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Speaker 1: And the first boom is made, like walking into the

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Speaker 1: kitchen and finding like the knife in the middle of

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Speaker 1: the cake. That's gotta be like the first one, Like that's.

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Speaker 2: The breadcrumbs and flower.

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Speaker 1: Yeah, Like, this bitch is crazy. She she goes to

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Speaker 1: take a shower and she comes out fully dressed. It's like, Yo,

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Speaker 1: you got dressed in the bathroom.

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Speaker 3: That was a very specific that's very specific.

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Speaker 1: Yeah, that's crazy. Right if you see a girl going

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Speaker 1: to the bathroom and take a shower she comes out

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Speaker 1: fully dressed, Like, this bitch is crazy. She got a rash,

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Speaker 1: a rash. No, we're not doing a rash. We're not

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Speaker 1: doing the rash. You know, gonna tell me you got dressed.

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Speaker 1: If I feel the time lights, if I feel Exema,

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Speaker 1: turn of lights on my nigga. You're not about to

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Speaker 1: just pop ex him up on me in the middle

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Speaker 1: of sex, my nigga. Like, if I'm rubbing on you,

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Speaker 1: worry got a huge blow.

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Speaker 4: I call it te bow.

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Speaker 5: I strapped that bitch with a gator band. Y'all niggas

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Speaker 5: ball half time. Y'all niggas like the gator band. Y'all

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Speaker 5: niggas need to time out. Who got these niggas gonna

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Speaker 5: wind up. I'm seven thirty. Y'all know where y'all nigga's

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Speaker 5: gonna wind up. You know I missed the nice guy.

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Speaker 1: Hell miss night. Welcome to a new episode of the

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Speaker 1: New Rory just say the new invert. I'm sorry, I apologize.

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Speaker 1: Welcome to a new episode of New Rory and Mall Podcast.

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Speaker 1: I am Mall, I'm Rory, and we are back to

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Speaker 1: talk to you beautiful people. Good morning, good afternoon, good night,

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Speaker 1: depending on where you are in the world world. Yes,

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Speaker 1: hopefully you had your baking egg and cheese, your uh,

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Speaker 1: your green tea, your camera mill, whatever you're eating or

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Speaker 1: drinking on your way to work. To go make the

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Speaker 1: white man rich. Rory, that right, got to get off

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Speaker 1: to the ra Gotta get up every morning to make

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Speaker 1: the white man rich.

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Speaker 2: Pork and white men.

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Speaker 1: There you go.

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Speaker 2: That's our intro.

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Speaker 1: Gotta start your day with swine and divine. How you

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Speaker 1: guys doing, y'all look good? Y'all look good. Julie, you

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Speaker 1: look good. Extra moves in the hair. What's that gorilla? Snot?

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Speaker 1: I know, girless, not when I see it?

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Speaker 4: You really know about the gorilla?

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Speaker 1: Off from uptown? We don't do that, you know from

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Speaker 1: I'm from uptown. Yeah, same thing.

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Speaker 2: It sounds racist, but go ahead, let's not. I you

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Speaker 2: just keep going.

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Speaker 1: You don't know what I use?

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Speaker 2: Yeah, who named that?

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Speaker 6: Like?

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Speaker 2: Who approved that name?

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Speaker 1: Because it was like gorilla glue was like a strong

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Speaker 1: form of glue. So the gorilla people they made gorilla

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Speaker 1: their hair.

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Speaker 7: Who are gorilla people people?

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Speaker 2: There are Wait, you're about to tell me that the

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Speaker 2: gorilla glue people are also in hair products? Now absolutely,

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Speaker 2: speaking of product, that's how that girls Gorilla's mooses.

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Speaker 1: I can't keep up.

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Speaker 8: Speaking of products, can we talk about how Demeris has

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Speaker 8: a Fiji bottle filled with wine?

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Speaker 9: I think this isn't wine. This is my brain juice,

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Speaker 9: brain juice.

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Speaker 1: Explain further. That's why.

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Speaker 2: Yeah, brain juice is my favorite.

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Speaker 1: You gotta have a good couple of brain juice.

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Speaker 9: I have.

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Speaker 2: When she has that brain juice.

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Speaker 9: My brain like focus.

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Speaker 4: Yeah, what's in the brain juice that helps you focus?

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Speaker 1: Wine?

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Speaker 6: Savvian Barefoot, Barefoot, Brainers, Barefoot, Moscatto Barefoot, brain Juice, Black Flat,

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Speaker 6: Bravo really think.

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Speaker 1: This is the craziest bunch of podcasts, and I promise

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Speaker 1: you it is. Are you feeling. You're good. Okay, you're good.

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Speaker 1: I like, I love young energy. She's just like a

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Speaker 1: fly on the wall. Yeah, she's just like here hanging out,

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Speaker 1: just like whatever. I'm capturing the moment. That's how you

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Speaker 1: know the man. You look good, you look good. Thank

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Speaker 1: you man. I saw I saw a fly you have?

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Speaker 2: Can we put it in the lower third?

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Speaker 1: Fly? Not a fly? And I just want to let

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Speaker 1: you know I support you. And one day I am

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Speaker 1: gonna pull up to one of your parties.

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Speaker 10: I just it's not a fly. Can it's a motion

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Speaker 10: graphic about.

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Speaker 2: It's an experience. It's not a fly called the motion graphic.

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Speaker 4: Sorry, I have something to plug.

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Speaker 1: It's called a motion graphic. Is that is that what

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Speaker 1: It's called motion graphic? Motion graphics? So it is. I'm

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Speaker 1: scrolling through Instagram and I saw motion. I saw two eddings.

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Speaker 1: I thought editings. You and his twin brother to the world,

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Speaker 1: and I'm like, oh, this is editing, but like two

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Speaker 1: different looks. This is like his sophisticated, I mean business

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Speaker 1: and then he has his T shirt.

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Speaker 2: Button up like get you a man that can do both?

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Speaker 1: Yeah, that's that's what that is. So certified. This is

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Speaker 1: a this is a is this what are you doing here?

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Speaker 1: It's just a show, a podcast.

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Speaker 10: So I used to work for this record pool called

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Speaker 10: heavy Hits dot Com. Shout out to them, and I

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Speaker 10: did an exclusive mix for them that's available on mix cloud.

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Speaker 7: Right now, this looks like you're about to pick someone.

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Speaker 2: Look what fire emojis? Oh my god, thank you.

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Speaker 1: I appreciate it. Hit Julian though he looks like he's

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Speaker 1: about to pimp someone's ride.

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Speaker 2: You didn't hear edding. I did an exclusive mix.

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Speaker 4: I did the one and only available, so.

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Speaker 2: Warrant it, like, yo, you get one to edding. But

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Speaker 2: that's just not enough.

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Speaker 1: Is this the mix?

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Speaker 2: Are the mixing you?

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Speaker 4: They're mixing me?

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Speaker 2: This is you on the turntable.

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Speaker 10: That's me going round And I just I just love you, man,

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Speaker 10: I just I look forward.

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Speaker 9: I hate that quarter, right, but I just love that

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Speaker 9: you hate the quarter. I hate that ship.

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Speaker 4: Hate is a song word.

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Speaker 9: Hey what his corduroy button app No, that's what he's

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Speaker 9: supposed to be.

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Speaker 4: That's the swag.

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Speaker 1: Yeah, that's the swag. That's just you know, I mean,

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Speaker 1: that's how he coming into the party and he take

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Speaker 1: that off, show you the T shirt under it? And

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Speaker 1: that means he's getting into the full mix his party time.

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Speaker 2: And when I know what the T shirt says, what

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Speaker 2: does you say?

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Speaker 4: Kind of hate it?

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Speaker 1: This is one of one. Cannot eat it.

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Speaker 2: But there's two of you because one of one. Yeah,

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Speaker 2: there's two of me, one of two, one of two?

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Speaker 2: Oh god, did you choose those both those images?

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Speaker 7: No?

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Speaker 4: I only well actually had the one, the one with

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Speaker 4: the yeah with the hated button down.

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Speaker 1: Yeah.

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Speaker 2: Do you have like a folder that's like just for flyers?

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Speaker 2: I do, of course you do.

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Speaker 1: Don't you?

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Speaker 2: Did you send notes on this? Let it rotate it?

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Speaker 1: I haven't. No, he just said that to me, let

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Speaker 1: it put it out.

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Speaker 2: Yeah, and you picked that that aesthetic, that color, the pink.

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Speaker 9: No, they with the rest of his page.

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Speaker 4: It goes with the Yeah, it goes with the heavyheads colors.

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Speaker 2: This looks like if the H and M on forty

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Speaker 2: second Street had a bisexual section specific for clothing, because

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Speaker 2: there's two and this would be the ad.

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Speaker 9: Yeah, you look, that's a very fluid button up.

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Speaker 4: That's a fluid button up.

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Speaker 7: And it looks like he puts the pin stripes on

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Speaker 7: the cars.

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Speaker 2: For sure, he.

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Speaker 4: Does what I put the pin stripes in the cars.

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Speaker 2: It's really in the cooking. So we're gonna put a

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Speaker 2: whole stove in his trunk.

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Speaker 1: We don't talk about Pimp My Ride enough.

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Speaker 2: I love it Iconic Show, but there needed to be

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Speaker 2: a follow up of all those cars, Like they need

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Speaker 2: to go back to all the same people and we

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Speaker 2: need to see how long any of that.

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Speaker 1: I want to see the Pimp My Ride cars now today.

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Speaker 7: They're probably all fucked up scrapyard like.

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Speaker 1: I want to see them today, like one, Yes, I'm

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Speaker 1: dying to see the one that had the fish tanking.

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Speaker 7: I was gonna say, imagine, get to get a car,

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Speaker 7: like what do you.

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Speaker 1: Think is in that fish take right now? Like car?

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Speaker 1: What is in that fish take right now?

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Speaker 2: Like today, they should have just followed every car for

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Speaker 2: about an hour just to see the potholes and what

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Speaker 2: they did afterwards.

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Speaker 1: They meant, well, it was a great concept to take

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Speaker 1: a car that was kind of beat up and then

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Speaker 1: turn it into like this futuristic great concept.

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Speaker 2: They took people with shitty cars and took them from

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Speaker 2: shitty cars to liabilities. Yeah, they just added more bullshit

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Speaker 2: to these people.

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Speaker 1: Great show on Iconic Show. Yeah, exhibit we had we

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Speaker 1: had a week together. We shot some stuff this week together,

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Speaker 1: so I kind of felt like I saw you guys

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Speaker 1: during the week. We had some fun. They'll see what

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Speaker 1: we did, I guess at some point eventually.

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Speaker 2: Yeah, Moore will be revealed on Patreon more revealed.

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Speaker 1: Your parents are here. I saw you posting a picture

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Speaker 1: with dad at the at the museum. Yeah, happy seventy three,

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Speaker 1: Happy seventy three to your father. Seventy age. That man looks.

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Speaker 7: It looks.

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Speaker 1: Yeah.

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Speaker 8: When we when we went out to dinner, because I

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Speaker 8: took him to dinner the first night, and then last time.

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Speaker 7: We hit a jazz show and we went to the

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Speaker 7: jazz show.

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Speaker 8: The woman at the door was like, oh, like, we're

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Speaker 8: here for birthdaycause I put a reservation and let him know.

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Speaker 8: And she goes, well, it says the birthday boys turning

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Speaker 8: seventy two, Like where is he?

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Speaker 7: My dad's dating right there, and she's like, not, like

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Speaker 7: is he late? He's right here. He's not seventy too. Yeah,

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Speaker 7: like no one believes that he's that old.

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Speaker 1: But it was good. He looks good. He looks good. Yeah.

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Speaker 8: Black History months over, but shout out to President Black fathers.

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Speaker 7: My dad is my hero. He's a legend. Love him

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Speaker 7: to death.

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Speaker 1: Shout to your dad.

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Speaker 7: Had a great couple of days with him and my mom.

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Speaker 7: That was a lot of fun.

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Speaker 4: That's good.

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Speaker 1: Shout out to the parentsals.

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Speaker 2: It was weird, how like his tone and he said

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Speaker 2: Black History Month was over? You seemed a little excited.

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Speaker 1: He couldn't wait to get February out of here. Showed

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Speaker 1: this month of the year. You just couldn't couldn't, couldn't stand.

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Speaker 7: It's day.

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Speaker 1: Get it the race. That's a nasty race when it's

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Speaker 1: Saint Patty's Day. Let's even get there. Turn the calendar

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Speaker 1: race to the potato. How do you feel now that

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Speaker 1: your people are coming up right after our month? Roriates

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Speaker 1: we have to celebrate you and the gingers.

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Speaker 2: I mean, well, you know, I get on whatever. Like

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Speaker 2: the Hotep version of Irish is me. I don't really

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Speaker 2: like Saint Patrick stand. It's exploited. I think it's not

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Speaker 2: a good representation of our people. I think it's a mockery.

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Speaker 2: I think it's bad stereotypon.

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Speaker 11: You guys don't drink all day every day and get

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Speaker 11: past all wasted.

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Speaker 2: Yeah, but like that's our own personal business. You don't

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Speaker 2: need to celebrated.

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Speaker 1: You don't have to put that out there to the world. Yeah,

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Speaker 1: you don't what the world know about what we're.

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Speaker 2: Doing, Like that shouldn't be the celebration for everyone else

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Speaker 2: to do it and be like, hey, guys, I feel.

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Speaker 1: Like Saint Patrick's Day is like Irish, Like what is it?

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Speaker 1: Santa Con?

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Speaker 4: Irish Santa.

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Speaker 2: And that's my problem with Saint Patrick's. I just thank

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Speaker 2: you for some of it.

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Speaker 1: I mean, you know how we how New York Saint

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Speaker 1: Patrick's Day. So I just feel like like, oh, it's

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Speaker 1: Saint Patty's Day, and I feel like Santa Con is

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Speaker 1: like it's like white, like just white man.

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Speaker 4: What's black? Santa Coon?

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Speaker 8: Like Summer Jam Jordan relations will watch your mouth, that's

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Speaker 8: number one.

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Speaker 2: He has a bit of a point, though usually I

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Speaker 2: hate watch comedy.

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Speaker 1: Here Summer Jam. Yeah, Summer Jam is.

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Speaker 4: It wasn't Powerhouse.

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Speaker 1: It definitely not give us Summer Jam.

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Speaker 2: Puerto Rican Day Parade, plenty of black people at.

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Speaker 9: The West Indian Day Parade.

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Speaker 10: Actually you cannot say Santa Con is the West Indian Parade.

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Speaker 2: Yeah, it's like why Clef's version of it, Well, he's

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Speaker 2: always on, He's always on the float.

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Speaker 1: Black Clup just took that earthquake money and we never

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Speaker 1: heard from him again, did we?

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Speaker 2: I have been waiting for this who's gonna come out first?

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Speaker 2: My album or the TLC album that we all paid

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Speaker 2: for your album? We are not getting he brogted with

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Speaker 2: that money.

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Speaker 1: We are not getting that TLC project.

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Speaker 2: And then she just went on some ghost show and

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Speaker 2: found Left Eye and it just went under the radar.

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Speaker 1: We missed you. We missed you during the taping, Damaris.

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Speaker 1: It would have been lovely to have you there. Hopefully

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Speaker 1: you would have gotten So we can't tell the people

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Speaker 1: what we did.

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Speaker 9: But you know I don't have any either, do it.

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Speaker 7: It's gonna change we could.

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Speaker 1: We're gonna change that though, because I'm gonna change it.

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Speaker 9: No, I don't know. I'm very I'm pure and untouched.

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Speaker 1: You are not untouched.

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Speaker 7: It was like shoot up bubble them in the Virgin Mary, Jessica,

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Speaker 7: get my accident.

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Speaker 1: You are not untouched.

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Speaker 2: Uh so we got to touch by an angel? I

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Speaker 2: understand touched by a name. Al what she's wearing. You know,

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Speaker 2: she dated somebody named Angel.

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Speaker 9: Never dated somebody name Look and.

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Speaker 2: She still writes them to this day.

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Speaker 1: Yeah.

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Speaker 4: Still, it's not free.

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Speaker 7: He's not free.

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Speaker 1: He's definitely not free. There's no Ange, there's no free

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Speaker 1: angels walking around in the world. Every guy named Angel

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Speaker 1: is definitely locked up. For sure, we did get the

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Speaker 1: Dreamville Fest lineup. I was I'm not lied Rory. When

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Speaker 1: I saw this. I almost called you because I was great.

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Speaker 1: I feel like we had a lot to talk about.

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Speaker 1: This lineup maybe one of the best lineups I've probably

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Speaker 1: ever seen at the festival.

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Speaker 2: Headliner wise, for sure, you're going, I'm definitely going to this.

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Speaker 1: Are you kidding me? One thousand percent? Well, I mean yes,

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Speaker 1: we we're all going. Yomi too. Yomy's going Dreamville fast

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Speaker 1: April first to April second. They announced the lineup. Headliner Saturday,

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Speaker 1: April first, Usher's headlining. That's huge, this is Usher.

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Speaker 7: You think he's gonna bring the skates.

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Speaker 9: I was just about to say that I would hope.

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Speaker 7: So I would hope. Not I hope.

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Speaker 1: I think the skate hates No, no, no, see, don't do that.

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Speaker 1: I don't hate the skates. I just think that the

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Speaker 1: skates need to stay in Vegas. Okay, that's all.

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Speaker 7: That's fair, that's all.

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Speaker 1: I just think the skates. I think it's dope that

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Speaker 1: Usher can perform on skates, that he can, He does

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Speaker 1: a whole choreograph set on roller skates. I think that

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Speaker 1: superfly that speaks to another level of his talent and

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Speaker 1: his artistry. But leave this, don't bring the skates to Raley,

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Speaker 1: North Carolina. Leave the skates in Vegas. Let people go

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Speaker 1: to Vegas.

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Speaker 2: See that's if you like skated through the crowd and ship.

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Speaker 1: No, no, no, we're not gonna do that to Usher.

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Speaker 1: Let him dance, let him give us the hits, let

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Speaker 1: him perform, let him have Pyro wind all of that

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Speaker 1: ship on stage. We leave the roller skates on the

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Speaker 1: strip in Las Vegas.

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Speaker 2: Well, can we book this soon so I don't end

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Speaker 2: up in a crack motel like I did last stream

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Speaker 2: bill Fest?

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Speaker 1: Or Yes, we do need to We do need to

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Speaker 1: make this book, book our arrangements soon because I'm pretty

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Speaker 1: sure a lot of people are going down this year

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Speaker 1: for this lineup. Usher Day one is headlining with Little Dirk,

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Speaker 1: Our Lennox, City Girl, Sean Paul, Earth Gang, Jesse rees Key, Glock,

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Speaker 1: Sir lut Oman, Mark, Marcus Clay, and Vic Tony. Yes,

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Speaker 1: I don't know what from day one? Who are you

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Speaker 1: gonna yell for Who am I gonna yell for?

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Speaker 2: He's gonna yell for Ari, Sean Paul for sure, Sean

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Speaker 2: Paul's only ship.

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Speaker 1: Yeah, I'm gonna yell for Ari.

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Speaker 2: Wait, hold on, we're gonna put some respect on Sean

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Speaker 2: Paul's name. And what he could do at a festival.

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Speaker 1: Sean paulish, he got he got bangers like party movers.

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Speaker 2: Don't get it, like I'm going to sing along in

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00:13:01,520 --> 00:13:04,719
Speaker 2: the accent. Was like, you can't just mouth his That's

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Speaker 2: the thing about a Sean Paul show. You have to

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00:13:06,559 --> 00:13:09,280
Speaker 2: put on the access every rap shows you to wrap along.

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Speaker 2: You don't have to sound like them.

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Speaker 4: Is that how fucked up?

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Speaker 1: Paul?

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Speaker 11: MA?

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Speaker 1: Yeah, we may do my We've all done. Why do

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Speaker 1: you go to me? But that's royal? Yeah, but that's

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Speaker 1: that's also racist too.

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Speaker 7: How is that racist?

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Speaker 1: Because Iris speak, you're not you speak.

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Speaker 2: Say the closest dialect, the closest dialect in the world

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Speaker 2: is Irish to Jamaican.

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Speaker 11: Try it so that you're allowed.

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Speaker 1: To speak it. Do it?

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Speaker 2: No, just I would be speaking native tongue. My, yeah,

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Speaker 2: my native to. That's what the native tongues were, Jamaican

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Speaker 2: and Irish hip hop show.

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Speaker 4: I don't get it.

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Speaker 1: That's hilarious. Oh but yeah, I'll screamed for Ari obviously,

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Speaker 1: city girls. I'm gonna scream for the city girls.

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Speaker 2: Which one unna smack you?

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Speaker 1: Why?

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Speaker 2: I'm just I can't scream for young man.

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00:13:56,840 --> 00:13:59,440
Speaker 1: I'm champion, said the city girls. I didn't say one

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Speaker 1: in particular, said the groups.

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Speaker 2: Okay, but you'd still be them.

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00:14:03,360 --> 00:14:07,240
Speaker 1: Yeah, young Miami And what's the other one's name? Did

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Speaker 1: you j did you?

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00:14:08,920 --> 00:14:10,800
Speaker 2: Did you scream free j T? Till us backwards?

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00:14:11,440 --> 00:14:12,360
Speaker 1: No? I never screamed.

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Speaker 2: I feel like he tweeted that.

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Speaker 1: No, I definitely.

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00:14:14,280 --> 00:14:15,600
Speaker 2: I feel like we could pull up a tweet of

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Speaker 2: you saying free j T tell us backwards.

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Speaker 1: No, first of all, that's just hilarious. Your free JT

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00:14:21,760 --> 00:14:24,760
Speaker 1: until it's backwards JT three. You get it right? Yeah,

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00:14:24,880 --> 00:14:26,720
Speaker 1: I get it. But I've never screamed that. I've never

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00:14:26,720 --> 00:14:30,320
Speaker 1: tweeted that. Jesse Rayes. She's dope, She's super dope. I

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00:14:30,360 --> 00:14:33,040
Speaker 1: love her. Day two obviously is the day.

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00:14:33,560 --> 00:14:34,720
Speaker 2: Oh, we know you're gonna scream.

379
00:14:35,160 --> 00:14:37,320
Speaker 1: Oh my god, I'm gonna go crazy for Summer Walker.

380
00:14:37,360 --> 00:14:40,000
Speaker 2: You know that Drake and Summer Walker in the same.

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Speaker 1: Why they doing this to me?

382
00:14:41,520 --> 00:14:44,600
Speaker 2: This is like your same city, same night, Yeah, dreams.

383
00:14:44,960 --> 00:14:46,880
Speaker 1: No, it's a nightmare because now I'm just gonna have

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00:14:46,960 --> 00:14:50,320
Speaker 1: to have energy to just scream for like six consecutive hours,

385
00:14:50,320 --> 00:14:51,360
Speaker 1: and I don't know if I can do that.

386
00:14:51,600 --> 00:14:54,320
Speaker 2: So I've been I went to last year's Dreamville Fest,

387
00:14:54,480 --> 00:14:57,480
Speaker 2: and you know, rally Durham is a very quiet city,

388
00:14:57,720 --> 00:14:59,840
Speaker 2: so it's funny to watch the city be and just

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00:15:00,200 --> 00:15:03,240
Speaker 2: ray when something like this is here. I've seen New

390
00:15:03,320 --> 00:15:06,480
Speaker 2: York and l A get into disarray when Drake and

391
00:15:06,520 --> 00:15:09,120
Speaker 2: his and his friends show up when he runs through

392
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Speaker 2: the city with his woes, They're gonna burn down Riley,

393
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Speaker 2: North Carolina.

394
00:15:12,640 --> 00:15:16,160
Speaker 1: Yeah, it's gonna be crazy. J Cole and Drake headlining

395
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Speaker 1: with Somemer Walker, j I D, Glorilla Boss, Waka Floka,

396
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Speaker 1: Mario Iris, Iris, Star Baby Tay Caused, Jordan Ward and

397
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Speaker 1: my Guy Ruben Vincent and and Berna Boy. Yeah do

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Speaker 1: we think that? Do we do? Do we do we

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Speaker 1: want to have like a Do we want to have

400
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Speaker 1: like a same night, same city with Burna Boy and Schanpaul?

401
00:15:38,000 --> 00:15:38,320
Speaker 1: I might?

402
00:15:38,400 --> 00:15:41,160
Speaker 2: I might go legacy, Yeah, because I feel like I

403
00:15:41,160 --> 00:15:43,880
Speaker 2: could see Berna boy more than I could. You can

404
00:15:44,000 --> 00:15:46,560
Speaker 2: only see Shampaul every now and then. Yeah, I might go.

405
00:15:48,120 --> 00:15:48,800
Speaker 1: With s Paul.

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Speaker 9: The line between the usher and the Sean Paul. Day one.

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Speaker 9: I might have to dress like a video vixen, like

408
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Speaker 9: a two thousands.

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Speaker 2: Video, just like a video viction today right now, walk

410
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Speaker 2: a Live is gonna be crazy too, that's another thing. Yeah,

411
00:16:03,600 --> 00:16:05,960
Speaker 2: we might have to get some like old school ecstasy

412
00:16:06,720 --> 00:16:09,080
Speaker 2: or like the real not the new Molly. Would you

413
00:16:09,120 --> 00:16:10,880
Speaker 2: do Molly this weekend? If we all want as a crew,

414
00:16:10,920 --> 00:16:15,440
Speaker 2: got an Airbnb stayed from Thursday to Monday, recorded down there,

415
00:16:16,240 --> 00:16:17,400
Speaker 2: would you take Molly with us?

416
00:16:17,520 --> 00:16:24,440
Speaker 1: No, I'm slip that even know it, throw it in

417
00:16:24,480 --> 00:16:25,040
Speaker 1: the spin. I don't.

418
00:16:25,040 --> 00:16:27,320
Speaker 2: I don't do drugs people, So it looks like this

419
00:16:27,400 --> 00:16:28,200
Speaker 2: shrooms drugs?

420
00:16:28,560 --> 00:16:31,480
Speaker 1: Shrooms? Is yo?

421
00:16:32,160 --> 00:16:34,640
Speaker 9: This shroom cast that weekend?

422
00:16:34,400 --> 00:16:36,160
Speaker 2: Would you do shrooms with us?

423
00:16:36,960 --> 00:16:40,080
Speaker 1: Mm hmm for the first time at the festival?

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00:16:40,440 --> 00:16:41,520
Speaker 2: That would be the place to do it.

425
00:16:41,520 --> 00:16:42,040
Speaker 1: I know it's not.

426
00:16:42,560 --> 00:16:43,360
Speaker 2: Where would be the first?

427
00:16:43,400 --> 00:16:44,680
Speaker 1: Stop trying to a lot of you. Stop trying to

428
00:16:44,680 --> 00:16:45,920
Speaker 1: trick me. You just want to get me a camera

429
00:16:45,960 --> 00:16:46,880
Speaker 1: panic and freaking out.

430
00:16:46,960 --> 00:16:49,560
Speaker 2: Yeah, I'm not trying to hide that happen.

431
00:16:49,720 --> 00:16:52,000
Speaker 11: To be fair, you guys do have you know you

432
00:16:52,040 --> 00:16:53,800
Speaker 11: need to be representative of the podcast.

433
00:16:53,880 --> 00:16:56,480
Speaker 9: It probably wouldn't be best for you to be we have.

434
00:16:56,440 --> 00:16:59,680
Speaker 1: To What better way to represent this show than to

435
00:16:59,680 --> 00:17:01,800
Speaker 1: not be high in the middle of thousands of people

436
00:17:02,040 --> 00:17:03,240
Speaker 1: panicking and passing out.

437
00:17:03,280 --> 00:17:05,439
Speaker 2: I mean, if we're gonna make with this lineup, to

438
00:17:05,440 --> 00:17:07,960
Speaker 2: try to make any type of noise as a pod noise,

439
00:17:08,000 --> 00:17:09,480
Speaker 2: being ourselves isn't gonna work.

440
00:17:09,480 --> 00:17:10,960
Speaker 1: We have to be high.

441
00:17:11,040 --> 00:17:11,880
Speaker 2: Yeah, that'll make a.

442
00:17:11,800 --> 00:17:13,320
Speaker 1: Headline out of our mind. That would definitely make a

443
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Speaker 1: head on.

444
00:17:13,640 --> 00:17:17,560
Speaker 2: Ye Elliott Wilson would post it seeing Rory.

445
00:17:17,320 --> 00:17:19,280
Speaker 1: Get mad because his bracelet doesn't work to get past

446
00:17:19,280 --> 00:17:21,439
Speaker 1: the barricade. What do you mean?

447
00:17:21,480 --> 00:17:22,000
Speaker 9: This is not it?

448
00:17:22,119 --> 00:17:25,000
Speaker 1: You know he goes crazy, Oh my god, when his

449
00:17:25,080 --> 00:17:26,919
Speaker 1: band doesn't work. When his band doesn't work, what do

450
00:17:26,920 --> 00:17:28,479
Speaker 1: you mean? What do you mean it doesn't work? I

451
00:17:28,520 --> 00:17:30,360
Speaker 1: was just standing right there ten minutes ago. It was.

452
00:17:32,680 --> 00:17:34,439
Speaker 2: Everything you guys are saying is accurate, and.

453
00:17:35,720 --> 00:17:38,800
Speaker 1: Rory go crazy when his band doesn't have your job? Yeah,

454
00:17:39,880 --> 00:17:42,159
Speaker 1: oh really, Wait till Jermaine hears about this.

455
00:17:42,320 --> 00:17:45,679
Speaker 2: Jermaine, buddy, buddy.

456
00:17:45,320 --> 00:17:48,040
Speaker 1: Look here, Wait till Jermaine here is about this. This

457
00:17:48,080 --> 00:17:52,240
Speaker 1: is your last year Dreamville, but this is a dope lineup.

458
00:17:52,520 --> 00:17:54,200
Speaker 2: My cousin went to Saint John's with Eve.

459
00:17:54,280 --> 00:17:57,680
Speaker 1: Do you know that? He's like, yo, who are they

460
00:17:58,480 --> 00:18:00,520
Speaker 1: dudes at the park when we know no, they just

461
00:18:00,600 --> 00:18:02,199
Speaker 1: got hired for the day. They like, what are you

462
00:18:02,240 --> 00:18:02,760
Speaker 1: talking about?

463
00:18:02,920 --> 00:18:05,800
Speaker 2: Last year? Though, we were trying to go on stage

464
00:18:05,800 --> 00:18:08,320
Speaker 2: to watch a drama do his set with gz T

465
00:18:08,440 --> 00:18:11,040
Speaker 2: I and Wayne, and we ran into the band thing

466
00:18:11,240 --> 00:18:12,960
Speaker 2: as we always do, and I was with I was

467
00:18:12,960 --> 00:18:16,360
Speaker 2: with eb who is the controller of this entire thing. Yeah,

468
00:18:16,520 --> 00:18:19,280
Speaker 2: my band worked. His didn't like, yo, I can't let

469
00:18:19,320 --> 00:18:20,719
Speaker 2: you up here? And I'm like you no, like he

470
00:18:21,160 --> 00:18:25,520
Speaker 2: this is this is sir. He put on like matter

471
00:18:25,520 --> 00:18:25,840
Speaker 2: of fact?

