and they and

0:57:19.960 --> 0:57:23.440
<v Speaker 1>then then then there's like I feel I feel the anger.

0:57:24.680 --> 0:57:27.320
<v Speaker 1>They're like, are you fucking kidding me? And they look

0:57:27.360 --> 0:57:29.040
<v Speaker 1>at me and they're like, so are you going to read?

0:57:29.080 --> 0:57:33.280
<v Speaker 1>And I'm like no, I'm good. They thank you, and

0:57:33.320 --> 0:57:34.840
<v Speaker 1>I was like, Okay, thanks a lot, guys, see it.

0:57:34.960 --> 0:57:37.680
<v Speaker 1>I walk out and I was like, I never I

0:57:37.840 --> 0:57:40.000
<v Speaker 1>never got an audition for those again, I never. I

0:57:40.120 --> 0:57:42.000
<v Speaker 1>never got I never had an audition down there for

0:57:42.240 --> 0:57:44.200
<v Speaker 1>like the next five years. They're like, I got a

0:57:44.240 --> 0:57:46.840
<v Speaker 1>little little asterix next to my name and I was

0:57:46.920 --> 0:57:49.880
<v Speaker 1>not called back. You should have called me. I would have.

0:57:50.040 --> 0:57:53.520
<v Speaker 1>I would have put you in the office as Robert

0:57:53.600 --> 0:57:57.880
<v Speaker 1>California's brother. Oh my god, how did I not? I

0:57:57.920 --> 0:58:00.480
<v Speaker 1>should have been Robert California's brother. I think you would

0:58:00.480 --> 0:58:02.520
<v Speaker 1>have at least gotten a laugh out of our crew.

0:58:03.360 --> 0:58:05.280
<v Speaker 1>I don't know if if it would have happened. Was

0:58:06.000 --> 0:58:09.960
<v Speaker 1>Alison Jones still casting? Yes, al with Alison Jones, Yes,

0:58:10.480 --> 0:58:11.760
<v Speaker 1>she would have got I would have got a laugh

0:58:11.800 --> 0:58:17.080
<v Speaker 1>out with Alison because he at least she knows me. Yes, Um,

0:58:18.360 --> 0:58:25.040
<v Speaker 1>so much, great work, love Victor, Madam Secretary. You worked

0:58:25.080 --> 0:58:27.440
<v Speaker 1>with on Madam Secretary. I have to bring this up

0:58:27.480 --> 0:58:31.560
<v Speaker 1>because we started with this. Guys that I worked with,

0:58:31.800 --> 0:58:35.520
<v Speaker 1>I've totally lost touch. This is one of those things

0:58:35.600 --> 0:58:42.160
<v Speaker 1>where he definitively will not remember me, but every time

0:58:42.200 --> 0:58:45.040
<v Speaker 1>I see him, I get that same warm and fuzzy

0:58:45.120 --> 0:58:52.040
<v Speaker 1>feeling in circa nineteen. There we're starting with a nineteen.

0:58:52.720 --> 0:58:58.280
<v Speaker 1>It's early seven or some of you haven't been born yet.

0:58:58.640 --> 0:59:02.760
<v Speaker 1>I had had a friend and who got a play

0:59:03.000 --> 0:59:05.400
<v Speaker 1>at the New York Stage and Film Festival, and they

0:59:05.480 --> 0:59:07.200
<v Speaker 1>have sort of a company of actors and I think

0:59:07.280 --> 0:59:11.480
<v Speaker 1>that they're like a pick to come and do this play.

0:59:11.560 --> 0:59:16.160
<v Speaker 1>Reading was Jelko Vane and I remember watching him for

0:59:16.280 --> 0:59:19.200
<v Speaker 1>those I don't know, two weeks of working on this,

0:59:20.000 --> 0:59:25.000
<v Speaker 1>and I was like, oh, this guy is incredible. So

0:59:25.200 --> 0:59:28.680
<v Speaker 1>he's another one that whenever I see him on anything,

0:59:28.800 --> 0:59:31.720
<v Speaker 1>including Damages, which I watched which he won an Emmy for,

0:59:32.000 --> 0:59:34.720
<v Speaker 1>he was great. He was great on Damages, so good

0:59:34.800 --> 0:59:39.920
<v Speaker 1>on Damages. You enjoyed working with him? Oh, Jelko, Oh

0:59:39.960 --> 0:59:42.600
<v Speaker 1>my god, he's another one. He's another one. Of those people.