472
00:18:25,840 --> 00:18:26,280
Speaker 1: Can he go?

473
00:18:26,359 --> 00:18:28,360
Speaker 2: And I'll stay back? This is his I love.

474
00:18:28,680 --> 00:18:30,320
Speaker 1: I love when a band doesn't work because it just

475
00:18:30,359 --> 00:18:32,119
Speaker 1: it just forces you to have to turn into like

476
00:18:32,160 --> 00:18:35,639
Speaker 1: a different person. You have to like become resourceful you

477
00:18:35,680 --> 00:18:37,800
Speaker 1: don't know who. And then people at festivals aren't answering

478
00:18:37,840 --> 00:18:40,000
Speaker 1: their phones. They're not answering of course right away. So

479
00:18:40,040 --> 00:18:42,239
Speaker 1: now you're standing there with this gentleman trying to like

480
00:18:42,480 --> 00:18:46,960
Speaker 1: have a staring contest like texting your phone, nobody's not answered,

481
00:18:46,960 --> 00:18:49,520
Speaker 1: so now you're standing in twenty minutes very embarrassing. It's

482
00:18:49,600 --> 00:18:52,080
Speaker 1: just like, oh, it's such a humbling because then it

483
00:18:52,119 --> 00:18:53,800
Speaker 1: goes from you have so much hot air in your

484
00:18:53,840 --> 00:18:55,600
Speaker 1: chest at first with the guy that's not letting you

485
00:18:55,680 --> 00:18:57,719
Speaker 1: pass to twenty minutes letter say yo, come on bro,

486
00:18:57,760 --> 00:18:59,320
Speaker 1: like honest, that's my man right there, like you still

487
00:18:59,359 --> 00:19:01,000
Speaker 1: went to my that's my friends right there, like we

488
00:19:01,080 --> 00:19:01,560
Speaker 1: all together.

489
00:19:01,680 --> 00:19:03,479
Speaker 2: And then you see people you know going past, like oh,

490
00:19:03,520 --> 00:19:05,920
Speaker 2: now they get me, like nah, you know I'm swaying

491
00:19:05,920 --> 00:19:06,240
Speaker 2: for somebody.

492
00:19:06,280 --> 00:19:07,760
Speaker 1: He don't lets somebody asks you are You're good? Yah,

493
00:19:07,760 --> 00:19:08,520
Speaker 1: I'm good. I'm good.

494
00:19:08,520 --> 00:19:10,760
Speaker 2: When you're not good, you're not feeling like that internally,

495
00:19:10,800 --> 00:19:11,320
Speaker 2: I am not good.

496
00:19:11,440 --> 00:19:14,000
Speaker 10: You know, I'm dying that the vision when I went

497
00:19:14,040 --> 00:19:15,800
Speaker 10: there and Rory told me that I had a pass

498
00:19:16,080 --> 00:19:18,119
Speaker 10: right and then Rory got there and they didn't have

499
00:19:18,160 --> 00:19:20,360
Speaker 10: a pass for him either, and I was like, fuck, yeah,

500
00:19:20,520 --> 00:19:23,200
Speaker 10: we're in this together, Rory, we can't get through this

501
00:19:23,280 --> 00:19:25,200
Speaker 10: bow we're both on our phones like fuck, well, I

502
00:19:25,280 --> 00:19:28,399
Speaker 10: figured I submitted our names together, so I didn't think

503
00:19:28,440 --> 00:19:29,480
Speaker 10: I would have a passive And.

504
00:19:29,400 --> 00:19:31,160
Speaker 1: I hate when you I hate when you have a pass,

505
00:19:31,240 --> 00:19:33,240
Speaker 1: and I like that that happened at the division thing.

506
00:19:33,280 --> 00:19:36,000
Speaker 1: They gave me a pass. I knew that this wrisk

507
00:19:36,040 --> 00:19:38,480
Speaker 1: band did not work to get back to the side.

508
00:19:38,760 --> 00:19:41,440
Speaker 1: I knew that. I'm like, bro, this is not respectable.

509
00:19:41,640 --> 00:19:43,399
Speaker 1: You can know what you know when you know when

510
00:19:43,440 --> 00:19:46,040
Speaker 1: you're supposed to either have like a credential, some type

511
00:19:46,040 --> 00:19:48,720
Speaker 1: of lambit or something. When they just give you the wristband,

512
00:19:49,359 --> 00:19:51,240
Speaker 1: I'm like, bro, my stuff is in this room. I

513
00:19:51,320 --> 00:19:52,600
Speaker 1: just want to be able to get back into this

514
00:19:52,680 --> 00:19:54,240
Speaker 1: room when the show's over so I can leave.

515
00:19:54,840 --> 00:19:54,879
Speaker 2: No.

516
00:19:55,080 --> 00:19:58,160
Speaker 1: No, this band works and you can give anyway. Bro,

517
00:19:58,400 --> 00:20:01,040
Speaker 1: this band is not going to work. What happens I

518
00:20:01,080 --> 00:20:03,760
Speaker 1: try to come back into the door, band doesn't work.

519
00:20:03,800 --> 00:20:04,919
Speaker 1: I said, this is what I told me, And that's

520
00:20:04,920 --> 00:20:07,719
Speaker 1: when I had to come and take well your laminate.

521
00:20:07,840 --> 00:20:09,800
Speaker 2: One of my favorite tricks when I was on the

522
00:20:09,840 --> 00:20:11,600
Speaker 2: other side of that when people were asking me for

523
00:20:11,640 --> 00:20:13,560
Speaker 2: lambin it's I used to say, I'll just get you

524
00:20:13,560 --> 00:20:15,320
Speaker 2: a g a ticket once you get in, I got

525
00:20:15,359 --> 00:20:17,960
Speaker 2: you and then and guess what never got on them.

526
00:20:18,920 --> 00:20:21,320
Speaker 1: Don't fall for that me.

527
00:20:21,320 --> 00:20:23,800
Speaker 9: Off because Worry did that to me mad times.

528
00:20:23,880 --> 00:20:26,080
Speaker 1: Yeah, buddy, where you put you got in for free?

529
00:20:26,160 --> 00:20:29,200
Speaker 1: Yeah there you go. See yeah you probably and.

530
00:20:29,119 --> 00:20:31,280
Speaker 2: Then and then you then you ran them UK and

531
00:20:31,920 --> 00:20:36,760
Speaker 2: started fighting ship. Thank god you weren't backstage pastage.

532
00:20:36,760 --> 00:20:37,560
Speaker 9: I wouldn't even seen that.

533
00:20:37,600 --> 00:20:39,560
Speaker 2: I could never have you around young and may with

534
00:20:39,560 --> 00:20:40,640
Speaker 2: that behavior.

535
00:20:41,760 --> 00:20:45,560
Speaker 1: That type of energy. Yeah, but yeah, man, Dreamville fest

536
00:20:45,600 --> 00:20:49,159
Speaker 1: Able first. Uh, this this lineup is dope. Uh and

537
00:20:49,280 --> 00:20:51,280
Speaker 1: yeah we'll be there. I definitely got to make sure

538
00:20:51,280 --> 00:20:52,720
Speaker 1: that we did for that one. I feel like that's

539
00:20:52,720 --> 00:21:00,359
Speaker 1: gonna be a really really great night. Uh you up,

540
00:21:00,440 --> 00:21:05,160
Speaker 1: Drake and uh performances and uh interviews and things like that.

541
00:21:05,480 --> 00:21:07,760
Speaker 1: He had a really dope interview with a Loo YACHTI

542
00:21:07,760 --> 00:21:09,920
Speaker 1: shout to the lo Yatti still playing that album, really

543
00:21:09,960 --> 00:21:14,199
Speaker 1: dope project. The conversation was funny, it was fun. It

544
00:21:14,240 --> 00:21:16,080
Speaker 1: was it was it was, it was cool. It's interesting,

545
00:21:16,160 --> 00:21:18,399
Speaker 1: always interesting to see Drake sit down and kick it

546
00:21:18,440 --> 00:21:22,199
Speaker 1: and do interviews, only because Drake has such a unique personality.

547
00:21:22,240 --> 00:21:24,280
Speaker 1: I think he I think Drake does this. He uses

548
00:21:24,320 --> 00:21:27,159
Speaker 1: these moments because he doesn't do many interviews, he doesn't

549
00:21:27,160 --> 00:21:30,520
Speaker 1: do podcasts things like that, so he'll sit down with

550
00:21:30,520 --> 00:21:32,320
Speaker 1: somebody like YACHTI, who is a friend of his and

551
00:21:32,359 --> 00:21:33,680
Speaker 1: they'll have a silly conversation.

552
00:21:33,960 --> 00:21:34,840
Speaker 2: Is that how you view it?

553
00:21:35,359 --> 00:21:35,879
Speaker 1: Absolutely?

554
00:21:36,000 --> 00:21:38,600
Speaker 2: I view this as him killing time because he has

555
00:21:38,600 --> 00:21:40,919
Speaker 2: to be in Turks so he doesn't pay taxes on

556
00:21:41,000 --> 00:21:44,320
Speaker 2: all's gambling. I think he's just bored and trying to

557
00:21:44,359 --> 00:21:47,359
Speaker 2: like really waste time until the ship clears so he

558
00:21:47,400 --> 00:21:52,360
Speaker 2: can just pay Turks tax when he wins a million dollars.

559
00:21:52,480 --> 00:21:54,080
Speaker 1: Oh yeah, because of taxes.

560
00:21:54,760 --> 00:21:58,560
Speaker 2: He gambles a million dollars every day in States or Canada.

561
00:21:58,600 --> 00:22:00,359
Speaker 1: I mean, what's this? What's the taxes into Toronto?

562
00:22:01,520 --> 00:22:02,600
Speaker 7: Way worse and Turks?

563
00:22:03,359 --> 00:22:06,840
Speaker 2: Yeah? You ever heard the term of offshore account? He's living it?

564
00:22:06,880 --> 00:22:10,920
Speaker 1: Oh no, absolutely, he's he's offshore. I think that is

565
00:22:10,960 --> 00:22:13,440
Speaker 1: It's fun. Whenever Drake does these type of interviews, we

566
00:22:13,480 --> 00:22:15,720
Speaker 1: always get some type of classic viral moments.

567
00:22:16,760 --> 00:22:19,320
Speaker 2: Don't say classic viral moments to me though, Why I

568
00:22:19,359 --> 00:22:19,760
Speaker 2: just don't like.

569
00:22:19,760 --> 00:22:22,760
Speaker 1: It, you know, like classic enviruls together. Yeah, okay, I'll

570
00:22:22,760 --> 00:22:24,200
Speaker 1: put one in Ga and in one like.

571
00:22:26,040 --> 00:22:28,879
Speaker 8: All that vast aspects of real estate ownership in Turks

572
00:22:28,880 --> 00:22:31,960
Speaker 8: and Caicos is there is no income tax, nor property

573
00:22:32,040 --> 00:22:33,800
Speaker 8: tax or capital tax.

574
00:22:33,840 --> 00:22:35,600
Speaker 2: Why are we doing this podcast in New Jersey?

575
00:22:36,640 --> 00:22:37,040
Speaker 4: I don't know.

576
00:22:37,280 --> 00:22:37,639
Speaker 10: I don't know.

577
00:22:37,800 --> 00:22:39,640
Speaker 1: I was talking to lay On about that the other day.

578
00:22:39,680 --> 00:22:41,640
Speaker 1: I was like, listen, how do we move this operation

579
00:22:41,720 --> 00:22:45,520
Speaker 1: somewhere else? Yeah, because these taxes are insane Puerto Ricos.

580
00:22:46,000 --> 00:22:49,320
Speaker 1: But uh but uh, this, Uh, Drake being in Turk

581
00:22:49,440 --> 00:22:52,720
Speaker 1: so much, does that probably is a reason we're in

582
00:22:52,720 --> 00:22:55,800
Speaker 1: the rest of the guys will following him down there, like, oh, word,

583
00:22:55,800 --> 00:22:57,320
Speaker 1: that's how much you said. We're gonna be out there

584
00:22:57,359 --> 00:22:59,439
Speaker 1: for about three four months too. Yeah. So he had

585
00:22:59,480 --> 00:23:02,639
Speaker 1: this conversation with with lo Yati and uh, it was

586
00:23:02,640 --> 00:23:05,560
Speaker 1: an interesting uh part of the conversation where Drake talked

587
00:23:05,560 --> 00:23:10,800
Speaker 1: about possible retirement. And I don't know about you, guys,

588
00:23:10,800 --> 00:23:13,919
Speaker 1: but I believe that Drake may be in a position

589
00:23:13,960 --> 00:23:15,760
Speaker 1: where he almost can't retire.

590
00:23:16,080 --> 00:23:17,200
Speaker 7: Ever, why do you feel that?

591
00:23:18,040 --> 00:23:20,439
Speaker 1: I feel like Drake? Is he one he keeps too

592
00:23:20,480 --> 00:23:21,080
Speaker 1: many lights on?

593
00:23:22,840 --> 00:23:25,240
Speaker 2: Well, his back catalog can keep those lights on free

594
00:23:25,240 --> 00:23:26,560
Speaker 2: eternity stay flickering.

595
00:23:26,800 --> 00:23:29,000
Speaker 1: Yeah, But I just think that I just think that

596
00:23:29,119 --> 00:23:31,240
Speaker 1: when you when you earned so much money for so

597
00:23:31,320 --> 00:23:35,560
Speaker 1: many different people in different businesses, I don't I don't

598
00:23:35,560 --> 00:23:37,000
Speaker 1: think retirement is an option.

599
00:23:37,200 --> 00:23:38,920
Speaker 2: I mean, when you win a million dollars a day

600
00:23:38,920 --> 00:23:41,560
Speaker 2: and posted on ig and don't pay any property tax.

601
00:23:42,000 --> 00:23:44,840
Speaker 2: I mean, do you need to wrap? I think I

602
00:23:45,200 --> 00:23:46,480
Speaker 2: think his squad might be all right.

603
00:23:46,880 --> 00:23:49,560
Speaker 1: Well, I mean he obviously he has ownership in that

604
00:23:49,680 --> 00:23:51,359
Speaker 1: uh what is the name of his stakes?

605
00:23:51,400 --> 00:23:52,200
Speaker 2: He has steak in steak.

606
00:23:52,240 --> 00:23:56,800
Speaker 1: He has steak and steak uh and and shaking steak. Yeah,

607
00:23:56,840 --> 00:23:58,720
Speaker 1: so we know that that's a business move for him.

608
00:23:59,080 --> 00:24:00,280
Speaker 1: He's not gambling with his money.

609
00:24:00,280 --> 00:24:00,919
Speaker 2: That of course not.

610
00:24:01,040 --> 00:24:05,040
Speaker 1: That's the that's the company's money. But yeah, I don't

611
00:24:05,040 --> 00:24:07,919
Speaker 1: think that Drake can. I think that he he just

612
00:24:08,200 --> 00:24:10,439
Speaker 1: he has too much of the market in his in

613
00:24:10,480 --> 00:24:13,120
Speaker 1: his in his in his corner too to leave the game.

614
00:24:13,160 --> 00:24:14,719
Speaker 1: I don't think that he can retire.

615
00:24:15,200 --> 00:24:18,479
Speaker 2: But who's retired like I That's what I'm confused.

616
00:24:18,560 --> 00:24:20,760
Speaker 1: That's another thing. Rappers don't retire, no matter how many

617
00:24:20,800 --> 00:24:23,119
Speaker 1: times they say this is my last album, I'm not

618
00:24:23,160 --> 00:24:26,280
Speaker 1: retiring no more. I'm not. Do you say that? And

619
00:24:26,359 --> 00:24:28,240
Speaker 1: they go away for a year, he don't make no

620
00:24:28,359 --> 00:24:31,600
Speaker 1: music and then they show that stupid corny video in

621
00:24:31,640 --> 00:24:32,119
Speaker 1: the studio.

622
00:24:33,280 --> 00:24:36,760
Speaker 11: All right, Well, hypothetically, what is a world where Drake,

623
00:24:36,840 --> 00:24:40,359
Speaker 11: let's not say, retire, but steps back for a consistent

624
00:24:40,400 --> 00:24:40,920
Speaker 11: amount of time.

625
00:24:41,000 --> 00:24:42,120
Speaker 1: It's a consistent amount of time.

626
00:24:42,280 --> 00:24:46,960
Speaker 9: Let's say five years, No way, five years. I'm saying,

627
00:24:47,040 --> 00:24:48,680
Speaker 9: in a world where he does.

628
00:24:48,680 --> 00:24:52,680
Speaker 1: What do you listen to Drake? In a world let's

629
00:24:52,680 --> 00:24:54,720
Speaker 1: just start there. What do you listen to if Drake

630
00:24:54,760 --> 00:24:57,520
Speaker 1: doesn't put out no new music for five years?

631
00:24:57,600 --> 00:24:58,359
Speaker 7: Oh, Chris Brown?

632
00:24:58,600 --> 00:24:59,760
Speaker 1: Who takes the spot?

633
00:25:00,119 --> 00:25:03,320
Speaker 11: Let's you're an ass. Let's what I'm saying is what

634
00:25:03,400 --> 00:25:04,960
Speaker 11: does it look like for artists? Because you know a

635
00:25:05,000 --> 00:25:07,720
Speaker 11: lot of artists they wait around for their releases, trying

636
00:25:07,720 --> 00:25:11,000
Speaker 11: to move around when Drake's releasing this, or when Drake's

637
00:25:11,040 --> 00:25:13,119
Speaker 11: doing that or things like that. They don't want to

638
00:25:13,119 --> 00:25:14,840
Speaker 11: compete with him. So what does the world look like?

639
00:25:14,880 --> 00:25:16,560
Speaker 11: Cool do you think takes over? How do you think

640
00:25:16,600 --> 00:25:17,240
Speaker 11: the music game?

641
00:25:17,280 --> 00:25:19,560
Speaker 1: I'm gonna give it like this. What does what does

642
00:25:19,560 --> 00:25:22,880
Speaker 1: the world look like to people that have independent businesses

643
00:25:22,920 --> 00:25:26,159
Speaker 1: and products? If every target closes for the next five.

644
00:25:26,080 --> 00:25:30,800
Speaker 9: Years, everybody's opportunity. There's a lot of opportunity.

645
00:25:31,000 --> 00:25:34,120
Speaker 1: What does it look like Drake is target. You get

646
00:25:34,119 --> 00:25:36,760
Speaker 1: your product, and target you share your Your business booms

647
00:25:36,760 --> 00:25:40,760
Speaker 1: by one hundred thousand, maybe percent. An artist gets a

648
00:25:40,800 --> 00:25:47,320
Speaker 1: song with a feature with Drake. Everything spikes, fro him, features, shows, streams,

649
00:25:47,359 --> 00:25:50,480
Speaker 1: everything spikes. Drake is the guy that you plug into

650
00:25:50,520 --> 00:25:52,280
Speaker 1: the system and it's just a spike.

651
00:25:52,359 --> 00:25:53,560
Speaker 2: When was the last time he's done that?

652
00:25:53,600 --> 00:25:54,520
Speaker 1: Though? What do you mean?

653
00:25:54,960 --> 00:25:57,000
Speaker 2: I mean we were We know that Drake stimulus package

654
00:25:57,000 --> 00:25:59,760
Speaker 2: with the verse, but he doesn't really Maybe Jack would

655
00:25:59,800 --> 00:26:01,760
Speaker 2: be the last person that happened with, but.

656
00:26:01,800 --> 00:26:04,000
Speaker 1: Jack was already He has an album with twenty one Savage.

657
00:26:04,000 --> 00:26:05,760
Speaker 1: Do you know what twenty one Savage? But his numbers

658
00:26:05,800 --> 00:26:06,480
Speaker 1: look like now, But.

659
00:26:06,440 --> 00:26:08,360
Speaker 2: That's not what I'm not getting it. That's different. I'm

660
00:26:08,359 --> 00:26:11,680
Speaker 2: talking about the actual Drake gives you a verse thing

661
00:26:11,800 --> 00:26:13,399
Speaker 2: that twenty one Savage is a whole different.

662
00:26:14,320 --> 00:26:16,600
Speaker 7: So probably Jack, and.

663
00:26:16,560 --> 00:26:18,159
Speaker 2: Then before that it had been a while, Like I

664
00:26:18,160 --> 00:26:19,480
Speaker 2: don't even think Drake does that anymore.

665
00:26:20,520 --> 00:26:21,600
Speaker 1: What does a song with people?

666
00:26:22,280 --> 00:26:25,720
Speaker 9: Yeah, thing like the Migos Versace's thing, like.

667
00:26:25,680 --> 00:26:27,879
Speaker 2: The same way when a comedian goes on Joe Rogan,

668
00:26:28,040 --> 00:26:28,679
Speaker 2: that's like their.

669
00:26:28,600 --> 00:26:30,600
Speaker 7: Drake wants they just blow out with That was his

670
00:26:30,720 --> 00:26:31,359
Speaker 7: song min.

671
00:26:31,520 --> 00:26:34,160
Speaker 2: He just hasn't done that a while. I will say, though, Drake,

672
00:26:35,000 --> 00:26:37,679
Speaker 2: Drake can't retire just for music's sake, And this is

673
00:26:37,680 --> 00:26:40,359
Speaker 2: going to make me sound like an old hater, but yep,

674
00:26:41,280 --> 00:26:44,600
Speaker 2: this is the first time in rap history, in my opinion,

675
00:26:45,520 --> 00:26:49,760
Speaker 2: that there hasn't been a solidified new generation of superstar.

676
00:26:50,720 --> 00:26:54,480
Speaker 2: Like every single generation we've had, the biggest person could

677
00:26:54,520 --> 00:26:57,479
Speaker 2: retire because we knew we had this next generation that

678
00:26:57,600 --> 00:27:00,200
Speaker 2: was solidified. Now, I thought Little Baby was that. I'm

679
00:27:00,200 --> 00:27:02,880
Speaker 2: not saying he's not, but it's shown that it may

680
00:27:02,920 --> 00:27:05,159
Speaker 2: not be that case off his last album, There is

681
00:27:05,200 --> 00:27:06,840
Speaker 2: no This is the first time we won't have a

682
00:27:06,880 --> 00:27:12,719
Speaker 2: new superstar solidified. Once the Ja fifty Nelly run was

683
00:27:12,760 --> 00:27:16,520
Speaker 2: starting to plateau, we had this nude twenty ten bubbling

684
00:27:16,720 --> 00:27:20,280
Speaker 2: of these guys Kendrick Cole, Drake, wile A say, big

685
00:27:20,280 --> 00:27:22,439
Speaker 2: show whoever you want. But at least we knew, all right,

686
00:27:22,480 --> 00:27:25,480
Speaker 2: there's a group here, and then the better ones ended

687
00:27:25,520 --> 00:27:27,840
Speaker 2: up rising. But what's the group that we know is

688
00:27:27,840 --> 00:27:28,680
Speaker 2: going to be the superstar?

689
00:27:29,200 --> 00:27:32,200
Speaker 10: Travis Scott, I mean Travis Scott was definitely. I mean

690
00:27:32,200 --> 00:27:33,200
Speaker 10: Travis Scott is definitely.

691
00:27:33,760 --> 00:27:36,560
Speaker 2: We knew we had a future like yeah, yeah, we

692
00:27:36,560 --> 00:27:37,119
Speaker 2: don't have that r.

693
00:27:37,359 --> 00:27:39,199
Speaker 1: The difference is this is the difference with Drake and

694
00:27:39,200 --> 00:27:41,879
Speaker 1: why he's such He's the artist that he is is

695
00:27:41,920 --> 00:27:45,600
Speaker 1: because he can give us rap, he can give us dance,

696
00:27:45,760 --> 00:27:47,840
Speaker 1: he can give us R and B. Like he has

697
00:27:47,920 --> 00:27:50,800
Speaker 1: so many different things, Like yeah, little Baby is.

698
00:27:50,800 --> 00:27:52,000
Speaker 9: A star, there's no ceiling.

699
00:27:52,240 --> 00:27:53,760
Speaker 1: But it's just like little Baby's not going to give

700
00:27:53,840 --> 00:27:55,960
Speaker 1: us an R and B record. Little Baby's not going

701
00:27:55,960 --> 00:27:59,680
Speaker 1: to give us a dance. Versatility to Drake is two versatile.

702
00:27:59,720 --> 00:28:02,639
Speaker 1: He comes too many different areas and he does it

703
00:28:02,680 --> 00:28:04,879
Speaker 1: well you understand what I'm saying. So it's like for

704
00:28:04,960 --> 00:28:08,240
Speaker 1: five years, this this guy is not putting any music

705
00:28:08,320 --> 00:28:11,679
Speaker 1: into the into the into the market market space. What

706
00:28:11,720 --> 00:28:14,359
Speaker 1: are we listening to? Like we just listening to like

707
00:28:14,400 --> 00:28:17,160
Speaker 1: hoping that Kendrick drops an album. We're hoping that Cold

708
00:28:17,200 --> 00:28:18,000
Speaker 1: drops a project.

709
00:28:18,920 --> 00:28:21,959
Speaker 2: And that's that's what I'm going. That's my point. Like

710
00:28:22,680 --> 00:28:26,560
Speaker 2: the superstars are now, are the vets now, and we

711
00:28:26,600 --> 00:28:28,639
Speaker 2: don't have that second class. That's like, all right, we

712
00:28:28,680 --> 00:28:29,880
Speaker 2: know these are gonna be the guys.

713
00:28:29,680 --> 00:28:34,240
Speaker 10: At although like the Savages, the Kodak Blacks, the so Uzi's.

714
00:28:34,040 --> 00:28:37,360
Speaker 2: We've given them the five year grace. You know that

715
00:28:37,400 --> 00:28:39,480
Speaker 2: this was the new generation Who's going to be the one.

716
00:28:39,840 --> 00:28:41,480
Speaker 2: And I feel like we have moments where we think

717
00:28:41,520 --> 00:28:43,760
Speaker 2: all right, little Baby, we're going into the little Baby

718
00:28:43,800 --> 00:28:45,400
Speaker 2: era and that is proven.

719
00:28:46,000 --> 00:28:46,120
Speaker 6: Now.

720
00:28:46,120 --> 00:28:48,760
Speaker 2: I'm not hating to just it plateaued like I'm just

721
00:28:48,760 --> 00:28:50,719
Speaker 2: looking at numbers and impact of these no is it

722
00:28:50,760 --> 00:28:53,120
Speaker 2: that and even quality of music, like I think Uzie

723
00:28:53,120 --> 00:28:55,120
Speaker 2: could have been a superstar. And it's just my personal opinion.

724
00:28:55,200 --> 00:28:58,440
Speaker 2: I think he's plateaued as far as quality of music.

725
00:28:59,600 --> 00:29:02,240
Speaker 7: Little yes, but quality of music.

726
00:29:02,040 --> 00:29:04,120
Speaker 2: Is I think he was on a crazy uprise and

727
00:29:04,160 --> 00:29:05,160
Speaker 2: the last project.

728
00:29:04,880 --> 00:29:08,040
Speaker 7: Show right now quality of music that that's my personal opinion.

729
00:29:08,560 --> 00:29:09,960
Speaker 1: But he has a smash out right now with a

730
00:29:10,000 --> 00:29:10,960
Speaker 1: project coming.

731
00:29:11,040 --> 00:29:15,200
Speaker 2: That's that you could is a Jersey club record that

732
00:29:17,360 --> 00:29:19,480
Speaker 2: I started with saying my personal opinion of the quality

733
00:29:19,520 --> 00:29:20,680
Speaker 2: of No No.

734
00:29:20,720 --> 00:29:22,479
Speaker 1: I understand that, but I mean, I think it's just

735
00:29:22,520 --> 00:29:24,480
Speaker 1: not fair to say that because we didn't even hear

736
00:29:25,000 --> 00:29:26,800
Speaker 1: the next project yet that he's coming.

737
00:29:26,720 --> 00:29:28,800
Speaker 2: And I'm saying I thought he was on a rise.

738
00:29:29,000 --> 00:29:31,000
Speaker 2: I thought quality of music. The last album he put

739
00:29:31,000 --> 00:29:34,840
Speaker 2: out to me was a plateau. He didn't do anything differently, like,

740
00:29:35,400 --> 00:29:37,320
Speaker 2: it was just more of the same. It didn't grow

741
00:29:37,920 --> 00:29:39,640
Speaker 2: and even number showed it didn't grow.

742
00:29:39,960 --> 00:29:40,560
Speaker 9: Would you have me?

743
00:29:40,720 --> 00:29:42,400
Speaker 11: But I would say the same thing about Drake. When

744
00:29:42,400 --> 00:29:44,400
Speaker 11: it comes to my personal preference, I think that Drake

745
00:29:44,440 --> 00:29:46,080
Speaker 11: Plateau with quality of music.

746
00:29:45,920 --> 00:29:48,120
Speaker 2: But not on not on his uprise to where UZI

747
00:29:48,240 --> 00:29:48,680
Speaker 2: is right now.

748
00:29:49,280 --> 00:29:51,080
Speaker 1: How do you think that he just put out a

749
00:29:51,160 --> 00:29:52,600
Speaker 1: dance album and her Loss.

750
00:29:52,800 --> 00:29:55,040
Speaker 9: I'm about quality of music.

751
00:29:55,240 --> 00:29:57,720
Speaker 7: Do you think, yeah, that's what we're talking about too.

752
00:29:58,080 --> 00:30:01,520
Speaker 11: You think her Loss is better than the album he

753
00:30:01,520 --> 00:30:02,120
Speaker 11: was Looking in the Sky?

754
00:30:02,240 --> 00:30:04,360
Speaker 9: Was the name of that one? That you think that?

755
00:30:04,920 --> 00:30:06,240
Speaker 7: That's not the conversation having.

756
00:30:06,280 --> 00:30:07,840
Speaker 1: No, I'm not saying that we're not saying there's still

757
00:30:07,920 --> 00:30:08,560
Speaker 1: quality music.

758
00:30:08,760 --> 00:30:08,840
Speaker 7: No.

759
00:30:08,920 --> 00:30:11,600
Speaker 11: But when I say I think he's plateaud on quality

760
00:30:11,640 --> 00:30:13,240
Speaker 11: of music, it doesn't mean that his quality of music

761
00:30:13,240 --> 00:30:15,240
Speaker 11: has went down. I think that he's hit as high.

762
00:30:15,400 --> 00:30:17,760
Speaker 11: I think he's hit the best. He's made his best album.

763
00:30:17,960 --> 00:30:20,040
Speaker 11: He'll continue to make good albums, but I think he's.

764
00:30:19,920 --> 00:30:23,640
Speaker 9: Made this album already. So that's where I say Plateau disagree.

765
00:30:23,640 --> 00:30:25,920
Speaker 2: There is I think you could argue right now that

766
00:30:26,440 --> 00:30:29,040
Speaker 2: Drake her Loss could be in his top five in

767
00:30:29,080 --> 00:30:31,600
Speaker 2: his demography. You can make that argument, and fron artists

768
00:30:31,680 --> 00:30:34,400
Speaker 2: do that this late in their career. To crack into

769
00:30:34,400 --> 00:30:37,880
Speaker 2: their top five albums means that you're doing like I

770
00:30:37,880 --> 00:30:39,400
Speaker 2: felt the same way when Jaded four to forty four.

771
00:30:39,400 --> 00:30:41,080
Speaker 2: I was like, oh shit, of course we know he's

772
00:30:41,080 --> 00:30:42,760
Speaker 2: not going to give us another reasonable doubt, but damn

773
00:30:42,800 --> 00:30:46,240
Speaker 2: this could crack into the top five albums in his demography.

774
00:30:46,280 --> 00:30:47,840
Speaker 11: Well then you got to say the thing. I brought

775
00:30:47,840 --> 00:30:49,400
Speaker 11: that up because of what you said about UZI. You

776
00:30:49,440 --> 00:30:51,920
Speaker 11: gotta say the same thing about and y'all don't and

777
00:30:52,000 --> 00:30:52,440
Speaker 11: we don't.

778
00:30:52,320 --> 00:30:54,760
Speaker 2: Talk about He's on the rise already. Drake is a vet,

779
00:30:54,920 --> 00:30:58,600
Speaker 2: solidified legends. Oozi's still on his rise though exactly.

780
00:30:59,320 --> 00:31:02,000
Speaker 1: Bro, we don't talk, but honestly, never mind enough. I'm sorry,

781
00:31:02,200 --> 00:31:04,520
Speaker 1: Like I know it was he wasn't expecting that type

782
00:31:04,560 --> 00:31:08,560
Speaker 1: of album. That album is fucking crazy, man. Like people

783
00:31:08,880 --> 00:31:11,200
Speaker 1: people just kind of like in his discography, they don't

784
00:31:11,240 --> 00:31:13,600
Speaker 1: they don't talk about that because it was a dance album.

785
00:31:13,880 --> 00:31:15,680
Speaker 1: But when you listen to that album.

786
00:31:15,440 --> 00:31:17,080
Speaker 4: It goes back to the versatility conversation.

787
00:31:17,160 --> 00:31:19,160
Speaker 1: And this is what I'm saying. So for Drake to

788
00:31:19,240 --> 00:31:21,360
Speaker 1: hint at retirement, I understand what you mean. Maybe he

789
00:31:21,400 --> 00:31:23,520
Speaker 1: wants to take a break, Maybe he wants to kind

790
00:31:23,520 --> 00:31:25,280
Speaker 1: of just step back a little enjoyed life, you know,

791
00:31:25,320 --> 00:31:28,200
Speaker 1: and be with his kid more. I'm pretty sure the

792
00:31:28,200 --> 00:31:30,200
Speaker 1: older his son gets, he's probably you know, I want

793
00:31:30,240 --> 00:31:31,800
Speaker 1: to want to spend more time, especially once he starts

794
00:31:31,840 --> 00:31:34,880
Speaker 1: getting to the age of almost high school. I just

795
00:31:34,880 --> 00:31:39,120
Speaker 1: think that to retirement, meaning I'm done making music. I

796
00:31:39,120 --> 00:31:40,719
Speaker 1: don't know if Drake can do that, all right?

797
00:31:40,720 --> 00:31:43,080
Speaker 2: Can I ask just to close that other conversation, Can

798
00:31:43,080 --> 00:31:47,600
Speaker 2: you guys name me the artists from the generation below Drake, Cole,

799
00:31:47,680 --> 00:31:51,520
Speaker 2: and Kendrick that the world will stop when they're about

800
00:31:51,560 --> 00:31:52,080
Speaker 2: to put an album.

801
00:31:52,840 --> 00:31:53,760
Speaker 1: Hell, there is nobody.

802
00:31:54,280 --> 00:31:56,840
Speaker 2: And that's the first time, in my opinion, in hip

803
00:31:56,840 --> 00:32:00,920
Speaker 2: hop that this has happened. That's is never We've never

804
00:32:01,000 --> 00:32:05,959
Speaker 2: had a new generation be able to not solidify our

805
00:32:06,000 --> 00:32:07,600
Speaker 2: next superstars like we don't stop.

806
00:32:07,720 --> 00:32:09,480
Speaker 1: You sound a little scared, but I'm terrified.

807
00:32:09,560 --> 00:32:11,840
Speaker 2: I also think that's why Drake can He can't retire.

808
00:32:12,240 --> 00:32:12,960
Speaker 1: You can't retire.

809
00:32:13,040 --> 00:32:15,200
Speaker 11: That's also because our vets won't retire. No, We're not

810
00:32:15,280 --> 00:32:17,240
Speaker 11: waiting for the generation underneath them to drive.

811
00:32:17,280 --> 00:32:20,440
Speaker 2: I don't know that because because Kanye was already a

812
00:32:20,480 --> 00:32:23,160
Speaker 2: legend when Drake, Kendrick and Cole were coming up, and

813
00:32:23,200 --> 00:32:27,440
Speaker 2: we stopped stopped when Drake put out nothing was the

814
00:32:27,440 --> 00:32:30,479
Speaker 2: same we stopped when Cole put out Born Center. We

815
00:32:30,600 --> 00:32:32,280
Speaker 2: stopped when Kendrick put.

816
00:32:32,200 --> 00:32:34,720
Speaker 7: Out Born Center, and Yeesus came out on the same day.

817
00:32:34,920 --> 00:32:40,040
Speaker 2: And I'm saying the legends can still exist, but there's

818
00:32:40,120 --> 00:32:42,560
Speaker 2: the generation is not competing with them as far as

819
00:32:42,800 --> 00:32:45,520
Speaker 2: moments like, I don't feel there's a moment anymore with

820
00:32:45,560 --> 00:32:47,600
Speaker 2: the young generation. I'm not hating. This is just to

821
00:32:47,640 --> 00:32:48,920
Speaker 2: me a fact.

822
00:32:49,240 --> 00:32:52,480
Speaker 11: Or we might not be knowledgeable because the boy, the

823
00:32:52,520 --> 00:32:55,680
Speaker 11: boy uh, what's his name, broke boy, never.

824
00:32:57,800 --> 00:32:58,760
Speaker 1: No, never.

825
00:33:00,160 --> 00:33:00,240
Speaker 2: No.

826
00:33:00,960 --> 00:33:03,080
Speaker 11: The world stops when he puts it out, not us,

827
00:33:03,120 --> 00:33:04,600
Speaker 11: not our generations.

828
00:33:04,760 --> 00:33:07,840
Speaker 7: Generation PlayStation three, chat room stop.

829
00:33:08,680 --> 00:33:11,520
Speaker 9: Okay, I mean that that's definitely some of the highest numbers.

830
00:33:11,360 --> 00:33:14,280
Speaker 2: His numbers are crazy. I'm not saying people aren't selling Cardi.

831
00:33:14,680 --> 00:33:17,240
Speaker 2: I'm just saying some Cardi for sure, some of the

832
00:33:17,360 --> 00:33:19,720
Speaker 2: play playboard Cardy could be one. But I feel like

833
00:33:19,760 --> 00:33:22,600
Speaker 2: that he lost momentum about the intangibles whole numbers.

834
00:33:22,600 --> 00:33:25,840
Speaker 7: That was a big, like a whole lot of that album.

835
00:33:25,920 --> 00:33:28,960
Speaker 8: People were like really clamoring onto that release in Utopia

836
00:33:29,080 --> 00:33:29,560
Speaker 8: before the.

837
00:33:29,520 --> 00:33:32,000
Speaker 7: Trapp thing happened. That was supposed to be like.

838
00:33:32,000 --> 00:33:35,479
Speaker 2: The that you think the intangibles though, of like everyone stopping.

839
00:33:35,520 --> 00:33:37,640
Speaker 2: I'm not saying just the young generation or just the

840
00:33:37,680 --> 00:33:40,640
Speaker 2: older generation. No, because I could even say if if

841
00:33:40,680 --> 00:33:43,000
Speaker 2: Ja once put out an album, I would say just

842
00:33:43,080 --> 00:33:45,280
Speaker 2: mus would stop, not the younger generation future.

843
00:33:47,400 --> 00:33:50,440
Speaker 1: But he's but I'm saying definitely when he dropped something,

844
00:33:50,440 --> 00:33:51,280
Speaker 1: people are excited to hear.

845
00:33:51,840 --> 00:33:55,000
Speaker 2: No, I agree, but he's in the era of Drake

846
00:33:55,200 --> 00:33:57,400
Speaker 2: Cole Kendrick to me, yeah, technically.

847
00:33:57,080 --> 00:33:59,600
Speaker 1: Yeah, well that's because I you know, it's just my belief,

848
00:33:59,640 --> 00:34:01,800
Speaker 1: my belief. Again, this could just be my age talking

849
00:34:01,840 --> 00:34:07,440
Speaker 1: to the younger generation. I think the matter in the

850
00:34:07,560 --> 00:34:10,120
Speaker 1: volume of music they put out and how how quick

851
00:34:10,120 --> 00:34:13,480
Speaker 1: they turn it around. I think it's like you're not

852
00:34:13,520 --> 00:34:19,560
Speaker 1: waiting that long, Yes, like you're not really you know, listen,

853
00:34:19,800 --> 00:34:22,120
Speaker 1: the landscape of music has changed, the landscape of how

854
00:34:22,239 --> 00:34:26,319
Speaker 1: these artists put out music has changed. But there are

855
00:34:26,480 --> 00:34:30,480
Speaker 1: again certain artists that are just the guys or the

856
00:34:30,600 --> 00:34:33,000
Speaker 1: or the or the the ladies that when they drop,

857
00:34:33,320 --> 00:34:35,480
Speaker 1: like Beyonce when she drops everything R and B.

858
00:34:35,560 --> 00:34:38,360
Speaker 2: It still happens everyone. The world stopped when Sissy was

859
00:34:38,400 --> 00:34:40,440
Speaker 2: about to put something out. The world stops when Summer

860
00:34:40,440 --> 00:34:43,319
Speaker 2: is about to put something out. Yeah, so yeah, it

861
00:34:43,320 --> 00:34:44,839
Speaker 2: happens in R and B. But then you could even

862
00:34:44,840 --> 00:34:46,400
Speaker 2: say hip hop sells more than R and B right

863
00:34:46,440 --> 00:34:49,320
Speaker 2: now too, So it's a weird conversation.

864
00:34:49,480 --> 00:34:51,160
Speaker 11: But I think I think you guys are right when

865
00:34:51,200 --> 00:34:54,360
Speaker 11: it comes to just the incredible volume of music, along

866
00:34:54,400 --> 00:34:56,040
Speaker 11: with the fact that we get to see all of

867
00:34:56,040 --> 00:35:00,200
Speaker 11: our personalities online so much. We're constantly being for lack

868
00:35:00,200 --> 00:35:02,960
Speaker 11: of a better word, raked with their fucking content all

869
00:35:03,040 --> 00:35:05,600
Speaker 11: the time. We're being berated with their content all the time.

870
00:35:05,760 --> 00:35:08,000
Speaker 11: So it's not like I'm waiting, I haven't seen Kanye

871
00:35:08,040 --> 00:35:09,600
Speaker 11: in years, and then Kanye.

872
00:35:09,360 --> 00:35:09,839
Speaker 9: Drops an out.

873
00:35:10,080 --> 00:35:12,439
Speaker 1: Yeah right, miss those you know what I'm saying.

874
00:35:12,520 --> 00:35:14,480
Speaker 11: Like, it's different. We see them all the fucking and

875
00:35:14,520 --> 00:35:16,920
Speaker 11: they see them all the time. They see them on TikTok,

876
00:35:17,080 --> 00:35:20,800
Speaker 11: on Twitter, on Instagram, on YouTube, and they're constantly putting

877
00:35:20,800 --> 00:35:22,440
Speaker 11: out singles, putting out a lucy here, putting out a

878
00:35:22,480 --> 00:35:24,759
Speaker 11: lucy here, because in this era of music, you have

879
00:35:24,800 --> 00:35:27,120
Speaker 11: to constantly put music out or people will forget.

880
00:35:27,160 --> 00:35:29,120
Speaker 2: And I well, Drake is an exception to pretty much

881
00:35:29,120 --> 00:35:31,600
Speaker 2: every rule. But yeah, yeah, I would say as far

882
00:35:31,640 --> 00:35:34,719
Speaker 2: as legends and superstars go in music, he has played

883
00:35:34,719 --> 00:35:38,480
Speaker 2: the volume game like he did the disappear album thing

884
00:35:38,520 --> 00:35:41,360
Speaker 2: in the beginning of his career. Then we didn't not

885
00:35:41,480 --> 00:35:44,320
Speaker 2: see Drake for five years straight, which I think speaks

886
00:35:44,360 --> 00:35:47,520
Speaker 2: to his artistry. But Drake plays the high volume game too,

887
00:35:47,560 --> 00:35:49,160
Speaker 2: and we stop and we stop every time he puts

888
00:35:49,200 --> 00:35:49,520
Speaker 2: something out.

889
00:35:50,120 --> 00:35:53,520
Speaker 7: Kendrick and Cole comparatively, are they like I'm hiding now

890
00:35:53,719 --> 00:35:56,480
Speaker 7: you see a photo of me with Drest, Yeah, suddenly.

891
00:35:56,160 --> 00:35:58,160
Speaker 2: Which I know times have changed, but I still think

892
00:35:58,200 --> 00:36:02,800
Speaker 2: that can exist. We see, we see summer all the time,

893
00:36:02,920 --> 00:36:06,560
Speaker 2: but we literally stop what we're doing. When she announced

894
00:36:06,560 --> 00:36:07,040
Speaker 2: an album.

895
00:36:06,880 --> 00:36:12,040
Speaker 3: Is gonna what about with Scissor, Yeah, she goes to hiding.

896
00:36:12,440 --> 00:36:14,279
Speaker 9: She tweets, oh no, the world stops twists first.

897
00:36:14,320 --> 00:36:16,279
Speaker 2: Yeah, when she dropped, I said, I said it happens

898
00:36:16,320 --> 00:36:18,120
Speaker 2: in R and B. It doesn't happen in hip hop.

899
00:36:18,440 --> 00:36:21,200
Speaker 9: But yeah, just this just to circle back, Well, doesn't

900
00:36:21,239 --> 00:36:22,600
Speaker 9: think that go ahead.

901
00:36:22,360 --> 00:36:25,239
Speaker 2: Right, They're gonna kill me. I'm sure my mention is

902
00:36:25,239 --> 00:36:27,560
Speaker 2: gonna be full of a bunch of rappers. And I'm

903
00:36:27,600 --> 00:36:29,520
Speaker 2: just old and don't know that the world stops.

904
00:36:29,560 --> 00:36:30,680
Speaker 1: You're considered old.

905
00:36:31,000 --> 00:36:33,120
Speaker 2: That my take right now would be considered my first

906
00:36:33,120 --> 00:36:36,960
Speaker 2: really old take. I see that it's rooted in understanding

907
00:36:37,120 --> 00:36:39,200
Speaker 2: the younger generation. I don't see it.

908
00:36:39,840 --> 00:36:42,120
Speaker 1: You don't see the artist that demands the tension of

909
00:36:42,160 --> 00:36:42,760
Speaker 1: a Drake.

910
00:36:43,080 --> 00:36:46,400
Speaker 2: Oracle or a Kendrick or the generations before that.

911
00:36:46,680 --> 00:36:50,160
Speaker 10: Yeah, but it's also it might also be a generational difference,

912
00:36:50,600 --> 00:36:52,160
Speaker 10: like us not the rappers.

913
00:36:52,840 --> 00:36:55,400
Speaker 8: Also like our timelines look drastically different than theirs. So

914
00:36:55,440 --> 00:36:58,640
Speaker 8: it's just also not in our social Yeah.

915
00:36:58,760 --> 00:36:58,960
Speaker 9: Yeah.

916
00:36:59,560 --> 00:37:02,040
Speaker 1: It was also another interesting part of the cover that

917
00:37:02,080 --> 00:37:06,720
Speaker 1: conversation with Yachty, well, he referred to his Drake refers

918
00:37:06,760 --> 00:37:08,160
Speaker 1: to sitting with a therapist and tell him to the

919
00:37:08,239 --> 00:37:10,759
Speaker 1: therapist about when he walks in the room, he's the

920
00:37:10,760 --> 00:37:14,879
Speaker 1: biggest figure in the room. He said, you like Juan.

921
00:37:15,000 --> 00:37:18,040
Speaker 8: He said, uh, Well, for anyone that goes to therapy,

922
00:37:18,200 --> 00:37:20,719
Speaker 8: a lot of their relationship is based off like analogies

923
00:37:20,719 --> 00:37:23,440
Speaker 8: that best understand the person that they're speaking to. So

924
00:37:23,520 --> 00:37:25,319
Speaker 8: these are things that are said in private, obviously not

925
00:37:25,400 --> 00:37:27,080
Speaker 8: shared with a large audience of people.

926
00:37:27,680 --> 00:37:30,000
Speaker 7: Drake was comfortable enough to share with YACHTI and all of.

927
00:37:30,040 --> 00:37:33,640
Speaker 8: YouTube that his relations his therapists compared Drake to a

928
00:37:33,680 --> 00:37:37,440
Speaker 8: woman with large breasts that's hot in every room that

929
00:37:37,480 --> 00:37:40,120
Speaker 8: he walks into, meaning that every room Drake walks into,

930
00:37:40,200 --> 00:37:43,960
Speaker 8: he's stared at and looked at and just like ostracizes

931
00:37:44,040 --> 00:37:46,640
Speaker 8: like this like figure that we can like you know,

932
00:37:46,719 --> 00:37:50,040
Speaker 8: objectify and just look at and clamor at. And he's

933
00:37:50,120 --> 00:37:52,560
Speaker 8: like that that there's something about that line that clicked

934
00:37:52,560 --> 00:37:53,480
Speaker 8: best with him.

935
00:37:53,480 --> 00:37:55,680
Speaker 7: He can identify as a woman with hot tits.

936
00:37:56,000 --> 00:37:57,399
Speaker 1: I just thought that that was what I just wanted

937
00:37:57,400 --> 00:37:58,439
Speaker 1: to hear Julian say that.

938
00:37:59,480 --> 00:38:02,560
Speaker 2: Drake is high also like having to go through therapy

939
00:38:02,760 --> 00:38:06,000
Speaker 2: and that's like that's the revelation that happens in therapy,

940
00:38:06,080 --> 00:38:08,680
Speaker 2: Like I am a woman with big tis.

941
00:38:08,800 --> 00:38:12,239
Speaker 1: I'm like a guy from Harvard. Look what he did.

942
00:38:12,280 --> 00:38:14,319
Speaker 1: I could have told Drake that how much, Drake, how

943
00:38:14,360 --> 00:38:14,880
Speaker 1: much you're paying it?

944
00:38:15,080 --> 00:38:17,400
Speaker 2: Like I've listened to Drake time stamp records and outros.

945
00:38:17,440 --> 00:38:19,640
Speaker 2: He's a he's a self aware person. Yeah, he definitely

946
00:38:19,640 --> 00:38:22,719
Speaker 2: thinks about himself a lot, but internally so to go

947
00:38:22,760 --> 00:38:24,120
Speaker 2: to therapy be likes.

948
00:38:24,200 --> 00:38:26,359
Speaker 1: But you know what what was interesting about that?

949
00:38:27,000 --> 00:38:27,520
Speaker 2: Get it now?

950
00:38:28,160 --> 00:38:31,239
Speaker 1: Being in the club with Drake and I remember my homeboy, Yeah,

951
00:38:31,280 --> 00:38:35,880
Speaker 1: got conversation, Like Drake was walking around and it was

952
00:38:35,960 --> 00:38:38,000
Speaker 1: like you know people knew it was Drake, say what's up?

953
00:38:38,040 --> 00:38:39,560
Speaker 1: But he's walking around saying with up to people that

954
00:38:39,600 --> 00:38:44,480
Speaker 1: he knew conversations even as big as Drake is. Right

955
00:38:44,840 --> 00:38:47,320
Speaker 1: in that moment, my homeboy tapped me on the shoulder.

956
00:38:47,320 --> 00:38:49,960
Speaker 1: He said, Michael Jackson could never do that.

957
00:38:50,400 --> 00:38:54,279
Speaker 2: No, So this may go against my point that I

958
00:38:54,320 --> 00:38:56,680
Speaker 2: was just arguing with the generational. It's a different generation.

959
00:38:57,120 --> 00:38:59,440
Speaker 2: Mike would never go to Highlight Room to kick it.

960
00:38:59,560 --> 00:39:04,440
Speaker 1: No, No, but not that, not that Mike would not

961
00:39:04,520 --> 00:39:07,600
Speaker 1: Mike that can not not that's not funny. Not Mike

962
00:39:07,640 --> 00:39:10,040
Speaker 1: can't go to He wouldn't go to Highlight to the highlight.

963
00:39:10,040 --> 00:39:11,080
Speaker 2: We don't have slumber parties.

964
00:39:11,120 --> 00:39:13,759
Speaker 1: But it's just the fact that, like you said, a

965
00:39:13,840 --> 00:39:17,200
Speaker 1: generational thing, you didn't see Mike. Then he wasn't on

966
00:39:17,239 --> 00:39:20,040
Speaker 1: social media, he wasn't posting videos, he wasn't doing a

967
00:39:20,040 --> 00:39:21,920
Speaker 1: bunch of interviews. Mike may have did two interviews a

968
00:39:22,000 --> 00:39:23,360
Speaker 1: year Barbara Walters.

969
00:39:22,960 --> 00:39:24,359
Speaker 2: And Drake wants to show off his tits.

970
00:39:24,480 --> 00:39:27,319
Speaker 1: Yeah, Like that's the difference. Just like you feel like

971
00:39:28,360 --> 00:39:31,759
Speaker 1: as big as these artists are and as famous as

972
00:39:31,760 --> 00:39:35,200
Speaker 1: they are, you still feel like they're accessible. Like you

973
00:39:35,239 --> 00:39:37,279
Speaker 1: feel like you might go to this party. Now, yo, Drake,

974
00:39:37,600 --> 00:39:39,560
Speaker 1: you know when Drake is coming to a party, Like

975
00:39:39,640 --> 00:39:41,080
Speaker 1: you know what I'm saying, Like, Drake, they're about to

976
00:39:41,120 --> 00:39:43,640
Speaker 1: pull up. How do you know that?

977
00:39:43,160 --> 00:39:47,240
Speaker 9: Even you speaking, you're speaking from a privileged different.

978
00:39:47,239 --> 00:39:49,480
Speaker 1: No, I'm anybody that has social media? What are you

979
00:39:49,480 --> 00:39:49,919
Speaker 1: talking about?

980
00:39:49,960 --> 00:39:52,799
Speaker 2: I'm talking about at the party. Yes, Drake is accessible

981
00:39:53,840 --> 00:39:55,719
Speaker 2: to us, and that's gonna sound really.

982
00:39:55,760 --> 00:39:56,960
Speaker 1: He was walking around the part.

983
00:39:57,040 --> 00:40:00,000
Speaker 2: I'm saying accessible to anybody who could get into that party,

984
00:40:00,160 --> 00:40:00,760
Speaker 2: is what I'm saying.

985
00:40:00,880 --> 00:40:03,600
Speaker 1: Like everybody in la are getting that party with all

986
00:40:03,600 --> 00:40:05,160
Speaker 1: the Q girls in la Is at that party.

987
00:40:05,640 --> 00:40:10,200
Speaker 2: That's not the common world, you bad bitches in la Is.

988
00:40:10,239 --> 00:40:11,640
Speaker 2: Not does not mean Drake is accessible.

989
00:40:11,680 --> 00:40:13,239
Speaker 1: No, But I'm just saying, like you can it's not.

990
00:40:13,680 --> 00:40:16,279
Speaker 1: I'm just no, it's not. It's not what I'm saying

991
00:40:16,360 --> 00:40:18,719
Speaker 1: by accessible meaning like there are people that are in

992
00:40:18,760 --> 00:40:22,359
Speaker 1: that party. Yeah, regular nine to five people have a job,

993
00:40:22,600 --> 00:40:24,759
Speaker 1: Like they just go to this party because they know

994
00:40:24,840 --> 00:40:28,160
Speaker 1: somebody there, or they're they're attractive, or they're you know,

995
00:40:28,200 --> 00:40:29,839
Speaker 1: they're in a certain circle. So it's like, yeah, we're

996
00:40:29,840 --> 00:40:32,040
Speaker 1: going to this party tonight. But like these are for

997
00:40:32,080 --> 00:40:34,759
Speaker 1: the most part of regular people. But I think celebrities.

998
00:40:34,760 --> 00:40:37,040
Speaker 2: I think Mike when he did go to parties. Again,

999
00:40:37,080 --> 00:40:39,040
Speaker 2: there wasn't cameras. We never knew when Mike went to

1000
00:40:39,800 --> 00:40:41,640
Speaker 2: the club, but it was a certain amount of the

1001
00:40:41,640 --> 00:40:45,399
Speaker 2: pretty bitches in LA people that knew somebody like, it's

1002
00:40:45,480 --> 00:40:47,120
Speaker 2: not it's not the common world.

1003
00:40:47,719 --> 00:40:50,279
Speaker 1: Yeah, but now but now it's it's different though. Like

1004
00:40:50,360 --> 00:40:52,080
Speaker 1: when Mike went to a party, he was walking in

1005
00:40:52,120 --> 00:40:55,120
Speaker 1: there with Eddie Murphy, biggest dude in Hollywood at the time.

1006
00:40:55,239 --> 00:40:58,120
Speaker 2: And I'm saying at Studio fifty four there was people

1007
00:40:58,160 --> 00:41:00,480
Speaker 2: with nine to five jobs. There was all the baddest

1008
00:41:00,480 --> 00:41:02,680
Speaker 2: bitches in New York that probably didn't even have a job.

1009
00:41:03,360 --> 00:41:06,399
Speaker 2: It's the same thing, but that's not the common.

1010
00:41:06,200 --> 00:41:07,480
Speaker 4: Why did you make world employed?

1011
00:41:07,719 --> 00:41:08,080
Speaker 1: Yeah?

1012
00:41:08,160 --> 00:41:10,160
Speaker 11: I think that you guys have been in that world

1013
00:41:10,160 --> 00:41:11,640
Speaker 11: for so much you start to think that it's the

1014
00:41:11,640 --> 00:41:12,280
Speaker 11: common world.

1015
00:41:12,280 --> 00:41:13,400
Speaker 1: But that's that's not it.

1016
00:41:13,600 --> 00:41:16,400
Speaker 11: Also, if I'm in highlight room and Drake walks in,

1017
00:41:16,480 --> 00:41:18,320
Speaker 11: I'm not surprised. If I'm in a highlight room and

1018
00:41:18,440 --> 00:41:20,160
Speaker 11: j Cole walks in, I'm surprised.

1019
00:41:20,280 --> 00:41:23,359
Speaker 8: You shouldn't different. No, I mean he moves, he's out

1020
00:41:23,400 --> 00:41:25,319
Speaker 8: a little bit it's just less. He doesn't post it

1021
00:41:25,719 --> 00:41:26,320
Speaker 8: off the wagon.

1022
00:41:27,239 --> 00:41:29,480
Speaker 1: That's fun. That's interesting that you say that, though, if

1023
00:41:29,600 --> 00:41:32,280
Speaker 1: j Cole walks into a party, you're surprised.

1024
00:41:31,880 --> 00:41:34,400
Speaker 11: If Jake Cole walks in because that's not his persona.

1025
00:41:34,760 --> 00:41:38,279
Speaker 11: Drake's persona is I am surrounded by liquor and bad

1026
00:41:38,320 --> 00:41:41,080
Speaker 11: bitches at all times. I'm either in turks or in

1027
00:41:41,120 --> 00:41:43,560
Speaker 11: a party off a perk like that. That's that's what

1028
00:41:43,600 --> 00:41:44,320
Speaker 11: he puts out.

1029
00:41:44,400 --> 00:41:46,200
Speaker 2: What he needs to do that for the music that

1030
00:41:46,239 --> 00:41:47,640
Speaker 2: he makes. Cole, on the other hand, doesn't.

1031
00:41:47,680 --> 00:41:48,560
Speaker 9: That's hard, Saana.

1032
00:41:48,680 --> 00:41:52,319
Speaker 11: J Cole is I'm smart looking up doctor Sebbi in

1033
00:41:52,360 --> 00:41:54,000
Speaker 11: the quarter smart.

1034
00:41:54,760 --> 00:41:56,600
Speaker 1: Don't do that just because he got dreads. Don't do that.

1035
00:41:56,800 --> 00:42:00,160
Speaker 2: But that's Cole's entire cattle. But you took out of

1036
00:42:00,160 --> 00:42:01,360
Speaker 2: that was you know, I'm smart.

1037
00:42:01,160 --> 00:42:04,239
Speaker 1: I'm smart, Like, don't do that. Don't do that. I

1038
00:42:04,280 --> 00:42:06,280
Speaker 1: remember what cold. I remember when Cole had to seize

1039
00:42:06,320 --> 00:42:07,799
Speaker 1: I remember we had to seize it. I remember we

1040
00:42:07,840 --> 00:42:09,120
Speaker 1: had to low cut cold.

1041
00:42:09,920 --> 00:42:11,880
Speaker 9: I'm a cold stand pick J Cole Overdrin.

1042
00:42:12,000 --> 00:42:13,080
Speaker 2: He's got some party records.

1043
00:42:13,160 --> 00:42:15,120
Speaker 1: Yeah for sure, I love mister nice watch.

1044
00:42:15,440 --> 00:42:17,960
Speaker 2: No, you don't know, you don't know you don't know.

1045
00:42:18,000 --> 00:42:19,680
Speaker 2: You don't you hate that? You know that was the

1046
00:42:19,680 --> 00:42:21,560
Speaker 2: biggest waste of a jay Z feacher on Earth.

1047
00:42:21,680 --> 00:42:24,680
Speaker 1: I hate that record. I hate that record. I hate it.

1048
00:42:25,880 --> 00:42:26,920
Speaker 9: Watch I go crazy.

1049
00:42:26,920 --> 00:42:28,600
Speaker 2: You could hear the rolex ticking in that song.

1050
00:42:28,640 --> 00:42:33,279
Speaker 1: I hate that. But yeah, either way, Drake you where

1051
00:42:33,320 --> 00:42:35,560
Speaker 1: were you at there? Mister nice? Watch? I don't know

1052
00:42:35,920 --> 00:42:37,000
Speaker 1: what type of question is that?

1053
00:42:37,080 --> 00:42:39,360
Speaker 2: Something like no one I understand when you're in the

1054
00:42:39,360 --> 00:42:42,560
Speaker 2: studio that went down good? Why didn't you tell jay like? Nah,

1055
00:42:42,600 --> 00:42:46,000
Speaker 2: you should wait? This is cold, This isn't the one

1056
00:42:46,040 --> 00:42:47,280
Speaker 2: you want for your jay feature.

1057
00:42:47,320 --> 00:42:49,279
Speaker 1: Now see why Zi was gonna curse your ass out

1058
00:42:49,280 --> 00:42:51,520
Speaker 1: that night. You think that you can tell jay Z Yo,

1059
00:42:51,560 --> 00:42:53,200
Speaker 1: why don't you just wait? Jay Z gonna lay down

1060
00:42:53,200 --> 00:42:54,839
Speaker 1: the verse? Hes gonn come out with You should wait

1061
00:42:54,840 --> 00:42:55,399
Speaker 1: to put this out?