0:59:43.080 --> 0:59:45.240
<v Speaker 1>They're like, are you kidding me? He's small, he's not

0:59:45.320 --> 0:59:49.240
<v Speaker 1>a big man. Then he's short, but he has a

0:59:49.400 --> 0:59:53.600
<v Speaker 1>presence that is haunting when he wants when he needs

0:59:53.640 --> 0:59:55.520
<v Speaker 1>to be, and terrifying when he needs to be. Has

0:59:55.880 --> 0:59:58.919
<v Speaker 1>hit his moment with this girl and the one scene

0:59:58.960 --> 1:00:01.960
<v Speaker 1>in the oval office and he puts his hand up

1:00:02.760 --> 1:00:05.520
<v Speaker 1>to her face in the scene like he's gonna rip

1:00:05.600 --> 1:00:08.080
<v Speaker 1>her face off, and he got he I was watching

1:00:08.200 --> 1:00:10.200
<v Speaker 1>was it was a masterclass and how to be big

1:00:10.440 --> 1:00:13.240
<v Speaker 1>when you're not big, Like he had his arms up

1:00:13.480 --> 1:00:15.000
<v Speaker 1>and he does this thing with this girl and she

1:00:15.160 --> 1:00:18.120
<v Speaker 1>was towering over him. And this girl, the actual the

1:00:18.280 --> 1:00:21.520
<v Speaker 1>person the actors melted. She was like terrified of this man.

1:00:22.040 --> 1:00:23.880
<v Speaker 1>He's and he's and he and on top of that,

1:00:24.040 --> 1:00:29.480
<v Speaker 1>the best part is he is the kindest, most unassuming, humble,

1:00:30.120 --> 1:00:33.120
<v Speaker 1>sweet how's your family? How are you doing? You know,

1:00:33.320 --> 1:00:37.000
<v Speaker 1>just like he and Tea I could. I would have

1:00:37.080 --> 1:00:38.919
<v Speaker 1>done that show for for as long as they would

1:00:38.920 --> 1:00:40.600
<v Speaker 1>have had me. I would have I would have gladly

1:00:40.720 --> 1:00:44.200
<v Speaker 1>done four or five more years about just they so lovely.

1:00:44.360 --> 1:00:46.480
<v Speaker 1>Eric Stoltz was when the directing producers is a great

1:00:46.480 --> 1:00:51.520
<v Speaker 1>as well. Um, just like another family atmosphere where everybody

1:00:51.600 --> 1:00:53.840
<v Speaker 1>comes to work, to work hard, and it's gonna have fun.

1:00:53.920 --> 1:00:55.480
<v Speaker 1>And here we're gonna do our best version of this

1:00:55.600 --> 1:00:57.920
<v Speaker 1>and we're gonna go home Gore families, you know. Um,

1:00:58.280 --> 1:01:00.640
<v Speaker 1>but she'll come. Man, he's a he's a stud. What

1:01:00.760 --> 1:01:03.040
<v Speaker 1>a great dude. Another one, another one. I could just

1:01:03.120 --> 1:01:10.600
<v Speaker 1>watch him in scenes likely ship. That's so cool. Um.

1:01:10.960 --> 1:01:15.200
<v Speaker 1>I mean, your career is just it's amazing. I mean

1:01:15.320 --> 1:01:17.880
<v Speaker 1>it truly is a dream. The variety of roles that

1:01:17.920 --> 1:01:21.600
<v Speaker 1>you've been able to play. Literally, I do not have time.

1:01:21.960 --> 1:01:25.200
<v Speaker 1>I'm way too busy a person to talk about every

1:01:25.400 --> 1:01:28.280
<v Speaker 1>show that you've ever been in. You have to go

1:01:28.360 --> 1:01:30.480
<v Speaker 1>work on your chipping. I've got to go. Yeah, I've

1:01:30.480 --> 1:01:34.600
<v Speaker 1>gotta go work on my golf. Um. And not only

1:01:34.680 --> 1:01:40.600
<v Speaker 1>an amazing career, but also speaking of chipping a great humanitarian.

1:01:41.280 --> 1:01:44.120
<v Speaker 1>One of these years, I'm going to do it. You

1:01:44.200 --> 1:01:47.400
<v Speaker 1>have my pledge here. It's recorded for posterity. The rom

1:01:47.800 --> 1:01:53.760
<v Speaker 1>Celebrity Golf Tournament. You give so much to St. Jude's.

1:01:53.800 --> 1:01:57.240
<v Speaker 1>Talk to me about that, your passion for St. Jude's,

1:01:57.280 --> 1:02:00.240
<v Speaker 1>how that came about, and your commitment through your golf

1:02:00.280 --> 1:02:02.960
<v Speaker 1>tournament to them. My first ever job I told you

1:02:03.040 --> 1:02:04.840
<v Speaker 1>earlier was that Everything's Relative show. That was a with

1:02:05.040 --> 1:02:09.480
<v Speaker 1>Thomas production with Thomas as in Danny Thomas's son, Tony

1:02:09.520 --> 1:02:12.320
<v Speaker 1>Thomas is the Thomas and with Thomas, and we pretty

1:02:12.400 --> 1:02:14.800
<v Speaker 1>much shut with Thomas down. They did Soap, they did

1:02:14.920 --> 1:02:17.280
<v Speaker 1>Golden Girls, and I shut the doors on them as well.