1062
00:42:55,600 --> 00:42:57,080
Speaker 2: No, I no, just not this beating this song?

1063
00:42:57,200 --> 00:42:58,560
Speaker 7: Mal do you have a hugh blow that you called

1064
00:42:58,600 --> 00:42:58,960
Speaker 7: t bow?

1065
00:42:59,200 --> 00:43:01,640
Speaker 2: And first of all, Azilia was wrong because all I

1066
00:43:01,680 --> 00:43:03,080
Speaker 2: said was that I love her house music.

1067
00:43:03,360 --> 00:43:05,439
Speaker 1: I didn't tell not what you said. That's not see

1068
00:43:05,480 --> 00:43:07,520
Speaker 1: I'm not letting you do that. What did I say

1069
00:43:07,600 --> 00:43:09,160
Speaker 1: when he said, Yo, come on when you're gonna get

1070
00:43:09,200 --> 00:43:11,160
Speaker 1: back to the to the to the house music ship. Okay,

1071
00:43:11,600 --> 00:43:14,200
Speaker 1: that's what you said. It's a totally different Okay. You

1072
00:43:14,239 --> 00:43:16,160
Speaker 1: can't tell an artist, yo, when you're gonna get back

1073
00:43:16,200 --> 00:43:21,520
Speaker 1: to Yeah, I can. You cannot. That's disrespectful to an artist.

1074
00:43:21,560 --> 00:43:23,799
Speaker 1: You can't do that. You wouldn't tell Michael Age when

1075
00:43:23,800 --> 00:43:26,200
Speaker 1: you're gonna start using more red in your paintings again. Yeah, no,

1076
00:43:26,360 --> 00:43:28,480
Speaker 1: you can't do that.

1077
00:43:27,880 --> 00:43:29,080
Speaker 2: All sixteen of these chapels.

1078
00:43:29,080 --> 00:43:30,560
Speaker 1: Is ill go back to the sixteen?

1079
00:43:33,080 --> 00:43:33,960
Speaker 2: Where's the seventeenth?

1080
00:43:34,000 --> 00:43:34,200
Speaker 1: Fat?

1081
00:43:34,239 --> 00:43:35,040
Speaker 2: Like, I just hate to know.

1082
00:43:35,160 --> 00:43:36,719
Speaker 9: Can I tell you how Mal called me?

1083
00:43:36,800 --> 00:43:38,759
Speaker 11: I'm just in a regular day and Chipotle Mall calls

1084
00:43:38,840 --> 00:43:40,720
Speaker 11: me and says, yo, you went to high school with Azilia.

1085
00:43:41,520 --> 00:43:43,480
Speaker 1: Yeah, because okay, So I'm on the farm, I'm talking

1086
00:43:43,520 --> 00:43:46,520
Speaker 1: to I'm waiting to Azilia because she's sending she's sending

1087
00:43:46,600 --> 00:43:48,880
Speaker 1: us some uh some gift boxes. Right, so she's trying

1088
00:43:48,880 --> 00:43:52,319
Speaker 1: to she's swearing that she knows Damaris. She's like, Yo,

1089
00:43:52,360 --> 00:43:54,880
Speaker 1: wait I know Damaris. I'm like, so now I'm surprised.

1090
00:43:54,920 --> 00:43:57,480
Speaker 1: I'm like, wait, Damaris didn't tell us this. I'm like, well,

1091
00:43:57,520 --> 00:43:59,319
Speaker 1: you know Themorics. She's like, I went to school. I'm like,

1092
00:44:00,160 --> 00:44:02,040
Speaker 1: you didn't. You went to marriage with the school upstate

1093
00:44:02,120 --> 00:44:04,080
Speaker 1: New York. Like, you did not go to school with them?

1094
00:44:04,400 --> 00:44:07,000
Speaker 1: She said, yo, I went to look she went to LaGuardia.

1095
00:44:07,040 --> 00:44:10,440
Speaker 1: I'm like, Demaris definitely did not go to LaGuardia. She

1096
00:44:10,520 --> 00:44:12,680
Speaker 1: dis She's like she did. I'm like, she did not,

1097
00:44:12,800 --> 00:44:15,319
Speaker 1: So she's flown into LaGuardia, right. So then she pulls

1098
00:44:15,400 --> 00:44:18,520
Speaker 1: up this whole other Demarage girl that went to La Guardian.

1099
00:44:18,600 --> 00:44:21,400
Speaker 1: She's like, yo, I said, this is not Demaris. I

1100
00:44:21,440 --> 00:44:24,200
Speaker 1: know her name is Demaras, but this is not Demarriage.

1101
00:44:24,640 --> 00:44:26,920
Speaker 1: I had to call She's like, no, call her right now.

1102
00:44:27,719 --> 00:44:29,239
Speaker 2: It's rude to tell an artists who they went to

1103
00:44:29,320 --> 00:44:31,080
Speaker 2: high school with, especially performing arts school.

1104
00:44:31,120 --> 00:44:34,880
Speaker 1: No, you're saying she no, no, no. See the difference

1105
00:44:34,920 --> 00:44:37,120
Speaker 1: is Azilia was trying to tell me that she went

1106
00:44:37,160 --> 00:44:38,399
Speaker 1: to school with the marriage and I'm like.

1107
00:44:38,400 --> 00:44:41,320
Speaker 2: And now trying to tell her I love Azilia's house music.

1108
00:44:41,520 --> 00:44:43,440
Speaker 1: No no, no, no, said, when you're gonna get back to

1109
00:44:43,520 --> 00:44:46,800
Speaker 1: making that house music? I meant it as disrespectful.

1110
00:44:46,840 --> 00:44:47,640
Speaker 4: What was her response to that?

1111
00:44:47,719 --> 00:44:49,879
Speaker 1: I gain she just looked at Rory and just was like, oh,

1112
00:44:49,960 --> 00:44:50,839
Speaker 1: she just walked away.

1113
00:44:51,080 --> 00:44:53,640
Speaker 2: No, and then she DM me later and cursed me

1114
00:44:53,719 --> 00:44:58,440
Speaker 2: the funk out what she sent me crazy reading like

1115
00:44:58,560 --> 00:44:59,080
Speaker 2: I read it.

1116
00:45:00,920 --> 00:45:03,799
Speaker 1: Yo, that's just when you gotta when you gotta read

1117
00:45:03,880 --> 00:45:08,000
Speaker 1: my attitude like yo, I thought it was very becoming

1118
00:45:08,000 --> 00:45:09,879
Speaker 1: of you to ask me when I'm gonna get back

1119
00:45:09,920 --> 00:45:12,960
Speaker 1: to making this type of music. I am an artist.

1120
00:45:13,360 --> 00:45:16,680
Speaker 2: Back too, and her offense. Now that you mentioned it

1121
00:45:16,760 --> 00:45:18,680
Speaker 2: that way, yes, I can see how it came across

1122
00:45:19,239 --> 00:45:20,080
Speaker 2: and intention.

1123
00:45:19,880 --> 00:45:21,279
Speaker 1: That you want me to tell you when he comes

1124
00:45:21,320 --> 00:45:24,279
Speaker 1: out the booth like yo, you should just yes, he's

1125
00:45:24,440 --> 00:45:26,719
Speaker 1: crazy and not do that. No.

1126
00:45:26,920 --> 00:45:29,560
Speaker 2: I think more artists need that person in the studio

1127
00:45:29,640 --> 00:45:30,560
Speaker 2: to say, hey, don't do this.

1128
00:45:31,120 --> 00:45:32,920
Speaker 1: It ain't gonna be me. Nas could do it.

1129
00:45:34,440 --> 00:45:37,560
Speaker 2: Wait in a j session like you know, No, I

1130
00:45:37,600 --> 00:45:37,880
Speaker 2: don't know.

1131
00:45:37,960 --> 00:45:39,560
Speaker 1: I'm not gonna tell JAYO and I don't put that

1132
00:45:39,680 --> 00:45:40,080
Speaker 1: verse out.

1133
00:45:40,400 --> 00:45:42,359
Speaker 2: I think I want to tell him that I think

1134
00:45:42,440 --> 00:45:48,040
Speaker 2: your brother Hop has stopped millions of shitty jay Z stuff.

1135
00:45:48,840 --> 00:45:53,680
Speaker 1: Jay stopped talking to him. You see HoTT tell us

1136
00:45:53,760 --> 00:45:54,759
Speaker 1: that part and then.

1137
00:45:54,680 --> 00:45:56,560
Speaker 2: We got Magna Carter without Hop, and Hop should have

1138
00:45:56,560 --> 00:45:57,319
Speaker 2: been like, yo, now.

1139
00:45:57,280 --> 00:45:59,320
Speaker 1: Don't put that out. We don't hit my phone for

1140
00:45:59,440 --> 00:46:02,160
Speaker 1: five years. That's what I'm saying. You can't tell an

1141
00:46:02,239 --> 00:46:04,719
Speaker 1: artist when they're creating like nah, because again it's the

1142
00:46:04,800 --> 00:46:05,719
Speaker 1: artist know that you.

1143
00:46:05,760 --> 00:46:08,880
Speaker 2: Are correct at that party, yes, but I think someone

1144
00:46:09,000 --> 00:46:11,399
Speaker 2: in Cole's camp should have been like, I don't think

1145
00:46:11,520 --> 00:46:13,160
Speaker 2: this is the right beat. And I understand when you're

1146
00:46:13,160 --> 00:46:15,720
Speaker 2: a studio everything sounds great, Hey we have a j feature.

1147
00:46:16,000 --> 00:46:17,600
Speaker 2: Maybe we should pick a different song.

1148
00:46:17,680 --> 00:46:19,680
Speaker 1: I mean, but that's not fair only because you're talking

1149
00:46:19,719 --> 00:46:22,000
Speaker 1: about looking back in the moment. They probably thought it

1150
00:46:22,120 --> 00:46:23,879
Speaker 1: was great when it come and it came out.

1151
00:46:23,880 --> 00:46:26,239
Speaker 8: I thought that, Oh well, then the history of that

1152
00:46:26,320 --> 00:46:28,640
Speaker 8: record was the album was done, and then Jay heard

1153
00:46:28,719 --> 00:46:32,840
Speaker 8: that and then decided to throw that versult more.

1154
00:46:33,239 --> 00:46:34,680
Speaker 2: Freeans to what I'm saying, it was forced.

1155
00:46:35,480 --> 00:46:37,800
Speaker 1: I'm not I'm not listening. I'm not mad at you.

1156
00:46:37,840 --> 00:46:39,600
Speaker 1: I'm just saying, when that ship got cut that day

1157
00:46:39,640 --> 00:46:41,120
Speaker 1: in the studio, I don't think Niggas was gonna be

1158
00:46:41,160 --> 00:46:41,759
Speaker 1: like yo, Noah, I don't.

1159
00:46:41,800 --> 00:46:43,640
Speaker 2: And then then we got what was the ship on

1160
00:46:43,760 --> 00:46:46,040
Speaker 2: tech me later? Then we then we saw what it

1161
00:46:46,080 --> 00:46:48,279
Speaker 2: looked like when you did it correct thank me later?

1162
00:46:48,640 --> 00:46:52,200
Speaker 1: What was it with Jay and Drake? Yes? Uh, thank you?

1163
00:46:53,560 --> 00:46:55,040
Speaker 2: Yeah, then we saw what it looked like when you

1164
00:46:55,200 --> 00:46:59,600
Speaker 2: didn't force something. That's a good record, Drake, we do

1165
00:46:59,760 --> 00:47:02,759
Speaker 2: need a Cole and Jay record like a proper one.

1166
00:47:02,800 --> 00:47:03,640
Speaker 7: We need another dread.

1167
00:47:04,200 --> 00:47:05,239
Speaker 1: They both got dreads now.

1168
00:47:05,239 --> 00:47:08,959
Speaker 11: You know CONSI I feel like j Cole could match

1169
00:47:09,080 --> 00:47:11,920
Speaker 11: because Jay z be out rapped, Like you know, I'm

1170
00:47:11,960 --> 00:47:14,040
Speaker 11: his last big feature. He out wrapped them niggas when

1171
00:47:14,080 --> 00:47:15,759
Speaker 11: it came to that kind of thing.

1172
00:47:16,640 --> 00:47:19,719
Speaker 1: Wayne Stand's Gonna get you, Wayne Stands is coming.

1173
00:47:19,800 --> 00:47:22,560
Speaker 11: I mean, I'm talking about content, just content wise. I

1174
00:47:22,640 --> 00:47:26,080
Speaker 11: think Cole could match up with him content wise and

1175
00:47:26,120 --> 00:47:27,719
Speaker 11: they could rap up about the same kind of thing.

1176
00:47:33,040 --> 00:47:35,960
Speaker 1: Speaking of the boy, he put out a video with

1177
00:47:36,040 --> 00:47:37,960
Speaker 1: twenty one Savage or to spin about you video one

1178
00:47:38,000 --> 00:47:39,480
Speaker 1: of my one of my favorite songs on that the

1179
00:47:39,560 --> 00:47:42,919
Speaker 1: Boy in the Bloke. That's what the Boy in the Bloke. Yeah,

1180
00:47:43,600 --> 00:47:45,759
Speaker 1: but twenty one doesn't claim London, does he? Yeah, he

1181
00:47:45,760 --> 00:47:46,480
Speaker 1: doesn't claim the UK.

1182
00:47:46,600 --> 00:47:49,080
Speaker 7: That's the passport does There's no choice.

1183
00:47:49,120 --> 00:47:51,280
Speaker 2: Well, I guess if it's past Ice would say otherwise.

1184
00:47:52,360 --> 00:47:53,960
Speaker 1: They put out the video for uh spin about You.

1185
00:47:55,960 --> 00:47:59,560
Speaker 1: Julian went crazy when the video dropped. Yah ed and

1186
00:47:59,600 --> 00:48:06,200
Speaker 1: followed sentiments ed and was like, yo hard it was yourself. Yeah, yeah,

1187
00:48:06,280 --> 00:48:08,000
Speaker 1: y'all made me go watch it. Like once I saw

1188
00:48:08,080 --> 00:48:09,919
Speaker 1: you and Eddin like going crazy.

1189
00:48:10,000 --> 00:48:12,400
Speaker 2: I was like, did you see my comment in the

1190
00:48:12,440 --> 00:48:13,560
Speaker 2: group shot? I was like, wait, what happened?

1191
00:48:13,640 --> 00:48:13,799
Speaker 10: Yeah?

1192
00:48:13,840 --> 00:48:14,480
Speaker 2: I thought something.

1193
00:48:14,640 --> 00:48:16,319
Speaker 1: I was just a video. It was lit. I was like, oh,

1194
00:48:16,360 --> 00:48:18,319
Speaker 1: now I gotta go watch this video right now.

1195
00:48:18,440 --> 00:48:20,360
Speaker 7: A post a group Patreon scared a patron.

1196
00:48:21,080 --> 00:48:23,400
Speaker 1: Now I will say I will say this, Yeah, I

1197
00:48:23,440 --> 00:48:26,080
Speaker 1: will say this. I did. The one reason why I

1198
00:48:26,200 --> 00:48:30,120
Speaker 1: did like this video was because this felt like you

1199
00:48:30,200 --> 00:48:32,640
Speaker 1: know when hip hop videos used to be hip hop videos,

1200
00:48:32,760 --> 00:48:37,400
Speaker 1: like the bigger budgets, the movie type of thing. So

1201
00:48:37,920 --> 00:48:39,319
Speaker 1: that alone, once I saw it, I was like, okay,

1202
00:48:39,400 --> 00:48:42,160
Speaker 1: this this feels like an old bad boy video.

1203
00:48:42,440 --> 00:48:45,919
Speaker 2: Yeah, uh, you didn't find it weird the video?

1204
00:48:46,440 --> 00:48:46,680
Speaker 3: What did?

1205
00:48:46,760 --> 00:48:47,920
Speaker 1: What would I find way about this?

1206
00:48:48,360 --> 00:48:51,719
Speaker 2: Just like the beginning of it, like why are twenty

1207
00:48:51,760 --> 00:48:54,279
Speaker 2: one in drake? Just like the two of them in

1208
00:48:54,360 --> 00:48:56,120
Speaker 2: the middle of the ocean, Like I feel like they

1209
00:48:56,160 --> 00:48:57,000
Speaker 2: deserve to get robbed.

1210
00:48:57,000 --> 00:48:59,239
Speaker 1: I mean, what if this was their recording problem, if.

1211
00:48:59,160 --> 00:49:02,040
Speaker 2: They were quarantining, like there's no engineer, Like I don't

1212
00:49:02,040 --> 00:49:03,839
Speaker 2: see I don't even see the captain, like it's twenty

1213
00:49:03,840 --> 00:49:08,239
Speaker 2: one driving the boat. Probably you don't think like as

1214
00:49:08,360 --> 00:49:10,239
Speaker 2: much as I fuck with you, I don't know if

1215
00:49:10,440 --> 00:49:12,040
Speaker 2: I had that boat that I'd be like, Yo, how

1216
00:49:12,040 --> 00:49:14,359
Speaker 2: about like you and I just get some some US

1217
00:49:14,480 --> 00:49:17,280
Speaker 2: time yuck and like just go out to this devocean.

1218
00:49:17,360 --> 00:49:19,279
Speaker 1: I don't like me and you. I don't want to

1219
00:49:19,280 --> 00:49:19,520
Speaker 1: have us.

1220
00:49:19,600 --> 00:49:22,560
Speaker 2: This doesn't look like weird US time, Yeah it does.

1221
00:49:22,880 --> 00:49:25,320
Speaker 1: It does kind of feel like that is you ma

1222
00:49:26,120 --> 00:49:26,520
Speaker 1: for sure?

1223
00:49:26,920 --> 00:49:30,080
Speaker 2: Like I feel like they were texting each other Rory's

1224
00:49:30,080 --> 00:49:35,080
Speaker 2: twenty one because I'm Catholic, because because of the cross

1225
00:49:35,840 --> 00:49:36,439
Speaker 2: would be drake.

1226
00:49:36,600 --> 00:49:37,160
Speaker 9: It's a knife.

1227
00:49:38,080 --> 00:49:38,720
Speaker 1: It's a knife.

1228
00:49:38,719 --> 00:49:41,680
Speaker 2: It's a knife, and you know, you know UK Ireland.

1229
00:49:41,719 --> 00:49:42,040
Speaker 1: I get it.

1230
00:49:42,480 --> 00:49:44,640
Speaker 2: But you don't think like they texted each other once

1231
00:49:44,680 --> 00:49:48,560
Speaker 2: the album dropped, like let's just like let our hair down. No, girls,

1232
00:49:48,719 --> 00:49:50,799
Speaker 2: just you and I in the ocean.

1233
00:49:51,360 --> 00:49:52,680
Speaker 1: Like let's just get in the album.

1234
00:49:52,880 --> 00:49:54,880
Speaker 2: Yeah, in the album, it's just like dance out in

1235
00:49:54,920 --> 00:49:55,320
Speaker 2: the ocean.

1236
00:49:55,640 --> 00:50:00,239
Speaker 1: Well they weren't dancing, hope, No, they just finished dancing. No, please,

1237
00:50:00,239 --> 00:50:01,680
Speaker 1: I don't even want to think about just themto on

1238
00:50:01,719 --> 00:50:05,120
Speaker 1: a boat dancing. But the concept of video, uh, the

1239
00:50:05,239 --> 00:50:08,920
Speaker 1: girls uh, come back and they basically take heist of

1240
00:50:09,000 --> 00:50:12,480
Speaker 1: the of the of the yacht. Mm hm they drugged

1241
00:50:12,520 --> 00:50:15,879
Speaker 1: Drake in twenty one. Uh, they robbed them. She takes

1242
00:50:16,040 --> 00:50:19,839
Speaker 1: Drake's uh diamond engagement chain of all the engagement rings

1243
00:50:19,880 --> 00:50:22,000
Speaker 1: that he had for all of his ex'es that he

1244
00:50:22,120 --> 00:50:24,279
Speaker 1: turned into a chain, which is kind of like his

1245
00:50:24,400 --> 00:50:25,040
Speaker 1: trophy case.

1246
00:50:25,239 --> 00:50:27,200
Speaker 2: You know why, I know I'm I'm I'm a sucker more.

1247
00:50:28,080 --> 00:50:30,239
Speaker 2: She wouldn't need to do all this blow to the

1248
00:50:30,280 --> 00:50:33,719
Speaker 2: ship in Drake's face. She could have just drugged me. Yeah,

1249
00:50:33,760 --> 00:50:35,359
Speaker 2: I would have been with whatever she said. She would

1250
00:50:35,360 --> 00:50:37,520
Speaker 2: have just handed she did too much of a production,

1251
00:50:37,640 --> 00:50:39,840
Speaker 2: whatever she said on that boat, I would.

1252
00:50:39,600 --> 00:50:41,439
Speaker 1: Have done just a glass of wine and she would

1253
00:50:41,440 --> 00:50:42,439
Speaker 1: have had you one hundred percent.

1254
00:50:43,320 --> 00:50:45,239
Speaker 2: It was no drugs needed. Don't even tie me up.

1255
00:50:45,440 --> 00:50:47,160
Speaker 1: I do, I do. I do like this video though

1256
00:50:47,200 --> 00:50:49,600
Speaker 1: this is a I like it too. It just feels

1257
00:50:49,640 --> 00:50:52,000
Speaker 1: like it feels like a videos are supposed to feel like.

1258
00:50:52,360 --> 00:50:54,920
Speaker 1: And Preciously looks amazing. I love the fact that they

1259
00:50:55,040 --> 00:50:58,799
Speaker 1: used Precious as the as the main girl given given

1260
00:50:58,880 --> 00:51:01,680
Speaker 1: love to our bets. Can we say that is that offensive?

1261
00:51:02,640 --> 00:51:05,600
Speaker 1: She identify as a bbww.

1262
00:51:05,080 --> 00:51:06,840
Speaker 11: I don't know what she identifies as, but there's no

1263
00:51:06,960 --> 00:51:08,880
Speaker 11: need to even call her a BBWB model.

1264
00:51:08,960 --> 00:51:09,640
Speaker 9: She's a supermodel.

1265
00:51:09,719 --> 00:51:13,719
Speaker 1: He's a BBDA Okay, so we can take that off.

1266
00:51:13,800 --> 00:51:16,239
Speaker 1: It was good to see them use preciously as the

1267
00:51:17,200 --> 00:51:18,080
Speaker 1: lead in the video.

1268
00:51:18,440 --> 00:51:20,520
Speaker 2: Well, let me ask you, because the concept is all

1269
00:51:20,600 --> 00:51:22,520
Speaker 2: the women that Drake should have proposed to, whatever the

1270
00:51:22,560 --> 00:51:26,000
Speaker 2: fuck it is. If we went through your body count, Like,

1271
00:51:26,080 --> 00:51:28,319
Speaker 2: how do you think this robbery would go? She clearly did.

1272
00:51:28,360 --> 00:51:30,719
Speaker 2: They are all sister wives and friends, like they work

1273
00:51:30,760 --> 00:51:31,239
Speaker 2: as a unit.

1274
00:51:31,400 --> 00:51:31,840
Speaker 4: Titanic.

1275
00:51:32,320 --> 00:51:35,680
Speaker 2: Drake as a at least is a good GM because

1276
00:51:35,719 --> 00:51:37,040
Speaker 2: all of them, they look like they have been a

1277
00:51:37,120 --> 00:51:40,520
Speaker 2: team for a minute. Yeah, with your body count, how

1278
00:51:40,560 --> 00:51:42,200
Speaker 2: do you feel this robbery would go? Because clearly twenty

1279
00:51:42,239 --> 00:51:45,200
Speaker 2: one Savage is an innocent bystanderd here. Yeah, and Drake

1280
00:51:45,360 --> 00:51:50,799
Speaker 2: just put him in deep water, get it. I tried,

1281
00:51:51,400 --> 00:51:55,360
Speaker 2: It's cool. I felt bad for twenty one. Drake's demons

1282
00:51:55,400 --> 00:51:57,120
Speaker 2: came back and he was just caught.

1283
00:51:57,160 --> 00:51:59,520
Speaker 1: And then twenty one was like it's just a casualty

1284
00:51:59,600 --> 00:51:59,839
Speaker 1: of war.

1285
00:52:00,080 --> 00:52:03,600
Speaker 2: Yeah, like where like, come on, Lotto will never believe this.

1286
00:52:04,000 --> 00:52:06,960
Speaker 1: The funniest part of it, The funniest part of that's.

1287
00:52:06,800 --> 00:52:08,360
Speaker 2: Trying to be eplain, that's a lot of now, like

1288
00:52:08,520 --> 00:52:10,600
Speaker 2: all forty of these women on here are trying to

1289
00:52:10,680 --> 00:52:11,080
Speaker 2: rob us.

1290
00:52:11,440 --> 00:52:14,920
Speaker 1: The funniest part of this video is when Drake, I

1291
00:52:14,960 --> 00:52:16,640
Speaker 1: don't even know how he agreed to get shot in

1292
00:52:16,640 --> 00:52:20,800
Speaker 1: the head, but Drake, that is crazy, but he agreed

1293
00:52:20,840 --> 00:52:22,120
Speaker 1: to get shot in the head. And then you see

1294
00:52:22,160 --> 00:52:23,920
Speaker 1: twenty one just running jump like yo, you I ain't

1295
00:52:23,920 --> 00:52:26,880
Speaker 1: shooting me. He just running jump off the jo like na, na,

1296
00:52:27,160 --> 00:52:29,279
Speaker 1: I'll take my chances with the like, let me just

1297
00:52:29,360 --> 00:52:31,320
Speaker 1: jump in this ocean and I'll try to swim like

1298
00:52:31,400 --> 00:52:32,879
Speaker 1: You're not gonna shoot me in the back of my head.

1299
00:52:33,080 --> 00:52:35,920
Speaker 2: The heart over his sword tattoo is hilarious. This is

1300
00:52:35,960 --> 00:52:37,879
Speaker 2: a really really well done video. But you still didn't

1301
00:52:37,880 --> 00:52:41,200
Speaker 2: answer how your body count would handle this right, Well.

1302
00:52:41,120 --> 00:52:42,399
Speaker 1: First of all, we're gonna need a bigger boat.

1303
00:52:46,160 --> 00:52:46,800
Speaker 9: Is over here.

1304
00:52:49,120 --> 00:52:52,880
Speaker 1: That jaws because definitely, let me just put this out here.

1305
00:52:52,880 --> 00:52:54,920
Speaker 1: I've definitely not have been with more women than Drake.

1306
00:52:54,960 --> 00:52:56,800
Speaker 1: Let's put that out here. Number one. I think that

1307
00:52:56,840 --> 00:53:00,600
Speaker 1: these are probably supposed to kind of he's supposed to

1308
00:53:00,600 --> 00:53:02,400
Speaker 1: be maybe the girls that he was going to be

1309
00:53:03,040 --> 00:53:04,400
Speaker 1: proposed to, maybe Yeah.

1310
00:53:04,320 --> 00:53:05,600
Speaker 2: Why would assume he would have sucked them?

1311
00:53:05,600 --> 00:53:07,160
Speaker 11: Well, where would y'all get Where did y'all get that

1312
00:53:07,239 --> 00:53:10,320
Speaker 11: idea from? He never, nobody ever said that he did that.

1313
00:53:10,440 --> 00:53:13,040
Speaker 11: What he said that about the diamonds? He said that

1314
00:53:13,080 --> 00:53:13,680
Speaker 11: about the video.

1315
00:53:13,880 --> 00:53:15,600
Speaker 1: Oh no, he didn't say about we just we just

1316
00:53:16,040 --> 00:53:18,600
Speaker 1: We're just podcast, damn, just a podcast.

1317
00:53:19,080 --> 00:53:20,960
Speaker 2: You don't see the weeper meaning of it. You're just

1318
00:53:21,080 --> 00:53:24,240
Speaker 2: on the surface level. We're below the service.

1319
00:53:24,280 --> 00:53:25,040
Speaker 1: You're just on the boat.

1320
00:53:25,280 --> 00:53:25,960
Speaker 2: Yeah, we're down.

1321
00:53:26,200 --> 00:53:27,719
Speaker 1: See that's why they ain't tell you to get on

1322
00:53:27,719 --> 00:53:30,200
Speaker 1: the air and we're in the galley. Didn't see that far? Yeah,

1323
00:53:30,400 --> 00:53:34,920
Speaker 1: rock mall the leah, there you go. I don't know,

1324
00:53:35,040 --> 00:53:37,520
Speaker 1: I don't know. Edon just gets into these modes where

1325
00:53:37,520 --> 00:53:40,520
Speaker 1: he just starts like getting vomited, Diary of the mouth

1326
00:53:40,560 --> 00:53:42,120
Speaker 1: and he just goes I don't know what he's talking about,

1327
00:53:42,680 --> 00:53:44,719
Speaker 1: but great video, felt Who directed is? Do we know?

1328
00:53:45,120 --> 00:53:47,759
Speaker 1: If I'm willing to guess Dave Myers, I think it.

1329
00:53:47,840 --> 00:53:48,720
Speaker 7: Was Dave Myers.

1330
00:53:49,320 --> 00:53:51,680
Speaker 1: Just yeah, what I told you just that was just

1331
00:53:51,760 --> 00:53:54,160
Speaker 1: a guess. And it feels like Dave looks like Paul's

1332
00:53:54,400 --> 00:53:57,279
Speaker 1: looks like Dave feels like, yeah, that's how Oh, yeah,

1333
00:53:57,320 --> 00:53:57,840
Speaker 1: this looks.

1334
00:53:57,680 --> 00:54:00,000
Speaker 2: Like a Nathan production for sure. Thank god Nathan produced

1335
00:54:00,080 --> 00:54:04,319
Speaker 2: this thinking. Thank god for and you know, like Lark

1336
00:54:04,680 --> 00:54:06,520
Speaker 2: is the only director represented.

1337
00:54:07,200 --> 00:54:08,440
Speaker 1: I knew, I just knew. I knew this was a

1338
00:54:08,520 --> 00:54:10,319
Speaker 1: day of mine. It feels like an old school hip

1339
00:54:10,360 --> 00:54:11,279
Speaker 1: hop video. I'm with you.

1340
00:54:13,080 --> 00:54:17,279
Speaker 2: Oh and shout out to Fatima twenty one's stylist. I'm

1341
00:54:17,280 --> 00:54:18,280
Speaker 2: just gonna go through the credits.

1342
00:54:18,960 --> 00:54:21,040
Speaker 1: I love Fatima. She's dope speaking.

1343
00:54:21,080 --> 00:54:22,759
Speaker 2: You know, I've never met a whack Fatima. Now to

1344
00:54:22,800 --> 00:54:25,160
Speaker 2: think about it, we have to add that name to

1345
00:54:25,280 --> 00:54:26,080
Speaker 2: the Fatama.

1346
00:54:25,840 --> 00:54:27,960
Speaker 1: Is definitely a name. When you hear Fatima, she's like

1347
00:54:28,120 --> 00:54:30,920
Speaker 1: she's into some cool shit. Yeah, Fatima's always cool. I

1348
00:54:31,000 --> 00:54:32,759
Speaker 1: never met a Fatima that didn't have some cool shit

1349
00:54:32,800 --> 00:54:34,840
Speaker 1: going on. Like if you see a Fatima that like

1350
00:54:34,960 --> 00:54:37,919
Speaker 1: don't have cool shit going She changed her name to Fatima. Yeah,

1351
00:54:38,000 --> 00:54:39,480
Speaker 1: that wasn't like her birth giving name.

1352
00:54:39,640 --> 00:54:40,280
Speaker 2: That's her Instagram.

1353
00:54:40,600 --> 00:54:40,799
Speaker 7: Yeah.

1354
00:54:41,000 --> 00:54:43,959
Speaker 8: In the in the video, like you mentioned, Drake gets killed,

1355
00:54:44,120 --> 00:54:46,520
Speaker 8: shot in the head and thrown overboard. Have you ever

1356
00:54:46,640 --> 00:54:48,920
Speaker 8: felt like your life or safety was threatened buy an

1357
00:54:48,960 --> 00:54:51,560
Speaker 8: ex or girl that you were talking to, Not to

1358
00:54:51,680 --> 00:54:52,200
Speaker 8: that extent.

1359
00:54:52,320 --> 00:54:54,279
Speaker 1: No, the most I thought was gonna happen was maybe

1360
00:54:54,440 --> 00:54:57,680
Speaker 1: like show up and just cause a scene at like

1361
00:54:58,080 --> 00:55:00,319
Speaker 1: the crib, kicking on the door or something not killed.

1362
00:55:00,520 --> 00:55:02,480
Speaker 1: Yeah that she surely was banging on her head, but

1363
00:55:02,560 --> 00:55:05,000
Speaker 1: that was like it was a conversation, which is why

1364
00:55:05,040 --> 00:55:07,279
Speaker 1: that's crazy because it was a conversation. And then she

1365
00:55:07,400 --> 00:55:08,840
Speaker 1: started just banging on her head and I was like,

1366
00:55:08,880 --> 00:55:11,279
Speaker 1: I don't think you should do that, but it's your head.

1367
00:55:11,480 --> 00:55:14,080
Speaker 2: Like I just feel like, do what you want.

1368
00:55:14,480 --> 00:55:17,560
Speaker 1: You're giving concussion y, Yeah, like I wouldn't. You should

1369
00:55:17,640 --> 00:55:19,200
Speaker 1: not be doing that, but if that's how you get

1370
00:55:19,239 --> 00:55:19,880
Speaker 1: your anger.

1371
00:55:19,719 --> 00:55:22,400
Speaker 2: Out, I would say. The closest thing I don't like

1372
00:55:22,440 --> 00:55:25,080
Speaker 2: when women play in the car, Like when you're arguing

1373
00:55:25,200 --> 00:55:29,080
Speaker 2: and I'm driving, like, relax a little bit. Yeah, this

1374
00:55:29,640 --> 00:55:32,120
Speaker 2: could compromise. Yeah, I trick ever pulled a wheel on

1375
00:55:32,200 --> 00:55:34,680
Speaker 2: you one time and it wasn't in an argument. She

1376
00:55:35,120 --> 00:55:38,000
Speaker 2: she might have been high this I was really maybe

1377
00:55:38,080 --> 00:55:41,239
Speaker 2: twenty one and she grabbed the wheel. I don't know

1378
00:55:41,239 --> 00:55:44,160
Speaker 2: if she was drunk high she just thought it was funny.

1379
00:55:44,320 --> 00:55:45,040
Speaker 1: What was your reaction?

1380
00:55:45,480 --> 00:55:46,399
Speaker 2: What the fuck are you doing?

1381
00:55:46,480 --> 00:55:47,600
Speaker 7: You on like a high woman?

1382
00:55:47,600 --> 00:55:49,040
Speaker 2: I still beat don't get me wrong.

1383
00:55:49,080 --> 00:55:50,240
Speaker 7: The city freeway.

1384
00:55:50,360 --> 00:55:51,279
Speaker 1: That didn't. That didn't, that didn't.

1385
00:55:51,640 --> 00:55:54,040
Speaker 2: I was on that was on one and nine in Elizabeth,

1386
00:55:54,040 --> 00:55:54,520
Speaker 2: New Jersey.

1387
00:55:54,920 --> 00:55:55,120
Speaker 1: Nice.

1388
00:55:55,120 --> 00:55:57,600
Speaker 2: I remember vividly, and I was driving a camera truck

1389
00:55:57,760 --> 00:56:01,000
Speaker 2: that I'd like I was supposed to put was like

1390
00:56:01,160 --> 00:56:02,720
Speaker 2: it was a three day shoot and it was supposed

1391
00:56:02,719 --> 00:56:04,759
Speaker 2: to go in a bonded lot.

1392
00:56:05,440 --> 00:56:07,799
Speaker 1: But I'm like, why didn't let's get it. Why did

1393
00:56:07,840 --> 00:56:08,160
Speaker 1: she do that?

1394
00:56:08,600 --> 00:56:10,360
Speaker 2: I don't know. I think she was just psychotic and

1395
00:56:12,480 --> 00:56:16,719
Speaker 2: like I just like she wheel no, if we weren't arguing,

1396
00:56:16,760 --> 00:56:18,279
Speaker 2: everything was fine, she was just like ha ha, and

1397
00:56:18,360 --> 00:56:20,040
Speaker 2: like did that was like, what the fuck are you doing?

1398
00:56:20,200 --> 00:56:20,719
Speaker 2: You don't? Can't?

1399
00:56:20,800 --> 00:56:22,560
Speaker 1: Ha had and follow it up with pulling the steering

1400
00:56:22,640 --> 00:56:23,200
Speaker 1: while I'm driving.

1401
00:56:23,239 --> 00:56:26,000
Speaker 2: That's not I'm not exaggerating this at all. That's exactly

1402
00:56:26,040 --> 00:56:26,480
Speaker 2: what happened.

1403
00:56:26,520 --> 00:56:28,560
Speaker 1: I don't know, like i'll be because I don't have

1404
00:56:29,000 --> 00:56:31,359
Speaker 1: crazy stories about girls like that that I dated when

1405
00:56:31,360 --> 00:56:34,359
Speaker 1: you're no. But I just think that what I think

1406
00:56:34,440 --> 00:56:36,680
Speaker 1: that is that guys play games with girls.

1407
00:56:38,080 --> 00:56:41,040
Speaker 2: Played games and lied. That was not the situation. We

1408
00:56:41,120 --> 00:56:42,160
Speaker 2: were having a great time.

1409
00:56:42,120 --> 00:56:44,040
Speaker 1: Because you can be upset, right, but I think that

1410
00:56:44,160 --> 00:56:45,920
Speaker 1: to go to that extreme where it's like nigga, I

1411
00:56:46,080 --> 00:56:49,520
Speaker 1: kill both of us, Like what did you do?

1412
00:56:49,920 --> 00:56:49,960
Speaker 2: Like?

1413
00:56:50,200 --> 00:56:52,880
Speaker 1: What is your role in this? In this look emotion?

1414
00:56:53,040 --> 00:56:54,160
Speaker 2: Look at you victim blaming me.

1415
00:56:54,360 --> 00:56:58,200
Speaker 1: No, I'm not victim. I'm just told what would make

1416
00:56:58,320 --> 00:57:01,080
Speaker 1: what would make a girl that upset to where it's

1417
00:57:01,160 --> 00:57:03,879
Speaker 1: to a point like you're driving on the freeway, I'm

1418
00:57:03,960 --> 00:57:06,840
Speaker 1: doing seventy five and she thinks that I'm gonna just

1419
00:57:06,920 --> 00:57:08,840
Speaker 1: grab this will and we're gonna go right into this divider.

1420
00:57:09,000 --> 00:57:11,239
Speaker 2: So what you're saying is you think women manage their

1421
00:57:11,239 --> 00:57:12,560
Speaker 2: emotions really well? Some do.

1422
00:57:13,360 --> 00:57:13,959
Speaker 7: How about Angel?

1423
00:57:15,080 --> 00:57:15,239
Speaker 12: Well?

1424
00:57:15,320 --> 00:57:17,600
Speaker 11: What I will say, moll, what I will say is

1425
00:57:17,640 --> 00:57:20,160
Speaker 11: if anybody does that, they have mental health issues of

1426
00:57:20,240 --> 00:57:23,240
Speaker 11: their own. But men be knowing women have mental health

1427
00:57:23,280 --> 00:57:25,320
Speaker 11: issues and will still date them and fuck with them

1428
00:57:25,520 --> 00:57:28,040
Speaker 11: and then call them crazy when they finally have an

1429
00:57:28,040 --> 00:57:30,480
Speaker 11: emotional reaction to something. But you knew I was a

1430
00:57:30,520 --> 00:57:32,280
Speaker 11: little off when you started dating me.

1431
00:57:32,360 --> 00:57:33,080
Speaker 9: What you thought it was?

1432
00:57:33,120 --> 00:57:34,400
Speaker 1: Well, man, No, I didn't listen.

1433
00:57:34,440 --> 00:57:36,360
Speaker 2: No, I didn't. You didn't show me till this moment.

1434
00:57:36,440 --> 00:57:38,160
Speaker 9: Oh, I didn't show you until I almost took the

1435
00:57:38,520 --> 00:57:39,840
Speaker 9: car off the highway. It's crazy.

1436
00:57:42,080 --> 00:57:45,160
Speaker 1: It's something before that. It doesn't start actually grab people

1437
00:57:45,200 --> 00:57:46,080
Speaker 1: don't snap de mari.

1438
00:57:46,280 --> 00:57:47,600
Speaker 7: Sometimes it is just like a moment.

1439
00:57:47,720 --> 00:57:49,680
Speaker 9: Sometimes how often I don't know.

1440
00:57:49,840 --> 00:57:52,280
Speaker 7: I mean, we're talking about those moments right now.

1441
00:57:52,320 --> 00:57:53,920
Speaker 11: It's to the point where I'm trying to snatch the

1442
00:57:54,000 --> 00:57:56,360
Speaker 11: fucking steroll out your hand while we're on the fucking freeway.

1443
00:57:56,600 --> 00:57:58,600
Speaker 9: You knew I was there was a red flag. I'm

1444
00:57:58,800 --> 00:57:59,840
Speaker 9: a crazy red flag.

1445
00:58:00,200 --> 00:58:01,040
Speaker 1: It is a leader.

1446
00:58:01,520 --> 00:58:04,320
Speaker 8: What if it's the first red FuG No, that's because

1447
00:58:04,360 --> 00:58:07,880
Speaker 8: sometimes it's explosive. There's like microaggressions, and people build that

1448
00:58:08,040 --> 00:58:11,000
Speaker 8: thing and then you think everything's cool because they've been

1449
00:58:11,080 --> 00:58:13,560
Speaker 8: leading with cool, and then there's that one like boom,

1450
00:58:13,600 --> 00:58:15,440
Speaker 8: and you're like, what the fuck that could have been

1451
00:58:15,480 --> 00:58:15,840
Speaker 8: the boom.

1452
00:58:15,920 --> 00:58:18,560
Speaker 1: I don't think I understand there's a boom. I don't

1453
00:58:18,560 --> 00:58:21,400
Speaker 1: think grabbing the steerwheel is the first boom. The first

1454
00:58:21,440 --> 00:58:23,640
Speaker 1: boom is made like walking into the kitchen and finding

1455
00:58:23,720 --> 00:58:27,000
Speaker 1: like the knife in the middle of the cake. That's

1456
00:58:27,000 --> 00:58:28,960
Speaker 1: got to be like the first one, Like that's.

1457
00:58:28,840 --> 00:58:30,080
Speaker 2: The breadcrumbs and flower.

1458
00:58:30,400 --> 00:58:32,080
Speaker 1: Yeah, like this bitch is crazy, like you know what

1459
00:58:32,080 --> 00:58:34,680
Speaker 1: I'm saying, or like going into the bathroom and like

1460
00:58:35,200 --> 00:58:37,000
Speaker 1: she's she goes to take a shower, and she comes

1461
00:58:37,000 --> 00:58:39,760
Speaker 1: out fully dressed. It's like, yo, you got dressed in

1462
00:58:39,800 --> 00:58:40,240
Speaker 1: the bathroom.

1463
00:58:40,240 --> 00:58:40,880
Speaker 2: That was a very.

1464
00:58:40,840 --> 00:58:43,080
Speaker 3: Specific Yeah, that's crazy.

1465
00:58:43,200 --> 00:58:45,000
Speaker 1: Right if you see a girl going to the bathroom

1466
00:58:45,000 --> 00:58:46,560
Speaker 1: and take a shower, she comes out fully dressed, like

1467
00:58:46,640 --> 00:58:51,400
Speaker 1: this bitch is crazy. She got a rash, a rash. No,

1468
00:58:51,600 --> 00:58:55,080
Speaker 1: we're not doing a rash. We're not doing the rash.

1469
00:58:55,400 --> 00:58:57,840
Speaker 1: You know me, you got dressed, you got it. I

1470
00:58:57,960 --> 00:58:59,160
Speaker 1: saw the rash at some point.

1471
00:59:00,120 --> 00:59:01,240
Speaker 7: Le's sex in the dark.

1472
00:59:01,240 --> 00:59:02,000
Speaker 9: I went in the bathroom.

1473
00:59:02,040 --> 00:59:04,440
Speaker 1: Got yeah. But I'm rubbing on you, I feel alligator skin.

1474
00:59:04,560 --> 00:59:06,680
Speaker 1: Be turn the light on if I feel the time,

1475
00:59:08,360 --> 00:59:11,520
Speaker 1: if I feel ezema, turn the lights on, my nigg is,

1476
00:59:11,640 --> 00:59:13,400
Speaker 1: You're not about to just pop em up on me

1477
00:59:13,480 --> 00:59:15,000
Speaker 1: in the middle of sex, my nigga. Like, if I'm

1478
00:59:15,040 --> 00:59:17,360
Speaker 1: rubbing on you in the dark and I feel I'm

1479
00:59:17,360 --> 00:59:19,760
Speaker 1: turning the lights on just to make sure it's ezema,

1480
00:59:20,080 --> 00:59:20,240
Speaker 1: I have.

1481
00:59:20,840 --> 00:59:22,919
Speaker 2: You're gonna keep fighting what you mean We're gonna keep.

1482
00:59:23,360 --> 00:59:25,280
Speaker 1: No, no, no, no, I gotta see. Let me make

1483
00:59:25,280 --> 00:59:26,240
Speaker 1: sure that that's what I think.

1484
00:59:26,400 --> 00:59:27,600
Speaker 7: Will power through anything.

1485
00:59:28,560 --> 00:59:30,720
Speaker 1: He's crazy, but that's what I'm saying. You can't tell

1486
00:59:30,800 --> 00:59:31,480
Speaker 1: me that grabbing the.

1487
00:59:31,480 --> 00:59:33,920
Speaker 2: Steering wheel was like ambitious people like myself.

1488
00:59:33,960 --> 00:59:38,000
Speaker 11: Flag that was them. Red flags were looking real pink

1489
00:59:38,080 --> 00:59:42,600
Speaker 11: and Valentine's Day, ish, you.

1490
00:59:42,640 --> 00:59:45,040
Speaker 2: Do look like I love a red flag. I know

1491
00:59:45,160 --> 00:59:48,680
Speaker 2: They're just beautiful in the winds and like nothing right,

1492
00:59:48,840 --> 00:59:50,320
Speaker 2: nothing flies better than a red flag.

1493
00:59:50,360 --> 00:59:53,000
Speaker 1: You're right, a red kite if you will, Yeah, red what.

1494
00:59:54,520 --> 00:59:54,560
Speaker 2: What?

1495
00:59:54,720 --> 00:59:57,560
Speaker 1: What's wrong with you? Bro? You're right? What are you

1496
00:59:57,680 --> 00:59:58,040
Speaker 1: going through?

1497
00:59:58,600 --> 01:00:02,600
Speaker 7: Angelina jo You're going through it, going through.

1498
01:00:04,000 --> 01:00:05,320
Speaker 1: Speaking of trying to kill yourself.

1499
01:00:05,400 --> 01:00:09,840
Speaker 2: Real quick before we get into this Angelina Jolie topic.

1500
01:00:09,960 --> 01:00:12,400
Speaker 2: This is a trigger warning for anyone that has dealt

1501
01:00:12,440 --> 01:00:14,840
Speaker 2: with mental health or suicidal thoughts before.

1502
01:00:15,160 --> 01:00:19,320
Speaker 1: Angelina Jolie she put out a guess. It was an

1503
01:00:19,360 --> 01:00:22,080
Speaker 1: interview she did if I'm not mistaken, and she talks

1504
01:00:22,120 --> 01:00:26,880
Speaker 1: about how she had contemplated suicide at one point, but

1505
01:00:27,000 --> 01:00:30,160
Speaker 1: she didn't want to do suicide. She didn't want to

1506
01:00:30,200 --> 01:00:31,720
Speaker 1: leave the guilt to her family. As you know, we

1507
01:00:32,200 --> 01:00:35,080
Speaker 1: unfortunately know people that committed suicide. There's a lot of

1508
01:00:35,320 --> 01:00:37,160
Speaker 1: guilt that comes with that, feeling like we could have

1509
01:00:37,720 --> 01:00:39,680
Speaker 1: talked to them, we could have prevented it from happening.

1510
01:00:40,160 --> 01:00:41,919
Speaker 1: So she said she didn't want her family to feel

1511
01:00:41,960 --> 01:00:44,360
Speaker 1: like that, So she went as far as hiring a

1512
01:00:44,480 --> 01:00:47,800
Speaker 1: hitman to kill her. And I think think that this

1513
01:00:47,920 --> 01:00:50,280
Speaker 1: hitman is a hero because he then turned into her

1514
01:00:50,320 --> 01:00:50,800
Speaker 1: therapist and.

1515
01:00:50,840 --> 01:00:53,240
Speaker 2: Said, you know what, you're the woman with the big tests.

1516
01:00:53,400 --> 01:00:55,800
Speaker 1: Yeah, you're you're the biggest one. That's when she realized

1517
01:00:55,800 --> 01:00:57,960
Speaker 1: that me, you should take a month think about it,

1518
01:00:58,520 --> 01:00:59,960
Speaker 1: and if after a month you still want to go

1519
01:01:00,080 --> 01:01:02,600
Speaker 1: through this, I'll come back and kill you. I don't

1520
01:01:02,600 --> 01:01:03,960
Speaker 1: know if he said that, but I'm guessing that's how

1521
01:01:04,000 --> 01:01:06,040
Speaker 1: the conversation went. But I just thought it was interesting

1522
01:01:06,120 --> 01:01:09,400
Speaker 1: and very vulnerable for her to talk about that, because

1523
01:01:09,800 --> 01:01:13,120
Speaker 1: just the mindset of hiring a hitman to kill you,

1524
01:01:13,840 --> 01:01:16,320
Speaker 1: to kill yourself because you didn't want you didn't want

1525
01:01:16,320 --> 01:01:18,200
Speaker 1: to live no more. You was contemplating suicide, but you

1526
01:01:18,240 --> 01:01:21,120
Speaker 1: didn't want to leave your family with that guilt. That

1527
01:01:21,480 --> 01:01:25,160
Speaker 1: that's very deep. That's selfless, very selfless.

1528
01:01:25,360 --> 01:01:29,439
Speaker 7: It is selfless, I mean in terms of suicide like thought.

1529
01:01:29,760 --> 01:01:32,080
Speaker 8: Usually when they say people that have suicidal thoughts are

1530
01:01:32,120 --> 01:01:34,960
Speaker 8: going through that dark of a moment, it's like very

1531
01:01:35,880 --> 01:01:38,840
Speaker 8: It's you're so caught up in your emotions that you

1532
01:01:38,920 --> 01:01:41,520
Speaker 8: don't really think of others. In that regard, and you're

1533
01:01:41,600 --> 01:01:44,680
Speaker 8: just acting on what you feel and how you can

1534
01:01:44,720 --> 01:01:46,920
Speaker 8: do it to yourself. But she had the wherewithal to

1535
01:01:47,000 --> 01:01:49,560
Speaker 8: be like, Okay, if I'm going to do this, how

1536
01:01:49,840 --> 01:01:51,920
Speaker 8: do I want my family to look at this? How

1537
01:01:51,960 --> 01:01:54,160
Speaker 8: can I make them feel like they weren't that fault here?

1538
01:01:54,400 --> 01:01:55,440
Speaker 8: That's pretty selfless.

1539
01:01:55,480 --> 01:02:01,600
Speaker 2: I completely disagree. Okay, all right, have never had a

1540
01:02:01,720 --> 01:02:05,880
Speaker 2: family member die of gun violence, But I would imagine

1541
01:02:05,920 --> 01:02:09,160
Speaker 2: there's probably not a lot of closure when you believe

1542
01:02:09,240 --> 01:02:12,240
Speaker 2: your family member was murdered and no one And if

1543
01:02:12,280 --> 01:02:14,000
Speaker 2: she's hired a hit man, I'm assume he's pretty good

1544
01:02:14,000 --> 01:02:16,400
Speaker 2: a fucking job, probably nic and that you're planning it

1545
01:02:16,440 --> 01:02:19,080
Speaker 2: already how to get like there'll be no clues idn't

1546
01:02:19,120 --> 01:02:22,440
Speaker 2: and no motive. That's there'll be no closure for the

1547
01:02:22,520 --> 01:02:26,480
Speaker 2: family forever, And like why the fuck was Angelina Joie murdered?

1548
01:02:27,240 --> 01:02:27,479
Speaker 1: Yeah?

1549
01:02:27,520 --> 01:02:29,439
Speaker 2: I would think that I'd have no closure, let alone

1550
01:02:29,480 --> 01:02:31,440
Speaker 2: her family, Like who was killing Angelina?

1551
01:02:31,960 --> 01:02:32,160
Speaker 1: Yeah?

1552
01:02:32,200 --> 01:02:33,160
Speaker 2: But is anyone safe?

1553
01:02:33,280 --> 01:02:34,560
Speaker 1: I think I think that. I think that.

1554
01:02:34,840 --> 01:02:37,680
Speaker 2: Then you gotta think Brad. She would ruin Brad Pitt's life,

1555
01:02:37,720 --> 01:02:41,000
Speaker 2: She would ruin Billy Bob Thornton's life, because no matter what,

1556
01:02:41,040 --> 01:02:42,600
Speaker 2: they're always gonna I don't care if famous are, they're

1557
01:02:42,600 --> 01:02:43,680
Speaker 2: going to go to the husband. They're gonna go to

1558
01:02:43,920 --> 01:02:46,280
Speaker 2: Your family's gonna suffer. Who killed her? It had to

1559
01:02:46,320 --> 01:02:47,760
Speaker 2: be someone close to think.

1560
01:02:47,640 --> 01:02:49,480
Speaker 9: That her husband did it because he was she accused

1561
01:02:49,560 --> 01:02:50,080
Speaker 9: him of beating her.

1562
01:02:50,240 --> 01:02:51,680
Speaker 2: I think who would be the first people that they

1563
01:02:51,680 --> 01:02:53,800
Speaker 2: would accuse? The family, the whole family.

1564
01:02:54,000 --> 01:02:55,360
Speaker 1: Yeah, but I think the point of what she was

1565
01:02:55,440 --> 01:02:59,760
Speaker 1: saying was, you know, with suicide, it's a definitive the family.

1566
01:03:00,000 --> 01:03:02,560
Speaker 1: Bill was guilt for that. Her kids like damn, like

1567
01:03:02,680 --> 01:03:05,280
Speaker 1: we didn't know, we didn't see the signs, we could

1568
01:03:05,280 --> 01:03:08,280
Speaker 1: have talked to her, whatever, whatever, and she she didn't

1569
01:03:08,320 --> 01:03:11,400
Speaker 1: want them to feel that guilt. Now, you're right, even

1570
01:03:11,480 --> 01:03:15,280
Speaker 1: in murdering a celebrity as big as Angelina and Joe Lee,

1571
01:03:15,760 --> 01:03:17,560
Speaker 1: there's a lot of questions that are going to be like,

1572
01:03:17,640 --> 01:03:19,600
Speaker 1: who would want to kill Angelina and Joe.

1573
01:03:19,960 --> 01:03:21,280
Speaker 4: Why not make it look like an accident?

1574
01:03:21,720 --> 01:03:23,680
Speaker 1: Well, I'm sure the hit man probably has his ways

1575
01:03:23,680 --> 01:03:24,440
Speaker 1: of doing that as well.

1576
01:03:24,560 --> 01:03:26,600
Speaker 2: Yeah, because I feel like that, well, yeah, maybe the

1577
01:03:26,680 --> 01:03:28,720
Speaker 2: hit man. Yeah, all right, maybe maybe it wasn't a

1578
01:03:28,840 --> 01:03:30,880
Speaker 2: it wouldn't have been a murder the hit man's whole

1579
01:03:30,920 --> 01:03:33,040
Speaker 2: thing would have been trying to make it look like, yeah.

1580
01:03:32,920 --> 01:03:35,800
Speaker 7: She asked with a car, even if it's an accident,

1581
01:03:35,840 --> 01:03:36,440
Speaker 7: you're doing time.

1582
01:03:36,520 --> 01:03:37,480
Speaker 1: No, you can't hit her with a car.

1583
01:03:37,560 --> 01:03:39,000
Speaker 2: I feel like a hit man would find it another

1584
01:03:39,000 --> 01:03:40,720
Speaker 2: way other than driving his car into.

1585
01:03:40,640 --> 01:03:42,360
Speaker 7: All of her children are adopted.

1586
01:03:42,560 --> 01:03:46,840
Speaker 9: No, not all of them. Okay, people keep going delete

1587
01:03:46,880 --> 01:03:48,919
Speaker 9: that not real but biological.

1588
01:03:49,800 --> 01:03:50,640
Speaker 7: So they're orphans.

1589
01:03:51,760 --> 01:03:54,400
Speaker 2: No they're not. They're with their father family.

1590
01:03:54,800 --> 01:03:55,400
Speaker 7: Well now they do.

1591
01:03:56,080 --> 01:03:59,520
Speaker 2: At one point. Well, I don't know a from the

1592
01:03:59,560 --> 01:04:02,360
Speaker 2: third world. You know, you could adopt children before they're

1593
01:04:02,400 --> 01:04:02,959
Speaker 2: like even born.

1594
01:04:03,840 --> 01:04:05,480
Speaker 7: But they weren't doing that. She was like copping them

1595
01:04:05,480 --> 01:04:07,480
Speaker 7: when they were Like she was go shoping she.

1596
01:04:07,480 --> 01:04:08,040
Speaker 1: Would know that.

1597
01:04:09,080 --> 01:04:11,240
Speaker 2: She did really go up to other countries and she was.

1598
01:04:11,280 --> 01:04:14,000
Speaker 2: She pulled up the African was like, not that one,

1599
01:04:14,360 --> 01:04:15,840
Speaker 2: Like she was really doing that, though she was.

1600
01:04:15,960 --> 01:04:18,720
Speaker 7: She was like, I'm not joking, not that one.

1601
01:04:18,800 --> 01:04:21,120
Speaker 1: Give me that way. I don't understand what you're saying, Julian,

1602
01:04:21,160 --> 01:04:22,600
Speaker 1: But I don't think that you can just say she

1603
01:04:22,760 --> 01:04:23,800
Speaker 1: was copying them, like I.

1604
01:04:23,800 --> 01:04:27,040
Speaker 7: Mean she kind of well, we all go shopping mall,

1605
01:04:27,160 --> 01:04:28,880
Speaker 7: some of us buy clothes, some of us buy kids.

1606
01:04:29,520 --> 01:04:33,920
Speaker 2: It's true, she just didn't. I leegal affair, don't buy children.

1607
01:04:34,080 --> 01:04:38,640
Speaker 7: They were they were one orphans. Yes, what if she

1608
01:04:38,880 --> 01:04:40,360
Speaker 7: just wanted to restore that feeling?

1609
01:04:41,400 --> 01:04:41,920
Speaker 2: What feeling?

1610
01:04:42,000 --> 01:04:45,760
Speaker 4: Shut the fuck up, I'm lost.

1611
01:04:46,000 --> 01:04:48,280
Speaker 10: He's trying to say, what if Angelina and Julie is

1612
01:04:48,280 --> 01:04:49,320
Speaker 10: trying to make them feel like.

1613
01:04:49,480 --> 01:04:50,959
Speaker 7: They missed, feel like they're at home again.

1614
01:04:51,480 --> 01:04:53,360
Speaker 2: So he's you just didn't deliver that punchline.

1615
01:04:53,400 --> 01:04:54,160
Speaker 7: What selfless?

1616
01:04:54,280 --> 01:04:57,360
Speaker 1: That was just? But if she killed herself her kids,

1617
01:04:57,400 --> 01:05:00,680
Speaker 1: you still have enough hold on you. I look at

1618
01:05:00,760 --> 01:05:02,440
Speaker 1: I look at look at I look at pictures of

1619
01:05:02,480 --> 01:05:05,240
Speaker 1: your dad. He looks like such a smart intelligence, just

1620
01:05:05,360 --> 01:05:09,080
Speaker 1: like logical thing. How did you How did you come

1621
01:05:09,120 --> 01:05:11,920
Speaker 1: from that man? There's no way you came from that man.

1622
01:05:12,040 --> 01:05:14,640
Speaker 1: This dude is fucking crazy. Uh But either way, I

1623
01:05:14,720 --> 01:05:16,160
Speaker 1: thought that this was a very.

1624
01:05:17,160 --> 01:05:19,600
Speaker 2: As also an amazing script as one of the stories

1625
01:05:19,640 --> 01:05:20,720
Speaker 2: like this would be a great movie.

1626
01:05:20,720 --> 01:05:22,040
Speaker 1: It could be a great movie as well.

1627
01:05:22,040 --> 01:05:23,920
Speaker 9: As one of the people who struggle with mental health

1628
01:05:23,960 --> 01:05:25,920
Speaker 9: in the room. I actually really really liked that idea.

1629
01:05:26,400 --> 01:05:30,920
Speaker 10: Well, what mental health everyone struggles of like an assistant suicide?

1630
01:05:31,600 --> 01:05:33,440
Speaker 9: Yeah, I like I like that idea.

1631
01:05:33,680 --> 01:05:36,280
Speaker 11: I would much rather have someone kill me so that

1632
01:05:36,440 --> 01:05:38,600
Speaker 11: my parents aren't living with the guilt of like, oh

1633
01:05:38,680 --> 01:05:40,959
Speaker 11: my god, but did what signs did we miss?

1634
01:05:41,080 --> 01:05:41,640
Speaker 9: And this, this and that?

1635
01:05:41,720 --> 01:05:43,640
Speaker 7: I much rather all right, well, let's take it word.

1636
01:05:43,800 --> 01:05:47,560
Speaker 2: You don't think parents feel when their children are murdered

1637
01:05:48,080 --> 01:05:49,880
Speaker 2: that they're like, where did I miss the signs of

1638
01:05:49,960 --> 01:05:52,160
Speaker 2: the people they were hanging around? The lifestyle they were in.

1639
01:05:52,440 --> 01:05:52,920
Speaker 1: No, it could be.