1:02:17.320 --> 1:02:19.280
<v Speaker 1>I've shut the doors on a Minia show. I shut

1:02:19.320 --> 1:02:21.520
<v Speaker 1>the doors on that hole person. That whole building went down. Man,

1:02:21.600 --> 1:02:24.160
<v Speaker 1>we shut it down. Um, so I have that claim

1:02:24.200 --> 1:02:26.120
<v Speaker 1>to fame. So I felt like I owe the Thomas

1:02:26.200 --> 1:02:29.200
<v Speaker 1>family something by shutting those doors. So that was my

1:02:29.320 --> 1:02:31.960
<v Speaker 1>first connection with St. Jude. And then you know, I

1:02:32.360 --> 1:02:35.720
<v Speaker 1>I met Patrick and Patrick started his tournament now twelve

1:02:35.800 --> 1:02:38.960
<v Speaker 1>years ago. Patrick Warburton started his tournament twelve years ago,

1:02:38.960 --> 1:02:42.160
<v Speaker 1>I believe now. And Clark Rainy, who runs Patrick's tournament.

1:02:42.520 --> 1:02:45.160
<v Speaker 1>Clark called me about five years ago and said, hey,

1:02:45.280 --> 1:02:46.720
<v Speaker 1>we want to do an East Coast version of this

1:02:46.840 --> 1:02:51.000
<v Speaker 1>and we want you to be the namesake. And I said, well, okay,

1:02:52.320 --> 1:02:53.800
<v Speaker 1>and my wife was on the phone. We were going

1:02:53.840 --> 1:02:55.560
<v Speaker 1>somewhere where I put my works on speaker with me,

1:02:55.600 --> 1:02:57.720
<v Speaker 1>and I said, so clearly you've gotten to the rs

1:02:58.080 --> 1:02:59.920
<v Speaker 1>in your Rollodex, and no one else was stupid enough

1:02:59.920 --> 1:03:03.560
<v Speaker 1>to say, yes, are you kidding me? Like you want

1:03:03.600 --> 1:03:05.480
<v Speaker 1>me to go to Florida where I don't have any

1:03:05.520 --> 1:03:07.800
<v Speaker 1>family or no anyone where I'm at to have people

1:03:07.800 --> 1:03:12.320
<v Speaker 1>fly across country. I knew that we could do it,

1:03:12.600 --> 1:03:16.400
<v Speaker 1>and I was excited to try. And I once you

1:03:16.520 --> 1:03:20.080
<v Speaker 1>go to that hospital, um, you will, you will do

1:03:20.160 --> 1:03:22.280
<v Speaker 1>anything you can to support to support it. It's a

1:03:22.360 --> 1:03:25.320
<v Speaker 1>It's a special place for many many reasons. Uh, the

1:03:25.440 --> 1:03:27.680
<v Speaker 1>least of which is that they're trying to keep kids

1:03:27.720 --> 1:03:29.520
<v Speaker 1>from dying of cancer. That is the least of which

1:03:29.560 --> 1:03:33.600
<v Speaker 1>it is amazing. They share all their research, everything's free.

1:03:34.720 --> 1:03:37.680
<v Speaker 1>It's also interesting that in the nineteen fifties Danny Thomas

1:03:38.040 --> 1:03:41.320
<v Speaker 1>decided to do it in Memphis, Tennessee and took everyone

1:03:41.840 --> 1:03:45.040
<v Speaker 1>regardless of color, creed, or religion, which is a big

1:03:45.080 --> 1:03:47.800
<v Speaker 1>deal at the time. Uh So, there's there's a lot

1:03:47.840 --> 1:03:50.600
<v Speaker 1>of reasons that played that places. It's and it's it's hopeful.

1:03:51.280 --> 1:03:53.400
<v Speaker 1>I don't like hospitals. My mom was a nurse. There

1:03:53.440 --> 1:03:54.600
<v Speaker 1>was a lot of death in my family, so I

1:03:54.640 --> 1:03:57.600
<v Speaker 1>don't like being around hospitals in general. And um, this

1:03:57.720 --> 1:04:00.360
<v Speaker 1>place feels different. It just it feels people were walking

1:04:00.360 --> 1:04:02.880
<v Speaker 1>around there with smiles in their faces, and there's there's hope.