1640
01:05:53,400 --> 01:05:55,240
Speaker 2: It's still there's still a lot of guilt if someone

1641
01:05:55,320 --> 01:05:58,720
Speaker 2: is murdered. As much as did I not know what

1642
01:05:58,800 --> 01:05:59,280
Speaker 2: they were doing?

1643
01:05:59,400 --> 01:06:02,520
Speaker 11: I'm very people do the suicide. The suicidal guilt is

1644
01:06:02,760 --> 01:06:03,640
Speaker 11: will change your life.

1645
01:06:03,720 --> 01:06:05,320
Speaker 9: It's a very different If.

1646
01:06:05,240 --> 01:06:06,760
Speaker 7: You heard him, man, how would you want to go out?

1647
01:06:07,400 --> 01:06:08,040
Speaker 1: It's great question.

1648
01:06:08,600 --> 01:06:10,040
Speaker 4: I'd want a boulder to follow on me.

1649
01:06:10,480 --> 01:06:12,280
Speaker 9: It depends on how like how.

1650
01:06:14,480 --> 01:06:15,000
Speaker 4: This look like?

1651
01:06:15,240 --> 01:06:17,880
Speaker 2: I would want them to write my suicide note and

1652
01:06:17,920 --> 01:06:20,720
Speaker 2: then push me off a bridge. Make it look like suicide,

1653
01:06:21,160 --> 01:06:21,959
Speaker 2: but it's really murder.

1654
01:06:22,320 --> 01:06:28,200
Speaker 1: I go what, wait, wait, everything I'm trying to tell

1655
01:06:28,200 --> 01:06:28,760
Speaker 1: you this room.

1656
01:06:28,960 --> 01:06:30,280
Speaker 7: That was a conception.

1657
01:06:30,720 --> 01:06:34,440
Speaker 2: Yes, it was not like it's like I want to

1658
01:06:34,520 --> 01:06:37,200
Speaker 2: kill myself, but wait, I want to make it look

1659
01:06:37,320 --> 01:06:41,160
Speaker 2: like a murder. But it was how the murder is

1660
01:06:41,200 --> 01:06:42,760
Speaker 2: looking at it is he's a murder, so he's got

1661
01:06:42,840 --> 01:06:44,280
Speaker 2: to make it look like a suicide so he doesn't

1662
01:06:44,280 --> 01:06:44,640
Speaker 2: get caught.

1663
01:06:45,000 --> 01:06:47,080
Speaker 1: Right, So he's actually pushing you off the bridge, and.

1664
01:06:47,080 --> 01:06:49,360
Speaker 2: He's writing my note as if it was a suicide. Meanwhile,

1665
01:06:49,880 --> 01:06:52,560
Speaker 2: that's just but they will just go to like your hand, right,

1666
01:06:52,600 --> 01:06:54,000
Speaker 2: but you got to think it was murder, Like come on,

1667
01:06:54,080 --> 01:06:57,960
Speaker 2: I watched A and E, so I understand. Yeah, for sure,

1668
01:06:58,520 --> 01:07:00,120
Speaker 2: So murder is the number one thing they say is

1669
01:07:00,120 --> 01:07:02,160
Speaker 2: how do we make it look like a suicide or accident.

1670
01:07:02,640 --> 01:07:05,120
Speaker 2: So the murder I hire will then write my note

1671
01:07:05,440 --> 01:07:06,439
Speaker 2: and then push me off the bridge.

1672
01:07:06,480 --> 01:07:08,600
Speaker 9: But it would be an obvious note that you didn't

1673
01:07:08,600 --> 01:07:10,200
Speaker 9: write well.

1674
01:07:10,240 --> 01:07:10,520
Speaker 1: I mean.

1675
01:07:11,040 --> 01:07:13,400
Speaker 2: So he's saying, if you could hire, if I'm paying

1676
01:07:13,440 --> 01:07:15,040
Speaker 2: top dollar, he could a handwriting expert.

1677
01:07:15,160 --> 01:07:17,480
Speaker 7: Yeah, to maybe clear, I love a handwriting expert.

1678
01:07:20,080 --> 01:07:21,640
Speaker 11: I was just saying, I would go to Ludlow and

1679
01:07:21,800 --> 01:07:24,320
Speaker 11: have the hitman drug me, and then I would die

1680
01:07:24,360 --> 01:07:25,160
Speaker 11: of an overdose.

1681
01:07:26,160 --> 01:07:28,440
Speaker 4: And then they why are you sucking up house like that?

1682
01:07:29,400 --> 01:07:33,200
Speaker 2: Yeah, you gotta put my whole social Okay, can you

1683
01:07:33,320 --> 01:07:34,040
Speaker 2: die in a place like that?

1684
01:07:35,080 --> 01:07:36,240
Speaker 7: Die like wingstop?

1685
01:07:36,680 --> 01:07:40,440
Speaker 2: That's selfietop sucks.

1686
01:07:40,720 --> 01:07:43,560
Speaker 1: Wait wait, you're waiting on the mothering way.

1687
01:07:45,320 --> 01:07:47,560
Speaker 7: You take one bangle a lot of.

1688
01:07:47,520 --> 01:07:51,040
Speaker 2: Fatty acids, it's a slow death. Wingstop can kill you.

1689
01:07:51,200 --> 01:07:51,760
Speaker 1: Oh my god.

1690
01:07:52,440 --> 01:07:54,439
Speaker 2: Yeah, but that would be selfish if you killed yourself

1691
01:07:54,480 --> 01:07:55,480
Speaker 2: in a place that I like to go to.

1692
01:07:55,640 --> 01:07:58,040
Speaker 11: Okay, well, I walk down the street and die, but

1693
01:07:58,240 --> 01:08:01,000
Speaker 11: like the but it's too close because then I like,

1694
01:08:01,120 --> 01:08:02,760
Speaker 11: you know what I'm saying though, just like they know

1695
01:08:02,800 --> 01:08:06,200
Speaker 11: I do drugs. Oh, Demeri's overdose on what, I don't

1696
01:08:06,240 --> 01:08:09,040
Speaker 11: know whatever. He gives me too many roofies or something

1697
01:08:09,040 --> 01:08:09,720
Speaker 11: and I passed out.

1698
01:08:09,960 --> 01:08:13,360
Speaker 4: And I don't think you can die off roof I

1699
01:08:13,400 --> 01:08:14,080
Speaker 4: don't want to know how, you know?

1700
01:08:14,160 --> 01:08:14,200
Speaker 6: Not?

1701
01:08:14,960 --> 01:08:16,599
Speaker 7: No, I just don't think it's like the drug. It's

1702
01:08:16,720 --> 01:08:17,040
Speaker 7: I don't know.

1703
01:08:17,600 --> 01:08:22,920
Speaker 1: Okay, Okay, listen, I've never I've never had rufie y

1704
01:08:23,439 --> 01:08:25,959
Speaker 1: sound like y'all have thought about this suicide thing, Automas

1705
01:08:26,000 --> 01:08:28,559
Speaker 1: Older just falling right on me. I have never thought

1706
01:08:28,600 --> 01:08:28,920
Speaker 1: about it.

1707
01:08:29,320 --> 01:08:32,800
Speaker 7: What because I've thought, like I think Demeris.

1708
01:08:32,560 --> 01:08:35,560
Speaker 1: I'm with you on that you've thought about suic committing Susie.

1709
01:08:35,520 --> 01:08:38,800
Speaker 8: Like my final like when I was in Chicago and

1710
01:08:38,840 --> 01:08:41,439
Speaker 8: I was like very dark in depressed, like my I'm

1711
01:08:41,560 --> 01:08:44,000
Speaker 8: too pussy to just like do it. So like my

1712
01:08:44,240 --> 01:08:47,320
Speaker 8: thing was, I was a big, like heavy into my

1713
01:08:47,439 --> 01:08:49,720
Speaker 8: drug shit. So I was like, if I do enough

1714
01:08:49,840 --> 01:08:53,680
Speaker 8: drugs and don't wake up, So I was like, if

1715
01:08:53,760 --> 01:08:57,040
Speaker 8: I accidentally like die from a drug use, at least

1716
01:08:57,080 --> 01:08:58,880
Speaker 8: I go out with like the guy that was teaching

1717
01:08:59,280 --> 01:09:02,000
Speaker 8: on Chicago outside and was getting his master's degree. Like

1718
01:09:02,080 --> 01:09:04,200
Speaker 8: it's a pretty resume to go out on. Like I

1719
01:09:04,320 --> 01:09:07,640
Speaker 8: was thinking in that terms bad selfless. But I'm not

1720
01:09:07,840 --> 01:09:11,320
Speaker 8: like gonna like, you know, fucking take a thousand pills

1721
01:09:11,439 --> 01:09:13,120
Speaker 8: or like slip my wrist, like I'm not doing that's

1722
01:09:13,120 --> 01:09:13,800
Speaker 8: too much effort.

1723
01:09:13,840 --> 01:09:15,519
Speaker 7: That's like mad graphic. I don't want to do all that.

1724
01:09:15,960 --> 01:09:18,120
Speaker 7: Like if I happened to do eight ball of coke

1725
01:09:18,160 --> 01:09:20,000
Speaker 7: and not wake up, so be it. That's how I

1726
01:09:20,040 --> 01:09:20,439
Speaker 7: looked at it.

1727
01:09:22,120 --> 01:09:25,320
Speaker 1: There, you've been into the Americans do drugs and just

1728
01:09:25,400 --> 01:09:28,320
Speaker 1: not wake up. What are y'all going through?

1729
01:09:28,640 --> 01:09:31,360
Speaker 7: I'm straight now, the two years clean, no coke, like

1730
01:09:31,479 --> 01:09:33,519
Speaker 7: I'm chilling. I'm happy now. I'm very happy.

1731
01:09:33,600 --> 01:09:35,120
Speaker 1: I'm so glad that you happy to be a lot

1732
01:09:35,160 --> 01:09:37,479
Speaker 1: in this space. I'm glad you're allowed to love you guys.

1733
01:09:37,479 --> 01:09:39,160
Speaker 7: That was limited to Chicago. I made it out.

1734
01:09:39,800 --> 01:09:41,760
Speaker 1: See what happens once you get out of Chicago's trap.

1735
01:09:42,160 --> 01:09:42,960
Speaker 2: Life just opens up.

1736
01:09:43,640 --> 01:09:45,720
Speaker 1: Life just gets better than Oh block, I.

1737
01:09:45,800 --> 01:09:47,880
Speaker 2: Was gonna say, I could have thought of way more

1738
01:09:47,920 --> 01:09:50,240
Speaker 2: ways to die in Chicago. Yeah, you didn't have to strug.

1739
01:09:50,560 --> 01:09:52,840
Speaker 7: Well, well, the first day of school my school got

1740
01:09:52,880 --> 01:09:55,000
Speaker 7: shot up, so I was closed. I didn't want to

1741
01:09:55,000 --> 01:09:56,240
Speaker 7: get shot. That would have sucked.

1742
01:09:56,680 --> 01:09:58,639
Speaker 9: Oh my god, are shooting yourself and you fucking live

1743
01:09:58,720 --> 01:10:00,720
Speaker 9: and you're a vegetable? My worst fear.

1744
01:10:01,000 --> 01:10:02,160
Speaker 2: More important news?

1745
01:10:02,600 --> 01:10:03,240
Speaker 1: Is this important?

1746
01:10:03,400 --> 01:10:06,400
Speaker 2: The most important thing, the number one thing that everyone

1747
01:10:06,479 --> 01:10:09,600
Speaker 2: is outraged about. It's not trains blowing up, it's not

1748
01:10:09,720 --> 01:10:11,920
Speaker 2: the water in Flint, vaccine, it's not the new election.

1749
01:10:12,040 --> 01:10:14,759
Speaker 2: It's not that we know now that it came from Muhan.

1750
01:10:16,760 --> 01:10:18,759
Speaker 2: Was Michael B. Jordan Corny in high school?

1751
01:10:20,280 --> 01:10:20,439
Speaker 1: Was he?

1752
01:10:21,200 --> 01:10:21,680
Speaker 4: I don't know.

1753
01:10:23,479 --> 01:10:24,200
Speaker 1: I have no idea.

1754
01:10:25,280 --> 01:10:28,080
Speaker 2: Why has this become such an outrage topic with everyone.

1755
01:10:28,360 --> 01:10:30,240
Speaker 1: I don't know why it's become an outraged topic. I

1756
01:10:30,280 --> 01:10:35,720
Speaker 1: think people just are I don't know, they're going back

1757
01:10:35,760 --> 01:10:39,680
Speaker 1: to the interview that they had. Loreo had she supposedly

1758
01:10:39,720 --> 01:10:42,560
Speaker 1: allegedly called them corny, which they proved that she did not.

1759
01:10:42,720 --> 01:10:45,640
Speaker 1: They released the audio from the episode. She did not

1760
01:10:45,760 --> 01:10:49,519
Speaker 1: call him corny, but it was I guess Michael B.

1761
01:10:49,640 --> 01:10:52,639
Speaker 1: Jordan thought that she called him corny.

1762
01:10:52,800 --> 01:10:53,559
Speaker 4: Her co host did.

1763
01:10:54,000 --> 01:10:56,320
Speaker 1: And they were back in you know, they bumped into

1764
01:10:56,320 --> 01:10:58,479
Speaker 1: each other. They went to high school together. She bumped

1765
01:10:58,479 --> 01:11:00,080
Speaker 1: into one of the red carpet for the Creed a

1766
01:11:00,200 --> 01:11:03,559
Speaker 1: Creep premiere and uh, you know, Mike, Mike just let

1767
01:11:03,640 --> 01:11:05,479
Speaker 1: her know, like, yeah, I heard that, little shot. I

1768
01:11:05,520 --> 01:11:08,360
Speaker 1: heard that, which I don't. I don't. He to me,

1769
01:11:09,000 --> 01:11:10,960
Speaker 1: he didn't seem like he was upset. He didn't seem

1770
01:11:10,960 --> 01:11:12,280
Speaker 1: like he was salty. It was kind of like, yeah,

1771
01:11:12,320 --> 01:11:14,400
Speaker 1: I heard you. Because if he was upset at salty,

1772
01:11:14,400 --> 01:11:16,080
Speaker 1: he wouldn't have gave her an interview exactly on the

1773
01:11:16,120 --> 01:11:17,519
Speaker 1: red carpets, or.

1774
01:11:17,800 --> 01:11:21,160
Speaker 2: Or he specifically did that so he could say that,

1775
01:11:21,360 --> 01:11:22,200
Speaker 2: which is fine too.

1776
01:11:22,400 --> 01:11:25,040
Speaker 1: I think that there's a first of all, if he

1777
01:11:25,160 --> 01:11:27,000
Speaker 1: was corny in high school. If he wasn't, I don't know,

1778
01:11:27,040 --> 01:11:28,320
Speaker 1: but let's say he was corny.

1779
01:11:28,120 --> 01:11:30,200
Speaker 2: Talking about a casual premiere too, though he like he

1780
01:11:30,280 --> 01:11:30,960
Speaker 2: was in a windbreaker.

1781
01:11:31,040 --> 01:11:32,960
Speaker 11: He was corny in high school. He was a fucking actor.

1782
01:11:33,160 --> 01:11:36,400
Speaker 11: Actors are corny, Like it's people entertainment our corny.

1783
01:11:36,479 --> 01:11:37,000
Speaker 9: We're corny.

1784
01:11:37,320 --> 01:11:39,439
Speaker 2: Also, if you don't make fun of someone named Michael

1785
01:11:39,520 --> 01:11:41,160
Speaker 2: Jordan in high school, fucking.

1786
01:11:40,960 --> 01:11:42,360
Speaker 7: That's why they put the beer you have the corneys

1787
01:11:42,400 --> 01:11:42,920
Speaker 7: high school ever.

1788
01:11:43,280 --> 01:11:45,720
Speaker 1: Yeah, but wasn't he he was The Wire was when

1789
01:11:45,760 --> 01:11:47,960
Speaker 1: he was in high school? Right, Yeah? I mean, how

1790
01:11:48,040 --> 01:11:49,439
Speaker 1: corny can you be if you're on one of the

1791
01:11:49,520 --> 01:11:52,479
Speaker 1: biggest shows in high school? Like that's nobody else get

1792
01:11:52,560 --> 01:11:54,080
Speaker 1: in school can call me corny and I'm like on

1793
01:11:54,160 --> 01:11:55,960
Speaker 1: one of the biggest shows on TV. I'm looking at

1794
01:11:55,960 --> 01:11:56,960
Speaker 1: all of y'all know y'all are.

1795
01:11:56,920 --> 01:11:59,120
Speaker 2: Corn Walla Wallace was corny on the show.

1796
01:11:59,200 --> 01:12:01,360
Speaker 8: It's only cool now to be like a young child

1797
01:12:01,439 --> 01:12:03,840
Speaker 8: actor like back then, like in the nineties, if you

1798
01:12:03,880 --> 01:12:08,479
Speaker 8: were doing theater acting corny. This wasn't the nineties when

1799
01:12:08,520 --> 01:12:11,679
Speaker 8: The Wire came out early two. Yeah, definitely the same

1800
01:12:11,760 --> 01:12:12,759
Speaker 8: mentality though.

1801
01:12:13,000 --> 01:12:15,200
Speaker 1: Yeah, but it's I mean I think that he had

1802
01:12:15,280 --> 01:12:16,920
Speaker 1: fun with it. I think that this was his way

1803
01:12:16,960 --> 01:12:19,360
Speaker 1: of like, yeah, I heard you the corny kid now

1804
01:12:19,560 --> 01:12:22,160
Speaker 1: voted the most sexiest man in Hollywood. Like it's one

1805
01:12:22,200 --> 01:12:23,880
Speaker 1: of those like, now look at me type of thing.

1806
01:12:24,479 --> 01:12:26,080
Speaker 9: Yeah, I think that's what he was trying to flex.

1807
01:12:26,200 --> 01:12:27,760
Speaker 1: Yeah, Like I don't think that he I don't think

1808
01:12:27,800 --> 01:12:30,839
Speaker 1: that he was offended by being called corny by Laurel

1809
01:12:31,080 --> 01:12:33,640
Speaker 1: or thought that Laurel called him corny. I don't think

1810
01:12:33,680 --> 01:12:35,120
Speaker 1: he was offended by that. I think it was more

1811
01:12:35,200 --> 01:12:36,680
Speaker 1: so him saying like yeah I heard I heard that

1812
01:12:36,760 --> 01:12:39,320
Speaker 1: little corny comment like yeah, yeah, Like that's why he

1813
01:12:39,400 --> 01:12:41,240
Speaker 1: was like, yeah, what's up? Like yeah, like uh huh,

1814
01:12:41,320 --> 01:12:43,080
Speaker 1: like now you hear want to get an interview with me?

1815
01:12:43,400 --> 01:12:45,800
Speaker 1: Had a premier for a movie that I directed, like

1816
01:12:45,920 --> 01:12:47,680
Speaker 1: not bad for the corny kid in high school? Right,

1817
01:12:47,720 --> 01:12:48,320
Speaker 1: It was that type of.

1818
01:12:48,320 --> 01:12:52,439
Speaker 11: Thing, playing advocate mall you're cool, so like you probably

1819
01:12:52,479 --> 01:12:56,160
Speaker 11: don't see it from this perspective, but there are the choir.

1820
01:12:56,400 --> 01:12:57,200
Speaker 2: He was just like Michael B.

1821
01:12:57,280 --> 01:12:57,519
Speaker 7: Jordan.

1822
01:12:57,960 --> 01:12:58,160
Speaker 4: Yeah.

1823
01:12:58,760 --> 01:13:01,479
Speaker 11: But if you think if you think Michael B. Jordan

1824
01:13:01,600 --> 01:13:03,680
Speaker 11: was a feeling it said like Haha, these bitches that

1825
01:13:03,800 --> 01:13:05,240
Speaker 11: used to laugh at me now got.

1826
01:13:05,160 --> 01:13:05,760
Speaker 9: One up on them.

1827
01:13:05,800 --> 01:13:08,000
Speaker 11: If you think that people don't feel that way and

1828
01:13:08,040 --> 01:13:11,560
Speaker 11: people don't have those thoughts, some of people's biggest motivations

1829
01:13:11,720 --> 01:13:12,839
Speaker 11: is like proven their hater.

1830
01:13:12,800 --> 01:13:13,439
Speaker 1: As they should be.

1831
01:13:13,840 --> 01:13:16,240
Speaker 9: Of course, probably ain't even face him.

1832
01:13:16,240 --> 01:13:18,960
Speaker 1: No, I faced remember that when I'm saying they didn't

1833
01:13:19,000 --> 01:13:21,160
Speaker 1: face Hi, meaning like, I don't think that he exuded

1834
01:13:21,840 --> 01:13:24,880
Speaker 1: any type of disrespectful energy to me either. I don't know.

1835
01:13:25,080 --> 01:13:26,600
Speaker 7: I don't think he should be getting killed for this

1836
01:13:26,680 --> 01:13:26,920
Speaker 7: at all.

1837
01:13:27,040 --> 01:13:29,000
Speaker 2: And I thought Lorio handled it fine too. Yeah, I

1838
01:13:29,040 --> 01:13:30,560
Speaker 2: thought both of them handled that shit. Because that's what

1839
01:13:30,640 --> 01:13:31,320
Speaker 2: I don't understand.

1840
01:13:31,560 --> 01:13:34,120
Speaker 1: To me, that was exactly what happens between two people

1841
01:13:34,160 --> 01:13:36,640
Speaker 1: that went to high school together, probably haven't seen or

1842
01:13:36,640 --> 01:13:39,120
Speaker 1: spoken to each other since. Now I'm at where I'm

1843
01:13:39,120 --> 01:13:40,559
Speaker 1: at in my career, and this is what you're doing.

1844
01:13:40,640 --> 01:13:42,880
Speaker 1: You're like, okay, you have a show you're interviewing at

1845
01:13:42,960 --> 01:13:45,640
Speaker 1: my premiere in the red carpet, Like, okay, heard the

1846
01:13:45,680 --> 01:13:47,479
Speaker 1: little comment that you passed a couple of weeks ago

1847
01:13:47,560 --> 01:13:50,479
Speaker 1: on a podcast. All good, just letting you know I

1848
01:13:50,560 --> 01:13:55,000
Speaker 1: heard it, but not bad right high school? That's so

1849
01:13:55,160 --> 01:13:57,160
Speaker 1: not saying like he was like, oh yeah, now you're

1850
01:13:57,160 --> 01:14:00,720
Speaker 1: on my dick. It was he didn't exude that. And

1851
01:14:00,920 --> 01:14:03,040
Speaker 1: do I think that Michael B. Jordan knows Loreo has

1852
01:14:03,080 --> 01:14:04,559
Speaker 1: looked at him and like, damn he look good.

1853
01:14:04,640 --> 01:14:04,760
Speaker 2: Now.

1854
01:14:05,240 --> 01:14:07,960
Speaker 1: Of course he's voted sexist man in Hollywood, like a

1855
01:14:08,000 --> 01:14:10,120
Speaker 1: lot of women look at him like he's attractive, he

1856
01:14:10,160 --> 01:14:12,840
Speaker 1: has a nice body, like I would sleep with him, right,

1857
01:14:13,240 --> 01:14:15,599
Speaker 1: So that was his way of saying, like, yeah, remember

1858
01:14:15,600 --> 01:14:17,960
Speaker 1: the corny kid in high school, Not that anymore. I'm

1859
01:14:18,000 --> 01:14:20,280
Speaker 1: not the ugly duckling anymore. Just like when girls ugly

1860
01:14:20,360 --> 01:14:23,320
Speaker 1: duckling and they come out on Maury, they're like, damn

1861
01:14:23,360 --> 01:14:26,120
Speaker 1: that shorty from chemistry, like Nigga, she looked crazy good.

1862
01:14:26,240 --> 01:14:29,720
Speaker 1: Now same different, that's the same thing. But I don't

1863
01:14:29,720 --> 01:14:33,040
Speaker 1: think that he was disrespectful. I thought it was playful.

1864
01:14:33,760 --> 01:14:36,200
Speaker 1: I thought it was fun, and I thought that's exactly

1865
01:14:36,240 --> 01:14:38,240
Speaker 1: what would happen between two people that went to high

1866
01:14:38,240 --> 01:14:41,960
Speaker 1: school together that probably didn't really rock with each other.

1867
01:14:42,520 --> 01:14:44,680
Speaker 1: But it's like, I don't think Michael B. Jordan is

1868
01:14:44,680 --> 01:14:47,439
Speaker 1: a disrespectful guy. I don't get disrespect from him. He

1869
01:14:47,800 --> 01:14:49,360
Speaker 1: doesn't give off a disrespectful energy.

1870
01:14:49,439 --> 01:14:52,320
Speaker 7: Bigger conversation, and this isn't specific to Michael B. Jordan.

1871
01:14:52,960 --> 01:14:56,280
Speaker 8: You can be corny and then becoming a super successful

1872
01:14:56,520 --> 01:14:58,840
Speaker 8: entity that's still be deemed corny.

1873
01:14:58,920 --> 01:15:01,360
Speaker 2: Corny entertainment, you have to do it.

1874
01:15:01,520 --> 01:15:03,120
Speaker 7: Most entertainers are corny people.

1875
01:15:03,240 --> 01:15:06,240
Speaker 2: Podcasters are corny. This job is corny. We talk about

1876
01:15:06,280 --> 01:15:08,040
Speaker 2: people all goddamned, this is corny.

1877
01:15:08,160 --> 01:15:08,760
Speaker 1: This is the corny.

1878
01:15:08,880 --> 01:15:10,120
Speaker 2: And if we had to be sit sitting there and

1879
01:15:10,200 --> 01:15:13,679
Speaker 2: be super cool and this wouldn't be entertaining. There's well,

1880
01:15:14,000 --> 01:15:15,880
Speaker 2: there's some value of corniness in entertainment.

1881
01:15:15,920 --> 01:15:19,000
Speaker 1: And everybody's corny to some people, to some everybody does

1882
01:15:19,080 --> 01:15:22,759
Speaker 1: corny things. Everybody says corny things like it's nothing, it happens.

1883
01:15:23,080 --> 01:15:25,960
Speaker 1: But I think that in the way that he handled that,

1884
01:15:27,040 --> 01:15:28,880
Speaker 1: that's exactly how he was supposed to handle it.

1885
01:15:29,160 --> 01:15:31,000
Speaker 7: I agree that's why he's getting killed.

1886
01:15:31,439 --> 01:15:33,479
Speaker 1: Because people just want to kill people for whatever. They

1887
01:15:33,520 --> 01:15:35,320
Speaker 1: want to kill people for man. But in the moment

1888
01:15:36,240 --> 01:15:40,240
Speaker 1: that is exactly that is exactly. No, and not only that,

1889
01:15:40,320 --> 01:15:44,000
Speaker 1: people be wanting to engage to get interactions and get

1890
01:15:44,040 --> 01:15:46,760
Speaker 1: a reaction from people, so they'll say, oh, he's corny whatever, whatever,

1891
01:15:47,080 --> 01:15:47,759
Speaker 1: just to get a reaction.

1892
01:15:47,880 --> 01:15:49,960
Speaker 2: It is over two people just passing each other on

1893
01:15:50,000 --> 01:15:52,679
Speaker 2: the red carpet. It wasn't even an interview, brief interview,

1894
01:15:52,760 --> 01:15:55,680
Speaker 2: but I thought it was not really. It wasn't really

1895
01:15:55,680 --> 01:15:59,080
Speaker 2: an interview. It was more so like like okay, like hey,

1896
01:15:59,200 --> 01:16:00,760
Speaker 2: like let's have a couple of words like yeah, I

1897
01:16:00,800 --> 01:16:03,160
Speaker 2: remember you, like from high school. Yeah, the corny kid.

1898
01:16:03,240 --> 01:16:05,200
Speaker 1: Yeah, remember that's why he's like what's up though, Like

1899
01:16:05,280 --> 01:16:07,840
Speaker 1: what's up? Yeah, I know, uh huh uh huh. I

1900
01:16:08,040 --> 01:16:10,320
Speaker 1: know you're looking at me like yo, I will Yeah,

1901
01:16:10,400 --> 01:16:11,960
Speaker 1: I know that's what the energy was.

1902
01:16:12,080 --> 01:16:15,720
Speaker 2: Like, I know, somebody tweeted, Michael B. Jordan looks like

1903
01:16:15,840 --> 01:16:18,240
Speaker 2: he knows where his birth certificate is, and then someone

1904
01:16:18,320 --> 01:16:24,200
Speaker 2: replied the real copy, and then someone else said yes

1905
01:16:24,280 --> 01:16:26,360
Speaker 2: in a Manila folder, And I thought it was.

1906
01:16:26,400 --> 01:16:29,519
Speaker 8: Funny getting the Drake treatment. Yeah, like Drake the Type

1907
01:16:29,560 --> 01:16:30,559
Speaker 8: two remember that era.

1908
01:16:31,200 --> 01:16:33,920
Speaker 1: I mean, but that but see, that only happens when

1909
01:16:33,920 --> 01:16:37,720
Speaker 1: you've reached a certain level of success, a certain level

1910
01:16:37,760 --> 01:16:42,200
Speaker 1: of conversations within the women group chats like that's when

1911
01:16:42,439 --> 01:16:45,640
Speaker 1: that happens. So, yeah, you're gonna you're gonna receive some

1912
01:16:45,760 --> 01:16:48,800
Speaker 1: of those type of you know, remarks and people saying

1913
01:16:48,840 --> 01:16:51,040
Speaker 1: things about you online. But that's only because you've now

1914
01:16:51,160 --> 01:16:53,799
Speaker 1: stepped into a different level of conversation.

1915
01:16:53,880 --> 01:16:55,920
Speaker 11: Well, you guys got a multimillion dollar deal, and I'm

1916
01:16:55,920 --> 01:16:57,280
Speaker 11: sorry to cut you off. I'm gonna let you go back.

1917
01:16:57,479 --> 01:16:59,360
Speaker 11: You guys got a multimillion dollar deal. Have you have

1918
01:16:59,439 --> 01:17:02,280
Speaker 11: you that that get back people who used to maybe

1919
01:17:02,320 --> 01:17:04,000
Speaker 11: make fun of you in high school or not give

1920
01:17:04,040 --> 01:17:06,120
Speaker 11: you the time of day or don't want to give you. No,

1921
01:17:07,560 --> 01:17:09,200
Speaker 11: have they you haven't had the double back.

1922
01:17:09,560 --> 01:17:11,000
Speaker 7: There's a few people you want to kill.

1923
01:17:11,680 --> 01:17:13,800
Speaker 2: Yeah, they're not from high school because they made fun

1924
01:17:13,840 --> 01:17:14,000
Speaker 2: of me.

1925
01:17:14,920 --> 01:17:14,960
Speaker 6: That.

1926
01:17:15,560 --> 01:17:16,439
Speaker 2: It's not Colin Bine.

1927
01:17:17,000 --> 01:17:18,920
Speaker 1: I always say, I don't know if it was just

1928
01:17:21,120 --> 01:17:23,439
Speaker 1: just luck or whatever, but I did. I don't have

1929
01:17:23,680 --> 01:17:25,920
Speaker 1: many stories like that growing up, like in high school,

1930
01:17:26,000 --> 01:17:29,320
Speaker 1: like a rock boy. So no, not that a lot

1931
01:17:29,360 --> 01:17:31,160
Speaker 1: of people didn't even know that. That's not something I

1932
01:17:31,200 --> 01:17:32,800
Speaker 1: disclosed to people at a young sea.

1933
01:17:32,880 --> 01:17:33,840
Speaker 2: That's how cool you are.

1934
01:17:34,600 --> 01:17:36,639
Speaker 1: That's because I didn't want to cool. No, that's because

1935
01:17:36,640 --> 01:17:40,080
Speaker 1: I didn't want you don't think Michael told this spring Bell. No,

1936
01:17:40,200 --> 01:17:41,960
Speaker 1: I didn't want niggas trying to kidnap me and say,

1937
01:17:42,000 --> 01:17:43,960
Speaker 1: yore telling them to your brother send that ransom. Nigga.

1938
01:17:43,960 --> 01:17:46,400
Speaker 1: I'm from the hood, nigga, I'm not nah. No, I

1939
01:17:46,439 --> 01:17:49,040
Speaker 1: don't know what was your cover. It wasn't no cover.

1940
01:17:49,280 --> 01:17:51,559
Speaker 1: I just never talked about my brothers and what they did.

1941
01:17:52,320 --> 01:17:54,160
Speaker 2: Do you think people in NewYork thought if they grabbed

1942
01:17:54,200 --> 01:17:57,559
Speaker 2: Michael B. Jordan that maybe body would handle the ransom

1943
01:17:57,680 --> 01:17:57,880
Speaker 2: or like.

1944
01:17:58,240 --> 01:17:59,920
Speaker 1: I thought, I think that was totally different because they

1945
01:18:00,360 --> 01:18:02,880
Speaker 1: they went to performing art school as well. I believe

1946
01:18:02,920 --> 01:18:04,720
Speaker 1: that was a performing arts school. So it's different. Like

1947
01:18:04,720 --> 01:18:07,160
Speaker 1: when you go to performing arts school, it's different because

1948
01:18:07,520 --> 01:18:09,479
Speaker 1: there may or may not be certain students that's in

1949
01:18:09,520 --> 01:18:11,559
Speaker 1: school wich at the time that have a real job.

1950
01:18:11,600 --> 01:18:14,120
Speaker 1: Boy from school, like yo, she's actually on board right now,

1951
01:18:14,479 --> 01:18:16,320
Speaker 1: or this he just did a commercial.

1952
01:18:16,360 --> 01:18:18,240
Speaker 2: Formarris went to high school Guardia.

1953
01:18:18,560 --> 01:18:20,439
Speaker 1: Yeah, like just like where you went to high school

1954
01:18:20,439 --> 01:18:21,800
Speaker 1: at LaGuardia, Like you know what I mean. It's just

1955
01:18:21,920 --> 01:18:24,559
Speaker 1: like so you have people in school where it's like, oh, yeah,

1956
01:18:24,680 --> 01:18:26,439
Speaker 1: that's the girl she just did the Coca Cola commercial.

1957
01:18:26,520 --> 01:18:27,519
Speaker 1: Law did this.

1958
01:18:27,600 --> 01:18:32,120
Speaker 2: Appear that everyone that was outraged about it felt like

1959
01:18:32,200 --> 01:18:34,719
Speaker 2: Michael B. Jordan was their hero because they were picked

1960
01:18:34,760 --> 01:18:35,439
Speaker 2: on in high school.

1961
01:18:35,560 --> 01:18:37,000
Speaker 9: Yes, there were so many people.

1962
01:18:37,479 --> 01:18:39,479
Speaker 2: And then it was also on the other side, it

1963
01:18:39,760 --> 01:18:43,000
Speaker 2: was all the women that have been like I like

1964
01:18:43,120 --> 01:18:46,400
Speaker 2: future more than Russell Wilson. See like it was just

1965
01:18:46,479 --> 01:18:49,640
Speaker 2: it just brought that back to be. But that's all

1966
01:18:49,680 --> 01:18:50,599
Speaker 2: that's what the outrage came.

1967
01:18:50,800 --> 01:18:52,080
Speaker 1: It was both sides sweets.

1968
01:18:52,160 --> 01:18:55,720
Speaker 11: I saw where people saying, first of all, this isn't

1969
01:18:55,720 --> 01:18:58,120
Speaker 11: people's first time calling Michael B corny. Y'all were all

1970
01:18:58,200 --> 01:19:02,400
Speaker 11: calling him corny, that Lori Harvey fake relationship really did

1971
01:19:02,479 --> 01:19:05,840
Speaker 11: work because remember, at one point, he was getting killed

1972
01:19:05,880 --> 01:19:08,560
Speaker 11: the same as Lawrence from fucking insecure because he was

1973
01:19:08,560 --> 01:19:11,320
Speaker 11: always running around with white women and he used to

1974
01:19:11,360 --> 01:19:13,200
Speaker 11: get killed in the black community a lot. That's why

1975
01:19:13,280 --> 01:19:14,960
Speaker 11: when he first came out with Lori Harvey, a lot

1976
01:19:14,960 --> 01:19:18,200
Speaker 11: of people were saying that that relationship was fake because, oh,

1977
01:19:18,280 --> 01:19:20,240
Speaker 11: now you want to date a black girl so publicly,

1978
01:19:20,320 --> 01:19:22,320
Speaker 11: because we were on your ass o dating white women.

1979
01:19:22,720 --> 01:19:25,160
Speaker 11: So they were been saying, like, you can tell that

1980
01:19:25,240 --> 01:19:27,519
Speaker 11: he's a he's a corny dude, Like you shouldn't be

1981
01:19:27,520 --> 01:19:28,920
Speaker 11: mad at somebdy call him corney. It was just a

1982
01:19:28,960 --> 01:19:31,559
Speaker 11: stupid Twitter debate whatever, But I really just wanted to actually,

1983
01:19:31,600 --> 01:19:32,200
Speaker 11: so he was.

1984
01:19:32,600 --> 01:19:36,360
Speaker 7: Sexually he's sexually attracted to black and white women. He

1985
01:19:36,520 --> 01:19:38,519
Speaker 7: dated a white women, he's now dating a black woman,

1986
01:19:38,680 --> 01:19:40,360
Speaker 7: and now it can't be a real relationship.

1987
01:19:41,280 --> 01:19:43,599
Speaker 1: It's crazy, stupid, that's fucking ridiculous, stupid.

1988
01:19:44,680 --> 01:19:45,240
Speaker 9: It's not that.

1989
01:19:47,040 --> 01:19:49,200
Speaker 11: That is ridiculous, it's that he was always seen with

1990
01:19:49,320 --> 01:19:51,400
Speaker 11: white women, and when he started getting killed in the

1991
01:19:51,479 --> 01:19:54,080
Speaker 11: public for it, then he suddenly came out with a

1992
01:19:54,280 --> 01:19:57,320
Speaker 11: very public black relationship, but none of his other relationships have.

1993
01:19:57,439 --> 01:20:01,400
Speaker 1: Ever been But that's my issue because why if that's

1994
01:20:01,439 --> 01:20:05,439
Speaker 1: his preference, it's a problem. I'm just saying. I'm just

1995
01:20:05,760 --> 01:20:10,400
Speaker 1: to the discussion. Why are women upset that he only

1996
01:20:10,640 --> 01:20:13,800
Speaker 1: was dating or allegedly was only dating white women. If

1997
01:20:13,840 --> 01:20:16,920
Speaker 1: that's his preference, what's wrong with that? Because if it's

1998
01:20:16,960 --> 01:20:18,960
Speaker 1: on the other side, then you have your preference and

1999
01:20:19,080 --> 01:20:21,320
Speaker 1: I feel like it's wrong. Then you got a whole

2000
01:20:21,360 --> 01:20:23,479
Speaker 1: bunch of people outside on my front lawn picking it

2001
01:20:23,600 --> 01:20:27,000
Speaker 1: about some shit. But if it's because I only my

2002
01:20:27,160 --> 01:20:30,960
Speaker 1: preference is to date white women, that's a problem. Why, Like,

2003
01:20:31,040 --> 01:20:33,160
Speaker 1: that's just what I'm saying with the world everybody has,

2004
01:20:33,760 --> 01:20:38,080
Speaker 1: if you're not into what they're into, it's stupid, it's

2005
01:20:38,160 --> 01:20:40,240
Speaker 1: fucked up, it's corny. Is this is that? It's like, No,

2006
01:20:40,400 --> 01:20:42,880
Speaker 1: that's my preference. I prefer to date white women.

2007
01:20:43,000 --> 01:20:43,160
Speaker 2: Why.

2008
01:20:43,320 --> 01:20:45,280
Speaker 1: Maybe I grew up in an all white neighborhood. Maybe

2009
01:20:45,280 --> 01:20:47,560
Speaker 1: I went to school its predominantly white women like me.

2010
01:20:47,720 --> 01:20:51,720
Speaker 1: I grew up in a predominantly Spanish neighborhood. So if

2011
01:20:51,760 --> 01:20:54,519
Speaker 1: people only see me dating Dominican women or Puerto Rican women,

2012
01:20:54,760 --> 01:20:57,679
Speaker 1: what they're gonna say I don't like black women. It's potential.

2013
01:20:57,760 --> 01:21:01,240
Speaker 10: It's the potential undertones of like being, uh, what's the

2014
01:21:01,240 --> 01:21:02,320
Speaker 10: problem with discriminatory?

2015
01:21:02,600 --> 01:21:06,160
Speaker 9: And on top of that, who do you community?

2016
01:21:06,439 --> 01:21:09,120
Speaker 11: I think it's his biggest supporters. Who do y'all think

2017
01:21:09,320 --> 01:21:12,160
Speaker 11: are Michael B. Jordan's biggest supporters his biggest supporting I.

2018
01:21:12,160 --> 01:21:13,160
Speaker 1: Haven't ran the numbers on that.

2019
01:21:13,760 --> 01:21:14,920
Speaker 9: Okay, all right, cool?

2020
01:21:16,200 --> 01:21:18,639
Speaker 2: Make an assumption like, come on, but he's a fucking

2021
01:21:19,320 --> 01:21:20,040
Speaker 2: an accurate.

2022
01:21:19,760 --> 01:21:21,439
Speaker 4: Nat So say, what do you think.

2023
01:21:21,880 --> 01:21:23,040
Speaker 9: Black women's man like?

2024
01:21:23,439 --> 01:21:23,479
Speaker 12: You?

2025
01:21:23,520 --> 01:21:25,719
Speaker 9: Wouldn't you wouldn't assume that? Am I crazy for assuming?

2026
01:21:25,800 --> 01:21:25,840
Speaker 12: No?

2027
01:21:26,040 --> 01:21:28,240
Speaker 1: I'm not saying assuming that, but I'm just am I

2028
01:21:28,360 --> 01:21:31,720
Speaker 1: crazy for assuming that a dude that is uh was

2029
01:21:31,840 --> 01:21:34,160
Speaker 1: voted sexiest man in Hollywood? A lot of white people,

2030
01:21:34,520 --> 01:21:36,880
Speaker 1: a bunch of women are not attracted to him, White Asian?

2031
01:21:37,200 --> 01:21:39,919
Speaker 11: How do you think he got to sexiest man in Hollywood?

2032
01:21:40,439 --> 01:21:42,320
Speaker 11: How do y'all think he got that platform to be

2033
01:21:42,400 --> 01:21:44,640
Speaker 11: sexiest man in I don't think I.

2034
01:21:44,640 --> 01:21:48,600
Speaker 1: Don't think Hollywood, the white women people, it ain't the

2035
01:21:48,600 --> 01:21:50,440
Speaker 1: sisters that got it, Hollywood.

2036
01:21:51,240 --> 01:21:52,200
Speaker 2: This is I'm staying out this.

2037
01:21:53,360 --> 01:21:56,599
Speaker 1: You're a white man. Yeah, I'm aware your voting voted.

2038
01:21:56,920 --> 01:21:57,360
Speaker 7: I didn't know.

2039
01:21:57,400 --> 01:21:58,639
Speaker 2: I'm not on the committee you voted.

2040
01:21:59,640 --> 01:22:02,920
Speaker 1: I'm just saying, there's like that ship has to stop

2041
01:22:03,120 --> 01:22:06,360
Speaker 1: just because a guy only dates a certain type of woman.

2042
01:22:06,439 --> 01:22:09,679
Speaker 1: His preference is. Everybody can have their preference right or wrong.

2043
01:22:09,800 --> 01:22:10,719
Speaker 9: Yeah, you have a preference.

2044
01:22:11,080 --> 01:22:12,920
Speaker 1: Okay, so don't Corny, don't kill me.

2045
01:22:13,160 --> 01:22:14,400
Speaker 7: But how is that?

2046
01:22:15,160 --> 01:22:15,479
Speaker 1: How is that?

2047
01:22:15,600 --> 01:22:19,240
Speaker 2: That's they call him Corny Fording Michael B.

2048
01:22:19,320 --> 01:22:21,200
Speaker 11: Jordan And I don't know him. I don't know his life,

2049
01:22:21,240 --> 01:22:23,479
Speaker 11: I don't know his relationships. I'm only reporting on what

2050
01:22:23,720 --> 01:22:25,400
Speaker 11: has been said, rumors, things like that.

2051
01:22:25,520 --> 01:22:28,599
Speaker 1: And all I'm saying is that ship is stupid and all.

2052
01:22:28,800 --> 01:22:31,800
Speaker 11: All I'm saying is some people would say that if

2053
01:22:31,880 --> 01:22:34,120
Speaker 11: you aren't, if you if you have a black mother,

2054
01:22:34,280 --> 01:22:36,559
Speaker 11: and you don't like black women, that there is something.

2055
01:22:36,439 --> 01:22:36,920
Speaker 9: To be looking.

2056
01:22:37,120 --> 01:22:39,720
Speaker 1: He said he doesn't like black women. He dated a

2057
01:22:39,800 --> 01:22:41,920
Speaker 1: black woman publicly. This is what I'm saying. He didn't say,

2058
01:22:41,920 --> 01:22:43,600
Speaker 1: he didn't come out of his mouth keeping I'm not

2059
01:22:43,680 --> 01:22:44,960
Speaker 1: saying no, I'm just saying who.

2060
01:22:46,600 --> 01:22:49,040
Speaker 7: They say that was he was in a real relationship

2061
01:22:49,080 --> 01:22:49,320
Speaker 7: with her.

2062
01:22:49,439 --> 01:22:52,519
Speaker 1: That's my point that because he fucking dated her, how

2063
01:22:52,640 --> 01:22:53,120
Speaker 1: do you know that?

2064
01:22:53,439 --> 01:22:53,600
Speaker 2: I know?

2065
01:22:53,800 --> 01:22:56,400
Speaker 1: Well, so we're gonna go with what E News says.

2066
01:22:56,200 --> 01:22:59,040
Speaker 12: Over the fucking fact that they were actually dating Cody

2067
01:22:59,160 --> 01:22:59,759
Speaker 12: fucking loser.

2068
01:23:00,880 --> 01:23:03,519
Speaker 2: Only Julian would get loud during the dating a white

2069
01:23:03,560 --> 01:23:09,160
Speaker 2: woman topics. He's pretiguous, he's been quiet the whole episode.

2070
01:23:10,200 --> 01:23:12,519
Speaker 2: News who the white women?

2071
01:23:12,640 --> 01:23:14,599
Speaker 1: Who the fuck is running the news over there?

2072
01:23:14,720 --> 01:23:18,040
Speaker 12: You're gonna believe them, But it's like, we're prioritizing a

2073
01:23:18,160 --> 01:23:22,519
Speaker 12: fucking report from shitty reporters that goes back bullshit blogs

2074
01:23:22,520 --> 01:23:25,200
Speaker 12: and networks over a man in his actual love interest.

2075
01:23:25,280 --> 01:23:27,759
Speaker 1: That goes back to what I'm saying, these.

2076
01:23:27,640 --> 01:23:30,040
Speaker 11: Reporters have to say that nobody in Hollywood or in

2077
01:23:30,080 --> 01:23:31,160
Speaker 11: the music business has fun.

2078
01:23:31,200 --> 01:23:33,559
Speaker 1: I'm not saying that's not a possible.

2079
01:23:33,560 --> 01:23:36,160
Speaker 7: I'm not saying that doesn't happen. I'm saying to be

2080
01:23:36,280 --> 01:23:37,200
Speaker 7: because of the fact that they.

2081
01:23:37,120 --> 01:23:39,680
Speaker 2: Have You're scaring Basically, I'm saying because the fact that.

2082
01:23:39,680 --> 01:23:41,600
Speaker 8: They've shouted this and put this on his name for

2083
01:23:41,720 --> 01:23:43,479
Speaker 8: so long that it's like, oh, it's true, he only

2084
01:23:43,560 --> 01:23:44,240
Speaker 8: dates the whites.

2085
01:23:45,120 --> 01:23:46,759
Speaker 2: Why be a hilarious headline.

2086
01:23:49,160 --> 01:23:50,800
Speaker 1: That's what I just think. It's I just think that's what.

2087
01:23:50,880 --> 01:23:53,280
Speaker 1: But that's that's ultimately what I'm saying, is that it's

2088
01:23:53,360 --> 01:23:57,360
Speaker 1: all stupid. It's dumb as because even if even if

2089
01:23:57,880 --> 01:24:00,920
Speaker 1: he prefers to date white women, why is that a problem.

2090
01:24:02,120 --> 01:24:05,080
Speaker 1: It's why it's his preference. Right in the world with

2091
01:24:05,200 --> 01:24:07,840
Speaker 1: everybody has their preferences, whether it's their the the genda

2092
01:24:07,920 --> 01:24:11,000
Speaker 1: that they prefer to identify as, whether it's their sexuality.

2093
01:24:11,360 --> 01:24:14,800
Speaker 1: You have your preference. So why can't this man who

2094
01:24:14,920 --> 01:24:18,800
Speaker 1: has a successful career, grown man is doing this thing.

2095
01:24:18,880 --> 01:24:20,599
Speaker 1: He's not strung out on drugs. We don't hear about

2096
01:24:20,640 --> 01:24:23,400
Speaker 1: nothing negative impressed with Michael Jordan. We don't hear about him,

2097
01:24:23,800 --> 01:24:25,639
Speaker 1: you know what I mean, getting into dys We won't

2098
01:24:25,640 --> 01:24:27,559
Speaker 1: hear about him abusing women. We don't hear about none

2099
01:24:27,560 --> 01:24:31,280
Speaker 1: of these things. But he's subjected to because he's this avenue.

2100
01:24:32,439 --> 01:24:34,160
Speaker 2: Like how do you put dui and abusing women in

2101
01:24:34,200 --> 01:24:36,000
Speaker 2: the same sent on? It drastically.

2102
01:24:37,160 --> 01:24:40,360
Speaker 1: And I can make the CoA. I can make the

2103
01:24:40,360 --> 01:24:42,120
Speaker 1: correlation that it goes hand in hand. I can make

2104
01:24:42,160 --> 01:24:43,720
Speaker 1: the correlation that it goes hand in hand. But that's

2105
01:24:43,720 --> 01:24:47,559
Speaker 1: a whole never that's that's that's a whole nother topic.

2106
01:24:47,800 --> 01:24:50,639
Speaker 1: But what I'm saying is, here's a here's a guy.

2107
01:24:51,040 --> 01:24:53,599
Speaker 1: Here's a guy that has this clean cut image. Right,

2108
01:24:53,640 --> 01:24:55,920
Speaker 1: he has a clean cut image. He's not if Michael B.

2109
01:24:56,040 --> 01:24:58,560
Speaker 1: Jordan is the black guy that if he's walking on

2110
01:24:58,680 --> 01:25:01,519
Speaker 1: the street, white women wouldn't be scared across the street

2111
01:25:01,920 --> 01:25:03,280
Speaker 1: because he would take them home anyway.

2112
01:25:05,479 --> 01:25:06,800
Speaker 2: He's crossing the street to her.

2113
01:25:06,920 --> 01:25:13,759
Speaker 1: Yeah, person exactly. So I don't understand the outrage about

2114
01:25:13,840 --> 01:25:15,439
Speaker 1: Michael Boyn all.

2115
01:25:15,360 --> 01:25:17,240
Speaker 9: Women, and I get killed when I don't speak for

2116
01:25:17,360 --> 01:25:17,800
Speaker 9: all women.

2117
01:25:17,920 --> 01:25:20,920
Speaker 11: But what I will say is there is a big thing,

2118
01:25:21,320 --> 01:25:25,639
Speaker 11: and there's always been a dialogue around successful black men

2119
01:25:26,360 --> 01:25:30,720
Speaker 11: only dating white women. There is a dialogue around that

2120
01:25:30,840 --> 01:25:33,479
Speaker 11: when you get money, you only date white women or

2121
01:25:33,680 --> 01:25:38,000
Speaker 11: they because that's what wealth. They put that next to

2122
01:25:38,120 --> 01:25:41,559
Speaker 11: adjacent to wealth or adjacent to success is dating white women.

2123
01:25:41,920 --> 01:25:44,240
Speaker 11: And there are many black women who are very sensitive

2124
01:25:44,240 --> 01:25:46,960
Speaker 11: about it. It's not really on top of the world

2125
01:25:47,240 --> 01:25:49,960
Speaker 11: all top of the world. Also making white women the

2126
01:25:50,160 --> 01:25:53,040
Speaker 11: center of beauty and the standard of beauty. So when

2127
01:25:53,120 --> 01:25:55,599
Speaker 11: black women see their own men don't want to date them,

2128
01:25:55,880 --> 01:25:58,000
Speaker 11: then yes, that can be a sensitive topic, and I

2129
01:25:58,040 --> 01:25:59,640
Speaker 11: think that sometimes they have every right to.

2130
01:26:00,080 --> 01:26:01,720
Speaker 1: But I think the sisters, I think what y'all don't

2131
01:26:01,760 --> 01:26:05,040
Speaker 1: understand about that whole image or that whole you know, concept,

2132
01:26:05,200 --> 01:26:08,240
Speaker 1: is sometimes it's just the mere fact that as a

2133
01:26:08,320 --> 01:26:11,200
Speaker 1: black guy growing up in the inner city, white girls

2134
01:26:11,280 --> 01:26:14,000
Speaker 1: never wanted to date us. So now that we've become

2135
01:26:14,080 --> 01:26:16,479
Speaker 1: successful and now white girls want to date, it's just like, oh, yeah,

2136
01:26:16,479 --> 01:26:18,600
Speaker 1: I'm a date some white girls. I never dated a

2137
01:26:18,640 --> 01:26:21,160
Speaker 1: white girl. Let me see what a relationship and sexist

2138
01:26:21,240 --> 01:26:22,320
Speaker 1: like with a white woman, which.

2139
01:26:22,120 --> 01:26:23,400
Speaker 9: I don't just date them, I'll marry him.

2140
01:26:23,840 --> 01:26:26,680
Speaker 1: Yeah, But I mean, why is that like? But that's

2141
01:26:26,720 --> 01:26:28,880
Speaker 1: such a big But it's it's not a bit because

2142
01:26:29,240 --> 01:26:31,200
Speaker 1: a lot of people still, like you said, they look

2143
01:26:31,240 --> 01:26:34,280
Speaker 1: at it, they equate it to, oh, because you're successful,

2144
01:26:34,360 --> 01:26:37,280
Speaker 1: now you want to date a white woman. No, I've

2145
01:26:37,360 --> 01:26:39,519
Speaker 1: always wanted to date white women because I like women.

2146
01:26:39,920 --> 01:26:42,040
Speaker 1: I just didn't have access to white women. For now

2147
01:26:42,080 --> 01:26:44,040
Speaker 1: that I'm fucking in Beverly Hills all the time and

2148
01:26:44,080 --> 01:26:46,360
Speaker 1: there's nothing but white girls, and I'm in Malleable on

2149
01:26:46,479 --> 01:26:48,720
Speaker 1: the beach and there's nothing but white girls here. Yes,

2150
01:26:48,840 --> 01:26:50,840
Speaker 1: I'm in fucking white girl heaven, I'm gonna date some

2151
01:26:50,880 --> 01:26:53,360
Speaker 1: of these pretty white women, not saying that I'm going

2152
01:26:53,400 --> 01:26:55,439
Speaker 1: to have a family, settle down. I don't know. Sometimes

2153
01:26:55,479 --> 01:26:57,559
Speaker 1: it falls into that. You fall in love, you create

2154
01:26:57,600 --> 01:27:00,400
Speaker 1: a family. But I'm just saying, you can't look at

2155
01:27:00,439 --> 01:27:03,880
Speaker 1: it like only because you're successful, now you like white women. No,

2156
01:27:04,360 --> 01:27:05,720
Speaker 1: he may have always liked women.

2157
01:27:05,960 --> 01:27:07,599
Speaker 9: I'm pretty sure he always liked white women.

2158
01:27:07,560 --> 01:27:09,960
Speaker 1: But white women didn't always Like why is that a problem.

2159
01:27:10,280 --> 01:27:13,760
Speaker 1: I'm not because people just make problems that aren't really why.

2160
01:27:14,160 --> 01:27:16,400
Speaker 8: I just don't like, big general question, not just some

2161
01:27:16,439 --> 01:27:20,320
Speaker 8: Michael b thing. Why are people so invested into the

2162
01:27:20,600 --> 01:27:24,480
Speaker 8: intimate relationships of celebrities or like entertainers.

2163
01:27:24,640 --> 01:27:26,880
Speaker 7: Why does that bother people so much?

2164
01:27:26,920 --> 01:27:28,560
Speaker 9: Well, because the state they don't want to deal with

2165
01:27:28,560 --> 01:27:29,840
Speaker 9: their own life and everybody.

2166
01:27:29,520 --> 01:27:37,320
Speaker 1: Loves That's just that's like the can for someone Well,

2167
01:27:37,400 --> 01:27:39,519
Speaker 1: not even that, it's just that now if you're a

2168
01:27:39,640 --> 01:27:42,599
Speaker 1: secretive or if you're like pit very quiet about who

2169
01:27:42,640 --> 01:27:45,479
Speaker 1: you date, now you're a sneaky like people want to

2170
01:27:45,560 --> 01:27:47,599
Speaker 1: know everything about you. They want to know who you're dating,

2171
01:27:47,640 --> 01:27:49,320
Speaker 1: they want to know who you're fucking when you're fucking

2172
01:27:49,400 --> 01:27:52,000
Speaker 1: did you pull out is she pregnant? But they want

2173
01:27:52,080 --> 01:27:54,960
Speaker 1: to know every detail of the relationship that you have

2174
01:27:55,120 --> 01:27:55,519
Speaker 1: with women.

2175
01:27:55,960 --> 01:27:59,080
Speaker 4: We do also have Pete Davidson and Ice Spices dating

2176
01:27:59,160 --> 01:27:59,799
Speaker 4: on our topics.

2177
01:28:00,439 --> 01:28:03,799
Speaker 7: Fact that's because it's funny.

2178
01:28:04,439 --> 01:28:06,759
Speaker 4: I mean, if we want to talk about the white people.

2179
01:28:06,600 --> 01:28:08,400
Speaker 9: And you were the one that kept bringing that up too.

2180
01:28:08,560 --> 01:28:10,840
Speaker 8: I didn't keep bringing it up. You kept bringing up

2181
01:28:11,040 --> 01:28:13,800
Speaker 8: put it on here because it's a funny conversation. Why

2182
01:28:13,840 --> 01:28:16,040
Speaker 8: do we care because Pete Davidson is the new rollout

2183
01:28:16,600 --> 01:28:18,360
Speaker 8: you did? Why are you doing in that valley boy?

2184
01:28:18,720 --> 01:28:21,280
Speaker 8: Because he's not going to fuck any black woman? Michael

2185
01:28:21,400 --> 01:28:22,160
Speaker 8: Jordan's big who.

2186
01:28:22,320 --> 01:28:24,800
Speaker 7: Don't you're still You're still gonna see Creed three and

2187
01:28:24,840 --> 01:28:25,760
Speaker 7: everything else you puts out.

2188
01:28:26,800 --> 01:28:27,160
Speaker 9: I don't.

2189
01:28:27,960 --> 01:28:30,320
Speaker 11: I me personally, I never cared about black men who

2190
01:28:30,360 --> 01:28:32,840
Speaker 11: don't date black women because those aren't the type of

2191
01:28:32,920 --> 01:28:35,080
Speaker 11: men that I like. I don't want men who only

2192
01:28:35,160 --> 01:28:36,920
Speaker 11: want white women. We would have nothing in common.

2193
01:28:37,360 --> 01:28:41,439
Speaker 7: So like, well, Michael by Jordan dis both he does okay, is.

2194
01:28:41,439 --> 01:28:41,880
Speaker 4: There a world?

2195
01:28:41,960 --> 01:28:42,160
Speaker 2: Tell you?

2196
01:28:42,479 --> 01:28:43,760
Speaker 4: Is there a world for you where he can't be

2197
01:28:43,880 --> 01:28:46,760
Speaker 4: dating both? Like that doesn't mean you can't go the

2198
01:28:46,840 --> 01:28:47,320
Speaker 4: other way.

2199
01:28:47,320 --> 01:28:48,439
Speaker 7: Like stupid.

2200
01:28:48,600 --> 01:28:52,599
Speaker 1: I'm sure he dated definite girl dates Black Girl.

2201
01:28:52,840 --> 01:28:55,720
Speaker 9: Sure, but I'm I am reporting on what the world says.

2202
01:28:55,800 --> 01:28:57,679
Speaker 1: That is all I am saying. Well and more news.

2203
01:28:57,840 --> 01:29:00,080
Speaker 2: Uh well, Ice Splice, would that be your preference to

2204
01:29:00,080 --> 01:29:02,479
Speaker 2: be speaking of the male Lori Harvey, Ice.

2205
01:29:02,360 --> 01:29:05,280
Speaker 1: Spice, Yeah, well, shout out to the Bronx first of all, Hey.

2206
01:29:06,200 --> 01:29:09,800
Speaker 2: And Pete Davison and Tamaris's point, there is definitely the

2207
01:29:09,840 --> 01:29:11,519
Speaker 2: Lori male lur Harvey for sure.

2208
01:29:11,520 --> 01:29:16,240
Speaker 1: Pete Davison is now the rollout, the pr guy for

2209
01:29:16,320 --> 01:29:18,240
Speaker 1: a woman to date, even if she's not really dating them.

2210
01:29:18,280 --> 01:29:23,479
Speaker 1: They're gonna try to stick Pete Davison alongside whatever rising

2211
01:29:24,120 --> 01:29:30,320
Speaker 1: female celebrity star artist, just just to get the one

2212
01:29:30,400 --> 01:29:32,400
Speaker 1: thousand percent. Do not believe that. I don't think that

2213
01:29:32,720 --> 01:29:33,600
Speaker 1: Ice Spices, you know.

2214
01:29:33,640 --> 01:29:35,880
Speaker 2: I'm saying that the Pete rollout kind of isn't that

2215
01:29:35,960 --> 01:29:40,479
Speaker 2: it's already established like Kim to Emily's Rumakowski or whatever.