1:04:03.320 --> 1:04:06.760
<v Speaker 1>There's hope there. And so I would do anything I

1:04:06.840 --> 1:04:09.760
<v Speaker 1>could to help and so and I'm proud my name's

1:04:09.800 --> 1:04:15.280
<v Speaker 1>on it. It's awesome. Thank you for your generosity and

1:04:15.440 --> 1:04:18.560
<v Speaker 1>your work. I want you to know, you know, we

1:04:18.640 --> 1:04:21.720
<v Speaker 1>don't see each other very often, but it is always

1:04:22.000 --> 1:04:26.920
<v Speaker 1>so so my pleasure. Thank you so much for joining

1:04:27.000 --> 1:04:29.120
<v Speaker 1>me and before I feel the same way, Brian. I

1:04:29.160 --> 1:04:30.640
<v Speaker 1>feel the same way, man, And like I think the

1:04:30.680 --> 1:04:32.120
<v Speaker 1>last time we r indo each other was at the

1:04:32.280 --> 1:04:34.880
<v Speaker 1>at the BMW like four or five years ago. And

1:04:34.960 --> 1:04:36.720
<v Speaker 1>every time I see you on those tournaments on TV

1:04:36.840 --> 1:04:39.080
<v Speaker 1>play and I get so excited. Other people I'm like,

1:04:39.120 --> 1:04:40.440
<v Speaker 1>how the fund did that guy get an invite at

1:04:40.480 --> 1:04:42.760
<v Speaker 1>the tournament? Every time I see you, I'm excited you

1:04:42.960 --> 1:04:46.080
<v Speaker 1>you deserve it. You're a good guy. I'm proud of you. Uh.

1:04:46.640 --> 1:04:50.120
<v Speaker 1>And I was again one more apology. I was so

1:04:50.280 --> 1:04:52.800
<v Speaker 1>wrong about the office. It was really good. It was

1:04:52.920 --> 1:04:56.600
<v Speaker 1>really really good. You were amazing. Uh, Steve turns out,

1:04:56.640 --> 1:04:58.680
<v Speaker 1>Correl turns out, Correll, you can it could be an

1:04:58.720 --> 1:05:00.840
<v Speaker 1>American office. It turns out, no, I didn't know it

1:05:01.040 --> 1:05:03.160
<v Speaker 1>was wrong. I was wrong. I admitted, I admitted freely.

1:05:03.200 --> 1:05:06.040
<v Speaker 1>I apologize for the condescension. Um, you and your two

1:05:06.120 --> 1:05:09.040
<v Speaker 1>houses and your private golf club membership and deserve it. Um.

1:05:10.000 --> 1:05:12.200
<v Speaker 1>Let me let me just say this. Let me just

1:05:12.280 --> 1:05:17.480
<v Speaker 1>say this. I am very very glad you were wrong

1:05:17.560 --> 1:05:25.560
<v Speaker 1>as well. Thank you, Thank you so much, Kevin. My pleasure,

1:05:25.640 --> 1:05:40.640
<v Speaker 1>My pleasure, Kevin, Thank you so much. This was such

1:05:40.680 --> 1:05:46.320
<v Speaker 1>a treat. Congratulations again for all you are doing for St. Jude's.

1:05:46.440 --> 1:05:50.840
<v Speaker 1>And yes, I will join you on the course next year.

1:05:51.240 --> 1:05:54.320
<v Speaker 1>I truly mean that. Thanks so much for your time

1:05:54.640 --> 1:05:59.160
<v Speaker 1>and well your deep diviness and listeners. Make sure to

1:05:59.240 --> 1:06:02.960
<v Speaker 1>catch us on Thursday this week for a sports edition

1:06:03.320 --> 1:06:06.040
<v Speaker 1>of Off the Beat. I will also be back at

1:06:06.080 --> 1:06:09.840
<v Speaker 1>it next Tuesday. One might call it double the Fun,

1:06:10.360 --> 1:06:14.560
<v Speaker 1>double the magic, double the me. Basically, I just coined

1:06:14.560 --> 1:06:16.760
<v Speaker 1>a catchphrase, maybe I'm going to talk to you soon.

1:06:22.040 --> 1:06:24.800
<v Speaker 1>Off the Beat is hosted an executive produced by me

1:06:25.160 --> 1:06:30.040
<v Speaker 1>Brian Baumgartner, alongside our executive producer Langley. Our producers are

1:06:30.160 --> 1:06:34.720
<v Speaker 1>Diego Tapia, Liz Hayes, Hannah Harris, and Emily Carr. Our

1:06:34.800 --> 1:06:38.760
<v Speaker 1>talent producer is Ryan Papa Zachary and our intern is

1:06:38.840 --> 1:06:43.360
<v Speaker 1>Sammy Katz. Our theme song Bubble and Squeak performed by

1:06:43.440 --> 1:06:47.200
<v Speaker 1>my great friend Creed Bratton, and the episode was mixed

1:06:47.360 --> 1:07:00.120
<v Speaker 1>by seth O Landscape m