2216
01:29:41,960 --> 01:29:43,800
Speaker 1: I mean. I'm on records saying I don't think that

2217
01:29:44,320 --> 01:29:47,000
Speaker 1: Pete and Kim was real at all. I'm on the

2218
01:29:47,080 --> 01:29:49,120
Speaker 1: record saying that I never felt like that I watched

2219
01:29:49,160 --> 01:29:51,760
Speaker 1: the show. Yeah, well, I never felt like that ship

2220
01:29:51,880 --> 01:29:52,160
Speaker 1: was real.

2221
01:29:52,280 --> 01:29:53,719
Speaker 7: I felt like you got her tatted.

2222
01:29:54,360 --> 01:29:56,559
Speaker 2: Yeah, but he also Hillary Clinton tatters.

2223
01:29:56,800 --> 01:29:57,000
Speaker 7: Yeah.

2224
01:29:57,479 --> 01:29:59,519
Speaker 11: It's just like, how are you gonna believe the news

2225
01:29:59,560 --> 01:30:00,920
Speaker 11: over what they said about their relations?

2226
01:30:01,080 --> 01:30:03,559
Speaker 1: Yeah right, very true. That that's Ice Spice.

2227
01:30:03,720 --> 01:30:07,040
Speaker 2: Yeah, you ain't know she had the cheeks natural too, you.

2228
01:30:07,080 --> 01:30:08,519
Speaker 7: Did, Pete could look at all.

2229
01:30:09,680 --> 01:30:10,920
Speaker 1: She has the ill fatty.

2230
01:30:11,120 --> 01:30:13,280
Speaker 2: Wait you you're from the same block. You're too old,

2231
01:30:13,280 --> 01:30:14,280
Speaker 2: you be the creepy guy on the block.

2232
01:30:14,360 --> 01:30:16,840
Speaker 1: No, no, no, no, I just I wasn't expecting to

2233
01:30:16,880 --> 01:30:19,320
Speaker 1: see that picture Ice Spice. I never saw that picture before.

2234
01:30:20,040 --> 01:30:22,680
Speaker 2: I fata leave like you definitely probably like sucked her

2235
01:30:22,720 --> 01:30:23,320
Speaker 2: older auntie.

2236
01:30:23,840 --> 01:30:27,320
Speaker 1: Mmmm, that's how she is. Well. I do not believe

2237
01:30:27,360 --> 01:30:29,120
Speaker 1: that her and Pete Davison are dating. I do think

2238
01:30:29,120 --> 01:30:32,160
Speaker 1: it's funny to put Pete Davison. I think that's the

2239
01:30:32,240 --> 01:30:36,840
Speaker 1: most random couple. Is random. Pete Davison Ice spies.

2240
01:30:36,960 --> 01:30:38,880
Speaker 9: Pete Davidson and Kim was pretty random too.

2241
01:30:39,720 --> 01:30:43,680
Speaker 1: But you can kind of saw this random thing.

2242
01:30:43,840 --> 01:30:47,200
Speaker 3: You saw Pete Davidson and Kim Kardashian dating.

2243
01:30:47,080 --> 01:30:49,439
Speaker 2: That there might be recorded audio from this podcast, and

2244
01:30:49,520 --> 01:30:51,400
Speaker 2: when that started of you going, this is the most

2245
01:30:51,479 --> 01:30:52,320
Speaker 2: random fucking thing.

2246
01:30:53,760 --> 01:30:55,599
Speaker 1: But but again that's because I didn't think it was real,

2247
01:30:55,680 --> 01:30:57,000
Speaker 1: and I still don't think that that was a real,

2248
01:30:57,160 --> 01:30:59,800
Speaker 1: a real thing. This, though, definitely feels like some p

2249
01:31:00,080 --> 01:31:02,960
Speaker 1: our stunt. Let's just get Ice Spice's name all over

2250
01:31:03,040 --> 01:31:05,240
Speaker 1: the fucking internet, not not saying that she needed that

2251
01:31:05,360 --> 01:31:06,799
Speaker 1: she was already hot.

2252
01:31:06,720 --> 01:31:10,080
Speaker 2: But to prove that Pete also dates Gingers right well,

2253
01:31:10,360 --> 01:31:11,320
Speaker 2: the same way with Michael B.

2254
01:31:11,439 --> 01:31:12,800
Speaker 1: Because we don't want to, we don't want to paint

2255
01:31:12,880 --> 01:31:15,559
Speaker 1: Pete into a box of he only dates this type

2256
01:31:15,560 --> 01:31:20,840
Speaker 1: of woman, the bronx ginger herself, Ice Spice, the bronx ginger,

2257
01:31:20,960 --> 01:31:22,360
Speaker 1: the bronx ginger herself, one.

2258
01:31:22,280 --> 01:31:23,559
Speaker 7: Of one, one of one.

2259
01:31:23,920 --> 01:31:27,519
Speaker 2: Where would they have met? Where Pete and Ice just

2260
01:31:27,760 --> 01:31:28,599
Speaker 2: walking past each other?

2261
01:31:29,080 --> 01:31:31,879
Speaker 1: If I'm guessing Pete looks like he could be stumbling

2262
01:31:31,960 --> 01:31:37,320
Speaker 1: out of a bar in in Wood Maybe why David?

2263
01:31:40,120 --> 01:31:42,840
Speaker 2: Why Because because Pete would never go to a place

2264
01:31:43,000 --> 01:31:43,519
Speaker 2: Edward DJ.

2265
01:31:43,760 --> 01:31:46,240
Speaker 7: So that's the wait, wait, wait, listen to with Tamaris.

2266
01:31:46,400 --> 01:31:49,640
Speaker 7: Just yeah, let's go back to that to look at

2267
01:31:49,680 --> 01:31:51,320
Speaker 7: her approach to this relationships.

2268
01:31:51,320 --> 01:31:54,200
Speaker 9: Ice Spice said that she likes cold play and that's

2269
01:31:54,240 --> 01:31:55,760
Speaker 9: how she met Pete Davis. I just knew.

2270
01:31:55,760 --> 01:31:57,360
Speaker 11: I just feel like what I'm I say that to

2271
01:31:57,439 --> 01:31:59,360
Speaker 11: say she might be in places that you guys think

2272
01:31:59,400 --> 01:32:00,320
Speaker 11: that she Wouldn't.

2273
01:32:00,240 --> 01:32:02,280
Speaker 7: You think Pete David somewhere banging Coldplay?

2274
01:32:02,479 --> 01:32:02,679
Speaker 1: Yeah?

2275
01:32:03,120 --> 01:32:04,080
Speaker 2: I think all of us do.

2276
01:32:05,040 --> 01:32:07,600
Speaker 7: I'm not putting pee in the rumors.

2277
01:32:10,439 --> 01:32:11,840
Speaker 2: We played cold playing in wood sometimes.

2278
01:32:11,880 --> 01:32:14,040
Speaker 9: First of all, be saying, jay Z listen to cold Play, So.

2279
01:32:14,680 --> 01:32:15,879
Speaker 4: We're not knocking Coldplay.

2280
01:32:16,360 --> 01:32:18,120
Speaker 7: Cold Play are great, We're not knocking.

2281
01:32:17,840 --> 01:32:20,560
Speaker 10: There, Like, why would that be the glue between the

2282
01:32:20,600 --> 01:32:21,879
Speaker 10: Spice and the Davidson.

2283
01:32:23,120 --> 01:32:25,479
Speaker 1: He was like, I don't know. I just think that

2284
01:32:25,560 --> 01:32:28,080
Speaker 1: this is just a PR stunt. I know prs. I

2285
01:32:28,120 --> 01:32:30,920
Speaker 1: could smell a PR stunt. This smells like a PR stunt.

2286
01:32:31,120 --> 01:32:34,960
Speaker 7: Drake followed, I Spice back on Instagram. That's good news.

2287
01:32:35,479 --> 01:32:37,479
Speaker 9: She wants to answer this text message.

2288
01:32:37,720 --> 01:32:41,200
Speaker 1: Yeah, yo, Drake is playing a dangerous game though, because

2289
01:32:42,120 --> 01:32:43,880
Speaker 1: like what, like I said, what if she just if

2290
01:32:43,920 --> 01:32:46,160
Speaker 1: she just tweeted out, oh you thought I was feeling

2291
01:32:46,200 --> 01:32:49,000
Speaker 1: you like that? Just keep it cool? Didn't she do

2292
01:32:49,080 --> 01:32:49,799
Speaker 1: that to him already?

2293
01:32:49,920 --> 01:32:49,960
Speaker 10: No?

2294
01:32:50,400 --> 01:32:52,920
Speaker 1: God no, if she I wanted her to, I'm not

2295
01:32:52,960 --> 01:32:54,640
Speaker 1: gonna lie. I want her to get that off, like

2296
01:32:54,960 --> 01:32:56,280
Speaker 1: she got to get that off like you thought I

2297
01:32:56,320 --> 01:32:58,600
Speaker 1: was feeling you, and just like that would set the

2298
01:32:58,680 --> 01:33:02,240
Speaker 1: fucking algorithm was crazy more and it's more ginger news. Worry.

2299
01:33:02,240 --> 01:33:05,839
Speaker 1: The Knicks are kicking ass. Yes, Orange and Blue, Okay,

2300
01:33:06,080 --> 01:33:08,800
Speaker 1: all right, Nickson kicking ass. Nicks are sitting comfortable at

2301
01:33:08,840 --> 01:33:11,960
Speaker 1: the fifth seed. They won nine out of their last

2302
01:33:12,000 --> 01:33:15,680
Speaker 1: ten games, won seven in a row. I just want

2303
01:33:15,680 --> 01:33:17,960
Speaker 1: apologies from everybody that told me that I was crazy

2304
01:33:18,000 --> 01:33:20,320
Speaker 1: for saying Julius was a fucking dog. I was saying

2305
01:33:20,360 --> 01:33:21,840
Speaker 1: that he's one of the best players in the league.

2306
01:33:22,880 --> 01:33:25,200
Speaker 1: Everybody killed me when I said that, And now look

2307
01:33:25,240 --> 01:33:25,400
Speaker 1: at you.

2308
01:33:26,840 --> 01:33:29,160
Speaker 2: I've been a Knicks fan my entire life of suffering one.

2309
01:33:29,240 --> 01:33:30,320
Speaker 2: So I'm not gonna apologize.

2310
01:33:31,880 --> 01:33:33,400
Speaker 1: But they owe me apologies. People out, they owe me

2311
01:33:33,400 --> 01:33:34,719
Speaker 1: an apology. They on me apology.

2312
01:33:34,720 --> 01:33:36,280
Speaker 9: All right, what I thought, you were just sticking up

2313
01:33:36,280 --> 01:33:36,800
Speaker 9: for your friend.

2314
01:33:37,120 --> 01:33:37,439
Speaker 7: I was.

2315
01:33:38,000 --> 01:33:39,639
Speaker 1: But I also knew that my friend was really good

2316
01:33:39,960 --> 01:33:41,360
Speaker 1: and that he was going to fit right into this

2317
01:33:41,439 --> 01:33:43,439
Speaker 1: team and he was gonna play hard for this city.

2318
01:33:43,479 --> 01:33:45,160
Speaker 1: And that's all Knicks fans want. We just want guys

2319
01:33:45,200 --> 01:33:48,400
Speaker 1: that's gonna play hard represent the city. And the Knicks

2320
01:33:48,400 --> 01:33:52,439
Speaker 1: are looking really basketball just feels better when the Knicks

2321
01:33:52,439 --> 01:33:54,680
Speaker 1: are winning. It's something about the Knicks just being in

2322
01:33:54,800 --> 01:33:58,080
Speaker 1: the playoffs and the Knicks being in conversations about the

2323
01:33:58,160 --> 01:34:01,519
Speaker 1: playoffs that just makes basketball talk more entertaining.

2324
01:34:01,760 --> 01:34:03,360
Speaker 2: All right, you're talking about the time that I wasn't

2325
01:34:03,360 --> 01:34:06,240
Speaker 2: born yet, so explained to explain to me this time

2326
01:34:06,880 --> 01:34:10,400
Speaker 2: of the Knicks being competitive. Yes, there was for like

2327
01:34:10,520 --> 01:34:13,439
Speaker 2: two years, many.

2328
01:34:12,479 --> 01:34:15,840
Speaker 1: Moons ago, many moons ago, the Knicks were a very

2329
01:34:16,000 --> 01:34:17,439
Speaker 1: very tough team in the Eastern Conference.

2330
01:34:17,640 --> 01:34:19,240
Speaker 2: I'm aware. I was sort of a love.

2331
01:34:19,400 --> 01:34:23,599
Speaker 1: Yeah. There was a guy by the name of John Starks. Yes, Patrick,

2332
01:34:23,640 --> 01:34:25,960
Speaker 1: you and you may have heard of him. And that's

2333
01:34:26,000 --> 01:34:29,760
Speaker 1: when the Knicks were a really nobody in the East

2334
01:34:29,800 --> 01:34:30,639
Speaker 1: wanted to play the Knicks.

2335
01:34:30,680 --> 01:34:32,400
Speaker 2: But that's more of like a tragic story if you

2336
01:34:32,479 --> 01:34:34,000
Speaker 2: really know end.

2337
01:34:34,280 --> 01:34:38,160
Speaker 1: Yeah, yeah, it ends, And it was some. It was some.

2338
01:34:38,320 --> 01:34:39,960
Speaker 1: It was some years after that where it looked a

2339
01:34:39,960 --> 01:34:43,800
Speaker 1: little promising but kind of didn't get over that hurdle.

2340
01:34:44,520 --> 01:34:46,400
Speaker 1: Mellow had a season where they went to the playoffs

2341
01:34:46,479 --> 01:34:47,120
Speaker 1: and then that was it.

2342
01:34:47,439 --> 01:34:47,960
Speaker 2: First round.

2343
01:34:48,240 --> 01:34:51,080
Speaker 1: Yeah, but this year the Knicks do look really, really good.

2344
01:34:51,200 --> 01:34:53,120
Speaker 1: It's it's just fun to hear Knicks fans being able

2345
01:34:53,160 --> 01:34:56,280
Speaker 1: to talk. They ship and uh talk playoff talk. So

2346
01:34:56,360 --> 01:34:58,360
Speaker 1: shout out to the Knicks keep it going. Shout out

2347
01:34:58,360 --> 01:35:02,000
Speaker 1: to Jalen brunch Into because he's been absolutely hooping. I

2348
01:35:02,040 --> 01:35:03,880
Speaker 1: think the Knicks may have underpaid him that if we're

2349
01:35:03,880 --> 01:35:04,280
Speaker 1: being real.

2350
01:35:04,479 --> 01:35:08,120
Speaker 8: He just won while we were recording. Uh, the Eastern

2351
01:35:08,160 --> 01:35:09,439
Speaker 8: Conference Player of the Month.

2352
01:35:09,840 --> 01:35:12,360
Speaker 1: Jalen Brunson as he should have. As he should Jalen.

2353
01:35:12,439 --> 01:35:13,920
Speaker 1: Jalen has been hooping. I feel like he should have

2354
01:35:13,960 --> 01:35:16,680
Speaker 1: been an All Star as well as Julius.

2355
01:35:18,760 --> 01:35:18,920
Speaker 4: Nick.

2356
01:35:18,960 --> 01:35:21,320
Speaker 2: Basketball have been this exciting since the Jeremy Lynn week.

2357
01:35:22,120 --> 01:35:25,040
Speaker 1: No, this is this is this might be the most

2358
01:35:25,160 --> 01:35:27,439
Speaker 1: This is the most exciting the Knicks talking about the

2359
01:35:27,479 --> 01:35:30,400
Speaker 1: Knicks has been in a lot of years. This is

2360
01:35:30,560 --> 01:35:34,360
Speaker 1: this is like, this is uncharted territory right now for Knicks.

2361
01:35:34,400 --> 01:35:35,840
Speaker 2: Making me nervous. That's why I don't really want to

2362
01:35:35,840 --> 01:35:37,439
Speaker 2: talk to you, like and that's what I like.

2363
01:35:37,520 --> 01:35:40,120
Speaker 1: Even last night they played the they played the nets

2364
01:35:40,200 --> 01:35:42,360
Speaker 1: last night. Yeah crushed them, you know, I mean, but

2365
01:35:42,479 --> 01:35:44,519
Speaker 1: it was a point. They was up twenty six, and

2366
01:35:44,640 --> 01:35:46,040
Speaker 1: I was like, I don't know, man, think they're gonna

2367
01:35:46,040 --> 01:35:46,559
Speaker 1: blow this lead?

2368
01:35:46,680 --> 01:35:48,160
Speaker 2: Like typical?

2369
01:35:48,520 --> 01:35:50,200
Speaker 1: Yeah, because it's just like that's what the Knicks do.

2370
01:35:50,320 --> 01:35:52,519
Speaker 1: They'll be up thirty and then you'll go take a

2371
01:35:52,600 --> 01:35:54,400
Speaker 1: ship and come back to the TV and it's like

2372
01:35:54,560 --> 01:35:56,960
Speaker 1: a pissy down. They only up, Yeah, they're only up four,

2373
01:35:56,960 --> 01:35:58,800
Speaker 1: and it's like, wait, what the fuck this happened? So

2374
01:35:59,800 --> 01:36:01,719
Speaker 1: but that's again, that's what being a Nick fan it's about.

2375
01:36:01,720 --> 01:36:06,479
Speaker 1: It's about having anxiety, it's about having a post traumatic

2376
01:36:06,520 --> 01:36:09,320
Speaker 1: stress disorder. Like it takes a certain type of person

2377
01:36:09,360 --> 01:36:11,000
Speaker 1: to be a Knick fan, Like Nick fans are the

2378
01:36:11,080 --> 01:36:16,240
Speaker 1: most delusional, uh stressed out, most anxious people on the

2379
01:36:16,320 --> 01:36:17,120
Speaker 1: planet by far.

2380
01:36:17,240 --> 01:36:18,840
Speaker 11: I hear that the best man to date because like,

2381
01:36:18,920 --> 01:36:21,160
Speaker 11: no matter how many times you disappoint them, they'll just

2382
01:36:21,200 --> 01:36:21,960
Speaker 11: stay loyal to you.

2383
01:36:24,400 --> 01:36:25,880
Speaker 2: As a Knicks fan, I can tell you that's not true.

2384
01:36:25,960 --> 01:36:27,680
Speaker 1: Yeah, I know the Knicks fans that right now.

2385
01:36:27,760 --> 01:36:31,320
Speaker 2: Running the mark, I think matter of fact, we learned detachment,

2386
01:36:32,080 --> 01:36:32,880
Speaker 2: Like yeah, y'all give up.

2387
01:36:33,080 --> 01:36:35,800
Speaker 1: We can't investigate, y'all can see when the relationship is over,

2388
01:36:35,840 --> 01:36:38,040
Speaker 1: Like you know, what's just not happening. This year's fucking over.

2389
01:36:38,320 --> 01:36:39,679
Speaker 1: We drafted who Yeah.

2390
01:36:41,200 --> 01:36:44,160
Speaker 8: I think we'll stay the five seed depending on who

2391
01:36:44,160 --> 01:36:45,559
Speaker 8: we playing in the first time, we could get out,

2392
01:36:45,600 --> 01:36:46,800
Speaker 8: but we'll lose in the second round.

2393
01:36:47,200 --> 01:36:47,320
Speaker 10: Uh.

2394
01:36:48,800 --> 01:36:50,600
Speaker 1: I know, I know, I know people think that I

2395
01:36:50,680 --> 01:36:54,080
Speaker 1: have the worst sports takes and that comes true. But

2396
01:36:54,240 --> 01:36:57,760
Speaker 1: I'm gonna say something right now. Okay, I don't fuck it.

2397
01:36:57,800 --> 01:37:01,000
Speaker 1: I'm gonna stand on it all right. The chip. I

2398
01:37:01,120 --> 01:37:02,679
Speaker 1: think the Knicks are gonna make it to the Eastern

2399
01:37:02,720 --> 01:37:07,000
Speaker 1: Conference Finals. Okay, that's not bad, I think so. Man,

2400
01:37:07,160 --> 01:37:11,320
Speaker 1: it's not his worst outside of outside of the Celtics. You.

2401
01:37:12,720 --> 01:37:16,160
Speaker 1: I don't know if Philly. Yeah, I don't believe in Phillies.

2402
01:37:16,160 --> 01:37:18,080
Speaker 1: I don't believe in James Harden the Bucks.

2403
01:37:19,560 --> 01:37:22,799
Speaker 7: I like the Bucks, but they're won for fifteen straight.

2404
01:37:23,120 --> 01:37:25,280
Speaker 1: Yeah, but I just feel I feel like the Knicks

2405
01:37:25,280 --> 01:37:28,080
Speaker 1: could beat them in the seven game series. I feel

2406
01:37:28,080 --> 01:37:29,559
Speaker 1: like it could go seven and the Knicks might win.

2407
01:37:29,720 --> 01:37:32,240
Speaker 8: I don't think we can beat the Bucks, the Celtics,

2408
01:37:32,439 --> 01:37:34,560
Speaker 8: or the Philly in the series. I think everybody is

2409
01:37:34,640 --> 01:37:37,840
Speaker 8: not like that, bro Philly. James hardens clicking right now.

2410
01:37:37,920 --> 01:37:41,280
Speaker 1: He disappears every playoffs. Every single playoffs, he's dead. He's

2411
01:37:41,360 --> 01:37:43,920
Speaker 1: always lost every single year. He disappears in no matter

2412
01:37:44,000 --> 01:37:47,960
Speaker 1: what he's due up, he's due up up. Joe, Joel

2413
01:37:48,040 --> 01:37:49,439
Speaker 1: and b want to get James out of it. I know,

2414
01:37:49,720 --> 01:37:51,240
Speaker 1: but he don't want to say it. He don't want

2415
01:37:51,280 --> 01:37:53,479
Speaker 1: to say, you know what it's gonna do to the team.

2416
01:37:53,520 --> 01:37:55,800
Speaker 1: But Joel definitely wants James out of it. He does

2417
01:37:55,880 --> 01:37:58,240
Speaker 1: not want to play with James Harden and James James

2418
01:37:58,280 --> 01:38:00,479
Speaker 1: is great regular season James getting shit off. Yeah, in

2419
01:38:00,520 --> 01:38:03,679
Speaker 1: the playoffs. I'm just talking about the history of the facts.

2420
01:38:03,720 --> 01:38:03,800
Speaker 2: Bro.

2421
01:38:03,920 --> 01:38:06,519
Speaker 1: It's like where you at is not there so between

2422
01:38:06,640 --> 01:38:13,720
Speaker 1: every other team. Like I said, Boston, we losing the Heat, bron.

2423
01:38:15,200 --> 01:38:16,240
Speaker 2: We can take the Heat.

2424
01:38:16,400 --> 01:38:17,519
Speaker 7: We can take the Heat out.

2425
01:38:17,640 --> 01:38:18,040
Speaker 1: We could.

2426
01:38:18,360 --> 01:38:20,160
Speaker 8: I don't even think the Calves. I think the Calves

2427
01:38:20,160 --> 01:38:21,640
Speaker 8: would get the better of us in seven. But I

2428
01:38:21,880 --> 01:38:23,240
Speaker 8: have more hope of us beating the Calves.

2429
01:38:23,320 --> 01:38:26,599
Speaker 1: You think the Knicks can lose to the Calves. Yes, damn,

2430
01:38:26,720 --> 01:38:28,840
Speaker 1: y'all don't bel they're good again. I'm not even a

2431
01:38:28,880 --> 01:38:30,680
Speaker 1: Knicks fan, but I think that they could beat the

2432
01:38:30,760 --> 01:38:31,320
Speaker 1: fucking Calvi.

2433
01:38:31,400 --> 01:38:33,880
Speaker 8: Liz, I think if we draw the Heat or the Calves,

2434
01:38:33,960 --> 01:38:36,080
Speaker 8: we can get out of the first round, but it

2435
01:38:36,120 --> 01:38:37,320
Speaker 8: would be a good series.

2436
01:38:37,640 --> 01:38:40,280
Speaker 7: When we face Philly, Boston and Milwaukee, We're done.

2437
01:38:41,160 --> 01:38:43,120
Speaker 1: Listen, man, I'm standing on it. I got the Knicks

2438
01:38:43,120 --> 01:38:45,200
Speaker 1: going to the Eastern Conference Finals. I'm standing on it.

2439
01:38:45,360 --> 01:38:47,560
Speaker 2: Put Aaron Judge in the block, man standing on it.

2440
01:38:47,600 --> 01:38:51,760
Speaker 1: In the facts, Jake Jake Paul finally lost his first

2441
01:38:51,800 --> 01:38:56,040
Speaker 1: fight to Tommy Fury. It was one Tommy Fury won

2442
01:38:56,080 --> 01:38:58,080
Speaker 1: by a split decision. And I do believe they have

2443
01:38:58,120 --> 01:39:03,720
Speaker 1: a rematch clause in their contract, so we'll get I

2444
01:39:03,760 --> 01:39:05,240
Speaker 1: guesst Jake Paul Tommy Fiery too.

2445
01:39:06,479 --> 01:39:08,439
Speaker 9: Uh was it a good fight? I missed that.

2446
01:39:08,640 --> 01:39:11,840
Speaker 1: It was all right. I mean it was okay. It

2447
01:39:11,920 --> 01:39:13,920
Speaker 1: wasn't a bad fight. It wasn't like if you watched it,

2448
01:39:14,000 --> 01:39:15,639
Speaker 1: he wasn't like like, oh this is terrible.

2449
01:39:15,640 --> 01:39:16,479
Speaker 4: It's a split decision.

2450
01:39:16,640 --> 01:39:20,479
Speaker 1: It was a split decision. Tom was clearly Tommy. He

2451
01:39:20,920 --> 01:39:24,800
Speaker 1: clearly wont to fight. He clearly wanted to fight. But

2452
01:39:24,960 --> 01:39:27,479
Speaker 1: I think that, you know, Jake Paul didn't look as

2453
01:39:27,520 --> 01:39:29,120
Speaker 1: bad as people may have thought he was gonna look

2454
01:39:29,200 --> 01:39:33,679
Speaker 1: with a quote unquote quote unquote real boxer. They really

2455
01:39:33,760 --> 01:39:35,200
Speaker 1: think he looked a little better than people thought he

2456
01:39:35,280 --> 01:39:38,320
Speaker 1: was gonna look. But I think that I don't think

2457
01:39:38,360 --> 01:39:41,040
Speaker 1: that he I think that once he loses to Tommy

2458
01:39:41,080 --> 01:39:43,439
Speaker 1: Fiury again, it might be quiet for Jake Paul.

2459
01:39:43,640 --> 01:39:44,400
Speaker 2: It's not gonna be quiet.

2460
01:39:44,600 --> 01:39:46,080
Speaker 9: It's never gonna be quiet.

2461
01:39:46,080 --> 01:39:49,120
Speaker 2: There might be value on him losing, that's the other

2462
01:39:49,360 --> 01:39:50,920
Speaker 2: just no value in losing.

2463
01:39:51,160 --> 01:39:54,280
Speaker 1: I don't know where's it value in losing.

2464
01:39:54,080 --> 01:39:56,639
Speaker 2: It because it's this is more as someone that has

2465
01:39:56,800 --> 01:39:58,760
Speaker 2: been said that Jake Paul is a real fighter and

2466
01:39:58,880 --> 01:40:00,479
Speaker 2: needs more respect on his name. He is more of

2467
01:40:00,520 --> 01:40:01,880
Speaker 2: a spectacle than he is a fighter.

2468
01:40:02,439 --> 01:40:04,920
Speaker 1: So yeah, but I think the lords that he keeps

2469
01:40:05,000 --> 01:40:07,160
Speaker 1: winning so that people like you, I can't believe this

2470
01:40:07,280 --> 01:40:10,160
Speaker 1: guy that's like a YouTube boxer is really getting in

2471
01:40:10,200 --> 01:40:12,680
Speaker 1: his ring and he's really beating people. Yeah, and now

2472
01:40:12,720 --> 01:40:14,599
Speaker 1: that he starts losing, it's gonna be like all right, dog,

2473
01:40:14,720 --> 01:40:16,000
Speaker 1: like you're gonna get hurt.

2474
01:40:16,080 --> 01:40:18,200
Speaker 2: Oh and now you get get from the content game.

2475
01:40:18,400 --> 01:40:21,080
Speaker 2: Now you get more content. Fight back for the rematch, get.

2476
01:40:20,920 --> 01:40:23,320
Speaker 1: Your head beat in for content. Do what you gotta do, Jake.

2477
01:40:23,400 --> 01:40:26,760
Speaker 1: I just think that the the ticket drops, his his

2478
01:40:26,960 --> 01:40:29,720
Speaker 1: his payout drops if he keeps losing, and definitely if

2479
01:40:29,720 --> 01:40:32,320
Speaker 1: he loses the rematch, I don't think people gonna want

2480
01:40:32,360 --> 01:40:36,559
Speaker 1: to keep watching him. Uh but yeah, man, what we got,

2481
01:40:37,400 --> 01:40:38,360
Speaker 1: that's it. Nothing else.

2482
01:40:39,479 --> 01:40:40,559
Speaker 2: We'll be back very soon.

2483
01:40:40,640 --> 01:40:41,320
Speaker 1: Will we be back?

2484
01:40:42,040 --> 01:40:42,120
Speaker 2: Uh?

2485
01:40:42,439 --> 01:40:44,000
Speaker 1: God willing, Yes, God willing.

2486
01:40:44,680 --> 01:40:45,880
Speaker 2: If man doesn't.

2487
01:40:48,760 --> 01:40:54,439
Speaker 1: Yeah, don't forget man doesn't hire hit man is gonna

2488
01:40:54,560 --> 01:40:55,200
Speaker 1: what if the hit man?

2489
01:40:55,280 --> 01:40:56,080
Speaker 2: Like what if Stevie j.

2490
01:40:57,840 --> 01:40:59,680
Speaker 7: All right, we're putting on what if that?

2491
01:40:59,760 --> 01:41:02,600
Speaker 2: What if that's who she talked to? What if they

2492
01:41:02,640 --> 01:41:03,840
Speaker 2: were misquoted in that article?

2493
01:41:05,479 --> 01:41:07,680
Speaker 1: This has been another episode of the Nuclear Rory and

2494
01:41:07,760 --> 01:41:10,640
Speaker 1: Mall podcast What Did She Talk To? D? I'd just

2495
01:41:10,720 --> 01:41:12,040
Speaker 1: like to thank you all for tuning in to this

2496
01:41:12,120 --> 01:41:15,200
Speaker 1: crazy bunch. Thank you for taking this audio journey with us.

2497
01:41:15,280 --> 01:41:17,280
Speaker 1: I know it was bumpy ribbers turbulence along the way,

2498
01:41:17,760 --> 01:41:19,800
Speaker 1: but we got you to your destination safe. Hope that

2499
01:41:19,880 --> 01:41:22,479
Speaker 1: you have a great day, great night, great evening. We

2500
01:41:22,600 --> 01:41:24,760
Speaker 1: love you. We'll talk to you soon. Be safe. I'm

2501
01:41:24,800 --> 01:41:26,160
Speaker 1: that nigga, he's your ginger peace.

2502
01:41:27,720 --> 01:41:27,920
Speaker 2: Enw.